Planet Sick-Boy: http://www.sick-boy.com "We Put the SIN in Cinema"
© Copyright 2001 Planet Sick-Boy. All Rights Reserved.
  That's the basic gist of the new French thriller, Harry, He's Here to Help. It's creepy and unnerving when contrasted with Hannibal's campy gore,
Harry begins with a scene that could be a flashback to every awful family car trip you've ever been on, meaning it's hot, cramped and there's a whole lot of yelling and bickering. In a rest stop men's room, Michel (Laurent Lucas) notices a man grinning at him as he enjoys a few moments of relief from the long, sweaty trip to his family's rundown vacation home. The man introduces himself as Harry Balestrero (Sergi López, An Affair of Love), a former grade-school classmate that Michel just can't remember. After rattling off the names of a few of their mutual classmates, Michel becomes convinced he knows Harry, and the two men shake hands and head for their cars.
In the parking lot, Harry and his curvy girlfriend Prune (Sophie Guillemin) offer to take Michel and his wife Claire (Mathilde Seigner, Venus Beauty Institute) out for drinks. Michel and Claire decline, as their three young daughters are just too worn out, but since their well-to-do counterparts seem to be aimlessly wandering around Europe with no time constraints, the two couples decide to meet at Michel's fixer-upper.
After they've had a few drinks, Harry brings up the topic of poetry and astonishes his hosts by reciting, word for word, a poem called "The Dagger in the Skin of Night" that Michel wrote as a child. As if that weren't enough, he begins to narrate passages from the first chapter of a novel (called "Flying Monkeys") that Michel abandoned as an elementary school writer. Michel and Claire are taken aback, but since Harry seems to be a nice, honest man, they seem to brush the incident aside.
Long story short, Harry begins to act more and more strangely, buying Michel and Claire a brand-new SUV and partaking in some bizarre post-coital eating rituals as he slowly worms his way into their lives. He's a cross between a slightly more bent Tom Ripley (as in The Talented Mr.) and a much more intelligent Buck (as in Chuck and). Harry is a film that could be set anywhere and feature any kind of protagonist, but it works so much better when you introduce a malevolent character into the life of a young, married couple (kids optional) at just the right time, and watch the sparks fly (a la Pacific Heights). López is great as Harry, exuding the same silent type of lunacy that Bob Hoskins perfected in Felicia's Journey. Lucas and Seigner are both very likeable, thereby doing their jobs in creating characters that viewers can root for.
To say Harry is Hitchcockian might be the understatement of the year. Harry's character gets its name from two of Hitch's '50s flicks - The Trouble With Harry and The Wrong Man, where Henry Fonda played Manny Balestrero. The story brings to mind another '50s classic from Hitchcock - Strangers on a Train, which was based on a novel written by Patricia Highsmith. She also penned Ripley, so it comes as no surprise that Harry, Ripley and Strangers' Bruno Antony are all smooth, charming sociopaths that immediately rub you the wrong way despite not doing anything to warrant such feelings (and their names all end in the letter "y," so you know the Puffy jury really blew it).
Writer/director Dominik Moll, who, together with Criminal Lovers' François Ozon, has made France the new creepy capital of the world (well, second to that rest stop I just visited in Lodi, Ohio), has fashioned an outstanding second feature after working as an assistant director on Laurent Cantet's Human Resources. The brightly photographed Harry also shares a cinematographer (Matthieu Poirot-Delpech) and co-writer (Gilles Marchand) with the drab but entertaining Resources. López, Moll and the film's editing (by The Dreamlife of Angels' Yannick Kergoat) and sound all won César Awards (the film was nominated in just about every other category, as well).
1:55 - R for language, some violence and a scene of nudity
========== X-RAMR-ID: 28936 X-Language: en X-RT-ReviewID: 208607 X-RT-TitleID: 1104269 X-RT-SourceID: 595 X-RT-AuthorID: 1146
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Related links: index of all rec.arts.movies.reviews reviews


At this point please enter a valid codomain. Please note that only integers are allowed. In addition, the value of "From" must be less than the value of "To". Also make sure that the range is not too tight, otherwise it is possible that no lattice can be generated.


TaskManager is a one place solution for all your TO-DO Lists and goals in one place.Give color to your goals, attach files, set priorities and do much more. Our website also has an alarm popup feature that will remind you that your time is up to complete a goal.
This app will help you to take stock of your situation, keep distractions away and focus more on your goals.
In this digital age, where almost everything is going for digitization why use traditional TO-DO sticky notes to write down your goals? Our goals are imprinted in our minds if we can visualize them. We have a photo attachment feature exclusively for that purpose. Algorithms are changing every day so that people spend more time on their phones. Let's together conquer our goals with Taskmaster.


D3.js is a JavaScript library for manipulating documents based on data. Basically, it helps you build shapes based on HTML, SVG, and CSS.
D3.js has been created by Mike Bostock and its home is here.
Why is d3 so awesome? Because it allows to build absolutely any type of visualization, without any limits.
D3.js already has awesome dedicated ressources to get code example: a wiki, a gallery and the very awesome block builder. Moreover, thousands of blocks are available online.
The d3 graph gallery aims to contribute to this documentation by providing a set of simple examples.
While blocks are awesome to demonstrate the possibilities offered by d3, it is sometimes hard to find a basic example illustrating a single concept: this gallery hopes to fill the gap.
About 300 charts are displayed in the gallery. They are classified in about 40 sections: the main chart types describe in data to viz.
For each graph, the chart appears on the left at a static position and the editable code on the right. Playing with the code is the best way to understand how it works IMO.
Technical details are provided under each chart, linking to related docs. No consideration is given concerning dataviz best practice, links toward data to viz are provided for this concern.
Code is extensively commented and data are stored online. It allows to copy and paste the code in a .html file and make it works locally.
This gallery has been built while in the process of learning d3. It is thus imperfect, and code can probably be optimized in many cases.
Moreover, english mistakes are frequent since I'm not a native english speaker.
This website is entirely hosted on github. Submitting issues or pull requests is the best way to interact, but you can also reach me via twitter or mail.


{% extends "application/layout.html" %} {% block page_title %}{{ serviceName }} - Start{% endblock %} {% block c_content %}
Back
We look at any money your partner gets from benefits when we work out if you can get Carer's Allowance. Find out more
Your claim date is 11 July 2016. By partner we mean:
For example, VO 12 34 56 D
Your claim date is 11 July 2012


§328-48 Penalty. Any person violating any of the provisions of sections 328-41 to 328-47 shall be fined not less than $10 nor more than $200 for each offense. [L 1925, c 194, §9; RL 1935, §1070; RL 1945, §2239; RL 1955, §51-47; HRS §328-48]


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Comet parameter: digest_mass_range
- Defines the mass range of peptides to search (based on MH+ or the singly
protonated mass).
- This parameter has two decimal values.
- The first value is the lower mass cutoff and the second value is
the high mass cutoff.
- Only spectra with experimental MH+ masses in within the defined
mass ranges are searched.
- Valid values are two decimal numbers where the first number must
be less or equal to the second number.
- The default value is "0.0 10000.0" if this parameter is missing.
Example:
digest_mass_range = 600.0 5000.0 search only 600.0 to 5000.0 mass range
digest_mass_range = 0.0 6500.0 search all spectra with peptide masses between 0.0 and 6000.0


WITNESS LIST Law Enforcement Committee May 19, 2003-2:30P SB 52 For: Hilton, Torie (Texas Association Against Sexual Assault) SB 166 For: Hilton, Victoria (Texas Association Against Sexual Assault) SB 943 For: Furrie, Mary (Self) Green, Mike (Speedmark and Mystery Shopping Providers Association) Henry, Eugene W. "Reb" (Self and MSPA) Hooser, Greg (Mystery Shopping Providers Association) Against: Burt, Bob (Self and Associated Security Services and Investigators of the State of Texas) Chisum, John (Self and Texas Assn. Licensed Investigators) Coffey, Michael (Self) Hulsey, Paul D. (Self and Texas Association of Licensed Investigators) Russell, David (Self) SB 1114 For: Bender, Don (Texas State Troopers Association) Harrell, Will (ACLU) Yanez-Correa, Ana (Texas LULAC) SB 1597 For: Harrell, Will (ACLU, LULAC, NAACP) Uhr, Pam (ACLU of Texas) Against: Gaylor, Tom (Texas Municipal Police Association) Wilkison, Charley (CLEAT) On: Noll, Chuck (Harris County District Attorney's Office)


passphrase.io
zero knowledge privacy online notepad
Enter any passphrase to load the notepad associated with that passphrase. Click save to encrypt and store your notepad. Access your notepad again by entering your passphrase.
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For high security, use a long passphrase that is difficult to guess and never used in any song, literature, or media. Short phrases lead to high visibility, and text can be overwritten by anyone who stumbles upon it. Click "random" to have a secure 8-word passphrase generated for you. If you forget your passphrase, there is no recovery process. Please keep in mind that your passphrase is case sensitive.
Note: This is an updated version of passphrase.io with improved security. If you used passphrase.io prior to July 2016, please visit https://passphrase.io/old to recover your notepad.
Technical Details:
Using client-side JavaScript, your passphrase is run through the memory-intensive scrypt key derivation function (N=2^18, r=8, p=1, dkLen=32) to generate a secret key. Your secret key is used to encrypt your notepad with AES256 encryption. The ciphertext (encrypted notepad) is sent along with a SHA256 hash of your secret key to the server for storage.
When you retrieve your notepad, your SHA256 hash is sent to the server, and the ciphertext is returned. The ciphertext is decrypted using your secret key, revealing your notepad.
Terms of Service:
By using passphrase.io ("Service"), you are agreeing to the following terms and conditions:
- Our Service displays content generated by other users when the passphrase can be guessed. This content is the sole responsibility of the entity that makes it available. Anyone reserves the right to remove or modify any defamatory, offensive, or illegal content.
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Daniel Routman
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Welcome to the Open Workflow Layer (OWL) Web Interface
From here you can process data, see what is going on and take a look at the compute resources available:
Submit Jobs
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Machine Inventory


Notice that our C code doesn’t allocate/deallocate memory, load or prepare the data sets, save the results, or do any of the other miscellaneous operations that don’t need to happen thousands of times per second. We will script the remainder of our program, not only because Cicada automates most of these housekeeping functions but also because scripted functions can be controlled from the command line.
We bring our C functions into Cicada by referencing them in a Cicada file called userfn.c. First, make sure the C compiler knows about our neural network routines. It’s sloppy, but the easiest way to do this is to put NN.c and NN.h into the Cicada directory, and then add the following line to userfn.c.
...
// #include any user-defined header files here
#include "NN.c"
...
Next, we need to tell Cicada about our C routine in userfn.c, by adding it to the UserFunctions[] array. We provide both a name and a function address.
userFunction UserFunctions[] = { { "pass2nums", &pass2nums }, { "cicada", &runCicada },
{ "RunNetwork", &runNetwork } };
Now we need to flesh out the ‘set up data types’ comment in runNetwork(). It turns out that Cicada provides a handy function for reading data from argv (an array of pointers to the variables and arrays passed to the C code, as you would expect). Since the memory is shared between the two environments, our C function can also send data back to a script by writing to these variables. Cicada also passes a list of array types and sizes at the end of argv[]. Putting all together, we add the following lines of code at the beginning of runNetwork() (i.e. in place of the first comment in NN.c).
arg_info *argInfo = (arg_info *) argv[argc];
myNN.numNeurons = argInfo[1].argIndices;
numInputs = argInfo[2].argIndices;
getArgs(argc, argv, &myNN.weights, &myNN.activity, &inputs, byValue(&step_size), endArgs);
if (argc == 6) {
numOutputs = argInfo[4].argIndices;
getArgs(argc, argv, fromArg(4), &target_outputs, byValue(&learning_rate)); }
This code uses the arg_info data type, so we also need to add
#include "userfn.h"
at the beginning of NN.c.
Notice that we assigned myNN.weights, myNN.activity and inputs by reference rather than by value. One reason is that they are arrays and copying them would be time-consuming. The other reason is that the job of our routine is to modify activity and, if we are training our network, the weights array as well. On the other hand step_size is not a pointer variable, so we passed its value using the byValue() function.
We won’t try to save the results of our calculations in the C code. We can simply delete the “save results” comment line in NN.c.
The final step is to recompile Cicada with our source files. First, make sure all source and header files, including NN.c and NN.h, are in the same directory as ‘Makefile’; then go to that directory from the command prompt and type “make cicada CC=gcc” (case sensitive). (The ‘make’ tool has to be installed for this to work.) With luck, we’ll end up with an executable. To run it, type either ‘cicada’ or ‘./cicada’, depending on the system. We should see:
>
Once inside Cicada, we can call our neural network function by typing
$RunNetwork(...)
with the function’s arguments listed in place of the dots.
Our custom version of Cicada has fast, native neural network functionality, but it is hidden behind a clunky syntax. The next task is to write a Cicada class that bundles a neural network’s data with user-friendly functions that initialize, run and train that network.
Last update: July 25, 2021


Photo proof: Greta Thunberg is a time traveler who has come here to save us from ourselves
by David PescovitzFound in the the University of Washington Libraries's Special Collections, this c.1898 photo of badass climate activist Greta Thunberg proves that she is a time traveler who is here to save us from ourselves. Or, perhaps Twitter user @bucketofmoney is correct: "The Greta Thunberg time-travel conspiracy theorists have got it wrong: the photo is from the future."


{{ define "main" }} {{ .Content }} {{ i18n "coaching-and-advice-intro" | safeHTML }} {{ i18n "coaching-and-advice-how-we-can-help-title" }} {{ i18n "coaching-and-advice-how-we-can-help-c1" }} {{ i18n "coaching-and-advice-how-we-can-help-c2" }} {{ i18n "coaching-and-advice-how-we-can-help-c3" }} {{ i18n "coaching-and-advice-our-advice-title" }} {{ i18n "coaching-and-advice-our-advice-c1" }} {{ i18n "coaching-and-advice-our-advice-c2" }} {{ i18n "coaching-and-advice-our-advice-c3" }} {{ i18n "coaching-and-advice-our-advice-c4" }} {{ i18n "coaching-and-advice-our-advice-c5" }} {{ i18n "coaching-and-advice-our-advice-c6" }} {{ i18n "coaching-and-advice-our-advice-c7" }} {{ i18n "coaching-and-advice-our-advice-c8" }} {{ i18n "coaching-and-advice-our-advice-c9" }} {{ i18n "coaching-and-advice-our-advice-c10" }} {{ i18n "coaching-and-advice-eligible-title" }} {{ i18n "coaching-and-advice-eligible-c1" }} {{ i18n "coaching-and-advice-eligible-c2" }} {{ i18n "coaching-and-advice-eligible-c3" }} {{ i18n "coaching-and-advice-how-it-works" }} {{ i18n "coaching-and-advice-how-it-works-c1" }} {{ i18n "coaching-and-advice-how-it-works-c2" }} {{ i18n "coaching-and-advice-how-it-works-c3" }} {{ i18n "coaching-and-advice-contact-us-title" }} {{ i18n "request-coaching-and-advice-button" }} {{ partial "mailing-list.html" }} {{ end }}
{{ i18n "coaching-and-advice-intro" | safeHTML }}


For those of you who dont know me (even though i highly doubt that is possible),
my name is Sheldon Cooper.
I wrote this website because i got bored while writing my Noble prize thank you speech and thought it could be entertaining.


Possible abuse of dispatch_after
May 25, 2015
I often come across code which uses dispatchafter GCD API to fire some process when an animation completes. I often feel this an abuse on using **dispatchafter** API. I would more like to use callbacks which notifies the completion of animation.
iOS provides these call backs via CATransaction. CATransaction groups several mono animation transaction into a atomic trasaction. All the changes to the rendering tree in the new run loop must be applied here.
Say there are two mono animations A (say translates a view in time t1) and B (say say scales a view in a time t2: t2>t1) and some process P needs to be fired after all the animation is complete i.e after time t2. Usually dispatch_after API is used to fire P after t2.
The usage of dispatch_after can be eliminate as follows: ```objc [CATransaction begin]; [CATransaction setCompletionBlock:^{ // call process P }];
// Animation A;
// Animation B;
[CATransaction commit];
when animation A and B are performerd in between [CATransaction begin] and [CATransaction commit] calls, the animations are considered as an atomic change and are applied to the render tree the same time and the transaction completion block is called when the atomic animation completes.
This way we can eliminate the usage of dispatch_after API reducing the overhead of changing the adjusting the time if the animation duration changes.


Sequences can be generated so that they cycle. This means that the values will restart from the beginning when the sequence runs out.
The following example creates a simple table with one column and creates a sequence that starts at 1 and goes to 3 and then recycles.


{%extends 'base.html'%} {%block content%} {% load bootstrap3 %} {% load staticfiles%}
name:{{neighbourhood.name}}
location: {{neighbourhood.location}}
admin: {{neighbourhood.admin}}
click here to post about your business
{%if businesses%} {%for business in businesses%}name: {{business.name}}
description: {{business.description}}
contact: {{business.email}}
{%endfor%} {%else%}no business at the moment
{%endif%}Wanna share something with your neighbour? click here
{%if posts%} {%for post in posts%}{{post.user.username}}: {{post.post}}
{%endfor%} {%else%}no business at the moment
{%endif%}


She has been dead for nearly thirty years, but there's no stopping Ayn Rand. Both The Fountainhead and Atlas Shrugged still sell in vast quantities in the United States, appealing as they always will to a certain stripe of libertarian individualist. (I hesitate to use the term “right wing”, as I suspect that defining politics by a left / right divide is getting less and less useful.)
Should you decide to devote yourself to the philosophical system Rand dubbed “Objectivism”, you will need a hobby, and clearly you ought to pursue the pastime recommended by the woman who started life in Russia as Alisa Zinovyevna Rosenbaum. And no, I am not referring to chain smoking, of which she was a lifelong devotee. In a 1971 essay with the endearingly artless title Why I Like Stamp Collecting, Rand explains:
I started collecting stamps when I was ten years old, but had to give it up by the time I was twelve. In all the years since, I never thought of resuming the hobby. It left only one after-effect: I was unable to throw away an interesting-looking stamp. So, I kept saving odd stamps, all these years. I put them into random envelopes and never looked at them again.
Then, about a year-and-a-half ago, I met a bright little girl named Tammy, who asked me—somewhat timidly, but very resolutely—whether I received letters from foreign countries and, if I did, would I give her the stamps. I promised to send her my duplicates. She was eleven years old, and so intensely serious about her collection that she reminded me of myself at that age.
Once I started sorting out the stamps I had accumulated, I was hooked.
It was an astonishing experience to find my enthusiasm returning after more than fifty years, as if there had been no interruption. Only now the feeling had the eagerness of childhood combined with the full awareness, confidence and freedom of age.
My first step was to acquire a Minkus Master Global Stamp Album. In a year and a half, it has grown to four volumes, plus four special albums—and my collection is still growing, at an accelerating rate. No, I have not forgotten Tammy: I send her piles of duplicates every few months, and I feel very grateful to her.
In all those years, I had never found a remedy for mental fatigue. Now, if I feel tired after a whole day of writing, I spend an hour with my stamp albums and it makes me able to resume writing for the rest of the evening. A stamp album is a miraculous brain-restorer…
Stamp collecting is a hobby for busy, purposeful, ambitious people—because, in pattern, it has the essential elements of a career, but transposed to a clearly delimited, intensely private world.
A career requires the ability to sustain a purpose over a long period of time, through many separate steps, choices, decisions, adding up to a steady progression toward a goal. Purposeful people cannot rest by doing nothing nor can they feel at home in the role of passive spectators. They seldom find pleasure in single occasions, such as a party or a show or even a vacation, a pleasure that ends right then and there, with no further consequences.
The minds of such people require continuity, integration, a sense of moving forward…
But—it is asked—why not collect cigar bands, or coins, or old porcelain? Why stamps?
Because stamps are the concrete, visible symbols of an enormous abstraction: of the communications net embracing the world.
While the world politicians are doing their best to split the globe apart by means of iron curtains and brute force, the world postal services are demonstrating—in their quiet, unobtrusive way—what is required to bring mankind closer together: a specific purpose cooperatively carried out, serving individual goals and needs. It is the voices of individual men that stamps carry around the globe; it is individual men that need a postal service; kings, dictators and other rulers do not work by mail. In this sense, stamps are the world's ambassadors of good will.
So there you have it.  Just one warning: Ayn Rand's stamp collection grew to over fifty thousand stamps, but she would not, and did not, collect a single stamp from a communist country.
[This first appeared in The Dabbler.]


This program converts Midi-format files into mpcpattern files for the Akai Force and other Akai products.
To use this program, press the "Choose File" button and select a Midi file to work with. You will then see one or more Midi tracks displayed graphically. To convert a track into a mpcpattern, click on the "+ MPC" button and the track will be converted and downloaded.
You can select a subset of a track to extract by clicking and dragging.
At present, the program only converts Note On/Note Off events.
The Midi file you choose and the mpcpattern file are processed entirely on your own computer. No information about it is sent anywhere else.
The program is experimental and no liability is assumed for bugs, crashes, etc. by Catnip or Akai Professional.


| All Features | Available | Version |
|---|---|---|
| Admin Commands | ✅ | 1.0 |
| AFK | ✅ | 1.2 |
| AI Scanner | ✅ | 1.1 |
| Add & Kick User | ✅ | 1.0 |
| Carbon.sh Plugin | ✅ | 1.4 |
| Deep AI APIs | ✅ | 1.0 |
| Ban & Unban User | ✅ | 1.0 |
| FFMPEG Support | ✅ | 1.6 |
| Filter Support | ✅ | 1.2 |
| Greetings Support | ✅ | 1.2 |
| Group Link Generator | ✅ | 1.0 |
| Heroku Plugin | ✅ | 1.5 |
| Jid Scraper | ✅ | 1.0 |
| Location Plugin | ✅ | 1.0 |
| Lydia | ✅ | 1.2 |
| Music Downloader | ✅ | 1.2 |
| Meme Maker | ✅ | 1.0 |
| Mute & Unmute Chat | ✅ | 1.3 |
| Nekobin Plugin | ✅ | 1.0 |
| OCR Plugin | ✅ | 1.2 |
| Plugin Support | ✅ | 1.0 |
| Pre-Trained Effects | ✅ | 3.2 |
| Promote & Demote User | ✅ | 1.1 |
| Remove BG Plugin | ✅ | 1.0 |
| Youtube Downloader | ✅ | 1.2 |
| Scam Actions | ✅ | 1.3 |
| Scrapers | ✅ | 1.5 |
| Spammer | ✅ | 1.4 |
| Speedtest | 🛠 | 1.6 |
| Sticker Maker | ✅ | 1.0 |
| Tagall | ✅ | 1.0 |
| Google TTS | ✅ | 1.6 |
| Unvoice | ✅ | 1.3 |
| Web Screenshot Plugin | ✅ | 1.5 |
| Wallpaper Plugin | ✅ | 1.4 |
| Command 💻 | Description ℹ |
|---|---|
| .alive | Checks if the bot is running. |
| .ban | Kick the user from the group. |
| .afk | It makes you AFK. Sends the afk message when you receive a private message or tag. |
| .lilly | its sends the Apk file to make bot. |
| .block | It blocks the user from WhatsApp. |
| .unblock | It unblocks the user from WhatsApp. |
| .add | Adds people to the group. |
| .plugin | Shows the plugins you have installed. |
| .install | It installs plugins. |
| .remove | It delete plugins. |
| .xmedia | It shows preset effects that you can apply to photo, video, and sound. |
| .unvoice | Sends any sound as a voice message. |
| .scam | It does fake actions. |
| .carbon | Converts the text to the code picture. |
| .promote | Makes someone in the group admin. |
| .demote | It takes admin from someone in the group. |
| .mute | Close the chat. |
| .unmute | Open the chat. |
| .invite | Sends the link to the group. |
| .mp4audio | Converts video to sound. |
| .imagesticker | Converts image sticker to photo. |
| .ffmpeg | It applies the desired ffmpeg filter to the video. |
| .filter | Adds a filter. It is active when someone writes the filter. |
| .stop | Stops the filter. |
| .welcome | Sends a message to those who enter the group. |
| .goodbye | Sends a message to those leaving the group. |
| .restart | Restarts the bot. |
| .shutdown | Shutdown the bot. |
| .getvar | Shows the config var status. |
| .setvar | Sets the config var. |
| .delvar | Remove the config var. |
| .sticker | It sends photo to sticker. |
| .addlydia | It activates the artificial intelligence chat. |
| .rmlydia | Stops Artificial intelligence chatting. |
| .meme | It makes a meme to the photo. |
| .neko | It saves the message you answered to Nekobin. |
| .ocr | Reads the text in the photograph and translates it into text. |
| .kickme | It will kick you out of the group you are. |
| .pp | It makes the profile photo which you reply to. |
| .jid | It shows the jid address of any person. |
| .removebg | Removes the background of the photo you replied to. |
| .trt | Translates between languages. |
| .tts | Converts text to voice message. |
| .currency | Converts currencies. |
| .isong | It downloads the song you wrote. |
| .yt | Search on Youtube. |
| .video | Downloads video from Youtube. |
| .wiki | Searches on Wikipedia. |
| .img | It downloads 5 photos from the word you wrote. |
| .spam | It will send your typed text as spam until you stop it. |
| .killspam | It stops spam. |
| .sticker | It makes a photo or video to sticker. |
| .sysd | Shows system properties. |
| .tagall | Tags everyone in the group. |
| .weather | Shows the weather of the city you are typing in. |
| .ping | Ping meter! |
| .speedtest | Makes speed test. |
| .deepai | Provides a list of AI tools that use deep learning with Deep AI artificial intelligence. |
| .wallpaper | Sends random high resolution wallpaper. |
XMedia Plugin Commands...
| ---------- | -------------------- |
| .mp4enhance| It improves the quality of the video.
| .x2mp4| It reduces the quality of the video by 2 times.
| .x4mp4| It reduces the quality of the video by 4 times.
| .mp4reverse| Plays the video in reverse.
| .mp4blur| Blurs the video background.
| .mp4vintage| Applies a vintage effect to the video.
| .mp4bw| Applies a monochrome effect to the video.
| .mp4edge| It calculates the depth of the viden and applies the neon edge effect accordingly.
| .mp4image| Converts photo to 5 seconds video.
| .gif| It makes the video gif.
| .agif| Makes the video an audio gif.
| .spectrum| It converts the spectrum of sound into video.
| .avec| Converts the frequency range of the sound to 3D video.
| .waves| It converts the wavelengths of sound into video.
| .frequency| Converts the frequency of the sound to video.
| .volumeaudio| Converts the decibel value of sound to video.
| .cqtaudio| Converts the cqt value of audio to video.
| .mp3eq| Adjusts the sound to a crystal clear level.
| .mp3low| It makes the sound deep and slow.
| .mp3pitch| It refines and accelerates the sound.
| .mp3crusher| It distorts the sound, makes it ridiculous.
| .mp3reverse| Plays the sound in reverse.
| .x2mp3| It speeds up the sound 2 times.
| .mp3volume| It increases the sound level 6 times.
| .bwimage| Makes the photo black and white.
| .vintageimage| Applies a vintage effect to the photo.
| .edgeimage| It calculates the depth of the photo and appropriately applies an edge effect.
| .enhanceimage| It improves the quality of the photo.
| .grenimage| Applies a grain effect to the photo.
| .blurimage| Blurs the background of the photo.</p>
© Copyright 2021, All Rights Reserved
@Muhammed rizad


MTSClient
public protocol MTSClient : ICanCreateTLSParams, ICanStateChange
Conforming types can conduct MTS transactions over network connections.
-
This property stores a reference to an MTSDataModel with appropriate cached values needed to interact with MTS transport layer.
Declaration
Swift
var mtsModel: MTSDataModel { get set }
-
This property stores a reference to an MTSClientDelegate which provides protocol specific behaviors for MTS transport layer.
Declaration
Swift
var delegate: MTSClientDelegate? { get set }
-
This property stores the value of an UInt16 value that equals port number to be used by MTS transport layer.
Declaration
Swift
var port: UInt16 { get }
-
This property stores the value of an string value that equals host address to be used by MTS transport layer.
Declaration
Swift
var host: String { get }
-
This optional property can store the object requested during MTS transaction. If nil, no object was recovered.
Declaration
Swift
var requestedObj: MTSRequestType? { get set }
-
This private constant stores a dispatch semaphore in order to block thread during asynchronous waits.
Declaration
Swift
var await: DispatchSemaphore { get }
-
This private boolean is true when thread is blocked and client awaits connection.
Declaration
Swift
var isWaiting: Bool { get set }
-
This ivar stores expected message length for recursive transactions.
Declaration
Swift
var expected: Int { get set }
-
This ivar temporarily caches data that has been downloaded over MTS for cross method use and recurssion.
Declaration
Swift
var buffer: Data { get set }
-
This boolean property allows for any process to register connection no longer needed. Between transactions, it will be checked to ensure that connection is terminated when data transactions are complete.
Declaration
Swift
var isNeedsConnectionKilled: Bool { get set }
-
After
sendWait
is called, if it is successful this method will be called to handle conversion of requested object into a predefined MTSRequestType.Note
Await ivar should be signalled here, and isWaiting should be set to false.
Declaration
Swift
func waitReceiver(_ mtsMessage: MTSMessage)
Parameters
mtsMessage
The MTSMessage that was used to initiate the original transaction request.
-
withTLS(_:)
Extension methodThis method uses passed arguments to configure connection for TLS using a certificate.
Declaration
Swift
@discardableResult public func withTLS(_ certificate: Data? = nil) -> MTSClient
Parameters
certificate
The license to use for TLS config.
Return Value
A discardableResult of self: MTSClient.
-
connect()
Extension methodThis method attempts to connect to MTS server.
Declaration
Swift
@discardableResult public func connect() -> MTSClient
Return Value
A discardableResult of self as MTSClient.
-
connectionFailed(error:)
Extension methodThis method is where failed connections are handled.
Declaration
Swift
public func connectionFailed(error: NWError?)
Parameters
error
The NWError generated during connection failure.
-
stop(_:)
Extension methodThis method ends MTS transactions and closes connection.
Declaration
Swift
public func stop(_ status: String)
Parameters
status
The status before stop was triggered.
-
send(_:)
Extension methodThis method sends passed argument of MTS connection.
Declaration
Swift
public func send(_ data: Data)
Parameters
data
This argument is a raw Data type.
-
send(_:)
Extension methodThis method sends passed argument of MTS connection.
Declaration
Swift
public func send(_ msg: MTSMessage)
Parameters
msg
A predefined MTSMessage.
-
setupReceive(on:)
Extension methodThis method is where conforming type will handle received objects from the connection hosting MTS transactions.
Declaration
Swift
public func setupReceive(on connection: NWConnection)
Parameters
connection
The network connection hosting MTS transactions.
-
sendWait(_:)
Extension methodThis method is where conforming type will coordinate sending over MTS transaction and then waiting for a response to sent request.
Declaration
Swift
public func sendWait(_ data: MTSMessage) -> MTSRequestType
Parameters
data
A predefined MTSMessage that requests an acknowledgement or query results.
Return Value
The MTSRequestType returned from MTS transaction.


{title:'HTTP Status Codes', updated:'9.0.0'}
By default, a 200 (OK) status is automatically set as the HTTP status when a Java method executes successfully.
Other status codes can be generated by throwing a {@link oaj.http.response.BasicHttpException} with a specific HTTP status code, or calling {@link jakarta.servlet.http.HttpServletResponse#setStatus(int)}.
Non-OK (200) status codes are automatically triggered by the following conditions:
| Unauthorized | A {@link oajr.guard.RestGuard guard} prevented the method from being executed | |
| Not Found | No matching path patterns were found on any method | |
| Method Not Implemented | A path pattern matched but no Java methods were found for the HTTP method | |
| Not Acceptable |
A path pattern matched but no Java methods were found with a matching serializer for the
|
|
| Precondition Failed | A path pattern matched but no Java methods were found that were not rejected by {@link oajr.matcher.RestMatcher matchers} | |
| Unsupported Media Type |
A path pattern matched but no Java methods were found with a matching parser for the
|
|
| Internal Server Error | The Java method threw an exception other than {@link oaj.http.response.BasicHttpException} |


Orthotrichum phylogenetic species genus mitochondrial based using genes mitogenomes complete s.l. analyses used {border-style genera genomes regions studies moss px;} #ffffff;} Sawicki new Supplementary analysis variable variation support trees Garilleti However, Orthotricheae clade taxa Evol. Goffinet Mol. Stoneobryum Ulota evolution results DNA SNPs Table evolutionary genome mitogenome previous sequences study Biol. Bot. Lara Lewinskya Plášek dioecious gene molecular plant resolved sister (Fig. cryptoporous data intergenic number presented Mazimpaka Nyholmiella Szczecińska nuclear single tribe (Orthotrichaceae, (see Lewinsky Pulvigera characterized included including intron monoecious polymorphic position px; relationships sexual {font-family Medina Nyholmiella, Ochyra Orthotrichaceae Phylogenetic Stoneobryum, callistomum font-size indels leaf libraries performed plants present recent s.s. taxonomic taxonomical vascular (Orthotrichaceae), Bayesian Bryologist Liu Moreover, arrangement bootstrap clades coding double; group identified identify informative non-coding nucleotide phaneroporous plastid second separate sequenced stomata subg. substitutions ./j.-...x Brid. Figure Hedw. Plenogemma S). assembly basal bold border-color border-width changes codon conducted confirmed containing dioecy epiphytic hotspots inferences information lower mapped material mitogenomes. monophyletic mosses nonsynonymous previously reconstruction revealed rps, software solid; spacers stomata, stomata. structure substitution systems use {font-style {font-weight (). ./--.. Based Commons Comparative Creative Genet. Genomic Kit Lara, Lewinskya, Mitochondrial Molecular Nature Norris Plenogemma, Plášek, Polish Racomitrium Syst. Taxon Wang analyses. analyzed approximately characters conceived contained courier; cox default described detected determine em; family genomic highest highly inclusion indicated instance, introns, lack large loci methods mitogenomic morphological mutations nad, order organellar phyllantha protein-coding provide pt;} rate related repeats reproduction s.s., settings similar sites supported synonymous taxon traditionally tree °C;


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Donation: 0x130A112A7Fc00C242841E9779f79fb4f0D662e61 External Links: Github - audit our code before staking!! Twitter - we will only use this or medium. Everything else if a scam. Medium - More detailed updates than twitter. Discord - A place to chat about your favorite seal. Telegram - Another place to chat about your favorite seal. Special Thanks: yieldfarming.info - Thanks for the fork.


Dolphin corpses found on Taiwan's Penghu
It is the second time in less than 2 months that dolphins have washed up on the island's shore
by Karen Liao(CNA photo)
TAIPEI (Taiwan News) － Two more dolphins have washed up on a Penghu beach, on Friday (Nov. 22), following two similar cases of bottlenose dolphins dying in October.
Their bodies were severely decomposed, said Lan Chih-lan (藍志嵐), of the Conservation Sector of the Penghu County Government. He added the animals had probably been dead more than 10 days before being found, according to the Liberty Times.
The extent of decomposition made identifying a reason for their deaths difficult. However, Taiwan Cetacean Society (中華鯨豚協會) members identified the mammals as a bottlenose and a spinner dolphin, both of which are endangered species, and said they either got caught in fishing nets or there is something wrong with the ocean.
Officials buried the dolphins on-site. Locals said they hoped experts could determine the cause of death, reported the Liberty Times.


{% extends "lists/base.html" %} {% load staticfiles %} {% load crispy_forms_tags %} {% block title %} Edit {{ list.title }} {% endblock %} {% block breadcrumb %}
You are about to delete title.


Coding across the primary curriculum
Jul 25, 2016
Quite recently, we thought the future of ICT education would be one in which technology was embedded seamlessly throughout all aspects of teaching and learning, and that all a child could possibly need to learn about IT could be taught within the context of other subject areas. The seamless embedding of technology throughout the life of a school remains a dream for many, but schools at the cutting edge have already achieved much with 1:1 devices, robust wifi, great training and a vision for how technology can transform education.
On the other hand, few would now argue that we can teach the new computing curriculum without setting aside some dedicated time to mastering the content of this new foundation subject. In the move from ICT to computing, our focus shifted away from the skills of using technology to knowledge and understanding of the principles of information and computation. It seems that mastering the foundational ideas of computer science, and particularly programming, requires some dedicated curriculum time. That’s not to say though that computing should be taught in isolation: the other subjects can provide motivating, relevant contexts for pupils to apply their computational thinking and programming skills.
Computational thinking
Computational thinking is the golden thread running through the computing curriculum: this is about looking at problems in such a way that a computer can help us solve them. It draws together such concepts as logical reasoning, decomposition, patterns, abstraction and algorithms, as well as approaches such as tinkering, making, debugging, persevering and collaborating.
The foundations of computational thinking are laid in EYFS’s characteristics of effective learning, but these concepts and approaches can be applied to any area of the primary curriculum further up the school: following or writing instructions makes use of algorithmic thinking; doing corrections in maths is debugging; looking for explanations in science is logical reasoning, and so on. As pupils become better at computational thinking through computing lessons, they’ll be better able to apply this across the curriculum.
I think we can go further than this though. As pupils have been getting better at programming, I think we’re reaching the point where they can start to use this to do some creative things in other subjects. This isn’t merely about using other subjects as a context for learning to code, this is about coding as a way to help pupils learn in other subjects too. Here are some examples:
Maths
The relationship between maths and programming goes back to Alan Turing and the the foundations of computer science. Simple turtle graphics are a great way to help pupils get a far more visceral feel for geometry, as they put themselves in the place of the turtle. Pupils quickly learn for themselves that exterior angles sum to 360˚. Writing programs where sprites move around the screen in Scratch similarly makes coordinates and negative numbers seem more real and more useful.
In maths, we make use of algorithms (sequences of steps and sets of rules) all the time. We’ll teach pupils algorithms for checking if a number is prime, for finding common factors or for doing arithmetic with fractions. With a few coding skills, pupils could put their knowledge of these to the test by writing their own programs to implement these rules, trying them out with much bigger numbers than the exercises we set, and perhaps even finding faster algorithms for the same problem.
Music
Scratch has music making tools built in – it’s easy enough to record and play back audio, but it’s well worth getting pupils to experiment with creating music by sequencing notes and their durations. There’s a range of instrument and percussion available, and it’s possible to play multiple notes at the same time, so pupils can experiment with chords and polyphony. Repetition in programming can be linked to music compositions too, and pupils can explore randomly generated music, or music that reacts to input from mouse, keyboard or sensors. Pupils can improve their compositions in the same way as they debug their programs.
Beyond Scratch, Sonic Pi and EarSketch take the text-based, grown-up programming languages Ruby and Python and make them directly applicable to musical composition. They’re certainly accessible to upper primary pupils, but go way beyond that level. There’s some amazing work going on at the moment at the intersection between music and computer science.
use_bpm 90
use_synth :pretty_bell
define :sequence1 do
play_pattern_timed [:e,:e,:f,:g], [0.5,0.5,0.5,0.5]
play_pattern_timed [:g,:f,:e,:d], [0.5,0.5,0.5,0.5]
play_pattern_timed [:c,:c,:d,:e], [0.5,0.5,0.5,0.5]
end
sequence1
play_pattern_timed [:e,:d,:d], [0.75,0.25,1]
sequence1
play_pattern_timed [:d,:c,:c], [0.75,0.25,1]
play_pattern_timed [:d,:d,:e,:c], [0.5,0.5,0.5,0.5]
play_pattern_timed [:d,:e,:f,:e,:c], [0.5,0.25,0.25,0.5,0.5]
play_pattern_timed [:d,:e,:f,:e,:d], [0.5,0.25,0.25,0.5,0.5]
play_pattern_timed [:c,:d,:g3], [0.5,0.25,1]
sequence1
play_pattern_timed [:d,:c,:c], [0.75,0.25,1]
D&T
There’s an expectation in the Design and Technology curriculum that pupils at Key Stage 2 will
“apply their understanding of computing to program, monitor and control their products.”
Platforms such as the Lego WeDo, Crumble and the BBC micro:bit make it much easier than ever before for pupils to take their first steps into the realm of ‘physical computing’, using buttons, switches and sensors to accept input, writing their own code to process this and producing output through LEDs, speakers and motors. Whilst the BBC micro:bit’s initial distribution was to secondary schools, the online editor and emulator is accessible to all at microbit.co.uk.
The most exciting work in physical computing, at school and beyond, is happening on the Raspberry Pi: which has a set of general purpose input and output pins built in, and support for using these from its own version of Scratch. There’s a ‘sense hat’ too, which incorporates a tiny display, joystick and some sensors: a couple of these, with programs written by British school children, went up to the international space station with Tim Peake for the Astro Pi.
Art
Turtle graphics in Scratch, Logo or Python needn’t be restricted to maths – there’s ample scope to use this as a medium for pupils creative work in art too. QCA’s old scheme of work for ICT had a lovely unit on crystal flowers, there’s plenty of scope to explore tessellating patterns and Islamic art has a rich history of beautiful, geometric art to provide inspiration here. There’s also scope for exploring more natural patterns, experimenting with simple code to create recursive fractals for trees, fern leaves, broccoli or coastlines.
Foreign languages
Scratch has excellent support for working in foreign languages – the familiar English of the programming blocks can be replaced with keywords from many other languages, even including Latin. This is great for pupils learning English as an additional language, but is also a nice way to build up pupils’ familiarity with a foreign language. Scratch is great for producing short, scripted animations, with on-screen and recorded dialogue or narration: why not have pupils program animations for a language they’re learning, or even a simple chatbot?
You can also program Scratch (or Python) to generate semi-random, but grammatically correct sentences, using the computer science idea of a finite state machine. Playing with this gives some insights into the structure of a language: you could do this for English, but also for any other language that pupils are learning.
Looking for ways for pupils to use their IT skills across the curriculum, such as searching for information, making presentations and editing videos, remains as valuable as ever. Alongside this, I think we should now start looking for some of the cross-curricular ways that pupils can use their programming skills too.
Originally published in Teach Primary, June 2016. © all rights reserved. I explored these ideas further, with reference to the secondary curriculum, in my plenary at #casconf16:
Share


--- layout: home title: Chinmay Savadikar redirect_from: - /aboutme - /aboutme/ ---
Chinmay Savadikar
Ph.D. Student, Department of ECE
North Carolina State University
csavadi [at] ncsu [dot] edu
I am a first year Ph.D. student at North Carolina State University advised by Dr. Tianfu Wu. My research interest lies in Continual Learning, with broader interest in efficient and robust learning for visual tasks.
Prior to starting my Ph.D., I worked with the Precision Sustainable Agriculture initiative at NC State to build Computer Vision and Software solutions for problems in agriculture.
I worked as a Machine Learning Engineer at Persistent Systems before coming back to academia. At Persistent, I worked on Deep Learning for Medical Imaging and large scale document recognition. I also spent some time developing internal SDKs for the Data Science team, and setting up MLOps frameworks.
Outside of research, I like reading fiction and non-fiction. I also enjoy playing Football, listening to Oldies Rock Music, and watching sitcoms.
New preprint - Learning to Grow Artificial Hippocampi in Vision Transformers for Resilient Lifelong Learning available in ArXiv!
Link: https://arxiv.org/abs/2303.08250.
Started as a Ph.D. student as a part of Laboratory for interpretable Visual Modeling, Computing and Learning (iVMCL).
Joined Laboratory for interpretable Visual Modeling, Computing and Learning (iVMCL) as a Research Assistant
Joined Precision Sustainable Agriculture initiative as a Graduate Student Researcher
Won the NC State-USDA Hackathon by building accurate Deep Learning models for classifying weeds.
Press Release
We present a method to grow Artificial Hipoccampi (ArtiHippo) in Vision Transformers for resilient lifelong learning. We show that the final linear projection layer in the multi-head self-attention (MHSA) block can be used as a light-weight module to realize ArtiHippo using a Mixture of Experts framework. We maintain the ArtiHippo using a SPOS Neural Architecture Search and propose a task-similarity oriented sampling strategy to replace the uniform sampling in SPOS which improves the performance over uniform sampling. We test the proposed method on the challenging Visual Domain Decathlon benchmark and obtain strong empirical performance.


POWDER A film review by Andrew Hicks Copyright 1996 Andrew Hicks / Fatboy Productions
(1995) *1/2 (out of four)
I've never written a review for a movie I haven't watched all the way through, but I had to make an exception with POWDER. I was about forty-five minutes into this one at a friend's house when he and his brother got into a huge shouting match that would have ended in violence had we not left the house. So I never got to finish the movie and I'm sure as hell not going to pay three more bucks to watch half of a bad movie. But I can at least get a partial review out of it, because I saw enough to know this one wasn't worth finishing in the first place.
The movie centers around a freaky teenager who's spent his entire life living in the cellar of his grandparents' house. When Grandpa dies (taking his department store down with him), social worker Mary Steenburgen has to take Powder (first and middle names? Gold Bond) to a state home, where we find out he's a different from the other kids. Actually, we find out he's different when we first see him, because he's the most pale individual we've ever seen and moreover he has no body hair whatsoever. When Powder is born in the opening minutes of the movie, the father takes one look at him and says "He's not my son." Obviously. All I want to know is where the Pillsbury Dough Boy was nine months ago.
So the white-faced freak leaves his Neverland Ranch for the state home and faces the ridicule of other kids. That is, until they try to haze him during his first cafeteria lunch by making him "wear" his spoon ("You can either wear it on your nose or up your ass." Decisions, decisions...) and he uses telepathic powers to draw all the silverware in the room into a giant pile in the middle of the table. So if his father is the Pillsbury Dough Boy, his mother must be Sissy Spacek's Carrie character.
And you have to factor in two more things from the subsequent scenes, as we find out Powder has some sort of super-intelligence ("Your I.Q. test went straight off the chart!") and attracts electrical power. This first shows up as Powder visits the world of high school (If he's such a genius already, why would he need a high school education?) and sits through a demonstration in Jeff Goldblum's science class. Goldblum plugs in a "Jacob's ladder" device that shows current running up two wires and immediately the current flows across the room and into Powder's chest.  I guess he was too busy contemplating why he was appearing in his third bad movie in a row (following HIDEAWAY and NINE MONTHS).
That's about all I saw before the big fight began and, let me tell you, that was twice as interesting as the movie itself. But like I said, I saw enough to know this would be one of those terrible melodramas about the isolation of people who have superior abilities and how hard it is for those people to assimilate themselves into mainstream civilization. None of these movies ever handle the subject properly, instead introducing the feeble BEAUTY AND THE BEAST copout of having a beautiful woman fall in love with the guy's personality, overlooking his personal appearance. I already had the female character picked out (the girl who was sitting next to him in the back of the room during the electrocution scene), but I guess I'll never know for sure what happened.
--
Visit the Movie Critic at LARGE homepage at http://www.missouri.edu/~c667778/movies.html
From<EMAIL_ADDRESS>Mon Jun 10 15:04:03 EDT 1996 Article: 3654 of rec.arts.movies.reviews Path: nntphub.cb.att.com!not-for-mail From<EMAIL_ADDRESS>(Andrew Hicks) Newsgroups: rec.arts.movies.reviews,rec.arts.sf.reviews Subject: REVIEW: POWDER (1995) Followup-To: rec.arts.movies.current-films,rec.arts.sf.movies Date: 10 Jun 1996 18:16:03 GMT Organization: University of Missouri - Columbia Lines: 70 Sender<EMAIL_ADDRESS>(Evelyn C. Leeper) Approved<EMAIL_ADDRESS>Message-ID<EMAIL_ADDRESS>Reply-To<EMAIL_ADDRESS>(Andrew Hicks) NNTP-Posting-Host: mtcts2.mt.lucent.com Summary: r.a.m.r. #05425 Keywords: author=Hicks Originator: ecl@mtcts2 Xref: nntphub.cb.att.com rec.arts.movies.reviews:3654 rec.arts.sf.reviews:710 Status: RO
POWDER A film review by Andrew Hicks Copyright 1996 Andrew Hicks / Fatboy Productions
(1995) *1/2 (out of four)
I've never written a review for a movie I haven't watched all the way through, but I had to make an exception with POWDER. I was about forty-five minutes into this one at a friend's house when he and his brother got into a huge shouting match that would have ended in violence had we not left the house. So I never got to finish the movie and I'm sure as hell not going to pay three more bucks to watch half of a bad movie. But I can at least get a partial review out of it, because I saw enough to know this one wasn't worth finishing in the first place.
The movie centers around a freaky teenager who's spent his entire life living in the cellar of his grandparents' house. When Grandpa dies (taking his department store down with him), social worker Mary Steenburgen has to take Powder (first and middle names? Gold Bond) to a state home, where we find out he's a different from the other kids. Actually, we find out he's different when we first see him, because he's the most pale individual we've ever seen and moreover he has no body hair whatsoever. When Powder is born in the opening minutes of the movie, the father takes one look at him and says "He's not my son." Obviously. All I want to know is where the Pillsbury Dough Boy was nine months ago.
So the white-faced freak leaves his Neverland Ranch for the state home and faces the ridicule of other kids. That is, until they try to haze him during his first cafeteria lunch by making him "wear" his spoon ("You can either wear it on your nose or up your ass." Decisions, decisions...) and he uses telepathic powers to draw all the silverware in the room into a giant pile in the middle of the table. So if his father is the Pillsbury Dough Boy, his mother must be Sissy Spacek's Carrie character.
And you have to factor in two more things from the subsequent scenes, as we find out Powder has some sort of super-intelligence ("Your I.Q. test went straight off the chart!") and attracts electrical power. This first shows up as Powder visits the world of high school (If he's such a genius already, why would he need a high school education?) and sits through a demonstration in Jeff Goldblum's science class. Goldblum plugs in a "Jacob's ladder" device that shows current running up two wires and immediately the current flows across the room and into Powder's chest.  I guess he was too busy contemplating why he was appearing in his third bad movie in a row (following HIDEAWAY and NINE MONTHS).
That's about all I saw before the big fight began and, let me tell you, that was twice as interesting as the movie itself. But like I said, I saw enough to know this would be one of those terrible melodramas about the isolation of people who have superior abilities and how hard it is for those people to assimilate themselves into mainstream civilization. None of these movies ever handle the subject properly, instead introducing the feeble BEAUTY AND THE BEAST copout of having a beautiful woman fall in love with the guy's personality, overlooking his personal appearance. I already had the female character picked out (the girl who was sitting next to him in the back of the room during the electrocution scene), but I guess I'll never know for sure what happened.
--
Visit the Movie Critic at LARGE homepage at http://www.missouri.edu/~c667778/movies.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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Symbol Index for ".Classifications"
Symbol Index for diagram
".Classifications"
basis (Association)
Category (Class)
CE/Ordering (Generalization Node)
Classification Element (Class)
Classification Element 1 (Object)
Classification Element 2 (Object)
Classification In Version (Class)
Classification System (Class)
Classification System Version (Class)
Complication (Object)
component (Association)
Compound Fracture (Object)
context (Association)
Fracture (Object)
genus (Instantiation)
genus (Association)
genus (Association)
genus (Instantiation)
genus (Instantiation)
genus (Instantiation)
genus (Instantiation)
genus (Association)
genus for (Instantiation)
genus for (Instantiation)
genus for (Association)
Greenstick Fracture (Object)
Infection (Object)
Ordered Classification Element (Class)
Ordered Species Relation (Class)
Simple Fracture (Object)
species (Instantiation)
species (Instantiation)
species (Instantiation)
species (Instantiation)
species (Instantiation)
species (Association)
Species Relation (Class)
Species Relation 1 (Object)
Species Relation 2 (Object)
Species Relation 3 (Object)
Species Relation 4 (Object)
Species Relation 5 (Object)
SR/Ordering (Generalization Node)
Unordered Classificatn Element (Class)
Unordered Species Relation (Class)


Components¶
src/App.js
1. App¶
Render the App Component This is a single page app View changes when state "entered_room" is flagged as true
<App />
src/Lobby.js
1. Lobby¶
Render the Lobby Component Responsible for querying the database for active users in room and suggestions
<Lobby room_code=<> username=<> />
Property | Type | Required | Default value | Description :--- | :--- | :--- | :--- | :--- room_code|string|no||room_code String representation of the room_code (id) in Firebase. username|string|no||username Username chosen by the user in session.¶
src/shared/Navbar.js


Application is loading ...
Toggle navigation
HTML5 + Bootstrap Boilerplate
Home
Hello World!
Sidebar


Whereas owners of production inputs or commodities . . . can orginarily ship them away . . . while themselves staying put, owners of labor must usually move along with their labor.
- Oded Stark & David E. Bloom, The New Economics of Labor Migration, American Economic Review (1985).
Furthermore, owners of labor have both feelings and independent wills.
- Oded Stark & David E. Bloom, The New Economics of Labor Migration, American Economic Review (1985).
Relative Deprivation
Local Market Failures


All we provide is best beauty treatement from experts at home with a reasonable pay.This journey started with a wish to make girls in world feel more beautiful about themselves,Top beautician Mrs.Sulaksha S Bhat was dedicated to do so and teamed up with her friends and decided to provide the best ever service to all her beautiful customers.She completed her studies and persued the course of a skin specialist cum beautician. She has experience in various different skin and hair treatments.She has a work experience as a parlour apperentice for 5years. Mrs.Jayashree M. completed her MBBS in Dermatology, her passion for beauty made her persue the carrier of a beautician. She completed her beautician course and served in various parlours and even worked as a Sr.Consultant at a skin care clinic.She is the medical advisor to our team while treating the customers with beauty products and treatements.Mrs.Sudha Nayak has completed her beutician course and served for 15 years in Berlin as a beauty expert. She is expertised in hair,skin and is known for her nail arts. Ms.Sharanya S. is persuing 2nd year Computer Science Engineering and is practising website development. For any issues regarding our website kindly contact her through the contact page.
"Beauty is the soul of confidence"
"Every girl has a princess potential"
"Virtue has a veil,vice has a mask"
"Beauty is a light in heart"


Enter the URL of a JSON file to map. The file must be compliant with the Project Open Data Metadata Schema
URL Map
Processed 0 of 0 datasets.
Keywords sorted by decreasing popularity. Select the Keywords to map.


| 1 | /* | |
| 2 | * Licensed to the Apache Software Foundation (ASF) under one or more | |
| 3 | * contributor license agreements. See the NOTICE file distributed with | |
| 4 | * this work for additional information regarding copyright ownership. | |
| 5 | * The ASF licenses this file to You under the Apache License, Version 2.0 | |
| 6 | * (the "License"); you may not use this file except in compliance with | |
| 7 | * the License. You may obtain a copy of the License at | |
| 8 | * | |
| 9 | * http://www.apache.org/licenses/LICENSE-2.0 | |
| 10 | * | |
| 11 | * Unless required by applicable law or agreed to in writing, software | |
| 12 | * distributed under the License is distributed on an "AS IS" BASIS, | |
| 13 | * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. | |
| 14 | * See the License for the specific language governing permissions and | |
| 15 | * limitations under the License. | |
| 16 | */ | |
| 17 | ||
| 18 | package org.apache.commons.lang3.time; | |
| 19 | ||
| 20 | /** | |
| 21 | *
 | |
| 22 | * StopWatch provides a convenient API for timings. | |
| 23 | *
 | |
| 24 | * | |
| 25 | *
 | |
| 26 | * To start the watch, call {@link #start()}. At this point you can: | |
| 27 | *
 | |
| 28 | *
 | |
| 29 | *
{@link #split()} the watch to get the time whilst the watch continues in the background. {@link #unsplit()} will | |
| 30 | * remove the effect of the split. At this point, these three options are available again.
 | |
| 31 | *
{@link #suspend()} the watch to pause it. {@link #resume()} allows the watch to continue. Any time between the | |
| 32 | * suspend and resume will not be counted in the total. At this point, these three options are available again.
 | |
| 33 | *
{@link #stop()} the watch to complete the timing session.
 | |
| 34 | *
 | |
| 35 | * | |
| 36 | *
 | |
| 37 | * It is intended that the output methods {@link #toString()} and {@link #getTime()} should only be called after stop, | |
| 38 | * split or suspend, however a suitable result will be returned at other points. | |
| 39 | *
 | |
| 40 | * | |
| 41 | *
 | |
| 42 | * NOTE: As from v2.1, the methods protect against inappropriate calls. Thus you cannot now call stop before start, | |
| 43 | * resume before suspend or unsplit before split. | |
| 44 | *
 | |
| 45 | * | |
| 46 | *
 | |
| 47 | * 1. split(), suspend(), or stop() cannot be invoked twice
 | |
| 48 | * 2. unsplit() may only be called if the watch has been split()
 | |
| 49 | * 3. resume() may only be called if the watch has been suspend()
 | |
| 50 | * 4. start() cannot be called twice without calling reset() | |
| 51 | *
 | |
| 52 | * | |
| 53 | *
This class is not thread-safe
 | |
| 54 | * | |
| 55 | * @since 2.0 | |
| 56 | * @version $Id$ | |
| 57 | */ | |
| 58 | public class StopWatch { | |
| 59 | ||
| 60 | private static final long NANO_2_MILLIS = 1000000L; | |
| 61 | ||
| 62 | // running states | |
| 63 | private static final int STATE_UNSTARTED = 0; | |
| 64 | ||
| 65 | private static final int STATE_RUNNING = 1; | |
| 66 | ||
| 67 | private static final int STATE_STOPPED = 2; | |
| 68 | ||
| 69 | private static final int STATE_SUSPENDED = 3; | |
| 70 | ||
| 71 | // split state | |
| 72 | private static final int STATE_UNSPLIT = 10; | |
| 73 | ||
| 74 | private static final int STATE_SPLIT = 11; | |
| 75 | ||
| 76 | /** | |
| 77 | * The current running state of the StopWatch. | |
| 78 | */ | |
| 79 | private int runningState = STATE_UNSTARTED; | |
| 80 | ||
| 81 | /** | |
| 82 | * Whether the stopwatch has a split time recorded. | |
| 83 | */ | |
| 84 | private int splitState = STATE_UNSPLIT; | |
| 85 | ||
| 86 | /** | |
| 87 | * The start time. | |
| 88 | */ | |
| 89 | private long startTime; | |
| 90 | ||
| 91 | /** | |
| 92 | * The start time in Millis - nanoTime is only for elapsed time so we | |
| 93 | * need to also store the currentTimeMillis to maintain the old | |
| 94 | * getStartTime API. | |
| 95 | */ | |
| 96 | private long startTimeMillis; | |
| 97 | ||
| 98 | /** | |
| 99 | * The stop time. | |
| 100 | */ | |
| 101 | private long stopTime; | |
| 102 | ||
| 103 | /** | |
| 104 | *
 | |
| 105 | * Constructor. | |
| 106 | *
 | |
| 107 | */ | |
| 108 | public StopWatch() { | |
| 109 | super(); | |
| 110 | } | |
| 111 | ||
| 112 | /** | |
| 113 | *
 | |
| 114 | * Start the stopwatch. | |
| 115 | *
 | |
| 116 | * | |
| 117 | *
 | |
| 118 | * This method starts a new timing session, clearing any previous values. | |
| 119 | *
 | |
| 120 | * | |
| 121 | * @throws IllegalStateException | |
| 122 | * if the StopWatch is already running. | |
| 123 | */ | |
| 124 | public void start() { | |
| 125 |
1
1. start : negated conditional → KILLED |
if (this.runningState == STATE_STOPPED) { |
| 126 | throw new IllegalStateException("Stopwatch must be reset before being restarted. "); | |
| 127 | } | |
| 128 |
1
1. start : negated conditional → KILLED |
if (this.runningState != STATE_UNSTARTED) { |
| 129 | throw new IllegalStateException("Stopwatch already started. "); | |
| 130 | } | |
| 131 | this.startTime = System.nanoTime(); | |
| 132 | this.startTimeMillis = System.currentTimeMillis(); | |
| 133 | this.runningState = STATE_RUNNING; | |
| 134 | } | |
| 135 | ||
| 136 | /** | |
| 137 | *
 | |
| 138 | * Stop the stopwatch. | |
| 139 | *
 | |
| 140 | * | |
| 141 | *
 | |
| 142 | * This method ends a new timing session, allowing the time to be retrieved. | |
| 143 | *
 | |
| 144 | * | |
| 145 | * @throws IllegalStateException | |
| 146 | * if the StopWatch is not running. | |
| 147 | */ | |
| 148 | public void stop() { | |
| 149 |
2
1. stop : negated conditional → KILLED 2. stop : negated conditional → KILLED |
if (this.runningState != STATE_RUNNING && this.runningState != STATE_SUSPENDED) { |
| 150 | throw new IllegalStateException("Stopwatch is not running. "); | |
| 151 | } | |
| 152 |
1
1. stop : negated conditional → KILLED |
if (this.runningState == STATE_RUNNING) { |
| 153 | this.stopTime = System.nanoTime(); | |
| 154 | } | |
| 155 | this.runningState = STATE_STOPPED; | |
| 156 | } | |
| 157 | ||
| 158 | /** | |
| 159 | *
 | |
| 160 | * Resets the stopwatch. Stops it if need be. | |
| 161 | *
 | |
| 162 | * | |
| 163 | *
 | |
| 164 | * This method clears the internal values to allow the object to be reused. | |
| 165 | *
 | |
| 166 | */ | |
| 167 | public void reset() { | |
| 168 | this.runningState = STATE_UNSTARTED; | |
| 169 | this.splitState = STATE_UNSPLIT; | |
| 170 | } | |
| 171 | ||
| 172 | /** | |
| 173 | *
 | |
| 174 | * Split the time. | |
| 175 | *
 | |
| 176 | * | |
| 177 | *
 | |
| 178 | * This method sets the stop time of the watch to allow a time to be extracted. The start time is unaffected, | |
| 179 | * enabling {@link #unsplit()} to continue the timing from the original start point. | |
| 180 | *
 | |
| 181 | * | |
| 182 | * @throws IllegalStateException | |
| 183 | * if the StopWatch is not running. | |
| 184 | */ | |
| 185 | public void split() { | |
| 186 |
1
1. split : negated conditional → KILLED |
if (this.runningState != STATE_RUNNING) { |
| 187 | throw new IllegalStateException("Stopwatch is not running. "); | |
| 188 | } | |
| 189 | this.stopTime = System.nanoTime(); | |
| 190 | this.splitState = STATE_SPLIT; | |
| 191 | } | |
| 192 | ||
| 193 | /** | |
| 194 | *
 | |
| 195 | * Remove a split. | |
| 196 | *
 | |
| 197 | * | |
| 198 | *
 | |
| 199 | * This method clears the stop time. The start time is unaffected, enabling timing from the original start point to | |
| 200 | * continue. | |
| 201 | *
 | |
| 202 | * | |
| 203 | * @throws IllegalStateException | |
| 204 | * if the StopWatch has not been split. | |
| 205 | */ | |
| 206 | public void unsplit() { | |
| 207 |
1
1. unsplit : negated conditional → KILLED |
if (this.splitState != STATE_SPLIT) { |
| 208 | throw new IllegalStateException("Stopwatch has not been split. "); | |
| 209 | } | |
| 210 | this.splitState = STATE_UNSPLIT; | |
| 211 | } | |
| 212 | ||
| 213 | /** | |
| 214 | *
 | |
| 215 | * Suspend the stopwatch for later resumption. | |
| 216 | *
 | |
| 217 | * | |
| 218 | *
 | |
| 219 | * This method suspends the watch until it is resumed. The watch will not include time between the suspend and | |
| 220 | * resume calls in the total time. | |
| 221 | *
 | |
| 222 | * | |
| 223 | * @throws IllegalStateException | |
| 224 | * if the StopWatch is not currently running. | |
| 225 | */ | |
| 226 | public void suspend() { | |
| 227 |
1
1. suspend : negated conditional → KILLED |
if (this.runningState != STATE_RUNNING) { |
| 228 | throw new IllegalStateException("Stopwatch must be running to suspend. "); | |
| 229 | } | |
| 230 | this.stopTime = System.nanoTime(); | |
| 231 | this.runningState = STATE_SUSPENDED; | |
| 232 | } | |
| 233 | ||
| 234 | /** | |
| 235 | *
 | |
| 236 | * Resume the stopwatch after a suspend. | |
| 237 | *
 | |
| 238 | * | |
| 239 | *
 | |
| 240 | * This method resumes the watch after it was suspended. The watch will not include time between the suspend and | |
| 241 | * resume calls in the total time. | |
| 242 | *
 | |
| 243 | * | |
| 244 | * @throws IllegalStateException | |
| 245 | * if the StopWatch has not been suspended. | |
| 246 | */ | |
| 247 | public void resume() { | |
| 248 |
1
1. resume : negated conditional → KILLED |
if (this.runningState != STATE_SUSPENDED) { |
| 249 | throw new IllegalStateException("Stopwatch must be suspended to resume. "); | |
| 250 | } | |
| 251 |
2
1. resume : Replaced long subtraction with addition → KILLED 2. resume : Replaced long addition with subtraction → KILLED |
this.startTime += System.nanoTime() - this.stopTime; |
| 252 | this.runningState = STATE_RUNNING; | |
| 253 | } | |
| 254 | ||
| 255 | /** | |
| 256 | *
 | |
| 257 | * Get the time on the stopwatch. | |
| 258 | *
 | |
| 259 | * | |
| 260 | *
 | |
| 261 | * This is either the time between the start and the moment this method is called, or the amount of time between | |
| 262 | * start and stop. | |
| 263 | *
 | |
| 264 | * | |
| 265 | * @return the time in milliseconds | |
| 266 | */ | |
| 267 | public long getTime() { | |
| 268 |
2
1. getTime : Replaced long division with multiplication → KILLED 2. getTime : replaced return of long value with value + 1 for org/apache/commons/lang3/time/StopWatch::getTime → KILLED |
return getNanoTime() / NANO_2_MILLIS; |
| 269 | } | |
| 270 | /** | |
| 271 | *
 | |
| 272 | * Get the time on the stopwatch in nanoseconds. | |
| 273 | *
 | |
| 274 | * | |
| 275 | *
 | |
| 276 | * This is either the time between the start and the moment this method is called, or the amount of time between | |
| 277 | * start and stop. | |
| 278 | *
 | |
| 279 | * | |
| 280 | * @return the time in nanoseconds | |
| 281 | * @since 3.0 | |
| 282 | */ | |
| 283 | public long getNanoTime() { | |
| 284 |
2
1. getNanoTime : negated conditional → KILLED 2. getNanoTime : negated conditional → KILLED |
if (this.runningState == STATE_STOPPED || this.runningState == STATE_SUSPENDED) { |
| 285 |
2
1. getNanoTime : replaced return of long value with value + 1 for org/apache/commons/lang3/time/StopWatch::getNanoTime → SURVIVED 2. getNanoTime : Replaced long subtraction with addition → KILLED |
return this.stopTime - this.startTime; |
| 286 |
1
1. getNanoTime : negated conditional → KILLED |
} else if (this.runningState == STATE_UNSTARTED) { |
| 287 |
1
1. getNanoTime : replaced return of long value with value + 1 for org/apache/commons/lang3/time/StopWatch::getNanoTime → SURVIVED |
return 0; |
| 288 |
1
1. getNanoTime : negated conditional → KILLED |
} else if (this.runningState == STATE_RUNNING) { |
| 289 |
2
1. getNanoTime : replaced return of long value with value + 1 for org/apache/commons/lang3/time/StopWatch::getNanoTime → SURVIVED 2. getNanoTime : Replaced long subtraction with addition → KILLED |
return System.nanoTime() - this.startTime; |
| 290 | } | |
| 291 | throw new RuntimeException("Illegal running state has occurred."); | |
| 292 | } | |
| 293 | ||
| 294 | /** | |
| 295 | *
 | |
| 296 | * Get the split time on the stopwatch. | |
| 297 | *
 | |
| 298 | * | |
| 299 | *
 | |
| 300 | * This is the time between start and latest split. | |
| 301 | *
 | |
| 302 | * | |
| 303 | * @return the split time in milliseconds | |
| 304 | * | |
| 305 | * @throws IllegalStateException | |
| 306 | * if the StopWatch has not yet been split. | |
| 307 | * @since 2.1 | |
| 308 | */ | |
| 309 | public long getSplitTime() { | |
| 310 |
2
1. getSplitTime : replaced return of long value with value + 1 for org/apache/commons/lang3/time/StopWatch::getSplitTime → SURVIVED 2. getSplitTime : Replaced long division with multiplication → KILLED |
return getSplitNanoTime() / NANO_2_MILLIS; |
| 311 | } | |
| 312 | /** | |
| 313 | *
 | |
| 314 | * Get the split time on the stopwatch in nanoseconds. | |
| 315 | *
 | |
| 316 | * | |
| 317 | *
 | |
| 318 | * This is the time between start and latest split. | |
| 319 | *
 | |
| 320 | * | |
| 321 | * @return the split time in nanoseconds | |
| 322 | * | |
| 323 | * @throws IllegalStateException | |
| 324 | * if the StopWatch has not yet been split. | |
| 325 | * @since 3.0 | |
| 326 | */ | |
| 327 | public long getSplitNanoTime() { | |
| 328 |
1
1. getSplitNanoTime : negated conditional → KILLED |
if (this.splitState != STATE_SPLIT) { |
| 329 | throw new IllegalStateException("Stopwatch must be split to get the split time. "); | |
| 330 | } | |
| 331 |
2
1. getSplitNanoTime : replaced return of long value with value + 1 for org/apache/commons/lang3/time/StopWatch::getSplitNanoTime → SURVIVED 2. getSplitNanoTime : Replaced long subtraction with addition → KILLED |
return this.stopTime - this.startTime; |
| 332 | } | |
| 333 | ||
| 334 | /** | |
| 335 | * Returns the time this stopwatch was started. | |
| 336 | * | |
| 337 | * @return the time this stopwatch was started | |
| 338 | * @throws IllegalStateException | |
| 339 | * if this StopWatch has not been started | |
| 340 | * @since 2.4 | |
| 341 | */ | |
| 342 | public long getStartTime() { | |
| 343 |
1
1. getStartTime : negated conditional → KILLED |
if (this.runningState == STATE_UNSTARTED) { |
| 344 | throw new IllegalStateException("Stopwatch has not been started"); | |
| 345 | } | |
| 346 | // System.nanoTime is for elapsed time | |
| 347 |
1
1. getStartTime : replaced return of long value with value + 1 for org/apache/commons/lang3/time/StopWatch::getStartTime → SURVIVED |
return this.startTimeMillis; |
| 348 | } | |
| 349 | ||
| 350 | /** | |
| 351 | *
 | |
| 352 | * Gets a summary of the time that the stopwatch recorded as a string. | |
| 353 | *
 | |
| 354 | * | |
| 355 | *
 | |
| 356 | * The format used is ISO8601-like, hours:minutes:seconds.milliseconds. | |
| 357 | *
 | |
| 358 | * | |
| 359 | * @return the time as a String | |
| 360 | */ | |
| 361 | @Override | |
| 362 | public String toString() { | |
| 363 |
1
1. toString : mutated return of Object value for org/apache/commons/lang3/time/StopWatch::toString to ( if (x != null) null else throw new RuntimeException ) → KILLED |
return DurationFormatUtils.formatDurationHMS(getTime()); |
| 364 | } | |
| 365 | ||
| 366 | /** | |
| 367 | *
 | |
| 368 | * Gets a summary of the split time that the stopwatch recorded as a string. | |
| 369 | *
 | |
| 370 | * | |
| 371 | *
 | |
| 372 | * The format used is ISO8601-like, hours:minutes:seconds.milliseconds. | |
| 373 | *
 | |
| 374 | * | |
| 375 | * @return the split time as a String | |
| 376 | * @since 2.1 | |
| 377 | */ | |
| 378 | public String toSplitString() { | |
| 379 |
1
1. toSplitString : mutated return of Object value for org/apache/commons/lang3/time/StopWatch::toSplitString to ( if (x != null) null else throw new RuntimeException ) → KILLED |
return DurationFormatUtils.formatDurationHMS(getSplitTime()); |
| 380 | } | |
| 381 | ||
| 382 | } | |
Mutations | ||
| 125 |
1.1 |
|
| 128 |
1.1 |
|
| 149 |
1.1 2.2 |
|
| 152 |
1.1 |
|
| 186 |
1.1 |
|
| 207 |
1.1 |
|
| 227 |
1.1 |
|
| 248 |
1.1 |
|
| 251 |
1.1 2.2 |
|
| 268 |
1.1 2.2 |
|
| 284 |
1.1 2.2 |
|
| 285 |
1.1 2.2 |
|
| 286 |
1.1 |
|
| 287 |
1.1 |
|
| 288 |
1.1 |
|
| 289 |
1.1 2.2 |
|
| 310 |
1.1 2.2 |
|
| 328 |
1.1 |
|
| 331 |
1.1 2.2 |
|
| 343 |
1.1 |
|
| 347 |
1.1 |
|
| 363 |
1.1 |
|
| 379 |
1.1 |


Just a test with responsive images inside a container (div) to use background-size property (CSS). The DIV is adjusted by RIMG.


Hipster Apartment Story
2019.03.19 | The story how we got our first hipster apartment in Sweden
2019.03.19 | The story how we got our first hipster apartment in Sweden
2019.03.10 | Reasons behind inactive blogs
2019.03.10 | Been into badminton lately, and All England is happening
2017.08.26 | Akhirnya melepas masa lajang!
2017.02.24 | Petualangan mencari SIM di Swedia
2017.01.29 | Someone actually remember and made me a Birthday Boy
2016.11.12 | I used to day dreaming about building cars and airplanes. It's gonna be real!
2016.09.18 | Probably the end of my study life, start for another chapter
2016.04.08 | The way I see the problem of horizontal relationship.
2016.02.02 | The backstory, the luck and uncertainty, and some efforts on understanding a battle with my master thesis
2015.10.12 | Never heard about Spotify before 2014, then now it's single-handedly kicked off new way on how music should be distributed.
2015.10.02 | With help from the internet, everyone can play video games anywhere and anytime. Parents should know better about what is good and what is bad for the kids.
2015.09.30 | There are lot of misunderstandings about tech stuffs. This post highlight my presentation on how to avoid misconceptions on basic computer organization.
2015.09.07 | Quick recap of my life after 365-days in Göteborg, Sweden
2015.09.05 | No need for such an argue for this problem.
2015.09.01 | I tried to sing the X anthem with guitar.
2015.06.04 | There is no such thing as bad weather, it's just bad clothing.
2015.06.01 | It is a damn good shit. A good material for catching up with network security stuffs.
2015.05.26 | Suddenly, I missed Dreamhack this early.
2015.04.22 | One month recap of my life | April '15.
2015.04.01 | Not really practical, but doable and beautiful.
2014.12.11 | Snow hasn't coming yet, but no excuse not to enjoy December.
2014.11.06 | Sweden is getting colder, the day is shorter and keeps getting worse. And post exam revenge!
2014.11.05 | Lot of people feel their life is pretty boring when they stuck in a bland routine. This is just an approach on how to tackle this.
2014.10.01 | Sudah 30 hari berada di Göteborg, Swedia. Banyak tujuan saya berada disini, terutama sekolah dan mengejar mimpi. Still long way to go. Tapi, sejauh ini Swedi...
2014.08.01 | Some reason why I ended up choosing this private owned university (believe me it's good)
2014.07.14 | Last week on Jakarta before I left Indonesia. Through good and bad, my heart is 100% Indonesia.
2014.04.13 | This will be your good playlist. If you like 90s music of course.
2014.04.13 | Just an experience working together with TNI-AU for 3 days.


From which teachers did you get
Web App from Scratch
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Joost Faber
Wouter van der Heijde
Suus
Robin Fugte
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Start date
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ألف ليلة و ليلة Alf layla wa-layla
One Thousand and One Nights
One Thousand and One Nights is a collection of Middle
Eastern folk tales compiled in Arabic during the Islamic
Golden Age. It is often known in English as the Arabian
Nights, from the first English-language edition
(c. 1706 – c. 1721), which rendered the title as
The Arabian Nights' Entertainment.
The work was collected over many centuries by various authors, translators, and
scholars across West, Central, and South Asia and North
Africa. Some tales themselves trace their roots back to
ancient and medieval Arabic, Persian, Indian, Greek, Jewish
and Turkish folklore and literature. In particular, many
tales were originally folk stories from the Abbasid and
Mamluk eras, while others, especially the frame story, are
most probably drawn from the Pahlavi Persian work Hezār
Afsān (Persian: هزار افسان, lit. A Thousand Tales), which
in turn relied partly on Indian elements.
What is common throughout all the editions of the Nights is
the initial frame story of the ruler Shahryār and his wife
Scheherazade and the framing device incorporated throughout the
tales themselves. The stories proceed from this original tale;
some are framed within other tales, while others are self-contained.
Some editions contain only a few hundred nights, while
others include 1,001 or more. The bulk of the text is in
'prose, although verse is occasionally used for songs and
riddles and to express heightened emotion. Most of the poems
are single couplets or quatrains, although some are longer.
Some of the stories commonly associated with The Nights, in
particular "Aladdin's Wonderful Lamp", "Ali Baba and the
Forty Thieves", and "The Seven Voyages of Sinbad the Sailor",
were not part of The Nights in its original Arabic versions
but were added to the collection by Antoine Galland and
other European translators.


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Named job
What’s named job
By default doradilla will create a cluster based JobApi to process anonymous job at initialization stage.
When received a named job, the doradilla will create a named JobApi to handled the job.
The code implementation see Named job Runner:
private def getNamedJobApi(jobName:String):JobApi={
namedJobApiMap.get(jobName) match {
case Some(jobApi) => jobApi
case _=> val jobApi: JobApi = new JobApi(Some( getActorSystem()))
namedJobApiMap +=(jobName ->jobApi)
jobApi
}
}
def runNamedProcessCommand(processJob: JobMsg,
jobName:String,
timeout: Timeout = ConstVars.longTimeOut,
priority: Option[Int] = None)(implicit ex: ExecutionContext): Future[JobResult] = {
val jobApi = getNamedJobApi(jobName)
val receiveActor = jobApi.actorSystem.actorOf(ReceiveActor.receiveActorProps, CNaming.timebasedName("Receive"))
val processJobRequest = JobRequest(processJob, receiveActor, jobApi.processTranActor, priority)
getProcessCommandFutureResult(processJobRequest, jobApi.defaultDriver, receiveActor,timeout)
}
Usage
package app
import doracore.ActorTestClass
import doracore.core.msg.Job.JobMsg
import doracore.util.{ProcessService, ProcessServiceSpec}
import doracore.vars.ConstVars
import doradilla.back.BackendServer
import doradilla.conf.TestVars
import org.scalatest.Matchers
import scala.concurrent.Await
/**
* For app in doradilla
* Created by whereby[Tao<EMAIL_ADDRESS>on 2019/12/14
*/
class NamedJobRunnerSpec extends ActorTestClass with Matchers {
ProcessService.nameToClassOpt = ProcessServiceSpec.safeProcessServiceNameToClassOpt
import scala.concurrent.ExecutionContext.Implicits.global
val timeout = ConstVars.timeout1S * 4
"Named Job Runner" should {
"start new driver when name is different" in {
val job1 = TestVars.sleepProcessJob
BackendServer.runNamedProcessCommand(job1, "job1")
val job2 = TestVars.processJob
val resultFuture = BackendServer.runNamedProcessCommand(job2, "job2")
val result = Await.ready(resultFuture, timeout)
println(result)
}
"Named Job Runner" should {
"start new driver when name is different but will failed without fsm " in {
val job1 = TestVars.sleepProcessJob
BackendServer.runNamedProcessCommand(job1, "job1")
val job2 = TestVars.processJob
BackendServer.changeFSMForNamedJob("job2", -1)
val resultFuture = BackendServer.runNamedProcessCommand(job2, "job2")
var timeOut = false
try {
val result = Await.ready(resultFuture, timeout)
println(result)
} catch {
case exception: Exception =>
timeOut = true
println(exception)
}
timeOut shouldBe (true)
}
}
"use same driver when name same" in {
val job1 = TestVars.sleepProcessJob
val result1Future = BackendServer.runNamedProcessCommand(job1, "job3")
val job2 = TestVars.processJob
val resultFuture = BackendServer.runNamedProcessCommand(job2, "job3")
var timeOut = false
try {
val result = Await.ready(resultFuture, timeout)
println(result)
} catch {
case exception: Exception =>
timeOut = true
println(exception)
}
timeOut shouldBe (true)
}
"use same driver when name same with increased fsm " in {
val job1 = TestVars.sleepProcessJob
BackendServer.changeFSMForNamedJob("job4", 1)
val result1Future = BackendServer.runNamedProcessCommand(job1, "job4")
val job2 = TestVars.processJob
val resultFuture = BackendServer.runNamedProcessCommand(job2, "job4")
var timeOut = false
try {
val result = Await.ready(resultFuture, timeout)
println(result)
} catch {
case exception: Exception =>
timeOut = true
println(exception)
}
timeOut shouldBe (false)
}
}
}
FSMActor number control for named JobApi
For named JobApi, there will create only one FSMActor, you can increase and decrease FSMActor by use api as below:
def changeFSMForNamedJob(jobName: String, num:Int)={
val jobApi = getNamedJobApi(jobName)
if(num >0){
jobApi.defaultDriver ! FSMIncrease(num)
}else{
jobApi.defaultDriver ! FSMDecrease(Math.abs(num))
}
}
The source code for this page can be found here.


The games's objective is to make the ball hit all the bars in minimum possible time.
Use the arrow keys or mouse to move the plank.