package schemamappings
Ordering
- Alphabetic
Visibility
- Public
- All
Type Members
- sealed abstract class ConversionError extends AnyRef
- case class ErrorEvaluatingSource(source: ShapePath, schema: Schema, error: ProcessingError) extends ConversionError with Product with Serializable
- case class ParseError(msg: String, line: Option[Int]) extends Product with Serializable
- class ParserErrorListener extends ANTLRErrorListener
- case class SchemaMapping(source: ShapePath, value: IRI) extends Product with Serializable
- case class SchemaMappings(prefixMap: PrefixMap, mappings: List[SchemaMapping]) extends Product with Serializable
-
class
SchemaMappingsMaker extends SchemaMappingsDocBaseVisitor[Any]
Visits the AST and builds the corresponding abstract syntax
Value Members
- object SchemaMapping extends Serializable
- object SchemaMappings extends Serializable
- object SchemaMappingsParser


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R/generator.R
Create a Python iterator from an R function
py_iterator(fn, completed = NULL)
| fn | R function with no arguments. |
|---|---|
| completed | Special sentinel return value which indicates that
iteration is complete (defaults to |
Python iterator which calls the R function for each iteration.
Python generators are functions that implement the Python iterator
protocol. In Python, values are returned using the yield
keyword. In R,
values are simply returned from the function.
In Python, the yield
keyword enables successive iterations to use the state
of previous iterations. In R, this can be done by returning a function that
mutates it's enclosing environment via the <<-
operator. For example:
sequence_generator <- function(start) { value <- start function() { value <<- value + 1 value } }
Then create an iterator using py_iterator()
:
g <- py_iterator(sequence_generator(10))
In Python, returning from a function without calling yield
indicates the
end of the iteration. In R however, return
is used to yield values, so
the end of iteration is indicated by a special return value (NULL
by
default, however this can be changed using the completed
parameter). For
example:
sequence_generator <-function(start) { value <- start function() { value <<- value + 1 if (value < 100) value else NULL } }
Some Python APIs use generators to parallelize operations by calling the
generator on a background thread and then consuming it's results on
the foreground thread. The py_iterator()
function creates threadsafe
iterators by ensuring that the R function is always called on the main
thread (to be compatible with R's single-threaded runtime) even if the
generator is run on a background thread.


Cancer is the queen of self-deprecating humor, which is hilarious for the people who know they don’t really mean it, but it can be uncomfortable for those who don’t get the joke. Cancers also prefer a blunt, to-the-point humor that can be a bit of an acquired taste for some, but an absolute favorite for those who enjoy it. Be sure to check in with those around you to make sure they know you’re joking, and you’ll be dazzling them with your wit in no time.


dials.report¶
Introduction¶
Generates a html report given the output of various DIALS programs (reflections.pickle and/or experiments.json).
Examples:
dials.report strong.pickle
dials.report indexed.pickle
dials.report refined.pickle
dials.report integrated.pickle
dials.report refined_experiments.json
dials.report integrated.pickle integrated_experiments.json
Basic parameters¶
output { html = dials-report.html json = None external_dependencies = *remote local embed } grid_size = Auto pixels_per_bin = 40 orientation_decomposition { e1 = 1. 0. 0. e2 = 0. 1. 0. e3 = 0. 0. 1. relative_to_static_orientation = True }
Full parameter definitions¶
output { html = dials-report.html .help = "The name of the output html file" .type = path json = None .help = "The name of the optional json file containing the plot data" .type = path external_dependencies = *remote local embed .help = "Whether to use remote external dependencies (files relocatable" "but requires an internet connection), local (does not require" "internet connection but files may not be relocatable) or embed" "all external dependencies (inflates the html file size)." .type = choice } grid_size = Auto .type = ints(size=2) pixels_per_bin = 40 .type = int(value_min=1) centroid_diff_max = None .help = "Magnitude in pixels of shifts mapped to the extreme colours in the" "heatmap plots centroid_diff_x and centroid_diff_y" .type = float .expert_level = 1 orientation_decomposition .help = "Options determining how the orientation matrix decomposition is" "done. The axes about which to decompose the matrix into three" "rotations are chosen here, as well as whether the rotations are" "relative to the reference orientation, taken from the static" "crystal model" { e1 = 1. 0. 0. .type = floats(size=3) e2 = 0. 1. 0. .type = floats(size=3) e3 = 0. 0. 1. .type = floats(size=3) relative_to_static_orientation = True .type = bool }


No. Potential contestants would neither purchase forms nor pay entry fees. Registration is totally free.
No. Potential contestants don't get to pay Camp fee as everything; Meals, Resort/Hotel and other logistics, would be fully sponsored and paid for.
A league of well-experienced ex-beauty queens, pageant managers and creative directors of various pageants make up the panel.
To enter the Miss Universe Anambra Pageant; visit www.missuniverseanambra.com, click the 'Register' button, fill in details, submit and if the panel shortlisting deem you fit to contest, you are in.
No. The competition is open to every young woman of Igbo origin.
The organization has chosen Anambra as host site for every edition of the pageant. The infrastructure of the state's capital city plus capabilities of venue(s) within for production has made it the Organisation's first choice, unless otherwise stated as a result of a few uncontainable contingencies.
Yes. Potential contestants for the Miss Universe Anambra Pageant must be at least 18 and under 28 years of age before January 1st in the year they wish to compete.
No. Potential contestants for the Miss Universe Anambra Pageant must not be married or pregnant. Titleholders are also mandated to remain unmarried throughout their reign.
Contestants who do not make it to being Titleholders may compete more than once if they so wish, whereas Titleholders cannot.
Potential contestants should understand the values of the Miss Universe Anambra Organisation and the responsibilities of the title. They must be able to express what their goals would be during their reign. It is also important they converse preparing for the pageant with family, friends and a manager (if they have any) so as to garner enough support. But most importantly, they should critically consider these: i) What are your aspirations and why you are competing for the title? ii) What can you do in your community to show leadership and be a role model? iii) How would you use your title to impact society? iv) What would be your major focus and why? v) What issues do you see around and how would you help solve them? vi) How can you make the society a better place if crowned?
The organisation searches for smart, beautiful and confident contestants. They must be able to show these qualities often even amidst great pressure as they try to persuade both the organisation and teeming audience to believe in their ambitions to become titleholders.
Right from Casting to Camping, there is an overall assessment of every contestant, their aspirations and goals. Hours to competition finale, this is handed to Judges who make the final decision with help from the crowd. The competition is judged by successful Entrepreneurs, Entertainers and public figures.
There is no fixed number. Each year, many contestants get shortlisted by the panel, but only those who meet the Organisation's prerequisites and successfully scale the Preliminaries make it to Finale.
After a Winner is crowned, she is handed her car, cash and other prizes. With the organisation's help, the Winner is provided a platform for possibility based on her objectives for the year. Alongside the Miss Universe Anambra Organisation, she will plan how to achieve her goals immensely.
Yes. The Miss Universe Anambra pageant is totally different from Miss Anambra. Irrespective of the fact that some ladies may choose to compete in both pageants, both organisations and systems are entirely distinct.


git-rev-parse - Pick out and massage parameters
git rev-parse [ --option ] <args>...
Many Git porcelainish commands take mixture of flags (i.e. parameters that begin with a dash -) and parameters meant for the underlying git rev-list command they use internally and flags and parameters for the other commands they use downstream of git rev-list. This command is used to distinguish between them.
Each of these options must appear first on the command line.
--parseopt
Use git rev-parse in option parsing mode (see PARSEOPT section below).
--sq-quote
Use git rev-parse in shell quoting mode (see SQ-QUOTE section below). In contrast to the --sq option below, this mode does only quoting. Nothing else is done to command input.
--keep-dashdash
Only meaningful in --parseopt mode. Tells the option parser to echo out the first -- met instead of skipping it.
--stop-at-non-option
Only meaningful in --parseopt mode. Lets the option parser stop at the first non-option argument. This can be used to parse sub-commands that take options themselves.
--stuck-long
Only meaningful in --parseopt mode. Output the options in their long form if available, and with their arguments stuck.
--revs-only
Do not output flags and parameters not meant for git rev-list command.
--no-revs
Do not output flags and parameters meant for git rev-list command.
--flags
Do not output non-flag parameters.
--no-flags
Do not output flag parameters.
--default <arg>
If there is no parameter given by the user, use <arg> instead.
--prefix <arg>
Behave as if git rev-parse was invoked from the <arg> subdirectory of the working tree. Any relative filenames are resolved as if they are prefixed by <arg> and will be printed in that form.
This can be used to convert arguments to a command run in a subdirectory so that they can still be used after moving to the top-level of the repository. For example:
prefix=$(git rev-parse --show-prefix) cd "$(git rev-parse --show-toplevel)" eval "set -- $(git rev-parse --sq --prefix "$prefix" "$@")"
--verify
Verify that exactly one parameter is provided, and that it can be turned into a raw 20-byte SHA-1 that can be used to access the object database. If so, emit it to the standard output; otherwise, error out.
If you want to make sure that the output actually names an object in your object database and/or can be used as a specific type of object For example, git rev-parse "$VAR^{commit}" will make sure $VAR names an existing object that is a commit-ish (i.e. a commit, or an annotated tag that points at a commit). To make sure that $VAR names an existing object of any type, git rev-parse "$VAR^{object}" can be used.
-q, --quiet
Only meaningful in --verify mode. Do not output an error message if the first argument is not a valid object name; instead exit with non-zero status silently.
--sq
Usually the output is made one line per flag and parameter. This option makes output a single line, properly quoted for consumption by shell. Useful when you expect your parameter to contain whitespaces and newlines (e.g. when using pickaxe -S with git diff-*). In contrast to the --sq-quote option, the command input is still interpreted as usual.
--not
When showing object names, prefix them with ^ and strip ^ prefix from the object names that already have one.
--abbrev-ref[=(strict|loose)]
A non-ambiguous short name of the objects name. The option core.warnAmbiguousRefs is used to select the strict abbreviation mode.
--short, --short=number
Instead of outputting the full SHA-1 values of object names try to abbreviate them to a shorter unique name. When no length is specified 7 is used. The minimum length is 4.
--symbolic
Usually the object names are output in SHA-1 form (with possible ^ prefix); this option makes them output in a form as close to the original input as possible.
--symbolic-full-name
This is similar to --symbolic, but it omits input that are not refs (i.e. branch or tag names; or more explicitly disambiguating "heads/master" form, when you want to name the "master" branch when there is an unfortunately named tag "master"), and show them as full refnames (e.g. "refs/heads/master").
--all
Show all refs found in refs/.
--branches[=pattern], --tags[=pattern], --remotes[=pattern]
Show all branches, tags, or remote-tracking branches, respectively (i.e., refs found in refs/heads, refs/tags, or refs/remotes, respectively).
If a pattern is given, only refs matching the given shell glob are shown. If the pattern does not contain a globbing character (?, *, or [), it is turned into a prefix match by appending /*.
--glob=pattern
Show all refs matching the shell glob pattern pattern. If the pattern does not start with refs/, this is automatically prepended. If the pattern does not contain a globbing character (?, *, or [), it is turned into a prefix match by appending /*.
--exclude=<glob-pattern>
Do not include refs matching <glob-pattern> that the next --all, --branches, --tags, --remotes, or --glob would otherwise consider. Repetitions of this option accumulate exclusion patterns up to the next --all, --branches, --tags, --remotes, or --glob option (other options or arguments do not clear accumlated patterns).
The patterns given should not begin with refs/heads, refs/tags, or refs/remotes when applied to --branches, --tags, or --remotes, respectively, and they must begin with refs/ when applied to --glob or --all. If a trailing /* is intended, it must be given explicitly.
--disambiguate=<prefix>
Show every object whose name begins with the given prefix. The <prefix> must be at least 4 hexadecimal digits long to avoid listing each and every object in the repository by mistake.
--local-env-vars
List the GIT_* environment variables that are local to the repository (e.g. GIT_DIR or GIT_WORK_TREE, but not GIT_EDITOR). Only the names of the variables are listed, not their value, even if they are set.
--git-dir
Show $GIT_DIR if defined. Otherwise show the path to the .git directory. The path shown, when relative, is relative to the current working directory.
If $GIT_DIR is not defined and the current directory is not detected to lie in a Git repository or work tree print a message to stderr and exit with nonzero status.
--is-inside-git-dir
When the current working directory is below the repository directory print "true", otherwise "false".
--is-inside-work-tree
When the current working directory is inside the work tree of the repository print "true", otherwise "false".
--is-bare-repository
When the repository is bare print "true", otherwise "false".
--resolve-git-dir <path>
Check if <path> is a valid repository or a gitfile that points at a valid repository, and print the location of the repository. If <path> is a gitfile then the resolved path to the real repository is printed.
--show-cdup
When the command is invoked from a subdirectory, show the path of the top-level directory relative to the current directory (typically a sequence of "../", or an empty string).
--show-prefix
When the command is invoked from a subdirectory, show the path of the current directory relative to the top-level directory.
--show-toplevel
Show the absolute path of the top-level directory.
--shared-index-path
Show the path to the shared index file in split index mode, or empty if not in split-index mode.
--since=datestring, --after=datestring
Parse the date string, and output the corresponding --max-age= parameter for git rev-list.
--until=datestring, --before=datestring
Parse the date string, and output the corresponding --min-age= parameter for git rev-list.
<args>...
Flags and parameters to be parsed.
A revision parameter <rev> typically, but not necessarily, names a commit object. It uses what is called an extended SHA-1 syntax. Here are various ways to spell object names. The ones listed near the end of this list name trees and blobs contained in a commit.
<sha1>, e.g. dae86e1950b1277e545cee180551750029cfe735, dae86e
The full SHA-1 object name (40-byte hexadecimal string), or a leading substring that is unique within the repository.  If you happen to have both heads/master and tags/master, you can explicitly say heads/master to tell Git which one you mean. When ambiguous, a <refname> is disambiguated by taking the first match in the following rules:
h'-04' 1.h'+01'c
If $GIT_DIR/<refname> exists, that is what you mean (this is usually useful only for HEAD, FETCH_HEAD, ORIG_HEAD, MERGE_HEAD and CHERRY_PICK_HEAD);
h'-04' 2.h'+01'c
otherwise, refs/<refname> if it exists;
h'-04' 3.h'+01'c
otherwise, refs/tags/<refname> if it exists;
h'-04' 4.h'+01'c
otherwise, refs/heads/<refname> if it exists;
h'-04' 5.h'+01'c
otherwise, refs/remotes/<refname> if it exists;
h'-04' 6.h'+01'c
otherwise, refs/remotes/<refname>/HEAD if it exists.
HEAD names the commit on which you based the changes in the working tree. FETCH_HEAD records the branch which you fetched from a remote repository with your last git fetch invocation. ORIG_HEAD is created by commands that move your HEAD in a drastic way, to record the position of the HEAD before their operation, so that you can easily change the tip of the branch back to the state before you ran them. MERGE_HEAD records the commit(s) which you are merging into your branch when you run git merge.
Note that any of the refs/* cases above may come either from the $GIT_DIR/refs directory or from the $GIT_DIR/packed-refs file. While the ref name encoding is unspecified, UTF-8 is preferred as some output processing may assume ref names in UTF-8.
@ alone is a shortcut for HEAD.
<refname>@{<date>}, e.g. master@{yesterday}, HEAD@{5 minutes ago}
A ref followed by the suffix @ with a date specification enclosed in a brace pair (e.g. {yesterday}, {1 month 2 weeks 3 days 1 hour 1 second ago} or {1979-02-26 18:30:00}) specifies the value of the ref at a prior point in time. This suffix may only be used immediately following a ref name and the ref must have an existing log ($GIT_DIR/logs/<ref>). Note that this looks up the state of your local ref at a given time; e.g., what was in your local master branch last week. If you want to look at commits made during certain times, see --since and --until.
<refname>@{<n>}, e.g. master@{1}
A ref followed by the suffix @ with an ordinal specification enclosed in a brace pair (e.g. {1}, {15}) specifies the n-th prior value of that ref. For example master@{1} is the immediate prior value of master while master@{5} is the 5th prior value of master. This suffix may only be used immediately following a ref name and the ref must have an existing log ($GIT_DIR/logs/<refname>).
@{<n>}, e.g. @{1}
You can use the @ construct with an empty ref part to get at a reflog entry of the current branch. For example, if you are on branch blabla then @{1} means the same as blabla@{1}.
@{-<n>}, e.g. @{-1}
The construct @{-<n>} means the <n>th branch/commit checked out before the current one.
<branchname>@{upstream}, e.g. master@{upstream}, @{u}
The suffix @{upstream} to a branchname (short form <branchname>@{u}) refers to the branch that the branch specified by branchname is set to build on top of (configured with branch.<name>.remote and branch.<name>.merge). A missing branchname defaults to the current one.
<rev>^, e.g. HEAD^, v1.5.1^0
A suffix ^ to a revision parameter means the first parent of that commit object. ^<n> means the <n>th parent (i.e. <rev>^ is equivalent to <rev>^1). As a special rule, <rev>^0 means the commit itself and is used when <rev> is the object name of a tag object that refers to a commit object.
<rev>~<n>, e.g. master~3
A suffix ~<n> to a revision parameter means the commit object that is the <n>th generation ancestor of the named commit object, following only the first parents. I.e. <rev>~3 is equivalent to <rev>^^^ which is equivalent to <rev>^1^1^1. See below for an illustration of the usage of this form.
<rev>^{<type>}, e.g. v0.99.8^{commit}
A suffix ^ followed by an object type name enclosed in brace pair means dereference the object at <rev> recursively until an object of type <type> is found or the object cannot be dereferenced anymore (in which case, barf). For example, if <rev> is a commit-ish, <rev>^{commit} describes the corresponding commit object. Similarly, if <rev> is a tree-ish, <rev>^{tree} describes the corresponding tree object. <rev>^0 is a short-hand for <rev>^{commit}.
rev^{object} can be used to make sure rev names an object that exists, without requiring rev to be a tag, and without dereferencing rev; because a tag is already an object, it does not have to be dereferenced even once to get to an object.
rev^{tag} can be used to ensure that rev identifies an existing tag object.
<rev>^{}, e.g. v0.99.8^{}
A suffix ^ followed by an empty brace pair means the object could be a tag, and dereference the tag recursively until a non-tag object is found.
<rev>^{/<text>}, e.g. HEAD^{/fix nasty bug}
A suffix ^ to a revision parameter, followed by a brace pair that contains a text led by a slash, is the same as the :/fix nasty bug syntax below except that it returns the youngest matching commit which is reachable from the <rev> before ^.
:/<text>, e.g. :/fix nasty bug
A colon, followed by a slash, followed by a text, names a commit whose commit message matches the specified regular expression. This name returns the youngest matching commit which is reachable from any ref. If the commit message starts with a ! you have to repeat that; the special sequence :/!, followed by something else than !, is reserved for now. The regular expression can match any part of the commit message. To match messages starting with a string, one can use e.g. :/^foo.
<rev>:<path>, e.g. HEAD:README, :README, master:./README
A suffix : followed by a path names the blob or tree at the given path in the tree-ish object named by the part before the colon. :path (with an empty part before the colon) is a special case of the syntax described next: content recorded in the index at the given path. A path starting with ./ or ../ is relative to the current working directory. The given path will be converted to be relative to the working tree(cqs root directory. This is most useful to address a blob or tree from a commit or tree that has the same tree structure as the working tree.
:<n>:<path>, e.g. :0:README, :README
A colon, optionally followed by a stage number (0 to 3) and a colon, followed by a path, names a blob object in the index at the given path. A missing stage number (and the colon that follows it) names a stage 0 entry. During a merge, stage 1 is the common ancestor, stage 2 is the target branch(cqs version (typically the current branch), and stage 3 is the version from the branch which is being merged.
Here is an illustration, by Jon Loeliger. Both commit nodes B and C are parents of commit node A. Parent commits are ordered left-to-right.
G H I J e / e / D E F e | / e e | / | e|/ | B C e / e / A
A = = A^0 B = A^ = A^1 = A~1 C = A^2 = A^2 D = A^^ = A^1^1 = A~2 E = B^2 = A^^2 F = B^3 = A^^3 G = A^^^ = A^1^1^1 = A~3 H = D^2 = B^^2 = A^^^2 = A~2^2 I = F^ = B^3^ = A^^3^ J = F^2 = B^3^2 = A^^3^2
History traversing commands such as git log operate on a set of commits, not just a single commit. To these commands, specifying a single revision with the notation described in the previous section means the set of commits reachable from that commit, following the commit ancestry chain.
To exclude commits reachable from a commit, a prefix ^ notation is used. E.g. ^r1 r2 means commits reachable from r2 but exclude the ones reachable from r1.
This set operation appears so often that there is a shorthand for it. When you have two commits r1 and r2 (named according to the syntax explained in SPECIFYING REVISIONS above), you can ask for commits that are reachable from r2 excluding those that are reachable from r1 by ^r1 r2 and it can be written as r1..r2.
A similar notation r1...r2 is called symmetric difference of r1 and r2 and is defined as r1 r2 --not $(git merge-base --all r1 r2). It is the set of commits that are reachable from either one of r1 or r2 but not from both.
In these two shorthands, you can omit one end and let it default to HEAD. For example, origin.. is a shorthand for origin..HEAD and asks "What did I do since I forked from the origin branch?" Similarly, ..origin is a shorthand for HEAD..origin and asks "What did the origin do since I forked from them?" Note that .. would mean HEAD..HEAD which is an empty range that is both reachable and unreachable from HEAD.
Two other shorthands for naming a set that is formed by a commit and its parent commits exist. The r1^@ notation means all parents of r1. r1^! includes commit r1 but excludes all of its parents.
To summarize:
<rev>
Include commits that are reachable from (i.e. ancestors of) <rev>.
^<rev>
Exclude commits that are reachable from (i.e. ancestors of) <rev>.
<rev1>..<rev2>
Include commits that are reachable from <rev2> but exclude those that are reachable from <rev1>. When either <rev1> or <rev2> is omitted, it defaults to HEAD.
<rev1>...<rev2>
Include commits that are reachable from either <rev1> or <rev2> but exclude those that are reachable from both. When either <rev1> or <rev2> is omitted, it defaults to HEAD.
<rev>^@, e.g. HEAD^@
A suffix ^ followed by an at sign is the same as listing all parents of <rev> (meaning, include anything reachable from its parents, but not the commit itself).
<rev>^!, e.g. HEAD^!
A suffix ^ followed by an exclamation mark is the same as giving commit <rev> and then all its parents prefixed with ^ to exclude them (and their ancestors).
Here are a handful of examples:
D G H D D F G H I J D F ^G D H D ^D B E I J F B B..C C B...C G H D E B C ^D B C E I J F B C C I J F C C^@ I J F C^! C F^! D G H D F
In --parseopt mode, git rev-parse helps massaging options to bring to shell scripts the same facilities C builtins have. It works as an option normalizer (e.g. splits single switches aggregate values), a bit like getopt(1) does.
It takes on the standard input the specification of the options to parse and understand, and echoes on the standard output a string suitable for sh(1) eval to replace the arguments with normalized ones. In case of error, it outputs usage on the standard error stream, and exits with code 129.
Note: Make sure you quote the result when passing it to eval. See below for an example.
git rev-parse --parseopt input format is fully text based. It has two parts, separated by a line that contains only --. The lines before the separator (should be one or more) are used for the usage. The lines after the separator describe the options.
Each line of options has this format:
<opt-spec><flags>*<arg-hint>? SP+ help LF
<opt-spec>
its format is the short option character, then the long option name separated by a comma. Both parts are not required, though at least one is necessary. h,help, dry-run and f are all three correct <opt-spec>.
<flags>
<flags> are of *, =, ? or !.
h'-04'(buh'+03'c
Use = if the option takes an argument.
h'-04'(buh'+03'c
Use ? to mean that the option takes an optional argument. You probably want to use the --stuck-long mode to be able to unambiguously parse the optional argument.
h'-04'(buh'+03'c
Use * to mean that this option should not be listed in the usage generated for the -h argument. It(cqs shown for --help-all as documented in gitcli(7).
h'-04'(buh'+03'c
Use ! to not make the corresponding negated long option available.
<arg-hint>
<arg-hint>, if specified, is used as a name of the argument in the help output, for options that take arguments. <arg-hint> is terminated by the first whitespace. It is customary to use a dash to separate words in a multi-word argument hint.
The remainder of the line, after stripping the spaces, is used as the help associated to the option.
Blank lines are ignored, and lines that don(cqt match this specification are used as option group headers (start the line with a space to create such lines on purpose).
OPTS_SPEC="e some-command [options] <args>... some-command does foo and bar! -- h,help show the help foo some nifty option --foo bar= some cool option --bar with an argument baz=arg another cool option --baz with a named argument qux?path qux may take a path argument but has meaning by itself An option group Header C? option C with an optional argument" eval "$(echo "$OPTS_SPEC" | git rev-parse --parseopt -- "$@" || echo exit $?)"
When "$@" is -h or --help in the above example, the following usage text would be shown:
usage: some-command [options] <args>... some-command does foo and bar! -h, --help show the help --foo some nifty option --foo --bar ... some cool option --bar with an argument --baz <arg> another cool option --baz with a named argument --qux[=<path>] qux may take a path argument but has meaning by itself An option group Header -C[...] option C with an optional argument
In --sq-quote mode, git rev-parse echoes on the standard output a single line suitable for sh(1) eval. This line is made by normalizing the arguments following --sq-quote. Nothing other than quoting the arguments is done.
If you want command input to still be interpreted as usual by git rev-parse before the output is shell quoted, see the --sq option.
$ cat >your-git-script.sh <<eEOF #!/bin/sh args=$(git rev-parse --sq-quote "$@") # quote user-supplied arguments command="git frotz -n24 $args" # and use it inside a handcrafted # command line eval "$command" EOF $ sh your-git-script.sh "a b*(Aqc"
h'-04'(buh'+03'c
Print the object name of the current commit:
$ git rev-parse --verify HEAD
h'-04'(buh'+03'c
Print the commit object name from the revision in the $REV shell variable:
$ git rev-parse --verify $REV^{commit}
This will error out if $REV is empty or not a valid revision.
h'-04'(buh'+03'c
Similar to above:
$ git rev-parse --default master --verify $REV
but if $REV is empty, the commit object name from master will be printed.
Part of the git(1) suite


Louisiana governor race: Democrat John Bel Edwards defeats Republican Eddie Rispone to win 2nd term
by Michelle Ewing, Cox Media Group National Content DeskBATON ROUGE, La. - Democratic Louisiana Gov. John Bel Edwards has defeated Republican challenger Eddie Rispone to win a second term, multiple news outlets are reporting.
According to The New York Times and The Associated Press, Edwards, who is considered moderate, received 51% of votes to Rispone's 49% in Saturday's runoff election. They were separated by a margin of about 40,000 votes, officials said.
In his victory speech Saturday night, Edwards said he spoke to Rispone, a businessman, and thanked him for "putting himself out there for public service."
"We both agreed that the time for campaigning is over, and now, our shared love for Louisiana is always more important than the partisan differences that sometimes divide us," Edwards said.
After a brief pause, he continued: "And as for the president, God bless his heart."
Edwards was referring to President Donald Trump's support for Rispone, who had appeared with the president at a rally just two days earlier.
Rispone acknowledged Trump's efforts in his concession speech.
"Can we give President Trump a round of applause?" Rispone asked supporters, who cheered. "That man loves America, and he loves Louisiana."
Before the polls closed Saturday evening, Trump urged Louisiana voters to back Rispone in a tweet.
– The Associated Press contributed to this report.


PEEKFD(1) User Commands PEEKFD(1) NAME peekfd - peek at file descriptors of running processes SYNOPSIS peekfd [-8,--eight-bit-clean] [-n,--no-headers] [-f,--follow] [-d,--duplicates-removed] [-V,--version] [-h,--help] pid [fd] [fd] ... DESCRIPTION peekfd attaches to a running process and intercepts all reads and writes to file descriptors. You can specify the desired file descriptor numbers or dump all of them. OPTIONS -8 Do no post-processing on the bytes being read or written. -n Do not display headers indicating the source of the bytes dumped. -c Also dump the requested file descriptor activity in any new child processes that are created. -d Remove duplicate read/writes from the output. If you're looking at a tty with echo, you might want this. -v Display a version string. -h Display a help message. FILES /proc/*/fd Not used but useful for the user to look at to get good file descriptor numbers. ENVIRONMENT None. DIAGNOSTICS The following diagnostics may be issued on stderr: Error attaching to pid ... An unknown error occured while attempted to attach to a process.. you may need to be root. BUGS Probably lots. Don't be surprised if the process you are monitoring dies. AUTHOR Trent Waddington<EMAIL_ADDRESS>SEE ALSO ttysnoop(8) Linux APRIL 2007 PEEKFD(1)


We sell metrics!
- reinvent magnetic markets
- harness virtual platforms
- architect vertical methodologies
- enhance bricks-and-clicks architectures
- matrix B2C convergence
- implement B2C functionalities
- aggregate rich paradigms
- synthesize next-generation platforms
- morph killer methodologies


Uzbekistan is a hospitable warm land where the sun shines brightly 300 days a year. Nature generously rewarded the country with an amazing variety of landscapes: the hot sands of the Kyzyl Kum desert, the coolness of the Tien Shan mountains, transparent lakes, lifeless steppes and green oases - all this is Uzbekistan.
Once upon a time thousands of rich caravans of the Great Silk Road passed here, which connected the Middle East and the Mediterranean with India and China. Along the life-giving arteries of caravan roads, new cities flourished, national cuisine absorbed the best recipes of overseas dishes and gradually crystallized into the famous Uzbek cuisine that we all know and love.


WITNESS LIST Elections Committee February 9, 2005-2:00P Introductory Remarks On: Lewis, Fred (Campaigns for People) McGeehan, Ann (Texas Secretary of State, Elections Division) Reisman, David (Texas Ethics Commission) Shack, Ed (Self) Shuffler, Glen (Self) Williams, Roger (Texas Secretary of State) Woelk, Sarah (Texas Ethics Commission) Woodford, Suzy (Common Cause Texas)


Boot DevStack from a USB disk into a RAM disk.
This guide covers the creation of a bootable USB drive. Your computer BIOS must support booting from USB and You will want at least 3GB of RAM. You also will need a USB drive of at least 2GB.
Ubuntu 11.10 (Oneiric Ocelot) is required on host to create images.
sdb
.  It then writes a syslinux boot sector
to the specified device and creates /syslinux
.
mount /dev/sdb1 /mnt/tmp # foo umount /mnt/tmp
Now return to the RAM disk Guide to kick off your DevStack experience.


5.8. The sizeof OperatorThe sizeof operator returns a value of type size_t (Section 3.5.2, p. 104) that is the size, in bytes (Section 2.1, p. 35), of an object or type name. The result of sizeof expression is a compile-time constant. The sizeof operator takes one of the following forms: sizeof (type name); sizeof (expr); sizeof expr; Applying sizeof to an expr returns the size of the result type of that expression: Sales_item item, *p; // three ways to obtain size required to hold an object of type Sales_item sizeof(Sales_item); // size required to hold an object of type Sales_item sizeof item; // size of item's type, e.g., sizeof(Sales_item) sizeof *p; // size of type to which p points, e.g., sizeof(Sales_item) Evaluating sizeof expr does not evaluate the expression. In particular, in sizeof *p, the pointer p may hold an invalid address, because p is not dereferenced. The result of applying sizeof depends in part on the type involved:
Because sizeof returns the size of the entire array, we can determine the number of elements by dividing the sizeof the array by the sizeof an element: // sizeof(ia)/sizeof(*ia) returns the number of elements in ia int sz = sizeof(ia)/sizeof(*ia); |


How does this work? We curate the episodes that have been released in the past week across all your subscriptions
(from all your devices), and rank them based on how frequently they are updated.
Podcast
Episode
Description
Listen
Released
{% for ep in recent_episodes %}
{{ ep["podcast_title"] }}
{{ ep["title"] }}
{{ ep["description"] }}
{{ ep["released"] }}
{% endfor %}
Some suggestions for podcasts you might be interested in:


a language for application-scale JavaScript
It's a superset of JavaScript, adding optional static typing to the language, that compiles to clean JavaScript output.
Anders Hejlsberg, lead architect of C# and creator of Delphi and Turbo Pascal, has worked on the development of TypeScript.
When the type is not declared explicitly, TS can infer it
types are annotated using :TypeAnnotation syntax
const num: number = 123;
function identity(num: number): number {
return num;
}
JavaScript primitive types are well represented in the TypeScript type system
We can specify that the variable is an Array using []
are the core way in TypeScript to compose multiple type annotations into a single named annotation
interface Name {
first: string;
second: string;
}
var name: Name;
name = {
first: 'John',
second: 'Doe'
};
It's also possible to do Inline Type Annotation, but it's not the best practice for readability reasons
These types have special meaning in TS: any, null, undefined, void.
when you want to enforce a constraint between various variables
function reverse(items: T[]): T[] {
var toreturn = [];
for (let i = items.length - 1; i >= 0; i--) {
toreturn.push(items[i]);
}
return toreturn;
}
const sample = [1, 2, 3];
const reversed = reverse(sample);
console.log(reversed); // 3,2,1
// Safety!
reversed[0] = '1'; // Error!
reversed = ['1', '2']; // Error!
reversed[0] = 1; // Okay
reversed = [1, 2]; // Okay
denoted by a |, when you want to allow a property to be one of multiple types e.g. a string or a number
extending objects is a very common pattern in JavaScript. An Intersection Type allows you to use this pattern in a safe way as demonstrated below:
function extend(first: T, second: U): T & U {
let result = {};
for (let id in first) {
result[id] = first[id];
}
for (let id in second) {
if (!result.hasOwnProperty(id)) {
result[id] = second[id];
}
}
return result;
}
var x = extend({ a: "hello" }, { b: 42 });
// x now has both `a` and `b`
var a = x.a;
var b = x.b;
JavaScript lacks this type of data structure, that is simply an array
var nameNumber: [string, number];
// Okay
nameNumber = ['Jenny', 8675309];
// Error!
nameNumber = ['Jenny', '867-5309'];
type StrOrNum = string|number;
type Coordinates = [number, number];
TypeScript has this built-in type, but it's kind deprecated because it produce javascript code
enum Tristate {
False,
True,
Unknown
}
var Tristate;
(function (Tristate) {
Tristate[Tristate["False"] = 0] = "False";
Tristate[Tristate["True"] = 1] = "True";
Tristate[Tristate["Unknown"] = 2] = "Unknown";
})(Tristate || (Tristate = {})
instead of using Enums we can opt for string literals
Namespaces provide you with a convenient syntax around a common pattern used in JavaScript
(function(something) {
something.foo = 123;
})(something || (something = {}))
This is commonly used in the JavaScript land for making sure that stuff doesn't leak into the global namespace: therefore TypeScript provides the namespace keyword to group these
namespace Utility {
export function log(msg) {
console.log(msg);
}
export function error(msg) {
console.error(msg);
}
}
// usage
Utility.log('Call me');
Utility.error('maybe!');
Stateless Functional Components
type Props = {
foo: string;
}
const MyComponent: React.SFC = (props) => {
return {props.foo}
}
Stateful Components
type Props = {
foo: string;
}
class MyComponent extends React.Component {
render() {
return {this.props.foo}
}
}
You cannot explore a module with intellisense to see if it has a default export or not.
Loose the autocomplete feature
Auto import quickfix works better


Copyright (c) 2012-2014, David Quintana<EMAIL_ADDRESS>All rights reserved.
Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:
THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS "AS IS" AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED.


GuitarJS Code Examples
Source code on Github
-
Build a chord
Chord.build("A Maj")
Try
Toggle Result
-
Get the entire fretboard map (Applies to 6 string 24 fret std. tuned guitar.)
Guitar.Fretboard.fretMap
Try
Toggle Result
-
Find all occurences of a note
Guitar.Fretboard.findOccurrences("A")
Try
Toggle Result
-
All the chord shapes on a guitar fretboard.
var ch = Guitar.Fretboard.create("F# Min")
Try
Next Shape


JINGLE ALL THE WAY A film review by Rebecca Wan Copyright 1997 Flying Inkpot
Directed by: Brian Levant Written by: Randy Kornfield Cast: Arnold Schwarzenegger (Howard Langston), Sinbad (Myron Larabee), Phil Hartman (Ted zMaltin), Rita Wilson (Liz Langston), Robert Conrad (Officer Hummell), Martin Mull (DJ), Jake Lloyd (Jamie Langston), James Belushi, (Mall Santa). Produced by : Twentieth-Century Fox Rating : **1/2 Run Time: Approx. 88 Minutes
CHRISTMAS TURKEY
It's hard not to like comedies starring muscley action heroes denying their true movie destiny. Watching Arnie painfully flubbing punchlines instead of throwing satisfying punches, and Sly languishing in a straightman role, where bad things keep happening to him instead of easily vanishing when he runs at them with his guns, has become such a delightful regularity (ohh, about once a year or so these days) that these so-called comedies are virtually a new genre on their own.
See, *these* guys, these Action Heroes who mistake breathing for acting, are funny *by themselves*. They're funny when they're expirating tough one-liners because they seem to believe so fully in their importance, but they're even funnier when they're pretending not to notice how important they already are. On a metadramatic level, it's impossible not to adore the superhuman bravery involved in the Terminator swapping places with Emma Thompson in JUNIOR and tying himself genetically to Danny DeVito in TWINS, or when Rocky Balboa takes off his boxing gloves to be smothered by his midget mother in STOP, OR MY MOM WILL SHOOT!
And like these others (except OSCAR, which I really kinda liked), JINGLE ALL THE WAY, with Arnold Schwarzenegger as a momentarily failed father trying to get back into his son's good graces, is pretty bad. The script is woefully cliched, the ideas deliberately packaged into cute music video montages that will only irritate, and Arnold.. well, Arnold is just Arnold.
He's also Howard Langston, a bigwig at what appears to be a mattress production company, who misses his son's, Jamie's (Jake Lloyd), karate ceremony because he's too busy at the office. In a moment of human conviction he swears to make it up to him by getting him anything he wants for Christams. Jamie wants a Turbo Man (which Schwarzenegger pronounces as "tear-bo man") Doll, the hero of his favourite action hero cartoon.
Of course the Turbo Man doll is an extremely popular item, and has been sold out since Thanksgiving. Langston's wife, Liz (Rita Wilson), did ask him to get one weeks ago, but he'd completely forgotten about it. Now it's Christmas Eve and he has one day to buy the doll as well as return home in time for the Christmas Parade that same night.
That's the premise of the story, which sends Howard on a self-inflicted quest throughout countless malls (including the Mall of America) to find and purchase the elusive Turbo Man doll. At stake is the somewhat fragile bond with his son, favour with an increasingly unhappy wife ("Damn you, Howard," she whispers when he unwittingly yells at Jamie on the phone), and the very American need to redeem all past failings with his son by securing this one triumph. On the way he meets (and keeps meeting) a fellow parent and mailman called Myron (Sinbad) who also seeks a Turbo Man for his son, and crosses swords (and loses) more than once with an irate policeman (Robert Conrad).
  In another he is lured by a mall santa (John Belushi) to a huge warehouse eerily filled to the brim with more merry Santas and fenced toys. He almost gets his doll here, but a brawl ensues that culminates in a police raid.
The latter sequence, with its surreal landscape of fluffy, crimson Santa thugs, is one of the better bits of JINGLE ALL THE WAY. Another nice part is the Turbo Man action cartoon that Jamie the son idolizes. A rough imitation of those strange Japanese action cartoon-dramas (Mighty Morphin Power Rangers, Masked Rider), the Turbo Man cartoon comes with sidekicks and cool metallic outfits. Coolest, however, is the final sequence which pits Howard against Myron in a surreal titanic battle for a special edition of the Turbo Man doll (it's gold-plated!) as both men play out their roles as Good and Evil personified on the Turbo Man float at the Christmas parade.  He does, indeed. It's purple and we can see it sticking out of his head in a transparent globe filled with brainwater.
For the most part however, expect variations of the same theme from KINDERGARTEN COP, JUNIOR and even TWINS, that will probably form the basis of all Arnold comedies: ordinary life is just too *hard*; watch Arnold grimace and lose out to his perfect, cookie-baking neighbour (played smarmily by Phil Hartman) who dispenses Christmassy duties with annoying cheer, watch him get bullied by a real reindeer and flail hopelessly when it comes to something as mundane as Christmas shopping.
 But the flat dialogue and overly sentimental portions go very far towards smothering all life from this potentially satiric movie.
The Flying Inkpot Rating System: * Wait for the TV2 broadcast. ** A little creaky, but still better than staying at home with Gotcha! *** Pretty good, bring a friend. **** Amazing, potent stuff. ***** Perfection. See it twice.
<EMAIL_ADDRESS>Wan is a full-time radish at the famed Jardin Des Vertes. In her spare time, she councils wayward tubers and administers to backsliding carrots.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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The Container-Object Landscape
Arrays & Hashes
As we progress further into phase-0 of DBC we've reach object oriented programming using Ruby. What a lot of you may not know is that programming does't only deal with objects on an individual bases but often with entire collections. We iterate through these collections, organizing them, specifying critieria for objects we want to retrieve or those we want to exclude. With so many possible operations, accessing all this information becomes key, pun intended. Don't worry if you didn't get it, you will by the end of this post.
In the Ruby programming language, these collections of information are stored in containers such as Arrays and Hashes. Sounds simlple enough right? Well, it is.
So first up lets take a look at our friend Array. Say we create a container called favorite_languages_array to store the names of our, well, favorite languages. All of the names we add to our container are always in a consistent order and we keep track of this order by their index. An index is a numerical value representing the objects position in a container. The main thing to keep in mind is that programming languages like to start counting from zero. So if we were to add three languages to our collection, language one would be our zeroeth language and language three would be our second language in the collection. So we would have three languages and their positions would be zero, one, and two. Our array might look something like this.
favorite_languages_array = [ "ruby", "python", "c" ]
It's difficult to find reasons not to use an Array, especially since it's purpose is to store objects, and it can actually store all kinds of objects, even other arrays. In our example, our languages will always be in their same position unless we explicitly move them or remove them.
Now that you've had a taste of arrays, it's almost dissapointing to say that a Hash isn't much different. Like an Array, they are also containers for objects the main difference being that objects in a Hash are stored in pairs known as keys and values. Keys, get the pun now? The information stored in a Hash is known as values and if you wanted to retrieve a specific value you would reference its key. But enough with the super awesome keyboard ninja lingo, let's take a look at an example.
favorite_languages_hash = { 0 => "ruby", 1 => "python", 2 => "c" }
If we were to to retrieve some information from our Array and Hash we would do using an index for our Array and a key for our Hash>.
puts favorite_languages_array[0] ruby
puts favorite_languages_hash[0] ruby
As you can see, we used the index [0] for our Array to get the zeroeth object. In our Hash, we had assigned the value ruby to the key 0 so when we specified that key our hash returns the value associated with that pair. Even if we didn't use integers as keys, our Hash would still return the value associated with the key we entered.
Each container has it's merits and pitfalls. Generally, an Array is your "go to" container for storing objects. Like an Array, a Hash is a collection of objects, though you would typically use one to store complete strings along with a key identifier. Think of a dictionary, a word would be your key, and it's defination the value. So if we wanted to look up the definition of a word we would reference the word and it would present us with a definition.
Consider this just the start of your journey into Arrays and Hashes, in fact consider it mine as well. Like most everything in Ruby, there is always more than one way to do something, and it's up to us to figure out which will do our code justice.


Phd Researcher
Brest, FranceStudy and analyse of the relationship between syntax and semantics for french utterances based on Combinatory Categoral Grammar, in order to apply to building a semantic representation for French language with Discourse Representation Theory.


How I've been spending my time
6 March 2017
WARNING: this post is a bit of a brain dump of everything I've been working on and dabbling with. Consider yourself warned!
I've been working on a culmination of various projects since Justin and I released Astervoid 2000 a few months ago, and I wanted to put it all in one place to share what I've been up to as well as create some sort of organized record of just what the heck has been eating my time.
Previously
2016 was huge. I decided to focus the entire 2nd half of it on making Astervoid the best damn game I could make. Needless to say, I learned a ton. Business and marketing, Unity (C#) / graphics programming, sound design ... On top of that, I composed around 15 tunes for the Astervoid 2000 soundtrack, and we worked with memorecks to add his terrific styling to the OST. You can listen to it on bandcamp.
After tasting what working on games was like, I realized I craved something new. Making web apps in Rails & JavaScript just wasn't interesting anymore.
Time for a change
Switching to the vast world of videogames has been challenging. Respecializing has proven more difficult than anything I've done over the past five years. It's pushed me to to learn a boatload of new skills. I realized quickly that having only one successfully launched 2D title under my belt makes it tricky to land work in this more competitive landscape.
I started 2016 with the idea of making a psychological thriller VR title. After meditating on it some, I realized the amount of story I'd have to write, 3D artwork and animations and scripted content I'd have to create would be a tremendous amount of work for something players may only get a couple of hours of gameplay out of. After hearing Ryan Clark preaching about doing market research prior to starting projects, I've shelfed that idea with plans to come back to it later. I have a new concept for an awesome VR title that will be more easily shippable in a reasonable timeframe, and will provide players with more replayabilty. I'm aiming to complete this project in the next year or two.
On 3D modeling and animation, I realized I was quite in the dark about this necessary component of creating VR games. I had dabbled in Blender and MagicaVoxel in 2016, but went hard on learning those skills earlier this year. I felt compelled to take a really rather gaudy 1970's scene and re-create with a modern realism feel in Blender. Here's the end result:
Around the same time, I felt compelled to learn low poly character creation. I set out to create a fox I could add a skeletal rig to and easily create animations for. This creature has found itself playing an interesting role in a VR music video I am nearing the end of crafting for the HTC Vive (and time permitting, Oculus Rift).
Complementary stuff
In graphic design, I pushed myself to design multiple logos to better my design skills. However, this project got cut short when I accepted a full-time contract. I realized how beautiful the symbiosis of logo design with 3D rendering is, and am lackadaisically creating some animated 3D logos to level-up and have fun.
I created identity and a site for our local Vancouver indie game dev scene, Indiepod.
10 of us from IndiePod created Shatter Stomp in 48 hours for the 2017 Global Game Jam. One player straps the HTC Vive VR controllers to their feet while the other player attacks them with a laser-equipped satellite from the comfort of their remote satellite laptop computer.
Also, I wrote and recorded a metal tune for a client in Calgary creating a space-themed real-time strategy game. I'll share that track when it's possible.
Up and coming works
I've started working with Mythical City Games on a new VR title which is coming along superb. It's looking as though it will provide both a unique and relaxing experience to those seeking something in VR other than another zombie shooter. I'll make sure to share details on it when it's further along and we've announced it properly.
My friend Candice shared that she creates some of her own jewelry through a 3D printing SaaS called Shapeways. I'm exploring various options of creating figurines, jewelry and memorabilia using their services.
Lastly, Justin and I recently received our Xbox One dev kits and are starting a new quest of releasing Astervoid 2000 on the Xbox platform. Accompanying that, we aim to release the game in different regions by supporting a few new languages.
A bit more personal
I'm getting married in September to an illustrious woman. On top of that, she landed the placement she was hoping for which means we're not being shipped off to some third world city such as Toronto or Ottawa. (jokes, jokes! I love Toronto) 😉


cvc3 - automatic SMT theorem prover
cvc3 [ option ]...\ [ filename ]
CVC3 is an automated validity checker for a many-sorted (typed) first-order logic with built-in theories, including some support for quantifiers, partial functions, and predicate subtypes. The current built-in theories are the theories of
equality over free (aka uninterpreted) function and predicate symbols,
real and integer linear arithmetic (with some support for non-linear arithmetic),
bit vectors,
arrays,
tuples,
records,
user-defined inductive datatypes.
CVC3 operates on files in the CVC Presentation Input Language or the SMTLIB input language. If no input file is given on the command line, CVC3 reads standard input.
Only a few of the most frequently used options are given below. For more details, see CVC3's built-in help
or the CVC3 website.
-h[elp] List all of the options for controlling CVC3. Boolean options are marked (b) .
For example, the output lists
(b) -interactive Interactive mode
Indicating that interactive mode is disabled. to enable interactive mode,
for integer arguments.
-version Print the version of CVC3 and exit.
-lang
Select the input language used. The default is presentation .
+int[eractive] Enable interactive mode. Commands are read from standard input and processed immediately.
+stats Print run-time statistics.
-timeout t
CVC3 website: http://www.cs.nyu.edu/acsys/cvc3/
SMTLIB website: http://combination.cs.uiowa.edu/smtlib/
CVC3 was written by Clark Barrett, Cesare Tinelli, Alexander Fuchs, Yeting Ge, George Hagen, Dejan Jovanovic, Sergey Berezin, Cristian Cadar, Jake Donham, Vijay Ganesh, Deepak Goyal, Ying Hu, Sean McLaughlin, Mehul Trivedi, Michael Veksler, Daniel Wichs, Mark Zavislak, and Jim Zhuang.
This manual page was written by Dan Sheridan<EMAIL_ADDRESS>for Ubuntu (but may be used by others).


{% extends "base.html" %} {% block title %}Sorry, you'll need to start again{% endblock %} {% block extra_page_sections %}
You'll need to start again because you’ve not used this service for a while.
We do this for your security.


Male Impersonating Deputy
by WFTX Digital TeamLEE COUNTY, Fla. — A Lee County resident received a call from a male who identified himself as a Lee County Sheriff's Office Deputy. During the call, the citizen questioned the caller as to his real identity, and the caller hung up.
The citizen called back and was directed to an answering service claiming to be "The County Sheriff's Office." When the citizen selected the option to speak to investigations, the same male answered. After the citizen questioned the male caller about his intentions again, he hung up.
During these calls, the male impersonating a deputy did not have the opportunity to request anything from the citizen. A member of the Lee County Sheriff's Office will never contact citizens over the telephone to request money or any compensation.
If you receive a call like this, hang up immediately and call The Lee County Sheriff's Office to report it at<PHONE_NUMBER>.


CFP Selection Process
Intro
We recently updated and announced our program this year. We are stoked to have an amazing lineup with a mixture of tech and not-tech talks.
If you haven't already, go checkout our Speakers. This year, we have speakers from Australia, Canada, Europe, United States, and of-course India 🇮🇳
I hope you have booked yourself a ticket already ;-)
CFP Announcement and Reception
We start the CFP immediately after RubyConfIndia concludes. This year, we announced our CFP around the end of March. We made use of papercall this year, to not have to setup our own CFP App, as well as the ease papercall gives Presenters to submit to multiple conferences, with better submission tools.
You can find the CFP here.
On its closure on 31st May, which was about 2 months of time for Presentors to submit, we had about 41 submissions.
Selection Process
The selection process comprised of-
- Blind Review of Proposals
- Asking Authors to provide more suitable feedback as suitable for a proposal, to understand the expectations from the talk.
- Initial selection of proposals based on the blind review
- Marking and selecting talks to present
- Announcing initial talks
- Discussion about talks to mark as wait list and final completion of remaining talks, based on already selected talks and domains.
- Marking and selecting talks to wait list
- Getting confirmation to talks both on selected and wait list and announcing the program
The Selection Team
The selection was presided over by me - Vipul, Prathamesh and Anil
Some Stats
As mentioned we had a total of 41 submissions. We got an overwhelming number of proposals for Speakers out of India, with 25 of these submissions being from a foreign presenter. 16 of the proposals were from India.
41 may seem a low number, but we had all top notch submissions from all around the world this year.
The bar was really set high for selection.
We accepted about initial 8 talks. 2 of the presenters could not make it, and hence we rolled on to the next 2 ones.
In all we have 8 talks and 1 keynote.


Summer-winter notes
17 Sep 2019Some notes for summer 2019, or actually winter 2019, as I moved to Chile.
The Andes.
Queue number again, and applications
A recent result about the so-called queue number was mentioned on this blog in March (see here). The result says that this graph parameter is bounded on planar graph that have bounded degree. The result has now been generalized to any planar graph! The paper is on arxiv and will be presented at FOCS 2019. I haven’t looked into the paper, but I know from David Epptein’s blog that it is a byproduct of showing that “every planar graph is a subgraph of a strong product of a path graph and a bounded-treewidth graph”.
Another recent paper on the arxiv uses this result to design shorter labeling schemes for planar graphs. As the abstract says: “In graph-theoretical terms, this implies an explicit construction of a graph on $n^{4/3}+o(1)$ vertices that contains all planar graphs on n vertices as induced subgraphs”. (Thanks to Cyril Gavoille for pointing out this paper.)
Unfolding polytopes: Durer’s Conjecture
Given a polyhedra, one can cut along the edges to unfold it on the plane as in the following drawing.
But sometimes, if you cut along some edges, you may have an overlap in the unfolding, as the second unfolding of the following example (borrowed from here) shows.
Durer’s conjecture states that “Every convex polytope has a non-overlapping edge unfolding”. A non-overlapping edge unfolding is called a net, so the conjecture can be reformulated as: “Every convex polytope has a net”. It is surprising that such a cute and simple result is still open.
I learned about this conjecture in Eppstein’s report on CCCG. More information can be found in Ten Problems in Geometry by Moritz W. Schmitt and Günter M. Ziegler.
More on graphs inspired by objects and nature
We had a post in april on graphs that have some meaning in terms of real-world objects.
Two additional pointers on this topic: * a blog post about graph that have one degree of freedom when you want to move them. * the slides of a talk about graphs inspired by nature, for example by crystals and by bubbles.
The red circles are the nodes on the right drawing, but on the left ones they are part of the procedure to draw the crystals. See the slides for more details.
Automata size to separate two words
Yet another very simple and still open problem: consider two strings of length $n$, what is the size of the smallest deterministic automaton than accepts one and rejects the other? Or more precisely, what is the maximum over all such pairs of this size? The upper bound is polynomial in $n$ (something like $\sqrt(n)$) and the lower bound is $\Omega(\log n)$. An exponential gap!
For more on this see these two posts by Lipton: here and there.
Other notes
- The paper about the matching lower bound that I mentioned here several times won the best paper award at FOCS! I think it’s a remarkable research story: identifying a fundamental problem, telling everybody about it, learning more and more, and finally solving it, and getting an award for it!
- Some day, I’ll learn about spanners, I hope. Here is a recent survey that may help.
- A paper appeared on the arxiv on the recognition of intersection graphs of objects touching a diagonal line, related to this paper of mine.


[ the cutting edge ]
G'Day Developers!
A Favicon is a small image file included on nearly all
professional developed SharePoint sites. The Favicon reflects
the look and feel of the SharePoint site or the organizations
logo.
-
-
Figure: Good Example - Using the favicon gives your
SharePoint site a very professional look and feel.
Internet Explorer ("IE") 5.0 and above has a function that, if
someone bookmarks the page, it will look for favicon.ico from
the directory of the web page, if not found it will look for
it from the root directory of the SharePoint site. Otherwise
it will use the default Icon.
To implement the favicon:
-
Copy your company's .ico icon to the root of the site and
rename it to favicon.ico
-
Add the yellow code between the <HEAD> tags in your
MasterPage.master (or regular HTML/ASPX page)
Note: If you put the icon with the default file name of
favicon.ico in the root directory of your domain, you don't
need to add the following code. Because each time your Web
page is added to a user's favorites, Internet Explorer
automatically searches for this file from the root directory
and places the icon next to all the favorites and quick links
originating from your site.
See more of the
SSW Rules
pages.
Adam Cogan
Got a comment for Adam?
Email Adam
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Sydney .NET User Group -
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|
6 days to go!
Sydney .NET User Group
Wednesday 20th May 2009
5:45pm - 9:00pm
Microsoft, Sydney
1 Epping Road, North Ryde
|
Something About Mary (SharePoint and Office 2010) by
Adam Cogan
Come see Adam Cogan explain what works well with SharePoint
and Office for Mary and the other knowledge workers.
First you will get an overview of what is great about having
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Where it fits with other important Microsoft products like
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Examples of how Word and Excel can be integrated into
business processes (separate from SharePoint), and then
followed by
-
Examples of how Word, Excel, PowerPoint can be combined with
SharePoint to improve visibility/searchability/versioning
across the company
-
Overview of how data can be synchronized between the two (eg
using Access and Excel)
- Overview of what 'workflow' (really!) means
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How Office can be incorporated into company workflows with
SharePoint
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Extending SharePoint with Office SharePoint Designer 2010
(free!)
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Where VBA and VSTO fit in terms of how solutions can be
developed
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Examples of other interesting Office/SharePoint integrations
(eg the the Atlassian SharePoint Connector and Atlassian
Office Connector)
The session will be informal so there's plenty of
opportunities for asking questions. This is a good chance for
you to consider new ways of using Office in your company,
along with pitfalls to avoid. Adam gets excited about this
session because too often companies limit Office to just an
email application, word processor and spreadsheet - completely
missing the positive impact it can have on the entire business
process.
Data access in Microsoft CRM and SharePoint by George
Doubinski
George Doubinski is going to show you how to get data in and
out for two Microsoft flagship products: Microsoft CRM and
Microsoft SharePoint. You will see:
-
Two alter-egos attempting to do the tasks: Nancy, the
ultimate end-user and Doug, the propeller head
-
Importing data from Excel spreadsheets including the
relationships
-
Filtering, grouping and sorting your data and exporting the
results
-
Techniques from point and click (Nancy) down to Visual
Studio code (Doug)
-
See for yourself strengths and weaknesses of Microsoft CRM
and Microsoft SharePoint in relation to external data
To see more details and RSVP, please visit our
facebook .NET group
or our
LinkedIn .NET group.
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Canberra .NET User Group -
The best place to learn .NET for free in Canberra
|
|
11 days to go!
Canberra .NET Developers User Group
Monday 18th May 2009
Lunch: 12:30pm - 1:30pm
King O'Malley's Irish Pub
131 City Walk
Canberra City
Dinner: 4:30pm - 6:00pm
Microsoft Canberra Branch
Walter Turnbull Building
Level 2, 44 Sydney Ave
Barton ACT
|
Something About Mary (SharePoint and Office 2007) by
Adam Cogan
Come see Adam Cogan explain what works well with SharePoint
and Office for Mary and the other knowledge workers.
First you will get an overview of what is great about having
SharePoint in your business.
Then see real world examples of:
- Using SharePoint 2007 and Office 2007 together
-
Where it fits with other important Microsoft products like
CRM 4 and TFS
-
Examples of how Word and Excel can be integrated into
business processes (separate from SharePoint), and then
followed by
-
Examples of how Word, Excel, PowerPoint can be combined with
SharePoint to improve visibility/searchability/versioning
across the company
-
Overview of how data can be synchronised between the two (eg
using Access and Excel)
- Overview of what 'workflow' (really!) means
-
How Office can be incorporated into company workflows with
SharePoint
-
High level examples of using/integrating Office with other
products (eg VSTS integration with Outlook)
-
Where VBA and VSTO fit in terms of how solutions can be
developed
-
Examples of other interesting Office/SharePoint integrations
(eg the
Atlassian SharePoint Connector
and
Office Connector)
The session will be informal so there's plenty of
opportunities for asking questions. This is a good chance for
you to consider new ways of using Office in your company,
along with pitfalls to avoid. Adam gets excited about this
session because too often companies limit Office to just an
email application, word processor and spreadsheet - completely
missing the positive impact it can have on the entire business
process.
To see more details and RSVP, please visit our
facebook .NET group
or our
LinkedIn .NET group.
|
SharePoint 101
Workshop -
What every business person should know about SharePoint 2007
|
|
SharePoint 101 Workshop
Wednesday 27th May 2009
8:00am - 11:00am
SSW Office, Sydney
Suite 10, 81-91 Military Road, Neutral Bay
Cost: No Charge
|
Workshop Objective
This workshop will provide the attendees with:
-
An understanding of how key features of SharePoint can
enhance business processes
-
An understanding of the costs, timelines, staff involvement
and commitment a business will incur when implementing
SharePoint
Workshop Outline
- Why should your business use SharePoint 2007?
-
Differences between Windows SharePoint Services (WSS) and
Microsoft Office SharePoint Services (MOSS)
-
Explanation and demonstration of the business challenges the
SharePoint feature set solve
-
SharePoint in regards to implementation, costs and timelines
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SharePoint 2007 and the User Experience (custom design)
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SharePoint Development - What if I need more than
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15 days to go
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Come and join us as we learn how the largest public SharePoint
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SHE-DEVIL Comments by Mark R. Leeper Copyright 1989 Mark R. Leeper
Last Tuesday and Wednesday night I watched the television adaptation of Fay Weldon's novel THE LIFE AND LOVES OF A SHE-DEVIL. Friday I saw Susan Seidelman's version of the same story for Orion Pictures. The television version took its title directly from the novel; the film version abbreviated the title to just SHE-DEVIL, perhaps causing some confusion with the 1950s science fiction movie of the same title. Having seen the two versions so close together and with the television version being about two and a half times as long, I will disqualify myself from actually reviewing SHE-DEVIL and just discuss the contrasts in the two versions. The film is a very pale, very weak, and almost entirely forgettable rendition of the same story. Even now, an hour after having seen the film, the television version is more immediately memorable. Let me say why.
First, the television play had drama, comedy, and horror story mixed together into whatever proportions seemed right as it went along. The film aimed at a market for comedy and always tried to keep the tone light and frothy. So right from the start the film was less ambitious than the movie.
The film had a dream cast for the story. It had a popular serious actress, Meryl Streep, to play Mary; a popular television comedienne, Roseanne Barr, to play Ruth; and a number of other good actors. The television version had virtual unknowns in the major roles. So why was the casting so wrong for the film? Because everybody was cast exactly right in the television play for the play's approach. Streep could have played Mary Fisher in the television play and done a reasonable job of it. The film, however, had more physical comedy. Streep is hardly known for comic roles and she is just not very good with it. Julie T. Wallace who played Ruth in the television play did not always have to be appealing to the audience. She starts out with the personality of a red brick. She is large, ugly, heavy, sullen, and not outgoing at all. Roseanne Barr got popular because she has a bright personality. Her weight does not stand in the way of her being basically attractive and charismatic. Even at the beginning of the film it is hard to think of her as a loser.
Thematically Ruth is very much like Stephen King's Carrie White. She is a woman who has almost nothing. She does not have looks, she does not have talent, she does not have money. The only thing she has is her rage. And her rage is enough. From her rage she forges the power to destroy her tormentors. At least that is how it is in the television play. In the film she does not start nearly so low and she falls well short of destroying Bob and Mary. The ending for all three is reasonably happy in the film. That is how comedies work. The television play did not have to worry about box- office and could allow itself to be bleak.
If I had to rate the two versions on the -4 to +4 scale, I would give the television play a +2 and the movie a low 0. But I do not trust those ratings because each rating is probably too much affected by the other. Let me leave these ratings unofficial and say that the play (which runs periodically on the Arts and Entertainment Network) IS worth your time to see, probably much more than the film.
Mark R. Leeper att!mtgzx!leeper<EMAIL_ADDRESS>.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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Related links: index of all rec.arts.movies.reviews reviews


WITNESS LIST State Affairs Committee April 16, 2003-8:00A HB 1450 Registering, but not testifying: For: Gerstenschlager, MerryLynn (Self and Texas Eagle Forum) HB 2622 Registering, but not testifying: On: Beaty, Louis (Texas Department of Public Safety) Carothers, Jeff (Texas Department of Public Safety) HB 3464 Against: Clark, Jeffery (National Federation of Independent Business) Margozewitz, Larry (Self and Clear Channel Outdoor Advertising) Reeder, Al (Texas Outdoor Adv. Assoc.)


How was the universe created?
I think the Universe was created in God's image and power by himself.

What does it mean to be a human being?
I believe that the definition of a human being is to take care of God's
creation and to reflect God's characteristics throughout our life. I also
believe that to be a human being is to not be perfect, but to "try,fail,and
repeat again ;)" because no one is perfect in this world.

I really don't know the answer to that question because I have never
experience death before, but for sure there's Heaven and Hell out there waiting
for your death.


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{% end %}


Goto:Exit Commands, Branching Commands, Error Recovery and Control
Note that a BlockID is the name given a particular record that is a BlockID record in a test table. It identifies a location in a test table and NOT truly a block of associated code. These BlockID records have the Record Type "B" in their first field. The second field is the name or BlockID for that record and is used as the target for these Flow Control Commands.
It is important to note the way in which SAFS drivers seek a named Block Id.
When a Driver is instructed to branch to a specific BlockID--whether it be a custom Driver, or the SAFSINPUT service--it searches first from the current record and towards the END of the file. It does NOT search forward from the current record towards the start of the file.
If the target BlockID is not found when the End Of File is reached, the search will then continue from the first line of the file and thru subsequent lines until the BlockID is found, or until the test record that initiated the request to branch is reached.
| # | RT | COMMAND | PARAM | PARAM | PARAM |
|---|---|---|---|---|---|
| 1 | B | Continue | |||
| 2 | T | Do Something | |||
| 3 | C | OnLessThanGotoBlockID | Continue | ^Value1 | ^Value2 |
| 4 | C | GotoBlockID | Finished | ||
| 5 | B | Continue | |||
| 6 | T | Do Something | |||
| 7 | C | OnLessThanGotoBlockID | Continue | ^Value1 | ^Value2 |
| 8 | |||||
| 9 | B | Loop | |||
| 10 | T | Do Something | |||
| 11 | C | OnLessThanGotoBlockID | Loop | ^Value1 | ^Value2 |
| 12 | C | GotoBlockID | Continue | ||
| 13 | B | Finished |
| ExitTable | Exit the current Step, Suite, or Cycle table. |
| ExitSuite | Exit the current Step table AND the current Suite. |
| ExitCycle | Exit the current Step table AND the Suite AND Cycle. |
| C, ExitTable | Exit the current Step, Suite, or Cycle table. |
| C, ExitSuite | Exit the current Step AND abort the Suite. |
| C, ExitCycle | Exit the current Step and/or Suite AND abort the Cycle. |
The Exit commands are used to force an exit of the current table. They help bypass records or tests that we do not wish to execute. Such is the case when we separate the table into separate blocks with BlockID references. In some of these situations, we do not want the drivers to continue into the next block. Instead, we can use these commands to exit the test table. They have no parameters.
ExitTable will cause the table containing the command to immediately exit. This is valid for any Step, Suite, or Cycle table. If a BlockID was set with SetExitTableBlock for the current test level, then execution will transfer to that block prior to the actual exit. This allows us to perform any required cleanup we wish to do upon exiting the test table.
ExitSuite will cause the Step or Suite table containing the command to immediately exit. This command is not really valid inside a Cycle level test table. In a Suite table this is no different than issuing an ExitTable command. However, in a Step table this command allows us to not only exit the current Step table, but also to exit/abort the Suite that called the Step table. With this we can abort a larger test or process that we know just isn't going to work.
As with the ExitTable command, any BlockID set with SetExitTableBlock will be executed at both the Step and Suite levels.
ExitCycle will cause the Step, Suite, or Cycle table containing the command to immediately exit. In a Cycle table this is no different than issuing an ExitTable command. However, in a Step table this command allows us to not only exit the current Step table, but also to exit/abort the current Suite and Cycle. With this we can abort the entire test or Cycle process if necessary.
As with the ExitTable command, any BlockID set with SetExitTableBlock will be executed at the Step, Suite, and Cycle levels.
Goto:Exit Commands, Error Recovery and Control, Back to Top
| GotoBlockID | Jump to a specific BlockID record. |
| OnEqualGotoBlockID | Jump to a specific BlockID record if two values are equal. |
| C, GotoBlockID, ABlockID | Jump to the BlockID record named "ABlockID". |
| C, OnEqualGotoBlockID, ABlockID, Value1, Value2 | Jump to a specific BlockID record if two text values are equal. |
| C, OnEqualGotoBlockID, ABlockID, ^AVariable, Value2 | Jump to a specific BlockID record if a variable value matches a text value. |
| C, OnEqualGotoBlockID, ABlockID, ^AVariable, ^AnotherOne | Jump to a specific BlockID record if two variable values match. |
GotoBlockID forces a jump to the blockID specified. A blockID is a record in the table with a RecordType of "B"--a BlockID record. The second field in that BlockID record contains the name assigned to that record in the table and acts as a target blockID for these flow control commands.
OnEqualGotoBlockID allows a simple comparison to cause a jump to occur if two values match. These can be two literal text values, or literal text compared against the value of a DDVariable, or a comparison of two DDVariable values. Like most all other fields in our test tables, the fields used for the comparison are extracted as Trimmed Quoted strings. That means that leading and trailing whitespace is removed unless enclosed by double-quote marks. Outermost double-quote marks are also removed. Thus, if leading or trailing whitespace is not significant, the double-quote marks are optional. Of course, DDVariables will not be found inside double-quote marks. Inside the quotes they would be treated as literal text.
When used in conjunction with an AssignPropertyVariable test record in GenericMasterFunctions we can extract an object's property value into a DDVariable and then perform a branch based on the success or failure of the comparison. Note, however, this comparison is NOT a test comparison and will not generate a test failure. Use a VerifyProperty test record to perform a comparison that records a test result.
Other possibilities include branching based on DDVariable values that were assigned by prior tests, or by variable value changes caused by scripts. For example, a Cycle could call a Suite which performs different processing based on DDVariable values set by the Cycle.
Goto:Exit Commands, Branching Commands, Back to Top
| SetExitTableBlock | Set or Clear the BlockID to execute when ExitTable is executed. |
| SetGeneralScriptFailureBlock | Set or Clear the BlockID to execute when a General Failure occurs. |
| SetScriptWarningBlock | Set or Clear the BlockID to execute when a Warning occurs. |
| SetInvalidFileIOBlock | Set or Clear the BlockID to execute when an File IO error occurs. |
| SetScriptNotExecutedBlock | Set or Clear the BlockID to execute when a "ScriptNotExecuted" error occurs. |
| SetNoScriptFailureBlock | Set or Clear the BlockID to execute if no error is encountered. |
Note, these error conditions are the status conditions defined in SAFS sourcecode. While many of these contain the substring "Script" in them, these conditions are generally not strictly associated with the execution of a tool script, per se. "Script" and "test record" or "test table" are interchangeable in this regard.
| C, SetExitTableBlock, AExitHandler | Set the block named AExitHandler to execute if/when ExitTable is executed. |
| C, SetExitTableBlock, "" | Reset so no special handler is invoked if/when ExitTable is executed. |
These commands are used to identify error handler blocks within the test tables. When a command has set an error handler block, that block is executed if/when that status condition is satisfied. The check for that status condition is performed at the end of processing for each record. Not just test records, but ALL valid record types. Comments and blank lines are not considered valid records. The syntax for setting and resetting for each command is the same as the example shown.
Each test level maintains its own settings. So a Set command performed at the Suite level does not affect any settings done for the Cycle or Step levels.
With the exception of SetNoScriptFailureBlock, these settings are NOT automatically reset on exiting any given table. This allows the test developer to implement a standard set of test table templates that share common error recovery handlers. If this is not the case, you can implement an exit handler block that performs cleanup when exiting the table. Use SetExitTableBlock to set the exit handler blockID to enable that processing. If necessary, remember to clear or reset that blockID to nothing within the exit handler itself so that subsequent tables don't attempt to invoke a handler they might not contain. This may apply to all of the error recovery settings you might make within any given table.
The SetNoScriptFailureBlock setting is reset immediately upon its first invocation. After all, we expect most of our records to execute with no failure. So, the command is best used immediately before the record you expect to have an issue with.
The SetInvalidFileIOBlock setting is used to handle File IO errors that may have occurred somewhere in the processing of a record, or test, or script. It does not generally respond to File IO errors with the table itself because that means the table is not getting processed and the block could never get executed. Instead, it reacts to File IO errors that occur external to the test table that is being processed.
ScriptNotExecuted is generally encountered when an error occurs that prevents the normal execution of a record. For example, a Script Command Failure that prevents a Driver Command or Component Function from executing. Or, the failed invocation of SuiteDriver or StepDriver from a higher test level. It is not intended to be an indication of a failure of a tool script invoked from a CallScript command.
For the average low-level test developer, the most commonly used error recovery and control commands would be handling GeneralScriptFailure and ExitTable processing.
Goto:Exit Commands, Branching Commands, Error Recovery and Control, Back to Top


蔡宗翰
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