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                          Beer-Trust Busters

                            By A. R. STUART

           "It's a hell of a note when one guy controls the
           beer situation--let's do Dudley dirty!" rang the
            war cry of Doc, Listless and Outhouse. And the
           intrepid trio went blearily about the business of
          dirtying Dudley--empty bottles marking their trail.

                       Planet Stories Fall 1945.

We pulled into the spaceport with the asteroid in tow. Platinum--20%.
Very nice. We cleared our papers and sold the deposit for a tidy sum.
There was only one thing to do and we did it.

"Three beers," said Outhouse. Six feet four he was and built like one.
The bartender brought them over. None of those mechanical mixers for
us like they have in the high class joints. We like human company.
Maybe that's why I'm always fighting with Outhouse Murphy and Listless
Lomack.

"Nice spotting on that asteroid, Doc," said Listless, downing his beer
in a gulp and ordering three more, all for himself. "It's nice to have
an astrophysicist in the crew. Sometimes you actually have a purpose."

"More than a third class navigator," I yipped. But I was feeling pretty
good. We all were. Money in our pockets, a good ship to roam around in
and the best of company. We sat around over more beer, discussing plans
for a real bender of which this was only the beginning, as you might
say. When we finally picked out what we wanted to do, we called for the
bill.

Murphy picked it up and set it down.

"What's the matter?" I asked.

"Look," he commanded.

I added up the column and checked the total. Then I thought back over
the number of drinks we'd had. Listless pulled out a pocket slipstick
but I didn't need it.

"The price," I said in a hushed whisper, "has doubled."

Listless turned to the bartender.

"What's the idea?" he asked. The guy shrugged.

"That's the latest," he said. "I can't help it. I gotta pay more, I
gotta charge more."

"Who's your supplier?" asked Outhouse.

"Drake," said the bartender.

Murphy turned to us.

"I got suspicions," he informed us. "I got to go chase 'em up. I'll be
back in a little while."

Listless and I debated whether to order more. It was almost cheaper to
drink hard liquor but we decided that discretion was the better part of
hangover and stuck to beer.

We hung around for about an hour and finally the door was shadowed by
Murphy's tremendous form. If an elephant can slide, Murphy slid onto a
stool. He ordered a couple and turned to us.

"Well, boys, what do you think of the doings of Dirty Dudley?"

Listless and I looked at each other.

"Dudley D. Drake, young tycoon; embezzled from his father, sold short
on his brother and now controls the beer situation."

"Oh," we said among other unprintables, "that is a fine, tender, sore
spot with us, Outhouse. How come?"

"I'm not sure but from what I heard down at the alumni house it has
something to do with the malting process. I think he's got a law passed
or something like that. He had enough influence and he's nasty enough.
In college we used to call him the 'Doctor of the Doublecross.'"

"You mean you know the punk?" I asked.

"Yeah. He tried to get my place on the wrestling team once. He dropped
a table on me from the second floor." A dreamy smile played over the
lips of an amused Outhouse.

"What happened?" asked Lomack.

"Oh, I caught it and threw it back up at him. Very messy. But he stayed
away from me after that. I haven't seen him in six or seven years. And
now he starts treading on my toes again. To say nothing of you two
souses. I think it's time to renew an old acquaintance. Let's go."

We followed him out into the street and caught a 'copter to the Drake
building. A beautiful job in steelite and stone, like the Drake heart,
I gathered. The stone was only for effect, the steelite held it up. We
settled down on the roof, got out and paid the driver. We walked up to
the reception clerk. Murphy took it from there.

"Mr. Drake is too busy to receive visitors," said the clerk at the
desk. "I'm sorry."

He really was, too, when Murphy leaned over and put one big hand
completely around his neck.

"Look," said Murphy, "you just call him on the viewer and tell him that
Outhouse is here to finish a job on a table. He'll see us."

The clerk tried to gulp but Murphy's fingers were in the way of his
epiglottis. So he nodded his head. He was released with caution but
there wasn't any need for that now. The clerk picked up the dial and
called Drake. Dudley's face appeared on the screen. Dark and handsome
he was like a long snake, with a little trick mustache that looked like
an old time toothbrush.

"What is it?" he snapped. "You know I'm busy."

"There's something about a table, sir, and an outhouse"--the
receptionist started, but Drake caught sight of Murphy's features
shoved in front of the screen.

"Hello, Dudley," cooed Murphy. "Think you'll be able to see me? I
wouldn't refuse if I were you." Murphy picked up that poor operator and
gestured with him. "Remember the table, Dudley? You wouldn't want me to
do that to this poor fellow, would you? And besides, I've got a couple
of geniuses with me. We want to talk to you about beer."

Drake sat back in his chair and grinned a nasty grin.

"It's all right, Harkness," he directed. "Send them down."

The clerk lay limply back in the chair and pointed voicelessly toward a
private elevator. Murphy pointed a finger at him.

"Remember, please, that I am a proper noun. When you say Outhouse,
don't put '_an_' in front of it." We bowed courteously and stalked off.

The elevator was waiting for us. We got in, and it slipped soundlessly
down to Drake's office. He was sitting waiting for us, his elbows on
the desk, hands clasped together. He didn't bother to get up when we
came in. Nor even offer chairs.

"Enter one Outhouse," he said, "and two crummy friends. I am delighted."

I excite easily. I started to hop up and down. But Murphy put a hand
on my shoulder and I staggered to a rest. So I decided to turn on the
brain, while Outhouse handled the other stuff.

"What's the dope on this beer business?" asked Murphy.

"Pretty simple," said Drake. "There has been a law passed just recently
and tucked away in the files where it will not be noticed, unless,
of course, there should be a need for it. The gist of it is that
all malting done on the planet must be carried on under government
supervision. That means strict control of course. The purest grains,
the most carefully controlled processes, all that sort of thing.
And if any detail is overlooked or found not satisfactory, a rather
large fine is incurred. I own the larger part of the malting plants as
you well know, although there are some others. They won't offer much
trouble however, for you see, I am the government supervisor."

I started to swear and again Murphy reached over, this time over my
mouth. Then he pointed to a recorder disc. Clever guy, Dudley. If I'd
said what I was going to say he could have put me up for the rest of my
life and probably would.

Drake smiled and clicked off the switch.

"Now you can say what you like," he told me. "Nice of me, isn't it?"

"We will keep the conversation on friendly terms," directed Murphy,
"just in case."

"Now to get down to business. It is our intention to bust your combine.
Perhaps you would like to buy us off?" We hadn't thought of it till
then but it sounded like a good idea. Listless and I nodded.

Drake sneered.

"How?" he asked. "I've got the Earth covered. And the other planets
haven't the necessary conditions. The cloud layers on Venus keep out
most of the sunlight and Mars and the rest of the outer planets are too
far away. You're welcome to try Mercury."

Sure, Mercury would be swell. It's either too hot or too cold. He had
us stopped all right. But--crumbs! I was sore.

"We're starting this cold," I yipped, "but we're gonna take you over
the oleos and blow you out our jets. You should have bowed low when we
came in. You didn't know you were talking to a group of experts." I
included Murphy and Listless grandly. I'm really the smart guy in the
bunch but I didn't have to tell that to Drake. I knew I was good, that
was sufficient.

Drake laughed.

"Go ahead and try," he said.

"Let's go, guys," I told them. We slammed out of the office, catching
a last glimpse of Drake's nasty look as the elevator door closed. We
traveled to the landing level, bade the clerk a pleasant goodbye after
we pulled him out from under the desk, and hailed a 'copter.

"Big talk, Doc," sighed Listless when we were seated at a quiet little
midtown bar. "But how are you going to do it?"

"I dunno," I said, "but give me time."

We were taking a jog around the track. It being a nice warm sunny
day, Listless had decided that what we needed was to work some of the
alcohol out of our systems. I objected, but was roped in anyway. Murphy
merely sniffed. With his build he was immune. However he said he needed
some fresh air so he would come along and hold a timer on us. Listless
protested but I said swell. That's Listless for you; "Come on, Doc.
Let's run off a couple of fast miles." Sure. Until somebody comes along
to check up on him. Then he starts making excuses. But the two of us
dragged him along.

So here we were on the city track, along with half a dozen other
undeveloped individuals, pounding around a cinder path in the park,
each of us trying to breathe so the other wouldn't hear and feel the
jar clear up to the occiput every time a foot came down. This must be
awful on Listless' toes, I thought. He likes to wiggle 'em every time
he gets in the pilot seat.

On the third lap, Murphy started yelling and swinging his arm.

"Come on, Lomack, oil your oleos. Chase him, Doc. You guys are doing
time."

Listless stuck out his chest and lengthened his stride but soon came
back to the old stumble. I'm built pretty light so it didn't bother me
much. I just stepped up the pace with him but I didn't slow down when
he did. So I was looking at the timer, my head stuck under Murphy's arm
when Listless broke an imaginary tape with his nose.

"How'd we do?" he panted when he got his breath.

"Swell," Outhouse enthused. "Sixty seconds less and you'd have only
been a minute over the record."

"Oh," said Lomack.

"Yeah?" I said. "Oh. And what's more, Listless, you tentacle-toed ape,
I got an idea running around that track. I think, I think, I really
think, that we can do Dudley dirty."

"What is it?" queried Murphy.

"I'm not saying yet," I replied. "I've got to think it over for a while
and examine the holes."

"Moth holes?" said Listless.

"Nuts," said I.

"Marbles," said Outhouse. "Keep it to yourself, Doc, if you want to."

"Well," said Listless slowly, "I bet one thing. I bet whatever it is, I
gotta navigate."

"You not only gotta navigate," I replied, "you gotta navigate _well_."

"Now listen--"

"Now listen, nothing," I screeched. "Not only will this bust up Dear
Old Dudley's beer combine but it will also be a wonderful, beautiful,
perfect demonstration of--"

"Of what?" asked Outhouse enticingly.

"Never mind," I said cunningly, "we'll let that take care of itself
when the time comes."

"Yeah, yeah, yeah," said Listless, who got his name because he's
lazy, though _he_ says it's because he can hold his liquor, "he's got
another half throttled idea which means I'll be back to work at the old
slipstick."

"That's the trouble with you, Listless," I said haughtily. "You're
limited to the depth of an astroplex navigator. Now take the thoughts
of a real scientist." Here I strutted a bit. "You never could
understand anything deeper than _Arctic Nights_. But a brain--like
me--" I added modestly. "People will stand and point in awe when--"

"The model scientist," sneered Lomack, "meaning of course, a small
imitation of the real thing."

I let out a howl and went for him. We were all set for a nice scrap
when Murphy broke it up.

"Now," he said, "if you two specimens of would-be manhood are going to
shower and dress, get to it. I gotta date."

"Glass, bottle or demijohn?" I asked from my tangled position. He
stalked off. Then I untangled Listless' fingers from my hair and
unwrapped his legs from around my middle, thus taking the pressure off
him and letting him up. He took his teeth from around my forefinger and
admitted that I had him licked. That's one thing I like about Lomack;
when he's beaten he admits it.

I made a nifty little jog to the locker room while Listless limped
along behind. We showered, got our loafer suits out of the lockers, and
feeling pretty swell, sauntered out into a soft evening.

"Boy," breathed Listless, taking a deep breath as though he hadn't had
enough on the track, "this is lovely. Let's go find Murphy."

Which meant a bender of course. For, as I have mentioned, Murphy is
a man with all the physical capabilities of a three-year-old gorilla
on a hashish jag. And if you wonder at the strange figures of speech
we sometimes use, it is because Murphy was once an archaeologist who
taught languages and made a side line specialty of ancient idioms.
Until he got tired of teaching college boys and associating with
professors. He was always hurting someone in wrestling, boxing or
social intercourse so he finally dropped the whole business and went on
a tear. Lomack and I picked him up in a low orbit space dive. He found
us not repugnant and we rather enjoyed his finesse in a fight so we
stuck together. When he wasn't off on a bat.

"Where to?" I asked.

"You know better than that," I was admonished. "You mean where first.

"Just plain _where_ is even better," I concluded.

He took from his pocket a bunch of those little plastic souvenirs they
put on bottles--he had plenty of opportunity to swipe them--and picked
out five with the names of bars on them.

"I'll toss 'em up," he explained, "and you grab one when they come
down. That'll be a starter."

So in the soft, yellowish red rays of a late and tired sun I watched
while he turned three times to the west, went through the motions of
blowing a beer head and tossed up his hand. The light tinkled quietly
on the crystal clear figures as they soared lazily upward against a
darkening blue. Spinning and tumbling they reached the zenith of flight
and slowly gained velocity as they returned to the mother of all--but
I wax poetic. I reached out my hand and snatched one. "_Benny's
Barometric Beer_," it read.

"I remember that joint," mused Listless. "They adjust the gas pressure
to equal outside pressure. Result--no burp."

"Even in thunderstorms?" I asked.

"Automatic pressure regulator."

So we went to Benny's. That's a nice quiet place downtown. As a rule,
we don't go for the rainbow palaces and throne rooms that cater to
the more exclusive and less interesting trade. All they ever have is
acrobatic dancing at quarter gravity and stuff that Murphy could do
at 3g's without straining anyone but me. And besides, with Dudley in
control, the beer in those places would probably cost us half a credit.
So we went to _Benny's_ and Murphy wasn't there. Then we went to the
_Sun Spot_ and the only thing we recognized was the rise in price.
We hit three or four more places but they were all modernized--no
Outhouse. I was beginning to get sore about the rise in the cost of
living. And Listless didn't seem to know what it was all about. After
the fourth joint he started to argue with the bartenders. Which didn't
do a bit of good because in those particular places, the bartenders
were automatics. Finally we sallied into the _Solar Spin Club_ and
walked, stalked or clambered up to the bar. The regular customers
walked, Listless stalked and I clambered.

The _club_ was a pretty good bet because it has an old-fashioned bar in
the rear for those who like to tell their trouble to a bartender who is
deaf. Nobody knew that except a couple of us. Next to the bar were some
tables. At one of these sat Brother Dudley and a couple of friends.
Looking very disconsolate. Standing at the less brightly lit end of
the bar were three lovely ladies laughing hysterically at one, broad
Outhouse.

"He's telling dirty jokes again," I sniffed.

"Sometimes," sighed Listless, "I wish I had studied the more cultural
subjects. It helps."

"Helps what?" I demanded. "Anybody can do Drake. And anyway, you never
met anyone who could appreciate them."

He started to grin in a nasty way.

"Present company excepted," I yiped. "You know what I mean. Don't try
to get high-handed with me, you swizzle. I'm over your head like a
Heaviside Layer." Then I calmed down.

"This isn't going to make Dudley feel any too friendly toward us,"
mused Listless, giving the three solos at the table the once-over.

"Look at him," I said. "He doesn't feel good to anybody, ever. We
should worry."

"Two beers," I ordered, ruefully counting out the exorbitant amount I
had learned was necessary. Drake seemed to brighten a little at that.
Going right out of our pockets into his, the bum.

We stoked our holds in a hurry, ordered a couple more and gave Outhouse
the high sign.

He started toward us and the bevy of beauties followed along
automatically. Reminded me of a barnyard.

"Hi, folks," he greeted us. "Look what I got it." The three girls
giggled. Drake and his buddies sat and brooded. I kept an eye on them
just to see when things got started. Listless was aware of them too,
'cause I saw him tenderly feel his hip pocket for his applicator.
That's what he called it. But Murphy had told him about that gadget. He
said it was called a brass knuckle in the old days. Listless of course,
had to be high-toned and make it out of plastic on his little press.

The more we talked and laughed and the noisier we got, the glummer the
other three became. I guess they wanted silence. Finally they looked at
each other. I gave Murphy the nudge.

"Routine Three," I whispered. I loved that one. And we weren't feeling
too frisky yet. Not that we wanted to avoid a fight, you understand,
but we had two more days of healthy drinking to do if we wanted to
preserve our record. Murphy nodded his agreement to my suggestion and
I strolled over to the slot machine control and put a coin in the
smoothest, dreamiest, slowest dance number I could pick out. The music
controlled the gravity strength of the floor, and with that piece I
knew there wouldn't be enough field to flatten a quart of quicksilver.
Outhouse carefully detached his arm from where it was, made sure there
was plenty of room then turned and thumbed his nose at the boys. They
snarled and jumped for him.

Tsk, tsk, I thought, is that what Dudley learned in college? For
Murphy bent his knees, stretched out his arms and gathered them in. In
two steps he made the dance floor and tossed them gently up over it.
While they scrambled and twisted, weightlessly, trying to get down, we
grabbed the three girls. All of us charged through the door and into a
'copter.

"Now where?" asked Lomack after we had lost ourselves in a traffic
level.

"Any place where we can test Drake's products," I told him. "Then the
next time we meet him we'll really have something to yell about."

"C'mon on, Doc. Wake up! Something's happened."

"Hrrmph, brrrp, splat, phtooey," I replied as intelligibly as was
possible under the circumstances. I opened my eyes and couldn't see a
thing.

"Snap out of it. Hurry up." It was Listless' voice whispering through
the darkness.

I groped around and found a light switch. I pushed it. There was a
tremendous flash as the world disintegrated. I jumped up, banged my
head against something and flopped back half dead. I heard Lomack
laughing fit to kill. The ape. The lights went on. He was doubled over
alongside my berth back in the ship. I looked at the light fixture.
He'd taken out the regular element and substituted a flash lamp.

"Very funny," I moaned, rubbing my head where I had hit it against
the upper bunk. "Lucky you didn't blind me for life." I slipped back
under the covers, turned over and was all set for another snooze when I
remembered. I sat up in a hurry.

"What time is it?" I asked.

"Two days later," said Listless. I relaxed. We were O.K. then. I was
afraid for a moment that we had gone soft. But two days isn't so bad.
That's a lot of beer and, I shivered, a hell of a lot of credits.

I staggered out of the berth, put on some clothes and went to the
galley. Murphy was still eating. I reached for the bacon. No pills for
us, not while they still grow pigs. There was silence while we shoveled
it in. After the second cup of coffee, I sat back and gave forth with a
big sigh.

"Now," I said, "it is time to consider more serious things."

"Like Dirty Dudley," put in Listless.

"My old college chum," remarked Outhouse.

"And the idea you had in the park the other day," added Lomack.

"What is it?" asked Listless. "A new theory that will set the
astrologers back on their ears?"

"No," I replied. "It's not a new theory. It's an old and accepted one.
But nobody ever thought of testing it out. That's what I want to do.
And in testing it we will beat the beer combine at their own game. This
will get us much praise from the thinking population as well as all
good beer drinkers."

"He means the Society of Astrophysicists," said Murphy. He turned to
me. "You and that bunch. You're dead and don't know it."

"Yeah," said Listless, "moping around a bunch of archives in dusty old
halls. You oughta go there and bury yourself, Doc."

"Shut up, shut up, shut up," I yelled. To think of a grown man like me
acting that way. Sometimes I get disgusted with myself. But not in this
bunch. They always beat me to it.

"Lemme talk." I outlined the details of the plan without giving away
the fundamental idea. When I had finished, Listless leaned back and
groaned.

"I knew it," he said. "I gotta make five hauling trips before I even
get started figuring orbits. Whenever you have an idea, Doc, it's just
one load after another. And what are you going to do with them after
you get them set up out there?"

"I'll tell you when we're ready," I said. "And don't worry about the
orbits. I'll figure those. I couldn't trust you with such a delicate
task."

"I always knew you went around in circles, Doc," complained Murphy,
"but this is the first time I ever saw it come out literally."

"Not circles, you culture hound, ellipses as any student would know."

"And what, may I ask again, is the purpose of this little venture?"
Lomack was trying to be funny.

"In addition to dishing Dudley," I replied calmly, "I'm going to
demonstrate that Einstein was right."

As we walked past the striped side of the ship to set out for supplies
I glanced at the bow. We were in! Childishly printed, showing that one
of us had been blotto, I read: "_Beerbuster_," sprawled on the bow
plate. The previous name, "_Zebra_," the remnant of a five-day drunk,
had been obliterated by the simple process of smearing catsup on it.
The ship was all ready to go.

So were we.

We were out in free space beyond Pluto's orbit towing a third load of
asteroids; four big, juicy ones, taking them to the empty region we'd
picked for the job. I was doing the piloting, pretty routine once the
course was picked. Listless was back in the store room checking over
the equipment we had picked up on this trip and, incidentally, giving
his toes a rest. He twiddles his lowest extremities so much when he
pilots that after a while he gets cramps and has to quit. Wears hell
out of his socks that way. I heard him yell as he stubbed one of his
darlings against a plate. We had half a dozen plates back there with
specially designed foundations. They were to go on the asteroids and
Listless had figured out an embedding foundation to fasten the plates
to the rocky surfaces we had to deal with. We'd left Murphy out with
the fifteen we'd already carted. Which might sound dangerous to Murphy,
but in spite of what I say, Listless is a mighty good navigator and can
find a comet in a dark nebula if he wants to.

We came up to the cluster and spotted Murphy soaring about with a plate
in one hand. He saw us and tried to wave the plate but only succeeded
in wiggling himself. Those big plates, with disintegration chambers
attached have plenty of inertia.

Two of the rocks on which he had completed the job were separated. I
surrendered the controls to Lomack who swung the ship around and sent
the four we were towing swinging toward the rest of the pile. Then he
jumped the ship at the right moment and they came to a stop not twenty
feet from the others. Nice shooting, I thought, although I wouldn't
admit it. Murphy came across to the ship and we started unloading the
plates.

The machinists had done a beautiful job. To standard plates they had
added the fuel chamber and encased the whole in a shell of steelite.
From this shell projected the adjustable pincer clamps which would
dig into the solid rock and set immovably, making a rigid base for
operations. They were full-sized, liner plates and we estimated three
to an asteroid in a tripod formation which would give any orbit I was
likely to want.

We tied them in a convenient hollow and went on an inspection trip to
see how Murphy had made out with his installations. Listless checked
angles and tested foundations.

"Looks O.K., Doc," he commented. "Think you have enough mass?"

I counted. Nineteen.

"Let's make it an even twenty," I decided. "We can tie the rest of the
plates on in back and we won't have to load and unload. You go back
and get them while Murphy and I fix up a couple more."

Listless hopped back to the ship and beat it for the asteroid belt. I
set out with Murphy, two plates and a hand excavator. We picked out
spots, bored holes for the pincers, set the points and exploded the
charges that drove them home. I stepped back to look it over. It was
a nice idea. Space ships to order in any conceivable size. And these
little babies were going to nip Dudley right where the hair was short.
We made several more trips to the stock pile and stopped once for a
rest and sleep before the ship came back.

Murphy called my attention to it.

"He's coming in," he said over the space phone. I turned to look. The
_Beerbuster_ was starting her spin. Suddenly Murphy grabbed me.

"Out of the way," he yelled. "That slipstick expert miscalculated his
stop."

I stood and stared at the load of plates aimed straight at my head.
Outhouse threw me one way and jumped the other. But the bundle came to
a stop about twenty-five feet over us.

The air lock opened and Lomack stepped out, a big grin on his face.
He jumped toward us with the tie line in his hand. I picked up my
excavator by the wrong end and started for him.

"You did that on purpose, you undernourished breakfast," I gritted,
diving for him. He stepped out of my way and I landed on a sharp-edged
rock with a very tender part of my anatomy.

"Hold it, Doc, until you see what I brought back." He made the ship
fast and ducked back in the air lock. He came out with a case.

"Here y'are, Doc. Catch." The box sailed through space into my waiting
arms. I caught the Drake label on the side.

"And there are five more like it in the stock room."

"Well," I hesitated. "In that case, I'll excuse you," I told him. I
tossed it back and jumped after it. Murphy followed. He could smell
beer through that helmet. We took off our suits and had a good stretch.
Then we opened up. Lovely, lovely bottles. But not half so good as our
beer was going to be we told each other.

"I thought you boys would like a little refreshment," Listless expanded
under our praise. "But I didn't want to interfere with work so I held
it down to half a dozen."

We went through the first two and then Outhouse and I had a good sleep
in the ship's bunks while Lomack went out to look around and fiddle a
bit. When we woke up we felt like a million, and it wasn't long before
the three of us had the rest of the plates installed and ready to run.

We turned in for a final nap before the big day.

I woke up as nervous as a Martian juju. This was it. Listless was
sitting at the control box, when I came in from breakfast, fingers
ready to press the buttons tied into the plate chambers. Murphy was
running around the ship putting up filters over observation ports at my
suggestion. They still didn't have an inkling of what I was shooting at.

"O.K.," I choked. "Let 'er go."

Listless pressed the main contact. The box warmed up with a steadily
rising hum. The little lights blinked on and the main panel showed
the location of each asteroid. I read the figures off to him and his
fingers ran over the board more nervously than his toes would ever go.
The dots of light on the indicator panel started slowly in motion. They
built up speed, flashing faster and faster around the two focal points
I had calculated.

"Take an observation," I told Murphy, sweating.

He shot a glance out of the bow port, filter in his hand, ready to slap
it on.

"No stuff yet," he reported.

The asteroids were revolving dizzily now.

Suddenly a tremor passed through the ship.

"There she goes!" I screamed. Murphy's eyes bugged out against the
transparent plate.

"There's something out there, Doc," he yelled. "Light by all that's
uncontrollable. It's getting bigger. And brighter!" Lomack was still
madly balancing the orbits, speeding up the asteroids like rocks on
strings. A burst of brilliance came streaming through the forward
observation. Murphy put up the filter.

I sat back with a breath of deep, deep relief.

"There you are, boys," I wheezed. "One sun as per specification.
Completely under control. Lomack, if your fingers were fast enough we
could use it for a blinker. All you have to do is control the speeds
the right way."

Listless had established equilibrium by now, and threw over the box
to automatic. He went back to the store room and brought out the last
case. We sat down and drank to my health. Several times. And to my
brain. Often.

"How'd you figure it?" asked Murphy when the back pounding was over.

"Boys," I said in a superior tone, "it's really very simple." Murphy
threw the opener at me, so I got down to business.

"You both know the rudiments of Einstein, don't you?" I asked. They
nodded in agreement.

"Well, you know the theory of space warp. Not the way the plates work
but the fundamental proposition. Gravity does not exist as such. I mean
there is no actual attraction between the sun and the planets. The sun
is of such tremendous mass that it warps space elliptically around
it in such a way that any body of a given mass and speed just has to
travel a certain way. Instead of speaking of orbits, you might say,
that, like marbles, the planets fall into certain grooves and there
they stay."

I stopped for a long one.

"As I was saying, I thought that if the sun establishes grooves for the
planets to travel in, what would happen if we establish the grooves by
means of planets without a sun? Why, it follows as the noon the morning
that with the conditions just right, a sun would have to come into
existence. When we started those asteroids whizzing around we created
a sort of 'mass vacuum' in the center, and mass just had to rush in
to fill it. Or maybe it isn't even mass; just energy with an apparent
mass due to an apparent attraction. Anyway, there's your sun. We can
sell lots. We go to the boys and ask them how big a plant they want to
build, government supervision doesn't hold in free space you know, so
we can go in, snag an asteroid of the right size and set it up in a
slow orbit around our little power plant. Charges will be reasonable
but sufficient. And all the free beer we want."

Listless belched hopefully.

"That's very important," put in Murphy.

"You win the brass plated bus bar, Doc," conceded Listless. "But, oh
boy, if it hadn't worked."

"The thing to do now," said the ever-practical Murphy, "is to set up
a couple of choice locations. Listless, how about hopping back to the
Belt and picking up a nice, big, round rock to set up the first plant
on?"

"It's okay with me," Listless agreed.

"I don't like to leave the set up yet," I protested. "I'm not sure of
the equilibrium point. Let's take that control out to One and set it up
there. Murphy and I will stick there and keep our eyes on the system
until you get back. I can handle any slight variables that may show up."

So we put up a dome on the first planetoid and moved the control
equipment into it. With enough food and an air supply to last a couple
of days, we decided that Listless could head straight for Earth and see
if he could interest one of the lesser brewers in our plan.

After Listless had gone, Murphy and I sat around lazily, telling each
other what we would do after we got the beer industry running smoothly.
We puttered around with our minds, taking an occasional glance at the
new sun, dropping off for a cat nap when we felt like it. I was in the
middle of one of those when Murphy woke me up shaking my shoulder.

"Huh?" I said sleepily.

"Get up, Doc, there's a ship coming in." I rubbed my eyes and gazed out
through the dome port. It wasn't the _Buster_. There were no stripes on
it. And this ship had different lines.

It seemed to be searching for something. Stopping here and there among
the whirling planetoids, like a huge shark smelling for game, the pilot
must have spotted the gleam of our dome, for suddenly he headed right
for us.

I jumped into my spacealls just ahead of Murphy. We didn't know who
it was, but I had a darned good idea. Something told me that our long
delayed visit from Drake was about to arrive.

The ship pulled in close to headquarters, the lock opened and three
figures appeared. Hooking in their lines they sailed over to us.

As they came closer I could make out Dudley's handsome features. With
an expression on them I didn't like. The other two just looked familiar.

"Hello, Outhouse," he sneered. "You too, genius. I must admit you did
it. It's really too bad that your sun isn't stable, isn't it?"

I started to bridle.

"Whaddayamean, not stable?" I roared. "You know damn well that I know
damn well that that sun is stable as space itself."

"I said it wasn't stable, didn't I? How's a small sun like that going
to stand up under the atomic bomb we're going to plant in it? Take it
easy, Outhouse!"

For Murphy had started to place his feet for a spring. But he couldn't
do anything against the paralyzers that suddenly appeared in the hands
of Dudley's henchmen. I remembered them now. No hope in that direction.
They were the two whose girls we had taken back in the _Solar Spin
Club_. They must have had an interest in Drake's business 'cause I
can't see knocking a guy off for stealing your girl. I guess they took
that sort of thing seriously though, they got such few opportunities
from the looks of them.

"Now that we have that settled, I guess we know what we can expect,"
said Murphy.

"That's right," said Drake silkily. "We are going to aim the bomb right
at the center of your little beer plant. Where's your partner?"

We looked at each other. Then we turned back to Drake and shrugged.

"No spikka da Inglish," we said.

Drake's voice hardened. I didn't like the sound of it.

"Where did he go? Come across or you'll be here to watch that bomb go
off."

The two pleasant customers he'd brought with him didn't even bat an
eye. I guess they were pretty used to his dealings.

I was beginning to get hot. That's a habit with me. I started to jump
up and down, as well as I could with no gravity for the down.

"Dirty Dudley, you dastard--" I started but that was as far as I got.
He stepped forward and slapped the side of my helmet with the butt of
a paralyzer he pulled out of his belt. In the close confines of the
plastecele casing it sounded like all the tail plates in Space Port One
had dropped on me all at once. When I recovered and got up, Drake was
covering Murphy carefully with the paralyzer and the other two guys
were getting ready to jump back to the ship. For the bomb, I guessed.
Drake turned to me.

"A couple more cracks like that and your ears won't be much good," he
told me. "Better take it easy with your tongue."

I started to sputter but a glance from Outhouse silenced me. I guess he
knew Drake better than I did, although I was beginning to catch up with
him.

Drake cautiously started to throw his eyes around.

"Well, where is he?"

"We don't know," I popped up, sticking out my head, literally.

"I didn't ask you," said Drake, giving me a dirty look and casting a
speculative eye over my helmet.

"That's the straight dope, Drake," said Murphy, backing me up. "Lomack
is behind the whole thing and he wouldn't tell us what he intends to
do."

"Don't kid me." Dirty Dudley was great on sneers. "You guys wouldn't
put all the time and work and money in this if you didn't know what you
were doing."

"Yeah, we would," said Outhouse. "That's something you wouldn't
understand, Drake. We trust each other."

I thought he was going to get bad again but he only smiled.

"Go ahead," he advised, "and see where it gets you."

All this time I knew that Murphy was just waiting his chance to jump at
Drake when suddenly the expression on his face told me that something
was up. I didn't dare turn around but I shifted for comfort and managed
to trip. As I picked myself up under Drake's watchful scrutiny I cast
a quick one over my shoulder. It was the _Beerbuster_, once _Zebra_,
coming in with a tail of one asteroid trailing along behind. I didn't
know what to do. Listless, unarmed, was going to walk right into a
trap. For I wasn't too sure that Drake was going to take us off when
the bomb let loose. Why should he? A nice experiment, three fine boys
busted up. Don't do it again, says the government. He'd be in the clear.

But Lomack must have had his eyes peeled and his toes socked, for he
shifted into an orbit instead of coming straight in.

In the meantime, Drake had spotted him, too, and had called his men
on the space phone. They had the bomb all set. "Bring that thing over
here and then get back on board," yelled Drake. The two men gingerly
picked up the globe and jumped daintily for us. They came to a gentle
stop, set it down, and beat it hastily for the ship again. Drake called
Listless.

"Hey, you space bum! This is Drake. I've got your two buddies under
control down here. Leave your ship and come on in or they won't last
much longer. Don't try anything funny or I'll knock them off right now."

Murphy and I listened tensely. There was silence for a moment.

"_Brrrack!_" said Listless. It was the prettiest sound.

Drake was taken aback. For the moment it took to get started he
couldn't think of an adequate reply. That was all the time Listless
needed. Murphy and I stood in open-mouthed admiration at what came
next. I could almost see Listless' stiff toes bursting through his
socks.

From traveling in a short orbit, the tail of the _Beerbuster_ was
standing out at right angles to the direction of flight. In a moment,
Listless had flicked on the side plates, swung the ship around tail
first and farther so that the asteroid followed through in a sweeping
arc and headed straight for us. Drake stood in stunned astonishment;
and because Drake was the brains, the two bums stood in the port of
their ship and just looked. Which was their very hard luck.

The asteroid finished up its arc smack against Drake's ship. Like a
gigantic hammer it smashed and crumpled the plates and the heat of the
collision flashed into brilliant orange. The two boys on Drake's side,
for once not stopping for orders, had left but they had forgotten about
their lines. When the mass of rock hit, they were jerked like live fish
on the ends of leaders. We heard them scream through the mike and then
they were silent.

I laughed; I couldn't help it, desperate as the situation was. Dirty
Dudley was really getting smeared--but good.

In the meanwhile Outhouse had wasted neither energy nor purpose in
gathering Drake in while his attention was concentrated on ducking.
Dirty Dudley didn't have a chance. I caught the paralyzer as it flew my
way. But I didn't need it. Drake was out. Murphy had clonked him on the
helmet with a metal-clad excavator. I was avenged.

Listless got the tail under control and brought the rock in the usual
way. He swung it nicely over our heads and put it nicely next to us. I
didn't even duck. Then he opened the lock and came across. There were
two other men with him.

"What happened?" he asked. I told him. He went over and took a look at
Drake and stirred him with his foot.

"Good thing I brought witnesses," he remarked. Then he introduced us
to the other two and told us that they were interested in starting a
brewery around our private light.

"It would have been very nice," said Parker, the senior partner, "to
get away from Drake. He was slowly driving us out of business. Now of
course, he won't offer any trouble. So I guess we'll stick to Earth."

My heart sank.

"Just the same, I like it out here. How about letting me take over one
of your planets for a private home?"

It was a thought. Private homes, private grounds, private planets. No
looking over your neighbor's fences.

Sure.

The hell with the beer.

We'd go in for real estate.


Produced by Andrea Ball & Marc D'Hooghe at
http://www.freeliterature.org (From images generously made
available by the Internet Archive.)

LOVE, WORSHIP AND DEATH

Some renderings from the Greek Anthology

BY

SIR RENNELL RODD

AUTHOR OF

'BALLADS OF THE FLEET'

'THE VIOLET CROWN,' ETC.

LONDON

EDWARD ARNOLD

1916

INTRODUCTION

Among the many diverse forms of expression in which the Greek genius has
been revealed to us, that which is preserved in the lyrics of the
anthology most typically reflects the familiar life of men, the thought
and feeling of every day in the lost ancient world. These little flowers
of song reveal, as does no other phase of that great literature, a
personal outlook on life, kindly, direct and simple, the tenderness
which characterised family relations, the reciprocal affection of master
and slave, sympathy with the domestic animals, a generous sense of the
obligations of friendship, a gentle piety and a close intimacy with the
nature gods, of whose presence, malignant or benign, the Greek was ever
sensitively conscious. For these reasons they still make so vivid an
appeal to us after a long silence of many centuries. To myself who have
lived for some years in that enchanted world of Greece, and have sailed
from island to island of its haunted seas, the shores have seemed still
quick with the voices of those gracious presences who gave exquisite
form to their thoughts on life and death, their sense of awe and beauty
and love. There indeed poetry seems the appropriate expression of the
environment, and there even still to-day, more than anywhere else in the
world, the correlation of our life with nature may be felt
instinctively; the human soul seems nearest to the soul of the world.

The poems, of which some renderings are here offered to those who cannot
read the originals, cover a period of about a thousand years, broken by
one interval during which the lesser lyre is silent. The poets of the
_elegy_ and the _melos_ appear in due succession after those of the
_epic_ and, significant perhaps of the transition, there are found in
the first great period of the lyric the names of two women, Sappho of
Lesbos, acknowledged by the unanimous voice of antiquity, which is
confirmed by the quality of a few remaining fragments, to be among the
greatest poets of all times, and Corinna of Tanagra, who contended with
Pindar and rivalled Sappho's mastery. The canon of Alexandria does not
include among the nine greater lyrists the name of Erinna of Rhodes, who
died too young, in the maiden glory of her youth and fame. The earlier
poets of the _melos_ were for the most part natives of

                    'the sprinkled isles,
     Lily on lily that overlace the sea.'

Theirs is the age of the austerer mood, when the clean-cut marble
outlines of a great language matured in its noblest expression. Then a
century of song is followed by the period of the dramatists during which
the lyric muse is almost silent, in an age of political and intellectual
intensity.

A new epoch of lyrical revival is inaugurated by the advent of
Alexander, and the wide extension of Hellenic culture to more distant
areas of the Mediterranean. Then follows the long succession of poets
who may generally be classified as of the school of Alexandria. Among
them are three other women singers of high renown, Anyte of Tegea,
Nossis of Locri in southern Italy, and Moero of Byzantium. The later
writers of this period had lost the graver purity of the first lyric
outburst, but they had gained by a wider range of sympathy and a closer
touch with nature. This group may be said to close with Meleager, who
was born in Syria and educated at Tyre, whose contact with the eastern
world explains a certain suggestive and exotic fascination in his poetry
which is not strictly Greek. The Alexandrian is followed by the Roman
period, and the Roman by the Byzantine, in which the spirit of the muse
of Hellas expires reluctantly in an atmosphere of bureaucratic and
religious pedantry.

These few words of introduction should suffice, since the development of
the lyric poetry of Greece and the characteristics of its successive
exponents have been made familiar to English readers in the admirable
work of my friend J.W. Mackail. A reference to his _Select Epigrams from
the Greek Anthology_ suggests one plea of justification for the present
little collection of renderings, since the greater number of them have
been by him translated incomparably well into prose.

Of the quality of verse translation there are many tests: the closeness
with which the intention and atmosphere of the original has been
maintained; the absence of extraneous additions; the omission of no
essential feature, and the interpretation, by such equivalent as most
adequately corresponds, of individualities of style and assonances of
language. But not the least essential justification of poetical
translation is that the version should constitute a poem on its own
account, worthy to stand by itself on its own merits if the reader were
unaware that it was a translation. It is to this test especially that
renderings in verse too often fail to conform. I have discarded not a
few because they seemed too obviously to bear the forced expression
which the effort to interpret is apt to induce. Of those that remain
some at least I hope approach the desired standard, failing to achieve
which they would undoubtedly be better expressed in simple prose. And
yet there is a value in rendering rhythm by rhythm where it is possible,
and if any success has been attained, such translations probably convey
more of the spirit of the original, which meant verse, with all which
that implies, and not prose.

The arrangement in this little volume is approximately chronological in
sequence. This should serve to illustrate the severe and restrained
simplicity of the earlier writers as contrasted with the more complex
and conscious thought, and the more elaborate expression of later
centuries when the horizons of Hellenism had been vastly extended.

The interpretation of these lyrics has been my sole and grateful
distraction during a period of ceaseless work and intense anxiety in the
tragic years of 1914 and 1915.

R.R.

INDEX OF AUTHORS

MIMNERMUS--CARPE DIEM

SAPPHO--
  I. A BITTER WORD
  II. THE BELOVED PRESENCE
  III. HESPER
  IV. OUT OF REACH

ANACREONTICA--
  I. LOVE'S CHALLENGE
  II. BACCHANAL
  III. HER PORTRAIT
  IV. METAMORPHOSIS
  V. APOLOGIA

UNKNOWN--ANACREON'S GRAVE

SIMONIDES--
  I. ON THE SPARTANS
  II. ON THE ATHENIANS

PLATO--
  I. A GRAVE IN PERSIA
  II. STARWORSHIP
  III. THE UNSET STAR
  IV. LAIS

PERSES--A RUSTIC SHRINE

ANYTE OF TEGEA--
  I. A SHRINE BY THE SEA
  II. THE GOD OF THE CROSS-ROADS

ADDAEUS--THE ANCIENT OX

ASCLEPIADES--THE PRAISE OF LOVE

MICIAS--A WAYSIDE FOUNTAIN

CALLIMACHUS--CAST UP BY THE SEA

NOSSIS--
  I. ROSES OF CYPRIS
  II. RINTHO'S GRAVE

LEONIDAS OF TARENTUM--
  I. ERINNA
  II. THE FOUNTAIN HEAD

DIONYSUS--THE ROSE OF YOUTH

DAMAGETUS--THEANO

ARCHIAS--
  I. THE HARBOUR GOD
  II. A GRAVE BY THE SEA

MELEAGER--
  I. LOVE'S QUIVER
  II. THE CUP
  III. ZENOPHILE
  IV. LOVE AND DEATH
  V. LOVE'S MALICE
  VI. ASCLEPIAS
  VII. HELIODORA
  VIII. THE WREATH
  IX. LIBATION
  X. THE GRAVE OF HELIODORA
  XI. HIS EPITAPH

CRINAGORAS--ROSES IN WINTER

JULIUS POLYAENUS--
  AN EXILE'S PRAYER

ANTIPATER OF THESSALONICA--
  A GRAVE AT OSTIA

UNKNOWN--
  FRIENDSHIP'S EPITAPH

UNKNOWN--
  THE COUNSEL OF PAN
  BÉNITIER
  THE END OF THE COMEDY

STRATO--THE KISS

AMMIANUS--THE LORD OF LANDS

ALPHEUS--MYCENAE

MACEDONIUS--THE THRESHOLD

NOTES

MIMNERMUS

7TH CENTURY B.C.

     CARPE DIEM

     Hold fast thine youth, dear soul of mine, new lives will come to birth,
     And I that shall have passed away be one with the brown earth.

     SAPPHO

     7TH AND 6TH CENTURY B.C.

     A BITTER WORD

     Dying thou shalt lie in nothingness, nor after
     Love shall abide here nor memory of thee;
     For thou hast no portion in the roses of Pieria;
     But even in the nether world obscurely shalt thou wander
     Flitting hither thither with the phantoms of the dead.

     Note 1

     II

     THE BELOVED PRESENCE

     Blest as the Gods are esteem I him who alway
     Sits face to face with thee and watching thee forgoes not
     The voice that is music and the smile that is seduction,
                 Smile that my heart knows
     Fluttered in its chambers. For lo, when I behold thee
     Forthwith my voice fails, my tongue is tied in silence,
     Flame of fire goes through me, my ears are full of murmur,
                 Blinded I see naught:
     Sweat breaketh forth on me, and all my being trembles,
     Paler am I grown than the pallor of the dry grass,
     Death seemeth almost to have laid his hand upon me.--
                      Then I dare all things.

     Note 2

     HESPER

     Thou, Hesper, bringest homeward all
       That radiant dawn sped far and wide:
     The sheep to fold, the goat to stall,
       The children to their mother's side.

     IV

     OUT OF REACH

     Like the apple that ripens rosy at the end of a branch on high,
       At the utmost end of the utmost bough,
       Which those that gather forgot till now.
     Nay, did not forget, but only they never might come thereby.

     ANACREONTICA

     ANACREON, 6TH CENTURY B.C.

     LOVE'S CHALLENGE

     Love smote me with his jacinth wand and challenged me to race,
     And wore me down with running till the sweat poured off my face,
     Through breaks of tangled woodland, by chasms sheer to scale,
     Until my heart was in my lips and at the point to fail.
     Then as I felt his tender wings brush lightly round my head,
     ''Tis proven that thou lackest the strength to love,' he said.

     Note 3

     II

     BACCHANAL

     When Bacchus hath possessed me my cares are lulled in wine,
     And all the wealth of Croesus is not more his than mine:
     I crown my head with ivy, I lift my voice to sing,
     And in my exultation seem lord of every thing.
     So let the warrior don his arms, give me my cup instead,
     If I must lie my length on earth, why better drunk than dead.

     HER PORTRAIT

     Master of all the craftsmen,
       Prince of the Rhodian art,
     Interpret, master craftsman,
       Each detail I impart,
     And draw as were she present
       The mistress of my heart.

     First you must match those masses
       Of darkly clustered hair,
     And if such skill be in your wax
       The scent that harbours there;
     And where the flowing tresses cast
       A warm-toned shadow, trace
     A forehead white as ivory,
       The oval of her face.
     Her brows you must not quite divide
       Nor wholly join, there lies
     A subtle link between them
       Above the dark-lashed eyes.
     And you must borrow flame of fire
       To give her glance its due,
     As tender as Cithera's
       And as Athena's blue.
     For cheek and nostril rose-leaves
       And milk you shall enlist,
     And shape her lips like Peitho's
       Inviting to be kissed.
     Let all the Graces stay their flight
       And gather round to deck
     The outline of her tender chin,
       The marble of her neck.
     And for the rest--bedrape her
       In robe of purple hue,
     With here and there to give it life
       The flesh tint peeping through.
     Now hold thy hand,--for I can see
       The face and form I seek,
     And surely in a moment's space
       I think your wax will speak.

     Note 4

     IV

     METAMORPHOSIS

     If she who, born to Tantalus,
       As Niobe we know,
     Was turned to stone among the hills
       Of Phrygia long ago;
     If Proene by such magic change
       Was made a bird that flies,
     Let me become the mirror
       That holds my lady's eyes!
     Or let me be the water
       In which your beauty bathes,
     Or the dress which clinging closely
       Your gracious presence swathes;
     Or change me to the perfume
       You sprinkle on your skin,
     Or let me be the pearl-drop
       That hangs beneath your chin;
     And if not these the girdle
       You bind below your breast;
     Or be at least the sandal
       Your little foot hath pressed.

     V

     APOLOGIA

     The brown earth drinks from heaven, and from the earth the tree,
     The sea drinks down the vapour, and the sun drinks up the sea,
     The moon drinks in the sunlight; now therefore, comrades, say
     What fault have you to find in me if I would drink as they?

     AUTHOR UNKNOWN

     ANACREON'S GRAVE

     You that pass this place of graves
       Pause and spill a cup for me,
     For I hold Anacreon's ashes,
       And would drink as once would he.

     SIMONIDES

     556-467 B.C.

     _THE PLATAEAN EPITAPHS_

     ON THE SPARTANS

     These who with fame eternal their own dear land endowed
     Took on them as a mantle the shade of death's dark cloud;
     Yet dying thus they died not, on whom is glory shed
     By virtue which exalts them above all other dead.

     II

     ON THE ATHENIANS

     If to die nobly be the meed that lures the noblest mind,
     Then unto us of all men in this was fortune kind.
     For Greece we marched, that freedom's arm should ever round her fold;
     We died, but gained for guerdon renown  that grows not old.

     PLATO

     429-347 B.C.

     A GRAVE IN PERSIA

     Far from our own Ægean shore
       And the surges booming deep,
     Here where Ecbatana's great plain
       Lies broad, we exiles sleep.
     Farewell, Eretria the renowned,
       Where once we used to dwell;
     Farewell, our neighbour Athens;
       Beloved sea, farewell!

     Note 5

     II

     STARWORSHIP

     Thou gazest starward, star of mine, whose heaven I fain would be,
     That all my myriad starry eyes might only gaze on thee.

     THE UNSET STAR

     Star that didst on the living at dawn thy lustre shed,
     Now as the star of evening thou shinest with the dead!

     IV

     LAIS

     I that through the land of Hellas
       Laughed in triumph and disdain,
     Lais, of whose open porches
       All the love-struck youth were fain,
     Bring the mirror once I gazed in,
       Cyprian, at thy shrine to vow,
     Since I see not there what once was,
       And I would not what is now.

     PERSES

     4TH CENTURY B.C.

     A RUSTIC SHRINE

     I am the god of the little things,
       In whom you will surely find,
     If you call upon me in season,
       A little god who is kind.
     You must not ask of me great things,
       But what is in my control,
     I, Tychon, god of the humble,
       May grant to a simple soul.

     Note 6

     ANYTE OF TEGEA

     4TH CENTURY B.C.

     A SHRINE BY THE SEA

     This is the Cyprian's holy ground,
       Who ever loves to stand
     Where she can watch the shining seas
       Beyond the utmost land;
     That sailors on their voyages
       May prosper by her aid,
     Whose radiant effigy the deep
       Beholding is afraid.

     II

     THE GOD OF THE CROSS-ROADS

     I, Hermes, by the grey sea-shore,
       Set where the three roads meet,
     Outside the wind-swept garden,
       Give rest to weary feet;
     The waters of my fountain
       Are clear, and cool, and sweet.

     ADDAEUS

     4TH CENTURY B.C.

     THE ANCIENT OX

     The ox of Alcon was not led to the slaughter when at length
     Age and the weary furrow had sapped his olden strength.
     His faithful work was honoured, and in the deep grass now
     He strays and lows contentment, enfranchised from the plough.

     ASCLEPIADES

     3RD CENTURY B.C.

     THE PRAISE OF LOVE

     Sweet is the snow in summer thirst to drink, and sweet the day
     When sailors see spring's garland bloom and winter pass away.
     But the sweetest thing on earth is when, one mantle for their cover,
     Two hearts recite the Cyprian's praise as lover unto lover.

     MICIAS

     3RD CENTURY B.C.

     A WAYSIDE FOUNTAIN

     Rest here beneath the poplars,
       When tired with travelling,
     And drawing nigh refresh you
       With water from our spring.
     So may you keep in memory
       When under other skies
     The fount his father Simus set
       By the grave where Gillus lies.

     CALLIMACHUS

     3RD CENTURY B.C.

     CAST UP BY THE SEA

     Who were you, shipwrecked sailor? The body that he found,
     Cast on the beach, Leontichus laid in this burial mound;
     And mindful of his own grim life he wept, for neither he
     May rest in peace who like a gull goes up and down the sea.

     NOSSIS

     3RD CENTURY B.C.

     ROSES OF CYPRIS

     Of all the world's delightful things most sweet is love. The rest,
     Ay, even honey in the mouth, are only second best.
     This Nossis saith. And only they the Cyprian loves may know
     The glory of the roses that in her garden grow.

     II

     RINTHO'S GRAVE

     Give me a hearty laugh, and say
     A friendly word and go thy way.
     Rintho was I of Syracuse,
     A modest song bird of the muse,
     Whose tears and smiles together sown
     Have born an ivy all my own.

     Note 7

     LEONIDAS OF TARENTUM

     3RD CENTURY B.C.

     ERINNA

     The lyric maid Erinna, the poet-bee that drew
     The honey from the rarest blooms the muses' garden grew,
     Hath Hades snatched to be his bride. Mark where the maiden saith,
     Prophetic in her wisdom, 'How envious art thou, Death!'

     Note 8

     II

     THE FOUNTAIN HEAD

     Pause not here to drink thy fill
     Where the sheep have stirred the rill,
     And the pool lies warm and still--
     Cross yon ridge a little way,
     Where the grazing heifers stray,
     And the stone-pine's branches sway
     O'er a creviced rock below;
     Thence the bubbling waters flow
     Cooler than the northern snow.

     DIONYSUS

     2ND CENTURY B.C. (?)

     THE ROSE OF YOUTH

     Girl with the roses and the grace
     Of all the roses in your face,
     Are you, or are the blooms you bear,
     Or haply both your market ware?

     DAMAGETUS

     2ND CENTURY B.C.

     THEANO

     These words, renowned Phocæa, were the last Theano said,
     As she went down into the night that none hath harvested.
     Hapless am I, Apellichus, beloved husband mine,
     Where in the wide, wide waters is now that bark of thine?
     My doom hath come upon me, and would to God that I
     Had felt my hand in thy dear hand on the day I had to die.

     ARCHIAS

     1ST CENTURY B.C.

     THE HARBOUR GOD

     Me, Pan, whose presence haunts the shore,
       The fisher folk set here,
     To guard their haven anchorage
       On the cliff that they revere;
     And thence I watch them cast the net
       And mind their fishing gear.
     Sail past me, traveller: for I send
       The gentle southern breeze,
     Because of this their piety,
       To speed thee over seas.

     II

     A GRAVE BY THE SEA

     I, shipwrecked Theris, whom the tide
       Flung landward from the deep,
     Not even dead may I forget
       The shores that know not sleep.
     Beneath the cliffs that break the surf
       My body found a grave,
     Dug by the hands of stranger men,
       Beside the cruel wave:
     And still ill-starred among the dead
       I hear for evermore
     The hateful booming of the seas
       That thunder on the shore.

     MELEAGER

     1ST CENTURY B.C.

     LOVE'S QUIVER

     By Heliodora's sandalled foot, and Demo's waving hair,
     By Dorothea's wreath of blooms unbudding to the air,
     By Anticlea's winsome smile and the great eyes of her,
     And by Timarion's open door distilling scent like myrrh,
     I know the god of love has spent his arrows winged to smart,
     For all the shafts his quiver held I have them in my heart.

     II

     THE CUP

     The cup takes heart of gladness, whose boast it is to be
     Sipped by the mouth of love's delight, soft-voiced Zenophile.
     Most favoured cup! I would that she with lips to my lips pressed
     Would drink the soul in one deep draught, that is my body's guest.

     ZENOPHILE

     Sweet is the music of that air, by Pan of Arcady,
     Thou drawest from the harpstrings, too sweet, Zenophile;
     The thronging loves on every side close in and press me nigh,
     And leave me scarce a breathing space, so whither can I fly?
     Is it thy beauty or thy song that kindles my desire,
     Thy grace, or every thing thou art? For I am all on fire.

     IV

     LOVE AND DEATH

     Friend Cleobulus, when I die
       Who conquered by desire,
     Abandoned in the ashes lie
       Of youth's consuming fire,
     Do me this service, drench in wine
       The urn you pass beneath,
     And grave upon it this one line,
       'The gift of Love to Death.'

     V

     LOVE'S MALICE

     Cruel is Love, ah cruel, and what can I do more
     Than moaning love is cruel, repeat it o'er and o'er?
     I know the boy is laughing and pleased that I grow grim,
     And just the bitter things I say are the bread of life to him.
     But you that from the grey-green wave arising, Cyprian, came,
     'Tis strange that out of water you should have borne a flame.

     VI

     ASCLEPIAS

     Like the calm sea beguiling with those blue eyes of hers,
     Asclepias tempteth all men to be love's mariners.

     VII

     HELIODORA

     Say Heliodore, and Heliodore, and still say Heliodore,
     And let the music of her name mix with the wine you pour.
     And wreath me with the wreath she wore, that holds the scent of myrrh,
     For all that it be yesterday's, in memory of her.
     The rose that loveth lovers, the rose lets fall a tear
     Because my arms are empty, because she is not here.

     VIII

     THE WREATH

     White violet with the tender-leaved narcissus I will twine,
     And the laughing lips of lilies with myrtle blooms combine;
     And I will bind the hyacinth, the dark red-purple flower,
     With crocus sweet and roses that are the lovers' dower,
     To make the wreath that Heliodore's curl-scented brow shall wear,
     To strew with falling petals the glory of her hair.

     IX

     LIBATION

     Pour out as if for Peitho, and for the Cyprian pour,
     Then for the sweet-voiced Graces, but all for Heliodore;
     For there is but one goddess whose worship I enshrine,
     And blent with her beloved name I drink the virgin wine.

     X

     THE GRAVE OF HELIODORA

     Tears for thee, Heliodore, and bitter tears to shed,
     If all that love has left to give can reach thee with the dead;
     Here at thy grave I offer, that tear-drenched grave of thine,
     Libation of my longing before affection's shrine.
     Forlorn I mourn thee, dearest, in the land where shadows dwell,
     Forlorn, and grudge the tribute death could have spared so well.
     Where is the flower I cherished? Plucked by the god of doom;
     Plucked, and his dust has tarnished the scarce unbudded bloom.
     I may but pray thee, mother earth, who givest all thy best,
     Clasp her I mourn for ever close to thy gentle breast.

     XI

     HIS EPITAPH

     Tread softly, ye that pass, for here
       The old man rests his head,
     And sleeps the sleep that all men must
       Among the honoured dead.
     Meleager, son of Eucrates,
       Who linked the joyous train
     Of Graces and of Muses
       With love's delicious pain.
     From Gadara, the sacred land,
       I came and god-built Tyre,
     But Meropis and pleasant Cos
       Consoled life's waning fire.
     If thou be Syrian, say Salaam,
       Or Hail, if Greek thou be,
     Say Naidios, if Phœnician born,
       For all are one to me.

     CRINAGORAS

     1ST CENTURY B.C.

     ROSES IN WINTER

     In spring it was we roses
       Were used to bloom of old,
     Who now in midmost winter
       Our crimson cells unfold,
     To greet thee on the birthday
       That shall thy bridal bring.
     'Tis more to grace so fair a brow
       Than know the suns of spring.

     JULIUS POLYAENUS

     1ST CENTURY B.C.

     AN EXILE'S PRAYER

     Among the myriad voices that seek to win thine ear
     From those whose prayers are granted, from those who pray in fear,
     O Zeus of Scheria's holy plain, let my voice reach thee too,
     And hearken and incline the brow that binds thy promise true.
     Let my long exile have an end, my toil and travel past,
     Grant me in my own native land to live at rest at last!

     ANTIPATER OF THESSALONICA

     1ST CENTURY B.C.

     A GRAVE AT OSTIA

     Ausonian earth contains me
       That was a Libyan maid,
     And in the sea's sand hard by Rome
       My virgin form was laid.
     Pompeia with a mother's care
       Watched o'er my tender years,
     Entombed me here among the free,
       And gave me many tears.
     Not as she prayed the torch was fired,
       She would have burned for me;
     The lamp which took the torch's place
       Was thine, Persephone.

     AUTHOR UNKNOWN

     FRIENDSHIP'S EPITAPH

     This stone, my good Sabinus, although it be but small,
     Shall be of our great friendship a witness unto all.
     Ever shall I desire thee, and thou, if this may be,
     Forbear to drink among the dead the lethe-draft for me.

     Note 9

     THE COUNSEL OF PAN

     In this green meadow, traveller, yield
       Thy weary limbs to rest:
     The branches of the stone pine sway
       To the wind from out the west;
     The cricket calls, and all noon long
       The shepherd's piping fills
     The plane-grove's leafy shadows
       By the spring among the hills.
     Soothed by these sounds thou shalt avoid
       The dogstar's autumn fires,
     And then to-morrow cross the ridge;--
       Such wisdom Pan inspires.

     BÉNITIER

     Touch but the virgin water, clean of soul,
       Nor fear to pass into the pure god's sight:
     For the good a drop suffices. But the whole
       Great ocean could not wash the unclean white.

     THE END OF THE COMEDY

     Fortune and Hope, a long adieu!
       My ship is safe in port.
     With me is nothing left to do,
       Make other lives your sport.

     Note 10

     STRATO

     2ND CENTURY A.D.

     THE KISS

     It was at even and the hour in which good-nights are bid
     That Mœris kissed me, if indeed I do not dream she did.
     Of all the rest that happened there is naught that I forget,
     No word she said, no question of all she asked,--and yet
     If she indeed did kiss me, my doubt can not decide,
     For how could I still walk the earth had I been deified!

     AMMIANUS

     2ND CENTURY A.D.

     THE LORD OF LANDS

     Though till the gates of Heracles thy land-marks thou extend,
     Their share in earth is equal for all men at the end;
     And thou shalt lie as Irus lies, one obol all thy store,
     And be resolved into an earth that is thine own no more.

     Note 11

     ALPHEUS

     2ND CENTURY A.D.

     MYCENAE

     The cities of the hero age thine eyes may seek in vain,
     Save where some wrecks of ruin still break the level plain.
     So once I saw Mycenae, the ill-starred, a barren height
     Too bleak for goats to pasture,--the goat-herds point the site.
     And as I passed a greybeard said, 'Here used to stand of old
     A city built by giants, and passing rich in gold.'

     Note 12

     MACEDONIUS

     6TH CENTURY A.D.

     THE THRESHOLD

     Spirit of Birth, that gave me life,
       Earth, that receives my clay,
     Farewell, for I have travelled
       The stage that twixt you lay.
     I go, and have no knowledge
       From whence I came to you,
     Nor whither I shall journey,
       Nor whose I am, nor who.

NOTES

Note 1.

In this, No. 68 of the Sappho fragments, I have followed the reading

  _κατθάνοισα δὲ κείσεαι οὐδέ ποτα μναμοσύνα_
      _σέθεν_
  _ἔσσετ' οὐδ' ἔρος εἰς ὔστερον·_

rather than

  _κατθάνοισα δὲ κείσεαι πότα, κωὐ μναμοσύνα σέθεν._
  _ἔσσετ' οὔτε τότ' οὔτ' ὔστερον·_

    'Dying thou shalt lie in nothingness, nor of
    thee
    There nor thereafter shall memory abide.'

Note 2.

A portion of this fragment was adopted by Catullus.

Note 3.

Anacreon's date is 563-478 B.C. It must, alas, be admitted that the
poems attributed to him are, with the exception of a few fragments, all
of them dubious and most of them certainly spurious. He had a great
number of imitators down to a much later time, and a considerable number
of the pseudo-Anacreontic poems are preserved in an appendix to the
Palatine anthology. It may be assumed that some of them reflect a
portion of his spirit, and many of them are graceful in conceit and
beautiful in form. The specimens here given must be classed upon the
productions of his later imitators, although they are inserted in the
place where in chronological order the real Anacreon would have
followed.

Note 4.

The portraiture of the Greeks was executed with tinted wax, and not with
colours rendered fluid by a liquid or oily medium. The various tints and
tones of wax were probably laid on with the finger tips or with a
spatula.

Note 5.

There was more than one Plato, but the great Plato is evidently referred
to in the prefatory poem of Meleager as included among the poets of his
anthology.

Captives from Eretria were established in a colony in Persia by Darius
after the first Persian war. The colony at Ardericca was, however,
hundreds of miles from Ecbatana.

If the epigram on Lais is not attributed to the great Plato by the most
competent authorities, the dates of the two famous courtesans who bore
the name would not exclude the possibility of his being the author.

Note 6.

Tychon is identified with Priapus.

Note 7.

Rintho founded a new school of serio-comic drama about 300 B.C. The ivy
was sacred to Dionysus, in whose worship the drama had its origin.

Note 8.

Also attributed to Meleager. The phrase, _βάσκανος ἔσσ' Ἀΐδα_, here
quoted is from Erinna's lament for Baucis, one of the rare surviving
lyrics of the Rhodian poetess.

Note 9.

The anonymous epigrams here inserted are probably not in their proper
chronological places. But as they could not be definitely assigned to
any date I have placed them between the two categories of B.C. and A.D.

Note 10.

There is a Latin version of this epigram on a tomb in the pavement of a
church in Rome (S. Lorenzo in Panisperna).

    Inveni portum, spes et fortuna valete,
      Nil mihi vobiscum, ludite nunc alios.

Note 11.

Irus was the beggar of the Odyssey who ran messages for the suitors of
Penelope. The obol referred to is the small coin placed between the lips
of the dead to pay the toll to the ferryman of Hades.

Note 12.

It is interesting to know from the evidence of Alpheus, who visited the
sites of the Homeric cities, that nearly two thousand years ago the site
of Mycenae was just as it remained until the excavations of Schliemann.