| Top |
| GMenuModel | |
| #define | G_MENU_ATTRIBUTE_ACTION |
| #define | G_MENU_ATTRIBUTE_TARGET |
| #define | G_MENU_ATTRIBUTE_LABEL |
| #define | G_MENU_ATTRIBUTE_ICON |
| #define | G_MENU_LINK_SECTION |
| #define | G_MENU_LINK_SUBMENU |
| struct | GMenuAttributeIter |
| struct | GMenuLinkIter |
GObject ├── GMenuAttributeIter ├── GMenuLinkIter ╰── GMenuModel ├── GDBusMenuModel ╰── GMenu
GMenuModel represents the contents of a menu -- an ordered list of menu items. The items are associated with actions, which can be activated through them. Items can be grouped in sections, and may have submenus associated with them. Both items and sections usually have some representation data, such as labels or icons. The type of the associated action (ie whether it is stateful, and what kind of state it has) can influence the representation of the item.
The conceptual model of menus in GMenuModel is hierarchical: sections and submenus are again represented by GMenuModels. Menus themselves do not define their own roles. Rather, the role of a particular GMenuModel is defined by the item that references it (or, in the case of the 'root' menu, is defined by the context in which it is used).
As an example, consider the visible portions of this menu:
There are 8 "menus" visible in the screenshot: one menubar, two submenus and 5 sections:
the toplevel menubar (containing 4 items)
the View submenu (containing 3 sections)
the first section of the View submenu (containing 2 items)
the second section of the View submenu (containing 1 item)
the final section of the View submenu (containing 1 item)
the Highlight Mode submenu (containing 2 sections)
the Sources section (containing 2 items)
the Markup section (containing 2 items)
The example illustrates the conceptual connection between these 8 menus. Each large block in the figure represents a menu and the smaller blocks within the large block represent items in that menu. Some items contain references to other menus.
Notice that the separators visible in the example appear nowhere in the menu model. This is because separators are not explicitly represented in the menu model. Instead, a separator is inserted between any two non-empty sections of a menu. Section items can have labels just like any other item. In that case, a display system may show a section header instead of a separator.
The motivation for this abstract model of application controls is that modern user interfaces tend to make these controls available outside the application. Examples include global menus, jumplists, dash boards, etc. To support such uses, it is necessary to 'export' information about actions and their representation in menus, which is exactly what the GActionGroup exporter and the GMenuModel exporter do for GActionGroup and GMenuModel. The client-side counterparts to make use of the exported information are GDBusActionGroup and GDBusMenuModel.
The API of GMenuModel is very generic, with iterators for the
attributes and links of an item, see g_menu_model_iterate_item_attributes()
and g_menu_model_iterate_item_links()
. The 'standard' attributes and
link types have predefined names: G_MENU_ATTRIBUTE_LABEL
,
G_MENU_ATTRIBUTE_ACTION
, G_MENU_ATTRIBUTE_TARGET
, G_MENU_LINK_SECTION
and G_MENU_LINK_SUBMENU
.
Items in a GMenuModel represent active controls if they refer to
an action that can get activated when the user interacts with the
menu item. The reference to the action is encoded by the string id
in the G_MENU_ATTRIBUTE_ACTION
attribute. An action id uniquely
identifies an action in an action group. Which action group(s) provide
actions depends on the context in which the menu model is used.
E.g. when the model is exported as the application menu of a
GtkApplication, actions can be application-wide or window-specific
(and thus come from two different action groups). By convention, the
application-wide actions have names that start with "app.", while the
names of window-specific actions start with "win.".
While a wide variety of stateful actions is possible, the following is the minimum that is expected to be supported by all users of exported menu information:
an action with no parameter type and no state
an action with no parameter type and boolean state
an action with string parameter type and string state
A stateless action typically corresponds to an ordinary menu item.
Selecting such a menu item will activate the action (with no parameter).
An action with a boolean state will most typically be used with a "toggle" or "switch" menu item. The state can be set directly, but activating the action (with no parameter) results in the state being toggled.
Selecting a toggle menu item will activate the action. The menu item should be rendered as "checked" when the state is true.
Actions with string parameters and state will most typically be used to represent an enumerated choice over the items available for a group of radio menu items. Activating the action with a string parameter is equivalent to setting that parameter as the state.
Radio menu items, in addition to being associated with the action, will have a target value. Selecting that menu item will result in activation of the action with the target value as the parameter. The menu item should be rendered as "selected" when the state of the action is equal to the target value of the menu item.
gboolean
g_menu_model_is_mutable (GMenuModel *model
);
Queries if model
is mutable.
An immutable GMenuModel will never emit the “items-changed” signal. Consumers of the model may make optimisations accordingly.
Since 2.32
gint
g_menu_model_get_n_items (GMenuModel *model
);
Query the number of items in model
.
Since 2.32
GVariant * g_menu_model_get_item_attribute_value (GMenuModel *model
,gint item_index
,const gchar *attribute
,const GVariantType *expected_type
);
Queries the item at position item_index
in model
for the attribute
specified by attribute
.
If expected_type
is non-NULL
then it specifies the expected type of
the attribute. If it is NULL
then any type will be accepted.
If the attribute exists and matches expected_type
(or if the
expected type is unspecified) then the value is returned.
If the attribute does not exist, or does not match the expected type
then NULL
is returned.
model |
||
item_index |
the index of the item |
|
attribute |
the attribute to query |
|
expected_type |
the expected type of the attribute, or
|
[allow-none] |
Since 2.32
gboolean g_menu_model_get_item_attribute (GMenuModel *model
,gint item_index
,const gchar *attribute
,const gchar *format_string
,...
);
Queries item at position item_index
in model
for the attribute
specified by attribute
.
If the attribute exists and matches the GVariantType corresponding
to format_string
then format_string
is used to deconstruct the
value into the positional parameters and TRUE
is returned.
If the attribute does not exist, or it does exist but has the wrong
type, then the positional parameters are ignored and FALSE
is
returned.
This function is a mix of g_menu_model_get_item_attribute_value()
and
g_variant_get()
, followed by a g_variant_unref()
. As such,
format_string
must make a complete copy of the data (since the
GVariant may go away after the call to g_variant_unref()
). In
particular, no '&' characters are allowed in format_string
.
model |
||
item_index |
the index of the item |
|
attribute |
the attribute to query |
|
format_string |
a GVariant format string |
|
... |
positional parameters, as per |
Since 2.32
GMenuModel * g_menu_model_get_item_link (GMenuModel *model
,gint item_index
,const gchar *link
);
Queries the item at position item_index
in model
for the link
specified by link
.
If the link exists, the linked GMenuModel is returned. If the link
does not exist, NULL
is returned.
Since 2.32
GMenuAttributeIter * g_menu_model_iterate_item_attributes (GMenuModel *model
,gint item_index
);
Creates a GMenuAttributeIter to iterate over the attributes of
the item at position item_index
in model
.
You must free the iterator with g_object_unref()
when you are done.
Since 2.32
GMenuLinkIter * g_menu_model_iterate_item_links (GMenuModel *model
,gint item_index
);
Creates a GMenuLinkIter to iterate over the links of the item at
position item_index
in model
.
You must free the iterator with g_object_unref()
when you are done.
Since 2.32
void g_menu_model_items_changed (GMenuModel *model
,gint position
,gint removed
,gint added
);
Requests emission of the “items-changed” signal on model
.
This function should never be called except by GMenuModel subclasses. Any other calls to this function will very likely lead to a violation of the interface of the model.
The implementation should update its internal representation of the menu before emitting the signal. The implementation should further expect to receive queries about the new state of the menu (and particularly added menu items) while signal handlers are running.
The implementation must dispatch this call directly from a mainloop entry and not in response to calls -- particularly those from the GMenuModel API. Said another way: the menu must not change while user code is running without returning to the mainloop.
model |
||
position |
the position of the change |
|
removed |
the number of items removed |
|
added |
the number of items added |
Since 2.32
gboolean g_menu_attribute_iter_get_next (GMenuAttributeIter *iter
,const gchar **out_name
,GVariant **value
);
This function combines g_menu_attribute_iter_next()
with
g_menu_attribute_iter_get_name()
and g_menu_attribute_iter_get_value()
.
First the iterator is advanced to the next (possibly first) attribute.
If that fails, then FALSE
is returned and there are no other
effects.
If successful, name
and value
are set to the name and value of the
attribute that has just been advanced to. At this point,
g_menu_attribute_iter_get_name()
and g_menu_attribute_iter_get_value()
will
return the same values again.
The value returned in name
remains valid for as long as the iterator
remains at the current position. The value returned in value
must
be unreffed using g_variant_unref()
when it is no longer in use.
iter |
||
out_name |
the type of the attribute. |
[out][allow-none][transfer none] |
value |
the attribute value. |
[out][allow-none][transfer full] |
Since 2.32
const gchar *
g_menu_attribute_iter_get_name (GMenuAttributeIter *iter
);
Gets the name of the attribute at the current iterator position, as a string.
The iterator is not advanced.
Since 2.32
GVariant *
g_menu_attribute_iter_get_value (GMenuAttributeIter *iter
);
Gets the value of the attribute at the current iterator position.
The iterator is not advanced.
Since 2.32
gboolean
g_menu_attribute_iter_next (GMenuAttributeIter *iter
);
Attempts to advance the iterator to the next (possibly first) attribute.
TRUE
is returned on success, or FALSE
if there are no more
attributes.
You must call this function when you first acquire the iterator to advance it to the first attribute (and determine if the first attribute exists at all).
Since 2.32
const gchar *
g_menu_link_iter_get_name (GMenuLinkIter *iter
);
Gets the name of the link at the current iterator position.
The iterator is not advanced.
Since 2.32
gboolean g_menu_link_iter_get_next (GMenuLinkIter *iter
,const gchar **out_link
,GMenuModel **value
);
This function combines g_menu_link_iter_next()
with
g_menu_link_iter_get_name()
and g_menu_link_iter_get_value()
.
First the iterator is advanced to the next (possibly first) link.
If that fails, then FALSE
is returned and there are no other effects.
If successful, out_link
and value
are set to the name and GMenuModel
of the link that has just been advanced to. At this point,
g_menu_link_iter_get_name()
and g_menu_link_iter_get_value()
will return the
same values again.
The value returned in out_link
remains valid for as long as the iterator
remains at the current position. The value returned in value
must
be unreffed using g_object_unref()
when it is no longer in use.
iter |
||
out_link |
the name of the link. |
[out][allow-none][transfer none] |
value |
the linked GMenuModel. |
[out][allow-none][transfer full] |
Since 2.32
GMenuModel *
g_menu_link_iter_get_value (GMenuLinkIter *iter
);
Gets the linked GMenuModel at the current iterator position.
The iterator is not advanced.
Since 2.32
gboolean
g_menu_link_iter_next (GMenuLinkIter *iter
);
Attempts to advance the iterator to the next (possibly first) link.
TRUE
is returned on success, or FALSE
if there are no more links.
You must call this function when you first acquire the iterator to advance it to the first link (and determine if the first link exists at all).
Since 2.32
typedef struct _GMenuModel GMenuModel;
GMenuModel is an opaque structure type. You must access it using the functions below.
Since 2.32
#define G_MENU_ATTRIBUTE_ACTION "action"
The menu item attribute which holds the action name of the item. Action names are namespaced with an identifier for the action group in which the action resides. For example, "win." for window-specific actions and "app." for application-wide actions.
See also g_menu_model_get_item_attribute()
and g_menu_item_set_attribute()
.
Since 2.32
#define G_MENU_ATTRIBUTE_TARGET "target"
The menu item attribute which holds the target with which the item's action will be activated.
See also g_menu_item_set_action_and_target()
Since 2.32
#define G_MENU_ATTRIBUTE_LABEL "label"
The menu item attribute which holds the label of the item.
Since 2.32
#define G_MENU_ATTRIBUTE_ICON "icon"
The menu item attribute which holds the icon of the item.
The icon is stored in the format returned by g_icon_serialize()
.
This attribute is intended only to represent 'noun' icons such as favicons for a webpage, or application icons. It should not be used for 'verbs' (ie: stock icons).
Since 2.38
#define G_MENU_LINK_SECTION "section"
The name of the link that associates a menu item with a section. The linked menu will usually be shown in place of the menu item, using the item's label as a header.
See also g_menu_item_set_link()
.
Since 2.32
#define G_MENU_LINK_SUBMENU "submenu"
The name of the link that associates a menu item with a submenu.
See also g_menu_item_set_link()
.
Since 2.32
struct GMenuAttributeIter;
GMenuAttributeIter is an opaque structure type. You must access it using the functions below.
Since 2.32
struct GMenuLinkIter;
GMenuLinkIter is an opaque structure type. You must access it using the functions below.
Since 2.32
“items-changed”
signalvoid user_function (GMenuModel *model, gint position, gint removed, gint added, gpointer user_data)
Emitted when a change has occured to the menu.
The only changes that can occur to a menu is that items are removed or added. Items may not change (except by being removed and added back in the same location). This signal is capable of describing both of those changes (at the same time).
The signal means that starting at the index position
, removed
items were removed and added
items were added in their place. If
removed
is zero then only items were added. If added
is zero
then only items were removed.
As an example, if the menu contains items a, b, c, d (in that order) and the signal (2, 1, 3) occurs then the new composition of the menu will be a, b, _, _, _, d (with each _ representing some new item).
Signal handlers may query the model (particularly the added items) and expect to see the results of the modification that is being reported. The signal is emitted after the modification.
model |
the GMenuModel that is changing |
|
position |
the position of the change |
|
removed |
the number of items removed |
|
added |
the number of items added |
|
user_data |
user data set when the signal handler was connected. |
Flags: Run Last


'Vampires'
by Simon Calloway
Cast: James Woods; Daniel Baldwin; Sheryl Lee
Vampires is one of the slickest vampire movies to come out of Hollywood is quite some time. In fact, I would even go as far to say it is one of the most entertaining; it ranks right up there behind Interview With the Vampire (1994) and the original masterpiece, Dracula (1931).
Not much in the plot department. Basically the film tells the tale about main vamp slayer Jack Crow (Woods) and his search for the all-mighty master who is, also, on a search of his own: To locate a cross that can give him the power to walk in the sunlight. In this pic, the vampires aren't scared of crosses, don't sleep in caskets, don't mind garlic, etc. I was a little disappointed about all that stuff. I like the old fashion sense of when vampires slept in coffins.
The amount of gore in this film is surprisingly high. From the director of such classics as Halloween (1978) and The Thing (1983), I knew the film would be violent, yet the level of blood is ominously higher than usual, like Carpenter was hiding plot holes with carnage, something that he has never done. Halloween was actually filmed vise versa, with suspense and atmosphere frightening instead of gory violence.
Based on the novel 'Vampire$,' Vampires is a stylishly made, high-octane thriller, but, undoubtably a little disappointing. Instead of all that crimson, maybe Carpenter should have made the master a little like Michael Myers, all silent, never really seen til the last reel, pounces in sudden frames. Overall, Vampires lacks a certain bite, but is nonetheless gruesome fun.
*** ~TeenViews (c) 1999~
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Capacitor has preliminary support for Electron, the popular tool used for building desktop apps with HTML, JavaScript, and CSS.
With Electron, Capacitor apps can run natively on Windows, Mac, and Linux!
Note: Electron support for Capacitor is currently in preview, and lags behind iOS, Android, and Web support.
After creating a new Capacitor app, add the electron
platform:
npx cap add electron
This will generate a new Electron project in the electron/
folder in the root of your app.
Just like the other Capacitor platforms, the copy
command must be run periodically to sync web content with Electron:
npx cap copy
Run this after making any modifications to your web app.
To run your app, cd into it and use the npm script provided by Capacitor:
cd electron/
npm run electron:start
This will launch an Electron instance running your app.
Electron supports any plugin with a Web implementation, as well as a few plugins with custom Electron support (such as Filesystem
).
We will have more info on building Electron plugins soon.
That's pretty much all you need to know to build an Electron app with Capacitor!
Follow the Development Workflow guide to continue building and testing your app.


Well, it's always been my nature to take chances,
My right hand drawing back while my left hand advances,
Where the current is strong and the monkey dances to the tune of a concertina.
Blood drying in my yellow hair as I go from shore to shore,
I know what it is that has drawn me to your door,
But whatever could it be makes you think you've seen me before, Angelina?
Oh, Angelina,
Oh, Angelina.

Do I need your permission to turn the other cheek?
If you can read my mind, why must I speak?
No, I have heard nothing about the man that you seek, Angelina,
Oh, Angelina,
Oh, Angelina.
In the valley of the giants where the stars and stripes explode,
The peaches, they were sweet and the milk and honey flowed.
I was only following instructions when the judge sent me down the road with your subpoena.
When you cease to exist, then who will you blame?
I've tried my best to love you, but I cannot play this game,
Your best friend and my worst enemy is one and the same, Angelina,
Oh, Angelina,
Oh, Angelina.

Tell me, tall man, where would you like to be overthrown, in Jerusalem or Argentina?
She was stolen from her mother when she was three days old,
Now her vengeance has been satisfied and her possessions have been sold.
He's surrounded by God's angels and she's wearing a blindfold, but so are you, Angelina,
Oh, Angelina,
Oh, Angelina.
I see pieces of men marching, trying to take heaven by force,
I can see the unknown rider, I can see the pale white horse.
In God's truth, babe, tell me what you want and you'll have it of course, just step into the arena.
Beat a path of retreat up them spiral staircases,
Past the tree of smoke, past the angel with four faces,
Begging God for mercy, weeping in unholy places, Angelina,
Oh, Angelina,
Oh, Angelina,
Oh, Angelina.


| Interface | Description |
|---|---|
| Aggregator |
The common interface for any class that can compute an aggregate over a
list of Tuples.
|
| DbFile |
The interface for database files on disk.
|
| DbFileIterator |
DbFileIterator is the iterator interface that all SimpleDB Dbfile should
implement.
|
| DbIterator |
DbIterator is the iterator interface that all SimpleDB operators should
implement.
|
| Field |
Interface for values of fields in tuples in SimpleDB.
|
| IndexDbIterator |
IndexDBIterator is the interface that index access methods
implement in SimpleDb.
|
| Page |
Page is the interface used to represent pages that are resident in the
BufferPool.
|
| PageId |
PageId is an interface to a specific page of a specific table.
|
| Class | Description |
|---|---|
| AbstractDbFileIterator |
Helper for implementing DbFileIterators.
|
| Aggregate |
The Aggregation operator that computes an aggregate (e.g., sum, avg, max,
min).
|
| BPlusTreeEntry |
Each instance of BPlusTreeEntry stores one key and two child page ids.
|
| BPlusTreeFile |
BPlusTreeFile is an implementation of a DbFile that stores a B+ tree.
|
| BPlusTreeFileEncoder |
BPlusTreeFileEncoder reads a comma delimited text file and converts it to
pages of binary data in the appropriate format for simpledb B+ tree
pages.
|
| BPlusTreeFileEncoder.EntryComparator |
Comparator to sort BPlusTreeEntry objects by key
|
| BPlusTreeFileEncoder.TupleComparator |
comparator to sort Tuples by key field
|
| BPlusTreeFileIterator |
Helper class that implements the Java Iterator for tuples on a BPlusTreeFile
|
| BPlusTreeHeaderPage |
Each instance of BPlusTreeHeaderPage stores data for one page of a BPlusTreeFile and
implements the Page interface that is used by BufferPool.
|
| BPlusTreeInternalPage |
Each instance of BPlusTreeInternalPage stores data for one page of a BPlusTreeFile and
implements the Page interface that is used by BufferPool.
|
| BPlusTreeInternalPageIterator |
Helper class that implements the Java Iterator for entries on a BPlusTreeInternalPage.
|
| BPlusTreeLeafPage |
Each instance of BPlusTreeLeafPage stores data for one page of a BPlusTreeFile and
implements the Page interface that is used by BufferPool.
|
| BPlusTreeLeafPageIterator |
Helper class that implements the Java Iterator for tuples on a BPlusTreeLeafPage.
|
| BPlusTreePageId |
Unique identifier for BPlusTreeInternalPage, BPlusTreeLeafPage, BPlusTreeHeaderPage
and BPlusTreeRootPtrPage objects.
|
| BPlusTreeRootPtrPage |
BPlusTreeRootPtrPage stores the pointer to the root node used in the B+ tree and
implements Page Interface that is used by BufferPool
|
| BPlusTreeScan |
BPlusTreeScan is an operator which reads tuples in sorted order
according to a predicate
|
| BPlusTreeSearchIterator |
Helper class that implements the DbFileIterator for search tuples on a
B+ Tree File
|
| BPlusTreeUtility |
Helper methods used for testing and implementing random features.
|
| BPlusTreeUtility.BPlusTreeDeleter |
Helper class that attempts to delete tuple(s) in a new thread
|
| BPlusTreeUtility.BPlusTreeInserter |
Helper class that attempts to insert a tuple in a new thread
|
| BPlusTreeUtility.BPlusTreeReader |
Helper class that searches for tuple(s) in a new thread
|
| BPlusTreeUtility.BPlusTreeWriter |
Helper class that attempts to insert a tuple in a new thread
|
| BufferPool |
BufferPool manages the reading and writing of pages into memory from
disk.
|
| Catalog |
The Catalog keeps track of all available tables in the database and their
associated schemas.
|
| CostCard |
Class returned by
JoinOptimizer.computeCostAndCardOfSubplan(java.util.HashMap<java.lang.String, simpledb.TableStats>, java.util.HashMap<java.lang.String, java.lang.Double>, simpledb.LogicalJoinNode, java.util.Set<simpledb.LogicalJoinNode>, double, simpledb.PlanCache) specifying the
cost and cardinality of the optimal plan represented by plan. |
| Database |
Database is a class that initializes several static variables used by the
database system (the catalog, the buffer pool, and the log files, in
particular.)
|
| Debug |
Debug is a utility class that wraps println statements and allows
more or less command line output to be turned on.
|
| Delete |
The delete operator.
|
| Filter |
Filter is an operator that implements a relational select.
|
| HashEquiJoin |
The Join operator implements the relational join operation.
|
| HeapFile |
HeapFile is an implementation of a DbFile that stores a collection of tuples
in no particular order.
|
| HeapFileEncoder |
HeapFileEncoder reads a comma delimited text file or accepts
an array of tuples and converts it to
pages of binary data in the appropriate format for simpledb heap pages
Pages are padded out to a specified length, and written consecutive in a
data file.
|
| HeapPage |
Each instance of HeapPage stores data for one page of HeapFiles and
implements the Page interface that is used by BufferPool.
|
| HeapPageId |
Unique identifier for HeapPage objects.
|
| IndexPredicate |
IndexPredicate compares a field which has index on it against a given value
|
| Insert |
Inserts tuples read from the child operator into the tableid specified in the
constructor
|
| IntegerAggregator |
Knows how to compute some aggregate over a set of IntFields.
|
| IntField |
Instance of Field that stores a single integer.
|
| IntHistogram |
A class to represent a fixed-width histogram over a single integer-based field.
|
| Join |
The Join operator implements the relational join operation.
|
| JoinOptimizer |
The JoinOptimizer class is responsible for ordering a series of joins
optimally, and for selecting the best instantiation of a join for a given
logical plan.
|
| JoinPredicate |
JoinPredicate compares fields of two tuples using a predicate.
|
| LogFile |
The format of the log file is as follows:
The first long integer of the file represents the offset of the
last written checkpoint, or -1 if there are no checkpoints
All additional data in the log consists of log records.
|
| LogicalFilterNode |
A LogicalFilterNode represents the parameters of a filter in the WHERE clause of a query.
|
| LogicalJoinNode |
A LogicalJoinNode represens the state needed of a join of two
tables in a LogicalQueryPlan
|
| LogicalPlan |
LogicalPlan represents a logical query plan that has been through
the parser and is ready to be processed by the optimizer.
|
| LogicalScanNode |
A LogicalScanNode represents table in the FROM list in a
LogicalQueryPlan
|
| LogicalSelectListNode |
A LogicalSelectListNode represents a clause in the select list in
a LogicalQueryPlan
|
| LogicalSubplanJoinNode |
A LogicalSubplanJoinNode represens the state needed of a join of a
table to a subplan in a LogicalQueryPlan -- inherits state from
LogicalJoinNode ; t2 and f2 should always be null |
| Operator |
Abstract class for implementing operators.
|
| OperatorCardinality |
A utility class, which computes the estimated cardinalities of an operator
tree.
|
| OrderBy |
OrderBy is an operator that implements a relational ORDER BY.
|
| Parser | |
| Permissions |
Class representing requested permissions to a relation/file.
|
| PlanCache |
A PlanCache is a helper class that can be used to store the best
way to order a given set of joins
|
| Predicate |
Predicate compares tuples to a specified Field value.
|
| Project |
Project is an operator that implements a relational projection.
|
| Query |
Query is a wrapper class to manage the execution of queries.
|
| QueryPlanVisualizer | |
| QueryPlanVisualizer.SubTreeDescriptor | |
| RecordId |
A RecordId is a reference to a specific tuple on a specific page of a
specific table.
|
| SeqScan |
SeqScan is an implementation of a sequential scan access method that reads
each tuple of a table in no particular order (e.g., as they are laid out on
disk).
|
| SimpleDb | |
| StringAggregator |
Knows how to compute some aggregate over a set of StringFields.
|
| StringField |
Instance of Field that stores a single String of a fixed length.
|
| StringHistogram |
A class to represent a fixed-width histogram over a single String-based
field.
|
| TableStats |
TableStats represents statistics (e.g., histograms) about base tables in a
query.
|
| Transaction |
Transaction encapsulates information about the state of
a transaction and manages transaction commit / abort.
|
| TransactionId |
TransactionId is a class that contains the identifier of a transaction.
|
| Tuple |
Tuple maintains information about the contents of a tuple.
|
| TupleArrayIterator | |
| TupleComparator | |
| TupleDesc |
TupleDesc describes the schema of a tuple.
|
| TupleDesc.TDItem |
A help class to facilitate organizing the information of each field
|
| TupleIterator |
Implements a DbIterator by wrapping an Iterable
|
| Utility |
Helper methods used for testing and implementing random features.
|
| Enum | Description |
|---|---|
| Aggregator.Op |
SUM_COUNT and SC_AVG will
only be used in lab6, you are not required
to implement them until then.
|
| Predicate.Op |
Constants used for return codes in Field.compare
|
| Type |
Class representing a type in SimpleDB.
|
| Exception | Description |
|---|---|
| DbException |
Generic database exception class
|
| DeadlockException |
Exception that is thrown when a deadlock occurs.
|
| ParsingException | |
| TransactionAbortedException |
Exception that is thrown when a transaction has aborted.
|


--- layout: default ---
At Amazon I lead a team of engineers who build services for advertisers across the globe.
In the past I've also worked on:
I sometimes work on side projects and have built:
I sometimes write about new things I'm working on or technologies I'm using.
When I'm not looking at code I'm probably at some sort of live music event, acting a bit ridiculous in an improv comedy show, playing hockey, or rooting for the New York Football Giants!


Ocala events
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Beatle Homes in London
John, Cynthia and baby Julian soon moved to their own place on Emperor's Gate (the . of Surrey in the mid-sixties, leaving Paul the only true "London Beatle.
http://courses.music.indiana.edu/rock/londonhomes.htmlPaul McCartney & 12-12-12: Nirvana & Beatle Join Up For Buzzy ...
Dec 13, 2012 . Paul McCartney & 12-12-12: Nirvana & Beatle Join Up For Buzzy Performance . The concert, which took place at New York's Madison Square .
http://www.huffingtonpost.com/2012/12/12/paul-mccartney-12-12-12-nirvana-performance_n_2288687.htmlPaul McCartney Edmonton Concert: Former Beatle To Play Rexall ...
Paul McCartney Edmonton Concert: Former Beatle To Play Rexall Place ( TWEETS). The Huffington Post Alberta | Posted: 09/07/2012 4:48 pm Updated: .
http://www.huffingtonpost.ca/2012/09/07/paul-mccartney-edmonton-concert-rexall-place_n_1865833.html
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"Paul Is Dead" by Jensen Rufe - YouTube
Apr 11, 2011. McCartney lookalike contest named William Campbell to take Paul's place. Lucky for the Beatles, Campbell was a very talented bass player .
http://www.youtube.com/watch?v=N4McYkNXFQY -
How There's a Place Captured the Live Sound of the Beatles
Feb 4, 2013 . As part of our new series Blogging the Beatles, we'll be featuring . song is a co- composition but with a bias towards being Paul's original idea .
http://www.slate.com/blogs/browbeat/2013/02/04/the_beatles_marathon_sessions_for_please_please_me_how_there_s_a_place_captured.html -
Paul McCartney - Indian in the machine
Paul McCartney dead hoax the beatles the album clues tavistock institute . and some wanker stands up to take his place and you have to go along with it?
http://www.indianinthemachine.com/waspaulmccartneyreplaced.htmlall about life insurance
98 people's favorite
-
Death of John Lennon - Wikipedia, the free encyclopedia
Photographer and Lennon fan Paul Goresh took a photo of the encounter. . dead a Beatles song ("All My Loving") came over the hospital's sound system.
http://en.wikipedia.org/wiki/Death_of_John_Lennon -
Paul McCartney | Free Music, Tour Dates, Photos, Videos
The tour began in Hamburg, a place that Paul originally visited with The Beatles almost 50 years ago, putting it on the map as a musical Mecca for millions of .
http://www.myspace.com/paulmccartney


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model sediment used grazing deposition climatic tree climate future ring growth pressure dataset training likelihood ANN dune based wildfire (Fig. events data land (see {border-style conditions historical models using average datasets event identifying px;} simulated target vegetation #ffffff;} Supplementary increase reactivation Climate network relationship response index known peaks periods scenarios different disturbance output predicted input neural precipitation season trained years (i.e. degradation peak period results temperature temperatures time Note dryland episodes evidence forcing identify low Sci. identified long-term predict scenario sites study use Figure Great Nebraska Thomas aeolian analysis associated conditions, conditions. does environmental factors following individual nature new provide range sensitivity series testing ANNs DSG Res. combinations error hypothetical indices landscape networks potential px; sand set sites. surface values {font-family (). Current Geomorphology Methods). Plains Using activity added approach artificial changes depositional disturbances factor font-size geomorphic geomorphological human improve location mean near-surface record role Earth Growing Methods USA Zhang anthropogenic calculated change defined demonstrate double; driven drought growing increased levels maximum occurrence outputs predicting produced profiles records repeat represent sedimentary standard structure variability wildfires (%) ./j.geomorph... AD) ANN. Change Environ. Future Holocene Model Nature Process. Results Wildfire accurately additional applied background border-color border-width capacity century data, empirical environments extreme forces included input-target line luminescence moderate multiple parameters relationships relative remobilisation repeats research review scenarios. signal site solid; southern studies systems train validation {font-style {font-weight (Low (last -year ./S-()- ./esp. ./j.aeolia... ./s--- Additional Aeolian Africa Arid Column Commons Creative Ecol. However, Hugenholtz Int. Landforms Multiple Niobrara Quat. Remote Sand Schematic Science Surf. Thomas, Tree Valley Whilst ability according architecture aridity auto-regressive best blowouts bold caused commented compares complex continuous courier; cover demonstrated demonstrating desert difference drivers dynamics em; erosion event. example external findings fire, frequency generated grassland hidden historic large learning localised long management max measured method minimum mobility natural output: overall partitioned pressures prevent profile projections proxy pt;} record. represented runs semi-arid stability study, such, test thresholds trends. whilst wildfires.


Full-stack developer with 6+ years of experience in developing advanced web applications and websites.
iCAP is the team in charge of technology enhanced learning at the Lyon 1 University. The team develops projects that improve the quality of teaching for all University departments. The team’s approach is unique, innovative and has already proven to be very successful.
Based in both UK and France, ClickMarketing is an agency that loves to deliver sophisticated Web solutions.
Along with its subsidiaries, is one of the largest telecom groups in South Eastern Europe. OTE Group offers broadband services, fixed and mobile telephony, high-speed data communications and leased lines services. In addition, the Group in Greece is involved in a range of activities, notably satellite communications, real-estate and professional training.
Scholarship given to the top 3% of graduates
The Embassy of France in Greece offers 10 month scholarships to allow promising Greek students to pursue their Master's degree studies in France
The 'Great Moment for Education' Program aims to identify and honor the high-school graduates who achieve their school’s highest grades at the pan-Hellenic university admission examinations
Research paper revealing the importance of having a content management tool inside a learning management system.
MSc thesis about User Relevance Feedback in information retrieval systems. The thesis introduces a model to handle user interaction in information retrieval applications.


Building visible stuff - pixel perfect. Well-spaced, readable, and breathable.
Junior Full Stack Web Developer, passionate about solving challenges, with experience in writing single-page-applications using the latest WEB technologies such as Node.js, Vue.js, Vuex, React, Redux, and MongoDb.
Knowledge of server-side web application logic and integration of the work front-end developers do.
Full stack developer
Web developer from Tel aviv, Israel. I have a diverse set of skills, ranging from design to HTML + CSS + JS, all the way to Node to run JavaScript applications on both the server-side as well as the client-side.


THE TANGO LESSON By Harvey Karten, Ph.D. Sony Pictures Classics/Adventure Pictures Director: Sally Potter Writer: Sally Potter Cast: Sally Potter, Pablo Veron, Carolina Iotti, Zobeida, Orazio Massaro, Anne Fassio, Guillaume Gallienne
You don't have to be Argentinian to be quite proficient in the tango. Nor do you have to concentrate on the dance to the exclusion of all other skills. Ask Sally Potter, hardly a household name, known to many movie buffs exclusively for her direction of the remarkable arthouse fare, "Orlando." Her choice of subject there--a woman who lived four hundred years first as a man and later as a woman--indicates that Ms. Potter is no champion of bland, commercial films. Who would have known, though, that Sally Potter is not only a gifted director but a consummate dancer, a composer of song, and a performer who can swap a confident countenance for the gaze of a possessive lover?
"The Tango Lesson," which stars first-class dancer Pablo Veron as Pablo and Sally Potter as Sally--the use of real names manifests an autobiographical base--is both an occasional for an open-mouthed appreciation of spectacular hoofing and a sentimental romance about two middle-aged people who discover that they are soul mates despite their outward differences. Though Sally is a Londoner and Pablo an expatriate Argentinian living in Paris, they both speak fluent French and English and learn, surprisngly, that they share an affinity for Judaism. As Sally says, exchanging a sentimental tear with her partner, "I suppose I'm an atheist but I feel like a Jew." The film begins as Sally considers an assignment to write an original screenplay, her walls as white as the blank paper which confronts her. Our insight into her wild imagination is bumped as the camera shifts to glorious color, displaying three fashion models, one of whom is chased by wheelchair- bound, legless man who fires a shot, apparently killing her. We find out later that her film is to be about a designer who becomes envious of the attention which the media focus on the models. Wandering into a Paris concert featuring a tango performance of Pablo and his long-term partner played by Carolina Iotti, she is mesmerized and cuts a deal with Pablo. If he will teach her the tango, she will feature him in her next movie. From there, "The Tango Lesson" is divided into vignettes called "the second lesson," "the third lesson," etc. blending exhibits of the dance with a personal story, as Pablo and Sally become romantically involved with each other. Attempting to sell her idea to a couple of Hollywood producers, she is told by them--amid a stereotypically comical background of a large, Hollywood swimming pool presided over by a couple of movie sharks--that she should use stars rather than unknowns, situate the film in New York, and forget about using French because with a foreign language "you'll lose 75% of the audience, minimum." The tension apparently comes from Sally's insistence on leading Pablo while they are on the dance floor just as she is accustomed to doing when directing her movies. The tension in her shoulders about which Pablo complains is interpreted by him as a desire to dominate the relationship, but while this aspect is meant to be at the core of "The Tango Lesson," it simply does not come across. When the two perform on stage, ostensibly after she has had only twelve lessons, they look spectacular and garner a rousing tribute from the audience. Pablo's motivations are obscure. Is he really annoyed at her dominance or does he seek an excuse to end their relationship? Potter's use of black-and-white for the bulk of the picture seems pretentious rather than effective. "The Tango Lesson" succeeds more as a semi- documentary on that remarkable dance than as a romance, though any amour between middle-aged people should be welcomed in a youth-obsessed cinema. You come away with the knowledge that tango, like flamenco, can be performed in both its a traditional and authentic variety on a crowded dance floor and as a sexy bit of footwork meant for the stage featuring coded, suggestive steps. You also come away appreciating Sally Potter's talent as not only the director of "Orlando," a story about a Renaissance woman, but as a Renaissance woman herself. Rated PG. Running Time: 101 minutes. (C) 1997 Harvey Karten
The review above was posted to the
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Broken URLs inthe reviews are the responsibility of the author.
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Related links: index of all rec.arts.movies.reviews reviews


Places I've Been
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This workflow looks at a set of human genes and search for the orthologs of mouse and rat and return the difference in them
Author
U of Idaho Database Team
Entrez to KEGG Image
This is a example shows how to tranlate entrez ids to kegg images with its descriptions
Author
U of Idaho Database Team
Human Genes to Pathway Images
This is a example converts gene id to ncbi-gene id and cross reference KEGG database to get pathway id back
Author
U of Idaho Database Team
Genome Analytics
This is a example shows how to call local libraries BWA and Genome Analytics tools to align genomes.
Author
U of Idaho Database Team
Minerals Evolution 3D Exploration
This workflow collects the elements occurrences in Minerals Evolution
Author
U of Idaho Database Team
Great Britain Fossil Collections
This is a example shows how to access OGC and write SPARQL collect Geological layers information in Great Britain.
Author
U of Idaho Database Team
Fossil Collections and comparison
This is a example shows how to get Fossil records
Author
U of Idaho Database Team
Universal Mapping
This is a example shows how to use universal mapping in VisFlow
Author
U of Idaho Database Team
Repeat Random Times
This is a example shows how to use Repeat icon in VisFlow. The workflow will continue runing until the maximum number in num attribute is greater than or equal to 40
Author
U of Idaho Database Team
A List of Web service calls
This is a example shows how to use web service calls in VisFlow
Author
U of Idaho Database Team
Fusion Tables
This is a example shows how to use Fusion icon
Author
U of Idaho Database Team
Combine tables
This is a example shows how to use fusion icon
Author
U of Idaho Database Team
Visual Query Builder for Selecting Attributes
This is a example shows how to select gene id equal 217 from gene.xml file using our Visual Query Builder


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Methods summary
public
Puli\Manager\Api\Config\Config
|
#
getConfig( )
Returns the managed configuration.
Returns the managed configuration.
Returns
|
public
|
#
setConfigKey( string $key, mixed $value )
Sets a config key in the file.
Sets a config key in the file.
The file is saved directly after setting the key.
Parameters
- $key
- The configuration key.
- $value
- The new value.
Throws
|
public
|
#
setConfigKeys( array $values )
Sets config keys in the file.
Sets config keys in the file.
The file is saved directly after setting the keys.
Parameters
- $values
- The map from configuration keys to values.
Throws
|
public
|
#
removeConfigKey( string $key )
Removes a config key from the file.
Removes a config key from the file.
The file is saved directly after removing the key.
Parameters
- $key
- The removed configuration key.
Throws
|
public
|
#
removeConfigKeys( Webmozart\Expression\Expression $expr )
Removes the config keys from the file that match the given expression.
Removes the config keys from the file that match the given expression.
The file is saved directly after removing the keys.
Parameters
- $expr
- The search criteria.
Throws
|
public
|
#
clearConfigKeys( )
Removes all config keys from the file.
Removes all config keys from the file.
The file is saved directly after removing the keys.
Throws
|
public
boolean
|
#
hasConfigKey( string $key, boolean $includeFallback = false )
Returns whether a configuration key exists.
Returns whether a configuration key exists.
Parameters
- $key
- The configuration key to search.
- $includeFallback
Whether to check the base configuration if
the key is not found.
Returns
boolean Returns true if the file contains the key.
|
public
boolean
|
#
hasConfigKeys( Webmozart\Expression\Expression $expr = null, boolean $includeFallback = false )
Returns whether the file contains any configuration keys.
Returns whether the file contains any configuration keys.
You can optionally pass an expression to check whether the file contains
configuration keys matching the expression.
Parameters
- $expr
- The search criteria.
- $includeFallback
Whether to check the base configuration
if the key is not found.
Returns
boolean Returns true if the file contains configuration keys and
false otherwise. If an expression is passed, this method
only returns true if the file contains keys matching the
expression.
|
public
mixed
|
#
getConfigKey( string $key, mixed $default = null, boolean $fallback = false, boolean $raw = true )
Returns the value of a configuration key.
Returns the value of a configuration key.
The value is returned raw as it is written in the file.
Parameters
- $key
- The configuration key.
- $default
- The value to return if the key was not set.
- $fallback
Whether to return the value of the base
configuration if the key was not set.
- $raw
Whether to return the raw value of the key. If
true , placeholders in the value are replaced
by their actual values.
Returns
mixed The value of the key or the default value, if none is set.
Throws
|
public
array
|
#
getConfigKeys( boolean $includeFallback = false, boolean $includeUnset = false, boolean $raw = true )
Returns the values of all configuration keys set in the file.
Returns the values of all configuration keys set in the file.
The values are returned raw as they are written in the file.
Parameters
- $includeFallback
Whether to include values set in the base
configuration.
- $includeUnset
- Whether to include unset keys in the result.
- $raw
Whether to return the raw values of the keys.
If true , placeholders in the values are
replaced by their actual values.
Returns
array A mapping of configuration keys to values.
|
public
array
|
#
findConfigKeys( Webmozart\Expression\Expression $expr, boolean $includeFallback = false, boolean $includeUnset = false, boolean $raw = true )
Returns the values of all configuration keys matching the given
expression.
Returns the values of all configuration keys matching the given
expression.
Parameters
- $expr
- The search criteria.
- $includeFallback
Whether to include values set in the
base configuration.
- $includeUnset
Whether to include unset keys in the
result.
- $raw
Whether to return the raw values of
the keys. If true , placeholders in
the values are replaced by their
actual values.
Returns
array A mapping of configuration keys to values.
|


The Stereo example is an implementation of the algorithm that applies stereoscopic 3D effect on two input images and achieved by means of encoding each eye's image using filters of different colors: red and blue -
Anaglyph effect.
The example uses the flow graph interface and can be executed both on CPU and GPU for image processing.
The output of this application is a PNG image with the anaglyph effect applied.
This example includes software developed by Lode Vandevenne. See
here for copyright information.
It exemplifies the opencl_node usage in the flow graph interface in context of creating a stereo image from two input images.
This example uses C++11 lambda expressions. Specifying a compiler option such as -std=c++11 or similar might be necessary in order to build the example.
For more information please refer to the documentation for the compiler you use.
For the most up to date system requirements, see the release notes.
Additionally, you have to install OpenCL™ version 1.2 or higher in order to run this example. See the OpenCL™ Drivers and Runtimes for Intel® Architecture.
For information about the minimum supported version of IDE, see release notes.
General build directions can be found here.
Intel and the Intel logo are trademarks of Intel Corporation in the U.S. and/or other countries.
* Other names and brands may be claimed as the property of others.
© 2018, Intel Corporation
LodePNG version 20160409 Copyright (c) 2005-2016 Lode Vandevenne
This software is provided 'as-is', without any express or implied
warranty. In no event will the authors be held liable for any damages
arising from the use of this software.
Permission is granted to anyone to use this software for any purpose,
including commercial applications, and to alter it and redistribute it
freely, subject to the following restrictions:


{% include 'woopra.html' %}
Projects
Viewer
Workspaces
{% if user.level == 2 %}
User Groups
{% endif %}
{{ user.name }} ({{ role }})
Logout
Importer
* Please save filename as the program you want the projects to be imported. (eg. "PRDP.csv")
Download Template


I am a data reporter/ graphic developer at UCBerkeley, Graduate School of Journalism.
Previously a 2015 Google Journalism Fellow embedded at The Texas Tribune.
I will be interning with The New York Times graphic dept this winter.
I code, draw, write and build things on the Internet.
You can download my resume here.
I don't play in the NBA.
ONA Attendees
Online News Association
ONA attendees demographic breakdown. Built with d3.js and Bootstrap with help from Chris Canipe. Story written by Ernesto Rivera, data wrangling by Andrew Silver and me.
Google Fellowship
News Apps Blog
A blog post I wrote for the Tribune on what I have learned during my Google Journalism Fellowship.
Emergency Rooms
Texas Tribune
A data viz on the raise of Texas freestanding emergency rooms. Built with d3.js and JavaScript.
ObamaCare
Texas Tribune
A series of choropleth maps on healcare enrollment and income. Built with d3.js, JavaScript, Google Earth, Google Maps API and QGIS.
Solar Production
Texas Tribune
A dataviz on Texas solar production. Built with d3.js and JavaScript.
License Fees
Texas Tribune
llustrations on how the Texas legislature eliminated license fees for some professions. Drew in Illustrator, built with Texas Tribune Graphic Kit.
ACA Enrollment
Personal
Two choropleth maps on healcare enrollment and income. Built with QGIS, Google Maps API, Google Earth.
Illustrated Politicians
Personal, work in progress
llustrations on American politicians. Drew in Illustrator and AI2HTML.
The Long Shore
Class assignment
I made and designed this news package with Bootstrap, JQuery and JavaScript. Story by Brett Murphy and Justin Whiteman.
Against All Odds
Class assignment
A closer look at Chinese students' struggles. Built with Bootstrap, JavaScript. Story by Jeremy Lin, Chloe Shi, Fan Fei and Jieqian Zhang.
Living Between Borders
Class assignment
A package on global stateless population. Built with d3.js, JavaScript. Story and video by Lakshmi Sarah.
Journalist Salaries
Personal
A data viz on journalist salaries. Built with d3.js, bootstrap and JavaScript.
Energy Breakdown
Personal
A data viz on California energy breakdown. Built with d3.js and JavaScript.
Seismic Hazards
Personal
A data viz on seismic hazards in America, using a live API. Built with QGIS and Leaflet.
Syrian Civil War
Personal
A data viz documents violent events in the Syrian civil war from the start of 2011 to the end of the first quarter of 2013. Built with CartoDB.
Cali. Energy Viz
Personal
A data viz on California energy breakdown, using ca.gov data. Built with d3.js.
Honey Production
Oakland North
An infographic on honey production in California. Story written by Lakshmi Sarah. Infographic made in Illustrator.
Richmond Election
KQED
A series of infographics on Richmond election. Story by Brett Murphy. Made in Illustrator.
Health Care Spending
Personal
A series of small multiples on global health care spending. Made in Illustrator.
Energy in Germany
Personal
An infographic on Germany's reliance on nuclear energy. Graphic made in Illustrator.
Graphic Editor Intern
New York City, New York
Anticipated November 2015 - February 2016 (Acceptance confirmed)
Graphic/data reporter, developer
Los Angeles, California
Anticipated September 2015 (Acceptance confirmed)
Google Journalism Fellow
Austin, Texas & Mountainview, California
June 2015 - August 2015
Freelance Data Visualization Designer & Environmental Journalist
Freelance
San Francisco Bay Area
August 2014 – Present
Design Intern
Taipei, Taiwan
July 2013 – December 2013
Administrative Cadre
Taiwan Ministry of Justice, Alternative Military Service
Taipei, Taiwan
December 2012 – November 2013
Online Marketing Intern & Project Representative
Taipei, Taiwan
November 2011 – March 2012
Staff Writer
The Liberty Times, Breaking News Department
Taipei, Taiwan
July 2011 – February 2012
News Contact
Lung YingTai Cultural Foundation
Taipei, Taiwan
February 2009 – November 2010
Journalist Intern
Central News Agency, Sports & Entertainment Department
Taipei, Taiwan
July 2010 – September 2010
Online News Association Student Newsroom
Los Angeles, California
July 2015
Departmental Scholarship
University of California, Berkeley, Graduate School of Journalism.
Berkeley, California
May 2015
Google Journalism Fellowship at The Texs Tribune
Austin, Texas & Mountain View, California
March 2015
Dean's Merit Fellowship
University of California, Berkeley, Graduate School of Journalism.
Berkeley, California
August 2014
Dean’s recognition for top 1% of entire Journalism Department
Chinese Culture University, Department of Journalism.
Taipei, Taiwan
September 2009
MJ, Journalism, New Media Track
University of California, Berkeley, Graduate School of Journalism.
Berkeley, California
May 2016 (Expected)
BA, Journalism
Taipei, Taiwan
May 2012


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DevOps Facilitator
The CoLab community is looking to welcome a unique soul who is passionate about collaboration, loves diving deep into the configuration of complex web systems, and understands what web developers and site owners need. As a cooperatively owned and managed company, we are dedicated to mutual support, deeply democratic decision making and full-hearted communication. If that makes you happy, we’d love to talk.
The DevOps Facilitator should have at least 2 years of experience working with DevOps tools with teams in production environments. They should be familiar and adept with systems administration concepts, able to effectively document and train developers in using DevOps processes to administer systems and able to create processes and configurations of key provisioning and other technologies to enable distributed administration of our development and production servers.
Your main responsibilities will be creating DevOps processes using provisioning and systems management tools (such as Ansible, Vagrant, and perhaps Docker). You should be familiar with the following:
- Developer process documentation in software development and production release settings.
- Provisioning systems (Ansible and Puppet preferred, others open).
- DevOps Process Management (coordination via Git projects and other tools).
- Amazon Web Services administration (EC, S3, SES, etc.)
- Familiarity with deploying NodeJS, Drupal and/or Rails applications via DevOps tools is a plus.
As a cooperatively-run company, all roles at CoLab evolve and develop over time. As the DevOps facilitator you’ll be helping developers efficiently provision and manage systems by:
- Developing standard processes and tools that allow developers to provision and manage the development environments for their projects.
- Auditing processes to ensure they are secure and scalable (across multiple projects with many teams).
- Documenting and training developers on the use of these standards and processes.
- Continually evaluating and improving DevOps practices.
This is a contract position. While there are no set hours, we do require candidates who are available for some meetings and calls during the bulk of US working hours and can commit to timely communication around in-progress items with developers based in the US, Europe and Asia.
We anticipate the job will involve 5-10 hours of work initially, as the systems are configured, for a period of one to two months. Following this the role will likely transition into process improvement and systems support, which may see either an increase or a decrease in hours depending on context.
CoLab is committed to a rich and diverse workplace. We are values-driven and respect the contributions brought by individuals of all backgrounds and identities. All individuals are encouraged to apply in their full, most unique, truest self.
Specifically, we are committed to building a team that is diverse in members’ gender identities, sexual preferences, racial identities, economic backgrounds, geographical locations, cultural heritages, ages, and religious practices. We hold everyone at CoLab accountable to upholding its principles of equity and diversity in all our practices. The sustainability and full realization of our business, ourselves and our society depends on it. We welcome feedback and collaboration on how we can do this better and where we might fall short.
5-10 hours a week to start.
Flexible.
Commensurate with experience.
- Flexible schedule
- Friendly peers
- Participate in Do Good projects
- Lots of room to grow
- Educational resources
- Stretch responsibilities that challenge you to level up!
- Path to ownership
- Value-aligned community
- Respect for work / life balance
- Support for mindfulness practices and spiritual development
A path to ownership is open for the candidate. Details are based upon current membership criteria and subject to approval from the Board of Directors.
Send your cover letter and LinkedIn or resume to jobs@colab.coop.


Warden Details
Female Chief Warden
Name: Dr. N Mehala
Email<EMAIL_ADDRESS>Mobile No: +91 XXXXXXXXXX
ASSISTANT PROFESSOR, COMPUTER SCIENCE ENGINEERING, SCHOOL OF ENGINEERING , IN-CHARGE ERP AND CHIEF WARDEN (GIRLS)
Male Chief Warden
Name: Dr. D C Kiran
Email<EMAIL_ADDRESS>Mobile No: +91 XXXXXXXXXX
ASSISTANT PROFESSOR, COMPUTER SCIENCE ENGINEERING, SCHOOL OF ENGINEERING ,CHIEF WARDEN AND IN-CHARGE STUDENT WELFARE


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Vehicle Sticker
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Kenshin Himura
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Kenshin Himura
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Todos are Over.
Start collaborating immediatly on a powerful and easy to use Human Ressources Management system
--- layout: landing title: Home ---


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Level of confidence that token is an accurately-transcribed word
extremely low
very low
low
undetermined
medium
high
very high


Your Header
You can put some text in paragraphs
You can also use lists
...and other HTML elements
Have fun!


---
title: "distri: cool things to try"
menu:
main:
title: "Things to try"
weight: 30
---
Cool things to try
Fast package installation
{{< asciinema acid="cwHaOq7LnY01lFB7kpQbAOVua" >}}
{{% md %}}
1. Verify `i3status` is not yet installed: `i3status --version`
1. Install the `i3status` package: `distri install i3status`
1. Verify `i3status` is now installed: `i3status --version`
{{% /md %}}
Specific package versions
{{< asciinema acid="VDKEQmsipIAy7e1FNTW3UbEt5" >}}
{{% md %}}
1. Find out which package a file belongs to: `readlink -f /bin/i3`
1. If we are unhappy with the path that the exchange directory references, we can side-step it and make a specific selection:
```shell
% i3 --version
% /ro/i3-amd64-4.15*/bin/i3 --version
% /ro/i3-amd64-4.17*/bin/i3 --version
```
{{% /md %}}
Exchange directories
{{< asciinema acid="LFgF05pfvVwdIRghd19VTCXpB" >}}
{{% md %}}
1. The `/bin` directory contains all executables: `ls /bin`
1. distri implements common file system hierarchy locations such as `/usr/include` as a symbolic link to an exchange directory: `ls -l /usr/include`
1. Exchange directories consist of symbolic links to the files of individual distri packages: `ls -l /usr/include/`
{{% /md %}}
Debug symbols and package sources
{{< asciinema acid="sEBGThAutIMZWR6AuCqGrBl9o" >}}
{{% md %}}
1. Start the GNU Debugger, e.g. `gdb ps`
1. Set a breakpoint on the `main` function and run the program:
```shell
gdb> break main
gdb> run
```
1. Once the breakpoint is hit, list the source code:
```shell
gdb> list
```
1. Notice that you did not have to manually install any debug packages or sources.
{{% /md %}}
C build environment
{{< asciinema acid="LKvo6Ja8yUEvsVYJHMMeclIAq" >}}
{{% md %}}
1. Make available the build dependencies using `distri install autoconf automake make gcc libxcb xorgproto`
1. Build standard C software as usual:
```shell
% git clone https://github.com/i3/i3lock
% cd i3lock
% autoreconf -fi
% mkdir build && cd build
% ../configure
% make -j8
```
{{% /md %}}


Compare the COVID-19 pandemic between countries over time. Made by Jeff.
Maps
Watch the spread of COVID-19 across the world and the US. Made by Ash.
Bubble Chart
Compare vaccination metrics of different countries. Made by Jack.
Timeline
See timeline of events during the COVID-19 pandemic. Made by Wesley.
In this project, we hope to explore the spread of COVID-19 and the global vaccination effort. We hope that this will be informative to the general public and help increase public willingness to take the COVID vaccine.


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{{+bindTo:partials.standard_nacl_api}}
| typedef void *(* | PP_ArrayOutput_GetDataBuffer )(void *user_data, uint32_t element_count, uint32_t element_size) |
| typedef void(* | PP_CompletionCallback_Func )(void *user_data, int32_t result) |
| typedef int32_t | PP_Instance |
| typedef int32_t | PP_Module |
| typedef int32_t | PP_Resource |
| typedef double | PP_Time |
| typedef double | PP_TimeTicks |
| typedef double | PP_TimeDelta |
| typedef const void *(* | PPB_GetInterface )(const char *interface_name) |
| typedef void(* | PPB_Audio_Callback )(void *sample_buffer, uint32_t buffer_size_in_bytes, PP_TimeDelta latency, void *user_data) |
| typedef int32_t(* | PP_InitializeModule_Func )(PP_Module module, PPB_GetInterface get_browser_interface) |
| typedef void(* | PP_ShutdownModule_Func )(void) |
| typedef const void *(* | PP_GetInterface_Func )(const char *interface_name) |
| typedef void*(* PP_ArrayOutput_GetDataBuffer)(void *user_data, uint32_t element_count, uint32_t element_size) |
| typedef void(* PP_CompletionCallback_Func)(void *user_data, int32_t result) |
This typedef defines the signature that you implement to receive callbacks on asynchronous completion of an operation.
| [in] | user_data | A pointer to user data passed to a callback function. |
| [in] | result | If result is 0 (PP_OK), the operation succeeded. Negative values (other than -1 or PP_OK_COMPLETE) indicate error and are specified in pp_errors.h. Positive values for result usually indicate success and have some operation-dependent meaning (such as bytes read). |
| typedef const void*(* PP_GetInterface_Func)(const char *interface_name) |
Defines the type of the PPP_ShutdownModule
function.
| typedef int32_t(* PP_InitializeModule_Func)(PP_Module module, PPB_GetInterface get_browser_interface) |
Defines the type of the PPP_InitializeModule
function.
The PP_Instance
value uniquely identifies one instance of a module (.nexe/PP_Module).
There will be one module instance for every <embed> tag on a page.
This identifier is an opaque handle assigned by the browser to the module. It is guaranteed never to be 0, so a module can initialize it to 0 to indicate a "NULL handle."
The PP_Module value uniquely identifies the module or .nexe.
This identifier is an opaque handle assigned by the browser to the module. It is guaranteed never to be 0, so a module can initialize it to 0 to indicate a "NULL handle."
This typedef represents an opaque handle assigned by the browser to the resource.
The handle is guaranteed never to be 0 for a valid resource, so a module can initialize it to 0 to indicate a "NULL handle." Some interfaces may return a NULL resource to indicate failure.
While a Var represents something callable to JS or from the module to the DOM, a resource has no meaning or visibility outside of the module interface.
Resources are reference counted. Use AddRefResource()
and ReleaseResource()
in ppb_core.h
to manage the reference count of a resource. The data will be automatically destroyed when the internal reference count reaches 0.
| typedef void(* PP_ShutdownModule_Func)(void) |
Defines the type of the PPP_ShutdownModule
function.
The PP_Time
type represents the "wall clock time" according to the browser and is defined as the number of seconds since the Epoch (00:00:00 UTC, January 1, 1970).
A PP_TimeDelta
value represents a duration of time which is measured in seconds.
A PP_TimeTicks
value represents time ticks which are measured in seconds and are used for indicating the time that certain messages were received.
In contrast to PP_Time
, PP_TimeTicks
does not correspond to any actual wall clock time and will not change discontinuously if the user changes their computer clock.
The units are in seconds, but are not measured relative to any particular epoch, so the most you can do is compare two values.
| typedef void(* PPB_Audio_Callback)(void *sample_buffer, uint32_t buffer_size_in_bytes, PP_TimeDelta latency, void *user_data) |
PPB_Audio_Callback
defines the type of an audio callback function used to fill the audio buffer with data.
Please see the Create() function in the PPB_Audio
interface for more details on this callback.
| [in] | sample_buffer | A buffer to fill with audio data. |
| [in] | buffer_size_in_bytes | The size of the buffer in bytes. |
| [in] | latency | How long before the audio data is to be presented. |
| inout] | user_data An opaque pointer that was passed into PPB_Audio.Create() . |
| typedef const void*(* PPB_GetInterface)(const char *interface_name) |
This function pointer type defines the signature for the PPB_GetInterface
function.
A generic PPB_GetInterface
pointer is passed to PPP_InitializedModule
when your module is loaded. You can use this pointer to request a pointer to a specific browser interface. Browser interface names are ASCII strings and are generally defined in the header file for the interface, such as PPB_AUDIO_INTERFACE
found in ppb.audio.h
or PPB_GRAPHICS_2D_INTERFACE
in ppb_graphics_2d.h
. Click here for a complete list of interface names.
This value will be NULL if the interface is not supported on the browser.


Wexond
Innovative web browser
Wexond is an open-source, privacy-focused, extensible web browser with a totally new user experience.
GitHub
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H. B. Woodrose & Cannabis
I had been reading about a bunch of different `legal' highs that I could purchase, and came across `Hawaiian Baby Woodrose' seeds. Up until now, the only other hallucinogens I've ever tried are shrooms and DXM. I'm also a frequent cannabis smoker and also smoke cigarettes.
The day started out good, I awoke at 8:00, went to my only class of the day, and came back to my dorm, where a package was waiting for me. It contained a package of 50 Hawaiian Baby Woodrose seeds (Hawaiian strain). Mindset was great, I sat down and meditated for a while. I hadn't eaten anything that day, took my daily vitamins (Multivitamin, Vitamin C (500mg), and Vitamin B). Earlier in the day I chewed on a package of Betel Nut chew.
10:30: I scraped off 7 seeds, put into a coffee grinder, let sit in cold water.
11:26: Drank the mixture. Didn't taste bad, although it was a bit gritty.
11:56: A bit of nausea, vision was a little strobey, a body buzz started to come on. At this time, my friend M came over, and I walked over to his dorm to hang out for a little bit. Decided to go back when he finished packing to go home.
12:11: Back in the dorm room, starting to feel something a bit different. Vision wasn't much different, although colours were quite a bit brighter.
1:00: My log says `Yep.', so I'm guessing this was when I started seeing visuals. During the majority of my trip I was laying down on my bed, back down, looking at the ceiling. My ceiling is heavily textured, and I began to see what looked to be writing. I couldn't make out what it said, but it definately looked like some sort of cursive. About this time, I started noticing a bit of fluttering in the walls and celing. I decided to take 4 more seeds to bring me up to 11.
1:52: Full blown visuals, body buzz built up to an amazing jolt of energy. Smoked some weed to get rid of nausea. Thought patterns were extremely racy, I couldn't get a hold on a specific thought.
2:11: A maintenance worker came in to check to see if my roommate's light had been fixed, I managed to tell him that it was and that they were out of town. I acted like I was sleeping. Looked in the mirror, eyes were extremely dilated, couldn't see my iris anymore. Bad move, took 9 more seeds. My thought was `Well, I can only live once'.
(Lost track of time for a few hours after this)
3:00-5:00: We had 3 fire alarms during this two hour block. I was tripping very heavily, and felt very afraid that everyone knew that I was tripping. This is where the trip turned bad. Every time I would go back to my room, I would keep hearing the fire alarms, and it began to make me very agitated and worried.
6:30: I tried to smoke some weed, but the second the hit came into my lungs, I vomited. And if I thought it couldn't get any worse, it did. I began to think `Oh my god. I am not going to come down.  I will never do drugs again.'. This continued for about an hour and a half. I was sweating profusely. Vision was something I had no recollection of. Everything was rocking, spinning. The celing was tilting. My television began to look like it was melting. In a more positive state of mind, I would have enjoyed this thorougly, but due to the circumstances, It disturbed me terribly.
8:00: Still tripping, but more managable. I talked to a friend of mine online, trying to get him to help me make sense of this whole ordeal. I decided to go take a shower. Very good idea. It was extremely enjoyable. Each individual drop looked like it was dancing; The warm water felt very good on my body. I get dressed in my pajamas, and head to the kitchen for a glass of water and a bowl of miso soup. Return to my room and listen to some music (Pinback).
9:30: My roommate comes home. Our dorms are actually apartments, so everyone has a seperate bedroom. My door was locked, but he loves to chatter about random stuff, so he knocked on my door. I acted like I was asleep.
3:30: What happened? I don't think I went to sleep (Although I could have, since I was lying under my blankets, pulled over my head so I could have complete darkness. Still having minor visuals, vision started to fade a bit, but then came back, and I saw a fractal pattern covering everything.
4:20 (Ironic): I smoke some weed to calm down, works well, and am able to sleep.
The next day I awoke, actually feeling refreshed, although I have this nasty taste in my mouth; A nasty, eartly flavour, almost like the scent of compost. I tried to make out what happened, and I'm guessing that after the fire alarms sounded, I got extremely nervous, or that extremely large dosage could've hit during that time, and I wasn't ready for it.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Example:
Object obj = engine.eval("""
function hello() {
print('"Hello, world"');
}
hello();
""");
can be replaced with
Object obj = engine.eval("function hello() {\n" +
" print('\"Hello, world\"');\n" +
"}\n" +
"\n" +
"hello();\n");
This inspection only reports if the configured language level is 14 Preview.
New in 2019.3


Objective
In this challenge, we practice solving problems based on the Central Limit Theorem.
Task
A large elevator can transport a maximum of $9800$ pounds. Suppose a load of cargo containing $49$ boxes must be transported via the elevator. The box weight of this type of cargo follows a distribution with a mean of $µ = 205$ pounds and a standard deviation of $σ = 15$ pounds. Based on this information, what is the probability that all $49$ boxes can be safely loaded onto the freight elevator and transported?
Output Format
Your output must be a floating point/decimal number, correct to a scale of $4$ decimal places. You can submit solutions in either of the $2$ following ways:
Solve the problem manually and submit your result as Plain Text. In the text box below, enter a single floating point/decimal number.
Submit an R or Python program, which uses the above parameters (hard-coded), and computes the answer.
Your answer should resemble something like:
0.1234
(This is NOT the answer, just a demonstration of the answering format.)


--- title: Israel shot 154 date: 2004-06-03T00:00:00.000Z filepathOriginal: photos/IMG0225.jpg filepathThumbnail: photos/IMG0225.thumbnail.jpg filepathPreview: photos/IMG0225.preview.jpg ---
Porntoy and Crembo hang on for dear life on the Mt Shlomo hike


Milestone Commons Library
What's New
A new Currency
datatype for modeling currencies in a business domain.
For a list of all changes/updates in this release, view the change log.
Mocking DateTime in Unit Tests
One of the interfaces in commons is ICurrentDateTime
. It's default implementation is DefaultCurrentDateTime
.
It is recommended that this interface and factory be used when accessing the systems's current date/time. This allows
you to mock the date/time returned.
public class MyService
{
ICurrentDateTime datetimeFactory;
public MyService(ICurrentDateTime datetimeFactory)
{
this.datetimeFactory = datetimeFactory;
}
public void dowork()
{
Datetime now = datetimeFactory.GetCurrentUtcDateTime();
// do some work
}
}
Platform Targets
- NetStandard2.0
- Net452
Building and Testing
Building from source and running unit tests requires a Windows machine with:
- .Net 6.0 SDK
- .Net Framework 4.5.2 Developer Pack
Issues
Issues are tracked on GitHub. Anyone is welcome to file a bug, an enhancement request, or ask a general question. We ask that bug reports include:
- A detailed description of the problem
- Steps to reproduce
- Expected results
- Actual results
- Version of the package
- Version of the .Net runtime
Contributing
Contributions are welcome! Please open an issue first so that your proposed changes can be discussed.
License
Milestone Commons Library is licensed under the MIT License.


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title section on the page and the first gragpe.jQuery.php.java.or mysql,the it technology is the boom change for use.and the one of the sofeware ,the Mircrosoft bell
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title section on the page and the first gragpe.jQuery.php.java.or mysql,the it technology is the boom change for use.and the one of the sofeware ,the Mircrosoft bell


| DOSE: |
40 mg |
oral |
2C-D |
(powder / crystals) |
Wednesday, March 10, 2004
2,5-dimethoxy-4-methylphenethylamine (2C-D, LE-25)
Here we go again.  But don’t get me wrong, I find it very exciting; and love to discover new properties in psychedelic drugs. I must admit I didn’t have high expectations for 2C-D. The reports did not leave me expecting much of anything that would be too interesting. I love when I am surprised!
This experiment took place with “J”, a best friend of mine since I was a small child. He was my first officer (formally known as co-pilot) all those years ago when we ate morning glory seeds that first time and blew our heads open. I was really looking forward to tripping with him again.
I chose 2C-D simply because there had a strong desire on my part to try a new material. And being something new but gentle, it sounded right for that night. “J” wanted to try something new as well, so 2C-D is what we selected. After much discussion about the reports and what I knew, forty-milligrams was the dosage we selected. The material was a beautiful and fluffy white powder, and this batch was procured from a highly reliable source. This was my first psychedelic experience in almost five months. For “J” it had been nearly a year.
I had an empty stomach, while “J” swallowed the material on a slightly full stomach. We both started smoking pot so it was difficult to say when the first alert was. I think by forty-five minutes in we both noticed it without doubt. At first, the effects were there but difficult to describe. “J” seemed a little restless and moved about my premises. Though feeling some stimulation, I really felt fairly relaxed and stayed in my chair most of the night very comfortable.
By the one-hour point, the effects were unmistakable. There was some slight nausea for me, but nothing too bad at all. No nausea for “J”, he reported. Now what we did both experience was gorgeous colors on all surfaces, breathing walls, colorful trails, a light show with eyes closed, and great body buzz; but best of all--a state of
INTENSE introspection and deep philosophical insight.
At about one-hour in, we seemed to be peaking and we were both at a soft plus-three. I must admit I was much higher than I had anticipated the dosage would take me to, and was very pleased with everything. “J” and I soon sat down and then had probably the deepest talk I’ve ever been a part of while on an entheogen. While I still have my doubts about 2C-D as a “smart drug”, there was no doubt a special heightened intellectual process going on with this one that seemed different from the others. Even on psychedelics as gentle as 2C-C, I am not talkative. This one really brought out a lot in me.
This night, we talked of everything. And talked with such ease.  Every subject was easy to relate to, and easy for us to relate to relate to each other. I bet this material would be fantastic in psychotherapy as a tool for communication between couples.
I felt so free and easy to talk with “J”, yet the state from 2C-D was never forceful. For most of the trip, I always felt completely calm, and the 2C-D-space was very relaxed in all capacities. “J” however said his brain was “two steps ahead of his mouth.” But he still felt it was very easy and in no way a “pushy” material. I concur with that completely.
There were a few memorable things that night other than just the discussion between us. One nice part was going outside for a smoke and seeing the remarkable light-show in the sky. The stars shimmered and moved, and everything had rainbow-like halos around it. Another interesting visual experience I had was when urinating. While looking down at the tiles on the floor, they changed colors slowly from red, to blue and all of the colors in between. Stunning! Listening to music was also beautiful, and ended up producing some nice visuals to go along with it.
By four-hours in, we both agreed the trip was ending. We smoked more pot which made things a little more intense, but also made us tired. Less than six-hours after taking this 2C-D, we both fell asleep. There was no residue the next day. This was easy material to take, easy in all aspects, and that sure is a plus.
Conclusion:
2C-D reminded me very much of 2C-C, but it had much more content. Though there was that “phenethylamine” feeling common to all of them, there wasn’t much resemblance to the other 2Cs I’ve tried as much as with 2C-C. But unlike 2C-C, which is almost sedating, there was some stimulation with 2C-D. However this stimulation was no more severe than perhaps five-milligrams of amphetamine.
And while 2C-C seemed laid back and could allow for one to go in any direction possible that is chosen, 2C-D definitely had a strong intellectual component to it. It was specific, focused, and we talked and talked with such great spirits all night. This intellectual component was definitely a part of the trip. In response to Shulgin’s remark that 2C-D was
pharmacological tofu, someone else said it was some “heavy tofu.” And it was heavy stuff! And thankfully the material was very easy on the body. There was some nausea for me in the beginning, but none for “J.” And the nausea was mild and very transitory.
There wasn’t much resemblance to 2C-B, which I feel has a very different flavor. Forty-milligrams of 2C-D was similar to perhaps fifteen-milligrams of 2C-B quantitatively, though the material is very different qualitatively. These qualitative differences are difficult to describe. Forgive me. Perhaps I could say 2C-B is more “punchy” than 2C-D, it is not as “laid back.”
And 2C-B is much more of a sensual material compared to 2C-D in my experience. The visuals between 2C-B and 2C-D were also fairly different, but again complex when trying to put them to words. Both however are very strong. I can say in a few words: 2C-B seems to focus more on sensory themes while 2C-D was a more intellectual material, and while the visuals of 2C-D are intense, they seemed to be more in the background compared to the way 2C-B is. 2C-D was simply a much more relaxed experience all around than they type of trip produced by 2C-B. Sleep was easy at six-hours in. Can’t beat that! I typically have problems sleeping after an entheogen, but not with this one.
Would I take more than forty-milligrams of 2C-D the next time? I don’t think so. Forty-milligrams got me to where I wanted to be. “J” also agreed the dosage was perfect. I have a feeling that high dosages (maybe eighty-milligrams) could rival 2C-E in depth, but I don’t think I will take 2C-D to those levels. I’ll take 2C-E for a really intense out-of-body trip. 2C-D will be for those gentle ones.
What more to say? Excellent material and it makes the other 2Cs I have tried (except 2C-E, 2C-T-7, and maybe 2C-B) obsolete. Great on the body! 2C-D was very mellow but still intense. We both agreed we could not drive or answer the phone at forty-milligrams, but it was never forceful. All in all it was a total winner and I feel so lucky to have the chance to try these materials.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


American History X (1998) Edward Norton, Edward Furlong, Beverly D'Angelo, Avery Brooks, Stacy Keach, Fairuza Balk, Jennifer Lien, Elliott Gould, William Russ, Ethan Suplee, Joe Cortese, Guy Torry, Giuseppe Andrews, Antonio David Lyons, Keram Malicki-Sanchez, Jordan Marder, Nicholas Oleson, Anne Lambton. Produced by John Morrissey. Written by David McKenna. Directed by Tony Kaye. 117 minutes. Rated R, 4 stars (out of five stars)
Review by Ed Johnson-Ott, NUVO Newsweekly www.nuvo-online.com Archive reviews at http://us.imdb.com/M/reviews_by?Edward+Johnson-ott To receive reviews by e-mail at no charge, send subscription requests to<EMAIL_ADDRESS>In "American History X," Edward Norton gives an Oscar-worthy performance as Derek Vinyard, a racist skinhead. What a sight he is to behold. Black and white flashbacks show Derek, often shirtless and very buff, dazzling those around him with his ferocious rhetoric and fiery behavior. He is smart, sexy and charismatic and it's easy to understand why others are drawn to him.
"American History X" works the audience as well as Derek works his followers. While the racist words and actions are incredibly repellent, the flashback scenes are lovingly filmed in an attractive, high-quality music video fashion. Even when the action turns horribly violent, it's depicted as stylishly as a commercial for perfume or blue jeans. The filmmakers condemn the hate, but the perpetrators of said hate look so damn cool. Think "Pulp Fiction" or "A Clockwork Orange" and you'll know what I mean.
The intent is obvious.   It's a risky tactic. I've read reports of skinheads cheering during sections of "American History X." Sadly, some people will walk out of this film energized by the hate rhetoric and glamorization of violence. Hopefully, most viewers will get the point.
Set in sunny Venice Beach, we meet young Danny (Edward Furlong), a bright student who worships older brother Derek, a zealot in the local white supremacist movement. Derek's rhetoric turns to action, ending in a brutal assault that lands him in prison for manslaughter. Three years later, on the day of Derek's release, Danny hands his teacher a glowing essay on "Mein Kampf." The furious instructor hauls the boy to Principal Sweeney (Avery Brooks), who assigns the kid a new project. He must write a paper, to be titled "American History X," that documents the circumstances that led his brother to prison. Danny returns home for a festive neo-Nazi reunion with his brother, only to learn that Derek had a major change of heart in prison. He now rejects his former beliefs and wants his brother to do the same. But is it too late?
Danny's work on his paper provides the framework for the story, as flashbacks introduce the Vinyard's extended family and the environment from which the hatred grew. Director Tony Kaye (who unsuccessfully tried to have his name removed from the film over an editing dispute) presents a series of exceptionally vivid vignettes. We witness a confrontation between blacks and whites on a basketball court, various family fights, meetings between Derek and the manipulator behind the skinhead group (Stacy Keach), a horrific gang attack on a Korean grocery, and, of course, Derek's fatal assault on some black petty thieves.
 What makes the monologue so disquieting is its familiarity. Anyone who listens to conservative talk radio has heard the early portions of the father's argument. It's frightening to see how easily it turns from a hard-working family man's expression of frustration and perceived injustice into something very dangerous. The scene is a powerful reminder that people don't magically become monsters. It's a slower, much more insidious process that happens in all too many American homes.
"American History X" is a flawed work. Aside from Norton and Furlong, most of the other characters are little more than rough sketches. Derek's conversion from neo-Nazi back to human is sufficiently explained, but still seems a bit too abrupt. And some of Kaye's camera tricks, particularly the many shots of water in slow motion, are overly-mannered and distracting.
 If you want to see a powerful movie that depicts skinheads without a hint of romanticism, rent the devastating "Romper Stomper." But if you're willing to submit to a movie that goes a step further, not only condemning bigotry and violence but also challenging contemporary filmgoers, like us, who embrace cinematic depictions of violence and hate, give "American History X" a chance. You won't feel comfortable when you leave the theater, but you'll have a lot to think about.
© 1998 Ed Johnson-Ott
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