UBERLEVELS
The ultimate challenge of Median XL: Ultimative, these levels are much harder than any regular level and will challenge even the strongest heroes. Your reward on Destruction difficulty is a unique charm!
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1/12 Kurast 3000 BA
Level
|
Location
Lore
Enemies
Bosses
Reward
[Class Charm] (Class Challenge Item) Keep in Inventory to Gain Bonus (Class Only) Required Level: 90 Can be Upgraded with Ennead Challenge Can be Upgraded with Black Road Challenge Maximum Skill Level Increased by 1 +2 to Light Radius Defeat the Ennead Necromancers on Destruction difficulty to get the Hammer of the Taan Judges (1/12 chance). Hammer of the Taan Judges
Keep in Inventory to Gain Bonus Required Level: 40 +50 Crafting Points +(21 to 25) Energy Factor to Spell Damage Enhanced Weapon Damage +(0.25 per level)% (Based on Character Level) Ennead Challenge
See THIS PAGE for more information about the Ennead Challenge. Drop Bias
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2/12 Island of the Sunless Sea
Level
|
Location
Lore
Enemies
Bosses
Reward
Six Angel Bag
Keep in Inventory to Gain Bonus Required Level: 60 Adds (101 to 150)-(151 to 250) Fire Damage Adds (101 to 150)-(151 to 250) Lightning Damage Adds (101 to 150)-(151 to 250) Cold Damage Fire Resist +(21 to 25)% Lightning Resist +(21 to 25)% Cold Resist +(21 to 25)% Defeat Lucion on Destruction difficulty to get the Sunless Crystal Bird. Sunless Crystal Bird
Cube this item with your Six Angel Bag Enchant your Six Angel Bag with this charm and gain fabulous powers! Six Angel Bag + Sunless Crystal Bird → Six Angel Bag with added bonuses
This upgrade recipe adds the following bonuses:
-(6 to 15)% to All Enemy Resistances 5% Chance of Crushing Blow +(-5 to 5) to Light Radius Drop Bias
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3/12 Khalimgrad
Level
|
Location
Lore
Enemies
Bosses
Reward
Zakarum's Ear
Keep in Inventory to Gain Bonus Required Level: 80 +(16 to 25)% to Experience Gained (6 to 10)% Bonus to All Attributes +2 to Light Radius Drop Bias
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4/12 Tran Athulua
Level
|
Location
Lore
Enemies
Bosses
Reward
Sunstone of the Elements
Cube this Charm with your Upgraded Sunstones! Keep in Inventory to Gain Bonus Required Level: 50 Adds 15-20 Fire Damage Adds 15-20 Lightning Damage Adds 15-20 Cold Damage Defeat the elemental priestesses on Hatred difficulty to get the Sunstone of Fire, Sunstone of Ice and Sunstone of Thunder. They do not provide a great boon by themselves, but they can be used for the Level Challenge 1 listed below. Defeat the elemental priestesses on Destruction difficulty to get the Sunstone of the Gods (1/6 chance from each priestess). Sunstone of the Gods
Keep in Inventory to Gain Bonus Required Level: 100 Adds (51 to 100)-(101 to 150) fire Damage Adds (51 to 100)-(101 to 150) lightning Damage Adds (51 to 100)-(101 to 150) cold Damage Increase Maximum Life (11 to 15)% Increase Maximum Mana (11 to 15)% 2% chance to drop a trophy on Destruction difficulty. Cube the trophy with the charm for a small bonus. Tran Athulua Trophy
Cube with the Sunstone of the Gods... Damage Reduced by 5% Scroll of Resistances
Sunstone of the Elements + Scroll of Resistances → Sunstone of the Elements with added bonuses
This recipe adds the following bonuses:
This recipe can be used 3 times, once per each difficulty. Level Challenge 1
See THIS PAGE for more information about the Level Challenge 1. The Black Road Challenge
See THIS PAGE for more information about the Black Road Challenge. Additional quest
See THIS PAGE for more information about Athulua. Drop Bias
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5/12 Fauztinville
Level
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Location
Lore
Enemies
Bosses
Reward
See BELOW for more information about the Yshari Sanctum. The Black Road Challenge
See THIS PAGE for more information about the Black Road Challenge.
Drop Bias
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6/12 The Triune
Level
|
Location
Lore
Uldyssian ul-Diomed broke the Templars' armies on the battlefield in his campaign to obliterate the Triune and the Cathedral of Light, even managing to destroy Gulag. Astrogha escaped to some shadowy realm, but Lucion elected to remain, hoping to corrupt Uldyssian. The Son of Hatred sent the High Priest Malic to treat with Uldyssian, but the Edyrem King knew better than to listen. Uldyssian ul-Diomed met Lucion and Malic on the field of battle and banished them, but not before the demon and his priest slew Achillios, the Sword-Corporal of the Edyrem, and Uldyssian's closest friend. A war of subterfuge erupted following the Edyrem's campaign. With Gulag slain and Lucion and High Priest Malic banished from Sanctuary, Astrogha sought to fill the power vacuum. High Priest Primus had strangely disappeared in the late years of the war, so Astrogha took on that guise and sent High Priest Arihan, along with a troop of Peace Warders, Que-Hagan priests, and Morlu, to try and dispatch of Uldyssian once and for all. Again, the armies were dispersed and the great demons banished. But where Lucion and Malic had failed, and where Astrogha and Arihan had failed, Lilith had succeeded. Lilith, the Mother of Sanctuary, finally corrupted Uldyssian, and thereafter the Dark Edyrem sealed themselves away. Lilith reestablished the Triune and installed Arihan as the sole High Priest. However, and fortunately for the forces of light, it is said that an aspect of Primus haunts the great temple halls of the Triune, seeking revenge for his usurpation by Arihan. Enemies
Boss
Cycles
* Only one Cycle of Wisdom can be kept in the inventory. Reward Tome of Possession
Re-Equip When You Die Use this book to charm Arihan, High-Priest of the Triune. Take him to Primus' Messenger, the only one able to kill him. You shall not use this book for other purposes. Keep in Inventory to Gain Bonus Required Level: 120 +2 to Dire Charm (-1 to -7) Defense (-2 to -4) to Strength +13 to Life Fire Resist +3% Defeat Arihan, High Priest of the Triune on Destruction difficulty to get Lucion's Soulstone. Lucion's Soulstone
Keep in Inventory to Gain Bonus Required Level: 120 +50 Crafting Points +1 Extra Totems +(2 to 5) to Paladin Skill Levels +50 to Maximum Damage Slows Target by 10% Reduces all Vendor Prices 50% 2% chance to drop a trophy on Destruction difficulty. Cube the trophy with the charm for a small bonus. Triune Trophy
Cube with the Lucion's Soulstone... 50% Better Chance of Getting Magic Items |
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7/12 The Unformed Land
Level
|
Location
Once you enter the Unformed Land Level 2, you cannot go back trough the stairs. Lore
Enemies
Boss
Secret Elemental Runes
See THIS PAGE for more information about the Elemental Runes and Kabraxis' Stone rune.
Reward
Trader's Chest
This mighty chest allows you to increase certain stats but it will lower other stats in exchange! Cube the chest with a skull to reset stats! Keep in Inventory to Gain Bonus Required Level: 120 +1 to Light Radius Various bonuses can be added on the Trader's Chest when you gamble with gems.
Trader's Chest + any Gem (any quality) → Trader's Chest with added bonuses + Chipped Gem (same type)
This recipe adds the following bonuses:
You can do so 50 times before reaching the gambling limit:
Trader's Chest (limit) + any Gem (any quality) → Trader's Chest (limit & note) + Chipped Gem (same type) + Chipped Skull
This recipe adds the following bonuses: Ultimate Gamble upgrade Unknown Skull 1 + Unknown Skull 2 → Mystic Shard
Trader's Chest + Mystic Shard → Trader's Chest with added bonuses This recipe adds the following bonuses:
+(0 to 2) to All Skills +(1 to 25) to all Attributes -1 to Light Radius See THIS PAGE for more information about the Unknown Skull 2. Warning! If you cube the Trader's Chest with a Mystic Shard when not at 50 gambles and/or if it has been reset before, you will lose them both. Bonus quest
See THIS PAGE for more information about Zorun Tzin. Drop Bias
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8/12 Kingdom of Shadow
Level
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Location
Lore
Enemies
Bosses
Reward
Eternal Bone Pile
Keep in Inventory to Gain Bonus Required Level: 120 +(1 to 2) to Amazon Skill Levels +(1 to 2) to Assassin Skill Levels +(1 to 2) to Barbarian Skill Levels +(1 to 2) to Druid Skill Levels +(1 to 2) to Necromancer Skill Levels +(1 to 2) to Paladin Skill Levels +(1 to 2) to Sorceress Skill Levels +500 Maximum Stamina 2% chance to drop a trophy on Destruction difficulty. Cube the trophy with the charm for a small bonus. Kingdom of Shadow Trophy
Cube with the Eternal Bone Pile... +1 to All Skills |
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9/12 Ghosts of Old Bremmtown
Level
|
Location
Lore
Enemies
Bosses
Reward (requires your class charm)
[Class Charm] + Arcane Crystal → [Class Charm] with added bonuses
This upgrade recipe adds the following bonuses:
Maximum Skill Level Increased by 1
See THIS PAGE for more information about the Class Charm. NOTE: Do not enter Bremmtown with minions or you might not be able to get the reward. Summon minons once you're inside. Also keep in mind that in-game time and real time might differ because of lag and other things. |
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10/12 Duncraig
Level
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Location
Lore
Enemies
Bosses
The secret
Ring of the Five
Required Level: 100 Adds 25-50 damage +50% Damage to Undead -250 Defense Increase Maximum Life 5% +2 to Light Radius Cube it with all five seals to create Assur's Bane. Assur's Bane
Required Level: 100 +1 to All Skills Adds 25-50 damage +150% Damage to Undead +1 to Purify Increase Maximum Life and Mana 10% +2 to Light Radius Go back to Assur, then select your ring's Purify spell. This spell bypasses Assur's invulnerability and will take him out in a few hits. Reward
Demonsbane
Keep in Inventory to Gain Bonus Required Level: 100 +(0 to 2) to Amazon Skill Levels +(0 to 2) to Assassin Skill Levels +(0 to 2) to Barbarian Skill Levels +(0 to 2) to Druid Skill Levels +(0 to 2) to Necromancer Skill Levels +(0 to 2) to Paladin Skill Levels +(0 to 2) to Sorceress Skill Levels Replenish Life +50 2% chance to drop a trophy on Destruction difficulty. Cube the trophy with the charm for a small bonus. Duncraig Trophy
Cube with the Demonsbane... 10% Increased Overall Speed Drop Bias
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11/12 Yshari Sanctum
Level
|
Location
Lore
Enemies
Boss
See THIS PAGE for more information about the two sets' items and attribute bonuses. Reward
The Ancient Repositories
Keep in Inventory to Gain Bonus Required Level: 120 +(0 to 1) to All Skills (101 to 150)% Bonus to Attack Rating +(21 to 30)% to Spell Damage (11 to 20)% Chance of Crushing Blow +(5 to 25) to Strength +(5 to 25) to Dexterity +(5 to 25) to Vitality +(5 to 25) to Energy Increase Maximum Life (6 to 10)% Fire Resist +(5 to 20)% Lightning Resist +(5 to 20)% Cold Resist +(5 to 20)% Drop Bias
See ABOVE and THIS PAGE for more information about the Great Runes. |
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12/12 Wretched Hive
Level
|
Location
Lore
Enemies
Boss
Reward
Brachyceran's Token
Keep in Inventory to Gain Bonus Required Level: 120 +(0 to 1) to Amazon Skill Levels +(0 to 1) to Assassin Skill Levels +(0 to 1) to Barbarian Skill Levels +(0 to 1) to Druid Skill Levels +(0 to 1) to Necromancer Skill Levels +(0 to 1) to Paladin Skill Levels +(0 to 1) to Sorceress Skill Levels (11 to 15)% Faster Run/Walk Replenish Life +(100 to 250) +100 Maximum Stamina Poison Resist +(26 to 50)% The Cursed Crystal is needed as reagent for powerful recipe. See THIS PAGE for more information about the recipe. |


"Thirteen Days"
In October of 1962 the United States found itself on the brink of nuclear holocaust when U2 spy plane fly-overs of Cuba revealed that the Soviet Union was actively deploying and installing medium range ballistic missiles 90 miles from the US. President John Kennedy (Bruce Greenwood) and his staff must face this major threat to world peace and stop Soviet expansionism in director Roger Donaldson's dramatic recreation of the most dangerous crisis in American history in "Thirteen Days."
One of the highlights to come out of made-for-TV movies was a 1974 entry called "Missiles of October" that also recreated the historic event that almost embroiled the US, USSR and the world in an all out nuclear showdown. That teleplay, starring William Devane and Martin Sheen as John and Bobby, showed the political tensions of the period that brought to the fore the danger the world faced in those two weeks in 1962. Now, a quarter of a century after the landmark TV movie, director Roger Donaldson and producer Kevin Costner team together again (the last time was for the taught spy thriller "No Way Out") to re-enact the events of that most dangerous time in America's and the world's history.
Taken from the viewpoint of Special Assistant to the President Kenneth P. O'Donnell (Costner), Donaldson and crew recreate that volatile event, once again, as the country is plunged into what could have been total nuclear war. As O'Donnell gets ready to head to work one October morning, he deals with the usual family crises and problems. Meanwhile, a U2 spy plane photo mission over Cuba has produced some startling images - medium range nuclear missiles in the first stage of deployment. Suddenly, Ken's routine day switches into crisis mode as the President and his key advisor Bobby begin to muster the considerable forces of the US military to face the Soviet threat.
Where "Thirteen Days" differs most from "Missiles of October" is, as expected, in the scope of the project. There is a big difference, budget-wise, between making a television docudrama and one that goes to the big screen. It shows as the makers of "Thirteen Days" craft a recreation of the Cuban Missile Crisis that encompasses not only the political intrigue within the White House, it also depicts the events that took place as America girds itself for nuclear confrontation.
The cast, a true ensemble, is led, surprisingly, by Bruce Greenwood as JFK and not by Kevin Costner. Costner's O'Donnell represents the family guy thing as the drama of the crisis has its impact on him and his family. This puts a personal spin on the film as we see both the crisis and America's preparation for war and the pressure it brings to bear on those in the know. Kenny reassures his wife and kids that all will be okay and they will be safe, but he knows that, if the crisis comes to a head, his family will be no more. The meat of "Thirteen Days" is in the big picture, not the microcosm of family, though.
This is where the film stands out as we see the workings of our government on the highest levels. The story does not just cover the face-off between the world's two most powerful countries; it also depicts the animosity between the president and the military/CIA. The disaster of the Bay of Pigs invasion the year before left a distrustful taste in the mouths of the generals and admirals who blame the Kennedys for not backing the Cuban expatriates fighting Fidel Castro. The missile crisis becomes a struggle for power as the Army/Navy/Air Force want to flex their might and invade Cuba, while JFK wants to end the confrontation peaceably but with America's dignity and world leadership intact.
While the internal battle for power rages in the White House, with Air Force chief Curtis LeMay (Kevin Conway) advising the president to bomb Cuba into the stone age, our armed forces are set into motion to stop the Soviets with a blockade of offensive weapons to Cuba. This is where the political intrigues of high office are replaced by exciting action. When the first confrontation takes place between a US warship and a Soviet freighter, the tension is palpable. The most involving action sequence takes place late in the game as another U2 is sent up to shoot some snaps of the buildup and the fully prepared Soviet forces launch an anti-aircraft attack on the hapless pilot of the spy plane. This is a sweaty palm sequence to say the least, making you squirm in your seat as you try to help the pilot avoid those missiles.
The ensemble cast places Greenwood as the first among equals with like weight given to all the principle players. Greenwood does not play act at being a caricature of JFK, foregoing the typical Kennedy Boston accent. Instead, he plays the man as a powerful figure who has to maintain the dignity of the office, directing his subordinates but giving them the latitude to make clear all of his options. Kennedy used this decision by committee method to good effect as his senior staff uncovers all the options available to the president. Costner, as Ken O'Donnell, is really a supporting cast member as a Kennedy crony brought on board as a personal political favor. Costner plays O'Donnell as if he crammed on old JFK speeches with a forced Kennedyesque twang to his speech.
The rest of the players are first rate from start to finish with Steven Culp looking and sounding just like Robert Kennedy. The rest of the familiar players in this drama are uniformly well cast, too. Standing out are Michael Fairman as the beleaguered US Ambassador to the UN, Adlai Stevenson, who was forced to become the challenging voice of the United States in the United Nations and I remember the confrontation vividly. The filmmakers capture the accusations laid down by Stevenson with accuracy, using old style video footage to good effect. Dylan Baker has the look and feel of the intelligentsia as the brainy Secretary of Defense Robert McNamara. Kevin Conway gives his General LeMay the right "bomb them to hell" attitude. Also notable is Christopher Lawford as navy pilot William Ecker who, with his wingman, takes on the dangerous mission of a low-level photo recon into the heart of Cuba, bravely challenging Kenny O'Donnell's admonition, "Don' get shot."
Tech credits are superb across the board with an admirable depiction of the US armed forces being placed on a war footing. It's an impressive production with the careful use of period aircraft and ships that gives the film a veracity fitting the event. Solid costuming by Isis Mussenden is subtle but has the look of the Kennedys. There is the usual array of vintage cars from the period to make things look right. The special F/X of the U2 sequences are a nice crafting of computer imaging.
The Cuban Missile Crisis is probably the most intense two weeks that the United States has ever faced in its survival as a world leader. Helmer Donaldson and his fine crew and cast have given the depiction of this crucial event with the care and attention to details that make this one of the finest docudramas of the year. I give "Thirteen Days" an A-.
For more Reeling reviews visit www.reelingreviews.com
<EMAIL_ADDRESS><EMAIL_ADDRESS>========== X-RAMR-ID: 28665 X-RT-AuthorID: 1488 X-RT-TitleID: 1103142 X-RT-RatingText: A-
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Radio host catching heat for comparing 'ok, boomer' to n-word
ROCHESTER, NY -- A radio host in Rochester is being schooled by the Internet for comparing the "n-word" to the phrase "OK, Boomer."
The phrase is getting more use by younger people as a way to criticize the older generation anytime they seem out-of-touch.
In a since-deleted tweet, 60-year-old radio host Bob Lonsberry said Monday, "Boomer' is the n-word of ageism."
Among the thousands of replies, "Jeopardy!" legend Ken Jennings tweeted, "Don't worry, I'm Mormon like this guy so it's okay: I can call him a boomer with the hard 'R'."
Dictionary.com also chimed in saying in part, "Boomer is an informal noun referring to a person born during a baby boom. The n-word is one of the most offensive words in the English language."


Hudson understands Checkstyle
analysis report XML format. When this option is configured and your
build runs the maven goal checkstyle:checkstyle
then Hudson
provides useful information about analysis results, such as historical
result trend, module and package statistics, web UI for viewing analysis
reports and warnings, and so on.
This plug-in is not invoked for failed builds, it is only called for stable or unstable builds (i.e., a build with failed tests).


Very nice idea, but i don't think that your setInterval solution is very good.
I am not a javascript expert, but i am sure there are better solutions.
Post edited 1 x times, last by
BrainFooLong
Administrator
BrainFooLong
Administrator
The domchanged solution is that what you should use, which you already have done but commented out.
Edit: It's now completely removed from the code, not just commented out.
Post edited 1 x times, last by
nworld-1999
Topicstarter
nworld-1999
when i tried the Dom change solution Firefox lagged when i tried to re size the window so i changed over to that fix
I just put back in the Dom change code commented out thou
Post edited 1 x times, last by
BrainFooLong
Administrator
BrainFooLong
Administrator
Lag should have nothing to do with this, all BBLog functions work with the domchange method.
Post edited 1 x times, last by
nworld-1999
Topicstarter
nworld-1999
it is not lag but it does spike Firefox's CPU utilization up to 10% - 12% when i re-size the window and sometimes Firefox begins not responding. I might be wrong.
BTW i am running a phenom 2 x4 965 black edition (overclocked from 3.4 GHz to 3.5) the CPU is not that great so it will preform much better on better CPUs i think.
here is a link to the git hub repository:


| Top |
| GIOStream * | base-io-stream | Read / Write / Construct Only |
| GTlsCertificate * | certificate | Read / Write |
| GTlsDatabase * | database | Read / Write |
| GTlsInteraction * | interaction | Read / Write |
| GTlsCertificate * | peer-certificate | Read |
| GTlsCertificateFlags | peer-certificate-errors | Read |
| GTlsRehandshakeMode | rehandshake-mode | Read / Write / Construct |
| gboolean | require-close-notify | Read / Write / Construct |
| gboolean | use-system-certdb | Read / Write / Construct |
GTlsConnection is required by GTlsClientConnection and GTlsServerConnection.
GTlsConnection is the base TLS connection class type, which wraps a GIOStream and provides TLS encryption on top of it. Its subclasses, GTlsClientConnection and GTlsServerConnection, implement client-side and server-side TLS, respectively.
void g_tls_connection_set_certificate (GTlsConnection *conn
,GTlsCertificate *certificate
);
This sets the certificate that conn
will present to its peer
during the TLS handshake. For a GTlsServerConnection, it is
mandatory to set this, and that will normally be done at construct
time.
For a GTlsClientConnection, this is optional. If a handshake fails
with G_TLS_ERROR_CERTIFICATE_REQUIRED
, that means that the server
requires a certificate, and if you try connecting again, you should
call this method first. You can call
g_tls_client_connection_get_accepted_cas()
on the failed connection
to get a list of Certificate Authorities that the server will
accept certificates from.
(It is also possible that a server will allow the connection with
or without a certificate; in that case, if you don't provide a
certificate, you can tell that the server requested one by the fact
that g_tls_client_connection_get_accepted_cas()
will return
non-NULL
.)
Since 2.28
GTlsCertificate *
g_tls_connection_get_certificate (GTlsConnection *conn
);
Gets conn
's certificate, as set by
g_tls_connection_set_certificate()
.
Since 2.28
GTlsCertificate *
g_tls_connection_get_peer_certificate (GTlsConnection *conn
);
Gets conn
's peer's certificate after the handshake has completed.
(It is not set during the emission of
“accept-certificate”.)
Since 2.28
GTlsCertificateFlags
g_tls_connection_get_peer_certificate_errors
(GTlsConnection *conn
);
Gets the errors associated with validating conn
's peer's
certificate, after the handshake has completed. (It is not set
during the emission of “accept-certificate”.)
Since 2.28
void g_tls_connection_set_require_close_notify (GTlsConnection *conn
,gboolean require_close_notify
);
Sets whether or not conn
expects a proper TLS close notification
before the connection is closed. If this is TRUE
(the default),
then conn
will expect to receive a TLS close notification from its
peer before the connection is closed, and will return a
G_TLS_ERROR_EOF
error if the connection is closed without proper
notification (since this may indicate a network error, or
man-in-the-middle attack).
In some protocols, the application will know whether or not the
connection was closed cleanly based on application-level data
(because the application-level data includes a length field, or is
somehow self-delimiting); in this case, the close notify is
redundant and sometimes omitted. (TLS 1.1 explicitly allows this;
in TLS 1.0 it is technically an error, but often done anyway.) You
can use g_tls_connection_set_require_close_notify()
to tell conn
to allow an "unannounced" connection close, in which case the close
will show up as a 0-length read, as in a non-TLS
GSocketConnection, and it is up to the application to check that
the data has been fully received.
Note that this only affects the behavior when the peer closes the
connection; when the application calls g_io_stream_close()
itself
on conn
, this will send a close notification regardless of the
setting of this property. If you explicitly want to do an unclean
close, you can close conn
's “base-io-stream” rather
than closing conn
itself.
Since 2.28
gboolean
g_tls_connection_get_require_close_notify
(GTlsConnection *conn
);
Tests whether or not conn
expects a proper TLS close notification
when the connection is closed. See
g_tls_connection_set_require_close_notify()
for details.
Since 2.28
void g_tls_connection_set_rehandshake_mode (GTlsConnection *conn
,GTlsRehandshakeMode mode
);
Sets how conn
behaves with respect to rehandshaking requests.
G_TLS_REHANDSHAKE_NEVER
means that it will never agree to
rehandshake after the initial handshake is complete. (For a client,
this means it will refuse rehandshake requests from the server, and
for a server, this means it will close the connection with an error
if the client attempts to rehandshake.)
G_TLS_REHANDSHAKE_SAFELY
means that the connection will allow a
rehandshake only if the other end of the connection supports the
TLS renegotiation_info
extension. This is the default behavior,
but means that rehandshaking will not work against older
implementations that do not support that extension.
G_TLS_REHANDSHAKE_UNSAFELY
means that the connection will allow
rehandshaking even without the renegotiation_info
extension. On
the server side in particular, this is not recommended, since it
leaves the server open to certain attacks. However, this mode is
necessary if you need to allow renegotiation with older client
software.
Since 2.28
GTlsRehandshakeMode
g_tls_connection_get_rehandshake_mode (GTlsConnection *conn
);
Gets conn
rehandshaking mode. See
g_tls_connection_set_rehandshake_mode()
for details.
Since 2.28
void g_tls_connection_set_use_system_certdb (GTlsConnection *conn
,gboolean use_system_certdb
);
g_tls_connection_set_use_system_certdb
has been deprecated since version 2.30 and should not be used in newly-written code.
Use g_tls_connection_set_database()
instead
Sets whether conn
uses the system certificate database to verify
peer certificates. This is TRUE
by default. If set to FALSE
, then
peer certificate validation will always set the
G_TLS_CERTIFICATE_UNKNOWN_CA
error (meaning
“accept-certificate” will always be emitted on
client-side connections, unless that bit is not set in
“validation-flags”).
gboolean
g_tls_connection_get_use_system_certdb
(GTlsConnection *conn
);
g_tls_connection_get_use_system_certdb
has been deprecated since version 2.30 and should not be used in newly-written code.
Use g_tls_connection_get_database()
instead
Gets whether conn
uses the system certificate database to verify
peer certificates. See g_tls_connection_set_use_system_certdb()
.
GTlsDatabase *
g_tls_connection_get_database (GTlsConnection *conn
);
Gets the certificate database that conn
uses to verify
peer certificates. See g_tls_connection_set_database()
.
Since 2.30
void g_tls_connection_set_database (GTlsConnection *conn
,GTlsDatabase *database
);
Sets the certificate database that is used to verify peer certificates.
This is set to the default database by default. See
g_tls_backend_get_default_database()
. If set to NULL
, then
peer certificate validation will always set the
G_TLS_CERTIFICATE_UNKNOWN_CA
error (meaning
“accept-certificate” will always be emitted on
client-side connections, unless that bit is not set in
“validation-flags”).
Since 2.30
GTlsInteraction *
g_tls_connection_get_interaction (GTlsConnection *conn
);
Get the object that will be used to interact with the user. It will be used
for things like prompting the user for passwords. If NULL
is returned, then
no user interaction will occur for this connection.
Since 2.30
void g_tls_connection_set_interaction (GTlsConnection *conn
,GTlsInteraction *interaction
);
Set the object that will be used to interact with the user. It will be used for things like prompting the user for passwords.
The interaction
argument will normally be a derived subclass of
GTlsInteraction. NULL
can also be provided if no user interaction
should occur for this connection.
Since 2.30
gboolean g_tls_connection_handshake (GTlsConnection *conn
,GCancellable *cancellable
,GError **error
);
Attempts a TLS handshake on conn
.
On the client side, it is never necessary to call this method;
although the connection needs to perform a handshake after
connecting (or after sending a "STARTTLS"-type command) and may
need to rehandshake later if the server requests it,
GTlsConnection will handle this for you automatically when you try
to send or receive data on the connection. However, you can call
g_tls_connection_handshake()
manually if you want to know for sure
whether the initial handshake succeeded or failed (as opposed to
just immediately trying to write to conn
's output stream, in which
case if it fails, it may not be possible to tell if it failed
before or after completing the handshake).
Likewise, on the server side, although a handshake is necessary at
the beginning of the communication, you do not need to call this
function explicitly unless you want clearer error reporting.
However, you may call g_tls_connection_handshake()
later on to
renegotiate parameters (encryption methods, etc) with the client.
“accept_certificate” may be emitted during the handshake.
Since 2.28
void g_tls_connection_handshake_async (GTlsConnection *conn
,int io_priority
,GCancellable *cancellable
,GAsyncReadyCallback callback
,gpointer user_data
);
Asynchronously performs a TLS handshake on conn
. See
g_tls_connection_handshake()
for more information.
conn |
||
io_priority |
the I/O priority of the request |
|
cancellable |
a GCancellable, or |
[allow-none] |
callback |
callback to call when the handshake is complete |
|
user_data |
the data to pass to the callback function |
Since 2.28
gboolean g_tls_connection_handshake_finish (GTlsConnection *conn
,GAsyncResult *result
,GError **error
);
Finish an asynchronous TLS handshake operation. See
g_tls_connection_handshake()
for more information.
Since 2.28
gboolean g_tls_connection_emit_accept_certificate (GTlsConnection *conn
,GTlsCertificate *peer_cert
,GTlsCertificateFlags errors
);
Used by GTlsConnection implementations to emit the “accept-certificate” signal.
Since 2.28
typedef struct _GTlsConnection GTlsConnection;
Abstract base class for the backend-specific GTlsClientConnection and GTlsServerConnection types.
Since 2.28
When to allow rehandshaking. See
g_tls_connection_set_rehandshake_mode()
.
Since 2.28
“base-io-stream”
property“base-io-stream” GIOStream *
The GIOStream that the connection wraps
Flags: Read / Write / Construct Only
Since 2.28
“certificate”
property“certificate” GTlsCertificate *
The connection's certificate; see
g_tls_connection_set_certificate()
.
Flags: Read / Write
Since 2.28
“database”
property“database” GTlsDatabase *
The certificate database to use when verifying this TLS connection.
If no cerificate database is set, then the default database will be
used. See g_tls_backend_get_default_database()
.
Flags: Read / Write
Since 2.30
“interaction”
property“interaction” GTlsInteraction *
A GTlsInteraction object to be used when the connection or certificate database need to interact with the user. This will be used to prompt the user for passwords where necessary.
Flags: Read / Write
Since 2.30
“peer-certificate”
property“peer-certificate” GTlsCertificate *
The connection's peer's certificate, after the TLS handshake has completed and the certificate has been accepted. Note in particular that this is not yet set during the emission of “accept-certificate”.
(You can watch for a “notify” signal on this property to detect when a handshake has occurred.)
Flags: Read
Since 2.28
“peer-certificate-errors”
property“peer-certificate-errors” GTlsCertificateFlags
The errors noticed-and-ignored while verifying
“peer-certificate”. Normally this should be 0, but
it may not be if “validation-flags” is not
G_TLS_CERTIFICATE_VALIDATE_ALL
, or if
“accept-certificate” overrode the default
behavior.
Flags: Read
Since 2.28
“rehandshake-mode”
property“rehandshake-mode” GTlsRehandshakeMode
The rehandshaking mode. See
g_tls_connection_set_rehandshake_mode()
.
Flags: Read / Write / Construct
Default value: G_TLS_REHANDSHAKE_SAFELY
Since 2.28
“require-close-notify”
property“require-close-notify” gboolean
Whether or not proper TLS close notification is required.
See g_tls_connection_set_require_close_notify()
.
Flags: Read / Write / Construct
Default value: TRUE
Since 2.28
“use-system-certdb”
property“use-system-certdb” gboolean
Whether or not the system certificate database will be used to
verify peer certificates. See
g_tls_connection_set_use_system_certdb()
.
GTlsConnection:use-system-certdb
has been deprecated since version 2.30 and should not be used in newly-written code.
Use GTlsConnection:database instead
Flags: Read / Write / Construct
Default value: TRUE
“accept-certificate”
signalgboolean user_function (GTlsConnection *conn, GTlsCertificate *peer_cert, GTlsCertificateFlags errors, gpointer user_data)
Emitted during the TLS handshake after the peer certificate has
been received. You can examine peer_cert
's certification path by
calling g_tls_certificate_get_issuer()
on it.
For a client-side connection, peer_cert
is the server's
certificate, and the signal will only be emitted if the
certificate was not acceptable according to conn
's
“validation_flags”. If you would like the
certificate to be accepted despite errors
, return TRUE
from the
signal handler. Otherwise, if no handler accepts the certificate,
the handshake will fail with G_TLS_ERROR_BAD_CERTIFICATE
.
For a server-side connection, peer_cert
is the certificate
presented by the client, if this was requested via the server's
“authentication_mode”. On the server side,
the signal is always emitted when the client presents a
certificate, and the certificate will only be accepted if a
handler returns TRUE
.
Note that if this signal is emitted as part of asynchronous I/O
in the main thread, then you should not attempt to interact with
the user before returning from the signal handler. If you want to
let the user decide whether or not to accept the certificate, you
would have to return FALSE
from the signal handler on the first
attempt, and then after the connection attempt returns a
G_TLS_ERROR_HANDSHAKE
, you can interact with the user, and if
the user decides to accept the certificate, remember that fact,
create a new connection, and return TRUE
from the signal handler
the next time.
If you are doing I/O in another thread, you do not need to worry about this, and can simply block in the signal handler until the UI thread returns an answer.
conn |
||
peer_cert |
the peer's GTlsCertificate |
|
errors |
the problems with |
|
user_data |
user data set when the signal handler was connected. |
TRUE
to accept peer_cert
(which will also
immediately end the signal emission). FALSE
to allow the signal
emission to continue, which will cause the handshake to fail if
no one else overrides it.
Flags: Run Last
Since 2.28


Dear [firstname,fallback=Friend],
It's almost here: Nebo Lodge opens for the season on May 20th!
After a strange , windy, and occasionally warm winter on the island, spring has arrived! The daffodils are in full bloom, the cows at the farm are expecting, and the lawn is almost ready to be mowed.
And we are excited to welcome you back to Nebo! You can book your spring, summer, or fall stay at Nebo right now. And you'd better do it soon, because the rooms are already beginning to fill up.
We are looking forward to our best summer yet on the farm with weekly barn suppers, more intimate farm-to-table cooking classes, and our SeaFarm suppers—which combine our popular barn dinners with a few extra treats from Penobscot Bay. If you're a seafood lover, don't miss it.
These are some of our most popular events of the summer, and now you can book your tickets online to make it even easier to reserve a seat. You can even book round-trip transportation to and from Rockland. But don't delay: they’re going fast!
Nebo will be open for dinner on Friday and Saturday nights from May 20th to June 25th, as well as the Sunday night of Memorial Day weekend, May 29th.
In July and August, the restaurant will be open Tuesday–Saturday from June 28th to September 3rd. The restaurant will also be open Sunday, September 4th.
We also offer an abbreviated menu to inn guests on the nights when the restaurant is closed.
We post our specials—as well as tips, recipes, and other goodies—to social media. So don’t forget to follow us on Instagram, Twitter, and Facebook.
We look forward to welcoming you this summer,
The Nebo Lodge crew


Are you interested in working in a particular industry? How do you get started with a career in?
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Information Technology
Languages & TEFL
Legal Services
Management Consultancy
Media
Medical
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Publishing
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Social, Guidance, Community
Transport & Logistics


single asterisks
single underscores
double asterisks
double underscores
text with italic sentence in middle
text with bold sentence in middle
text with bold text with asterisks that spans across multiple lines
text with bold text with underscores that spans across multiple lines
underscored_word
doubleunderscore__word
asterisk*word
doubleasterisk**word
line with_underscored word
line with__doubleunderscored word
line with*asterisked word
line with**doubleasterisked word
some line_with_inner underscores
some line__with__inner double underscores
some linewithinner asterisks
some linewithinner double asterisks
another line with just _one underscore
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another line with just *one asterisk
another line with just **one double asterisk
a sentence with_underscore and another_underscore
a sentence with__doubleunderscore and another__doubleunderscore
a sentence withasterisk and anotherasterisk
a sentence withdoubleasterisk and anotherdoubleasterisk
escaped word_with_underscores
escaped word__with__double underscores
escaped word _with_ single italic underscore
escaped word*with*asterisks
escaped word**with**asterisks
escaped word*with*bold asterisks
this is imbued link with strong
this is imbued link with strong
this link has underscore some_link


 They are divided into themes, each of which perpetuates, strongly or subtly, a different kind of rape myth [read about rape myths here]. The purpose of this project is to demonstrate one aspect of what rape culture looks like online: people using ‘reasonable’ arguments and discourses to deflect responsibility from rape perpetrators onto victims, feminists, minorities, politicians, and institutions.
Note: each of the articles I sourced for the data also had users commenting in a supportive, empathetic or statistically informed way, but this was far less common than the perpetuation of rape myths and victim-blaming. Users visiting this site are welcome to contribute comments they have read [along with their source] into any existing category, or propose an additional category. Submissions go here. The articles I copied all the comments from are listed here.
The themes or myths are ranked from most to least common in my data set.
Theme 1: Allegations. The most common kind of rape myth – this is untrue, hearsay, insufficiently proven, etc. Key words: ‘he said she said’; ‘properly define sexual assault’; ‘alleged’
Theme 2: “Reasonable” risk prevention. This discourse encourages potential victims to prevent the possibility of rape through various ‘sensible’ methods, usually described metaphorically [e.g. locking your house at night] by comparison of human bodies to property.
Theme 3: Facts of life. Proponents of this discourse scoffs at the notion of systemic education as a form of rape prevention, claiming that such things are inevitable, because human nature. Key words: ‘get real’; ‘maybe in your world…’; ‘biology’; ‘sociopaths’
Theme 4: It’s a feminist conspiracy. Many news reports on sexual assault are taken as an invitation to vent against feminism, the implication being that rape is not a thing that happens so much as a scheme for feminists to seize social dominance.
Theme 5: Victim complex. A combination of themes 1 and 2. Users perpetuating this discourse claim that – in essence – victims should get over themselves.
Theme 6: Demon drink. An extension of ‘reasonable’ risk prevention [stop getting so drunk, ladies]. Again, the purpose of the discourse is to blame sexual assault on something other than perpetrators.
Theme 7: Male victims are being ignored! What about the men?
Theme 8: Politicians and savages. Indignation towards rape perpetrators was a very rare sighting in my research, but there were several instances of passionate moral outrage towards Other Cultures [especially the Muslims], and politicians [especially Obama].


'3BlackChicks Review...'
AN AMERICAN IN PARIS (1951) Not Rated; running time 114 minutes Genre: Musical IMDB site: http://us.imdb.com/Details?0043278 Written by: Alan Jay Lerner Directed by: Vincente Minnelli Music by: George Gershwin, Ira Gershwin Choreography by: Gene Kelly Cast: Gene Kelly, Leslie Caron, Oscar Levant, Georges Guetary, Nina Foch DVD standard features (region 1): "Pan And Scan" (non-widescreen); theatrical trailer; scene access. Languages & Subtitles: English, French
Review Copyright Rose Cooper, 2001 Review URL: http://www.3blackchicks.com/bamsamerparis.html
As my boy Len in MEMENTO might say, memory's a tricky thing. Take AN AMERICAN IN PARIS, for instance. I distinctly remember thinking, as a young girl brimming with newly-discovered hormones, that There Could Never Be Anything Finer, Period, than the image of Gene Kelly struttin' on screen in a skin-tight leotard. I distinctly remember this, because at the sight of Monsieur Kelly doing that strut, I was sure of two things: one, that one day I'd be Mrs. Gene Kelly, and he'd take me out of Detroit and into his graceful arms (I'd figure out what to do with Leslie Caron later, my passion-enflamed heart reckoned); and two, that I had just witnessed what was undoubtedly The Greatest Musical Ever. Period.
So why, some 25 or so years later, do I feel somewhat let down by the movie I just watched?
The Story (WARNING: **spoilers contained below**): Ex-GI Jerry Mulligan (Gene Kelly) did what any red-blooded American boy would do after World War II came to a close: he stayed in Paris, to pursue a career in painting. His "career", to the point of the opening of the film [Kelly's first scene, hinting at the graceful athleticism of a dancer's everyday movement, never ceases to pull me in], consisted of, mostly, Starving. He shared such a fate with his best bud, Adam Cook (Oscar Levant, who I've come to adore almost as much as I love Kelly), a gifted curmudgeon of a concert pianist who just might be the world's oldest child prodigy. Adam, a self-effacing chainsmoker, is also best buds with the somewhat more successful French music hall star Henri Baurel (Georges Guetary), an older man who took in young Lise Bouvier (Leslie Caron) during The Resistance, and in a Woody Hall-ian move, fell in love with Lise and asked her to marry him.
One problem: once carefree bachelor Jerry laid eyes on Lise, he was hooked. Actually, two problems: Jerry's new arts patron, the worldly - and jealous - Milo (as in, "Venus de") Roberts, wants Jerry for herself.
And on tomorrow's installment of All My Bold And Beautiful Children...
The Upshot: It's difficult to pin down, but whether it was the relative poor quality of the DVD itself, or the cringeworthy moments in this movie (see "The Numbers" below for a couple examples), I honestly have to say that my childhood Greatest Ever assessment was a bit off. To be sure, AN AMERICAN IN PARIS has its moments of absolute brilliance, and I'd easily put it up against most of the dreck passing for movies these days; but there was an...emptiness of plot here that just failed to reach the sustained high notes of a SINGIN' IN THE RAIN or a WEST SIDE STORY, for instance. Maybe it was just the idealistic memory I had of that tight jumper Kelly wore out, but I certainly remembered "Paris" being a little brighter, a little more dazzling, in my youth.
On the other hand, there's still a lil' sum'n sum'n about AN AMERICAN IN PARIS that raises it above your standard Boy Meets Girl Let's Dance musical plot; something a bit hard-edged that makes "Paris" more kin to the more socially-relevant "West Side" than Kelly's fluffier "Rain". That "something", I posit, is Oscar Levant. Yes, "Paris" has plenty of hokey numbers, like many of its predecessors. Yes, "Paris" has a musical-standard Dame In Waiting in the person of the smoky and underused Nina Foch, and a Charming Ingenue (well, to an extent) in the magnificent Leslie Caron. Yes, "Paris" has great Gershwin standards, and in Minnelli, a director who knew how to make a musical just the way movie audiences used to want them to be made. And oh yes, "Paris" has Kelly showing off all his charms in that skin-tight leotard...ahem. But what "Paris" also has that few of the more lighthearted musicals haven't got, was Oscar the grouch, all-too-briefly snarking his way through AN AMERICAN IN PARIS like he owned the joint.
And the cool thing about my owning AN AMERICAN IN PARIS on DVD, is that through the magic of being able to watch selected scenes, I can pretend that Levant did indeed at least hold a lease on the joint.
The Numbers: Ok, so the plot's got Issues; but what of the trademarks of any musical worthy of the name?
"Oom-pa-pa By Straus" Cringe moment #1; Georges Guetary started off rubbing me the wrong way [shouldn't it be illegal for a French guy to attempt German?] and never recovers. Next!
"I Got Rhythm" Ahhh...much better. I've always loved this number; Gene Kelly seemed to work so well with those kids, as if he were a dancing version of ER's Dr. Ross. It's funny, though, that he used American to teach French kids, English. Hooked On Ebonics, Jerry?
"Tra-La-La" Cringe moment #2. I like an almost-shirtless Kelly like the next hot-blooded Chick; but lord, that man really couldn't sing, as he proved with that misbegotten high note at the end. Minnelli must've directed him to pretend that someone yanked his testicles at that moment.
"Our Love Is Here To Stay" The most sensuous, romantic song and dance pairing I can ever recall seeing on film. Some swoon over Astaire And Rogers; but Kelly and Caron, in this beautiful scene, are what Does It for me.
"Stairway To Paradise" I love this number, if only because it always makes me to do my impression of Henri Tha Playa President. I'll try to remember to do it for Oprah, next time I see her.
"3rd Movement: Concerto In F" Adam's manifesto, and a brief glimpse into the genius of serious pianist Oscar Levant. A few years ago, I remember seeing a PBS documentary on Levant which went into detail about what a tormented soul he was. I don't think I've ever been sadder about the life of a celebrity than I was after watching that documentary. But even in my sadness, I came away with a deeper appreciation for his work in "Paris".
"S'wonderful" Giving my boy Guetary a break for a minute, I liked this threesome piece with him, Kelly, and Levant. By this point, it seemed as if Kelly was repeating some taps, but Levant's humorous expressions help make this number a winner.
"An American In Paris" If I ever lost my memory ala "Memento's" Leonard, I'd make sure to have "you absolutely love the 'An American In Paris' ballet number" tattooed across my body. It'd most def be worth it. This 17-minute ballet (which includes Kelly in the skin-tight leotard I keep drooling over) is what ultimately caused me to go ga-ga over all things Gene Kelly.
Some of the background "noise" may have been a wee bit disheartening to see, but the heart of a Gene Kelly musical - the singing and dancing - still stand the test of time in AN AMERICAN IN PARIS.
DVD Thingies: The lack of gee whiz techie stuff, only added to my slight malaise about the film in general. Sure, oldies captured digitally are treasured more for their innards than for what some technical genius can add to layers of DVD; and sure, the film still stands on its own merits. But it's discomforting to see a wee pretend-Gene Kelly flinching around the screen like he was on crack, in the bottom corner of the menu. The background music's worse, and the butt-ugly menu titles (which were supposed to imply a painter's pallet), were worse than that. It was nothing short of depressing, I swear.
Bammer's Bottom Line: Though my memory of some details about AN AMERICAN IN PARIS may have been romanticized a bit more than the reality of watching it as an adult proved out, even at thirtysomething, I still fantasize about the cutie in the skin-tight leotard. oh, swoon. Oh yeah; Caron's not so bad, either. And as much as I dug Donald O'Connor in that other Greatest Ever Kelly Musical, Oscar the grouch has him beat by a country mile.
AN AMERICAN IN PARIS: (rating: greenlight): S'wonderful!
Rose "Bams" Cooper Webchick and Editor, 3BlackChicks Review Entertainment Reviews With Flava! Copyright Rose Cooper, 2001 EMAIL<EMAIL_ADDRESS>http://www.3blackchicks.com/
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


{application} | |||||||||||||||||||||||||||
| {description} | |||||||||||||||||||||||||||
{if linked_members_length} You can link to {entity_name} from:
{endif} {if exclusive_members_length} You can add '{entity_name}' from:
{endif} {if entity.GenerateViews} You can open the general view in the application main form (the one that appears after you log on) by clicking in the toolbar on the button named "{entity_name}". {if entity.MenuCategory} Another way to access it is from main menu bar, menu: {entity.MenuCategory} -> {entity_name} -> Index. {else} Another way to access it is from main menu bar, menu: {entity_name} -> Index. {endif}
In the general view you can perform multiple operations like:
{endif} {if unique_members_length}
{endif} {entity_name} has the following properties:
| |||||||||||||||||||||||||||
| Help file generated at {time} |


Bone(bpy_struct)¶
base class — bpy_struct
-
class
bpy.types.
Bone
(bpy_struct)¶ Bone in an Armature data-block
-
bbone_curveinx
¶ X-axis handle offset for start of the B-Bone’s curve, adjusts curvature
Type: float in [-inf, inf], default 0.0
-
bbone_curveiny
¶ Y-axis handle offset for start of the B-Bone’s curve, adjusts curvature
Type: float in [-inf, inf], default 0.0
-
bbone_curveoutx
¶ X-axis handle offset for end of the B-Bone’s curve, adjusts curvature
Type: float in [-inf, inf], default 0.0
-
bbone_curveouty
¶ Y-axis handle offset for end of the B-Bone’s curve, adjusts curvature
Type: float in [-inf, inf], default 0.0
-
bbone_easein
¶ Length of first Bezier Handle (for B-Bones only)
Type: float in [-inf, inf], default 1.0
-
bbone_easeout
¶ Length of second Bezier Handle (for B-Bones only)
Type: float in [-inf, inf], default 1.0
-
bbone_handle_type_end
¶ Selects how the end handle of the B-Bone is computed
AUTO
Automatic, Use connected parent and children to compute the handle.ABSOLUTE
Absolute, Use the position of the specified bone to compute the handle.RELATIVE
Relative, Use the offset of the specified bone from rest pose to compute the handle.TANGENT
Tangent, Use the orientation of the specified bone to compute the handle, ignoring the location.
Type: enum in [‘AUTO’, ‘ABSOLUTE’, ‘RELATIVE’, ‘TANGENT’], default ‘AUTO’
-
bbone_handle_type_start
¶ Selects how the start handle of the B-Bone is computed
AUTO
Automatic, Use connected parent and children to compute the handle.ABSOLUTE
Absolute, Use the position of the specified bone to compute the handle.RELATIVE
Relative, Use the offset of the specified bone from rest pose to compute the handle.TANGENT
Tangent, Use the orientation of the specified bone to compute the handle, ignoring the location.
Type: enum in [‘AUTO’, ‘ABSOLUTE’, ‘RELATIVE’, ‘TANGENT’], default ‘AUTO’
-
bbone_rollin
¶ Roll offset for the start of the B-Bone, adjusts twist
Type: float in [-inf, inf], default 0.0
-
bbone_rollout
¶ Roll offset for the end of the B-Bone, adjusts twist
Type: float in [-inf, inf], default 0.0
-
bbone_scaleinx
¶ X-axis scale factor for start of the B-Bone, adjusts thickness (for tapering effects)
Type: float in [-inf, inf], default 1.0
-
bbone_scaleiny
¶ Y-axis scale factor for start of the B-Bone, adjusts thickness (for tapering effects)
Type: float in [-inf, inf], default 1.0
-
bbone_scaleoutx
¶ X-axis scale factor for end of the B-Bone, adjusts thickness (for tapering effects)
Type: float in [-inf, inf], default 1.0
-
bbone_scaleouty
¶ Y-axis scale factor for end of the B-Bone, adjusts thickness (for tapering effects)
Type: float in [-inf, inf], default 1.0
-
bbone_segments
¶ Number of subdivisions of bone (for B-Bones only)
Type: int in [1, 32], default 0
-
bbone_x
¶ B-Bone X size
Type: float in [-inf, inf], default 0.0
-
bbone_z
¶ B-Bone Z size
Type: float in [-inf, inf], default 0.0
-
children
¶ Bones which are children of this bone
Type: bpy_prop_collection
ofBone
, (readonly)
-
envelope_distance
¶ Bone deformation distance (for Envelope deform only)
Type: float in [0, 1000], default 0.0
-
envelope_weight
¶ Bone deformation weight (for Envelope deform only)
Type: float in [0, 1000], default 0.0
-
head
¶ Location of head end of the bone relative to its parent
Type: float array of 3 items in [-inf, inf], default (0.0, 0.0, 0.0), (readonly)
-
head_local
¶ Location of head end of the bone relative to armature
Type: float array of 3 items in [-inf, inf], default (0.0, 0.0, 0.0), (readonly)
-
head_radius
¶ Radius of head of bone (for Envelope deform only)
Type: float in [-inf, inf], default 0.0
-
hide
¶ Bone is not visible when it is not in Edit Mode (i.e. in Object or Pose Modes)
Type: boolean, default False
-
hide_select
¶ Bone is able to be selected
Type: boolean, default False
-
inherit_scale
¶ Specifies how the bone inherits scaling from the parent bone
FULL
Full, Inherit all effects of parent scaling.FIX_SHEAR
Fix Shear, Inherit scaling, but remove shearing of the child in the rest orientation.ALIGNED
Aligned, Rotate non-uniform parent scaling to align with the child, applying parent X scale to child X axis, and so forth.AVERAGE
Average, Inherit uniform scaling representing the overall change in the volume of the parent.NONE
None, Completely ignore parent scaling.NONE_LEGACY
None (Legacy), Ignore parent scaling without compensating for parent shear. Replicates the effect of disabling the original Inherit Scale checkbox.
Type: enum in [‘FULL’, ‘FIX_SHEAR’, ‘ALIGNED’, ‘AVERAGE’, ‘NONE’, ‘NONE_LEGACY’], default ‘FULL’
-
layers
¶ Layers bone exists in
Type: boolean array of 32 items, default (False, False, False, False, False, False, False, False, False, False, False, False, False, False, False, False, False, False, False, False, False, False, False, False, False, False, False, False, False, False, False, False)
-
length
¶ Length of the bone
Type: float in [-inf, inf], default 0.0, (readonly)
-
matrix
¶ 3x3 bone matrix
Type: float multi-dimensional array of 3 * 3 items in [-inf, inf], default ((0.0, 0.0, 0.0), (0.0, 0.0, 0.0), (0.0, 0.0, 0.0)), (readonly)
-
matrix_local
¶ 4x4 bone matrix relative to armature
Type: float multi-dimensional array of 4 * 4 items in [-inf, inf], default ((0.0, 0.0, 0.0, 0.0), (0.0, 0.0, 0.0, 0.0), (0.0, 0.0, 0.0, 0.0), (0.0, 0.0, 0.0, 0.0)), (readonly)
-
name
¶ Type: string, default “”, (never None)
-
select
¶ Type: boolean, default False
-
select_head
¶ Type: boolean, default False
-
select_tail
¶ Type: boolean, default False
-
show_wire
¶ Bone is always drawn as Wireframe regardless of viewport draw mode (useful for non-obstructive custom bone shapes)
Type: boolean, default False
-
tail
¶ Location of tail end of the bone relative to its parent
Type: float array of 3 items in [-inf, inf], default (0.0, 0.0, 0.0), (readonly)
-
tail_local
¶ Location of tail end of the bone relative to armature
Type: float array of 3 items in [-inf, inf], default (0.0, 0.0, 0.0), (readonly)
-
tail_radius
¶ Radius of tail of bone (for Envelope deform only)
Type: float in [-inf, inf], default 0.0
-
use_connect
¶ When bone has a parent, bone’s head is stuck to the parent’s tail
Type: boolean, default False, (readonly)
-
use_cyclic_offset
¶ When bone doesn’t have a parent, it receives cyclic offset effects (Deprecated)
Type: boolean, default False
-
use_deform
¶ Enable Bone to deform geometry
Type: boolean, default False
-
use_endroll_as_inroll
¶ Add Roll Out of the Start Handle bone to the Roll In value
Type: boolean, default False
-
use_envelope_multiply
¶ When deforming bone, multiply effects of Vertex Group weights with Envelope influence
Type: boolean, default False
-
use_inherit_rotation
¶ Bone inherits rotation or scale from parent bone
Type: boolean, default False
-
use_inherit_scale
¶ DEPRECATED: Bone inherits scaling from parent bone
Type: boolean, default False
-
use_local_location
¶ Bone location is set in local space
Type: boolean, default False
-
use_relative_parent
¶ Object children will use relative transform, like deform
Type: boolean, default False
-
basename
¶ The name of this bone before any ‘.’ character (readonly)
-
center
¶ The midpoint between the head and the tail. (readonly)
-
children
A list of all the bones children. Warning: takes O(len(bones)) time. (readonly)
-
children_recursive
¶ A list of all children from this bone. Warning: takes O(len(bones)**2) time. (readonly)
-
children_recursive_basename
¶ Returns a chain of children with the same base name as this bone. Only direct chains are supported, forks caused by multiple children with matching base names will terminate the function and not be returned. Warning: takes O(len(bones)**2) time. (readonly)
-
parent_recursive
¶ A list of parents, starting with the immediate parent (readonly)
-
vector
¶ The direction this bone is pointing. Utility function for (tail - head) (readonly)
-
x_axis
¶ Vector pointing down the x-axis of the bone. (readonly)
-
y_axis
¶ Vector pointing down the y-axis of the bone. (readonly)
-
z_axis
¶ Vector pointing down the z-axis of the bone. (readonly)
-
evaluate_envelope
(point)¶ Calculate bone envelope at given point
Parameters: point (float array of 3 items in [-inf, inf]) – Point, Position in 3d space to evaluate Returns: Factor, Envelope factor Return type: float in [-inf, inf]
-
convert_local_to_pose
(matrix, matrix_local, parent_matrix=((0.0, 0.0, 0.0, 0.0), (0.0, 0.0, 0.0, 0.0), (0.0, 0.0, 0.0, 0.0), (0.0, 0.0, 0.0, 0.0)), parent_matrix_local=((0.0, 0.0, 0.0, 0.0), (0.0, 0.0, 0.0, 0.0), (0.0, 0.0, 0.0, 0.0), (0.0, 0.0, 0.0, 0.0)), invert=False)¶ Transform a matrix from Local to Pose space (or back), taking into account options like Inherit Scale and Local Location. Unlike Object.convert_space, this uses custom rest and pose matrices provided by the caller. If the parent matrices are omitted, the bone is assumed to have no parent.
Parameters: - matrix (float multi-dimensional array of 4 * 4 items in [-inf, inf]) – The matrix to transform
- matrix_local (float multi-dimensional array of 4 * 4 items in [-inf, inf]) – The custom rest matrix of this bone (Bone.matrix_local)
- parent_matrix (float multi-dimensional array of 4 * 4 items in [-inf, inf], (optional)) – The custom pose matrix of the parent bone (PoseBone.matrix)
- parent_matrix_local (float multi-dimensional array of 4 * 4 items in [-inf, inf], (optional)) – The custom rest matrix of the parent bone (Bone.matrix_local)
- invert (boolean, (optional)) – Convert from Pose to Local space
Returns: The transformed matrix
Return type: float multi-dimensional array of 4 * 4 items in [-inf, inf]
-
classmethod
MatrixFromAxisRoll
(axis, roll)¶ Convert the axis + roll representation to a matrix
Parameters: - axis (float array of 3 items in [-inf, inf], (never None)) – The main axis of the bone (tail - head)
- roll (float in [-inf, inf]) – The roll of the bone
Returns: The resulting orientation matrix
Return type: float multi-dimensional array of 3 * 3 items in [-inf, inf]
-
classmethod
AxisRollFromMatrix
(matrix, axis=(0.0, 0.0, 0.0))¶ Convert a rotational matrix to the axis + roll representation
Parameters: - matrix (float multi-dimensional array of 3 * 3 items in [-inf, inf], (never None)) – The orientation matrix of the bone
- axis (float array of 3 items in [-inf, inf], (optional)) – The optional override for the axis (finds closest approximation for the matrix)
Return (result_axis, result_roll): result_axis, The main axis of the bone, float array of 3 items in [-inf, inf]
result_roll, The roll of the bone, float in [-inf, inf]
-
parent_index
(parent_test)¶ The same as ‘bone in other_bone.parent_recursive’ but saved generating a list.
-
translate
(vec)¶ Utility function to add vec to the head and tail of this bone
-
classmethod
bl_rna_get_subclass
(id, default=None)¶ Parameters: id (string) – The RNA type identifier. Returns: The RNA type or default when not found. Return type: bpy.types.Struct
subclass
-
classmethod
bl_rna_get_subclass_py
(id, default=None)¶ Parameters: id (string) – The RNA type identifier. Returns: The class or default when not found. Return type: type
-
Inherited Properties
Inherited Functions
References


There are many elements used to create a webpage and some of them will have the same css
styles applied, however there are also elements that would have tailored styles added to them.
Class is great way to apply style to multiple elements that will all look the same, for example you
may have a Nav bar or headers which you would want to remain the same style for each of your html
pages. By creating a class and giving the nav bar on every page the same .class you can make
changes to all html pages containing the nav bar simply by editing the .class in you css stylesheet.
The order of which the classes are stored in you css file determines which style is applied to the element.
The lower class will always overwrite the all classes above it.
The id attribute on the other hand works really well when you want to apply style to a particular element without affecting other elements around it. This is used when you may have something in a class but want to give a specific element of that class its own style, you then create a #id attribute and cat edit with-out changing anything in that class. Id is more specific and should only be used once on a page where as a class is used on multiple pages. The #id attribute will overwrite any .class attributes.


LICENSED TO KILL A film review by Steve Rhodes Copyright 1997 Steve Rhodes
RATING (0 TO ****): ** 1/2
LICENSED TO KILL, not to be confused with the James Bond film called LICENCE TO KILL, is a harrowing tale of violence against gays. Documentarian Arthur Dong (COMING OUT UNDER FIRE) interviews 7 murderers inside various prisons. The film could be considered their brief autobiographies as Dong uses still photos of the murderers growing up to make them seem more like flesh-and-blood people than monsters locked behind bars.
The inmates tell their stories matter-of-factly. This casual style represents the film's single biggest downfall. Documentaries need energy, or they can become as dry as reading a dictionary. Dong's questions too often illicit little interest from the prisoners. An interviewer with a more provocative style might have gotten the prisoners to open up more emotionally. All of this notwithstanding, the film does end up exposing an important subject.
The easiest way to view problems in our society is to relegate them to the "couldn't happen here" category. When you are sure that some form of crime is being committed, but not in your neighborhood, it becomes an abstract issue that can be conveniently ignored and shelved into your tertiary memory.
The scene in LICENSED TO KILL from nearby San Jose really brought the film home for me. A gay man there was constantly being harassed by his neighbor, so the gay man set up a video camera in hopes that he could finally prove his story. As he was innocently watering his lawn, his neighbor came out spewing homophobic epithets at him and then began to beat him.
The killers in the show are of different races and from various parts of the country.  Some prisoners blame their hatred on a molestation incident in childhood, but most seem proud to lay the blame on God's doorstep.  Most of the convicts show some remorse, but none are particularly convincing.
In one especially ironic interview, a prisoner rants and raves about the lack of religion in the schools. He attributes the decay of society to the courts outlawing Christianity in the classrooms. These diatribes come from someone who seems to have an unswerving faith in the "Nine Commandments."
In the interview with convicted murderer Jeffrey Swinford, he explains his nonchalant view of beating up gays and how his friends would make a party of it.  "You know, like cheerleaders -- 'Kick 'em in the head' -- stuff like that. We never done it for fun, you know. We just did it if we need money."
LICENSED TO KILL runs just 1:20. It is not rated but would be R for its troubling and explicit pictures of people who have been beaten, stabbed, or shot. Teenagers need to be mature to be able to handle the intensity of the images. I recommend the documentary to you and give it ** 1/2.
**** = A must see film. *** = Excellent show. Look for it. ** = Average movie. Kind of enjoyable. * = Poor show. Don't waste your money. 0 = Totally and painfully unbearable picture.
REVIEW WRITTEN ON: April 12, 1997
Opinions expressed are mine and not meant to reflect my employer's.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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After installing Docker, run a test to see that the installation was a success. To do so, type “docker run hello-world” and you should see "Hello from Docker!", among other helpful tips
Next, pull an Ubuntu image from Docker using “docker pull ubuntu”. You should see that it has "Download newer image for ubuntu:latest", among other lines.
To see that the Ubuntu image was pulled correctly, type “docker images” to check the existing Docker images on your local computer. For example, you should see the “ubuntu” image, which indicates that it was successfully pulled.
Now, we are going to run the Ubuntu image to start a Docker container, and then log into this Ubuntu container. Type “docker run -it ubuntu:latest /bin/bash”, and check to see if a bash command prompt pops up. This command first runs docker, creates an interactive shell with “-it”, and uses the ubuntu docker image (:latest indicates the TAG). In this case, the string after "root@" is the container ID.
Install the necessary applications into this Ubuntu container with “apt-get update”. If this fails, restart Docker.
Next, install apache2 with “apt-get install apache2”.
To edit the html files, install vim editor with “apt-get install vim”
To exit the Ubuntu container, type “exit”
To check the container, use “docker ps -a”
To commit the container and create a new Docker image, type ”docker commit ubuntu-my_apache2”. The is the same as discussed before, and “ubuntu-my_apache2” is the name of the new Docker image.
To check the new images, use “docker images”
To share data between the Docker container and the host, type “docker run -it -p <IP_ADDRESS>:80:80 -v C:\DockerApache:/a_dir_in_container ubuntu-my_apache2 /bin/bash”. “-p” exposes a port of the Docker container, and “-v” binds a host directory to the Docker container.
Use the command "pwd" to check the present working directory, and then go into the html directory "/var/www/htm" with "cd /var/www/htm"
Use "vi index.html" to create the "index.html" page. To insert into the file, use the "i" key (it will show --INSERT--)
Once you have inserted your code, hit the escape key and then type ":wq" to write to the file and quit
Now that the index.html page has been created, use "/etc/init.d/apache2 restart" in your Docker container to start the apache service
Within the browser of your choice, access "<IP_ADDRESS>" and you can see your website.


Section 7 NSCI 222: Learning
Essential Question: What are some essential DEI topics I can teach in NSCI 222?
Abstract: Updating your learning class will involve many of the same considerations for NSCI 175/PSYC 220 (S and P) Most of the research up through the 2000’s and represented in Learning textbooks was conducted by white men. The General Tips listed for those classes could certainly be used for S&P also. Additionally you can find a list of POCs who have done work relevant to the course content, along with a brief description of their contribution here.
Class Topics and Learning Objectives
- Topic: Role of Classical Conditioning in Prejudice
- Objective: Consistent pairing of specific racial groups with negative valance stimuli and words (such as may be common on the news) can lead to conditioned emotional responses to those groups- particularly if there is no previous exposure. Discusses one mechanism of how prejudices may form, and studies that have attempted to use counter-conditioning to decrease conditioned emotional responses. This topic can be introduced when discussing applications of classical conditioning (Chapter 4 of the Chance text). This topic is also related to Latent Inhibition with a discussion of the role that exposure to diverse racial groups (e.g. in public education, etc) from an early age could help to make exposure to future pairings (common on the news, etc) less effective.
- Slide Deck: Here.
- Resources: Chance text on pages 102-104
- Objective: Consistent pairing of specific racial groups with negative valance stimuli and words (such as may be common on the news) can lead to conditioned emotional responses to those groups- particularly if there is no previous exposure. Discusses one mechanism of how prejudices may form, and studies that have attempted to use counter-conditioning to decrease conditioned emotional responses. This topic can be introduced when discussing applications of classical conditioning (Chapter 4 of the Chance text). This topic is also related to Latent Inhibition with a discussion of the role that exposure to diverse racial groups (e.g. in public education, etc) from an early age could help to make exposure to future pairings (common on the news, etc) less effective.
- Topic: Other Race Face Effect- Neural Plasticity (Assignment)
- Objective: Demonstrate how neural plasticity is related to learning in the context of the learning to recognize other-race faces. This can be taught in the Learning & the Brain/ Neural Plasticity section of the course.
- Resources:
- Background reading: James W. Tanaka, Bonnie Heptonstall & Simen Hagen (2013) Perceptual expertise and the plasticity of other-race face recognition, Visual Cognition, 21:9-10, 1183-1201, DOI: 10.1080/13506285.2013.826315
- Assignment Sheet
- Topic: Pavlovian Conditioning in Moths
- Topic: Exploring Learning Scientists of Color (Assignment)
- Objective: Despite the fact POCs are missing from much of the textbook content, they are responsible for much of our understanding about learning both historically and currently.
- Resources:
Diversity, Equity, and Inclusion in Teaching by UNC Psychology & Neuroscience DEI Education Subcommittee is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.


Google launches smart device in Brazil in new challenge to Amazon.com
Alphabet Inc’s Google is bringing to Brazil the latest version of its own smart device Google Nest, with plans to start selling it in major online and brick-and-mortar retailers in the country as of Tuesday.
SAO PAULO: Alphabet Inc’s Google is bringing to Brazil the latest version of its Google Nest Mini smart speaker, with plans to start selling it in major online and brick-and-mortar retailers in the country on Tuesday.
The move comes just weeks after U.S. e-commerce giant Amazon.com introduced its Alexa virtual assistant to Brazilian customers, with three different gadgets available.
Google priced its Nest Mini device with Google Virtual Assistant integrated at 349 reais (US$85) in Brazil.
Local retailers Magazine Luiza, Lojas Americanas and Via Varejo’s Casas Bahia are among the online and brick-and-mortar chains chosen to sell Google’s gadget, as well as Argentina’s MercadoLibre Inc.
Like rival Amazon, Google is considering bringing other products to Brazil, Latin America’s largest economy.
“We see Brazil growing in this segment, and other launches may happen in the future given the priority given to the country," said Vinicius Dib, head of partnerships in devices for Google in Brazil.
Citing data from IHS Markit, the company said the global market for smart speakers is expected to grow by four times by 2023, reaching over US$30 billion.
The launch of Nest Mini is likely to intensify competition between Google and Amazon, which have also been going head-to-head in cloud computing services.
Google started its own cloud operation in Brazil in 2017, challenging Amazon Web Services.
(Reporting by Gabriela Mello; editing by Louise Heavens)


Sample Watson Natural Language Classifier Service
Enter the restaurant mood type you are in:
Entered
{{input.userInput}}
Response
{{input.response}}


Inherited by boost::geometry::de9im_segment.
Public Member Functions | |
| bool | contains () const |
| bool | crosses () const |
| de9im (int ii0, int ib0, int ie0, int bi0, int bb0, int be0, int ei0, int eb0, int ee0) | |
| de9im () | |
| bool | disjoint () const |
| bool | equals () const |
| bool | intersects () const |
| bool | overlaps () const |
| bool | touches () const |
| bool | within () const |
Static Public Member Functions | |
| static char | as_char (int v) |
Public Attributes | |
| int | bb |
| int | be |
| int | bi |
| int | eb |
| int | ee |
| int | ei |
| int | ib |
| int | ie |
| int | ii |
Definition at line 25 of file intersection_result.hpp.
| boost::geometry::de9im::de9im | ( | ) |
Definition at line 31 of file intersection_result.hpp.
| boost::geometry::de9im::de9im | ( | int | ii0, | |
| int | ib0, | |||
| int | ie0, | |||
| int | bi0, | |||
| int | bb0, | |||
| int | be0, | |||
| int | ei0, | |||
| int | eb0, | |||
| int | ee0 | |||
| ) |
Definition at line 38 of file intersection_result.hpp.
| bool boost::geometry::de9im::equals | ( | ) | const |
Definition at line 46 of file intersection_result.hpp.
| bool boost::geometry::de9im::disjoint | ( | ) | const |
Definition at line 51 of file intersection_result.hpp.
| bool boost::geometry::de9im::intersects | ( | ) | const |
Definition at line 56 of file intersection_result.hpp.
| bool boost::geometry::de9im::touches | ( | ) | const |
Definition at line 61 of file intersection_result.hpp.
| bool boost::geometry::de9im::crosses | ( | ) | const |
Definition at line 66 of file intersection_result.hpp.
| bool boost::geometry::de9im::overlaps | ( | ) | const |
Definition at line 71 of file intersection_result.hpp.
| bool boost::geometry::de9im::within | ( | ) | const |
Definition at line 76 of file intersection_result.hpp.
| bool boost::geometry::de9im::contains | ( | ) | const |
Definition at line 81 of file intersection_result.hpp.
| static char boost::geometry::de9im::as_char | ( | int | v | ) | [static] |
Definition at line 87 of file intersection_result.hpp.
Definition at line 27 of file intersection_result.hpp.
Definition at line 27 of file intersection_result.hpp.
Definition at line 27 of file intersection_result.hpp.
Definition at line 27 of file intersection_result.hpp.
Definition at line 27 of file intersection_result.hpp.
Definition at line 27 of file intersection_result.hpp.
Definition at line 27 of file intersection_result.hpp.
Definition at line 27 of file intersection_result.hpp.
Definition at line 27 of file intersection_result.hpp.
|
December 1, 2009 |
Copyright © 1995-2009 Barend Gehrels, Geodan, Amsterdam Copyright © 2008-2009 Bruno Lalande, Paris Copyright © 2009 Mateusz Loskot, Cadcorp, London |


For loops and for comprehensions in Scala
Looping over a collection of items and transforming the individual elements within is quite a common task. So it seems natural that Scala offers a nice way to solve this.
If you know some other, more “traditional”, imperative programming languages, then you might have some assumptions about a thing that’s name begins with “for”. These can be useful to understand Scala’s for capabilities, but you might be surprised at how powerful Scala’s solution is.
Some simple examples
As a warm-up, let’s see a couple of short examples.
They will use the Twitter-related case classes that were introduced in a previous post, Lists in Scala.
case class User(name: String)
case class TweetMsg(id: Long, user: User, msg: String)
A for loop for printing
At first let’s just create a list of three TweetMsg objects and print their message strings to the screen within a for-loop:
def createTweetList: List[TweetMsg] = {
val user1 = new User("ador")
val user2 = new User("szeli")
val t1 = new TweetMsg(9243012L, user1, "scala program")
val t2 = new TweetMsg(9534594L, user2, "ice cream")
val t3 = new TweetMsg(9811235L, user1, "playing with scala")
val tweetList: List[TweetMsg] = List(t1, t2 ,t3)
tweetList
}
val tweets = createTweetList
for (tw <- tweets) {
println(tw.msg)
}
The last three lines contain the code to loop over all the tweet objects of the list that we created previously. It’s really just the for keyword, plus a so-called generator expression, that “pushes” the collections’s elements with the ‘<-’ arrow into a temporary value (called tw in our example), that can be used within the loop’s body (that is, within the curly braces) to do something with it (we just printed the message part).
This first example, strictly speaking, is just a for loop, not really a for comprehension yet. To write a real comprehension, we’ll need the yield keyword.
A real for-comprehension
In the previous example we looped over a list and printed something, based on each element of the list.
Now we’ll write a single line of code where we transform the incoming list of TweetMsg objects into a new list of String objects by selecting only the message part from the tweets.
val strMsgs = for (tw <- tweets) yield tw.msg
Simple, huh? :)
One big advantage of this approach (transforming the data instead of doing some “side effects”, like printing) is that we stay close to the functional programming paradgim, and this can have nice benefits in many cases.
Advanced features
Filtering
In the next example we go one step further: we filter the resulting String list to only contain messages that include the word “scala”. We can do this with the so-called guards, that are simply booelan expressions, added to the for comprehension like here:
val filteredMessageList = for {
tw <- tweets
if tw.msg.contains("scala")
} yield tw.msg
There is another change from the previous example, as you might have noticed. We use curly braces here to enclose the generator part of the structure. The Scala style guide recommends to use simple parentheses when you have only one generator (or when you don’t yield anything), and curly braces, plus having multiple lines for readability in cases of using more generators and guards.
Looping over more collections
Instead of ugly nested loops, Scala’s for comprehensions allow us to process elements from more than one collection simply by adding more generator expressions to the for (before the guard(s)).
For example, let’s say that we have a list of words (Strings in a list called words) and we want to filter our long list of tweets (called tweets) so that only those tweet messages remain that include any of the pre-defined words:
for {
tw <- tweets
word <- words
if tw.msg.contains(word)
} yield tw
Summary and other sources
The nice thing about Scala’s for comprehension is that you don’t need to understand all the details (you don’t have to know what the for is being transformed to under the hood; btw. it’s a series of map, flatMap and filter calls) to efficiently use the power of it.
Code examples are available here.


[OgreKit Lua] |
Methods
Create or get an instance of the engine.
Initialize the engine.
Run the engine loop.
Sends an exit signal.
Connects an event listener.
| type | EngineEvents as the event to listen to. |
| func | Global callback function. |
Overload:
| type | EngineEvents as the event to listen to. |
| table | Pointer to a Lua table object, ie; self |
| function | Pointer to a Lua function, method of self. |
Returns the active scene in the .blend
| name | Path to the blend file. |
Unload the .blend file and scene.
| name | Path to the blend file. |
Unload all .blend files and scenes.
Returns the currently loaded scene.
Returns the user defined options class.
Save a time stamped screenshot file.
| filenamePrefix | Prefix of the screenshot file name. |
| filenameSuffix | Suffix of the screenshot file name with file extention. (ex, '.png') |


Ideas
Oracles and Bicycles
There’s a very qualitative distinction between agents that are “oracles” and tools that are “bicycles”. Bicycles expand the range of what a human can do; oracles do something that a human tells them to do. Oracles receive a command, go do something else somewhere else, and maybe come back and return a result. Bicycles integrate into our own selves. But oracles are their own “thing”, a independent entity, and a foreigner that has to be communicated with.
Notes on Computation
“Computation” is a slippery, mathematical idea. In the same way that we only glimpse algorithmic complexity by the shadows it casts on time and space, we only interact with computation through little projections like “Turing machines” or “Python scripts” that are just tiny peepholes into the raw, fluid information-space beyond.


| Engine Type | Liquid-cooled 4-stroke in-line 4-cylinder engine, four valves per cylinder, double overhead camshafts |
|---|---|
| Bore x stroke | 80 mm x 49.7 mm |
| Capacity | 999 ccm |
| Rated output | 199 hp (146 kW) at 13,500 rpm |
| Max. torque | 83 lb-ft (113 Nm) at 10,500 rpm |
| Compression ratio | 13.0:1 |
| Mixture control / engine management | Electronic fuel injection with ride-by-wire throttle system and knock sensor |
| Emission control | Closed-loop 3-way catalytic converters, EU-4 norm with electronically controlled interference pipe |
| Length | 80.8" (2,050 mm) |
|---|---|
| Width (incl. mirrors) | 32.5" (826 mm) |
| Height (excl. mirrors) | 44.9" (1,140 mm) |
| Seat height, unladen weight | 32.1" (815 mm) Standard; comfort seat 33.5" (850 mm) (available as accessories, see an authorized BMW Motorrad dealer) |
| Inner leg curve, unladen weight | 71.1" (1,805 mm) Standard; comfort seat 73.4" (1,865 mm) (available as accessories, see an authorized BMW Motorrad dealer) |
| Unladen weight, road ready, fully fueled | 459 lbs (208 kg) |
| Permitted total weight | 895 lbs (407 kg) |
| Payload (with standard equipment) | 439 lbs (199 kg) |
| Usable tank volume | 4.6 gal (17.5 l) |
| Reserve | Approx. 1 gal (4 l) |
| Frame Type | Aluminum bridge-type frame with load-bearing engine |
|---|---|
| Front wheel location / suspension | Upside-down telescopic fork Ø 46 mm, compression and rebound stage adjustable, adjustable preload |
| Rear wheel location / suspension | Aluminum 2-sided swing arm, compression and rebound damping adjustable, adjustable preload |
| Suspension travel front / rear | 4.7" / 4.7" (120 mm / 120 mm) |
| Wheelbase | 56.6" (1,438 mm) |
| Castor | 3.9" (96.5 mm) |
| Steering head angle | 66.5° |
| Wheels | Aluminum cast wheels |
| Rim, front | 3.50 x 17" |
| Rim, rear | 6.00 x 17" |
| Tires, front | 120/70 ZR 17 |
| Tires, rear | 190/55 ZR 17 |
| Brake, front | Dual floating disc brakes, 4-piston fixed calipers, diameter 320 mm |
| Brake, rear | Single disc brake, diameter 220 mm, single piston floating caliper |
| ABS | BMW Motorrad Race ABS (part-integral, can be switched off) |


{@boolean renderSection1=true} {#include Common/insightsEmailBody} {#content-title} Cost Management - OpenShift {/content-title} {#content-title-section1} Cost model update {/content-title-section1} {#content-body-section1}
Cost model {action.context.cost_model_name} has been updated.
To review changes visits: {action.context.cost_model_name}
{/content-body-section1} {/include}


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Test case for bug 2528245.
Clicking on the text box when the Button's Menu is open should result in the Menu closing, the Button blurring and the text box being focused and becoming the activeElement. After mousing down on the text box, it should have a black outline and should fire key events.


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Ethiopian soldiers deployed to curb varsity violence in Oromia, Amhara
Members of the Ethiopian National Defence Force, ENDF, have been deployed in two regions where deadly violence has led to loss of lives on university campuses.
The BBC’s Horn of Africa reporter, Bekele Atoma Boru; reported that soldiers had been deployed in Oromia and Amhara regional states.
Earlier this week, Prime Minister Abiy Ahmed tweeted about the need for students to stay away from being used as forces of devision and separatism. His reaction was in response to deadly violence at the Woldiya University in Amhara.
Two students of Oromo ethnicity were killed in the violence whiles twelve others sustained injuries.
The privately-owned Addis Standard portal also reported on Wednesday that a third student had died in Dembi Dolo university located in Oromia region
as a result of violence.
The portal also lists a number of instances that has disrupted teaching and learning in universities and in some instances forced students to flee their campuses and seek shelter elsewhere.


build method Null safety
- BuildContext context
Describes the part of the user interface represented by this widget.
The framework calls this method when this widget is inserted into the tree in a given BuildContext and when the dependencies of this widget change (e.g., an InheritedWidget referenced by this widget changes). This method can potentially be called in every frame and should not have any side effects beyond building a widget.
The framework replaces the subtree below this widget with the widget returned by this method, either by updating the existing subtree or by removing the subtree and inflating a new subtree, depending on whether the widget returned by this method can update the root of the existing subtree, as determined by calling Widget.canUpdate.
Typically implementations return a newly created constellation of widgets that are configured with information from this widget's constructor and from the given BuildContext.
The given BuildContext contains information about the location in the tree at which this widget is being built. For example, the context provides the set of inherited widgets for this location in the tree. A given widget might be built with multiple different BuildContext arguments over time if the widget is moved around the tree or if the widget is inserted into the tree in multiple places at once.
The implementation of this method must only depend on:
- the fields of the widget, which themselves must not change over time, and
- any ambient state obtained from the
context
using BuildContext.dependOnInheritedWidgetOfExactType.
If a widget's build method is to depend on anything else, use a StatefulWidget instead.
See also:
- StatelessWidget, which contains the discussion on performance considerations.
Implementation
@override
Widget build(BuildContext context) {
Map<String, dynamic> creationParams = <String, dynamic>{
'autoLocateAfterInit': autoLocateAfterInit,
'mapType': mapType.name,
'mapLanguage': mapLanguage.name,
'locationType': locationType.name,
'locationInterval': locationInterval,
'showTraffic': showTraffic,
'showBuildings': showBuildings,
'showMapText': showMapText,
'showZoomControl': showZoomControl,
'showCompass': showCompass,
'showLocationButton': showLocationButton,
'showScaleControl': showScaleControl,
'showIndoorMap': showIndoorMap,
'showIndoorMapControl': showIndoorMapControl,
'allGestureEnable': allGestureEnable,
'zoomGestureEnable': zoomGestureEnable,
'rotateGestureEnable': rotateGestureEnable,
'scrollGestureEnable': scrollGestureEnable,
'tiltGestureEnable': tiltGestureEnable,
'isGestureScaleByMapCenter': isGestureScaleByMapCenter,
'zoomPosition': zoomPosition.name,
'logoPosition': logoPosition.name,
'logoMargin': logoMargin?.toJson(),
'compassMargin': compassMargin?.toJson(),
'scaleMargin': scaleMargin?.toJson(),
'initialZoomLevel': initialZoomLevel,
'maxZoomLevel': maxZoomLevel,
'minZoomLevel': minZoomLevel,
'customMapStyleId': customMapStyleId,
'defaultCameraPosition': defaultCameraPosition?.toJson(),
'androidBound': androidBound?.map((e) => e.toJson()).toList(),
'iOSBound': iOSBound?.toJson(),
};
switch (defaultTargetPlatform) {
case TargetPlatform.android:
return AndroidView(
viewType: viewType,
creationParams: creationParams,
creationParamsCodec: StandardMessageCodec(),
);
case TargetPlatform.iOS:
return UiKitView(
viewType: viewType,
creationParams: creationParams,
creationParamsCodec: StandardMessageCodec(),
);
case TargetPlatform.fuchsia:
throw UnsupportedError('Unsupported Fuchsia');
case TargetPlatform.linux:
throw UnsupportedError('Unsupported Linux');
case TargetPlatform.macOS:
throw UnsupportedError('Unsupported MacOS');
case TargetPlatform.windows:
throw UnsupportedError('Unsupported Windows');
}
}


vclLayoutHorizontal
vclLayoutHorizontal
vclLayoutVertical
vclLayoutHorizontal
vclLayoutHorizontal
vclLayoutHorizontal vclLayoutCenter
vclLayoutHorizontal vclLayoutStart
vclLayoutHorizontal vclLayoutEnd
vclLayoutHorizontal vclLayoutStartJustified
vclLayoutHorizontal vclLayoutCenterJustified
vclLayoutHorizontal vclLayoutEndJustified
vclLayoutHorizontal vclLayoutJustified
vclLayoutHorizontal vclLayoutAroundJustified
vclLayoutHorizontal vclLayoutEvenlyJustified
vclLayoutHorizontal
vclLayoutSelfStart
vclLayoutSelfCenter
vclLayoutSelfEnd
vclLayoutSelfStretch
vclLayoutHorizontal vclLayoutWrap
vclLayoutHorizontal vclLayoutReverse
vclLayoutHorizontal
vclLayoutHorizontal