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This test passes if this text is autosized, the font size change is observable from javascript, and FAIL is not printed. I'm just adding lines so this text is long enough to autosize. I'm just adding lines so this text is long enough to autosize. I'm just adding lines so this text is long enough to autosize. I'm just adding lines so this text is long enough to autosize. I'm just adding lines so this text is long enough to autosize. I'm just adding lines so this text is long enough to autosize.


#### Details
The following parts were improved:
The structure of the decumentation page was improved. A navigation menu is now accessable from all pages.
All modules of beem are now collected unter Modules. The installation section was updated and is at the same level as the readme file in the github.
The empty quickstart page was filled with content Five tutorials were added to the tutorials page
The configuration was improved and updated beempy CLI was updated and help for each command was added
The discord channel was added to the Support and questions page Indices and Tables can be access from all pages
Doctest added to CI for testing examples in the documentation The link to the documentation was shifted to the top of the readme
#### Components
beem is a python library for steem. The current version is 0.19.25. A lot of featues were added in the last 25 release, but the documentation was not well maintained.
#### Diff
Almost all parts of the existing documentation were improved.
All commands from the command line tool beempy are listed now.
A navigation menu with search bar is now visible on each site.
The installation page was improved and adapted to the readme.
Quickstart contains now
- Steem
- Wallet and Keys
- Receiving information about blocks, accounts, votes, comments, market and witness
- Sending transaction to the blockchain
The Tutorials page was filled with new content and the following sections were added:
- Use nobroadcast for testing
- Clear BlockchainObject Caching
- Batch api calls on AppBase
- Account history
- Transactionbuilder
The Configuration page was improved and contains now the following sections:
- API node URLs
- Default account
- Default voting weight
- Setting password_storage
The beempy CLI page has now a section about all commands and shows a help section for each command.
All examples in the doc section of the python functions within beem were reviewed and some examples are now tested with doctest.
101 files were changed with 1,486 additions and 708 deletions.
Links
The documentation of the beem library can be found here: http://beem.readthedocs.io/en/latest
This page is synchronized from the post: ‘Python library beem: Documentation improved’


|
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Dear Star Peace player,
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NOTE: If you do not want to receive messages related to
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your Star Peace account as well and you won't be able to re-activate it again
in the future.


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BREAKING THE WAVES A film review by Scott Renshaw Copyright 1996 Scott Renshaw
(October) Starring: Emily Watson, Stellan Skarsgaard, Katrin Cartlidge, Adrian Rawlins. Screenplay: Lars von Trier. Producers: Vibeke Windelov, Peter Aalbaek Jensen. Director: Lars von Trier.  Running Time: 166 minutes. Reviewed by Scott Renshaw.
Early in Lars von Trier's shattering new drama BREAKING THE WAVES, there is a scene in which Bess MacNeill (Emily Watson), an innocent young woman living in a coastal Scottish town, is deflowered by her husband Jan (Stellan Skarsgaard) in a bathroom at their wedding reception. It is the kind of situation you might have seen before played for laughs in low-brow comedies, usually because one of the parties in the bathroom is not the bride or the groom.  It is nothing less than awe at the overpowering emotions of making love for the first time which plays out before us, and introduces us to one of the most utterly fascinating film characters I have ever seen, played by an actor of unbelievable range.
Ladies and gentlemen, please meet Emily Watson, and do yourselves the favor of remembering that name. It is true that she has been given the kind of role which most actors (particularly women) would commit several felonies for -- a fragile, unstable woman who risks the censure of her strict Calvinist community in pursuing her love for lusty outsider Jan -- but Watson brings to it the kind of performance which doesn't so much impress you as transport you. When we first see Bess kneel in prayer to God, only to hear her play both roles in a dialogue, it is startling and disturbing, and makes her somewhat pitiable; later, when Bess finds herself unable to summon God's voice, it is somehow just as terrible. Watson is as gloriously innocent touching male genitalia for the first time as she is anguished when Jan leaves to return to the offshore oil rig on which he works. There is not an emotion she does not touch, or which does not leave you fumbling for superlatives.
Watson is so good that her performance might overwhelm a lesser story made by a lesser film-maker, but BREAKING THE WAVES is no simple love story. Much of the action takes place after an accident on the oil rig renders Jan paralyzed, a tragedy to which he responds by asking Bess to have sex with other men and describe the encounters to him. That storyline alone would make BREAKING THE WAVES a risky venture, but von Trier takes it to another level of audacity by making it an exploration of love and religious faith at its most extreme. As Bess gradually descends into a world of degraded sexuality she can't possibly understand, von Trier begins to build up imagery which suggests Bess as a Christ figure. She experiences her own agony in the garden as she pleads to have her burden taken away; she is condemned by the religious elders of her community; she is first betrayed, then shunned, by those closest to her; she even undergoes her own Way of the Cross, pelted with stones by a group of kids. It is powerful, resonant, and not a little bit sacrilegious.
And BREAKING THE WAVES is nearly as likely to offend those of a liberal sensibility as those more conservatively inclined. It would be easy to recoil against the idea of a woman with a history of mental illness subjected to violence and indignity by her own husband and, perhaps, even God. Those whose knees would jerk at the mere notion of a woman who would sacrifice anything for her man are going to have major problems with BREAKING THE WAVES, yet the film's indescribable final shot may address outrage on both sides with wordless daring: our earthly notions of good and evil, of right and wrong, may be burdens that only a simple mind motivated only by love can overcome in order to know the will of God.
BREAKING THE WAVES, at once intellectually challenging and emotionally draining, is presented by Lars von Trier in a visual style he also used in THE KINGDOM, a film-to-video-to-film trick which renders everything a dirty brown. The day-to-day world is a bleak thing in BREAKING THE WAVES, but between the chapters in the film are hypnotic motion-postcards (computer manipulated by artist Per Kirkeby) which provide surges of hope. That structure, along with the jittery photography, are as much a key to the title of BREAKING THE WAVES as anything which occurs in the film. Lars von Trier takes his audience for a ride on a sea of emotions which cannot leave it unmoved. Love it or loathe it, you will not be able to ignore BREAKING THE WAVES, or the work of Emily Watson as a woman who proves that love is a mighty power.
On the Renshaw scale of 0 to 10 permanent waves: 10.
Visit Scott Renshaw's MoviePage http://www-leland.stanford.edu/~srenshaw Subscribe to receive reviews directly via email See details on the MoviePage
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


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wanikani
Provides access to wanikani's API in Crystal.

Contributing
- Fork it ( https://github.com/asterite/wanikani/fork )
- Create your feature branch (git checkout -b my-new-feature)
- Commit your changes (git commit -am 'Add some feature')
- Push to the branch (git push origin my-new-feature)
- Create a new Pull Request
Contributors
- asterite Ary Borenszweig - creator, maintainer


Let's say you have a new race car track playset. The tracks come in little pieces that you, or a best friend, or mommy or daddy, can put together in many different ways. Let's say this is a really cool play set, and includes a big red button that rockets the race car onto the track. The whole thing works great, as long as you connect the track to the big red button.
You like big red buttons, so daddy makes three or four different race tracks. You can then choose which one you want to race on next, and daddy plugs it in to the big red button. All you have to do is press the button, and watch the race cars zoom along the race track.
The Strategy Pattern can be seen here. An algorithm is declared (race cars can be shot down a race track by pressing a big red button). The type of track, the color of the cars, etc, can vary from track to track. Each works though, as long as it connects to the big red button that fires them off.
public interface RaceTrack() {
public void startRace();
}
public class RaceTrackA implements RaceTrack {
public void startRace() {
turnRight();
turnRight();
turnLeft();
}
}
public class RaceTrackB implements RaceTrack {
public void startRace() {
doBarrelRoll();
turnLeft();
doLoop();
}
}
public class BigRedButton() {
public void pressButton() {
List<RaceTrack> tracks = new ArrayList<RaceTrack>();
tracks.add(new RaceTrackA());
tracks.add(new RaceTrackB());
for (RaceTrack track : tracks) {
track.startRace();
}
}
}
The code sample above illustrates the description at the beginning of this page. An interface, RaceTrack
,
contains one method, startRace()
. We can then implement the interface any number of times, and flesh out that method.
We do this a few times (with RaceTrackA
and RaceTrackB
.
The Strategy Pattern's benefit shows itself within our iterator block, where we traverse over a list of RaceTrack
objects. For each RaceTrack
,
we invoke the startRace()
method. This method does different things, depending on the implemention, but to our parent class,
it's all the same.


Maxlength Textarea Test
With Default Value
The textarea has default text of 64 characters but amaxlength
of
32.
Without Default Value
The textarea has amaxlength
of 32.
Text type
The text input has amaxlength
of 32.
Text type minlength
The text input has aminlength
of 32.


#include <ApplicationCommand.h>
|
| json | api_call (const std::string &url, const std::string &method="GET", const json &data=json(), const std::string &content_type="", const bool cache=true) |
| | helper function to communicate with the http api More...
|
| |
| std::string | _token |
| | token to authentificate with the discord api More...
|
| |
◆ Type
The command type.
| Enumerator |
|---|
| CHAT_INPUT | |
| USER | |
| MESSAGE | |
◆ ApplicationCommand() [1/3]
| DiscordCPP::ApplicationCommand::ApplicationCommand |
( |
| ) |
|
|
inline |
◆ ApplicationCommand() [2/3]
| DiscordCPP::ApplicationCommand::ApplicationCommand |
( |
const json & |
data, |
|
|
const std::string & |
token |
|
) |
| |
◆ ApplicationCommand() [3/3]
◆ ~ApplicationCommand()
| DiscordCPP::ApplicationCommand::~ApplicationCommand |
( |
| ) |
|
◆ delete_command()
| void DiscordCPP::ApplicationCommand::delete_command |
( |
| ) |
|
◆ to_json()
| json DiscordCPP::ApplicationCommand::to_json |
( |
| ) |
|
◆ application_id
| std::string DiscordCPP::ApplicationCommand::application_id |
◆ description
| std::string DiscordCPP::ApplicationCommand::description |
The command's description. Empty string for USER and MESSAGE commands.
◆ dm_permission
| bool DiscordCPP::ApplicationCommand::dm_permission = true |
Indicates wether the command is enabled in DMs. Defaults to true.
◆ guild_id
| std::optional<std::string> DiscordCPP::ApplicationCommand::guild_id |
The guild of the command.
◆ name
| std::string DiscordCPP::ApplicationCommand::name |
◆ options
Parameters for the command, max of 25.
◆ type
◆ version
| std::string DiscordCPP::ApplicationCommand::version |
Autoincrementing version identifier updated during substantial record changes.
The documentation for this class was generated from the following files:


|
Dear MindTrails Staff, A participant with ID just completed the assessment scale and received a score that exceeds our threshold. The participant will receive an notification explaining these declining results. Their original score was , they recently scored |


AMAZING PEOPLE ARE MAKING AMAZING DESIGNS IN A FUN ENVVIRONMENT
When you work with us,you are part of a team of committed collaborators.All aspects of our software development process are intergrated,interactive amd agile.
Our approach unifies design,development and product management to create exceptional products.
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Then we help translate them into effective and elegant solutions.
Before we sign a contract or write a line of code our team will spend the necessary time needed to understand your product vision.
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All engineers are fluent in the latest enterprise, mobile and web development technologies. They collaborate with your team to write, and improve code on a daily basis, using proven practices such as test-driven development and pair programming.
Product Management
Planning and development is iterative. Because we are constantly coding and testing, the products we build are always ready to go live. This iterative process allows for changes as business requirements evolve.


Samples Tutorial
1. Logging in
Much like the old Geospiza LIMS, you need to log in to MISO LIMS in order to make changes to any LIMS entities. Logging in lets MISO record any changes you make on entities you have access to.
If you were able to log in to Geospiza LIMS, you already have the correct
permissions and can proceed to logging in. If you are a new user, you will need
to contact<EMAIL_ADDRESS>so that they put you into the appropriate
Active Directory group, MISO_ROLE_INTERNAL
.
Try to log in now:
- Click on http://miso.gsi.oicr.on.ca.
- Enter your username (e.g. jdoe) and password and click the Login button.
MISO uses the same username and password as your OICR email account.
If all goes well, you should see the MISO Dashboard and see a message at the top right: "Logged in as: jdoe".
2. Receiving samples
A Sample contains information about the material upon which the sequencing experiments are to be based. Samples can be used in any number of sequencing Experiments in the form of a Library that is processed further into single or pooled Dilutions.
Every received Sample must have an Identity. The Identity corresponds to the individual or organism with whom the sample originated, i.e. the donor. MISO requires you to assign an external name, which is usually an identifier from another institution like a Donor ID.
When material is received for sequencing, it can be in many different forms, called Sample Classes in MISO. Here are the classes of Sample that can be received:
- Tissue
- Curls
- Slides
- gDNA (untreated or whole genome amplified)
- cDNA
- whole RNA
Depending on which Sample Class is chosen, more or fewer fields appear on the Create Sample page.
In this workshop, we will create six Samples with four different Identities in the Project you created in the last session.
2.1 Entering a Tissue
All samples in MISO are entered using the bulk entry screen. We will start by
entering a single Sample for reference tissue from the Identity ID1
.
- On the left hand menu under Tracking, click Samples.
- Click the Create button at the top left of the table.
- Select Sample Class Tissue and Quantity 1.
- Click Create.
- Enter or select the following in the table:
-
Sample Name: leave blank. This will be auto-generated after save.
- Sample Alias: leave blank. This will be auto-generated based on other information in this form.
-
Description:
Reference 1
. - Date of Receipt: Select a date
- Sample Type: select
GENOMIC
from the drop down. -
Scientific Name:
Homo sapiens
. - Matrix Barcode: Use the hand-scanner or type a barcode into the pop-up. Record the barcode in your worksheet.
-
-
Project: Select the project you created in the last exercise.
- External Name: this is the name of the individual donor, whether internal or
external. For example, an external name would be "Morgan" (internally we refer to
her as plain ol' MORG_0001).
- Enter project short name
_ID1
in the External Name field, and record this in your worksheet.- Once you enter an external name, MISO will go and find any existing donors with external name(s) that match this, and will add them to the dropdown menu for the Identity Alias field.
- If there are no existing donors with the exact external name, the option of
First Receipt (project short name)
will be available. - If more than one option is available in the Identity Alias dropdown, the cell will be displayed with a light purple background.
- Select
First Receipt (project short name)
for the Identity Alias. - Donor Sex: Select any item from the dropdown.
- Enter project short name
- Enter or select the following in the table:
- Tissue Origin:
Ly (Lymphocyte)
- Tissue Type:
R (Reference or non-tumour, non-diseased tissue sample)
- Times Received:
1
- Tube Number:
1
- Lab: Select
BioBank (University Health Network)
from the dropdown. - Secondary ID:
BioBankID 1
. This is the Biobank ID or Tube ID. It may also be left blank. - Material: Select any from the drop-down.
- QC Status: select
Ready
from the drop down.
- Tissue Origin:
- At the upper right hand side, click Save.
Upon saving, a number of fields will be filled in, including the Alias. The Tissue Alias will be in the form PROJ_0001_Ly_R_nn_1-1: (Project Short Name)_(Individual ID)_(Tissue Origin)_(Tissue Type)_(Passage number)_(Times Received)_(Tube Number). Passage number is only required for Xenografts and Cell lines. For more information about Sample nomenclature, see Sample Nomenclature on the GENOMICS wiki.
Record the alias in your worksheet.
2.2 Automatically created Samples
- Click the My Projects tab at the top and select your project from the list.
- Open the Samples section on the Edit Project page to see your newly created samples.
You can also find your samples by searching on the Samples page or by using the widget on the MISO front page; however, the widget does not show enough information for the following exercises.
You only created a single Sample but at least two are in this list: the Reference tissue as well as the Identity. The Identity sample was automatically created because you provided an External name that had not been previously used in this Project, and has a name in the format (Project short name)_(Individual number), e.g. PROJ_0001. Other types of Samples are created automatically depending on how you propagate them through to libraries. Some of them will be addressed in the following tutorials.
2.3 Entering bulk Tissues
Next, we will create four more Tissue Samples for individuals 1-5.
- If you are still on the Project page from section 2.2, click the
Create button at the top left of the table. Continue to step 2. Otherwise:
- On the left hand menu under Tracking, click Samples.
- Click the Create button at the top left of the table.
- Select Sample Class Tissue and Quantity 4.
- Click Create.
A table will appear with the requested number of samples in table format. We will fill in the first row and use the quick-fill option to fill in the rest of the table.
Enter the following values into the first row only.
- Sample Name: leave blank. This will be automatically generated after save.
- Sample Alias: leave blank. Again, this will be automatically generated from the rest of the table.
- Select or enter the following data in the first row:
- Date of Receipt: select a date
- Sample Type: select
GENOMIC
from the drop-down. - Project: if you chose to create new samples from the Project page, the project will already be entered. If you chose to create new samples from the Samples page, select your project from the drop-down.
- Donor Sex: select any item from the drop-down.
- Tissue Origin: select
Br (Breast)
from the drop-down. - Tissue Type: select
P (Primary Tumour)
from the drop-down. - Times Received: 1
- Tube Number: 1
- Lab: select
BioBank (University Health Network)
from the drop-down. - Material: Select any item from the drop down.
- QC Status: Select
Ready
from the drop down.
Now we will fill in the rest of the table. Like in Excel, you can fill down a column by double-clicking the square at the lower right hand side of a selected cell. You can also click and drag to only fill in a certain number of cells.
- Click the Date of Receipt cell in the first row. A blue square will appear at the lower right hand side. Double click it to fill in the rest of the column with the same date.
- Fill in the columns in the same way for: Sample Type, Project (if not already filled out), Sex, Tissue Origin, Tissue Type, Times Received, Tube Number, and Material.
-
Description: Copying and pasting from Excel and Word is supported. Copy something from anywhere and press Ctrl+V (Windows & Linux) or Command+V (Mac) on your keyboard to paste.
- Matrix Barcode: you would normally use a hand-scanner or copy and paste a list of barcodes from a spreadsheet. For each sample, select a barcode, scan or type it in, and record it in your worksheet.
- External Name: Again, this is the name of the individual, whether internal or external.
Here's a suggested list. Replace
PROJ
with your own project name.PROJ_ID1
PROJ_ID2
PROJ_ID3
PROJ_ID4
- Because you've already created an Identity with the external name
PROJ_ID1
, it is found as a match to the external name you entered for the top row. In theIdentity Alias
dropdown menu for the first row, select the existing Identity. - Select
First Receipt
from the dropdown menu in each remaining cell of theIdentity Alias
column.
Some fields cannot be filled down, so enter each of those separately. If you
have a label with an incrementing number (e.g., 1
, 2
), enter two rows, select them,
then double click the blue square.
- Secondary ID: enter
BioBankID 2
in the second row. Select the Secondary Identifier fields for rows 1 and 2, then double click the blue square to fill down rows 3 and 4. - Click Save at the upper right hand corner.
If everything is correct, the Sample Alias and Sample Name will be auto-generated for each row and the samples will be saved. Record the external identity, class, alias and barcode in your worksheet. If you navigate back to your Edit Project page, there should be nine Samples:
- 4 Identity Samples
- 5 Tissue Samples (1 Reference and 4 Primary Tumor)
2.4 Receiving Stock DNA/RNA
The process for receiving Stock DNA is very similar to receiving tissue. Every stock derives from a Tissue, which originated from an Identity. MISO will create the tissue for you when you enter a Stock. These samples are known as ghost samples, which do not exist at OICR but are in MISO for sample tracking purposes.
In this section, we will 'receive' a single Stock DNA tube from individual 2 reference material.
- On the left hand menu under Tracking, click Samples.
- Click the Create button at the top left of the table.
- Select Sample Class gDNA (stock) and Quantity 1.
- Click Create.
- In the Sample Information section, enter or select the following:
- Sample Name: leave blank. This will be auto-generated after save.
- Sample Alias: leave blank. This will be auto-generated based on other information in this form.
- Description:
Stock 1
. - Date of receipt: select a date.
- Sample Type: select
GENOMIC
from the drop-down. - Scientific Name:
Homo sapiens
. - Project: Select your project.
- External Name: project short name
_ID2
.- Identity Alias: The existing identity should be selected automatically in the dropdown menu.
- Enter the following values:
- Donor Sex: Select any item from the dropdown.
- Tissue Origin:
nn (Unknown)
- Tissue Type:
R (Reference or non-tumour, non-diseased tissue sample)
- Times Received:
1
- Tube Number:
1
- Lab:
BioBank (University Health Network)
. - Secondary ID:
BioBankID 6
. - STR Status: select any value from the dropdown menu.
- Vol. (µl):
300
- QC Status: select
Ready
from the dropdown.
- At the upper right hand side, click Save.
When you click 'Save', the aliases will be filled in.
Record the external identity, class, alias and barcode in your worksheet.
Stock aliases are created from their tissue alias by appending _D_S# or _R_S#.
For example, the first DNA stock that derives from a tissue PROJ_0002_Ly_R_nn_1-1
has
the name PROJ_0002_Ly_R_nn_1-1_D_S1
.
After saving, go back to your project page and look at the samples that were automatically created. Although you received Stock DNA, it has created a Tissue for you as well.
- Click on the Tissue with the alias similar to
PROJ_0002_nn_R_nn_1-1
.
At the top, you will see a grey section with the warning: "This entity does not exist except for sample tracking purposes!". This message means that the Tissue does not exist in a freezer at OICR. Eventually these ghost samples will be hidden from the MISO interface.
2.5 Scanning tissues and stocks into a Box
In this section we will add the stocks and tissues you just received into your inbox for further work.
Boxes hold samples, libraries, and pools. They do not track reagents or primers. Boxes are separated into uses for different kinds of storage (e.g., tissue samples versus extracted DNA), but there is no check that items in a box match. Each box also has a size that includes the physical dimensions of the box as well as whether the box is compatible with the VisionMate scanner. Every position in the box is identified by a standard row letter + column number format (e.g., C05).
In this exercise, we are going to take tissues/samples/libraries from the previous team/collaborator by scanning them out of the previous box and into a newly created 'inbox'.
First, create a new box. This box will be your 'inbox'.
- From the navigation panel, choose Boxes and then Add Box.
- On the Create Box page, enter the information:
- Alias: A short name for the box. Record this name in your worksheet.
- Description: a human description of the box purpose “gDNA ready for
library prep for
”. - Use: The contents of the box. Select an appropriate use for your entities.
- Size: Select
8 x 12 scannable
. - Click Save.
Upon clicking save, a graphic of the box will appear.
You can now fill the box with the tissues, stocks, aliquots, libraries, or pools that were made in previous steps. Collect the appropriate matrix tubes/barcodes now.
- Click on a position in the displayed Contents grid.
- Enter a matrix barcode into the Search box on the right and click Lookup. Normally a hand scanner would be used. You can also search for items by their name or alias
- Click Update Position.
- ⚠ The Save button at the top of the page does not work for individual positions, only for Box Information.
- Repeat for as many samples/libraries/pools as you want.
The table below the box diagram shows the position and information for the currently selected sample. If you would like to see all of the samples in the table, click the List all Box Contents button at the top right of the table.
In the lab, it is possible to use Options > Scan Box to use the plate scanner and update all positions at once, but that will not be covered in this tutorial.
Using Boxes
Boxes can be found either from the Sample or Library page or the Boxes page.
- On the Sample page, search for one of your sample or library aliases and click on the alias to load the page.
- The Box and position is listed under Location near the top of the Sample
Information section. Click on the link to go to the Box (e.g.
PROJ_OUTBOX, A03
).
Boxes can be used to store Samples, Libraries and Pools and one box can store all three types.
3. Propagating Samples
Samples in MISO exist for each step in the tissue preparation: from identity, to tissue, optionally though tissue preparation, to stock, to aliquot. At each step, the possible options are limited based on the established workflows. Group IDs may be assigned at any time and are copied when propagating. Different QC information is available at each step. For instance, STR status is attached to the stock.
3.1 Propagating to Tissue Processing
Tissue processing is an optional step between the Tissue and Stock levels of the sample hierarchy. It includes steps such as slides and laser capture microdissections created from the tissue.
Create a Slide from one of your Tissue samples.
- On the Sample page, enter your project name in the search box.
- Check the box for the lymphocyte reference tissue you created in exercise 2.1.
(e.g.
PROJ_0001_Ly_R_nn_1-1
) - Click Propagate button at the top left of the table.
- Enter 1 replicates to Slide.
- Click Propagate.
- Fill out the table:
- Description: CV Slides
- Slides: 3
- Discards: 0
- Stain: Cresyl Violet
- QC Status: Ready
- Click Save.
Upon successful save, a green status will show at the top that says "Saved 1 items". The Sample Alias will have been filled in with an alias that ends in SL01. Record the alias in your worksheet.
3.2 Bulk Propagate Samples
For three of the tissue samples created previously (by bulk entry), we will create stocks for library preparation.
- On the Samples page, enter your project name in the search box.
- Check the boxes for any three of the the tumor tissue samples (not the reference tissues)
that you created in section 2.3. They will have names that end with
_Br_P_nn_1-1
. - Click Propagate button at the top left of the table.
- Enter 1 replicates to gDNA (stock).
- Click Propagate.
- Fill out the table:
- Description: Free text description. In this case, use "Stock (Tissue
Type)(Individual)". (e.g.
Stock P2
forPROJ_0002_Br_P_nn_1-1
) - Matrix Barcode: choose a barcode for each stock and record it on your worksheet.
- STR Status: select any value from the drop-down
- Vol. (µl):
300
- QC Status:
Not Ready
- Description: Free text description. In this case, use "Stock (Tissue
Type)(Individual)". (e.g.
- Click Save.
Upon successful save, a green status will show at the top that says "Saved 3 items". The Sample Alias will have been filled in with aliases that end in D_S1 (for each first DNA stock of that tissue). Record the aliases in your worksheet.
3.3 Bulk Editing
Samples can be edited in bulk. Assume that we have done some quality control and wish to update the QC status of the samples.
In this case we will update several fields of 4 stock samples. We will use the stocks we entered in the previous step as well as the reference stock entered in part 3 of this tutorial.
- Select the samples you wish to edit:
- If you are continuing from the end of section 3.2 Bulk Propagate Samples, do not
navigate away from the page. At the top left of the table after saving samples, click
the Edit button. Continue to step 2. Otherwise, select samples using the following:
- On the Samples page, enter your project name in the search box.
- Check the boxes for the stock samples (propagated and received) that you created in
sections 2.4 and 3.1. These are the samples with aliases that end with
_D_S1
.
- If you are continuing from the end of section 3.2 Bulk Propagate Samples, do not
navigate away from the page. At the top left of the table after saving samples, click
the Edit button. Continue to step 2. Otherwise, select samples using the following:
- Click the Edit button at the top left of the table.
- Add a Conc. value: any number
- Change the QC Status column to
Ready
for all rows. - Enter a Matrix Barcode for the stock entered in section 2.4 and record it on your worksheet.
- Click Save.
Upon successful save, a green status will show at the top that says "Saved 4 items.".
3.4 Creating Aliquots
Propagate again from the 4 gDNA (stock) samples to gDNA (aliquot).
- If you are continuing from the end of section 3.3 Bulk Editing, do not
navigate away from the page.
- At the top left of the table after saving samples, click the Propagate button.
- Enter 1 for the number of replicates (child samples to be created from each parent) and gDNA (aliquot) for the type of child sample. Continue to step 3.
- Otherwise, select samples using the following:
- On the Samples page, enter your project name in the search box.
- Check the boxes for the stock samples. They will have names that end in
_D_S1
. - From the Bulk actions dropdown at the bottom, select Propagate (sample) selected.
- A new dropdown will appear. Select 1 replicate of gDNA (aliquot) and click Go.
- Fill out the table:
- Sample Alias: Skip this field. It will be automatically filled in upon save.
- Description: Free text description. In this case, use "Aliquot (Tissue
Type)(Individual)". (e.g.
Aliquot P2
forPROJ_0002_Br_P_nn_1-1_D_S1
) - Matrix Barcode: choose a barcode for each aliquot and record it on your worksheet.
- QC Status: Select
Ready
- Purpose: Select
Library
- Click Save.
Upon successful save, a green status will show at the top that says "Saved 4 items". Buttons to allow editing the samples or propagating them will show at the top of the table. The Sample Alias will have been filled in with aliases that end in D_1 (for each first aliquot of that stock). Record these on your worksheet.
4. Sample QCs
Several QC methods are supported in MISO.
4.1 Adding Individual Sample QCs
Add a QC for one of your existing aliquots.
- On the Samples page, enter your project name in the search box.
- Check one or more of your gDNA aliquots. Its alias should end with
_D_1
. - Click Add QCs from the toolbar.
- Leave QCs per Sample as 1 and click Add.
- For QC Date, select today's date and fill down.
- For Type, select Qubit and fill down.
- For Result, enter 50 and fill down.
- Click Save.
The QCs will now be visible on the sample's individual page.
- On the Samples page, enter your project name in the search box.
- Click one of the sample you previously selected.
- In the QCs table, the Qubit results should now appear in the QCs table.
4.2 Adding Bulk Sample QCs
- Select the samples you wish to edit:
- If you are continuing from the end of section 3.4 do not navigate away from the page. At the top left of the table after saving samples, click the Add QCs button. Continue to step 2. Otherwise, select samples using the following:
- On the Samples page, enter your project name in the search box.
- Check the boxes for the samples that you created in section 3.2.
- Click Add QCs at the top left of the table.
- Enter
1
QC per sample and click Add. - Date: enter today's date
- Type:
Qubit
- Result:
33
- Click Save.
5. Scanning aliquots into outboxes
Finally, scan the aliquots you made into the outbox so the libraries team can take over.
Finally, update the TUTORIAL_OUTBOX with your samples/libraries/pools to pass them on to the next team or to put them into storage.
Removing and discarding tubes
When you have a position selected, you can also either remove the tube from the box (setting its location to "Unknown") or discard the tube, meaning it has been used up. Discarding the tube sets the volume of the sample to 0 and marks it as "discarded", and removes it from its box.
- Click on one of the positions in the box with a tube. The position, alias, and barcode will appear to the right or below the box graphic. Right-click on the alias and pick "Open in new tab" to load the details page.
- Go back to the Box page in the other tab. Make sure the tube is still selected in the Box and click Discard Tube. Click "OK" in the pop-up.
- Go to the other tab with the Details page and click the browser refresh button. The Location field will show as blank, Volume will be set to 0.0, and the Discarded box will be ticked.
Moving items around in boxes
An item can only exist in one box. If assigned to a new box, it will disappear from the original.
- In the current tab, go to the Boxes page, find the TUTORIAL_OUTBOX box. This box was previously created by the MISO developers for the tutorial.
- Choose an empty position and enter one of your barcodes.
- Click Search and Update Position.
- Go back to your own Box and refresh the page. The sample was removed.
- Repeat this process for the rest of the samples/libraries that you are transferring to the next team.
Troubleshooting
How do you work with multiple samples derived from the same identity (i.e. DNA and RNA from one tissue slide, DNA from metastasis and control)
On the Samples page, you can enter the identity's alias into the search box to filter the list.
If the samples you are looking for have more of their alias in common, you can enter as much as
they share to further narrow the search. e.g. to find all stock samples made from tissue
PROJ_0001_Ly_R_nn_1-1
, you could search for "PROJ_0001_Ly_R_nn_1-1_D_S".
Once you have found all of the samples you wish to work with, select them by clicking the checkboxes on the left, and choose a bulk action from the menu at the bottom.
How do I correct a sample that has the wrong information, e.g. wrong tissue type?
Most sample attributes may be modified either individually, or in bulk. To access the Edit Sample page for a single sample, click the sample's name or alias on the Samples page. To bulk edit a set of samples, click the checkboxes next to them on the Samples page and click Edit at the top left of the table.
For attributes which cannot be changed via MISO (e.g. Sample Class), please email<EMAIL_ADDRESS>or file a JIRA ticket in GSI Common to get assistance from the MISO team.
What if I need to change the parent of a sample? (e.g. for swaps)
Please email<EMAIL_ADDRESS>or file a JIRA ticket in GSI Common to get assistance from the MISO team.
What do I have to enter if receiving a pre-made library?
MISO does not yet accept direct receipt of libraries. In cases where libraries are received, you are required to first create the aliquot and then propagate the library from it. The aliquot may be created by using the Create button, or by propagating from an existing tissue or stock Sample. Propagating libraries is detailed in a later tutorial: Propagating aliquots to libraries
How can I add a new lab, tissue material, tissue type, tissue origin, or add anything else in drop-down menus? Some of these items can be added directly:
- From the Institute Defaults section of the menu, click the category of interest.
- Click Add from the toolbar.
- Enter the appropriate information.
- Click Create.
| < Project coordination tutorial | Home | Libraries tutorial > |


Comparison between C# 5 and 6 features
15 February, 2016Comparison between C# 5 and C# 6 features in a console app (applies to all platforms)
Presented features:
- Auto-property initializes
- nameof
- Method lamdba expressions
- Using static
- Await in catch and finally statements
- Null conditional operator (or sometimes called Elvis operator)
- Exception filtering
- Dictionary initializer
- String interpolation
Auto-property initializer
Instead of using a private field which is exposed in a property without a setter you can now initialize auto properties.
C# 5
private bool isReadyOnly = true;
public bool IsReadOnly { get { return isReadyOnly; } }
C# 6
public bool IsReadOnly { get; } = true;
nameof
Hard coding names of types, properties, fields, etc. as string is a bad idea for refactoring. This can be solved with LINQ, reflections and other hacks, however they may be expensive and are now unnecessary.
With nameof we get compile time string values of variables, types, fields, methods, etc.
C# 5
RaisePropertyChange("PropertyName");
C# 6
RaisePropertyChange(nameof(PropertyName));
Additional samples for nameof:
nameof(this.FieldName) // "FieldName"
nameof(Model.Employee[0].FullName) // "FullName"
var abc;
nameof(abc) // abc
Method lamdba expressions
One line code in methods can be replaced with lambda expressions.
C# 5
public string GetString()
{
return "Hello world";
}
C# 6
public string GetString() => { "Hello world" }
Using static
This allows you to use static methods of a class without writing their class. Useful for classes like System.Math and System.Console.
C# 5
double value = Math.Sqrt(Math.Pow(a, 2) + Math.Pow(b, 2)) * Math.Sin(radius);
C# 6
using static System.Math;
// ...
double value = Sqrt(Pow(a, 2) + Pow(b, 2)) * Sin(radius);
Await in catch and finally statements
In C# 5 we could not await results in catch and finally statements. A correct try/catch/finally can be a great pain to implement if all three statements requires await. This image shows how to handle such scenarios and simpler has become in C# 6.
Null conditional operator - ?. (or sometimes called Elvis operator)
Null-conditional operators ?. address many of the situations where code tends to drown in null-checking. They let you access members and elements only when the receiver is not-null, providing a null result otherwise
C# 5
// Basic null checking before getting values
string tag;
if (frameworkElement != null)
{
tag = frameworkElement.Tag as string;
}
// Raising events null and thread safe
var handler = EventHandler;
if (EventHandler != null)
{
EventHandler();
}
// String length or -1 if null
int length = -1;
if (value != null)
{
length = value.Length;
}
C# 6
// Basic null checking before getting values
string tag = frameworkElement?.Tag as string;
// Raising events null and thread safe
EventHandler?.Invoke();
// String length or -1 if null.
// If value is null, value?.Length will return null. Operator ?? will use -1 if value?.Length expression is null.
int length = value?.Length ?? -1;
Exception filtering
Exception filtering allows you to check exception before handling it in catch statement. It can be used for logging, WebException handling based on HTTP code, etc. The main difference between C# 5 and 6 is when no catch statements should be handled for certain scenarios. In C# 5 we had to rethrow exception but in C# 6 we can simply avoid handling catch statement. Avoiding handling exception preserves the scope of the origin of the exception if exception is globally not handled.
Losing scope in C# 5 due rethrow:
Preserving scope in C# 6:
Additional samples with WebException:
C# 5
try
{
// Web stuff
}
catch (WebException exception)
{
if (((HttpWebResponse)e.Response).StatusCode == 404)
{
// Handle exception
}
else
{
throw;
}
}
C# 6
try
{
// Web stuff
}
catch (WebException exception) when (((HttpWebResponse)e.Response).StatusCode == 404)
{
// Handle exception
}
Dictionary initializer
Simplifies Dictionary initialization.
C# 5
Dictionary<string, string> settings = new Dictionary<string, string>();
settings.Add("EnableStuff", "True");
settings.Add("OffsetStuff", "1234");
settings.Add("WidthStuff", "12345");
settings.Add("HeightStuff", "1234");
C# 6
Dictionary<string, string> settings = new Dictionary<string, string>
{
["EnableStuff"] = "True",
["OffsetStuff"] = "1234",
["WidthStuff"] = "12345",
["HeightStuff"] = "1234",
};
String interpolation
Simplifies and shortens String.Format.
C# 5
string key, value;
// ...
return string.Format("{0} => `{1}` with length {2}",
key,
value ?? "key not found",
value?.Length ?? -1);
C# 6
string key, value;
// ...
return $"{key} => `{value ?? "key not found"}` with length {value?.Length ?? -1}";


{% comment %} Conditional classes for navigation links logic provided by
https://stackoverflow.com/questions/9793576/how-to-render-menu-with-one-active-item-with-dry {% endcomment %}
{% comment %} Only shows if you're logged out {% endcomment %}
{% if not user.is_authenticated %}
Log In
{% endif %}
{% comment %} Only shows if you're logged in. {% endcomment %}
{% if user.is_authenticated %}
HomeWrite New TicketCreate New UserLog Out


The Job
(Cover the WVU contversy and the path of berch to CEO)
{% for post in posts %} {% if post.page = payoffJob %} {{ content }} {% endif %} {% endfor %}The Money
(Talk about histoical campaign support from Myland linkout to repersent.us on corpution)
{% for post in posts %} {% if post.page = payoffMoney %} {{ content }} {% endif %} {% endfor %}


M82A3 & AMR-2 should be removed from sniper section and added to a new "Pick Up" section since the're not recon specific weapons but pick-ups.
To the new "Pick Up" section should then also be added:
M82A3 MID, M82A3 CQB, AMR-2 MID, AMR-2 CQB,
M32 MGL, USAS-12 FLIR, USAS-12, M136 CS, HVM-II
Add the misssing BJ-2, TACTICAL, PRECISION & DIVE to the "Knifes" section.
A new section called "Gadgets" should be added witch should contain:
M320 LVG/HE/DART/3GL/SMOKE/FB
M26 MASS/DART/SLUG/FRAG
XM25 AIRBURST/DART/SMOKE
M18 CLAYMORE, C4 EXPLOSIVE, MK153 SMAV, RPG-7V2, MBT LAW, FGM-172 SRAW, FGM-148 JAVELIN, FIM-92 STINGER, SA-18 IGLA, DEFIBRILLATOR, REPAIR TOOL, M2 SLAM, M15 MINE
and also the "Soldier Equipment" gadgets if possible:
UCAV, M224 MORTAR, AA MINE, EOD BOT, SUAV, MAV
Thank you for a great job on the BBLog! :)
BrainFooLong
Administrator
Weapons now have been categorized internally by battlelog.
I'll take that categories because it will always work, even after DLC updates.
Will be in release 4.4.0
G3neral-Tso
What about a rocket launcher weapon category? There are enough of them for their own subcategory, imo.
BrainFooLong
Administrator
Well, as i said above, BBLog work now only with the internal battlelog categories for consistancy.
Unfortunately they don't have a rocket launcher category.


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This report documents my experiences with the combination of smoked DMT and 5-MeO-DMT. I am male, at the time of the experiences I was 23 years old, weighing 125 pounds. I am well versed in botanical, fungal, and chemical entheogens. Before these experiences I had become familiar with both DMT and 5-MeO-DMT at doses ranging from light, to being annihilated by white light. My experiences with these tryptamines had been variously beautiful, terrifying, subtle, and overwhelming. Taken separately I find that DMT tended towards the beautiful and 5-MeO-DMT towards the uncomfortable. Both together, is something else again.
Over a four week period I experimented several times with a combination of the two substances, searching to know myself deeper and gain personal insights. As if either DMT or 5-MeO-DMT aren’t intense enough on their own, smoking the two together is a one-two knock-out. This is as far out as I have journeyed, using any substance or technique. It is truly beyond the beyond. I will present my original notes, edited for clarity and with any added commentary within square brackets.
Session 1: March 22, 2008 midday
Mountain consciousness
Substance and dosage: One large inhalation from a glass vaporization tube of a mixture of roughly equal parts DMT and 5-MeO-DMT.
Set and setting: Hiking with Gemini in the mountains on a sunny early spring day. We had wandered off the trail following the edge of this small lake, drawn towards a sunny ridge. We weren’t disappointed, discovering a small round bowl of land on the other side of the ridge. It would have been swampy in the bottom in summer, but right now it was filled with snow and the tracks of deer, elk, and coyotes. Scrubby willows and aspen rise from the low areas, and a pine forest rings us, with the snowy mountain peaks towering overhead. I find a sunny sheltered spot, a piece of dry hillside under a cluster of three pine trees. Grass, bearberry, and fallen needles cover a comfortable area for sitting down.
It was a touch breezy for a normal lighter but conveniently Gemini had brought his jet lighter with him. Once I had found the appropriate method and distance at which to hold the lighter, it vaporized my chemical concoction quite nicely. I took a full lungful of white vapours. As soon as I had finished inhaling, Gemini put on a song on his phone which actually has extraordinarly good sound considering its just a phone. The song was “Hold Tight London” by The Chemical Brothers. Perfect musical accompaniment for the moment.
The tryptamine flash hit me strong and hard and beautiful. I breathed deeply, feeling the energy and letting it flow through me smoothly and unimpeded. I felt a union with the forest and the mountains around me. The forest I could feel as one large consciousness, and the mountains overlooking as stern protectors. It was a very peaceful feeling, more pleasant than diving in an inside, artificial environment. It is hard to be overwhelmed in nature, or I can be overwhelmed but its comfortable. Trees and grass and sunshine.
I began to drop out of the initial flash, but this combination is a tricky one. When I think I’m starting to come down, that is when the 5-MeO really gets to me. I find the reintegration period on 5-MeO-DMT is usually difficult, as the psychedelic effects continue for longer than DMT does. 5-MeO-DMT has such a high energy, high vibration that it is easy for me to feel overloaded. If I begin to clamp down on that energy vibration, or try to reintegrate and think normally too soon, then the excess energy gets transferred into bodily discomfort. Nausea, slight dizzyness, sometimes an anxious feeling. This time, in the natural setting I faired well with the residual effects. I stayed in a meditative state much of the time and grounded the energy.
I was staring up at the mountain overlooking us. It felt like I was talking to the mountain without words, both of us becoming aware of the other. As this happened, a cool and playful wind came whipping down on us. It seemed to me that the wind was coming right down off the mountain tops, bringing with it the scent of ice and snow. The mountain was talking back, telling me its own story of lofty heights, jagged rock, and sparkling wind-packed snowdrifts.
We lazed around for quite a lot longer in the sun as I slowly pieced myself back together. Gemini smoked a couple bowls of hash. After staring in amazement at the way everything glowed in the vibrant sunshine, I finally accepted a toke or two of hash myself. I was left with a nice afterglow from the 5-MeO/DMT mixture, my mood was very positive and I was enjoying being out in the sun and nature so much. As usual I felt hungry after coming down, raiding the bag of pistachios we’d brought along. Afterwards we continued our hike round the lake, then eventually made our way to the nearest mountain town for an satisfying feast of burgers (not the fast food kind!) and beer.
Session 2: April 1, 2008 evening
Roughly equal parts DMT and 5-MeO-DMT, one hit is definitely enough. Setting: My room, comfortable environment with dim light, music and a pillow at my back for support. Mindset: Curious to try this combination again.
Immediate impression: There are no words for this combination! I've learned that it is best for me to try not to come out of the trance state too soon. When the initial DMT flash begins to fade is when the 5-Methoxy grabs me by the balls. That’s when I got the fear, focussing everything on letting the energy flow through me into the ground. Grounding.
I purged again [as I had recently done after smoking just DMT] when I came down. I reintegrated too soon and it overloaded me with energy. The space of clarity I had gotten into was too much to try to put back in the old box. DMT is the light and 5-MeO the power.
[… after a little more integration time:]
I think I blasted off at 7:23 and it’s now 7:58. Apparently after giving myself a little time for integration, there are words for the experience after all. The combination lasts a lot longer than DMT does. It was that second wave, the 5-MeO, that really got me.
For music I was playing “Oleander” by Bluetech, though honestly I wasn’t at all aware of the music as the internal state was too involving. Soothing background sound anyway, a hypnotic and beautiful piece of ambient dub.
At first it was the typical tryptamine flash. Fractalizing and folding up. The addition of the 5-MeO adds a blinding white light to the scene, and any thought of not “breaking through” is washed away by the intensity. I was simply annihilated.
As I began to come out of the flash, I started thinking too much. Thinking about my setting, in my parents house. I am no longer comfortable letting go completely here. Maybe I never have been. This is extremely important, I have to be able to let go fully to engage the trance state in a positive manner.
At moments I was getting it. Just tapped in to that immense energy, I held my hands over the ground letting it all flow through me and into the earth. I reached a space of absolute clarity. I could feel distinctly what was holding me back and what I needed to do to move past what was holding me back.
As I came down I was flipping in and out of the “tapped in” lightning rod feeling. Each time I lost the calm trance I became anxious and would have all these worries run through my head. I need to get out of this house, was an overwhelming feeling. Things will be better when I move out. I felt an intense empathy and gratefulness for a friend of mine, thinking that she would be able to weather this kind of intensity just fine. I wanted to call her, talk with her when I came down from the tryptamine flash.
There was a definate breaking point to the energy. I coughed. This was a sign of my body fighting back, reintegrating. It was too much. That coughing purging again, just like the last couple times. It’s partially a cleansing, partially me just being overwhelmed by the residual 5-Methoxy energy tremor.
Session 3: April 2, 2008 midday
That smell tells you
Same setting, same mixture of roughly equal portions DMT and 5-MeO-DMT as last time. No clear intention, it just felt right. Pursuant to yesterday’s experience I guess.
For music I played “Lost and Found” (just the last 3-4 minutes) by The Orb, followed by Oleander by Bluetech (I wanted to use this song again to keep the setting consistent), followed finally by “Let the Music set you Free” by The Orb. I had been consuming lots of a kratom and yerba mate tea before the experience, which possibly had some influence [my experiences lead me to hypothesize that kratom particularly can increase my receptiveness to smoked tryptamines]. Initially the (low) dose of DMT left me in contact with my body and breathing freely, but as the 5-MeO seeped in that sensation of my body became more and more distant.
The first three to four minutes I was indeed, Lost, and did not Find myself until the song changed. During this phase I had sensations of pressure all over my body, but particularly in the stomach/solar plexus region. The key to not being overwhelmed is to feel. Don’t shy away from or resist the unpleasant tension in my stomach, feel it. As I feel it, the nature changes and it becomes manageable. Just intense energization. Eyes are closed.
I was aware of the song change, entering a new phase in which I spent a lot of time breathing heavily as the waves came over me. I kept being directed into certain body positions as I sat cross legged.  This seemed to form a “wave” that put me in communication with something. The waving motion of my head was important. When coming out of the “wave” I would have to lean my head all the way back, and my breathing would become heavy as the intensity of effects would shoot up a notch.
Anytime I moved my head it would create a wave of dizzyness. Moving my body more was out of the question, as this would have led to nausea due to the extreme dizzyness. The dizzyness was part of the trip though, somehow. I made some strange repetitive humming noises that seemed necessary at the time. The effects during this period were very similar to, say, a quarter oz of strong fungus. I kept trancing out with the waves, and with eyes now open crawling visuals were everywhere.
Ten or eleven minutes had elasped since blastoff as the song changed again. This was around when I became integrated with my body. A third phase, coming down. I would like to comment on duration of the experience: If I smoke just DMT, I get a 2-3 minute “flash” and come out of the trance state after 5-7 minutes. When I smoke the combination of DMT and 5-MeO-DMT, I stay in the flash for 3-4 minutes and come out of the trance after 10-11 minutes. So for me adding the 5-MeO-DMT lengthens the effects and increases the potency. I hypothesize that the effects of this mixture are simply additive, not truly synergistic [eg in the case of the harmala alkaloids]. Adding 15 mg of 5-MeO-DMT to 15 of DMT is quite strong simply because of the higher potency of the 5-MeO-DMT.
Within fifteen minutes of blastoff, I was down enough to move around without getting dizzy and to start writing this report. Song lyrics seem appropriate: “That smell tells you…” Yes, yes it does. That burnt tryptamine smell, so distinctive. “If the music sets you free, then let it be! Love is the answer, only love can conquer…”
Session 4: April 2, 2008 evening
Substance, setting, and music: Same as last time. Mindset: Emotionally distraught. Struggling with my feelings of love for this girl, Jess. Recently home from having seen her, and having the issue been brought up again. It is difficult for me, feeling love for a woman who is marrying another man.
Intention: Looking for guidance, resolution, insight, or even just forgetfulness and sleep. I had a fatalistic attitude, feeling so upset inside that for once I had no fear going into the experience. Whatever happened, it couldn’t possibly be more uncomfortable than what I was feeling already could it? I was not scared, because I did not really care what happened to me.
It took three inhalations, not one, to get a suitable “flash” this time. Perhaps I was more psychically resistant in this mindset, or perhaps I had simply loaded less material in the pipe and did not get that critical mass of vaporization to blast off. This time I had a tension in my stomach going into the experience, and as the vapours took effect this tension eased somewhat, the reverse of usual.
I asked for insight and guidance, and it came. Transferance feelings and an echo effect: Why is this feeling I have for Jess so strong, and so crushing? The last time I felt this way about a girl was my ex, with whom I had an intense on and off again three year relationship. Having that feeling of love again, I felt excitement, and simultaneously, fear. The fear goes deep. I don’t want the same situation to play out again. I don’t want to feel abandonned and separated again. I was transfering some of my feelings and emotions regarding how my relationship with my ex worked out onto my relationship with Jess. Similarities in the situations have me subconsciously generalizing and expecting the same outcome even though Jess is a different person. But it goes deeper than this…
Part of a larger pattern and facing the core: I have placed myself again in a situation of externalizing my happiness. I have programmed myself so that when I am around Jess, I feel happy when she interacts positively with me. When she smiles at me, our eyes meet, a hug or a touch, it fills me with joy and tingles of excitement. When she seems distant or I see her passion for her fiancee, it makes me feel crushed inside. I feel the joy drained out of me and I become anxious, listless and with butterflies in my stomach precluding eating. The change I have to make is the same I made once before: I have to come from a stable basis of loving myself in order to form a positive long-term relationship with Jess. I have to let go of the desire for reciprocity.
The situation with Jess is part of a much larger picture. I caught a few glimpses of it. The pieces are shifting, the situation is changing. I felt I was being brought face-to-face with the core of myself, deep into the primitive and fundamental feelings and emotions driving me to think, feel and act as I do. I am experiencing this feeling now with Jess so that I can work through it. I will be stronger for this experience, and will have gained a better understanding of love.
Three dimensional, translinguistic, meaning-containing and feeling-oriented, self-transforming structures of light and colour. I think I finally get part of what Terence McKenna was on about. I could see everything, my “situation” as this rotating, shifting object. Black surfaces edged in colours spinning round a glowing white core. The object was a visual representation of what I was thinking and feeling and how the situation was changing. It contained information and expressed it in a manner beyond words.
Body positioning and letting go: As I came out of the flash I felt grief and sadness as a pure and raw emotion. For a few moments I let the feeling fill me completely. I didn’t resist, whatever was most uncomfortable and unpleasant was what I had to open up to and feel the most intensly. It obviously wasn’t a good feeling, but I felt strangely dissociated from the feeling, and a calm core was aware that things weren’t so bad really.
I was directed by the drugs and how I was feeling into lying sideways in a fetal position on the ground. The grief pouring through me was intensifying but I found myself slipping away. Let go, let go, let go. I did finally let go. The sadness and anxiety faded as my ego slipped away. Merging with the ambient environment, and now bathed in calmness and light.
I came out of this brief ego-loss, twitching and shivering. I was cold, lying here on the floor coming down. A huge wave of tiredness washed over me. I decided I should go straight to bed, and got up still dizzy, unsteady and disoriented. I kept telling myself not to loose the trance state, but by the time I undressed and got into bed and set the alarm for the next day and turned out the light, I had lost the trance. I couldn’t get back to that place of ego-loss, it was too late. I had integrated. I got to sleep relatively easily which was a blessing, and was somewhat calmer in the morning though we will see how I feel the next time I’m around Jess.
I need to reconnect with that calm center within me, that center radiating peace and love and joy simply for the fact of existence. I am feeling drawn towards cactus for trying to reconnect this way and may pursue that path in the near future.
Session 5: April 3, 2008 evening
Womb of the Mother
Same setting, same substance, and similar music as last time. Mindset: Reasonably calm, reflective but not upset as I had been the day before. Intention: Simply seeing where I might go.
I loaded the last of the mixture into the tube, though there was plenty of resin still in there too. I took two large inhalations, strangely not choking on or feeling the vapours much this time. After one breath I set the pipe down but didn’t feel it would take me all the way, so I went back for another.
There are three distinct phases to the experience, this has been consistent through all my experiences with the mixture but became clear to me only on this trip. The first phase is the tryptamine “flash”. It is during this phase that I lost contact with my body the first time, and also despite having music playing I am not really consciously aware of it. The first song was “Once Upon the Sea of Blissful Awareness” by Shpongle, just about seven minutes long. I blasted off one minute into the song, and by the last couple minutes was consciously aware of the music again. “My mind craves nectar day and night.” This phase of the experience is all-involving and irrestistably intense.
After the first phase is a false comedown, a brief lull. The tryptamine flash fades but a second, almost more powerful sensation takes over. There are sensations of pressure and I become aware of my heart pumping. The energy intensifies, heavy and thick threatening to overwhelm me. I have to concentrate everything on breathing and letting the energy flow through me into the earth. Grounding and feeling secure, comfortable. Reminding myself to just flow and ride the feeling. It is this second wave that can bring the fear with it. Existential fear, a threat to my ego. During this phase information and insight bombards me.
As the second wave fades, it leaves me in phase three, tryptamine activation. The effects are similar to a really strong dose of mushrooms or LSD, when you are completely involved in the internal experience. I am often directed into particular body positions that seem to amplify the effects of the trance. Today, it was first that head-bobbing-forward-like-a-spring thing that I discovered recently. Except this time I was almost drooling and made some interesting humming noises. Glossolalia much? After my near-drooling episode I was directed back into the fetal-egg position of yesterday’s experience.
I found a special significance in my body positioning. Once curled up like a fetus I began to feel that I was actually within a womb. I could feel a protective egg-like enclosure all around me, and eventually began to sense that I was gestating in the stomach of the Earth Mother.  Being in the womb I felt warm, safe, secure. I stayed in this position for more than twenty minutes, and during this time was able to keep the tryptamine trance state flowing. There was an endless flowing and recycling of tryptamine love back into me. I began to feel the umbilical cord, connected through my solar plexus, feeding me with life energy. At moments the trance would jump a notch in intensity, sending me out of body for the second time.
Slowly the trance state was fading, and normal thoughts were starting to seep back in. I found I could rekindle the feeling by not getting sucked into my thoughts, just feeling the mind-warp. Finally after some experimental opening and closing of my eyes I realized that my arm was painfully asleep from lying on my side for so long. Moving stiffly, groaning, I came to… impressed at how long I was able to maintain the trance this time.
At T + 36 minutes I was integrated enough to begin typing this report, though the “white” computer screen still looks rainbow to me right now. Still quite heavily effected. It is an exciting time. I am in a new phase of gestation, getting ready to be born again. What will the world be like?
Session 6: April 4, 2008 morning
How deep does the rabbit hole go? As deep as you want to go, keep digging.
Setting and music: Same as last time. Substance: Resin left over in pipe from smoking the mixture of DMT/5-MeO. Though from the smell and taste, effects and speed of onset I received, I would hazard that most of the DMT was gone and it was mostly just 5-MeO-DMT left in the pipe. Intention: Digging deeper.
I took one large inhalation and as I wasn’t being overwhelmed right away like I was used to, I went back for a second. The second was a big one, I could see that ball of brownish melted crystals bubbling furiously. Oops, took a little too much perhaps.
Right as I was finishing my second inhalation, the phone rang. Oops again. Clearly I wasn’t going to be answering but the ringing reminded me strongly of the normal world and normal concerns, and I became quite anxious as a result. I wasn’t letting go like I needed to.
There is a certain aspect of 5-MeO-DMT that is like being smacked across the head with a brick. Or perhaps, like having the sun come down from the sky and crush me, folding me over and over again like a sheet. Heavy, heavy, incapacitating buzz. I flopped on my side into the fetal position again, but this provided no comfort. I was enormously dizzy and the tension in my stomach combined with the dizzyness to provoke nausea.
I somehow ran to the bathroom in this psychedelic mindstate, and leaning over the porcelain alter purged. And purged. And purged. There was nothing in my stomach at all, I had blasted off soon after getting up and had eaten no breakfast. What was coming out of me was thick mucous or something, filled with the scent and taste of 5-MeO. I was reminded strongly of my Ayahuasca experiences. Bleh.
I know that the reason I purged this time was because I wasn’t comfortable letting go to the experience. The anxiety had to come out as the energy of 5-MeO is simply overwhelming. I overloaded myself this time. It was a pretty strong dose but I could have handled it fine had I remained calm and flowed with the effects.
After the purge I was still strongly effected, but the flash of the experience had passed. I was able to sit meditatively and get into a good state of mind. I felt cleaned out and did not regret the experience in any way, though I should have prepared my setting and myself better before diving.
Session 7: April 10, 2008 evening
Light beings
Set and setting: My room, nighttime. Preloaded with a tea of kratom, blue lotus, yerba mate, white pine, sweetgrass and sage. Energized and clearing, good for dreaming. Intention: Manifesting a home for myself and chosen companions.
I loaded a little DMT into the pipe, but from the taste and smell became aware I was smoking quite a bit of 5-MeO-DMT resin from the bottom of the pipe, too. As I entered the trance I became aware of two entities. On my right hand side and quite close was one of the beings; the other was behind me and on my left side, at a little more distance. They felt very protective, like guardians. The one close and to my right was bathing the side of my head with sweeping motions.
The being on my right side started communicating with me through flashes of light and colour. The fluorescent light beside me was being played with, being made to flicker and flash in order to communicate. The beings sort of come “out of the woodwork”, the one beside me was manifesting as part of my bed, the fluorescent light, and part of the floor. He opened the top of my head and poured in information.
I realized I could open a dialogue with these beings. I could ask them questions, and they would respond with these flashes of light-communication. I told them I wanted a home to live in with those I have chosen as a new family. I told them I want to have a partner. I want her to find me, or me to find her… I want us to find each other.  It doesn’t hurt to ask, right?
[Within three weeks of this experience, we had a home! Within two months I had found my sacred lover. I got everything I asked for.]
I was curious about these entities. Remembering one DMT report saying that the entities can have gender, I asked both if they had a sex. The entity behind and on my left seemed to indicate it was a strange question to ask, and she dredged up some imagery for me… large breasts, large hips, direct stare. A motherly figure. The entity on my right seemed amused by the question. As if saying, “Well we normally don’t take that form anymore!” But he confided to being a male, if I wanted to think about it that way.
These entities, these light beings are here for me. To protect me and guide me. As I was coming out of the trance state I felt the desire to lie down, and asked that the entities stay with me. Please don’t leave as I move around, I wish to stay in contact with you. They heeded my call, and when I lay down in bed I could still sense that comforting flashing of light indicating their presence. I did some relaxation/meditation techniques that put me deep into a dissociated state. Deep thinking.
Thinking about eyes. The eyes being the window to the soul. The soul perceives reality through our eyes. The patterns and colours in our irises is a visual representation of the frames and paradigms through which we interpret reality. Without those pigments and patterns we would see nothing but chaos and blinding light. We have to filter and make sense of reality, and this is what you see in peoples eyes. You see how they make sense of reality. A friend told me of a new band appearing in her eye, which would be a new mode or paradigm for viewing reality.
Eventually I drifted easily into sleep. My dreams that night were vivid, meaningful and I had better recollection that I normally do. Dreaming of being in some kind of crowd, or festival. And seeing Jess from a distance, sitting up in a truck… I blow a kiss her way. She smiles and waves at the friends around me, but does not seem to see me at all. There is a feeling of loneliness and separation.
Session 8: April 17, 2008 evening
Salvia preloading for smoking DMT/5-MeO
I’d first given three attempts at breaking through on just DMT. Each time I bounced off the edges of the trance state, not achieving liftoff velocity. There is at first a rising tone and feeling, but if I don’t make it through then this quickly changes to a sensation of dropping and grounding out. The doses left me functional enough to move around without falling over. Which was good, because the main effect seemed to be purgative. I coughed and hacked all kinds of sickness out of me. It was cleansing, but didn’t take me where where I was trying to go. I wanted to break through tonight.
Felt a strange calling towards Salvia, knowing subconsciously where the bag of leaves was and not needing to search for it, simply reaching behind me and pulling it out of the hidey-hole. It has been many months since I last danced the divinorum. At this time I was still feeling the afterglow from the DMT.
I took two large, dry leaves and folded them, placing between my cheek and gum. Slowly they soften and can be chewed. Slippery Salvia saliva tastes bitter like chewing green tea. I spat the quid and liquid out when it seemed appropriate, after several minutes of chewing. A perceptual shift was becoming increasingly evident. Hard to put a finger on what, exactly, had changed. Perhaps a little of that Salvia gravity was becoming noticeable.
So I loaded a little bit of mixed DMT and 5-MeO-DMT into the pipe, and I do mean just a little bit. Tiny grains. After filling my lungs, there was no doubt about achieving liftoff this time! The oncoming rush was annihilating me, and I think I became quite panicked, resisting the onset.
Things are a little fuzzy in my recollection here, but I ended up on the bed sideways being twisted and pulled into the blankets. I was twitching and rolling around a lot, that I remember clearly. The twisting sideways sensation I would attribute to the Salvia. The emotional tone of the experience was one of fear. Fear and a sense of illusion, of trickery and something somewhere laughing at my predicament. For me, adding DMT to 5-MeO-DMT shifted the tone of 5-MeO from terror to bliss. Adding Salvia to the mix seemed to reverse the effect, dredging me down into terror with an irrestistable gravitational vacuuming.
The effects lasted a long time. I can’t say exactly how long, but it took a good 30 to 45 minutes before I would consider myself “integrated” again. The afterglow of the tryptamines combined with sublingual Salvia left me slipping and being pulled through damp thought corridors at high speeds. Dancing auroras of light and energy surrounded me. The feeling was oddly dream-like and unreal. When I finally came out of the trance, I was drenched in sweat. Sleep came easily and my dreams were extremely vivid all night.
Using chewed Salvia before smoking the tryptamines seemed to destroy the lucidity and clarity of the tryptamine flash. I have difficulty bringing anything back from this experience. It was certainly intense but I’m hesitant to try again.
[…]
That’s all folks, thanks for reading. You might ask, what impact did these experiences have on me? I feel they gave me guidance and insight at a time when I was feeling lost, lonely and anxious. They are life affirming experiences, showing me glimpses of the unplumbed depths of my mind. As the late, great Terence McKenna said, “The imagination, the inside of our heads, really is the most vast frontier imaginable.”
Reminding me, everything that happens is within the highest good. Reminding me to trust my heart and intuition. To have a comfortable experience, I must accept that I am experiencing what I need to experience. I must surrender to the flow of life. Letting go of the fear inherent in diving so deep leaves me instead profoundly open to giving and receiving love.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Contents
Introduction
Requirements
Installation
Terms of Use
Change Log
Getting Started
Running Gems
Customising the Display
Running Gems as a Monitoring Tool
Configuring EMS Server Connections
The Main Display
Monitoring Server Events
Saving Configuration
Managing Queues and Topics
Monitoring Destinations
Browsing Queues
Subscribing to Topics
Monitoring (Snooping) Server Messages
Purging Server Messages
Copying Messages to Another Destination or Server
Monitoring Fault Tolerant Servers
Setting Up Security
Permissioning
View Only Mode
SSL
Encrypting Server Passwords
Using the Server JSON Configuration Editor
Monitoring TIBCO EMS Appliance
Migrating to TIBCO EMS Appliance
Configuration Properties
Testing Tools
Sending a Message to a Queue or Topic
Sending Saved Messages to a Queue or Topic
Service Request/Reply Tester
Service Request/Reply Monitoring
Monitoring TIBCO SubStation
Configuration
Display Panels
SubStation Menu
Command-line Options
Troubleshooting


This is a work in progress. The system is unable to accept exams for grading at this early stage
If you want to try anyway, start here


{% extends "layout.html" %} {% block page_title %} Apply for European Structural and Investment Funding {% endblock %} {% block content %} {% include "includes/phase_banner_alpha.html" %} Home Call list Application overview Strategy Evidence {% include 'includes/page_errors.html' %} Strategy (4 of 4) Evidence back Evidence How does the proposed delivery model build on evidence of good practice and what works most effectively for the target group? Please describe the market failure(s) that your prject will address. Provide relevant evidence and research to support your case (ERDF only) Set out the demand for the project What are the demand projections? how have these been identified? (ERDF only) Save and continue Cancel and return to dashboard {% include "includes/application_info.html" %} {% include "includes/secondary_nav.html" %} {% endblock %}


| condition = any valid expression (see example) |
|
This portion of the REPEAT ... UNTIL loop dictates what condition must be met before the loop stops execution. All commands between the two commands will be executed endlessly until the UNTIL condition is met.
See also: Repeat, Forever, Exit, While, For. |
|
; Repeat until user hits ESC key
Repeat print "Press ESC to quit this!" Until KeyHit(1) |


3343
fa-lg
fa-2x
fa-3x
fa-4x
fa-5x
Home
Library
Applications
Settings
List icons
can be used
as bullets
in lists
...tomorrow we will run faster, stretch out our arms farther... And then one fine morning— So we beat on, boats against the current, borne back ceaselessly into the past.


Formating
I can display HTML code using the

 tags and by using the name character entity feature of HTML: & the special character goes here
You can display code on your website like this:

This is a paragraph.

WAI-ARIA stands for Web Accessibility Initiative – Accessible Rich Internet Applications. A large aspect of WAI-ARIA is that it allows us to add roles to our structure tags: Nav, Article, Section and Aside. Main, Header, and Footer. This is done by creating properties for those tags by using these roles:Application, Banner, Complementary, Contentinfo, Form, Main, Navigation, and Search It would look like this:
Block vs. Inline
Block Elements
A block level element will be equal in height to whatever is in between the start and end tags of that element. Their width, however, spans the entire width of the webpage. That's why all block elements are stacked vertically. They can be nested inside each other, and can wrap around in-line elements.
Inline Elements
An inline element will be equal to both the height and width of whatever is in between the start and end tags of the element. They can nest other inline elements, but can't nest block elements. The only exception to this rule, is the anchor tag witch can nest block elements within it. , , and  tags are all examples of inline elements.
Using the Display Element
You can change the default nature of a tag from inline to block or the other way around, using a CSS property called display. For more information, see the Using the display property section on the CSS page.
Lists
Lists can be very helpful when you're trying to display a group of information that belongs together. There are several different types of lists. The three that I use are called Unordered, Ordered, and Descriptive. Click the button below to view an example of each.


|
In lesson 1, you build Bombilla by running the
VMBuilder application from the directory
tos/liv/VM/samples:
java net.tinyos.script.VMBuilder bombilla.vmsf
bombilla.vmsf is a VM specification file
(vmsf). It tells VMBuilder what handlers, functions,
sensorboards and other options to include in the
VM. Open tos/lib/VM/samples/bombilla.vmsf
in an editor. The first line of the file should
read:
<VM NAME="BombillaVM"
DESC="A simple VM that includes a range of triggering events and functions."
DIR="../../../../apps/Bombilla">
This is an example of an element; all
Maté files (barring nesC code) are sequences
of these XML-like elements. The name of an element
is the first word after the opening <: the above
example is a VM element. Elements have tags, which
are key value pairs. The above VM element has three
tags, NAME, DESC, and DIR. Element and tag names are
case-insensitive; the above could alternatively be
written as:
<vm name="BombillaVM"
DESC="A simple VM that includes a range of triggering events and functions."
dir="../../../../apps/Bombilla">
with no change to its meaning. The Maté
toolchain only recognizes certain elements and
tags. Unrecognized tags and elements are
ignored. Although the names of the tags are case
insensitive, often the values of the tags are case
sensitive. For example, changing the case of
directory names in the dir tag is
significant.
Every VMSF must have a VM element with a NAME,
DESC, and DIR tag. This is so VMBuilder knows what
to name files associated with the VM and what
directory in which to put them. The Bombilla DIR tag
puts the VM in
tinyos-1.x/tos/lib/VM/samples/../../../../apps/Bombilla,
which is tinyos-1.x/apps/Bombilla.
After the VM element come four SEARCH elements:
<SEARCH PATH="../opcodes">
<SEARCH PATH="../contexts">
<SEARCH PATH="../languages">
SEARCH elements tell VMBuilder where to look for
files. VMBuilder will search them in the order the
file specifies them. PATH tags that have a relative
path (like those above) are resolved from where
VMBuilder is run, that is,
tos/lib/VM/samples. PATH tags can also be
absolute paths. Every VMSF should have the first
three SEARCH elements (opcodes, contexts,
languages), which is where all of the standard
Maté files are.
The two lines of the file specify a sensorboard
and what language to use (TinyScript). If you're
using a Telos mote, it uses MicroScript instead
(microscript):
<LOAD FILE="../sensorboards/micasb.vmsf">
<LANGUAGE NAME="tinyscript">
The LOAD element tells VMBuilder to load the file
specified by the FILE tag and process the elements
contained in it. In the above example,
micasb.vmsf contains elements specifying
what functions to support, and where to find the
underlying TinyOS components. Using the LOAD
element, you can write files containing libraries of
functions, for example, which a VM can then include
with a single element.
The LANGUAGE element tells VMBuilder what
language to support. Currently, Maté only
supports TinyScript, but we're currently working on
also suppoting motlle, a scheme-like language. Every
VM should have this element, if you want to be able
to program with it.
A set of FUNCTION elements follows. These
describe the set of functions the VM should include
and provide to the programmer. For example, Bombilla
has several functions for clearing, querying, and
sorting buffers:
<FUNCTION NAME="bclear">
<FUNCTION NAME="bfull">
<FUNCTION NAME="bsize">
<FUNCTION NAME="bufsorta">
<FUNCTION NAME="bufsortd">
The NAME tag is the name of the function; it
refers to an opcode description file
(.odf). The ODF file contains information
on how many parameters the function takes and their
types, whether it has a return value, and a brief
description. Lesson 5 details how to introduce new
functions by writing ODF files.
Finally, after the FUNCTION elements are the
CONTEXT elements. These elements specify what
software handlers the VM provides: each has its own
execution context. Similar to FUNCTION elements,
they have a single tag, NAME, which specifies a
context description file (.cdf) that
contains information on the handler. Bombilla
includes six handlers:
<CONTEXT NAME="Trigger">
<CONTEXT NAME="Timer0">
<CONTEXT NAME="Timer1">
<CONTEXT NAME="Once">
<CONTEXT NAME="Reboot">
<CONTEXT NAME="Broadcast">
|


data-date |
Set start point interval Format: dd/mm/yyyy Default: Now |
data-animation |
Set animation
slide
fade
zoom |
data-days
data-hours
data-minutes
data-seconds |
Add days, hours, minutes, seconds to interval |
data-days-label
data-hours-label
data-minutes-label
data-seconds-label |
Set label for days, hours, minutes, seconds |
data-cls-days
data-cls-hours
data-cls-minutes
data-cls-seconds |
Set additional class for days, hours, minutes, seconds |
data-cls-zero |
Set label for days, hours, minutes, seconds |
data-cls-alarm |
Set additional class for alarm state |
| Methods |
start() |
Start countdown |
stop() |
Stop countdown |
pause() |
Pause countdown |
isPaused() |
Return true, if countdown is paused |
getTimepoint(asDate) |
Return countdown start point |
getBreakpoint(asDate) |
Return countdown break point |
getLeft() |
Return object. It contains days, hours, minutes and seconds to stop |


| Outports
| |
| OUT | Signal to frame program |
| Mask Parameters | |
| ts_fact | Multiplication factor of base sampling time (in integer format) |
| Gain | Gain value used in simulation |
| Offset | Offset value used in simulation |
| Delay | Time delay of signal used in simulation |
Serves as interface to the frame program. The output of this block is intended for simulation purposes and can be left unconnected if not used. Also the parameters Gain, Offset, and Delay are only used during simulation. The schematic for simulation can be seen in the figure below.
| int8 | 8 Bit Fixed Point |
| int16 | 16 Bit Fixed Point |
| int32 | 32 Bit Fixed Point |
| float32 | 32 Bit Floating Point |
| float64 | 64 Bit Floating Point |


Groot
A multipurpose discord bot, for educational and experimental purposes.
Made by dank tagg#6017
List of contents
Usage
If you anyhow want to copy
my code, feel free to. Be sure to read the license
though.
You can find me at the support server
for Groot, or just shoot me a
DM.
Features
Fun -> Funny commands
Utilities -> Handy utilities
Information -> Information about the bot
Moderation -> Powerful moderation commands
Admin -> Admin commands and not available for the public
How do I contribute?
If you somehow have interest in contributing, please start an issue.
State in it the code and a short description.
It should look like the following:
# The code you want to add:
import discord
from discord.ext import commands
class aNewCog(commands.Cog):
def __init__(self, bot):
self.bot = bot
@commands.command(name="Thank", aliases=["You"])
async def hello(self, ctx):
await ctx.send(f"Hello {ctx.author.mention}")
def setup(bot):
bot.add_cog(aNewCog(bot))
# A short description
'''
This code adds a new command that sends 'Hello {ctx.author.mention}' when invoked.
My discord is anUser#6969, you can ask me about it there.
'''
Note that this is not required. It can also be pseudocode, and a small explanation.
For more information, contact me on discord.
If you want to contribute anything big, please DM me.
I would be more than happy to talk to you.
Requirements to contribute
- It must be written in Python
-
It must be
able to run on
python 3.9.4
anddiscord.py 1.7.2
Contact me
DISCORD:
dank tagg#6017 or
support server
EMAIL:
<EMAIL_ADDRESS>Links
Licensing Information
MIT License
Copyright (c) 2021 dank tagg
Permission is hereby granted, free of charge, to any person obtaining a copy
of this software and associated documentation files (the "Software"), to deal
in the Software without restriction, including without limitation the rights
to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
copies of the Software, and to permit persons to whom the Software is
furnished to do so, subject to the following conditions:
The above copyright notice and this permission notice shall be included in all
copies or substantial portions of the Software.
 IN NO EVENT SHALL THE
AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE
SOFTWARE.


Gold clings to modest gains above $1460 level, lacks follow-through
by Haresh Menghani- Gold gains some traction amid persistent US-China trade uncertainty.
- Sliding US bond yields undermined the USD and remained supportive.
- The uptick is likely to remain capped ahead of the FOMC policy update.
Gold edged higher on the first day of a new trading week and recovered a part of Friday's post-NFP slide to multi-day lows.
The latest US monthly jobs report surpassed most optimistic estimates, which provided a goodish intraday lift to the US dollar and eventually prompted some aggressive selling around the dollar-denominated commodity.
Focus on trade, FOMC
However, persistent uncertainty over a potential phase one trade deal between the world's two largest economies extended some support to the precious metal's perceived safe-haven status and helped gain some traction on Monday.
It is worth mentioning that top White House Economic Adviser, Larry Kudlow confirmed on Friday that the December 15 deadline to impose new tariffs on around $156 billion worth Chinese products remains in place.
Kudlow also said that the US President Donald Trump is pleased with the progress in trade negotiations, which added to a flurry of recent conflicting trade signals and kept a lid on the optimism and weighed on investors' sentiment.
Adding to this, a pullback in the US Treasury bond yields, which kept the USD bulls on the defensive, further provided an additional boost to the non-yielding yellow metal, albeit the uptick seemed to lack any bullish conviction.
Moreover, investors might also be reluctant to place any aggressive bets ahead of the upcoming event risk, the latest FOMC monetary policy update, which might further contribute towards capping any runaway rally.
Hence, it will be prudent to wait for some strong follow-through buying before positioning for any further intraday appreciating move amid absent relevant market moving economic releases from the US.
Technical levels to watch
XAU/USD
| Overview | |
|---|---|
| Today last price | 1462.8 |
| Today Daily Change | 2.10 |
| Today Daily Change % | 0.14 |
| Today daily open | 1460.7 |
| Trends | |
|---|---|
| Daily SMA20 | 1465.22 |
| Daily SMA50 | 1481.73 |
| Daily SMA100 | 1487.3 |
| Daily SMA200 | 1405.02 |
| Levels | |
|---|---|
| Previous Daily High | 1477.1 |
| Previous Daily Low | 1458.88 |
| Previous Weekly High | 1484.06 |
| Previous Weekly Low | 1454.05 |
| Previous Monthly High | 1515.38 |
| Previous Monthly Low | 1445.8 |
| Daily Fibonacci 38.2% | 1465.84 |
| Daily Fibonacci 61.8% | 1470.14 |
| Daily Pivot Point S1 | 1454.02 |
| Daily Pivot Point S2 | 1447.35 |
| Daily Pivot Point S3 | 1435.81 |
| Daily Pivot Point R1 | 1472.24 |
| Daily Pivot Point R2 | 1483.78 |
| Daily Pivot Point R3 | 1490.45 |


Lynas says video of sinking barge containing bauxite fake
KUALA LUMPUR, Nov 11 — A viral video post on social media recently claiming that a barge containing bauxite had sunk in the waters of Kuantan is no more than false information, says Lynas Malaysia Sdn Bhd (Lynas).
In a statement, Lynas pointed out the Kuantan Port had clarified that the accident did not occur in Malaysian waters and the material contained in the barge is nickel ore, and not bauxite.
“Lynas does not mine or produce bauxite ore. Bauxite and nickel ore are not rare earth and Lynas does not mine any materials in Malaysia,” the statement said.
Lynas added all material imported and exported from the Lynas plant is packaged in containers.
“The commentary being pushed on social media continues a pattern of disinformation promoted by anti-Lynas activists over many years.
“We are disappointed to see that a small group of activists continue to spread misinformation about Lynas Malaysia and are causing fear and confusion among the community,” the statement said. — Bernama


Files CCore/inc/crypton/AES.h CCore/src/crypton/AES.cpp
Files CCore/inc/crypton/PlatformAES.h
There are six AES-related types. All of them are BlockCipher<....> and implement AES cipher algorithms.
using AES128 = BlockCipher<....> ; using AES192 = BlockCipher<....> ; using AES256 = BlockCipher<....> ; using AESInverse128 = BlockCipher<....> ; using AESInverse192 = BlockCipher<....> ; using AESInverse256 = BlockCipher<....> ;
AES128 implements direct AES-128 cipher.
AES192 implements direct AES-192 cipher.
AES256 implements direct AES-256 cipher.
AESInverse128 implements inverse AES-128 cipher.
AESInverse192 implements inverse AES-192 cipher.
AESInverse256 implements inverse AES-256 cipher.
The file PlatformAES.h contains stub definitions for AES cipher types.
using PlatformAES128 = AES128 ; using PlatformAES192 = AES192 ; using PlatformAES256 = AES256 ; using PlatformAESInverse128 = AESInverse128 ; using PlatformAESInverse192 = AESInverse192 ; using PlatformAESInverse256 = AESInverse256 ;
A target may override this header file and provide its own definitions with efficient platform-dependent AES implementation.


{{/* Copyright (c) 2017, OCAD University, [BSD-3-Clause](https://github.com/fluid-lab/iad-guide-theme/blob/master/LICENSE) */}} {{ define "main" }}


Napa Valley Trail Marathon
Calistoga CA/USA
Website: www.envirosports.com
Race Winners (25
runnings)
24
Mar 2007
25
Mar 2006
09
Apr 2005
27
Mar 2004
22
Mar 2003
06
Apr 2002
24
Mar 2001
25
Mar 2000
27
Mar
1999
04
Apr
1998
12
Apr 1997
29
Apr 1996
22
Apr 1995
09
Apr 1994
20
Feb 1993
Notes: 1993 was the inaugural year.
This race is on trails.
18
Mar 2017
3:10:40
Dan Connors (CO/USA)
3:51:53
Brenda Blinn (CA/USA)
19
Mar 2016
3:08:57
Oisin Omir (IRL)
3:22:26
Alicia Drew (CA/USA)
21
Mar 2015
3:06:47
Daniel Wagner (HI/USA)
4:07:19
Rachel Wrightson (NY/USA)
22
Mar 2014
2:51:10
Eliot Drake (NY/USA)
3:56:37
Skye Weaver (NV/USA)
23
Mar 2013
2:57:43
Stephen Pinkster (ENG)
3:35:08
Diona Fulton (MA/USA)
24
Mar 2012
3:35:34
J R Mintz (USA)
3:44:08
Jillian Rothgeb (USA)
26
Mar 2011
3:17:32
Nicolas
Martin-2
3:18:22
Sydney Leonard (USA)
27
Mar 2010
3:10:14
Michael Melkonian (CA/USA)
3:46:11
Nickelle Leist (CA/USA)
28
Mar 2009
3:45:09
Mikel Azpiroz (CA/USA)
3:44:52
Virginia Landin
(CA/USA)
29
Mar 2008
3:11:13
Mike Pigg (CA/USA)
3:40:13
Nadia Ruiz (CA/USA)
2:58:25
Bob Sherbert (CA/USA)
3:36:58
Carol Silvera
(CA/USA)
3:23:55
Tom Bell (OR/USA)
4:12:48
Kathy Verderame
(CA/USA)
3:14:14
Evan Basakis (CA/USA)
3:41:55
Laura Bleakley
(NH/USA)
3:03:14
Michael Schmidt (C/USA)
3:42:52
Andrea Wheatley
(CA/USA)
2:45:10
Erik Brooks (MN/USA)
3:23:50
Holly Tate (CA/USA)
3:27:30
Steve Young (CA/USA)
4:00:35
Kelly Zuch (CA/USA)
3:34:10
David Martin (CA/USA)
4:49:30
Michelle Coffman
(CA) + Kate Cerullo (CO)
3:28:08
Sandy White (UT/USA)
4:06:02
Heidi Hayes (CA/USA)
3:51:50
Stephen Wagstaff (CA/USA)
3:41:50
Katie Gengler
(CA/USA)
3:26:20
Eric Wilde (CA/USA)
4:36:10
Yong Carver (OR/USA)
3:30:40
Ken Cox (CA/USA)
3:57:20
Leslie Mudgett
(WA/USA)
3:54:52
Nicolas Martin (CA/USA)
3:45:43
Tina Ure (CA/USA)
3:43:05
Andy Roth (CA/USA)
5:01:30
Pat Marsh (NV/USA)
4:04:00
Mike Sweeney (CA/USA)
4:30:50
Maureen Bartley
(CA/USA)
4:32:40
Eric Willard (CA/USA)
5:12:35
Joan Risse (CA/USA)
Most Wins
(1993-date)
Men
2
Nicolas Martin (CA/USA)
1996,2011
Women
No woman has won more than
once, according to available information.
Prize Money
(ADR qualified runners)
No prize money has been awarded at this race.
Race Time Bias
(sec/km)
Insufficient data to calculate the race time bias.
Competitive Level
(1990-date)
Insufficient data to calculate the competitive level.
Quality Performances
Men No men under 2:20 Women No women under 2:50
Last Updated on 20 Mar 2017
Contributors: Michelle Ruettinger, Klaas Loonstra (5)


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