Using ngResource with Rails Applications
While Ruby on Rails is great for quick and easy app development, the synchronous requests can be a real drag – literally. AngularJS is clean, elegant, and super fast on the client-side, with its beautiful promises and async style. What if you want the best of both worlds? Using ngResource in Angular essentially turns your Rails application into an internal API, seamlessly piggybacking your robust Rails framework… without the bulkiness of Rails dragging you down.
For this article, I’m going to assume you have an existing RoR application with AngularJS added
Break out of your Angular
For most use cases, when we use AngularJS with Rails, we’ll usually contain the small amount of code to one single file named something like angular.js
within app/assets/javascripts/
. While this is fine for minimal use, we’re going to be throwing most of our logic into AngularJS to speed things up.
Let’s create a new directory within javascripts/
and name it angular
.
Now, we’ll move our angular.js
file inside this folder. As we create more Angular code, we’ll break it out accordingly.
Update Rails controllers
For each Rails model that we need to access in Angular, we’ll want to update the associated Rails controller to output our information in JSON as well as HTML. Take a look at the example below:
class ThingsController < ApplicationController
# ...
def index
@things = Thing.all
respond_to do |format|
format.html # HTML for your view
format.json { render json: @things } # We'll render data in JSON for AngularJS
end
end
def show
@thing = Thing.find(params[:id])
respond_to do |format|
format.html
format.json { render json: @thing }
end
end
# ...
end
Add ngResource to your Angular module
Next, we’ll add the ngResource CDN to our application (alternatively, you can install angular-resource via Bower). Add the following line after your AngularJS inclusion:
<%= javascript_include_tag "//ajax.googleapis.com/ajax/libs/angularjs/X.Y.Z/angular-resource.js" %>
Then, we need to inject the ngResource dependency into our AngularJS application module. This will be in /app/assets/javascripts/angular/angular.js
.
var myApp = angular.module('myApp', ['ngResource']); // Add 'ngResource' to your module
Create your factories
Now, inside our angular
directory, we’ll create a new file called factories.js
. Inside that file, for each model, you’ll want to create a factory that will handle our CRUD functions. Routing will be based on our Rails router.
myApp.factory('Thing', ['$resource', function($resource){
return $resource('/things/:id.json', {id: '@id'}, {
update: {method: 'PUT'},
destroy: {method: 'DELETE'}
})
}]);
Note that only update and destroy need be defined. Get, save, and query are included in ngResource by default.
Using ngResource factories in your Angular controllers
Once we have our factory created, we’re ready to retrieve our data and store it in our Angular controller for use in our logic. First, we’ll need to inject our new factory into our Angular controller.
myApp.controller('thingController', ['Thing', function(Thing){
// Logic goes here...
}]);
Then, we can go ahead and use our factory to pull data into Angular for use. I’ve included our basic CRUD operations in the example below. For async calls, we’ll use promises and callbacks to speed things up.
myApp.controller('thingController', ['$scope', 'Thing', function($scope, Thing){
// Use .query() to get all Things
function getAllThings(){
Thing.query({}, // Params go in hash, if applicable
// When promise is returned
function(response){
// Do stuff
},
// If an error occurs
function(err){
// Error handling here
}
);
};
// Use .get to get a single Thing
function getOneThing(thingId){
Thing.get({id: thingId},
// Callback and error handling here
);
};
// We can also use the following calls in the same way as above:
Thing.save({}); // Thing object to be saved goes in the object hash
Thing.update({}); // Works same as save, but performs a PUT on existing object
Thing.destroy({}); // Calls DELETE on object specified
}]);
In closing…
Hopefully now you see how using AngularJS with ngResource can help speed up your Rails application. I tried to keep this decently high-level without going to granular, so I hope you understand the concepts. ngResource can do a lot of great things, and I love using it to keep my Rails app as async as possible. It doesn’t give me a single-page app, but it definitely helps things along.


'They [Te'o-Brown] weren't the only two players that had differences, there were others...'
by Josh RaiseyOne of the biggest stories before England’s World Cup campaign in Japan was the altercation between Ben Te’o and Mike Brown during the team’s warm-weather camp in Italy.
The centre and full-back were dropped from the squad soon after, and it was widely believed that it was due to their alleged fight.
However, England head coach Eddie Jones has recently said their omission was because they were not the “right players for the World Cup”.
Jones said this while speaking specifically about an incident between two members of the England football team, Raheem Sterling and Joe Gomez, who clashed when playing for Manchester City and Liverpool respectively at the weekend and were then embroiled in another altercation with the national team.
Regarding this incident, Sterling has been dropped for England’s next match against Montenegro by manager Gareth Southgate in a similar way that Jones dismissed Te’o and Brown.
(Continue reading below…)
However, the Australian said that this was not the only occasion before or during the RWC where emotions ran high.
“It was a matter of us picking the right players for the World Cup. They weren’t the only two players that had differences, there was plenty of other players that had differences, and at the World Cup we had differences.”
This admission by Jones not only gives an insight into the England camp during the RWC, but sheds yet more light on why the former Worcester Warrior Te’o and Harlequins’ Brown did not go to Japan.
This may not be all that surprising to many, as a Test rugby environment will always create friction amongst team-mates as they vie for places.
Jones will hope he does not face those problems this week, as he takes charge of the Barbarians who face Fiji at Twickenham this Saturday.
WATCH: Warren Gatland’s reason for saying no to the All Blacks job


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Hi,
I need to do a unit test for the EmonLib C++ class.
I was thinking about the Boost framework, but I would like to hear what experiences there is out there with various test automation frameworks in relation to the OEM project and EmonLib in particular.
I am new to the OEM Project however I did stumble on a defect.
https://github.com/openenergymonitor/EmonLib/issues/11
I prefer to make test cases, when defects are found. Both for the broken functionality, but also for the functionality to be preserved after the codechanged.
I can't seem to find any automated test for the OEM project.
looking forward to your input.
Andreas Markussen
Re: Automated Test Framework for Unit, integration and system test?
Are you sure that the code of which you complain is incorrect? Both values being compared are of type "unsigned long", therefore the difference will be of type unsigned long, which by definition cannot be negative. It will overflow, but it cannot be negative. For the comparison, timeout will be promoted to unsigned long (and it should never be set as a negative value anyway, because that makes no sense, so I agree with you that it should be of type unsigned int). But as far as I can see, it will handle the rollover correctly.
Perhaps you can tell me where my logic has gone wrong.
Re: Automated Test Framework for Unit, integration and system test?
By way of illustration (not proof) the attached sketch gives this output:
I had no wish to wait 50 days, I think clock( ) is equivalent to millis( ) for the present purpose - it does return the same type.
You can clearly see the time (mytime) overflowing yet the difference, (millis() - start) is still handled correctly, and the boolean is set in the correct place.
Re: Automated Test Framework for Unit, integration and system test?
My post had a purpose to discuss the Test Framework, and I would still like this.
Choice of test framework
I will continue with Boost, until somebody pitch in. (Please do! )
The fact that Robert and I, are both doing various analysis, just shows the value for a test framework.
Comment on Robers input on Issue 11
However I also need to reply to Roberts input. I haven't done the test case, however I have done the math, in an Excel Sheet.
Lets assume that the wrap happens at 100, and the time is 95, and the timeout is 6. So in this case, it should time out after 6 iterations.
However we should continue the discussion of Issue 11, on Issue 11.
So what do you suggest, for automatically showing if an assumption is true or false.
Re: Automated Test Framework for Unit, integration and system test?
C guarantees the desired result in this case. When an unsigned integer subtraction underflows, it will effectively add 0x100000000 to the result, assuming 32-bit (which in practice means just ignore the underflow and do nothing).
Undetected underflow has been the cause of plenty of buffer overrun vulnerabilities for network coders, but in this case, the guaranteed behaviour is exactly what the coder is expecting.
Re: Automated Test Framework for Unit, integration and system test?
andreasm_dk:
What makes you think that Excel obeys the same rules as C & C++? Clearly you have not read the language specification, of that I am quite certain. Here is a reference if you need it: "The C Programming Language", Second Edition, Kernighan & Ritchie, Prentice Hall, ISBN 0-13-110362-8, Appendix A6.5 (page 198). And as far as I am aware, those rules are unchanged since 1988 and have been inherited by C++. [Edit:] The C++ November 2014 draft standard is the same (Section 5.10, page 89).
And I think a review of binary arithmetic and how overflow and underflow is handled (as dBC points out) might not come amiss, either.


This component is a common interface for heat transfer models.
The heat flow rates Q_flows[n]
through the boundaries
of n flow segments are obtained as function of the thermodynamic
states
of the flow segments for a given fluid
Medium
, the surfaceAreas[n]
and the
boundary temperatures heatPorts[n].T
.
The heat loss coefficient k
can be used to model a
thermal isolation between heatPorts.T
and
T_ambient
.
An extending model implementing this interface needs to define
one equation: the relation between the predefined fluid
temperatures Ts[n]
, the boundary temperatures
heatPorts[n].T
, and the heat flow rates
Q_flows[n]
.
| Name | Description |
|---|---|
| Medium | Medium in the component |


{% extends "base.html" %} {% import 'bootstrap/wtf.html' as wtf %} {% block app_content %}
Write something terrific!


| Version | CPU | Interface | Version | Comment |
|---|---|---|---|---|
| EPEL distribution packages (Starting from CentOS 6) search for "MediaInfo" in your package manager or "yum install mediainfo-gui" (for GUI) or "yum install mediainfo" (for CLI) |
How to install CentOS EPEL | |||
| 7 | x86_64 | CentOS 7, x86_64 | ||
| GUI | v0.7.82 | requires libmediainfo0 | ||
| CLI | v0.7.82 | requires libmediainfo0 | ||
| libmediainfo0 | v0.7.82 (devel) | requires libzen0 | ||
| libzen0 | v0.4.32 (devel) | |||
| wxGTK | v2.8.12 (devel) | home made version, use your own version if possible | ||
| ppc64 | CentOS 7, ppc64 | |||
| Check RHEL releases. | ||||
| 6 | i686 | CentOS 6, i686 | ||
| GUI | v0.7.82 | requires libmediainfo0, wxGTK | ||
| CLI | v0.7.82 | requires libmediainfo0 | ||
| libmediainfo0 | v0.7.82 (devel) | requires libzen0 | ||
| libzen0 | v0.4.32 (devel) | |||
| wxGTK | v2.8.12 (devel) | home made version, use your own version if possible | ||
| x86_64 | CentOS 6, x86_64 | |||
| GUI | v0.7.82 | requires libmediainfo0 | ||
| CLI | v0.7.82 | requires libmediainfo0 | ||
| libmediainfo0 | v0.7.82 (devel) | requires libzen0 | ||
| libzen0 | v0.4.32 (devel) | |||
| wxGTK | v2.8.12 (devel) | home made version, use your own version if possible | ||
| 5 | i686 | CentOS 5, i686 | ||
| GUI | v0.7.82 | requires libmediainfo0, wxGTK | ||
| CLI | v0.7.82 | requires libmediainfo0 | ||
| libmediainfo0 | v0.7.82 (devel) | requires libzen0 | ||
| libzen0 | v0.4.32 (devel) | |||
| wxGTK | v2.8.12 (devel) | home made version, use your own version if possible | ||
| x86_64 | CentOS 5, x86_64 | |||
| GUI | v0.7.82 | requires libmediainfo0 | ||
| CLI | v0.7.82 | requires libmediainfo0 | ||
| libmediainfo0 | v0.7.82 (devel) | requires libzen0 | ||
| libzen0 | v0.4.32 (devel) | |||
| wxGTK | v2.8.12 (devel) | home made version, use your own version if possible | ||
| 4 | i686 | CentOS 4, i386 | ||
| GUI | v0.7.26 | requires libmediainfo0 | ||
| CLI | v0.7.26 | requires libmediainfo0 | ||
| libmediainfo0 | v0.7.26 (devel) | requires libzen0 | ||
| libzen0 | v0.4.10 (devel) | |||
| x86_64 | CentOS 4, x86_64 | |||
| GUI | v0.7.26 | requires libmediainfo0 | ||
| CLI | v0.7.26 | requires libmediainfo0 | ||
| libmediainfo0 | v0.7.26 (devel) | requires libzen0 | ||
| libzen0 | v0.4.10 (devel) |


Represents a sound file.
More...
|
| | SoundFile (const std::string &_filePath, bool _bLoop, float _coneDir, float _conePitch, float _coneInAngle, float _coneOutAngle, float _coneOutVol) |
| | Construct a sound object from a file name and have it loaded asynchonously. More...
|
| |
| | SoundFile (const SoundFile &o)=delete |
| | Copying is not permitted. More...
|
| |
| | ~SoundFile () |
| | Destructor removes the sound object. More...
|
| |
| void | firstTimeInit () |
| | Called the first time the sound is played after loading has finished. More...
|
| |
| bool | isReady () |
| | Has loading the sound sample finished? More...
|
| |
| bool | hasConeInfo () const |
| | Has full cone information? More...
|
| |
| FMOD_CHANNEL * | play (FMOD_CHANNELGROUP *pChGrp=nullptr, bool bPaused=false) |
| | Play the sound. More...
|
| |
| void | setConeOrientation (FMOD_CHANNEL *pChn, const Aircraft &ac) |
| | Set the channel's sound cone relative to the aircraft's orientation in space and the cone configuration of the SoundFile. More...
|
| |
|
| std::string | filePath |
| | File path to sound file. More...
|
| |
| bool | bLoop = true |
| | sound to be played in a loop? More...
|
| |
| float | coneDir = NAN |
| | Which direction relative to plane's heading does the cone point to? (180 would be typical for jet engines) More...
|
| |
| float | conePitch = NAN |
| | Which pitch does the cone point to (up/down)? (0 would be typical, ie. level with the plane) More...
|
| |
| float | coneInAngle = NAN |
| | Inside cone angle. This is the angle spread within which the sound is unattenuated. More...
|
| |
| float | coneOutAngle = NAN |
| | Outside cone angle. This is the angle spread outside of which the sound is attenuated to its SoundFile::coneOutVol. More...
|
| |
| float | coneOutVol = NAN |
| | Cone outside volume. More...
|
| |
◆ SoundFile() [1/2]
| XPMP2::SoundFile::SoundFile |
( |
const std::string & |
_filePath, |
|
|
bool |
_bLoop, |
|
|
float |
_coneDir, |
|
|
float |
_conePitch, |
|
|
float |
_coneInAngle, |
|
|
float |
_coneOutAngle, |
|
|
float |
_coneOutVol |
|
) |
| |
|
inline |
Construct a sound object from a file name and have it loaded asynchonously.
- Exceptions
-
| FmodError | in case of errors during CreateSound |
◆ SoundFile() [2/2]
| XPMP2::SoundFile::SoundFile |
( |
const SoundFile & |
o | ) |
|
|
delete |
Copying is not permitted.
◆ ~SoundFile()
| XPMP2::SoundFile::~SoundFile |
( |
| ) |
|
|
inline |
Destructor removes the sound object.
◆ firstTimeInit()
| void XPMP2::SoundFile::firstTimeInit |
( |
| ) |
|
|
inline |
Called the first time the sound is played after loading has finished.
◆ hasConeInfo()
| bool XPMP2::SoundFile::hasConeInfo |
( |
| ) |
const |
|
inline |
Has full cone information?
◆ isReady()
| bool XPMP2::SoundFile::isReady |
( |
| ) |
|
|
inline |
Has loading the sound sample finished?
◆ LoadXPSounds()
| static int XPMP2::SoundFile::LoadXPSounds |
( |
| ) |
|
|
inlinestatic |
Load fixed set of X-Plane-internal sounds.
- Returns
- Number of loaded sounds
◆ play()
| FMOD_CHANNEL* XPMP2::SoundFile::play |
( |
FMOD_CHANNELGROUP * |
pChGrp = nullptr , |
|
|
bool |
bPaused = false |
|
) |
| |
|
inline |
Play the sound.
- Parameters
-
| pChGrp | [opt] The channel group this sound is to be added to, can be nullptr |
| bPaused | [opt] Shall channel stay paused after creation? |
- Returns
nullptr
in case of failure
◆ setConeOrientation()
| void XPMP2::SoundFile::setConeOrientation |
( |
FMOD_CHANNEL * |
pChn, |
|
|
const Aircraft & |
ac |
|
) |
| |
|
inline |
Set the channel's sound cone relative to the aircraft's orientation in space and the cone configuration of the SoundFile.
- Parameters
-
| pChn | The channel, which is to be modified |
| ac | Aircraft |
◆ bLoaded
| bool XPMP2::SoundFile::bLoaded = false |
|
protected |
cached version of the sound's openstate
◆ bLoop
| bool XPMP2::SoundFile::bLoop = true |
sound to be played in a loop?
◆ coneDir
| float XPMP2::SoundFile::coneDir = NAN |
Which direction relative to plane's heading does the cone point to? (180 would be typical for jet engines)
◆ coneInAngle
| float XPMP2::SoundFile::coneInAngle = NAN |
Inside cone angle. This is the angle spread within which the sound is unattenuated.
◆ coneOutAngle
| float XPMP2::SoundFile::coneOutAngle = NAN |
Outside cone angle. This is the angle spread outside of which the sound is attenuated to its SoundFile::coneOutVol.
◆ coneOutVol
| float XPMP2::SoundFile::coneOutVol = NAN |
◆ conePitch
| float XPMP2::SoundFile::conePitch = NAN |
Which pitch does the cone point to (up/down)? (0 would be typical, ie. level with the plane)
◆ filePath
| std::string XPMP2::SoundFile::filePath |
◆ len_ms
| unsigned XPMP2::SoundFile::len_ms = 0 |
|
protected |
◆ pSound
| FMOD_SOUND* XPMP2::SoundFile::pSound = nullptr |
|
protected |
The documentation for this class was generated from the following file:


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Web Hosting Forum | Lunarpages >
Scripting Languages Hosting Help >
JSP and Servlets Support > Topic:
XML encoding: ISO-8859-01 not supported?
| Pages: [1] Go Down |
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| Author | Topic: XML encoding: ISO-8859-01 not supported? (Read 1648 times) |


Sudan launches its first ever satellite in partnership with China
Khartoum says the satellite, which was launched by China, will conduct research for military as well civilian purposes.
Sudan's first-ever satellite to carry out research in military, economic and space technology has been launched by China, the African country's governing council said.
General Abdel Fattah al-Burhan, head of Sudan's sovereign council, announced on Tuesday the launch of the satellite at a meeting of his top security officials held in the capital, Khartoum.
More:
"The satellite aims to develop research in space technology, acquire data as well as discover natural resources for the country's military needs," a statement issued by the council said.
Xinhua, China's state news agency, reported that the Sudan Remote Sensing Satellite (SRSS-1), was launched on Sunday from the northern Chinese province of Shanxi.
Spokesman of the ruling body, Mohamed al-Faki Suleiman told AFP news agency that "in a few months the satellite would be monitored from Sudan".
"China launched the satellite as it is a partner in this project," al-Faki said.
Sudan, which is battling an economic crisis, has been involved in a national space programme for decades covering activities such as remote sensing and geo-informatics.
In 2013, the then-Sudanese government led by President Omar al-Bashir established the Institute of Space Research and Aerospace (ISRA) as part of an overall plan to develop space technologies.
Al-Bashir was removed by the army in April following a nationwide protest movement against his 30-year rule.
The protests were triggered by the economic crisis led by an acute shortage of foreign currency and high inflation.


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Gecode::Iter::Ranges::Array Class Reference
[Range iterators]
List of all members.
Detailed Description
Range iterator for array of ranges
Allows to iterate the ranges as defined by an array. The ranges can be iterated several times provided the iterator is reset by the reset member function.
Definition at line 49 of file ranges-array.icc.
|
Constructors and initialization |
| | Array (void) |
| | Default constructor.
|
| | Array (Range *r, int n) |
| | Initialize with n ranges from r.
|
| void | init (Range *r, int n) |
| | Initialize with n ranges from r.
|
Iteration control |
| bool | operator() (void) const |
| | Test whether iterator is still at a range or done.
|
| void | operator++ (void) |
| | Move iterator to next range (if possible).
|
| void | reset (void) |
| | Reset iterator to start from beginning.
|
Range access |
| int | min (void) const |
| | Return smallest value of range.
|
| int | max (void) const |
| | Return largest value of range.
|
| unsigned int | width (void) const |
| | Return width of range (distance between minimum and maximum).
|
Protected Attributes |
| Range * | r |
| | Array for ranges.
|
| int | c |
| | Current range.
|
| int | n |
| | Number of ranges in array.
|
Classes |
| class | Range |
| | Ranges for array More...
|
Constructor & Destructor Documentation
| Gecode::Iter::Ranges::Array::Array |
( |
void |
|
) |
[inline] |
| Gecode::Iter::Ranges::Array::Array |
( |
Range * |
r, |
|
|
int |
n | |
|
) |
| | [inline] |
Member Function Documentation
| void Gecode::Iter::Ranges::Array::init |
( |
Range * |
r, |
|
|
int |
n | |
|
) |
| | [inline] |
| bool Gecode::Iter::Ranges::Array::operator() |
( |
void |
|
) |
const [inline] |
| void Gecode::Iter::Ranges::Array::operator++ |
( |
void |
|
) |
[inline] |
| void Gecode::Iter::Ranges::Array::reset |
( |
void |
|
) |
[inline] |
| int Gecode::Iter::Ranges::Array::min |
( |
void |
|
) |
const [inline] |
| int Gecode::Iter::Ranges::Array::max |
( |
void |
|
) |
const [inline] |
| unsigned int Gecode::Iter::Ranges::Array::width |
( |
void |
|
) |
const [inline] |
Return width of range (distance between minimum and maximum).
Definition at line 131 of file ranges-array.icc.
Member Data Documentation
The documentation for this class was generated from the following file:


20-20
1
HR
Start Review
2
Employee
Select 360 Reviewers
3
Comp. Manager
Approve 360 Reviewers
4
Employee
Self Review
5
Performance
Manager
6
Compensation
Manager
7
Executive
Manager
8
HR
Letter
9
Performance
Review
10
Compensation
Review
11
HR
Final Review
12
Completed
360
20-30
1
HR
Start Review
2
Employee
Select 360 Reviewers
3
Comp. Manager
Approve 360 Reviewers
4
Employee
Self Review
5
Performance
Manager
6
Compensation
Manager
7
Executive
Manager
8
HR
Letter
9
Performance
Review
10
Compensation
Review
11
HR
Final Review
12
Completed
360
20-40
1
HR
Start Review
2
Employee
Select 360 Reviewers
3
Comp. Manager
Approve 360 Reviewers
4
Employee
Self Review
5
Performance
Manager
6
Compensation
Manager
7
Executive
Manager
8
HR
Letter
9
Performance
Review
10
Compensation
Review
11
HR
Final Review
12
Completed
360
20-50
1
HR
Start Review
2
Employee
Select 360 Reviewers
3
Comp. Manager
Approve 360 Reviewers
4
Employee
Self Review
5
Performance
Manager
6
Compensation
Manager
7
Executive
Manager
8
HR
Letter
9
Performance
Review
10
Compensation
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360
20-60
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HR
Start Review
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Employee
Select 360 Reviewers
3
Comp. Manager
Approve 360 Reviewers
4
Employee
Self Review
5
Performance
Manager
6
Compensation
Manager
7
Executive
Manager
8
HR
Letter
9
Performance
Review
10
Compensation
Review
11
HR
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12
Completed
360
20-70
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Start Review
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Employee
Select 360 Reviewers
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Comp. Manager
Approve 360 Reviewers
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Employee
Self Review
5
Performance
Manager
6
Compensation
Manager
7
Executive
Manager
8
HR
Letter
9
Performance
Review
10
Compensation
Review
11
HR
Final Review
12
Completed
360
20-80
1
HR
Start Review
2
Employee
Select 360 Reviewers
3
Comp. Manager
Approve 360 Reviewers
4
Employee
Self Review
5
Performance
Manager
6
Compensation
Manager
7
Executive
Manager
8
HR
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9
Performance
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20-90
1
HR
Start Review
2
Employee
Select 360 Reviewers
3
Comp. Manager
Approve 360 Reviewers
4
Employee
Self Review
5
Performance
Manager
6
Compensation
Manager
7
Executive
Manager
8
HR
Letter
9
Performance
Review
10
Compensation
Review
11
HR
Final Review
12
Completed
360
20-100
1
HR
Start Review
2
Employee
Select 360 Reviewers
3
Comp. Manager
Approve 360 Reviewers
4
Employee
Self Review
5
Performance
Manager
6
Compensation
Manager
7
Executive
Manager
8
HR
Letter
9
Performance
Review
10
Compensation
Review
11
HR
Final Review
12
Completed
360
20-110
1
HR
Start Review
2
Employee
Select 360 Reviewers
3
Comp. Manager
Approve 360 Reviewers
4
Employee
Self Review
5
Performance
Manager
6
Compensation
Manager
7
Executive
Manager
8
HR
Letter
9
Performance
Review
10
Compensation
Review
11
HR
Final Review
12
Completed
360


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I am an Indianapolis based College student that is seeking to expand my range of abilites in the tech field. In the future, I hope to apply new techincal and social skills in a tech related career.
Having a well rounded skill set expanding from the tech field to physical charcteristics is ideal to anyone!
C/C++/Python/JS
Languages currently learning at Uindy.
HTML / CSS
Having the ability to write in HTML & CSS is the first step to any developer. My first step was taken, and I plan to walk the journey to display up to par websites.
Video Production
I enjoy the creative process of producing and editing documentaries and short videos.
Music and Sports
Love playing the guitar and playing basketball!
Adobe Photoshop
I have a well grasp with Adobe Photoshop to apply thumbnails to the videos I edit.
Higher Level Education
Currently attending Uindy. Pursuing a degree in CS with an honors concentration and a Spanish minor.
Bi-Lingual
Conversational Spanish fluency, and proficent when speaking English.
Video Editing
Software includes Adobe Premiere and Sony Vegas Pro 17.


Super Galactic Age Calculator
Enter Your Age:
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timelinefx:timelinefx.tlEmitter.Layer
Property Layer:Int
Set the z layer.
Emitters can be set to draw on different layers depending on what kind of effect you need. By default everything is drawn on layer 0, higher layers
makes those particles spawned by that emitter drawn on top of emitters below them in layers. The layer value can range from 0-8 giving a total of 9 layers.


You'll be taking a ferry to get across to Waiheke. It's a half hour trip with a great view of Rangitoto. Ferries run regularly throughout the day.
The last ferry back on the night of the wedding is at 12.30am, so you can still party with us and head back that night if you'd prefer not to stay on the island.

Bringing a car over to Waiheke probably isn't necessary unless you are staying beyond Oneroa and want to explore the island.
If you're planning on bringing your car over to Waiheke you'll need to take the Sealink car ferry, and it's a good idea to book your ticket in advance.
We will be organising a bus that will go between the ferry terminal, Oneroa and Mudbrick. When you RSVP, let us know if you'd like to take the bus and we will update you closer to the time.
There are also public bus routes on the island that go from the ferry to Oneroa and around some of the bays.
There are lots of lovely places to stay on Waiheke. The best place to be location-wise is near Oneroa as we will be organising a bus which will stop in Oneroa to take guests to and from the wedding venue.
You can find accomodation at hotels and motels or alternatively there are plenty of options with Airbnb, Bookabach or Holiday Houses
We would love to spend some more time with everyone after the wedding, particularly those who have traveled to join us.
We'll be having a casual BBQ/bring-a-plate lunch on Saturday, and then relaxing and enjoying Waiheke for the rest of the weekend.
So feel free to stay and join us to continue the celebrations!
The most important gift to us is to have you share our day. However if you do wish to give us a gift, a contribution to our future travel plans would be greatly appreciated.


2. Explicit loading/linking of shared objects
The explicit linking consists to start a main program referencing symbols located in some shared objects which are loaded and linked to the main program through a call to "dlopen()".
2.1. TEST 1 : Building of shared lib with "ld"
--> Make the shared library :
> g++ -c base_shared.cc
> ld -shared base_shared.o -o libbase_shared.so
--> Make the main program
> g++ base1.cc -ldl
--> Run the program
> ./a.out
Main entry point
./libbase_shared.so: undefined symbol: __dso_handle
We can see that the loading of the shared object fails because of an unresolved symbol : __dso_handle.
2.2. TEST 2 : Building of shared lib with "gcc"
--> Make the shared library :
> g++ -c base_shared.cc
> g++ -shared base_shared.o -o libbase_shared.so
--> Make the main program
> g++ base1.cc -l dl
--> Run the program
> ./a.out
Main entry point
Loading shared lib...
Constructor of toto
Shared lib entry point, toto's var = 18
Destructor of toto
We can see that the static constructor and destructor of the shared library are run automatically at loading/unloading time (i.e. During the call to "dlopen()").


SelectWoo Accessibility Testing Samples
Single select with search
Single select with no search
Single select with nesting
Single select with ajax
Multiselect
Multiselect with ajax


HAX may seem complex, but it's built on a series of standards that will never break. As a result of the complexity of these standards, there are things you should know prior to digging into HAXeditor core or any of its related Solutions


Fantastic blog posts that redefined education, written by EdLabers
The people who made the EdLab a great place to work.
Events that bridged the EdLab and the world.
EdLab Projects preserved here for eternity.


Uzoho grateful after successful surgery - The Nation Newspaper
Akeem Lawal
SUPER Eagles first choice goalkeeper, Francis Uzoho has express delight after undergoing a successful surgery on his injured Achilles.
NationSport reports that the Nigeria international, who is on loan from Spanish side, Deportivo La Coruna to Cypriot club, Omonia Nicosia, suffered the horrific injury during an international friendly match between Nigeria and Brazil at the Singapore’s National Stadium last month.
The 21-year-old was stretchered off in the second half of the encounter after he landed badly on his leg while trying to deal with a cross.
The operation was carried out on Thursday by the Spanish side’s traumatologist, Rafael Arriaza.
“And it was a success, I’m grateful for every prayer and good wishes sent, even the hidden prayers said on my behalf. I’m deeply grateful. Now let the healing begin,” Uzoho wrote on Instagram.
Uzoho, who missed Nigeria’s 2-1 victory over Benin in the 2021 Africa Cup of Nations qualifier, is also out of tomorrow’s game against Lesotho has been ruled out of action for the rest of the season.


Music
- Organic Love | 02:40
- Twist In My Reality | 02:10
- Street Light | 03:28
- Love Don’t Live Here Anymore (Cover) | 03:49
Directed by VINCE MALC & EMILIA COLE
Edited and Filmed by NICOLAS TROY
Produced by NIKI HEART,
Wix Films LTD.
Directed by VINCE MALC & EMILIA COLE
Edited and Filmed by NICOLAS TROY
Produced by NIKI HEART,
Wix Films LTD.


bootstrapByClass Generate bootstrap samples from prtDataSetClass object
OUT = dataSet.bootstrapByClass(N) Bootstrap sample N data
points from each of the unique class labels. If N is a
scalar, N samples are drawn from each unique class in
dataSet. If N is a vector of the same length as
uniqueClasses, the N(i) samples are drawn from the class
corresponding to the i'th unique element in dataSet.
OUT = dataSet.bootstrapByClass(TARGETS) Bootstrap sample
data from dataset extracting the same number of samples
from each class as there are in the TARGETS. TARGETS must
be a vector of class labels. For example, if targets = [1 1
1 0 0 0 0 ]', dataSet.boostrapByClass(TARGETS) will return
3 samples from class 1 and 4 samples from class 0.


Welcome to the ODToolkit API Documentation Page¶
ODToolkit
is a Python package that offers open-source implementation of various occupancy detection models and
allows for comprehensive evaluation of these models on publicly available data sets collected from residential and
commercial buildings. ODToolkit’s data processing and evaluation pipeline is shown below.
Pre-request: Python 3.4+.


PLease God, Nature, anything, I just want to be free of this disorder, I want to be part of something, I want to be fun, I want to be able to dance, I want to have friends, a family, I want to be accepted, I want to really understand what's happening to people I love, I don't wanna hurt them, I don't wanna be mechanic, I wanna tell them what exactly I'm feeling, I wanna show them what I'm feeling, I don't wanna let them down, I can't be excluded anymore, I'm tired of being the freak, rejected, avoided, and hurt the few lights that really matter to me, and I'm getting old, and I still am suffering the same, but I can't take autism anymore.


✌ cuts ✋, ✋ covers ✊, ✊ crushes 👌, 👌 poisons 🖖, 🖖 smashes ✌, ✌ decapitates 👌, 👌 eats ✋, ✋ disproves 🖖, 🖖 vaporizes ✊, and as it always has, ✊ crushes ✌.
You must select a hand at the beginning of the game, if you do not choose again, your previous selection will remain or be left blank.
The winner will be the one with the most hearts, although a tie is also an option.


Pangloss
Choose a language
Interviews (Python)
Project started 31 jul 2017
Interview Topics. See, for example, CodeFights, HackerRank


Copyright (c) Pedro Sena 1994
Title: JOURNEY OF HOPE Director: Xavier Koller Country: Switzerland/Turkey 1992 Super Point: Music Produced by Manfred Eicher from his ECM jazz label archives, with various songs from Terje Rypdal, Jan Garbarek, Shankar, and others.
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
One of the saddest, yet, one of the most poetic films I have seen.
It is a political film, which deplores the system to which many people are attached, and the fact that there isn't much which can really be done about it all, ... what some of us will do for a chance at a piece of a dream.
For south/central Americans, the dream land is America. For the many Kurdish peoples stranded, and stuck in the middle of three hostile countries, the dream land is either Germany or Switzerland, the richest countries in Europe. The price they pay to get to one of those places, is anything they can. The sad part of it all, is that so few of them actually succeed, and their lives are ruined, forever, with or without their family.
A Kurdish farmer makes a decision to get rid of his farm, and go for the dream land. He has received a letter from his cousin in Germany, who will soon get a job in a factory which has promised to hire him. He takes his wife and one of his seven children ( the oldest, a boy ) with him, and the travels begin.
By the time his travels end, the film stops, leaving us to guess what, and how it will eventually turn out. All said and done, there was a cousin, or a relative of some sort who didn't really exist, and the letter was fabricated ( the farmer had some money ) with the intent of having the money taken away by someone,... unclear weather it is Mafia like connections or simple people who prey on the misguided ones. Once the 'vision' of success and future have been aroused, there is little anyone can do for this man. He is gone.
He travels through Italy, with a fake passport, and goes through various places until he gets to the high Alps, the pass into Switzerland. Here, the people who have brought them this far are having problems agreeing with each other, and the crowd has to peddle their way on foot, in the snow, in the night, to get to 'freedom'.
I'll leave the rest to you.
It's the plight of all immigrants, and if you went to school in southern California like I did, and worked part time in restaurants to pay for the books and buses like I did, you found out that half of the dishwashers are Mexican and also very illegal. The same thing happens in Texas and New Mexico. They go through the same process, although, they have succeeded where 75% of them have failed. They know it. But the others don't. I even knew people who every once in a while would bring in one or two for a thousand dollars each ( I couldn't prove it, though the person drove a Cadillac and the border guards don't check out rich looking American blondes driving Cads ) and a few Mexicans who told me how much they paid, which they are usually told to keep secret or their friends and families will never come, for the privilege to come to this country. Believe you me, when all you have is hell, you will pay the price for a piece, even if a taste, of real freedom.
It's worth it . And hopefully something will work out in the future.
Funny what people will do for a dream, isn't it???
This film has incredible music. If you like European style jazz, listen to Norwegian TERJE RYPDAL's music ( from EOS ) and swede JAN GARBAREK's music from EVENTYR ) all over this film. It makes the mood of the film so rich in quality, that it is a bit overbearing. The cinematography, combined with this music, is really something to behold, and probably the main reason why this film won the OSCAR as the best foreign film of last year. I think all actors are Kurdish, and the director is a Kurd, who had a student visa to get to Europe,... which means he is from a better to do family.
5 GIBLOONS Pedro Sena Member of the Internet Movie Critics Association
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Learning the facts about learning
26 November 2014
Government-commissioned research suggests many of the approaches to education we think work, are actually useless or even make matters worse.
26 November 2014
Government-commissioned research suggests many of the approaches to education we think work, are actually useless or even make matters worse.
A state memorial service for Australia cricketer Phillip Hughes is cancelled because of the outpouring of grief at his funeral.
LS Lowry's paintings of industrial, working-class Britain brought him popular fame in the UK, but his works were never the subject of a solo exhibition abroad - until now.
Former SNP leader and First Minister Alex Salmond announces he is to stand for a seat at Westminster at next May's General Election.
The man who found 100 bombs in Afghanistan
150 years of the Clifton Suspension Bridge
And 52 rooms in house to decorate
Toy stores create autism-friendly Christmas shopping
Making a living in the business of show
Papers speculate on the prospects of a rate rise
BBC © 2014 The BBC is not responsible for the content of external sites. Read more.
This page is best viewed in an up-to-date web browser with style sheets (CSS) enabled. While you will be able to view the content of this page in your current browser, you will not be able to get the full visual experience. Please consider upgrading your browser software or enabling style sheets (CSS) if you are able to do so.


Summer Produce Guide for the greatest summer ever
Image Credit:
O, summer... enjoy with us the sweet taste of fruits and lucious crunch of vegetables.
Summer Produce Guide for the greatest summer ever
Image Credit:
O, summer... enjoy with us the sweet taste of fruits and lucious crunch of vegetables.
Summer Produce Guide for the greatest summer ever
Image Credit:
O, summer... enjoy with us the sweet taste of fruits and lucious crunch of vegetables.
Summer Produce Guide for the greatest summer ever
O, summer... enjoy with us the sweet taste of fruits and lucious crunch of vegetables.
Summer Produce Guide for the greatest summer ever
Image Credit:
O, summer... enjoy with us the sweet taste of fruits and lucious crunch of vegetables.


back to live view
categories view
All related records (chronological)
{% with albums = albums %} {% include "_album_block.html" %} {% endwith %}


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What is Facebook addiction?  The amount of time users engage in Facebook activities, like updating statuses, posting photos, commenting and ‘liking’ posts has also been increasing with smartphones and 3G/Wi-fi networks becoming commonplace in recent years. Its very common. Today, 400 million people log into their facebook profile atleast once every month. 50% are on the site everyday.
What are some of the warning signs?
- Facebook is your home page.
- You update your status more than twice a day.
- You have over 500 "friends" half of whom you've never actually met.
Is there an actual medical disorder associated with it? If so, what is it and how is it treated?
There is a medical disorder associated with it. FAD, or Facebook Addiction Disorder: is a condition that is defined by hours spent on Facebook, so much time in fact that the healthy balance of the individual’s life is affected. It has been said that approximately 350 million people are suffering from the disorder. Treatment: Like with all mental disorders, there will be no easy fix. I think that to begin with we all need to take a good look at ourselves and our behavior.  You need to go back and readjust, because to keep a healthy balance is the key to a happy, healthy life. It won’t be easy, and it certainly won’t happen overnight, but eventually we are going to be forced to fix this Facebook overload and cure the entire world of FAD. One can only hope.
Find one example in a news or journal article of a person who was "addicted" to using a social networking site or other online activity - why was their behavior considered addictive? Were they able to modify their behavior?
A blog post by social media marketer Jason Thibeault, "Why I just quit Facebook," is sparking new debate about the risks of social media addiction. He was a facebook addict. His behaviour was considered addictive since he his news feeds were becoming an addiction. They were a constant interruption pulling him away from the work that he was otherwise enjoying. He recieved treatment for conditions like depression or anxiety and there was "improvement of symptoms of Internet addiction"
Have you ever been concerned about becoming addicted to any Internet activites?
 But after investigating the addiction, we should be careful and limit our usage.


{% extends "header.html" %} {% block body %}
Once you get comfortable with the 2D graphing, you might be interested in learning how to plot three-dimensional charts. 3D graphs add more perspective and comparison to your charts, and just plain look cool! Luckily for us, 3D graphs are pretty easy to learn and program with Matplotlib.
Here is some quick and simple, with hard-coded values, for a 3-D matplotlib wire chart.
from mpl_toolkits.mplot3d import axes3d import matplotlib.pyplot as plt import numpy as np fig = plt.figure() ax = fig.add_subplot(111, projection='3d') X, Y, Z = [1,2,3,4,5,6,7,8,9,10],[5,6,2,3,13,4,1,2,4,8],[2,3,3,3,5,7,9,11,9,10] ax.plot_wireframe(X, Y, Z) plt.show()


--- layout: page title: About header-img: "img/about-bg.png" ---
Focused on growth, self-development, and career change


189; 12023 H.E.
In one of the discord channels, a friend of mine asked his ChatGPT-based discord bot to answer a question,
%talk can you give me 5 more anime with bad endings without spoilers?
To which, as any LLM, it confidently proclaimed (it’s set to talk like a nekogirl),
"Neon Genesis Evangelion" - Personally, I enjoy this one’s thought-provoking ending! But a large number of fans found it to be rather messy, abstract, and confusing, nya.
 I came to agree that it is indeed a very good ending and the film is as well. I’m also a TRIGGER and GAINAX fiend tho, they can do no wrong, so I’m definitely biased here.
It is no secret that the original was and is the way it is not because of some rumored production/budget/time shortages, though that could have possibly been an aspect—it focuses on the, what I would say, the "good ending" of Evangelion, where Shinji recognizes that you can’t simply wipe away the sadness or make the bad emotions go away (just like you can’t pray the gay away)—men are creatures that are fundamentally alone, so when everyone is congratulating him—that is him accepting that what fuels life is life and we can’t do this alone.
I love both the TV ending and EoE. They are the same, yet so different. One made by Anno for Anno, as he was himself trying to escape his depression—he tried finding an answer in the TV ending, which I believe he did, and quite successfully, at that. However, people rejected his answer—to which he repayed with a darker ending that EoE is.
 Maybe this only reinforces his point? So, even now, I here and there see some straight TV ending hate, which at this point, I’m completely okay with, even happy to see, because, those people, they aren’t ready for it yet, which the whole idea, of people staying together, AT fields, etc.—it all only supports what the first original conclusion to the series presented.
You know the drill, it all comes tumbling down tumbling down tumbling down. Loneliness is fundamental, such are human relationships. There is no one without the other.
God Bless Evangelion
One of my favorite posters is in the living room, ◼


I was inspired by Lior Pachter's blog post "A citation is not a citation is not a citation" to create this simple web page. I use the Pubmed API to view and classify the papers citing a given reference.
I use one of my papers as an example, but feel free to enter your own IDs. And drop me a line if you have any suggestions for improvements!
| Authors | Title | Source | Year | Category | Co-Author Count | Link |
|---|


Train Schedule
It's time to grab a train!
Current Train Schedule
Train Name
Destination
Frequency
Next Arrival
Minutes Away
Add Train
Train Name
Destination
First Train Time
Frequency
Submit


Thucydides
Simple, Clean & Elegant
A mobile template with a smooth layout and minimalistic design. A user-friendly theme with a touch of sophistication.
Flexible & Easy To Use
Reputable frameworks and plugins are included for a versatile and easy modification.


|
||||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
public interface OntologyTupleQuery
This represents a tuple query of the triple store for the ontology.
To create a tuple query object you must use the ontology's factory
method Ontology.createTupleQuery(String, gate.creole.ontology.OConstants.QueryLanguage)
.
NOTE: querying the ontology triple store directly should be avoided and only done in exceptional cases. Using the methods to query and access ontology entities should be preferred whenever possible!
The query object implements a closable iterator that auto-closes when all its elements are exhausted. However, you must close it if you stop retrieving elements before all elements have been exhausted (i.e. before the hasNext() method has returned false). Closing the query object is necessary to free the considerable resources allocated by it.
To use a query object properly, be sure to follow the following steps:
| Method Summary | |
|---|---|
void |
close()
Explicitly close the query and free its resources. |
void |
evaluate()
Evaluate the tuple query (again). |
boolean |
hasNext()
Test if more results are available. |
Vector<LiteralOrONodeID> |
next()
Retrieve the next tuple from the query object. |
Vector<String> |
nextAsString()
Retrieve the next tuple from the query object as a vector of strings. |
LiteralOrONodeID |
nextFirst()
Return just the first variable of a tuple. |
String |
nextFirstAsString()
Return just the first variable of a tuple as a String. |
void |
setBinding(String varName,
Literal value)
Set the binding of a query variable to a new value. |
void |
setBinding(String varName,
ONodeID value)
Set the binding of a query variable to a new value. |
| Methods inherited from interface java.util.Iterator |
|---|
remove |
| Method Detail |
|---|
boolean hasNext()
hasNext
in interface Iterator<Vector<LiteralOrONodeID>>
Vector<LiteralOrONodeID> next()
next
in interface Iterator<Vector<LiteralOrONodeID>>
Vector<String> nextAsString()
void setBinding(String varName, Literal value)
varName
- the name of the variablevalue
- the value to assign to the variablevoid setBinding(String varName, ONodeID value)
varName
- the name of the variablevalue
- the value to assign to the variablevoid evaluate()
LiteralOrONodeID nextFirst()
String nextFirstAsString()
void close()
close
in interface ClosableIterator<Vector<LiteralOrONodeID>>
|
||||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |


This sleepy little port on the southern shore of the Dorian Promontory (Datca Yarimadasi) is a very pleasent place to stop and to stock up with provisions.
For the full details on Turkey Formalities go here.
Go to General Services to see a list of agents to assist with clearance and a transit log.
The Harbour Master is on the south breakwater.
The harbour has been improved, and a pontoon covers the shallows in front of the quay wall. Berth stern-to where possible. Shelter is good, although southerlies can cause a surge at the berths, when anchoring off is a better option.
In the summer, this is a crowded harbour and it may be necessary to anchor off anyway, either in the north or south bay. Good holding in sand and mud.
The pump-out station here is reported not to have the correct fittings for small yachts to pump out.
Last updated August 2016.


For pull requests:
- Be consistent with prevalent style and design decisions.
- Add a Jasmine spec to specs/q-spec.js.
- Use npm test to avoid regressions.
- Run tests in q-spec/run.html in as many supported browsers as you can find the will to deal with.
- Do not build minified versions; we do this each release.
- If you would be so kind, add a note to CHANGES.md in an
appropriate section:
- Next Major Version if it introduces backward incompatibilities to code in the wild using documented features.
- Next Minor Version if it adds a new feature.
- Next Patch Version if it fixes a bug.
For releases:
- Run npm test.
- Run tests in q-spec/run.html in a representative sample of every browser under the sun.
- Run npm run cover and make sure you’re happy with the results.
- Run npm run minify and be sure to commit the resulting q.min.js.
- Note the Gzipped size output by the previous command, and update README.md if it has changed to 1 significant digit.
- Stash any local changes.
- Update CHANGES.md to reflect all changes in the differences between HEAD and the previous tagged version. Give credit where credit is due.
- Update README.md to address all new, non-experimental features.
- Update the API reference on the Wiki to reflect all non-experimental features.
- Use npm version major|minor|patch to update package.json, commit, and tag the new version.
- Use npm publish to send up a new release.
- Send an email to the q-continuum mailing list announcing the new release and the notes from the change log. This helps folks maintaining other package ecosystems.


Vinyl adapter for the file system.
Vinyl is a very simple metadata object that describes a file. When you think of a file, two attributes come to mind: path
and contents
. These are the main attributes on a Vinyl object. A file does not necessarily represent something on your computer’s file system. You have files on S3, FTP, Dropbox, Box, CloudThingly.io and other services. Vinyl can be used to describe files from all of these sources.
While Vinyl provides a clean way to describe a file, we now need a way to access these files. Each file source needs what we call a "Vinyl adapter". A Vinyl adapter simply exposes a src(globs)
and a dest(folder)
method. Each return a stream. The src
stream produces Vinyl objects, and the dest
stream consumes Vinyl objects. Vinyl adapters can expose extra methods that might be specific to their input/output medium, such as the symlink
method vinyl-fs
provides.
var map = require('map-stream');
var vfs = require('vinyl-fs');
var log = function(file, cb) {
console.log(file.path);
cb(null, file);
};
vfs.src(['./js/**/*.js', '!./js/vendor/*.js'])
.pipe(map(log))
.pipe(vfs.dest('./output'));
src(globs[, options])
Takes a glob string or an array of glob strings as the first argument and an options object as the second.
Returns a stream of vinyl File
objects.
Note: UTF-8 BOM will be removed from all UTF-8 files read with .src
unless disabled in the options.
Globs are executed in order, so negations should follow positive globs.
For example:
fs.src(['!b*', '*'])
would not exclude any files, but the following would exclude all files starting with "b":
fs.src(['*', '!b*'])
File
object as its only argument and must return a value of the expected type for that option.options.buffer
Whether or not you want to buffer the file contents into memory. Setting to false
will make file.contents
a paused Stream.
Type: Boolean
Default: true
options.read
Whether or not you want the file to be read at all. Useful for stuff like removing files. Setting to false
will make file.contents = null
and will disable writing the file to disk via .dest()
.
Type: Boolean
Default: true
options.since
Only streams files that have been modified since the time specified.
Type: Date
or Number
Default: undefined
options.removeBOM
Causes the BOM to be removed on UTF-8 encoded files. Set to false
if you need the BOM for some reason.
Type: Boolean
Default: true
options.sourcemaps
Enables sourcemap support on files passed through the stream. Will load inline sourcemaps and resolve sourcemap links from files.
Type: Boolean
Default: false
options.resolveSymlinks
Whether or not to recursively resolve symlinks to their targets. Set to false
to preserve them as symlinks and make file.symlink
equal the original symlink's target path.
Type: Boolean
Default: true
options.dot
Whether or not you want globs to match on dot files (e.g. .gitignore
).
Note: This option is not resolved from a function because it is passed verbatim to node-glob.
Type: Boolean
Default: false
Any glob-related options are documented in glob-stream and node-glob and are forwarded verbatim.
dest(folder[, options])
Takes a folder path string or a function as the first argument and an options object as the second. If given a function, it will be called with each vinyl File
object and must return a folder path.
Returns a stream that accepts vinyl File
objects, writes them to disk at the folder/cwd specified, and passes them downstream so you can keep piping these around.
Once the file is written to disk, an attempt is made to determine if the stat.mode
, stat.mtime
and stat.atime
of the vinyl File
object differ from the file on the filesystem.
If they differ and the running process owns the file, the corresponding filesystem metadata is updated.
If they don't differ or the process doesn't own the file, the attempt is skipped silently.
This functionality is disabled on Windows operating systems or any other OS that doesn't support process.getuid
or process.geteuid
in node. This is due to Windows having very unexpected results through usage of fs.fchmod
and fs.futimes
.
Note: The fs.futimes()
method internally converts stat.mtime
and stat.atime
timestamps to seconds; this division by 1000
may cause some loss of precision in 32-bit Node.js.
If the file has a symlink
attribute specifying a target path, then a symlink will be created.
Note: The file will be modified after being written to this stream.
cwd
, base
, and path
will be overwritten to match the folder.stat
will be updated to match the file on the filesystem.contents
will have it's position reset to the beginning if it is a stream.File
object as its only argument and must return a value of the expected type for that option.options.cwd
The working directory the folder is relative to.
Type: String
Default: process.cwd()
options.mode
The mode the files should be created with. This option is only resolved if the vinyl File
is not symbolic.
Type: Number
Default: The mode
of the input file (file.stat.mode
) if any, or the process mode if the input file has no mode
property.
options.dirMode
The mode directories should be created with.
Type: Number
Default: The process mode
.
options.overwrite
Whether or not existing files with the same path should be overwritten.
Type: Boolean
Default: true
(always overwrite existing files)
options.append
Whether or not new data should be appended after existing file contents (if any).
Type: Boolean
Default: false
(always replace existing contents, if any)
options.sourcemaps
Enables sourcemap support on files passed through the stream. Will write inline soucemaps if specified as true
.
Specifying a String
path will write external sourcemaps at the given path.
Examples:
// Write as inline comments
vfs.dest('./', { sourcemaps: true });
// Write as files in the same folder
vfs.dest('./', { sourcemaps: '.' });
Type: Boolean
or String
Default: undefined
(do not write sourcemaps)
options.relativeSymlinks
When creating a symlink, whether or not the created symlink should be relative. If false
, the symlink will be absolute.
Note: This option will be ignored if a junction
is being created, as they must be absolute.
Type: Boolean
Default: false
options.useJunctions
When creating a symlink, whether or not a directory symlink should be created as a junction
.
This option is only relevant on Windows and ignored elsewhere. Please refer to the Symbolic Links on Windows section below.
Type: Boolean
Default: true
symlink(folder[, options])
Takes a folder path string or a function as the first argument and an options object as the second. If given a function, it will be called with each vinyl File
object and must return a folder path.
Returns a stream that accepts vinyl File
objects, creates a symbolic link (i.e. symlink) at the folder/cwd specified, and passes them downstream so you can keep piping these around.
Note: The file will be modified after being written to this stream.
cwd
, base
, and path
will be overwritten to match the folder.stat
will be updated to match the symlink on the filesystem.contents
will be set to null
.symlink
will be added or replaced to be the original path.Note: On Windows, directory links are created using Junctions by default. Use the useJunctions
option to disable this behavior.
File
object as its only argument and must return a value of the expected type for that option.options.cwd
The working directory the folder is relative to.
Type: String
Default: process.cwd()
options.dirMode
The mode directories should be created with.
Type: Number
Default: The process mode.
options.overwrite
Whether or not existing files with the same path should be overwritten.
Type: Boolean
Default: true
(always overwrite existing files)
options.relativeSymlinks
Whether or not the created symlinks should be relative. If false
, the symlink will be absolute.
Note: This option will be ignored if a junction
is being created, as they must be absolute.
Type: Boolean
Default: false
options.useJunctions
When creating a symlink, whether or not a directory symlink should be created as a junction
.
This option is only relevant on Windows and ignored elsewhere. Please refer to the Symbolic Links on Windows section below.
Type: Boolean
Default: true
When creating symbolic links on Windows, we pass a type
argument to Node's
fs
module which specifies the kind of target we link to (one of 'file'
,
'dir'
or 'junction'
). Specifically, this will be 'file'
when the target
is a regular file, 'junction'
if the target is a directory, or 'dir'
if
the target is a directory and the user overrides the useJunctions
option
default.
However, if the user tries to make a "dangling" link (pointing to a non-existent
target) we won't be able to determine automatically which type we should use.
In these cases, vinyl-fs
will behave slightly differently depending on
whether the dangling link is being created via symlink()
or via dest()
.
For dangling links created via symlink()
, the incoming vinyl represents the
target and so we will look to its stats to guess the desired type. In
particular, if isDirectory()
returns false then we'll create a 'file'
type
link, otherwise we will create a 'junction'
or a 'dir'
type link depending
on the value of the useJunctions
option.
For dangling links created via dest()
, the incoming vinyl represents the link -
typically read off disk via src()
with the resolveSymlinks
option set to
false. In this case, we won't be able to make any reasonable guess as to the
type of link and we default to using 'file'
, which may cause unexpected behavior
if you are creating a "dangling" link to a directory. It is advised to avoid this
scenario.


4 references to _sync
System.Management.Automation (4)
engine\NativeCommandProcessor.cs (4)
571
lock (
_sync
)
683
lock (
_sync
)
739
lock (
_sync
)
1147
lock (
_sync
)


 In the fall I discovered a study abroad program for the month of May in Peru. Once I got accepted, I knew I would need to find something to do for the rest of the summer. I began my search, the next two paragraphs will be over what I am doing this summer.
In Peru, Lima specifically, I will be workig with volunteer firefighters. I was a lifeguard from 16-18, so I certainly loved
taco


The schema-aware version of the Saxon product (Saxon-SA) includes an almost complete implementation of XML Schema 1.0. This version of the product is available from Saxonica Limited.
Known limitations include the following:
xs:NOTATION
is not supported, either as a schema component or as a data type.
xs:redefine
is supported only in the case where it does not change the namespace
of the redefined components.
QNames are not supported as default values, nor as fixed values. (They are supported as enumeration values)
Validation against list or union data types including xs:QName
as one of the
component types is not supported.
Default or fixed values specified for an element whose type is a complex type with complex content are ignored when validating instance documents.
Facets are evaluated according to XPath rules rather than XML Schema rules. For example, the pattern
syntax allows the extended syntax permitted in the XPath matches()
function, and comparisons
against facets such as minInclusive
and maxInclusive
follow the XPath semantics
for the lt
and gt
operators. This may be slightly different when comparing values such as dates,
times, and durations.
Uniqueness and key/keyref constraints are implemented only where the keys are atomic values (that is, they are not implemented for list-valued elements or attributes). Also, where element values participate in such constraints they must not be interleaved with comments or processing instructions. When evaluating these constraints, equality of values is assessed according to XPath rules rather than XML Schema rules. This means, for example, that a decimal and a double can be equal to each other, which is never the case under the XML Schema rules.
ID and IDREF constraints are checked only for values typed as xs:ID, xs:IDREF, or xs:IDREFS. They are not checked for types derived from these base types.
Saxon implements schema processing only to the extent required for XPath, XSLT, and XQuery processing. This means that PSVI properties beyond those required for the XPath data model are not provided. It also means that validation errors are fatal, they do not result in a PSVI that indicates the validation outcome for individual nodes.


I USED MY POSITION TO ACCUMULATE US$75,950,000.OO(SEVENTY FIVE MILLION,NINE HUNDRED AND FIFTY THOUSAND UNITED STATES DOLLARS) WHICH I DEPOSITED WITH A BANK. WITH REFERENCE TO THE ECONOMIC CLIMATE IN NIGERIA COUPLE WITH THE FACT THAT MONEY OR INVESTMENT IS NOT SECURED IN NIGERIA, I HEREBY REQUEST YOUR HELP AND ASSISTANCE TO HELP ME TRANSFER THIS US$75,950,000.00(SEVENTY FIVE MILLION,NINE HUNDRED AND FIFTY THOUSAND UNITED STATES DOLLARS) INTO YOUR COUNTRY SO THAT WE WORK TOGETHER AND INVEST THE MONEY IN A LUCRATIVE BUSINESS IN YOUR COUNTRY .WE SHALL ALSO DISCUSS IN DETAILS HOW WE WILL COMMIT OURSEVLES IN THE INVESTMENT AND THE LIKELY SHARE OF THE PROCEEDS FROM THE INVESTMENT . I NEED YOUR ASSISTANCE TO TRANSFER THIS MONEY INTO YOUR COUNTRY SO THAT WE BEGIN THE BUSINESS IN EARNEST.    AS I AWAIT TO HEAR FROM YOU , REMAIN BLESSED . REGARDS ! DR.GAIUS OBASEKI FORMER GROUP MANAGING DIRECTOR NIGERIAN NATIONAL PETROLEUM CO-OPERATIONS NIGERIA .


Family Pack: Up to 5 Macs within a single household. License agreement.
iStat Menus 5.2 (version history). macOS 10.8+ required. Download iStat Menus 4.22.
iStat Menus 5 sports a completely new design — new menubar icons, new dropdown menus, and the app and icon itself have all been redesigned to be cleaner, clearer and more at home on El Capitan and Yosemite. Menubar graphs can now use dark backgrounds, improving legibility.
iStat Menus 5 includes many El Capitan-only, Yosemite-only and Mavericks-only features, like showing apps using significant energy, support for compressed memory, support for memory pressure, and for Yosemite’s dark mode menubar.
iStat Menus 5 features read and write disk activity on a per-app basis. Upload and download activity is also shown per-app, making it far easier to track down the biggest bandwidth hogs.
Far more detailed network information, including router address, subnet mask, DNS and MAC address. Wi-Fi stats, including channel, signal to noise ratio and many more. Improved GPU monitoring, including active GPU in menubar.
A vastly improved time menu, with current time, sunrise, noon, sunset, dawn, dusk, sun azimuth, sun altitude, light map and more for over 120,000 cities.
Daylight is now indicated in the clock face (it even fades near sunrise and sunset).
Our menubar and dropdown menus are now localised for Arabic, Catalan, Chinese (Simplified), Chinese (Traditional), Croatian, Czech, Danish, Dutch, Finnish, French, German, Greek, Hebrew, Hungarian, Italian, Japanese, Korean, Norwegian, Polish, Portuguese, Portuguese (Portugal), Romanian, Russian, Slovak, Spanish, Swedish, Thai, Turkish, and Ukrainian.
Realtime CPU graphs and a list of the top 5 CPU resource hogs. CPU usage can be tracked by individual cores or with all cores combined, to save menubar space.
Plus, GPU memory and processor usage on supported Macs, and the active GPU can be shown in the menubar.
Memory stats for your menubar as a pie chart, graph, percentage, bar or any combination of those things. Opening the menu shows a list of the apps using the most memory, and other useful info.
A realtime graph to keep on top of what’s being sent and received for all network connections, including a bandwidth breakdown for the top 5 apps.
See used and free space for multiple disks in your menubar. S.M.A.R.T. status monitoring and more detail for all your disks is only a click away.
Detailed disk I/O in your menubar, displayed as a graph, a variety of different read and write indicators, or both.
Realtime listings of the sensors in your Mac, including temperatures, hard drive temperatures (where supported), fans, voltages, current and power. Fan speeds can be controlled, with different rules when on battery power, if you’d like.
A highly configurable date, time and calendar for your menubar, including fuzzy clock and moon phase. Open iStat Menus’ calendar to display upcoming events, or events for any day. Plus, a world clock with sunrise, sunset, moonrise and moonset times for over 120,000 cities.
Detailed info on your battery’s current state and a highly configurable menu item that can change if you’re draining, charging, or completely charged. Plus, Magic Mouse, Magic Trackpad and Apple wireless keyboard battery levels.
Download iStat Menus now and use it for a couple of weeks before making up your mind. We think you’re going to really like it.
iStat Menus 5.2 (version history). macOS 10.8+ required. Download iStat Menus 4.22.


Weiss
This page contains an index of all the individuals in the database with the surname of Weiss. Selecting the person’s name will take you to that person’s individual page.
| Given Name | Birth | Death | Partner | Parents |
|---|---|---|---|---|
| Adelaide “Ada” Rose | 1865-06-19 | 1940-12-06 | Whittaker, George Edwin | Weiss, Frederick Adam (Schoolteacher) Horsey, Rosetta |
| Amy Rosetta “Mamie” | 1898-09-30 | 1969-02-16 | Vicary, Frederick Charles | Weiss, Walter Herbert Blanch, Amy Selina |
| Arthur Horsey | 1866-12-19 | 1946-05-15 | Marshall, Annie | Weiss, Frederick Adam (Schoolteacher) Horsey, Rosetta |
| Carolynne | 1959-07-01 | 1977-08-17 | Weiss, [Living] Adams, [Living] | |
| Charles Nicholis | Von Holst, Benigna Catherine | |||
| Clifford Horsey | 1907-10-23 | 1974-12-25 | Turner, Gladys Narrelle | Weiss, Arthur Horsey Marshall, Annie |
| Clive Marshall | 1907-10-23 | 1973-01-12 | Helder, Louise | Weiss, Arthur Horsey Marshall, Annie |
| Earle Victor | 1894-11-08 | 1918-08-09 | Weiss, Walter Herbert Blanch, Amy Selina | |
| Eileen M. | 1918 | 2002-09-25 | Wolland, Grenfell William | Weiss, Frederick Arthur"Art" Monogue, Johanna Mary |
| Emily Annie | 1876-03-02 | 1961-12-23 | Field, Arthur | Weiss, Frederick Adam (Schoolteacher) Horsey, Rosetta |
| Ernest George | 1903-11-28 | 1973-11-11 | Cox, Muriel Eieen | Weiss, Arthur Horsey Marshall, Annie |
| Frank Arthur | 1887-08-06 | 1961-03-19 | Merrick, Ethel Sarah | Weiss, Frederick Adam (Schoolteacher) Horsey, Rosetta |
| Frederick Adam, (Schoolteacher) | 1839-02-06 | 1931-12-20 | Horsey, Rosetta | Weiss, Charles Nicholis Von Holst, Benigna Catherine |
| Frederick Alfred | 1892-10-16 | 1916-07-19 | Weiss, Walter Herbert Blanch, Amy Selina | |
| Frederick Arthur“Art” | 1889-12-04 | 1966 | Monogue, Johanna Mary | Weiss, Arthur Horsey Marshall, Annie |
| Frederick C. | 1871 | 1875 | Weiss, Frederick Adam (Schoolteacher) Horsey, Rosetta | |
| George Harry Graham | 1878 | 1956-07-21 | Whiteworth, Elizabeth Lily | Weiss, Frederick Adam (Schoolteacher) Horsey, Rosetta |
| George Leonard | 1911-03-16 | 1978-05-13 | Weiss, Leslie Edgar Young, Elsie May | |
| Grace Selina | 1891-05-12 | 1984-11-01 | Tullock, Reginald James | Weiss, Walter Herbert Blanch, Amy Selina |
| Harold Septimus | 1899 | 1970 | Turner, “Bonnie” Ivy N. | Weiss, Arthur Horsey Marshall, Annie |
| Harry Blanche | 1910-04-01 | 1943-09-30 | Weiss, Walter Herbert Blanch, Amy Selina | |
| Hector Vivian | 1896-09-25 | 1962-05-19 | Klumpp, Lucy | Weiss, Walter Herbert Blanch, Amy Selina |
| Howard Glendon | 1910-04-01 | 2004-08-08 | Weiss, Walter Herbert Blanch, Amy Selina | |
| John Henry | 1894-07-29 | 1894-07-29 | Weiss, Arthur Horsey Marshall, Annie | |
| Leslie Edgar | 1884-06-06 | 1956-08-07 | Young, Elsie May | Weiss, Frederick Adam (Schoolteacher) Horsey, Rosetta |
| Leslie Edgar | 1891 | 1947 | Gaymore, Alice R. | Weiss, Arthur Horsey Marshall, Annie |
| Lorna Minnie | 1906-11-01 | Weiss, Walter Herbert Blanch, Amy Selina | ||
| Sarah Annie | 1873 | 1875 | Weiss, Frederick Adam (Schoolteacher) Horsey, Rosetta | |
| Sarah Benigna | 1880-11-20 | 1960-10-03 | Genders, Arthur | Weiss, Frederick Adam (Schoolteacher) Horsey, Rosetta |
| Walter | 1895-08-02 | 1895-08-02 | Weiss, Arthur Horsey Marshall, Annie | |
| Walter Edmond | 1896-08-02 | 1972 | Pettit, Winifred Selina | Weiss, Arthur Horsey Marshall, Annie |
| Walter Havelock | 1903/4-09-02 (Julian) | 1990-06-16 | Hille, Violet P. | Weiss, Walter Herbert Blanch, Amy Selina |
| Walter Herbert | 1869-05-02 | 1955-11-02 | Blanch, Amy Selina | Weiss, Frederick Adam (Schoolteacher) Horsey, Rosetta |
| Wilfred George | 1982-08-23 | Gray, Annie Lillian | Weiss, George Harry Graham Whiteworth, Elizabeth Lily | |
| William Francis | 1893-08-02 | 1893-08-02 | Weiss, Arthur Horsey Marshall, Annie | |
| William Herbert | 1901-06-25 | 1968-11-16 | Baxter, Mona L. M. | Weiss, Arthur Horsey Marshall, Annie |
| [Living] | ???, [Living] | Weiss, Frank Arthur Merrick, Ethel Sarah | ||
| [Living] | Weiss, Wilfred George Gray, Annie Lillian | |||
| [Living] | Weiss, Wilfred George Gray, Annie Lillian | |||
| [Living] | Weiss, Frank Arthur Merrick, Ethel Sarah | |||
| [Living] | Wilkey, [Living] | Weiss, Frank Arthur Merrick, Ethel Sarah | ||
| [Living] | ???, [Living] | Weiss, Frank Arthur Merrick, Ethel Sarah | ||
| [Living] | Weiss, Frank Arthur Merrick, Ethel Sarah | |||
| [Living] | Westcott, Edgar George | Weiss, Leslie Edgar Gaymore, Alice R. | ||
| [Living] | Ford, Desmond Joseph | Weiss, Harold Septimus Turner, "Bonnie" Ivy N. | ||
| [Living] | Adams, [Living] | Weiss, Harold Septimus Turner, "Bonnie" Ivy N. | ||
| [Living] | Westall, [Living], Seton, [Living] | Weiss, [Living] Adams, [Living] | ||
| [Living] | Gates, [Living], Olsen, [Living] | Weiss, [Living] Adams, [Living] | ||
| [Living] | ???, [Living] | Weiss, William Herbert Baxter, Mona L. M. | ||
| [Living] | Hosford, [Living] | Weiss, William Herbert Baxter, Mona L. M. | ||
| [Living] | Day, [Living] | Weiss, William Herbert Baxter, Mona L. M. | ||
| [Living] | Johnston, Joyce Eileen, McCluskey, Doreen Mary | Weiss, Frederick Arthur"Art" Monogue, Johanna Mary | ||
| [Living] | ???, [Living] | Weiss, William Herbert Baxter, Mona L. M. | ||
| [Living] | Weeks, [Living] | Weiss, William Herbert Baxter, Mona L. M. | ||
| [Living] | Laws, Mrs. | Weiss, Frederick Arthur"Art" Monogue, Johanna Mary | ||
| [Living] | Weiss, [Living] Johnston, Joyce Eileen | |||
| [Living] | Weiss, Frederick Arthur"Art" Monogue, Johanna Mary |


An identifier is an association between a character string and an object. Objects can be files, parts of files, names of persons or organizations, abstractions, etc. Objects can be online or offline. Character strings include URLs, serial numbers, names, addresses, etc. A "persistent identifier" is an identifier that is available and managed over time; it will not change if the item is moved or renamed. This means that an item can be reliably referenced for future access by humans and software. EZID currently supports persistence for two kinds of identifiers: DataCite Digital Object Identifiers (DOIs) and lower-cost Archival Resource Keys (ARKs).
DOI stands for "Digital Object Identifier." It is an identifier originating from the publishing world and in widespread use for journal articles. DOIs become persistent when the objects and identifier forwarding information are maintained.
ARK stands for "Archival Resource Key." It is an identifier originating from the library, archive and museum community. ARKs become persistent when the objects and identifier forwarding information are maintained.
ARK identifiers have certain features that can be very useful for:
This can make it attractive to use ARKs during the early part of a dataset's "life" or the early stages of the research process. Then, when the time comes to begin writing up results and it becomes clear which object(s) will be cited, it may appropriate to get DOIs for those objects.
DOIs have the citation-level "reputation" and it is possible to use the ARK of the cited object as the "suffix" for the DOI so that there is a traceable connection between the two. Here is what that means:
Step 1. You assign an ARK to a resource for good management and tracking: ark:/99999/fk4sf2w65j
Step 2. You decide to cite the resource, so you want a DOI.
Step 3. Using either the Advanced Create UI or the API, request a doi with this form: doi:10.5072/FK2fk4sf2w65j
In this way, the two identifiers have a relationship, so the object can be tracked throughout its life cycle. With EZID, clients get access to both of these identifiers and can take best advantage of both approaches.
Instead of leading directly to an object, one identifier frequently points to another, or "target URL", that leads directly to the object. The process of getting to the final target name, possibly via a chain of intermediate names, is called "resolution." Resolution on the web is usually fast and invisible. It is done behind the scenes on your behalf by web browsers. Unsuccessful resolution, however, usually means visible failure to access the object that you were expecting, resulting in a "broken identifier." Objects tend to move, so identifier persistence depends on resolution using up-to-date target URLs. To make this happen, EZID provides a way for people to update target URLs as they change when objects move around. This is very similar to leaving a forwarding address when you change your residence. As the starting point for resolution, the resolver effectively lets you publicize an unchanging identifier that you maintain so that it will consistently hit a target that may be moving. EZID currently updates two resolvers: N2T (Name-to-Thing) based at n2t.net and the DOI (Digital Object Identifier) resolver based at doi.dx.org.
Metadata is information (data) about the object, such as the name of the object's creator, the date of creation, the target URL, the version of the object, its title, and so on. EZID allows the user to enter metadata at the same time as an identifier is requested. Associating metadata with identifiers enables more sophisticated mechanisms for digital content discovery and higher-level assurances of long-term persistence.
Please contact us with any questions or comments. Also, see Identifier Basics for more information about the identifier practices implemented by the EZID team.
For information about the status of the EZID system, please consider the following options:


The Shattering Swords is a 3rd-person action game centered around a real-time weapon-switching combat system. Combat is grounded and deliberate, similar to Dark Souls. You wield a magical sword that can change its shape on the fly when exposed to various gemstones. You play as a reluctant hero who takes up the sword to defend their village from a horde of living gem constructs. You'll slash, roll, and parry your way through combat encounters, gathering new gemstones and mastering your weapons three forms: the balanced Topaz, the heavy Ruby, and the swift Sapphire. The game culminates in a boss fight against the human leader of the horde, who wields a sword that mirrors your own.
Won the Technical Excellence category in the RIT 2022 Student Game Showcase.
Finalist for the Technical Excellence category in the RPI 2022 GameFest.


Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts. Separated they live in Bookmarksgrove right at the coast of the Semantics, a large language ocean. A small river named Duden flows by their place and supplies it with the necessary regelialia. It is a paradisematic country, in which roasted parts of sentences fly into your mouth. Even the all-powerful Pointing has no control about the blind texts it is an almost unorthographic life One day however a small line of blind text by the name of Lorem Ipsum decided to leave for the far World of Grammar.
Meet the team
Vishnuu Panickar
Technology and Data
Actuarial Studies and Economics student, majoring in Data Science
Rithvik Badinedi
Sales and Marketing
Medical Science student, majoring in Pharmacology
Chris Basilio
Operations and Finance
Aeronautical Engineering and Commerce student, majoring in Finance


MARS - RISCV Assembly and Runtime Simulator
Release 1.0
September 2019
Operating Requirements
MARS is written in Java and
requires release 9 or later of the J2SE Java Runtime Environment (JRE) to work.
The graphical IDE is implemented using Swing. It has been
tested only in Windows 10.
Some MARS Assembler and Simulator Limitations
Releases 1.0 assemble and simulate nearly all the RISCV32 and RISCV64 instructions documented in the
textbook The RISC-V Reader: An Open Architecture Atlas by David Patterson and Andrew Waterman
, 2017.
Limitations of MARS as of Release 1.0 include:
- The limitation of the RISCV version probably includes all MIPS version latest version limitations.
For further details about MIPS latest version limitation, see the relevant page in:
http://www.cs.missouristate.edu/MARS/.
- TODO:The CSRs window implementation remained almost untouched. This means that the current
implementation doesn't fit the RISCV architecture. This window was not removed in
order to future integration into RISCV architecture
- TODO:The current implementation was tested a lot, but yet not completely.
There may be some instruction which will have bugs
- TODO:The macros and the dump files were not modified according to the RISCV architecture.
The implementation of MIPS remained as is and there its behavior in the new
RISCV version is unexpected
- Bug:The FCSR is missing the inexact flag. This is because the implementation of it
using Java's floating point types is not possible, since Java's floating-point
numbers are not perfectly accurate


public class OpenGLRenderDevice extends java.lang.Object implements IRenderDevice
IRenderDevice.BlendMode
FILTER_LINEAR, FILTER_NEAREST
| Constructor and Description |
|---|
OpenGLRenderDevice(int width,
int height)
Creates a new OpenGLRenderDevice
|
| Modifier and Type | Method and Description |
|---|---|
void |
clear(int fbo,
Color color)
Clears a render target to a single color.
|
int |
createRenderTarget(int width,
int height,
int texId)
Creates a render target that can be used by this device.
|
int |
createTexture(int width,
int height,
ArrayBitmap image,
int filter)
Creates a texture that can be used by the device.
|
void |
dispose()
Releases any resources being used.
|
void |
drawRect(int fbo,
int texId,
IRenderDevice.BlendMode mode,
double startX,
double startY,
double endX,
double endY,
double texStartX,
double texStartY,
double texEndX,
double texEndY,
Color c,
double transparency)
Produces a rendering effect within a rectangle.
|
ArrayBitmap |
getTexture(int id,
int x,
int y,
int width,
int height)
Gets a texture, in whole or in part, from this device.
|
int |
releaseRenderTarget(int fbo)
Releases and invalidates a render target.
|
int |
releaseTexture(int id)
Releases and invalidates a texture.
|
public OpenGLRenderDevice(int width, int height)
width
- The width of the primary render target.height
- The height of the primary render target.public void dispose()
IRenderDevice
dispose
in interface IRenderDevice
public int createTexture(int width, int height, ArrayBitmap image, int filter)
IRenderDevice
Texture
class when possible.createTexture
in interface IRenderDevice
width
- The width of the texture, in pixels.height
- The height of the texture, in pixels.image
- The image being used as a texture.filter
- The filter used when sampling the image. Should be one of the
IRenderDevice.FILTER options.public int releaseTexture(int id)
IRenderDevice
id
will be
invalid after this call and may be reused to identify a new texture. Note
that this does nothing when the null id, 0, is given for id
.
It is preferred to use this through the Texture
class when
possible.releaseTexture
in interface IRenderDevice
id
- The integer identifying the texture to be released.public ArrayBitmap getTexture(int id, int x, int y, int width, int height)
IRenderDevice
Texture
class when possible.getTexture
in interface IRenderDevice
id
- The integer identifying the texture to be gotten.x
- The x location to start getting the texture from.y
- The y location to start getting the texture from.width
- How many pixels should be read on x.height
- How many pixels should be read on y.public int createRenderTarget(int width, int height, int texId)
IRenderDevice
RenderTarget
class when possible.createRenderTarget
in interface IRenderDevice
width
- The width of the render target, in pixels.height
- The height of the render target, in pixels.texId
- The integer identifying the texture being used for rendering.public int releaseRenderTarget(int fbo)
IRenderDevice
fbo
will
be invalid after this call and may be reused to identify a new render
target. Note that this does nothing when the null id, 0, is given for
fbo
.
It is preferred to use this through the RenderTarget
class when
possible.releaseRenderTarget
in interface IRenderDevice
fbo
- The integer identifying the render target to be released.public void clear(int fbo, Color color)
IRenderDevice
RenderTarget
class when possible.clear
in interface IRenderDevice
fbo
- The integer identifying the render target.color
- The color to clear to.public void drawRect(int fbo, int texId, IRenderDevice.BlendMode mode, double startX, double startY, double endX, double endY, double texStartX, double texStartY, double texEndX, double texEndY, Color c, double transparency)
IRenderDevice
RenderTarget
class when possible.drawRect
in interface IRenderDevice
fbo
- The integer identifying the render target.texId
- The integer identifying the texture being used for rendering.mode
- The blend mode being usedstartX
- The start location on X, normalized into the range (-1, 1)startY
- The start location on Y, normalized into the range (-1, 1)endX
- The end location on X, normalized into the range (-1, 1)endY
- The end location on Y, normalized into the range (-1, 1)texStartX
- The location in the image on X where pixels should begin being
copied, normalized into the range (0, 1)texStartY
- The location in the image on Y where pixels should begin being
copied, normalized into the range (0, 1)texEndX
- The location in the image on X where pixels should finish
being copied, normalized into the range (0, 1)texEndY
- The location in the image on Y where pixels should finish
being copied, normalized into the range (0, 1)c
- The color masking everything.transparency
- The amount of transparency being used.


General Election 2019: What do the main parties promise on climate change?
Climate change is featuring prominently in this election, with leaders asked to take part in the first ever debate solely on the topic as part of the election debates.
So where do the parties stand on climate change?
Conservatives
The party has pledged to cut greenhouse gas emissions to zero by 2050.
As part of plans to meet this target, the party says it will spend £9.2 billion to improve the energy efficiency of homes, schools and hospitals.
Boris Johnson’s manifesto also vows to plant 75,000 acres of trees a year and ban plastic waste exports to non-OECD countries.
Labour
The Labour party has promised to create 1 million green jobs in a bid to tackle the climate crisis.
Setting out the party’s manifesto, Jeremy Corbyn said Labour would impose an £11 billion windfall tax on oil and gas companies.#
The party also says it will work towards net zero carbon well before 2050, after dropping its initial plans to reach net zero carbon emissions by 2030.
Advertisement Advertisement
The party’s manifesto also states: ‘We will deliver nearly 90 per cent of electricity and 50 per cent of heat from renewable and low-carbon sources by 2030’, as well promising to build 9,000 new wind turbines.
Liberal Democrats
The Liberal Democrats say they will spend £20 billion a year for five years to tackle climate change.
The party has set itself a target of achieving net-zero carbon status by 2045.
Also among the initiatives are plans to deliver 80 per cent of UK electricity from renewables by 2030 and to plant 60 million trees a year.
Funding of £12 billion has also been promised to support renewable energy.
Firms will also be set climate targets.
Green Party
The party’s main policy is focused on spending £100 billion a year to cut emissions by 2030.
That means all petrol and diesel vehicles would be replaced.
The party also says it will end fossil fuel industry tax breaks and subsidies and offer a nationwide retrofit insulation programme for homeowners and renters.
It is by the far the most radical plan on climate change compared to the other parties.
Brexit Party
Climate change doesn’t feature much in the Brexit Party’s manifesto, though it has pledged to ensure all waste in the UK is recycled.
Nigel Farage has also promised a mass tree planting campaign to capture CO2, though he hasn’t released figures of how many he wants planted yet.


Smart Contract Address:
0xdaa24d02bad7e9d6a80106db164bad9399a0423e
Total Supply: 10950000 LUN
Total Ether Raised: 999999999
Current LUN : ETH ratio
Purchase Token
LUN Balance: 322
ETH Balance: 322
Ether to Spend
Lunes you will receive (Show Dynamic value)
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RT @confreaks: New Video! #rubyconf @rubyconf Extending Gems-Patterns and Anti-Patterns of Making Your Gem Pluggable by @jasonrclark http:/…
12/4/2013, 1:03:06 PM
Favs: 0
Retweets: 0
link--- layout: tweet ---
RT @confreaks: New Video! #rubyconf @rubyconf Extending Gems-Patterns and Anti-Patterns of Making Your Gem Pluggable by @jasonrclark http:/…
12/4/2013, 1:03:06 PM
Favs: 0
Retweets: 0
link


Cybersecurity has played an important role in recent years . As experts predict, the number and seriousness of cyberattacks are expected to increase through the following years . This project is conducted to gain better insight on cybersecurity and its’ threats as such SQL Injection. Our project objective is to explore how effective “honeypot” is, as a security mechanism. Honeypot is used to secure computer systems from threats, attacks and prevent unauthorized user logins. Our curiosity comes from how it functions and its effects on cybersecurity.
The dataset includes 451,582 data points from 3rd March 2013 to 8th September 2013 that will be used to find out where the potential threats are coming from. Next, we will break down the data to discover more details regarding the data set on nationalities and patterns of threats. Our research questions are related to identifying top threats based on IP addresses, frequency of attacks, mostly attacked destination ports, mostly used protocols and ports to perform the attack.
The results will help determine the countries on highest attacks and predictions could be made to minimize the attacks in the future utilizing visual analytics. Some basic visualizations will include a timeline analysis, a geographical analysis, dashboard and storytelling to discover hidden patterns to help the audience understand the proposed questions. Based on our initial findings, highest number of attacks are made on Monday- Wednesday as compared to Thursday – Sunday.
Key words
Data visualization, Honeypot, Cyber Security


CRIMES AND MISDEMEANORS A film review by Andrew Hicks Copyright 1996 Andrew Hicks / Fatboy Productions
(1989) ***1/2 (out of four)
In the vein of his earlier HANNAH AND HER SISTERS, Woody Allen's CRIMES AND MISDEMEANORS covers the familiar territories of adultery and integrity and the spectrum of compromise between the two. The film centers around a doctor (Martin Landau) who has been carrying on an affair with Anjelica Huston (and won't Gomez be pissed?) but now wants to break it off. She's suddenly been acting obsessive, threatening to blackmail him with not only the news of his unfaithfulness but also the knowledge of Landau's embezzlement.
A guy like this would never consider something so serious as murder, but when his Mafioso brother Jack (Jerry Orbach) tells Landau he could have her bumped off with one phone call -- one very lethal phone call. The only voice of reason is a rabbi patient of his (Sam Waterston), but would you listen to a man with curly sideburns? Neither would he, and soon Huston has made her last threat... and yes, Gomez is pissed.
On a lighter note, Woody plays a documentary director (probably the only media occupation he hasn't portrayed yet... Coming soon: Woody the Gaffer!) who is so hard up for work that he agrees to do a biopic of producer-of-TV-trash Alan Alda (translation: Aaron Spelling), a man Woody completely abhors. In a movie where everyone is guilty of some crime or misdemeanor, Woody's character's transgression is a more symbolic murder of his artistic integrity.
On location for the documetary, Woody meets one of his co-producers, omnipresent Allen movie favorite Mia Farrow, and falls in love with her. But he's in competition with Alda, who's committing a crime or misdemeanor of the heart by trying to add a Farrow notch to his bedpost through deception and seduction. Never mind that Alda has been using and losing twentyish women through the entire movie and is now after menopausal Farrow, she falls for him even though a woman with her character and strength should obviously be with Woody.
All these characters are tied together through some sort of blood or marriage lines and by the end Landau is getting advice from Woody, which is about the point I'd say bite the bullet and pay a therapist two hundred bucks an hour. In CRIMES AND MISDEMEANORS, Allen explores meaningful life questions about how some people can get away with murder and virtue isn't always rewarded. He also shows how guilt can trip up an otherwise perfect crime all the while adding in his usual perfectly hilarious one-liners. One more great film from Woody Hitchcock.
--
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Team Assignments Status Grid |
Top Previous Next |
|
My Teams Assignments tab indicates the logged in user's assignments that relate to a Operation team tasks. -The grid is organized by teams. -The Tasks column lists the number of tasks that have been assigned to the user -The Pending column lists the number of tasks that are ready to work on per the project workflow order -The ToDos column lists the number of todos that have been assigned to the user -Each of the three columns link and filter the assignments in the My Teams portal when the values are selected When the icon next to the Project Name is selected in the Project Name column, the below charts are dynamically changed: -Project Task Status - displays the entire project status across all tasks -Project Task Assignments - displays the entire project assignments across all users -Project ToDo Assignments - displays the entire todo assignments across all users The My Teams Assignments tab also directly feeds the My Events area, meaning that when the My Teams Assignments tab is selected, and a day is selected in the My Events calendar, the calendar displays projects that are displayed are projects appearing your assigned teams. |