IndiaFirst Life Insurance partners with Spice Money for ‘Insurance Khata’ product
by K.R.SrivatsIndiaFirst Life Insurance has entered into a strategic and technical partnership with Spice Money, a tech-led financial services provider, for distribution and marketing of ‘insurance khata’ through the latter’s platform, which has nearly three lakh customer service points, mainly in semi-urban and rural India.
‘Insurance Khata’ is basically a micro-insurance plan targeted at the informal sector and agricultural labourers with seasonal incomes. It is a product that will enable a customer to create and increase protection cover while also having certain amount of return of premium. It enables consumers to actually putting the money when they have it rather than committing to premium payments when they don’t have committed flow of income
Speaking to BusinessLine on the tie-up, RM Vishakha, Managing Director & CEO, IndiaFirst Life said “We are tying up with Spice Money to offer Khata products to their customer segments. This is just a starting point. Once we iron out operational issues, we will see what more we can do with Spice Money as our technical partner. With sandbox regulations that IRDAI has rolled out, we will be able to pilot more products and solutions together with the technical partner”.
Dilip Modi, Chairman, Spice Money said that Khata is a concept that Spice Money’s 40 million customer base easily connect with.
“We make it frictionless for them and that is what excites them and us. We have been looking out for partners in the micro financial services space and our discussions with Vishakha and team got us to a product that we were looking for—micro insurance Khata product that provides lot of flexibility. We were looking for a fit and found one in IndiaFirst. We believe that through the network we will be able to grow the penetration of insurance into semi-urban and rural India. We are looking forward to work closely to deepen IndiaFirst product reach in semi-urban and rural India”, he said.
Modi also said that going forward Spice Money would like to have a corporate agency licence from IRDAI and has applied for the same. In the current arrangement with IndiaFirst, Spice Money’s distributors will work as Point of Sale agents for distribution and payment collection for ‘insurance khata’.
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public interface ClipRable extends Filter
| Modifier and Type | Method and Description |
|---|---|
java.awt.Shape |
getClipPath()
Returns the Shape that the Clip will use to
define the clip path.
|
Filter |
getSource()
This returns the current image being clipped by the clip node.
|
boolean |
getUseAntialiasedClip()
Resturns true if the default behaviour should be to use
anti-aliased clipping.
|
void |
setClipPath(java.awt.Shape clipPath)
Set the clip path to use.
|
void |
setSource(Filter src)
The source to be clipped by the outline of the clip node.
|
void |
setUseAntialiasedClip(boolean useAA)
Set the default behaviour of anti-aliased clipping.
|
getBounds2D, getDependencyRegion, getDirtyRegion, getTimeStamp
void setUseAntialiasedClip(boolean useAA)
boolean getUseAntialiasedClip()
void setSource(Filter src)
src
- The Image to be clipped.Filter getSource()
void setClipPath(java.awt.Shape clipPath)
clipPath
- The clip path to usejava.awt.Shape getClipPath()
Copyright © 2022 Apache Software Foundation. All Rights Reserved.


Canada is one the most popular tourist destinations in the world. There are many attractions for Canada visitors and kids will love to explore the amazing nature and wildlife.
Families can go on great canoe trips in the national parks or enjoy skiing and snowboarding and other winter fun activities in the mountains. Big cities such as Toronto, Quebec and Vancouver have lots to offer to families travelling with kids with stunning museums and wonderful city parks for great outdoor activities such as cycling, climbing, sledging or iceskating.


--- layout: post authors: ["Greg Wilson"] title: "Why We Can't Have Nice Things" date: 2015-06-11 time: "13:00:00" tags: ["Opinion"] ---
In the beginning, there were tables: rows upon rows, with columns separated by commas or tabs or something more exotic. They were elegant but limited, so programmers said, "Let there be XML!" And lo, there came a great wailing and gnashing of teeth, for who among us can truly comprehend external (parsed) general entity declarations and the encoding thereof?
But there came to programmers a new hope called JSON, and JSON said, "Look, folks, why don't you just write data the way you write data structures in programs?" And programmers looked upon JSON, with its lists of numbers and strings and name/value pairs, and said, "Cool! But what about comments? And do I really have to quote all those strings?" And so programmers turned to YAML, which permits the commenting of data, and the unquoting of strings, and much else that is good and welcome to those who believe that if you couldn't have done it in a line-editor in 1970, you shouldn't be doing it today.
But a darkness lurked within the heart of YAML, for in striving to make life easy for its users, it had left a slippery puddle of grease before the very gates of Hell. In place of JSON's parentheses and quotes:
{"instructors": ["Canada", "Denmark", "France"], "workshops": ["Brazil", "Norway", "Poland"]}
YAML, ever gracious, allowed programmers to write:
instructors: - Canada - Denmark - France workshops: - Brazil - Norway - Poland
And programmers looked upon it and said it was good, for who truly likes typing the brace that is curly? But then one programmer said, "Cool! Although we really should use ISO-3166 country codes instead of countries' names, because standards and internationalization." And upon saying that, he re-wrote the data as:
instructors: - ca - de - fr workshops: - br - no - pl
But upon this change there came great puzzlement, because this configuration file was used to select flag icons to display upon a map, and among those flags were many countries, but not Norway. And after much scratching of heads and googling of terms, it was discovered that YAML interprets the unquoted word 'no' as meaning 'false'. Upon learning which, the programmer blasphemed mightily and at great length, repeating also, "Seriously? Seriously??"
For inasmuch as it may be convenient for some to allow plain English synonyms for truth and falsity, each such accommodation is a trap from which the unwary will emerge wearied and cynical, if they emerge at all. And all programmers know this, having had their own spirits widdled upon by the inconsistencies of others as a senile old poodle does widdle upon its owner's leg, mistaking it (or not) for a fire hydrant. All programmers know this, but persist in committing these same sins themselves.
And this is why we cannot have nice things...


Welcome to our latest installment of technical blog posts! So the question was posed to me: what is the difference between a functional programming and a object oriented programming language? This one was a bit of a toughie for me, so I did some research (thanks Wikipedia!) and talked to some people (Thanks Matt!) and this is what I've come up with. Let's first look at Functional Programming.
If I were to think of the most basic description of functional paradigm, it would be a programming language that takes basic, primitive data (such as String or Integer data), performs a function on those data, and returns modified primitive data. These languages rely on evaluating some fixed input and then providing an output. One of the most accessible examples that I can think of is a spreadsheet software package, like Microsoft Excel.
In Excel, we can have a number of cells that contain different types of primitive data. In order to manipulate those data in an abstract format, we can use a form of functional programming to perform "in-cell operations/functions", which basically let us reference the contents of any given cell/cells, write a function that performs any number of operations, and then display the output of that operation in the new cell. If you are having difficulty imagining what this means, look at the image below:
As the picture above shows, in cell B4, Excel is taking input from cells B2 and B3, evaluating each, and then summing them together. After we submit the function to Excel (click enter), Excel will display a new Integer data type (the Integer, 3) in cell B4. It's as simple as that!
A frequent hallmark of functional programming is how functions are nested within each other. This can be seen and exploited in the Excel software package ad infinitum, but let's look at a simple basic example of what it might look like.
As we see in this example, Excel evaluates each nested function and then uses the functions' outputs to evaluate the next function, finally returning some primitive data output to cell B4. If we want to pick this apart with a play by play, we could describe the process as Excel:
So, that's all well and good. What's the story with Object Oriented Design? How is it different? This conversation really piggy-backs off of ideas regarding classes and objects discussed in last week's blog post.
In Object Oriented programming languages, everything is an object which are built using classes. If we think about the similar examples those we just discussed using Excel, we can also write a program (or simply display to the console) the result of 1 + 2. Using Ruby, let's store each Integer in a variable and then run the operation:
What's interesting about this little bit of code (and here's where the big difference between the two programming paradigms comes into effect) is that while the variables containing the values 1 and 2 represent a primitive data type, they're actually objects that are members of the Integer Ruby class. This means that, as members of that class, they know additional information about the information they contain and also have built in methods that can be called to manipulate their content. This could, for example, be the number of character spaces that the primitive data they hold takes up or whether the Integer that they are holding is an even or odd Integer.
And this, dear friends, is where we draw the ultimate distinction between the paradigms: while functional programming can also tell you whether an Integer is even or odd, that information would not be stored anywhere. If you wanted to find out whether an Integer is even or odd when programming in a functional language, you would have to provide a certain function with an Integer input, it would evaluate the input, and then it would return a true or false statement based on the output. There is no way that the information automatically stored in the primitive data. In contrast, Ruby objects (as well as objects in other languages) store, or at the very least are capable of storing using a method like #instance_variable_set, those attributes within themselves.
As Steve Jobs said, "[Objects] have knowledge inside them about how to do things and have memory inside them so they can remember things. And rather than interacting with them at a very low level, you interact with them at a very high level of abstraction...They encapsulate complexity, and the interfaces to that complexity are high level."


|
My Project
|
#include <km.h>
Public Member Functions | |
| void | tidy () |
| void | flag () |
| void | diff (mQuotingParams &prev) |
| void | equal (mQuotingParams &prev) |
|
inline |
|
inline |
| mAutoPositionMode autoPositionMode = mAutoPositionMode::EWMA_LS |
| mFairValueModel fvModel = mFairValueModel::BBO |
| mQuotingMode mode = mQuotingMode::Top |
| mPingAt pingAt = mPingAt::BothSides |
| mPongAt pongAt = mPongAt::ShortPingFair |
| mPDivMode positionDivergenceMode = mPDivMode::Manual |
| mSTDEV quotingStdevProtection = mSTDEV::Off |
| mQuotingSafety safety = mQuotingSafety::Boomerang |


{% extends "site_base.html" %} {% load i18n %} {% load waitinglist_tags %} {% block head_title %}{% trans "Welcome" %}{% endblock %} {% block body_class %}home{% endblock %} {% block body %}
{% blocktrans %} Pinax is a Django project intended to provide a starting point for websites. By integrating numerous reusable Django apps to take care of the things that many sites have in common, it lets you focus on what makes your site different. {% endblocktrans %}
{% blocktrans %} For more information about Pinax, see http://pinaxproject.com/. {% endblocktrans %}
{% blocktrans %} This project demonstrates the use of a waiting list and signup codes for sites in private beta. Otherwise it is the same as basic_project. {% endblocktrans %}
We are currently in active development. If you would like to receive a beta code for this please give us your e-mail address below
- or -
You can use a sign-up code to sign-up with the site right now.
{% endblock %}


Hello, I'm Ahmed Beheiry
Front-End Developer
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Distinctio, aliquid minima voluptatem saepe.
Lorem ipsum dolor sit amet, consectetur adipisicing elit. Inventore odit ipsam expedita dolorem.
Distinctio, aliquid minima voluptatem saepe.
Synergistically implement end-to-end vortals after top-line meta-services. Completely productivate enterprise bandwidth rather.
compelling channels whereas user-centric e-services. Phosfluorescently productivate.
Proactively integrate front-end infomediaries before cooperative leadership skills. Progressively repurpose value-added leadership skills with interactive leadership. Progressively.
Continually extend sustainable e-commerce before reliable metrics. Efficiently expedite low-risk high-yield catalysts for change via error-free value.
Phosfluorescently syndicate progressive content without principle-centered content. Seamlessly restore leading-edge web services via cooperative technology. Authoritatively maximize.
Conveniently scale market-driven schemas before dynamic action items. Quickly visualize real-time niche markets vis-a-vis future-proof infomediaries. Progressively.
Monotonectally procrastinate backend interfaces vis-a-vis bricks-and-clicks action items.
Collaboratively procrastinate interactive platforms via world-class customer service. Uniquely optimize ethical partnerships rather than functional niches. Synergistically predominate distributed functionalities with exceptional ROI. Continually.
disintermediate multimedia based e-markets whereas interoperable value.
Ahmed_beheiry@yahoo.com


REVIEW BY ALEX IOSHPE © 2001
------------------------------- Written and Directed by Steven Spielberg Produced by Stanley Kubrick, Kathleen Kennedy, Bonnie Curtis Starring: Haley Joel Osmont, Jude Law, Frances O'Connor, William Hurt
Rated PG-13 for some sexual content and violent images -------------------------------
RATING: 10/10
"Artificial Intelligence" is one of the most anticipated and awaited movies of the year -- a project that Steven Spileberg and Stanley Kubrick have talked about for years - polished and developed for a decade, a project they wanted to make together. When Kubrick died in 1999, Spielberg decided to continue on his own. And in a way creating a memorial, a loving tribute, a celebration of his friend, which will remain in the endless ocean of motion pictures for ever.
Rumors and expectations haunted its production. Spielberg's and Kubrick's directorial styles were so different and their visions so diverse that a collaboration between the two seemed preposterous. At the same time the expectations were tremendous, the skepticism enormous and the result is truly the most wonderful surprise of the year. Many have already written about this film, that is only pretending to be intelligent, while in reality it's artificial, pointing on the rapidly sinking numbers at the box-office as proof of that. Wrong! Infact the split in the public opinions and reviews is the first sign of originality and a unique vision - the very quality that all Kubrick-films possessed. This a bold film that isn't looking to please the popcorn-audience, expecting light, brainless entertainment. This is not "Jurassic Park 3" and this is not "Fast and Furious". This is a work of art, a clash of Titans, a collaboration between the greatest film directors of our time, a combination of Kubrick's cold, razor-sharp intelligence and Spielberg's warmth, hope and innocence, which makes "A.I." a unique and fascinating tour-de-force that is unlike anything you have seen and will see in the future.
The story is as complex as it is imaginative and original. It begins with a haunting prologue that transports us into a new and unknown world of the future. The poles have melted, leaving many cities under the raging billows of the ocean. The recourses are low and everything is rationed -- including children, because of an increasingly threatening overpopulation. It is in this dark world, where the more "correct" robots are taking over human jobs and where parents are struggling for children-licensees, that professor Allen Hobby (the Gepetto and Dr. Frankenstein in the story) proposes to build a robot-child that will love the many childless couples. Twenty months later Monica (Frances O'Connor) and Henry (Sam Robarts) (whose only son, Martin (Jake Thomas), lies frozen in a coma) receive David - the first "mecha" capable to love and dream. At first Monica is repelled by David (Haley Joel Osmont). Mr. Osment uses his wide blue eyes and ingratiating smile to suggest the uncanny creepiness of a living doll, and the film plays cleverly with the monstrous implications of its conceit. The fantasy that humans' replicas of themselves will come to life is more often than not - in the medieval legend of the golem, in Mary Shelley's "Frankenstein" - a source of terror and anxiety. Fear is the underside of enchantment, and the spell of wonder "A.I." casts is tinged with dread. This is the beginning of the first act. This spooky mood only deepens when Monica activates David's imprinting function, that will make him love her unconditionally and eternally. His absolute and unwavering adoration is both heart-rending and chilling (the way Osmont utters the word "mommy" is one of the most powerful and controversial moments in the film). But is it true love or is it the program? Is he real or is he not? The eternal questions that Monica is constantly asking herself, unable to solve them. But then, by a strange twist of fate, Martin wakes up and comes home. David is gradually forgotten as the return of the "real" son excites the parents, and though Monika tries to offer equal attention, it's obvious where her true feelings lie. Martin is cruel and provocative, constantly taking advantage of David, who only wants Monika to love him. Things start happening to David as he tries to compete for love, tries to fit in, to be real, to be human, but he can't. Henry becomes worried and even afraid of David, saying that "If David was programmed to love, why not assume that he knows how to hate". David reads "Pinocchio" and thinks that somewhere out there there's a "Blue Fairy" that can transform him into a real boy. Suddenly the mood shifts abruptly - and the picture becomes dreamier, funnier and intellectually riskier - when David is abandoned, along with his cybernetic teddy bear (with the voice of Jack Angel), in a dark forest. The dark, delirious second hour is a neon-lit nightmare odyssey in which the boy and his new friend, Gigolo Joe (Jude Law) - a sex-slave mecha, programmed to pleasure women-must fight for survival in a world full of robot-hating humans. While David represents Spielberg's warmth, love and passion, Gigolo Joe (the Fox in this story) is clearly a character from Kubrick's cold, "motherless" world of decay and dehumanization. And like Spielberg and Kubrick, David and Joe too hold hands and help each other on their risky and unknown quest. Obsessed with the Pinocchio fable, David is convinced that he can be magically transformed into a real boy, and that once he is, he'll regain the love of his lost mother.
The wonderfully complex screenplay, which is Spielberg's first since "Close Encounters of the Third Kind" (1977) is an ingeniously crafted web of twists, turns and parallels to children's stories and fairytales with nightmarish, frightening undercurrents. It becomes an odyssey for humanity, a "Wizard of Oz"-quest of finally coming home, a "Pinocchio"-fable of becoming a real boy. The tragedy is of course that we know that David will never find his Blue Fairy, that he will never become a real boy, but he does not.
Mirroring "Pinocchio" in form, "A.I." (like all Kubrick-films) poses grand questions and wrestles with problems of eternity: What does it mean to be human? What makes us human? If a machine thinks like us, looks like us and feels like us, would we care if it's not "real"? Would we accept it? Is it possible to become human? Where can we draw the line between programmed emotions and thoughts and the real ones? Or perhaps in an inhuman world, David is the only true human? At the same time "A.I." displays the incredible responsibility that we have for our creations. This film has enough in it to start a never ending debate, to fill countless volumes. It is also incredibly risky, since Spielberg expects us to invest our emotions into a machine. And in a way the audience is part of a very interesting experiment -- expected to answer the very question that is the core of this picture: If a machine can love, can we love it in return?
There are not many directors alive that can create a "Kubrick-feeling", which is absolutely unique. There are some that can copy it, but no one can actually make it real, make it genuine. Spielberg can. "A.I." bears the mark of true greatness and portraying sides that we didn't imagine Spielberg possessed. With this film he enters a completely new and unfamiliar territory that will probably forever change the way we look at him. Visually and in terms of atmosphere and pace - it's all Kubrick. The cinematography, the dolly-shots, the careful editing, but Spielberg's warmth and humanity shines clearly through this icy surface. In a way "A.I." is an incredible film that combines the very best elements of the two greatest directors of all time. The cool intelligence, darkness of human nature and the hope about a better world. Earth is a dark, unfriendly place, reflecting Kubrick's cynical disbelief in the future. And like all Kubrick-films it's completely unpredictable, filled with reverting story-turns and character surprises. The atmosphere echoes Kubrick - mysterious and spooky, an obsessive tuning that hypnotizes you and though it's difficult to watch at times, you can't move. "A.I." is immensely complex and presents an entire web of moral dilemmas, and there are moments where story doesn't entirely compute at times, but even those moments shine with greatness. At times it's creepy, even frightening, as if come from "The Shining". There are moments of wonder of the unknown that can be found in "2001", a murky, dehumanized world from "A Clockwork Orange" and the warmth and heart that rings of "E.T." and "Close Encounters of the Third Kind". Nightmares and dreams, shadows and light, intelligence and heartfelt emotions - "A.I." has it all! It is haunting and surreal, moving and beautiful.
The technical side of it is beyond any praise. It seems that Spielberg's well known crew has pushed the limits in creating a loving memory of Stanley Kubrick - a legacy, if you will, of love. "A.I." features some of the greatest special effects since "Jurassic Park" and a visual perfection that only Kubrick could boast of. Rick Carter's beautiful art direction, somehow reminiscent of "A Clockwork Orange" and "2001", Janusz Kaminski's incredible cinematography, which cleverly adapts Kubrick's visual style with backlighting, bright whites and the curiously evocative visible beams of flashlights, Michael Kahn's dreamy editing, and of course John Williams' beautiful and strangely distant and modernistic score that is more subtle and eerie than anything he has ever done before. Spielberg (following Kubrick) forms the dialogues and the acting to fit and underscore the atmosphere, rather than to propel the story forward, which is something that lets you truly sink into this strange and alien world. It's when all those elements are combined when you get the powerful effect that "A.I." inflicts.
And of course Haley Joel Osmont - an actor in the true sense of the word and an artist of his craft that is already above some Hollywood-veterans. At age 12, he is here expected not only to carry an entire film on his shoulders, but to explore into the darkest, nastiest depths of human condition. He is sensational. His evolution from a machine to a "boy", who we truly can love is so graceful, so elegant and so real, that it would take more than an Oscar-nomination to honor it. Of course he has an impressive supporting cast. Jude Law is wonderful - looking and acting like a "ladies' dream", he sprays enough color and zest into his character to dazzle us, walking on a very thin line between funny and creepy. William Hurt is truly at his place in one of his best roles since "Broadcast News" (1987). Frances O'Connor is also interesting as Monica - David's "mother", who plays in the same vein as most of Kubrick's female characters, which are hysterical, insecure, but good-hearted and loving (Shelley Duvall's Wendy in "The Shining" is the perfect example). Spielberg brings also back his longtime friends like Ben Kingsley, Robin Williams and Meryl Streep as voices behind the screen.
The third act is dark, terrifying and tragic, with no apparent hope for the future, which is probably where Kubrick would have cut his production. But in doing so he would have missed a beautiful and slightly ironic ending that is Spielberg through and through, which truly adds a new dimension to the movie. He would have missed that compassion and the love, and humanity - the heart, which Spielberg always had and which is truly what makes us human. Spielberg is the golden glow at the end of Kubrick's dark, icy, nightmarish tunnel. It's beautiful, provoking, frustrating, exhilarating, magical, dark, mesmerizing, mysterious... I can't wait to see it again!
========== X-RAMR-ID: 29752 X-Language: en X-RT-ReviewID: 254029 X-RT-TitleID: 1108184 X-RT-AuthorID: 201 X-RT-RatingText: 10/10
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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Related links: index of all rec.arts.movies.reviews reviews


This package was debianized by Christopher L Cheney on
Fri, 22 Aug 2003 01:33:34 -0500.
The current maintainer is Roland Stigge
It was downloaded from http://www.ece.uvic.ca/~mdadams/jasper/
Upstream Author: Michael Adams
License:
JasPer License Version 2.0
Copyright (c) 1999-2000 Image Power, Inc.
Copyright (c) 1999-2000 The University of British Columbia
Copyright (c) 2001-2003 Michael David Adams
All rights reserved.
Permission is hereby granted, free of charge, to any person (the
"User") obtaining a copy of this software and associated documentation
files (the "Software"), to deal in the Software without restriction,
including without limitation the rights to use, copy, modify, merge,
publish, distribute, and/or sell copies of the Software, and to permit
persons to whom the Software is furnished to do so, subject to the
following conditions:
1. The above copyright notices and this permission notice (which
includes the disclaimer below) shall be included in all copies or
substantial portions of the Software.
2. The name of a copyright holder shall not be used to endorse or
promote products derived from the Software without specific prior
written permission.
THIS DISCLAIMER OF WARRANTY CONSTITUTES AN ESSENTIAL PART OF THIS
LICENSE. NO USE OF THE SOFTWARE IS AUTHORIZED HEREUNDER EXCEPT UNDER
THIS DISCLAIMER.  IN NO
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INDIRECT OR CONSEQUENTIAL DAMAGES, OR ANY DAMAGES WHATSOEVER RESULTING
FROM LOSS OF USE, DATA OR PROFITS, WHETHER IN AN ACTION OF CONTRACT,
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--- layout: default title: CSP'17 - Conference Program meta: The conference program will allow you to plan out how to best utilize your time at CSP. ---
The Conference Program for the 2nd International Conference on Combustion Science and Processes (CSP'17) is now available! Please follow the link below to access the program:


She (1935)
Victorian-era British writer H. Rider Haggard wrote two adventure books that have been adapted to films ever since. These stories are "King Solomon's Mines" and "She". While the former is probably more famous, the latter has seen the most film versions.
During the silent era alone, six versions were produced. The first is an 1899 short from France. Versions followed in 1908, 1911, 1916, and 1917. The first feature adaptation came in 1925. Much later, Ursula Andress starred in a 1965 adaptation, which along with a 1985 version got dreadful reviews.
Probably the best telling of She is the Merian C. Cooper production from 1935. Fresh from his success with King Kong, Cooper lavished She with impressive, expensive sets, an enormous cast of extras in costumes, and elaborate choreography.
As was the case for King Kong, the production values make the film good despite a campy, almost laughable script. Although She lacks the lurid thrills of King Kong, the script is a little better, and the cast is much better.
The story begins with John Vincey (Samuel S. Hinds) suffering from radium poisoning. A scientist, he has spent his life trying to develop an element that brings eternal life. His assistant is Holly (Nigel Bruce). Now dying, Vincey sends for his dashing son, Leo (Randolph Scott). He implores him to travel to a remote, frozen wasteland in China, where this element may exist.
Leo goes, taking the unflappable, know-it-all Holly with him. Along the way, they encounter a beautiful, orphaned young woman named Tanya (Helen Mack). The three stumble upon a hidden, underground palace, where She (Helen Gahagan) rules ruthlessly as a queen. Billali (Gustav von Seyffertitz) is her devoted second in command.
She is an ageless woman who is many centuries old. She once bathed in a strange, unique flame, which gave her eternal youth. She takes an immediate liking to Leo. But Leo already (and predictably) has something going with Tanya, making She murderously jealous.
She is very entertaining. The sets and choreography are first rate. The hokey, dramatic script and direction provides much unintentional comic relief. Somehow, this adds to the film's quality. While Gahagan is a bit hammy, Mack, Bruce and von Seyffertitz are very good.
She marks the only film appearance of stage actress Helen Gahagan, in the starring role. Gahagan would later marry actor Melyvn Douglas, and eventually was elected to several terms in the U.S. Congress. She ran for the U.S. Senate, but was defeated in 1948 by future president Richard Nixon. Nixon called her "The Pink Lady" during the campaign, because she was supposedly soft on communism. (73/100)
<EMAIL_ADDRESS>http://elvisfan.simplenet.com/movies/movies.html http://www.epinions.com/user-briankoller
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


WSoC2101: Backend
Glad to see you getting a step ahead towards testing your technical skills here, definitely you got something!
Here, you need to follow the tasks starting from easier to tougher at each level and marked accordingly as per their level.
Each task contains a heading of the task and a small description of the same. Here, you although won't be judged upon your creativity i.e. the look of the webpage, but the better it displays itself, the better you'll be marked.
Also, here the tasks contain a small description of what we are asking for, but you can get as deep as you want (Please don't get beyond human level :P), and the better you get, better the score you may expect.
Note: 1.) Please don't try to copy or plagiarize, if found so, you will straight away be out of our choices.
2.) Create a new django application and add in the required html files and other stuff. You can checkout django documentation on how to create a new django application.
Follow: This link
Thank you,
Happy Coding! and All the best.


AMAZING PEOPLE ARE MAKING DESIGNS IN A FUN ENVIRONMENT
When you work with us you are part of a team of committed collaborators.All aspects of our software development process are integrated,interactive
and agile.
Our approach unifies design,development and product management to create exceptional products.
We start each project by understanding your business goals, the user's needs and the product requirements.
Then we help translate them into effective and elegant solutions.
Before we sign a contract or write a line of code our team spend the necessary time needed to understand your product vision.
The outcome pf this scoping session is proposal or high-level statement of work.
Based on your requirements, we can provide a complete offering or just the pieces you need.
Our design practice offers a full range of services
including brand strategy, interaction and visual design
and user experience.
Throughout your project,our designers create and
implement visual design and workflows,solicit user
feedback and work with you to make sure what gets built
is what is needed.
All engineers are fluent in the latest enterprise,mobile
and web development technologies.
They collaborate with your team to write, and improve
code on a daily basis,using proven practices such astest-driven development and pair programming.
Planning and development is iterative.Because we are
constantly coding anf testing,the products we build are
always ready to go live
The iterative process allows for changes as business
requirements evolve.


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Lesson Objectives
The objectives for this lesson are that by the end of the week you will be able to
- LOFor00: calculate the net forces from multiple forces in one dimension
- LOFor01: apply the idea that net forces are related to change in momentum.
- LOFor02: apply Newton’s third law in some examples.


---
layout: post
title: PlasmoDB 6.1 released
category: [PlasmoDB]
---
We are pleased to
announce the release of PlasmoDB 6.1
New Data:
- P.
falciparum intraerythrocytic expression profiles
from infected patients (Lemieux et. al.)
-- data available on gene pages, for example, click here
and scroll down to the expression section.
New/Updated Features:
- Now after you perform a BlastN against genomic sequence you
can
link from the blast output to the correct coordinates in the genome
browser. This allows you to explore annotation and other
functional
data in relation to your BLAST hits.
- Linkouts to Gene Ontology annotation predictions at Plasmodraft
have been updated. (Bréhélin
et. al.).
- Linkouts to the Malaria Parasite
Metabolic Pathways resource (Hagai Ginsburg).
- The type ahead feature has been implemented for GO term, EC
number and Interpro domain searches.
- You can now edit or delete your user comments.
- You can now modify your user profile, change your password
or your email address.
Please also note that the parent portal site EuPathDB has just been
updated, offering you the ability to explore results across organisms.
Sincerely,
The EuPathDB team.


We are all a little broken but last time i checked, broken crayons color the same.
 Regular exercise can boost your self-esteem and help you concentrate, sleep, look and feel better.
-
Talk About Your Feelings
Talking about your feelings isn’t a sign of weakness. It’s part of taking charge of your wellbeing and doing what you can to stay healthy. Talking can be a way to cope with a problem you’ve been carrying around in your head for a while.
Just being listened to can help you feel supported and less alone. And it works both ways. If you open up, it might encourage others to do the same.
It may feel awkward at first, give it time. Make talking about your feelings something that you do
-
Build relationships
Strong family ties and supportive friends can help you deal with the stresses of life. Friends and family can make you feel included and cared for.
They can offer different views from whatever’s going on inside your own head. They can help keep you active, keep you grounded and help you solve practical problems
-
Care for Others
Caring for others is often an important part of keeping up relationships with people close to you. It can even bring you closer together.
Making a contribution to the community !!!
Why not share your skills more widely by volunteering for a local charity? Helping out can make us feel needed and valued and that boosts our self-esteem.
 You may find an activity you absolutely enjoy
Learn how to swim, Learn how to ride a bike, Make time for travel !!!
Let go and loose yourself in new experiences
-
Ask For Help
None of us are superhuman. We all sometimes get tired or overwhelmed by how we feel or when things don’t go to plan.
If things are getting too much for you and you feel you can’t cope, ask for help.
- Talk to supportive family or friends.
- Join a support group to help you make changes to your life.
- Find a counsellor to help you deal with your feelings or make a fresh start
-
Build mindfullness
Mindfulness is a way of paying attention to the present moment. It helps us become more aware of our thoughts and feelings so that, instead of being overwhelmed by them, we’re better able to manage them.
-
Spirituality or religion
Spirituality can play an important role in helping people maintain good mental health and live with or recover from mental health problems.
Believe in a higher being than just yourself and the world.
Find God! Whatever that may mean for you


Dietrich Bonhoeffer (4 February 1906 – 9 April 1945) was a German pastor, theologian, spy, anti-Nazi dissident, and key founding member of the Confessing Church. His writings on Christianity's role in the secular world have become widely influential, and his book The Cost of Discipleship has become a modern classic. Apart from his theological writings, Bonhoeffer was known for his staunch resistance to Nazi dictatorship, including vocal opposition to Hitler's euthanasia program and genocidal persecution of the Jews. He was arrested in April 1943 by the Gestapo and imprisoned at Tegel prison for one and a half years.  After being accused of being associated with the plot to assassinate Adolf Hitler, he was quickly tried, along with other accused plotters, including former members of the Abwehr (the German Military Intelligence Office), and then executed by hanging on 9 April 1945 as the Nazi regime was collapsing.


Choose a Language: German Arabic Catalan Danish Slovak Spanish French Greek Gujarati Hebrew Hokkien Dutch English Italian Japanese Latvian Lithuanian Mandarin Polish Portuguese Romanian Russian Serbian Swahili Thai Turkish Say Happy New Year! 2020 is starting ... i


Simple reCAPTCHA plugins, followed by reset buttons to simulate reset event.
Simple reCAPTCHA plugins, using validators.
Automated reCAPTCHA plugins.
V2 Checkbox is not auto triggered.
Delayed rendering (after at least one recaptcha was loaded).


About me
Ph.D. Physics,University of Washington, 2015
M.S. Physics,University of Washington, 2011
B.S. Physics,Iowa State University, 2008
B.S. Chemistry,Iowa State University, 2008


We are a technology company, innovating on multiple levels and platforms, bringing together various mobile services with the goal of providing a seamless real-world experience to the end user.
Our custom suite of services allow third-party services to integrate existing applications to take advantage of Augmented Reality, Image Recognition and other state of the art tools to allow customers to interact with applications. Never has it been this easy to build richer experiences for your clients!!
 We come from varied backgrounds, but have a common goal of making life easier through technology.


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Intro to R-Spatial for Healthy Places
2021-08-25
Background
This suite of tutorials was developed for a workshop at the 2021 R-Medicine Conference by the Healthy Regions & Policies Lab at the University of Chicago. This workbook is a quick (3-hour) overview of mapping, GIScience, and spatial analysis basics for health professionals. The workbook was compiled by Marynia Kolak, and the overview for each section is led by Susan Paykin in the live version.
Some coding snippets & data examples are from the phenomenal team of the Opioid Environment Toolkit (Moksha Menghaney, Qinyun Lin, Angela Li). The overall approach follows the Center for Spatial Data Science paradigm, led by Luc Anselin & Julia Koschinsky.
Environment Setup
A basic understanding of R is assumed. This workshop requires several packages, which can be installed from CRAN:
For Mac users, check out https://github.com/r-spatial/sf for additional tips if you run into errors when installing the sf package. Using homebrew to install gdal usually fixes any remaining issues.


#include <colorsel.h>
Inheritance diagram for TMonoSelector::
Public Methods | |
| TMonoSelector (const TRect &bounds) | |
| virtual void | draw () |
| virtual void | handleEvent (TEvent &event) |
| virtual Boolean | mark (int item) |
| void | newColor () |
| virtual void | press (int item) |
| void | movedTo (int item) |
Static Public Methods | |
| TStreamable* | build () |
Static Public Attributes | |
| const char* const | name |
Protected Methods | |
| TMonoSelector (StreamableInit) |
TMonoSelector implements a cluster from which you can select normal, highlight, underline, or inverse video attributes on monochrome screens.
Definition at line 341 of file colorsel.h.
|
|
Constructor. Creates a cluster by calling the TCluster constructor with four buttons labeled: "Normal", "Highlight", "Underline", and "Inverse". The evBroadcast flag is set in eventMask. `bounds' is the bounding rectangle of the view.
|
|
|
Constructor. Used to recover the view from a stream. |
|
|
Creates a new TMonoSelector. Used to recover the view from a stream. Called to create an object in certain stream-reading situations. Reimplemented from TCluster. |
|
|
Draws the selector cluster. Reimplemented from TView. |
|
|
Calls TCluster::handleEvent() and responds to cmColorSet events by changing the data member value accordingly. The view is redrawn if necessary. value holds a video attribute corresponding to the selected attribute. Reimplemented from TCluster. |
|
|
Returns True if the item'th button has been selected; otherwise returns False. Reimplemented from TCluster. |
|
|
Sets value to the item'th attribute (same effect as press()). Reimplemented from TCluster. |
|
|
Informs the owning group if the attribute has changed. |
|
|
"Presses" the item'th button and calls newColor(). Reimplemented from TCluster. |
|
|
Undocumented. Reimplemented from TCluster. Definition at line 401 of file colorsel.h. |


|
Contiki 2.5
|
Files | |
| file | ctk-conio.c [code] |
| file | ctk-conio.h [code] |
| file | ctk-draw.h [code] |
CTK screen drawing module interface, ctk-draw. | |
| file | ctk-mouse.h [code] |
| file | ctk-vncarch.h [code] |
| file | ctk-vncfont.c [code] |
| file | ctk-vncfont.h [code] |
| file | ctk-vncserver.c [code] |
The ctk-draw implementation for the CTK VNC server. | |
| file | ctk-vncserver.h [code] |
| file | ctk.c [code] |
The Contiki Toolkit CTK, the Contiki GUI. | |
| file | ctk.h [code] |
CTK header file. | |
| file | vnc-out.c [code] |
| file | vnc-out.h [code] |
| file | vnc-server.c [code] |
| file | vnc-server.h [code] |


|
MatrixBerryCore
|
Functions | |
| function | gettaskname () |
| GETTASKNAME returns task name and some additional properties. More... | |
| function | gettasknamepcomp () |
| GETTASKNAME returns task name and some additional properties. More... | |
| function | ismaintask () |
| ISMAINTASK returns true if current current task is not a child task launched via Matlab Parallel Toolbox. More... | |
| function | isparttbxinst () |
| function mxberry::pcalc::gettaskname | ( | ) |
GETTASKNAME returns task name and some additional properties.
* Usage: [taskName,SProp]=gettaskname() * * Input: * * Output: * taskName: char[1,] - name of the current task * SProp: struct[1,1] - properties structure with the following fields: * isMain: logical[1,1] - true if current process is main, false if child * taskId: numerical[1,1] - number of child task * taskName: char[1,] - same as above *
| function mxberry::pcalc::gettasknamepcomp | ( | ) |
GETTASKNAME returns task name and some additional properties.
* Usage: [taskName,SProp]=gettaskname() * * Input: * * Output: * taskName: char[1,] - name of the current task * SProp: struct[1,1] - properties structure with the following fields: * isMain: logical[1,1] - true if current process is main, false if child * taskId: numerical[1,1] - number of child task * taskName: char[1,] - same as above *
| function mxberry::pcalc::ismaintask | ( | ) |
ISMAINTASK returns true if current current task is not a child task launched via Matlab Parallel Toolbox.
* Usage: isPos=ismaintask() * * Input: * * Output: * isPos: logical[1,1] - true if the current task is a main task and falst * otherwise *
| function mxberry::pcalc::isparttbxinst | ( | ) |


0
Sampoo for dry haier
$5.50
middle hardeness
$1.25
Proteckting from caries
$3.50
All you need Toshave
$11.99
For man
$4.75
For soft skin
$1.99


Lets' reuse sub-component which is included in my-component:
Awesome! (it's not affected by parent styles)


--- layout: post title: A Default Approach to Quarterly Planning ---
Teams often find themselves in a position where they need to figure out how much work they can commit to, most commonly in quarterly planning. If you've never done this before then wading through a world of possibilities to get to a commitment can feel impossible. Fortunately, I've found that a default approach can help you establish a plan reasonably quickly and with minimal overhead.
Before going further, I've created this this spreadsheet. as an example of this process for a theoretical food delivery company. We'll be revisiting the spreadsheet a couple of times, so take a quick skim of the first row of each sheet.
Skimming successful? Great. Let's move into the details.
Before you go figuring out what to build this quarter, you need to figure out what you're trying to achieve. In Silicon Valley, this frequently looks like defining OKRs, but any goal setting framework will do. What's important is that you have some common yardstick to measure each project's impact and prevent the loudest opinion from dictating what the team will work on.
After you've defined your OKRs, write them down so they can be referenced later in planning. This should give you something like the first sheet of our example.
Once you have your goals, the next step is to write down possible projects and their impact. In the interest of keeping this list manageable, a "project" is something that will take more than 1 staff-week of work. Many of these will be user-facing features, but you also want to collect engineering-focused projects here.
Each of these projects should include a short description of the requirements and a description of its impact. As much as possible, engineering and product-focused projects should describe impact should be in the language of the goals defined in step 1. This will help make sure that all projects are prioritized on equal terms.
Once you have a list of projects and their impact, the next step is to put estimates on them. There are a variety of ways you can do this but, I've found that having the people close to the work give t-shirt sized estimates is a good approach here. T-shirt sizes are nice for this because they give high and low estimates, which appropriately convey uncertainty, and they can be assigned quickly.
At this stage, you'll also want to allow for a little bit of push-and-pull on requirements. If there are ways to deliver a subset of the project at a fraction of the cost, you'll want to surface that now so that you can incorporate that information in later stages of planning. However, you don't want to negotiate over specific requirements at this stage, as that can quickly become a time-sink.
Once you've done this, you should have a spreadsheet that looks something like the second sheet in our example.
Now you've got projects, impact, and estimates. The last input we need for a plan is an understanding how much the team can accomplish. Having historical velocity to calibrate against is best, but in the absence of that you can get by with taking the number of staff-weeks available on your team and applying a consistent haircut for things like PTO, on-call, and high-priority small tasks.
If you want to more accurately assess team capacity, Steve McConnell's Software Estimation: Demystifying the Black Art has a number of good techniques.
Now we have all the inputs into our plan, the last step is to actually make it. The simplest way to do this is to start filling up your team's queue with the "best" projects (probably defined as highest impact-effort ratio) until the sum of their high estimates is equal to team capacity. These are your "green" projects: the ones you'll plan around for the quarter.
Then, keep stack-ranking the remaining projects until the sum of their low-estimates equals the team's capacity. These are your "yellow" projects; the ones you'll work on if things go well, but will get cut depending on how the quarter goes.
Finally, you'll have a bunch of projects that don't make the cut. These are "red" projects, and they just won't happen this quarter unless something changes.
After this step, you should have something that looks like the third sheet in our example.
Once we have a plan, I like to check the results by making a quick gannt chart. The purpose of this is sanity check your assumptions and look for anything you'll need to plan around, not to make a strict schedule you'll follow for the quarter. It will probably accurately reflect your team's work over the next ~4-6 weeks, but will become more speculative after that.
After adjusting your gannt chart for things like deadlines and staffing requirements, you'll end up with something like the final sheet in our example spreadsheet. Congratulations, you've got a quarterly plan!
Now that you've got a plan, chances are other people in your company will care about it. You could share the spreadsheet you used to make the plan, but that's not easily digestible. Instead, you'll probably want to turn your plan into a narrative document. There are lots of ways to do this, but I like to follow Guarav Oberoi's Medium post on building product roadmaps as a default approach. His process for getting to a roadmap is slightly different, but the end product can be identical.
Sharing this out in a narrative format can also help other teams understand what you're accomplishing and allow them to easily give feedback if you're missing any assumptions.
Overall I've found this approach to be effective for understanding what a team of ~4-8 people can build over a ~3 month time horizon, which makes it perfect for quarterly planning for a feature team where you don't need crystal-clear accuracy over for the quarter.
At the same time, this approach isn't a panacea. In particular, it has a few limitations:
In spite of these limitations, I've found that running this process is a great way to cut through ambiguity and get a quarterly plan pretty quickly. It's my default tool when I need to run a planning process, and would recommend it to others who are just getting started with quarterly planning.
This post was made way better thanks to feedback from Antonio Verardi and Joe Orsini.


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A Solo Frame is almost exactly the same kind of a container as a normal Frame in that can hold various widgets and other frames inside. However, the difference with Solo Frame is that it treats any Buttons inside it differently by allowing only one button to be enabled at a time. For example, consider you have Button A and Button B inside a Solo Frame with Button A currently enabled. Next, you click button Button B which automatically results in Button A being released, leaving now only Button B enabled.
Solo Frames can be configured with the properties
button found in the toolbar or
by double clicking the solo frame itself.
Other than the standard styling & placement options,
Solo Frames have the following additional options:


--- layout: post title: Enter Mephisto post_id: 154 categories: - metablog date: 2006-09-19 22:12:00.000000000 -06:00 author: Jamis permalink: 2006/9/19/enter-mephisto.html summary: > The migration to a new blog engine is finished, and a new design is presented for the Buckblog ---
Alright! I’ve finally finished my migration to Mephisto. I’ve tried to set up redirects and such so that all existing links and feeds will still work, but there are (no doubt) things I’ve missed. If you notice anything broken, please let me know.
With that migration out of the way, I should finally have some time to start blogging again. I’d like to start documenting some of the new features in Capistrano 1.2, among other things. Stay tuned!
Meanwhile, if you’ve been subscribed to my feed, you may want to update the link. I’m going through feedburner now, so you’ll need to click the “Articles” link in the sidebar on the right, and go through that whole song-and-dance. Many thanks!


[gecode-users] mzn-gecode search strategy
Guido Tack
tack at gecode.org
Thu Apr 18 09:36:13 CEST 2013
Hi Tias,
it's slightly complicated (and it has changed in Gecode 4). The default search is implemented in gecode/flatzinc/flatzinc.cpp in function createBranchers, and the defaults in 4.0.0 are
branch(*this, iv_sol, INT_VAR_AFC_SIZE_MAX(0.99), INT_VAL_MIN());
branch(*this, bv_sol, INT_VAR_AFC_MAX(0.99), INT_VAL_MIN());
branch(*this, fv_sol, FLOAT_VAR_SIZE_MIN(), FLOAT_VAL_SPLIT_MIN());
branch(*this, sv_sol, SET_VAR_AFC_SIZE_MAX(0.99), SET_VAL_MIN_INC());
where iv_sol are the variables mentioned in the output statement and not mentioned in an explicit search annotation, and
branch(fzs,fzs.iv_aux,INT_VAR_AFC_SIZE_MAX(),INT_VAL_MIN());
branch(fzs,fzs.bv_aux,INT_VAR_AFC_MAX(),INT_VAL_MIN());
branch(fzs,fzs.sv_aux,SET_VAR_AFC_SIZE_MAX(),SET_VAL_MIN_INC());
branch(fzs,fzs.fv_aux,FLOAT_VAR_AFC_SIZE_MAX(),FLOAT_VAL_SPLIT_MIN());
where iv_aux are variables introduced by mzn2fzn that are not functionally defined.
I'm planning to introduce annotations default_{int,bool,set,float}_search that you can stick on the solve item to change the default for the different variable types - would that be useful?
Cheers,
Guido
On 16/04/2013, at 2:22 AM, Tias Guns <tias.guns at cs.kuleuven.be> wrote:
> Hi Guido,
>
> What is the default search strategy of gecode's fz interpreter?
>
> Its default search works really well on one group of variables, but less on the other. I want to change it for the other, but whatever I do the search is a lot slower (because of worse choices on the variables I do not wish to change the order on)...
>
> I couldn't find it on http://www.gecode.org/flatzinc.html or MPG.
>
>
> Thanks,
> Tias
>
> Disclaimer: http://www.kuleuven.be/cwis/email_disclaimer.htm
>
> _______________________________________________
> Gecode users mailing list
> users at gecode.org
> https://www.gecode.org/mailman/listinfo/gecode-users
More information about the users
mailing list


Dresden declares 'Nazi emergency' over far-right threat
by Caroline MortimerCity councillors in Dresden have passed a motion declaring a “Nazi emergency” in the city due to the rise of the far-right.
Opposition politicians in the city voted for the resolution to declare a “Nazinotstand” and call on city authorities to do more to tackle extremism.
The city, which was devastated by Allied firebombing during the Second World War, is the birthplace of the far-right “Pegida” movement which began in 2013.
Green party councillor Thomas Löser said: “It’s an intensification, that’s for sure.
“But it has the background that we, as an urban society, clearly say that we support people who oppose, that we expect everyone to stand up against racism and anti-Semitism and to get involved with it and therefore no longer want this Pegida-agitation here in our city.”
Read more: Germany's far-right AfD comes ahead of Merkel's centre-right CDU in regional election
But the Christian Democrat Union, which controls the city council, says the motion is a step too far.
CDU councillor Hans-Joachim Brauns said: “We certainly have something very undesirable. These are demonstrations that have a right-wing extremist background.
“But the motion that the city council has now adopted does not make that any better.”
Saxony, the state that includes Dresden, is regarded as a right-wing stronghold where the Alternative for Germany (Afd) party came second in regional elections in September.
Read more: Chemnitz: The rise of the far right in eastern Germany
The motion comes just weeks after a far-right attack on a synagogue which killed two people in Halle around 145km west of Dresden.
East Germany as a whole has seen the rise of support for anti-immigrant, Islamophobic groups in recent years.
Following German reunification in 1990, unemployment skyrocketed in the east as the economy collapsed and jobs that were guaranteed under the communist regime disappeared.
Although the situation is improving, many in the region feel they have been left behind compared to their west German peers.


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Our primary communication interface is - you guessed it - mailing lists!
We have a number of mailing lists for various purposes:
| Users' list: |<EMAIL_ADDRESS>| [Subscribe] - [Browse] |
| Development list: |<EMAIL_ADDRESS>| [Subscribe] - [Browse] |
| Issues list: |<EMAIL_ADDRESS>| [Subscribe] - [Browse] |
| Commit list: |<EMAIL_ADDRESS>| [Subscribe] - [Browse] |
We currently use GitHub Issues for tracking bugs and improvements: https://github.com/apache/incubator-ponymail/issues
We are also on IRC, if you fancy a quick chat. You can find us in #PonyMail on irc.libera.chat.
Security issues and inquiries should be sent to<EMAIL_ADDRESS>Apache Pony Mail (Incubating) is an effort undergoing incubation at The Apache Software Foundation (ASF), sponsored by the Apache Incubator. Incubation is required of all newly accepted projects until a further review indicates that the infrastructure, communications, and decision making process have stabilized in a manner consistent with other successful ASF projects. While incubation status is not necessarily a reflection of the completeness or stability of the code, it does indicate that the project has yet to be fully endorsed by the ASF.


Numbers That Count
问题描述 :
The other day, Klyde filled an order for the number 31123314 and was amazed to discover that the inventory of this number is the same as the number—it has three 1s, one 2, three 3s, and one 4! He calls this an example of a “self-inventorying number”, and now he wants to find out which numbers are self-inventorying, or lead to a self-inventorying number through iterated application of the inventorying operation described below. You have been hired to help him in his investigations.
Given any non-negative integer n, its inventory is another integer consisting of a concatenation of integers c1 d1 c2 d2 … ck dk , where each ci and di is an unsigned integer, every ci is positive, the di satisfy 0<=d1<d2<…<dk<=9, and, for each digit d that appears anywhere in n, d equals di for some i and d occurs exactly ci times in the decimal representation of n. For instance, to compute the inventory of 5553141 we set c1 = 2, d1 = 1, c2 = 1, d2 = 3, etc., giving 21131435. The number<PHONE_NUMBER>000 has inventory 12011 (“twelve 0s, one 1″).
An integer n is called self-inventorying if n equals its inventory. It is called self-inventorying after j steps (j>=1) if j is the smallest number such that the value of the j-th iterative application of the inventory function is self-inventorying. For instance, 21221314 is self-inventorying after 2 steps, since the inventory of 21221314 is 31321314, the inventory of 31321314 is 31123314, and 31123314 is self-inventorying.
Finally, n enters an inventory loop of length k (k>=2) if k is the smallest number such that for some integer j (j>=0), the value of the j-th iterative application of the inventory function is the same as the value of the (j + k)-th iterative application. For instance,<PHONE_NUMBER>19 enters an inventory loop of length 2, since the inventory of<PHONE_NUMBER>19 is<PHONE_NUMBER>19 and the inventory of<PHONE_NUMBER>19 is<PHONE_NUMBER>19, the original number (we have j = 0 in this case).
Write a program that will read a sequence of non-negative integers and, for each input value, state whether it is self-inventorying, self-inventorying after j steps, enters an inventory loop of length k, or has none of these properties after 15 iterative applications of the inventory function.
输入:
输出:
n is self-inventorying
n is self-inventorying after j steps
n enters an inventory loop of length k
n can not be classified after 15 iterations
样例输入:
22 31123314<PHONE_NUMBER>19 21221314<PHONE_NUMBER>59 -1
样例输出:
22 is self-inventorying 31123314 is self-inventorying<PHONE_NUMBER>19 enters an inventory loop of length 2 21221314 is self-inventorying after 2 steps<PHONE_NUMBER>59 enters an inventory loop of length 2
解题代码:
(1) import java.util.*; import java.io.*; public class Main{ public static void main(String rgs[]) throws Exception { Scanner cin = new Scanner(new BufferedInputStream(System.in)); while(true){ String s = cin.next(); if(s.equals("-1")) break; String[] t = new String[16];//保存s与15个变换结果 int i; t[0]=s; for(i=0;i< 15;i++){ t[i+1] = change(t[i]); int res = Judge (t,i+1); //判断 if(res==1 && i==0){ System.out.println(s+" is self-inventorying "); break; } if(res==1){ System.out.println(s+" is self-inventorying after "+i+" steps "); break; } if(res>0){ System.out.println(s+" enters an inventory loop of length "+res+" "); break; } } if(i==15) System.out.println(s+" can not be classified after 15 iterations "); } } //输出s的Inventory 数，输入5553141则输出21131435 public static String change(String s){ int i,n=s.length(); int[] count=new int[10]; String t=""; Arrays.fill(count,0); for(i=0;i< n;i++) count[s.charAt(i)-'0']++; for(i=0;i< 10;i++){ if(count[i]>0) t+=String.valueOf(count[i])+String.valueOf(i); } return t; } //第ind次变换结果与前面所有结果比较 public static int Judge(String[] t,int ind){ for(int i=0;i< ind;i++){ if(t[ind].equals(t[i])){ if(ind==i+1) return 1; else return ind-i; } } return 0; } } (2) import java.io.BufferedReader; import java.io.IOException; import java.io.InputStreamReader; import java.util.Arrays; public class Main { public static void main(String[] args) throws IOException { BufferedReader read = new BufferedReader(new InputStreamReader( System.in)); String s; char[][] c; char[] next; int step; int[] num; int result; StringBuffer buff = new StringBuffer(); while (!(s = read.readLine()).startsWith("-")) { c = new char[15][]; step = 2; num = new int[10]; c[0] = s.toCharArray(); while (true) { Arrays.fill(num, 0); for (int i = 0; i < c[step - 2].length; i++) { num[c[step - 2][i] - '0']++; } buff.delete(0, buff.length()); for (int i = 0; i < 10; i++) { if (num[i] != 0) { buff.append(num[i]); buff.append(i); } } next = buff.toString().toCharArray(); if ((result = equal(c, next, step)) != -1) { if (step == 2) { System.out.printf("%s is self-inventorying\n", s); } else { if (step - result == 2) { System.out.printf( "%s is self-inventorying after %d steps\n", s, step - 1); } else { System.out .printf( "%s enters an inventory loop of length %d\n", s, step - result - 1); } } break; } else { if (step >= 15) { System.out .printf( "%s can not be classified after 15 iterations\n", s); break; } c[step - 1] = next; step++; } } } } public static int equal(char[][] a, char[] b, int t) { int[] aa = new int[10]; int[] bb = new int[10]; loop: for (int i = 0; i < t - 1; i++) { Arrays.fill(aa, 0); Arrays.fill(bb, 0); if (a[i].length != b.length) { continue; } else { for (int j = 0; j < b.length; j++) { aa[a[i][j] - '0']++; bb[b[j] - '0']++; } for (int j = 0; j < 10; j++) { if (aa[j] != bb[j]) { continue loop; } } return i; } } return -1; } }
对，就是把这32位当成一个长度为32的数
目测会火
#include <cstdio>
#include <cstring>
const int MAXSIZE=256;
//char store[MAXSIZE];
char str1[MAXSIZE];
/*
void init(char *store) {
int i;
store['A']=’V', store['B']=’W',store['C']=’X',store['D']=’Y',store['E']=’Z';
for(i=’F';i<=’Z';++i) store =i-5;
}
*/
int main() {
//freopen("input.txt","r",stdin);
//init(store);
char *p;
while(fgets(str1,MAXSIZE,stdin) && strcmp(str1,"STARTn")==0) {
if(p=fgets(str1,MAXSIZE,stdin)) {
for(;*p;++p) {
//*p=store[*p]
if(*p<’A’ || *p>’Z') continue;
if(*p>’E') *p=*p-5;
else *p=*p+21;
}
printf("%s",str1);
}
fgets(str1,MAXSIZE,stdin);
}
return 0;
}
&这是C语言？
你好，这题给出的代码好像弄错了，这个是pow那道题目的解法
感谢分享 学习了`(*∩_∩*)′
约瑟夫也用说这么长……很成熟的一个问题了，分治的方法解起来o(n)就可以了，有兴趣可以看看具体数学的第一章，关于约瑟夫问题推导出了一系列的结论，很漂亮
跟书上的解法不一样，不知道哪个效率要高些
已修改。一些字符在编辑的时候转义了
秒！~
int L[m+1][n+1];这样定义出错，这个在gcc上可以编译通过 在VS上不行 应该改为new 或者vector
面霸网。www.51mx.org
第二种想法，我想来好久，为啥需要一个newhead，发现是把最后一个节点一直返回到嘴上面这层函数。厉害，这道题之前没样子想过。


The macro BOOST_IDL_EXTENDS
is used within an interface definition to declare a superinterface.
<boost/interfaces.hpp>
<boost/interfaces/detail/idl/extends.hpp>
BOOST_IDL_EXTENDS
#define BOOST_IDL_EXTENDS(name) ...
| name | - | The name of the superinterface being declared |
The macro BOOST_IDL_EXTENDS
is used within an interface definition to declare a superinterface.
Several invocations of BOOST_IDL_EXTENDS
may occur in a single interface definition.
Order is significant: functions in a superinterface will hide like-named functions in a superinterface declared by a preceeding invocation of BOOST_IDL_EXTENDS
. This is an unfortunate consequence of the fact that interfaces are implemented using single inheritance to take full advantage of the Empty Base Optimization (EBO).
BOOST_IDL_BEGIN(IDerived) BOOST_IDL_EXTENDS(IBase) BOOST_IDL_FN0(foo, void) BOOST_IDL_END(IDerived)
is equivalent to the pseudocode
interface IDerived : IBase { void foo(); };The IDL definition
BOOST_IDL_BEGIN(IDerived) BOOST_IDL_EXTENDS(IBase1) BOOST_IDL_EXTENDS(IBase2) BOOST_IDL_EXTENDS(IBase3) BOOST_IDL_FN0(foo, void) BOOST_IDL_END(IDerived)
is equivalent to the pseudocode
interface IDerived : IBase1, IBase2, IBase3 { void foo(); };
Revised 13 Jan, 2005
© Copyright Jonathan Turkanis, 2005. Distributed under the Boost Software License, Version 1.0. (See accompanying file LICENSE_1_0.txt or copy at http://www.boost.org/LICENSE_1_0.txt)


{% extends "base.html" %} {% block title %} Proxy {% endblock title %} {% block content %}
A proxy is required since Leboncoin.fr seems to be blocking Amazon Web Services servers.
You can choose a French HTTPS from the list below:
{% endblock content %}


#COVID-19: खुद रहें सुरक्षित और दूसरों को भी रखें सुरक्षित
PM Modi has announced a complete lockdown of the entire country for 21 days in an unprecedented drastic measure to try halt the spread of coronavirus. Covid-19 has claimed 11 lives in the country. Fears are also mounting that more could be hit as the global coronavirus toll inches towards 17,000. Stay with shravanv1 for the latest developments.
Acting to curb hoarding of essential items amid rising COVID-19 cases in Mumbai, police raided a godown in the city and seized four lakh masks, valued at Rs one crore, an official said on Wednesday. The raid was conducted at the Shah Warehousing and Transport Godown in suburban Mumbai, the official said. The Vile Parle Police received information on Tuesday night that a large quantity of face masks was stored in the warehouse. Police reached the spot and found 200 boxes of face masks valued at around Rs one crore, the official said. Police registered an FIR against five people including owner of the godown, agent and supplier at the Sahar police station but no arrest have been made, the official said.
India has been put in lockdown to halt the spread of the coronavirus outbreak. People have been told to stay indoors, but for many daily-wage earners this is not an option. The BBC's Vikas Pandey finds out how they were coping in the days leading up to Tuesday's announcement.
Geneva/New Delhi: The United States could become the global epicentre of the coronavirus pandemic, the World Health Organization said on Tuesday. The US has the third-highest number of confirmed case globally, behind China and Italy. Six hundred people have died from the new coronavirus in the United States, while the number of conffirmed cases now stands at 49,768, a tracker maintained by Johns Hopkins University showed Tuesday.
"Tamil Nadu Health Minister C Vijayabaskar said the Covid-19 patient died at Rajaji Hospital and "had a medical history of prolonged illness with steroid dependent COPD, uncontrolled diabetes with hypertension".
Tamil Nadu Health Minister C Vijayabaskar took to Twitter to announce the death of a Covid-19 positive patient at a state hospital in the wee hours of Wednesday. The death toll due to novel coronavirus or Covid-19 in India now stands at 11. Vijayabaskar said the 54-year-old patient died at Rajaji Hospital in Tamil Nadu and "had a medical history of prolonged illness with steroid dependent COPD, uncontrolled diabetes with hypertension" .
As India takes war-like measures to prevent the spread of Covid-19, it is important to understand the risk that we face if no mitigating measures are taken to deal with an unprecedented health crisis.
If Covid-19 cases keep multiplying at the current rate, and do so for a sustained period, India’s hospitals may be overwhelmed by the end of May, even sooner in an extreme scenario. Further, some states will reach the point where they don’t have enough hospital beds to treat critical Covid-19 patients much sooner than others, notably Kerala, Maharashtra, Delhi and Punjab.
To study how various states and union territories (UTs) are equipped to deal with the Covid-19 outbreak under six case-growth scenarios, we have developed a basic model that is built on three variables.
People of all ages CAN be infected by the coronavirus. Older people, and people with pre-existing medical conditions (such as asthma, diabetes, heart disease) appear to be more vulnerable to becoming severely ill with the virus.
World Health Organization
Dial National Helpline Number
Helpline Email ID


For more info and examples please refer to Bootstraps official documentation.
Leverage the bootstrap grid and the row-cols class to define number of columns per screen size. Combine with utility class .h-100
to make the cards use the whole height and .card-footer
nicely align card actions at the bottom of the card.
Flex-box container with column layout will layout all items from top to bottom and left to right by default and create a masonry-like layout. By default .card-columns
use 3 columns for screen sizes sm
and up. You can make the layout responsive by adding custom css as seen in the example below.


I am majoring in Communications Design and minoring in Creative Entrepreneurship. I am planning to use those skills to help me create my own business within the makeup and skincare industry. I am very interested in sustainablity and understanding the impact of the cosmetics industy. I have been wanting to start my own website and this class will help me learn the skills on how to create one.


{% extends "layout.html" %} {% block body %}
Links to everything.
Learn more »
{{category.description}}


Cheshire3: normalizer Module |
|
|||
| SimpleNormalizer | Base normalizer. | ||
| DataExistsNormalizer | Return '1' if any data exists, otherwise '0' | ||
| TermExistsNormalizer | Un-stoplist anonymizing normalizer. | ||
| CaseNormalizer | Reduce text to lower case | ||
| ReverseNormalizer | Reverse string (eg for left truncation) | ||
| SpaceNormalizer | Reduce multiple whitespace to single space character | ||
| ArticleNormalizer | Remove leading english articles (the, a, an) | ||
| NumericEntityNormalizer | Replace characters matching regular expression with the equivalent numeric character entity | ||
| RegexpNormalizer | Either strip, replace or keep data which matches a given regular expression | ||
| PossessiveNormalizer | Remove trailing 's or s' from words | ||
| IntNormalizer | Turn a string into an integer | ||
| StringIntNormalizer | Turn an integer into a 0 padded string, 12 chrs long | ||
| StoplistNormalizer | Remove words that match a stopword list | ||
| PhraseStemNormalizer | Use a Snowball stemmer to stem multiple words in a phrase (eg from PosPhraseNormalizer) | ||
| StemNormalizer | Use a Snowball stemmer to stem the terms | ||
| DateStringNormalizer | Turns a Date object into ISO8601 format | ||
| RangeNormalizer | Should normalise ranges... | ||
| KeywordNormalizer | Given a string, keyword it with proximity. | ||
| ExactExpansionNormalizer | |||
| WordExpansionNormalizer | |||
| DiacriticNormalizer | Slow implementation of Unicode 4.0 character decomposition. |
| Generated by Epydoc 3.0alpha2 on Wed Aug 9 18:09:56 2006 | http://epydoc.sf.net |


{% extends "layout.html" %} {% block header %}
Let's find out!
In order to use this service, please login with your spotify account :D
*This service will be able to read all your playlists and saved songs in order to analyse them. Additionaly you grant playlist write rights in order to create playlists for your top songs playlists.


This website was created as part of our final project for the Making Education class and it reflects our team's experience in learning about and collaborating in setting up makerspaces in two schools in Kathmandu, Nepal. We hope that what you will find here can serve as inspiration for you so that you can start your own makerspace anywhere around the world! Join the maker movement!
Depending on your role, different sections of the website may be relevant to you. Here's what we recommend:
We think community building is central to any makerspace. Here's the vision behind makerspaces.
We think that parents and mentors have a huge role to play in the smooth running and setup of a makerspace.
A makerspace, as the word itself implies, is a space set up with the intention to make, to build {insert object}.
However, in its essence, makerspaces denote more than that. They represent a non-formal education tool through the methods it makes use of, it denotes a collaborative and learning-conducive environment with a less restrictive curriculum than its traditional counterpart hence leaving more room for creativity and innovation.
“Makerspaces represent the democratization of design, engineering, fabrication, and education.” (spaces.makerspace)
"A makerspace is a place where students can gather to create, invent, tinker, explore and discover using a variety of tools and materials." (renovatedlearning)
"There are no rules here — we're trying to accomplish something." Thomas Edison
As we have seen, the definition of makerspace is very broad. Makerspaces vary from family garages to sustainable businesses. However, in the context of education we believe that makerspaces should share the following properties:
Project driven - critical thinking skills, solving real life problems, preparing for maker faire or science fair rather than pure tool training.
Inclusive - there is no place for discrimination (do not confuse with constructive criticism) in the makerspace, everyone is welcome, if students are willing to join the makerspace they should be able to do so at no cost. If students are willing to obey established rules of the space (safety related rules, rules against stealing, etc) they should be able to continue being involved with the space at no cost
Multidisciplinary - makerspaces are not only about woodworking, electronics and soldering. Anything that involves making, such as crafts, sewing, egg painting, etc should be welcome in the makerspace
Fostering Apprenticeship - makerspace should encourage apprenticeship and mentorship. If someone is developing a project and is willing to use the tool that they haven’t used before, they should be able to receive help or observe someone who is using this tool for their own project.
Between March 13th-18th our class went on a trip to Nepal to get a closer look at Karkhana’s activity and to research, share, and further develop any current ideas each of the group might have had at that point. Here are some pictures taken in Kathmandu.


--- layout: home author_profile: true permalink: /portfolio/ --- My Portfolio
Project 1
Project 2
Project 3


★★★Here is the picture you submitted.★★★
★★★Here is the picture in its intermediate state.★★★
If this picture doesn't match your provided picture, please refresh the page. If that does not fix it, then please go back to the starting page and try a new picture.
★★★And Here is the final result.★★★
If this is your first time on this page, please refresh the page in a few minutes. Image Processing take a long time.


ResponseConfiguration
public struct ResponseConfiguration
Configuration object for the response returned by MockURLProtocol
-
Status code expected in the response - defaults to 200
Declaration
Swift
public var statusCode: Int
-
Data expected in the response
Declaration
Swift
public var data: Data?
-
Delay applied before the response is returned
Declaration
Swift
public var delay: TimeInterval
-
Headers expected in the response
Declaration
Swift
public var headers: [String : String]?
-
HTTP version used to init HTTPURLResponse
Declaration
Swift
public var httpVersion: NetworkingMocker.HTTPVersion
-
URL expected in the response
Declaration
Swift
public var responseURL: URL!
-
Set to false if data needs to equal nil - defaults to true
Declaration
Swift
public var expectsDataResponse: Bool


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Demo of admonition styles in DocOnce¶
| Authors: |
|
|---|---|
| Date: | Oct 5, 2015 |
Summary. This note demonstrates how admonitions look like in the output format sphinx.
The four main types of admonitions¶
Here is the warning admon:
Division by zero is illegal
Most math systems will give fatal errors if you divide by zero.
Terminal> python -c 'print 4/0'
Traceback (most recent call last):
File "<string>", line 1, in <module>
ZeroDivisionError: integer division or modulo by zero
You should therefore be very careful with all expressions that may result
in division by zero. In Python, you can use a try-except
clause to
test if some expression gives a ZeroDivisionError
exception and take
appropriate actions. One example of a numerical method where division
by zero can cause problems is Newton’s methods of finding solutions to
algebraic equations \(f(x)=0\). In that algorithm, there is a division
by \(f'(x)\).
Question admon (without title).
Question
What are the admon options for doconce format html
?
Summary admon:
Summary
The most popular methods for solving algebraic equations
are
- Newton’s method
- The Bisection method
- The Secant method
- The Fixed-Point method (\(f(x) = x - g(x)\))
Of these, Newton’s method is fastest, the Bisection method is the most reliable, the Secant method is a simplified Newton method, and the Fixed-Point method is obviously very problem dependent in its behavior since the user has the define the \(g\) function.
Here is a notice admon:
Tip: follow well-established conventions for variable names
For example, in Python, variable and function names use
lower case letters separated by underscore, as in
vibration_with_damping
(while Java typically would
have vibrationWithDamping
). Class names apply cap words,
as in ProblemClass
.
The four main admons are warning, notice, question, and summary.
The block, quote and plain box environment¶
DocOnce features a block
environment with or without title.
Notice
Blocks are often used in slides to frame a collection of things.
Block with title
Blocks can contain text, math, code, figures, movies.
Here is a quote environment (quote
):
Sayre’s law states that “in any dispute the intensity of feeling is inversely proportional to the value of the issues at stake.”
Boxes are very simple frames (without any icons, background color, or stash, except for a shadow) used for important results like (note: box frame is not available in format sphinx)
The world most famous equation:


|
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| But there were false prophets also among the people, even as there shall be false teachers among you, who privily shall bring in damnable heresies, even denying the Lord that bought them, and bring upon themselves swift destruction.
|
|---|
| ᎠᏎᏃ ᎤᎾᏠᎾᏍᏗ ᎠᎾᏙᎴᎰᏍᎩ ᎢᎬᏩᎾᏓᏑᏰ ᏴᏫ, ᎾᏍᎩᏯ ᎤᎾᏠᎾᏍᏗ ᏗᎾᏕᏲᎲᏍᎩ ᎨᏣᏓᏑᏴᏗ ᏥᎩ, ᎾᏍᎩ ᎤᏕᎵᏛ ᎤᏂᏴᏔᏂᎯᏍᏗ ᎨᏎᏍᏗ ᎤᎾᏓᏤᎵᏛ ᎨᏒ ᎠᏓᏛᏗᏍᎩ, ᎾᏍᎩ ᎠᎾᏓᏱᎮᏍᏗ ᎤᎬᏫᏳᎯ ᎤᎾᎫᏴᏛ, ᎠᎴ ᎤᏅᏒ ᎢᏳᏅᏂᏌᏛ ᎤᏂᎷᏤᏗ ᎨᏎᏍᏗ ᏞᎩᏳ ᎤᏂᏛᏗᏍᎩ.
|
|---|
A-se-no u-na-tlo-na-s-di a-na-do-le-ho-s-gi i-gv-wa-na-da-su-ye yv-wi, na-s-gi-ya u-na-tlo-na-s-di di-na-de-yo-hv-s-gi ge-tsa-da-su-yv-di tsi-gi, na-s-gi u-de-li-dv u-ni-yv-ta-ni-hi-s-di ge-se-s-di u-na-da-tse-li-dv ge-sv a-da-dv-di-s-gi, na-s-gi a-na-da-yi-he-s-di U-gv-wi-yu-hi u-na-gu-yv-dv, a-le u-nv-sv i-yu-nv-ni-sa-dv u-ni-lu-tse-di ge-se-s-di tle-gi-yu u-ni-dv-di-s-gi.
|
|---|
|
|---|
| And many shall follow their pernicious ways; by reason of whom the way of truth shall be evil spoken of.
|
|---|
| ᎠᎴ ᎤᏂᏣᏖᏍᏗ ᏛᏂᏍᏓᏩᏕᏏ ᎾᏍᎩ ᎤᎾᏤᎵ ᎠᏓᏛᏗᏍᎩ; ᎾᏍᎩ ᏅᏛᏅᏂᏌᏂ ᏚᏳᎪᏛ ᏅᏃᎯ ᎤᏂᏐᏢᎢᏍᏙᏗ ᎨᏎᏍᏗ.
|
|---|
A-le u-ni-tsa-te-s-di dv-ni-s-da-wa-de-si na-s-gi u-na-tse-li a-da-dv-di-s-gi; na-s-gi nv-dv-nv-ni-sa-ni du-yu-go-dv nv-no-hi u-ni-so-tlv-i-s-do-di ge-se-s-di.
|
|---|
|
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| And through covetousness shall they with feigned words make merchandise of you: whose judgment now of a long time lingereth not, and their damnation slumbereth not.
|
|---|
| ᎠᎴ ᏧᎬᏩᎶᏗ ᎤᏂᎬᎥᏍᎬ ᎢᏳᏍᏗ, ᎠᎴ ᎦᎶᏄᎮᏛ ᎠᏅᏗᏍᎬ ᎠᏂᏬᏂᏍᎬ ᎦᏃᏙᏗ ᏓᎨᏥᏰᎸᏥ; ᎾᏍᎩ ᏧᎾᏚᎪᏓᏁᏗ ᎨᏒ ᎡᏘ ᏅᏓᎬᏩᏓᎴᏅᏛ ᎥᏝ ᏯᎵᎾᎯᏍᏗᎭ, ᎠᎴ ᎤᏂᏛᏗᏍᎩ ᎥᏝ ᏱᎦᎸᏍᎦ.
|
|---|
A-le tsu-gv-wa-lo-di u-ni-gv-v-s-gv i-yu-s-di, a-le ga-lo-nu-he-dv a-nv-di-s-gv a-ni-wo-ni-s-gv ga-no-do-di da-ge-tsi-ye-lv-tsi; na-s-gi tsu-na-du-go-da-ne-di ge-sv e-ti nv-da-gv-wa-da-le-nv-dv v-tla ya-li-na-hi-s-di-ha, a-le u-ni-dv-di-s-gi v-tla yi-ga-lv-s-ga.
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|
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| For if God spared not the angels that sinned, but cast them down to hell, and delivered them into chains of darkness, to be reserved unto judgment;
|
|---|
| ᎤᏁᎳᏅᎯᏰᏃ ᏂᏚᎨᏳᏅᎾ ᏥᎨᏎ ᏗᏂᎧᎾᏩᏗᏙᎯ ᎤᏂᏍᎦᏅᏨᎯ, ᏨᏍᎩᏃᏉᏍᎩᏂ ᏥᏫᏚᏓᎢᏅᏎᎢ, ᎠᎴ ᏥᏚᏲᏎ ᏧᏓᏕᏒᏛ ᏗᎨᎦᎸᏍᏙᏗᏱ ᎤᎵᏏᎬ ᎨᏥᏍᏆᏂᎪᏙᏗᏱ ᏗᎨᎫᎪᏓᏁᏗ ᎨᏒ ᎢᏳᎢ,
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U-ne-la-nv-hi-ye-no ni-du-ge-yu-nv-na tsi-ge-se di-ni-ka-na-wa-di-do-hi u-ni-s-ga-nv-tsv-hi, tsv-s-gi-no-quo-s-gi-ni tsi-wi-du-da-i-nv-se-i, a-le tsi-du-yo-se tsu-da-de-sv-dv di-ge-ga-lv-s-do-di-yi u-li-si-gv ge-tsi-s-qua-ni-go-do-di-yi di-ge-gu-go-da-ne-di ge-sv i-yu-i,
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| And spared not the old world, but saved Noah the eighth person, a preacher of righteousness, bringing in the flood upon the world of the ungodly;
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| ᎠᎴ ᏄᎨᏳᏅᎾ ᏥᎨᏎ ᎡᏘ ᎡᎶᎯ ᏥᎨᏎᎢ, ᏃᏯᏍᎩᏂ ᏧᏁᎳ ᏧᏛᏕᎢ ᎨᏒ ᎾᏍᎩ ᎠᎵᏥᏙᎲᏍᎩ ᏚᏳᎪᏛ ᏗᎧᎾᏩᏗᏙᎯ ᏥᎨᏎᎢ, ᎠᎴ ᏥᏚᏃᎱᎪᏔᏁ ᎡᎶᎯ ᎠᏂᏍᎦᎾ ᎠᏁᎲᎢ,
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A-le nu-ge-yu-nv-na tsi-ge-se e-ti e-lo-hi tsi-ge-se-i, No-ya-s-gi-ni tsu-ne-la tsu-dv-de-i ge-sv na-s-gi a-li-tsi-do-hv-s-gi du-yu-go-dv di-ka-na-wa-di-do-hi tsi-ge-se-i, a-le tsi-du-no-hu-go-ta-ne e-lo-hi a-ni-s-ga-na a-ne-hv-i,
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| And turning the cities of Sodom and Gomorrha into ashes condemned them with an overthrow, making them an ensample unto those that after should live ungodly;
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| ᏐᏓᎻᏃ ᎠᎴ ᎪᎹᎵ ᏕᎦᏚᎲ ᎪᏍᏚ ᏥᏂᏚᏩᏁᎴᎢ, ᎠᎴ ᏥᏚᏭᎪᏓᏁᎴ ᏧᎷᏆᏗᏅᏗᏱ, ᎠᎴ ᎾᏍᎩ ᎤᏁᏯᏔᎲᏍᎩ ᏥᏂᏚᏩᏁᎴ ᎣᏂ ᎤᎾᏕᏗ ᎤᏁᎳᏅᎯ ᏂᏚᎾᏁᎶᏛᎾ ᎨᏒᎢ,
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So-da-mi-no a-le Go-ma-li de-ga-du-hv go-s-du tsi-ni-du-wa-ne-le-i, a-le tsi-du-wu-go-da-ne-le tsu-lu-qua-di-nv-di-yi, a-le na-s-gi u-ne-ya-ta-hv-s-gi tsi-ni-du-wa-ne-le o-ni u-na-de-di u-ne-la-nv-hi ni-du-na-ne-lo-dv-na ge-sv-i,
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| And delivered just Lot, vexed with the filthy conversation of the wicked:
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| ᎠᎴ ᎶᏗ ᎤᏓᏅᏘ ᏧᏭᏓᎴᏎᎢ, ᎤᏕᏯᏔᏁᎸ ᏄᎾᎵᏏᎾᎯᏍᏛᎾ ᎠᏁᎲ ᎠᏂᏍᏚᎾᎢ.
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A-le Lo-di u-da-nv-ti tsu-wu-da-le-se-i, u-de-ya-ta-ne-lv nu-na-li-si-na-hi-s-dv-na a-ne-hv a-ni-s-du-na-i.
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| (For that righteous man dwelling among them, in seeing and hearing, vexed his righteous soul from day to day with their unlawful deeds;)
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| (ᎾᏍᎩᏰᏃ ᎤᏓᏅᏘ ᎠᏍᎦᏯ ᎠᏁᎲ ᏤᎮᎢ, ᎠᎪᏩᏘᏍᎬ ᎠᎴ ᎠᏛᎩᏍᎬ [ᏄᏍᏛ ᏚᏂᎸᏫᏍᏓᏁᎲᎢ] ᎤᏓᏅᏘ ᎤᏓᏅᏙ ᏂᏚᎩᏨᏂᏒ ᎤᏕᏯᏙᏗ ᎤᏓᏅᏖ ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᏂᏚᏳᎪᏛᎾ ᏚᏂᎸᏫᏍᏓᏁᎲᎢ,)
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(Na-s-gi-ye-no u-da-nv-ti a-s-ga-ya a-ne-hv tse-he-i, a-go-wa-ti-s-gv a-le a-dv-gi-s-gv [nu-s-dv du-ni-lv-wi-s-da-ne-hv-i] u-da-nv-ti u-da-nv-do ni-du-gi-tsv-ni-sv u-de-ya-do-di u-da-nv-te nv-di-ga-li-s-do-di-s-ge ni-du-yu-go-dv-na du-ni-lv-wi-s-da-ne-hv-i,)
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| The Lord knoweth how to deliver the godly out of temptations, and to reserve the unjust unto the day of judgment to be punished:
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| ᎤᎬᏫᏳᎯ ᎠᎦᏔᎭ ᎢᏳᏛᏁᏗᏱ ᏧᏭᏓᎴᏍᏗᏱ ᎤᎾᏓᏅᏘ ᎤᏂᎪᎵᏰᏍᎩ ᎤᏂᏰᎢᎵᏙᎲᎢ, ᎤᏂᏲᏃ ᏧᏍᏆᏂᎪᏙᏗᏱ ᎨᏥᎩᎵᏲᎢᏍᏙᏗᏱ ᏗᎫᎪᏙᏗᏱ ᎢᎦ ᎨᏎᏍᏗ:
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U-gv-wi-yu-hi a-ga-ta-ha i-yu-dv-ne-di-yi tsu-wu-da-le-s-di-yi u-na-da-nv-ti u-ni-go-li-ye-s-gi u-ni-ye-i-li-do-hv-i, u-ni-yo-no tsu-s-qua-ni-go-do-di-yi ge-tsi-gi-li-yo-i-s-do-di-yi di-gu-go-do-di-yi i-ga ge-se-s-di:
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| But chiefly them that walk after the flesh in the lust of uncleanness, and despise government. Presumptuous are they, selfwilled, they are not afraid to speak evil of dignities.
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| ᎠᎴ ᎾᏍᎩ Ꮀ ᎤᎬᏫᏳᎭ [ᎨᏂᎩᎵᏲᎢᏍᏙᏗ ᎨᏎᏍᏗ] ᎤᏇᏓᎵ ᎠᏂᏍᏓᏩᏕᎩ ᎤᏂᎬᎥᏍᎬ ᎦᏓᎭ ᎨᏒᎢ, ᎠᎴ ᏗᏂᏍᎦᎩ ᏄᏂᎬᏫᏳᏌᏕᎩ. ᎤᏂᏍᎦᎢᏍᏗ, ᎤᏅᏒ ᎠᎾᏓᏅᏖᏍᎬ ᎤᏂᎸᏉᏗ; ᎥᏝ ᏯᏂᏍᎦᎢᎭ ᏗᎬᏩᏂᏐᏢᏙᏗᏱ ᎨᏥᎸᏉᏗ.
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A-le na-s-gi ho u-gv-wi-yu-ha [ge-ni-gi-li-yo-i-s-do-di ge-se-s-di] u-que-da-li a-ni-s-da-wa-de-gi u-ni-gv-v-s-gv ga-da-ha ge-sv-i, a-le di-ni-s-ga-gi nu-ni-gv-wi-yu-sa-de-gi. U-ni-s-ga-i-s-di, u-nv-sv a-na-da-nv-te-s-gv u-ni-lv-quo-di; v-tla ya-ni-s-ga-i-ha di-gv-wa-ni-so-tlv-do-di-yi ge-tsi-lv-quo-di.
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| Whereas angels, which are greater in power and might, bring not railing accusation against them before the Lord.
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| ᏗᏂᎧᎿᎭᏩᏗᏙᎯᏍᎩᏂ ᎤᏟ ᎢᏧᎾᎵᏂᎩᏛ ᏥᎩ ᎥᏝ ᎪᎱᏍᏗ ᎤᏐᏅ ᏱᏓᏂᎳᏫᏎᎰ ᎤᎬᏫᏳᎯ ᎠᎦᏔᎲᎢ.
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Di-ni-ka-hna-wa-di-do-hi-s-gi-ni u-tli i-tsu-na-li-ni-gi-dv tsi-gi v-tla go-hu-s-di u-so-nv yi-da-ni-la-wi-se-ho U-gv-wi-yu-hi a-ga-ta-hv-i.
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| But these, as natural brute beasts, made to be taken and destroyed, speak evil of the things that they understand not; and shall utterly perish in their own corruption;
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| ᎯᎠᏍᎩᏂ ᎾᏍᎩᏯ ᎪᎱᏍᏗᏉ ᏤᎿᎭᎠ ᎨᎪᏢᏅᎯ ᎨᎨᎢᏍᏗᏱ ᎠᎴ ᎨᏥᏛᏙᏗᏱ, ᎾᏍᎩ ᎠᏂᏐᏢᎢᏍᏗᎪ ᏧᏓᎴᏅᏛ ᎾᏃᎵᎬᎾ ᎨᏒᎢ, ᎠᎴ ᏛᎾᎵᏛᏔᏂ ᎤᏅᏒ ᎤᏂᏲᎢᏳ ᎨᏒᎢ.
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Hi-a-s-gi-ni na-s-gi-ya go-hu-s-di-quo tse-hna-a ge-go-tlv-nv-hi ge-ge-i-s-di-yi a-le ge-tsi-dv-do-di-yi, na-s-gi a-ni-so-tlv-i-s-di-go tsu-da-le-nv-dv na-no-li-gv-na ge-sv-i, a-le dv-na-li-dv-ta-ni u-nv-sv u-ni-yo-i-yu ge-sv-i.
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| And shall receive the reward of unrighteousness, as they that count it pleasure to riot in the day time. Spots they are and blemishes, sporting themselves with their own deceivings while they feast with you;
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| ᎠᎴ ᏛᏂᏩᏛᎯ ᎨᎦᎫᏴᏓᏁᏗ ᏂᏚᏳᎪᏛᎾ ᏚᏂᎸᏫᏍᏓᏁᎲᎢ, ᎾᏍᎩᏯ [ᎨᎦᎫᏴᏓᏁᏗ ᏥᎩ] ᎣᏏᏳ ᎤᏥᏰᎸᎯ ᎢᎦ ᎨᏒ ᎣᏍᏛ ᏧᎾᎵᏍᏓᏴᏗᏱ. ᏥᏚᏓᏓᎶᎢ ᎠᎴ ᎪᎱᏍᏗ ᏧᏍᏙᎢ ᎾᏍᎩᏯᎢ, ᎣᏏᏳ ᎤᏂᏰᎸᎭ ᎤᏅᏒ ᎠᎾᏓᎵᏓᏍᏗᏍᎬᎢ, ᎾᎯᏳ ᎢᏧᎳᎭ ᎢᏣᎵᏍᏓᏴᎲᏍᎬᎢ.
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A-le dv-ni-wa-dv-hi ge-ga-gu-yv-da-ne-di ni-du-yu-go-dv-na du-ni-lv-wi-s-da-ne-hv-i, na-s-gi-ya [ge-ga-gu-yv-da-ne-di tsi-gi] o-si-yu u-tsi-ye-lv-hi i-ga ge-sv o-s-dv tsu-na-li-s-da-yv-di-yi. Tsi-du-da-da-lo-i a-le go-hu-s-di tsu-s-do-i na-s-gi-ya-i, o-si-yu u-ni-ye-lv-ha u-nv-sv a-na-da-li-da-s-di-s-gv-i, na-hi-yu i-tsu-la-ha i-tsa-li-s-da-yv-hv-s-gv-i.
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| Having eyes full of adultery, and that cannot cease from sin; beguiling unstable souls: an heart they have exercised with covetous practices; cursed children:
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| ᏗᏂᎦᏙᎵ ᏧᎧᎵᏨᎯ ᎠᏓᏲᏁᏗ ᎨᏒᎢ, ᎠᎴ ᏗᎬᏩᏂᏲᎯᏍᏗ ᏂᎨᏒᎾ ᎠᏍᎦᏂ ᎨᏒᎢ: ᏗᏂᎶᏄᎮᏍᎩ ᏂᏚᎾᎵᏂᎬᎬᎾ ᎦᎾᏓᏅᏛᎢ; ᏧᏂᎾᏫ ᏧᎩᏌᏛ ᎠᎬᎥᎯᏍᏗ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ; ᎠᎩᎵᏲᎢᏍᏗ ᎨᏒ ᏧᏪᏥ,
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Di-ni-ga-do-li tsu-ka-li-tsv-hi a-da-yo-ne-di ge-sv-i, a-le di-gv-wa-ni-yo-hi-s-di ni-ge-sv-na a-s-ga-ni ge-sv-i: di-ni-lo-nu-he-s-gi ni-du-na-li-ni-gv-gv-na ga-na-da-nv-dv-i; tsu-ni-na-wi tsu-gi-sa-dv a-gv-v-hi-s-di di-ga-lv-wi-s-da-ne-di ge-sv-i; a-gi-li-yo-i-s-di ge-sv tsu-we-tsi,
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| Which have forsaken the right way, and are gone astray, following the way of Balaam the son of Bosor, who loved the wages of unrighteousness;
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| ᎤᏅᏕᏨ ᏚᏳᎪᏛ ᎦᏅᏅᎢ, ᎠᎴ ᎤᎾᎴᏲᎥ, ᎤᏂᏍᏓᏩᏕᏅ ᎤᎶᏒ ᏇᎳᎻ ᏉᏌ ᎤᏪᏥ, ᎣᏏᏳ ᏧᏰᎸᏎ ᏂᏚᏳᎪᏛᎾ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎠᎫᏴᏗ,
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U-nv-de-tsv du-yu-go-dv ga-nv-nv-i, a-le u-na-le-yo-v, u-ni-s-da-wa-de-nv u-lo-sv Que-la-mi Quo-sa u-we-tsi, o-si-yu tsu-ye-lv-se ni-du-yu-go-dv-na di-ga-lv-wi-s-da-ne-di ge-sv a-gu-yv-di,
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| But was rebuked for his iniquity: the dumb ass speaking with man's voice forbad the madness of the prophet.
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| ᎠᏎᏃ ᎠᏥᎬᏍᎪᎸᏁ ᎤᏍᎦᏅᏨᎢ: ᎤᏩᎨᏫ ᏗᎦᎵᎠᏅᎯᏛ ᏴᏫ ᎤᏁᎢᏍᏗ ᎤᏩᏔᏁ ᎤᏁᏤᎢ, ᎤᏍᎦᏤ ᏄᏓᏅᏛᎾ ᎨᏒ ᎠᏙᎴᎰᏍᎩ.
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A-se-no a-tsi-gv-s-go-lv-ne u-s-ga-nv-tsv-i: u-wa-ge-wi di-ga-li-a-nv-hi-dv yv-wi u-ne-i-s-di u-wa-ta-ne u-ne-tse-i, u-s-ga-tse nu-da-nv-dv-na ge-sv a-do-le-ho-s-gi.
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| These are wells without water, clouds that are carried with a tempest; to whom the mist of darkness is reserved for ever.
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| ᎯᎠ ᎾᏍᎩ ᏓᏔᎴᏒ ᎠᎹ-ᏗᏢᏗᏱ ᎠᎹ ᏂᏗᎦᏁᎲᎾ, [ᎠᎴ] ᎤᎶᎩᎸ ᎤᏃᎴ ᏧᏃᎸᏔᏂᏙᎰᎢ, ᎾᏍᎩ Ꮎ ᎬᎾᎨ ᎤᎵᏏᎬ ᏥᎨᎦᏛᏅᎢᏍᏓᏁᎸ ᎤᎵᏍᏆᏗᏍᏗ ᏂᎨᏒᎾ.
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Hi-a na-s-gi da-ta-le-sv a-ma--di-tlv-di-yi a-ma ni-di-ga-ne-hv-na, [a-le] u-lo-gi-lv u-no-le tsu-no-lv-ta-ni-do-ho-i, na-s-gi na gv-na-ge u-li-si-gv tsi-ge-ga-dv-nv-i-s-da-ne-lv u-li-s-qua-di-s-di ni-ge-sv-na.
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| For when they speak great swelling words of vanity, they allure through the lusts of the flesh, through much wantonness, those that were clean escaped from them who live in error.
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| ᎠᏂᏁᎩᏰᏃ ᎤᏣᏘ ᎠᏢᏆᏍᏗ ᎪᎱᏍᏗ ᎬᏙᏗ ᏂᎨᏒᎾ ᎠᏂᏬᏂᏍᎬᎢ, ᏓᏂᎶᏄᎮᏍᎪ ᎠᏅᏗᏍᎪ ᎤᏇᏓᎵ ᎠᏚᎸᏗ ᎨᏒᎢ, [ᎠᎴ] ᏃᎵᏏᎾᎯᏍᏛᎾ ᏂᏓᏍᏗ ᎨᏒᎢ, ᎾᏍᎩ ᎤᏙᏗᏳᎯ ᏧᎾᏗᏫᏎᎸᎯ ᎾᏍᎩ Ꮎ ᎠᏏ ᎤᏓᎵᏓᏍᏗ ᎨᏒ ᎠᎾᎴᏂᏙᎯ ᏥᎩ.
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A-ni-ne-gi-ye-no u-tsa-ti a-tlv-qua-s-di go-hu-s-di gv-do-di ni-ge-sv-na a-ni-wo-ni-s-gv-i, da-ni-lo-nu-he-s-go a-nv-di-s-go u-que-da-li a-du-lv-di ge-sv-i, [a-le] no-li-si-na-hi-s-dv-na ni-da-s-di ge-sv-i, na-s-gi u-do-di-yu-hi tsu-na-di-wi-se-lv-hi na-s-gi na a-si u-da-li-da-s-di ge-sv a-na-le-ni-do-hi tsi-gi.
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| While they promise them liberty, they themselves are the servants of corruption: for of whom a man is overcome, of the same is he brought in bondage.
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| ᏓᏂᏚᎢᏍᏓᏁᎰ ᏗᎨᏥᎾᏝᎢ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ, ᎤᏅᏒᏃ ᎤᏲ ᎨᏒ ᏗᎬᏩᏂᎾᏝᎢ ᎨᏐᎢ: ᎩᎶᏰᏃ ᎠᏥᏎᎪᎩ ᎾᏍᎩ Ꮎ ᎤᏎᎪᎩᏛ ᎤᎾᏝᎢ ᏂᎦᎵᏍᏗᏍᎪᎢ.
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Da-ni-du-i-s-da-ne-ho di-ge-tsi-na-tla-i ni-ge-sv-na i-yu-li-s-do-di-yi, u-nv-sv-no u-yo ge-sv di-gv-wa-ni-na-tla-i ge-so-i: gi-lo-ye-no a-tsi-se-go-gi na-s-gi na u-se-go-gi-dv u-na-tla-i ni-ga-li-s-di-s-go-i.
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| For if after they have escaped the pollutions of the world through the knowledge of the Lord and Saviour Jesus Christ, they are again entangled therein, and overcome, the latter end is worse with them than the beginning.
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| ᎢᏳᏰᏃ ᎤᎾᏗᏫᏎᎸᎯ ᏱᎩ ᎦᏓᎭ ᎨᏒ ᎡᎶᎯ ᎡᎯ, ᎠᏅᏗᏍᎬ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒ ᎤᎬᏫᏳᎯ ᎠᎴ ᎢᎩᏍᏕᎵᏍᎩ ᏥᏌ ᎦᎶᏁᏛ, ᏔᎵᏁᏃ ᏱᎤᏁᏒ ᎾᎿᎭᏂ ᎠᎴ ᏱᎨᏥᏎᎪᎩᏒ, ᎤᎵᏍᏆᎸᏗ ᏄᎾᎵᏍᏓᏁᎸ ᎤᏟ ᎤᏲᎢᏳ ᎡᏍᎦᏉ ᎢᎬᏱᏱ.
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I-yu-ye-no u-na-di-wi-se-lv-hi yi-gi ga-da-ha ge-sv e-lo-hi e-hi, a-nv-di-s-gv a-ga-do-v-hi-s-di ge-sv U-gv-wi-yu-hi a-le I-gi-s-de-li-s-gi Tsi-sa Ga-lo-ne-dv, ta-li-ne-no yi-u-ne-sv na-hna-ni a-le yi-ge-tsi-se-go-gi-sv, u-li-s-qua-lv-di nu-na-li-s-da-ne-lv u-tli u-yo-i-yu e-s-ga-quo i-gv-yi-yi.
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| For it had been better for them not to have known the way of righteousness, than, after they have known it, to turn from the holy commandment delivered unto them.
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| ᎤᏟᏰᏃ ᎣᏏᏳ ᎢᏳᎾᎵᏍᏓᏁᏗ ᏱᎨᏎᎢ ᏄᏂᎦᏙᎥᏒᎾ ᏱᎨᏎ ᏚᏳᎪᏛ ᎦᏅᏅᎢ, ᎠᏃ ᎤᏂᎦᏙᎥᏒᎯ ᎨᏒ ᏯᎾᎦᏔᎲ ᏱᏚᏂᏲᏍᎦ ᎦᎸᏉᏗᏳ ᏗᎧᎿᎭᏩᏛᏍᏗ ᎾᏍᎩ ᏗᎨᏥᏲᎯᏎᎸᎯ.
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U-tli-ye-no o-si-yu i-yu-na-li-s-da-ne-di yi-ge-se-i nu-ni-ga-do-v-sv-na yi-ge-se du-yu-go-dv ga-nv-nv-i, a-no u-ni-ga-do-v-sv-hi ge-sv ya-na-ga-ta-hv yi-du-ni-yo-s-ga ga-lv-quo-di-yu di-ka-hna-wa-dv-s-di na-s-gi di-ge-tsi-yo-hi-se-lv-hi.
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| But it is happened unto them according to the true proverb, The dog is turned to his own vomit again; and the sow that was washed to her wallowing in the mire.
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| ᎠᏎᏃ ᎾᏍᎩᏯ ᏄᎾᎵᏍᏓᏁᎸ ᎯᎠ ᎤᏙᎯᏳᎯ ᎢᎦᏪᏛ ᏥᎩ, ᎩᎵ ᎤᏩᏒ ᏚᎵᎦᏍᏔᏅ ᏔᎵᏁ ᏮᎠᎦᏔᎲᏍᏓ; ᏏᏉᏃ ᎠᎪᏑᎴᎥᎯ ᎤᏓᏬᏍᏗᏱ ᏝᏬᏚᎯ ᏮᎠᎦᏔᎲᏍᏓ.
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A-se-no na-s-gi-ya nu-na-li-s-da-ne-lv hi-a u-do-hi-yu-hi i-ga-we-dv tsi-gi, gi-li u-wa-sv du-li-ga-s-ta-nv ta-li-ne wv-a-ga-ta-hv-s-da; si-quo-no a-go-su-le-v-hi u-da-wo-s-di-yi tla-wo-du-hi wv-a-ga-ta-hv-s-da.
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#include "slu_sdefs.h"
Functions | |
| void | susolve (int, int, float *, float *) |
| Solves a dense upper triangular system. | |
| void | slsolve (int, int, float *, float *) |
| Solves a dense UNIT lower triangular system. | |
| void | smatvec (int, int, int, float *, float *, float *) |
| Performs a dense matrix-vector multiply: Mxvec = Mxvec + M * vec. | |
| void | sgstrs (trans_t trans, SuperMatrix *L, SuperMatrix *U, int *perm_c, int *perm_r, SuperMatrix *B, SuperLUStat_t *stat, int *info) |
| void | sprint_soln (int n, int nrhs, float *soln) |
-- SuperLU routine (version 3.0) -- Univ. of California Berkeley, Xerox Palo Alto Research Center, and Lawrence Berkeley National Lab. October 15, 2003
Copyright (c) 1994 by Xerox Corporation. All rights reserved.
THIS MATERIAL IS PROVIDED AS IS, WITH ABSOLUTELY NO WARRANTY EXPRESSED OR IMPLIED.
Permission is hereby granted to use or copy this program for any purpose, provided the above notices are retained on all copies. Permission to modify the code and to distribute modified code is granted, provided the above notices are retained, and a notice that the code was modified is included with the above copyright notice.
| void sgstrs | ( | trans_t | trans, | |
| SuperMatrix * | L, | |||
| SuperMatrix * | U, | |||
| int * | perm_c, | |||
| int * | perm_r, | |||
| SuperMatrix * | B, | |||
| SuperLUStat_t * | stat, | |||
| int * | info | |||
| ) |
Purpose =======
SGSTRS solves a system of linear equations A*X=B or A'*X=B with A sparse and B dense, using the LU factorization computed by SGSTRF.
See supermatrix.h for the definition of 'SuperMatrix' structure.
Arguments =========
trans (input) trans_t Specifies the form of the system of equations: = NOTRANS: A * X = B (No transpose) = TRANS: A'* X = B (Transpose) = CONJ: A**H * X = B (Conjugate transpose)
L (input) SuperMatrix* The factor L from the factorization Pr*A*Pc=L*U as computed by sgstrf(). Use compressed row subscripts storage for supernodes, i.e., L has types: Stype = SLU_SC, Dtype = SLU_S, Mtype = SLU_TRLU.
U (input) SuperMatrix* The factor U from the factorization Pr*A*Pc=L*U as computed by sgstrf(). Use column-wise storage scheme, i.e., U has types: Stype = SLU_NC, Dtype = SLU_S, Mtype = SLU_TRU.
perm_c (input) int*, dimension (L->ncol) Column permutation vector, which defines the permutation matrix Pc; perm_c[i] = j means column i of A is in position j in A*Pc.
perm_r (input) int*, dimension (L->nrow) Row permutation vector, which defines the permutation matrix Pr; perm_r[i] = j means row i of A is in position j in Pr*A.
B (input/output) SuperMatrix* B has types: Stype = SLU_DN, Dtype = SLU_S, Mtype = SLU_GE. On entry, the right hand side matrix. On exit, the solution matrix if info = 0;
stat (output) SuperLUStat_t* Record the statistics on runtime and floating-point operation count. See util.h for the definition of 'SuperLUStat_t'.
info (output) int* = 0: successful exit < 0: if info = -i, the i-th argument had an illegal value
| void slsolve | ( | int | ldm, | |
| int | ncol, | |||
| float * | M, | |||
| float * | rhs | |||
| ) |
The unit lower triangular matrix is stored in a 2D array M(1:nrow,1:ncol). The solution will be returned in the rhs vector.
| void smatvec | ( | int | ldm, | |
| int | nrow, | |||
| int | ncol, | |||
| float * | M, | |||
| float * | vec, | |||
| float * | Mxvec | |||
| ) |
The input matrix is M(1:nrow,1:ncol); The product is returned in Mxvec[].
| void sprint_soln | ( | int | n, | |
| int | nrhs, | |||
| float * | soln | |||
| ) |
| void susolve | ( | int | ldm, | |
| int | ncol, | |||
| float * | M, | |||
| float * | rhs | |||
| ) |
The upper triangular matrix is stored in a 2-dim array M(1:ldm,1:ncol). The solution will be returned in the rhs vector.