Amendment History
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© International Health
Terminology Standards Development Organisation 2016. All rights reserved.
2.1 General release statistics for
all of SNOMED CT
2.2 General release statistics by
hierarchy
2.3 ‘General Release Statistics’
Table – Example
3.1 Statistics on new Concepts for
all of SNOMED CT
3.2 Statistics on new Concepts by
hierarchy
3.3 ‘New Concepts Statistics’ Table –
Example
4 Statistics on Concepts Inactivated
During the Release
4.1 Statistics for SNOMED CT for
Concepts inactivated during the release
4.2 Statistics by hierarchy for
Concepts inactivated during the release
4.3 ‘Statistics on Concepts
Inactivated During the Release’ Table – Example
5 Statistics on Changes to Existing
Active Concepts
5.1 Statistics on changes to existing
active Concepts for all of SNOMED CT
5.2 Statistics on changes to existing
active Concepts by hierarchy
5.3 ‘Changes to Existing Concepts -
Counts by Change Type’ Table – Example.
5.4 ‘Changes to Existing Concepts -
Percentage of Concepts with Each Change Type’ Table – Example
This document describes general descriptive release statistics to be used as part of an overall Quality Assurance process for the SNOMED CT® International Release. The objective of the general descriptive release statistics and an accompanying set of content patterns recommended for periodic monitoring (described in a complimentary document) is to provide information to assist the IHTSDO in:
The purpose of this document is to propose an initial set of descriptive measures and statistics, obtained through automated queries, with the objective of providing information on content changes and temporal trends as a measurement of progress. The gathered data will also assist in comparing consecutive SNOMED CT International Releases and trends across multiple releases.
This document describes:
Š A set of proposed measures and statistics to be computed from SNOMED CT releases
A complementary document will describe a set of content patterns recommended for periodic monitoring and evaluation of conformance with content management, quality assurance processes and technical specifications.
The audience for this document includes IHTSDO Content staff and the Community of Practice.
General release statistics provided for all of SNOMED CT include:
Š Total number of active Concepts
Š Percentage of Concepts which are sufficiently defined (SD) (see Section 3 for explanation of SD)
Š Total number of active Descriptions
Š Total number of active Relationships
General release statistics provided for each hierarchy include:
Š Total number of active Concepts
Š Percentage of active Concepts in each hierarchy as a percentage of all active Concepts in the release
Š Percentage of Concepts in each hierarchy which are sufficiently defined (SD)
Š Total number of active Descriptions
Š Total number of active Relationships
(Example based on the January 2016 International Release)
Factors affecting the number of new Concepts in the release include but are not limited to:
New concepts can be added with a definition status of sufficiently defined (SD) or primitive (P). A concept is defined by a set of relationships to other concepts. If the resulting definition is sufficient to distinguish the concept from its parents and siblings in the subtype hierarchy, the concept is considered to be sufficiently defined. If the definition is not sufficient to distinguish the concept from its parents and siblings, the concept is considered to be primitive (SNOMED CT® Technical Implementation Guide January 2015 International Release Section <IP_ADDRESS>).
Factors affecting the definition status of new concepts include but are not limited to:
Statistics provided for new Concepts for all of SNOMED CT include:
Š Number of new Concepts
Š New Concepts as a percentage of all Concepts in the release
Š Percentage of new Concepts which are sufficiently defined (SD)
Š Percentage of new Concepts which are primitive (P)
Statistics provided for new Concepts in each hierarchy include:
Š Number of new Concepts
Š New Concepts as a percentage of each hierarchy
Š New Concepts in each hierarchy as a percentage of all new Concepts in the release
Š Percentage of new Concepts per hierarchy which are added as sufficiently defined (SD)
Š Percentage of new Concepts per hierarchy which are added as primitive (P)
(Example
based on the January 2016 International Release)
The statistics provided are only for concepts which were inactivated during the release. They are not statistics for all concepts that have ever been inactivated in SNOMED CT.
Statistics provided for SNOMED CT for Concepts inactivated during the release include:
Statistics provided by hierarchy for Concepts inactivated during the release include:
(Example based on the January 2016
International Release)
Statistics provided on existing active Concepts (active in the prior release and active in the current release) include information on changes to:
1.
Concept
definitions (including):
Š Stated concept definition changes
Š Inferred concept definition changes
Changes to concept definitions include changes to |Is a| Relationships to proximal parent concepts and to Defining Relationships (attribute-value pairs).
Stated changes to the concept definition are changes made manually by content editors to the set of Relationships that are the defining characteristics of a Concept.
Inferred changes to the concept definition are changes made after the description logic classifier has applied a set of logical rules to the set of Relationships that are the stated concept definition. The inferred concept definition is the definition included in the standard SNOMED CT distribution relationship file.
2.
Concept
definition status (including):
Š From Primitive to Sufficiently Defined (P to SD)
Š From Sufficiently Defined to Primitive (SD to P)
Concept definition status changes are made manually by content editors after having reviewed or edited a concept definition.
A Concept is defined by a set of Relationships to other Concepts. If the resulting definition is sufficient to distinguish the Concept from its parents and sibling Concepts in the subtype hierarchy, the Concept is considered to be sufficiently defined. If the definition is not sufficient to distinguish the Concept from its parents and siblings, the Concept is considered to be primitive. (SNOMED CT® Technical Implementation Guide January 2015 International Release Section <IP_ADDRESS>).
3. Descriptions (including):
Š New Descriptions
Š Retired Descriptions (e.g., inappropriate, outdated, etc.)
4. Fully Specified Names (FSN)
Statistics on changes to FSNs are provided separate from changes to other Descriptions because the FSN represents the meaning of the Concept code. Policy regarding changes to the FSN of an existing Concept is stricter than policy regarding changes to Synonyms or Preferred Terms for an existing concept. A change to an FSN requires retiring the Concept except in cases where the Fully Specified Name (FSN) undergoes a minor change (as permitted in the Editorial Guide Section on “Minor changes in the Fully Specified Name”).
The statistics provided for changes to existing active Concepts (active in the prior release and active in the current release) for all of SNOMED CT include:
The statistics provided for changes to existing active Concepts (active in the prior release and active in the current release) by hierarchy include:
Š Number of Concepts in the hierarchy that underwent any change (as described by 1-4 above)
(Example based
on the January 2016 International Release)
The first row provides the percentage of Concepts in all of SNOMED CT that underwent each change type. The remainder of the rows provide the percentage of Concepts in each hierarchy that underwent each change type.
(Example based
on the January 2016 International Release)


Would you like to code with other web developers?
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I used a 10k resistor for the voltage divider because
it matched the range of the photoresistor.
Blue wires go to output pins, while white goes to an
analog in pin. Red is power and black is ground.
The lights correspond to the light level picked up
by the photoresistor, with level yellow getting brighter
as the light level decreases to red.
Here is all the documentation for assignment 3!


LETS HANG THE QUEEN!!!
FUN FACTS
SONG TO GUESS:
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To start, please click on the play button.
Play
HANGMAN
HITS:
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MISTAKES:
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Settings
Store as shared default route
upload gpx
insert user locations
clear user locations
save user locations
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enable edit


Aaron Carter Hospitalized: ‘Momma’s Gonna Take Care Of Me’
by Shakiel MahjouriAaron Carter has been hospitalized.
Carter, 31, posted a photo of himself on Thursday in a hospital bed. Ascension Sacred Heart Emerald Coast hospital in Destin, Florida was tagged. The “I Want Candy” singer did not reveal why he was hospitalized. The only statement he made was in the caption of the Instagram post: “Momma’s gonna take care of me.”
Carter’s mom, Jane, reportedly told TMZ that her son arrived at her house on Thursday looking alarmingly thin. He reportedly weighed only 115-pounds, way down from the 160-pounds Carter once weighed.
Jane is said to have immediately rushed her son to the emergency room. Carter’s condition reportedly stems from the stress he is experiencing over the restraining orders levied against him by his siblings, Nick Carter and Angel Carter.
There was an outpouring of fan support in the comments section of the post. “Hope you’re ok Aaron, get well soon,” wrote one fan. Another commented, “Praying for you, Aaron.”
Carter’s wellbeing has been the subject of media attention and fan concern over the past few weeks. Carter’s brother, Nick, took out a restraining order against the 31-year-old. Carter later accused his sister of raping him as a child.


In machine learning, two tasks are commonly done at the same time in data pipelines: cross validation and (hyper)parameter tuning.
In this tutorial we work through an example which combines cross validation and parameter tuning using scikit-learn.
To demonstrate cross validation and parameter tuning, first we are going to divide the digit data into two datasets called and .
If your data is in a CSV, JSON, or XLSX file, loading it is as simple as dropping the file into Franchise.
Run a single command in your terminal to set up a database bridge that allows Franchise to connect to your databases directly through your computer.
Your data never hits our servers.
My goal when I create a graph or visualization is to communicate an idea or some information about the underlying data (i.e., the differences, patterns, etc.) with a minimal amount additional explanation.
You can view the top 10 projected players according to ESPN and the top 10 actual fantasy leaders for the 2016 season below: The first project at Metis involved analyzing the NYC Metropolitan Transportation Authority (MTA) turnstile data in order to provide recommendations to a womens’ tech organization as to which subway stations they should target in order to advertise for their annual gala.
I wanted my students to have a convenient place to find course-related information, data files, and guides.
Since the course aims to take a practical and generalized approach to data journalism, there's no reason not to open it to the world.
A by-no-means-complete list of guides, articles, and books related to data journalism.
This following list has helped me learn and later teach various topics in Python.
(and its relevant count) Create a CSV file from the data as follows: Format can be any string that contains any number of the labels: , , , Assume file names match input format.
We will explain how to use Xgboost to highlight the link between the features of your data and the outcome.
In this Vignette we will see how to transform a dense (dense = few zeroes in the matrix) with categorical variables to a very sparse matrix (sparse = lots of zero in the matrix) of features.


--- layout: minimal title: "Projetos" permalink: /projetos/index.html image: '/assets/img/' description: "Conheça meus projetos / portfólio." ---


My name is Donald.
I live in Duckburg.
My best friend is Mickey.
In this example, we select all p elements that have span or b elements inside of them.


MARY SHELLEY'S FRANKENSTEIN A film review by Michael John Legeros Copyright 1994 Michael John Legeros
Directed by Kenneth Branagh Written by Steph Lady and Frank Darabont, from the novel by Mary Shelley Cast Robert DeNiro, Kenneth Branagh, Helena Bonham Carter, Aidan Quinn, Ian Holm, Richard Briers, and John Cleese MPAA Rating "R" (what else?) Running Time Approx. 120 minutes
===
"Did you ever consider the consequences of your actions?" - DeNiro to Branagh
No FRANKENSTEIN film should ever be boring. Period. Not THE BRIDE OF FRANKENSTEIN, not YOUNG FRANKENSTEIN, and certainly not MARY SHELLEY'S FRANKENSTEIN. But boring is as boring does and this refreshingly literate monster movie is one creation that never comes to life.
Don't blame the source material. Shelley's story always contained more philosophy than atrocity, and writers Steph Lady and Frank Darabont doctor the horrors appropriately. With one eleventh-hour exception, their transgressions are all very tasteful. This FRANKENSTEIN is a thinking's man's monster movie, where The Creature spends more time learning language than lumbering.
With appropriate tweaks to the original story--such as electric eels as energy sources--there should be enough scares here to spook anyone. But the surrounding story never comes together. The tone isn't quite right, and parts of the plot always seems to be missing. Did test screenings do this? The generous leaps and bounds of the story suggest serious snipping in post-production.
The film stinks for subtext, as well. Director Kenneth Branagh--the man who put Shakespeare in the cineplex--offers no commentary on the horrors of 16th-century medicine. Nor does he effectively examine the relationship between Victor and his adopted sister (Helena Bonham Carter). His worst omission: a sense of humor. This FRANKENSTEIN should be brimming with sly winks and subtle nods to earlier incarnations. But, no, not once does the doctor even so much as yell "it's alive."
(And what's with that "circling" camera technique? Is the director trying to infuse into ever scene a sense of action? Excitement? Dizziness?)
Playing the infamous Victor Von, Branagh is all buffed and beautiful for his steamy laboratory scenes. But his eyes burn with neither malice nor madness--he's a good boy who's too good. Better is DeNiro, a stitch (sorry) as The Creature. His misshapen mass of serrated scars and slurred syllables is a welcome presence in the second hour.
Supporting roles go to Ian Holm, Aidan Quinn, Tom Hulce, Richard Briers, and, as a heavy (!), John Cleese. Why the latter is forced to wear dental props, though, is never explained. Sorry, sorry.
To the credit of everyone involved, there is one, great moment to remember. The scene occurs toward the end of the film, when The Creature does something very bad to someone very good. That brief, horrible act brings a rush of excitement into the film like oxygen into a backdraft. And, for a few, fleeting moments, you can clearly see the terror that should've been there from the beginning. And then it's gone.
BOTTOM LINE: Frankly speaking, Kenneth Branagh should stick to Shakespeare.
Grade: C-
-- Michael J. Legeros Raleigh, North Carolina
.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
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LATE FOR DINNER A film review by Jeff Davis Copyright 1992 Jeff Davis
[Short precis of LATE FOR DINNER. Two young men from 1962 on the run from the law happen upon an experimental cryogenics lab. They are unwittingly frozen until an accident in 1991 awakens them. More plot explanation would tread close to spoilers.]
There are so few, genuinely sweet-natured movies out there, that it's hard to know what to say when one comes along. For example, GREGORY'S GIRL by Bill Forsyth. It evaporates in front of your eyes: Gregory plays soccer, he develops a crush on the team's only girl player, he manages to finagle a date with her, but never quite gets there. End of movie. I've recommended lots of movies to people who come back with a "What did I just see?" reaction. I remember one co-worker who came back from LOCAL HERO absolutely livid. "Nothing happened!" he said. He wanted me to reimburse him for his ticket.
Add LATE FOR DINNER to the list. We rented it Friday night and loved it and showed it to friends after the Derby on Saturday night. They loved it too. When I turned it in to the video place on Saturday the normally ersatz-Soviet lumpenprole who clerk for the video place all wanted to know my reaction and we all felt like one of the Elect when we confirmed our feelings for the movie.
But there's a caveat. There's "nothing" much there. It is a Rip Van Winkle story with a couple of John Steinbeck heroes grafted on to it. (I'm thinking of OF MICE AND MEN but any of his honest, simple men will do.) But, it swings throughout. The director, W. D. Richter, doesn't go in for any of the usual longeurs that are the stock in trade of saccharine movies. The action snaps from one scene to the next. "Sweet" usually means "treacly" but LATE FOR DINNER doesn't let you catch your breath. He doesn't linger over the big emotional scenes, so the 3 hanky crowd may wind up feeling cheated. This is Sonny Rollins playing "God Bless the Child" rather than Edith Piaf singing "La Vie en Rose."
Which is not to say the movie doesn't have some flaws. For one thing, some of the dialogue between the two male leads has a tooth-ache RAISING ARIZONA preciosity to it. The movie begins in 1962 and I'd be willing to bet the screen-writer doesn't have more than a passing familiarity with the era: the diction sometimes seems more than arch. Abstract, is more like it. And some of the names are too *boldly symbolic* for words. They have a writing workshop odor to them. But that soon passes and the script's self-conscious structural strategies actually payoff and help sustain it: the movie constantly has an eavesdropper lurking somewhere to take note of the heroes' dislocations: a doctor, a waitress, a push cart vendor. By the end of the movie, the audience can easily perform that function and every modern tic and bad habit can woosh by without having to be underlined.
The leads are both fine: I've never seen anyone in the movie before except for Peter Gallagher from SEX, LIES, AND VIDEOTAPE. Gallagher must have the same agent as William Atherton and Charles Grodin: he seems to be doomed to playing slime-balls. The actor who plays Willie Husband looks like a computer merger of Richard Gere and Alec Baldwin, but he has a style and presence of his own. Expect more from him in the future. (Sorry, I'm not a credit hound. I don't remember his name.)
As I've said in other posts, I don't much care for ranking movies. I enjoyed it a lot and almost everyone that I've talked to who has seen it has liked/loved it as well.
-- Jeff Davis.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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So lately, my friend has been meeting this man we'll call Beaver, and buying buprenorphines off of him. He sells them at 20 bucks for 8 mg and 5 for 2.
Now, I've had my fair share of pill popping, from oxycodone to hydrocodone to ambien to amphetamines, and I swear to you, that buprenorphine is by far the strongest and longest lasting painkiller I have found to date.
I took 4 mg of buprenorphine, under the tongue, on a school night, once before, and felt just fine. Well, for a bit. Within the hour I was feeling very floaty, a feeling akin to vertigo, and telling my friend I was sleepy, he left and I did just that. I woke up the next morning still feeling the drug. I attempted to stand, and found out that swimming was much easier. I was not together at all. I told my dad I was sick and decided I could sleep the drug off and go to school in a few hours. No dice. This was a cycle repeated for the rest of the day, with interludes of vomiting and sleep. Great stuff, really. I figured it was a matter of simple overdose.
So, when my friend presented me with a 2 mg tablet in first period, I said what the hell, and went with it. 50 minutes later I began to feel the drug. It was the run of the mill pain killer effect, but I began to get the same kind of dizziness. An hour and a half from the start, and I was having trouble simply sitting up. Talking required too much effort, and I felt too awful to attempt it. I went to the bathroom once or twice to try and throw up, but to no avail. My teacher said I didn't look too good, and didn't argue with her. I requested leave to go the health room, where I laid down for a good forty minutes.
The strange thing is, laying down, I felt no problems, just the painkilling. When I tried to stand up, it went completely down hill and I felt incredibly nauseous. I went back to class approximately 2 hours after ingestion, where I sat on the couch and tried to do math. I was obviously sick, and an experienced person could have easily seen I was on something. The lunch bell rang, and I ambled outside to sit in the sun. I realised that the best thing I could do at that point was to call my mom and go home, which I did promptly.
3 and half hours after ingestion, I finally get home after a great bout of carsickness which ended anticlimatically, ie, without vomiting. I went upstairs, laid down, and went to sleep. For the next twenty one hours, I began a cycle of laying down, making phone calls, watching tv, and falling asleep. Any vertical movement caused my head to spin and the nausea to come on. I recall trying to go get my back pack, and going to the bathroom to throw up. The strange thing is, when I bent down, it went away. So I would stand up and the urge would overcome me, and bingo bango, vomit. Nothing but water, generally unpleasant, and not a sign of improvement. I could stand up the next morning, around 24-27 hours after ingestion. I did not feel right until the 36 hour mark, which concurred with the previous time.
I suppose that, when all has been said and done, I have a very low tolerance for pills. I've overdosed on percocet before and threw up 8 times before lunch. But buprenorphine is strange in the fact that lying down seems to be a solution to the sickness. I was literally incapacitated and bedridden. I believe that there is something with me that does not agree with the stuff, and I don't plan on taking it again. My friend has built himself a tolerance up to 8, and he's never been floored like I was, although he threw up out of my car window on a ride home.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


THE PRINCESS AND THE WARRIOR (Krieger und die Kaiserin, Der)
Reviewed by Harvey Karten Sony Pictures Classics Director: Tom Tykwer Writer: Tom Tykwer Cast: Franka Potente, Benno Furmann, Joachim Krol, Marita Breuer, Lars Rudolph, Melchior Beslon
Did you ever see two people in love, folks who looks as though they were made for each other, and you said, "This is a match made in heaven"? Sure you have. Now think. Do you really believe this, because if you think a sec about it, you're saying that the meeting of this happy couple is not an accident at all, not a coincidence, but was destined by a higher power. Could be, could be. This could be idle speculation or a bull session you engage in while on a lunch break during your sophomore year in college, but not in the hands of the unpredictable Tom Tykwer, whose visually arresting and stylish "Run, Lola Run," about a woman who has 20 minutes to raise 100,000 marks to save her boyfriend from mobsters brought far more than the usual arthouse denizens to the theaters in '98. If style outstripped substance in that fast-paced work, the reverse is true in Tykwer's current gem. "The Princess and the Warrior" is a rumination about love, dealing thematically with the question of whether fate or coincidence brings people together, the attraction of opposites, and the sometimes thin line between psychosis and sanity. With only a single, brief scene-- one of cars moving rapidly from the view of a camera stationed on a roof--that reminds us "Run, Lola, Run," "The Princess and the Warrior," or in the more alliterative German, "Der Krieger und die Kaiserin," is a potent testament to the healing power of love.
Featuring Tykwer's favorite actress, Franka Potente in the role of Sissi, "Princess" hones in the shy, twenty-something nurse in the psychiatric facility of a medium-sized German town. Sissi was actually born in the institution, as her mother was also on the staff, and Sissi apparently knows little about love. One day she is hit by a truck and, while lying motionless and short of breath under the wheels, she is saved by Bodo (Benno Furmann), who uses his army training to restore her breathing and quickly disappears. Little does Sissi know that the accident was a result of Bodo's being chased after a small-town robbery he botched or that he and his brother Walter (Joachim Krol) are small-time crooks who plan to make one big haul and leave the country. When Sissi heals after two months in the hospital,she is determined to find her savior not so much to thank him but to fulfill what she believes to be her destiny: to affiliate herself for the long term with this heroic gentleman--except that Bodo, fighting vigorously against his own feelings, wants nothing to do with her.
As the plot unfolds we learn more about why Bodo acts not such coldly toward the pursuing woman (who is not at all unattractive) but literally throws her out on at least two occasions when she has chased after him. In fact, on of the great merits of this picture is that unlike a Hollywood director who signals us from almost the start about its characters, virtually telling us whom to like and whom to hiss, Tywker takes his time to let his audience get to know the people. "The Princess and the Warrior" does not outlast its 130-minute length.
Unlike popcorn movies such as "Swordfish" which are intent on providing nice-sized explosions from the start and upping the ante until the conclusion, "Princess" surprises us by sudden reversals. A session of group therapy in the hospital is followed by a violent outburst of a patient responding to a voice in his head. An extended period of talk and meditation is followed by an explosively violent scene involving a frenzied bank robbery, the violence making its impression by its very contrast with the unobtrusive and the dormant. The surreal conclusion is a reflection on life, on how our existence could have been different if only chance happenings occurred which might have caused major changes in our entire development.
Tykwer is well served by Johnny Kilmek and Reinhold Heil's astonishing good and appropriate music while Frank Griebe's camera gives us a good image of the touristic German town of Wuppertal, with its steep hills and slopes, a place eminently suited to people who want to hide out from the world. Tom Tykwer obviously believes in the power of love to heal and restore our vitality, but happily eschews the insipidly sentimental ways that Hollywood regularly chooses to make that all-important point.
Rated R. Running time: 130 minutes. (C)2001, Harvey Karten<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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Please direct comments/criticisms of the review to relevant newsgroups.
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The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


Try out our Premium Member services: Virtual Legal Assistant, Query Alert Service and an ad-free experience. Free for one month and pay only if you like it.
HIGH COURT OF MADHYA PRADESH : AT JABALPUR Writ Petition No : 3842 of 2015 (PIL) Kishore Dua - V/s - State of MP and others. Present : Hon'ble Shri Justice Rajendra Menon, Acting Chief justice; and, Hon'ble (Smt) Justice Anjuli Palo. -------------------------------------------------------------------------------------- Shri Dinesh Upadhyaya for the petitioner. Shri Swapnil Ganguly, Government Advocate, for the State/respondents 1 to 3. Shri Arpan Shrivastava, for respondent No.4. -------------------------------------------------------------------------------------- Whether approved for reporting: Yes / No. ORDER
09/01/2017 Petitioner claiming to be a public spirited person has filed this writ petition and has brought to the notice of this Court pollution being caused into River Narmada in the District of Dindori, by permitting flow of 11 'Nalas' (drains) situated in the District to merge with the River in question.
2- Interalia contending that 11 'Nalas' situated in the District of Dindori are discharging their water and effluents into River Narmada and, therefore, causing pollution, this writ petition has been filed and the relief claimed is to direct the respondents to take appropriate action for preventing merging of contaminated or polluted water of the 11 'Nalas' into River Narmada; and, to implement the Sanitation Plan of the Urban 2 Writ Petition No:: 3842/2015 (PIL).
Kishore Dua Vs. State of MP and others Administration Department, for preventing pollution of the River in question.
3- Shri Swapnil Ganguly, learned Government Advocate, invites our attention to various provisions of the National Green Tribunal Act, 2010 (hereinafter referred to as 'Act of 2010'); meaning of the word 'Environment' as defined in section 2(c); 'hazardous substance' as defined in section 2(f); and, various provisions of the Act of 2010; the jurisdiction and powers available to a Tribunal to settle disputes as are contemplated under section 14; the relief and compensation that can be granted by the Tribunal under section 15; provision for appeal under section 18; and, argues that as the issue in question being canvassed in this writ petition pertains to environment, including enforcement of a legal right relating to environment; and, implementation of certain statutory provisions as are contemplated in Schedule I, of the Act of 2010, the writ petition is 'not maintainable'. 4- Learned Government Advocate invites our attention to Schedule I, of the Act of 2010, and argues that in the matter of prevention and control of pollution of water, air and environment as all the statutory provisions applicable are contemplated in Schedule I, this Court has no jurisdiction in the matter.
5- We have heard learned counsel for the parties at length and we find much force in the preliminary objection raised by Shri Swapnil Ganguly.
6- Section 2(c), of the Act of 2010, defines 'environment' to include water, air and land and the inter-relationship that exists amongst them and between them; so also, the inter-relationship between human beings and other living creatures, plants, micro-organism and property. That apart, the question involved in the matter pertains to environment and pollution, if any, being created by the waste effluents being released into River Narmada, is covered by the statutory provisions like Water (Prevention and Control of Pollution) Act, 1974; and, section 14 clearly provides jurisdiction to a Tribunal constituted under sections 3 and 4, of the Act of 2010, to deal with civil cases, wherein specific question 3 Writ Petition No:: 3842/2015 (PIL).
Kishore Dua Vs. State of MP and others relation to environment and enforcement of legal rights relating to environment are involved.
7- That being so, it is a dispute where the jurisdiction to deal with the matter rests exclusively with the National Green Tribunal, constituted under the Act of 2010; and, it is not appropriate for this Court to usurp jurisdiction and deal with the matter. 8- Accordingly, granting liberty to the petitioner to take recourse to the remedy of approaching the Tribunal by raising an appropriate dispute as contemplated under section 14, of the Act of 2010, we dispose of this writ petition.
9- With the aforesaid liberty to the petitioner, the writ petition stands disposed of.
( RAJENDRA MENON ) ( SMT. ANJULI PALO ) ACTING CHIEF JUSTICE JUDGE Aks/-


Experimental shader active.
Jcrop now includes a shading mode that facilitates building
better transparent Jcrop instances. The experimental shader is less
robust than Jcrop's default shading method and should only be
used if you require this functionality.
Animation/Transitions.
Demonstration of animateTo API method and transitions for bgColor
and bgOpacity options. Color fading requires inclusion of John Resig's
jQuery Color
Animations plugin. If it is not included, colors will not fade.


I wanted to leave a quick note on my experience of the press and academic posters at conferences.
I have seen that a few posters have received some media attention this week.
In the only entry that I had a close look at, the analysis was very tenuous and the headline conclusion seemed to rely on the absence of a significant effect (i.e. denial of the antecedent fallacy).
There were other statistical and methodological issues which (I hope) would have picked up were the study peer reviewed.
As trainee researchers we are still learning the ropes. That is not to say that our work is poor and we should not be trusted, only that we should not be trusted more than more (or less) than experienced academics. If societies are going to send results from poster (or oral) presentations, there should be safeguards in place to ensure the quality of the studies is adequate prior to sending out press releasese.
That is not to say that posters should always have to be based on peer reviewed papers! Posters could be seen as a sort of pre-print in which advice is given and discussions take place to improve or test the conclusions of the study. But sending unfinished and unvetted studies in press packs can lead to unusual circumstances.
I’ll give an example from my own experience.
When I was a Masters student I submitted my undergraduate dissertation to the BPS Annual Conference in Dublin (2008).
The study was an experiment into the effect of road side advertising on attention to relevant information.
My relevant stimuli were roadsigns that required a driver to slow down and the distracter stimuli were billboards taken from Google images. They appeared around the periphery of my laptop screen whilst participants used a secondhand videogame steeringwheel that I got from Gamestation for about £10 steering-wheel to control a crosshair and foot-pedals to respond to the road signs.
I was very flexible with my definition of a laboratory. I took the laptop and steering wheel to peoples houses, different university lab rooms - and I have a very vague memory of collecting data from one participant in a pub. I may just have met them there, I do not remember!
I no longer have the data anymore (pre-dropbox and osf), or the software (no Github) and I even think the dissertation itself has disappeared!
The abstract was accepted and I was asked if I would like to submit it to the press pack. Me being a naive 23 year old who was coming to the end of his Masters course jumped at the opportunity and the day before the embargo I started receiving phone-calls from various tabloids like the Sun and the Daily Mail asking me about the potential dangers of roadside adverts!
This kind of spiralled out of control and I ended up giving interviews on my lunch break at my shop job to BBC Radio, and was also on ‘The Last Word’ (Irelands’ premier drive time radio station - which was kind of ironic).
I was asked a series of leading questions about the implications of the findings w/r/t life and death e.g. one interviewer said in response to my crude calculations of the impact on stopping times “So we’re talking lives here”.
It was an excellent experience and I was approached by a number of academics in the area who wanted copies of the dissertation and was even asked if I wanted to apply for a PhD with one!
I didn’t include effect sizes, my collection methods were sloppy, but I ‘found’ an interesting effect that could be made relevant to the public.
Yes - there may be impactful student projects (in the sense that the media can use them to spin a story that the public will enjoy!), but should any significant result on a vaguely topical study be the subject of media exposure?
Shortly after submitting my dissertation in 2007 I asked my supervisor a whether we could prepare it for publication. They were not enthusiastic, despite it getting a fairly good grade.
It wasn’t of good enough quality for an academic journal, and wasn’t even remotely peer reviewed. It was selected based on it’s perceived impact, what we would call click bait these days at a time when driver distraction was a hot topic and the negative use of mobile phones whilst driving was still being debated.
I know that most student projects that are submitted to the BPS will be of a far better quality than mine, and they will not have made the weird choices I made for data collection. But at the time we need to ensure that only thorough and credible results are disseminated to the public.
I was offered a media training session at a reduced rate of £110 which I couldn’t afford at the time and was not equipped for dealing with the press. As such I was happy to go along with whatever I was asked without really thinking about the consequences.
Whether this study had any influence on the field I do not know (I can’t find reference to it on google which is a good sign). I do know that the PhD offer didn’t go anywhere and the people who read my dissertation didn’t get back to me for more information - so the silence was probably louder than any words!
It is only now that I have heard some of the objections from people on twitter (thanks @orbenAmy and @McAleerP), and now that I have a better understanding of open practices and disclosure that I am more critical of the experience.
I don’t know about solutions to this.
Some think that conferences should not send out press releases at all. This would be ideal. Press coverage should be saved for peer reviewed studies, but this is unlikely since it gives publicity to the organisation.
But I think as a bare minimum there should be safeguards in place so that the potential misuse of student work is minimalised.
This could be achieved by requiring that the full papers are reviewed by the selection committee before being included in press-packs.
This would reduce the number of studies released to the press but would also raise the standard of the outputs from conferences.


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|
CS 391 Selected Topics: Game AI Homework #3 |
Due the beginning of class on Thursday 2/11.Note: This work is to be done in groups of 2. Each group will submit one assignment. Although
you may divide the work, both team members should be able to present/describe
their partner's work upon request.
FreeCell Solver
Using your FreeCellNode from Homework #2 (or another's FreeCellNode
implementation if you wish), implement a FreeCell solver program that takes the
game seed as a command line parameter (i.e. args[0] in the main method), and
prints the solution following the
notation of the
FreeCell solutions site, or "No solution found." if the search is
unsuccessful. You should report the fraction of game seeds from 1-100 that
you are able to solve in 1 minute each or less, and be prepared to demonstrate your
work.
- Begin by defining a heuristic/static evaluation (i.e. progress score) of your state. In
class, we discussed several possible features that might be helpful, but you
can find even more feature ideas from
G. Heineman. Algorithm to Solve FreeCell Solitaire Games
(download code to see actual board evaluation), and
Elyasaf, Hauptman, and Sipper. Evolutionary Design of FreeCell Solvers
(which gets Heineman's heuristic wrong).
- You are welcome to use any search algorithm, but I recommend starting
with a modification to recursive depth limited search that returns heuristic
state evaluation information and thus guides the play in helpful directions
when a goal node isn't found. These ideas are similar to a strategy
called "island-driven search". There are many other search ideas that may be
helpful (e.g. beam search and variants). Do not expect that you'll be
able to look far enough ahead from the beginning to find a goal node.
That's what makes this a particularly interesting search challenge!
- You may find it helpful to automate your testing process. In
that case, you may wish to time-limit your search algorithm, in which case
System.currentTimeMillis() will again be helpful.
- Note: If you would like to see and/or make use of my Homework #2 code,
please mention it as you submit your Homework #2 work via email. You will
submit this work via email as well. Please include all necessary files
for compilation and question answering in a single .zip file as an
attachment.


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|
AES: the Advanced Encryption Standard
The goal of the Advanced Encryption Standard (AES) competition was to specify
"an unclassified, publicly disclosed encryption algorithm capable of
protecting sensitive government information well into the next century".
The AES competition was organized
by the United States National Institute of Standards and Technology (NIST).
Requirements
Each AES submission was required to be a block cipher
supporting a block length of 128 bits
and key lengths of 128, 192, and 256 bits.
The call for proposals specified the following evaluation criteria:
- Security ("the most important factor in the evaluation"):
- "Actual security of the algorithm compared to other submitted algorithms";
- "The extent to which the algorithm output is indistinguishable from a random permutation
on the input block";
- "Soundness of the mathematical basis for the algorithm's security";
- "Other security factors raised by the public during the evaluation process,
including any attacks which demonstrate that the actual security of
the algorithm is less than the strength claimed by the submitter".
- Cost:
- "Licensing requirements" ("AES shall be available on a worldwide, non-exclusive, royalty-free basis");
- "Computational efficiency";
- "Memory requirements".
- "Algorithm and implementation characteristics":
- "Flexibility" (e.g., additional key sizes, additional block sizes, wide variety of platforms, stream cipher, MAC generator, PRNG, hash);
- "Hardware and software suitability";
- "Simplicity".
Timeline
- M-17, 1997.01.02: NIST announces AES competition.
- M-14, 1997.04.15: AES Evaluation Criteria/Submission Requirements Workshop. Gaithersburg.
- M-9, 1997.09.12: NIST issues call for algorithms.
- M0, 1998.06.15: Deadline for submissions.
- M2, 1998.08.20: First AES Candidate Conference. NIST announces 15 AES candidates.
- M9, 1999.03.22–23: Second AES Candidate Conference.
- M14, 1999.08.09: NIST announces its selection of 5 AES finalists.
- M22, 2000.04.13–14: Third AES Candidate Conference.
- M23, 2000.05.15: End of comment period.
- M28, 2000.10.02: NIST announces its selection of AES.
Candidates
winner | finalist | round 1 | candidate | designers |
yes | yes | yes | Rijndael | Vincent Rijmen, Joan Daemen |
| yes | yes | MARS | Carolynn Burwick, Don Coppersmith, Edward D'Avignon, Rosario Gennaro, Shai Halevi, Charanjit Jutla, Stephen M. Matyas, Luke O'Connor, Mohammad Peyravian, David Safford, Nevenko Zunic |
| yes | yes | RC6 | Ron Rivest, Matt Robshaw, Ray Sidney, Yiqun Lisa Yin |
| yes | yes | Serpent | Ross Anderson, Eli Biham, Lars Knudsen |
| yes | yes | Twofish | Bruce Schneier, John Kelsey, Doug Whiting, David Wagner, Chris Hall, Niels Ferguson |
| | yes | CAST-256 | Carlisle Adams, Stafford Tavares, Howard Heys, Michael Wiener |
| | yes | CRYPTON | Chae Hoon Lim |
| | yes | DEAL | Lars Knudsen |
| | yes | DFC | Henri Gilbert, Marc Girault, Philippe Hoogvorst, Fabrice Noilhan, Thomas Pornin, Guillaume Poupard, Jacques Stern, Serge Vaudenay |
| | yes | E2 | Masayuki Kanda, Shiho Moriai, Kazumaro Aoki, Hiroki Ueda, Miyako Ohkubo, Youichi Takashima, Kazuo Ohta, Tsutomu Matsumoto |
| | yes | FROG | Dianelos Georgoudis, Damian Leroux, Billy Simón Chaves |
| | yes | HPC | Richard Schroeppel |
| | yes | LOKI97 | Lawrence Brown, Josef Pieprzyk, Jennifer Seberry |
| | yes | MAGENTA | Michael Jacobson Jr., Klaus Huber |
| | yes | SAFER+ | James Massey, Gurgen Khachatrian, Melsik Kuregian |
Version:
This is version 2014.01.27 of the aes.html web page.
|


One thing I wish I knew when I first started to code is: author of the quote
One thing I wish I knew when I first started to code is:


The ripple effect of 'A Healthy Digital Ecology: Creating a Community Vision for Federal Funding' at AMC 2009
Keys:
'p' for previous year
'n' for next year
'a' for all connections
's' for show most recent connections
'f' for filter stories by year
'l' for legend edges
Click any story to edit


The automatic "Add to Home screen" prompt looks like the following:
If this prompt does not appear on your device, complete the following steps to install it manually:
1. On a supported Android browser (e.g. Chrome), tap on the ellipsis on the top right corner of the browser to open the context menu:
2. Tap on the Add to Home screen option:
3. Tap Add on the confirmation popup:
4. Look for the GIS Day Competitions App on your home screen or app drawer:
Your version of iOS ({{version?.major}}.{{version?.minor}}.{{version?.patch}}) is not supported. A minimum iOS version of 11.0.1 is required.
1. Using Safari, tap on the Share icon:
2. From the actions menu, select "Add to Home Screen":
3. Tap Add on the confirmation page:
4. Safari will close and focus on the installed App:
Are you seeing a location forbidden message when you try to submit a response? This can happen because either the location access was declined or because of system settings. Location is required to participate because we are interested in collecting geographic data on the submissions. Below are a few pointers to grant this application location access.
Trigger location access prompt: If you never saw the application request location access, this is a good first step. Press the button below to initiate geolocation which should prompt your device to ask you to allow this site access to location while the application is being used.
If the above resulted in an error, continue onto the following steps.
Enable System Location Services: Check that your device location services are enabled in system settings and enabled for Safari sites:
1. In your Settings app, tap on the Privacy link:
2. Tap on Location Services:
3. Tap on Safari Websites:
4. Ensure that location access is enabled While Using the App and enable Precise Location:
Enable Location in Safari Settings: Check that location is not disabled for Safari:
1. In your Settings app, tap on the Safari link:
2. Tap on the Location link:
3. Ensure that location access is not set to Deny. Set it to Ask for more convenient security:
With all those steps completed, your device should now be able to grant location access to the GIS Day Competitions App. Verify with the Request Location button above.


A HTTP middleware for redirecting a given set of hosts to a different endpoint. Typically used for implementing HTTP -> HTTPS redirects.
Definitions
def initialize(app, hosts, endpoint)
Initialize the redirect middleware.
Signature
-
parameter
app
Protocol::HTTP::Middleware
The middleware to wrap.
-
parameter
hosts
Hash(String, Service::Falcon::Service::Proxy)
The map of hosts.
-
parameter
endpoint
Falcon::Endpoint
The template endpoint to use to build the redirect location.
Implementation
def initialize(app, hosts, endpoint)
super(app)
@hosts = hosts
@endpoint = endpoint
end
def lookup(request)
Lookup the appropriate host for the given request.
Signature
-
parameter
request
Protocol::HTTP::Request
Implementation
def lookup(request)
# Trailing dot and port is ignored/normalized.
if authority = request.authority&.sub(/(\.)?(:\d+)?$/, '')
return @hosts[authority]
end
end
def call(request)
Redirect the request if the authority matches a specific host.
Signature
-
parameter
request
Protocol::HTTP::Request
Implementation
def call(request)
if host = lookup(request)
if @endpoint.default_port?
location = "#{@endpoint.scheme}://#{host.authority}#{request.path}"
else
location = "#{<EMAIL_ADDRESS>end
return Protocol::HTTP::Response[301, [['location', location]], []]
else
super
end
end


Across: 1. Cher rent, cruelly cut from 5 (8) 5. Rod Stewart's extremes - a very loud group working together (5) 9. Public recognition not coming back for once acclaimed 18 player (7) 10. Broad 8 down in manuscript... I am briefly in "A Journey from the East" (7) 11. Careful gentle passage is brilliant (9) 12. Corresponding protocol has some Bengali Americans returning (5) 13.  Patisserie's final ingredient to be put in stuff? (5) 20. Victor wearing expression of pain as he "takes out the trash" (8) 24. Ribs enigmatically displayed (creator concerned with female roles?) (5) 25. I'm wrapped in a bedsheet, and it's not one which will provide warmth to muscles (9) 28,27. Almost 26, or a girl who serves artistic ends when topless? (7 7) 29. Dangerous destination for pilots beyond arid centre (5) 30. Reduce burden on land used in cultivation (8) Down: 1. In 7 he played bass guitars (Rickenbacker early, then Gretsch on recordings) (3 5) 2. Incredible riff Cat played in band (7) 3. Part of sex, to listener, is praise (5) 4. Shocking "rib" scare - band losing bids to get to Australian city (8) 5. Photographer Bob was contributor to band with image and caption ultimately used (9) 6. Stir caused by a tit ... age not right? (7) 7. Nice friend in Flea's relative, as all his relatives like the band (with Townsend on drums!) (6) 8. see 23dn 14. With great stubbornness, hang around to eat cooked lunch (9) 16. Non-manic rocking of Sweet Spice? (8) 17. Shocking "rib" scare - band losing card to get to Australian city (8) 19. Twisted Sister's acts of defiance (7) 21. Steve playing in two down (not Townsend - not initially!) (7) 22,15ac. Delicate, he worked in patisserie and he played with 23 8 (6 5) 23,8dn. If hit bland originally, daring work by 5 down on cover (5 5) 26. Picture of innocence, maiden married to music (5)


{% extends "home/base.html" %} {% load static %} {% block content %}
Please enter your new password twice so we can verify you typed it in correctly.
For more information on this form, see the docs.
{{ err }}


WITNESS LIST Civil Practices Committee March 4, 1997-4:00P HB 20 For: Akers, Monte (Tx. Municipal League) Corte, Frank (Author of bill) Reid, Stan (Tx. Assoc. of Counties) Against: Levy, Rick (Tx AFL-CIO) Registering, but not testifying: Against: Slack, Mike (TTLA) York, Bob (Assoc. of fire fighters) HB 21 For: Bernstein, Robert (himself) Corte, Frank (Author of bill) Against: Slack, Mike (TTLA) Registering, but not testifying: For: Gilligan, Lillie (Glaxo Wellcome, Inc.) HB 22 For: Bernstein, Robert (himself) Corte, Frank (author of bill) Goehrs, Homer (himself and TMA) Against: Slack, Mike (TTLA) HB 506 For: Dutton, Harold (author of bill) Prindle, Sandy (himself) Registering, but not testifying: For: Allen, George B. (Tx. Apartment Assoc.) HB 984Committee Substitute (Hochberg) For: Carr, Kevin (Denton County, Texas) Hochberg, Scott (author of bill) Roberts, Michelle (Tx. Bankers Assoc.) Against: Wright, Ben (PenOp, Inc.) Registering, but not testifying: For: Allen, George B. (Tx. Apartment Assoc.) Leo, Myra (EDS of Plano) Wise, Andrew (Am. Electronics Assoc.) On: Brandt, C.J. (Dept. of Info. Res.) Greenberg, Michael (Tx. Comptroller (TPR)) Poole, Clyde T. (Dept. of Info. Res.) HB 1193 For: Adair, Cecelia (Cnty & Dist. Clks. Assn) Rhodes, Alec (author of bill)


Blueprints
Blueprints can be used to define a data structure.
Methods
Constructor.
Initialize blueprints with its dynamic fields.
Set filter for inherited properties.
Get value by using dot notation for nested arrays/objects.
Set value by using dot notation for nested arrays/objects.
Define value by using dot notation for nested arrays/objects.
Convert object into an array.
Get nested structure containing default values defined in the blueprints.
Embed an array to the blueprint.
Merge two arrays by using blueprints.
Get property from the definition.
Details
at line 43
__construct(
array $serialized = null)
Constructor.
at line 59
$this
init()
Initialize blueprints with its dynamic fields.
at line 95
setFilter(
array $filter)
Set filter for inherited properties.
at line 111
mixed
get(
string $name,
mixed $default = null,
string $separator = '.')
Get value by using dot notation for nested arrays/objects.
at line 127
set(
string $name,
mixed $value,
string $separator = '.')
Set value by using dot notation for nested arrays/objects.
at line 144
def(
string $name,
mixed $value,
string $separator = '.')
Define value by using dot notation for nested arrays/objects.
at line 154
array
toArray()
Convert object into an array.
at line 166
array
getDefaults()
Get nested structure containing default values defined in the blueprints.
Fields without default value are ignored in the list.
at line 179
$this
embed($name,
array $value,
string $separator = '.')
Embed an array to the blueprint.
at line 203
array
mergeData(
array $data1,
array $data2,
string $name = null,
string $separator = '.')
Merge two arrays by using blueprints.
at line 345
array
getProperty(
string $path = null,
string $separator = '.')
Get property from the definition.


Andreas Grimm
Andreas is an expert in Identity & Access Management and a proponent of serviceful, serverless architectures. Being aware of the fact that having a shared understanding with the business is even more important than technical solutions, he's into aproaches like Domain Driven Design and EventStorming. He's from the community for the community and organizes several meetup groups in Berlin like @DDDBER and @fullstack_JS.
Talk: Practical Auth in a serverless World
It became essential for businesses to protect their applications, services and customer data from attackers.
If you want to stay competitive, knowing how to efficiently and easily apply security and auth while being aware of the most common pitfalls is key in today's serverless and serviceful world.


org.apache.spark.api.java
Set of interfaces to represent functions in Spark's Java API. Users create implementations of these interfaces to pass functions to various Java API methods for Spark. Please visit Spark's Java programming guide for more details.
Set of interfaces to represent functions in Spark's Java API. Users create implementations of these interfaces to pass functions to various Java API methods for Spark. Please visit Spark's Java programming guide for more details.


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init
let me chooseepic fail
This program encountered a fatal error:
(No Error)
select
almost there...
Because of CSRF verification issues, you will have to do the following:
1. Copy the code below
2. Go to the Scratch website (make sure you're logged in)
3. Open your browser's console (Right-Click, Inspect Element, Console)
4. Paste the code and run it
5. Celebrate!
Alternatively, if you would like to run this now, enter your password.
epic win
A total of 0 studios were removed from 0 projects!


|
lubyk
0.5
|
#include <b2PrismaticJoint.h>
Inherits b2Joint.
Public Member Functions | |
| b2Vec2 | GetAnchorA () const |
| Get the anchor point on bodyA in world coordinates. | |
| b2Vec2 | GetAnchorB () const |
| Get the anchor point on bodyB in world coordinates. | |
| b2Vec2 | GetReactionForce (float32 inv_dt) const |
| Get the reaction force on bodyB at the joint anchor in Newtons. | |
| float32 | GetReactionTorque (float32 inv_dt) const |
| Get the reaction torque on bodyB in N*m. | |
| const b2Vec2 & | GetLocalAnchorA () const |
| The local anchor point relative to bodyA's origin. | |
| const b2Vec2 & | GetLocalAnchorB () const |
| The local anchor point relative to bodyB's origin. | |
| const b2Vec2 & | GetLocalAxisA () const |
| The local joint axis relative to bodyA. | |
| float32 | GetReferenceAngle () const |
| Get the reference angle. | |
| float32 | GetJointTranslation () const |
| Get the current joint translation, usually in meters. | |
| float32 | GetJointSpeed () const |
| Get the current joint translation speed, usually in meters per second. | |
| bool | IsLimitEnabled () const |
| Is the joint limit enabled? | |
| void | EnableLimit (bool flag) |
| Enable/disable the joint limit. | |
| float32 | GetLowerLimit () const |
| Get the lower joint limit, usually in meters. | |
| float32 | GetUpperLimit () const |
| Get the upper joint limit, usually in meters. | |
| void | SetLimits (float32 lower, float32 upper) |
| Set the joint limits, usually in meters. | |
| bool | IsMotorEnabled () const |
| Is the joint motor enabled? | |
| void | EnableMotor (bool flag) |
| Enable/disable the joint motor. | |
| void | SetMotorSpeed (float32 speed) |
| Set the motor speed, usually in meters per second. | |
| float32 | GetMotorSpeed () const |
| Get the motor speed, usually in meters per second. | |
| void | SetMaxMotorForce (float32 force) |
| Set the maximum motor force, usually in N. | |
| float32 | GetMaxMotorForce () const |
| float32 | GetMotorForce (float32 inv_dt) const |
| Get the current motor force given the inverse time step, usually in N. | |
| void | Dump () |
| Dump to b2Log. | |
Protected Member Functions | |
| b2PrismaticJoint (const b2PrismaticJointDef *def) | |
| void | InitVelocityConstraints (const b2SolverData &data) |
| void | SolveVelocityConstraints (const b2SolverData &data) |
| bool | SolvePositionConstraints (const b2SolverData &data) |
Protected Attributes | |
| b2Vec2 | m_localAnchorA |
| b2Vec2 | m_localAnchorB |
| b2Vec2 | m_localXAxisA |
| b2Vec2 | m_localYAxisA |
| float32 | m_referenceAngle |
| b2Vec3 | m_impulse |
| float32 | m_motorImpulse |
| float32 | m_lowerTranslation |
| float32 | m_upperTranslation |
| float32 | m_maxMotorForce |
| float32 | m_motorSpeed |
| bool | m_enableLimit |
| bool | m_enableMotor |
| b2LimitState | m_limitState |
| int32 | m_indexA |
| int32 | m_indexB |
| b2Vec2 | m_localCenterA |
| b2Vec2 | m_localCenterB |
| float32 | m_invMassA |
| float32 | m_invMassB |
| float32 | m_invIA |
| float32 | m_invIB |
| b2Vec2 | m_axis |
| b2Vec2 | m_perp |
| float32 | m_s1 |
| float32 | m_s2 |
| float32 | m_a1 |
| float32 | m_a2 |
| b2Mat33 | m_K |
| float32 | m_motorMass |
Friends | |
| class | b2Joint |
| class | b2GearJoint |
A prismatic joint. This joint provides one degree of freedom: translation along an axis fixed in bodyA. Relative rotation is prevented. You can use a joint limit to restrict the range of motion and a joint motor to drive the motion or to model joint friction.
Definition at line 86 of file b2PrismaticJoint.h.
| b2PrismaticJoint::b2PrismaticJoint | ( | const b2PrismaticJointDef * | def | ) | [protected] |
| void b2PrismaticJoint::Dump | ( | ) | [virtual] |
Dump to b2Log.
Reimplemented from b2Joint.
| void b2PrismaticJoint::EnableLimit | ( | bool | flag | ) |
Enable/disable the joint limit.
| void b2PrismaticJoint::EnableMotor | ( | bool | flag | ) |
Enable/disable the joint motor.
| b2Vec2 b2PrismaticJoint::GetAnchorA | ( | ) | const [virtual] |
Get the anchor point on bodyA in world coordinates.
Implements b2Joint.
| b2Vec2 b2PrismaticJoint::GetAnchorB | ( | ) | const [virtual] |
Get the anchor point on bodyB in world coordinates.
Implements b2Joint.
| float32 b2PrismaticJoint::GetJointSpeed | ( | ) | const |
Get the current joint translation speed, usually in meters per second.
| float32 b2PrismaticJoint::GetJointTranslation | ( | ) | const |
Get the current joint translation, usually in meters.
| const b2Vec2& b2PrismaticJoint::GetLocalAnchorA | ( | ) | const [inline] |
The local anchor point relative to bodyA's origin.
Definition at line 96 of file b2PrismaticJoint.h.
References m_localAnchorA.
| const b2Vec2& b2PrismaticJoint::GetLocalAnchorB | ( | ) | const [inline] |
The local anchor point relative to bodyB's origin.
Definition at line 99 of file b2PrismaticJoint.h.
References m_localAnchorB.
| const b2Vec2& b2PrismaticJoint::GetLocalAxisA | ( | ) | const [inline] |
The local joint axis relative to bodyA.
Definition at line 102 of file b2PrismaticJoint.h.
References m_localXAxisA.
| float32 b2PrismaticJoint::GetLowerLimit | ( | ) | const |
Get the lower joint limit, usually in meters.
| float32 b2PrismaticJoint::GetMaxMotorForce | ( | ) | const [inline] |
Definition at line 142 of file b2PrismaticJoint.h.
References m_maxMotorForce.
Get the current motor force given the inverse time step, usually in N.
| float32 b2PrismaticJoint::GetMotorSpeed | ( | ) | const [inline] |
Get the motor speed, usually in meters per second.
Definition at line 191 of file b2PrismaticJoint.h.
References m_motorSpeed.
Get the reaction force on bodyB at the joint anchor in Newtons.
Implements b2Joint.
Get the reaction torque on bodyB in N*m.
Implements b2Joint.
| float32 b2PrismaticJoint::GetReferenceAngle | ( | ) | const [inline] |
Get the reference angle.
Definition at line 105 of file b2PrismaticJoint.h.
References m_referenceAngle.
| float32 b2PrismaticJoint::GetUpperLimit | ( | ) | const |
Get the upper joint limit, usually in meters.
| void b2PrismaticJoint::InitVelocityConstraints | ( | const b2SolverData & | data | ) | [protected, virtual] |
Implements b2Joint.
| bool b2PrismaticJoint::IsLimitEnabled | ( | ) | const |
Is the joint limit enabled?
| bool b2PrismaticJoint::IsMotorEnabled | ( | ) | const |
Is the joint motor enabled?
Set the joint limits, usually in meters.
| void b2PrismaticJoint::SetMaxMotorForce | ( | float32 | force | ) |
Set the maximum motor force, usually in N.
| void b2PrismaticJoint::SetMotorSpeed | ( | float32 | speed | ) |
Set the motor speed, usually in meters per second.
| bool b2PrismaticJoint::SolvePositionConstraints | ( | const b2SolverData & | data | ) | [protected, virtual] |
Implements b2Joint.
| void b2PrismaticJoint::SolveVelocityConstraints | ( | const b2SolverData & | data | ) | [protected, virtual] |
Implements b2Joint.
friend class b2GearJoint [friend] |
Reimplemented from b2Joint.
Definition at line 152 of file b2PrismaticJoint.h.
friend class b2Joint [friend] |
Definition at line 151 of file b2PrismaticJoint.h.
float32 b2PrismaticJoint::m_a1 [protected] |
Definition at line 186 of file b2PrismaticJoint.h.
float32 b2PrismaticJoint::m_a2 [protected] |
Definition at line 186 of file b2PrismaticJoint.h.
b2Vec2 b2PrismaticJoint::m_axis [protected] |
Definition at line 184 of file b2PrismaticJoint.h.
bool b2PrismaticJoint::m_enableLimit [protected] |
Definition at line 171 of file b2PrismaticJoint.h.
bool b2PrismaticJoint::m_enableMotor [protected] |
Definition at line 172 of file b2PrismaticJoint.h.
b2Vec3 b2PrismaticJoint::m_impulse [protected] |
Definition at line 165 of file b2PrismaticJoint.h.
int32 b2PrismaticJoint::m_indexA [protected] |
Definition at line 176 of file b2PrismaticJoint.h.
int32 b2PrismaticJoint::m_indexB [protected] |
Definition at line 177 of file b2PrismaticJoint.h.
float32 b2PrismaticJoint::m_invIA [protected] |
Definition at line 182 of file b2PrismaticJoint.h.
float32 b2PrismaticJoint::m_invIB [protected] |
Definition at line 183 of file b2PrismaticJoint.h.
float32 b2PrismaticJoint::m_invMassA [protected] |
Definition at line 180 of file b2PrismaticJoint.h.
float32 b2PrismaticJoint::m_invMassB [protected] |
Definition at line 181 of file b2PrismaticJoint.h.
b2Mat33 b2PrismaticJoint::m_K [protected] |
Definition at line 187 of file b2PrismaticJoint.h.
b2LimitState b2PrismaticJoint::m_limitState [protected] |
Definition at line 173 of file b2PrismaticJoint.h.
b2Vec2 b2PrismaticJoint::m_localAnchorA [protected] |
Definition at line 160 of file b2PrismaticJoint.h.
Referenced by GetLocalAnchorA().
b2Vec2 b2PrismaticJoint::m_localAnchorB [protected] |
Definition at line 161 of file b2PrismaticJoint.h.
Referenced by GetLocalAnchorB().
b2Vec2 b2PrismaticJoint::m_localCenterA [protected] |
Definition at line 178 of file b2PrismaticJoint.h.
b2Vec2 b2PrismaticJoint::m_localCenterB [protected] |
Definition at line 179 of file b2PrismaticJoint.h.
b2Vec2 b2PrismaticJoint::m_localXAxisA [protected] |
Definition at line 162 of file b2PrismaticJoint.h.
Referenced by GetLocalAxisA().
b2Vec2 b2PrismaticJoint::m_localYAxisA [protected] |
Definition at line 163 of file b2PrismaticJoint.h.
float32 b2PrismaticJoint::m_lowerTranslation [protected] |
Definition at line 167 of file b2PrismaticJoint.h.
float32 b2PrismaticJoint::m_maxMotorForce [protected] |
Definition at line 169 of file b2PrismaticJoint.h.
Referenced by GetMaxMotorForce().
float32 b2PrismaticJoint::m_motorImpulse [protected] |
Definition at line 166 of file b2PrismaticJoint.h.
float32 b2PrismaticJoint::m_motorMass [protected] |
Definition at line 188 of file b2PrismaticJoint.h.
float32 b2PrismaticJoint::m_motorSpeed [protected] |
Definition at line 170 of file b2PrismaticJoint.h.
Referenced by GetMotorSpeed().
b2Vec2 b2PrismaticJoint::m_perp [protected] |
Definition at line 184 of file b2PrismaticJoint.h.
float32 b2PrismaticJoint::m_referenceAngle [protected] |
Definition at line 164 of file b2PrismaticJoint.h.
Referenced by GetReferenceAngle().
float32 b2PrismaticJoint::m_s1 [protected] |
Definition at line 185 of file b2PrismaticJoint.h.
float32 b2PrismaticJoint::m_s2 [protected] |
Definition at line 185 of file b2PrismaticJoint.h.
float32 b2PrismaticJoint::m_upperTranslation [protected] |
Definition at line 168 of file b2PrismaticJoint.h.


Writing
GitHub
Analysing different Operational Transformation algorithms for collaborative editing
Operational Transformation, the real time collaborative editing algorithm [Operations and Transformations]
How Real-Time Collaborative Editors work? [Operational Transformation]
Deploy a Node.js app in minutes using Heroku!
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My Experiences with NodeJS
3586x2017 : New Year’s Resolution
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Everything Is Awful and I’m Not Okay: questions to ask before giving up!
FUDCon APAC Phnom Penh Cambodia 2016
MediaWikiToLearn Hackathon, Amrita University Amritapuri Campus 2016
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Contributing to Open Source


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This is an example of home safety in the kitchen.


Starship Troopers
Chad'z rating: ** (out of 4 = fair)
1997, R, 130 minutes [2 hours, 10 minutes]
[science fiction]
starring: Casper Van Dien (Johnny Rico), Dina Meyer (Dizzy Flores), Denise Richards (Carmen Ibanez), Jake Busey (Ace Levy); written by Edward Neumeier; produced by Jon Davison, Alan Marshalll; directed by Paul Verhoeven, based on the novel by Robert A. Heinlein.
Seen Tuesday, Nov. 10, 1997 at 7 p.m. at the Glenwood Movieplex Cinemas in Oneida, N.Y. - theater #1 by myself for free (press pass). (theater rating: *** - good seats, decent sound, slightly dark picture, though)
The mistake many "blockbuster popcorn" movies have made in the last few years is not incorporating a level of satire to make them lighthearted enough to enjoy. "Starship Troopers" tries to have it both ways by establishing a sense of satire which is quite clever, but is ultimately just a poor "disclaimer" for the ridiculous plot and exhausting action.
Like many of his science fiction films, director Paul Verhoeven starts out on the right foot here by establishing a futuristic and believable image of the future. Much like "Nineteen Eighty-Four," etc., there seems to be a one world government here. But this is an optimistic future with advanced technology and the people here are general happy, although in a brainwashed sort of way.
The main characters are mostly kids in their late teens who are all in love with each other but still have a sense of blind loyalty to the government. Most of the actors are veterans of such shows as "Beverly Hills 90210," and "Melrose Place." Some of them include: Johnny Rico (Van Dien) - the suave jock who's in love with Carmen Ibanez (Richards) - the always smiling smart girl who's friends with Dizzy Flores (Meyer) - the girl that constantly throws herself at Johnny. There's many other silly characters like these who create for even sillier, and often annoying sub-plots. Initially, all this keeps with the satirical atmosphere, but once the ball gets rolling and the action kicks in, this becomes one of the film's biggest problems.
It's hard to tell exactly where the film is headed given the nature of the first act. There are constant news updates spewing forth rhetoric about the "evil bugs" on the other side of the galaxy that supposedly present some kind of threat to Earth. We know the teens will somehow become involved in the war against the bugs, but the film really takes its time in transitioning the plot.
It's not surprising all the characters join "The Federation," and are separated in the process. The boot camp scenes are pretty generic, except for the futuristic mentality where no one seems to notice the difference between the sexes. The men and women not only physically fight each other, but shower and sleep together! That's an original idea, but there's not nearly enough detail explaining how this mentality is rationalized in this society. Questions like these crop up throughout the film which are never answered and only serve to create more plot holes and flaws.
But the film's biggest problem is the question it never answers: why are they going to fight giant bugs on another planet? Perhaps the lack of an answer is intended to keep with the satirical nature, but once the troopers head out to fight the bugs, all the sense of satire is lost and the film becomes pure action.
We're supposed to be more concerned with the characters and their survival than we are with their mission, but everything that happens is just stupidity. Johnny and his fellow troopers are dropped off on the alien planet and start firing their machine guns at hundreds of the giant bugs. It's just one long battle scene of humans versus aliens, and of course they don't win at first. And why would they? It's the distant future and they're still using machine guns? Why don't they attack with tanks, or at least with grenades and lasers (they have the technology)? One scene shows planes dropping bombs that kill the bugs - couldn't they have just done that to begin with? It's really difficult to take the combat scenes seriously when considering these things.
This is pretty much all that happens throughout the second half of the film - just scene after scene of troopers fighting bugs on foot, even though they are outnumbered. Not surprisingly, all the main characters have a brush with death in one way or another, and this is done through such corny, sappy storytelling methods it's unbearable. Plus the fact that almost none of the characters are likable to begin with, so there's no element of suspense either.
I'm not sure what "Starship Troopers" really intends to be. It could have worked as a satire had it stuck with the genre throughout, but the action is just mindless and overwhelming. What a waste of a story.
e-mail<EMAIL_ADDRESS>(C) 1997 Chad Polenz
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


| AdesGuestbook |
| Author: Ades Tynyshev Website: http://www.adesdesign.net Email<EMAIL_ADDRESS>|
| Terms of Use |
| It's a free script. |
| All the Rights belongs to the Author - Ades Tynyshev of http://www.adesdesign.net |
| You cannot remove the link at the bottom of the Guestbook. (AdesGuestbook v2.1 ) |
| You can use it for personal and corporate use. |
| You cannot sell AdesGuestbook to others. |
| You cannot claim the ownership of AdesGuestbook. |
| You cannot redistribute any part of AdesGuestbook. |
| NOTE: If you disagree to any of the terms above please uninstall the script. |
| NOTE: To remove the link at the bottom of the Guestbook you need a permission and a small fee ($12) to pay, please email me for details<EMAIL_ADDRESS>|
All Rights Reserved. 2007. Ades Design |


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Please direct all correspondence about ProxyToys to the users' mailing lists rather than directly to one of the team.


FOV algorithms return a set coordinates, visible from a starting place. Computing these works in the same fashion as Map generators do: using a user-supplied callback function. This time, however, user has to supply two callbacks:
compute
method, which receives FOV data.Input callback is called by the FOV algorithm to retrieve visibility information for a given coordinate pair. This callback must return true
(light passes)
or false
(light does not pass). Output callback is called with these arguments: x
, y
, r
and visibility
:
the meaning is that "the place at [x,y] is visible with a distance of r". The last argument specifies the amount of visibility (0..1).
FOV computation is initiated by calling the compute
method with the following arguments:
x
y
r
– maximum visibility radiuscallback
– output callback functionFor now, there is only one FOV algorithm available: the Precise Shadowcasting.


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Airbus-backed tournament unveils first electric racing aircraft
An Airbus-backed air racing tournament unveiled an electric-powered sports aircraft on Sunday, billed as the world’s first, as the European planemaker seeks to boost its green aerospace technology, Reuters reports.
Several companies, including US ride-hailing company Uber Technologies Inc., are working on electric-powered flying cars, amid increasing concerns about the environmental impact of fossil-fuel intensive air travel.
Last month, Airbus rival Boeing announced a partnership with automaker Volkswagen’s sports car brand, Porsche, to develop a concept electric flying vehicle capable of transporting people in urban environments.
Air Race E said the aircraft, called White Lightning and unveiled at the Dubai Air Show, will be manufactured by UK-based Condor Aviation.
The aircraft will use an electric motor that will carry it at flight speeds of around 482 kilometers (300 miles) per hour on a tight 5 kilometer (about 3 miles) circuit, just 10 meters above the ground.
“The racing series will provide a test bed for innovation and accelerate the journey towards electric commercial travel,” Air Race E chief executive Jeff Walkman said.
Lithium batteries installed under the fuselage of the plane will provide power for five minutes of high-intensity racing and around 10 minutes of reserve flying at reduced power, the firm said.
Air Race E is aiming to be the world’s first all-electric airplane competition when it launches its inaugural series of international races in 2020. It expects to this week name eight teams for its first race.
– Contact us at<EMAIL_ADDRESS>CG


OASIS is a nonprofit consortium that drives the development, convergenc and adoption of open starndards for the global information society. OASIS Cyber Threat Intelligence (CTI) subcommittee oversee's the STIX™ standard as well as TAXII™ and CyBox™.
CTI-STIX-SERVICES is sponsored by the National Security Agency's Information Assurance Mission. The software is managed by the Unfetter open source development team. You can read more about the Unfetter project and learn how to participate.


Your Applications
Register an application
Checkout the docs for help.
@helper.form(routes.ApplicationController.create) {
}
@(apps: List[Application], form: DynamicForm)


These pics are proof that No one does mirror selfies like Esha Gupta
by TIMESOFINDIA.COMEsha Gupta marked her debut in Emraan Hashmi's 'Jannat 2' and went on to entertain the audience in the films like 'Jannat 2', 'Raaz 3D', 'Chakravyuh', 'Gori Tere Pyaar Mein' and more. Apart from her movies, the actress is also popular for sharing stunning pictures on her social media.
She certainly knows how to keep the fashion game at the top always. May it be simple casuals or classy ethnic attires she just sizzles in all the outfits. Every picture of her Insta profile speaks that she is well versed with the fashion arc. Her hot pictures will leave you wanting for more.
And Esha is an expert in clicking mirror selfies and we have proof of the same. Check out the pictures here:
Meanwhile, on the work front, she was last seen in 'One Day: Justice Delivered' co-starring Anupam Kher. She played the role of a crime branch officer Laxmi Rathi. The film also starred Murli Sharma, Kumud Mishra and Deepshikkha in pivotal roles. Helmed by Ashok Nanda, the film was released on July 5.


The objective of my PWP is to present a one-page portfolio site for my wife's work as an illustrator of children's books.
The website will have the following major elements:
A prominent header with my wife's business name will top the page. It will present some basic information, such as her location in Albuquerque, and a photo of her. There will (probably) be one or more decorative wallpaper backgrounds, perhaps a repeating image from one of her illustrations starting along the bottom edge of the header.
Bootstrap cards underneath the header will present a short history of her life and artistic work.
A selection of photos of her work will follow. The layout will be like a "photo album" (according to my wife). There may be captions providing interesting facts about the selections. If possible, the photos, when clicked, will expand and cover a larger portion of the viewport. An effort will be made to prevent the photos from being copied or downloaded.
Below the portfolio will be a contact form as specified.
The footer will (at this time) mainly contain copyright information.
Please note: The final appearance of the web page will depend on my "client's" aesthetic tastes and professional needs. These wireframes are strictly tentative.
>


Egg Infographic
The objective for this project was to create an infographic that focused on a recipe. I have always been fascinated by the simplicity and structural integrity of the egg, which lead to me to research nature's recipe for creating eggs.
All illustrations were done by me. Factual information was gathered from a bevy of sources which have all been cited at the bottom.
Skills:
Illustration, Information Design


<EMAIL_ADDRESS>Project's console
Project URL:
Branch:
Last revision HASH:
Status:
Loading...
Queued
Please wait...
Building
Ready!
Open
Error!
Error message:
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Custom search service
MapStore2 Searchbox uses OpenStreetMap Nominatim service but you can set it up to use your own WFS service.
The results will be fetched from every service you set, plus OSM Nominatim, and displayed in the order you specified.
How to use
We assume you already have a WFS service set up.
For example it can be on the same server you are using to display your data, so you can make the data easily searchable.
- Open the Burger Menu (top right corner) and select "Settings"
- In the Settings popup you should see a big button "Configure Search Settings", click it
- You will see a list of services, click "Add"
- Here you have to input the info on how the search will be performed
- Input a name for the new service, it will not be displayed as it is for your own reference
- Input the url to your WFS service. For example, if you are using GeoServer on the same host you can just omit the hostname:
/geoserver/wfs
- Input the layername where to search
- Input a comma-separated list of attribute names where to search
- Hit Next
- Here you have to define how the results will be displayed
- Input the title template, to show a feature property (must be a string) the syntax is
${properties.nameoftheproperty}
.
For example you can create complex templates like: Woo, I found a ${properties.buildingname} with ${properties.animaltypes} in it!
, but you probably want to just have a simple string like ${properties.title}
- Input the description template, it will displayed underneath the title in a different font, the syntax is the same as the title
- Input the priority of this service, the results from all the services will be ordered by the service priority. Higher priority results will be displayed on top of the list (Priority 5 is higher than priority 1)
- In the next page there are some optional settings
- Order By: Input the feature attribute to order the results of this specific service
- Max Features: Input the maximum number of features to fetch when searching on this service
- Save
Once saved, the service will be queried by the search box.


{% extends "ppwa/ppwa.html" %} {% block title %}Thank You{% endblock %} {% block left %} {% if purchase %}
Your purchase of {{ quantity }}x {{ name }} is complete.
Confirmation code: {{ confirmation }}
{% else %}There was a problem with your purchase. Please try again later.
{% endif %} {% endblock %}


Class: Concurrent::JavaCachedThreadPool
- Inherits:
-
JavaThreadPoolExecutor
- Object
- JavaThreadPoolExecutor
- Concurrent::JavaCachedThreadPool
- Defined in:
- lib/concurrent/executor/java_cached_thread_pool.rb
Constant Summary
Instance Attribute Summary (collapse)
-
- (Object) fallback_policy
included
from Executor
readonly
The policy defining how rejected tasks (tasks received once the queue size reaches the configured
max_queue
, or after the executor has shut down) are handled. -
- (Integer) max_length
inherited
from JavaThreadPoolExecutor
readonly
The maximum number of threads that may be created in the pool.
-
- (Object) max_queue
inherited
from JavaThreadPoolExecutor
readonly
Returns the value of attribute max_queue.
Instance Method Summary (collapse)
-
- (JavaCachedThreadPool) initialize(opts = {})
constructor
A new instance of JavaCachedThreadPool.
Constructor Details
- (JavaCachedThreadPool) initialize(opts = {})
Returns a new instance of JavaCachedThreadPool
19 20 21 22 23 24 25 26 27 28 29 30 |
# File 'lib/concurrent/executor/java_cached_thread_pool.rb', line 19 def initialize(opts = {}) @fallback_policy = opts.fetch(:fallback_policy, opts.fetch(:overflow_policy, :abort)) warn '[DEPRECATED] :overflow_policy is deprecated terminology, please use :fallback_policy instead' if opts.has_key?(:overflow_policy) @max_queue = 0 raise ArgumentError.new("#{@fallback_policy} is not a valid fallback policy") unless FALLBACK_POLICIES.keys.include?(@fallback_policy) @executor = java.util.concurrent.Executors.newCachedThreadPool<EMAIL_ADDRESS>enable_at_exit_handler!(opts) end |
Instance Attribute Details
- (Object) fallback_policy (readonly) Originally defined in module Executor
The policy defining how rejected tasks (tasks received once the
queue size reaches the configured max_queue
, or after the
executor has shut down) are handled. Must be one of the values
specified in FALLBACK_POLICIES
.
- (Integer) max_length (readonly) Originally defined in class JavaThreadPoolExecutor
The maximum number of threads that may be created in the pool.
- (Object) max_queue (readonly) Originally defined in class JavaThreadPoolExecutor
Returns the value of attribute max_queue


POINTERS
Reference operator (&)
As soon as we declare a variable, the amount of memory needed is assigned for it at a specific location in memory
(its memory address). We generally do not actively decide the exact location of the variable within the panel of
cells that we have imagined the memory to be - Fortunately, that is a task automatically performed by the
operating system during runtime. However, in some cases we may be interested in knowing the address where our
variable is being stored during runtime in order to operate with relative positions to it.
The address that locates a variable within memory is what we call a reference to that variable. This reference to a
variable can be obtained by preceding the identifier of a variable with an ampersand sign (&), known as reference
operator, and which can be literally translated as "address of". For example:
ted = &andy;
This would assign to ted the address of variable andy, since when preceding the name of the variable andy with the reference operator (&) we are no longer talking about the content of the variable itself, but about its reference (i.e., its address in memory).
Dereference operator (*)
r. Pointers are said
to "point to" the variable whose reference they store.
Using a pointer we can directly access the value stored in the variable which it points to. To do this, we simply
have to precede the pointer's identifier with an asterisk (*), which acts as dereference operator and that can be
literally translated to "value pointed by".
Therefore, following with the values of the previous example, if we write:
beth = *ted;
Notice the difference between the reference and dereference operators:
- & is the reference operator and can be read as "address of"
- ** is the dereference operator and can be read as "value pointed by"
Declaring variables of pointer types
Due to the ability of a pointer to directly refer to the value that it points to, it becomes necessary to specify in its
declaration which data type a pointer is going to point to. It is not the same thing to point to a char as to point to
an int or a float.
The declaration of pointers follows this format:
type * name;
where type is the data type of the value that the pointer is intended to point to. This type is not the type of the
pointer itself! but the type of the data the pointer points to.
Now have a look at this code:
// my first pointer #include <iostream> using namespace std; int main () { int firstvalue, secondvalue; int * mypointer; mypointer = &firstvalue; *mypointer = 10; mypointer = &secondvalue; *mypointer = 20; cout << "firstvalue is " << firstvalue << endl; cout << "secondvalue is " << secondvalue << endl; return 0; }
firstvalue is 10 secondvalue is 20
Notice that even though we have never directly set a value to either firstvalue or secondvalue, both end up with
a value set indirectly through the use of mypointer. This is the procedure:
First, we have assigned as value of mypointer a reference to firstvalue using the reference operator (&). And
then we have assigned the value 10 to the memory location pointed by mypointer, that because at this moment is
pointing to the memory location of firstvalue, this in fact modifies the value of firstvalue.
In order to demonstrate that a pointer may take several different values during the same program I have repeated
the process with secondvalue and that same pointer, mypointer.
Here is an example a little bit more elaborated:
// more pointers #include <iostream> using namespace std; int main () { int firstvalue = 5, secondvalue = 15; int * p1, * p2; p1 = &firstvalue; // p1 = address of firstvalue p2 = &secondvalue; // p2 = address of secondvalue *p1 = 10; // value pointed by p1 = 10 *p2 = *p1; // value pointed by p2 = value pointed by p1 p1 = p2; // p1 = p2 (value of pointer is copied) *p1 = 20; // value pointed by p1 = 20 cout << "firstvalue is " << firstvalue << endl; cout << "secondvalue is " << secondvalue << endl; return 0; }
firstvalue is 10 secondvalue is 20
Pointers and arrays
The concept of array is very much bound to the one of pointer. In fact, the identifier of an array is equivalent to the address of its first element, as a pointer is equivalent to the address of the first element that it points to, so in fact they are the same concept. For example, supposing these two declarations:
int numbers [20]; int * p;
The following assignment operation would be valid:
p = numbers;
After that, p and numbers would be equivalent and would have the same properties. The only difference is that we could change the value of pointer p by another one, whereas numbers will always point to the first of the 20 elements of type int with which it was defined. Therefore, unlike p, which is an ordinary pointer, numbers is an array, and an array can be considered a constant pointer. Therefore, the following allocation would not be valid:
numbers = p;
Because numbers is an array, so it operates as a constant pointer, and we cannot assign values to constants
// more pointers #include <iostream> using namespace std; int main () { int numbers[5]; int * p; p = numbers; *p = 10; p++; *p = 20; p = &numbers[2]; *p = 30; p = numbers + 3; *p = 40; p = numbers; *(p+4) = 50; for (int n=0; n<5; n++) cout << numbers[n] << ", "; return 0; }
10, 20, 30, 40, 50,
Pointer initialization
When declaring pointers we may want to explicitly specify which variable we want them to point to:
int number; int *tommy = &number;
The behavior of this code is equivalent to:
int number; int *tommy; tommy = &number;
When a pointer initialization takes place we are always assigning the reference value to where the pointer points (tommy), never the value being pointed (*tommy). You must consider that at the moment of declaring a pointer, the asterisk (*) indicates only that it is a pointer, it is not the dereference operator (although both use the same sign: *). Remember, they are two different functions of one sign. Thus, we must take care not to confuse the previous code with:
int number; int *tommy; *tommy = &number;
that is incorrect, and anyway would not have much sense in this case if you think about it.
Pointers to pointers
C++ allows the use of pointers that point to pointers, that these, in its turn, point to data (or even to other pointers). In order to do that, we only need to add an asterisk (*) for each level of reference in their declarations:
char a; char * b; char ** c; a = 'z'; b = &a; c = &b;
This, supposing the randomly chosen memory locations for each variable of 7230, 8092 and 10502.
The new thing in this example is variable c, which can be used in three different levels of indirection, each one of them would correspond to a different value:
- c has type char** and a value of 8092
- *c has type char* and a value of 7230
- **c has type char and a value of 'z'
void pointer
The void type of pointer is a special type of pointer. In C++, void represents the absence of type, so void pointers
are pointers that point to a value that has no type (and thus also an undetermined length and undetermined
dereference properties).
This allows void pointers to point to any data type, from an integer value or a float to a string of characters. But in
exchange they have a great limitation: the data pointed by them cannot be directly dereferenced (which is logical,
since we have no type to dereference to), and for that reason we will always have to cast the address in the void
pointer to some other pointer type that points to a concrete data type before dereferencing it.
One of its uses may be to pass generic parameters to a function:
// increaser #include <iostream> using namespace std; void increase (void* data, int psize) { if ( psize == sizeof(char) ) { char* pchar; pchar=(char*)data; ++(*pchar); } else if (psize == sizeof(int) ) { int* pint; pint=(int*)data; ++(*pint); } } int main () { char a = 'x'; int b = 1602; increase (&a,sizeof(a)); increase (&b,sizeof(b)); cout << a << ", " << b << endl; return 0; }
y, 1603
Null pointer
A null pointer is a regular pointer of any pointer type which has a special value that indicates that it is not pointing to any valid reference or memory address. This value is the result of type-casting the integer value zero to any pointer type.
int * p; p = 0; // p has a null pointer value
Do not confuse null pointers with void pointers. A null pointer is a value that any pointer may take to represent that it is pointing to "nowhere", while a void pointer is a special type of pointer that can point to somewhere without a specific type. One refers to the value stored in the pointer itself and the other to the type of data it points to.
Pointers to functions
C++ allows operations with pointers to functions. The typical use of this is for passing a function as an argument to another function, since these cannot be passed dereferenced. In order to declare a pointer to a function we have to declare it like the prototype of the function except that the name of the function is enclosed between parentheses () and an asterisk (*) is inserted before the name:
// pointer to functions #include <iostream> using namespace std; int addition (int a, int b) { return (a+b); } int subtraction (int a, int b) { return (a-b); } int operation (int x, int y, int (*functocall)(int,int)) { int g; g = (*functocall)(x,y); return (g); } int main () { int m,n; int (*minus)(int,int) = subtraction; m = operation (7, 5, addition); n = operation (20, m, minus); cout<< n; return 0; }
output:
8