And tottering ruin: all at once she stops
   By a low ruined altar's sunken steps.
   O, how I felt, when there, with streaming eyes
   And wringing hands, down at my feet she fell!

                                SITTAH.

   Good child!

                                 RECHA.

               And, by the Holy Virgin, who had heard
   So many suppliants' prayers, and had performed
   Full many a wonder there, she begged, implored
   With looks of heart-felt sympathy and love,
   That I would now take pity on myself,
   And pardon her for daring to unfold
   The nature of the Church's claims on me.

                                SITTAH.

   I guessed as much.

                                 RECHA.

                        I'm born of Christian blood,
   Have been baptised, and am not Nathan's child!
   Nathan is not my father! God, O God!
   He's not my father, Sittah! Now, behold,
   I'm once more prostrate at your feet.

                                SITTAH.

                                        Arise!
   Recha, arise! behold, my brother comes.

                               Scene VII.

                     Saladin, Sittah, _and_ Recha.

                                SALADIN.

   What is the matter, Sittah?

                                SITTAH.

                                    She has swooned.

                                SALADIN.

   Who is she?
                                SITTAH.

                  Don't you know?

                                SALADIN.

                                    'Tis Nathan's child.
   What ails her?
                                SITTAH.

                    Look up, Recha! 'tis the Sultan.

                 RECHA (_crawling to Saladin's feet_).

   No, I'll not rise--not rise nor even look
   Upon the Sultan's countenance, nor wonder
   At the bright lustre of unchanging truth
   And goodness on his brow and in his eye,
   Before----

                                SITTAH.

          Rise, rise!

                                 RECHA.

                           Before he promises----

                                SALADIN.

   Come, come! I promise, whatsoe'er your prayer.

                                 RECHA.

   'Tis only this--to leave my father to me,
   And me to him. As yet I cannot tell
   Who seeks to be my father: who it is
   Can harbour such a wish I'll ne'er inquire.
   Does blood alone make fathers--blood alone?

                                SITTAH.

   Who can have been so cruel as to raise
   This dire suspicion in my Recha's breast?
   Say, is it proved? beyond all doubt made clear?

                                 RECHA.

   'Tis proved, for Daja had it from my nurse,
   Whose dying lips entrusted it to her.

                                SALADIN.

   Dying! she raved. And even were it true,
   A father is not made by blood alone;
   Scarcely the father of a savage beast--
   Blood only gives the right to earn the name.
   Then fear no more, but hear me. If there be
   Two fathers who contend for thee, leave both,
   And claim a third! O! take me for your father!

                                SITTAH.

   Oh, do so, Recha, do so!

                                SALADIN.

                            I will be
   A good, kind father to you. But, in truth
   A better thought occurs. Why should you need
   Two fathers? They are mortal, and must die.
   'Twere better, Recha, to look out betimes
   For one to start with you on equal terms,
   And stake his life for thine. You understand?

                                SITTAH.

   You make her blush!
                                SALADIN.

                          Why that was half my scheme.
   Blushing becomes plain features, and will make
   A beauteous cheek more beauteous. My commands
   Are giv'n to bring your father, Nathan, here.
   Another comes as well. You'll guess his name?
   Hither they come! Will you allow it, Sittah?

                                SITTAH.

   Brother!

                                SALADIN.

               And when he comes, maid, you must blush
   To crimson.

                                 RECHA.

                Sittah! wherefore should I blush?

                                SALADIN.

   You young dissembler, you will else grow pale!
   But as thou wilt and canst. (_A female slave enters, and approaches_
          Sittah.) What, here so soon?

                                SITTAH.

   Well, let them enter. Brother, here they are!

                              Scene VIII.

             Nathan, _the_ Templar, _and the others_.

                                SALADIN.

   Welcome, my dear good friends! Nathan, to you
   I must first mention, you may send and fetch
   Your moneys when you will.

                                NATHAN.

                                                 Sultan----

                                SALADIN.

                                                      And now
   I'm at your service.

                                NATHAN.

                         Sultan----

                                SALADIN.

                                    For my gold
   Is now arrived; the caravan is safe:
   These many years I have not been so rich.
   Now, tell me what you wish for, to achieve
   Some splendid speculation? You in trade,
   Like us, have never too much ready cash.

                                NATHAN.

   Why speak about this trifle first? I see
   An eye in tears (_going towards_ Recha). My Recha, you
        have wept.
   What have you lost? Are you not still my child?

                                 RECHA.

   My father!

                                NATHAN.

                That's enough! We're understood
   By one another! But look up--be calm,
   Be cheerful! If your heart is still your own,
   And if no threatened loss disturb your breast,
   Your father is not lost to you!

                                 RECHA.

                                    None, none!

                                TEMPLAR.

   None! Then I'm much deceived. What we don't fear
   To lose, we ne'er have loved, and ne'er have wished
   To be possessed of. But 'tis well, 'tis well!
   Nathan, this changes all! At your command,
   We come here, Sultan. You have been misled
   By me, and I will trouble you no more!

                                SALADIN.

   Rash, headlong youth! Must every temper yield
   To yours!--and must we all thus guess your mind?

                                TEMPLAR.

   But, Sultan, you have heard and seen it all.

                                SALADIN.

   Well, truly, it was awkward to be thus
   Uncertain of your cause!

                                TEMPLAR.

                              I know my fate.

                                SALADIN.

   Whoe'er presumes upon a service done,
   Cancels the benefit. What you have saved
   Is, therefore, not your own. Or else the thief,
   Urged by mere avarice through flaming halls,
   Were like yourself a hero. (_Advancing towards_ Recha _to
        lead her to the_ Templar.) Come, sweet maid!
   Be not reserved towards him. Had he been so,
   Were he less warm, less proud, he had held back,
   And had not saved you. Weigh the former deed
   Against the latter, and you'll make him blush!
   Do what he should have done! confess your love!
   Make him your offer! and if he refuse,
   Or e'er forget how infinitely more
   You do for him than he has done for you--
   For what, in fact, have been his services,
   Save soiling his complexion? a mere sport--
   Else has he nothing of my Assad in him,
   But only wears his mask. Come, lovely maid.

                                SITTAH.

   Go, dearest, go! this step is not enough
   For gratitude; it is too little.

                                NATHAN.

                                     Hold!
   Hold, Saladin! hold, Sittah!

                                SALADIN.

                                            What would you?

                                NATHAN.

   It is the duty of another now
   To speak.

                                SALADIN.

                        Who questions that? Beyond all doubt
   A foster--father has a right to vote
   First, if you will. You see I know the whole.

                                NATHAN.

   Not quite. I speak not, Sultan, of myself.
   There is another and a different man
   Whom I must first confer with, Saladin.

                                SALADIN.

   And who is he?

                                NATHAN.

                    Her brother.

                                SALADIN.

                                  Recha's brother?

                                NATHAN.

   E'en so.

                                 RECHA.

             My brother! Have I then a brother?

      TEMPLAR (_starting from his silent and sullen inattention_).

   Where is this brother? Not yet here! 'Twas here
   I was to meet him.

                                NATHAN.

                        Patience yet awhile.

                          TEMPLAR (_bitterly_).

   He has imposed a father on the girl;
   He'll find a brother for her now!

                                SALADIN.

                                 Indeed,
   That much was wanting. But this mean rebuke,
   Christian, had ne'er escaped my Assad's lips.

                                NATHAN.

   Forgive him: I forgive him readily.
   Who knows what in his youth and in his place
   We might ourselves have thought? (_Approaching him in
        a very friendly manner_) Suspicion, knight,
   Follows upon reserve. Had you at first
   Vouchsafed to me your real name----

                                TEMPLAR.

                                       How! what!

                                NATHAN.

   You are no Stauffen.

                                TEMPLAR.

                          Tell me who I am.

                                NATHAN.

   Conrad of Stauffen, not.

                                TEMPLAR.
                              Then what's my name?

                                NATHAN.

   Leo of Filneck.

                                TEMPLAR.

                              How?

                                NATHAN.

                                    You start!

                                TEMPLAR.

                                                With reason.
   But who says this?

                                NATHAN.

                    I, who can tell you more.
   Meanwhile, observe, I tax you not with falsehood.

                                TEMPLAR.

   Indeed!

                                NATHAN.

            It may be both names fit you well.

                                TEMPLAR.

   I think so. (_Aside_) God inspired him with that thought.

                                NATHAN.

   Your mother was a Stauffen: and her brother
   (The uncle to whose care you were consigned,
   When, by the rigour of the climate chased,
   Your parents quitted Germany, to seek
   This land once more) was Conrad. He, perhaps,
   Adopted you as his own son and heir.
   Is it long since you travelled hither with him?
   Does he still live?

                                TEMPLAR.

                       What shall I answer him?
   He speaks the truth. Nathan, 'tis so indeed;
   But he himself is dead. I journeyed here,
   With the last troops of knights, to reinforce
   Our order. But inform me how this tale
   Concerns your Recha's brother.

                                NATHAN.

                                   Well, your father----

                                TEMPLAR.

   What! did you know him too?

                                NATHAN.

                                   He was my friend.

                                TEMPLAR.

   Your friend! Oh, Nathan, is it possible?

                                NATHAN.

   Oluf of Filneck did he style himself;
   But he was not a German.

                                TEMPLAR.

                             You know that?

                                NATHAN.

   He had espoused a German, and he lived
   For some, time with your mother there.

                                TEMPLAR.

                                           No more
   Of this, I beg. But what of Recha's brother?

                                NATHAN.

   It is yourself.

                                TEMPLAR.

                     What, I? am I her brother?

                                 RECHA.

   He, my brother?
                                SALADIN.

                     Are they so near akin?

                   RECHA (_approaching the_ Templar).

   My brother!

                       TEMPLAR (_stepping back_).

                I, your brother?

               RECHA (_stopping and turning to Nathan_).

                                  No, in truth,
   It cannot be. His heart makes no response.
   O God! we are deceivers.

                      SALADIN (_to the_ Templar).

                                Say you so?
   Is that your thought? All is deceit in you:
   The voice, the gesture, and the countenance,
   Nothing of these is yours. How! will you not
   Acknowledge such a sister? Then begone!

                  TEMPLAR (_approaching him humbly_).

   Oh! do not misinterpret my surprise.
   Sultan, you never saw your Assad's heart
   At any time like this. Then do not err,
   Mistake not him and me. (_Turning to_ Nathan.) You give
        me much,
   Nathan, and also you take much away,
   And yet you give me more than you withdraw--
   Ay, infinitely more. My sister, sister! (_embraces_ Recha.)

                                NATHAN.

   Blanda of Filneck.

                                TEMPLAR.

                     Blanda, ha! not Recha?
   Your Recha now no more! Have you resigned
   Your child? Give her her Christian name once more,
   And for my sake discard her then. Oh, Nathan,
   Why must she suffer for a fault of mine?

                                NATHAN.

   What mean you, oh, my children, both of you?
   For sure my daughter's brother is my child
   Whenever he shall wish.
   (_While they embrace_ Nathan, Saladin _uneasily approaches_
                          Sittah.)

                                SALADIN.

                              What say you, sister? Sittah.

                                SITTAH.

   I'm deeply moved----

                                SALADIN.

                        And I half tremble when
   I think of the emotion that must come:
   Prepare yourself to bear it as you may.

                                SITTAH.

   What! How!

                                SALADIN.

                  Nathan, a word--one word with you.
   (_He joins_ Nathan, _while_ Sittah _approaches the others to
         express her sympathy, and_ Nathan _and_ Saladin _converse
         in a low tone_.)

   Hear, hear me, Nathan. Said you not just now
   That he----

                                NATHAN.

             That who?

                                SALADIN.

                      Her father was not born
   In Germany. You know then whence he came?
   And what he was?

                                NATHAN.

                     He never told me that.

                                SALADIN.

   Was he no Frank, nor from the Western land?

                                NATHAN.

   He said as much. He spoke the Persian tongue.

                                SALADIN.

   The Persian! need I more? 'Tis he! 'twas he!

                                NATHAN.

   Who?

                                SALADIN.

         Assad, my brother Assad, beyond doubt.

                                NATHAN.

   If you think so, then be assured from this:
   Look in this book (_handing him the breviary_).

                                SALADIN.

                        Oh, 'tis his hand! once more
   I recognise it.

                                NATHAN.

                       They know naught of this:
   It rests with you to tell them all the truth.

          SALADIN (_turning over the leaves of the breviary_).

   They are my brother's children. Shall I not
   Acknowledge them and claim them? Or shall I
   Abandon them to you? (_Speaking aloud_.) Sittah, they are
   The children of my brother and of yours. (_Rushes to
        embrace them_.)

                   SITTAH (_following his example_).

   What do I hear? Could it be otherwise?

                      SALADIN (_to the_ Templar).

   Proud youth! from this time forward you are bound
   To love me. (_To_ Recha.) And henceforth, without your
        leave
   Or with it, I am what I vowed to be.

                                SITTAH.

   And so am I.

                      SALADIN (_to the_ Templar).

   My son! my Assad's son!

                                TEMPLAR.

   I of your blood! Then those were more than dreams
   With which they used to lull my infancy--
                               (_Falls at_ Sultan's _feet_.)

                        SALADIN (_raising him_).

   There, mark the rascal! though he knew something
   Of what has chanced, he was content that I
   Should have become his murderer! Beware.
   (_The curtain falls whilst they repeatedly embrace each
                          other in silence_.)

                             END OF VOL. I.

                           *   *   *   *   *

      LONDON: PRINTED BY WILLIAM CLOWES AND SONS, STAMFORD STREET
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Philosophy                     5    |     Natural History       15
Theology                       6    |     Art and Ornament      16
Standard Prose                10    |     Young People          18

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the years 1805 and 1870. Compiled by G. W. Reid, Keeper of the Prints
and Drawings in the British Museum. With a large number of
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royal 4to. 12_l_. 12_s_.

FLAXMAN. LECTURES ON SCULPTURE, as delivered before the President and
Members of the Royal Academy. By J. Flaxman, R.A. With 53 Plates. New
Edition, 6_s_.

HEATON (MRS.) A CONCISE HISTORY OF PAINTING FOR STUDENTS AND GENERAL
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DRAWING COPIES. By P. H. Delamotte, Professor of Drawing at King's
College, London. 96 Original Sketches in Architecture, Trees, Figures,
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HANDBOOK TO THE DEPARTMENT OF PRINTS AND DRAWINGS IN THE BRITISH
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Prints and Drawings, British Museum. Medium 8vo. 8_s_.; sewed, 9_s_. in
cloth.

                          _By Eliza Meteyard_.

MEMORIALS OF WEDGWOOD. A Series of Plaques, Cameos, Vases, &c.,
selected from various Private Collections, and executed in Permanent
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WEDGWOOD AND HIS WORKS: a Selection of his choicest Plaques,
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CATALOGUE OF WEDGWOOD'S MANUFACTURES. With Illustrations. Half-bound
8vo. 10_s_. 6_d_.

WEDGWOOD HANDBOOK. A Manual for Collectors: Treating of the Marks,
Monograms, and other Tests of the Old Period of Manufacture; also
including the Catalogues with Prices obtained at various Sales,
together with a Glossary of Terms. 8vo. 10_s_. 6_d_.

OLD DERBY CHINA FACTORY. The Workmen and their Productions. Containing
Biographical Sketches of the chief Artist-workmen, the various Marks
used, Facsimiles from the old Derby Books, and original Price Lists of
more than 400 Figures and Groups, &c. With 12 Coloured Plates and
numerous Woodcuts. By John Haslem. Imp. 8vo. 31_s_. 6_d_.

'That which has been done so well by Miss Meteyard for Etruria, by Mr.
Binns for Worcester, and by Mr. Owen for Bristol, has now been done for
the Derby works with at least equal zeal, intelligence, and ability, by
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                          _FOR YOUNG PEOPLE_.

AUNT JUDY'S MAGAZINE. Edited by H. K. F. Gatty. A High-class
Illustrated Magazine for Young People. 8_d_. Monthly.

The CHRISTMAS VOLUME for 1877 contains Stories by Mrs. Ewing,
Ascott R. Hope, Flora Masson, and others. Translations from the
German, French, and Swedish--Short Stories--Fairy Tales--Papers
on Historical Subjects--Natural History Articles. Short Biographies
of Eminent Persons--Verses--A Christmas Play by Douglas
Straight--Acrostics--Correspondence--Book Notices, and numerous
Illustrations. Imp. 16mo. Handsomely bound, price 8_s_. 6_d_.

       _Former Volumes may still be had, some at reduced prices_.

                        _By Mrs. Alfred Gatty_.

PARABLES FROM NATURE. With Notes on the Natural History; and numerous
large Illustrations by eminent Artists. 4to. cloth gilt, 21_s_. Also in
2 vols. 10_s_. 6_d_. each.

---- 16mo. with Illustrations. First Series, 17th Edition, 1_s_. 6_d_.
Second Series, 10th Edition, 2_s_. The two Series in 1 vol. 3_s_. 6_d_.
Third Series, 6th Edition, 2_s_. Fourth Series, 4th Edition, 2_s_. The
two Series in one vol. 4_s_. Fifth Series, 2_s_.

WORLDS NOT REALIZED. 16mo. 4th Edition, 2_s_.

PROVERBS ILLUSTRATED. 16mo. With Illustrations. 4th Edition, 2_s_.

A BOOK OF EMBLEMS. Drawn by F. Gilbert. With Introduction and
Explanations. Imp. 16mo. 4_s_. 6_d_.

WAIFS AND STRAYS OF NATURAL HISTORY. With Coloured Frontispiece and
Woodcuts. Fcap. 3_s_. 6_d_.

THE POOR INCUMBENT. Fcap. 8vo. 1_s_. and 1_s_. 6_d_.

AUNT SALLY'S LIFE. With Six Illustrations. Square 16mo. 3rd Edition,
3_s_. 6_d_.

THE MOTHER'S BOOK OF POETRY. Selected and Arranged by Mrs. A. Gatty.
Crown 8vo. 3_s_. 6_d_.; or with Illustrations, elegantly bound, 7_s_.
6_d_.

A BIT OF BREAD. By Jean Macé. Translated by Mrs. Alfred Gatty. 2 vols.
fcap. 8vo. Vol. I. 4_s_. 6_d_. Vol. II. 3_s_. 6_d_.

        The Uniform Edition. Fcap. 8vo. 3_s_. 6_d_. each volume.

PARABLES FROM NATURE.                 | DOMESTIC PICTURES AND
 2 vols. With Portrait.               | TALES. With 6 Illustrations.
THE HUMAN FACE DIVINE,                | WORLDS NOT REALIZED,
 and other Tales. With Illustrations. |  and Proverbs Illustrated.
 3rd Edition.                         | THE HUNDRETH BIRTHDAY,
THE FAIRY GODMOTHERS,                 |  and other Tales. With
 and other Tales. With                |  Illustrations by Phiz.
 Frontispiece. 7th Edition,           |  New Edition.
 2_s_. 6_d_.                          | MRS. ALFRED GATTY'S
AUNT JUDY'S TALES.                    |  PRESENTATION BOX for Young
 Illustrated. 7th Edition.            |  People, containing the above
AUNT JUDY'S LETTERS; a                |  volumes, neatly bound, and
 Sequel to 'Aunt Judy's Tales.'       |  enclosed in a cloth box.
 Illustrated. 5th Edition.            |  31_s_. 6_d_.

                            _By Mrs. Ewing_.

'Everything Mrs. Ewing writes is full of talent, and also full of
perception and common sense.'--_Saturday Review_.

A GREAT EMERGENCY, and other Tales. With 4 Illustrations. Fcap. 8vo.
5_s_. [_Just published._]

THE BROWNIES, and other Tales. Illustrated by George Cruikshank. 3rd
Edition. Imp. 16mo. 5_s_.

'Mrs. Ewing gives us some really charming writing. While her first
story most prettily teaches children how much they can do to help their
parents, the immediate result will be, we fear, anything but good. For
if a child once begins "The Brownies," it will get so deeply interested
in it, that when bed-time comes it will altogether forget the moral,
and will weary its parents with importunities for just a few minutes
more to see how everything ends. The frontispiece, by the old friend
of our childhood, George Cruikshank, is no less pretty than the
story.'--_Saturday Review_.

MRS. OVERTHEWAY'S REMEMBRANCES. Illustrated with 10 fine Full-page
Engravings on Wood, after Drawings by Pasquier and Wolf, and Edition,
cloth gilt, 3_s_. 6_d_.

'It is not often nowadays the privilege of a critic to grow
enthusiastic over a new work; and the rarity of the occasion that calls
forth the delight is apt to lead one into the sin of hyperbole. And yet
we think we shall not be accused of extravagance when we say that,
without exception, "Mrs. Overthewny's Remembrances" is the most
delightful work avowedly written for children that we have ever read.
There are passages in this book which the genius of George Eliot would
be proud to own. It is full of a peculiar, heart-stirring pathos of its
own, which culminates in the last pages, when Ida finds that her father
is not dead. The book is one that may be recurred to often, and always
with the same delight. We predict for it a great popularity.'--
_Leader_.

MELCHIOR'S DREAM, and other Tales. Illustrated. 3rd Edition. Fcap. 8vo.
3_s_. 6_d_.

"'Melchior's Dream' is an exquisite little story, charming by original
humour, buoyant spirits, and tender pathos."--_Athenæum_.

A FLAT IRON FOR A FARTHING; or, Some Passages in the Life of an Only
Son. With 12 Illustrations by H. Allingham. 5th Edition. Small 8vo.
5_s_.

'Let every parent and guardian who wishes to be amused, and at the same
time to please a child, purchase "A Flat Iron for a Farthing; or, some
Passages in the Life of an Only Son," by J. H Ewing. We will answer for
the delight with which they will read it themselves, and we do not
doubt that the young and fortunate recipients will also like it. The
story is quaint, original, and altogether delightful.'--_Athenæum_.

'A capital book for a present. No child who is fortunate enough to
possess it will be in a hurry to put it down, for it is a book of
uncommon fascination. The story is good, the principles inculcated
admirable, and some of the illustrations simply delicious.'--_John
Bull_.

LOB-LIE-BY-THE-FIRE; or, the Luck of Lingborough. And other Tales.
Illustrated by George Cruikshank. 2nd Edition. Imp. 16mo. 5_s_.

'A charming tale by another of those clever writers, thanks to
whom the children are now really better served than their
neighbours.'--_Spectator_.

'Mrs. Ewing has written as good a story as her "Brownies," and that is
saying a great deal. "Lob-lie-by-the-fire" has humour and pathos, and
teaches what is right without making children think they are reading a
sermon.'--_Saturday Review_.

SIX TO SIXTEEN: A Story for Girls. With 10 Illustrations by Mrs.
Allingham. 3rd Edition. Small post 8vo. 5_s_.

'The homely good sense and humour of the bulk of the story are set off
by the pathos of its opening and its close, and a soft and beautiful
light, as of dawn and sunset, is thrown round the substantial English
ideal of what a girl's education ought to be, which runs through the
tale.'--_Spectator_.

'It is a beautifully told story, full of humour and pathos, and bright
sketches of scenery and character. It is all told with great
naturalness, and will amuse grown-up people quite as much as children.
In reading the story, we have been struck especially by characteristic
bits of description, which show very happily the writer's appreciation
of child life.'--_Pall Mall Gazette_.

'We have rarely met, on such a modest scale, with characters so ably
and simply drawn ... The merits of the volume, in themselves not small,
are much enhanced by some clever illustrations from the pencil of Mrs.
Allingham.'--_Athenæum_.

'The tone of the book is pleasant and healthy, and singularly free from
that sentimental, not to say "mawkish," stain which is apt to disfigure
such productions. The illustrations by Mrs. Allingham add a special
attraction to the little volume.'--_Times_.

'It is scarcely necessary to say that Mrs. Ewing's book is one of the
best of the year.'--_Saturday Review_.

'There is in it not only a great deal of common sense, but there is
true humour.... We have not met a healthier or breezier tale for girls
for a long period.'--_Academy_.

JAN OF THE WINDMILL; a Story of the Plains. With 11 Illustrations by
Helen Allingham. Crown 8vo. 8_s_. 6_d_.

'A capital story, which, like all that Mrs. Ewing gives us, will be
read with pleasure Some well-drawn illustrations materially increase
the attractiveness of the volume.'--_City Press_.

                          _By Mrs. O'Reilly_.

'Mrs. O'Reilly's works need no commendation ... the style is so good,
the narrative so engrossing, and the tone so excellent.'--_John Bull_.

LITTLE PRESCRIPTION, and other Tales. With 6 Illustrations by W. H.
Petherick and others. 16mo. 2_s_. 6_d_.

'A worthy successor of some charming little volumes of the same
kind.... The tale from which the title is taken is for its grace and
pathos an especial favourite.'--_Spectator_.

'Mrs. O'Reilly could not write otherwise than well, even if she were to
try.'--_Morning Post_.

CICELY'S CHOICE, A Story for Girls. With a Frontispiece by J. A.
Pasquier. Fcap. 8vo. gilt edges, 3_s_. 6_d_.

'A pleasant story.... It is a book for girls, and grown people will
also enjoy reading it.'--_Athenæum_.

'A pleasant, well-written, interesting story, likely to be acceptable
to young people who are in their teens.'--_Scotsman_.

GILES'S MINORITY; or, Scenes at the Red House. With 8 Illustrations.
16mo. 2_s_. 6_d_.

'In one of our former reviews we praised "Deborah's Drawer." "Giles's
Minority" no less deserves our goodwill. It is a picture of
school-room life, and is so well drawn that grown-up readers may
delight in it. In literary excellence this little book is above most of
its fellows.'--_Times_.

DOLL WORLD; or, Play and Earnest. A Study from Real Life. With 8
Illustrations. By C. A. Saltmarsh. 16mo. 2_s_. 6_d_.

'It is a capital child's book, and it has a charm for grown-up people
also, as the fairy haze of "long-ago" brightens every page. We are not
ashamed to confess to the "thrilling interest" with which we followed
the history of "Robertina" and "Mabel."'--_Athenæum_.

DEBORAH'S DRAWER. With 9 Illustrations. 16mo. 2_s_. 6_d_.

'Any godmamma who wishes to buy an unusually pretty and
artistically-written gift-book for an eight-year-old pet cannot do
better than spend a florin or two on the contents of "Aunt Deborah's
Drawer."'--_Athenæum_.

DAISY'S COMPANIONS; or, Scenes from Child Life. A Story for Little
Girls. With 8 Illustrations. 3rd Edit. 16mo. 2_s_. 6_d_.

'If anybody wants a pretty little present for a pretty (and good)
little daughter, or a niece or grand-daughter, we cannot recommend a
better or tastier one than "Daisy's Companions."'--_Times_.

                   _Captain Marryats Books for Boys_.

     Uniform Illustrated Edition, neatly bound in cloth, post 8vo.
               3_s_. 6_d_. each; gilt edges, 4_s_. 6_d_.

POOR JACK. With Sixteen            | THE SETTLERS IN CANADA.
 Illustrations after Designs by    |  With Illustrations by
 Clarkson Stanfield, R.A.          |  Gilbert and Dalziel.
THE MISSION; or, Scenes in         | THE PRIVATEERSMAN.
 Africa. With Illustrations by     |  Adventures by Sea and Land in
 John Gilbert.                     |  Civil and Savage Life One
THE PIRATE, AND THREE              |  Hundred Years Ago. Illustrated
 CUTTERS. With Memoir of the       |  with Eight Steel Engravings.
 Author, and 20 Steel Engravings   | MASTERMAN READY; or, the
 by Clarkson Stanfield, R.A.       |  Wreck of the Pacific.
  Cheap Edition, without           |  Embellished with Ninety-three
  Illustrations, 1_s_. 6_d_.       |  Engravings on Wood.

A BOY'S LOCKER. A Smaller Edition of Captain Marryat's Books for Boys,
in 12 vols. Fcap. 8vo. in a compact cloth box, 21_s_.

                     _By Hans Christian Andersen_.

FAIRYTALES AND SKETCHES. Translated by C. C. Peachey, H. Ward, A.
Plesner, &c. With 104 Illustrations by Otto Speckter and others. Crown
8vo. 6_s_.

'The translation most happily hits the delicate quaintness of
Andersen--most happily transposes into simple English words the tender
precision of the famous story-teller; in a keen examination of the book
we scarcely recall a single phrase or turn that obviously could have
been bettered.'--_Daily Telegraph_.

TALES FOR CHILDREN. With 48 Full-page Illustrations by Wehnert, and 57
Small Engravings on Wood by W. Thomas. A new Edition. Crown 8vo. 6_s_.

This and the above volume form the most complete English Edition of
Andersen's Tales.

LATER TALES. Translated from the Danish by Augusta Plesner and H. Ward.
With Illustrations by Otto Speckter, W. Cooper, and other Artists.
Cloth gilt, 3_s_. 6_d_.

                               *   *   *

WONDERWORLD. A Collection of Fairy Tales, Old and New. Translated from
the French, German, and Danish. With 4 Coloured Illustrations and
numerous Woodcuts by L. Richter, Oscar Pletsch, and others. Royal 16mo.
cloth, gilt edges, 3_s_. 6_d_.

'It will delight the children, and has in it a wealth of wisdom that
may be of practical service when they have grown into men and
women.'--_Literary World_.

GUESSING STORIES; or, The Surprising Adventures of the Man with the
Extra Pair of Eyes. By the late Archdeacon Freeman. 3rd Edition, 2_s_.
6_d_.

GRIMM'S GAMMER GRETHEL; or, German Fairy Tales and Popular Stories.
Translated by Edgar Taylor. Numerous Woodcuts after G. Cruikshank's
designs. Post 8vo. 3_s_. 6_d_.

LITTLE PLAYS FOR LITTLE PEOPLE; with Hints for Drawing-room
Performances. By Mrs. Chisholm, Author of 'Rana, the Story of a Frog.'
16mo. with Illustrations, 2_s_. 6_d_.

ROBINSON CRUSOE. With a Biographical Account of Defoe. Illustrated with
70 Wood Engravings, chiefly after Designs by Harvey; and 12 Engravings
on Steel after Stothard. Post 8vo. 5_s_.

THE WIDE, WIDE WORLD. By E. Wetherell. With 10 Illustrations. Post 8vo.
3_s_. 6_d_.

UNCLE TOM'S CABIN. By H. B. Stowe. Illustrated. Post 8vo. 3_s_. 6_d_.

KIRSTIN'S ADVENTURES. A Story of Jutland Life. By the Author of
'Casimir the Little Exile,' &c. With Illustrations. Crown 8vo. 3_s_.
6_d_.

'There is so much true art and natural talent in the book that we are
half inclined to take it away from the boys and girls for whom it is
written.'--_Times_.

KATIE; or, the Simple Heart. By D. Richmond, Author of 'Annie
Maitland.' Illustrated by M. I. Booth. 2nd Edition. Crown 8vo. 3_s_.
6_d_.

'The family life which surrounds Katie is both pretty and natural. The
tone is good, and the plot--we speak from experience--engages a child's
interest with almost too keen a sympathy.'--_Guardian_.

QUEENS OF ENGLAND from the Norman Conquest. By A. Strickland. An
Abridged Edition, with Portrait of Matilda of Flanders. In 1 vol. crown
8vo. cloth, 6_s_. 6_d_.

GLIMPSES INTO PET-LAND. By the Rev. J. G. Wood, M.A., F.L.S. With
Frontispiece. Fcap. 3_s_. 6_d_.

FRIENDS IN FUR AND FEATHERS. By Gwynfryn. Illustrated with 8 Full-page
Engravings by F. W. Keyl, &c. 5th Edition. Handsomely bound, 3_s_.
6_d_.

'We have already characterised some other book as the best cat-and-dog
book of the season. We said so because we had not seen the present
little book, which is delightful. It is written on an artistic
principle, consisting of actual biographies of certain elephants,
squirrels, blackbirds, and what not, who lived in the flesh; and we
only wish that human biographies were always as entertaining and
instructive.'--_Saturday Review_.

INSECT ARCHITECTURE. By Rennie. Edited by the Rev. J. G. Wood, Author
of 'Homes Without Hands.' Post 8vo. with nearly 200 Illustrations,
5_s_.

THE ENTERTAINING NATURALIST. By Mrs. Loudon. Revised and enlarged by W.
S. Dallas, F.L.S. With nearly 500 Illustrations. Post 8vo. 5_s_.

ANECDOTES OF DOGS. By Edward Jesse. With Illustrations. Post 8vo.
cloth, 5_s_. With 34 Steel Engravings after Cooper, Landseer, &c. 7_s_.
6_d_.

NATURAL HISTORY OF SELBORNE. By Gilbert White. Edited by Jesse.
Illustrated with 40 Engravings. Post 8vo. 5_s_.; or, with the Plates
Coloured, 7_s_. 6_d_.

CHARADES, ENIGMAS, AND RIDDLES. Collected by a Cantab. 5th Edition,
enlarged. Illustrated. Fcap. 8vo. 1_s_.

POETRY-BOOK FOR SCHOOLS, illustrated with 37 highly finished Engravings
by C. W. Cope, R.A., W. Helmsley, S. Palmer, F. Skill, G. Thomas, and
H. Weir. Crown 8vo. gilt, 2_s_. 6_d_.; cloth, 1_s_.

GILES WITHERNE; or, the Reward of Disobedience. A Village Tale for the
Young. By the Rev. J. P. Parkinson, D.C.L. 6th Edition. Illustrated by
the Rev. F. W. Mann. Super-royal 16mo. 1_s_.

THE PILGRIM'S PROGRESS. By John Bunyan. With 281 Engravings from
Designs by William Harvey. Post 8vo. 3_s_. 6_d_.

OLD NURSERY RHYMES AND CHIMES. Collected and arranged by a Peal of
Bells. Fcap. 4to. Ornamental binding, 2_s_. 6_d_.

NURSERY CAROLS. By the Rev. Dr. Monsell, Rector of St. Nicholas,
Guildford, with upwards of 100 Illustrations by Ludwig Richter and
Oscar Pletsch. Imp. 16mo. 3_s_. 6_d_.

'At once a poet and a child lover, full of fun and yet disposed gently
to instil what is good, Dr. Monsell is inimitable in this particular
department.'--_John Bull_.

                           *   *   *   *   *

                                LONDON:

                 GEORGE BELL & SONS, York Street,

                             Covent Garden.