Super Heros Calculator
Call on the Heros to do your calculation!
Superman's Calulator
1st Super number.
2nd Super number.
Add!
Spiderman's Calulator
1st Spider number.
2nd Spider number.
Subtract!
Thor's Calulator
1st Thor number.
2nd Thor number.
Multiply!
Antman's Calulator
1st Tiny number.
2nd Tiny number.
Divide!


Volkswagen Celebrates Huge Milestone In LA
70 years of classic German memories.
by Roger BiermannThe LA Auto Show has traditionally been all about the new cars, and this year has been no different. We've seen everything from the Audi e-tron Sportback to the Genesis G90 debut, with a number of other new models enjoying their American debuts. But Volkswagen is using the prestigious event to showcase something a little different, and instead of launching something new - well, apart from displaying the VW ID.Space Vizzion Concept - it's showcasing a range of historical classics to celebrate a milestone. 2019 marks 70 years of Volkswagen in the United States, a feat that all began in 1949 with two Volkswagen Type 1 vehicles, cars that later became known as the Volkswagen Beetle.
It all started when Ben Pon, a Dutch businessman arrived in New York with the two Type 1s, attempting to sell small, affordable vehicles to Americans in an era where sizable vehicles were all the rage. Seven decades later, after selling more than 17 million vehicles, the German marque is celebrating the anniversary with a trip down memory lane.
On display at the 2019 LA Motor Show, VW has brought along classics representing each era in the brand's development. This includes a 1949 Beetle with only a meager 25 horsepower, nearly identical to the Beetles first brought to America by Ben Pon.
Other classics on display include a 1954 Type 2 Bus, a panel van version of one of the world's most iconic minivans that has stood the test of time. It's joined by a later 1967 Type 2 21-Window Bus, a "Samba" version owned by Volkswagen and painted in two-tone white-on-orange.
Predating this, Volkswagen is showcasing a 1963 Karmann Ghia, a rear-engined air-cooled beauty designed and built by German coachbuilder Karmann, and a model that brought some much-needed style and sportiness to the Volkswagen brand, despite being built on a platform shared with the Beetle.
A 1973 Thing - a military vehicle for European nations - and an original 1981 Scirocco, the official successor of the Ghia, join an original 1984 Mk1 Rabbit GTI on display, alongside a 1982 Mk 1 Jetta, while the most recent VW product as part of the exhibition is the 1998 New Beetle.
The US has seen more than just iconic models reach our shores, though. We've built them, too. After Volkswagen of America was officially founded in 1955, the brand grew with the Beetle as its main product, alongside the Type 2, Ghia, Dasher and Squareback. The first Volkswagen manufacturing plant in America was built in Westmoreland, Pennsylvania in 1978 and went on to produce more than 1.1 million Rabbit Golfs. It was also the plant that produced the first sporty VW for the USA, the Rabbit GTI, a car that in many ways established hot hatches in North America.
More recently, VW opened its Chattanooga plant in 2011, and since then Volkswagen has moved much of its design and production to North America. The new 2020 Passat, as well as the VW Atlas and the Atlas Cross Sport will all be produced in North America. The Chattanooga plant will also assemble future electric vehicles when in the next few years, production of MEB-based vehicles starts.
Despite Dieselgate and declining small-car sales threatening Volkswagen's way of life, the brand has weathered the storm and made it this far. With an onslaught of electric vehicles and crossover SUVs to come, perhaps they could see out another 70 years.


An IT professional! I am responsible for technological duties associated with cloud computing, system administration and maintenance.
//1+ Experience with AWS cloud services - including open source technologies, software development, system engineering, scripting languages. I have a background building and designing Web services infrastructure in the AWS cloud. Probably used the Linux servers in AWS and I am also familiar with Gitlab CE server, CI/CD, Odoo server installations and know concepts and basics of Docker and Ansible.
//In programming languages, I am familiar with Python and Bash. //
I have a Masters in Computer Application degree, Also, I am a Red Hat Certified Engineer, Red Hat Certified System Administrator and I have completed my training of AWS Technical Professional.


--- layout: post title: '' date: '2008-02-09T10:55:00-08:00' tags: tumblr_url: http://alexhwilliams.tumblr.com/post/25932428/on-yahoo-live-with-renny-gleeson-of-w-k ---
On Yahoo! Live with Renny Gleeson of W+K.


a Distributed VCS (Version Control System):
Every local copy contains the whole content of the "central" repository
You can now code in the bus / train / plane / boat
Where other VCS record Deltas to rebuild the complete files, GIT stores snapshots of modified files.
SVN:
Git aims at proposing:
Indeed Git is fast: operations are almost instantaneous
The entire history is accessible offline
Branching is not scary. Actually, branching is the essence of Git. It so easy and flexible that we create several branches every day.
Current version of the file / folder structure + .git directory
Download it from http://git-scm.com/download/win
Add a GUI on top, or use the command line
$ sudo apt-get install git
Add a GUI on top, or use the command line
Use your favorite package installer, or refer to standard git-scm procedure
two ways of doing it
git init .
git clone git@github.com:bonitasoft/bonita-engine.git
git commit -a
Enter a commit comment
Commit is now in the history
Show the history of a repository
git log
commit fc365c472c195e40d8f4b6278b17a88750e81a92
Author: Baptiste Mesta<EMAIL_ADDRESS>Date: Wed Jan 13 16:04:29 2016 +0100
added images
commit 5cce7520f99b6a4cba3997cf8f3d275086bef6f0
Author: Baptiste Mesta<EMAIL_ADDRESS>Date: Wed Jan 13 16:02:40 2016 +0100
Added slides on git commit
commit 58782ccae98c181c68f3297b9d08ae7aed0e2844
Author: Baptiste Mesta<EMAIL_ADDRESS>Date: Wed Jan 13 15:13:01 2016 +0100
add section working with git
but having a graphical interface is better...
the staging area is a buffer where you define what will be in the next commit
add a single file
git add myfile.txt
add all files
git add --all
before adding
$git status
on branch master
Your branch is up-to-date with 'origin/master'.
Changes not staged for commit:
(use "git add <file>..." to update what will be committed)
(use "git checkout -- <file>..." to discard changes in working directory)
modified: presentation/index.html
Untracked files:
(use "git add <file>..." to include in what will be committed)
presentation/images/staging.png
no changes added to commit (use "git add" and/or "git commit -a")
after git add --all
$git status
On branch master
Your branch is up-to-date with 'origin/master'.
Changes to be committed:
(use "git reset HEAD <file>..." to unstage)
new file: presentation/images/staging.png
modified: presentation/index.html
you can now commit using git commit
A branch is simple pointer to a commit, that is why a branch is git is very light
A branch can be created using git branch branch_name
Then get is usinggit checkout branch_name
When a commit is done on a branch it changes where the branch point to
$ git checkout iss53
$ vim index.html
$ git commit -a -m 'add a new footer [issue 53]'
tags are like branch but they do not move
git tag -a "7.2.0"
you can merge a branch into an other branch with git merge branch_name
$ git checkout master
$ git merge iss53
Auto-merging README
Merge made by the 'recursive' strategy.
README | 1 +
1 file changed, 1 insertion(+)
rebase is 'moving' a branch and all its commit to an other starting point
$ git checkout experiment
$ git rebase master
First, rewinding head to replay your work on top of it...
Applying: added staged command
The local repository can fetch and push commits to an other repository
these command allow interaction the remote repository
git fetch
retrieve changes from a remote repository but do not change the working copy
it only update remote branches, e.g. origin/master
git merge
without more argument merge the current branch with the branch it tracks
git pull
is used more often, it is a shortcut that does git fetch
and git merge
it can be used with the option --rebase
that redo the local commit starting from the new remote position
it often happend to be like this, you made local commit and someone else pushed commit to the remote repository
the git fetch
retrieve changes
You can now choose to merge or rebase you local changes
git stash
save your local changes without commiting them
git cherry-pick
apply a commit on the current branch, can be used to revert commit
git rebase -i
rebase a branch interactivly, that allows you to reorder, delete, modify, merge commits
.gitignore
file at the root of the working copy to ignore file
GitHub is a Web-based Git repository hosting service
$ git clone git@github.com:bonitasoft/bonita-engine.git
And you're done to get working!
You have the whole copy of the repository, with all the branches, etc. remember?
When you don't have right access to the repository in which you want to make changes
Go to Github and click Fork
You then have a copy of the repo on which you can commit, create branches, and ...
A PR is a request for changes to be applied in a specific branch
You want to change something somewhere in the code.

Merging
the branch into the base branch.


CUSTOMER CHURN PREDICTION
Dependents:
tenure:
OnlineSecurity:
OnlineBackup:
DeviceProtection:
TechSupport:
Contract:
PaperlessBilling:
MonthlyCharges:
TotalCharges:
SUBMIT
{{op1}}
{{op2}}


Frequently Asked Questions
Contents
Assuming that you diagram's description is in the file Diag.java,
issue the command:
umlgraph Diag png
java -jar path-to/UmlGraph.jar -package -output - Diag.java | dot -Tpng -oDiag.png Diag.dot
In the above you can change png
to another file format,
and add more UMLGraph switches at the end of the line.
UMLGraph uses guillemot characters for representing the angle brackets around
stereotypes, as in «interface».
By default these are encoded as ISO-8859-1 characters, which are illegal
in the UTF-8 output that dot generates for SVG.
When using dot to generate SVG output, you should also specify
-outputencoding utf8
to UMLGraph.
Both
dot and
pic2plot can directly produce bitmap images in
formats like GIF, PNG and PNM.
However, if you want to produce presentation-quality output
the a vector output format like Postscript or SVG is preferable.
If you do require a bitmap format, it might be worth to create
it at a higher resolution from a Postscript image, and then downsample it.
This procedure (used for the diagrams appearing on the UMLGraph web site)
will create an antialiased image of a higher quality than what the default
bitmap output options produce.
The following pipeline is an example of how you can achieve this
effect:
dot -Tps FILENAME.dot |
gs -q -r360 -dNOPAUSE -sDEVICE=pnm -sOutputFile=- - -c quit |
pnmcrop |
pnmscale 0.25 |
ppmtogif >FILENAME.gif
(David Griffiths reports that he had to add to the gs command
-sPAPERSIZE=a4
or
-dDEVICEHEIGHTPOINTS=1000
to avoid getting
his results chopped-off.)
One other possibility for converting the sequence diagram into Postscript
is to pass it through pic and groff.
Tools like ps2epsi and ps2eps can then be used to
convert the Postscript into encapsulated Postscript.
Of course, groff users will just use the pic
program as part of their processing pipeline.
Try manipulating the dot parameters ratio, minlen, ranksep, and
nodesep.
For example, Arnaud Rogues recommends running dot with
command-line arguments as follows.
dot -Gratio=0.7 -Eminlen=2
Most probably your class diagram uses packages, and you are not
qualifying the classes with the respective package names in the
tags you use.
The tags are not smart enough to do the package resolution,
so you will have to prepend the package name to the class,
or avoid using packages.
Problematic Specification
package test;
abstract class AbstractNode {}
/** @composed 1 has * AbstractNode */
class InnerNode extends AbstractNode {}
class Leaf extends AbstractNode {}
First Approach: Class Name Qualified with the Package
package test;
abstract class AbstractNode {}
/** @composed 1 has * test.AbstractNode */
class InnerNode extends AbstractNode {}
class Leaf extends AbstractNode {}
Second Approach: No Package Specification
abstract class AbstractNode {}
/** @composed 1 has * test.AbstractNode */
class InnerNode extends AbstractNode {}
class Leaf extends AbstractNode {}
Yes they should.
Unfortunately, dot does not (yet) support a way to underline
single labels, and thus UMLGraph can not show the static fields
underlined.
A port of pic2plot for Windows can be found in
GNU PlotUtils, which is part of the
GnuWin32
project.
On Windows platforms note that the current version of
pic2plot appears to be very picky about carriage return (CR - \r)
characters (by default, CR is part of the platform's end of line sequence)
appearing in its input file.
Therefore, you will probably want to instruct your editor to create
Unix-style files, or filter the files to remove the carriage return
characters.
The following Perl invocation is such a filter:
perl -p -e "BEGIN {binmode(STDOUT);} s/\r//"
In addition, pic2plot appears to require that the last input file
be properly terminated (with a newline).
Apparently, some Windows editors may leave the last line unterminated,
so if your editor is in this category it may be safer to add a blank line
in the end.
Sorry, I did not develop this plugin, and therefore can not offer help.
Have a look at the project's documentation and mailing lists available through
plugin web page.
You can't.
You have to write the pic code for the sequence diagrams by hand.
When you pass the packagenames
option to
javadoc, the default (unnamed) package (and the
UMLOptions
class
located in it) is ignored.
In such cases you should include the UMLOptions
class
within a named package.
Make sure you are running Java 1.5 (run java -version
to see).
If you are not running 1.5 you may need to adjust the symbolic links
in
/System/Library/Frameworks/JavaVM.framework/Versions
.
This blog entry describes
a simple solution that has worked for me.
Depending on your requirements YMMV.
This happens due to a know javadoc bug.
By fixing the classpath used for the UNLGraph invocation you can avoid this
problem.
Olivier Duysens notes:
JBuilder users need to go to Preferences/Build/Ant,
and tick the box "Use project libraries when running ant" to solve the issue.
UMLGraph is distributed under the
BSD license
(see the file LICENSE in the distribution).
For uniformity with the rest of the web content appearing on this site,
the web site of UMLGraph appears under a
Creative Commons Attribution-NonCommercial-NoDerivs 2.5
license.
This affects only the UMLGraph home page; all other material
(for example the documentation) is also part of the UMLGraph distribution,
and can therefore be used under the BSD license.
This exception will occur when you execute UMLGraph directly as a jar
(not throughjavadoc), and the files UmlGraph.jar and tools.jar
are not in the same directory.
Either copy UmlGraph.jar in the directory where the tools.jar
of the JDK distribution is located (and execute UmlGraph.jar from there),
or copy tools.jar to the directory where UmlGraph.jar is located.
(The file tools.jar is typically located in the lib directory
of your JDK distribution.)
This appears to be a limitation of pic2plot.
You can work around it, by increasing the width and height values appearing
in the SVG XML file that pic2plot generates.
You need to pass the -private
flag to javadoc.
Note that
when processing code that includes annotations
defined by libraries outside the core J2SE distribution,
it is a good idea to include the library jars to the classpath.
Otherwise, javadoc (and concequently UMLGraph)
will fail to process the input classes correctly.
This is a known issue with javadoc,
but only manifests in certain occasions when running UMLGraph,
for example when processing private class fields.


AFMTODIT(1) AFMTODIT(1) NAME afmtodit - create font files for use with groff -Tps SYNOPSIS afmtodit [-ckmnsvx] [-a n] [-d desc_file] [-e enc_file] [-f inter‐ nal_name] [-i n] [-o out_file] afm_file map_file font The whitespace between a command line option and its argument is optional. DESCRIPTION afmtodit creates a font file for use with groff and grops. afmtodit is written in perl; you must have perl version 5.004 or newer installed in order to run afmtodit. afm_file is the AFM (Adobe Font Metric) file for the font. map_file is a file that says which groff character names map onto each PostScript character name; this file should contain a sequence of lines of the form ps_char groff_char where ps_char is the PostScript name of the character and groff_char is the groff name of the character (as used in the groff font file). The same ps_char can occur multiple times in the file; each groff_char must occur at most once. Lines starting with # and blank lines are ignored. If the file isn't found in the current directory, it is searched in the `devps/generate' subdirectory of the default font directory. If a PostScript character is not mentioned in map_file, and a generic groff glyph name can't be deduced using the Adobe Glyph List (AGL, built into afmtodit), then afmtodit puts the PostScript character into the groff font file as an unnamed character which can only be accessed by the \N escape sequence in troff. In particular, this is true for glyph vari‐ ants like `foo.bar'; all glyph names containing one or more periods are mapped to unnamed entities. If option -e is not specified, the encoding defined in the AFM file (i.e., entries with non-negative character codes) is used. Please refer to section `Using Symbols' in the groff info file which describes how groff glyph names are constructed. Characters not encoded in the AFM file (i.e., entries which have -1 as the character code) are still available in groff; they get glyph index values greater than 255 (or greater than the biggest character code used in the AFM file in the unlikely case that it is greater than 255) in the groff font file. Glyph indices of unencoded characters don't have a spe‐ cific order; it is best to access them with glyph names only. The groff font file will be output to a file called font, unless the -o option is used. If there is a downloadable font file for the font, it may be listed in the file /usr/share/groff/1.21/font/devps/download; see grops(1). If the -i option is used, afmtodit will automatically generate an italic correction, a left italic correction and a subscript correction for each character (the significance of these parameters is explained in groff_font(5)); these parameters may be specified for individual charac‐ ters by adding to the afm_file lines of the form: italicCorrection ps_char n leftItalicCorrection ps_char n subscriptCorrection ps_char n where ps_char is the PostScript name of the character, and n is the desired value of the corresponding parameter in thousandths of an em. These parameters are normally needed only for italic (or oblique) fonts. OPTIONS -an Use n as the slant parameter in the font file; this is used by groff in the positioning of accents. By default afmtodit uses the negative of the ItalicAngle specified in the afm file; with true italic fonts it is sometimes desirable to use a slant that is less than this. If you find that characters from an italic font have accents placed too far to the right over them, then use the -a option to give the font a smaller slant. -c Include comments in the font file in order to identify the PS font. -ddesc_file The device description file is desc_file rather than the default DESC. If not found in the current directory, the `devps' subdi‐ rectory of the default font directory is searched (this is true for both the default device description file and a file given with option -d). -eenc_file The PostScript font should be reencoded to use the encoding described in enc_file. The format of enc_file is described in grops(1). If not found in the current directory, the `devps' sub‐ directory of the default font directory is searched. -fname The internal name of the groff font is set to name. -in Generate an italic correction for each character so that the char‐ acter's width plus the character's italic correction is equal to n thousandths of an em plus the amount by which the right edge of the character's bounding box is to the right of the character's origin. If this would result in a negative italic correction, use a zero italic correction instead. Also generate a subscript correction equal to the product of the tangent of the slant of the font and four fifths of the x-height of the font. If this would result in a subscript correction greater than the italic correction, use a subscript correction equal to the italic correction instead. Also generate a left italic correction for each character equal to n thousandths of an em plus the amount by which the left edge of the character's bounding box is to the left of the character's origin. The left italic correction may be negative unless option -m is given. This option is normally needed only with italic (or oblique) fonts. The font files distributed with groff were created using an option of -i50 for italic fonts. -oout_file The output file is out_file instead of font. -k Omit any kerning data from the groff font. This should be used only for mono-spaced fonts. -m Prevent negative left italic correction values. Roman font files distributed with groff were created with -i0 -m to improve spacing with eqn(1). -n Don't output a ligatures command for this font. Use this with constant-width fonts. -s The font is special. The effect of this option is to add the spe‐ cial command to the font file. -v Print version. -x Don't use the built-in Adobe Glyph List. FILES /usr/share/groff/1.21/font/devps/DESC Device description file. /usr/share/groff/1.21/font/devps/F Font description file for font F. /usr/share/groff/1.21/font/devps/download List of downloadable fonts. /usr/share/groff/1.21/font/devps/text.enc Encoding used for text fonts. /usr/share/groff/1.21/font/devps/generate/textmap Standard mapping. SEE ALSO groff(1), grops(1), groff_font(5), perl(1) The groff info file, section `Using Symbols'. Groff Version 1.21 31 December 2010 AFMTODIT(1)


--- theme: none title: Home weight: 0 ---
Sasha Rush, Cornell Tech (Spring 2020) - Discrete Variables / Deep Learning
Time: Mon/Wed 1:00-2:30pm
Location: Bloomberg 497 / Gates G13
CS 6741 is a topics class on the intersection of natural language processing and machine learning with a rotating focus and style. The theme of this class this semester is Discrete Variables / Deep Learning. The course will have three (discrete) parts.
| Date | Location | Topic | Materials |
|---|---|---|---|
| Sep. 1, 10-11am (Mark) | Pierce 301 | Math Review (Linear Algebra, Calculus, Probabilistic Theory) | |
| Sep. 4, 5-6pm (Zhirui) | Pierce 301 | Math Review (Linear Algebra, Calculus, Probabilistic Theory) | |
| Sep. 7, 5-6pm (Rachit) | Pierce 320 | Code Review (Python, Numpy, Matplotlib, PyTorch) | |
| Sep. 8, 11-11:59am (Rachit) | MD 223 | Code Review (Python, Numpy, Matplotlib, PyTorch) |
The goal of this class is to produce original research in natural language processing or machine learning. As such, we will work towards the goal of submitting a paper to a top-tier conference. You should aim to submit an abstract half-way through the class and a final project by the end of the term.
| Date | Due | Descriptions |
|---|---|---|
| March 18 | Abstract and Status Report | This is a three to four page document that contains a draft of your final abstract, as well as a brief status report on the progress of your project. |
| May 14 | Final Report | You will write a report of up to eight pages, in the style of a mainstream CS conference paper. Please use the provided template (see here) |
| Date | Area | Topic | Demos | Required Readings | Assignment |
|---|---|---|---|---|---|
| {{site.data.all.dates[forloop.index]}} | {{lecture.topic | default("",true)}} | {{lecture.subtopic|default("", true)}} | {{lecture.demos|default("", true)}} |
{% if lecture.papers %}
|
{{lecture.hw | default("",true)}} |


|
Open Authenticator component
1.0
ESP-IDF component for peripherals on Open Authenticator board
|
#include "oa_switches.h"
Functions | |
| esp_err_t | init_switches () |
| Enables tactile switches on the sra board, sets up required gpio's in input pull-up mode. More... | |
| int | read_switch (int switch_id) |
| Reads the state of one of the four switches on sra board. More... | |
| esp_err_t init_switches | ( | ) |
Enables tactile switches on the sra board, sets up required gpio's in input pull-up mode.
| int read_switch | ( | int | switch_id | ) |
Reads the state of one of the four switches on sra board.
| switch_id | id of the switch which needs to be read, we can pass the following macros: SWITCH_UP, SWITCH_DOWN, SWITCH_SELECT |


I am a(n)
Elixir addict
CSS tinkerer
PHP robot
JS hacker
C wizard
Dog Person
Well; I like cats too but eh
Certified Tinkerer
Knowledge is power; why not build quadcopters with it?
Side project maniac
Check out all the things I start - and sometimes even finish -
HERE!
I built
kitsu.io / hummingbird.me
Probably the most awesome anime discovery platform around
ramworldrecord.com
Small information and news website for Ram World Record
segelbrand.ch
Official website of the Segelbrand e.V
Hummingboard
A bunch of additional tools for Hummingbird users
crunchDB
A small, experimental JSON database written in PHP
Wroomba!
HTTP API for cleaning my place, based on Roomba's ROI


-webkit-text-size-adjust
Specifies a size adjustment for displaying text content in Safari on iPhone.
-webkit-text-size-adjust: none | auto | <percentage>;
The text size is not adjusted.
The text size is automatically adjusted for Safari on iPhone.
The size in percentage at which to display text in Safari on iPhone.
The text size is automatically adjusted for Safari on iPhone:
p { -webkit-text-size-adjust: auto; }
The text size is not adjusted:
p { -webkit-text-size-adjust: none; }
The text size is adjusted at 60%:
p { -webkit-text-size-adjust: 60%; }


Monoliths
System is all-in-one
todo: image of a block
Microservices
Functionality is all-in-one
System is comprised of multiple microservices
todo: image of block vertically sliced
Nanoservices
Functionality is divided
todo: image of a block with narrower vertical and horizontal slices
Azure Offerings
- AKS
- ACI
- App Service for Containers
Technologies for Microservices
Note:
These aren’t required for microservices.
They do assist with implementations details.
Docker
Transitioning to Microservices
Eat an Elephant 1 bite at a time.
Define Services
- Identify verticals in current code
Automate
CI/CD Pipeline should:
- Build
- Test
- Release
- Provision Infrastructure
Deploy Services
- Keep it simple. No extra tech.
- Phase out replaced parts.
Iteration 2 (Containerization)
Write Dockerfile
Dockerfile can define:
- Build
- Test
- Final container image
- And more!
Select Platform
- Container Instance
- App Service
- etc…
Refactor Infrastructure
Replace current platform with one that runs containers.
Modify CI/CD Pipeline
Call docker build
Deploy
Combat wip (the silent killer)!
Iteration 3 (Orchestration)
Refactor Infrastructure
todo


Triple zero hero: Couple thank phone operator who helped deliver their baby
by watch the videoA woman who delivered her baby in the middle of a freezing night, 93 kilometres away from the nearest hospital, has thanked the triple-zero operator who helped her husband deliver their baby.
Allanah Dower woke her husband Jonno in the early hours of the morning on July 13 last year, with the news that she was in labor.
“It was pretty full on,” Jonno told 3AW’s Neil Mitchell.
“I was the middle of the night, it was very foggy and down towards zero degrees. Very scary.”
Allanah’s labour was progressing quickly, and the pair jumped in their ute to travel to the hospital in Wodonga, almost 100 kilometres away from their Dartmouth home.
But they didn’t make it far before it became clear they weren’t going to make it, so they called triple-zero for help.
Samantha was the call taker who guided Jonno through the safe delivery of baby Reginald.
She said she was more than happy to help out.
“It’s just so overwhelming and exciting, and when you hear that baby make its first cry, just the wave of relief that comes over you is amazing,” she said.
“It’s a very special experience to be part of.”
Press PLAY below to see how the whole story unfolded (and how Allanah and Jonno’s other son, Ollie, stole the show!)


Take2 is a web application that helps users figure out what they should do with their leftover ingredients. It suggests a list of recipes for a combination of two ingredients!
Race to Zero
Race To Zero is an interactive game designed to inform players about the issue of food waste.
Race through the levels to get the fastest times, all while learning about this important issue!
Phoenix Recipes
A user friendly mobile cookbook that helps you discover new and delicious ways to use your leftovers, Phoenix Recipes is a great way to track your food waste habits.
iPicky
An application that allows users to add foods that they like, dislike or allergic to on a list!
With the ability to merge groups of users' lists together, you can have complete list for your group of friends.


Bangladesh is a small developing country and
as a result is unknown culturally in the global arena. There are many
students at RIT who are interested in experiencing a diverse set of cultures
from around the globe. As a result, our mission will be to share the culture of
Bangladesh and to foster intercultural exchange, fraternity and harmony with
other cultural groups at RIT.
Bangladeshi Cultural Society will provide
a common platform for the Bangladeshi community in the greater Rochester area
while at the same time introducing the RIT community to the history, language,
art, music and traditions that has been and will be a part of Bangladesh for a
long time.
RIT BCS will host events such as International Mother Language
day, Bengali New Year, Victory day and other such events to present the Bangladeshi
culture to the RIT campus and also plan on working with other cultural clubs for cultural events.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Vivamus in tristique nisl. Fusce posuere ipsum libero, bibendum pulvinar lacus maximus non. Etiam eget hendrerit metus, ac blandit dolor. Phasellus rhoncus.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Vivamus in tristique nisl. Fusce posuere ipsum libero, bibendum pulvinar lacus maximus non. Etiam eget hendrerit metus, ac blandit dolor. Phasellus rhoncus.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Vivamus in tristique nisl. Fusce posuere ipsum libero, bibendum pulvinar lacus maximus non. Etiam eget hendrerit metus, ac blandit dolor. Phasellus rhoncus.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Vivamus in tristique nisl. Fusce posuere ipsum libero, bibendum pulvinar lacus maximus non. Etiam eget hendrerit metus, ac blandit dolor. Phasellus rhoncus.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Vivamus in tristique nisl. Fusce posuere ipsum libero, bibendum pulvinar lacus maximus non. Etiam eget hendrerit metus, ac blandit dolor. Phasellus rhoncus.


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A topic with that name already exists. Sorry!


How to use this system
Since December 2015, we've been working on a system which brings together our Standard Bank data along with non-traditional data services within the business. The system that has been developed today leverages our internal skill sets, along with those of our partners to create a dynamic and powerful solution for the bank as a whole, and presents us with a new future that soon be arriving which bridges the world of traditional data insights, and more data in motion insights.
The power of partnership
The solution brought together the Standard Bank Big Data team, along with local Hortonworks partners Full Stack, to deliver a solution which includes all of the major social networks, along with major location reputational player, Hello Peter.
Release Notes
13 April 2016
Initial Code Release of SVOC agains the exco_present HIVE tables + SOLR.


Contents
Evaluation of content-related aspects of each study program (1 = "very bad", 5 = "very good")
Distribution of credit points in each study program
Number of mandatory and elective lectures
NC values of the last 6 years for Komedia
Note: Computer Engineering and Applied Computer Science don't have NC-based admission requirements!
Computer Engineering: Click here for the admission requirements.
Applied Computer Science: Click here for the admission requirements.
Proportion of male and female students in each study program
Age at study begin in each study program
Evaluation of organizational aspects of each study program (1 = "very bad", 5 = "very good")
Evaluation of content-related aspects of each study program (1 = "very bad", 5 = "very good")
Evaluation of the acquisition of different subject-related skills in each study program (1 = "nothing at all", 5 = "very much")
Evaluation of the acquisition of different soft skills in each study program (1 = "nothing at all", 5 = "very much")
General Happiness in each study program (1 = "very unhappy", 5 = "very happy")


This inspection only reports if the project or module is configured to use a language level of 7.0 or higher.
New in 10.5, Powered by InspectionGadgets


See below for upcoming events in SC, OH, CA, DC, & NC.
&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;
“Metamorphosis”, the soon to be released 36-page issue of The American Feminist,
will give insight into why people become pro-life feminists–after being one or
neither.
FFL President Serrin Foster explains why “individual evolutions can start peaceful
revolutions” and provides practical tools to help welcome more people to our peaceful,
holistic, solution-oriented movement. Serrin also reveals the stunning truth you
need to know and share about attorney Sarah “Weddington’s Betrayal of Women” when
she argued in support of Roe v. Wade before the Supreme Court.
Stories from a dozen women will inform you about what triggered their conversions–including
FFL’s own Vice President Sally Winn and FFL Editor and Speaker Jewels Green, who
was pressured into an abortion as a teen and subsequently worked in an abortion
clinic for years before her “A-ha” moment.
&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;
April is Sexual Assault Awareness Month. So right now LAPSED members and supporters
as well as NEW members and GIFT members (including students) will receive two issues
of The American Feminist: “Hard Cases, Exceptional Choices” (about pregnancy and
rape, incest, life of the mother, life of the child) and “Forward Into Light” (about
violence against women, stalking, sexual exploitation and more.) You will want
to share FFL Speaker Joyce McCauley-Benner’s story and her insights about the most
controversial subject of the day.
Renew or become a member of FFL now and you will also receive our newest brochures:
“Voices of Our Feminist Foremothers,” “You Have Better Choices,” and our NEW informational
brochure which explains what we do and why!
Time is running out to renew, join, sponsor a membership (including a student who
could help transform their campus) to receive this special membership package AND
receive the next great issue! Please give now to be sure you receive our upcoming
issue that can help you transform the world–one person at a time. DEADLINE FOR
THIS OFFER IS FRIDAY, APRIL 26.
Thank you!
&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;
Upcoming Events!
Tuesday, April 23
4:00 pm: FFL President Serrin M. Foster [http://r20.rs6.net/tn.jsp?e=001cv7YHKLhOa4GLwnK5CBJ_jYucTMzMTlYVjglCKxz_mQpnajaEXSeYVWYP9ZZtK0nmzT4kRizRuN2B94phMXMLhPvmBO9KkZWiwbbXW_lez7vUtA6vflB5GIXH0Mg1LAaOf3M_KWuK0dWQaJXOXuO914c4a4HmEIv]
will present “The Feminist Case Against Abortion”
McMillan Theater - Wofford College, Spartansburg, SC
8:30 pm:FFL President Serrin M. Foster [http://r20.rs6.net/tn.jsp?e=001cv7YHKLhOa4GLwnK5CBJ_jYucTMzMTlYVjglCKxz_mQpnajaEXSeYVWYP9ZZtK0nmzT4kRizRuN2B94phMXMLhPvmBO9KkZWiwbbXW_lez7vUtA6vflB5GIXH0Mg1LAaOf3M_KWuK0dWQaJXOXuO914c4a4HmEIv]
will present “The Feminist Case Against Abortion”
Montgomery Building, Barnet Room - Converse College, Spartansburg, SC
Wednesday, April 24
7:30 pm:FFL Speaker Joyce McCauley-Benner [http://r20.rs6.net/tn.jsp?e=001cv7YHKLhOa61t0JUNrkfzQdVtJOXpPLmLqHSZkuyqQkJC3HsVA34sahAzj7R6JlY3OryeKcqRoo-hiFUVW_BWJ7O5PilO24JYVZ7PYB2p81YcpyYXN81W55fiDvN1K0MkzR-rJJ6TYt-o3CJiF3tYju6TPn2QflO]
will present “Victory Over Violence”
Scot Center, Governance Room - Wooster College, Wooster, OH
Thursday, April 25
7:00 pm:FFL Vice President Sally A. Winn [http://r20.rs6.net/tn.jsp?e=001cv7YHKLhOa52DevkiyFPmNF5w7A63ajGeqLPSc6p0z8xe8OzzGi1sh0OTRNoBgy7kP22zyQJrNK_eAR68CGzkWo4RMZQccDHS0wdnO1RUaES6FA3NLCBn_fBkfcVvIjHlgJYmlSnTP-903rU4P9xPBaVW9s6i-cY]
will present “Refuse to Choose: Reclaiming Feminism”
Hahn University Center, Forum A - University of San Diego, San Diego, CA
Thursday, May 9
7:00 pm: FFL Vice President Sally A. Winn [http://r20.rs6.net/tn.jsp?e=001cv7YHKLhOa52DevkiyFPmNF5w7A63ajGeqLPSc6p0z8xe8OzzGi1sh0OTRNoBgy7kP22zyQJrNK_eAR68CGzkWo4RMZQccDHS0wdnO1RUaES6FA3NLCBn_fBkfcVvIjHlgJYmlSnTP-903rU4P9xPBaVW9s6i-cY]
will present “Refuse to Choose: Reclaiming Feminism”
Education Building Room 334 - Stanford University, Palo Alto, CA
HOLD THE DATES!
Tuesday, June 11
1:00 pm: Feminists for Life will be holding our Annual Capitol Hill Intern Briefing
in the Gold Room of the Rayburn House Office Building. Hear FFL President Serrin
M. Foster [http://r20.rs6.net/tn.jsp?e=001cv7YHKLhOa4GLwnK5CBJ_jYucTMzMTlYVjglCKxz_mQpnajaEXSeYVWYP9ZZtK0nmzT4kRizRuN2B94phMXMLhPvmBO9KkZWiwbbXW_lez7vUtA6vflB5GIXH0Mg1LAaOf3M_KWuK0dWQaJXOXuO914c4a4HmEIv],
FFL VP Sally A. Winn [http://r20.rs6.net/tn.jsp?e=001cv7YHKLhOa52DevkiyFPmNF5w7A63ajGeqLPSc6p0z8xe8OzzGi1sh0OTRNoBgy7kP22zyQJrNK_eAR68CGzkWo4RMZQccDHS0wdnO1RUaES6FA3NLCBn_fBkfcVvIjHlgJYmlSnTP-903rU4P9xPBaVW9s6i-cY],
and FFL Speakers Joyce McCauley-Benner [http://r20.rs6.net/tn.jsp?e=001cv7YHKLhOa61t0JUNrkfzQdVtJOXpPLmLqHSZkuyqQkJC3HsVA34sahAzj7R6JlY3OryeKcqRoo-hiFUVW_BWJ7O5PilO24JYVZ7PYB2p81YcpyYXN81W55fiDvN1K0MkzR-rJJ6TYt-o3CJiF3tYju6TPn2QflO]
and Jewels Green [http://r20.rs6.net/tn.jsp?e=001cv7YHKLhOa57DZ2iVIQg7UJTcqH9_AUAlKmQOK9WC7afM55XKLB6en5pn-f3RuuLuZ8v6tCokv7RcH6Am11DU0iqoH0cnMTj5DE31NrYzhQvG63_63GQS0iyP_4VT0_BHeYd_ciMqD8trEZxNmzHiy3jOKu-pJzN]
present. More details to come!
Saturday, September 21
5:00 - 7:00 pm: FFL Vice Chair Cindy Brown, Treasurer Michael “Mac” McNamara and
Board Member Susie Zeigler ask FFL members and donors to hold the date for a Women
Deserve Better - Charlotte Reception to hear FFL President Serrin M. Foster [http://r20.rs6.net/tn.jsp?e=001cv7YHKLhOa4GLwnK5CBJ_jYucTMzMTlYVjglCKxz_mQpnajaEXSeYVWYP9ZZtK0nmzT4kRizRuN2B94phMXMLhPvmBO9KkZWiwbbXW_lez7vUtA6vflB5GIXH0Mg1LAaOf3M_KWuK0dWQaJXOXuO914c4a4HmEIv]
and FFL Editor and Speaker Jewels Green [http://r20.rs6.net/tn.jsp?e=001cv7YHKLhOa57DZ2iVIQg7UJTcqH9_AUAlKmQOK9WC7afM55XKLB6en5pn-f3RuuLuZ8v6tCokv7RcH6Am11DU0iqoH0cnMTj5DE31NrYzhQvG63_63GQS0iyP_4VT0_BHeYd_ciMqD8trEZxNmzHiy3jOKu-pJzN].
Contact us to schedule an event for this Fall!
<EMAIL_ADDRESS><EMAIL_ADDRESS>&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;&;
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Feminists for Life | P.O. Box 320667 | Alexandria | VA | 22320


Dear Uncle Dan
Why are you blundering about in a room that has all those leeks dangling from the ceiling?
Perplexed of Blister Lane
Dear Perplexed
That is not me, you clot!
Uncle Dan


word GrGetPtrRegBounds( /* Returns size of Region data struct. */ const Region * reg, /* pointer to region */ Rectangle * bounds); /* returned bounds of region */
Get the bounds of the passed region.
Include: graphics.h
ScriptAttrAsWord GrGetSubscriptAttr( GStateHandle gstate); /* subject GState */
Get the GState's subscript drawing attributes. The high byte of the return value is the percentage of the font size for the subscript; the low byte is the percentage of the font size from the top at which the character gets drawn.
Include: font.h
ScriptAttrAsWord GrGetSuperscriptAttr( GStateHandle gstate); /* subject GState */
Get the GState's superscript drawing attributes. The high byte of the return value is the percentage of the font size for the superscript; the low byte is the percentage of the font size from the bottom at which the character gets drawn.
Include: font.h
Boolean GrGetTextBounds( GStateHandle gstate, /* subject GState */ const char * str, /* text string */ word xpos, /* position where text would be drawn */ word ypos, word count, /* max number of characters to check */ Rectangle * bounds); /* returned bounding rectangle */
Get the bounds required to draw the passed text. If the passed
count
argument is zero, the string is assumed to be null-terminated.
Include: graphics.h
RGBColorAsDWord GrGetTextColor( GStateHandle gstate); /* subject GState */
Get the color used when drawing text.
Include: graphics.h
ColorMapMode GrGetTextColorMap( GStateHandle gstate); /* subject GState */
Get the mode used when drawing text in an unavailable color.
Include: graphics.h
SystemDrawMask GrGetTextMask( GStateHandle gstate, /* subject GState */ DrawMask * dm); /* returned custom mask, if any */
Get the draw mask used when drawing text.The dm argument should point to a buffer capable of holding at least eight bytes to get the bit-pattern of the mask; otherwise dm should be NULL. The returned buffer is the 8x8 bit pattern: each byte represents a row of the pattern, and the bytes are ordered from top row to bottom.
Include: graphics.h
TextMode GrGetTextMode( GStateHandle gstate); /* subject GState */
Get the text mode, including information about the vertical offset used when drawing text.
Include: graphics.h
GraphicPattern GrGetTextPattern( GStateHandle gstate, /* subject GState */ const MemHandle * customPattern, /* pointer to returned handle * of block containing the * returned pattern */
word * customSize); /* size of returned block */
Get the graphics pattern used when drawing text.
Include: graphics.h
WWFixedAsDWord GrGetTextSpacePad( GStateHandle gstate); /* subject GState */
Get the space pad used when drawing strings of text.
Include: graphics.h
TextStyle GrGetTextStyle( GStateHandle gstate); /* subject GState */
Get the style used when drawing text.
Include: graphics.h
word GrGetTrackKern( GStateHandle gstate); /* subject GState */
Get the track kerning used when drawing strings of text.
Include: graphics.h
void GrGetTransform( GStateHandle gstate, /* subject GState */ TransMatrix * tm); /* pointer to returned TransMatrix */
Get the current coordinate transformation, expressed as a matrix.
Include: graphics.h
void GrGetWinBounds( GStateHandle gstate, /* subject GState */ Rectangle * bounds); /* returned window bounds */
Get the bounds of the GState's associated window.
Include: graphics.h
void GrGetWinBoundsDWord( GStateHandle gstate, /* subject GState */ RectDWord * bounds); /* returned window bounds */
Get the bounds of the GState's associated window, accurate to a fraction of a point.
Include: graphics.h
WindowHandle GrGetWinHandle( GStateHandle gstate); /* subject GState */
Get the handle of the GState's associated window.
Include: graphics.h
GStateHandle GrGrabExclusive( GeodeHandle videoDriver, /* NULL for default */ GStateHandle gstate); /* subject GState */
Start drawing exclusively to a video driver.
Include: graphics.h


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The scenario where two plant species do not destroy each other is quite rare. Predominantly, plants will fight for all the available resources around them.
Weeds can be defined as plants that interfere with farming objectives or simply put, as plants growing where they are not wanted. In both developing and developed countries, weeds are the most limiting factor to agricultural production behind socioeconomic and crop management problems. In India, for example, weeds cost agricultural production more than 11 billion USD each year, and in Australia, it is estimated that farmers spend around 1.5 billion AUS each year on weed control.
The control of weeds is a time-consuming and intense task typically performed by humans. Improving the success and speed of weed control through robotics will have a tremendous increase in agricultural productivity. One key factor in the use of robotics for weed control is identifying weeds accurately and early as possible.
WeedsAI is multiclass weeds image classifier based on the public dataset DeepWeeds. The dataset consists of 17,509 images of plants belonging to 8 different weeds species native to different locations across Australia.
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Hello Allow Me to Introduce Myself
You're Looking For Somebody Different
A Seasoned TrainerWithManagement ExperienceWho CanProgram in Seven Languages
You NeedSomeone Who Can Stand Out
Someone Who Gets The Job Done


by Akianonymus
Posted on August 10, 2019 at 12:00 PM
Twitter said on Tuesday that it may have used data for personalised ads without a user's permission due to issues with the microblogging website's settings.
The company said it recently discovered those issues and fixed them on Monday, although it hasn't yet determined who may have been impacted.
Consumer data is a powerful tool that companies use to decide where to place advertisements, what content to feature, and which consumers might be interested in the product.
Big technology companies have been under scrutiny from regulators around the world over their data sharing practices.
The data that Twitter said it might have used include a person's country code, their engagement details with a particular ad and inferences made about the devices they use.
"You trust us to follow your choices and we failed here," Twitter said on its website, along with an apology and a promise to take steps to not repeat the "mistake."
Because of those issues, where a user's settings choices may not have worked as intended, Twitter said it could have shared a user's data with its advertising partners or displayed ads based on information it collected without permission.


BookAStay.com - Making your stay and search fun and easier!
Role : {{role}}
Add room for hotel: {{hotelName}}
Room Number:
Number of beds:
Price of the room (USD):
Complementary breakfast:
Yes
No
Check-in date:
Check-out date:
Is the booking refundable:
Yes
No
Occupancy:
1
2
3
4
Parking:
Yes
No
Smoking:
Yes
No
Room type:
Air-conditioned
Non Air-conditioned
Beach-facing
Balcony view
Valley facing
Dorm (Same gender)
Beach (Mix gender)
Room is active:
Yes
No
Add Room


Instagram hides publication like counts globally
SAN FRANCISCO, Nov 15 — Yesterday, Instagram officially announced the global rollout of a test which hides the number of likes and views on publications posted to Feed.
Over the past few months, Instagram has been testing the removal of like and view counts on publications in several countries including Canada, Australia and Japan among others. Yesterday, the company announced that this test is rolling out worldwide.
For those who are involved in the test, the total number of likes and views will be hidden on all posts except for their own. The company describes the purpose of this change in a notification that pops up in the app saying “We want your followers to focus on what you share, not how many likes your posts get.”
Instagram states that the feedback from users in the various countries where the change has already been tested has been positive, but since this is a massive change for the application and its social, business and creator cultures, testing before permanent implication is necessarily extensive.
As such statistics are important to creators and those who use Instagram as an advertising platform, Instagram has also stated that they are “actively thinking through ways for creators to communicate value to their partners.”
This change began rolling out this week to users across the world. The company did not indicate how long the test will last. — AFP-Relaxnews


I have more than a decade of experience in software engineering and many years of leading and building teams of different sizes.
I've been working on very different products, different markets, and various technologies.For high-profile clients like PepsiCo, Philip Morris International, Vorwerk, and start-ups on different stages.
I developed, led, architect, and distributed over twenty native, cross-platform apps and games, numerous web apps, web services, and IoT products.
Sometimes things that I've done get attention from people and even collect some awards like Red Dot or Golden Drum.
I've been building products with Flutter that millions of people use for more than five years now, so I'm one of the early adopters of Flutter.
Occasionally I write posts on different software engineering topics on Medium.
When I have spare time I produce electronic music, read books, or travel.
Specialties: Cross-platform development with Flutter & Dart, native development for Apple's OSes with Swift, and web services and system development with Rust.
Interests: Distributed Systems, Functional Programming, VR/AR, and Machine Learning.
You can find me on GitHub.


| Interface | Description |
|---|---|
| AnimationListener |
This interface is a custom listener to determine the end of an animation.
|
| Combinable |
This interface is implemented only by animation classes that can be combined
to animate together.
|
| ParallelAnimatorListener |
This method is called when the parallel animation ends.
|
| Class | Description |
|---|---|
| Animation |
The parent class of all animation classes.
|
| BlindAnimation |
This animation hides the view by scaling its Y property to mimic the
"pulling of blinds".
|
| BlinkAnimation |
This animation causes the view to fade in and fade out a customizable number
of times.
|
| BounceAnimation |
This animation causes the view to bounce by translating up and down for a
customizable number of times before returning to its original position.
|
| ExplodeAnimation |
This animation creates a bitmap of the view, divides them into customizable
number of X and Y parts and translates the parts away from the center of the
view to mimic an explosion.
|
| FadeInAnimation |
This animation fades the view in by animating its alpha property from 0 to 1.
|
| FadeOutAnimation |
This animation fades the view out by animating its alpha property to 0.
|
| FlipHorizontalAnimation |
This animation causes the view to flip horizontally by a customizable number
of degrees and at a customizable pivot point.
|
| FlipHorizontalToAnimation |
This animation causes the view to flip horizontally to reveal another
user-provided view at the back of the original view.
|
| FlipVerticalAnimation |
This animation causes the view to flip vertically by a customizable number of
degrees and at a customizable pivot point.
|
| FlipVerticalToAnimation |
This animation causes the view to flip vertically to reveal another
user-provided view at the back of the original view.
|
| FoldAnimation |
This animation folds out the view for a customizable number of folds,
orientation and at a customizable anchor factor.
|
| FoldLayout |
The folding layout where the number of folds, the anchor point and the
orientation of the fold can be specified.
|
| HighlightAnimation |
This animation makes use of a translucent box to overlay the view before
animating its alpha property to mimic the highlighting of the view.
|
| ParallelAnimator |
This class allows multiple Combinable objects to be animated in parallel.
|
| PathAnimation |
This animation translates the view within its parent view and according to
the ArrayList
|
| PuffInAnimation |
This animation scales down and fades in the view.
|
| PuffOutAnimation |
This animation scales up and fades out the view.
|
| RotationAnimation |
This animation rotates the view by a customizable number of degrees and at a
customizable pivot point.
|
| ScaleInAnimation |
This animation scales in the view from 0 to 1.
|
| ScaleOutAnimation |
This animation scales out the view from 1 to 0.
|
| ShakeAnimation |
This animation causes the view to shake from left to right for a customizable
number of times before returning to its original position.
|
| SlideInAnimation |
This animation causes the view to slide in from the borders of the screen.
|
| SlideInUnderneathAnimation |
This animation causes the view to slide in underneath from its own borders.
|
| SlideOutAnimation |
This animation causes the view to slide out to the borders of the screen.
|
| SlideOutUnderneathAnimation |
This animation causes the view to slide out underneath to its own borders.
|
| TransferAnimation |
This animation transfers the view to another view provided by the user
through scaling and translation.
|
| UnfoldAnimation |
This animation folds in the view for a customizable number of folds,
orientation and at a customizable anchor factor.
|
| Enum | Description |
|---|---|
| FoldLayout.Orientation |


Bootstrap for Web Designs
Lesson 2: The Grid System
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I started my day early this morning. And I got one of those situations where you get an error message in your IDE that you’d really like to get rid off — so you can get on with your morning cup of coffee — but some stupid thing is getting in your way…
Now, usually, you’re in the middle of something else at the time and you can’t afford the context switch to fix it, but you’ll keep running across it and it will annoy you every time. At least, it does for me…
The notes below are primarily an attempt to save myself the trouble of going through this again (cause it really is a simple fix, no magic here), but hopefully it helps others too…
1. The Error Message
No options showed up in my dropdown…
Checked Groovy language plugin was installed in IntelliJ… Yes. Global Libraries… ? can’t select “groovy sdk” there…
So I clicked on Create…
2. The Problem
The problem with the above screenshot is that hidden files and folders don’t show up in IntelliJ’s finder popup window.
The reason I need to see the hidden files and folders is because I installed Groovy with Homebrew ( brew install groovy
) and that means that the path for my Groovy SDK lies in: /usr/local/opt/groovy/libexec
. Thus… I can’t select the actual path I’d like due to IntelliJ not showing the hidden files and folders ( /usr
is one of those hidden folders ).
Tried the old defaults write com.apple.finder AppleShowAllFiles YES
again, (the command-line way to show hidden files and folders in finder), but no luck with that too…
3. The Solution
The way around this is to use a very (very) useful finder shortcut — which, btw, Apple seems to have buried away from its user interface — that allows you to manually insert the path you would like to navigate to in finder.
This is the “Go to Folder” menu option that you would normally only find in the finder menu, as shown below:
Unfortunately, this menu doesn’t show up in IntelliJ, so the only way to access it is by using the keyboard shortcut Cmd+Shift+G
, as is also shown in the screenshot above.


Protecting consumers’ data focus of NY hearing
by Associated PressNEW YORK (AP) — New York lawmakers are asking for public input on ways to better protect consumer data and privacy online.
The state Senate Standing Committee on Internet and Technology is holding a hearing Friday.
Consumer advocates and representatives of internet companies are set to testify. Lawmakers are exploring how to protect consumers who face the sale of personal data by Google, Amazon, Facebook and other internet companies.
Democratic Sen. Kevin Thomas tells Newsday he’ll sponsor legislation to require companies to better inform consumers about how they collect, use and sell their personal information. The senator says regulations and oversight are needed to update state laws and protect consumers.


System Architect Definitions, Encyclopedia:"D:\DATA\SYSARCH\HCM\GEN_DATA\SUBJECT\V01\CURRENT\"
SCA/Direction (Gen-Spec Arc)
- Base Class:
"State Change Activity"
- Open:
F
- Definitions Used:
-
State Change Activity (Class)
SCH/Value Type (Gen-Spec Arc)
- Base Class:
"Subject Characteristic"
- Open:
F
- Definitions Used:
-
Subject Characteristic (Class)
Scheduled Activity (Class)
- Description:
"Activity" where the "Agent" responsible for its performance considers that sufficient "Resources"
have been allocated, a start "Location" has been stipulated and a specific "Timepoint" for its start
has been set.
- Source:
post-CBS
- State Type:
F
- &Abstract:
F
- Value:
F
scheduled end time (Association)
- From Class:
Timepoint
- To Class:
"Scheduled Activity"
scheduled start time (Association)
- From Class:
Timepoint
- To Class:
"Scheduled Activity"
scheduled user (Association)
- From Class:
"Scheduled Activity"
- To Class:
"Resource For Scheduled Activity"


| In-depth: The Scanner |
| class scanner | |||||||||
value_t |
typedef: The value type of the scanner's iterator | ref_t |
typedef: The reference type of the scanner's iterator | bool at_end()
const |
Returns true if the input is exhausted | value_t operator*()
const |
Dereference/get a value_t
from the input |
scanner
const& operator++() |
move the scanner forward |
IteratorT& first |
The iterator pointing to the current input position. Held by reference | ||||||||
IteratorT const
last |
The iterator pointing to the end of the input. Held by value |
The basic behavior of the scanner is handled by policies. The actual execution of the scanner's public member functions listed in the table above is implemented by the scanner policies.
Three sets of policies govern the behavior of the scanner. These policies make it possible to extend Spirit non-intrusively. The scanner policies allow the core-functionality to be extended without requiring any potentially destabilizing changes to the code. A library writer might provide her own policies that override the ones that are already in place to fine tune the parsing process to fit her own needs. Layers above the core might also want to take advantage of this policy based machanism. Abstract syntax tree generation, debuggers and lexers come to mind.
There are three sets of policies that govern:
Here are the default policies that govern iteration and filtering:
struct iteration_policy
{
template <typename ScannerT>
void
advance(ScannerT const& scan) const
{ ++scan.first; }
template <typename ScannerT>
bool at_end(ScannerT const& scan) const
{ return scan.first == scan.last; }
template <typename T>
T filter(T ch) const
{ return ch; }
template <typename ScannerT>
typename ScannerT::ref_t
get(ScannerT const& scan) const
{ return *scan.first; }
};
| Iteration and filtering policies | |||||||
| advance | Move the iterator forward | at_end | Return true if the input is exhausted | filter | Filter a character read from the input | get | Read a character from the input |
The following code snippet demonstrates a simple policy that converts all characters to lower case:
struct inhibit_case_iteration_policy : public iteration_policy
{
template <typename CharT>
CharT filter(CharT ch) const
{
return std::tolower(ch);
}
};
Here are the default policies that govern recognition and matching:
struct match_policy
{
template <typename T>
struct result
{
typedef match<T> type;
};
const match<nil_t>
no_match() const
{
return match<nil_t>();
}
const match<nil_t>
empty_match() const
{
return match<nil_t>(0, nil_t());
}
template <typename AttrT, typename IteratorT>
match<AttrT>
create_match(
std::size_t length,
AttrT const& val,
IteratorT const& /*first*/,
IteratorT const& /*last*/) const
{
return match<AttrT>(length, val);
}
template <typename MatchT, typename IteratorT>
void
group_match(
MatchT& /*m*/,
parser_id const& /*id*/,
IteratorT const& /*first*/,
IteratorT const& /*last*/) const {}
template <typename Match1T, typename Match2T>
void
concat_match(Match1T& l, Match2T const& r) const
{
l.concat(r);
}
};
| Recognition and matching | |||||||||||
| result | A metafunction that returns a match type given an attribute type (see In-depth: The Parser) | no_match | Create a failed match | empty_match | Create an empty match. An empty match is a successful epsilon match (matching length == 0) | create_match | Create a match given the matching length, an attribute and the iterator pair pointing to the matching portion of the input | group_match | For non terminals such as rules, this is called after a successful match has been made to allow post processing | concat_match | Concatenate two match objects |
The action policy has only one function for handling semantic actions:
struct action_policy
{
template <typename ActorT, typename AttrT, typename IteratorT>
void
do_action(
ActorT const& actor,
AttrT const& val,
IteratorT const& first,
IteratorT const& last) const;
};
The default action policy forwards to:
actor(first, last);
If the attribute val is of type nil_t. Otherwise:
actor(val);
The class scanner_policies combines the three scanner policy classes above into one:
template <
typename IterationPolicyT = iteration_policy,
typename MatchPolicyT = match_policy,
typename ActionPolicyT = action_policy>
struct scanner_policies;
This mixer class inherits from all the three policies. This scanner_policies class is then used to parameterize the scanner:
template <
typename IteratorT = char const*,
typename PoliciesT = scanner_policies<> >
class scanner;
The scanner in turn inherits from the PoliciesT.
The scanner can be made to rebind to a different set of policies anytime. It has a member function change_policies(new_policies). Given a new set of policies, this member function creates a new scanner with the new set of policies. The result type of the rebound scanner can be can be obtained by calling the metafunction:
rebind_scanner_policies<ScannerT, PoliciesT>::type
The scanner can also be made to rebind to a different iterator type anytime. It has a member function change_iterator(first, last). Given a new pair of iterator of type different from the ones held by the scanner, this member function creates a new scanner with the new pair of iterators. The result type of the rebound scanner can be can be obtained by calling the metafunction:
rebind_scanner_iterator<ScannerT, IteratorT>::type
Copyright © 1998-2003 Joel de Guzman
Use, modification and distribution is subject to the Boost Software
License, Version 1.0. (See accompanying file LICENSE_1_0.txt or copy at
http://www.boost.org/LICENSE_1_0.txt)


top
|
up
|
prev
|
next
MDBasicBlockRef Class
Definition at line
91
of
Metadata.hpp
Constructors
MDBasicBlockRef
(
void
* bb_)
Member Functions
void
Write
(CodeFormatter& formatter)
Member Variables
void
*
bb
Constructor Details
MDBasicBlockRef Constructor
cmsxi::MDBasicBlockRef::MDBasicBlockRef(
void
* bb_)
Definition at line
100
of
Metadata.cpp
:
100
:
MDItem
(
MDItemKind
::
basicBlockRef
)
,
bb
(
bb_
)
101
{
102
}
Declaration at line
94
of
Metadata.hpp
Member Function Details
Write Member Function
void
cmsxi::MDBasicBlockRef::Write(CodeFormatter& formatter)
Definition at line
104
of
Metadata.cpp
:
105
{
106
BasicBlock
*
basicBlock
=
static_cast
<
BasicBlock
*
>
(
bb
)
;
107
formatter
.
Write
(
std
::
to_string
(
basicBlock
->
Id
(
)
)
)
;
108
}
Calls:
cmsxi::BasicBlock::Id
,
cmsxi::MDBasicBlockRef::Write
Called by:
cmsxi::MDBasicBlockRef::Write
top
|
up
|
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next


Prisoner resuscitated claims he has fulfilled life sentence, motions to be released
by Justin BoggsA man convicted of murder in 1997 is claiming that he has fulfilled a life sentence after he reportedly was resuscitated in 2015 after going into septic shock, the Des Moines Register reported .
According to prison records, Benjamin Schreiber, 66, is currently incarcerated at the Iowa State Penitentiary for first degree murder.
According to the Register, Schreiber had his heart restarted five times in 2015despite signing a do not resuscitate agreement.
After Schreiber recovered, in 2018, he claimed that he died temporarily at the hospital, and has fulfilled his life sentence. The Register said that Schreiber filed in court that he had a life sentence "but not to life plus one day."
A judge denied the motion, and an appeals court on Wednesday agreed that Schreiber's argument was not persuasive.
"Schreiber is either still alive, in which case he must remain in prison, or he is actually dead, in which case this appeal is moot," Judge Amanda Potterfield wrote, according to the Register.


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Expression e = new ExpressionBuilder("3 * sin(y) - 2 / (x - 2)") .variables("x", "y") .build() .setVariable("x", 2.3) .setVariable("y", 3.14); double result = e.evaluate();Using custom functions
you can extend the abstract class Function in order to use custom functions in expressions. You only have to implement the apply(double ... args) method. The following example shows the implementation of a function that calculates the logarithm to an arbitrary base using the identity logb(x) = ln(x)/ln(b)
Function logb = new Function("logb", 2) { @Override public double apply(double... args) { return Math.log(args[0]) / Math.log(args[1]); } }; double result = new ExpressionBuilder("logb(8, 2)") .function(logb) .build() .evaluate(); double expected = 3; assertEquals(expected, result, 0d);Using custom operators
you can extend the abstract class Operator in order to use your own operators in expressions. You only have to implement the apply(double ... value) method. The Operator's constructor takes four arguments:
Operator factorial = new Operator("!", 1, true, Operator.PRECEDENCE_POWER + 1) { @Override public double apply(double... args) { final int arg = (int) args[0]; if ((double) arg != args[0]) { throw new IllegalArgumentException("Operand for factorial has to be an integer"); } if (arg < 0) { throw new IllegalArgumentException("The operand of the factorial can not be less than zero"); } double result = 1; for (int i = 1; i <= arg; i++) { result *= i; } return result; } }; double result = new ExpressionBuilder("3!") .operator(factorial) .build() .evaluate(); double expected = 6d; assertEquals(expected, result, 0d);Operators and functions
the following operators are supported:
the following functions are supported:


Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:
1. Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer.
2. Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the documentation and/or other materials provided with the distribution.
3. All advertising materials mentioning features or use of this software must display the following acknowledgement:
This product includes software developed by the Flamenco Project at the University of California at Berkeley.
4. The name of the University may not be used to endorse or promote products derived from this software without specific prior written permission.


BIG STORE, THE (1941) Directed by Charles Reisner. Written by Nat Perrin (story), Sid Kuller, Hal Fimberg, Ray Golden. Photography, Charles Lawton. Art Director , Cedric Gibbons with Stan Rogers. Se decoration, Edwin B. Willis, Cast: Groucho Marx (Wolf J. Flywheel), Chico Marx (Ravelli), Harpo Marx (Wacky), Tony Martin (Tommy Rogers), Virginia Grey (Joan Suttton), Margaret Dumont (Martha Phelps), Douglass Dumbrille (Mr. Grover), William Tannen (Fred Sutton), Marion Martin (Peggy Arden), Virginia O'Brien (Kitty), Henry Armetta (Giuseppi), et al. An MGM film. 89 minutes
The Marxes --with Groucho pretending to be great private eye -- save a big department store from crooks.
Practically everybody who has written about this film badmouths it as one of the weakest Marx works, if not the weakest. Here is my minority opinion.
The movie is certainly not a Marx classic, but it is still a delight with many qualities. The brothers do have their share of mad moments or even scenes. The Groucho-Margaret Dumont duo (she is, as usual, his "souffre-douleur") does nicely. Character actor Henry Armetta has funny turns as a customer who comes to the store with his wife and 12 kids. Six of the latter disappear temporarily within beds which, like some other items, each with its own electric wall-button, makes them appear or disappear. (A nice parody of the famous hide-a-bed that can be stored inside a wall.).
Groucho leads an amusing crows of dancer-singers, all store employees, to the pretty good tune of "Sing While you Sell," which comes with a medley of boogie woogie and then-familiar songs: "Yes My Darling Daughter,""Mama Yo Quiero" and others.
Virginia O'Brien sings a lullaby. She was a specialty comic singer for MGM in the 40s, appearing in a dozen and half movies. Well-known for her dead-pan delivery, she would face the camera in totally impassive closeups, stone-faced. No matter what the song she would never shift to any other expressions. This is still quite funny.
Singer Tony Martin, very popular, rather handsome and endowed with a good voice, does here "If It's You," a pleasant romantic song, and in the finale "The Tenement Symphony," with a large orchestra and young people's choruses. This number is now ridiculed by many, yet I believe that it does not deserve this reaction. Yes, it is corny, but has some good passages that don't call for all that scorn. The music is not bad but it is too grandly sentimental and overall dated. Still, the public of the 40s and 50s found it impressive.
Then there's the music provided by Chico and Harpo. They do a piano piece for four hands that's clever and amusing. Later, Harpo at the harp delivers a pleasant medley within a setting of mirrors in which Harpo is shown playing other instruments too. The special effects people did a pretty clever job. I suspect that it was inspired both by mirror tricks in previous Marx movies. The famous 1948 Hall of Mirrors sequence at the end of Orson Welles' Lady from Shanghai may or may not have been influenced by this number.
All things considered The Big Store is eminently watchable (and listenable) to this day, and a plus in the Marx filmography.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Find Hotel
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Dogs Table
Knocky
Flor
Ella
Juan
Breed
Jack Russell
Poodle
Streetdog
Cocker Spaniel
Age
16
9
10
5
Owner
Mother-in-law
Me
Me
Sister-in-law
Eating Habits
Eats everyone's leftovers
Nibbles at food
Hearty eater
Will eat till he explodes


RT @MappingKat: This one is pretty stellar #ProgrammerJokes 12/31/2014, 8:58:15 AM Favs: 0 Retweets: 0 link


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The Fundementals of Scripting Language.
The CSS Box Model.
How HTML accesses CSS files.
Fundementals of a Scripting Language
The scripting language is what we use when we code the different areas of a webpage. For example the CSS script used for the style of a page is done using Java Script. This is able to handle what happens on the webpage such as event handling. For example, when you click on a nutton it will change how it looks, making it look as if it had been pushed down by a finger and when you release the button it pops back into its original position. Scripting languages can also be used to set up buttons or interactions on a webpage. Scrolling down a website can be used to trigger scripts along with simply pressing a button. Sometimes not all data is readily available and needs to be added by the user. Although this only applies to more advanced custom tasks it is always good to know as these additions can always help with your website.
The CSS Box Model
The CSS Box Model reffers to how HTML elements are represented on a webpage. The box consists of the margin, the border, the padding and finally the content which is inside of the rest of the components. All of the components that make up the box model are transparent with the only exception being the content on the inside. Each component of the box model can be edited using CSS, javascript and HTML inorder to add entities to them, expand or contract them and even remove their transparency, giving the component colour. It is important that each layer of the box model is taken into consideration as they will affect how the element you want to place on a webpage is actually placed upon the website.
How HTML Accesses CSS Files
HTML files are able to access CSS by using line of code with tags such as href and link. There are three main types of CSS style sheets. An external style sheet is a sheet which would, for example, allow for you to change the font on every page on a website using only one file such as a myStyleSheet.css as long as it was linked to each page on the website. An internal style sheet is a style sheet that has its own individual style that won't be affected by the external style sheet as it isn't directly linked to it. Finally, an inline style sheet is a single line that edits individual elements such as headers or paragraphs. A line of code such as "link href="css/myStylesheet.css" rel="stylesheet" type="text/css"/" would be used to allow for the html file to access the style sheet set by the user.


A List of Perforce Depot paths (separated by new lines). The plugin will search one directory level deep for a
Jenkinsfile
(or defined item) using the last directory name for the branch name.
For example, given an include path of: //depot/projA
(or //depot/projA/*
or //depot/projA/...
as these get trimmed before they are
passed to p4 dirs
)
If a Jenkinsfile is found in //depot/projA/Main/Jenkinsfile
and
//depot/projA/R1.0/Jenkinsfile
then two branches are created for the MultiBranch project 'Main'
and 'R1.0'


Class to store and perform operations on 1D Tensors, aka vectors, suitable for use in feed-forward neural networks.
More...
#include <TensorOneD.hpp>
Class to store and perform operations on 1D Tensors, aka vectors, suitable for use in feed-forward neural networks.
◆ TensorOneD() [1/6]
| geopm::TensorOneD::TensorOneD |
( |
| ) |
|
◆ TensorOneD() [2/6]
| geopm::TensorOneD::TensorOneD |
( |
size_t |
n | ) |
|
Constructor with size specified.
- Parameters
-
◆ TensorOneD() [3/6]
| geopm::TensorOneD::TensorOneD |
( |
const TensorOneD & |
other | ) |
|
Constructs a deep copy of the argument.
- Parameters
-
◆ TensorOneD() [4/6]
| geopm::TensorOneD::TensorOneD |
( |
TensorOneD && |
other | ) |
|
◆ TensorOneD() [5/6]
| geopm::TensorOneD::TensorOneD |
( |
const std::vector< double > & |
input | ) |
|
Constructor from vector of values.
- Parameters
-
| [in] | input | The values to store in the 1D tensor. |
- Exceptions
-
| geopm::Exception | if input is empty. |
◆ TensorOneD() [6/6]
| geopm::TensorOneD::TensorOneD |
( |
const std::vector< double > & |
input, |
|
|
std::shared_ptr< TensorMath > |
math |
|
) |
| |
Test constructor.
- Parameters
-
| [in] | input | The values to store in the 1D tensor. |
| [in] | math | TensorMath instance |
- Exceptions
-
| geopm::Exception | if input is empty. |
◆ ~TensorOneD()
| virtual geopm::TensorOneD::~TensorOneD |
( |
| ) |
|
|
virtualdefault |
◆ get_data()
| const std::vector< double > & geopm::TensorOneD::get_data |
( |
| ) |
const |
Return the tensor as a vector of doubles.
- Returns
- Returns the contents of the tensor.
◆ get_dim()
| size_t geopm::TensorOneD::get_dim |
( |
| ) |
const |
Get the length of the 1D tensor.
- Returns
- Returns the length of the 1D tensor
◆ operator*()
| double geopm::TensorOneD::operator* |
( |
const TensorOneD & |
other | ) |
const |
◆ operator+()
◆ operator-()
◆ operator=() [1/2]
Overload = operator with an in-place deep copy.
- Parameters
-
| [in] | other | The assignee (tensor to be copied) |
◆ operator=() [2/2]
◆ operator==()
| bool geopm::TensorOneD::operator== |
( |
const TensorOneD & |
other | ) |
const |
Overload == operator to do comparison of the underlying.
- Parameters
-
| [in] | other | The tensor to compare against |
◆ operator[]() [1/2]
| double & geopm::TensorOneD::operator[] |
( |
size_t |
idx | ) |
|
Reference indexing of 1D tensor value at idx.
- Parameters
-
| [in] | idx | The index at which to look for the value |
- Returns
- Returns a reference to the 1D tensor at idx
◆ operator[]() [2/2]
| double geopm::TensorOneD::operator[] |
( |
size_t |
idx | ) |
const |
Value access of 1D Tensor value at idx.
- Parameters
-
| [in] | idx | The index at which to look for the value |
- Returns
- Returns the value of the 1D tensor at idx
◆ set_dim()
| void geopm::TensorOneD::set_dim |
( |
size_t |
dim | ) |
|
Set length of 1D tensor.
If the instance has more than n elements, it will be truncated. If it has fewer than n elements, the tensor will be expanded to a total size of n, uninitialized.
- Parameters
-
| [in] | n | Resulting size of 1D tensor |
◆ sigmoid()
The documentation for this class was generated from the following files:


Data Science Skill Set
Programming languages : Python, R
Libraries : Python - Sklearn, seaborn, numpy, pandas. R - ggplot2, caTools
Algorithms & Statistics : K Means Clustering, KNN, Decision Trees, Random Forests, Linear Regression, Logistic Regression, Naive Bayes, Cosine similarity, Pairwise Distances, CountVector(BOW), Tf-Idf
Data Science Solutions developed for : Clustering, Classification, Forecastig, Text Classification, Text Similarity Score, Image Similarity, Chat Bot, Voice To Text Bot Assistant, OCR, Social Media Analytics kind of problem statements


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A Use Case Point Analysis is a tool to estimate the effort required to complete a software project, based on the number ofuse cases and the other features of object-orientation.
This document is based on a template located at: http://www3.interscience.wiley.com:8100/legacy/college/dennis/0471348066/uml_templates/figure06_11.doc


Datepicker
Simple date picker, no dependecies from other libraries.
How to use?
Just add class name "datepicker" to selected HMTL input
element(s). That's it.
Example
Let's try to select some date:
TODO and Problems
- Navigation with keyboard doesn't work yet.
- Setting tabindex should be more investigated. Setting just from 0 to up is not the best solution.
- Optimizing code.
- Adding more comments inside the code
Note: script code passing JSLint.


You can automatically assess the programming aptitude of prospective candidates using our JavaScript online test.
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Please answer all the question.


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ROUNDERS Reviewed by Jamie Peck
Matt Damon, fresh off his "Good Will Hunting" hot streak, is perfect for the role of Mike McDermott, a young law student with a tremendous gift for gambling. But after losing all of his tuition money in a killer high-stakes match with Russian poker aficionado Teddy KGB (John Malkovich, deliciously hammy), he shifts his focus to scholarly matters, leaving his true area of expertise far, far behind. Things change, however, when Mike's old buddy Worm (Edward Norton) re-enters his life - it seems Worm, just out of jail, owes a hefty sum to nasty thugs, and is counting on his friend's superlative skills to help him pay off the debt.
That "Rounders"' story quickly molds itself into a conventional, predictable tale of redemption doesn't hinder its potency. Director John Dahl, infamous for his neo-noirs "Red Rock West" and "The Last Seduction," gets extremely convincing mileage out of the been-there, done-that plot mechanics by trumping up the relationship between Mike and Worm. Damon and Norton bring so much to their roles that they'd be worth catching even if "Rounders" ultimately folded, but the movie ups its fascinating ante by contrasting their wildly different ways of winning. Any sequence where the two men sit at the table together is an unarguable highlight.
If only the other character interaction was as successful, "Rounders" might merit consideration when it comes time to number the year's best films. Current "It Girl" Gretchen Mol is sweetly appealing as Mike's girlfriend Jo, aware and weary of his seedy past, but her scenes with Damon number too few to be very effective. John Turturro's aging mentor and Famke Janssen's tempting siren, both interesting sketches, are hampered by the same limited screen time. And as a wizened judge, the great Martin Landau makes memorable a role that's mostly a plot device - he's on hand mostly to sort-of save the day and provide a voice for "Rounders"' moral.
That moral, by the way, is "Our destiny chooses us," and it's something of a surprise when "Rounders" supports this solemn proverb by eschewing the conclusion you might expect; Mike does learn from his mistake, but neither the mistake nor the way he learns from it is what it initially appears to be. In the end, "Rounders" sees gambling as less a mere addiction than a potential art form, but the poker itself is only a metaphor for a much larger picture. The road to true fulfillment lies within the realization and exercising of your natural passions, the movie espouses, no matter what they might be. Here, low-rent lowlifes like Worm just aren't cut out for the cards.
Screenwriters David Levien and Brian Koppelman entertain and educate in their quest to vividly render a culture that's often generalized by movies; even complete poker neophytes should cross the line from observers to participants when the movie gets to its concluding game scene. Inside every adventurous filmgoer, there is a desire to be taken someplace new and exciting, and that's the precise allure of "Rounders." It ultimately matters not that a few of our tour guides feel partially-realized or that the journey itself is cluttered with sites we've seen before, because the final destination is a satisfying one. In the end, "Rounders" holds a winning hand.
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