arose from the fact that so creative and great a past had culminated in
such present-day impotency--Rome, who had covered the world with
indestructible monuments, now so reduced that she could only generate
ruins.

“Oh, they’ll be finished some day!” said Pierre.

Narcisse gazed at him in astonishment: “For whom?”

That was the cruel question! Only by dint of patriotic enthusiasm on the
morrow of the conquest had one been able to indulge in the hope of a
mighty influx of population, and now singular blindness was needed for
the belief that such an influx would ever take place. The past
experiments seemed decisive; moreover, there was no reason why the
population should double: Rome offered neither the attraction of pleasure
nor that of gain to be amassed in commerce and industry for those she had
not, nor of intensity of social and intellectual life, since of this she
seemed no longer capable. In any case, years and years would be
requisite. And, meantime, how could one people those houses which were
finished; and for whom was one to finish those which had remained mere
skeletons, falling to pieces under sun and rain? Must they all remain
there indefinitely, some gaunt and open to every blast and others closed
and silent like tombs, in the wretched hideousness of their inutility and
abandonment? What a terrible proof of error they offered under the
radiant sky! The new masters of Rome had made a bad start, and even if
they now knew what they ought to have done would they have the courage to
undo what they had done? Since the milliard sunk there seemed to be
definitely lost and wasted, one actually hoped for the advent of a Nero,
endowed with mighty, sovereign will, who would take torch and pick and
burn and raze everything in the avenging name of reason and beauty.

“Ah!” resumed Narcisse, “here are the Contessina and the Prince.”

Benedetta had told the coachman to pull up in one of the open spaces
intersecting the deserted streets, and now along the broad, quiet, grassy
road--well fitted for a lovers’ stroll--she was approaching on Dario’s
arm, both of them delighted with their outing, and no longer thinking of
the sad things which they had come to see. “What a nice day it is!” the
Contessina gaily exclaimed as she reached Pierre and Narcisse. “How
pleasant the sunshine is! It’s quite a treat to be able to walk about a
little as if one were in the country!”

Dario was the first to cease smiling at the blue sky, all the delight of
his stroll with his cousin on his arm suddenly departing. “My dear,” said
he, “we must go to see those people, since you are bent on it, though it
will certainly spoil our day. But first I must take my bearings. I’m not
particularly clever, you know, in finding my way in places where I don’t
care to go. Besides, this district is idiotic with all its dead streets
and dead houses, and never a face or a shop to serve as a reminder. Still
I think the place is over yonder. Follow me; at all events, we shall
see.”

The four friends then wended their way towards the central part of the
district, the part facing the Tiber, where a small nucleus of a
population had collected. The landlords turned the few completed houses
to the best advantage they could, letting the rooms at very low rentals,
and waiting patiently enough for payment. Some needy employees, some
poverty-stricken families--had thus installed themselves there, and in
the long run contrived to pay a trifle for their accommodation. In
consequence, however, of the demolition of the ancient Ghetto and the
opening of the new streets by which air had been let into the Trastevere
district, perfect hordes of tatterdemalions, famished and homeless, and
almost without garments, had swooped upon the unfinished houses, filling
them with wretchedness and vermin; and it had been necessary to tolerate
this lawless occupation lest all the frightful misery should remain
displayed in the public thoroughfares. And so it was to those frightful
tenants that had fallen the huge four and five storeyed palaces, entered
by monumental doorways flanked by lofty statues and having carved
balconies upheld by caryatides all along their fronts. Each family had
made its choice, often closing the frameless windows with boards and the
gaping doorways with rags, and occupying now an entire princely flat and
now a few small rooms, according to its taste. Horrid-looking linen hung
drying from the carved balconies, foul stains already degraded the white
walls, and from the magnificent porches, intended for sumptuous
equipages, there poured a stream of filth which rotted in stagnant pools
in the roads, where there was neither pavement nor footpath.

On two occasions already Dario had caused his companions to retrace their
steps. He was losing his way and becoming more and more gloomy. “I ought
to have taken to the left,” said he, “but how is one to know amidst such
a set as that!”

Parties of verminous children were now to be seen rolling in the dust;
they were wondrously dirty, almost naked, with black skins and tangled
locks as coarse as horsehair. There were also women in sordid skirts and
with their loose jackets unhooked. Many stood talking together in yelping
voices, whilst others, seated on old chairs with their hands on their
knees, remained like that idle for hours. Not many men were met; but a
few lay on the scorched grass, sleeping heavily in the sunlight. However,
the stench was becoming unbearable--a stench of misery as when the human
animal eschews all cleanliness to wallow in filth. And matters were made
worse by the smell from a small, improvised market--the emanations of the
rotting fruit, cooked and sour vegetables, and stale fried fish which a
few poor women had set out on the ground amidst a throng of famished,
covetous children.

“Ah! well, my dear, I really don’t know where it is,” all at once
exclaimed the Prince, addressing his cousin. “Be reasonable; we’ve surely
seen enough; let’s go back to the carriage.”

He was really suffering, and, as Benedetta had said, he did not know how
to suffer. It seemed to him monstrous that one should sadden one’s life
by such an excursion as this. Life ought to be buoyant and benign under
the clear sky, brightened by pleasant sights, by dance and song. And he,
with his naive egotism, had a positive horror of ugliness, poverty, and
suffering, the sight of which caused him both mental and physical pain.

Benedetta shuddered even as he did, but in presence of Pierre she desired
to be brave. Glancing at him, and seeing how deeply interested and
compassionate he looked, she desired to persevere in her effort to
sympathise with the humble and the wretched. “No, no, Dario, we must
stay. These gentlemen wish to see everything--is it not so?”

“Oh, the Rome of to-day is here,” exclaimed Pierre; “this tells one more
about it than all the promenades among the ruins and the monuments.”

“You exaggerate, my dear Abbe,” declared Narcisse. “Still, I will admit
that it is very interesting. Some of the old women are particularly
expressive.”

At this moment Benedetta, seeing a superbly beautiful girl in front of
her, could not restrain a cry of enraptured admiration: “_O che
bellezza!_”

And then Dario, having recognised the girl, exclaimed with the same
delight: “Why, it’s La Pierina; she’ll show us the way.”

The girl had been following the party for a moment already without daring
to approach. Her eyes, glittering with the joy of a loving slave, had at
first darted towards the Prince, and then had hastily scrutinised the
Contessina--not, however, with any show of jealous anger, but with an
expression of affectionate submission and resigned happiness at seeing
that she also was very beautiful. And the girl fully answered to the
Prince’s description of her--tall, sturdy, with the bust of a goddess, a
real antique, a Juno of twenty, her chin somewhat prominent, her mouth
and nose perfect in contour, her eyes large and full like a heifer’s, and
her whole face quite dazzling--gilded, so to say, by a sunflash--beneath
her casque of heavy jet-black hair.

“So you will show us the way?” said Benedetta, familiar and smiling,
already consoled for all the surrounding ugliness by the thought that
there should be such beautiful creatures in the world.

“Oh yes, signora, yes, at once!” And thereupon Pierina ran off before
them, her feet in shoes which at any rate had no holes, whilst the old
brown woollen dress which she wore appeared to have been recently washed
and mended. One seemed to divine in her a certain coquettish care, a
desire for cleanliness, which none of the others displayed; unless,
indeed, it were simply that her great beauty lent radiance to her humble
garments and made her appear a goddess.

“_Che bellezza! the bellezza!_” the Contessina repeated without wearying.
“That girl, Dario _mio_, is a real feast for the eyes!”

“I knew she would please you,” he quietly replied, flattered at having
discovered such a beauty, and no longer talking of departure, since he
could at last rest his eyes on something pleasant.

Behind them came Pierre, likewise full of admiration, whilst Narcisse
spoke to him of the scrupulosity of his own tastes, which were for the
rare and the subtle. “She’s beautiful, no doubt,” said he; “but at bottom
nothing can be more gross than the Roman style of beauty; there’s no
soul, none of the infinite in it. These girls simply have blood under
their skins without ever a glimpse of heaven.”

Meantime Pierina had stopped, and with a wave of the hand directed
attention to her mother, who sat on a broken box beside the lofty doorway
of an unfinished mansion. She also must have once been very beautiful,
but at forty she was already a wreck, with dim eyes, drawn mouth, black
teeth, broadly wrinkled countenance, and huge fallen bosom. And she was
also fearfully dirty, her grey wavy hair dishevelled and her skirt and
jacket soiled and slit, revealing glimpses of grimy flesh. On her knees
she held a sleeping infant, her last-born, at whom she gazed like one
overwhelmed and courageless, like a beast of burden resigned to her fate.

“_Bene, bene,_” said she, raising her head, “it’s the gentleman who came
to give me a crown because he saw you crying. And he’s come back to see
us with some friends. Well, well, there are some good hearts in the world
after all.”

Then she related their story, but in a spiritless way, without seeking to
move her visitors. She was called Giacinta, it appeared, and had married
a mason, one Tomaso Gozzo, by whom she had had seven children, Pierina,
then Tito, a big fellow of eighteen, then four more girls, each at an
interval of two years, and finally the infant, a boy, whom she now had on
her lap. They had long lived in the Trastevere district, in an old house
which had lately been pulled down; and their existence seemed to have
then been shattered, for since they had taken refuge in the Quartiere dei
Prati the crisis in the building trade had reduced Tomaso and Tito to
absolute idleness, and the bead factory where Pierina had earned as much
as tenpence a day--just enough to prevent them from dying of hunger--had
closed its doors. At present not one of them had any work; they lived
purely by chance.

“If you like to go up,” the woman added, “you’ll find Tomaso there with
his brother Ambrogio, whom we’ve taken to live with us. They’ll know
better than I what to say to you. Tomaso is resting; but what else can he
do? It’s like Tito--he’s dozing over there.”

So saying she pointed towards the dry grass amidst which lay a tall young
fellow with a pronounced nose, hard mouth, and eyes as admirable as
Pierina’s. He had raised his head to glance suspiciously at the visitors,
a fierce frown gathering on his forehead when he remarked how rapturously
his sister contemplated the Prince. Then he let his head fall again, but
kept his eyes open, watching the pair stealthily.

“Take the lady and gentlemen upstairs, Pierina, since they would like to
see the place,” said the mother.

Other women had now drawn near, shuffling along with bare feet in old
shoes; bands of children, too, were swarming around; little girls but
half clad, amongst whom, no doubt, were Giacinta’s four. However, with
their black eyes under their tangled mops they were all so much alike
that only their mothers could identify them. And the whole resembled a
teeming camp of misery pitched on that spot of majestic disaster, that
street of palaces, unfinished yet already in ruins.

With a soft, loving smile, Benedetta turned to her cousin. “Don’t you
come up,” she gently said; “I don’t desire your death, Dario _mio_. It
was very good of you to come so far. Wait for me here in the pleasant
sunshine: Monsieur l’Abbe and Monsieur Habert will go up with me.”

Dario began to laugh, and willingly acquiesced. Then lighting a
cigarette, he walked slowly up and down, well pleased with the mildness
of the atmosphere.

La Pierina had already darted into the spacious porch whose lofty,
vaulted ceiling was adorned with coffers displaying a rosaceous pattern.
However, a veritable manure heap covered such marble slabs as had already
been laid in the vestibule, whilst the steps of the monumental stone
staircase with sculptured balustrade were already cracked and so grimy
that they seemed almost black. On all sides appeared the greasy stains of
hands; the walls, whilst awaiting the painter and gilder, had been
smeared with repulsive filth.

On reaching the spacious first-floor landing Pierina paused, and
contented herself with calling through a gaping portal which lacked both
door and framework: “Father, here’s a lady and two gentlemen to see you.”
 Then to the Contessina she added: “It’s the third room at the end.” And
forthwith she herself rapidly descended the stairs, hastening back to her
passion.

Benedetta and her companions passed through two large rooms, bossy with
plaster under foot and having frameless windows wide open upon space; and
at last they reached a third room, where the whole Gozzo family had
installed itself with the remnants it used as furniture. On the floor,
where the bare iron girders showed, no boards having been laid down, were
five or six leprous-looking palliasses. A long table, which was still
strong, occupied the centre of the room, and here and there were a few
old, damaged, straw-seated chairs mended with bits of rope. The great
business had been to close two of the three windows with boards, whilst
the third one and the door were screened with some old mattress ticking
studded with stains and holes.

Tomaso’s face expressed the surprise of a man who is unaccustomed to
visits of charity. Seated at the table, with his elbows resting on it and
his chin supported by his hands, he was taking repose, as his wife
Giacinta had said. He was a sturdy fellow of five and forty, bearded and
long-haired; and, in spite of all his misery and idleness, his large face
had remained as serene as that of a Roman senator. However, the sight of
the two foreigners--for such he at once judged Pierre and Narcisse to be,
made him rise to his feet with sudden distrust. But he smiled on
recognising Benedetta, and as she began to speak of Dario, and to explain
the charitable purpose of their visit, he interrupted her: “Yes, yes, I
know, Contessina. Oh! I well know who you are, for in my father’s time I
once walled up a window at the Palazzo Boccanera.”

Then he complaisantly allowed himself to be questioned, telling Pierre,
who was surprised, that although they were certainly not happy they would
have found life tolerable had they been able to work two days a week. And
one could divine that he was, at heart, fairly well content to go on
short commons, provided that he could live as he listed without fatigue.
His narrative and his manner suggested the familiar locksmith who, on
being summoned by a traveller to open his trunk, the key of which was
lost, sent word that he could not possibly disturb himself during the
hour of the siesta. In short, there was no rent to pay, as there were
plenty of empty mansions open to the poor, and a few coppers would have
sufficed for food, easily contented and sober as one was.

“But oh, sir,” Tomaso continued, “things were ever so much better under
the Pope. My father, a mason like myself, worked at the Vatican all his
life, and even now, when I myself get a job or two, it’s always there. We
were spoilt, you see, by those ten years of busy work, when we never left
our ladders and earned as much as we pleased. Of course, we fed ourselves
better, and bought ourselves clothes, and took such pleasure as we cared
for; so that it’s all the harder nowadays to have to stint ourselves. But
if you’d only come to see us in the Pope’s time! No taxes, everything to
be had for nothing, so to say--why, one merely had to let oneself live.”

At this moment a growl arose from one of the palliasses lying in the
shade of the boarded windows, and the mason, in his slow, quiet way,
resumed: “It’s my brother Ambrogio, who isn’t of my opinion.

“He was with the Republicans in ‘49, when he was fourteen. But it doesn’t
matter; we took him with us when we heard that he was dying of hunger and
sickness in a cellar.”

The visitors could not help quivering with pity. Ambrogio was the elder
by some fifteen years; and now, though scarcely sixty, he was already a
ruin, consumed by fever, his legs so wasted that he spent his days on his
palliasse without ever going out. Shorter and slighter, but more
turbulent than his brother, he had been a carpenter by trade. And,
despite his physical decay, he retained an extraordinary head--the head
of an apostle and martyr, at once noble and tragic in its expression, and
encompassed by bristling snowy hair and beard.

“The Pope,” he growled; “I’ve never spoken badly of the Pope. Yet it’s
his fault if tyranny continues. He alone in ‘49 could have given us the
Republic, and then we shouldn’t have been as we are now.”

Ambrogio had known Mazzini, whose vague religiosity remained in him--the
dream of a Republican pope at last establishing the reign of liberty and
fraternity. But later on his passion for Garibaldi had disturbed these
views, and led him to regard the papacy as worthless, incapable of
achieving human freedom. And so, between the dream of his youth and the
stern experience of his life, he now hardly knew in which direction the
truth lay. Moreover, he had never acted save under the impulse of violent
emotion, but contented himself with fine words--vague, indeterminate
wishes.

“Brother Ambrogio,” replied Tomaso, all tranquillity, “the Pope is the
Pope, and wisdom lies in putting oneself on his side, because he will
always be the Pope--that is to say, the stronger. For my part, if we had
to vote to-morrow I’d vote for him.”

Calmed by the shrewd prudence characteristic of his race, the old
carpenter made no haste to reply. At last he said, “Well, as for me,
brother Tomaso, I should vote against him--always against him. And you
know very well that we should have the majority. The Pope-king indeed!
That’s all over. The very Borgo would revolt. Still, I won’t say that we
oughtn’t to come to an understanding with him, so that everybody’s
religion may be respected.”

Pierre listened, deeply interested, and at last ventured to ask: “Are
there many socialists among the Roman working classes?”

This time the answer came after a yet longer pause. “Socialists? Yes,
there are some, no doubt, but much fewer than in other places. All those
things are novelties which impatient fellows go in for without
understanding much about them. We old men, we were for liberty; we don’t
believe in fire and massacre.”

Then, fearing to say too much in presence of that lady and those
gentlemen, Ambrogio began to moan on his pallet, whilst the Contessina,
somewhat upset by the smell of the place, took her departure, after
telling the young priest that it would be best for them to leave their
alms with the wife downstairs. Meantime Tomaso resumed his seat at the
table, again letting his chin rest on his hands as he nodded to his
visitors, no more impressed by their departure than he had been by their
arrival: “To the pleasure of seeing you again, and am happy to have been
able to oblige you.”

On the threshold, however, Narcisse’s enthusiasm burst forth; he turned
to cast a final admiring glance at old Ambrogio’s head, “a perfect
masterpiece,” which he continued praising whilst he descended the stairs.

Down below Giacinta was still sitting on the broken box with her infant
across her lap, and a few steps away Pierina stood in front of Dario,
watching him with an enchanted air whilst he finished his cigarette.
Tito, lying low in the grass like an animal on the watch for prey, did
not for a moment cease to gaze at them.

“Ah, signora!” resumed the woman, in her resigned, doleful voice, “the
place is hardly inhabitable, as you must have seen. The only good thing
is that one gets plenty of room. But there are draughts enough to kill
me, and I’m always so afraid of the children falling down some of the
holes.”

Thereupon she related a story of a woman who had lost her life through
mistaking a window for a door one evening and falling headlong into the
street. Then, too, a little girl had broken both arms by tumbling from a
staircase which had no banisters. And you could die there without anybody
knowing how bad you were and coming to help you. Only the previous day
the corpse of an old man had been found lying on the plaster in a lonely
room. Starvation must have killed him quite a week previously, yet he
would still have been stretched there if the odour of his remains had not
attracted the attention of neighbours.

“If one only had something to eat things wouldn’t be so bad!” continued
Giacinta. “But it’s dreadful when there’s a baby to suckle and one gets
no food, for after a while one has no milk. This little fellow wants his
titty and gets angry with me because I can’t give him any. But it isn’t
my fault. He has sucked me till the blood came, and all I can do is to
cry.”

As she spoke tears welled into her poor dim eyes. But all at once she
flew into a tantrum with Tito, who was still wallowing in the grass like
an animal instead of rising by way of civility towards those fine people,
who would surely leave her some alms. “Eh! Tito, you lazy fellow, can’t
you get up when people come to see you?” she called.

After some pretence of not hearing, the young fellow at last rose with an
air of great ill-humour; and Pierre, feeling interested in him, tried to
draw him out as he had done with the father and uncle upstairs. But Tito
only returned curt answers, as if both bored and suspicious. Since there
was no work to be had, said he, the only thing was to sleep. It was of no
use to get angry; that wouldn’t alter matters. So the best was to live as
one could without increasing one’s worry. As for socialists--well, yes,
perhaps there were a few, but he didn’t know any. And his weary,
indifferent manner made it quite clear that, if his father was for the
Pope and his uncle for the Republic, he himself was for nothing at all.
In this Pierre divined the end of a nation, or rather the slumber of a
nation in which democracy has not yet awakened. However, as the priest
continued, asking Tito his age, what school he had attended, and in what
district he had been born, the young man suddenly cut the questions short
by pointing with one finger to his breast and saying gravely, “_Io son’
Romano di Roma_.”

And, indeed, did not that answer everything? “I am a Roman of Rome.”
 Pierre smiled sadly and spoke no further. Never had he more fully
realised the pride of that race, the long-descending inheritance of glory
which was so heavy to bear. The sovereign vanity of the Caesars lived
anew in that degenerate young fellow who was scarcely able to read and
write. Starveling though he was, he knew his city, and could
instinctively have recounted the grand pages of its history. The names of
the great emperors and great popes were familiar to him. And why should
men toil and moil when they had been the masters of the world? Why not
live nobly and idly in the most beautiful of cities, under the most
beautiful of skies? “_Io son’ Romano di Roma_!”

Benedetta had slipped her alms into the mother’s hand, and Pierre and
Narcisse were following her example when Dario, who had already done so,
thought of Pierina. He did not like to offer her money, but a pretty,
fanciful idea occurred to him. Lightly touching his lips with his
finger-tips, he said, with a faint laugh, “For beauty!”

There was something really pretty and pleasing in the kiss thus wafted
with a slightly mocking laugh by that familiar, good-natured young Prince
who, as in some love story of the olden time, was touched by the
beautiful bead-worker’s mute adoration. Pierina flushed with pleasure,
and, losing her head, darted upon Dario’s hand and pressed her warm lips
to it with unthinking impulsiveness, in which there was as much divine
gratitude as tender passion. But Tito’s eyes flashed with anger at the
sight, and, brutally seizing his sister by the skirt, he threw her back,
growling between his teeth, “None of that, you know, or I’ll kill you,
and him too!”

It was high time for the visitors to depart, for other women, scenting
the presence of money, were now coming forward with outstretched hands,
or despatching tearful children in their stead. The whole wretched,
abandoned district was in a flutter, a distressful wail ascended from
those lifeless streets with high resounding names. But what was to be
done? One could not give to all. So the only course lay in flight--amidst
deep sadness as one realised how powerless was charity in presence of
such appalling want.

When Benedetta and Dario had reached their carriage they hastened to take
their seats and nestle side by side, glad to escape from all such
horrors. Still the Contessina was well pleased with her bravery in the
presence of Pierre, whose hand she pressed with the emotion of a pupil
touched by the master’s lesson, after Narcisse had told her that he meant
to take the young priest to lunch at the little restaurant on the Piazza
of St. Peter’s whence one obtained such an interesting view of the
Vatican.

“Try some of the light white wine of Genzano,” said Dario, who had become
quite gay again. “There’s nothing better to drive away the blues.”

However, Pierre’s curiosity was insatiable, and on the way he again
questioned Narcisse about the people of modern Rome, their life, habits,
and manners. There was little or no education, he learnt; no large
manufactures and no export trade existed. The men carried on the few
trades that were current, all consumption being virtually limited to the
city itself. Among the women there were bead-workers and embroiderers;
and the manufacture of religious articles, such as medals and chaplets,
and of certain popular jewellery had always occupied a fair number of
hands. But after marriage the women, invariably burdened with numerous
offspring, attempted little beyond household work. Briefly, the
population took life as it came, working just sufficiently to secure
food, contenting itself with vegetables, pastes, and scraggy mutton,
without thought of rebellion or ambition. The only vices were gambling
and a partiality for the red and white wines of the Roman province--wines
which excited to quarrel and murder, and on the evenings of feast days,
when the taverns emptied, strewed the streets with groaning men, slashed
and stabbed with knives. The girls, however, but seldom went wrong; one
could count those who allowed themselves to be seduced; and this arose
from the great union prevailing in each family, every member of which
bowed submissively to the father’s absolute authority. Moreover, the
brothers watched over their sisters even as Tito did over Pierina,
guarding them fiercely for the sake of the family honour. And amidst all
this there was no real religion, but simply a childish idolatry, all
hearts going forth to Madonna and the Saints, who alone were entreated
and regarded as having being: for it never occurred to anybody to think
of God.

Thus the stagnation of the lower orders could easily be understood.
Behind them were the many centuries during which idleness had been
encouraged, vanity flattered, and nerveless life willingly accepted. When
they were neither masons, nor carpenters, nor bakers, they were servants
serving the priests, and more or less directly in the pay of the Vatican.
Thence sprang the two antagonistic parties, on the one hand the more
numerous party composed of the old Carbonari, Mazzinians, and
Garibaldians, the _elite_ of the Trastevere; and on the other the
“clients” of the Vatican, all who lived on or by the Church and regretted
the Pope-King. But, after all, the antagonism was confined to opinions;
there was no thought of making an effort or incurring a risk. For that,
some sudden flare of passion, strong enough to overcome the sturdy
calmness of the race, would have been needed. But what would have been
the use of it? The wretchedness had lasted for so many centuries, the sky
was so blue, the siesta preferable to aught else during the hot hours!
And only one thing seemed positive--that the majority was certainly in
favour of Rome remaining the capital of Italy. Indeed, rebellion had
almost broken out in the Leonine City when the cession of the latter to
the Holy See was rumoured. As for the increase of want and poverty, this
was largely due to the circumstance that the Roman workman had really
gained nothing by the many works carried on in his city during fifteen
years. First of all, over 40,000 provincials, mostly from the North, more
spirited and resistant than himself, and working at cheaper rates, had
invaded Rome; and when he, the Roman, had secured his share of the
labour, he had lived in better style, without thought of economy; so that
after the crisis, when the 40,000 men from the provinces were sent home
again, he had found himself once more in a dead city where trade was
always slack. And thus he had relapsed into his antique indolence, at
heart well pleased at no longer being hustled by press of work, and again
accommodating himself as best he could to his old mistress, Want, empty
in pocket yet always a _grand seigneur_.

However, Pierre was struck by the great difference between the want and
wretchedness of Rome and Paris. In Rome the destitution was certainly
more complete, the food more loathsome, the dirt more repulsive. Yet at
the same time the Roman poor retained more ease of manner and more real
gaiety. The young priest thought of the fireless, breadless poor of
Paris, shivering in their hovels at winter time; and suddenly he
understood. The destitution of Rome did not know cold. What a sweet and
eternal consolation; a sun for ever bright, a sky for ever blue and
benign out of charity to the wretched! And what mattered the vileness of
the dwelling if one could sleep under the sky, fanned by the warm breeze!
What mattered even hunger if the family could await the windfall of
chance in sunlit streets or on the scorched grass! The climate induced
sobriety; there was no need of alcohol or red meat to enable one to face
treacherous fogs. Blissful idleness smiled on the golden evenings,
poverty became like the enjoyment of liberty in that delightful
atmosphere where the happiness of living seemed to be all sufficient.
Narcisse told Pierre that at Naples, in the narrow odoriferous streets of
the port and Santa Lucia districts, the people spent virtually their
whole lives out-of-doors, gay, childish, and ignorant, seeking nothing
beyond the few pence that were needed to buy food. And it was certainly
the climate which fostered the prolonged infancy of the nation, which
explained why such a democracy did not awaken to social ambition and
consciousness of itself. No doubt the poor of Naples and Rome suffered
from want; but they did not know the rancour which cruel winter implants
in men’s hearts, the dark rancour which one feels on shivering with cold
while rich people are warming themselves before blazing fires. They did
not know the infuriated reveries in snow-swept hovels, when the guttering
dip burns low, the passionate need which then comes upon one to wreak
justice, to revolt, as from a sense of duty, in order that one may save
wife and children from consumption, in order that they also may have a
warm nest where life shall be a possibility! Ah! the want that shivers
with the bitter cold--therein lies the excess of social injustice, the
most terrible of schools, where the poor learn to realise their
sufferings, where they are roused to indignation, and swear to make those
sufferings cease, even if in doing so they annihilate all olden society!

And in that same clemency of the southern heavens Pierre also found an
explanation of the life of St. Francis,* that divine mendicant of love
who roamed the high roads extolling the charms of poverty. Doubtless he
was an unconscious revolutionary, protesting against the overflowing
luxury of the Roman court by his return to the love of the humble, the
simplicity of the primitive Church. But such a revival of innocence and
sobriety would never have been possible in a northern land. The
enchantment of Nature, the frugality of a people whom the sunlight
nourished, the benignity of mendicancy on roads for ever warm, were
needed to effect it. And yet how was it possible that a St. Francis,
glowing with brotherly love, could have appeared in a land which nowadays
so seldom practises charity, which treats the lowly so harshly and
contemptuously, and cannot even bestow alms on its own Pope? Is it
because ancient pride ends by hardening all hearts, or because the
experience of very old races leads finally to egotism, that one now
beholds Italy seemingly benumbed amidst dogmatic and pompous Catholicism,
whilst the return to the ideals of the Gospel, the passionate interest in
the poor and the suffering comes from the woeful plains of the North,
from the nations whose sunlight is so limited? Yes, doubtless all that
has much to do with the change, and the success of St. Francis was in
particular due to the circumstance that, after so gaily espousing his
lady, Poverty, he was able to lead her, bare-footed and scarcely clad,
during endless and delightful spring-tides, among communities whom an
ardent need of love and compassion then consumed.

  * St. Francis of Assisi, the founder of the famous order of
    mendicant friars.--Trans.

While conversing, Pierre and Narcisse had reached the Piazza of St.
Peter’s, and they sat down at one of the little tables skirting the
pavement outside the restaurant where they had lunched once before. The
linen was none too clean, but the view was splendid. The Basilica rose up
in front of them, and the Vatican on the right, above the majestic curve
of the colonnade. Just as the waiter was bringing the _hors-d’oeuvre_,
some _finocchio_* and anchovies, the young priest, who had fixed his eyes
on the Vatican, raised an exclamation to attract Narcisse’s attention:
“Look, my friend, at that window, which I am told is the Holy Father’s.
Can’t you distinguish a pale figure standing there, quite motionless?”

  * Fennel-root, eaten raw, a favourite “appetiser” in Rome during
    the spring and autumn.--Trans.

The young man began to laugh. “Oh! well,” said he, “it must be the Holy
Father in person. You are so anxious to see him that your very anxiety
conjures him into your presence.”

“But I assure you,” repeated Pierre, “that he is over there behind the
window-pane. There is a white figure looking this way.”

Narcisse, who was very hungry, began to eat whilst still indulging in
banter. All at once, however, he exclaimed: “Well, my dear Abbe, as the
Pope is looking at us, this is the moment to speak of him. I promised to
tell you how he sunk several millions of St. Peter’s Patrimony in the
frightful financial crisis of which you have just seen the ruins; and,
indeed, your visit to the new district of the castle fields would not be
complete without this story by way of appendix.”

Thereupon, without losing a mouthful, Narcisse spoke at considerable
length. At the death of Pius IX the Patrimony of St. Peter, it seemed,
had exceeded twenty millions of francs. Cardinal Antonelli, who
speculated, and whose ventures were usually successful, had for a long
time left a part of this money with the Rothschilds and a part in the
hands of different nuncios, who turned it to profit abroad. After
Antonelli’s death, however, his successor, Cardinal Simeoni, withdrew the
money from the nuncios to invest it at Rome; and Leo XIII on his
accession entrusted the administration of the Patrimony to a commission
of cardinals, of which Monsignor Folchi was appointed secretary. This
prelate, who for twelve years played such an important _role_, was the
son of an employee of the Dataria, who, thanks to skilful financial
operations, had left a fortune of a million francs. Monsignor Folchi
inherited his father’s cleverness, and revealed himself to be a financier
of the first rank in such wise that the commission gradually relinquished
its powers to him, letting him act exactly as he pleased and contenting
itself with approving the reports which he laid before it at each
meeting. The Patrimony, however, yielded scarcely more than a million
francs per annum, and, as the expenditure amounted to seven millions, six
had to be found. Accordingly, from that other source of income, the
Peter’s Pence, the Pope annually gave three million francs to Monsignor
Folchi, who, by skilful speculations and investments, was able to double
them every year, and thus provide for all disbursements without ever
breaking into the capital of the Patrimony. In the earlier times he
realised considerable profit by gambling in land in and about Rome. He
took shares also in many new enterprises, speculated in mills, omnibuses,
and water-services, without mentioning all the gambling in which he
participated with the Banca di Roma, a Catholic institution. Wonderstruck
by his skill, the Pope, who, on his own side, had hitherto speculated
through the medium of a confidential employee named Sterbini, dismissed
the latter, and entrusted Monsignor Folchi with the duty of turning his
money to profit in the same way as he turned that of the Holy See. This
was the climax of the prelate’s favour, the apogee of his power. Bad days
were dawning, things were tottering already, and the great collapse was
soon to come, sudden and swift like lightning. One of Leo XIII’s
practices was to lend large sums to the Roman princes who, seized with
the gambling frenzy, and mixed up in land and building speculations, were
at a loss for money. To guarantee the Pope’s advances they deposited
shares with him, and thus, when the downfall came, he was left with heaps
of worthless paper on his hands. Then another disastrous affair was an
attempt to found a house of credit in Paris in view of working off the
shares which could not be disposed of in Italy among the French
aristocracy and religious people. To egg these on it was said that the
Pope was interested in the venture; and the worst was that he dropped
three millions of francs in it.* The situation then became the more
critical as he had gradually risked all the money he disposed of in the
terrible agiotage going on in Rome, tempted thereto by the prospect of
huge profits and perhaps indulging in the hope that he might win back by
money the city which had been torn from him by force. His own
responsibility remained complete, for Monsignor Folchi never made an
important venture without consulting him; and he must have been therefore
the real artisan of the disaster, mastered by his passion for gain, his
desire to endow the Church with a huge capital, that great source of
power in modern times. As always happens, however, the prelate was the
only victim. He had become imperious and difficult to deal with; and was
no longer liked by the cardinals of the commission, who were merely
called together to approve such transactions as he chose to entrust to
them. So, when the crisis came, a plot was laid; the cardinals terrified
the Pope by telling him of all the evil rumours which were current, and
then forced Monsignor Folchi to render a full account of his
speculations. The situation proved to be very bad; it was no longer
possible to avoid heavy losses. And so Monsignor Folchi was disgraced,
and since then has vainly solicited an audience of Leo XIII, who has
always refused to receive him, as if determined to punish him for their
common fault--that passion for lucre which blinded them both. Very pious
and submissive, however, Monsignor Folchi has never complained, but has
kept his secrets and bowed to fate. Nobody can say exactly how many
millions the Patrimony of St. Peter lost when Rome was changed into a
gambling-hell, but if some prelates only admit ten, others go as far as
thirty. The probability is that the loss was about fifteen millions.**

  * The allusion is evidently to the famous Union Generale, on
    which the Pope bestowed his apostolic benediction, and with
    which M. Zola deals at length in his novel _Money_. Certainly
    a very brilliant idea was embodied in the Union Generale, that
    of establishing a great international Catholic bank which
    would destroy the Jewish financial autocracy throughout Europe,
    and provide both the papacy and the Legitimist cause in several
    countries with the sinews of war. But in the battle which
    ensued the great Jew financial houses proved the stronger, and
    the disaster which overtook the Catholic speculators was a
    terrible one.--Trans.

  ** That is 600,000 pounds.

Whilst Narcisse was giving this account he and Pierre had despatched
their cutlets and tomatoes, and the waiter was now serving them some
fried chicken. “At the present time,” said Narcisse by way of conclusion,
“the gap has been filled up; I told you of the large sums yielded by the
Peter’s Pence Fund, the amount of which is only known by the Pope, who
alone fixes its employment. And, by the way, he isn’t cured of
speculating: I know from a good source that he still gambles, though with
more prudence. Moreover, his confidential assistant is still a prelate.
And, when all is said, my dear Abbe, he’s in the right: a man must belong
to his times--dash it all!”

Pierre had listened with growing surprise, in which terror and sadness
mingled. Doubtless such things were natural, even legitimate; yet he, in
his dream of a pastor of souls free from all terrestrial cares, had never
imagined that they existed. What! the Pope--the spiritual father of the
lowly and the suffering--had speculated in land and in stocks and shares!
He had gambled, placed funds in the hands of Jew bankers, practised
usury, extracted hard interest from money--he, the successor of the
Apostle, the Pontiff of Christ, the representative of Jesus, of the
Gospel, that divine friend of the poor! And, besides, what a painful
contrast: so many millions stored away in those rooms of the Vatican, and
so many millions working and fructifying, constantly being diverted from
one speculation to another in order that they might yield the more gain;
and then down below, near at hand, so much want and misery in those
abominable unfinished buildings of the new districts, so many poor folks
dying of hunger amidst filth, mothers without milk for their babes, men
reduced to idleness by lack of work, old ones at the last gasp like
beasts of burden who are pole-axed when they are of no more use! Ah! God
of Charity, God of Love, was it possible! The Church doubtless had
material wants; she could not live without money; prudence and policy had
dictated the thought of gaining for her such a treasure as would enable
her to fight her adversaries victoriously. But how grievously this
wounded one’s feelings, how it soiled the Church, how she descended from
her divine throne to become nothing but a party, a vast international
association organised for the purpose of conquering and possessing the
world!

And the more Pierre thought of the extraordinary adventure the greater
was his astonishment. Could a more unexpected, startling drama be
imagined? That Pope shutting himself up in his palace--a prison, no
doubt, but one whose hundred windows overlooked immensity; that Pope who,
at all hours of the day and night, in every season, could from his window
see his capital, the city which had been stolen from him, and the
restitution of which he never ceased to demand; that Pope who, day by
day, beheld the changes effected in the city--the opening of new streets,
the demolition of ancient districts, the sale of land, and the gradual
erection of new buildings which ended by forming a white girdle around
the old ruddy roofs; that Pope who, in presence of this daily spectacle,
this building frenzy, which he could follow from morn till eve, was
himself finally overcome by the gambling passion, and, secluded in his
closed chamber, began to speculate on the embellishments of his old
capital, seeking wealth in the spurt of work and trade brought about by
that very Italian Government which he reproached with spoliation; and
finally that Pope losing millions in a catastrophe which he ought to have
desired, but had been unable to foresee! No, never had dethroned monarch
yielded to a stranger idea, compromised himself in a more tragical
venture, the result of which fell upon him like divine punishment. And it
was no mere king who had done this, but the delegate of God, the man who,
in the eyes of idolatrous Christendom, was the living manifestation of
the Deity!

Dessert had now been served--a goat’s cheese and some fruit--and Narcisse
was just finishing some grapes when, on raising his eyes, he in turn
exclaimed: “Well, you are quite right, my dear Abbe, I myself can see a
pale figure at the window of the Holy Father’s room.”

Pierre, who scarcely took his eyes from the window, answered slowly:
“Yes, yes, it went away, but has just come back, and stands there white
and motionless.”

“Well, after all, what would you have the Pope do?” resumed Narcisse with
his languid air. “He’s like everybody else; he looks out of the window
when he wants a little distraction, and certainly there’s plenty for him
to look at.”

The same idea had occurred to Pierre, and was filling him with emotion.
People talked of the Vatican being closed, and pictured a dark, gloomy
palace, encompassed by high walls, whereas this palace overlooked all
Rome, and the Pope from his window could see the world. Pierre himself
had viewed the panorama from the summit of the Janiculum, the _loggie_ of
Raffaelle, and the dome of St. Peter’s, and so he well knew what it was
that Leo XIII was able to behold. In the centre of the vast desert of the
Campagna, bounded by the Sabine and Alban mountains, the seven
illustrious hills appeared to him with their trees and edifices. His eyes
ranged also over all the basilicas, Santa Maria Maggiore, San Giovanni in
Laterano, the cradle of the papacy, San Paolo-fuori-le-Mura, Santa Croce
in Gerusalemme, Sant’ Agnese, and the others; they beheld, too, the domes
of the Gesu of Sant’ Andrea della Valle, San Carlo and San Giovanni dei
Fiorentini, and indeed all those four hundred churches of Rome which make
the city like a _campo santo_ studded with crosses. And Leo XIII could
moreover see the famous monuments testifying to the pride of successive
centuries--the Castle of Sant’ Angelo, that imperial mausoleum which was
transformed into a papal fortress, the distant white line of the tombs of
the Appian Way, the scattered ruins of the baths of Caracalla and the
abode of Septimius Severus; and then, after the innumerable columns,
porticoes, and triumphal arches, there were the palaces and villas of the
sumptuous cardinals of the Renascence, the Palazzo Farnese, the Palazzo
Borghese, the Villa Medici, and others, amidst a swarming of facades and
roofs. But, in particular, just under his window, on the left, the Pope
was able to see the abominations of the unfinished district of the castle
fields. In the afternoon, when he strolled through his gardens, bastioned
by the wall of the fourth Leo like the plateau of a citadel, his view
stretched over the ravaged valley at the foot of Monte Mario, where so
many brick-works were established during the building frenzy. The green
slopes are still ripped up, yellow trenches intersect them in all
directions, and the closed works and factories have become wretched ruins
with lofty, black, and smokeless chimneys. And at any other hour of the
day Leo XIII could not approach his window without beholding the
abandoned houses for which all those brick-fields had worked, those
houses which had died before they even lived, and where there was now
nought but the swarming misery of Rome, rotting there like some
decomposition of olden society.

However, Pierre more particularly thought of Leo XIII, forgetting the
rest of the city to let his thoughts dwell on the Palatine, now bereft of
its crown of palaces and rearing only its black cypresses towards the
blue heavens. Doubtless in his mind he rebuilt the palaces of the
Caesars, whilst before him rose great shadowy forms arrayed in purple,
visions of his real ancestors, those emperors and Supreme Pontiffs who
alone could tell him how one might reign over every nation and be the
absolute master of the world. Then, however, his glances strayed to the
Quirinal, and there he could contemplate the new and neighbouring
royalty. How strange the meeting of those two palaces, the Quirinal and
the Vatican, which rise up and gaze at one another across the Rome of the
middle ages and the Renascence, whose roofs, baked and gilded by the
burning sun, are jumbled in confusion alongside the Tiber. When the Pope
and the King go to their windows they can with a mere opera-glass see
each other quite distinctly. True, they are but specks in the boundless
immensity, and what a gulf there is between them--how many centuries of
history, how many generations that battled and suffered, how much
departed greatness, and how much new seed for the mysterious future!
Still, they can see one another, and they are yet waging the eternal
fight, the fight as to which of them--the pontiff and shepherd of the
soul or the monarch and master of the body--shall possess the people
whose stream rolls beneath them, and in the result remain the absolute
sovereign. And Pierre wondered also what might be the thoughts and dreams
of Leo XIII behind those window-panes where he still fancied he could
distinguish his pale, ghostly figure. On surveying new Rome, the ravaged
olden districts and the new ones laid waste by the blast of disaster, the
Pope must certainly rejoice at the colossal failure of the Italian
Government. His city had been stolen from him; the newcomers had
virtually declared that they would show him how a great capital was
created, and their boast had ended in that catastrophe--a multitude of
hideous and useless buildings which they did not even know how to finish!
He, the Pope, could moreover only be delighted with the terrible worries
into which the usurping _regime_ had fallen, the political crisis, and
the financial crisis, the whole growing national unrest amidst which that
_regime_ seemed likely to sink some day; and yet did not he himself
possess a patriotic soul? was he not a loving son of that Italy whose
genius and ancient ambition coursed in the blood of his veins? Ah! no,
nothing against Italy; rather everything that would enable her to become
once more the mistress of the world. And so, even amidst the joy of hope,
he must have been grieved to see her thus ruined, threatened with
bankruptcy, displaying like a sore that overturned, unfinished Rome which
was a confession of her impotency. But, on the other hand, if the House
of Savoy were to be swept away, would he not be there to take its place,
and at last resume possession of his capital, which, from his window, for
fifteen years past, he had beheld in the grip of masons and demolishers?
And then he would again be the master and reign over the world, enthroned
in the predestined city to which prophecy has ensured eternity and
universal dominion.

But the horizon spread out, and Pierre wondered what Leo XIII beheld
beyond Rome, beyond the Campagna and the Sabine and Alban mountains. What
had he seen for eighteen years past from that window whence he obtained
his only view of the world? What echoes of modern society, its truths and
certainties, had reached his ears? From the heights of the Viminal, where
the railway terminus stands, the prolonged whistling of engines must have
occasionally been carried towards him, suggesting our scientific
civilisation, the nations brought nearer together, free humanity marching
on towards the future. Did he himself ever dream of liberty when, on
turning to the right, he pictured the sea over yonder, past the tombs of
the Appian Way? Had he ever desired to go off, quit Rome and her
traditions, and found the Papacy of the new democracies elsewhere? As he
was said to possess so clear and penetrating a mind he ought to have
understood and trembled at the far-away stir and noise that came from
certain lands of battle, from those United States of America, for
instance, where revolutionary bishops were conquering, winning over the
people. Were they working for him or for themselves? If he could not
follow them, if he remained stubborn within his Vatican, bound on every
side by dogma and tradition, might not rupture some day become
unavoidable? And, indeed, the fear of a blast of schism, coming from
afar, must have filled him with growing anguish. It was assuredly on that
account that he had practised the diplomacy of conciliation, seeking to
unite in his hands all the scattered forces of the Church, overlooking
the audacious proceedings of certain bishops as far as possible, and
himself striving to gain the support of the people by putting himself on
its side against the fallen monarchies. But would he ever go any farther?
Shut up in that Vatican, behind that bronze portal, was he not bound to
the strict formulas of Catholicism, chained to them by the force of
centuries? There obstinacy was fated; it was impossible for him to resign
himself to that which was his real and surpassing power, the purely
spiritual power, the moral authority which brought mankind to his feet,
made thousands of pilgrims kneel and women swoon. Departure from Rome and
the renunciation of the temporal power would not displace the centre of
the Catholic world, but would transform him, the head of the Catholic
Church, into the head of something else. And how anxious must have been
his thoughts if the evening breeze ever brought him a vague presentiment
of that something else, a fear of the new religion which was yet dimly,
confusedly dawning amidst the tramp of the nations on the march, and the
sound of which must have reached him at one and the same time from every
point of the compass.

At this precise moment, however, Pierre felt that the white and
motionless shadow behind those windowpanes was held erect by pride, by
the ever present conviction of victory. If man could not achieve it, a
miracle would intervene. He, the Pope, was absolutely convinced that he
or some successor would recover possession of Rome. Had not the Church
all eternity before it? And, moreover, why should not the victor be
himself? Could not God accomplish the impossible? Why, if it so pleased
God, on the very morrow his city would be restored to him, in spite of
all the objections of human reason, all the apparent logic of facts. Ah!
how he would welcome the return of that prodigal daughter whose equivocal
adventures he had ever watched with tears bedewing his paternal eyes! He
would soon forget the excesses which he had beheld during eighteen years
at all hours and in all seasons. Perhaps he dreamt of what he would do
with those new districts with which the city had been soiled. Should they
be razed, or left as evidence of the insanity of the usurpers? At all
events, Rome would again become the august and lifeless city, disdainful
of such vain matters as material cleanliness and comfort, and shining
forth upon the world like a pure soul encompassed by the traditional
glory of the centuries. And his dream continued, picturing the course
which events would take on the very morrow, no doubt. Anything, even a
republic was preferable to that House of Savoy. Why not a federal
republic, reviving the old political divisions of Italy, restoring Rome
to the Church, and choosing him, the Pope, as the natural protector of
the country thus reorganised? But his eyes travelled beyond Rome and
Italy, and his dream expanded, embracing republican France, Spain which
might become republican again, Austria which would some day be won, and
indeed all the Catholic nations welded into the United States of Europe,
and fraternising in peace under his high presidency as Sovereign Pontiff.
And then would follow the supreme triumph, all the other churches at last
vanishing, and all the dissident communities coming to him as to the one
and only pastor, who would reign in the name of Jesus over the universal
democracy.

However, whilst Pierre was immersed in this dream which he attributed to
Leo XIII, he was all at once interrupted by Narcisse, who exclaimed: “Oh!
my dear Abbe, just look at those statues on the colonnade.” The young
fellow had ordered a cup of coffee and was languidly smoking a cigar,
deep once more in the subtle aesthetics which were his only
preoccupation. “They are rosy, are they not?” he continued; “rosy, with a
touch of mauve, as if the blue blood of angels circulated in their stone
veins. It is the sun of Rome which gives them that supra-terrestrial
life; for they live, my friend; I have seen them smile and hold out their
arms to me during certain fine sunsets. Ah! Rome, marvellous, delicious
Rome! One could live here as poor as Job, content with the very
atmosphere, and in everlasting delight at breathing it!”

This time Pierre could not help feeling surprised at Narcisse’s language,
for he remembered his incisive voice and clear, precise, financial acumen
when speaking of money matters. And, at this recollection, the young
priest’s mind reverted to the castle fields, and intense sadness filled
his heart as for the last time all the want and suffering rose before
him. Again he beheld the horrible filth which was tainting so many human
beings, that shocking proof of the abominable social injustice which
condemns the greater number to lead the joyless, breadless lives of
accursed beasts. And as his glance returned yet once more to the window
of the Vatican, and he fancied he could see a pale hand uplifted behind
the glass panes, he thought of that papal benediction which Leo XIII gave
from that height, over Rome, and over the plain and the hills, to the
faithful of all Christendom. And that papal benediction suddenly seemed
to him a mockery, destitute of all power, since throughout such a
multitude of centuries it had not once been able to stay a single one of
the sufferings of mankind, and could not even bring a little justice for
those poor wretches who were agonising yonder beneath the very window.

IX.

THAT evening at dusk, as Benedetta had sent Pierre word that she desired
to see him, he went down to her little _salon_, and there found her
chatting with Celia.

“I’ve seen your Pierina, you know,” exclaimed the latter, just as the
young priest came in. “And with Dario, too. Or rather, she must have been
watching for him; he found her waiting in a path on the Pincio and smiled
at her. I understood at once. What a beauty she is!”

Benedetta smiled at her friend’s enthusiasm; but her lips twitched
somewhat painfully, for, however sensible she might be, this passion,
which she realised to be so naive and so strong, was beginning to make
her suffer. She certainly made allowances for Dario, but the girl was too
much in love with him, and she feared the consequences. Even in turning
the conversation she allowed the secret of her heart to escape her. “Pray
sit down, Monsieur l’Abbe,” she said, “we are talking scandal, you see.
My poor Dario is accused of making love to every pretty woman in Rome.
People say that it’s he who gives La Tonietta those white roses which she
has been exhibiting at the Corso every afternoon for a fortnight past.”

“That’s certain, my dear,” retorted Celia impetuously. “At first people
were in doubt, and talked of little Pontecorvo and Lieutenant Moretta.
But every one now knows that La Tonietta’s caprice is Dario. Besides, he
joined her in her box at the Costanzi the other evening.”

Pierre remembered that the young Prince had pointed out La Tonietta at
the Pincio one afternoon. She was one of the few _demi-mondaines_ that
the higher-class society of Rome took an interest in. For a month or so
the rich Englishman to whom she owed her means had been absent,
travelling.

“Ah!” resumed Benedetta, whose budding jealousy was entirely confined to
La Pierina, “so my poor Dario is ruining himself in white roses! Well, I
shall have to twit him about it. But one or another of these beauties
will end by robbing me of him if our affairs are not soon settled.
Fortunately, I have had some better news. Yes, my suit is to be taken in
hand again, and my aunt has gone out to-day on that very account.”

Then, as Victorine came in with a lamp, and Celia rose to depart,
Benedetta turned towards Pierre, who also was rising from his chair:
“Please stay,” said she; “I wish to speak to you.”

However, Celia still lingered, interested by the mention of the divorce
suit, and eager to know if the cousins would soon be able to marry. And
at last throwing her arms round Benedetta, she kissed her passionately.
“So you are hopeful, my dear,” she exclaimed. “You think that the Holy
Father will give you back your liberty? Oh! I am so pleased; it will be
so nice for you to marry Dario! And I’m well pleased on my own account,
for my father and mother are beginning to yield. Only yesterday I said to
them with that quiet little air of mine, ‘I want Attilio, and you must
give him me.’ And then my father flew into a furious passion and
upbraided me, and shook his fist at me, saying that if he’d made my head
as hard as his own he would know how to break it. My mother was there
quite silent and vexed, and all at once he turned to her and said: ‘Here,
give her that Attilio she wants, and then perhaps we shall have some
peace!’ Oh yes! I’m well pleased, very well pleased indeed!”

As she spoke her pure virginal face beamed with so much innocent,
celestial joy that Pierre and Benedetta could not help laughing. And at
last she went off attended by a maid who had waited for her in the first
_salon_.

When they were alone Benedetta made the priest sit down again: “I have
been asked to give you some important advice, my friend,” she said. “It
seems that the news of your presence in Rome is spreading, and that bad
reports of you are circulated. Your book is said to be a fierce appeal to
schism, and you are spoken of as a mere ambitious, turbulent schismatic.
After publishing your book in Paris you have come to Rome, it is said, to
raise a fearful scandal over it in order to make it sell. Now, if you
still desire to see his Holiness, so as to plead your cause before him,
you are advised to make people forget you, to disappear altogether for a
fortnight or three weeks.”

Pierre was stupefied. Why, they would end by maddening him with all the
obstacles they raised to exhaust his patience; they would actually
implant in him an idea of schism, of an avenging, liberating scandal! He
wished to protest and refuse the advice, but all at once he made a
gesture of weariness. What would be the good of it, especially with that
young woman, who was certainly sincere and affectionate. “Who asked you
to give me this advice?” he inquired. She did not answer, but smiled, and
with sudden intuition he resumed: “It was Monsignor Nani, was it not?”

Thereupon, still unwilling to give a direct reply, she began to praise
the prelate. He had at last consented to guide her in her divorce affair;
and Donna Serafina had gone to the Palace of the Inquisition that very
afternoon in order to acquaint him with the result of certain steps she
had taken. Father Lorenza, the confessor of both the Boccanera ladies,
was to be present at the interview, for the idea of the divorce was in
reality his own. He had urged the two women to it in his eagerness to
sever the bond which the patriotic priest Pisoni had tied full of such
fine illusions. Benedetta became quite animated as she explained the
reasons of her hopefulness. “Monsignor Nani can do everything,” she said,
“and I am very happy that my affair should be in his hands. You must be
reasonable also, my friend; do as you are requested. I’m sure you will
some day be well pleased at having taken this advice.”

Pierre had bowed his head and remained thoughtful. There was nothing
unpleasant in the idea of remaining for a few more weeks in Rome, where
day by day his curiosity found so much fresh food. Of course, all these
delays were calculated to discourage him and bend his will. Yet what did
he fear, since he was still determined to relinquish nothing of his book,
and to see the Holy Father for the sole purpose of proclaiming his new
faith? Once more, in silence, he took that oath, then yielded to
Benedetta’s entreaties. And as he apologised for being a source of
embarrassment in the house she exclaimed: “No, no, I am delighted to have
you here. I fancy that your presence will bring us good fortune now that
luck seems to be changing in our favour.”

It was then agreed that he would no longer prowl around St. Peter’s and
the Vatican, where his constant presence must have attracted attention.
He even promised that he would virtually spend a week indoors, desirous
as he was of reperusing certain books, certain pages of Rome’s history.
Then he went on chatting for a moment, lulled by the peacefulness which
reigned around him, since the lamp had illumined the _salon_ with its
sleepy radiance. Six o’clock had just struck, and outside all was dark.

“Wasn’t his Eminence indisposed to-day?” the young man asked.

“Yes,” replied the Contessina. “But we are not anxious: it is only a
little fatigue. He sent Don Vigilio to tell me that he intended to shut
himself up in his room and dictate some letters. So there can be nothing
much the matter, you see.”

Silence fell again. For a while not a sound came from the deserted street
or the old empty mansion, mute and dreamy like a tomb. But all at once
the soft somnolence, instinct with all the sweetness of a dream of hope,
was disturbed by a tempestuous entry, a whirl of skirts, a gasp of
terror. It was Victorine, who had gone off after bringing the lamp, but
now returned, scared and breathless: “Contessina! Contessina!”

Benedetta had risen, suddenly quite white and cold, as at the advent of a
blast of misfortune. “What, what is it? Why do you run and tremble?” she
asked.

“Dario, Monsieur Dario--down below. I went down to see if the lantern in
the porch were alight, as it is so often forgotten. And in the dark, in
the porch, I stumbled against Monsieur Dario. He is on the ground; he has
a knife-thrust somewhere.”

A cry leapt from the _amorosa’s_ heart: “Dead!”

“No, no, wounded.”

But Benedetta did not hear; in a louder and louder voice she cried:
“Dead! dead!”

“No, no, I tell you, he spoke to me. And for Heaven’s sake, be quiet. He
silenced me because he did not want any one to know; he told me to come
and fetch you--only you. However, as Monsieur l’Abbe is here, he had
better help us. We shall be none too many.”

Pierre listened, also quite aghast. And when Victorine wished to take the
lamp her trembling hand, with which she had no doubt felt the prostrate
body, was seen to be quite bloody. The sight filled Benedetta with so
much horror that she again began to moan wildly.

“Be quiet, be quiet!” repeated Victorine. “We ought not to make any noise
in going down. I shall take the lamp, because we must at all events be
able to see. Now, quick, quick!”

Across the porch, just at the entrance of the vestibule, Dario lay prone
upon the slabs, as if, after being stabbed in the street, he had only had
sufficient strength to take a few steps before falling. And he had just
fainted, and lay there with his face very pale, his lips compressed, and
his eyes closed. Benedetta, recovering the energy of her race amidst her
excessive grief, no longer lamented or cried out, but gazed at him with
wild, tearless, dilated eyes, as though unable to understand. The horror
of it all was the suddenness and mysteriousness of the catastrophe, the
why and wherefore of this murderous attempt amidst the silence of the old
deserted palace, black with the shades of night. The wound had as yet
bled but little, for only the Prince’s clothes were stained.

“Quick, quick!” repeated Victorine in an undertone after lowering the
lamp and moving it around. “The porter isn’t there--he’s always at the
carpenter’s next door--and you see that he hasn’t yet lighted the
lantern. Still he may come back at any moment. So the Abbe and I will
carry the Prince into his room at once.” She alone retained her head,
like a woman of well-balanced mind and quiet activity. The two others,
whose stupor continued, listened to her and obeyed her with the docility
of children. “Contessina,” she continued, “you must light us. Here, take
the lamp and lower it a little so that we may see the steps. You, Abbe,
take the feet; I’ll take hold of him under the armpits. And don’t be
alarmed, the poor dear fellow isn’t heavy.”

Ah! that ascent of the monumental staircase with its low steps and its
landings as spacious as guardrooms. They facilitated the cruel journey,
but how lugubrious looked the little _cortege_ under the flickering
glimmer of the lamp which Benedetta held with arm outstretched, stiffened
by determination! And still not a sound came from the old lifeless
dwelling, nothing but the silent crumbling of the walls, the slow decay
which was making the ceilings crack. Victorine continued to whisper words
of advice whilst Pierre, afraid of slipping on the shiny slabs, put forth
an excess of strength which made his breath come short. Huge, wild
shadows danced over the big expanse of bare wall up to the very vaults
decorated with sunken panels. So endless seemed the ascent that at last a
halt became necessary; but the slow march was soon resumed. Fortunately
Dario’s apartments--bed-chamber, dressing-room, and sitting-room--were on
the first floor adjoining those of the Cardinal in the wing facing the
Tiber; so, on reaching the landing, they only had to walk softly along
the corridor, and at last, to their great relief, laid the wounded man
upon his bed.

Victorine vented her satisfaction in a light laugh. “That’s done,” said
she; “put the lamp on that table, Contessina. I’m sure nobody heard us.
It’s lucky that Donna Serafina should have gone out, and that his
Eminence should have shut himself up with Don Vigilio. I wrapped my skirt
round Monsieur Dario’s shoulders, you know, so I don’t think any blood
fell on the stairs. By and by, too, I’ll go down with a sponge and wipe
the slabs in the porch--” She stopped short, looked at Dario, and then
quickly added: “He’s breathing--now I’ll leave you both to watch over him
while I go for good Doctor Giordano, who saw you come into the world,
Contessina. He’s a man to be trusted.”

Alone with the unconscious sufferer in that dim chamber, which seemed to
quiver with the frightful horror that filled their hearts, Benedetta and
Pierre remained on either side of the bed, as yet unable to exchange a
word. The young woman first opened her arms and wrung her hands whilst
giving vent to a hollow moan, as if to relieve and exhale her grief; and
then, leaning forward, she watched for some sign of life on that pale
face whose eyes were closed. Dario was certainly breathing, but his
respiration was slow and very faint, and some time went by before a touch
of colour returned to his cheeks. At last, however, he opened his eyes,
and then she at once took hold of his hand and pressed it, instilling
into the pressure all the anguish of her heart. Great was her happiness
on feeling that he feebly returned the clasp.

“Tell me,” she said, “you can see me and hear me, can’t you? What has
happened, good God?”

He did not at first answer, being worried by the presence of Pierre. On
recognising the young priest, however, he seemed content that he should
be there, and then glanced apprehensively round the room to see if there
were anybody else. And at last he murmured: “No one saw me, no one
knows?”

“No, no; be easy. We carried you up with Victorine without meeting a
soul. Aunt has just gone out, uncle is shut up in his rooms.”

At this Dario seemed relieved, and he even smiled. “I don’t want anybody
to know, it is so stupid,” he murmured.

“But in God’s name what has happened?” she again asked him.

“Ah! I don’t know, I don’t know,” was his response, as he lowered his
eyelids with a weary air as if to escape the question. But he must have
realised that it was best for him to confess some portion of the truth at
once, for he resumed: “A man was hidden in the shadow of the porch--he
must have been waiting for me. And so, when I came in, he dug his knife
into my shoulder, there.”

Forthwith she again leant over him, quivering, and gazing into the depths
of his eyes: “But who was the man, who was he?” she asked. Then, as he,
in a yet more weary way, began to stammer that he didn’t know, that the
man had fled into the darkness before he could recognise him, she raised
a terrible cry: “It was Prada! it was Prada, confess it, I know it
already!” And, quite delirious, she went on: “I tell you that I know it!
Ah! I would not be his, and he is determined that we shall never belong
to one another. Rather than have that he will kill you on the day when I
am free to be your wife! Oh! I know him well; I shall never, never be
happy. Yes, I know it well, it was Prada, Prada!”

But sudden energy upbuoyed the wounded man, and he loyally protested:
“No, no, it was not Prada, nor was it any one working for him. That I
swear to you. I did not recognise the man, but it wasn’t Prada--no, no!”

There was such a ring of truth in Dario’s words that Benedetta must have
been convinced by them. But terror once more overpowered her, for the
hand she held was suddenly growing soft, moist, and powerless. Exhausted
by his effort, Dario had fallen back, again fainting, his face quite
white and his eyes closed. And it seemed to her that he was dying.
Distracted by her anguish, she felt him with trembling, groping hands:
“Look, look, Monsieur l’Abbe!” she exclaimed. “But he is dying, he is
dying; he is already quite cold. Ah! God of heaven, he is dying!”

Pierre, terribly upset by her cries, sought to reassure her, saying: “He
spoke too much; he has lost consciousness, as he did before. But I assure
you that I can feel his heart beating. Here, put your hand here,
Contessina. For mercy’s sake don’t distress yourself like that; the
doctor will soon be here, and everything will be all right.”

But she did not listen to him, and all at once he was lost in amazement,
for she flung herself upon the body of the man she adored, caught it in a
frantic embrace, bathed it with tears and covered it with kisses whilst
stammering words of fire: “Ah! if I were to lose you, if I were to lose
you! And to think that I repulsed you, that I would not accept happiness
when it was yet possible! Yes, that idea of mine, that vow I made to the
Madonna! Yet how could she be offended by our happiness? And then, and
then, if she has deceived me, if she takes you from me, ah! then I can
have but one regret--that I did not damn myself with you--yes, yes,
damnation rather than that we should never, never be each other’s!”

Was this the woman who had shown herself so calm, so sensible, so patient
the better to ensure her happiness? Pierre was terrified, and no longer
recognised her. He had hitherto seen her so reserved, so modest, with a
childish charm that seemed to come from her very nature! But under the
threatening blow she feared, the terrible blood of the Boccaneras had
awoke within her with a long heredity of violence, pride, frantic and
exasperated longings. She wished for her share of life, her share of
love! And she moaned and she clamoured, as if death, in taking her lover
from her, were tearing away some of her own flesh.

“Calm yourself, I entreat you, madame,” repeated the priest. “He is
alive, his heart beats. You are doing yourself great harm.”

But she wished to die with her lover: “O my darling! if you must go, take
me, take me with you. I will lay myself on your heart, I will clasp you
so tightly with my arms that they shall be joined to yours, and then we
must needs be buried together. Yes, yes, we shall be dead, and we shall
be wedded all the same--wedded in death! I promised that I would belong
to none but you, and I will be yours in spite of everything, even in the
grave. O my darling, open your eyes, open your mouth, kiss me if you
don’t want me to die as soon as you are dead!”

A blaze of wild passion, full of blood and fire, had passed through that
mournful chamber with old, sleepy walls. But tears were now overcoming
Benedetta, and big gasping sobs at last threw her, blinded and
strengthless, on the edge of the bed. And fortunately an end was put to
the terrible scene by the arrival of the doctor whom Victorine had
fetched.

Doctor Giordano was a little old man of over sixty, with white curly
hair, and fresh-looking, clean-shaven countenance. By long practice among
Churchmen he had acquired the paternal appearance and manner of an
amiable prelate. And he was said to be a very worthy man, tending the
poor for nothing, and displaying ecclesiastical reserve and discretion in
all delicate cases. For thirty years past the whole Boccanera family,
children, women, and even the most eminent Cardinal himself, had in all
cases of sickness been placed in the hands of this prudent practitioner.
Lighted by Victorine and helped by Pierre, he undressed Dario, who was
roused from his swoon by pain; and after examining the wound he declared
with a smile that it was not at all dangerous. The young Prince would at
the utmost have to spend three weeks in bed, and no complications were to
be feared. Then, like all the doctors of Rome, enamoured of the fine
thrusts and cuts which day by day they have to dress among chance
patients of the lower classes, he complacently lingered over the wound,
doubtless regarding it as a clever piece of work, for he ended by saying
to the Prince in an undertone: “That’s what we call a warning. The man
didn’t want to kill, the blow was dealt downwards so that the knife might
slip through the flesh without touching the bone. Ah! a man really needs
to be skilful to deal such a stab; it was very neatly done.”

“Yes, yes,” murmured Dario, “he spared me; had he chosen he could have
pierced me through.”

Benedetta did not hear. Since the doctor had declared the case to be free
from danger, and had explained that the fainting fits were due to nervous
shock, she had fallen in a chair, quite prostrated. Gradually, however,
some gentle tears coursed from her eyes, bringing relief after her
frightful despair, and then, rising to her feet, she came and kissed
Dario with mute and passionate delight.

“I say, my dear doctor,” resumed the Prince, “it’s useless for people to
know of this. It’s so ridiculous. Nobody has seen anything, it seems,
excepting Monsieur l’Abbe, whom I ask to keep the matter secret. And in
particular I don’t want anybody to alarm the Cardinal or my aunt, or
indeed any of our friends.”

Doctor Giordano indulged in one of his placid smiles. “_Bene, bene_,”
 said he, “that’s natural; don’t worry yourself. We will say that you have
had a fall on the stairs and have dislocated your shoulder. And now that
the wound is dressed you must try to sleep, and don’t get feverish. I
will come back to-morrow morning.”

That evening of excitement was followed by some very tranquil days, and a
new life began for Pierre, who at first remained indoors, reading and
writing, with no other recreation than that of spending his afternoons in
Dario’s room, where he was certain to find Benedetta. After a somewhat
intense fever lasting for eight and forty hours, cure took its usual
course, and the story of the dislocated shoulder was so generally
believed, that the Cardinal insisted on Donna Serafina departing from her
habits of strict economy, to have a second lantern lighted on the landing
in order that no such accident might occur again. And then the monotonous
peacefulness was only disturbed by a final incident, a threat of trouble,
as it were, with which Pierre found himself mixed up one evening when he
was lingering beside the convalescent patient.

Benedetta had absented herself for a few minutes, and as Victorine, who
had brought up some broth, was leaning towards the Prince to take the
empty cup from him, she said in a low voice: “There’s a girl, Monsieur,
La Pierina, who comes here every day, crying and asking for news of you.
I can’t get rid of her, she’s always prowling about the place, so I
thought it best to tell you of it.”

Unintentionally, Pierre heard her and understood everything. Dario, who
was looking at him, at once guessed his thoughts, and without answering
Victorine exclaimed: “Yes, Abbe, it was that brute Tito! How idiotic,
eh?” At the same time, although the young man protested that he had done
nothing whatever for the girl’s brother to give him such a “warning,” he
smiled in an embarrassed way, as if vexed and even somewhat ashamed of
being mixed up in an affair of the kind. And he was evidently relieved
when the priest promised that he would see the girl, should she come
back, and make her understand that she ought to remain at home.

“It was such a stupid affair!” the Prince repeated, with an exaggerated
show of anger. “Such things are not of our times.”

But all at once he ceased speaking, for Benedetta entered the room. She
sat down again beside her dear patient, and the sweet, peaceful evening
then took its course in the old sleepy chamber, the old, lifeless palace,
whence never a sound arose.

When Pierre began to go out again he at first merely took a brief airing
in the district. The Via Giulia interested him, for he knew how splendid
it had been in the time of Julius II, who had dreamt of lining it with
sumptuous palaces. Horse and foot races then took place there during the
carnival, the Palazzo Farnese being the starting-point, and the Piazza of
St. Peter’s the goal. Pierre had also lately read that a French
ambassador, D’Estree, Marquis de Coure, had resided at the Palazzo
Sacchetti, and in 1638 had given some magnificent entertainments in
honour of the birth of the Dauphin,* when on three successive days there
had been racing from the Ponte Sisto to San Giovanni dei Fiorentini
amidst an extraordinary display of sumptuosity: the street being strewn
with flowers, and rich hangings adorning every window. On the second
evening there had been fireworks on the Tiber, with a machine
representing the ship Argo carrying Jason and his companions to the
recovery of the Golden Fleece; and, on another occasion, the Farnese
fountain, the Mascherone, had flowed with wine. Nowadays, however, all
was changed. The street, bright with sunshine or steeped in shadow
according to the hour, was ever silent and deserted. The heavy, ancient
palatial houses, their old doors studded with plates and nails, their
windows barred with huge iron gratings, always seemed to be asleep, whole
storeys showing nothing but closed shutters as if to keep out the
daylight for evermore. Now and again, when a door was open, you espied
deep vaults, damp, cold courts, green with mildew, and encompassed by
colonnades like cloisters. Then, in the outbuildings of the mansions, the
low structures which had collected more particularly on the side of the
Tiber, various small silent shops had installed themselves. There was a
baker’s, a tailor’s, and a bookbinder’s, some fruiterers’ shops with a
few tomatoes and salad plants set out on boards, and some wine-shops
which claimed to sell the vintages of Frascati and Genzano, but whose
customers seemed to be dead. Midway along the street was a modern prison,
whose horrid yellow wall in no wise enlivened the scene, whilst,
overhead, a flight of telegraph wires stretched from the arcades of the
Farnese palace to the distant vista of trees beyond the river. With its
infrequent traffic the street, even in the daytime, was like some
sepulchral corridor where the past was crumbling into dust, and when
night fell its desolation quite appalled Pierre. You did not meet a soul,
you did not see a light in any window, and the glimmering gas lamps, few
and far between, seemed powerless to pierce the gloom. On either hand the
doors were barred and bolted, and not a sound, not a breath came from
within. Even when, after a long interval, you passed a lighted wine-shop,
behind whose panes of frosted glass a lamp gleamed dim and motionless,
not an exclamation, not a suspicion of a laugh ever reached your ear.
There was nothing alive save the two sentries placed outside the prison,
one before the entrance and the other at the corner of the right-hand
lane, and they remained erect and still, coagulated, as it were, in that
dead street.

  * Afterwards Louis XIV.--Trans.

Pierre’s interest, however, was not merely confined to the Via Giulia; it
extended to the whole district, once so fine and fashionable, but now
fallen into sad decay, far removed from modern life, and exhaling a faint
musty odour of monasticism. Towards San Giovanni dei Fiorentini, where
the new Corso Vittorio Emanuele has ripped up every olden district, the
lofty five-storeyed houses with their dazzling sculptured fronts
contrasted violently with the black sunken dwellings of the neighbouring
lanes. In the evening the globes of the electric lamps on the Corso shone
out with such dazzling whiteness that the gas lamps of the Via Giulia and
other streets looked like smoky lanterns. There were several old and
famous thoroughfares, the Via Banchi Vecchi, the Via del Pellegrino, the
Via di Monserrato, and an infinity of cross-streets which intersected and
connected the others, all going towards the Tiber, and for the most part
so narrow that vehicles scarcely had room to pass. And each street had
its church, a multitude of churches all more or less alike, highly
decorated, gilded, and painted, and open only at service time when they
were full of sunlight and incense. In the Via Giulia, in addition to San
Giovanni dei Fiorentini, San Biagio della Pagnotta, San Eligio degli
Orefici, and three or four others, there was the so-called Church of the
Dead, Santa Maria dell’ Orazione; and this church, which is at the lower
end behind the Farnese palace, was often visited by Pierre, who liked to
dream there of the wild life of Rome, and of the pious brothers of the
Confraternita della Morte, who officiate there, and whose mission is to
search for and bury such poor outcasts as die in the Campagna. One
evening he was present at the funeral of two unknown men, whose bodies,
after remaining unburied for quite a fortnight, had been discovered in a
field near the Appian Way.

However, Pierre’s favourite promenade soon became the new quay of the
Tiber beyond the Palazzo Boccanera. He had merely to take the narrow lane
skirting the mansion to reach a spot where he found much food for
reflection. Although the quay was not yet finished, the work seemed to be
quite abandoned. There were heaps of rubbish, blocks of stone, broken
fences, and dilapidated tool-sheds all around. To such a height had it
been necessary to carry the quay walls--designed to protect the city from
floods, for the river bed has been rising for centuries past--that the
old terrace of the Boccanera gardens, with its double flight of steps to
which pleasure boats had once been moored, now lay in a hollow,
threatened with annihilation whenever the works should be finished. But
nothing had yet been levelled; the soil, brought thither for making up
the bank, lay as it had fallen from the carts, and on all sides were pits
and mounds interspersed with the abandoned building materials. Wretched
urchins came to play there, workmen without work slept in the sunshine,
and women after washing ragged linen spread it out to dry upon the
stones. Nevertheless the spot proved a happy, peaceful refuge for Pierre,
one fruitful in inexhaustible reveries when for hours at a time he
lingered gazing at the river, the quays, and the city, stretching in
front of him and on either hand.

At eight in the morning the sun already gilded the vast opening. On
turning to the left he perceived the roofs of the Trastevere, of a misty,
bluish grey against the dazzling sky. Then, just beyond the apse of San
Giovanni, on the right, the river curved, and on its other bank the
poplars of the Ospedale di Santo Spirito formed a green curtain, while
the castle of Sant’ Angelo showed brightly in the distance. But Pierre’s
eyes dwelt more particularly on the bank just in front of him, for there
he found some lingering vestiges of old Rome. On that side indeed between
the Ponte Sisto and the Ponte Sant’ Angelo, the quays, which were to
imprison the river within high, white, fortress-like walls, had not yet
been raised, and the bank with its remnants of the old papal city
conjured up an extraordinary vision of the middle ages. The houses,
descending to the river brink, were cracked, scorched, rusted by
innumerable burning summers, like so many antique bronzes. Down below
there were black vaults into which the water flowed, piles upholding
walls, and fragments of Roman stone-work plunging into the river bed;
then, rising from the shore, came steep, broken stairways, green with
moisture, tiers of terraces, storeys with tiny windows pierced here and
their in hap-hazard fashion, houses perched atop of other houses, and the
whole jumbled together with a fantastic commingling of balconies and
wooden galleries, footbridges spanning courtyards, clumps of trees
growing apparently on the very roofs, and attics rising from amidst pinky
tiles. The contents of a drain fell noisily into the river from a worn
and soiled gorge of stone; and wherever the houses stood back and the
bank appeared, it was covered with wild vegetation, weeds, shrubs, and
mantling ivy, which trailed like a kingly robe of state. And in the glory
of the sun the wretchedness and dirt vanished, the crooked, jumbled
houses seemed to be of gold, draped with the purple of the red petticoats
and the dazzling white of the shifts which hung drying from their
windows; while higher still, above the district, the Janiculum rose into
all the luminary’s dazzlement, uprearing the slender profile of Sant’
Onofrio amidst cypresses and pines.

Leaning on the parapet of the quay wall, Pierre sadly gazed at the Tiber
for hours at a time. Nothing could convey an idea of the weariness of
those old waters, the mournful slowness of their flow along that
Babylonian trench where they were confined within huge, bare, livid
prison-like walls. In the sunlight their yellowness was gilded, and the
faint quiver of the current brought ripples of green and blue; but as
soon as the shade spread over it the stream became opaque like mud, so
turbid in its venerable old age that it no longer even gave back a
reflection of the houses lining it. And how desolate was its abandonment,
what a stream of silence and solitude it was! After the winter rains it
might roll furiously and threateningly, but during the long months of
bright weather it traversed Rome without a sound, and Pierre could remain
there all day long without seeing either a skiff or a sail. The two or
three little steam-boats which arrived from the coast, the few tartanes
which brought wine from Sicily, never came higher than the Aventine,
beyond which there was only a watery desert in which here and there, at
long intervals, a motionless angler let his line dangle. All that Pierre
ever saw in the way of shipping was a sort of ancient, covered pinnace, a
rotting Noah’s ark, moored on the right beside the old bank, and he
fancied that it might be used as a washhouse, though on no occasion did
he see any one in it. And on a neck of mud there also lay a stranded boat
with one side broken in, a lamentable symbol of the impossibility and the
relinquishment of navigation. Ah! that decay of the river, that decay of
father Tiber, as dead as the famous ruins whose dust he is weary of
laving! And what an evocation! all the centuries of history, so many
things, so many men, that those yellow waters have reflected till, full
of lassitude and disgust, they have grown heavy, silent and deserted,
longing only for annihilation.

One morning on the river bank Pierre found La Pierina standing behind an
abandoned tool-shed. With her neck extended, she was looking fixedly at
the window of Dario’s room, at the corner of the quay and the lane.
Doubtless she had been frightened by Victorine’s severe reception, and
had not dared to return to the mansion; but some servant, possibly, had
told her which was the young Prince’s window, and so she now came to this
spot, where without wearying she waited for a glimpse of the man she
loved, for some sign of life and salvation, the mere hope of which made
her heart leap. Deeply touched by the way in which she hid herself, all
humility and quivering with adoration, the priest approached her, and
instead of scolding her and driving her away as he had been asked to do,
spoke to her in a gentle, cheerful manner, asking her for news of her
people as though nothing had happened, and at last contriving to mention
Dario’s name in order that she might understand that he would be up and
about again within a fortnight. On perceiving Pierre, La Pierina had
started with timidity and distrust as if anxious to flee; but when she
understood him, tears of happiness gushed from her eyes, and with a
bright smile she kissed her hand to him, calling: “_Grazie, grazie_,
thanks, thanks!” And thereupon she darted away, and he never saw her
again.

On another morning at an early hour, as Pierre was going to say mass at
Santa Brigida on the Piazza Farnese, he was surprised to meet Benedetta
coming out of the church and carrying a small phial of oil. She evinced
no embarrassment, but frankly told him that every two or three days she
went thither to obtain from the beadle a few drops of the oil used for
the lamp that burnt before an antique wooden statue of the Madonna, in
which she had perfect confidence. She even confessed that she had never
had confidence in any other Madonna, having never obtained anything from
any other, though she had prayed to several of high repute, Madonnas of
marble and even of silver. And so her heart was full of ardent devotion
for the holy image which refused her nothing. And she declared in all
simplicity, as though the matter were quite natural and above discussion,
that the few drops of oil which she applied, morning and evening, to
Dario’s wound, were alone working his cure, so speedy a cure as to be
quite miraculous. Pierre, fairly aghast, distressed indeed to find such
childish, superstitious notions in one so full of sense and grace and
passion, did not even venture to smile.

In the evenings, when he came back from his strolls and spent an hour or
so in Dario’s room, he would for a time divert the patient by relating
what he had done and seen and thought of during the day. And when he
again ventured to stray beyond the district, and became enamoured of the
lovely gardens of Rome, which he visited as soon as they opened in the
morning in order that he might be virtually alone, he delighted the young
prince and Benedetta with his enthusiasm, his rapturous passion for the
splendid trees, the plashing water, and the spreading terraces whence the
views were so sublime. It was not the most extensive of these gardens
which the more deeply impressed his heart. In the grounds of the Villa
Borghese, the little Roman Bois de Boulogne, there were certainly some
majestic clumps of greenery, some regal avenues where carriages took a
turn in the afternoon before the obligatory drive to the Pincio; but
Pierre was more touched by the reserved garden of the villa--that villa
dazzling with marble and now containing one of the finest museums in the
world. There was a simple lawn of fine grass with a vast central basin
surmounted by a figure of Venus, nude and white; and antique fragments,
vases, statues, columns, and _sarcophagi_ were ranged symmetrically all
around the deserted, sunlit yet melancholy, sward. On returning on one
occasion to the Pincio Pierre spent a delightful morning there,
penetrated by the charm of this little nook with its scanty evergreens,
and its admirable vista of all Rome and St. Peter’s rising up afar off in
the soft limpid radiance. At the Villa Albani and the Villa Pamphili he
again came upon superb parasol pines, tall, stately, and graceful, and
powerful elm-trees with twisted limbs and dusky foliage. In the Pamphili
grounds, the elm-trees steeped the paths in a delicious half-light, the
lake with its weeping willows and tufts of reeds had a dreamy aspect,
while down below the _parterre_ displayed a fantastic floral mosaic
bright with the various hues of flowers and foliage. That which most
particularly struck Pierre, however, in this, the noblest, most spacious,
and most carefully tended garden of Rome, was the novel and unexpected
view that he suddenly obtained of St. Peter’s, whilst skirting a low
wall: a view whose symbolism for ever clung to him. Rome had completely
vanished, and between the slopes of Monte Mario and another wooded height
which hid the city, there only appeared the colossal dome which seemed to
be poised on an infinity of scattered blocks, now white, now red. These
were the houses of the Borgo, the jumbled piles of the Vatican and the
Basilica which the huge dome surmounted and annihilated, showing greyly
blue in the light blue of the heavens, whilst far away stretched a
delicate, boundless vista of the Campagna, likewise of a bluish tint.

It was, however, more particularly in the less sumptuous gardens, those
of a more homely grace, that Pierre realised that even things have souls.
Ah! that Villa Mattei on one side of the Coelius with its terraced
grounds, its sloping alleys edged with laurel, aloe, and spindle tree,
its box-plants forming arbours, its oranges, its roses, and its
fountains! Pierre spent some delicious hours there, and only found a
similar charm on visiting the Aventine, where three churches are
embowered in verdure. The little garden of Santa Sabina, the birthplace
of the Dominican order, is closed on all sides and affords no view: it
slumbers in quiescence, warm and perfumed by its orange-trees, amongst
which that planted by St. Dominic stands huge and gnarled but still laden
with ripe fruit. At the adjoining Priorato, however, the garden, perched
high above the Tiber, overlooks a vast expanse, with the river and the
buildings on either bank as far as the summit of the Janiculum. And in
these gardens of Rome Pierre ever found the same clipped box-shrubs, the
same eucalypti with white trunks and pale leaves long like hair, the same
ilex-trees squat and dusky, the same giant pines, the same black
cypresses, the same marbles whitening amidst tufts of roses, and the same
fountains gurgling under mantling ivy. Never did he enjoy more gentle,
sorrow-tinged delight than at the Villa of Pope Julius, where all the
life of a gay and sensual period is suggested by the semi-circular
porticus opening on the gardens, a porticus decorated with paintings,
golden trellis-work laden with flowers, amidst which flutter flights of
smiling Cupids. Then, on the evening when he returned from the Farnesina,
he declared that he had brought all the dead soul of ancient Rome away
with him, and it was not the paintings executed after Raffaelle’s designs
that had touched him, it was rather the pretty hall on the river side
decorated in soft blue and pink and lilac, with an art devoid of genius
yet so charming and so Roman; and in particular it was the abandoned
garden once stretching down to the Tiber, and now shut off from it by the
new quay, and presenting an aspect of woeful desolation, ravaged, bossy
and weedy like a cemetery, albeit the golden fruit of orange and citron
tree still ripened there.

And for the last time a shock came to Pierre’s heart on the lovely
evening when he visited the Villa Medici. There he was on French soil.*
And again what a marvellous garden he found with box-plants, and pines,
and avenues full of magnificence and charm! What a refuge for antique
reverie was that wood of ilex-trees, so old and so sombre, where the sun
in declining cast fiery gleams of red gold amidst the sheeny bronze of
the foliage. You ascend by endless steps, and from the crowning belvedere
on high you embrace all Rome at a glance as though by opening your arms
you could seize it in its entirety. From the villa’s dining-room,
decorated with portraits of all the artists who have successfully
sojourned there, and from the spacious peaceful library one beholds the
same splendid, broad, all-conquering panorama, a panorama of unlimited
ambition, whose infinite ought to set in the hearts of the young men
dwelling there a determination to subjugate the world. Pierre, who came
thither opposed to the principle of the “Prix de Rome,” that traditional,
uniform education so dangerous for originality, was for a moment charmed
by the warm peacefulness, the limpid solitude of the garden, and the
sublime horizon where the wings of genius seemed to flutter. Ah! how
delightful, to be only twenty and to live for three years amidst such
infinite sweetness, encompassed by the finest works of man; to say to
oneself that one is as yet too young to produce, and to reflect, and
seek, and learn how to enjoy, suffer, and love! But Pierre afterwards
reflected that this was not a fit task for youth, and that to appreciate
the divine enjoyment of such a retreat, all art and blue sky, ripe age
was needed, age with victories already gained and weariness following
upon the accomplishment of work. He chatted with some of the young
pensioners, and remarked that if those who were inclined to dreaminess
and contemplation, like those who could merely claim mediocrity,
accommodated themselves to this life cloistered in the art of the past,
on the other hand artists of active bent and personal temperament pined
with impatience, their eyes ever turned towards Paris, their souls eager
to plunge into the furnace of battle and production.

  * Here is the French Academy, where winners of the “Prix de
    Rome” in painting, sculpture, architecture, engraving, and
    music are maintained by the French Government for three
    years. The creation dates from Louis XIV.--Trans.

All those gardens of which Pierre spoke to Dario and Benedetta with so
much rapture, awoke within them the memory of the garden of the Villa
Montefiori, now a waste, but once so green, planted with the finest
orange-trees of Rome, a grove of centenarian orange-trees where they had
learnt to love one another. And the memory of their early love brought
thoughts of their present situation and their future prospects. To these
the conversation always reverted, and evening after evening Pierre
witnessed their delight, and heard them talk of coming happiness like
lovers transported to the seventh heaven. The suit for the dissolution of
Benedetta’s marriage was now assuming a more and more favourable aspect.
Guided by a powerful hand, Donna Serafina was apparently acting very
vigorously, for almost every day she had some further good news to
report. She was indeed anxious to finish the affair both for the
continuity and for the honour of the name, for on the one hand Dario
refused to marry any one but his cousin, and on the other this marriage
would explain everything and put an end to an intolerable situation. The
scandalous rumours which circulated both in the white and the black world
quite incensed her, and a victory was the more necessary as Leo XIII,
already so aged, might be snatched away at any moment, and in the
Conclave which would follow she desired that her brother’s name should
shine forth with untarnished, sovereign radiance. Never had the secret
ambition of her life, the hope that her race might give a third pope to
the Church, filled her with so much passion. It was as if she therein
sought a consolation for the harsh abandonment of Advocate Morano.
Invariably clad in sombre garb, ever active and slim, so tightly laced
that from behind one might have taken her for a young girl, she was so to
say the black soul of that old palace; and Pierre, who met her
everywhere, prowling and inspecting like a careful house-keeper, and
jealously watching over her brother the Cardinal, bowed to her in
silence, chilled to the heart by the stern look of her withered wrinkled
face in which was set the large, opiniative nose of her family. However
she barely returned his bows, for she still disdained that paltry foreign
priest, and only tolerated him in order to please Monsignor Nani and
Viscount Philibert de la Choue.

A witness every evening of the anxious delight and impatience of
Benedetta and Dario, Pierre by degrees became almost as impassioned as
themselves, as desirous for an early solution. Benedetta’s suit was about
to come before the Congregation of the Council once more. Monsignor
Palma, the defender of the marriage, had demanded a supplementary inquiry
after the favourable decision arrived at in the first instance by a bare
majority of one vote--a majority which the Pope would certainly not have
thought sufficient had he been asked for his ratification. So the
question now was to gain votes among the ten cardinals who formed the
Congregation, to persuade and convince them, and if possible ensure an
almost unanimous pronouncement. The task was arduous, for, instead of
facilitating matters, Benedetta’s relationship to Cardinal Boccanera
raised many difficulties, owing to the intriguing spirit rife at the
Vatican, the spite of rivals who, by perpetuating the scandal, hoped to
destroy Boccanera’s chance of ever attaining to the papacy. Every
afternoon, however, Donna Serafina devoted herself to the task of winning
votes under the direction of her confessor, Father Lorenza, whom she saw
daily at the Collegio Germanico, now the last refuge of the Jesuits in
Rome, for they have ceased to be masters of the Gesu. The chief hope of
success lay in Prada’s formal declaration that he would not put in an
appearance. The whole affair wearied and irritated him; the imputations
levelled against him as a man, seemed to him supremely odious and
ridiculous; and he no longer even took the trouble to reply to the
assignations which were sent to him. He acted indeed as if he had never
been married, though deep in his heart the wound dealt to his passion and
his pride still lingered, bleeding afresh whenever one or another of the
scandalous rumours in circulation reached his ears. However, as their
adversary desisted from all action, one can understand that the hopes of
Benedetta and Dario increased, the more so as hardly an evening passed
without Donna Serafina telling them that she believed she had gained the
support of another cardinal.

But the man who terrified them all was Monsignor Palma, whom the
Congregation had appointed to defend the sacred ties of matrimony. His
rights and privileges were almost unlimited, he could appeal yet again,
and in any case would make the affair drag on as long as it pleased him.
His first report, in reply to Morano’s memoir, had been a terrible blow,
and it was now said that a second one which he was preparing would prove
yet more pitiless, establishing as a fundamental principle of the Church
that it could not annul a marriage whose nonconsummation was purely and
simply due to the action of the wife in refusing obedience to her
husband. In presence of such energy and logic, it was unlikely that the
cardinals, even if sympathetic, would dare to advise the Holy Father to
dissolve the marriage. And so discouragement was once more overcoming
Benedetta when Donna Serafina, on returning from a visit to Monsignor
Nani, calmed her somewhat by telling her that a mutual friend had
undertaken to deal with Monsignor Palma. However, said she, even if they
succeeded, it would doubtless cost them a large sum.

Monsignor Palma, a theologist expert in all canonical affairs, and a
perfectly honest man in pecuniary matters, had met with a great
misfortune in his life. He had a niece, a poor and lovely girl, for whom,
unhappily, in his declining years he conceived an insensate passion, with
the result that to avoid a scandal he was compelled to marry her to a
rascal who now preyed upon her and even beat her. And the prelate was now
passing through a fearful crisis, weary of reducing himself to beggary,
and indeed no longer having the money necessary to extricate his nephew
by marriage from a very nasty predicament, the result of cheating at
cards. So the idea was to save the young man by a considerable pecuniary
payment, and then to procure him employment without asking aught of his
uncle, who, as if offering complicity, came in tears one evening, when
night had fallen, to thank Donna Serafina for her exceeding goodness.

Pierre was with Dario that evening when Benedetta entered the room,
laughing and joyfully clapping her bands. “It’s done, it’s done!” she
said, “he has just left aunt, and vowed eternal gratitude to her. He will
now be obliged to show himself amiable.”

However Dario distrustfully inquired: “But was he made to sign anything,
did he enter into a formal engagement?”

“Oh! no; how could one do that? It’s such a delicate matter,” replied
Benedetta. “But people say that he is a very honest man.” Nevertheless,
in spite of these words, she herself became uneasy. What if Monsignor
Palma should remain incorruptible in spite of the great service which had
been rendered him? Thenceforth this idea haunted them, and their suspense
began once more.

Dario, eager to divert his mind, was imprudent enough to get up before he
was perfectly cured, and, his wound reopening, he was obliged to take to
his bed again for a few days. Every evening, as previously, Pierre strove
to enliven him with an account of his strolls. The young priest was now
getting bolder, rambling in turn through all the districts of Rome, and
discovering the many “classical” curiosities catalogued in the
guide-books. One evening he spoke with a kind of affection of the
principal squares of the city which he had first thought commonplace, but
which now seemed to him very varied, each with original features of its
own. There was the noble Piazza del Popolo of such monumental symmetry
and so full of sunlight; there was the Piazza di Spagna, the lively
meeting-place of foreigners, with its double flight of a hundred and
thirty steps gilded by the sun; there was the vast Piazza Colonna, always
swarming with people, and the most Italian of all the Roman squares from
the presence of the idle, careless crowd which ever lounged round the
column of Marcus Aurelius as if waiting for fortune to fall from heaven;
there was also the long and regular Piazza Navona, deserted since the
market was no longer held there, and retaining a melancholy recollection
of its former bustling life; and there was the Campo dei Fiori, which was
invaded each morning by the tumultuous fruit and vegetable markets, quite
a plantation of huge umbrellas sheltering heaps of tomatoes, pimentoes,
and grapes amidst a noisy stream of dealers and housewives. Pierre’s
great surprise, however, was the Piazza del Campidoglio--the “Square of
the Capitol”--which to him suggested a summit, an open spot overlooking
the city and the world, but which he found to be small and square, and on
three sides enclosed by palaces, whilst on the fourth side the view was
of little extent.* There are no passers-by there; visitors usually come
up by a flight of steps bordered by a few palm-trees, only foreigners
making use of the winding carriage-ascent. The vehicles wait, and the
tourists loiter for a while with their eyes raised to the admirable
equestrian statue of Marcus Aurelius, in antique bronze, which occupies
the centre of the piazza. Towards four o’clock, when the sun gilds the
left-hand palace, and the slender statues of its entablature show vividly
against the blue sky, you might think yourself in some warm cosy square
of a little provincial town, what with the women of the neighbourhood who
sit knitting under the arcade, and the bands of ragged urchins who
disport themselves on all sides like school-boys in a playground.

  * The Piazza del Campidoglio is really a depression between the
    Capitolium proper and the northern height called the Arx. It is
    supposed to have been the exact site of Romulus’s traditional
    Asylum.--Trans.

Then, on another evening Pierre told Benedetta and Dario of his
admiration for the Roman fountains, for in no other city of the world
does water flow so abundantly and magnificently in fountains of bronze
and marble, from the boat-shaped Fontana della Barcaccia on the Piazza di
Spagna, the Triton on the Piazza Barberini, and the Tortoises which give
their name to the Piazza delle Tartarughe, to the three fountains of the
Piazza Navona where Bernini’s vast central composition of rock and
river-gods rises so triumphantly, and to the colossal and pompous
fountain of Trevi, where King Neptune stands on high attended by lofty
figures of Health and Fruitfulness. And on yet another evening Pierre
came home quite pleased, relating that he had at last discovered why it
was that the old streets around the Capitol and along the Tiber seemed to
him so strange: it was because they had no footways, and pedestrians,
instead of skirting the walls, invariably took the middle of the road,
leisurely wending their way among the vehicles. Pierre was very fond of
those old districts with their winding lanes, their tiny squares so
irregular in shape, and their huge square mansions swamped by a
multitudinous jumble of little houses. He found a charm, too, in the
district of the Esquiline, where, besides innumerable flights of
ascending steps, each of grey pebbles edged with white stone, there were
sudden sinuous slopes, tiers of terraces, seminaries and convents,
lifeless, with their windows ever closed, and lofty, blank walls above
which a superb palm-tree would now and again soar into the spotless blue
of the sky. And on yet another evening, having strolled into the Campagna
beside the Tiber and above the Ponte Molle, he came back full of
enthusiasm for a form of classical art which hitherto he had scarcely
appreciated. Along the river bank, however, he had found the very scenery
that Poussin so faithfully depicted: the sluggish, yellow stream fringed
with reeds; low riven cliffs, whose chalky whiteness showed against the
ruddy background of a far-stretching, undulating plain, bounded by blue
hills; a few spare trees with a ruined porticus opening on to space atop
of the bank, and a line of pale-hued sheep descending to drink, whilst
the shepherd, with an elbow resting on the trunk of an ilex-tree, stood
looking on. It was a special kind of beauty, broad and ruddy, made up of
nothing, sometimes simplified into a series of low, horizontal lines, but
ever ennobled by the great memories it evoked: the Roman legions marching
along the paved highways across the bare Campagna; the long slumber of
the middle ages; and then the awakening of antique nature in the midst of
Catholicism, whereby, for the second time, Rome became ruler of the
world.

One day when Pierre came back from seeing the great modern cemetery, the
Campo Verano, he found Celia, as well as Benedetta, by the side of
Dario’s bed. “What, Monsieur l’Abbe!” exclaimed the little Princess when
she learnt where he had been; “it amuses you to visit the dead?”

“Oh those Frenchmen,” remarked Dario, to whom the mere idea of a cemetery
was repulsive; “those Frenchmen seem to take a pleasure in making their
lives wretched with their partiality for gloomy scenes.”

“But there is no escaping the reality of death,” gently replied Pierre;
“the best course is to look it in the face.”

This made the Prince quite angry. “Reality, reality,” said he, “when
reality isn’t pleasant I don’t look at it; I try never to think of it
even.”

In spite of this rejoinder, Pierre, with his smiling, placid air, went on
enumerating the things which had struck him: first, the admirable manner
in which the cemetery was kept, then the festive appearance which it
derived from the bright autumn sun, and the wonderful profusion in which
marble was lavished in slabs, statues, and chapels. The ancient atavism
had surely been at work, the sumptuous mausoleums of the Appian Way had
here sprung up afresh, making death a pretext for the display of pomp and
pride. In the upper part of the cemetery the Roman nobility had a
district of its own, crowded with veritable temples, colossal statues,
groups of several figures; and if at times the taste shown in these
monuments was deplorable, it was none the less certain that millions had
been expended on them. One charming feature of the place, said Pierre,
was that the marbles, standing among yews and cypresses were remarkably
well preserved, white and spotless; for, if the summer sun slowly gilded
them, there were none of those stains of moss and rain which impart an
aspect of melancholy decay to the statues of northern climes.

Touched by the discomfort of Dario, Benedetta, hitherto silent, ended by
interrupting Pierre. “And was the hunt interesting?” she asked, turning
to Celia.

The little Princess had been taken by her mother to see a fox-hunt, and
had been speaking of it when the priest entered the room.

“Yes, it was very interesting, my dear,” she replied; “the meet was at
noon near the tomb of Caecilia Metella, where a buffet had been arranged
under a tent. And there was such a number of people--the foreign colony,
the young men of the embassies, and some officers, not to mention
ourselves--all the men in scarlet and a great many ladies in habits. The
‘throw-off’ was at one o’clock, and the gallop lasted more than two hours
and a half, so that the fox had a very long run. I wasn’t able to follow,
but all the same I saw some extraordinary things--a great wall which the
whole hunt had to leap, and then ditches and hedges--a mad race indeed in
the rear of the hounds. There were two accidents, but nothing serious;
one gentleman, who was unseated, sprained his wrist badly, and another
broke his leg.” *

  * The Roman Hunt, which counts about one hundred subscribers,
    has flourished since 1840. There is a kennel of English
    hounds, an English huntsman and whip, and a stable of
    English hunters.--Trans.

Dario had listened to Celia with passionate interest, for fox-hunting is
one of the great pleasures of Rome, and the Campagna, flat and yet
bristling with obstacles, is certainly well adapted to the sport. “Ah!”
 said the young Prince in a despairing tone, “how idiotic it is to be
riveted to this room! I shall end by dying of _ennui_!”

Benedetta contented herself with smiling; neither reproach nor expression
of sadness came from her at this candid display of egotism. Her own
happiness at having him all to herself in the room where she nursed him
was great indeed; still her love, at once full of youth and good sense,
included a maternal element, and she well understood that he hardly
amused himself, deprived as he was of his customary pleasures and severed
from his friends, few of whom he was willing to receive, for he feared
that they might think the story of the dislocated shoulder suspicious. Of
course there were no more _fetes_, no more evenings at the theatre, no
more flirtations. But above everything else Dario missed the Corso, and
suffered despairingly at no longer seeing or learning anything by
watching the procession of Roman society from four to five each
afternoon. Accordingly, as soon as an intimate called, there were endless
questions: Had the visitor seen so and so? Had such a one reappeared? How
had a certain friend’s love affair ended? Was any new adventure setting
the city agog? And so forth; all the petty frivolities, nine days’
wonders, and puerile intrigues in which the young Prince had hitherto
expended his manly energy.

After a pause Celia, who was fond of coming to him with innocent gossip,
fixed her candid eyes on him--the fathomless eyes of an enigmatical
virgin, and resumed: “How long it takes to set a shoulder right!”

Had she, child as she was, with love her only business, divined the
truth? Dario in his embarrassment glanced at Benedetta, who still smiled.
However, the little Princess was already darting to another subject: “Ah!
you know, Dario, at the Corso yesterday I saw a lady--” Then she stopped
short, surprised and embarrassed that these words should have escaped
her. However, in all bravery she resumed like one who had been a friend
since childhood, sharing many a little love secret: “Yes, a very pretty
person whom you know. Well, she had a bouquet of white roses with her all
the same.”

At this Benedetta indulged in a burst of frank merriment, and Dario,
still looking at her, also laughed. She had twitted him during the early
days because no young woman ever sent to make inquiries about him. For
his part, he was not displeased with the rupture, for the continuance of
the connection might have proved embarrassing; and so, although his
vanity may have been slightly hurt, the news that he was already replaced
in La Tonietta’s affections was welcome rather than otherwise. “Ah!” he
contented himself with saying, “the absent are always in the wrong.”

“The man one loves is never absent,” declared Celia with her grave,
candid air.

However, Benedetta had stepped up to the bed to raise the young man’s
pillows: “Never mind, Dario _mio_,” said she, “all those things are over;
I mean to keep you, and you will only have me to love.”

He gave her a passionate glance and kissed her hair. She spoke the truth:
he had never loved any one but her, and she was not mistaken in her
anticipation of keeping him always to herself alone, as soon as they
should be wedded. To her great delight, since she had been nursing him he
had become quite childish again, such as he had been when she had learnt
to love him under the orange-trees of the Villa Montefiori. He retained a
sort of puerility, doubtless the outcome of impoverished blood, that
return to childhood which one remarks amongst very ancient races; and he
toyed on his bed with pictures, gazed for hours at photographs, which
made him laugh. Moreover, his inability to endure suffering had yet
increased; he wished Benedetta to be gay and sing, and amused her with
his petty egotism which led him to dream of a life of continual joy with
her. Ah! how pleasant it would be to live together and for ever in the
sunlight, to do nothing and care for nothing, and even if the world
should crumble somewhere to heed it not!

“One thing which greatly pleases me,” suddenly said the young Prince, “is
that Monsieur l’Abbe has ended by falling in love with Rome.”

Pierre admitted it with a good grace.

“We told you so,” remarked Benedetta. “A great deal of time is needed for
one to understand and love Rome. If you had only stayed here for a
fortnight you would have gone off with a deplorable idea of us, but now
that you have been here for two full months we are quite at ease, for you
will never think of us without affection.”

She looked exceedingly charming as she spoke these words, and Pierre
again bowed. However, he had already given thought to the phenomenon, and
fancied he could explain it. When a stranger comes to Rome he brings with
him a Rome of his own, a Rome such as he dreams of, so ennobled by
imagination that the real Rome proves a terrible disenchantment. And so
it is necessary to wait for habituation, for the mediocrity of the
reality to soften, and for the imagination to have time to kindle again,
and only behold things such as they are athwart the prodigious splendour
of the past.

However, Celia had risen and was taking leave. “Good-bye, dear,” she
said; “I hope the wedding will soon take place. You know, Dario, that I
mean to be betrothed before the end of the month. Oh yes, I intend to
make my father give a grand entertainment. And how nice it would be if
the two weddings could take place at the same time!”

Two days later, after a long ramble through the Trastevere district,
followed by a visit to the Palazzo Farnese, Pierre felt that he could at
last understand the terrible, melancholy truth about Rome. He had several
times already strolled through the Trastevere, attracted towards its
wretched denizens by his compassion for all who suffered. Ah! that
quagmire of wretchedness and ignorance! He knew of abominable nooks in
the faubourgs of Paris, frightful “rents” and “courts” where people
rotted in heaps, but there was nothing in France to equal the listless,
filthy stagnation of the Trastevere. On the brightest days a dank gloom
chilled the sinuous, cellar-like lanes, and the smell of rotting
vegetables, rank oil, and human animality brought on fits of nausea.
Jumbled together in a confusion which artists of romantic turn would
admire, the antique, irregular houses had black, gaping entrances diving
below ground, outdoor stairways conducting to upper floors, and wooden
balconies which only a miracle upheld. There were crumbling fronts,
shored up with beams; sordid lodgings whose filth and bareness could be
seen through shattered windows; and numerous petty shops, all the
open-air cook-stalls of a lazy race which never lighted a fire at home:
you saw frying-shops with heaps of polenta, and fish swimming in stinking
oil, and dealers in cooked vegetables displaying huge turnips, celery,
cauliflowers, and spinach, all cold and sticky. The butcher’s meat was
black and clumsily cut up; the necks of the animals bristled with bloody
clots, as though the heads had simply been torn away. The baker’s loaves,
piled on planks, looked like little round paving stones; at the beggarly
greengrocers’ merely a few pimentoes and fir-apples were shown under the
strings of dry tomatoes which festooned the doorways; and the only shops
which were at all attractive were those of the pork butchers with their
salted provisions and their cheese, whose pungent smell slightly
attenuated the pestilential reek of the gutters. Lottery offices,
displaying lists of winning numbers, alternated with wine-shops, of which
latter there was a fresh one every thirty yards with large inscriptions
setting forth that the best wines of Genzano, Marino, and Frascati were
to be found within. And the whole district teemed with ragged, grimy
denizens, children half naked and devoured by vermin, bare-headed,
gesticulating and shouting women, whose skirts were stiff with grease,
old men who remained motionless on benches amidst swarms of hungry flies;
idleness and agitation appearing on all sides, whilst cobblers sat on the
sidewalks quietly plying their trade, and little donkeys pulled carts