| # | Who | = | Penalty | * | A | B | C | D | E | F |
|---|---|---|---|---|---|---|---|---|---|---|
| 1 | kefaa2 | 6 | 174 | + 00:01 | + 00:05 | + 00:15 | + 00:28 | + 00:22 | +4 01:03 | |
| 2 | bmerry | 6 | 219 | + 00:09 | + 00:13 | + 00:23 | + 00:35 | + 00:44 | +1 01:25 | |
| 3 | dlalswp25 | 6 | 233 | + 00:02 | + 00:07 | + 00:18 | + 00:24 | + 00:33 | +5 01:39 | |
| 4 | hepth | 6 | 238 | + 00:04 | + 00:09 | + 00:30 | + 00:41 | + 00:57 | + 01:37 | |
| 5 | Volkov_Ivan | 6 | 251 | + 00:03 | + 00:07 | + 00:40 | + 00:29 | + 00:17 | +6 01:35 | |
| 6 | Nezzar | 6 | 261 | -4 | + 00:02 | + 00:04 | + 00:17 | +1 00:42 | + 00:52 | +3 01:44 |
| 7 | scorpion | 6 | 278 | + 00:04 | + 00:07 | + 00:25 | + 00:34 | + 00:46 | +6 01:42 | |
| 8 | ttttan | 6 | 307 | + 00:10 | + 00:15 | + 00:26 | + 00:34 | + 00:43 | +6 01:59 | |
| 9 | LamoreauxAJ | 6 | 313 | + 00:03 | +1 00:10 | + 00:31 | + 00:49 | + 00:59 | +4 01:51 | |
| 10 | vepifanov | 6 | 336 | + 00:35 | + 00:38 | + 00:47 | + 01:01 | + 01:10 | + 01:25 | |
| 11 | imdone | 6 | 378 | + 00:04 | + 00:09 | +1 01:21 | + 00:55 | + 01:35 | +1 01:54 | |
| 12 | Devil | 6 | 405 | + 01:13 | + 01:09 | + 01:00 | + 00:35 | + 00:17 | +4 01:51 | |
| 13 | Egor | 5 | 53 | + 00:01 | + 00:04 | + 00:12 | + 00:16 | + 00:20 | -6 | |
| 14 | I_love_Tanya_Romanova | 5 | 81 | + 00:02 | + 00:06 | + 00:37 | + 00:14 | + 00:22 | ||
| 15 | _overrated_ | 5 | 85 | + 00:02 | + 00:06 | + 00:27 | + 00:10 | + 00:40 | -8 | |
| 16 | Lawali | 5 | 87 | + 00:03 | + 00:08 | + 00:18 | + 00:25 | + 00:33 | -8 | |
| 17 | Rubikun | 5 | 88 | + 00:03 | + 00:08 | + 00:17 | + 00:27 | + 00:33 | ||
| 17 | Ronnie007 | 5 | 88 | + 00:03 | + 00:08 | + 00:19 | + 00:25 | + 00:33 | ||
| 19 | LayCurse | 5 | 89 | -1 | + 00:03 | + 00:07 | + 00:35 | + 00:19 | + 00:25 | -4 |
| 20 | dreamoon_love_AA | 5 | 92 | +3 : -4 | + 00:03 | + 00:07 | + 00:21 | + 00:29 | + 00:32 | -19 |
| 21 | risujiroh | 5 | 93 | + 00:04 | + 00:07 | + 00:21 | + 00:28 | + 00:33 | -9 | |
| 22 | uwi | 5 | 94 | + 00:05 | + 00:08 | + 00:18 | + 00:29 | + 00:34 | -2 | |
| 23 | Elegia | 5 | 96 | + 00:02 | + 00:05 | +3 00:34 | + 00:15 | + 00:10 | -10 | |
| 24 | conqueror_of_tourist | 5 | 97 | + 00:04 | + 00:09 | + 00:18 | + 00:27 | + 00:39 | -3 | |
| 25 | kort0n | 5 | 99 | + 00:03 | + 00:06 | +1 00:21 | + 00:28 | + 00:31 | -2 | |
| 25 | Golovanov399 | 5 | 99 | + 00:03 | + 00:07 | + 00:22 | + 00:30 | + 00:37 | -19 | |
| 25 | smiken | 5 | 99 | + 00:05 | + 00:09 | + 00:17 | + 00:31 | + 00:37 | -7 | |
| 25 | shenxy13 | 5 | 99 | + 00:02 | + 00:07 | + 00:14 | + 00:49 | + 00:27 | -8 | |
| 29 | Noam13 | 5 | 100 | + 00:03 | + 00:08 | + 00:23 | + 00:29 | + 00:37 | ||
| 30 | pichulia | 5 | 101 | + 00:05 | + 00:08 | +1 00:18 | + 00:25 | + 00:35 | -5 | |
| 31 | Geothermal | 5 | 103 | + 00:02 | + 00:04 | + 00:23 | + 00:30 | +1 00:34 | -7 | |
| 32 | ainta | 5 | 104 | + 00:04 | + 00:21 | + 00:28 | +2 00:13 | + 00:18 | -15 | |
| 32 | Temotoloraia | 5 | 104 | + 00:03 | + 00:10 | + 00:30 | + 00:42 | + 00:19 | ||
| 34 | cjy2003 | 5 | 105 | + 00:03 | + 00:11 | + 00:25 | + 00:30 | + 00:36 | -4 | |
| 35 | Motsu_xe | 5 | 106 | + 00:04 | + 00:08 | + 00:19 | + 00:32 | + 00:43 | -3 | |
| 35 | Mr.Robot_28 | 5 | 106 | + 00:06 | + 00:13 | + 00:19 | + 00:28 | + 00:40 | ||
| 37 | Mojumbo | 5 | 107 | + 00:03 | + 00:09 | + 00:20 | + 00:32 | + 00:43 | -5 | |
| 38 | fanache99 | 5 | 109 | + 00:05 | + 00:08 | + 00:23 | + 00:31 | + 00:42 | -3 | |
| 39 | Prabowo | 5 | 110 | + 00:03 | + 00:07 | + 00:20 | + 00:34 | + 00:46 | ||
| 40 | nweeks | 5 | 111 | + 00:02 | + 00:06 | + 00:17 | + 00:35 | + 00:51 | -1 | |
| 41 | MiFaFaOvO | 5 | 113 | + 00:03 | + 00:06 | +1 00:17 | + 00:42 | + 00:35 | ||
| 42 | zeus_orz | 5 | 114 | + 00:05 | + 00:09 | + 00:21 | + 00:46 | + 00:33 | ||
| 43 | PinkRabbit | 5 | 115 | + 00:02 | + 00:05 | +2 00:20 | + 00:31 | + 00:37 | ||
| 44 | gyz_gyz | 5 | 116 | +1 00:06 | + 00:10 | + 00:22 | + 00:28 | + 00:40 | -4 | |
| 44 | klimoza | 5 | 116 | + 00:03 | + 00:07 | + 00:22 | + 00:35 | + 00:49 | -7 | |
| 46 | ix35 | 5 | 117 | + 00:03 | + 00:06 | +1 00:43 | + 00:24 | + 00:31 | ||
| 46 | mateusz | 5 | 117 | + 00:04 | + 00:08 | + 00:23 | + 00:36 | + 00:46 | -5 | |
| 48 | uttfuczmuo | 5 | 118 | + 00:02 | + 00:06 | + 00:13 | + 00:32 | +1 00:55 | ||
| 49 | Batrr | 5 | 119 | + 00:01 | + 00:04 | +2 00:24 | + 00:31 | + 00:39 | -5 | |
| 49 | Celesta | 5 | 119 | + 00:03 | + 00:09 | + 00:26 | + 00:35 | + 00:46 | -2 | |
| 51 | Shibuyap | 5 | 122 | + 00:04 | + 00:09 | + 00:22 | + 00:53 | + 00:34 | ||
| 52 | cuiaoxiang | 5 | 123 | + 00:02 | + 00:06 | + 00:12 | + 01:14 | + 00:29 | -10 | |
| 53 | Heltion | 5 | 125 | + 00:06 | + 00:12 | + 00:24 | + 00:34 | + 00:49 | -7 | |
| 54 | Ashishgup | 5 | 126 | + 00:01 | + 00:05 | + 00:45 | +1 00:37 | + 00:28 | -9 | |
| 55 | madhav_1999 | 5 | 127 | + 00:03 | + 00:08 | + 00:33 | +1 00:55 | + 00:18 | ||
| 55 | aurinegro | 5 | 127 | + 00:03 | +1 00:10 | + 00:23 | + 00:32 | + 00:49 | -4 | |
| 57 | bartek95 | 5 | 128 | + 00:02 | + 00:07 | + 00:38 | + 00:25 | + 00:56 | ||
| 57 | TadijaSebez | 5 | 128 | + 00:03 | + 00:08 | + 00:37 | + 00:21 | + 00:59 | -1 | |
| 57 | the_nightmare | 5 | 128 | + 00:03 | + 00:08 | + 00:34 | + 01:05 | + 00:18 | ||
| 60 | ivandasfs | 5 | 129 | + 00:06 | + 00:12 | + 00:29 | + 00:36 | + 00:46 | ||
| 61 | gs15120 | 5 | 130 | + 00:03 | +1 00:09 | + 00:22 | + 00:36 | + 00:50 | ||
| 61 | practiceboy | 5 | 130 | + 00:03 | + 00:08 | + 00:19 | + 01:07 | + 00:33 | ||
| 63 | chielo | 5 | 131 | + 00:04 | + 00:09 | + 00:21 | + 00:43 | + 00:54 | -3 | |
| 64 | nuip | 5 | 132 | + 00:03 | + 00:10 | + 00:27 | + 00:35 | + 00:57 | ||
| 64 | amsen | 5 | 132 | + 00:04 | + 00:10 | +2 00:23 | + 00:34 | + 00:41 | ||
| 66 | compute | 5 | 133 | + 00:02 | + 00:09 | + 00:32 | + 00:41 | + 00:49 | -4 | |
| 66 | _LeMur_ | 5 | 133 | + 00:03 | + 00:13 | + 00:30 | + 00:39 | + 00:48 | ||
| 68 | JaroPaska | 5 | 134 | + 00:03 | + 00:08 | + 00:19 | + 00:30 | +1 01:04 | ||
| 69 | h__h | 5 | 135 | + 00:03 | + 00:08 | + 00:39 | +1 00:51 | + 00:24 | ||
| 69 | toothbrush | 5 | 135 | +1 00:06 | + 00:11 | + 00:20 | + 00:36 | + 00:52 | -2 | |
| 69 | atodo | 5 | 135 | + 00:04 | + 00:08 | + 00:26 | + 00:43 | + 00:54 | -4 | |
| 69 | hardikpandya | 5 | 135 | + 00:02 | + 00:05 | + 00:19 | + 00:53 | +2 00:36 | -12 | |
| 73 | tsutaj1458 | 5 | 138 | + 00:03 | + 00:07 | + 00:30 | + 00:40 | + 00:58 | -3 | |
| 73 | Siberian | 5 | 138 | + 00:03 | + 00:06 | +2 00:39 | + 00:13 | + 00:57 | ||
| 73 | StarInShadow | 5 | 138 | +1 : -2 | + 00:03 | + 00:09 | +1 00:20 | + 00:39 | + 00:57 | -6 |
| 73 | PaiDouLong | 5 | 138 | + 00:04 | + 00:09 | +1 00:44 | + 00:38 | + 00:33 | ||
| 77 | HEXSKN | 5 | 139 | + 00:07 | + 00:12 | + 00:25 | + 00:42 | + 00:53 | ||
| 77 | MarcosK | 5 | 139 | -1 | + 00:05 | + 00:09 | + 00:24 | + 00:42 | + 00:59 | |
| 77 | SSRS_ | 5 | 139 | + 00:03 | + 00:07 | +3 01:00 | + 00:24 | + 00:15 | -8 | |
| 77 | DarkoLoveRuby | 5 | 139 | + 00:06 | + 00:10 | + 00:26 | + 00:44 | + 00:53 | -4 | |
| 81 | MetB | 5 | 140 | + 00:03 | + 00:09 | + 00:24 | + 00:41 | + 01:03 | ||
| 81 | xyz2606 | 5 | 140 | + 00:03 | + 00:08 | + 00:29 | + 00:41 | + 00:59 | -5 | |
| 83 | lidongxu | 5 | 141 | + 00:03 | + 00:08 | +1 00:30 | + 00:41 | + 00:49 | -8 | |
| 83 | playOne | 5 | 141 | + 00:04 | + 00:09 | + 00:29 | + 00:45 | + 00:54 | -2 | |
| 85 | Gassa | 5 | 142 | + 00:27 | + 00:05 | + 00:22 | + 00:35 | + 00:53 | -3 | |
| 85 | triple__a | 5 | 142 | + 00:10 | + 00:15 | + 00:38 | + 00:28 | + 00:51 | ||
| 87 | ConanYu | 5 | 143 | +4 | + 00:05 | + 00:09 | + 00:21 | +1 00:42 | + 00:56 | -1 |
| 87 | PedroBigMan | 5 | 143 | + 00:05 | + 00:10 | + 00:26 | + 00:39 | + 01:03 | ||
| 89 | abisheka | 5 | 144 | + 00:03 | + 00:08 | + 00:37 | +1 01:07 | + 00:19 | -3 | |
| 89 | stefdasca | 5 | 144 | +3 | + 00:01 | + 00:07 | +4 00:53 | + 00:15 | + 00:28 | |
| 91 | tsyr8924503 | 5 | 145 | + 00:04 | + 00:11 | + 00:24 | + 00:46 | + 01:00 | ||
| 91 | VladProg | 5 | 145 | + 00:04 | + 00:09 | +1 00:28 | + 00:37 | + 00:57 | -3 | |
| 93 | Reines | 5 | 146 | + 00:03 | + 00:07 | +2 00:29 | + 00:39 | + 00:48 | ||
| 93 | emthrm | 5 | 146 | + 00:04 | + 00:10 | + 00:50 | + 00:22 | + 01:00 | ||
| 93 | VEGAnn | 5 | 146 | + 00:04 | + 00:08 | + 00:24 | + 00:32 | +1 01:08 | -3 | |
| 93 | BohdanPastuschak | 5 | 146 | + 00:02 | + 00:05 | +1 00:25 | + 00:47 | + 00:57 | -8 | |
| 97 | Tiny_Cookie | 5 | 147 | + 00:06 | + 00:15 | + 00:30 | + 00:43 | + 00:53 | ||
| 97 | DimmyT | 5 | 147 | + 00:03 | + 00:10 | + 00:43 | + 00:36 | + 00:55 | ||
| 97 | Felerius | 5 | 147 | + 00:02 | + 00:06 | +1 00:31 | + 00:42 | + 00:56 | -1 | |
| 100 | sansen | 5 | 148 | +2 : -3 | + 00:02 | + 00:07 | +1 00:27 | +2 00:38 | + 00:44 | |
| 100 | ne4eHbKa | 5 | 148 | + 00:04 | + 00:12 | + 00:24 | + 00:48 | + 01:00 | ||
| 100 | deyan | 5 | 148 | + 00:02 | +1 00:14 | + 00:44 | + 00:21 | + 00:57 | ||
| 100 | Tarrus | 5 | 148 | + 00:03 | + 00:08 | +1 00:31 | + 00:40 | + 00:56 | ||
| 104 | dywbasm | 5 | 149 | + 00:03 | + 00:12 | +1 00:34 | + 00:42 | + 00:48 | -4 | |
| 105 | Hyperbolic | 5 | 150 | + 00:05 | + 00:11 | +1 00:27 | + 00:41 | + 00:56 | ||
| 105 | pit4h | 5 | 150 | + 00:03 | + 00:09 | + 00:46 | + 00:28 | + 01:04 | ||
| 105 | BizansTekmesi | 5 | 150 | + 00:05 | + 00:11 | +1 00:40 | + 00:22 | + 01:02 | ||
| 108 | ghost_of_sparta1 | 5 | 152 | + 00:02 | + 00:06 | + 00:19 | + 00:50 | + 01:15 | ||
| 108 | BJpers2_txdy | 5 | 152 | + 00:03 | + 00:07 | +2 00:25 | +2 00:34 | + 00:43 | ||
| 110 | TAISA_ | 5 | 153 | + 00:04 | + 00:10 | +1 00:31 | + 00:41 | + 00:57 | ||
| 111 | oleh1421 | 5 | 154 | + 00:07 | +1 00:14 | + 00:27 | + 00:41 | + 00:55 | -11 | |
| 111 | kmjp | 5 | 154 | + 00:02 | + 00:05 | +4 00:22 | + 00:39 | + 00:46 | -7 | |
| 111 | nic | 5 | 154 | + 00:12 | + 00:19 | + 00:29 | + 00:56 | + 00:38 | ||
| 114 | Graphter | 5 | 155 | +1 | + 00:05 | + 00:09 | + 00:48 | + 00:22 | + 01:11 | |
| 114 | Mn619 | 5 | 155 | -3 | + 00:05 | + 00:11 | + 00:44 | + 01:17 | + 00:18 | |
| 116 | fuppy | 5 | 156 | + 00:04 | + 00:09 | +2 00:27 | + 00:42 | + 00:54 | ||
| 116 | vv58 | 5 | 156 | + 00:03 | + 00:07 | + 00:33 | + 00:46 | + 01:07 | -8 | |
| 118 | WA_King | 5 | 157 | + 00:04 | + 00:10 | + 00:22 | + 00:56 | + 01:05 | ||
| 118 | Unsterblicher_Geist | 5 | 157 | +1 00:05 | + 00:10 | + 00:24 | + 01:05 | + 00:43 | ||
| 120 | toma25 | 5 | 158 | + 00:05 | + 00:13 | + 00:26 | + 00:50 | + 01:04 | -2 | |
| 120 | whd | 5 | 158 | +1 00:08 | + 00:13 | + 00:29 | + 00:38 | + 01:00 | ||
| 122 | beemax | 5 | 159 | + 00:03 | + 00:08 | + 00:30 | + 00:46 | + 01:12 | ||
| 122 | FFFFFFFHHHHHHH | 5 | 159 | + 00:04 | + 00:09 | +1 00:28 | + 00:40 | + 01:08 | ||
| 124 | leaf1415 | 5 | 160 | + 00:04 | +2 00:12 | +2 00:26 | + 00:34 | + 00:44 | ||
| 124 | Mychael | 5 | 160 | + 00:05 | + 00:12 | + 00:26 | + 00:36 | + 01:21 | ||
| 124 | retrograd | 5 | 160 | + 00:47 | + 00:43 | + 00:40 | + 00:09 | + 00:21 | -13 | |
| 127 | autoint | 5 | 161 | + 00:03 | + 00:09 | + 00:32 | + 00:48 | + 01:09 | ||
| 127 | He_Ren | 5 | 161 | + 00:07 | + 00:11 | + 00:26 | + 00:42 | + 01:15 | -2 | |
| 127 | natsugiri | 5 | 161 | + 00:03 | + 00:07 | +1 00:36 | + 00:42 | + 01:03 | -1 | |
| 127 | nidanshu | 5 | 161 | + 00:05 | + 00:11 | +1 00:32 | + 00:43 | + 01:00 | ||
| 131 | kamer | 5 | 162 | + 00:04 | + 00:12 | + 00:25 | + 01:14 | + 00:47 | -2 | |
| 131 | jjang36524 | 5 | 162 | +1 00:09 | + 00:14 | +1 00:43 | + 00:23 | + 00:53 | ||
| 133 | Mtaylor | 5 | 164 | + 00:03 | + 00:08 | +1 00:30 | + 00:42 | + 01:11 | ||
| 133 | beginend | 5 | 164 | + 00:07 | + 00:11 | + 00:37 | + 00:49 | + 01:00 | ||
| 135 | IIeJlMeHb | 5 | 165 | + 00:03 | + 00:07 | +1 00:50 | + 00:26 | + 01:09 | ||
| 135 | Mehrdad_Sohrabi | 5 | 165 | + 00:30 | + 00:38 | + 00:55 | + 00:26 | + 00:16 | ||
| 137 | tran0826_1 | 5 | 166 | + 00:03 | + 00:08 | +1 00:26 | + 00:53 | + 01:06 | ||
| 137 | RCG | 5 | 166 | + 00:04 | + 00:09 | +1 00:28 | + 00:46 | + 01:09 | ||
| 137 | y_mena_2_po_literature | 5 | 166 | + 00:06 | + 00:11 | +1 00:30 | + 00:44 | + 01:05 | ||
| 137 | platter | 5 | 166 | + 00:06 | + 00:15 | + 00:30 | + 00:48 | + 01:07 | ||
| 141 | zhang177048 | 5 | 167 | + 00:07 | + 00:13 | + 00:28 | + 00:48 | +1 01:01 | ||
| 141 | st1vdy | 5 | 167 | + 00:14 | + 00:10 | +1 00:36 | + 00:39 | + 00:58 | ||
| 141 | haruki_K | 5 | 167 | + 00:05 | + 00:11 | + 00:30 | + 00:50 | + 01:11 | ||
| 144 | czynt | 5 | 168 | +1 00:06 | +1 00:15 | +1 00:29 | + 00:39 | + 00:49 | -11 | |
| 144 | _Aaryan_ | 5 | 168 | + 00:06 | + 00:18 | + 00:29 | + 01:03 | + 00:52 | ||
| 144 | Moririn2528 | 5 | 168 | + 00:03 | + 00:08 | +1 00:32 | + 00:49 | + 01:06 | ||
| 144 | TrickmanOff | 5 | 168 | + 00:04 | + 00:07 | + 00:29 | + 00:51 | + 01:17 | ||
| 148 | noimi | 5 | 169 | + 00:06 | + 00:10 | +3 00:46 | + 00:22 | + 00:55 | -6 | |
| 148 | aZvezda | 5 | 169 | + 00:03 | + 00:08 | +1 00:23 | + 00:54 | + 01:11 | ||
| 150 | sorry_huanggs | 5 | 170 | + 00:03 | + 00:09 | + 00:57 | + 00:31 | + 01:10 | ||
| 150 | Toxel | 5 | 170 | + 00:07 | + 00:11 | + 00:33 | + 01:05 | + 00:54 | -5 | |
| 152 | yueyuanzhiyyz | 5 | 171 | + 00:05 | + 00:13 | + 00:32 | + 00:43 | + 01:18 | ||
| 152 | AmShZ6 | 5 | 171 | + 00:03 | + 00:09 | +1 00:34 | + 00:51 | + 01:04 | ||
| 152 | _Findlay | 5 | 171 | + 00:03 | + 00:10 | +2 00:35 | + 00:45 | + 00:58 | ||
| 152 | msuwakow | 5 | 171 | + 00:02 | + 00:07 | +1 00:23 | + 00:54 | + 01:15 | ||
| 152 | .__. | 5 | 171 | + 00:07 | + 00:26 | +4 00:23 | + 00:32 | + 00:43 | ||
| 157 | Badeline | 5 | 172 | + 00:03 | + 00:08 | +3 00:36 | + 00:42 | + 00:53 | -5 | |
| 158 | pajenegod | 5 | 173 | + 00:04 | + 00:15 | +1 00:38 | + 00:45 | + 01:01 | ||
| 158 | s_r_f | 5 | 173 | + 00:03 | + 00:08 | + 00:45 | +2 00:32 | + 01:05 | ||
| 158 | Vedensky | 5 | 173 | + 00:04 | + 00:08 | +1 00:23 | +1 00:47 | +1 01:01 | -5 | |
| 161 | Ichika | 5 | 174 | + 00:06 | + 00:15 | + 00:40 | + 00:49 | + 01:04 | ||
| 162 | kaffuchino | 5 | 175 | + 00:05 | + 00:12 | +1 00:30 | + 00:47 | + 01:11 | ||
| 163 | humbertoyusta | 5 | 176 | +2 00:08 | + 00:13 | + 00:26 | + 00:36 | + 01:13 | ||
| 163 | dont_know21 | 5 | 176 | + 00:04 | + 00:10 | + 00:28 | + 00:55 | + 01:19 | ||
| 163 | tute7627 | 5 | 176 | -2 | + 00:04 | + 00:07 | +2 00:39 | + 00:49 | + 00:57 | |
| 163 | _sponge_bob_ | 5 | 176 | + 00:04 | + 00:09 | +2 00:31 | + 00:43 | + 01:09 | ||
| 167 | valerikk2 | 5 | 177 | + 00:03 | + 00:06 | +3 00:57 | + 00:13 | + 01:08 | ||
| 167 | sarthakmanna | 5 | 177 | + 00:03 | + 00:08 | +4 00:28 | + 00:44 | + 00:54 | -4 | |
| 167 | The.Last.Wizard | 5 | 177 | + 00:04 | +1 00:09 | + 01:22 | + 00:30 | + 00:42 | ||
| 170 | AngrySeal | 5 | 178 | + 00:04 | + 00:11 | +1 00:30 | + 00:41 | + 01:22 | ||
| 170 | hir35 | 5 | 178 | + 00:06 | + 00:13 | + 00:34 | + 01:09 | + 00:56 | ||
| 170 | Moon0603 | 5 | 178 | + 00:04 | + 00:09 | + 00:24 | + 01:04 | + 01:17 | ||
| 170 | seiko.iwasawa | 5 | 178 | + 00:02 | +1 00:09 | +1 00:27 | + 00:50 | + 01:10 | -9 | |
| 170 | Kotoblepass | 5 | 178 | + 00:03 | + 00:07 | + 00:51 | +1 00:34 | + 01:13 | ||
| 175 | satanic0 | 5 | 180 | + 00:03 | + 00:06 | + 00:19 | +4 00:52 | + 01:00 | ||
| 175 | POWERRR | 5 | 180 | + 00:03 | + 00:08 | +1 00:36 | + 00:50 | + 01:13 | ||
| 175 | hyperion_1724 | 5 | 180 | + 00:03 | + 00:09 | + 00:27 | + 01:03 | + 01:18 | ||
| 175 | xiayuyang | 5 | 180 | + 00:04 | + 00:09 | +2 00:31 | + 00:44 | +1 01:02 | ||
| 175 | imbr92 | 5 | 180 | + 00:03 | + 00:08 | +2 00:37 | + 00:49 | + 01:03 | ||
| 180 | ha15 | 5 | 181 | + 00:06 | + 00:12 | + 00:32 | + 00:51 | + 01:20 | ||
| 180 | rama_pang | 5 | 181 | + 00:04 | + 00:09 | +3 00:26 | +1 00:43 | + 00:59 | -15 | |
| 180 | _Splay_ | 5 | 181 | + 00:06 | + 00:14 | + 00:24 | +1 00:51 | + 01:16 | ||
| 180 | YouKn0wWho | 5 | 181 | + 00:06 | + 00:13 | + 00:52 | + 01:17 | + 00:33 | -4 | |
| 184 | kzyKT | 5 | 182 | + 00:05 | +1 00:19 | + 00:32 | + 00:54 | + 01:02 | ||
| 184 | KriptonNew | 5 | 182 | + 00:05 | + 00:12 | + 00:53 | + 00:43 | + 01:09 | ||
| 184 | jam1729 | 5 | 182 | + 00:04 | + 00:09 | + 00:35 | +1 00:51 | + 01:13 | ||
| 187 | Russell_Emerine | 5 | 183 | + 00:08 | + 00:18 | + 00:28 | + 00:47 | + 01:22 | ||
| 187 | notred | 5 | 183 | + 00:06 | + 00:12 | + 00:23 | +1 01:32 | + 00:40 | ||
| 187 | kolina | 5 | 183 | + 00:03 | + 00:10 | + 00:27 | + 00:58 | + 01:25 | ||
| 187 | bekzhan29 | 5 | 183 | + 00:03 | + 00:06 | +3 01:01 | + 00:31 | + 00:52 | -5 | |
| 187 | lunabbit | 5 | 183 | + 00:03 | + 00:08 | +2 00:36 | + 00:43 | + 01:13 | ||
| 187 | Sadra | 5 | 183 | + 00:06 | + 00:14 | + 00:39 | + 00:53 | + 01:11 | ||
| 193 | L.L. | 5 | 184 | + 00:08 | + 00:13 | + 00:34 | + 00:55 | + 01:14 | ||
| 193 | Yuki726 | 5 | 184 | + 00:04 | + 00:14 | + 00:28 | + 00:52 | + 01:26 | ||
| 193 | icecuber | 5 | 184 | + 00:04 | + 00:06 | +1 01:12 | + 00:43 | + 00:49 | -7 | |
| 193 | Brovko | 5 | 184 | + 00:08 | + 00:16 | + 00:34 | + 00:54 | + 01:12 | ||
| 197 | zzq233 | 5 | 186 | + 00:04 | + 00:10 | + 00:32 | + 01:01 | + 01:19 | ||
| 197 | besieger | 5 | 186 | + 00:04 | + 00:09 | +1 00:35 | + 00:52 | + 01:16 | ||
| 199 | fakeeverytime | 5 | 187 | + 00:06 | + 00:11 | +1 00:36 | + 00:50 | + 01:14 | ||
| 199 | Headway1 | 5 | 187 | + 00:03 | + 00:09 | + 00:45 | +1 00:29 | + 01:31 | ||
|
Accepted
Tried |
12085 13657 |
11336 11899 |
3036 8304 |
1302 3664 |
1197 1260 |
16 148 |


1. public: A class may be declared with the modifier public, in which case that object/variable is visible to all classes everywhere
2.
if(x==1 || x==2){
return 1;}
else{
return f(x-1)+f(x-2);}
3. 1,1,2,3,5,8,13,21,34,55
1. Variable that is declared inside the brackets of a method.It only exists in that method.
2. reverse the linked List
Discussions


"Forest Gump" meets Homer's "The Odyssey" O Brother, Where Art Thou?
By Ross Anthony
Two dim wits and a fast talker (Clooney) escape from prison in the 1930's South USA. Seeking a hidden 1.2 million-dollar treasure, the police-dodging trio hitchhike from one near-surreal adventure to the next. All the while, deeply rich gospel music graces their adventures.
Clooney splendidly rattles encyclopedic phrases off a friendly southern accent. His two narrow-eyed buddies are also charming despite their lack of brains. Vying between the light and the peacefully religious, "O Brother" eventually favors the silly instead of the profound.
Beautifully filmed with carefully scripted dialogue, the production almost breaks out into cinema greatness. If only the rich touch and feel had been backed up with a stronger knot and substance, this one could have been as truly gorgeous as its music. A strong B+.
O Brother, Where Art Thou? Copyright © 2000. Starring George Clooney, Tim Black Nelson, John Turturro Directed by Joel Coen. Written by Ethan Coen & Joel Coen, based upon "The Odyssey" by Homer. Produced by Ethan Coen at Touchstone(C)2000.
Grade..........................B+
-- Copyright © 2000. Ross Anthony, currently based in Los Angeles, has scripted and shot documentaries, music videos, and shorts in 35 countries across North America, Europe, Africa and Asia.
For more reviews visit: http://www.RossAnthony.com
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Private Wallet Backup |
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Please print and keep safe QR code from this email. It may be used to restore "@[WalletName]" private wallet: We have also attached raw backup data to this email. It may be used as alternative for backup QR code. Please note that wallet restore will be possible only if you will not forget the answer for you security question: "@[SecurityQuestion]". |
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If you did not sign up for this account you can ignore this email and the account will be deleted. |
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© Lykke @[Year]. All rights reserved, support —<EMAIL_ADDRESS>Let's be friends in social networks! |


{% load i18n %}
{% trans "Hi there!" %}
{% blocktrans with event=event.name %}Congrats! You can now manage {{ event }} event!{% endblocktrans %}
{% blocktrans with page_url=event.page_url %}The website address is https://djangogirls.org/{{ page_url }}{% endblocktrans %}
{% blocktrans trimmed %}
To manage it, login here:
https://djangogirls.org/admin/
{% endblocktrans %}
{% blocktrans trimmed with email=user.email %}
Email: {{ email }}
Use your existing password.
{% endblocktrans %}
{% trans "Here you can find instructions on editing website: https://organize.djangogirls.org/website/" %}
{% blocktrans with email=event.email %} Your event's email is {{ email }}. Ask the main organizer of you event for password and instructions to access it. {% endblocktrans %}
{% blocktrans trimmed %} You can contact hello@ if you need assistance but it's usually faster to check Slack channel - there are more people that can help you! :) {% endblocktrans %}
{% trans "Hugs, rainbows and sunshines!" %}
Django Girls


This is our first block-level element.
This is our second block-level element.
This is our third block-level element.


@@include('meta-head.partial.html')
We are having a small, intimate wedding at a lodge built along the side of a waterfall. Our ceremony will take place out on the terrace underneath a heated tent. Dinner will be served inside. Guests are welcome to slip in and out of doors throughout the evening to enjoy the view of the falls.
If you'd like to visit the adjoining park, we recommend arriving to the wedding early. Just outside of the lodge, there is a large public viewing point for visitors to see the falls, along with a wide, paved and staired trail that runs through the surrounding park. The path is about a mile long and ends at the foot of the waterfall. Bring a pair of hiking boots or shoes with good tread and a raincoat for light to considerable spray and wet pathways.
Free public parking is available across the street from Salish Lodge. Please use the footbridge to safely cross over to the lodge.
Valet parking at the lodge costs $8. If you are staying at Salish Lodge, valet parking is complimentary.
It will be autumn in the Pacific Northwest; We expect 40-50F temperatures with a likely chance of mist or rain.
We suggest wearing or bringing warm layers and a raincoat or umbrella so you'll be comfortable through to the night.
| Dress Code | formal to semi-formal |
|---|---|
| Theme | woodland, mountain, garden, rustic, elegance |
| Inspiration | see our pinterest board |
| For comfort | warm clothing, a raincoat or umbrella |
|---|---|
| For merriment | your favorite tabletop card or boardgame |


My name is Dylan Hernandez and I live in the Kansas City area. I have been shaking cocktails and pouring wine a.k.a "Bartender" for a little over three years now. I've been in the service industry for about six years. While it has been a really fun experience, I am ready for a little change. I have always been interested in websites and thought now would be the perfect chance to commit to learn. My only experience being from freshman year of college when we had a project on wix.com.
I took the leap and enrolled at The University of Kansas, Edwards Campus and learning full stack development. It has been pretty fun so far, but also challenging as they push you into new waters. Going into the program I barely knew anything about HTML, but before class even started they had us using it for prehomework and making games on scratch. I definitely can say I have learned a lot so far and look forward to learning more. Later I hope to be able to look back and be completly surprised by what I have accomplished. As I continue the course I plan to push all of my work onto this site so you can watch me grow as a developer too.


The BlinkyTile is an advanced hardware project that you can do with your BlinkyTape. It allows you to turn your BlinkyTape into a square display of (almost) 8x8 pixels!
This project is pretty advanced, so be prepared to spend some time on it!
First, remove the silicone plastic tubing from the BlinkyTape. It won't be needed anymore!
We need to cut the BlinkyTape into 8 sections:
The flexible PCB backing that makes up the BlinkyTape contains copper, so you will want to use wire cutters to cut the tape.
When you're done, you'll have something like this:
We now have 8 segments that we need to join together.
You'll notice that each segment has arrows along the length of the strip. These arrows indicate the direction that data moves along the strip. For example, the top row's arrows point to the right, indicating that data comes in on the left and goes out on the right. When wiring up two sections, we'll need to make sure that the arrows are facing the same direction.
To save wire and hassle, we'll be joining our 8 segments in a "S" curve, using short jumper wires to connect one row to the next. This means that each segment will be "upside down" relative to the previous segment, but allows data to flow in the correct direction.
8 segments means we need to make 7 jumper connections. Each connection requires three wires - Data, 5V, and GND. Since these wires will be curving around to make a "C"-shape at each connection, we'll need to cut them at different lengths. Here is a set of links that worked for us.
| Connection | Data wire length | 5V wire length | GND wire length |
|---|---|---|---|
| 1 | 7mm | 6mm | 5mm |
| 2 | 5mm | 6mm | 7mm |
| 3 | 7mm | 6mm | 5mm |
| 4 | 5mm | 6mm | 7mm |
| 5 | 7mm | 6mm | 5mm |
| 6 | 5mm | 6mm | 7mm |
| 7 | 9mm | 8mm | 7mm |
Above is an image of pre-cut and pre-stripped wire bundles for 4 connections. We used blue for Data, red for 5V, and black for GND.
To help make it easier ot mound the LEDs later, we'll be soldering the jumper wires to the solder pads on the back of the strip.
Solder the first three wires to its appropriate pad on the "DO" (Data Out) side of the first segment (the segment with the BlinkyBoard attached).
It can be easy to lose track of which pad goes to which wire when you're looking at the back of the strip, so be sure to double-check which wire is going where.
Solder the jumper wires from the first segment onto the next segment. Be sure to make the following connections:
Repeat steps 3b and 3c, using the correct length wires at each step, to connect the remaining segments of the board. Above is an image of the reassembled BlinkyTape with all jumpers soldered.
Now would be a great time to plug your reassembled tape into a computer to test it out. You'll want to find broken/missing/incorrect wiring now rather than once you've closed the BlinkyTape up in a box!
We've provided DXF format laser cutting files for the pieces that we used to construct our enclosure. You can find them here:
BlinkyTile hardware files on GitHub
You'll need to use your favorite software to arrange these files into "cutting plates" to cut out of the appropriate plastic. Here's a quick breakdown of which parts should be made of which plastic:
The LED mount has a space for the BlinkyBoard and USB connection and a succesion of holes that each LED should "click" into. Because the wire jumpers put a torque on the strip that tends to make them pop out, we secured the ends of each segment with some clear tape.
Next, attach the LED mount to the frame back using M3 hardware. We used 8mm long bolts pushed through the back of the frame back, then used a washer and a nut on the LED mount side, where -- once the lid is in place -- they won't be seen.
With the current enclosure design, the USB cable must be plugged in before assembling the final box, so go ahead and do that now. You may want to add some strain relief in the form of a small zip-tie on your USB cable that will remain just inside the box to keep the cable from disconnecting if it is pulled on.
Do a "dry fit test" of all of your frame parts. Start by identifying which of the side pieces is which.
Starting with the frame back lying flat on a table, use acrylic glue to attach each of the sides, starting with the "right side", followed by the "top side", "left side", and finally "bottom side".
Once the sides are nicely affixed to the frame back, we can attach the front of the frame using acrylic glue. Start by placing the front piece on top of the frame to get it lined up. The front piece should just cover every edge of the frame. Then, use a syringe applicator to squirt acrylic glue into the space between the front piece and the frame. Do this on all four sides and apply pressure to make sure that the glue makes a nice bond.
Finally, let the glue set according to the instructions.
Plug the USB into your computer to see the results of your labor!
This project is a work-in-progress. We'll be making some revisions soon including:
Thanks for reading! Got some feedback? Feel free to drop us a note via Twitter at @BlinkyTape!


@import helper._ @import html5.tags.html._ @(addUserForm: Form[models.User],user: models.User) @main("Register",user) {
To avail of our great offers you will need to register and create an account please fill in all feilds for you registration to be complete we have automatic email sent to you if you wish to recive them, updates on new products and special offers and much more if you wish to contact us before registering feel free to email us our contact information is prvided on the bottem of the page>
First Name
@text(addUserForm("firstName"), 'class -> "form-control", 'placeholder -> "First Name")Last Name
@text(addUserForm("lastName"), 'class -> "form-control", 'placeholder -> "Last Name")Address
@text(addUserForm("address"), 'class -> "form-control", 'placeholder -> "Address")Password
@password(addUserForm("password"), 'class -> "form-control", 'placeholder -> "First Name")Phone
@text(addUserForm("phone"), 'class -> "form-control", 'placeholder -> "Phone")Mobile
@text(addUserForm("mobile"), 'class -> "form-control", 'placeholder -> "Mobile")Age
@number(addUserForm("age"),'type -> "number", 'class -> "form-control", 'placeholder -> "Age", 'min -> "1", 'step -> "1", 'max -> "9999", 'value -> "0")


Survey Form
This is a simple survey form made in html and css
Name
Email
Number
Option 1
Option 2
Cars
Buses
Flights


I'm Here
Home
(current)
Cure
Breathing
Unburden
Blog
Let Us help You
select menu
Depression
Bi-Polar Mood Swings
Suicidal Thoughts
[
]


Biggest online games website in Brazil
Online games website for girls
Games website for little kids
TV shows news, episodes schedules and synopses
On-demand grocery delivery in Brazil
Collection of mobile games to play online or offline
Sync your Netflix history with Trakt.tv
Clone a GitHub organization repositories
Bot who says the today's movie schedule in Brazil
Keep the score of a "Truco" card game
Multiplayer Tic Tac Toe game


|
Results
|
Current Iteration
|
|
Initialization Parameters
Number of Particles/Generation:
Search Space: |
Camera
|
|
Legend
|
Control
|


{{import "layouts/partials/helpers/errors"}} {{import "layouts/partials/helpers/csrf"}}
Please provide your login credentials before continuing


Hot
Restaurant
Menu
View Table
Make Reservation
Submit
Hot
Restaurant
We only have 5 tables!
View Tables
Make Reservation


DSE 2019 - Course Links
Select Semester
Summer Semester - 2020
Winter Semester - 2019
Name
Details
Index
2020
2019
Forum
Name
Security and Cryptography II
DSE-E1 (Advanced Security and Cryptography)
Index
link
2020
folder
2019
folder
Forum
forum
Name
Wireless Sensor Networks
DSE-E2 (Wireless Sensor Networks)
Index
link
2020
folder
2019
folder
Forum
forum
Name
Distributed Operating Systems
DSE-E3 (Distributed Operating Systems)
Index
link
2020
folder
2019
folder
Forum
forum
Name
Component-Based Software Engineering
DSE-E4 (Component-Based Software Engineering)
Index
link
2020
folder
2019
folder
Forum
error_outline
Name
Internet and Web Applications
DSE-E5 (Selected Areas of Internet-based Systems)
Index
link
2020
folder
2019
folder
Forum
error_outline
Name
Foundations of Concurrent and Distributed Systems
DSE-E6 (Concurrent and Distributed Systems)
Index
link
2020
folder
2019
folder
Forum
forum
Name
Lab: Concurrent and Distributed Systems
DSE-E6 (Concurrent and Distributed Systems)
Index
link
2020
folder
2019
folder
Forum
forum
Name
Software Fault Tolerance
DSE-E7 (Software Fault Tolerance)
Index
link
2020
folder
2019
folder
Forum
forum
Name
Seminar: Current Topics in Dependable Systems
DSE-E11 (Principles of Dependable Systems)
Index
link
2020
folder
2019
folder
Forum
forum
Name
Details
Index
2019
2018
Forum
Name
Systems Engineering 1
DSE-M1 (Systems Engineering)
Index
link
2019
folder
2018
folder
Forum
forum
Name
Systems Engineering 2
DSE-M1 (Systems Engineering)
Index
link
2019
folder
2018
folder
Forum
forum
Name
Distributed Systems
DSE-M2 (Ubiquitous Systems)
Index
link
2019
folder
2018
error_outline
Forum
error_outline
Name
Mobile Communication/Computing
DSE-M2 (Ubiquitous Systems)
Index
link
2019
folder
2018
error_outline
Forum
error_outline
Name
Transactional Information Systems
DSE-M3 (Transactional & Secure Platforms)
Index
link
2019
folder
2018
folder
Forum
error_outline
Name
Security and Cryptography I
DSE-M3 (Transactional & Secure Platforms)
Index
link
2019
folder
2018
error_outline
Forum
error_outline
Name
Design Patterns And Frameworks
DSE-M4 (System Design)
Index
link
2019
folder
2018
error_outline
Forum
error_outline
Introduction slides are
here
. Guide for electives selection is
here
.
Initial Design and Code taken from :
Responsive Table Using Flexbox by Matt Nordstrom
Github repo:
https://github.com/umarhussain15/dse-2019


WITNESS LIST Revenue & Public Education Funding, Select Committee March 27, 1997-9:00A Franchise Tax On: Shapiro, Sanden (himself) School Finance On: Anderson, David (TX Education Agency) Backus, Jane (TASB) Casey, David T. (school finance consult.) Colbert, Paul (himself; consultant) Dunn, David (Legislative Budget Bd) Grusendorf, Bill (TX Assn Rural Schools) Kirkpatrick, Richard (Equity Center) Moak, Lynn (himself, consultant) Pierce, Wayne (Kaufman ISD Superinten.) Wisnoski, Joe (TX Education Agency) Tax Reform- General On: Barton, Karey (Comptroller's Office) Bonilla, Ray (Comptroller's Office) Daugherty, Craig (Comptroller's Office) Hamilton, Billy (Comptroller's Office) Keel, John (Legislative Budget Bd) Reissig, Mike (Comptroller's Office) Wilson, Dan (Comptroller's Office) Texas Constitution On: Nance, James (Legislative Council)


"AZEKAH "dug over, a town in the Shephelah or low hills of Judah (Joshua 15:35), where the five confederated Amoritish kings were defeated by Joshua and their army destroyed by a hailstrom (10:10, 11). It was one of the places re-occupied by the Jews on their return from the Captivity(Nehemiah 11:30).
"AZEKAH "dug over, a town in the Shephelah or low hills of Judah (Joshua 15:35), where the five confederated Amoritish kings were defeated by Joshua and their army destroyed by a hailstrom (10:10, 11). It was one of the places re-occupied by the Jews on their return from the Captivity(Nehemiah 11:30).


|
width = width of screen in pixels (640, 800, etc)
height = height of screen in pixels (480, 600, etc) color depth = depth in bits (0, 16, 24, or 32 bit) mode = Video mode (see description); Optional |
|
This command sets Blitz into 'graphics' mode with the specified width, height, and color depth (in bits). This command must be executed before any graphic related commands can be used. Every time this command is used, any images loaded will be lost, and all handles to images will become invalid.
Color depth is OPTIONAL and should be left blank or set to zero if possible - Blitz will then determine the best color mode automatically for the user's video card. In general 16 bit should be sufficient for most games and should be used wherever possible to ensure greatest compatibility. Valid graphic width and height varies GREATLY from card to card so to be sure your users can display the mode you wish, use the GfxModeExists command to be sure before you try and set the mode yourself. Common resolutions that are probably safe are 640x480 and 800x600. Try to avoid odd screen modes like 640x400 as MANY MANY cards cannot display them. Chances are if you can set your Windows screen resolution to a particular resolution, then Blitz will behave in that resolution also. Remember, each step higher in resolution and color depth mark a large jump in system requirements and may be inversely proportionate to system performance. If you use the lowest resolution and depth possible to meet your desired game parameters, it will allow more people with lesser systems than your own still play and enjoy your game. This is why many games still support a 640x480 mode :) An extra parameter is used at the end of the command after the color depth. Here are the parameters: 0 : auto - windowed in debug, fullscreen in non-debug (this is the default) 1 : fullscreen mode 2 : windowed mode 3 : scaled window mode See also: EndGraphics, Graphics3D. |
|
;GRAPHICS Example
; Set The Graphic Mode Graphics 800,600 ; Now print something on the graphic screen Text 0,0, "This is some text printed on the graphic screen (and a white box)! Press ESC ..." ; Now for a box Rect 100,100,200,200,1 While Not KeyHit(1) Wend |


Week 9 - Thinking Style
Upon taking a quiz regarding my Gregorc Thinking Style, my results were as follows; Concrete Sequential - 20, Abstract Sequential - 48, Abstract Random - 40, Concrete Random - 12. My numbers favor the Abstract Sequential and Abstract Random categories which on a high level lead me to believe I function well in groups. While I did not need a quiz to inform me of my feelings associated with working in teams, it was neat to read all of the critial attributes. Equally interesting were the attributes associated with the other end of the spectrum. As a whole I agree with the assessment of the quiz but I do find certain points valid in the opposing categories and can see how I may have other tendancies.
I have been greatly anticipating the day that I will be allowed to sit down next to my peers and work on challenges face to face. When I am in the company of others working towards a common goal I feel that I am at my best. I play very well with others and cannot wait for the opportunity to participate with my cohort in person. This is going to really put me at ease for learning new content, knowing that I have the support of my peers not more than a shoulder tap away.
It would seem that in the completion of week after week of study I had all but forgotten about the fixed mindset versus the growth mindset. I was reading today and found myself feeling very confused. There are aspects of my life where I feel I have a very fixed mindset while in others I feel the desire to grow. I have been thinking about what all of this means to me off and on throughout the day and have decided that I did not have enough current examples to make a hard ruling. Starting now, I'll be more mindful of the inidcators of a fixed mindset and do my best to work through them.


Example showing JTouchSupport in action
Tested on:
Touch Devices - New ipad and BlackBerry PlayBook. Desktop - Windows XP, 7, OpenSUSE 12, Safari, Firefox and Chrome.


FooBER Driver
reorder
home
Cosmos Pizza
Restraunt Location: 1325 Broadway #108 Boulder, CO
Delivery Location: 933 Portland Pl Apt 20 Boulder, CO
Order: Fancy Calzone, 2 Medium Cheese Pizzas
Order Amount: $25
Driver Amount: $5
Approximate Time: 10 minutes
Accept Order!
Powered By SFPark.org
Restraunt
Driver


THE BATTLE OF BRAZIL A book review by Craig Good Copyright 1987 Craig Good
I know it's out of the ordinary to have a book review in this newsgroup. THE BATTLE OF BRAZIL, Jack Mathews's book about Terry Gilliam's struggle with Hollywood to release his film, is an extraordinary book. It chronicles in frightening detail what it is like to deal with the big studio system and how, just this once, the Director won.
Life imitated art when Gilliam's masterpiece of fantasy and dehumanizing bureaucracy fell into the fell clutches of a lawyer cum studio exec, Sid Sheinberg (Hint: It was Sheinberg's idea to replace the symphonic Jerry Goldsmith score for LEGEND with syntho-pop Tangerine Dream music). There it sat at Universal, perhaps the most Orwellian, overgrown, Big Hollywood Studio of them all, and they didn't know what to do with it.
What they tried (and almost succeeded) to do with it was turn BRAZIL into a confused, bland, happy-ending romantic comedy. One of the best features of the book is a complete, annotated script. Many of the notes explain what changes were made for the Universal version. Chilling. Absolutely chilling. Illustrative are a few of the alternate titles sent by Universal to Gilliam (who figured they must have a drawer of unused movie titles somewhere). I'm not making these up, and they're all at least this bad:
If Osmosis, Who Are You?
What a Future!
The Ball Bearing Electro Memory Circuit Buster
Lords of the Files
Explanada Fortunata Is Not My Real Name
Disconnected Parties
Day Dreams and Night Tripper
Nude Descending Bathroom Scale
This Escalator Doesn't Stop At Your Station
Blank/Blank
The Girl in the House on the Truck That's on Fire
Gnu Yak, Gnu Yak, and Other Bestial Places
This constitutes the best evidence I've ever seen for rampant drug abuse in Hollywood. Film buffs and people who appreciate Gilliam's brilliant vision will devour THE BATTLE OF BRAZIL with a passion. And it even has a happy ending.
--Craig ...{ucbvax,pyramid,sun}!pixar!good
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Implements a non-parametric source attribution model to attribute cases of disease to sources in Bayesian framework with source and type effects. Type effects are clustered using a Dirichlet Process. Multiple times and locations are supported.
| Version: | 1.0.1 |
| Depends: | R (≥ 3.4.0), dplyr, tensorA, assertthat |
| Imports: | gtools, hashmap, R6, cluster, stats, gplots, SPIn, grDevices, reshape2 |
| Suggests: | testthat, R.rsp |
| Published: | 2017-05-09 |
| Author: | Poppy Miller [aut, cre, cph], Chris Jewell [aut], Jonathan Marshall [ctb], Nigel French [ctb] |
| Maintainer: | Poppy Miller <p.miller at lancaster.ac.uk> |
| License: | GPL-3 |
| NeedsCompilation: | no |
| CRAN checks: | sourceR results |
| Reference manual: | sourceR.pdf |
| Vignettes: |
Using sourceR |
| Package source: | sourceR_1.0.1.tar.gz |
| Windows binaries: | r-devel: sourceR_1.0.1.zip, r-release: sourceR_1.0.1.zip, r-oldrel: sourceR_1.0.1.zip |
| OS X binaries: | r-release: sourceR_1.0.1.tgz, r-oldrel: sourceR_1.0.1.tgz |
| Old sources: | sourceR archive |
Please use the canonical form https://CRAN.R-project.org/package=sourceR to link to this page.


In the dictionary every key is assigned values using semi-colon and two different keys are separated by comma.
Example-
dict = {'Python': 10, 'CPP': 7, 'Java': 9}
An empty dictionary is declared using {}.
Accessing Values in Dictionary
To access dictionary elements, you can use the familiar square brackets along with the key to obtain its value just like the lists.
Example −
dict = {'Python': 10, 'CPP': 7, 'Java': 9}
print (‘dict['Python']: ‘, dict['Python'])
print (‘dict['CPP']: ‘, dict['CPP'])
Output:-
dict['Python']: 10
dict['CPP']: 7
print(dict['HTML'])
Traceback (most recent call last):
File "<pyshell#1>", line 1, in <module>
print(dict['HTML'])
KeyError: 'HTML'
Updating Dictionary
You can modify the existing dictionary by using the keys and assigning them values.
dict = {'Python': 10, 'CPP': 7, 'Java': 9}
dict['CPP'] = 8; # update existing entry
Even if the key does not exist in the dictionary we can add it directly by assigning the value and writing the key directly.
Example-
dict['HTML'] = 8; # Add new entry
print (‘dict:’,dict)
Output:
{'Python': 10, 'CPP': 8, 'Java': 9, 'HTML': 8}
Delete Dictionary Elements
You can either remove individual dictionary elements or clear the entire contents of a dictionary. You can also delete entire dictionary in a single operation.
To explicitly remove an entire dictionary, just use the del statement.
Example −
dict = {'Python': 10, 'CPP': 8, 'Java': 9, 'HTML': 8}
del dict['Python’]; # remove entry with key 'Name'
print(dict)
dict.clear(); # remove all entries in dict
print(dict)
Output:
{'CPP': 7, 'Java': 9, 'HTML': 8}
{}
Properties of Dictionary Keys
There are no restrictions on the values that we assign to the keys. But the keys that we add must follow certain rules.
There are two important points to remember about dictionary keys −
(a) Duplication of keys is not allowed. In this case, the last assignment of that key is displayed.
dict = {'HTML': 7, 'Java': 9, 'HTML': 8}
print "dict['HTML']: ", dict['HTML']
Output:
dict['HTML']: 8
(b) The keys must be immutable. That means, the keys can be strings, numbers or tuples but they cannot be lists. As lists are mutable.
dict = {['CPP']: 7, 'Java': 9, 'HTML': 8}
Output:
Traceback (most recent call last):
File "<pyshell#9>", line 1, in <module>
dict = {['CPP']: 7, 'Java': 9, 'HTML': 8}
TypeError: unhashable type: 'list'
Built-in Dictionary Functions & Methods
Python includes the following dictionary functions −
1 . Compare cmp(dict1, dict2)
Compares elements of both dict.
2 . Length len(dict)
Gives the total length of the dictionary. This would be equal to the number of items in the dictionary.
3 . Dict2Str str(dict)
Produces a printable string representation of a dictionary
4 TypeOfVariable type(variable)
Returns the type of the passed variable. If passed variable is dictionary, then it would return a dictionary type.
Python includes following dictionary methods −
1 . Clear dict.clear()
Removes all elements of dictionary dict
2 . Copy dict.copy()
Returns a shallow copy of dictionary dict
3 . Dict2List dict.fromkeys()
Create a new dictionary with keys from seq and values set to value.
4 . GetKey's Value dict.get(key, default=None)
Returns the value of the key if True ,else returns default value
5 . PresenceOfKey dict.has_key(key)
Returns true if key in dictionary dict, false otherwise
6 .Items dict.items()
Returns a list of dict's (key, value) tuple pairs
7 . Keys dict.keys()
Returns list of dictionary dict's keys
8 .SetDefault dict.setdefault(key, default=None)
Similar to get(), but will set dict[key]=default if key is not already in dict
9 . Update dict.update(dict2)
Adds dictionary dict2's key-values pairs to dict
10 . Values dict.values()
Returns list of dictionary dict's values


You can insert pictures in the Powerpoint through Insert menu bar.
Inserting a picture.
1.Click on the slide where you want to insert the Picture.
2.Click Insert menu.
3.Click Pictures present on Images tab.
4.An Insert picture window will appear, open the location of the picture and select.
5.Click Insert.


Extending Feathers example themes
Using one of the example themes included with Feathers, we can quickly style every Feathers component in our apps with a set of pre-made skins. This is a great way to get started with a new game, or an app with heavy branding, when we plan to integrate the final, custom design later. The example themes can even be useful for skinning productivity apps and things that don't require custom-designed branding and skins.
Whatever our needs, eventually, we may need to make some style tweaks. Maybe we need to add icons to various buttons or we need to provide some alternate skins for certain components. Often, it's best to create a theme from scratch. Other times, we might like how an existing theme looks, but we need to make a few minor tweaks here and there. The example themes included with Feathers are designed with basic extensibility in mind. Let's learn to modify the themes to add some extra custom styles.
Adding an alternate style function
Let's say that we're using MetalWorksMobileTheme
in our app. Most of the skins meet our design requirements, but we need to create a special button in our app with a slightly different style.
In this tutorial, we extend MetalWorksMobileTheme
, one of the example themes included with Feathers. You will find a compiled SWC for this theme, and the full source code, inside the Feathers ZIP file in the themes directory.
To get started, we'll subclass the MetalWorksMobileTheme
class:
package com.example
{
import feathers.themes.MetalWorksMobileTheme;
public class CustomTheme extends MetalWorksMobileTheme
{
public function CustomTheme()
{
super();
}
}
}
Where we instantiate MetalWorksMobileTheme
when our app first starts up, we must change it to instantiate our new subclass instead:
new CustomTheme();
Next, let's add a function that will provide different skins for our special button. Inside the CustomTheme
class, add the following setCustomButtonStyles()
function:
protected function setCustomButtonStyles( button:Button ):void
{
button.defaultSkin = new Quad( 200, 60, 0xff0000 );
button.downSkin = new Quad( 200, 60, 0x000000 );
button.fontStyles = new TextFormat( "_sans", 36, 0xffffff );
button.padding = 10;
}
Now, we need to tell the theme how to use this function. The superclass defines a method named initializeStyleProviders()
where all of the global style providers are registered with Feathers.
Every example theme included with Feathers uses this same architecture. Themes provided by third-parties may work a bit differently, so you should refer to the third-party documentation for complete details.
We want to override the initializeStyleProviders()
function so that we can tell the Button
global style provider about our setCustomButtonStyles()
function:
override protected function initializeStyleProviders():void
{
super.initializeStyleProviders(); // don't forget this!
this.getStyleProviderForClass( Button )
.setFunctionForStyleName( "custom-button", this.setCustomButtonStyles );
}
We call the getStyleProviderForClass()
function to access the global style provider for the Button
class. If a global style provider hasn't been registered yet, one will be created automatically.
Because MetalWorksMobileTheme
is a subclass of StyleNameFunctionTheme
, the style provider returned by getStyleProviderForClass()
is a StyleNameFunctionStyleProvider
. We learned about this type of style provider in Skinning Feathers components. It allows us to specify combinations of style names and functions to provide multiple skins for the same type of component.
We call setFunctionForStyleName()
and pass in a "custom-button" style name (you can use any string that you want, as long as it is unique to your app) and a reference to our setCustomButtonStyles()
function that we defined earlier.
That's all we need to add to the theme. Next, let's make a little tweak to the code that creates our special button:
var specialButton:Button = new Button();
specialButton.label = "Special!";
specialButton.styleNameList.add( "custom-button" );
this.addChild( specialButton );
We add the "custom-button" string to the button's styleNameList
, and now the button will be skinned using our setCustomButtonStyles()
function instead of the default function defined by MetalWorksMobileTheme
.
Adding custom components to a theme
By default, a custom component will inherit the default style provider from its super class. If you create a CustomButton
class that extends Button
, the subclass will automatically default to using Button.globalStyleProvider
. If you want your component to simply use the same skins as its superclass, you don't need to do anything. It will happen automatically.
However, if you want the subclass to use a different default style provider than its superclass, then you need to add a couple of properties to your component's class. First, it needs a static global style provider:
public class CustomComponent extends FeathersControl
{
public static var globalStyleProvider:IStyleProvider;
}
Second, it needs to override the non-static defaultStyleProvider
getter:
override protected function get defaultStyleProvider():IStyleProvider
{
return CustomComponent.globalStyleProvider;
}
For the vast majority of components, the defaultStyleProvider
getter should simply return the static global style provider.
However, the default style provider can certainly be customized. For instance, the ToggleButton
component will return Button.globalStyleProvider
if ToggleButton.globalStyleProvider
is null
:
override protected function get defaultStyleProvider():IStyleProvider
{
if( ToggleButton.globalStyleProvider )
{
return ToggleButton.globalStyleProvider;
}
return Button.globalStyleProvider;
}
Similarly, your custom component could also provide a fallback default style provider from the superclass.
To add the custom component to the theme, override the initializeStyleProviders()
function, just like in the previous example:
override protected function initializeStyleProviders():void
{
super.initializeStyleProviders(); // don't forget this!
this.getStyleProviderForClass(CustomComponent).defaultStyleFunction =
this.setCustomComponentStyles;
}
You can set the defaultStyleFunction
on the StyleNameFunctionStyleProvider
. If you have alternate styles for the custom component, you can also call setFunctionForStyleName()
, just like you can with any other component.


|
French FriesNobody bothers to ask if you'd like fries with that anymore, because these days it's assumed you do. In the mid 1990s, the world's most ubiquitous upsell line was quietly phased out in favor of an even better way to celebrate your preferences. Today's climate cordially invites you to participate in supersizing, an American ritual which extends one's purchase order to include either more fries, or way, way more fries. There is no such thing as a "small order" of fries anymore -- fast food chains insist all order hierarchies begin at medium.  It can only be assumed, therefore, that "too many fries" is an equally ludicrous conceit. Marcia Poole of the Sioux City Journal is happy to report that French fries get their name not from the country, but the method of peppering and preparing the potatoes. They are actually from Belgium -- and for this reason, the "f" in "french" need not be capitalized. When one frenches a potato, one cuts it into long, narrow strips before cooking it in a tub of salted oils. You can also "french" meat, by trimming away the fat and bone, leaving behind only lean, lanky shanks. If someone frenches your meat, potatoes, or lean lanky shanks -- get a license plate number and tell a grown-up. The term "french fries" didn't really enter the American meme until 1930, after french-fried onions became the talk of the town. You heard it here first: onion rings and french fries are two equal and opposite forces, battling it out on the world stage for all eternity. Only in America, baby! Make way for a new generation! Here's you eating a french fry: HOMPTH SLOBBER DUH. Move it along, old man! Now there's a new kid in town! Time for some new-fangled, star-spangled onion rings! DOW NOW NOW / GUITAR ROCKIN' / SNOWBOARDIN' / iPODDIN'. In the old-timey antiquified black-and-white days gone by, onions were were dipped in flour and boiled to a crisp. Other times, they were battered and served with a beer. Still other times, they were boiled, beer-battered, and served with a flower -- but only for garnish, not for eating. Whatever the presentation, to this day french-fried onion rings suffer a name which makes little sense: onions cut into circular, concentric rings can sometimes be referred to as chips in faraway sci-fi Utopian England or southern Wales -- but they fail to comply one hundred percent with the traditional interpretation of french strippers. STRIPS! French fried potato strips. During the U.S.-led invasion of Iraq in 2003, France dared to exhibit a level of dissent with United States military action. Republicans counterbalanced this disagreement by launching the ostensibly humorous and patriotic Freedom Fries campaign. Representatives Robert Ney (R - Ohio) and Walter B. Jones (R - North Carolina) ordered White House cafeterias to change the name of french fries to freedom fries -- an action passed by Congress after a vote. Nathalie Loisau, a spokeswoman from the French embassy acknowledged that "we are at a very serious moment dealing with very serious issues, and we are not focusing on the name you give to potatoes." French fries remain a point of contention among food historians, but mostly it's agreed that President Thomas Jefferson (R - Virginia) was the first president to serve french fries in the White House. Maybe even the Oval Office! At that point, they were called "pommes frites" -- literally, fried pom-poms -- and they were considered staples of American cuisine. Historian John Mariani sleuthed that the term "french fries" finally made its way into a French food journal sometime around 1858. Mariani later died due to complications of the boring. Should you be able to purchase french fries anywhere, at any time, directly on demand? Ladies and gentlemen, that is your God-given right as Americans according to a Nevada corporation called Tasty Fries, Inc. Over the course of the past ten years, Tasty Fries has spent over $40 million in research and development, searching for ways to establish and market an army of vending machines capable of dispensing hot, tasty french fries to consumers -- in less than ninety seconds. Inside each vending machine is a streamlined process both elegant and genius: a Willy Wonka wonderland of pure imagination. First, a clump of Nestle-brand Potato Product gets re-hydrated with purified water under an ultraviolet lamp. From there, the mushy semi-solid potato compost can be squeezed through a wire grid, rendering exactly 32 individual fry-like parallelepipeds (extruded rectangles). Then they're lowered basket-wise, into a miniature cooking chamber containing clean, preheated, cholesterol-free oil. After cooking, they're dispensed into a cup, with ketchup and salt available upon request. Every half hour, the machine performs a self-sanitizing operation with water reaching temperatures of 190 degrees, and the used oil is sold to a recycling company. Talk about savory and delicious! The Tasty Fries machines attempted to establish and secure territory wherever fries made the most sense: high schools, airports, bus and train stations. They went public, issuing millions of dollars' worth of stock. In 1994, the Tasty Fries board of directors invited Edward Kelly, the owner of a machine design subcontracting company to witness the Tasty Fries magic. The machine produced what Kelly could only describe as "the most disgusting potato product" he'd ever seen. He refused to eat anything that plopped like a prom-toilet abortion from a Tasty Fries dispensary, and in a written evaluation he suggested the company promptly abandon their idea. The board of directors responded by making Mr. Kelly the CEO of Tasty Fries, Inc. -- in the hopes he could architect a better machine. Shortly thereafter, the company entered a period of sharp decline, brought about by partner-related investment scandals and the failure to turn a profit or place even a single vending machine into the marketplace. Judge Vice Chancellor Stephen Lamb expressed strong criticism of the company, citing numerous Tasty Fries press releases as "overly optimistic, if not outright misleading". He went on to describe the Tasty Fries as a sham venture "little more than a vehicle to raise money from gullible investors". During the very first business quarter of 2006, a cascading blitzkrieg of simultaneous snack food scandals threatened to deep-fry the McDonald's restaurant corporation. In January, a "labeling rule" enacted by the Food and Drug Administration required the entire packaged food industry to report all common allergen ingredients in an easily-accessible public forum. Translation: if people might be deathly allergic to something in your product, now's your chance to let 'em know. This ruling forced McDonald's to make February disclosures on its website that their french fry recipe contained -- among other things like partially hydrogenated soybean oil and dextrose corn sugar -- something called gluten, a protein found in wheat, rye, and barley. Gluten is used by McDonald's on a massive scale, primarily as a flavoring agent but also as a key ingredient in its french fry cooking oil. Stockholders panicked. It was Enron all over again, if Enron was a big tall glutinous french fry, stomping across America like King Kong, squirting ketchup on people and tossing them around like rag dolls. The language of the french fry disclosure on McDonald's' website was structured innocently enough: "contains wheat and milk ingredients" -- but that was all it took for citizens like Debra Moffatt of Cook County, Illinois to hire the Chicago law firm of Dale and Pakenas. Together, they filed a suit charging the restaurant giant of consumer fraud, seeking class-action status and unspecified damages. Moffatt and her two children suffer from celiac disease, which interferes with the absorption of nutrients and is only triggered by ingesting gluten. Mark and Theresa Chimiak of Jupiter, Florida filed a lawsuit as well, claiming their gluten-intolerant 5-year-old daughter Annalise became seriously ill after eating McDonald's fries. Then another Florida family joined in: David and Cherilyn Levy of Fort Lauderdale. They allowed their five-year-old daughter Sydni to eat McDonald's french fries twice a week, primarily because the corporation had already gone on record to promote their fries as gluten-free. Sydni's celiac reactions began to exacerbate the symptons of her autism, and the Levy lawsuit seeks more than $5 million. Within days, dozens more vegans, vegetarians, individuals with low self-esteem and those just looking to hop aboard the handout bandwagon were also suing McDonald's. Celiac disease affects 1 in 133 Americans. Symptoms certainly include classic, best-of favorites like diarrhea, weight loss and malnutrition -- but also isolated nutrient deficiencies which accumulate over time, making the sufferer less immune to toxins. And it's by no means just for poor white trash anymore: recent celiac studies show the disease's increasing tolerance for Hispanics, Blacks and Asians.  A common assumption is that you've got cancer, or Leukemia, or nonexistent ulcers consistent with Irritable Bowel Syndrome. Victims can be subjected to many unnecessary or expensive procedures -- including blood tests, biopsies, ultrasound and CAT scans, thyroid exams, and probing treatments for urinary tract infections or lurking parasites. Ultimately, the only acceptable treatment for celiac disease is a strict, 100% adherence to a gluten-free diet for life. This means eliminating wheat, rye, oats, barley, dairy products, soy, and eggs. In the midst of this crisis, in February of 2006, 42-year-old Lora Davis of Gaston County, North Carolina, claimed to have found smeared blood inside her box of french fries. Davis says she bought a Happy Meal at the drive-through window of a Gastonia McDonald's in November 2004, and then went back to her office for lunch. When she found the blood, she called the restaurant and spoke with an apologetic assistant regional manager -- who confirmed that the blood came from an employee with a cut. "At first, I felt disbelief," Davis said. "Then fear. I get sick when I think about it." She went straight to her doctor for an AIDS test and a check for other infectious diseases -- under the impression that McDonald's would pay for her medical bills. When she didn't hear back from the company for several months, she filed a $10,000 lawsuit and stopped eating out for several months. Gaston County health inspector John Carpenter said he spoke to the McDonald's manager, who confirmed Davis' account of the incident. Carpenter gave him a lecture about handling future situations in which a preparer of food has cuts on his fingers or hands. An attorney for Davis says all attempts to reach an out-of-court settlement have been fruitless -- and McDonald's isn't commenting because the claim is pending. Meanwhile across town, an emergency blood transfusion failed after an errant french fry was found lodged in the patient's heart.  You bet they do. The blood and gluten scandals arose only a few months after McDonald's had already come forward to acknowledge that their french fries contained a third more fat than previously admitted, prompting equal and opposite lawsuits from citizenry around the nation, sometimes in excess of $10 million. Will this prosecution never end? In school breakfast and lunch programs, french fries are demonstrably more popular than hamburgers and slices of pizza combined. Morning and afternoon menus across America need only leverage the power of the potato to boost cafeteria sales and help our plumpity-plump pre-teens grow even plumpitier. In your face, fruit cup! These days, junior high school students enjoy an endless parade of all-you-can-eat buffet rivaling those found in Las Vegas casinos. Sausage links with gravy, french toast sticks, tacos, breakfast burritos, graham cracker marshmallow s'mores, double-fudge brownies, scrambled eggs, pork patties, tater tots, jelly donuts, sticky cinnamon rolls, strawberry cheesecake, barbecued ribs, buttermilk biscuits, beef and cheese quesadillas, potato rounds, double-battered corn dogs, parmesan-baked macaroni and cheese -- and two phat-ass scoops of Rocky Road devil's food gumball ice cream with vanilla-cinnamon whipped cream pie for dessert! So for the love of god, people: save room for the french fries. Pace yourself, it's not a marathon. And make some noise for all the dedicated cafeteria ladies out there. They work hard and they play hard. |


Man hands himself over after allegedly shooting Klerksdorp car dealership owner
by Jeanette ChabalalaA 37-year-old man has handed himself over to the police after he allegedly shot and killed a man following an argument at Speedy Car Sales in Klerksdorp on Monday, North West police said.
"I can confirm that the police are investigating a murder and two attempted murders," Captain Aafje Botma told News24.
"The suspect allegedly entered Speedy Car Sales and [an] argument broke out between him and one of the salesmen or the manager. I can't say what his [the deceased's] position is."
Botma said the suspect then allegedly shot the victim, 30, and injured two other people who were taken to the nearest hospital.
"The argument is in connection with a business transaction but this will be investigated."
Anti-crime activist Yusuf Abramjee identified the victim as Mohammed Dango who was the owner of Speedy Car Sales.


Bushwick's Finest Public High School.
Find Out MoreSee the new events planned for ACLA by our parent coordinator and meet the rest of our staff!
Get Started!We have students that have been accepted to universities with top ranked programs!
Our teachers are trained to ensure that students are not only lectured, but are able to collaborate with their peers.
We hold students to an exceptionally high expectation in order to better prepare them for college, and the world outside ACLA.
Our students have great relationships with our staff members!
Our doors are always open for parent questions. Don't hesitate to give us a call!
School:<PHONE_NUMBER>
Ms.Rosa: XXX-XXX-XXXX


| Hydrogeological Toolbox |
| igmeread | Read the time, head, and flow rate from the IGME standard csv file. |
| hyclean | Selecting values that are finite and strictly positive time |
| hyselect | Selecting a part of a dataset between xstart and xend |
| hyfilter | Filtering a signal in order to reduce the noise |
| hysampling | Sampling a signal at regular intervals |
| hyplot | Plotting selected/filtered/sampled data |
| Hytool |
© 1998-2007 Philppe Renard. Terms of Use Acknowledgments


Eamonn Brophy replaces injured Lawrence Shankland in Scotland squad
Shankland did not feature in Saturday’s 2-1 win in Cyprus.
Kilmarnock striker Eamonn Brophy has been called into the Scotland squad after Lawrence Shankland pulled out with a minor injury.
Shankland did not feature in Saturday’s 2-1 win in Cyprus with Steven Naismith starting up front and Oli McBurnie coming on just after the hour mark.
A Dundee United statement read: “Lawrence Shankland has left the Scotland squad due to a slight injury picked up ahead of Saturday’s match v Cyprus.
“He will return to the HPC (High Performance Centre) for assessment and is expected to be available for the Morton game.”
Brophy, who has four caps and has scored three times for Killie this season, will come into the reckoning for Tuesday’s final Euro 2020 qualifier against Kazakhstan at Hampden.
A draw would seal a third-placed finish for Scotland but they are looking for a third victory in succession to build confidence ahead of their play-off campaign in March.


If you don't have an account yet, sign up now.
 Make sure it's enabled for use with EC2.
To learn more about Scalarium, check out our screencasts.


/div>
| # | DESCRIPTION | Price | Pieces | GST | TOTAL |
|---|---|---|---|---|---|
| 01 |
|
||||
| SUBTOTAL | |||||
| GRAND TOTAL |
Thank you!
NOTICE:
Making changes in bill is illegal.


WITNESS LIST
Land & Resource Management Committee
June 30, 2014 - 9:00 AM
Interim Charge 3
On:
Crone, Phil (Dallas Builders Association)
Dunn, Anita (Self)
Fields, Jess (Texas Public Policy Foundation)
Guernsey, Gregory (City of Austin)
Houston, Scott (Texas municipal league)
Howard, Jeff (Self; Real estate council of austin)
Jacks, John (City of San Antonio)
Lesniak, Chuck (City of Austin)
Madere, Pamela (Self)
Munoz, Ned (Texas Association of Builders)
Musgrove, Jeff (Self; Transit Village Investor, LP)
Pohl, Bill (Self; Pohl partners)
Savio, Harry (Home Builders Association Greater Aust in)
Seaman, Ann (Self)
Registering, but not testifying:
On:
Stewart, Kevin (Texas Capitol Group)
Interim Charge 5
On:
Laine, Larry (General Land Office)
Registering, but not testifying:
On:
Biles, Susan (General Land Office)
Henry, Jennifer (General Land Office)
Stewart, Kevin (Texas Capitol Group)
1


Kenya
Ahmed Maawy is a Shaper with the Global Shapers Community (Which is an Initiative of the World Economic Forum) and an Executive Director with M-Power (CBO) as well as Director of Startup Grind Mombasa. He also works as a Software Developer for Volo Broadband. Ahmed is also one of the pioneers in the groundbreaking institution that aims to create a world without boundaries, The Amani Institute's Post Graduate certificate in Social Innovation Management.
Kenya ranked #71 in the 2014 Open Data Index / Other stories from Africa
The Index was new to all of us this year in Mombasa, and it was the first time we came up with the Open Data Task Force. People were passionate about learning about the concept that was new to them in regards to the openness of data and were willing to learn more about how they can become a part of the process in making data easier to access.
Around 20 individuals turned out on Sunday the 9th of November 2014. Although there was an effort to revise the Global Index Submissions made, the event was also specifically intended to create an awareness around Open Data and the Global Open Data Index in Mombasa. However, the key part of the event was the group work that was done by the teams - they split into three teams and started deliberating on the Global Open Data Index and assessed the datasets that were available from a variety of sources and brainstormed potential weaknesses using the Global Open Data Index site as a guide on important parameters and made recommendations and suggestions from their findings.
The challenges that were mostly identified by the participants – in regards to the Kenyan ecosystem - were:
- A lot of the data was old and was not up to date
- The datasets were not also as informative and deep as was required
- The datasets only covered specific areas of the country and did not provide a wider picture
- Availability of open data resources: Some websites for instance were not always available and were slow to access
- Collaboration between various parties involved in the data space was not visible. Some of these links were also broken links
I think in Africa Kenya is better than many other states, but we still have a lot of room to improve. There is still not much data out there for key categories such as transport sector data and postal and zip codes. But definitely what lies ahead in terms of opening up data is far more work compared to what has been liberated. Citing the challenges mentioned above there is a lot of work to be done in order to improve on Open Data and present citizens with data that can be of value to the day to day decisions they make about their lives.
There are a couple of circumstances in which we overlook a lot of important issues when it comes to open data. The index helps in many ways:
- It defines a benchmark to assess how healthy and helpful our open datasets are.
- It allows us to make comparisons between different countries.
- Allows us to asses what countries are doing right and what countries are doing wrong and to learn from each other.
- Provides a standard framework that allows us to identify what we need to do or even how to implement or make use of open data in our countries and identify what we are strong at or what we are week at. It is like an SI Unit that measures the availability and effectiveness of open data in countries across the globe.
As always, open data allows citizens to make informed choices about their lives. When this data is not available, it is not only the citizens at loss, but it is a country at loss. Because then the citizens can never attain a level of efficiency required by the economy just due to the fact they can never make choices on solid facts and figures. So it is a loss across the board.
The discussions that were done while making review of the Open Data Index aided by the visual feedback presented by the Open Data Index platform provides us with valuable insights on what we need to improve in order to attain efficiency in our economies.
I hope that the various Open Data initiatives can collaborate to fill in the gaps presented by the data index platform and by the recommendations raised. This data is key in defining what is lacking and what needs to be the next area of focus for all initiatives in the open data space. It gives a clear indication on what are the major priorities and what are the minor priorities. Then each year the Index will present to us how well we have performed in addressing the major issues, as we work to resolve the minor issues over time, collectively.


This is the end of this manual.
Thank you for reading.
Please press [✖ Close] to go back to the login screen.


{{ errors.__all__ }}
Complaint already escalated EOD will be escalated to complaint EOD is not set, will not escalate to complaint


Troy, NY
Basic Information
- Population: 24,000
- Average Household Income: $200
Trulia Data
- Average Listing Price: $200,000
- More Data Blah blah
Flickr
Yelp
Best Restaurants
- Nighthawk's Kitchen
- Flying Chicken
- The Ruck
- Dinosaur's BBQ
- Lucas Confectionary
- Big Apple Pizza


|
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| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | ||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
public interface SyncBrowseConnector
The interface to be implemented for a Connector
that allows synchronous browse operations.
This is a convenience for synchronous connectors that implement some of the standard set of queries.
If the connector implements this interface, the corresponding method from this interface will be called instead
of the simple SyncGetConnector.get(org.itemscript.core.url.Url)
method.
For an example implementation, see MemConnector
.
| Field Summary | |
|---|---|
static int |
DEFAULT_NUM_ROWS
The default page size for pagedKeys(org.itemscript.core.url.Url) and pagedItems(org.itemscript.core.url.Url) queries, if not specified. |
| Method Summary | |
|---|---|
JsonObject |
countItems(Url url)
Called when the query contains the "countItems" key. |
JsonArray |
getKeys(Url url)
Called when the query contains the "keys" key. |
JsonArray |
pagedItems(Url url)
Called when the query contains the "pagedItems" key. |
JsonArray |
pagedKeys(Url url)
Called when the query contains the "pagedKeys" key. |
| Field Detail |
|---|
static final int DEFAULT_NUM_ROWS
pagedKeys(org.itemscript.core.url.Url)
and pagedItems(org.itemscript.core.url.Url)
queries, if not specified.
| Method Detail |
|---|
JsonObject countItems(Url url)
{ "count" : 1000000 }Connectors that cannot return a count of sub-items should return a JsonObject exactly like this:
{ "countType":"unknown", "count" : -1 }Connectors that cannot return an accurate count of sub-items but can return an approximate number should return a JsonObject looking like this:
{ "countType":"approximate", "count":1000000 }where 1000000 should be a JsonNumber with the approximate number of sub-items.
url
- The URL to query.
JsonArray getKeys(Url url)
pagedKeys(org.itemscript.core.url.Url)
was called without specifying a start row or number of rows to return.
url
- The URL to query.
JsonArray pagedItems(Url url)
[ { "key" : "one", "value" : { "actual":"value" } }, { "key" : "two", "value" : { "another":"value" } } ]Sorting and paging keys in the query will be used to determine the ordering and number of results, as with the
pagedKeys(org.itemscript.core.url.Url)
method.
The sorting of the results should be alphabetically by key, or failing that, any other deterministic method of sorting.
url
- The URL to query.
JsonArray pagedKeys(Url url)
url
- The URL to query.
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Preparation time
less than 30 mins
Cooking time
10 to 30 mins
Serves
Serves 4
This homemade version of the Chinese takeaway classic is quick, easy and delicious.
Combine the egg white, cornflour, salt, a little sesame oil and chicken in a bowl - stir to make sure the chicken is well coated. Leave for about 20 minutes.
Heat a wok until very hot, add some groundnut oil and heat until smoking. Remove from the heat and add the chicken - stir quickly to stop it from sticking and cook until the chicken turns white. Drain the chicken over a heatproof bowl, set the chicken to one side, allow the oil to cool and discard.
Wipe the wok clean and make the sauce. Add the stock, lemon juice and zest, sugar, soy and dry sherry together with the garlic and chilli. Bring to the boil and whisk in the cornflour or arrowroot mixture. Simmer gently for a few moments and then add the chicken. Stir fry to make sure the chicken is well coated and heated through properly.
Add a little sesame oil as final seasoning and serve scattered with spring onions.


nmod
: nominal modifier
The nmod
relation is used for nominal modifiers of nouns or clausal predicates. nmod
is typically a noun functioning as a non-core (oblique) argument or adjunct, and often marked by a preposition using case.
Examples
Tá sé ráite ag tráchtairí áirithe ‘It is said by some commentators’
Tá sé ráite ag tráchtairí áirithe \n Is it said by commentators some
nmod(ráite, tráchtairí)
case(tráchtairí, ag)
Tá an Roinn ag obair le réimse tionscadal ‘The Department is working with a range of projects’
Tá an Roinn ag obair le réimse tionscadal \n Is the Department at working with range projects
nmod(obair,réimse)
case(réimse, le)
It is also used for attaching noun phrases, such as headings, to clauses:
TOGRA IONAID - Eolas a chur ar fáil ar fholúntais fostaíochta le FÁS ‘CENTRE PROJECT - To provide information on employment opportunities with FÁS.’
TOGRA IONAID - Eolas a chur ar fáil ar fholúntais fostaíochta le FÁS \n PROJECT CENTRE - Information to put on getting on opportunities employment with FÁS.
nmod(Eolas, TOGRA)
It is also used to label the attachment of augment pronouns to their nominal head:
Comharsain aoibhne ab ea iad ‘They were lovely neighbours’
Comharsain aoibhne ab ea iad \n Neighbours lovely were they them
nmod(iad, ea)
Verbal nouns which act adjectivally and appear in the genitive are usually labelled as nmod
.
Caladh mór tráchtála atá ann chomh maith. ‘It’s also a large wave of traffic.’
Caladh mór tráchtála atá ann chomh maith \n Wave big of_traffic that_is there as well
nmod(Caladh, tráchtála)
Two nouns coming together also come under this dependency label:
Quantifying Nouns
Mise agus mo chuid clabaireachta. ‘Me and my babbling’
Mise agus mo chuid clabaireachta \n Myself and my part of_babbling.
nmod(chuid, clabaireachta)
Nouns Modifying Nouns
Ba i dtaobh poist a bhí mé ag caint leis siúd. ‘I was talking to him about a job’
Ba i dtaobh poist a bhí mé ag caint leis siúd \n Was in side of_a job that was I at talking with_him that.
nmod(dtaobh, poist)
Reflexive Pronoun: féin
Similar to the emphatic pronoun self in English, e.g. himself, themselves.
Cé hiad féin ? \n Who are THEY ?
nmod(hiad, féin)
Ownership:
It can also translate as ownership, yet the possessive pronoun will also be present in those constructions using féin:
ábalta a rá lena bpobal féin \n able to say to their own community
nmod(bpobal, féin)
le bean Choilm \n with Colm's wife
nmod(bean, Choilm)
Months:
In Irish, the word for month is mí (lit. ‘the month of’). We often use the word mí when referring to a paricular month. For example mí Iúil means ‘the month of July’. The name of the month follows ‘mí’ in the genitive case. We label the name of the month as nmod
. Months that are composed of more than two nouns are treated as flat
.
NOTE: We also treat days of the week as flat
Caitheadh pióg le Bertie Ahern le linn an fheachtais olltoghcháin i mí Aibreáin \n A pie was thrown at Bertie Ahern during the election campaign in the month of April
obl:tmod(Caitheadh, fheachtais)
nmod(fheachtais, mí)
nmod(mí, Aibreáin)
A simple, non specific date string should also be treated as nmod per the UD guidelines.
sa bhliain 1975 `in the year 1975’
sa bhliain 1975 \n in year 1975
flat(bhliain, 1975)
However, a more specific date string, referring to a specific month, should be labelled as flat
I mí Mheán Fómhair 1940 \n In the month of September
nmod(mí, Mheán)
flat(Mheán, Fómhair)
flat(1940, Mheán)
Numbers
We treat itemisation numbers as nmod: chapter 1, article (a)
For example:
(a) Ní bheidh feidhm ag fo-ailt (1) (b) agus (2) ‘(a) The sub-articles (1) (b) and (2) will have no purpose’
(a) Ní bheidh feidhm ag fo-ailt (1) (b) agus (2) \n (a) Not will purpose have sub-paragraph (1) (b) and (2)
nmod(bheidh, (a) )
nmod(fo-ailt, (1))
nmod(fo-ailt, (b))
nmod(fo-ailt, (2))
NOTE: We treat ordinal numbers as amod and cardinal numbers as nummod
nmod in other languages: [bej] [bg] [cop] [cs] [de] [el] [en] [et] [eu] [fi] [fr] [fro] [ga] [gd] [gsw] [gub] [hy] [it] [ja] [kk] [ky] [no] [pcm] [pt] [qpm] [ro] [ru] [sl] [sv] [swl] [tr] [u] [yue] [zh]


"Enemy of the State" (1998)
A Film Review (in the form of a Q/A session) by Mark O'Hara
Q: Tony Scott has a reputation as a solid director of action films. Describe scenes from "Enemy of the State" that perpetuate this idea.
A: After a well-done but rather conventional opening, the credits roll, probably unwatched, over frenetic vantages of Washington D.C. exteriors, spliced into shots of high-tech monitors, screens showing vehicles tracked from satellites 155 miles above the Earth. Several times the camera freezes and jerks in perspective, creating an effect both fascinating and dizzying. Early on we witness chase scenes that leave us panting. One idea established early is that the government agents-gone-wrong - the ones doing the chasing - are ruthless and amoral; they are young and fleet of foot, their short hair standing up with gel. What is noticeable is the frequency of their failure, especially after they stop merely trying to trace Robert Dean (Will Smith) and really try to rub him out. This is a necessary convention. The pursuit we see is tense and original, showing the tenacity of one man, usually on foot, trying to recover his life. In a sequence inside a tunnel, Dean flees on foot as the agents converge; in a slick stunt he slips just in time out of a ventilation shaft and back into the tunnel, where he once again uses his wits to disappear. The vehicle chases are not as stunning as those in "Bullitt" or "The French Connection," but the scenes of Dean - and especially of Dean and Brill (Gene Hackman) escaping together -- are well choreographed and essential to the theme of individuals triumphing over a culture in which privacy is taking heavy hits. Scott shows his experience as a director with a penchant for action.
Q: Describe camera angles or shots that establish a mood of tension.
A: There are nifty Dutch angles arranged during an argument between Dean and his wife Carla (Regina King), her canted face yelling back at him. Clearly, Dean's life is being turned on end. We watch a surplus of scenes taken from satellites, as the operatives for the National Security Agency track their prey, bodies or cars bracketed by target lines as if about to be smart-bombed. Everywhere we look there is a sense of paranoia, including scenes in which the FBI is staking out an Italian restaurant. In these aspects the film hearkens back to things Copollian - "The Godfather," "The Conversation," even the eerily dark "Apocalypse Now."
Q: Describe the qualities that veteran actors Jason Robards (as Senator Hammersly) and Gabriel Byrne (as the pseudo-Brill) bring to their brief roles.
A: Their appearances are short but masterful. As Hammersly, Robards' acting is as transparent as the prose of a well-seasoned writer. We believe he is principled enough to refuse an offer he shouldn't have refused, and the plot hinges on his wrong decision. In his role as "Brill," Byrne acts with smooth efficiency and assurance, completing his assignment of throwing off both Robert Dean and the viewer. What casting!
Q: How do you think the role of Robert Clayton Dean affects the career of Will Smith?
A: A good move. I heard it said that this is his first starring role, but wasn't he at the head of the ensemble casts - if they can be so called - of "Independence Day" and "Men In Black"? (Plus, he's garnered the lines of James West, after first being touted as Artie Gordon, in "The Wild, Wild West.") Smith once again proves likable and believable in the way he relates to others, and he even manages to pull off two or three stints of comic relief in this chase-heavy drama. A cultural aside: Smith makes a canny self-reference to race when a mobster makes a bad choice of words. Other than this, Smith and his wife and son, along with Lisa Bonet as Rachel, are the only blacks in the cast; not much African-American culture is reflected here. And there are two Hispanics, one a nanny, the other a maid. The last word: I will pay to see Smith again, partly because I like his advocating of discipline and responsibility, both in his acting and in his music.
Q: Critique Gene Hackman's performance as Brill.
A: Ahead of the ideas and Smith's performance, Hackman is the best thing about the movie. First, his looks are perfect - a sixty-something original "techie" who went underground after a debacle in Iran in 1980. He is appropriately grizzled and stoic, his hypoglycemia adding to his gruffness. Brill has "disappeared" himself and surfaces only when contracted to gather information. As he demonstrates through his expression, his easy way of characterizing complex personalities, and his collection of subtle mannerisms, Hackman is one of the very best living actors.
Q: Explain the main conflict of the film.
A: After a member of Congress dies mysteriously, a Washington labor lawyer, Robert Dean, finds his career ruined and his life in grave danger. Officials in a renegade division of the National Security Agency are trying to recover a recording of the Senator's murder, and they stop at almost nothing along the way. (At least they do not kidnap the wife or kid: that would have turned the film into the worst kind of "jep" story.) For quite a while Dean does not know the reason he is being hunted; he thinks a mob boss is after him. In an ingenious conclusion, the main narrative meshes into the subplot involving the mobster's videotape the villains on both sides meeting in the kitchen of the Italian restaurant. Another twist is that something happens to the tape of the murder, and Dean enlists Brill's help to turn the tables on the government thugs. Yes, this film will inspire paranoia among many viewers, but a little thinking about the real speed of most government agencies will provide a sense of security!
Q: Is there too much action in the film? Are there enough ideas to balance with the action?
A: Having heard from one critic that the film was nothing but a collection of slick chase scenes, I went into the theater wary. I was pleasantly taken aback when I was not only entertained by the action, but fascinated by the implications. "Enemy of the State" is layered with meanings, ideas that build momentum just as surely as the plot builds to a climax. Because of how subtly these ideas accumulate, the film is deceptive in its power. We witness scene after scene of relentless pursuits, deteriorating personal lives, and a host of other cliches. Nevertheless, the material works. For one, we feel close to Dean and Brill; the number of jams they fall into and climb out of finally pushes the film well past mediocrity. And the handling of the issues of personal privacy, loyalty, and morality provides the viewer with plenty outlets for intelligent thought. I'm reminded of how a rather mediocre story like "Mr. Holland's Opus," through its time span and patient presentation of themes, became an outstanding film. "Enemy of the State" is from a different genre, but I think some of the same patterns apply.
Q: Would you recommend the film to a friend? Why or why not?
A: Yes, and I would urge the friend to feel free to hate it if he or she finds reason. Over the last several months, I have come across many negative early reviews, only to hear later that a film is excellent. Will I stop reading reviews of films before I see them? Of course not. But I'll remember how crucial it is to think for myself about the quality of a film, and I'll remember that part of that quality is highly subjective: Was it pleasing to me, and if it has been judged a poor film, were the critics' words valid? "Enemy of the State" contains some objectionable language, but mostly its R rating comes from violent scenes, especially one near the end. I think most viewers will be captivated by both its quick wit and action.
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Tools for 360 development
This post has no scientific reasons about which kind of tools a professional needs to use. The use of these tools spans from development to operations to maintainance to marketing to support and to PR and so on. Not everything may be needed by a [your favourite technology] developer. The tools may be relevant to Internet startups. I use (or used) them for getting my work done.
Stomp - Turn 100 words into a cinematic intro
Trello - to track project(s)
Visual studio - seems to be world’s most impressive IDE
Postman - the super API test tool
Workbench and SSMS - Database studios
Sql search - to search anything in entire SQL server
Skype - for free chat
Ubuntu - less cost linux server
Mono - cross platform .NET for removing windows licensing costs
HackerNews - lot of lovely information
Google analytics - to track the site performance
MailChimp - email marketing
Mail gun - for upto 10k free & automated monthly emails using simple API
Zoho Email - for business emails
AddThis - for socializing content
Alexa - to check global site ranking
Pocket - to read later
Dropbox - for file backup
Google Compute engine - for clouding
FileZilla - for FTP-ing
GoDaddy - for DNS and SSL certificate management
Firebug - specially for sniffing http requests
Chrome - all in one web browser with the best developer console
jsFiddle - to test CSS, HTML and javascript elements
Git - for code control, while Github is horribly expensive, BitBucket is better for startups
YSlow? - for website health tests
Atom - a hackable editor
HTTrack website Copier - to download entire web based documentations
Stackoverflow - technical knowledge collaboration
The muse - for executive education
CDN - for offloading our own servers
Font awesome - for free and fast fonts
Bootstrap - mature UI infrastructure
SASS - mature CSS pre-processor
Scout App - mature SASS pre-processing tool
Ionic - hybrid apps development framework
AngularJS - asynchronous javascript framework
Web Essentials - for so many web development features
Product hunt, AngelList and Techcrunch - for latest startups
Jekyll and Github pages - for static pages hosting