A modification of Breiman and Cutler's classification random forests modified for SNP (Single Nucleotide Polymorphism) data (based on randomForest v4.6-7) to prevent X-chromosome SNP variable importance bias compared to autosomal SNPs by simulating the process of X chromosome inactivation. Classification is based on a forest of trees using random subsets of SNPs and other variables as inputs.
| Version: | 0.4 |
| Depends: | R (≥ 2.5.0), stats |
| Suggests: | RColorBrewer, MASS |
| Published: | 2015-01-20 |
| Author: | Fortran original by Leo Breiman and Adele Cutler, R port by Andy Liaw and Matthew Wiener. Modifications of randomForest v 4.6-7 for SNPs by Greg Jenkins based on a method developed by Stacey Winham, Greg Jenkins and Joanna Biernacka. |
| Maintainer: | Greg Jenkins <jenkins.gregory at mayo.edu> |
| License: | GPL-2 | GPL-3 [expanded from: GPL (≥ 2)] |
| NeedsCompilation: | yes |
| Citation: | snpRF citation info |
| Materials: | NEWS |
| CRAN checks: | snpRF results |
| Reference manual: | snpRF.pdf |
| Package source: | snpRF_0.4.tar.gz |
| Windows binaries: | r-devel: snpRF_0.4.zip, r-release: snpRF_0.4.zip, r-oldrel: snpRF_0.4.zip |
| OS X binaries: | r-release: snpRF_0.4.tgz, r-oldrel: snpRF_0.4.tgz |
| Old sources: | snpRF archive |
Please use the canonical form https://CRAN.R-project.org/package=snpRF to link to this page.


Uploads
Discord-auto-upload uploads
Pending uploads
| filename | actions | |
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Current uploads
| filename | state | |
|---|---|---|
|
()
|
Completed uploads
| filename | state | |
|---|---|---|
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Discord-auto-upload uploads
| filename | actions | |
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Login
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ESP |
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ENG
Registrate
Account information
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Contact
@ 2018 NicaPymes, all rights reserved


Otok Pag is a large, irregular shaped island and lies close to the mainland opposite Karlobag. Simuni is roughly halfway down the west coast.
Position 44°28'N,14°57.8'E (Simuni).
The marina is in the NW arm of the bay.
Berth in the marina where directed or at the head of the inlet, near the fishing boats.
Good shelter.
Last updated February 2014.


Wondering where to stay and how to get around once you get into Portland? The conference will be held at the Crystal Ballroom, in downtown Portland, and most conference events will be held within just a few blocks of the Crystal Ballroom.
Portland is an amazing food city. Here are some resources that will help you find something good to eat:
We are not working with any of the hotels for attendee accommodations, but there are many hotels available within walking distance of the venue:
Portland is a very accessible city and there are many transportation options available, public and otherwise.
The MAX is Portland's major light-rail system. The MAX primarily connects Portland with the surrounding cities, such as Gresham, Beaverton, Clackamas, and Hillsboro.
If you're flying into Portland Airport (PDX), we recommend taking the MAX into downtown Portland. There is a MAX station for the red line in the airport itself. The closest red line stop to the Crystal Ballroom is the Galleria SW 10th stop.
For getting around within and around downtown Portland, the Streetcar can be a good option. Portland also has an extensive bus network.
Portland just got Lyft or Uber, but they are somewhat unreliable. There are several reliable local taxi companies:
Please note that it is not common to hail taxis in Portland, and that your best bet is to call in advance.
There are two bike rental companies in downtown Portland that may be good options if you want to experience Portland by bike (which we very much recommend!):


Preliminary schedule for the weekend
Arrival day.
200 meters flying start.
1 hour race.
3 h race
6 h race
Anyone can ride a recumbent bike, whatever his or hers physical condition. Recumbents are not for racing only.
Traditionally the event takes place in the first weekend of August and serves both as a racing event and as a general bent riders' meet-up.
e.g. Pekka broke the masters Hour World Record in trike category on 2016.
On 2016 we organized Nordic Recumbent Championships. Our active members have participated to the World Championships in Netherlands and France and amazed folks in National races in Denmark and France.
Recumbent bike constructions take endless forms, you can find two-, three and four wheelers, short and long wheelbases, low and high racers, all kind of cruisers as well as fully faired velomobiles. There's no limit, there's no UCI rules. Many of us even build our very own individual machines.
discussion forum, which is an active Finnish site for recumbent enthusiasts.
Current records can be found from the INFO section
(form might not support all versions of IE, sorry)
If you register before 15th July, the registration fee is
€40.00 for RRF members (includes all participants of a family),
€50.00 for all others.
Between 15th July and 3th August the registration fee is
€45.00 for RRF members
€55.00 for others.
RRF member subscription fee is €20.00 for 2019.
This fee can be paid with the same transaction as the race registration.


Seabass2 v1.2
Features:
- Syntax highlighting for over 120 programming/markup languages
- Context menu to create/rename/delete files
- Create and Build QML, C++, Python and HTML projects using Clickable (see Settings page for details)
- Reading indentation preferences from .editorconfig files
- Open files with the Seabass using the File Manager application
New:
- Restore previous session at startup
- Automatically install and launch built projects


这个题。。。坑爹呢！！！
| The Cat in the Hat |
Background
(An homage to Theodore Seuss Geisel)
The Cat in the Hat is a nasty creature,
But the striped hat he is wearing has a rather nifty feature.

Do you know what’s inside that Cat’s hat?
A bunch of small cats, each with its own striped hat.
Each little cat does the same as line three,
All except the littlest ones, who just say “Why me?”
Because the littlest cats have to clean all the grime,
And they’re tired of doing it time after time!
The
Problem
A clever cat walks into a messy room which he needs to clean.
Instead of doing the work alone, it decides to have its helper cats
do the work. It keeps its (smaller) helper cats inside its hat.
Each helper cat also has helper cats in its own hat, and so on.
Eventually, the cats reach a smallest size. These smallest cats
have no additional cats in their hats. These unfortunate smallest
cats have to do the cleaning.
The number of cats inside each (non-smallest) cat’s hat is a
constant,
cats-in-a-hat is
the height of the cat whose hat they are in.
The smallest cats are of height one;
these are the cats that get the work done.
All
heights are positive integers.
Given the height of the initial cat and the number of worker cats
(of height one), find the number of cats that are not doing any
work (cats of height greater than one) and also determine the sum
of all the cats’ heights (the height of a stack of all cats
standing one on top of another).
The
Input
The input consists of a sequence of cat-in-hat specifications. Each
specification is a single line consisting of two positive integers,
separated by white space. The first integer is the height of the
initial cat, and the second integer is the number of worker
cats.
A pair of 0’s on a line indicates the end of input.
The
Output
For each input line (cat-in-hat specification), print the number of
cats that are not working, followed by a space, followed by the
height of the stack of cats. There should be one output line for
each input line other than the “0 0” that terminates input.
Sample
Input
216 125
5764801 1679616
0 0
Sample
Output
31 671
335923 30275911
代码：
#include<iostream>
#include<cmath>
#include<fstream>
using namespace std;
int main()
{
// freopen("test.txt","r",stdin);
int a,p;
while(cin>>a>>p)
{
if(0==a&&0==p)break;
if(a==p&&p==1)
{
cout<<"0 1"<<endl;
continue;
}
int k=1;
for(k=1;;k++)
{
if((int)(pow(1+pow(p,1.0/k),k)+0.1)>=a)
break;
}
int n=(int)(pow(p*1.0,1.0/k)+0.1);
int re=0;
int re1=0;
for(int i=0;i<k;i++)
{
re+=(int)(pow(n*1.0,i)+0.1);
re1+=((int)(pow(n*1.0,i)+0.1)/(pow(n+1,i))*a);
}
re1+=p;
cout<<(int)re<<" "<<(int)re1<<endl;
}
return 0;
}


Catalog upload using local CSV file (multi-part)
Catalog ID
Catalog Version
CSV File
Catalog upload using local CSV content (no multi-part - plain POST with AJAX)
Catalog ID
Catalog Version
CSV Content
Paste content here!
Response
- no response yet -


{{ post.title }}
{{ post.date | date: "%B %-d, %Y" }}
{{ post.content }}
{% include header.html %} {% include illustrations.html %}
Fetch is a short film produced by the development team and entirely rendered with appleseed
In this video, we create a material from scratch and assign it to pieces of a 72 million triangles model, within appleseed.studio, appleseed's standalone lookdev application.


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highway
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bridge
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La
Plaine.
15¡20'N,
61¨15'W.
9m.
Secondary
rainforest.
Tree
8m
x
60cm
dbh,
muscled;
wood
very
hard,
reddish;
resin
white
sticky,
abundant;
petals
tubular,
green.
n.v.:
Bonis
[Creole-Patoisj.
ICI
Sample
codes:
OCJI-JW-I(lf);
377-Y(Tf);
37K(BR);
379-1(11);
380-C(´S);
3J
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l-F(8Tj
lirik
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with
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supported
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national
Cancer
Institute
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OF
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GARDEN
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botanical
Garden
00041112
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extremely low
very low
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undetermined
medium
high
very high


Don't have an account? Register
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Start every activity with good planning, because failure in planning is the same as planning failure.


Typically, you may want to style link, input and button elements as buttons. This is how they look like in your browser natively.
Link
<input type="button" value="Input">
<button type="button">Button</button>
<button type="submit">Submit button</button>
Link
<input type="button" value="Input" class="button button-default">
<button type="button" class="button button-default">Button</button>
<button type="submit" class="button button-default">Submit button</button>
Primary
<input type="button" value="Success" class="button button-success">
<button type="button" class="button button-warning">Warning</button>
<button type="submit" class="button button-danger">Danger</button>
Outline buttons as made popular by iOS are flat buttons with high contrast and transparent backgrounds.
Primary
<input type="button" value="Success" class="button button-outline-success">
<button type="button" class="button button-outline-warning">Warning</button>
<button type="submit" class="button button-outline-danger">Danger</button>
Therefore, outline buttons look great on top of backgrounds with images or gradients.
Primary
<input type="button" value="Success" class="button button-success button-pilled">
<button type="button" class="button button-warning button-pilled">Warning</button>
<button type="submit" class="button button-danger button-pilled">Danger</button>
Block buttons are block level elements and span to the full width available. If multiple block buttons are stacked over another (like below), a little margin is used as a spacer.
<button type="button" class="button button-default button-block">Block button</button>
<button type="button" class="button button-default button-small">Small button</button>
<button type="button" class="button button-default">Standard button</button>
<button type="button" class="button button-default">Large button</button>

<button type="button" class="button button-default">First</button>
<button type="button" class="button button-default">Second</button>
<button type="button" class="button button-default">Third</button>

Especially in buttons groups, you might want to mark buttons as active using the .active
class.


--- title: saganowski&Co client: Saganowski Brothers date: "2012-05-01" publishDate: "2019-10-23" subtitle: Front-end development and User Experience aliases: - /pages/saganowski.html ---
A bold, interactive experience to showcase the strong design work and provide deep interactivity as the user explores the site. Lots of little touches as you move between sections, with animations to explain each key point, and an awesome 10-foot slideshow.


# Request — Simplified HTTP client
## Super simple to use
Request is designed to be the simplest way possible to make http calls. It supports HTTPS and follows redirects by default.
```javascript var request = require(‘request’); request(‘http://www.google.com‘, function (error, response, body) {
- if (!error && response.statusCode == 200) {
- console.log(body) // Print the google web page.
}
})¶
## Streaming
You can stream any response to a file stream.
`javascript
request('http://google.com/doodle.png').pipe(fs.createWriteStream('doodle.png'))
`
You can also stream a file to a PUT or POST request. This method will also check the file extension against a mapping of file extensions to content-types (in this case application/json) and use the proper content-type in the PUT request (if the headers don’t already provide one).
`javascript
fs.createReadStream('file.json').pipe(request.put('http://mysite.com/obj.json'))
`
Request can also pipe to itself. When doing so, content-type and content-length are preserved in the PUT headers.
`javascript
request.get('http://google.com/img.png').pipe(request.put('http://mysite.com/img.png'))
`
Now let’s get fancy.
```javascript http.createServer(function (req, resp) {
- if (req.url === ‘/doodle.png’) {
- if (req.method === ‘PUT’) {
- req.pipe(request.put(‘http://mysite.com/doodle.png‘))
- } else if (req.method === ‘GET’ || req.method === ‘HEAD’) {
- request.get(‘http://mysite.com/doodle.png’).pipe(resp)
}
}
})¶
You can also pipe() from http.ServerRequest instances, as well as to http.ServerResponse instances. The HTTP method, headers, and entity-body data will be sent. Which means that, if you don’t really care about security, you can do:
```javascript http.createServer(function (req, resp) {
- if (req.url === ‘/doodle.png’) {
- var x = request(‘http://mysite.com/doodle.png‘) req.pipe(x) x.pipe(resp)
}
})¶
And since pipe() returns the destination stream in ≥ Node 0.5.x you can do one line proxying. :)
`javascript
req.pipe(request('http://mysite.com/doodle.png')).pipe(resp)
`
Also, none of this new functionality conflicts with requests previous features, it just expands them.
```javascript var r = request.defaults({‘proxy’:’http://localproxy.com‘})
- http.createServer(function (req, resp) {
- if (req.url === ‘/doodle.png’) {
- r.get(‘http://google.com/doodle.png’).pipe(resp)
}
})¶
You can still use intermediate proxies, the requests will still follow HTTP forwards, etc.
## Proxies
If you specify a proxy option, then the request (and any subsequent redirects) will be sent via a connection to the proxy server.
If your endpoint is an https url, and you are using a proxy, then request will send a CONNECT request to the proxy server first, and then use the supplied connection to connect to the endpoint.
That is, first it will make a request like:
`
HTTP/1.1 CONNECT endpoint-server.com:80
Host: proxy-server.com
User-Agent: whatever user agent you specify
`
and then the proxy server make a TCP connection to endpoint-server on port 80, and return a response that looks like:
`
HTTP/1.1 200 OK
`
At this point, the connection is left open, and the client is communicating directly with the endpoint-server.com machine.
See (the wikipedia page on HTTP Tunneling)[http://en.wikipedia.org/wiki/HTTP_tunnel] for more information.
By default, when proxying http traffic, request will simply make a standard proxied http request. This is done by making the url section of the initial line of the request a fully qualified url to the endpoint.
For example, it will make a single request that looks like:
``` HTTP/1.1 GET http://endpoint-server.com/some-url Host: proxy-server.com Other-Headers: all go here
Because a pure “http over http” tunnel offers no additional security or other features, it is generally simpler to go with a straightforward HTTP proxy in this case. However, if you would like to force a tunneling proxy, you may set the tunnel option to true.
If you are using a tunneling proxy, you may set the proxyHeaderWhiteList to share certain headers with the proxy.
By default, this set is:
`
accept
accept-charset
accept-encoding
accept-language
accept-ranges
cache-control
content-encoding
content-language
content-length
content-location
content-md5
content-range
content-type
connection
date
expect
max-forwards
pragma
proxy-authorization
referer
te
transfer-encoding
user-agent
via
`
Note that, when using a tunneling proxy, the proxy-authorization header is never sent to the endpoint server, but only to the proxy server. All other headers are sent as-is over the established connection.
## UNIX Socket
request supports the unix:// protocol for all requests. The path is assumed to be absolute to the root of the host file system.
HTTP paths are extracted from the supplied URL by testing each level of the full URL against net.connect for a socket response.
Thus the following request will GET /httppath from the HTTP server listening on /tmp/unix.socket
`javascript
request.get('unix://tmp/unix.socket/httppath')
`
## Forms
request supports application/x-www-form-urlencoded and multipart/form-data form uploads. For multipart/related refer to the multipart API.
URL-encoded forms are simple.
`javascript
request.post('http://service.com/upload', {form:{key:'value'}})
// or
request.post('http://service.com/upload').form({key:'value'})
`
For multipart/form-data we use the [form-data](https://github.com/felixge/node-form-data) library by [@felixge](https://github.com/felixge). You don’t need to worry about piping the form object or setting the headers, request will handle that for you.
```javascript var r = request.post(‘http://service.com/upload‘, function optionalCallback (err, httpResponse, body) {
- if (err) {
- return console.error(‘upload failed:’, err);
} console.log(‘Upload successful! Server responded with:’, body);
}) var form = r.form() form.append(‘my_field’, ‘my_value’) form.append(‘my_buffer’, new Buffer([1, 2, 3])) form.append(‘my_file’, fs.createReadStream(path.join(__dirname, ‘doodle.png’))) form.append(‘remote_file’, request(‘http://google.com/doodle.png‘))
// Just like always, r is a writable stream, and can be used as such (you have until nextTick to pipe it, etc.) // Alternatively, you can provide a callback (that’s what this example does — see optionalCallback above). ```
## HTTP Authentication
```javascript request.get(‘http://some.server.com/’).auth(‘username‘, ‘password’, false); // or request.get(‘http://some.server.com/‘, {
- ‘auth’: {
- ‘user’: ‘username’, ‘pass’: ‘password’, ‘sendImmediately’: false
}
}); // or request.get(‘http://some.server.com/’).auth(null, null, true, ‘bearerToken’); // or request.get(‘http://some.server.com/‘, {
- ‘auth’: {
- ‘bearer’: ‘bearerToken’
}
});¶
If passed as an option, auth should be a hash containing values user || username, pass || password, and sendImmediately (optional). The method form takes parameters auth(username, password, sendImmediately).
sendImmediately defaults to true, which causes a basic authentication header to be sent. If sendImmediately is false, then request will retry with a proper authentication header after receiving a 401 response from the server (which must contain a WWW-Authenticate header indicating the required authentication method).
Note that you can also use for basic authentication a trick using the URL itself, as specified in [RFC 1738](http://www.ietf.org/rfc/rfc1738.txt). Simply pass the user:password before the host with an @ sign.
```javascript var username = ‘username’,
password = ‘password’, url = ‘http://‘ + username + ‘:’ + password +<EMAIL_ADDRESS>- request({url: url}, function (error, response, body) {
- // Do more stuff with ‘body’ here
});¶
Digest authentication is supported, but it only works with sendImmediately set to false; otherwise request will send basic authentication on the initial request, which will probably cause the request to fail.
Bearer authentication is supported, and is activated when the bearer value is available. The value may be either a String or a Function returning a String. Using a function to supply the bearer token is particularly useful if used in conjuction with defaults to allow a single function to supply the last known token at the time or sending a request or to compute one on the fly.
## OAuth Signing
```javascript // Twitter OAuth var qs = require(‘querystring’)
- , oauth =
- { callback: ‘http://mysite.com/callback/‘ , consumer_key: CONSUMER_KEY , consumer_secret: CONSUMER_SECRET }
, url = ‘https://api.twitter.com/oauth/request_token‘ ;
- request.post({url:url, oauth:oauth}, function (e, r, body) {
// Ideally, you would take the body in the response // and construct a URL that a user clicks on (like a sign in button). // The verifier is only available in the response after a user has // verified with twitter that they are authorizing your app. var access_token = qs.parse(body)
- , oauth =
- { consumer_key: CONSUMER_KEY , consumer_secret: CONSUMER_SECRET , token: access_token.oauth_token , verifier: access_token.oauth_verifier }
, url = ‘https://api.twitter.com/oauth/access_token‘ ;
- request.post({url:url, oauth:oauth}, function (e, r, body) {
- var perm_token = qs.parse(body)
- , oauth =
- { consumer_key: CONSUMER_KEY , consumer_secret: CONSUMER_SECRET , token: perm_token.oauth_token , token_secret: perm_token.oauth_token_secret }
, url = ‘https://api.twitter.com/1.1/users/show.json?’ , params =
{ screen_name: perm_token.screen_name , user_id: perm_token.user_id };
url += qs.stringify(params) request.get({url:url, oauth:oauth, json:true}, function (e, r, user) {
console.log(user)})
})
})¶
## Custom HTTP Headers
HTTP Headers, such as User-Agent, can be set in the options object. In the example below, we call the github API to find out the number of stars and forks for the request repository. This requires a custom User-Agent header as well as https.
```javascript var request = require(‘request’);
- var options = {
url: ‘https://api.github.com/repos/mikeal/request‘, headers: {
‘User-Agent’: ‘request’}
};
- function callback(error, response, body) {
- if (!error && response.statusCode == 200) {
- var info = JSON.parse(body); console.log(info.stargazers_count + ” Stars”); console.log(info.forks_count + ” Forks”);
}
}
request(options, callback); ```
## request(options, callback)
The first argument can be either a url or an options object. The only required option is uri; all others are optional.
- uri || url - fully qualified uri or a parsed url object from url.parse()
- qs - object containing querystring values to be appended to the uri
- method - http method (default: “GET”)
- headers - http headers (default: {})
- body - entity body for PATCH, POST and PUT requests. Must be a Buffer or String.
- form - when passed an object or a querystring, this sets body to a querystring representation of value, and adds Content-type: application/x-www-form-urlencoded; charset=utf-8 header. When passed no options, a FormData instance is returned (and is piped to request).
- auth - A hash containing values user || username, pass || password, and sendImmediately (optional). See documentation above.
- json - sets body but to JSON representation of value and adds Content-type: application/json header. Additionally, parses the response body as JSON.
- multipart - (experimental) array of objects which contains their own headers and body attribute. Sends multipart/related request. See example below.
- followRedirect - follow HTTP 3xx responses as redirects (default: true). This property can also be implemented as function which gets response object as a single argument and should return true if redirects should continue or false otherwise.
- followAllRedirects - follow non-GET HTTP 3xx responses as redirects (default: false)
- maxRedirects - the maximum number of redirects to follow (default: 10)
- encoding - Encoding to be used on setEncoding of response data. If null, the body is returned as a Buffer.
- pool - A hash object containing the agents for these requests. If omitted, the request will use the global pool (which is set to node’s default maxSockets)
- pool.maxSockets - Integer containing the maximum amount of sockets in the pool.
- timeout - Integer containing the number of milliseconds to wait for a request to respond before aborting the request
- proxy - An HTTP proxy to be used. Supports proxy Auth with Basic Auth, identical to support for the url parameter (by embedding the auth info in the uri)
- oauth - Options for OAuth HMAC-SHA1 signing. See documentation above.
- hawk - Options for [Hawk signing](https://github.com/hueniverse/hawk). The credentials key must contain the necessary signing info, [see hawk docs for details](https://github.com/hueniverse/hawk#usage-example).
- strictSSL - If true, requires SSL certificates be valid. Note: to use your own certificate authority, you need to specify an agent that was created with that CA as an option.
- jar - If true and tough-cookie is installed, remember cookies for future use (or define your custom cookie jar; see examples section)
- aws - object containing AWS signing information. Should have the properties key, secret. Also requires the property bucket, unless you’re specifying your bucket as part of the path, or the request doesn’t use a bucket (i.e. GET Services)
- httpSignature - Options for the [HTTP Signature Scheme](https://github.com/joyent/node-http-signature/blob/master/http_signing.md) using [Joyent’s library](https://github.com/joyent/node-http-signature). The keyId and key properties must be specified. See the docs for other options.
- localAddress - Local interface to bind for network connections.
- gzip - If true, add an Accept-Encoding header to request compressed content encodings from the server (if not already present) and decode supported content encodings in the response.
- tunnel - If true, then always use a tunneling proxy. If false (default), then tunneling will only be used if the destination is https, or if a previous request in the redirect chain used a tunneling proxy.
- proxyHeaderWhiteList - A whitelist of headers to send to a tunneling proxy.
The callback argument gets 3 arguments:
- An error when applicable (usually from [http.ClientRequest](http://nodejs.org/api/http.html#http_class_http_clientrequest) object)
- An [http.IncomingMessage](http://nodejs.org/api/http.html#http_http_incomingmessage) object
- The third is the response body (String or Buffer, or JSON object if the json option is supplied)
## Convenience methods
There are also shorthand methods for different HTTP METHODs and some other conveniences.
### request.defaults(options)
This method returns a wrapper around the normal request API that defaults to whatever options you pass in to it.
Note: You can call .defaults() on the wrapper that is returned from request.defaults to add/override defaults that were previously defaulted.
For example: ```javascript //requests using baseRequest() will set the ‘x-token’ header var baseRequest = request.defaults({
headers: {x-token: ‘my-token’}
})
//requests using specialRequest() will include the ‘x-token’ header set in //baseRequest and will also include the ‘special’ header var specialRequest = baseRequest.defaults({
headers: {special: ‘special value’}
})¶
### request.put
Same as request(), but defaults to method: “PUT”.
`javascript
request.put(url)
`
### request.patch
Same as request(), but defaults to method: “PATCH”.
`javascript
request.patch(url)
`
### request.post
Same as request(), but defaults to method: “POST”.
`javascript
request.post(url)
`
### request.head
Same as request() but defaults to method: “HEAD”.
`javascript
request.head(url)
`
### request.del
Same as request(), but defaults to method: “DELETE”.
`javascript
request.del(url)
`
### request.get
Same as request() (for uniformity).
`javascript
request.get(url)
`
### request.cookie
Function that creates a new cookie.
`javascript
request.cookie('cookie_string_here')
`
### request.jar
Function that creates a new cookie jar.
`javascript
request.jar()
`
## Examples:
- ```javascript
- var request = require(‘request’)
- , rand = Math.floor(Math.random()*100000000).toString() ;
- request(
{ method: ‘PUT’ , uri: ‘http://mikeal.iriscouch.com/testjs/‘ + rand , multipart:
- [ { ‘content-type’: ‘application/json’
- , body: JSON.stringify({foo: ‘bar’, _attachments: {‘message.txt’: {follows: true, length: 18, ‘content_type’: ‘text/plain’ }}}) }
, { body: ‘I am an attachment’ } ]
}
- , function (error, response, body) {
- if(response.statusCode == 201){
- console.log(‘document saved as: http://mikeal.iriscouch.com/testjs/’+ rand)
- } else {
- console.log(‘error: ‘+ response.statusCode) console.log(body)
}
}
)
Cookies are disabled by default (else, they would be used in subsequent requests). To enable cookies, set jar to true (either in defaults or options) and install tough-cookie.
```javascript var request = request.defaults({jar: true}) request(‘http://www.google.com‘, function () {
request(‘http://images.google.com‘)
})¶
To use a custom cookie jar (instead of request’s global cookie jar), set jar to an instance of request.jar() (either in defaults or options)
```javascript var j = request.jar() var request = request.defaults({jar:j}) request(‘http://www.google.com‘, function () {
request(‘http://images.google.com‘)
})¶
OR
``javascript // `npm install –save tough-cookie before this works var j = request.jar() var cookie = request.cookie(‘your_cookie_here’) j.setCookie(cookie, uri); request({url: ‘http://www.google.com‘, jar: j}, function () {
request(‘http://images.google.com‘)
})¶
To inspect your cookie jar after a request
```javascript var j = request.jar() request({url: ‘http://www.google.com‘, jar: j}, function () {
var cookie_string = j.getCookieString(uri); // “key1=value1; key2=value2; ...” var cookies = j.getCookies(uri); // [{key: ‘key1’, value: ‘value1’, domain: “www.google.com”, ...}, ...]
})¶
## Debugging
There are at least three ways to debug the operation of request:
- Launch the node process like NODE_DEBUG=request node script.js (lib,request,otherlib works too).
- Set require(‘request’).debug = true at any time (this does the same thing as #1).
- Use the [request-debug module](https://github.com/nylen/request-debug) to view request and response headers and bodies.


Hi, I'm Caitlin.
About Me
I graduated Milwaukee Institute of Art & Design, Majoring in Industrial Design and Minoring in Communicaition Design. After graduating I worked for General Motors for 3 years. After GM, I moved back to Illinois to pursue other career opportunities.


LIFE IS BEAUTIFUL (director:Roberto Benigni; cast: Roberto Benigni (Guido), Nicoletta Braschi (Dora), Giorgio Cantarini (Giosue), Giustino Durano (Uncle), Sergio Bustric (Ferruccio), Horst Bucholz (Dr. Lessing), 1998-Italy)
There is no question that one has to be careful about the good taste required when making a so-called comedy film about the Holocaust, not to offend those who have suffered enough already, but that proves to be no problem here, as Benigni went to some Jewish Organizations prior to shooting the film and got their blessings for this project. Besides, I don't think there are any sacred subjects that can't be touched, it is, ultimately, the quality of the film itself that counts. And if there is another reason for not disapproving offhand the film's comic handling of this horrific context, then let's bring up the example of Charlie Chaplin in the THE GREAT DICTATOR, though not directly about the Holocaust, nevertheless, it was a light comedic parody of "The Fuehrer", and it was considered by many, not only to be an appropriate film, but one of the all time great films.The later part of the assessment of that film, is in recognition of that film's tremendous power to satirize Nazism. Benigni's film just can't muster that same power, because it has muddled and sanitized its telling of the story too much, as well-intentioned, as he might have been in trying to tell the story, the power in the telling of it is just not there.What is there, are bits and pieces of the Holocaust's human story, that is as horrific a story as any one can imagine, and offers some contribution to understanding the affects of the Holocaust. What he just doesn't make clear, is that the Italian Fascists were part of the "Final Solution."  The proof is the large number of Italian Jews who were killed in the Holocaust. Benigni's film offers no explanation for this. A much better and truer film than his, that unfailingly tells about the Italian culpability in the Holocaust, is THE GARDEN of the FINZI-CONTINIS (1971), which didn't waste the audience's time trying to amuse them with childish antics, instead stayed true to what was happening to the Jewish families in Italy.
LIFE IS BEAUTIFUL, is the line Trotsky said, before he was about to be assassinated, serves as the rosy title for such a downbeat subject, that is played in a hearfelt and sincere manner, even though, what it offers for Nazi atrocities is for the most part the mildly anti-septic kind, reminding me of STALAG 17, or HOGAN'S HEROES TV series where the Nazis are pictured as cartoon buffoons.
Having a horse painted green, marked as a Jewish horse, makes for a colorful scene and segue to elopement for Guido (Benigni) and Dora (Braschi), but in no way begins to symbolize or explore the deep rooted hatred that would lead to a policy of genocide. To find such truths, go way beyond the scope of this comedy star vehicle, which, instead, uses this serious subject matter for Benigni to contrast his Charlie Chaplin like routines with the threat of genocide that is ominous, while following a story line that will not try to offend anyone, probably not even the Nazis, that much, especially since Benigni calls this story a fable, giving him an excuse to invent what he wants for the film. Let me tell you, the Holocaust was no fable. But yet, because the subject matter is so deadly serious, he is, at least, able to reach a more general audience, drawn to see such a film they would have most likely not seen, but see it because of Benigni's comic ability, and in the process, he has vouchsafed for them how insane the world's prejudice against Jews has been, as he makes the film's efforts seem worthy enough, even if that were all this film would accomplish, that would be plenty. But I believe he does accomplish more, but he does it, by distorting history, until, in the end, he does show the horror and tragedy of the Holocaust, in his own inimical way.
In the first part of the film, if you did not know that Benigni's Guido was Jewish, you certainly couldn't tell, since he just seemed like he was an eccentric, motor-mouth Italian. So, in that sense, this film in a round-about way, is erasing that stereotyped prejudice some people might still have about Jews being so different from others.
I was not offended by seeing comedy routines take place in a concentration camp; I also was not touched as I should have been with the gravity of the situation, due to the comic effects. And if any one in their right mind thought that by playing some silly child game in a concentration camp they could survive, I got a surprise for them, it ain't so.
The book that gave me a very truthful and precisely frank look at the daily lives of those in such predicaments, is the one by the Italian chemist and former concentration survivor, Primo Levi, whose autobiographical, "I Survived Auschwitz," shows what it really was like in those camps.That book touched me, even more than the truest film to date that I saw about the Holocaust, SHOAH, did. After you read that book, there can be no illusions that you are in for a game in the park when you are interred in such a camp. Though the Italian Jews had it easier than the others brought to the camp, because they came there pretty near the end of the war and therefore were not subjected to long torturous years of suffering, nevertheless, it was a place where the survivors looked like skeletons and felt as if they were already dead.
The film is really made up of two parts, each with a very different feel to it. The first part consists of lushly created cinematography, as it tells of the clownish, hyper antics of Guido, as he is an Italian country boy, coming to the Tuscan city in a brakeless car, where he is mistaken for the Italian king as he whizzes by a crowd awaiting the king, holding his arm out accidently in a Nazi salute to keep the crowd away, this is in 1939. For most of this part of the film we don't even know if he is Jewish, until we see the green horse and, later on, see the sign on his bookstore saying this is a Jewish place, since he seems to be in some denial mode of what is really going on around him.
Amid a whole bag full of slapstick jokes, which probably never go out of style, since the audience where I watched the film, howled with uncontrollable laughter at all the corny bits, leaving me to wonder why I can't muster a laugh. There must be something funny about this physical humor, after all, there is a long line of vaudeville comedians who made people laugh for generations doing those schticks. I guess, this kind of comedy is just not my cup of tea, and if others find it funny and because of it, find the film endearing, then it is just a question of differing tastes. Though, quite frankly, I did think most of the bits were embarrassingly crass; for instance, those contrived scenes where he keeps bumping into his future wife, and the switching of hats; and, the egg- in- the- face routine, I found to be especially tedious, since I find him to be more energetic and a master of good timing than outright funny. But, I also, must say, the first part of the film was easy to watch, it seemed to have a smooth and even flow to it.
Guido immediately finds romance with the wealthy school teacher, Dora, (who is his real-life wife). It's too bad she can't act, but then again, this is basically a one man show, so really, she just becomes another one of his props, much like a leading lady in a Marx Bros. movie is used, as a diversion to balance their comedy routines. Guido's romance is complicated by Dora's engagement to a local Fascist bureaucrat, which gives Guido a chance to pull every string in our hearts, as he goes about winning her love from the typical comedy film foil, her buffoonlike Fascist lover plays. This material is shamelessly old hat, it is only effusive because the star is so frenetic and nimble and manipulative on screen. But there were also some clever bits, like his speech, though not original, it still hit the mark, as he pretended to be a school official, giving a talk on racial superiority to elementary students where Dora teaches, using his body as an example of all his superior Fascist parts, such as his belly button, which is a good Fascist one. Guido does this, while working for his uncle as a waiter.
When the scene changes from the greenhouse he enters with Dora after their elopement, and it is now 1945 and he is happily married to her, the tragedy of their situation finally hits home, and part two of the film turns grim, as the loving father of a five-year-old, is arrested by the Fascists and along with his son, is taken cattle-style by train to the camp. His wife who is not Jewish, is not arrested, but she insists on going to the camp with them. In order for the father to allay the child's fears, he says it's all a game and who ever scores 1,000 points will win a tank, a real one. This prize is valuable to the kid whose favorite possession at home is his toy tank. This game idea could probably work for as long as a train ride from Italy to Germany, but for anyone to think it could work inside the camp, that would be ludicrous on their part to think so. The camp they were in, seemed more as if it were a coal mine then a death camp, and Guido was stuck with a bad coal miner's job, with really rotten bosses and working conditions. The Jews in the camp looked so well fed, that it was hard to believe that they were in a concentration camp.
The kid was perky and wide-eyed and intelligently precocious, just right for the part, and the only other person who caught my attention in a multi-dimensional performance, where you could at least find some variable expressions on their face, was Horst Bucholz, as a Nazi doctor, who was waited on by Guido in his uncle's restaurant and is now a doctor in the camp, insensitive to Guido's new position in life, but still showed enough cognition for him to save his life by making him a waiter in the camp. Everyone else said their lines in a flat monotone voice that projected bad acting and because of that, almost made a mockery out of their roles. Naturally the comedy routines did not work inside the camp, except for the bit where Guido translates the rules of the camp for the German guards, as he makes it seem to the kid that what he is reading are the rules for the game they are playing, as he explains that the guards are only acting mean because they are part of the game. No one laughed in the audience, but this was funny in a way that you wouldn't laugh out loud funny. Some slapstick was tried, such as Guido's comically high stepping walk, but that got no laughs. But mostly, for this part of the film, the emphasis became on this game he was playing for his kid's sake, his love was so great for him, that he would do anything to save his life. Audiences could relate to that, and that cleverly became the focal and selling point of the film. That is primarily why this film won an Oscar for best foreign film, its comedy alone would not have been enough.
The film, to its ever lasting credit, was able to clearly depict Jews as human beings, not as objects to be reduced to soap or buttons, more human than the Nazis, who have disqualified themselves from being a civilized regime by their inhumanity.This leaves the masterminds of racial superiority with their own absurd philosophies of intolerance.
Where I think LIFE IS BEAUTFUL succeeded most, is being a film that inadvertly, without probably really being fully aware of what it was doing, showed how unprepared the Jews were for this tragedy by being in a state of denial. After the Holocaust, the rallying motto of the surviving Jews was "Never Again." And what they learned from this event in history, is to be vigilant and not be in a state of denial about prejudice ever again. Which is one of the reasons why the Holocaust is such a touchy subject, and one has to be careful about how one presents it to others, lest one forgets its dire consequences. And as unbelievable as it may seem, LIFE IS BEAUTFUL, somehow or other, caught an interesting aspect of the Holocaust, with an original take on how passive the Jews were, something few films really make a major point of, for one reason or another. Most Italian Jews stayed put in their home country until the moment was too late for them to leave, never believing that the absurd philosophy of the Nazis could be taken seriously. Guido, at this time, is in the bourgeoisie social strata, being a bookseller, not wanting to give up on his country; while, at the same time frame, Primo Levi, was an Italian resistance fighter, captured and sent to the camp.
Did the film do enough to show the horrors of genocide ? For some people it evidently did enough to leave them beguiled by the improbable mix of comedy and a Holocaust. The uniqueness and likability of this film, is that Benigni exploits his comic talents to take advantage of a very difficult situation, using comedy as a weapon. But this is most definetly an example of the rewriting of history, by seeing the Holocaust as if it could almost be perceived as comical and not quite real, as a fable, depending on the audience itself to know fully well what happened, where only by the very end of the film, is there a realization that something terrible has happened and a tear could be shed, does a disservice to how history and the victims of it look at it and fails to recognize how little people not directly involved with the Holocaust actually know about it.
There is a reason why films are popular, and that reason is that people want to see what they like on screen, they as a rule, do not like to think about things that are unpleasant to them, and this film has deftly and arbitrarily accomplished that by skimming the surface off all the horrible things they could have seen, instead, it subtly goes about its business by hiding from the audience what really happened to the Jews in those camps by not showing how real their plight was.This film seemed almost like it was primarily a very personal film about a father's love for his family and his great sacrifice for them, rather than a Holocaust film per se.
 I still think that most of the world is at a low stage of the evolutionary scale and ready to do a Nazi-style thing all over, if given the chance, just check out the recent Serbian-Kosovo conflict for affirmation that ethnic cleansing has not gone away with the end of Nazism.
So what can a film do ? Probably, all it can do is show what really happened, and it doesn't matter if its method is drama, comedy, or even a musical, as long as it is meaningful. I intend to be very critically tolerant of this film and say, that even though it struck me as a rather thin Holocaust story, it is still a worthwhile film for those who don't want or can't handle the heavier stuff, and are not put off by the comedy. They will find, if they look hard enough and look past what Miramax promoted for its own purposes so it could win the Oscar, a film that is more complex than it appears at first glance. But they will also find, that it is a film that still makes it evident, that the world still is in denial of what really happened, and can only look at the Holocaust in a rather superficial way, even after all these years. There is still an element of world guilt, that because of that, will so highly reward this film with honors, even if the film has shown that it cannot open up both its eyes to see how real the Holocaust was. But, I guess, we should thank Benigni for at least opening up one eye, and letting us see that both his film's take on the Holocaust and most of the world's take on the Holocaust, is still bonded by denial about how they view the Holocaust, which is the same mistake the Italian Jews made when they denied the obvious, what was right in front of their noses, until it was too late.
REVIEWED ON 3/29/99 GRADE: C
Dennis Schwartz: "Movie Reviews"
<EMAIL_ADDRESS>http://www.sover.net/~ozus
© ALL RIGHTS RESERVED DENNIS SCHWARTZ
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Pattern Recognition Functions
CDL2CROWS - Two Crows
integer = CDL2CROWS(open, high, low, close)
CDL3BLACKCROWS - Three Black Crows
integer = CDL3BLACKCROWS(open, high, low, close)
CDL3INSIDE - Three Inside Up/Down
integer = CDL3INSIDE(open, high, low, close)
CDL3LINESTRIKE - Three-Line Strike
integer = CDL3LINESTRIKE(open, high, low, close)
CDL3OUTSIDE - Three Outside Up/Down
integer = CDL3OUTSIDE(open, high, low, close)
CDL3STARSINSOUTH - Three Stars In The South
integer = CDL3STARSINSOUTH(open, high, low, close)
CDL3WHITESOLDIERS - Three Advancing White Soldiers
integer = CDL3WHITESOLDIERS(open, high, low, close)
CDLABANDONEDBABY - Abandoned Baby
integer = CDLABANDONEDBABY(open, high, low, close, penetration=0)
CDLADVANCEBLOCK - Advance Block
integer = CDLADVANCEBLOCK(open, high, low, close)
CDLBELTHOLD - Belt-hold
integer = CDLBELTHOLD(open, high, low, close)
CDLBREAKAWAY - Breakaway
integer = CDLBREAKAWAY(open, high, low, close)
CDLCLOSINGMARUBOZU - Closing Marubozu
integer = CDLCLOSINGMARUBOZU(open, high, low, close)
CDLCONCEALBABYSWALL - Concealing Baby Swallow
integer = CDLCONCEALBABYSWALL(open, high, low, close)
CDLCOUNTERATTACK - Counterattack
integer = CDLCOUNTERATTACK(open, high, low, close)
CDLDARKCLOUDCOVER - Dark Cloud Cover
integer = CDLDARKCLOUDCOVER(open, high, low, close, penetration=0)
CDLDOJI - Doji
integer = CDLDOJI(open, high, low, close)
CDLDOJISTAR - Doji Star
integer = CDLDOJISTAR(open, high, low, close)
CDLDRAGONFLYDOJI - Dragonfly Doji
integer = CDLDRAGONFLYDOJI(open, high, low, close)
CDLENGULFING - Engulfing Pattern
integer = CDLENGULFING(open, high, low, close)
CDLEVENINGDOJISTAR - Evening Doji Star
integer = CDLEVENINGDOJISTAR(open, high, low, close, penetration=0)
CDLEVENINGSTAR - Evening Star
integer = CDLEVENINGSTAR(open, high, low, close, penetration=0)
CDLGAPSIDESIDEWHITE - Up/Down-gap side-by-side white lines
integer = CDLGAPSIDESIDEWHITE(open, high, low, close)
CDLGRAVESTONEDOJI - Gravestone Doji
integer = CDLGRAVESTONEDOJI(open, high, low, close)
CDLHAMMER - Hammer
integer = CDLHAMMER(open, high, low, close)
CDLHANGINGMAN - Hanging Man
integer = CDLHANGINGMAN(open, high, low, close)
CDLHARAMI - Harami Pattern
integer = CDLHARAMI(open, high, low, close)
CDLHARAMICROSS - Harami Cross Pattern
integer = CDLHARAMICROSS(open, high, low, close)
CDLHIGHWAVE - High-Wave Candle
integer = CDLHIGHWAVE(open, high, low, close)
CDLHIKKAKE - Hikkake Pattern
integer = CDLHIKKAKE(open, high, low, close)
CDLHIKKAKEMOD - Modified Hikkake Pattern
integer = CDLHIKKAKEMOD(open, high, low, close)
CDLHOMINGPIGEON - Homing Pigeon
integer = CDLHOMINGPIGEON(open, high, low, close)
CDLIDENTICAL3CROWS - Identical Three Crows
integer = CDLIDENTICAL3CROWS(open, high, low, close)
CDLINNECK - In-Neck Pattern
integer = CDLINNECK(open, high, low, close)
CDLINVERTEDHAMMER - Inverted Hammer
integer = CDLINVERTEDHAMMER(open, high, low, close)
CDLKICKING - Kicking
integer = CDLKICKING(open, high, low, close)
CDLKICKINGBYLENGTH - Kicking - bull/bear determined by the longer marubozu
integer = CDLKICKINGBYLENGTH(open, high, low, close)
CDLLADDERBOTTOM - Ladder Bottom
integer = CDLLADDERBOTTOM(open, high, low, close)
CDLLONGLEGGEDDOJI - Long Legged Doji
integer = CDLLONGLEGGEDDOJI(open, high, low, close)
CDLLONGLINE - Long Line Candle
integer = CDLLONGLINE(open, high, low, close)
CDLMARUBOZU - Marubozu
integer = CDLMARUBOZU(open, high, low, close)
CDLMATCHINGLOW - Matching Low
integer = CDLMATCHINGLOW(open, high, low, close)
CDLMATHOLD - Mat Hold
integer = CDLMATHOLD(open, high, low, close, penetration=0)
CDLMORNINGDOJISTAR - Morning Doji Star
integer = CDLMORNINGDOJISTAR(open, high, low, close, penetration=0)
CDLMORNINGSTAR - Morning Star
integer = CDLMORNINGSTAR(open, high, low, close, penetration=0)
CDLONNECK - On-Neck Pattern
integer = CDLONNECK(open, high, low, close)
CDLPIERCING - Piercing Pattern
integer = CDLPIERCING(open, high, low, close)
CDLRICKSHAWMAN - Rickshaw Man
integer = CDLRICKSHAWMAN(open, high, low, close)
CDLRISEFALL3METHODS - Rising/Falling Three Methods
integer = CDLRISEFALL3METHODS(open, high, low, close)
CDLSEPARATINGLINES - Separating Lines
integer = CDLSEPARATINGLINES(open, high, low, close)
CDLSHOOTINGSTAR - Shooting Star
integer = CDLSHOOTINGSTAR(open, high, low, close)
CDLSHORTLINE - Short Line Candle
integer = CDLSHORTLINE(open, high, low, close)
CDLSPINNINGTOP - Spinning Top
integer = CDLSPINNINGTOP(open, high, low, close)
CDLSTALLEDPATTERN - Stalled Pattern
integer = CDLSTALLEDPATTERN(open, high, low, close)
CDLSTICKSANDWICH - Stick Sandwich
integer = CDLSTICKSANDWICH(open, high, low, close)
CDLTAKURI - Takuri (Dragonfly Doji with very long lower shadow)
integer = CDLTAKURI(open, high, low, close)
CDLTASUKIGAP - Tasuki Gap
integer = CDLTASUKIGAP(open, high, low, close)
CDLTHRUSTING - Thrusting Pattern
integer = CDLTHRUSTING(open, high, low, close)
CDLTRISTAR - Tristar Pattern
integer = CDLTRISTAR(open, high, low, close)
CDLUNIQUE3RIVER - Unique 3 River
integer = CDLUNIQUE3RIVER(open, high, low, close)
CDLUPSIDEGAP2CROWS - Upside Gap Two Crows
integer = CDLUPSIDEGAP2CROWS(open, high, low, close)
CDLXSIDEGAP3METHODS - Upside/Downside Gap Three Methods
integer = CDLXSIDEGAP3METHODS(open, high, low, close)
Documentation Index
All Function Groups


This package contains electrical components with idealized behaviour. To enable more realistic applications than it is possible with pure realistic behavior some components are improved by additional features. E.g. the switches have resistances for the open or close case which can be parametrized.
| Name | Description |
|---|---|
| IdealDiode | Ideal diode |
| IdealThyristor | Ideal thyristor |
| IdealGTOThyristor | Ideal GTO thyristor |
| IdealCommutingSwitch | Ideal commuting switch |
| IdealIntermediateSwitch | Ideal intermediate switch |
| ControlledIdealCommutingSwitch | Controlled ideal commuting switch |
| ControlledIdealIntermediateSwitch | Controlled ideal intermediate switch |
| IdealOpAmp | Ideal operational amplifier (norator-nullator pair) |
| IdealOpAmp3Pin | Ideal operational amplifier (norator-nullator pair), but 3 pins |
| IdealOpAmpLimited | Ideal operational amplifier with limitation |
| IdealizedOpAmpLimted | Idealized operational amplifier with limitation |
| IdealTransformer | Ideal transformer core with or without magnetization |
| IdealGyrator | Ideal gyrator |
| Idle | Idle branch |
| Short | Short cut branch |
| IdealOpeningSwitch | Ideal electrical opener |
| IdealClosingSwitch | Ideal electrical closer |
| ControlledIdealOpeningSwitch | Controlled ideal electrical opener |
| ControlledIdealClosingSwitch | Controlled ideal electrical closer |
| OpenerWithArc | Ideal opening switch with simple arc model |
| CloserWithArc | Ideal closing switch with simple arc model |
| ControlledOpenerWithArc | Controlled ideal electrical opener with simple arc model |
| ControlledCloserWithArc | Controlled ideal electrical closer with simple arc model |
| IdealTriac | Ideal triac, based on ideal thyristors |
| AD_Converter | Simple n-bit analog to digital converter |
| DA_Converter | Simple digital to analog converter |
Copyright © 1998-2019, Modelica Association and contributors


Preparation time
less than 30 mins
Cooking time
10 to 30 mins
Serves
Makes 4-6 flatbreads
Dietary
Flatbreads are cooked all over the world from Mexican tortillas to Indian chapatis. They are great served soft, filled with slaw or falafels, or baked until crisp and served with dips, soups or stews.
Kid’s job: Place the flour and salt in a large bowl and trickle on the water bit by bit.
Kid’s job: Mix the water and flour together. Kids can mix using one finger so that they don’t get a whole hand covered in dough. Doughy hands can be cleaned by rubbing a little more flour onto the hands over another bowl or the bin - resist the urge to wash doughy hands as you will block the drain!
Kid’s job: Add the oil and knead the dough - you are aiming for a soft dough. If it is too sticky add a little more flour, if it is too dry add a splash of water.
Kid’s job: Knead the dough for five minutes - kids can do this in the bowl or on a clean surface using one or two hands.
You can cook the breads straight away or leave the dough to stand for about half an hour. This is a good time to make a quick filling such as a grated salad or dip.
Kid’s job: Divide the dough into four balls, or six if you have a smaller frying pan.
Kid’s job: On a clean surface, roll each ball of dough one at a time using a rolling pin. If you pick up and move round the flatbread often you know it hasn’t stuck. (You may need to sprinkle a little flour on the surface but only use a little - too much will dry out the dough.) Don’t worry if they aren’t perfect circles!
Adult’s job: Heat a large frying pan. Take a sheet of kitchen paper and rub a little oil onto the surface of the pan. Cook each flatbread for about two minutes on one side - it should puff up a little.
Adult’s job: Flip the flatbread over using tongs and then cook for a couple of minutes on the other side. The flatbread should have turned lighter in colour and may have a few spots of brown.
Keep the cooked flatbreads warm, wrapped in foil or a clean tea towel, until the others are cooked.
If you want crisp flatbreads you can now rub them with a little olive oil, chop into strips or triangles with scissors and then ask an adult to bake them for 5-10 minutes, or until crisp.


{% extends "base.html" %} {% load i18n %} {% block content %}
{% trans "You know, the ones that have been sitting on our hard drives collecting dust, with perhaps a few __init__.py files and maybe a TODO. But being busy people, we're content to just promise at some point we'll make time to work on it..." %}
{% trans "This year, during the months of January and July, we're encouraging developers of all skill levels to try and work on your pet project(s) just a little each day. It's a great excuse to contribute to the communities you follow, or even dive into the language for the first time!" %}
{% trans "What you do during Julython is ultimately up to you. Been hankerin' to play with Golang, Node or Lisp? Now's your chance. Have a Django or Tornado web app you've always wanted to build? Go hog wild." %}
{% trans "We recommend you work on something open, perhaps on GitHub or Bitbucket, so that others can see your progress. Then add a webhook for your repository, and we'll track your progress next to everyone else!" %}
{% trans "Okay, just one rule." %}
{% trans "The project(s) must be open source." %}
{% trans "Fame and fortune! The goal is that you either learn something new or meet someone who is also interested in similar tools. If you share your repository or your commits with us, we will tally up points for each commit or new project you work on." %}
{% trans "Yes! But you will only get 'credit' for commits within the months of January or July. You should consider forking an existing project if you are not the owner and register that fork." %}
{% trans "We encourage everyone to team up, our goal is to have meetups organically created in cites across the country. There should be participants meeting in a coffee shop or bar near you. We'll have a way to post a meeting and location and you can search for something close by." %}
{% trans "So you think your city has the most committed programmers? Be sure to sign up to have your commits go toward your home town. We will see which cities are the most committed." %}
{% trans "Already work on some fancy web framework? Be sure to fork the project and add a webhook. At the end we will add up all the points and award them to the parent project, then we'll see how well each project ranks against others. A dance-off will decide the winners in the event of a tie." %}
HEY! Are you doing @julython ? Are a #PyLady or #PyLaddy? Join the PyLadies team!! http://t.co/TKDOXMHT0F
— Lynn Root (@roguelynn) June 24, 2013
Python? July? Everything I love together at last! http://t.co/kUJGSo9s @julython
— gun.io (@GUNdotIO) July 19, 2012
inspired by @julython to make July a big open source Python month for me, culminating in PyOhio where I'll talk about a few of the projects
— James Tauber (@jtauber) June 27, 2012
@julython has actually got me off my arse and doing some python coding. Trying to commit to 30mins a day. Is working so far. Long overdue!
— Stephen Allison (@StephenAllison7) July 8, 2012
@julython I love the site, looks great and the idea is fantastic. I'll be making sure all my friends know. Thanks for being awesome!
— Wraithan (@Wraithan) June 30, 2012
http://t.co/RpkBlgnT is a great idea. Too bad my contributions can't be tracked in an scm :(
— jessenoller (@jessenoller) June 29, 2012
python + july = julython! http://t.co/Cq7yebhh
— Hilary Mason (@hmason) June 27, 2012
. @Julython - work on pet Python projects during July, earn points, collaborate, and compete against other cities: http://t.co/kQ20gn1R
— Get Python (@getpy) June 29, 2012
{% trans "Follow @julython" %}
{% trans "Like us on Facebook" %}
{% trans "We love sharing code, visit our github organization." %}


The run-time Resource Manager assigns tasks (actions) to Actors. An actor advertises the roles it can perform when it "checks-in" with the Resource Manager. When a running job invokes an action statement, the Resource Manager finds an available actor that can perform the role.
Actors are assumed to be single-threaded and will only be assigned to one task at a time. The Resource Manager tracks which actors are busy versus which are available.


I have spent the last decade focused on design-led innovation, product development, storytelling, and business strategy.
Merging the best of corporate innovation and startup tools with a deep understanding of human-centered research and design, I work with my clients to launch, grow, and scale their businesses in ways that anticipate their customers' needs. Strategies often include new products and customer touchpoints, improved brand storytelling, and creative go-to-market approaches.
{{ service.text }}
Thanks for your message, I'll be in touch shortly!
{%- endif -%}


GO NOW
Reviewed by Harvey Karten, Ph.D. Gramercy Pictures/PolyGram Director: Michael Winterbottom Writer: Paul Henry Powell, Jimmy McGovern Cast: Robert Carlyle, Juliet Aubrey
The British have a way with working class comedies, with Pater Cattaneo's "The Full Monty" getting the big Oscar nomination along with movies far more titanic. With "Go Now," Michael Winterbottom--whose "Welcome to Sarajevo" was one of last year's trenchant dramas of the tragedies of war--displays his skill at evoking humor out of the most wrenching circumstances. "Go Now," named for one of the songs on its notable soundtrack, deals with the dread disease of multiple sclerosis but does not succumb to the banal disease-of-the-week format. Nor does it separate its humorous sections from its tragic aspects. Based on scripter Paul Henry Powell's actual experience with the malady, "Go Now" certainly has its somber moments, but humor informs even the most melancholy viewpoints so effectively and in such good taste that the movie does not dampen audience mood nor does it mock the obviously serious implications of the condition. Anyone in the audience who has ever had his or her happy life muffled by the sudden onslaught of debilitating illness will relate strongly to this slice of an athlete's vicissitudes.
This is not to say that Mr. Winterbottom's vision is fully realized. The film's repetitiveness is distracting, particularly in exhibiting a soccer coach's diatribes to a frequently inept team and one character's insistence on feeding the same, self-defeating line to women he is trying to bed. For those in the audience not born into the working classes of Britain's hinterlands, subtitles would have been welcome.
"Go Now" spends considerable time developing the milieu of working-class society in Bristol, England, focusing on the Scottish-born Nick Cameron (Robert Carlyle) and his relationship with his peers on the soccer field and with a woman, Karen Walker (Juliet Aubrey) whom he has begun dating and who has moved in with him. He has a satisfying life as a plasterer during the week, kicking a football in weekend competitions and taking the jibes of his teammates, particularly those of his best pal Tony (James Nesbitt). When he begins seeing double and has trouble holding on to the tools of his trade because of increasing numbness, he visits a doctor and is given glasses. Behind the scenes, however, the physician tells his girl friend that Nick may have MS which, we learn, sometimes spreads almost imperceptibly, sometimes with paralyzing rapidity. Unfortunately for Nick, his case progresses rapidly so that toward the movie's conclusion, he is using two canes to walk and can no longer work with his hands.
Though Karen is supportive, Nick predictably is irritated from his infirmity and takes his problems out on her, insisting that she leave him and find a better life elsewhere. Though Karen is pushed temporarily into the arms of her boss, she is too much in love with Nick ultimately to betray him.
As with his "Welcome to Sarajevo," Winterbottom does best when he satirizes institutions of society. Here, the director takes pot shots at Britain's socialized medicine to great effect. The first doctor Nick sees refuses to tell him the dread diagnosis, and as a result Nick gets into a minor accident with his car and delays further treatment unnecessarily. Worse, one of the doctors eats a sandwich while speaking with him of the illness, tells him his records got lost, and orders him not to report back for further testing for four weeks.
The sexual activity between Nick and Karen is as graphic as it is great to see, giving new resonance to the term "working stiff." The director also includes several panoramas of the winter bottoms of the men taking their hot showers.
The chemistry between Carlyle and Aubrey is palpable, Juliet Aubrey demonstrating the necessary working-class roughness while Carlyle persuasively defines Nick's increasing vulnerability. The bonhomie of Nick's circle is also portrayed well, his teammates shifting between continuing to treat Nick as one of the guys and showing pity for the young man. Neither as wrenching as Winterbottom's "Jude the Obscure" nor as realistic as his more recent "Welcome to Sarajevo," "Go Now" makes for involving theater with its dramatic portrayal of some of Britain's little people, Not Rated. Running Time: 88 minutes. (C) 1998 Harvey Karten
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


--- layout: post title: '' date: 2012-09-06 16:40:59.000000000 -05:00 type: post published: true status: publish categories: - Ruby on Rails tags: [] meta: post_id: '33' blog_id: '12826470' is_reblog: '1' author: login: broberts65 email<EMAIL_ADDRESS>display_name: Bob Roberts first_name: '' last_name: '' ---
Really nice post on TDD


# Strapdown Strapdown makes it embarrassingly simple to create elegant Markdown documents. **No server-side compilation required.** Use it to quickly document your projects, create tutorials, home pages, etc. Strapdown is also available as a jQuery plugin to easily add it to your existing pages. (For example, the page you are reading was generated by Strapdown). **Simply copy the HTML template below and drop it on any static file server** ```html
Hello Strapdown
# Markdown text goes in here ## Chapter 1 Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. ## Chapter 2 Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.
``` # Features + Search-engine friendly + Github-flavored Markdown (tables, syntax highlighting, etc) + Themeable + Automatic table of contents + Available as a jQuery plugin for more control ## Table of content For bigger documents, having a table of contents can greatly help with navigation. Just add the attribute `toc` to the `xmp` tag, and watch the magic! ### Options Here are the current options you can change from the html tag: - **toc-top-link** - includes a link to navigate back to the top of the page in the table of content. By default, it's named "Back to top",but you can change that label by passing a value to the attribute. ## Self-hosting For convenience the library is hosted at `yieme.github.io` (as in the source above), but if you prefer to host it yourself make sure to save all files contained in `/v/
`, as the library dynamically loads all necessary stylesheets, etc. ## jQuery plugin - **$(element).strapdown(options)** - Runs Strapdown on the given element. If **element** is `document` or `body`, Strapdown is going to look for a `xmp` or `textarea` tag in the document. Else, the provided element's content is going to be used. The element's content will be parsed as markdown. **options** is an object used to configure the run. The following properties are used: ``` { importCss: BOOLEAN, /* if truthy, strapdown's css file will be imported (looking at the same path * as the imported js.) (Default: false)*/ dest: STRING, /* Selector of the tag whose content is to be remplaced by the parsed markdown. * If there is no corresponding tag, the element used as source will be * replaced.*/ navbar: { /* Set falsy to disable navbar generation (Defaults: false)*/ title: STRING /* Used as brand name on the navbar. If absent, the content of the title tag * will be used.*/ }, toc: { /* Set falsy to disable toc generation (Defaults: false)*/ disabled: BOOLEAN /* Set truthy to disable toc generation (Defaults: undefined) */ dest: STRING, /* Selector of the tag whose content is to be replaced by the table of content. * When the navbar is generated, a `.toc` element will be used by default.*/ topLink: STRING|BOOLEAN, /* If false, no link will be generated. If true, the label will be * 'Back to top'. Else, the provided value will be used as label.*/ scrollspy: BOOLEAN /* If true, a twbs scrollspy will be added on body, using toc.dest as target*/ scrollspyOffset: NUMBER, /* Number of pixels to offset the scrollspy. (passed to the twbs scrollspy * options as the offset attribute.)*/ }, } ``` Some options can also be set directly on the **element** as HTML attributes. They will be overriden by the **options** object provided to the function. The supported attributes are: - **toc** - enables the generation of the table of contents. - **toc-top-link** - includes a link to navigate back to the top of the page in the table of content. By default, it's named "Back to top",but you can change that label by passing a value to the attribute. - **$(element).strapdown('toc', options)** - Creates a table of content for the given element. **element** and options are exactly the same as for the first method. ## Limitations It's an unlikely scenario, but since Strapdown uses the `
` tag to wrap your Markdown (so that users don't have to escape special HTML characters), your text can't contain the string `
`. There is currently no way to force the table of content to use user-specified ids. The ids used are currently obtained by replacing whitespace and special characters in the title by '-'. You still can put your own anchors and link to them: ``` ##
My Title ``` # Downloads, sources and other demos + [Live Demo](http://yie.me/strapdown) + [Sources on GitHub](https://github.com/yieme/strapdown) + Demos - [Syntax examples](demos/markdown_syntax.html). Look at the source to see the syntax used. - [Bigger example for the table of contents](demos/toc_demo.html) - [Usage as a jQuery plugin](demos/plugin_demo.html) # Credits All credit goes to the projects below that make up most of Strapdown.js: + [Strapdown](http://strapdownjs.com) - Original strapdown by [r2r](http://twitter.com/r2r) + [Marked](https://github.com/chjj/marked/) - Fast Markdown parser in JavaScript + [Google Code Prettify](http://code.google.com/p/google-code-prettify/) - Syntax highlighting in JavaScript + [jQuery](http://jquery.com) - Changes the way you write Javascript + [Twitter Bootstrap](http://getbootstrap.com/) - Beautiful, responsive CSS framework + [Bootswatch](http://bootswatch.com) - Additional Bootstrap themes + [Github Ribbon](https://codepo8.github.io/css-fork-on-github-ribbon/)
Fork me on GitHub


--- layout: default title: Reform permalink: /reform/ meta_content: |
The Empowering Citizens Act is federal public financing legislation modeled on New York City’s small donor matching fund program. It aims to amplify the voices of small donors in congressional and presidential elections by matching contributions up to $250 with public funds at a 5-1 ratio. The legislation encourages candidates to run grassroots-oriented campaigns by cutting contribution limits in half for candidates who choose to accept public funding.
Match contributions up to $250 with public funds at a 5-1 ratio for qualified presidential and congressional candidates who accept donor contribution limits,Value-adjusted for inflation,Qualifying House candidates must raise $40,000 from at least 400 in-state individual donors, counting only the first $250 of a contribution from a single donor,Qualifying Senate candidates must raise the same amount as a House candidate multiplied by the number of congressional districts in the Senate candidate’s state,Citizen funding matching payments are limited to $2million for representatives and $10million for senators,Candidates eligible if they agree to accept only contributions from small donors (giving $1000 or less a year), to limit personal expenditures to $50,000 per election, to not accept bundled payments, and to not fundraise for any political party or committee,Excludes contributions from out-of-state residents,Repeal public financing of party conventions


--- layout: archive title: Zulip Chat Archive permalink: /stream/113488-general/topic/Limits.20in.20the.20stdlib.html ---
Which, if any, of these results on limits are already available in the standard library?
0.99 ... 9 = 1
p > 0
, 1 / n^p
converges to 0 as n approaches infinityanalysis/specific_limits.lean
is the place to look
But I only see stuff about geometric sums there, so your second two questions aren't answered.
The last one easily follows from 1/n
tends to zero and continuity of rpow, both facts are in the library
Thanks for the pointer and replies, I was trying to determine whether they would be suitable as beginner-level exercises on an online platform
So I suppose the last one is hardly an interesting exercise even for a beginner?
The second one I guess you want log n / n
tends to zero. I'm not sure if that's in the library.
I think all 3 are good exercises!
Thanks for the encouragement, I will make a note to author these exercises then, once I get better with Lean :smile: It would also be interesting to see solvers familiar with the stdlib solving it in like one to two lines
There only appears to be one appearance of the regex tendsto.*log
in mathlib, proving log goes to 0 near 1.
Ah, but we do have lemma tendsto_pow_mul_exp_neg_at_top_nhds_0 (n : ℕ) : tendsto (λx, x^n * exp (-x)) at_top (𝓝 0) :=
which should get you most of the way there.
Last updated: Apr 24 2020 at 19:02 UTC


AEQUOS
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Liverpool told to complete stunning Chelsea transfer after beating Aston Villa
Latest Aston Villa news | Jurgen Klopp's side beat AVFC on Saturday but pundit thinks there is still room for improvement
by Shane Ireland, https://www.facebook.com/ShaneIrelandJournalistJurgen Klopp has been told Chelsea midfielder N’Golo Kante is one of the ‘final pieces’ in his Liverpool jigsaw.
The Reds extended their lead at the top of the Premier League to six points with a 2-1 win over Aston Villa on Saturday.
Villa went ahead through Trezeguet before Liverpool hit back with two late goals, courtesy of Andy Robertson and Sadio Mane, to steal all three points.
They are now six points clear of Manchester City but former Anfield midfielder Jason McAteer reckons there is still room for improvement.
Liverpool fans were purring over John McGinn on social media but according to McAteer, iKante is the ideal target for his ex-employers to pursue having impressed for Chelsea since joining the club from Leicester City three years ago.
Aston Villa latest
This is your round up of all things Villa; the one-stop shop that will keep you updated on the latest goings on at the club and beyond.
Transfers, injuries, match-days and managers, we’ve got you covered.
We’ll be bringing the very latest on the Villains throughout the week and around the clock.
Make sure you keep yourself updated with our handy daily catch up...
Must reads...
- Dean Smith's verdict on a cruel defeat - READ
- Why it's no longer just the Jack Grealish show - READ
- The fans verdict on heartache at Villa Park - READ
- How brave Villa rated against Liverpool - READ
- This Reds view will frustrate Villa fans - READ
For all your latest AVFC news, opinion, analysis and transfer gossip, click here
You can follow our Villa reporter Ashley Preece on Twitter, and his email address is<EMAIL_ADDRESS>McAteer told the Racing Post: “Kante is definitely one of the final pieces in Jurgen Klopp's jigsaw.
“The role of the holding midfielder has developed in modern times and Liverpool boast one of the best in the business in Fabinho.
“He took time to settle at Anfield but was taken out of the team and given time on the training ground and has now slotted back in seamlessly.
“He just gets it, gives it and doesn't do anything flamboyant, though it took him a while to learn the role. And that's exactly what he's doing. His awareness of danger is fantastic.
“He and N'Golo Kante at Chelsea are the two best players in the Premier League playing that role.”


Tuscany Villa
Overview
Write some HTML and CSS, using bootstrap to make a responsive site, given some mockups from a designer.
Due
This project is due Monday, 11/7/2016, at 9:30 AM. Submission Link
Tasks
Required Tasks
- Yak Shaving
- Create a project/repository called
tuscany-villa
- Create a README.md file explaining what this project will involve
- Create a project/repository called
- HTML
- Create the base HTML in a file called
index.html
- Use semantic elements where appropriate
- Create the base HTML in a file called
- Bootstrap
- Use existing bootstrap classes to develop the mobile version first
- Ensure that the layout is responsive - test it in different views
- Address
xs
,sm
,md
, andlg
sizes as shown in the mockups
- Custom CSS
- Add a custom stylesheet to incorporate more features
Stretch Tasks
- Explore using
:hover
and CSS transitions to make the site more dynamic
Details
You are working as a front-end developer at a marketing agency. The design team has created a new layout for a client's web site. Their previous website was done several years back, and was not responsive. Not only do they want an attractive site featuring homes, but they want to ensure it is usable on all screen sizes.
Below, find the mockups from the design team. They have given us a good amount to work with.
To get the colors right, either choose an online color picker, or download a program (like Gimp) that allows you to choose colors from a picture and tells you their hex values.
The designers didn't specify fonts for us, but want us to get as close as we can to their design images. They want to use free fonts, so you thought you could help the team save money by using Google Fonts.
You are pretty sure these can be included on web pages pretty easily. Also, they are open source / free to use, plus since many sites use Google fonts, some users may already have these cached on their computers, making the page ultimately faster to load than if using a completely custom font.
Stretch Tasks
Once you've got the basic layout implemented and responsive, it's time to add some pizzazz. Find some images of homes, bring them in, and experiment using different CSS techniques to accentuate boxes when the mouse is over them, and/or look into using transitions to make them smoothly animated!
Hints
Start with the structure, then start to look at the style. Before getting too caught up in getting everything pixel perfect, look at how the layout is going to fit into Bootstrap's grid system, and determine what class(es) you need to use to get it there for the different screen sizes.
Check out the Bootstrap components list for ideas of things to simply drop into your HTML, along with the Bootstrap CSS for some more examples of how to use the grid system.


Navigating through your mindmaps
Scrolling
You can scroll the map:
- By using the standard scroll bars.
- By clicking on the background and dragging it.
- By using mouse wheel. (To scroll horizontally, hold
shift or one of the mouse buttons.)
Zooming
Change the zoom from the toolbar, or zoom in / out from
the Edit menu.
As of version 0.7 you can change the zoom by holding down
the control key and moving the mouse wheel.
Reordering nodes
Move nodes up and down within a group of siblings (same
level) by using Ctrl+Up Arrow or Ctrl+Down Arrow.
Following links
You can follow a link by simply clicking the node.
On a node with a link and children:
- Clicking at the left side opens the link
- Clinking at the right side folds or unfolds the tree.
Fast switching among maps
There are several ways to switch from one opened map to
another:
- Right-click on an empty area of the background and pick
the map name.
- Use the toolbar arrows for previous map and next map.
- Use the Maps menu.
- Use the Edit menu, and choose Previous Map or Next Map.
- Use Ctrl+Left Arrow or Ctrl+Right Arrow.


Enterprise Application, the Direction
Buy vs. Build Dilemma
[1] Today, more and more managers face the task of implementing software solutions to solve operational challenges involving quality, business process improvement, compliance, data management, customer service and more. Typically, the choice boils down to selecting between off-the-shelf packaged software systems or developing custom software. It is not an easy decision, and it is one the company will live with for years to come.
[2] Let’s step back a moment to look at the issues involved. Consider the following (simplified) diagram:
As shown above, this low-to-high customization axis usually correlates directly to three other aspects: cost, suitability, and time to deployment. If you truly have a choice there’s a very useful rule of thumb that’s based on your business situation:
- Buy if the system is a fundamental requirement of doing business.
- Build if the system will give you an advantage over your competitors.
The World and Business is Changing
[3] Virtually every industry has been experiencing rapid, massive, and sometimes devastating change over the last couple years.
Just look at what Airbnb has done to the hospitality industry. Or what Uber and Lyft have done to the transportation industry. How Spotify prompted Apple Music to advance their iTunes platform—which was itself a profound innovation to the music industry.
This requires enterprise applications to be flexible, which means you can pivot when needed, and you can adapt on the fly to this fast changing world. Competitiveness is getting more and more important over the fundamental requirement of doing business - it becomes a matter of live or die. In many cases, you are out of the "Buy" choice in the "Buy vs. Build Dilemma".
Technology Innovation is the Rescue
We have more and more requirements to build custom applications to support our business. We need to move our enterprise applications from heavyweight to lightweight and agile, with greatly reduced cost and time to deployment. Enterprise applications should be:
- Rapid development - direct cost and time to deployment
- Easy refactoring and changing - suitability of software to customer needs
These are the design goals of RDO.Net.
The Challenges
For decades, the following challenges exist in enterprise application development, or more broadly speaking, in computer science:
- Object-Relational Mapping (ORM, O/RM, and O/R mapping tool), as the core of enterprise applications, is still The Vietnam of Computer Science. Particularly, these difficulties are referred to as the object-relational impedance mismatch.
- Database testing, still stays on principles and guidelines. No widely practical use yet. Refactoring or changing an enterprise application is time consuming and error prone.
- Existing data presentation solutions are far from ideal. Taking MVVM for example: it can be overkill for simple UI; in bigger cases, it can be hard to design the ViewModel up front in order to get the right amount of generality. Refactoring or changing data presentation code is time consuming and error prone.


Lady Antebellum And Halsey Deliver Powerful Genre-Bending Mashup At CMA Awards
by Katie ColleyHalsey has made her mark on the CMA Awards stage.

The medley began with Lady Antebellum’s sombre ballad as Charles Kelley and Hillary Scott delivered the powerful first verse while Halsey’s stunning vocals joined in the second. All their voices united in the chorus before transitioning into “Graveyard”.
Social media could not get enough of the mashup, with many hoping they’ll record a single together.
This collaboration was one of many during Wednesday’s CMA Awards. The show opened with an all-star tribute to the women of country music, while Brooks & Dunn teamed up with Brothers Osborne for “Hard Workin’ Man”, in addition to Pink and Chris Stapleton teaming up for their single “Love Me Anyway”.
“What If I Never Get Over You” is the lead single off the multi-platinum trio’s upcoming eighth studio album Ocean, due for release on Nov. 15.


Introduction to Java Programming, Includes Data Structures, Eleventh Edition,
Y. Daniel Liang
This quiz is for students to practice. A large number of additional quiz questions is available for instructors from the Instructor's Resource Website.
Chapter 27 Hashing
Section 27.2 What Is Hashing?
27.1
A hashing function __________.
A.
stores an element in the hash table
B.
maps a key to an index in the hash table
27.2
If each key is mapped to a different index in the hash table, it is called _______.
A.
normal hashing
B.
perfect hashing
27.3
A collision occurs _____________.
A.
when two or more keys are mapped to the same hash value.
B.
when two elements have the same key value.
C.
when two elements are mapped to the same key.
Section 27.3 Hash Functions and Hash Codes
27.4
Every object has the hashCode() method.
A.
True
B.
False
27.5
What is the return type value for the hashCode() method?
A.
byte
B.
short
C.
int
D.
long
27.6
True or False? Two objects have the same hash codes if they are equal.
A.
True
B.
False
27.7
True or False? Two objects are equal if they are equal.
A.
True
B.
False
27.8
For an Integer object with value 20, what is its hashCode?
A.
10
B.
20
C.
30
D.
40
27.9
If two strings are equal, the two strings have the same hashCodes.
A.
True
B.
False
27.10
True or False? Assume N and hashCode are positive and N is an integer of power of 2, hashCode % N is the same as hashCode & (N - 1).
A.
True
B.
False
27.11
1 & 3 is _________.
A.
0
B.
1
C.
2
D.
3
27.12
1 << 2 is _________.
A.
2
B.
3
C.
4
D.
5
Section 27.4 Handling Collision Using Open Addressing
27.13
When a collision occurs during the insertion of an entry to a hash table, ______ finds the next available location sequentially.
A.
linear probing
B.
quadratic probing
C.
double hashing.
Section 27.5 Handling Collision Using Separate Chaining
27.14
_____________ is to find an open location in the hash table in the event of collision.
A.
Open addressing
B.
Separate chaining
27.15
The __________ places all entries with the same hash index into the same location, rather than finding new locations.
A.
open addressing scheme
B.
separate chaining scheme
Section 27.6 Load Factor and Rehashing
27.16
_______ measures how full the hash table is.
A.
Load factor
B.
Threshold


My name is Simon Keefe and I am the Front‑End Web Developer at Australian Rugby Union in Sydney. I work with a great team to build a wide range of web‑based solutions for local club rugby all the way up to our national teams. It is awesome being able to use my skillset in an organisation I am passionate about.
My primary task involves working on Rugby.com.au to improve usability and ultimately increase traffic. I work closely with the Digital Media Director, assessing potential future enhancements and their priority. I am then responsible for the Front-End Development tasks in the sprint, working with a Backend Developer until the updates are deployed. I really enjoy my role as it gives me a great opportunity to gain experience making UX and IA descions in a high traffic site, whilst also continuing to build my technical skillset.
In addition, my role involves providing technical support for ARU's other sites, working with various sectors of the organisation to build and refine our digital presence.
Prior to my current role I was the Senior Front-End Developer at Cornerstone Digital. I really enjoyed my time here working with the team to create high quality web solutions for our clients.
Offline my wife and I are quickly learning how much energy is required to look after two children under two! It is exciting, and at times, taxing! We live in Sydney, spend a lot of time with friends and family and support the Wallabies!


1
We make our cookies from scratch on a daily basis. We strive hard for our customers and only use the freshest ingredients. We use our signiture cookie cutters to bring our legendary cookies to life and to your plate.
2
Our cookies come in so many differnt flavors. From our newest flavor lemon cherry to our classic salmon peacon. We also try to keep new flavors coming so be sure to let us know if you like a new one.
3
Be sure to ask us about our apparrel. From tee shirts and beanies to hats and necklaces we have it all. Sizes very from small, medium, and large. If for any reason we are out of something you would like we would be happy to send it you when they are back in stock.


AgastFeatureDetector Wrapping class for feature detection using the AGAST method.
Detects corners using the AGAST algorithm by [mair2010].
References:
[mair2010]:
E. Mair, G. D. Hager, D. Burschka, M. Suppa, and G. Hirzinger.
"Adaptive and generic corner detection based on the accelerated segment test".
In "European Conference on Computer Vision (ECCV'10)", Sept 2010.
(http://www6.in.tum.de/Main/ResearchAgast)
|
|
addlistener |
Add listener for event. |
|
|
clear |
Clears the algorithm state |
|
|
delete |
Destructor |
|
|
detect |
Detects keypoints in an image or image set. |
|
|
empty |
Checks if detector object is empty. |
|
|
eq |
== (EQ) Test handle equality. |
|
|
findobj |
Find objects matching specified conditions. |
|
|
findprop |
Find property of MATLAB handle object. |
|
|
ge |
>= (GE) Greater than or equal relation for handles. |
|
|
getDefaultName |
Returns the algorithm string identifier |
|
|
gt |
> (GT) Greater than relation for handles. |
| Sealed
|
isvalid |
Test handle validity. |
|
|
le |
<= (LE) Less than or equal relation for handles. |
|
|
load |
Loads algorithm from a file or a string |
|
|
lt |
< (LT) Less than relation for handles. |
|
|
ne |
~= (NE) Not equal relation for handles. |
|
|
notify |
Notify listeners of event. |
|
|
save |
Saves the algorithm parameters to a file |
|
|
typeid |
Name of the C++ type (RTTI) |


General:
- Buildings: None
- Departments: None
- Categories: None
- Sites: None
- Jamf Users: LDAP Servers, Jamf Groups, Sites
- Jamf Groups: LDAP Servers, Sites
- Network Segments: File Shares, Netboot Servers, Buildings, Departments
- LDAP Servers: None
- User Extension Attributes: None
- Users: User Extension Attributes, Photo (cleared)
- Advanced User Searches: User Extension Attributes
- Smart User Groups: Sites, User Extension Attributes, Users (cleared)
- Static User Groups: Sites, Users
macOS:
- Computers: Users, File Shares, Netboot Servers, Software Update Servers, Sites, location attributes (cleared), peripherals, Extension Attributes, Computer Group Membership (cleared), iphones (cleared), configuration profiles (cleared)
- Computer Configurations: Scripts, Printers, Packages, Bindings, parent configuration (if a smart config)
- Configuration Profiles: Sites, Categories, Computers, Buildings, Departments, Computer Groups, Jamf Users, Users, User Groups, Network Segments, iBeacons
- Policies: Categories, Network Segments, iBeacons, Distribution Points, Software Update Servers, Netboot Servers, Sites, Buildings, Departments, Users, User Groups, Computers, Computer Groups, Self Service Icon (cleared), Packages, Scripts, Printers, Dock Items, Directory Bindings
- Advanced Computer Searches: Extension Attributes, Sites, Computers (cleared)
- Scripts: Categories
- Smart Computer Groups: Sites, Extension Attributes, Computers (cleared)
- Static Computer Groups: Sites, Computers
- Directory Bindings: None
- Extension Attributes: None
- Packages: Categories
- Printers: Categories
- Dock Items: None
- Netboot Servers: None
- Software Update Servers (SUS): None
- File Shares (AFP/SMB): Failover Distribution Point
iOS:
- iOS Devices: Sites, Username, Department, Building, Extension Attributes, Mobile Device Groups (cleared), Configuration Profiles (cleared)
- Configuration Profiles: Sites, Categories, Scope is cleared which includes: mobile devices, buildings, departments, jss users, jss user groups, network segments, ibeacons
- Advanced iOS Searches: Sites, Extension Attributes, Mobile Devices (cleared)
- Extension Attributes: None
- Smart Groups: Sites, Extension Attributes, Mobile Devices (cleared)
- Static Groups: Sites, Mobile Devices
Some attributes are cleared during migration either because the attribute is not accesible through the API, photos of users for example, or the attribute is repopulated during a recon, like smart goup membership.
back to help


This is a web based application where you can post your favorite quote and have others either upvote, downvote or delete your quote.
Welcome to inspirational World.
Be inspired before you expire.
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Last Name
First Name
Address
17 Hristo Botev Str. floor 3, apt. 12
City
State
Zip/Postal Codes
Country
Bulgaria
USA
Russia
Spain
England
Phone(country code,area code, number)
(+
)
-
E-mail
Birth date
Month
Day
Year(4 digit)
Gender
Male
Female
Starting date
Spring 2006
Summer 2006
Comments/Questions
Please send me more information about the lodging.


Many Linux software depends on the sendmail
program to send mail.
We have good experience with the sSMTP application. It provides a sendmail
implementation which sends the mail directly to an SMTP server.
To install sSMTP on Ubuntu:
sudo apt-get install ssmtp
Edit its main configuration file:
sudoedit /etc/ssmtp/ssmtp.conf
Set sSMTP to send mail to the Message Submission port of Mireka. For example:
mailhub=mail.example.com:587
You may also want to set other properties and edit the other configuration file, /etc/ssmtp/revaliases
.
If sSMTP is on a different host than Mireka, then set Mireka to allow message submission from the sSMTP host. See Authenticate by IP address.


Class SubscriberActions
Class SubscriberActions.
The SubscriberActions contains all the action for Subscribers API available in CachetHQ
Methods summary
public
|
|
public
|
|
public
array|boolean
|
#
cacheSubscribers( integer $num = 1000, integer $page = 1 )
Cache Subscribers for performance improvement. |
public
array|boolean
|
|
public
mixed
|
#
searchSubscribers( string $search, string $by, integer $limit = 1, integer $num = 1000, integer $page = 1 )
Search if a defined number of Subscribers exists. |
public
boolean
|
|
public
boolean
|