Oak comes with a default implementation of an LDAP identity provider that allows perform external authentication against an existing LDAP in combination with user synchronization.
See section External Login Module and User Synchronization for a general overview of the ExternalLoginModule and how it can be used in combination with custom identity providers and synchronization handlers.
Out of the box Oak comes with the following LDAP integration setup:
The LdapIdentityProvider is a service implementing the ExternalIdentityProvider interface. Since Oak 1.6.1 it also implements the PrincipalNameResolver interface to allow for fast resolution from a given ExternalIdentityRef to a principal name as an optimization for the dynamic membership feature.
In an OSGi-base setup the configuration options required in order to establish connections to the LDAP are obtained form the properties associated with the service.
Otherwise the identity provider must be instantiated with the corresponding LdapProviderConfig object revealing the mandatory config options. The details of the LDAP configuration are listed below in section Configuration.
Currently the only way to combine multiple LDAP sources is to have multiple entries of the ExternalLoginModule configured in the JAAS setup each coming with it’s own identity provider implementation and sync handler.
See OAK-1839 for an improvement request that allows to have multiple identity provider implementations configured with the ExternalLoginModule.
The following steps are required in order to configure LDAP integration with the Oak repository:
The LDAP IPDs are configured through the org.apache.jackrabbit.oak.security.authentication.ldap.impl.LdapProviderConfig which is populated either via OSGi or during manual Repository Construction.
| Name | Property | Description |
|---|---|---|
| LDAP Provider Name | provider.name | Name of this LDAP provider configuration. This is used to reference this provider by the login modules. |
| Bind DN | bind.dn | DN of the user for authentication. Leave empty for anonymous bind. |
| Bind Password | bind.password | Password of the user for authentication. |
| LDAP Server Hostname | host.name | Hostname of the LDAP server |
| Disable certificate checking | host.noCertCheck | Indicates if server certificate validation should be disabled. |
| LDAP Server Port | host.port | Port of the LDAP server |
| Use SSL | host.ssl | Indicates if an SSL (LDAPs) connection should be used. |
| Use TLS | host.tls | Indicates if TLS should be started on connections. |
| Search Timeout | searchTimeout | Time in until a search times out (eg: ‘1s’ or ‘1m 30s’). |
| User base DN | user.baseDN | The base DN for user searches. |
| User extra filter | user.extraFilter | Extra LDAP filter to use when searching for users. The final filter is formatted like: (&(<idAttr>=<userId>)(objectclass=<objectclass>)<extraFilter>) |
| User id attribute | user.idAttribute | Name of the attribute that contains the user id. |
| User DN paths | user.makeDnPath | Controls if the DN should be used for calculating a portion of the intermediate path. |
| User object classes | user.objectclass | The list of object classes an user entry must contain. |
| Group base DN | group.baseDN | The base DN for group searches. |
| Group extra filter | group.extraFilter | Extra LDAP filter to use when searching for groups. The final filter is formatted like: (&(<nameAttr>=<groupName>)(objectclass=<objectclass>)<extraFilter>) |
| Group DN paths | group.makeDnPath | Controls if the DN should be used for calculating a portion of the intermediate path. |
| Group member attribute | group.memberAttribute | Group attribute that contains the member(s) of a group. |
| Group name attribute | group.nameAttribute | Name of the attribute that contains the group name. |
| Group object classes | group.objectclass | The list of object classes a group entry must contain. |
See External Login Module and User Synchronization for details about the external login module and configuration options for the DefaultSyncHandler.


PetFinder
Bruce
Owner Information
Name: John Smith
Home phone:<PHONE_NUMBER>
Mobile phone:<PHONE_NUMBER>
Pet Information
Name: Bruce
Breed: Labrador Mix
About this animal (behavior, medical, personality):
Bruce has no medical issues.
He is very friendly with all people.


Rode RondePDX, 45+ miles of wicked hills. In other news, my body hates me. http://www.mapmyride.com/routes/view/15276210 http://cycling.robotlikes.com/rides/297
4/22/2012, 7:00:42 PM
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Rode RondePDX, 45+ miles of wicked hills. In other news, my body hates me. http://www.mapmyride.com/routes/view/15276210 http://cycling.robotlikes.com/rides/297
4/22/2012, 7:00:42 PM
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link


| DOSE: |
15 g |
oral |
Nutmeg |
(ground / crushed) |
The following is an account of my first and, to-date, only experiment with Nutmeg. It was an overall quite an experience and something I would likely try again.
First off, although I have been interested in, and receptive to the idea of taking hallucinigenics such as mushrooms and mescaline, my drug experience only ran as deep as alchohol and pot. I've been getting stoned for a little over a year, and had been smoking pretty regularly the week prior to taking nutmeg. I didn't do nutmeg out of desperation for a buzz, but out of a curiosity for a potentially new, and maybe even 'trip-like' experience, which was piqued by the many conflicting experience reports one may find on the internet.
I know alot of people say 'your mindset makes a big difference' and 'different people have totally different reactions,' but I'm almost tempted to think that if everyone took a logical dosage they would have as pleasant an experience as I did.
Here it is:
My preperation consisted of little more than the actual logistics of buying a few ounces of fresh ground nutmeg at the local 'whole foods' store the day before and weighing it out. I carefully measured 15 grams, figuring a little less than 1.25 grams of nutmeg for every 10 lbs of body weight. The overall plan was to take the stuff in the late afternoon, synchronized with my friend who was at work, then meet up with him and some non-nutmeged buddies for a low-key 4th of July shindig.
The next day, starting at about 3:00pm, I drank the nutmeg with a can of Dr. Pepper and a bottle of sparkling water, chasing each gulp with tap water. It took me those two beverages and over an hour to get it all down; the taste is bearable, but the texture get's rather nasty after awhile. For a solid hour I felt significantly nauseous and had to lie down.
In retrospect, this could have been avoided. it probably had more to do with the consumption of carbonated beverages and sugar (I have a pretty weak stomach ON TOP of the nutmeg. I was also a little nervous (living with my parents at the time and having to 'watch my back' as I drank this nasty looking concoction). I was worried that the nerves and queasy feeling would taint the trip, but I maintained calmness and optimism.
T+ 2:00, I meet my friend. At this point I've gotten some fresh air and while my whole body seems to smell like nutmeg, the nausea has gone.
I can tell *something* feels diferent, but it's very very subtle. Over the next hour or so, I realize my speech is flowing much more fluidly: jokes come quicker, and general communication is more articulate. Having other people around definitley helped to make me aware of this. Physically I feel very at ease as well. I'm actually starting to get an appetite, not something I expected. Although we just purchased copious amount of booze, I have no desire to drink anything but water.
T+ 4:00 From this point on, my perspective of time started getting way off. Basically the next 4 hours seemed endless, yet each moment seemed perfectly enjoyable, and I never really felt 'anxious'
to 'get moving', which is how pot sometimes effects me. As I was talking with my group of friends, this 'stoned' perspective started taking over, so slowly and subtle that it was almost hard to notice. Things started getting funnier and funnier, I was laughing a lot more, and to an extent the things I said seemed detached. My surroundings seemed a little hazy, but the individual colors, especially the ones outdoors, were slightly more intense. At some point prior to feeling completely fucked, a sense of pure giddiness came about me, and I felt very confident.
T+ 5:00 Soon I realize that I'm pretty stoned. We had all been watching random TV and music videos for awhile (something I usually HATE doing for a long period of time) and when I suddenly couldn't stop laughing at the closing scenes of Lethal Weapon, I knew the nutmeg had kicked in.  The violence seemed more intense, the women more attractive. A very pleasant, controllable high.
T+ 7:00 As we're heading out of the apartment to see fireworks I'm informed that my eyes are 'SOO RED!'. I feel considerably baked.  The sun had *almost* set, and the color of the sky against the rippling water was the trippiest thing I saw all night. This was also my only bout of paranoia with nutmeg; there were a few fights brewing and some drunk guy bothering us for bottle rockets and it made me a little on edge. But if it hadn't been for a stiff wind, we would have stayed longer.
T+ 8:00 We're back at the apt, and I'm getting my first chance to actively listen to some music. It was more enjoyable, and I was appreciating styles of music I normally wouldn't, but not to the point that I have during smoking. This was the one aspect of the 'nutmeg high' that wasn't as impressive as the 'pot high'. But then again, the absence of 'super hearing' made other parts of the high more enjoyable. At this point my speech has taken on a slightly drunken character; it's somewhat slurred, and I'm a lot more talkative than I normally would be stoned. My mind still feels stoned though.
T+ 8:30 It's only 10:30 and it feels SUPER late. I'm ready to go home. I'm now entering the more hazy, unfocused part of the high. My mind is racing, and I have to watch several hours of movies to knock myself out.
T+ 14:00 I finally hit the pillow, still very stoned, but too tired to enjoy it.
T+ 18:00 I wake up, feeling moderatley disorientated but content. I have a hard time falling back to sleep and get up for a few hours.
T+ 21:00 I go back to sleep for two hours. I find myself getting very involved in every dream I have. Dreams are colliding with reality more often than usual, and when I wake up, I remember my dreams more vividly.
T+ 23:00 I wake up, feeling pleasantly high, like I had just smoked an hour ago or so. My body is obiviously very tired, but numbed by the buzz. I spend the whole day recording a drum track in my basement and find my creativity and ambition twoards creative projects is above average.
T+ 31:00 pm After feeling stoned most of the day, it's started to wear off. Coming down over a longer period of time is kind of depressing and very tiring. I have somewhat of a hard time falling asleep, but I wake up the next day (over 36 hours after taking the nutmeg) feeeling 97% normal.
Overall, I found nutmeg to be a very positive experience and I would probably do it again.
For me, the 'high' was very similar to how I would feel if I drank a beer or two and then smoked a powerful joint. But imagine that feeling spread out over a 24 hour period. This has it's major advantages. As the high comes on very slowly, you're able to appreciate and fully understand the effects in much greater detail. Before slipping into 'being totally out of it' I was able to enjoy several hours of enlightened clarity, followed by several hours of being pleasantly stoned. Of course the downside is coming down.
Usually if you go to bed stoned, you wake up feeling basically normal; in the case of nutmeg, my mind and body started trying to repair themselves during my waking hours, which is kind of a shitty feeling. Additionally, my throat and nose were very dry for a good 24 hours.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Thrift module: application_io_models
This file describes the definitions of the Data Structures related to deployment of Application on
computational resources.
Enumerations
Enumeration: DataType
Data Types supported in Airavata. The primitive data types
STRING | 0 |
|
INTEGER | 1 |
|
FLOAT | 2 |
|
URI | 3 |
|
URI_COLLECTION | 4 |
|
STDOUT | 5 |
|
STDERR | 6 |
|
Data structures
| Key | Field | Type | Description | Requiredness | Default value |
| 1 | name | string | | required | |
| 2 | value | string | | optional | |
| 3 | type | DataType | | optional | |
| 4 | applicationArgument | string | | optional | |
| 5 | standardInput | bool | | optional | |
| 6 | userFriendlyDescription | string | | optional | |
| 7 | metaData | string | | optional | |
| 8 | inputOrder | i32 | | optional | |
| 9 | isRequired | bool | | optional | |
| 10 | requiredToAddedToCommandLine | bool | | optional | |
| 11 | dataStaged | bool | | optional | |
| 12 | storageResourceId | string | | optional | |
| 13 | isReadOnly | bool | | optional | |
| 14 | overrideFilename | string | | optional | |
Application Inputs. The paramters describe how inputs are passed to the application.
name:
Name of the parameter.
value:
Value of the parameter. A default value could be set during registration.
type:
Data type of the parameter
applicationArguement:
The argument flag sent to the application. Such as -p pressure.
standardInput:
When this value is set, the parameter is sent as standard input rather than a parameter.
Typically this is passed using redirection operator ">".
userFriendlyDescription:
Description to be displayed at the user interface.
metaData:
Any metadat. This is typically ignore by Airavata and is used by gateways for application configuration.
overrideFilename:
Rename input file to given value when staging to compute resource.
Struct: OutputDataObjectType
| Key | Field | Type | Description | Requiredness | Default value |
| 1 | name | string | | required | |
| 2 | value | string | | optional | |
| 3 | type | DataType | | optional | |
| 4 | applicationArgument | string | | optional | |
| 5 | isRequired | bool | | optional | |
| 6 | requiredToAddedToCommandLine | bool | | optional | |
| 7 | dataMovement | bool | | optional | |
| 8 | location | string | | optional | |
| 9 | searchQuery | string | | optional | |
| 10 | outputStreaming | bool | | optional | |
| 11 | storageResourceId | string | | optional | |
| 12 | metaData | string | | optional | |
Application Outputs. The paramters describe how outputs generated by the application.
name:
Name of the parameter.
value:
Value of the parameter.
type:
Data type of the parameter
applicationArguement:
The argument flag sent to the application. Such as -p pressure.
standardInput:
When this value is set, the parameter is sent as standard input rather than a parameter.
Typically this is passed using redirection operator ">".
userFriendlyDescription:
Description to be displayed at the user interface.
metaData:
Any metadat. This is typically ignore by Airavata and is used by gateways for application configuration.


VIRTUOSITY A film review by D. Agnew Copyright 1995 D. Agnew
Okay, this review is a little late for those who want to hear about movies the weekend they came out. Sorry about that. On to the review.
Hoo, what a stinker.
Actually, that about says it all, but since this would be rather short if it was just left at that....
In a summer of grade-B action flicks, VIRTUOSITY stands out as a bad movie. MAD MAX WAAAAAY BEYOND THUNDERDOME (or WATERWORLD, as the studio decided to call it) was the kind of movie we would expect to see from Stallone, Ahnuld, etc. BATMAN FOREVER was pretty bad, but not a disaster. The list goes on. VIRTUOSITY, however, reaches new lows even in such a crowd.
 The "bad guy" is a computer program amalgamation of 100+ mass murderers, although there seems to be some confusion between mass murderers and serial murderers. In this movie, however, if they even managed to get all murderers that is quite an accomplishment. This evil computer program manages to get a body built--don't ask how, it is one of the sillier ideas in a movie rife with them--and predictably goes on a rampage. Equally predicatably, our hero is the only person who can stop the critter. There is the mandatory damsel to get into distress, complete with girl-who-can't-act playing her daughter (do they hold auditions for bad child actors for these movies?), together with just about every other B-movie plot device you have ever seen.
The special effects are well done, and fit the story well. That's about the only good thing to say about the movie. Even for this type of flick, the holes are awful. There are few obvious plot holes as such, so this is not principally a script problem. Rather, there are any number of visual problems: things that just do not make sense; things that obviously cannot work as shown; things that appear done in a very peculiar way for no reason (except presumably to look interesting on screen). To the "You know you're in a bad movie when..." list, add "when the bandage on the hero jumps location between two shots of him going through a door."
What, exactly, does a producer do? If not the producer, is there not someone who is in a position to say to the director, "Bob (<-- madeup name to protect the innocent--or guilty, more like it), I love what you've done with this film so far. The special effects look great. The piles of dough you have shoveled at the special-effects people have been well-spent. The film looks great. Just one tiny thing, though, Bob, and I don't want you to take this the wrong way, but... frankly, Bob, the movie as you've shot it so far really sucks, and if it doesn't get better we're pulling your plug."
 I realize that every actor makes a mistake or two in choosing roles, but it must have been clear pretty early what a piece of garbage this was. At the very least, he should have been told not to work so hard: "Denzel, stop that emoting stuff.
All in all, I can't really say I enjoyed the movie. Don't see this turkey in the theatre. If you happen someday to win a bunch of free rentals at the local video store, and you use up most of them renting every movie in the world in which you have any interest at all, and still have some left over, and spot this one on the shelf--don't rent it.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


At the launch of the application, Django runs a couple of unit tests(test at the atomic-level, which is functions in this instance) to verify the that the server runs properly and returns an expected result. There are tests that are run at certain levels:
These tests are done automatically, and a single failure of the tests will prevent the server from being launched, and reports the failure to the developers via email.
Vuforia has got many sample applications demonstrating its capability. From reading the sample apps and Unity tutorials, we’ve made a few simple interactions such as image recognition, user defined targets recognition, markerless augmented reality and text recognition.
Below is a document containing the test cases we carried out on our final system along with their respective results:
Below are screenshots of the HCI of the PoC. (From left to right: Login page, facing camera to advertisement, clicking on the AR object, rewards page)


{% if not has_global_proxy %}
{%endif%}
The authentication credentials will be stored on the lookyloo instance and potentially
accessed by third parties (either because the Lookyloo instance is public,
or people other than you have access to the instance).
If that's the case, please make sure none of them can be used to login as yourself
on websites.
The file can either be the JSON export from the Firefox plugin
Cookie Quick Manager or from an other Lookyloo capture.
The cookies will be stored on the lookyloo instance and potentially
accessed by third parties (either because the Lookyloo instance is public,
or people other than you have access to the instance).
If that's the case, please make sure none of them can be used to login as yourself
on websites.


WRF data¶
Output data from the Weather Research and Forecasting (WRF) Model is some distance from being CF compliant. A Python script is available, from the University of Cantabria, that converts WRF data into CF netCDF. The Python script can be downloaded from http://www.meteo.unican.es/wiki/cordexwrf/SoftwareTools/WrfncXnj
Our input file here is called wrf.nc. As the file is large at 5GB this file isn't distributed and this is a worked example of what is needed.
python wrfncxnj.py -v T2 -o wrf2.nc wrf.nc
We now have a CF netCDF file with the temperature at 2m which can be readily manipulated and plotted using cf-python and cf-plot.
Example 43 - plotting WRF data¶
import cf
import cfplot as cfp
f=cf.read('wrf2.nc')[0]
t2=f.subspace(time=cf.dt('2016-12-25'))
t2.units='degC'
cfp.con(t2, lines=False)


I like google.com because it helps me research what I would like to know. It is a convenient and powerful tool for finding information.
< !DOCTYPE html < html < body h1>My First Heading h1> p>My first paragraph.< /p> /body> /html>
f a l l i n g
The default display value for most elements is block or inline. Block-level elements start on a new line and take the full available width. Inline elements only take as much width as described within the line.


PPMQVGA(1) PPMQVGA(1) NAME ppmqvga - 8 plane quantization SYNOPSIS ppmqvga [ options ] [ input file ] DESCRIPTION ppmqvga quantizes PPM files to 8 planes, with optional Floyd-Steinberg dithering. Input is a PPM file from the file named, or standard input of no file is provided. Options -d dither. Apply Floyd-Steinberg dithering to the data -q quiet. Produces no progress reporting, and no terminal output unless and error occurs. -v verbose. Produces additional output describing the number of colors found, and some information on the resulting mapping. May be repeated to generate loads of internal table output, but generally only useful once. EXAMPLES ppmqvga -d my_image.ppm | ppmtogif >my_image.gif tgatoppm zombie.tga | ppmqvga | ppmtotif > zombie.tif SEE ALSO ppmquant DIAGNOSTICS Error messages if problems, various levels of optional progress report‐ ing. LIMITATIONS none known. AUTHOR Original by Lyle Rains<EMAIL_ADDRESS>as ppmq256 and ppmq256fs com‐ bined, documented, and enhanced by Bill Davidsen<EMAIL_ADDRESS>Copyright Copyright 1991,1992 by Bill Davidsen, all rights reserved. The program and documentation may be freely distributed by anyone in source or binary format. Please clearly note any changes. local PPMQVGA(1)


FHTbot
Welcome to the Flinders / hackerspace at tonsley bot web control interface.
Turtle Mode
Driver Assist
Sounds
Credits
About


|
QuantLib: a free/open-source library for quantitative finance
Fully annotated sources - version 1.30
|
#include <ql/experimental/credit/saddlepointlossmodel.hpp>
Public Member Functions | |
| SaddlePercObjFunction (const SaddlePointLossModel &me, const Real target, const Date &date) | |
| Real | operator() (const Real x) const |
Private Attributes | |
| const SaddlePointLossModel & | me_ |
| Real | targetValue_ |
| Date | date_ |
Definition at line 226 of file saddlepointlossmodel.hpp.
| SaddlePercObjFunction | ( | const SaddlePointLossModel & | me, |
| const Real | target, | ||
| const Date & | date | ||
| ) |
Definition at line 231 of file saddlepointlossmodel.hpp.
The passed x is the tranche loss fraction
Definition at line 237 of file saddlepointlossmodel.hpp.
|
private |
Definition at line 227 of file saddlepointlossmodel.hpp.
|
private |
Definition at line 228 of file saddlepointlossmodel.hpp.
|
private |
Definition at line 229 of file saddlepointlossmodel.hpp.


Holytown MMA fighter Chris Bungard dreams of bringing Bellator to Scotland
The lightweight will compete against Mario Saeed in London at the O2 Arena for Bellator on November 23.
by Mark Pirie, https://www.dailyrecord.co.uk/authors/mark-pirie/Holytown fighter Chris Bungard is looking to bring one the biggest mixed-martial arts companies in the world to Scotland.
The lightweight will compete against Mario Saeed in London at the O2 Arena for Bellator on November 23.
He thinks a dominant display will allow him to put the eyes of the world on Glasgow as he eyes up a blockbuster Hydro date in the future – and repay the supporters who have followed him for his last three fights in nine months across the UK.
“It’s a lot to ask fans to travel down with me, but I’m really lucky that I always get a great support,” said the 30-year-old.
“It’s a long way to go for a few fights now, and after the Leary fight I owe them a performance.
“I’ve had a few fight camps now and a few fights back to back, but I enjoy it. This is my job and I like being able to go and fight all the time.
“My goal is to bring Bellator to Scotland.
“I want to be the guy that brings it here to the Hydro.
“Once I put away Mario in a spectacular way we can bring it up here.
“You talk about Scotland and you always get a great atmosphere. Celtic Park, Ibrox, Hampden, these are places that have an amazing atmosphere.
“If they can go to places like Dublin and sell-out they can do it here as well. Arenas will sell-out in Scotland.”
He hopes that a win over his Kurdish counterpart inside the cage will help him bounce back from defeat to Charlie Leary in Newcastle earlier this year.
Bungard reckons his new approach to his weight and nutrition will properly prepare him for the bout – something that didn’t happen ahead of the fight against the Englishman in June.
The Scottish Hit Squad grappler has been training “two or three” times a day in the Coatbridge gym alongside the likes of UFC fighter Paul ‘Bearjew’ Craig.
“I’m looking forward to putting a beating on this guy I can’t wait to get back in there,” he said.
“The defeat to Leary was definitely the hardest for me because it was on such a big stage.
“It was the hardest defeat I have had to take, but also the defeat I have learned the most from.
“I went in to it too heavy and had to cut too much weight in the end. I have a new nutritionist who is one of the best for MMA and I feel like I’m in great shape.
“Last time I had to lose two stone before the fight and I lost the fight there.
“Now everything is going great and I’m on the right track.
“There is a couple of niggles but I’m enjoying my sessions. I wouldn’t be a Scottish fighter if there wasn’t a couple of bumps in the road.”
Bungard, nicknamed ‘The Bad Guy’ admits he is quite similar in style to Saeed, both in his approach to a fight and inside the cage.
However, he says he can already picture his win in his head, and says he won’t be able to outlast his rival.
He said: “We are quite similar fighters, and be both talk a load of s**** going into a fight.
“I’m really confident though. I can visualise the knee that I am going to give him.
“I can see myself now putting him down with the knee, whether that is for the knock-out or just before I beat him.
“I don’t see it going beyond one or two rounds. I don’t think he has the stamina to keep up with me beyond half a round
Tickets to watch Chris Bungard in action at Bellator London are on sale and can be purchased online from axs.com/uk and Bellator.com.


Our methodical approach to cloud migrations, whether from on-site to cloud, between cloud providers, or to an enhanced cloud architecture, deliver measurable gains in performance, scalability, and stability.
Many of our clients start their journey into the cloud with fragmented infrastructure, legacy software, and difficult-to-scale on-site hardware solutions. We’re able to migrate all of those to a new, cloud-based solution, which is easier to manage, and scales more efficiently as business needs change and grow.
By following the Amazon Web Services (AWS) Well-Architected Framework on almost all of our projects, we ensure that the new solution follows all industry best practices. This delivers clear benefits to security, reliability, efficiency, and cost optimization thus eliminating many of the challenges faced when maintaining and upgrading an old system.
In other instances, our clients choose to move certain workloads from their legacy on-site systems to the cloud. We build an effective hybrid environment to enable this transition.
Recently we worked as an AWS Solutions Architect for a large U.S. mortgage bank, with a hybrid network topology, consisting of around 1,000 nodes. After designing the new architecture, evaluating, and improving every element of their current AWS solution, we used our experience to implement the transition to the newly built infrastructure with minimal downtime for their business.
Our clients come to us seeking to migrate to a new architecture within AWS when faced with performance, stability, or security challenges. By adopting better standards across their implementation, and thoroughly testing performances, and putting in place appropriate log monitoring and aggregation, we ensure that the new platform is stable, and easy to monitor and maintain.
With our extensive experience building hybrid architectures, and working with build requirements that are operating system (OS) independent, we can help you deliver an architecture with elements applied using any OS, and in any location – on premises or in any cloud.


Lapack documentation
Purpose
=======
DGESV computes the solution to a real system of linear equations
A * X = B,
where A is an N-by-N matrix and X and B are N-by-NRHS matrices.
The LU decomposition with partial pivoting and row interchanges is
used to factor A as
A = P * L * U,
where P is a permutation matrix, L is unit lower triangular, and U is
upper triangular. The factored form of A is then used to solve the
system of equations A * X = B.
Arguments
=========
N (input) INTEGER
The number of linear equations, i.e., the order of the
matrix A. N >= 0.
NRHS (input) INTEGER
The number of right hand sides, i.e., the number of columns
of the matrix B. NRHS >= 0.
A (input/output) DOUBLE PRECISION array, dimension (LDA,N)
On entry, the N-by-N coefficient matrix A.
On exit, the factors L and U from the factorization
A = P*L*U; the unit diagonal elements of L are not stored.
LDA (input) INTEGER
The leading dimension of the array A. LDA >= max(1,N).
IPIV (output) INTEGER array, dimension (N)
The pivot indices that define the permutation matrix P;
row i of the matrix was interchanged with row IPIV(i).
B (input/output) DOUBLE PRECISION array, dimension (LDB,NRHS)
On entry, the N-by-NRHS matrix of right hand side matrix B.
On exit, if INFO = 0, the N-by-NRHS solution matrix X.
LDB (input) INTEGER
The leading dimension of the array B. LDB >= max(1,N).
INFO (output) INTEGER
= 0: successful exit
< 0: if INFO = -i, the i-th argument had an illegal value
> 0: if INFO = i, U(i,i) is exactly zero. The factorization
has been completed, but the factor U is exactly
singular, so the solution could not be computed.
function dgesv
extends Modelica.Icons.Function;
input Real A[:, size(A, 1)];
input Real B[size(A, 1), :];
output Real X[size(A, 1), size(B, 2)] = B;
output Integer info;
end dgesv;
Generated at 2019-01-25T16:44:03Z by OpenModelica 1.14.0~dev-130-gefa44fb


There are many variations of passages of Lorem Ipsum available, but the majority have suffered alteration in some form, by injected humour, or randomised words which don't look even slightly believable.
There are many variations of passages of Lorem Ipsum available, but the majority have suffered alteration in some form, by injected humour, or randomised words which don't look even slightly believable.
There are many variations of passages of Lorem Ipsum available, but the majority have suffered alteration in some form, by injected humour, or randomised words which don't look even slightly believable.
There are many variations of passages of Lorem Ipsum available, but the majority have suffered alteration in some form, by injected humour, or randomised words which don't look even slightly believable.
Employees and consumers. Two halves of a brand’s entirety, the whole of a brand’s audience. Sometimes these two halves have very different viewpoints, creating a weak spot in the brand story. Weakness tarnishes credibility. Brands that aren’t credible aren’t viable.
We squash weakness by designing the whole brand story. It’s crafted around the truism held by employees and consumers to create an experience that connects from the inside out.
By being true to the brand we represent, we elevate the audiences’ relationship to it. Like becomes love becomes a passion. Passion becomes advocacy. And we see the brand blossom from within, creating a whole story the audience embraces. That’s when the brand can truly flex its muscles.
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book.
It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
Contrary to popular belief, Lorem Ipsum is not simply random text.
- Alex Webber.
It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book.
It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
Contrary to popular belief, Lorem Ipsum is not simply random text.
- Laura Robinson.
It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
© Copyrights © 2017 杭州米友圈科技有限公司


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This is an analysis of the temporal fluctuation in a central voxels. A ${centralroisize}x${centralroisize}x1 voxel is automatically positioned at the center of gravity, and the average voxel value is plotted a function of time. Linear and quadratic terms are fit to the drift. The voxel statistics are reported with and without the drift removed.
Raw central ROI plot
mean=${'%4.4f' % centmean}
stddev=${'%4.4f' % centstddev} ${centstddev_qualitytag}
p-p=${'%4.4f' % centpp} ${centpp_qualitytag}
drift=${'%4.4f' % centdrift}
Detrended central ROI plot
mean=${'%4.4f' % centmean_dt}
stddev=${'%4.4f' % centstddev_dt} ${centstddev_dt_qualitytag}
p-p=${'%4.4f' % centpp_dt} ${centpp_dt_qualitytag}
Central ROI over time
mean=${'%4.4f' % centsnr}


|
Select the data button, a selection menu for epidemiological,environmental and linked information appears
Now, you are aible to make different data explorations
The 'Explore Data' function allows you to discover used substances, classifications etc.
It shows you an abstract and further external links.
Further external information is just a click away...
|


We can’t wait to tie the knot in front of our family, friends, and mentors!
hope that you can enjoy this special moment with us
camera-free, so please, no photos until our ceremony conclusion.
There will be a break after the ceremony where hot chocolate and baking will be served. Feel
free to stick around and socialize! There will be no receiving line, but we will walk around
and socialize briefly after the ceremony.
Saturday Evening Reception
What
Celebrate our marriage at Coloniale Golf Club in style! Let's party!
When
Saturday, December 28th, at 6:00pm. Doors to the Coloniale open at 5:00pm for refreshments.
Parking is available on-site at the Coloniale. Stay safe, please don't drink and drive.
Information
We can’t wait to spend time with and dance the night away with all of our favourite people.
Dress to impress in your best cocktail attire! Dinner will be served around 6pm. There will also be a
$3 cash bar, so make sure to bring some change!
Plus Ones
Due to space constraints at the Coloniale, we are regrettably unable to extend invitations for
additional plus ones. They are more than welcome to come to the Wedding Ceremony, however.
Please view your wedding invitation to see your guests.
We appreciate your understanding and look forward to celebrating with you!
{% comment %}
Afterwards
Guests wishing to continue celebrating with Cory and Rowena after the reception can
head to the Sandtrap Pub and Grill.
Buses will also be dropping off there.
{% endcomment %}
{% comment %}
Sunday
Cory and Rowena will be headed to Niagara Falls on Sunday.
Anyone who wants to join them is welcome.
Details will be coordinated via Whatsapp.


Since October 2019 I have been with the University of Waikato. In the past, I worked at INF/UFRGS Federal University (Associate Professor, 2010–2019), UNISINOS University (Adjunct Professor, 1993–2008), PUC-RS University (2008–2009), as well as an Invited Adjunct Professor at UNAL, Colombia.
My research has addressed a range of challenges as technology evolved, covering the non-functional properties of performance, security and resilience of networked systems and their underlying protocols. My key research interest has been on Internet measurements and network security.
I have regularly contributed to the network research community by serving in multiple committees. I was the general co-chair of ACM SIGCOMM 2016 and have been serving as Program Committee co-chair of ACM CoNEXT 2022. I have contributed as a member of several Technical Program Committees of conferences: ACM CoNEXT, IEEE INFOCOM, IEEE ICNP, ACM HotNets, ACM IMC, IFIP Networking, etc. I was a member of the ACM SIGCOMM Executive Committee 2017-2021, and have been a co-chair of the ACM SIGCOMM CARES committee. I also contributed as a member of the steering committees of ACM CoNEXT and the PAM conference, and chairing the Advisory Board of the ACM PACM-NET journal.
I am fortunate to have supervised many bright students (and hope some new ones look for me in the future). Contact me if you are interested, but to be sure I am a good fit for you, please first read my recent papers and be ready to talk about the ones that interested you: it’s a proof-of-work without which you may not get a response :) If you are unaware of my work, I may not respond to your email.
PhD in Computer Science, 1998
Newcastle University, UK
MSc in Computer Science, 1993
Federal University of Rio Grande do Sul (UFRGS), Brazil
BSc in Computer Science, 1989
Federal University of Rio Grande do Sul (UFRGS), Brazil
Google Scholar profile.
(2023). (2022).
These connections are part of a computer science research project at the University of Waikato, School of Computing & Mathematical Sciences.  Similarly to so many other scientific studies, this allows us to methodologically measure the Internet and analyse trends in technology deployment and security.
As part of this specific investigation, every public IP address in the Aotearoa’s cyberspace receives a handful of packets on IANA standard and non-standard ports. These consist of conventional connection attempts followed by RFC-compliant protocol handshakes with responsive hosts. We use only tools that have been used in dozens of other scientific studies worldwide (e.g. ZMap, Masscan, ZGrab2 and LZR). We never attempt to exploit security problems, guess passwords, or change device configurations. Furthermore, we only receive data that is publicly visible to anyone who connects to a particular address and port.
This project was ethically approved by the University and follows the widely accepted best practices for Internet scanning measurements.
The data collected through these connections consists only of information that is already publicly visible on the Internet. It helps us, computer scientists, study the deployment and configuration of network protocols and security technologies. We may be able to detect vulnerable systems and responsibly report the problems to the network operators.
This research helps the scientific community accurately study the Internet.
The data is sometimes used to detect security problems and to inform operators of vulnerable systems so that they can be fixed. If you opt out of the research, you might not receive these important security notifications.
If you wish to opt out, please use<EMAIL_ADDRESS>to let us know. We will promptly exclude your network from the set of measurements.
Dr. Marinho Barcellos
WAND Research Group
University of Waikato
In Brazil, there is typically one graduation ceremony per semester, with students graduating in Computer Science or Computer Engineering programs. Each of these undergraduate programs select, by vote, two professors they considered the best/most influential in their 4-5 years of study. This is a very prestigious distinction, specially when the faculty is in the order of 60-70 professors and lecturers. I have been fortunate enough to be awarded several times in my career, spanning different higher-education institutions.


Review: ARTEMISIA [Miramax-ZOE]
A film by Agnes Merlet
Rated R [French, with subtitles]
Review by: Joy Wyse
In these days of sexual harassment cases, I suggest that people go to see ARTEMISIA to see what sexual harassment really is.
The true story opens in Rome in 1610 where 15 year old Artemisia is living in a convent. She takes a candle from the chapel to enable her to have light in the late hours in her room to draw. Her ability to sketch the human body comes from her use of this candle and a mirror to examine and recreate her own naked body. When her artist father, Messier Gentileschi, is shown her drawings he takes her from the convent to become his assistant. She does much of the painting that is passed off as his work.
She wants to learn as much as possible but is not allowed to attend the academy, simply because she is a female. Her desire to learn about the male body is fulfilled when she convinces a young worker to take off his clothes for her, in exchange for a kiss. She sketches what she has seen.
In the art world of that era females are only used as nude models and participants in after hour orgies. When her father is hired to work with Agostino Tassi in painting the frescoes for a new church, Artemisia learns even more when she peeks through the window at one of the orgies. She prevails upon Tassi to become her art teacher and shows him her sketches. When he sees the male nudes that she has done, he surmises that she is much more experienced than she is, and he is very surprised when she loses her virginity to him.
When her father learns of their indiscretions, he has Tassi arrested, for rape. Artemisia insists that he did not rape her, but her father is trying to save her reputation, even at the cost of Tassi's career and freedom. Some of the scenes that follow had the audience gasping at what happens next.
The epilogue gives a condensed version of what became of them. Artemisia did, in fact, become a recognized artist, with works on exhibition at the Louvre, and the Metropolitan Museum of Art.
This is an excellent movie, although it will not appeal to everyone. I'm very glad that I saw it. I learned from it and I wouldn't mind seeing it again.
I give it a solid B.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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If you wish to get in touch with us directly, please email picknic.site@gmail.com.


The important thing to know about a bar graph is that the longer/ taller the bars are, the greater the values they represent. That means, in the given bar chart, since the height of the bar representing “Access to healthy drinking water” is the highest, you can conclude that most of the respondents, twenty to be precise, said that they were concerned about healthy drinking water. Likewise, the height of the “Risk of flooding/ forest fire” bar suggests that minimum number of respondents, two to be precise, said that they were concerned about flooding or forest fire.
in-context


PROJECTS
An messenger style app created to help people around the world converse and learn lanaguages
GitHub CodeAn app created using OpenWeather API to dynamically grab weather info from around the world
GitHub CodeAn app created to help users pick new exercises and find new meal prep ideas based on calorie intake
GitHub Code


Animated.js allows you to add data properties to any block level element to apply CSS3 animations. For example to change the opacity of an element:


Whether relaxing and having fun or traveling, boats are an increasingly popular activity. But what happens when a day on the water goes awry? Boating accidents occur all too often in the nearly 14 million registered watercraft in this country, and the injuries that result can cause disability and even death in their victims.
Arizona boating accident injuries can be as minor as a first degree burn or scrape to a traumatic brain or spinal injury. Unfortunately, some boat accidents can also be fatal. It is important that you contact an Arizona boating accident lawyer at Goldman Accident Lawyers as soon as you or a loved one have been seriously hurt or fatally injured in a boating accident.
Though safety is stressed by local law enforcement, all too often boats are not equipped with proper safety equipment such as life vests and fire extinguishers. In addition to a lack of training and rescue experience, some boat operators use alcohol or drugs while on the water, creating a dangerous situation for themselves and their passengers. In cases in which an operator's negligence or carelessness caused or contributed to a boating accident, victims of injury can claim compensation in court, collecting money for damages related to the costs of care, lost time from work, and pain and suffering.
Some boat accident injuries can be easily avoided by practicing common sense. Others are completely out of the hands of the vessel operator and / or boat passenger(s).
Properly fitting life jackets, keeping a look out for other boaters and personal water craft operators and following basic waterway rules and laws can help reduce your chances of a severe or fatal accident.
A few of the most common causes of boat accident injuries on Arizona lakes and waterways include:
After you or a loved one has been injured in a boat accident, you need to report the incident within 48 hours to the Arizona Game and Fish Department. You also need to contact an Arizona boating accident lawyer. Goldman Accident Lawyers are skilled at representing clients with personal injury claims caused by the negligent actions of another.


| DOSE: T+ 0:00 |
15 mg |
insufflated |
DiPT |
(powder / crystals) |
| T+ 2:00 |
20 mg |
insufflated |
DiPT |
(powder / crystals) |
| T+ 2:00 |
1 bowl |
smoked |
Cannabis |
(plant material) |
| T+ 2:00 |
5.0 mg |
smoked |
DiPT |
(powder / crystals) |
An avid psychonaut friend of mine had recently acquired a moderate quantity of diisopropyltryptamine, and due to my particular fascination with this drug that I had never before done I naturally obtained a quantity in the area of 500 mg. After a mild sharpness of sorts but no noticeably discernable psychoactive effects on a 15-20 mg oral dose, I decided I would have to use a much higher quantity or a more efficient means to achieve the effects I had been desiring. I have had one notable experience since then.  In the early afternoon, my pondering got the best of me and I began to fantasize about the 'audial rich vibrant world' that I always envisioned DiPT as offering in my younger years.
T-0:00 Insufflated 15 mg DiPT.
T-0:05 Everything seems to have shifted slightly, body high just noticeable, a familiar tryptamine feeling. Smoked a bowl and took a walk.
T-2:00 Insufflated 20 mg DiPT. Smoked a bowl with ~5 mg.
T-2:15 Now we are talking. Occasional random intense patterned visuals appear but are hardly my concern as I play a computer game and discover that I have most of my faculties about me. Then why do I feel like I am tripping? Things smell quite strange.
T-4:00 The small body high is mostly gone, but auditory effects are exquisitely confusing. Nothing like what I had been told, unfortunately.
T-22:00 (After an ok night of sleep) sitting in my chair, I hear a softened shouting noises and a low metallic noise identical to ones I had heard in the computer game I was playing the day prior. Realizing I must have left the game running, I was surprised to see the computer's power off. I sat for a long time trying to figure out where the noise came from until I realized that upon hearing distant bird chirping, I somehow isolated certain frequencies of overtones in my perception, effectively morphing the non-pitch related qualities of the sound itself! For a while after that 'hallucination', I could hear almost any sound that I remembered ever hearing solely in the form of bird chirping overtones!!
Conclusion: Inhaling DiPT works, as does insufflation. But sniffing this stuff is painful and not recommended. Also, DiPT's effect on your body's other senses is definitely there, especially for taste/smell. I got a lot of weird olfactory hallucinations... things still smell quite unfamiliar a few days after the experience (although the DiPT itself smells more and more familiar). Ears ringing for a couple days... comes in waves. In my social circle, DiPT is seen as 5MeoDiPT's relatively inactive cousin. I have taken 5MeoDiPT and I enjoy DiPT much more, unlike most psychonauts. Although DiPT's subtlety can be a vice, I much prefer subtlety to the 'rollercoaster to nowhere' of 'Foxy'(5meodipt).
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Origins
Developed by From Software and Sony Japan Studio, Bloodborne is a spiritual sequel to the critically acclaimed Demon's Souls. The original game's appeal lay with its renowned difficulty and trial-and-error approach, one that Bloodborne promises to sustain and improve on.
Software
Bloodborne was announced on June 9th 2014 during Sony's E3 conference. The title had previously been leaked as "Project Beast"
The series' creator, From Software's Hidetaka Miyazaki, has joined the original Demon's Souls team and posted these comments:From SCE WWS Shuhei Yoshida (吉田修平):
"Bloodborne is a completely new original title under the PS4 platform. It is a collaboration among Miyazaki after Demon's Souls, Fromsoft and JAPAN studio. This time, we are extremely happy to make announcement at the E3 press conference where fans around the world pay attention to. Powered by the PS4 network, the development team worked hard to bring a new way to play and experience the world filled with mystery mood in a gothic-horror setting, featuring a simple and yet brutal but also strategic game style. Please wait with great expectations.
The Souls series is known for medieval fantasy settings with castles and dungeons a common sight. However, Bloodborne is based in the city of Yharnam which is described as "ancient" and "forgotten." The city is characterized by a Victorian era feel. Sony has promised a rich, detailed world that highlights the power of the PS4.
The plot revolves around the city being known for an old medical remedy which the player character will attempt to seek out. Making this task difficult is the endemic elements that have created "nightmarish creatures" and "malformed beasts."
The combat style is said to be quicker and more offensive based. Preliminary information suggests that shield may not make an appearance, with both hands being used for weapons. Early reports indicate that a gun and scythe like weapon will be the go to gear for this game.
The game is already available for preorder though the PlayStation store as well as some retailers. Sony is promising a Spring of 2015 release while Gamestop.com has a tentative release date of 3/31/2015, which is likely a placeholder date.
Online modes will exist but information is currently not being shared about specific ways players will be able to interact with each other.
Concepts
Developmental
The game is not a direct sequel to any Souls game.
General
Notable Differences with Demon Souls
The game features Day and Night cycles.
Blocking and defensive play are limited.
New Regain system allows players to get their health back.
Game Data
| Name |
BLOODBORNE |
ブラッドボーン |
|
|
| Cover |
PS4 Cover |
|
|
|
| Release Date |
NA: 24/3/2015 |
EU: 27/3/2015 |
JP: 24/3/2015< |
|
| Genre |
Action |
RPG |
|
|
| Price |
Regular Edition:
59.99 USD
7,200 YEN |
Collector's Edition:
79.99 USD
9,500 YEN |
Nightmare Edition:
119.99 EUR
15,600 YEN |
|
| Rating |
Teen |
|
|
|
| Online |
PlayStation Network |
Requires PS+ for Multiplayer |
|
|
| Developer |
From Software |
|
|
|
| Publisher |
Sony Computer Entertainment |
|
|
|
| Director |
Miyazaki Hidetaka |
|
|
|
| Official Site |
Japanese Site |
English Site |
|
|


The Four Classics are widely considered the basis for and epitome of Chinese literature. The four titles include: "Romance of the Three Kingdoms, "Journey to the West, Water Margin", and "Dream of the Red Chamber".
Jiao zi are delicious dumplings that are considered a staple at Chinese New Year (but also great year round!). Their fillings can vary but a common one is ground meat and cabbage. Making them is pretty easy and can be tremendous fun! (Note that the picture represents Xiao Long Bao 小笼包, which are filled with a warm soup that explodes in your mouth when the skin of the dumpling is broken.)
This famous Taiwanese singer is best known for her song "The Moon Represents My Heart" (月亮代表我的心).


Testimonials
"Silvio's by far the best around. Very satisfied with the end result on the work they did for me a beautiful brick walk with a bump out. I highly recommend them for any future project you have planned."
- Sebastian Gimenez, President and owner of Jimenez & Son Construction
Testimonials
"Iggy and Dave are the best. They designed my front walkway and wall and it came out amazing. Very easy to work with and repaired my lawn and driveway before they left."
- Kathy Price, R.N
Testimonials
"I can't say enough good things about Dave and Iggy. They just completed a 950 sq ft patio, custom fireplace, walls, lighting, etc.Thank you guys so much, we love our patio!"
- John Woodland, Home Owner
The Best Masonry and Landscaping in New England


This uses the bulk data transmission extension defined in bulk_data_transmission.c (compiled to libbulk_data_transmission.so) to extend Crosswalk.


Andrei Constantinescu
<EMAIL_ADDRESS>· 0044 7482 009 085 · London, UK
Employment
Full-Stack Developer
News UK - London
March 2018
- Helped improving The Sun website's performance for both the enduser and developer by upgrading to react 16, react ssr and webpack 4 while maintaining the existing stack featuring redux, sass, react, mocha, enzyme.
- Created various components for the Sun's World Cup 2018 Page that integrate a series of 3rd party services for tracking and delivery of content like Brightcove, Parse.ly, Opta.
- Created and maintained api different endpoints for the Express server.
- Improved and implemented different features on the main website.
Frontend Engineer
AIG Europe - London
Oct 2017 - Feb 2018
- Helped architecting the frontend of a new internal multipurpose project with the aim of generating insurance quotes based on a set of rules and different covers using React, redux, selectors, redux-saga, sass, webpack.
- Fixed numerous bugs and implemented new features on the existing single purpose platform having the same tech stack.
- Created various internal PoC projects revolving around the insurance business with React, redux, webpack and sass.
Full Stack Software Engineer
Third Space Learning Ltd - London
Aug 2017 - Oct 2017
- Architected and implemented the frontend of an online library for teacher to provide maths resources for pupils - Year 1 through Year 6 called Mathshub. It delivers different types of resources, from documents to video trainings, along with a daily challenge for pupils to solve in the classroom. The content is available to useres on a tier based system. The stack was composed of Reactjs, Redux, Apollo, styled-jsx, tachyons and nextjs.
- Architected and implemented the backend (API + SQL database) of Mathshub which comprised of a Graphql Server with custom made Types, queries and mutations in order to deliver the information in a secure format (eg url signing based on the user tier). The Graphql endpoint communicates with a SQL database service from AWS, RDS - which is postgres underneath. The stack was composed of Nodejs, Express js, GraphQL, AWS services - S3, RDS.
- I created the database schema and connections between tables for gathering resources. Different materialized views for individual pages were created so that gathering information from the DB and displaying it on the frontend is fast and without involving any costly joins between tables.
- Architected and implemented an initial version of a custom CMS for updating the Mathshub Database and make use of the graphql mutation in a safe environment while making offering basic CRUD mutations. The stack used was mainly the same as the Mathshub app, which is ReactJs, NextJs, Apollo, Redux, styled jsx and tachyons.
Software Engineer
Beamly Ltd - London
Nov 2016 - Aug 2017
- Architected and implemented an internal tool for validating various entries in a neo4j graph-based db. Frontend stack: React, webpack, redux, tachyons.
- Opensourced the boilerplate created for the validation tool, now being used as a kitchen sync for trying new tech, Project Viper.
- Created internal wordpress blog, also created a safe docker based environment for this project and opensourced the docker based environment I created, Wordpress Jail Cell.
- Architected and implemented a prototype of a social listening tool. Backend stack: nodejs, mongodb. Frontend stack: react, webpack2, redux, redux-saga, tachyons, aws rds, google services apis.
- Architected and implemented the first version of an internal social listening tool from scratch. It used different endpoint and services for gathering data and analysing it. Backend in nodejs, potgresql database, graphql, google services apis. Frontend in react, relay, tachyons, style jsx, webpack2.
- Contributed to internal reactjs based projects.
Software Engineer
Kano Computing Ltd - London
July 2015 - Oct 2016
- Architected and developed the first stage of a unified sharing flow (between the OS and webapps) with QTWebEngine, QTWebChannel, x-Tag, CSS and es6.
- Architected and implemented from scratch the kano.me website with a stack based on vuejs, vuex, webpack, es6 and the shopify api.
- Developed from scratch various parts, including the unified navigation part for Make Apps in Polymer, ES6, Babel, Gulp.
- Implemented various features on the Make Art, that is based on Angular, Jade, Stylus and Gulp.
- Developed the Kano World Onboarding Flow for new users. On the front-end I used Vue.js, Jade, Stylus and on the Backend I made use of MongoDb and NodeJS.
- Recreated the Registration Flow with x-Tag and add it to the Kano World SDK to be used throught out apps.
- Created Amazon-like SLAs for displaying relevant product information for users reagarding delivery times considering timezones differences and business days with the help of moment.js, express.js, ES6.
- Created the Admin tool for the SLA server using react.js, React-router, webpack, es6, Babel.
- Developed countless features and improvements for kano.me using Shopify tools.
Front-end Developer
Learn Forward Ltd (formely Read Forward) - Bucharest
April 2014 - May 2015
- Created various textbooks with interactive exercise for grades 1 - 4 with our open-sourced authoring tool, Learn Forward Author and the help of Jade, Stylus. A romanian language for the 2nd grade can be found here.
- Online version of Freedom House's Fighting Public Procurement Criminality Report built with Learn Forward Author and custom Jade, Stylus mixins and LFA collaboration functionalities.
- Online version of Net Children Go Mobile Report built with Learn Forward Author and custom Jade, Stylus mixins and LFA collaboration functionalities.
- Created and maintained Monica Macovei's open source presidencial elections website with NodeJS, BackboneJS, bundled with Browserify, built with GulpJS having Brower-Sync for development, tested with Mocha covered with IstanbulJS and deployed on Heroku.
- Created the company website with a stack consisting of NodeJS, BackboneJS, bundled with Browserify, built with GulpJS having Brower-Sync for development and deployed on Heroku.
Education
Bucharest, Romania
University of Bucharest
- Bachelors Degree in Computer Science.
Side Projects
- A Alexa trivia like game World Capitals in which you should tell the capital city of a given set of countries.
- Codeveloped a Spotify clone during the Meteor Hackathon in 2015 with a stack consisting of ES6, Meteor, react.js, webpack, es6, Babel
- The frontend of a Movie Recommendation System on top of NodeJS, AngularJS, Redis, Bower, Stylus and deployed to my server through custom git hooks 😅.
- Fully developed a native iOS App with Objective-C incorporating different services like Parse, authentication with Twitter's Digits and Google Maps API from which you could find friends that are nearby and set a rally point.
- A Twitter Clone built with Ruby On Rails while I was learning the basics of Git, TDD and Agile Development.
Trainings, Hackathons, Prizes
- TOEFL iBT: Score 85/120 .
- Attended local hackathons: FirefoxOS 2013, IBM Challenge 2014, Innovation Labs 2015.
- Prizes: Omnifee: ImSmart 2014 - 1st prize, Hackathon: IBM Challenge 2014 - 3rd prize
Languages and Technologies
- Languages, Frameworks and Libraries:
- Advanced knowledge of JavaScript, HTML, CSS, Jade, Stylus, React, Redux, Vuejs, Vuex.
- Good knowledge of jQuery, Backbone, Underscore/Lodash, Angular, Polymer
- Working knowlegde of Ruby, C, C++, Java.
Hobbies and Interests
I try to keep up with the latest technology trends by lurking Hacker News , Sidebar.io and Product Hunt and by reading different books on Gitbook.io . I also attend local technology conferences and help people with their programming projects. In my free time I also add more features my RaspberryPi home media center.


Caitlyn Jenner joins British reality show 'I'm a Celebrity... Get Me Out of Here'
by Nate DayCaitlyn Jenner is taking another stab at "I'm a Celebrity... Get Me Out of Here."
The former Olympic athlete has joined the cast of the British version of the show, having starred in the U.S. version in 2003.
Jenner, 70, will join broadcaster Ian Wright and singer Nadine Coyle and more, according to a tweet from ITV.
MARVEL STAR CHRIS EVANS SAYS HE'S 'ALWAYS LOOKING FOR A WAY OUT' OF ACTING
“Dealing with other people is by far the hardest thing,” Jenner said in a press release. “It’s much more difficult than dealing with the most poisonous snakes in the world. That’s easy — just stay away from them!”
The celebrities compete in various challenges in order to win money to go to a charity of their choosing.
ZOOEY DESCHANEL, JONATHAN SCOOT MAKE FIRST RED CARPET APPEARANCE TOGETHER
“Last time, I did it with a bunch of people from the States who I knew of," Jenner said of returning to the franchise.  But I love going over to the U.K., I love the British people and I am looking forward to making some new friends, new allies and getting through it all.”

While Jenner revealed that her daughters and former step-children have questioned her why she'd participate, she wishes she could bring one family member along: Kanye West.
CLICK HERE TO GET THE FOX NEWS APP
“He’s a good friend of mine and he’s good to have an intelligent and interesting conversation with,” Jenner noted.


La Needs is established for providing hassle free service to all the people from all the field. We have a strong vision to make people feel that they are safe, comfortable and not alone or new to area. When a person find himself at a new place, he always have a fear of being charged more than usual at market place. Hence, we are providing our services to achieve the goal that everyone who is not at their own place feel comfortable and confident. Vision To build a global hassle free environment and a tool for people from all over the world. A person from any part of the world can get his any of the work done, any where in the world. La Needs provides the feeling of safety and confidence to the people who lack it due their existence at new place. Safety from being mischief at new market place where people always have a fear of being charged more than the actual prices.
Shipping All Over India
Same Day Delivery
24/7 Support
La Needs is established for providing hassle free service to all the people from all the field. We have a strong vision to make people feel that they are safe, comfortable and not alone or new to area. When a person find himself at a new place, he always have a fear of being charged more than usual at market place. Hence, we are providing our services to achieve the goal that everyone who is not at their own place feel comfortable and confident.


(1) Korea Advanced Institute of Science and Technology
Abstract
This paper introduces an obstacle-avoiding algorithm for bipedal robots,
especially in push recovery situations. Typically, There are many algorithms
that plan footstep to avoid obstacles based on vision recognition data.
However, if the robot is pushed, the planned footprint will change, and thus,
there is no guarantee that it will avoid obstacles. Although modified stepping
positions can be limited, the robot's stability is not assured. Our proposed
algorithm focuses on avoiding obstacles through vision recognition in push recovery
situations and generating compensation actions for instability by restricting modified
footsteps. We fuse vision feedback with our previous push recovery algorithm, which
optimizes the ankle, hip, and stepping strategies. We build simple grid data using
vision recognition and apply it to the inequality constraint of the stepping position.
We validate the effectiveness of our algorithm using the bipedal platform GAZELLE
with the Kinect V2 RGBD sensor.
@INPROCEEDINGS{
PushRecoveryVisionJeong2019,
author={Jeong, Hyobin and Kim, Joon-Ha and Sim, Okkee and Oh, Jun-Ho},
booktitle={2019 IEEE/RSJ International Conference on Intelligent Robots and Systems (IROS)},
title={Avoiding Obstacles during Push Recovery Using Real-Time Vision Feedback},
year={2019},
volume={},
number={},
pages={483-490},
doi={10.1109/IROS40897.2019.8968009}
}


| 1126 | (A) | that he profirde thaym pese and grete Pete hade |
| 1130 | (C) | How þat he proferede hem pece . & grete pyte hadde |
| 1112 | (D) | That he had profrid hem pees he grete pite had |
| 1093 | (E) | þat he hadde profered hem pees . it greuyd hym sore . |
| (Ex) | ---- no text ---- | |
| 1150 | (L) | þat hadde propfred hem pes & grete pite hadde |
| (P) | ---- no text ---- | |
| (U) | ---- no text ---- | |
| 191 | (V) | þat he profered hem pees . and pete on hem hadde |


Great Benin, where the king resides, is larger than Lisbon; all the streets run straight and as far as the eye can see. The houses are large, especially that of the king, which is richly decorated and has fine columns.
- Lourenco Pinto.
ABOUT
The palace of the Oba of Benin (EGUAE OBA N'EDO)
The Royal Palace of Oba of Benin is a celebration and preservation of the rich Benin culture. Palace of Oba of Benin is mostly visited by Curators, Archaeologist and historians. It is large and square and surrounded by a wall. The court is divided into many palaces with separate houses and apartments for courtiers. The court has many galleries flanked by wooden pillars. Fixed to these pillars are shining metal plaques showing battle scenes and deeds of courage. The roofs of the palace have pointed turrets and on top of each turret there is a copper bird with outspread wings.
The Royal Palace Of Oba Of Benin is a UNESCO listed heritage site. It is notable as the home of the Oba of Benin and other royals. The palace, built by Oba Ewedo (1255AD – 1280AD), is located at the heart of ancient City of Benin. It was rebuilt by Oba Eweka II (1914–1932) after the 1897 war with the British it was destroyed. The palace was declared a UNESCO Listed Heritage Site in 1999.
HISTORY
The Oba’s palace (Eguae Oba) today, is one of the testimonies of the political status of great Benin. It sits conspicuously right in the heart of the city, bounded in the north by king-square (Eko Oha/Unuoghua) and Unuabere, on the south by Ogbe-Ezoti, on the east by Ogbe N’Alaka and on the west by ekiokpagha (or sokponba). The palace has been the home of past and present Obas of Benin and each reigning monarch has left his influence there.
During the reign of the Ogiso (the kings of the sky), the palace was at Ugbekun, which is about six kilometre east of Benin. The site of the first palace, now a national monument, was built about A.D 904 by one of the Ogisos named Igodo. Thirty-six years later, his successor Ere, moved the palace to Uhunmwun/Idunmwun (now called east circular) where it remained until about A.D. 1170.
When the last Ogiso Owodo, was banished from the throne for mal-administration, and during the interregnum which followed, Evian who was the administrator refused to live in the palace. Thus the neglected palace lost some of its attraction and greatness.
A new palace was built however, at Usama (siluko road) about 1170 for Oranmiyan (Omonoyan) who at the request of the Binis, was sent from Ife by his father, Izoduwa, the grandson of Owodo the last Ogiso of Benin. He however refused to use this new palace, but his son Eweka I Later used it (c 1200).
Two Obas of Benin, Uwakhuahen and Ehenmihen, also lived in this palace after the passing away of Eweka I. But because of persistent harassment from the Uzama (the king makers) who claimed equal powers with the Oba. Ewedo the eldest son of Ehenmihen, who succeeded to the throne, moved the palace from Usama – which is now only used as one of the shrines during coronation ceremonies.
About 1816, the second son of Obanosa usurped the throne for eight months. In the civil war that ensued, Ogbebo was vanquished and in despair, he built down the palace and hanged himself. The same year, the palace was rebuilt by Osemwende, but part of it was destroyed in 1897 during the British punitive expedition to Benin.
Although the palace has changed considerably in appearance from what it looked like at the turn of the century, it still retains its old traditionaland architectural value and beauty.
PLEASE NOTE that most of the descriptions of the Oba palace on this webpage is from the book: EGUAE OBA N'EDO published in 1979 by Osemwegie Ebohon with little modifications to suit present realities anywhere possible.
The palace comprises (at least) of:
THE PALACE WALLS
The palace walls were made from the Benin red soil (Ulakpa). Instead of using water to mix the mud for setting the walls, palm oil was used.
The walls are between two to four feet thick. One of the intriguing feature that has made the walls of the palace baffle modern architecture is that despite age and weather conditions they have gone through, no part has cracked.
- The royal court yard which consists of:
- The mud walls and brick concrete foences around the palace.
- The ugherhoba (hall of departed obas).
- Ugha ehengbuda.
- Ugha ohuan.
- Iwowa; is a building none is allowed to talk about it stands lonely at the left entrance of the palace.
- Urho-ike; here the lame porters (ike) guarding the erie (harem) resided.
- Iweribo (iwenekhuan).
- Aro-ozolua.
- Modern brick buildings which serve as offices, visitors' waiting room, etc.
- Halls or room not accessible to the public execpt for the initited member of the palace e.g. ugha n'ibiwe, iwori, ughe n'iwehuae, ugha ewase, iweoghene etc.
ERIE (HAREM):
This is where the Iloi (oba's wives, 'Oloi' singular) live in the palace. It formerly consisted of ten quarters but only a few of the quarters remain today. The doors leading there are guarded by Ogherienoguan (eunuchs). The Oko (hair apparent to the throne) is completely forbidden to enter here, but the Okoros (princes) at early age. Uvbis (princesses) can enter. Any reigning Oba has the prerogative to relax anywhere that suit him and his children.
UGHA-ERHA-OBA (UGHERHOBA):
This is the largest hall in the palace. It was built by Eweka II. Here the Erinmwindu (the ancestral shrine of the obas are housed). Other noteworthy shrines at Ugherhoba are shrines to immortalize great obas such as Adolo, Ovoranramwen and Eweka II. These shrines have invaluable tusks, bronzes and wood carvings which date back to the 11th century.
ARO-ENIKAO:
Every reigning Oba has the Ukhurhe (the traditional staff). There are 36 such staff preserved here. Oro and Ugigun festivals as wells as the marriages of princesses are performed here.
THE PALACE GATES:
On approaching the palace, there are two main gates with a four-foot wall built around them. The wall which was originally sixteen feet high and four feet thick, was destroyed during the British war with the Benin empire, but was rebuilt in brick by Akenzua II.
Before the events of 1897 (the war) which left a lasting mark on great Benin kingdom, there used to be nine gates leading to the palace. Some have been protected for ceremonial purposes.
THE URHO-IWEBO (right gate):
Opposite local government ministry of works was initially restricted to the use of the Ogbe and forbidden to women. It could be used by anybody now, except at ceremonial times.
URHOKPERE (left gate):
By the left gate stands the statue of Ozolua, created by the Late Chief O. Idah. The Emobo ceremony used to be performed here. On this side of the gate, are also some tall Ikhimwin (new boulder trees). The Edion-Edo shrine is adjacent to the new boulder trees.
NB: the gates are being described when approaching the palace from ring road. And they lead to an open ground (field) in front of the palace where festivals and other ceremonies are performed.
The palace has various chambers and rooms that are closed to the public irrespective of their status. Invaluable items dating back to the 13th century are also stored here.
MEMBERS OF THE PALACE.
- The Oba (Ewuare II presently). NB: Between A.D 1200 to A.D 1816 three ambitious princes, usurped the Benin throne. By tradition they cannot be recorded on the shrines. This note is to explain why some accounts may say a total of 40 Obas have ruled Benin.
- The Iloi (Oba’s wives); they were given titles, some representing parts of the body of the Oba etc, such as Eson, Ohan, Ehi, Egbe, Aro etc.
- The Omada Oloi/Evien Oloi/Ighibierie (Queen’s maids).
- The Okoro(s) – princess.
- The Uvbi – princesses.
- The Omada/Emada – royal scimitar bearer(s).
- The Ibierughas – oba’s personal attendants, and
- The Urhonisen (outdoor messengers).
SOME QUALIFICATIONS FOR INITIATION INTO EGUAE OBA N’EDO.
- He must be sane.
- he should be free of:
- infectious diseases.
- contagious diseases.
- any deadly disease.
- He should not be a descendant of any families forbidden to enter the palace or move freely with the free citizens.
- He must not be an enemy of the oba (Oghian -oba).
- A naturalized Bini. (i.e. an acceptable foreigner that had proved himself worthy to gain a Bini citizenship and chieftaincy title from the Oba of Benin – e.g. Elaba (Esigie) title.
SOME PALACE TABOOS.
- A Bini without the traditional marks could not take a chieftaincy title and no person could be made a chief while his father was still alive. Since about 1929, a Benin without tattoo could become a chief.
- It is forbidden for a woman who is not an Oloi (Oba’s wife) or Uvbi (princess) to touch the oba. If the oba is touched by a woman accidentally, she becomes his wife. If the oba does not want her as wife, the woman was then betrothed to a chief or any subject of his choice. Since 1933, the oba in a few cases waved this by shaking a woman.
- It is forbidden to wear “polluted” clothes to the palace, and no subject may enter the palace after having intercourse and has not taken his bath.
- It was forbidden for the ‘Emuada’ to wear clothes. They do not touch any woman during their term of office in the palace which lasted up to the ages of eighteen and thirty from infancy. Some Emuada, of course served for life. One other feature that signaled the Emuada out from the rest of the inhabitant pf the palace is that they could not grow hair in any part of their body.
- The Edaiken (heir-apparent to the throne) can not live in the palace while the oba, his father was still alive.
- It was forbidden for any of the Oloi to touch any male child other than her own. If a baby boy urinates on the ground, water is pour on it or sputter is spat on it, because it is forbidden for a queen to step over it. They cannot touch any adult male and they cannot be touched by any adult male.
- It is forbidden to whistle in the palace.
- Queens, chief, messengers and royal Omuada (scimitar bearer) cannot be initiated into the palace without the oath of allegiance to the oba.
- No person going into the harem should refuse a search by the lame guard and the eunuchs that guard the harem gates (between the outer and inner most). (NB: chief Oshodin takes care of the royal harem).
- It is forbidden to whistle in the palace.
- When greeting the Oba of Benin or talking to him, by tradition you must kneel down. Only native doctors, priests and priestesses do not kneel down while greeting the oba, but prostrate lying with the belly on ground. When they want to talk to him they sit on a mat on the floor.
- It is forbidden to stand near the oba while talking to him or saluting him. The person must stand at a distance of at least two metres away. The courtiers who are not forbidden to go near him must cover their mouths with the palm or piece of clean white cloth.
- It is forbidden to say the king is sleeping. You can only say “Ekpen re irhu” - meaning the leopard is in the shelter.
- To the Binis, the Oba of Benin is like a god and he is, thereafter not addressed as if he were mortal. For this reason, several figurative expression are used to convey his sickness, passing away, internment and burial (Emwinekhua). It is an abomination to think or say that he is dead, for the OBA OF BENIN NEVER DIES.
THE LANGUAGE OF THE PALACE.
There is a palace language. And there is a language for each palace society/group. These are different from the one spoken by the Binis in general. But the oba understands all, although it may not be compulsory for all the chiefs and other members of the palace to hear all. Only his group/society’s own is compulsory to him or her.
GALLERY
CONTACT
Benin Traditional Council (Palace of the Oba of Benin).
P.M.B. 1025, Kingsquare, Benin City,
Edo state, Nigeria.
Tel: 052291229.


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jktest.results module¶
This module contains the class definitions for the ResultList and the JKindResult.
-
class
jktest.results.
ExceptionReport
¶ Bases:
object
Public Class
This class is just a simple container for Java Exception Text and the set of arguments that caused it.
Constructor
Sets the public data members.
-
class
jktest.results.
JKindResult
(filename, argString)¶ Bases:
object
Public Class
This class is intended to contain the results of the JKind run. Typically the results are read from the output XML file and then used to populate an instantiation of this class. Though does not sub-class the built-in dict type, this class implements the __setitem__ and __getitem__ methods so that it will act in similar fashion to the dict class. This class is used in lieu of the dict type because the dict does not inherently support sorting and we also needed specific equality testing.
To maintain compatibility with the intended usage of the ResultList class, the __lt__, __gt__, __eq__ and __ne__ methods are implemented. These allow for sorting and comparisons.
Note
When testing equality, any failures will be printed to stdout.
Warning
When used in the context of the JKind Regression Suite application, the assumption is that “name”, “answer” and “K” will be set with the values read from the XML output file. EX:
- jkr = JKindResult( fname, argstr)
- jkr[‘name’] = ‘ok1’
- jkr[‘answer’] = ‘valid’
- jkr[‘K’] = ‘1’
OBJECT METHOD OVERRIDES
- __lt__( self, other )
Implements the less-than method. Compares the “name” items of the dict data members
Returns bool
- __gt__( self, other )
Implements the greater-than method. Compares the “name” items of the dict data members
Returns bool
- __eq__( self, other )
Implements the equality method for the JKindResult class. Tests for equality:
- Each dict data member has the same number of keys, meaning that the same number of Property elements were read from the XML output files.
- The “name” key/value pairs of the dict data members are the same
- The “answer” key/value pairs of the dict data members are the same. If one or both of the values are “unknown” this is considered equal (ok).
- If the “answer” key/value pairs are “falsifiable”, checks that the “K” key/value pairs meet the conditions: 1) sources are pdr or bmc 2) if sources are both bmc, then k1==k2 3) if sources are bmc and pdr, then Kbmc <= Kpdr 4) if sources are pdr, then don’t care (pass) 5) anything else is flagged as fail
Returns bool
- __ne__( self, other )
Negation of the __eq__ method
Returns bool
DICT TYPE METHOD IMPLEMENTATIONS
- __setitem__( key, val )
- Allows use of dict type notation to set items.
- __getitem__( key )
Allows use of dict type notation to get items.
Returns the value of the supplied key.
Constructor
Parameters: - filename (str) – The filename run to generate these results
- argString (str) – The arguments run to generate these results
-
_logFailure
(err)¶ Private Method
Called to log a failure to stdout. String contains the filename, arguments of this result class, arguments of the comparison result class and the specific error message from the caller.
Sets the equal data member to false.
Parameters: err (str) – Error string to append to report Returns: n/a:
-
getArguments
()¶ Public Method
Returns the argument string
Return type: str
-
class
jktest.results.
ResultList
¶ Bases:
list
Public Class
This class sub-classes the built-in list class. This was needed so that the equal and not-equal methods could be overridden to meet specific needs.
Warning
Assumes that the list elements are of JKindResult or some other sortable type.
OBJECT METHOD OVERRIDES
- __eq__( self, other )
Override of the built-in object equality method.
Checks whether the equality is against a class of this type or against the None type. Then checks that the internal list lengths match, and if so, will check the equality of the list elements. Typically the list elements will be of type JKindResult, but any sortable type will suffice.
Assumes that the lists have been sorted. This means that the internal list elements must implement the __lt__ and __gt__ methods.
Return bool True if equal, otherwise False.
- __ne__( self, other )
Negation of the __eq__ method
Return bool True if equal, otherwise False.
-
copy
()¶ Public Method
Returns a new ResultList object, populated with the internal list elements.
Return type: ResultList
-
pop
()¶ Public Method
Override of the Base Class pop method. Pops the last item in the internal list.
Return type: indeterminate


Ledger keygen
I want unique keys.
- Connect Ledger to computer
- Enter PIN on Ledger to unlock it
- Launch NEAR app on Ledger
- Make sure you don't have Ledger Live (or anything else using Ledger) launched on your machine
- If you see "Pending Ledger Review" – press 2 buttons together to proceed
- Select necessary number of keys and press "generate"
- You'll need to "Approve" every key in Ledger app UI before they show up here
Generated
| HD Key Path | Implicit Account ID | Public Key |


{% extends "admin/admin.html" %} {% block section %}
Are you sure you want to delete the {{ list.name}} service list?


| Interface | Description |
|---|---|
| ScorerAware |
| Class | Description |
|---|---|
| BytesRefs | |
| IndexCacheableQuery |
Base implementation for a query which is cacheable at the index level but
not the segment level as usually expected.
|
| IndexCommitDelegate |
A simple delegate that delegates all
IndexCommit calls to a delegated
IndexCommit . |
| LoggerInfoStream |
An InfoStream (for Lucene's IndexWriter) that redirects
messages to "lucene.iw.ifd" and "lucene.iw" Logger.trace.
|
| Lucene | |
| Lucene.EarlyTerminatingCollector |
A collector that terminates early by throwing
Lucene.EarlyTerminationException
when count of matched documents has reached maxCountHits |
| MinimumScoreCollector | |
| ShardCoreKeyMap |
A map between segment core cache keys and the shard that these segments
belong to.
|
| Exception | Description |
|---|---|
| Lucene.EarlyTerminationException |
This exception is thrown when
Lucene.EarlyTerminatingCollector
reaches early termination |