Unreleased Grateful Dead Live Tracks Bundled With Graphic Novel
by Martin KieltyThe creators of the previously announced Grateful Dead graphic novel Grateful Dead Origins revealed that a soundtrack package will be made available alongside the comic book.
Curated by Dead archivist and legacy manager David Lemieux, the book includes 13 recordings from the band’s early career, while a collectors edition will come with a four-track vinyl recording containing previously unreleased live recordings from the Fillmore West in San Francisco in 1968. You can see the track listing below.
“Grateful Dead Origins tells the story of the band’s transformation from a bar band performing as the Warlocks to becoming the creators of their own sound and cultural movement through their music and community," publishers Z2 comics said in a statement that also revealed the first look at interior artwork (which you can see above). “Artist Noah Van Sciver illustrates an original history created by writer Chris Miskiewicz. The graphic novel will be available in two editions: a standard edition and a limited run collectors deluxe edition.”
The vinyl record features a previously unreleased show that includes the first known West Coast live version of "St. Stephen" as well as the first known performance of the "William Tell Bridge" that joins "Stephen’ to "The Eleven." The concert was originally recorded on eight-track analog tape and mastered for this release.
“We've seen many archival releases that offer magnificent audio representations of the Grateful Dead's history, and several filmed interpretations of the Dead's story," Lemieux said when the publication was announced. “To these, we're thrilled to add to the Dead's narrative canon this beautiful portrayal of the Dead's origin story in the form of this wonderful new comic.”
Both the standard edition and the collectors edition are available for pre-order now, with publication due in April.
‘Grateful Dead Origins’ Soundtrack Track Listing
1. “The Golden Road (To Unlimited Devotion)” – from Grateful Dead
2. “Cream Puff War” – from Rare Cuts
3. “Walking The Dog” – from Rare Cuts
4. “Viola Lee Blues” – from Road Trips 2/2/68
5. “Hey Little One” – from Rare Cuts
6. “That’s It For The Other One” – from Anthem Of The Sun
7. “Midnight Hour” – from 1966 30 Trips
8. “Standing On The Corner” – from Rare Cuts
9. “China Cat Sunflower” – from Aoxomoxoa
10. “Big Railroad Blues” – from Rare Cuts
11. “Morning Dew” – from Grateful Dead
12. “Keep Rolling By” – from 1966 30 Trips
13. “Cosmic Charlie” – from Aoxomoxoa
Collectors Edition Vinyl Track Listing
Side 1
1. “Dark Star”
2. “St. Stephen”
Side 2
1. “The Eleven”
2. “Death Don’t Have No Mercy”
See the Dead Among the Top 100 Albums of the '70s
'Bridge Over Troubled Water'
Simon and Garfunkel (1970): The pinnacle of the duo's career and one of the best albums ever made, 'Bridge Over Troubled Water' showcased Paul Simon's musical restlessness on globetrotting songs like "El Condor Pasa" and "Cecilia." And Art Garfunkel never sounded better than he does on the soaring title track.
'Black Sabbath'
Black Sabbath (1970): This is heavy metal's big bang -- a stunning juxtaposition of fate (with bleak Birmingham as a backdrop), creativity (they found something much darker within the blues) and timing. In fact, Black Sabbath's kinetic bond was such that this was recorded in a single day.
'Moondance'
Van Morrison (1970): 'Moondance' is the sunrise after the bleak depths of 'Astral Weeks,' just as transcendant but in a far more light-filled way. Catharsis is replaced by a determinedly pastoral wonder. It's simply gorgeous.
'Deja Vu'
Crosby Stills Nash and Young (1970): The hits tell the story of this so-crazy-it-worked amalgam of late-'60s stars: "Teach Your Children" and "Woodstock" wouldn't fit together on any other album. Neither would "Our House" and "Almost Cut My Hair."
'Let it Be'
The Beatles (1970): The Beatles' final album was recorded in early 1969, before 'Abbey Road,' but it sat on the shelf for more than a year because nobody wanted to touch the tapes from the disastrous sessions. Phil Spector waded through the mess, stitching together a swan song that's sweet, infuriating and poignant.
'Live at Leeds'
The Who (1970): The Who were touring 'Tommy' when they hit the University of Leeds armed with their rock opera and a handful of old classics. They produced one of rock's all-time greatest live albums, a powerhouse document of a band at the very top of their concert game.
'Workingman's Dead'
Grateful Dead (1970): As the '70s loomed, it seemed everyone was ready to get back to the basics -- the Dead included. There followed a newfound focus on dilating their legendary studio excursions, even as they added Crosby, Stills, and Nash-style vocal harmonies.
'Fun House'
The Stooges (1970): Here's where the first seeds of punk sprung, and with such force that 'Fun House' still sounds fresh. The funny part? Iggy Pop says he drew inspiration not from fellow modernists like MC5, but from Chicago blues master Howlin' Wolf.
'Cosmo's Factory'
Creedence Clearwater Revival (1970): Is it possible that Creedence's first album of the '70s, one that arrived after an amazing series of career-defining projects in 1969, is in fact their best ever? Yes. Yes, it is.
'After the Gold Rush'
Neil Young (1970): Very much in keeping with his contemporary work with Crosby, Stills and Nash, 'After the Gold Rush' is Young at his singer-songwriter peak. Listen, too, for the placid piano work of a then-unknown Nils Lofgren, later of E Street Band fame.
'Paranoid'
Black Sabbath (1970): Black Sabbath's debut album was influential; this one was definitive. As hypnotic as it is scarifying, as bone-crushingly loud as it is memorably doomy, 'Paranoid' is what all heavy metal is measured against.
'Abraxas'
Santana (1970): Carlos Santana's shamanistic guitar served as the lodestar as his band brilliantly stirred in elements of rock, salsa, jazz and blues -- completely transforming Tito Puente's "Oye Como Va" and Fleetwood Mac's "Black Magic Woman" along the way.
'Led Zeppelin III'
Led Zeppelin (1970): More rustic, sure, with layered acoustics and mandolins. But 'III' is no folk album. Not with its thrilling rhythmic twists ("Out on the Tiles"), dense arrangements ("Friends"), galloping viking-rock ("Immigrant Song") and scalding blues ("Since I Been Loving You").
'All Things Must Pass'
George Harrison (1970): Bottled up creatively for years, George Harrison's first proper solo release was a all-encompassing, Wagnerian juggernaut. Every element of his overlooked genius, and outsized vision, is evident here.
'Layla and Other Assorted Love Songs'
Derek and the Dominoes (1970): Eric Clapton gathered some friends (including Duane Allman) to help record original and cover songs to help mend his broken heart. The result -- a double-record song cycle about falling in and out of love -- is Clapton's greatest, most personal work.
'Loaded'
Velvet Underground (1970): The Velvet Underground were in shambles by the time this album (featuring "Sweet Jane" and "Rock and Roll") arrived, but Lou Reed left us with the band's most focused, radio-ready album.
'American Beauty'
Grateful Dead (1970): Didn't you used to be the tripped-out hippie gods of free-form rock? Not here, as the Dead travel deeper into an appealing new landscape of rock, folk, bluegrass and country. In this dialed-down atmosphere, they fashioned their most complete studio effort.
'John Lennon / Plastic Ono Band'
John Lennon (1970): One of the most remarkable musical -- and personal -- statements ever issued by a major recording artist, as John Lennon bids an emotional farewell to a decade, his band and his youth.
'Pearl'
Janis Joplin (1971): In death, Janis Joplin was finally given the room to shine. This refreshingly uncluttered gem allowed her to find new depths of raspy vulnerability, even if it sadly arrived some four months after she ODed.
'Love it to Death'
Alice Cooper (1970): Alice Cooper's turn from psychedelia toward heavier sounds, after a move to Detroit, provided a launching pad for one of rock's most memorable characters.
'Aqualung'
Jethro Tull (1971): Jethro Tull's most successful synthesis of blues rock, madrigal whimsy, prog and a certain underutilized woodwind instrument, 'Aqualung' was highlighted by “Locomotive Breath,” a chillingly prophetic indictment of over-population.
'Sticky Fingers'
The Rolling Stones (1971): Following 'Let It Bleed,' Altamont and the '60s, the Stones' first album of the '70s turned soulful ("Brown Sugar"), twangy ("Dead Flowers") and reflective ("Moonlight Mile"). Dirty, sticky and raw.
'L.A. Woman'
The Doors (1971): An uneven, more blues-focused farewell from the original quartet, 'L.A. Woman' is nevertheless a lasting testament -- on standout moments like the title track, "The Changeling" and "Riders on the Storm" -- to the dark intrigues of the Doors.
'Every Picture Tells a Story'
Rod Stewart (1971): Stewart's breakthrough album hit No. 1, as did its killer single "Maggie May." The backing band includes members of Faces, whom Stewart was doing double duty with at the time, and they help work the album into an eternal bluesy, boozy rock 'n' roll party.
'At Fillmore East'
The Allman Brothers Band (1971): The Allmans had two studio albums to their name when they played a series of shows at New York City's Fillmore. The double album culled from the concerts made their legend -- from the stinging "Statesboro Blues" to the epic "Whipping Post," which clocks in at 23 glorious minutes.
'Masters of Reality'
Black Sabbath (1971): Was it possible for Black Sabbath to get sludgier, more inky black? 'Masters of Reality' answered that question, playing off an injury to Tony Iommi's hand in which he lost two fingertips. That forced him to play slower. Now, he was also -- shiver -- playing lower.
'Who's Next'
The Who (1971): In between their two classic rock operas, the Who scaled back a bit for their best album ... which started life as another rock opera. But Pete Townshend whittled the project down to its best cuts, bookending it with the synth-powered "Baba O'Riley" and "Won't Get Fooled Again."
'Imagine'
John Lennon (1971): Only an artist as willfully complex as John Lennon could have pulled this off, as he moves from sensitive moments like the album’s title track to the vicious Paul McCartney putdown of "How Do You Sleep?"
'Electric Warrior'
T. Rex (1971): After five albums of mostly lifeless folk rock, T. Rex changed course on 'Electric Warrior,' plugging in and setting the template for glam rock. "Bang a Gong (Get It On)" was the hit, but there are 10 more where that came from -- all glitter, fuzz and rifftastic.
'IV'
Led Zeppelin (1971): After their pastoral third album, Led Zeppelin rocked back hard on their epic fourth LP. Almost every song here is a classic -- from the opening "Black Dog" to the closing "When the Levee Breaks."
'Fragile'
Yes (1971): Yes’ breakout fourth album shaped their considerable legacy in one fell swoop, as they debuted Rick Wakeman on keyboards, Roger Dean on the cover and “Roundabout” on the charts.
'Hunky Dory'
David Bowie (1971): To think David Bowie didn't even have a contract when he began recording this low-key gem. 'Hunky Dory' stayed below the radar too, failing to gain the attention it deserved until 'Ziggy Stardust' later took off.
'Paul Simon'
Paul Simon (1972): Simon's second solo album following Simon & Garfunkel's breakup is tighter and more focused than his debut ... and made clear that the duo was history. Songs like "Mother and Child Reunion" and "Me and Julio Down by the Schoolyard" burst with life and newfound freedom.
'Harvest'
Neil Young (1972): Perhaps Neil Young's most accessible album, the polished, largely acoustic 'Harvest' (with songs like "Heart of Gold," "Needle and the Damage Done" and "Old Man") defined his solo career, even if Young actually made another sharp creative turn immediately thereafter.
'Something/Anything?'
Todd Rundgren (1972): Then as now a roving, feverishly inventive personality, it took a double album to capture what seemed until then uncapturable: Todd Rundgren's muse. No surprise then that this is all over the map. But who needs a map anyway?
'Machine Head'
Deep Purple (1972): The album that hurtled Deep Purple to stardom, that featured bona fide classics like "Highway Star" and "Space Truckin'," that provided a riff via "Smoke on the Water" -- which still sparks every young guitar player's dreams.
'Exile on Main Street'
The Rolling Stones (1972): Mired in drugs, booze and too much fame, the Stones barely sound awake for much of their double-album masterpiece. But its muddy, bluesy sway is intoxicating throughout.
'The Rise and Fall of Ziggy Stardust and the Spiders From Mars'
David Bowie (1972): Bowie pretty much dressed himself up as a rock star from outer space, wrote a concept album about it and then lived the life for the next year. His breakthrough album is a masterstroke of genius myth-making, plus it includes some of his all-time best songs.
 Filled with hooks and lyrics both cryptic and clever, all that was missing was a vocalist. Donald Fagen soon fixed that.
'Raw Power'
The Stooges (1973): This narcotized classic found James Williamson taking over on guitar from Ron Asheton, who moved to bass. Together with Iggy Pop's menacing warble, they made something that sounds like a curtain dropping down on a needle-pricked night.
'Billion Dollar Babies'
Alice Cooper (1973): Listeners in both the U.S. and the U.K. responded to Alice Cooper's most consistent album and the ageless hit "No More Mr. Nice Guy," giving him his first and only No. 1.
'Houses of the Holy'
Led Zeppelin (1973): Led Zeppelin's tightest album puts the focus on the songs rather than the riffs. Not that there aren't plenty of them to go around (see "Over the Hills and Far Away," "Dancing Days," etc.)
'The Dark Side of the Moon'
Pink Floyd (1973): Renowned for its musical ambition, 'Dark Side' would never have been so famous if its themes on growing older, regrets and approaching death hadn't connected on a much deeper level.
'Tres Hombres'
ZZ Top (1973): This breakthrough album was played on the radio until the grooves were smooth — from the opening cut’s “have mercy!” to the “how how how” of “La Grange” — and for good reason.
'Mott'
Mott the Hoople (1973): Mott the Hoople followed up the outsized attention brought on by "All the Young Dudes" with a similarly infectious set of songs -- as long as you didn't pay too much attention to the lyrics. Closer listens reveal an air of growing disenchantment with all of that success.
'Pronounced 'Leh-'nerd 'Skin-'nerd'
Lynyrd Skynyrd (1973): Lynyrd Skynyrd defined Southern rock forever with an album that built outward from the Allman Brothers' blues and country influences with a lean, rock-focused sound -- and lyrics that were just as hard-eyed.
'Montrose'
Montrose (1973): Every year this magnificent album seems to take another step past "underground classic" status into mainstream acknowledgement. How influential is 'Montrose?' When Van Halen recorded their first record, they hired the same engineer and producer. A few years later, they also signed up the band's former lead singer -- Sammy Hagar.
'Quadrophenia'
The Who (1973): This novelistic piece was never as beloved as was the earlier 'Tommy,' but 'Quadrophenia' -- dense, utterly interconnected, sharply focused -- is actually a stronger concept album.
'Goodbye Yellow Brick Road'
Elton John (1973): Profound and yet disjointed, kitchen-sink self-indulgent and then definitive, this album is everything you love about an overblown '70s-era double album. And everything you love about Elton John, too.
'Band on the Run'
Paul McCartney and Wings (1973): Paul McCartney's best album uses broad storytelling brushstrokes to skillfully weave his own desire to break away from the Beatles with the age-old myths of ne’er-do-wells, hitchhikers and outsiders.
'461 Ocean Boulveard'
Eric Clapton (1974): More focused than this debut, Eric Clapton's approachably rootsy sophomore solo album also brought in a touch of reggae -- and a sleeker production. The template for every Clapton album from the '70s was set.
'Not Fragile'
Bachman-Turner Overdrive (1974): BTO get plenty of attention for their parade of '70s hit singles -- two of which, "Roll On Down the Highway" and "You Ain't Seen Nothing Yet," appear here. But thanks to deep cuts like the pulsating title track, their third album also deserves to be mentioned among the decade's best long-form efforts.
'Late for the Sky'
Jackson Browne (1974): Browne was in his mid 20s when he wrote this melancholic song cycle about crumbling relationships. Songs like "Fountain of Sorrow" and the title track pretty much crowned him as the era's definitive singer-songwriter on the subject, and one of the genre's most influential artists.
'Blood on the Tracks'
Bob Dylan (1975): The themes of separation on this, Bob Dylan’s heartbroken, endlessly revealing mid-'70s triumph, still pack an emotional jolt — whether you’ve suffered through a divorce or not.
'Physical Graffiti'
Led Zeppelin (1975): Led Zeppelin pieced together their double-album classic from leftover sessions and dynamic new cuts. It comes together as a singular, thunderous statement by a band at the peak of its power.
'Fly By Night'
Rush (1975): Exhibit A in the argument for "addition by subtraction," this project saw Rush lose a co-founding member -- only to replace him with a figure who would radically extend Rush's horizons. Neil Peart wasn't just the new drummer; he was the spark that pushed them to greatness.
'Toys in the Attic'
Aerosmith (1975): These guys had already established themselves as a canny blend of Stonesy musical raunch and Zeppelin-ish riffing. With 'Toys in the Attic,' they completed the recipe with a consistent focus on New York Dolls-inspired sexual double entendres -- and Aerosmith were born.
'Captain Fantastic and the Brown Dirt Cowboy'
Elton John (1975): John and creative partner Bernie Taupin had written concept albums before (see 1970's western-themed 'Tumbleweed Connection'). But 'Captain Fantastic' is a personal, lyrical journey of their relationship -- the ups, downs, struggles and successes.
'Tonight's the Night'
Neil Young (1975): The drug-related deaths of two friends spurred Young's angriest and rawest album. Recorded quickly with some old pals and members of Crazy Horse, 'Tonight's the Night' is dark, hazy and unsure of what lies ahead -- the tentative riffs and Young's aching vocals nail it.
'The Basement Tapes'
Bob Dylan and the Band (1975): Though unreleased until 1975, 'The Basement Tapes' provided both a missing link between Dylan’s 'Blonde on Blonde' and his later rootsier sounds, as well as the earliest hints of what was to come for the Band.
'Fleetwood Mac'
Fleetwood Mac (1975): When Californians Lindsey Buckingham and Stevie Nicks joined Fleetwood Mac for this LP, the group was a leftover British blues band from the '60s. They soon became one of the biggest groups on the planet, thanks to this terrific collection of sunkissed pop.
'Born to Run'
Bruce Springsteen (1975): Springsteen's third album made him a star. More importantly, it set a template for his literate, throwback rock 'n' roll -- road music about chasing the American dream and coming up short in the long run. Powerful, epic and ultimately hopeful, despite life's setbacks.
'Alive!'
Kiss (1975): After their first three studio albums failed to capture what made Kiss such a fast-growing force on the concert circuit, their near-bankrupt label threw up this Hail Mary of a double-live album. Luckily (and deservedly) it connected with a massive audience, launching the band into stardom.
'Ted Nugent'
Ted Nugent (1975): The album-opening "Stranglehold" was enough to guarantee Ted Nugent rock immortality all by itself. But just to be sure, he also threw in "Stormtroopin," "Hey Baby," "Just What the Doctor Ordered" and "Motor City Madhouse."
'Wish You Were Here'
Pink Floyd (1975): As concise conceptually as any album they ever attempted, this is also the last truly collaborative studio project between Roger Waters and the rest of Pink Floyd.
'A Night at the Opera'
Queen (1975): With the flaxen AM-era ballad "You're My Best Friend," Queen completed an amazing resume that included everything from the operatic stuff to the heavy stuff, from the symphonic stuff to the showtune stuff, to the stuff that somehow combined all of the above. It's all here.
'Ramones'
Ramones (1976): Widely overlooked at first, the Ramones' angtsy self-titled debut would end up as a match-light moment for punk -- long before most even knew such a thing existed on the far horizon.
'Destroyer'
Kiss (1976): Eager to prove they could deliver a world-class studio album, Kiss brought in producer Bob Ezrin to help expand and tighten their sound on 'Destroyer.' Happily, they rose to his exacting standards on newly sophisticated anthems like 'Detroit Rock City' and 'Shout It Out Loud.'
'Jailbreak'
Thin Lizzy (1976): Thin Lizzy's endlessly appealing bestselling album in the U.S., like its energetic hit "The Boys Are Back in Town," just never gets old. And that's just what Phil Lynott, who brought in sessions guys to bolster their sound, always intended.
'2112'
Rush (1976): The titanic seven-part, 20-minute what-if-they-banned-music-themed title track, all by itself, might just be the best thing Rush ever did. And they were just getting started on '2112.'
'Rocks'
Aerosmith (1976): This is, in many ways, a sequel to 'Toys in the Attic,' the sound of an ever-more-confident band that had finally hit upon a winning formula. The principal difference, as its title makes clear, is that the follow-up somehow rocks harder.
'Fly Like an Eagle'
Steve Miller Band (1976): Dotted with a trio of trippy, fun-loving '70s standards, 'Fly Like an Eagle' found Steve Miller in full command of his new party-rock-in-space amalgam. Dig deeper, and there are some intriguing atmospheric items that only add context to the hits you know and love.
'Boston'
Boston (1976): Home to three Top 40 hits, Boston's self-titled album went platinum in a mere three months -- becoming both the fastest-selling debut album ever, and the backbone of every classic-rock radio playlist ever.
'Animals'
Pink Floyd (1977): This might have been considered Pink Floyd's darkest album, if not for what came next. But unlike 'The Wall' and (in particular) 'The Final Cut,' Roger Waters' bleak narratives are balanced by muscular contributions throughout from David Gilmour.
'Low'
David Bowie (1977): Bowie made three experimental-music albums in the late '70s with Brian Eno in Berlin. This is the best of them, a stunning and often difficult soundscape of space-age instrumentals and avant-garde wordplay.
'Rumours'
Fleetwood Mac (1977): Memorably cinematic, Fleetwood Mac's masterpiece chronicled with a lush directness (quite literally, it turned out) the way that relationships coalesce then dissolve.
'Hotel California'
The Eagles (1976): The Eagles' masterpiece is a dark, decadent look at the trappings of drugs, fame and power. It's ragged, dirty, self-aware ... and a landmark record of the '70s that pivots between the corners of what the Eagles were and what they would become.
'Let There Be Rock'
AC/DC (1977): Here's where Bon Scott and the Young brothers delivered their first undisputed masterpiece. 'Let There Be Rock' is relentless, swaggering and without an ounce of fat -- and by the time it reaches its climax with "Whole Lotta Roise," you'll be breathless.
'In Color'
Cheap Trick (1979): A power-pop gem, and home to the ageless "I Want You to Want Me," this album cemented Cheap Trick as huge stars -- but only in Japan, not in the U.S. We all know what happened next.
'Aja'
Steely Dan (1977): On Steely Dan's best album, there is no line between the rock and the jazz. Combined with a series of cinematic narratives, 'Aja' didn't sound like anything else at the time. Still doesn't.
'The Stranger'
Billy Joel (1977): Joel had released four albums that most people didn't pay much attention to before he released his fifth, and best, one in 1977.
'Never Mind the Bollocks Here's the Sex Pistols'
Sex Pistols (1977): If the Ramones knocked on the door, the Sex Pistols simply kicked it down -- snagging the press, the sales and the legend. Two-times platinum in the U.K., this would become -- how punk is this? -- their one and only album.
'Bat Out of Hell'
Meat Loaf (1977): The songs on Meat Loaf's breakthrough 1977 album were massive, overcooked and loaded with enough melodramatic flourish to supply a dozen mid-size theater productions. Nothing else sounded like 'Bat Out of Hell' in the '70s ... or pretty much ever, for that matter.
 The results here are arguably even better.
'Van Halen'
Van Halen (1978): An album every bit as important, in its own way, as the debut albums by Jimi Hendrix and the Ramones, Van Halen's introductory blast of guitar pyrotechnics and party-boy lyrics changed the way hard rock albums sounded forever.
'This Year's Model'
Elvis Costello and the Attractions (1978): Costello's great debut, 1977's 'My Aim Is True,' didn't include his band the Attractions (a California group called Clover, who would rename themselves the News after they hooked up with Huey Lewis, backed him). 'This Year's Model' did, and it's a tough, dynamic mix of rock and New Wave.
'Some Girls'
The Rolling Stones (1978): The Stones' most '70s album toys with disco, punk and classic rock 'n' roll. After a few bumpy years of playing rock stars, they got back to business here and set themselves up for another decade.
'The Cars'
The Cars (1978): A template-setting blast of New Wave cool, 'The Cars' plays like an instant greatest-hits package. And unlike so much of the pop music to follow in the '80s (including some by the Cars themselves), this somehow remains ageless.
'Darkness on the Edge of Town'
Bruce Springsteen (1978): What if 'Born to Run''s dead-end characters never pulled out? What if they were still stuck in the same jobs, in the same towns and with hope in even shorter supply? These 10 magnficent songs provide the answer.
'Parallel Lines'
Blondie (1978): Blondie were never quite sure what kind of band they were: pop, punk, New Wave, disco, rock. On their third and best album, they're all of them, and they have a blast ripping apart genres on songs like "One Way or Another" and "Heart of Glass."
'52nd Street'
Billy Joel (1978): Billy Joel expands on the success of 'The Stranger,' even if he doesn't necessarily match its greatness song to song. This one is bigger, more enthusiastic, more bombastic and in some ways more loveable because of all of that.
'At Budokan'
Cheap Trick (1979): Cheap Trick had released three albums with middling sales when they played Tokyo in 1978. A year later, they were one of the planet's biggest bands thanks to this electrifying live album that feeds off the audience's relentless adoration.
'Outlandos d'Amour'
The Police (1978): Dark, New Wave-ish singles about suicide ("Can't Stand Losing You") and prostitution ("Roxanne") were met with initial confusion. This was, after all, still the late '70s -- not the nihilistic '80s. In time, this would be understood as one of the best debut albums ever.
'Rust Never Sleeps'
Neil Young and Crazy Horse (1979): Young closed out the '70s by summing up both the decade and his place in it. Recorded partly onstage, partly in the studio -- and partly solo acoustic, partly with an electric Crazy Horse -- 'Rust Never Sleeps' is the sound of the '70s turning into itself.
'Highway to Hell'
AC/DC: (1979) Bon Scott departs this mortal coil, but only after unleashing one last blast of lip-smackingly deviant rock. Credit the Young brothers and new producer Mutt Lange for crafting what to that point where AC/DC's best-sounding surroundings, too.
'Damn the Torpedoes'
Tom Petty and the Heartbreakers (1979): Petty usually is good for a handful of great songs per album; on his third LP, almost every single one of them is killer -- from the opening "Refugee" to the closing "Louisiana Rain." It gave Petty his first Top 10 hit and remains his definitive work.
'Deguello'
ZZ Top (1979): After three years away, ZZ Top returned with their best album from beginning (the smoky intrigue of “Thank You”) to middle (the rumbling “I’m Bad, I’m Nationwide”) to end (the endlessly intriguing “Cheap Sunglasses”).
'The Wall'
Pink Floyd (1979): Roger Waters, on a double-album scale, deals with a meteoric rise to fame as an adult after losing his father in World War II as a child. Part stirring confessional, part shocking exorcism, this is his masterwork.
'Regatta de Blanc'
The Police (1979): Dashed off in a flash, the Police's sophomore effort might have fallen flat if the band hadn't been sharpening its musicianship via nonstop touring. The results, despite a title meant to translate as "white reggae," point to every multi-faceted success to come.
'London Calling'
The Clash (1979): This renegade record set a new musical agenda for the '80s by kicking nearly every convention squarely in the rear, even as its hard-eyed sense of topical passion presupposed things like Live Aid.


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This is the lyrics of Krishna Nandkumar Ashtakam in English and Devanagari script. You will also find the meaning of Krishna Nandkumar Ashtakam in English. The Krishna Nandkumar Ashtakam is read to please Lord Krishna.
 Nandkumar whose very
form removes the sufferings of His devotees, who is the bright moon of
Vrindavana, and a source of immense joy. Nandkumar is the embodiment
of supreme bliss Himself and bears the earth within Him. The most
beloved Ghanashyama, one who is dark coloured, who is self-satisfied
by being absorbed within His own divine nature, and extremely
pleasing, inspiring love and affection from all. Worship that
Nandakumar, the essence of all joy, by reflecting on His divine
essence, which is, of the nature of supreme Brahman.
Sundara Varija Vadanam Nirjita Madanam Ananda Sadanam Mukuta Dharam,
Gunja Kriti Haaram Vipina Vihaaram Paramodaram Chira Haram,
Vallabha Patta Piitam Krita Upavitam Kara Navanitam Vibudha Varam,
Bhaja Nanda Kumaram Sarva Sukhasaram Tattva Vicharam Brahma Param.
॥2॥
Salutations to Sri Nandakumar, who has a beautiful face like the lotus
flower which subdues the pride of even Madana, the god of love, in
beauty, who is an abode of joy, and who wears a crown on His head, who
wears a garland made of gunja berries and wanders in the groves with
the gopis. Nandkumar is extremely generous and also extremely playful,
stealing the Clothes of the Gopis. Nandkumar is beloved of all and
loves to wear yellow garments. Nandkumar wears the sacred thread, who
stole butter during childhood and held it in His hand and who is the
supreme God. Worship that Nandakumar, the essence of all joy, by
reflecting on His divine essence, which is, of the nature of supreme
Brahman.
Shobhita Mukha Dhulam Yamunaa Kulam Nipata Atulam Sukhada Taram,
Mukha Mandita Rennum Charita Dhenum Vadita Venum Madhura Suram,
Vallabham Ati Vimalam Shubha Pada Kamalam Nakha Ruchi Amalam Timira
Haram,
Bhaja Nanda Kumaram Sarva Sukhasaram Tattva Vicharam Brahma Param.
॥3॥
Salutations to Sri Nandakumar, whose face is adorned with the dust of
the shore of Yamuna river in Vrindavana, such a matchless adornment of
dust gives great joy to the devotees. Nandkumar, who with the
adornment of dust on His face, wanders about with the cows in
Vrindavana playing melodious tunes in His flute. Nandkumar is the
beloved of the devotees and stainless pure divinity, whose lotus feet
is a source of auspicious blessings, and the splendour of whose pure
toe-nails remove the darkness within the heart of devotees. Worship
that Nandakumar, the essence of all joy, by reflecting on His divine
essence, which is, of the nature of supreme Brahman.
Shira Mukuta Sudesham Kunchita Kesham Natavara Vesham Kama Varam,
Maayaa Krita Manujam Haladhara Anujam Pratihata Danujam Bhaara Haram,
Vallabha Vraja Paalam Subhaga Suchalam Hitam Anukalam Bhava Varam,
Bhaja Nanda Kumaram Sarva Sukhasaram Tattva Vicharam Brahma Param.
॥4॥
Salutations to Sri Nandakumar, who has a crown well-decorating His
head, from which curly locks flow down. Nandkumar, who has assumed the
dress of a dancing actor and the beauty of that form excels the God of
love. Nandkumar has assumed a human form through His power of Maya,
and became the younger brother of Haladhara (Balaram). Nandkumar
checked the demons and removed the weight of sins from the earth.
Nandkumar is the beloved protector of Vraja, bringing good fortune to
the people and guiding them well. Nandkumar is always a benefactor of
everyone and feels deeply for His devotees. Worship that Nandakumar,
the essence of all joy, by reflecting on His divine essence, which is,
of the nature of supreme Brahman.
Indivara Bhasam Prakata Surasam Kusuma Vikasam Vamshi Dharam,
Hrita Manmatha Manam Rupa Nidhaanam Krita Kala Gaanam Chita Haram,
Vallabha Mridu Hasam Kunja Nivasam Vividha Vilasam Keli Karam,
Bhaja Nanda Kumaaram Sarva Sukhasaram Tattva Vicharam Brahma Param.
॥5॥
Salutations to Sri Nandakumar, who shine like the blossom of a blue
lotus and manifests His divine plays like the blossom of the flowers,
holding the divine flute in His hand. Nandkumar takes away the pride
of Manmatha through His repository of beauty, and playing melodious
music with His flute, steals the Heart of all. Nandkumar is extremely
dear to all and has a gentle smile, who dwells in the grooves of
Vrindavana and plays various divine plays with the Gopis. Worship that
Nandakumar, the essence of all joy, by reflecting on His divine
essence, which is, of the nature of supreme Brahman.
Ati Para Pravinam Palita Dinam Bhakta Adhinam Karma Karam,
Mohanam Ati Dhiram Phani Bala Viram Hata Para Viram Tarala Taram,
Vallabha Vraja Ramanam Varija Vadanam Haladhara Shamanam Shaila Dharam,
Bhaja Nanda Kumaaram Sarva Sukhasaram Tattva Vicharam Brahma Param.
॥6॥
Salutations to Sri Nandakumar, who is very skillful and wise and
protects the distressed, who is under the control of His devotees and
performs His duties in a steady manner. Nandkumar is very captivating
as well as composed, and who with His elder brother Balavira (i.e.
Balarama), the incarnation of serpent Shesha, killed mighty enemies,
and who is also extremely Playful. Nandkumar is very dear to the Gopis
of Vraja and delights them with His lotus-like face. Nandkumar
pacifies the anger of Haladhara (i.e. Balarama) and lifted the
Govardhana mountain. Worship that Nandakumar, the essence of all joy,
by reflecting on His divine essence, which is, of the nature of
supreme Brahman.
Jaladhara Dyuti Angam Lalita Tribhangam Bahu Krita Rangam Rasika Varam,
Gokula Parivaaram Madana Akaram Kunja Viharam Guddha Taram,
Valabha Vraja Chandram Subhaga Suchandam Krita Anandam Bhranti Haram,
Bhaja Nanda Kumaram Sarva Sukhasaaram Tattva Vicharam Brahma Param.
॥7॥
Salutations to Sri Nandakumar, whose body has the splendour of rain
and clouds and bends in three-parts in playful attitude, who performed
many plays and is a great rasika, one Who delight in Rasa or love
plays. Nandkumar treats the entire Gokula as a great family, and with
his beautiful form which is like Madana, the god of Love, moves about
in the grooves of Vraja performing His divine plays. Nandkumar is also
very Mysterious. Nandkumar is the beloved moon of Vraja, bringing good
fortune to all, and with His alluring form He gives great Joy to all,
taking away the delusion and monotony from life. Worship that
Nandakumar, the essence of all joy, by reflecting on His divine
essence, which is, of the nature of supreme Brahman.
Vandita Yuga Charanam Pavana Karanam Jagad Uddharanam Vimala Dharam,
Kaaliya Shira Gamanam Krita Phani Namanam Ghatita Yamanam Mridula Taram,
Valabha Duhkha Haranam Nirmala Charanam Asharana Sharanam Mukti Karam,
Bhaja Nanda Kumaram Sarva Sukhasaaram Tattva Vicharam Brahma Param.
॥8॥
Salutations to Sri Nandakumar, whose pair of feet is extolled by the
devotees, that pair of feet which make everything pure and uplift the
world, that pair of feet which has embodied purity itself. Nandkumar
moving about over the head of Serpent Kaliya, bent its hood and danced
over them, after destroying its deadly bind with his soft and tender
body. Nandkumar is the beloved of the devotees and takes away their
sorrows, and His pure holy feet gives refuge to those who are without
refuge, and finally grants them liberation. Worship that Nandakumar,
the essence of all joy, by reflecting on His divine essence, which is,
of the nature of supreme Brahman.
Do you want to answer a question to help us serve you better? If so, please fill this form.


Basic Range Slider
Range Slider with custom min and max properties and tooltip
Range Slider with small step and tooltip
Range Slider with tickmarks
Disabled Range Slider
Range Slider with steps, tooltips, tickmarks and labels
Event Testing Slider
Event Testing Result Slider


fanotify_mark - add, remove, or modify an fanotify mark on a filesystem object
#include <sys/fanotify.h>
int fanotify_mark(int fanotify_fd, unsigned int flags,
uint64_t mask, int dirfd, const char *pathname);
For an overview of the fanotify API, see fanotify(7).
fanotify_mark() adds, removes, or modifies an fanotify mark
on a filesystem object. The caller must have read permission on the
filesystem object that is to be marked.
The fanotify_fd argument is a file descriptor returned by
fanotify_init(2).
flags is a bit mask describing the modification to perform.
It must include exactly one of the following values:
- FAN_MARK_ADD
- The events in mask will be added to the mark mask (or to the ignore
mask). mask must be nonempty or the error EINVAL will
occur.
- FAN_MARK_REMOVE
- The events in argument mask will be removed from the mark mask (or
from the ignore mask). mask must be nonempty or the error
EINVAL will occur.
- FAN_MARK_FLUSH
- Remove either all marks for filesystems, all marks for mounts, or all
marks for directories and files from the fanotify group. If flags
contains FAN_MARK_MOUNT, all marks for mounts are removed from the
group. If flags contains FAN_MARK_FILESYSTEM, all marks for
filesystems are removed from the group. Otherwise, all marks for
directories and files are removed. No flag other than and at most one of
the flags FAN_MARK_MOUNT or FAN_MARK_FILESYSTEM can be used
in conjunction with FAN_MARK_FLUSH. mask is ignored.
If none of the values above is specified, or more than one is
specified, the call fails with the error EINVAL.
In addition, zero or more of the following values may be ORed into
flags:
- FAN_MARK_DONT_FOLLOW
- If pathname is a symbolic link, mark the link itself, rather than
the file to which it refers. (By default, fanotify_mark()
dereferences pathname if it is a symbolic link.)
- FAN_MARK_ONLYDIR
- If the filesystem object to be marked is not a directory, the error
ENOTDIR shall be raised.
- FAN_MARK_MOUNT
- Mark the mount point specified by pathname. If pathname is
not itself a mount point, the mount point containing pathname will
be marked. All directories, subdirectories, and the contained files of the
mount point will be monitored. This value cannot be used if the
fanotify_fd file descriptor has been initialized with the flag
FAN_REPORT_FID or if any of the new directory modification events
are provided as a mask. Attempting to do so will result in the
error EINVAL being returned.
- FAN_MARK_FILESYSTEM (since Linux 4.20)
- Mark the filesystem specified by pathname. The filesystem
containing pathname will be marked. All the contained files and
directories of the filesystem from any mount point will be monitored.
- FAN_MARK_IGNORED_MASK
- The events in mask shall be added to or removed from the ignore
mask.
- FAN_MARK_IGNORED_SURV_MODIFY
- The ignore mask shall survive modify events. If this flag is not set, the
ignore mask is cleared when a modify event occurs for the ignored file or
directory.
mask defines which events shall be listened for (or which
shall be ignored). It is a bit mask composed of the following values:
- FAN_ACCESS
- Create an event when a file or directory (but see BUGS) is accessed
(read).
- FAN_MODIFY
- Create an event when a file is modified (write).
- FAN_CLOSE_WRITE
- Create an event when a writable file is closed.
- FAN_CLOSE_NOWRITE
- Create an event when a read-only file or directory is closed.
- FAN_OPEN
- Create an event when a file or directory is opened.
- FAN_OPEN_EXEC (since Linux 5.0)
- Create an event when a file is opened with the intent to be executed. See
NOTES for additional details.
- FAN_ATTRIB (since Linux 5.1)
- Create an event when the metadata for a file or directory has
changed.
- FAN_CREATE (since Linux 5.1)
- Create an event when a file or directory has been created in a marked
parent directory.
- FAN_DELETE (since Linux 5.1)
- Create an event when a file or directory has been deleted in a marked
parent directory.
- FAN_DELETE_SELF (since Linux 5.1)
- Create an event when a marked file or directory itself is deleted.
- FAN_MOVED_FROM (since Linux 5.1)
- Create an event when a file or directory has been moved from a marked
parent directory.
- FAN_MOVED_TO (since Linux 5.1)
- Create an event when a file or directory has been moved to a marked parent
directory.
- FAN_MOVE_SELF (since Linux 5.1)
- Create an event when a marked file or directory itself has been
moved.
- FAN_Q_OVERFLOW
- Create an event when an overflow of the event queue occurs. The size of
the event queue is limited to 16384 entries if FAN_UNLIMITED_QUEUE
is not set in fanotify_init(2).
- FAN_OPEN_PERM
- Create an event when a permission to open a file or directory is
requested. An fanotify file descriptor created with
FAN_CLASS_PRE_CONTENT or FAN_CLASS_CONTENT is required.
- FAN_OPEN_EXEC_PERM (since Linux 5.0)
- Create an event when a permission to open a file for execution is
requested. An fanotify file descriptor created with
FAN_CLASS_PRE_CONTENT or FAN_CLASS_CONTENT is required. See
NOTES for additional details.
- FAN_ACCESS_PERM
- Create an event when a permission to read a file or directory is
requested. An fanotify file descriptor created with
FAN_CLASS_PRE_CONTENT or FAN_CLASS_CONTENT is required.
- FAN_ONDIR
- Create events for directories—for example, when opendir(3),
readdir(3) (but see BUGS), and closedir(3) are called.
Without this flag, only events for files are created. The FAN_ONDIR
flag is reported in an event mask only if the fanotify_fd file
descriptor has been initialized with the flag FAN_REPORT_FID. In
the context of directory entry events, such as FAN_CREATE,
FAN_DELETE, FAN_MOVED_FROM, and FAN_MOVED_TO for
example, specifying the flag FAN_ONDIR is required in order to
create events when subdirectory entries are modified (i.e.,
mkdir(2)/ rmdir(2)). Subdirectory entry modification events
will never be merged with nonsubdirectory entry modification events. This
flag is never reported individually within an event and is always supplied
in conjunction with another event type.
- FAN_EVENT_ON_CHILD
- Events for the immediate children of marked directories shall be created.
The flag has no effect when marking mounts and filesystems. Note that
events are not generated for children of the subdirectories of marked
directories. To monitor complete directory trees it is necessary to mark
the relevant mount.
The following composed values are defined:
- FAN_CLOSE
- A file is closed (FAN_CLOSE_WRITE|FAN_CLOSE_NOWRITE).
- FAN_MOVE
- A file or directory has been moved
(FAN_MOVED_FROM|FAN_MOVED_TO).
The filesystem object to be marked is determined by the file
descriptor dirfd and the pathname specified in pathname:
- If pathname is NULL, dirfd defines the filesystem object to
be marked.
- If pathname is NULL, and dirfd takes the special value
AT_FDCWD, the current working directory is to be marked.
- If pathname is absolute, it defines the filesystem object to be
marked, and dirfd is ignored.
- If pathname is relative, and dirfd does not have the value
AT_FDCWD, then the filesystem object to be marked is determined by
interpreting pathname relative the directory referred to by
dirfd.
- If pathname is relative, and dirfd has the value
AT_FDCWD, then the filesystem object to be marked is determined by
interpreting pathname relative the current working directory.
On success, fanotify_mark() returns 0. On error, -1 is returned, and
errno is set to indicate the error.
- EBADF
- An invalid file descriptor was passed in fanotify_fd.
- EINVAL
- An invalid value was passed in flags or mask, or
fanotify_fd was not an fanotify file descriptor.
- EINVAL
- The fanotify file descriptor was opened with FAN_CLASS_NOTIF or
FAN_REPORT_FID and mask contains a flag for permission events
(FAN_OPEN_PERM or FAN_ACCESS_PERM).
- ENODEV
- The filesystem object indicated by pathname is not associated with
a filesystem that supports fsid (e.g., tmpfs(5)). This error
can be returned only when an fanotify file descriptor returned by
fanotify_init(2) has been created with FAN_REPORT_FID.
- ENOENT
- The filesystem object indicated by dirfd and pathname does
not exist. This error also occurs when trying to remove a mark from an
object which is not marked.
- ENOMEM
- The necessary memory could not be allocated.
- ENOSPC
- The number of marks exceeds the limit of 8192 and the
FAN_UNLIMITED_MARKS flag was not specified when the fanotify file
descriptor was created with fanotify_init(2).
- ENOSYS
- This kernel does not implement fanotify_mark(). The fanotify API is
available only if the kernel was configured with
CONFIG_FANOTIFY.
- ENOTDIR
- flags contains FAN_MARK_ONLYDIR, and dirfd and
pathname do not specify a directory.
- EOPNOTSUPP
- The object indicated by pathname is associated with a filesystem
that does not support the encoding of file handles. This error can be
returned only when an fanotify file descriptor returned by
fanotify_init(2) has been created with FAN_REPORT_FID.
- EXDEV
- The filesystem object indicated by pathname resides within a
filesystem subvolume (e.g., btrfs(5)) which uses a different
fsid than its root superblock. This error can be returned only when
an fanotify file descriptor returned by fanotify_init(2) has been
created with FAN_REPORT_FID.
fanotify_mark() was introduced in version 2.6.36 of the Linux kernel and
enabled in version 2.6.37.
This system call is Linux-specific.
When using either FAN_OPEN_EXEC or FAN_OPEN_EXEC_PERM within the
mask, events of these types will be returned only when the direct
execution of a program occurs. More specifically, this means that events of
these types will be generated for files that are opened using
execve(2), execveat(2), or uselib(2). Events of these
types will not be raised in the situation where an interpreter is passed (or
reads) a script file for interpretation.
Additionally, if a mark has also been placed on the Linux dynamic
linker, a user should also expect to receive an event for it when an ELF
object has been successfully opened using execve(2) or
execveat(2).
For example, if the following ELF binary were to be invoked and a
FAN_OPEN_EXEC mark has been placed on /:
$ /bin/echo foo
The listening application in this case would receive
FAN_OPEN_EXEC events for both the ELF binary and interpreter,
respectively:
/bin/echo
/lib64/ld-linux-x86-64.so.2
The following bugs were present in Linux kernels before version 3.16:
- If flags contains FAN_MARK_FLUSH, dirfd and
pathname must specify a valid filesystem object, even though this
object is not used.
- readdir(2) does not generate a FAN_ACCESS event.
- If fanotify_mark() is called with FAN_MARK_FLUSH,
flags is not checked for invalid values.
fanotify_init(2), fanotify(7)
This page is part of release 5.05 of the Linux man-pages project. A
description of the project, information about reporting bugs, and the latest
version of this page, can be found at https://www.kernel.org/doc/man-pages/.


WhatsForLunch is an application designed for future DiveDive students to efficiently find restaurants within a one mile radius of the Stemulus Center.
The main page of the site displays a map of the restaurants in the area around the stemulus center with each restaurant having a pin to mark their location. If the user wishes to create a profile, they have the option to create a favorites list for all of their favorite restaurants in the area. This allows the user easy access to each of the restaurant's information and links to the restaurant's yelp pages. Once a restaurant is in the favorites menu, the map even updates with a colored pin to show a favorited restaurant's location more conveniently on the map.
Since the deep dive students are only in the program for a few months, this application will allow them to get to know more of the establishments in the downtown area that they may not have tried. Our group has even included some of our favorite restaurants that we have visited during the program, if they would like an idea of where they could go first.
Click the Whats for lunch button below to go the official github!


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Processes Methods
The following tables list the members exposed by the Processes type.
| Name | Description | |
|---|---|---|
| CheckDebugger(Process) | Checks the debugger for your app. | |
| Equals(Object) | Determines whether the specified Object is equal to the current Object. (inherited from Object). | |
| Execute(string, string) | Execute a third-party applications with the result of that application (useful when running console applications). | |
| Finalize | Allows an object to try to free resources and perform other cleanup operations before it is reclaimed by garbage collection. (inherited from Object). | |
| GetHashCode | Serves as a hash function for a particular type. (inherited from Object). | |
| GetList() | Gets the list of all processes. | |
| GetListWithInformation() | Gets the list of all processes with information. | |
| GetType | Gets the Type of the current instance. (inherited from Object). | |
| GetVerbsByAppId(string) | Gets the verbs by app id. | |
| IsAdministratorYourApp() | Whether your application has administrator rights. | |
| IsOneYourApp(string) | You only have 1 copy of the application running. | |
| Kill(string) | Kills the process. | |
| KillNative(string) | Kills the process (Windows native). | |
| MemberwiseClone | Creates a shallow copy of the current Object. (inherited from Object). | |
| OnlyOneProcess(Process, string) | You only have 1 copy of the application running. | |
| Open(string, string) | Opens the file/link. | |
| OpenLink(string) | Opens the link of site. | |
| Run(string, string) | Launch a third-party apps. | |
| RunAW(string, string, bool, bool, string) | Launch a third-party apps with options. | |
| ToString | Returns a string that represents the current object. (inherited from Object). |


Droid Wars 2016
Droid Wars 2016
After successful recruitment drives since the past three years, we are back with Droid Wars for 2016. Droid Wars is a gateway for first yearites to be a part of an amazing learning and fun experience with SDSMDG. Being a part of the group you will be in touch with like minded people, who are mobile development enthusiasts as well as pursue other software development practices. This is an introductory blog which covers information and tips later as well.
What is Droid Wars ?
It is a hackathon specially organized for first yearites by SDSMDG as a part of recruitment drive. We release certain problem statements and students will have to make an application on Android or iOS platforms according to any one of them. Sending a good submission in Droid wars will send you directly to the final interview of recruitment, skipping the Written Test and Preliminary Interviews, which would be held in January, next semester.
Deadline: 8 January 2017
Problem Statements:
- You are going to be Sherlocked! (Android / iOS)
- The Hitlist of Arya Stark (Android / iOS)
- Keyboard out of a Keyboard (Android / iOS)
Instructions
General
- There are 3 categories (Android, iOS, Design) available for making a submission. Design Problem statement will be released later.
- You may make multiple submissions across different categories (Android / iOS) but only one in each category.
- Ensure that the submission fulfills all the requirements mentioned in the problem statement.
- Send us your submissions before the deadline on<EMAIL_ADDRESS>- If you face any difficulties or have any doubts, you may contact us on chat.
Hint: The bold words in problem statement can be used as keywords for Google search !
Android and iOS Related
- You are required to make an Android/iOS app for making a submission under this category.
- There are 3 Problem Statements available in Android/iOS category, you are free to choose any one out of them.
- First try to complete the basic features as given in the problem statement, only after which you may fight for the bonus points. You may get more creative and add anything else as well, make sure it fits correctly.
- Your submission must contain one of the following two:
- A link to your code hosted online on platforms like GitHub (preferred), BitBucket etc
- A zip file containing all the code. (Also include the compiled apk file in the mail attachments for Android category)
General FAQs
Can I make more changes to the app or should I exactly follow instructions given on the blog?
You first have to ensure that you complete the app according to the problem statement. Then you may add whatever feature you like.
What is git / GitHub ? How to use it?
Git is a distributed source control system. It helps to maintain your code and changes in different versions of your project. You may use any git repo hosting service like GitHub or BitBucket. If you know it from before, you may use it otherwise there is no need for it in this competition.
I don’t have internet at home, can I compete properly ?
We would recommend you to get one temporarily, for usual googling. Although there is no problem if you do not have one. Before going home make sure your code compiles properly, download all problem statements as PDFs. And download the videos of these channels from Youtube (google how to do so), you may even find them on DC++.
You may also want to download the udacity course videos, instructions for which can be found here.
Android FAQs
I know CPP only, should I learn JAVA too?
Android is not all about JAVA only. Most of the code we use is easily available on the internet. But you should definitely know the basics of Object Oriented Programming. Basics of Java would be enough. Although your less knowledge of JAVA would not create any hindrance for your selection in the group.
I did not attend the lectures, from where can I start learning android ?
To submit your app on time, the best thing would be if you just search for what you need. For example, you want to know about TextView, just search that term and you would get tons of good links (StackOverflow is preferable). You can learn from android courses on UdaCity, if you have enough time.
Here is one more course on youtube, The New Boston (Recommended: Watch only a few videos).
Should I know XML too or can the user interface help me with all I need to do?
To submit the app, you may use only Interface but after that it would be good if you learn XML too.
iOS FAQs
Do I need a Mac and iPhone for making iOS apps?
Not necessarily. You can use any virtual machine to run OS X and use the built-in simulator which would just suffice for most of the work. Cross-platform iOS apps which you may have developed using Xamarin or React etc. are also a way to go without a Mac and iPhone. However, please note that the road is not as smooth as for a native iOS devloper who owns both Mac and iPhone.
Useful links: About Virtual Box Installation
How should I get started with iOS app dev? Shall I learn Swift or ObjC?
Swift is a powerful and intuitive programming language for iOS. Writing Swift code is interactive and fun. Objective-C, which is the primary programming language for iOS, is old and hard to code. You can learn from iOS courses on UdaCity, if you have enough time. For getting started, read this post. However you can follow other iOS tutorial sites like Ray Wenderlich and Appcoda etc.
Do I’ve to upload my app to App Store? If yes, what are the steps I need to follow?
For the Droid Wars, you need not. But in general if you’d like to know, watch this video or follow this blog.
Once again, ping us for any queries on our chat. This hackathon is not like your examinations where you are given the questions and you’ll have to write answers by yourselves. Interact with us, ask us if you’re stuck and we’ll help you out. Don’t hesitate to ask although make sure you’ve tried to solve the problem before you ask us.
We are eager to see your submissions, give it your best shot and surprise us !
Best of luck !


Project: Sweeney & McCune Creeks Bypass
Type of Project: Irrigation Bypass
Location: Dixon, CA.
Contractor: Shimmick Construction & R&B Fusion
The Sweeney and McCune creeks currently provide approximately 32,000 acre feet of water per year to adjacent farmlands. Each year tail-water from the farm fields and operational spills enter these channels. Much of this water is never recovered as the channels discharge into the Sacramento River, resulting in an unquantifiable loss of re-usable water each year.
Salona Irrigation District and the Bureau of Reclamation are building a weir with integrated flume meters and automated discharge gates within the channels. The weir will provide the District with a way to measure downstream water deliveries as well as recover a portion of drainage for water reuse and conservation. An estimated 12,360 AF of water per year will become available for reuse, that water will be designated for drip irrigation and micro-sprinkler systems.
During construction of the weir’s, two temporary bypasses were built in order to keep water flowing to the adjacent farmlands. R&B fused together two runs of HDPE, the first run was 280 feet of 42” SDR26 and the second was 250 feet of 36” SDR26. After each run was completed Shimmick Construction moved them into place within the channels. HDPE was chosen for the bypass for it’s durability and flexibility. Both runs were completed and laid out in two days saving the contractor time and money.
Download the PDF here.


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Welcome to Ray's blog
This is a website that shares the programming experience with everyone, which
records the bits and pieces of our programming process. hopefully this can provide
beneficial help to everyone. The world of programmers we understand.
Coding, it's fun..


Try and Catch Me! Golden Retriever and Little Puppy Engage in Branch-Snatching Game
It's not fair to take away toys from kids unless this is a part of a funny game - as in the case of these two adorable, albeit a little unmatched, golden retrievers.
A golden retriever and its smaller copy have been captured on video playing a fun little game, the only rule of which is to snatch away a branch from the other.
At first, the pooch led in the game, agilely dodging from its bigger companion and not letting him get the coveted branch.
However, the bigger doggo prevailed in the end, escaping from the playground with the prize in its mouth.


Write reviews for your Residence
Welcome to ResView
Hey there, University of Toronto! Ever wanted a review site for residences? Well, here it is.
ResView lets you:
Look at reviews for your residence, floor and even your don!
Make the right decision when choosing where to live on campus


Lead of Clinical AI - Bay Area, CA - Redwood City, CA
Here at Tempus we believe the greatest promise for the detection and treatment of cancer & other diseases lies in building a deep understanding of the interaction between molecular attributes and clinical treatment. With the advent of genomic sequencing, we can finally measure and process our genetic makeup. We now have more data than ever before, but providers often don't have the infrastructure or expertise required to easily extract the valuable insights that exist within this data. We're on a mission to redefine how the combination of genomic, clinical, and imaging data is used in a clinical setting through precision medicine.
This role is for an experienced leader in the field of clinical data, EHR, and machine learning, who is an expert in using modern machine learning for clinical signal extraction and event prediction. The role will report directly to the SVP of Data Science.
What You Will Do:
Build and lead the Clinical AI team, as one of the functional leaders, to translate research into clinically actionable insights for our clients and advance our internal research agenda.
Develop algorithms used to gain insight into disease prognostics through analysis of large sets of clinical data.
Collaborate closely with other functional leads as well as product, engineering, and business development.
Guide the team's direction and technical roadmap, mentor junior members - while also being hands-on and a strong individual contributor yourself.
Analyze and integrate large diverse clinical, molecular and imaging datasets to extract insights, and drive research opportunities.
Document, summarize, and present your findings to a group of peers and stakeholders.
Provide technical leadership & expertise across multiple modeling projects.
Required Qualifications:
PhD degree in a quantitative discipline (e.g. NLP, computer science, computational biology, bioinformatics, machine learning, statistics, applied mathematics, physics, or similar).
Expert level knowledge with a variety of NLP methods for information extraction, topic modeling, parsing, and relationship extraction.
Expert level knowledge of language models (LSTMs, n-grams, etc), ontologies and knowledge databases, and/or large database contextual search.
8+ years of relevant industry experience.
Highest standard of scientific rigor, and an acute awareness to balance high academic quality versus fast-paced product requirements.
Proven ability to lead a medium sized team of 5-10 people.
Outstanding analytical and problem solving skills.
Experience working with PHI or PII, familiarity with human/machine hybrid data structuring workflows.
Strong individual track record and hands-on mentality.
Strong technical proficiency in a range of tools such as Python, SciPy, AWS, SageMaker, TensorFlow, PyTorch, etc.
Strong understanding of software best practices to serve as role model for their team and maintain a high level of quality and scalability on the technical as well as scientific side.
Strong peer-reviewed publication record.
Thrive in a fast-paced environment and willing to shift priorities seamlessly.
Experience with communicating insights and presenting concepts to diverse audiences.
Team player mindset and ability to work in an interdisciplinary team.
Goal orientation, self motivation, and drive to make a positive impact in healthcare.
Preferred Qualifications:
Experience in a late-stage startup environment.
Successful history of building and leading a highly functional team from the ground up.
Experience with sensitive patient data and working under HIPAA regulations.
Ability to attract high potential junior as well as senior talent.


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Decision Tree Parallelization
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#include <src/tree_node.hpp>
Public Member Functions | |
| TreeNode (DataFrame dataframe) | |
| TreeNode (DataFrame dataframe, int split_feature, double split_threshold) | |
| TreeNode (TreeNode *parent, TreeNode *left, TreeNode *right, DataFrame dataframe, int split_feature, double split_threshold) | |
| TreeNode (TreeNode *parent, TreeNode *left, TreeNode *right) | |
| TreeNode () | |
| bool | hasSplit () const |
| bool | hasLeft () const |
| bool | hasRight () const |
| bool | isLeaf () const |
| bool | isRoot () const |
| int | getSize () const |
| int | getHeight () const |
| int | getDepth () const |
| TreeNode * | getParent () const |
| TreeNode * | getLeft () const |
| TreeNode * | getRight () const |
| DataFrame | getDataFrame () const |
| int | getSplitFeature () const |
| double | getSplitThreshold () const |
| void | setLeft (TreeNode *left) |
| void | setRight (TreeNode *right) |
| void | setDataFrame (DataFrame dataframe) |
| void | setSplitFeature (int split_feature) |
| void | setSplitThreshold (double split_threshold) |
| TreeNode * | findRoot () |
| void | updateSizes () |
| void | updateHeights () |
| void | updateDepths () |
| std::vector< TreeNode * > | findLeaves () |
| std::vector< TreeNode * > | findLeaves (std::vector< TreeNode * > results) |
Private Attributes | |
| int | size_ |
| int | height_ |
| int | depth_ |
| TreeNode * | parent_ |
| TreeNode * | left_ |
| TreeNode * | right_ |
| DataFrame | dataframe_ |
| bool | has_split_ |
| int | split_feature_ |
| double | split_threshold_ |
Definition at line 6 of file tree_node.hpp.
| TreeNode::TreeNode | ( | DataFrame | dataframe | ) |
Build a TreeNode with only splitting attributes.
Definition at line 7 of file tree_node.cpp.
| TreeNode::TreeNode | ( | DataFrame | dataframe, |
| int | split_feature, | ||
| double | split_threshold | ||
| ) |
Build a TreeNode with only a dataframe.
Definition at line 23 of file tree_node.cpp.
| TreeNode::TreeNode | ( | TreeNode * | parent, |
| TreeNode * | left, | ||
| TreeNode * | right, | ||
| DataFrame | dataframe, | ||
| int | split_feature, | ||
| double | split_threshold | ||
| ) |
Build a TreeNode with all attributes.
Definition at line 39 of file tree_node.cpp.
Build a TreeNode without splitting attributes.
Definition at line 55 of file tree_node.cpp.
| TreeNode::TreeNode | ( | ) |
Build a TreeNode with null attributes.
Definition at line 71 of file tree_node.cpp.
| std::vector< TreeNode * > TreeNode::findLeaves | ( | ) |
Get leaves in subtree rooted at this node.
Definition at line 312 of file tree_node.cpp.
Get leaves in subtree rooted at this node: recursive helper for getLeaves().
Definition at line 321 of file tree_node.cpp.
| TreeNode * TreeNode::findRoot | ( | ) |
Recursively find the the node with no parent.
Definition at line 252 of file tree_node.cpp.
| DataFrame TreeNode::getDataFrame | ( | ) | const |
Get dataframe.
Definition at line 164 of file tree_node.cpp.
| int TreeNode::getDepth | ( | ) | const |
Get distance between this node and the root (where root has depth zero).
Definition at line 132 of file tree_node.cpp.
| int TreeNode::getHeight | ( | ) | const |
Get height of subtree rooted at this node.
Definition at line 124 of file tree_node.cpp.
| TreeNode * TreeNode::getLeft | ( | ) | const |
Get pointer to left child.
Definition at line 148 of file tree_node.cpp.
| TreeNode * TreeNode::getParent | ( | ) | const |
Get pointer to parent node.
Definition at line 140 of file tree_node.cpp.
| TreeNode * TreeNode::getRight | ( | ) | const |
Get pointer to right child.
Definition at line 156 of file tree_node.cpp.
| int TreeNode::getSize | ( | ) | const |
Get number of nodes (including self) in subtree rooted at this node.
Definition at line 116 of file tree_node.cpp.
| int TreeNode::getSplitFeature | ( | ) | const |
Get index of splitting column.
Definition at line 172 of file tree_node.cpp.
| double TreeNode::getSplitThreshold | ( | ) | const |
Get numerical splitting threshold.
Definition at line 181 of file tree_node.cpp.
| bool TreeNode::hasLeft | ( | ) | const |
Checks if node has left child.
Definition at line 92 of file tree_node.cpp.
| bool TreeNode::hasRight | ( | ) | const |
Checks if node has right child.
Definition at line 98 of file tree_node.cpp.
| bool TreeNode::hasSplit | ( | ) | const |
Checks if splitting values have been set.
Definition at line 86 of file tree_node.cpp.
| bool TreeNode::isLeaf | ( | ) | const |
Checks if node is a leaf (i.e. has no children).
Definition at line 104 of file tree_node.cpp.
| bool TreeNode::isRoot | ( | ) | const |
Checks if node is the root (i.e. has no parent).
Definition at line 110 of file tree_node.cpp.
| void TreeNode::setDataFrame | ( | DataFrame | dataframe | ) |
Set dataframe for splitting.
Definition at line 224 of file tree_node.cpp.
| void TreeNode::setLeft | ( | TreeNode * | left | ) |
Set pointer to left child.
Definition at line 192 of file tree_node.cpp.
| void TreeNode::setRight | ( | TreeNode * | right | ) |
Set pointer to right child.
Definition at line 208 of file tree_node.cpp.
| void TreeNode::setSplitFeature | ( | int | split_feature | ) |
Set index of splitting column.
Definition at line 232 of file tree_node.cpp.
| void TreeNode::setSplitThreshold | ( | double | split_threshold | ) |
Set numerical splitting threshold.
Definition at line 241 of file tree_node.cpp.
| void TreeNode::updateDepths | ( | ) |
Helper function for recursively updating node size.
Definition at line 296 of file tree_node.cpp.
| void TreeNode::updateHeights | ( | ) |
Helper function for recursively updating node size.
Definition at line 280 of file tree_node.cpp.
| void TreeNode::updateSizes | ( | ) |
Helper function for recursively updating node size.
Definition at line 266 of file tree_node.cpp.
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private |
Definition at line 22 of file tree_node.hpp.
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private |
Definition at line 18 of file tree_node.hpp.
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private |
Definition at line 23 of file tree_node.hpp.
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private |
Definition at line 17 of file tree_node.hpp.
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private |
Definition at line 20 of file tree_node.hpp.
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private |
Definition at line 19 of file tree_node.hpp.
|
private |
Definition at line 21 of file tree_node.hpp.
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private |
An basic data structure representing a node in a decision tree. Includes functionality for implementing decisions.
Definition at line 16 of file tree_node.hpp.
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private |
Definition at line 24 of file tree_node.hpp.
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private |
Definition at line 25 of file tree_node.hpp.


Get out of my head before I listen to everything she said to me.

But a poem is never actually finished.
It just stops moving.


This is an example WebApp which can be used as basis for developing further apps. This WebApp
is described in detail in the PhUSE Paper "How to create a mobile WebApp? Walkthrough example including SAS output"
by Katja Glaß which can be accessed through this link.
Feel free to work in the PhUSE Repository to share related WebApps and also to get feedback and development support.


MISCELLANEOUS TOOLS .
A set of tools is available to the SysOp. These tools are for manual or
automatic maintenance. In most cases, these tools should be handled with
caution, the process can be dangerous for the files.
Avoid using those tools while the server is in operation (the F9 command, as
for an example, in DosFBB), because the modification of some files duri
operation can yield unpredictable corruptions.
Here is a list of the available tools:
FBBSETUP.EXE
INSTWFBB.COM
INSTALL.SH
EPURMESS.COM
EPURWP.COM
LOGSTAT.EXE
SATUPDAT.EXE
SLEEP.COM
MAKEPG.COM
SETUSER.COM
CLEANUP.COM
MAINTINF.COM
CUT.COM
FV.COM
ISDAY.COM
CLR_USER.COM
For LinFBB:
EPURMESS (works as EPURMESS.COM)
EPURWP (works as EPURWP.COM)
FBB_VIEW (works as FV.COM, but takes no parametres)
FBB_ZM
XFBBC
FBB_VIEW
This page was last updated


package server
Ordering
- Alphabetic
Visibility
- Public
- All
Type Members
- trait JsonSupport extends SprayJsonSupport with DefaultJsonProtocol
- trait OstinatoServerRoute extends JsonSupport
- class ParallelisedChessBasicAi extends ChessBasicAi
- case class RequestBasicAI (board: String, depth: Option[Int], debug: Option[Boolean]) extends Product with Serializable
- case class RequestConvertNotation (input: String, notation: String) extends Product with Serializable
- case class RequestMove (board: String, from: String, to: String) extends Product with Serializable
- case class RequestParseNotation (input: String) extends Product with Serializable
- case class RequestRandomAI (board: String) extends Product with Serializable
- case class ServerApi () extends Api with Product with Serializable
Value Members
- object Main extends App with OstinatoServerRoute


Amy and Frank fled down the stairs from her office and met an unexpected obstacle to their exit, a locked door. As they peered out the window, they saw yesterday’s Amy pull up in the parking space, get out, retrieve her laptop, and start to head in the front door.
“Oh good, we can take your car”, said Frank.
Amy took a second to recover from the shock of seeing what her hair really looked like from behind and then asked, “But, how can we get to it? The door is locked, and we can’t go back up to the office… I would meet myself.”
Frank smiled, pulled out the Hitchhiker’s Guide to Clojure and pulled up a page with the heading Locked Doors and Other Small Bothers.
One of the reasons for the surprising success of The Hitchhiker’s Guide to Clojure is helpful advice of on an assortment of practical matters.
Locked doors are a common nuisance in modern times. Fortunately, Clojure provides a very handy function for such occasions, fnil. This commonly overlooked function, takes an existing function and returns a new function that allows you to specify a default for a nil parameter. For example, take this locked door:
1 2 3 4 5 |
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In this case, the simple application of fnil will help remove this pesky obstacle.
1 2 3 4 |
|
Please be advised, that some doors are locked for a good reason. It is left to the user’s discretion. But it is highly recommended in Norway’s moose regions, to think twice.
They unlocked the door and headed for Amy’s car. She couldn’t decide whether she was surprised or not to find her keys in her pocket, so she gave up and just got in instead. After a short drive, they arrived at the zoo and navigated their way through various school groups and arrive at the Aquarium.
Amy at this point, having prided herself on her adaptable nature, was still having trouble processing the latest events. She had discovered that Frank was a Datomic time traveller, the world was made of Clojure, and it was also about to be destroyed in a short future that she just came from. Her rational brain, (which was currently working way too hard), was quite relieved to be distracted by the sight of two really adorable otters. They were floating contentedly around the pool, occasionally stopping to crack an Abalone shell on their fuzzy tummies.
Her rational brain, after having a nice breather, finally re-asserted itself and made Amy ask Frank:
“Why are we here?”
“Otters are the front-line Chrono-guards, of course.”
He went on to explain that otters are tasked with the important job of keeping a close watch on human civilization and making critical, minor adjustments to keep things on an even track. All those nature videos of otters cracking shells with rocks? They are really evaluating Clojure expressions crucial to our way of life. Most of the time, they prefer to do their work remote. They find floating on their backs in the peaceful waters the most productive work environment. However, sometimes they will construct zoos or aquariums, when their work requires them to keep a closer watch on some areas. In times of great need, they might even take a human form for a short while. Recently, one of their agents was inadvertently exposed and required a few extra Abalone shells to straighten out.
Frank opened his pack and handed his evaluator to Amy to hold while he fished out four mini-marshmallows. He gave two to Amy and then proceeded to put one in his ear and the other in his mouth. More remarkably still, he appeared to be speaking with the otters.
Mini-marshmallows are the best way to create portable Clojure core.async channels that won’t melt in your hands.
To construct a channel simply use chan
1
|
|
Channels by default are unbuffered, which keeps them at the mini-marshmallow size. It requires a rendezvous of a channel producer and consumer to communicate. In the case of otters, someone to talk to the otters and the otters, themselves, to listen. Be advised that with a regular blocking put >!!, the main thread will be blocked. That is, if you try to speak to the otter, you will be stuck there until it gets around to listening. This isn’t the best case for the talker if the otter was busy, so one approach would be to use a future to talk to the otter with a blocking put >!!.
1 2 |
|
One could also use a buffered channel, but that increases the size of the marshmallow.
1 2 3 4 5 6 |
|
The best way to conserve space and time is to use asynchronous communication with go blocks that wont’ block the threads. Inside these go blocks one can use regular non-blocking puts >! and gets <!.
1 2 3 4 5 6 7 8 9 10 11 |
|
This compact, lightweight, and asynchronous method of communication is well suited to conversations and messaging of all sorts, including conversing with human, animals, and other Clojure-based life forms.
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 |
|
Amy put one of the mini-marshmallows in her ear. She immediately began to hear the conversation that Frank was having with the otters.
“But who would want to destroy the entire world? That is really kinda over-board.”
“I don’t really know, but there was someone on Galactic Hacker News the other day that was quite tiffed over the idea that Clojure was considered a Lisp.”
Amy reached to put the other marshmallow in her mouth to ask a very important question. But unfortunately, as she moved her hand, she accidentally pushed the big red Source button on the evaluator. Suddenly, she and Frank were swept up in a vortex that spun them around and sucked them down into the ground.


|
MasterScan
Lab_Matlab_control Master Branch
|
Look up names and values for working with Human Interface Devices.
HID is a general-purpose specification for how to communicate with Himan Interface Devices. Part of the HID specification provides numeric "usage" and "type" values that devices can report about themselves to an operating system or program (like Matlab and mexHID()). These values are not obvious, for example 2 might mean "Input_Button" or "Simulation", and 6 might mean "Keyboard".
mexHIDUsage() attempts to make these meanings clearer. It provides static methods that map the numeric usage values to human-readable string names. There are a few different types of mapping:
The mexHIDUsage.gui() method opens a figure which summarizes all of the HID usage pages and individual usages by name and number.
The mexHID() function, which actually interacts with HID devices requires numeric usage, page, and type values inorder to do things like find a device or device elements suitable for a given task. mexHIDUsage should make finding the correct values less mysterious.
During development, I (Ben Heasly) used the HID Usages contained in IOHIDUsageTables.h, which is part of the OS X UIKit framework, to build lookuptables. I also copied by hand the element type enum from IOHIDKeys.h. Users should not need to worry about this, since they can use the tables saved for Matlab in the mexHIDUsageMat file.
Protected Properties | |
| Property | pageNumberToName |
| containers.Map of HID usage page number -> name | |
| Property | pageNameToNumber |
| containers.Map of HID usage page name -> number | |
| Property | usageNumbersToNames |
| Many containers.Map of HID usage number -> name, one for each usage page. More... | |
| Property | usageNamesToNumbers |
| Many containers.Map of HID usage name -> number, one for each usage page. More... | |
| Property | elementTypeNameToNumber |
| containers.Map of HID element type name -> number | |
| Property | elementTypeNumberToName |
| containers.Map of HID element type number -> name | |
| Property | mexHIDUsageMat = 'mexHIDUsage.mat' |
| Filename with path to .mat file containing mexHIDUsage data. | |
| Property | pageEnum = 'kHIDPage_(\w+)\s=\s0x(\w+)' |
| Regular expression to get a page declaration out of the topmost enum. More... | |
| Property | pageUsageEnumFinder = 'Page\s\(0x(\w+)\)\s\*\/' |
| Regular expression to get the enum for a particular usage page. More... | |
| Property | usageEnum = 'kHIDUsage_([a-zA-Z]+)_(\w+)\s=\s0x(\w+)' |
| Regular expression to get a usage declaration out of an enum. More... | |
| Property | usageEnumNoAbr = 'kHIDUsage_(\w+)\s=\s0x(\w+)' |
| Regular expression to get a usage declaration out of an enum when there is no Apple abbreviation. More... | |
Static Methods | |
| static obj | theObject () |
| Access the current instance. | |
| static | reset () |
| Reload page, usage, and type data. | |
| static fig | gui () |
| Open a figure which summarizes usages and pages by name and number. More... | |
Private Methods | |
| self | mexHIDUsage () |
| Constructor is private. More... | |
|
private |
Constructor is private.
Use mexHIDUsage.theObject to access the current instance.
|
static |
Open a figure which summarizes usages and pages by name and number.
|
protected |
Many containers.Map of HID usage number -> name, one for each usage page.
Contained in a containers.Map with page number keys.
|
protected |
Many containers.Map of HID usage name -> number, one for each usage page.
Contained in a containers.Map with page number keys.
|
protected |
Regular expression to get a page declaration out of the topmost enum.
The tokens are:
|
protected |
Regular expression to get the enum for a particular usage page.
The token is:
|
protected |
Regular expression to get a usage declaration out of an enum.
The tokens are:
|
protected |
Regular expression to get a usage declaration out of an enum when there is no Apple abbreviation.
The tokens are:


ADP
: adposition
Definition
Czech has only prepositions but no postpositions or circumpositions. They occur before a complement noun phrase (noun, pronoun) and they form a single structure with the complement to express its grammatical and semantic relation to another unit within a clause.
Some prepositions take the form of fixed multiword expressions, e.g.
na rozdíl od “in contrast to”, v souvislosti s
“in connection with”. The
component words are then still tagged according to their basic use
(na is ADP
, rozdíl is NOUN, etc.) and their status as
multiword expressions are accounted for in the syntactic annotation.
Examples
- v “in, at”
- k “to”
- během “during”
References
Treebank Statistics (UD_Czech)
There are 112 ADP
lemmas (0%), 131 ADP
types (0%) and 129366 ADP
tokens (10%).
Out of 17 observed tags, the rank of ADP
is: 7 in number of lemmas, 9 in number of types and 4 in number of tokens.
The 10 most frequent ADP
lemmas: v, na, z, s, o, do, k, pro, za, po
The 10 most frequent ADP
types: v, na, o, z, s, do, k, ve, pro, za
The 10 most frequent ambiguous lemmas: v (ADP 32167, NOUN 6, ADJ 1), z (ADP 10425, NOUN 17), s (ADP 9858, NOUN 45, PART 17, ADJ 1), o (ADP 9109, PUNCT 85, NOUN 10, ADJ 3, INTJ 2), do (ADP 6583, PROPN 9, NOUN 2, VERB 1), k (ADP 6332, NOUN 11), po (ADP 3401, NOUN 5), podle (ADP 3189, ADV 1), u (ADP 2150, NOUN 1), bez (ADP 1021, NOUN 1)
The 10 most frequent ambiguous types: v (ADP 23505, ADJ 3, NOUN 1), o (ADP 8538, ADJ 105, PUNCT 84, NOUN 4), z (ADP 7909, NOUN 18), s (ADP 7687, NOUN 329, PART 17, ADJ 8), do (ADP 6182, PROPN 9, NOUN 2), k (ADP 4921, NOUN 7, ADJ 1), po (ADP 2794, NOUN 5), podle (ADP 1926, ADV 1), při (ADP 1767, NOUN 1), se (PRON 18891, ADP 1691)
- v
- o
- z
- s
- do
- k
- po
- podle
- při
- se
Morphology
The form / lemma ratio of ADP
is 1.169643 (the average of all parts of speech is 2.162583).
The 1st highest number of forms (3) was observed with the lemma “a”: a, ala, à.
The 2nd highest number of forms (3) was observed with the lemma “k”: k, ke, ku.
The 3rd highest number of forms (3) was observed with the lemma “nad”: n, nad, nade.
ADP
occurs with 7 features: cs-feat/AdpType (129366; 100% instances), cs-feat/Case (128820; 100% instances), cs-feat/Foreign (524; 0% instances), cs-feat/NameType (61; 0% instances), cs-feat/Abbr (15; 0% instances), cs-feat/Style (5; 0% instances), cs-feat/Aspect (1; 0% instances)
ADP
occurs with 20 feature-value pairs: Abbr=Yes
, AdpType=Comprep
, AdpType=Prep
, AdpType=Voc
, Aspect=Imp
, Case=Acc
, Case=Dat
, Case=Gen
, Case=Ins
, Case=Loc
, Case=Nom
, Foreign=Yes
, NameType=Com
, NameType=Geo
, NameType=Geo,Giv,Sur
, NameType=Oth
, NameType=Pro
, NameType=Sur
, Style=Coll
, Style=Rare
ADP
occurs with 32 feature combinations.
The most frequent feature combination is AdpType=Prep|Case=Loc
(44444 tokens).
Examples: v, na, o, po, při, za
Relations
ADP
nodes are attached to their parents using 14 different relations: cs-dep/case (127534; 99% instances), cs-dep/fixed (1295; 1% instances), cs-dep/flat:foreign (385; 0% instances), cs-dep/advmod (47; 0% instances), cs-dep/nmod (35; 0% instances), cs-dep/mark (29; 0% instances), cs-dep/conj (13; 0% instances), cs-dep/dep (10; 0% instances), cs-dep/root (10; 0% instances), cs-dep/flat (2; 0% instances), cs-dep/nsubj (2; 0% instances), cs-dep/obj (2; 0% instances), cs-dep/appos (1; 0% instances), cs-dep/orphan (1; 0% instances)
Parents of ADP
nodes belong to 14 different parts of speech: NOUN (100222; 77% instances), PROPN (14628; 11% instances), PRON (5466; 4% instances), DET (3929; 3% instances), NUM (1845; 1% instances), ADJ (1682; 1% instances), ADP (965; 1% instances), ADV (440; 0% instances), VERB (83; 0% instances), SYM (75; 0% instances), PART (19; 0% instances), ROOT (10; 0% instances), INTJ (1; 0% instances), SCONJ (1; 0% instances)
126998 (98%) ADP
nodes are leaves.
1636 (1%) ADP
nodes have one child.
725 (1%) ADP
nodes have two children.
7 (0%) ADP
nodes have three or more children.
The highest child degree of a ADP
node is 5.
Children of ADP
nodes are attached using 15 different relations: cs-dep/fixed (3013; 97% instances), cs-dep/punct (37; 1% instances), cs-dep/flat:foreign (15; 0% instances), cs-dep/dep (10; 0% instances), cs-dep/cc (9; 0% instances), cs-dep/conj (9; 0% instances), cs-dep/nmod (8; 0% instances), cs-dep/obj (2; 0% instances), cs-dep/acl (1; 0% instances), cs-dep/advmod (1; 0% instances), cs-dep/advmod:emph (1; 0% instances), cs-dep/case (1; 0% instances), cs-dep/det (1; 0% instances), cs-dep/obl (1; 0% instances), cs-dep/orphan (1; 0% instances)
Children of ADP
nodes belong to 10 different parts of speech: NOUN (2072; 67% instances), ADP (965; 31% instances), PUNCT (37; 1% instances), PROPN (11; 0% instances), ADJ (9; 0% instances), CCONJ (9; 0% instances), ADV (3; 0% instances), NUM (2; 0% instances), DET (1; 0% instances), VERB (1; 0% instances)
Treebank Statistics (UD_Czech-CAC)
There are 69 ADP
lemmas (0%), 77 ADP
types (0%) and 47360 ADP
tokens (10%).
Out of 16 observed tags, the rank of ADP
is: 6 in number of lemmas, 9 in number of types and 4 in number of tokens.
The 10 most frequent ADP
lemmas: v, na, s, z, k, o, pro, do, za, při
The 10 most frequent ADP
types: v, na, s, z, o, k, pro, do, ve, za
The 10 most frequent ambiguous lemmas: v (ADP 12513, NOUN 3), s (ADP 3748, PART 13), z (ADP 3624, NOUN 2), bez (ADP 343, NOUN 1), kolem (ADP 142, ADV 3), vedle (ADP 98, ADV 3), místo (NOUN 353, ADP 48, SCONJ 2), de (ADP 29, NOUN 1), a (CCONJ 15159, ADP 4), vstříc (ADV 4, ADP 4)
The 10 most frequent ambiguous types: v (ADP 9074, NOUN 3), na (ADP 6456, CCONJ 1), s (ADP 3046, PART 13), z (ADP 2782, NOUN 2), se (PRON 7555, ADP 589), kolem (ADP 132, ADV 3, NOUN 1), vzhledem (ADP 75, NOUN 4), pomocí (ADP 93, NOUN 17), vedle (ADP 69, ADV 3), během (ADP 49, NOUN 1)
- v
- na
- s
- z
- se
- kolem
- vzhledem
- pomocí
- vedle
- během
Morphology
The form / lemma ratio of ADP
is 1.115942 (the average of all parts of speech is 2.180683).
The 1st highest number of forms (3) was observed with the lemma “k”: k, ke, ku.
The 2nd highest number of forms (2) was observed with the lemma “bez”: bez, beze.
The 3rd highest number of forms (2) was observed with the lemma “díky”: dík, díky.
ADP
occurs with 4 features: cs-feat/AdpType (47360; 100% instances), cs-feat/Case (47218; 100% instances), cs-feat/Foreign (63; 0% instances), cs-feat/NameType (4; 0% instances)
ADP
occurs with 13 feature-value pairs: AdpType=Comprep
, AdpType=Prep
, AdpType=Voc
, Case=Acc
, Case=Dat
, Case=Gen
, Case=Ins
, Case=Loc
, Case=Nom
, Foreign=Yes
, NameType=Com
, NameType=Oth
, NameType=Pro
ADP
occurs with 21 feature combinations.
The most frequent feature combination is AdpType=Prep|Case=Loc
(17203 tokens).
Examples: v, na, o, při, po
Relations
ADP
nodes are attached to their parents using 11 different relations: cs-dep/case (46521; 98% instances), cs-dep/fixed (757; 2% instances), cs-dep/flat:foreign (36; 0% instances), cs-dep/nmod (17; 0% instances), cs-dep/advmod (8; 0% instances), cs-dep/mark (8; 0% instances), cs-dep/advmod:emph (4; 0% instances), cs-dep/conj (4; 0% instances), cs-dep/obj (3; 0% instances), cs-dep/dep (1; 0% instances), cs-dep/expl:pass (1; 0% instances)
Parents of ADP
nodes belong to 13 different parts of speech: NOUN (39036; 82% instances), PROPN (2242; 5% instances), PRON (2161; 5% instances), DET (1418; 3% instances), SYM (607; 1% instances), NUM (569; 1% instances), ADJ (546; 1% instances), ADP (494; 1% instances), ADV (131; 0% instances), PART (129; 0% instances), VERB (20; 0% instances), SCONJ (6; 0% instances), CCONJ (1; 0% instances)
45909 (97%) ADP
nodes are leaves.
1066 (2%) ADP
nodes have one child.
384 (1%) ADP
nodes have two children.
1 (0%) ADP
nodes have three or more children.
The highest child degree of a ADP
node is 3.
Children of ADP
nodes are attached using 12 different relations: cs-dep/fixed (1813; 99% instances), cs-dep/nmod (7; 0% instances), cs-dep/cc (3; 0% instances), cs-dep/conj (3; 0% instances), cs-dep/obl (3; 0% instances), cs-dep/punct (2; 0% instances), cs-dep/advmod (1; 0% instances), cs-dep/amod (1; 0% instances), cs-dep/case (1; 0% instances), cs-dep/det (1; 0% instances), cs-dep/flat:foreign (1; 0% instances), cs-dep/obj (1; 0% instances)
Children of ADP
nodes belong to 10 different parts of speech: NOUN (1327; 72% instances), ADP (494; 27% instances), SYM (4; 0% instances), CCONJ (3; 0% instances), ADJ (2; 0% instances), PROPN (2; 0% instances), PUNCT (2; 0% instances), ADV (1; 0% instances), DET (1; 0% instances), PRON (1; 0% instances)
Treebank Statistics (UD_Czech-CLTT)
There are 31 ADP
lemmas (1%), 38 ADP
types (1%) and 2812 ADP
tokens (10%).
Out of 15 observed tags, the rank of ADP
is: 7 in number of lemmas, 9 in number of types and 3 in number of tokens.

- X 5: (1) Položka “A.II.4.  Ustanovení čl. I bodu 4 se použije již v účetní závěrce sestavované ke dni 31 . prosince 2008 .
- X 4: (5) Položka “B.II.4. Závazky ke společníkům, členům družstva a k účastníkům sdružení” obsahuje zejména dlouhodobé závazky z titulu poskytnutých půjček společníky a závazky k účastníkům sdružení , které není právnickou osobou .
- od
Morphology
The form / lemma ratio of ADP
is 1.225806 (the average of all parts of speech is 1.685169).
The 1st highest number of forms (2) was observed with the lemma “bez”: bez, beze.
The 2nd highest number of forms (2) was observed with the lemma “k”: k, ke.
The 3rd highest number of forms (2) was observed with the lemma “od”: od, ode.
ADP
occurs with 2 features: cs-feat/AdpType (2812; 100% instances), cs-feat/Case (2809; 100% instances)
ADP
occurs with 8 feature-value pairs: AdpType=Comprep
, AdpType=Prep
, AdpType=Voc
, Case=Acc
, Case=Dat
, Case=Gen
, Case=Ins
, Case=Loc
ADP
occurs with 11 feature combinations.
The most frequent feature combination is AdpType=Prep|Case=Loc
(948 tokens).
Examples: v, o, na, při, po
Relations
ADP
nodes are attached to their parents using 6 different relations: cs-dep/case (2764; 98% instances), cs-dep/fixed (40; 1% instances), cs-dep/expl:pass (3; 0% instances), cs-dep/nmod (3; 0% instances), cs-dep/conj (1; 0% instances), cs-dep/mark (1; 0% instances)
Parents of ADP
nodes belong to 9 different parts of speech: NOUN (2483; 88% instances), PRON (132; 5% instances), X (131; 5% instances), ADP (38; 1% instances), ADJ (16; 1% instances), ADV (5; 0% instances), VERB (4; 0% instances), NUM (2; 0% instances), SCONJ (1; 0% instances)
2628 (93%) ADP
nodes are leaves.
148 (5%) ADP
nodes have one child.
36 (1%) ADP
nodes have two children.
The highest child degree of a ADP
node is 2.
Children of ADP
nodes are attached using 3 different relations: cs-dep/fixed (216; 98% instances), cs-dep/nmod (3; 1% instances), cs-dep/cc (1; 0% instances)
Children of ADP
nodes belong to 4 different parts of speech: NOUN (180; 82% instances), ADP (38; 17% instances), CCONJ (1; 0% instances), X (1; 0% instances)
ADP in other languages: [am] [ar] [bg] [bxr] [ca] [ckb] [cop] [cs] [cu] [da] [de] [el] [en] [es] [et] [eu] [fa] [fi] [fo] [fr] [ga] [gl] [got] [grc] [he] [hi] [hr] [hu] [id] [it] [ja] [kk] [kmr] [ko] [la] [lv] [mr] [nl] [no] [pl] [pt] [ro] [ru] [sa] [sk] [sla] [sl] [so] [sr] [sv] [swl] [ta] [tr] [ug] [uk] [u] [urj] [ur] [vi] [yue] [zh]


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