If time permits at some point, I want to look for more quotes, add keywords (such as "masking"), and make it more "web 2.0" (show/unshow based on the person, source, etc.). And perhaps order them by date or other logical structure.
| Jim Sanborn | NPR 09 Jun 2005 | And I'm finding that it's increasingly difficult to keep that kind of information secret because the closer people get to cracking the last 97 characters, the more difficult it is to say absolutely nothing about what it does or does not say, and so it's tough. |
| Jim Sanborn | NPR 09 Jun 2005 | I don't really believe I gave them the entire code. So, you know, if it was a deception on my part, hey, so be it. You have to play the game the way everyone else, you know, at the agency plays the game. |
| Ed Scheidt | NPR 09 Jun 2005 | For instance, if you could determine that--the number of E's vs. the number of Z's in the English language, then you would have some insight into the potential words that they made up, because there are more E's in the English language than there are Z's. |
| Ed Scheidt (via reporter) | NPR 09 Jun 2005 | Scheidt says in part four he deliberately masked that advantage. "Kryptos" sleuths speculate that could mean anything from random Q's and X's being thrown in to phonetic spellings such as writing the number four, P-H-O-A-R. |
| Jim Sanborn | Wired News 20 Jan 2005 | The work that happened before the CIA, and (was) the reason I was chosen (to do the CIA piece), dealt with invisible forces -- albeit natural invisible forces. I built pieces about the Coriolis force that makes whirlpools in the Northern and Southern hemispheres turn in opposite directions. I also worked with the Earth's magnetic field and worked with lodestones ... from which we derived our knowledge of electricity. It was all involved in the secrets of nature before the agency chose my work to deal with the secrecy of man. |
| Jim Sanborn | Wired News 20 Jan 2005 |
WN: Is it important to look at your other works, before and after Kryptos, to understand Kryptos? Sanborn: For the student of cryptography it's always helpful to gather as much information as possible when zeroing in on and encoding a system. |
| Jim Sanborn | Wired News 20 Jan 2005 |
WN: You also have two other sculptures on the CIA grounds that are near the Kryptos sculpture. Are they related to Kryptos in some way? Sanborn: Well, all I'll say is basically I designed the piece(s) to act (such that) this part is easy, the next part is less easy, the next part is the most difficult. So if you consider the entrance to the new CIA building (to be) the entrance to the agency, the piece that's out front is the most simplistic, basic code that there is. Then they get more sophisticated the further you (go onto the campus). |
| Jim Sanborn | Wired News 20 Jan 2005 |
WN: Do you have to be on the CIA grounds in order to solve Kryptos? Sanborn: No. WN: So just by reading the text taken from Kryptos and posted online, you can solve the puzzle? Sanborn: Well, yeah. That doesn't mean that what I've said in the piece doesn't do something physically there at the agency. So the effect of the piece might affect something at the agency so that you'd have to see what I did at the agency. WN: What do you mean? Sanborn: In part of the code that's been deciphered, I refer to an act that took place when I was at the agency and a location that's on the grounds of the agency. So ... you have to decipher the piece and then go to the agency and find that place. There are, for example, longitude and latitude coordinates on the piece, which refer to locations of the agency. WN: When you say act do you mean an act that you did or that happened while you were there? Sanborn: An act that I could have carried out. I refer to something I'd done out there. WN: Something that you did do? Sanborn: I made reference in the encoded text to something I could have done there. |
| Jim Sanborn | Wired News 20 Jan 2005 |
WN: How many (cryptographic) techniques did you use (in Kryptos)? Sanborn: I would think five or six. |
| Jim Sanborn | Wired News 20 Jan 2005 |
WN: Are the coded systems you used the same systems that (CIA cryptographer) Ed Scheidt gave you or have they been altered? Sanborn: Mr. Scheidt basically gave me an outline of historic and contemporary ... encoding systems that have been formally used by the agency and were still used by the agency and other people (in 1990). He gave me a whole variety of possible systems to use and ways to modify all of those systems. But as a visual artist, I like to rely on systems that include visual (material) as well as digital material that can be deciphered by machines. It's also well-known that I did use some matrix codes Ed gave me, and I have also designed visual systems for encoding, which are much harder for cryptographers to crack because they're individualistic. WN: But it's still basically code systems that Scheidt gave you, right? I mean he could decipher Kryptos if he wanted to, correct? Sanborn: No, he doesn't know the solution. I made that very clear that I didn't want him to be able to decipher what's going on ... that I'd be modifying systems and developing my own, which would make it virtually impossible for him to decipher all of it. I intended the 80 percent (of the text) that's been deciphered to be deciphered and to be deciphered in stages and relatively quickly. The final part is obviously the, you know, the apex of the pyramid there. |
| Jim Sanborn | Wired News 20 Jan 2005 |
WN: The Cyrillic Projector, when decrypted, turned out to be text from a classified KGB document instructing agents on how to gather and work with sources. The projector essentially dealt with covert obsolescence, that is, covert activities that became obsolete with the end of the Cold War. Does Kryptos also deal with covert obsolescence? Sanborn: No. Not that it doesn't say something about clandestine trade craft. A lot of the work (I do) deals with secrecy and ... the modus operandi of spies -- how they operate, how they turn sources and things like that. Even the (other) pieces at the agency that are in the courtyard -- stone layers that have encoded text on them -- sort of dealt with secrecy as an entity, which has existed through time for eons and generations. Cave people (for example) keeping secret their methods of killing a mammoth or something like that. |
| Jim Sanborn | Wired News 20 Jan 2005 |
WN: If Kryptos is solved, will the answer be something like the Cyrillic Projector's solution -- text from a formerly classified document -- or will it have a larger meaning? Sanborn:: It's a very different animal (from the Cyrillic Projector). The answer will be far more ambiguous. Of the part that's been decoded already there is certain ambiguity in the last few sentences and it's been open to interpretation, as has the whole piece. |
| Jim Sanborn | Wired News 20 Jan 2005 |
WN: The Cyrillic Projector has some of the same code that's on the CIA piece, but it does have some alterations. It's not completely identical. Why is that? Sanborn: If you make a body of work over many years so that anyone will know that it's your art, you have a common denominator, which means you leave clues. You don't just sign every artwork. There's something about that particular artwork that you say, "Oh, that's a Sanborn." And (the coding) was one of the common denominators that I chose to leave in. Just like my lodestones. I brought my lodestones forward 10 years and used them at the agency. Then I brought Kryptos forward five years and used them after that. And I will continue to bring work back and carry ideas forward in order to get a continuum for the body of work. |
| Jim Sanborn | Wired News 20 Jan 2005 |
WN: Well, you've mentioned before that each night after construction would finish for the day people from the CIA would come out to measure the materials. Sanborn: Well the new (CIA) building was being built while I was there and at night there were teams that used, I believe, a neutron scan (on) everything that went into the agency so that they could find any bugs or anything that had been planted. (They) used ground-penetrating radar and various other means to see and find everything that was there. And I would suppose they did that with my piece as well, which makes it difficult to do whatever you'd like to do -- not in an espionage way, but whatever you want to do. WN: What do you mean? Were there things that you wanted to do with the sculpture that you were unable to do? Sanborn: I didn't say I was unable to do it, I just said it makes things difficult. When somebody comes in and X-rays everything you do every night, it makes it tough doesn't it? (Laughs) WN: So you did something, but they knew about it? Sanborn:: No, I didn't say that, either. |
| Jim Sanborn | Wired News 20 Jan 2005 |
WN: There is someone who says he thinks he knows how the last section should be decrypted. John Wilson says that section three from Howard Carter's diary is giving instructions to the reader for what they should do with the text in the last section in order to decipher it. For example, when it describes Carter putting the candle through the hole, Wilson says it's an instruction for what to do with the text. So Wilson placed the word candle into the text. Is he on to something or off track? Sanborn: I'm inclined to not comment. If a person deciphers and sends me the exact decipherment -- if it can be deciphered exactly, considering most of my things are rife with mistakes on purpose -- I'd probably let them know that they got it if they did. I will say that I have left instructions in the earlier text that refer to later text. (But) that's as far as I'll go. |
| Jim Sanborn | Wired News 20 Jan 2005 |
WN: Do you want the puzzle of Kryptos to be solved? Sanborn: Uhhh ... I certainly want it to be considered. I had figured that the parts that have been solved already would have been done a lot quicker than they were. But that might just have been a question of focus of the cryptography community. |
| Jim Sanborn | Wired News 20 Jan 2005 |
WN: One decoded section refers to a "WW." It says specifically, "Who knows the exact location? Only WW." Who is WW? Sanborn: (Former CIA Director) William Webster. |
| Jim Sanborn | Wired News 20 Jan 2005 |
WN: The CIA required you to write down the solution to the sculpture and give it to Webster. Webster has said that he forgot the solution. Did he ever actually know the answer? Sanborn: Well, you know, I wasn't completely truthful with the man. And I'm sure he realizes that. I mean that's part of tradecraft, isn't it? Deception is everywhere. I had to leave an envelope at the agency saying what was on the (sculpture). I gave it to William Webster at the dedication ceremony with a wax seal on it, but in fact I really didn't tell him the whole story. I definitely didn't give him the last section, which has never been deciphered. WN: But he thinks you did give him the solution. Sanborn: That's his problem! (laughs) |
| Jim Sanborn | Wired News 20 Jan 2005 |
WN: Do you remember what the solution is? Sanborn: No. [NOTE: This later changed, by the time he released the "BERLIN" clue -RSP] WN: You don't remember the solution to your own sculpture? Sanborn: No. I've got it hidden someplace but I'm not going to read it. I have done everything I can to forget (it). Because I don't want to slip and give somebody information about it.  That's the only way information is kept secret. (Otherwise) it's very difficult not to give clues. In the early days, anything I said was a clue. Now things are getting more and more refined the more people (are looking into) this. They are looking for shreds, tiny little slivers of information. So I have to be very careful not to go any further. WN: So if you don't know the answer how will you know if anyone has solved it? Sanborn: I have the solution hidden someplace. So if somebody cracks it I can cross-check it. WN: What if something happens to you? Sanborn: The secret will probably pass away. WN: You haven't left it in your will? Sanborn:: Well, actually I have. I think it's important that whoever says that they cracked it will in fact find out whether they actually did. So from that standpoint, there does have to be some sort of historic record of what it says. |
| Jim Sanborn | ABC 1991 |
What's the title of this piece, and what does it mean? The title is Kryptos, and it's significant in a couple of ways. It's the Greek term for "hidden". And I've always worked with invisible forces, or making forces visible that are invisible, or visa-versa, and make visible things invisible. And so I chose that word as my keyword for the code also. I did it in large text that's cut through a copperplate out at the Agency. And that -- the keyword for some of that text is Kryptos. |
| Jim Sanborn | ABC 1991 |
Does that for you symbolize the CIA? Well, to tell you the truth, when I was first commissioned, my ideas of what the Agency did and what the Agency was were quite different... What did you think it was? Um, it was spies and spying. And it's something different? It's really information gathering. It gathers information, processes it, and then transfers that information, and people use the information. That's it's primary, that's what I understand now, is its primary mission. Obviously there are other layers, but those are the ones that I worked with, and those are the ones that I understand now. That information is what I – see all the information comes in, encoded generally in some form, and then it's processed and then sent out, encoded, in secret. |
| Jim Sanborn | ABC 1991 |
Well did you say to yourself, "Hmm, let me see if I can fool them with this?" Sure. Yes. I mean, I ... The levels of complexity developed while I was building the piece. But I always thought that I wanted to fool them. Y'know that was always the plan from the very beginning.  I mean it's a more general statement about secrecy that I make. |
| Jim Sanborn | ABC 1991 |
How did you decide what message to encode? Well that changed during the course of the project as well. And that developed largely from the reading that I did about the Agency. And also while I was cutting out, physically cutting out the copperplates, things in my own mind changed. I wanted to put something on there which would -- Let's just say, that once the plate is deciphered, I'm not convinced the true meaning will be clear even then. I've made a statement which is straightforward, but that leads to something else. There's another deeper mystery. As you peel off a layer of an onion, the myst-- you get closer to the heart of what it is. And so y'know I just wanted to make it even after it was deciphered, you had to go deeper and decipher something else. It's in English, it's in plain English, it's in text, and you can read it, but that isn't necessarily the whole story. |
| Jim Sanborn | ABC 1991 |
How about a little? How about a little? Without, without... Just a context, I mean,
so that somebody sitting at home would say, "Well, what are they talking about?"
Is there.... Is this a famous quotation, for example? I can't say whether it's a quotation. It is either a quotation or it's something I've written, or it's something somebody else has written. But let's just say, that it has a lot to do with secrecy. It has a lot to do with finding something, or opening something, or discovering something that's secret. |
| Jim Sanborn | ABC 1991 |
What have you heard from people out there about this? Of course, it's indirect information, I don't necessarily have an inside person. I hear it by the grapevine or friends of friends. It's my understanding that the simpler parts of the encoded texts have been deciphered, as they had planned to be. Part of it was designed to be deciphered within a couple of weeks. Part of it was designed to be deciphered within a couple of months. And part of it within years, or never. |
| Jim Sanborn | Letter to CIA Employees 15 Dec 1989 | Second, the tilted strata tell a story like pages of a document. Over the next several months, a flat copper sheet through which letters and symbols are cut will be inserted between these stone "pages". This code, which includes certain ancient ciphers, begins as International Morse and increases in complexity as you move through the piece at the entrance and into the courtyard. |
| Jim Sanborn | Letter to CIA Employees 15 Dec 1989 |
The right side is a text that can be partly deciphered by using the table and partly by using
a potentially challenging encoding system. The text, written in collaboration with a prominent
fiction writer, is revealed only after the code is deciphered. NOTE: I believe it was later stated that the fiction writer was not used. |
| Jim Sanborn | Letter to CIA Employees 15 Dec 1989 | My choice of materials, like code, conveys meaning. At the entrance, a lodestone (a rock naturally magnetized by lighting [sic]) refers to ancient navigational compasses. The petrified tree recalls the trees that once stood on this site and that were the source of materials on which written language has been recorded. The copper, perforated by text, represents this 'paper". |
| Jim Sanborn | New York Times 21 Nov 2010 | “I assumed the code would be cracked in a fairly short time” |
| Jim Sanborn (via reporter) | New York Times 21 Nov 2010 | Mr. Sanborn admitted to introducing misspellings to add a degree of difficulty. |
| Jim Sanborn (via reporter) | New York Times 21 Nov 2010 | Mr. Sanborn has said the passage [King Tut quote in K3] has inspired him since childhood. |
| Jim Sanborn | New York Times 21 Nov 2010 | Anybody holding a secret has a position of power, even if it’s a trivial secret. |
| Jim Sanborn (via reporter) | New York Times 21 Nov 2010 |
He has asked a friend — Mr. Sanborn has given him some of the answers, but not all — to handle inquiries from those who say they have solved the puzzle. “My friend says, ‘What do you have in letter-position 27?’ ” Mr. Sanborn explained. “If that’s not the same letter, ‘Game over, and you didn’t crack the code.’” |
| Jim Sanborn | Wired 20 Apr 2009 | The whole thing is about the power of secrecy. |
| Jim Sanborn | Wired 20 Apr 2009 | The text was scrambled by "a coding system that would unravel itself slowly over a period of time." |
| Ed Scheidt | Wired 20 Apr 2009 | I was reminded of my need to preserve the agency's secrets... You know, don't tell him the current way of doing business. And don't create something that you cannot break—but at the same time, make it something that will last a while. |
| Jim Sanborn | Wired 20 Apr 2009 | I assumed the first three sections would be deciphered in a matter of weeks, perhaps months. |
| Ed Scheidt (via reporter) | Wired 20 Apr 2009 | Scheidt figured the whole puzzle would be solved in less than seven years. |
| Jim Sanborn | Wired 20 Apr 2009 | I tried to make [K1] sound good and be inscrutable enough to be interesting, |
| Jim Sanborn and Ed Scheidt (via reporter) | Wired 20 Apr 2009 | Both Scheidt and Sanborn confirm that they intended the final segment to be the biggest challenge. |
| Jim Sanborn | Wired 20 Apr 2009 | It's not my intent to put out disinformation... I'm a benevolent cryptographer. |
| Jim Sanborn | Wired 20 Apr 2009 | [regarding the plaintext, and whether William Webster has it] Nobody has it all, I tricked them. |
| Jim Sanborn | Wired 20 Apr 2009 | If somebody tried to torture me, I couldn't tell them... I haven't looked at the plaintext of K4 in a long time, and I don't have a very good memory, so I don't really know what it says. |
| Ed Scheidt | Wired 20 Apr 2009 | There may be more to the puzzle than what you see... Just because you broke it doesn't mean you have the answer. |
| Jim Sanborn | Wired 20 Apr 2009 | In some ways, I'd rather die knowing it wasn't cracked... Once an artwork loses its mystery, it's lost a lot |
| Jim Sanborn (via reporter) | New York Times 16 Jun 1999 | Mr. Sanborn said this week that the sculpture contains a riddle within a riddle -- one that will be solvable only after the four encrypted passages are known. |
| William Webster | New York Times 16 Jun 1999 | I have zero memory of this [answer to Kryptos]... It was philosophical and obscure. |
| Jim Sanborn (via reporter) | New York Times 16 Jun 1999 | Mr. Sanborn... has said he believed that the ultimate secret hidden in the text of 'Kryptos' will never be deciphered. |
| Ed Scheidt | Wired 21 Jan 2005 | I provided the cryptographic process as well as worked with him with what he was looking to do as far as the story (the sculpture would tell). We came up with a methodology using some of the known cryptographic solutions (at the time). |
| Ed Scheidt | Wired 21 Jan 2005 |
Wired: How many cryptographic processes are used on the sculpture? Scheidt: There are four different processes. Two of them are similar and the other two are different things. The first three processes were designed so that a person could, through cryptographic analysis, have access to the English language (on the sculpture). And the last process, I masked the English language so it's more of a challenge now. It's progressively harder in the challenges. [Note: when Scheidt refers to 4 'processes', I believe he is referring to K1, K2, K3, and K4, not cryptographic techniques] |
| Ed Scheidt | Wired 21 Jan 2005 | All four (sections) are done in the English language. The message could have been in another language. (But) this particular puzzle is in the English language.... The techniques of the first three parts, which some people have broken, (used) frequency counting and other techniques that are similar to that. You can get insight into the sculpture through that technique because the English language is still visible through the code. (But with) this other technique (in the fourth part), I disguise that. So ... you need to solve the technique first and then go for the puzzle. |
| Ed Scheidt | Wired 21 Jan 2005 |
Wired: Are all four of the processes known processes? There aren't any that aren't known, right? Sheidt: The masking technique may not be known. |
| Ed Scheidt | Wired 21 Jan 2005 |
Wired: Jim said that he took your techniques and then he deliberately masked them even more so that even you wouldn't know what was in the puzzle. Scheidt: Ah hah. I can't respond to that one. I haven't heard him say that before. It's possible I guess. I haven't talked to Jim on what he did, but I do know ... there was some masking techniques that were used and that's about it. |
| Ed Scheidt | Wired 21 Jan 2005 |
Wired: So you may not know what the message says. Scheidt: Obviously there could be a possibility.  (But) since he's the one who had the chisel in his hands, there could be some changes. |
| Ed Scheidt | Wired 21 Jan 2005 |
Wired: But within the text that's already been translated it does mention something being buried on the grounds of the CIA. Scheidt: Well, the idea of encoding a message is not only to encode the externals of a message (the English language), but the message itself. Once it is readable, it may have other encoding that's involved in it. That's something that would show up in secret messages. If I wanted to, for instance, say (that) you and I are going to meet at 1 o'clock on Friday. We may establish a code that 1 o'clock on Friday is equal to "cake." So in my message I would say how about you and I meeting at a convenient place for cake? Then you and I really know that cake means the time. [This suggests that nothing is physically buried, and that K2 may be readable but with more encoding...] |
| Ed Scheidt | Wired 21 Jan 2005 |
Wired: So someone could translate the actual message but not know what the message means. Scheidt: That's right. And that's where the masking and all these other kinds of techniques can come into play. |
| Ed Scheidt | Wired 21 Jan 2005 | It's a question of how would you approach it? Would you approach it mathematically? Would you approach it in the context of secret writings or symbols? There's a whole array of things which offer a challenge. |
| Ed Scheidt | Wired 21 Jan 2005 | Another way of saying it is that as one peels the onion away, or the various cloaks, you come closer to the truth from a philosophical sense. And then where does it take you down that path? Well I would assume that the path will lead you down different ways, depending on your philosophical perspective. So it's again back to is it a black-and-white answer or is it an answer that has a lot of gray areas? |
In a dinner in October, 2011 ("Zola"), Jim Sanborn said something that was first referred to as: "We asked about the last clue that had been released, and whether it was a one-to-one mapping from NYPVTT to BERLIN, or whether it was intended that this clue be a mapping of a six letter group to a six letter group. Mr. Sanborn indicated this is a one-to-one mapping." Someone in 2013 wrote this as "There is a 1-to-1 correspondence between NYPVTT and BERLIN." Someone else wrote "everyone that listened to his answer interpreted it the same way: there is a direct correlation between NYPVTT and BERLIN." Another in 2012 wrote "Sanborn did say it was a one to one correlation".
In October 2013, there was another dinner where this came up. One person wrote "I believe I heard ... The string BERLIN is in the ultimate plaintext, and there is a 1:1 correspondence of BERLIN to NYPVTT." Another wrote "Jim Sanborn was explicit in his answer that N decoded to B, etc. ... I "think" that Jim understood the question and ruled out single transpositions in his direct answer, but I would have liked Ed's confirmation". One more wrote "Jim Sanborn certainly did rattle through the entire crib and say: N = B, Y = E, ...".
Some people take this to mean that transposition cannot be used. For example, with tranposition, the "N" in position 64 might go to position 74, with the L in position 54 going to position 54 -- and some people say that Sanborn's statements rule that out (that was the original reason for asking the question). Others go to say that it means in a multi-step solution, transposition cannot be used at all. Others say that it would not allow multiple steps (e.g. encrypting once with "WORDONE" and then again with "WORDTWO").
So I personally do not believe that the statements really can rule much of anything out.
| Sources: | |
|---|---|
| NPR | 09 Jun 2005 NPR "All Things Considered". |
| Wired. | 20 Jan 2005 Partial transcript of a Wired News interview by Kim Zetter. No longer online. It was edited "for length and organization." |
| 1991a.pdf | Transcript of B-roll interview between ABC's John Martin and Jim Sanborn, 1991. [Video at http://www.youtube.com/watch?v=TT_MamKYits] |
SAVED! | Letter from Jim Sanborn to CIA employees. |
| New York Times | 20 Nov 2010 "Clues to Stubborn Secret in C.I.A.'s Backyard" |
| Wired | 20 Apr 2009 |
| New York Times | 16 Jun 1999 |
| Wired | 21 Jan 2005 Ed Scheidt interview |
| Section | Correct | Incorrect | Type | From | To |
|---|---|---|---|---|---|
| Morse | DIGITAL | DIGETAL | Changed | I | E |
| Morse | INTERPRETATION | INTERPRETATI | Missing | ON | |
| K1 | ILLUSION | ILQUSION | Changed | L | Q |
| K2 | UNDERGROUND | UNDERGRUUND | Changed | O | U |
| K3 | DESPERATELY | DESPARATLY | Changed | E | A |
| K3 | DESPERATELY | DESPARATLY | Missing | E |


Titan share price tumbles nearly 10% post Q2 results; what should investors do?
Revenue during the quarter grew by 0.6 percent year-on-year to Rs 4,435 crore.
Share of Titan Company tumbled nearly 10 percent in the early trade on November 6 after the company reported a muted set of numbers for the quarter ended September 2019.
The company's Q2FY20 profit grew 1.8 percent at Rs 320.2 crore on the back of subdued growth in the jewellery business which contributes 80 percent to revenue.
Profit in September quarter 2018 stood at Rs 314.4 crore.
Revenue during the quarter grew by 0.6 percent year-on-year to Rs 4,435 crore.
Jewellery business revenue fell 1.5 percent to Rs 3,528 crore compared to the year-ago period and its earnings before interest and tax (EBIT) declined 2 percent and margin contracted 5bps YoY.
However, revenue from its watches segment grew 6.4 percent to Rs 718.7 crore, but its EBIT dropped 6.9 percent and margin plunged 220bps YoY during the July -September quarter.
Jefferies | Rating: Hold | Target: Rs 1,100 per share
According to the research house, the risk-reward is unattractive at current valuations and it has cut its estimates by 8 percent for FY20/21.
Credit Suisse | Rating: Neutral | Target: Rs 1,110 per share
The large PBT decline, subdued festive sales lead to a cut in FY20 guidance, said Credit Suisse.
The research house cut its FY20-22 earnings estimate by 8-10 percent as the company faces risks of further cuts to the lowered H2 expectations.
CLSA | Rating: Downgrade to sell from underperform | Target: Cut to Rs 1,025 from Rs 1,350 per share
The Q2 was a disappointment on almost all fronts and reduced EPS forecasts by 12-16 percent, said CLSA.
Prabhudas Lilladher | Rating: Hold | Target: Rs 1189
Broking house cut FY20 and FY21 EPS estimates by 11.7 percent and 13.7 percent, respectively on the back of poor festival season sale, H2 sales growth guidance cut in Tanishq from 20 percent to 11-13 percent and increased price-based competition from local jewellers.
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Binary Geometry
There is currently no area of mathematics named "binary
geometry." This is, therefore, a possible name for the geometry
of sets with 2n elements (i.e., a sub-topic of Galois
geometry and of algebraic geometry over finite fields-- part of
Weil's "Rosetta
stone"
(pdf)).
Examples:
- Charles Sanders Peirce, "
The Simplest Mathematics."
- Donald E. Knuth's discussion of binary hypercubes in "Boolean
Basics," a draft of section 7.1.1 in
The Art of Computer Programming, Volume 4: Combinatorial
Algorithms
- My own discussion of a binary hypercube in Geometry
of the 4x4x4 Cube
- A more sophisticated example: the geometry of elliptic curves
over a binary Galois field. For an excellent introduction,
see the Certicom online
elliptic curve tutorial. This has an
applet
illustrating elliptic curves in a space of 256 points (256=16x16, with
the x and y variables of a curve each having 16
possible values).
- In summary, apart from the fact that the native language of
computers has
characteristic 2, "binary" mathematics, i.e. mathematics in
characteristic 2, is of special interest both in the
study of finite geometry (Finite
Geometry of the Square and Cube) and in algebraic geometry (see,
for instance, the work of
Brian Conrad).
Page created June 23, 2006.


IMPORTANT NOTE: The APIs and features described in this document are SUBJECT TO CHANGE.
The following enhancements were made to the Java GSS/Kerberos implementation in Java SE 5.
Triple DES encryption type is specified in the Kerberos configuration file under the "libdefaults" section. It is specified as "des3-cbc-sha1" with following tags: default_tkt_enctypes, default_tgs_enctypes, permitted_enctypes. "dec3-cbc-sha1" has the following aliases:
des3-hmac-sha1 des3-cbc-sha1-kd des3-cbc-hmac-sha1-kdFor example, the libdefaults section in the configuration file might include the following.
default_tkt_enctypes = des3-cbc-sha1 des-cbc-md5 des-cbc-crc default_tgs_enctypes = des3-cbc-sha1 des-cbc-md5 des-cbc-crc permitted_enctypes = des3-cbc-sha1 des-cbc-md5 des-cbc-crcdefault_tkt_enctypes is used to specify the encryption types to use for the session key in the ticket-granting-ticket. It is used by the client to restrict the encryption types of session keys that will be used to communicate with the KDC. The default value is "des-cbc-md5 des-cbc-crc des3-cbc-sha1"
default_tgs_enctypes is used to specify the encryption types to use for the session key in service tickets. It is used by the client to restrict the encryption types of session keys that are shared by the client and server. The default value is "des-cbc-md5 des-cbc-crc des3-cbc-sha1".
permitted_enctypes is used to specify the encryption types permitted to be used by a service. It is used by the server to restrict the encryption types of session keys that it will accept. The default value is "des-cbc-md5 des-cbc-crc des3-cbc-sha1".
When sending a message to the KDC, the Java SE Kerberos library will use TCP if the size of the message is above udp_preference_list. If the message is smaller than udp_preference_list, then UDP will be tried at most three times. If the KDC indicates that the request is too big, the Java SE Kerberos library will use TCP.
With this feature, if Krb5LoginModule obtains an expired ticket from the ticket cache, the TGT will be automatically renewed and be added to Subject of the caller who requested the ticket. If the ticket cannot be renewed for any reason, then Krb5LoginModule will use its configured callback handler to retrieve a username and password to acquire a new TGT.
To use this feature, configure Krb5LoginModule to use the ticket cache and set the newly introduced renewTGT option to true. Here is an example of a JAAS login configuration file that requests TGT renewal.
server { com.sun.security.auth.module.Krb5LoginModule required principal=principal@your_realm useTicketCache=true renewTGT=true; };Note that if renewTGT is set to true, then useTicketCache must also be set to true; otherwise, it results in a configuration error.
com.sun.net.ssl.server com.sun.net.ssl.clientWhen a JSSE application uses the Kerberos cipher suites without explicit JAAS program, the SunJSSE provider will use these index names to find and configure the JAAS login module to acquire the necessary Kerberos credentials. For example, such an application might have the following JAAS configuration file.
com.sun.net.ssl.server { com.sun.security.auth.module.Krb5LoginModule required principal=service_principal@your_realm useKeyTab=true keyTab=keytab_name storeKey=true; };If the entry is not found, the default "other" index name will be used. The service name for TLS is "host". For example, a TLS service running on a machine named "raven.example.com" in the realm named "KRBNT-OPERATIONS.EXAMPLE.COM" would have the service principal name
<EMAIL_ADDRESS>are no restrictions on the TLS client; it may use any valid Kerberos principal name.
When a JSSE application uses the Kerberos cipher suites with explicit JAAS program, it can use any index name, including the ones listed above.


Guan Eng advises Indian community to fully utilise RM100m govt grant
KUALA LUMPUR, Nov 21 ― Finance Minister Lim Guan Eng has advised Malaysia’s Indian community to fully utilise the RM100 million grant allocated by the government through the Malaysian Indian Transformation Unit (Mitra) under the 2019 Budget.
He said the grant, aimed at improving the community’s socio-economy, skills development, health, education and women empowerment, still has a balance of RM30 million to-date.
“You still have one month and nine days left to apply for the grant. Please do apply for the grant through the Prime Minister’s Department (under Minister in the Prime Minister’s Department P. Waytha Moorthy),” he said in his speech at the Deepavali Open House hosted by himself and the National Chamber of Commerce and Industry here, today.
The government had also allocated RM100 million under the 2020 Budget to Mitra, an agency under the Prime Minister’s Department, for the same purpose.
On the Employees Provident Fund’s move to set up a special account for those who are eligible to receive incentives under the Malaysia@Work initiative, Lim urged the people not believe in rumours that they could only make withdrawals upon reaching 55.
“For instance, let’s say your pay is RM2,500 after getting the wage incentive. Your EPF contribution will come up to about RM235. And with the RM500 incentive, EPF will deduct RM275.
“You can withdraw the balance of RM235 and spend it immediately as you like,” said Lim.
The Malaysia@Work programme was launched by Prime Minister Tun Dr Mahathir Mohamad today. ― Bernama


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UNIVERSITY OF WISCONSIN-MILWAUKEE SELECTED AS 2006 INFOWORLD 100 AWARD WINNER
Xythos Technology Provides Foundation for Award-Winning Project
San Francisco, CA – November 14, 2006 – Xythos Software, a leading developer of Basic Content Services solutions, today announced that its customer, the University of Wisconsin-Milwaukee (UWM), has been named to the Infoworld 100, Infoworld’s highest honor for enterprise- wide secure content storage and collaboration solutions. The InfoWorld 100 is a listing of the most innovative IT solutions for 2006, honoring IT projects that demonstrate the best use of cutting-edge technologies to enhance their businesses and to meet technology objectives.
UWM’s winning project is a web service named ‘PantherFile’ which was developed to improve enterprise-wide collaboration while improving the security of the institution’s content. PantherFile also provides the university with technology to better respond to state and federal data protection compliance requirements. It was developed with the Xythos Enterprise Document Management Suite because UWM needed to address the collaborative demands of a diverse and mobile community of tens of thousands of users who needed to easily access and share content from a wide variety of devices and locations. In addition, the university needed a solution that supported secure file exchange between external organizations to support its growing research initiatives.
The Xythos/PantherFile system is deployed within a Cisco, Oracle and Sun server environment for maximum reliability and is designed to meet the needs of 30,000 users including students, researchers, faculty, staff, and partners. It is already helping the university reduce institution-wide costs of managing secure enterprise storage and helping to minimize users’ reliance upon email to share and store files. PantherFile enables UWM’s American Geographic Society Library to share GIS data, assists administrative job application processing and supports the delivery of electronic textbooks at the Student Accessibility Center for those who have physical, learning, sensory or psychological disabilities, among other uses.
“PantherFile has helped our institution advance towards its goal of delivering secure core infrastructure technologies as utility services,” said Bruce Maas Interim CIO at UW Milwaukee. “It’s truly an honor to have the work that Xythos and UWM have completed together be recognized by InfoWorld in this way.” To be considered for the InfoWorld 100, projects must stretch beyond typical, off-the-shelf solutions and use multiple technologies in innovative ways to serve well-defined business goals. "The scope and boldness of this crop of projects surpass those of previous years,” remarked Associate Editor Richard Gincel, who has overseen the InfoWorld 100 since the 2004 edition of the awards.
The University of Wisconsin-Milwaukee joins a growing list of institutions that have developed collaborative services using Xythos technology. Several universities like UWM have incorporated Xythos in their strategic initiatives to increase grant-funded research programs in response to reduced state and federal financial aide.
“Forward-thinking institutions, like UWM, recognize they must use web technologies to reach beyond campus boundaries to ensure their future success,” observed Ed Miller, CEO of Xythos. “We’re excited to see Bruce Mass and the Information & Media Technologies team at UWM be recognized for the leadership and vision they have displayed in their deployment of PantherFile,” he added.
2006 InfoWorld 100 award winners will appear in the November 13, 2006 edition of the magazine and can be viewed online at: http://www.infoworld.com/archives/t.jsp?N=s&V=83513. To learn more about PantherFile and how Xythos is serving other academic and research institutions please visit: http://www.xythos.com/education/index.html
About InfoWorld Media Group
InfoWorld Media Group helps senior technologists connect technology and business strategy for maximum impact at their organizations. Through integrated channels including online, events, demand generation and a weekly print magazine, InfoWorld reaches the most influential senior-level information technologists -- those who drive their enterprises' strategies and technology purchases. Powered by a continued investment in an independent Test Center, InfoWorld analysts and editors provide both hands-on analysis and evaluation, as well as expert commentary on issues surrounding emerging technologies and products. Visit InfoWorld at www.InfoWorld.com.
About Xythos Software
Xythos Software is a leading developer of Basic Content Services software for enterprise organizations. Xythos’ open standards-based document and content management applications
and its WebFile Server development platform help customers safely capture, manage, store and share content throughout its lifecycle. Xythos products are licensed to over two and a half million users at commercial, education and government organizations around the world. To learn more about Xythos, visit www.xythos.com or call 1-888-4XYTHOS.


Reports cases when Scala collections of different categories are compared.
Scala collections of different categories (Set, Seq, Map or Iterator) cannot be equal and should not be compared with arrays either. This inspection suggests converting one of the collections into the same category.
Example:
seq == iterator
seq != array
After the quick-fix is applied:
seq.toIterator == iterator or seq == iterator.toSeq
seq != array.toSeq


account¶
-
class
account.views.
AccountUpdate
(**kwargs)[source]¶ Bases:
django.views.generic.edit.FormView
Generic view for updating Account.
-
model
¶ alias of
Account
-
as_view
(**initkwargs)¶ Main entry point for a request-response process.
-
form_invalid
(form)¶ If the form is invalid, render the invalid form.
-
form_valid
(form)¶ If the form is valid, redirect to the supplied URL.
-
get
(request, *args, **kwargs)¶ Handle GET requests: instantiate a blank version of the form.
-
get_context_data
(**kwargs)¶ Insert the form into the context dict.
-
get_form
(form_class=None)¶ Return an instance of the form to be used in this view.
-
get_form_class
()¶ Return the form class to use.
-
get_form_kwargs
()¶ Return the keyword arguments for instantiating the form.
-
get_initial
()¶ Return the initial data to use for forms on this view.
-
get_prefix
()¶ Return the prefix to use for forms.
-
get_success_url
()¶ Return the URL to redirect to after processing a valid form.
-
get_template_names
()¶ Return a list of template names to be used for the request. Must return a list. May not be called if render_to_response() is overridden.
-
options
(request, *args, **kwargs)¶ Handle responding to requests for the OPTIONS HTTP verb.
-
post
(request, *args, **kwargs)¶ Handle POST requests: instantiate a form instance with the passed POST variables and then check if it’s valid.
-
render_to_response
(context, **response_kwargs)¶ Return a response, using the response_class for this view, with a template rendered with the given context.
Pass response_kwargs to the constructor of the response class.
-
fields
= ['number', 'name']¶ Only list number and name fields.
-
template_name_suffix
= '_update'¶ Set the template file name suffix.
-
-
account.views.
index
(request)[source]¶ Render the index for the account app.
Parameters: request ( django.http.HttpRequest
) – A request from Django.Return type: django.http.HttpResponse
Raises: AttributeError, KeyError
-
class
account.models.
Account
(*args, **kwargs)[source]¶ Bases:
django.db.models.base.Model
Class that defines account objects.
-
name
¶ Description: The name of the Chart of Accounts being manipulated. Type: django.db.models.CharField
-
kind
¶ Description: The type of account. Type: django.db.models.CharField
-
number
¶ Description: Unique account number. Type: django.db.models.IntegerField
-
chart
¶ Description: Related chart. Type: django.db.models.ForeignKey
-
balance
¶ Description: Current balance of the account. Type: django.db.models.FloatField
-
clean
()¶ Hook for doing any extra model-wide validation after clean() has been called on every field by self.clean_fields. Any ValidationError raised by this method will not be associated with a particular field; it will have a special-case association with the field defined by NON_FIELD_ERRORS.
-
clean_fields
(exclude=None)¶ Clean all fields and raise a ValidationError containing a dict of all validation errors if any occur.
-
full_clean
(exclude=None, validate_unique=True)¶ Call clean_fields(), clean(), and validate_unique() on the model. Raise a ValidationError for any errors that occur.
-
get_deferred_fields
()¶ Return a set containing names of deferred fields for this instance.
-
refresh_from_db
(using=None, fields=None)¶ Reload field values from the database.
By default, the reloading happens from the database this instance was loaded from, or by the read router if this instance wasn’t loaded from any database. The using parameter will override the default.
Fields can be used to specify which fields to reload. The fields should be an iterable of field attnames. If fields is None, then all non-deferred fields are reloaded.
When accessing deferred fields of an instance, the deferred loading of the field will call this method.
-
save
(force_insert=False, force_update=False, using=None, update_fields=None)¶ Save the current instance. Override this in a subclass if you want to control the saving process.
The ‘force_insert’ and ‘force_update’ parameters can be used to insist that the “save” must be an SQL insert or update (or equivalent for non-SQL backends), respectively. Normally, they should not be set.
-
save_base
(raw=False, force_insert=False, force_update=False, using=None, update_fields=None)¶ Handle the parts of saving which should be done only once per save, yet need to be done in raw saves, too. This includes some sanity checks and signal sending.
The ‘raw’ argument is telling save_base not to save any parent models and not to do any changes to the values before save. This is used by fixture loading.
-
serializable_value
(field_name)¶ Return the value of the field name for this instance. If the field is a foreign key, return the id value instead of the object. If there’s no Field object with this name on the model, return the model attribute’s value.
Used to serialize a field’s value (in the serializer, or form output, for example). Normally, you would just access the attribute directly and not use this method.
-
validate_unique
(exclude=None)¶ Check unique constraints on the model and raise ValidationError if any failed.
-
-
class
account.models.
AccountForm
(data=None, files=None, auto_id='id_%s', prefix=None, initial=None, error_class=<class 'django.forms.utils.ErrorList'>, label_suffix=None, empty_permitted=False, instance=None, use_required_attribute=None)[source]¶ Bases:
django.forms.models.ModelForm
Class that defines account objects.
-
class
Meta
[source]¶ Bases:
object
Meta class for AccountForm.
-
fields
= '__all__'¶ Use all fields by default.
-
-
add_error
(field, error)¶ Update the content of self._errors.
The field argument is the name of the field to which the errors should be added. If it’s None, treat the errors as NON_FIELD_ERRORS.
The error argument can be a single error, a list of errors, or a dictionary that maps field names to lists of errors. An “error” can be either a simple string or an instance of ValidationError with its message attribute set and a “list or dictionary” can be an actual list or dict or an instance of ValidationError with its error_list or error_dict attribute set.
If error is a dictionary, the field argument must be None and errors will be added to the fields that correspond to the keys of the dictionary.
-
add_initial_prefix
(field_name)¶ Add a ‘initial’ prefix for checking dynamic initial values.
-
add_prefix
(field_name)¶ Return the field name with a prefix appended, if this Form has a prefix set.
Subclasses may wish to override.
-
as_p
()¶ Return this form rendered as HTML
s.
-
as_table
()¶ Return this form rendered as HTML
s – excluding the

.
-
as_ul
()¶ Return this form rendered as HTML
s – excluding the

.
-
full_clean
()¶ Clean all of self.data and populate self._errors and self.cleaned_data.
-
get_initial_for_field
(field, field_name)¶ Return initial data for field on form. Use initial data from the form or the field, in that order. Evaluate callable values.
-
has_changed
()¶ Return True if data differs from initial.
Return a list of all the BoundField objects that are hidden fields. Useful for manual form layout in templates.
-
is_multipart
()¶ Return True if the form needs to be multipart-encoded, i.e. it has FileInput, or False otherwise.
-
is_valid
()¶ Return True if the form has no errors, or False otherwise.
-
non_field_errors
()¶ Return an ErrorList of errors that aren’t associated with a particular field – i.e., from Form.clean(). Return an empty ErrorList if there are none.
-
order_fields
(field_order)¶ Rearrange the fields according to field_order.
field_order is a list of field names specifying the order. Append fields not included in the list in the default order for backward compatibility with subclasses not overriding field_order. If field_order is None, keep all fields in the order defined in the class. Ignore unknown fields in field_order to allow disabling fields in form subclasses without redefining ordering.
-
save
(commit=True)¶ Save this form’s self.instance object if commit=True. Otherwise, add a save_m2m() method to the form which can be called after the instance is saved manually at a later time. Return the model instance.
-
validate_unique
()¶ Call the instance’s validate_unique() method and update the form’s validation errors if any were raised.
-
visible_fields
()¶ Return a list of BoundField objects that aren’t hidden fields. The opposite of the hidden_fields() method.
-
errors
¶ Return an ErrorDict for the data provided for the form.
-
class
account_tests¶
account model tests¶
Tests for the account module.
account view tests¶
-
class
account.tests.test_account_views.
TestAccountViews
[source]¶ Bases:
object
Test class for account module views.
-
test_get_index
()[source]¶ Get the index for testing.
Returns: django.http.HttpResponse
Raises: AttributeError
-
client
= <django.test.client.Client object>¶ Client instance for testing requests.
-


{% if artist %}
{% endblock %}
If you like "{{ song_name }}" by {{ artist }}, then you should check out the 5 songs below!
Here's information for the song "{{ song_name }}"...
- Title: {{ song_name }}
- Artist: {{ artist }}
- Release Date: {{ release_date }}
- Acousticness: {{ acoustic }}
- Danceability: {{ dance }}
- Energy: {{ energy }}
- Liveness: {{ live }}
- Speechiness: {{ speech }}
- Valence: {{ valence }}
- Instrumentalness: {{ instrument }}
Recommendation {{ i+1 }}:
- Title: {{ titles[i] }}
- Artist: {{ artists[i] }}


Hello
I' M TOUSEEQ
I am Software Engineer
& Designer
About Me
Devolper & Designer
Hello my name is sonu gurjar i am a Devolperand also a Designer.
I am a Devolper and also Designer.If you have asany porject or if you want mack a Software for your bussniess Contact me. I mack your project as a soon as possible.


This is part of a series of posts about the Leadership Lattice, a framework for learning about the different dimensions of management and leadership.
Leadership roles have a massive surface area of accountability, and the process of learning as you go can be challenging. As part of Leadership Wednesdays, I’ll be detailing the framework that I use to make the learning easier to manage (and quicker). To get a better understanding of this framework, check out these posts.
The first domain of responsibility is that of Individuals, which I’ve found to be the most important domain because all management is exercised through people.
-
The guiding mental model I use is “the employee journey. This domain is all about managing individuals through their personal career journey and the time that is spent within your organization. The employee journey has provided me a good encapsulation of that responsibility. The employee journey also highlights where there are missing links - parts of the job that can be simply overlooked. The responsibility scope starts before an individual is brought on board - how that process actually begins, carries them through their career journey in the organization, and ends with managing their departure if necessary. The relationship can continue beyond that time frame but then falls out of scope of the framework.
-
Going through the employee journey, the following is list of some of those practices:
- The Hiring Decision
- Sourcing and Interviewing
- Hiring and Onboarding
- Creating paths for growth, development and training
- Understanding individual motivations
- Understanding strengths and weaknesses
- Unlocking individual potential
- Creating clarity in individual objectives and goals
- Managing individual output and performance
- Providing guidance and feedback
- Placement within the organization: promotions and demotions
- Managing their exit, if necessary (firing, quitting, etc)
-
There are hundreds, if not thousands of frameworks to help with the above practices. These come from books, blog posts, and other places. These are the tangibles that help make the practices of leadership easier. These are like tools in a toolbelt. An incomplete list below:
- Growth and Development: Training plans, Skills matrix
- Understanding Strengths and Weaknesses: MBTI, Enneagram
- Understanding Motivations: Daniel Pink AMP Framework
- Goals and Output: OKRs, SMART Goals,
- Guidance and Feedback: 1:1s, Direct Feedback methods, Radical Candor


| PWG Seattle Meeting (Redmond) Details |
1394 Printing August 4,5
IPP August 6,7
Finisher/JMP August 8
Meeting Location:
Microsoft
1 Microsoft Way
Redmond, Washington
Recommended Hotels:
Double Tree (was Red Lion) Bellevue<PHONE_NUMBER>
Hyatt Bellevue<PHONE_NUMBER>
Hilton Bellevue<PHONE_NUMBER>
Ask for the Microsoft rate at
these hotels.
All attendees are responsible for making their own hotel
reservations.
Meeting Location and Times:
1394 Printing: 9:00AM to 6:00PM: Building 27N, Olympic Room
IPP: 8:30 AM to 6 PM: Building 31, Pebble Beach
JMP/SENSE: 8:30 to 6 PM: Building 31, Pebble Beach
A PDF map of the Microsoft campus is available. The map is of the entire campus on a single page. Make sure to bring your magnifying lens or good glasses!
There is no meeting charge; participants are responsible for their lunch.
YOU MUST RSVP TO Don Wright<EMAIL_ADDRESS>WITH THE FOLLOWING INFORMATION:


Jeremiah 18:2
Arise, and go down to the potter's house, and there I will cause thee to hear my words.


Goopedia
From Second Life Wiki
Welcome to Goopedia! This way of presenting information to people is currently being tested, so there isn't any interesting information yet. As you may have noticed, we have model our page after the ever popular wikipedia layout. The code for this layout was open source and can be found here. Goo does not have any affliation with this website.
Contents |
Project Snowstorm
This is the latest Viewer code. Viewer code is stored in a Mercurial (hg) repository on bitbucket, an Open Source repository web site. There are many versions there; the ones you are most likely interested in being
You can browse the source code using an ordinary web browser, download it to your machine, or use Mercurial to manage the process for you.
One of the interesting features of the Viewer-Development branch is that you can literally watch Lindens merging bug fixes and new features into the code before your very eyes.
Another good way to browse the source code, including UML diagrams, is using Doxygen.
Be sure to read Creating a version control repository.
Version Control
Viewer development uses the Mercurial (hg) distributed version control system. To clone the current release repository, use:
hg clone http://hg.secondlife.com/viewer-release
You are strongly encouraged to install the Linden Lab Mercurial Tools as well.
For a step-by-step outline of the source control workflow from the initial clone (above) to integration of your change, see Steps To Submit a Change.
Compiling
Per platform instructions are available in these topics:
Notes
- Common compilation problems if you run into errors while building.
- Improving compilation time for information on how to compile faster
- LLMozLib2 for building LLMozLib2.
Autobuild
Autobuild is the new Linden Lab framework to maintain and build everything, from viewer to 3rd party libraries.
Instructions:
Hints on running
Channels and Versions
Channels are just groupings of versions. Linden Lab uses channels to track and supply updates for Project, Beta, and Release Viewers separately.
If you get a message while trying to start your compiled viewer that there is a required update, don't panic. All of your work is not lost. You (usually) don't have to apply your changes to a new source release to test your code. That's where channels come in.
On login, the combination of channel plus version is checked against a list. Within each channel, some versions are allowed and some are blocked. Viewers are blocked that are unsafe (security issues), incompatible (the protocol has been changed in some fundamental way), not supported (so old Linden Lab can't afford to provide support resources), or (most relevant here) are in a test channel (Release Candidate, First Look) and Linden Lab only wants test data from the most recent.
See Setting a Channel and Version for an Open Source Viewer for an explanation of how to do it in the source code.
See Channel and Version Requirements for a detailed explanation and official policy on how Linden Lab deals with channels and versions in Second Life.
The Third Party Viewer Policy requires that all viewers use a unique channel name. Please see here for more information.


Main Page
Classes
Files
Class List
Class Hierarchy
Class Members
All
Functions
Variables
Here is a list of all class members with links to the classes they belong to:
address :
Client
client :
Project
cnpj_cpf :
Client
cpf :
Employee
description :
JobPosition
,
Task
,
Project
end :
Task
getLogin() :
User
login :
User
manager :
Project
myProject :
JobPosition
name :
User
passwd :
User
phone :
Client
position :
Employee
salary :
JobPosition
setLogin() :
User
start :
Task
tasks :
Project
taskTeam :
Task
title :
Project
Generated on Thu Oct 23 11:44:18 2008 for Teste by
1.5.5


← Back to home
Taco Tuesdays
Every Tuesday morning our team gathers together to enjoy delicious breakfast tacos from an assortment of local restaurants and food trucks.
If you have allergies or dietary restrictions, let the person in charge of ordering the tacos know so that we can accommodate those.


*CSET 160.6*: Keep on Railsin' How to use these slides: * P toggle presenter notes * ? help menu * → next slide Also, [here's the source](https://github.com/chadoh/cset160) --- CSET 160.6 # Keep on Railsin' --- attendance # the app you're going to build --- review of scaffolding --- the app you were [supposed to build](https://entirelife.typeform.com/to/Ht9g0H) --- deploying to Heroku --- simple contact form! -- Maybe? -- with both Rails and Cuba? -- Deployed to Heroku? --- `has_many` and `belongs_to` --- Lab # Build it Start working on your project Stuck? Keep working on [last lesson's lab](/sessions/3/#31)


OUR MAGAZINE
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bulletproof
`Prev `__
B
`Next `__
--------------
**bulletproof**: adj.
Used of an algorithm or implementation considered extremely
`*robust* <../R/robust.html>`__; lossage-resistant; capable of correctly
recovering from any imaginable exception condition — a rare and valued
quality. Implies that the programmer has thought of all possible errors,
and added `*code* <../C/code.html>`__ to protect against each one. Thus,
in some cases, this can imply code that is too heavyweight, due to
excessive paranoia on the part of the programmer. Syn.
`*armor-plated* <../A/armor-plated.html>`__.
--------------
+------------------------------------------+----------------------------+--------------------------------+
| `Prev `__ | `Up <../B.html>`__ | `Next `__ |
+------------------------------------------+----------------------------+--------------------------------+
| bug-of-the-month club | `Home <../index.html>`__ | bullschildt |
+------------------------------------------+----------------------------+--------------------------------+


--- layout: documentation title: BuildUtilityType ---
The BuildUtilityType contains information identifying the utility used to build this application.
| Field Name | Type | Description |
|---|---|---|
| Build_Utility_Name1..1 | string |
This field contains the informally defined name of the utility used to build this application instance. |
| Build_Utility_Platform_Specification1..1 | PlatformSpecificationType |
This field identifies the build utility used to build this application. |


EventBuilder
public struct EventBuilder
An EventBuilder is what your app uses to add information to events and send them when they’re complete.
Using the current event
Event.current
is an event builder that different parts of your app can use to attach custom data to a currently in-progress
event. Various parts of your app can add fields to the current event without having to coordinate passing the event around or even
having to know about each other.
When the work corresponding to an event is complete, be sure to send the current event. When you do, the current event will be reset to a blank slate so that the next action can start adding information for the next event.
Attaching fields to all events
Event.global
is an event builder that is not meant to be sent. Instead, you can add fields to the global event builder, and those
fields will be included automatically in all events.
-
An error that should be logged with the event.
Since needing to log errors is a very common case, you can use this field instead of having to define an event key for errors in your app. When encoding the event, the error’s
localizedDescription
will be encoded in theerr
key of the event.Generally, for consistency, you should always use this property to log an error, but there may be cases where a single event can generate multiple errors because it doesn’t stop short in the case of an error. In this situation, it’s fine to define custom event keys for each error and store both on the event.
Declaration
Swift
public var error: Error?
-
Create a new
EventBuilder
.Think carefully before constructing an
EventBuilder
directly. Most of the time, you’ll want to useEvent.current
to avoid having to pass the event around to different parts of your app explicitly. However, if you have background work that may be happening concurrently with user actions, you’ll want to let the user actions useEvent.current
and create a separateEventBuilder
for the background work to use so that you can log those events separately.Parameters
sink
A different event sink to use than the default that is set at
Event.sink
. -
Get or set custom fields to include app-specific data in your events
This is the primary way to include dynamic data in your events. You should define an
Event.Key
for each field you want to include, then use the subscript to assign data to that field in your app. The value you assign can be anythingEncodable
, though depending on the event sink you use and the encoder it uses, there may be limitations on what values can actually be encoded in the event. For example, theOSLogEventSink
does not currently support nested keys, so your values need to encode to a flat structure.Declaration
Swift
public subscript<T>(key: Event.Key) -> T? where T : Encodable { get set }
Parameters
key
The key of the data in the event.
Return Value
The encodable value associated with the key in the event.
-
Set a custom field to a value that will be evaluated on-demand when the event is sent.
This is very similar to normal field assignment, but instead of providing the value directly, you must provide a closure that returns the value you want to be included in the event. When the event is about to be sent, the closure will be called, and the result will be used as the field value.
If you reuse the event builder, either by making copies and sending those or by setting closures for fields in
Event.global
, the result of the closure will not be cached: it will be called each time an event is sent that included that field. This kind of field is useful for including dynamic system state in your events that may change at any time.Important
Due to the way on-demand fields are stored, it’s not possible to get the closure that was originally set for the field back out later. Attempting to do so will result in a
fatalError()
, because Swift requires a getter for all subscripts.Declaration
Swift
public subscript<T>(key: Event.Key) -> () -> T where T : Encodable { get set }
Parameters
key
The key of the data in the event.
Return Value
A closure that returns the encodable value associated with the key in the event.
-
Starts a timer that will store a duration for a given key.
It can be useful to track durations of specific parts of the work your app does during an event and store those durations as fields in the event. This method provides an easy way to do that.
Call
startTimer(_:)
when the work you want to measure begins, then callstopTimer(_:)
with the same key when it completes. When you stop the timer, the duration in milliseconds of the work will be stored in the event underkey
.Precondition
There must not be a timer already started for this key.
Declaration
Swift
public mutating func startTimer(_ key: Event.Key)
Parameters
key
The key in the event where the timer duration will be stored when stopped.
-
Stops a timer that was previously started and records the duration in the event.
The duration is stored as the milliseconds that passed between starting the timer and calling this method.
Precondition
A timer must have been started for this key already.
Declaration
Swift
public mutating func stopTimer(_ key: Event.Key)
Parameters
key
The key used to start the timer and where the duration will be stored on the event.
-
Send the event to its sink using the default level.
See
send(_:_:)
for more details on sending events.Declaration
Swift
public mutating func send(_ message: StaticString)
Parameters
message
A message to describe the event.
-
Send the event to its sink at a given level.
This creates an
Event
based on the current fields in this builder and the global builder, and sends it to the event sink.After sending the event, all fields are cleared from the builder so that it can be reused to send a new event. This is primarily to support reusing
Event.current
in a natural way. If you need to send an event and also keep using the existing fields for it, you can copy the event into a newvar
and send the copy, and only the copy will be reset. If you find yourself doing this, it may be a sign that you are sending too many events and should be collapsing more data into less granular events.Declaration
Swift
public mutating func send(_ level: OSLogType, _ message: StaticString)
Parameters
level
The log level to send this event at.  This message cannot include dynamic data. All dynamic data should be added as fields on the event.


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Contribute Documentation #
Good documentation is crucial for any kind of software. This is especially true for sophisticated software systems such as distributed data processing engines like Apache Flink. The Apache Flink community aims to provide concise, precise, and complete documentation and welcomes any contribution to improve Apache Flink’s documentation.
Obtain the documentation sources #
Apache Flink’s documentation is maintained in the same git repository as the code base. This is done to ensure that code and documentation can be easily kept in sync.
The easiest way to contribute documentation is to fork Flink’s mirrored repository on GitHub into your own GitHub account by clicking on the fork button at the top right. If you have no GitHub account, you can create one for free.
Next, clone your fork to your local machine.
git clone https://github.com/<your-user-name>/flink.git
The documentation is located in the docs/
subdirectory of the Flink code base.
Before you start working on the documentation … #
… please make sure there exists a Jira issue that corresponds to your contribution. We require all documentation changes to refer to a Jira issue, except for trivial fixes such as typos.
Also, have a look at the Documentation Style Guide for some guidance on how to write accessible, consistent and inclusive documentation.
Update or extend the documentation #
The Flink documentation is written in Markdown. Markdown is a lightweight markup language which can be translated to HTML.
In order to update or extend the documentation you have to modify the Markdown (.md
) files. Please verify your changes by starting the build script in preview mode.
./build_docs.sh -p
The script compiles the Markdown files into static HTML pages and starts a local webserver. Open your browser at http://localhost:1313/
to view the compiled documentation including your changes. The served documentation is automatically re-compiled and updated when you modify and save Markdown files and refresh your browser.
Please feel free to ask any questions you have on the developer mailing list.
Chinese documentation translation #
The Flink community is maintaining both English and Chinese documentation. If you want to update or extend the documentation, both English and Chinese documentation should be updated. If you are not familiar with Chinese language, please open a JIRA tagged with the chinese-translation
component for Chinese documentation translation and link it with the current JIRA issue. If you are familiar with Chinese language, you are encouraged to update both sides in one pull request.
NOTE: The Flink community is still in the process of translating Chinese documentations, some documents may not have been translated yet. If the document you are updating is not translated yet, you can just copy the English changes to the Chinese document.
The Chinese documents are located in the content.zh/docs
folder. You can update or extend the Chinese file in the content.zh/docs
folder according to the English documents changes.
Submit your contribution #
The Flink project accepts documentation contributions through the GitHub Mirror as Pull Requests. Pull requests are a simple way of offering a patch by providing a pointer to a code branch that contains the changes.
To prepare and submit a pull request follow these steps.
-
Commit your changes to your local git repository. The commit message should point to the corresponding Jira issue by starting with
[FLINK-XXXX]
. -
Push your committed contribution to your fork of the Flink repository at GitHub.
git push origin myBranch
-
Go to the website of your repository fork (
https://github.com/<your-user-name>/flink
) and use the “Create Pull Request” button to start creating a pull request. Make sure that the base fork isapache/flink master
and the head fork selects the branch with your changes. Give the pull request a meaningful description and submit it.
It is also possible to attach a patch to a Jira issue.


UnAuthorizing a SuperUser
How to unauthorize a SuperUser's account using the SuperUser Accounts module. Unauthorized SuperUser are unable to login to the site.
- Navigate to Host > Advanced Settings > SuperUser Accounts.
- Find the user to be unauthorized using a filter or by searching.
- Click the Edit button beside their record. This opens the Edit User Accounts page.
- Select the Manage User Credentials tab.
- Click the UnAuthorize User link. This displays the message "User Successfully UnAuthorized" and sets the Authorized field to False.


--- layout: post title: Quartz date: '2016-07-15T18:30:47+02:00' categories: - Architecture - Sketches picture_url: https://film-Storyboards.tumblr.com/post/147467529229 ---


I am ShadowGuy, All you have to know about me is that I am a someone who likes to share stuff I like, So this is like my semi blog where I detail my interests and off course, learn html at the same time 😊
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