Sect_11.2.6
Until this is done a set of transformation parameters cannot be empirically derived to model the conversion from WGS84 to AGD84 (and visa versa), and replace .
http://www.gmat.unsw.edu.au/snap/gps/gps_survey/chap11/1126.htm
Treatment for Herniated or Bulging Discs
What is the difference between WGS84 and GDA94?
Feb 4, 2001 . Datum coordinate systems AGD66 and AGD84. GDA94 is based on the . coordinates in terms of WGS84, then transform to other datums when .
http://www.icsm.gov.au/gda/wgs84fact.pdf
Grid references, datums, and GPS
AGD66 and AGD84 are the datums that older maps were printed with. . To convert grid references from AGD66 to GDA94, a rough rule of thumb is to add 1 to the easting part and add . WGS84 is the datum which all GPS units use internally.
http://www.diamondspirit.net/adunk/MapsAndDatums.html
convert agd84 to wgs84 Herniated or Bulging Discs
BinaryEarth.net - mapping and file utilities
Time-dependent conversion between WGS84 and GDA94 to account for datum shift due . Australian: AGD66 (AMG), AGD84 (AMG), GDA94 (MGA), ANG; New .
http://www.binaryearth.net/
GDA94 - GEOCENTRIC DATUM OF AUSTRALIA
A change from the AGD66 and AGD84 to the Geocentric Datum of Australia . The WGS84 spheroid is based on the GRS80 spheroid, but with f=1/<PHONE_NUMBER>63. . "Recognising the need for Australia to eventually convert to a geocentric .
http://www.cage.curtin.edu.au/~will/datum.html
Activity Plan Ramble Cameron Roy
WGS84 (a datum often used by GPS units.) It may be useful to convert GDA94 to AGD84 (for example, for comparison with other maps.) To convert. AGD84 to .
http://justcameron.com/rovers/bp/files/ramblers/ramble-cameron-roy-activity-plan.pdf
Official Impairment Listing for Spinal Disorders
GDA94 : Frequently Asked Questions
These parameters have sometimes been used to convert AGD84 positions to " WGS84". If the modern parameters now available are used to convert the AGD84 .
http://www.geoproject.com.au/gda.faq.html
- public access news servers list (narrowing of the spine)
OziUsers-L : Message: Re: CFA Fire Maps and AGD66 to WGS84
AGD84. > > 2. When a track is sucked out of a GPS (in this case, Garmin II+), > does Ozi convert it to the Datum of the loaded map? > I have tried logging a track .
http://tech.groups.yahoo.com/group/OziUsers-L/message/20379Landgate > Project Grids
A free MS Excel Spreadsheet using Redfearn's formulae to convert between latitude & longitude and UTM coordinates and vice versa will allow for DIY .
http://www.landgate.wa.gov.au/corporate.nsf/web/Project+Grids
Testing datum to datum transformations (R10) - Intrepid Geophysics
your INTREPID installation). The specifications for converting from WGS84 to AGD84 in WGS84.datum is as follows: Datum Begin. DatumName=WGS84. Minor= .
http://www.intrepid-geophysics.com/ig/manuals/english/testdatm.pdf
Geocentric Datum of Australia - GDA - SpatialNews
Transforming data between different datums, ARC/INFO uses WGS84 as the . convert between AGD84 and GDA94 have been developed and have an .
http://spatialnews.geocomm.com/whitepapers/gda94.pdf
Medical-Vocational Allowance for Herniated Disc
Map Datum AGD84 - GPS Mapping Software
Map Datum List - AGD84 - Helmert-7 parameters needed to convert coordinates from one map . Datum Transformation Parameters AGD84 (to WGS84 datum) .
http://www.eye4software.com/resources/datum/4203/
Quantum GIS Desktop - Bug #3017: Save as shapefile in AGD84 ...
"Saving as" in AGD84 then means reprojecting from WGS84 to AGD84 and that leads to the PROJ exception as the coordinates are illegal for WGS84.
http://hub.qgis.org/issues/3017
WGS84 and the Geocentric Datum of Australia 1994
transformation parameters to convert from both AGD66 and. AGD84 to WGS84, based on about 100 precise Doppler positions (DMA, 1987), but these .
http://www.ga.gov.au/image_cache/GA5036.pdf
Appealing a Denial of Benefits
GPS FAQs
Older Australian maps use either the AGD66 or AGD84 datum. . in line with the World Grid System (WGS84) so that they are more easily used with GPS units. . A program converting between these datums is available on my software page.
http://www.poidb.com/gps/gps-faqs.asp
ICSM - GDA - FAQs
Why is the GRS80 ellipsoid used for GDA, instead of the WGS84 ellipsoid? . grid to transform from AGD66 to GDA94 and the national grid file from AGD84 to .
http://www.icsm.gov.au/gda/faq.html


During the school year, the HCI CoR meets for lunch each week. Students are welcome to sign up for a slot to describe their current progress, get feedback on early research results, or practice research talks. The first Tuesday of each month, we have a social lunch hour!
This term we will meet virtually, due to COVID-19. Please call in via the Zoom link in the HCI Lunch announcement email.
| Date | Who | What |
|---|---|---|
|
Feb 16
|
Everyone! |
Intro to HCI Lunch |
|
Feb 23
|
Soya Park |
Embox: Collaborative Task Management Tool |
|
Mar 2
|
Everyone! |
Social Lunch |
|
Mar 9
|
TBD |
TBD |
|
Mar 16
|
TBD |
TBD |
|
Mar 23
|
No One |
Student Holiday! |
|
Mar 30
|
Ticha Sethapakdi |
Fabricaide: Fabrication-Aware Design for 2D Cutting Machines |
|
Apr 6
|
Everyone! |
Social Lunch |
|
Apr 13
|
TBD |
TBD |
|
Apr 20
|
No One |
Student Holiday! |
|
Apr 27
|
TBD |
TBD |
|
May 4
|
Everyone! |
Social Lunch |
|
May 11
|
TBD |
TBD |
|
May 18
|
Jumana Almahmoud |
NB2 Spotlights: Discussion Visibility in Large Online Classes |


Cookie's Fortune (1999)
A Film Review by Mark O'Hara
Visit Online Film Critics Society at http://www.ofcs.org
Robert Altman's latest begins with the free-floating point of view sometimes employed by the novelist Sinclair Lewis. We first see a black man inside a dark bar, Theo's Place. He's drinking heavily, and when he leaves he spots a cruiser passing in the street. The drunken Willis Richland (Charles S. Dutton) drops his pint of Wild Turkey, returns to the bar and steals another.
Meanwhile, across the town of Holly Springs, Mississippi, we are shown a rehearsal of an Easter pageant, Camilla Dixon's (Glenn Close) version of Oscar Wilde's 'Salome'. Camilla is bossing around the players, including her sheepish and slow-witted sister Cora (Julianne Moore) and a young sheriff's deputy, Jason Brown (Chris O'Donnell).
Thus Altman establishes the arena in which his story unfolds. He adds dashes of other characters to the recipe, and somehow manages quite a successful result: a small movie with a large cast, an art film that is in no way snooty or snotty, the kind of picture that stars worth their salt give up scads of cash to be in.
These threads of plot keep crossing as the narrative gets passed among the many eccentric and convincing characters. Willis appears to be breaking into a house through a kitchen window. He stumbles upon a cabinet and begins to remove several handguns, just as an old woman descends the steps and surprises him. We discover they are friends, and the woman (Patricia Neal) - the Cookie of the title, Jewel Mae "Cookie" Orcutt, beloved widow of Buck Orcutt - treats this man like a son. The two keep a running count of wrongs they've done each other, and Cookie has been wronged more often: it's a playful and endearing piece of characterization.
We find out that Cookie's relatives have abandoned her. Nieces Camilla and Cora are not on good terms with her (rather, Camilla is not, and Cora blindly follows any direction coming from Camilla). Niece Emma Duvall (apparently Cora's daughter, played by Liv Tyler) has just returned to town from a life of alleged decadence. She hasn't had the chance to see Great Aunt Cookie before the old woman, in a state aggravated by loneliness, senility, and some heavenly descriptions she got from Willis, uses one of Buck's old pistols to blow out her brains. What keeps our interest is the filmmaker's handling of the body's discovery. Again the camera seems to be floating: Altman is wisely unafraid to sustain a shot when very little is happening. Hence we see Camilla searching the house in real time, and we are treated to a masterful scene when she finds the body in bed, a ruined feather pillow covering the head, pistol dangling from a dead finger. Thinking quickly, Camilla reveals her true colors: she begins to gather any traces of Cookie's crime against the family name; knocking over jewelry boxes to simulate a robbery; stuffing the suicide note, which is addressed to Willis, into her mouth, to hide it from the approaching Cora; finally lifting the pistol out of the peaceful grip of Cookie's hand. In short, Camilla flagrantly violates the crime scene.
Needless to say, Camilla's actions hold serious repercussions for most of the characters. What is very impressive is Altman's sense of humor - a refined dark comedy that also functions as social satire. This director is experienced in manipulating the large cast, as he did in 'Mash', 'Nashville', 'Short Cuts' and others. We watch brilliant spurts of characterization followed by astounding revelations about human nature. Viewers can tell Altman is always on task, whether it's coaxing crazy expressions out of the actors, timing the implications of a lingering shot, or even including a couple of visual jokes other directors would shun (such as Close's Camilla getting caught with her hand in Cookie's cookie jar!).
The acting is thoroughly solid in this piece. Close shows her mastery of megalomania: she plays Camilla as an aging Southern belle more concerned with appearances than with family relations. Sister Cora, who sleeps in the same room with Camilla, and kneels dutifully during Camilla's self-righteous prayers, is a classic example of a dominated adult.  Moore has worked with Altman before, in 'Short Cuts', the adaptation of Raymond Carver's superb short stories, and she shows a marvelous range here. Cora is so plain she's almost unattractive, and some of the most funny and subtle moments are given to her, as when she incorporates Biblical-sounding poetry from 'Salome' in her everyday speech. Just as good is Patricia Neal, the title character, as she shows her attachment to Willis, and especially to her dead husband Buck. Finally, Charles S. Dutton seems to be the main character - he links the other characters with strands of plot that many times display their foibles and his virtue (as when he buys a pint of bourbon and returns it to the shelf in Theo's bar).
Supporting roles are jewels as well. Chris O'Donnell as Jason Brown is a green but over-confident deputy, and receives with telling ignorance the condescension of Camilla and his superior officers. Jason is in lust with Emma, played with low-key loyalty by Liv Tyler. Ned Beatty plays Lester Boyle, another deputy, who is not afraid to point out the incompetence of senior investigators on the case of Cookie's death. I don't know if Beatty has the most acting credits among the cast members, but he's certainly one of the more natural-acting veterans Altman has ever found. In a smallish role, Lyle Lovett's Manny Hood is quietly obsessed with Emma, employing her in his catfish business and refurbishing a caboose in which he is hoping she will live.
My sole complaint is the convolutions that come in late. Yes, some of them are crucial and well-explained, but others seem like they're included out of respect for the novel from which Anne Rapp developed her screenplay. A few details are crammed in and possibly expendable.
Another of Altman's recent films, 'Gingerbread Man', is set in the South, and 'Cookie's Fortune' furthers the director's exploration of things American and gothic. There are wonderful depictions here of manses and gardens, gentility and jealousy. It would take me awhile to come up with a director comparable to Altman; if he were purely a writer he would be called literary, sprawling but coherent, sarcastic but touching. At last, he's an original, big-name independent whose small masterworks should be included in any canon
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Chronos: Rubik's Cube Solver
Direction
Clockwise Counter ClockwiseFace
0 1 2 3 4 5
Solve
Steps to solve
A CMSC 142 Project
This application is a 3x3x3 Rubik's Cube Solver using backtracking.
Authors
Menguito, Aleck
Milano, Angelo
Ware, Angelica


Some tag managers make data available to trackers via an object called data layer. The Yieldr tracking pixel is able to use such data using the following command.
y.set("_dl", [object, mapping]);
In this case the object passed as an argument, will be mapped based on the mapping object. Consider the following example:
y.set("_dl", [{a: {b: {c: "x"}}}, {foo: "a.b.c"}]);
In this case we want to extract a value from the data layer object by following the path "a.b.c"
. This value will be sent to the server as foo=x
.


Keywords (ES6+)
These are keywords in ES6 and cannot be used for variable declarations as in declaration
- break
- do
- in
- typeof
- case
- else
- instanceof
- var
- catch
- export
- new
- void
- class
- extends
- return
- while
- const
- finally
- super
- with
- continue
- for
- switch
- yield
- debugger
- function
- this
- default
- if
- throw
- delete
- import
- try
-
~~ operator is faster variant of Math.floor()


The German shepherd dog is a herding breed known for its courage, loyalty and guarding instincts.
This breed makes an excellent guard dog, police dog, military dog, guide dog for the blind and search and rescue dog.
For many families, the German shepherd is also a treasured family pet.
Noble Facts
- Germans standardized the breed
- They work like dogs
- World War I brought German Shepherds out West
- They really are smart.
- The dogs went through a temporary name change.
Favourite food
- Peanut butte
- Cooked chicken
- Yoghurt
- pumpkin
- Eggs


Rapid Analytics & Model Prototyping
using Python
RAMP data challenges are a great way to collaboratively prototype and benchmark machine learning workflows. Participants submit their predictive solution (code), competing for the best score, and provide organisers with fully-functioning prototypes.
Solutions submitted by participants are made publically available during the 'open phase', at the end of a challenge. Participants can reuse and learn from each other's solutions, accelerating development.
RAMP workflow allows 'model blending'. A blend of the best models often achieves a better score than the best single submission.
RAMP data challenges are a great tool to learn data science! Participants can learn from each other, especially during the 'open phase'.
RAMP packages offer versatile tools to define, build and optimize machine learning workflows via data challenges, great for prototyping models in your data science team.
RAMP workflow allows you to formalise a machine learning workflow by defining score types (metrics), workflow elements and prediction types.
RAMP board consists of a bundle of modules that allow you to easily setup your own RAMP server and deploy new data challenges.
RAMP was originally developed as a tool for data scientists to efficiently and collaboratively solve the data analytics aspect of high-impact domain science problems. Since then, RAMP has undergone many iterations and has been used in teaching and benchmarking machine learning algorithms as well.


"x" "1" "KLEINDIENST,TE, SHEPSON,PB, EDNEY,EO AND CLAXTON,LD, PEROXYACETYLNITRATE: MEASUREMENT OF ITS MUTAGENIC ACTIVITY USING THE SALMONELLA/MAMMALIANMICROSOME REVERSION ASSAY, MUTAT. RES. 157(2-3):123-128, 1 __ 985"


Some Like it Hot (1959)
Grade: 55
Close your eyes and imagine Tony Curtis and Jack Lemmon in drag. If this image is instantly hilarious to you, you will be among the 95% or more who consider Billy Wilder's "Some Like it Hot" to be one of the greatest American comedies.
But there are always some people, such as myself, who are sufficiently humor-impaired, non-conformist, and/or overly critical so as not to get the joke. Cartoonish mobsters, empty-headed blondes, unlikely romances and Lemmon camping it up under a wig and false breasts may provide the elements of a great comedy, but only if the script allows and the pieces fit together.
"Some Like it Hot" stars Curtis and Lemmon as Prohibition era Chicago jazz musicians who witness the Valentine's Day Massacre. The surviving gangsters seek to kill them as well, forcing Curtis and Lemmon to dress up as women and join a travelling all-girl's band. Our cross-dressing heroes take turns romancing whispering dunce Marilyn Monroe, then have an unlucky reunion with the gangsters in a Florida hotel.
After seeing "Some Like it Hot", I trolled the internet for reviews of the film. Without exception, everybody felt that the film was both a hoot and a masterpiece, leaving this grumpy critic uninvited to the party. Feel free to take the following comments with a grain of salt. Nevertheless, it would be dishonest to change a grade or a review based upon the opinions of others rather than the film itself.
Compare "Some Like it Hot" to my favorite star-in-drag flick, "I Was a Male War Bride". Cary Grant clearly dislikes having to dress as a woman, and men who see him dolled up only make caustic remarks. Jack Lemmon, on the other hand, has a wonderful time as a transvestite, and has an elderly male paramour (Joe E. Brown). Curtis in drag also has a suitor, a tactless underage bellboy. All the film's characters readily accept Lemmon and Curtis as women, when no one over the age of ten would be fooled. Cary Grant also makes a better Cary Grant than does Tony Curtis. A jury would have to decide which crime merits the greater punishment: Curtis' trespass on a yacht, or his Cary Grant impersonation. Finally, while "War Bride" provides a believable female lead in Ann Sheridan, Monroe is simply a male's fantasy woman.
Curtis convinces Lemmon to romance Brown, so that Curtis can romance Monroe on Brown's yacht. Why would Lemmon agree to this? Curtis is risking getting arrested, and risking his (her?) cover, which if blown would risk their lives. Lemmon himself has an interest in Monroe, and has no motivation to help Curtis. Lemmon also risks his cover in spending an evening with frisky Brown. Most confusing of all, Lemmon actually enjoys dancing with Brown, and is so taken with the wealthy but aged lecher that he seriously considers marrying him. Curtis, who spent earlier scenes sanctimoniously criticizing Lemmon for his lust, mysteriously changes his character to become a risk-taking playboy.
The Chicago mobsters arrive at the same Florida hotel that Curtis and Lemmon are staying at. This coincidence is beyond remarkable. Despite the fact that law enforcement agents have made their presence in the hotel known, and that the gangsters have registered there as guests, and that the hotel is a public place, there is another mob shootout. Curtis, running for his life from the mobsters who have spotted him, takes time off to run up on stage, dressed as a woman, and kiss Monroe. Monroe is so impressed by this that she leaves the band to join Curtis in his escape.
Anyone who has made it this far into the review is likely thinking, 'it's a COMEDY, stupid'. Admittedly, I feel like the guy who didn't like the film "Antz" because the characters acted more like people. But I feel that characters should have plausible motivations for their actions, and I didn't find that in "Some Like it Hot".
<EMAIL_ADDRESS>http://members.tripod.com/~Brian_Koller/movies.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Before Change
np.sqrt(limit / ws[0])))
scale = 1.0 / limit
logger.info(" scale = %g exp = %g" % (scale, exp))
wpp = np.minimum(w / limit, 1) ** exp
else:
wpp = w ** exp
After Change
// XXX Currently the fwd solns never have "patch_areas" defined
if patch_areas is not None:
if not is_fixed_ori and combine_xyz is False:
patch_areas = np.repeat(patch_areas, 3)
d /= patch_areas ** 2
logger.info(" Patch areas taken into account in the depth "
"weighting")
w = 1.0 / d
if limit is not None:
ws = np.sort(w)
weight_limit = limit ** 2
if limit_depth_chs is False:
// match old mne-python behavor
// we used to do ind = np.argmin(ws), but this is 0 by sort above
n_limit = 0
limit = ws[0] * weight_limit
else:
// match C code behavior
limit = ws[-1]
n_limit = len(d)
if ws[-1] > weight_limit * ws[0]:
ind = np.where(ws > weight_limit * ws[0])[0][0]
limit = ws[ind]
n_limit = ind
logger.info(" limit = %d/%d = %f"
% (n_limit + 1, len(d),
np.sqrt(limit / ws[0])))
scale = 1.0 / limit
logger.info(" scale = %g exp = %g" % (scale, exp))
w = np.minimum(w / limit, 1)
depth_prior = w ** exp
if not (is_fixed_ori or combine_xyz is False):
depth_prior = np.repeat(depth_prior, 3)


A declaration
:- dynamic :PredSpec, ..., :PredSpec. ISO
where each PredSpec is a predicate spec, causes the specified predicates to become dynamic, which means that other predicates may inspect and modify them, adding or deleting individual clauses. Dynamic predicates are always stored in interpreted form even if a compilation is in progress. This declaration is meaningful even if the file contains no clauses for a specified predicate—the effect is then to define a dynamic predicate with no clauses.
The semantics of dynamic code is described in ref-mdb-bas.


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Miniserie creada para el aprendizaje mas entretenido de niños.
NOTICIAS
Noticia 1
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries,
Noticia 2
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries,
Noticia 3
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries,
Noticia 4
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries,


OSAGE(1) OSAGE(1) NAME osage - filter for drawing clustered graphs SYNOPSIS osage [-(G|N|E)name=value] [-Tlang] [-llibfile] [-ooutfile] [-O] [-P] [-v] [-V] [files] DESCRIPTION osage draws clustered graphs. As input, it takes any graph in the dot format. It draws the graph recursively.  The internals of each cluster subgraph are laid out, then the cluster subgraphs and nodes at the current level are positioned relative to each other, treat‐ ing each cluster subgraph as a node. At each level, the nodes and cluster subgraphs are viewed as rectangles to be packed together. At present, edges are ignored during packing. Packing is done using the standard packing functions. In particular, the graph attributes pack and packmode control the layout. Each graph and cluster can specify its own values for these attributes. Remember also that a cluster inherits its attribute values from its parent graph. After all nodes and clusters, edges are routed based on the value of the splines attribute. OUTPUT FORMATS Osage uses an extensible plugin mechanism for its output renderers, so to see what output formats your installation of osage supports you can use ``osage -Txxx'' (where xxx is an unlikely format) and check the warning message. Also, The plugin mechanism supports multiple implementations of the output formats. To see what variants are available, use, for exam‐ ple: ``osage -Tpng:'' and to force a particular variant, use, for exam‐ ple: ``osage -Tpng:gd'' Traditionally, osage supports the following: -Tps (PostScript), -Tsvg -Tsvgz (Structured Vector Graphics), -Tfig (XFIG graphics), -Tmif (FrameMaker graphics), -Thpgl (HP pen plotters), and -Tpcl (Laserjet printers), -Tpng -Tgif (bitmap graphics), -Tdia (GTK+ based diagrams), -Timap (imagemap files for httpd servers for each node or edge that has a non‐null "href" attribute.), -Tcmapx (client‐side imagemap for use in html and xhtml). Additional less common or more special‐purpose output formats can be found at http://www.graphviz.org/cvs/doc/info/out‐ put.html.) Alternative plugins providing support for a given output format can be found from the error message resulting from appending a ':' to the for‐ mat. e.g. -Tpng: The first plugin listed is always the default. GRAPH FILE LANGUAGE Here is a synopsis of the graph file language, traditionally using the extension .gv or .dot, for graphs: [strict] (graph|digraph) name { statement‐list } Is the top level graph. If the graph is strict then multiple edges are not allowed between the same pairs of nodes. If it is a directed graph, indicated by digraph, then the edgeop must be "->". If it is an undi‐ rected graph then the edgeop must be "--". Statements may be: name=val; node [name=val]; edge [name=val]; Set default graph, node, or edge attribute name to val. Any subgraph, node, or edge appearing after this inherits the new default attributes. n0 [name0=val0,name1=val1,...]; Creates node n0 (if it does not already exist) and sets its attributes according to the optional list. n0 edgeop n1 edgeop ... edgeop nn [name0=val0,name1=val1,...]; Creates edges between nodes n0, n1, ..., nn and sets their attributes according to the optional list. Creates nodes as necessary. [subgraph name] { statement‐list } Creates a subgraph. Subgraphs may be used in place of n0, ..., nn in the above statements to create edges. [subgraph name] is optional; if miss‐ ing, the subgraph is assigned an internal name. Comments may be /*C‐like*/ or //C++‐like. Attribute names and values are ordinary (C‐style) strings. The following sections describe attributes that control graph layout. GRAPH ATTRIBUTES size="x,y" sets bounding box of drawing in inches. page="x,y" sets the PostScript pagination unit. ratio=f sets the aspect ratio to f which may be a floating point number, or one of the keywords fill, compress, or auto. pagedir=[TBLR][TBLR] sets the major and minor order of pagination. rotate=90 sets landscape mode. (orientation=land is backward compatible but obsolete.) center=n a non‐zero value centers the drawing on the page. layers="id:id:id:id" is a sequence of layer identifiers for overlay dia‐ grams. The PostScript array variable layercolorseq sets the assignment of colors to layers. The least index is 1 and each element must be a 3‐element array to be interpreted as a color coordinate. color=colorvalue sets foreground color (bgcolor for background). href="url" the default url for image map files; in PostScript files, the base URL for all relative URLs, as recognized by Acrobat Distiller 3.0 and up. URL="url" ("URL" is a synonym for "href".) stylesheet="file.css" includes a reference to a stylesheet in -Tsvg and -Tsvgz outputs. Ignored by other formats. splines. If set to true, edges are drawn as splines. If set to polyline, edges are drawn as polylines. If set to ortho, edges are drawn as orthogonal polylines. In all of these cases, the nodes may not overlap. If splines=false or splines=line, edges are drawn as line segments. The default is false. NODE ATTRIBUTES height=d or width=d sets minimum height or width. Adding fixedsize=true forces these to be the actual size (text labels are ignored). shape=record polygon epsf builtin_polygon builtin_polygon is one of: plaintext ellipse oval circle egg triangle box diamond trapezium parallelogram house hexagon octagon note tab box3d com‐ ponent. (Polygons are defined or modified by the following node attributes: regular, peripheries, sides, orientation, distortion and skew.) epsf uses the node's shapefile attribute as the path name of an external EPSF file to be automatically loaded for the node shape. label=text where text may include escaped newlines \n, \l, or \r for cen‐ ter, left, and right justified lines. The string '\N' value will be replaced by the node name. The string '\G' value will be replaced by the graph name. Record labels may contain recursive box lists delimited by { | }. Port identifiers in labels are set off by angle brackets < >. In the graph file, use colon (such as, node0:port28). fontsize=n sets the label type size to n points. fontname=name sets the label font family name. color=colorvalue sets the outline color, and the default fill color if style=filled and fillcolor is not specified. fillcolor=colorvalue sets the fill color when style=filled. If not spec‐ ified, the fillcolor when style=filled defaults to be the same as the outline color. fontcolor=colorvalue sets the label text color. A colorvalue may be "h,s,v" (hue, saturation, brightness) floating point numbers between 0 and 1, or an X11 color name such as white black red green blue yellow magenta cyan or burlywood, or a "#rrggbb" (red, green, blue, 2 hex characters each) value. style=filled solid dashed dotted bold invis or any Postscript code. layer=id or id:id or "all" sets the node's active layers. The empty string means no layers (invisible). The following attributes apply only to polygon shape nodes: regular=n if n is non‐zero then the polygon is made regular, i.e. symmet‐ ric about the x and y axis, otherwise the polygon takes on the aspect ratio of the label. builtin_polygons that are not already regular are made regular by this attribute. builtin_polygons that are already regu‐ lar are not affected (i.e. they cannot be made asymmetric). peripheries=n sets the number of periphery lines drawn around the poly‐ gon. This value supersedes the number of periphery lines of builtin_polygons. sides=n sets the number of sides to the polygon. n<3 results in an ellipse. This attribute is ignored by builtin_polygons. orientation=f sets the orientation of the first apex of the polygon coun‐ terclockwise from the vertical, in degrees. f may be a floating point number. The orientation of labels is not affected by this attribute. This attribute is added to the initial orientation of builtin_polygons. distortion=f sets the amount of broadening of the top and narrowing of the bottom of the polygon (relative to its orientation). Floating point values between -1 and +1 are suggested. This attribute is ignored by builtin_polygons. skew=f sets the amount of right‐displacement of the top and left‐dis‐ placement of the bottom of the polygon (relative to its orientation). Floating point values between -1 and +1 are suggested. This attribute is ignored by builtin_polygons. href="url" sets the url for the node in imagemap, PostScript and SVG files. The substrings '\N' and '\G' are substituted in the same manner as for the node label attribute. Additionally the substring '\L' is sub‐ stituted with the node label string. URL="url" ("URL" is a synonym for "href".) target="target" is a target string for client‐side imagemaps and SVG, effective when nodes have a URL. The target string is used to determine which window of the browser is used for the URL. Setting it to "_graphviz" will open a new window if it doesn't already exist, or reuse it if it does. If the target string is empty, the default, then no tar‐ get attribute is included in the output. The substrings '\N' and '\G' are substituted in the same manner as for the node label attribute. Additionally the substring '\L' is substituted with the node label string. tooltip="tooltip" is a tooltip string for client‐side imagemaps and SVG, effective when nodes have a URL. The tooltip string defaults to be the same as the label string, but this attribute permits nodes without labels to still have tooltips thus permitting denser graphs. The substrings '\N' and '\G' are substituted in the same manner as for the node label attribute. Additionally the substring '\L' is substituted with the node label string. EDGE ATTRIBUTES label=text where text may include escaped newlines \n, \l, or \r for cen‐ tered, left, or right justified lines. If the substring '\T' is found in a label it will be replaced by the tail_node name. If the substring '\H' is found in a label it will be replaced by the head_node name. If the substring '\E' value is found in a label it will be replaced by: tail_node_name->head_node_name If the substring '\G' is found in a label it will be replaced by the graph name. or by: tail_node_name--head_node_name for undirected graphs. fontsize=n sets the label type size to n points. fontname=name sets the label font family name. fontcolor=colorvalue sets the label text color. style=solid dashed dotted bold invis color=colorvalue sets the line color for edges. color=colorvaluelist a ':' separated list of colorvalue creates parallel edges, one edge for each color. dir=forward back both none controls arrow direction. tailclip,headclip=false disables endpoint shape clipping. href="url" sets the url for the node in imagemap, PostScript and SVG files. The substrings '\T', '\H', '\E' and '\G' are substituted in the same manner as for the edge label attribute. Additionally the substring '\L' is substituted with the edge label string. URL="url" ("URL" is a synonym for "href".) target="target" is a target string for client‐side imagemaps and SVG, effective when edges have a URL. If the target string is empty, the default, then no target attribute is included in the output. The sub‐ strings '\T', '\H', '\E' and '\G' are substituted in the same manner as for the edge label attribute. Additionally the substring '\L' is substi‐ tuted with the edge label string. tooltip="tooltip" is a tooltip string for client‐side imagemaps effective when edges have a URL. The tooltip string defaults to be the same as the edge label string. The substrings '\T', '\H', '\E' and '\G' are substi‐ tuted in the same manner as for the edge label attribute. Additionally the substring '\L' is substituted with the edge label string. arrowhead,arrowtail=none, normal, inv, dot, odot, invdot, invodot, tee, empty, invempty, open, halfopen, diamond, odiamond, box, obox, crow. arrowsize (norm_length=10,norm_width=5, inv_length=6,inv_width=7,dot_radius=2) headlabel,taillabel=string for port labels. labelfontcolor,labelfont‐ name,labelfontsize for head and tail labels. The substrings '\T', '\H', '\E' and '\G' are substituted in the same manner as for the edge label attribute. Additionally the substring '\L' is substituted with the edge label string. headhref="url" sets the url for the head port in imagemap, PostScript and SVG files. The substrings '\T', '\H', '\E' and '\G' are substituted in the same manner as for the edge label attribute. Additionally the sub‐ string '\L' is substituted with the edge label string. headURL="url" ("headURL" is a synonym for "headhref".) headtarget="headtarget" is a target string for client‐side imagemaps and SVG, effective when edge heads have a URL. The headtarget string is used to determine which window of the browser is used for the URL. If the headtarget string is empty, the default, then headtarget defaults to the same value as target for the edge. The substrings '\T', '\H', '\E' and '\G' are substituted in the same manner as for the edge label attribute. Additionally the substring '\L' is substituted with the edge label string. headtooltip="tooltip" is a tooltip string for client‐side imagemaps effective when head ports have a URL. The tooltip string defaults to be the same as the headlabel string. The substrings '\T', '\H', and '\E' are substituted in the same manner as for the edge label attribute. Additionally the substring '\L' is substituted with the edge label string. tailhref="url" sets the url for the tail port in imagemap, PostScript and SVG files. The substrings '\T', '\H', '\E' and '\G' are substituted in the same manner as for the edge label attribute. Additionally the sub‐ string '\L' is substituted with the edge label string. tailURL="url" ("tailURL" is a synonym for "tailhref".) tailtarget="tailtarget" is a target string for client‐side imagemaps and SVG, effective when edge tails have a URL. The tailtarget string is used to determine which window of the browser is used for the URL. If the tailtarget string is empty, the default, then tailtarget defaults to the same value as target for the edge. The substrings '\T', '\H', '\E' and '\G' are substituted in the same manner as for the edge label attribute. Additionally the substring '\L' is substituted with the edge label string. tailtooltip="tooltip" is a tooltip string for client‐side imagemaps effective when tail ports have a URL. The tooltip string defaults to be the same as the taillabel string. The substrings '\T', '\H', '\E' and '\G' are substituted in the same manner as for the edge label attribute. Additionally the substring '\L' is substituted with the edge label string. labeldistance and port_label_distance set distance; also labelangle (in degrees CCW) decorate draws line from edge to label. samehead,sametail aim edges having the same value to the same port, using the average landing point. layer=id or id:id or "all" sets the edge's active layers. The empty string means no layers (invisible). (neato‐specific attributes) w=f sets the weight (spring constant) of an edge to the given floating point value. The default is 1.0; greater values make the edge tend more toward its optimal length. len=f sets the optimal length of an edge. The default is 1.0. COMMAND LINE OPTIONS -G sets a default graph attribute. -N sets a default node attribute. -E sets a default edge attribute. Example: -Gsize="7,8" -Nshape=box -Efontsize=8 -lfile loads custom PostScript library files. Usually these define cus‐ tom shapes or styles. If -l is given by itself, the standard library is omitted. -Tlang sets the output language as described above. -O automatically generate output filenames based on the input filename and the -T format. -v (verbose) prints various information useful for debugging. -V (version) prints version information and exits. -? prints the usage and exits. EXAMPLES digraph test123 { pack=8 subgraph cluster0 { packmode=array x y x0 y0 x1 subgraph cluster1 { m n } } b [shape=box]; c [label="hello\0orld",color=blue,fontsize=24, fontname="Palatino-Italic",fontcolor=red,style=filled]; a -> z x -> z a -> b -> c; a -> {x y}; edge [style=dashed,color=red]; b -> x; } AUTHORS Emden R. Gansner<EMAIL_ADDRESS>SEE ALSO This man page contains only a small amount of the information related to the Graphviz layout programs. The most complete information can be found at http://www.graphviz.org/Documentation.php, especially in the on‐line reference pages. Most of these documents are also available in the doc and doc/info subtrees in the source and binary distributions. dot(1) 27 May 2009 OSAGE(1)


start stop
Send event: test custom start (does not affect the daemon) stop (does not affect the daemon) send
Tick counter: - not started yet -
Roller (handled by a mixed plugin): |
Event log:


Opportunities
class Opportunities extends CI_Controller
Opportunities controller
Methods
No description
Index action handler
View only inactive opportunities
View single opportunity
Edit or create new opportunity
Promote view action
New opportunity handler. Uses the existing edit view but handles logic specific to creating new opportunities
Donation view method
View donation handler
Edit donation handler
Refund handler
Export handler
Exports opportunities list to CSV
Supporters view method
No description
Details
at line 11
__construct()
at line 46
index()
Index action handler
Loads 'opportunities/index' view with * campaign Campaignmodel * opportunities Array of Opportunitymodels * previous String * next String
at line 103
[type]
inactive()
View only inactive opportunities
Loads 'opportunities/inactive' view with:
- inactive Array of Opportunity_models
- campaigns Array of Opportunity_models
at line 139
view()
View single opportunity
Loads 'opportunities/view' view with
- campaign Campaign_model
- opportunity Opportunity_model
- donations Array of Donation_models
- stats Array of Stats_models
at line 191
edit()
Edit or create new opportunity
Loads 'opportunities/edit' view with
- campaign Campaign_model
- opportunity Opportunity_model
'opportunity' will be an empty model when creating a new opportunity
at line 318
promote()
Promote view action
Loads 'opportunities/promote' view with
- campaign Campaign_model
- opportunity Opportunity_model
at line 349
new_opportunity()
New opportunity handler. Uses the existing edit view but handles logic specific to creating new opportunities
at line 452
donations()
Donation view method
Loads 'opporunities/donations' view with
- campaign Campaign_model
- opportunity Opportunity_model
- donations Array of Donation_models
- previous String
- next String
at line 519
donation()
View donation handler
Loads 'opportunities/donation' view
- campaign Campaign_model
- opportunity Opportunity_model
- donation Donation_model
at line 560
donation_edit()
Edit donation handler
Loads 'opportunities/donation' edit view
- campaign Campaign_model
- opportunity Opportunity_model
- donation Donation_model
at line 685
donation_refund()
Refund handler
at line 799
export()
Export handler
Exports donation log to CSV directly to the browser
at line 839
go_export()
Exports opportunities list to CSV
at line 877
supporters()
Supporters view method
Loads 'opportunities/supporters' view with
- campaign Campaign_model
- opportunity Opportunity_model


{% include 'partials/meta.html' -%}
{% if request.endpoint == "abs" -%}
{# This is needed for BBB hydration, otherwise it requests javascript files to /abs/ #}
{% endif -%}
Now on home page
{% include 'partials/navbar.html' %}
{% block content %}{% endblock content %}
{% include 'partials/footer.html' %}
🌓
{% if (not code or (code and code == 200)) and not disable_full_ads_link %}
{# - Do not include javascript in error messages such as 404 to avoid BBB taking the control #}
{% endif %}


The minimum vSphere version supported by Tanzu Kubernetes Grid is vSphere 6.7u3. Please upgrade vSphere and try again.


I designed the original Cat Ear headphones and co-founded the Axent Wear company. These are the promotional art work, design sketches, and photo-shoots that made the successful crowdfunding possible.
Page under construction.
Designer playing cards with a Gothic theme. Made in between classes during high school.


StagyBee
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