Teleplay: Andrew Reich & Ted Cohen
Story: Shana Goldberg-Meehan
Directed by: Sheldon Epps
Transcribed by: Eleonora, Pheeboh, Sebastiano & Vanessa
[Scene: Monica's apartment]
Joey: (enters the room) Hey, you guys, what are you doing tomorrow night?
Chandler: (browsing through a diary) Well, let me see... I-I believe I'm... yes, falling asleep in front of the TV.
Joey: Look, my agent hooked me up with six tickets to a great play.
Chandler: I could fall asleep at a play.
Phoebe: What is it?

Monica: It sounds interesting!
Ross: Yeah, it does sound interesting, I mean, to listen to a woman complain for two hours, I don't think it gets bett... (Ross starts snoring, faking to fall asleep)
Phoebe: I know, I know, we can drive, we can vote, we can work, what more do these broads want?
Joey: You guys are gonna have a great time, I promise!
Ross: What? How come that you don't have to go!
Joey: I wish I could but I just found out that I have to be at work really early the next day, so I can't go, but, you know, take the extra ticket and invite whoever you want.
Chandler: (browsing through a diary) Uh, let's see, who do I hate?
Rachel: (gets up from the sofa and moves to the kitchen but Joey blocks her way) Oh, sorry... Oops, sorry.
Joey: (lifts Rachel up and moves her behind him so she can walk on) Hey, here you go.
Rachel: Ooh... oooh... (pause) (Rachel is all bah-jiggity about Joey) oh, ah... (pause) (to Monica) Can I ask you a question?
Monica: Yeah.
Rachel: Do you think it's possible for two friends to fool around and... and not have it be a big deal?
Monica: No, I don't think it ever works. Why?
Rachel: No reason.
Monica: No, no, Rachel?

Rachel: (with high pitched voice) Nobody, forget it!
(Monica points at Joey, Rachel turns and sees him)
Rachel: (giggling and whispering) Maybe.
Monica: (whispering) You can't!
Rachel: (whispering) Why? (Monica gesticulates mumbling something that starts with "because") Seriously I did not understand a word that you said.
Monica: In the hall.

Rachel: Yeah!  And what's the big deal, people do it all the time!
Monica: Who? Who do you know that are friends that just fool around?
Rachel: Ok, off the top of my head... Don and Janet.
Monica: Who, who are they?
Rachel: I know them from work.
Monica: Both of them?
Rachel: No, one of them...
Monica: Which one?
Rachel: I don't know, what were the names I just said?
Monica: Rachel, things can get incredibly complicated.
Rachel: All right, all right, you're right, I won't do anything with Joey, I just thought that we (Joey enters the hall) Ok so that would be two cups of tarragon, one pound of baking soda and one red onion?
Opening credits
[Scene: Central Perk, Ross enters]
Ross: Hey!
Monica: Hey!
Chandler: Hey!
Ross: Hey, you guys won't believe what I have to do for work today.
Chandler: Yes, but, Ross you chose a career of talking about dinosaurs.
Ross: (covering with his hand Chandler's face, like pretending he's not there) (to Monica) There're these two professors who are joining my department and I have to meet them here and show them around campus.
Monica: What's so bad about that?
Ross: It's I just know they're gonna be a couple of windbags wearing tweed jackets with suede elbow patches.
Monica: (fingering her elbow): Ross?
Ross: (looking his elbow, where there's a patch) These aren't suede.
(a woman walks in)
Charlie: (to Gunther) Excuse me, I'm looking for someone. You don't, by any chance, know a Ross Geller?
Gunther: No.
Ross: Hi, hi, I'm Ross Geller.
Charlie: Oh, hi. I'm professor Wealer.
Ross: Oh, oh, that's, that's, that's nice.
Charlie: It's a... It's good to meet you! Thank you so much for taking the time out to show me around.
Ross: Oh, no, it's no big deal, I mean, if I weren't doing this I'd just, you know, be at the gym working out.
Monica: (to Chandler) Is he gonna introduce us?
Chandler: (to Monica) No, I think we're just blurry shapes to him now.
Charlie: And, by the way, I really enjoyed your paper on the connection between geographic isolation and rapid mutagenesis.
Ross: Oh, ha, I wrote that in one minute.
Monica: (to chandler) Twenty bucks says they're married within the month.
Ross: (hitting Monica with his suitcase) (to Charlie) We should probably get going, you know, we got a lot of ground to cover.
Charlie: Oh, ah, isn't there another professor that is supposed to come with us?
Ross: I don't think so.
Charlie: I'm pretty sure, professor Spafford from Cornell?
Ross: Oh, well he's obviously late and the rule in my class is "if you can't come on time, then don't come at all". (pause) An option that many of my students use. (pause) Shall we?
Charlie: You don't think we should wait for him?
Ross: You know what, he's a big boy, I'm sure he'll find us, ok?
Professor Spafford: Professor Geller?

[Scene: Joey's apartment]
(Rachel enters the room and checks the answering machine)
Jane: (from the answering machine) Hi Joey it's Jane Rogers, can't wait for your party tonight. Listen, I forgot your address, can you give me a call? Thanks, bye.
Joey: (entering the room) Hey!
Rachel: Hey!
Joey: What's happenin'?
Rachel: Yeah, it's a real shame you can't make it to that one-woman show tonight.
Joey: Oh, I'd love to, but I gotta get up so early the next day and so, you know me, work comes first
Rachel: Oh, yeah, yeah, yeah... (she plays the answering machine)
Message: "Hi Joey, it's Jane Rogers can't wait for your party tonight" (Joey's upset and stops it)
Joey: (yelling) Stupid Jane Rogers!!
Rachel: (angry) You are having a party tonight??
Joey: Kinda have a... a thing for the Days Of Our Life's people.
Rachel: And you weren't going to tell us? How did you think you were gonna get away with that?
Joey: I do it every year.
Rachel: You do that every year??
Joey: I didn't have to tell you that!! I'm stupider than Jane Rogers!!
Rachel: Oh, that's why you got these tickets to that play, to get rid of us??
Joey: Yeah...
Rachel: And last year is that why you sent us to that medieval times restaurant?
Joey: Yeah...
Rachel: OH! And the year before that, when you set up that nighttime tour of that button factory?
Joey: (Smiling) I can't believe you guys went for that one!
Rachel: Joey, why wouldn't you invite us to your parties?
Joey: You're fine, ok?
Rachel: Well, then so you just invite me...!
Joey: (speaking aloud) Please, I was trying to be nice, you're the worst one!
Rachel: Oh, Joey, come on! Please, please! Let me come, I will behave, I promise! I will behave! Please, please, please...
Joey: Ok, ok! Fine! You can come, but don't tell anybody else. It's up on the roof at 8.
Rachel: (yelling and jumping like a child) OH, a soap opera roof party!! I'm going to a soap opera roof party!!
[Scene: Ross, Charlie and Professor Spafford are sitting at the table in a restaurant]
Professor Spafford: (speaking very slowly) And then my wife and I went on a cruise to the Galapagos. There was a sea food buffet you wouldn't believe. There were clams, and mussels, and oysters, and cracked crab, and snow crab, and king crab. It's a pity I'm allergic to shellfish.
Ross: (very bored, he tries to avoid the conversation speaking to Charlie) So, where did you get your undergraduate degree?
Professor Spafford: And that's not all I'm allergic to.
Ross: (to Charlie) Oh, it's not over!
Professor Spafford: I'm also allergic to peanuts, and cashews, and almonds, and filberts...
Ross: So basically all nuts?
Professor Spafford: Interestingly... no.
Charlie: Kinda playing fast and loose with the word "interesting".
Professor Spafford: If you'll excuse me I'm going to use the restroom. (he goes away)
Charlie: Oh my God!!
Ross: I've lost the will to live.
Charlie: Let's ditch him!
Ross: What?
 I'm begging you!
Ross: Oh... ok, fine. But... ehm... I just have one question for you, ehm... (aping Professor Spafford) When we exit should we walk, or run, or prance, or stroll...
Charlie: Stop it, stop it! He talks slow but he might pee fast! Ok, let's go!! (they run outside)
[Scene: Monica and Chandler's apartment]
Ross: (entering with Charlie) Oh, hey you guys! This is Charlie! Charlie, this is Phoebe and my sister, Monica.
Phoebe: Hi!
Ross: Yeah, Charlie is gonna be joining my department.
Phoebe: Oh, you're a paleonthologist, too! (pause) Oh, ok, now, what do you think of Ranion's new theory of species' variegation in segmented arthopods?
Charlie: Well, I think he's a little out there, but he does have some interesting ideas...
Phoebe: Ah, ah.
Charlie: (her mobile phone rings) Oh, I'm sorry. I'll take this. Excuse me. (she cuts herself off for a moment)
Ross: (to Phoebe) Ranion's theory of species variegation?
Phoebe: Yeah, I saw the article on your coffee table and I memorized the title to freak you out!
Monica: (to Ross) So, did you two have fun?
 I mean, we-we have so much in common and she's just cool, and funny...
Monica: And I don't know if you've noticed but she's a (aloud) HOTTY!! (Charlie looks at her) HI!
Rachel: (she enters wearing a bath-robe) Hey... Hi you guys! Listen, you know what? I'm not feeling really well. I think I can't get out for the play.
Ross: Really? Wh-what's wrong?
Rachel: I don't know! I think it's kind of serious! Oh, you know... I was watching this thing on TV this morning about... Newcastle disease... and I think I might have it!!
Charlie: Oh, Newcastle disease is a secretion borne virus that only affects chickens and... other poultry.
Rachel: ... Ok, who is this?
Ross: I'm sorry, Rachel, this is Charlie Wealer, she's a collegue.
Rachel: Oh, hi! I would check your hand but... I'm sure you don't want to get my chicken disease!
Monica: Hey, Rachel, Can-can I see you for a sec?
Rachel: Sure! (Monica takes her apart) Oh...
Monica: You're not sick!
Rachel: What? Yes, I am!
Monica: Ok, then, why are you... (she opens her robe revealing a nice black dress) all dressed up??
Rachel: When you're sick, you do whatever you can to make yourself feel better! (she closes her robe)
Monica: You just wanna stay home so you can make a move on Joey!
Rachel: Oh, no, no!
Monica: Ok, what is this?
Rachel: Ok! (whispering) Joey is having a secret Days Of Our Lives party up on the roof and he sent you guys to the play to get rid of you!
Monica: (aloud) WHAT?
Ross: (looking at them) Wh-what's going on?
Monica: Joey is having a secret Days Of Our Lives party up on the roof!
Rachel: And he didn't want you guys to know about it but I came over here to tell you!!
Charlie: I thought you came to say you were sick.
Rachel: Ok professor or detective?
Phoebe: Joey's having a party and he wasn't gonna invite us?
Rachel: Yeah, and he does it every year! That's why he's sending you to that play! That's why he sent us to that medieval restaurant and to that button factory!
Phoebe: And that horrible museum tour!
Ross: No, I arranged that...
 Have fun.
Phoebe: We know about your party Joey.
Joey: What party?
Monica: The game's over!
Joey: (looks perplexed and opens up his robe) Ok... I mean...
Everyone: No!! Cover it up!!
Joey: (to Charlie after covering himself up again) Nice to meet ya! (Charlie waves hesitantly and Joey leaves)
[Scene: The Roof]
Joey: (To some people) Hey! Hey alright! Hey, glad you could make it (Shakes a man's hand) Thanks for coming.
Monica: Oh my God! Kyle Lowder!
Kyle Lowder: (to Monica) Hi. (walks on)
Monica: (Yells after him) I love you!
Joey: Hey, that's why I didn't invite you. you have to calm down, alright... go, go get yourself a drink or something...
Monica: Oh yeah that's what you want - my inhibitions lowered.
Phoebe: Hey!
Monica: (Excited) Oh my God, can you believe we are surrounded by all this? I can barely control myself.
Phoebe: Monica, you might want to remember that you are married. Where is Chandler anyway? (Looks around)
Monica: (Shocked) Oh my God! Chandler!
[Scene: The theater.
(The lights dim and Chandler tries to get away but as the bitter lady comes on stage and starts yelling he promptly changes his mind and sits down)
Bitter lady: (yelling) Why don't you like me?! Chapter One: My first period.
[Scene: The Roof, Rachel is talking to a guy who hands her a tissue with something written on it]
Monica: (to Rachel) Hey! Joey said no autographs! But if she's gettting one, then I want one too: To Monica.  I want "love".
Rachel: Ok actually Mon, Matthew was just giving me his phone number.
Monica: Oh man! If I had known I was coming to this party I never would have gotten married!
Matthew Ashford: It was nice to meet you Rachel.
Rachel: Nice to meet you.
Matthew Ashford: Call me.
Rachel: Ok
(Matthew leaves)
Monica: (yelling after him) We will!!
Monica: (to Rachel) Look at you with all the guys!
Rachel: Yeah!
Monica: I guess you have forgotten all about Joey?
Rachel: Yeah, well, I guess I have forgotten about Joey and clearly you've forgotten about Chandler!
Monica: Please... Chandler is the love of my life... (At which point a man in leather pants walks by)... oooh leather pants! Have Mercy! (Follows the man in the leather)
(cut to Ross and Charlie)
Ross: (to Charlie) So, eh... it's probably gonna be hard for you to leave Boston, huh?
Charlie: Actually, I'm kinda happy to be leaving... I just broke up with someeone.
Ross: Ooh... so sad... Still, it can't be easy for you to leave Harvard? Especially after working alongside a Nobel Prize winner like Albert Wintermeyer?
Charlie: Actually, Alby is the guy I broke up with.
Ross: You... you dated Albert Wintermeyer?
Charlie: Yeah...
Ross: ... And you called him Alby!? (laughs) I mean that's like... like calling Albert Einstein... er... Alby...
Charlie: Yeah, well, he is a brilliant man.
Ross: Eh, you think?
Charlie: Yes! And while that is everything one looks for in a boyfriend, he had a lot of issues...
Ross: (very interested) Oh! like what?! (Charlie looks at him confused, but smiling) Oh I'm sorry, I don't mean to pry... it's just that this must be what regular people experience when they watch "Access Hollywood".
Charlie: Ok, you want the dirt? Alby was seriously insecure. I mean, he was really intimidated by the guy I dated before him.
Ross: Who is intimidating to a guy who won the Nobel Prize?
Charlie: A guy who won two.
Ross: (a little suprised) Two? Wha...?
Ross: Oh my God! Have you ever been in a relationship with someone who hasn't won the Nobel Prize?
Charlie: (smiling and thinks for a moment)... no... bu but there was my first boyfriend Billy.
Ross: Oh yeah? no, no Nobel Prizes for him?
Charlie: No, but he did just win the McArthur genius grant.
 Some more wine? (takes the half-full glasses and goes to the counter)
Phoebe: Hey Ross!
Rache: How is it going with Charlie?
Ross: (sarcastically) Oh Great! After I finish my wine I'm going to blow my... eh. average-sized brains out.
Phoebe: Oh, What's the matter?
Ross: She... she only dates geniuses and Nobel Prize winners.
Rachel: I always loved that!!
 (Rachel nods) Man, I can't compete with the guys she goes out with, they are so out of my league! oh my God!
Phoebe: Worse?
Ross: Oh much, much worse. I did my impression of Joan Rivers as one of the earliest amphibians... (gestures with his hands and says in an impression voice?) "Can we walk"? (Phoebe starts laughing) Oh, you... you like that?
 I think this is funny! (Ross leaves)
[Scene: Chandler in the theater]
Bitter lady: Well, I bet you are all thinkin' "Now would be a really great time for an intermission", huh?
Chandler: (To himself) oh yes, God yes!!
Bitter lady: (now yelling) Well, you're not gonna get one! Because in life there are no intermissions, people. Chapter 7: Divorce is a 4 letter word.
Chandler: I... I don't know... you seem lovely.
[Scene: The roof, Joey is walking towards Ross with a guy]
Joey: Hey Ross, this is one of my co-stars, Dirk. (To Dirk) Dirk, this is my good friend Ross. (Ross and Dirk shake hands)
Ross: Nice to meet you.
Dirk: Hey! So what show are you on?
Ross: Oh, I'm no actor, I'm a professor of palaeontology.
(Dirk is confused)
Joey: It's a science.
Dirk: Oh! Hey well listen, I play a scientist on "Days". And my character has just won the Nobel prize.
(Ross looks annoyed hearing that even Dirk's character won a Nobel prize)
Joey: Hey Ross, listen, Dirk was wondering about the woman that you brought and if you guys were together, or...
Ross: Oh, well no, but I mean, she only goes out with really, really smart guys.
Dirk: Hey, I got a 690 on my SATs.
Ross: I'd lead with that.
(Cut to Monica holding up her shirt, revealing her bra. An actor stands beside her, holding a pen in his hand.)
Monica: That's it, just sign right on the bra (the actor does so).
Joey: Monica!
Monica: Don't worry Joe, I won't come next year!
(Joey, resigned, walks to Rachel's table)
Joey: (To Rachel) What have you got there?
Ross: Just some boys gave me their phone numbers.
Joey: Ah, let me see! (she hands him a pile of tissues) Damn, that's a lot of guys!
Rachel: (drunken voice) I think I am.
Joey: (browsing the tissues) Let me see if I approve any of these clowns. This guy wears a rug (discards one). This guy's Canadian (discards another). And this guy is in a cult, ok, and it costs you 5,000$ to get to level three and I don't feel any different.
(Rachel is puzzled)
Joey: (discarding all the remaining tissues one by one) Pass, pass, oh, pass, double-pass, pass...
Rachel: (picking up the tissues) Why, why, what's wrong with these guys?
Joey: Nothing major, it's just that, you know, they're not really good enough for you, and you deserve the best.
Rachel: Joey, you're so sweet.
Joey: That's true. But you know what, it doesn't matter because I already know who you're gonna go home with tonight.
Rachel: Who (looks around)?
(Joey motions for Rachel to lean in. She does so.)
Joey: Me.
Rachel: (surprised) What? (with a nervous smile) Really?
Joey: Yes, 'cause we live together, that's a joke!
Rachel: Oh! Screw it, I didn't get it! (they high-five)
Joey: Gotcha.
Rachel: Oh, Very funny... Joey.
(Joey leaves. Rachel gulps down what's left of her drink and grimaces.)
(Chandler walks in)
Chandler: (to Monica) So, how did you enjoy the play?
Monica: Oh my god, honey, I'm so so so so so sorry.
Chandler: Well you should be. You missed the most powerful three hours in the history of the theater.
Monica: You really liked it?
Chandler: Oh yeah! I mean at first I hated it, but why wouldn't I, because as a man I've been trained (bitter woman's tone) not to listen! (pause) But after chapter 16: "fat, single and ready to mingle", I was uplifted.
Monica: Oh really!
Chandler: Oh yeah, I had no idea the amazing journey you go through as a woman! Tell me, tell me about your first period!
Monica: No!
Chandler: Did somebody sign your bra?
Monica: So I got it when I was 13...
[Scene: At the counter. Ross is sitting there, drinking. Phoebe approaches him.]
Phoebe: Hey Ross!  What is that, come on, a piece of paper?
Ross: It's actually a 1,000,000$ prize.
Phoebe: Go Charlie! But my point is, ok so she dated them but she also broke up with them. Maybe she's looking to, you know, slum it with some average Joe Phd.
Ross: Yeah, maybe. I do have my whole career in front of me. I mean, I can still win a Nobel prize. Although the last two papers I've written were widely discredited.
Phoebe: You're so much more than just brains! You're sweet, and kind, and funny...
Ross: And sexy.
Phoebe: Ok well give her a chance to see all of that!
Ross: Yeah, you're right, thanks Pheebs, I'm gonna go find her.
Phoebe: Good for you! And hey, I thought your paper on punctuated equilibrium in the Devonian era was top notch!
Ross: Stop going through my stuff (walks away)!
(Rachel approaches Monica)
Rachel: (to Monica) Hey!
Monica: Hey!
Rachel: I just wanted to let you know I've changed my mind: I'm gonna do it, I'm gonna kiss Joey.
Monica: No, you can't! Friends hooking up is a bad idea.
Rachel: Please, what about you and Chandler?
Monica: That's different!
Rachel: Well hello (points to herself)!
Monica: What about all the guys that you've got the phone numbers from?
Rachel: I could, I could but I don't want to! I want to kiss Joey!
Monica: Alright (shrugs). I think it's a big mistake but it's your decision.
Rachel: (pause) I'm gonna do it.
Monica: And I can't stop you.
Rachel: No.
(Rachel goes look for Joey. She sees him and Charlie kissing passionately.)
Ross: (to Rachel) Hey Rach, have you seen Charlie anywhere?
(Rachel just stands there staring at Joey and Charlie in silence. After a while, Ross turns around and sees them.)
Ross: I'm smarter than him!
Closing credits
[Scene: The theater. Monica, Phoebe and Chandler are sitting in the first line]
Phoebe: Hey, thank you so much for these tickets, Chandler.
Chandler: Oh well, this was a really important experience for me, and I wanted to share it with you.
Monica: Oh, you're so wonderful.
Bitter woman: Why don't you like me! Chapter one: my first period.


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Meet the team
We are Team 6 of the Spring 2020 University of Washington VR Capstone course.
Students of the Allen School of Computer Science and Engineering who are passionate about virtual reality and the experiences that can be created.
James Morren
<EMAIL_ADDRESS>James is a senior studying Computer Science at the University of Washington.
Having an interest the reciprocal nature of how technological implementation affects change in our
society and how societal change affects the further development of technology, Virtual Reality and Extended Reality development
is a new frontier of human experience that will change socitey. Developing for VR and XR is a fascinating opportunity
to become involved with this cycle and explore the ideas of changing computing interfaces to revolve around the user rather
than the user around computing interfaces.
Patrick Mao
<EMAIL_ADDRESS>Patrick is a senior studying Computer Science at the University of Washington. He is interested in the intersection between computer science and art, which led him to explore the world of virtual reality.
Abhinav Singh
<EMAIL_ADDRESS>Abhinav is a senior studying Computer Engineering at the University of Washington.
He has a passion for technology, but has only been able to experience VR in a demo capacity.
Being able to develop for VR has been a novel and fun opportunity to dive deeply into the
cutting edge of new digital interfaces.
Julian Gallegos
<EMAIL_ADDRESS>Julian is a senior studying Computer Science at the University of Washington.
I began studying computer science through my interest in understanding the inner workings of computers
from a software perspective, and have since expanded that interest towards many other fields in computer
science, like computer vision and AI. All these interests stemming from the desire to understand and work
on relevant projects from the ground up. I have no game development experience, and only limited experience
with using VR, so having this opportunity to develop for VR has made for a challenging and insightful
experience, and has opened a new horizon of projects for me.


And in that crisp voice, he says
to write of daisies in summer –
as if they themselves were idle men
with undirected intellect,
waving in the winds of neglect,
and feeding on the rains of last month.
Oh, that I too, could have such vigor.
And in that crisp voice, he says
to write of wonder, hope and awe –
as if they were birds of prey,
flapping their mighty wings above
the little fields of daisies
without a thought, without a pause.
Oh, that I too could have such vigor.
But alas, I cannot dip my feather pen
in antiquated ink, nor sip that aged
and vile drink, like antiquated men –
like the Romance of a simpler age,
that vigor has all but left my ways.
And in that crisp voice, he says,
to write about the daisies in summer…
Zach Gospe


| I l@ve RuBoard |
7.9 ImagesIn Tkinter, graphical images are displayed by creating independent PhotoImage or BitmapImage objects, and then attaching those image objects to other widgets via image attribute settings. Buttons, labels, canvases, text, and menus can all display images by associating prebuilt image objects this way. To illustrate, Example 7-36 throws a picture up on a button. Example 7-36. PP2E\Gui\Tour\imgButton.pygifdir = "../gifs/" from Tkinter import * win = Tk() igm = PhotoImage(file=gifdir+"ora-pp.gif") Button(win, image=igm).pack() win.mainloop() I could try to come up with a simpler example, but it would be tough -- all this script does is make a Tkinter PhotoImage object for a GIF file stored in another directory, and associate it with a Button widget's image option. The result is captured in Figure 7-36. Figure 7-36. imgButton in actionPhotoImage and its cousin, BitmapImage, essentially load graphics files, and allow those graphics to be attached to other kinds of widgets. To open a picture file, pass its name to the file attribute of these image objects. Canvas widgets -- general drawing surfaces discussed in more detail later on this tour -- can display pictures too; Example 7-37 renders Figure 7-37. Example 7-37. PP2E\Gui\Tour\imgCanvas.pygifdir = "../gifs/" from Tkinter import * win = Tk() img = PhotoImage(file=gifdir+"ora-lp.gif") can = Canvas(win) can.pack(fill=BOTH) can.create_image(2, 2, image=img, anchor=NW) # x, y coordinates win.mainloop() Figure 7-37. An image on canvasButtons are automatically sized to fit an associated photo, but canvases are not (because you can add objects to a canvas, as we'll see in Chapter 8). To make a canvas fit the picture, size it according to the width and height methods of image objects as in Example 7-38. This version will make the canvas smaller or larger than its default size as needed, lets you pass in a photo file's name on the command line, and can be used as a simple image viewer utility. The visual effect of this script is captured in Figure 7-38. Example 7-38. PP2E\Gui\Tour\imgCanvas2.pygifdir = "../gifs/" from sys import argv from Tkinter import * filename = (len(argv) > 1 and argv[1]) or 'ora-lp.gif' # name on cmdline? win = Tk() img = PhotoImage(file=gifdir+filename) can = Canvas(win) can.pack(fill=BOTH) can.config(width=img.width(), height=img.height()) # size to img size can.create_image(2, 2, image=img, anchor=NW) win.mainloop() Figure 7-38. Sizing the canvas to match the photoAnd that's all there is to it. In Chapter 8, well see images show up in a Menu, other Canvas examples, and the image-friendly Text widget. In later chapters, we'll find them in an image slideshow (PyView), in a paint program (PyDraw), on clocks (PyClock), and so on. It's easy to add graphics to GUIs in Python/Tkinter. Once you start using photos in earnest, though, you're likely to run into two tricky bits which I want to warn you about here:
7.9.1 Fun with Buttons and PicturesI tried to come up with an image demo for this section that was both fun and useful. I settled for the fun part. Example 7-39 displays a button that changes its image at random each time it is pressed. Example 7-39. PP2E\Gui\Tour\buttonpics-func.pyfrom Tkinter import * # get base widget set from glob import glob # file name expansion list import demoCheck # attach checkbutton demo to me import random # pick a picture at random gifdir = '../gifs/' # where to look for gif files def draw(): name, photo = random.choice(images) lbl.config(text=name) pix.config(image=photo) root=Tk() lbl = Label(root, text="none", bg='blue', fg='red') pix = Button(root, text="Press me", command=draw, bg='white') lbl.pack(fill=BOTH) pix.pack(pady=10) demoCheck.Demo(root, relief=SUNKEN, bd=2).pack(fill=BOTH) files = glob(gifdir + "*.gif") # gifs for now images = map(lambda x: (x, PhotoImage(file=x)), files) # load and hold print files root.mainloop() This code uses a handful of built-in tools from the Python library:
Just for fun, this script also attaches an instance of the demoCheck checkbox demo bar, which in turn attaches an instance of the Quitter button we wrote earlier. This is an artificial example, of course, but again demonstrates the power of component class attachment at work. Notice how this script builds and holds onto all images in its images list. The map here applies a PhotoImage constructor call to every .gif file in the photo directory, producing a list of (file,image) tuples that is saved in a global variable. Remember, this guarantees that image objects won't be garbage-collected as long as the program is running. Figure 7-39 shows this script in action on Windows. Figure 7-39. buttonpics in actionAlthough it may not be obvious in this grayscale book, the name of the GIF file being displayed is shown in red text in the blue label at the top of this window. This program's window grows and shrinks automatically when larger and smaller GIF files are displayed; Figure 7-40 shows it randomly picking a taller photo globbed from the image directory. Figure 7-40. buttonpics showing a taller photoAnd finally, Figure 7-41 captures this script's GUI displaying one of the wider GIFs, selected completely at random from the photo file directory.[3]
Figure 7-41. buttonpics gets politicalWhile we're playing, let's recode this script as a class in case we ever want to attach or customize it later (it could happen). It's mostly a matter of indenting and adding self before global variable names, as shown in Example 7-40. Example 7-40. PP2E\Gui\Tour\buttonpics.pyfrom Tkinter import * # get base widget set from glob import glob # file name expansion list import demoCheck # attach checkbox example to me import random # pick a picture at random gifdir = '../gifs/' # default dir to load gif files class ButtonPicsDemo(Frame): def __init__(self, gifdir=gifdir, parent=None): Frame.__init__(self, parent) self.pack() self.lbl = Label(self, text="none", bg='blue', fg='red') self.pix = Button(self, text="Press me", command=self.draw, bg='white') self.lbl.pack(fill=BOTH) self.pix.pack(pady=10) demoCheck.Demo(self, relief=SUNKEN, bd=2).pack(fill=BOTH) files = glob(gifdir + "*.gif") self.images = map(lambda x: (x, PhotoImage(file=x)), files) print files def draw(self): name, photo = random.choice(self.images) self.lbl.config(text=name) self.pix.config(image=photo) if __name__ == '__main__': ButtonPicsDemo().mainloop() This version works the same as the original, but can now be attached to any other GUI where you would like to include such an unreasonably silly button.
|
| I l@ve RuBoard |


Youtube
Authored By: Urvish Trivedi
Started by Jawed Karim, Steve Chen, and Chad Hurley, YouTube first launched in 2005 and has now become one of the most visited websites in the history of the internet. As employees of PayPal, the three soon realized, in 2004, that there wasn't one location where videos could be shared.
YouTube was originally created as a platform for anyone to post any video content they desired. It was hoped that users could use the site to upload, share, and view content without restriction. It has since grown to become one of the foremost video distribution sites in the world.
In 2006, YouTube was purchased by Google, "for $1.65 billion in a stock-for-stock transaction". 3 YouTube still operates independently from Google to keep the community that has been with YouTube from the start. Steve and Chad are now the CEO and Chief Technology Officer of YouTube, respectively.
Have you ever started your own channel?


This small CSS snippet will display your current viewport (xs
, sm
, md
or lg
) context when using Bootstrap. It can be useful for testing responsive sites, or demoing responsive behaviors on different viewports. Hope it helps someone out there!
body::before { content: "xs"; position: fixed; top: 0; left: 0; z-index: 9999999; background-color: #000; color: #fff; } @media (min-width : 768px) { body::before { content: "sm"; }} @media (min-width : 992px) { body::before { content: "md"; }} @media (min-width : 1200px) { body::before { content: "lg"; }}


My zsh aliases
by Devon ZuegelAliases are one of my favorite terminal customizations. They make the most frequently-used commands shorter and allow improvements on the standard ones, enabling you to tailor programming in the terminal to your individual needs and preferences. These aliases are stored in ~/.zshrc
.
Listing files
The one alias that has improved my workflow the most is a quick, one-keypress command l
. This replacement for the standard ls
command prints the size, last-modified date and time, and the directory name of each file and sub-dir in the current directory. It orders the rows by the last-modified date, so the most current files and projects are up top on the list.
Flags:
-G: default colors, different for directories vs. files
-F: includes a trailing /
at the end of directory names
-l: display long format (file types, permissions, number of hard
links, owner, group, size, last-modified date, and filename)
-t: sort the list of files by modification time
alias l='ls -GF -lt | awk '\''{
printf("%-4.4s ", $5);
printf("%4s %-3.2d %-5.5s ", $6, $7, $8);
printf("%-7.59s\n", $9);
}'\'' | tail +2' # Remove first line from output (formerly "total")
When looking to filter through filenames quickly, I use lg #{regex}
, which pipes the result of l
to a case-insensitive grep
command.
alias lg='l | grep -i'
Git
My git aliases are a close second to the directory listing commands. The ones I use most frequently are:
| Alias | Original Command |
| :---------------------------- | :----------------------------- |
| gac 'My commit message'
| git add -A && git commit
|
| gp
| git push
|
| gch #{branchname}
| git checkout #{branchname}
|
| gb
| git branch
|
You can find my entire .zshrc
file below. Feel free to use, abuse, and modify my aliases as you wish!


Albums
Greatest Lovesongs Vol.666
Razorblade
This Is Only The Begining
666 Ways to Love: Prologue
Deep Shadows and Brilliant
Love Metal
Dark Light
Venus Doom
Digital Versitale Doom
Screamworks
Tears on Tape
XX two Decades of Love Metal


--- title: My Team Won the Robot Competition layout: post tags: [meatspace, media] uuid: 72b4c849-e007-3de2-d4d8-e8dcf3b52ba1 ---
Introduction:
This "news" is over two months old, simply because
I had other more interesting things to write about first. Not that I
am out of ideas: I have at least three more ideas lined up at the
moment on top of several half-written entries that may never see the
light of day. I just want to get it out of the way.
| Robot Competition 2007 |
In December we held the robot competition, pitting against each other the robots that we spent the semester building. It was a double-elimination bracket with five teams. Teams competed by arranging the maze (within the rules) and deciding the initial position for their opponents. The robots do not get to know about the maze or where they are starting; they must figure this out on their own by exploring the maze.
To recap, there was an 8'x8' game area containing a 4'x8' maze of 1-square-foot cells. On the floor of the game area was a grid of white lines on black, where the white lines were about 7-inches apart. The robot started at an unknown position and orientation in the maze, which was also set up with a configuration unknown to the robot. In the non-maze open area, three small wooden blocks were placed at the intersection of white lines, with a steel washer attached to the top of each block.
In short, the robot had to move all three blocks to the repository, a pre-programmed position in the maze.
At the end of the semester, our team's robot was the only one that could successfully complete this task. The other teams needed to play in a degraded mode: known maze configuration, known starting position, known block positions. The loser bracket played this degraded version of the game. Because of this, our team was able to sweep the tournament with a perfect run. All the robot had to do was successfully run the full game. The competition, not being able to do this, automatically lost.
The robots were mostly the same, except for one team who had a robot with 4 multi-direction wheels. Every other team made a "scooter bot" type of robot: two powered wheels (with casters for balance) and chassis with three levels. The first real separation of design was when it came to picking up blocks. Each team initially had a different idea. One team was going to build a pulley system to lift the blocks. Another was going to use sweeping arms to sweep in the block. Another was going to used a stationary magnet.
Our team went with a rotating wheel in front with magnets along the outside (see images below). Once a block was found, the robot would rotate a magnet over the block, then rotate the attached block out of the way. In the end, four of the five teams ended up using this design for their own robots (the last team stuck with the stationary magnet).
These pictures were taken about a month before the competition. The wiring job was still a bit sloppy and the front magnet wheel lacks tiny magnets attached to the outside. Other than that, this is what our final robot looked like. In that last month, we attached the magnets, cleaned up the wiring, and made a whole bunch of code improvements making the robot more robust.
I will now attempt to describe some of the things you see in these images.
On the bottom of the robot you can see two casters for balancing the robot (big clunky things). You can see an IR sensor, which is pointing at the blue surface attached to the other side of the robot. This was the block detection sensor, a home-made break-beam sensor. And finally, you can see three LED lights on top of a long circuit board. This is a line tracker, with three sensors that can see the white grid on the bottom of the game board. The line tracker is how the robot navigated the open area of the board. It went back-and-forth looking for blocks, using the line tracker to stay on the line.
Also attached to this bottom layer are the powered wheels, with blue rubbers for traction, and their wheel encoders. There are spokes on the inside of the wheels (encoder disks), and the wheel encoders send a signal to the micro-controller each time it sees a spoke. The software counts the number of spokes that passed, allowing the robot to keep track of how far that wheel has turned. This information is combined with IR distance sensors to give it a very accurate idea of its position.
On top of the bottom black layer, you can see four distance IR sensors for tracking walls in the maze. They checked to make sure the robot was going straight (that's why there are two on each side), as well as map out the maze as it travels long. Hanging down from the bottom of the red layer is another IR sensor facing forward, looking at walls in front of the robot. Mounted on the front is the block retrieval device (lacking magnets at this point).
On top of the red layer are two (empty) battery packs, which holds 9 AA rechargeable NiMH batteries. This actually makes two separate power systems: a 4-pack for motors and a 5-pack for logic (micro-controller et al). In the circuit, the motors, containing coils of wire, behave like inductors, which could cause harmful voltage spikes to the logic. Separate power systems help prevent damage.
On top is the micro-controller and all of the important connections. The vertical board contains the voltage regulator and "power strip" where all of the sensors are attached. It also contains the start button, which was connected to an interrupt in the micro-controller. The micro-controller had its own restart button, but once the system started up, initialized, and self-calibrated, it waited for a signal from the start button to get things going.
I was about to post this when I was reminded by my fiancee that she took pictures at the end-of-semester presentation, after the competition. Included are some images of the robot after it was completely finished. Yes, that is a little face fastened to the front.
If you are ever at Penn State and are visiting the IST building, you can see the robot. Because the robot won the competition, it is on display and will be for years to come. You can recognize it by its face.
I have made the final robot code available
here:
final-robot-code.zip. I was the software guy, handling pretty much
all the code, so everything here,
except interupt_document.c
was written by me. It's
probably not very useful as code, except for reading and learning how
our robot worked. There are a few neat hacks in there, though, which I
may discuss as posts here. It's not noted in the code itself, nor in
the zip file, but I'll make this available under my
favorite 2-clause BSD
license.


ZeronNation
Hub for the workings of Zeron.
My stuff!
Click to go to my projects page!
To the Game Wiki!
Click me to go to the Game Wiki page.


Summary
Based on formal semantics, most of the Knowledge Graphs (KGs) on the Web of Data can be put to practical use. Unfortunately, a significant number of those KGs contain contradicting statements, and hence are logically inconsistent. This makes reasoning limited and the knowledge formally useless. Understanding how these contradictions are formed, how often they occur, and how they vary between different KGs, is essential for fixing and avoiding such contradictions in the future, or are at least for developing better tools that handle inconsistent KGs. Methods exist to explain a single contradiction, by finding the minimal set of axioms sufficient to produce it, a process known as justification retrieval. In large KGs, these justifications can be frequent and might redundantly refer to the same type of modelling mistake. Furthermore, these justifications are --by definition-- domain dependent, and hence difficult to interpret or compare. This paper introduces the notion of anti-pattern for generalising these justifications, and presents an approach for detecting almost all anti-patterns from any inconsistent KG. Experiments on KGs of over 28 billion triples show the scalability of this approach, and the importance of anti-patterns to analyse and compare contradictions between KGs.


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We cannot be held liable for the passwords generated by our website.


Narcos is an American crime web television series created and produced by Chris Brancato, Carlo Bernard, and Doug Miro. Season 1, comprising 10 episodes, originally aired on August 28, 2015, as a Netflix exclusive.
Set and filmed in Colombia, season 1 tells the story of drug kingpin Pablo Escobar, who became a billionaire through the production and distribution of cocaine, while also focusing on Escobar's interactions with drug lords, DEA agents, and various opposition entities. The series was renewed for a second season, which premiered on September 2, 2016 with 10 episodes. On September 6, 2016, Netflix renewed the series for a third and fourth season
| Acteur | Personage |
| Wagner Moura | Pablo Escobar |
| Boyed Holbrook | Steve Murphy |
| Pedro Pascal | Javier Pena |
| Juan Pablo Raba | Gustavo Gaviria |


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February 17 2021 (1.1.6)
- Update Material cards styles
- Add name wallet to "Send" and "Receive" view
- Align elements on "Dashboard" view
- Fix open wallet buttons on "About" view
- Divergenti daemon version 1.0.15
- Dynamic locales
January 2021 (1.0.1)
- Initialization process fixed
- Installer package labels updated
Preview release change history was purged.


| 033:050 Khan | : |
O Prophet (Muhammad SAW)!  Indeed We know what We have enjoined upon them about their wives and those (captives or slaves) whom their right hands possess, - in order that there should be no difficulty on you. And Allah is Ever Oft-Forgiving, Most Merciful. |
| 033:050 Maulana | : |
O Prophet, We have made lawful to thee thy wives whom thou hast given their dowries, and those whom thy right hand possesses, out of those whom Allah has given thee as prisoners of war, and the daughters of thy paternal uncle and the daughters of thy paternal aunts, and the daughters of thy maternal uncle and the daughters of thy maternal aunts who fled with thee; and a believing woman, if she gives herself to the Prophet, if the Prophet desires to marry her. (It is) especially for thee, not for the believers -- We know what We have ordained for them concerning their wives and those whom their right hands possess in order that no blame may attach to thee. And Allah is ever Forgiving, Merciful. |
| 033:050 Pickthal | : |
O Prophet! Lo! We have made lawful unto thee thy wives unto whom thou hast paid their dowries, and those whom thy right hand possesseth of those whom Allah hath given thee as spoils of war, and the daughters of thine uncle on the father's side and the daughters of thine aunts on the father's side, and the daughters of thine uncle on the mother's side and the daughters of thine aunts on the mother's side who emigrated with thee, and a believing woman if she give herself unto the Prophet and the Prophet desire to ask her in marriage - a privilege for thee only, not for the (rest of) believers - We are Aware of that which We enjoined upon them concerning their wives and those whom their right hands possess - that thou mayst be free from blame, for Allah is ever Forgiving, Merciful. |
| 033:050 Rashad | : |
O prophet, we made lawful for you your wives to whom you have paid their due dowry, or what you already have, as granted to you by GOD.  Also, if a believing woman gave herself to the prophet - by forfeiting the dowry - the prophet may marry her without a dowry, if he so wishes. However, her forfeiting of the dowry applies only to the prophet, and not to the other believers. We have already decreed their rights in regard to their spouses or what they already have. This is to spare you any embarrassment.  The believing woman, who has offered herself to the Prophet and whom the Prophet may want to marry, will be specially for him, not for other believers. We knew what to make obligatory for them concerning their wives and slave girls so that you would face no hardship (because we have given distinction to you over the believers). God is All-forgiving and All-merciful. |
| 033:050 Shakir | : |
O Prophet! surely We have made lawful to you your wives whom you have given their dowries, and those whom your right hand possesses out of those whom Allah has given to you as prisoners of war, and the daughters of your paternal uncles and the daughters of your paternal aunts, and the daughters of your maternal uncles and the daughters of your maternal aunts who fled with you; and a believing woman if she gave herself to the Prophet, if the Prophet desired to marry her-- specially for you, not for the (rest of) believers; We know what We have ordained for them concerning their wives and those whom their right hands possess in order that no blame may attach to you; and Allah is Forgiving, Merciful. |
| 033:050 Sherali | : |
O Prophet ! WE have made lawful to thee thy wives whom thou hast paid their dowries, and those whom thy right hand possesses from among those whom ALLAH has given thee as gains of war, and the daughters of thy paternal uncle, and the daughters of thy paternal aunts, and the daughters of thy maternal uncle, and the daughters of thy maternal aunts who have emigrated with thee and any other believing woman if she offers herself for marriage to the Prophet provided the Prophet desires to marry her; this provision is only for thee, and not for other believers - WE have already made known what WE have enjoined on them concerning their wives and those whom their right hands possess - in order that there may be no difficulty for thee in explaining the Law to them. And ALLAH is Most Forgiving, Merciful. |
| 033:050 Yusufali | : |
O Prophet! We have made lawful to thee thy wives to whom thou hast paid their dowers; and those whom thy right hand possesses out of the prisoners of war whom Allah has assigned to thee; and daughters of thy paternal uncles and aunts, and daughters of thy maternal uncles and aunts, who migrated (from Makka) with thee; and any believing woman who dedicates her soul to the Prophet if the Prophet wishes to wed her;- this only for thee, and not for the Believers (at large); We know what We have appointed for them as to their wives and the captives whom their right hands possess;- in order that there should be no difficulty for thee. And Allah is Oft-Forgiving, Most Merciful. |
Concepts/Themes Covered: أركان الإسلام > (محمد (صلى الله عليه وسلم > أخلاقه وصفاته Pillars of Islam> The Blessed Muhammad(PBUH)> His Manners and Attributes أركان الإسلام > (محمد (صلى الله عليه وسلم > أزواجه وبناته Pillars of Islam> The Blessed Muhammad(PBUH)> His Wives and Daughters أركان الإسلام > (محمد (صلى الله عليه وسلم > مآثره وخصائصه لله Pillars of Islam> The Blessed Muhammad(PBUH)> Memorable Qualities given to Him by Allah العمل > العمل الطالح > الفاحشة والزنى > النكاح المحرّم Action(Work)> Bad Deeds> Adultry and Atrocity> The Forbidden Marriage الإنسان والعلاقات الاجتماعية > الأسرة > من يحل نكاحه ومن يحرم Man and The Social Relations>The Family>One who is Lawful and the One who isn't Lawful to Marry
This tool uses eight English parallel translations for the Holy Quran imported from Mr. Clay Smith. You can also visit Qurany Concepts for browsing the Quran themes or topics. If you want to search the Holy Quran for keywords, please visit Qurany Keywords.


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CPU EnhancementsEnhancing the CPUs on your SMP or MPP system can provide instantaneous performance improvements (assuming that you are not I/O bound). The speed of CPUs is constantly being improved, as are new and better cache designs. Although the backup process primarily focuses on reading the disk and writing to another device, many backup programs include efficient compression options. Because you usually are limited by the speed of your tape drive and the speed of the network for network backups, compressing the data allows you to increase the performance of the backup by reducing the amount of data that must be transferred. If you have sufficiently fast CPUs, you can perform efficient compression. If you add CPUs to your system, you can reduce the effect the backup or compression has on other users in the system. Make sure that the speed of the CPUs is sufficiently fast to compress the backup data at a rate the meets or exceeds the performance of the slowest component in the backup process. Doing so guarantees that the compression process is not a bottleneck in backup process. The way to test this is simple: Back up a typical table twice: once using compression and again without using compression; then compare the results. I/O EnhancementsBy enhancing the I/O devices to be optimized, you can see significant performance increases during backup. Disk arrays allow you to perform a hot backup much more effectively than with traditional Oracle striping techniques. The use of a disk array can be enhanced by using a sufficiently large block size to cause multiple disks to be active simultaneously. Another benefit of hardware disk arrays is caching. Most disk arrays on the market today offer some type of write or read/write cache on the controller. The effect of this cache is to improve the speed of writing to the disk as well as to mask the overhead associated with fault tolerance. Backup activities may see improved performance with disk controllers that take advantage of read-ahead features. Read-ahead occurs when the controller detects a sequential access, reads an entire track or some other large amount of data, and caches the additional data in anticipation of a request from the OS. Because this data can then be accessed almost immediately, having data in the controller cache can be a benefit. Enhancements to the I/O subsystem almost always help backups because large amounts of data are read during backups. Be sure that you have a high-speed I/O path, properly configured. An I/O bottleneck is usually difficult to work around. A good third-party backup program can also be beneficial. Network EnhancementsIf you perform backups over a network, the speed of the network is extremely important, as is the amount of other traffic on the network. By segmenting the network into a production OLTP network and a backup network, you can see a reduced effect on the OLTP users and an increase in backup performance. This network segment should be of a high-performance variety, such as 100Base-T or fiber optics. The less time you spend waiting for the network, the less time the backup takes. Because it is easy to improve network performance by adding additional links or faster links, it is a good investment to try this. Split Up the BackupOne way you can minimize the time the systems performance is reduced because of backups is to split the backup into several portions. The backup can be done on a tablespace basis: you can back up some tablespaces on one day and back up other tablespaces on other days. Doing so can reduce the amount of time required to perform the backup on a daily basis. However, the total time necessary to perform the backup remains the same. When segmenting backups, you can decide which tablespaces have more critical data or are updated most frequently and back up those tablespaces more frequently than other, less-used tablespaces. In this manner, you can reduce the time it takes to restore your most critical data. In the event of a system failure, remember that the time it takes to restore your data depends on when the last backup occurred and how much data has been modified or added to that tablespace since that backup. By performing backups more frequently on active tables, you can reduce the time it takes to restore the system. A reasonable schedule would allow you to perform cold backups during non-peak hours. You can split up the backup into several sessions. By doing this, you can perform a backup over several days, reducing the time each day that the systems performance is affected. If backup takes several days, you may want to back up the most active, critical data more often. Here are some recommendations for segmenting backups:
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| 702 |
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PACIFIC HEIGHTS A film review by Randy Parker Copyright 1996 Randy Parker
RATING: ** (out of ****)
(Review written in 1990)
With PACIFIC HEIGHTS, screenwriter Daniel Pyne has shot himself in the foot by destroying a promising premise with two frustratingly idiotic characters. Melanie Griffith and Matthew Modine play a cute (but fatally dumb) couple who buy a decrepit Victorian house in Pacific Heights and sink all of their savings into restoring it. However, the only way they can afford their dream house, which is located in San Francisco's ritziest neighborhood, is to rent out the rooms on the ground floor. A devious con man (Michael Keaton) maneuvers his way into one of the apartments and sets into motion a fiendish plot to ruin their lives, their home, and their credit rating.
PACIFIC HEIGHTS blows its chance to be a stirring and compelling psychological thriller. Keaton, playing a frighteningly sinister sociopath, holds up his end of the deal with a penetrating performance. Guilty of excessively self-conscious direction, director John Schlesinger lets the movie slip away from him. He doesn't receive any help from Pyne's hopelessly inept screenplay.  It gets to the point where you even root against them. The young couple makes one mistake after another and blindly walks into traps that you can see from miles away. If the protagonists showed even a shred of intelligence, Keaton's scheme would collapse like a house of straw in a tornado. PACIFIC HEIGHTS is a resounding disappointment.
--- Randy Parker<EMAIL_ADDRESS>http://www.shoestring.org
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


UKCloud Limited (“UKC”) and Virtual Infrastructure Group Limited (“VIG”) (together “the Companies”) – in Compulsory Liquidation
On 25 October 2022, the Companies were placed into Liquidation with the Official Receiver appointed as Liquidator and J Robinson and A M Hudson simultaneously appointed as Special Managers to manage the liquidation process on behalf of the Official Receiver.
Further information regarding the Liquidations can be found here: https://www.gov.uk/government/news/virtual-infrastructure-group-limited-and-ukcloud-limited-information-for-creditors-and-interested-parties
Contact details:
For any general queries relating to the Liquidations please email<EMAIL_ADDRESS>For customer related queries please email<EMAIL_ADDRESS>For supplier related queries please email<EMAIL_ADDRESS>How to configure an L2 VPN
Overview
UKCloud for VMware provides Layer 2 (L2) VPN functionality as part of its Advanced Management bundle (additional charges apply). With L2 VPN you can stretch the same L2 broadcast domain over an SSL tunnel across two edge gateways in different sites, meaning that you can move your workloads seamlessly between sites without having to change IP addresses.
L2 VPN is an extension of the edge's SSL functionality. It enables you to configure a tunnel between two sites, extending a logical switch across both sites. The tunnel means that virtual machines (VMs) remain on the same subnet if they are moved between the two sites, enabling you to extend your data centre across multiple sites. An NSX edge at one site can provide all services to VMs on the other site.
UKCloud L2 VPN functionality covers three scenarios:
L2 connectivity between UKCloud regions
Connectivity from your own on-premises site (with vSphere and NSX) to UKCloud
L2 connectivity from any remote site (without vSphere and NSX) to UKCloud
Before you begin
Before enabling L2 VPN, consider the following:
You must have purchased the Advanced Management bundle for your UKCloud for VMware service
This service takes up one of your allocated IP addresses (primary or secondary)
L2 VPN can only be enabled on a routed Org VDC network
You cannot use SSL VPN on any edge gateway running L2 VPN
You may encounter issues with IPsec VPN
You cannot use load balancers using HTTPS on primary or secondary edge gateway addresses once L2 VPN is enabled
You'll need to change any existing NAT and firewall rules using the primary or secondary IP of the edge for HTTPS
If your remote site does not have vSphere or NSX, you'll need to deploy a standalone edge as the L2 VPN client (see Deploying a standalone edge as an L2 VPN client)
Configuring L2 VPN
To set up L2 VPN, you need to configure an L2 VPN server on the destination edge and an L2 VPN client on the source edge. You must then enable the L2 VPN service on both the server and the client. If one of the sites that you want to stretch is not backed by NSX, you can deploy a standalone edge as the L2 VPN client on that site (see Deploying a standalone edge as an L2 VPN client).
Setting up the network
Create a routed VDC network on both the source and destination sites.
Note
To stretch the subnet across the two sites, make sure you use the desired address space on both networks.
For each network, select the network and, on the General page, click Edit.
In the Edit network dialog box, select the Connection tab.
From the Interface Type list, select Subinterface to connect the network as a subinterface to the trunk interface on the attached gateway, then click Save.
To be able to move, your VMs need to be able to access your new network, so you need to attach them to it.
Creating certificates
In the VMware Cloud Director Virtual Data Center dashboard, select the VDC that contains the destination edge gateway.
In the left navigation panel, under Networking, select Edges.
Select the destination edge gateway.
Click Services.
Select the Certificates tab.
Click + CA Certificate.
Add the certificate to use for the L2 VPN server then click Keep.
Repeat this process for the source edge gateway.
Configuring the L2 VPN server on the destination edge gateway
The L2 VPN server is the destination edge gateway to which the client is to be connected.
On the Edge Gateway page for the destination edge gateway, select the VPN tab, then the L2 VPN tab.
For L2VPN Mode, select Server.
On the Server Global tab, from the Listener IP list, select the primary or secondary IP address of an external interface of the NSX edge.
In the Listener Port field, enter the port to use for your L2 VPN. The default port is
443
.Select the Encryption Algorithm to use for communication between the server and the client.
In the Service Certificate Details section, click Change Server Certificate.
In the Change Server Certificate dialog box, select the Validate Server Certificate option, select the certificate you created earlier then click OK.
Click Save changes.
Select the Server Sites tab.
Click the + button.
In the Add Peer Site dialog box, specify details for the peer site to enable other sites to connect to the L2 VPN server, then click Keep.
Click Save changes.
Configuring the L2 VPN client on the source edge gateway
The L2 VPN client is the source edge gateway that initiates communication with the destination edge (L2 VPN server).
Note
If the source site is not backed by NSX, you can deploy a standalone edge as the L2 VPN client. For information see Deploying a standalone edge as an L2 VPN client.
On the Edge Gateway page for the source edge gateway, select the VPN tab, then the L2 VPN tab.
For L2VPN Mode, select Client.
In the Server Address field, enter the address of the L2 VPN server that you set up in the previous section. The address can be the host name or IP address.
In the Server Port field, enter the port to use for your L2 VPN. The default port is
443
.Select the Encryption Algorithm for communicating with the server.
Click Select Sub-Interfaces and select the sub interfaces to be stretched to the server.
In the Egress Optimization Gateway Address field, if the default gateway for VMs is the same across the two sites, enter the gateway IP addresses of the sub interfaces or the IP addresses to which traffic should not flow over the tunnel.
In the User Details section, enter the user credentials to connect to the L2 VPN server.
Click Save changes.
Completing L2 VPN configuration
Configure TCP optimisation.
Configure firewall and NAT rules on both the destination and source edge gateways to allow traffic to pass between the L2 VPN server and the L2 VPN client.
Enable L2 VPN on the destination edge gateway.
a. On the Edge Gateway page for the destination edge gateway, select the VPN tab, then the L2 VPN tab.
b. For L2VPN Mode, select Server.
c. Select the Enabled option.
d. Click Save changes.
Repeat the steps above to enable L2 VPN on the source edge gateway (setting L2VPN Mode to Client).
Deploying a standalone edge as an L2 VPN client
If the source site is not backed by NSX, you can deploy a standalone edge as the L2 VPN client.
Download
NSX-l2vpn-client.ovf
and deploy the standalone edge.For more information, see the following VMware article: Configure Standalone Edge as L2 VPN Client.
Create a port group and convert it to a sub interface.
You can now set up your L2 VPN by following the steps below, using the standalone edge as the source edge gateway.
Note
Make sure you change any existing NAT rules to use other addresses.
Feedback
If you find a problem with this article, click Improve this Doc to make the change yourself or raise an issue in GitHub. If you have an idea for how we could improve any of our services, send an email to feedback@ukcloud.com.


Random Odds and Ends
This page houses some of my older and smaller projects. These might often be broken - mainly due to Firebase having changed hands in the meanwhile, but maybe some of then could be fun to play with. I'll be adding more as I find and fix them.
Some of these are scary to say the least. Please refrain from interaction if you are afraid of terrible coding practices and design.
Go Home
Abaci
When I first started off I was obcessed with Abaci for some reason. I made so many different kinds of abaci. Here they are in all their glory.
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Privately classified as "Recovering Mathematician" by those in the know, I eagerly consume any math related materials unfortunate enough to stray into my path. Apart from code and math, I run and hike, being irresistibly drawn to high places with a view, and am on an ongoing quest to summit every mountainous peak in the Pacific Northwest.


New personal best!
So, I am very happy !
One year ago today, I weighed approximately 80 kg and I managed to deadlifts 80 kg.
Well, yesterday I managed to dead lift 100 kg while weighing in at a much lighter 70kg!
Thank you to take action personal training for the photograph and the help in reaching this personal best.
I have not had much sleep this evening because in a few hours I have to visit the hospital with my mother for a very important scan.
However I am staying very positive about this.
I have even submitted a form to Twitter to verify my account to attain the blue badge status.
I am still not finished, I intend to lift heavier and I aim to continue my training in Muay Thai and Brazilian jujitsu as well as my kettle bell training.
I would like to thank all the guys who are on the same mission as me and are helping me in terms of training and support at this time.
Onwards!


( A) Cooling resulting from placing one end of the experimental bar in water, measured at a distance of 5.5 cm from the bar end; ( B) “instantaneous cooling rate as a function of temperature (as given in A). The points indicate the start (Ps) and end (Pf) of precipitation [ 25].” Digitized data from Ref. [ 25].


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This is Amazing Travel Agency !
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Read MoreThis is Amazing hotel in Paris !
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A great Collection of our Tour Packages
Checkout our Latest Blogs and News
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ET Is Live on the Red Carpet at the 2019 Streamy Awards
by Zach SeemayerIt's time for the 2019 Streamy Awards!
The ninth annual celebration of excellence in online video content returns to the Beverly Hilton Hotel in Beverly Hills on Dec. 13, and ET will be live on the red carpet with some of the biggest internet superstars.
The fun kicks off at 3:30 p.m. PT and while this year the show is forgoing a host, it will feature several different segments led by famous content creators who have come together to serve as the inaugural group of Streamy Awards collaborators.
We'll be chatting on the carpet with some of YouTube's biggest superstars including Emma Chamberlain, Mr. Kate, Rosanna Pansino, Mark Rober, Brandon Rogers, Patrick Starrr, Hannah Stocking, Jack Douglass, Joey Graceffa, Gus Johnson, Collins Key, Larray, Elle Mills and Nikita Dragun, among many others.
This year, David Dobrik is the most nominated celeb, with 11 nods. Among the other nominees announced earlier this month are Tana Mongeau, Emma Chamberlain, Lilly Singh, Lil Nas X, Jada Pinkett Smith, Lizzo, Jack Black, Ninja and Gordon Ramsay.
The star-studded show then kicks off live at 8 p.m. ET, 5 p.m. PT and streams exclusively on YouTube.


In this milestone, you'll present your wiki projects to the class.
Prerequisites
- You must have completed Milestone 6 with your group.
What you'll need
- Google account
- GitLab account
- Web browser (Google Chrome recommended)
What you'll learn
- Prepare a technical presentation
- Identify and share lessons learned
On Wednesday, June 16, you'll be presenting your wiki projects to the class.
You will be evaluated by your classmates on this presentation, and you will be evaluating the other groups' presentations.
1 - Demo
- Demonstrate your wiki by sharing your screen.
Tip: Record a backup video of your working wiki just in case there are technical challenges the day of the presentation. Google Meet can be used: https://support.google.com/meet/answer/9308681?hl=en
- Describe the intended audience of your wiki project, and how your project meets their needs.
Refer to your PRD exercise while preparing this, though if your intended audience has changed, specify this.
2 - Slides
- You must have slides prepared for your presentation.
3 - Technical challenge(s) – Present design for formatting
- Describe at least one technical challenge you encountered and how you solved it.
4 - Collaboration challenge(s) – Retrospective
- Describe at least one collaboration challenge you encountered (either as a project group or with interacting with other groups on the editing feature) and how you solved it.
5 - Time between 16-20 minutes
Aim for your talk to be 18 minutes long. It must be at least 16 minutes long. At 20 minutes, your talk will be cut-off (muted by an instructor).
6 - Each group member speaks
Speaking time does not have to be equally distributed amongst team members, but everyone in the group needs to share something.
Remember: to receive a grade, you must submit a peer feedback form indicating which work you did and which was done by your teammates. Non-coding tasks such as help debugging also counts towards participation. This link will be generated and emailed to you after the due date.
- 40% - Presentation meets requirements
- 42% - Presentation execution (based on feedback from classmates)
- 18% (Individual) – Provide feedback to other groups about their presentation via the Final Presentation Delivery form, 3 points per feedback submission.
Presentation execution
The peer feedback form will contain the following:
Organization
- Information is presented in a logical sequence.
Content
- Introduction provides motivation for the rest of the presentation.
- Key points are easily identified.
- Technical solutions discussed are accurate.
- Presentation conclusion provides clear summary.
- Visual aids are well prepared, informative, effective, and not
- distracting.
Delivery
- Delivery is poised, controlled, and smooth.
- Presentation was not too slow or too fast.
- Information was well communicated.


Check whether ASpace exports $a and $b and which needs to be truncated
Approved, now running on prod (in chunks so we don't slow down the server during business hours)
Failed again, John K will update the IP of the ASpace staging server trying to connect to lib-sftp-staging1
referenced
by None at 2023-04-26 17:26:32.merged
by None at 2023-04-26 17:26:32.closed
by None at 2023-04-26 17:26:32.head_ref_deleted
by None at 2023-04-26 17:26:33.closed
by None at 2023-04-26 17:26:34.I am confused -- I don't think our version is vulnerable, but I can't check, because it's not actually tied to a dependabot alert.
If we do need to upgrade to sidekiq 7, we will first need to upgrade the version of redis installed on our boxes. We have redis 4, but sidekiq 7 requires at least redis 6 through its new dependency on the redis-client gem. If not, you get this error:
redis-client requires Redis 6+ with HELLO command available
head_ref_force_pushed
by Jane Sandberg at 2023-04-26 16:52:05.head_ref_force_pushed
by Jane Sandberg at 2023-04-26 18:19:17.unassigned
by Jane Sandberg at 2023-04-26 15:06:59.assigned
by Jane Sandberg at 2023-04-26 22:06:35.We need a test that creates a new resource with a SAVED_STATE property that has a value of "ERROR". Then we can test for the existence of the alert message.
closed
by Shaun Ellis at 2023-04-26 19:22:56.reopened
by Shaun Ellis at 2023-04-26 19:55:28.closed
by Shaun Ellis at 2023-04-26 20:02:25.Another example: https://figgy.princeton.edu/catalog/1621a8c2-caa3-44a3-a45e-21c0006fcdbd
This came up at the maps meeting. The question from the maps stakeholders is "how do we get this into the maps portal?"
labeled
by Trey Pendragon at 2023-04-26 20:00:58.referenced
by Shaun Ellis at 2023-04-26 21:56:36.merged
by Shaun Ellis at 2023-04-26 21:56:36.closed
by Shaun Ellis at 2023-04-26 21:56:36.head_ref_deleted
by Shaun Ellis at 2023-04-26 21:56:37.closed
by Shaun Ellis at 2023-04-26 21:56:37.VMs are in place and provisioned
closed
by None at 2023-04-26 13:19:23.We learned key information: parent_id in subguides csv correlates to sortid in guides csv. Path field is the folder in which the card images reside.
unassigned
by Robert-Anthony Lee-Faison at 2023-04-26 13:20:40.assigned
by Robert-Anthony Lee-Faison at 2023-04-26 13:21:57.unassigned
by Robert-Anthony Lee-Faison at 2023-04-26 13:22:17.renamed
by None at 2023-04-26 13:23:47.unassigned
by Robert-Anthony Lee-Faison at 2023-04-26 13:27:04.review_requested
by Robert-Anthony Lee-Faison at 2023-04-26 14:14:58.If expiration date in a patron's record is nil just ignore the update. First check to see if the code already does this. If not then we need to implement it.
assigned
by Kevin Reiss at 2023-04-26 16:47:56.review_requested
by Vickie Karasic at 2023-04-26 13:22:53.referenced
by Jane Sandberg at 2023-04-26 16:18:58.merged
by Jane Sandberg at 2023-04-26 16:18:58.closed
by Jane Sandberg at 2023-04-26 16:18:59.head_ref_deleted
by Jane Sandberg at 2023-04-26 16:19:06.review_requested
by Vickie Karasic at 2023-04-26 13:25:51.referenced
by Jane Sandberg at 2023-04-26 16:19:38.merged
by Jane Sandberg at 2023-04-26 16:19:39.closed
by Jane Sandberg at 2023-04-26 16:19:39.head_ref_deleted
by Jane Sandberg at 2023-04-26 16:19:42.assigned
by Kate Lynch at 2023-04-26 20:16:52.unassigned
by Bess Sadler at 2023-04-26 20:16:52.Hello again. Almost not April any more. Is there any chance of progress on this matter? Attaching note from a faculty member, a heavy user of the Jacques Derrida library as further illustration of the problem. Re_ Visitor_ the former Ambassador of France to the US.pdf
assigned
by Max Kadel at 2023-04-26 16:16:26.assigned
by None at 2023-04-26 20:20:48.assigned
by Jane Sandberg at 2023-04-26 22:04:12.unassigned
by Jane Sandberg at 2023-04-26 22:06:18.assigned
by None at 2023-04-26 13:02:52.referenced
by None at 2023-04-26 13:43:01.referenced
by None at 2023-04-26 14:08:34.referenced
by None at 2023-04-26 14:18:43.head_ref_force_pushed
by None at 2023-04-26 13:15:01.Tried a dsrestart
and no joy.
Rebooting the server.
labeled
by Bess Sadler at 2023-04-26 13:40:07.assigned
by Bess Sadler at 2023-04-26 13:40:08.@bess Per PRDS, please remove this content about Globus from the description.
mentioned
by Bess Sadler at 2023-04-26 19:32:28.subscribed
by Bess Sadler at 2023-04-26 19:32:28.labeled
by Kate Lynch at 2023-04-26 19:34:42.labeled
by Kate Lynch at 2023-04-26 19:35:03.labeled
by Kate Lynch at 2023-04-26 19:35:21.labeled
by Kate Lynch at 2023-04-26 19:35:39.labeled
by Kate Lynch at 2023-04-26 19:35:44.head_ref_force_pushed
by None at 2023-04-26 14:08:35.head_ref_force_pushed
by None at 2023-04-26 14:18:43.review_requested
by None at 2023-04-26 20:10:08.head_ref_force_pushed
by Francis Kayiwa at 2023-04-26 00:19:22.head_ref_force_pushed
by Francis Kayiwa at 2023-04-26 00:29:39.head_ref_force_pushed
by Francis Kayiwa at 2023-04-26 17:27:35.It seems we can't run this playbook locally with become_user: deploy
and we can't run it on Tower without it . . . I asked in the Ansible community chat for ideas, it might be we're using an nfs mount with 'root squash' enabled . . . will investigate more.
Remaining examples of {{ inventory_hostname }} complete
as of today - all in the playbooks
directory:
- [x] cantaloupeproduction.yml, cantaloupestaging.yml (consolidate)
- [ ] confluencestaging.yml (can this be renamed?)
- [x] figgyproduction.yml, figgystaging.yml (consolidate)
- [ ] libsmbserveproduction.yml (what is this?)
- [x] libstatisticsstaging.yml (what is this?)
- [x] librubydev.yml, librubyproduction.yml (consolidate)
- [x] libstaticproduction.yml, libstaticstaging.yml (consolidate)
- [x] libwwwproduction.yml, libwwwstaging.yml (consolidate)
- [x] mariadbgcpdev.yml
- [x] mariadbproduction.yml (can this be deleted?)
- [x] nginxplusproductionrebuild.yml
- [x] oargcpbeta.yml, oargcpdev.yml, oargcpproduction.yml, oargcpstaging.yml (consolidate)
- [x] oawaiverproduction.yml, oawaiverstaging.yml (consolidate)
- [x] openbooksproduction.yml
- [x] pdcdescribe.yml
- [x] pdcdiscovery.yml
- [x] postgresqlgcpdev.yml, postgresqlgcpproduction.yml, postgresqlgcpstaging.yml (consolidate, maybe delete?)
- [ ] postgresqlproduction.yml, postgresqlstaging.yml (consolidate)
- [ ] redisproduction.yml (do we need this? Do we install redis standalone?)
- [x] repecproduction.yml, repecstaging.yml (consolidate)
- [ ] solr8cloudproduction.yml, solr8cloudstaging.yml (consolidate)
- [ ] solrcloudproduction.yml, solrcloud_staging.yml (consolidate)
review_requested
by Vickie Karasic at 2023-04-26 17:58:01.@tpendragon @kayiwa we'd like to upgrade redis on the bibdata boxes to 6.2. The bibdata role is currently using the redis role to do this. Could we make it configurable, so that different boxes can upgrade on their own schedule?
mentioned
by Francis Kayiwa at 2023-04-26 18:27:45.subscribed
by Francis Kayiwa at 2023-04-26 18:27:45.mentioned
by Trey Pendragon at 2023-04-26 18:27:45.subscribed
by Trey Pendragon at 2023-04-26 18:27:45.referenced
by Christina Chortaria at 2023-04-26 13:57:06.merged
by Christina Chortaria at 2023-04-26 13:57:06.closed
by Christina Chortaria at 2023-04-26 13:57:06.head_ref_deleted
by Christina Chortaria at 2023-04-26 13:57:07.closed
by Christina Chortaria at 2023-04-26 13:57:07.ready_for_review
by Kate Lynch at 2023-04-26 19:36:48.referenced
by Hector Correa at 2023-04-26 19:48:25.merged
by Hector Correa at 2023-04-26 19:48:25.closed
by Hector Correa at 2023-04-26 19:48:26.head_ref_deleted
by Hector Correa at 2023-04-26 19:48:26.labeled
by Kevin Reiss at 2023-04-26 18:43:42.


Form
Form that groups interested in becoming an academy sponsor need to complete as part of the application process.
MS Word Document , 125KB
In order to be approved as a sponsor that can then be matched with schools, applicants should complete the sponsor application form and submit it to<EMAIL_ADDRESS>.
More guidance on becoming an academy sponsor is available.
Published: 18 July 2013
Updated: 10 November 2015


Proposing a Project
If you are interested in a DIANA Fellow position, you can propose a project. In the proposal you should briefly describe the software development activity that you would like to pursue, and how that activity will enhance your own and other people's research activities. Note also the intended software project or person with whom you will collaborate and the location where you would need to travel for that collaboration. The proposal should be short, typically no more one page to describe the project and then a short timeline with deliverables (see also examples from previous fellows. Submit your project proposal by email to<EMAIL_ADDRESS>or one of the other DIANA/HEP PIs. DIANA Fellow positions will be awarded in a rolling fashion based on submitted project proposals.
If you are involved in a software project used by the community and have specific projects which could be of interest to potential DIANA Fellows, please send your ideas to<EMAIL_ADDRESS>can be listed as example projects in the list below.


{% extends 'layout.server.view.html' %} {% block content %} Welcome to Room {{ roomNo }} There are currently no reservations. Want to make one? {% endblock %}
There are currently no reservations. Want to make one?


Case Project Grid |
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The Case Project Grid lists all of the projects that are submitted in the case.
The user may select any row in the grid and perform any action on the left hand side. The user may also click on highlighted field contents and icons to auto-launch into specific areas of the case portal instead of selecting the row and using the nodes on the left side.
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| << 7 Included Tools | < 8.48 Graphics - Cross Platform | Up: 8 API Reference | 8.50 Euphoria Information > | 9 Release Notes >> |
8.49 Graphics - Image Routines
<IP_ADDRESS> graphics_point
include std/image.e namespace image public type graphics_point(object p)
8.49.1 Bitmap Handling
<IP_ADDRESS> read_bitmap
include std/image.e namespace image public function read_bitmap(sequence file_name)
reads a bitmap (.BMP) file into a 2-d sequence of sequences (image)
Parameters:
- file_name : a sequence, the path to a .bmp file to read from. The extension is not assumed if missing.
Returns:
An object, on success, a sequence of the form {palette,image}. On failure, an error code is returned.
Comments:
In the returned value, the first element is a list of three membered sequences, each containing three color intensity values in the range 0 to 255, and the second, a list of pixel rows. Each pixel in a row is represented by its color index in the said first element of the return value.
The file should be in the bitmap format. The most common variations of the format are supported.
Bitmaps of 2, 4, 16 or 256 colors are supported. If the file is not in a good format, an error code (atom) is returned instead
public constant BMP_OPEN_FAILED = 1, BMP_UNEXPECTED_EOF = 2, BMP_UNSUPPORTED_FORMAT = 3
You can create your own bitmap picture files using Windows Paintbrush and many other graphics programs. You can then incorporate these pictures into your Euphoria programs.
Example 1:
x = read_bitmap("c:\\windows\\arcade.bmp")
See Also:
<IP_ADDRESS> save_bitmap
include std/image.e namespace image public function save_bitmap(two_seq palette_n_image, sequence file_name)
create a .BMP bitmap file, given a palette and a 2-d sequence of sequences of colors.
Parameters:
- palette_n_image : a {palette, image} pair, like read_bitmap returns
- file_name : a sequence, the name of the file to save to.
Returns:
An integer, 0 on success.
Comments:
This routine does the opposite of read_bitmap(). The first element of palette_n_image is a list of sequences each sequence containing exactly three color intensity values in the range 0 to 255. The second element is a list of sequences of colors. The inner sequences must have the same length. Each element in the each inner sequence represents the color index in palette_n_image of a pixel. Each inner sequence is a row in the image.
The result will be one of the following codes:
public constant BMP_SUCCESS = 0, BMP_OPEN_FAILED = 1, BMP_INVALID_MODE = 4 -- invalid graphics mode -- or invalid argument
save_bitmap produces bitmaps of 2, 4, 16, or 256 colors and these can all be read with read_bitmap. Windows Paintbrush and some other tools do not support 4-color bitmaps.
Example 1:
code = save_bitmap({paletteData, imageData}, "c:\\example\\a1.bmp")
See Also:


Additional templates for Custom Counter Styles (without a focus on i18n)
This repository provides code templates and ideas for custom counter styles in Cascading Stylesheets (CSS) using @counter-style
as specified in CSS Counter Styles Level 3.
This feature has very limited support in browsers (only Gecko/Firefox since version 33 as of mid-2016).
Some CSS-to-PDF formatters like Prince, Weasyprint and Vivliostyle may have proprietary solutions for user-defined counter styles, but Antenna House Formatter claims almost complete support for the standard.
Such counter styles can be used as list markers, for pagination, footnote markers and several other things, at least in theory. A similar, but official W3C project is Custom Counter Styles which focuses on internationalization (i18n) of enumerators, i.e. it documents existing usage from around the world.
Most of these are proposed to be included in Custom Counter Styles.
lower-alpha-ancient
lower-roman-j
emoji-numbers
emoji-decimal
keycap-decimal
clock-face
blood-type
lower-latin-in-circle
lower-latin-in-square
lower-latin-in-diamond
lower-latin-in-triangle
lower-latin-forbidden
lower-latin-on-screen
lower-latin-on-key
element-symbols
element-symbols-boxed
planets
solar-system
week-days
astronomic-months
months
astrologic-months
zodiac


Source code for neodroidvision.utilities.torch_utilities.efficient_net_utilities.ef_torch_utilities
#!/usr/bin/env python3
# -*- coding: utf-8 -*-
__author__ = "heider"
__doc__ = r"""
Created on 5/5/22
"""
import math
from typing import Any
import torch
__all__ = ["round_filters", "round_repeats", "drop_connect"]
from warg import Number
[docs]def round_filters(filters: Number, global_params: Any) -> int:
"""Calculate and round number of filters based on depth multiplier."""
multiplier = global_params.width_coefficient
if not multiplier:
return filters
divisor = global_params.depth_divisor
min_depth = global_params.min_depth
filters *= multiplier
min_depth = min_depth or divisor
new_filters = max(min_depth, int(filters + divisor / 2) // divisor * divisor)
if new_filters < 0.9 * filters: # prevent rounding by more than 10%
new_filters += divisor
return int(new_filters)
[docs]def round_repeats(repeats: Number, global_params: Any) -> int:
"""Round number of filters based on depth multiplier."""
multiplier = global_params.depth_coefficient
if not multiplier:
return repeats
return int(math.ceil(multiplier * repeats))
[docs]def drop_connect(inputs: torch.Tensor, p: float, training: bool) -> torch.Tensor:
"""Drop connect."""
if not training:
return inputs
batch_size = inputs.shape[0]
keep_prob = 1 - p
random_tensor = torch.rand(
[batch_size, 1, 1, 1], dtype=inputs.dtype, device=inputs.device
)
random_tensor += keep_prob
binary_tensor = torch.floor(random_tensor)
return inputs / keep_prob * binary_tensor
if __name__ == "__main__":
print(drop_connect(torch.ones(2, 2), 0.5, True))


CossiePa is back! For this month, it’s time to treat your friends the good stuff: get 3 drinks for just the price of 2! So bring your friends, come on down and join the party!
Not sure what is CossiePa? Go here.
Ready to get your tickets? Go here: Link to RSVP page.
Terms and Conditions:
If it’s your first time to the party, welcome on board and get 15% off your ticket for this month’s CossiePa!
Not sure what is CossiePa? Go here: Link to CossiePa page.
Ready to get your tickets? Go here: Link to RSVP page.
Terms and Conditions:
Get a costume made with us now, and come to our next month’s CossiePa for free!
Terms and Conditions:
Wear your CossiePlay costume to KFC on Stanton Street and get a free drink with every purchase of a 21-piece bucket! Tell them that you’ve been to CossiePlay!
Terms and Conditions:
CossiePlay is a small, family-run local business, operating in Hulkstown since 2012.
We create outstanding custom cosplay and fancy dress costumes for every occasion. Cosplayers can order any kind of costume - from simple character costumes right up to costumes including advanced features like armour, animatronics, realistic weaponry and working force fields.
For folks looking for a simplicity, we also sell pre-made and second-hand costumes at lower prices.
We also run a monthly cosplay party, CossiePa, for cosplayers in Hulkstown to interact and make friends.
Want us to make a costume? Go here: Link to Custom Made page.
Looking for costumes? Go here: Link to Second-Hand Costumes page
Not sure what is CossiePa? Go here.
Cosplay, a combination of the words costume play, is a subculture which participants called cosplayers wear costumes and fashion accessories to represent a specific character from any form of media. Favorite sources include manga and anime, comic books and cartoons, video games, and live-action films and television series.
Originating from the Western world, the rapid growth of the subculture since 1990 has made the phenomenon a significant aspect of popular culture in Japan and other parts of Asia. Cosplay events are common features of fan conventions and there are also dedicated conventions and local and international competitions, as well as social networks, websites and other forms of media centered on cosplay activities.
More information:
CossiePlay carries the finest quality costumes, custom made for each customer. We ensure that all finished products are of the highest quality, matching the character's attire exactly down to the finest detail.
Here are some of our proudest works:
We have also made simple costumes for children, no matter for Halloween or a school event.
What are you waiting for? Order now!
Please allow us at least 2 working days to respond to your order.
Looking to sell your unwanted costumes?
Looking for cheaper alternatives to get a costume?
At CossiePlay, we believe that one man's trash would be another man's treasure. Therefore, in addition to making costumes, we also help cosplayers sell their costumes to others who would like to try out cosplaying with less commitment.
Here below are the list of costumes currently in our care:
| Character name | Size | Price | |
|---|---|---|---|
| 1 | Spiderman | 12 | $49 |
| 2 | Elf | 16 | $35 |
| 3 | Darth Vader | M | $149 |
| 4 | Iron Man (with rocket boots) | M | $2500 |
| 5 | Bayonetta | 8 | $300 |
| 6 | Diablo III – Demon Hunter | 10 | $250 |
| 7 | Harley Quinn | 18 | $125 |
| 8 | Metroid – Samus Aran | L | $850 |
| 9 | Peter Pan | XS | $49 |
| 10 | Princess Leia (White Ver.) | 10 | $100 | 11 | Spock (Star Trek) | S | $1235 |
Please do message us about the specific measurements of the costumes as well as the actual pictures of the costumes.
For those who are interested in selling costumes, please also do notify us in the form below, and we will get back to you shortly for audting.
Please allow us at least 2 working days to respond to your order.
CossiePa is a monthly party event by CossiePlay, by cosplayers for cosplayers.
For all of you geeks and otakus out there, here’s your chance to shine!
Come join us for a night of live DJ music, drinks and dancing!
Location:
Hulkstown Town Hall
Time:
6pm to 11pm
(just in time for the last bus home!)
Ticketing:
Adult (ages 17 and up) - $15
Children (ages 6 to 17) - $10
All kids below 6 years old are free to enter!
*Each entry ticket includes a complimentary non-alcoholic drink and a glowstick, for all your partying needs.
Rules and Regulations:


directory listing is noit enabled. Take the page ID from diggersdiaries website, please.
The format, for example http://diggersdiaries.org/data/diaryDetail/367932.json


A "knock-off" is generally defined as a cheaply produced imitation of a genuine article, like those watches they sell on the streets of New York that carry the brand name "Rolax." True to its title, "Knock Off" is a low-budget substitute for a real action thriller, but its sense of style manages to make it look several degrees hotter than it actually is.
Although one of the cardinal rules of moviegoing in the 1990s says that anything starring Eurotrashy Jean-Claude Van Damme is sure to be more toxic than a bushel of Mexican strawberries, "the Muscles from Brussels" is surprisingly easy to take this time around, perhaps because director Tsui Hark keeps him on the run for most of "Knock Off's" running time and keeps Van Damme's dialogue to the bare minimum. Oftentimes, the star simply grunts and sighs to express himself, and in times of emotional distress, Hark has Van Damme dramatically tear off his shirt or pull down his pants in lieu of baring his soul.
"Knock Off" is set in 1997 Hong Kong on the eve of the British colony's return to Chinese rule, although the political backdrop turns out to have almost nothing to do with what little plot there is. Van Damme plays Ray, "the king of the knock-offs," who's tired of living it up as a result of peddling downmarket junk to unwary consumers; he wants to go legit. "I want to go out with my reputation intact," Ray tells an associate. "I always made a quality piece of crap." That's a lot more than Van Damme can claim, given such blotches on his resume as "Sudden Death" and "Streetfighter," but we digress.
Ray has teamed up with American entrepreneur Tommy (Rob Schneider), but after they witness a brutal murder while participating in a rickshaw race, the would-be businessmen are drawn into a top-secret plot involving Russian agents who want to plant micro-bombs inside counterfeit designer jeans. The explosives can be activated by remote control, making for a truly killer outfit.
Oh yeah, someone named Karen (Lela Rochon) enters the picture and makes things tougher for all concerned, since her entrance requires Ray to ask her, "Oo duh ell ah yu?" a question that takes longer to translate than it does to answer. Much of Steven E. De Souza's script, in fact, sounds like it was run through one of those erratic language translation programs a few times before the cast got ahold of it. "If he knew it was a nanobomb, he wouldn't be carrying it around like a cough drop" is one of the more memorable lines of dialogue.
Though "Knock Off" features plenty of explosions - which come in every color of the rainbow - it's Arthur Wong's endlessly creative cinematography, incorporating what must be every kind of special lens known to man, that gives this utter absurdity some class. You want double-exposures, rack-focus, high-speed zooms, wide-angle shots? They're all here, and they give this Chinese junk a touch of class. James Sanford
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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which don't look even slightly believable. If you are going to use a passage of Lorem Ipsum, you need to be sure there isn't anything embarrassing hidden in the middle of text. All the Lorem Ipsum generators on the Internet tend to repeat predefined chunks as necessary, making this the first true generator on the Internet. It uses a dictionary of over 200 Latin words, combined with a handful of model sentence structures, to generat
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JSONErr
public enum JSONErr : Error
Errors that can be thrown by the JSONClient
. Don’t confuse the name
with Foundation.JSONError
, which are thrown by Foundation parsing
calls.
-
Thrown if a path contains illegal URL characters or is
nil
.Declaration
Swift
case invalidUrl(urlString: String?)
-
Thrown if there’s no JSON data at a given path.
Declaration
Swift
case nilData
-
Thrown if the server returned a 404 status code. (All other non-200 errors should be reported with a
.serverError
case.)Declaration
Swift
case notFound
-
Thrown if the JSON at a given path can’t be decoded into the expected type.
Declaration
Swift
case parseFailed(error: Error)
-
Thrown if the server returned anything other than a 200 status code.
Declaration
Swift
case serverError(statusCode: Int)
-
Thrown if the endpoint returned an HTTP 401 (unauthorized) code.
Declaration
Swift
case unauthorizedAttempt