The Journey to the Center of the Earth
by Jules Verne
Chapter XVIII. THE WONDERS OF TERRESTRIAL DEPTHS
Additional Information
- Year Published: 1871
- Language: English
- Country of Origin: France
- Source: Verne, J. (1871) A Journey to the Center of the Earth (Frederick Amadeus Malleson, Trans.) London: Ward, Lock, &Co., Ltd. (Original work published 1864)
-
Readability:
- Flesch–Kincaid Level: 6.0
- Word Count: 1,659
- Genre: Adventure
- ✎ Cite This
Downloads
At eight in the morning a ray of daylight came to wake us up. The thousand shining surfaces of lava on the walls received it on its passage, and scattered it like a shower of sparks.
There was light enough to distinguish surrounding objects.
"Well, Axel, what do you say to it?" cried my uncle, rubbing his hands.  No noise of cart wheels, no cries of basket women, no boatmen shouting!"
"No doubt it is very quiet at the bottom of this well, but there is something alarming in the quietness itself."
"Now come!" my uncle cried; "if you are frightened already, what will you be by and by? We have not gone a single inch yet into the bowels of the earth."
"What do you mean?"
"I mean that we have only reached the level of the island. long vertical tube, which terminates at the mouth of the crater, has its lower end only at the level of the sea."
"Are you sure of that?"
"Quite sure. Consult the barometer."
In fact, the mercury, which had risen in the instrument as fast as we descended, had stopped at twenty–nine inches.
"You see," said the Professor, "we have now only the pressure of our atmosphere, and I shall be glad when the aneroid takes the place of the barometer."
And in truth this instrument would become useless as soon as the weight of the atmosphere should exceed the pressure ascertained at the level of the sea.
"But," I said, "is there not reason to fear that this ever–increasing pressure will become at last very painful to bear?"
"No; we shall descend at a slow rate, and our lungs will become inured to a denser atmosphere. Aeronauts find the want of air as they rise to high elevations, but we shall perhaps have too much: of the two, this is what I should prefer. Don't let us lose a moment. Where is the bundle we sent down before us?"
I then remembered that we had searched for it in vain the evening before. My uncle questioned Hans, who, after having examined attentively with the eye of a huntsman, replied:
"der huppe!"
"Up there."
And so it was. The bundle had been caught by a projection a hundred feet above us. Immediately the Icelander climbed up like a cat, and in a few minutes the package was in our possession.
"Now," said my uncle, "let us breakfast; but we must lay in a good stock, for we don't know how long we may have to go on."
The biscuit and extract of meat were washed down with a draught of water mingled with a little gin.
Breakfast over, my uncle drew from his pocket a small notebook, intended for scientific observations. He consulted his instruments, and recorded:
"Monday, July 1.
"Chronometer, 8.17 a.m.; barometer, 297 in.; thermometer, 6° (43° F.). Direction, E.S.E."
This last observation applied to the dark gallery, and was indicated by the compass.
"Now, Axel," cried the Professor with enthusiasm, "now we are really going into the interior of the earth. At this precise moment the journey commences."
So saying, my uncle took in one hand Ruhmkorff's apparatus, which was hanging from his neck; and with the other he formed an electric communication with the coil in the lantern, and a sufficiently bright light dispersed the darkness of the passage.
Hans carried the other apparatus, which was also put into action. This ingenious application of electricity would enable us to go on for a long time by creating an artificial light even in the midst of the most inflammable gases.
"Now, march!" cried my uncle.
Each shouldered his package. Hans drove before him the load of cords and clothes; and, myself walking last, we entered the gallery.
At the moment of becoming engulfed in this dark gallery, I raised my head, and saw for the last time through the length of that vast tube the sky of Iceland, which I was never to behold again.
The lava, in the last eruption of 1229, had forced a passage through this tunnel. It still lined the walls with a thick and glistening coat. The electric light was here intensified a hundredfold by reflection.
The only difficulty in proceeding lay in not sliding too fast down an incline of about forty–five degrees; happily certain asperities and a few blisterings here and there formed steps, and we descended, letting our baggage slip before us from the end of a long rope.
But that which formed steps under our feet became stalactites overhead. The lava, which was porous in many places, had formed a surface covered with small rounded blisters; crystals of opaque quartz, set with limpid tears of glass, and hanging like clustered chandeliers from the vaulted roof, seemed as it were to kindle and form a sudden illumination as we passed on our way. It seemed as if the genii of the depths were lighting up their palace to receive their terrestrial guests.
"It is magnificent!" I cried spontaneously. "My uncle, what a sight! Don't you admire those blending hues of lava, passing from reddish brown to bright yellow by imperceptible shades? And these crystals are just like globes of light."
 Well, you will see greater splendours than these, I hope. Now let us march: march!"
He had better have said slide, for we did nothing but drop down the steep inclines. It was the facifs descensus Averni of Virgil. The compass, which I consulted frequently, gave our direction as southeast with inflexible steadiness. This lava stream deviated neither to the right nor to the left.
Yet there was no sensible increase of temperature. This justified Davy's theory, and more than once I consulted the thermometer with surprise. Two hours after our departure it only marked 10° (50° Fahr.), an increase of only 4°. This gave reason for believing that our descent was more horizontal than vertical. As for the exact depth reached, it was very easy to ascertain that; the Professor measured accurately the angles of deviation and inclination on the road, but he kept the results to himself.
About eight in the evening he signalled to stop. Hans sat down at once. The lamps were hung upon a projection in the lava; we were in a sort of cavern where there was plenty of air. Certain puffs of air reached us. What atmospheric disturbance was the cause of them? I could not answer that question at the moment. Hunger and fatigue made me incapable of reasoning. A descent of seven hours consecutively is not made without considerable expenditure of strength. I was exhausted. The order to 'halt' therefore gave me pleasure. Hans laid our provisions upon a block of lava, and we ate with a good appetite. But one thing troubled me, our supply of water was half consumed. My uncle reckoned upon a fresh supply from subterranean sources, but hitherto we had met with none. I could not help drawing his attention to this circumstance.
"Are you surprised at this want of springs?" he said.
"More than that, I am anxious about it; we have only water enough for five days."
"Don't be uneasy, Axel, we shall find more than we want."
"When?"
"When we have left this bed of lava behind us. How could springs break through such walls as these?"
"But perhaps this passage runs to a very great depth. It seems to me that we have made no great progress vertically."
"Why do you suppose that?"
"Because if we had gone deep into the crust of earth, we should have encountered greater heat."
"According to your system," said my uncle. "But what does the thermometer say?"
"Hardly fifteen degrees (59° Fahr), nine degrees only since our departure."
"Well, what is your conclusion?"
"This is my conclusion. According to exact observations, the increase of temperature in the interior of the globe advances at the rate of one degree (1 4/5° Fahr.) for every hundred feet. But certain local conditions may modify this rate. Thus at Yakoutsk in Siberia the increase of a degree is ascertained to be reached every 36 feet. This difference depends upon the heat–conducting power of the rocks. Moreover, in the neighbourhood of an extinct volcano, through gneiss, it has been observed that the increase of a degree is only attained at every 125 feet. Let us therefore assume this last hypothesis as the most suitable to our situation, and calculate."
"Well, do calculate, my boy."
"Nothing is easier," said I, putting down figures in my note book. "Nine times a hundred and twenty–five feet gives a depth of eleven hundred and twenty–five feet."
"Very accurate indeed."
"Well?"
"By my observation we are at 10,000 feet below the level of the sea."
"Is that possible?"
"Yes, or figures are of no use."
The Professor's calculations were quite correct. We had already attained a depth of six thousand feet beyond that hitherto reached by the foot of man, such as the mines of Kitz Bahl in Tyrol, and those of Wuttembourg in Bohemia.
The temperature, which ought to have been 81° (178° Fahr.) was scarcely 15° (59° Fahr.). Here was cause for reflection.


Global Weather Dashboard
1:20PM
SUN
9 May 2021
Quick Search
Find my location
Weather Conditions
Temperature:
Humidity:
Wind Speed:
UV index:
5-Day Forecast:
Temp:
Humidity:
Temp:
Humidity:
Temp:
Humidity:
Temp:
Humidity:
Temp:
Humidity:


{% extends 'base.html'%} {%block title%}Пиццерия{%endblock%} {%block sidebar%} {% url 'pizzashop-pizza' as pizzashop_pizza_url %} {% url 'pizzashop-account' as pizzashop_account_url %}


::: Category Titles :::
Workshops ::: Gemcutter's ::: Pottery ::: Sawmill ::: Soul forge
Rituals ::: Themes ::: Temple of sin ::: Esoteric order ::: Abyssal temple ::: Altar of nightmares ::: Temple of fire :: Den of iniquity
| Build labor | Skill | Buildmat | Dimension | Requirements |
|---|---|---|---|---|
| Architect & Gemcutter | Gem Cutting | 2 Blocks | 5x3 | Mason or Carpenter |
You can make furniture from gems here. Just treat this as a mason that uses gems instead of boulders. All reactions need one gem, except the gem anvil, which needs three.
| Build labor | Skill | Buildmat | Dimension | Requirements |
|---|---|---|---|---|
| Architect & Mason | Stonecrafting & Pottery | 2 Blocks | 5x3 | Mason or Carpenter |
The Pottery shapes and dries clay items. You can make clay, fire clay and kaolinite items from the collected raw materials, resulting in greenware items. Greenware is a special name for wet clay. The workshop will automatically queue two drying reactions, from greenware to leather-hard, from leather-hard to bone-dry. The items can not be used until they are fired in the Clay Oven.
To make it simpler: Shape Item => Dry => Dry => Fire Item.
The material progression is: Clay => Greenware => Leather-Hard => Bone-Dry => Ceramic
Each reaction has a 5% chance to fail, simulating impurities in the clay.
| Build labor | Skill | Buildmat | Dimension | Requirements |
|---|---|---|---|---|
| Architect & Lumberjack | Woodcutting | 2 Blocks, 2 Mechanisms, 1 Saw Blade | 5x3 | Mason & Mechanic & Forge |
Each kind of tree in the mod can be planted in farm plots, if you are in the correct biome and have the acorns or spores. Trees, Ironbark, Steeloak, Fungiwood, Sporetrees, Crystal Wood, Glassthorns, Nethercaps, Shadethorn, Feather and Glumprong can be farmed. Seeds must be brought at embark, bought from caravans, or discovered from cutting collected tree saplings.
All trees grow all year and need at least one year to mature. The tree saplings are treated as plants and stored as such. Only the Sawmill can cut them into wood logs.
| Build labor | Skill | Buildmat | Dimension | Requirements |
|---|---|---|---|---|
| Weaponsmith | Weaponsmith | 2 Blocks, 2 Mechanisms, 1 Saw Blade | 4x3 | Well of souls & Forge |
Soul forges allow you to turn the soul of the dead into powerful weapons.
You can turn a pitchfork into a stygian pitchfork. Those upgraded weapons hit with a lot more weight and double as a long range weapon, firing spell shards.You can also make special shards that cause pain, explosion or necrosis on impact.
Some equipments taken from invaders can be defiled here. Clean, non decorated breastplates, greaves or shields can be improved at the cost of one soul. It will also be resized for your race's needs. The quality increase is linked to the worker's skill, a legendary +15 provides a garanteed masterwork.
| Build labor | Skill | Buildmat | Dimension | Requirements |
|---|---|---|---|---|
| Architect & Archeologist | Archeology | 5 Blocks,1 Journal, 1 Abacus, 1 Hourglass | 5x3 | Mason or Carpenter, Craftsdwarf, Miners to find fossils |
The Archeologist uses found fossils, relics and treasures to create random rewards. Fossils are single tiles in rock. Ruined brick veins have a higher chance of containing any type of relics and treasure.
Fossils actually count as gems, but please do not cut them in the Jeweller, it makes them unusable to the Archeologist. All reactions are run automatically, your Archeologist will pick up the fossil and choose the right reaction for you.
| Build labor | Skill | Buildmat | Dimension | Requirements |
|---|---|---|---|---|
| Architect | Negotiation | 4 Blocks | 5x5 | None |
The attorney's stock opens a link to the warlocks and allow to trade with them using souls as a currency. In this building, you can buy research breakthroughs and other items required by other workshops such as the gemforge and the glassforge.
You can also conjure slade anvils and boulders from copper bars to answer tricky situations involving nobles and hasty embarks.
| Build labor | Skill | Buildmat | Dimension | Requirements |
|---|---|---|---|---|
|
Architecture + Sorcery
|
None | 1 statue, 1 block |
11x11 | Craftsuccubi, butchers, well of soul |
The temple of sin provides upgrades to your succubi.
| Build labor | Skill | Buildmat | Dimension | Requirements |
|---|---|---|---|---|
|
Architecture + Sorcery
|
Sorcery | 1 table, 1 hourglass |
11x9 | Crafts, Souls |
Here you can unleash spells that affect the entire site.
| Build labor | Skill | Buildmat | Dimension | Requirements |
|---|---|---|---|---|
|
Sorcery
|
Sorcery | 1 statue, 1 grate |
7x7 | Souls |
The abyssal temple allow you to reach for the fools who dare to attack your fort to suggest them unwise actions. Failing that, you can also bind spells at them from the comfort of your dungeon.
| Build labor | Skill | Buildmat | Dimension | Requirements |
|---|---|---|---|---|
|
Diplomacy
|
Diplomacy | 1 statue, 1 grate |
5x4 | Various items related to the targets |
The altar of nightmares allow the succubi to visit the mortals in their dreams and whisper them new desires. This can entice leaders into making bad decisions this way or lead important characters into revealing their secrets.
| Build labor | Skill | Buildmat | Dimension | Requirements |
|---|---|---|---|---|
|
Sorcery
|
Sorcery | 1 statue | 5x7 | Soul well, abyssal temple |
The temple of fire is great for those who wish to turn everything into ashes. You will find both upgrades and site wide effect here.
| Build labor | Skill | Buildmat | Dimension | Requirements |
|---|---|---|---|---|
|
Sorcery
|
Sorcery | 1 bed, 1 whip |
3x3 | Cage traps, Still, Screw press |
The den of iniquity is where your succubi will charm their prisoners and convince them to join your fort. The effect is different depending of the target.
To charm a prisoner, you must first install him or her near your den of iniquity. The most simple is to build its cage nearby, assuming that it ran into a trap. Chain also work, but roaming enemieswill frighten the succubus.


This webpage collects a variety of JavaScript-related terms and definitions. Y'all come back often!
JavaScript - a programming language parsable by every modern web browser.
Modulo - the remainder in a division operation
Operators - symbols that are used to perform operations.
NaN - "not a number", considered a type of number by JavaScript.
Variable naming conventions - variables in JavaScript are typically started with a lower case character; any word breaks are annotated via capitalization.
+= - a quick way to alter the value of a variable.
Function - a block of code designed to perform a particular task.
Method - a property containing a function definition.
Information passed into a method
A type of JavaScript primitive that contain any type of character.


Apply for help to pay NHS costs
What you could get
You could get help towards your:
- NHS prescriptions
- NHS dental treatment
- NHS wigs and fabric supports
- sight tests, glasses and contact lenses
- travel to receive NHS treatment if you were referred by a GP, hospital doctor, dentist or optician
Your partner and dependant children under 19 will be entitled to the same help as you.
What you need
When you apply, we'll ask for information about:
- money you get- things like pay, pensions or student loans (your income)
- your housing costs- things like council tax and rent (your outgoings)
- any savings or investments you have
If you have a partner, you'll need to tell us about their income and outgoings too.
Documents that could help
You may need your:
- payslips or latest business accounts (if self employed)
- student funding notices
- latest statement of benefits or award notice
- pension details
- savings, investments and property details
- rent or mortgage statements
- latest council tax bill or council tax benefit letter
Other ways to apply
If you can’t apply online, you can apply by post. The form tells you the address to send it to.
We’ll let you know if you can get help within 18 days of receiving your form.


Page title
Main title
Main teaser
Main teaser subtitle
Sidebar title
Sidebar teaser
Sidebar teaser subtitle
Page title
Main title
Main teaser
Main teaser subtitle
Page title
Main title
Sidebar title
Page title
Main title
Main teaser
Sidebar title
Sidebar teaser
Page title
Main title
Page title
Main title
Main teaser
Page title
Main title
Main teaser
Sidebar title
Page title
Main title
Main teaser
Main teaser subtitle
Sidebar title
Sidebar teaser
Sidebar teaser subtitle


Spoken inarticulations
Chapter 4. Jargon Construction
Words such as ‘mumble’, ‘sigh’, and ‘groan’ are spoken in places where their referent might more naturally be used. It has been suggested that this usage derives from the impossibility of representing such noises on a comm link or in electronic mail, MUDs, and IRC channels (interestingly, the same sorts of constructions have been showing up with increasing frequency in comic strips). Another expression sometimes heard is “Complain!”, meaning “I have a complaint!”
| Prev | Up | Next |
| Overgeneralization | Home | Anthropomorphization |


If you want to update a package for your project interperter to any pre-release version (such as beta or release candidate), click Show early releases in the Project Interpreter dialog (Settings/Preferences | Project | Project Interpreter), then proceed with package updating.


Apply for Coronvirus Vaccine
Book Appointment
View Appointment Details
| Doctor Name | Description | Department | Appointment Date | Appointment Time | Status | |
|---|---|---|---|---|---|---|
| {{p.0}} | {{p.1}} | {{p.2}} | {{p.3}} | {{p.4}} | {% if p.5 %}Approved | {% else %}On Hold | {% endif %}
{% include "hospital/Patient/footer.html" %}


redis_log_pipe
- Pipe log lines from STDIN to redis
redis_log_pipe takes log lines on STDIN and pipes them to redis.
It connects to a redis server located at REDIS_LOG_HOST (default: <IP_ADDRESS>:6379).
It LPUSHes them to a LIST called "key". It trims the list to RETENTION (default: 250) using LTRIM. It also PUBLISHes them to a channel called "channels.key".
The redis key to use for the list.
By convention, the log will be published to a channel named channels.key as well.
[password@]host:port
The redis password, host and port. Password optional.
Default: <IP_ADDRESS>:6379
Number of log lines to retain in the list for tailing.
Default: 250
MIT. See LICENSE
Source available at http://github.com/reinh/redis_log_pipe.
redis_log_pipe is Copyright (C) 2011 Rein Henrichs http://reinh.com


Converts the selected qualified reference into a simple reference and adds a static import statement for the corresponding class.


This is the bubble chart example.
We only need this piece of html code in order to run it
<a-entity charts="type: bubble; dataPoints: ../data/dataPositive.json"></a-entity>
Full detailed Code
This is the bar chart example.
We only need this piece of html code in order to run it
<a-entity charts="type: bar; dataPoints: ../data/data.json; axis_length: 12"></a-entity>
Full detailed Code
This is the cylinder chart example.
We only need this piece of html code in order to run it
<a-entity charts="type: bubble; dataPoints: ../data/data.json; axis_negative: false"></a-entity>
Full detailed Code
This is the pie chart example.
We only need this piece of html code in order to run it
<a-entity charts="type: pie; dataPoints: ../data/dataPie.json; pie_radius: 3"></a-entity>
Full detailed Code
This is the doughnut chart example.
We only need this piece of html code in order to run it
<a-entity charts="type: pie; dataPoints: ../data/dataPie.json; pie_radius: 3; pie_doughnut: true">
</a-entity>
Full detailed Code
This is the totem example.
We can use it in order to change data dynamically
<a-entity position="1 15 10" charts='type: totem; entity_id_list: barId;
dataPoints_list: {"dataPositive.json": "../data/dataPositive.json", "data.json": "../data/data.json", "dataSmall.json": "../data/dataSmall.json"}'>
</a-entity>
Full detailed Code
We have optimized our library in order to support tons of Data. Click the image to see the example
We have developed several axis options. Click below in the API link in order to see all the options or in the image to see a visual example
This is the museum of the library.
We could see all the charts changing data dynamically
Adapted for VR devices such as Oculus, etc
Example CodeIn this example we are able to see the data with a pop up
Example codeIn this example we are able to see the data with a legend
Example code


--- layout: conference sidemenu: conference title: "Music Encoding Conference 2021" subtitle: "" venue: "Universidad de Alicante, Spain" image: conference/2021/mec2021_logo.jpg date-start: 2021-07-19 date-end: 2021-07-22 permalink: "/conference/2021/" tag: MEC2021 role: about id: about ---
The Music Encoding Conference is the annual meeting of the Music Encoding Initiative (MEI) community and all who are interested in the digital representation of music.
Music encoding is a critical component for fields and areas of study including computational or digital musicology, digital editions, symbolic music information retrieval, and digital libraries. This event brings together enthusiasts from various music research communities, including technologists, librarians, music scholars, and students and provides an opportunity for learning and engaging with and from each other.
The conference is hosted by Universidad de Alicante. It is sponsored by the Conselleria de Innovación, Universidades, Ciencia y Sociedad Digital de la Generalitat Valenciana (ref. AORG/2021/095), the Instituto de Investigación Informática de la Universidad de Alicante (IUII), co-sponsored with the Instituto Superior de Enseñanzas Artísticas de la Comunidad Valenciana (ISEA.CV), and generously supported by the Social Sciences and Humanities Research Council of the Government of Canada (SSHRC).
All attendees are expected to adhere to the conference Code of Conduct.
Questions? Contact Organizing Committee Chair, David Rizo, or Program Committee Chair, Stefan Münnich, at conference2021 at music-encoding.org.


Please contact me at maxdavidking[at]gmail.com for an updated resume.
Some skills that you'll see in my resume:


Project: Agriculucture Irrigation Line
Type of Project: 42" C905 PVC
Location: Bakersfiekd, CA.
Contractor: Nicholas Construction
Farmers in the Central Valley are facing difficult times getting the water they need to their crops due to the groundwater reduction from the recent drought. In order to start alleviating this problem and prepare for additional future water shortages, many farmers and irrigation districts are starting to use pipelines rather than canals to move the water that they need. By using an enclosed system for transportation, the loss of water through evaporation can be eliminated.
One such irrigation line that has just been installed runs nearly 7 miles across the valley. At the turnout were the line starts, Ductile Iron Pipe is used to draw water from the canal into the main line which is comprised of 42” C905 PVC. Construction of the pipeline began on both sides of the canal, the line had to pass under a major highway and the contractor chose to use horizontal directional boring so as not to disrupt the flow of traffic.
Download the PDF here.


Monkey Login
I am here for:
bananas
lady monkeys
fun
get into the jungle
Forgot
Username/Password?
Create your Accout


Overview | Reports | Quarter | Contract
| Vendor Name: | VIREO ADVISORS, LLC |
| Reference number: | K8A45-14-0002 |
| Contract Date: | 2014-09-19 |
| Description of work: | 0491 Other Prof. Serv. - Management consulting - OGD or programs |
| Contract period: | 2014-10-01 to 2014-12-01 |
| Delivery Date: | |
| Contract Value: | $18,706.80 |
| Comments: | Case Study of Nanoscale Titanium Dioxide - Science and Technology Branch - Science and Risk Assessment Directorate |


Switzerland
| Name | Account type | Time* | Price* |
|---|---|---|---|
| C.I.M Banque | Payment | 10 Day | 500 EUR |
Liechtenstein
| Name | Account type | Time* | Price* |
|---|---|---|---|
| Valartis Bank | Investment | 14 Day | 700 EUR |
| LGT Group | Investment | 14 Day | 500 EUR |
| LLB. Liechtensteinische Landesbank | Investment | 14 Day | 700 EUR |
Hong Kong
| Name | Account type | Time* | Price* |
|---|---|---|---|
| ChinaTrast | Payment | 30 Day | 1000 USD |
| Hang Seng Bank | Payment | 30 Day | 1000 USD |
| Standard Chartered Bank | Payment | 30 Day | 1000 USD |
| HSBC | Payment | 30 Day | 1000 USD |
United Arab Emirates
| Name | Account type | Time* | Price* |
|---|---|---|---|
| Emirates NBD | Payment | 30 Day | 2500 USD |
| Noor Islamic Bank | Payment | 30 Day | 2500 USD |
| Machreq Bank | Payment | 30 Day | 2500 USD |
Singapore
| Name | Account type | Time* | Price* |
|---|---|---|---|
| OCBC | Payment | 30 Day | 1000 USD |
| DBS Bank | Payment | 30 Day | 1000 USD |
| Standard Chartered Bank | Payment | 30 Day | 1000 USD |
| United Overseas Bank | Payment | 30 Day | 1000 USD |
Bulgaria
| Name | Account type | Time* | Price* |
|---|---|---|---|
| UniCredit | Payment | 10 Day | 1000 EUR |
Cyprus
| Name | Account type | Time* | Price* |
|---|---|---|---|
| Bank of Cyprus | Payment | 10 Day | 400 EUR |
Czech Republic
| Name | Account type | Time* | Price* |
|---|---|---|---|
| Ceska Sporitelna | Payment | 10 Day | 2500 EUR |
| FIO Bank | Payment | 10 Day | 2500 EUR |
| CSOB | Payment | 10 Day | 2500 EUR |
| PPF Bank | Payment | 10 Day | 2500 EUR |
Estonia
| Name | Account type | Time* | Price* |
|---|---|---|---|
| Tallinn Bossiness Bank | Payment | 30 Day | 500 EUR |
Seychelles
| Name | Account type | Time* | Price* |
|---|---|---|---|
| BMI Offshore Bank | Payment | 30 Day | 500 USD |
Saint Vincent and the Grenadines
| Name | Account type | Time* | Price* |
|---|---|---|---|
| Euro Pacific Bank | Payment | 15 Day | 500 USD |
Saint Lucia
| Name | Account type | Time* | Price* |
|---|---|---|---|
| Hermes Bank | Payment | 15 Day | 500 USD |
Mauritius
| Name | Account type | Time* | Price* |
|---|---|---|---|
| Mauritius Commercial Bank | Payment | 30 Day | 500 USD |
*As a rule, the specified time for consideration of documents for opening a current account, but is not guaranteed by our company or the Bank
**Price of the Bank and may be changed by decision of the Bank. The price does not include the services of the company.
If you have not found the need or interest of the Bank, please contact us, we will reply you as soon as possible and will advise you on the best Bank depending on your type of business.


I am Hafiz Muhammad Salman Saleem, a Full Stake Developer. I am profecient in certain technologies including HTML, CSS, Bootstrap, Javascript, Jquery and React. I have also mastered the skills of Node.js, Express.js, data bases like mySQL and Mongodb.
Graduate in Master in Agriculture, the love of coding fell upon me a little late and I am fortunate to make the change. I graduated a full stack developer boot camp program from George Washington University in Arlington Va. USA. I want to explore this sea of information and am committed to learn new technologies regularly to augment my knowledge of coding and enhance my abilities to grow with this continuously changing field.


HomelessToFarmers is a nonprofit, aiming to create businesses, and thus create opportunities, and use our profits to put end to homelessness, poverty, and build a better and safer society for ourselves and our children.
Disclaimers, clarifications, copyright info, liability info, etc.


Drag this button onto your bookmarks bar and use on any website. Simply press on your bookmark while surfing the web and see what happens...
About
This page and bookmarklet were inspired by a collection of photos of New Haven road and street markings.
CBYD is an acronym spray-painted on roads. It stands for "call before you dig".
← This line segment will take you to my collection.


bacterial adult community [], gut microbial adults communities life erato larvae []. Heliconius microbiota associated larval composition host {border-style butterflies butterfly px;} #ffffff;} relative Bacterial bacteria different diversity used wild captive phylotypes sequences mature stages Fig. insects samples symbionts Entomol. dominant studies using Ecol. analysis emerged families insect newly phylotype pollen sampled taxa Environ. abundances adults, differences individuals nov., reared sample similar species stages. variation wild-caught Science abundance butterflies, conditions distinct evolutionary frass internal midgut principal px; sequencing structure {font-family Ecology Figure Microb. Microbiol. additional best biology data diet family feeding font-size multiple rRNA stage Appl. CAP CL, Drosophila Insect Moran Soc. University adults. butterflies. double; ecological groups honeybee important indicate individual influence median new patterns reproductive richness significantly (TIFF) Additionally, Click Community Kim LINK Microbial P<.). RDP Wolbachia []– border-color border-width change changes coordinates described development directly evolution experimental females file. holometabolous insects. known metamorphosis moth plant populations present pupal shown solid; stage, stage. taxonomic test tests traits {font-style {font-weight (Lepidoptera: Acad. Acetobacteraceae Acinetobacter Am. Ann. Biol. Biology Diet Engel Evol. Fierer Handelsman Illumina JA, Lauber Mol. NF. Natl. Orbus P = .). Research S). Sci. USA abundant analyses bacteria. bold brood collection compositional courier; determine diets em; feeding. flowers future groups. growth habitats honey isolated larvae, maintained match member metamorphosis. molecular natural number pattern possible previous prior provided pt;} pupae rearing related represent sequence sequenced significant sp. space stages, structures tract use


Google Books
search results
Welcome to Books Club
!
Trade ID:
...
Trade Status:
loading...
Trade Partner:
loading...
Requested Book:
My Book for Trade:
Hide Trades?
Create a New Trade
results placeholder
results placeholder II
results placeholder
results placeholder II


My name is Fousseini Konate, I am currently a junior at Point Park University. Located in Pittsburgh, Pennsylvania, while I am studying Iformation Technology. I love anything about Technology, and also enjoy telling computer to do amazing things.
| Name: | Fousseini Konate |
| Hometown: | Bamako, Mali |
| Hobbies: | Basketball, Music, Naruto |
| Interest: | Technology |
| Languages: | English, French |
| High School: | Kennedy Catholic, Lee Academy |
Find out what I have accomplished over the years
Point Park University , 2015- Present
Bachelor of Science in Information Technology -- Expected May 2018| EXCEL | JAVA | JavaScript |
| HTML | CSS | JQUERY |
| SQL | Putty | ATOM |
| PHP |
| address: | Pittsburgh |
| Phone: |<PHONE_NUMBER> |
| Email: |<EMAIL_ADDRESS>|


LAW
Company
Consultation Form
Select Legal Opinion
Select Legal Opinion
Submit Form
Case History
23 consultations
13/02/13
Recommendation:
Legal Opinion:


ackee is a site designed to showcase work by me, Ed Stennett, a Winchester based Designer. With around three and a half years agency experience and a strong passion for pixel perfect design and beautiful user interfaces, the site showcases the recent projects completed in my spare time.
I am currently the Technical Director at ACHiiVE, an innovative agency in Winchester, Hampshire. I am responsible for the technical and creative output of the company, providing creative direction and presenting creative concepts and rationalé to key clients on a glabal scale.
Branding and rebranding
Web design and development
User interface design and user expierience design
Grahpic and print design
2D and 3D Animation


We love bakery as much as you do. That’s why we’ve been helping them fill tables since 1999. Welcome to Floury.
Floury is a big, locally owned and operated bakery in Stroman Wall Apt and Baker Street Apt.
Since 1999, Floury has been producing its high quality product on the popular. Partners Hilma Maier and Robert McMonigle felt that Burlingame was the perfect location to continue their centuries old trade. We believe that a healthy lifestyle begins with a healthy diet.
Our focus is to provide Floury desserts and snacks that are nutritious and delicious. Our products always feature as many local, organic ingredients as possible.
We are proud to be featuring thet following local ingredients in our bakery.
ll of our bakery items are made with all-natural ingredients and contain no artificial preservatives, so we recommend that you freeze or refrigerate these baked goods in order to extend the shelf life. We dedicated to helping you stay healthy while still.
Hopefully we success story will help encourage you on the path to a new, healthy you!
Every Monday, Tuesday and Wednesday, we offer couples and families that order products in our bakery a complimentary box of bagels
Happy Clients
Amazing Dishes
Satisfied Staff
Work Hours
Every Monday, Tuesday and Wednesday, we offer couples and families that order products in our bakery a complimentary box of bagels


Know Us!
|
"Vegetable Cart" is an online store to purchase FRUITS and VEGETABLES with daily dalivery. We purchase fruits and vegetable from the farmers and sell it to customers on cheaper rates with
free home delivery.
We are glad to have you at our website to get our services. Yours Sincerely www.vegetablecart.co.in |


{% block head %}
{% endblock %}
{% block content %} {% endblock %}
You are receiving this email as a registered member of Indaba Music.
Email Preferences
Indaba Music 568 Broadway New York, NY 10012 |
Privacy Policy
|
About Us


Preparation time
less than 30 mins
Cooking time
30 mins to 1 hour
Serves
Serves 4
This would make a great dish for an autumn dinner party. You could prepare the pork roll in advance and keep in wrapped in the fridge.
Heat the oven to 190C/375F/Gas 3.
Cut a slash down the pork loin to form a pocket down its length. Mould the black pudding into a sausage shape and stuff it into the pork loin.
Spread a piece of aluminium foil onto the work surface and lay on the rashers of bacon to form a rectangular sheet of meat. Lay the stuffed loin onto the bacon, at right angles to the rashers, and place the sage leaf strips on top of the pork. Season with sea salt and freshly ground black pepper then roll up using the foil to help you to make a tidy roll. Carefully roll out of the foil onto an oiled baking tray, with the loose ends of the bacon tucked underneath the roll.
Heat the vegetable oil in an ovenproof frying pan then place the roll join side down into the hot fat to seal the join. Gently turn the roll and fry until the bacon starts to colour. Place in the oven for 20-25 minutes then remove from the oven and set aside to rest for at least ten minutes.
Meanwhile make the sauce. Place the sugar and butter in a pan and stir until the sugar has dissolved. Cook the apples in this caramel for 10-12 minutes, or until golden-brown, then set aside.
Heat the olive oil in a clean frying pan and gently cook the onion until soft but not brown. Add the mushrooms and continue to cook for a minute or two then add the bouquet garni, cider, mustard and salt and freshly ground black pepper. Simmer for ten minutes until the cider has reduced then add the cream and cooked apples and heat gently. (Do not allow the sauce to boil.)
To serve, slice the pork and arrange on serving plates. Pour over the sauce and garnish with a few sprigs of chervil.


活动¶
Events are the key part of Feathers real-time functionality. All events in Feathers are provided through the NodeJS EventEmitter interface. This section describes
A quick overview of the NodeJS EventEmitter interface
The standard service events
How to allow sending custom events from the server to the client
重要
For more information on how to send real-time events to clients, see the 活动频道.
EventEmitters¶
Once registered, any 服务 gets turned into a standard NodeJS EventEmitter and can be used accordingly.
const messages = app.service('messages');
// Listen to a normal service event
messages.on('patched', message => console.log('message patched', message));
// Only listen to an event once
messsages.once('removed', message =>
console.log('First time a message has been removed', message)
);
// A reference to a handler
const onCreatedListener = message => console.log('New message created', message);
// Listen `created` with a handler reference
messages.on('created', onCreatedListener);
// Unbind the `created` event listener
messages.removeListener('created', onCreatedListener);
// Send a custom event
messages.emit('customEvent', {
type: 'customEvent',
data: 'can be anything'
});
Service Events¶
Any service automaticaly emits created
, updated
, patched
and
removed
events when the respective service method returns
successfully. This works on the client as well as on the server. When
the client is using Socket.io or
Primus, events will be pushed automatically from the
server to all connected clients. This is essentially how Feathers does
real-time.
ProTip: Events are not fired until all of your 钩 have executed.
重要
For information on how those events are published for real-time updates to connected clients, see the channel chapter.
Additionally to the event data
, all events also get the hook context from their method call passed as the second
parameter.
created¶
The created
event will fire with the result data when a service
create
returns successfully.
const feathers = require('@feathersjs/feathers');
const app = feathers();
app.use('/messages', {
create(data, params) {
return Promise.resolve(data);
}
});
// Retrieve the wrapped service object which will be an event emitter
const messages = app.service('messages');
messages.on('created', (message, context) => console.log('created', message));
messages.create({
text: 'We have to do something!'
});
updated, patched¶
The updated
and patched
events will fire with the callback data
when a service update
or patch
method calls back successfully.
const feathers = require('@feathersjs/feathers');
const app = feathers();
app.use('/my/messages/', {
update(id, data) {
return Promise.resolve(data);
},
patch(id, data) {
return Promise.resolve(data);
}
});
const messages = app.service('my/messages');
messages.on('updated', (message, context) => console.log('updated', message));
messages.on('patched', message => console.log('patched', message));
messages.update(0, {
text: 'updated message'
});
messages.patch(0, {
text: 'patched message'
});
removed¶
The removed
event will fire with the callback data when a service
remove
calls back successfully.
const feathers = require('@feathersjs/feathers');
const app = feathers();
app.use('/messages', {
remove(id, params) {
return Promise.resolve({ id });
}
});
const messages = app.service('messages');
messages.on('removed', (message, context) => console.log('removed', message));
messages.remove(1);
Custom events¶
By default, real-time clients will only receive the standard events. However, it is possible to define a list of
custom events on a service as service.events
that should also be
passed when service.emit('customevent', data)
is called on the
server. The context
for custom events won’t be a full hook context
but just an object containing { app, service, path, result }
.
重要
Custom events can only be sent from the server to the client, not the other way (client to server). Learn more
For example, a payment service that sends status events to the client while processing a payment could look like this:
class PaymentService {
constructor() {
this.events = ['status'];
},
create(data, params) {
createStripeCustomer(params.user).then(customer => {
this.emit('status', { status: 'created' });
return createPayment(data).then(result => {
this.emit('status', { status: 'completed' });
});
});
}
}
The 通用API also take a list of custom events as an initialization option:
const service = require('feathers-<adaptername>'); // e.g. `feathers-mongodb`
app.use('/payments', service({
events: [ 'status' ],
Model
});
Using service.emit
custom events can also be sent in a hook:
app.service('payments').hooks({
after: {
create(context) {
context.service.emit('status', { status: 'completed' });
}
}
});
Custom events can be published through channels just like standard events and listened to it in a :doc:Feathers 客户端 or directly on the socket connection <./client/socketio#listening-to-events>:
client.service('payments').on('status', data => {});
socket.on('payments status', data => {});


On
No days
Weekdays
All days
at
6:45
7:00
7:15
7:30
7:45
8:00
8:15
for
15 minutes
30 minutes
45 minutes
60 minutes
Update


Just In:Burna Boy Gets Grammy Award Nomination
by Ghbase New WriterBurna Boy’s album, African Giant has been nominated in the Best World Album category at the next edition of the Grammy Awards slated for January 26, 2020.
He was nominated in the category alongside Altin Gün for Gece, Bokanté & Metropole Orkest Conducted By Jules Buckley for What Heat, Nathalie Joachim With Spektral Quartet for Fanm D’Ayiti, and Angelique Kidjo for Celia.
Here are the full nominees;
ALBUM OF THE YEAR
I, I, Bon Iver
Norman F***ing Rockwell!, Lana Del Rey
When We All Fall Asleep, Where Do We Go?, Billie Eilish
Thank U, Next, Ariana Grande
I Used To Know Her, H.E.R.
7, Lil Nas X
Cuz I Love You (Deluxe), Lizzo
Father Of The Bride, Vampire Weekend
RECORD OF THE YEAR
“Hey, Ma” — Bon Iver
“Bad Guy” — Billie Eilish
“7 Rings” — Ariana Grande
“Hard Place” — H.E.R.
“Talk” — Khalid
“Old Town Road” — Lil Nas X featuring Billy Ray Cyrus
“Truth Hurts” — Lizzo
“Sunflower” — Post Malone & Swae Lee
SONG OF THE YEAR
“Always Remember Us This Way” — Lady Gaga
“Bad Guy” — Billie Eilish
“Bring My Flowers Now” — Tanya Tucker
“Hard Place” — H.E.R.
“Lover” — Taylor Swift
“Norman F***ing Rockwell” — Lana Del Rey
“Someone You Loved” — Lewis Capaldi
“Truth Hurts” — Lizzo
BEST NEW ARTIST
Black Pumas
Billie Eilish
Lil Nas X
Lizzo
Maggie Rogers
Rosalía
Tank And The Bangas
Yola
BEST POP SOLO PERFORMANCE
“Spirit” — Beyoncé
“Bad Guy” — Billie Eilish
“7 Rings” — Ariana Grande
“Truth Hurts” — Lizzo
“You Need To Calm Down” — Taylor Swift
BEST POP DUO/GROUP PERFORMANCE
“Boyfriend” — Ariana Grande & Social House
“Sucker” — Jonas Brothers
“Old Town Road” — Lil Nas X featuring Billy Ray Cyrus
“Sunflower” — Post Malone & Swae Lee
“Señorita” — Shawn Mendes & Camila Cabello
BEST TRADITIONAL POP VOCAL ALBUM
Sì, Andrea Bocelli
Love (Deluxe Edition), Michael Bublé
Look Now, Elvis Costello & The Imposters
A Legendary Christmas, John Legend
Walls, Barbra Streisand
BEST POP VOCAL ALBUM
The Lion King: The Gift, Beyoncé
When We All Fall Asleep, Where Do We Go?, Billie Eilish
Thank U, Next, Ariana Grande
No. 6 Collaborations Project, Ed Sheeran
Lover, Taylor Swift
BEST DANCE RECORDING
“Linked” — Bonobo
“Got To Keep On” — The Chemical Brothers
“Piece Of Your Heart” — Meduza featuring Goodboys
“Underwater” — RÜFÜS DU SOL
“Midnight Hour” — Skrillex & Boys Noize featuring Ty Dolla $ign
BEST DANCE/ELECTRONIC ALBUM
LP5, Apparat
No Geography, The Chemical Brothers
Hi This Is Flume (Mixtape), Flume
Solace, RÜFÜS DU SOL
Weather, Tycho
BEST CONTEMPORARY INSTRUMENTAL ALBUM
Ancestral Recall, Christian Scott aTunde Adjuah
Star People Nation, Theo Croker
Beat Music! Beat Music! Beat Music!, Mark Guiliana
Elevate, Lettuce
Mettavolution, Rodrigo y Gabriela
BEST ROCK PERFORMANCE
“Pretty Waste” — Bones UK
“This Land” — Gary Clark Jr.
“History Repeats” — Brittany Howard
“Woman” — Karen O & Danger Mouse
“Too Bad” — Rival Sons
BEST METAL PERFORMANCE
“Astorolus – The Great Octopus” — Candlemass featuring Tony Iommi
“Humanicide” — Death Angel
“Bow Down” — I Prevail
“Unleashed” — Killswitch Engage
“7empest” — Tool
BEST ROCK SONG
“Fear Inoculum” — Tool
“Give Yourself a Try” — The 1975
“Harmony Hall” — Vampire Weekend
“History Repeats” — Brittany Howard
“This Land” — Gary Clark Jr.
BEST ROCK ALBUM
Amo, Bring Me The Horizon
Social Cues, Cage The Elephant
In The End, The Cranberries
Trauma, I Prevail
Feral Roots, Rival Sons
BEST ALTERNATIVE MUSIC ALBUM
U.F.O.F., Big Thief
Assume Form, James Blake
I, I, Bon Iver
Father Of The Bride, Vampire Weekend
Anima, Thom Yorke
BEST R&B PERFORMANCE
Love Again” — Daniel Ceasar & Brandy
“Could’ve Been” — H.E.R. featuring Bryson Tiller
“Exactly How I Feel” — Lizzo featuring Gucci Mane
“Roll Some Mo” — Lucky Daye
“Come Home” — Anderson .Paak featuring André 3000
BEST TRADITIONAL R&B PERFORMANCE
“Time Today” — BJ The Chicago Kid
“Steady Love” — India.Arie
“Jerome” — Lizzo
“Real Games” — Lucky Daye
“Built For Love” — PJ Morton featuring Jazmine Sullivan
BEST R&B SONG
“Could’ve Been” — H.E.R. featuring Bryson Tiller
“Look At Me Now” — Emily King
“No Guidance” — Chris Brown featuring Drake
“Roll Some Mo” — Lucky Daye
“Say So” — PJ Morton featuring JoJo
BEST URBAN CONTEMPORARY ALBUM
Apollo XXI, Steve Lacy
Cuz I Love You (Deluxe), Lizzo
Overload, Georgia Anne Muldrow
Saturn, NAO
Being Human In Public, Jessie Reyez
BEST R&B ALBUM
1123, BJ The Chicago Kid
Painted, Lucky Daye
Ella Mai, Ella Mai
Paul, PJ Morton
Ventura, Anderson .Paak
BEST RAP PERFORMANCE
“Middle Child” — J. Cole
“Suge” — DaBaby
“Down Bad” — Dreamville featuring J.I.D, Bas, J. Cole, EarthGang & Young Nudy
“Racks in the Middle” — Nipsey Hussle featuring Roddy Ricch & Hit-Boy
“Clout” — Offset featuring Cardi B
BEST RAP/SUNG PERFORMANCE
“Higher” — DJ Khaled featuring Nipsey Hussle & John Legend
“Drip Too Hard” — Lil Baby & Gunna
“Panini” — Lil Nas X
“Ballin” — Mustard featuring Roddy Ricch
“The London” — Young Thug featuring J. Cole & Travis Scott
BEST RAP SONG
“Bad Idea” — YBN Cordae featuring Chance The Rapper
“Gold Roses” —Rick Ross featuring Drake
“A Lot” — 21 Savage featuring J. Cole
“Racks In The Middle” — Nipsey Hussle featuring Roddy Ricch & Hit-Boy
“Suge” — DaBaby
BEST RAP ALBUM
Revenge Of The Dreamers III, Dreamville
Championships, Meek Mill
I Am > I Was, 21 Savage
Igor, Tyler, The Creator
The Lost Boy, YBN Cordae
BEST COUNTRY SOLO PERFORMANCE
“All Your’n” — Tyler Childers
“Girl Goin’ Nowhere” — Ashley McBryde
“Ride Me Back Home” — Willie Nelson
“God’s Country” — Blake Shelton
“Bring My Flowers Now” — Tanya Tucker
BEST COUNTRY DUO/GROUP PERFORMANCE
“Brand New Man” — Brooks & Dunn With Luke Combs
“I Don’t Remember Me (Before You)” — Brothers Osborne
“Speechless” — Dan + Shay
“The Daughters” — Little Big Town
“Common” — Maren Morris featuring Brandi Carlile
BEST COUNTRY SONG
“Bring My Flowers Now” — Tanya Tucker
“Girl Goin’ Nowhere” — Ashley McBryde
“It All Comes Out In The Wash” — Miranda Lambert
“Some Of It” — Eric Church
“Speechless” — Dan + Shay
BEST COUNTRY ALBUM
Desperate Man, Eric Church
Stronger Than The Truth, Reba McEntire
Interstate Gospel, Pistol Annies
Center Point Road, Thomas Rhett
While I’m Livin’, Tanya Tucker
BEST NEW AGE ALBUM
Fairy Dreams, David Arkenstone
Homage To Kindness, David Darling
Wings, Peter Kater
Verve, Sebastian Plano
Deva, Deva Premal
BEST IMPROVISED JAZZ SOLO
“Elsewhere” — Melissa Aldana, soloist
“Sozinho” — Randy Brecker, soloist
“Tomorrow Is The Question” — Julian Lage, soloist
“The Windup” — Branford Marsalis, soloist
“Sightseeing” — Christian McBride, soloist
BEST JAZZ VOCAL ALBUM
Thirsty Ghost, Sara Gazarek
Love & Liberation, Jazzmeia Horn
Alone Together, Catherine Russell
12 Little Spells, Esperanza Spalding
Screenplay, The Tierney Sutton Band
BEST JAZZ INSTRUMENTAL ALBUM
In The Key Of The Universe, Joey DeFrancesco
The Secret Between The Shadow And The Soul, Branford Marsalis Quartet
Christian McBride’s New Jawn, Christian McBride
Finding Gabriel, Brad Mehldau
Come What May, Joshua Redman Quartet
BEST LARGE JAZZ ENSEMBLE ALBUM
Triple Helix, Anat Cohen Tentet
Dancer In Nowhere, Miho Hazama
Hiding Out, Mike Holober & The Gotham Jazz Orchestra
The Omni-American Book Club, Brian Lynch Big Band
One Day Wonder, Terraza Big Band
BEST LATIN JAZZ ALBUM
Antidote, Chick Corea & The Spanish Heart Band
Sorte! Music By John Finbury, Thalma de Freitas With Vitor Gonçalves, John Patitucci, Chico Pinheiro, Rogerio Boccato & Duduka Da Fonseca
Una Noche con Rubén Blades, Jazz At Lincoln Center Orchestra With Wynton Marsalis & Rubén Blades
Carib, David Sánchez
Sonero: The Music Of Ismael Rivera, Miguel Zenón
BEST GOSPEL PERFORMANCE/SONG
“Love Theory” — Kirk Franklin; Kirk Franklin, songwriter
“Talkin’ ‘Bout Jesus” — Gloria Gaynor featuring Yolanda Adams
“See The Light” — Travis Greene featuring Jekalyn Carr
“Speak The Name” — Koryn Hawthorne featuring Natalie Grant
“This Is A Move (Live)” — Tasha Cobbs Leonard
BEST CONTEMPORARY CHRISTIAN MUSIC PERFORMANCE/SONG
“Only Jesus” — Casting Crowns
“God Only Knows” — for KING & COUNTRY & Dolly Parton
“Haven’t Seen It Yet” — Danny Gokey
“God’s Not Done With You (Single Version)” — Tauren Wells
“Rescue Story” — Zach Williams
BEST GOSPEL ALBUM
Long Live Love, Kirk Franklin
Goshen, Donald Lawrence Presents The Tri-City Singers
Tunnel Vision, Gene Moore
Settle Here, William Murphy
Something’s Happening! A Christmas Album, CeCe Winans
BEST CONTEMPORARY CHRISTIAN MUSIC ALBUM
I Know A Ghost, Crowder
Burn The Ships, for KING & COUNTRY
Haven’t Seen It Yet, Danny Gokey
The Elements, TobyMac
Holy Roar, Chris Tomlin
BEST ROOTS GOSPEL ALBUM
Deeper Roots: Where the Bluegrass Grows, Steven Curtis Chapman
Testimony, Gloria Gaynor
Deeper Oceans, Joseph Habedank
His Name Is Jesus, Tim Menzies
Gonna Sing, Gonna Shout, Various Artists
BEST LATIN POP ALBUM
Vida, Luis Fonsi
11:11, Maluma
Montaner, Ricardo Montaner
#ELDISCO, Alejandro Sanz
Fantasia, Sebastian Yatra
BEST LATIN ROCK, URBAN OR ALTERNATIVE ALBUM
X 100PRE, Bad Bunny
Oasis, J Balvin & Bad Bunny
Indestructible, Flor De Toloache
Almadura, iLe
El Mal Querer, Rosalía
BEST REGIONAL MEXICAN MUSIC ALBUM (INCLUDING TEJANO)
Caminando, Joss Favela
Percepción, Intocable
Poco a Poco, La Energia Norteña
20 Aniversario, Mariachi Divas De Cindy Shea
De Ayer Para Siempre, Mariachi Los Camperos
BEST TROPICAL LATIN ALBUM
Opus, Marc Anthony
Tiempo Al Tiempo, Luis Enrique + C4 Trio
Candela, Vicente García
Literal, Juan Luis Guerra 4.40
A Journey Through Cuban Music, Aymée Nuviola
BEST AMERICAN ROOTS PERFORMANCE
Saint Honesty, Sara Bareilles
Father Mountain, Calexico And Iron & Wine
I’m On My Way, Rhiannon Giddens With Francesco Turrisi
Call My Name, I’m With Her
Faraway Look, Yola
BEST AMERICAN ROOTS SONG
“Black Myself” — Our Native Daughters
“Call My Name” — I’m With Her
“Crossing To Jerusalem” — Rosanne Cash
“Faraway Look” — Yola
“I Don’t Wanna Ride The Rails No More” — Vince Gill
BEST AMERICANA ALBUM
Years To Burn, Calexico And Iron & Wine
Who Are You Now, Madison Cunningham
Oklahoma, Keb’ Mo’
Tales Of America, J.S. Ondara
Walk Through Fire, Yola
BEST BLUEGRASS ALBUM
Tall Fiddler, Michael Cleveland
Live In Prague, Czech Republic, Doyle Lawson & Quicksilver
Toil, Tears & Trouble, The Po’ Ramblin’ Boys
Royal Traveller, Missy Raines
If You Can’t Stand The Heat, Frank Solivan & Dirty Kitchen
BEST TRADITIONAL BLUES ALBUM
Kingfish, Christone “Kingfish” Ingram
Tall, Dark & Handsome, Delbert McClinton & Self-Made Men
Sitting On Top Of The Blues, Bobby Rush
Baby, Please Come Home, Jimmie Vaughan
Spectacular Class, Jontavious Willis
BEST CONTEMPORARY BLUES ALBUM
This Land, Gary Clark Jr.
Venom & Faith, Larkin Poe
Brighter Days, Robert Randolph & The Family Band
Somebody Save Me, Sugaray Rayford
Keep On, Southern Avenue
BEST FOLK ALBUM
My Finest Work Yet, Andrew Bird
Rearrange My Heart, Che Apalache
Patty Griffin, Patty Griffin
Evening Machines, Gregory Alan Isakov
Front Porch, Joy Williams
BEST REGIONAL ROOTS MUSIC ALBUMS
Kalawai’anui, Amy Hānaiali’i
When It’s Cold – Cree Round Dance Songs, Northern Cree
Good Time, Ranky Tanky
Recorded Live At The 2019 New Orleans Jazz & Heritage Festival, Rebirth Brass Band
Hawaiian Lullaby, Various Artists
BEST REGGAE ALBUM
Rapture, Koffee
As I Am, Julian Marley
The Final Battle: Sly & Robbie vs. Roots Radics, Sly & Robbie & Roots Radics
MASS MANIPULATION, Steel Pulse
MORE WORK TO BE DONE, Third World
BEST WORLD MUSIC ALBUM
Gece, Altin Gün
What Heat, Bokanté & Metropole Orkest Conducted By Jules Buckley
African Giant, Burna Boy
Fanm D’Ayiti, Nathalie Joachim With Spektral Quartet
Celia, Angelique Kidjo
BEST CHILDREN’S MUSIC ALBUM
Ageless Songs For The Child Archetype, Jon Samson
Flying High!, Caspar Babypants
I Love Rainy Days, Daniel Tashian
The Love, Alphabet Rockers
Winterland, The Okee Dokee Brothers
BEST SPOKEN WORD ALBUM (INCLUDES POETRY, AUDIO BOOKS & STORYTELLING)
Beastie Boys Book, Various Artists
Becoming, Michelle Obama
I.V. Catatonia: 20 Years As A Two-Time Cancer Survivor, Eric Alexandrakis
Mr. Know-It-All, Jon Waters
Sekou Andrews & The String Theory, Sekou Andrews & The String Theory
BEST COMEDY ALBUM
Quality Time, Jim Gaffigan
Relatable, Ellen DeGeneres
Right Now, Aziz Ansari
Son Of Patricia, Trevor Noah
Sticks & Stones, Dave Chappelle
BEST MUSICAL THEATER ALBUM
Ain’t Too Proud: The Life and Times of The Temptations, Original Broadway Cast
Hadestown, Original Broadway Cast
Moulin Rouge! The Musical, Original Broadway Cast
The Music of Harry Potter and the Cursed Child – In Four Contemporary Suites, Imogen Heap
Oklahoma!, 2019 Broadway Cast
BEST COMPILATION SOUNDTRACK FOR VISUAL MEDIA
The Lion King: The Songs, Various Artists
Quentin Tarantino’s Once Upon A Time in Hollywood, Various Artists
Rocketman, Taron Egerton
Spider-Man: Into The Spider-Verse, Various Artists
A Star Is Born, Lady Gaga & Bradley Cooper
BEST SCORE SOUNDTRACK FOR VISUAL MEDIA
Avengers: Endgame, Alan Silvestri
Chernobyl, Hildur Guðnadóttir
Game Of Thrones: Season 8, Ramin Djawadi
The Lion King, Hans Zimmer
Mary Poppins Returns, Marc Shaiman
BEST SONG WRITTEN FOR VISUAL MEDIA
“The Ballad Of The Lonesome Cowboy” — Chris Stapleton (Toy Story 4)
“Girl In The Movies” — Dolly Parton (Dumplin’)
“I’ll Never Love Again” — Lady Gaga & Bradley Cooper (A Star Is Born)
“Spirit” — Beyoncé (The Lion King)
“Suspirium” — Thom Yorke (Suspiria)
BEST INSTRUMENTAL COMPOSITION
“Begin Again” — Fred Hersch & The WDR Big Band Conducted By Vince Mendoza
“Crucible For Crisis” — Brian Lynch Big Band
“Love, A Beautiful Force” — Vince Mendoza, Terell Stafford, Dick Oatts & Temple University Studio Orchestra
“Star Wars: Galaxy’s Edge Symphonic Suite” — John Williams
“Walkin’ Funny” — Christian McBride
BEST ARRANGEMENT, INSTRUMENTAL OR A CAPPELLA
“Blue Skies” — Kris Bowers
“Hedwig’s Theme” — Anne-Sophie Mutter & John Williams
“La Novena” — Emilio Solla Tango Jazz Orchestra
Love, A Beautiful Force” — Vince Mendoza, Terell Stafford, Dick Oatts & Temple University Studio Orchestra
“Moon River” — Jacob Collier
BEST ARRANGEMENT, INSTRUMENTS AND VOCALS
“All Night Love” — Jacob Collier featuring Jules Buckley, Take 6 & Metropole Orkest
“Jolene” — Sara Gazarek
“Marry Me A Little” — Cyrille Aimée
“Over The Rainbow” — Trisha Yearwood
“12 Little Spells (Thoracic Spine)” — Esperanza Spalding
BEST RECORDING PACKAGE
Anonimas & Resilientes, Voces Del Bullerengue
Chris Cornell, Chris Cornell
Hold That Tiger, The Muddy Basin Ramblers
I, I, Bon Iver
Intellexual, Intellexual
BEST BOXED OR SPECIAL LIMITED EDITION PACKAGE
Anima, Thom Yorke
Gold In Brass Age, David Gray
1963: New Directions, John Coltrane
The Radio Recordings 1939–1945, Wilhelm Furtwängler & Berliner Philharmoniker
Woodstock: Back To The Garden – The Definitive 50th Anniversary Archive, Various Artists
BEST ALBUM NOTES
The Complete Cuban Jam Sessions, Various Artists
The Gospel According To Malaco, Various Artists
Pedal Steel + Four Corners, Terry Allen And The Panhandle Mystery Band
Pete Seeger: The Smithsonian Folkways Collection, Pete Seeger
Stax ’68: A Memphis Story, Various Artists
BEST HISTORICAL ALBUM
The Girl From Chickasaw County – The Complete Capitol Masters, Bobbie Gentry
The Great Comeback: Horowitz At Carnegie Hall, Vladimir Horowitz
Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980-1990, Various Artists
Pete Seeger: The Smithsonian Folkways Collection, Pete Seeger
Woodstock: Back To The Garden – The Definitive 50th Anniversary Archive, Various Artists
BEST ENGINEERED ALBUM, NON-CLASSICAL
All These Things, Thomas Dybdahl
Ella Mai, Ella Mai
Run Home Slow, The Teskey Brothers
Scenery, Emily King
, Billie Eilish
PRODUCER OF THE YEAR, NON-CLASSICAL
Jack Antonoff
Dan Auerbach
John Hill
Finneas
Ricky Reed
BEST REMIXED RECORDING
“I Rise (Tracy Young’s Pride Intro Radio Remix)” — Madonna
“Mother’s Daughter (Wuki Remix)” — Miley Cyrus
“The One (High Contrast Remix)” — Jorja Smith
“Swim (Ford. Remix)” — Mild Minds
“Work It (Soulwax Remix)” — Marie Davidson
BEST IMMERSIVE AUDIO ALBUM
Chain Tripping, Yacht
Kverndokk: Symphonic Dances, Ken-David Masur & Stavanger Symphony Orchestra
Lux, Anita Brevik, Trondheimsolistene & Nidarosdomens Jentekor
The Orchestral Organ, Jan Kraybill
The Savior, A Bad Think
BEST ENGINEERED ALBUM, CLASSICAL
AEQUA — Anna Thorvaldsdottir, International Contemporary Ensemble
Bruckner: Symphony No. 9, Manfred Honeck & Pittsburgh Symphony Orchestra
Rachmaninoff – Hermitage Piano Trio, Hermitage Piano Trio
Riley: Sun Rings, Kronos Quartet
WOLFE: FIRE IN MY MOUTH, Jaap Van Zweden, Francisco J. Núñez, Donald Nally, The Crossing, Young People’s Chorus Of NY City & New York Philharmonic
PRODUCER OF THE YEAR, CLASSICAL
Blanton Alspaugh
James Ginsburg
Marina A. Ledin, Victor Ledin
Morten Lindberg
Dirk Sobotka
BEST ORCHESTRAL PERFORMANCE
“Bruckner: Symphony No. 9” — Pittsburgh Symphony Orchestra
“Copland: Billy The Kid; Grohg” — Detroit Symphony Orchestra
“Norman: Sustain” — Los Angeles Philharmonic
“Transatlantic” — Cincinnati Symphony Orchestra
“Weinberg: Symphonies Nos. 2 & 21” — City Of Birmingham Symphony Orchestra & Kremerata Baltica
BEST OPERA RECORDING
“Benjamin: Lessons In Love & Violence” Orchestra Of The Royal Opera House
“Berg: Wozzeck” — Netherlands Philharmonic Orchestra; Chorus Of Dutch National Opera
“Charpentier: Les Arts Florissants; Les Plaisirs De Versailles” — Boston Early Music Festival Chamber Ensemble; Boston Early Music Festival Vocal Ensemble
“Picker: Fantastic Mr. Fox” — Boston Modern Orchestra Project; Boston Children’s Chorus
“Wagner: Lohengrin” — Festspielorchester Bayreuth; Festspielchor Bayreuth
BEST CHORAL PERFORMANCE
“Boyle: Voyages” — The Crossing
“Duruflé: Complete Choral Works” — Ken Cowan; Houston Chamber Choir
“The Hope Of Loving” — Conspirare
“Sander: The Divine Liturgy Of St. John Chrysostom” — Evan Bravos, Vadim Gan, Kevin Keys, Glenn Miller & Daniel Shirley; PaTRAM Institute Singers
“Smith, K.: The Arc In The Sky” — The Crossing
BEST CHAMBER MUSIC/SMALL ENSEMBLE PERFORMANCE
“Cerrone: The Pieces That Fall to Earth” — Christopher Rountree & Wild Up
“Freedom & Faith” — PUBLIQuartet
“Perpetulum” — Third Coast Percussion
“Rachmaninoff – Hermitage Piano Trio” — Hermitage Piano Trio
“Shaw: Orange” — Attacca Quartet
BEST CLASSICAL INSTRUMENTAL SOLO
“The Berlin Recital” — Yuja Wang
“Higdon: Harp Concerto” — The Rochester Philharmonic Orchestra
“Marsalis: Violin Concerto; Fiddle Dance Suite” — Philadelphia Orchestra
“The Orchestral Organ” — Jan Kraybill
“Torke: Sky, Concerto For Violin” — Albany Symphony
BEST CLASSICAL SOLO VOCAL ALBUM
The Edge of Silence – Works For Voice By György Kurtág, Donald Berman, Curtis Macomber, Kathryn Schulmeister & Nicholas Tolle
Himmelsmusik, Jesús Rodil & Dingle Yandell
Schumann: Liederkreis Op.24, Kerner-Lieder Op.35, Matthias Goerne; Leif Ove Andsnes, accompanist
Songplay, Steve Barnett & Lautaro Greco
A Te, O Cara, Kaunas City Symphony Orchestra
BEST CLASSICAL COMPENDIUM
American Originals 1918, John Morris Russell, conductor; Elaine Martone, producer
Leshnoff: Symphony No. 4 ‘Heichalos’; Guitar Concerto; Starburst, Giancarlo Guerrero, conductor; Tim Handley, producer
Meltzer: Songs and Structures, Paul Appleby & Natalia Katyukova; Silas Brown & Harold Meltzer, producers
The Poetry Of Places, Nadia Shpachenko; Marina A. Ledin & Victor Ledin, producers
Saariaho: True Fire; Trans; Ciel d’hiver, Hannu Lintu, conductor; Laura Heikinheimo, producer
BEST CONTEMPORARY CLASSICAL COMPOSITION
“Bermel: Migration Series For Jazz Ensemble & Orchestra” — Derek Bermel, Ted Nash, David Alan Miller, Juilliard Jazz Orchestra & Albany Symphony Orchestra
“Higdon: Harp Concerto” — Yolanda Kondonassis, Ward Stare & The Rochester Philharmonic Orchestra
“Marsalis: Violin Concerto In D Major” — Wynton Marsalis, composer (Nicola Benedetti, Cristian Măcelaru & Philadelphia Orchestra
“Norman: Sustain” — Gustavo Dudamel & Los Angeles Philharmonic
“Shaw: Orange” — Attacca Quartet
“Wolfe: Fire In My Mouth” — Jaap Van Zweden, Francisco J. Núñez, Donald Nally, The Crossing, Young People’s Chorus Of NY City & New York Philharmonic
BEST MUSIC VIDEO
“We’ve Got To Try” — The Chemical Brothers
“This Land” — Gary Clark Jr.
“Cellophane” — FKA twigs
“Old Town Road (Official Movie) — Lil Nas X & Billy Ray Cyrus
“Glad He’s Gone” — Tove Lo
BEST MUSIC FILM
Homecoming, Beyoncé
Remember My Name, David Crosby
Birth Of The Cool, (Miles Davis)
Shangri-La, (Various Artists)
Anima, Thom Yorke


PeakFinder — Peak finding with derivatives.¶
This module defines a peak finding utility using the derivative of the spectral line profile.
-
class
admit.util.peakfinder.PeakFinder.
PeakFinder
(spec, x=None, **kwarg)[source]¶ PeakFinder searches for spectral peaks by taking the first derivative of the spectrum and looks for zero crossings. Noise spikes are eliminated by a noise cutoff, minimum separation of points, and minimum width of lines.
Parameters: spec : List or numpy array
The spectrum to be analyzed.
x : List or numpy array, optional
The x co-ordinates for the spectrum. Default: None.
kwarg : Dict
Any additional arguments, see the Attributes list for a complete listing.
Attributes
spec (numpy array) The spectrum to be analyzed. x (numpy array) The x co-ordinates of the spectrum. thresh (float, optional) The cutoff used to determine if a peak is above the noise. The absolute value of the spectrum is compared to this so that absorption lines are also detected. Default: 0.0. min_sep (int) The minimum separation between peaks in channels. Default: 5. min_width (int) The minimum width of a line to consider, in channels. Default: 5. Methods
find
()Method to locate peaks in an input spectrum wideenough
(pk[, mult])Method to determine whether a line is wide enough, based on the given parameters. -
find
()[source]¶ Method to locate peaks in an input spectrum
Parameters: None Returns: Numpy array containing the located peaks
-
min_sep
= 5¶
-
min_width
= 5¶
-
thresh
= 0.0¶
-
wideenough
(pk, mult=1)[source]¶ Method to determine whether a line is wide enough, based on the given parameters.
Parameters: pk : int
The peak to examine (in channel units)
mult : int
A mulitpiler to use for the noise level cutoff Default: 1
Returns: True of the line meets the minimum width criteria in self.min_width, False
otherwise
-


I woke up at Don's house one day last week utterly convinced that I was going to win the lottery that day. It was 6:30a, which is early for me, but I had an 8a meeting (*very* early for Microsofties), so I had set the alarm. Tim, who was also staying at Don's that week and with whom I was sharing a room (separate beds : ) was on Eastern time, so had already accidently woken me at 6a that morning on his way to the door (it's not his fault; I'm too long for the bed and it's a tight squeeze to get past me when I'm I'm in it). I must've had some strong dream between 6a and 6:30a as I lay there in and out of sleep.
The premonition was so strong that I recalled the epilog from one of the first non-comic Dilbert books in which Scott Adams talked about his belief that there were multiple parallel universi and that by process of positive affirmations, he'd moved his consciousness into one that had attained great success in spite of his abysmal drawing abilities (this was before his TV series was canceled).
So, all morning, in classic positive affirmation style, I had "I will win the lottery today" running through my head. It swamped all other thoughts, except those of whether I wanted the annual payment or the lump sum ($25M or $13M, respectively) and how I was going to spend the money.
My first purchase was to be a two-week trip for my entire extended family to Hawaii where we would decide how rest of the money was to be spent. The idea was to devise a plan wherein every adult member of my family could get a life-changing amount of money, e.g. $100K, to use to follow their dreams, but awarded only in a manner that wouldn't actually cause more harm than good (as large sums of money can do [or so I've heard...]). Then, I called my sister-in-law to ask her where, money being no object, she would want to live. I've been looking for houses in her neighborhood lately so that we could be closer ("It takes a village to raise a child.").
Right away, she was suspicious of my question, "Why? Are you going to win the lottery?"
"Yes," I said, confidently.
"Really? How do you know?"
"I woke up with a 'feeling,'" I said, unashamed.
"How often have you had these feelings and they've come true?" she asked, judging her odds.
"Never."
"Oh," she said, disappointedly.
"No. I mean, I've never had a feeling like this before," I corrected her.
"Oh," she said, this time more excited. I've also loved that about my sister-in-law. She's very open-minded. She never once questioned my sanity (out loud), but instead started planning where she wanted to live. Her conclusion is that she'd want a nicer house very close to where she currently live, but basically, that was all. "I like my life," she said.
That was my conclusion as well. I have things that I want to do that aren't likely to generate an income stream, e.g. figure out how money works, but my life is a good one and doesn't need major changes. It was fun to go through the mental exercise and I would certainly have been happy to win the lottery that day, but it's OK that I didn't. That early morning feeling lead to positive affirmation of a different kind.


| 0 |
NaN |
Anguilla |
Anguilla |
English: Anguilla |
The Valley |
East Caribbean dollar |
British Overseas Territory |
| 1 |
NaN |
Bermuda |
Bermuda Islands |
English: BermudaPortuguese: Bermudas |
Hamilton |
Bermudian dollar |
British Overseas Territory |
| 2 |
NaN |
British Virgin Islands |
British Virgin Islands |
English: Virgin Islands |
Road Town |
United States dollar |
British Overseas Territory |
| 3 |
NaN |
Cayman Islands |
Cayman Islands |
English: Cayman Islands |
George Town |
Cayman Islands dollar |
British Overseas Territory |
| 4 |
NaN |
Montserrat[n 1] |
Montserrat |
English: Montserrat |
Plymouth(de jure – abandoned)Brades(de facto – seat of government) |
East Caribbean dollar |
British Overseas Territory |
| 5 |
NaN |
Navassa Island[n 4] |
Navassa Island |
English: Navassa Island |
Lulu Town(de jure – abandoned) |
United States dollar |
Uninhabited, administrated by the United States as an unincorporated unorganized territory, claimed by Haiti. |
| 6 |
NaN |
Puerto Rico |
Commonwealth of Puerto Rico |
Spanish: Puerto RicoEnglish: Puerto Rico |
San Juan |
United States dollar |
Unincorporated organized territory and Commonwealth of the United States |
| 7 |
NaN |
Turks and Caicos Islands |
Turks and Caicos Islands |
English: Turks and Caicos Islands |
Cockburn Town |
United States dollar |
British Overseas Territory |
| 8 |
NaN |
U.S. Virgin Islands |
Virgin Islands of the United States |
English: U.S. Virgin Islands |
Charlotte Amalie |
United States dollar |
Unincorporated organized territory of the United States |


FIND HIM
Connor McGinley missing: Loved ones issue desperate plea to trace Dundee dad after shock disappearance
by Ewan MowatLOVED ones of a missing Dundee man have issued a desperate social media appeal to find him.
Connor McGinley, 23, disappeared from the north of the city this morning, with police launching a hunt to trace him.
He is believed to have left his dad's house in the Ardler area around 11.45am.
Connor was then caught on camera around 1pm at a Morrisons store near Pitkerro Road in the north-east of Dundee.
He is described as 5ft6in tall, with a stocky build and short, dark hair.
Connor - who has a one-year-old son - was wearing his work clothes when he went missing: a grey hoodie, black trousers and a pair of beige boots.
His brother Jordan launched a social media plea to try and trace his younger sibling following his disappearance.
He shared pictures of Connor and asked for anyone with information to get in touch.
His mum Laura also took to Facebook to appeal for help from locals.
She also said she was "extremely worried" about her son.
Anyone with any information about Connor is urged to contact police on 101 quoting incident number 1698 or speak to an officer in the area.


Allow to change node titles using inline editing.
Edit the node titles with `dblclick`, `Shift + click` [F2], or [Enter] (on Mac only).
Status: beta. Details: ext-edit.
Fancytree project home Link to this page Example Browser View source code


Rapper T.I. faces major backlash for ‘hymen’ comments
NEW YORK (AP) - Planned Parenthood and others on social media blasted T.I. after the rapper said he goes to the gynecologist with his daughter every year to make sure her hymen is “still intact.”
T.I. told the “Ladies Like Us” podcast that he takes “yearly trips to the gynecologist” with his now 18-year-old daughter. Social media blew up afterward, with people strongly lashing out at T.I.
Planned Parenthood posted a series of clapback tweets Wednesday, starting with: “Idk who needs to hear this but virginity is a made-up social construct, and it has absolutely nothing to do with your hymen.”
The episode debuted this week but was later removed from many popular podcast platforms like Apple, though the episode was still listenable after a Google search. The “Ladies Like Us” hosts apologized on Instagram for the episode.
Sign up for Daily Newsletters
Copyright © 2019 The Washington Times, LLC.
Please read our comment policy before commenting.


How To Fix D3dcompiler 47 Dll Free In Windows 7 Without Any Software D3dcompiler 47 Dll Fix Youtube
D3dcompiler 47 Dll Is Missing Fixed Driver Easy
Fix D3dcompiler 47 Dll Missing Error On Windows 10 8 1 8 7 Vista Xp Driver Talent
Windows 7 Windows Server 2008 R2 および Windows Server 2012 では D3dcompiler の更新プログラムが欠落しているため Net Framework 4 7 のインストールがブロックされる
How To Fix D3dcompiler 47 Dll Is Missing Error In Windows 7
D3dcompiler 47 Dll Download Free Momeasysite
D3dcompiler 47 Dll Missing But Update Not Applicable To My Computer Microsoft Community
Photoshop System Error At Launch D3dcompiler 47 Dll Is Missing
How To Fix D3dcompiler 47 Dll Is Missing Error Under Windows 7 32bit X86 Youtube
Photoshop Cc Fix D3dcompiler 47 Dll Is Missing From Your Computer Solved Photoshop Cc Fix D3dcompiler 47 Dll Is Missing From Your Computer Solved
How To Fix D3dcompiler 47 Dll Is Missing Error On Windows
Dxwnd Dll File Is Missing Download For Windows 7 8 10 Fix Dxwnd Dll Missing Error On Windows Dll Box Com
How To Fix D3dcompiler 47 Dll Is Missing Error In Windows 7 X64 X86 Youtube
Qgc Installation Error Can T Open To Write D3dcompiler 47 Dll Programmer Sought
Fixed D3dcompiler 47 Dll Is Missing From Your Computer
How To Fix D3dcompiler 47 Dll Is Missing Error In Frostpunk By Fix4dll
D3dcompiler 47 Dllをダウンロードし Dllエラーをトラブルシューティング
Help With Fluenz On Wine Page 2 Winehq Forums
Windows7 Run The Software Appears The Solution Can Not Be Found D3dcompiler 47 Dll Programmer Sought
Solved Re Photoshop Cc 2019 20 0 Crash D3dcompiler 47 Adobe Support Community 10177166
Fix D3dcompiler 47 Dll Is Missing Appuals Com
Solved Windows 7 Adguard For Windows Cannot Be Started Installed D3dcompiler 47 Dll Is Missing Adguard Forum
D3dcompiler 47 Dll Is Missing
32 Windows Error Ideas Windows Windows Registry Pc Cleaner
Download Dll Windows 7
Fix Error Photoshop Cc 2019 D3dcompiler 47 Dll Is Missing In Windows 7 64bit Download Kb4019990 Youtube
Fixed Isdone Dll Error When Installing Games In Windows 10


| DOSE: |
2 hits |
oral |
DOC |
(blotter / tab) |
12:02am: Two hits taken orally and held under toungue until 12:12am. It has a pungent taste not unlike that of 2ci. (the time will be started from 12:02am)
t +0:15: Movie 'Akira' started, hope I don't get freaked out by the insane visuals.
t +0:40: The begining of a stomach ache, nothing to bad though.
t +1:45: Strange body high, like that of acid or the begining of taking a pill of E. I feel strangely super connected with the movie 'Akira'. I feel shaky, though physically I'm not shaking at all.
t +2:30: The movie is over, it was freakishly intense. Watching that movie made me get way into it, I could feel the movie physically and emotionally. Now I'm watching things distort and I can 'feel' everything I want to. I don't think there's a reason to do somthing physically if I can relive it in my mind right now.
t +3:30: Visuals die down when I start to do activities like cooking. I wouldn't suggest watching TV on DOC. While doing it I start to question the worlds own future. Stick with the weather channel...the weather doesn't have opinions about world future and nuclear dominance.
t +5:08: Physical sensations have dropped to near nothing, I'm not sure if it's too hot in this room or to cold.
t +6:00: The visuals have died down a lot. The body high has dropped a lot as well. I still have a strange physical view on reality which is similar to coming up on shrooms or LSD.
t +7:12: Minor headache. Started in the front now moved to back. The visuals have severely decreased. Body high is non-existent. Music is still intense. A freind of mine said he was getting very good CEV's. I wouldn't catagorize them as good, but they're there. Another thing I notice is it takes time for the distortion to kick in, meaning I have to look at something for a few seconds before it starts to go.
t +9:15: Pretty much all of the drugs effects have worn off. There are slight visual deistortions but nothing to get glad about. No body high. Music still is very intense. No CEV's. There is still some strange thing going on with reality, and it's still hard to walk around perfectly strait.
t +11:54: No visuals, no body high, no CEV's. Still feel slightly 'off'.
Retrospect. I tried this alone in the safety of my home. (I am an experienced psychedelic user.) During the beginning while watching news it was very hard to not think negative. If I did do DOC again, I would try more. I tried this on an empty stomach to make sure but did not get the effects I was expecting...
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Our Team
Arthur Fernandes Web Designer
Passionate about technology and always motivated to deal with new challenges. Former Control Systems Engineer at the oil industry. Arthur was mainly engaged in the Meta Site providing the rationale and layout to present our team efforts to deliver a great solution.
Benedict Chan Web Designer
What does this team member to? Keep it short! This is also a great spot for social links!
Benedict is the talented designer who developed our prototype site according to the solutions aproved in our meetings.
Gustavo Guimaraes Team Lider
What does this team member to? Keep it short! This is also a great spot for social links!
Gustavo is our team leader, who wisely guided the project and managed version control on Github.
Description and Rationale
- Mention Jquery/javascript -where/why - CSS3 - where/why - bootstrap - printing/mobile design - metodology - meetings - mention github and links - SEO
The original website for the COMP 1950 is quite solid in terms of presentation of its content. However, it can be improved in order provide a better user experience over a variety of viewports and platforms. It should be confortable to students access the content over tablet, mobile phone, or even print the content according to their convenience.
<<<<<<< HEADMetodology
Gathered right in the classroom, the members this team believe in the potential of collaborative platforms to confortably enhance productivity without bringing communitation lacks to the project. We found this project a good oportunity to implement the GIT tools and get up to date with that incredible tool. There was created a user comp1950-bag, and all the commits and collaborations are available at https://github.com/comp1950-bag.
The group had 3 presential meetings, where was discussed the issues and better solutions according to the milestones. Beetween meetings the communication was done by hangouts and e-mail.
======= >>>>>>> upstream/masterResponsive Design
<<<<<<< HEAD For enhanced access over diverse screen sizes it was chosen bootstrap, which easily implements responsive behavior trhough javascript and CSS. After implementation the team tested the user experience to validate all the modifications. Starting from a template, it was necessary to modify :
Javascript
- Quizz clock
- pop up
- pannels
CSS3
implement CSS3!:
- Grid
- flexbox
- other ideas
- offsets for navbar? - padding, content size?
Printing Design
We are environmental friendly, so we tried to save some trees cleaning off the menus and few design resources. Just what matters, just essential ink on the paper. mention what was exactly done
<<<<<<< HEADSEO Optimization
======= >>>>>>> upstream/masterA description and rationale for all site improvements. This is among the most important sections of the project meta site. This is your chance to 'sell' your efforts to your client instructor. This is where you describe why you chose to build the site in the way you have proposed. List all the deliverables you have implemented, and and any features or improvements you have added. Justify your decisions for choosing a particular layout and design. If your HTML5 improves the page semantics and thus SEO, be sure to mention it. If you used jQuery or CSS3, explain where it is being used, and why. Also List any features you had planned to implement but could not complete. If your rationale does not describe a sufficient quantity of improvements, and if it does not effectively make a case for how these changes improve the site, your client will not be convinced that your team is the best choice.
<<<<<<< HEAD ======= >>>>>>> upstream/master


Hulk Store API
Jersey + Spring Framework + Java Persistence API
The strongest store in the universe.


{% extends '_layouts/application.html' %} {% block content %} {% set privacy = true %} {% include './_partials/header.html' %} {{ section3Subtitle }} {{ section3Intro1 }} {{ section3Sub1 }} {% include '_partials/visualizations/public-opinion-survey.html' %} {{ section3Sub2 }} {% include '_partials/visualizations/data-protection-rights.html' %} {{ section3Sub3 }} {% include '_partials/visualizations/https-share.html' %} {{ section3Sub4 }} {% include '_partials/visualizations/data-breaches.html' %} {% include '_partials/visualizations/data-breach-sectors.html' %} {{ prev }} {{ section2Subtitle }} {{ next }} {{ section4Subtitle }} {% endblock %}
{{ section3Intro1 }}


Apache FOP: Fonts
Summary
The following table summarizes the font capabilities of the various FOP renderers:
| Renderer | Base-14 | AWT/OS | Custom | Custom Embedding |
|---|---|---|---|---|
| yes | no | yes | yes | |
| PostScript | yes | no | yes | yes |
| PCL | yes (modified) | yes (painted as bitmaps) | yes (painted as bitmaps) | no |
| AFP | no | no | yes | yes |
| Java2D/AWT/Bitmap | if available from OS | yes | yes | n/a (display only) |
| if available from OS | yes | yes | controlled by OS printer driver | |
| RTF | n/a (font metrics not needed) | n/a | n/a | n/a |
| TXT | yes (used for layout but not for output) | no | yes (used for layout but not for output) | no |
| XML | yes | no | yes | n/a |
Base-14 Fonts
The Adobe PostScript and PDF Specification specify a set of 14 fonts that must be available to every PostScript interpreter and PDF reader: Helvetica (normal, bold, italic, bold italic), Times (normal, bold, italic, bold italic), Courier (normal, bold, italic, bold italic), Symbol and ZapfDingbats.
Please note that recent versions of Adobe Acrobat Reader replace "Helvetica" with "Arial" and "Times" with "Times New Roman" internally. GhostScript replaces "Helvetica" with "Nimbus Sans L" and "Times" with "Nimbus Roman No9 L". Other document viewers may do similar font substitutions. If you need to make sure that there are no such substitutions, you need to specify an explicit font and embed it in the target document.
Missing Fonts
When FOP does not have a specific font at its disposal (because it's not installed in the operating system or set up in FOP's configuration), the font is replaced with "any". "any" is internally mapped to the Base-14 font "Times" (see above).
Java2D/AWT/Operating System Fonts
The Java2D family of renderers (Java2D, AWT, Print, TIFF, PNG), use the Java AWT subsystem for font metric information. Through operating system registration, the AWT subsystem knows what fonts are available on the system, and the font metrics for each one.
When working with one of these output formats and you're missing a font, just install it in your operating system and they should be available for these renderers. Please note that this is not true for other output formats such as PDF or PostScript.
Custom Fonts
Support for custom fonts is highly output format dependent (see above table). This section shows how to add Type 1 and TrueType fonts to the PDF, PostScript and Java2D-based renderers. Other renderers (like AFP) support other font formats. Details in this case can be found on the page about output formats.
Prior to FOP version 0.94, it was always necessary to create an XML font metrics file if you wanted to add a custom font. This unconvenient step has been removed and in addition to that, FOP supports auto-registration of fonts, i.e. FOP can find fonts installed in your operating system or can scan user-specified directories for fonts. Font registration via XML font metrics file is still supported and is still necessary if you want to use a TrueType Collection (*.ttc). Direct support for TrueType collections may be added later. Furthermore, the XML font metrics files are still required if you don't want to embed, but only reference a font.
Basic information about fonts can be found at:
Basic font configuration
If you want FOP to use custom fonts, you need to tell it where to find them. This is done in the configuration file and once per renderer (because each output format is a little different). In the basic form, you can either tell FOP to find your operating system fonts or you can specify directories that it will search for support fonts. These fonts will then automatically be registered.
<fonts> <!-- register all the fonts found in a directory --> <directory>C:\MyFonts1</directory> <!-- register all the fonts found in a directory and all of its sub directories (use with care) --> <directory recursive="true">C:\MyFonts2</directory> <!-- automatically detect operating system installed fonts --> <auto-detect/> </fonts>
Advanced font configuration
The instructions found above should be sufficient for most users. Below are some additional instructions in case the basic font configuration doesn't lead to the desired results.
Type 1 Font Metrics
FOP includes PFMReader, which reads the PFM file that normally comes with a Type 1 font, and generates an appropriate font metrics file for it. To use it, run the class org.apache.fop.fonts.apps.PFMReader:
Windows:
java -cp build\fop.jar;lib\avalon-framework.jar;lib\commons-logging.jar;lib\commons-io.jar org.apache.fop.fonts.apps.PFMReader [options] pfm-file xml-file
Unix:
java -cp build/fop.jar:lib/avalon-framework.jar:lib/commons-logging.jar:lib/commons-io.jar org.apache.fop.fonts.apps.PFMReader [options] pfm-file xml-file
PFMReader [options]:
- -fn <fontname> By default, FOP uses the fontname from the .pfm file when embedding the font. Use the "-fn" option to override this name with one you have chosen. This may be useful in some cases to ensure that applications using the output document (Acrobat Reader for example) use the embedded font instead of a local font with the same name.
TrueType Font Metrics
FOP includes TTFReader, which reads the TTF file and generates an appropriate font metrics file for it. Use it in a similar manner to PFMReader. For example, to create such a metrics file in Windows from the TrueType font at c:\myfonts\cmr10.ttf:
java -cp build\fop.jar;lib\avalon-framework.jar;lib\commons-logging.jar;lib\commons-io.jar org.apache.fop.fonts.apps.TTFReader [options] C:\myfonts\cmr10.ttf ttfcm.xml
TTFReader [options]:
- -d <DEBUG | INFO > Sets the debug level (default is INFO).
- -fn <fontname> Same as for PFMReader.
- -ttcname <fontname> If you're reading data from a TrueType Collection (.ttc file) you must specify which font from the collection you will read metrics from. If you read from a .ttc file without this option, the fontnames will be listed for you.
- -enc ansi Creates a WinAnsi-encoded font metrics file. Without this option, a CID-keyed font metrics file is created. The table below summarizes the differences between these two encoding options as currently used within FOP. Please note that this information only applies to TrueType fonts and TrueType collections:
| Issue | WinAnsi | CID-keyed |
|---|---|---|
| Usable Character Set | Limited to WinAnsi character set, which is roughly equivalent to iso-8889-1. | Limited only by the characters in the font itself. |
| Embedding the Font | Optional. | Mandatory. Not embedding the font produces invalid PDF documents. |
TrueType Collections Font Metrics
TrueType collections (.ttc files) contain more than one font. To create metrics files for these fonts, you must specify which font in the collection should be generated, by using the "-ttcname" option with the TTFReader.
To get a list of the fonts in a collection, just start the TTFReader as if it were a normal TrueType file (without the -ttcname option). It will display all of the font names and exit with an Exception.
Here is an example of generating a metrics file for a .ttc file:
java -cp build\fop.jar;lib\avalon-framework.jar;lib\commons-logging.jar;lib\commons-io.jar org.apache.fop.fonts.apps.TTFReader -ttcname "MS Mincho" msmincho.ttc msminch.xml
Register Fonts with FOP
You must tell FOP how to find and use the font metrics files by registering them in the FOP Configuration. Add entries for your custom fonts, regardless of font type, to the configuration file in a manner similar to the following:
<fonts> <!-- register a particular font --> <font metrics-url="file:///C:/myfonts/FTL_____.xml" kerning="yes" embed-url="file:///C:/myfonts/FTL_____.pfb"> <font-triplet name="FrutigerLight" style="normal" weight="normal"/> </font> <!-- register all the fonts found in a directory --> <directory>C:\MyFonts1</directory> <!-- register all the fonts found in a directory and all of its sub directories (use with care) --> <directory recursive="true">C:\MyFonts2</directory> <!-- automatically detect operating system installed fonts --> <auto-detect/> </fonts>
- URLs are used to access the font metric and font files. Relative URLs are resolved relative to the font-base property (or base) if available. See FOP: Configuration for more information.
- The "metrics-url" attribute is generally not necessary except if you run into problems with certain fonts.
- Either an "embed-url" or a "metrics-url" must be specified for font tag configurations.
- The font "kerning" attribute is optional. Default is "true".
- If embedding is off (i.e. embed-url is not set), the output will position the text correctly (from the metrics file), but it will not be displayed or printed correctly unless the viewer has the applicable font available to their local system.
- When setting the "embed-url" attribute for Type 1 fonts, be sure to specify the PFB (actual font data), not PFM (font metrics) file that you used to generate the XML font metrics file.
- The fonts "directory" tag can be used to register fonts contained within a single or list of directory paths. The "recursive" attribute can be specified to recursively add fonts from all sub directories.
- The fonts "auto-detect" tag can be used to automatically register fonts that are found to be installed on the native operating system.
- Fonts registered with "font" tag configurations override fonts found by means of "directory" tag definitions.
- Fonts found as a result of a "directory" tag configuration override fonts found as a result of the "auto-detect" tag being specified.
- If relative URLs are specified, they are evaluated relative to the value of the "font-base" setting. If there is no "font-base" setting, the fonts are evaluated relative to the base directory.
Auto-Detect and auto-embedd feature
When the "auto-detect" flag is set in the configuration, FOP will automatically search for fonts in the default paths for your operating system.
FOP will also auto-detect fonts which are available in the classpath, if they are described as "application/x-font" in the MANIFEST.MF file. For example, if your .jar file contains font/myfont.ttf:
Manifest-Version: 1.0 Name: font/myfont.ttf Content-Type: application/x-font
This feature allows you to create JAR files containing fonts. The JAR files can be added to fop by providem them in the classpath, e.g. copying them into the lib/ directory.
Embedding
Font embedding is enabled in the userconfig.xml file and controlled by the embed-url attribute. If you don't specify the embed-url attribute the font will not be embedded, but will only be referenced.
When FOP embeds a font, it adds a prefix to the fontname to ensure that the name will not match the fontname of an installed font. This is helpful with older versions of Acrobat Reader that preferred installed fonts over embedded fonts.
When embedding PostScript fonts, the entire font is always embedded.
When embedding TrueType fonts (ttf) or TrueType Collections (ttc), a subset of the original font, containing only the glyphs used, is embedded in the output document.
by Jeremias Märki, Tore Engvig, Adrian Cumiskey, Max Berger
version 638396


React Tag Manager
Basic example
Custom tag manager example
View the source code to see what's behind.
Documentation
View on Github


scrapyd¶
安装¶
需求环境¶
- >=Python 2.6
- >=Twisted 8.0
- >=Scrapy 0.17
通用安装¶
[root@102 ~]$ pip install scrapyd
Collecting scrapyd
Downloading scrapyd-1.2.0-py2.py3-none-any.whl
Requirement already satisfied: six in /usr/lib/python2.7/site-packages (from scrapyd)
Requirement already satisfied: Twisted>=8.0 in /usr/lib64/python2.7/site-packages (from scrapyd)
Requirement already satisfied: Scrapy>=1.0 in /usr/lib64/python2.7/site-packages (from scrapyd)
Requirement already satisfied: zope.interface>=3.6.0 in /usr/lib64/python2.7/site-packages (from Twisted>=8.0->scrapyd)
Requirement already satisfied: constantly>=15.1 in /usr/lib/python2.7/site-packages (from Twisted>=8.0->scrapyd)
Requirement already satisfied: incremental>=16.10.1 in /usr/lib/python2.7/site-packages (from Twisted>=8.0->scrapyd)
Requirement already satisfied: Automat>=0.3.0 in /usr/lib/python2.7/site-packages (from Twisted>=8.0->scrapyd)
Requirement already satisfied: hyperlink>=17.1.1 in /usr/lib/python2.7/site-packages (from Twisted>=8.0->scrapyd)
Requirement already satisfied: PyDispatcher>=2.0.5 in /usr/lib/python2.7/site-packages (from Scrapy>=1.0->scrapyd)
Requirement already satisfied: lxml in /usr/lib64/python2.7/site-packages (from Scrapy>=1.0->scrapyd)
Requirement already satisfied: service-identity in /usr/lib/python2.7/site-packages (from Scrapy>=1.0->scrapyd)
Requirement already satisfied: w3lib>=1.17.0 in /usr/lib/python2.7/site-packages (from Scrapy>=1.0->scrapyd)
Requirement already satisfied: pyOpenSSL in /usr/lib64/python2.7/site-packages (from Scrapy>=1.0->scrapyd)
Requirement already satisfied: parsel>=1.1 in /usr/lib/python2.7/site-packages (from Scrapy>=1.0->scrapyd)
Requirement already satisfied: cssselect>=0.9 in /usr/lib/python2.7/site-packages (from Scrapy>=1.0->scrapyd)
Requirement already satisfied: queuelib in /usr/lib/python2.7/site-packages (from Scrapy>=1.0->scrapyd)
Requirement already satisfied: setuptools in /usr/lib/python2.7/site-packages (from zope.interface>=3.6.0->Twisted>=8.0->scrapyd)
Requirement already satisfied: attrs in /usr/lib/python2.7/site-packages (from Automat>=0.3.0->Twisted>=8.0->scrapyd)
Requirement already satisfied: pyasn1 in /usr/lib/python2.7/site-packages (from service-identity->Scrapy>=1.0->scrapyd)
Requirement already satisfied: pyasn1-modules in /usr/lib/python2.7/site-packages (from service-identity->Scrapy>=1.0->scrapyd)
Installing collected packages: scrapyd
Successfully installed scrapyd-1.2.0
Note
如果提示python.h文件文件缺失或者gcc命令不存在，请安装开发环境yum groupinstall “development tools”。


Doom 3 adds Slayers Club functionality through a new patch for free Doom Eternal content
Skins to win
by Chris CarterWe've officially moved past the point where Doom 3 is a glorified doorstop on Switch to where all that fluff is optional.
Not content with leaving retro releases well enough alone, Bethesda dumped a ton of new school functionality into their old school Doom releases, leading to a bevy of memes regarding a Bethesda.net account requirement. Now, it's an option that will get you free stuff.
Doom 3 specifically just got a "minor patch" (1.03) that is live now on all platforms. If you decide to sign in to your Slayer's Club account you can net the "Red Doom Marine Skin," as well as a Doom 3 nameplate for Doom Eternal when it hits in 2020. Harmless cross-promotion ahoy! You know someone in marketing is really proud that they thought of this.
Doom 3 1.03 [Gearnuke]
We’re deploying a minor patch for DOOM 3 re-releases for all platforms today. This update has added the Slayers Club sign in option. By signing into your Slayers Club account through DOOM 3, you’ll receive the Red DOOM Marine skin and DOOM 3 nameplate for DOOM Eternal when the game launches!


This past week of gSchool, we got our first outside-of-the-classroom introductions to the Ruby community by attending Rocky Mountain Ruby Conf, and also by having a personal session with Wayne E. Seguin, the original creator of RVM.
Wayne taught us a few important lessons, but the most important advice I heard is to know yourself, and to know how to deal with yourself. As a similar work-a-holic, when I am at home (aka: not in gSchool, where work-a-holicism is somewhat of a neccessity), I tend to spend hours learning new things after work, and ignoring my friends and family. Although great for keeping up with the current tech trends, this tends to wear on my personal relationships. To combat this, Wayne has set aside the 5pm to 8pm block of time as “family time”, and has alerted all of his friends, the open source projects he works on, and his colleagues of this rule. He sticks to it, and with this expectation, he does not let anyone down. His family knows his focus is on them during that time, and his co-collaborators respect that he is away and unavailable to work during that time of day.
At Rocky Mountain Ruby, I learned a lot about the community. Aside from the stickers, soft tshirts, and good food, the presenters where really knowledgable about their topics. I have attended conferences before, but I have never been to a conference with only one track. This was interesting to me, because although I didn’t have enough practical knowledge on the subject, I was forced to hear about threading, Go (the language), and 17 databases that I’ve never heard of before, I listened throughout the presentations and was able to learn something about the subject. Coming out of the conference, I was amazed at how much I had understood about every presentation. It goes to show that if you listen and try to understand, you will learn.*
Learning from the community, regardless of whether it is the Ruby community, or another community in general, is a very interesting experience. If you listen carefully, you hear about the triumphs, the losses, the intersections of people and pride, and the lessons that others have learned. I’ve found that it is wise to listen hard during these anecdotes, because those that wore this path before us have made mistakes (or discoveries) that we can benefit from knowing, and hopefully apply to our own individual journeys.
*Pro-tip: Sit in the front during conferences and presentations. If you have any sense of shame left in you, you won’t be as compelled to whip open your laptop or check your phone. And without distractions, there is only one thing left to do: listen to the presentation.


Flask-Ldap-Login is an extensions which adds LDAP authentication support to your
flask app. It leverages the ldap3 library
It provides simple ldap info getters, and is contextually safe in the flask runtime. It
can interface with Flask-Login and Flask-Principal.


Last Name
First Name
Address
City
State
Zip/Postal Code
Country
Bulgaria
Serbia
Romania
Greece
Phone(Country code, area code, number)
(+
)
E-mail
Birth date
Gender
Male
Female
N/A
Starting date
Spring 2015
Summer 2015
Comments/Questions


“I’m the calm in the storm, able to deal with the biggest crises with a logical and approachable demeanor.”)
Hello I'm Hamza Qahoush a Civil Enginner Graduted from University of Jordan
Specializing in real estate and construction, I’ve amassed 4 years’ experience in office and site work. In the last two years, I was a project manager for two projects. I’m passionate about achieving, planning my work, and fulfill their responsibilities in managing and taking discharges.
Currently, I’m searching out of the box and I’ve enrolled with CodeFellows Software program At Luminus Technical University College ( LTUC) to widen my horizon and maybe make a brilliant mix between my career and programming .
<