Using Style Templates
Often the data you import into Google Earth contains multiple features that are not
automatically converted into a readily visible feature in the 3D viewer. For example, a
shape file defining the population boundaries for a specific region might have a field
that supplies the population number for each boundary defined in the data. Or, a CSV file
might contain real estate listings with a field showing the square footage of each
listing.
You can use style templates when importing this data in order to display fields in your
data in meaningful ways.
This is accomplished by mapping or connecting specific fields in your imported
data to one of four template display features:
-
Name - By default, if a field for your data contains the
phrase name as its label, Google Earth maps that field to the name displayed
in the viewer for your point. However, you can map any field in your imported data to
the Name element.
-
Color - The color field applies color to your data. Icons are
colored if you import point data, and shapes or lines are colored if you imported that
type of data. For more information, see Mapping Color Styles.
-
Icons - You can use the icon display feature to select an
icon from the list for your imported point data. You can select a single icon for all
point data, apply icons randomly, or select specific icons for specific fields. See
Mapping Icons to Point Data.
-
Height - The height feature generates a height for the
selected column in your data. If the selected data is numeric, height values can be
spread across a range of values. If the data is text, icons can be supplied to
individual fields. See Mapping Height Values.
The rest of this section covers:
Applying a Style Template
This section covers the basic steps for applying a style template to vector data that
contains fields you want to have displayed in the 3D viewer. You can apply style
templates to newly ingested data or to existing KML data. In addition, you can modify
existing templates using the steps below.
Note - Style templates are quite specific to the data you are working
with. While you can use the same style template for different data that has the same
fields, the template settings will often have to be adjusted to represent the data
properly. As your original data set changes with new data, you might also need to adjust
the template to accommodate new information.
-
Choose the data that will have the style template applied to it. If
you are importing the data for the first time, simply click the Yes button
when prompted to apply a style template.
- If you already have this data in your Places panel, select the
parent folder and click Edit > Apply Style Template. (Use this
method when you want to edit a recently-created style template.)
- In the Style Template Settings dialog box, indicate whether you
are creating a new template or using an existing one.
- If you have an existing style template for your data, it appears in the
Compatible templates list along with any other style template that is compatible
to the data you have selected. If you choose to use an existing style template, select
the correct one from the list. If you simply want to apply the template to your data
without changing the template itself, leave the edit selected template check box
clear. To edit the style template, select the check box.
- When you create new template or edit an existing one, the Style
Template Settings dialog box appears.
- Choose a field from your data that you want to use as a Name, or label, for
your data. This name appears in the 3D viewer as well as in the Places panel that lists
the data points.
- Click on the Color tab and map an element of your data to color styles. See
Mapping Color Styles for details.
- Click the Icon tab and map and element of your data to one or more icons.
See Mapping Icons to Point Data for details.
- Click the Height tab to map a height value to a data element. See
Mapping Height Values for details.
- Click OK when you are finished defining your styles. The values defined
appear in the 3D viewer.
The rest of this section discusses in detail how to apply template values to data.
Finally, you can use the instructions in A Style Template Example
to walk through the process of defining a style template on sample point data from a text
file.
Mapping Color Styles
You can apply color to selected fields in your imported data. In this case, color is
applied to the feature depending upon the type of data imported:
-
Icons are colored with point data
-
Lines are colored when applying to lines or paths
-
Solid polygons are colored with shape data
Use the color style to color these elements in a meaningful way depending upon both the
data type and the field data within the entire set. You can use three mechanisms to color
data:
- Use a single color for all features
- Use random colors
- Set colors based on field values
The rest of this section describes how to use these color application methods.
Using a Single Color
If you want to use one color for all the points or lines from your imported data, select
the Use single color option and click on the colored square next to the option.
From the color selector, choose a color or define your own color to apply to the data.
Using Random Colors
To use a variety of colors that are applied randomly by Google Earth, select the Use
random colors option.
Note - The line or point data will be colored based on values supplied
by Google Earth. If you are also supplying an icon for point data, the color is added to
the existing color of the icon.
Setting Colors Based on Field Values
While applying colors to data features helps distinguish features from each other in the
3D viewer, using colors based on field values provides a way to display data about the
feature set that you couldn't otherwise easily display. For example, you might want to
set a short range of colors based on the square footage of real estate listings. Or, you
might want to set a range of colors for shape files showing average household income.
Use the following steps to define color values by a data field.
- Select the Set color from field option in the Color tab.
- Choose the field that you want to apply color data to from the Set color field
drop-down list. Here, you can choose either numeric fields or text fields from your data.
See Choosing Field Types for Style Mapping.
- Choose the starting and ending color (optional) for your color mapping. By default,
the style template "color buckets" are created from blue and mapped through the spectrum
to red. If you want to change the color range, you can click on each color block and set
the starting and ending colors as desired. Google Earth automatically calculates the
color range between the two chosen values.
- Use the Number of buckets selector to indicate how to group the range of
field values. This option is only available for fields with numeric data. The ranges for
each bucket are automatically computed, but can be adjusted manually. See Customizing the Value Range for Numeric Data for details. To learn
how buckets behave for string and numeric fields, see Using Buckets
for Field Data.
- Make any further desired adjustments.
-
Subfolders - You can create subfolders for each color bucket so
that the Places listing displays the data elements grouped by color into
their respective folders. This makes it easier for you to show or hide the display
of color groups simply by selecting or removing the check box next to the folder.
Once you select the sub-folder option, you must provide a name for your sub-folder
in order for the data to be properly grouped in the Places listing. Note
that you can only define a single sub-folder option for either color or icon
display.
-
Color display order - You can click the Reverse order
button to reverse the display order of the color range. So, if you have a range of
colors starting with blue for the first element and ending with red for the last
one, reversing the order will apply red to the first element and blue to the last.
-
Color adjustments to single buckets - You can modify each color
element individually by clicking on it and adjusting the color for that particular
value or value range. In addition, you can modify the settings for numeric buckets
to adjust the spread of the data to your preference. See Customizing the Value Range for Numeric Data to learn how to
adjust the numeric ranges once you choose the number of buckets for a range of
numbers.
-
Click the OK button to apply and view your changes. - Save
the style template. You can always edit the template to apply icon and height styles or
to make additional color adjustments. Do this by following the instructions in Applying a Style Template.
Mapping Icons to Point Data
As with color, you can apply icons to fields in your data. However, icons can only be
mapped to point data, so if you are importing line or shape data, the Icon style tab will
be unavailable. You can use two mechanisms for mapping icons to points:
-
Use the same icon for all features - To do this, simply select the Use
same icon for all features option and choose an icon from the drop-down list.
-
Set icon from a field - The actions for doing this are similar to
those described in Mapping Color Styles, and are described in
the sections that follow.
Setting Icons Based on Fields
These steps describe the basic process of mapping icons to fields in your data. The
following steps describe the basic process for defining color values by a data field.
- Select the Set icon from field option in the Icon tab.
- Choose the field that you want to apply icon labels to from the Set icon from
field drop-down list. Here, you can choose either numeric fields or text fields from
your data. See Choosing Field Types for Style Mapping.
- Use the Number of buckets selector to indicate how to group the range of
field values. This option is only available for fields with numeric data. The ranges for
each bucket are automatically computed but can be adjusted manually. See Customizing the Value Range for Numeric Data for details. To learn
how buckets behave for string and numeric fields, see Using Buckets
for Field Data.
- For each bucket defined, select an icon from the list.
- Make any further desired adjustments:
-
Subfolders - You can create subfolders for each icon bucket so
that the Places listing displays the data elements grouped by the folder
label into their respective folders. This makes it easier for you to show or hide
the display of icon groups simply by selecting or removing the check box next to
the folder. Once you select the subfolder option, you must provide a name for your
sub-folder in order for the data to be properly grouped in the Places
listing.
Note: You can only define a single subfolder option for either color
or icon display.
-
Icon adjustments to single buckets - You can modify each icon
element individually by clicking on it and adjusting the icon for that particular
value or value range.
- In addition, you can modify the settings for numeric buckets to adjust the spread
of the data to your preference. See Customizing the Value
Range for Numeric Data to learn how to adjust the numeric ranges once you choose
the number of buckets for a range of numbers.
- Click OK to apply and view your changes.
- Save the style template. You can always edit the template to apply icon and height
styles or to make additional color adjustments. Do this by following the instructions in
Applying a Style Template.
Mapping Height Values
By default, no height values are defined initially in the Height tab. Use the
Height tab in the Style Template Settings dialog box to set height
values from a selected field. Once height values are activated, points, lines, or shapes
are extruded from ground level to the height defined for each data element. If you map
height to lines or shapes, the values you define work in combination with the colors
defined in the Color tab.
On the other hand, if you map height to point data, those points are extruded using a
single pixel colored line to connect the icon from its elevated position to the ground.
You can use style settings to modify the width and color of those lines if you wish.
The rest of this section covers details for using height values effectively, including:
Height Values for Text Fields
The height map settings for text fields differ from those for numeric fields. If the
field you choose to map contains text data, the first 8 unique fields are each defined in
their own container, or bucket. For this reason, it makes sense to only map height values
to a field that has 8 or fewer unique values. See Choosing Field
Types for Style Mapping for more details.
When you map height values to a text field, the following settings are available:
-
Individual height values - The height mapping wizard automatically
calculates reasonable height values for your data given its geographical extents. For
example, for points clustered around a small region, 20 - 2000 meters might be adequate
to view all points as elevated when looking at the entire set in the 3D viewer. On the
other hand, if your data set encompasses an entire state, higher values are calculated
so that height is apparent when looking over the entire region in the 3D viewer.
You can always modify the height values by hand to adjust each point to your
preference. In general, the greater the distinction between each point, the easier it
is to visualize that distinction in the 3D viewer from a distance. Height
units - By default, height units are set to meters, but you can change them to
feet if you prefer. When you change the default value from meters to feet, you might
want to adjust the values in each bucket upward to make the data visible in the 3D
viewer.
-
Scaling factor - Use the Scaling factor slider to uniformly
adjust the numeric values in all height fields. The slider provides a general factor
from .1 times the value to 10 times the value defined in each field. If you manually
adjust the height values, you can also use the Scaling factor slider to make
further adjustments to those numbers.
Height Values for Numeric Fields
When you map height values to a numeric field in your data, you can choose from two types
of mapping methods: continuous or split into buckets.
Using Continuous Mapping
The continuous mapping method uses the minimum and maximum values of your selected field
to determine a minimum and maximum height display for the entire set. It then maps all
data within the set in a way that best corresponds to each individual field. In the
example, the Square_footage field is used to map height values, with the minimum
value of 2000 and a maximum value of 6234. Each of the 9 elements in the set is displayed
at a slightly different height value that most accurately displays its relationship to
the other points. This particular method is useful in smaller data sets where individual
distinctions between points or shapes are easily visualized.
With the continuous mapping method, you can use the Scaling factor slider and
the Height units selector as described above in Height
Values for Text Fields. Additionally, you can enter the desired height you want for
the beginning and ending ranges of your data. For example, you might want houses starting
at 2000 feet to be displayed in the 3D viewer at a height of 100 meters, and houses at
the ending range to be displayed at a height of 5000 meters.
In the 3D viewer, the visual distinction between individual elements using this method is
affected by both the height range you set and by the number of elements in the data. For
example, a range of 100 - 5000 meters for a set containing only 9 elements creates a
visually distinct height for each point.
If you decrease the range or increase the number of elements in the set, the distinction
between each element diminishes.
Splitting Values into Buckets
Use the Split into buckets mapping method to create up to 8 height groupings for
your data. This method works well for large data sets where continuously mapped heights
are not easily visualized in the 3D viewer. For example, if your data set contains over
1000 housing listings clustered around a small region, it might be difficult to see the
actual difference between houses in different height categories. By using the Split
into buckets option, you can create more meaningful categories and define visually
distinct gaps in their display. For example, you might have all listings between 2000 -
3000 square feet display at a height of 500 meters, all listings between 3000 - 4000
square feet display at a height of 1500 meters, and so on. While this method will not
distinguish a house at 3000 square feet from one at 3200 square feet, it will allow a
more immediate visual grasp of the categories you have defined.
As with color and icon styles, the maximum value for each bucket is automatically
computed, but can be adjusted manually. Use the Scaling factor slider and the
Height units selector for this method as described above in Height Values for Text Fields. As you set the number of buckets and
define the maximum value for each bucket, the Style Template wizard displays the count of
items for each bucket. For more details, see Using Buckets for Field
Data.
Using Style Settings to Modify Point Display
The color values you set for point data are applied to the icon that you map to points as
well as to the line that is extruded from the point on the earth for the height of the
line, as shown in the real estate listing example above. However, in some cases it might
not be easy to visualize a single-pixel line in the 3D viewer against the earth imagery.
In that case, you can edit the style settings for each point in order to modify the line
thickness.
- Right-click (CTRL click on the Mac) on the point you want to modify and select
Properties from the pop-up menu.
- In the Edit Placemark dialog box, in the Style, Color tab, modify the
point's appearance as appropriate.
- Click OK.
Since this process is not practical for large data sets, you might consider applying
changes to entire folders or subfolders. Beware that if you do this, any individually
defined styles will be lost. In this case, use the sub-folder feature of the Style
Template wizard to group similarly styled data into subfolders. Make sure that each
folder created has similar color and icon data. Then, apply the height value to your data
and save the style template. Later, use the steps above to create shared styles for each
subfolder you set up. As long as all of the data within each folder has the same color
value and the same icon value, changes to the line thickness will not impact those
settings.
Using Buckets for Field Data
When using color, icon, or height mapping for specific fields in your data set, you
typically define a number of buckets, or containers, to distinguish different ranges of
data. The sections that follow describe how different field types are interpreted by
style templates, as well as how you can adjust the range of values when mapping numeric
data.
Choosing Field Types for Style Mapping
You can choose two basic types of fields from your data when mapping color, icon, or
height values:
-
Text (string) fields - If the field that you map to color or other
style contains non-numeric data (i.e., text and other characters), the application
looks for the first 8 unique text fields, and maps those fields to the style.
If there are fewer than 8 values in your data, each unique value is paired to a
different color, icon, or height. If there are more than 8 values, the first 8 unique
values are mapped to a style, and the rest of the values are grouped together and
mapped to a ninth style. For this reason, it typically is most useful to apply a style
to text fields that contain small unique sets.
For example, in the real estate example described in A Style
Template Example, there is a field in the data called School_district.
This field defines the school district ratings for each listed house. Because there are
only three districts: AA, AAA, and AAAA, it makes sense to
use a style to distinguish this type of text field. You might, for instance, decide to
map a height to this field, so that users viewing your data see the highest points as
those belonging to houses in the highest-rated districts, and so on.
-
Numeric field - If the field that you choose contains numeric data,
the application automatically apportions the numeric data across the number of buckets
that you select, and provides a count of items in each bucket. If you increase or
decrease the number of buckets, the application automatically re-apportions the number
of elements for each bucket.
Note - If you are using a spreadsheet application such as Microsoft
Excel to create your data, be sure that the cell format you choose for numeric fields has
been set to numeric and not text. If you have numeric fields in your CSV saved
from a spreadsheet, but the Style Template wizard is not recognizing it as
numeric, it might be due to incorrect formatting. To verify whether the actual field is
marked as text or numeric, open the CSV file in a simple text editor and look at the
field in question. If it is enclosed in double quotation marks, then it has been defined
as text — even if there are only numbers within the quotations. You can remove the
quotation marks manually from the file, or open your spreadsheet application and format
the cells as numeric and save the CSV data again.
Customizing the Value Ranges for Numeric
Data
Typically, you will want to customize the numeric values to define buckets in ranges that
are more meaningful for your data. For example, you might modify the ranges displayed in
the example above to round figures typically used to describe square footage for houses.
To do this, simply enter the values you want as the maximum value for each bucket. As you
do this, the number of elements contained by the new definition updates to reflect your
changes.
Keep in mind the following about how to adjust numeric field values:
-
You cannot adjust the minimum value for the set, nor the maximum
value. This means that the range for the last bucket is actually defined by
the maximum value of the previous bucket. In the example above, then, if you want to
change the last bucket to contain 4 items, you would decrease the maximum value of the
green bucket until the Count field showed 4. You must adjust the
values for each bucket so as not to collide with the values defined for other
buckets. When organizing your data into buckets, it's easiest to sketch your
bucket values down first before attempting to adjust them in the Bucket
options fields, or to start at one end of the data set and work toward the other.
You cannot enter a value in one bucket that is either greater than the maximum value of
the next bucket, or less than the maximum value of the previous bucket.
For example, in the first color bucket example above, suppose you know that you want
your first bucket to show all houses with a square footage of 5000 or less, and you
want the second bucket to show a narrow range of houses from 5000 to 5500 square feet.
If you enter the number 5000 next to the first bucket, you will receive an alert asking
you to pick a number between 2000 and 4822.67. Because the maximum value of the next
higher bucket is 4822.67, you cannot enter a value in the previous bucket that exceeds
it. Thus, to accomplish your goal, you would first need to adjust the second bucket's
maximum value to 5500. At that point, you could adjust the value of the first bucket to
5000.
-
Field data whose numbers exceed a certain number of digits might display in
scientific notation. Depending upon the size of the input box on your screen,
some larger numbers (such as those exceeding 6 digits) will display in scientific
notation. For example, you might see the number 1,628,000 displayed as
1.628e+06. If you move the decimal point over 6 places, you will obtain the
number in regular notation.
A Style Template Example
This tutorial is designed to help familiarize you with the basic process of defining,
editing, and using a style template for any data you import into Google Earth. This
example uses a text file saved in CSV (Comma Separated Value) format showing some
fictional real estate listings in the greater Detroit area. This tutorial covers the
following:
Saving the Sample File
- Use this provided sample real estate
listing to follow along with this tutorial. Click on the link and save the file to
your computer. If you are using Firefox, right-click (CTRL click on the Mac) on the link
and select Save Link As... from the pop-up menu. You can also open and view it with a
spreadsheet application if you wish. Navigate to a location on your computer's hard drive
(such as My Documents or Documents) and save the file.
- To avoid the confusion in the rest of this tutorial, keep the sample file named
MetroDetroitRE.csv.
Use this file in the rest of this tutorial as your GIS data source. If you are curious
what a comma-separated text file looks like, open the file using a simple text editor. If
you do this, close it without saving any changes.
Importing the File
- Click File > Import. Navigate to the place on your computer's hard drive
where you saved the file in the steps above. Select the MetroDetroitRE.csv file and click
Open. Click Yes when asked if you want to apply a style template.
- In the Style Template Options dialog box, verify that Create new template is selected
and click OK.
You are now ready to create and view the style template.
Creating Style Template Name and Color
Settings
In this section, you will supply a name label to the real estate listings and color code
the listings based on the Square_footage field. After that, you will save the
template and view your settings.
- With the Style Template Options dialog box open, be sure the Name tab is active.
- Click the black arrow next to the Set name field selector.
- Choose the first field in the list, Address.
Notice how the preview table shows the Address column as selected. You can also click
on the column heading of any column in the preview table to change your choice. When
you are finished, be sure the Address column is the selected element for the Name
field.
- Click the Color tab. Notice how the default setting here is to use a single color for
the point data, and that the color is set to white.
- Select the Set color from field option.
- From the Select color field selector, choose Square_footage as the field. Again, you
can see how the Square_footage column is selected as the chosen field in the
data preview table.
- Adjust the color range to your preference. For instance, suppose you want graduations
of a single color red from light to dark. Click the color square next to Palette start
color and choose white in the color picker dialog box. Since the default ending color is
already red, you can leave that square as it is. The color range gradient will update to
reflect your new choice.
- This tutorial will use the default color palette range of blue to red. To change it
back, simply click on the white color box and choose a blue color from the color picker.
- In the Number of buckets selector, set the number to 3 if it is not already.
- Select the create sub-folders for each bucket check box.
- In the Bucket options area, set the Maximum value fields from lowest to highest as
follows:
Notice the slight adjustment in the count fields.
- Provide meaningful folder names for each bucket. For example:
- 2000 - 3000 Square Feet
- 3000 - 4000 Square Feet
- 4000 - 6500 Square Feet
- Click OK at the bottom of the Style Template Settings window.
- In the Save Template dialog box, click the Save button. Note that the name of the
template file corresponds to the name of your imported file.
- Leave this name as it is, and click the Save button. The 3D viewer adjusts to
encompass all the points in the data file. Notice that the number of blue icons
corresponds to the count next to the blue bucket and so on for all three buckets (3 blue,
2 green, 3 red).
- In the Temporary Places folder within the Places panel, expand both parent folders
until you see the three subfolders you created in the steps above.
You can turn off the display of all houses contained within a given folder simply by
removing the check mark next to that folder.
You can also adjust the ordering of the folders by dragging the 3000 - 4000 Square
Feet folder to the space between the two remaining folders, so that the order
appears in sequence.
Take some time to explore the data related to each point. You can double-click on an item
within a folder to zoom into that view as well as to view the info balloon for the point.
Or, click on the point in the 3D viewer to view the info balloon.
Modifying the Style Template for Icon
Settings
In this section, you modify the style template you've saved to apply icons that display
the number of bedrooms for each listing.
- Right-click (CTRL click on the Mac) on the top-most folder called MetroDetroitRE.csv
and select Apply Style Template... from the pop-up menu.
- In the Style Template Options dialog box, select Use existing template.
- Select the MetroDetroitRE template from the list if it is not already, and check edit
selected template.
- Click the OK button and in the Style Template Settings dialog box, click the Icon
tab.
- Choose the Set icon from field option and in the Select icon field selector, choose
Bedroom from the list, or click on the Bedroom column in the preview table.
- Set the Number of buckets selector to 4. Notice the count display that shows how many
listings have the corresponding number of bedrooms per value.
- From the Icon selector next to each bucket, choose the number icon that corresponds
to the maximum value for each field.
- Click the OK button on the Style Template Settings dialog box.
- In the Save Template dialog box, click Save, and when prompted to overwrite the
existing template, click Yes. In the 3D viewer, you should see the icons change to
reflect your settings.
Removing Duplicate Folders
Each time you modify a style template, any folders you have created using folder options
are duplicated.
Because you might have hand-modified data within the parent folder (including manually
created sub-folders), the style template wizard avoids over writing your data and simply
creates another set of folders, removing the visibility check from the older ones. You
can choose to retain this historical data (which will increase each time you modify and
save a template), or you can right-click (CTRL click on the Mac) on the folders you no
longer want and select Delete from the pop-up menu.
Adding Height Values
In this section of the tutorial, you will modify the style template to create height
values based on the price of the house.
- Right-click (CTRL click on the Mac) on the top-most MetroDetroitRE.csv folder and
select Apply Style Template... from the pop-up menu.
- Choose the Use existing template option, select the template, and check the edit
selected template check box.
- Click the Height tab in the Style Template Settings dialog box and choose the Set
height from field option.
- Click the Price column in the table preview to choose the price field for height.
- Select Continuous as the mapping method.
- Leave the Scaling factor slider to 1.0 and the Height units to meters.
- Next to the minimum value row, replace 20.4005 with 100 as the value.
- Next to the maximum value row, replace 2040.05 with 5000 as the value.
- Click the OK button on the Style Template Settings dialog box and save the template,
replacing the previous version.
- If desired, remove the duplicate folders from the parent folder.
- Tilt the view in the 3D viewer to see the effects of your settings.
Creating a Map Legend
In this final section of the tutorial, you can view the code behind a sample KMZ file
designed to create a legend for the 3D viewer so that users can readily view the meaning
of the settings you've defined in the style template. If you click on the link for this
KMZ file, you can open it in your Google Earth browser to view the legend for the data
you've created here. You can also save the file to your computer and open it using a text
editor to see the code that is described in this section.
The diagram that follows shows the code used to create the KMZ file. Using the KMZ file
you opened as a model, you can create your own screen overlay for your own data as
follows (these tips assume you understand how to use basic web-oriented tools such as
FTP, image editors, and HTML editors):
- Replace the referenced graphic with a graphic that you create using a graphics tool
application such as Adobe Photoshop or Microsoft Paint.
- Save the graphic you create in a compatible format such as PNG, GIF, or JPEG.
- If you want the graphic to be viewable on the web or a network, be sure to place the
graphic in a location others can access it, and use the correct URL to reference it
(i.e., \\networkpath\folder\folder\imageFile.png for network files or
http://www.test.com/images/myScreenOverlay.png for web-based files).
- Name the file with a meaningful name and an extension of .kmz.
- Enter the name of your screen legend between the <name></name>
tags. This name appears in the Places panel. You can drag this into the parent folder of
your style template.
- Enter the correct URL of the image that you use to create the legend. Here,
the sample path is the formate you use to reference an image on your local computer. For
images on a web server, use the URL to the image itself (not the web page containing the
image, and be sure the image has been uploaded to the location referenced by the URL.


ice pore Holocene (Fig. climate relict composite warming core mean precip cal temperature Fig. excess permafrost Arctic summer active reconstruction early layer Sci. record cm data lower {border-style . ka modern precipitation trend px;} water #ffffff;} surface Quat. change isotope records thaw Beringia Supplementary values DHP Rev. changes region (Supplementary However, Mayo local maximum proxy reconstructions shows years Alaska GNIP based conditions depth late past peatland used waters ./j.quascirev... Yukon anomalies cooling likely moisture multi-proxy near peat pollen seasonality source temperatures upper warm (see BP, BP. evidence model northern period relatively variability warmer (e.g. Canada Eastern LMWL Nature Note Res. average boundary cores enriched estimates given summers using warm-season ALT Earth age age-depth analysis area different global ice, points profiles px; relative seawater series thermal {font-family (i.e. North Unit annual b). depths effects estimate font-size freezing ice. max proxies rate rates similar site trends . ± . °C DHP- University accumulation aggradation analysed ca. corrected d). dates differences double; extratropical initial isotopes magnitude midges potentially ratios regression samples sea sediments slope spatial study transition (. °C) (Dempster Beringia, Climate GISTEMP Highway Lett. Mayo, Pacific Peatland, Quaternary SST a), border-color border-width calibration chronology compared comparison cryptotephra dating discussed especially included includes indicating interval long marker) monthly offsets peat-sediment profile raw recent reflect regional small solid; studies suggest suggests syngenetic table time use western {font-style {font-weight ~. ka ~ ka ka km – cm (as (black (grey (red ./cp--- ./e- . °C BP; Bayesian Can. Clim. Commons Creative Data Davies Delta Finally, Geophys. Greenland Isotopes Kaufman LIS Local Mackenzie Network Ogilvie Past Pleistocene Precipitation Relict [], a). agree anomaly atmospheric bold central climatic collapse collected common constant continental core, coring courier; defined depleted depth) effect em; evaporative evident exceeds exceptional feedbacks field filled following frozen greater grid.. ground high history ice) ice-water industrial-era insolation interval, knowledge lake line lines) long-term low meteoric months northwestern observed occur overlap peak positive preserved provide pt;} radiocarbon record. red replication review saturated sensitive sequence signals sites slow supported uppermost vs. warmth winter {\mathrm{\delta δD,


The hybrid graph contains svg (always top) and canvas elements. The exported svg is a composite of both.
Click here to download.


UK Labour would deliver first budget on February 5: McDonnell
LONDON (Reuters) - The man who would be Britain’s finance minister if the opposition Labour Party takes power after Thursday’s election said on Monday he would deliver his first tax-and-spending budget statement on Feb. 5.
“My first act as a chancellor will be write to the Office for Budget Responsibility and will ask them to begin their preparations for my first budget which will be given on Feb. 5, the date when almost 10 years of cuts will come to an end,” John McDonnell said in the text of a speech.
Labour has said it wants to reverse a decade of public service cuts as quickly as possible and give public workers a 5% pay rise.


He was so colorblind that he didn't realize he was heading downwind and ended up being completely taken aback when he stumbled upon a mill grinding wheat just a few meters behind him. [G|D]
The mastermind behind the success of humankind and mankind had the foresight to anticipate the potential with headwinds, and it was hind to his greatness that propelled them into the future. [G|D]
Although he was purblind and initially thought to rescind the contract, it wasn't until he tasted the sweet tamarind that he unbound himself from the previous decision and decided to keep it. [G|D]
The whirlwind of unkind emotions surged upwind when the woodwind instrument started to play and his heart began to unwind as the melody moved through him. [G|D]


The Elko Repository Protocols
The Repository
The Repository is an Elko server that provides persistent storage for objects. Context servers can be configured to use either a local repository that they access directly or to communicate with a Repository server. The protocols described here are for the latter case.
A Repository understands two different JSON message protocols. These correspond to the two kinds of actors who may wish to communicate with a Repository: other servers seeking to retrieve or store persistent objects, and administrators. Each of the ports that a Repository listens for connections on can be configured to support either or both of these protocols.
Each of these protocols is associated with a particular object ref to which messages should be addressed:
rep
for object repository access.admin
for administrator messages.
Repository Protocol
The repository protocol is used by clients who wish to access the persistent objects that the Repository manages.
get
→ { to:"rep", op:"get", what:[REQUESTDESC], tag:?STR }
This message requests the retrieval of the persistent state of one or more objects.
what
is an array of object request descriptors specifying the objects whose retrieval is sought.tag
is an optional tag string that, if given, will be sent back with the response(s), to help the client match up requests and responses.
{ type:"reqi", ref:STR, contents:?BOOL }
where:
ref
is the reference string identifying the object sought.contents
is an optional boolean flag that, if true, indicates that any objects contained by the requested object (any objects in the entire containment hierarchy rooted at the object, in fact) should also be retrieved. If omitted it defaults to false.
← { to:"rep", op:"get", results:[OBJDESC], tag:?STR }
where:
results
is an array of object descriptors, one for each object that was requested (directly or indirectly) in the originalget
message.tag
echoes the tag from theget
request, if there was one, or will be omitted if the originalget
also omitted it.
{ type:"obji", ref:STR, obj:?OBJ, failure:?STR }
where:
ref
is the reference string identifying the object.obj
is representation of the state of the object. The details of this will, of course, vary depending upon what kind of object it is. This will be absent if the object could not be retrieved.failure
is an error message string indicating the reason why the Repository was unable retrieve the object. This will only appear in failure cases.
put
→ { to:"rep", op:"put", what:[OBJDESC], tag:?STR }
This message requests the Repository to store the new persistent state of one or more objects.
what
is an array of object descriptors containing the states of the objects that are to be stored. These object descriptors take the form documented above in the description of theget
request.tag
is an optional tag string that, if given, will be sent back with the response(s), to help the client match up requests and responses.
put
request. That is, the persistent states of all specified
objects are updated or none are.
Note that there is no explicit "create" operation. Simply issue
a put
for an object not currently stored.
The Repository will reply with a message of the form:
← { to:"rep", op:"put", results:[RESULTDESC], tag:?STR }
where:
results
is an array of result descriptors, one for each object whose storage was requested in the originalput
message.tag
echoes the tag from theput
request, if there was one, or will be omitted if the originalput
also omitted it.
{ type:"stati", ref:STR, failure:?STR }
where:
ref
is a reference string identifying the object the result pertains to.failure
is an error message string indicating the reason why the Repository was unable store the object. This will only appear in failure cases.
remove
→ { to:"rep", op:"remove", refs:[STR], tag:?STR }
This message requests the Repository to delete the persistent state of one or more objects.
refs
is an array of object reference strings identifying the objects to be deleted.tag
is an optional tag string that, if given, will be sent back with the response(s), to help the client match up requests and responses.
← { to:"rep", op:"remove", results:[RESULTDESC], tag:?STR }
where:
results
is an array of result descriptors, one for each object whose deletion was requested in the originalput
message. These result descriptors take the form documented above in the description of theput
request.tag
echoes the tag from theput
request, if there was one, or will be omitted if the originalput
also omitted it.
Admin Protocol
The Repository admin protocol is used to administer the Repository server.
reinit
→ { to:"admin", op:"reinit" }
This message instructs the Repository to reinitialize itself.
shutdown
→ { to:"admin", op:"shutdown" kill:?BOOL }
This message instructs the Repository to shut itself down.
where:
kill
is an optional flag that if true orders an abrupt termination of the server. Normally, a server will empty its message queues, checkpoint any active state, and perform an orderly shutdown. However, if thekill
flag is true, it will exit immediately without stopping to clean things up. The value defaults to false if the parameter is omitted.


hatchery fishery populations progeny salmon coho broodstock escapement River fisheries males fish migration male broodstocks contributions individuals spawning PBT sampled Capilano Fisheries distance time return genetic harvest populations, Chilliwack population total < {border-style observed southern number px;} samples #ffffff;} British captures history productivity River, Table genotyped recoveries (Table Salmon mean northern parents Creek Inch Pacific Puntledge distribution early intrapopulation selection spawners variation Quinn, Robertson juvenile produced rate rates Norrish November October analysis areas individual life marine migrating natural provided recovered sibs tagging American Canada Oncorhynchus Vancouver average escapements parental size used Beacham Canadian Nitinat adult assigned capture did family groups growth identification identified migratory parentage‐based population. significantly spawn study Columbia John Rosewall Stave Total catchability contributed defined disproportionately high increased jack jacks kisutch) paternal populations. river samples, significant (C) .). Aquatic Beacham, Chehalis North Oceans Population Quinsam Sciences, Wiley age assignments basis body escapement, genotyping large late later nonsib proportion px; relative salmonids single straying timing {font-family (Beacham COLONY Canada, Columbia, Conuma Early Fishery Goldstream Ltd, Nicomekl Northern Progeny Qualicum Serpentine Sons, Strait analysis. coded‐wire differentiation distances diversity fisheries, font-size highest indicated location lower management ocean patterns recovery sampling small stock traits water .), .N, Candy, Chinook December Genome Island Late Mamquam SOG Tenderfoot Variation current derived distributions double; environmental freshwater genotype genotypes greater hatchery‐origin identify included indicating influence locations low mid nonbroodstock nonsibs recognition recreational resident salmon. sib smaller spawned staff subsequent temporal time. variability versus (.% Coast Coldwater Ecology Figure JDF Life Marine Note Number PBT/S Thus, Trudel, alternative approximately associated based bold border-color border-width coast contribute contribution data determined difference differences effects evaluated expected families fewer fishery. fishing generally heterogeneity increase monthly origin outlined pairwise population, primarily rearing relatively reported returns samples. selective solid; spawner tag {font-style {font-weight Central Coho Comparison Creek, Data Fraser Fresh, Heath, Ion June S). September Society, Sound Transactions Wallace, Wang, Welch, Withler, adipose area assessment assignment brood catch caught coastal common compared component courier; earlier em; error evidence fishery, important information inter‐ led natal natural‐origin northward numbers objective originating overall parent potential produce production pt;} reduced reflect related returned returning salmonid sample siblings similar spatial stray strays substantial years


le_mdmDefs_interface.h File Reference
#include "legato.h"
Go to the source code of this file.
Macros | |
| #define | LE_MDMDEFS_PHONE_NUM_MAX_LEN 17 |
| #define | LE_MDMDEFS_PHONE_NUM_MAX_BYTES 18 |
Enumerations | |
| enum | le_mdmDefs_IpVersion_t { LE_MDMDEFS_IPV4, LE_MDMDEFS_IPV6, LE_MDMDEFS_IPMAX } |
Detailed Description
Definition file common to multiple modem related services.
Copyright (C) Sierra Wireless Inc. Use of this work is subject to license.
Macro Definition Documentation
| #define LE_MDMDEFS_PHONE_NUM_MAX_BYTES 18 |
Cf. ITU-T recommendations E.164/E.163. E.164 numbers can have a maximum of 15 digits except the international prefix ('+' or '00'). One extra byte is added for the null character. One extra byte is added for the null character.
| #define LE_MDMDEFS_PHONE_NUM_MAX_LEN 17 |
Cf. ITU-T recommendations E.164/E.163. E.164 numbers can have a maximum of 15 digits except the international prefix ('+' or '00'). One extra byte is added for the null character.


--- layout: post title: Happy Easter date: '2015-04-06T07:30:19+02:00' categories: - Klare Lijn — Ligne Claire - Ello Mobile - Illustration picture_url: https://film-Storyboards.tumblr.com/post/115662667066/happy-easter ---
Happy Easter.


LOADING...
Dashboard
Distiller
Styler
Manager
Publisher
Documenter
© Copyright 2010
Cartoworks Inc
79%


Saina Nehwal pulls out of Premier Badminton League
by ANIHighlights
- Saina revealed that she has not been well throughout the year as pancreatitis and injuries have troubled her.
- Saina was last seen in action in the Hong Kong Open where she had to face a first-round exit.
- Saina has now faced exits from a tournament in the first round five times.
NEW DELHI: Ace Indian shuttler Saina Nehwal on Sunday announced that she would not be participating in the upcoming fifth edition of Premier Badminton League (PBL).
She revealed that she has not been well throughout the year as pancreatitis and injuries have troubled her so she would like to take some time off the game.
"Hey everyone, I won't be part of the PBL Season 5 . I haven't been well most part of the year due to pancreatitis and injuries and I would like to take time during the PBL to prepare better . I want to say sorry to all my fans and I hope to be part of the next season of PBL," Saina tweeted.
The 29-year-old was last seen in action in the Hong Kong Open where she had to face a first-round exit from the tournament after losing to China's Cai Yan Yan 13-21, 20-22.
World number nine Saina has had a troubled run this year as she has now faced exits from a tournament in the first round five times.
Earlier this year, Cai Yan Yan had knocked out Saina in the first round of the China Open.


#include <constraint_solver.h>
Definition at line 3609 of file constraint_solver.h.
◆ SearchMonitor()
| operations_research::SearchMonitor::SearchMonitor |
( |
Solver *const |
s | ) |
|
|
inlineexplicit |
◆ ~SearchMonitor()
| operations_research::SearchMonitor::~SearchMonitor |
( |
| ) |
|
|
inlineoverride |
◆ EnterSearch()
| virtual void operations_research::SearchMonitor::EnterSearch |
( |
| ) |
|
|
virtual |
◆ RestartSearch()
| virtual void operations_research::SearchMonitor::RestartSearch |
( |
| ) |
|
|
virtual |
◆ ExitSearch()
| virtual void operations_research::SearchMonitor::ExitSearch |
( |
| ) |
|
|
virtual |
◆ BeginNextDecision()
| virtual void operations_research::SearchMonitor::BeginNextDecision |
( |
DecisionBuilder *const |
b | ) |
|
|
virtual |
◆ EndNextDecision()
◆ ApplyDecision()
| virtual void operations_research::SearchMonitor::ApplyDecision |
( |
Decision *const |
d | ) |
|
|
virtual |
◆ RefuteDecision()
| virtual void operations_research::SearchMonitor::RefuteDecision |
( |
Decision *const |
d | ) |
|
|
virtual |
◆ AfterDecision()
| virtual void operations_research::SearchMonitor::AfterDecision |
( |
Decision *const |
d, |
|
|
bool |
apply |
|
) |
| |
|
virtual |
◆ BeginFail()
| virtual void operations_research::SearchMonitor::BeginFail |
( |
| ) |
|
|
virtual |
◆ EndFail()
| virtual void operations_research::SearchMonitor::EndFail |
( |
| ) |
|
|
virtual |
◆ BeginInitialPropagation()
| virtual void operations_research::SearchMonitor::BeginInitialPropagation |
( |
| ) |
|
|
virtual |
◆ EndInitialPropagation()
| virtual void operations_research::SearchMonitor::EndInitialPropagation |
( |
| ) |
|
|
virtual |
◆ AcceptSolution()
| virtual bool operations_research::SearchMonitor::AcceptSolution |
( |
| ) |
|
|
virtual |
◆ AtSolution()
| virtual bool operations_research::SearchMonitor::AtSolution |
( |
| ) |
|
|
virtual |
◆ NoMoreSolutions()
| virtual void operations_research::SearchMonitor::NoMoreSolutions |
( |
| ) |
|
|
virtual |
◆ LocalOptimum()
| virtual bool operations_research::SearchMonitor::LocalOptimum |
( |
| ) |
|
|
virtual |
◆ AcceptDelta()
| virtual bool operations_research::SearchMonitor::AcceptDelta |
( |
Assignment * |
delta, |
|
|
Assignment * |
deltadelta |
|
) |
| |
|
virtual |
◆ AcceptNeighbor()
| virtual void operations_research::SearchMonitor::AcceptNeighbor |
( |
| ) |
|
|
virtual |
◆ AcceptUncheckedNeighbor()
| virtual void operations_research::SearchMonitor::AcceptUncheckedNeighbor |
( |
| ) |
|
|
virtual |
◆ IsUncheckedSolutionLimitReached()
| virtual bool operations_research::SearchMonitor::IsUncheckedSolutionLimitReached |
( |
| ) |
|
|
inlinevirtual |
◆ solver()
| Solver* operations_research::SearchMonitor::solver |
( |
| ) |
const |
|
inline |
◆ PeriodicCheck()
| virtual void operations_research::SearchMonitor::PeriodicCheck |
( |
| ) |
|
|
virtual |
◆ ProgressPercent()
| virtual int operations_research::SearchMonitor::ProgressPercent |
( |
| ) |
|
|
inlinevirtual |
◆ Accept()
| virtual void operations_research::SearchMonitor::Accept |
( |
ModelVisitor *const |
visitor | ) |
const |
|
virtual |
◆ Install()
| virtual void operations_research::SearchMonitor::Install |
( |
| ) |
|
|
virtual |
◆ kNoProgress
| const int operations_research::SearchMonitor::kNoProgress = -1 |
|
static |
The documentation for this class was generated from the following file:


Tony's Pizzeria
The best pizza on the West Coast!


?6
7
8
9
10
the
New
York
copyright
reserved
botanical
Garden
Ludwigia
peploides
(HBK.)
Raven
subsp.
peploides
THE
NEW
YORK
BOTANICAL
GARDEN
EXPLORATION
OF
CUBA
Province
of
Santa
Clara
Rio
Arimao
No..бв
1/
y>
Pi
..........
cV^
(
AjLtU.-
/As&Xu-J
N.
L.
Britton
1
CoLLE:rTnBB
Percy
Wilson
1
^OLLECTOR5
March
22,1910
NEW
YORK
BOTANICAL
GARDEN
01447594
REVISION
OF
JUSSIAEA
J.
repens
L.
vwva.
Philip
A.
Munz
,
1939
Determined
by
T-p-
Ramamoorthy
1980
Missouri
Botanical
Garden
Determined
by
Elsa
Zardini
1986
Missouri
Botanical
Garden
Ludwigia
sect.
Oligospermum
01447594
Legend -
Level of confidence that token is an accurately-transcribed word
extremely low
very low
low
undetermined
medium
high
very high


GnResponseAcrMatch |
Object |
class GnResponseAcrMatch Remarks about range values:If you do not set a starting value, the default behavior is to return the first set of results. Range values are available to aid in paging results. Gracenote Service limits the number of responses returned in any one request, so the range values are available to indicate the total number of results, and where the current results fit in within that total. Important: The number of results actually returned for a query may not equal the number of results requested. To accurately iterate through results, always check the range start, end, and total values and the responses returned by Gracenote Service for the query (or queries). Ensure that you are incrementing by using the actual last range end value plus one (range_end+1), and not by simply using the initial requested value. |
rangeEnd |
Long |
Ordinal of the last result in the returned range. |
rangeStart |
Long |
Ordinal of the first result in the returned range. |
rangeTotal |
Long |
Estimated total number of results possible. |
resultCount |
Long |
Total number of result matches. Important:
Gracenote Service enforces that the range start value must be less than or equal
to the total number of results. If you specify a range start value that is greater
than the total number of results, no results are returned.
The number of results actually returned for a query may not equal the number of results
requested. To accurately iterate through results, always check the range start, end, and total
values, and the responses Gracenote returns for the query (or queries). Ensure that you
are incrementing by using the actual last range end value plus one (range_end+1), and not by simply
using the initial requested value.
When paging results, the next page may include results from the previous page, and the
result total may also change. This is expected behavior. |
acrMatches |
GnAcrMatch Enumerator |
A collection of ACR (Audio Content Recognition) objects returned from a query utilizing PCM data that is either passed manually as byte data or automaticalluy acquired from a microphone or other audio source. |
avAdvert |
GnVideoAdvert |
Video advertisement object |
brand |
GnName |
Brand name class |
display |
String |
Display name |
family |
String |
Family name |
given |
String |
Given name |
globalId |
String |
Name global ID - used for transcriptions |
language |
String |
Name display language |
languageCode |
String |
Name display language 3 letter ISO code |
prefix |
String |
Name prefix, e.g., "The". |
sortable |
String |
Sortable title |
sortableScheme |
String |
Sortable title scheme |
externalIds |
GnExternalId |
External ID objects. External IDs are 3rd party IDs used to cross link this metadata to 3rd party services.
See acrMatches > externalIDs for object property descriptions. |
gnUid |
String |
Gracenote unique ID |
isFullResult |
Boolean |
Indicates whether the video advertisement response result is a full metadata response or a partial one. |
tui |
String |
Gracenote TUI identifier. TUI is a Gracenote acronym for "title unique identifier". For example: "267348592". This and tuiTag are used for unique identification within the Gracenote service. |
tuiTag |
String |
Gracenote TUI Tag identitifer. A hashed representation for the tui field. For example: "343DFA0AAF615988C9F4AB1ECB383D00". |
album |
GnAlbum Enumerator |
Album match objects. Collection of audio recordings. Provides access to album cover art when received from a query object with content enabled in lookup data.
See GnAlbum for object properties. |
avWork |
GnVideoWork |
Audio-Video work object. A Work refers to the artistic creation and production of a Film, TV Series, or other form of video content. The same Work can be released on multiple Product formats across territories. For example, The Dark Knight Work can be released on a Blu-ray Product in multiple countries. A TV Series such as Lost is also a Work. Each individual episode comprising the Series is also a unique Work. Although the majority of Works are commercially released as a Product, not all Works have a Product counterpart. For example, a TV episode which airs on TV, but is not released on DVD or Blu-ray is considered a Work to which no Product exists.
This object is not null if your
match came from searching the video archive. Otherwise, your match
came from searching live TV broadcast data - check the tvAiring object above for your results. Talk to Gracenote Professional Services about licensing for video archive and live TV options. See GnVideoWork for object properties.
|
currentPosition |
Long |
Current position in milliseconds of the matched track. |
customData |
GnCustomData |
When working with Gracenote Support Services (GSS) to create bundles for ingestion into local cache, you can also provide, for each fingerprint, custom data. The GnCustomData object contains your custom data as bytes and an identifier. You are responsible for the identifier (during bundle creation), as well as the data's format and structure and how your application should process it. |
data |
Byte Array |
Custom data blob. |
dataID |
String |
Custom data identifier. |
externalIDs |
GnExternalID
Enumerator |
External ID objects. These objects identify a source external to Gracenote (e.g., NetFlix), that also have an identifier for this work. |
source |
String |
External ID source (e.g., Amazon) |
type |
String |
External ID type, such as a UPC (Univeral Product Code) |
value |
String |
External ID value. |
fingerprintCreationDate |
String |
The date, in UTC format, that this content was ingested into the Gracenote Service. Uses ISO 8601 date format. |
matchPosition |
Long |
Match position |
officialTitle |
GnTitle |
Title object of the matched result. |
display |
String |
Title display string. The title of the matched content, e.g. "Sienfeld" or "The Office" |
edition |
String |
Title edition |
language |
String |
Title display language |
languageCode |
String |
Title display language 3 letter ISO code |
mainTitle |
String |
Main title |
prefix |
String |
Video title prefix, e.g., "The". |
sortable |
String |
Sortable title |
sortableScheme |
String |
Sortable title scheme |
subtitle |
GnTitle |
Subtitle of the matched result, e.g., an episode title. See acrMatches > officialTitle for object properties. |
tvAiring |
GnTvAiring |
Live TV show airing object. This object is not null if your match came from searching live TV broadcast data. Otherwise, your match came from searching the video archive - check the avWork object below for your results. Talk to Gracenote Professional Services about licensing for video archive and live TV options.
|
dateEnd |
String |
Date and time, in UTC format, when show stopped airing. |
dateStart |
String |
Date and time, in UTC format, when show began airing. |
duration |
Long |
Duration value in seconds, such as "3600" for a 60-minute program. |
durationUnits |
String |
The duration time units, e.g. "ms" (milliseconds). |
epgAudioType |
String |
EPG audio type |
epgCaptionType |
String |
EPG caption type |
epgVideoType |
String |
EPG video type |
epgViewingType |
String |
EPG viewing type |
rating |
GnRating |
GnRating object |
rating |
String |
Actual rating value, e.g., "PG-13". |
ratingBBFC |
String |
A BBFC (British Board of Film Classification) rating type value. |
ratingCanadianTV |
String |
A Canadian TV rating type value. |
ratingCBFC |
String |
A CBFC (Central Board of Film Certification) rating type value. |
ratingCHVRS |
String |
A CHVRS (Canadian Home Video Rating System) rating |
ratingDesc |
String |
Rating description |
ratingDJCTQ |
String |
A DJTCQ (Dept of Justice, Rating, Titles and Qualification) (Brazil) rating |
ratingDVDParental |
String |
A DVD Parental rating. |
ratingEIRIN |
String |
A EIRIN (Japan) rating. |
ratingFAB |
String |
A FAB (Film Advisory Board) rating. |
ratingFinnish |
String |
AA Finnish rating type value. |
ratingFrance |
String |
A French rating. |
ratingFSK |
String |
A FSK (German) rating. |
ratingHongKong |
String |
A Hong Kong rating. |
ratingINCAA |
String |
A INCAA (Argentina) rating. |
ratingItaly |
String |
An Italian rating. |
ratingKMRB |
String |
A FSK (German) rating. |
ratingMPAA |
String |
A AMPAA (Motion Picture Assoc.) rating. |
ratingMPAATV |
String |
A MPAA (Motion Picture Assoc.) TV rating. |
ratingOFLC |
String |
A OFLC (Australia) TV rating type value. |
ratingQuebec |
String |
A Quebecois rating. |
ratingReason |
String |
Reason for rating, e.g., "Intense Sequences of Violence and Some Menace." |
ratingSpain |
String |
A Spanish rating. |
ratingType |
String |
Type of ratings system, e.g., "MPAA". |
ratingTypeId |
String |
Rating type Id. |
tui |
String |
A Gracenote acronym for "title unique identifier". For example: "267348592". This and tuiTag are used for unique identification within the Gracenote service. |
tuiTag |
String |
A hashed representation of the tui property. For example: "343DFA0AAF615988C9F4AB1ECB383D00". |
tvChannel |
GnTVChannel |
TV channel object. |
channelCallsign |
String |
Channel call sign, e.g., "KQED". |
channelName |
String |
Channel name, e.g., "Lifetime HD". |
channelNumber |
String |
The provider-assigned channel number. |
contents |
GnContent
Enumerator |
Content (cover art, biography, review, etc.) objects. |
Id |
String |
Identifier |
contentType |
GnContentType |
Content type - cover art, biography, etc. |
mimeType |
String |
Content's mime type |
assets |
GnAsset Enumerator |
Asset objects. |
bytes |
Int |
Number of asset bytes |
dimension |
String |
Asset dimension |
url |
String |
URL that can be used to retrieve asset from Gracenote |
size |
GnImageSize
|
GnImageSize enum. Asset pixel image size of asset, e.g., kImageSize110 (110x110) |
externalIDs |
GnExternalID Enumerator |
External ID objects. External IDs are 3rd party IDs used to cross link this metadata to 3rd party services. See acrMatches > externalIDs for object property descriptions. |
gnUId |
String |
Gracenote universal ID |
gnId |
String |
Gracenote ID |
identifier |
int |
Index into an array of channel identifiers that was passed in an EPG query. |
onId |
String |
For European Digital Broadcast Networks (DVB), the ONID (Original Network IDentifier) is a unique identifier for the original network that is transmitting the signal. |
productId |
String |
Product ID |
rank |
String |
Rank - credit's rank in importance |
sID |
String |
For European Digital Broadcast Networks (DVB), a SID (Service IDentifier) is specific to every TV channel, it is the unique identifier for a video/audio program within the transponder signal |
tsID |
String |
For European Digital Broadcast Networks, a TSID (Transport Stream IDentifier) is a 16-bit unsigned integer in an MPEG-2 transport stream that identifies the network origination source or transmiter, (or both) that provides a particular transport stream or transport streams.
The MPEG-2 standard leaves the issuance of actual TSIDs to individual MPEG-2 "users". One such user is the Advanced Television Systems Committee (ATSC), another is Digital Video Broadcasting (DVB) and the Society of Cable and Telecommunications Engineers (SCTE) among others. |
tui |
String |
A Gracenote acronym for "title unique identifier". For example: "267348592". This and tuiTag are used for unique identification within the Gracenote service. |
tuiTag |
String |
A hashed representation of the tui property. For example: "343DFA0AAF615988C9F4AB1ECB383D00". |
tvProgram |
GnTVProgram |
TV program object |
gnId |
String |
Gracenote identifier |
gnUId |
String |
Gracenote unique identifier |
isFullResult |
Boolean |
Is TV program result a full metadata result or a partial metadata result. |
level1Categories |
GnString Enumerator |
Retrieves the iterator to a collection of level 1 Categories, e.g. 'TV Series'. A program may have multiple level 1 categories assigned to it.
Note: An EPG locale list must be loaded for the categories to be returned. |
level2Categories |
GnString Enumerator |
Retrieves the iterator to a collection of level 2 Categories, e.g. 'Science Fiction'. A program may have multiple level 2 categories assigned to it.
Note: An EPG locale list must be loaded for the categories to be returned. |
listing |
String |
TV program listing |
officialTitle |
GnTitle |
TV program title. See acrMatches > officialTitle for object properties. |
productId |
String |
Product identifier |
productionType |
String |
Retrieves the production type of the program, e.g. 'Movie' An EPG locale list must be loaded for a value to be returned. |
seasonCount |
Long |
Season count |
seasonEpisodeCount |
Long |
Season episode count |
seasonEpisodeNumber |
Long |
Season episode number |
seasonNumber |
Long |
Season number |
seriesEpisodeCount |
Long |
Series episode count |
seriesEpisodeNumber |
Long |
Series episode number |
subtitle |
GnTitle |
TV program subtitle. See acrMatches > officialTitle for object properties. |
tui |
String |
A Gracenote acronym for "title unique identifier". For example: "267348592". This and tuiTag are used for unique identification within the Gracenote service. |
tuiTag |
String |
A hashed representation of the tui property. For example: "343DFA0AAF615988C9F4AB1ECB383D00". |
videoSeries |
GnVideoSeries
Enumerator |
Video series objects. See GnVideoWork > series for object property descriptions. |
videoWork |
GnVideoWork |
A video work object. See GnVideoWork for object property descriptions. |
credit |
GnVideoCredit
Enumerator |
Video credit objects. See GnVideoWork > credits for object property descriptions. |
externalIDs |
GnExternalID
Enumerator |
External ID objects. External IDs are 3rd party IDs used to cross link this metadata to 3rd party services. See acrMatches > externalIDs for object property descriptions. |


This page lists the features that are planned for the first official release version of holybook. Please refer to the
public github repository
for a more detailed and technical status of the project.
Alpha Phase
In the alpha phase, the most basic features will be developed and deployed as a series of multiple alpha releases. The code will not be
optimized for high load and this phase is intended to make this service robust and to try out different approaches for usability and search ranking.
In this phase the service will only be available to a small number of trusted testers
Version 0.1 (Current)
|
Search |
This is the most essential functionality of this service. It uses the Google
Search Api to index books by paragraphs and to provide query functionality. The Google Search API supports a variety of query features:
- Possibly nested AND, OR and NOT operators. AND means that the words need to appear in the same paragraph (no order specified) whereas OR
means that only one of the options need to appear in the paragraph. So for example: test AND gold will match all
paragraphs containing both the words "test" and "gold" whereas test OR gold matches all paragraphs containing the word test
and/or the word gold. Note that a normal space is interpreted as AND (e.g. test gold is the same as test AND gold. NOT is used to exclude words. A paragraph does only match a query if it does not contain any of the words (or
phrases) that are prepended by a NOT operator.
- Stemming is indicated by the ~ operator. Stemming means that along with a word, also it derived forms (plural, -ing) are accepted during
search.
- Multiple words can be grouped by forming a phrase with the " character. For example "we test" will only
match paragraphs that contain the complete phrase we test. This works exactly the same way as in normal google search
Note that currently only the contents of the Bahai Reference Library can be searched. The list of text
that is indexed and available for search does not depend on the functionality of this service and thus is not tracked as part of this roadmap. However,
the next release will include a reader application that allows to browse the available books so you can see which one's are available at a particular
point in time.
|
|
Responsive Menu |
This is a simple feature that shows a menu on top of the page. It allows a user to switch between different applications that are part of this
service. Currently only the Search (and roadmap) are available. The menu is responsive, meaning it collapses on devices with small screens allowing the
service to be used also on mobile phones without restrictions on the available functionality. Note that an app is planned but implementation will
probably start after this service has been finished (i.e. reached v1.0). |
Version 0.2
|
|
Filter |
The filter allows to restrict a search query by selecting specific religions, authors, books etc. It will be provided as part of a more general
page called settings.
|
|
Reader |
The Reader provides functionality to browse the set of available books and read them. It will split up books in smaller chunks (e.g. sections)
so that not the whole book needs to be requested at once, thus making the whole reading experience faster. The Reader application will work similar to
the Bahai Reference Library site.
|
Version 0.3
|
|
Ranking |
This feature will rank more relevant documents higher. Relevancy will be determined by certain metrics based on the usage of this service. For
example quotations that are copied, clicked on or added to a collection are supposed to be more important. Also some books can be classified as more
relevant than others. This is the most critical feature of this service as it defines the quality of search results. |
|
Search Settings |
Adds additional functionality to the settings dialog that is used for the filter. The user should be able to define results per page, maximum
number of results and so on. |
Version 0.4
|
|
Design Improvements |
Improve the design of the web sites. |
Private Beta Phase
In the private beta phase, the most essential functionality, introduced during alpha development is supplemented by a number of
additional useful features. During this phase most of the final features will be completed and tested. Also an increasing number of users is going to
test the service in terms of performance. A lively discussion within the private beta community is envisioned.
In this phase the service will be available to a larger number of trusted users.
Version 0.5
|
|
Direct Search |
This functionality addresses a common use case. A user has the exact location information of some text in a book (e.g. section and paragraph)
and wants to directly jump to the text. This could be provided as an extension to the reader. |
|
Paragraph Translation |
Adds functionality to toggle the language of a selected passage. |
Version 0.6
|
|
Private Collections |
User will be able to log in with their google accounts and save selected passages as part of collections. These collections are then saved in
the cloud and can be accessed from any computer or device. |
|
Collection Sharing |
Adds social media capabilities such as sharing collections, following other user's collections an so on. |
Version 0.7
|
|
Integration |
Adds functionality to integrate this service with other services. Some ideas are:
- Support for Facebook and Twitter login
- Download Collections as PDF or text files
- Share a passage on Facebook, Google+, ...
|
Public Beta Phase
In the public beta phase, the functionality will only be slightly extended. Instead the focus is on making the service scalable and
robust to an ever growing number of users. Depending on the number of users A/B testing and metrics might be used to improve user experience.
In this phase the service will be publicly availabe, but still marked as beta.
Version 0.8
|
|
Admin Editor |
This functionality allows a group of selected admins to correct errors in texts by employing a graphical user interface. |
|
Proof-Reading |
Once texts can be changed, proof-reading functionality will allow the community to report typing errors in the text. Due to the sensitive type
of text that is provided by this service, the community will not be allowed to directly modify texts. Instead, the community can up or downvote change
requests and these requests will then be reviewed and processed by administrators in order of voting rank. |
Version 0.9
|
|
Timeline |
This feature will annotate books with the time in which they were written (if available) and align this with the history of the respective
faith. This allows a more in-depth study of the texts in the scope of their historic context. |
Official Release
In this phase the focus lies on bugfixing and small changes to improve user experience. Also the community might select additional features that
should be added to the service.
In this phase the service will be publicly availabe.
Version 1.0
|
|
Release |
This is not actually a feature, but rather a re-relase of 0.8 with improved performance and stability which makes it production-ready. |


NUMBER OF GAMES:
4
PLAY
GAME LIST
up, down, left, right to change selection
A or B to confirm
Main Menu


FROM THE OFFICE MR KARIM AHMED. AFRICAN DEVELOPMENT BANK (ADB). OUAGADOUGOU BURKINA FASO. WEST AFRICA. TRANSFER OF ($ 25,200.000.00) TWENTY FIVE MILLION, TWO HUNDREN THOUSAND DOLLARS. I AM KARIM AHMED, THE AUDITOR GENERAL OF AFRICAN DEVELOPMENT BANK HERE IN BURKINA FASO. DURING THE COURSE OF OUR AUDITING, I DISCOVERED A FLOATING FUND IN AN ACCOUNT OPENED IN THE BANK BY MR JOHN KOROVO AND AFTER GOING THROUGH SOME OLD FILES IN THE RECORDS I DISCOVERED THAT THE OWNER OF THE ACCOUNT DIED IN THE (BEIRUT-BOUND CHARTER JET) PLANE CRASH ON THE 25TH DECEMBER 2003 IN COTONOU (REPUBLIC OF BENIN).    WITH MY INFLUENCE AND THE POSITION OF THE BANK OFFICIAL WE CAN TRANSFER THIS MONEY TO ANY FOREIGNER'S RELIABLE ACCOUNT WHICH YOU CAN PROVIDE WITH ASSURANCE THAT THIS MONEY WILL BE INTACT PENDING OUR PHYSICAL ARRIVAL IN YOUR COUNTRY FOR SHARING. THE BANK OFFICIAL WILL PROVE ALL DOCUMENTS OF TRANSACTION IMMEDIATELY FOR YOU TO RECEIVE THIS FUND LEAVING NO TRACE TO ANY PLACE AND TO BUILD CONFIDENCE. ON THE CONCLUSION OF THIS TRANSACTION YOU WILL BE ENTITLED TO 30% OF THE TOTAL SUM AS GRATIFICATION, WHILE 10% WILL BE SET ASIDE TO TAKE CARE OF THEEXPENSES THAT MAY ARISE DURING THE TIME OF TRANSFER AND ALSO TELEPHONE BILLS, WHILE 60% WILL BE FOR ME.  HERE IS MY PRIVATE TELEPHONE NUMBER: 00226 76 12 29 38. THANKS YOURS TRULY KARIM AHMED _________________________________________________________________ MSN Hotmail sur i-mode� : envoyez et recevez des e-mails depuis votre téléphone portable ! http://www.msn.fr/hotmailimode/


THE SKULLS A film review by Steve Rhodes Copyright 2000 Steve Rhodes RATING (0 TO ****): *
Preposterous with a capital P. THE SKULLS is directed with ham-handed excess and predictability by Rob Cohen, who last gave us Sylvester Stallone in the ludicrous DAYLIGHT. DAYLIGHT, on the other hand, was a masterpiece of plausibility and subtlety next to this absurd film.
The young cast of THE SKULLS, mainly television and celluloid heartthrobs, play characters who have the moral compass of people in the presence of strong magnets. As scripted by John Pogue, the would-be thriller has a Swiss-cheese plot that provides many unintentional laughs. The over-the-top cinematography (Shane Hurlbut) is heavy on bright lights bathing every room, and the creepy music (Randy Edelman) sounds like an amalgamation of every thriller made in the past decade.
The film is about a nefarious, 200-year-old secret society called "the Skulls." The movie's pretentious opening text claims that at least 3 of our presidents have been members of such societies, which appear to occur only in Ivy League colleges. (While presidents probably have been members of secret societies, the implication that these societies are quite evil undoubtedly isn't true.)
Exactly how secret is the Skulls? You know the movie is in trouble from the beginning when you learn that everyone on campus seems to know who is a member and that the Skulls even have a huge building where they meet. Just to erase any doubt, the edifice has a big skull on top. So much for secrecy.
Once we get inside the building, it gets worse. The set looks like a gothic dungeon, complete with flaming torches, that appears to be on loan from a Mel Brooks comedy.
As the story opens, we meet Luke McNamara (Joshua Jackson). He's a poor townie who is working his way through school. Although he has never flown in a jet, he has a crush on Chloe (Leslie Bibb), whose parents own a private jet. Of course, they will fall in love. His best buddy, Will (Hill Harper), is an investigative reporter for the campus newspaper. Want to venture a guess as to what might happen to Will?
One could write a small book on the plot's implausibilities. When Luke gets a call one night from a stranger, he is told that he has to get to a pay phone in 40 seconds. This eventually leads him to a room with only a glass of some unknown drug and a note instructing him to drink it. Although the glass has a skull on it, he drinks it immediately, assuming that the logo belongs to the skulls and the substance will not kill him.
When he wakes, it's back to the silly sets.  Actually, they are all filthy rich and not at all like him, but that's just another of the plot's nonsensical elements.
Luke is partnered with a super-rich kid named Caleb Mandrake (Paul Walker), who once would not have given him the time of day. Caleb's father, Litten (Craig T. Nelson), is a judge on a fast-track to the Supreme Court. Litten, the dungeon master, welcomes the new recruits to the den. At his side is a corruptible senator (William Petersen), who is the self-appointed ethics officer of the group. Any guess on the accent of such a senator? Southern, of course.
"We live by the rules; we die by the rules," Litten lectures his young charges. This should be taken as a hint as to what will follow.
In the meantime, the guys have a heck of a good time. Large sums of money are transferred to their bank accounts, new Ferraris and Porsches are given to them and model-quality dates are provided for their amusements. Caleb -- first among equals -- gets a "date" for each arm.
But not all is well in Skulldom. A murder in the sanctum sanctorum causes no end of misery for the young revelers.
 When someone is found hanging by a rope, his friend pulls down on him, which would kill him if he weren't quite dead. A key tape isn't duplicated when there is plenty of time and equipment to do so and when there is good reason to suspect the tape will be stolen. A character is a drugged-out, drooling vegetable one minute and, the next, is carrying on a lucid discussion of complicated issues. And the list goes on and on, ad nauseam.
Perhaps THE SKULLS was meant to be taken as a parody. Let's hope so.
THE SKULLS runs about 1:40. It is rated PG-13 for violence and language and would be acceptable for teenagers.
Email<EMAIL_ADDRESS>Web: http://www.InternetReviews.com
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Detective Story (Reviewed on Aug. 19th/98)
Starring Kirk Douglas, William Bendix, Lee Grant
Kirk Douglas is one of those rare American actors who can say more with a simple glance than most can say with pages of dialogue. All he has to do is look at someone with a raised eyebrow, and you instantly know what he's thinking.
"Detective Story" features one of Kirk Douglas's finest performances. He stars as a New York detective that has his whole world fall apart in one night. The film is based on a play, and this is quite evident, as most of the movie takes place in the one-room flat that the detective's work in.
The film opens with the Douglas character getting ready to go home to his wife, but through a series of events, he never quite makes it there. The bulk of the movie follows the case of a man named Schneider, a surgeon who routinely performs abortions with a high fatality rate. However, this Schneider character has a connection in the past of Douglas's wife; a connection Douglas himself is not aware of. Many secrets are revealed in the last half hour of this film. Secrets I would not dream of giving away.
With a name like "Detective Story", one would assume the film would resemble an episode of "NYPD Blue", but it doesn't quite work out that way. However, we do see Douglas at work on a few other cases throughout the running time. Lee Grant (virtually unrecognizable) plays a meek Jewish woman arrested for shoplifting. Her scenes with Bendix, another detective, provide the movie with a few laughs.
The performances all around are fantastic. Douglas may be the leader of this ensemble, but he's not the center of attention all the time. We get to catch a glimpse into other cases and other detectives working on those cases.
Which brings me back to Douglas. He has a really emotional scene towards the end of the picture that really makes you feel for him. We can see that this is a man who has spent his whole life trying to eliminate crime, but has finally realized that what he's really done is gotten back at his criminal father. How he handles coming to terms with this is something really worth seeing.
Kirk Douglas is the kind of actor we don't seem to see to much of these days: He's a tough guy, but the human elements are never hidden too deeply underneath that gruff exterior.
***1/2 out of ****
Dave "Loopy" Nusair<EMAIL_ADDRESS>; "The Artist Formally Known As Prince is now going by just The Artist. ; : Despite this, I will still refer to him as The Fruit." : ; -Norm MacDonald ;
Dept. of Good Vibes, Come visit my Reel Film Reviews site Carleton University at "http://chat.carleton.ca/~dnusair"
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


I was feeling very confident with my JavaScript until I arrived at the Fizz buzz exercise. Fizz Buzz is a word game that replaces any number divisible by three with the word "fizz", and any number divisible by five with the word "buzz" and any number divided by 15 with the word FizzBuzz and all coded in JavaScript. To be honest JavaScript is a constant problem that I’m dealing with, and to be more specific I’m having trouble with loops and arrays. I know how it works and I understand the code when I read it most of the time, but for some reason I can't write it myself.
In the beginning I always feel anxious and stuck, so I take my time, reread the instructions again and again, and try to write it in pseudo code (plain language description of the steps).
Pseudocode is amazing, because it helps me to organize my code and organize my instructions without interfering with the proper code. I can delete them when I’m done with it (if I want).
Then I visit my friend Google, it actually knows everything. The only problem is that sometimes I really don’t know how to express myself and ask what I really need.
Also console.log is a great help, it checks if my functions or code are actually doing something or if they are just taking up space.
If I’m still stuck I send some private messages to people that I feel comfortable with. They are always amazing as they have the patience to explain the logic behind it all. If they don't know, they encourage me to ask the Foundation chat. I’m very shy when I don’t know people, so I tried to leave the foundation chat as my last resource, but I learned that is a very bad decision, because when I asked for help I got an amazing answer that opened up my mind and made me understand even more.
In the beginning I got very panicked and stressed, I tried to relax by taking a break and doing some breathing exercises before starting anything.
I also have the bad habit of immediately trying to code before even reading all the instructions, which makes me more anxious and stressed when I realize that I don’t know how to solve it.
I have learned to slow down even more and slowly read all the instructions. Once I understand and manage to get something working I just keep going.
Reading Mindset by Dr. Carol S. Dweck is such a great help. It keeps my mood up, it encourages me to believe in my abilities, and it keeps pushing me on the learning process - JavaScript is brain killing at the moment.
I learned that I know that I can succeed in web development, and that asking for help is a very human thing to do - I shouldn’t be scared of that.
Needing help or time is not a weakness, it is a motivation to keep growing as a person and a student. We are all on this path together and we should help each other in the process.


Your User Profile
First Name
*
Last Name
*
Organization
Organisms
Interests
* Indicates a required field
Update Profile
Email Address
*
Update Email
Return to Homepage


Table Information
With available seats
Department
Graduation year
Sort by
Remaining seats
Created time
Table name
Number of boys
Number of girls
{{table.tableName}}
About the leader
{{table.maleMember}}
{{table.femaleMember}}
/ {{maxForEachTable}}
Join Now
Status
You do not have any request now.
Your request has been confirmed by {{tableName}}'s leader.
Your request has been sent to {{tableName}}'s leader.
Your request was rejected by {{tableName}}'s leader. Please select another table.
Your table {{tableName}} has been confirmed by Admin.
My Account
User name:
Department:
Graduation year:
Requested Table:
remove
×
The Table Leader :-)
Name :
{{leader.name}} ({{leader.local}})
Email :
{{leader.email}}
Department :
{{leader.major}}
Grad. Year :
{{leader.gradYear}}
Gender :
{{leader.gender}}
Registration Date :
{{leader.createTime}}


Dark Pact
{^g}Skill Modifier{^n}{^w}Abandon your own vitality to pursue your quest to find infinite magical power.
+${value}% Health
-12
+${value}% Vitality Damage
33
+${value}% Vitality Decay
33
MaxLevel
1
UltimateLevel
1


Have you ever been tempted to create 'roxygen2'-style documentation comments for one of your functions that was not part of one of your packages (yet)? This is exactly what this package is about: running 'roxygen2' on (chunks of) a single code file.
| Version: | 3.1.0 |
| Depends: | R (≥ 3.3.0) |
| Imports: | roxygen2, callr, rcmdcheck, checkmate, rstudioapi, desc, withr |
| Suggests: | knitr, rmarkdown, devtools, RUnit, testthat, datasets, rprojroot, covr |
| Published: | 2018-11-25 |
| Author: | Andreas Dominik Cullmann [aut, cre] |
| Maintainer: | Andreas Dominik Cullmann <fvafrcu at mailbox.org> |
| License: | BSD_2_clause + file LICENSE |
| URL: | https://gitlab.com/fvafrCU/document |
| NeedsCompilation: | no |
| Materials: | README NEWS |
| CRAN checks: | document results |
| Reference manual: | document.pdf |
| Vignettes: |
Introduction to document |
| Package source: | document_3.1.0.tar.gz |
| Windows binaries: | r-devel: document_3.1.0.zip, r-release: document_3.1.0.zip, r-oldrel: document_3.1.0.zip |
| OS X binaries: | r-release: document_3.1.0.tgz, r-oldrel: document_3.1.0.tgz |
| Old sources: | document archive |
Please use the canonical form https://CRAN.R-project.org/package=document to link to this page.


APSVASTBannerConfiguration
Objective-C
@interface APSVASTBannerConfiguration : NSObject <NSCopying>
Swift
class APSVASTBannerConfiguration : NSObject, NSCopying
Holds all configuration parameters for the banner ads displayed.
-
The maximum allowed size for a non-linear ad. Non-linear ads that define sizes larger than this will be truncated.
Defaults to
CGSizeMake(320, 50)
.Declaration
Objective-C
@property (nonatomic) CGSize maxSize;
Swift
var maxSize: CGSize { get set }
-
Defines if non-linear ads should be stretched to the defined
bannerMaxSize
, should they declare a size smaller than that.Defaults to
NO
;Declaration
Objective-C
@property (nonatomic) BOOL stretchToMaxSize;
Swift
var stretchToMaxSize: Bool { get set }
-
Defines how a non-linear banner overlay should be placed relative to the player surface.
See
APSMediaOverlayPosition
for possible values. Defaults tokAPSMediaOverlayPositionBottom
.Declaration
Objective-C
@property (nonatomic) APSMediaOverlayPosition position;
Swift
var position: APSMediaOverlayPosition { get set }
-
Defines the fade-in animation duration for non-linear ads.
Defaults to 0.5.
Declaration
Objective-C
@property (nonatomic) CGFloat fadeInDuration;
Swift
var fadeInDuration: CGFloat { get set }
-
Defines the default number of seconds that a non-linear ad will be kept on display. This can be overridden by VAST ad configuration.
Defaults to 10.
Declaration
Objective-C
@property (nonatomic) int defaultAdBreakDuration;
Swift
var defaultAdBreakDuration: Int32 { get set }
-
Defines the default number of seconds after which the non-linear ad close button becomes active.
Defaults to 3.
Declaration
Objective-C
@property (nonatomic) int skipOffset;
Swift
var skipOffset: Int32 { get set }
-
Indicates whether a close button should be displayed on top of non-linear ads.
Defaults to
YES
.Declaration
Objective-C
@property (nonatomic) BOOL showCloseButton;
Swift
var showCloseButton: Bool { get set }
-
Defines the image that should be displayed in the non-linear ads close button, instead of the default progress wheel.
Declaration
Objective-C
@property (nonatomic) UIImage *_Nullable closeButtonImage;
Swift
var closeButtonImage: UIImage? { get set }
-
Defines the background color for the close button displayed on top of non-linear ads.
Set this to a
NSString
containing the hex color reprezentation. Defaults to [UIColor clearColor].Declaration
Objective-C
@property (nonatomic) NSString *_Nullable closeButtonBackgroundColor;
Swift
var closeButtonBackgroundColor: String? { get set }
-
Defines the color for the X symbol in the center of the close button.
Set this to a
NSString
containing the hex color reprezentation. Defaults to [UIColor darkGrayColor].Declaration
Objective-C
@property (nonatomic) NSString *_Nullable closeButtonXColor;
Swift
var closeButtonXColor: String? { get set }
-
Indicates the lenght of a side of the non-linear ads close button square.
Defaults to 20.
Declaration
Objective-C
@property (nonatomic) int closeButtonSize;
Swift
var closeButtonSize: Int32 { get set }
-
Indicates the opacity of the non-linear ads close button before it is activated for receiving taps.
Defaults to 0.5.
Declaration
Objective-C
@property (nonatomic) float closeButtonInitialAlpha;
Swift
var closeButtonInitialAlpha: Float { get set }
-
Indicates the opacity of the non-linear close button after it has been activated for receiving taps.
Defaults to 0.7.
Declaration
Objective-C
@property (nonatomic) float closeButtonFinalAlpha;
Swift
var closeButtonFinalAlpha: Float { get set }
-
The color of the circular bar that indicates the currently elapsed time until the close button can be tapped.
Set this to a
NSString
containing the hex color reprezentation. Defaults to [UIColor darkGrayColor].Declaration
Objective-C
@property (nonatomic) NSString *_Nullable closeButtonProgressColor;
Swift
var closeButtonProgressColor: String? { get set }
-
The color of the circular bar that indicates the total time until the close button can be tapped.
Set this to a
NSString
containing the hex color reprezentation. Defaults to [UIColor lightGrayColor].Declaration
Objective-C
@property (nonatomic) NSString *_Nullable closeButtonTrackColor;
Swift
var closeButtonTrackColor: String? { get set }
-
Defines the offset that the non-linear ads close button should have from the top-right edge of the banner itself.
Declaration
Objective-C
@property (nonatomic) CGPoint closeButtonOffset;
Swift
var closeButtonOffset: CGPoint { get set }


--- layout: post status: publish published: true title: 'Fwd: Chat with nihaozzb' author: Leask author_login: leask author_email<EMAIL_ADDRESS>author_url: https://leaskh.com wordpress_id: 296 wordpress_url: http://leaskh.wordpress.com/2008/03/14/fwd-chat-with-nihaozzb date: '2008-03-14 05:29:39 +0800' date_gmt: '2008-03-14 05:29:39 +0800' categories: tags: [] comments: [] ---


मेरी मुंबई मेरी लोकल
The extended project for MRM (Mumbai Rail Map) is to collectively communicate information about Mumbai rail to people through various media, this project includes various possible implementation strategies for MRM Projects - Mumbai Rail Map (Print) & MrmApp (Mobile Application). #LoveMumbai is a campaign to create a platform for sharing and knowing about travel related information, thoughts and experiences around the Mumbai local journeys.
मुंबई रेल नक्शा . ممبئی ریل کا نقشہ . मुंबई रेल नकाशा . મુંબઈ રેલ નક્શો
An extensive journey that started over a year back with two design students dreaming to give the cosmopolitan city of Mumbai a Rail Map has led us this far. Since the first Mumbai Rail Map launch in December 2013, the project has grown due to the perseverance of a motivated team, and the encouragement and feedback from the people of Mumbai.
The latest version of the MRM are available for download in Hindi, Marathi, Gujarati, Urdu & English languages. Download the latest maps at localsofmumbai.com
After 6 Versions in 5 different languages of Mumbai Rail Map, MRM Mobile App released on feb 14th 2015. Developed for iOS and Android, the MrmApp is a step to further assist the commuters with a smoother travelling experience by providing all the required information available at a tap. Download the latest version of MrmApp for iOS and Android.
in 3 languages; English, Hindi and Marathi
Teaching children how to read Maps: workshops at Pragati vidyalaya ( Dadar) Mumbai - school for deaf children teaching them how to read maps.
All about Mumbai Local travel information at one place. A space to explore the Mumbai Local experience. A space to to find and share stories of Mumbai Locals.
Explore more at www.localsofmumbai.com
Please Like and Share the Facebook Page #LocalsOfMumbai for updates


Go to the documentation of this file.
28 int current_pose_x_, current_pose_y_;
@ GO_RIGHT
Definition: labirinth.h:21
@ GO_UP
Definition: labirinth.h:20
Definition: labirinth.h:25
Representation of matrix template (quite a common representation element)
@ GO_LEFT
Definition: labirinth.h:19
@ GO_DOWN
Definition: labirinth.h:22
Labirinth(const std::string &lab_path)
Construct a new Labirinth object.
Definition: labirinth.cpp:10
Definition: labirinth.cpp:8
void navigate(int direction)
NavigationDirection
Definition: labirinth.h:18


Before Change
if not os.path.isfile(readme_file):
return ""
// Try to transform the README from Markdown to reStructuredText.
try:
easy_install.main(["-U", "pyandoc==0.0.1"])
import pandoc
pandoc.core.PANDOC_PATH = "pandoc"
doc = pandoc.Document()
doc.markdown = open(readme_file).read()
description = doc.rst
except Exception:
description = open(readme_file).read()
return description
setup(
After Change
// Try to transform the README from Markdown to reStructuredText.
try:
from pypandoc import convert
read_md = convert(readme_file, "rst")
except ImportError:
print("warning: pypandoc module not found, could not convert Markdown to RST")
read_md = open(readme_file, "r").read()
return read_md


{% extends "layout.html" %} {% block page_title %} Apprenticeships {% endblock %} {% block content %} {% include "includes/phase_banner_beta.html" %} {% include "includes/secondary-nav-provider.html" %} Account home Apprentices Add an apprentice Changes already approved These changes have already been approved Approved by: Fred Lodge On: 7:54am, 05 August 2017 Back to apprentice details {% endblock %}
Approved by: Fred Lodge
On: 7:54am, 05 August 2017
Back to apprentice details