[Erowid Warning: Our understanding of the literature is that there is no such thing as safe use of volatile solvents, aerosols and other street inhalants : their psychoactive effects are inseparable from nerve and organ damage. We have chosen to include these reports to help document the real world use of inhalants, but their inclusion is not intended to imply that they are anything but dangerous.]
I walked down to the local pharmacy and bought a can of that computer stuff in a bottle, the stuff that comes with the little red straw, and made my way back home.
I set up my pillow against the wall, and flipped the black light on, and there was music on the computer, and I laid back against the pillow on my bed, and two of my other friends were in the room. One was standing by the window, and the other sitting at the computer, conversing among themselves. Previously to this we had smoked a lot of Cannabis Sativa.
I broke open the bottle and huffed down a good bit, and set the bottle next to me on the ground and waited for it to kick in. Small flashing light spots, flashed in front of my eyes, and I lost motor skills and laid there staring. A strange radar-like sound echoed in my head, and I phased out, I would look at my friend standing, and I could only hear him talking, but I saw my sitting friend's lips moving. Then I glanced to my other friend, sitting, and I could only hear him talking, but they were talking faster, like on 2x speed on the tape recorder. I phased back in and the lightshow went away, but the noise echoed in my head, for a good six minutes afterwards.
Another different trip, same bottle, I was sitting on the ground in a doorway, and I huffed a good bit more than I had last time. When it kicked in, everywhere I glanced my head, I only had peripherial vision. All I saw was black where I couldn't see anything else. Then I had a vision of being on the beach with two other guys, and we were climbing a wall. And when I reached the top of the wall, I yelled, 'Come here, kitty' That's when I phased back in, and my friends had told me I had run after our pet cat screaming 'Come here, kitty' It was an intense ride.
The greatest part about Computer Duster is, it's cheap, and lasts awhile. Usually from $5.00 to $6.00 depending on your location.
The downside is, you have to let it warm up after every few huffs or else the Nitrous gas inside will freeze your lungs internally, says so right on the label, and I'm not one for caution, but I take that seriously
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Use the arrow keys to move your character, reach the water without colliding with an enemy to score points. After reaching the water, the values on the rightbelow are added to your score. Colliding with an enemy also decreases your score.
No gem is worth 1 point.
The blue gem is worth 20 points.
The green gem is worth 50 points.
The orange gem is worth 100 points.
If you collide with an enemy while carrying a gem, your score decreases by the gem value.
If you collide with an enemy without carrying a gem, your score decreases by half of the gem value currently on screen.


activision-blizzard
Businessmodel of Activision Blizzard
Customer Segments
Activision Blizzard has a mass market business model, with no significant differentiation between customers. The company targets its offerings at a broad selection of consumers, ranging from core gamers to casual players and from children to adults.
Value Proposition
Activision Blizzard offers three primary value propositions: accessibility, risk reduction, and brand/status.
The company creates accessibility by offering a large variety of options. While it is mostly known for its first-person action titles, it develops games spanning a wide range of genres, including the action/adventure, simulation, role-playing, and strategy categories. The firm expanded its selection further by acquiring King Digital Entertainment in 2015, which added mobile games to its portfolio. Moreover, Activision Blizzard makes titles for all major consoles, including Microsoft’s Xbox One and Xbox 360, Nintendo’s Wii and Wii U, and Sony’s PlayStation3 and PlayStation4.
The company reduces the risk of low quality through an evaluation procedure. Called the “Greenlight Process“, it consists of in-depth reviews at critical stages of development by a group that includes high-ranking operating managers and from the worlds of sales, marketing, and development. The firm also vets external game developers who contribute content based on past track record.
The company has established a strong brand as a result of its success. It bills itself as the most successful interactive entertainment company in the world. Its games have over 500 million monthly active users in 196 countries, and provide 42 billion hours of entertainment annually. Its selection includes some of the most prominent titles of all time, including “Call of Duty“, the best-selling Western interactive franchise, and “Skylanders“, “World of Warcraft“, and “StarCraft“.
Channels
Activision Blizzard’s main channels are digital online channels and physical retail outlets. Retail outlets include consumer electronics stores, mass market retailers, game specialty stores, and discount warehouses. Specific retailers include GameStop, Amazon, Target, Best Buy, Toys ”R” Us, and Wal-Mart. The firm promotes its offerings through its website, social media, online/print/TV advertising, industry and in-store promotions, direct marketing, and product sampling.
Customer Relationships
Activision Blizzard’s customer relationship is primarily of a self-service, automated nature. Customers utilize its products while having limited interaction with employees. That said, there is a personal assistance component in the form of phone and e-mail support, as well as 24/7 online support.
Key Activities
Activision Blizzard’s business model entails designing and developing software games for its customers.
Key Partners
Activision Blizzard occasionally utilizes independent third-party developers to create content, chosen for their expertise in specific categories for specific platforms. Doing so enables it to lower fixed development expenses, share development risks, and gain access to proprietary technologies. The company uses sub-contractors for disk duplication, packaging, printing, and manufacturing.
Key Resources
Activision Blizzard’s main resources are its human resources, which include creative, technical, and production professionals. They maintain expertise in programming, animation, script-writing, music development, and sound/special effects. The company also depends heavily on sales/marketing staff.
Cost Structure
Activision Blizzard has a cost-driven structure, aiming to minimize expenses through significant automation and low-price value propositions. Its biggest cost driver is cost of sales, a variable expense that includes product and online costs, as well as those associated with software royalties and intellectual property licenses. Other major drivers are in the areas of sales/marketing and product development, both fixed costs.
Revenue Streams
Activision Blizzard has two revenue streams:
Product Revenues – Revenues generated from sales of games, including digital full-game downloads and physical products
Subscription, Licensing, and Other Revenues – These include the following:
- Subscription Revenues – Primarily obtained from ”World of Warcraft”, which is typically sold on a subscription-only basis
- Licensing Revenues – Royalties obtained from third-party licensees in China, Taiwan, and Russia that host certain Blizzard games in their countries
- Other Revenues – Primarily include revenues from micro-transactions, digital downloadable content (e.g. multi-player content packs), and the licensing of intellectual property other than software to third-parties


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Poll: Nearly 6-in-10 Floridians Oppose Driver's Licenses for Illegal Aliens
Almost six-in-ten voters in Florida say they oppose giving driver’s licenses to illegal aliens in the state, a new poll finds.
by John BinderAbout 59 percent of all voters in Florida said they oppose the latest push by the open borders lobby to provide driver’s licenses to all eligible illegal aliens of the state’s nearly 800,000 illegal population, according to a University of North Florida survey.
Meanwhile, less than 40 percent of Floridians said they supported giving driver’s licenses to illegal aliens. Half of all swing voters said they oppose driver’s licenses for illegal aliens, while a minority of 42 percent of swing voters support such a policy.
Nearly 90 percent of Republican voters in Florida oppose the policy. Across the upper middle class and working class Floridians, driver’s licenses for illegal aliens is unpopular with a majority.
For example, those with a college degree said by a 56 percent majority that they do not want to provide driver’s licenses to illegal aliens. Another 59 percent of Floridians with no college degree said they too oppose driver’s licenses for illegal aliens.
Already, sanctuary states like California and New York have implemented statewide policies that allows all eligible illegal aliens to obtain driver’s licenses.
In California, where illegal aliens are allowed to obtain driver’s licenses as well, voter fraud has become common across the state. Last year, the state’s Department of Motor Vehicles (DMV) admitted that it had registered 1,500 non-eligible voters, including noncitizens, over the course of just six months.
John Binder is a reporter for Breitbart News. Follow him on Twitter at @JxhnBinder .


Payments
Online,
in-person,
everywhere.
Assembly's multi channel payments provides omni-commerce capability, giving your customers a seamless way to get paid.
In-store
Payments
Assembly's innovative in-store solution enables plug and play pairing for merchants and a simple integration for POS providers.
Open up a suite of payment methods and diagnose in real time, and ensure rock solid reliability and uptime.
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Payments
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Open up a suite of payment methods and diagnose in real time, and ensure rock solid reliability and uptime.
- Learn MoreOutbound
Payouts
Design and build fast, flexible and frictionless payout flows.

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Wallets
Design and build fast, flexible and frictionless payout flows.

- Learn MoreInvoice
Payments
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| | |
- index()
- Endpoint: '/'
The root endpoint, will not be used in the project,
but is good for checking setups
- github_webhook()
- Endpoint: '/hooks/github'
Defines and initiates the URL to which events will be sent to.
The event is triggered upon a push to a branch or repository tag
push. A body of the POST should contain the data contained in a push event in github api v3
- list_builds(owner, repo)
- Endpoint: '/history/[owner]/[repo]'
This route collects and displays all
of the builds for the specified repo.
- build_info(owner, repo, build_id)
- Endpoint: '/history/[owner]/[repo]/[build_id]'
This route collects and displays the specified build file
|


Authors: Houssemeddine KRRAOUI, Fethi MEJRI, Taoufik AGUILI
Source:FERMAT, Volume 22, Communication 5, Jul.-Aug., 2017
Abstract: A new microwave method has been proposed for modeling the plant leaves in the wave-guide is presented. In our model, we introduce a model based on the geometrical structure of vegetation leaves, water inside leaves is generally distributed between different tissues in not well known proportions. To understand and predict its dielectric distribution behavior, it is necessary to involve its morphology, this leaf is parallel venation one with a midrib more developed than the minor veins. The physical phenomenon of diffraction occurs when a wave meets this type of structure. For this, we used the Generalized Equivalent Circuit Method (GECM). This dynamic method takes into account most of the involved physical phenomena. Calculating the permittivity of the material to be characterized from the measured reflection coefficient constitutes inverse problem. The complexity of the electromagnetic analysis does not allow to find an analytical relation between these two parameters. We have developed a computer code based on the Genetic Algorithm, to numerically solve the inverse problem. To validate this program, we performed measurements on standard materials of known permittivity. The method is verified with measurement of Teflon (PTFE), FR4 (Flame Resistant 4) and Pure Acetone.
Index Terms: Corn leaves, wave-guide, dielectric properties, microwave, genetic algorithm
View PDF
DIELECTRIC CONSTANT MEASUREMENT OF MATERIALS BY A MICROWAVE TECHNIQUE: Application to the Characterization of Vegetation Leaves


Use webGL
(rendering defaults to HTML5 canvas if your browser does not support WebGL)
Modify either expression below then press enter to update the surface plots. Drag to rotate. Press the shift key and drag the mouse to scale the surface plot.
f(x,y):
f(x,y):
(applies to webGL only)
Thanks to Werner Knobloch for his contribution to this example.
Download the surface plot code for free from
here
.


THE DOOM GENERATION (1995) A Film Review by Ted Prigge Copyright 1998 Ted Prigge
Writer/Director: Gregg Araki Starring: Rose McGowan, James Duval, Jonathan Schaech, Dustin Ngoyen, Margaret Cho, Skinny Puppy, Christopher Knight, Nicky Katt, Perry Farrell, Amanda Bearse, Parker Posey, Heidi Fleiss
"Did you ever wonder what life is all about?" "What?" "Did you ever think what life is about?" "Uh...I dunno. What for?" "I dunno." Ugh.
The above is dialogue from this film, taken almost completely in context, and not jazzed up a bit to make it more inept than it is. It is spoken between two of the protagonists somewhere in the film, and basically serves as a perfect example of what this film is about, especially if you realize that this exchange is meant to be taken seriously. Mr. Gregg "I'm-having-a-mid-life-crisis" Araki, the writer and director of this film, wants to show how important teenagers are, and wants to show how they feel in such a horrible, horrible world. And how does he show it? By really cheap surrealism, and moronic exchanges like this.
Oh, and it gets better. A similar bit of dialogue is said in the middle of, oh I dunno, the fiftieth sex scene in this film (I'm not counting the several masturbation scenes). In it, one of the protagonists is humping away on top of another, and he says to her something along the lines of "Do you ever wonder what life is all about?" Sorry, man: foreplay takes place BEFORE the act of coitus. Of course, what do you expect: the film was written and directed by a guy who can't even spell his first name right (yes, I know it's a cheap joke, but it had to be done).
"The Doom Generation" is advertised as a road trip movie about people who go around killing others who attack them, and also as another "Teen Angst" film (one of the slogans is "Teen is a Four-Letter Word" - hardy har har). It's a film about two angsty teens - Amy Blue (Rose MacGowan, who would later play the buxom Tatum in "Scream") and Jordon White (James Duval, who would go on to play Randy Quaid's son in "Independence Day") - who pick up an angsty homicidal maniac, Xavier Red (Jonathan Schaech, who would go on to play the angsty lead guitarist in "That Thing You Do!" - and by the way, do you get the symbolism? Red, white, and blue? Huh?
The film is basically a remix of a bunch of other far superior films. Gregg Araki obviously has seen such films as "Easy Rider," "Natural Born Killers," and "Kalifornia," and tries to borrow elements from all these films and make something which is like a pop culture reference guide. But what he forgets is these films either represented something that this film does not, or that they dug deep into their subjects and brought something out of them to make them deeper. "The Doom Generation" doesn't want to do this; it just wants to show everything in a surreal manner for the sole reason that Araki does not want to deal with them on any kind of real level. He wants to show everything in a weird manner, and forgets what the scenes are supposed to be about.
Here's one scene, an earlier scene in the film: Amy and Jordan go into a Quick-E Mart type place to get food and other stuff. Amy is smoking, and the clerk, an Asian man mind you (I love how racist this film is, I really do), tells her to put it out.  He points a shotgun at her, and she puts it out reluctantly. Jordan makes two hot dogs, and takes them to the counter. The cash register rings up "6.66" (oh, and this symbolism doesn't stop here). Jordan checks for his wallet but it's really in the car. He asks Amy for it, but she left her wallet in the car as well. The clerk brings out his shotgun again and asks for the money. They say they don't have it.  The head is shown flying through the air, and lands in a fryer, where it begins to scream.
I don't really object to this kind of sick violence, but this scene is in the film for one reason and one reason only: to gross you out. Araki thinks that if he takes everything to the extreme, he'll make some kind of art. Wrong. It takes a kind of resistance to make gore art. When George Romero made "Dawn of the Dead," a very gory flick even for today, he had control over everything and still was able to make everything sick. Same goes for Peter Jackson's disgustingly gory "Dead Alive," which features a 30 minute long fest of blood, guts, dismemberments, flesh chewing, and other assorted stuff, all ending with a guy with a lawn mower strapped to his body, taking out all sorts of zombies. It was sick, but it was also satirical, and controled.
A scene like this has no purpose in the film, and it sticks out from everything else that happens.
Also, look for about a million camoes from a wide assortment of people, who probably didn't really know what they were getting into when they signed up to do it (just like Peter O'Toole, Helen Mirren, Malcolm MacDowell, and John Gielgud probably didn't when they signed to be in "Caligula"). People such as indie actors Parker Posey and Nicky Katt, alternative rock stars Skinny Puppy and Perry Farrel, Hollywood Madam Heidi Fleiss, Christopher "Peter Brady" McKnight, Amanda Bearse, and Margaret Cho all grace the screen for a matter of seconds, then disappear so that we can return to the annoying main plot line. Why are they here? So that we can all point to them and say "Hey, look it's (fill in the blank)! Wow!" Gimme a break.
   I went through a very brief teen angst thing which curiously lasted about as long as my taste in Nirvana did. I've since moved on to "I don't really know what to do with my life" phase, but the teen angst phase is something which is so annoyingly sophomoric and ignorant that any film that thinks they're dealing with it on any kind of serious level is just beating the wrong horse.
Part of being a teen is experimenting, and testing the waters. It's not whining about how awful parents are, and purposely feeling dispondent. This is what the characters in this film do, and the film wants to show how they're these great people who are being punished by the world because they're teenagers, and how they try to defend themselves but can't totally overcome them.  What they really need is a reality check. The world IS a bad place, and teenagers can be easily harmed because they are experimenting. But part of it is taking everything that happens to you and learning from it. The film thinks that teenagers are basically doomed, and there's nothing they can do about it. Hence the title.
Not only does it have bad fallacy, but it can't even express this in an intelligent and coherent manner. Everything's overly surreal, and all we get are scenes of graphic violence and graphic sex.  How does a talking decapitated head show that teens are dispondent because the world makes them this way? And why does the film constantly go back to the teen angst issue of the film? If Araki had any kind of competence in writing or direction, he'd show them for what they really are. And if he didn't want the satirical approach, he'd show the real problems with the world.
And if you still don't think that "The Doom Generation" is incompetent on every single possible level it could be, take the acting. Rose MacGowan is HORRIBLE. Yes, she proved herself talented in "Scream," but she's so bad in "The Doom Generation" that if I had not seen her in "Scream," I would have christened her one of the worst actresses working in films today. Her entire performance is one-note (bitchy), and the one scene where she cries over a dead animal is so forced that it's laughable.
Equally bad is Jonathan Schaech, who wants to be the slacker serial killer: someone who doesn't have any remorse because emotions cause some kind of strain. His performance is annoying as hell, and granted, he was better in "That Thing You Do!"
And then there's James Duval. Let's just say he makes Keanu Reeves look like Brando. He has the same kind of slacker stuttering, only much much much worse, and every line he says is so bad that I have now deemed him "Least Talented Actor in the World." I have seen lots of bad actors, but James Duval has got to be the worst. Or at least somewhere up there.
Here's another example of a bad scene, if you're still not convinced: the film opens up in a club where they're playing Nine Inch Nail's most banal song, "Heresy" (example of the lines: "God is Dead/and no one cares/if there is a hell/I'll see you there"), and as the song plays, and red strobe lights show the patrons dancing, the film pans over to Amy, just standing there, looking dispondent. The film closes in on her, she looks right at the camera and says "Fuck." No explanation of this should be necessary.
And finally, a note to Gregg: grow up. Really.  And don't quit it.
MY RATING (out of 4): ZERO STARS
Homepage at: http://www.geocities.com/Hollywood/Hills/8335/
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Home
Levels
TX State to H-E-B
Torchy's to Dell Diamond
Austin State Capitol to UT Tower
White House to Smithsonian
MLK Jr. Memorial Library to Smithsonian Castle
Big Ben to Buckingham Palace
Royal Opera House to St. Paul's Cathedral
Tour Eiffel to Grand Palais
Gran Palais to Arc de Triomphe
About the game
Developers
By: KCE
Play Now!


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AlreadyConnectedException
with the specified
parameters.
AlreadyConnectedException
with the specified
parameters.
AlreadyConnectedException
with the
specified parameters.
AlreadyConnectedException
with the
specified parameters.
Ibis
or a
representation of a port type.ConnectionClosedException
with
null
as its error detail message.
ConnectionClosedException
with
the specified detail message.
ConnectionClosedException
with
the specified detail message and cause.
ConnectionClosedException
with
the specified cause.
ConnectionFailedException
for a
failed attempt to connect to a specific named receiveport
at a specific ibis instance.
ConnectionFailedException
for a
failed attempt to connect to a specific named receiveport
at a specific ibis instance.
ConnectionFailedException
for a
failed attempt to connect to a specific receiveport.
ConnectionFailedException
for a
failed attempt to connect to a specific receiveport.
ConnectionRefusedException
.
ConnectionRefusedException
.
ConnectionRefusedException
with the
specified parameters.
ConnectionRefusedException
with the
specified parameters.
ConnectionsFailedException
with
the specified detail message.
ConnectionsFailedException
with
null
as its error detail message.
ConnectionTimedOuException
.
ConnectionTimedOutException
.
ConnectionTimedOuException
with the
specified parameters.
ConnectionTimedOutException
with the
specified parameters.
ReceivePort
of the specified port type.
ReceivePort
of the specified port type.
ReceivePort
of the specified port type.
ReceivePort
of the specified port type.
SendPort
of the specified port type.
SendPort
of the specified port type.
SendPort
of the specified port type.
RegistryEventHandler
upcalls.
RegistryEventHandler
upcalls.
true
if other
represents the same
capability set.
ReceivePortIdentifier
must
compare equal (and result in the same hashcode).
SendPortIdentifier
must
compare equal (and result in the same hashcode).
finish
operation is used to indicate that the
reader is done with the message.
ReadMessage
methods has thrown an IOException.
WriteMessage
methods has thrown an IOException.
SendPort
.
ReceivePortIdentifier
must
result in the same hashcode (and compare equal).
SendPortIdentifier
must result
in the same hashcode (and compare equal).
IbisFactory
.IbisConfigurationException
with
null
as its error detail message.
IbisConfigurationException
with
the specified detail message.
IbisConfigurationException
with
the specified detail message and cause.
IbisConfigurationException
with
the specified cause.
IbisCreationFailedException
with
the specified detail message.
IbisCreationFailedException
with no specified
detail message.
IbisCreationFailedException
with no specified
detail message, and adds the specified (String, Throwable) pair to the
list of exceptions.
IbisIdentifier
of the
ReceivePort
corresponding
to this identifier.
IbisIdentifier
of the
SendPort
corresponding to this identifier.
IbisStarter
which is used by the Ibis factory to check capabilities, port types,
and to start an Ibis instance.IbisStarter
.
ReceivePortIdentifier
of this receiveport.
true
if this starter can be used to automatically
start an Ibis (without the user specifying an implementation).
receiveport
of this
ReadMessage
.
SendPort
of this WriteMessage
.
Location
of this Ibis instance.
Managable
class is able to read and set
implementation-dependant management properties.IbisStarter
can start an Ibis instance
with the desired capabilities and port types.
ReceivePort
corresponding to this identifier.
SendPort
corresponding to this identifier.
NoSuchPropertyException
with
null
as its error detail message.
NoSuchPropertyException
with
the specified detail message.
NoSuchPropertyException
with
the specified detail message and cause.
NoSuchPropertyException
with
the specified cause.
sendport identifier
of the sender of this message.
PortMismatchException
with the specified
parameters.
PortMismatchException
with the specified
parameters.
PortMismatchException
with the specified
parameters.
PortMismatchException
with the specified
parameters.
Object
value from the message.
String
value from the message.
ReceivePort
.ReceivePort.receive(long)
invocation.ReceiveTimedOutException
with
null
as its error detail message.
ReceiveTimedOutException
with
the specified detail message.
ReceiveTimedOutException
with
the specified detail message and cause.
ReceiveTimedOutException
with
the specified cause.
Registry
coordinates the Pool which an Ibis instance is part
of.ReceivePorts
its SendPort
is connected to.
SendPort
.RegistryEventHandler.gotSignal(String)
and
Registry.signal(String, IbisIdentifier...)
.
send
which returned
the ticket
parameter may be used again.
ReadMessage
.
SendPort
to one or more
ReceivePort
s.Serializable
object to the message.
String
to the message.
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May 22, 2007 6:54 PM
The Mountain Lakes Board of Education in New Jersey is organizing an Ethics Symposium for Educators. General session speakers include Dr. Bruce Weinstein, Mr. Dith Pran, Dr. Willa Spicer, and Dr. David Hansen. Breakout session leaders include Dr. Margaret Crocco, Professor of Social Studies and Education at Teachers College Columbia University, and Dr. Courtney B. Smith, Associate Dean of Academic Affairs at Seton Hall University. Members of the EdLab who were involved in supporting the conference will also attend as participants. If you are interested in attending the conference, send an email to the Collaborative Solutions Group at CSG@tc.columbia.edu.


Possible Planned Power Outage on Monday
by Edhat StaffBy edhat staff
Southern California Edison (SCE) may shut off power for an area of Santa Barbara County on Monday.
The Office of Emergency Management (OEM) sent an alert to residents that SCE might turn off power to unincorporated areas of Santa Barbara County between the cities of Goleta and Santa Barbara, starting from Paradise Rd down Turnpike Rd to More Mesa on November 25.
Approximately 4,188 customers could be affected.
To determine if you live or work in or near a potential outage area, visit sce.com/safety/wildfire/psps and input your address.
Residents are encouraged to make preparations for a possible multiple-day power outage lasting as long as 5-7 days and check on friends and neighbors to make sure they are prepared.
Those in the affected areas are encouraged to call SCE at 1-800-611-1911 with questions.


--- layout: default title: CMake ---
General variables are the ones that affect the whole pile system.
ON
to enable them;
set to OFF
to disable them.
These are variables normally found in pile.cmake files.
Core Widgets Network
;
CMakeLists.txt
for the pile to
decide the way pile is being used; defaults to
STATIC
; CMakeLists.txt
file
is / should only bbe used for
STATIC
or
SHARED
modes. In the end this variable will
be used as PILE_PILE_MODE.
These are variables created on behalf of the pile by various macros.
1.2.3
;
STATIC, SHARED, PILE
or PILE_SHARED
;


function GetPictureSize: TSize;
Returns the size of the bitmap image after an appropriate ScaleMode is applied. In bmTile ScaleMode it returns the size of a tile.
[See also]: GetPictureRect, Bitmap Image


16th of January 2023
It is written that the Buddha Amitabha (Infinite light and life), then the bodhisattva Dharmakara said,
If, when I attain Buddhahood, sentient beings in the lands of the ten quarters who sincerely and joyfully entrust themselves to me, desire to be born in my land, and call my Name, even ten times, should not be born there, may I not attain perfect Enlightenment. Excluded, however, are those who commit the five gravest offences and abuse the right Dharma.
This is known as the "18th vow" or "Primal vow", and is the basis for Pure Land Buddhism.
This vow might seem abstract or bizarre, but it actually contains a magical alchemy, one that transmutes hate and doubt into faith.
When Amitabha made the vow, he recognised that there was a lack of a practise for those that are blinded by desires and lack the capability to practise the Buddhadharma. He instead wanted to establish a vow that could save everyone. In the Tannisho, Shinran said,
Know that the Primal Vow of Amitabha makes no distinction between people young and old, good and evil; only shinjin [true faith] is essential. For it is the Vow to save the person whose karmic evil is deep and grave and whose blind passions abound.
He also said,
It is impossible for us, who are possessed of blind passions, to free ourselves from birth-and-death through any practice whatever. Sorrowing at this, Amitabha made the Vow, the essential intent of which is the evil person’s attainment of Buddhahood.
Therefore, the true intention of the vow is to bring all beings to liberation, regardless of their good or evil deeds, and regardless of their qualities and wisdom, regardless of their ability to practise the Buddhadharma. That is why Amitabha made the vow.
If we trust this, and also see our own inadequacy as beings, we then immediately arrive at the alchemical formula: whenever a moment of hate and doubt arises, we are reminded of the vow, the special vow made especially for this situation and for this purpose, and we can instantly rejoice that such a path has been made available for us. Therefore, there is never any need to lament over any of our bad qualities or misfortunes, since they always instantly become yet another reason why we are saved.
In this way, everything becomes the vow, because everything reminds us of the vow.
Then we can sincerely say "Namo Amida Butsu", and we can rejoice in shinjin.


The fresnel factor alters the reflectiveness of a surface based on the camera or viewing angle. As a surface points away from the camera, its reflectiveness goes up. Similarly, as a surface points towards the camera, its reflectiveness goes down.
In other words, as a surface becomes perpendicular with the camera, it becomes more mirror like. Utilizing this property, you can vary the opacity of reflections (such as specular and screen space reflections) and/or vary a surface's alpha values for a more plausible or realistic look.
vec4 specular = materialSpecularColor
* lightSpecularColor
* pow(max(dot(eye, reflection), 0.0), shininess);
In the lighting section, the specular component was a combination of the material's specular color, the light's specular color, and by how much the camera pointed into the light's reflection direction. Incorporating the fresnel factor, you'll now vary the material specular color based on the angle between the camera and the surface it's pointed at.
The first vector you'll need is the eye/view/camera vector. Recall that the eye vector points from the vertex position to the camera's position. If the vertex position is in view or camera space, the eye vector is the vertex position pointed in the opposite direction.
// ...
vec3 light = normal(lightPosition.xyz - vertexPosition.xyz);
vec3 halfway = normalize(light + eye);
// ...
The fresnel factor is calculated using two vectors. The simplest two vectors to use are the eye and normal vector. However, if you're using the halfway vector (from the Blinn-Phong section), you can instead calculate the fresnel factor using the halfway and eye vector.
// ...
float fresnelFactor = dot(halfway, eye); // Or dot(normal, eye).
fresnelFactor = max(fresnelFactor, 0.0);
fresnelFactor = 1.0 - fresnelFactor;
fresnelFactor = pow(fresnelFactor, fresnelPower);
// ...
With the needed vectors in hand, you can now compute the fresnel factor. The fresnel factor ranges from zero to one. When the dot product is one, the fresnel factor is zero. When the dot product is less than or equal to zero, the fresnel factor is one. This equation comes from Schlick's approximation.
In Schlick's approximation, the fresnelPower
is five but you can alter this to your liking. The demo code varies it using the blue channel of the specular map with a maximum value of five.
Once the fresnel factor is determined, use it to modulate the material's specular color. As the fresnel factor approaches one, the material becomes more like a mirror or fully reflective.
// ...
vec4 specular = vec4(vec3(0.0), 1.0);
specular.rgb = materialSpecularColor.rgb
* lightSpecularColor.rgb
* pow
( max(dot(normal, halfway), 0.0) // Or max(dot(reflection, eye), 0.0).
, shininess
);
// ...
As before, the specular component is a combination of the material's specular color, the light's specular color, and by how much the camera points into the direction of the light's reflection. However, using the fresnel factor, the material's specular color various depending on the orientation of the camera and the surface it's looking at.
(C) 2020 David Lettier
lettier.com


Which apprenticeship is right for my business?
Apprentices will spend at least 20% of their time on off-the-job training with your chosen training provider. Apprenticeships offer the opportunity to have a flexible, but structured training programme, that meet your business needs.
If you’re an employer who wants to take on an apprentice, you need to know:
- apprentices are aged 16 or over (to any age)
- they combine working with studying to gain skills and knowledge in a specific job
- they can be new or current employees who are looking to upskill
Apprenticeships are being developed, approved and added all the time. Keep a lookout for new apprenticeships that have been added and make sure that you find the right apprenticeship to meet your business needs.
When you're looking for an apprenticeship, make sure you:
- select the right training for your business which delivers what you need
- don’t accept training because it’s the only apprenticeship available
- are in contact with the training provider and are both involved with the training and development of the apprentice
I want to find an apprentice for my business
If you’re interested in taking on an apprentice you should know:
- how much it’s going to cost you
- what funding you can get
- how to find an apprenticeship that suits your business needs
- how to find a training provider who can deliver the right training
You need to pay the apprentice a salary that doesn’t go below the minimum wage.
Your apprentice should:
- work with experienced staff
- learn job-specific skills
- study whilst doing their apprenticeship
Types of apprenticeships
Apprentices must work towards an approved apprenticeship. Their training must last at least 12 months.
 They describe how an apprentice can demonstrate mastery of this occupation by the end of the apprenticeship.
You should agree with the end-point assessment organisation the cost of the end-point assessment. Your training provider will contract with your chosen end-point assessment organisation and pay them on your behalf.
Apprenticeship frameworks
Apprenticeship frameworks are a series of work-related qualifications. There is no end-point assessment for this type of apprenticeship.
All apprenticeship frameworks will be withdrawn by 2020. This will be a phased approach as employers take on more apprentices using the new apprenticeship standards.


Dear Dry,
NYFLC 2012 [ http://www.feministcampus.org/leadership/ ]The next couple weeks are going to be filled with renewed energy for the semester ahead, and we are so excited to hear more about what you have planned for your campus!
Hopefully at the end of last semester you saw that we announced the opening of registration for the 9th Annual National Young Feminist Leadership Conference [ http://www.feministcampus.org/leadership/ ]. Early bird registration is now open – get discounts for signing up early until February 1! Looking for discounts for groups of 4 or more? Contact<EMAIL_ADDRESS>[<EMAIL_ADDRESS>].
Over 500 feminist students from across the country will be coming together for an amazing weekend of activist training and learning. Among other topics, we will focus on women’s reproductive health rights (both domestic and abroad) and how to get involved in advocacy in your state capitols.
The Campus Team is very excited to have a special conference hotel rate at the Double Tree by Hilton in Crystal City, and we’re sure it will provide a great atmosphere for connecting with your fellow feminists. Be sure to make your reservations by March 8 in order to take advantage of the discounted rates!
We also want to remind you that the Feminist Campus Team [ http://www.feministcampus.org/fmla/organizers/default.asp ] is here to help you plan your delegation’s trip every step of the way.
We will be recognizing the largest delegations, as well as the farthest travelled, with some amazing prizes and feminist goodies such as Ms. Magazine memberships, “This is What a Feminist Looks Like” gear, and some other surprises from our Feminist Store.
Spring term is a great time for some feminist action, so head on over to our Campaigns & Action page to check out our tool kits and find some great ideas on how to create change in your campus community. As always, don’t hesitate to reach out to your National Campus Organizer; we are always looking forward to hearing from you!
For equality,
*FMF Campus Team*
duVergne, Brooke, Adriana, Francesca, Miranda and Kari
P.S. Be sure to keep checking our conference website [ http://www.feministcampus.org/leadership/ ] over the next few weeks as we continue to add the schedule, speakers, and more content!
You have received this e-mail because of your interest in women’s issues. To unsubscribe, please click here. [ http://salsa.democracyinaction.org/o/1400/p/salsa/supporter/unsubscribe/public/index.sjs?unsubscribe_page_KEY=494 ]


|
|
| SpiJointModules (std::shared_ptr< MasterBoardInterface > robot_if, std::array< int, COUNT > &motor_to_card_index, std::array< int, COUNT > &motor_to_card_port_index, const Vector &motor_constants, const Vector &gear_ratios, const Vector &zero_angles, const Vector &max_currents, std::array< bool, COUNT > reverse_polarities) |
| | Construct a new SpiJointModules object.
|
| |
|
void | enable () |
| | Enable all motors and motor drivers used by the joint module.
|
| |
| bool | is_ready () |
| | Checks if all motors report ready. More...
|
| |
|
std::array< bool, COUNT > | get_motor_enabled () |
| |
|
std::array< bool, COUNT > | get_motor_ready () |
| |
|
void | send_torques () |
| | Send the registered torques to all modules.
|
| |
|
void | acquire_sensors () |
| | Updates the measurements based on the lastest package from the master board.
|
| |
| void | set_torques (const Vector &desired_torques) |
| | Register the joint torques to be sent for all modules. More...
|
| |
| Vector | get_max_torques () |
| | Get the maximum admissible joint torque that can be applied. More...
|
| |
| Vector | get_sent_torques () const |
| | Get the previously sent torques. More...
|
| |
| Vector | get_measured_torques () const |
| | Get the measured joint torques. More...
|
| |
| Vector | get_measured_angles () const |
| | Get the measured joint angles. More...
|
| |
| Vector | get_measured_velocities () const |
| | Get the measured joint velocities. More...
|
| |
| void | set_zero_angles (const Vector &zero_angles) |
| | Set the zero_angles. More...
|
| |
| Vector | get_zero_angles () const |
| | Get the zero_angles. More...
|
| |
| Vector | get_measured_index_angles () const |
| | Get the index_angles. More...
|
| |
template<int COUNT>
class blmc_robots::SpiJointModules< COUNT >
This class defines an interface to a collection of BLMC joints.
It creates a BLMCJointModule for every blmc_driver::MotorInterface provided.


THE WEDDING SINGER A film review by David N. Butterworth Copyright 1998 David N. Butterworth
*** (out of ****)
So what's Adam Sandler's shtick?
That's the question I asked myself when venturing nervously into "The Wedding Singer," the latest film to star the Saturday Night Live alumnus.
 Or do fans giggle when he screams at the top of his lungs at people? Or is it just the fact that he sings songs with silly lyrics that bowl audiences over?
Well, there's a little bit of all of that in "The Wedding Singer" and while I exited the theater still not one hundred percent sure of Mr. Sandler's thing, I did have a surprisingly good time.
That's because, in a nutshell, "The Wedding Singer" is one of the sweetest movies you're ever likely to come across. That's right. Sweet. The humor in the film runs the gamut from dumb to mildly amusing to laugh-out-loud hysterical but the tone? Well, it's just lovely. I have to admit I was half-expecting farting armpit humor, gratuitous nudity, superfluous, cloying subplots, and some nasty, unnecessary violence. Instead? Well, I've said it before. Sweet.
The year is 1985 and Sandler plays Robbie Hart, the eponymous wedding singer, a job aspiring rock stars often settle for. When Robbie's fiancée dumps him at his own altar, Robbie gets depressed and turns to a plucky waitress called Julia (Drew Barrymore) who has some problems of her own (she's marrying a hunky junk bonds dealer who, unbeknownst to her, isn't that big on monogamy). It isn't giving anything away to say that Robbie and Julia fall in love. Aww...
Sandler and Barrymore are a good match and they're assisted by some terrific cameo appearances, including Steve Buscemi and Jon Lovitz, whose individual scenes are perhaps the funniest in the film.
Writer Tim Herlihy (with uncredited assistance from Carrie Fisher) keeps the story bubbling along to its predictable conclusion. It doesn't all work but it's handled with such light-heartedness that Robbie and Julia coming together generates more smiles than groans. Herlihy and director Frank Coraci have done a great job of recreating the sights, sounds, and affectations of the 1980s. The soundtrack--an ever-present force in the film--is packed with wall-to-wall hits of the period, new wave upon new wave of songs from Billy Idol's "White Wedding" to The Smiths' "How Soon Is Now?" to Culture Club's "Do You Really Want to Hurt Me?"
The mix of music and fashion would make "The Wedding Singer" a great double feature with "Boogie Nights."
If you grew up listening to The Cure and A Flock of Seagulls and The Psychedelic Furs, then "The Wedding Singer" is bound to put a nostalgic hop in your stride. If you're a fan of the lovable, laughable Adam Sandler, well... Let's just say that "The Wedding Singer" might well be the only film in recent memory to make *me* want to rent "Happy Gilmore."
-- David N. Butterworth<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


As an alternative to HTTP/HTTPS requests, you can "ping" checks by sending email messages to special email addresses.
By default, SITE_NAME will consider any email received at the displayed address as a "success" signal. You can also configure SITE_NAME to look for specific keywords in message's subject line to decide if the message is "success" or a "failure" signal. You can set up the keywords in the Filtering Rules dialog:
Consider a cron job that runs weekly and sends weekly newsletters to a list of email addresses. You have already set up a check to get alerted when your cron job fails to run. But what you ultimately want to check is if your emails are getting sent and delivered.
The solution: set up another check, and add its email address to your list of recipient email addresses. Set its Period to 1 week. As long as your weekly email script runs correctly, and there are no email delivery issues, SITE_NAME will regularly receive an email, and the check will stay up.


| Device Category | Device Type | Commands |
| SmartThings Devices |
|
|
| VD Devices - OCF & SHP |
|
|
| DA Devices - OCF & SHP |
|
|
| C2C - Silvan |
|
|
| Version | 3.0 |
| Brief |
|
| In Windows OS |
st.stg.pat.token= st.stg.test.location= st.acpt.pat.token= st.acpt.test.location= st.prd.pat.token= st.prd.test.location= java -jar jar-file |
| In Ubuntu OS |
st.stg.pat.token= st.stg.test.location= st.acpt.pat.token= st.acpt.test.location= st.prd.pat.token= st.prd.test.location= java -jar jar-file |
| Menu Option | Description |
| Home Page | [SmartThings Postman] Describes how this tool works. Represented eco system of devices, SmartThings app, Cloud and this web tool. |
| Location Tab | Displays your favorite configured test location details. You can also list other locations in the seleted environment. |
| Devices Tab | Displays all your devices under configured test location. You can also fetch particular device full status. |
| Rules Tab | Displays all automations under configured test location. You can also fetch particular rule definition. |
| Scenes Tab | Displays all scenes under configured test location. You can also fetch particular scene definition. |
| SmartApps Tab | Displays all smartapps under configured test location. You can also fetch particular smartapp definition. |
| Environment Drop down | This tool supports 3 environments (Staging, Acceptance, Production). By default Staging is selected. |
| Other details | This tool is tested with Google Chrome Browser only. So use Chrome Browser for best experience at 110% zoom. |


|
This inspection reports instances of JavaScript function parameters whose names are either too short,
too long, or do not follow the specified regular expression pattern.
Use the fields provided below to specify mininum length, maximum length and regular expression expected for local variables names. (Regular expressions are in standard java.util.regex format.) |
| Powered by InspectionJS |


I like to travel a lot. Here you can find few pictures from my travels. :) Iceland Whole island - 2020 Scotland Pentland Hills and Edinburgh - 2018 Switzerland Canton Zurich and other places - 2019 Germany Freiburg - 2019 Czechia Krkonoše - 2019


Kimura the Underhook From Half Guard
Grab their arm, roll over your right shoulder, kimura from bottom.  We are attacking their top arm. Right leg is caught in this example.
Opponent gets the underhook, with their left arm. Our left arm grabs theirs below the elbow, hold it too you, don't let them get it back.
Left leg straightens out as a support, drop your left hip into ops chest and face toward ops legs.Right arm grabs the wrist.
Left arm snakes in to lock kimura, distract op now and pull right leg out.
Get the arm to the floor, push with legs and move your body, keep your arms locked in place.


Strategy
Iterative approaches to corporate strategy foster collaborative
thinking to further the overall value proposition.
I Do
Iterative approaches to corporate strategy foster collaborative
thinking to further the overall value proposition.
Iterative approaches to corporate strategy foster collaborative
thinking to further the overall value Lorem ipsum dolor sit amet,
consectetur adipisicing elit. Ad laboriosam distinctio quos labore,
voluptas asperiores ullam. Eligendi possimus quae doloremque
doloribus distinctio facilis excepturi tenetur dignissimos quisquam
recusandae. Quos, optio. Lorem ipsum dolor sit amet, consectetur
adipisicing elit.
Contact Us
We Do
Iterative approaches to corporate strategy foster collaborative
thinking to further the overall value proposition.
Iterative approaches to corporate strategy foster collaborative
thinking to further the overall value proposition. Iterative
approaches to corporate strategy foster collaborative thinking to
further the overall value proposition Iterative approaches to
corporate strategy foster collaborative thinking to further the
overall value proposition Iterative approaches to corporate strategy
foster collaborative thinking to further the overall value
proposition
Contact Us
You Do
Iterative approaches to corporate strategy foster collaborative
thinking to further the overall value proposition.
Iterative approaches to corporate strategy foster collaborative
thinking to further the overall value proposition. Iterative
approaches to corporate strategy foster collaborative thinking to
further the overall value proposition Iterative approaches to
corporate strategy foster collaborative thinking to further the
overall value proposition Iterative approaches to corporate strategy
foster collaborative thinking to further the overall value
proposition
Contact Us
Collaboration
Iterative approaches to corporate strategy foster collaborative
thinking to further the overall value proposition.
Iterative approaches to corporate strategy foster collaborative
thinking to further the overall value proposition. Iterative
approaches to corporate strategy foster collaborative thinking to
further the overall value proposition Iterative approaches to
corporate strategy foster collaborative thinking to further the
overall value proposition Iterative approaches to corporate strategy
foster collaborative thinking to further the overall value
proposition
Contact Us
Contact Us
Leverage agile frameworks to provide a robust synopsis for high level
overviews. Iterative approaches to corporate strategy foster
collaborative thinking to further the overall value proposition.
Organically grow the holistic world view of disruptive innovation via
workplace diversity and empowerment.


BIG PATTERN * *
We begin with pointing out a coherent overview of the pattern we are trying to describe. This global pattern contains several constituent patterns. This is the big idea right here.
This is the part where we write for a couple paragraphs or pages, giving some background on this pattern we have identified. We describe the big pattern, and talk about the smaller constituent patterns that make up the bigger pattern. This is a kind of larger roadmap, along with some suggestions for using the smaller patterns, it’s an overview and organizing framework with suggestions for thinking using the pattern language for this section.
A short useful statement summarizing the heart of this next pattern, and what it does and connects to;
1. THIS PATTERN
2. THAT PATTERN
THIS PATTERN
The things will be this way or that way, says this pattern
As many paragraphs as you need to justify and explain the pattern and it’s uses.
Therefore:
Wherever possible, do this thing to use the pattern, so it contributes to the whole pattern
Remember, do this thing, as it feeds into –THAT PATTERN…
THAT PATTERN
The things will be this way or that way, says this pattern
As many paragraphs as you need to justify and explain the pattern and it’s uses.
Therefore:
Wherever possible, do this thing to use the pattern, so it contributes to the whole pattern
Remember, do this thing, as it feeds into –THE NEXT PATTERN…


The Community needs your input to help make this the best content we can, together as a community!
If you have any suggestions or improvements, please click the "Edit this Page" or "Open Issue Ticket" links on the right sidebar on this page.


{% extends "layout.html" %} {% block page_title %} GOV.UK prototyping kit {% endblock %} {% block content %} Back Wastes from agriculture, horticulture, aquaculture, forestry, hunting and fishing, food preparation and processingWhat type of wastes from agriculture, horticulture, aquaculture, forestry, hunting and fishing did you transfer? Sludges from washing and cleaning Animal-tissue waste Plant-tissue waste Waste plastics (except packaging) Animal faeces, urine and manure (including spoiled straw), effluent, collected separately and treated off-site Agrochemical waste other than those mentioned in 02 01 08 Waste metal Wastes not otherwise specified {% endblock %}


Enable Course Subsections Prerequisite on Open edX
Course teams can set prerequisites for a content. Learners must complete the prerequisite content subsection before open the next content.
The course team can lock a course subsection until the user completes other prerequisite subsections. If a subsection has prerequisites, it will be displayed in the course outline with a lock icon.
To enable this features, follow the steps below because this is not enable by default:
-
Ask to IT team to Enable Prerequisite before prerequisite course subsections can be used.
-
Open your studio > select a course > select Settings > select Advanced Settings > then search for Enable Subsection Prerequisites and set it to
true
. -
From advanced settings page, navigate to Course Outline.
-
Select the Configure icon for subsection that must be completed first. This is the prerequisite to open the next subsection.
-
Select the Advanced tab, under Use as a Prerequisite, select Make this subsection available as a prerequisite to other content.
-
Select the Configure icon for the subsection that will be hidden until previous prerequisite is met.
-
Select the Advanced tab, for Prerequisite under Limit Access, select the name of the subsection you want to specify as the prerequisite.
To require that learners achieve a minimum score in the prerequisite subsection before the current subsection opens, enter the percent of the total score that learners must earn in the Minimum Score field.
For example in Quiz 1, user must answer all the questions correctly then enter 100 for the minimum score.
-
Until this step, course subsections prerequisite has been set up and in the course outline, if a subsection has a prerequisite, the prerequisite name appears under the subsection name.


"For more than a decade, heart disease and cancer have claimed the first and second spots respectively as the leading causes of deaths in America. Together, the two causes are responsible for 46 percent of deaths in the United States. Combined with the third most common cause of death — chronic lower respiratory diseases — the three diseases account for half of all deaths in the United States." - Healthline Magazine


You wake up on a barren beach that goes around the whole island.  To the north you see an island with a wooden building on it.
[[NORTH->Tavern island]]On this island there is a run down wooden building. The door to the building is slightly open maybe you could fit. While going around the island you see more islands in the distance.
To the north there is an island with a larger hill and cave that goes through it.
To the east there is a larger island with a large mountain in the middle.
To the west there is a smaller island with what looks to be some sort of stone stucture in the center.
The structures door is slightly open.
[[INSIDE->Abandoned Tavern]]
[[IN->Abandoned Tavern]]
[[TAVERN->Abandoned Tavern]]
[[NORTH->Cave Island]]
[[EAST->Mountain Island]]
[[WEST->Statue Island]]
[[SOUTH->Empty Island]] On the island there are many trees and bushes. In an opening through the foliage there is a large cave. The cave is too dark to see into.
[[SOUTH->Tavern island]]
[[CAVE->Cave start]]At the center of the island there is a tall mountain. As you are looking up you cannot see the top of the mountain through the clouds. At the base of the mountain there is a lot of bushes and low trees. Through the trees you can see a small path, it looks like it goes to a little ledge above the trees.
[[PATH->Mountain ledge]]
[[WEST->Tavern island]]
There is a circle of trees on the edge of the island. In the middle there is a stone statue of a monkey with many chucks out of it. There are many pieces of the statue on the ground around it. There appears to be something on top of the statue but you cant see what it is. It feels loose like if you had something sharp you could free it if you HIT it.
[[EAST->Tavern island]]
While inside the building you can see many table and chair sets with empty wooded mugs on the tables. Toward the back of the building there is a bar with more mugs on it. Behind the bar there are many glass bottles of different sizes, many of which are shattered. There is a pile of table and chairs blocking door behind the bar. On the wall there is a lantern that looks like it is in good condition, you might be able to GRAB it.
[[BACK->Tavern island]] There is a tent set up in a little opening in mountain. The tent is empty. On the ground there are burnt sticks gathered in pile. On the ground there is a large knife you can pick up. Looking out over the edge you can see the other islands. There is a weird shine coming from the statue.
[[BACK->Mountain Island]]
[[DOWN->Mountain Island]] The light shines from OUT of the cave. With the light of your lantern you walk through the cave. There are many stalactites hanging from the celling. Under many of the stalactites there are tall stalagmites, some even meeting with the stalactites above. At the end of the cave there is a strange looking stalagmite with hole cut out of it. Maybe you could INSERT something.
[[OUT->Cave Island]]
[[INSERT->Secret Opening]]
After inserting the ruby a path opened, allowing you to go further into the cave. The cave opens up to a larger cave and in the center you see a large ship. There is a massive opening to the sea on the otherside of the cave. The ship is parked close enough for you to be able to BOARD it.
[[BACK->Cave start]]
[[BOARD->Ship]]Being on the ship feels familiar. The deck of the ship has cannons on both sides. There are many boxes and barrels around the mast and toward the front and back of the ship. A capstan sits in the middle of the deck. The low area of the ship is blocked by a steel grate. Toward the back of the ship there is a door but it is locked. There are stairs up to a higher deck. This upper deck is where the wheel sits. It is in working condition and it looks like you can set SAIL whenever you are ready.
[[SAIL->The end]]
[[BACK->Secret Opening]] The feeling of loss fills you as you lift the anchor with the capston. The ship starts to slowly float out of the cave. Once you get out of the cave you lower the sail. You take a second to look at the sail. It feels very familiar somehow. As the ship begins to pick up speed, you take your postion at the wheel.  After a bit you look back and cant help but wonder if you forgot something. The End


This ABT Audi RS4-R is the police car of your dreams
VW Group tuning specialist gives performance estate a power boost and Polizei livery
Crooks in Germany may be about to have a much harder time escaping the police, thanks to this one-off Audi RS4.
Modified by VW Group tuning experts ABT, this is the RS4-R — based on the RS4 estate but with performance cranked up to a whole new level.
With an ABT Power S upgrade on-board, which includes an additional water cooler and a new air intake, the RS4-R sees power boosted up to 523bhp and 690Nm of torque. It’s also kitted out with an exhaust system with four carbon-fibre exits designed by the firm, in a bid to give it a more raucous engine note and aggressive looks.
To hint at its increased performance, aggressive styling tweaks have been made to the car’s bodywork along with the fitment of ABT alloy wheels. Completing the package is a silver, blue and neon yellow livery as typically used by the German police — or ‘Polizei’ — along with its blue sirens.
It’s been created to promote the ‘Tune it! Safe!’ campaign by German Federal Ministry of Transport and the German Association of Automobile Tuners. This campaign aims to show that aftermarket car modifying can be done ‘whilst maintaining traffic safety and regulatory compliance’.
The Polizei ABT RS4-R will be publicly showcased at the Essen Motor Show, running from today until December 8.


Dunelm is selling a hot water bottle that wraps around your neck for £7
Comes with a 'Teddy Fleece' covering
by Paul HironsAs the weather gets wetter and colder, the struggle to keep warm is real.
Now Dunelm is selling a 'teddy fleece' hot water bottle that wraps around your neck for £7 that looks as though it will do the job.
Read more: Glow in the dark Christmas bedding is available to buy for less than £13
The home furnishings retailer says that the horseshoe-shaped hot water bottle is, "designed with a soft and cosy cover that is removable and machine washable."
It goes onto say that: "this charcoal coloured Teddy Bear neck hot water bottle is perfect to bring comfort to the neck and shoulders that will keep you warm and cosy."
Members of the Facebook group Extreme Couponing and Bargains were the first to spot this winter warmer, with some recommending the product to others.
"Bought this teddy bear neck water bottle today," one member wrote.
Another said: "It's lovely, fluffy and so warm. For someone who suffers bad neck pain this is great and a bargain at £7 from Dunelm."
"Also comes in another three colours. They have teddy bear fleece throws as well for £10," a third wrote.
And the bargains don't stop there.
B&M has started its pre-Black Friday sale a week before the big day.
The Black Friday deals will be available for 10 days from today (22.11.19) until December 2, or as long as stocks last.
Read more: Prosecco bath bombs are now available to buy from Firebox for £7.99
And shoppers can expect bargains on products like a 50-inch Samsung Smart 4K Ultra HD TV (down to £350 from £450), a Black & Decker 2-In-Cordless Vacuum Cleaner (down to £40 instead of £99.99) and a Nescafe Dolce Gusto Piccolo Coffee Machine (down to £25 from £39).
One word of warning though: B&M doesn't feature an online shopping resource so you'll have to to go to your nearest store to pick up your bargain.
This year's Black Friday is due to take place on Friday November 29, with Cyber Monday following on Monday December 2.
Head to our Facebook page @EntertainmentDailyFix and let us know what you think of our story.


14.2 With the console
# Open the file that will contain your plot (the name is up to you)
pdf(file="myplot.pdf")
# execute the plot
plot(1:10)
# Close and save the file that will contain the plot
dev.off()
Formats
R supports a variety of file formats for figures: pdf, png, jpeg, tiff, bmp, svg, ps.
They all come with their own function, for example:
# TIFF
tiff(file="myfile.tiff")
plot(1:10)
dev.off()
# JPEG
jpeg(file="myfile.jpeg")
plot(1:10)
dev.off()
# etc.
The size of the output file can be changed:
# Default: 7 inches (both width and height) for svg, pdf, ps.
svg(file="myfile.svg", width=8, height=12)
plot(1:10)
dev.off()
# Default: 480 pixels (both width and height) for jpeg, tiff, png, bmp.
png(file="myfile.png", width=500, height=600)
plot(1:10)
dev.off()
Note that pdf is the only format that supports saving several pages:
pdf(file="myfile_pages.pdf")
plot(1:10)
plot(2:20)
dev.off()
- If your file is empty: run
dev.off()
once or more to make sure there is no devices/files still open!.
Plot several figures in one page
You can output more than one plot per page using the par() function (par()
sets graphical parameters) and the mfrow argument.
jpeg(file="myfile_multi.jpeg")
# organize the plot in 1 row and 2 columns:
# nr: number of rows
# nc: number of columns
par(mfrow=c(nr=1, nc=2))
plot(1:10)
plot(2:20)
dev.off()
jpeg(file="myfile_multi4.jpeg")
# organize the plot in 2 rows and 2 columns
par(mfrow=c(nr=2, nc=2))
# top-left
plot(1:10)
# top-right
barplot(table(rep(c("A","B"), c(2,3))))
# bottom-left
pie(table(rep(c("A","B"), c(2,3))))
# bottom-right
hist(rnorm(2000))
dev.off()
HANDS-ON
Go back to the previous plots you created (if you didn’t save commands in an R script, you can refer to the History tab in the top-right panel):
- Save 1 plot of your choice in a jpeg file.
- Save 3 plots of your choice in a pdf file (one plot per page).
- Organize the same 3 plots in 1 row / 3 columns. Save the image in a png file. Play with the width (and perhaps also height) argument of
png()
until you are satisfied with the way the plot renders.
Answer
# Save 1 plot of your choice in a **jpeg** file.
jpeg("myboxplot.jpeg")
boxplot(chickwts$weight ~ chickwts$feed, las=2)
dev.off()
# Save 3 plots of your choice in a **pdf** file (one plot per page).
pdf("my3plots.pdf")
boxplot(chickwts$weight ~ chickwts$feed, las=2)
barplot(table(chickwts$feed))
plot(x=Loblolly$age, y=Loblolly$height,
main="Age and weight of Loblolly pine trees",
pch=17,
col="red",
cex=0.4)
dev.off()
# Organize the same 3 plots in 1 row / 3 columns. Save the image in a **png** file.
png("my3plots.png", width=1000, height=350)
par(mfrow=c(1, 3))
boxplot(chickwts$weight ~ chickwts$feed, las=2)
barplot(table(chickwts$feed))
plot(x=Loblolly$age, y=Loblolly$height,
main="Age and weight of Loblolly pine trees",
pch=17,
col="red",
cex=0.4)
dev.off()


--- template: example.html title: LineString arrows example shortdesc: Example of drawing arrows for each line string segment. docs: > Example of drawing arrows for each line string segment. tags: "draw, vector, arrow" ---


School project for CSCI 130
Gomoku also called Gobang or Five in a Row, it is traditionally played with Go pieces (black and white stones) on a Go board, using 15×15 of the 19×19 grid intersections. As pieces are not moved or removed from the board, Gomoku may also be played as a paper and pencil game. The game is known in several countries under different names.
Black plays first, and players alternate in placing a stone of their color on an empty intersection. The winner is the first player to get an unbroken row of five stones horizontally, vertically, or diagonally.
Have fun playing!


Chattanooga
Indiana State
Illinois State
UNI
Eastern Washington
Montana
New Hampshire
35
Chattanooga
30
Illinois State
59
Eastern Washington
46
New Hampshire
Chattanooga
New Hampshire
Chattanooga
34
Sam Houston State
31
Villanova
32
Coastal Carolina
39
North Dakota State
26
Jacksonville State
37
Sam Houston State
29
Villanova
22
Liberty
36
Coastal Carolina
Richmond
27
North Dakota State
24
South Dakota State


--- layout: default title: Ces contenus sont disponibles même sans connexion ---
This page shows contents you can read even when you're not connected!
You can for example learn more about me or this website, or read contents available offline:


Week 7 - Day 3
Where you at? {{reg.path}}
{{student.name}} - {{student.grade}} (created on {{student.dateAdded | date:"h:mm:ss"}})


1. The word which means "house" is: maison quatre soleil poisson
2. The word which means "fish" is:
maison
valise
soleil
poisson
3. The word which means "suitcase" is:
renard
valise
soleil
poisson
4.Find the odd man out. 12, 21, 32, 45, 60, 77, 95:
95
45
32
21
5.Find the odd man out. 1050, 510, 242, 106, 46, 16, 3:
46
106
510
1050


My Name is Victor Paumen. I have been in the technology field for over 15 years. I fell in love with Coding after taking a very intensive Coding Bootcamp. Now I am trying to put all my ideas out there for the world to enjoy. My hobbies include photography, soccer and hiking and when I am not doing that my laptop is full of files showing my latest projects that will soon be on my portfolio.


Class: ActionDispatch::Routing::RouteSet::NamedRouteCollection::UrlHelper
Do not use. This class is for internal use only.
| Relationships & Source Files | |
| Namespace Children | |
|
Classes:
| |
| Extension / Inclusion / Inheritance Descendants | |
|
Subclasses:
|
|
| Inherits: | Object |
| Defined in: | actionpack/lib/action_dispatch/routing/route_set.rb |
Class Method Summary
Instance Attribute Summary
- #route_name readonly
Instance Method Summary
Constructor Details
.new(route, options, route_name) ⇒ UrlHelper
# File 'actionpack/lib/action_dispatch/routing/route_set.rb', line 255
def initialize(route, , route_name) @options = @segment_keys = route.segment_keys.uniq @route = route @route_name = route_name end
Class Method Details
.create(route, options, route_name)
[ GitHub ]# File 'actionpack/lib/action_dispatch/routing/route_set.rb', line 173
def self.create(route, , route_name) if optimize_helper?(route) OptimizedUrlHelper.new(route, , route_name) else new(route, , route_name) end end
.optimize_helper?(route) ⇒ Boolean
# File 'actionpack/lib/action_dispatch/routing/route_set.rb', line 181
def self.optimize_helper?(route) route.path.requirements.empty? && !route.glob? end
Instance Attribute Details
#route_name (readonly)
[ GitHub ]# File 'actionpack/lib/action_dispatch/routing/route_set.rb', line 185
attr_reader :route_name
Instance Method Details
#call(t, method_name, args, inner_options, url_strategy)
[ GitHub ]# File 'actionpack/lib/action_dispatch/routing/route_set.rb', line 262
def call(t, method_name, args, , url_strategy) = t. = .merge @options hash = handle_positional_args(, || {}, args, , @segment_keys) t._routes.url_for(hash, route_name, url_strategy, method_name) end
#handle_positional_args(controller_options, inner_options, args, result, path_params)
[ GitHub ]# File 'actionpack/lib/action_dispatch/routing/route_set.rb', line 274
def handle_positional_args(, , args, result, path_params) if args.size > 0 # take format into account if path_params.include?(:format) path_params_size = path_params.size - 1 else path_params_size = path_params.size end if args.size < path_params_size path_params -= .keys path_params -= (result[:path_params] || {}).merge(result).keys else path_params = path_params.dup end .each_key do |key| path_params.delete(key) end args.each_with_index do |arg, index| param = path_params[index] result[param] = arg if param end end result.merge!( ) end


Browse thousands of courses and add them to our smart course planner. View your unit totals and WAYS requirements coverage.
{{ course.description | limitTo:200 }}


jQuery Google Maps Plugin Microformats, Google Maps Streetview and jQuery Dialogs
Tap marker to see event info (microformat data) and streetview in a dialog window.
-
Wednesday May 18, 2011 at 19:00
Foo Fighters at
Verizon Arena,
Little Rock,
Arkansas.
34.75435975550584
-92.26513624191284
-
Monday April 11, 2011
jQuery UI Google maps plugin release version 2.0 at
Google code
Angered
Göteborg, Göteborg
57.7973333
12.0502107
-
Saturday August 19, 2010 at 19:00
Microformats + Activity Streams Meetup San Francisco at
Westfield Food Court,
San Francisco,
California.
37.7749295
-122.4194155


Consider joining the mailing list.
Send me an email at<EMAIL_ADDRESS>{{ partial "disqus.html" . }}


| State | Running Instances | Name | Availability | History view | Report | |
|---|---|---|---|---|---|---|
|
|
{{ pd.instances }} | {{ pd.name || pd.key }} |
Available
Unavailable
|
History view |


Building exactly the eCommerce website you want.
WooCommerce is a customizable, open-source eCommerce platform built on WordPress. Get started quickly and make your way.
WooCommerce is a customizable, open-source eCommerce platform built on WordPress. Get started quickly and make your way.


Payments via Postfinance
The Integration Service supports payments via Postfinance.
Checkout Processes
Due to the missing test mode for postfinance in PayOne this cannot be tested automatically. You can comment following line in for manual test in "live" environment.


So sad. I want to do the report.
I only know that i must push 10 commit on github.
Today,my lab is broken. I spend so much time on it.
Now, I got the 7th commit. haha.
Wow, i am so tired.
I have a happiness. But in dont want to speak it. hihi
The last commit, he he, see you.