Use the ESAPI library to execute system commands safely.
The ESAPI library provides an Executor control that ensures that only a whitelist of programs can execute. Additionally, parameters or switches sent to the executable are escaped appropriately for the given operating system that is executing the command. This allows an application to safely execute system level commands while preventing attackers from running any system level command injection attacks they may attempt.
The following (insecure) example shows an application using dynamic data to execute a system command.
//DO NOT USE THIS
HttpServletRequest request = ...;
String command = request.getParameter("cmd") + " -a 123 -b 456";
System.getRuntime().exec(command);
The following example shows an application using ESAPI executing a known system command while using dynamic data. Because the executor is used, only a command from the whitelist will be executed. Any other commands will be rejected.
HttpServletRequest request = ...;
List<String> params = ...;
String cmdRef = request.getParameter("cmdRef");
//Map indirect command reference to actual command
//ex. something like "Ax7PrTz3" might map to "C:\myapp\myother.exe"
//This prevents users specifying actual commands as request parameters.
//They just specify a random identifier and the server contains
//the mappings (indirect object reference)
String cmd = getActualCommand(cmdRef);
try {
ESAPI.executor().executeSystemCommand(command, params) throws {
} catch (ExecutorException ee) {
//an invalid command was attempted ... handle exception here
}
In addition to using this function, you'll need to update the ESAPI.properties file for your application to inform ESAPI what the acceptable executables are for your application. An example of the snippet you need to update is below:
Executor.ApprovedExecutables=C:\\myapp\\myprog.exe,C:\\myapp\\myother.exe


Amazon's new shelves will stock themselves
Only with Amazon products, shelf-ishly
by Alan MartinAMAZON'S DASH BUTTONS may be little more than food for landfills nowadays, but their DNA can be found in the company's latest way of getting people to burn through the planet's finite resources in as convenient a way as possible. Amazon has introduced the Dash Smart Shelf, which looks set to make your stationary cupboard marginally more interesting in the very near future.
Coming in three sizes - 18x13in, 12x10in and 7x7in - the Dash Smart Shelf is essentially a WiFi connected smart sale which you put things on. When the shelf detects that you're running low on sellotape, TipEx, lifesize cardboard cutouts of Ed Miliband, paper, pencils, coffee cups or whatever else you like to stock, it will instantly place an order through the retailer of your choice… kidding, it'll order from Amazon.
Alternatively, if you don't like the idea of your shelf ordering products on your behalf - a sentiment that should apply to most right-thinking people - then the shelf can just pop you a notification warning you that the TipEx situation is getting critical, and the office workers are getting restless.
It runs off four AA batteries or can be plugged in to a nearby socket. Tellingly, despite being advertised as a shelf, none of the promotional images show it attached to a wall so we don't imagine there are any mounting brackets in its design.
This is for businesses only, and just American ones at that. But Amazon promises discounts of up to 15 per cent on certain popular items, like Coffee-Mate, Bics, Post-it Notes and Scotch. Oh, wait: "Scotch tape." Sorry for the false hope.
It's probably more sensible than the Dash Buttons, as low a bar to clear as that is. If nothing else, it gives disgruntled employees one more way to mess with their bosses if they spend an afternoon emptying and refilling the shelves. µ
Further reading
Amazon's cloud gaming service could set fingers Twitch-ing in 2020
- 21 Nov 2019
Amazon takes no responsibility for any Ring footage used by cops
- 21 Nov 2019
Amazon's Fire TV Blaster add-on brings Alexa control to your TV
- 19 Nov 2019
Amazon to open its 'first grocery store' apart from the other 500 it owns
- 13 Nov 2019


CoffeeFile.rb |
|
|---|---|
|
|
|
|
A class to represent something on disk. |
class CoffeeFile |
|
I can never seem to remember this little function name |
attr_accessor :fname, :lastsave, :changed
attr_reader :text
def initialize filename
@text = ""
@fname = filename
@changed = true
end
def load filename
if filename.nil?
@fname = ""
else
@fname = filename
end
if @fname.empty?
GlobalSettings.log "Empty filename, could not load"
else
file = File.new(@fname, 'r')
@text = file.read
@changed = true
file.close
GlobalSettings.log "Loaded #{@fname}"
GlobalSettings.instance.text.text = @text
end
return @text
end
def text= txt
@changed = true
@text = txt
end
def save mode |
|
Surprise surprise, we only want to save when we have a filename. |
case mode
when 'auto'
return # No auto-save...
when 'key'
when 'click'
if @fname.empty?
fname = Qt::FileDialog.getSaveFileName()
@fname = fname.nil? ? "" : fname
return if @fname.empty?
end
else
GlobalSettings.log "Unknow save mode: #{mode}."
end
@text = GlobalSettings.instance.text.text
file = File.new(@fname, 'w')
file.write @text
@changed = false |
|
If we don’t close, the file won’t actually save until prgm death |
file.close
@lastsave = Time.new
GlobalSettings.log "Saved to #{@fname}"
end
end |


Joey Doesn't Share Food: Little Raccoon Guards His Grapes
Raccoons can eat almost everything, but like every other living creature, they have their special preferences. Some of their favourite foods include peanuts, fruits, bread, peanut butter, and especially cat or dog food.
If you like grapes, you should know that you share your love for this fruit with raccoons. These animals with their small, but agile hands, like the sweet, tangy fruit and are ready to do anything to get a hold of one of their favourite treats.
A little racoon was captured on video while trying to enjoy his grapes while keeping his owner at bay. This little masked bandit's behaviour reminded us of the 'Friend's' character Joey, who also doesn't share his food.


About Us
Pat's Salmon Cookies
Menu
Home
Sales
Store
About Us
My Family
We are committed to selling salmon flavored cookies!


(#) Missing menu title !!! ERROR: Missing menu title This is an error. Id : `MenuTitle` Summary : Missing menu title Severity : Error Category : Usability Platform : Android Vendor : Android Open Source Project Feedback : https://issuetracker.google.com/issues/new?component=192708 Affects : Resource files Editing : This check runs on the fly in the IDE editor See : https://developer.android.com/training/appbar Implementation : [Source Code](https://cs.android.com/android-studio/platform/tools/base/+/mirror-goog-studio-main:lint/libs/lint-checks/src/main/java/com/android/tools/lint/checks/TitleDetector.java) Tests : [Source Code](https://cs.android.com/android-studio/platform/tools/base/+/mirror-goog-studio-main:lint/libs/lint-tests/src/test/java/com/android/tools/lint/checks/TitleDetectorTest.java) Copyright Year : 2012 From the action bar documentation: "It's important that you always define android:title for each menu item — even if you don't declare that the title appear with the action item — for three reasons: * If there's not enough room in the action bar for the action item, the menu item appears in the overflow menu and only the title appears. * Screen readers for sight-impaired users read the menu item's title. * If the action item appears with only the icon, a user can long-press the item to reveal a tool-tip that displays the action item's title. The android:icon is always optional, but recommended. !!! Tip This lint check has an associated quickfix available in the IDE. (##) Example Here is an example of lint warnings produced by this check: ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~text res/menu/titles.xml:3:Error: Menu items should specify a title [MenuTitle] <item android:id="@+id/action_bar_progress_spinner" ---- res/menu/titles.xml:12:Error: Menu items should specify a title [MenuTitle] <item android:id="@+id/menu_plus_one" ---- ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Here is the source file referenced above: `res/menu/titles.xml`: ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~xml linenumbers <?xml version="1.0" encoding="utf-8"?> <menu xmlns:android="http://schemas.android.com/apk/res/android"> <item android:id="@+id/action_bar_progress_spinner" android:showAsAction="always" android:background="@null" android:selectableItemBackground="@null" android:actionLayout="@layout/action_bar_progress_spinner_layout"/> <item android:id="@+id/refresh" android:title="@string/menu_refresh" android:showAsAction="always" android:icon="@drawable/ic_menu_refresh"/> <item android:id="@+id/menu_plus_one" android:showAsAction="always" android:icon="@drawable/ic_menu_plus1"/> </menu> ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ You can also visit the [source code](https://cs.android.com/android-studio/platform/tools/base/+/mirror-goog-studio-main:lint/libs/lint-tests/src/test/java/com/android/tools/lint/checks/TitleDetectorTest.java) for the unit tests for this check to see additional scenarios. The above example was automatically extracted from the first unit test found for this lint check, `TitleDetector.testBasic`. To report a problem with this extracted sample, visit https://issuetracker.google.com/issues/new?component=192708. (##) Suppressing You can suppress false positives using one of the following mechanisms: * Adding the suppression attribute `tools:ignore="MenuTitle"` on the problematic XML element (or one of its enclosing elements). You may also need to add the following namespace declaration on the root element in the XML file if it's not already there: `xmlns:tools="http://schemas.android.com/tools"`. ```xml <?xml version="1.0" encoding="UTF-8"?> <item xmlns:tools="http://schemas.android.com/tools" tools:ignore="MenuTitle" ...> ... </item> ``` * Using a special `lint.xml` file in the source tree which turns off the check in that folder and any sub folder. A simple file might look like this: ```xml <?xml version="1.0" encoding="UTF-8"?> <lint> <issue id="MenuTitle" severity="ignore" /> </lint> ``` Instead of `ignore` you can also change the severity here, for example from `error` to `warning`. You can find additional documentation on how to filter issues by path, regular expression and so on [here](https://googlesamples.github.io/android-custom-lint-rules/usage/lintxml.md.html). * In Gradle projects, using the DSL syntax to configure lint. For example, you can use something like ```gradle lintOptions { disable 'MenuTitle' } ``` In Android projects this should be nested inside an `android { }` block. * For manual invocations of `lint`, using the `--ignore` flag: ``` $ lint --ignore MenuTitle ...` ``` * Last, but not least, using baselines, as discussed [here](https://googlesamples.github.io/android-custom-lint-rules/usage/baselines.md.html).


Contact
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center !
GAMING
Register for online gaming Amigos!.
LOTS n LOTS of gameZ like counter
CUEBALLZ , MAD PAC-).
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first 100 to register
will get a bonus round of games
Hurry up Amigos!
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Makatea Milktea Dine-in and walk-in customers are the usual way transaction of the shop. They offered many menu options and provided customers with a variety of selections. The client also accepts reservations for various events, and all transactions are conducted over the phone. The main transactions of the client's business are reservations and ordering services. They accept reservations for various events, particularly meetings. They have walk-in and dine-in ordering services for orders, and a cash-on-delivery service will be assigned to their services using our project. These are the issues that the client's business faces: the number of people who know their physical store; they do not really accommodate customers who are not physically present in their cafe to order; they only use phone conversations for reservations; and they do not have enough ability to collect feedback from customers on their products and services.
120.00php
120.00php
120.00php
120.00php
I appreciate how you handle your customers. I love your Milktea!
Sobrang sarap ng milk tea nila, daming mapagpipilian na flavors! so far, the best milktea in town.
Sobrang linis ng pag gawa di ko maiwasan balik balikan ang shop nila. sobrang sarap!!!


opener
Click on the image to open it. Click on it again to close it or click on the "close image" button.


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Preparation time
less than 30 mins
Cooking time
30 mins to 1 hour
Dietary
An American-style potato salad that packs a tangy punch. Try it with a traditional meatloaf, or any cold meats.
Cut each potato into eight pieces and cook in boiling salted water until tender. Drain and set aside to cool slightly.
Mix the milk, mustard, vinegar, pickle juice and sugar together in a small bowl to make a dressing.
When the potatoes have cooled, pour over enough dressing to coat the potatoes. Add mayonnaise to taste and stir in the chopped pickle and egg, if using. Chill in the fridge for a couple of hours before serving.


Hear me now, for I have seen things. A world of ash and soot. Bodies and brains toiling day after day, pushing boulders up steep mountainsides. When these burdens are overcome, when the peak is crested and victory achieved there is neither reward nor respite. Burning disappointment is the only prize, a hot frustration as the mighty stones are sent careening once again to the depths below in endless repetition. This, my friends is the future of agile development. For the past several years I have consulted with over 20 companies - from tiny startups to giant global enterprises. I have seen the inner workings, corporate cultures, and development practices across a wide range of industries. The trends are disturbing. I have seen the future and it is nasty and brutish. We can and must alter course. Resistance is NOT futile.
Why agile?
In the beginning, before agile, was the waterfall. We were doing multi-year projects, implementing reams of printed specifications, missing ship dates and blowing budgets. Most damning of all, we created products that didn’t meet the customer's needs. As big deadlines loomed, teams fell into death marches, with horrible periods of late nights and heated arguments, broken builds and streams of bugs without end. A game of lose-lose, the epitome of action not equalling progress.
Then a group of survivors hatched a plan of escape. Let’s break the cycle and put real customer satisfaction first. Let’s welcome changing requirements. Let’s deliver early and often. Let’s communicate across teams and reflect upon ways to improve. Above all, let’s promote sustainable development - a manifesto for practices that would enable sponsors, developers, and users to maintain a constant pace. Indefinitely. It made so much sense. And a few teams have indeed managed to succeed and thrive. Yet here we are, many of us, every 2 weeks. Surrounded by pizza boxes and despair. The points. The pressure. The last minute check-ins, the skimping on QA. The tortured definitions of “complete.” The pronouncements of SUCCESS (yay!) or FAILURE (boo!) every fortnight. OMG it’s happening again. And again. And again! Every 2 weeks. WTF?
"All around me are familiar faces
Worn out places, worn out faces
Bright and early for the daily races
Going nowhere, going nowhere..."
- Roland Orzabal, “Mad World”
Many organizations took their few, real deadlines - a Beta version, big conference demo, or the major public release - and rolled the incumbent pressure and "all hands on deck" mentality into a twice monthly cannonball run. Remember those large waterfall endeavors? Even if the product was too little or too late, there was at least a time to recharge at the end. To rest and to dream, a period of calm to plan a new route forward. But in many “agile” organizations, there is no rest and no peace. Just another boulder to push up another hill. Say what you will about the horrors of a waterfall death march, these teams at least got to sleep once they were dead. In stark contrast, many agile teams are rousted from their dirt naps before pushing a single daisy. The “big deadline” is now every sprint’s end. This is endless war. This is not about “keeping commitments.” This is not what agile was meant to be. This is not even madness. This. Is. Sparta.
Many so-called “agile” organizations have mistaken the process for the product. The daily “how confident are you this card will be done today?” The inevitable “pretty confident unless things don’t go as planned.” This is a bogus dance. This is project management theater. Even the notion of “delivering working software frequently” to maintain a healthy feedback channel is being corrupted. Rather than a brief reflection on progress toward the finish line, most end-of-sprint reviews fixate on “how well did we do compared to our guesses 2 weeks ago?”
The truth is that we are running a marathon here, people. Treating it like a series of independent races, a chain of back-to-back “sprints” is not the way to win a marathon, nor is it the way to build software. To be truly agile we iterate, we take stock of progress toward the finish line and we adjust as we go. No particular mile is more important (or detached) from any other. Don’t start, stop, start, stop, start, stop. Focus on the end goal and run, dammit, RUN.
Enough with the burndown charts. Enough with the sprint-end whiplash. Establish clear priorities and guidelines - set a vision of what success looks like. Slow occasionally to take stock and adjust as needed, but keep moving forward at a steady pace.
Let’s stop rolling boulders up and down meaningless hills, and let’s start moving mountains.
Originally posted at cognitect.com


This will be the accepted file type, the controller can stream
Example: {{vue.url.getUrl('/images/your-image-name.', true)}}png


Class MQuad
Double precision polygon with 4 explicit vertices. This is useful to represent a MRect that has been rotated.
Inheritance
Namespace: Mapsui
Assembly: Mapsui.dll
Syntax
public class MQuad : IEquatable<MQuad>
Remarks
The sides do not have to be parallel to the two axes of the coordinate system. If this has been rotated, the 'BottomLeft' vertex may not actually be the min point in x/y.
Constructors
| Improve this Doc View SourceMQuad()
Declaration
public MQuad()
MQuad(MPoint, MPoint, MPoint, MPoint)
Declaration
public MQuad(MPoint bottomLeft, MPoint topLeft, MPoint topRight, MPoint bottomRight)
Parameters
| Type | Name | Description |
|---|---|---|
| MPoint | bottomLeft | |
| MPoint | topLeft | |
| MPoint | topRight | |
| MPoint | bottomRight |
MQuad(MQuad)
Declaration
public MQuad(MQuad quad)
Parameters
| Type | Name | Description |
|---|---|---|
| MQuad | quad |
Properties
| Improve this Doc View SourceBottomLeft
Declaration
public MPoint BottomLeft { get; set; }
Property Value
| Type | Description |
|---|---|
| MPoint |
BottomRight
Declaration
public MPoint BottomRight { get; set; }
Property Value
| Type | Description |
|---|---|
| MPoint |
TopLeft
Declaration
public MPoint TopLeft { get; set; }
Property Value
| Type | Description |
|---|---|
| MPoint |
TopRight
Declaration
public MPoint TopRight { get; set; }
Property Value
| Type | Description |
|---|---|
| MPoint |
Vertices
Returns the vertices in clockwise order from bottom left around to bottom right
Declaration
public IEnumerable<MPoint> Vertices { get; }
Property Value
| Type | Description |
|---|---|
| IEnumerable<MPoint> |
Methods
| Improve this Doc View SourceEquals(MQuad)
Indicates whether the current object is equal to another object of the same type.
Declaration
public bool Equals(MQuad other)
Parameters
| Type | Name | Description |
|---|---|---|
| MQuad | other | Other object to compare |
Returns
| Type | Description |
|---|---|
| System.Boolean | Returns true if they are equal |
Equals(Object)
Indicates whether the current object is equal to another object of the same type.
Declaration
public override bool Equals(object obj)
Parameters
| Type | Name | Description |
|---|---|---|
| System.Object | obj | Other object to compare |
Returns
| Type | Description |
|---|---|
| System.Boolean | Returns true if they are equal |
GetHashCode()
Returns a hash code for the specified object
Declaration
public override int GetHashCode()
Returns
| Type | Description |
|---|---|
| System.Int32 | A hash code for the specified object |
Rotate(Double, Double, Double)
Creates a new quad by rotate all 4 vertices clockwise about the specified center point
Declaration
public MQuad Rotate(double degrees, double centerX, double centerY)
Parameters
| Type | Name | Description |
|---|---|---|
| System.Double | degrees | Angle to rotate clockwise (degrees) |
| System.Double | centerX | X coordinate of point about which to rotate |
| System.Double | centerY | Y coordinate of point about which to rotate |
Returns
| Type | Description |
|---|---|
| MQuad | Returns the rotate quad |
ToBoundingBox()
Calculates a new bounding box that encompasses all 4 vertices.
Declaration
public MRect ToBoundingBox()
Returns
| Type | Description |
|---|---|
| MRect | Returns the calculate bounding box |
ToString()
Returns a string representation of the vertices from bottom-left clockwise to bottom-right
Declaration
public override string ToString()
Returns
| Type | Description |
|---|---|
| System.String | Returns the string |


File: lib/branch.js
var Commit = require('./commit') , GitFile = require('./gitfile'); /** * Represents a git "reference", but it makes more sense in the context of this * library to call it a branch. This constructor is not meant to be called * manually. It is created by the {{#crossLink "GitData"}}{{/crossLink}} object. * @class Branch * @param source {Object} JSON response from API, used to build. * @param githubClient {Object} GitHub API Client object. * @constructor */ function Branch(source, githubClient) { this.gh = githubClient; this.ref = source.ref; this.sha = source.object.sha; this.commit = undefined; } /** * Fetches the commit for this branch. * @method getCommit * @param callback {Function} Called with (Error, {{#crossLink "Commit"}}{{/crossLink}}) */ Branch.prototype.getCommit = function(callback) { var gh = this.gh; if (this.commit) { callback(null, this.commit); } else { gh.gitdata.getCommit({ user: gh.user , repo: gh.repo , sha: this.sha }, function(err, response) { var commit = new Commit(response, gh); callback(null, commit); }); } }; /** * Pushes a commit to this branch. Actually, it updates the reference object * this branch represents to point to the commit SHA of the given commit. Once * it successfully calls the API to do so, it updates its own SHA to point to * the new commit SHA. * @method push * @param commit * @param callback */ Branch.prototype.push = function(commit, callback) { var me = this // The ref is something like "refs/heads/branchname" but we don't want // the "refs" part so we get rid of it here. , ref = this.ref.split('/').slice(1).join('/'); me.gh.gitdata.updateReference({ user: me.gh.user , repo: me.gh.repo , ref: ref , sha: commit.sha }, function(error, referenceData) { me.sha = referenceData.object.sha; callback(error); }); }; /* * Work in Progress */ Branch.prototype.getFile = function(path, callback) { this.getCommit(function(error, commit) { commit.getTree(function(error, tree) { tree.getBlob(path, function(error, blob) { if (error) { return callback(error); } callback(null, new GitFile(path, blob, tree, commit)); }); }); }); }; /** * Returns string description of this branch reference, including sha and ref. * @method toString * @returns {string} */ Branch.prototype.toString = function() { var out = 'sha: ' + this.sha + '\n' + 'ref: ' + this.ref + '\n'; return out; }; // This is so Node.js will use toString within console.log(). Branch.prototype.inspect = Branch.prototype.toString; module.exports = Branch;


MOVE_PAGES
Section: Linux System Calls (2)Updated: 8 August 2006
Index Return to Main Contents
NAME
move_pages - move a set of pages of a process to a different NUMA nodeSYNOPSIS
#include <syscall.h> long move_pages(pid_t pid, unsigned long nr_pages, const void **address, const int *nodes, int *status, int flags);
DESCRIPTION
move_pages moves a set of pages in the address space of a executed process to a different NUMA node. The function can also be used to determine the nodes to which the pages are currently mapped.pid is the process whose pages will be moved. The value 0 specifies the current process.
The argument nr_pages specifies the number of pages which would require moving.
addresses is an array of addresses of pages which would require moving
nodes is an array of numbers of nodes to move the corresponding pages to. If set to NULL, status is filled with current NUMA node IDs, but no migrations occur.
The flags argument describes the type of pages which will be moved:
- MPOL_MF_MOVE
- Syscall will move only pages which are mapped only by the process pid.
- MPOL_MF_MOVE_ALL
-
Syscall will move pages which are mapped by multiple processes too
(this mode needs to have sufficient permissions).
The status field is only valid if move_pages finished successfully. This field contains the status of the specified pages. If the nodes argument is NULL or the migration succeeded, it is set to the node ID. Otherwise it contains a negative number, one of the following error codes:
-EFAULT the specified address does not point to a valid mapping
-ENOENT the page does not exist
-EPERM the page can't be moved (it is mlocked)
-EACCES the page is shared by multiple processes and the flag MPOL_MF_MOVE_ALL was not set
-EBUSY the page could not be moved - it is busy now
-EFAULT the page address is not valid
-ENOMEM insufficient memory
-EIO the page can't be written
-EINVAL the page can't be moved because the file system does not implement the necessary interface
RETURN VALUE
If nodes is not NULL, move_pages returns the number of valid migration requests which could not currently be performed. Otherwise it returns 0.An error indication is returned on error.
ERRORS
EACCES one of the nodes specified by the nodes argument is not allowed for the specified process.
EINVAL the man pages to be moved are in kernel thread or the flag parameter is invalid.
ENODEV one of the nodes specified by the nodes argument is not available.
ENOENT there is no page which would be moved.
EPERM the flag is set to MPOL_MF_MOVE_ALL or pid doesn't specify the current process, and the process has insufficient privileges.
ENOMEM insufficient memory
E2BIG the number of pages to move is too big
ESRCH the process pid can't be found
AVAILABILITY
This syscall is implemented only on the i386 and IA-64 architectures since kernel 2.6.
Index
This document was created by man2html, using the manual pages.
Time: 05:33:04 GMT, December 24, 2015


This chapter groups the complex mathematical functions. The corresponding definitions and declarations are in complex.h. Functions and documentations are taken from NetBSD.
| • cabs | Complex absolute value | |
| • cacos | Complex arc cosine | |
| • cacosh | Complex arc hyperbolic cosine | |
| • carg | Argument (also called phase angle) | |
| • casin | Complex arc sine | |
| • casinh | Complex arc hyperbolic sine | |
| • catan | Complex arc tangent | |
| • catanh | Complex arc hyperbolic tangent | |
| • ccos | Complex cosine | |
| • ccosh | Complex hyperbolic cosine | |
| • cexp | Complex exponent | |
| • cimag | Imaginary part | |
| • clog | Complex natural (base e) logarithm | |
| • clog10 | Complex base 10 logarithm | |
| • conj | Complex conjugate | |
| • cpow | Complex power function | |
| • cproj | Compute a projection on the Riemann sphere | |
| • creal | Real part | |
| • csin | Complex sine | |
| • csinh | Complex hyperbolic sine | |
| • csqrt | Complex square root | |
| • ctan | Complex tangent | |
| • ctanh | Complex hyperbolic tangent |


Simulates correlated multinomial responses conditional on a marginal model specification.
| Version: | 1.6.0 |
| Depends: | R (≥ 2.15.0) |
| Imports: | evd, methods, stats |
| Suggests: | bookdown, gee, knitr, markdown, multgee (≥ 1.2) |
| Published: | 2018-07-10 |
| Author: | Anestis Touloumis [aut, cre] (0000-0002-5965-1639) |
| Maintainer: | Anestis Touloumis <A.Touloumis at brighton.ac.uk> |
| BugReports: | http://github.com/AnestisTouloumis/SimCorMultRes/issues |
| License: | GPL-3 |
| URL: | http://github.com/AnestisTouloumis/SimCorMultRes |
| NeedsCompilation: | no |
| Citation: | SimCorMultRes citation info |
| Materials: | NEWS |
| CRAN checks: | SimCorMultRes results |
| Reference manual: | SimCorMultRes.pdf |
| Vignettes: |
Simulating Correlated Binary and Multinomial Responses |
| Package source: | SimCorMultRes_1.6.0.tar.gz |
| Windows binaries: | r-devel: SimCorMultRes_1.6.0.zip, r-release: SimCorMultRes_1.6.0.zip, r-oldrel: SimCorMultRes_1.6.0.zip |
| OS X binaries: | r-release: SimCorMultRes_1.6.0.tgz, r-oldrel: SimCorMultRes_1.6.0.tgz |
| Old sources: | SimCorMultRes archive |
Please use the canonical form https://CRAN.R-project.org/package=SimCorMultRes to link to this page.


I WANDER’D lonely as a cloud
That floats on high o’er vales and hills,
When all at once I saw a crowd,
A host of golden daffodils,
Beside the lake, beneath the trees
Fluttering and dancing in the breeze.
Continuous as the stars that shine
And twinkle on the milky way,
They stretch’d in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance
Tossing their heads in sprightly dance.
The waves beside them danced, but they
Out-did the sparkling waves in glee:—
A Poet could not but be gay
In such a jocund company!
I gazed—and gazed—but little thought
What wealth the show to me had brought;
For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.
WITH little here to do or see
Of things that in the great world be,
Sweet Daisy! oft I talk to thee
For thou art worthy,
Thou unassuming commonplace
Of Nature, with that homely face,
And yet with something of a grace
Which love makes for thee!
Oft on the dappled turf at ease
I sit and play with similes,
Loose types of things through all degrees,
Thoughts of thy raising;
And many a fond and idle name
I give to thee, for praise or blame
As is the humour of the game,
While I am gazing.
A nun demure, of lowly port;
Or sprightly maiden, of Love’s court,
In thy simplicity the sport
Of all temptations;
A queen in crown of rubies drest;
A starveling in a scanty vest;
Are all, as seems to suit thee best,
Thy appellations.
A little Cyclops, with one eye
Staring to threaten and defy,
That thought comes next—and instantly
The freak is over,
The shape will vanish, and behold!
A silver shield with boss of gold
That spreads itself, some fairy bold
In fight to cover.
I see thee glittering from afar—
And then thou art a pretty star,
Not quite so fair as many are
In heaven above thee!
Yet like a star, with glittering crest,
Self-poised in air thou seem’st to rest;—
May peace come never to his nest
Who shall reprove thee!
Sweet Flower! for by that name at last
When all my reveries are past,
I call thee, and to that cleave fast,
Sweet silent Creature!
That breath’st with me in sun and air,
Do thou, as thou art wont, repair
My heart with gladness, and a share
Of thy meek nature!
O BLITHE new-comer! I have heard,
I hear thee and rejoice:
O Cuckoo! shall I call thee Bird,
Or but a wandering Voice?
While I am lying on the grass
Thy twofold shout I hear;
From hill to hill it seems to pass,
At once far off and near.
Though babbling only to the vale
Of sunshine and of flowers,
Thou bringest unto me a tale
Of visionary hours.
Thrice welcome, darling of the Spring!
Even yet thou art to me
No bird, but an invisible thing,
A voice, a mystery;
The same whom in my school-boy days
I listen’d to; that Cry
Which made me look a thousand ways
In bush, and tree, and sky.
To seek thee did I often rove
Through woods and on the green;
And thou wert still a hope, a love;
Still long’d for, never seen!
And I can listen to thee yet;
Can lie upon the plain
And listen, till I do beget
That golden time again.
O blesséd Bird! the earth we pace
Again appears to be
An unsubstantial, fairy place,
That is fit home for Thee!
BENEATH these fruit-tree boughs that shed
Their snow-white blossoms on my head,
With brightest sunshine round me spread
Of Spring’s unclouded weather,
In this sequester’d nook how sweet
To sit upon my orchard-seat!
And flowers and birds once more to greet,
My last year’s friends together.
One have I mark’d, the happiest guest
In all this covert of the blest:
Hail to Thee, far above the rest
In joy of voice and pinion!
Thou, Linnet! in thy green array
Presiding Spirit here to-day
Dost lead the revels of the May,
And this is thy dominion.
While birds, and butterflies, and flowers,
Make all one band of paramours,
Thou, ranging up and down the bowers
Art sole in thy employment;
A Life, a Presence like the air,
Scattering thy gladness without care,
Too blest with any one to pair,
Thyself thy own enjoyment.
Amid yon tuft of hazel trees
That twinkle to the gusty breeze,
Behold him perch’d in ecstasies
Yet seeming still to hover;
There, where the flutter of his wings
Upon his back and body flings
Shadows and sunny glimmerings,
That cover him all over.
My dazzled sight he oft deceives—
A brother of the dancing leaves;
Then flits, and from the cottage-eaves
Pours forth his song in gushes,
As if by that exulting strain
He mock’d and treated with disdain
The voiceless Form he chose to feign,
While fluttering in the bushes.
I HEARD a thousand blended notes
While in a grove I sate reclined,
In that sweet mood when pleasant thoughts
Bring sad thoughts to the mind.
To her fair works did Nature link
The human soul that through me ran;
And much it grieved my heart to think
What Man has made of Man.
Through primrose tufts, in that sweet bower,
The periwinkle trail’d its wreaths;
And ’tis my faith that every flower
Enjoys the air it breathes.
The birds around me hopp’d and play’d,
Their thoughts I cannot measure,—
But the least motion which they made
It seem’d a thrill of pleasure.
The budding twigs spread out their fan
To catch the breezy air;
And I must think, do all I can,
That there was pleasure there.
If this belief from heaven be sent,
If such be Nature’s holy plan,
Have I not reason to lament
What Man has made of Man?
ETHEREAL minstrel! pilgrim of the sky!
Dost thou despise the earth where cares abound?
Or while the wings aspire, are heart and eye
Both with thy nest upon the dewy ground?
Thy nest which thou canst drop into at will,
Those quivering wings composed, that music still!
To the last point of vision, and beyond
Mount, daring warbler!—that love-prompted strain
—’Twixt thee and thine a never-failing bond—
Thrills not the less the bosom of the plain:
Yet might’st thou seem, proud privilege! to sing
All independent of the leafy Spring.
Leave to the nightingale her shady wood;
A privacy of glorious light is thine,
Whence thou dost pour upon the world a flood
Of harmony, with instinct more divine;
Type of the wise, who soar, but never roam—
True to the kindred points of Heaven and Home.
WHERE art thou, my beloved Son,
Where art thou, worse to me than dead!
O find me, prosperous or undone!
Or if the grave be now thy bed,
Why am I ignorant of the same
That I may rest; and neither blame
Nor sorrow may attend thy name?
Seven years, alas! to have received
No tidings of an only child—
To have despair’d, have hoped, believed,
And been for evermore beguiled,—
Sometimes with thoughts of very bliss!
I catch at them, and then I miss;
Was ever darkness like to this?
He was among the prime in worth,
An object beauteous to behold;
Well born, well bred; I sent him forth
Ingenuous, innocent, and bold:
If things ensued that wanted grace
As hath been said, they were not base;
And never blush was on my face.

He knows it not, he cannot guess;
Years to a mother bring distress,
But do not make her love the less.
Neglect me! no, I suffer’d long
From that ill thought; and being blind
Said ‘Pride shall help me in my wrong:
Kind mother have I been, as kind
As ever breathed:’ and that is true;
I’ve wet my path with tears like dew,
Weeping for him when no one knew.
My Son, if thou be humbled, poor,
Hopeless of honour and of gain,
O! do not dread thy mother’s door;
Think not of me with grief and pain:
I now can see with better eyes;
And worldly grandeur I despise
And fortune with her gifts and lies.
Alas! the fowls of heaven have wings,
And blasts of heaven will aid their flight;
They mount—how short a voyage brings
The wanderers back to their delight!
Chains tie us down by land and sea;
And wishes, vain as mine, may be
All that is left to comfort thee.
Perhaps some dungeon hears thee groan
Maim’d, mangled by inhuman men;
Or thou upon a desert thrown
Inheritest the lion’s den;
Or hast been summon’d to the deep
Thou, thou, and all thy mates, to keep
An incommunicable sleep.
I look for ghosts; but none will force
Their way to me: ’tis falsely said
That there was ever intercourse
Between the living and the dead;
For surely then I should have sight
Of him I wait for day and night
With love and longings infinite.
My apprehensions come in crowds;
I dread the rustling of the grass;
The very shadows of the clouds
Have power to shake me as they pass;
I question things, and do not find
One that will answer to my mind;
And all the world appears unkind.
Beyond participation lie
My troubles, and beyond relief:
If any chance to heave a sigh
They pity me, and not my grief.
Then come to me, my Son, or send
Some tidings that my woes may end!
I have no other earthly friend.
IN the sweet shire of Cardigan,
Not far from pleasant Ivor Hall,
An old man dwells, a little man,
I’ve heard he once was tall.
Full five-and-thirty years he lived
A running huntsman merry;
And still the centre of his cheek
Is red as a ripe cherry.
No man like him the horn could sound,
And hill and valley rang with glee,
When Echo bandied, round and round,
The halloo of Simon Lee.
In those proud days he little cared
For husbandry of or tillage;
To blither tasks did Simon rouse
The sleepers of the village.
He all the country could outrun,
Could leave both man and horse behind;
And often, ere the chase was done,
He reel’d and was stone-blind.
And still there’s something in the world
At which his heart rejoices;
For when the chiming hounds are out,
He dearly loves their voices.
But O the heavy change!—bereft
Of health, strength, friends and kindred; see
Old Simon to the world is left
In liveried poverty:
His master’s dead, and no one now
Dwells in the Hall of Ivor;
Men, dogs, and horses, all are dead;
He is the sole survivor.
And he is lean and he is sick,
His body, dwindled and awry,
Rests upon ankles swoln and thick;
His legs are thin and dry.
He has no son, he has no child,
His wife, an aged woman,
Lives with him, near the waterfall,
Upon the village common.
Beside their moss-grown hut of clay,
Not twenty paces from the door,
A scrap of land they have, but they
Are poorest of the poor.
This scrap of land he from the heath
Enclosed when he was stronger;
But what avails the land to them
Which he can till no longer?
Oft, working by her husband’s side,
Ruth does what Simon cannot do;
For she, with scanty cause for pride,
Is stouter of the two.
And, though you with your utmost skill
From labour could not wean them,
’Tis little, very little, all
That they can do between them.
Few months of life has he in store
As he to you will tell,
For still, the more he works, the more
Do his weak ankles swell.
My gentle reader, I perceive
How patiently you’ve waited,
And now I fear that you expect
Some tale will be related.
O reader! had you in your mind
Such stores as silent thought can bring,
O gentle reader! you would find
A tale in everything.
What more I have to say is short,
And you must kindly take it:
It is no tale; but, should you think,
Perhaps a tale you’ll make it.
One summer-day I chanced to see
This old man doing all he could
To unearth the root of an old tree,
A stump of rotten wood.
The mattock totter’d in his hand;
So vain was his endeavour
That at the root of the old tree
He might have work’d for ever.
‘You’re overtask’d, good Simon Lee,
Give me your tool,’ to him I said;
And at the word right gladly he
Received my proffer’d aid.
I struck, and with a single blow
The tangled root I sever’d,
At which the poor old man so long
And vainly had endeavour’d.
The tears into his eyes were brought,
And thanks and praises seem’d to run
So fast out of his heart, I thought
They never would have done.
—I’ve heard of hearts unkind, kind deeds
With coldness still returning;
Alas! the gratitude of men
Hath oftener left me mourning.
STERN Daughter of the voice of God!
O Duty! if that name thou love
Who art a light to guide, a rod
To check the erring, and reprove;
Thou who art victory and law
When empty terrors overawe;
From vain temptations dost set free,
And calm’st the weary strife of frail humanity!
There are who ask not if thine eye
Be on them; who, in love and truth
Where no misgiving is, rely
Upon the genial sense of youth:
Glad hearts! without reproach or blot,
Who do thy work, and know it not:
O! if through confidence misplaced
They fail, thy saving arms, dread Power! around them cast.
Serene will be our days and bright
And happy will our nature be
When love is an unerring light,
And joy its own security.
And they a blissful course may hold
Ev’n now, who, not unwisely bold,
Live in the spirit of this creed;
Yet find that other strength according to their need.
I, loving freedom, and untried,
No sport of every random gust,
Yet being to myself a guide,
Too blindly have reposed my trust:
And oft, when in my heart was heard
Thy timely mandate, I deferr’d
The task, in smoother walks to stray;
But thee I now would serve more strictly, if I may.
Through no disturbance of my soul
Or strong compunction in me wrought,
I supplicate for thy controul,
But in the quietness of thought:
Me this uncharter’d freedom tires;
I feel the weight of chance-desires:
My hopes no more must change their name;
I long for a repose that ever is the same.
Stern Lawgiver! yet thou dost wear
The Godhead’s most benignant grace;
Nor know we anything so fair
As is the smile upon thy face:
Flowers laugh before thee on their beds,
And fragrance in thy footing treads;
Thou dost preserve the Stars from wrong;
And the most ancient Heavens, through thee, are fresh and strong.
To humbler functions, awful Power!
I call thee: I myself commend
Unto thy guidance from this hour;
O let my weakness have an end!
Give unto me, made lowly wise,
The spirit of self-sacrifice;
The confidence of reason give;
And in the light of Truth thy bondman let me live.
SHE was a phantom of delight
When first she gleam’d upon my sight;
A lovely apparition, sent
To be a moment’s ornament;
Her eyes as stars of twilight fair;
Like Twilight’s, too, her dusky hair;
But all things else about her drawn
From May-time and the cheerful dawn;
A dancing shape, an image gay,
To haunt, to startle, and waylay.
I saw her upon nearer view,
A spirit, yet a woman too!
Her household motions light and free,
And steps of virgin-liberty;
A countenance in which did meet
Sweet records, promises as sweet;
A creature not too bright or good
For human nature’s daily food,
For transient sorrows, simple wiles,
Praise, blame, love, kisses, tears, and smiles.
And now I see with eye serene
The very pulse of the machine;
A being breathing thoughtful breath,
A traveller between life and death:
The reason firm, the temperate will,
Endurance, foresight, strength, and skill;
A perfect woman, nobly plann’d
To warn, to comfort, and command;
And yet a Spirit still, and bright
With something of angelic light.


BROKEN ENGLISH A film review by James Berardinelli Copyright 1997 James Berardinelli
RATING (0 TO 10): 6.0 Alternative Scale: **1/2 out of ****
New Zealand, 1996 U.S. Release Date: 5/2/97 (limited) Running Length: 1:30 MPAA Classification: R (Profanity, sex, violence) Theatrical Aspect Ratio: 1.85:1
Cast: Aleksandra Vujcic, Julian Arahanga, Rade Serbedzija, Marton Csokas, Madeline McNamara, Elizabeth Mavric, Jing Zhao, Li Yang, Temuera Morrison Director: Gregor Nicholas Producer: Rogin Scholes Screenplay: Gregor Nicholas, Johanna Pigott, Jim Salter Cinematography: John Toon Music: Murray Grindlay and Murray McNabb U.S. Distributor: Sony Pictures Classics
BROKEN ENGLISH deals with clashing cultures in New Zealand, "the bottom of the world." There's an energy in this film, the first from director Gregor Nicholas, that demands to be noticed, but it's not enough to overcome the weaknesses of a predictably shallow, derivative script. The only new ingredient in BROKEN ENGLISH's approach to racial intolerance and strife is that the tension is between immigrant Croatians and native Maoris. The basic story, however, is familiar, and the characters aren't sufficiently well-developed to captivate an audience.
A secondary aspect of BROKEN ENGLISH addresses a father's obsessive need to control the lives of his children. Like SHINE's Peter Helfgott, Ivan (Rade Serbedzija) is determined to keep his family together at all costs, and is willing to use violence to thwart any non-Croatian who shows an interest in either of his daughters. However, where Armin Mueller-Stahl was able to fashion a multi-dimensional portrait of a torn man, Ivan is a distressingly flat villain. Early in the film, there are shades to his personality, but, as the story progresses, he becomes progressively more of a one-note character, and any grudging sympathy we might have for him is destroyed by the time we reach the overly melodramatic climax.
The premise is not inherently unpromising, despite (or perhaps because of) certain similarities to that of ONCE WERE WARRIORS. Accompanied by his immediate family, Ivan has fled the battlefield of his native country, Croatia, to settle in Auckland. There, he earns his living by growing and distributing marijuana. His youngest daughter, Nina (Aleksandra Vujcic), falls in love with Eddie (Julian Arahanga), a Maori cook who works at the restaurant where she's a waitress. Eventually, Nina moves away from home, but Ivan's disapproval of Eddie isn't the only reason. In order to help a Chinese friend gain residency status, Nina (who is a citizen of New Zealand because her mother was born there) agrees to a marriage in name only. Ultimately, Nina wants to integrate all aspects of her life into one cohesive whole, but her attempts to reconcile with Ivan lead to violence and grief.
Nicholas doesn't offer anything revolutionary in his approach to warring cultures, and the story of two lovers defying tradition and family wishes is older than ROMEO AND JULIET. In fact, the basic themes and framework of BROKEN ENGLISH have been explored more effectively in films like MISSISSIPPI MASALA and DOUBLE HAPPINESS. Racial purity and isolation are the issues here. Wanting his grandchildren to be full- blooded Croatians, Ivan despises the idea of interracial breeding. This is the kind of narrow-minded bigotry that begins race wars and leads to attempted genocides.
The main actors turn in solid performances. Veteran Rade Serbedzija, best-known to American audiences from BEFORE THE RAIN, is terrific at portraying rage, but somewhat less successful at conveying pain and loss. The sensual Aleksandra Vujcic is surprisingly effective for a non-professional in her first role. Julian Arahanga smolders as Eddie, and while he and Vujcic don't have perfect chemistry, they steam up the screen during one particularly hot sex scene. Some of the supporting players (Marton Csokas, as Nina's brother, in particular) aren't impressive. Temuera Morrison (the male lead from ONCE WERE WARRIORS) has a small part as Eddie's brother.
BROKEN ENGLISH -- the title refers to the common language that immigrants must speak in order to communicate -- was filmed with a great deal of energy and color. As absurd as the climax is, it's still peculiarly compelling, if only because there's so much raw violence and hatred percolating on-screen. Unfortunately, the characters don't hold the same fascination as the visual and visceral elements, and, as a result, the trappings of BROKEN ENGLISH are almost more interesting than the actual story. So, instead of being an equal to ONCE WERE WARRIORS, BROKEN ENGLISH is a faint, fleeting shadow.
- James Berardinelli e-mail<EMAIL_ADDRESS>ReelViews web site: http://www.cybernex.net/~berardin
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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JavaScript and jQuery Flashcards
JavaScript
A programming language used to make web pages interactive
Operators
An operator is a special character (or characters) that indicates an action to be performed.
Variables
A container that stores some information such as a number, an object, or a string.
Variable naming conventions
A set of rules for choosing the character sequence to be used for identifiers which denote variables, types, functions, and other entities in source code and documentation.
Functions
A set of statements that performs a task or calculates a value, but for a procedure to qualify as a function, it should take some input and return an output where there is some obvious relationship between the input and the output.
Methods
An action that a number can perform or have taken on it.
Arguments
An Array-like object accessible inside functions that contains the values of the arguments passed to that function
Parameters
In a function call, are the function's arguments. JavaScript arguments are passed by value: The function only gets to know the values, not the argument's locations. If a function changes an argument's value, it does not change the parameter's original value.
Return
Ends function execution and specifies a value to be returned to the function caller.
Chaining methods
Also known as Cascading, means repeatedly calling one method after another on an object, in one continuous line of code.
Strings
A set of characters enclosed in quotations
Boolean
One of two values: True or False
Undefined
Variable hasn't been defined yet
NaN
Property is a value representing Not-A-Number.
Null
Alert
Method displays an alert box with a specified message and an OK button.
jQuery
A JavaScript library that makes it easier to incorporate JavaScript on your web page
Attributes
A collection of objects that belong to a built-in Attr class, with name and value properties.
Comments


--- layout: default title: About Jamie permalink: /about/jamie/ ---
Hi there, my name is Jamie and I am a hobbyist developer. I am a huge fan of open source software, and you will find me submitting pull requests here, there and everywhere. I develop software from websites to Minecraft mods.
When I'm not programming, you'll probably find me dabbling in the world of gaming, where my favourite games are story based (such as the fantastic Quantum Break). Although I tend to get most games on the PC, my console preference is the XBox.
If you're ever in need to contact me, use one of the following.
jamierocks


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The index helps us to locate places and features on maps in the atlas. The entries are listed in alphabetical order:
Aasvoëlberg mtn RSA 36 F4 31°53'S 22°49'E
to
Zwelitsha RSA 28 F3 32°56'S 27°27'E
Each entry starts with the name of the place or feature followed by a description, if a physical feature. Next is the name of the country or region in which the place or feature is located. The page number on which the largest scale map containing the place or feature and alphanumeric grid block in which it can be found appear in bold type after that. The latitude and longitude information complete the entry.


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HAPPY ACCIDENTS
A film review by Steve Rhodes
Copyright 2001 Steve Rhodes
RATING (0 TO ****): ** 1/2
HAPPY ACCIDENTS, written and directed by Brad Anderson (NEXT STOP WONDERLAND), is a cute and quirky tale that would best be classified as a science fiction, romantic comedy. Starring Marisa Tomei and Vincent D'Onofrio as lovers Ruby Weaver and Sam Deed, the movie's serious flaw is that the chemistry between them is never quite credible. Individually, they both deliver interesting performances, Tomei as a hopeless codependent and D'Onofrio as an awkward guy who is either a "back traveler" from the year 2470 or a nut case, but together they never make a believable couple. Other than the light comedy, what makes the story work is the intrigue as to whether the movie will ever reveal the truth, if any, behind Sam's time-traveling claims.
Sam explains to Ruby that he is from Dubuque, Iowa -- just not her Dubuque, Iowa. He is from the Atlantic seaboard Dubuque in the future. The son of an anachronistic freedom fighting father, who still believed in procreation the old fashion way, Sam has come to the past to find Ruby. Ruby, the daughter of a codependent mother, has spent her whole life dating men who need fixing. On the surface, Sam appears to be just another one of her losers.
Sometimes the movie plays like a variation on the old Peter Sellers's movie, BEING THERE, but it is the best when it's the freshest. The most original scene in the movie comes when, in a diner, Sam turns the explanation of time travel into a tactilely erotic experience for Ruby. Even if the film is a near miss, at least it's just the easy-going type of material that is appropriate for a world recently turned horribly upside-down.
HAPPY ACCIDENTS runs 1:40. It is rated R for "language" and would be acceptable for teenagers.
The film opens nationwide in the United States on Friday, September 21, 2001. In the Silicon Valley, it will be showing at the Camera Cinemas.
Web: http://www.InternetReviews.com
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========== X-RAMR-ID: 29504 X-Language: en X-RT-ReviewID: 250502 X-RT-TitleID: 1109575 X-RT-SourceID: 703 X-RT-AuthorID: 1271 X-RT-RatingText: 2.5/4
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


{% extends 'helpcentre-detail.html' %} {% block pageTitle %} How to remove a remembered device {% endblock %} {% block beforeContent %} {% endblock %} {% block content %}
You can remove any of your remembered devices by going to your NHS login settings. Under the heading ‘remembered devices’ select ‘remove device’ next to the device you want to remove from your NHS login.
If you use NHS login on that device again, you will need to enter a security code we send to your phone.


Seven O’Clock Stories
by Robert Gordon Anderson
“Sixth Night: The Willow Whistle”
Additional Information
- Year Published: 1920
- Language: English
- Country of Origin: United States of America
- Source: Anderson, R. G. (1920). Seven O’Clock Stories. New York: G.P. Putnam’s Sons: The Knickerbocker Press.
-
Readability:
- Flesch–Kincaid Level: 4.2
- Word Count: 666
- Genre: Adventure
- Keywords: children's stories
- ✎ Cite This
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The Toyman sat by the pond under the “Crying Tree.” That is what Marmaduke calls it, though the Toyman says it is a weeping willow. It’s leaves are a very pretty green, much lighter than the leaves of the other trees. And the branches bend over till they reach the water. They really do look like showers of tears. Sometimes little leaves fall into the water and float away like silver-green boats, rowed by tiny fairies.
Jehosophat, Marmaduke, and Hepzebiah came up to the “Crying Tree.”
“What are you doing, Toyman,” asked Marmaduke.
“Watch and you will see.”
They were always asking him that question and he was always telling them to watch and see.
So they did.
In his hand he had his knife, which could make as many things as a fairy’s wand. It had four blades and a corkscrew.
The Toyman cut some thin branches from the tree. From these he cut three pieces, each about as long as his first finger and about as thick as his little finger.
One end of each piece of wood he cut like the stern of a boat, then he cut a notch near the end.
Then he worked with his knife very carefully.  The bark came off whole, like a little roll of green paper.
“See,” said the Toyman, “the bark is the skin of the tree and in spring the sap which is the blood of the tree flows fast. It isn’t coloured red, it is just like light juice, but it makes the bark slip off this wood very easily.”
On the grass he laid the round pieces of green bark. Then he took the white bits of wood which had been under the bark and he whittled away at the ends. Soon he was through.
Then he slipped the pieces of bark, which looked so much like little rolled-up green papers, back on the white pieces of wood.
They fitted perfectly.
One he gave to Jehosophat, one to Marmaduke, and one to Hepzebiah.
“What are they?” asked Marmaduke.
“I know,” said his brother Jehosophat, “they are whistles.”
“Yes,” said the Toyman. “They are willow whistles. Now put them in your mouths and blow.”

It sounded very pretty, the three whistles—and then—what do you think?
Not far from the weeping willow or the “Crying Tree,” was an elm tree. It was taller than the willow and darker green.
In it something shone very bright—like an orange, only it moved.
“It’s an oriole,” said the Toyman.
They looked hard and, sure enough, there among the leaves was the prettiest bird they had ever seen. He had an orange-coloured body and black wings.
His nest was on the end of a branch. It was grey-coloured and hung low like a little bag, made of knitted grey wool. Father and Mother Oriole had made it themselves. Mother Oriole is there sitting in it on little eggs.
But Father Oriole heard the three willow whistles and he turned and began to whistle back—oh such a pretty song. It was really prettier than the sound of the three willow whistles for it had different notes and a tune like the songs Mother plays on the piano.
“We must watch that nest,” said the Toyman. “Some day soon we will see the baby orioles.”
But there—the Little-Clock-with-the-Wise-Face is scolding again. So the story must stop for tonight.
When you’re asleep if you listen very hard, maybe you can hear the three happy children blowing the willow whistles, and maybe the beautiful oriole will answer back.
Good-night.


{% extends 'layout.html' %} {% block content %}
|
Dear {{email_content.get('name', '')|title }}, You booked and used the (conference room / cabin space) in space ID:  {{email_content.get('space_id', '') }} .
Please select a rating based on the following.
|


Simply Das
Kolkata, West Bengal - 700034
<EMAIL_ADDRESS>I have 1+ years of industry experience in the field of Architecture, Master Planning, and Interior Design. Also, I have worked on various scale of projects of diverse in nature & region ranging from Premium Residential Complexes, Condominiums, Laxuary Villas as well as Boutique hotels. I am also responsible for preparing Architectural Design, Plans, Rendering the 3d visualizations, Working Drawing & Detail Drawing.


fun closePrinters(): Unit
Close printers if they are Closeable.
NOTE: This method is only for convenience; it is not mandatory to be flushable.


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Unboxing OnePlus 6T
OnePlus has finally officially unveiled the OnePlus 6T and it’s priced at $549 in the US, which is slightly more expensive than the outgoing OnePlus 6.
The India pricing of the OnePlus 6T will be announced on October 30 at a separate event. The OnePlus 6T comes with minor upgrades, including a larger display with a waterdrop style notch, an impressive 3,700mAh battery, and a rather fast in-display fingerprint sensorThanks to these innovative features, the OnePlus 6T is one of the best devices from the company till date, however, it isn’t without its shortcomings on paper.
The device lacks a headphone jack (Never Settle?) and this might be the reason why a number of prospective buyers may be drawn away from it. For those to whom the headphone jack doesn’t hold as much importance, the OnePlus 6T might be the device to go for. If you are in that camp, and are interested in what you’ll be getting when you purchase the OnePlus 6T, then you’ve come to the right place..
4.1 average based on 254 reviews.


# -*- coding: utf-8 -*-
"""
jinja2.bccache
~~~~~~~~~~~~~~
This module implements the bytecode cache system Jinja is optionally
using. This is useful if you have very complex template situations and
the compiliation of all those templates slow down your application too
much.
Situations where this is useful are often forking web applications that
are initialized on the first request.
:copyright: (c) 2010 by the Jinja Team.
:license: BSD.
"""
from os import path, listdir
import os
import stat
import sys
import errno
import marshal
import tempfile
import fnmatch
from hashlib import sha1
from jinja2.utils import open_if_exists
from jinja2._compat import BytesIO, pickle, PY2, text_type
# marshal works better on 3.x, one hack less required
if not PY2:
marshal_dump = marshal.dump
marshal_load = marshal.load
else:
def marshal_dump(code, f):
if isinstance(f, file):
marshal.dump(code, f)
else:
f.write(marshal.dumps(code))
def marshal_load(f):
if isinstance(f, file):
return marshal.load(f)
return marshal.loads(f.read())
bc_version = 2
# magic version used to only change with new jinja versions. With 2.6
# we change this to also take Python version changes into account. The
# reason for this is that Python tends to segfault if fed earlier bytecode
# versions because someone thought it would be a good idea to reuse opcodes
# or make Python incompatible with earlier versions.
bc_magic = 'j2'.encode('ascii') + \
pickle.dumps(bc_version, 2) + \
pickle.dumps((sys.version_info[0] << 24) | sys.version_info[1])
[docs]class Bucket(object):
"""Buckets are used to store the bytecode for one template. It's created
and initialized by the bytecode cache and passed to the loading functions.
The buckets get an internal checksum from the cache assigned and use this
to automatically reject outdated cache material. Individual bytecode
cache subclasses don't have to care about cache invalidation.
"""
def __init__(self, environment, key, checksum):
self.environment = environment
self.key = key
self.checksum = checksum
self.reset()
[docs] def reset(self):
"""Resets the bucket (unloads the bytecode)."""
self.code = None
[docs] def load_bytecode(self, f):
"""Loads bytecode from a file or file like object."""
# make sure the magic header is correct
magic = f.read(len(bc_magic))
if magic != bc_magic:
self.reset()
return
# the source code of the file changed, we need to reload
checksum = pickle.load(f)
if self.checksum != checksum:
self.reset()
return
self.code = marshal_load(f)
[docs] def write_bytecode(self, f):
"""Dump the bytecode into the file or file like object passed."""
if self.code is None:
raise TypeError('can\'t write empty bucket')
f.write(bc_magic)
pickle.dump(self.checksum, f, 2)
marshal_dump(self.code, f)
[docs] def bytecode_from_string(self, string):
"""Load bytecode from a string."""
self.load_bytecode(BytesIO(string))
[docs] def bytecode_to_string(self):
"""Return the bytecode as string."""
out = BytesIO()
self.write_bytecode(out)
return out.getvalue()
class BytecodeCache(object):
"""To implement your own bytecode cache you have to subclass this class
and override :meth:`load_bytecode` and :meth:`dump_bytecode`. Both of
these methods are passed a :class:`~jinja2.bccache.Bucket`.
A very basic bytecode cache that saves the bytecode on the file system::
from os import path
class MyCache(BytecodeCache):
def __init__(self, directory):
self.directory = directory
def load_bytecode(self, bucket):
filename = path.join(self.directory, bucket.key)
if path.exists(filename):
with open(filename, 'rb') as f:
bucket.load_bytecode(f)
def dump_bytecode(self, bucket):
filename = path.join(self.directory, bucket.key)
with open(filename, 'wb') as f:
bucket.write_bytecode(f)
A more advanced version of a filesystem based bytecode cache is part of
Jinja2.
"""
def load_bytecode(self, bucket):
"""Subclasses have to override this method to load bytecode into a
bucket. If they are not able to find code in the cache for the
bucket, it must not do anything.
"""
raise NotImplementedError()
def dump_bytecode(self, bucket):
"""Subclasses have to override this method to write the bytecode
from a bucket back to the cache. If it unable to do so it must not
fail silently but raise an exception.
"""
raise NotImplementedError()
def clear(self):
"""Clears the cache. This method is not used by Jinja2 but should be
implemented to allow applications to clear the bytecode cache used
by a particular environment.
"""
def get_cache_key(self, name, filename=None):
"""Returns the unique hash key for this template name."""
hash = sha1(name.encode('utf-8'))
if filename is not None:
filename = '|' + filename
if isinstance(filename, text_type):
filename = filename.encode('utf-8')
hash.update(filename)
return hash.hexdigest()
def get_source_checksum(self, source):
"""Returns a checksum for the source."""
return sha1(source.encode('utf-8')).hexdigest()
def get_bucket(self, environment, name, filename, source):
"""Return a cache bucket for the given template. All arguments are
mandatory but filename may be `None`.
"""
key = self.get_cache_key(name, filename)
checksum = self.get_source_checksum(source)
bucket = Bucket(environment, key, checksum)
self.load_bytecode(bucket)
return bucket
def set_bucket(self, bucket):
"""Put the bucket into the cache."""
self.dump_bytecode(bucket)
class FileSystemBytecodeCache(BytecodeCache):
"""A bytecode cache that stores bytecode on the filesystem. It accepts
two arguments: The directory where the cache items are stored and a
pattern string that is used to build the filename.
If no directory is specified a default cache directory is selected. On
Windows the user's temp directory is used, on UNIX systems a directory
is created for the user in the system temp directory.
The pattern can be used to have multiple separate caches operate on the
same directory. The default pattern is ``'__jinja2_%s.cache'``. ``%s``
is replaced with the cache key.
>>> bcc = FileSystemBytecodeCache('/tmp/jinja_cache', '%s.cache')
This bytecode cache supports clearing of the cache using the clear method.
"""
def __init__(self, directory=None, pattern='__jinja2_%s.cache'):
if directory is None:
directory = self._get_default_cache_dir()
self.directory = directory
self.pattern = pattern
def _get_default_cache_dir(self):
tmpdir = tempfile.gettempdir()
# On windows the temporary directory is used specific unless
# explicitly forced otherwise. We can just use that.
if os.name == 'nt':
return tmpdir
if not hasattr(os, 'getuid'):
raise RuntimeError('Cannot determine safe temp directory. You '
'need to explicitly provide one.')
dirname = '_jinja2-cache-%d' % os.getuid()
actual_dir = os.path.join(tmpdir, dirname)
try:
os.mkdir(actual_dir, stat.S_IRWXU) # 0o700
except OSError as e:
if e.errno != errno.EEXIST:
raise
actual_dir_stat = os.lstat(actual_dir)
if actual_dir_stat.st_uid != os.getuid() \
or not stat.S_ISDIR(actual_dir_stat.st_mode) \
or stat.S_IMODE(actual_dir_stat.st_mode) != stat.S_IRWXU:
raise RuntimeError('Temporary directory \'%s\' has an incorrect '
'owner, permissions, or type.' % actual_dir)
return actual_dir
def _get_cache_filename(self, bucket):
return path.join(self.directory, self.pattern % bucket.key)
def load_bytecode(self, bucket):
f = open_if_exists(self._get_cache_filename(bucket), 'rb')
if f is not None:
try:
bucket.load_bytecode(f)
finally:
f.close()
def dump_bytecode(self, bucket):
f = open(self._get_cache_filename(bucket), 'wb')
try:
bucket.write_bytecode(f)
finally:
f.close()
def clear(self):
# imported lazily here because google app-engine doesn't support
# write access on the file system and the function does not exist
# normally.
from os import remove
files = fnmatch.filter(listdir(self.directory), self.pattern % '*')
for filename in files:
try:
remove(path.join(self.directory, filename))
except OSError:
pass
class MemcachedBytecodeCache(BytecodeCache):
"""This class implements a bytecode cache that uses a memcache cache for
storing the information. It does not enforce a specific memcache library
(tummy's memcache or cmemcache) but will accept any class that provides
the minimal interface required.
Libraries compatible with this class:
- `werkzeug <http://werkzeug.pocoo.org/>`_.contrib.cache
- `python-memcached <http://www.tummy.com/Community/software/python-memcached/>`_
- `cmemcache <http://gijsbert.org/cmemcache/>`_
(Unfortunately the django cache interface is not compatible because it
does not support storing binary data, only unicode. You can however pass
the underlying cache client to the bytecode cache which is available
as `django.core.cache.cache._client`.)
The minimal interface for the client passed to the constructor is this:
.. class:: MinimalClientInterface
.. method:: set(key, value[, timeout])
Stores the bytecode in the cache. `value` is a string and
`timeout` the timeout of the key. If timeout is not provided
a default timeout or no timeout should be assumed, if it's
provided it's an integer with the number of seconds the cache
item should exist.
.. method:: get(key)
Returns the value for the cache key. If the item does not
exist in the cache the return value must be `None`.
The other arguments to the constructor are the prefix for all keys that
is added before the actual cache key and the timeout for the bytecode in
the cache system. We recommend a high (or no) timeout.
This bytecode cache does not support clearing of used items in the cache.
The clear method is a no-operation function.
.. versionadded:: 2.7
Added support for ignoring memcache errors through the
`ignore_memcache_errors` parameter.
"""
def __init__(self, client, prefix='jinja2/bytecode/', timeout=None,
ignore_memcache_errors=True):
self.client = client
self.prefix = prefix
self.timeout = timeout
self.ignore_memcache_errors = ignore_memcache_errors
def load_bytecode(self, bucket):
try:
code = self.client.get(self.prefix + bucket.key)
except Exception:
if not self.ignore_memcache_errors:
raise
code = None
if code is not None:
bucket.bytecode_from_string(code)
def dump_bytecode(self, bucket):
args = (self.prefix + bucket.key, bucket.bytecode_to_string())
if self.timeout is not None:
args += (self.timeout,)
try:
self.client.set(*args)
except Exception:
if not self.ignore_memcache_errors:
raise


public class Trade
extends java.lang.Object
| Constructor and Description |
|---|
Trade(java.lang.String OwnerName,
java.lang.String BorrowerName,
Inventory OwnerItems,
Inventory BorrowerItems)
Creates a new trade between two people
|
| Modifier and Type | Method and Description |
|---|---|
boolean |
equals(java.lang.Object trade)
Sets the values the user wants in the trade
.equals Override
|
Inventory |
getBorrowerItems()
Sets the borrower items
|
java.lang.String |
getBorrowerName()
Gets the borrower name
|
java.util.Date |
getDateTransaction()
Gets the date of transaction
|
Inventory |
getOwnerItems()
Gets the owner items
|
java.lang.String |
getOwnername()
Gets the owner name
|
void |
setBorrowerItems(Inventory borrowerItems)
Set borrower items
|
void |
setBorrowerName(java.lang.String borrowerName)
Sets the borrower name
|
void |
setDateTransaction(java.util.Date dateTransaction)
Sets date of transaction
|
void |
setOwnerItems(Inventory ownerItems)
Sets the owner items
|
void |
setOwnername(java.lang.String ownername)
Sets the owner name
|
public Trade(java.lang.String OwnerName, java.lang.String BorrowerName, Inventory OwnerItems, Inventory BorrowerItems)
OwnerName
- The name of the InitiatorBorrowerName
- The name of the ReceiverOwnerItems
- The Initiators items that are being offeredBorrowerItems
- The Receivers items that the Initiator wantsDateFormatException
- This occurs when an improper date is given and can't be parsedpublic java.lang.String getOwnername()
public void setOwnername(java.lang.String ownername)
ownername
- public java.lang.String getBorrowerName()
public void setBorrowerName(java.lang.String borrowerName)
borrowerName
- public Inventory getOwnerItems()
public void setOwnerItems(Inventory ownerItems)
ownerItems
- public Inventory getBorrowerItems()
public void setBorrowerItems(Inventory borrowerItems)
borrowerItems
- public java.util.Date getDateTransaction()
public void setDateTransaction(java.util.Date dateTransaction)
dateTransaction
- public boolean equals(java.lang.Object trade)
equals
in class java.lang.Object
trade
- the trade that the user wants to createDateFormatException
- This occurs when an improper date is given and can't be parsed


It has been three years since the Clone Wars began. Jedi Master Obi-Wan Kenobi (Ewan McGregor) and Jedi Knight Anakin Skywalker (Hayden Christensen) rescue Chancellor Palpatine (Ian McDiarmid) from General Grievous, the commander of the droid armies, but Grievous escapes. Suspicions are raised within the Jedi Council concerning Chancellor Palpatine, with whom Anakin has formed a bond. Asked to spy on the chancellor, and full of bitterness toward the Jedi Council, Anakin embraces the Dark Side.
Becasue it's good
IMDB profile <<<<<<< HEAD ======= >>>>>>> upstream/master


Greetings!!
It's a very exciting time for me right now. I'm making
quite a career change. I've been a nurse for over a decade
you see, so I've come to learn and appreciate just how unique
and resiliant every life is. It's time for me to grow in
my profession as I step away from floor nursing and move towards a more tailored client
experience.
I'm originally from SE Asia, and my dream is to help brige the gap
between Eastern and Western philosophies and practises towards health.
I believe that there's a lot we can learn from one another. On that note,
I love to travel and discover! Whether it's traveling the world with my
husband or just walks with my puppers- I have a hard time sitting still.
I also enjoy hopping on Steam when time allows, pinball, hiking, stainedglass and
so much more! I would love an opportunity to tell you more about be and hopefully
learn about you as well.
Cheery Goodybye!


forked from Adam Morse's gradients project.
Get the CodeI'm a huge fan of Adam Morse's gradients library, but sometimes I want to use gradients on my text and not the background, so I forked Adam's code, added 2 lines of CSS, and made this
bg-
prefix to a -text
suffix. .aqua-gradient-text
.blue-gradient-text
.navy-gradient-text
.teal-gradient-text
.green-gradient-text
.lime-gradient-text
.yellow-gradient-text
.orange-gradient-text
.red-gradient-text
.fuchsia-gradient-text
.purple-gradient-text
.maroon-gradient-text


|
Rwky Redis
2012042700
A simple php redis library
|
The main redis class, use this to access redis. More...
Public Member Functions | |
| __construct () | |
| __call ($name, $args) | |
| bypassPipe () | |
| Bypasses all pipes. | |
| close () | |
| closes the connection | |
| cmd ($name, $args=array()) | |
| config ($key, $value=null) | |
| drain ($name=null) | |
| End pipelining, send commands and get response. | |
| emptyPipe ($name=null) | |
| Discards a pipe. | |
| err ($message, $severity, $line, $previous_exception=null) | |
| logDebug ($message) | |
| Logs debug message if debugging enabled. | |
| logErr ($message) | |
| pipe ($name=null) | |
| Starts pipelining. | |
| raw ($enable=false) | |
Data Fields | |
| $errors = array() | |
| $protocol | |
| const | ERROR = 1 |
| const | VERSION =<PHONE_NUMBER> |
| const | WARNING = 2 |
Protected Attributes | |
| $_buffer = array() | |
| $_config | |
| $_currentPipe = null | |
| $_debugID | |
| $_raw = false | |
Static Private Attributes | |
| static | $_debugOverwritten = false |
The main redis class, use this to access redis.
Definition at line 11 of file rwky-redis.php.
| __construct | ( | ) |
*Constructor method, sets the unique debugID and creates a Protocol object
Definition at line 74 of file rwky-redis.php.
{
$this->_debugID=uniqid();
$this->protocol=new Protocol($this);
}
| __call | ( | $ | name, |
| $ | args | ||
| ) |
*magic method to call cmd, simple version of calling redis functions i.e $redis->get("key") === $redis->cmd("get",array("key")) *Slightly slower than directly calling cmd but not much, check the benchmarks to see
| string | $name | the name of the function to call |
| array | $args | the arguments to pass |
Definition at line 166 of file rwky-redis.php.
References Redis\cmd().
{ return $this->cmd($name,$args); }
| bypassPipe | ( | ) |
Bypasses all pipes.
*Bypasses all pipes running a command directly, pass the same arguments as you would to Redis::__call()
Definition at line 279 of file rwky-redis.php.
References Redis\$_currentPipe, and Redis\cmd().
{ $p=$this->_currentPipe; $this->_currentPipe=null; $args=func_get_args(); $f=array_shift($args); $r=$this->cmd($f,$args); $this->_currentPipe=$p; return $r; }
| close | ( | ) |
closes the connection
*Closes the connection, connection can be restablished by running another query
Definition at line 297 of file rwky-redis.php.
{
$this->protocol->close();
return $this;
}
| cmd | ( | $ | name, |
| $ | args = array() |
||
| ) |
*Run a redis command
| string | $name | the name of the function to call |
| array | $args | the arguments to pass |
Definition at line 177 of file rwky-redis.php.
References Redis\$_currentPipe.
Referenced by Redis\__call(), and Redis\bypassPipe().
{ array_unshift($args,$name); $request=$this->protocol->request($args,!is_null($this->_currentPipe)); if(!is_null($this->_currentPipe)) { $this->_buffer[$this->_currentPipe][]=$request; return $this; } return $this->protocol->response($this->_raw); }
| config | ( | $ | key, |
| $ | value = null |
||
| ) |
*Gets/sets config values, if only one argument is passed then it gets the value, if two arguments are passed then it sets the value
| string | $key | the key to set/get |
| mixed | $value | the value to set $key to |
Definition at line 86 of file rwky-redis.php.
Referenced by Redis\err(), Redis\logDebug(), and Redis\logErr().
{ $r=isset($this->_config[$key]) ? $this->_config[$key] : null; if(func_num_args()==2) $this->_config[$key]=$value; return $r; }
| drain | ( | $ | name = null | ) |
End pipelining, send commands and get response.
*Drains a pipe, if no pipe exists then it throw an error, if $name is null then it opens the newest pipe else it opens the named pipe.
| null | string | int | $name | null drains newest pipe, string|int drains named pipe |
Definition at line 224 of file rwky-redis.php.
References Redis\err().
{ if(is_null($this->_currentPipe)) $this->err("Cannot drain when no pipe exists",self::ERROR,__LINE__); if(!is_null($name)) { $buffer=$this->_buffer[$name]; unset($this->_buffer[$name]); } else { $buffer=array_pop($this->_buffer); } $this->protocol->pipeRequest(implode("",$buffer)); $response=$this->protocol->pipeResponse(count($buffer),$this->_raw); if(empty($this->_buffer)) $this->_currentPipe=null; else { end($this->_buffer); $this->_currentPipe=key($this->_buffer); } return $response; }
| emptyPipe | ( | $ | name = null | ) |
Discards a pipe.
*Discards all contents of a pipe if $name is null it discards the newest pipe otherwise it discards the named pipe
| null | int | string | $name | null empties last pipe, string|int empties named pipe |
Definition at line 254 of file rwky-redis.php.
{ if(is_null($name)) { end($this->_buffer); $name=key($this->_buffer); } unset($this->_buffer[$name]); if(empty($this->_buffer)) $this->_currentPipe=null; else { end($this->_buffer); $this->_currentPipe=key($this->_buffer); } return $this; }
| err | ( | $ | message, |
| $ | severity, | ||
| $ | line, | ||
| $ | previous_exception = null |
||
| ) |
*Acts on an error, logs to error log if Config ERROR_REPORTING >= $severity
| string | $message | the error message |
| int | $severity | either self::ERROR or self::WARNING |
| int | $line | LINE passed from method call |
| Exception | $previous_exception | any previous exceptions or null |
| RedisException | if $severity == self::ERROR then exception is thrown |
Definition at line 102 of file rwky-redis.php.
References Redis\config(), and Redis\logErr().
Referenced by Redis\drain(), Redis\logDebug(), and Redis\logErr().
| logDebug | ( | $ | message | ) |
Logs debug message if debugging enabled.
*If Redis::config("DEBUG_OVERWRITE") is true then the debug log is overwritten
| string | $message | the message to log |
Definition at line 118 of file rwky-redis.php.
References Redis\config(), and Redis\err().
{ if(!$this->config("DEBUG_LOG")) return; try { if($this->config("DEBUG_OVERWRITE") and !self::$_debugOverwritten) { $flags=0; self::$_debugOverwritten=true; } else { $flags=FILE_APPEND; } file_put_contents($this->config("DEBUG_LOG"),"---".date("c").PHP_EOL.$this->_debugID.PHP_EOL.$message.PHP_EOL."---".PHP_EOL,$flags); } catch(\Exception $e) { $this->err("Unable to write to debug file",self::WARNING,__LINE__,$e); } }
| logErr | ( | $ | message | ) |
*Logs an error message if error logging is enabled
| string | $message | message to log |
Definition at line 144 of file rwky-redis.php.
References Redis\config(), and Redis\err().
Referenced by Redis\err().
| pipe | ( | $ | name = null | ) |
Starts pipelining.
*Start pipelining a very good idea for multiple commands, tends to be 30% faster than sending commands separately *You can have multiple pipes, every call to pipe opens a new pipe or returns the named pipe, if $name is not null then the pipe is named for easy reference
| string | int | null | $name | null opens the next incremental pipe, string|int opens named pipe |
Definition at line 208 of file rwky-redis.php.
{ if(is_null($name)) $name=count($this->_buffer); if(!isset($this->_buffer[$name])) $this->_buffer[$name]=array(); $this->_currentPipe=$name; return $this; }
| raw | ( | $ | enable = false | ) |
*enables/disables raw responses
| bool | $enable | set $this->_raw to $enable |
Definition at line 194 of file rwky-redis.php.
{
$this->_raw=$enable;
return $this;
}
$_buffer = array() [protected] |
*A buffer of commands to run used for pipelining
Definition at line 38 of file rwky-redis.php.
$_config [protected] |
array( "HOST"=>"<IP_ADDRESS>", "PORT"=>6379, "ON_REDIS_ERROR"=>Redis::WARNING, "ERROR_LOG"=>"./error.log", "ERROR_REPORTING"=>Redis::WARNING, "ON_EXCEPTION"=>"", "ON_EXCEPTION_FILE"=>"", "STREAM_TIMEOUT"=>3600, "CONNECTION_TIMEOUT"=>3, )
*The stores configuration information
Definition at line 46 of file rwky-redis.php.
$_currentPipe = null [protected] |
*The current pipe in use, null if no pipe
Definition at line 42 of file rwky-redis.php.
Referenced by Redis\bypassPipe(), and Redis\cmd().
$_debugID [protected] |
*A unique id used for determining which redis object wrote a message to the debug log
Definition at line 70 of file rwky-redis.php.
$_debugOverwritten = false [static, private] |
*Stores if the debug log has been overwritten
Definition at line 66 of file rwky-redis.php.
$_raw = false [protected] |
*If true return raw redis responses else format them
Definition at line 62 of file rwky-redis.php.
| $errors = array() |
*an array of errors that have occurred
Definition at line 30 of file rwky-redis.php.
| $protocol |
*The Protocol object
Definition at line 34 of file rwky-redis.php.
| const ERROR = 1 |
*Redis Errors, these should kill the script
Definition at line 21 of file rwky-redis.php.
Referenced by Protocol\_read(), Protocol\_readLine(), Protocol\_write(), Protocol\connect(), and Protocol\response().
| const VERSION =<PHONE_NUMBER> |
*The version of the library
Definition at line 16 of file rwky-redis.php.
| const WARNING = 2 |
*Redis warnings, these should be logged and may kill the script if you desire
Definition at line 25 of file rwky-redis.php.


This is a time-based access control demo. Access is granted for the first 30 seconds of each minute (1-30); subsequently, access is denied for the final 30 seconds of each minute (31-60).
Time-based access control can be useful for providing scheduled down-time or maintenance windows. Or for crazy things like limiting a user's session for a set period of time, then pulling the plugin on them. Crazy!
To replace this page, edit 'src/main/webapp/index.xhtml', or keep Forging!


--- layout: default title: Science Communication description: Knowledge not shared is wasted permalink: '/scicomm' --- {{ page.description }} {%- if site.data.clients.enable -%} {%- assign clients = site.data.clients -%} {{ clients.title }} {%- for logo in clients.client_logos -%} {%- endfor -%} {%- assign clients = nill -%} {%- endif -%} Visual Artificial Intelligence: The Good, The Bad, and The Ugly | Technically Divided AI, Neuroscience and Continual Learning | Dapper Data AI in Neuroscience: Drawing Inspiration From the Brain | Your AI Injection AI & Neuroscience | Voluntary Input Audio Can Machines Think? | The High Low Podcast An Interview with Some of the Authors | The Smell Podcast AI | From Nowhere to Nothing Podcast bridge between two worlds | Beautiful Bastards Podcast


A yellow bird amongst flowers.
Took a photograph of birds flying around the sky this near my home this morning.
A perfect kind of day is sitting on the table having a cup of coffee and journaling about birds.
Made some papercranes and hung them near my bedroom window! What do you think?
Andd we're done! My team and I worked on this for weeks! Thankyou everyone in Bird Enchanted for your supports (':
My little sketches of different kinds of birds!
Flamingos are one of my favourites! Their colours are absolutely my taste.
My little portrait of a bird looks great along the window side!
Found this photo around the internet and edited a little bit of it. This photo makes me feel so christmassy.
The perfect timing, hello buddy.

Took this in my visit to a garden. I love how it turned out (:
I just absolutely love this photo!
Going out and about to sight see birds!
My nephew has gotten braver! Wanted to share this with everyone.


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Blake Nissen
8/31/18
Connor Brown (redshirt senior)
Ryan Luehrman (redshirt sophomore), Noah Hoffman (sophomore), Adam Luehrman (redshirt sophomore), Chandler Dietz (redshirt freshman).
Hoffman (transfer from Fullerton College), Alec Burton (freshman), Mason Bernhardt (freshman), Dante Ruozzo (freshman).
Perhaps this speaks to the juggernaut that is the Ohio offense, but tight end might be the team’s weakest position on this side of the ball.
In the Frank Solich playbook, a tight end is a position that can solidify his offense. They are an extra body as a blocker, which he likes to use in two-end set. There usually isn’t a true standout at tight end on the roster. It's a position that helps the passing game; it's not a necessity.
Last year, the Bobcats didn’t struggle to put points on the board — averaging 39.06 points per game — in large part to the play of tight ends Troy Mangen and Mason Morgan. Both are gone now due to graduation; Mangen plays for the Atlanta Falcons.
The two combined for 219 yards and four touchdowns on just 18 receptions. That’s the most touchdowns scored by Ohio tight ends since 2012, when Jordan Thompson and Troy Hill combined for four, too.
“At tight end, we’re going to miss our two seniors,” offensive coordinator Tim Albin said at the Bobcats’ media day. “Connor Brown has kind of played in their shadows. He had a good offseason and was bothered back a back injury but he's tough and is our kind of guy.”
So, the question is, will Brown and company be able to fill the shoes left vacant by Mangen and Morgan?
Brown has played 10 career games but has caught just one pass for seven yards back in 2016. He’s best suited to be a lead blocker for a running back in the two-end set. He won’t provide a spark in the passing game, but he will be on the field for most running situations and will make an impact.
Blake Nissen | FILE
Ohio quarterback Nathan Rourke (left, #12) leads the Bobcats off the field during their game against Central Michigan on Oct. 7.
Throughout camp, Noah Hoffman seemed like the most passing game savvy of the bunch. He caught multiple balls running up the middle of the field and seems to have a knack for getting past linebackers and the size for knocking over cornerbacks. It’s his first season with Ohio — he’s a recent junior college transfer product. If there’s a guy who can be a go-to receiver, Hoffman will likely be the one Rourke can look for on third down inside the red zone.
Ryan Luehrman grew up watching the Bobcats play on Saturdays. An Athens native, he’s one of the vocal leaders inside the tight end room and the one who has more on the line when it comes to a Mid-American Conference title. He remembers watching the losses in Detroit as a kid and experienced one as a freshman in college. If there’s a hybrid between Brown and Hoffman, it’s Luehrman. He’s played in just four career games, but that will jump this year. He grew up as a Bobcat, and that should be obvious on the field this season.
Ryan’s identical twin, Adam, and Chandler Dietz will round out the five-man rotation that will play at tight end. Adam and Dietz will likely be used sparsely but should be effective substitutes.
Brown and Ryan Luehrman replace Mangen and Morgan in the two-end set Solich loves. There isn’t any seasonable learning curve, as the Bobcats’ rushing attack seems primed to pick up where it left off. Hoffman assimilates well in his first season and can become the first true tight end in years who grows into an offensive weapon.
Brown doesn’t stay healthy as old injuries pop back up. Ryan Luehrman still has a positive season, but it shows that Hoffman isn’t made to be a blocking tight end. It forces Adam Luehrman or Dietz to step up, but neither winds up being ready for the job.
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Tamarin is installed much like most Django apps.
You may install Tamarin via the easy_install or pip:
easy_install tamarin
or:
pip install tamarin
Note
If you don’t have access to pip, you may download a tarball/zip, from our GitHub project and install via the enclosed setup.py.
You’ll then want to add tamarin to your INSTALLED_APPS:
INSTALLED_APPS = (
...
'tamarin',
)
After this, if you are using South:
./manage.py migrate
If you are not using South, you’ll want to:
./manage syncdb
The module that actually does the pulling of your S3 access logs is called the log puller. There are currently two different ways to retrieve access logs automatically:
If you are already using celery, you should be all set. You can adjust the interval at which logs are pulled using the TAMARIN_CELERY_PULL_PARSE_INTERVAL setting in settings.py. This is an integer value (in minutes) for how often to check S3 for new logs.
If you don’t have/want celery, you may set up a cron entry to run something like the following:
./manage.py tamarin_pull_logs
Before progressing any further, take a moment to set up bucket logging for one or more of your buckets. You may point more than one bucket at the same log bucket, but log buckets must only contain log files.
If you need details on how to do this, check out S3’s bucket logging documentation.
Warning
If any files other than S3 access logs make their way into one of your log buckets, you will see errors, and the log puller will most likely not function.
At this point, you should have installed Tamarin and configured your choice of puller (celery or Django management command).
Log into your admin site, navigate to the Tamarin section. Add a ‘S3 logged bucket’.
Tip
The name field is the bucket that the media resides in, not the name of its log bucket.
The Monitor bucket checkbox should default to being checked, but make sure it is if you want this bucket to be pulled/parsed.
Once a bucket is added, your puller should take care of the rest. Note that if you have a large backlog of logs to pull, this might take a good long while, and may take multiple calls to the puller.
For an overview of what models and fields are available for querying, see the Model reference page.


--- layout: post title: Shinto and ubicomp date: 2007-04-30 00:00:00 categories: interfaces-&-interaction mobile ---
A lovely genre-spanning post from the Keitai-L list on a possible relationship between animism and an acceptance of ubiquitous computing in Japanese culture. Unfortunately this post hasn't made it into the archives of the list yet, so here it is in full; it's from Robert Osazuwa Ness:
"Shintoism's concept of place and things and implications to applications of ubicomp and location-based mobile technology.Shinto involves the worship of kami (神), or gods. According to
Wikipedia,
"Some kami are local and can be regarded as the spirit or genius of a
particular place, but other ones represent major natural objects and
processes". This is a cultural and religious contribution to the
conversation on the relationship between the virtual world and the
real.
Kami can be defined as virtual objects because they cannot be
perceived
through the naked senses, but are nonetheless we perceive them
mentally and
they have specific qualities in our imaginations. A kami is a body of
virtual qualities ascribed to a physical object or place.Locational and object-based characteristics of Shintoism originated in
shamanic beliefs brought from the Continent (China) and the Korean
peninsula. At first this was worship of kami who inhabited things.
Ceremonies were held outside before iwakuras, a small space or
alter made
of stones. After the arrival of Buddhism, the idea of building
"houses"
for kami arose and shrines were built.The development of Shintoism has been intertwined with Chinese
Buddhism as
well as other Chinese philosophies, and is generally part of the
Chinese-born idea of a monist nature of existence (天人合一, man
and nature are
one) that has influenced many belief systems in East Asia (though
it should
be point out that this way of thinking has largely been lost in
present day
China).The most interestingly theme in Shintoism is reverence for nature and
natural beauty. Thus kami are ascribed to objects and places that are
striking in their natural beauty. More interestingly, Wikipedia
quotes, "As
time went by, the original nature-worshipping roots of the
religion, while
never lost entirely, became attenuated and the kami took on more
reified and
anthropomorphic forms, with a formidable corpus of myth attached to
them."
I feel this implies that kami could easily be perceived in urban
settings,
especially with high-tech themes. Moreover, the reification,
anthropomorphism, and myth have direct implications to digital
installation,
and story-based events such as urban gaming.Modern day Shinto is better viewed as a cultural mindset than as a
religion. In other words, it is an implicit factor affecting
behavior,
rather than an explicit set of goals (such as do something so you
can get to
Heaven and avoid Hell). This is highlighted in the fact that
expressed
belief in Shinto as a dogmatic religion has declined since the War
while use
of Shinto artifacts, participation in ceremonies, and other Shinto
practices
have remained popular.The implication here is a unique cultural openness of the Japanese to
growing Ubicomp applications. The kami represent a cultural
precedent for
ascribing virtual qualities to real objects. The fact that
Shintoism is a
way of thinking rather than a dogmatic religion has the potential for
innovating on Shinto concepts in the design of Ubicomp and location-
based
applications without fear of treading on the sacred (although
sensitivity
and respect are still required).
"