Produced by Eric Eldred, Robert Connal and the Online
Distributed Proofreading Team

WANDERERS

By Knut Hamsun

Translated from the Norwegian of by W. W. Worster

With an Introduction by W. W. Worster

CONTENTS

Under the Autumn Star

A Wanderer Plays on Muted Strings

WANDERERS

INTRODUCTION

An autobiographical element is evident in practically everything that
Hamsun has written. But it is particularly marked in the two volumes
now published under the common title of "Wanderers," as well as in
the sequel named "The Last Joy." These three works must be considered
together. They have more in common than the central figure of "Knut
Pedersen from the Northlands" through whose vision the fates of Captain
Falkenberg and his wife are gradually unfolded to us. Not only do they
refer undisguisedly to events known to be taken out of Hamsun's own
life, but they mirror his moods and thoughts and feelings during a
certain period so closely that they may well be regarded as diaries of
an unusually intimate character. It is as psychological documents of the
utmost importance to the understanding of Hamsun himself that they have
their chief significance. As a by-product, one might almost say, the
reader gets the art which reveals the story of the Falkenbergs by
a process of indirect approach equalled in its ingenuity and
verisimilitude only by Conrad's best efforts.

The line of Hamsun's artistic evolution is easily traceable through
certain stages which, however, are not separated by sharp breaks. It
is impossible to say that one stage ended and the next one began in
a certain year. Instead they overlap like tiles on a roof. Their
respective characters are strikingly symbolized by the titles of the
dramatic trilogy which Hamsun produced between 1895 and 1898--"At the
Gate of the Kingdom," "The Game of Life," and "Sunset Glow."

"Hunger" opened the first period and "Pan" marked its climax, but it
came to an end only with the eight-act drama of "Vendt the Monk" in
1902, and traces of it are to be found in everything that Hamsun ever
wrote. Lieutenant Glahn might survive the passions and defiances of
his youth and lapse into the more or less wistful resignation of Knut
Pedersen from the Northlands, but the cautious, puzzled Knut has moments
when he shows not only the Glahn limp but the Glahn fire.

Just when the second stage found clear expression is a little hard
to tell, but its most characteristic products are undoubtedly the two
volumes now offered to the American public, and it persists more or less
until 1912, when "The Last Joy" appeared, although the first signs of
Hamsun's final and greatest development showed themselves as early as
1904, when "Dreamers" was published. The difference between the second
and the third stages lies chiefly in a maturity and tolerance of vision
that restores the narrator's sense of humour and eliminates his own
personality from the story he has to tell.

Hamsun was twenty-nine when he finished "Hunger," and that was the age
given to one after another of his central figures. Glahn is twenty-nine,
of course, and so is the Monk Vendt. With Hamsun that age seemed to
stand principally for the high water mark of passion. Because of the
fire burning within themselves, his heroes had the supreme courage of
being themselves in utter defiance of codes and customs. Because of
that fire they were capable of rising above everything that life might
bring--above everything but the passing of the life-giving passion
itself. A Glahn dies, but does not grow old.

Life insists on its due course, however, and in reality passion may sink
into neurasthenia without producing suicides. Ivar Kareno discovers it
in "Sunset Glow," when, at the age of fifty, he turns renegade in
more senses than one. But even then his realization could not be fully
accepted by the author himself, still only thirty-eight, and so Kareno
steps down into the respectable and honoured sloth of age only to
be succeeded, by another hero who has not yet passed the climacteric
twenty-ninth year. Even Telegraph-Rolandsen in "Dreamers" retains the
youthful glow and charm and irresponsibility that used to be thought
inseparable from the true Hamsun character.

It is therefore with something of a shock one encounters the enigmatic
Knut Pedersen from the Northlands, who has turned from literature to
tramping, who speaks of old age as if he had reached the proverbial
three-score and ten, and who time and again slips into something like
actual whining, as when he says of himself: "Time has worn me out so
that I have grown stupid and sterile and indifferent; now I look upon
a woman merely as literature." The two volumes named "Under the Autumn
Star" and "A Wanderer Plays on Muted Strings" form an unbroken cry of
regret, and the object of that regret is the hey-day of youth--that
golden age of twenty-nine--when every woman regardless of age and colour
and caste was a challenging fragment of life.

Something more than the passing of years must have characterized the
period immediately proceeding the production of the two volumes just
mentioned. They mark some sort of crisis reaching to the innermost
depths of the soul it wracked with anguish and pain. Perhaps a clue
to this crisis may be found in the all too brief paragraph devoted
to Hamsun in the Norwegian "Who's who." There is a line that reads as
follows: "Married, 1898, Bergljot Bassöe Bech (marriage dissolved);
1908, Marie Andersen." The man that wrote "Under the Autumn Star" was
unhappy. But he was also an artist. In that book the artist within
him is struggling for his existence. In "A Wanderer Plays with Muted
Strings" the artist is beginning to assert himself more and more, and
that he had conquered in the meantime we know by "Benoni" and "Rosa"
which appeared in 1908. The crisis was past, but echoes of it were
heard as late as 1912, the year of "Last Joy," which well may be called
Hamsun's most melancholy book. Yet that is the book which seems to have
paved the way and laid the foundation for "The Growth of the Soil"--just
as "Dreamers" was a sketch out of which in due time grew "Children of
the Time" and "Segelfoss Town."

Hamsun's form is always fluid. In the two works now published it
approaches formlessness. "Under the Autumn Star" is a mere sketch,
seemingly lacking both plan and plot. Much of the time Knut Pedersen is
merely thinking aloud. But out of his devious musings a purpose finally
shapes itself, and gradually we find ourselves the spectator of
a marital drama that becomes the dominant note in the sequel. The
development of this main theme is, as I have already suggested,
distinctly Conradian in its method, and looking back from the ironical
epilogue that closes "A Wanderer Plays on Muted Strings," one marvels
at the art that could work such a compelling totality out of such a
miscellany of unrelated fragments.

There is a weakness common to both these works which cannot be passed up
in silence. More than once the narrator falls out of his part as a tramp
worker to rail journalistically at various things that have aroused
his particular wrath, such as the tourist traffic, the city worker and
everything relating to Switzerland. It is done very naively, too, but it
is well to remember how frequently in the past this very kind of
naiveté has associated with great genius. And whatever there be of such
shortcomings is more than balanced by the wonderful feeling for and
understanding of nature that most frequently tempt Hamsun into straying
from the straight and narrow path of conventional story telling. What
cannot be forgiven to the man who writes of "faint whisperings that come
from forest and river as if millions of nothingnesses kept streaming and
streaming," and who finds in those whisperings "one eternity coming to
an understanding with another eternity about something"?

EDWIN BJORKMAN

UNDER THE AUTUMN STAR

I.

Smooth as glass the water was yesterday, and smooth as glass it is again
today. Indian summer on the island, mild and warm--ah! But there is no
sun.

It is many years now since I knew such peace. Twenty or thirty years,
maybe; or maybe it was in another life. But I have felt it some time,
surely, since I go about now humming a little tune; go about rejoicing,
loving every straw and every stone, and feeling as if they cared for me
in return.

When I go by the overgrown path, in through the woods, my heart quivers
with an unearthly joy. I call to mind a spot on the eastern shores of
the Caspian, where I once stood. All just as it is here, with the
water still and heavy and iron-grey as now. I walked through the woods,
touched to the heart, and verging on tears for sheer happiness' sake,
and saying to myself all the time: God in heaven. To be here again....

As if I had been there before.

Ah well, I may have been there once before, perhaps, coming from another
time and another land, where the woods and the woodland paths were the
same. Perhaps I was a flower then, in the woods, or perhaps a beetle,
with its home in some acacia tree.

And now I have come to this place. Perhaps I was a bird and flew all
that long way. Or the kernel in some fruit sent by a Persian trader.

See, now I am well away from the rush and crowd of the city, from people
and newspapers; I have fled away from it all, because of the calling
that came to me once more from the quiet, lonely tracts where I belong.
"It will all come right this time," I tell myself, and am full of
hope. Alas, I have fled from the city like this before, and afterwards
returned. And fled away again.

But this time I am resolved. Peace I will have, at any cost. And for the
present I have taken a room in a cottage here, with Old Gunhild to look
after me.

Here and there among the pines are rowans, with ripe coral berries; now
the berries are falling, heavy clusters striking the earth. So they reap
themselves and sow themselves again, an inconceivable abundance to be
squandered every single year. Over three hundred clusters I can count
on a single tree. And here and there about are flowers still in bloom,
obstinate things that will not die, though their time is really past.

But Old Gunhild's time is past as well--and think you she will die?
She goes about as if death were a thing did not concern her. When the
fishermen are down on the beach, painting their boats or darning nets,
comes Gunhild with her vacant eyes, but with a mind as keen as any to a
bargain.

"And what is the price of mackerel today?" she asks.

"The same as yesterday."

"Then you can keep it, for all I care."

And Gunhild goes back home.

But the fishermen know that Gunhild is not one of those that only
pretend to go away; she has gone off like that before now, up to her
cottage, without once looking back. So, "Hey" they call to her, and
say they'll make it seven to the half-dozen today, seeing she is an old
customer.

And Gunhild buys her fish.

Washing hangs on the lines to dry; red petticoats and blue shirts, and
under-things of preposterous thickness, all spun and woven on the island
by the old women still left alive. But there is washing, too, of another
sort: those fine chemises without sleeves, the very thing to make a body
blue with cold, and mauve woollen undervests that pull out to no more
than the thickness of a string. And how did these abominations get
there? Why, 'tis the daughters, to be sure, the young girls of the
present day, who've been in service in the towns, and earned such finery
that way. Wash them carefully, and not too often, and the things will
last for just a month. And then there is a lovely naked feeling when the
holes begin to spread.

But there is none of that sort of nonsense, now, about Gunhild's shoes,
for instance. At suitable intervals, she goes round to one of the
fishermen, her like in age and mind, and gets the uppers and the soles
done in thoroughly with a powerful mess of stuff that leaves the water
simply helpless. I've seen that dubbin boiling on the beach; there's
tallow in it, and tar and resin as well.

Wandering idly along the beach yesterday, looking at driftwood and
scales and stones, I came upon a tiny bit of plate glass. How it ever
got there, is more than I can make out; but the thing seems a mistake, a
very lie, to look at. Would any fisherman, now, have rowed out here with
it and laid it down and rowed away again? I left it where it lay; it was
thick and common and vulgar; perhaps a bit of a tramcar window. Once on
a time glass was rare, and bottle-green. God's blessing on the old days,
when something could be rare!

Smoke rising now from the fisher-huts on the southern point of the
island. Evening time, and porridge cooking for supper. And when supper's
done, decent folk go to their beds, to be up again with the dawn. Only
young and foolish creatures still go trapesing round from house
to house, putting off their bedtime, not knowing what is best for
themselves.

II

A man landed here this morning--come to paint the house. But Old
Gunhild, being very old indeed, and perishing with gout most times, gets
him to cut up a few days' firewood for her cooking before he starts.
I've offered many a time to cut that wood myself, but she thinks my
clothes too fine, and would not let me have the ax on any account.

This painter, now, is a short, thick-set fellow with red hair and no
beard. I watch him from behind a window as he works, to see how he
handles the ax. Then, noticing that he is talking to himself, I steal
out of the house to listen. If he makes a false stroke, he takes it
patiently, and does not trouble himself; but whenever he knocks his
knuckles, he turns irritable and says: "_Fan! Fansmagt_!" [Footnote:
"The Devil! Power of the Devil!"]--and then looks round suddenly and
starts humming a tune to cover his words.

Yes; I recognize that painter man. Only, he's not a painter at all,
the rascal, but Grindhusen, one of the men I worked with when I was
roadmaking at Skreia.

I go up to him, and ask if he remembers me, and we talk a bit.

Many, many years it is now since we were roadmenders together,
Grindhusen and I; we were youngsters then, and danced along the roads in
the sorriest of shoes, and ate what we could get as long as we had
money enough for that. But when we'd money to spare, then there would
be dancing with the girls all Saturday night, and a crowd of our
fellow-workers would come along, and the old woman in the house sold us
coffee till she must have made a little fortune. Then we worked on heart
and soul another week through, looking forward to the Saturday again.
But Grindhusen, he was as a red-headed wolf after the girls.

Did he remember the old days at Skreia?

He looks at me, taking stock of me, with something of reserve; it is
quite a while before I can draw him out to remember it at all.

Yes, he remembers Skreia well enough.

"And Anders Fila and 'Spiralen' and Petra?"

"Which one?"

"Petra--the one that was your girl."

"Ay, I remember her. I got tied up with her at last." Grindhusen falls
to chopping wood again.

"Got tied up with her, did you?"

"Ay, that was the end of it. Had to be, I suppose. What was I going to
say, now? You've turned out something fine, by the look of things."

"Why? Is it these clothes you're thinking of? You've Sunday clothes
yourself, now, haven't you?"

"What d'you give for those you've got on?"

"I can't remember, but it was nothing very much. Couldn't say exactly
what it was."

Grindhusen looks at me in astonishment and bursts out laughing.

"What? Can't remember what you paid for them?"

Then he turns serious, shakes his head, and says: "No, I dare say you
wouldn't. No. That's the way when you've money enough and beyond."

Old Gunhild comes out from the house, and seeing us standing there by
the chopping-block wasting time in idle talk, she tells Grindhusen he'd
better start on the painting.

"So you've turned painter now?" said I.

Grindhusen made no answer, and I saw I had said a thing that should not
have been said in others' hearing.

Grindhusen works away a couple of hours with his putty and paint, and
soon one side of the little house, the north side, facing the sea, is
done all gaily in red. At the mid-day rest, I go out and join him,
with something to drink, and we lie on the ground awhile, chatting and
smoking.

"Painter? Not much of a one, and that's the truth," says he. "But if any
one comes along and asks if I can paint a bit of a wall, why, of course
I can. First-rate _Brændevin_ this you've got."

His wife and two children lived some four miles off, and he went home
to them every Saturday. There were two daughters besides, both grown up,
and one of them married. Grindhusen was a grandfather already. As soon
as he'd done painting Gunhild's cottage--two coats it was to have--he
was going off to the vicarage to dig a well. There was always work of
some sort to be had about the villages. And when winter set in, and the
frost began to bind, he would either take a turn of woodcutting in the
forests or lie idle for a spell, till something else turned up. He'd no
big family to look after now, and the morrow, no doubt, would look after
itself just as today.

"If I could only manage it," said Grindhusen, "I know what I'd do. I'd
get myself some bricklayer's tools."

"So you're a bricklayer, too?"

"Well, not much of a one, and that's the truth. But when that well's
dug, why, it'll need to be lined, that's clear...."

I sauntered about the island as usual, thinking of this and that. Peace,
peace, a heavenly peace comes to me in a voice of silence from every
tree in the wood. And now, look you, there are but few of the small
birds left; only some crows flying mutely from place to place and
settling. And the clusters from the rowans drop with a sullen thud and
bury themselves in the moss.

Grindhusen is right, perhaps: tomorrow will surely look after itself,
just as today. I have not seen a paper now these last two weeks, and,
for all that, here I am, alive and well, making great progress in
respect of inward calm; I sing, and square my shoulders, and stand
bareheaded watching the stars at night.

For eighteen years past I have sat in cafés, calling for the waiter if
a fork was not clean: I never call for Gunhild in the matter of forks
clean or not! There's Grindhusen, now, I say to myself; did you mark
when he lit his pipe, how he used the match to the very last of it, and
never burned his horny fingers? I saw a fly crawling over his hand, but
he simply let it crawl; perhaps he never noticed it was there. That is
the way a man should feel towards flies....

In the evening, Grindhusen takes the boat and rows off. I wander along
the beach, singing to myself a little, throwing stones at the water,
and hauling bits of driftwood ashore. The stars are out, and there is
a moon. In a couple of hours Grindhusen comes back, with a good set
of bricklayer's tools in the boat. Stolen them somewhere, I think to
myself. We shoulder each our load, and hide away the tools among the
trees.

Then it is night, and we go each our separate way.

Grindhusen finishes his painting the following afternoon, but agrees to
go on cutting wood till six o'clock to make up a full day's work. I get
out Gunhild's boat and go off fishing, so as not to be there when he
leaves. I catch no fish, and it is cold sitting in the boat; I look at
my watch again and again. At last, about seven o'clock: he must be gone
by now, I say to myself, and I row home. Grindhusen has got over to the
mainland, and calls across to me from there: _"Farvel!"_

Something thrilled me warmly at the word; it was like a calling from my
youth, from Skreia, from days a generation gone.

I row across to him and ask:

"Can you dig that well all alone?"

"No. I'll have to take another man along."

"Take me," I said. "Wait for me here, while I go up and settle at the
house."

Half-way up I heard Grindhusen calling again:

"I can't wait here all night. And I don't believe you meant it, anyway."

"Wait just a minute. I'll be down again directly."

And Grindhusen sets himself down on the beach to wait. He knows I've
some of that first-rate _Brændevin_ still left.

IV

We came to the vicarage on a Saturday. After much doubting, Grindhusen
had at last agreed to take me as his mate. I had bought provisions and
some working clothes, and stood there now, in blouse and high boots,
ready to start work. I was free and unknown; I learned to walk with a
long, slouching stride, and for the look of a laboring man, I had
that already both in face and hands. We were to put up at the vicarage
itself, and cook our food in the brew-house across the yard.

And so we started on our digging.

I did my share of the work, and Grindhusen had no fault to find with me
as a work-mate. "You'll turn out a first-rate hand at this, after all,"
he said.

Then after we'd been working a bit, the priest came out to look, and we
took off our hats. He was an oldish man, quiet and gentle in his ways
and speech; tiny wrinkles spread out fanwise from the corners of his
eyes, like the traces of a thousand kindly smiles. He was sorry to
interrupt, and hoped we wouldn't mind--but they'd so much trouble every
year with the fowls slipping through into the garden. Could we leave
the well just for a little, and come round and look at the garden wall?
There was one place in particular....

Grindhusen answered: surely; we'd manage that for him all right.

So we went up and set the crumbling wall to rights. While we were
busy there a young lady came out and stood looking on. We greeted
her politely, and I thought her a beautiful creature to see. Then a
half-grown lad came out to look, and asked all sorts of questions.
The two were brother and sister, no doubt. And the work went on easily
enough with the young folk there looking on.

Then evening came. Grindhusen went off home, leaving me behind. I slept
in the hayloft for the night.

Next day was Sunday. I dared not put on my town clothes lest they should
seem above my station, but cleaned up my working things as neatly as
I could, and idled about the place in the quiet of Sunday morning. I
chatted to the farm-hands and joined them in talking nonsense to the
maids; when the bell began ringing for church, I sent in to ask if I
might borrow a Prayer Book, and the priest's son brought me one himself.
One of the men lent me a coat; it wasn't big enough, really, but, taking
off my blouse and vest, I made it do. And so I went to church.

That inward calm I had been at such pains to build up on the island
proved all too little yet; at the first thrill of the organ I was torn
from my setting and came near to sobbing aloud. "Keep quiet, you fool,"
I said to myself, "it's only neurasthenia." I had chosen a seat well
apart from the rest, and hid my emotion as best I could. I was glad when
that service was over.

When I had boiled my meat and had some dinner, I was invited into the
kitchen for a cup of coffee. And while I sat there, in came Frøkenen,
the young lady I had seen the day before; I stood up and bowed a
greeting, and she nodded in return. She was charming, with her youth and
her pretty hands. When I got up to go, I forgot myself and said:

"Most kind of you, I'm sure, my dear young lady!"

She glanced at me in astonishment, frowned, and the colour spread in
her cheeks till they burned. Then with a toss of her head she turned and
left the room. She was very young.

Well, I had done a nice thing now!

Miserable at heart, I sneaked up into the woods to hide. Impertinent
fool, why hadn't I held my tongue! Of all the ridiculous things to
say....

The vicarage buildings lay on the slope of a small hill; from the top,
the land stretched away flat and level, with alternating timber and
clearing. It struck me that here would be the proper place to dig the
well, and then run a pipe-line down the slope to the house. Judging
the height as nearly as I can, it seems more than enough to give the
pressure needed; on the way back I pace out the approximate length: two
hundred and fifty feet.

But what business was it of mine, after all? For Heaven's sake let me
not go making the same mistake again, and insulting folk by talking
above my station.

V

Grindhusen came out again on Monday morning, and we fell to digging as
before. The old priest came out to look, and asked if we couldn't fix
a post for him on the road up to the church. He needed it badly, that
post; it had stood there before, but had got blown down; he used it for
nailing up notices and announcements.

We set up a new post, and took pains to get it straight and upstanding
as a candle in a stick. And by the way of thanks we hooded the top with
zinc.

While I was at work on the hood, I got Grindhusen to suggest that the
post should be painted red; he had still a trifle of red paint left over
from the work at Gunhild's cottage. But the priest wanted it white,
and Grindhusen was afraid to contradict, and carefully agreed to all
he said, until at last I put in a word, and said that notices on white
paper would show up better against red. At that the priest smiled, with
the endless wrinkles round his eyes, and said: "Yes, yes, of course,
you're quite right."

And that was enough; just that bit of a smile and saying I was right
made me all glad and proud again within.

Then Frøkenen came up, and said a few words to Grindhusen; even jested
with him, asking what that red cardinal was to be stuck up there for on
the road. But to me she said nothing at all, and did not even look at me
when I took off my hat.

Dinner was a sore trial to me that day, not that the food was bad, no,
but Grindhusen, he ate his soup in a disgusting fashion, and his mouth
was all greasy with fat.

"What'll he be like when it comes to eating porridge?" I thought to
myself hysterically.

Then when he leaned back on the bench to rest after his meal in the same
greasy state, I called to him straight out:

"For Heaven's sake, man, aren't you going to wipe your mouth?"

He stared at me, wiping his mouth with one hand. "Mouth?" he said.

I tried to turn it off then as a joke, and said: "Haha, I had you
there!" But I was displeased with myself, for all that, and went out of
the brewhouse directly after.

Then I fell to thinking of Frøkenen. "I'll make her answer when I give a
greeting," I said to myself. "I'll let her see before very long that
I'm not altogether a fool." There was that business of the well and
the pipe-line, now; what if I were to work out a plan for the whole
installation all complete! I had no instruments to take the height and
fall of the hill ... well, I could make one that would serve. And I set
to work. A wooden tube, with two ordinary lamp-glasses fixed in with
putty, and the whole filled with water.

Soon it was found there were many little things needed seeing to
about the vicarage--odd matters here and there. A stone step to be set
straight again, a wall to be repaired; the bridgeway to the barn had to
be strengthened before the corn could be brought in. The priest liked to
have everything sound and in order about the place--and it was all one
to us, seeing we were paid by the day. But as time went on I grew more
and more impatient of my work-mate's company. It was torture to me, for
instance, to see him pick up a loaf from the table, hold it close in to
his chest, and cut off a slice with a greasy pocket-knife that he was
always putting in his mouth. And then, again, he would go all through
the week, from Sunday to Sunday, without a wash. And in the morning,
before the sun was up, and the evening, after it had gone, there was
always a shiny drop hanging from the tip of his nose. And then his
nails! And as for his ears, they were simply deformed.

Alas! I was an upstart creature, that had learned fine manners in
the cafés in town. And since I could not keep myself from telling my
companion now and then what I thought of his uncleanly ways, there grew
up a certain ill-feeling between us, and I feared we should have to
separate before long. As it was, we hardly spoke now beyond what was
needed.

And there was the well, as undug as ever. Sunday came, and Grindhusen
had gone home.

I had got my apparatus finished now, and in the afternoon I climbed up
to the roof of the main building and set it up there. I saw at once
that the sight cut the hillside several metres below the top. Good. Even
reckoning a whole metre down to the water-level, there would still be
pressure enough and to spare.

While I was busy up there the priest's son caught sight of me. Harald
Meltzer was his name. And what was I doing up there? Measuring the hill;
what for? What did I want to know the height for? Would I let him try?

Later on I got hold of a line ten metres long, and measured the hill
from foot to summit, with Harald to help. When we came down to the
house, I asked to see the priest himself, and told him of my plan.

VI

The priest listened patiently, and did not reject the idea at once.

"Really, now!" he said, with a smile. "Why, perhaps you're right. But it
will cost a lot of money. And why should we trouble about it at all?"

"It's seventy paces from the house to the well we started to dig.
Seventy steps for the maids to go through mud and snow and all sorts,
summer and winter."

"That's true, yes. But this other way would cost a terrible lot of
money."

"Not counting the well--that you'll have to have in any case; the whole
installation, with work and material, ought not to come to more than a
couple of hundred Kroner," said I.

The priest looked surprised.

"Is that all?"

"Yes."

I waited a little each time before answering, as if I were slow by
nature, and born so. But, really, I had thought out the whole thing
beforehand.

"It would be a great convenience, that's true," said the priest
thoughtfully. "And that water tub in the kitchen does make a lot of
mess."

"And it will save carrying water to the bedrooms as well."

"The bedrooms are all upstairs. It won't help us there, I'm afraid."

"We can run the pipes up to the first floor."

"Can we, though? Up to the bedrooms? Will there be pressure enough for
that, do you think?"

Here I waited longer than usual before answering, as a stolid fellow,
who did not undertake things lightly.

"I think I can answer for a jet the height of the roof," I said.

"Really, now!" exclaimed the priest. And then again: "Come and let us
see where you think of digging the well."

We went up the hill, the priest, Harald, and I, and I let the priest
look through my instrument, and showed him that there would be more than
pressure enough.

"I must talk to the other man about it," he said.

But I cut out Grindhusen at once, and said: "Grindhusen? He's no idea of
this work at all."

The priest looked at me.

"Really?" he said.

Then we went down again, the priest talking as if to himself.

"Quite right; yes. It's an endless business fetching water in the
winter. And summer, too, for that matter. I must see what the women
think about it."

And he went indoors.

After ten minutes or so, I was sent for round to the front steps; the
whole family were there now.

"So you're the man who's going to give us water laid on to the house?"
said Fruen kindly.

I took off my cap and bowed in a heavy, stolid fashion, and the priest
answered for me: yes, this was the man.

Frøkenen gave me one curious glance, and then started talking in an
undertone to her brother. Fruen went on with more questions--would it
really be a proper water-supply like they had in town, just turn on
a tap and there was the water all ready? And for upstairs as well? A
couple of hundred Kroner? "Really, I think you ought to say yes," she
said to her husband.

"You think so? Well, let's all go up to the top of the hill and look
through the thing and see."

We went up the hill, and I set the instrument for them and let them
look.

"Wonderful!" said Fruen.

But Frøkenen said never a word.

The priest asked:

"But are you sure there's water here?"

I answered carefully, as a man of sober judgment, that it was not a
thing to swear to beforehand, but there was every sign of it.

"What sort of signs?" asked Fruen.

"The nature of the ground. And you'll notice there's willow and osiers
growing about. And they like a wet soil."

The priest nodded, and said:

"He knows his business, Marie, you can see."

On the way back, Fruen had got so far as to argue quite unwarrantably
that she could manage with one maid less once they'd water laid on. And
not to fail her, I put in:

"In summer at least you might. You could water all the garden with a
hose fixed to the tap and carried out through the cellar window."

"Splendid!" she exclaimed.

But I did not venture to speak of laying a pipe to the cow-shed. I had
realized all the time that with a well twice the size, and a branch
pipe across the yard, the dairymaid would be saved as much as the
kitchen-maids in the house. But it would cost nearly twice as much. No,
it was not wise to put forward so great a scheme.

Even as it was, I had to agree to wait till Grindhusen came back. The
priest said he wanted to sleep on it.

VII

So now I had to tell Grindhusen myself, and prepare him for the new
arrangement. And lest he should turn suspicious, I threw all the blame
on the priest, saying it was his idea, but that I had backed him up.
Grindhusen had no objection; he saw at once it meant more work for us
since we should have the well to dig in any case, and the bed for the
pipes besides.

As luck would have it, the priest came out on Monday morning, and said
to Grindhusen half jestingly:

"Your mate here and I have decided to have the well up on the hill, and
lay down a pipe-line to the house. What do you think of it? A mad idea?"

Grindhusen thought it was a first-rate idea.

But when we came to talk it over, and went up all three to look at the
site of the well, Grindhusen began to suspect I'd had more to do with it
than I had said. We should have to lay the pipes deep down, he said, on
account of the frost....

"One metre thirty's plenty," I said.

... and that it would cost a great deal of money.

"Your mate here said about a couple of hundred Kroner in all," answered
the priest.

Grindhusen had no idea of estimates at all, and could only say:

"Well, well, two hundred Kroner's a deal of money, anyway."

I said:

"It will mean so much less in _Aabot_ when you move."

The priest looked at me in surprise.

"_Aabot_? But I'm not thinking of leaving the place," he said.

"Why, then, you'll have the full use of it. And may your reverence live
to enjoy it for many a year," said I.

At this the priest stared at me, and asked:

"What is your name?"

"Knut Pedersen."

"Where are you from?"

"From Nordland."

But I understood why he had asked, and resolved not to talk in that
bookish way any more.

Anyhow, the well and the pipe-line were decided on, and we set to
work....

The days that followed were pleasant enough. I was not a little anxious
at first as to whether we should find water on the site, and I slept
badly for some nights. But once that fear was past, all that remained
was simple and straightforward work. There was water enough; after a
couple of days we had to bale it out with buckets every morning. It was
clay lower down, and our clothes were soon in a sorry state from the
work.

We dug for a week, and started the next getting out stones to line the
well. This was work we were both used to from the old days at Skreia.
Then we put in another week digging, and by that time we had carried
it deep enough. The bottom was soon so soft that we had to begin on the
stonework at once, lest the clay walls should cave in on top of us.

So week after week passed, with digging and mining and mason's work.
It was a big well, and made a nice job; the priest was pleased with it.
Grindhusen and I began to get on better together; and when he found that
I asked no more than a fair labourer's wage, though much of the work
was done under my directions, he was inclined to do something for me in
return, and took more care about his table manners. Altogether, I could
not have wished for a happier time; and nothing on earth should ever
persuade me to go back to town life again!

In the evenings I wandered about the woods, or in the churchyard reading
the inscriptions on the tombstones, and thinking of this and that. Also,
I was looking about for a nail from some corpse. I wanted a nail; it was
a fancy of mine, a little whim. I had found a nice piece of birch-root
that I wanted to carve to a pipe-bowl in the shape of a clenched fist;
the thumb was to act as a lid, and I wanted a nail to set in, to make it
specially lifelike. The ring finger was to have a little gold ring bent
round.

Thinking of such trifles kept my mind calm and at ease. There was no
hurry now for me about anything in life. I could dream as I pleased,
having nothing else to do; the evenings were my own. If possible, too,
I would see and arrive at some feeling of respect for the sacredness
of the church and terror of the dead; I had still a memory of that rich
mysticism from days now far, far behind, and wished I could have some
share in it again. Now, perhaps, when I found that nail, there would
come a voice from the tombs: "That is mine!" and I would drop the thing
in horror, and take to my heels and run.

"I wish that vane up there wouldn't creak so," Grindhusen would say at
times.

"Are you afraid?"

"Well, not properly afraid; no. But it gives you a creeping feeling now
and then to think of all the corpses lying there so near."

Happy man!

One day Harald showed me how to plant pine cones and little bushes. I'd
no idea of that sort of work before; we didn't learn it in the days when
I was at school. But now I'd seen the way of it, I went about planting
busily on Sundays; and, in return, I taught Harald one or two little
things that were new to him at his age, and got to be friends with him.

VIII

And all might have been well if it had not been for Frøkenen, the
daughter of the house. I grew fonder of her every day. Her name was
Elischeba, Elisabeth. No remarkable beauty, perhaps; but she had red
lips, and a blue, girlish glance that made her pretty to see. Elischeba,
Elisabeth--a child at the first dawn of life, with eyes looking out upon
the world. She spoke one evening with young Erik from the neighbouring
_gaard_, and her eyes were full of sweetness and of something ripening.

It was all very well for Grindhusen. He had gone ravening after the
girls when he was young, and he still spanked about with his hat on one
side, out of habit. But he was quiet and tame enough now, as well he
might be--'tis nature's way. But some there are who would not follow
nature's way, and be tamed; and how shall it fare with them at last? And
then there was little Elisabeth; and she was none so little after all,
but as tall as her mother. And she'd her mother's high breast.

Since that first Sunday they had not asked me in to coffee in the
kitchen, and I took care myself they should not, but kept out of the
way. I was still ashamed of the recollection. But then, at last, in the
middle of the week, one of the maids came with a message that I was not
to go running off into the woods every Sunday afternoon, but come to
coffee with the rest. Fruen herself had said so.

Good!

Now, should I put on my best clothes or not? No harm, perhaps, in
letting that young lady get into her head that I was one who had chosen
to turn my back upon the life of cities, and taken upon myself the guise
of a servant, for all I was a man of parts, that could lay on water to
a house. But when I had dressed, I felt myself that my working clothes
were better suited to me now; I took off my best things again, and hid
them carefully in my bag.

But, as it happened, it was not Frøkenen at all who received me on that
Sunday afternoon, but Fruen. She talked to me for quite a while, and she
had spread a little white cloth under my cup.

"That trick of yours with the egg is likely to cost us something before
we've done with it," said Fruen, with a kindly laugh. "The boy's used up
half a dozen eggs already."

I had taught Harald the trick of passing a hard boiled egg with the
shell off through the neck of a decanter, by thinning the air inside. It
was about the only experiment in physics that I knew.

"But that one with breaking the stick in the two paper loops was really
interesting," Fruen went on. "I don't understand that sort of thing
myself, but.... When will the well be done?"

"The well is done. We're going to start on the trench tomorrow."

"And how long will that take to do?"

"About a week. Then the man can come and lay the pipes."

"No! really?"

I said my thanks and went out. Fruen had a way she had kept, no doubt,
from earlier years; now and again she would glance at one sideways,
though there was nothing the least bit artful in what she said....

Now the woods showed a yellowing leaf here and there, and earth and
air began to smell of autumn. Only the fungus growths were now at their
best, shooting up everywhere, and flourishing fine and thick on woolly
stems--milk mushrooms, and the common sort, and the brown. Here and
there a toadstool thrust up its speckled top, flaming its red all
unashamed. A wonderful thing! Here it is growing on the same spot as the
edible sorts, fed by the same soil, given sun and rain from heaven the
same as they; rich and strong it is, and good to eat, save, only, that
it is full of impertinent muscarin. I once thought of making up a fine
old story about the toadstool, and saying I had read it in a book.

It has always been a pleasure to me to watch the flowers and insects in
their struggle to keep alive. When the sun was hot they would come to
life again, and give themselves up for an hour or so to the old delight;
the big, strong flies were just as much alive as in midsummer. There
was a peculiar sort of earth-bug here that I had not seen before--little
yellow things, no bigger than a small-type comma, yet they could jump
several thousand times their own length. Think of the strength of such
a body in proportion to its size! There is a tiny spider here with its
hinder part like a pale yellow pearl. And the pearl is so heavy that
the creature has to clamber up a stalk of grass back downwards. When it
comes upon an obstacle the pearl cannot pass, it simply drops straight
down and starts to climb another. Now, a little pearl-spider like that
is not just a spider and no more. If I hold out a leaf towards it to
help it to its footing on a floor, it fumbles about for a while on the
leaf, and thinks to itself: "H'm, something wrong about this!" and backs
away again, refusing to be in any way entrapped on to a floor....

Some one calls me by name from down in the wood. It is Harald; he has
started a Sunday school with me. He gave me a lesson out of Pontoppidan
to learn, and now I'm to be heard. It is touching to be taught religion
now as I should have taught it myself when I was a child.

IX

The well was finished, the trench was dug, and the man had come to lay
the pipes. He chose Grindhusen to help him with the work, and I was set
to cutting a way for the pipes up from the cellar through the two floors
of the house.

Fruen came down one day when I was busy in the cellar. I called out to
her to mind the hole in the floor; but she took it very calmly.

"There's no hole there now, is there?" she asked, pointing one way. "Or
there?" But at last she missed her footing after all, and slipped down
into the hole where I was. And there we stood. It was not light there
anyway; and for her, coming straight in from the daylight outside, it
must have seemed quite dark. She felt about the edge, and said:

"Now, how am I to get up again?"

I lifted her up. It was no matter to speak of; she was slight of figure,
for all she had a big girl of her own.

"Well, I must say...." She stood shaking the earth from her dress. "One,
two, three, and up!--as neatly as could be.... Look here, I'd like you
to help me with something upstairs one day, will you? I want to move
some things. Only we must wait till a day when my husband's over at the
annexe; he doesn't like my changing things about. How long will it be
before you've finished all there is to do here?"

I mentioned a time, a week or thereabout.

"And where are you going then?"

"To the farm just by. Grindhusen's fixed it up for us to go and dig
potatoes there...."

Then came the work in the kitchen; I had to saw through the floor there.
Frøken Elisabeth came in once or twice while I was there; it could
hardly have been otherwise, seeing it was the kitchen. And for all her
dislike of me, she managed to say a word or two, and stand looking at
the work a little.

"Only fancy, Oline," she said to the maid, "when it's all done, and
you'll only have to turn on a tap."

But Oline, who was old, did not look anyways delighted. It was like
going against Providence, she said, to go sending water through a pipe
right into the house. She'd carried all the water she'd a use for these
twenty years; what was she to do now?

"Take a rest," said I.

"Rest, indeed! We're made to work, I take it, not to rest."

"And sew things against the time you get married," said Frøken
Elisabeth, with a smile.

It was only girlish talk, but I was grateful to her for taking a little
part in the talk with us, and staying there for a while. And heavens,
how I did try to behave, and talk smartly and sensibly, showing off like
a boy. I remember it still. Then suddenly Frøken Elisabeth seemed to
remember it wasn't proper for her to stay out here with us any longer,
and so she went.

That evening I went up to the churchyard, as I had done so many times
before, but seeing Frøkenen already there, I turned away, and took
myself off into the woods. And afterwards I thought: now she will
surely be touched by my humility, and think: poor fellow, he showed
real delicacy in that. And the next thing, of course, was to imagine her
coming after me. I would get up from the stone where I was sitting, and
give a greeting. Then she would be a little embarrassed, and say: "I was
just going for a walk--it's such a lovely evening--what are you doing
here?" "Just sitting here," say I, with innocent eyes, as if my thoughts
had been far away. And when she hears that I was just sitting there in
the late of the evening, she must realize that I am a dreamer and a soul
of unknown depth, and then she falls in love with me....

She was in the churchyard again the following evening, and a thought of
high conceit flew suddenly into my mind: it was myself she came to see!
But, watching her more closely, I saw that she was busy, doing something
about a grave, so it was not me she had come for. I stole away up to the
big ant-heap in the wood and watched the insects as long as I could see;
afterwards, I sat listening to the falling cones and clusters of rowan
berries. I hummed a tune, and whispered to myself and thought; now and
again I had to get up and walk a little to get warm. The hours passed,
the night came on, and I was so in love I walked there bare-headed,
letting myself be stared out of all countenance by the stars.

"How's the time?" Grindhusen might ask when I came back to the barn.

"Just gone eleven," I would say, though it might be two or three in the
morning.

"Huh! And a nice time to be coming to bed. _Fansmagt!_ Waking folk up
when they've been sleeping decently!"

And Grindhusen turns over on the other side, to fall asleep again in a
moment. There was no trouble with Grindhusen.

Eyah, it's over-foolish of a man to fall in love when he's getting on
in years. And who was it set out to show there _was_ a way to quiet and
peace of mind?

X

A man came out for his bricklayer's tools; he wanted them back. What?
Then Grindhusen had not stolen them at all! But it was always the
same with Grindhusen: commonplace, dull, and ordinary, never great in
anything, never a lofty mind.

I said:

"You, Grindhusen, there's nothing in you but eat and sleep and work.
Here's a man come for those tools now. So you only borrowed them; that's
all you're good for. I wouldn't be you for anything."

"Don't be a fool," said Grindhusen.

He was offended now, but I got him round again, as I had done so many
times before, by pretending I had only spoken in jest.

"What are we to do now?" he asked.

"You'll manage it all right," said I.

"Manage it--will I?"

"Yes, or I am much mistaken."

And Grindhusen was pacified once more.

But at the midday rest, when I was cutting his hair, I put him out of
temper once again by suggesting he should wash his head.

"A man of your age ought to know better than to talk such stuff," he
said.

And Heaven knows but he may have been right. His red thatch of hair was
thick as ever, for all he'd grandchildren of his own....

Now what was coming to that barn of ours? Were spirits about? Who
had been in there one day suddenly and cleaned the place and made all
comfortable and neat? Grindhusen and I had each our own bedplace; I had
bought a couple of rugs, but he turned in every night fully dressed,
with all he stood up in, and curled himself up in the hay all anyhow.
And now here were my two rugs laid neatly, looking for all the world
like a bed. I'd nothing against it; 'twas one of the maids, no doubt,
setting to teach me neat and orderly ways. 'Twas all one to me.

I was ready now to start cutting through the floor upstairs, but Fruen
begged me to leave it to next day; her husband would be going over to
the annexe, and that way I shouldn't disturb him. But next morning we
had to put it off again; Frøken Elisabeth was going in to the store to
buy no end of things, and I was to go with her and carry them.

"Good," said I, "I'll come on after."

Strange girl! had she thought to put up with my company on the way? She
said:

"But do you think you can find the way alone?"

"Surely; I've been there before. It's where we buy our things."

Now, I couldn't well walk through all the village in my working things
all messed up with clay: I put on my best trousers, but kept my blouse
on over. So I walked on behind. It was a couple of miles or more; the
last part of the way I caught sight of Frøken Elisabeth on ahead now and
again, but I took care not to come up close. Once she looked round, and
at that I made myself utterly small, and kept to the fringe of the wood.

Frøken Elisabeth stayed behind with some girl friend after she had done
her shopping; I carried the things back to the vicarage, getting in
about noon, and was asked in to dinner in the kitchen. The house seemed
deserted. Harald was away, the maids were wringing clothes, only Oline
was busy in the kitchen.

After dinner, I went upstairs, and started sawing in the passage.

"Come and lend me a hand here, will you?" said Fruen, walking on in
front of me.

We passed by her husband's study and into the bedroom.

"I want my bed moved," said Fruen. "It's too near the stove in winter,
and I can't stand the heat."

We moved the bed over to the window.

"It'll be nicer here, don't you think? Cooler," said she.

And, happening to glance at her, I saw she was watching me with that
queer, sideways look.... Ey.... And in a moment I was all flesh and
blood and foolishness. I heard her say:

"Are you mad?--Oh no, dear, please ... the door...."

Then I heard my name whispered again and again....

I sawed through the floor in the passage, and got everything done.
Fruen was there all the time. She was so eager to talk, to explain, and
laughing and crying all the time.

I said:

"That picture that was hanging over your bed--wouldn't it be as well to
move that too?"

"Ye--es, perhaps it would," said Fruen.

XI

Now all the pipes were laid, and the taps fixed; the water spurted out
in the sink in a fine, powerful jet. Grindhusen had borrowed the tools
we needed from somewhere else, so we could plaster up a few holes left
here and there; a couple of days more, and we had filled in the trench
down the hillside, and our work at the vicarage was done. The priest was
pleased with us; he offered to stick up a notice on the red post saying
we were experts in the business of wells and pipes and water-supply,
but, seeing it was so late in the year, and the frost might set in any
time, it wouldn't have helped us much. We begged him instead to bear us
in mind next spring.

Then we went over to the neighbouring farm to dig potatoes, promising to
look in at the vicarage again some time.

There were many hands at work on the new place; we divided up into gangs
and were merry enough. But the work would barely last over a week; after
that we should have to shift again.

One evening the priest came over and offered to take me on as an outdoor
hand at the vicarage. It was a nice offer, and I thought about it for a
while, but ended by saying no. I would rather wander about and be my own
master, doing such work as I could find here and there, sleeping in the
open, and finding a trifle to wonder at in myself. I had come across
a man here in the potato fields that I might join company with when
Grindhusen was gone. This new man was a fellow after my own mind, and
from what I had heard and seen of him a good worker; Lars Falkberget was
his name, wherefore he called himself Falkenberg. [Footnote: The
latter name has a more distinguished sound than the native and rustic
"Falkberget."]

Young Erik was foreman and overseer in charge of the potato diggers, and
carted in the crop. He was a handsome lad of twenty, steady and sound
for his age, and a proper son of the house. There was something no doubt
between him and Frøken Elisabeth from the vicarage, seeing she came over
one day and stood talking with him out in the fields for quite a while.
When she was leaving, she found a few words for me as well, saying Oline
was beginning to get used to the new contrivances of water-pipes and
tap.

"And yourself?" I asked.

Out of politeness, she made some little answer to this also, but I could
see she had no wish to stay talking to me.

So prettily dressed she was, with a new light cloak that went so well
with her blue eyes....

Next day Erik met with an accident; his horse bolted, dragging him
across the fields and throwing him up against a fence at last. He was
badly mauled, and spitting blood; a few hours later, when he had come to
himself a little, he was still spitting blood. Falkenberg was now set to
drive.

I feigned to be distressed at what had happened, and went about silent
and gloomy as the rest, but I did not feel so. I had no hope of Frøken
Elisabeth for myself, indeed; still, I was rid of one that stood above
me in her favour.

That evening I went over to the churchyard and sat there a while. If
only she would come, I thought to myself. And after a quarter of an hour
she came. I got up suddenly, entirely as I had planned, made as if to
slip away and hide, then I stopped, stood helplessly and surrendered.
But here all my schemes and plans forsook me, and I was all weakness at
having her so near; I began to speak of something.

"Erik--to think it should have happened--and that, yesterday...."

"I know about it," she answered.

"He was badly hurt."

"Yes, yes, of course, he was badly hurt--why do you talk to me about
him?"

"I thought.... No, I don't know. But, anyhow, he'll get better. And then
it will be all right again, surely."

"Yes, yes...."

Pause.

It sounded as if she had been making fun of me. Then suddenly she said
with a smile:

"What a strange fellow you are! What makes you walk all that way to come
and sit here of an evening?"

"It's just a little habit I've got lately. For something to do till
bedtime."

"Then you're not afraid?"

Her jesting tone gave me courage; I felt myself on surer ground, and
answered:

"No, that's just the trouble. I wanted to learn to shiver and shake."

"Learn to shiver and shake? Like the boy in the fairy tale. Now where
did you read about that, I wonder?"

"I don't know. In some book or other, I suppose."

Pause.

"Why wouldn't you come and work for us when Father asked you?"

"I'd be no good at that sort of work. I'm going out on the roads now
with another man."

"Which way are you going?"

"That I cannot say. East or west. We are just wanderers."

Pause.

"I'm sorry," she said. "I mean, I don't think it's wise of you.... Oh,
but what was it you said about Erik? I only came to ask about him...."

"He's in a baddish way now, but still."

"Does the doctor think he will get better?"

"Yes, as far as I know. I've not heard otherwise."

"Well--good-night."

Oh to be young and rich and handsome, and famous and learned in
sciences!... There she goes....

Before leaving the churchyard I found a serviceable thumbnail and put
it in my pocket. I waited a little, peering this way and that, and
listening, but all was still. No voice came saying, "That's mine!"

XII

Falkenberg and I set out. It is evening; cool air and a lofty sky with
stars lighting up. I persuaded him to go round by way of the churchyard;
in my foolishness I wished to go that way, to see if there should be
light in one little window down at the vicarage. Oh to be young and rich
and....

We walked some hours, having but little weight to carry, and, moreover,
we were two wanderers still a bit strange each to the other, so we
could talk a little. We passed by the first trading station, and came
to another; we could see the tower of the annexe church in the evening
light.

From sheer habit I would have gone into the churchyard here as well. I
said:

"What do you think? We might find a place here for the night?"

"No sense on earth in that," said Falkenberg, "when there's hay in every
barn along the road. And if we're turned out, there'll be shelter in the
woods."

And we went on again, Falkenberg leading.

He was a man of something over thirty. Tall and well-built, but with
a slight stoop; his long moustaches rounded downwards. He was short of
speech for the most, quick-witted and kindly; also he had a splendid
voice for songs; a different sort from Grindhusen in every way. And when
he spoke he used odd words from different local dialects, with a touch
of Swedish here and there; no one could tell what part he came from.

We came to a farmstead where the dogs barked, and folk were still about.
Falkenberg asked to see the man. A lad came out.

Had he any work for us?

No.

But the fence there along by the road was all to pieces, if we couldn't
mend that, now?

No. Man himself had nothing else to do this time of the year.

Could they give us shelter for the night?

Very sorry, but....

Not in the barn?

No, the girls were still sleeping there.

"Swine," muttered Falkenberg, as we moved away. We turned in through a
little wood, keeping a look out now for a likely place to sleep.

"Suppose we went back to the farm now to the girls in the barn? Like as
not they wouldn't turn us out."

Falkenberg thought for a moment.

"The dogs will make a row," he said.

We came out into a field where two horses were loose. One had a bell at
its neck.

"Nice fellow this," said Falkenberg, "with his horses still out and his
womenfolk still sleeping in the barn. It'd be doing these poor beasts a
good turn to ride them a bit."

He caught the belled horse, stuffed its bell with grass and moss, and
got on its back. My beast was shy, and I had a deal of trouble to get
hold of it.

We rode across the field, found a gate, and came out on to the road. We
each had one of my rugs to sit on, but neither had a bridle.

Still, we managed well enough, managed excellently well; we rode close
on five miles, and came to another village. Suddenly we heard some one
ahead along the road.

"Better take it at a gallop," said Falkenberg over his shoulder. "Come
along."

But Falkenberg was no marvel of a horseman, for all his leg; he clutched
the bell-strap first, then slithered forward and hung on with both arms
round the horse's neck. I caught a glimpse of one of his legs against
the sky as he fell off.

Fortunately, there was no great danger waiting us after all; only a
young couple out sweethearting.

Another half-hour's riding, and we were both of us stiff and sore. We
got down, turned the horses' faces to home, and drove them off. And now
we were foot-passengers once more.

_Gakgak, gakgak_--the sound came from somewhere far off. I knew it well;
it was the grey goose. When we were children, we were taught to clasp
our hands and stand quite still, lest we should frighten the grey goose
as it passed. No harm in that; no harm in doing so now. And so I do.
A quiet sense of mystery steals through me; I hold my breath and gaze.
There it comes, the sky trailing behind it like the wake of a ship.
_Gakgak_, high overhead. And the splendid ploughshare glides along
beneath the stars....

We found a barn at last, at a farmstead where all was still, and there
we slept some hours. They found us next morning sound asleep.

Falkenberg went up to the farmer at once and offered to pay for our
lodging. We had come in late the night before, he explained, and didn't
like to wake folk out of their beds, but we were no runaways for all
that. The man would not take our money; instead he gave us coffee in the
kitchen. But he had no work for us; the harvest was in, and he and his
lad had nothing to do themselves now but mend their fences here and
there.

XIII

We tramped three days and found no work, but had to pay for our food and
drink, getting poorer every day.

"How much have you got left, and how much have I got left? We'll never
get any great way at this rate," said Falkenberg. And he threw out a
hint that we'd soon have to try a little stealing.

We talked it over a bit, and agreed to wait and see how things turned
out. Food was no difficulty, we could always get hold of a fowl or so at
a pinch. But ready money was the thing we really needed, and that we'd
have to get. If we couldn't manage it one way, we'd have to manage
another. We didn't set up to be angels.

"I'm no angel out of heaven alive," said Falkenberg. "Here am I now,
sitting around in my best clothes, and they no better than another man's
workaday things. I can give them a wash in a stream, and sit and wait
till they're dry; if there's a hole I mend it, and if I chance to earn a
bit extra some day, I can get some more. And that's the end of it."

"But young Erik said you were a beggar to drink."

"That young cock. Drink--well, of course I do. No sense in only
eating.... Let's look about for a place where there's a piano," said
Falkenberg.

I thought to myself: a piano on a place means well-to-do folk; that's
where he is going to start stealing.

In the afternoon we came to just such a place. Falkenberg had put on my
town clothes beforehand, and given me his sack to carry so he could walk
in easily, with an air. He went straight up to the front steps, and I
lost sight of him for a bit, then he came out again and said yes, he was
going to tune their piano.

"Going to _what?_"

"You be quiet," said Falkenberg. "I've done it before, though I don't go
bragging about it everywhere."

He fished out a piano-tuner's key from his sack, and I saw he was in
earnest.

I was ordered to keep near the place while he was tuning.

Well, I wandered about to pass the time; every now and then coming round
to the south side of the house, I could hear Falkenberg at work on the
piano in the parlour, and forcibly he dealt with it. He could not strike
a decent chord, but he had a good ear; whenever he screwed up a string,
he was careful to screw it back again exactly where it was before, so
the instrument at any rate was none the worse.

I got into talk with one of the farm-hands, a young fellow. He got two
hundred Kroner a year, he said, besides his board. Up at half-past six
in the morning to feed the horses, or half-past five in the busy season.
Work all day, till eight in the evening. But he was healthily content
with his life in that little world. I remember his fine, strong set of
teeth, and his pleasant smile as he spoke of his girl. He had given her
a silver ring with a gold heart on the front.

"And what did she say to that?"

"Well, she was all of a wonder, you may be sure."

"And what did you say?"

"What I said? Why, I don't know. Said I hoped she'd like it and welcome.
I'd like to have given her stuff for a dress as well, but...."

"Is she young?"

"Why, yes. Talk away like a little jews' harp. Young--I should think
so."

"And where does she live?"

"Ah, that I won't say. They'd know it all over the village if I did."

And there I stood like another Alexander, so sure of the world, and half
contemptuous of this boy and his poor little life. When we went away, I
gave him one of my rugs; it was too much of a weight to go carrying two.
He said at once he would give it to his girl; she would be glad of a
nice warm rug.

And Alexander said: If I were not myself I would be you....

When Falkenberg had finished and came out, he was grown so elegant in
his manners all at once, and talked in such a delicate fashion, I could
hardly understand him. The daughter of the house came out with him. We
were to pass on without delay, he said, to the farm adjacent; there
was a piano there which needed some slight attention. And so _"Farvel,
Frøken, Farvel."_

"Six Kroner, my boy," he whispered in my ear. "And another six at the
next place, that's twelve."

So off we went, and I carried our things.

XIV

Falkenberg was right; the people at the next farm would not be outdone
by their neighbours; their piano must be seen to as well. The daughter
of the house was away for the moment, but the work could be done in her
absence as a little surprise for her when she came home. She had
often complained that the piano was so dreadfully out of tune it was
impossible to play on it at all. So now I was left to myself again as
before, while Falkenberg was busy in the parlour. When it got dark he
had lights brought in and went on tuning. He had his supper in there
too, and when he had finished, he came out and asked me for his pipe.

"Which pipe?"

"You fool! the one with the clenched fist, of course."

Somewhat unwillingly I handed him my neatly carved pipe; I had just got
it finished; with the nail set in and a gold ring, and a long stem.

"Don't let the nail get too hot," I whispered, "or it might curl up."

Falkenberg lit the pipe and went swaggering up with it indoors. But he
put in a word for me too, and got them to give me supper and coffee in
the kitchen.

I found a place to sleep in the barn.

I woke up in the night, and there was Falkenberg standing close by, and
calling me by name. The full moon shone right in, and I could see his
face.

"What's the matter now?"

"Here's your pipe. Here you are, man, take it."

"Pipe?"

"Yes, your pipe. I won't have the thing about me another minute. Look at
it--the nail's all coming loose."

I took the pipe, and saw the nail had begun to curl away from the wood.
Said Falkenberg:

"The beastly thing was looking at me with a sort of nasty grin in the
moonlight. And then when I remembered where you'd got that nail...."

Happy Falkenberg!

Next morning when we were ready to start off again, the daughter of the
house had come home. We heard her thumping out a waltz on the piano, and
a little after she came out and said:

"It's made no end of difference with the piano. Thank you very much."

"I hope you may find it satisfactory," said the piano-tuner grandly.

"Yes, indeed. There's quite a different tone in it now."

"And is there anywhere else Frøkenen could recommend...?"

"Ask the people at Øvrebø; Falkenberg's the name."

"_What_ name?"

"Falkenberg. Go straight on from here, and you'll come to a post on
the right-hand side about a mile and a half along. Turn off there and
that'll take you to it."

At that Falkenberg sat down plump at the steps and began asking all
sorts of questions about the Falkenbergs at Øvrebø. Only to think he
should come across his kinsmen here, and find himself, as it were, at
home again. He was profusely grateful for the information. "Thanks most
sincerely, Frøken."

Then we went on our way again, and I carried the things.

Once in the wood we sat down to talk over what was to be done. Was it
advisable, after all, for a Falkenberg of the rank of piano-tuner to go
walking up to the Captain at Øvrebø and claim relationship? I was the
more timid, and ended by making Falkenberg himself a little shy of it.
On the other hand, it might be a merry jest.

Hadn't he any papers with his name on? Certificates of some sort?

"Yes, but for _Fan_, there's nothing in them except saying I'm a
reliable workman."

We cast about for some way of altering the papers a little, but finally
agreed it could be better to make a new one altogether. We might do one
for unsurpassed proficiency in piano-tuning and put in the Christian
name as Leopold instead of Lars. [Footnote: Again substituting an
aristocratic for a rustic name.] There was no limit to what we could do
in that way.

"Think that you can write out that certificate?" he asked.

"Yes, that I can."

But now that wretched brain of mine began playing tricks, and making the
whole thing ridiculous. A piano-tuner wasn't enough, I thought; no, make
him a mechanical genius, a man who had solved most intricate problems,
an inventor with a factory of his own....

"Then I wouldn't need to go about waving certificates," said Falkenberg,
and refused to listen any more. No, the whole thing looked like coming
to nothing after all.

Downcast and discouraged both, we tramped on till we came to the post.

"You're not going up, are you?" I asked.

"You can go yourself," said Falkenberg sourly. "Here, take your rags of
things."

But a little way farther on he slackened his pace, and muttered:

"It's a wicked shame to throw away a chance like that. Why, it's just
cut out for us as it is."

"Well, then, why don't you go up and pay them a call? Who knows, you
might be some relation after all."

"I wish I'd thought to ask if he'd a nephew in America."

"What then? Could you talk English to them if he had?"

"You mind your own business, and don't talk so much," said Falkenberg.
"I don't see what you've got to brag about, anyway."

He was nervous and out of temper, and began stepping out. Then suddenly
he stopped and said:

"I'll do it. Lend me that pipe of yours again. I won't light it."

We walked up the hill, Falkenberg putting on mighty airs, pointing this
way and that with the pipe and criticizing the place. It annoyed me
somewhat to see him stalking along in that vainglorious fashion while I
carried the load. I said:

"Going to be a piano-tuner this time?"

"I think I've shown I can tune a piano," he said shortly. "I am good for
that at any rate."

"But suppose there's some one in the house knows all about it--Fruen,
for instance--and tries the piano after you've done?"

Falkenberg was silent. I could see he was growing doubtful again. Little
by little his lordly gait sank to a slouching walk.

"Perhaps we'd better not," he said. "Here, take your pipe. We'll just go
up and simply ask for work."

XV

As it happened, there was a chance for us to make ourselves useful the
moment we came on the place. They were getting up a new flagstaff, and
were short of hands. We set to work and got it up in fine style. There
was a crowd of women looking on from the window.

Was Captain Falkenberg at home?

No.

Or Fruen?

Fruen came out. She was tall and fair, and friendly as a young foal; and
she answered our greeting in the kindliest way.

Had she any work for us now?

"Well, I don't know. I don't think so really, not while my husband's
away."

I had an idea she found it hard to say no, and touched my cap and was
turning away, not to trouble her any more. But she must have found
something strange about Falkenberg, coming up like that wearing
decent clothes, and with a man to carry his things; she looked at him
inquisitively and asked:

"What sort of work?"

"Any kind of outdoor work," said Falkenberg. "We can take on hedging and
ditching, bricklayer's work...."

"Getting late in the year for that sort," put in one of the men by the
flagstaff.

"Yes, I suppose it is," Fruen agreed. "I don't know.... Anyhow, it's
just dinner-time; if you'd like to go in and get something to eat
meanwhile. Such as it is."

"Thank you kindly," answered Falkenberg.

Now, that seemed to my mind a poor and vulgar way to speak; I felt he
shamed us both in answering so, and it distressed me. So I must put in a
word myself.

_"Mille grâces, Madame; vous êtes trop aimable_," I said gallantly, and
took off my cap.

Fruen turned round and stared at me in astonishment; the look on her
face was comical to see.

We were shown into the kitchen and given an excellent meal. Fruen went
indoors. When we had finished, and were starting off, she came out
again; Falkenberg had got back his courage now, and, taking advantage of
her kindness offered to tune the piano.

"Can you tune pianos too?" she asked, in surprise.

"Yes, indeed; I tuned the one on the farm down below."

"Mine's a grand piano, and a good one. I shouldn't like it...."

"Fruen can be easy about that."

"Have you any sort of...."

"I've no certificate, no. It's not my way to ask for such. But Fruen can
come and hear me."

"Well, perhaps--yes, come this way."

She went into the house, and he followed. I looked through the doorway
as they went in, and saw a room with many pictures on the walls.

The maids fussed about in and out of the kitchen, casting curious
glances at me, stranger as I was; one of the girls was quite
nice-looking. I was thankful I had shaved that morning.

Some ten minutes passed; Falkenberg had begun. Fruen came out into the
kitchen again and said:

"And to think you speak French! It's more than I do."

Now, Heaven be thanked for that. I had no wish to go farther with it
myself. If I had, it would have been mostly hackneyed stuff, about
returning to our muttons and looking for the lady in the case, and the
State, that's me, and so on.

"Your friend showed me his papers," said Fruen. "You seem to be decent
folk. I don't know.... I might telegraph to my husband and ask if he's
any work for you."

I would have thanked her, but could not get a word out for swallowing at
something in my throat.

Neurasthenia!

Afterwards I went out across the yard and walked about the fields a bit;
all was in good order everywhere, and the crops in under cover. Even
the potato stalks had been carted away though there's many places where
they're left out till the snow comes. I could see nothing for us to do
at all. Evidently these people were well-to-do.

When it was getting towards evening, and Falkenberg was still tuning, I
took a bit of something to eat in my pocket and went off for a walk, to
be out of the way so they should not ask me in to supper. There was a
moon, and the stars were out, but I liked best to grope my way into the
dense part of the wood and sit down in the dark. It was more sheltered
there, too. How quiet the earth and air seemed now! The cold is
beginning, there is rime on the ground; now and again a stalk of grass
creaks faintly, a little mouse squeaks, a rook comes soaring over the
treetops, then all is quiet again. Was there ever such fair hair as
hers? Surely never. Born a wonder, from top to toe, her lips a ripened
loveliness, and the play of dragonflies in her hair. If only one could
draw out a diadem from a sack of clothes and give it her. I'll find a
pink shell somewhere and carve it to a thumbnail, and offer her the pipe
to give her husband for a present ... yes....

Falkenberg comes across the yard to meet me, and whispers hurriedly:

"She's got an answer from the Captain; he says we can set to work
felling timber in the woods. Are you any good at that?"

"Yes."

"Well, then, go inside, into the kitchen. She's been asking for you."

I went in and Fruen said:

"I wondered where you'd got to. Sit down and have something to eat.
_Had_ your supper? Where?"

"We've food with us in the sack."

"Well, there was no need to do that. Won't you have a cup of tea, then?
Nothing?... I've had an answer from my husband. Can you fell trees?
Well, that's all right. Look, here it is: 'Want couple of men felling
timber, Petter will show trees marked.'...."

Heaven--she stood there beside me, pointing to the message. And the
scent of a young girl in her breath....

XVI

In the woods. Petter is one of the farm-hands; he showed us the way
here.

When we talked together, Falkenberg was not by any means so grateful to
Fruen for giving us work. "Nothing to bow and scrape for in that," he
said. "It's none so easy to get workmen these days." Falkenberg, by the
way, was nothing out of the ordinary in the woodcutting line, while I'd
had some experience of the work in another part of the world, and so
could take a lead in this at a finish. And he agreed I was to be leader.

Just now I began working in my mind on an invention.

With the ordinary sort of saw now in use, the men have to lie down
crookedwise on the ground and pull _sideways_. And that's why there's
not so much gets done in a day, and a deal of ugly stumps left after
in the woods. Now, with a conical transmission apparatus that could be
screwed on to the root, it should be possible to work the saw with a
straight back-and-forward movement, but the blade cutting horizontally
all the time. I set to work designing parts of a machine of this sort.
The thing that puzzled me most was how to get the little touch of
pressure on the blade that's needed. It might be done by means of a
spring that could be wound up by clockwork, or perhaps a weight would
do it. The weight would be easier, but uniform, and, as the saw went
deeper, it would be getting harder all the time, and the same pressure
would not do. A steel spring, on the other hand, would slacken down as
the cut grew deeper, and always give the right amount of pressure. I
decided on the spring system. "You can manage it," I told myself. And
the credit for it would be the greatest thing in my life.

The days passed, one like another; we felled our nine-inch timber, and
cut off twigs and tops. We lived in plenty, taking food and coffee with
us when we started for the woods, and getting a hot meal in the
evening when we came home. Then we washed and tidied ourselves--to be
nicer-mannered than the farm-hands--and sat in the kitchen, with a big
lamp alight, and three girls. Falkenberg had become Emma's sweetheart.

And every now and then there would come a wave of music from the piano
in the parlour; sometimes Fruen herself would come out to us with her
girlish youth and her blessed kindly ways. "And how did you get on
today?" she would ask. "Did you meet a bear in the woods?" But one
evening she thanked Falkenberg for doing her piano so nicely. What? did
she mean it? Falkenberg's weather-beaten face grew quite handsome with
pleasure; I felt proud of him when he answered modestly that he thought
himself it was a little better now.

Either he had gained by his experience in tuning already, or Fruen was
grateful to him for not having spoiled the grand piano.

Falkenberg dressed up in my town clothes every evening. It wouldn't
do for me to take them back now and wear them myself; every one would
believe I'd borrowed them from him.

"Let me have Emma, and you can keep the clothes," I said in jest.

"All right, you can take her," he answered.

I began to see then that Falkenberg was growing cooler towards his girl.
Oh, but Falkenberg had fallen in love too, the same as I. What simple
boys we were!

"Wonder if she will give us a look in this evening again?" Falkenberg
would say while we were out at work.

And I would answer that I didn't care how long the Captain stayed away.

"No, you're right," said Falkenberg. "And I say, if I find he isn't
decent to her, there'll be trouble."

Then one evening Falkenberg gave us a song. And I was proud of him as
ever. Fruen came out, and he had to sing it over again, and another one
after; his fine voice filled the room, and Fruen was delighted, and said
she had never heard anything like it.

And then it was I began to be envious.

"Have you learnt singing?" asked Fruen. "Can you read music at all?"

"Yes, indeed," said Falkenberg. "I used to sing in a club."

Now that was where he should have said: no, worse luck, he'd never
learned, so I thought to myself.

"Have you ever sung to any one? Has any one ever heard you?"

"I've sung at dances and parties now and again. And once at a wedding."

"But I mean for any one that knew: has any one tried your voice?"

"No, not that I know of--or yes, I think so, yes."

"Well, won't you sing some more now? Do."

And Falkenberg sang.

The end of it'll be he'll be asked right into the parlour one evening, I
thought to myself, with Fruen--to play for him. I said:

"Beg pardon, but won't the Captain be coming home soon?"

"Yes, soon," answered Fruen. "Why do you ask?'

"I was only thinking about the work."

"Have you felled all the trees that were marked?"

"No, not yet--no, not by a long way. But...."

"Oh...." said Fruen suddenly, as if she had just thought of something.
"You must have some money. Yes, of course...."

I grasped at that to save myself, and answered:

"Thank you very much."

Falkenberg said nothing.

"Well, you've only to ask, you know. _Varsaagod_" and she handed me the
money I had asked for. "And what about you?"

"Nothing, thank you all the same," answered Falkenberg.

Heavens, how I had lost again--fallen to earth again! And Falkenberg,
that shameless imposter, who sat there playing the man of property who
didn't need anything in advance. I would tear my clothes off him that
very night, and leave him naked.

Only, of course, I did nothing of the sort.

XVII

And two days went by.

"If she comes out again this evening," Falkenberg would say up in the
woods, "I'll sing that one about the poppy. I'd forgotten that."

"You've forgotten Emma, too, haven't you?" I ask.

"Emma? Look here, I'll tell you what it is: you're just the same as
ever, that's what you are."

"Ho, am I?"

"Yes; inside, I mean. You wouldn't mind taking Emma right there, with
Fruen looking on. But I couldn't do that."

"That's a lie!" I answered angrily. "You won't see me tangled up in any
foolery with the girls as long as I am here."

"Ah, and I shan't be out at nights with any one after. Think she'll
come this evening? I'd forgotten that one about the poppy till now. Just
listen."

Falkenberg sang the Poppy Song.

"You're lucky, being able to sing like that," I said. "But there's
neither of us'll get her, for all that."

"Get her! Why, whoever thought.... What a fool you are!"

"Ah, if I were young and rich and handsome, I'd win her all the same," I
said.

"If--and if.... So could I, for the matter of that. But there's the
Captain."

"Yes, and then there's you. And then there's me. And then there's
herself and everybody else in the world. And we're a couple of brutes to
be talking about her like this at all," said I, furious now with myself
for my own part. "A nice thing, indeed, for two old woodcutters to speak
of their mistress so."

We grew pale and thin the pair of us, and the wrinkles showed up in
Falkenberg's drawn face; neither of us could eat as we used. And by way
of trying to hide our troubles from each other, I went about talking
all sorts of cheerful nonsense, while Falkenberg bragged loudly at every
meal of how he'd got to eating too much of late, and was getting slack
and out of form.

"Why, you don't seem to eat anything at all," Fruen would say when we
came home with too much left of the food we had taken with us. "Nice
woodcutters, indeed."

"It's Falkenberg that won't eat," said I.

"Ho, indeed!" said Falkenberg; "I like that. _He's_ given up eating
altogether."

Now and again when she asked us to do her a favour, some little service
or other, we would both hurry to do it; at last we got to bringing in
water and firewood of our own accord. But one day Falkenberg played me
a mean trick: he came home with a bunch of hazel twigs for a
carpet-beater, that Fruen had asked me expressly to cut for her.

And he sang every evening now.

Then it was I resolved to make Fruen jealous--ey, ey, my good man, are
you mad now, or merely foolish? As if Fruen would ever give it as much
as a thought, whatever you did.

But so it was. I would try to make her jealous.

Of the three girls on the place, there was only one that could possibly
be used for the experiment, and that was Emma. So I started talking
nonsense to Emma.

"Emma, I know of some one that is sighing for you."

"And where did you get to know of that, pray?"

"From the stars above."

"I'd rather hear of it from some one here on earth."

"I can tell you that, too. At first hand."

"It's himself he means," put in Falkenberg, anxious to keep well out of
it.

"Well, and I don't mind saying it is. _Paratum cor meum_."

But Emma was ungracious, and didn't care to talk to me, for all I was
better at languages than Falkenberg. What--could I not even master Emma?
Well ... I turned proud and silent after that, and went my own ways,
making drawings for that machine of mine and little models. And when
Falkenberg was singing of an evening, and Fruen listening, I went across
to the men's quarters and stayed there with them. Which, of course, was
much more dignified. The only trouble about it was that Petter was ill
in bed, and couldn't stand the noise of ax and hammer, so I had to go
outside every time I'd any heavy piece of work to do.

Still, now and again I fancied Fruen might perhaps be sorry, after all,
at missing my company in the kitchen. It looked so, to me. One evening,
when we were at supper, she turned to me and said:

"What's that the men were saying about a new machine you're making?"

"It's a new kind of saw he's messing about with," said Falkenberg. "But
it's too heavy to be any good."

I made no answer to that, but craftily preferred to be wronged. Was it
not the fate of all inventors to be so misjudged? Only wait: my time was
not yet come. There were moments when I could hardly keep from bursting
out with a revelation to the girls, of how I was really a man of good
family, led astray by desperation over an unhappy love affair, and now
taking to drink. Alas, yes, man proposes, God disposes.... And then,
perhaps, Fruen herself might come to hear of it....

"I think I'll take to going over with the men in the evenings," said
Falkenberg, "the same as you."

And I knew well enough why Falkenberg had suddenly taken it into his
head to spend his evenings there; he was not asked to sing now as often
as before; some way or other, he was less in demand of late.

XVIII

The Captain had returned.

A big man, with a full beard, came out to us one day while we were at
work, and said:

"I'm Captain Falkenberg. Well, lads, how goes it?"

We greeted him respectfully, and answered: "Well enough."

Then there was some talk of what we had done and what remained to do.
The Captain was pleased with our work--all clean cut and close to the
root. Then he reckoned out how much we had got through per day, and said
it came to a good average.

"Captain's forgetting Sundays." said I.

"That's true," said he. "Well, that makes it over the average. Had any
trouble at all with the tools? Is the saw all right?"

"Quite all right."

"And nobody hurt?"

"No."

Pause.

"You ought by rights to provide your own food," he said, "but if you
would rather have it the other way, we can square it when we come to
settle up."

"We'll be glad to have it as Captain thinks best."

"Yes," agreed Falkenberg as well.

The Captain took a turn up through the wood and came back again.

"Couldn't have better weather," he said. "No snow to shovel away."

"No, there's no snow--that's true; but a little more frost'd do no
harm."

"Why? Cooler to work in d'you mean?"

"That, too, perhaps; yes. But the saw cuts easier when timber's frozen."

"You're an old hand at this work, then?"

"Yes."

"And are you the one that sings?"

"No, more's the pity. He is the one that sings."

"Oh, so you are the singer, are you? We're namesakes, I believe?"

"Why, yes, in a way," said Falkenberg, a little awkwardly, "My name is
Lars Falkenberg, and I've my certificate to show for that."

"What part d'you come from?"

"From Trøndelagen."

The Captain went home. He was friendly enough, but spoke in a short,
decisive way, with never a smile or a jesting word. A good face,
something ordinary.

From that day onwards Falkenberg never sang but in the men's quarters,
or out in the open; no more singing in the kitchen now the Captain had
come home. Falkenberg was irritable and gloomy; he would swear at times
and say life wasn't worth living these days; a man might as well go and
hang himself and have done with it. But his fit of despair soon came to
an end. One Sunday he went back to the two farms where he had tuned the
pianos, and asked for a recommendation from each. When he came back he
showed me the papers, and said:

"They'll do to keep going with for a bit."

"Then you're not going to hang yourself, after all?"

"You've better cause to go that way, if you ask me," said Falkenberg.

But I, too, was less despairing now. When the Captain heard about my
machine idea, he wanted to know more about it at once. He saw at the
first glance that my drawings were far from perfect, being made on small
pieces of paper, and without so much as a pair of dividers to work with.
He lent me a set of drawing instruments, and gave me some useful hints
about how such things were done. He, too, was afraid my saw would prove
too cumbersome. "But keep on with it, anyway," he said. "Get the whole
thing drawn to a definite scale, then we can see."

I realized, however, that a decently constructed model of the thing
would give a better idea of it, and as soon as I was through with the
drawings I set to work carving a model in wood. I had no lathe, and had
to whittle out the two rollers and several wheels and screws by hand. I
was working at this on the Sunday, and so taken up with it I never heard
the dinner-bell. The Captain came out and called, "Dinner!" Then, when
he saw what I was doing, he offered to drive over himself to the smithy
the very next day, and get the parts I needed cut on the lathe. "All
you need do is to give me the measurements," he said. "And you must
want some tools, surely? Saw and drills; right! Screws, yes, and a fine
chisel ... is that all?"

He made a note of the things on the spot. A first-rate man to work
under.

But in the evening, when I had finished supper and was crossing the
courtyard to the men's room, Fruen called me. She was standing between
the kitchen windows, in the shadow, but slipped forward now.

"My husband said ... he ... said ... you can't be warm enough in these
thin clothes," she said. "And would you ... here, take these."

She bundled a whole suit into my arms.

I thanked her, stammering foolishly. I was going to get myself some new
things soon. There was no hurry; I didn't need....

"Of course, I know you can get things yourself. But when your friend is
so ... so ... oh, take these."

And she ran away indoors again, the very fashion of a young girl fearing
to be caught doing something over-kind. I had to call my last thanks
after her.

When the Captain came out next evening with my wheels and rollers, I
took the opportunity of thanking him for the clothes.

"Oh--er--yes," he answered. "It was my wife that.... Do they fit you all
right?"

"Yes; many thanks."

"That's all right, then. Yes; it was my wife that ... well, here are the
things for your machine, and the tools. Good-night."

It seemed, then, as if the two of them were equally ready to do an
act of kindness. And when it was done, each would lay the blame on
the other. Surely this must be the perfect wedded life, that dreamers
dreamed of here on earth....

XIX

The woods are stripped of leaf now, and the bird sounds are gone; only
the crows rasp out their screeching note at five in the morning, when
they spread out over the fields. We see them, Falkenberg and I, as we go
to our work; the yearling birds, that have not yet learned fear of the
world, hop along the path before our feet.

Then we meet the finch, the sparrow of the timbered lands. He has been
out in the woods already, and is coming back now to humankind, that he
likes to live with and study from all sides. Queer little finch. A bird
of passage, really, but his parents have taught him that one _can_
spend a winter in the north; and now he will teach his children that the
north's the only place to spend the winter in at all. But there is still
a touch of emigrant blood in him, and he remains a wanderer. One day
he and his will gather together and set off for somewhere else, many
parishes away, to study a new collection of humans there--and in the
aspen grove never a finch to be seen. And it may be a whole week
before a new flock of this winged life appears and settles in the same
place.... _Herregud!_ how many a time have I watched the finches in
their doings, and found pleasure in all.

One day Falkenberg declares he is all right again now. Going to save
up and put aside a hundred Kroner this winter, out of tuning pianos and
felling trees, and then make up again with Emma. I, too, he suggests,
would be better advised to give over sighing for ladies of high degree,
and go back to my own rank and station.

Falkenberg was right.

On Saturday evening we stopped work a trifle earlier than usual to go up
and get some things from the store. We wanted shirts, tobacco and wine.

While we were in the store I caught sight of a little work-box,
ornamented with shells, of the kind seafaring men used to buy in the old
days at Amsterdam, and bring home to their girls; now the Germans make
them by the thousand. I bought the workbox, with the idea of taking out
one of the shells to serve as a thumbnail for my pipe.

"What d'you want with a workbox?" asked Falkenberg. "Is it for Emma,
what?" He grew jealous at the thought, and not to be outdone, he bought
a silk handkerchief to give her himself.

On the way back we sampled the wine, and got talking. Falkenberg was
still jealous, so I took out the workbox, chose the shell I wanted, and
picked it off and gave him the box. After that we were friends again.

It was getting dark now, and there was no moon. Suddenly we heard the
sound of a concertina from a house up on a hillside; we could see
there was dancing within, from the way the light came and went like a
lighthouse beam.

"Let's go up and look," said Falkenberg.

Coming up to the house, we found a little group of lads and girls
outside taking the air. Emma was there as well.

"Why, there's Emma!" cried Falkenberg cheerily, not in the least put out
to find she had gone without him. "Emma, here, I've got something for
you!"

He reckoned to make all good with a word, but Emma turned away from him
and went indoors. Then, when he moved to go after her, others barred his
way, hinting pretty plainly that he wasn't wanted there.

"But Emma is there. Ask her to come out."

"Emma's not coming out. She's here with Markus Shoemaker."

Falkenberg stood there helpless. He had been cold to Emma now for so
long that she had given him up. And, seeing him stand there stupidly
agape, some of the girls began to make game of him: had she left him all
alone, then, and what would he ever do now, poor fellow?

Falkenberg set his bottle to his lips and drank before the eyes of all,
then wiped his mouth with the back of his hand and passed to the nearest
man. There was a better feeling now towards us; we were good fellows,
with bottles in our pockets, and willing to pass them round; moreover,
we were strangers in the place, and that was always something new.
Also, Falkenberg said many humorous things of Markus Shoemaker, whom he
persisted in calling Lukas.

The dance was still going on inside, but none of the girls left us to go
in and join.

"I'll bet you now," said Falkenberg, with a swagger, "that Emma'd be
only too glad to be out here with us."

Helene and Rønnaug and Sara were there; every time they drank, they gave
their hands prettily by way of thanks, as the custom is, but some of the
others that had learned a trifle of town manners said only, "_Tak for
Skjænken_," and no more. Helene was to be Falkenberg's girl, it seemed;
he put his arm round her waist and said she was his for tonight. And
when they moved off farther and farther away from the rest of us, none
called to them to come back; we paired off, all of us, after a while,
and went our separate ways into the woods. I went with Sara.

When we came out from the wood again, there stood Rønnaug still taking
the air. Strange girl, had she been standing there alone all the time?
I took her hand and talked to her a little, but she only smiled to all
I said and made no answer. We went off towards the wood, and Sara called
after us in the darkness: "Rønnaug, come now and let's go home." But
Rønnaug made no answer; it was little she said at all. Soft, white as
milk, and tall, and still.

XX

The first snow is come; it thaws again at once, but winter is not
far off, and we are nearing the end of our woodcutting now at
Øvrebø--another week or so, perhaps, no more. What then? There was work
on the railway line up on the hills, or perhaps more woodcutting
at some other place we might come to. Falkenberg was for trying the
railway.

But I couldn't get done with my machine in so short a time. We'd each
our own affairs to take our time; apart from the machine, there was that
thumbnail for the pipe I wanted to finish, and the evenings came out
all too short. As for Falkenberg, he had made it up with Emma again. And
that was a difficult matter and took time. She had been going about with
Markus Shoemaker, 'twas true, but Falkenberg for his part could not deny
having given Helene presents--a silk handkerchief and a work box set
with shells.

Falkenberg was troubled, and said:

"Everything is wrong, somehow. Nothing but bother and worry and
foolery."

"Why, as to that..."

"That's what I call it, anyway, if you want to know. She won't come up
in the hills as we said."

"It'll be Markus Shoemaker, then, that's keeping her back?"

Falkenberg was gloomily silent. Then, after a pause:

"They wouldn't even have me go on singing."

We got to talking of the Captain and his wife. Falkenberg had an
ill-forboding all was not as it might be between them.

Gossiping fool! I put in a word:

"You'll excuse me, but you don't know what you are talking about."

"Ho!" said he angrily. And, growing more and more excited, he went on:
"Have you ever seen them, now, hanging about after each other? I've
never heard them say so much as a word."

The fool!--the churl!

"Don't know what is the matter with you to-day the way you're sawing.
Look--what do you think of that for a cut?"

"Me? We're two of us in it, anyway, so there."

"Good! Then we'll say it's the thaw. Let's get back to the ax again."

We went on working each by himself for a while, angered and out of
humour both. What was the lie he had dared to say of them, that they
never so much as spoke to each other? But, Heaven, he was right!
Falkenberg had a keen scent for such things. He knew something of men
and women.

"At any rate, they speak nicely of each other to us," I said.

Falkenberg went on with his work.

I thought over the whole thing again.

"Well, perhaps you may be right as far as that goes, that it's not the
wedded life dreamers have dreamed of, still...."

But it was no good talking to Falkenberg in that style; he understood
never a word.

When we stopped work at noon, I took up the talk again.

"Didn't you say once if he wasn't decent to her there'd be trouble?"

"Yes, I did."

"Well, there hasn't been trouble."

"Did I ever say he wasn't decent to her?" said Falkenberg irritably.
"No, but they're sick and wearied of each other--that's what it is. When
one comes in, the other goes out. Whenever he starts talking of anything
out in the kitchen, her eyes go all dead and dull, and she doesn't
listen."

We got to work again with the ax, each thinking his own ways.

"I doubt but I'll need to give him a thrashing," said Falkenberg.

"Who?"

"Lukas...."

I got my pipe done, and sent Emma in with it to the Captain. The nail
had turned out fine and natural this time, and with the fine tools I
had now, I was able to cut well down into the thumb and fasten it on
the underside, so that the two little copper pins would not show. I was
pleased enough with the work.

The Captain came out while we were at supper that evening, to thank me
for the pipe. At the same time, I noticed that Falkenberg was right; no
sooner had the Captain come out than Fruen went in.

The Captain praised my pipe, and asked how I had managed to fix the
nail; he said I was an artist and a master. All the others were standing
by and heard his words--and it counted for something to be called an
artist by the Captain himself. I believe I could have won Emma at that
moment.

That night I learned to shiver and shake.

The corpse of a woman came up to me where I lay in the loft, and
stretched out its left hand to show me: the thumbnail was missing. I
shook my head, to say I had had a thumbnail once, but I had thrown it
away, and used a shell instead. But the corpse stood there all the same,
and there I lay, shivering, cold with fear. Then I managed to say I
couldn't help it now; in God's name, go away! And, Our Father which
art in heaven.... The corpse came straight towards me; I thrust out
two clenched fists and gave an icy shriek--and there I was, crushing
Falkenberg flat against the wall.

"What is it?" cried Falkenberg. "In Heaven's name...."

I woke, dripping with sweat, and lay there with open eyes, watching the
corpse as it vanished quite slowly in the dark of the room.

"It's the corpse," I groaned. "Come to ask for her thumbnail."
Falkenberg sat straight up in bed, wide awake all at once.

"I saw her," he said.

"Did you see her, too? Did you see her thumb? Ugh!"

"I wouldn't be in your shoes now for anything."

"Let me lie inside, against the wall," I begged.

"And what about me?"

"It won't hurt you; you can lie outside all right."

"And let her come and take me first? Not if I know it."

And at that Falkenberg lay down again and pulled the rug over his eyes.

I thought for a moment of going down to sleep with Petter; he was
getting better now, and there was no fear of infection. But I was afraid
to go down the stairs.

It was a terrible night.

Next morning I searched high and low for the nail, and found it on the
floor at last, among the shavings and sawdust. I took it out and buried
it on the way to the wood.

"It's a question if you oughtn't to carry it back where you took it
from," said Falkenberg.

"Why, that's miles away--a whole long journey...."

"They won't ask about that if you're called to do it. Maybe she won't
care about having a thumb one place and a thumbnail in another."

But I was brave enough now; a very desperado in the daylight. I laughed
at Falkenberg for his superstition, and told him science had disposed of
all such nonsense long ago.

XXI

One evening there came visitors to the place, and as Petter was still
poorly, and the other lad was only a youngster, I had to go and take out
the horses. A lady got out of the carriage.

"Is any one at home?" she asked.

The sound of wheels had brought faces to the windows; lamps were lit in
the rooms and passages. Fruen came out, calling:

"Is that you, Elisabeth? I'm so glad you've come."

It was Frøken Elisabeth from the vicarage.

"Is _he_ here?" she asked in surprise.

"Who?"

It was myself she meant. So she had recognized me....

Next day the two young ladies came out to us in the wood. At first I
was afraid lest some rumour of a certain nightly ride on borrowed horses
should have reached the vicarage, but calmed myself when nothing was
said of it.

"The water-pipes are doing nicely," said Frøken Elisabeth.

I was pleased to hear it.

"Water-pipes?" said Fruen inquiringly.

"He laid on a water-supply to the house for us. Pipes in the kitchen and
upstairs as well. Just turn a tap and there it is. You ought to have it
done here."

"Really, though? Could it be done here, do you think?"

I answered: yes; it ought to be easy enough.

"Why didn't you speak to my husband about it?"

"I did speak of it. He said he would see what Fruen thought about it."

Awkward pause. So he would not speak to her even of a thing that so
nearly concerned herself. I hastened to break the silence, and said at
random.

"Anyhow, it's too late to start this year; the winter would be on us
before we could get it done. But next spring...."

Fruen seemed to come back to attention from somewhere far away.

"Oh yes, I remember now, he did say something about it," she said. "We
talked it over. But it was too late this year.... Elisabeth, don't you
like watching them felling trees?"

We used a rope now and then to guide the tree in its fall. Falkenberg
had just fixed this rope high up, and the tree stood swaying.

"What's that for?"

"To make it fall the right way," I began. But Fruen did not care to
listen to me any more; she turned to Falkenberg and put the question to
him directly:

"Does it matter which way it falls?"

Falkenberg had to answer her.

"Why, no, we'll need to guide it a bit, so it doesn't break down too
much of the young growth when it falls."

"Did you notice," said Fruen to her friend, "what a voice he has? He's
the one that sings."

How I hated myself now for having talked so much, instead of reading
her wish! But at least I would show her that I understood the hint. And,
moreover, it was Frøken Elisabeth and no other I was in love with;
she was not full of changing humours, and was just as pretty as the
other--ay, a thousand times prettier. I would go and take work at her
father's place.... I took care now, whenever Fruen spoke, to look first
at Falkenberg and then at her, keeping back my answer as if fearing to
speak out of my turn. I think, too, she began to feel a little sorry
when she noticed this, for once she said, with a little troubled smile:
"Yes, yes, it was you I asked."

That smile with her words.... Then came a whirl of joy at my heart; I
began swinging the ax with all the strength I had gained from long use,
and made fine deep cuts, I heard only a word now and then of what they
said.

"They want me to sing to them this evening," said Falkenberg, when they
had gone.

Evening came.

I stood out in the courtyard, talking to the Captain. Three or four days
more, and our work on the timber would be at an end.

"And where will you be going then?" asked the Captain.

"We were going to get work on the railway."

"I might find you something--to do here," said the Captain. "I want the
drive down to the high road carried a different way; it's too steep as
it is. Come and see what I mean."

He took me round to the south side of the house, and pointed this way
and that, though it was already dark.

"And by the time that's done, and one or two other little things, we
shall be well on to the spring," he said. "And then there'll be the
water, as you said. And, besides, there's Petter laid up still; we can't
get along like this. I must have another hand to help."

Suddenly we heard Falkenberg singing. There was a light in the parlour;
Falkenberg was in there, singing to an accompaniment on the piano. The
music welled out toward us--the man had a remarkable voice--and made me
quiver against my will.

The Captain started, and glanced up at the windows.

"No," he said suddenly; "I think, after all, we'd better leave the drive
till next spring as well. How soon did you say you'd be through with the
timber?"

"Three or four days."

"Good! We'll say three or four days more for that, and then finish for
this year."

A strangely sudden decision. I thought to myself. And aloud I said:

"There's no reason why we shouldn't do the road work in winter. It's
better in some ways. There's the blasting, and getting up the loads...."

"Yes, I know ... but ... well, I think I must go in now and listen to
this...."

The Captain went indoors.

It crossed my mind that he did so out of courtesy, wishing to make
himself, as it were, responsible for having Falkenberg in the parlour.
But I fancied he would rather have stayed talking with me.

Which was a coxcomb's thought, and altogether wrong.

XXII

I had got the biggest parts of my machine done, and could fix them
together and try it. There was an old stump by the barn-bridge from an
aspen that had been blown down; I fixed my apparatus to that, and found
at once that the saw would cut all right. Aha, now, what have you got
to say? Here's the problem solved! I had bought a huge saw-blade and cut
teeth all down the back; these teeth fitted into a little cogwheel
set to take the friction, and driven forward by the spring. The spring
itself I had fashioned originally from a broad staybusk Emma had given
me, but, when I came to test it; it proved too weak; so I made another
from a saw-blade only six millimetres across, after I had first filed
off the teeth. This new spring, however, was too strong; I had to manage
as best I could by winding it only half-way up, and then, when it ran
down, half-way up again.

I knew too little theory, worse luck; it was a case of feeling my way
at every step, and this made it a slow proceeding. The conical gear, for
instance, I found too heavy when I came to put it into practice, and had
to devise a different system altogether.

It was on a Sunday that I fixed my apparatus to the stump; the new white
woodwork and the shining saw-blade glittered in the sun. Soon faces
appeared at the windows, and the Captain himself came. He did not answer
my greeting, so intent was he on the machine.

"Well, how do you think it will work?"'

I set it going.

"Upon my soul, I believe it will...."

Fruen and Frøken Elisabeth came out, all the maids came out, Falkenberg
came out, and I let them see it work. Aha, what did I say?

Said the Captain presently:

"Won't it take up too much time, fixing the apparatus to one tree after
another?"

"Part of the time will be made up by easier work. No need to keep
stopping for breath."

"Why not?"

"Because the lateral pressure's effected by the spring. It's just that
pressure that makes the hardest work."

"And what about the rest of the time?"

"I'm going to discard this screw-on arrangement and have a clamp
instead, that can be pressed down by the foot. A clamp with teeth to
give a better grip, and adjustable to any sized timber."

I showed him a drawing of this clamp arrangement; I had not had time to
make the thing itself.

The Captain took a turn at the saw himself, noticing carefully the
amount of force required. He said:

"It's a question whether it won't be too heavy, pulling a saw twice the
width of an ordinary woodcutting saw."

"Ay," agreed Falkenberg; "it looks that way."

All looked at Falkenberg, and then at me. It was my turn now.

"A single man can push a goods truck with full load on rails," I said.
"And here there'll be two men to work a saw with the blade running on
two rollers over oiled steel guides. It'll be easier to work than the
old type of saw--a single man could work it, if it came to a pinch."

"It sounds almost impossible."

"Well, we shall see."

Frøken Elisabeth asked half in jest:

"But tell me--I don't understand these things a bit, you know--why
wouldn't it be better to saw a tree across in the old way?"

"He's trying to get rid of the lateral pressure; that's a strain on the
men working," explained the Captain. "With a saw like this you can, as
he says, make a horizontal cut with the same sort of pressure you would
use for an ordinary saw cutting down vertically. It's simply this: you
press downwards, but the pressure's transmitted sideways. By the way,"
he went on, turning to me, "has it struck you there might be a danger of
pressing down the ends of the blade, and making a convex cut?"

"That's obviated in the first place by these rollers under the blade."

"True; that goes for something. And in the second place?"

"In the second place, it would be impossible to make a convex cut with
this apparatus even if you wanted to. The blade, you see, has a T-shaped
back; that makes it practically impossible to bend it."

I fancy the Captain put forward some of his objections against his own
conviction. Knowing all he did, he could have answered them himself
better than I. On the other hand, there were points he did not notice,
but which caused me some anxiety. A machine that was to be carried about
in the woods must not be made with delicate mechanism. I was afraid, for
instance, that the two steel guides might be easily injured, and either
broken away, or so bent that the wheels would jam. No; the guides would
have to be dispensed with, and the wheels set under the back of the saw.
Altogether, my machine was far from complete....

The Captain went over to Falkenberg and said:

"I want you to drive the ladies tomorrow; they're going some way, and
Petter's not well enough, it seems. Do you think you could?"

"Surely," said Falkenberg; "and welcome."

"Frøkenen's going back to the vicarage," said the Captain, as he turned
to go. "You'll have to be out by six o'clock."

Falkenberg was in high spirits at this mark of confidence, and jestingly
hinted that I envied him the same. Truth to tell, I did not envy him
there in the least. I was perhaps a little hurt to find my comrade so
preferred before myself, but I would most certainly stay here by myself
in the quiet of the woods than sit on a box and drive in the cold.

Falkenberg was thoroughly pleased with himself.

"You're looking simply green with envy now," he said. "You'd better take
something for it. Try a little castor-oil, now, do."

He was busy all the forenoon getting ready for the journey, washing down
the carriage, greasing the wheels, and cleaning the harness after. I
helped him with the work.

"I don't believe you can drive a pair at all, really," I said, just to
annoy him. "But I'll give you a bit of a lesson, if you like, before you
start."

"You've got it badly," he answered. "It's a pity to see a man looking
like that, when a dose of castor-oil would put him right."

It was like that all the time--jesting and merriment from one to the
other.

That evening the Captain came out to me.

"I didn't want to send you down with the ladies," he said, "because of
your work. But now Frøken Elisabeth says she wants you to drive, and not
the other man."

"Me?"

"Yes. Because she knows you."

"Why, as for that, 'twould have been safe enough as it was."

"Do you mind going at all?"

"No."

"Good! Then that's settled."

This thought came to my mind at once: "Aha, it's me the ladies fancy,
after all, because I'm an inventor and proprietor of a patent saw, and
not bad looking when I'm properly got up--not bad looking by any means."

But the Captain explained things to Falkenberg in an altogether
different way, that upset my vanity completely: Frøken Elisabeth wanted
me to go down to the vicarage once more, so that her father might have
another try at getting me to take work there. She'd promised him to do
so.

I thought and thought over this explanation.

"But if you get taken on at the vicarage, then it's all off with our
railway work," said Falkenberg.

"I shan't," said I.

XXIII

I started early in the morning with the two ladies in a closed carriage.
It was more than a trifle cold at first, and my woollen rug came in
very handy; I used it alternately to put over my knees and wrap round my
shoulders.

We drove the way I had walked up with Falkenberg, and I recognized place
after place as we passed. There and there he had tuned the pianos; there
we had heard the grey goose passing.... The sun came up, and it grew
warmer; the hours went by; then, coming to cross-roads, the ladies
knocked at the window and said it was dinner-time.

I could see by the sun it was too early for the ladies' dinner-time,
though well enough for me, seeing I took my dinner with Falkenberg at
noon. So I drove on.

"Can't you stop?" they cried.

"I thought ... you don't generally have dinner till three...."

"But we're hungry."

I turned off aside from the road, took out the horses, and fed and
watered them. Had these strange beings set their dinner-time by mine?
"_Værsaagod_!"

But I felt I could not well sit down to eat with them, so I remained
standing by the horses.

"Well?" said Fruen.

"Thank you kindly," said I, and waited to be served. They helped me,
both of them, as if they could never give me enough. I drew the corks of
the beer bottles, and was given a liberal share here as well; it was
a picnic by the roadside--a little wayfaring adventure in my life. And
Fruen I dared look at least, for fear she should be hurt.

And they talked and jested with each other, and now and again with
me, out of their kindliness, that I might feel at ease. Said Frøken
Elisabeth:

"Oh, I think it's just lovely to have meals out of doors. Don't you?"

And here she said _De_, instead of _Du_, as she had said before.

"It's not so new to him, you know," said Fruen; "he has his dinner out
in the woods every day."

Eh, but that voice of hers, and her eyes, and the womanly, tender
look of the hand that held the glass towards me.... I might have said
something in turn--have told them this or that of strange things from
out in the wide world, for their amusement; I could have set those
ladies right when they chattered on, all ignorant of the way of riding
camels or of harvest in the vineyards....

I made haste to finish my meal, and moved away. I took the buckets and
went down for more water for the horses, though there was no need. I sat
down by the stream and stayed there.

After a little while Fruen called:

"You must come and stand by the horses; we are going off to see if we
can find some wild hops or something nice."

But when I came up they decided that the wild hops were over, and there
were no rowan berries left now, nor any richly coloured leaves.

"There's nothing in the woods now," said Frøkenen. And she spoke to me
directly once again: "Well, there's no churchyard here for you to roam
about in."

"No."

"You must miss it, I should think." And then she went on to explain to
Fruen that I was a curious person who wandered about in graveyards by
night and held meetings with the dead. And it was there I invented my
machines and things.

By way of saying something, I asked about young Erik. He had been thrown
by a runaway horse and badly hurt....

"He's better now," said Frøkenen shortly.--"Are you ready to go on again,
Lovise?"

"Yes, indeed. Can we start?"

"Whenever you please," I answered.

And we drove on again.

The hours pass, the sun draws lower down the sky, and it is cooler--a
chill in the air; then later wind and wet, half rain, half snow. We
passed the annexe church, a couple of wayside stores, and farm after
farm.

Then came a knocking on the window of the carriage.

"Wasn't it here you went riding one night on borrowed horses?" said
Frøkenen laughingly. "Oh, we know all about it, never fear!"

And both the ladies were highly amused.

I answered on a sudden thought:

"And yet your father would have me to take service with him--or wasn't
it so?"

"Yes."

"While I think of it, Frøken, how did your father know I was working for
Captain Falkenberg? You were surprised yourself to find me there."

She thought quickly, and glanced at Fruen and said:

"I wrote home and told them."

Fruen cast down her eyes.

Now it seemed to me that the young lady was inventing. But she put in
excellent answers, and tied my tongue. It sounded all so natural; she
writes an ordinary letter to her people at home, and puts in something
like this: "And who do you think is here? The man who did those
water-pipes for us; he's felling timber now for Captain Falkenberg...."

But when we reached the vicarage, the new hand was engaged already, and
there at work--had been there three weeks past. He came out to take the
horses.

After that, I thought and thought again--why had they chosen me to drive
them down? Perhaps it was meant as a little treat for me, as against
Falkenberg's being asked into the parlour to sing. But surely--didn't
they understand, these people, that I was a man who had nearly finished
a new machine, and would soon have no need of any such trifles!

I went about sharp and sullen and ill-pleased with myself, had my meal
in the kitchen, where Oline gave me her blessing for the water-pipes,
and went out to tend my horses. I took my rug and went over to the barn
in the dark....

I woke to find some one touching me.

"You mustn't lie here, you know; it's simply freezing," said
Præstefruen. "Come with me, and I'll show you...."

We talked of that a little; I was not inclined to move, and at last she
sat down herself instead. A flame she was--nay, a daughter of Nature.
Within her the music of a rapturous dance was playing yet.

XXIV

Next morning I was more content with things. I had cooled down and
turned sensible--I was resigned. If only I had seen before what was best
for me, I might have taken service here at the vicarage, and been the
first of all equals. Ay, and settle down and taken root in a quiet
countryish life.

Fru Falkenberg stood out in the courtyard. Her bright figure stood like
a pillar, stood there free and erect in the open courtyard, and her head
was bare.

I greeted her Godmorgen.

"_Godmorgen_!" she answered again, and came striding towards me. Then
very quietly she asked: "I wanted to see how they put you up last night,
only I couldn't get away. That is, of course, I got away, but ... you
weren't in the barn, were you?"

The last words came to me as if in a dream, and I did not answer.

"Well, why don't you answer?"

"Yes ... in the barn? Yes."

"Were you? And was it quite all right?"

"Yes."

"Oh, well, then ... yes--yes. We shall be going back sometime to-day."

She turned and walked away, her face all in one great flush....

Harald came and asked me to make a kite.

"A kite?" I answered all confusedly. "Ay, I'll make you a kite, a huge
one, that'll go right up to the clouds. That I will."

We worked at it for a couple of hours, Harald and I. He was good and
quick, and so innocent in his eagerness; I, for my part, was thinking
of anything but kites. We made a tail several metres long, and busied
ourselves with paste and lashing and binding; twice Frøken Elisabeth
came out to look on. She may have been every bit as sweet and bright as
before, but I cared nothing for what she was, and gave no thought, to
her.

Then came the order to harness ready to start. I should have obeyed the
order at once, for we had a long drive before us, but, instead, I sent
Harald in to ask if we might wait just half an hour more. And we worked
on till the kite was finished. Next day, when the paste was dry, Harald
could send up his kite and watch it rise, and feel unknown emotion
within him, as I did now.

Ready to start.

Fruen comes out; all the family are there to see her off. The priest
and his wife both know me again, return my greeting, and say a few
words--but I heard nothing said of my taking service with them now. The
priest knew me again--yes; and his blue-eyed wife looked at me with that
sidelong glance of hers as she knew me again, for all she had known me
the night before as well.

Frøken Elisabeth brings out some food for the journey, and wraps her
friend up well.

"Sure you'll be warm enough, now?" she asks for the last time.

"Quite sure, thanks; it's more than warm enough with all these. _Farvel,
Farvel_."

"See you drive as nicely as you did yesterday," says Frøken, with a nod
to me as well.

And we drove off.

The day was raw and chilly, and I saw at once that Fruen was not warm
enough with her rug.

We drive on for hour after hour; the horses know they are on the way
home, and trot without asking. My bare hands stiffen about the reins.
As we neared a cottage a little way from the road, Fruen knocked on the
carriage window to say it was dinner-time. She gets out, and her face
was pale with the cold.

"We'll go up there and have dinner," she says. "Come up as soon as
you're ready, and bring the basket."

And she walked up the hill.

It must be because of the cold she chose to eat in a stranger's house,
I thought to myself; she could hardly be afraid of me.... I tied up the
horses and gave them their fodder. It looked like rain, so I put the
oilskins over them, patted them, and went up to the cottage with the
basket.

There is only an old woman at home. "Værsaagod!" she says, and "Come
in." And she goes on tending her coffee-pot. Fruen unpacks the basket,
and says, without looking at me:

"I suppose I am to help you again to-day?"

"Thank you, if you will."

We ate in silence, I sitting on a little bench by the door, with my
plate on the seat beside me, Fruen at the table, looking out of the
window all the time, and hardly eating anything at all. Now and again
she exchanges a word with the old woman, or glances at my plate to see
if it is empty. The little place is cramped enough, with but two steps
from the window to where I sit; so we are all sitting together, after
all.

When the coffee is ready, I have no room for my cup on the end of the
bench, but sit holding it in my hand. Then Fruen turns full-face towards
me calmly, and says with down-cast eyes:

"There is room here."

I can hear my own heart beating and I murmur something:

"Thanks; it's quite all right. I'd rather...."

No doubt but that she is uneasy; she is afraid lest I should say
something. She sits once more looking away, but I can see she is
breathing heavily. Ah, she need have no fear; I would not trouble her
with so much as a word.

Now I had to take the empty plate and cup and set them back on the
table, but I feared to startle her in my approach, for she was still
sitting with averted head. I made a little noise with the things to draw
her attention, set them down, and thanked her.

She tried to put on a housewifely tone:

"Won't you have some more? I'm sure you can't have...."

"No, thank you very much.... Shall I pack up the things now? But I doubt
if I can."

I happened to glance at my hands; they had swelled up terribly in the
warm room, and were all shapeless and heavy now. I could hardly pack up
things with hands like that. She guessed my thought, looked first at my
hands, then out across the room, and said, with a little smile:

"Have you no gloves?"

"No; I never wear them."

I went back to my place, waited till she should have packed up the
things so I could carry the basket down. Suddenly she turned her head
towards me, still without looking up, and asked again:

"Where do you come from?"

"From Nordland."

Pause.

I ventured to ask in my turn if Fruen had ever been there.

"Yes; when I was a child."

Then she looked at her watch, as if to check me from any more questions,
and at the same time to hint it was getting late.

I rose at once and went out to the horses.

It was already growing dusk; the sky was darker, and a loose, wet sleet
was beginning to fall. I took my rug down covertly from the box, and
hid it under the front seat inside the carriage; when that was done, I
watered the horses and harnessed up. A little after, Fruen came down the
hill. I went up for the basket, and met her on the way.

"Where are you going?"

"To fetch the basket."

"You needn't trouble, thanks; there's nothing to take back."

We went down to the carriage; she got in, and I made to help her to
rights with the rug she had. Then I pulled out my own from under the
front seat, taking care to keep the border out of sight lest she should
recognize it.

"Oh, what a blessing!" cried Fruen. "Why, where was it?"

"Under the seat here."