@import fr.gospeak.core.domain.{Group, Proposal, User} @import fr.gospeak.web.domain.Breadcrumb @import fr.gospeak.web.pages.partials.display.html._ @import fr.gospeak.web.pages.published.groups.routes.GroupCtrl @import fr.gospeak.web.pages.published.speakers.routes.SpeakerCtrl @import fr.gospeak.web.pages.published.partials.html.container @import fr.gospeak.web.utils.Formats @import fr.gospeak.web.utils.UserAwareReq @(group: Group, talk: Proposal.Full, speakers: Seq[User])(b: Breadcrumb)(implicit req: UserAwareReq[AnyContent]) @container(talk.title.value + " at " + group.name.value + " - Gospeak", b)() {
By @talk.speakers.toList.map { id => @speaker(speakers, id, s => Some(SpeakerCtrl.detail(s.slug)).filter(_ => s.isPublic)) }
@markdown(talk.description) @if(talk.tags.nonEmpty) {@tags(talk.tags)
} @talk.event.map { event =>At @event.name.value on @Formats.date(event.start)
} }()


[Note: the "Cartoon Laws" posted here recently were apparently taken in large part from "O'Donnell's Laws of Cartoon Motion" in the June 1980 issue of ESQUIRE magazine, a fact that the original poster didn't mention (and may not have known--these things tend to travel from person to person). -Moderator.]
HOW TO GET AHEAD IN ADVERTISING A film review by Bryan Whitehead Copyright 1989 Bryan Whitehead
1989, Britain, Color, 90 mins. directed by Bruce Robinson starring Richard E. Grant Rachel Ward Richard Wilson
Contains some profanity, minor violence, minor gore, and brief, nonsuggestive nudity.
Overall rating.....3.5 on the 0-4 scale.
At the outset, let me confess that I'm in the process of starting postgraduate studies in Advertising, so perhaps this film is a little bit more poignant to me than to general audiences. Nonetheless, I feel that the wit of Mr. Robinson's latest effort are enough to make this film very attractive to anyone living in the ad-addicted 20th Century.
HOW TO GET AHEAD IN ADVERTISING is the tale of Bagley, an advertising whiz kid who is driven to distraction by his inability to come up with a slogan for pimple cream. As Bagley's derangement progresses, we learn that the true source of his anxiety is a deep-seated misgiving about the ethics of the entire advertising profession. The malady that arises causes no end of hilarious situations (forgive me if I'm too vague, but it's difficult to explicate the rich humor of the film without giving the plot away). All I'll say is that the title is a terrible pun.
Grant turns in an outstanding performance as the manically panicing Bagley. Ward does an acceptable job as his wife, and Wilson delightfully grates as Bagley's "old boy" boss. Technically, the film is fairly low-key. The special effects are good without being attention-drawing or technically outstanding. Camera/editing technique is standard fare. The pace is good (this one won't put anyone to sleep). The script is consistently witty, never slowing down for a second (it even features a brief poke at the Blake fans in the audience).
Bryan
.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


Opinion: The well-orchestrated deception 25 Nov 2019, 07:17 by Staff Reporter Home \ National \ Opinion: The well-orchestrated deception - New Era Live


Phineas is a boy. Ferb is a boy. Their sister is called Candice. Their sister wants to bust them.
ferb loves bulding and phines loves bulding too
Each time candas trys to bust them what they made diserpiyers.


to SchemaHTML
table count: 50 -> 51
Created by DBFlute(AutoGenerator)
Input the new comment of diffdate:
Input the new comment of diffdate:


Each orange icon means a tag, and each green icon means one particular article, and how each icon is chosen is based on the article's category. There are 8 categories as follows:
- Artificial Intelligence:
- Computer Systems:
- Data Structures & Algorithms:
- Mathematics:
- Programming:
- Software Engineering:
- Learning:
- Research:


--- title: Cards layout: default route: cards --- {% capture card_simple %}
| ID | Address | Customer | Date |
|---|---|---|---|
| #13 | 26277 Broadway St. New York, NY 29379 |<EMAIL_ADDRESS>| 2/2/2018 16:36:23 |
| #13 | 26277 Broadway St. New York, NY 29379 |<EMAIL_ADDRESS>| 2/2/2018 16:36:23 |
| #13 | 26277 Broadway St. New York, NY 29379 |<EMAIL_ADDRESS>| 2/2/2018 16:36:23 |
| #13 | 26277 Broadway St. New York, NY 29379 |<EMAIL_ADDRESS>| 2/2/2018 16:36:23 |
Following is the default card example
Following is the card profile example
Following is the card info example
Following is the card test example
Following is the card with table example
Following is the card list example
Following is the card notice example


Spotify styled progress bar, with colors changing based on the progress.
Implemented with the help of this SMASHING Tutorial
ProgressBar changes colors based on the progress due to custom bar function
Logs based on Event Emitter that comes with Progress Bar based on super awesome mitt.
This demo was made to demonstrate the extending of the APIs using
callbacks so the interfaces can be extended easily and the programmers are allowed
to add code at some places. Here we are adding a barColors
callback function as an option to change the color of bar based on the progress.


Ben Zittlau
<EMAIL_ADDRESS>Stay Active
Sometimes eat the healthy option
https://ca.movember.com/mospace/13399380The first step to being successful is understanding what success would be for you
Hackathons give you:
Focused time to zone in on something new.
Great energy to fuel you forward.
Other resoureces to help you learn.
Hackathons give you:
Other people to collaborate with.
A competitive environment to drive you to push yourself.
Sometimes some nominal prizes.
Something good
Something bad
Applies if you're here to learn
Applies either way
Applies if you're here to compete
If everyone is truly aligned towards the same goal there can be incredible results.
Sometimes people won't be honest with themselves and others, and try and fake alignment. You're better off working separately if you're truly not aligned! That's okay!
Learning with others can be incredibly helpful
Either pair with someone who knows what you want to learn
Or pair with someone who wants to learn the same things
Working with someone else adds overhead
In order to team up on a project you'll need to compromise on what you work on
Pairing with someone with complementary skills can be very powerful
Many languages have large ecosystems of libraries which you can leverage in your projects.
Using libraries can save you from spending time on things you're not learning.
Sometimes doing boring things the hard way is the best way to learn.
Libraries are critical to help you get an impressive result in a short time.
You should practice with the libraries you plan on using in advance, or could get slowed down with trivial issues.
Tools for managing and merging your code, such as Git and GitHub, Hg and BitBucket.
These tools are often complicated and will slow down your initial speed, spending time learning tools instead of coding.
The benefits that version control brings to collaborating in a common code base are huge for teams larger than 2 members.
Great tools exist, from GitHub itself to Slack to Basecamp.
If you can find others who are exploring the same topics it's invaluable to setup a chat tool like Slack to share learnings and questions.
Be sure to manage the amount of "noise" from any communication tools. You still need the ability to think deeply and concentrate. Going DND for an hour is okay, just tell your team members you're doing it.
A proper tool to manage your collaboration through tickets is critical to keep straight who's doing what, what's outstanding, etc.
How do you put it "live".
There's very interesting things happening in the infrastructure and DevOps world, which would be great tech to play around with at a hackathon.
Hosting your project could require a lot of time and distract you from what you're trying to focus on learning.
If your technologies work with "full serve" hosting platfrom like Heroku it can be very quick and easy to get your project live.
Often having your project live isn't a requirement of the hackathon and teams waste a lot of time on it. If you don't need to do it for the requirements consider not bothering!
Take advantage of what is there!
There is an entire crowd of peers and mentors available to help with problems. You'll be more successful whether your goal is learning or winning if you can take advantage of what's in the room.
Is it a sprint or a marathon?
Don't be afraid to go down tangents.  Chase the threads.
Finding the right balance between moving fast, but not tripping on your own toes is one of the trickiest arts of hackathons to get right.
Take the time to plan, but don't overplan. Your plan is going to be wrong, things are going to change. Create a loose plan, then get to work.
This tends to be harder to line up where two separate interests naturally complement each other.
Learning how to break up a project into loosely coupled pieces is a critical skill for hackathons and software projeccts in general.
The final integration step can cause your project to fail at the last minute. Integrate early, and integrate often.
 You might not realize it, but you *will* be creating more bugs, solving things in less efficient ways, and making more mistakes in general. These costs are real.
This is a very short hackathon, so the extra hours *could* have some real impact.
How can you optimize to win if you don't know how you're judged?
Doesn't apply here
Once you understand how you'll be judged, optimize for it. If it's a live presentation make sure your interface is clear and simple to communicate your idea quickly.
Too many developers want to believe that hackathons are won by writing the most hardcore code you can in a short time. That's fine, but then you should accept you're not competing to win.


--- layout: post title: Things A Computer Scientist Rarely Talks About date: 2004-04-13 00:00:00 category: books ---


Unofficial: BN leads Tanjung Piai poll by nearly 10,000 votes so far
by BY BEN TANPONTIAN, Nov 16 — Latest unofficial results released by the Election Commission (EC) showed that Barisan Nasional (BN) is leading in the Tanjung Piai by-election so far by a majority of 9,732 votes.
As at 7.30pm, BN has garnered 15,589 votes compared to Pakatan Harapan’s (PH) 5,857 votes.
In the 14th general election, PH’s late Datuk Dr Farid Md Rafik had won with a slim majority of merely over 524 votes.
Gerakan is trailing the main two coalitions with 947 votes.
It is learnt that BN’s Datuk Seri Wee Jeck Seng received the majority of votes from the main Malay district polling centres (PDM).
Since BN’s lead was announced at 7pm, cheers of “Hidup Barisan!” could be heard at the BN Command Centre in Jalan Umno here.


Martin's Magic
Initialising
Hour
Ixalan
Rivals
Dominaria
Core Set 2019
Guilds of Ravnica
Owned
Wanted
Common
Uncommon
Rare
Mythic Rare
Other
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We visualize users!
- generate bleeding-edge markets
- streamline clicks-and-mortar web services
- morph efficient mindshare
- unleash 24/365 systems
- repurpose cross-media supply-chains
- redefine granular platforms
- grow e-business initiatives
- evolve dynamic mindshare
- iterate dot-com paradigms
- harness wireless mindshare


Congratulations, based on your answers the best course for you would be Ruby!
Why is this the best track for you?
- Ruby is a scripting language built from the ground up for use in front end and back end web development
- Ruby on Rails is strongly associated with startups
Congratulations, based on your answers the best course for you would be JavaScript
Why is this the best track for you?
- JavaScript allows you to build interactive websites.
- If you learn JavaScript you can use it in game development.
Congratulations, based on your answers the best course for you would be C#
Why is this the best track for you?
- C# is very popular amongst larger established companies
- Used often in Microsoft
Oh no! based on your answers you probably shouldnt do programming


Mortgage Calculator - Rule Engine Feedback Sample
This sample builds on the Basic sample, but adds how to get the Rule Execution Log and process Notifications, Validations and Errors (try passing a string in for "Terms in Years").
Loan Information
Loan amount
APR
Term in years
Payment Summary
Calculate mortgage
Montly payment
Total loan cost
Rule execution log
Notifications
Validations
Errors


| < Day Day Up > |
This book provides a comprehensive introduction to the modern study of computer algorithms. It presents many algorithms and covers them in considerable depth, yet makes their design and analysis accessible to all levels of readers. We have tried to keep explanations elementary without sacrificing depth of coverage or mathematical rigor.
Each chapter presents an algorithm, a design technique, an application area, or a related topic. Algorithms are described in English and in a "pseudocode" designed to be readable by anyone who has done a little programming. The book contains over 230 figures illustrating how the algorithms work. Since we emphasize efficiency as a design criterion, we include careful analyses of the running times of all our algorithms.
The text is intended primarily for use in undergraduate or graduate courses in algorithms or data structures. Because it discusses engineering issues in algorithm design, as well as mathematical aspects, it is equally well suited for self-study by technical professionals.
In this, the second edition, we have updated the entire book. The changes range from the addition of new chapters to the rewriting of individual sentences.
This book is designed to be both versatile and complete. You will find it useful for a variety of courses, from an undergraduate course in data structures up through a graduate course in algorithms. Because we have provided considerably more material than can fit in a typical one-term course, you should think of the book as a "buffet" or "smorgasbord" from which you can pick and choose the material that best supports the course you wish to teach.
You should find it easy to organize your course around just the chapters you need. We have made chapters relatively self-contained, so that you need not worry about an unexpected and unnecessary dependence of one chapter on another. Each chapter presents the easier material first and the more difficult material later, with section boundaries marking natural stopping points. In an undergraduate course, you might use only the earlier sections from a chapter; in a graduate course, you might cover the entire chapter.
We have included over 920 exercises and over 140 problems. Each section ends with exercises, and each chapter ends with problems. The exercises are generally short questions that test basic mastery of the material. Some are simple self-check thought exercises, whereas others are more substantial and are suitable as assigned homework. The problems are more elaborate case studies that often introduce new material; they typically consist of several questions that lead the student through the steps required to arrive at a solution.
We have starred (⋆) the sections and exercises that are more suitable for graduate students than for undergraduates. A starred section is not necessarily more difficult than an unstarred one, but it may require an understanding of more advanced mathematics. Likewise, starred exercises may require an advanced background or more than average creativity.
| < Day Day Up > |


Discussion and questions about Komodo QT-wallet.
Latest wallet download https://komodoplatform.com/komodo-wallets/
100 messages
Before 05-Dec-19 12:00 AM
SHossain13-Jan-19 08:08 PM
@cipi yes, if you use the GUI skin. i'll DM you with details
Adli26-Jan-19 03:41 PM
Hi guys, thanks for your awesome work for this great version of komodo and assets chains wallet ! Is there a manner to compile with another branch of komodo, like dev or the Jl777 branch ?
SHossain26-Jan-19 03:45 PM
You can't use KomodoOceanQT with other branches from Komodo repo itself. The daemon is built-in and coded directly
Adli26-Jan-19 03:58 PM
Okay thank you
And you follow the update of the main repo ?
SHossain26-Jan-19 04:00 PM
yes
Adli26-Jan-19 04:01 PM
thanks a lot
As I understand in checking the avalaible command, it is possible to stake with -mint ?
I'm right ?
for staking asset chains
SHossain26-Jan-19 04:04 PM
but, it doesn't have CC funtionality
staking works with komodo-cli -ac_name=COIN setgenerate true 0
Adli26-Jan-19 05:12 PM
great
thank you
Decker27-Jan-19 04:44 PM
Fast way to activate staking in Komodo-Qt: go to Help -> Debug window -> Console and enter setgenerate true 0.
wookie27-Jan-19 11:37 PM
I'm trying to use KomodoOcean with pirate. But I dont see a "launch assets" folder in the komodoOcean folder.(edited)
Decker28-Jan-19 10:44 AM
If you are using Windows - it's in archive with binaries as always.(edited)
If you are Linux or MacOS user just launch ./komodo-qt with following args -ac_name=PIRATE -ac_supply=0 -ac_reward=25600000000 -ac_halving=77777 -ac_private=1 -addnode=<IP_ADDRESS> .
wookie28-Jan-19 01:56 PM
@Decker Thanks. I'm on a mac. I searched in the komodo ocean folder and there's no "launch_assets".
I used ./src/qt/komodo-qt & to launch komodo before, so to launch pirate, is this correct? :
./src/qt/komodo-qt & -ac_name=PIRATE -ac_supply=0 -ac_reward=25600000000 -ac_halving=77777 -ac_private=1 -addnode=<IP_ADDRESS>(edited)
it is the same way if you were using komodod to start a chain. just instead of komodod you have to use komodo-qt from the location.
wookie29-Jan-19 09:49 PM
Thank you!
1
wookie29-Jan-19 11:02 PM
Is there a way to import addresses/private keys through the komodoocean qt?
SHossain29-Jan-19 11:05 PM
yes, using help > debug window(edited)
all functionality like the Bitcoin-core QT wallet
wookie29-Jan-19 11:15 PM
thanks, I'm not too familiar other than the basic getting funds in/out. I'm looking through the help menu, can someone help me understand if there's any difference between importaddress and importprivkey? I can just import an address without the the privkey?
SHossain29-Jan-19 11:17 PM
with importaddress, you can't spend funds, that is just watchonly
wookie29-Jan-19 11:22 PM
got it. thanks!
Decker31-Jan-19 05:48 AM
New RPC method convertpassphrase will be added in next release of Komodo-Qt. It will help you to get WIF for using with importprivkey from Agama passphrase.
3
Gangwa08-Feb-19 03:51 PM
Hi
trying luck with komodoQT
this error ////make[1]: [all-recursive] Error 1
make: [all-recursive] Error 1
anyone there to help
Decker08-Feb-19 03:57 PM
This doesn't contains error description. Post a full log plz with info above make: [all-recursive] Error 1.
Gangwa08-Feb-19 04:04 PM
WalletModel::prepareTransaction(WalletModelTransaction&, CCoinControl const&) in libkomodoqt.a(libkomodoqt_a-walletmodel.o)
WalletModel::saveReceiveRequest(std::cxx11::basic_string<char, std::char_traits<char>, std::allocator<char> > const&, long long, std::cxx11::basic_string<char, std::char_traits<char>, std::allocator<char> > const&) in libkomodoqt.a(libkomodoqt_a-walletmodel.o)
WalletModel::getAddressBalance(std::__cxx11::basic_string<char, std::char_traits<char>, std::allocator<char> > const&) in libkomodoqt.a(libkomodoqt_a-walletmodel.o)
WalletModel::prepareZTransaction(WalletModelZTransaction&, CCoinControl const&) in libkomodoqt.a(libkomodoqt_a-walletmodel.o)
WalletModel::sendCoins(WalletModelTransaction&) in libkomodoqt.a(libkomodoqt_a-walletmodel.o)
WalletModel::zsendCoins(WalletModelZTransaction&) in libkomodoqt.a(libkomodoqt_a-walletmodel.o)
...
ld: symbol(s) not found for architecture x86_64
collect2: error: ld returned 1 exit status
make[2]: [qt/komodo-qt] Error 1
make[1]: [all-recursive] Error 1
make: *** [all-recursive] Error 1
Decker08-Feb-19 04:06 PM
which OS? paste full log plz on pastebin ...
do zcutil/build.sh > build.log 2> error.log and show both files on pastebin or gist.github.com .
Gangwa08-Feb-19 04:25 PM
how to take log
+++ readlink -f zcutil/build.sh
readlink: illegal option -- f
usage: readlink [-n] [file ...]
++ dirname ''
+ cd ./..
+ LCOV_ARG=
+ HARDENING_ARG=--enable-hardening
+ TEST_ARG=
+ '[' x = x--enable-lcov ']'
+ '[' x = x--disable-tests ']'
+ MINING_ARG=
+ '[' x = x--disable-mining ']'
+ RUST_ARG=
+ '[' x = x--disable-rust ']'
++ pwd
+ PREFIX=/Users/admin/depends/x86_64-unknown-linux-gnu/
+ HOST=x86_64-unknown-linux-gnu
+ BUILD=x86_64-unknown-linux-gnu
+ NO_RUST=
+ make -C ./depends/ V=1
make: *** ./depends/: No such file or directory. Stop.
this is what i found
can you please tell me the commands to take log
Agama is alredy setup , is that problem ?
and im on mac OS high sierra
version 10.13.6
zcutil/build.sh > build.log 2> error.log
zcutil/build.sh only this works
Decker08-Feb-19 04:42 PM
it looks like you are trying to launch build from /Users/admin folder. you'll need to launch build from KomodoOcean folder.
Komodo QT wallet. Contribute to DeckerSU/KomodoOcean development by creating an account on GitHub.
anyway, we will provide a video "how to build" soon, probably next week.
Gangwa08-Feb-19 04:47 PM
i follwed same
after cloning cd to KomodoOcean
and then build commands
but no luck
Decker08-Feb-19 04:49 PM
try zcutil/build-mac.sh > build.log 2> error.log plz and show the produced log files here.
Gangwa08-Feb-19 05:06 PM
zcutil/build-mac.sh
after this
ld: symbol(s) not found for architecture x86_64
build.log 2> error.log
this part not understanding
Maintaining wallet has become pain , i wish there could have been some nice easy to understand
ComputerGenie 👴👴👴11-Feb-19 04:35 AM
TonyL Today at 10:17 PM
try to remove libcurl from end of ../depends/packages/packages.mk file
Fixed the symbol issue for me(edited)
riseandfall19-Feb-19 08:27 PM
I never understood why AGAMA wants to support LTC, DASH and other altcoins. I strongly think that it's useless and it just bring more work to them. I hope you will not do the same mistake.
When I see that now they propose from AGAMA to use the API of coin switch for small trades through the wallet UI. I just think :
1 : what is the benefit for the user ? He saves 5 clicks and take the risk of another software layer (the wallet itself) as an intermediary....in other world a very very small benefit.
2 : how heavy it is ? I think it's quite easy to implement....but in a long term view it just gives you more work for maintenance/updates.
SHossain19-Feb-19 09:39 PM
Have you ever asked Coinomi why they have that many coins in their wallet?
I strongly think that it's useless and it just bring more work to them.
maybe this is just useless to you. there are many users who would like to use and manage most of their crypto from one open-source wallet with only 1 key rather than installing different wallet for each coin.
1
riseandfall19-Feb-19 09:55 PM
But for coinomi this is their core business. I mean doing multi-coins wallet is their core business. They are not working for a specific cryptoproject.(edited)
It's not a a team member of a specific crypto who is doing that.(edited)
I mean myetherwallet for example is there to support ETH tokens (and it was/is a huge a project)....not all tokens there are in the world
Ps : don't think I'm aggressive...I just say my opinion
It means that it totally exceeds the perimeter of Komodo....
You could answer "ok BarterDEX also so ?" And I would say that in this case it would make more sense...
But to my opinion KMD should more focus on making the life as easy as possible.....for projects hosted on Komodo(edited)
Not for the whole world
You start a new chain on KMD : KMD offers you without effort : safety with dPOW, a wallet (and if possible the possibility to store your new coins on the KMD ledger app if the keying system is smart...and when AGAMA will support ledger), and a gate for exchange on BarterDEX (so you don't have to pray to be listed in an exchange). It means that if you start a project on KMD you propose the essential services in a "turnkey solution"(edited)
But this perimeter seems too narrow as far as I understand. I thinks it's already a huge challenge....but it seems Devs wants to do something even more "challenging"(edited)
If I were you I would consider for AGAMA (and even for BarterDEX) only : KMD chains + Bitcoin....and nothing more.
Sometimes the feeling you cover more than that... for humanitarian reasons (I'm teasing a bit )(edited)
jorian20-Feb-19 08:39 AM
why are you ranting on agama in a QT wallet channel?
riseandfall20-Feb-19 08:42 AM
Just because I have the feeling that QT has another perimeter : just KMD coins. But maybe I'm wrong ?
jorian20-Feb-19 08:47 AM
true, KMD and assets in QT
i guess it's just convenient to also have BTC and others in Agama
riseandfall20-Feb-19 10:11 AM
You are probably right towards AGAMA. But I anyway think that QT choose the right perimeter.(edited)
omisu25-Feb-19 10:08 AM
hi,guys . i cant see transaction balance on QT wallet . how can i see that ? all transactions amount is 0.0000000 pirate now. my OS is windows.(edited)
Cryptoon25-Feb-19 11:00 AM
@omisu best to ask in Pirate discord in the proper channel
@omisu currently on Transactions tab you can see only transparent balance of tx in "Net amount" field. In PIRATE all txes have transparent amout = 0. Use getrawtransaction txid 1 method in Help -> Debug windows menu to see full detailed info about given txid.
akiii29-Apr-19 10:50 AM
Hello everybody
phm8729-Apr-19 10:50 AM
Hello
akiii29-Apr-19 10:51 AM
How do you lunch oceanwalleh for assetchain on Linux ?
Oceanwallet*
SHossain29-Apr-19 10:54 AM
same as you would run the normal komodod. for example, to start BEER chain with KomodoOceanQT wallet you need to issue the following command in terminal
Hi, All ! Here is some significant changes comes till the end on NN election in Komodo-Qt:
1. We fixed some minor bugs in the wallet in Komodo-Qt, one, according to using of sendmany command from Debug windows -> Console (earlier it caused wallet crash), second with wallets containing z-transactions and few others.
2. Well-known that earlier we had 3 separate branches of 3 different OSes - Linux, Windows and OSX. Now i'm working on get all of this build from one single branch, like original komodod. There was an issues caused by linking OpenSSL 1.1.1a + Qt + other libs, but now all seems solved. This branch is not released yet on Git, but will be published soon and will called static. This also means, that you will able to build static binaries (!) for all 3 OS from single branch.
3. For Windows we will have simple and comfortable NSIS based installer.
There is an unoffical "alpha-test" binaries available, for all who wants to test it right now:
1. https://send.firefox.com/download/5569ea3885affb18/#jqFFWAhGMbAxwRxaygsM0A - komodo-qt installer for Windows.
2. https://send.firefox.com/download/da5af4ffd28a5137/#_GhscCPNq2jUKC7-7w3Fvw - archive with static binaries of komodo-qt for all 3 OS: komodo-qt-win.exe - Windows, komodo-qt-linux - Linux, komodo-qt-osx - MacOS. Linux static binary should work on most distros with LIBC 2.23 (in Ubuntu, it's 16.04 and higher). You can test it and report here will it work on your favorite distro or not.(edited)
Encrypt and send files with a link that automatically expires to ensure your important documents don’t stay online forever.
1
1
1
1
2
Decker10-May-19 07:08 PM
Komodo-Qt-Installer (Windows) screenshot.
2
SHossain10-May-19 07:10 PM
yes, the static binaries are working quite nicely on all OS
1
Decker10-May-19 07:15 PM
but additional tests will not be superfluous, bcz users can prefer some "specific" Linux distros, like Arch Linux, Fedora, or others.
Decker23-May-19 08:11 PM
https://github.com/DeckerSU/KomodoOcean/releases/tag/v2.0.15-rc2-g28-3 - new static binaries of Komodo-Qt are available.
komodo-qt-linux.tar.gz - static binaries of Komodo-Qt for Linux (should work with any Linux distro with GLIBC version not lower than in Ubuntu 16.04)
komodo-qt-mac.zip - static binaries of Komodo-Qt for MacOS (tested with Mojave)
komodo-qt-win.zip - static binaries of Komodo-Qt for Windows
komodo-qt-win.exe - Windows Installer


glean
: An
OpenGL
Test and Benchmarking Suite
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ZIKV Zika (.) infection women (%) birth pregnancy pregnant {border-style Virus virus Health px;} #ffffff;} (., testing ;():–. cohort adverse data maternal serologic IgG Sciences blood review risk assays delivery study tested timing Chapel DENV IgM Medicine clinical outcomes positive surveillance Hill, University diagnosis eFRNT peak specimens status ELISA FRNT cord population prenatal prior Department Dis. North School care defined epidemic median pregnancy. px; seroprevalence time used weeks {font-family Carolina Incident Medicine, States United algorithm antibody congenital consistent font-size infected infections negative neutralization relation (Fig (Table America[], Clin Infection Maternal Microbiol. Pathogens Prior age criteria curationFormal dilution double; epidemic. fever, infants infection, obtained outcome sample serum specimen transmission No* Yes (.%) ./journal.pone..tTable BOB Biology CZS Dengue Fig Infect LMP NC, Nicaragua Nicaragua. Obstetrics Pregnancy border-color border-width case findings health infection. neonatal performed period pregnancy, prospective recent result samples solid; specificity subject supported {font-style {font-weight (IQR) (n) Assay Birth Blood Body Congenital Disease Flaviviruses: Fluids: LMP, Life Neutralization Nicaraguan RT-PCR Research Results Serologic Timing Viral Women Women's acute al.Zika approach assess available bold capture control courier; delivery, detection determine determined developed did editor. em; epidemiologic evidence fetal group information met methods pregnancies pt;} rash, reported results serology serostatus subjects symptoms tests using


lookingpositive.lookingpositive
Classes
AddDelEvents
AddUser
ArrayListOfArrayList
Calendar
Event
FileManager
Geography
Health
Information
Mail
Operations
Profile
SignInUp
Tracking


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- SequencePlayer - Class in provided.player
-
Sequence Player to create and play MIDI music sequences.
- SequencePlayer(int, int) - Constructor for class provided.player.SequencePlayer
-
Create a new SequencePlayer to create and play music.
- SequencePlayer2 - Class in provided.player
-
Sequence Player to create and play MIDI music sequences.
- SequencePlayer2(int, int) - Constructor for class provided.player.SequencePlayer2
-
Create a new SequencePlayer to create and play music.
- SequencePlayer2.IPlayable - Interface in provided.player
-
Interface that represents a playable entity.
- serialVersionUID - Static variable in class view.PlayerGUI
-
- setAccidental(int) - Method in class provided.music.Note
-
Accessor to set the accidental value
- setDecoree(ISeqList) - Method in class provided.music.DecoratorSeqList
-
Setter methods used to set the decoree.
- setDecoree(int, ISeqList) - Method in class provided.music.ToggleDecoratorSeqList
-
Setter methods used to set a particular decoree.
- setDecorees(ISeqList...) - Method in class provided.music.ToggleDecoratorSeqList
-
Settor for the decorees
- setDuration(double) - Method in class provided.music.Note
-
Accessor to set the note duration
- setFine() - Method in class provided.music.FineToggleDecoratorSeqList
-
Sets the system to use the "fine" decorator at the next execution.
- setIsNatural(boolean) - Method in class provided.music.Note
-
Settor for isNatural flag.
- setName(char) - Method in class provided.music.Note
-
Accessor to set the name of the note
- setOctave(int) - Method in class provided.music.Note
-
Accessor to set the octave of the note
- setTargetToDecoree(int) - Method in class provided.music.ToggleDecoratorSeqList
-
Used to explicitly set the target (active) decoree if needed.
- setTempo(int) - Method in class provided.player.SequencePlayer
-
Set the tempo - can't change the tempo in the middle of a sequence,
the last tempo set will be used for the whole sequence.
- setTempo(int) - Method in class provided.player.SequencePlayer2
-
Set the tempo - can't change the tempo in the middle of a sequence,
the last tempo set will be used for the whole sequence.
- setTicksPerDefaultNote(int) - Method in class provided.player.SequencePlayer
-
Accessor to set the current ticks per default note
- setTicksPerDefaultNote(int) - Method in class provided.player.SequencePlayer2
-
Accessor to set the current ticks per default note
- setToStringAlgo(IPhraseVisitor) - Static method in class provided.music.NESeqList
-
Setter for the _toStringAlgo helper.
- setTxtArea(String) - Method in interface model.IViewAdapter
-
set text view's text area
Abstract
- Singleton - Static variable in class provided.music.MTSeqList
-
Singleton instance of the class
- Singleton - Static variable in class provided.token.TokenFactory
-
Singleton instance of this class
- Singleton - Static variable in class provided.util.ABCUtil
-
Singleton instance of the class
- sp - Variable in class model.PlayerModel
-
- stack - Variable in class provided.token.tokenizer.ABCTokenizer
-
Push-back stack for tokens.
- stack - Variable in class provided.token.tokenizer.StringTokenizer
-
Stack used for token push-back
- start() - Method in class control.Controller
-
start controller
- start() - Method in class model.PlayerModel
-
start
- start() - Method in interface provided.player.SequencePlayer2.IPlayable
-
Starts the sequencer associated with this playable entity
- start() - Method in class view.PlayerGUI
-
Start the frame
- stop() - Method in class model.PlayerModel
-
stop
- stop() - Method in class provided.player.SequencePlayer
-
Stop playing music and close resources.
- stop() - Method in interface provided.player.SequencePlayer2.IPlayable
-
Stops the sequencer and synthesizer associated with this playable entity
- Stop() - Method in interface view.IModelAdapter
-
- StringTokenizer - Class in provided.token.tokenizer
-
Special tokenizer that converts a stream of various types of tokens from StreamTokenizer and converts them into a stream of strings.
- StringTokenizer(String) - Constructor for class provided.token.tokenizer.StringTokenizer
-
Initialize _st to read from a input Reader file with the given input file
name.
- swapToken(Token) - Method in class provided.abcParser.ABCParser
-
Swap the given token for the next token in the tokenizer, returning the
next token.


Home > CSS Questions > How to prioritize the CSS property of an element?
!important
Writing !important beside a CSS rule gives it a higher priority with respect to previously defined rule. No other rule can override it. It has higher priority than Class and Id Selectors. The !important property in CSS means that all subsequent rules on an element are to be ignored, and the rule denoted by !important is to be applied. This rule overrides all previous styling rules and the !important property increases its priority.
The !important property is mentioned immediately before the semicolon and at the end of the CSS rule before terminating it.
h1 {
color: blue ;
}
h1 {
color: #FF8882 !important; //important property
}
body {
background-color: #FBF2ED !important;
text-align:center;
background-color: red;
}
In the code above, the normal color for the h1 tag was blue but, because of the !important property, a different color is applied. Similarly, a different color is applied to the background instead of red.
Note: It is not advisable to use !important property very often.


Dragon Foot Solver
This solver modifies the legs of the character to adjust them to the terrain. It typically works complimentary with the spine solver.
Table
Input Data
| Parameter | Description |
|---|---|
| dragon input data | Type the input bones used by the solver - pelvis,spine-start and feets |
Trace Settings
| Parameter | Description |
|---|---|
| IK Type | Select foot ik type - two bone ik and one bone ik. 99.9% best to use the default two bone ik. One bone ik is only useful in case the animal has no knee bones, such as the infinity blade spiders. |
| Trace Type | Choose Trace type - Line,Sphere and Box. |
| Trace Radius | If trace type is box or sphere, its radius is controlled using the Trace Radius |
| Trace_Channel | Trace channel used by the solver traces. Recommended to create a new dedicated trace channel for the ik through project settings. |
| Anti_Trace_Channel | Channel used for the trace repelling anti-channel process. |
| Fps treshold for interpolation | If frame rate falls below this treshold, then interpolation is disabled for instant results as well as better overall performance. |
| Trace Height above feet | Line trace height above the feet bones. Too high values will cause legs to react to ceilings and trees. Too low values will cause ik to not work on extreme slopes and steps. |
| Trace Height below feet | Line trace height below the feet bones. Usually best kept 0. Too high values can lead to sticky IK which might be undesirable. |
| Global trace scale multiplier | Uniformly increases all trace related parameters.  I personally just use this rather than individually tweaking the trace heights. |
| Trace down height multiplier relative to velocity | This is a curve parameter that multiplies with the "Trace height below feet" relative. |
| Use Anti-Channel Functionality | Use the anti-channel in the solving logic. Use meshes with the anti-channel set to "block" to repel the traces from touching ceilings and closed spaces. Also useful when under stairs or narrow multi-storied buildings. Cover the ceilings and under stairs with anti-channel blocked meshes. |
Master Curve Settings
| Parameter | Description |
|---|---|
| Use custom velocity instead of automatic character velocity for curves ? | Enable this to use your custom player velocity instead of automatically getting it from the parent character class movement component. This velocity value will be used to drive the curve parameters that depend on velocity. |
| Custom curve velocity | This is used as the velocity if "Use custom velocity..." parameter is enabled. |
Interpolation Settings
| Parameter | Description |
|---|---|
| Location Interpolation Type | Select the feet location interpolation method. Default uses the divisive location interpolation method, which provides optimal smoothness and speed of solving. Optionally can use the legacy method of interpolation. |
| Rotation Interpolation Type | Select the feet rotation interpolation method. Default uses the divisive location interpolation method, which provides optimal smoothness and speed of solving. Optionally can use the legacy method of interpolation. |
| Interpolate only on legs Z axis ? | If enabled, interpolation is strictly on the vertical axis of the feets. If disabled, interpolation is in all axis. Might create a delayed feet response in low frame rates if interpolating in all 3 axis. |
| Shift Speed | The transistion speed between solve and unsolve state of the leg ik (eg:- when character jumps and falls back to ground). Lower values means slower but smoother transition. |
| Feet Position Interpolation Speed | Controls the feet interpolation location speed. Lower values means smoother but slower results. Is ignored if "Ignore location lerping" is enabled. |
| Feet Rotation Interpolation Speed | Controls the feet interpolation rotation speed. |
| Ignore shift logic | Shift logic is the smooth transition between solving and non-solving state. Such as if the feet traces are touching the ground. Ignoring shift logic will make transitions instant. |
| Ignore Rotation Interpolation | Enable this to completely bypass rotation interpolation and use default values! |
| Ignore Location Interpolation | Enable this to completely bypass location interpolation and use default values! |
| Interpolation multiplier relative to velocity curve | This is a curve that multiplies the total interpolation with itself. X-axis is velocity and Y-value is the interpolation multiplier. Tweak this for appropriate speed of interpolation between idle & running state. |
| Enable complex but accurate foot placement method ? | Enabling this will 100% accurately place your feet position and rotation according to the terrain normal data without any gaps between the feet and terrain, but might sacrifice stability. Your leg poses might appear too "stylish" or "Jojo" if the terrain is too crazy due to over extending. Best to try it out and see if you if its good for your needs. |
| Complex to simple foot placement transition relative to velocity | Only used if complex foot placement is used. Turn off complex feet and switch to simple feet IK during locomotion for the best of both methods for maximum stability. Y-axis 1 means complex and 0 means simple. X-axis is character velocity. Default value basically switches to complex |
Basic Settings
| Parameter | Description |
|---|---|
| Automatic foot-knee-thigh detection | Parameter to choose between automatic feet bone detection or manual method. If enabled, solvers only uses the feet bones, and automatically assumes the next 2 parent bones as knees and thighs. If disabled, solvers uses the feet bones, knee bones and thigh bones typed in the feet array. If disabled, all bones need to be valid. Any invalid bones will not activate the ik. Very useful to keep it disabled on DAZ rigs and certain animal characters, where the thigh-knee-foot are not in a straight linear hierarchy. |
| Use (optional ref pose) as reference for foot rotation ? | If enabled, the rotation of the feet will be relative to its current animation. If disabled, the absolute reference rotation of the feet will be used instead, ensuring always aligned feets. |
| Enable Solver | Toggle this parameter to turn on/off ik. Example use case : Disable it when character is jumping or flying in the air. |
| Should Solving Rotate Feet ? | Disable this to ignore feet rotaion and use default animated rotation. |
| Enable Foot Pitch | Disable this to zero out the pitch of the feet. |
| Enable Foot Roll | Disable this to zero out the roll of the feet. |
| Character Up Direction Vector (Local space) | The up direction vector of the character in component space. 99% cases, this should not be altered. Only needed to alter on characters that do not follow the standard unreal character orientations. |
| Dynamic forward direction vector (Local space) | The up direction vector of the character in component space. 99% cases, this should not be altered. Only needed to alter on characters that do not follow the standard unreal character orientations. |
| Reference forward direction vector (Local space) | The up direction vector of the character in component space. 99% cases, this should not be altered. Only needed to alter on characters that do not follow the standard unreal character orientations. |
| Use advanced 4-point feet rotation ? | This is a new alternative method of rotating the feets. Instead of calculating from the normal data of the terrain, the rotation is calculated from approximating the results of the position of the 4 traces. 4-line traces around the feet. This helps rotate the feets even on sharp terrains more logically. |
| Enable foot lift limit ? (Uses the foot extension ratios in foot array) | Enable the ability to limit the lift of the feets. This limit is controlled from the feet array. |
| Calculate toe/finger rotations ? | Enable this to unlock and use the finger solving algorithm for each defined finger in the feet array. |
| Finger IK alpha relative to velocity | This is a curve that multiplies the finger IK alpha with itself. X-axis is velocity and Y-value is the finger alpha multiplier. Default value basically disables finger IK during locomotion. |
| Minimum allowed leg IK angle | This is the clamping of the leg IK accordingly |
| Work outside gameplay (for sequencer) | Enable this for having the IK work even outside gameplay, such as in the editor during sequencer recordings. |
Dynamic foot offset
| Parameter | Description |
|---|---|
| (optional) Foot x height offset | These are optional feet height offsets which be comfortably and dynamically modified for your purpose, instead of creating programatically creating inputs and supplying it. |
Performance
| Parameter | Description |
|---|---|
| LOD Treshold | The maximum LOD the IK solver will work with. -1 means the solver will work at all LOD levels. |


A PERFECT MURDER
Reviewed by Harvey Karten, Ph.D. Warner Bros./ Kopelson Entertainment Director: Andrew Davis Writer: Patrick Smith Kelly, play by Frederick Knott Cast: Michael Douglas, Gwyneth Paltrow, Viggo Mortensen, David Suchet
"A Perfect Murder" is an ironic title given the fact that Hollywood movies rarely involve killers who get away with their crimes. Considering the cleverness of its villain, it's difficult to believe he would commit so many flaws in planning the murder of his wife--or even that he would allow himself to lose so much money on Wall Street that he would be financially wiped out. While the errors in his scheme make the plot more predictable than we'd like, Andrew Davis's direction of Patrick Smith Kelly's screenplay is so disciplined that the film maintains its suspense from beginning to end. Based on the play "Dial M for Murder" by Frederick Knott, later made by Alfred Hitchcock ito a clunky movie starring Ray Milland, "A Perfect Murder" relies on its excellent cast to rivet audience attention. Though Michael Douglas is still Gordon Gecko, he plies his craft with enough variety to involve us. There's simply no one else who can carry off the demeanor of a cold, calculating, handsome and passionate money man.
"A Perfect Murder" begins in bed as Emily (Gwyneth Paltrow), the trophy wife of currency trader Steven Taylor (Michael Douglas), is carrying on a torrid affair with a much younger man, painter David Shaw (Viggo Mortensen). Though she is not yet aware, her husband has detected and photographed her afternoon movements and feels deeply deceived by the woman he loves for herself and not primarily for her $100 million worth. When she arrives home to their drop-dead designer apartment overlooking New York's Central Park, she and Steven say all the right things but you can tell by their body language that things are wrong. She avoids his eyes; his are flashing with justifiable anger. The couple are mismatched in age, Emily about twenty-five years Steven's junior. Though they attend the same functions and appear to be of the same social class, her straying is almost excusable.
The film spends most of its time in the planning of a murder, with Steven's offer of $500,000 to the man he is convinced will accept the assignment because of certain information he can use to blackmail the perp. Steven's motivation all the more believable as he has suffered a drastic financial loss on the market which has wiped him out. The narrative is gripping not only in the well-executed unfolding of the crime but even more in the insight the story gives us into the lives of the super rich and in the subtle ways the characters show their feelings for one another. Emily's mother, Sandra (Constance Towers) welcomes her daughter to a spacious suburban home and shoots a glance of dislike toward Steven. Is she disappointed that her daughter married a man who is so much older? Does she have some insight into the nature of his character? Mohamed Karaman (David Suchet), in the role of detective inspector Mohamed Karaman, is immediately suspicious of Steven, a vague intuition, perhaps, and as an Arab-American is charmed by Emily's knowledge of the Arabic language. Despite her wealth, Emily works, but in a glamour job as a multilingual translator at United Nations headquarters, where she is best friends with Raquel--a woman whom Steven calls "the Castilian femme fatale" (but who does not look at all Castilian). Steven plays cards at the club with $1,000 as a typical opening bet, and Emily "lunches" with her friend. Yet Emily takes the subway to a drug nest and charms a dealer by speaking his language while Steven spends some time in a dilapidated loft building in the downscale Greenpoint section of Brooklyn.
Director Andrew Davis gets good work from his classy cast, getting Douglas to portray a man who is driven by greed but by his feelings of betrayal as well. David Suchet, known to aficionados of detective stories as Agatha Christie's Hercule Poirot, is appropriately all-knowing as the skeptical police inspector, and Viggo Mortensen--who plays a guy who is not what he seems--can effectively vary his chameleon-like demeanor according to the needs of the situation.
The film's ending is too neat, even juvenile. A European version would rely more on a chessboard artifice than on light artillery. "A Perfect Murder," which features opulent settings as one of its principal characters, is a vigorous entry into the summer entertainment market.
Rated R. Running time: 107 minutes. (C) Harvey Karten 1998
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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Related links: index of all rec.arts.movies.reviews reviews


Vendor Name:
Promaxis Systems Inc.
Reference Number:
6015489
Contract Date:
2013-02-10
Description of Work:
0446 Training Consultants
Contract Period:
2013-02-10 to 2013-19-10
Delivery Date:
2013-19-10
Original Contract Value:
$16,470.00
Current Contract Value:
$16,470.00
Comments:
This contract was competitively sourced.
Additional Comments:
Course delivery related to professional development training (human resources)
Former Public Servant in Receipt of a Pension under the Public Service Superannuation Act:
No


@* * Copyright 2023 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @import uk.gov.hmrc.govukfrontend.views.html.components._ @import uk.gov.hmrc.hmrcfrontend.views.html.helpers._ @import uk.gov.hmrc.hmrcfrontend.views.config.StandardBetaBanner @import uk.gov.hmrc.hmrcfrontend.views.html.helpers.HmrcReportTechnicalIssueHelper @import views.html.helper.CSPNonce @import config.FrontendAppConfig @import controllers.routes @this( appConfig: FrontendAppConfig, govukLayout: GovukLayout, hmrcHead: HmrcHead, hmrcTimeoutDialogHelper: HmrcTimeoutDialogHelper, hmrcStandardFooter: HmrcStandardFooter, hmrcStandardHeader: HmrcStandardHeader, standardBetaBanner: StandardBetaBanner, defaultMainContentLayout: TwoThirdsMainContent, hmrcScripts: HmrcScripts, govukBackLink: GovukBackLink, hmrcReportTechnicalIssueHelper: HmrcReportTechnicalIssueHelper ) @(pageTitle: String, timeoutEnabled: Boolean = true, canSignOut: Boolean = true, showBackLink: Boolean = true, fullWidthLayout: Boolean = false )(mainContent: Html)(implicit request: Request[_], messages: Messages) @headScripts = { @if(timeoutEnabled) { @hmrcTimeoutDialogHelper( signOutUrl = routes.LogoutController.onPageLoad.url, keepAliveUrl= Some(routes.LogoutController.keepAlive.url), timeout = Some(appConfig.timeout.toInt), countdown = Some(appConfig.countdown.toInt) ) } } @beforeContentBlock = { @if(showBackLink) { @govukBackLink(BackLink( attributes = Map("id" -> "back-link"), classes="js-enabled", href="javascript:history.back()", content = HtmlContent(messages("site.back")) )) } } @scripts = { } @mainContentWithGetHelp = { @mainContent


Controller view examples
Basic model change
Using a child component
Handling collection changes
Using ajax
Optionally listening to model/collection changes


{%- extends 'layouts/generic.html' %} {#- Page title #} {% block title -%}Image Classification{%- endblock %} {#- Page content #} {% block content -%}
You can upload your custom image dataset to train and evaluate performance.
Your dataset to be uploaded must be a .zip
file & the
directory must contain the class labels whereas the class labels holds all the images for that class.
| Rank | Image Class | Score |
|---|---|---|
| 1 | Scorpion | 83.64% |
| 2 | Anchor | 8.68% |
| 3 | Beaver | 3.75% |
| 4 | Barrel | 2.48% |
| 5 | Ant | 1.45% |


$CB20/52000: M-R memory read Jump from $CB10: CB20: B1 6F LDA ($6F),Y ; read byte CB22: 85 85 STA $85 CB24: AD 74 02 LDA $0274 ; length of command line CB27: C9 06 CMP #$06 ; less than 6? CB29: 90 1A BCC $CB45 ; yes CB2B: AE 05 02 LDX $0205 ; number CB2E: CA DEX CB2F: F0 14 BEQ $CB45 ; only one byte? CB31: 8A TXA ; number of bytes CB32: 18 CLC CB33: 65 6F ADC $6F ; plus start address CB35: E6 6F INC $6F CB37: 8D 49 02 STA $0249 ; end pointer CB3A: A5 6F LDA $6F CB3C: 85 A5 STA $A5 ; buffer pointer for error message CB3E: A5 70 LDA $70 ; set to start address for 'M-R' CB40: 85 A6 STA $A6 CB42: 4C 43 D4 JMP $D443 ; byte out Jump from $CB29, $CB2F: CB45: 20 EB D0 JSR $D0EB ; open read channel CB48: 4C 3A D4 JMP $D43A ; byte out Jump from $CAFD, $CB1B: CB4B: A9 31 LDA #$31 CB4D: 4C C8 C1 JMP $C1C8 ; 31, 'syntax error' Previous Page / Next Page


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Browser Utilities - v{{about.version}}
Developed and maintained by Josephus Paye II
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TriStar Pictures presents a Golden Harvest / Leonard K. C. Ho Production Jackie Chan WHO AM I? Michelle Ferre Mira Yamamoto Ron Smerczak Ed Nelson Tom Pompert Yannick Mbali Washington Xisolo Music by Nathan Wang Cinematography by Hang-Sang Poon Edited by Peter Cheung & Yau Chi Wai Executive Producer: Leonard Ho Produced by Barbie Tung Screenplay by Jackie Chan Susan Chan Lee Reynolds Directed by Benny Chan & Jackie Chan
Review by R.L. Strong
Since Jackie Chan broke onto the U.S. film scene with 1996's "Rumble in the Bronx", we've been subjected to a rather mixed bag of films starring the famed go for broke action star. The main problem with the majority of Jackie's films is that (as many other critics have noted), his films don't have a very strong plot line. But first and foremost, Jackie has always been the reason to see these films. With the upcoming release of "Who Am I?", we are witness to a vital change in Jackie's screen trade. This time we have a plot.
The plot of the film starts off with the discovery of a strange isotope from a meteorite found in a deep cave in some un-named location. The isotope is checked and discovered to have unlimited energy potential. As the isotope is being transported through South Africa, the scientist are ambushed by an elite team of commandos (one of which is Jackie). Stealing the computer information which could lead to harnessing this energy, the commandoes helicopter crashing into the brush.
Jackie awakens slowly over an undisclosed period of time. He has been nursed back to health by an African tribe. As Jackie regains full consciousness, he is asked by the tribesman who he is and where he comes from. Jackie, suffering from amnesia, cannot remember his name or how he came to be in the village. He asks the Village Chief (Washington Xisolo), who am I? Misunderstanding him, the Chief believes Jackie's name to be "Whoami", and this is what they call him.
Jackie is adopted by the tribe. He learns their language and their culture, becoming a part of their society. During this time, Whoami (Jackie Chan) regains bits and pieces of him memory. Realizing that he most go back to civilization to discover his past, Jackie leaves the tribe and goes off in search of himself.
This is the initial setup for the film, and I found this to be so enjoyably quirky and different that I found myself wanting more. Jackie's performance in the film is as good as anything he's ever done. But those scenes in the African village are truly unique in that we (U.S. movie-goers) finally get to see that Jackie is much more than a high kicking stunt man. He IS an actor. The other performances in the film are a hit and miss affair, but there is nothing here that is as embarrassing as any of the gangsters in "MR. NICE GUY" (1998). In fact on of the surprises of the film is the return of Ed Nelson ("Attack of the Crab Monsters" )to the screen as the corrupt General Sherman. Mr. Nelson is obviously enjoying his role in this film and tries his best to give a Cormanesque performance. The two female leads Mira Yamamoto as race driver Yuki and Michelle Ferre as undercover CIA operative, Christine are both working on screen for the first time and are not called upon to do anything very strenuous, but they are appealing and easy on the eyes. The remainder of the cast are up to the task, with Ron Smerczak doing a fine job as the evil arms broker, Morgan.
Now of course everyone knows that Jackie does all of his own stunts, and this film is no different. That "Oh My God" quality is still there in abundance. Jackie is still the hardest working star on screen today. We've heard other actors claim to do their own stunts, but no one has that "go for it" attitude that Jackie has. Some critics have called Jackie a Human yo-yo, and in one absolutely amazing stunt, literally proves it. Trust me! Your mouth will remain open in amazement for the next five minutes. There are fight scenes here that are just unbelievably complex and inventively funny. A classic example is a fight in the streets of Rotterdam with a set of Wooden Shoes.
The script by Jackie, Susan Chan and Lee Reynolds is remarkably tight. Once the power of the isotope is explained, it becomes less of an issue. The driving issue is tied to Jackie's attempts to rediscover his own identity and the growing conflict he is having his past and adoptive personality. As the film progresses, flashbacks are used to fill in the blanks in the plot, creating a sense of urgency that is very enjoyable. The direction by Benny Chan is reminiscent of some of the more extreme work of Sammo Hung Kam-po. There is as much camera movement as in any John Carpenter film, and it's use is marvelously inventive. Co-Directed by Jackie himself (obviously handling the action scenes) the film is a solid whole. In the past, Jackie has had many disagreements with his directors, but here it seems that a mutual cooperation is at work for the film holds together much better that any of Jackie previous films since "Drunken Master 2".
The Cinematography by Hang-Sang Poon is beautiful. Africa has not looked this majestic since "The Naked Prey" or "Born Free". Scenes of the tribesmen shot from on high are sumptuous in their presentation, giving these native people and their land a regal quality that is awe inspiring.
One of the most appealing aspects of the film are the scenes with the African villagers. In the past, it could be said that Jackie (and most Hong Kong filmmakers) were a bit insensitive to other customs and cultures. Here, there is nothing but honor and respect. This un-named African tribe is presented with honor for both their customs and individuals. The scenes of ritual dance are wonderful to watch. These scene make you want so much more.
"Who Am I?" is a grand return from Jackie, a few mis-steps. A film that honors Jackie's past achievements and points to a very promising future.
On a scale of * to *****, "WHO AM I? rates ****
Nothing in this article may be reprinted or copied without the expressed written permission of the author. Article ) 1998 R.L. Strong
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BOMBAY A film review by Mark R. Leeper Copyright 1995 Mark R. Leeper
Capsule: While by Western standards this is not a great film, it towers above most films made for the Indian domestic market. Western viewers who do not know the conventions of Indian domestic films may be puzzled by the combination of light comedy and serious political content, but will find the film rewarding nonetheless. Rating: low +2 (-4 to +4)
The vast majority of Indian films are weak exploitation films intended to entertain mass audiences, and rare is the film made for the domestic Indian market that looks intelligently at a serious issue. People in India usually do not go to the movie theater to be edified by a film with serious meanings. That is why a film like BOMBAY is so unusual and is touring international film festivals. It performs a balancing act trying to please the entertainment audiences and at the same time trying to be an indictment of the violence of the 1993 religious riots in Bombay. Trying to do both, it is not altogether successful at either. There are nightmarish depictions of the riots that presumably will bother the entertainment-oriented audience. Still, in the examination of its real issues it betrays itself twice, first in putting the serious themes so late in the film and then in treating those themes overly simplistically. To an American audience it will seem that BOMBAY mixes 1990s violence with a simplified view of the issues of racial intolerance much like the United States might have had in the 1950s. It does not look very deeply at the causes of the religious differences for fear of appearing to take sides. Instead, it limits its message to saying simply that violence is wrong and whatever the religious differences they are, rioting is not the way to resolve them. That is an important statement but not all that profound. Effectively India has discovered the politically correct film. One of the film's reviewers called this India's SCHINDLER'S LIST. The comparison applies only if comparing BOMBAY to other Indian films.
Our story starts like a classic "Romeo and Juliet" plot. Young Hindu boy Shekhar Misra (played by Aruind Swami) loves Muslim girl Shaila Banu (Manisha Koirala). He knows his family will never approve- --his father does not like even Northern Hindus, much less Moslems--but he goes ahead and courts her. When his family objects too strongly he flees to Bombay and sends for Banu. Bombay initially represents the anonymity and tolerance of a cosmopolitan city. However, their love has already caused a feud between the two families and it continues in their absence. While the plot takes a comic turn of the newlyweds unable to find privacy to be together in Bombay, the reluctant fathers-in-law escalate a feud. This is all done with a light touch, but soon the theme of intolerance will be handled more shockingly. The city of Bombay is about to be torn apart by riots, and the film will get a good deal more serious.
Western critics discussing BOMBAY find it odd that a light comedy turns into an angry political indictment. The original film was probably an even stranger combination. The version we are seeing is reportedly cut down from a version in which there were also the traditional love songs mixed in. There are some light musical interludes in what is being shown but not the popular songs that were probably in the original. It might be a mistake to attribute the combination to the originality of writer and director Mani Ratnam. It is much more a convention of Indian domestic films that all films are musicals and comedies. As an example, KHAL-NAAIKAA, a remake of the American horror film THE HAND THAT ROCKS THE CRADLE, was very close to the original except for the seemingly incongruous injection of comedy and musical sequences into the story. But in spite of this, what does come through is often moving, though at times not as subtle as a Western viewer might like. At times the action stops as a character make speeches for tolerance. But what other critics are finding fresh and original is, in fact, a cultural difference and almost inevitable in Indian domestic films. Incidentally, I noted the credit included a dance director in spite of the fact that there was no real dance in the version we saw.
The camera work for BOMBAY is a little showy. Several simple effects are used including slow-motion, scenes rushing past the camera, and strobe effects as well as subjective hand-held camera shots.
Also, the film might have been a bit better with a screen or two at the beginning explaining the basis of the conflict and the name ofa political group referenced in the film. This would serve a double purpose. It would not only help foreign audiences understand the conflict, it would also bind the film together by promising that there will be serious political material coming up. There certainly was some question why, for example, the Moslems in the film are so opposed to a particular temple to Ram being built. While most of what goes on becomes clear from context, most Western viewers could do with a few notes.
While the basic subject matter is contrived, this is certainly the best Indian domestic film in years. Rate it a low +2 on the -4 to +4 scale.
Mark R. Leeper<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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When Marriage Doesn’t Go As Planned
And Unfortunately It Usually Doesn’t.
by Shelley MooreIt took me years to admit what I knew deep down inside.
This relationship as I knew it, was over.
But, our son.
I could not get past the fact that our son would now be forced to move between two homes. That he would not be eating dinner with both his parents or tucked in by mom and dad. He didn’t deserve this. He didn’t ask for his parents to get divorced.
So we didn’t.
Instead I came up with a hair-brained scheme to split our house up. Our home was not big, but the 1500 square feet was dispersed over several levels and for a moment I believed that we could make it work by dividing the house. He would have his levels, I would have mine, and the kitchen would be common space. Our son would have free reign of the house.
Writing this almost seems humorous now and I struggle to see how I ever thought that would work. But it does convey the desperateness I felt.
To no surprise, that barely lasted a month.
The realization that we were now going to be in two separate households was crushing but I knew this was not the type of relationship I wanted to model for our son.
Divorce has become so common its almost as though we expect it from the start. In fact, the odds are against us from the moment we say “I do”, with over 50% of marriages now ending in divorce. This number continues to increase as people re-marry.
When we divorced, I vowed it would be different.
While suffering from a colossal perceived failure, we split households and established a new norm.
During the first few months there were times it felt like I couldn’t breathe. I struggled to let go and allow his dad to set his new normal with our son. Without knowing how to articulate this to anyone, I chose to be silent and put on a brave face for all those around me. Shelley the Strong.
There were times it felt like our son was living in two completely separate worlds. Yet, as hard as I tried to bridge these two worlds, I believed I was completely failing. Failing our son.
It has been five years since we split up and a lifetime of learnings.
On Compassion…
I feel so much compassion for myself 5 years ago. Desperately trying to keep things together and make things right, while attempting to control things I had no business controlling. My intentions were good, but the level of frustration I experienced on a daily basis, was stifling.
Compassion for his dad.
This has been so incredibly difficult for me. I grappled to understand the choices he made that directly impacted our son. In particular, when it came to his health. But I have learned that we all come with our own experiences and background and this can significantly affect how we make decisions. If I look at his behaviour through this lens, I see that he too, wants the best for our son.
This has required me to pause, to not react or assume and ask to clarify. It’s required many discuss around how different things were impacting our son.
Stay True to Myself…
This has been one of my biggest lessons. Despite feeling as though my words were often falling on deaf ears, I stayed consistent with my message.
Our parenting styles were and in many ways still are, quite different. But over the years I stayed true to who I was and never acquiesced.
There were many tears. Both, myself and our son.
There were many times that it felt like a line had been drawn, with myself on one side and the two of them on the other.
My house was deemed “not fun”. The place where homework was done and screen time was extremely limited. Where healthy food and sleep was prioritized. Where questions like these ensued:
“Why can’t I have 3 bowls of corn flakes for breakfast and not oatmeal?”
“Why can’t I stay up until 10pm? Why is sleep so important to you?”
“Why do I always have to eat vegetables?”
“Why do I have to practice Spanish?”
I have always been clear that my job as his mom was not to be his best friend.
He knew my priority was to love him, keep him safe and help guide him. I would often explain my own struggles with parenting and in making tough, unpopular decisions. Explaining my “why” for decisions being made and allowing space for him to discuss and express his thoughts and feelings. Sometimes this meant being flexible.
I have cried myself to sleep more nights than I can count. I have questioned my ability as a mother. I have doubted myself.
But this last year has proved to me that it is working.
Our son has begun to not only understand, but articulate, his appreciation for the choices made, even around discipline. He has become an advocate for healthy living in his class. He has thanked me for listening to him, really listening to him, and I have thanked him for teaching me more than I ever could, him.
And more recently, mommy’s house has been labeled “fun”.
— Published on November 19, 2019


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- Call for defibrillator and code cart. Place patient on backboard. Attach defibrillator pads
- Increase O2 to 100%, stop anesthetic agents, inform surgeon, consider cardiology consult
- Call Intraoperative Electrophysiology
- If NO pulse present, start CPR/PALS; go to CARDIAC ARREST
- If pulse present, Pick One
- Probably sinus tachycardia
- Identify and treat underlying etiology
- Consider vagal maneuvers
- Adenosine 1st dose 0.1 mg/kg IV, rapid push (6 mg MAX); 2nd dose 0.2 mg/kg IV (12 mg MAX)
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2nd dose mg (0.2 mg/kg, 12 mg MAX) IV
- Synchronized cardioversion: 0.5-1 joule/kg, additional shocks @ 2 joules/kg
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additional shocks @ joules (2 joules/kg)
- Amiodarone 5 mg/kg IV bolus over 20-60 min
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- OR
- Procainamide 15 mg/kg IV bolus over 30-60 min
- Procainamide mg (15 mg/kg) IV bolus over 30-60 min
- OR
- Synchronized cardioversion: 0.5-1 joule/kg, additional shocks @ 2 joules/kg
- Synchronized cardioversion: joules (0.5-1 joule/kg),
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Created by Margaret Yu. Inspired by an obsession with the original 2048 game, MIT Class of 2018, and GetMIT! by Mitchell Gu. Based on 2048 by Gabriele Cirulli and 1024 by Veewo Studio and conceptually similar to Threes by Asher Vollmer.
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Uber Kenya’s RideCheck Will Detect if a Trip Goes Off Course
by Kiruti Itimu
Uber had a Safety workshop today and in line with the theme is the day, they announced a new safety feature for the Kenyan market: Ride Check.
Ride Check is a safety feature that proactively surfaces tools riders and drivers may need when they detect something may have gone wrong.
How does it work? Well, GPS is the backbone of how Uber works. Uber uses GPS to know where and when a customer is riding as well as the driver. Using this GPS data combined with other sensors in driver’s smartphones, Uber says their technology can detect possible crashes or if a trip goes unusually off course.
This tech sounds pretty cool. We know that they are obviously using GPS as the main backbone of the system, but the other sensors that Uber uses are a mystery
The company says that this technology uses other sensors found in smartphones in conjunction with GPS. They didn’t specify which sensors per se, but I would guess that they’ll rely in data from the gyroscope (that measures tilt and orientation) and the accelerometer (measures change in velocity). I believe this why Uber has a specific list of phones that they do not want their partners to have.
When RideCheck is activated, both the rider and driver will receive notifications asking if everything is okay. They can let Uber know through the app that all is well or they can take actions like using emergency buttons or reporting the issue to Uber’s Safety Line.
This new feature joins the multitude of safety features Uber has included in its app. This includes the Safety Center, Trusted Contacts and more.


Anyone who ever performs profiling of a Zend Framework application will immediately recognize that class loading is relatively expensive in Zend Framework. Between the sheer number of class files that need to be loaded for many components, to the use of plugins that do not have a 1:1 relationship between their class name and the file system, the various calls to include_once() and require_once() can be problematic. This chapter intends to provide some concrete solutions to these issues.
One trivial optimization you can do to increase the speed of class loading is to pay careful attention to your include_path. In particular, you should do four things: use absolute paths (or paths relative to absolute paths), reduce the number of include paths you define, have your Zend Framework include_path as early as possible, and only include the current directory path at the end of your include_path.
While this may seem a micro-optimization, the fact is that if you don’t, you’ll get very little benefit from PHP‘s realpath cache, and as a result, opcode caching will not perform nearly as you may expect.
There are two easy ways to ensure this. First, you can hardcode the paths in your php.ini, httpd.conf, or .htaccess. Second, you can use PHP‘s realpath() function when setting your include_path:
1 2 3 4 5 | $paths = array(
realpath(dirname(__FILE__) . '/../library'),
'.',
);
set_include_path(implode(PATH_SEPARATOR, $paths);
|
You can use relative paths – so long as they are relative to an absolute path:
1 2 3 4 5 6 | define('APPLICATION_PATH', realpath(dirname(__FILE__)));
$paths = array(
APPLICATION_PATH . '/../library'),
'.',
);
set_include_path(implode(PATH_SEPARATOR, $paths);
|
However, even so, it’s typically a trivial task to simply pass the path to realpath().
Include paths are scanned in the order in which they appear in the include_path. Obviously, this means that you’ll get a result faster if the file is found on the first scan rather than the last. Thus, a rather obvious enhancement is to simply reduce the number of paths in your include_path to only what you need. Look through each include_path you’ve defined, and determine if you actually have any functionality in that path that is used in your application; if not, remove it.
Another optimization is to combine paths. For instance, Zend Framework follows PEAR naming conventions; thus, if you are using PEAR libraries (or libraries from another framework or component library that follows PEAR CS), try to put all of these libraries on the same include_path. This can often be achieved by something as simple as symlinking one or more libraries into a common directory.
Continuing from the previous suggestion, another obvious optimization is to define your Zend Framework include_path as early as possible in your include_path. In most cases, it should be the first path in the list. This ensures that files included from Zend Framework are found on the first scan.
Most include_path examples show using the current directory, or ‘.’. This is convenient for ensuring that scripts in the same directory as the file requiring them can be loaded. However, these same examples typically show this path item as the first item in the include_path – which means that the current directory tree is always scanned first. In most cases, with Zend Framework applications, this is not desired, and the path may be safely pushed to the last item in the list.
Example: Optimized include_path
Let’s put all of these suggestions together. Our assumption will be that you are using one or more PEAR libraries in conjunction with Zend Framework – perhaps the PHPUnit and Archive_Tar libraries – and that you occasionally need to include files relative to the current file.
First, we’ll create a library directory in our project. Inside that directory, we’ll symlink our Zend Framework’s library/Zend directory, as well as the necessary directories from our PEAR installation:
1 2 3 4 5 | library
Archive/
PEAR/
PHPUnit/
Zend/
|
This allows us to add our own library code if necessary, while keeping shared libraries intact.
Next, we’ll opt to create our include_path programmatically within our public/index.php file. This allows us to move our code around on the file system, without needing to edit the include_path every time.
We’ll borrow ideas from each of the suggestions above: we’ll use absolute paths, as determined using realpath(); we’ll include Zend Framework’s include path early; we’ve already consolidated include_paths; and we’ll put the current directory as the last path. In fact, we’re doing really well here – we’re going to end up with only two paths.
1 2 3 4 5 | $paths = array(
realpath(dirname(__FILE__) . '/../library'),
'.'
);
set_include_path(implode(PATH_SEPARATOR, $paths));
|
Lazy loading is an optimization technique designed to push the expensive operation of loading a class file until the last possible moment – i.e., when instantiating an object of that class, calling a static class method, or referencing a class constant or static property. PHP supports this via autoloading, which allows you to define one or more callbacks to execute in order to map a class name to a file.
However, most benefits you may reap from autoloading are negated if your library code is still performing require_once() calls – which is precisely the case with Zend Framework. So, the question is: how can you eliminate those require_once() calls in order to maximize autoloader performance?
An easy way to strip require_once() calls is to use the UNIX utilities ‘find’ and ‘sed’ in conjunction to comment out each call. Try executing the following statements (where ‘%’ indicates the shell prompt):
1 2 3 4 | % cd path/to/ZendFramework/library
% find . -name '*.php' -not -wholename '*/Loader/Autoloader.php' \
-not -wholename '*/Application.php' -print0 | \
xargs -0 sed --regexp-extended --in-place 's/(require_once)/\/\/ \1/g'
|
This one-liner (broken into two lines for readability) iterates through each PHP file and tells it to replace each instance of ‘require_once’ with ‘// require_once’, effectively commenting out each such statement. (It selectively keeps require_once() calls within Zend_Application and Zend\Loader\Autoloader, as these classes will fail without them.)
This command could be added to an automated build or release process trivially, helping boost performance in your production application. It should be noted, however, that if you use this technique, you must utilize autoloading; you can do that from your “public/index.php” file with the following code:
1 2 | require_once 'Zend/Loader/Autoloader.php';
Zend\Loader\Autoloader::getInstance();
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Many components have plugins, which allow you to create your own classes to utilize with the component, as well as to override existing, standard plugins shipped with Zend Framework. This provides important flexibility to the framework, but at a price: plugin loading is a fairly expensive task.
The plugin loader allows you to register class prefix / path pairs, allowing you to specify class files in non-standard paths. Each prefix can have multiple paths associated with it. Internally, the plugin loader loops through each prefix, and then through each path attached to it, testing to see if the file exists and is readable on that path. It then loads it, and tests to see that the class it is looking for is available. As you might imagine, this can lead to many stat calls on the file system.
Multiply this by the number of components that use the PluginLoader, and you get an idea of the scope of this issue. At the time of this writing, the following components made use of the PluginLoader:
How can you reduce the number of such calls made?
Zend Framework 1.7.0 adds an include file cache to the PluginLoader. This functionality writes “include_once()” calls to a file, which you can then include in your bootstrap. While this introduces extra include_once() calls to your code, it also ensures that the PluginLoader returns as early as possible.
The PluginLoader documentation includes a complete example of its use.
The source code of this file is hosted on GitHub. Everyone can update and fix errors in this document with few clicks - no downloads needed.


Mushrooms (P. cubensis)
Me and my friends went to Amsterdam for the weekend with the sole intention of getting smashed. As usual and as everyone else does, we smoked loads of weed etc. The first day we decided to take some Mushies. We went down to a store and we got a portion each of Mexicans (Psilocybe Cubensis). We took them on the road and walked back to the youth hostel.
The first hour was very interesting, I didn't know much about mushrooms and had only been told that they make you laugh and you just lose some sense of distances. I had no clue about how long they lasted and any other effects. So naively in the first hour we started laughing, all of us. Two people in the group did not take anything so they were alarmed on how we were acting, especially because they were unaccustomed to drugs and any other illegal substance; they sort of freaked out.  The rooms were very bad, five beds crammed in a small room, two of them were on top of the other two, and the place looked very sort of like a mental institution which I did not like at all.
So what happened was first of all no communication in the whole group, everyone was telling everyone else all sorts of weird things. Then I went insane; I thought I was going crazy, I kept going from one room to the other (we were 10 people--two rooms of 5). The whole youth hostel was going mad; probably half the people there had taken mushies and it was like a madhouse. No one in our group had taken mushies before and we didn't know much about them. Then I realized that I had lost any connection with time. I would do things and think of a million things in a very short period of time. I remember I turned on my chronometer on my watch went up and down, out of the hotel, talked with a couple of people, then on to the other room, undressed and tried to go to sleep, dressed again because of anxiety and stress and fear. Then I looked at the watch and only 2 minutes had passed. The night continued with me going back and forth, doing and saying crazy things.
The next day I took it easy. I smoked loads of weed and only did a couple of Ecstacy's at a Goa party, which was a great experience. The third day we all had for breakfast 3-4 spacecakes and I had an additional 1 Ecstacy and we went on the bus to go back to England. Everything was cool and loved the weekend except the mushroom trip.
We got back and I decided to quit smoking, drinking (which i didn't drink almost at all), and drugs. Two days after I had a very strong flashback which started at 11 at night when I was watching a thriller movie. I totally freaked out. I was damning the moment I took those mushrooms, then I tried successfully to sleep. The next morning I woke up for no reason at 09:00. I usually sleep until very late around 14:30, especially when I have taken drugs. I immediately freaked out again, I didn't want this, why was it happening to me. I had the same feeling of anxiety and fear as in the bad trip I had in Amsterdam. I felt really ill that day. Then towards the afternoon I got better but I was really ill. I thought I might have caught a cold so I took some panadols and slept. Next day I woke up again at 9, I was real angry at myself, I had to study for exams, why couldnt i relax, I kept feeling weird.
For the next 10 days I had ups and downs in body temperature, sometimes diarrhea, and some strokes of sudden anxiousness of what is happening to me. Today is the 17th day after the time I had the mushrooms. I had a mild stroke of anxiousness and right now I am feeling a bit anxious writing this. What was wrong with me?
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


- 1927: Born on Aug. 21
- 1944: Enrolled at University of Utah
- 1945: Joined United States Naval Reserve
- 1948: Graduated cum laude with a degree in business management
- 1948: Married Frances Beverly Johnson
- 1950: Called as Bishop (age 22)
- 1955: Called as a counselor in the stake presidency
- 1959-1962: Served as mission president of the Canadian mission
- 1963: Called as an Apostle (age 36)
- 1985: Called to serve in the First Presidency
- 2008: Called as the 16th President of The Church (age 81)
- 2018: Died on Jan. 2 (age 90)
"Decisions Determine Destiny"
"Work will win when wishy washy wishing won't."