An Anchor
models the notion of where on an element a Connector
should connect - it defines the location of an Endpoint
. There are four main types of Anchors:
jsPlumb has nine default anchor locations you can use to specify where the Connectors connect to elements: these are the four corners of an element, the center of the element, and the midpoint of each edge of the element:
Top
(also aliased as TopCenter
)TopRight
Right
(also aliased as RightMiddle
)BottomRight
Bottom
(also aliased as BottomCenter
)BottomLeft
Left
(also aliased as LeftMiddle
)TopLeft
Center
Each of these string representations is just a wrapper around the underlying array-based syntax [x, y, dx, dy]
, where x
and y
are coordinates in the interval [0,1]
specifying the position of the anchor, and dx
and dy
,which specify the orientation of the curve incident to the anchor, can have a value of 0, 1 or -1. For example, [0, 0.5, -1, 0]
defines a Left
anchor with a connector curve that emanates leftward from the anchor. Similarly, [0.5, 0, 0, -1]
defines a Top
anchor with a connector curve emanating upwards.
jsPlumb.connect({...., anchor:"Bottom", ... });
is identical to:
jsPlumb.connect({...., anchor:[ 0.5, 1, 0, 1 ], ... });
In addition to supplying the location and orientation of an anchor, you can optionally supply two more parameters that define an offset in pixels from the given location. Here's the anchor specified above, but with a 50 pixel offset below the element in the y axis:
jsPlumb.connect({...., anchor:[ 0.5, 1, 0, 1, 0, 50 ], ... });
These are Anchors that can be positioned in one of a number of locations, choosing the one that is most appropriate each time something moves or is painted in the UI.
There is no special syntax for creating a Dynamic Anchor; you just provide an array of individual Static Anchor specifications, eg:
var dynamicAnchors = [ [ 0.2, 0, 0, -1 ], [ 1, 0.2, 1, 0 ],
[ 0.8, 1, 0, 1 ], [ 0, 0.8, -1, 0 ] ];
jsPlumb.connect({...., anchor:dynamicAnchors, ... });
Note that you can mix the types of these individual Static Anchor specifications:
var dynamicAnchors = [ [ 0.2, 0, 0, -1 ], [ 1, 0.2, 1, 0 ],
"Top", "Bottom" ];
jsPlumb.connect({...., anchor:dynamicAnchors, ... });
jsPlumb provides a dynamic anchor called AutoDefault
that chooses from Top
, Right
, Bottom
and Left
:
jsPlumb.connect({...., anchor:"AutoDefault", ... });
The algorithm that decides which location to choose just calculates which location is closest to the center of the other element in the Connection. It is possible that future versions of jsPlumb could support more sophisticated choice algorithms, if the need arose.
Dynamic Anchors and Draggable Connections can interoperate: jsPlumb locks the position of a dynamic anchor when you start to drag a connection from it, and unlocks it once the connection is either established or abandoned. At that point you may see the position of the dynamic anchor change, as jsPlumb optimises the connection.
You can see this behaviour in the draggable connections demonstration, when you drag a connection from the blue endpoint on window 1 to the blue endpoint on window 3 - the connection is established and then window 1's blue endpoint jumps down to a location that is closer to window 3.
These are a form of Dynamic Anchor in which the anchor locations are chosen from the perimeter of some given shape. jsPlumb supports six shapes:
Circle
Ellipse
Triangle
Diamond
Rectangle
Square
Rectangle
and Square
, are not, strictly speaking, necessary, since rectangular shapes are the norm in a web page. But they are included for completeness.
jsPlumb.addEndpoint("someElement", {
endpoint:"Dot",
anchor:[ "Perimeter", { shape:"Circle" } ]
});
In this example our anchor will travel around the path inscribed by a circle whose diameter is the width and height of the underlying element.
Note that the Circle
shape is therefore identical to Ellipse
, since it is assumed the underlying element will have equal width and height, and if it does not, you will get an ellipse. Rectangle
and Square
have the same relationship.
By default, jsPlumb approximates the perimeter with 60 anchor locations. You can change this, though:
jsPlumb.addEndpoint("someDiv", {
endpoint:"Dot",
anchor:[ "Perimeter", { shape:"Square", anchorCount:150 }]
});
Obviously, the more points the smoother the operation. But also the more work your browser has to do.
Here's a triangle and diamond example, just for completeness:
jsPlumb.connect({
source:"someDiv",
target:"someOtherDiv",
endpoint:"Dot",
anchors:[
[ "Perimeter", { shape:"Triangle" } ],
[ "Perimeter", { shape:"Diamond" } ]
]
});
You can supply a rotation
value to a Perimeter anchor - an example can be seen in this demonstration. Here's how you would use it:
jsPlumb.connect({
source:"someDiv",
target:"someOtherDiv",
endpoint:"Dot",
anchors:[
[ "Perimeter", { shape:"Triangle", rotation:25 } ],
[ "Perimeter", { shape:"Triangle", rotation:-335 } ]
]
});
Note that the value must be supplied in degrees, not radians, and the number may be either positive or negative. In the example above, both triangles are of course rotated by the same amount.
As discussed above, these are anchors whose positions are calculated by jsPlumb according to the orientation between elements in a Connection, and also how many other Continuous anchors happen to be sharing the element. You specify that you want to use Continuous anchors using the string syntax you would use to specify one of the default Static Anchors, for example:
jsPlumb.connect({
source:someDiv,
target:someOtherDiv,
anchor:"Continuous"
});
Note in this example I specified only "anchor", rather than "anchors" - jsPlumb will use the same spec for both anchors. But I could have said this:
jsPlumb.connect({
source:someDiv,
target:someOtherDiv,
anchors:["Bottom", "Continuous"]
});
...which would have resulted in the source element having a Static Anchor at BottomCenter
. In practise, though, it seems the Continuous Anchors work best if both elements in a Connection are using them.
Note also that Continuous Anchors can be specified on addEndpoint
calls:
jsPlumb.addEndpoint(someDiv, {
anchor:"Continuous",
paintStyle:{ fill:"red" }
});
...and in makeSource
/ makeTarget
:
jsPlumb.makeSource(someDiv, {
anchor:"Continuous",
paintStyle:{ fill:"red" }
});
jsPlumb.makeTarget(someDiv, {
anchor:"Continuous",
paintStyle:{ fill:"red" }
});
... and in the jsPlumb defaults:
jsPlumb.Defaults.Anchor = "Continuous";
By default, a Continuous anchor will choose points from all four faces of the element on which it resides. You can control this behaviour, though, with the faces
parameter on the anchor spec:
jsPlumb.makeSource(someDiv, {
anchor:["Continuous", { faces:[ "top", "left" ] } ]
});
Allowed values are:
- top
- left
- right
- bottom
If you provide an empty array for the faces
parameter, jsPlumb will default to using all four faces.
The array syntax discussed above supports an optional 7th value, which is a string that represents a CSS class. This CSS class is then associated with the Anchor, and applied to the Anchor's Endpoint and Element whenever the Anchor is selected.
A Static Anchor is of course always "selected", but a Dynamic Anchor cycles through a number of different locations, and each of these may have a different CSS class associated with it.
The CSS class that gets written to the Endpoint and Element is prefixed with the associated jsPlumb instance's endpointAnchorClass
prefix, which defaults to:
jtk-endpoint-anchor-
So if you had the following, for example:
var ep = jsPlumb.addEndpoint("someDiv", {
anchor:[0.5, 0, 0, -1, 0, 0, "top" ]
};
Then the Endpoint created by jsPlumb and also the element someDiv
would have this class assigned to them:
jtk-endpoint-anchor-top
An example using Dynamic Anchors:
var ep = jsPlumb.addEndpoint("someDiv", {
anchor:[
[ 0.5, 0, 0, -1, 0, 0, "top" ],
[ 1, 0.5, 1, 0, 0, 0, "right" ]
[ 0.5, 1, 0, 1, 0, 0, "bottom" ]
[ 0, 0.5, -1, 0, 0, 0, "left" ]
]
});
Here, the class assigned to Endpoint and Element would cycle through these values as the anchor location changes:
jtk-endpoint-anchor-top
jtk-endpoint-anchor-right
jtk-endpoint-anchor-left
jtk-endpoint-anchor-bottom
Note that if you supply a class name that consists of more than one term, jsPlumb will not prepend the prefix to each term in the class:
var ep = jsPlumb.addEndpoint("someDiv", {
anchor:[ 0.5, 0, 0, -1, 0, 0, "foo bar" ]
});
would result in 2 classes being added to the Endpoint and Element:
jtk-endpoint-anchor-foo
and
bar
The prefix used with anchor classes is stored as the jsPlumb member endpointAnchorClass
. You can change this to whatever you like on some instance of jsPlumb:
jsPlumb.endpointAnchorClass = "anchor_";
or maybe
var jp = jsPlumb.getInstance();
jp.endpointAnchorClass = "anchor_";


Atomic Host
Atomic Host (AH) is a container-based operating system that allows for secure updates and rollbacks. It provides immutable infrastructure for deploying to hundreds or thousands of servers in your private or public cloud. Available in Fedora Atomic Host, CentOS Atomic Host, and Red Hat Atomic Host editions depending on your platform and support needs.
To balance the need between long-term stability and new features, we are providing different releases of Atomic Host for you to choose from.
Atomic Workstation
Fedora Atomic Workstation (FAW) is the desktop version of Atomic Host - if you need a container-based operating system (OS) that will give you atomic rollbacks, you're in the right place. Immutable infrastructure for your desktop experience - if you want to know, what all this means, head to the documentation. Fedora Atomic Workstation is still heavily in development with only few external users.
This project is actively maintained and is ready for use by sophisticated and interested users, but not ready for widespread promotion.
Container Tools
Tools from our team help you create, deploy, manage, and secure containers.
Compose applications with Kompose
Pull and move images with Skopeo
Deploy using Kubernetes and CRI-O
Manage container hosts with Cockpit
Container Registries
You can get your containerized applications from the CentOS Container Pipeline and the Fedora Layered Image Build Service
Trusted container content from the projects you already trust.


The Presidential Cheatsheet
Home
About
Programmeerproject van Daan Molleman, studentnummer: 11275820
Sources:
The American Presidency Project
House of Representatives Archives
Wikipedia
Historynet
History


Event log tuning (4738 "a user account was changed" filtered by properties)
Metadata remnants from the domain controller replication can grant clues
Specifically when an attribute was modified, from what controller
SACLs contain ACEs that "specify types of access attempts that generate audit records in the security event log of a DC"
Don't have to SACL every success/failure action on every object type and property


|
Colonel Rich- Please call Lance. Nate the former State Leader told me that he had informed Lance of some thing that happenned to him yesterday....Bob You need only reflect that one of the best ways to get yourself a reputation as a dangerous citizen these days is to go about repeating the very phrases which our founding fathers used in the struggle for independence." Charles Austin Beard Get the power of Windows + Web with the new Windows Live. Power up! |


A leaflet demo
Currently shows intermediate schools (and full primary schools
since they can take intermediate aged kids), and high schools.
Added in school zones and bus info
Todo: Rates, then ideally some heat maps on good places to live.
Maps: Christchurch and Wellington


abs - 2:00
efg - 3:30
utc - 0:00
jki - 2:10
WhiteList
BlackList
Show List
AmPm to 24:00
Ignore
24:00 to AmPm
Edit the Time Zones
Abreviation
Time Diff (minutes)
Advanced
24:00 RegEx
The RegEx
The Group Index for the hours
The Group Index for the minutes
AmPm RegEx
The RegEx
Hours Group Index
Minutes Group Index
AM/PM Group Index
TimeZone RegEx
The RegEx
Hours Group Index
Minutes Group Index
Time Zone Group Index
Output Formatting
The 24:00 output {0}:hours {1}:minutes
The AmPm output {0}:hours {1}:minutes {2}:AmPm
The Time Zone output {0}:hours {1}:minutes {2}:zone


Couple marry aboard plane halfway between Australia, New Zealand
by Ben HooperNov. 21 (UPI) -- A New Zealand woman and an Australian man celebrated their home countries and love of aviation by marrying in the air halfway between their home countries.
New Zealander Cathy Valliant and Australian David Valliant took Jetstar Flight 201 from Sydney to Auckland and exchanged vows at 37,000 feet when they hit the halfway point between the two countries.
The ceremony was officiated by a Jetstar ground crew member.
The couple said airplanes have always been a big part of their relationship -- they met in 2011 as players of the Airport City computer game and first met in person at the Sydney airport two years later.
A Jetstar representative told CNN "all customers [who had been booked on the flight] received an email beforehand saying there was going to be filming."
The customers were allowed to change flights without extra charge if they did not want to be on camera.
(0) Leave a comment
upi.com/6961106
Latest Headlines
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Nov. 21 (UPI) -- The publisher of an Alaska newspaper said he is willing to give the entire operation away to a person or couple willing to relocate to the town and oversee the operation.
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Nov. 21 (UPI) -- A Chicago woman is more than two-thirds of the way to her goal of breaking a Guinness World Record by hula-hooping for 100 hours.
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Green Giant cooks up 1,009 pounds of green bean casserole
Nov. 21 (UPI) -- Vegetable company Green Giant announced it broke a Guinness World Record by cooking up 1,009 pounds of green bean casserole in New York.
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Nov. 21 (UPI) -- A French zoo is asking locals to keep an eye out for a red panda that escaped the facility when snowfall caused branches to fall onto its enclosure.
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Nov. 20 (UPI) -- An Illinois State Police dashboard camera was recording when two troopers and a stranded driver had a near-miss with a box truck that lost control on an icy highway.
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Nov. 20 (UPI) -- A Maryland woman is celebrating a particularly lucky day after she scored two major Keno jackpots.


Fiat Chrysler and Peugeot expected to sign binding merger deal as soon as early-December: source
MILAN (Reuters) - Fiat Chrysler (FCHA.MI) and Peugeot owner PSA (PEUP.PA) aim to sign a final merger agreement as early as the beginning of next month, a source familiar with the matter said on Saturday.
The two automakers said earlier this week they planned to join forces in a 50-50 share merger to create the world’s fourth-largest automaker, seeking scale to cope with costly new technologies and slowing global demand.
They said they aimed to reach a binding deal on the $50 billion merger “in the coming weeks”.
The source said the two groups were at work to finalize all the merger details and they hoped to sign a binding memorandum of understanding in “three-four weeks”.
“This means the final agreement should be signed by early December, or by Christmas at the latest,” the source said, confirming a report published earlier on Saturday in La Stampa daily newspaper.


Github User Stats
When you supply a valid github handle/username this service will display the number of public repos the user has. If no handle/username is supplied then the number of public and private repos you have will be shown.
When you supply a valid github handle/username this service will display the number of public repos the user has. If no handle/username is supplied then the number of public and private repos you have will be shown.


2020 Hajj: Board asks intending Katsina Pilgrims to deposit N300,000
by Agency ReportThe Katsina State Pilgrims Welfare Board has directed intending pilgrims from the state to deposit N300,000 as initial deposit for 2020 Hajj.
Acting Executive Director of the Board, Dalhatu Usman, announced this on Saturday in Katsina.
“All intending pilgrims are free to start making deposits from November 2019 to March 2020,’’ he said.
Mr Usman said intending pilgrims who have the capacity to pay lump sum of N1.5 million at once were free to do so, pending final announcement by National Hajj Commission of Nigeria (NAHCON) on Hajj fares.
The director said NAHCON has allocated 4,851 seats to the state for the 2020 Hajj.
“I wish to call on all people in the state, willing to undertake 2020 Hajj, to obtain bank draft of N300,000 for deposit at zonal offices nearest to them.
“All intending pilgrims must come with indigene letters from their respective local governments and obtain an e-passport from the Nigeria Immigration Service.
“Female intending pilgrims must have Muharrams (brothers or husbands), who would also sign consent forms duly sworn to at Court of Law.
“All intending pilgrims must have guarantors, who will stand as sureties, against absconding in Holy Land and the guarantor must be a respected person in the community,’’ he said.
He advised all those willing to stand as guarantors to ensure that the persons they were guaranteeing were well known to them, as serious punishment await guarantors of absconders.
Mr Usman appealed to the intending pilgrims to approach their zonal offices for payment of their deposits and warned that payments must be made in certified bank draft payable to Katsina State Pilgrim Welfare Board.
The zonal offices were located in Daura, Katsina, Funtua, Malumfashi, Kankia, Mani and Dutsinma.
(NAN)


My parents owns a business in China, when I was little they hardly spend time with me, can't remember when was last time we went on a trip together. After I got married I had my first child and be a full time stay home mum. Family and Confidence are my values. I love my kids, I realise spending time with them is not enough, want to be their role model. So I decide to join other people and gain my knowledge and skills better.


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https://leetcode.com/problems/valid-sudoku/
Determine if a 9x9 Sudoku board is valid. Only the filled cells need to be validated according to the following rules: Each row must contain the digits 1-9 without repetition. Each column must contain the digits 1-9 without repetition. Each of the 9 3x3 sub-boxes of the grid must contain the digits 1-9 without repetition. A partially filled sudoku which is valid. The Sudoku board could be partially filled, where empty cells are filled with the character '.'. Example 1: Input: [ ["5","3",".",".","7",".",".",".","."], ["6",".",".","1","9","5",".",".","."], [".","9","8",".",".",".",".","6","."], ["8",".",".",".","6",".",".",".","3"], ["4",".",".","8",".","3",".",".","1"], ["7",".",".",".","2",".",".",".","6"], [".","6",".",".",".",".","2","8","."], [".",".",".","4","1","9",".",".","5"], [".",".",".",".","8",".",".","7","9"] ] Output: true Example 2: Input: [ ["8","3",".",".","7",".",".",".","."], ["6",".",".","1","9","5",".",".","."], [".","9","8",".",".",".",".","6","."], ["8",".",".",".","6",".",".",".","3"], ["4",".",".","8",".","3",".",".","1"], ["7",".",".",".","2",".",".",".","6"], [".","6",".",".",".",".","2","8","."], [".",".",".","4","1","9",".",".","5"], [".",".",".",".","8",".",".","7","9"] ] Output: false Explanation: Same as Example 1, except with the 5 in the top left corner being modified to 8. Since there are two 8's in the top left 3x3 sub-box, it is invalid.
class Solution(object): def isValidSudoku(self, board): """ :type board: List[List[str]] :rtype: bool """
class Solution(object): def isValidSudoku(self, board): """ :type board: List[List[str]] :rtype: bool """ self.status = False self.filling(board) return self.status def filling(self, board): if self.status == True: return i, j = self.get_next_valid_position(board) if i == -1 and j == -1: self.status = True return for x in ['1', '2', '3', '4', '5', '6', '7', '8', '9']: board[i][j] = x if self.is_bord_valid(board, i, j): self.filling(board) board[i][j] = '.' def get_next_valid_position(self, board): for i in range(9): for j in range(9): if board[i][j] == '.': return i, j return -1, -1 def is_bord_valid(self, board, i, j): valid = True list1to9 = ['1', '2', '3', '4', '5', '6', '7', '8', '9', ] + ['.', ] * 9 # check column temp = list1to9[:] for k in range(9): if board[i][k] not in temp: return False else: temp.remove(board[i][k]) # check row temp = list1to9[:] for k in range(9): if board[k][j] not in temp: return False else: temp.remove(board[k][j]) # check 3x3 sub boxes temp = list1to9[:] subboxi = int(i / 3) subboxj = int(j / 3) for m in range(subboxi * 3, subboxi *3 + 3): for n in range(subboxj * 3, subboxj * 3 + 3): if board[m][n] not in temp: return False else: temp.remove(board[m][n]) return True


max_drawdown¶
-
max_drawdown
(x, w=Window(w=None, r=0))[source]¶ Compute the maximum peak to trough drawdown over a rolling window.
- Parameters
x (
Series
) – time seriesw (
Union
[Window
,int
]) – Window or int: number of observations and ramp up to use. e.g. Window(22, 10) where 22 is the window size
and 10 the ramp up value. Window size defaults to length of series. :rtype:
Series
:return: time series of rolling maximum drawdownExamples
Compute the maximum peak to trough drawdown
>>> series = generate_series(100) >>> max_drawdown(series)
See also


---
notes: Use .states-shadow only for cards and other components that already have a shadow and expect or allow for user interaction. Don't use for non-interactive components with shadows (which should be avoided altogether).
---
{{> card class="mb3"}}
{{> full-width-card }}


< Back to portfolio
Lab3.2 - With local storage
Person list
Name:
Add person
Delete selection
Clear all


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Load packages
library(tidyverse)
library(mosaic)
Motivation
The p-value is a ubiquituous tool for gauging the plausibility of a Null hypothesis. More specifically, the p-values indicates the probability of obtaining a test statistic at least as extreme as in the present data if the Null hypothesis was true and the experiment would be repeated an infinite number of times (under the same conditions except the data generating process).
The distribution of the p-values depends on the strength of some effect (among other things). The bigger the effect, the smaller the p-values (ceteris paribus). In the extreme, if the effect is zero, that is, if the Null is true, the distribution will be equally spread out. As this sounds not overly intuitive maybe, let’s simulate it.
There are of course nice proofs out there, this one is quite straigt forward for example.
Simulate p-values for the Null
Let our experiment consist of a t-test with two groups of n=30, and the Null being true. Further, let the distribution be standard normal. We’ll test two-sided, and take an alpha of .05 for granted.
Let’s simply extract the p-value:
get_p_from_ttest_sim <- function(n = 30, my_m = 0, my_sd = 1) {
sample1 <- rnorm(n = n, mean = my_m, sd = my_sd)
sample2 <- rnorm(n = n, mean = my_m, sd = my_sd)
p <- t.test(x = sample1, y = sample2)$p.value
p <- list(p_value = p)
return( p)
}
Test it:
get_p_from_ttest_sim()
#> $p_value
#> [1] 0.9270056
Now rerun this simulated experiment a couple of times:
k <- 1e05
ps <- do(k) * get_p_from_ttest_sim()
Plot it
gf_histogram(~p_value, data = ps, bins = 10)
Closer look
Let’s compute the proportion of significant p-values, ie p<.05. That should sum up to approx. 5%.
ps %>%
filter(p_value < .05) %>%
summarise(p_prop = n()/k)
#> p_prop
#> 1 0.0491
And now let’s cut the range in 10 bins:
ps %>%
mutate(bins = cut(p_value, breaks = 11)) %>%
group_by(bins) %>%
summarise(p_prop = n())
#> # A tibble: 11 x 2
#> bins p_prop
#> <fct> <int>
#> 1 (-0.00098,0.0909] 8989
#> 2 (0.0909,0.182] 9028
#> 3 (0.182,0.273] 9225
#> 4 (0.273,0.364] 9247
#> 5 (0.364,0.455] 9143
#> 6 (0.455,0.545] 9137
#> 7 (0.545,0.636] 9192
#> 8 (0.636,0.727] 8948
#> 9 (0.727,0.818] 8918
#> 10 (0.818,0.909] 9121
#> 11 (0.909,1] 9052
Approximately identical group sizes.
Finally, let’s check the lower p-values to see if they are also uniformly distributed. Note that we reduce the sample size greatly by filtering on a small part of p-values so we should expect more variation around the expected value.
ps %>%
filter(p_value <= .05) %>%
mutate(bins =cut(p_value, breaks = 11)) %>%
group_by(bins) %>%
summarise(p_prop = n())
#> # A tibble: 11 x 2
#> bins p_prop
#> <fct> <int>
#> 1 (-3.02e-05,0.00456] 427
#> 2 (0.00456,0.00911] 450
#> 3 (0.00911,0.0136] 457
#> 4 (0.0136,0.0182] 465
#> 5 (0.0182,0.0227] 456
#> 6 (0.0227,0.0273] 462
#> 7 (0.0273,0.0318] 446
#> 8 (0.0318,0.0364] 432
#> 9 (0.0364,0.0409] 446
#> 10 (0.0409,0.0454] 432
#> 11 (0.0454,0.05] 437
As said there appears to be quite some variation within these bins.
And even more close-up:
ps %>%
filter(p_value <= .005) %>%
mutate(bins =cut(p_value, breaks = 11)) %>%
group_by(bins) %>%
summarise(p_prop = n())
#> # A tibble: 11 x 2
#> bins p_prop
#> <fct> <int>
#> 1 (1.48e-05,0.000471] 42
#> 2 (0.000471,0.000922] 41
#> 3 (0.000922,0.00137] 44
#> 4 (0.00137,0.00183] 40
#> 5 (0.00183,0.00228] 45
#> 6 (0.00228,0.00273] 38
#> 7 (0.00273,0.00318] 37
#> 8 (0.00318,0.00363] 48
#> 9 (0.00363,0.00408] 52
#> 10 (0.00408,0.00453] 39
#> 11 (0.00453,0.00499] 44


More often than not, research is something that prevents you from making a decision. You want to be sure, so you seek more.
You think you should have so clear picture in your head, that when you start coding you’re sure it will be great. If you’re not, you’re looking for information farther.
All that pushes you away from reality.
It’s much better to prototype fast – do something that barely works.  It’s clickable. You can see actual performance.
Then, if you know where you’re going, you know how to correct the course. You make a decision about the next move and stop looking for crystal balls.
BTW, have you heard about The Foolscap Method?


True Romance (1993) Review by Steve Kong The Hard Boiled Movie Guide http://boiledmovies.sbay.com/
"True Romance" is one of those films that I love because of style over substance. The writing is excellent and the direction is excellent. The story is average and the ending abysmal, but the path in which "True Romance" takes from start to that ending is astonishing.
"True Romance" follows a couple, Clarence (Christian Slater) and Alabama (Patricia Arquette). Clarence is a strange fellow who works in a comic book store and enjoys "classic" kung-fu movies. Alabama is a call girl who has a large sense of innocence – Clarence is only her fourth client.
Now, since this is a script written by Quentin Tarantino you can expect lots of violence, sharp lines, and plot-twist that you wouldn't see from a mile away. So, let me drop some actor names and characters on you and see if you can put them together, as to not spoil the film for you. There's Gary Oldman playing a mean pimp, Val Kilmer plays a famous dead rock star, Samuel L. Jackson makes a quick stop, Dennis Hopper is a father, Bradd Pitt is a lazy bum roommate, James Gandolfini is one scary mobster, and Christopher Walken is, well, Christopher Walken. Now, there are some really interesting elements in the film too. Elvis, a suitcase of cocaine, guns, lots of guns, a bag of money, and well an eye-patch. Can you make head from tail of those things? You'll see how they all fit together when you see "True Romance".
Tarantino's script for the movie is absolutely brilliant in the sense that it has some of the best dialogue around. And all of it is memorable. The story though is a bit bland and the ending, well, it's quite reminiscent of Tarantino's "Reservoir Dogs" (not to mention director, Tony Scott's recent "Enemy of the State".) But this is not to say that the movie is unwatchable. Watching "True Romance" is more about watching interesting character speak interesting lines. It is also about watching the style of direction that Tony Scott puts into the film.
Scott, whose films include "Top Gun", "Days of Thunder", "Crimson Tide", and "Enemy of the State" shows off his visual flair with "True Romance". Every scene is meticulously setup and polished and it is very evident with what is seen. Though Scott is a brilliant filmmaker in these polished sequences, the one thing he cannot shoot are shootouts. Looking at the shootouts in "True Romance" and "Enemy of the State" he seems to capture the chaos of a shootout, but he does not put it in a way that is easy to follow. The camera wiggles and flies, bodies fly, there are loud sounds, but it's all a blurry mess.
The two leads in the film do well. Slater, who I don't think is an action star, does well with his part as a slightly crazed Clarence. He has that subtle look of innocence that is easily mixed with a dark psyche. Arquette is great as Alabama, who like Clarence looks innocent and acts that way too, but has a hidden dark side that escapes in the film. Both create a superb chemistry onscreen. What was surprising were the large names in the supporting roles. As mentioned before, you can see that there are many big names in this film and they play rather smaller supporting roles. This leads to a film that is rich in good performances. Worth mentioning is James Gandolfini ("The Sopranos") who is absolutely terrifying as a mobster.
If you watch True Romance for the characters, the great dialogue, and visual style you'll not be disappointed. If you want a good story, you'll be a little disappointed. Don't Miss True Romance. This a film with words to remember.
--- Steve Kong<EMAIL_ADDRESS>not all film critics are the same. i'm your hard boiled movie guide.
http://boiledmovies.sbay.com/
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Comment
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Text statistics¶
nn_search2 can display some useful text statistics. For example, the number of tokens, sentences, most common ngrams, POS-tags distribution, lexical diversity (how many unique words are used), sentiment polarity (how positive or negative is the text), subjectivity and correctness. Statistic properties have a scale of [0, 1] or [-1, 1] where 0 and 1 are min and max values. For example “polarity” of 0.65 means the text is rather positive than negative and vice versa.
Statistics panel is represented by 3 buttons: “Numbers”, “Graphs” and “Search stats”.
“Numbers” displays the information about the number of tokens, words, sentences, subjectivity, lexical diversity, polarity and correctness. This button uses the output of TextBlob library which unfortunately appeared to be rather slow. It might take a while to calculate all this info so be patient.
“Graphs” displays POS-tags distribution, functional vs normal word plots. It also displays most frequent ngram counts. nn_search2 does not count 1-grams like “be”, “the”, “a”, etc. Only contentful words are included all functional are excluded from ngram calculations.
“Search stats” displays the number of matches found by the search query and the ratio of matched text length / total text length.


[1]
finally the price is saying something that is right.
[2]
finally the price is saying something that is well.


Project 1
Input and Output
Create something(s) using at least one INPUT and one OUTPUT. This is the only requirement for this project.
We have explored digital and analog inputs like...
- push buttons
- using conductive tapes and fabrics
- carved PCB as switch
- conductive ink
- conductive objects
- potentiometers
- conductive materials(conductive foam) as variable resistors
- photoresistors (LDR)
- piezo element as vibration sensor
And we have explored digital and analog outputs like...
- Blinking LEDs
- Motor with transistor
- Darlington transistor with motor
- RGB LEDs
- tone()
Pay particular attention to the relationship between input and output. Output can affect the environment that can have an effect on your input (feedback). Make various experiments with inputs and outputs of your choice to have a better understanding of your material.
".... the attuned craftsman asks, "What can this medium do?" as much as "What do I wish to do with this medium?"
From Abstracting Craft: The Practiced Digital Hand by Malcolm McCullough
Think about "affordance" in your piece. Observe how form, materials and context of input and output can effect how people see, read, and interact with your work.
For example, embedding a sensor into an object that is shaped like a handle might suggest holding. If the output LED light flashes and if it is red, it could be read culturally as a "warning" or something bad. Or if your objects sings to your input, it can seem like if it was "happy."
This project does not have to be 'interactive' as long as the concepts of INPUT and OUTPUT exist in the piece. You also don't need to use Arduino if you don't want to.
Steps:
- Experiment with various input and output materials
- Make a sketch/drawings
- Prototyping: mock up your project to seek some more findings and learn how they work
- Make some changes or try another version of your idea (iterations)
- repeat steps 3 - 4 until you finalize
- make a final product
Documentation
- 2 photos or 1 short video of your work
- One paragraph description of your piece
- arduino sketch .ino file
- exported .png file form fritzing
Upload documents to google doc in a folder named "Project 1"


Complete your profile
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NOTE: Items in green bold are viewable by all active members.
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Tycho is an object-oriented syntax manager with an underlying heterogeneous technical rationale. It provides a number of editors and graphical widgets in an extensible, reusable framework. A number of text editors with specialized features for various languages are provided. Editors for visual syntaxes will be more diverse. The system documentation is integrated, using a hypertext system compatible with the worldwide web. Tycho was originally conceived for use with the Ptolemy system, a heterogeneous design environment from U.C. Berkeley, but it has grown into a system that is useful on its own. Tycho has been used extensively in the development of the Tycho software itself.
Tycho is written primarily in Itcl, also called [incr Tcl], developed by by Michael McLennan of AT&T. Itcl is an object-oriented extension of Tcl, a "tool command language" written by John Ousterhout of U.C. Berkeley (now at Scriptics). The window toolkit Tk and its object-oriented extension Itk are also used extensively. Information about Tcl, Tk, and Itcl can be found at the tcltk web site.
The key objectives of the Tycho project are:
One of the key principles in Tycho is that anything can have a hyperlink to anything else. Documentation will have links to source code, and vice versa. Visual editors will have links to textual editors. And specialized displays can be created for any form of data. These displays, of course, are also connected by hyperlinks.
The interface to Ptolemy kernel will eventually be entirely
through pitcl, the Tcl
extensions that provide an interpreted command language for the
Ptolemy kernel.
An interim mechanism is provided where Tycho forms a subsystem within
the much older visual editor for Ptolemy called pigi
(which stands
for Ptolemy interactive graphical interface).
Up to: Tycho Introduction -
Previous: Sponsors -
Next: Technical Rationale -
Tycho Home Page


{% extends "base.html" %} {% block title %}[Mindgames]{% endblock %} {% block header %}
An eclectic collection of games to pass the time and challenge the mind.


Myers–Briggs Type Indicator (MBTI) classification
By SYED MUHAMMAD HAMZA
Step1: Describe yourself in a maximum of 150 words
Step2: Predict what Myers–Briggs Type Indicator (MBTI) classifier think your type is
Describe yourself Here


Saints skipper Stephen McGinn hoping to spark scenes again in Tynecastle away end
The influential midfielder was in the stands last season, and scored the winner in Gorgie on Boxing Day in 2007.
by Ben RamageSt Mirren skipper Stephen McGinn knows just how good the atmosphere in the away end will be at Tynecastle today.
That’s because the experienced midfielder was in the stands in Gorgie last season watching the Buddies draw 1-1 with Craig Levein’s Hearts.
And he revealed he can’t wait to be back on the pitch for one of the “best away days” in Scotland.
He told Express Sport: “It’s a place that we’re excited to go to. It’s one of the best away days.
“I missed the game last year so I sat in the away end supporting the boys. The atmosphere was brilliant in the away end.
“It’s a difficult game but one we’re looking forward to. As a player the home fans are so close to you. Everything about going there is great.
“Obviously that comes with getting a result as well.”
You get a sense from Stephen McGinn that he just loves playing football.
You can tell from how much he hated the international break, especially as his main focus is on helping lift St Mirren back up the table, which he knows could start with a win today in the capital.
 It totally disrupts the first period of the season.
“Probably with the semi-final weekend as well. You miss another game and it makes the Christmas schedule a bit manic.
“As a footballer, you want to get in the habit of playing every Saturday. But it’s something we can’t control and we’re itching to get out at Tynecastle.
“The bottom six is so tightly grouped, you only need to look at St Johnstone. After we beat them, the panic was expected to set in and they followed it up with back-to-back wins and you see where it takes them in the league.
“So we take inspiration from that. We know how close we are to being a really good team and putting results together. It can quickly take you up the table.”
McGinn does have happy memories at Tynecastle on the pitch, scoring the winner there on Boxing Day in 2007 when he was just 19.
Now he insists his side can be heartbreakers once again, as long as they keep their performance levels at the standard they have set in recent weeks.
He added: “I scored there early in my career. That was on Boxing Day a long time ago.
“Sometimes you see teams get a bounce when they’ve changed their manager. I think Austin MacPhee wants the job as well so there’s a lot of elements that will make it a really challenging day for us. But we want to go there and make it as hard for them as we can.
“I feel like we’re in a good place at the moment performance wise. If we keep those standards I have no doubt that we can to Tynecastle and cause real problems.


This has been a miserable year for everybody. We've asked the powers that be and unfortunately they're only offering discounts on systemic police violence and toilet paper.
Oh you were asking about Angle. Yes you can get a refund if you can survive 2020.
It's one license per user and if purchased, you can use Angle in your commercial projects. We have bulk licenses for 5 users. Email Us


Quotation
"But sometimes boundaries that look odd at first glance just follow a natural geographic feature, like a river or a mountain range. Or they could be necessary to unite communities that live in different areas but share similar representational needs, like communities of color that have been subject to residential discrimination. Other times, odd boundaries are very much the product of gerrymandering. [...] The reality is that visual inspection can be a helpful, but ultimately very incomplete, analysis. It is a good first test that can help identify where a deeper dive is needed. In other words, don’t judge a book by its cover." [4.12.31]
in-context


{% extends "_layout.html" %} {% set active_page = "admin" %} {% block title %}Admin{% endblock %} {% block content %}
This will be a super mega awesome dashboard with lots of pretty JS graphs and stuff. Promise.
For now, here's a table of all members:
| Name | Email Address | Phone Number | Signed Up | Last Agreement Date |
|---|---|---|---|---|
| {{ member.name }} | {{ member.email }} | {{ member.phone }} | {{ member.joined_date }} | {{ member.agreement_date }} |


new MonguitoDB(storage, collections)
Utility to perform CRUD operations over the localStorage, sessionStorage, or
any object implementing the Storage Interface defined by the W3C.
This library was inspired by MongoDB, and some of its functions are syntactically similar to how they are in Mongo, with some differences and limitations.
NOTE: This utility works synchronously.
This library was inspired by MongoDB, and some of its functions are syntactically similar to how they are in Mongo, with some differences and limitations.
NOTE: This utility works synchronously.
Parameters:
| Name | Type | Description |
|---|---|---|
storage |
object | null | Object providing the storage mechanism. You can send localStorage or sessionStorage if the browser supports HTML5. Send null to use the default mechanism which stores collections in memory. Alternatively, you can send your own object implementing the Storage Interface defined by the W3C. |
collections |
string | Array.<string> | Array containing the names of the collections to be manipulated (analogous to tables in a relational database). You can send a single name, or an array of names if you want to manipulate several collections. |
- Version:
- 0.0.1, Jun 2014
- Source:
- See:
Example
// An object to perform CRUD operations over the HTML5 localStorage.
var db = new MonguitoDB(localStorage, "orders");
// An object to perform CRUD operations over the HTML5 sessionStorage.
var db = new MonguitoDB(sessionStorage, ["orders", "users"]);
// An object to perform CRUD operations over collections stored in memory.
var db = new MonguitoDB(null, ["orders", "users"]);


After getting into an auto accident in Arizona, the at-fault driver’s insurance carrier may be responsible for paying medical bills and auto repairs for the other drivers. Unfortunately, insurance companies want to pay the minimal amount, which may be less than what you deserve. Additionally, the at-fault driver may not have enough coverage to get you what you are entitled to. The auto accident injury attorneys can deal with the insurance company on your behalf to ensure you get appropriate compensation to cover not only medical bills, but also pain and suffering.
Check out what you can do with this app theme!
No Win No Fee Guarantee
50+ Years Combined Experience
Maximum Compensation Recovery
We care about you


Heatmap Table
Example
+1.07% MSFT
+0.72% AAPL
+0.77% JPM
-0.87% WFC
-0.99% CSCO
+0.52% MSI
+2.28% WMT
+0.53% PG
-3.13% XOM
+0.17% UNH
-1.40% CVS
+0.71% HPQ
-0.28% GS
-0.08% USB
+2.11% V
+1.06% FISV


I've been considering license integration into a personal project of mine and thoughts of that have spilled over into work. And so we've been talking at Creative Commons recently about the current methods for licensing content managed by applications and what the future might be. The purpose of this post is to document the present state of licensing options. (A post on the future of licensing tools may come shortly afterward.)
Present, CC supported tools
To begin with, there are these three CC-hosted options:
- CC licensing web API -- A mostly-RESTful interface for accessing CC licensing information. Some language-specific abstraction layers are provided. Supported and kept up to date. Lacking a JSON layer, which people seem to want. Making a request for every licensing action in your application may be a bit heavy.
- Partner interface -- Oldest thing we support, part of the license engine. Typical case is that you get a popup and when the popup closes the posting webpage can access the info that's chosen. Still gets you your chooser based interface but on your own site. Internet Archive uses it, among others.
- LicenseChooser.js -- Allows you to get a local chooser user interface by dumping some javascript into your application, and has the advantage of not requiring making any web requests to Creative Commons' servers. Works, though not recently updated.
All of these have the problem that the chooser of CC licenses is only useful if you want exactly the choices we offer (and specifically the most current version of the licenses we provide). You need to track those changes in the database anyway, which means you either are not keeping track of version used or you are and when we change you might be in for a surprise.
Going it alone
So instead there are these other routes that sites take:
- Don't use any tools and store license choices locally -- What Flickr and every other major option does: reproduce everything yourself. In the case of Flickr, the six core licenses at version 2.0. In YouTube, just one license (CC BY 3.0). That works when you have one service, when you know what you want, and what you want your users to use. It doesn't work well when you want people to install a local copy and you don't know what they want to use.
- Let any license you want as long as it fits site policy -- and you don't facilitate it, and it gets kind of outside the workflow of the main CMS you're using … wiki sites are an example of this, but usually have a mechanism for adding a license to footer of media uploaded. The licenses are handled by wiki templates, anyone can make a template for any license they choose.
None of those are really useful for software you expect other people to install where you want to provide some assistance to either administrators of the software who are installing it to be used or where you want the administrator to give the user some choice or choices relevant to that particular site.
The liblicense experiment
This brings us to another solution that CC has persued:
- liblicense -- Packages all licenses we provide, give an api for users to get info and metadata about them. Allows for web-request-free access to the cc licenses. It doesn't address non-CC licenses, however, and is mostly unmaintained.
So, these are the present options that application developers have at their disposal for doing licensing of application-managed content. There's a tradeoff with each one of them though: either you have to rely on web requests to CC for each licensing decision you make, you go it alone, or you use something unmaintained which is CC-licensing-specific anyway. Nonetheless, cc.api and the partner interface are supported if you want something from CC, and people do tend to make by with doing things offline. But none of the tools we have are so flexible, so what can software like MediaGoblin or an extension for WordPress or etc do?
There's one more option, one that too my knowledge hasn't really been explored, and would be extremely flexible but also well structured.
The semantic web / linked data option?
It goes like this: let either users or admins specify licenses by their URL. Assuming that page self-describes itself via some metadata (be it RDFa, providing a rel="alternate" RDF page in your headers, or microdata), information about that license could be extracted directly from the URL and stored in the database. (This information could of course then be cached / recorded in the database.) This provides a flexible way of adding new licenses, is language-agnostic, and allows for a canonical set of information about said licenses. Libraries could be written to make the exctraction of said information easier, could even cache metadata for common licenses (and for common licenses which don't provide any metadata at their canonical URLs...).
I'm hoping that in the near future I'll have a post up here demonstrating how this could work with a prototypical tool and use case.
Thanks to Mike Linksvayer, for most of this post was just transforming a braindump of his into a readable blogpost.


Module flower.widget.UIEvent
This is a class that defines the type of event.
Extends:
Info:
- Release: V3.0.0
- Author: Makoto
Fields
| RESIZE | UIComponent: Resize Event |
| THEME_CHANGED | UIComponent: Theme changed Event |
| STYLE_CHANGED | UIComponent: Style changed Event |
| ENABLED_CHANGED | UIComponent: Enabled changed Event |
| FOCUS_IN | UIComponent: FocusIn Event |
| FOCUS_OUT | UIComponent: FocusOut Event |
| CLICK | Button: Click Event |
| CANCEL | Button: Click Event |
| SELECTED_CHANGED | Button: Selected changed Event |
| DOWN | Button: down Event |
| UP | Button: up Event |
| VALUE_CHANGED | Slider: value changed Event |
| STICK_CHANGED | Joystick: Event type when you change the position of the stick |
| MSG_SHOW | MsgBox: msgShow Event |
| MSG_HIDE | MsgBox: msgHide Event |
| MSG_END | MsgBox: msgEnd Event |
| SPOOL_STOP | MsgBox: spoolStop Event |
| ITEM_CHANGED | ListBox: selectedChanged |
| ITEM_ENTER | ListBox: enter |
| ITEM_CLICK | ListBox: itemClick |
| SCROLL | ScrollGroup: scroll |
Fields
- RESIZE
- UIComponent: Resize Event
- THEME_CHANGED
- UIComponent: Theme changed Event
- STYLE_CHANGED
- UIComponent: Style changed Event
- ENABLED_CHANGED
- UIComponent: Enabled changed Event
- FOCUS_IN
- UIComponent: FocusIn Event
- FOCUS_OUT
- UIComponent: FocusOut Event
- CLICK
- Button: Click Event
- CANCEL
- Button: Click Event
- SELECTED_CHANGED
- Button: Selected changed Event
- DOWN
- Button: down Event
- UP
- Button: up Event
- VALUE_CHANGED
- Slider: value changed Event
- STICK_CHANGED
- Joystick: Event type when you change the position of the stick
- MSG_SHOW
- MsgBox: msgShow Event
- MSG_HIDE
- MsgBox: msgHide Event
- MSG_END
- MsgBox: msgEnd Event
- SPOOL_STOP
- MsgBox: spoolStop Event
- ITEM_CHANGED
- ListBox: selectedChanged
- ITEM_ENTER
- ListBox: enter
- ITEM_CLICK
- ListBox: itemClick
- SCROLL
- ScrollGroup: scroll