LE SAMOURAI (1967) (THE GODSON) (1967) A Film Review Copyright Dragan Antulov 2001
Recent flood of serial killer films from Hollywood might tell otherwise, but the most fascinating category of movie criminals is the professional assassins. This becomes evident when the said assassins are the movie protagonists. Filmmakers are often struggling to reconcile the morally objectionable nature of the said profession - taking of human lives in cold blood - and the almost mystical skills that allow the assassins to remain professionals in the first place. So, it's not very surprising that many films end up mystifying and glamorising this immoral trade, turning the hitmen as the incarnation of the "cool". For some, 1980s Hong Kong action films started the trend, but their inspiration came in the form of a film from another time and another place - LE SAMOURAI, 1967 ultra-stylish crime drama by great French director Jean-Pierre Melville.
The protagonist of the film is Jef Costello (played by Alain Delon), hitman who is hired to kill Parisian nightclub owner. Jef has never been caught, and this is due to his methodical approach to the job - the contracts are always arranged through intermediaries, the weapons and means of transportation are always disposable, the hits are well-planned while his girlfriend Jane Lagrange (played by Nathalie Delon, Alain Delon's wife at the time) and couple of underworld associates always provide nearly perfect alibis. The plan unfolds almost flawlessly, except in the moment when the lady pianist (played by Cathy Rosier) happens to spot Jef immediately after the murder. Jef is afterwards picked by the police among dozens of potential suspects and quickly becomes the focus of attention of the Police Superintendent (played by Fran‡ois P‚rier). The pianist, however, for some strange reason fails to recognise Jef and he gets released, only to become the target of the assassination attempt himself. Jef, realising that the people who ordered the hit are restless and want to silence him, wants to find them and the pianist seem to be the key to the mystery. In the meantime, he must evade police, determined to find any excuse to put him back to jail.
At first glance, LE SAMOURAI looks like a film that in many ways glamorises the profession of contract killer. Young and charismatic Alain Delon with his fedora and overcoat looks a predecessor of Chow Yun-Fat and other "cool" hitmen we have seen in past few decades. But this impression is only superficial. All those who allow themselves to be drawn in the world of LE SAMOURAI would find that the film shows the other side of the coin. The nature of the profession, with the constant risk of capture by police or betrayal by criminal associates, leads to distrust and constant paranoia, and, in the end, the said individuals might look glamorous, but inside they are lonely, emotionally crippled and unhappy. All that can fill this emptiness is the job itself, and the missing emotional links to other humans are compensated with the perverted professional code, in some way similar to Bushido (which Melville deliberately misquotes in the opening scene of the film). This impression could be read through the face of Alain Delon who never smiles thought the whole course of the film, and whose stone face hardly displays any emotion at all. The cold, grey interior sets of his character's home, as well as rain and cloudy sky over Paris creates the atmosphere that enhances this effect.
Melville, stripped the story to the bone, in a same way he did it with the title character. The other characters, even those who are important to the story, are one-dimensional, but this actually suits the purposes of this ascetic film. There are few exceptions to this. One is the character of Police Superintendent (superbly played by Fran‡ois P‚rier), whose determination to bring Jef down leads him to occasional emotional outbursts, as well as use of blackmail. The other is character of Jane Lagrange, who allows herself some genuine feelings for Jef and, consequently, protects him against her better judgement. Although both of them hardly display strong emotions under Melville's minimalist style, those emotions are there, providing strong contrast with Jef and his cold, sad existence.
The direction of the film, however, isn't as perfect as this movie's almost legendary status would indicate. There are some memorable scenes - the hit, police line-up, Jef's cat and mouse game with police detectives in Parisian Metro, and the great finale - but LE SAMOURAI, while being a truly great film, is far from masterpiece. The main reason is in the pace, which is at times unbearably slow, even for those viewers accustomed to pre-MTV standards. There are some scenes that seem overlong (especially the one featuring two police detectives planting listening devices in Jef's apartment), and because of them LE SAMOURAI sometimes looks like a cure for insomnia. However, apart from those scenes, LE SAMOURAI, with great acting, superb settings, simple and effective story, remains one of the better examples of genre cinema and it should be recommended even to viewers who aren't interested in finding sources of John Woo's and Quentin Tarantino's inspiration.
RATING: 8/10 (+++)
Review written on August 16th 2001
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1. Introduction
This specification provides features to control sizes of CSS objects according to the rules desired by use cases.
Controlling sizes of CSS objects to be multiple of a unit is desired in many cases. This level of the specification focuses on following cases.
-
Adjust heights of block-level boxes to multiples of the specified length.
-
Adjust heights of line boxes to multiples of the specified length.
By stacking blocks at multiples, authors can align content across columns, pages, scroll-snapped bocks or multiple blocks placed absolutely to maintain vertical rhythm.
Also by controlling heights of line boxes, lines of text in different fonts can create consistent visuals to help readability.
1.1. East Asian Casual Vertical Rhythms
In East Asia, a casual variant of vertical rhythm is widely used.
Vertical rhythm is typically used in professional typography. While it improves readability, its spacing constraints require careful and well-thought design of spaces.
The East Asian casual variant was originally a product of technical constraints of traditional word processors in '80s. But when the technical constraints were lifted in more modern technologies, with the help of square-like visual of ideographic characters, East Asian authors preferred to keep parts of the characteristics.
In this variant of vertical rhythm, the requirement is loosened for the ease of use for non-professional authors. Text is still on the rhythm, so that the majority of ideographic characters are mostly on grid, but when author specifies borders, margins, or some other objects that may break the rhythm, the rhythm is shifted rather than forced. The strict vertical rhythm often surprises non-professional authors by forced jumps in such cases, while this variant combines rhythm on text and the ease of use for non-professional authors.
This variant was very widely accepted in East Asia since the middle of '90s, such that most major word processors used in East Asia provided similar features by default.
In East Asian publishing typography, the vertical rhythm is one of important properties, but its priority compared to other properties varies by types of documents. In single column documents, the priority is weaker than that of multi-column documents. Text should be on the vertical rhythm, but it is often preferred for borders, margins, or other properties to win over the rhythm. In such cases, the rhythm is shifted, similar to the casual variant.
In this specification, when the line-height-step property is used without combination of the block-step property or the line-grid property, it produces the similar effect as the East Asian casual vertical rhythm.
It may also serve good for East Asian publishing typography, depends on the desired strength of the vertical rhythm.
For other cases of vertical rhythm, it is expected that the block-step property or the line-grid property are used, or that the line-height-step property is used together with them.
2. Adjusting Block-level Box Heights
The most common typographic rhythm problems are block-level intrusions: when continuous paragraph-level text is interrupted by differently-sized content such as illustrations and headings, then the line-to-line rhythm can be thrown off. The block step properties allow such elements to be fitted to the rhythmic interval by constraining their height to a multiple of a specified step size. This allows content before and after the interruption to maintain a continuous rhythm.
While consistent use of the block step properties can produce the strictly gridded layout needed for parallel content flows, per-element specification of the step size also allows some interruptions to take their natural size in the flow, restarting the vertical rhythm afterwards. This can be useful in single-column layouts where the vertical rhythm is important to maintain visual continuity, but there is nothing alongside to align to. In these casese, large interruptions which visually disconnect the flow before and after can prioritize optimal spacing around the item over strict adherence to a continouous grid (by specifying block-step: none, the initial value).
This proposal can be simplified down to just the block-step-size property, represented solely through its shortened form as block-step. This level will likely at most contain block-step-size and block-step-insert, leaving block-step-align and block-step-round to be added if the future demands. The full design is described herein for current discussion and future reference.
This proposal is currently defined to apply only to block-level boxes. This limitation is solely to simplify the first iteration; it should eventually be extended to all layout modes that honor specified heights.
2.1. Specifying the Step Size: the block-step-size property
| Name: | block-step-size |
|---|---|
| Value: | none | <length> |
| Initial: | none |
| Applies to: | block-level boxes |
| Inherited: | no |
| Percentages: | N/A |
| Computed value: | specified keyword or absolute length |
| Canonical order: | per grammar |
| Animatable: | ??? |
| Animation type: | by computed value type |
This property defines the step unit for a block-level box’s block size. When the step unit is set to a positive <length>, the box’s outer height is rounded (see block-step-round) to the closest multiple of the unit. Negative <length> values are invalid.
Values other than none cause the box to establish an independent formatting context.
In situations where margins collapse, only the box’s own margin is considered in calculating its outer size.
When a box fragments, step sizing is applied per fragment.
2.2. Specifying the Spacing Type: the block-step-insert property
| Name: | block-step-insert |
|---|---|
| Value: | margin | padding |
| Initial: | margin |
| Applies to: | block-level boxes |
| Inherited: | no |
| Percentages: | N/A |
| Computed value: | specified keyword |
| Canonical order: | per grammar |
| Animatable: | no |
| Animation type: | discrete |
This property specifies whether extra spacing derived from applying block-step-size is inserted inside (like padding) or outside (like margin) the box’s border.
Values have the following meanings:
- margin
- Any extra space resulting from a block-step-size-induced adjustment is inserted outside the box’s border, as extra margin.
- padding
- Any extra space resulting from a block-step-size-induced adjustment is inserted inside the box’s border, as extra padding.
2.3. Specifying Alignment: the block-step-align property
| Name: | block-step-align |
|---|---|
| Value: | auto | center | start | end |
| Initial: | auto |
| Applies to: | block-level boxes |
| Inherited: | no |
| Percentages: | N/A |
| Computed value: | specified keyword |
| Canonical order: | per grammar |
| Animatable: | no |
| Animation type: | discrete |
This property specifies whether extra spacing derived from applying block-step-size is inserted before, inserted after, or split between both sides of the box.
Values have the following meanings:
- auto
- If block-step-insert is margin: if align-self is start, end, or center, treat as that value, otherwise treat as center.
- center
- Any extra space resulting from a block-step-size-induced adjustment is split, and applied half on either side of the box.
- start
- Any extra space resulting from a block-step-size-induced adjustment is inserted on the end side of the box.
- end
- Any extra space resulting from a block-step-size-induced adjustment is inserted on the start side of the box.
In all cases, additional spacing cannot be added to margins that are truncated or omitted due to unforced fragmentation breaks (see [CSS3-PAGE] and [CSS-BREAK-3]); therefore if block-step-insert is margin, all extra space derived from applying block-step-size must be inserted on the opposite side of the fragment (regardless of block-step-align).
2.4. Rounding Method: the block-step-round property
| Name: | block-step-round |
|---|---|
| Value: | up | down | nearest |
| Initial: | up |
| Applies to: | block-level boxes |
| Inherited: | no |
| Percentages: | N/A |
| Computed value: | specified keyword |
| Canonical order: | per grammar |
| Animatable: | no |
| Animation type: | discrete |
This property specifies whether adjustments due to block-step-size insert positive or negative space.
Values have the following meanings:
- up
- The outer size of the box is increased (positive space is inserted) to fulfill the block-step-size constraint.
- down
- The outer size of the box is decreased (negative space is inserted) to fulfill the block-step-size constraint.
- nearest
- The outer size of the box is either increased (as for up) or decreased (as for down—
whichever results in the smallest absolute change— to fulfill the block-step-size constraint. If both options would result in the same amount of change, the size is increased.
2.5. Block Step Adjustment Shorthand: the block-step shorthand
| Name: | block-step |
|---|---|
| Value: | <'block-step-size'> || <'block-step-insert'> || <'block-step-align'> || <'block-step-round'> |
| Initial: | see individual properties |
| Applies to: | block-level boxes |
| Inherited: | no |
| Percentages: | N/A |
| Computed value: | see individual properties |
| Animation type: | see individual properties |
| Canonical order: | per grammar |
This shorthand property allows for setting block-step-size, block-step-insert, block-step-align, and block-step-round in one declaration. Omitted values are set to the property’s initial value.
Authors are advised to use this shorthand rather than the longhands unless there is a specific need for its individual longhands to cascade independently.
3. Adjusting Line Box Heights: the line-height-step property
| Name: | line-height-step |
|---|---|
| Value: | <length> |
| Initial: | 0px |
| Applies to: | block containers |
| Inherited: | yes |
| Percentages: | N/A |
| Computed value: | absolute length |
| Canonical order: | per grammar |
| Animatable: | no |
| Animation type: | by computed value type |
This property defines the step unit for line box heights. A step unit is the length of the vertical rhythm, usually the distance from one baseline to the next baseline of the body text. Body text should fit into one step unit, and taller lines such as headings should have heights of two or more step units. Vertical rhythm is created by making heights of all lines an integer multiple of the step unit.
When the step unit is set to a positive <length>, the line box heights are rounded up to the closest multiple of the unit. Negative <length> values are invalid.
[CSS21] §10.8 Line height calculations defines how to compute the height of a line box from its inline-level content. The rounding is applied to the resulting height of the line box, and the additional space is distributed to over-side and under-side of the line box equally, so that the original line box appears at the center of the multiple of step unit. This adjustment is done by assuming that there is an inline-level box that has adjusted A' and D' in the line box. This inline-level box does not affect alignment points of the vertical-align property, except values that align relative to the line box.
In the following example, the height of line box in each paragraph is rounded up to the step unit.
:root { font-size : 12 pt ; --my-grid : 18 pt ; line-height-step : var ( --my-grid); } h1 { font-size : 20 pt ; margin-top : calc ( 2 * var(--my-grid)); } p { margin: 0; }
The line box in <h1>
does not fit into one step unit and thus occupies two,
but it is still centered within the two step unit.
If author prefers, tools like Sass can make such declarations shorter.
$gu: 18px; @function gu($n) { @return $n * $gu; } h1 { font-size: 20pt; margin: gu(1.2) auto gu(1.8); }
4. Privacy and Security Considerations
This specification introduces no new privacy leaks, or security considerations beyond "implement it correctly".
5. Acknowledgments
This specification would not have been possible without the help from: Masaharu Akutsu, Yoko Aoki, Takao Baba, Chris Eppstein, Ichiro Inaba, Jxck, Noriko Kase, Motoya Kinoshita, Shinyu Murakami, Tsutomu Nanjo, Kiyoshi Narishima, Charlie Neely, Takuya Nishimura, Katsuhiro Osumi, Florian Rivoal, Hiroshi Sakakibara, Alan Stearns, Masataka Yakura, KADOKAWA Corporation, PixelGrid Inc., and the CSS Working Group members.


Hey, look up there - Second Yeoman - my first part!
Want to know what I sang solo? Here it is:
"We hunted low" ... "We hunted there"
Not just that, but even a full stanza:
Didst thou not when prisoner taken
And debarred from all escape
Face with gallant heart unshaken
Death in most appalling shape?
Things were definitely looking up!


Peer-reviewed studies since the early 1980's have consistently shown the benefits of working from home.
Nobel Prize in Economics for 2016 awarded for proof that working in pajamas increases worker productivity.
99 out of 100 podiatrists recommend slippers over high heels, says the American Academy of Podiatrists.


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{% if comics -%}
{% for comic in comics -%}
{{comic}}
{% endfor -%} {% else -%}
No comics found :(
{% endif -%}


Waiting for GPS connection...
Camera
CLT: 00:00:00
VOT: 00:00:00:00
GCT: 00:00:00:00
MIT: 00:00:00:00
Ground Level Offset
ft
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0 ft
GLIDER DROP HEIGHT
-- ft
PAYLOAD DROP HEIGHT
-- ft
| Voltage: |
0 |
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0 |
mA |
Connect: |
No |
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0 |
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0 |
Hz |
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| Fix: |
No |
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Before Change
if any(k in self.summary_labels for k in ["inputs", "actions"]):
for name in sorted(actions):
tf.contrib.summary.histogram(name=(self.scope + "/inputs/actions/" + name), tensor=actions[name])
if any(k in self.summary_labels for k in ["inputs", "rewards"]):
tf.contrib.summary.histogram(name=(self.scope + "/inputs/rewards"), tensor=reward)
if self.summarizer_spec is not None:
After Change
if "inputs" in self.summary_labels or "states" in self.summary_labels:
for name in sorted(states):
tf.contrib.summary.histogram(name=("states-" + name), tensor=states[name])
if "inputs" in self.summary_labels or "actions" in self.summary_labels:
for name in sorted(actions):
tf.contrib.summary.histogram(name=("actions-" + name), tensor=actions[name])
if "inputs" in self.summary_labels or "reward" in self.summary_labels:


Felix Wilson
Review the allocated applications, edit the email and click notify. Feedback will then be released to the assessor.
4
applications
Review the allocated applications, edit the email and click notify. Feedback will then be released to the assessor.


Blood Bank
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Mindfulness
Mindfulness is the skill that gives you the faculty of voluntarily bringing back a wandering attention over and over again. “We take for granted many of the neutral things in life, such as not being in pain. Communication is the process of exchanging information between others, whether that be written, spoken or using some other medium. However, effective communication takes place when both parties actively listen to each other. I found with mindfulness you’re able to clearly focus on the other person and truly listen to what they have to say. This leads to much deeper conversations and results in you having a bigger impact on them, forging lasting relationships. I watched an interesting movie called Her, which delves into these communication aspects and how they relate to humans. One of my key takeaways was that it's important to listen wholly and with intent.
I already often practice walking meditation. I find it allows me to get lost in my thoughts, and to look at them objectively. another technique I would like to develop is deep focus on activities. often I find myself getting distracted very easily. through practice in mindfulnes, I've only really started to realise the postive benefits to it. Lastly, I think its important to develop a mindful conversation. I think far to often we're caught up in ourselves, and don't spend the time in actively listening those important to us
I think the difficult part to mindfulness is to make it a daily practice, and make it a habit. We practice it at work, but even then we find that meetings and phone calls take presecedent. Through making it a priority, we would benefit from in greatly in other areas of our lives


Polkadot Substrate API for C++
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CHAPTER 200D
KANEOHE BAY REGIONAL COUNCIL
Section
200D-1 Definitions
200D-2 Kaneohe Bay regional council; establishment
200D-3 Kaneohe Bay regional council; general powers, duties,
and functions
200D-4 Annual meeting
200D-5 Annual report
Note
L 2014, c 218, §8 purports to amend this chapter.
Cross References
Environmental courts, jurisdiction over proceedings arising under this chapter, see §604A-2.


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Accesses high resolution raster maps using the OpenStreetMap protocol. Dozens of road, satellite, and topographic map servers are directly supported, including Apple, Mapnik, Bing, and stamen. Additionally raster maps may be constructed using custom tile servers. Maps can be plotted using either base graphics, or ggplot2. This package is not affiliated with the OpenStreetMap.org mapping project.
| Version: | 0.3.3 |
| Depends: | methods, R (≥ 2.10.0) |
| Imports: | grDevices, ggplot2 (≥ 0.9.0), rJava, raster, rgdal, sp |
| Suggests: | colorspace, maptools |
| Published: | 2016-09-09 |
| Author: | Ian Fellows, using the JMapViewer library by Jan Peter Stotz |
| Maintainer: | Ian Fellows <ian at fellstat.com> |
| License: | GPL-2 | file LICENCE |
| URL: | http://www.fellstat.com http://blog.fellstat.com/?cat=15 |
| NeedsCompilation: | no |
| SystemRequirements: | Java (>= 1.5), JRI |
| In views: | Spatial |
| CRAN checks: | OpenStreetMap results |
| Reference manual: | OpenStreetMap.pdf |
| Package source: | OpenStreetMap_0.3.3.tar.gz |
| Windows binaries: | r-devel: OpenStreetMap_0.3.3.zip, r-release: OpenStreetMap_0.3.3.zip, r-oldrel: OpenStreetMap_0.3.3.zip |
| OS X binaries: | r-release: OpenStreetMap_0.3.3.tgz, r-oldrel: OpenStreetMap_0.3.3.tgz |
| Old sources: | OpenStreetMap archive |
| Reverse depends: | DeducerSpatial |
| Reverse imports: | BPEC, OSMscale, spatsurv |
| Reverse suggests: | tmaptools, trajectories |
Please use the canonical form https://CRAN.R-project.org/package=OpenStreetMap to link to this page.


At Source Infosystems we have a simple philosophy - our Digital Disruption and product efforts must add sustainable value to our customers. We are a boutique Product R&D and subject matter expertise delivery firm that will be passionate about your success. We focus on how best to serve our customers – You.
It is our belief that our effort to power our customer's success will help us build long term win-win relationships. It is this relationship that forms the main pivot of our core thinking and business values.
We work tirelessly to give you the world's most innovative apps via our expert Digital product development Centre of Excellence AppzPixel. We expertise in making your ideas & apps successful - downloads and revenue.
Unique to partnering with us is we will help your and your organisation upskill and cross skill. Your employees and inhouse knowledge will help you power your business today and script your future. We strongly believe having the right specialist knowledge is one of the most important aspects that will help you differentiate an average journey from a successful one.
At Source Infosystems we strive to offer our customers with the best Consulting services and subject matter expertise available in the market. Whether you are a local small business or a global chain we have a value proposition in Information Technology Consulting & Training in leading and cutting edge delivery methodologies you cannot afford to overlook.
Let us start a fruitful relationship we can be proud of straightaway - Contact Us
We are developing a pioneering OfficeSmart and timekeeping product in collboration with our partners. This product is in the final stages of our R&D cycle where we are now integrating it with realtime shipping manifests.
We are in the process of implementing the beta version of our product with a market leading payroll provider in conjunction with our Telecom & Communications partner. For further information on partnering with us please visit our Contact Us page.
At Source Infosystems we strive to offer our customers with the best solutions available in the market in the space of time keeping and accunting.
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We offer specialist services on offering you our Consulting services in Project Management. Technical or business we believe an ardent effort in this specialist skill is a must to have benefits and outcomes resulting from your unique and uncertain journey in a project to align to your Strategic Goals.
We will take out the complexity in choosing the best methodology and helping you tailor and apply the rigour appropriately for each of your unique projects that best suits you.
Let us start a fruitful relationship we can be proud of straightaway Complete Project and Product Lifecycle Management Interested in realising perfection in project and product management?
We offer a turnkey solution for your project and product lifecycle management requirements by applying our specialist skills to understand your business and marrying them with industry best-practices, while tailoring the solution to your specific requirements.
From structured and ardent effort in initiation stages and to executing rigorous management, to requirements gathering, and quality assurance & control coupled with operational handovers we are confident of offering a solution that is of the highest quality while remaining competitive towards your investments.
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We are experts in empowering you with quality management solutions that will step you through the complete lifecycle of quality planning, control and assurance.
Whether it is the Agile methodologies or the more rigorous PMI or Prince2 methodologies we will construct for you a solution that best suits the needs of your organisation and project and programmes.
Let us start a fruitful relationship we can be proud of straightaway - Contact Us
posted by Kelly 30th Aug 2017 Out Mobile CoE, AppzPixel, 3 years old
Our Digital App development CoE AppzPixel is today 3. Since its inception, we have served 50 happy clients and over 89 projects & counting. Producing an App that�s both profitable and sustainable is critical journey. What has worked for our customers is we partnering with them to ensure our app stands out amongst the rest. Once we have initially heard your idea, we follow our unique experimentation framework to market your idea into substantial apps or websites via the stringent quest for 5W's.
Interested in knowing more about converting your ideas into success using our Digital Centre of Excellent Contact Us
posted by George 26 th July 2017 Web Design, New Trend
Our Digital App development CoE AppzPixel is today 3. Since its inception, we have served 50 happy clients and over 89 projects & counting. Producing an App that�s both profitable and sustainable is critical journey. What has worked for our customers is we partnering with them to ensure our app stands out amongst the rest. Once we have initially heard your idea, we follow our unique experimentation framework to market your idea into substantial apps or websites via the stringent quest for 5W's.
Interested in knowing more about converting your ideas into success using our Digital Centre of Excellent Contact Us
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Welcome to my Digital PortFolio. I'm a creative who is passionate about content creation and the impact it has on a user.
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--- layout: post title: Ruby Expression snippet for Sublime Text 2 date: 2013-04-14 16:17:36.000000000 -05:00 type: post published: true status: publish categories: - Ruby on Rails tags: [] meta: _edit_last: '15714693' publicize_twitter_user: broberts_az _wpas_done_482036: '1' _publicize_done_external: a:1:{s:7:"twitter";a:1:{i:199393780;b:1;}} author: login: broberts65 email<EMAIL_ADDRESS>display_name: Bob Roberts first_name: '' last_name: '' ---
https://gist.github.com/5384619


pgsi.pl - Produce system impact reports for a PostgreSQL database.
This documentation refers to version 1.7.2
pgsi.pl [options] < pglog_slice.log
or...
pgsi.pl --file pglog_slice.log [options]
--file --query-types --top-10 --all --pg-version --offenders
System Impact (SI) is a measure of the overall load a given query imposes on a server. It is expressed as a percentage of a query's average duration over its average interval between successive calls. E.g., SI=80 indicates that a given query is active 80% of the time during the entire log interval. SI=200 indicates the query is running twice at all times on average. Thus, the lower the SI, the better.
The goal of SI is to identify those queries most likely to cause performance degradation on the database during heaviest traffic periods. Focusing exclusively on the least efficient queries can hide relatively fast-running queries that saturate the system more because they are called far more frequently. By contrast, focusing only on the most-frequently called queries will tend to emphasize small, highly optimized queries at the expense of slightly less popular queries that spend much more of their time between successive calls in an active state. These are often smaller queries that have failed to be optimized and punish a system severely under heavy load.
One thing SI does not do is distinguish between high-value queries represented by extended active states or long durations due to blocking locks. Either condition is worthy of attention, but determining which is to blame will require independent investigation.
Queries are canonized with placeholders representing literals or arguments. Further, IN lists are canonized so that variation from query to query only in the number of elements in the IN list will not be treated as distinct queries.
Some examples of the "same" query:
SELECT col FROM table WHERE code = 'One'; SELECT col FROM table WHERE code = 'Sixty-Three';
SELECT foo FROM bar WHERE fuzz = $1 AND color IN ('R','G','B'); Select FOO from bar WhErE fuzz = '56' AND color IN ('R', $1);
Differences in capitalization and whitespace are irrelevant.
Pass in log data on stdin:
pgsi.pl < some_log_slice.log cat some_log_slice.log | pgsi.pl
Or use the --file option:
pgsi.pl --file=some_log_slice.log
Or read in more than one file at a time:
pgsi.pl --file=logfile1.log --file=logfile2.log
If more than one file is given, they must be given in chronological order.
Log data must comply with a specific format and must be from contiguous activity. The code makes the assumption that the overall interval of activity is the time elapsed between the first and last log entries. If there are several blocks of logs to analyze, they must be run separately.
Required format is the following in syslog:
YYYY-MM-DDTHH24:MI:SS(-TZ:00)? server postgres[pid]:
This also requires that log_statement is set to 'all' and that log_duration be set to 'on' in postgresql.conf. If you are not using syslog, you can simulate the format with the following:
log_line_prefix = '%t %h postgres[%p]: [%l-1] ' ## Simulate syslog for pgsi.
Query impact is segregated by types. I.e., all the SELECTs together, all UPDATEs together, etc. Typically it is assumed that SELECT is the most interesting (and is by itself the default), but any query type may be analyzed. Multiples are provided as space- or comma-separated lists.
pgsi.pl --query-types="select, update, copy, create"
The code will produce a unique report for each type when used with the --all and/or --top-10 file-pattern options (see below).
Supplies a file pattern and optional directory path into which the reports should be written per --query-type. The pattern is prefixed with the --query-type and host for this report and placed into the requested directory (or cwd if no path is present).
--all will list every canonized query encountered, which is likely to contain a large number of queries of no interest (those with negligible impact).
--top-10 limits the report to only the 10 entries with the greatest SI.
pgsi.pl \ --query-types=select,update \ --all=si_reports/monday_10am_1pm.all.txt \ --top-10=si_reports/monday_10am_1pm.t10.txt
This will produce the following reports in si_reports/ for a database running on server db1:
SELECT-db1-monday_10am_1pm.all.txt UPDATE-db1-monday_10am_1pm.all.txt SELECT-db1-monday_10am_1pm.t10.txt UPDATE-db1-monday_10am_1pm.t10.txt
If --top-10 is not supplied, then no top 10 report is generated. If --all is not supplied, then the report(s) print to stdout.
Currently, this might better be described as either "before DETAIL" or "after DETAIL". The code was written against PG 8.1 originally, but when 8.2 came out the addition of DETAIL log entries forced a different parser. That unfortunate timing led to the assumption that log construction would change with each release. Going forward, --pg-version will be (other than 8.1) the first version in which this log format was encountered.
--pg-version is only either 8.1 or 8.2 (8.2 is default). It's unknown how far back in versions the 8.1 format holds, but 8.2 holds for itself and 8.3. So, unless you're working against logs generated by a PG version less than 8.2, you do not need to include this option (but it might save you some trouble if a new format comes at a later version and the default bumps up to the most recent while you stay on your older version).
pgsi.pl --pg-version=8.1
Number of best and worst queries to included with the report, in terms of overall duration of execution. Enough log information is listed along with the duration such that tracking down the original query (not the canonized version) is straightforward. The offenders list can be very useful for a query that is causing trouble in a handful of permutations, but most of the time is behaving well.
The list in conjunction with standard deviation gives an overall indication of performance volatility.
--offenders=5 produces additional output in the report that looks something like the following example:
Best 1. 2009-01-12T10:11:49-07:00 db1 postgres[4692] -- 4.833 ms 2. 2009-01-12T10:31:19-07:00 db1 postgres[1937] -- 4.849 ms 3. 2009-01-12T09:16:20-07:00 db1 postgres[20294] -- 4.864 ms 4. 2009-01-12T10:16:54-07:00 db1 postgres[20955] -- 4.867 ms 5. 2009-01-12T10:32:16-07:00 db1 postgres[5010] -- 4.871 ms
Worst 1. 2009-01-12T10:00:07-07:00 db1 postgres[2804] -- 2175.650 ms 2. 2009-01-12T09:30:07-07:00 db1 postgres[2804] -- 2090.914 ms 3. 2009-01-12T10:00:18-07:00 db1 postgres[2804] -- 2046.608 ms 4. 2009-01-12T09:30:10-07:00 db1 postgres[2804] -- 1954.604 ms 5. 2009-01-12T11:20:11-07:00 db1 postgres[2804] -- 1788.576 ms
If queries contain exceptionally long IN lists, the regex that attempts to flatten them can run into a perl recursion limit. In that event, the query will keep the placeholders of the IN list, making it unique compared to the same query with a different cardinality of list params in the same IN. This deficiency should only surface on IN lists with composite parameters [e.g., IN ((?,?,...,?),(?,?,...,?),...,(?,?,...,?))]. For scalar IN lists, there should be no such limit.
Original code: Mark Johnson (mark@endpoint.com), End Point Corp.
Contributions: Ethan Rowe (ethan@endpoint.com), End Point Corp. Greg Sabino Mullane (greg@endpoint.com), End Point Corp. Daniel Browning (db@endpoint.com), End Point Corp. Joshua Tolley<EMAIL_ADDRESS>End Point Corp. Abraham Ingersoll<EMAIL_ADDRESS>Copyright 2008-2011 Mark Johnson<EMAIL_ADDRESS>This module is free software; you can redistribute it and/or modify it under the same terms as Perl itself. See the LICENSE file.


Functions
Blink LED on pin 5 by calling a function inside Arduino sketch with html fn attribute.


Assignment 3 Home
Welcome to my website, I will be demonstrating HTML5 principles and techniques, DOM manipulation and so on.
This website introduces under pages:
This site contains 8 pages, including: Home, HTML Seneca college, HTML Lists, HTML Table, HTML Image, HTML Audio, HTML Video, HTML Honesty.
Home Seneca college List Table Image Audio Video HonestyYou can see a html with source code javaScript under this sentence.
<!doctype html>

<title>WEB222</title>

Basic HTML5 Document Structure

This is a paragraph
;


You can be able to aquire a plan with our library.You will chose the plan that is most
confortable with you.
Welcome as you start your journey with us
Click on plan head for form.
Benefits of this plan
Please submit your information first
Click on plan head for form.
Benefits of this plan.
Please submit your information first
Click on plan head for form.
Benefits of this plan.
Please submit your information first
“Fairy tales are more than true: not because they tell us that dragons exist, but because they tell
us that dragons can be beaten.”
― Neil Gaiman, Coraline
"Sometimes, you read a book and it fills you with this weird evangelical zeal, and you become
convinced that the shattered world will never be put back together unless and until all living
humans read the book.”
― John Green, The Fault in Our Stars
“Never trust anyone who has not brought a book with them.”
― Lemony Snicket, Horseradish


Web-accessibility project: XXX
DH150, 2021 summar
assignment01: setup and notes
Awesome Student Name
[short description]
This project is to test and improve a web-accessibility of the museums.
[research]
I found these museum websites are interesting to investigate. I used Chrome Development tool lighthouse to diagnose the accessibility and SEO score of those websites.
1)
Getty Museum Research, https://www.getty.edu/research/tools/ , Accessibility (79), SEO (82)
2) website name, url (paste), SEO score (00)
3) website name, url (paste), SEO score (00)
4) website name, url (paste), SEO score (00)
5) website name, url (paste), SEO score (00)


This is my final project for the MCAD IDM Responsive Design course. It uses the Wikipedia API to search for articles. You can check out the project on GitHub.


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">
javascript questions
javascript questions
select the appriorite anwser as per the question. good lack!
What is the other javascript's name?
Physical Education
I don't know
ECMAScript
css
where do we write javascript code inside the html page?:
head-tag
code-tag
script-tag
javascript-tag
how do you define a varable called x in javascript:
var:x
int:x
var x
none
which is the right way to read the first value in an array in javascript?
colors at(0)
colors[0]
colors.at(1)
colors[1]
what is the function of HTML?
styling
flying pages
interaction
not listed
submit


Bleeding Edge, Ninja Theory’s multiplayer battler, launches in March
Follow Polygon online:
by Owen S. GoodBleeding Edge, the multiplayer free-for-all announced at E3 2019, will launch March 24, 2020 on Xbox One and Windows PC, and will be available in Xbox Game Pass subscriptions, Microsoft announced today at X019.
Bleeding Edge is the newest game from Ninja Theory, which was one of six studios scooped up by Microsoft in 2018 to start making Xbox and Windows PC games for them. Ninja Theory is the studio behind Hellblade: Senua’s Sacrifice and DmC: Devil May Cry.
If you need a refresher on what Bleeding Edge is all about, here’s the E3 2019 trailer:
Bleeding Edge is a multiplayer focused game involving teams of four players, with a heavy emphasis on melee combat. The stylish cast of fighters swaggering through its dystopic setting carry extravagant weapons to match the scene. The maps also provide environmental hazards to finish off the unwary.
Players who pre-order Bleeding Edge will get access to a private beta beginning Feb. 14, 2020, plus a set of bonus in-game cosmetics.


fastimage
FastImage finds the size or type of an image given its URL by fetching as little as needed.
http://sw.cowtech.it/fastimage
The supported image type are (thanks to the image-size module):
- BMP
- GIF
- JPEG
- PNG
- PSD
- TIFF
- WebP
- SVG
Usage
For more details usage examples, see the examples
folder.
Callback style
To get the image informations, call fastimage.info
passing the URL (can be also a local file path or a Buffer) and a callback.
var fastimage = require("fastimage");
fastimage.info("http://placehold.it/100x100", function(error, information){
if(error){
// ...
else{
// ...
}
});
For the details about the second parameter of the callback, see fastimage.info, fastimage.size and fastimage.type.
Promise style
All the fastime image methods info
, filteredInfo
, size
and type
return a Promise. Once resolved, the promises have the same payload of the callbacks.
var fastimage = require("fastimage");
fastimage.info("http://placehold.it/100x100")
.then(function(info){
// ...
})
.catch(function(error){
// ...
});
Stream style
If you want to go The Node.js Way, you can use the streaming API.
Calling fastimage.stream
it will return a Duplex stream object. Called without arguments, it's ideal for piping. Otherwise, you can use only it's readable side.
// Duplex
request("http://placehold.it/100x100.png").pipe(fastimage.stream()).pipe(/*...*/);
// Readable
fastimage.stream("http://placehold.it/100x100.png").pipe(/*...*/);
Streams will emit the size
and type
if you only need those informations.
Supported implementations.
Fastimage supports and has been tested on NodeJS 0.10+ and io.js 1.0+.
API Documentation
fastimage.info(subject, [callback])
Analyzes a URL (local or remote) or a Buffer and return the image informations.
The signature of the callback is function(error, info)
.
The first argument of the callback, when failed, will be a FastImageError instance.
The second argument of the callback, when successful, will be a object containing the image informations.
Specifically, when the URL is a remote URL, the object will be similar to this:
{
"width": 1000, // The width of the image in pixels.
"height": 1000, // The height of the image in pixels.
"type": "gif", // The type of the image. Can be `bmp`, `gif`, `jpeg`, `png`, `psd`, `tif`, `webp` or `svg`.
"url": "http://placehold.it/1000x1000.gif", // The original URL of the image.
"realUrl": "http://placehold.it/1000x1000.gif", // The real URL of the image after all the redirects. It will be omitted if equals to the URL.
"size": 24090, // The size of the image (in bytes). Present only if the server returned the Content-Length HTTP header.
"transferred": 979, // The amount of data transferred (in bytes) to identify the image.
"time": 171.43721 // The time required for the operation, in milliseconds.
}
When the URL is a local file the object will be similar to this:
{
"width": 150, // The width of the image in pixels.
"height": 150, // The height of the image in pixels.
"type": "png", // The type of the image. Can be `bmp`, `gif`, `jpeg`, `png`, `psd`, `tif`, `webp` or `svg`.
"path": "1.png", // The original path of the image.
"realPath": "/home/user/1.png", // The absolute path of the image. It will be omitted if equals to the path.
"size": 24090, // The size (in bytes) of the image.
"time": 14.00558 // The time required for the operation, in milliseconds.
}
When the source is a Buffer the object will be similar to this:
{
"width": 150, // The width of the image in pixels.
"height": 150, // The height of the image in pixels.
"type": "png", // The type of the image. Can be `bmp`, `gif`, `jpeg`, `png`, `psd`, `tif`, `webp` or `svg`.
"analyzed": 4096 // The number of bytes analyzed.
"time": 14.00558 // The time required for the operation, in milliseconds.
}
The function will return a Promise, which will resolve providing the information object.
fastimage.size(subject, [callback])
Analyzes a URL (local or remote) or a Buffer and return the image size.
The signature of the callback is function(error, dimensions)
.
The first argument of the callback, when failed, will be a FastImageError instance.
The second argument of the callback, when successful, will be a object containing the fields width
and height
in pixels.
The function will return a Promise, which will resolve providing the information object.
fastimage.type(subject, [callback])
Analyzes a URL (local or remote) or a Buffer and return the image type.
The signature of the callback is function(error, type)
.
The first argument of the callback, when failed, will be a FastImageError instance.
The second argument of the callback, when successful, will be the type of the image.
The function will return a Promise, which will resolve providing the image type.
fastimage.filteredInfo(subject, [filter, callback])
Analyzes a URL (local or remote) or a Buffer and return the image informations passing through a filter function.
The filter function should accept an object as input and return the object to be passed to the callback.
For details on the input object of the filter, see fastimage.info.
The signature of the callback is function(error, info)
.
The first argument of the callback, when failed, will be a FastImageError instance.
The second argument of the callback, when successful, will be a object containing the image informations.
The function will return a Promise, which will resolve providing the filtered information object.
fastimage.stream(subject, [options])
Creates a new fastimage stream analysis. This is a Duplex stream which works in object mode on the readable side.
It will emit the following events:
- size: The payload will be a object containing the fields
width
andheight
in pixels. - type: The payload will the type of the image.
fastimage.timeout([timeout])
Gets or sets the maximum number of seconds to wait to connect to a host.
If the value is present, it will also set the new value. If the value is null
, it will restore the default value.
The default value is 30000
.
fastimage.threshold([threshold])
Gets or sets the maximum number of bytes to read to attempt an identification before giving up and state that the source is not an image.
If the value is present, it will also set the new value. If the value is null
, it will restore the default value.
The default value is 4096
.
fastimage.userAgent([userAgent])
Gets or sets the User Agent String to send on outgoing requests.
If the value is present, it will also set the new value. If the value is null
, it will restore the default value.
The default value is 4096
.
fastimage.FastImageStream
A image analysis stream.
Streams will emit the size
and type
if you only need those informations about the image.
fastimage.FastImageError
This error will be returned as the first argument of the callbacks if anything goes wrong.
It always have the message
and code
fields set.
Contributing to fastimage
- Check out the latest master to make sure the feature hasn't been implemented or the bug hasn't been fixed yet.
- Check out the issue tracker to make sure someone already hasn't requested it and/or contributed it.
- Fork the project.
- Start a feature/bugfix branch.
- Commit and push until you are happy with your contribution.
- Make sure to add tests for it. This is important so I don't break it in a future version unintentionally.
Copyright
Copyright (C) 2015 and above Shogun (shogun@cowtech.it).
Licensed under the MIT license, which can be found at http://opensource.org/licenses/MIT.


| Folders | |||
| <Go Back> | ES6 | Imp-TECHNIQUES | Regexp |
| Array-Problems | Functiona...amming | Most-Popular | reWrite-J...nction |
| careercup | General-J...oblems | Promise-Notes | String |
| File | File | File | File |
|---|---|---|---|
| tsconfig.json |
Folders: 12
Files: 1
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