I DREAMED OF AFRICA
Reviewed by Harvey Karten Columbia Pictures Director: Hugh Hudson Writer: Paula Milne, Susan Shilliday, book by Kuki Gallmann Cast: Kim Basinger, Vincent Perez, Eva Marie Saint, Liam Aiken
"I Dreamed of Africa" is based on the autobiography of Kuki Gallmann, a privileged white woman who left her home in Italy to travel with her new husband to his ranch in rural Kenya. The central thrust of the story is that the world does not really possess a garden of Eden. When you travel, you =
have yourself with all your hangups as a companion: the literature of psychology is loaded with texts about how you cannot escape from yourself. Furthermore in Kuki Gallmann's case, the very dangers of Africa were to cause great hardship and tragedy to her family, perhaps beyond any misadventure she would have experienced had she continued to inhabit her privileged life in Europe.
The author, who still lives on that ranch and who set up a foundation dedicated to the conservation of the continent's resources, is the subject of a film directed by Hugh Hudson which appears a sincere attempt to remain true to Gallmann's actual life and adventures on the continent. Unfortunately that earnestness is the problem with the movie. As we watch Kim Basinger inhabit the role of the resourceful Kuki, dealing with both her joy in being able to change her life and her spirit in coping with family disaster, we are privy to virtually no real adventure. A situation involving the calamity brought about by a large, poisonous snake which her son had cruelly kept in captivity along with other, non-venomous reptiles, is such a variation from the languid, National Geographic-like tone, that we are startled for the only time during the course of the 113-minute, virtually humorless drama.
Contrast this film with one that inevitably comes to mind for comparison, "Out of Africa." That 1985 film directed by Sydney Pollack and featuring the superior acting of Meryl Streep as Baroness Karen Blixen--a Danish woman who marries her lover's brother--is chock full of the intensity missing in Henry Hudson's staid adaptation of Kuki Gallmann's book. To borrow the opening paragraph of Robert Ebert's "Out of Africa" review: "....there was a moment when a lioness seemed about to attack, but did not....Now the lioness seemed about to charge, when behind her a calm voice advised the baroness not to move one inch. 'She'll go away," the voice said, and indeed the lioness did skulk away after satisfying its curiosity." This bit of luck does not last for long, however. At another point, a lion charges from another direction and the baroness must drop the big cat with one shot that must not miss."
Since none of these confrontations ever occurs on the ranch owned by Gallmann's husband, we're left with simply a sedate and sober travelogue with stilted dialogue (husband and wife talk to each other as though they were composing Hallmark cards) and confrontations which are set up but never executed.
"Out of Africa" takes place when East African countries were attracting European settlers who were bored with their lives in Europe in the years around World War I, where they flocked to the highlands of Kenya with cool air and the possibility of raising cattle. "I Dreamed of Africa" gathers its momentum some time after that. In the story, Kuki Gallmann, an attractive, widowed woman of some wealth, is almost killed in an auto accident on an Italian road. At that point, the poor little rich girl decides that she "has stopped growing" and, having married Paolo (Vincent Perez), she takes leave of her frightened mother Franca (Eva Marie Saint), gathers up her adorable little boy Emanuele (Liam Aiken) and heads to Paolo's Kenyan ranch to start a new life. =
Though Kuki ultimately sets up a foundation for conservation, we see no other evidence of the "growth" she seeks, but we must trust her own words when she says that she continues to find great joy in her move from her urban, cultured civilization to a place in which her dog is killed by a lion roaming just meters outside her home, her husband is badly hurt in a hunting accident and later mugged and beaten, she is left alone for several days at a time as her macho man heads out with his pals into the jungles with their rifles, and a terrible fate befalls her only son. =
If we did not know any better, we might suspect that this film--shot largely in South Africa but also in parts of Kenya and in Italian towns like Asolo and Vicenza--was made as a propaganda piece in favor of white supremacy on the dark continent. The two principal servants of the household look up to the owners as though they were gods; private planes fly them at their will, in some cases to transport their growing boy to a British-style prep school, in others to access help during emergencies. In one case, Paolo gives some swift kicks to one or two men who have been captured by the Kenyan police for poaching, a gesture which--while showing us that poaching is a vicious crime--could make us wince at the racial implications. Kenya is, after all, not the land of the white man.
Kim Basinger is freighted with labored dialogue and appears in virtually scenes as though she had just emerged from a four-hour session at Revlon's in New York. "I Dreamed of Africa," which to Kuki is on balance a wet one, is a nightmare that could cause many a potential tourist to cancel his safari reservations. We must simply trust Ms. Gallmann, who at one point relates by e-mail to readers of her book, (gmfkenya@africaonline.co.ke), "Africa is healing, because it still has what most of the world has lost, and in its ancient beauty and wisdom, in the mystery of its nature and extraordinary people, one can find a purpose." When she talks to her husband or to her son, she sounds like this, too.
Rated PG-13. Running Time: 113 minutes. (C) 2000 Harvey Karten<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


org.drip.spline.basis
Interfaces
FunctionSetBuilderParams
Classes
BSplineSequenceParams
ExponentialMixtureSetParams
ExponentialRationalSetParams
ExponentialTensionSetParams
FunctionSet
FunctionSetBuilder
KaklisPandelisSetParams
PolynomialFunctionSetParams


Shengjie ZHAN
Freelance Full Stack Developer & IT Security Consultant
Specialized in
- Full Stack web/mobile/desktop developement
- Auditing (operating systems, network components, web applications)
- Security analysis and penetration testing
Skills
Programming Languages
- JS, PHP, SQL, Ruby, JAVA, Shell script, Ruby on rails, C, C++
Front-end Web/Mobile/Desktop
- Ionic, AngularJs, MeteorJs, Cordova, Electron
Server-side
- Nginx, Apache, Docker, Nodejs, Parse
IT Security
- Security audit
- Penetration testing
- Source Code Auditor
Experiences
2010-2012
- Work as CTO for Innova Technologie - Chongqing, China
2012-2014
Penetration testing & Audit - Clients list : Ingenico, FDJ, Payzen, Carrefour, ADLP, Bred, Inserm, Decyben, BaridBank
2012-2015
- Founder of Itsium Inc. IT Startup in Beijing, China
2016-2017
- Main developer of Hrlife a hybride mobile app for chinese restaurants
2016-2017
- Main developer of restaurantschinois.com a website for chinese restaurants
Education
2005-2010
EPITECH IT Master Degree, France
2008-2009
Chongqing University, China
Languages
- French (native)
- Chinese (native)
- English


From the notebook of Jeffrey Rosczyk
UCLA becomes a vendor on CENIC
While this may be great for small departments that have to budget their own websites... I don't see how this would work for a larger university with a centralized IT.
They are hosting a webinar, sign-up @
http://www.doodle.com/c3r9wsafuzp58p3u
The UCLA Mobile Web Framework is no longer being developed.
Nope
The MWF group is currently developing a new "framework" to contain open-source responsive CSS frameworks.
It is called WebBlocks.
WebBlocks is a tool to build responsive CSS out of open-source CSS responsive frameworks.
There are dozens of great open-source CSS responsive frameworks.
What UCLA is doing is wrapping these frameworks inside of another CSS framework, so that they can change the CSS naming scheme.
Then offering a tool to compress the CSS and JS so that it can be dropped into a website/app.
So that whenever the newest CSS responsive framework comes out... they only need to change CSS files instead of going into every individual HTML page and changing the CSS tags and HTML div structure.
Eventually, I was told. WebBlocks currently needs to be managed by a developer, where as MWF (at default settings) is plug and play.
Actually, responsive CSS has been a part of UCSC's mobile project proposal plan all along.
Since WebBlocks isn't a web framework, but rather a CSS compiler... this is something UCSC could use during the proposed phase 1 plan.
(Phase 1 includes changing all WCMS CSS into responsive CSS.)
UCLA attorney presented the do's and dont's of opensourcing code
Yes
Use the BSD opensource license.
Do not use GPL licenses.
http://ucla.github.com/mwf-conference/attendee-slides/contributing-to-open-source-from-higher-ed.pdf
It was interesting to hear and see how other UC's are addressing mobile development.
There was little talk about mobile app development.
Most UC's are treating mobile as an extra format to model their site designs to.
The WebBlocks demo was interesting. It's really taking advantage of the Github social coding trend. This is the current future. If that makes sense :)


GIGS
Founded in 1994, SWING SHIFT was the amalgamation of refugees from several area bands, including the Bob Louis Big Band, the Kingsmen, Bifocals, Central Heat, the Redskins Band, and the Post-Nuclear Jazz Society. Since its formation, this hard swinging band has been rocking such varied venues the Corcoran Art Gallery, the Kennedy Center, the Washington Hilton, the Fairfax Elks Lodge, and the Sterling Golf and Swim Club. SWING SHIFT also plays regularly at Blues Alley, Washington D.C.'s premiere jazz club.
Holding steadfastly to the 18 piece format, SWING SHIFT has survived several economic downturns, hostile political climates, poor weather, and internal power struggles. In 2007, band veteran and guitarist Matt Trimboli was conscripted to provide new musical direction to the band while booking and management was thrust upon vocalist, then band newbie, Barkley Kern.
Swing Shift aims to provide as much musical sophistication as an audience can stand while still having an exceptionally good time.
SWING SHIFT and its members contribute time and talent to a variety of philanthropic community endeavors. In addition to various summer concert programs in Fairfax, Montgomery, and Loudoun County, it
is the chief sponsor of the annual Big Band Extravaganza, formerly at Fairfax High School and recently relocated to Park View High School in Sterling, VA. This program engages students in the middle and high
school levels in jazz expression, while providing a revenue source for the High School PTSO and Band Programs. It has also participated with other charitable and fraternal organizations such as the Loudoun and
Fairfax Elks. In 2010, SWING SHIFT was the featured performer for the Haitian Relief Benefit at the Arlington Knights of Columbus.
In 2010 the band refocused on recording and spent four Saturdays in the recording studios of Shenandoah University in Winchester, VA. The result is "As Long As We're Swingin'" which is due for release in Spring 2011.


--- layout: post title: ! 'OSCON ''06 Review Five: Funny' tags: [] status: publish type: post published: true meta: _edit_last: '1' dsq_thread_id: '17413759' ---
I had to mention something rather funny. Jason Robbins, in the middle of a jam-packed session announcing Google's new open source project hosting offering, accidently displayed an administration screen of the web app showing his password.
"I'll have to change that." Is all he said.


{% extends "base.html" %} {% load staticfiles %} {% block content %}
You're using the best cron jobs monitoring tool in the 21st century. We made this short video to help you set up and get familiar with our services.
Everyday, we receive a bunch of questions regarding our services via emails or chat forums. It's our pleasure to provide the best experience for our users and therefore, we have addressed most of the recurring issues here.
There are some tutorials to help get started, we hope you found them helpful. Feel free to contact us if you did not find your issue resolved. Our customer care would be glad to offer you assistance on our live chat.
{% for qna in qnas %}{{ qna.answer }}
{% endfor %} {% endblock %}


Tips For Saving Water in the Landscape
By Chris Madson, Red Butte Garden Irrigation Crewleader
As the second driest state in the nation, conserving water in Utah is a high priority. As our population continues to increase, so too does the demand for water and the need for conservation.
With the largest portion of water in Utah being applied to the landscape by homeowners, business owners, and farmers—taking steps to reduce residential water use could collectively make a big difference.
Water-wise plantings
- When planning a new landscape, or renovating an older one, consider the wide variety of low-water-use plants that are available.
Hydrozoning
- Group plants in the landscape with similar water needs, and water each zone separately according to the requirements of each hydrozone. This will avoid over-watering entire areas to meet the needs of a few plants that need more water.
Cultural practices
- Use a generous layer of mulch in garden beds to reduce evaporation and weeds, which also reduces competition for water.
- Sweep driveways and sidewalks with a broom instead of hosing them off with water.
- Mow grass at 3” to 4” in height, rather than 2” or 2.5.” This reduces stress and water use because it allows the grass to shade its roots.
- Reduce lawn fertilizer applications to less than the typical recommendation of 1 lb. of nitrogen per 1000 sq. ft., 3-5 times/year. Fertilizer increases growth, which increases water consumption. When fertilizing, use a low nitrogen fertilizer with micronutrients, including iron, which helps green up lawns in Utah’s high pH soils.
Design the irrigation system to meet the site/design needs
- In densely planted landscapes, spray heads that deliver larger water droplets reduce water loss because they are less susceptible to drift and evaporation.
- In less dense landscapes, drip systems deliver water only to those areas where plants are located.
- Drip systems are also used to establish new landscapes that will ultimately be kept as a dry or xeric planting, which requires no supplemental water after establishment.
Inspect sprinkler systems
- Regularly check the performance of sprinklers to ensure that there is proper alignment and coverage, and that there are no leaky pipes or heads. Adequate pressure is also essential, as too much or too little can affect the performance of the system and wastes water, either by overwatering or by evaporation.
- Check hoses and faucets for leaks and add a shut-off valve to the end of hoses to turn off flow when not needed.
Scheduling irrigation
- Avoid watering during the hottest time of day (10AM – 6PM).
- Water in cycles, reducing the minutes on the timer and using multiple start times, spaced an hour apart, to allow water to soak into soil, especially on slopes.
- Water fewer days per week, but water for longer periods of time. This will encourage deeper root development, enabling plants to withstand hot summer temperatures and the intervals in between each watering.
- Consider installing a rain shut-off gauge on the irrigation system and turn off the system when conditions are very windy.
- Always adjust your irrigation scheduling times to meet the changing needs of each season, less water in spring and fall, more during the heat of summer.
Awareness of how our watering practices affect plant growth and performance is the cornerstone of saving water in residential landscapes. Water applied daily leads to shallow-rooted systems that are more susceptible to the scorching heat of summer. Water applied less often but for longer, including cycle soak programs, encourages deeper rooting that better tolerate less water and the summer heat. Avoiding water application during the day reduces water lost to evaporation.
Red Butte Garden offers landscape design, irrigation, garden maintenance, and many other gardening classes on a regular basis. Please check our website for more information.


To run the demo program, open a terminal, cd to this folder and type the command
yabasic demo.bas
It will give you the choice of which of the dialog-providing demos to run. Each of these are in fact standalone yabasic apps themselves and can be run the same way.
yabasic dialog_demo.bas
yabasic kdialog_demo.bas
yabasic zenity_demo.bas
yabasic whiptail_demo.bas
yabasic clasquinator_demo.bas
yabasic clasquinator_demo2.bas
yabasic clasquinator_demo3.bas
yabasic clasquinator_demo4.bas
NOTICE: Yabasic has a bug ATM where it will crash any script or menu you try to launch a yabasic app from (at least in Linux). I have reported this, but for now the main demo.bas program is nonfunctional. One way around the problem is to go back to an old 2.79.x version of yabasic, for example my homemade deb here.


Ok, so here's the next insane project. ^^
As an Apple fan, since the nineties, I'm collecting old Apple hardware..
I've kept all my old and beloved machines, and purchased some others.
The oldest I've got is an Apple //e..
This machine was available in 1983.
Obviously, this takes a lot of space, and I'm currently trying to concentrate on rare stuff..
And as I'm not a billionaire, there's one computer I'll most certainly never have in my collection: the Apple 1.
This is the first computer ever made by Apple («Apple Computer Company» at the time)..
It was designed and hand-built by Steve Wozniak, and sold for $666.66, without enclosure.
Only about 200 units were made.
A few Apple 1 still exists nowadays, and one was sold in 2013 for $668'000 (!!!)..
So obviously, this is a bit expensive.
So I decided to build my own...
A few replica projects exist (and actually look awesome), so I could simply purchase one, but I don't think that's enough fun.
And as a programmer, I have to say I know almost nothing about electronics..
So this is a nice occasion to learn how those things are built..
I know it will certainly be a hard way of learning, but it doesn't matter.
I've been able to find all the original schematics of the Apple 1, as well as the original Operation Manual.
So the first steps will be:
1 - Identify the original components.
This should be relatively easy, as I should be able to find enough information from the schematics and from the other replica projects.
1 - Get the original components.
This will be harder, but I'm sure most of the components can still be purchased somewhere..
But it might take some time, as I want my replica to look exactly like the original.
1 - Build the motherboard.
This will be the harder part, as I know nothing about electronics, and as I want to design the PCB myself..
But it will certainly be a lot of fun ; )
Right now, I'm testing various PCB design tools, like EAGLE on Mac, KiCAD or PCB on Linux..
I'll obviously need to dig deep into the electronic world, and read a lot of theory to understand how to use these programs.
Maybe in a few years, I'll be able to have a first board printed...
I know that may sound insane, but I'm pretty sure I'll actually enjoy this..
As a programmer, learning how stuff works at the electronic level is very interesting, and I'm pretty sure that this knowledge will help me, even with non-hardware projects.
So I'll try to keep posting about this in the next months, with updates about the project's progress...


Dartmouth wins battle of unbeaten teams at Yankee Stadium
by EndPlayNEW YORK (AP) - Jared Gerbino rushed for 97 and two touchdowns as Dartmouth beat Princeton 27-10 on Saturday in a battle of Ivy League unbeatens at Yankee Stadium.
Dartmouth (8-0, 5-0) scored the first 17 points of the game, highlighted by Niko Lalos' 22-yard interception return for a touchdown. Gerbino added a 1-yard sneak and Connor Davis made a 33-yard field goal.
Gerbino capped the scoring with a 21-yard run up the middle on the first play of the fourth quarter for Dartmouth's 10th straight victory, avenging last year's loss to Princeton.
Kevin Davidson threw for 210 yards with one touchdown pass to Graham Adomitis and two interceptions for Princeton (7-1, 4-1). The Tigers entered ranked among the top 10 FCS teams in scoring and total yards but turned it over on three of their first four possessions and finished with just 246 yards.


This adds a 'Remove' button next to each video from your subscriptions. When clicked the video is removed using YouTubes 'Hide video' option. This means that it will remain hidden if viewed from a browser without this extension installed.
There is no way to re-add removed videos to the "My Subscriptions" page, to find the video again you would have to search the YouTubers channel.
This adds a "Remove Watched Videos" button to the side menu on the "My Subscriptions" page. When clicked this will remove all videos that have already been watched from the visible videos on the homepage.
This removes the videos using YouTubes 'Hide video' option. This means that it will remain hidden if viewed from a browser without this extention installed.
This will only remove watched videos that are currently visible to the user, if you want to remove all of your watched videos you can combine this button with the "Load All Videos" button.
Enableing this option will, instead of adding a button to the side menu, automatically remove watched videos from the "My Subscriptions" page when the page is first loaded.
This will add a button to the side menu of the "My Subscriptions" page named "Load all videos". When clicked this will load all available subscription videos onto one page for you to browse in one continuous feed.
This will add a button to the side menu of the "My Subscriptions" page named "Clear All Videos". When clicked this will clear all videos from your subscriptions using YouTubes 'Hide video' option.
Clearing all your subscription videos can be useful if your homepage has become cluttered or if you simply wish to start afreash. (There is a confirmation box which will appear before your videos are cleared)
Change the URL of the YouTube icon (top left of every page) to the URL specified in the text box below. By default the icon will take you to the "Whats New" page but this extension allows you to change that to a URL of your choice.
Enabling "Redirect youtube.com" will, whenever you access "YouTube.com" it will redirect you to the URL specified in the text box below.
This is the URL that both of the above options will redirect you to. By default this is set to the "My Subscriptions" page but you can change this to any URL you wish. Clicking "Restore default" will restore the URL to the "My Subscriptions" link.
Adds a 'collapse' button to each group of videos in the subscriptions grid feed. Pressing this button will toggle the visibility of the group on the homepage.


Science Olympiad
CodeBusters
Test Generation Tools
Summary of what's new:
- Version 1.4.5
-
Stabilize the code combo for RSA question so that it
doesn't change when editing. Updated Vigenere so
that it proprerly displays lower case key strings.
Previous Versions...
- Version 1.4.4
-
Fixed formatting of Hill Cipher encodes (Issue #112).
- Version 1.4.3
-
Fixed "No Editor" error when saving and
restoring a Xenocrypt.
- Version 1.4.2
-
Added the Modular Multiplicative inverse of 25
to the tables on the printed test.
- Version 1.4.1
-
Added ability to duplicate tests from an
existing test.
- Version 1.4.0
-
Top margins on printed pages have been
increased.
-
Navigation for previous and next questions have
been added to the top of question pages.
-
The PigPen cipher has been added for B events.
-
Hill Ciphers now correctly generate the answers
for any 2x2 matrix which has a determinant of
25.
-
The year now displays as 2019 for printed tests.
- Version 1.3.7
- Version 1.3.2
-
The offset for Caesar ciphers has been fixed
(for an offset of 1, A should map to B)
-
A new page has been added for bulk analyzing
quotes at
QuoteAnalyze.html.
- Version 1.3.1
- Version 1.3.0
Are you a coach looking for hints and solving
guides?
Here are three places to go:
Are you an Event leader looking to create a
Regional or Invitational test?
You can use
this sample test
as a starting point for a good mix of questions and nominal
score values. Don't forget to Randomize the Aristocrats and pick
new values for the questions. You can also randomize the order
of the questions when editing the test.


Wales
Most prevalent awards across Wales
Hover over the map to view regional results
Next
Region
Number of participants:
1674
Most prevalent award:
Bronze
Average Award:
Most prevalent awards across Wales
Hover over the map to view regional results
Next
Region
Number of participants:
Most prevalent award:
Average Award:
Sport Wales
Swansea University
Glyndwr University
Liverpool John Moores University
Read the Dragon Challenge Manual


This will be the screen that does the job of our whiteboard. It will refresh itself every (say) 10 seconds. Actually, let's make it every 6 seconds - once per round.


markup
:
Different sets of directives are activated depending on the value of the parameter "usage".


Javascript required for the game
controls:
left/right/up/down - movement
Z - fire
shift - hold down to focus fire and use special attack


{{define "scripts"}} {{end}} {{define "title"}} Evergreen - Distros {{end}} {{define "content"}}
[[key]]: [[value]]
Allow users to spawn these hosts for personal use.
Allow users to use spawnhosts of this distro as virtual workstations.
Mark distro as a cluster (jobs are not run on this host, used for special purposes).
Disable shallow clone for this distro.
Disable queueing this distro. Tasks already in the task queue will be removed.
This will still allow the minimum number of hosts to start.Decommission hosts of this distro for this update
Restart Jasper service on running hosts of this distro for this update
Reprovision running hosts of this distro for this update


---
layout: home
splashImage: https://farm1.staticflickr.com/710/22294999764_cc57e2af25_z.jpg
sponsors:
- name: 'Sponsor Number One'
img: fake-sponsor.png
- name: 'Sponsor Number Two'
img: fake-sponsor.png
- name: 'Sponsor Number Three'
img: fake-sponsor.png
---
The Research Bazaar is a worldwide festival promoting the digital literacy emerging at the center of modern research. During the month of February 2017, events will be held at a number of university campuses around the globe. The aim of these events is to equip researchers from all career stages with the digital skills and tools required to do their research better, faster and smarter. A unique blend of academic and social life, ResBaz is an event unlike any academic conference you've ever been to. To read more about the history and philosophy of ResBaz, check out these blog posts from The Research Whisperer and Software Carpentry.About
Learn more about your nearest ResBaz event:
No site near you? Get in touch and we can help you organise an event!


| Student Name | Graduation Date | Status |
|---|---|---|
| Xavier Miller | May 2017 | Interviewing |
| Mike Song | May 2018 | Looking |
| Sofia Guliyeva | May 2019 | Looking |
| Michelle Kim | May 2017 | Hired |
| Xavier Miller | May 2017 | Interviewing |
| Mike Song | May 2018 | Looking |
| Sofia Guliyeva | May 2019 | Looking |
| Michelle Kim | May 2017 | Hired |
| Xavier Miller | May 2017 | Interviewing |
| Mike Song | May 2018 | Looking |
| Sofia Guliyeva | May 2019 | Looking |
| Michelle Kim | May 2017 | Hired |
| Xavier Miller | May 2017 | Interviewing |
| Mike Song | May 2018 | Looking |
| Sofia Guliyeva | May 2019 | Looking |
| Michelle Kim | May 2017 | Hired |
| Xavier Miller | May 2017 | Interviewing |
| Mike Song | May 2018 | Looking |
| Sofia Guliyeva | May 2019 | Looking |
| Michelle Kim | May 2017 | Hired |
| Xavier Miller | May 2017 | Interviewing |
| Mike Song | May 2018 | Looking |
| Sofia Guliyeva | May 2019 | Looking |
| Michelle Kim | May 2017 | Hired |
| Xavier Miller | May 2017 | Interviewing |
| Mike Song | May 2018 | Looking |
| Sofia Guliyeva | May 2019 | Looking |
| Michelle Kim | May 2017 | Hired |
| Xavier Miller | May 2017 | Interviewing |
| Mike Song | May 2018 | Looking |
| Sofia Guliyeva | May 2019 | Looking |
| Michelle Kim | May 2017 | Hired |
| Xavier Miller | May 2017 | Interviewing |
| Mike Song | May 2018 | Looking |
| Sofia Guliyeva | May 2019 | Looking |
| Michelle Kim | May 2017 | Hired |


Use this thermometer to quickly adapt your climate. All you get is the bare bones and Mr. T
Current Thermostat Temperature: ˚C
Energy Usage


random
OS/161 Reference Manual
Name
random - kernel randomness source
Synopsis
device random0 at lrandom*
device random0 at pseudorand0
Description
The random device is the generalized interface to randomness sources.
Only one random device is used; if more are attached they are ignored.
If no random device is found, the kernel may not run.
The random device provides both the in-kernel random() function and a
VFS character device, called random:. Bytes read from the
latter have random values; writes are discarded.
Files
random:
See Also
lrandom,
pseudorand


Copyright © 2006 Torbjörn Törnkvist
Authors: Torbjörn Törnkvist (tobbe@tornkvist.org).
YATSY: Yet Another Test Server - Yaws compatible
Yatsy is a simple test framework for testing your Erlang code. It makes it possible to execute test suites according to a defined structure and format, presenting the result either dynamically (via Yaws) or by generated HTML files.
 You collect a number of such testcases in an Erlang module which ends in: _SUITE.erl. You may have any number of such test suite modules which you compile to beam files located in your ebin directories.
You start your system, add the code paths to Yatsy and Yaws and start Yatsy. Yatsy will now automatically find all test suite modules that exist as beam files in you code path. Next you order Yatsy to run your test cases, suite by suite. The result will be accessible by pointing a Web browser to: http://localhost:8888/yatsy.yaws .
It is possible to control the behaviour of Yatsy. This can be done either via a list of {Key,Value} tuples, which is provided at startup, or via shell environment variables. The latter method makes it easy to write wrapper scripts that can start your system and Yatsy. You can configure:
There exist a number of predefined functions that will be called in every test suite module (M). When a new test suite starts, the function M:init_per_suite/1 will be called with the configuration lists (mentioned above). This function can return a list of new test suite specific configurations that each testcase in this particular test suite will get. Before each test case is run, the function M:init_per_testcase/2 will be called. It takes the test case name as the first argument and the configuration list as the second. Likewise, the corresponding functions M:fin_per_suite/1 and M:fin_per_testcase/2 will be called at the end.
The names of the test cases are defined by the list of atoms returned from M:all(suite). A list of documentation strings can be returned from M:all(doc). Each test case can also return a list of documentation strings via the test case function M:TestCase(doc).
Checklist, what you need to do:
| app/2 | |
| clean/0 | |
| clean_and_run/0 | |
| quick/0 | |
| quick/1 | |
| run/0 | |
| start/0 | |
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@()(implicit session: Session) @main("Places To Go") {
The lowry outlet is a popular discount shopping attraction, The centre attracts visitors from up and down the country with its daily
offers of up to 70 per cent off well-known fashion and homeware brands.
Inside, shoppers will find stores including Next, Marks and Spencer, Gap, The Body Shop,Holland & Barrett and Cadbury's Factory.
A guest once described an Alchemist cocktail as;
“like observing a magic show, theatre in a glass” so we took this idea & ran with it,
past the bar, into the kitchen & throughout our entire copper-cased wonderland.
The Dockyard is a pub in Media City that offers a wide range of craft ales, beers and ciders from all over the world.
"The Dockyard Bar at Media City is so nice. Good food, good drinks, nice staff and also relaxing."
Restaurant and bar serving an eclectic menu based on local produce, handy for Lowry theatre-goers.
Everyone's favourite sandwich shop, this company operates in more than 100 countries, So if you've never heard of them, now's a good time to try!
Helly Hansen offer experiences such as sailing, powerboating, open water swimming, kayaking and indoor climbing.

Perfect for a family day out, stag do, hen do, kids go karting birthday party and more,
Total Ninja is an obstacle course similar to the Ultimate Ninja Warrior TV Show.
Come Challenge your friends and see who can reach the finish line first.
Ever watched The Crystal Maze and thought you could do better?, Now you can test that theory!


The SoundCloud JavaScript SDK provides essential tools that let you easiliy integrate SoundCloud features like player embedding, audio streaming, audio recording and other actions like following, favoriting and commenting into your website. For more infos have a look at the docs.
This example demonstrates how to stream a track from SoundCloud.


Monday-Thursday 11:30AM-MidnightFriday 11:30AM-7:00PMSaturday CLOSEDSunday 6:30PM-Midnight
207-725-3888 | Jack Magee’s Grill and Pub, Smith Union, Bowdoin College, Brunswick, ME 04011
Copyright © Team NAE NAE 2020


Specification of the Task to pass for GitHub Pages¶
This task performs the following operations:
In the Settings (Configuration), check the following items
From
To
URL for GitHub Pages
Checks if the path specified by
From
exists.Exit if it does not exist (treated as an abnormal exit).
Checks if the path specified by
To
exists.If it doesn’t exist, create it.
Exit the program if it cannot be created (treated as an abnormal exit).
Check the URL specified in
URL for GitHub Pages
.Exit if any placeholder
<USERNAME>
or<REPOSITORY>
remains (treated as abnormal exit).Replace the
${DIR_NAME}
keyword, if present, with the name of your workspace folder.
Check to see if the
.nojekyll
file exists.Keeps information on whether or not it exists
Deletes files/folders in the directory specified by
To
.The
.nojekyll
file in the directory will also be removed.
Copies the data in the directory specified by
From
to the directory specified byTo
.If the
.nojekyll
file exists, recreate it.Fetch HTML files in the
To
directory and insert<base>
tags in the<head>
of each file.
If you encounter problems when running the Task, check the Terminal messages. This is the only way to determine the cause of the error.
[Figure below] If you see a red warning message in the terminal or a message like The terminal process faild to launch (exit code:2)
, it means that something went wrong and the process was interrupted.
Check the contents of the message and make sure there is no problem with the execution environment.
Note
If you cannot solve a problem, please report it in Issues . Bugs and other reports are only accepted from this page.


Egwene hurried after Nynaeve toward the knot of Aes Sedai around the Amyrlin Seat’s horse-borne palanquin, her desire to know what had caused the turmoil in Fal Dara keep outweighing even her worry over Rand. He was beyond her reach, for the moment. Bela, her shaggy mare, was with the Aes Sedai’s horses, and Nynaeve’s mount, too.
The Warders, hands on sword hilts and eyes searching everywhere, made a steel circle around the Aes Sedai and the palanquin. They were an island of relative calm in the courtyard, where Shienaran soldiers still ran amid the keep’s horrified inhabitants. Egwene pushed in beside Nynaeve—the two of them all but ignored after a single sharp glance from the Warders; all knew they would be leaving with the Amyrlin—and caught enough in the crowd’s murmurs to learn of an arrow that had flashed seemingly from nowhere and a bowman yet uncaught.
Egwene stopped, wide-eyed, too shocked even to think that she was surrounded by Aes Sedai. An attempt on the life of the Amyrlin Seat. It went beyond thinking of.
The Amyrlin sat in her palanquin with the curtains drawn back, the bloodstained rip in her sleeve drawing all eyes, and faced down Lord Agelmar. “You will find the bowman or you will not, my son. Either way, my business in Tar Valon is as urgent as that of Ingtar on his quest. I leave now.”
“But, Mother,” Agelmar protested, “this attempt on your life changes everything. We still do not know who sent the man, or why. An hour more, and I will have the bowman and the answers for you.”
The Amyrlin barked a laugh with no amusement in it. “You’ll need slyer bait or finer nets to catch this fish, my son. By the time you have the man, it will be too late in the day for leaving. There are too many who would cheer to see me dead for me to worry overmuch about this one. You may send me news of what you find, if you find anything at all.” Her eyes traveled around the towers overlooking the courtyard, and the ramparts and archers’ balconies, still jammed with people, though silent now. The arrow had to have come from one of those places. “I think this bowman is already fled from Fal Dara.”
“But, Mother—”
The woman in the palanquin cut him off with a sharp gesture of finality. Not even the Lord of Fal Dara could press the Amyrlin Seat too far. Her eyes came to rest on Egwene and Nynaeve, piercing eyes that seemed to Egwene to be seeing everything about herself that she wanted to keep secret. Egwene took a step back, then caught herself and dropped a curtsy, wondering if that were proper; no one had ever explained to her the protocol of meeting the Amyrlin Seat. Nynaeve kept her back straight and returned the Amyrlin’s stare, but she fumbled for Egwene’s hand and gripped as hard as Egwene did.
“So these are your two, Moiraine,” the Amyrlin said. Moiraine gave the barest nod, and the other Aes Sedai turned to stare at the two women from Emond’s Field. Egwene swallowed. They all looked as if they knew things, things other people did not, and it was no help at all to know that they truly did. “Yes, I sense a fine spark in each of them. But what will kindle from it? That’s the question, isn’t it?”
Egwene’s mouth felt dry as dust. She had seen Master Padwhin, the carpenter back home, look at his tools much the same way as the Amyrlin was looking at the two of them. This one for this purpose, that one for that.
The Amyrlin said abruptly, “It is time we were gone. To horse. Lord Agelmar and I can say what needs be said without you all gawking like novices on a freeday. To horse!”
At her command the Warders scattered to their mounts, still wary, and the Aes Sedai, all but Leane, glided away from the palanquin to their own horses. As Egwene and Nynaeve turned to obey, a servant appeared at Lord Agelmar’s shoulder with a silver chalice. Agelmar took it with a dissatisfied twist to his mouth.
“With this cup from my hand, Mother, take my wish that you fare well on this day, and every . . . ”
Whatever else they said was lost to Egwene as she scrambled onto Bela. By the time she had given the shaggy mare a pat, and arranged her skirts, the palanquin was already moving toward the open gates, its horses stepping without rein or lead. Leane rode beside the palanquin, her staff propped at her stirrup. Egwene and Nynaeve brought their horses along behind with the rest of the Aes Sedai.
Roars and cheers from the crowds lining the town streets greeted the procession, all but drowning the thunder of the drummers and the blare of the trumpeters. Warders led the column, with the banner bearing the White Flame waving in ripples, and rode guard around the Aes Sedai, keeping the mass of people back; archers and pikemen, the Flame blazoned on their chests, followed behind in precise ranks. The trumpets fell silent as the column wound its way out of the town and turned southward, yet the sounds of cheering from within the town followed still. Egwene glanced back often, until trees and hills hid Fal Dara’s walls and towers.
Nynaeve, riding alongside, shook her head. “Rand will be all right. He has Lord Ingtar and twenty lances with him. In any case, there is nothing you can do about it. Nothing either of us can do.” She glanced toward Moiraine; the Aes Sedai’s trim white mare and Lan’s tall black stallion made an odd pair off to one side by themselves. “Not yet.”
The column angled westward as it traveled, and it did not cover the ground quickly. Even footmen in half armor could not move fast through the Shienaran hills, not and maintain the pace for long. Still, they pushed as hard as they could.
Camps came late each night, the Amyrlin allowing no stop until barely enough light remained to pitch the tents, flattened white domes just tall enough to stand in. Each pair of Aes Sedai from the same Ajah had one, while the Amyrlin and the Keeper had tents to themselves. Moiraine shared the tent of her two sisters of the Blue. The soldiers slept on the ground in their own encampment, and the Warders wrapped themselves in their cloaks near the tents of the Aes Sedai to whom they were bonded. The tent shared by the Red sisters looked oddly lonely without any Warders, while that of the Greens seemed almost festive, the two Aes Sedai often sitting outside long past dark to talk with the four Warders they had brought between them.
Lan came once to the tent Egwene shared with Nynaeve, taking the Wisdom into the night a little distance away. Egwene peered around the tent flap to watch. She could not hear what they said, except that Nynaeve eventually erupted in anger and came stalking back to wrap herself in her blankets and refuse to talk at all. Egwene thought her cheeks were wet, though she hid her face with a corner of her blanket. Lan stood watching the tent from the darkness for a long time before he went away. After that he did not come again.
Moiraine did not come near them, giving them only a nod in passing. She seemed to spend her waking hours speaking with the other Aes Sedai, all but the Red sisters, drawing them aside one by one as they rode. The Amyrlin allowed few stops for rest, and those short.
“Maybe she doesn’t have time for us anymore,” Egwene observed sadly. Moiraine was the one Aes Sedai she knew. Perhaps—though she did not like to admit it—the only one she was sure she could trust. “She found us, and we are on our way to Tar Valon. I suppose she has other things to concern her, now.”
Nynaeve snorted softly. “I’ll believe she is done with us when she’s dead—or we are. She is sly, that one.”
Other Aes Sedai came to their tent. Egwene almost jumped out of her skin that first night out of Fal Dara, when the tent flap was pushed aside and a plump, square-faced Aes Sedai, with graying hair and a vaguely distracted look in her dark eyes, ducked into their tent. She glanced at the lantern hanging at the highest point of the tent, and the flame rose a little higher. Egwene thought she felt something, thought she almost saw something about the Aes Sedai when the flame grew brighter. Moiraine had told her that one day—when she had more training—she would be able to see when another woman channeled, and to tell a woman who could channel even if she did nothing.
“I am Verin Mathwin,” the woman said with a smile. “And you are Egwene al’Vere and Nynaeve al’Maera. From the Two Rivers, which was once Manetheren. Strong blood, that. It sings.”
Egwene exchanged glances with Nynaeve as they got to their feet.
“Is this a summons to the Amyrlin Seat?” Egwene asked.
Verin laughed. The Aes Sedai had a smudge of ink on her nose. “Oh, my, no. The Amyrlin has more important things to deal with than two young women who are not even novices yet. Although, you never can tell.  One day . . .  “But this is not one day. I am here to give you a lesson, Egwene. You have been poking in ahead of yourself, I fear.”
Nervously, Egwene looked at Nynaeve. “What have I done? Nothing that I’m aware of.”
“Oh, nothing wrong. Not exactly. Somewhat dangerous, perhaps, but not exactly wrong.” Verin lowered herself to the canvas floor, folding her legs under her. “Sit, both of you. Sit. I don’t mean to crane my neck.” She shifted around until she had a comfortable position. “Sit.”
Egwene settled cross-legged across from the Aes Sedai and did her best not to look at Nynaeve. No need to look guilty until I know if I am. And maybe not then. “What is it I’ve done that’s dangerous but not exactly wrong?”
“Why, you’ve been channeling the Power, child.”
Egwene could only gape.  Why are we going to Tar Valon, if not for that?”
“Moiraine has . . . I mean, Moiraine Sedai has been giving me lessons,” Egwene managed.
Verin held up her hands for quiet, and they fell silent. She might seem vague, but she was Aes Sedai, after all. “Child, do you think Aes Sedai immediately teach every girl who says she wants to be one of us how to channel? Well, I suppose you are not exactly every girl, but just the same . . .
“Then why did she?” Nynaeve demanded. There had been no lessons for her, and Egwene was still not sure if it rankled Nynaeve or not.
“Because Egwene had already channeled,” Verin said patiently.
“So . . . So have I.” Nynaeve did not sound happy about it.
“Your circumstances are different, child. That you are still alive shows you weathered the various crises, and did it on your own. I think you know how lucky you are. Of every four women forced to do what you did, only one survives. Of course, wilders—” Verin grimaced. “Forgive me, but I am afraid that is what we in the White Tower often call women who, without any training, have managed some rough control—random, and barely enough to be called control, usually, like you, but still control of a sort. Wilders have difficulties, it is true. Almost always they have built up walls to keep themselves from knowing what it was they were doing, and those walls interfere with conscious control. The longer those walls have to build, the harder it is to tear them down, but if they can be demolished—well, some of the most adept sisters ever have been wilders.”
Nynaeve shifted irritably, and looked at the entrance as if thinking of leaving.
“I don’t see what any of that has to do with me,” Egwene said.
Verin blinked at her, almost as if wondering where she had come from. “With you? Why, nothing. Your problem is quite different.  Even after they reach the Tower, even after they’ve learned what to do and how, for months they need to be led, step by step, by a sister, or by one of the Accepted. But not you. From what Moiraine tells me, you leaped into it as soon as you knew you could, fumbling your way through the dark with never a thought of whether there was a bottomless pit under your next step. Oh, there have been others like you; you are not unique. Moiraine was one herself. Once she knew what you had done, there was nothing for it but for her to begin teaching you. Did Moiraine never explain any of this to you?”
“Never.” Egwene wished her voice was not so breathless. “She had . . . other matters to deal with.” Nynaeve snorted softly.
“Well, Moiraine has never believed in telling anyone anything they did not need to know. Knowing serves no real purpose, but then, neither does not knowing. Myself, I always prefer knowing to not.”
“Is there one? A pit, I mean?”
“Obviously not so far,” Verin said, tilting her head. “But the next step?” She shrugged. “You see, child, the more you try to touch the True Source, the more you try to channel the One Power, the easier it becomes to actually do it. Yes, in the beginning, you stretch out to the Source and more often than not it is like grasping at air.  Or you do something, and it isn’t what you intended at all. That is the danger. Usually, with guidance and training—and the girl’s own fear slowing her down—the ability to touch the Source and the ability to channel the Power come together with the ability to control what she is doing. But you began trying to channel without anyone there to teach you any control at all of what you do. I know you don’t think you’re very far along, and you are not, but you are like someone who has taught herself to run up hills—sometimes, at least—without ever learning how to run down the other side, or to walk. Sooner or later you are going to fall, if you don’t learn the rest of it. Now, I am not talking about anything like what happens when one of those poor men begins channeling—you will not go mad; you won’t die, not with sisters to teach and guide you—but what might you do entirely by accident, never meaning to?” For an instant the vagueness had dropped from Verin’s eyes. For an instant, it seemed, the Aes Sedai’s gaze had flicked from Egwene to Nynaeve as sharply as the Amyrlin’s had.  You must learn to control them before you harm yourself, or someone else, or a great many people. That is what Moiraine was trying to teach you. That is what I will try to help you with tonight, and what a sister will help you with every night until we put you into Sheriam’s most capable hands. She is Mistress of Novices.”
Egwene thought, Can she know about Rand? It isn’t possible. She’d never have let him leave Fal Dara if she even suspected. But she was sure she had not imagined what she saw. “Thank you, Verin Sedai. I will try.”
Nynaeve rose smoothly to her feet.  “You could profit by it. From what Moiraine has told me, it should take only a little training for you to be raised to the Accepted.”
Nynaeve hesitated only a moment before shaking her head firmly. “I thank you for the offer, but I can wait until we reach Tar Valon. Egwene, if you need me, I will be—”
“By any gauge,” Verin cut in, “you are a woman grown, Nynaeve. Usually, the younger a novice, the better she does. Not with the training necessarily, but because a novice is expected to do as she is told, when she is told and without question. It is really only of use once the actual training has reached a certain point—a hesitation in the wrong place then, or a doubt of what you have been told to do, can have tragic consequences—but it is better to follow the discipline all the time. The Accepted, on the other hand, are expected to question things, as it is felt they know enough to know what questions to ask and when. Which do you think you would prefer?”
Nynaeve’s hands tightened on her skirt, and she looked at the tent flap again, frowning. Finally she gave a short nod and settled back down on the floor. “I suppose I might as well,” she said.
“Good,” Verin said. “Now. You already know this part, Egwene, but for Nynaeve’s sake I will take you through it step by step. In time, it will become second nature—you will do it all faster than you can think of it—but now it is best to go slowly. Close your eyes, please. It goes better in the beginning if you have no distractions at all.” Egwene closed her eyes. There was a pause. “Nynaeve,” Verin said, “please close your eyes. It will really go better.” Another pause.  Now, you must empty yourself. Empty your thoughts. There is only one thing in your mind. The bud of a flower. Only that. Only the bud. You can see it in every detail. You can smell it. You can feel it. Every vein of every leaf, every curve of every petal. You can feel the sap pulsing. Feel it. Know it. Be it. You and the bud are the same. You are one. You are the bud.”
Her voice droned on hypnotically, but Egwene no longer really heard; she had done this exercise before, with Moiraine. It was slow, but Moiraine had said it would come more quickly with practice. Inside herself, she was a rosebud, red petals curled tightly. Yet suddenly there was something else. Light. Light pressing on the petals. Slowly the petals unfolded, turning toward the light, absorbing the light. The rose and the light were one. Egwene and the light were one. She could feel the merest trickle of it seeping through her. She stretched for more, strained for more . . .
In an instant it was all gone, rose and light. Moiraine had also said it could not be forced. With a sigh, she opened her eyes.  Verin was as calm as ever.
“You cannot make it happen,” the Aes Sedai was saying. “You must let it happen. You must surrender to the Power before you can control it.”
“This is complete foolishness,” Nynaeve muttered. “I don’t feel like a flower. If anything, I feel like a blackthorn bush. I think I will wait by the fire after all.”
“As you wish,” Verin said. “Did I mention that novices do chores? They wash dishes, scrub floors, do laundry, serve at table, all sorts of things. I myself think the servants do a better job of it by far, but it is generally felt that such labor builds character. Oh, you are staying? Good. Well, child, remember that even a blackthorn bush has flowers sometimes, beautiful and white among the thorns. We will try it one at a time. Now, from the beginning, Egwene. Close your eyes.”
Several times before Verin left, Egwene felt the flow of the Power through her, but it was never very strong, and the most she managed with it was to produce a stir in the air that made the tent flap stir slightly. She was sure a sneeze could have done as much. She had done better with Moiraine; sometimes, at least. She wished it was Moiraine doing the teaching.
Nynaeve never even felt a glimmer, or so she said. By the end her eyes were set and her mouth so tight that Egwene was afraid she was about to begin berating Verin as if the Aes Sedai were a village woman intruding on her privacy. But Verin simply told her to close her eyes once again, this time without Egwene.
Egwene was sitting, watching the other two between her yawns. The night had grown late, well past the time she would usually be asleep.  Egwene hoped the Wisdom’s temper did not break loose, not after she had held it this long.
“Feel the flow through you,” Verin was saying. Her voice did not change, but suddenly there was a gleam in her eyes. “Feel the flow. Flow of the Power. Flow like a breeze, a gentle stirring in the air.” Egwene sat up straight. This was how Verin had guided her each time she had actually had the Power flowing through her. “A soft breeze, the slightest movement of air. Soft.”
Abruptly the stacked blankets burst into flame like fatwood.
Nynaeve opened her eyes with a yell. Egwene was not sure if she screamed or not. All Egwene knew was that she was on her feet, trying to kick the burning blankets outside before they set the tent on fire.
“Well,” Verin said. “Well. I did not expect to have to douse a fire. Don’t faint on me, child. It’s all right now. I took care of it.”
“I—I was angry.” Nynaeve spoke through trembling lips in a bloodless face. “I heard you talking about a breeze, telling me what to do, and fire just popped into my head. I—I didn’t mean to burn anything. It was just a small fire, in—in my head.” She shuddered.
“I suppose it was a small fire, at that.” Verin barked a laugh that was gone with another look at Nynaeve’s face. “Are you all right, child? If you feel ill, I can . . . ” Nynaeve shook her head, and Verin nodded. “Rest is what you need. Both of you. I’ve worked you too hard. You must rest. The Amyrlin will have us all up and away before first light.” Standing, she toed the charred blankets. “I will have some more blankets brought to you. I hope this shows both of you how important control is. You must learn to do what you mean to do, and nothing more. Aside from harming someone else, if you draw more of the Power than you can safely handle—and you cannot handle much, yet; but it will grow—if you draw too much, you can destroy yourself. You can die.  As if she had not told them they were walking a knife edge, she added a cheerful “Sleep well.” With that, she was gone.
Egwene put her arms around Nynaeve and hugged her tight. “It is all right, Nynaeve. There is no need to be frightened. Once you learn to control—”
Nynaeve gave a croaking laugh. “I am not frightened.” She glanced sideways at the smoking blankets and twitched her eyes away. “It takes more than a little fire to frighten me.” But she did not look at the blankets again, even when a Warder came to take them away and leave new.
Verin did not come again, as she had said she would not. Indeed, as they journeyed on, south and west, day by day, as fast as the footmen could move, Verin paid the two women from Emond’s Field no more mind than Moiraine did, than did any of the Aes Sedai. They were not precisely unfriendly, the Aes Sedai, but rather distant and aloof, as if preoccupied. Their coolness heightened Egwene’s unease, and brought back all the tales she had heard as a child.
Her mother had always told her the tales about Aes Sedai were a lot of fool men’s nonsense, but neither her mother nor any other woman in Emond’s Field had ever met an Aes Sedai before Moiraine came there. She herself had spent a good deal of time with Moiraine, and Moiraine was proof to her that not all Aes Sedai were like the tales. Cold manipulators and merciless destroyers. Breakers of the World. She knew now that those, at least—the Breakers of the World—had been male Aes Sedai, when there were such, in the Age of Legends, but it did not help a great deal. Not all Aes Sedai were like the tales, but how many, and which?
The Aes Sedai who came to the tent each night were so mixed that they did not help at all in clearing her thoughts. Alviarin was as cool and businesslike as a merchant come to buy wool and tabac, surprised that Nynaeve was part of the lesson but accepting, sharp in her criticisms but always ready to try again. Alanna Mosvani laughed and spent as much time talking about the world, and men, as she did teaching. Alanna showed too much interest in Rand and Perrin and Mat for Egwene’s comfort, though. Especially Rand. Worst of all was Liandrin, the only one who wore her shawl; the others had all packed them away before leaving Fal Dara. Liandrin sat fingering her red fringe and taught little, and reluctantly at that. She questioned Egwene and Nynaeve as if they had been accused of a crime, and her questions were all about the three boys. She kept it up until Nynaeve threw her out—Egwene was not sure why Nynaeve did so—and then she left with a warning.
“Watch yourselves, my daughters.  Now you dabble your toes where there are things to bite you.”
Finally the column reached the village of Medo, on the banks of the Mora, which ran along the border between Shienar and Arafel and so into the River Erinin.
Egwene was sure it was the Aes Sedai’s questions about Rand that had made her start dreaming of him, that and worrying about him, about whether he and the others had had to follow the Horn of Valere into the Blight. The dreams were always bad, but at first they were just the ordinary sort of nightmare. By the night they reached Medo, the dreams had changed, though.
“Pardon, Aes Sedai,” Egwene asked diffidently, “but have you seen Moiraine Sedai?” The slender Aes Sedai waved her away and hurried on down the crowded, torch-lit village street, calling for someone to be careful with her horse. The woman was of the Yellow Ajah, though not wearing her shawl now; Egwene knew no more of her than that, not even her name.
Medo was a small village—though Egwene was shocked to realize that what she now thought of as a “small village” was as big as Emond’s Field—and it was overwhelmed now with many more outsiders than there were inhabitants. Horses and people filled the narrow streets, jostling to the docks past villagers who knelt whenever an unseeing Aes Sedai sped by. Harsh torchlight lit everything. The two docks jutted out into the River Mora like stone fingers, and each hosted a pair of small, two-masted ships. There, horses were being hoisted on board by booms and cables and canvas cradles under their bellies. More of the ships—high-sided and stout, with lanterns topping their masts—crowded the moon-streaked river, already loaded or waiting their turn. Rowboats ferried out archers and pikemen, the raised pikes making the boats look like gigantic pricklebacks swimming on the surface.
On the left-hand dock Egwene found Anaiya, watching the loading and chivying those who were not moving fast enough. Though she had never said more than two words to Egwene, Anaiya seemed different from the others, more like a woman from home. Egwene could picture her baking in her kitchen; she could not see any of the others so. “Anaiya Sedai, have you seen Moiraine Sedai? I need to talk to her.”
The Aes Sedai looked around with an absent frown. “What?  Moiraine is gone. And your friend, Nynaeve, is already out on the River Queen.  Light, what a scramble! You should be aboard, yourself. Find a boat going out to the River Queen. You two will be traveling with the Amyrlin Seat, so mind yourself once you’re on board. No scenes or tantrums.”
“Which ship is Moiraine Sedai’s?”
“Moiraine isn’t on a ship, girl. She’s gone, two days gone, and the Amyrlin is in a taking over it.” Anaiya grimaced and shook her head, though most of her attention was still on the workers. “First Moiraine vanishes with Lan, then Liandrin right on Moiraine’s heels, and then Verin, none of them with so much as a word for anyone. Verin did not even take her Warder; Tomas is chewing nails with worry over her.” The Aes Sedai glanced at the sky. The waxing moon shone without the hindrance of clouds. “We will have to call the wind again, and the Amyrlin will not be pleased with that, either. She says she wants us on our way to Tar Valon within an hour, and she will brook no delays. I would not want to be Moiraine, or Liandrin, or Verin, when she sees them next. They’ll wish they were novices again. Why, child, what’s the matter?”
Egwene drew a deep breath. Moiraine gone? She can’t be! I have to tell somebody, somebody who won’t laugh at me. She imagined Anaiya back in Emond’s Field, listening to her daughter’s problems; the woman fit the picture. “Anaiya Sedai, Rand is in trouble.”
Anaiya gave her a considering look. “That tall boy from your village? Missing him already, are you? Well, I shouldn’t be surprised if he is in trouble. Young men his age usually are. Though it was the other one—Mat?—who had the look of trouble. Very well, child. I don’t mean to mock you or make light. What kind of trouble, and how do you know? He and Lord Ingtar must have the Horn and be back in Fal Dara by now. Or else they’ve had to follow it into the Blight, and there’s nothing to do about that.”
“I—I don’t think they’re in the Blight, or back in Fal Dara. I had a dream.” She said it half defiantly. It sounded silly when she said it, but it had seemed so real. A nightmare for true, but real.  Despite the mask, she had thought he was surprised to see her. His look had frightened her till she thought her bones would break from shivering, but suddenly he vanished, and she saw Rand sleeping on the ground, wrapped in a cloak. A woman had been standing over him, looking down. Her face was in shadow, but her eyes seemed to shine like the moon, and Egwene had known she was evil. Then there was a flash of light, and they were gone. Both of them. And behind it all, almost like another thing altogether, was the feel of danger, as if a trap was just beginning to snap shut on an unsuspecting lamb, a trap with many jaws. As though time had slowed, and she could watch the iron jaws creep closer together. The dream had not faded with waking, the way dreams did. And the danger felt so strong she still wanted to look over her shoulder—only somehow she knew that it was aimed at Rand, not at her.
She wondered if the woman had been Moiraine, and upbraided herself for the thought. Liandrin fit that part better. Or perhaps Alanna; she had been interested in Rand, too.
She could not bring herself to tell Anaiya. Formally, she said, “Anaiya Sedai, I know it sounds foolish, but he is in danger. Great danger. I know it. I could feel it. I still can.”
Anaiya wore a thoughtful look. “Well, now,” she said softly, “that’s a possibility I’ll wager no one has considered. You may be a Dreamer. It is a small chance, child, but . . . We haven’t had one of those in—oh—four or five hundred years. And Dreaming is close linked to Foretelling. If you really can Dream, it may be that you can Foretell, as well. That would be a finger in the Reds’ eye. Of course, it could be just an ordinary nightmare, brought on by a late night, and cold food, and us traveling so hard since we left Fal Dara. And you missing your young man. Much more likely. Yes, yes, child, I know. You are worried about him. Did your dream indicate what kind of danger?”
Egwene shook her head. “He just vanished, and I felt danger. And evil. I felt it even before he vanished.” She shivered and rubbed her hands together. “I can still feel it.”
“Well, we will talk about it more on the River Queen.  You there!” the Aes Sedai barked suddenly, and Egwene jumped. A tall man, who had just sat down on a cask of wine, jumped, too. Several others quickened their step. “That’s for loading aboard, not resting on! We will talk on the boat, child. No, you fool! You can’t carry it by yourself! Do you want to hurt yourself?”
Egwene peered into the dark, toward the south. He was out there, somewhere. Not in Fal Dara, not in the Blight. She was sure of it.   It did not occur to her to ask how she was going to get him out of anything, going to Tar Valon as she was.
Snugging her cloak around her, she set out to find a boat to the River Queen.


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#include <ParticleUniverseBehaviourFactory.h>
Public Member Functions | |
| ParticleBehaviourFactory (void) | |
| virtual | ~ParticleBehaviourFactory (void) |
| virtual Ogre::String | getBehaviourType (void) const =0 |
| virtual ParticleBehaviour * | createBehaviour (void)=0 |
| void | destroyBehaviour (ParticleBehaviour *behaviour) |
Protected Member Functions | |
| template<class T> | |
| ParticleBehaviour * | _createBehaviour (void) |
| ParticleUniverse::ParticleBehaviourFactory::ParticleBehaviourFactory | ( | void | ) | [inline] |
| virtual ParticleUniverse::ParticleBehaviourFactory::~ParticleBehaviourFactory | ( | void | ) | [inline, virtual] |
| ParticleBehaviour* ParticleUniverse::ParticleBehaviourFactory::_createBehaviour | ( | void | ) | [inline, protected] |
| virtual Ogre::String ParticleUniverse::ParticleBehaviourFactory::getBehaviourType | ( | void | ) | const [pure virtual] |
Returns the type of the factory, which identifies the particle behaviour type this factory creates.
Implemented in ParticleUniverse::SlaveBehaviourFactory.
| virtual ParticleBehaviour* ParticleUniverse::ParticleBehaviourFactory::createBehaviour | ( | void | ) | [pure virtual] |
| void ParticleUniverse::ParticleBehaviourFactory::destroyBehaviour | ( | ParticleBehaviour * | behaviour | ) | [inline] |
Delete a behaviour


Welcome to Life at Starbucks!
This is a blog about working at Starbucks. Starbucks is sooo wondeful and awesome that we chose to take up coding to escape this way of life.


blackjok3r branch is working too btw... much nicer
StakedNotary
mrlynch05-Dec-19 08:03 PM
good.. didn't want to have to file in a request for an update on station12 again
damn bureaucrats take days to approve those
Bar_F1sh_Rel05-Dec-19 08:03 PM
@Alright - Tried to run the sign-up on debian - Doesn't like secrets in the entercomp.py
Secrets also wants openssl etc etc. only had a couple of minutes - so leaving this for now.
phm8705-Dec-19 08:03 PM
Can we use #labs-nn for kmdlabs nn stuff ? And another one for staking tests ?
mrlynch05-Dec-19 08:04 PM
nyet
Alright05-Dec-19 08:04 PM
All the channles except this one are not visible to normal users as far as I know
phm8705-Dec-19 08:04 PM
Ok
Alright05-Dec-19 08:04 PM
@Bar_F1sh_Rel sorry man, that is just a result of me being lazy, it doesn't actually need that if you want to rip it out
I just used the same library I've been using for pos64staker as it let me make it very quickly(edited)
Then ok, we can mix all conversations about labs here no problem for me (not very different than work )
Oszy05-Dec-19 08:06 PM
if you still need this
Alright05-Dec-19 08:06 PM
thanks oszy
yea that's strange, same code different results
would be nice to figure out why
blackjok3r05-Dec-19 08:07 PM
just use a try catch and accout fort them both ? doies it work for you now?
Oszy05-Dec-19 08:07 PM
I tell you why
komodo-cli
Alright05-Dec-19 08:07 PM
works
Oszy05-Dec-19 08:07 PM
if I use komodo-cli from master its JSON error
asset-cli works
blackjok3r05-Dec-19 08:07 PM
yes asset-cli is good..
blackjok3r branch of StakedNotary is working, pls test it
Alright05-Dec-19 08:08 PM
has anyone taken a look at what this chain is doing?
is pretty awesome to look at, just saying....
Oszy05-Dec-19 08:08 PM
just got home will dive into it
is there a list of new commands?
Alright05-Dec-19 08:08 PM
1. setstakingsplit
blackjok3r05-Dec-19 08:09 PM
explorer?
Alright05-Dec-19 08:09 PM
@blackjok3r 06d4a01977fe38c6a87fcea9cdd91359e479da131aac51ff702d6ad194c2e53a works with ac_notarypay
stakingsplit that is
will ask chmex
ComputerGenie 👴👴👴05-Dec-19 08:10 PM
blackjok3r Today at 1:57 PM
its you man its always been you
why do I get the feeling that's not the 1st time you've said that to him?
3
Alright05-Dec-19 08:11 PM
05e1fae3f83f4f9b79679641eb316c7e32f30bfa38940b079a5a16c463e6864a works with ac_perc @blackjok3r
Bar_F1sh_Rel05-Dec-19 08:11 PM
@Alright - Lol - Debian Stretch has none of the bitcoin libraries. Fail.
blackjok3r05-Dec-19 08:11 PM
why I dont use them
Alright05-Dec-19 08:11 PM
it's pretty simple to do manually
uhhh
well not manually
you can use iguana to generate them
Bar_F1sh_Rel05-Dec-19 08:12 PM
True - but the comp asks you to use a script
Alright05-Dec-19 08:12 PM
or use genaddresses.py
blackjok3r05-Dec-19 08:12 PM
bash script of 20 lines would do it
Alright05-Dec-19 08:12 PM
yep, not sure anyone has made one though
blackjok3r05-Dec-19 08:13 PM
gewt tro work then
Alright05-Dec-19 08:14 PM
sorry, don't do bash
it puts holes in your brain
ComputerGenie 👴👴👴05-Dec-19 08:14 PM
and you have enough of them now
1
mrlynch05-Dec-19 08:15 PM
mk ultra experiment on subject #69 (known as Alright) confirmed successful - holes in brain through bash achieved
2
1
Alright05-Dec-19 08:17 PM
@blackjok3r do you intend to fix ac_perc + ac_notarypay block?
-splitperc=100 in startup params or setstakingsplit 100 rpc command will combine the utxo used to stake a block with the coinbase entirely.
a value of 50 will send 50% of the utxo used to stake the block to coinbase transaction
make sense?
have some docs, will get them up soon
basically, splitperc=100 is what pos64staker does
splitperc=0 (the default) is what we're used to
mrlynch05-Dec-19 08:23 PM
[CFEKPOS1:717] suppress 1 more KMD blocks am getting quite a few of these.. does that mean i'm a bad guy?
Alright05-Dec-19 08:23 PM
oh a value of 100 isn't quite the same as what pos64staker does, it will merge it to the coinbase address
so recommended to not use -pubkey with splitperc=100. If you do, all your utxos will end up in -pubkey address eventually(edited)
Oszy05-Dec-19 08:23 PM
@Alright can you send me some test coins? RWPDCnLRqtPVzfGVUVGBaSFsbrAZ88KBNQ


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slim(1) slim(1) " Text automatically generated by txt2man‐1.4.7 NAME slim - Simple LogIn Manager SYNOPSIS slim [options] [<arguments>] DESCRIPTION SLiM is a lightweight login manager for X11, allowing the initialization of a graphical session by entring username and password in a login screen. OPTIONS -d run as a daemon -p /path/to/theme display a preview of the theme. An already running X11 session is required for theme preview. -h display a brief help message -v display version information EXAMPLES slim -d run slim in daemon mode slim -p /usr/share/slim/themes/default preview of the default theme STARTING SLIM AT BOOT Please refer to documentation of your Operating System to make slim auto‐ matically startup after the system boots. CONFIGURATION Global configuration is stored in the /etc/slim.conf file. See the com‐ ments inside the file for a detailed explanation of the options. USAGE AND SPECIAL USERNAMES When started, slim will show a login panel; enter the username and pass‐ word of the user you want to login as. Special usernames: console open a xterm console exit quit slim halt shutdown the machine reboot reboot the machine suspend power-suspend the machine See the configuration file for customizing the above commands. The 'halt' and 'reboot' commands need the root password, this may change in future releases. Shortcuts: F11 executes a custom command (by default takes a screenshot) F1 choose session type (see configuration file and xinitrc.sample) AUTHORS Simone Rota<EMAIL_ADDRESS>Johannes Winkelmann<EMAIL_ADDRESS>SEE ALSO See the online documentation at the SLiM web site for further information on themes, FAQs, etc. January 09, 2006 slim(1)


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The Right of Children to Free and Compulsory Education Act or Right to Education Act (RTE), is an Act of the Parliament of India enacted on 4 August 2009, which describes the modalities of the importance of free and compulsory education for children between 6 and 14 in India under Article 21a of the Indian Constitution. India became one of 135 countries to make education a fundamental right of every child when the Act came into force on 1 April 2010.


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I'm A Celeb camp-mates' furious reactions behind the scenes to first challenge
Ant and Dec were chatting about the stars' reaction to what was coming next - and it's fair to say it didn't go down at all well with the celebs after the news dropped
by Irishmirror.ieAnt McPartlin has revealed I'm A Celebrity contestants turned the air blue after discovering a swimming challenge was up first.
He revealed all on Extra Camp - and said the news couldn't have gone down any worse.
The presenter didn't name names but said there was plenty of off camera swearing as the stars grumbled about being chucked in at the deep end.
Appearing on the the ITV2 spin-off show alongside Ant, Declan Donnelly says he is glad he ducked telling the camp-mates about the watery blow coming their way.
Ant said: "Nobody liked the news. There were quite a few swear words!
I just gave the news and walked off - there was quite a lot of bitching, believe me!
"But to be fair, they eventually just got in and got on with it."
Dec joked: "I'm glad Ant revealed that... I would have given in and said 'don't worry, you don't have to do it'."
Meanwhile John Barrowman worried I'm A Celebrity fans after his appearance on Extra Camp.
The 52-year-old looked almost unrecognisable as he sported shaved gray hair on the show.
And fans flocked to Twitter to comment.
One tweeted: "John Barrowman looking unrecognisable on #ExtraCamp #ImACeleb."
While another commented: "Not trying to be rude but is John Barrowman okay? He looks completely different, didn't recognise him at first #ImACeleb #ImACelebExtraCamp #ExtraCamp."
A third questioned: "Has John Barrowman been poorly ? #ExtraCamp."
Another wrote: "What the hell, John Barrowman looks and even sounds so different #ImACeleb #ExtraCamp."


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The continued, ongoing usability of a digital resource, retaining all qualities of authenticity, accuracy and functionality deemed to be essential for the purposes the digital material was created and/or acquired for. Users who have access can retrieve, manipulate, copy, and store copies on a wide range of hard drives and external devices.
According to the GDPR, the processing of personal data requires a legal basis. If consent is this basis, this consent needs to be documented. Consent needs to be freely given, informed, unambiguous, specific and by a clear affirmative action that signifies agreement to the processing of personal data. The consent form is the document where participants indicate their decision of consent. The consent form or the information letter accompanying the form should include information on the research and consequences of participation, as well as information on how resulting data will be processed and shared.
A controlled vocabulary is a flat, normalised, restricted list of terms for a specific use or context. Thesauri and taxonomies are types of controlled vocabularies, but not all controlled vocabularies are thesauri or taxonomies.
Facts, measurements, recordings, records, or observations about the world collected by scientists and others, with a minimum of contextual interpretation.
A statement accompanying an article published in a scientific journal about the availability of the data underlying the article. What such a statement looks like is determined by each journal in their data sharing policy. The statement will usually describe where the data can be found and what access and reuse conditions there are.
A managed process, throughout the data lifecycle, by which data & data collections are cleansed, documented, standardized, formatted and inter-related.
The process of destroying data stored on tapes, hard disks and other forms of electronic media so that it is completely unreadable and cannot be accessed or used.
In the context of digital data, “Data erasure” or “Data wiping” is the more accurate term. Data wiping is the process of irreversibly deleting or erasing all data beyond recovery without destruction.
A formal statement describing how research data will be managed and documented throughout a research project and the terms regarding the subsequent deposit of the data with a data repository for long-term management and preservation.
Repositories preserve, manage, and provide access to many types of digital materials in a variety of formats. Materials in online repositories are curated to enable search, discovery, and reuse
An organization’s established protocol for retaining information for operational or regulatory compliance needs. The objectives of a data retention policy are to keep important information for future use or reference, to organize information so it can be searched and accessed at a later date, and to dispose of information that is no longer needed.
Data stewardship is a shared responsibility between Principal Investigators and data stewards. Both roles have their own responsibilities and support roles related to all different parts of the research project.
Data type (or simply type) in computer science and computer programming is a classification identifying one of various types of data, that determines the possible values for that type; the operations that can be done on values of that type; the meaning of the data; and the way values of that type can be stored.
Common data types include: integers, booleans, characters, floating-point numbers, alphanumeric strings.
The series of managed activities necessary to ensure continued access to digital materials for as long as necessary.
A set of guiding principles to make data Findable, Accessible, Interoperable, and Reusable.
The layout of a file in terms of how the data within the file are organized. A program that uses the data in a file must be able to recognize and possibly access data within the file. A particular file format is often indicated as part of a file’s name by a filename extension (suffix). Conventionally, the extension is separated by a period from the name and contains three or four letters that identify the format.
A proprietary file format is owned and copyrighted by a specific company. Open file formats are publicly available.
Metadata harvesting is an automated, regular process of collecting metadata descriptions from different sources to create useful aggregations, so that services can be built using metadata from many repositories.
A signed agreement to exploit a piece of IP such as a process, product, data, or software. An official document that gives you permission to own, do, or use something, usually after you have paid money and/or taken a test. Commonly used licences for open access works include Creative Commons licences. In the UK context, information about licences can be obtained from the IPO (Intellectual Property Office).
Link rot (also called link death, link breaking, or reference rot) is the disassociation between web addresses and their content. It’s the phenomenon of hyperlinks tending over time to cease to point to their originally targeted file, web page, or server due to that resource being relocated to a new address or becoming permanently unavailable.
Continued access to digital materials, or at least to the information contained in them, indefinitely.
A continuum of possible states wherein a digital object provides increasingly more detailed information to an autonomously-acting, computational data explorer. This information enables the agent—to a degree dependent on the amount of detail provided—to have the capacity, when faced with a digital object never encountered before, to:
In a form that can be used and understood by a computer. A broad term encompassing: (a) digital surrogates created as a result of converting analogue materials to digital form (digitisation); (b) “born digital” for which there has never been and is never intended to be an analogue equivalent; and, (c) digital records.
Data that defines and describes the characteristics of other data, used to improve both business and technical understanding of data and data-related processes.
A persistent identifier is a long-lasting reference to a digital object that gives information about that object regardless of what happens to it. Developed to address “link rot,” a persistent identifier can be resolved to provide an appropriate representation of an object whether that object changes its online location or goes offline.
A preservation plan outlines the principles steering the main activities regarding sustainable preservation of, as well as access to digital research data for, (re-)use within its user communities.
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1) A level of quality, achievement, etc., that is considered acceptable or desirable.
2) Ideas about morally correct and acceptable behavior.
A standard can be mandatory due to government statute or regulation, or less formally required in the form of a consensus or de facto standard. In this context, it is important that the standard is relevant for and used by a specific community.
Data whose elements have been organized into a consistent format and data structure within a defined data model such that the elements can be easily addressed, organized and accessed in various combinations to make better use of the information, such as in a relational database.
An infrastructure component that provides reliable, long-term access to managed digital resources. It stores, manages, and curates digital objects and returns their bit streams when a request is issued. Trusted repositories undergo regular assessments according to a set of rules such as defined by Data Seal of Approval (DSA) or TRAC (ISO 16363).
A set of guiding principles to demonstrate digital repository trustworthiness:


Molly-Mae Hague is cruelly trolled for her 'bent leg' in stunning social media snap
Molly-Mae come under fire on social media as trolls attacked her latest beautiful Instagram post over the weekend
by Lily Waddell, https://www.mirror.co.uk/authors/lily-waddell/Love Island 's Molly-Mae Hague was cruelly trolled on Instagram over the weekend.
The Pretty Little Thing star, 20, treated her 3.5million fans to yet another ultra glam Instagram .
But nasty trolls attacked the beauty as they claimed her leg "looked broken" in the social media snap.
Molly-Mae worked her model magic in a quirky pair of ripped jeans that were fastened to her legs with elastic bands at her ankles.
The blonde looked fabulous as she nailed her chic look with a cream shirt and arranged her golden mane neatly on her shoulders.
Some fans criticised the way the model was standing as they claimed it made her leg appear to be "broken".
"Fab but why does your leg look broken," one commenter wrote.
Others followed suit with comments: "Why is ur knee a z shape."
"You're right leg looks weird because of you're pants haha."
"What’s up with your legs @mollymaehague ."
"Where’d her leg go."
"You look great...til you get to the knees!! Wtf!!?"
However, many rushed to comment how beautiful Molly-Mae was looking including her Love Island co-stars India Reynolds and Amy Hart.
Amy penned: "My babba sister. Love you xxx."
India added: "Beaut."

It comes after Molly-Mae predicted her boyfriend Tommy Fury is going to propose by the end of the year.
The Love Island stars have been together since meeting in the villa over the summer and their romance has been going from strength-to-strength since the end of the show.
In a recent interview, Molly-Mae has opened up about their future plans and she's convinced the boxer, also 20, is plotting to pop the question very soon.
She thinks it'll happen by the end of 2019 on their planned trip to the Maldives over New Year.
The influencer told Mail Online : "The thing is I wouldn't be surprised if he did pop the question when we're in the Maldives over New Year.


THE CURSE OF THE JADE SCORPION RATING: 7/10
For more reviews and movie trailers, visit http://www.joblo.com/
Before you read my review, you gotta know that I love Woody Allen. This is a very important note because Allen's films are generally an acquired taste and definitely not for everyone. I know folks who believe him to be a complete genius, while others see him as a dirty ol' schnook who keeps making the same movie over and over again. I love most of his films, but will admit to having been quite disappointed by his recent crop during the 90s. In fact, why he felt the need to make 10 movies in those 10 years is beyond me! If you look at the quality of those films, you'll hear what I'm saying. The only two films of his that I really liked during that time were BULLETS OVER BROADWAY and HUSBANDS AND WIVES. In fact, I secretly hoped that he would take some "time off" at the turn of the millennium, just to re-energize or something, but it doesn't appear as though he has any intention of doing that. So here I am again, reviewing yet another Woody Allen movie and hoping that it brings back the Woody from the days of old.
PLOT: The year is 1940 and Woody Allen is a top-notch insurance investigator. His methods are very old-fashioned and apparently out of date. A new employee (Hunt) has just been hired to streamline the operations for greater efficiency. The two do not like each other. One night, they are both put under a hypnotic trance by a magician, and unbeknownst to them, placed under his control. Soon thereafter, jewels are stolen, words of love are exchanged and everyone is looking for an answer.
CRITIQUE: A wonderful recreation of the 1940s style movies, with the fast-talking witty banter between co-workers, a catchy jazz score moving things along, film noirish elements such as the Veronica Lake-type sexpot, one-liners galore and a fluffy, if inconsequential plotline. On the downside, the film actually starts off pretty slowly, with the first hour tossing only a few guffaws out there, but never really generating any kind of steady flow or energy. The sets, on the other hand, were amazing, the production design and costumes were perfect, and the casting ideal, so I kept hoping that the film would pick up and not turn into yet another mediocre outing for the man. But it wasn't not long before I was fully engaged by the characters, entertained by the many zingers delivered back-and-forth between Allen and Hunt, and actually interested in the resolution of the flick. I also appreciated how Allen played the fine line between homage to the films of old, parody and actual reinvention (note Theron's entire female persona that is drenched in film noir- very cool).
Of course, films like this (with little or no real tension in the plot) need solid actors to keep you interested in the quick-fire dialogue, and once again, Allen does a great job in playing his character, who for once, isn't his typical New York Jewish neurotic cheating insecure husband dude. He actually plays a "macho" guy here and handles it pretty well, especially the scenes in which he's hypnotized. But the bigger surprise for me in this film was Helen Hunt, an actress who I was openly "sick of seeing" in movies late last year (sorry babe, you were just in too many at the same time!). Anyway, she's really great in this film as the headstrong woman looking to a new era of equality amongst men, and doesn't miss a beat of Allen's fast-paced dialogue. I didn't care much for her running joke about him "dying" whenever he left a room, but overall she was really good and I especially liked the way that her sweaters clung to her breasts as they did...yum, yum! Harumph, but I digress. So let's recap. A great looking picture with a nice jazzy score, some funny one-liners, especially in the second half, a decent plotline, although you shouldn't expect a real mystery or anything, and some solid acting all around.
I can't say that this is even remotely close to any of Allen's best work, but I certainly believe it to be a step in the right direction, especially after the dinky decade of films that he just went through. It's probably better geared towards Allen fans more than anyone else, but I would still recommend this film to anyone looking for a cute, "old-school" kind of vibe, with chemistry between the leads, zippy dialogue and a satisfying conclusion.
Little Known Facts about this film and its stars: Annie Hall (10/10) - Celebrity (5/10) - Everyone Says I Love You (5/10) - Husbands and Wives (9/10) - Mighty Aphrodite (5/10) - Small Time Crooks (7/10) - When Harry Met Sally (10/10) - You've Got Mail (4/10)
Review Date: August 13, 2001 Director: Woody Allen Writer: Woody Allen Producer: Letty Aronson Actors: Woody Allen as CW Briggs Helen Hunt as Betty Ann Dan Aykroyd as Chris Magruder Genre: Comedy Year of Release: 2001 ------------------------------------ JoBlo's Movie Emporium http://www.joblo.com/ ------------------------------------ (c) 2001 Berge Garabedian
========== X-RAMR-ID: 29252 X-Language: en X-RT-ReviewID: 245218 X-RT-TitleID: 1109247 X-RT-SourceID: 573 X-RT-AuthorID: 1021 X-RT-RatingText: 7/10
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BASIC ELECTRONICS
Bipolar Junction Transistors
Operational Amplifiers
PN-Junction Diode
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Principles of Semiconductor Devices
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The Fields of Electronics
Transistor Biasing
Zener Diode Voltage Regulators
C PROGRAMMING
Introduction
Fundamentals of C
Data Input & Output
Flow of Control
Functions
Arrays
Pointers
CALCULUS
Calculus PDF
Paul Dawkins-Calculus I
Paul Dawkins-Calculus II
Paul Dawkins-Calculus III
COMMUNICATION SKILLS
Lecture 1
Lecture 2
Lecture 3
Lecture 4
Lecture 5-6
Lecture 7
Lecture 8
Lecture 9
Communication Notes
Communcation Skills(Textbook)
ELECTRICAL ENGINEERING & DRAWING
Lecture Notes
ELECTRICAL MACHINES
DC Generators
Transformers
DC Motors
Lecture Notes on Transformers
Electrical Machines Chapter 1
Electrical Machines Chapter 2-1
Electrical Machines Chapter 2-2
Electrical Machines Chapter 2-3
Electrical Machines Chapter 2-4
Electrical Machines Chapter 2-5
Electrical Machines Chapter
MATLAB
Lecture 1
Lecture 2
Lecture 3
Lecture 4
Lecture 5
Lecture 6
Lecture 7
Course Work
THERMODYNAMICS
Thermodynamics Slides Chapter 1
Thermodynamics Slides Chapter 1
Thermodynamics Slides Chapter 2
Thermodynamics Slides Chapter 3
Thermodynamics Slides Chapter 4
Thermodynamics Slides Chapter 5
Thermodynamics Slides Chapter 6
Chapter 7


Infers the V genotype of an individual from immunoglobulin (Ig) repertoire sequencing data (AIRR-Seq, Rep-Seq). Includes detection of any novel alleles. This information is then used to correct existing V allele calls from among the sample sequences. Citations: Gadala-Maria, et al (2015) <doi:10.1073/pnas.1417683112>.
| Version: | 0.3.1 |
| Depends: | R (≥ 3.2.5), ggplot2 (≥ 2.0.0) |
| Imports: | alakazam (≥ 0.2.11), dplyr (≥ 0.7.0), doParallel, foreach, graphics, gridExtra, gtools, iterators, lazyeval, parallel, rlang, shazam (≥ 0.1.10), stats, stringi, tidyr |
| Suggests: | knitr, testthat |
| Published: | 2018-10-19 |
| Author: | Daniel Gadala-Maria [aut], Susanna Marquez [aut], Moriah Cohen [aut], Gur Yaari [aut], Jason Vander Heiden [ctb, cre], Steven Kleinstein [aut, cph] |
| Maintainer: | Jason Vander Heiden <jason.vanderheiden at yale.edu> |
| BugReports: | https://bitbucket.org/kleinstein/tigger/issues |
| License: | CC BY-SA 4.0 |
| URL: | http://tigger.readthedocs.io |
| NeedsCompilation: | no |
| Citation: | tigger citation info |
| Materials: | README NEWS |
| CRAN checks: | tigger results |
| Reference manual: | tigger.pdf |
| Vignettes: |
Polymorphism detection and genotyping |
| Package source: | tigger_0.3.1.tar.gz |
| Windows binaries: | r-devel: tigger_0.3.1.zip, r-release: tigger_0.3.1.zip, r-oldrel: tigger_0.3.1.zip |
| OS X binaries: | r-release: tigger_0.3.1.tgz, r-oldrel: tigger_0.3.1.tgz |
| Old sources: | tigger archive |
Please use the canonical form https://CRAN.R-project.org/package=tigger to link to this page.


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This simple chair is made from beech with wood bending technology. I designed it in 2008.
The chair makes an excelent pair with the Walnut table. I wanted to create a chair that complemented the Walnut table.
It is a simple and undistinguished chair but still elegant and comfortable.
It was exhibited at Prague’s Designblok in 2008.


I pay my cable bill, that's how. (my sense of humor is lame)
Browser on my computer connects to the Internet (if I paid my cable bill) by typing the URL of a website, which in turn connects to a server using HTTP protocol. Servre finds the appropriate HTML doc and sends it back to my computer.
HTML stands for hypertext markup language. Markups are tags. E.g., "b" tag makes text bold, and "em" is for italics. Void tags are tags that don't require a closing tag (that's the one with a "/" at the end of a piece of text that you want to apply your tag to).
Two types of tags are inline and block tags. Unlike inline tags, block tags (e.g. "p" tag I'm using for this very paragraph) actually create a box around the text they are applied to.
 Sorry, computer!
 It won't understand you if you made a syntax error.
Always check your work! (if you are still not sure, ask a human for help)
HTML represents the structure of a webpage, JavaScript is for interactive components, and CSS adds styles.
DOM is a tree-like stucture of a page, where every tage is an element in a tree.
It's useful to start looking at every webpage from the perspective of "seeing boxes". E.g., every header on this very page is a box, every text paragraph is a a box, etc. If I had pasted an image here, it would be its' own box, too.
Actually, let me do it.
CSS stands for Cascading Style Sheets. The most important rule we should remember is inheritance rule: the most specific rule is applied to every element.
Here is a link if you need to reference any CSS property.
Every box consists of the following elements:
Also, I just accidentally learned how to make lists: you need a "ul" ("ol" for numbers) tag and an "li" (void) tag for every bullet/number. I'm happy I know how to do it now - I basically think in bullet points! Here is a link for more details/options: how to make lists.
If you would like to make a box flexible (for better alignment of elements on a page), you need to add "display: flex" in the CSS code. For example, I used it for a "koala" box to align the picture and its' description the way I wanted (took a while...).
A useful guide for all things flex can be found here.
This is a routine we all should follow while designing a page:
And here are links you can go to when you need to validate your code:
HTML Validator
CSS Validator