Owner of new café plans to give free meals to rough sleepers
The new diner is opening this Friday
by Emma GrimshawThe owner of a new Filton café is offering free meals to rough sleepers twice a month.
Café on the Ave is opening this Friday (Nov 22), on Filton Avenue, and boss Colton Clark hopes the business will become more than just a place to eat.
The 23-year-old is planning to help those in need and give something back to the community.
Colton was able to open his dream business, which will serve breakfasts, salads and sandwiches, after being awarded compensation from an accident.
"I grew up in Southmead and was surrounded by a lot of crime," explained Colton. "When I got this money I wanted to use it on something worthwhile."
His colleague Charlene Balson has been promoting the event for the homeless.
She said: "From December 12 the staff at Cafe on the Ave will be opening two evenings a month to provide food to all the people currently living out on the streets.
"We cannot house them but we can welcome them into the café for some nice warm food. We hope this can help them in some way, we will be providing a hot meal and warm drink followed by a dessert.
"We will also be using the café as a drop off for any bits and pieces like bedding, sleeping bags, quilts, pillows, blankets etc, if anyone would like to be apart of this please they can call the café."
For the latest news in and around Bristol, check back on Bristol Live's homepage.


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--- layout: archive title: Zulip Chat Archive permalink: /stream/113489-new-members/topic/CoCalc.20functionality.html ---
Hi, anybody have experience with using Lean in CoCalc? I'm trying to figure out how to have multiple Lean files in a single project and import one into another
You need to put your leanpkg.path in the root directory of your cocalc project and adjust it accordingly.
e.g. if in your cocalc project you have a directory my_lean_project containing as usual a leanpkg.path and a leanpkg.toml, and a subdirectory src where all your Lean files are, then you need to move that leanpkg.path one directory up to the root of the cocalc project
and then you'll have to add my_lean_project
in the appropriate places, e.g. it might look like this if your project imports mathlib:
builtin_path path my_lean_project/_target/deps/mathlib/src path my_lean_project/src
An alternative is just to dump the lean project in the root cocalc directory, then you can put files in src and have a line path src
in your leanpkg.path
file.
@Kevin Buzzard I don't seem to be allowed to make changes to the root directory, even just adding a folder, I get an "access denied" error. Do you know a way past this?
By the root directory of your cocalc project I just mean ~. If you can't access the root directory of your own cocalc project then where are you putting your files?
Oh, I saw a path called .smc/root and I thought you meant there. So you just mean the "home page" of the project
I mean the directory where all your files are. Sorry if I called it something wrong.
No problem. I'm still having issues, would you be willing to look at some screenshots to see if what I'm doing matches what you're saying?
sure
Screen-Shot-2020-04-15-at-4.46.24-PM.png
Screen-Shot-2020-04-15-at-4.46.39-PM.png
Screen-Shot-2020-04-15-at-4.46.52-PM.png
OK so the problem is that you have not put leanpkg.path in the root directory of your cocalc project.
or whatever you want to call that directory
currently leanpkg.path is in a subdirectory of the root directory called my_lean_project.
It's in the root directory of your lean project as opposed to the root directory of your cocalc project
also your leanpkg.path contains invalid paths, such as leanpkg.path
. The paths are relative to the directory that leanpkg.path is in, so once you've put leanpkg.path into the root directory of your cocalc project, the path src
and ./src
will also be invalid because you have no src
in the root directory of your cocalc project.
Finally, Lean will not be able to import subgrp.lean and basics.lean because they are not in directories which are in your path. They should probably be in your Lean project as opposed to floating around outside it.
Unless they're not part of the project at all.
Okay so now things look like this: Screen-Shot-2020-04-15-at-4.55.43-PM.png
I have copies of basics.lean and subgrp.lean in src/rtg/, I just have copies also in the home directory for convenience of testing these things
What is the current contents of leanpkg.path?
Screen-Shot-2020-04-15-at-4.58.33-PM.png
Delete the first line
and ideally the last one too because it's a duplicate of the one before
Does your project depend on mathlib?
because no mathlib imports will work with this set-up either
leanpkg.path just just be builtin_path
and then a list of all the paths, relative to the root directory of the cocalc project, of where all the lean files are which you want to import.
I'd like to use some mathlib things, yeah. I deleted the first and last line
I took src from some hidden files and just moved it to the front so it has all of mathlib in it
Does it work?
No :/
What's the error?
1:0 error
file 'rtg/basics' not found in the LEAN_PATH
1:0 error
invalid import: rtg.basics
could not resolve import: rtg.basics
and what is the line of the file which gives you the error?
I mean, what does the file say?
import rtg.basics
Is all there is in the file
And do you have a file called SOMETHING/rtg/basics.lean where SOMETHING is one of the lines in your leanpkg.path file?
also here is what /src looks like in case that matters: Screen-Shot-2020-04-15-at-5.04.33-PM.png
what matters is whether there is a file called basics.lean in the directory rtg
Yeah there is
Oh -- did you restart Lean after you edited your path file?
there is a button with two going-round arrows
By the way, where did you get your mathlib olean files from? You will have to be careful to make sure that they are compiled using the same version of Lean as the one in CoCalc, or they will all be recompiled and there will be green squares there for 15 minutes
That's hilarious, that did something. Now the error message is imported file '/home/user/src/rtg/basics.lean' uses sorry
which feels less aggressive
And I think that's just coming up because some things in basics
use sorry at the moment, actually
Sorting out the leanpkg.path file is not the hard part.
The hard part, if you're using your own mathlib, is to make sure it's compatible with cocalc's Lean which is something like 3.5.1
when I "unhid" hidden files on the home page I was able to follow the directory .smc/root/ext/lean/lean/mathlib/src and there was where I found all the mathlib files. The /src is the file I just copied to the home folder
oh that's great. Did you also move the olean files?
I suspect that you didn't even need to copy them, and that the builtin_path
will actually point to the mathlib files
I don't think so. I moved /src and leanpkg.toml and leanpkg.path and that's it
Yeah I'd believe that for sure
Navigating this type of stuff is so unnatural for me right now. Hopefully will adapt
Alex Mathers said:
I don't think so. I moved /src and leanpkg.toml and leanpkg.path and that's it
src is full of olean files
(I just checked on one of my cocalc projects)
I see. Then I guess I did. I'm not even sure what an olean file is tbh so I just guessed
It's the difference between "your project works" and "I am going to spend 15 minutes compiling because you imported data.real.basic"
Sounds important. Looking through files now I'm seeing that we have one corresponding to every .lean file it looks like. When I try to open one up it's not clear at all what's going on in there
you definitely don't want to open them, and if you press just one key when one of them is open then you probably screwed everything up
Any edit to an olean file will mean that your project will have to recompile it and all files which import it, I suspect, because this issue was fixed but I think it hadn't been fixed by 3.5.1
Gotcha
Thanks a ton for helping out, sorry it took a while
I don't have time to read this thread, so I'll post a blind answer just in case:
If you have a collection of files relying on each other and on mathlib (and not needing a cutting edge mathlib):
my_stuff
in the project home folder In the project home folder, before opening any Lean file, create a file named leanpkg.path
containing:
builtin_path
path /ext/lean/lean/mathlib/src
path ./my_stuff
If you opened a Lean file before creating this file you'll need to restart the Lean server by clicking the restart icon on top of the file.
If something in your stuff requires heavy compiling (say you actually have a library of stuff and then exercises files) then open a terminal in CoCalc and lean --make my_stuff
(or lean --make my_stuff/my_heavy_file.lean
).
Note also that getting a cutting edge mathlib is currently not possible, because this requires a cutting edge Lean, that CoCalc doesn't have.
{% endraw %}Last updated: Apr 24 2020 at 19:02 UTC


Ans = get(V,Query)
[Ans,Ans,...] = get(V,Query,Query,...)
V
[ SVAR ] - SVAR object.
Query
[ char ] - Query to the SVAR object.
Ans
[ ... ] - Answer to the query.All queries to VAR objects, listed and described in VAR/get
, can also be used in SVAR objects. In addition, the following queries are specific to SVAR objects:
'B'
-- Returns [ numeric ] matrix of instantaneous effects of shocks.
'std'
-- Returns [ numeric ] std deviation of structural shocks.
'method'
-- Returns [ char ] identification method used to convert reduced-form VAR to structural VAR.


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nips nips2010 nips2010-188 nips2010-188-reference knowledge-graph by maker-knowledge-mining
Source: pdf
Author: Andrew Gelfand, Yutian Chen, Laurens Maaten, Max Welling
Abstract: The paper develops a connection between traditional perceptron algorithms and recently introduced herding algorithms. It is shown that both algorithms can be viewed as an application of the perceptron cycling theorem. This connection strengthens some herding results and suggests new (supervised) herding algorithms that, like CRFs or discriminative RBMs, make predictions by conditioning on the input attributes. We develop and investigate variants of conditional herding, and show that conditional herding leads to practical algorithms that perform better than or on par with related classiﬁers such as the voted perceptron and the discriminative RBM. 1
[1] C.M. Bishop. Pattern Recognition and Machine Learning. Springer, 2006. 8
[2] H.D. Block and S.A. Levin. On the boundedness of an iterative procedure for solving a system of linear inequalities. Proceedings of the American Mathematical Society, 26(2):229–235, 1970.
[3] Y. Chen and M. Welling. Parametric herding. In Proceedings of the Thirteenth International Conference on Artiﬁcial Intelligence and Statistics, 2010.
[4] M. Collins. Discriminative training methods for hidden markov models: Theory and experiments with perceptron algorithms. In Proceedings of the ACL-02 conference on Empirical methods in natural language processing-Volume 10, page 8. Association for Computational Linguistics, 2002.
[5] Y. Freund and R.E. Schapire. Large margin classiﬁcation using the perceptron algorithm. Machine learning, 37(3):277–296, 1999.
[6] A. Goetz. Perturbations of 8-attractors and births of satellite systems. Internat. J. Bifur. Chaos, Appl. Sci. Engrg., 8(10):1937–1956, 1998.
[7] A. Goetz. Global properties of a family of piecewise isometries. Ergodic Theory Dynam. Systems, 29(2):545–568, 2009.
[8] G.E. Hinton. Training products of experts by minimizing contrastive divergence. Neural Computation, 14:1771–1800, 2002.
[9] E.T. Jaynes. Information theory and statistical mechanics. 106(4):620–663, 1957. Physical Review Series II,
[10] H. Larochelle and Y. Bengio. Classiﬁcation using discriminative Restricted Boltzmann Machines. In Proceedings of the 25th International Conference on Machine learning, pages 536– 543. ACM, 2008.
[11] M.L. Minsky and S. Papert. Perceptrons; An introduction to computational geometry. Cambridge, Mass.,: MIT Press, 1969.
[12] F. Rosenblatt. The perceptron: A probabilistic model for information storage and organization in the brain. Psychological review, 65(6):386–408, 1958.
[13] T. Tieleman. Training Restricted Boltzmann Machines using approximations to the likelihood gradient. In Proceedings of the 25th International Conference on Machine learning, volume 25, pages 1064–1071, 2008.
[14] M. Welling. Herding dynamic weights for partially observed random ﬁeld models. In Proc. of the Conf. on Uncertainty in Artiﬁcial Intelligence, Montreal, Quebec, CAN, 2009.
[15] M. Welling. Herding dynamical weights to learn. In Proceedings of the 21st International Conference on Machine Learning, Montreal, Quebec, CAN, 2009.
[16] M. Welling and Y. Chen. Statistical inference using weak chaos and inﬁnite memory. In Proceedings of the Int’l Workshop on Statistical-Mechanical Informatics (IW-SMI 2010), pages 185–199, 2010.
[17] L. Younes. Parametric inference for imperfectly observed Gibbsian ﬁelds. Probability Theory and Related Fields, 82:625–645, 1989. 9


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java.lang.Object edu.biu.scapi.circuits.encryption.AESFixedKeyMultiKeyEncryption
public class AESFixedKeyMultiKeyEncryption
This encryption scheme uses AES with a fixed key and thus has the benefit of not needing to repeatedly perform the costly setKey procedure for AES. See Garbling Schemes by Mihir Bellare, Viet Tung Hoang, and Phillip Rogaway Section 5.6 for a full description of this encryption scheme.
This encryption scheme works by XORing all of the wire values(i.e. keys) to each other and then XORing this to the tweak. This value is denoted by K. We call AES with the fixed key on K and then XOR the result of that to K and then to the plaintext to encrypt.
| Constructor Summary | |
|---|---|
AESFixedKeyMultiKeyEncryption()
|
| Method Summary | |
|---|---|
byte[] |
decrypt(byte[] ciphertext)
Decrypts the ciphertext. |
byte[] |
encrypt(byte[] plaintext)
This method used the individual SecretKey s that make up the MultiSecretKey to encrypt the plaintext. |
javax.crypto.SecretKey |
generateKey()
This method generates a single NOT a MultiSecretKey . |
MultiSecretKey |
generateMultiKey(javax.crypto.SecretKey... keys)
This method is provided with individual SecretKey s and combines them into a MultiSecretKey that can be used
for encryption and decryption with the MultiKeyEncryptionScheme . |
int |
getCipherSize()
Returns the block size of aes. |
boolean |
isKeySet()
Checks if the key for this MultiKeyEncryptionScheme has been set. |
void |
setKey(MultiSecretKey key)
Sets the key to the specified MultiKeyEncryptionScheme . |
void |
setTweak(byte[] tweak)
See Garbling Schemes by Mihir Bellare, Viet Tung Hoang, and Phillip Rogaway. |
| Methods inherited from class java.lang.Object |
|---|
equals, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Constructor Detail |
|---|
public AESFixedKeyMultiKeyEncryption()
| Method Detail |
|---|
public javax.crypto.SecretKey generateKey()
MultiKeyEncryptionScheme
MultiSecretKey
.
This is necessary since the user will often need to generate single keys first and then combine them to a single
MultiSecretKey
.
Consider the following problem: Say we want to garble and compute a gate in Yao's protocol.
Consider a 2 input gate. Each input Wire will have two possible garbled values--corresponding to a 0 value and a 1 value.
These values are <@code SecretKey}s NOTMultiSecretKeys. When we encrypt the truth table, we combine the single
keys to create MultiSecretKey
s. So, if we want to encrypt the 0-0 entry of the truth table, we will take the 0 key from
each GarbledWire
and combine them to a MultiSecretKey
(using the generateMultiKey()
method.
Then if we want to encrypt the 0-1 entry, we will use the 0-key from the first wire and the 1-key from the second wire.
We will combine these 2 keys into a single MultiSecretKey
and use this to encrypt. Note that in this example,
the 0-key from the first Wire is combined from 2 different MultiSecretKey
s. First we combined it with the 0-key of the second
wire and then we combined it with the 1-key.
Thus, it is necessary to have a method to generate individual keys and a separate method to combine different single keys into
MultiSecretKey
s.
generateKey
in interface MultiKeyEncryptionScheme
SecretKey
of the specified size. One or more of these keys will be combined into a
MultiSecretKey
to encrypt and decrypt with.public MultiSecretKey generateMultiKey(javax.crypto.SecretKey... keys)
MultiKeyEncryptionScheme
SecretKey
s and combines them into a MultiSecretKey
that can be used
for encryption and decryption with the MultiKeyEncryptionScheme
.
generateMultiKey
in interface MultiKeyEncryptionScheme
keys
- The individual SecretKey
s that make up the MultiSecretKey
.
The SecretKey
objects can be passed in an array or as individual parameters.
MultiSecretKey
made up of the SecretKey
s that were passed as parameters.public void setKey(MultiSecretKey key)
MultiKeyEncryptionScheme
MultiKeyEncryptionScheme
.
The key that it is currently set to, will be used for encryption and decryption until setKey()
is called again.
setKey
in interface MultiKeyEncryptionScheme
key
- The MultiSecretKey
to be used for encryption and decryption.public byte[] encrypt(byte[] plaintext) throws KeyNotSetException, TweakNotSetException, javax.crypto.IllegalBlockSizeException
MultiKeyEncryptionScheme
SecretKey
s that make up the MultiSecretKey
to encrypt the plaintext.
encrypt
in interface MultiKeyEncryptionScheme
plaintext
- The plaintext to be encrypted.
KeyNotSetException
TweakNotSetException
javax.crypto.IllegalBlockSizeException
public byte[] decrypt(byte[] ciphertext) throws KeyNotSetException, TweakNotSetException, javax.crypto.IllegalBlockSizeException
MultiKeyEncryptionScheme
decrypt
in interface MultiKeyEncryptionScheme
ciphertext
- The ciphertext to be decrypted
KeyNotSetException
TweakNotSetException
javax.crypto.IllegalBlockSizeException
public boolean isKeySet()
MultiKeyEncryptionScheme
MultiKeyEncryptionScheme
has been set.
Returning true
if it has been and false
if it has not been.
Before encrypting and decrypting, the key must be set.
isKeySet
in interface MultiKeyEncryptionScheme
true
if the key has been set, false
otherwise.public void setTweak(byte[] tweak)
MultiKeyEncryptionScheme
Some encryption schemes use a tweak and instead of encrypting directly the entry of the plaintext, encrypt the tweak and then XOR the result with the plaintext.
Some encryption schemes do not make use of a tweak, in which case calls to set the tweak have no effect. If you are implementing an encryption scheme that does not use a tweak, just leave the body of this method blank.
setTweak
in interface MultiKeyEncryptionScheme
tweak
- The tweak to be used for this encryption scheme.public int getCipherSize()
getCipherSize
in interface MultiKeyEncryptionScheme
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You Can Create An Account, Publish Textual Posts, Follow Other Users, In Which Case You Will Be Able To See Their Posts And Interact With A Post By Commenting, Like Or Dislike.
About The Owner
My name is Areej, and I'm a Jordanian Developer.
I enjoy being challenged and engaging with projects that require me to work outside my comfort and knowledge set, as continuing to learn new languages and development techniques are important to me.


'time' is undefined for pipelines. time single stage or bash -c instead.
time foo | bar
To time the most relevant stage:
foo | { time bar; }
To time everything in a pipeline:
time bash -c 'foo | bar'
Note that you can not use time sh -c
to time an entire pipeline, because POSIX does not guarantee that anything other than the last stage is waited upon by the shell.
This behavior is explicitly left undefined in POSIX.
None. This warning is not emitted in ksh
or bash
where time
is defined for pipelines.


Rage Against the Rainbow
A brief discussion about why the default colourmap usually sucks
Martin Bentley / @astonsplat
<EMAIL_ADDRESS>16 September 2016
Supervisors: Dr L. Cowley | Prof M. Doucouré
Dept. of Computing Sciences | Dept. of Earth Sciences
Some basic colour theory
In less than a minute
Common colour spaces include:
- RGB
- CMYK
- Munsell
- Pantone
- CIELAB
Types of data
Sequential
Diverging
Categorical
Sequential Data
Increases from low to high
- Intensity of light
- Time-linked
Sequential Data
Increases from low to high
- Intensity of light
- Time-linked
Diverging Data
Has a given midpoint and increases and decreases away from that point
- Stock prices
- Elevation and bathymetry
Categorical Data
No particular numerical association
- Demographic category
- Type of industry
Why the rainbow sucks
Not linear lightness
Colour-blindness and greyscale
Different types
- Protanomaly/Protanopia
- Deuteranomaly/Deuteranopia
Resources
- http://colorbrewer2.org/ Good way to choose colourmaps
- http://vrl.cs.brown.edu/color Choose colourmaps of certain colours
- http://colororacle.org/ Check for colourblind safety
References
- Borland, D., Taylor II, R.M., 2007. Rainbow color map (still) considered harmful. IEEE Computer Graphics and Applications 27, 14–17.
- Niccoli, M., 2012. The rainbow is dead...long live the rainbow! [WWW Document]. MyCarta. URL http://mycarta.wordpress.com/2012/05/29/the-rainbow-is-dead-long-live-the-rainbow-series-outline/ (accessed 9.15.14).
- Simmon, R., 2014a. Subtleties of Color 1/6 [WWW Document]. URL http://earthobservatory.nasa.gov/blogs/elegantfigures/2013/08/05/subtleties-of-color-part-1-of-6/ (accessed 8.4.14).
A last look at the colourmaps


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| Method Summary | |
Bounds |
closestIntersection(Bounds[] boundsObjects)
Finds closest bounding object that intersects this bounding object. |
void |
combine(Bounds bo)
combine this object with a bounding object |
void |
combine(Bounds[] bos)
combine this object with an array of bounding objects |
void |
combine(javax.vecmath.Point3f point)
combine this object with a point |
void |
combine(javax.vecmath.Point3f[] points)
combine this object with an array of points |
boolean |
intersect(Bounds bo)
test for intersection with another Bounds object |
boolean |
intersect(Bounds[] bos)
test for intersection with an array of Bounds objects |
boolean |
intersect(javax.vecmath.Point3f point)
test for intersection with a point |
boolean |
intersect(javax.vecmath.Point3f origin,
javax.vecmath.Vector3f direction)
test for intersection with a ray |
void |
set(Bounds boundsObject)
sets the the value of this Bounds object to enclode the specified bounding object |
void |
set(Bounds[] bounds)
sets this bounds to the comnination of all the specified bounds. |
void |
transform(Bounds bounds,
Transform3D trans)
Transforms a Bounds object so that it bounds a vloume that is the result of transforming the given bounding object by the given transform. |
void |
transform(Transform3D trans)
Transforms the Bounds object by the given transform. |
| Method Detail |
public void set(Bounds boundsObject)
public void set(Bounds[] bounds)
public boolean intersect(javax.vecmath.Point3f origin, javax.vecmath.Vector3f direction)
public boolean intersect(javax.vecmath.Point3f point)
public boolean intersect(Bounds bo)
public boolean intersect(Bounds[] bos)
public void combine(Bounds bo)
public void combine(Bounds[] bos)
public void combine(javax.vecmath.Point3f point)
public void combine(javax.vecmath.Point3f[] points)
public void transform(Bounds bounds, Transform3D trans)
public void transform(Transform3D trans)
public Bounds closestIntersection(Bounds[] boundsObjects)
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Drag/Drop or Click to upload Images
Only Images are allowed
Just uploaded onto Server
Already on Server
{% for each in already_on_server %}
256px
512px
800px
1600px
delete me
{% endfor %}


Watford appoint Craig Shakespeare as assistant head coach
Former Leicester boss Shakespeare has reunited with new Watford head coach Nigel Pearson.
Craig Shakespeare has joined Nigel Pearson’s coaching staff at Watford, the Hornets have announced.
Shakespeare, 56, was assistant to Claudio Ranieri when Leicester won the Premier League title in 2016.
He also had a spell as Foxes manager the following year, and now moves to Watford as assistant head coach.
Shakespeare is a former team-mate of new boss Pearson’s at Sheffield Wednesday, and he also worked alongside Pearson at West Brom, Leicester and Hull.
He has also previously coached at Everton and had a brief coaching stint with England.
“Further confirmations with regards to Pearson’s coaching staff will follow in due course,” Watford said on their official website.
Pearson was appointed as head coach last week, with Watford currently bottom of the Premier League, two points behind Norwich.


Phone Usage Survey
The phone has transformed into a Swiss Army Knife of sort over the years. Not only is it used to
talk to another person, the phone has expanded into a web browser, a planner, a video player, a
gaming
device, a
mp3 player, and other functions. This survey's purpose is to gain insight into people's
relationship with
the
phone.


Blake Hodges
I'm a web developer that loves creating fast, responsive sites with clean designs. My skills include Javascript, React, HTML, CSS, Responsive Web Design, and modern JS development tools. I also have experience with Wordpress and other CMS technologies.


The mind mage Jace Beleren is many things to many people. Chief among his current responsibilities is that of the Living Guildpact, the magically empowered arbiter of inter-guild conflicts on the city-plane of Ravnica. But he has made many other promises and taken on many other problems—and each of those unfinished puzzles tugs at his mind.
Some, perhaps, more than others.
Jace smiled tightly as the Golgari delegation shambled out of the room. He muttered a quick spell to clear out the fungal-rot smell of the esteemed ambassadors and their zombie attendants.
 The desk creaked, and he frowned. He still needed a nice big chair to collapse into. Leather. Something expensive.
"Tell me that was the last for the day," he said.
"I would never perjure myself, even at your order," said his bailiff, Lavinia—rather archly, he thought.
He groaned. It wasn't that the work was hard. Quite the opposite. It was a lot of work, and hardly any challenge.
"But," she continued, "as it happens, in this case I can say truthfully that that was the last of today's appointments. Of course, tomorrow's petitioners are already lining up."
No more sunlight streamed through the high windows of the Chamber of the Guildpact. When had he last eaten?
"They'll have to wait," he said. "Maybe I can solve all their problems, but I can't do it all in one day."
He turned toward her. She looked prim as ever. He scowled.
"You're not even tired, are you? People probably talk about Jace Beleren's illusionary bailiff . . . What human could stand for twelve hours in full ceremonial armor and show no sign of it?"
She turned and looked him up and down.
"You'd have more endurance if you exercised once in a while, you know," she said. She was smiling, but that didn't mean she wasn't serious.
"Noted."
He turned to leave.
"Guildpact," said Lavinia. He turned. "Get some rest."
"Coffee," said Jace. "The Living Guildpact rules that coffee is an acceptable substitution for rest, as specified in subsection . . . whatever."

Down several twisting corridors, Jace ducked through a secret hallway to his personal apartments. No one knew about the secret hallway except him and Lavinia, and even Lavinia didn't know how to open it. There were stories on many planes of tyrants who, to preserve the secrets of their tombs and castles, killed architects or cut out their tongues. Jace had cleanly excised the knowledge from his builders' minds—far kinder, he told himself, though it didn't always feel that way.
His apartments were a mess of diagrams, projects in progress, and half-eaten meals. An illusionary depiction of a Zendikar hedron hovered, its runes tauntingly undeciphered. Globes and maps of various planes were marked with pins showing locations of import. The horn of an Onakke ogre rested on a draft copy of some dull piece of Azorius legislation.
Jace didn't have servants—too much risk, and it made him uncomfortable besides—but he occasionally summoned a menial illusion to clean the place up, usually when he was expecting company. And he did, occasionally, entertain, despite the secrecy of the apartments. The door was actually an Izzet-made teleportal, and he changed the location of its other end regularly. He could come and go as he pleased, could even have guests, and the mystery of the Living Guildpact only deepened.
He blinked, bleary-eyed. What had he been doing?
Right. Coffee.
There was a knock at the door.
Well, not really. But there was a knock on a door somewhere in the Seventh District, carried to his ears by the portal that linked his door to that one. And that was every bit as odd.
He pulled his hood up around his face, gathered mana, and carefully approached the doorway, keeping a spell ready to dispel the portal if necessary. In the meantime, he cast a spell that would let him see what was on the other side.
All of this paranoid preparation was probably unnecessary. It was probably just some confused citizen knocking on the wrong door down in the Seventh. At worst, it might be—
—Liliana?
He gaped.
Jace hadn't seen Liliana Vess since the day he'd realized she was playing him, and he'd skipped out on their rendezvous—after enduring mortal danger, the deaths of friends, and literal torture, all at least partially on her account. She was an amoral, self-serving death mage who'd sought him out on the orders of the dragon Planeswalker, Nicol Bolas. She was also the first real lover he'd ever had, and he'd tried, in the time since, not to pine for her. He knew better.
The necromancer stood before an unmarked door miles away, unattended as far as he could tell. She held herself proudly, but she glanced from side to side occasionally, as though she was nervous. Or wary.
Or betraying him. Again.
An illusion? Through the portal, it was difficult to tell. If so, it was entirely convincing, right down to an irritated tapping of her left foot.
He shouldn't answer it. Whether it was really her or not, it was almost certainly a trap—and even if she didn't have plans to betray him, again, life with Liliana had a way of turning to rot in a hurry. He knew better.
He sighed, rendered himself invisible, and summoned an illusionary duplicate. The duplicate opened the door, with a telekinetic nudge from him.
"Liliana?" he said, out of the duplicate's mouth, painting a surprised look on its face. "What are—"
She casually walked right through the illusionary Jace.
"Can I come in?" she said over her shoulder.
Jace frowned, shoved the door shut, and dispelled his invisibility, his confused-looking illusionary double, and the teleportal for good measure. He hurried after her.
"What if I said no?"
"You didn't," she said.
He walked around her and got in her way. She looked past him, surveying the apartment.
"Lovely place. Shame what you've done with it."
She looked exactly the same. But then, she would, wouldn't she? No less than four demonic contracts saw to that, etched in fell runes on her perfect skin. He'd always hated those etchings, tried not to—not to touch them.
Finally, she looked him in the eye.
"Hello, Jace."
Jace was not accustomed to noticing people's eyes. He didn't need them to read intentions, and while he'd learned to look at people's eyes when he talked to them, he'd never really learned to pay attention to them. But Liliana's eyes he remembered, old and violet-gray and full of the promise of danger. He tried to hold her gaze now, but found he couldn't stand the memories that stirred up. His eyes finally settled on her nose, the only place he could find that didn't make him some manner of uncomfortable.
"Nothing you can say will make me trust you," he said. "Not after you betrayed me."
She rolled her eyes. Her scent hit him, lilac and cinnamon masking the barest hint of something rotten and strange.
"You're the one who stood me up," she said.
"Yes, after you betrayed me!"
"That's ancient history," she said, picking up the Onakke horn and toying with it. "I'm not working for Bolas anymore, and I never meant you any harm."
"And shall I verify that?" he asked, taking the horn from her and setting it down. "Or do you still have your little protective measures?"
He had thought he'd read her mind when they first met, but she'd spoofed his telepathic abilities somehow. He had his suspicions, and the fact that she'd been secretly working for a millennia-old dragon archmage at the time was chief among them.
She said nothing, but reached out, slowly, toward his face. Part of him wanted to flinch from her touch. Part of him wanted to do very much the opposite. He settled for holding still. But she did not touch him, only took the edge of his hood between two fingers and pushed it back. She appraised him for a moment.
"You look older," she said.
"I'm not sure how to take that."
"At your age, dear, it's an unambiguous compliment." She cocked her head. "Have you started combing your hair?"
He smoothed his hair self-consciously, just for a moment, then withdrew his hand. He had, in fact, started combing it. Not that his hair was any of her business. He scowled.
"I'm guessing," he said, "that you didn't go to the considerable trouble of finding me just to critique my appearance. So let's get to business. How did you find me, and who else knows?"
She sighed theatrically.
"I hired a very good spy at a very high price," she said. "And nobody else knows, because his corpse is currently shambling around the Seventh trying to find me."
"Damn it!" he said. "You're talking about a Ravnican citizen."
"Don't fret. I made sure he deserved it, just for you," she said. "He's got a file at New Prahv as long as your arm: murder, arson, theft, extortion—and plenty of awful stuff the Azorius don't even know about. I did your friends at the Senate a favor."
"A warrant is supposed to lead to a trial," he snapped. "Not a summary execution! I have to think about that kind of thing now. I am the law—I literally am the Law. I—Damn it, why are you smiling?"
"Lazlo Lipko."
He sucked in a breath through gritted teeth.
"Ooh, yeah, he's a real bastard."
"Was," she said, smirking.
He sighed.
"Fine. It's not like I've never worked outside the law, even as the Guildpact."
They were still standing, slightly too close to each other, in his messy front room.
"Well?" she said. "Is the inquisition over?"
"Not just yet," he said. "What did you do to Garruk Wildspeaker?"
"Oh," she said. "That."
"That."
"Can I at least sit down?"
He shrugged and gestured to one of the high-backed chairs that surrounded his table, but she walked around the table and flopped onto his couch. He didn't like looming over her, but he didn't want to sit next to her, so he dragged a chair over from the table and sat. She stared at him expectantly.
"Garruk," he prodded.
"Garruk." She frowned. "Not much to tell."
"So tell it."
"He attacked me," she said. "I won. I guess he's carrying a grudge."
"No."
She blinked those ancient violet eyes.
"No?"
"Tell me about the Chain Veil," said Jace.
"Oh," she said, looking away. "That."
He waited.
"It'll be easier if you tell me what you already know," she said.
"It'll be more informative if I don't."
In fact he already knew a great deal about the Chain Veil, its properties, and Liliana's run-ins with Garruk. But he was curious how much she'd be willing to tell him. And he did, if he was being perfectly honest, enjoy watching her squirm.
"Fine," she said. "It's a very powerful, very ancient artifact."
"Evil, too," he interjected.
"Yes, thank you," she said, rolling her eyes. "One of my demonic creditors sent me after it, as part of my servitude. I decided to use it to earn my freedom. The hard way."
"You honestly think you can take on four demons—"
"Two," she said.
"What?"
"Two down," she said, holding up two fingers and grinning. "Two to go."
"Oh," he said. "That . . . changes things."
"Doesn't it?"
He'd intended, long ago, to help her find a way out of her contracts—to learn who she really was, beneath the desperation and the lies. Now she was halfway out without his help . . . and mired in something that might be worse.
"What did you do to Garruk?"
"The Veil is cursed," she said. "It was created to turn someone into a vessel for the resurrection of a long-dead race. But that's too much power for one soul to bear. It kills its users if they're not strong enough, I think."
"You think?"
"What can I say? I've been so busy with all this demon-slaying, I haven't exactly had time to visit the library."
"Fine," he said. "You don't seem dead."
"Nope," she said. Her eyes twinkled. "I'm too strong."
"You know what happens to the ones it doesn't kill, right?"
Her face fell—maybe the only honest emotion she'd shown since she walked in.
"Yes," she said. "Demons."
The Veil's power was overwhelming, transforming even its strongest wearers into monsters.
"And that's what Garruk is becoming. Has become, maybe. But not you."
"Not me," she said. "I don't know if it was my contracts or my necromancy.  Whatever the reason, he's the one turning into a monster. And I'm not. No more than I ever was, anyway."
"Alright," he said.  So what's the problem?"
She arched an eyebrow.
"Who said there's a problem?"
"Lili, what are you doing here?"
She pouted.
"Can't I just drop by to see an old friend?"
"Stop it," he snapped. "We've been a lot of things, but we have never been friends."
Silence, then. Her eyes hardened.
"I—"
"Don't," she said.

"You're right," she said. "And for what it's worth, I'm sorry. I'm sorry for what you went through. I'm even sorry for what's happening to Garruk, if that will make you feel better."
She flopped her head back on the pillow and sighed.
"I don't know, Jace. I guess I was hoping we could . . . start over."
She lifted her head. Her eyes held his.
"Starting over is the first trick I learned," he said, forcing a smile. He lifted one hand and set it glowing, like it often did when he worked his mind magic. When he erased memories. "Just say the word . . ."
"No," she said. "Not like that."
She frowned and spread her hands in a helpless shrug. He had a hard time believing she was genuinely flustered, but she was putting on a convincing performance.
"Just . . . this conversation, at least?" she said. "Start over?"
"Well, it's too late to start with you not barging into my home."
"Fair," she said. "So where do we start?"
"How about with you apologizing for barging into my home?"
Her demeanor shifted—demure and contrite, hands folded primly in her lap, expression carefully guarded. But her eyes were playful.
"I'm so sorry to barge in on you like this," she said, with exaggerated propriety. "I was in town, and I just couldn't resist dropping by. I deeply regret the unpleasantness of our last encounter, and I hope we can make a fresh start."
It was a game. Everything was a game with her, and he was tired of playing. He knew better. But if he didn't find out what she was up to, she would just get him into trouble some other way. And she wasn't the only one who could play games.
"What a pleasant surprise!" he said. "It's delightful to see you again—not at all suspicious or unwelcome. What sort of fresh start did you have in mind?"
She grinned wickedly.
"Buy me dinner?"
He snorted.
She smiled serenely.
"You're serious," he said.
She grinned.
"I'm always serious."
More games. More deceptions.
He knew better.
The pair strolled through Ravnica's fashionable Second District arm in arm. It was a warm night, and the streets were busy.
"So what's it like?" asked Liliana. "Being the Guildpact?"
"Exhausting," said Jace.  You're pulled in ten different directions, all the time."
"Sounds terrible," said Liliana. "Four was bad enough. Hells, being pulled in any directions is more than bad enough."
"The guilds aren't my masters," said Jace. "More like . . . clients. I have more freedom now than I did when I was part of Tezzeret's Consortium, that's for sure."
"But you're not the king," said Liliana. "You don't make the law. You're bound by it."
He shrugged.
"I wouldn't want to be a king," he said. "But yes. It can be . . . confining."
"Sir!" said a round little woman holding a basket of roses. "Sir! Buy a flower for your girlfriend?"
"She's not my—"
"Say no more, sir!" said the woman with a wink. "But a flower's always a fine gift for a lady."
"She's not a—"
Liliana elbowed him in the ribs.
"Of course," said Jace. He handed the woman a zino, told her to keep the change, and presented the rose to Liliana with a flourish.
"Sir!" said the woman, already working the couple behind them. "Sir! A flower for your boyfriend there?"
Liliana took the flower delicately and stared at it. In moments, it withered and dried into a blackened husk. She tucked it in her raven hair and smiled at him.
"Do you ever get tired of being difficult?" he asked.
She flashed a dizzying grin.
"Never."
They arrived.
Milena's was one of the finest restaurants in the Second, seating by reservation only. Jace exchanged a few quiet words with the maître d'—an efficient, ratlike little man named Valko—and the Living Guildpact and his guest were escorted to a table for two out on the patio, complete with candles.
"Good to know you're not above abusing your power," said Liliana.
He pulled a chair out for her, and she sat.
"I spend ten hours a day listening to zoning disputes and damage claims," said Jace, seating himself. "A table at a nice restaurant on short notice is the least this city can do in return."
"And you have this kind of money?" asked Liliana, ogling the menu.
"They usually comp it," he said. He tried to sound embarrassed, mainly because he was. But being the Guildpact wasn't easy, and it wasn't safe, and he wasn't ashamed of taking advantage of the few perks of the office. Not very, anyway.
"Of course," she said. "It's the least they can do."
They ordered, and Liliana didn't hold back—nor had he expected her to. A bottle of an expensive red Kasarda, Decamillennial vintage, rounded things out, and Jace wove a quick spell of silence to give them some privacy.
"This is a far cry from the dives we used to hide out in," said Liliana. "What was that awful little place called? The Bitter End?"
He raised a glass.
"To leaving the past . . . in the past."
She took a sip, then set her glass down quickly.
"I heard about what you did," she said. "Trying to stop Garruk."
"Oh," he said. "That."
"It was risky," she said. "I didn't think you'd do that for me."
"I didn't do it for you," said Jace. "Garruk's becoming a threat to every Planeswalker."
"Listen to yourself," she said, shaking her head. "Jace Beleren, defender of the Multiverse. You can't admit you're worried about me without pretending to be worried about literally everyone."
"Should I be worried about you?"
Anger clouded her face. She reached into the folds of skirt at her hip, and Jace spent a panicked half-second preparing a counterspell before he saw what she was doing.
The thing she withdrew could only be the Chain Veil. A cacaphony of unintelligible whispers filled his head, just for a moment, until he tuned it out—whatever that was, it was her business, not his. Its links were a burnished gold and exquisitely crafted, so fine it appeared to have the texture of silk. It looked heavy, and it took on an unnatural gleam in the dim light of the restaurant. It was beautiful, and enticing, and dangerous.
His hand reached out, almost reflexively. She jerked the Veil back, out of his reach, a sudden and undignified movement.
"Afraid I'll take it from you?" he asked with bemusement.
She met his gaze, and for a fleeting moment he saw pain and fear and pleading in those ancient eyes.
"Afraid of what it might do to you," she said quietly. "And anyway, you can't take it, even if I wanted you to. Do you understand yet? What it is?"
Can't? Was it bonded to her somehow? Or did it just have its hooks into her that badly? He'd believe it, in either case.
"I'm starting to," he said.
The way the candlelight flickered off the thing was somehow sinister.
"If you're not going to let me look at it, put it away," he said. "It makes my skin crawl."
She tucked it away again.
"Mine too," she whispered.
The candles flickered.
"It sounds like maybe things aren't quite under control."
He understood, now, why she'd come. Play on his emotions and his curiosity all at once. Herself in need, and a puzzle to be solved—two things she knew he'd have a hard time resisting. And maybe, just maybe, she was right.
But he was going to make her ask.
Her eyes were pools of darkness.
"Jace, I . . ."
There was a commotion at the front of the restaurant, where the patio opened onto the street. Jace turned sharply, ready to cast any of half a dozen protective spells.
A tall, broad-shouldered man stood in the street, arguing with Valko. He wore armor, hard-used but well-maintained, and he was covered in blood and dirt and some unidentifiable muck. He pointed toward Jace. He was toward the edge of Jace's easy telepathic range, but a combination of lip-reading and surface thoughts told Jace what the man was saying: I need to speak to the Guildpact.
He flashed a Boros insignia, pushed past the flustered maître d', and walked up to their table. He was quite a bit taller than Jace, with tawny skin but strikingly bright eyes.
"Jace Beleren," he said. "I need your help."
The man matched the description of a Planeswalker Jace had heard about, one who was planeswalking on and off of Ravnica with unusual regularity.
Valko hurried up behind the man.
"Guildpact," said Valko. "I'm so sorry. He says it's guild business—"
"No I didn't," said the man. "I just showed you my badge."
"I'm off-duty," said Jace. Planeswalker or no, this man's troubles weren't Jace's to solve. "Come to the Hall of the Guildpact in the morning and get on the docket, and in a few days—"
"It's about a place called Zendikar," said the man.
Liliana looked like she'd swallowed a nail.
"Sir," said Valko. "Whatever your business, your attire is entirely unacceptable. I must insist—"
"He can stay," said Jace. "If you're worried about appearances, I'll slip an invisibility spell over this whole table."
"That," said Valko, "will make it exceedingly difficult to bring you your dinner."
"It won't cover the smell, either," said Liliana.
"I'll make it up to you," said Jace, and shooed Valko away.
"What about me?" said Liliana.
"My name is Gideon," said the man. He glanced at Liliana.
"She knows," said Jace. "Have a seat."
"I'd rather stand," said Gideon.
Jace stood up. It was an error. He still had to crane his neck to look Gideon in the eye, and now the size difference between them was glaringly obvious. He hated feeling small. Hated it.

Gideon's eyes narrowed.
"Have you actually been to Zendikar?"
"Yes," said Jace. "It didn't go well."
"Sea Gate has fallen."
"What?" said Jace. "When? How?"
"Hours ago," said Gideon. "Maybe less. I left before it was over, but the place was doomed. And as for how . . . What do you know of the Eldrazi?"
"They'd just emerged when I was last there. I saw one, shortly before I left," said Jace. 'Saw one,' that was one way to put it. 'Inadvertently released them from millennia of imprisonment to terrorize Zendikar,' that was another. Jace wondered if Gideon knew. "I know some scholars at Sea Gate. Any word of them?"
"Their archives were lost," said Gideon. "That's why I came to find you. They were close to some kind of breakthrough with the hedrons, something that could fight the Eldrazi. And you have a reputation for solving puzzles."
A quick dive into the man's mind confirmed that he was telling the truth.
"The hedron network?" said Jace. "What kind of breakthrough?"
"I don't know," said Gideon. "They called it the 'puzzle of leylines,' and they believe it’s connected to the Eldrazi. Will you come with me and solve it?"
"Leylines!" said Jace. His first instinct was to reach for his notes, but of course they were back at his apartments. "I'd never tied the hedrons to leylines. That has . . . implications."
He rubbed his forehead. The Eldrazi were his responsibility, in a way. He'd spent some time since then researching them, researching the hedrons. But he had so many other responsibilities!
"If you know Zendikar, and you've seen the Eldrazi, then you know how serious this is," said Gideon. "I know you'll do the right thing."
Liliana drained her glass, shoved her chair back, and walked past Jace.
"Lili, wait—"
She kept walking.
"Give me a minute," he said to Gideon.
He ran after her, matched her pace. He knew better than to try to grab her arm—that was a good way to end up at the healer's.
"Liliana!"

"I seek you out after all this time," she said. "I open up to you.
"What's happening on Zendikar . . ." he said. "It's my fault. Sort of. It was unintentional, and I suspect I was manipulated, but the fact remains, those Eldrazi things are loose because I walked into something without understanding it."
"So now you're going to dive right back in," she said. "What are you waiting for?"
"You could come with us," he said.
"Excuse me?"
"Come with us," said Jace. "Put your skills to use fighting some actual monsters. Maybe you can make an ally of this Gideon guy."
"No," said Liliana. "Some of us don't go borrowing trouble when we already have more than enough."
"I'm not leaving until morning," said Jace. "Think it over. Come to the Hall if you change your mind."
"No."
"You could wait for me on Ravnica, then," said Jace. "Whatever research he needs me to do, it won't take long. I'll come back. We can continue our conversation. And if you ever get around to telling me why you're here, we can talk about what happens next."
"You're out of your mind," she said. "I've got demons to kill."
"Fine," said Jace. "Good luck with that. And Liliana?"
She waited.
"He asked."

Jace bent to pick up the withered flower as Gideon's heavy footfalls approached behind him.
"Finished?" said Gideon.
Jace turned, ready to snap at him, but Gideon's face was so earnest, and so haggard, that Jace couldn't muster the anger. Liliana was bad news anyway. He knew better.
"Finished," said Jace. "Come on. I know a good healer who can patch you up."
"No time," said Gideon. "We have to go."
"I'm not leaving the plane until morning," said Jace. "I need to make arrangements, and I need to get my notes. And you! You can't help Zendikar if you drop dead of exhaustion. You need to get some rest."
Gideon stared down at him for a long moment.
"Fine," Gideon said at last. "Take me to this healer."
"Tell me about the Eldrazi," said Jace.
He took a step, but Gideon stopped him with one hand on Jace's shoulder. Jace reached up and deliberately pushed Gideon's hand off of him.
Gideon glanced at the withered rose that Jace was still playing through his fingers. "Do I have your full attention?"
"Of course," said Jace. "Tell me everything you know."
He dropped the dead rose on the cobblestones and fell in beside Gideon.
He knew better.


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Code_Saturne solves the Navier-Stokes equations for 2D, 2D-axisymmetric and 3D flows, steady or unsteady, laminar or turbulent, incompressible or weakly dilatable, isothermal or not, with scalars transport if required.
Several turbulence models are available, from Reynolds-Averaged models to Large-Eddy Simulation models. In addition, a number of specific physical models are also available as "modules": gas, coal and heavy-fuel oil combustion, semi-transparent radiative transfer, particle-tracking with Lagrangian modeling, Joule effect, electrics arcs, weakly compressible flows, atmospheric flows, rotor/stator interaction for hydraulic machines.
Code_Saturne is an open source CFD software.


The github repo for this project can be found at: github
Wait for the model to load before clicking the button to enable the webcam - at which point it will become visible to use.
The project was made possible thanks to the excellent tutorial on using tfjs at codeLabs
Hold some objects up close to your webcam to get a real-time classification!
When ready click "enable webcam" below and accept access to the webcam when the browser asks (check the top left of your window)


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--- layout: default ---
Tuist is a command line tool written in Swift that helps you generate, maintain and interact with Xcode projects.
It focuses on simplicity and productivity. It has an elegant API that is natural to understand and use.
Our goal is to bring you focus and deal with intricacies for you. We believe many concepts that Xcode developers are exposed to nowadays are implementation details that they shouldn’t have to worry about. In most cases, understanding those details is not necessary to do the work, only if you need to introduce optimizations at the low level.
In the same way nowadays, a backend developer barely needs to know about SQL, or frontend developer about asset bundling, with Tuist, developers don’t need to know how to configure an Xcode project right or automate the most common tasks.
Much inspiration for Tuist came from this talk from DHH, where he talks about a concept, conceptual compression, on which Tuist is based.
With Tuist, projects are defined in a Project.swift, also known as manifest. The manifest format that abstracts you from the implementation details of Xcode projects. In your manifest you can define which targets your project has, which sources and resources belong to them, as well as the dependencies with targets in the same and other projects. The advantages of defining the projects in a manifest are:
Tuist leverages project generation to provide a simple and convenient set of commands, standard across all the projects. The commands infer most of the necessary information from your projects, requiring you to pass only the arguments that are strictly necessary.
Having a standard command line interface makes it easier to jump between projects since there’s an interaction language everyone in the team is familiar with.
{% window_highlight bash %} tuist init --platform ios tuist generate tuist build tuist test tuist run tuist release {% endwindow_highlight %}The list of actions will likely grow as we get feedback from you.
Here are some good situations when we think you should consider using Tuist:
Considering adopting Tuist? You can introduce it incrementally in your projects.
That's it! How tedious the process will be depends on how complex your projects are. Unfortunately, we can't generate the manifest files from your existing projects.
As you can see, Tuist doesn't force you to change your projects structure, or CI setup. If you regret the adoption of the tool, you can easily drop it.
Tuist is planned and developed in the open and will remain like that forever. It’s part of an inclusive organization that welcomes anyone, regardless of its background or experience, making them feel part of the project since their first contribution. One can contribute not only with code, but reporting bugs, sharing ideas, participating in discussions. If you love our mission of empowering developers to build great apps for the world, and would like to contribute, there’s a place for you.
Tuist and its projects wouldn’t be possible without the time the following contributors devoted:
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Tutorials
Tutorials to walk through the main parts of avaje-inject dependency injection, how it works, and the
intention behind the features and how they are expected to be used.
1. Getting started
- How avaje-inject works
- DI as a pattern, we could do manually if we want to
- DI as "wiring components" and "ordering the wiring"
- Constructors should not have logic ...
2. @Factory / @Bean
- Programmatic wiring, the motivation for @Factory @Bean
- Where it comes from wrt JSR-330 Provider<T> and Spring DI
3. Testing, Mock, Spy, @TestScope and Component testing
- Test double with avaje-inject, Mockito mocks, spies
- Providing a "default test dependency" for all tests
- Wiring for testing - e.g. docker test containers
4. Custom Scopes
- Use cases for custom scopes
- Parent child relationships between custom scopes
- External dependencies
5. AOP Aspects
- Use cases for AOP Aspects (@Retry, @Timed, @Transactional ...)
- Walk-through creating our own @Timed
6. @Named and @Qualifier
7. Modules - wiring across jars
- Wiring across projects / jars
- Ordering and how it works ...
8. @Primary and @Secondary
- Using @Primary and @Secondary for "tie breaking" in multi-module wiring...


JACQUELINE PRAGER DEVINE
UCONN DIGITAL MEDIA & DESIGN
The questions that I wanted to answer in my case study work was “who is engaging?”, “where are they engaging?” and “what are they feeling?” I was able to measure these metrics using a software called Talkwalker and specific widgets such as sentiment, media types and demographics.
I narrowed my search query to the first three months after the song was released since the data showed the most online action occurred within those first three months. In this way I could study the tailored results that were hyper-specific.
The two case studies I chose were FLETCHER’s “I Believe You” (proceeds to Time’s Up and It’s On Us) and Kesha’s “Praying” (proceeds to Rape, Abuse and Incest National Network–or, RAINN). Also on this page is an overview of the online activity for the #MeToo hashtag starting in February 2018, since the analytics software was not able to search further back to October of 2017, when the #MeToo wave broke on Twitter.
FLETCHER released the single “I Believe You” on March 9, 2018. She wrote an open letter about the purpose and message of the song. Below are some of the excerpts:
“Over the last few months, it seems every time I scroll through my Twitter feed, or walk into a studio session, I hear stories about another influential man who has abused his power."
"I mean, what do you even say to someone who has been sexually assaulted?"
"For me, the right words were “I believe you.” Like the day my best friend confessed, that while we were in high school, her boss attacked her during a late night shift. Like the time my classmate came into my room and informed me she had been raped in her dorm. Like the time a member on my own team had to take a meeting with the man that harassed her as an intern, and like the close collaborator of mine who shared her story of sexual assault by her very own manager."
"The proceeds of this song will be donated to Time’s Up legal defense fund for Women’s History Month.”
PROMOTIONAL SOCIAL MEDIA CONTENT
The largest peak of activity surrounding this release was in the first few weeks as there was the most promotion of the song during that timeframe. The activity then trickled out as time went on but saw a small jump in April - likely due to mention of it being Sexual Assault Awareness Month.
The engagement during this period was almost double the amount of mentions. This is because "likes" are factored into engagement whereas mentioned actually requires a user to call out a specific account or hashtag. The potential reach for this single was 5.3 million; this number considers the following of each person who has interacted with the song online.
This graph splits the engagement into likes, comments, reposts and other various social media activity. A widget like this could help an influencer or brand understand where they are garnering the most activity from followers and online users.
One of the most high-level questions I asked myself during this research process was "how do people feel about this" - and with this graph, we are able to determine the sentiment of those online. Despite a "neutral" and "negative" presense in some areas, most, if not all, of the online activity was positive. This divide among sentiment is due to artificial intelligence nuance that is still in its beginning stages.
Moving deeper into how people feel, Talkwalker allows its users to understand the emotional range of a Boolean string. The top emotions pertaining to this data were "special," "believing," and "love". This echoes the above sentiment in that most people felt positively about this song and its surrounding social media promotion.
This wordcloud shows the most common words or phrases from the online activity. Some words, such as "bulletproof" and "girl" are parts of lyrics from the song. The relevancy of the black heart comes from the promotional content FLETCHER used. Each time her tweet announcing the song was liked or retweeted, then the heart's popularity would rise.
Another question I asked myself in this process was "who is participating in this conversation?" This gender breakdown is only a few percentage points away from the breakdown in the data I collected in November. The same goes for the age breakdown as well.
Talkwalker allows its users to take a deeper dive into the "who?" of the data. In the case of this graphic, the people most likely to engage in this content were musicians, students and writers. Other occupations were related to the arts as well such as "artist" or "DJ" or "actor."
The final graphic for this case study focuses on the interests of those who engaged in this content. The top interest was "Music & Audio" which is unsurprising seeing as the top occupation was musician.
Kesha released "Praying" on July 6, 2017.
The song spent 21 weeks on the Billboard Hot 100 chart and made waves due to its ties to the allegations she brought against producer Lukasz Sebastian Gottwald or, Dr. Luke, in 2014. Kesha filed a civil suit claiming infliction of emotional distress, gender-based hate crimes and employment discrimination.
Although “Praying” was released just 3 months before the #MeToo wave, Kesha used her platform to partner with the organizations RAINN (Rape, Abuse & Incest National Network). Through a partnership with PLUS1, a portion of the proceeds from her then-tour would be donated to RAINN.
PROMOTIONAL SOCIAL MEDIA CONTENT
The largest peak of activity surrounding this release was in the first few weeks as there was the most promotion of the song during that timeframe. The activity then trickled out as time went on but saw a small jump in the beginning of August which was likely due to Kesha's full album "Rainbow" being released on August 11, 2017.
The engagement during this period was almost six times the amount of mentions. This is because "likes" are factored into engagement whereas mentioned actually requires a user to call out a specific account or hashtag. The potential reach for this single was 1.9 trillion; this number considers the following of each person who has interacted with the song online.
This graph splits the engagement into likes, comments, reposts and other various social media activity. A widget like this could help an influencer or brand understand where they are garnering the most activity from followers and online users. The influx of YouTube comments during the beginning of July was likely due to "Praying's" video being released around the same time as the single itself.
One of the most high-level questions I asked myself during this research process was "how do people feel about this" - and with this graph, we are able to determine the sentiment of those online. Despite a "neutral" and "negative" presense in some areas, most, if not all, of the online activity was positive. This divide among sentiment is due to artificial intelligence nuance that is still in its beginning stages.
Moving deeper into how people feel, Talkwalker allows its users to understand the emotional range of a Boolean string. The top emotions pertaining to this data were "hope," "love," and "good". This echoes the above sentiment in that most people felt positively about this song and its surrounding social media promotion.
This wordcloud shows the most common words or phrases from the online activity. The title of the song, and varriations of the title, were especially prominent. Emojis are also prevenent in this cloud as Kesha uses many emojis in her social media content.
Another question I asked myself in this process was "who is participating in this conversation?" This gender breakdown is very different from FLETCHER's and the data I collected on my own though the age breakdown is virtually the same.
Talkwalker allows its users to take a deeper dive into the "who?" of the data. In the case of this graphic, the people most likely to engage in this content were authors or writers, musicians, students or artists. The high percentage of writers is likely due to articles being written about the song and then being retweeted or posted.
The final graphic for this case study focuses on the interests of those who engaged in this content. The top interest was "Music & Audio" which is unsurprising seeing as the top occupation was musician.
Though this tab does not detail a specific case study pertaining to a singer and non-profit, I felt it would be valuable to do an overview of the #MeToo movement and its effect, both online and otherwise.
The graph below shows the number of people accused of sexual misconduct since the rise of the #MeToo movement. Bloomberg calls this number "a conservative accounting" as there were far more than 429 people accused and since that number continues to rise. This graphic shows the breakdown of accused, by industry. Below this graphic is an analysis on social media traffic from March of 2018-April of 2019. That data has been gathered by the analytic software, Talkwalker.
This graphic, and those to come, all have 3 filters: the time period, limits to Facebook, Twitter and Instagram and a geographic limit to the United States. The big peak shortly after September is in reference to many "One Year Later" articles and posts about the aniversary of the #MeToo wave.
At the center of this word cloud is the hashtag itself, surrounded by neighboring terms that coincide with the movement such as "sexual," "abuse," "assault" and "accused". There are also mentions of Trump, Kavanaugh and Weinstein; all of whom were accused of committing sexual assault.
The two largest peaks in this graph are from emotions tied to "wrong" and "wtf" (i.e. "what the fuck"). There are some emotions in this graph that mirror those from the other case studies such as "love" and "good" but words like "abused" and "accused" are specific to this graph.
According to this graph, the conversations about #MeToo based on gender are fairly equal and the age breakdown seems to resemble that of a bell curve. The top interest among those participating in this conversation is overwhelmingly "family and parenting" and the top occupations are "author/writer" and "executive manager".
#MeToo was not the only hashtag that made headlines. Other hashtags related to the movement were also prevenlant such as "#IBelieveSurvivors" and "#IBelieveHer". Other various social movement hashtags also made their way into this conversation such as "#BlackLivesMatter" "#NeverAgain" and "#LGBTQ".
Another powerful graphic from Talkwalker is the top celebrities word cloud. With three accused men at the center of the cloud: Brett Kavanaugh, Harvey Weinstein and Donald Trump, they are flanked by women who have been vocal about their experiences with sexual assault: Rose McGown, Anita Hill and Alyssa Milano.
I was hoping this word cloud would provide some more insights into brands that are active around this issue (and possibly lead to more branded content) but what's shown here is mostly non-profits and media organizations such as MSNBC, NBC, Planned Parenthood and the NRA. The Weinstein Company is at the center of the cloud.


Groot is a fictional character appearing in AMerican comics and in marval movies. Perticularly in Guardians of the Galaxy.
Groot played a part in Annihilation: Conquest, at which time it was shown Groot may be the last remaining member of the Flora colossi, and was under arrest by the Kree for an unknown reason. Groot earned freedom by joining Star-Lord's strike force, where Groot and Rocket Raccoon formed a bond, Rocket being one of the few beings with the ability to understand Groot's language.
Groot is an extraterrestrial tree monster who initially came to Earth seeking humans to capture and study. Groot was seemingly destroyed by termites used by Leslie Evans. Xemnu made a duplicate of Groot by making a human and tree hybrid that was used to fight the Hulk, but it was destroyed in the battle.
Groot can absorb wood as food, and has the ability to regenerate. Groot can control trees and plants, using them to attack others, and appears to be resistant to fire. Groot is able to sprout dramatically increasing mass which then severely inhibits movement. Groot has been seemingly killed on multiple occasions, each time regrowing from a sprig.


A buffer is an area that covers a given distance from a point, line, or area feature.
Buffers are typically used to create areas that can be further analyzed using other tools. For example, if the question is What buildings are within 1 mile of the school?, the answer can be found by creating a 1-mile buffer around the school and overlaying the buffer with the layer containing building footprints. The end result is a layer of those buildings within 1 mile of the school.
The point, line, or area features to be buffered.
In addition to choosing a layer from your map, you can choose Browse Layers at the bottom of the drop-down list to browse to your contents for a big data file share dataset or feature layer.
There are three ways you can specify the size of the buffer for your input features:
You can choose to use a Planar method or a Geodesic method. The Planar method may be faster and is appropriate for local analysis on projected data. The Geodesic method is appropriate for large areas and any geographic coordinate system.
Options to specify the dissolve method. If a dissolve method is chosen, you will be given the option of creating multipart or single-part areas and you will be able to calculate statistics based on the fields provided.
Option to specify if your result will consist of single-part or multipart features.
You can calculate statistics on features that are summarized. On numeric fields you can calculate the following:
On string fields you can calculate the following:
This is a temporary parameter for prerelease to set the data store where the results are saved. Both data stores are part of ArcGIS Data Store. If you select the spatiotemporal data store but do not have one installed, the tool will fail.
This is the name of the layer that will be created in My Content and added to the map. The default name is based on the tool name and the input layer name. If the layer already exists, the tool will fail.
Using the Save result in drop-down box, you can specify the name of a folder in My Content where the result will be saved.


Welcome to the Guitar Shop
The team at Guitar Shop have been your local experts on new guitar equipment and guitar repairs since 1988.
Services
- The Best Prices on New & Used Gear
- Professional Guitar & Amp Repairs
- Same Day Guitar Set-ups
Repair Services
Our professional staff offer the best repairs at an affordable price.
| Service | Price | Turnaround |
|---|---|---|
| Basic Guitar Setup | $40 | Same Day |
| Refretting | $350 | 5-7 Days |
| Replace Pickups/Electronics | $50 | 2 Days |
| Amplifier repairs | Inquire | Inquire |
Similar Website
Dave's Guitar ShopThis is one example of a similar website.
Things I like
- Overall layout/CSS
- Navigation is customised with CSS
- The image slider on home page
- Featured product photos on home page
- Blog feed


This section describes the Emulated EEPROM Function Prototypes.
Functions | |
| cy_en_em_eeprom_status_t | Cy_Em_EEPROM_Init (const cy_stc_eeprom_config_t *config, cy_stc_eeprom_context_t *context) |
| Initializes the Emulated EEPROM library by filling the context structure. More... | |
| cy_en_em_eeprom_status_t | Cy_Em_EEPROM_Read (uint32_t addr, void *eepromData, uint32_t size, cy_stc_eeprom_context_t *context) |
| Reads data from a specified location. More... | |
| cy_en_em_eeprom_status_t | Cy_Em_EEPROM_Write (uint32_t addr, const void *eepromData, uint32_t size, cy_stc_eeprom_context_t *context) |
| Writes data to a specified location. More... | |
| cy_en_em_eeprom_status_t | Cy_Em_EEPROM_Erase (cy_stc_eeprom_context_t *context) |
| This function erases the entire content of Em_EEPROM. More... | |
| uint32_t | Cy_Em_EEPROM_NumWrites (cy_stc_eeprom_context_t *context) |
| Returns the number of the Em_EEPROM Writes completed so far. More... | |
| cy_en_em_eeprom_status_t Cy_Em_EEPROM_Init | ( | const cy_stc_eeprom_config_t * | config, |
| cy_stc_eeprom_context_t * | context | ||
| ) |
Initializes the Emulated EEPROM library by filling the context structure.
This function is called by the application program prior to calling any other function of the Em_EEPROM middleware.
Do not modify the context structure after it is filled with this function. Modification of the context structure may cause unexpected behavior of the Cy_Em_EEPROM functions that rely on this context structure.
This function does the following:
| config | The pointer to the configuration structure. See cy_stc_eeprom_config_t. |
| context | The pointer to the Em_EEPROM context structure to be filled by the function. See cy_stc_eeprom_context_t. |
| cy_en_em_eeprom_status_t Cy_Em_EEPROM_Read | ( | uint32_t | addr, |
| void * | eepromData, | ||
| uint32_t | size, | ||
| cy_stc_eeprom_context_t * | context | ||
| ) |
Reads data from a specified location.
This function takes a logical Em_EEPROM address, converts it to an actual physical address where data is stored and returns the data to the user.
This function uses a buffer of the flash row size to perform the read operation. For the size of the row, refer to the specific PSoC device datasheet.
There are restrictions on using the read-while-write (RWW) feature for EEPROM emulation. There are also multiple constraints for blocking and nonblocking flash operations, relating to interrupts, power modes, IPC usage, etc. Refer to the "Flash (Flash System Routine)" section of the PSoC 6 Peripheral Driver Library (psoc6pdl) API Reference Manual.
| addr | The logical start address in the Em_EEPROM storage to start reading data from. |
| eepromData | The pointer to a user array to write data to. |
| size | The amount of data to read in bytes. |
| context | The pointer to the Em_EEPROM context structure cy_stc_eeprom_context_t. |
| cy_en_em_eeprom_status_t Cy_Em_EEPROM_Write | ( | uint32_t | addr, |
| const void * | eepromData, | ||
| uint32_t | size, | ||
| cy_stc_eeprom_context_t * | context | ||
| ) |
Writes data to a specified location.
This function takes the logical Em_EEPROM address and converts it to an actual physical address and writes data there. If wear leveling is enabled, the writing process uses the wear leveling techniques.
This is a blocking function and it does not return until the write operation is completed. The user's application program cannot enter Hibernate mode until the write is completed. The write operation is allowed in CPU Sleep and System Deep Sleep modes. Do not reset your device during the flash operation, including the XRES pin, a software reset, and watchdog reset sources. Also, configure low-voltage detect circuits to generate an interrupt instead of a reset. Otherwise, portions of flash may undergo unexpected changes.
This function uses a buffer of the flash row size to perform the write operation. For the size of the row, refer to the specific PSoC device datasheet.
If the blocking write option is used, and write or erase operations are performed by CM4, the user's code on CM0P and CM4 is blocked until the operations are completed. If the operations are performed by CM0P, the user's code on CM4 is not blocked and the user code's on CM0P is blocked until the operation is completed. Plan your task allocation accordingly.
There are restrictions on using the read-while-write (RWW) feature for EEPROM emulation. There are also multiple constraints for blocking and nonblocking flash operations, relating to interrupts, Power modes, IPC usage, etc. Refer to the "Flash (Flash System Routine)" section of the PSoC 6 Peripheral Driver Library (psoc6pdl) API Reference Manual.
| addr | The logical start address in the Em_EEPROM storage to start writing data to. |
| eepromData | Data to write to Em_EEPROM. |
| size | The amount of data to write to Em_EEPROM in bytes. |
| context | The pointer to the Em_EEPROM context structure cy_stc_eeprom_context_t. |
| cy_en_em_eeprom_status_t Cy_Em_EEPROM_Erase | ( | cy_stc_eeprom_context_t * | context | ) |
This function erases the entire content of Em_EEPROM.
Erased values are all zeros.
In the Simple Mode the function just erases the entire content of Em_EEPROM.
When Simple Mode is disabled, the function first performs one write operation to keep the number of writes completed so far and then erases all rest content of Em_EEPROM memory. So, the Cy_Em_EEPROM_NumWrites() function returns the correct value. Refer to the Cy_Em_EEPROM_Write() function for the side effect of the write operation. If the write operation is failed then corresponding status is returned and no erase operation is executed.
This function uses a buffer of the flash row size to perform the erase operation. For the size of the row, refer to the specific PSoC device datasheet.
This is a blocking function and it does not return until the erase operation is completed. The user's application program cannot enter Hibernate mode until the write is completed. The write operation is allowed in CPU Sleep and System Deep Sleep modes. Do not reset your device during the flash operation, including the XRES pin, a software reset, and watchdog reset sources. Also, configure low-voltage detect circuits to generate an interrupt instead of a reset. Otherwise, portions of flash may undergo unexpected changes.
If the blocking write option is used, and write or erase operations are performed by CM4, the user's code on CM0P and CM4 is blocked until the operations are completed. If the operations are performed by CM0P, the user's code on CM4 is not blocked and the user code's on CM0P is blocked until the operation is completed. Plan your task allocation accordingly.
There are restrictions on using the read-while-write (RWW) feature for EEPROM emulation. There are also multiple constraints for blocking and nonblocking flash operations, relating to interrupts, power mode, IPC usage, etc. Refer to the "Flash (Flash System Routine)" section of the PSoC 6 Peripheral Driver Library (psoc6pdl) API Reference Manual.
Also, refer to the Limitations and Restrictions section for the different Em_EEPROM middleware restrictions and limitations.
| context | The pointer to the Em_EEPROM context structure cy_stc_eeprom_context_t. |
| uint32_t Cy_Em_EEPROM_NumWrites | ( | cy_stc_eeprom_context_t * | context | ) |
Returns the number of the Em_EEPROM Writes completed so far.
This function returns zero in the Simple Mode since the number of writes is not available in this case.
Use this function to monitor the flash memory endurance. The higher the value, the less the flash memory endurance. Refer to the datasheet write endurance spec to determine the maximum number of write cycles. If the Wear Leveling feature is enabled, then the maximum of write cycles is increased by cy_stc_eeprom_config_t::wearLevelingFactor.
The returned number does not include the number of writes into the redundant copy if enabled.
This function does the following:
| context | The pointer to the Em_EEPROM context structure cy_stc_eeprom_context_t. |


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Whatever blog deep v, mlkshk 8-bit you probably haven't heard of them forage put a bird on it photo booth fap gentrify. Carles artisan pop-up, freegan fixie wayfarers tofu terry richardson post-ironic meh polaroid skateboard stumptown. Jean shorts aesthetic pitchfork single-origin coffee. Brooklyn authentic chillwave salvia fashion axe locavore, truffaut literally shoreditch disrupt polaroid semiotics squid gentrify vice. Quinoa 8-bit readymade, +1 plaid beard cliche hella tattooed authentic polaroid flannel PBR cardigan. Irony marfa aesthetic williamsburg narwhal brunch. Chillwave hella photo booth irony jean shorts next level blue bottle, terry richardson fanny pack messenger bag literally.
Whatever blog deep v, mlkshk 8-bit you probably haven't heard of them forage put a bird on it photo booth fap gentrify. Carles artisan pop-up, freegan fixie wayfarers tofu terry richardson post-ironic meh polaroid skateboard stumptown. Jean shorts aesthetic pitchfork single-origin coffee. Brooklyn authentic chillwave salvia fashion axe locavore, truffaut literally shoreditch disrupt polaroid semiotics squid gentrify vice. Quinoa 8-bit readymade, +1 plaid beard cliche hella tattooed authentic polaroid flannel PBR cardigan. Irony marfa aesthetic williamsburg narwhal brunch. Chillwave hella photo booth irony jean shorts next level blue bottle, terry richardson fanny pack messenger bag literally.
Whatever blog deep v, mlkshk 8-bit you probably haven't heard of them forage put a bird on it photo booth fap gentrify. Carles artisan pop-up, freegan fixie wayfarers tofu terry richardson post-ironic meh polaroid skateboard stumptown. Jean shorts aesthetic pitchfork single-origin coffee. Brooklyn authentic chillwave salvia fashion axe locavore, truffaut literally shoreditch disrupt polaroid semiotics squid gentrify vice. Quinoa 8-bit readymade, +1 plaid beard cliche hella tattooed authentic polaroid flannel PBR cardigan. Irony marfa aesthetic williamsburg narwhal brunch. Chillwave hella photo booth irony jean shorts next level blue bottle, terry richardson fanny pack messenger bag literally.


Installing the Canon Network Printer in Windows
Print Server Configuration
These instructions are for Windows 10 Users attempting to install and use the Canon PIXAM iP 1800 printer connected to a Raspberry Pi.
The Raspberry Pi is a Model B gen 1, running Rasbian lite (v10, "buster"). It is running CUPS as well (v2.2.10).
Windows 10 Setup Instructions
Follow these simple steps for setting up the printer server.
NOTE The IP address of the Raspberry Pi might change on reboot, requiring the printer to be updated!
Steps
-
Open "Control Panel" and navigate to: Hardware and Sound -> Devices and Printers
-
In the "Devices and Printers" GUI at the top, select "Add a printer"
-
Click the link "The printer that I want isn't listed"
-
In the "Add Printer" dialog that pops up, select the "Select a shared printer by name" radio button. Enter the following text "http://<IP_ADDRESS>:631/printers/Canon-iP-1800". Press "Next"
-
A dialog will pop up with the Printer name, press "Ok"
-
A success dialog will pop up with a "Print a test page" button, press "Finish"
-
Printer is ready for use


About Me
I'm a computer engineering student at Bilkent University and a board member at Bilkent Young Entrepreneurs Society. I'm experienced in Java and C++ but I also love learning new concepts. The new concept that I am learning right now is web programming. I am starting to get comfortable with HTML and CSS but I still have a long way to go, especially with JavaScript. I like to work on small projects in my free time.


HiveDesk Homepage UI Redesign
Duration
Summer 201910 weeks
Part-time
Tools
FigmaKey Skills
UI, Conversion OptimizationThe Team
HiveDesk Product Marketing TeamHiveDesk is a B2B SaaS product that tracks remote worker productivity by taking random automated screenshots of workers’ screens. It has a customer base in the hundreds and is managed by a small team in GlowTouch Technologies, a technology company based in Louisville, Kentucky. As a summer 2019 intern at GlowTouch, I had the opportunity to assist with the product marketing and management of HiveDesk. I was primarily responsible for implementing UI/UX design changes to their website.


Dortmund's Delaney out until 2020 with torn ankle ligaments
by BeSoccerBorussia Dortmund will be without Thomas Delaney until January after the midfielder suffered a serious ankle injury in action for Denmark.
Thomas Delaney has suffered torn ligaments in his right ankle and will be out of action until January.
Borussia Dortmund confirmed the nature of the 28-year-old's injury on Wednesday after he returned from international duty.
Midfielder Delaney was substituted 13 minutes into Denmark's crucial Euro 2020 qualifier against Republic of Ireland on Monday, unable to assist his country as they secured a 1-1 draw to qualify for the finals.
Delaney has played six times in the Bundesliga this season, having appeared 30 times last term following his move from Werder Bremen.
Featured links
- BREAKING NEWS: Mourinho replaces Pochettino at Tottenham
- The latest football transfers news and rumours
- Wales, golf, Madrid... in that order
- Luis Enrique returns to Spain national team
Thomas Delaney tore ligaments in his right ankle and will be available again in January.


Ready Player Me iframe example
- Click "Open Ready Player Me" button.
- Create an avatar.
- Click on "Done" button when you finish customizing your avatar.
- This page will receive the url when it is created.
- Url will be displayed, and Ready Player Me window will be closed.
If you are a Ready Player Me partner, don't forget to replace 'demo' in
the iframe source url with your partner subdomain.
Avatar URL:


THE PREACHER'S WIFE A film review by Steve Rhodes Copyright 1996 Steve Rhodes
RATING (0 TO ****): ** 1/2
Hit (BIG and AWAKENINGS) and miss (JUMPIN' JACK FLASH and RENAISSANCE MAN) director Penny Marshall tries her at a remake. She takes 1947's THE BISHOP'S WIFE with Cary Grant, Loretta Young, and David Niven and updates it for the 1990s with Denzel Washington, Whitney Houston, and Courtney B. Vance. Besides the change to an almost all black cast, she switches the religion from Episcopal to Baptist and demotes the cleric to a preacher.
The major revision is that the film goes from being a full fledged movie to a good sitcom episode. The actors are pleasant enough, and there are several nice chuckles, but Marshall is content with letting everyone glide along on autopilot.
Bestowing on holiday audiences a film that teaches good morals and is for the whole family is definitely commendable. And certainly, funny little sitcoms are a popular form of entertainment. It is just that movie goers usually expect a more substantial gift. They want their presents trimmed with more involving characters and with a director with a keener eye for humor.
Looking on the good side of Penny Marshall's gift to us, THE PREACHER'S WIFE is a good spirited movie even if it is terminally lightweight.
The Rev. Henry Biggs (Courtney B. Vance) has a church in a poor section of town that is falling apart. The boiler is busted and the church is broke. You may remember Vance from THE LAST SUPPER where he was excellent as the most sinister member of a band of liberals who murdered conservatives to improve the breed. Here his performance is reduced to smiling a lot. He gives the least believable and most uninteresting characterization in the film. Vance is a much better actor than his work here demonstrates.
Always reliable Denzel Washington plays the angel Dudley, who comes down to earth to help the preacher. He explains to Henry that, "You have no idea what the competition is like just to be sent down here." Marshall has Washington play his part very low key so that you forget he is an angel. Denzel Washington's talent manages to shine through Marshall's overly mellow approach.
Whitney Houston has a soothing voice and gets to sing many a tune in the show as she plays the preacher's wife Julia. Houston's specialty, as illustrated by her work in THE BODYGUARD, is to provide the foundation about which the other stars build the movie. Kevin Costner provided the interest in THE BODYGUARD, and Houston's character was little more than focal point for the story line. Similarly in THE PREACHER'S WIFE she provides the tension between Henry and Dudley.
The script gives Houston some good lines, but she is not convincing. A putative romance between Dudley and her is little more than a couple of humorously raised eyebrows between them.
Gregory Hines plays superrich developer Joe Hamilton who wants to tear down the old church and put Henry into new digs. Joe has designed a crystal palace of a church complete with daycare center, senior citizen's facility and "a new clientele" for Henry. Joe paints a vision so attractive that the pressure is on for Henry to sale his soul to this entrepreneurial devil.
The sets and the costumes for the movie pose a problem.  The rectory looks like something a wealthy church on Fifth Avenue might provide for its minister.
Although the meantime between laughs is longer than it should be, the picture does have its moments. My favorite is when Dudley comes upon a "fish typewriter" in the office. When the aquarium screensaver on the PC switches to the Microsoft Windows logo, Dudley consults the official "Angel's Handbook." This well-worn bible of religious canons has a page with the Microsoft Windows logo so that the angels can recognize mankind's key secular insignia. The Silicon Valley audience at the press screening laughed harder at this scene than any other.
More typical of the humor is the repartee among the leads. Henry defends his mother with, "She wasn't that fat." But, Julia throws it back to him with, "Policeman saw your mama come walking down the street, he'd yell, 'break it up.'"
Jenifer Lewis, as Julia's mother Marguerite Coleman, steals most of her scenes. The mother is a philosopher with an acerbic tongue. She tells her daughter, "Things haven't changed since Adam, and he gave up one of his ribs so he'd have somebody to keep things from."
In a Christmas movie season that glorifies finding a Turboman action figure for your son because "whoever doesn't is going to be a real loser," the story here comes to a refreshingly different resolution. The Biggs get their son Jeremiah (Justin Pierre Edmund) something for Christmas that truly embodies the spirit of the Christ child. This concluding aspect of the movie pushed me over the edge into being able to recommend what is otherwise a lame comedy and a lightweight remake.
THE PREACHER'S WIFE runs about 1:45 I think, but the press kit does not give the time. There are two uses of the word hell as an expletive that push the rating from G to PG. There is no sex, nudity, violence, or other profanity. The movie can be seen by the whole family, but the slowness of the pacing will probably lose the interest of those under eight. I give the film a marginal thumbs up and a rating of ** 1/2.
**** = One of the top few films of this or any year. A must see film. *** = Excellent show. Look for it. ** = Average movie. Kind of enjoyable. * = Poor show.  Totally unbearable.
REVIEW WRITTEN ON: December 4, 1996
Opinions expressed are mine and not meant to reflect my employer's.
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Review of the 5th Parliament
Introduction
The Fifth Parliament gave us a lot of “firsts” and was unprecedented in many ways.
While previous Parliaments were maligned for being dull, perfunctory and peripheral, this Parliament was in the limelight for various controversies and mayhem.
Putting together a comprehensive review of the Fifth Parliament was always going to be a difficult task and there will be gaps in the coverage of its myriad components.
Combining commentary and data, this review is a guide and analysis to the legislature’s activities, highlights and controversies from this period. In addition, there are perspectives on the functioning of Parliament, with the aim of raising standards. Alongside this are interviews with lawmakers, who share their insights. The result is a varied and, we believe, instructive publication where we aim to be forward-looking and address how Parliament can be strengthened.
PMG is non-partisan and has no stance on the opinion pieces published. Our contributors had complete freedom to express their views.
We would like to thank our contributors for their participation. Without them, this would not be possible. Every effort was made to get input from across the spectrum. While many responded to the invitation, not everyone took up the opportunity.
Parliament is a vital institution. We hope this will contribute to the broader debate about its role, stature and the impact it should have on all South Africans.

How does the PR system affect the quality of input in Parliament?
Observing Parliament: my reflections
A Constitutional Fiction: Parliamentary Oversight of the Executive
Some thoughts on the Fifth Parliament
Do small parties work for Parliament?
View from the opposition benches
Improving Parliament's ineffective oversight
Parliamentary Advocacy: How to have an influence?
Public Engagement: A Case Study
Notes from the House
Committee System: performance and areas of reform
A step forward
Why has Parliament not yet amended the Budget?
Points of order (by an observer)
Diary of a Parliamentary Nerd


Tony is working on something here. 👀
Right now is just a settings panel for a router and a cloud storage unit. 🛠


208 W. Gorham St. # 1 Madison, WI 53703
Home Address:315 Albion Ave Fairmont, MN 56031
Madison, WI
B.A., Cartography and Geographic Information Systems, People-Environment Geography
Certificates: Digital Studies, Environmental Studies, Italian
Class of 2019
Bologna, Italy
Major-relevant coursework exclusively in Italian at top-ranked Italian university. Spring 2018
January 2016 - Present
• Member Ski for Cancer committee, raised more than $190,000 in two years.
• Class delegate for the Standards Board.
September 2015 - Present
Member
November 2016 – Present
Member
September 2018- Present
Wetland Mapping Assistant
• Converting wetland raster data into vectors as part of a team designated with geocoding shortcuts creating wetland database. Using lidar data and aerial photography to identify wetlands. Field confirmation of identified features
June 2016 - Present
Trail Staff
• Planned and led wilderness canoe trips in the Boundary Waters and backpacking trips in the Rocky Mountains, primary care provider for groups of 11-15 year-olds for up to 4 weeks.
August - September 2018
Coach
• Designed and coached practices for groups of 25-50, head coach for junior varsity games.
October 2010 - June 2018
Shift Lead: Delivery/Baking
• Took customer orders, prepared, baked, and delivered pizzas, organized shifts, and closed restaurant nightly.
October 2015 - October 2017
Referee
• Facilitated games, enforced rules for soccer, futsal and broomball.
• Extensive experience using ArcMap for analytical and production purposes, creating both reference and thematic maps.
• Experience using Qgis and indiemapper as alternatives to ArcMap.
Coding/Web Design
• Working knowledge of Java, HTML5, CSS, and Javascript languages.
• Experience using Leaflet and D3 code libraries to create working websites.
• Extensive use of Adobe Illustrator, Photoshop, and Typekit for cartographic design work as well as other projects.
• Certification focusing on deep water rescue, managing uncontrolled waterfronts, and lifeguarding beaches.
• Certification course taken from Wilderness Medical Associates. Focuses on providing care in a remote environment with training on CPR, splinting broken bones, and reducing dislocated joints.


growing with max height:
ghosted text:
ghosted text and growing:
Ghosted text inside a growing textarea, also enter is stopped from making a new line, and instead will submit the form. Useful for emulating a 'text' input where you want the ability to enter and see more text.
The parent (green box) has a fixed height. A normal expanding textarea would overlap (in a decent browser), however this class can grow the parent.


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