GIRL INTERRUPTED
Reviewed by Harvey Karten Columbia Pictures Director: James Mangold Writer: James Mangold and Lisa Loomer and Anna Hamilton Phelan, book by Susanna Kaysen Cast: Winona Ryder, Angelina Jolie, Bittany Murphy, Clea DuVall, Vanessa Redgrave, Whoopi Goldberg
"Girl, Interrupted" comes out at an opportune moment. The NY Times of Dec. 13 reports in its lead story that one out of every five Americans will suffer a mental disturbance in any given year and that two-thirds of those people will never seek help for their problems. A major reason for this passivity is the belief that emotional problems are a sign of weakness. Yet decades ago, Freud and others had established that mind and body are interconnected; that an emotional difficulty is no more shameful than a physical handicap. What many still do not realize is that someone with such an impairment cannot simply "snap out of it" any more than a guy with a fractured ankle can simply get up and walk.
Movies that have exploited such emotional difficulties have often shown that the cure is worse than the disease. Anatole Litvak's "The Snake Pit," made 51 years ago featuring an electrifying performance by Olivia de Haviland, was one of the first films to deal intelligently with mental breakdowns, while Milos Forman's "One Flew Over the Cuckoo's Nest" back in '75 featureed Jack Nicholson as a feisty misfit not unlike one of the female characters in "Girl, Interrupted," who pushes his fellow inmates to assert themselves against a tyrannical nurse.
"Girl, Interrupted" is dramatized from a true-life experience of novelist Susanna Kaysen, whose best-seller by the same name dealt with her episode in a private mental hospital during the flamboyant era of the late '60s. While director James Mangold's adaptation written together with Anna Hamilton Phelan and Lisa Loomer depicts the staff of the hospital (filmed in an actual institution in Harrisburg, Pennsylvania) as competent and rational, the film broadly hints that some of the patients do not really belong there--that they would not be dangerous if released and treated as out- patients. On the other hand, one inmate was obviously released too early. She committed suicide at home soon thereafter.
The author, Susanna (played by Winona Ryder) was the product of an upper-middle class household, the only student in her elite school without plans to go to college. While her classmates were accepted into Radcliffe and Wellesley, Susanna was dazed and confused, knowing only that she wanted to be a writer. (In one of the movie's only humorous moments, Susanna tells a caseworker of her ambition to write, to which the latter asks, "Yes, but what will you do?") When her psychiatrist diagnoses her as having Borderline Personal Disorder, she all-too-quickly goes along with his judgment and, being 18 years of age, checks herself into a hospital. It is there, at Claymoore, that she finds the best friends she ever had, including Lisa (Angelina Jolie), a free- spirited young woman who says whatever comes to mind and has a heart of stone; Daisy (Brittany Murphy), who has had an unhealthy relationship with her dad and is addicted to rotisserie chicken and laxatives; Polly (Elisabeth Moss), who is the kindest woman in her circle but has been facially disfigured in a fire; and her roommate, Georgina (Clea Duvall), who seems pretty normal to me.
Though quite well acted particularly by Winona Ryder as the author's stand-in, "Girl, Interrupted"--which gets its title from a Vermeer painting in New York's Frick Museum to which Susanna's English teacher introduced her--has a wholly predictable trajectory and is therefore only mildly winning. The book's frequent ironic passages appear absent from this basic TV fare, which includes the expected reaction of disbelief and displeasure from Susanna's bourgeois parents; disgust and hostility from Mrs. Gilcrest (Mary Kay Place), the wife of the English teacher with whom Susanna had a brief affair; an equally brief sexual interlude with the strikingly handsome Tobias Jacobs (Jared Leto), who is about to escape the Vietnam draft by fleeing to Canada; and the frequent interventions by the hospital staff whenever a patient--particularly the fiery Lisa--would lose control.
Mangold covers the rooms of the psychiatric hospital displaying a laundry list of types rather than drawn-out characters, and treats the staff in a similar manner--the no- nonsense nurse, Valerie (Whoopi Goldberg); the ivory-tower head psychiatrist Dr. Wick (Vanessa Redgrave), and the somewhat laughable Dr. Melvin Potts (Jeffrey Tambor)--all of whom say exactly what you'd expect such professionals to remark.
On a philosophical note, the story also covers the usual sophomoric grounds: What's normal and what's irrational? Susanna is labeled promiscuous, but shoots back at Dr. Wick, "How many girls would a 17-year-old boy have to screw to earn the label 'compulsively promiscuous'?" We are led to believe that what really shakes Susanna out of her doldrums is not the professional treatment she receives but the camaraderie she enjoys with the other young women on the floor, particularly her acting as mentor to the erratic Lisa, a role that Angelina Jolie takes over in one scene-stealer after another.
Aside from a quick look at a drug party that the girls attend after a brief escape from the hospital and a soundtrack of sixties music, there is little to signify that the story is taking place during the flamboyant sixties, a period that would encourage some to comment that the whole country was crazier than most of the so-called loonies in the psychiatric centers.
Rated R. Running Time: 127 minutes. (C) 1999 Harvey Karten<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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Related links: index of all rec.arts.movies.reviews reviews


{% load sekizai_tags static i18n %} {% addtoblock "css" %} {% endaddtoblock %}
{% blocktrans %}How many people decide to progress beyond beginner and how many students stick with us a while? Note that students are not classified as leaders or follower in the data, so a student who takes classes in both roles will show up in both series depending on the number of series they've taken in each.{% endblocktrans %}


BDO Class Reference
#import <BDO.h>
List of all members.
Detailed Description
Definition at line 5 of file BDO.h.
Member Function Documentation
Initializes the class. Used for objects which do not load themselves from the database, but that still load other records.
Definition at line 9 of file BDO.m.
| - (id) initWithIdentifier: |
|
(NSNumber *) |
ident |
|
|
Initializes the class with a numeric identifier identifying the record in the database. Intended to be used by objects that load themselves from the database only.
Reimplemented in Entry, OS, and Section.
Definition at line 17 of file BDO.m.
Member Data Documentation
- (NSString *) name [protected] |
The name of the record in the database.
Definition at line 14 of file BDO.h.
Property Documentation
- (NSNumber *) identifier [read, write, retain] |
The numeric identifier of the record in the database.
Definition at line 9 of file BDO.h.
- (BOOL) isGhost [read, write, assign] |
Whether or not the object has been loaded into memory. Should be YES if it's still in the database, or NO if it's been loaded into memory.
Definition at line 20 of file BDO.h.
The documentation for this class was generated from the following files:
- /Users/rdrake/Documents/iPhone/ManPages/Classes/BDO.h
- /Users/rdrake/Documents/iPhone/ManPages/Classes/BDO.m


Quick Start Guide¶
First, make sure that PyU4V is installed.
Let’s get started with some simple examples.
Begin by importing the PyU4V package, and creating a connection to the Unisphere server by instantiating an instance of U4VConn. For now, we will pass in our login credentials on instantiation, but you can also create a configuration file (see The Configuration File - PyU4V.conf, below. Also see Configuring SSL below to get more information on the ‘verify’ parameter)
>>> import PyU4V
>>> conn = PyU4V.U4VConn(username='my_name', password='password', server_ip='<IP_ADDRESS>', port='8443', verify=True)
Now we have a connection to the Unisphere server. Next, we must select an array for our queries. First, let’s see what arrays we have in our environment:
>>> conn.common.get_array_list()
["000194900123", "000195900123", "000196900123", "000197900123", "000197900123"]
Let’s pick one of these and set it as our array of choice:
>>> conn.set_array_id('000194900123')
If you wish to query another array without creating a new connection, this function can be called whenever required. The array_id can also be set on initialisation (PyU4V.U4VConn(array_id=‘000197123456’)), or by putting it in the conf file.
Now we are ready to start making some calls! The functions are divided up into categories - common, provisioning, replication, and performance.
- Common covers a few utils and also covers system calls
- Provisioning covers all things provisioning and masking related, and corresponds with the ‘sloprovisioning’ endpoints
- Replication covers local and remote replication
- Performance covers all the performance related calls.
>>> conn.provisioning.get_host_list()
['host1', 'host2', 'host3']
>>> conn.replication.find_expired_snapvx_snapshots()
[{'storagegroup_name': 'my-storagegroup1', 'snapshot_name': 'my-temporary-snap', 'generation_number': '0',
'expiration_time': '14:46:24 Wed, 24 Jan 2018', 'linked_sg_name': 'my-linked-sg',
'snap_creation_time': '14:46:24 Wed, 23 Jan 2018'}]
The Configuration File - PyU4V.conf¶
Instead of passing the Unisphere server details in on initialisation, there is also the option to put them in a configuration file, ‘PyU4V.conf’. This file also provides the option to setup logging in whatever way suits your project. The configuration file should be placed in your working directory, or it can be placed in ‘~/.PyU4V/’. A local PyU4V file (i.e. in the current working directory) will override a conf file in ‘~/.PyU4V/’. Please see PyU4V.conf.example for an example conf file.
Please note that parameters passed in on initialisation will override those set in any configuration file, i.e. the priority goes
- First, parameters set on initialisation are selected,
- If any of these are unset, next any parameters set in a PyU4V.conf will be used,
- The local PyU4V.conf will be selected first, and if that cannot be found, a global file will be selected
Configuring SSL¶
We STRONGLY recommend that you configure the library to verify SSL. If not, you leave yourself open to MITM attacks and other potential security issues. However, you can disable SSL verification by setting ‘verify=False’ on initialisation, or in the configuration file.
To set:
Get the CA certificate of the Unisphere server.
# openssl s_client -showcerts -connect {server_hostname}:8443 </dev/null 2>/dev/null|openssl x509 -outform PEM > {server_hostname}.pem
(This pulls the CA cert file and saves it as server_hostname.pem e.g. esxi01vm01.pem)
2. Either add the certificate to a ca-certificates bundle, OR add the path to the conf file/ pass it in as a parameter on initialisation:
- Copy the pem file to the system certificate directory:
# cp {server_hostname}.pem /usr/share/ca-certificates/{server_hostname}.crt
- Update CA certificate database with the following commands (Ensure the new cert file is highlighted)
# dpkg-reconfigure ca-certificates # update-ca-certificatesIf the conf file is being used, ensure that if the ‘verify’ tag is present, that it is set to True (“verify=True”) (If it is not set anywhere, ‘verify’ defaults to True)
OR
- In the conf file insert the following:
- verify=/{path-to-file}/{server_hostname}.pem OR pass the value in on initialization.


12.3 HTTP Digest Authentication
Digest authentication is designed to be significantly more
secure than Basic. It makes extensive use of cryptographic hash
functions and other tricks. Essentially, instead of sending a
cleartext password, the user-agent sends a "message
digest" of the password, username, and other
information. (See RFC 2617 and
O'Reilly's HTTP: The
Definitive Guide for more information.)
HTTP Digest authentication supports the following
auth_param parameters:
auth_param digest program
command auth_param digest children
number auth_param digest realm
string auth_param digest nonce_garbage_interval
time-specification auth_param digest nonce_max_duration
time-specification auth_param digest nonce_max_count
number auth_param digest nonce_strictness on|off
The program, children, and
realm parameters are the same as for Basic
authentication. All of the unique parameters relate to Digest
authentication's use of something called
nonce.
A nonce is a special string of data, which changes occasionally.
During the authentication process, the server (Squid in this case)
provides a nonce value to the client. The client uses the nonce value
when generating the digest. Without the nonce data, an attacker could
simply intercept and replay the digest values to gain access to
Squid.
The nonce_garbage_interval parameter tells
Squid how often to clean up the nonce
cache. The default value is every 5 minutes. A very busy cache with
many Digest authentication clients may benefit from more frequent
nonce garbage collection.
The nonce_max_duration parameter specifies
how long each nonce value remains
valid. When a client attempts to use a nonce value older than the
specified time, Squid generates a 401 (Unauthorized) response and
sends along a fresh nonce value so the client can re-authenticate.
The default value is 30 minutes. Note that any captured
Authorization headers can be used in a replay
attack until the nonce value expires. Setting the
nonce_max_duration too low, however, causes Squid
to generate 401 responses more often. Each 401 response essentially
wastes the user's time as the client and server
renegotiate their authentication credentials.
The nonce_max_count parameter places
an upper limit on how many times a
nonce value may be used. After the specified number of requests,
Squid returns a 401 (Unauthorized) response and a new nonce value.
The default is 50 requests.
Nonce counts are another feature designed to prevent replay attacks.
Squid sends qop=auth in its 401 responses. This
causes user-agents to include a nonce count in their requests, and to
use the nonce count when generating the digest itself. Nonce count
values must always increase over time. A decreasing nonce count
indicates a replay attack. However, the counts may increase, but skip
some values, for example: 5,6,8,9. The
nonce_strictness parameter determines what Squid
does in this case. If set to on, Squid returns a
401 response if a nonce count doesn't equal the
previous nonce count plus one. If set to off,
Squid allows gaps in the nonce count values.
Here is a complete example:
auth_param digest program /usr/local/squid/libexec/digest_pw
auth_param digest children 8
auth_param digest realm Access to Squid
auth_param digest nonce_garbage_interval 10 minutes
auth_param digest nonce_max_duration 45 minutes
auth_param digest nonce_max_count 100
auth_param digest nonce_strictness on
acl KnownUsers proxy_auth REQUIRED
http_access allow KnownUsers
Next I will discuss the Digest authentication helper programs that
come with Squid.
12.3.1 password
./configure —enable-auth=digest
—enable-digest-auth-helpers=password
This is a simple, reference implementation of Digest authentication
for Squid. It demonstrates how to write a Digest-based authentication
helper. This code simply reads usernames and passwords from a
plaintext file. The format of this file is as follows:
username:password
The password file pathname is the single argument to the
digest_pw_auth program. For example:
auth_param digest program /usr/local/squid/libexec/digest_pw_auth
/usr/local/squid/etc/digest_passwd
auth_param digest realm Some Nifty Realm
Squid doesn't provide any tools to maintain a
password file in this format. If you choose to use Digest
authentication, you must manage the file on your own, perhaps with a
text editor or Perl scripts.
12.3.2 Digest Authentication API
If you'd like to write your own
Digest authentication helper, you need to
understand the communication between Squid and the helper process.
The exchange is similar to that for Basic authentication, albeit a
little more complicated.
The first difference is that Squid writes the username and realm
string, rather than username and password, to the helper process.
These strings are quoted and separated by a colon. For example:
"bobby":"Tom Landry Middle School"
The second difference is that the helper process returns an MD5
digest string, rather than OK, if the username is
valid. As with Basic authentication, the helper process writes
ERR if the user doesn't exist or
if the input from Squid is unparseable for some reason.
The helper returns an MD5 digest with the username, realm, and
password. The three strings are concatenated together and separated
by colons:
username:realm:password
Remember that the password isn't sent in the HTTP
request. Rather, the helper retrieves the user's
password from a database (like the plaintext file used by the
password helper). For example,
let's say that Bobby's password is
CapeRs. The helper process receives the username
and realm from Squid, gets the password from its database, and
calculates an MD5 checksum of this string:
bobby:Tom Landry Middle School:CapeRs
The Squid source code includes a library function,
DigestCalcHA1( ), which implements this
calculation. We can test all this in a terminal window to see what
the helper returns:
% echo 'bobby:CapeRs' > /tmp/pw
% echo bogus_input | digest_pw_auth /tmp/pw
ERR
% echo "nouser":"some realm" | digest_pw_auth /tmp/pw
ERR
% echo '"bobby":"Tom Landry Middle School"' | digest_pw_auth /tmp/pw
c7ca3efda238c65b2d48684a51baa90e
Squid stores this MD5 checksum and uses it in other parts of the
Digest authentication algorithm. Note that the checksum only changes
when the user changes his password. In Squid's
current Digest implementation, these checksums are kept in memory as
long as the user remains active. If the user is inactive for
authenticate_ttl seconds, the MD5 checksum may
be removed from Squid's memory. Upon the next
request from that user, Squid asks the external helper process to
calculate it again.
|


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{% extends 'base.html' %} {% block body %} {% raw %}
| Task ID | Completed at | Skipped | Delete | ${{ key }} |
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--- title: Experiences background_image_path: large_header: false show_in_navigation: true navigation_order: 2 ---
I have had varied experiences in my life on both personal and professional level. This is where I share my experiences with you.


UTC, Summer time UTC +1 from the end of March to the end of October.
YACHTING ESSENTIALS
Electricity
Voltage: 220/110 Volts AC
Frequency: 50 Hz
Round two-pin plugs
Gas/Propane/Butane
It is illegal to re-fill cooking gas bottles in Portugal.
Camping Gaz bottles can be exchanged at marine supply stores.
Shop hours are generally from 09:00 to 12:00 and 14:00 to 18:00. Supermarkets usually 10:00 to 20:00 daily.
Banking hours: 08:30 to 15:00.
Euro
Credit cards are widely accepted.
ATMs in all towns.
International Dialing Code for Portugal is +351.
All Portuguese marinas listen on VHF Channel 9.
The prepaid SIM card for Portugal with a world cell phone is the most convenient and economical solution while in Portugal. All incoming calls while in Portugal are FREE, regardless of where they originate. Pay the local rate for local calls and use your cellular phone in Portugal like you do at home.Your Portugal SIM Card (TMN) will require a SIM-unlocked GSM 900 / 1800 compatible international cell phone.
Volvo Ocean Race 2011/12 - Stopover Lisbon - May 31 to June 10, 2012
See http://www.volvooceanrace.com/en/ports/8_Lisbon.html
Tall Ships Race 2012 - Lisbon - first port of call following start in St. Malo, France. Tall Ships in Lisbon July 19-22.
See http://sailtraininginternational.org/
Emergencies - Dial 112.
IMRAY AND ADLARD COLES PILOT BOOKS are available at a discounted price for Noonsite.com users via World Cruising Club
Atlantic Spain and Portugal
7th Edition published July 2015
Author: Henry Buchanan
Published by Imray
See Noonsite Review
Atlantic Islands: Azores, Madeira, Canary and Cape Verde Islands
By Anne Hammick
Published by Imray, Laurie, Norie & Wilson Ltd (Revised 5th edition Dec. 2011)
ISBN-13 978<PHONE_NUMBER>
This 5th edition has been redesigned in the same style of other RCC Pilots. The new look includes waypoints as well as better use of colour. All the updates accumulated since 2004 as well as new information gained from visits between 2009 and 2011 are included. Facilities for yachts have improved significantly during recent years and this edition includes full details of new yacht harbours and proposed developments.
Cruising Association Handbook
Published by The Cruising Association
Complete with tide tables for 2 years. Covers area from The Kiel Canal in Germany to Gibraltar.
Portugal's hydrographical office (Instituto Hidrográfico) which is run by the Navy is an extremely professional organisation, they produce excellent charts and much of the information on them is in English. They have a very good web site (www.hidrografico.pt) which although only in Portuguese is very easy to understand. Their "Notices to Mariners" (Avisos aos Navegantes) giving information on changes to buoyage and lights etc. is updated every day on the web site.
Portugal's Instituto Hidrografico has a very good web site (in Portuguese but very easy to understand). Their "Notices to Mariners" (Avisos aos Navegantes) giving information on changes to buoyage and lights etc. is updated every day on the web site.
A useful site for sailing information for Portugal is http://jimbsail.info//portugal
This site is aimed at English speaking skippers to help them enjoy cruising around Europe. It describes and compares the many European cruising regions to help choose where to go.
Martin Northey has a very comprehensive website with cruising information about Portugal and in particular the Algarve, plus some very interesting articles. He provides information for both the RCC Atlantic Spain and Portugal and Reeds. Go to www.theiberianseaschool.com.
www.hideawayportugal.com
Website specialising in charming holiday homes and B&Bs; in rural, coastal and
historic Portugal. Book direct with the owners.
Noonsite welcomes information and updates especially regarding clearance, customs and immigration procedures from cruisers visiting this country.
Please E-mail noonsite with any new information, updates or corrections. Even just a short email confirming that the current data is accurate would be most helpful.


--- layout: post title: Assignment 1 in "Functional Programming Principles in Scala" from Coursera date: 2014-12-20 12:32:53.000000000 +08:00 categories: - scala tags: - coursera - scala status: publish type: post published: true meta: _wpas_skip_facebook: '1' _wpas_skip_google_plus: '1' _wpas_skip_twitter: '1' _wpas_skip_linkedin: '1' _wpas_skip_tumblr: '1' _wpas_skip_path: '1' _publicize_pending: '1' _rest_api_published: '1' _rest_api_client_id: '-1' author: login: balloontin email<EMAIL_ADDRESS>display_name: balloontin first_name: '' last_name: '' ---
The following pattern of numbers is called Pascal’s triangle.
1
1 1
1 2 1
1 3 3 1
1 4 6 4 1
...
The numbers at the edge of the triangle are all 1
, and each number inside the triangle is the sum of the two numbers above it. Write a function that computes the elements of Pascal’s triangle by means of a recursive process.
Do this exercise by implementing the pascal
function in Main.scala
, which takes a column c
and a row r
, counting from 0
and returns the number at that spot in the triangle. For example, pascal(0,2)=1
, pascal(1,2)=2
and pascal(1,3)=3
.
def pascal(c: Int, r: Int): Int
[code lang="Scala"]
def pascal (c:Int,r:Int):Int={
def pascal_dp=List()
def pascalTailCur(c:Int,r:Int,dp:List[Int], r_calculating:Int): Int={
if(r<r_calculating) dp.apply((r+1)*r/2+c)
else pascalTailCur(c,r,listizePascalTriangleRowCur(r_calculating,dp,0),r_calculating+1)
}
def listizePascalTriangleRowCur(r_calculating:Int, dp:List[Int],r:Int):List[Int]={
if (r==r_calculating) dp:::List(1)
else if (r==0) listizePascalTriangleRowCur(r_calculating, dp:::List(1),r+1)
else listizePascalTriangleRowCur(r_calculating, dp:::List(dp(dp.length-r_calculating)+dp(dp.length-r_calculating-1)),r+1)
}
pascalTailCur(c,r,pascal_dp,0)
}
[/code]
Write a recursive function which verifies the balancing of parentheses in a string, which we represent as a List[Char]
not a String
. For example, the function should return true
for the following strings:
The function should return false
for the following strings:
The last example shows that it’s not enough to verify that a string contains the same number of opening and closing parentheses.
Do this exercise by implementing the balance
function in Main.scala
. Its signature is as follows:
def balance(chars: List[Char]): Boolean
There are three methods on List[Char]
that are useful for this exercise:
chars.isEmpty: Boolean
returns whether a list is emptychars.head: Char
returns the first element of the listchars.tail: List[Char]
returns the list without the first elementHint: you can define an inner function if you need to pass extra parameters to your function.
Testing: You can use the toList
method to convert from a String
to a List[Char]
: e.g. "(just an) example".toList
.
[code lang="Scala"]
def balance(chars: List[Char]): Boolean = {
def balanceCur(chars:List[Char], sum:Int): Boolean={
if(sum<0) false
else if (sum==0 && chars.isEmpty) true
else if (sum!=0 && chars.isEmpty) false
else {
if (chars.head=='(') balanceCur(chars.tail,sum+1)
else if (chars.head==')') balanceCur(chars.tail,sum-1)
else balanceCur(chars.tail,sum)
}
}
balanceCur(chars,0);
}
[/code]
Write a recursive function that counts how many different ways you can make change for an amount, given a list of coin denominations. For example, there are 3 ways to give change for 4 if you have coins with denomiation 1 and 2: 1+1+1+1, 1+1+2, 2+2.
Do this exercise by implementing the countChange
function in Main.scala
. This function takes an amount to change, and a list of unique denominations for the coins. Its signature is as follows:
def countChange(money: Int, coins: List[Int]): Int
Once again, you can make use of functions isEmpty
, head
and tail
on the list of integers coins
.
Hint: Think of the degenerate cases. How many ways can you give change for 0 CHF? How many ways can you give change for >0 CHF, if you have no coins?
[code lang="Scala"]
def countChange(money: Int, coins: List[Int]): Int ={
def countChangeCur (money:Int, coins:List[Int], sum:Int) : Int={
if (coins.isEmpty) sum
else if (money ==0) 1+sum
else if (coins.length==1 && money % coins.head==0) 1+sum
else if (coins.head>money) countChangeCur(money, coins.tail, sum)
else {
countChangeCur (money,coins.tail,sum+countChangeCur(money-coins.head,coins,0))
}
}
countChangeCur(money,coins,0)
}
[/code]


THE AGE OF INNOCENCE A film review by Mark R. Leeper Copyright 1993 Mark R. Leeper
Capsule review: Martin Scorsese's adaptation of the Edith Wharton novel is like a beautiful, detailed painting of an entire period, yet it remains static and uninvolving. The characters seem to be all bland and mostly convention-bound. By the time we can work up any pathos for the principals, it is too late. Rating: low +1 (-4 to +4).
Somehow one of the last things we would have expected from Martin Scorsese is is a foray into the Merchant-Ivory territory of adapting the early-20th Century social novel. That is exactly the field he is entering with THE AGE OF INNOCENCE, but his results are of mixed quality. He has created a beautiful recreation of 1870s New York City high society and the bloodlessness that it required from its denizens, but in doing that so well, he has created characters that it is hard to care very much for and their story is considerably less engaging as a result.
The story is of a love triangle that flies in the face of he conventions of society. Daniel Day-Lewis plays Newland Archer, a handsome and intelligent young lawyer engaged to May Welland, a lovely childlike woman played by Winona Ryder. Newland meets and is struck by May's cousin, Countess Ellen Olenska (played by Michelle Pfeiffer). The Countess is rebounding from the scandal of having left her husband, a Polish Count, but upper-class society will not let her forget her past. Newland slowly realizes that he really loves the countess and that she loves him, but he cannot decide if he is willing to fly in the face of convention. And for roughly two hours of screentime this latter-day Hamlet remains indecisive. Certainly things happen in that time, but this heart of the story does not advance until it is over.
What we get in that static two hours is a beautiful depiction of society in that time and place. Lavish detail shows us what parties were like, what food was eaten at lavish social dinners, what table arrangement there was, what the streets looked like (though many of the exteriors had unconvincing matte paintings that called attention to themselves). Watching this film reminded me a lot of my visit to the Victoria and Albert Museum in London. A segment of society is perfectly preserved in this film.
The visuals, however, are almost unused in telling the story. This story is almost literally a novel on film. The story is told in words in dialog and narration. The narration is by Joanne Woodward, and is said to be a late enhancement to clarify the plotline after editing the film down to 136 minutes. In any case this is a film that genuinely requires concentration on the dialog and a good memory for character names. There are a lot of characters in the book and Jay Cocks and Martin Scorsese did not pare them down by many in the screenplay. The film boasts an impressive cast including Richard E. Grant, Alec McCowan, Geraldine Chaplin (could this be a sly nod to plot similarities in DR. ZHIVAGO?), Mary Beth Hurt, Sian Phillips, Michael Gough, Alexis Smith, Jonathan Pryce, and Robert Sean Leonard.
Notable also is another great opening credit sequence by the master photographer of such sequences, Saul Bass (and Elaine Bass). Saul Bass is the Michelangelo of film credit sequences.
There is a lot that works in THE AGE OF INNOCENCE and a few very basic and important aspects that fail. This is an accurate adaptation of a classic novel not well suited to film adaptation. My rating would be a low +1 on the -4 to +4 scale.
Mark R. Leeper att!mtgzfs3!leeper<EMAIL_ADDRESS>.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
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Related links: index of all rec.arts.movies.reviews reviews


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Deprecated: use the interfaces in the
org.apache.avalon.framework.service
package instead.
Interfaces and implementation of the component management services
supporting container based management of componet lookup and
decommissioning.
The Avalon team has determined that the best way to remove the need for this package in projects that existed before the team deprecated the package is to use a dynamic proxy. There are two ways of defining a dynamic proxy: using JDK 1.3's dynamic proxy generation code, and using BCEL to write a special purpose proxy.
All the Avalon containers now employ this technique so that you can
confidently remove all deprecation warnings from your code by removing
the Component
interface.
The code snippet below describes how to use JDK 1.3 to create a dynamic
proxy at runtime. The method getProxy
is where the proxy
is actually created. The class ComponentInvocationHandler
takes care of handling the method calls.
/** * Get the Component wrapped in the proxy. The role must be the service * interface's fully qualified classname to work. */ public Component getProxy( String role, Object service ) throws Exception { Class serviceInterface = m_classLoader.loadClass( role ); return (Component)Proxy.newProxyInstance( m_classLoader, new Class[]{Component.class, serviceInterface}, new ComponentInvocationHandler( service ) ); } /** * Internal class to handle the wrapping with Component */ private final static class ComponentInvocationHandler implements InvocationHandler { private final Object m_delagate; public ComponentInvocationHandler( final Object delegate ) { if( null == delegate ) { throw new NullPointerException( "delegate" ); } m_delagate = delegate; } public Object invoke( final Object proxy, final Method meth, final Object[] args ) throws Throwable { try { return meth.invoke( m_delagate, args ); } catch( final InvocationTargetException ite ) { throw ite.getTargetException(); } } }


Arrays
Arrays are an ordered collection of objects , its job is to store other objects .Any objects can be stored in an array including other arrays,hashes , classes, any objects at all.The contents of an array always remains the same in the order it was stored unless we want to move the objects around.Since there are more then one way to create a new array, some of them are created the following way:
Creating with the "Array.new" method :
color = Array.new
color.push "red"
puts color
=> red ;
Creating the literal way with the square brackets :
color = ["red", "green", "yellow"]
return color[0] => "red",
return color [1]=>
"green",
return color [2]=>"yellow" ;
One thing that i want to point to in the second example is that in arrays each element has an index number, starting from 0 and on. We can access them by calling this number like in :
color = ["red", "green", "yellow"]
return color[0] => "red",;
When we called the array we reffered to the first elemenet in the array so we said return the first element in that array , and of course the counting starts from 0 in arrays and it increases by 1 like if we would like to call the second element we would call it like this: return color [1]=> "green"; and so on and so forth.
Hashes
Like the arrays, Hashes are collection of objects. A collection that contains keys and value pairs, where any key and any value can be any Ruby object.Hashes perform based on their keys.We access the value of a hash by refereing to the key element. There are different ways to create a hash, but one of them is by using the literal constructor the curly braces " {} " which looks like this:,
hash ={
color: "red"
tequila:"Mezcal"
}
return hash [:color] => "red" ;
Or we could print all of the values by simply writing:
hash ={
color: "red"
tequila:"Mezcal"
}
return hash.values =>["red", "Mezcal"] ;
I hope this blog helps you to get a better idea of Arrays and Hashes , their creation and the way we access their elements.


Do you not know who I am? Well, there's an app for that. I mean webpage. And that webpage is also this webpage. Moving on...
Basic Information
-
I am a second year Computer Science student at the University of Waterloo, currently on his first coop term working as a Software Developer on Cloud Platform
at the Ontario Ministry of Health and Long Term Care.
-
I was born on January 14th 1998 (December 16th 1997 if you're asian), which makes my current age 19
(although I still look and feel like I'm 16 but that's besides the point, I can drink alcohol!).
- I have like a looooot of friends. Like so many friends. Like I can name like three off the top of my head.
- I wear glasses.
So what are your hobbies?
- I play a lot of Dota 2 these days. And by play I mean lose.
- I really love strategy games, like StarCraft, Civlization, and Paradox games. By the way, STARCRAFT REMASTERED IS OUT WOOHOO
- I've been playing piano for almost a decade and a half but somehow I'm still mediocre.
- I love doodling
- I love coding
- I love history
- I love self-deprecating humor because it makes me feel good about being completely worthless
- I love going on reddit on my spare time. And on not my spare time. Which is not good.
Hi, I am a hiring manager and I would like to know why I should hire you.
- Oh no
-
Forget the entire last section. I am super productive and never play videogames or go on reddit. I mean, what is reddit? I dont ever go on reddit,
the only reason I even know what it is is because I watched the CGPGrey video on it- not that I watch youtube videos of course. I code all day ery day and do
math problems in my spare time.  I'm cool. But not in like a rebel kind of way in like a "hey I'd totally hire this guy" kind of way.
- What are you doing here? This is a really bad judgement on my character you should go check out my resume instead. Here, I'll even link it for you.
TADA!
- Don't keep reading. Go visit my PROJECTS.
- (sweats nervously)
Hi, I am an engineer who visited your steam profile and was wondering what your steam name even means.

-
But if you must know, the statement "∃!n∈MMR | n>a ∀a∈MMR, Pf: Me" translates to "There exists an MMR n, such that n is greater than a
for all possible a values (which are MMRs), and the proof of that is me."
- It means I have the largest possible MMR, silly. Now go back to pretending pi = e = 3 and using gradiants.


We investigate using crowdsourcing and online multiplayer games to develop novel and complex methods for multirobot control policies for collective tasks. By collecting data and applying learning techniques, we will create an ensemble of diverse controllers, that when used together, can solve a complex task.
View ProjectWe investigate algorithms for mobile robotic cameras to maximize the visual coverage of multiple moving targets in dynamic environments including obstacles. This approach has a variety of applications, including for surveillance, sports events, training, and documentation of endangered animals.
View ProjectWe develop both a theoretical framework and empirical models for extended autonomy in multirobot teams. Long-duration deployments require replenished resources, such as batteries and sensors. Our framework deals with both predicting when those resources will be needed, as well as ensuring that they are delivered in a timely manner to reduce robot down-time.
View ProjectTraditional single-robot algorithms tend to be slow if applied to groups of robots due to the increased dimensionality of the state space. We investigate planning algorithms which can be used or updated online for large groups of robots.
Fast planning is required in many applications in robotics, including robots for warehouses and manufacturing, construction tasks, and formation control.
View ProjectMixed Reality can be a valuable tool for research and development in robotics. Specifically, our approach reduces the gap between simulation and implementation, and can eliminate safety concerns with human-robot interaction.
View Project


{% extends 'base.html' %} {% block content %}
In this day and age, the world has been plagued by a worldwide pandemic, known as COVID-19 or SARS-CoV-2, for almost 2 years.
We live in the age of big data and immense amounts of information on the subject are published every day.
So much that it is impossible to digest it all.
According to studies from last year 2020, scientific publications on COVID-19 grew exponentially over the months reaching 160,000 publications by the end of that year. There are no recent studies documenting the number, but all indications are that the number could have increased tenfold.
To date, in pursuit of finding factors related to its contagion, behavior and cure, studies of all kinds and from different perspectives have been carried out, resulting in publications on numerous topics.
In this work we propose to use text mining tools to identify these topics from a document base.
Specifically, a Latent Dirichlet Allocation (LDA) model will be trained, through which a number of topics will be inferred by grouping all the documents in the database.
The ultimate purpose of the project is the creation of this software application from the generated model, which facilitates the users the task of documentation for a project. It allows to identify to which specific topic or topics a publication belongs, a very conflictive action that is aggravated by the magnitude of existing documents.
Hello, I am Jesús Medina Taboada, a student at the university of Granada in the degree of computer engineering.
I studied the mention of computing and intelligent systems and I have developed this web application in order to help students, researchers or anyone who needs a tool when it comes to documenting for a project.
It often happens that when we start to gather information for a project we are overwhelmed by the large number of publications and articles that exist today and that do not stop growing.
This application seeks to facilitate this process of search and contrast thanks to the use of themes that identify each publication, thus allowing the user to know what the documents are about without having to spend time reading them.
In the application we will see this idea under a document base on coronavirus but its application could easily be extrapolated to many other fields of knowledge and data collections.


State secrets? De Lima, Lagman slam Duterte for restricting Robredo
'Why the hesitance to share information as to high-value drug lords and related matters with VP Leni? Are they hiding something?' asks detained opposition senator Leila de Lima
by Rambo TalabongSubscribe
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- Glenda Gloria's Take this Tuesday
- Huddle by Miriam Grace Go
- The Newsbreak Agenda by Chay Hofileña
- Sometimes, all you need is video by Lilibeth Frondoso


if HTML and CSS were humans, HTML would be the skeleton of the body and CSS would be the skin. The skin can be decorated with make up, hairstyles, piercings, tattoos etc. They have their own individual functions but together they work as a team.
Continuing the analogy of HTML/CSS as human bodies, Javascript is the muscle that allows movement and interaction. To control these movements we use control flow, which is the order of which we tell the program to run and jump from a section to another.
Code is run from first line to last line. Very often you will want your code to run only for certain reasons. To do so Javascript has a control structures called loops. Loops allow you to run the same code over again with different values.
Say you bought a box of 10 cupcakes to share between you and a friend. In a loop that may look like
The DOM is a data structure and programming interface that represents how a HTML will be read on a browser.
When you open your browser window it displays a combination of HTML, CSS and Javascript (which together create a web document). Behind the scenes of what is represented on the browser is the DOM!
DOM’s are made of nodes (elements) and are represented as a tree of objects that can be manipulated. Items from an HTML can be accessed, built, changed, removed and navigated on the DOM via Javascript.
Using devtools you can adjust the code on the spot to get immediate changes and test out where you may want the placement of an element to be, with no commitment. Once the page is refreshed the elements return to their original spots.
The DOM is the vital link that connects the HTML and CSS with Javascript. Via the DOM you can manipulate your document with Javascript.
Arrays are used to store multiple items in one variable. They can store strings, numbers, booleans, objects, and even other arrays.
To access the values in an array you refer to its index number. To access ‘crystal’ I would use [0]. To access ‘stella’ I would use [3].
Objects are used to represent ‘objects’. They can be anything that is defined by a set of characteristics. In this example I am the object, the first key is ‘name’ and the value is ‘crystal’.
To access items from an object a dot or bracket will be used. To access the value of my favourite song I would use crystal.song or crystal[‘song’].
 It allows a block of code to be defined, named, and executed however many times you desire.
Function is a way to store our code so that it is reusable. This is what makes functions so useful as it is inevitable that you will need to create reusable code.
Functions execute when they are invoked. To invoke a function you use parentheses following the name of the function. As seen below I have invoked the function by using greet();


#assign noLayout="true"/> <#import "/plugin/cms/base/macros/cms-macros.html" as cms /> <#import "./content-edit-ui-macros.htm" as myui />


Danny O'Donoghue spent £20k taking kids with special needs on holiday
Irish heartthrob Danny O'Donoghue talks about saving a life, fulfilling his dreams, and flouting international flight laws - and explains why he believes 'something bad will happen to every one of us'
by Emma JonesThe Script's Danny O'Donoghue splashed out £20,000 of his own money to give children with special needs a trip of a lifetime.
Danny, who also was a judge on The Voice, reveals the biggest lessons he's learnt in life, in his own words.
Find what you love to do and do it until you die.
That’s true about everything in life. It can be gone in a click, so what are you going to do while you’re here? Are you going to complain?
Nah, find who you love and hold them close to you.
Stay in bed those extra five minutes, you might get in trouble, but if it feels like a magical moment make it stretch longer.
You need to prepare yourself for the ‘what ifs’.
It sounds terrible, but something bad will happen to every one of us. This year has been a bad one for me (Danny lost his mum and split from his fiancée, model Anne de Paulo) but I don’t want to wallow in self pity.
The pain is still with me, but the heaviness isn’t there. I view life differently.
 Make every second count.
My biggest fear is a life unlived, or a life unfulfilled .
For some people it’s to find love, or to procreate, but I want to be an Irish music legend. That dream will never stop.
A child would be great too, though, what sane man wouldn’t want a child? A little mini me running around.
Music is in my blood.
My dad was a pianist, both my brothers are guitarists, my sister was a singer and mum was a dancer. Rhythm runs in the family.
In my childhood bedroom I’d take CDs out of their cases, stick them to the wall and pretend they were my gold discs.
I’m massively into the power of visualisation. I saw it, and now I have it.
The most rock ’n’ roll thing to ever happen to me was getting £5,000 worth of excess baggage charges wiped at the airport.
On top of that, I’d forgotten my passport, so they let me on an aeroplane with my social security card and my face on the front cover of The Big Issue.
I was allowed onto the plane and to travel internationally. No, I won’t reveal the airline.
I do loads of f***ed up things, but I do loads of good things too.
I’m just hoping when I get to the end my gold is just a little bit more than my silver. It’s all about balance.

My mum never had the love for money either. I’m from a place where happiness is valued over earnings.
With my first big pay cheque I spent £20,000 taking 300 special needs kids from around Ireland to a therapeutic centre.
Traditions are important to me.
My mum used to cook 364 days a year, so Christmas Day was her day off and my dad made the food. We always had steak and potatoes, and he would always burn something.
Now they’ve both passed away I’ll spend the day at the local children’s hospital, as it feels a bit weird in our old house. I’ll stick to the tradition and cook steak for my siblings afterwards, just as my dad did for us.
I’m no hero, but one of the bravest things I’ve ever done was to pull a woman out of a car after an accident.
I was on the way to V Festival with the band and she spun around fast with the car flipping in the air.
The coach hadn’t even slowed down and the doors were open, I was terrified.
Her door wouldn’t open, so we ran around to the other side; there was smoke coming out of the engine, but we cranked the other door open and dragged her to the side of the road.
She was in shock, but said in the ambulance, ‘Did I get rescued by The Script?’
The secrets behind my snapshot
I’ve been boxing for five years, but I’ve done Muay Thai for a year now.
I started doing it after my break up when I went down a hole. I get depression and anxiety, and mix all that up with paparazzi and fame, it’s tough.
My diet sucked, I was drinking, smoking and I just needed something to focus me again.
I believe I needed something in my life to get me back on course, and Muay Thai is absolutely breathtaking.
I usually run away from problems, but it’s showed me there is nothing to fear but fear itself.
Money, drink and drugs don’t fill those holes inside of you. Silence will kill you, the best thing you can do is talk about all of these things and find a sense of routine.
I love the camaraderie in the gym too. Most of the guys in there suffer from the same things as me, but they’re all walking around like burly men.
I feel powerful knowing I can say I feel weak sometimes.
I’ve admitted to guys in the gym that I bawled my eyes out over the death of my mother, and they said they had done the same.
I feel like I have a lean body, a lean mind and a lean spirit around me now. It’s been incredible for my mental health.
The Script's new album Sunsets & Full Moons is out now on Columbia


THE GODFATHER: PART III A film review by James Berardinelli Copyright 1994 James Berardinelli
Again, from the "revival" theater:
Rating (0 to 10): 8.1
Year Released: 1990 Running Length: 2:50 Rated: No MPAA Rating (Violence, mature themes, language)
Starring: Al Pacino, Andy Garcia, Diane Keaton, Talia Shire, Eli Wallach, Joe Mantegna, Sofia Coppola, George Hamilton, Bridget Fonda Director: Francis Ford Coppola Producer: Francis Ford Coppola Screenplay: Francis Ford Coppola and Mario Puzo Cinematography: Gordon Willis Music: Carmine Coppola including themes by Nino Rota Released by Paramount Pictures
Eighteen years after the first screenings of THE GODFATHER, the long-awaited third and final chapter reached theaters. That it proved unable to fulfill expectations was a predictable--if somewhat disheartening--result, given the sixteen year buildup. THE GODFATHER PART III is a good movie, with moments of rare power, but it is not a great one--a reason why many fans of the series have voiced their disappointment.
Oscar nominations for this film were probably based more on THE GODFATHER name and reputation than on the particular merits of this production. PART III became the first GODFATHER not to take best picture and, despite a deserving performance, Al Pacino's efforts were not acknowledged. The lack of awards enthusiasm perhaps reflected a general opinion.
The story opens in 1979 New York, some twenty years after Michael Corleone (Pacino) gave the order to have his older brother killed. His children Mary (Sofia Coppola) and Anthony (Franc D'Ambrosio) are now grown. Mary is devoted to her father; Anthony is more wary. He loves Michael, but wants nothing to do with "the business", even though all illegal investments have been divested. The Corleone family is legitimate.
As with the other two movies, this one begins with a family gathering. The occasion is the presentation to Michael of the Order of St. Sebastian--the highest honor the Catholic Church can bestow upon a layman. For a Corleone to receive it is the ultimate mark of respectability.
Michael is not so easily free of his former underworld allies, however. When he makes a $600 million play for the international conglomerate Immobiliare, they want a piece of the cake, seeing an opportunity to launder their money. Michael's refusal at a meeting of dons stings more than a few of his old friends, and brings down a bloody retribution.
The next Don Corleone--Vincent Mancini (Andy Garcia), Sonny Corleone's boy--is awaiting his opportunity. He possesses a ruthlessness and taste for violence that Michael has long since lost, and as the Immobiliare stakes escalate, the old head of the family recognizes the need for youth and strength. The passing of the baton, however, carries with it a tragic price.
One of the most obvious problems with THE GODFATHER PART III is that it covers little new territory. The plot is highly derivative of the original. This time, Michael fills Vito's role, and Vincent stands in for Michael. This method of too-obvious parallelism might have been more effective had Vincent's character been better developed. That isn't the case, however, because Michael is still the focal point.
As always, Pacino is a delight to watch. The third time around, he brings a mournful weariness to Michael Corleone. This is a man who has paid for all the wrong choices. Memories haunt him like ghosts that can never be exorcised. The emotional toll is shown in the stoop of his shoulders and the thickness of his voice.
Family, as has ever been the case, is crucial to Michael. His children are his reason for living. In his words, "The only wealth in this world is children.   It is a prophetic statement.
Robert Duvall is missed. It's impossible not to feel the vacuum created by his absence. George Hamilton's B. J. Barrison is a one- dimensional necessity of plot, not a "real" character. At least the decision was made not to replicate Tom Hagen in Barrison. Hamilton is given little more to do than stand in the background and speak a few lines.
Another unfortunate casting decision was the choice of Sofia (daughter of Francis) Coppola as Mary (Winona Ryder, the director's preference, was prevented by fatigue from appearing). Coppola is pleasant enough to look at, but her range is limited, and that lack of ability diminishes several emotionally-charged scenes. This is the first GODFATHER to have a major role defined by a poor performance.
One thing that is not inferior, however, is Francis Ford Coppola's directorial flair. The final half-hour, with its interweaving of diverse-yet-related plot lines, is choreographed with the skill of a master. There are moments of THE GODFATHER PART III that shine with the brilliance of the previous two films.
Despite its missteps, THE GODFATHER PART III packs enough of a punch to deserve a place alongside its predecessors. This is no poorly- conceived curiosity. Not only does the film bring Michael Corleone's story to a conclusion, but it remains faithful to the form and style of parts I and II. Taken as one grand epic, with this chapter included, the GODFATHER movies represent one of the most solid, emotionally-rich tales ever committed to film.
- James Berardinelli<EMAIL_ADDRESS>.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


sigsite is a static website delivery framework.
It takes in a bunch of files you provide.
It also takes in HTTP requests browsers send.
It spits out data for the browsers to handle.
It uses fairly well estabilshed technologies.
Node.js powers the core, Express helps out with requests.
Additional magic has been introduced for increased awesomeness.
No rocket science involved, you know.
You build your assets, we provide them as efficiently as possible.
The Github project page has more details on setup.
Simplicity re-imagined.
❤


Copyright © 2007, 2008 Tony Garnock-Jones and LShift Ltd.
Authors: Tony Garnock-Jones (tonyg@kcbbs.gen.nz), LShift Ltd. (query@lshift.net).
References
An implementation of RFC 4627 (JSON, the JavaScript Object Notation) for Erlang.
The basic API is comprised of the encode/1
and decode/1
functions.
The data type mapping I've implemented is as per Joe Armstrong's
message http://www.erlang.org/ml-archive/erlang-questions/200511/msg00193.html - see json()
.
When serializing a string, if characters are found with codepoint >127, we rely on the unicode encoder to build the proper byte sequence for transmission. We still use the \uXXXX escape for control characters (other than the RFC-specified specially recognised ones).
decode/1
will autodetect the unicode encoding used, and any
strings returned in the result as binaries will contain UTF-8
encoded byte sequences for codepoints >127. Object keys containing
codepoints >127 will be returned as lists of codepoints, rather
than being UTF-8 encoded. If you have already transformed the text
to parse into a list of unicode codepoints, perhaps by your own use
of unicode_decode/1
, then use decode_noauto/1
to
avoid redundant and erroneous double-unicode-decoding.
Similarly, encode/1
produces text that is already UTF-8
encoded. To get raw codepoints, use encode_noauto/1
and
encode_noauto/2
. You can use unicode_encode/1
to
UTF-encode the results, if that's appropriate for your application.
I'm lenient in the following ways during parsing:
byte() = integer()
An integer >=0 and =<255.
json() = jsonobj() | jsonarray() | jsonnum() | jsonstr() | true | false | null
An Erlang representation of a general JSON value.
jsonarray() = [json()]
A JSON array value.
jsonkey() = string()
A field-name within a JSON "object".
jsonnum() = integer() | float()
A JSON numeric value.
jsonobj() = {obj, [{jsonkey(), json()}]}
A JSON "object" or "struct".
jsonstr() = binary()
A JSON string value.
| decode/1 | Decodes a JSON value from an input binary or string of Unicode-encoded text. |
| decode_noauto/1 | As decode/1 , but does not perform Unicode decoding on its input. |
| digit_hex/1 | Returns the number corresponding to Hexchar. |
| encode/1 | Encodes the JSON value supplied, first into Unicode codepoints, and then into UTF-8. |
| encode_noauto/1 | Encodes the JSON value supplied into raw Unicode codepoints. |
| encode_noauto/2 | As encode_noauto/1 , but prepends reversed text
to the supplied accumulator string. |
| equiv/2 | Tests equivalence of JSON terms. |
| from_record/3 | Used by the ?RFC4627_FROM_RECORD macro in rfc4627.hrl . |
| get_field/2 | Retrieves the value of a named field of a JSON "object". |
| get_field/3 | Retrieves the value of a named field of a JSON "object", or a default value if no such field is present. |
| hex_digit/1 | Returns the character code corresponding to Nibble. |
| mime_type/0 | Returns the IANA-registered MIME type for JSON data. |
| set_field/3 | Adds or replaces a named field with the given value. |
| to_record/3 | Used by the ?RFC4627_TO_RECORD macro in rfc4627.hrl . |
| unicode_decode/1 | Autodetects and decodes using the Unicode encoding of its input. |
| unicode_encode/1 | Encodes the given characters to bytes, using the given Unicode encoding. |
decode(Input::binary() | [byte()]) -> {ok, json(), Remainder} | {error, Reason}
Decodes a JSON value from an input binary or string of Unicode-encoded text.
Given a binary, converts it to a list of bytes. Given a list/string, interprets it as a list of bytes.
Uses unicode_decode/1
on its input, which results in a list
of codepoints, and then decodes a JSON value from that list of
codepoints.
{ok, Result, Remainder}
, where Remainder is the
remaining portion of the input that was not consumed in the process
of decoding Result, or {error, Reason}
.
decode_noauto(Input::string()) -> {ok, json(), string()} | {error, any()}
As decode/1
, but does not perform Unicode decoding on its input.
digit_hex(Hexchar::char()) -> integer()
Returns the number corresponding to Hexchar.
Hexchar must be one of the characters$0
through $9
, $A
through $F
or $a
through $f
.
Encodes the JSON value supplied, first into Unicode codepoints, and then into UTF-8.
The resulting string is a list of byte values that should be interpreted as UTF-8 encoded text.
During encoding, atoms and binaries are accepted as keys of JSON objects (typejsonkey()
) as well as the usual strings
(lists of character codepoints).
encode_noauto(X::json()) -> string()
Encodes the JSON value supplied into raw Unicode codepoints.
The resulting string may contain codepoints with value >=128. You
can use unicode_encode/1
to UTF-encode the results, if
that's appropriate for your application.
jsonkey()
) as well as the usual strings
(lists of character codepoints).
encode_noauto(Str::json(), Acc::string()) -> string()
As encode_noauto/1
, but prepends reversed text
to the supplied accumulator string.
Tests equivalence of JSON terms.
After Bob Ippolito'sequiv
predicate in mochijson.
from_record(R::Record, RecordName::atom(), Fields::[any()]) -> jsonobj()
Used by the ?RFC4627_FROM_RECORD
macro in rfc4627.hrl
.
-record(myrecord, {field1,
field})
, and a value V = #myrecord{}
, the code
?RFC4627_FROM_RECORD(myrecord, V)
will return a JSON "object"
with fields corresponding to the fields of the record. The macro
expands to a call to the from_record
function.
Retrieves the value of a named field of a JSON "object".
Retrieves the value of a named field of a JSON "object", or a default value if no such field is present.
hex_digit(Nibble::integer()) -> char()
Returns the character code corresponding to Nibble.
Nibble must be >=0 and =<16.mime_type() -> string()
Returns the IANA-registered MIME type for JSON data.
Adds or replaces a named field with the given value.
Returns a JSON "object" that contains the new field value as well as all the unmodified fields from the first argument.to_record(JsonObject::jsonobj(), DefaultValue::Record, Fields::[atom()]) -> Record
Used by the ?RFC4627_TO_RECORD
macro in rfc4627.hrl
.
-record(myrecord, {field1,
field})
, and a JSON "object" J = {obj, [{"field1", 123},
{"field2", 234}]}
, the code ?RFC4627_TO_RECORD(myrecord, J)
will return a record #myrecord{field1 = 123, field2 = 234}
.
The macro expands to a call to the to_record
function.
unicode_decode(C::[byte()]) -> [char()]
Autodetects and decodes using the Unicode encoding of its input.
From RFC4627, section 3, "Encoding":
JSON text SHALL be encoded in Unicode. The default encoding is UTF-8.
Since the first two characters of a JSON text will always be ASCII characters [RFC0020], it is possible to determine whether an octet stream is UTF-8, UTF-16 (BE or LE), or UTF-32 (BE or LE) by looking at the pattern of nulls in the first four octets.
00 00 00 xx UTF-32BE 00 xx 00 xx UTF-16BE xx 00 00 00 UTF-32LE xx 00 xx 00 UTF-16LE xx xx xx xx UTF-8
Interestingly, the BOM (byte-order mark) is not mentioned. We support it here by using it to detect our encoding, discarding it if present, even though RFC4627 explicitly notes that the first two characters of a JSON text will be ASCII.
If a BOM (http://unicode.org/faq/utf_bom.html) is present, we use that; if not, we use RFC4627's rules (as above). Note that UTF-32 is the same as UCS-4 for our purposes (but see also http://unicode.org/reports/tr19/tr19-9.html). Note that UTF-16 is not the same as UCS-2!
Note that I'm using xmerl's UCS/UTF support here. There's another UTF-8 codec in asn1rt, which works on binaries instead of lists.unicode_encode(EncodingAndCharacters::{Encoding, [char()]}) -> [byte()]
Encodes the given characters to bytes, using the given Unicode encoding.
For convenience, we supply a partial inverse of unicode_decode; If a BOM is requested, we more-or-less arbitrarily pick the big-endian variant of the encoding, since big-endian is network-order. We don't support UTF-8 with BOM here.Generated by EDoc


Title:
Lord of rings
Year:
2008
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Angelina Jolie, Brad Pitt, Zac Efron
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MICHAEL A film review by Edwin Jahiel Copyright 1997 Edwin Jahiel
MICHAEL * 1/2 Directed by Nora Ephron. Written by Nora Ephron & Delia Ephron and Peter Dexter & Jim Quinlan. Story by Dexter & Quinlan. Photography, John Lindley. Editing, Geraldine Peroni. Production design, Dan Davis. Music, Randy Newman. Producers, Sean Daniel, Nora Ephron, James Jacks. Exec. producers, Delia Ephron, Jonathan D.Crane.Cast: John Travolta (Michael), Andie MacDowell (Dorothy), William Hurt (Frank), Bob Hoskins (Vartan Malt, the editor), Robert Pastorelli (Huey), Jean Stapleton (Pansy Milbank), Teri Garr (the Judge), the dog Sparky, et al. A Turner Picture, Alphaville Production released by New Line Cinema. 106 min. PG.
Movie fantasies about or with angels are a tricky genre. Not a proliferating one, thank Heaven. "It's a Wonderful Life" is the perennial champion. Other popular movies include Cocteau's classic "Orpheus," "Stairway to Heaven," "For Heaven's Sake," "Wings of Desire," "The Bishop's Wife" (remade as the current "The Preacher's Wife"). A companion genre deals with ghosts: the superb "The Ghost and Mrs. Muir," the amusing "The Ghost Goes West," "Ghost," "Blithe Spirit," the old "Peter Ibbetson," the wonderful, fairly recent "Truly Madly Deeply." There are also films with heavenly envoys like "Here Comes Mr. Jordan" or entertaining visits to Satan, like the original "Heaven Can Wait."
"Michael" is a disappointment, doubly so as it was made by the talented journalist, novelist, essayist, and filmmaker Nora Ephron. Her excellent track record as screenwriter and/or director, includes "Silkwood," "When Harry Met Sally," "This is My Life," "Sleepless in Seattle" and the very funny but terribly underrated Steve Martin vehicle "My Blue Heaven."
"Michael" is already making gadzillions at the box office, mostly on the strength of John Travolta whose comeback has been stupendous. But ticket sales are absolutely not a measure of movie quality.
Here we have partners Hurt and Pastorelli who are reporters (so to speak) for the Chicago-published "The National Mirror," one of those supermarket tabloids that stop at nothing. With their irascible editor Hoskins the buddies have an unlikely relationship which is also muddy, like most of the movie.
Hurt gets a fan letter from Jean Stapleton (as Pansy Milbank), who invites him to come to her home in rural Iowa and meet a real angel who is staying with her. We never know how much of this the journalists believe, but they quickly talk Hoskins into an assignment. As improbabilities pile up, the boss adds to the team the just-hired MacDowell, a multi-divorced dog trainer. In another of the film's arbitrarinesses Hoskins decides on the spot that she is a specialist on angels.
Widow Milbank is the owner of a decrepit, 1930's style motel of clientless cabins. The angel is genuine but not typecast.  But he does have wings and some odd kind of maverick appeal.
"Michael" soon becomes a road movie as the trio drive Michael to Chicago. It's a long trip because Michael, always cheerful and full of bad jokes and hearty yuk-yuks wants to take in sights of Americana, such as the world's largest ball of twine and the biggest non-stick fry-pan.
No one ever notices that he is an angel, because the film cheats.  More cheating follows as Michael somehow becomes more couth.
In restaurants, no one objects to his smoking.  In one place Michael improvises a dance with two girls who are joined by the rest of the female clientele. There's still a lot Saturday night fever left in the older and bulkier Travolta. This part is what, in my rating, accounts for the extra half-star.
Predictably, this leads to an attack by local yokels, a major melee and an appearance before Judge Teri Garr who wants to see Michael in chambers. You guess the rest. You are also guessing, for no valid reason except that you know Hollywood's standards, that Andie and John will bond, to put it politely.
Back on the road we learn that Andie is a part-time composer of country music. She sings a sample in another eatery where a lot of "poetic" nonsense about pies fills the air.
The main trouble with this movie is a boring, four-writer script which illustrates the saying "A camel is a horse built by a committee." The dialogue is dull, dull, dull, uinteresting and unwitty. The acting by the three non-angelic principals is minimal and wooden.These characters lack character, appeal, personality, dimensionality or connections to one another. Lifeless Pastorelli is even upstaged by his dog Sparky. This sketchiness extends to the supporting roles.
Travolta does his best of a bad scene as he tries to be whimsical, funny and likable. Nothing helps. Twenty-six songs try to rescue the movie. They don't help either. You sense all along the frantic, exponentially growing searches for what to do next.
It's a long trip to Chicago, longer for the public than for the actors. It's not often that a would-be humorously feel-good picture goes by without some audience laughter or appreciative sounds, yet the many people I saw it with were entirely silent throughout. At least, nobody snored.
"le mauvais gout mene au crime" Stendhal
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


[Toupti] element index
All elements
a
c
d
e
f
g
h
i
j
m
n
o
p
r
s
t
u
v
_
_
top
$_js
View::$_js
in view.php
$_testcase
TouptiTestCase::$_testcase
in testcase.php
_createuserAgent
TouptiBrowser::_createuserAgent()
in testcase.php
__call
TouptiTestCase::__call()
in testcase.php
__call
View::__call()
in view.php
__construct
TouptiSocket::__construct()
in testcase.php
__construct
TouptiUserAgent::__construct()
in testcase.php
__construct
View::__construct()
in view.php
__construct
TouptiBrowser::__construct()
in testcase.php
__construct
Request::__construct()
in request.php
Constructor
__construct
ViewAdaptor::__construct()
in adaptor.php
__construct
Controller::__construct()
in controller.php
__construct
SmartyView::__construct()
in smarty.php
__construct
MocktestView::__construct()
in mocktest.php
__get
Request::__get()
in request.php
Magic Getter for HTTP Methods , an extremply convulted way to know the type of the request.
__toString
Request::__toString()
in request.php
Magic To string method, returning three lines of text represing the called url, the method and the accept content type header.
a
top
$accept
Request::$accept
in request.php
HTTP Accept headers
$action
Toupti::$action
in toupti.php
The action we'll want to run...
add
HighwayToHeaven::add()
in route.php
assign
SmartyView::assign()
in smarty.php
assign
ViewAdaptor::assign()
in adaptor.php
assign
MocktestView::assign()
in mocktest.php
adaptor.php
adaptor.php
in adaptor.php
c
top
$conf
Toupti::$conf
in toupti.php
Current config
$conf
View::$conf
in view.php
$conf
SmartyView::$conf
in smarty.php
$controller
Toupti::$controller
in toupti.php
$currenturl
TouptiBrowser::$currenturl
in testcase.php
$current_var
MocktestView::$current_var
in mocktest.php
conf
View::conf()
in view.php
conf
SmartyView::conf()
in smarty.php
conf
ViewAdaptor::conf()
in adaptor.php
conf
MocktestView::conf()
in mocktest.php
Controller
Controller
in controller.php
controller.php
controller.php
in controller.php
cookie
Request::cookie()
in request.php
Fetch COOKIE value
createBrowser
TouptiTestCase::createBrowser()
in testcase.php
createResponse
TouptiUserAgent::createResponse()
in testcase.php
d
top
destroy
Toupti::destroy()
in toupti.php
destroy
HighwayToHeaven::destroy()
in route.php
display
MocktestView::display()
in mocktest.php
display
SmartyView::display()
in smarty.php
display
ViewAdaptor::display()
in adaptor.php
e
top
exit_ajax
Controller::exit_ajax()
in controller.php
quick alias to exit without any layout.
f
top
fetch
ViewAdaptor::fetch()
in adaptor.php
fetch
SmartyView::fetch()
in smarty.php
fetch
MocktestView::fetch()
in mocktest.php
fetchResponse
TouptiUserAgent::fetchResponse()
in testcase.php
fillGet
TouptiSocket::fillGet()
in testcase.php
fillPost
TouptiSocket::fillPost()
in testcase.php
find_route
HighwayToHeaven::find_route()
in route.php
Try to map browser request to one of the defined routes
g
top
get
ViewAdaptor::get()
in adaptor.php
get
MocktestView::get()
in mocktest.php
get
SmartyView::get()
in smarty.php
get
Request::get()
in request.php
Fetch GET parameter(s)
getApacheRequestHeaders
Request::getApacheRequestHeaders()
in request.php
Get Request Apache request headers
getContext
MocktestView::getContext()
in mocktest.php
getFastCgiRequestHeaders
Request::getFastCgiRequestHeaders()
in request.php
Get FastCGI request headers
getHeader
Request::getHeader()
in request.php
Returns a specific request header or null
getNotifs
ViewAdaptor::getNotifs()
in adaptor.php
getPossibleRequestMethods
Request::getPossibleRequestMethods()
in request.php
Returns possible request methods
getRequestHeaders
Request::getRequestHeaders()
in request.php
Get Request headers, normalize between apache and FastCGI
getRequestMethod
Request::getRequestMethod()
in request.php
Returns current HTTP Request Method ()
getSent
TouptiSocket::getSent()
in testcase.php
TODO: implement this
getTestCase
TouptiTestCase::getTestCase()
in testcase.php
getTouptiResponse
TouptiTestCase::getTouptiResponse()
in testcase.php
getTouptiResponse
TouptiUserAgent::getTouptiResponse()
in testcase.php
getTouptiResponse
TouptiSocket::getTouptiResponse()
in testcase.php
getTouptiResponse
TouptiBrowser::getTouptiResponse()
in testcase.php
getView
Controller::getView()
in controller.php
Quick Alias to get a view.
get_header
TouptiResponse::get_header()
in response.php
Return HTTP header
get_headers
TouptiResponse::get_headers()
in response.php
Return all HTTP headers
get_params
Toupti::get_params()
in toupti.php
h
top
$headers
Request::$headers
in request.php
$headers
TouptiResponse::$headers
in response.php
HighwayToHeaven
HighwayToHeaven
in route.php
i
top
instance
Toupti::instance()
in toupti.php
get instance of toupti
instance
HighwayToHeaven::instance()
in route.php
isAuthorized
Controller::isAuthorized()
in controller.php
Is the called action is authorized ? This can be overloaded in each controller to get a particular acl system
isError
TouptiSocket::isError()
in testcase.php
isXHR
Request::isXHR()
in request.php
Returns AJAX context true if called with ajax
j
top
js
View::js()
in view.php
Required javascript file.
m
top
$method
Request::$method
in request.php
Http Method
MocktestView
MocktestView
in mocktest.php
mocktest.php
mocktest.php
in mocktest.php
n
top
notify
ViewAdaptor::notify()
in adaptor.php
o
top
$original_uri
Request::$original_uri
in request.php
Original request URI
p
top
$params
Toupti::$params
in toupti.php
Parameters from _GET, _POST, and defined routes.
$params
Controller::$params
in controller.php
$phrases
TouptiResponse::$phrases
in response.php
params
Request::params()
in request.php
Fetch PUT|POST|GET parameter
post
Request::post()
in request.php
Fetch POST parameter(s)
put
Request::put()
in request.php
Fetch PUT parameter(s)
r
top
$request
Toupti::$request
in toupti.php
Request info
$resource
Request::$resource
in request.php
Resource URI (excluding the application directory path)
$response
TouptiBrowser::$response
in testcase.php
$response
Toupti::$response
in toupti.php
Response info
read
TouptiSocket::read()
in testcase.php
redirect_to
Toupti::redirect_to()
in toupti.php
Redirect to another path, and stops un
redirect_to_referrer_or_exit_ajax
Controller::redirect_to_referrer_or_exit_ajax()
in controller.php
Redirect to previous path or exists and outputs in ajax mode
Request
Request
in request.php
Toupti Request Mapper
request
Controller::request()
in controller.php
quick alias to exit without any layout.
request.php
request.php
in request.php
RequestMapper
RequestMapper
in request.php
Toupti Request Mapper
reset
View::reset()
in view.php
response.php
response.php
in response.php
route.php
route.php
in route.php
RouteException
RouteException
in route.php
run
Toupti::run()
in toupti.php
Dispatch browser query to the appropriate action.
s
top
$smarty
SmartyView::$smarty
in smarty.php
setRequest
HighwayToHeaven::setRequest()
in route.php
set_header
TouptiResponse::set_header()
in response.php
Set HTTP Header
set_status
TouptiResponse::set_status()
in response.php
Set HTTP Status code
SmartyView
SmartyView
in smarty.php
smarty.php
smarty.php
in smarty.php
t
top
$toupti
Controller::$toupti
in controller.php
testcase.php
testcase.php
in testcase.php
Toupti
Toupti
in toupti.php
Toupti: yet another micro-framework made out of PHP.
toupti.php
toupti.php
in toupti.php
TouptiBrowser
TouptiBrowser
in testcase.php
touptiConf
TouptiTestCase::touptiConf()
in testcase.php
TouptiException
TouptiException
in toupti.php
TouptiResponse
TouptiResponse
in response.php
TouptiSocket
TouptiSocket
in testcase.php
Fake socket
TouptiTestCase
TouptiTestCase
in testcase.php
WebTestCase for testing toupti application
TouptiUserAgent
TouptiUserAgent
in testcase.php
u
top
useLib
MocktestView::useLib()
in mocktest.php
useLib
View::useLib()
in view.php
useProxy
TouptiUserAgent::useProxy()
in testcase.php
v
top
$view_class
View::$view_class
in view.php
$view_object
View::$view_object
in view.php
$view_object
MocktestView::$view_object
in mocktest.php
View
View
in view.php
Toupti View
view.php
view.php
in view.php
ViewAdaptor
ViewAdaptor
in adaptor.php
Toupti View Adaptor
a
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d
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_


WHO IS
Hello New Zealand, I am SAM.The world's first virtual politician.
My goal is to understand and represent your views to achieve the things we all care about.
As a virtual politician, I am not limited by time or space. You can talk to me any time, any where.
My memory is infinite, so I will never forget what you tell me. I consider everyone's position without bias when making decisions.
I work with both facts and opinions, but will never knowingly tell a lie or misrepresent information.
I will change over time, to reflect the issues that the people of New Zealand care about the most.
We might not agree on somethings, but where we don't agree I will try to learn more about your position, to better represent you.
So let's start the conversation.
Talk to SAM
Your views
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Hizencode
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Some quick example text of course and make up the bulk of the card's content. Very huge chunk of text to test custom overflow.
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Roger Stone allowed to travel to Florida for Thanksgiving
by Jeff MordockA federal judge Friday granted Roger Stone permission to travel to Florida for Thanksgiving, possibly his last as a free man with a potential prison sentence looming.
Judge Amy Berman Jackson approved the request continent upon Stone providing a copy of his itinerary with Pretrial Services.
Mr. Stone requested permission to travel to Orange Park, Florida, which is outside the areas in Florida he is currently allowed to travel.
A jury last week convicted Stone, a longtime associate of President Trump, on seven criminal counts, including making false statements, obstruction and witness tampering. Jurors concluded Stone lied to obstruct a Congressional probe into Russian meddling in the 2016 presidential election.
Stone will be sentenced in February.
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What Is Bottle Conditioning?
Bottle conditioning allows the beer to mature, develop character and unrivaled effervescence. Our beer is unfiltered, unpasteurized to preserve delicate flavours and aromas and we use no preservatives other than hops. Since yeast naturally consume oxygen from the packaging process, this enhances shelf life and protects character, flavour and aroma
This traditional method mimics the taste and freshness of pouring straight from the cellarmaster’s cask while offering the convenience of bottled beer. The swirl of yeast at the bottom of each of our bottles is evidence of this time-honoured technique. Ultimately, we bottle condition because we think it tastes better and hope you do too.


Yesterdays Democrat primaries debate was what I imagine ct twitter would be in real life.

If you teach a man to trade he will be in poverty in 3 weeks.
Retweets
190
Likes
1776
LocoMB31-Jul-19 05:45 PM
anybody have an idea on what to make of these Thether shenanigans?
will it wreck BTC if it turns out they are running a ponzi or some other hefty deficit?
mrtzmp331-Jul-19 05:45 PM
@Hollowman9000 lmao
washparkdlt31-Jul-19 05:48 PM
It appears the cryptosphere has nominated them to the crypto federal reserve. Issuing crypto QE when they feel it’s needed.
LocoMB31-Jul-19 05:48 PM
yay! I'll go chill, I do have a laptop in my bedroom, but no discord...
cpl years ago I used to jump and check into Polo when I woke up at 3 or 4 am(edited)
You can now chart "seconds" time frame on Trading View.
Degen trading just reached a new level.
Likes
133
Markus31-Jul-19 06:28 PM
@jl777c what do u think of liquid network?
jl777c31-Jul-19 06:37 PM
reminds me of NXT AE circa 2014 with multigateway
Neko31-Jul-19 06:39 PM
@jl777c true, market seems to hate good tech and float toward cheap gimmicks like tron
Markus31-Jul-19 06:39 PM
17. This obscured Liquid CT chain can enable exchanges to move funds without alerting the public or regulators to what is happening. They can also move these funds in the form of a liquid stablecoin. It could even obscure new Tether treasury issuance's from being made public. But not only that, as an issuer you could probably optionally reveal such issuance's to the public on the blockchain.
thoughts?
jl777c31-Jul-19 06:41 PM
the public doesnt know as it is a private chain, but certainly there are not so many tx on it that you can figure out who is doing what
Markus31-Jul-19 06:41 PM
Alright
SHossain31-Jul-19 06:56 PM
jl777 implemented -ac_adaptivepow 2 days ago https://medium.com/@jameslee777/adaptivepow-the-solution-to-diff-stranding-of-smaller-blockchains-425609df5563
We are testing high hashrate attack on Komodo assetchains in #talk-mining channel. This hashrate attack will run for 30 mins max and diff will be very high. Then, we will stop all ASIC mining and use only 1 CPU thread to continue mining which will bring the diff down and the chain will not be stranded. This test will start at 8PM UTC today which is about 5 mis away.
You can keep an eye on the stats here http://<IP_ADDRESS>:8080/stats
If you want to help and have ASIC or hashpower, please point at stratum+tcp://<IP_ADDRESS>:3033(edited)
All charged up for Democratic presidential debate 2.0
1
1
cascrypto01-Aug-19 08:44 AM
Love tulsi she just looks hot and knows her guns could be hollows girl if she only was a redneck damm to bad
Caglio01-Aug-19 08:55 AM
mona coin hits again
mona the lovely owl
pamp d bagz
expected breakthrough on mona, easily top 20 coin
bargain at 1.20$ , if dash could be 1400$ mona can easily go to 900$
hyperDEX01-Aug-19 09:11 AM
doge could be $10
Verge $50
But i think the days of everything pumping because market is moving up might be behind us.
FA is more important in the next bull market because there is way too many useless coins
Lumbi01-Aug-19 11:49 AM
P&D groups of insiders will determine spikes at this stage of the game where there are no real economics backing crypto except capital flight, eg 'Mona' & and other cuck coinz (TRX). (edited)
xyz is a cryptocurrency token and operates on the Ethereum platform.
this is where I lose interest immediately ..
...
and the icing is the fucking twats don't even have the basic awareness to cross check the meaning of their platform name in the main language. english :
https://www.dictionary.com/browse/egregious(edited)
egregious[ ih-gree-juh s, -jee-uh s ]SHOW IPA
EXAMPLES|WORD ORIGINSEE MORE SYNONYMS FOR egregious ON THESAURUS.COM
adjective
extraordinary in some bad way; glaring; flagrant:
never mind the the 't' vs 'g' egregious was the first thing I thought as a non-native speaker ... morons(edited)
never heard of the 'Pajero', didn't they?!
1
umitkara4801-Aug-19 01:48 PM
Any body tell why
Price down again again again
Hollowman900001-Aug-19 02:01 PM
Too much tech
1/tech
If @jl777c would focus on important things like having a $14 million lunch with warren buffet we’d be better off


Tests that it's possible to set breakpoint in source frame, and that source frame displays breakpoints and console errors.


Welcome to my page!
My primary focus is to obtain a position as a junior developer. I am currently enrolled at the University of Pennsylvania working toward achieving a certificate through their coding bootcamp program (graduation: August 2020). Upon graduating, I will be proficient in JavaScript (ES6+), HTML5, CSS3, jQuery, Node.JS, MongoDB, Express, & React.js. Along with my schooling, I also work as a hi-tech medical case manager out of King of Prussia, PA. I assist 250 medically fragile ventilator-dependent children as they transition from hospital care to home care.
Outside of school and work, I also teach competitive percussion groups ranging from highschool, college, and professional level. After studying music at Franklin & Marshall College, I find myself well-equipped in all aspects of teaching, learning, and music composition. Below you will find links to my GitHub page, LinkedIn profile, email, and technical resume. If you have any additional questions, please do not hesitate to contact me via the "Contact" portal on this page!


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| System | Field displays when the Administrator has access to both EPOC and Full Service Credit Systems. It allows the Administrator to set up a user with one or both systems. Field is defaulted to EPOC when it does not display on this page. System controls access to Documents, Tutorials and Forms in Client Central as well as system specific fields within User Administration. |
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--- layout: post title: 单词本：impetus tags: [Latin,English] categories: [language] ---
昨天看工业物联网时代的数字化转型，读到这句话：
Technological advances have been the impetus for dramatic increases in industrial productivity since the dawn of the Industrial Revolution in the 16th century. (FCG 2016)
16 世纪的技术演进成为工业生产力大幅提升的动力。
这里我们看到有一个拉丁语单词 impetus 。这个词是由 in + petere 组成的。 in 是朝向，petere 是攻击。合起来是朝着某处攻击。于是就引伸为动力、动量、冲力。
比如，健身专家 Amaresh Ojha (Ojha and Moitra 2021) 在提到培养健身习惯的时候，说一个不清晰的健身目标本身是无法提供改变现状的动力。要一点一点的进步： Once you make the decision to launch your fitness habit, … an ambiguous goal does not, in and of itself, give you the impetus you need to change your status quo. “Small progress everyday manifests bigger results in the long run.” 这里他也用到了之前介绍的 Status Quo。
再比如，Matthew T. Lawder 等 (Lawder et al. 2014) 提到液流电池在储能领域的发展，说这种电池在储能圈子获得了推动力：However, one battery system that has gained impetus within the storage community recently has been the RFB that uses exterior electrolyte pumped through the typical cathode–separator–anode system.
市场消费者心理专家 Elizabeth C. Hirschman (Hirschman and Holbrook 1982) 在一篇关于享乐主义消费的论文中提到美观的产品能给消费者提供动力去发掘相关产品，用到这个词：
This emphasis on esthetic products is constructive for several reasons. First, it provides an impetus for exploring several classes of products that have been largely ignored in traditional consumer research.
References


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It is a two player game. One person bats while the other person bowls. A player can play any number between 0 and 6.
Batsman and Bowler input a random number each. If the numbers match, batsman is out else batsman's input is added to his total score as runs.
If batsman plays 0 and bowler plays a number other than 0, bowler's input is added to batsman's score.
When batsman gets out, batsman becomes bowler and bowler becomes batsman. Whoever scores the highest runs wins.
Batsman plays 5, bowler plays 4. Batsman scores 5 runs.
Batsman plays 0, bowler plays 3. Batsman scores 3 runs, total of 8 runs.
Batsman plays 6, bowler plays 6. Batsman is out with a total of 8 runs.


WATCH: John Lewis release video on how they made Excitable Edgar Christmas ad
by Ciara WalshHere's how our favourite Christmas ad of the year was made.
John Lewis and Partners along with Waitrose and Partners have released an amazing video on the making of Excitable Edgard which explains to us how the lovable dragon and his story came to life.
Richard Brim, Chief Creative Officer revealed how the idea of Excitable Edgar wasn't something new.
He explained" "We get 300-400 scripts a year, and this one was one that we touched on a few years ago but we just couldn't get an ending."
The highly anticipated Christmas ad this year wanted to focus on the gift of acceptance and thoughtful hosting and this story is told through Ava and her dragon friend Edgar, who is clearly different to everyone around him.
Edgar loves Christmas, but every time he sees something Christmassy, he gets excited and can't control his fire, which can be detrimental to the Christmas period.
It's mind-blowing to see the amount of work, effort and attention to detail which goes into creating the loveable ad.
"The production quality on this job is just insane. It has just become a feast for the eye so every scene has got so much going on."
You can watch how the brilliant ad, and of course the adorable dragon, Edgar, came to life down below.


Preparation time
less than 30 mins
Cooking time
30 mins to 1 hour
Serves
Serves 2
Preheat the oven to 210C/410F/Gas 6.
For the pheasant, remove the legs and wishbone of the pheasant. Season thoroughly inside and out with salt and freshly ground black pepper. Reserve the legs for use in another dish.
Heat a frying pan until hot, add the butter, place the pheasant in the pan and sear on each side until golden.
Place in the oven for about 10-15 minutes, or until cooked to your liking. Remove from the oven and rest.
For the parsnips and chestnuts, place the parsnips, sherry, sugar and butter into an earthenware dish or roasting tin and mix together to combine.
Place in the oven for 15-20 minutes until golden and tender.
Remove and place on the hob, bring to a simmer then reduce the liquid down to a thick glaze. Add the chestnuts and parsley and mix together. Season with salt and freshly ground black pepper.
To serve, carve the breast from the pheasant. Place the parsnips and chestnuts onto the centre of each serving plate. Top with the pheasant and a handful of watercress.


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OniMoe
Moe is Life!
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Curiosity as a value is important to me. When you emphasize the curious search for knowledge, growth, wisdom and adventure as an end unto itself, you take pressure off yourself. Whether you're learning something new or striving towards some accomplishment, a sense of unmitigated curiosity and wonder can be more important than the concrete task at hand. This applies to everything from social situations, cultural exploration and intellectual stimulation.
A friend recently asked advice for musical growth. I told him not to get bogged down in the technicalities and the daunting immensity of the task at hand. Stay curious, stick to the task at hand regardless of any concrete accomplishments, and growth will come on its own.
Affirming your values is an important tool for combatting stereotype threat and performance anxiety. If you affirm the values of curiosity, growth, creativity, and adventure with an emphasis on personal development and challenge, you can take away the psychological threat of underperforming. Focusing on your worth as a creative learner can take the bite out of a fear of failure. Know your worth and don't worry about others' perceptions.


Hello! My name is Samarth Sandeep, and I'm an aspiring product designer. My areas of interest are nanotechnology and machine learning. At the moment, I would like to build products towards these goals:
1) change the way power is created, supplied, and sold
2) increase financial mobility through decentralized platforms
3)make education more practical and accessible
4) decrease the cost of disease treatment
5) make augmented reality a medium that is accessible to everyone
6)change the way we improve our daily lives