DfE enquiries
Central newsdesk 020 7783 8300
General enquiries 0370 000 2288
Press release
Education Minister Nick Gibb announces £18 million of additional funding to boost music education.
Music education for children will receive an £18 million funding boost Education Minister Nick Gibb announced today (22 July).
The extra £18 million will be allocated to music education, including to the national network of 123 music education hubs established in 2012. This brings the total amount of funding available to music hubs in the next financial year to over £75 million.
The additional money will bring this government’s investment in music education to around £390 million since 2012.
Music hubs were set up in 2012 as part of the National Plan for Music Education. In their first year the hubs gave nearly half a million children the opportunity to learn an instrument for the first time as well as working with almost 15,000 school choirs, orchestras and bands.
Data published by Arts Council England shows that in the 2012 to 2013 academic year, the first year of music hubs, nearly 80,000 disadvantaged pupils and more than 30,000 pupils with special educational needs took part in instrumental ensembles and choirs, demonstrating the impact of the hubs.
This extra funding will mean thousands more disadvantaged pupils will have access to music lessons and enable hubs to purchase tens of thousands more instruments.
Education Minister Nick Gibb said:
No education can be complete without the arts and music playing a central role. That is why we established music hubs to replace a patchy service and ensure every child is given the opportunity to learn an instrument.
Music hubs have made a very encouraging start - and now we want to build on that. That is why we are increasing funding by £18 million. No children should miss out on the inspiration and excitement that music can bring to their lives.
Music remains a statutory subject in the new national curriculum and we have reformed it to broaden pupils’ experiences and make it more aspirational. We’ve also seen more entries at GCSE in 2014 than the previous year, reflecting our ambition to give every child the opportunity to play and enjoy music.
Music hubs were established to make sure all children receive a high quality music education. Offering whole class free instrumental tuition and the opportunity to perform in orchestras and ensembles will help pupils develop a lifelong participation in and enjoyment of music.
Darren Henley Managing Director of Classic FM who developed the National Plan for Music Education, said:
This is great news. Music can have a huge impact on a child’s life, nurturing creative thinking and opening them up to new experiences.
I’m delighted the Department of Education is now spending even more in this vital area. Music hubs have already helped hundreds of thousands of children try a musical instrument, sing or join a choir or orchestra.
This new funding will help them give even more young people from all backgrounds the chance to appreciate all the joys music can bring.
A key objective of music hubs is to give every 5- to 18-year-old the chance to learn to play an instrument as part of whole class tuition for at least a term.
Many hubs are also subsidising instrument hire to those on low incomes so nobody’s background is a barrier to music. For example, in Hull instrument hire is for all who are having music lessons at their Music Hub. In Brighton instruments can be hired for £37 a term but families on low incomes can hire an instrument for free.
Alan Davey, CEO of Arts Council England, said:
This is very welcome news, we’re delighted at the increased opportunity it will bring to support all young people to enjoy music and develop their talents through a connected music education landscape.
The increase is recognition of the important work of music hubs to make sure that every child has the opportunity to be motivated and inspired by music.
Hubs can now plan confidently to build on their work so far with schools, local authorities and cultural organisations, to ensure a strong local music offer for children, as part of a broad and balanced curriculum.
The government has also introduced a new fairer funding formula for hubs replacing the previous outdated model which was not based on the number of pupils in the area. Now funding is allocated through a per pupil process that allocates extra money for the most deprived areas - this means funding for music education can be targeted where it is needed most.
The music curriculum, a statutory subject for all 5- to 14-year-olds, has been reformed to make it more rigorous and aspirational. From September this year, children will experience music of all kinds across a range of historical periods, understand the history of music and how to make it. For example from the age of 7 every child will be taught how to read staff notation - the language in which all the greatest works of Western classical music are written, including Mozart’s piano sonatas, Beethoven’s symphonies, and Verdi’s operas
On Wednesday 16 July proposed content for new world-class GCSE and A levels was released for consultation . The new content was developed in response to advice by subject experts and awarding organisations, including Pearson, WJEC, OCR and AQA.
The £84 million Music and Dance Scheme, which supports exceptionally talented musicians and dancers, pays the fees for young people from low-income families to learn their craft at top institutions like the Royal Ballet School, and the Purcell School, home to the winner of this year’s Young Musician of the Year competition, Martin James Bartlett.
Other government-backed programmes include In Harmony, which works in some of the country’s most deprived areas to transform the lives of children through community-based orchestral music, the National Youth Music Organisations and Music for Youth which culminates in the School Proms giving young people across the country the chance to showcase their talent on the big stage of the Royal Albert Hall.
Central newsdesk 020 7783 8300
General enquiries 0370 000 2288


States are categorized from highest rate to lowest rate. Although adjusted for differences in age-distribution and population size, rankings by state do not take into account other state specific population characteristics that may affect the level of mortality. When the number of deaths is small, rankings by state may be unreliable due to instability in death rates.


--- layout: archive title: Zulip Chat Archive permalink: /stream/113488-general/topic/Error.20creating.20new.20project.html ---
My goal is to import stuff from mathlib.
pasted image
That's the step that I get to according to the instructions:
Working on an existing package If you have not logged in type source ~/.profile. Clone the repo of the project you want to get Cd to the project folder Type leanpkg configure to get leanpkg ready python $HOME/.mathlib/bin/update-mathlib Type leanpkg build to compile everything, this will take some time. launch VScode, either through your application menu or by typing code On the main screen, or in the File menu, click "Open folder" Choose the folder lean-perfectoid-spaces (not one of its subfolders).
The long number it gives you is a commit of mathlib. On github, go to that commit to make sure that it exists
I'm creating it from scratch. Now intellisense shows that algebra.CommRing is there (in dropsown) but it results in import error still:
I followed instructions here: https://github.com/leanprover-community/mathlib/blob/master/docs/install/project.md
Now there's no error red zigzag line, however, it's taking a long time to update Messages (hasn't updated even yet)
Lean is working now, it's just updating in the bg (?)
It's working now :D
import algebra.all
I also needed to run the mk_all.sh script from where it is placed by leanpkg
{% endraw %}Last updated: Apr 24 2020 at 19:02 UTC


[gecode-users] Display the values of a set of variable without duplicates
Kemmar Amina
kemmar.amina at gmail.com
Sun May 12 14:27:50 CEST 2013
Hello,
According to the variables defined in our model (x,y,z,k), I obtained
the following solutions :
1,1,2,3
1,1,5,6
1,1,7,9
1.1,8,8
I am interested to the values of the two variable x and y, so I want to
avoid the enumeration of the three last solution in order to display
just the first solution. After the enumeration of the first solution, I
think that it is necessary to do a backtrack to the the variable x.
How can I do this?
Thanks.
More information about the users
mailing list


Master's Thesis
Object localization using deep neural networks
Author:
Piotr Przetacznik
Supervisor:
Marcin Kurdziel, PhD
Questions
- Architecture: DQN + VGG,
- Gamification: Actions and Rewards,
- Dataset: Pascal VOC,
- Implementation details: Theano, Lasagne, RMSProp, ...
Agent and environment
Action value function
$Q^*(s,a) = \max_{\pi} \mathbb{E} [R_t + \gamma r_{t+1} + \gamma^2 r_{t+2} + \dotso | s_t = s, a_t = a, \pi ]$
We've started from a publically available implementation of the DQN algorithm available in [2].
Reward function
\[
r(s_i, a_i, B_i, T) = \begin{cases}
\frac{B_i \cap T}{B_i \cup T}, & \text{if } a = \text{TERMINAL, } \frac{B_i \cap T}{B_i \cup T} \geq 0.75, \\
0, & \text{if } a = \text{TERMINAL, } \frac{B_i \cap T}{B_i \cup T} < 0.75, \\
\frac{B_i \cap T}{B_i \cup T}, & \text{if } a \neq \text{TERMINAL, } i = 0, \\
\frac{B_i \cap T}{B_i \cup T} - \frac{B_{i-1} \cap T}{B_{i-1} \cup T}, & \text{if } a \neq \text{TERMINAL, } i \neq 0.
\end{cases}
\]
Convolution Layer
Pooling Layer
Fully Connected Layer
Delivered
- Object Detection Environment,
- PASCAL VOC dataset parser,
- neural network architectures,
- analytics tools for results interpretation.
Todo
- improve reward function with more distinguishable set of actions,
- better dataset with objects of various size,
- analysis of performed actions,
- other reinforcement learning methods, eg. REINFORCE algorithm.
Bibliography
- Volodymyr Mnih, Koray Kavukcuoglu, David Silver, Andrei A. Rusu, Joel Veness, Marc G. Bellemare, Alex Graves, Martin Riedmiller, Andreas K. Fidjeland, Georg Ostrovski, Stig Petersen, Charles Beattie, Amir Sadik, Ioannis Antonoglou, Helen King, Dharshan Kumaran, Daan Wierstra, Shane Legg, and Demis Hassabis,
Human-level control through deep reinforcement learning.
Nature 518(7540):529--533 (February 2015),
- Nathan Sprague,
Theano-based implementation of deep q-learning
, 2015, [on-line] https://github.com/spragunr/deep_q_rl (visited: 12.10.2017).
- Juan C. Caicedo, Svetlana Lazebnik,
Active Object Localization with Deep Reinforcement Learning
, 2015,
- M. Everingham, L. Van Gool, C. K. I. Williams, J. Winn, and A. Zisserman,
The pascal visual object classes (voc) challenge
, International Journal of Computer Vision, 88(2):303–338, June 2010.
- Karen Simonyan and Andrew Zisserman,
Very deep convolutional networks for large-scale image recognition
, CoRR, abs/1409.1556, 2014,
- Richard S. Sutton and Andrew G. Barto,
Introduction to Reinforcement Learning
, MIT Press, Cambridge, MA, USA, 2nd edition, 2012,
CS231n Convolutional Neural Networks for Visual Recognition
, online: http://cs231n.github.io.


Answer TRUE or FALSE.
The lower bound for the cost of sequential search
is \Omega(1)
since this is the running
time of the algorithm in the best case.
Upper/lower bounds define the growth rate in a particular situation (such as worst or best case).
So the statement is badly worded.
Proper wording: The lower bound for the cost of sequential search in
the best case is \Omega(1)
.


Why do wizards need money if they could just create it?
There is legislation that decides what you can conjure and what you can not. Because things that you conjure out of thin air will not last, it is illegal in the wizarding world.
Why doesn’t Harry have a portrait of his parents?
The characters in the portraits are not actually ghosts. They mainly are there just to repeat common phrases or serve as a general representation of the individual they depict. A portrait of his parents would not be of much help to Harry.
Why is Harry considered a half-blood if both of his parents could use magic?
Because Harry’s grandparents were not able to do magic. This is generally frowned upon by those who consider themselves pure, such as the Malfoy’s or other antagonists.
Is Hogwarts the only wizarding school?
No! It has been revealed that there are actually 11 long established and prestigious schools around the globe. These include Castelobruxo in the rainforest of Brazil, Durmstrang Institute (whereas nobody is certain of it’s whereabouts), and Ilvermorny, right here in the United States.
Which book has the most pages?Where do the main characters work as adults?
Harry and Hermione are at the Ministry: he ends up leading the Auror department. Ron helps George at the joke shop and does very well. Ginny becomes a professional Quidditch player and then sportswriter for the Daily Prophet.


| 735 | (A) | than hendely I ȝowe hete he his horse askes |
| 739 | (C) | when he was a-rayde thus . his hors sone he asked |
| 731 | (D) | And he hyed hym in hast and his hors askyd |
| 710 | (E) | thanne he hyed hym in hast . & his asked |
| (Ex) | ---- no text ---- | |
| 754 | (L) | hanleþ harnays & his hors askeþ |
| 690 | (P) | Handils & has on & his hors aske? |
| 719 | (U) | And then he hyed hym in hast / and his hors asked |
| (V) | ---- no text ---- |


|
IdTool
0.4.2
A tool for inspecting and manipulating SQRL identities.
|
Represents a single identity block within the SQRL's S4 identity storage format. More...
Public Member Functions | |
| IdentityBlockItem * | getItem (QString name) |
| bool | duplicateItem (IdentityBlockItem *item) |
| bool | deleteItem (IdentityBlockItem *item) |
| bool | moveItem (IdentityBlockItem *item, bool up) |
| bool | insertItem (IdentityBlockItem item, IdentityBlockItem *after) |
| QByteArray | toByteArray () |
Public Attributes | |
| int | blockType = -1 |
| QString | description = "" |
| QString | color = "rgb(214, 201, 163)" |
| QList< IdentityBlockItem > | items |
Represents a single identity block within the SQRL's S4 identity storage format.
IdentityBlock
holds a vector of IdentityBlockItem
objects, representing a single block within the IdentityModel
.
More information SQRL's storage format can be found here: https://www.grc.com/sqrl/SQRL_Cryptography.pdf
| bool IdentityBlock::deleteItem | ( | IdentityBlockItem * | item | ) |
Deletes item from the block's item list.
Returns true
if item was found and could be deleted, or false
otherwise.
| bool IdentityBlock::duplicateItem | ( | IdentityBlockItem * | item | ) |
Duplicates item and inserts the exact copy into the block's item list right behind item.
Returns true
if item was found and could be duplicated, or false
otherwise.
| IdentityBlockItem * IdentityBlock::getItem | ( | QString | name | ) |
Returns the first IdentityBlockItem
which has its "name" property set to name, or nullptr
if such an item could not be found.
| bool IdentityBlock::insertItem | ( | IdentityBlockItem | item, |
| IdentityBlockItem * | after | ||
| ) |
Inserts item into the block's item list, placing it directly after the existing item pointed to by after.
Returns true
if after was found and item was inserted, and false
if after could not be found in the list.
| bool IdentityBlock::moveItem | ( | IdentityBlockItem * | item, |
| bool | up | ||
| ) |
Moves item one step upwards or downwards within the block's list of items (imagine a vertical index going from low index (up) to high index (down)).
If up is true
, item will be moved upwards (index -= 1), or downwards (index += 1) otherwise.
| QByteArray IdentityBlock::toByteArray | ( | ) |
Returns the raw binary representation of the identity block.


PRIVACY POLICY
Last updated March 12, 2019
Thank you for choosing to be part of our community at Mey's Aquatics (“Company”, “we”, “us”, or
“our”). We are committed to protecting your personal information and your right to privacy. If
you have any questions or concerns about our policy, or our practices with regards to your
personal information, please contact us at<EMAIL_ADDRESS>When you visit
our website www.meysaquatics.com, and use our services, you trust us with your personal
information. We take your privacy very seriously. In this privacy notice, we describe our
privacy policy. We seek to explain to you in the clearest way possible what information we
collect, how we use it and what rights you have in relation to it. We hope you take some time to
read through it carefully, as it is important. If there are any terms in this privacy policy
that you do not agree with, please discontinue use of our Sites and our services.This privacy
policy applies to all information collected through our website (such as www.meysaquatics.com),
and/or any related services, sales, marketing or events (we refer to them collectively in this
privacy policy as the "Sites"). Please read this privacy policy carefully as it will help you
make informed decisions about sharing your personal information with us.
TABLE OF CONTENTS
- WHAT INFORMATION DO WE COLLECT?

- WILL YOUR INFORMATION BE SHARED WITH ANYONE?
- WHO WILL YOUR INFORMATION BE SHARED WITH?

- HOW DO WE KEEP YOUR INFORMATION SAFE?
- DO WE COLLECT INFORMATION FROM MINORS?

- CONTROLS FOR DO-NOT-TRACK FEATURES
- DO CALIFORNIA RESIDENTS HAVE SPECIFIC PRIVACY RIGHTS?
- DO WE MAKE UPDATES TO THIS POLICY?
- HOW CAN YOU CONTACT US ABOUT THIS POLICY?
1. WHAT INFORMATION DO WE COLLECT?
Information automatically collected
In Short: Some information – such as IP address and/or browser and device characteristics – is
collected automatically when you visit our Sites.
We automatically collect certain
information when you visit, use or navigate the Sites. This information does not reveal your
specific identity (like your name or contact information) but may include device and usage
information, such as your IP address, browser and device characteristics, operating system,
language preferences, referring URLs, device name, country, location, information about how and
when you use our Sites and other technical information. This information is primarily needed to
maintain the security and operation of our Sites, and for our internal analytics and reporting
purposes.
Information collected from other sources
In Short: We may collect limited data from public databases, marketing partners, and other
outside sources.
We may obtain information about you from other sources, such as
public databases, joint marketing partners, as well as from other third parties. Examples of the
information we receive from other sources include: social media profile information; marketing
leads and search results and links, including paid listings (such as sponsored links).
2.
In Short: We process your information for purposes based on legitimate business interests, the
fulfillment of our contract with you, compliance with our legal obligations, and/or your
consent.
We use personal information collected via our Sites for a variety of
business purposes described below. We process your personal information for these purposes in
reliance on our legitimate business interests, in order to enter into or perform a contract with
you, with your consent, and/or for compliance with our legal obligations. We indicate the
specific processing grounds we rely on next to each purpose listed below. We use the
information we collect or receive:
-
Fulfill and manage your orders. We may use your information to fulfill and
manage your orders, payments, returns, and exchanges made through the Sites.
-
To protect our Sites. We may use your information as part of our efforts to
keep our Sites safe and secure (for example, for fraud monitoring and prevention).
- To enforce our terms, conditions and policies.
-
To respond to legal requests and prevent harm. If we receive a subpoena or
other legal request, we may need to inspect the data we hold to determine how to respond.
-
For other Business Purposes. We may use your information for other Business
Purposes, such as data analysis, identifying usage trends, determining the effectiveness of
our promotional campaigns and to evaluate and improve our Sites, products, services,
marketing and your experience.
3. WILL YOUR INFORMATION BE SHARED WITH ANYONE?
In Short: We only share information with your consent, to comply with laws, to protect your
rights, or to fulfill business obligations.
We may process or share data based on the following legal basis:
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Consent: We may process your data if you have given us specific consent to
use your personal information in a specific purpose.
-
Legitimate Interests: We may process your data when it is reasonably
necessary to achieve our legitimate business interests.
-
Performance of a Contract: Where we have entered into a contract with you,
we may process your personal information to fulfill the terms of our contract.
-
Legal Obligations: We may disclose your information where we are legally
required to do so in order to comply with applicable law, governmental requests, a judicial
proceeding, court order, or legal process, such as in response to a court order or a
subpoena (including in response to public authorities to meet national security or law
enforcement requirements).
-
Vital Interests: We may disclose your information where we believe it is
necessary to investigate, prevent, or take action regarding potential violations of our
policies, suspected fraud, situations involving potential threats to the safety of any
person and illegal activities, or as evidence in litigation in which we are involved.
More specifically, we may need to process your data or share your personal information in the
following situations:
-
Vendors, Consultants and Other Third-Party Service Providers. We may share
your data with third party vendors, service providers, contractors or agents who perform
services for us or on our behalf and require access to such information to do that work.
Examples include: payment processing, data analysis, email delivery, hosting services,
customer service and marketing efforts. We may allow selected third parties to use tracking
technology on the Sites, which will enable them to collect data about how you interact with
the Sites over time. This information may be used to, among other things, analyze and track
data, determine the popularity of certain content and better understand online activity.
Unless described in this Policy, we do not share, sell, rent or trade any of your
information with third parties for their promotional purposes.
-
Business Transfers. We may share or transfer your information in connection
with, or during negotiations of, any merger, sale of company assets, financing, or
acquisition of all or a portion of our business to another company.
4. WHO WILL YOUR INFORMATION BE SHARED WITH?
In Short: We only share information with the following third parties.
We only share
and disclose your information with the following third parties. We have categorized each party
so that you may be easily understand the purpose of our data collection and processing
practices. If we have processed your data based on your consent and you wish to revoke your
consent, please contact us.
-
Web and Mobile Analytics
Google Analytics
5.
In Short: We keep your information for as long as necessary to fulfill the purposes outlined in
this privacy policy unless otherwise required by law.
We will only keep your
personal information for as long as it is necessary for the purposes set out in this privacy
policy, unless a longer retention period is required or permitted by law (such as tax,
accounting or other legal requirements). No purpose in this policy will require us keeping your
personal information for longer than 1 year. When we have no ongoing legitimate business need to
process your personal information, we will either delete or anonymize it, or, if this is not
possible (for example, because your personal information has been stored in backup archives),
then we will securely store your personal information and isolate it from any further processing
until deletion is possible.
6.
In Short: We aim to protect your personal information through a system of organizational and
technical security measures.
We have implemented appropriate technical and
organizational security measures designed to protect the security of any personal information we
process. However, please also remember that we cannot guarantee that the internet itself is 100%
secure. Although we will do our best to protect your personal information, transmission of
personal information to and from our Sites is at your own risk. You should only access the
services within a secure environment.
7. DO WE COLLECT INFORMATION FROM MINORS?
In Short: We do not knowingly collect data from or market to children under 18 years of age.
We do not knowingly solicit data from or market to children under 18 years of age.
By using the Sites, you represent that you are at least 18 or that you are the parent or
guardian of such a minor and consent to such minor dependent’s use of the Sites. If we learn
that personal information from users less than 18 years of age has been collected, we will
deactivate the account and take reasonable measures to promptly delete such data from our
records. If you become aware of any data we have collected from children under age 18, please
contact us at<EMAIL_ADDRESS>8.
In Short: You may review, change, or terminate your account at any time.
If you are
resident in the European Economic Area and you believe we are unlawfully processing your
personal information, you also have the right to complain to your local data protection
supervisory authority. You can find their contact details
here: http://ec.europa.eu/justice/data-protection/bodies/authorities/index_en.htm 9.
9. CONTROLS FOR DO-NOT-TRACK FEATURES
Most web browsers and some mobile operating systems and mobile applications include a
Do-Not-Track (“DNT”) feature or setting you can activate to signal your privacy preference not
to have data about your online browsing activities monitored and collected. No uniform
technology standard for recognizing and implementing DNT signals has been finalized. As such, we
do not currently respond to DNT browser signals or any other mechanism that automatically
communicates your choice not to be tracked online. If a standard for online tracking is adopted
that we must follow in the future, we will inform you about that practice in a revised version
of this Privacy Policy.
10. DO CALIFORNIA RESIDENTS HAVE SPECIFIC PRIVACY RIGHTS?
In Short: Yes, if you are a resident of California, you are granted specific rights regarding
access to your personal information.
California Civil Code Section 1798.83, also
known as the “Shine The Light” law, permits our users who are California residents to request
and obtain from us, once a year and free of charge, information about categories of personal
information (if any) we disclosed to third parties for direct marketing purposes and the names
and addresses of all third parties with which we shared personal information in the immediately
preceding calendar year. If you are a California resident and would like to make such a request,
please submit your request in writing to us using the contact information provided below. If you
are under 18 years of age, reside in California, and have a registered account with the Sites,
you have the right to request removal of unwanted data that you publicly post on the Sites. To
request removal of such data, please contact us using the contact information provided below,
and include the email address associated with your account and a statement that you reside in
California. We will make sure the data is not publicly displayed on the Sites, but please be
aware that the data may not be completely or comprehensively removed from our systems.
11. DO WE MAKE UPDATES TO THIS POLICY?
In Short: Yes, we will update this policy as necessary to stay compliant with relevant laws.
We may update this privacy policy from time to time. The updated version will be
indicated by an updated “Revised” date and the updated version will be effective as soon as it
is accessible. If we make material changes to this privacy policy, we may notify you either by
prominently posting a notice of such changes or by directly sending you a notification. We
encourage you to review this privacy policy frequently to be informed of how we are protecting
your information.
12. HOW CAN YOU CONTACT US ABOUT THIS POLICY?
If you have questions or comments about this policy, you may email us at<EMAIL_ADDRESS>or by post to:
Mey's Aquatics
P.O. Box 1501
Bear, DE 19701
United States


Even more websites all about website templates on Just Web Templates
Music Categories
If you are looking for beautiful and professionally made templates you can find them at Template Beauty
You can remove any link to our websites from this template you're free to use the template without linking back to us.


20.6. Using Unicode with CGIIn Chapter 6, "Sequences," we introduced the use of Unicode strings. In Section 6.8.5, we gave a simple example of a script that takes a Unicode string, writing it out to a file and reading it back in. In this section, we will demonstrate a simple CGI script that has Unicode output and how to give your browser enough clues to be able to render the characters properly. The one requirement is that you must have East Asian fonts installed on your computer so that the browser can display them. To see Unicode in action we will build a CGI script to generate a multilingual Web page. First of all we define the message in a Unicode string. We assume your text editor can only enter ASCII. Therefore the non-ASCII characters are input using the \u escape. In practice the message can also be read from a file or from database. # Greeting in English, Spanish, # Chinese and Japanese. UNICODE_HELLO = u""" Hello! \u00A1Hola! \u4F60\u597D! \u3053\u3093\u306B\u3061\u306F! """ The first output the CGI generates is the content-type HTTP header. It is very important to declare here that the content is transmitted in the UTF-8 encoding so that the browser can correctly interpret it. print 'Content-type: text/html; charset=UTF-8\r' print '\r' Then output the actual message. Use the string's encode() method to translate the string into UTF-8 sequences first. print UNICODE_HELLO.encode('UTF-8') Example 20.7 shows the complete program. Example 20.7. Simple Unicode CGI Example (uniCGI.py)
If you run the CGI code from your browser, you will get output like that shown in Figure 20-13. Figure 20-13. Simple Unicode CGI demo output in Firefox (uniCGI.py) |


Fine for simple stuff
“ every class should have a single responsibility, and that responsibility should be entirely encapsulated by the class. All its services should be narrowly aligned with that responsibility ”
views
services
models
mailers
helpers
controllers
assets
presenters
validators
serializers
forms
policies
lib
workers
paginators
jobs
inputs
importers
authorizors
% ls app/services
artist_email_list_manager.rb
artist_studio_manager.rb
tag_frequency_service.rb
...
class ArtistEmailListManager
def initialize(artist)
@artist = artist
end
def add_email(email)
...
end
def remove_email(email)
...
end
end
class ArtistStudioManager
def initialize(artist)
@artist = artist
end
def assign_studio(studio)
...
end
def unassign_studio(studio)
...
end
end
class TagFrequencyService
def self.compute(model)
# compute frequency of tag usage for model
...
end
end
class ArtistRepo
def self.find_by_art(art)
...
end
def self.find_by_name_or_login(name_or_login)
...
end
end
class ArtistAssociationsManager
def initialize(artist)
@artist = artist
end
def add_email(email)
...
end
def remove_email(email)
...
end
def assign_studio(studio)
...
end
def unassign_studio(studio)
...
end
end
Mr Rogers<EMAIL_ADDRESS>bunnymatic @rcode5


Badges are a collection of small, graphic and distinct elements that have in common, that they label something or express properties of something.
All badges have the CSS class .badge
, and at least one other class in the form .is-X
, where X describes the type of the badge. You can contract these two classes to the short form .badge-X
when neccessary for operator precedence issues.
Tags are badges that allow classification of content. Often, tags are entered by your users. Tags are created with the CSS classes .badge.is-tag
.
There are two types of tags: normal tags and filled tags. Filled tags can be used for example for a group of tags, where on of them is required. Or filled tags could be categories. Filled tags have additionally the class .is-filled
(deprecated, but also valid: .is-master-tag
).
codidact
design
co-design
It's also possible to color tags, by giving them one of these classes .is-red
, .is-yellow
, .is-green
, .is-teal
or .is-muted
. This can be combined with filled tags. You can also make smaller tags with .is-small
.

Default styles

red
yellow
green
teal
muted

Filled styles

red
yellow
green
teal
muted

Small styles

red
yellow
green
teal
muted
Default styles
red yellow green teal mutedFilled styles
red yellow green teal mutedSmall styles
red yellow green teal mutedStatus badges are shown on clickable components to inform the user, that changes or new things are available or that some amount has been selected.
Create one by using the class .badge.is-status
. It can (but isn't required to) contain a number indicating the amount of changes. The badge will be styled appropriately in both cases. Don't forget to keep accessibility in mind.
<button class="button is-danger is-filled">
5
Delete selected posts
</button>
Or you could use it within a category header (here with both possible styles):

Q&A2
Wiki
Blog

Q&A

Questions
Tags
Search

Ask Question

Awards are badges that are given to users for doing good things. Often they are awarded automatically. Awards are created with the CSS classes .badge.is-award
.
It's also possible and recommended to add an icon in front of the award label.
There are three types of awards: bronze, silver and gold. They can be created with the additional classes .is-bronze
, .is-silver
and .is-gold
, respectively.
❤First Upvote
❤Second Upvote
❤Third Upvote
It's also possible to use badges to show someone's user role (for example: moderator status). These badges are created with the CSS classes .badge.is-user-role
. They can also be muted with the class .is-muted
.
mod
mod
It's also possible to use badges to show someone's user "trust level", which is a number expressing a user's trust and privilege. These badges are created with the CSS classes .badge.is-user-trust-level
. They can also be muted with the class .is-muted
.
1
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42


You’ll find this post in your _blog
directory. Go ahead and edit it and re-build the site to see your changes. You can rebuild the site in many different ways, but the most common way is to run jekyll serve --watch
, which launches a web server and auto-regenerates your site when a file is updated.
To add new posts, simply add a file in the _blog
directory that follows the convention YYYY-MM-DD-name-of-post.ext
and includes the necessary front matter. Take a look at the source for this post to get an idea about how it works.
Jekyll also offers powerful support for code snippets:
def print_hi(name)
puts "Hi, #{name}"
end
print_hi('Tom')
#=> prints 'Hi, Tom' to STDOUT.
Check out the Jekyll docs for more info on how to get the most out of Jekyll. File all bugs/feature requests at Jekyll’s GitHub repo. If you have questions, you can ask them on Jekyll’s dedicated Help repository.


THE ODD COUPLE 2
A review by Robert Strong
Starring: Jack Lemmon, Walter Matthau, Christine Baranksi, Barnard Hughes, Jonathan Silverman, Jean Smart, Lisa Waltz, Mary Beth Piel, Jay O. Sanders, and Richard Riehle.
Directed by Howard Deutch
Written by Neil Simon
Rated PG-13
***1/2 out of *****
Jack Lemmon and Walter Matthau are at it again. Their grumpy old men shtick, which was at its best in the film GRUMPY OLD MEN, gets another go round, this time with writer Neil Simon in THE ODD COUPLE 2. It's the sequel to THE ODD COUPLE, which started the whole grumpy old men thing.
Seventeen years after Oscar Madison (Matthau) has moved to Sarasota, Florida, nothing has changed. He's still a unreformable slob of a sports writer who plays poker for stakes of 30 cents with a group of old women. At one of these games, he gets a phone call from his son, Brucey. (Jonathan Silverman) Brucey has great news: he's getting married. Then he tells his dad to whom: Hannah Ungar, daughter of Oscar's old roommate, ultra neat freak Felix Ungar. (Lemmon) Time hasn't changed Felix either. He's still, in Oscar's words, "a human vacuum cleaner." The two reunite at the airport out in California to go their childrens' wedding which is in "San something"--they can't remember the last part. From there, the rest of the film is basically a road buddy movie, that depicts the various misadventures the pair gets themselves into.
A great plot? No. Are there plot holes? Yes. Do some jokes fall flat? Yes. But is it funny the great majority of the time? Undoubtedly. Neil Simon shows he still has the touch, not as powerful as it once was, perhaps, but it's still there. Lemmon and Matthau display their always great chemistry as the churn out Simon's frequently funny one-liners at one another. The situations themselves are amusing. The dance with two biker chicks and the next morning they get taken hostage by the womens' angry boyfriends. They get dusted by pesticides, arrested for hauling illegal immigrants, their car rolls down a hill and explodes, and the list goes on.
The movie's funniest moment comes when they hitch a ride with an old geezer in his antique car. They drive very slowly. So slowly, in fact, that they are soon being passed by everything imaginable. It's hilarious to watch as the car gets passed by things whose speeds get progressively slower. Then the old man dies, leading to yet another great scene where his toupee blows off and Oscar has to retrieve it.
Many people have raised the cry of "enough is enough" with regards to Lemmon and Matthau. I say, if it's done well, bring it on! And this film is done well.
THE ODD COUPLE 2 is a light, funny, inoffensive comedy with great stars and a great writer. It certainly won't win any awards or go down in history as one of the great comedies of all time, but it is still a good, fun way to spend an afternoon or evening.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Ok, well, for readers and friends you know I’ve had a funky 2 week experience. Uncle died, a separate argument with my spouse ensued, was issued a polite invitation to leave my house, resolved that a few days later (we seem to go through that every couple of years), went to Florida for a meetup, and now I’m back.
Time to get to work. I have some household and daily tasks to accomplish including fixing my car, getting my work-outs in, talking to a company my family invested in to potentially lend them some time to help them get up and running, getting a back log of posts out (I did a Boston meetup and never posted… couple of shows, some projects). I have to get caught up on Steem Monsters and see when various stages of that is ready to go.
I think I need to include continuous improvement of my marriage in the main list. We’ve had a rough go of things. I don’t think I’m the lone truther, or sole person who struggled with family death (only 2 of the 11 people in the two generations above mine still live) who has had this experience. Toss in some overextended use of alcohol and some financial roller coasters and it’s been a hell of a decade. Things seem to be mending between my wife and I, but it’s going to take work and effort. Gonna explore if it’s time to prioritize this some.
There’s a lot to do. I suppose there’s a lot of DMs to work through too. If you’ve sent me requests and I didn’t get to them in the last week or two I’m sorry.  If we’re all lucky we can couple that with some big BTC price movements, which should impact Steem and SBD as well, and we’ll be sitting pretty very soon.
Thank you for your patience. It’s time to get back to work!
Mod Forum
This Saturday is going to be a MSP-Moderator and Witness forum. Just us shooting the breeze after several of us had a weekend shooting the breeze. Should be good! 11am EST Saturday on MSP-Waves. I hope you can tune in.
This page is synchronized from the post: ‘Back in the Saddle!’


Page 4 of 6
Posted:
Wed Feb 14, 2007 12:51 pm
by 9sam1
how about very hot sword or not ice sword
also karl i do not think ej can do anything if we use some of the generic item names and stuff, honestly ive played like 10 games with mystic armor and magic gear.
Posted:
Thu Feb 15, 2007 6:20 pm
by Serenity
Lol sorry for being AWOL for so long... If you need I can find my old book and put a bunch of spells I had in it and place the names and what they are compared to xenimus. and Ill begin updating the list. with a bunch of stuffs my friends and I drew.
Posted:
Thu Feb 15, 2007 6:38 pm
by thadiusofx3
check my equipment thread serenity
Posted:
Thu Feb 15, 2007 6:40 pm
by Serenity
did and done
Posted:
Sat Feb 24, 2007 8:38 pm
by secretrk1313
A rough copy of the spirt sword that guy posted a few pages back, tell me what you want to see on it, its at 170 pollys so i dont want to go much higher
the blade is transparent
Posted:
Sun Feb 25, 2007 1:15 am
by Liberate My Sadness
umm wtf...blender isnt working for meh...i cant get the page to come up, yet i can get the tutorials to work...any1 know why that is?
Posted:
Sun Feb 25, 2007 1:31 am
by thadiusofx3
looks like the site is down, try again later
Posted:
Sun Feb 25, 2007 9:56 am
by secretrk1313
any comments on the spirit sword????
Posted:
Sun Feb 25, 2007 10:29 am
by Joe M.
the whole hilt and guard looks cartoonish. Try darkening the grey on the hilt and changing both the colour and shape of the guard.
Posted:
Sun Feb 25, 2007 12:46 pm
by Karl G.
I think it looks cartoonish because it needs texturing. Download the texture pack and try applying some:
http://unseenstudios.com/volucris/downl ... /x_tex.zip
Posted:
Sun Feb 25, 2007 1:01 pm
by secretrk1313
thanks for the critisism, also i didnt even texture the handle
its just the standard model color but i agree that it does look cartoonish.
Posted:
Sun Feb 25, 2007 9:52 pm
by secretrk1313
i didnt change the shape but retextured it, and i used textures from the pack but for the blade kept one i have found elseware
Posted:
Sun Mar 18, 2007 9:59 pm
by logitech
hey sorry i havnt been here in like 3 weeks lol, im the one who drew the sword........... i got stuck up in school with finals and new semester, hope to keep making drawings though..........
Posted:
Fri Apr 06, 2007 10:49 am
by Necromadon
This is Zappy I am on a friends account.
This same friend wanted to make the staff that tsukasa uses in .hack//sign in blender...it looks similar to LA staff, what do ya think
he also told me to post this and call it "water imp"
Posted:
Fri Apr 06, 2007 3:40 pm
by Zappy
I took off the subsurf and a few other things that I think improves its look and makes it load faster.
Posted:
Fri Apr 06, 2007 7:11 pm
by Zappy
I am requesting we have this as the start up weapon for fig types instead of the club!! i hate the club
Posted:
Fri Apr 06, 2007 7:37 pm
by Necromadon
I'm loving that la staff model. Chris, keep making new models!
A+ for niceness though
Posted:
Fri Apr 06, 2007 10:59 pm
by Zappy
Thank you
Posted:
Fri Apr 06, 2007 11:55 pm
by Necromadon
logitech wrote:lol all awsome, but the water imp looks like a penguin to me...
A+ for niceness though
It is a penguin. I was like... hmm... you should submit that to PV as... a WATER IMP! lol
Posted:
Sat Apr 07, 2007 9:13 am
by Karl G.
you guys are silly. A penguin is just a water imp at a banquet.
Posted:
Sat Apr 07, 2007 11:04 am
by Zappy
thats why you should add penguins to the game, make them like charmable lol
Blender
Posted:
Thu May 24, 2007 2:08 am
by ziggman
i would like to attempt to use Blender, i have alot spare time on my hands to mess around. however i cannot get it to run is there another free 3-D model thing to use?
found a 3d Model that works
Posted:
Thu May 24, 2007 3:53 am
by ziggman
what u think 3rd attempt at a sword?


Pique On Messi & Griezmann's Relationship
by Kurt BuckerfieldWith many believing there is tension between FC Barcelona talisman Lionel Messi and new signing Antoine Griezmann, defender Gerard Pique has now commented on their relationship.
Most Goal Contributions In 2019, Ronaldo Trails Messi
Upon the Frenchman's big-money arrival at the Camp Nou at the beginning of the season, many Spanish publications claimed Messi was not entirely happy he was brought into the squad.
Before the 28-year-old had signed for the Catalan giants, the Argentine caused a stir when he refused to answer questions about the former Atletico Madrid forward in an interview, perhaps due to the way Griezmann had snubbed the club a season earlier.
However, Pique, one of Barca's most experienced players, has now insisted there are no issues between the two superstars.
Post Selfies On Soccer Laduma's Social Media App & Earn Airtime and more! Download Now
"Here, we magnify everything very much," he told Cadena SER.
"Leo and Grizi get along, the same as Leo and (Ousmane) Dembele get along, or Leo with Pedro or (David) Villa.
"It's good. With Luis (Suarez), they are almost like brothers.
"Just because he doesn't get along (with Griezmann) like he does with Luis doesn't mean they get along badly."
Cristiano Jr. Following In CR7's Footsteps
Messi and Griezmann have contributed to eight goals and seven assists in LaLiga for the Blaugrana so far this season.


Module UIRectangle
Unlike vanilla UIRect, UIRectangle creates outlined border instead of a filled rectangle
Usage:
include("azimuthlib-uirectangle")
Constructors
| UIRectangle (parent, rect[, color[, thickness=1]]) | Creates new UIRectangle |
UIRectangle: Properties
| bottomLine | It's 'Line' if element was created without defining thickness, 'Picture' otherwise |
| center | |
| height | |
| layer | |
| leftLine | It's 'Line' if element was created without defining thickness, 'Picture' otherwise |
| localCenter | |
| localPosition | |
| localRect | |
| lower | |
| mouseOver | |
| position | |
| rect | |
| rightLine | It's 'Line' if element was created without defining thickness, 'Picture' otherwise |
| size | |
| thickness | Can't be changed if it wasn't defined on element creation |
| tooltip | |
| topLine | It's 'Line' if element was created without defining thickness, 'Picture' otherwise |
| upper | |
| visible | |
| width |
Constructors
- UIRectangle (parent, rect[, color[, thickness=1]])
-
Creates new UIRectangle
Parameters:
- UIContainer parent — Parent element
- Rect rect — Element rect
- Color color (optional) — Element color
- int thickness (default: 1) — Border width
Returns:
-
table
— UIRectangle instance
Usage:
local uiRect = UIRectangle(window, Rect(0, 0, 20, 20), ColorARGB(0.8, 1, 0, 0), 2) uiRect.thickness = 3 -- will work
local uiRect2 = UIRectangle(window, Rect(0, 0, 20, 20), ColorARGB(0.8, 1, 0, 0)) uiRect2.thickness = 3 -- will not work, because thickness wasn't defined on creation
UIRectangle: Properties
- UIElement bottomLine [read-only]
- It's 'Line' if element was created without defining thickness, 'Picture' otherwise
- vec2 center
- float height
- int layer
- UIElement leftLine [read-only]
- It's 'Line' if element was created without defining thickness, 'Picture' otherwise
- vec2 localCenter [read-only]
- vec2 localPosition [read-only]
- vec2 localRect [read-only]
- vec2 lower
- bool mouseOver [read-only]
- vec2 position
- Rect rect
- UIElement rightLine [read-only]
- It's 'Line' if element was created without defining thickness, 'Picture' otherwise
- vec2 size
- int thickness
- Can't be changed if it wasn't defined on element creation
- nil/string tooltip
- UIElement topLine [read-only]
- It's 'Line' if element was created without defining thickness, 'Picture' otherwise
- vec2 upper
- bool visible
- float width


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--- title: Flood risk map description: Flood risk map mapping in OpenLeayers and Bing Maps img: iow_flood.jpg layout: map type: proposed application: OpenLayers base_layer: Bing Maps layer: KML purpose: Showecase the flood risk on the Isle of Wight ---


These are the edge-connectors that a device may have.
Public Member Functions | |
| bool | operator== (const ConnectionPort &) const noexcept |
| bool | operator!= (const ConnectionPort &) const noexcept |
Public Attributes | |
| DeviceEdge | edge |
| The side of the device on which this port is located. More... | |
| int | index |
| The index of this port along the device edge. More... | |
Public Types | |
| enum class | DeviceEdge { north , south , east , west } |
|
noexcept |
|
noexcept |
|
strong |
| DeviceEdge Block::ConnectionPort::edge |
The side of the device on which this port is located.
| int Block::ConnectionPort::index |
The index of this port along the device edge.
For north and south edges, index 0 is the left-most port. For east and west edges, index 0 is the top-most port.


Project: Cisco Mobility Management Entity (MME)
Description: SSH QuickCalls and response maps
Category: library
Class: Community
1 QuickCall Library in project://di_MME
getSubscriberIMSI
For the specified IMEI, return the IMSI of this subscriber if registered.
| Argument |
Description |
| IMEI |
For the specified IMEI, return the IMSI value
Return Value: JSON Block
IMSI: 0 - invalid; nonzero IMEI |
getSubscriberInfo
Retrieve the information about a subscriber based upon the IMSI
Return values: JSON Block
registered: 1 - device is registered; 0 - device not registered; NOTE: if the device is not registered, none of the other information is valid
ECM_State: String from command response: Registered Idle
EMM_State: String from command response: Idle
| Argument |
Description |
| IMSI |
The IMSI of the subscriber |
clearMMESubscriberInfo
Clear the subcriber info for the specified IMSI
| Argument |
Description |
| IMSI |
The IMSI of the UE to clear |
setVoiceOverPS
Check to see if the call control profile is set for Voice over PS and if not, attempt to set it.
| Argument |
Description |
| cc_profile |
The call control profile to be set |
showMMEServiceSession
Show MME service information for a subscriber.
Return value:
| Argument |
Description |
| IMSI |
The IMSI values |
| full |
1 - show mme-service session full imsi; 0 - show mme-service session imsi |
showMMEServiceName
Show MME service information for a service name
Return value:
SetUETimeAttachProcessing: 0: invalid; Enabled; Disabled.
T3412Timeout: 0: invalid; >0s: valid
ImplicitDetahTimeout: 0: invalid; >0s: valid
MobileReachabilitTimeout: 0: invalid; >0s: valid
| Argument |
Description |
| name |
MME service name.
MME service name, eg. TLBMME37001-047 |
showMMEServiceEncriptionAlgorithm
show mme service encription algorithm.
- 128 EEA0 (NULL ENCRYPTION)
showSgsServiceVlrStatus
Show sgs-service vlr status information.
0: no vlr information.
UP/DOWN
| Argument |
Description |
| full |
full: show sgs-service vlr-status full information. other: show sgs-service vlr-status not full info. |
showEnodeBAssociation
configTAUTimer
Config MME TAU timeout timer.
| Argument |
Description |
| mmeServiceName |
|
| tauTimer |
|
configMobileReachableTimer
Config MME TAU timeout timer.
| Argument |
Description |
| mmeServiceName |
|
| timeoutTimer |
|
configImplicitDetachTimer
Config MME implicit detach timer
Return: Block
result: 1 = success; 0 = failure
| Argument |
Description |
| mmeServiceName |
The service name of the MME |
| timeoutTimer |
The timer value for the implicit detach timer |


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FileSystem.openFile()
/FileContext.openFile()
This is a method provided by both FileSystem and FileContext for advanced file opening options and, where implemented, an asynchrounous/lazy opening of a file.
Creates a builder to open a file, supporting options both standard and filesystem specific. The return value of the build()
call is a Future<FSDataInputStream>
, which must be waited on. The file opening may be asynchronous, and it may actually be postponed (including permission/existence checks) until reads are actually performed.
This API call was added to FileSystem
and FileContext
in Hadoop 3.3.0; it was tuned in Hadoop 3.3.1 as follows.
opt(key, long)
and must(key, long)
.withFileStatus(null)
is allowed.withFileStatus(status)
only checks the filename of the path, not the full path. This is needed to support passthrough/mounted filesystems.FutureDataInputStreamBuilder openFile(Path path)
Creates a FutureDataInputStreamBuilder
to construct a operation to open the file at path
for reading.
When build()
is invoked on the returned FutureDataInputStreamBuilder
instance, the builder parameters are verified and FileSystem.openFileWithOptions(Path, OpenFileParameters)
or AbstractFileSystem.openFileWithOptions(Path, OpenFileParameters)
invoked.
These protected methods returns a CompletableFuture<FSDataInputStream>
which, when its get()
method is called, either returns an input stream of the contents of opened file, or raises an exception.
The base implementation of the FileSystem.openFileWithOptions(PathHandle, OpenFileParameters)
ultimately invokes FileSystem.open(Path, int)
.
Thus the chain FileSystem.openFile(path).build().get()
has the same preconditions and postconditions as FileSystem.open(Path p, int bufferSize)
However, there is one difference which implementations are free to take advantage of:
The returned stream MAY implement a lazy open where file non-existence or access permission failures may not surface until the first read()
of the actual data.
This saves network IO on object stores.
The openFile()
operation MAY check the state of the filesystem during its invocation, but as the state of the filesystem may change between this call and the actual build()
and get()
operations, this file-specific preconditions (file exists, file is readable, etc) MUST NOT be checked here.
FileSystem implementations which do not implement open(Path, int)
MAY postpone raising an UnsupportedOperationException
until either the FutureDataInputStreamBuilder.build()
or the subsequent get()
call, else they MAY fail fast in the openFile()
call.
Consult FutureDataInputStreamBuilder
for details on how to use the builder, and for standard options which may be passed in.
FutureDataInputStreamBuilder openFile(PathHandle)
Creates a FutureDataInputStreamBuilder
to construct a operation to open the file identified by the given PathHandle
for reading.
If implemented by a filesystem, the semantics of openFile(Path)
Thus the chain openFile(pathhandle).build().get()
has the same preconditions and postconditions as open(Pathhandle, int)
FileSystem implementations which do not implement open(PathHandle handle, int bufferSize)
MAY postpone raising an UnsupportedOperationException
until either the FutureDataInputStreamBuilder.build()
or the subsequent get()
call, else they MAY fail fast in the openFile(PathHandle)
call.
The base implementation raises this exception in the build()
operation; other implementations SHOULD copy this.
The base implementation of openFileWithOptions()
actually executes the open(path)
operation synchronously, yet still returns the result or any failures in the CompletableFuture<>
, so as to provide a consistent lifecycle across all filesystems.
Any filesystem client where the time to open a file may be significant SHOULD execute it asynchronously by submitting the operation in some executor/thread pool. This is particularly recommended for object stores and other filesystems likely to be accessed over long-haul connections.
Arbitrary filesystem-specific options MAY be supported; these MUST be prefixed with either the filesystem schema, e.g. hdfs.
or in the fs.SCHEMA
format as normal configuration settings fs.hdfs
. The latter style allows the same configuration option to be used for both filesystem configuration and file-specific configuration.
It SHOULD be possible to always open a file without specifying any options, so as to present a consistent model to users. However, an implementation MAY opt to require one or more mandatory options to be set.
The returned stream may perform “lazy” evaluation of file access. This is relevant for object stores where the probes for existence are expensive, and, even with an asynchronous open, may be considered needless.


Abstract
Toronto is home to millions of people including myself. As a young student living in the Bay Street Corridor, I was particularly interested in crime rates where I live- specifically in the rates of assault over the years. This data set accumulates crime rates for various different crimes within each neighbourhood in Toronto. This analysis extracts assault information specifically from the Bay Street Corridor.
Introduction
Crime rates in Toronto vary by neighbourhood. In this brief analysis, we will analyze the rates of assault in the Bay Street Corridor and discuss the trends below.
Results and Discussion
From the years 2014-2019, it was found that there was an increase in cases of assault in the Bay Street Corridor in Toronto, Ontario. In the graph above, we can clearly see the association between the years and the number of assaults. It is important to note that the population of the Bay Street Corridor is 25,797 and has increased by 33.3% since 2011 (City of Toronto, https://www.toronto.ca/ext/sdfa/Neighbourhood%20Profiles/pdf/2016/pdf1/cpa76.pdf).
Additionally, we can see a spike in cases from 2014-2015- this is the largest jump in the past 5 years. Unfortunately, there are not enough data points to draw a conclusion regarding years before 2014 and the present.
This general trend is unfortunately due to a larger issue in Toronto regarding increases in various types of assault, specifically sexual assault. According to an article published by The Toronto Star in June 2019, sexual assaults have been on the rise for the fourth straight year- not just in Toronto, but nationwide (Nationwide rate of reported sex assaults rises for fourth straight year, Statistics Canada says, https://www.thestar.com/news/canada/2019/07/22/nationwide-rate-of-reported-sex-assaults-rises-for-fourth-straight-year-statistics-canada-says.html). Statistics Canada has reported that sexual assault rates rose in every province and territory and Canada, except for the Northwest Territories. This is in conjunction with our reported findings within this data set of the Bay Street Corridor.


CODELEE
Projects Summary:
1. Project Management
Members Detail List
Amarjit Singh
06:00:00
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In Progress
03:00:00
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Completed
03:00:00
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- Preliminaries
- The call-by-value lambda calculus L
- Correctness and time bounds
- Certifying extraction from Coq to L with time bounds
- Encodings and extracted basic functions
- Extracted Functions
- Case Study 1: Universal L-term
- Case Study 2: Diophantine Equations
- Case Study 3: Multi-Tape Turing Machines


|
libcoap
4.3.0
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Go to the source code of this file.
Data Structures | |
| struct | coap_socket_t |
| struct | coap_packet_t |
Macros | |
| #define | COAP_SOCKET_EMPTY 0x0000 |
| coap_socket_flags_t values More... | |
| #define | COAP_SOCKET_NOT_EMPTY 0x0001 |
| the socket is not empty More... | |
| #define | COAP_SOCKET_BOUND 0x0002 |
| the socket is bound More... | |
| #define | COAP_SOCKET_CONNECTED 0x0004 |
| the socket is connected More... | |
| #define | COAP_SOCKET_WANT_READ 0x0010 |
| non blocking socket is waiting for reading More... | |
| #define | COAP_SOCKET_WANT_WRITE 0x0020 |
| non blocking socket is waiting for writing More... | |
| #define | COAP_SOCKET_WANT_ACCEPT 0x0040 |
| non blocking server socket is waiting for accept More... | |
| #define | COAP_SOCKET_WANT_CONNECT 0x0080 |
| non blocking client socket is waiting for connect More... | |
| #define | COAP_SOCKET_CAN_READ 0x0100 |
| non blocking socket can now read without blocking More... | |
| #define | COAP_SOCKET_CAN_WRITE 0x0200 |
| non blocking socket can now write without blocking More... | |
| #define | COAP_SOCKET_CAN_ACCEPT 0x0400 |
| non blocking server socket can now accept without blocking More... | |
| #define | COAP_SOCKET_CAN_CONNECT 0x0800 |
| non blocking client socket can now connect without blocking More... | |
| #define | COAP_SOCKET_MULTICAST 0x1000 |
| socket is used for multicast communication More... | |
| #define | coap_mcast_interface(Local) 0 |
Functions | |
| coap_endpoint_t * | coap_malloc_endpoint (void) |
| void | coap_mfree_endpoint (coap_endpoint_t *ep) |
| const char * | coap_socket_format_errno (int error) |
| int | coap_socket_connect_udp (coap_socket_t *sock, const coap_address_t *local_if, const coap_address_t *server, int default_port, coap_address_t *local_addr, coap_address_t *remote_addr) |
| int | coap_socket_bind_udp (coap_socket_t *sock, const coap_address_t *listen_addr, coap_address_t *bound_addr) |
| void | coap_socket_close (coap_socket_t *sock) |
| ssize_t | coap_socket_send (coap_socket_t *sock, coap_session_t *session, const uint8_t *data, size_t data_len) |
| ssize_t | coap_socket_write (coap_socket_t *sock, const uint8_t *data, size_t data_len) |
| ssize_t | coap_socket_read (coap_socket_t *sock, uint8_t *data, size_t data_len) |
| void | coap_epoll_ctl_mod (coap_socket_t *sock, uint32_t events, const char *func) |
| ssize_t | coap_network_send (coap_socket_t *sock, const coap_session_t *session, const uint8_t *data, size_t datalen) |
| Function interface for data transmission. More... | |
| ssize_t | coap_network_read (coap_socket_t *sock, coap_packet_t *packet) |
| Function interface for reading data. More... | |
| void | coap_packet_get_memmapped (coap_packet_t *packet, unsigned char **address, size_t *length) |
| Given a packet, set msg and msg_len to an address and length of the packet's data in memory. More... | |
| #define coap_mcast_interface | ( | Local | ) | 0 |
Definition at line 124 of file coap_io_internal.h.
| #define COAP_SOCKET_BOUND 0x0002 |
the socket is bound
Definition at line 45 of file coap_io_internal.h.
| #define COAP_SOCKET_CAN_ACCEPT 0x0400 |
non blocking server socket can now accept without blocking
Definition at line 53 of file coap_io_internal.h.
| #define COAP_SOCKET_CAN_CONNECT 0x0800 |
non blocking client socket can now connect without blocking
Definition at line 54 of file coap_io_internal.h.
| #define COAP_SOCKET_CAN_READ 0x0100 |
non blocking socket can now read without blocking
Definition at line 51 of file coap_io_internal.h.
| #define COAP_SOCKET_CAN_WRITE 0x0200 |
non blocking socket can now write without blocking
Definition at line 52 of file coap_io_internal.h.
| #define COAP_SOCKET_CONNECTED 0x0004 |
the socket is connected
Definition at line 46 of file coap_io_internal.h.
| #define COAP_SOCKET_EMPTY 0x0000 |
| #define COAP_SOCKET_MULTICAST 0x1000 |
socket is used for multicast communication
Definition at line 55 of file coap_io_internal.h.
| #define COAP_SOCKET_NOT_EMPTY 0x0001 |
the socket is not empty
Definition at line 44 of file coap_io_internal.h.
| #define COAP_SOCKET_WANT_ACCEPT 0x0040 |
non blocking server socket is waiting for accept
Definition at line 49 of file coap_io_internal.h.
| #define COAP_SOCKET_WANT_CONNECT 0x0080 |
non blocking client socket is waiting for connect
Definition at line 50 of file coap_io_internal.h.
| #define COAP_SOCKET_WANT_READ 0x0010 |
non blocking socket is waiting for reading
Definition at line 47 of file coap_io_internal.h.
| #define COAP_SOCKET_WANT_WRITE 0x0020 |
non blocking socket is waiting for writing
Definition at line 48 of file coap_io_internal.h.
| void coap_epoll_ctl_mod | ( | coap_socket_t * | sock, |
| uint32_t | events, | ||
| const char * | func | ||
| ) |
| coap_endpoint_t* coap_malloc_endpoint | ( | void | ) |
| void coap_mfree_endpoint | ( | coap_endpoint_t * | ep | ) |
| ssize_t coap_network_read | ( | coap_socket_t * | sock, |
| coap_packet_t * | packet | ||
| ) |
Function interface for reading data.
This function returns the number of bytes that have been read, or a value less than zero on error. In case of an error, *packet
is set to NULL.
| sock | Socket to read data from |
| packet | Received packet metadata and payload. src and dst should be preset. |
Definition at line 752 of file coap_io.c.
| ssize_t coap_network_send | ( | coap_socket_t * | sock, |
| const coap_session_t * | session, | ||
| const uint8_t * | data, | ||
| size_t | datalen | ||
| ) |
Function interface for data transmission.
This function returns the number of bytes that have been transmitted, or a value less than zero on error.
| sock | Socket to send data with |
| session | Addressing information for unconnected sockets, or NULL |
| data | The data to send. |
| datalen | The actual length of data . |
Definition at line 571 of file coap_io.c.
| void coap_packet_get_memmapped | ( | coap_packet_t * | packet, |
| unsigned char ** | address, | ||
| size_t * | length | ||
| ) |
| int coap_socket_bind_udp | ( | coap_socket_t * | sock, |
| const coap_address_t * | listen_addr, | ||
| coap_address_t * | bound_addr | ||
| ) |
| void coap_socket_close | ( | coap_socket_t * | sock | ) |
| int coap_socket_connect_udp | ( | coap_socket_t * | sock, |
| const coap_address_t * | local_if, | ||
| const coap_address_t * | server, | ||
| int | default_port, | ||
| coap_address_t * | local_addr, | ||
| coap_address_t * | remote_addr | ||
| ) |
| const char* coap_socket_format_errno | ( | int | error | ) |
| ssize_t coap_socket_read | ( | coap_socket_t * | sock, |
| uint8_t * | data, | ||
| size_t | data_len | ||
| ) |
| ssize_t coap_socket_send | ( | coap_socket_t * | sock, |
| coap_session_t * | session, | ||
| const uint8_t * | data, | ||
| size_t | data_len | ||
| ) |
| ssize_t coap_socket_write | ( | coap_socket_t * | sock, |
| const uint8_t * | data, | ||
| size_t | data_len | ||
| ) |


Jam Central is the main repository for all basic information about Space Jam. Here you can find the film's production notes, information about the filmmakers, and a Quicktime version of the theatrical trailer. Different photos from the film are also posted and replaced with new ones every week.
Go behind the scenes of Space Jam. See how the new characters were developed; look at examples of how the animation was put together. You can also view Quicktime clips of b-roll footage and read extensive notes on the technical processes involved in Space Jam's unique blend of live action and animation.
An area of the site reserved especially for kids, Junior Jam is full of games, information about the Looney Tunes, photos from the film and basketball tips. Also included is a printable coloring book to keep them busy offline when you need to use the computer.
Space Jam's lineup -- the real-live cast, the real-live basketball stars, and the not-so-real-live Looney Tunes and Monstars. See if you know your stuff and take our Looney Tunes Trivia Quiz.
Atlantic Records presents the soundtrack to Space Jam -- see the artists, hear the songs, and get ready to jam to the soundtrack.
On Planet B-Ball, you can find out about the NBA players featured in Space Jam, check out Quicktime VRs of the Jordan Dome, view behind-the-scenes Quicktime clips of the basketball sequences being shot, and link on out to the NBA.
Get your 'Jam junk right here. Download sound clips and desktop patterns, send electronic postcards via the Internet, pick up a new screen saver, steal our promo posters, and -- for Mac users only (sorry) -- get a cool new Netscape browser icon.
Your central location for fulfilling all of your Space Jam linking needs. Jump to other Warner Bros. sites, as well as those of our promotional partners.
Click over here to find out all the latest on Space Jam and this site.
The store with more of the Looney stuff you ask for.
Here you are.
Never on the Internet have so few worked so hard to bring you so much in so little time.


Here Are All The 2020 Grammy Awards Nominations
by Chris MenchThe 2020 Grammy Award nominations are finally here, with CBS rolling out the announcements this morning during its morning broadcast. Artists like Lizzo, Lil Nas X, Billie Eilish, H.E.R., Taylor Swift, Lana Del Rey, and Bon Iver picked up multiple nominations.
The Grammys will air on CBS on Sunday, January 26, 2020 at 8 p.m. ET.
Check out the full list of nominees below as they are announced:
Song of the Year
- Lady Gaga, “Always Remember Us This Way”
- Billie Eilish, “Bad Guy”
- Brandi Carlile, “Bring My Flowers Now”
- H.E.R., “Hard Place”
- Taylor Swift, “Lover”
- Lana Del Rey, “Norman Fucking Rockwell”
- Lewis Capaldi, “Someone You Love”
- Lizzo, “Truth Hurts”
Record of the Year
- Bon Iver, “Hey Ma”
- Billie Eilish, “Bad Guy”
- Ariana Grande, “7 Rings”
- H.E.R., “Hard Place”
- Khalid, “Talk”
- Lil Nas X & Billy Ray Cyrus, “Old Town Road”
- Lizzo, “Truth Hurts”
- Post Malone & Swae Lee, “Sunflower”
Album of the Year
- Bon Iver, i,i
- Lana Del Rey, NORMAN FUCKING ROCKWELL!
- Billie Eilish, WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?
- Ariana Grande, thank u, next
- H.E.R., I Used to Know Her
- Lil Nas X, 7
- Lizzo, Cuz I Love You
- Vampire Weekend, Father of the Bride
Best New Artist
- Black Pumas
- Billie Eilish
- Lil Nas X
- Lizzo
- Maggie Rogers
- ROSALÍA
- Tank and the Bangas
- Yola
Best Pop Solo Performance
- Beyonce, “Spirit”
- Billie Eilish, “Bad Guy”
- Ariana Grande, “7 rings”
- Lizzo, “Truth Hurts”
- Taylor Swift, “You Need to Calm Down”
Best Traditional Pop Vocal Album
- Andrea Bocelli, SÌ
- Michael Bublé, Love
- Elvis Costello & The Imposters, Look Now
- John Legend, A Legendary Christmas
- Barbra Streisand Walls
Best Pop Vocal Album
- Beyoncé, The Lion King: The Gift
- Billie Eilish, WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?
- Ariana Grande, thank u, next
- Ed Sheeran, No.6 Collaborations Project
- Taylor Swift, Lover
Best Dance Recording
- Bonobo, “Linked”
- The Chemical Brothers, “Got to Keep On”
- Meduza feat. Goodboys, “Piece of Your Heart”
- RÜFÜS DU SOL, “Underwater”
- Skrillex & Boys Noize feat. Ty Dolla $ign, “Midnight Hour”
Best Dance/Electronic Album
- Apparat, LP5
- The Chemical Brothers, No Geography
- Flume, Hi This is Flume
- RÜFÜS DU SOL, Solace
- Tycho, Weather
Best Rap Album
- Dreamville, Revenge of the Dreamers III
- Meek Mill, Championships
- 21 Savage, I AM > I WAS
- Tyler, the Creator, IGOR
- YBN Cordae, The Lost Boy
Best Rap Performance
- J. Cole, “MIDDLE CHILD”
- DaBaby, “Suge”
- Dreamville feat. J.I.D, Bas, J. Cole, EARTHGANG & Young Nudy, “Down Bad”
- Nipsey Hussle feat. Roddy Ricch & Hit-Boy, “Racks in the Middle”
- Offset feat. Cardi B, “Clout”
Best Rap/Sung Performance
- DJ Khaled feat. Nipsey Hussle & John Legend, “Higher”
- Lil Baby & Gunna, “Drip Too Hard”
- Lil Nas X, “Panini”
- Mustard feat. Roddy Ricch, “Ballin”
- Young Thug feat. J. Cole & Travis Scott, “The London”
Best Rap Song
- YBN Cordae feat. Chance the Rapper, “Bad Idea” (Chancelor Bennett, Cordae Dunston, Uforo Ebong & Daniel Hackett)
- Rick Ross feat. Drake, “Gold Roses” (Noel Cadastre, Aubrey Graham, Anderson Hernandez, Khristopher Riddick-Tynes, William Leonard Roberts II, Joshua Quinton Scruggs, Leon Thomas III & Ozan Yildirim)
- 21 Savage feat. J. Cole, “A Lot” (Jermaine Cole, Dacoury Natche, 21 Savage & Anthony White)
- Nipsey Hussle feat. Roddy Ricch & Hit-Boy, “Racks in the Middle (Ermias Asghedom, Dustin James Corbett, Greg Allen Davis, Chauncey Hollis, Jr. & Rodrick Moore)
- DaBaby, “Suge” (Jetsonmade & Pooh Beatz)
Best R&B Performance
- Daniel Caesar, “Love Again”
- H.E.R. feat. Bryson Tiller, “Could’ve Been”
- Lizzo feat. Gucci Mane, “Exactly How I Feel”
- Lucky Daye, “Roll Some Mo”
- Anderson .Paak feat. André 3000, “Come Home”
Best Traditional R&B Performance
- BJ The Chicago Kid, “Time Today”
- India.Arie, “Steady Love”
- Lizzo, “Jerome”
- Lucky Daye, “Real Games”
- PJ Morton feat. Jazmine Sullivan, “Built For Love”
Best R&B Song
- H.E.R. feat. Bryson Tiller, “Could’ve Been” (Dernst Emile II, David “Swagg R’Celious” Harris, H.E.R. & Hue “Soundzfire” Strother)
- Emily King, “Look At Me Now” (Emily King & Jeremy Most)
- Chris Brown feat. Drake, “No Guidance” (Chris Brown, Tyler James Bryant, Nija Charles, Aubrey Graham, Anderson Hernandez, Michee Patrick Lebrun, Joshua Lewis, Noah Shebib & Teddy Walton)
- Lucky Daye, “Roll Some Mo” (David Brown, Dernst Emile II & Peter Lee Johnson)
- PJ Morton feat. JoJo, “Say So” (PJ Morton)
Best Urban Contemporary Album
- Steve Lacy, Apollo XXI
- Lizzo, Cuz I Love You (Deluxe)
- Georgia Anne Muldrow, Overload
- NAO, Saturn
- Jessie Reyez, Being Human in Public
Best R&B Album
- BJ The Chicago Kid, 1123
- Lucky Daye, Painted
- Ella Mai, Ella Mai
- PJ Morton, PAUL
- Anderson .Paak, Ventura
Best Latin Pop Album
- Luis Fonsi, VIDA
- Maluma, 11:11
- Ricardo Montaner, Montaner
- Alejandro Sanz, #ELDISCO
- Sebastián Yatra, FANTASÍA
Best Latin Rock, Urban or Alternative Album
- Bad Bunny, X 100PRE
- J Balvin & Bad Bunny, OASIS
- Flor De Toloache, Indestructible
- iLe, Almadura
- ROSALÍA, EL MAL QUERER
Best Regional Mexican Music Album (Including Tejano)
- Joss Favela, Caminando
- Intocable, Percepión
- La Energia Norteña, Poco a Poco
- Mariachi Divas De Cindy Shea, 20 Aniversario
- Mariachi Los Camperos, De Ayer para Siempre
Best Tropical Latin Album
- Marc Anthony, OPUS
- Luis Enrique + C4 Trio, Tiempo Al Tiempo
- Vicente García, Candela
- Juan Luis Guerra 4.40, Literal
- Aymée Nuviola, A Journey Through Cuban Music
Best Rock Performance
- BONES UK, “Pretty Waste”
- Gary Clark Jr., “This Land”
- Brittany Howard, “History Repeats”
- Karen O & Danger Mouse, “Woman”
- Rival Sons, “Too Bad”
Best Metal Performance
- Candlemass feat. Tony Iommi, “Astorolus – The Great Octopus”
- Death Angel, “Humanicide”
- I Prevail, “Bow Down”
- Killswitch Engage, “Unleashed”
- Tool, “7empest”
Best Rock Song
- Tool, “Fear Inoculum” (Tool)
- The 1975, “Give Yourself a Try” (George Daniel, Adam Hann, Matthew Healy & Ross MacDonald)
- Vampire Weekend, “Harmony Hall” (Ezra Koenig)
- Brittany Howard, “History Repeats” (Brittany Howard)
- Gary Clark Jr., “This Land” (Gary Clark Jr.)
Best Rock Album
- Bring Me The Horizon, amo
- Cage The Elephant, Social Cues
- The Cranberries, In the End
- I Prevail, TRAUMA
- Rival Sons, Feral Roots
Best Alternative Music Album
- Big Thief, U.F.O.F.
- James Blake, Assume Form
- Bon Iver, i,i
- Vampire Weekend, Father of the Bride
- Thom Yorke, ANIMA
Best Country Solo Performance
- Tyler Childers, “All Your'n”
- Ashley McBryde, “Girl Goin' Nowhere”
- Willie Nelson, “Ride Me Back Home”
- Blake Shelton, “God’s Country”
- Tanya Tucker, “Bring My Flowers Now”
Best Country Duo/Group Performance
- Brooks & Dunn with Luke Combs, “Brand New Man”
- Brothers Osborne, “I Don’t Remember Me (Before You)”
- Dan + Shay, “Speechless”
- Little Big Town, “The Daughters”
- Maren Morris feat. Brandi Carlile, “Common”
Best Country Song
- Tanya Tucker, “Bring My Flowers Now” (Brandi Carlile, Phil Hanseroth, Tim Hanseroth & Tanya Tucker)
- Ashley McBryde, “Girl Goin' Nowhere” (Jeremy Bussey & Ashley McBryde)
- Miranda Lambert, “It All Comes Out in the Wash” (Miranda Lambert, Hillary Lindsey, Lori McKenna & Liz Rose)
- Eric Church, “Some of It” (Eric Church, Clint Daniels, Jeff Hyde & Bobby Pinson)
- Dan + Shay, “Speechless” (Shay Mooney, Jordan Reynolds, Dan Smyers & Laura Veltz, songwriters)
Best Country Album
- Eric Church, Desperate Man
- Reba McEntire, Stronger Than the Truth
- Pistol Annies, Interstate Gospel
- Thomas Rhett, Center Point Road
- Tanya Tucker, While I’m Livin'
Best Gospel Performance/Song
- Kirk Franklin, “Love Theory” (Kirk Franklin)
- Gloria Gaynor feat. Yolanda Adams, “Talkin' Bout Jesus” (Bryan Fowler, Gloria Gaynor & Chris Stevens)
- Travis Greene feat. Jekalyn Carr, “See the Light”
- Koryn Hawthorne feat. Natalie Grant, “Speak the Name”
- Tasha Cobbs Leonard, “This Is A Move (Live)” (Tony Brown, Brandon Lake, Tasha Cobbs Leonard & Nate Moore)
Best Contemporary Christian Music Performance/Song
- Casting Crowns, “Only Jesus” (Mark Hall, Bernie Herms & Matthew West)
- for KING & COUNTRY & Dolly Parton, “God Only Knows” (Josh Kerr, Jordan Reynolds, Joel Smallbone, Luke Smallbone & Tedd Tjornhom)
- Danny Gokey, Haven’t Seen It Yet (Ethan Hulse & Colby Wedgeworth)
- Tauren Wells, “God’s Not Done With You (Single Version)”
- Zach Williams, “Rescue Story” (Ethan Hulse, Andrew Ripp, Jonathan Smith & Zach Williams)
Best Gospel Album
- Kirk Franklin, Long Live Love
- Donald Lawrence Presents The Tri -City Singers, Goshen
- Gene Moore, Tunnel Vision
- William Murphy, Settle Here
- CeCe Winans, Something’s Happening! A Christmas Album
Best Contemporary Christian Music Album
- Crowder, I Know A Ghost
- for KING & COUNTRY, Burn The Ships
- Danny Gokey, Haven’t Seen It Yet
- TobyMac, The Elements
- Chris Tomlin, Holy Roar
Best Roots Gospel Album
- Steven Curtis Chapman, Deeper Roots: Where The Bluegrass Grows
- Gloria Gaynor, Testimony
- Joseph Habedank, Deeper Oceans
- Tim Menzies, His Name Is Jesus
- Various Artists, Gonna Sing, Gonna Shout (Jerry Salley, Producer)
Best American Roots Performance
- Sara Bareilles, “Saint Honesty”
- Calexico and Iron & Wine, “Father Mountain”
- Rhiannon Giddens with Francesco Turrisi, “I’m On My Way”
- I’m With Her, “Call My Name”
- Yola, “Faraway Look”
Best American Roots Song
- Our Native Daughters, “Black Myself” (Amythyst Kiah)
- I’m With Her, “Call My Name” (Sarah Jarosz, Aoife O'Donovan & Sara Watkins)
- Rosanne Cash, “Crossing To Jerusalem” (Rosanne Cash & John Leventhal)
- Yola, “Faraway Look” (Dan Auerbach, Yola Carter & Pat McLaughlin)
- Vince Gill, “I Don’t Wanna Ride The Rails No More” (Vince Gill)
Best Americana Album
- Calexico and Iron & Wine, Years To Burn
- Madison Cunningham, Who Are You Now
- Keb' Mo', Oklahoma
- J.S. Ondara, Tales Of America
- Yola, Walk Through Fire
Best Folk Album
- Andrew Bird, My Finest Work Yet
- Che Apalache, Rearrange My Heart
- Patty Griffin, Patty Griffin
- Gregory Alan Isakov, Evening Machines
- Joy Williams, Front Porch
Best Regional Roots Music Album
- Amy Hānaiali’i, Kalawai’anui
- Northern Cree, When It’s Cold – Cree Round Dance Songs
- Ranky Tanky, Good Time
- Rebirth Brass Band, Recorded Live At The 2019 New Orleans Jazz & Heritage Festival
- Various Artists, Hawaiian Lullaby (Imua Garza & Kimié Miner, producers)
Best Reggae Album
- Koffee, Rapture
- Julian Marley, As I Am
- Sly & Robbie & Roots Radics, The Final Battle: Sly & Robbie vs. Roots Radics
- Steel Pulse, Mass Manipulation
- Third World, More Work To Be Done
Best World Music Album
- Altin Gün, Gece
- Bokanté & Metropole Orkest Conducted By Jules Buckley, What Heat
- Burna Boy, African Giant
- Nathalie Joachim With Spektral Quartet, Fanm D'ayiti
- Angelique Kidjo, Celia
Best Comedy Album
- Jim Gaffigan, Quality Time
- Ellen DeGeneres, Relatable
- Aziz Ansari, Right Now
- Trevor Noah, Son Of Patricia
- Dave Chappelle, Sticks & Stones
Best Compilation Soundtrack For Visual Media
- Various Artists, The Lion King: The Songs
- Various Artists, Quentin Tarantino’s Once Upon A Time In Hollywood
- Taron Egerton, Rocketman
- Various Artists, Spider-Man: Into The Spider-Verse
- Lady Gaga & Bradley Cooper, A Star Is Born
Best Song Written For Visual Media
- Chris Stapleton, “The Ballad Of The Lonesome Cowboy” (Randy Newman)
- Dolly Parton, “Girl In The Movies” (Dolly Parton & Linda Perry)
- Lady Gaga & Bradley Cooper, “I’ll Never Love Again (Film Version)” (Natalie Hemby, Lady Gaga, Hillary Lindsey & Aaron Raitiere)
- Beyoncé, “Spirit” (Beyoncé Knowles-Carter, Timothy McKenzie & Ilya Salmanzadeh)
- Thom Yorke, “Suspirium” (Thom Yorke)
Producer Of The Year, Non-Classical
- Jack Antonoff
- Dan Auerbach
- John Hill
- FINNEAS
- Ricky Reed
Best Music Video
- The Chemical Brothers, “We’ve Got To Try” (Ellie Fry, video director; Ninian Doff, video producer)
- Gary Clark Jr., “This Land” (Savanah Leaf, video director; Jason Cole, Danielle Hinde & Alicia Martinez, video producers)
- FKA twigs, “Cellophane” (Andrew Thomas Huang, video director; Alex Chamberlain, video producer)
- Lil Nas X & Billy Ray Cyrus, “Old Town Road (Official Movie)” (Calmatic, video director; Candice Dragonas, Melissa Larsen & Saul Levitz, video producers)
- Tove Lo, “Glad He’s Gone” (Vania Heymann & Gal Muggia, video directors; Nathan Schottenfels, video producer)
Best Music Film
- Beyoncé, Homecoming (Beyoncé Knowles-Carter & Ed Burke, video directors; Dora Melissa Vargas, video producer)
- David Crosby, Remember My Name (A.J. Eaton, video director; Cameron Crowe, Michele Farinola & Greg Mariotti, video producers)
- Miles Davis, Birth Of The Cool (Stanley Nelson, video director; Nicole London, video producer)
- Various Artists, Shangri-La (Morgan Neville, video director; Emma Baiada, video producer)
- Thom Yorke, ANIMA (Paul Thomas Anderson, video director; Paul Thomas Anderson, Erica Frauman & Sara Murphy, video producers)


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Initial wetting behaviour upon lithium-ion battery electrolyte injection. ( a) Layer size evolution of the mica–mica (green), mica–gold (red) and mica–graphene (blue) opposing materials during electrolyte injection. Population analysis of the collected data for opposing materials: ( b) mica–graphene, ( c) mica–mica and ( d) mica–gold.


circos.genomicHeatmap.Rd
Add heatmaps for selected regions
circos.genomicHeatmap( bed, col, na_col = "grey", numeric.column = NULL, border = NA, border_lwd = par("lwd"), border_lty = par("lty"), connection_height = mm_h(5), line_col = par("col"), line_lwd = par("lwd"), line_lty = par("lty"), heatmap_height = 0.15, side = c("inside", "outside"), track.margin = circos.par("track.margin"))
| bed | A data frame in bed format, the matrix should be stored from the fourth column. |
|---|---|
| col | Colors for the heatmaps. The value can be a matrix or a color mapping function generated by |
| na_col | Color for NA values. |
| numeric.column | Column index for the numeric columns. The values can be integer index or character index. By default it takes all numeric columns from the fourth column. |
| border | Border of the heatmap grids. |
| border_lwd | Line width for borders of heatmap grids. |
| border_lty | Line style for borders of heatmap grids. |
| connection_height | Height of the connection lines. If it is set to |
| line_col | Color of the connection lines. The value can be a vector. |
| line_lwd | Line width of the connection lines. |
| line_lty | Line style of the connection lines. |
| heatmap_height | Height of the heatmap track |
| side | Side of the heatmaps. Is the heatmap facing inside or outside? |
| track.margin | Bottom and top margins. |
The function visualizes heatmaps which correspond to a subset of regions in the genome. The correspondance between heatmaps and regions are identified by connection lines.
The function actually creates two tracks, one track for the connection lines and one track for the heamtaps. The heatmaps always fill the whole track.
bed = generateRandomBed(nr = 100, nc = 4) col_fun = colorRamp2(c(-1, 0, 1), c("green", "black", "red")) circos.genomicHeatmap(bed, col_fun, side = "inside", border = "white")# }


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A simple calendar app for scheduling your work day
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Emotional intelligence encompasses a persons ability for self-awareness, self-regulation, empathy and social interaction. These skills can be learned and improved in order to progress in emotional intelligence. Self-awareness is the ability to recognise one’s emotions, thoughts, values, triggers and predispositions. It is about being aware and understanding about one’s self. Self-regulation is the ability to be able to regulate ones emotions. It is also about harnessing emotions to benefit the person. Empathy is the ability to understand another person and their situation. Social interaction is the ability to communicate with other people; both verbal and non-verbal.
Emotional Intelligence is about a persons ability to communicate with ones self and others.  It involves a persons ability in language, memory, maths, reasoning, processing speed and visual-spatial processes.
Emotional Intelligence is important because it involves the skills which are needed to communicate effectively with other people. As we are social beings, interaction is part of our day to day life. Possessing emotional intelligence allows for a person to be able to interact with others in a quality manner.


Sovrin Governance Framework Architecture Reference Model (SOVRIN ARM)
Sovrin Governance Framework Architecture Reference Model (SOVRIN ARM)
Trust Anchor
(Sovrin) Governance Authority*
Subject
Identity Owner
Issuer
Entity
Holder
Sovrin Entity
Thing
Other Entity
Prover
Verifier
Credential
Credential Exchange Layer Roles
Insurer
Auditor
Auditor Accreditor
Individual [GDPR: Data Subject]*
Organization*
Delegate
Delegator
Dependent
Guardian
Developer
Founding Steward
Steward
Sovrin Founding Steward Agreement
Governance Authority Credential
Other Governance Authority
Group
Guardianship Credential
Delegation Credential
Subject
Issuer
Holder
Verifier
Insurer
Zero Knowledge Proof
Sovrin Infrastructure Roles
Sovrin Ledger Layer Roles
Agent-to-Agent Protocol Layer Roles
Governance Frameworks Layer Roles
Sovrin Foundation
Transaction Author
Transaction Endorser
Agent
Credential Registry
Auditor Credential
Independent
Natural Person
Insurance
Legal Identity
Sovrin Governance Framework (SGF)
Sovrin Governance Framework Master Document
Controlled Document
Persona
Shared acitivty (website), brand, or product use
Purpose
Relying Party
Social Purpose Organization
Sovereign Domain
Sovrin Board of Trustees
Sovrin Community
Sovrin Web of Trust Framework
Sovrin Governing Body
Sovrin Infrastructure
Sovrin Trustee
Thing Controller
Thing Controller Credential
Trust Anchor Credential
Trustee
Master Document
Group
Natural Thing
Man-Made Thing
Active Thing
Passive Thing
Controller
Sovrin DID
Connection
Agent
Wallet
Vault
(Cloud Agent) Service Endpoint
Cloud Agent
Edge Agent
Another Network (other than Sovrin)
Sovrin Network
Sovrin Ledger
Legal Accountability
(Trust Anchor - Identity Owner)
(Issuer - Holder)
(Issuer - Entity)
(Sovrin Entity - Entity)
(Thing - Sovrin Entity)
(Subject - Entity)
(Holder - Sovrin Entity)
(Issuer - Sovrin Entity)
(Prover - Sovrin Entity)
(Verifier - Sovrin Entity)
( - Credential)
(Entity - Another Network (other than Sovrin))
(Entity - Sovrin Network)
(Other Entity - Entity)
(Other Entity - Another Network (other than Sovrin))
(Credential Exchange Layer Roles - Subject)
(Credential Exchange Layer Roles - Issuer)
(Credential Exchange Layer Roles - Holder)
(Credential Exchange Layer Roles - Prover)
(Credential Exchange Layer Roles - Verifier)
(Credential Exchange Layer Roles - Insurer)
(Auditor - Individual [GDPR: Data Subject]*)
(Auditor - Organization*)
(Auditor Accreditor - Organization*)
Accrediation (Auditor - (Sovrin) Governance Authority*)
Issues Auditor Credentials (Auditor Accreditor - (Sovrin) Governance Authority*)
Acts on behalf (Delegate - Delegator)
(Delegator - Identity Owner)
(Delegate - Identity Owner)
Depends on (Dependent - Guardian)
(Dependent - Individual [GDPR: Data Subject]*)
(Guardian - Individual [GDPR: Data Subject]*)
(Developer - Individual [GDPR: Data Subject]*)
(Developer - Organization*)
(Sovrin Entity - Sovrin Network)
(Founding Steward - Steward)
(Founding Steward - Sovrin Founding Steward Agreement)
(Sovrin Founding Steward Agreement - Sovrin Network)
((Sovrin) Governance Authority* - Identity Owner)
((Sovrin) Governance Authority* - Other Governance Authority)
( - Governance Authority Credential)
(Other Governance Authority - Another Network (other than Sovrin))
((Sovrin) Governance Authority* - Sovrin Network)
(Group - Entity)
(Organization* - Group)
( - Connection)
(Depends on - Guardianship Credential)
(Acts on behalf - Delegation Credential)
(Subject - Subject)
Associated with (Credential - Subject)
(Issuer - Issuer)
(Holder - Holder)
(Credential - Holder)
(Verifier - Verifier)
(Insurer - Insurer)
(Credential - Verifier)
(Credential - Insurer)
(Credential - Zero Knowledge Proof)
(Holder - Prover)
( - Zero Knowledge Proof)
(Sovrin Infrastructure Roles - Sovrin Ledger Layer Roles)
(Sovrin Infrastructure Roles - Governance Frameworks Layer Roles)
(Sovrin Infrastructure Roles - Credential Exchange Layer Roles)
(Sovrin Infrastructure Roles - Agent-to-Agent Protocol Layer Roles)
(Sovrin Ledger Layer Roles - Steward)
(Sovrin Infrastructure Roles - Sovrin Network)
(Sovrin Foundation - Sovrin Ledger Layer Roles)
(Sovrin Ledger Layer Roles - Transaction Endorser)
(Sovrin Ledger Layer Roles - Transaction Author)
(Agent-to-Agent Protocol Layer Roles - Developer)
(Agent-to-Agent Protocol Layer Roles - Agent)
(Agent - Agent)
(Governance Frameworks Layer Roles - (Sovrin) Governance Authority*)
(Governance Frameworks Layer Roles - Trust Anchor)
(Governance Frameworks Layer Roles - Credential Registry)
(Auditor Accreditor - Auditor)
( - Auditor Credential)
(Governance Frameworks Layer Roles - Auditor)
(Governance Frameworks Layer Roles - Auditor Accreditor)
(Independent - Individual [GDPR: Data Subject]*)
(Individual [GDPR: Data Subject]* - Identity Owner)
( - Natural Person)
(Insurer - Issuer)
( - Insurance)
(Sovrin Governance Framework (SGF) - Sovrin Governance Framework Master Document)
(Sovrin Governance Framework Master Document - Controlled Document)
(Sovrin Network - Sovrin Governance Framework (SGF))
(Identity Owner - Sovrin Entity)
( - Legal Accountability)
(Legal Identity - )
(Organization* - Identity Owner)
(Persona - Individual [GDPR: Data Subject]*)
(Shared acitivty (website), brand, or product use - )
(Prover - Holder)
Generates (Prover - Zero Knowledge Proof)
(Credential - Generates)
(Sovrin Governance Framework Master Document - Purpose)
(Verifier - Relying Party)
(Relying Party - Entity)
(Social Purpose Organization - Organization*)
(Identity Owner - Sovereign Domain)
(Sovereign Domain - Agent)
(Sovereign Domain - Vault)
(Sovereign Domain - Wallet)
(Sovrin Governance Framework (SGF) - Sovrin Board of Trustees)
Governance (Sovrin Board of Trustees - Sovrin Foundation)
(Identity Owner - Sovrin Community)
(Sovrin Community - Sovrin Governance Framework (SGF))
(Sovrin Foundation - (Sovrin) Governance Authority*)
( - Sovrin Web of Trust Framework)
( - Sovrin Governance Framework (SGF))
(Sovrin Foundation - Sovrin Governing Body)
(Sovrin Infrastructure - Sovrin Ledger)
(Sovrin Infrastructure - Sovrin Network)
(Sovrin Infrastructure - Sovrin Web of Trust Framework)
(Sovrin Infrastructure - Sovrin Governance Framework (SGF))
(Sovrin Infrastructure - Sovrin Foundation)
(Sovrin Board of Trustees - Sovrin Trustee)
(Sovrin Board of Trustees - Individual [GDPR: Data Subject]*)
(Steward - Organization*)
(Thing - Thing Controller)
(Thing Controller - Identity Owner)
(Thing Controller Credential - )
(Trust Anchor - Issuer)
(Trust Anchor Credential - )
(Trustee - Identity Owner)
( - Trust Anchor Credential)
( - Sovrin DID)
(Sovrin DID - Sovrin Network)
(Sovrin Governance Framework Master Document - Master Document)
(Transaction Author - Entity)
(Transaction Endorser - Identity Owner)
(Group - Group)
(Man-Made Thing - Thing)
(Natural Thing - Thing)
(Passive Thing - Man-Made Thing)
(Active Thing - Man-Made Thing)
(Wallet - Edge Agent)
(Wallet - Cloud Agent)
(Cloud Agent - Agent)
(Cloud Agent - (Cloud Agent) Service Endpoint)
(Edge Agent - Agent)
(Controller - Identity Owner)
(Thing Controller - Controller)
ROLES: All Roles Viewpoint
ROLES: Core Functional Roles Viewpoint
SGF: Core Governance Framework Viewpoint
ROLES: Appendix B - Taxonomy of Entities
ROLES: Cloud and Edge Agents
ROLES: Guardian-Delegate-Controller
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{% extends 'layouts/application.html' %} {% block title %} What I am doing now – Gaz Joyce {% endblock %} {% block content %}
I am currently:
Inspired by Derek Sivers. If you have your own site, you should make one too.
Last updated: February 2023
{% endblock %}


A ticket for Voxxed Days Belgrade 2016 is your entrance to the 3-day world of opportunities: learn about hot topics, get new business ideas, meet old + make new friends, dive straight into the unstoppable enthusiasm!
Make sure to feel the powerful and unique energy of change!
We prepared the all inclusive package:
• Full access to the whole conference (all topics / tracks, throughout 3 days)
• Awesome T-shirt
• Delicious breakfast, lunch, sweets and coffee break
• Access to relaxing after-parties and all mingling areas


PHOTOS: Deadly shooting at California football party
by Yahoo News Photo StaffFour people were killed and six more wounded when “unknown suspects” sneaked into a backyard filled with people at a party in central California and fired into the crowd, police said.
The shooting took place about 6 p.m. on the Fresno’s southeast side, where people were gathered to watch a football game, Fresno Police Lt. Bill Dooley said.
Deputy Chief Michael Reid told the Fresno Bee and the KSEE/KGPE TV stations that a total of 10 people were shot, with three found dead in the backyard. A fourth person died at the hospital. Six others are expected to survive and are recovering at the hospital.
All the victims were Asian men ranging from ages 25 to 35, Reid said.
“What we do know is that this was a gathering, a family and friend gathering in the backyard,” Dooley said. “Everyone was watching football this evening when unknown suspects approached the residence, snuck into the backyard and opened fire.”
The victims were taken to Community Regional Medical Center in critical condition, and some are now stable, the TV stations reported.
About 35 people were at the party when the shooting began, Reid said.
“Thank God that no kids were hurt,” he said.
No one is in custody in connection with the shooting. Police said there was no immediate indication that the victims knew the shooter or shooters.
Police were going door-to-door in search of surveillance video that might help them track down the suspects. The shooting took place about a half-mile from the city’s airport. (AP)
See more news-related photo galleries and follow us on Yahoo News Photo Twitter and Tumblr .
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See more galleries from Yahoo News Photo:
- PHOTOS: 10 bronze statues of inspirational women in NYC by Statues for Equality"
- PHOTOS: Layered portraits of Hong Kong's masked protesters
- PHOTOS: Venice flooded from rising tides and rain
- PHOTOS: Veterans Day 2019 observed at parades, memorials across the U.S.
- PHOTOS: For Syrian Kurds, and aid workers – the ‘safe zone’ is not so safe
- PHOTOS: Bolivians clash over election
- The Berlin Wall: Then and now — 30 years later


Located in Mundelein IL, Dan provides services to Lake and Northern Cook counties
Fine Woodworking
Perfecting his craft for over 20 years, Dan creates fine furniture built to last a lifetime.
Bars
Tables
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Custom designed, built to order.
Home Repair/Renovations
From simple repairs to full house renovations, let Dan handle your next home improvement project.
Decking
Appliance Installations
Kitchen Remodelling
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Dan can do it all.
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Considered by many to be Portland’s foray into third wave coffee, Stumptown Coffee has been making waves in Portland since 1999. Stumptown has four cafes in the city and several others in Seattle, Los Angeles, and New York. Noted most recently for the widespread use of cold brew coffee to include nitro injected, Stumptown’s products can be found at many independent cafes as well as on the shelves of grocery stores.
Locations of Stumptown in Portland:
100 SE Salmon St, Portland, OR 97214
128 SW 3rd Ave, Portland, OR 97204
1026 SW Stark St, Portland, OR 97205
3356 SE Belmont St, Portland, OR 97214
4525 SE Division St, Portland, OR 97206


Mum's Sweet bread
Bajan sweetbread is a crumbly, coconut flavored bread with bits of coconut and possibly raisins. Eat a slice as a snack, for dessert, or as toast for breakfast or pastry for tea!
Recipe submitted by a CFLBajan member
Servings: 3 loaves
Ingredients
- 4 1/2 cups of all purpose flour
- 2 cups of grated coconut
- 1 cup of sugar
- 2 sticks of margarine
- 1/4 tsp salt
- 8 oz of coconut water with or without pulp
|
- 1 tbsp of baking powder
- 1 tsp each of spice, cinnamon, ground nutmeg
- 1 tbsp of each of mixed and vanilla essence
- 1/2 cup of raisins coated with dry flour (optional)
- 1 slightly beaten egg (optional)
|
Method
Prep time: 20mins
Ready in: 1 hr 20mins
-
In a small bowl, mix together 1/2 cup of coconut, 2 tbsp of sugar, 1/4 tsp each of cinnamon, spice, ground nutmeg and 1/2 tbs essence.
-
Mix the remaining ingredients together (except raisins) in another (larger bowl) until a firm dough is formed.
-
Add raisins (optional).
-
Divide dough in equal amounts for the loaf pans.
-
Fill the greased loaf pans half full of dough, parting the center of the dough.
-
Place a portion of mixture from small bowl in center of dough in each loaf pan. Fold the dough over the top to cover coconut mixture.
-
Sprinkle top with a little sugar or glaze with a sugar and warm water mixture.
-
Place pans in preheated oven at 350 degrees F.
-
Bake for roughly an hour, until top is brown and the loaves are cooked. Test by piercing with skewer away from coconut mixture, dough is fully cooked if skewer comes out clean.
Note that: to make sweetbread without the cocount filling in the center, start the recipe at #2 using all ingredients.