apache_beam.io.vcfio module¶
A source for reading from VCF files (version 4.x).
The 4.2 spec is available at https://samtools.github.io/hts-specs/VCFv4.2.pdf.
-
class
apache_beam.io.vcfio.
VariantInfo
(data, field_count)¶ Bases:
tuple
Create new instance of VariantInfo(data, field_count)
-
data
¶ Alias for field number 0
-
field_count
¶ Alias for field number 1
-
-
class
apache_beam.io.vcfio.
MalformedVcfRecord
(file_name, line)¶ Bases:
tuple
Create new instance of MalformedVcfRecord(file_name, line)
-
file_name
¶ Alias for field number 0
-
line
¶ Alias for field number 1
-
-
class
apache_beam.io.vcfio.
Variant
(reference_name=None, start=None, end=None, reference_bases=None, alternate_bases=None, names=None, quality=None, filters=None, info=None, calls=None)[source]¶ Bases:
object
A class to store info about a genomic variant.
Each object corresponds to a single record in a VCF file.
Initialize the
Variant
object.Parameters: - reference_name (str) – The reference on which this variant occurs (such as chr20 or X). .
- start (int) – The position at which this variant occurs (0-based). Corresponds to the first base of the string of reference bases.
- end (int) – The end position (0-based) of this variant. Corresponds to the first base after the last base in the reference allele.
- reference_bases (str) – The reference bases for this variant.
- alternate_bases (List[str]) – The bases that appear instead of the reference bases.
- names (List[str]) – Names for the variant, for example a RefSNP ID.
- quality (float) – Phred-scaled quality score (-10log10 prob(call is wrong)) Higher values imply better quality.
- filters (List[str]) – A list of filters (normally quality filters) this variant has failed. PASS indicates this variant has passed all filters.
- info (dict) – A map of additional variant information. The key is specified
in the VCF record and the value is of type
VariantInfo
. - calls (list of
VariantCall
) – The variant calls for this variant. Each one represents the determination of genotype with respect to this variant.
-
class
apache_beam.io.vcfio.
VariantCall
(name=None, genotype=None, phaseset=None, info=None)[source]¶ Bases:
object
A class to store info about a variant call.
A call represents the determination of genotype with respect to a particular variant. It may include associated information such as quality and phasing.
Initialize the
VariantCall
object.Parameters: - name (str) – The name of the call.
- genotype (List[int]) – The genotype of this variant call as specified by the VCF schema. The values are either 0 representing the reference, or a 1-based index into alternate bases. Ordering is only important if phaseset is present. If a genotype is not called (that is, a . is present in the GT string), -1 is used
- phaseset (str) – If this field is present, this variant call’s genotype ordering implies the phase of the bases and is consistent with any other variant calls in the same reference sequence which have the same phaseset value. If the genotype data was phased but no phase set was specified, this field will be set to *.
- info (dict) – A map of additional variant call information. The key is specified in the VCF record and the type of the value is specified by the VCF header FORMAT.
-
class
apache_beam.io.vcfio.
ReadFromVcf
(file_pattern=None, compression_type='auto', validate=True, allow_malformed_records=False, **kwargs)[source]¶ Bases:
apache_beam.transforms.ptransform.PTransform
A
PTransform
for reading VCF files.Parses VCF files (version 4) using PyVCF library. If file_pattern specifies multiple files, then the header from each file is used separately to parse the content. However, the output will be a PCollection of
Variant
(orMalformedVcfRecord
for failed reads) objects.Initialize the
ReadFromVcf
transform.Parameters: - file_pattern (str) – The file path to read from either as a single file or a glob pattern.
- compression_type (str) – Used to handle compressed input files.
Typical value is
CompressionTypes.AUTO
, in which case the underlying file_path’s extension will be used to detect the compression. - validate (bool) – flag to verify that the files exist during the pipeline creation time.
- allow_malformed_records (bool) – determines if failed VCF
record reads will be tolerated. Failed record reads will result in a
MalformedVcfRecord
being returned from the read of the record rather than aVariant
.


openapi-generator
Generate an OpenAPI v3 compliant yaml file declaratively from your web framework code.
Then serve it from a Swagger UI instance.
💾 - Installation
- Add the dependency to your
shard.yml
:
dependencies:
openapi-generator:
github: elbywan/openapi-generator
- Run
shards install
📚 - Full Documentation
Please check this link for the full documentation.
✨ - Minimal Working Example
Important: When using Amber Framework
most of the OpenAPI values can be automatically inferred from the code!
Just include the helper in your Controller
classes and use the provided macros.
require "openapi-generator"
# The following example is using [Amber](https://amberframework.org/)
# but this library is compatible with any web framework.
require "amber"
require "openapi-generator/providers/amber"
# Optional: auto-serialize classes into openapi schema.
# Benefit: a typed Model class can then be used as the source of truth.
class Coordinates
extend OpenAPI::Generator::Serializable
def initialize(@lat, @long); end
property lat : Int32
property long : Int32
end
# Annotate the methods that will appear in the openapi file.
class Controller < Amber::Controller::Base
include OpenAPI::Generator::Controller
@[OpenAPI(<<-YAML
tags:
- tag
summary: A brief summary of the method.
requestBody:
required: true
content:
#{Schema.ref Coordinates}
required: true
responses:
200:
description: OK
#{Schema.error 404}
YAML
)]
def method
# Some code…
end
end
# Add the routes.
Amber::Server.configure do
routes :api do
post "/method/:id", Controller, :method
end
end
# Generate the openapi file.
OpenAPI::Generator.generate(
provider: OpenAPI::Generator::RoutesProvider::Amber.new
)
Will produce an ./openapi.yaml
file with the following contents:
---
openapi: 3.0.1
info:
title: Server
version: "1"
paths:
/method/{id}:
post:
tags:
- tag
summary: A brief summary of the method.
parameters:
- name: id
in: path
required: true
schema:
type: string
example: id
requestBody:
content:
application/json:
schema:
$ref: '#/components/schemas/Coordinates'
required: true
responses:
"200":
description: OK
"404":
description: Not Found.
options:
tags:
- tag
summary: A brief summary of the method.
parameters:
- name: id
in: path
required: true
schema:
type: string
example: id
requestBody:
content:
application/json:
schema:
$ref: '#/components/schemas/Coordinates'
required: true
responses:
"200":
description: OK
"404":
description: Not Found.
components:
schemas:
Coordinates:
required:
- lat
- long
type: object
properties:
lat:
type: integer
long:
type: integer
responses: {}
parameters: {}
examples: {}
requestBodies: {}
headers: {}
securitySchemes: {}
links: {}
callbacks: {}
🛠 - Contributing
- Fork it (<https://github.com/your-github-user/openapi-generator/fork>)
- Create your feature branch (
git checkout -b my-new-feature
) - Commit your changes (
git commit -am 'Add some feature'
) - Push to the branch (
git push origin my-new-feature
) - Create a new Pull Request
🤝 - Contributors
- elbywan - creator and maintainer


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THE DOOM GENERATION A film review by Bryant Frazer Copyright 1995 Bryant Frazer
Written, Edited, and Directed by Gregg Araki Starring James Duval, Rose McGowan, and Jonathon Schaech U.S.A., 1995
The opening credit refers to this as "A Heterosexual Movie by Gregg Araki," and while fans may recognize the cynicism, this certainly qualifies as the director's most het-friendly movie to date. Set pieces at convenience stores, cheap motels, and in the wide-open American spaces will be familiar to straight audiences of all backgrounds. Cameos by the likes of Perry Farrell, Parker Posey and Heidi Fleiss will delight hipsters, and the soundtrack is straight out of a Lollapalooza show.
 Jordan (James Duval) and Amy are teenage lovers, and they've been together for about three months, which makes it a serious relationship. Amy spends most of the movie hopped up on crystal meth, so she doesn't eat much, while Jordan is the kind of kid who favors chili dogs from the corner 7-11. Jordan's meek but sincere, affectionate but whiny, while Amy is an assertive loudmouth who takes refuge in a flamboyant vocabulary of four-letter words and much eye-rolling. The two of them are confused innocents, the kind who make doe eyes at one another and mutter sweet nothings like "You're the bright red cherry on top of my sundae," and "I hope we both die simultaneously." And when Jordan breaks off a love-making session in Amy's car, confessing that he's afraid of catching AIDS, she wails up at him plaintively, "But we're both virgins!"
That will change soon enough, as will their status as innocents. The transformation is helped along by Xavier's entrance, when Amy and Jordan help him escape bloodied but mostly unharmed by a knife fight. Jordan's affable as usual, but the newcomer grates on Amy's nerves so much that she ejects him from the car. It's no good, though, because Xavier's back in their lives when he saves them from certain doom at a convenience store. There's a lot of splattered blood, and even a decapitation, but the violence here is played strictly for laughs, and Amy and Jordan escape into a garish night of primary colors that deliberately recalls Oliver Stone's NATURAL BORN KILLERS.
At this point, Araki's still playing the young punk filmmaker, and THE DOOM GENERATION is loud and snotty, with a cruel, icy sense of humor. But soon, the film begins to explore the relationship between Amy and Jordan, and Xavier is developed as a sexual catalyst, and even a liberating element. In one shot, Jordan's sitting on the floor next to the bed, and Xavier's head is dangling over his shoulder. "How long have you and Princess Leia been a happy little couple?" he asks, and if Jordan doesn't realize it's a challenge, we do. Xavier watches from the shadows as Amy and Jordan make love, and a little later, when he's seduced Amy himself, Jordan will watch through a window and take a long walk before returning. And when Amy tries to justify sleeping with Xavier in the context of her continuing relationship with Jordan, Jordan just looks at her and says, "Whatever, Amy," without a hint of sarcasm or bitterness.
The biggest surprise in THE DOOM GENERATION is how seriously Araki starts to take these kids, who seem at first to have been set up as easy targets for his skewering of American youth, red, white, and blue. There's a lot of sex, but none of it is played for comedy, and all of it has its place in giving voice to the muted emotional relationships between the three kids. Anyone who's familiar with Araki's M.O. will be hip to Xavier's game, but it's very intriguing to watch as the tough, knowing Xavier works his way ever closer to Jordan, using Amy as a pretext. And when Xavier finally does make his move, the picture positively swoons, with quick cuts, gentle lighting, and flesh-on-flesh dissolves. It's as though Araki (who also edited the film) spent most of his time in post-production working on just the last fifteen minutes of the movie.
But everything in THE DOOM GENERATION is just about right, and to my eyes, it makes a lot of what has passed for great filmmaking lately look mighty tired. Araki's kids are disenfranchised, lonely, and desperate to put on hip airs, but they connect as human beings in a way that Larry Clark's KIDS never do.  And stuff like REALITY BITES and NATURAL BORN KILLERS is revealed as the self-conscious sham that it is. Doritos and chili dogs are part of the landscape, but Araki's mining a far more significant vein of our pop culture, and one suspects that no matter how thick the satire is laid on, Araki's got a lot of all three of these kids in him.
Caveat: You can't expect the guy who made THE LIVING END to be happy cobbling together a slice-of-life teen comedy about life on the run or even just how great it is to let go of our sexual inhibitions, and indeed he doesn't. I'd hate to spoil the ending for anybody, but I'd be remiss in my duties if I didn't note that it's far from pretty. I have a lot of respect for what Araki's doing, but I do find myself wishing he had looked a little harder to find a way out. These kids pay a heavy price for discovering themselves, and Araki demonstrates that he's a master manipulator of hearts, minds, and guts when his road movie centerpunches its audience across the median and into the oncoming traffic. There are folks who will no doubt love the movie for being such a wrenching experience, and probably even more who will never forgive it.
-- DEEP FOCUS: Archived Movie Reviews by Bryant Frazer http://www.panix.com/~bfrazer/flicker/<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


For this unit, we worked with arduino. I had relatively few problems, and most I had could be fixed by a careful re-examining of what I had built. The amount of wires got confusing sometimes, but overall it went well.


Table of Contents
The toc seems to be required, and need an ordered list.
Hello World
Lorem ipsum dolor sit amet, consectetur adipisicing elit.
Lorem ipsum dolor sit amet, consectetur adipisicing elit.


--- layout: post title: "Final Report and GIS Bundle" author: Taylor Alexander Brown date: 2017-08-25 ---
The COAL final report with code and digital artifacts was submitted at the end of the term, completing the 2016 – 2017 senior capstone project. The hard copy of the printed report is on file with the OSU School of Electrical Engineering and Computer Science where it may be shared with students and industry sponsors. This blog post describes how to obtain digital copies of the report and associated files.
The entire COAL final report submission including all documents, code, and digital artifacts is hosted on Box for Oregon State University. The archive is in tar.bz2
format and is 8.8GB in size. Enclosed within the archive is a README
which summarizes the locations of important resources such as documents, presentations, and requisite files.
The San Juan Mine case study QGIS project and files can be downloaded separately from Google Drive. The archive is in tar.gz
format and is 2GB in size (7GB uncompressed). It contains visible-light, mining classified, and environmental correlation imagery as well as mine permit, hydrography, elevation, and transportation data. Extract the archive and open the project file san‑juan‑mine.qgs
with a build of QGIS linked against GDAL 2.2.0+.
Contact the COAL team with any questions about accessing the data.


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I am passionate about digital products, business and engineering intellect, solid customer focus and lots of energy. I want to do great work, empower my team and ship awesome products.
I am well versed in 6 languages, I have a solid online presence, I can code (https://github.com/traviagio) and I am quite good at sports. Ping me if you want to know more


Select fun!
Slide me up when I'm clicked on!
Give me the highlight class when #box1 is clicked on.
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BLAIR WITCH 2: BOOK OF SHADOWS RATING: 7/10 --> Good movie
For more reviews and movie screensavers, visit http://www.joblo.com/
I didn't much care for the original BLAIR WITCH PROJECT. On the whole, I thought it was boring.  I was frightened by only one scene: the final shot. I did however truly admire what the film did in respect to movie innovation. It was able to blur the line between fact and fiction for a lot of people, it managed to successfully wrangle the power of the Internet and use it to complement the film and it showed Hollywood that you don't need to spend $25 million on a star's salary alone...in order to make a successful film. With all that in mind, I was looking forward to seeing what the second installment had to offer.
Pre-hype wise, I was once again, extremely impressed with Artisan Entertainment's ability to harness the up-to-date technologies of the Internet and put together an extremely cool event called the Blair Witch Web Fest. The webcast was made to take place over three days, with plenty of relevant horror guests including the stars and director of the film, musicians, witches, horror alumni and plenty of chats, goodies and games to keep everyone entertained. Those who were not able to attend in person, could simply logon and participate in the chats and "become" a greater part of the cinematic process. Artisan Entertainment seems to be generations ahead of the rest of the generic cookie-cutter studio official websites, and should rightfully be applauded for their avant-garde efforts.
Oh yeah...harumph...now that we've gotten that out of the way...how was the film, you say? Let's see...
PLOT: Four fans of the original "Blair Witch Project" movie hop on a tour to visit the actual locations where the first film apparently took place. Led by a local psychologically disturbed individual, the fun-loving teens drink and party all night, only to wake up and find themselves unable to remember a big chunk of their evening past, and caught in the middle of a ritualistic murder investigation. Are they all cold-blooded killers? Is one of them a witch and spooking the others? Are they all innocent but nuts? Does Roger Ebert actually make an appearance in this film? All very scary thoughts...
CRITIQUE: If you're looking for thrills, chills and plenty of scares...this film is not for you. This movie is a decent psychological mystery filled with paranoia and delusions, which messes with your head and demands that you keep thinking about it, even after you've left the theatre. Not necessarily an audience-friendly film, but then again, neither was the original. My initial reaction to this film was lukewarm. It wasn't until further contemplation that the film struck a chord with me and eventually ingratiated itself the tag of a "good" movie. But if the boogie-man a la SCREAM is what you're looking for, you will not find it here. If you're looking for something similar to the first film, you will not get that here either. This film is original in its own right, with all of the characters making reference and working off the events which "apparently" took place in the first film. They speak about the characters, they follow in their footsteps, and they too, eventually get caught up in something that's apparently beyond their simple teen grasps. But is all of this entertaining, thrilling or even interesting? To some, yes...to others, no.
I enjoyed parts of this film, and didn't care much for others. I liked the way that the whole movie was shot. Nice style. Good directing. Perhaps too many flashbacks for its own good, but enough spooky moments to make you question the events taking place and get into the mystery of it all. But at some point, a lot of the film's events felt redundant, like they were going around in circles. Everyone confused, everyone pointing fingers, who did what to whom? But it isn't until you figure out the truth in the end, that all of that disorder begins to make a little sense. I won't say any more because I wouldn't want to spoil it for anyone, but suffice it to say that "seeing is not always believing". Unfortunately for the audience, the film doesn't really offer up too many clues during the actual picture or graft out any real solutions, but for those who enjoy the head trips, watch your step on the way in and enjoy.
I think that the core Blair Witch audience might appreciate this movie, or those who don't mind sitting through the same film over and over again, just to uncover its secrets. For most, the film will provide no obvious scares (cheap or otherwise) or miraculous strokes of terror. But this film is not about that. It's all about undertones and your interpretation of the events taking place. Perception, interpretation, reality...all play different roles in this movie. It's up to you to figure out who is playing who. Not exactly what John Q. Public generally looks for in a movie, eh? But even beyond all that, this film managed to keep me interested for most of its way, provided for a couple of spooky scenes, and did finally manage to re-insert T&A back into horror films, so even your average moviegoer has to give it at least that much! The actors were so-so, with decent performances here and there, over-acting there and here, and the soundtrack, appropriately heavy, creepy and hip (gotta sell those soundtracks!).
So if you like head-games, enjoy all that supernatural witch mumbo-jumbo and appreciate films which blur the line between the reality of your mind and the actual events (think OJ, people!), then you might just really enjoy this one. A LOST HIGHWAY for the teens. Not a classic, not a bad movie, not a great movie...but definitely something interesting. PS: Incidentally, don't ask me what "Book of Shadows" means because that's another thing that the film doesn't hand you on a platter. You gotta work for this one, people.
NOTE: My appreciation of this film was lifted after I read a bit more about it after my viewing. Now if you are confused about the film, its characters or what really happened, and want to achieve a deeper understanding of the material, I suggest you read some of what the director of this film had to say here <http://joblo.com/blairwitch2-extra.htm>, but please note that it does contain possible ** SPOILERS **. I would suggest that you read it only after having seen the film.
Little Known Facts about this film and its stars: Original drafts for this movie included one which had news crews tracking the original kids and another featuring Heather Donahue's relatives searching for her remains. But when first-time fiction director Joe Berlinger got the directing nod (his previous work included three critically acclaimed documentaries), he scrapped all that aside in favor of a more radical approach. "I wanted to make a sequel to the phenomenon, not to the movie." Berlinger admits that his original cut of the film left the studio asking him to "deliver scares earlier". Re-shoots took place up to a month before release, and the director admitted that he was "not entirely happy with how it was integrated into the movie". Berlinger went on to say, "If we weren't up against a release date I would have tried to figure out a [better] way. But all those posters say "October 27", not "Coming this fall". (Entertainment Weekly, #564, pgs 30-32) Writer/director Joe Berlinger has also given himself a cameo in this film. He plays the "Burkittsville Tourist #1" early on in the film. The creators of the original BLAIR WITCH PROJECT, Daniel Myrick and Eduardo Sanchez, did not write, direct or produce this film, but did receive credit as "executive producers". They are however, slated to collaborate on the third installment of the "Blair Witch" series (currently envisioned as a prequel). The original BLAIR WITCH movie cost $30,000 to produce, cost Artisan Entertainment $1 million to purchase and grossed $141 million domestically and more than $109 million overseas. This film cost $15 million. Several famous TV personalities are shown early on in this film, mentioning the original BLAIR WITCH PROJECT on their respective programs, including Jay Leno, Conan O'Brien and film critic Roger Ebert.
Review Date: October 23, 2000 Director: Joe Berlinger Writers: Joe Berlinger and Dick Beebe Producer: Bill Carraro Actors: Kim Director as Kim Jeffrey Donovan as Jeff Stephen Barker Turner as Stephen Genre: Horror/Suspense Year of Release: 2000 ------------------------------------ JoBlo's Movie Emporium http://www.joblo.com/ ------------------------------------ (c) 2000 Berge Garabedian
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


A curated library of WordPress code
To learn more about Assemble and registering custom helpers, visit assemble.io/docs/custom-helpers.
In lieu of a formal styleguide, take care to maintain the existing coding style. Add unit tests for any new or changed functionality. Lint and test your code using grunt.
(Nothing yet)


In the card game poker, a hand consists of five cards and are ranked, from lowest to highest, in the following way:
The cards are valued in the order:
2, 3, 4, 5, 6, 7, 8, 9, 10, Jack, Queen, King, Ace.
If two players have the same ranked hands then the rank made up of the highest value wins; for example, a pair of eights beats a pair of fives (see example 1 below). But if two ranks tie, for example, both players have a pair of queens, then highest cards in each hand are compared (see example 4 below); if the highest cards tie then the next highest cards are compared, and so on.
Consider the following five hands dealt to two players:
| Hand | Player 1 | Player 2 | Winner | |||
| 1 | 5H 5C 6S 7S KD Pair of Fives | 2C 3S 8S 8D TD Pair of Eights | Player 2 | |||
| 2 | 5D 8C 9S JS AC Highest card Ace | 2C 5C 7D 8S QH Highest card Queen | Player 1 | |||
| 3 | 2D 9C AS AH AC Three Aces | 3D 6D 7D TD QD Flush with Diamonds | Player 2 | |||
| 4 | 4D 6S 9H QH QC Pair of Queens Highest card Nine | 3D 6D 7H QD QS Pair of Queens Highest card Seven | Player 1 | |||
| 5 | 2H 2D 4C 4D 4S Full House With Three Fours | 3C 3D 3S 9S 9D Full House with Three Threes | Player 1 |
The file, poker.txt, contains one-thousand random hands dealt to two players. Each line of the file contains ten cards (separated by a single space): the first five are Player 1's cards and the last five are Player 2's cards. You can assume that all hands are valid (no invalid characters or repeated cards), each player's hand is in no specific order, and in each hand there is a clear winner.
How many hands does Player 1 win?
Quite direct solution. Just be patient.
From highest to lowest, check if a certain rank pattern exists in player's hand cards.
from urllib.request import urlopen
from collections import Counter
with urlopen('https://projecteuler.net/project/resources/p054_poker.txt') as f:
resp = f.read().decode('utf-8')
def transform_value(v):
if '2' <= v <= '9':
return int(v)
else:
if v == 'T':
return 10
elif v == 'J':
return 11
elif v == 'Q':
return 12
elif v == 'K':
return 13
elif v == 'A':
return 14
else:
raise ValueError('Wrong representation')
[transform_value(v) for v in list(map(str, range(2, 10))) + ['T', 'J', 'Q', 'K', 'A']]
def transform_hand(hand):
values = list(map(transform_value, [c[0] for c in hand]))
suits = [c[1] for c in hand]
return sorted(zip(values, suits))
transform_hand(['5H', '5C', '6S', '7S', 'KD'])
def split_hand(hand):
cards = hand.split(' ')
p1, p2 = cards[:5], cards[-5:]
return transform_hand(p1), transform_hand(p2)
split_hand('5H 5C 6S 7S KD 2C 3S 8S 8D TD')
def generate_hand(text):
hands = text.splitlines()
for hand in hands:
yield split_hand(hand)
def get_royal_flush(hand):
if hand[0][0] == 10 and hand[-1][0] == 14 and \
len([c[0] for c in hand]) == len(set([c[0] for c in hand])) and \
len(set([c[1] for c in hand])) == 1:
return 'BOOM'
else:
return None
get_royal_flush([(10, 'C'), (11, 'C'), (12, 'C'), (13, 'C'), (14, 'C')])
get_royal_flush([(10, 'C'), (11, 'C'), (12, 'C'), (12, 'C'), (14, 'C')])
def get_straight_flush(hand):
if len([c[0] for c in hand]) == len(set([c[0] for c in hand])) and \
hand[-1][0] - hand[0][0] == 4 and \
len(set([c[1] for c in hand])) == 1:
return hand[0][0]
else:
return None
get_straight_flush([(2, 'C'), (3, 'C'), (4, 'C'), (5, 'C'), (6, 'C')])
get_straight_flush([(2, 'C'), (3, 'C'), (4, 'C'), (5, 'C'), (10, 'C')])
def get_a_kind(hand):
c = Counter([c[0] for c in hand])
vk = [(v, k) for k, v in c.items()]
return sorted(vk, reverse=True)
get_a_kind([(2, 'C'), (2, 'H'), (2, 'S'), (3, 'C'), (4, 'C')])
get_a_kind([(2, 'C'), (2, 'H'), (2, 'S'), (3, 'C'), (3, 'H')])
get_a_kind([(2, 'C'), (2, 'H'), (3, 'S'), (3, 'C'), (4, 'C')])
get_a_kind([(2, 'C'), (2, 'H'), (5, 'S'), (3, 'C'), (4, 'C')])
get_a_kind([(2, 'C'), (10, 'H'), (11, 'S'), (3, 'C'), (4, 'C')])
def get_four_of_a_kind(hand):
h = get_a_kind(hand)
if h[0][0] == 4:
return h
else:
return None
def get_full_house(hand):
h = get_a_kind(hand)
if h[0][0] == 3 and h[1][0] == 2:
return h
else:
return None
def get_flush(hand):
h = get_a_kind(hand)
if len(set([c[1] for c in hand])) == 1:
return h
else:
return None
def get_straight(hand):
if len([c[0] for c in hand]) == len(set([c[0] for c in hand])) and \
hand[-1][0] - hand[0][0] == 4:
return hand[0][0]
else:
return None
def get_three_of_a_kind(hand):
h = get_a_kind(hand)
if h[0][0] == 3:
return h
else:
return None
def get_two_pairs(hand):
h = get_a_kind(hand)
if h[0][0] == 2 and h[1][0] == 2:
return h
else:
return None
def get_others(hand):
return get_a_kind(hand)
check_ranks = [get_royal_flush, get_straight_flush, get_four_of_a_kind,
get_full_house, get_flush, get_straight,
get_three_of_a_kind, get_two_pairs, get_others]
def solve():
p1_win_cnt = 0
p2_win_cnt = 0
for p1, p2 in generate_hand(resp):
p1_result = [rank(p1) for rank in check_ranks]
p2_result = [rank(p2) for rank in check_ranks]
for r1, r2 in zip(p1_result, p2_result):
if r1 is None and r2 is None:
continue
elif r1 and r2 is None:
p1_win_cnt += 1
elif r2 and r1 is None:
p2_win_cnt += 1
elif r1 > r2:
p1_win_cnt += 1
elif r2 > r1:
p2_win_cnt += 1
else:
raise ValueError('A tie occurs')
break
assert p1_win_cnt + p2_win_cnt == 1000
return p1_win_cnt
solve()


Monaco Editor in Electron (without nodeIntegration)!
Note: Since Electron without nodeIntegration is very similar to a browser, you can have a look at all the other `browser-` samples, as they should work just fine.


Help Castor to transform his drawings !
You can use rules below in order to change a consecutive group of drawings into another one. Warning: you cannot choose where the rule will be applied: it will be applied everywhere!
Solution
Just do it this way:
State 1:
State 2:
Final state:
Just do it this way:
State 1:
State 2:
State 3:
State 4:
Final state:
Just do it this way:
State 1:
State 2:
State 3:
State 4:
State 5:
Final state:
It's computer science !
In computer science, pattern recognition and transformation plays a major role : these rules are called rewriting rules !
They are very useful to enable computers to recognize programming languages: it is called parsing.
Indeed, a language syntax can be defined with a set of rewriting rules that we call grammar.
They can also be used to model many phenomenon: for instance, chemical or biological transformations.
Actually, everything that can be computed with a computer can also be computed with only rewriting rules.
There exists a theorical programming language that is only based on rewriting : the lambda-calculus.


Hello my name is Laud and I am a tech enthusiast, software developer, and a blogger. I love exploring new stuff.
Currently, am studying software development at Meltwater Entrepreneurial School of Technology (MEST) were I am an EIT (Entrepreneur in Training).


Example: Node dialog
Open
What is a vegetable?
In culinary terms, a vegetable is an edible plant or its part, intended for cooking or eating raw. In biological terms, "vegetable" designates members of the plant kingdom.
More about spices...
More about fruit...
Close
Example: iframe dialog
Open
Example: ajax dialog
Open
Example: Node dialog, lightbox style
Open
This should be in a lightbox
Open


Thursday March 11th, 2021
4:40pm
Partly Cloudy
°F
Humidity:
%
Wind:
mph
Open-source code
by Emily Weagraff


. form elements .
First name:
Last name:
Male
Female
First name:
Last name:
First name:
Last name:
Personal information:
First name:
Last name:


A simple, responsive, notes web application. Made using HTML, CSS and JavaScript. Used libraries: Animate.CSS and Smooth-Scroll.


|
Clingo C API
C API for clingo providing high level functions to control grounding and solving.
|
Iterative enumeration of models (without using callbacks).
Clingo provides two additional ways to handle solving: Iterative Solving and Asynchronous Solving. With iterative solving, models are enumerated one by one by calling clingo_solve_iteratively_next() and clingo_solve_iteratively_get() in a loop.
For an example, see solve-iteratively.c.
Typedefs | |
| typedef struct clingo_solve_iteratively | clingo_solve_iteratively_t |
| Search handle to enumerate models iteratively. More... | |
Functions | |
| CLINGO_VISIBILITY_DEFAULT bool | clingo_solve_iteratively_next (clingo_solve_iteratively_t *handle, clingo_model_t **model) |
| Get the next model. More... | |
| CLINGO_VISIBILITY_DEFAULT bool | clingo_solve_iteratively_get (clingo_solve_iteratively_t *handle, clingo_solve_result_bitset_t *result) |
| Get the solve result. More... | |
| CLINGO_VISIBILITY_DEFAULT bool | clingo_solve_iteratively_close (clingo_solve_iteratively_t *handle) |
| Closes an active search. More... | |
| typedef struct clingo_solve_iteratively clingo_solve_iteratively_t |
Search handle to enumerate models iteratively.
| CLINGO_VISIBILITY_DEFAULT bool clingo_solve_iteratively_close | ( | clingo_solve_iteratively_t * | handle | ) |
Closes an active search.
There must be no function calls on the associated control object until this function has been called.
| [in] | handle | the target |
| CLINGO_VISIBILITY_DEFAULT bool clingo_solve_iteratively_get | ( | clingo_solve_iteratively_t * | handle, |
| clingo_solve_result_bitset_t * | result | ||
| ) |
Get the solve result.
| [in] | handle | the target |
| [out] | result | the solve result |
| CLINGO_VISIBILITY_DEFAULT bool clingo_solve_iteratively_next | ( | clingo_solve_iteratively_t * | handle, |
| clingo_model_t ** | model | ||
| ) |
Get the next model.
| [in] | handle | the target |
| [out] | model | the next model |


java.util.Collections
unmodifiable collection calls
that can be converted to newer collection factory methods.
These can be replaced with e.g. List.of()
or Set.of()
introduced in Java 9
or List.copyOf()
introduced in Java 10.
Note that in contrast to java.util.Collections
methods, Java 9 collection factory methods:
null
values.
null
arguments to query methods like List.contains()
or Map.get()
of the collections returned.
When these cases are violated, exceptions are thrown. This can change the semantics of the code after the migration.
Example:
List<Integer> even = Collections.unmodifiableList(
Arrays.asList(2, 4, 6, 8, 10, 2));
List<Integer> evenCopy = Collections.unmodifiableList(
new ArrayList<>(list1));
After the quick-fix is applied:
List<Integer> even = List.of(2, 4, 6, 8, 10, 2);
List<Integer> evenCopy = List.copyOf(list);
This inspection only reports if the language level of the project or module is 9 or higher.
Use the Do not warn when content is non-constant option to report only in cases when the supplied arguments are compile-time constants.
This reduces the chances that the behavior changes,
because it's not always possible to statically check whether original elements are unique and not null
.
Use the Suggest 'Map.ofEntries' option to suggest replacing unmodifiable maps with more than 10 entries with Map.ofEntries()
.
New in 2017.2


---
layout: default
title: Publications
---
Theses
- Topics in generalized and classical descriptive set theory (a collection of 8 of my papers), Habilitation, Universität Bonn 2017
-
Thin equivalence relations in L(R) and inner models Dissertation, Universität Münster 2008


I am a knitter, sustainability enthusiast, and the pet-mom of two sassy cats and one very nervous dog.
Born in Chicago and based in St. Helens, I love spending days in Liverpool, Manchester and travelling
further abroad when not faced with a pandemic.
My coding experience goes back to using HTML for MySpace and an extension of my
father's website over 15 years ago. Jump 12 years and I'm navigating Python for use in ArcGIS.
Three years past that, I'm excited to be taking the next step of training with CodeNation
and am hoping to land a job as a Junior Software Engineer.
I love making ideas tangible in a digital space and hope I can fit into a
frontend role, pushing the limits of interactive design.


The
These functions produce a character vector of the names of files or directories in the named directory.
You can see further readings in the following link.
list.files(path = ".", pattern = NULL, all.files = FALSE,
full.names = FALSE, recursive = FALSE,
ignore.case = FALSE, include.dirs = FALSE, no.. = FALSE) dir(path = ".", pattern = NULL, all.files = FALSE,
full.names = FALSE, recursive = FALSE,
ignore.case = FALSE, include.dirs = FALSE, no.. = FALSE)
list.dirs(path = ".", full.names = TRUE, recursive = TRUE)
Copy and Run the sample code in your Rstudio to see how list.files() and list.dirs() function works.
DO NOT CLICK RUN
list.files()
list.dirs()


Alpina XB7 Spied Wearing A Little Camo At The Nürburgring
A more powerful and ultra opulent version of the BMW X7 is on the way.
by Chris BruceThe Alpina XB7 is the coachbuilder's take on BMW X7 with slightly revised styling and a boost in power. Look for it to arrive in 2020.
Gallery: Alpina XB7 Spy Photos
Alpina dresses the XB7 a slightly revised front fascia with a wide inlet and a larger one in each corner. The only other tweaks are tiny changes for the bumper that now incorporate four circular pipes. A version of Alpina's famous multi-spoke wheels aren't on this vehicle but would almost certainly be available for customers who want them.
Check Out More Spy Shots And Renderings Of The Big Alpina:
Inside, expect Alpina to outfit the XB7 with an even nicer interior than the already plush BMW. Better quality materials like high-end leather and wood trim. It should be a very comfy place to take a drive.
Alpina CEO Andreas Bovensiepen hints that the XB7 has a very good chance of coming to the United States. The American version would reportedly use a twin-turbo V8 making over 600 horsepower (447 kilowatts). Europeans would also have the choice of a 3.0-liter inline-six turbodiesel with 394 hp (294 kW) and 560 pound-feet (760 Newton-meters) of torque. Both powerplants would come with an eight-speed automatic and have all-wheel drive.
Save Thousands On A New BMW X7
MSRP $ 74,895
MSRP $ 74,895
Save on average over $3,400 off MSRP* with
Motor1.com Car Buying Service
SEE PRICING
Like the 7-Series-based Alpina B7 sedan, expect the XB7 to be available from BMW dealers in the United States, which means the modified model comes with a factory warranty. Pricing is a mystery, but the company sells other grades of the X7 for a little less than the comparable 7 Series. This suggests the XB7 might undercut the Alpina B7's $142,800 cost but probably not by too much.
Source: Automedia


"x" "1" "JAEGERSTAD,M AND GRIVAS,S, THE SYNTHESIS AND MUTAGENICITY OF THE3-ETHYL ANALOGUES OF THE POTENT MUTAGENS IQ, MEIQ, MEIQX AND ITS 3,7-DIMETHYLISOMER, MUTAT. RES. 144(3):131-136, 1985"


More posts are cooming soon....
First of all, we would like to thank you for visiting our website!
Well, this is a blogsite. Here you will be able to read and gather information on internet technology.


Structure of Water in Unsaturated Geologic Media and Its Influence on Solute Chemical Interactions
EPA Grant Number: U916171Title: Structure of Water in Unsaturated Geologic Media and Its Influence on Solute Chemical Interactions
Investigators: Hay, Michael B.
Institution: Princeton University
EPA Project Officer: Boddie, Georgette
Project Period: January 1, 2003 through January 1, 2006
Project Amount: $102,000
RFA: STAR Graduate Fellowships (2003) Recipients Lists
Research Category: Fellowship - Geology , Academic Fellowships , Ecological Indicators/Assessment/Restoration
Objective:
The objective of this research project is to probe water structure and solute behavior within water films and bulk-water contact lines ("menisci") on a variety of solid substrates to answer the following questions: (1) How does the molecular-scale structure of water in the form of films and lenses on mineral surfaces differ from that in bulk water? (2) How does the concentration of chemical species change as a function of position within a water meniscus? (3) To what degree are surface complexation and solute adsorption affected by water-layer thickness?
Approach:
Understanding the fate of contaminants in soil water systems necessitates an indepth knowledge of both the physical properties (e.g., soil structure, hydraulic conductivity) and chemical phenomena (sorption/phase partitioning, speciation, transformation) governing solute transport in geologic media. Of particular interest (and difficulty) is an understanding of the behavior of solutes in the unsaturated zone, which serves not only as the spatial intermediate between the soil surface and underlying groundwater, but also as host to many important plant and microbial processes. Traditionally, studies on chemical behavior of solutes in solution and at mineral-water/air-water interfaces have involved speciation and kinetic behavior in bulk solution. Application of these results to soil solutions in the vadose zone, where water exists in the form of thin films and pendular rings joining mineral grains, is highly questionable. Many properties of aqueous solutions differ close to an interface, including dielectric constant1, hydrogen-bonding dynamics2, and ion concentration (i.e., electric double-layer formation). There is much to be understood, however, regarding the effects of these properties on thermodynamic equilibria and kinetics, particularly in the case of thin films and menisci (where this "interfacial water" composes a significant fraction of the water present). Extremely thin water films (~10 nm) have the added complexity of overlapping interfaces (e.g., air-water-mineral), which affects both water thermodynamic activity and solute mobility by diffusion in ways that are not entirely understood.
Experimental techniques will primarily involve infrared (IR), ultraviolet-visible, and x-ray spectroscopic/spectromicroscopic methods for obtaining spatially resolved chemical information, coupled with ellipsometric and interferometric methods for determining water-layer thickness. Previous researchers have probed the instantaneous2,3 and time-averaged4 hydrogen-bonding dynamics of bulk water using soft x-ray and IR absorption spectroscopy, respectively. Instrumentation for the analysis of thin-film water using these methods is under development for use with existing synchrotron light source facilities. Specifically, a high-vacuum sample chamber for temperature- and humidity- (film thickness) controlled x-ray absorption measurements has been designed and is under construction. Future studies also will involve x-ray and IR microscopy to assess water structure with position at a meniscus. Studies on solute behavior also can be performed using these techniques; future investigations will utilize the x-ray spectroscopy vacuum chamber, as well as the spectromicroscopy facilities, in the determination of solute concentrations, speciation, diffusion and reaction rates, and surface complex formation in controlled thin-film experiments (for comparison with bulk observations).
References:
1. Sverjensky DA. Interpretation and prediction of triple-layer model capacitances and the structure of the oxide-electrolyte-water interface. Geochimica et Cosmochimica Acta 2001;65:3643-3655.
2. Wilson KR, et al. Characterization of hydrogen bond acceptor molecules at the water surface using near-edge x-ray absorption fine-structure spectroscopy and density functional theory. Journal of Physics: Condensed Matter 2002;14:L221-L226.
3. Myneni S, et al. Spectroscopic probing of local hydrogen-bonding structures in liquid water. Journal of Physics: Condensed Matter 2002;14:L213-L219.
4. Libnau FO, Toft J, Christy AA, Kvalheim OM. Structure of liquid water determined from infrared temperature profiling and evolutionary curve resolution. Journal of the American Chemical Society 1994;116:8311-8316.
Supplemental Keywords:
fellowship, chemical interactions, water, water structure, solute behavior, thin films, bulk water, water meniscus.Relevant Websites:
2004 STAR Graduate Fellowship Conference Poster (PDF, 1p., 3.3MB, about PDF)


You can see the URL above there (or if you can't, please wait a minute then refresh). Go ahead and SSH in as root
user, with the password emuguestpassword
. Feel free to change this password as you get in.
Your VM status is as above. A new VM is normally created within 60 seconds, though this process may take more or less time depending on how overloaded the server is.
If the status is broken
, our provisioning process failed. Try again, or wait for us to fix it. If the status is invalid
perhaps you mangled the URL on purpose, or we have a bigger bug.
Otherwise, just refresh and get your new VM.
{{ end }}To manage your VM, use the password on the previous screen to log into the Manage section. From there, you can enable hosting a website on port 80, for example. Your VM ID is the one in the URL.
 This restriction will be removed in future.
You can bookmark this page to get back here in case you forget the URL but I can't promise it'll stay the same as I work on more features.
The VM may be deleted at any point, but it's unlikely to happen if you've used it in the past 24 hours (I'll delete old VMs to make room for new ones).


---
sort_order: 40
tei_id: rdx_b5j2m.p.idm2642464
annotation_count: 0
images:
small-thumbnail: http://readux.library.emory.edu/books/emory:b5j2m/pages/emory:p74pb/mini-thumbnail/
json: http://readux.library.emory.edu/books/emory:b5j2m/pages/emory:p74pb/info/
full: http://readux.library.emory.edu/books/emory:b5j2m/pages/emory:p74pb/fs/
page: http://readux.library.emory.edu/books/emory:b5j2m/pages/emory:p74pb/single-page/
thumbnail: http://readux.library.emory.edu/books/emory:b5j2m/pages/emory:p74pb/thumbnail/
title: Page 40
number: 40
---
{% raw %};>0 MRS. H. BEECHER STOWE's " L'NCLE TOM."{% endraw %}
{% raw %}The moment he saw me, he hallooed, "That's it,{% endraw %}
{% raw %}Sie ! pitch in ! show me fair play." It was a rough{% endraw %}
{% raw %}business, and I went in roughly, shoving, tripping,{% endraw %}
{% raw %}and doing my best for the rescue. With infinite{% endraw %}
{% raw %}trouble, and many a bruise on my own head and{% endraw %}
{% raw %}shoulders, I at length got him out of the room. He{% endraw %}
{% raw %}was crazy with drink and rage, and struggled hard{% endraw %}
{% raw %}with me to get back and renew the fight. But I{% endraw %}
{% raw %}managed to force him into his waggon, jump in,{% endraw %}
{% raw %}and drive off.{% endraw %}
{% raw %}By ill-luck, in the height of the scuffle, Bryce{% endraw %}
{% raw %}Litton got a severe fall. Whether the whisky he{% endraw %}
{% raw %}had drunk, or a chance-shove from me, was the{% endraw %}
{% raw %}cause, I am unable to say. He, however, attributed{% endraw %}
{% raw %}it to me, and treasured up his vengeance for the{% endraw %}
{% raw %}first favourable opportunity. The opportunity soon{% endraw %}
{% raw %}came.{% endraw %}
{% raw %}About a week afterwards, I was sent by my master{% endraw %}
{% raw %}to a place a few miles distant, on horseback, with some{% endraw %}
{% raw %}letters. I took a short cut through a lane, separated{% endraw %}
{% raw %}by gates from the high road, and bounded by a fence{% endraw %}
{% raw %}on each side. This lane passed through a part of the{% endraw %}
{% raw %}farm owned by my master's brother, and his over¬{% endraw %}
{% raw %}seer was in the adjoining field, with three negroes,{% endraw %}
{% raw %}when I went by. On my return, half an hour after¬{% endraw %}
{% raw %}wards, the overseer was sitting on the fence, but I{% endraw %}
{% raw %}could see nothing of the black fellows. I rode{% endraw %}
{% raw %}on, utterly unsuspicious of any trouble ; but as I{% endraw %}
{% raw %}approached, he jumped off the fence, and at the same{% endraw %}
{% raw %}moment two of the negroes sprang up from under{% endraw %}
{% raw %}the bushes where they had been concealed, and{% endraw %}
{% raw %}stood with him immediately in front of me while{% endraw %}


Class: Aws::Lambda::Types::AddPermissionRequest
| Inherits: |
Struct
|
| Defined in: |
(unknown) |
Overview
AddPermissionRequest
as input to a Client method, you can use a vanilla Hash
:
{
function_name: "FunctionName", # required
statement_id: "StatementId", # required
action: "Action", # required
principal: "Principal", # required
source_arn: "Arn",
source_account: "SourceOwner",
event_source_token: "EventSourceToken",
qualifier: "Qualifier",
}
Instance Attribute Summary collapse
-
#action ⇒ String
The AWS Lambda action you want to allow in this statement.
-
#event_source_token ⇒ String
A unique token that must be supplied by the principal invoking the function.
-
#function_name ⇒ String
Name of the Lambda function whose resource policy you are updating by adding a new permission.
-
#principal ⇒ String
The principal who is getting this permission.
-
#qualifier ⇒ String
You can use this optional query parameter to describe a qualified ARN using a function version or an alias name.
-
#source_account ⇒ String
This parameter is used for S3 and SES only.
-
#source_arn ⇒ String
This is optional; however, when granting Amazon S3 permission to invoke your function, you should specify this field with the Amazon Resource Name (ARN) as its value.
-
#statement_id ⇒ String
A unique statement identifier.
Instance Attribute Details
#action ⇒ String
The AWS Lambda action you want to allow in this statement. Each Lambda
action is a string starting with lambda:
followed by the API name .
For example, lambda:CreateFunction
. You can use wildcard (lambda:*
)
to grant permission for all AWS Lambda actions.
#event_source_token ⇒ String
A unique token that must be supplied by the principal invoking the function. This is currently only used for Alexa Smart Home functions.
#function_name ⇒ String
Name of the Lambda function whose resource policy you are updating by adding a new permission.
You can specify a function name (for example, Thumbnail
) or you can
specify Amazon Resource Name (ARN) of the function (for example,
arn:aws:lambda:us-west-2:account-id:function:ThumbNail
). AWS Lambda
also allows you to specify partial ARN (for example,
account-id:Thumbnail
). Note that the length constraint applies only to
the ARN. If you specify only the function name, it is limited to 64
character in length.
#principal ⇒ String
The principal who is getting this permission. It can be Amazon S3
service Principal (s3.amazonaws.com
) if you want Amazon S3 to invoke
the function, an AWS account ID if you are granting cross-account
permission, or any valid AWS service principal such as
sns.amazonaws.com
. For example, you might want to allow a custom
application in another AWS account to push events to AWS Lambda by
invoking your function.
#qualifier ⇒ String
You can use this optional query parameter to describe a qualified ARN using a function version or an alias name. The permission will then apply to the specific qualified ARN. For example, if you specify function version 2 as the qualifier, then permission applies only when request is made using qualified function ARN:
arn:aws:lambda:aws-region:acct-id:function:function-name:2
If you specify an alias name, for example PROD
, then the permission is
valid only for requests made using the alias ARN:
arn:aws:lambda:aws-region:acct-id:function:function-name:PROD
If the qualifier is not specified, the permission is valid only when requests is made using unqualified function ARN.
arn:aws:lambda:aws-region:acct-id:function:function-name
#source_account ⇒ String
This parameter is used for S3 and SES only. The AWS account ID (without
a hyphen) of the source owner. For example, if the SourceArn
identifies a bucket, then this is the bucket owner\'s account ID. You
can use this additional condition to ensure the bucket you specify is
owned by a specific account (it is possible the bucket owner deleted the
bucket and some other AWS account created the bucket). You can also use
this condition to specify all sources (that is, you don\'t specify the
SourceArn
) owned by a specific account.
#source_arn ⇒ String
This is optional; however, when granting Amazon S3 permission to invoke your function, you should specify this field with the Amazon Resource Name (ARN) as its value. This ensures that only events generated from the specified source can invoke the function.
#statement_id ⇒ String
A unique statement identifier.


Based on Oblique's alerts, notifications provide short, timely, and relevant information for your application users.
Usage
- Use when you want to draw attention to important updates or messages.
- Do notify users about about time-sensitive information directed specifically at them.
- Do not notify users about information that is currently on screen (e.g. active chat conversations)
- Do not notify users about technical operations that do not require user involvement (such as syncing)
- Do not notify users about error messages that can be resolved without user action


By Phil Curtolo
Leonardo DeCaprio (What's Eating Gilbert Grape) and Claire Danes (TV's My So Called Life) star in director Baz Luhrmann's modernized version of William Shakespeare's classic, Romeo & Juliet. Surrounded by a superb supporting cast, in-cluding Paul Sorvino (Goodfellas), Brian Dennehy (Tommy Boy), Pete Poslethwaite (The Usual Sus-pects) and John Leguizamo (Executive Decision), DeCaprio and Danes shine throughout the film.
The story starts off at a gas station, where the "Montague Boys" meet the "Capulet Boys" and square off with one another. Symbolizing the swords of Shakespeare's day were their weapons, like the "Rapier-9mm" or the "Longsword- Shotgun."
Another great thing about the film was the performance of Harold Perrineau as Romeo's best friend. Mercutio, who in Shakespeare's novel was quite a stud, was portrayed as an Afri-can-American cross-dresser whose violent na-ture, was a definite plus. Miriam Margoyles, a virtually unknown actress was astounding as Juliet's nurse, even though she was never given a name. She was the only one who could keep Juliet out of her fantasy world.
Verona was the home of the rival families in Shakespeare's version, only slightly changed in Luhrmann's. Now known as Verona Beach, the Capulet's (led by Sorvino) and Montague's (led by Dennehy) are now rival corporate dynasties. And their small family skirmishes were now huge gang wars.
One slight problem with the film was the difficulty to comprehend the dialogue, since it was spoken in old English. Sub-titles could have helped in the beginning of the movie, but toward the end, it became easier to understand.
This excellent movie poses another prob-lem: what genre is it? Romeo & Juliet contains so much drama, yet enough comedy and action to be placed in either of those categories.
With the same award-winning formula that was used by Quentin Tarantino in Reservoir Dogs and Pulp Fiction, Romeo & Juliet is a sure fire modern masterpiece. Grade: A-, **** out of *****
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Dramatis Personae
Ellemie Garden, Daratia, High protectorate space
- Neta Domiata (sonovian’dom)
- Elite Ban Vara, Honored Envoy
- Thora Chinto (sonovian’het)
- Neta’s mother (assigned care taker), Honored Mother of Segetum Pri
- Shem Poe (sonovian’telatra)
- Maestro Engineer, Adept of cage and conduit Segetum Hexus
The Frontier/Erappa
- Draga Hekta (priata’reg’not)
- Maestro Savant of Life
- Humrego Yath (hur’srata’det)
- Selet’ecati (recruiter) for the Or’sato Greda, assigned to Gemi’holon galaxy, Tek’demus, Ulma’nesta, Emhetra sectors
- Uxur’rodex (sonovian’telatra)
- Elite Engineer, maestro of cage and conduit
- Ray’heta Hy’tetra (soriati’hexa’not)
- Privateer, self proclaimed void-admiral, commission is held by the Eradeus maxur, Gemi’holon galaxy, Emhetra sector
- Un’drema (regusum’vaft)
- first adjutant, member of the command cartel of void-admiral Ray’heta Hy’tetra, Gemi’holon galaxy, Emhetra sector
- Argo’mat (dedextra’not)
- second adjutant, member of the command cartel of void-admiral Ray’heta Hy’tetra, Gemi’holon galaxy, Emhetra sector
- Ahm’gata (septra’not)
- third adjutant, member of the command cartel of void-admiral Ray’heta Hy’tetra, Gemi’holon galaxy, Emhetra sector
- Zemo Arateus (Emut)
- Ancient rouge (pirate) of the corsair clan Rah amalam, Gemi’holon galaxy, Emhetra, Ter’tai’deroga, Heg Juter sectors
- Regma’tai (chen gara)
- Frontier breaker, co-custodian of Andra Palnus, Helorque, soul bonded to Getta’tai
- Getta’tai (chen gara)
- Frontier breaker, co-custodian of Andra Palnus, Helorque, soul bonded to Regma’tai
The Hyperg’enot (‘the endless empire’, deep erappa)
“Vast are the stars; all belong to the first born; chosen of Coden —god-of-all-the-cosmos.” —Ancient Hyperg’enot hymn
- Tre’votu Revmet (Dre’Cladeshem) “The key to my longevity is quite simple really. Just be diabolical.”
- Holy Empress Diatas of the Hyperg’enot, High Lady of the Revmet dynast, ArchKnight of the Star Council
- Rel’hieda (Dre’Cladeshem) “Let the emperor make a fool of themselves. An empress must rule”
- High Lady Matriarch of the Revmet dynast, ArchKnight of the Star council
- Haego Rexus (Dre’Cladeshem) “the best peace, is earned through savagery”
- Holy Emperor Diatas of the Hyperg’enot, High lord of the Rexus dynast
- Oroto Rexus (Dre’Cladeshem) “Emperors are not forged not by blood”
- High Lord Patriarch of the Rexus dynast, ArchKnight of Star Council
- Daemos Rexus (Dre’Claseshem)
- High Lord Prince of the Hyperg’enot, son of Haego Rexus, Lord General of the Star-Lion Knights, High commander of the Hyperg’enot twelfth army.
Voro Gata (temple of the Or’sato Greda), E’repadie (moon of Daratia), High protectorate space
- Xer To’hegma
- Principle assessor, Voro Gata
- Lehr Met’thune
- Principle Game maestro, Voro Gata
- Setra Edex
- Game maestro of Personal combat, Voro Gata
- Sheg Erapta
- Game maestro of armed combat, Voro Gata
- Drul’do
- Game maestro general of kototorium twelve, Voro Gata
- Emrat’Hypa
- Game maestro general of kototorium two, Voro Gata
Neta’s sisters
- Shurae
- Tsha’te
-
Reje’mi
- Latra
- Yetcha
-
Hexur
- Rono’ahm
- Jema’lau
-
Urrux
- Temet
- Dret’ma
- Usata’pera
The Hyperg’enot dynasts
Dynast standard colors are listed from most to least prominent.
‘ultra’ colors are only fully visible to the those that can see in many spectrums
- Oni
- Colors: purple, white, black, ultra teal (UV)
- Renee
- Colors: white, bronze, black
- Uru
- Colors: green, gold, ultra teal
- Megus
- Colors: yellow, black, purple, ultra purple (UV)
- Jexmet
- Colors: red, black, ultra red (UV)
- Domor
- Colors: blue, black, gold, ultra blue (UV)
- Ajnau
- Colors: ultra blue (UV), white, black
- Gretto
- Colors: ultra green (UV), purple, ultra purple (UV)
- Polomi
- Colors: yellow, purple, black, ultra teal (UV)
- Revmet
- Colors: black, pink, ultra teal (UV), ultra blue (UV)
- Toro
- Colors: ultra red (UV), ultra teal (UV)
- Higsi
- Colors: black, red, blue, ultra blue (UV)
- Repau
- Colors: green, purple, ultra teal (UV)
- Rexus
- Colors: orange, red, black, ultra blue (UV)
- Rotomar
- Colors: purple, green, black


Dozens of adult Lego fans struck down with 'norovirus' at event
Dozens of people were hit by a vomiting and diarrhoea bug after going to an event called The Brick Show.
There was a suspected mass norovirus outbreak at the venue in Bristol where adult Lego fans had gathered to build models and play games.
Adult Lego users group GertLug spokesman Nick Amos said: ‘People always like to have something or someone to blame nowadays, but it seems like one of those things.’
But one anonymous participant claimed: ‘The food wasn’t great and over the weekend the toilets weren’t well maintained, the basins didn’t work well and there was no hand sanitiser.
‘At least 40 people I know have been affected.’
People who had travelled from miles around to the Action Indoor Sports venue did not even make it home before the symptoms struck, according to reports.
Bristol City Council confirmed they had received reports of problems at the event and an investigation has been launched.
Advertisement Advertisement
Amos said: ‘I don’t think it was the food or the toilets or anything, because it seems to have been so random.’
He said his brother came down with the bug after attending, even though he did not eat or go to the toilet there.
Organisers posted on Facebook to say they were ‘devastated that this has put a damper on an otherwise successful show’.
They said: ‘Obviously we wish everyone who is affected a speedy recovery.
‘Unfortunately there were no reports of sickness made during the duration of the show therefore we had no way of warning anyone nor identifying a source at the time.’
Got a story for Metro.co.uk?
Get in touch with our news team by emailing us at<EMAIL_ADDRESS>For more stories like this, check our news page.


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Week 4
This week, we focused heavily on rastering and vectoring with the laser cutter. I cut my puzzle that I printed on cardboard last week, made a 3D box using MakerCase, rastered a design onto a drinking glass, and rastered a design onto a coaster. I also made a press kit on CorelDraw, however I'm unable to find the files for the press kit.
Puzzle cut
Makercase File
Glass Design File
Coaster Design
Back to index


| Package | Description |
|---|---|
| org.elasticsearch.search.sort |
| Modifier and Type | Method and Description |
|---|---|
static FieldSortBuilder |
SortBuilders.fieldSort(String field)
Constructs a new field based sort.
|
FieldSortBuilder |
FieldSortBuilder.ignoreUnmapped(boolean ignoreUnmapped)
Deprecated.
Use
unmappedType(String) instead. |
FieldSortBuilder |
FieldSortBuilder.missing(Object missing)
Sets the value when a field is missing in a doc.
|
FieldSortBuilder |
FieldSortBuilder.order(SortOrder order)
The order of sorting.
|
FieldSortBuilder |
FieldSortBuilder.setNestedFilter(QueryBuilder nestedFilter)
Sets the nested filter that the nested objects should match with in order to be taken into account
for sorting.
|
FieldSortBuilder |
FieldSortBuilder.setNestedPath(String nestedPath)
Sets the nested path if sorting occurs on a field that is inside a nested object.
|
FieldSortBuilder |
FieldSortBuilder.sortMode(String sortMode)
Defines what values to pick in the case a document contains multiple values for the targeted sort field.
|
FieldSortBuilder |
FieldSortBuilder.unmappedType(String type)
Set the type to use in case the current field is not mapped in an index.
|
Copyright © 2009–2016. All rights reserved.


The recent research of MSC lab has focused on intelligent/autonomous mechanical systems and their interaction with humans from manufacturing (industrial robots) to transportation (autonomous driving) with synergies between model-based control methodologies with machine learning.
We present a safe gain optimization algorithm for variable impedance control with control barrier functions. The algorithm is able to obtain the optimal impedance gain without manully tuning and avoid unwanted collisions in real-time. Check out our webiste page here.


| DOSE: |
1200 mg |
oral |
Caffeine |
(pill / tablet) |
| |
|
insufflated |
Caffeine |
(powder / crystals) |
Having nothing to do this weekend, my girlfriend and I went to the local store and I decided to obtain a bottle of 18 extra strength No-Doz. At about 10:30 I swallowed six pills (200 mg apiece) along with a cup of Faygo Moon Mist (a caffinated soda much like Mountain Dew, but with more sugar). The effects began almost instantly. About five minutes later, I felt a strange warmth in my stomach, like the first feeling after dropping E. A half hour later, I had a pleasant, speed-ish buzz going on. Trails were faint but present for the first hour or so. I was also VERY giggly, I remember laughing a whole lot about not much. I had a nice, tingly body buzz as well.
After a couple hours of this, I decided to try crushing up a pill and snorting a couple bumps. The effects were minimal, at best. However, it left an awful pill taste in the back of my throat, so I quickly abandoned it.
About 15 minutes later, (approx 2:30 or so) everything started to go all wrong. I had a wrenching pain in my stomach and my heartbeat became very loud. It seemed like every sound I heard was magnified, and my breathing became very deep.  At about 3:30 or so I decided to start trying to sleep it off, so I took short, half-hour to 15 minute naps that usually ended in me sitting bolt upright and looking at the clock for no apparent reason.
At about 4:30/5:00 I started to believe that my life was going into the gutter. All these dreadful realizations began to dawn on me (I'm living with my girlfriend and my parents don't know, I haven't got my grades yet, etc, etc, ad infinitum). Anyone who's had a panic attack will know the sensation I felt. After about an hour and a half of lying in bed and freaking out about my life, I decided in a panicked state to go try to find my grades online. I literally ran out of my house at about 6:15 am and walked very swiftly to the computer lab.
Finding it locked, I decided to enter the building through a garage door which I found open. Since I had worked in this building over the summer I knew many ways in, but i still became quite frantic at the thought of being caught inside. I went to the computer lab, tried to look up my grades, and then when that failed, sat in front of the computer blankly for about 15 minutes until I got up the courage to leave. On the way out, I literally made a mad dash for the door in blind terror at being 'caught' (even though this was completely irrational; I've been in this same building at even weirder hours without any complaints from campus security.) I didn't shake this feeling until after I was almost back home.
After freaking out about various other things for a couple hours, I started to realize that my panicked state was irrational and decided to try to sleep it off again. Again, the best I was able to do were short half-hour naps, but I found that drinking milk helped to coat my stomach so I didn't feel like I was about to puke at any second. Eating some soup also made me feel much better. I finally fell soundly asleep at noon or so, and when I woke up at 2, I felt much better. My stomach still has a dull ache, but that's subsiding quickly.
I don't recommend this experience to anybody. Even though the early effects were pleasant, none were worth the self-loathing and paranoia that I experienced. Also, by comparing my experience, it seems that individuals have very widely varying tolerances to caffiene pills. It's not worth risking your health to figure out what yours is. I got lucky in that I didn't have to make a trip to the hospital to get my stomach pumped. Needless to say, I won't be repeating this experience again.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Hi all, curious on your internet speeds as well as ping. Just post a comment of yours. I use https://www.speedtest.net for my speed test.


| Existing Consumer Market | 3.075% |
| 3 million Pop. Market distance in KMs | |
| Within 10 | 100% |
| 10-20 | 75% |
| 20-30 | 50% |
| 30-40 | 25% |
| above 40 | 0% |
| Industry Concentration | 5.535% |
| Other Industrial Cluster/Zone in KMs | |
| within 5 | 100% |
| 5-10 | 75% |
| 10-15 | 50% |
| 15-25 | 25% |
| above 25 | 0% |
| Population Growth | 3.69% |
| Adjacent City Growth | |
| Above average | 100% |
| average | 75% |
| below average | 50% |
| low | 25% |
| very low | 0% |
| Total Market Weight | 12% |


Xtreme Test
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I've sent the final files over to you for review. When you're able to sign off of them let me know and we can discuss distribution.
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1.2.1
(object?)
| Name | Description |
|---|---|
configuration.eventLogger function
(default undefined )
|
The function that receives event payloads. |
configuration.logging boolean
(default false )
|
Turns ON or OFF logging to the console. |
configuration.patchUrl string
(default https://cdn.jsdelivr.net/npm/midi-instrument-patches@latest/ )
|
The public path where MIDI instrument patches can be found. |
configuration.audioContext object
(default undefined )
|
An instance of the Web Audio API AudioContext interface. |
(string)
: ID of this instance of Midi Player.
(object)
: The AudioContext instance.
(function)
: The function that is called to emit events.
(boolean)
: Whether console logging is ON or OFF.
(arrayBuffer)
: A typed array that represents the content of the MIDI.
(any)
: The buffer with the MIDI data.
(string)
: The URL used to load MIDI instrument patches.
(object)
: The source that plays the audio signal.
(number)
: The time when MIDI playback started.
(number)
: The MIDI stream.
(any)
: The buffer with the MIDI data converted to WAV.
(boolean)
: Whether this is the first instance of the Midi Player or not.
object
:
A
MidiPlayer
instance.
import MidiPlayer from 'web-midi-player';
const eventLogger = (payload) => {
console.log('Received event:', payload.event)
}
const midiPlayer = new MidiPlayer({ eventLogger, logging: true });
Starts playback of MIDI input.
Please note that you can not use input.arrayBuffer
and input.url
concurrently.
(object
= {}
)
| Name | Description |
|---|---|
input.arrayBuffer arrayBuffer?
|
An array buffer containing MIDI data to play. |
input.url string?
|
The URL where the MIDI file to play is located. |
input.name string?
|
A human-friendly name for the song. |
input.audioContext object?
|
An instance of the Web Audio API AudioContext interface. |
boolean
:
Whether playback was successfully initiated or not.
const name1 = 'My MIDI file from URL';
const url = 'media/file.midi';
midiPlayer.play({ url, name: name1 });
const name2 = 'My MIDI file from ArrayBuffer';
const arrayBuffer = new ArrayBuffer();
midiPlayer.play({ arrayBuffer, name: name2 });
A wrapper to call functions.
(string)
The name of the function to call.
(string)
The return type of the function, one of the JS types 'number', 'string' or 'array' (use 'number' for any C pointer, and 'array' for JavaScript arrays and typed arrays; note that arrays are 8-bit).
(array)
An array of the types of arguments for the function (if there are no arguments, this can be ommitted). Types are as in returnType, except that 'array' is not possible (there is no way for us to know the length of the array)
(array)
An array of the arguments to the function, as native JS values (as in returnType). Note that string arguments will be stored on the stack (the JS string will become a C string on the stack).
any
:
Native JS value (as in returnType)
This is for internal use. Optimized for multiple syntaxes to save space in generated code. You should allocate memory using _malloc(), initialize it with setValue(), and so forth.
(any)
An array of data or a number. If a number, then the size of the block to allocate in
bytes
(note that this is sometimes confusing: the next parameter does not affect this).
(any)
Either an array of types, one for each byte (or 0 if no type at that position), or a single type which is used for the entire block. This only matters if there is initial data. If slab is a number, then this does not matter at all and is ignored.
(any)
How to allocate memory, see ALLOC_*
(any)
Pointer.
(any?)
(any)
Pointer to a null-terminated UTF16LE-encoded string in the emscripten HEAP.
Copies a JavaScript string to the emscripten HEAP. The copy is null-terminated and encoded in UTF16LE form. The copy will require at most (str.length2+1)2 bytes of space in the HEAP.
(string)
JavaScript string.
(any)
HEAP address (pointer).
(any)
Pointer to a null-terminated UTF32LE-encoded string in the emscripten HEAP.
Copies a JavaScript string to the emscripten HEAP. The copy is null-terminated and encoded in UTF32LE form. The copy will require at most (str.length+1)*4 bytes of space in the HEAP.
(string)
JavaScript string.
(any)
HEAP address (pointer).
(any)
(any)
Callback.
(any)
Callback.
(any)
Callback.
(any)
Callback.
(any)
Callback.
(any)
(any)
(any)
(any)
(any)
(any)
(any)
(any)
(any)
(any)
(any)
(any)
Creates a file in the patch directory and writes the instrument data to it.
(object?)
| Name | Description |
|---|---|
configuration.playerId string
(default undefined )
|
The ID of the Midi Player that sends events. |
configuration.eventLogger function
(default undefined )
|
The function that receives event payloads. |
configuration.logging boolean
(default false )
|
Turns ON or OFF logging to the console. |
object
:
An
EventHandler
instance.


An autofilter in Excel is a way of filtering a 2D range of data based on some simple criteria.
The first step is to apply an autofilter to a cell range in a worksheet using the autofilter() method:
worksheet.autofilter('A1:D11')
As usual you can also also use Row-Column notation:
worksheet.autofilter(0, 0, 10, 3) # Same as above.
The autofilter() defines the cell range that the filter applies to and creates drop-down selectors in the heading row. In order to filter out data it is necessary to apply some criteria to the columns using either the filter_column() or filter_column_list() methods.
The filter_column method is used to filter columns in a autofilter range based on simple criteria:
worksheet.filter_column('A', 'x > 2000')
worksheet.filter_column('B', 'x > 2000 and x < 5000')
It isn’t sufficient to just specify the filter condition. You must also hide any rows that don’t match the filter condition. Rows are hidden using the set_row() hidden parameter. XlsxWriter cannot filter rows automatically since it isn’t part of the file format.
The following is an example of how you might filter a data range to match an autofilter criteria:
# Set the autofilter.
worksheet.autofilter('A1:D51')
# Add the filter criteria. The placeholder "Region" in the filter is
# ignored and can be any string that adds clarity to the expression.
worksheet.filter_column(0, 'Region == East')
# Hide the rows that don't match the filter criteria.
row = 1
for row_data in (data):
region = row_data[0]
# Check for rows that match the filter.
if region == 'East':
# Row matches the filter, display the row as normal.
pass
else:
# We need to hide rows that don't match the filter.
worksheet.set_row(row, options={'hidden': True})
worksheet.write_row(row, 0, row_data)
# Move on to the next worksheet row.
row += 1
The filter_column() method can be used to filter columns in a autofilter range based on simple conditions:
worksheet.filter_column('A', 'x > 2000')
The column parameter can either be a zero indexed column number or a string column name.
The following operators are available for setting the filter criteria:
Operator Synonyms
== eq =~ =
!= <> ne
>
<
>=
<=
and &&
or ||
The operator synonyms are just syntactic sugar to make you more comfortable using the expressions. It is important to remember that the expressions will be interpreted by Excel and not by Python.
An expression can comprise a single statement or two statements separated by the and and or operators. For example:
'x < 2000'
'x > 2000'
'x == 2000'
'x > 2000 and x < 5000'
'x == 2000 or x == 5000'
Filtering of blank or non-blank data can be achieved by using a value of Blanks or NonBlanks in the expression:
'x == Blanks'
'x == NonBlanks'
Excel also allows some simple string matching operations:
'x == b*' # begins with b
'x != b*' # doesn't begin with b
'x == *b' # ends with b
'x != *b' # doesn't end with b
'x == *b*' # contains b
'x != *b*' # doesn't contains b
You can also use '*' to match any character or number and '?' to match any single character or number. No other regular expression quantifier is supported by Excel’s filters. Excel’s regular expression characters can be escaped using '~'.
The placeholder variable x in the above examples can be replaced by any simple string. The actual placeholder name is ignored internally so the following are all equivalent:
'x < 2000'
'col < 2000'
'Price < 2000'
A filter condition can only be applied to a column in a range specified by the autofilter() method.
Prior to Excel 2007 it was only possible to have either 1 or 2 filter conditions such as the ones shown above in the filter_column() method.
Excel 2007 introduced a new list style filter where it is possible to specify 1 or more ‘or’ style criteria. For example if your column contained data for the months of the year you could filter the data based on certain months:
The filter_column_list() method can be used to represent these types of filters:
worksheet.filter_column_list('A', 'March', 'April', 'May')
One or more criteria can be selected:
worksheet.filter_column_list('A', 'March')
worksheet.filter_column_list('B', 100, 110, 120, 130)
See Example: Applying Autofilters for a full example of all these features.


Open Seizure Detector WebAPI
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For further details please see
OpenSeizureDetector.org.uk


--- layout: default permalink: /single/ ---
Even the all-powerful Pointing has no control about the blind texts it is an almost unorthographic life One day however a small line of blind text by the name of Lorem Ipsum decided to leave for the far World of Grammar.
More Photos


[1]
staff and manager managed to get another and then another.
[2]
staff had to another router in the room big thumbs up.


Twenty-three and one-half percent (23.5%) of the DB2 9 Fundamentals certification exam (Exam 730) is designed to test your ability to identify the data types and constraints that are available with DB2 9, as well as to test your knowledge of how and when each one should be used in a table definition. The questions that make up this portion of the exam are intended to evaluate the following:
Your knowledge of the DB2 data types available and your ability to demonstrate when and how each data type available should be used
Your knowledge of the constraints available and your ability to identify when and how NOT NULL constraints, default constraints, CHECK constraints, UNIQUE constraints, and referential integrity constraints should be used
Your ability to create a database table, using data types and constraints
Your ability to identify characteristics of a table, view, or index
Your ability to identify how operations performed on the parent table of a referential integrity constraint are reflected in the child table of the constraint
Your ability to identify when triggers should be used
This chapter is designed to introduce you to the data types and constraints that are available with DB2 and to show you how to construct base tables using any combination of each. This chapter is also designed to show you how triggers can be used to supplement constraints.


open class ArmadaEvent
Used to handle events in the {@link CommandManager}.
Author
Boston Vanseghi
Since
2.1.0
<init> |
Used to handle events in the {@link CommandManager}. ArmadaEvent() |
isCancelled |
var isCancelled: Boolean |
CommandEvent |
open class CommandEvent : ArmadaEvent |
GearEvent |
open class GearEvent : ArmadaEvent |
Init |
class Init : ArmadaEvent |
TransformerEvent |
open class TransformerEvent : ArmadaEvent |


The Overall Planning Supplier of Carton Plant (Providing pre-sale ,sale, after-sale services) Pre-sale.
Conducting feasible plan after getting relevant data from clients
1.Equipment cost and freight
2.Factory cost(If without existing workshop)
3. Cash Turnover amount.
4.The number of workers, and the layout of total power, water, gas source, etc..
5.Recommending best equipment plan, also design and produce products according to the special demand.
Sale
1.Assisting with plan the equipment diagram and the installation of infrastructure
2.Providing the list of a full set of consumables and spare parts.
3.Provide the design drawings of all varieties of cartons and paper box for free.
4. Strictly implement the contract and deliver on time.
After-sale
1.Appoint technical personnel with on-site installation and debugging.
2.Training the operators of production line.
3.Prepared with professional translator cooperated to solve the emergency of plant for a long time.
Remark:
If there are any dissatisfaction when in the process of implementation, please contact<EMAIL_ADDRESS>Dear Client,
Firstly thanks for choosing our products!
In order to guarantee the quality, make our quality responsibility clear, ensure the qualified products and safe production, we do hereby make following guarantees.
1.Ensuring the normal shipment for machine, each machine has a collet preventing the machine colliding with each other.
2.The warranty time is calculated according to the product shipment. One year warranty. All accessories are provided free of charge within one year.
3.Charging the appropriate fees of accessories after expiration of warranty period. Lifetime service is provided.
4.We bear the all responsibilities when there are quality issues, including the replacement costs.
5.If there are products malfunction where clients couldn’t solve themselves, we would send technicians abroad repairing in the fastest time. (Or Clients looking for the local maintenance worker to repair with our agreement. We bear the maintenance costs during the warranty time.)
Remark: The tickets and Visa fees of maintenance workers were paid by clients during the warranty period. The international courier fees for accessories were paid by clients. We provide maintenance and accessories are free of charge.
Please send us the information as following:
1.What is the requested production capacity you need? Say how many boxes per day?
2.How many ply corrugated cardboard do you need ? 3ply? 5ply? Or 7ply?
3.What is the maximum size of your carton should be? (length, width and height)
4.How many colors you are going to print on the carton?
5.Do you also produce paper box? Or just carton box?
6.Whether there has been factory workshop now?(if you have , please send us your factory workshop plan)
We will quote you the suitable production line upon receipt of your reply
A. Technology
1.Production Process
Beginning with body paper, corrugated board is made through the process of high temperature, high pressure, roll compacting and gluing. After that, make it into the required cardboard sheet through the process of drying, grooving, slitting and trimming. Then by means of printing, slotting, die cutting, stapling or sticking box, make it into the required finished product of carton box.
2.Finished Product
The Carton box is made from corrugated board. The type of paperboard is divided into double wall (single sided single corrugated), triple wall (two-sided single corrugated), quintuple wall (two-sided two corrugated cored paper), septuple wall (two-sided three corrugated two cores paper) and so on.
3.Machine
The machine is manufactured by Shanghai Qisheng Packing Machinery Factory. We will supply the most advanced high quality corrugated paper board production line and print fluting machine.
B. Consumable Requirement
1. Body Paper: Kraft paper, corrugated paper, core paper and so on.
2. Adhesive: Starch, sodium borate, caustic soda, additive and so on.
3. Printing Material: water-based ink
4. Tape yarn: 16#,17# , 18#
5. Others: Resin plate, slab rubber, rubber belt, packing belt and so on.
C. Plant Requirement (The plant will be confirmed according to customer’s present workshop or different schemes.)
1. Paperboard Workshop:
2. Carton Box Workshop:
3. Raw Material and Finished Products Warehouse:
4. Steam boiler etc.
D. Equipment Requirement (We will match the different machines according to different capacity. )
E. The Quantity of Staff Members (After confirming the selected machines, the quantity of staff members will be listed for you.)
F. Economic Analysis
1. Aggregate Investment (Depends on the big or small of the plan)
(1) Equipment Investment (2) Cash Flow (3) Contingency Cost (4) Plant Investment:
2. Annual Output and Output Value
G. Items Provided by Client
1. Steam Boiler
2. Water Treating Equipment
3. The Pipeline of Water, Electricity and Gas
4. Civil Construction and Material for Foundation
5. Power Supply System (380V、50Hz ,installing transformer according to the 120% of total quantity of power distribution)
6. General Distribution Cabinet
7. The pipeline from distribution board to equipment control cabinet, and from control cabinet to equipment)
8. Body paper needed for trial run (Surface paper and Riva paper according to the GB5034-8
9. Be responsible for the civil work of equipment foundation.
10. Be responsible for hoisting and discharging the equipment to the specified location.


Nossa Equipe
There are many variations of passages of Lorem Ipsum available, but the majority have suffered alteration in some form,
by injected humour, or randomised words which don't look even slightly believable.
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User
Login
Logged in as
Username
Fullname:
FullName
Token:
...
Logout
Error:
Logging in as
...
Username:
Password:


Class Upload
Upload.
- Cygnite\Common\File\Upload\Upload implements Cygnite\Common\File\Upload\FileUploadInterface
Namespace: Cygnite\Common\File\Upload
Author: Sanjoy Dey<EMAIL_ADDRESS>Author: Balamathan Kumar
Located at Common/File/Upload/Upload.php
Author: Sanjoy Dey<EMAIL_ADDRESS>Author: Balamathan Kumar
Located at Common/File/Upload/Upload.php
public
|
|
public
|
|
public
|
|
public
|
|
public static
|
#
process(
$status = Upload::process( function($upload) |
protected
boolean
|
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public
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public
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public
string
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public
string
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public
string
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public
integer
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public
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public
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public
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public
|
protected
array
|
$fileInfo | [
'ext' => [
'jpeg',
'png',
'jpg',
'gif',
'pdf',
'doc',
'docx',
'txt',
'xlsx',
'xls',
'ppt',
'pptx',
],
'params' => [],
'file' => []
] |
#
Set the file types to upload files |


Image
Width
Symbol + ID
Symbol + ID + Fallback
Stroke Animation
| Option | Value | Default | Description |
|---|---|---|---|
src |
String | '' | The SVG source url. If a location hash is present, only the <symbol< of the SVG with the given ID is shown. |
ratio |
Number | 1 | The SVG size ratio. |
stroke-animation |
Boolean | false | Animate all elements with the `stroke` attribute in the SVG. |


Cable thief suspect electrocuted
A man has died after being electrocuted at the Netreg train station in Cape Town while allegedly attempting to steal overhead cables.
According to EWN, law enforcement officials rushed to the scene on Sunday after receiving a tip-off.
The City of Cape Town's law enforcement told EWN that, when officers arrived on the scene, they encountered five suspects who were busy cutting cables.
Three suspects reportedly managed to evade arrest while their two accomplices were caught.
The law enforcement unit's Wayne Dyason told EWN: "They had already cut 80m of signalling cable. The cable when recovered was still warm."
READ: Cable theft cripples public library in Cape Town
While the officers were charging the two arrested suspects at the police station, they were called back to the scene where they reportedly found another suspect. He had been electrocuted while trying to steal cables at the same spot.
He was reportedly seriously burnt and later succumbed to his injuries.
In October, a man believed to have been stealing cables on Cape Town's railway line between Nyanga and Philippi was electrocuted, News24 reported.
One month earlier, a suspected thief was electrocuted at the Westfield substation near Modderfontein.
- Compiled by Riaan Grobler


Gauze is a very simple JavaScript module that filters and sorts HTML elements.
You can read more and get Gauze on GitHub .


Preparation time
1-2 hours
Cooking time
30 mins to 1 hour
Serves
Serves 6-8
Dietary
Make the pastry by putting all the ingredients into a food processor and whizzing until you get a dough.
Remove and place in a plastic bag and put into the fridge to relax for 1 hour.
Preheat the oven to 200C/400F/Gas 6. Line a 9in/23cm pie tin with the pastry.
Break the eggs in a large mixing bowl and beat well and then beat in the sugar. Add the remaining ingredients and mix well.
Pour the mixture into the pastry case and bake for 10 minutes and then reduce the oven heat to 180C/350F/Gas 4 and bake for another 30 minutes or until the top of the pie is golden. Check if it s cooked through by inserting a skewer, it s done if it comes out clean.
Turn out of the tin when slightly cooled and serve warm or cold with vanilla ice cream or a spoonful of crème fraiche.


- Git Life Lessons
- Profiling DBC
- CSS Concepts: Class vs IDs
- Contain Yourself: Hashes vs Arrays
- Online Security: A Second State of Nature
- Enumerables >> Enumerator?
- Rio: Exploring Classes with a Parrot
- A Tale of Two Objects
- NoSQL: Life After SQL
- JavaScript vs Ruby: A Refresher
- Building a Website from Scratch


Hi, I’m Mostafa, a passionate Data Driven technology enthusiast. I am highly fascinated by the opportunities created by the abundance of data and computing power in the modern corporate industry.
Experienced Data Analyst with a demonstrated history of working in the information technology and services industry. Skilled in Programming( Python, R, SAS, Java) for Data Science (Mathematics, Statistics, Machine Learning algorithm), Database Management (SQL Server 2008/2012, T-SQL, NoSQL, Azure, AWS,), and Data Visualization tools (Power BI, Tableau, Cognos, Tibco Spotfire) etc. Strong mathematical, statistical and programming professional with a Masters of Science (M.Sc.) focused in Data Analytics from Christian Brothers University .
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Fusce quis interdum ipsum.Suspendi suscipit vehicula sapienid mattis. Lorem ipsum amet consectetur.
Fusce quis interdum ipsum.Suspendi suscipit vehicula sapienid mattis. Lorem ipsum amet consectetur.


{% extends "base.html" %} {% block content %}
Welcome to the CoR Cafe! We offer a wide variety of coffee, like americano, cappuccino, and decaf!
Chcek out our guest wall!


Alex Alvarado
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Javascript Quiz
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Password Generator
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Weather Monitoring Application
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Work Day Scheduler
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