A channel to discuss trading. For useful links and more info click the pinned messages to the right.
100 messages
Before 05-Dec-19 12:00 AM
Alright07-Jun-19 04:50 PM
482040.42176785 as of block 19819
Hollowman900007-Jun-19 04:51 PM
What’s the max?
Alright07-Jun-19 04:52 PM
100800 coins per week indefinitely
there isn't one
Hollowman900007-Jun-19 04:52 PM
Gotcha
Stake %?
Alright07-Jun-19 04:54 PM
51% pos64 POS, 49% equihash POW
LocoMB07-Jun-19 05:43 PM
hmm... when this is settled a bit, I want a really really vicious bashfest to trash up javascript ... at least three days , where we can get creative about why it is a shitty language that sux big time and should be avoided for everything other than silly farm games and panda the pooh (right, and don't forget a gazillion booking and dating sites )(edited)
umm... any serious LISK bagholders around here ?!?!
jl777c07-Jun-19 06:41 PM
the variable scoping is a bit lax
i know there are ways to make it less of an issue
tolken07-Jun-19 06:46 PM
Needless to say, there’s an opportunity here for KMD to review their security process, which I’m sure they will. Most projects are likely susceptible to this sort of thing, but more stringent auditing seems like a necessity. It will come at an expense, but surely less than having something like this happen again.

ResoluteCrypto07-Jun-19 06:59 PM
Someone replied to one of my comments on Reddit about the attack. Does anyone know the answer to this?
the attacker published a “useful” package (electron-native-notify) to the npm registry, waited until it was in use by the target, and then updated it to include a malicious payload.
how did they update it?
the npm and github page for that package shows that it hasn't been updated since 2017
did they do a code hotswap? like a feature available to electron components?
coingirl8707-Jun-19 07:01 PM
Look at coinmarketcap
Volume of komodo is 7,77(edited)
Is that a hidden sign?
Andersen07-Jun-19 07:04 PM
Best ever marketing . Hack the hacker
LocoMB07-Jun-19 07:15 PM
@ResoluteCrypto good question, that may lead to the thiefs trail ... (sorry I don't know the answer), but it will be really interesting if the thief left any traces
actionslacks07-Jun-19 07:25 PM
it would be even more interesting to learn the sequence of events. was the exploit simply collecting keys and the hacker was waiting for the max amt of keys before attacking? did the exploit creator start moving funds as soon as the exploit was discovered? We'll likely never know if it was a coincidence that the attack commenced right after the antara announcement.
jl777c07-Jun-19 07:25 PM
it appears that the hacker started moving funds as soon as he detected that we hacked him
i saw a few stolen addresses that were one hour before our first sweep
the house was indeed on fire
and yes, he was waiting and had some large addresses pre-targeted. he didnt want to force a rollback (i think)
indeed, if said hacker(s) actually get caught that would be pretty tremendous as well.
dukeleto07-Jun-19 07:39 PM
Josh has a large following, and has never ever mentioned KMD before. This is the first time, so I imagine a lot of his followers are going to look us up
Notification API polyfill in electron main process.
dukeleto07-Jun-19 07:51 PM
@Cryptoon you should make a 33k KMD by July memepic. I support this
dan.07-Jun-19 08:38 PM
unbuntu... thats a tribe in africa right
gcharang07-Jun-19 08:42 PM
It's a bunch of young guys with mild aspergers syndrome, microdosing on LSD, overdosing on Red Bull, writing complete gibberish computer code for cryptos that doesn't work.
mrlynch07-Jun-19 08:47 PM
is neither young, nor with mild aspergers, hates lsd and hates red bull even more
ResoluteCrypto07-Jun-19 08:48 PM
Gotcha thanks @gcharang
siu - Chainmakers07-Jun-19 08:55 PM
Binance froze
Cryptoon07-Jun-19 08:56 PM
@dukeleto i’m horrible at memes tho
jl777c07-Jun-19 08:59 PM
seems maybe binance got hacked for 700 btc?
just a rumor about a strange transfer to coinbase
Bla5t_Tyrant07-Jun-19 08:59 PM
They just posted message 7 min ago 3hr maintenance..
jl777c07-Jun-19 09:01 PM
but "maintenance" started about an hour ago
Cryptoon07-Jun-19 09:01 PM
maintenance
It all of a sudden just stopped trading and tradingview stopped printing candles
jl777c07-Jun-19 09:02 PM
hence the hack rumors as a 700btc tx was seen
Cryptoon07-Jun-19 09:02 PM
And that was before the announceent
jl777c07-Jun-19 09:03 PM
some XRP wallet was also hacked
Alexfrog07-Jun-19 09:03 PM
Binance needs to make enough money to survive a weekly 7000 btc hack, can they do it?
mrlynch07-Jun-19 09:03 PM
jeez
jl777c07-Jun-19 09:04 PM
yes
Alexfrog07-Jun-19 09:04 PM
And poloniex stole 16% of their customers bitcoin who used lending.
(And when I try to avoid exchanges by withdrawing to Agama wallet, it isnt safe either). Seriously, I just want to hodl crypto and not lose my coins, but its impossible.
Fortunately jl777 is a hero so that one will be ok
(And others on KMD team as well im sure, also heroes)(edited)
mrlynch07-Jun-19 09:09 PM
maybe a KMD Academy to teach users basic computer science and how to securely manage their own funds is in order
i've heard cli is the next best thing when it comes to wallets
Alexfrog07-Jun-19 09:12 PM
Using Agama was supposed to be securely managing one's funds though
anyway, jl777 and team saved the day this time
If this happened to most coins people would be so screwed
I'm more imporessed by Komodo team than ever
siu - Chainmakers07-Jun-19 09:16 PM
So i moved my funds to binance and now this... So nice ..
actionslacks07-Jun-19 09:19 PM
this is getting a bit out of hand now
mrlynch07-Jun-19 09:19 PM
cold storage, offline, faraday cage, air gap not only for tinfoil hat man
1
Keppie07-Jun-19 09:20 PM
Not following. Binance got hacked and they halted withdrawals now?
actionslacks07-Jun-19 09:22 PM
putting everything on paper wallets and just walking away for awhile seems like a good plan. but I keep thinking about them gains.
mrlynch07-Jun-19 09:22 PM
big move to coinbase and now they;re in maintenance
just switch paper wallets every month to claim your interest
Keytothegate07-Jun-19 09:23 PM
How much was moved?
mrlynch07-Jun-19 09:23 PM
rumour 700 btc.. haven't personally looked into this
Our system detected a disk failure and gracefully shut down to prevent any data loss or corruption.
Will update regularly on our progress during the maintenance.
Funds are #SAFU
We apologize for any inconvenience.


--- layout: default title: Home ---
I am a fifth year mathematics graduate student at Ohio State University. My advisor is Andrey Gogolev.


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Detection Module¶
The detection module is responsible for 3D nuclei centroid detection, which is required for single-cell analysis.
-
scout.detection.
curvature_probability
(eigvals, steepness, offset)¶ Calculate the interest point probability based on 3D curvature eigenvalues
Parameters: - eigvals (ndarray) – 4D array of curvature eigenvalues
- steepness (float) – Slope of the logistic function. Larger gives sharper transition between nuclei and background
- offset (float) – Translation of the logistic function. Larger biases towards more negative curvatures
Returns: prob – Curvature interest point probability
Return type: ndarray
-
scout.detection.
detect_nuclei_parallel
(z_arr, sigma, min_intensity, steepness, offset, I0, stdev, prob_thresh, min_dist, chunks, overlap, nb_workers=None, prob_output=None)¶ Detect nuclei centroids from a chunked Zarr array with parallel processing
Parameters: - z_arr (Zarr Array) – Input chunked Zarr array
- sigma (int, tuple) – Amount of blurring
- min_intensity (float) – Minimum intensity allowed for centroid
- steepness (float) – Sensitivity of the curvature-based probability map
- offset (float) – Bias of the curvature-based probability map
- I0 (float) – Reference intensity for image intensity prior. Can typically be set using Otsu’s method.
- stdev (float) – Sensitivity for the image intensity prior. Can typically be set to the standard deviation of the image.
- prob_thresh (float) – Minimum probability allowed for centroid
- min_dist (int) – Minimum distance allowed between detected centroids
- chunks (tuple) – Chunk size to process in parallel. This must match z_arr.chunks if using GPU curvature computations.
- overlap (int) – Amount of overlap between adjacent chunks
- nb_workers (int) – Number of parallel processes to use
- prob_output (Zarr Array) – Output array for intermediate probability map used for centroid detection
Returns: centers
Return type: ndarray
-
scout.detection.
intensity_probability
(image, I0=None, stdev=None)¶ Calculate the foreground probability using exponential distribution
Parameters: - image (ndarray) – Input image
- I0 (float, optional) – Normalization value. Default, mean of image
- stdev (float, optional) – Width of the transition to foreground. Default, stdev of normalized image
Returns: prob – Foreground probability map
Return type: ndarray
-
scout.detection.
nuclei_centers_probability
(prob, threshold, min_dist)¶ Find nuclei centroids with a minimum probability at least min_dist apart
Parameters: - prob (ndarray) – Input probability image
- threshold (float) – Minimum probability allowed for a centroid
- min_dist (int) – Minimum pixel distance allowed between detected centroids
Returns: output – Coordinates of detected centroids
Return type: ndarray
-
scout.detection.
nucleus_probability
(image, sigma, steepness=500, offset=0.0005, I0=None, stdev=None)¶ Calculate the nucleus probability map using logistic regression over curvature eigenvalues
Parameters: - image (ndarray) – 3D image volume of nuclei staining
- sigma (int or tuple) – Amount to blur the image before processing
- steepness (float) – Slope of the logistic function. Larger gives sharper transition between nuclei and background
- offset (float) – Translation of the logistic function. Larger biases towards more negative curvatures
Returns: prob – Nuclei probability map
Return type: ndarray


| File | Statements | Branches | Functions | Lines | |||||
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| badge | 100% | 22/22 | 100% | 10/10 | 100% | 10/10 | 100% | 22/22 | |
| breadcrumb | 100% | 19/19 | 100% | 8/8 | 100% | 4/4 | 100% | 18/18 | |
| button | 100% | 41/41 | 100% | 6/6 | 100% | 8/8 | 100% | 40/40 | |
| cascader | 100% | 195/195 | 100% | 66/66 | 100% | 44/44 | 100% | 193/193 | |
| checkbox | 100% | 78/78 | 100% | 36/36 | 100% | 15/15 | 100% | 77/77 | |
| datepicker | 100% | 271/271 | 100% | 97/97 | 100% | 54/54 | 100% | 269/269 | |
| empty | 100% | 7/7 | 100% | 0/0 | 100% | 1/1 | 100% | 7/7 | |
| grid | 100% | 50/50 | 100% | 4/4 | 100% | 10/10 | 100% | 50/50 | |
| icon | 100% | 7/7 | 100% | 0/0 | 100% | 1/1 | 100% | 7/7 | |
| input | 100% | 37/37 | 100% | 14/14 | 100% | 13/13 | 100% | 36/36 | |
| inputnumber | 100% | 59/59 | 100% | 12/12 | 100% | 17/17 | 100% | 59/59 | |
| link | 100% | 12/12 | 100% | 2/2 | 100% | 1/1 | 100% | 11/11 | |
| modal | 100% | 75/75 | 100% | 15/15 | 100% | 18/18 | 100% | 74/74 | |
| page | 100% | 72/72 | 100% | 13/13 | 100% | 21/21 | 100% | 70/70 | |
| popconfirm | 100% | 63/63 | 100% | 10/10 | 100% | 18/18 | 100% | 62/62 | |
| popover | 100% | 68/68 | 100% | 26/26 | 100% | 21/21 | 100% | 68/68 | |
| progress | 100% | 107/107 | 100% | 26/26 | 100% | 29/29 | 100% | 104/104 | |
| radio | 100% | 70/70 | 100% | 19/19 | 100% | 19/19 | 100% | 69/69 | |
| select | 100% | 204/204 | 100% | 76/76 | 100% | 60/60 | 100% | 202/202 | |
| spin | 100% | 10/10 | 100% | 0/0 | 100% | 2/2 | 100% | 9/9 | |
| switch | 100% | 28/28 | 100% | 8/8 | 100% | 6/6 | 100% | 28/28 | |
| table | 100% | 171/171 | 100% | 69/69 | 100% | 45/45 | 100% | 168/168 | |
| tag | 100% | 109/109 | 100% | 30/30 | 100% | 41/41 | 100% | 108/108 | |
| tooltip | 100% | 61/61 | 100% | 24/24 | 100% | 16/16 | 100% | 61/61 | |
| vueScale | 32.39% | 23/71 | 0% | 0/7 | 27.27% | 3/11 | 32.39% | 23/71 |


This will follow the same format as what was discussed in the probability. Expect to have some typos and ill-formed sentences.
The post will follow these content
- Parametric Distributions
- Exponential Family
- Location Scale Family
- Statistics and Estimators
- Sufficient and Complete
- Evaluation (Optimality)
- Finite Sample Inference
- Asymptotic Behavior of Estimators
- Consistency
- Inference


Directives for creating Bootstrap tooltips and popovers from plain or dynamic strings, or templates.
The ngxStrapTooltip
and ngxStrapPopover
directives
work out of the box with Bootstrap's native data-
attributes.
Use [tooltipTitle]
, [popoverTitle]
and [popoverContent]
to pass dynamic strings.
For more complex markup and bindings, pass template references to
[tooltipTitle]
, [popoverTitle]
and [popoverContent]
.
Use [tooltipEnabled]
to control whether a tooltip is shown.
Use [popoverEnabled]
to control whether a popover is shown.
Use [tooltipDismissOnClickOutside]="true"
or [popoverDismissOnClickOutside]="true"
to control whether the popup is dismissed when the user
focuses or clicks an element outside of it.
Most popover and tooltip options can be set using
data-
attributes. You may, however, find
it convenient to pass options to the directive directly.
Use [tooltipOptions]="..."
or [popoverOptions]="..."
. Both accept an
instance of IPopupOptions
.
The native Bootstrap tooltip and popover events are exposed
via tooltipEvents
and popoverEvents
respectively.
Both the tooltip and popover directives have
show()
, hide()
and toggle()
methods.


Hello my name is Christina Lo
The Big Oxmox advised her not to do so, because there were thousands of bad Commas, wild Question Marks and devious Semikoli, but the Little Blind Text didn’t listen. She packed her seven versalia, put her initial into the belt and made herself on the way.
Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts. Separated they live in Bookmarksgrove right at the coast of the Semantics, a large language ocean.
My Mission
“Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts.”
Upcoming Events
My Vision
“The Big Oxmox advised her not to do so, because there were thousands of bad Commas, wild Question Marks and devious Semikoli, but the Little Blind Text didn’t listen. She packed her seven versalia, put her initial into the belt and made herself on the way.”


Reality LA Rapid App Design
UI/UX Design
I designed 4 hi-fi user interfaces for Reality LA mobile app based on its website and theme.
In the Rapid Design Event, I was assigned to rapidly design 4 high-fidelity user interfaces for Reality LA mobile app based on its website and theme.
Inspire a thriving community
• UX research • Content Maping • Create wireframes and high-fidelity interfaces following the brand style of Reality LA website • Create storyborad to explain the user flow
Sketch Illustrator Photoshop
Independent project
2 days
The challenge
Reality LA is part of the Reality family of churches located in Los Angles. Its website is the main channel to share information. Based on the research of its website, the theme and requirements provided by the event, I defined the challenge as:
How might we inspire a thriving community in Reality LA through mobile?
JUMP PAST SOLUTION TO RESEARCH
The solution
Reality LA is a mobile app that connects people who share the same vision with Reality LA.
VISION & MISSION OF RLA
Key features
The research
This mobile design project was started with rapidly researching the RLA main webiste. I conducted the research depending on context, identity, and goals these three directions.
Include main events and resources of the website to the app. The information architecture has showed that Sunday gathering is the main event in RLA and providing resources for the viewers is another important content in its website. These two parts are included in the community page and resources page in the app.
Maintain the strong relationships and keep engaging with others. Since donators, staffs, subscribers, community groups and volunteers have a strong relationship with RLA, I designed the features below to meet the user needs and maintain the strong relationships: "Sunday" and "get involved" on the community page, and resources page.
Donation is the main revenue stream of RLA and the key to inspire a thriving community. Therefore, in order to get users engaged in RLA financially, I designed a give button, QR codes, my wallet, donation times, donate to RLA, these features in the app.
Those activities and resources are Sunday gathering, providing resouces, providing essential classes, volunteers, join community, marriage preparation, childcare and extra.
A thriving community connects people sharing the same values. In the inbox page, users can chat with others in the community and receive RLA notices. The "get involved" section of the community page has the latest news and events that encouraging users to join in.
Wireframes
Based on the notes from research and comparative results of three similar mobile apps, I created wireframes for the Reality LA mobile app.
Style guideline
In order to maintain the brand consistency, I adapted the main brand color of the website to the mobile. On the RLA website, they have used RGB#274b66 as the main brand color. This color has been used on buttons and the background of “Get Involved” section on the home page. RGB#0DB19F has been used on hover over on the website.
After I selected the two colors used on the website as the mobile design main color, I chose RGB#4AEBC6, the analogous color of RGB#0DB19F to highlight the menu and icons.
The four colors listed above create a color gradient, which has been widely used on the mobile design to create a clear and positive image of RLA. The color gradient has been used to overlay the pictures, which makes sure that the pictures are in the same style and match the other design elements. The menu items at the bottom use the color gradient as well.


"The Original Chicken Sandwich"
We are partners with the greater Atlanta business community in philanthropic endeavors, working to stimulate the local economy through job creation, as well as leading stewardship initiatives intended to leave Georgia better than we found it.
"The best part about their vision is that it's all about serving people and that is why I keep coming back for more!"


SINCE THE COMPANY PROFILE ACTS OF ITS GOAL TO HAVE A CUSTOMER FRIENDLY AND TO PROVIDE MAXIMUM SAFETY AND SECURITY TO THE CONSUMERS. THE LOGO ITSELF REPRESENTS HOW CAN WE BE COOL WHILE ON A SERIOUS NOTE, THE LOGO DESIGN IS ACTUALLY A MIXTURE OF FUN AND HONESTY.  THE GRAY BACKGROUND REPRESENTS SOPHISTICATED PROJECTION OF OUR COMPANY THAT WE DON'T JUST DO IT, WE DO IT WELL WITH HIGH CLASS TECHNOLOGY. THE "BEER" STANDS FOR B-BOLSTER, E-EVOLVE, E-ENTERPRISE, AND R-RESOURCES.
 But you know, sometimes, you've just got no choice; those kids gotta get to school!”
―Dave Attell
Potus Rota


Developed by Pedro Henrique Marangoni
Dissertation Project to attain Master Degree in Information Systems at WWU - Münster - Germany
Supervisor: Dr. Friedrich Chasin
Dissertation Project to attain Master Degree in Information Systems at WWU - Münster - Germany
Supervisor: Dr. Friedrich Chasin


here be dragons
// @vine
| Grouping | ||
|---|---|---|
| First Header | Second Header | Third Header |
| Content | Long Cell | |
| Content | Cell | Cell |
| New section | More | Data |
| And more | With an escaped ‘\|’ |
| First header | Second header |
|---|---|
|
List:
|
More data |
| First header | Second header |
|---|---|
| Merged | Cell 1 |
| Cell 2 | |
| Cell 3 |
class A diag-a-styles; class B diag-b-styles class C diag-c-styles;
Awesome VS code extension using The HTML Presentation Framework Revealjs
Created by Vincent B. / @Evilznet
reveal.js enables you to create beautiful interactive slide decks using HTML. This presentation will show you examples of what it can do.
Slides can be nested inside of each other.
Use the Space key to navigate through all slides.
Nested slides are useful for adding additional detail underneath a high level horizontal slide.
That’s it, time to go back up.
Press ESC to enter the slide overview.
Hold down alt and click on any element to zoom in on it using zoom.js. Alt + click anywhere to zoom back out.
Use ctrl + click in Linux
Presentations look great on touch devices, like mobile phones and tablets. Simply swipe through your slides.
## Markdown support
Write content using inline or external Markdown.
Instructions and more info available in the
[readme](https://github.com/hakimel/reveal.js#markdown).
Hit the next arrow…
… to step through … … a fragmented slide.
Note: This slide has fragments which are also stepped through in the notes window.
There’s different types of fragments, like:
grow
shrink
fade-out
fade-right
fade-up
fade-down
fade-left
fade-in-then-out
fade-in-then-semi-out
current-visible
Highlight red blue green
You can select from different transitions, like: None - Fade - Slide - Convex - Concave - Zoom
reveal.js comes with a few themes built in:
Black (default) -
White -
League -
Sky -
Beige -
Simple
Serif -
Blood -
Night -
Moon -
Solarized
Set data-background="#dddddd"
on a slide to change the background color. All CSS color formats are supported.

Different background transitions are available via the backgroundTransition option. This one’s called “zoom”.
You can override background transitions per-slide.
function linkify( selector ) {
if( supports3DTransforms ) {
var nodes = document.querySelectorAll( selector );
for( var i = 0, len = nodes.length; i < len; i++ ) {
var node = nodes[i];
if( !node.className ) {
node.className += ' roll';
}
}
}
}
Code syntax highlighting courtesy of highlight.js.
| Tables | Are | Cool |
|---|---|---|
| col 3 is | right-aligned | $1600 |
| col 2 is | centered | $12 |
| zebra stripes | are neat | $1 |
These guys come in two forms, inline: “The nice thing about standards is that there are so many to choose from”
and block:
“For years there has been a theory that millions of monkeys typing at random on millions of typewriters would reproduce the entire works of Shakespeare. The Internet has proven this theory to be untrue.”
You can link between slides internally, like this.
There’s a speaker view. It includes a timer, preview of the upcoming slide as well as your speaker notes.
Press the S key to try it out.
Presentations can be exported to PDF, here’s an example:
Set data-state="something"
on a slide and "something"
will be added as a class to the document element when the slide is open.
Additionally custom events can be triggered on a per slide basis by binding to the data-state
name.
Reveal.addEventListener( 'customevent', function() {
console.log( '"customevent" has fired' );
} );
Press B or . on your keyboard to pause the presentation. This is helpful when you’re on stage and want to take distracting slides off the screen.
Handles finding a text string anywhere in the slides and showing the next occurrence to the user by navigatating to that slide and highlighting it.
Shortcut : CTRL + SHIFT + F
Zoom anywhere on your presentation
Shortcut : alt + click
: Zoom in. Repeat to zoom back out.
Add note to speaker view.
Default markdown syntaxe is
note: a custom note here
Have you ever missed the traditional classroom experience where you can quickly sketch something on a chalkboard?
Just press ‘b’ or click on the pencil button to open and close your chalkboard.
left mouse button
to write on the chalkboardright mouse button
to wipe the chalkboardDEL
key to clear the chalkboardDid you notice the button?
By pressing ‘c’ or clicking the button you can start and stop the notes taking mode allowing you to write comments and notes directly on the slide.
Add chart from simple string
To embed a tweet, simply determine its URL and include the following code in your slides:

A SLIDEOUT MENU FOR NAVIGATING REVEAL.JS PRESENTATIONS
See the in the corner?
Click it and the menu will open from the side.
Click anywhere on the slide to return to the presentation, or use the close button in the menu.
If you don’t like the menu button, you can use the slide number instead.
Go on, give it a go.
The menu button can be hidden using the options, but you need to enable the slide number link.
Or you can open the menu by pressing the m key.
You can navigate the menu with the keyboard as well.
Just use the arrow keys and
You can disable the keyboard for the menu in the options if you wish.
You can configure the menu to slide in from the left or right
The slide markers in the menu can be useful to show you the progress through the presentation.
You can hide them if you want.
You can also show/hide slide numbers.
The menu uses the first heading to label each slide but you can specify another label if you want.
Use a data-menu-title attribute in the section element to give the slide a custom label, or add a menu-title class to any element in the slide you wish.
You can change the titleSelector option and use any elements you like as the default for labelling each slide.
An extension of the math.js plugin allowing to render LaTeX in SVG.
Includes a footer in all the slides of a Reveal.js presentation (with optional exclusion of some slides) that will show the title of the presentation.
A plugin that allows focusing on specific lines of code blocks.

// Useless comment.
alert('hi');

This focuses on the comment.

Another fragment.

This section is a slide.
This will be highlighted by highlight.js
.
This fragment focuses on the first line.
This fragment focuses on lines 1 and 2.
See the next slide for a demo with the contents of this code block.


Evaluate Metrics¶
To start the evaluation on a given list of metrics, you need to instantiate a dataset inherting from our DiagnosticDataset
.
The calculation starts by calling calculate_metrics
, and pass the model adapter, dataset, output directory and amount of trials as parameters.
The parameter trials
refers to the number of monte carlo trials that are performed and averaged for respective metrics.
The following code block contains an example how a script could look like.
from vqa_benchmarking_backend.datasets.GQADataset import GQADataset
from vqa_benchmarking_backend.metrics.metrics import calculate_metrics
# or import your own dataset
output_dir = '/path/to/my/ouput/dir'
qsts_path = 'path/to/GQA/questions.json'
img_dir = 'path/to/GQA/images/'
# file that contains a dict {idx: ans_str}
idx2ans = load_idx_mapping()
dataset = GQADataset(question_file=qsts_path, img_dir= img_dir, img_feat_dir='', idx2ans=idx2ans, name='GQA')
# define a list with all metrics the model should be tested on
metrics = [
'accuracy',
'question_bias_imagespace',
'image_bias_wordspace',
'image_robustness_imagespace',
'image_robustness_featurespace',
'question_robustness_featurespace',
'sears',
'uncertainty'
]
calculate_metrics(adapter=model_adapter, dataset=dataset, output_path=output_dir, metrics=metrics, trials=7)


Using JavaScript Libraries for Game Development
By Keisha S Perkins
This talk is about using JavaScript to create games on the HTML5 canvas. Though you won’t create the next Halo, you’ll learn so much about JavaScript and programming as a whole when you create games with it. In this talk, I’ll introduce you to a library that’s perfect for beginners and “non-coders” alike called p5.js.
Why JavaScript?
JavaScript is everywhere. If you use the internet, you’ve almost certainly encountered JavaScript. You’ve seen it move objects across the screen, fetch information to a webpage, or maybe drive the logic behind a fun game you’ve played.
With JavaScript’s ubiquity comes career opportunity and a huge community of developers. Rest assured, if you want to learn JavaScript, you’ll be learning a tool that is used across the internet by millions every day.
Why p5.js
P5.js is the perfect place to begin your foray into programming with JavaScript as it is designed with the beginner, the artist, the poet, and the educator in mind. If you're anything like me, you want to see a results quickly. P5.js gets you up and running right away. With just a few lines of code, you can have interativity.
With p5, you can add and remove functionality as you need it with p5’s extender libraries. Want to make a speech analysis tool? Use p5.speech. Want to make music in the browser? How about p5.gibber? Interested in physical computing? Try p5.bots.
And don’t worry if you’re just starting out. You’ll see how easy it can be when the p5 library helps to do some of the work for you!
What is p5.js?
P5.js is “a JavaScript library that starts with the original goal of Processing, to make coding accessible for artists, designers, eductaors, and beginners, and reinterprets this for today's web,” according to the official p5.js website. What this means is that p5 was first developed in order to make it easier to start programming no matter your background or skill level.
Using P5.js
The first thing we need to know about p5.js is that there are two main functions built into it: the setup()
function and the draw()
function. The setup()
function is where we want to put things that we only want the computer to do once at the start of our program. The draw()
function is where we put things we want the computer to do many time every second. The default is 60 executions every second.
Creating the Canvas
So let’s start by creating the canvas we want to draw on. We’ll tell the computer we want the canvas to be 800 pixels wide and 300 pixels tall. We’ll also tell it that we want the canvas to be black. Here's the code
function setup() {
createCanvas(800, 300);
background('black');
}
function draw() {
}
Here's the result
Adding Some Interest
Not terribly impressive. But let’s draw on that canvas. In the draw function, let’s add an ellipse that is 80 pixels in from the left and 50 pixels down from the top. We’ll also make it 20 pixels wide and 60 pixels tall.
Here's the code:
function setup() {
createCanvas(800, 300);
background('black');
}
function draw() {
ellipse(80,50,20,60)
}
Here's the result
Though this ellipse appears to be still, it is being drawn 60 times each second. Let's add some movement so we can see why the draw()
function is so important.
Adding More Interactivity
Now let’s add some movement. We can use a set of p5.js variables called mouseX
and mouseY
to make the ellipse follow our mouse instead of telling the computer a specific location. At the start of every draw function, the computer will look to see where our mouse cursor is and draw our ellipse right underneath.
Here's the code:
function setup() {
createCanvas(800, 300);
background('black');
}
function draw() {
ellipse(mouseX, mouseY, 50, 50);
}
Here's the result
Get Rid of that Tail
Remember that we said things in the setup()
function only happen once? What if we put our instructions for our background in the draw()
function so that it is draw at the start of every frame?
The result is that the ellipse’s “tail” has gone away because the background is draw at the start of each frame, covering the ellipse from the last frame. This simple loop allows us to simulate the real-world look of movement on our 2D canvas
Here's the code:
function setup() {
createCanvas(800, 300);
}
function draw() {
background('black');
ellipse(mouseX, mouseY, 50, 50);
}
Here's the result
This is just a small introduction to the library, but have a look at some of the things others have built with p5.js! Perhaps it will inspire to you build something, too.
- Noisefactor’s Pen “Simple paint program”
- Yugam’s Pen “Card’s Rotation”
- P5.js Example: Reach 1
- shaggy’s Pen “Wave Gen – p5.js”
But Where Are the Games?!
P5.js is great for building games all by itself. But with the help of extender libraries, making games is even easier. Let’s have a look at the p5.play and p5.sound extender libraries.
P5.play
P5.play is a library “for the creation of games and playthings” written Paolo Pedercini. P5.play provides sprites, animations, input and collision functions for games and gamelike applications. It’s built for accessibility over performance.
What Is a Sprite?
The main building block of p5.play, a sprite is an element able to store images or animations with a set of properties such as position and visibility. Sprites can have a collider that defines the active area to detect collisions or overlappings with other sprites and mouse interactions. This means that you use sprites to represent things in your game environment and p5.play will keep up with where they are, what they overlap, and how they should be moving.
Let’s Add a Sprite!
Adding a sprite is pretty simple, we just need a variable for our sprite to live in. We use the CreateSprite()
function to make a sprite that is 150 pixels down from the top and 150 pixels down from the bottom. The sprite will be 50 pixels wide and 160 pixels tall. In our draw()
function, we use drawSprites()
to let the computer know that we want to see our sprites.
Here's the code:
var robot;
function setup() {
robot = createSprite(150,150,50,160);
createCanvas(800, 300);
}
function draw() {
background('black');
drawSprites();
}
Here's the result
Though it may not look like it, that rectangle has velocity, space, depth, collision, and lots of other properties already built in. It’s ready for us to start manipulating it. First, let’s add an animation to the sprite!
Adding an Animation to Our Sprite
Sprites can take on several animations, and animations can be in the form of a series of pictures or a spritesheet. Here, we’ll tell the computer that our sprite should have an animation that we’ll call “idle” and that the animation should consist of all images from “idle01.png” to “idle09.png” from our files.
P5.play very convieniently keeps track of these for us. We just need to name the images according to the order they appear in our animation. P5.play will read the titles and do the rest.
Note: The files referenced here are saved in the same folder as the p5.js sketch. In order for your animations to work, you will need images to assign. A great place to find free sprites is
Hers's the code:
var robot;
function setup() {
robot = createSprite(150,150,50,160);
robot.addAnimation("idle", "images/Idle02.png", "images/Idle09.png");
createCanvas(800, 300);
}
function draw() {
background('black');
drawSprites();
}
Here's the result
And there she is! Our little robot!
Adding Interactivity to our sprite
What if we want to add some interaction? Let’s give the computer some instructions on what to do when we press a certain key. In our setup function we’ll add another animation called “run” with similar syntax as before.
Then, in our draw function, we’ll put a bit of logic that first checks to see if someone is pressing the right arrow key, and then changes the robot’s velocity so that she moves to the right. The robot will also change animations when the key is pressed, creating the effect of running.
Here's the code:
var robot;
function setup() {
robot = createSprite(150,150,50,160);
robot.addAnimation("idle", "images/idle01.png", "images/idle09.png");
robot.addAnimation("jump", "images/jump01.png", "images/jump10.png");
createCanvas(800, 300);
}
function draw() {
background('black');
if(keyIsDown(32)){
robot.changeAnimation("jump");
} else if(!keyIsDown(32)) {
robot.changeAnimation("idle");
}
drawSprites();
}
Here's the result
Using functions like the ones we’ve used above, we can make games that are simple and fun to play. This game was built with less than 200 lines of code using these libraries.
Note: A great little resource I like to use is Keycode.info by Wes Bos.  It's very helpful when writing in keyboard event handlers.
Check out some of these other things built with this wonderful library:
- Yuki Kayashima’s Pen “p5.js_breakout”
- Joseph Palmezano’s Pen “Angry PacMan p5.js”
- Setup Draw’s Pen “ASTEROIDS”
But Where Is the Sound?
Notice how all of these examples have been silent. To add sound to our game, we will use the p5.sound extender library. p5.sound extends p5 with Web Audio functionality including audio input, playback, analysis and synthesis.
It will allow us to trigger songs and sounds at certain parts in the game. For instance, let’s add a song at the start of the game we saw earlier.
We'll add this code into our setup()
function and introduce a new function, preload()
.
Here's the code:
var gameMusic;
function preload(){
gameMusic = loadSound('gameMusic.mp3');
}
function setup(){
gameMusic.play();
}
Here's the result
The preload()
function allows us to load all of our assets before the program begins. This is very useful for when we have large files or have many files to load. In the preload function, we will load our sound to a variable called “gameMusic”. At the start of the setup function, we can play the song.
We don't want to put our play()
call in the draw()
function because that would cause a new instance of our song to start playing, overlapping 60 times in one second!
With a bit more coding, we can trigger sounds for when the game is being played, when the game is over and even when a certain action occurs in the game.
Conclusion
I hope this quick introduction to p5.js and its extender libraries p5.play and p5.sound helped to inspire your creativity. I encourage you to continue learning about the libraries. There is so much you can do with them.
Here is a list of resources that may help you in learning a bit more
Here is a list of resources that may help you in creating games.
If you'd like to see how that robot game was built, you can click here. And you'd like to jump right into making with p5.js, you can fork this pen start right away. The pen already has p5.js, p5.play, p5.sound, and another extender library, p5.dom linked.
Have fun!


2 Kings 12:5
Let the priests take it to them, every man of his acquaintance: and let them repair the breaches of the house, wheresoever any breach shall be found.


Resizing the canvas
Pixen allows you to easily change the size of the canvas on which you're painting without stretching the image that's already there (for that, see scaling the canvas). Simply use the Resize Canvas sheet (accessible through Edit > Resize Canvas...):
The width and height fields allow you to specify the new size of the image. You are free to pick sizes both larger and smaller than the original: the screenshot above specifies a much larger image than the original.
To designate where in the new image you'd like the old picture to be placed, simply drag the thumbnail around in the large preview area. As you drag, numbers will appear indicating the distance from each edge for alignment purposes. You can also use the arrow keys to move the image more precisely.
The color specified in the background color well is used to fill in any area of the canvas exposed by this operation that had no data before. If you'd like it to stay blank, you're free to leave this well as the clear color.


Spouses
father
father
Children
child(ren)
Marriage date
Marriage place
Divorce date
Divorce place
Submit
Cancel


This script has been updated to use the new CRM API, read up about it
over here. Depending on howmany chrome APIs you used, some issues may have occurred.
[[getScriptUpdateStatus(item)]]
Click
here to compare the new and the old version and/or resolve any issues migrating or click
here to dismiss this dialog permanently.


Quality fit and service since 1906, Allen's Shoes has served as Southern New Jersey's number one destination for premium quality footwear. Allen's Shoes is known for having a variety of styles in wide, extra wide and large sizes to fit your feet. We also have a professional staff to assist you with your purchases. Voted best shoe store in Atlantic County for the past seven years, we look forward to seeing you in our store for the best service and selection.
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Fylo stores your most important files in one secure location. Access them wherever you need, share and collaborate with friends, family, and co-workers.
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Securely share files and folders with friends, family and colleagues for live collaboration. No email attachments required!
See how Fylo worksFylo has improved our team productivity by an order of magnitude. Since making the switch our team has become a well-oiled collaboration machine.
It only takes a minute to sign up and our free starter tier is extremely generous. If you have any questions, our support team would be happy to help you.


Print Projects
The following are projects managed and developed during Tim’s tenure as Vice President of Product Delivery and Technology.
Sing, Spell, Read & Write
This is a multi-sensory, phonics-based reading program that supports all five key components of reading instruction called for by the Reading First Initiative. A unique 36-step learning-to-read curriculum, Sing, Spell, Read & Write utilizes carefully sequenced, systematic, explicit phonics instructional strategies to build fluent, independent readers. Created all aspects of this multi-part program including storyboards, workbooks, posters, cards, teacher editions, oversized manipulatives and labels. Also, created Spanish Edition.
Explore More!
Created non-fiction leveled readers and associated teacher support for 48 titles on science and social studies topics tied to the standards for grades 4-6. Created series using three design formats that were applied in multiple color palettes across all 48 titles to achieve visual variety, and protect the "program look," while reducing the need for high per-book design budgets.
Summer School Program
Explicit instruction and practice exercises to improve both standardized test scores and classroom performance while, boosting students' confidence through built-in assessment opportunities, reading-writing connections, strategies for ESL/ELL instruction, ample writing practice.
Created writing practice books, reading practice books, and Teacher Editions. This project was done as part of Phoneix Results Process. Wee adapted and leveraged materials from existing client-owned content assets and added new writing process materials and a new design. We created a new teacher's guide to accompany the retooled student materials.
Spotlight on Music
Creation of new edition of this program, spanning grades K through 8. Sole developer for this program delivered in a 10-month schedule from prototyping to final file delivery. 4,500 new pupil pages and 4,900 new teacher edition pages.


Connect Forest
Player One
Score: 0
Pick an Animal
Player Two
Score: 0
Pick an Animal
Reset
Whoops, same choice!! Pick again!
Close
There is no winner in the forest today 🌲
Close


There are 5 options for the output_verify argument of the following methods of HDUList: close(), writeto(), and flush(), or the :meth:~_BaseHDU.writeto method on any HDU object. In these cases, the verification option is passed to a :meth:verify call within these methods.
This option will raise an exception if any FITS standard is violated. This is the default option for output (i.e. when writeto(), close(), or flush() is called. If a user wants to overwrite this default on output, the other options listed below can be used.
This option will ignore any FITS standard violation. On output, it will write the HDU List content to the output FITS file, whether or not it is conforming to FITS standard.
The ignore option is useful in these situations, for example:
- An input FITS file with non-standard is read and the user wants to copy or write out after some modification to an output file. The non-standard will be preserved in such output file.
- A user wants to create a non-standard FITS file on purpose, possibly for testing purpose.
No warning message will be printed out. This is like a silent warn (see below) option.
This option will try to fix any FITS standard violations. It is not always possible to fix such violations. In general, there are two kinds of FITS standard violation: fixable and not fixable. For example, if a keyword has a floating number with an exponential notation in lower case ‘e’ (e.g. 1.23e11) instead of the upper case ‘E’ as required by the FITS standard, it’s a fixable violation. On the other hand, a keyword name like P.I. is not fixable, since it will not know what to use to replace the disallowed periods. If a violation is fixable, this option will print out a message noting it is fixed. If it is not fixable, it will throw an exception.
The principle behind the fixing is do no harm. For example, it is plausible to ‘fix’ a Card with a keyword name like P.I. by deleting it, but Astropy will not take such action to hurt the integrity of the data.
Not all fixes may be the “correct” fix, but at least Astropy will try to make the fix in such a way that it will not throw off other FITS readers.
Same as fix, but will not print out informative messages. This may be useful in a large script where the user does not want excessive harmless messages. If the violation is not fixable, it will still throw an exception.
This option is the same as the ignore option but will send warning messages. It will not try to fix any FITS standard violations whether fixable or not.


This example shows how to use the client-side API of Telerik PanelBar for ASP.NET MVC.
To use the client-side API you should first retrieve the panelbar client-side object.
The following code snippet shows how to do this:
<script type="text/javascript">
function getPanelBar(){
//"Panelbar" is the value specified by the Name() method.
var panelbar = $("#Panelbar").data("tPanelBar");
return panelbar;
}
</script>
Available client-side methods:
-
You can expand a panel item with the expand(...) method. This method accepts a DOM element representing an existing
panel item, a collection of DOM elements or a jQuery selector.
-
You can collapse an item with the collapse(...) method. This method accepts a DOM element representing an existing
panel item, a collection of DOM elements or a jQuery selector.
-
You can enable an item with the enable(...). This method accepts a DOM element representing an existing
panel item, a collection of DOM elements or a jQuery selector.
-
You can disable an item with the disable(...) method. This method accepts a DOM element representing an existing
panel item, a collection of DOM elements or a jQuery selector.


CESC calls off demerger of power business
State regulator refuses nod for recast
by Special CorrespondentCESC Ltd., the flagship company of the RP-SG Group, has called off its proposal on the demerger of its power business.
The group’s power business comprises thermal power plants in West Bengal and Maharashtra, renewable power plants in Tamil Nadu, Rajasthan, Gujarat and Madhya Pradesh, and power distribution franchisees in Rajasthan and Maharashtra. It will make “necessary application to the Kolkata Bench of the National Company Law Tribunal in this regard,” the company said in a regulatory filing.
The demerger of the power business was part of a composite scheme of arrangement among CESC and 9 other firms.
The scheme was made effective from October 2017, barring the part on the demerger of the generation undertaking into Haldia Energy Ltd., a wholly owned subsidiary.
The CESC board at its meeting decided “it would be prudent and in the best interest of the company, its shareholders and other stakeholders to no longer pursue the said demerger,” the company said. The Composite Scheme of Arrangement created new firms out of CESC’s retail business, its FMCG and ITES businesses.
Its generation and distribution businesses were to be segregated under the CESC demerger scheme. The West Bengal power regulator’s nod was not available for this part of the recast proposal.


POS Partner deselection in opened POS on expiry the predefined time interval after the customer was set.
It's a good solution to eliminate human error, avoid fraud in case of customers are changing their choice.
This module automatically allows deselecting customers after some amount of time.
How It Works
User with the "POS manager" level of access set up the deselection interval
User with the regular level of access (or higher) select the Customer for the purchasing
Customer has been deselected after 5 minutes (as example)


All Packages Class Hierarchy This Package Previous Next Index
Class BIT.lowBIT.Attribute_Info
java.lang.Object
|
+----BIT.lowBIT.Attribute_Info
- public class Attribute_Info
- extends Object
-
attribute_length
- attribute_length indicates the length of the attribut
-
attribute_name_index
- attribute_name_index is an index into the constant pool
table and indicates the name of the attribute.
-
Attribute_Info()
-
attribute_name_index
public short attribute_name_index
- attribute_name_index is an index into the constant pool
table and indicates the name of the attribute.
attribute_length
public int attribute_length
- attribute_length indicates the length of the attribut
Attribute_Info
public Attribute_Info()
All Packages Class Hierarchy This Package Previous Next Index


[Gecode] INT module is _not_ always there!
Christian Schulte
schulte at imit.kth.se
Mon May 24 11:53:20 CEST 2004
Fixed, sorry I assumed that the integer mod board would always be there when
sets are in use...
Christian
--
Christian Schulte, http://www.imit.kth.se/~schulte/
-----Original Message-----
From: gecode-bounces at ps.uni-sb.de [mailto:gecode-bounces at ps.uni-sb.de] On
Behalf Of Guido Tack
Sent: Saturday, May 22, 2004 11:50 AM
To: gecode at ps.uni-sb.de
Subject: [Gecode] INT module is _not_ always there!
Hi.
If you build static gecode libs and you link them with a program that
doesn't
use anything from the int module but only set variables, the vmb WON'T be
initialized for type VTI_INT! (And I guess we have the same problem with
dlls, I just didn't check) That's why the optimization in core.icc checked
in
yesterday is a bit premature... Should we just revert to the old version or
think of something clever?
Guido
--
Guido Tack
Programming Systems Lab
http://www.ps.uni-sb.de/~tack
_______________________________________________
Gecode mailing list
Gecode at ps.uni-sb.de http://www.ps.uni-sb.de/mailman/listinfo/gecode
More information about the gecode-users
mailing list


| (A) | ---- no text ---- | |
| 325 | (C) | ¶ Eere ałł þe sege were sette . ȝytte of þe cyte come |
| 326 | (D) | ¶ Or al þe sege was sette ȝet out of þe Cite come |
| 327 | (E) | & ar þe seege was al set . out of þe cyte comyn |
| (Ex) | ---- no text ---- | |
| 335 | (L) | Er alle þe sege was sette ȝit of þe cite comyn |
| 320 | (P) | Or ałł þe sege was sett ȝitt fra þe Cite come |
| 320 | (U) | Ere the sege was sette / yit of the Cite kom |
| (V) | ---- no text ---- |


Left Player Keys:
Jump: W | TapOnScreen
Right: D | SensorY+
Left: A | SensorY-
Right Player Keys:
Jump: Arrow Up
Right: Arrow right
Left: Arrow left


Like an SSN, an ITIN number is nine digits in the format xxx-xx-xxx. But the first digit will always be a 9, and the second section of the number will be in the range of 70-88 (e.g., 9xx-88-xxxx). As of 2012, the IRS had issued 21 million ITINs to taxpayers and their dependents. To obtain an ITIN, an alien with foreign status should complete Form W-7, Application for IRS Individual Taxpayer Identification Number. No one should have both an ITIN and an SSN. For example, if an SSN application is pending, an ITIN will not be issued even if the individual completes and submits a Form W-7.
A foreign person that is an account holder of a financial account held at a U.S. office of a financial institution (including a U.S. branch of a foreign financial institution) must provide the Foreign Taxpayer Identification Number (FTIN) issued to it by its jurisdiction of tax residence. An FTIN is a taxpayer identification number issued by a country other than the United States. If a foreign person does not provide its FTIN, it must provide the withholding agent with an explanation of why an FTIN has not been provided. If you have not provided an FTIN on the applicable Form W-8 (or in a written statement that accompanies the Form W-8), please complete Sections I, II or III, and IV below. Note that this form is required from individuals and/or entities that are account holders of a financial account and will be considered associated with the Form W-8 it accompanies or currently on file with Citi.
An SSN is a Social Security Number. SSNs are nine digits (xxx-xx-xxxx) and belong to US citizens and authorized residents. Individuals who are employed and receive wages must have an SSN or apply for one. Every employer who sets up payroll and pays an individual wages must request the employee's SSN and report the employee's wages using that number. Parents must also obtain an SSN for any child that the parent(s) claim on an income tax return. SSNs are issued by the Social Security Administration (SSA), and anyone who is eligible to have an SSN may apply for one by completing an application known as the Form SS-5. Any taxpayer with an SSN must use the SSN as an identifying number on their tax returns.


@* * Copyright 2023 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @import views.html.helpers._ @import uk.gov.hmrc.govukfrontend.views.html.components._ @this(govukDetails: GovukDetails) @(params: views.helpers.QuestionAnswerParameters)(implicit messages: Messages)


A B C D E F G H I K M N O P Q R S T U V W
All Classes All Packages
All Classes All Packages
All Classes All Packages
G
- G1 - b2p.state.bitboard.bitset.BitSetPosition
- G2 - b2p.state.bitboard.bitset.BitSetPosition
- G3 - b2p.state.bitboard.bitset.BitSetPosition
- G4 - b2p.state.bitboard.bitset.BitSetPosition
- G5 - b2p.state.bitboard.bitset.BitSetPosition
- G6 - b2p.state.bitboard.bitset.BitSetPosition
- G7 - b2p.state.bitboard.bitset.BitSetPosition
- G8 - b2p.state.bitboard.bitset.BitSetPosition
- G9 - b2p.state.bitboard.bitset.BitSetPosition
- getActions() - Method in class b2p.search.aima.ActionStore
-
Returns the list containing the actions stored
- getActions(IState) - Method in interface b2p.search.aima.IGame
-
Returns all the possible actions a player can do at this stage of the game
- getActions(IState) - Method in class b2p.search.aima.TablutGame
-
Returns all the possible actions a player can do at this stage of the game
- getAvailableKingMoves() - Method in interface b2p.model.IState
-
Gets all the available moves for the king
- getAvailableKingMoves() - Method in class b2p.state.bitboard.bitset.BitSetState
-
Gets all the available moves for the king
- getAvailablePawnMoves() - Method in interface b2p.model.IState
-
Gets all the available moves for the pawns
- getAvailablePawnMoves() - Method in class b2p.state.bitboard.bitset.BitSetState
-
Gets all the available moves for the pawns
- getBlackPawns() - Method in interface b2p.model.IState
-
Accesses the private field black pawns
- getBlackPawns() - Method in class b2p.state.bitboard.bitset.BitSetState
-
Accesses the private field black pawns
- getBoard() - Method in interface b2p.model.IState
-
Accesses the private field board
- getBoard() - Method in class b2p.state.bitboard.bitset.BitSetState
-
Accesses the private field board
- getCapturedPawns(int, int, IState) - Static method in class b2p.state.bitboard.bitset.BitSetMove
-
Returns a
B2PBitSet
which has set at 1 all captured pawns - getCurrDepthLimit() - Method in class b2p.search.aima.Metrics
-
Returns the variable
currDepthLimit
- getCurrDepthLimit() - Method in class b2p.search.aima.minmax.IterativeDeepening
-
Returns the current depth limit reached by the search
- getFrom() - Method in interface b2p.model.IAction
-
Accesses the private field from
- getFrom() - Method in class b2p.state.bitboard.bitset.BitSetAction
-
Accesses the private field from
- getHeuristicValue() - Method in interface b2p.model.IState
-
Returns the heuristic value for a player in the current turn
- getHeuristicValue() - Method in class b2p.state.bitboard.bitset.BitSetState
-
Returns the heuristic value for a player in the current turn
- getHeuristicValueForPlayer(State.Turn) - Method in interface b2p.model.IState
-
Returns the heuristic value for a given player in the current turn
- getHeuristicValueForPlayer(State.Turn) - Method in class b2p.state.bitboard.bitset.BitSetState
-
Returns the heuristic value for a given player in the current turn
- getKing() - Method in interface b2p.model.IState
-
Accesses the private field king
- getKing() - Method in class b2p.state.bitboard.bitset.BitSetState
-
Accesses the private field king
- getMetrics() - Method in interface b2p.search.aima.IAdversarialSearch
-
Returns the metrics of the adversarial search
- getMetrics() - Method in class b2p.search.aima.minmax.IterativeDeepening
-
Returns the metrics object set within the class
- getMovesForPawn(int, IState) - Static method in class b2p.state.bitboard.bitset.BitSetMove
-
Returns a list of possible moves for a given pawn position and a given game state
- getName() - Method in enum b2p.state.bitboard.bitset.BitSetPosition
-
Accessor method to retrieve the value of the private field name
- getNodesExpanded() - Method in class b2p.search.aima.Metrics
-
Returns the variable
nodesExpanded
- getPlayer(IState) - Method in interface b2p.search.aima.IGame
-
Returns the player who has to play at this stage of the game
- getPlayer(IState) - Method in class b2p.search.aima.TablutGame
-
Defines which player has to play at this stage of the game
- getResult(IState, IAction) - Method in interface b2p.search.aima.IGame
-
Returns the state of the game after performing the input action
- getResult(IState, IAction) - Method in class b2p.search.aima.TablutGame
-
Returns the state of the game after performing the input action
- getTimer() - Method in class b2p.search.aima.minmax.IterativeDeepening
-
Returns the timer in the current
IterativeDeepening
instance - getTo() - Method in interface b2p.model.IAction
-
Accesses the private field to
- getTo() - Method in class b2p.state.bitboard.bitset.BitSetAction
-
Accesses the private field to
- getTurn() - Method in interface b2p.model.IAction
-
Accesses the private field turn
- getTurn() - Method in interface b2p.model.IState
-
Accesses the private field turn
- getTurn() - Method in class b2p.state.bitboard.bitset.BitSetAction
-
Accesses the private field turn
- getTurn() - Method in class b2p.state.bitboard.bitset.BitSetState
-
Accesses the private field turn
- getUtility(IState, State.Turn) - Method in interface b2p.search.aima.IGame
-
Returns the heuristic value for the given state and player
- getUtility(IState, State.Turn) - Method in class b2p.search.aima.TablutGame
-
Returns the heuristic value for the given state and player
- getUtilMax() - Method in class b2p.search.aima.minmax.IterativeDeepening
-
Returns the maximum value the heuristic function can reach
- getUtilMin() - Method in class b2p.search.aima.minmax.IterativeDeepening
-
Returns the minimum value the heuristic function can reach
- getValue() - Method in interface b2p.model.IAction
-
Accesses the private field value
- getValue() - Method in class b2p.state.bitboard.bitset.BitSetAction
-
Accesses the private field value
- getWhitePawns() - Method in interface b2p.model.IState
-
Accesses the private field white pawns
- getWhitePawns() - Method in class b2p.state.bitboard.bitset.BitSetState
-
Accesses the private field white pawns
All Classes All Packages


To evangelise best practises for both large and small scale websites and applications, encourage building forward-compatible websites, and avoid supporting as much Internet Explorer as user statistics allow – for my sanity’s sake…


Mexican RFC and Curp
Name
Surname 1
Surname 2
Born Date
Born State
Born State
Male
Female
Calculate
Result RFC


NYC Marathon team Front Runners New York emphasizes inclusion
NEW YORK CITY -- Front Runners New York is a social running club which focuses on fun and fellowship through fitness.
The group's main goal is inclusion. It welcomes members of all size, abilities and sexual orientations.
Several members have run multiple times in the NYC Marathon.
Kemberly Richardson has more.


| 029:036 Khan | : |
And to (the people of) Madyan (Midian), We sent their brother Shu'aib (Shuaib). He said: "O my people! Worship Allah, and hope for (the reward of good deeds by worshipping Allah Alone, on) the last Day, and commit no mischief on the earth as Mufsidun (those who commit great crimes, oppressors, tyrants, mischief-makers, corrupts). |
| 029:036 Maulana | : |
And to Midian (We sent) their brother Shu'aib, so he said: O my people, serve Allah and fear the Latter day, and act not corruptly, making mischief, in the land. |
| 029:036 Pickthal | : |
And unto Midian We sent Shu'eyb, their brother. He said: O my people! Serve Allah, and look forward to the Last Day, and do not evil, making mischief, in the earth. |
| 029:036 Rashad | : |
To Midyan we sent their brother Shu'aib. He said, "O my people, you shall worship GOD and seek the Last Day, and do not roam the earth corruptingly." |
| 029:036 Sarwar | : |
We sent to the people of Midian their brother Shu'ayb. He told them, "Worship God. Have hope in the life to come. Do not spread evil in the land". |
| 029:036 Shakir | : |
And to Madyan (We sent) their brother Shuaib, so he said: O my people! serve Allah and fear the latter day and do not act corruptly in the land, making mischief. |
| 029:036 Sherali | : |
And to Midian WE sent their brother Shu'aib who said, 'O my people, worship ALLAH, and be mindful of the Last Day and commit not iniquity in the earth, creating disorder.' |
| 029:036 Yusufali | : |
To the Madyan (people) (We sent) their brother Shu'aib. Then he said: "O my people! serve Allah, and fear the Last Day: nor commit evil on the earth, with intent to do mischief." |
Concepts/Themes Covered: أركان الإسلام > التوحيد > توحيد الله تعالي > ربوبيته جلّ وعلا Pillars of Islam> Islamic> Oneness of Allah> His Divinity, the Great and Almighty الإنسان والعلاقات الأخلاقية > الأخلاق الذميمة > الفساد Man and The Moral Relations>The Dispraised Morals>Corruption القصص والتاريخ > أصحاب مَديَن (قوم شعيب) The Stories and the History>Midian People (Shu'aib Nation)
This tool uses eight English parallel translations for the Holy Quran imported from Mr. Clay Smith. You can also visit Qurany Concepts for browsing the Quran themes or topics. If you want to search the Holy Quran for keywords, please visit Qurany Keywords.


Building modular chunks of HTML and reusing them with Knockout.
After deciding my app would need to render new log data on the fly, and after reading some interesting posts on client-side rendering, I decided to replace my server-side Razor templates with Knockout templates. This has simplified the shape of my application, and enabled me to do things that were going to be messy in Razor, but getting there was not without complications.
First I made some models that would contain the state for groups of logs. Here are the important bits of the ListModel:
...
class ListModel {
Logs: KnockoutObservableArray<ActLogModel | ConLogModel>;
Count: KnockoutComputed<number>;
constructor() {
this.Logs = ko.observableArray([]);
this.Count = ko.computed(() => { return this.Logs().length });
}
updateList = (result: any): void => {
// Callback for ajax log request
if (result.success === true) {
console.log(`Got ${result.data.length} Logs!`);
for (let log of result.data) {
if (log.hasOwnProperty("Location")) {
this.addAct(log);
} else {
this.addCon(log);
}
}
}
}
addAct(log: any): void {
// Build new model for this log
let actModel = new ActLogModel(log.LogDate.slice(0, 10));
...
this.Logs.push(actModel);
}
addCon(log: any): void {
// Build new model for this log
let conModel = new ConLogModel(log.LogDate.slice(0, 10));
...
this.Logs.push(conModel);
}
logTemplate(log: ActLogModel | ConLogModel): string {
// Used to determine template name for existing logs
if (log instanceof ActLogModel) {
return 'ActLogTemp';
}
return 'ConLogTemp';
}
editTemplate(log: ActLogModel | ConLogModel): string {
// Used to determine edit form template for existing logs
if (log instanceof ActLogModel) {
return 'LogActTemp';
}
return 'LogConTemp';
}
}
...
The model is then bound in a script tag at the bottom of the page:

Here is where the model is bound:
...

 Logs

...
I thought it was interesting that you can actually include html in a script tag! Here is the entire Activity Log Template:

Both of the log types share a common UI component with the edit & delete buttons. The delete button is a toggle for a collapsed panel to confirm deletion. I had a lot of trouble getting the DeletePanel template to work, it seemed like the model wasn't getting bound. I was blaming the nested template for quite a while, but when I added some bound elements to debug I found the model was fine. I was just about to paste the template back into both log templates when I figured it out:

I have no idea how the code worked before I factored it into its own template,
it must not have. After adding the missing }
everything worked.
In the nested DeletePanel template I added even another nested template for the edit form. Actually the edit form is the log add form. It took several tries to make the form templates reusable, but after my DeletePanel success I knew it would work. At first I just reused the log form templates unchanged, and they actually worked - the fields all populated from the model and clicking the submit button did something. That something was re-adding the edited log as a new entry.
The add forms use a Knockout submit
binding to tie the submit event to the add
method of a log. To allow setting the submit callback I had to move the form
tags outside of the template. To fix the button text I had to change the data
member of the template data-bind to include the action name. Because setting the
data member replaces the binding context I also had to pass the model explicitly.
The next problem I had was that when the submit callback is called this
isn't
the model. I tried using a Typescript fat arrow =>
, but then this
was bound
to the container - probably because of where the method was defined. The
solution was to use the method's bind method in the data-bind. Here are the
bits:

<form class="form-horizontal" data-bind="submit: actModel.addLog.bind(actModel)">

</form>

All together it looks like a lot, but with the templates stored away in a Razor partial view and the Typescript in its own file everything cleaned up nicely. Adding the edit forms was just a couple lines of code once the template was sorted.
I had to do a little work to get the editing working on the server side. The main problem was controller data binding fails when passing a log id in json. The solution was passing the id in the url:
...
// POST: /LogLists/EditContact/{id}
[HttpPost]
public async Task<JsonResult> EditContact(Guid Id, [FromBody] ContactLog log)
{
if (ModelState.IsValid)
{
log.Id = Id;
var success = await _logRepository.UpdateAsync(log);
if (success)
{
return Json(new { success = true });
}
}
return Json(new { success = false });
}
...


Demonstrates the Row and Header overlays, the Selected Cell overlay, filter, and Fill Down
The
Title
column is editable so has the fill down function enabled


{% extends "base.html" %} {% block content %}
Welcome to the Signup Page!
Fill out the form. We are not saving any data...
Constraints for username:


Resume / Explanation
At the University of Michigan, I spent 2 years within the School's Literature, Science, and Arts program before applying and enrolling in the School of Information. The School of Information primarily revolves around the intersection of people and technology in the world today. My classes in UMSI have helped to spark my interest in big data, and the resources provided by the school have helped me to narrow down potential career paths, choose classes, and plan for the future.
My work experiences, although mostly very unofficial internship jobs, have helped mold my experiences and view on what I hope to pursue for a full-time career after graduation. This coming Summer, I will be interning at a consulting firm in their Forensic and Litigation practice. My understanding of the work that I will be doing is using big data in order to help corporate teams of lawyers ensure compliance and prevent/win lawsuits.
At school, I am involved in an organization called Wolverine Support Network, or WSN for short. WSN was created to be a place for students on acmpus to prioritize their mental health through small peer-led groups which are held weekly. Facilitating discussion in my weekly WSN group is always one of the highlights of my week, and I am very excited for my group next year to (hopefully!) be in person rather than virtual like this year's groups.


Authentication Method
2FA(Google Authentication)
Using Two-factor authentication is highly recommended.Please consider our avalable options for increasing the secrity of your account.
We want to give you every opportunity to be confident that your account is secure.
If you enable mutiple 2FA methods,the below operation will be protected By 2FA instead of email confirmation
| Logins |
Withdrawal Confirmations |
| Find your Password |
API Key Creation |
| Security Settings |
Sensitive Account Setting Changes |
How to Enable Google Authentication? click me~
SMS(Phone Authentication)


% include header.html%>
<% include navigation.html%>
一潭清泓
Softerware Enginer
<% include footer.html%>


@(coaches : List[Coach], coachDetail : CoachDetail)
Manage Current Coach
Salary: $ @coach.getCoachValue
Coach Tier: @coach.getCoachTier


14th May 2018:
The Iconic Actress Geraldine Chaplin Arriving in Brooklyn
The icon of Spanish, American and French film, the actress who made a name for herself in films by David Lean, Carlos Saura and Robert Altman, the daughter of famous Charlie Chaplin, Geraldine Chaplin is arriving on the festival as a special guest.
A member of the famous multinational Chaplin acting dynasty, the first of Charlie Chaplin and Oona O’Neil’s children and the granddaughter of the Nobel Prize winner Eugene O’Neil, is a trained ballerina turned actress after a brief career in professional ballet in Paris. Her first film role came when she was a girl, in Charlie Chaplin’s Limelight (1952), but she was truly discovered by David Lean, who gave her the role of the doting wife Tonya in Doctor Zhivago (1965), which brought her a Golden Globe nomination for best new talent.
After a role in Peppermint Frappe (1967), a psychological thriller by the great Carlos Saura, she built a lasting partnership with him and starred in many of the films believed to be the finest titles of Spanish cinema (e.g. Ana and the Wolves, 1973, and Cria cuervos, 1976). In 2006 the Spanish Academy of Film Arts and Sciences awarded her with a Gold Medal for Contribution to Spanish Cinema.
Her most important titles include the mosaic film Nashville (1975) by Robert Altman, in which she portrays an unbearable BBC reporter, another Golden Globe nomination, this time for best supporting role, the romantic drama The Age of Innocence by Martin Scorsese (1993), Talk to Her (2002) by Pedro Almodovar, the horror drama The Orphanage (2007) directed by J. A. Bayona.
In the many interviews she gave while filming the biography Chaplin (1992) starring Robert Downey, in which she played her grandmother Hannah, Geraldine revealed that Charlie Chaplin was a strict father, not prone to humour in daily life, but as a critic he followed and supported her work.
At the official festival closing we will be watching Geraldine Chaplin in the bitter-sweet romantic comedy about love, friendship and motherhood, Anchor and Hope (2017), directed by Carlos Marques-Marcet (10000 km). the leading role of Eva, a girl getting ready to become a mother together with her female partner and their best friend, is played by Oona Chaplin, Geraldine’s daughter from her first marriage to the Chilean filmmaker Patricio Castilla, known to Game of Thrones fans a Talisa Maegyr.
Geraldine Chaplin splits her time between Miami, Madrid and Corsier-sur-vevey in Switzerland. This autumn she spent a few weeks in Croatia, filming Barefoot Emperor, a satire about Europe set in Brioni islands. This Belgian-Dutch-Croatian co-production was directed by Peter Brosens and Jessica Woodworth, known for Khadak, Altiplano and The King of Belgians, screened at previous Brooklyn OFF editions. The Croatian co-producers are Lana Matić and Boris T. Matić of Propeler Film production company.


Create a new ship specification by linearly scaling a parent one.
This is a simple ship specification scaling app. The ship is scaled geometrically with the linear scaling factors chosen below. Thicknesses of structural elements (decks and bulkheads) and lightweights of derived objects remain constant.
| x-ratio | y-ratio | z-ratio |
|---|---|---|
Download scaled specification:


I am a student / Web Dev, you can checkout my Profile here. Profile
I usally waste my time doing web projects.
You can checkout
my projects on my resume, but if you are more tech savy, here is my
GitHub link.
You can visit my LinkedIn, here: LinkedIn
Adios!


The Gallery of Horns
show all
jackalope
horn
rhino
triceratops
narwhal
unicorn
giraffe
markhor
saiga
mouflon
chameleon
lizard
dragon


Extra-Curricuar
Freshers' week montage video
Producing the video involving planning, filming and editing the different shots on a range of devices and settings. Watch it here: https://www.youtube.com/watch?v=u9SOpEFVDK0
Technical Summer Intern
Took part in a 10 week summer internship involving replacing the company's monitoring system with a more elegant and efficient solution
Freshers' week head of digital design
Created many digital design elements including snapchat filters, T-shirt designs, wristband designs and more


backtype.storm.scheduler
Interface ISupervisor
public interface ISupervisor
prepare
void prepare(Map stormConf,
String schedulerLocalDir)
getSupervisorId
String getSupervisorId()
- The id used for writing metadata into ZK.
getAssignmentId
String getAssignmentId()
- The id used in assignments. This combined with confirmAssigned decides what
this supervisor is responsible for. The combination of this and getSupervisorId
allows Nimbus to assign to a single machine and have multiple supervisors
on that machine execute the assignment. This is important for achieving resource isolation.
getMetadata
Object getMetadata()
confirmAssigned
boolean confirmAssigned(int port)
killedWorker
void killedWorker(int port)
assigned
void assigned(Collection<Integer> ports)
Copyright © 2014 The Apache Software Foundation. All Rights Reserved.


Before Change
SimpleFeaturizer.Config(), FeatureConfig()
)
tokens = featurizer.featurize(InputRecord(raw_text=self.sentence)).tokens
self.assertListEqual(tokens, ["order", "me", "a", "coffee"])
def test_tokenize_dont_lowercase(self):
featurizer = SimpleFeaturizer.from_config(
SimpleFeaturizer.Config(lowercase_tokens=False), FeatureConfig()
After Change
SimpleFeaturizer.Config(), FeatureConfig()
)
features = featurizer.featurize(InputRecord(raw_text=self.sentence))
expected_tokens = ["order", "me", "a", "coffee"]
expected_chars = [list(tok) for tok in expected_tokens]
self.assertListEqual(features.tokens, expected_tokens)
self.assertListEqual(features.characters, expected_chars)
def test_tokenize_dont_lowercase(self):


Week 1 & 2 Resources
- Week 1 & 2's Topic is On Arrays & Strings
- You can read the text in chapter 1 of Cracking the coding interview (Pg 88)
for an introduction to how arrays work under the hood
-
Another good resource is this
link
-
Understand the difference between Arraylists ( AKA resizable arrays or dynamic arrays or lists) and
Arrays.
Explanation here
-
Good practice also involves attempting to write a resizable array from scratch.
-
This might be counter productive in many such as Javascript and Python as they already
provide this functionality out of the box. But regardless, it's good practice.
-
Bonus points if you attempt this implementation
in C++ or Java , or basically any language that doesn't have their arrays as resizable
-
Question Of The Week - Why are arrays able to give us constant time access (O(1) i.e really really fast)
to
elements,unlike other data structures ?


Admin page
Products
Orders
Accounts
Categories
myAccount
myOrders
List of Administrator
#{admin.name}
Username
Password
Email
Phone
Address
City
Postcode
List of Users
#{user.name}
Username
Password
Email
Phone
Address
City
Postcode


Specifies a major / minor / patch version number for semantic versioning purposes and comparisons
Major version (e.g. X.0.0)
@property (nonatomic) NSUInteger major;
var major: UInt { get set }
Minor version (e.g. 0.X.0)
@property (nonatomic) NSUInteger minor;
var minor: UInt { get set }
Patch version (e.g. 0.0.X)
@property (nonatomic) NSUInteger patch;
var patch: UInt { get set }
A String format of the current SDLVersion
@property (nonatomic, copy, readonly) NSString *_Nonnull stringVersion;
var stringVersion: String { get }
Convenience init
- (nonnull instancetype)initWithMajor:(NSUInteger)major
minor:(NSUInteger)minor
patch:(NSUInteger)patch;
init(major: UInt, minor: UInt, patch: UInt)
Major version
Minor version
Patch version
An SDLVersion object
Convenience init
+ (nonnull instancetype)versionWithMajor:(NSUInteger)major
minor:(NSUInteger)minor
patch:(NSUInteger)patch;
Major version
Minor version
Patch version
An SDLVersion object
Convenience init
- (nullable instancetype)initWithString:(nonnull NSString *)versionString;
init?(string versionString: String)
String representation of the version
An SDLVersion object
Convenience init
+ (nullable instancetype)versionWithString:(nonnull NSString *)versionString;
String representation of the version
An SDLVersion object
Convenience init to set version using SDLMsgVersion
- (nonnull instancetype)initWithSDLMsgVersion:
(nonnull SDLMsgVersion *)sdlMsgVersion;
init(sdlMsgVersion: SDLMsgVersion)
Specifies the version number of the SmartDeviceLink protocol that is supported by the mobile application.
An SDLVersion object
Convenience init to set version using SDLMsgVersion
+ (nonnull instancetype)versionWithSDLMsgVersion:
(nonnull SDLMsgVersion *)sdlMsgVersion;
Specifies the version number of the SmartDeviceLink protocol that is supported by the mobile application.
SDLVersion object
Compare two SDLVersions
- (NSComparisonResult)compare:(nonnull SDLVersion *)otherVersion;
func compare(_ otherVersion: SDLVersion) -> ComparisonResult
Compare is less than
- (BOOL)isLessThanVersion:(nonnull SDLVersion *)otherVersion;
func isLessThanVersion(_ otherVersion: SDLVersion) -> Bool
SDLVersion Object
BOOL
Compare is equal to
- (BOOL)isEqualToVersion:(nonnull SDLVersion *)otherVersion;
func isEqual(to otherVersion: SDLVersion) -> Bool
SDLVersion Object
BOOL
Compare is greater than
- (BOOL)isGreaterThanVersion:(nonnull SDLVersion *)otherVersion;
func isGreaterThanVersion(_ otherVersion: SDLVersion) -> Bool
SDLVersion Object
BOOL
Compare is greater than or equal to
- (BOOL)isGreaterThanOrEqualToVersion:(nonnull SDLVersion *)otherVersion;
func isGreaterThanOrEqual(to otherVersion: SDLVersion) -> Bool
SDLVersion Object
BOOL
Compare is less than or equal to
- (BOOL)isLessThanOrEqualToVersion:(nonnull SDLVersion *)otherVersion;
func isLessThanOrEqual(to otherVersion: SDLVersion) -> Bool
SDLVersion Object
BOOL


Please enter your name:
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Camera: {{state.client.camera_on && "Disable" || "Enable"}}
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Someone else has control.
Control is not available during panic.
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You are admin-enabled.
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Attain deemed varsity status, engg. colleges told
Diamond jubilee celebrations of NSS College of Engineering, Palakkad, get under way
by Staff ReporterThe diamond jubilee celebrations of NSS College of Engineering began at Akathethara near here on Friday. A.P.J. Abdul Kalam Technological University Vice Chancellor Rajasree M.S. inaugurated the year-long celebrations.
Dr. Rajasree called upon engineering colleges to strive to attain deemed university status at a time when technical education was facing many challenges in the country.
V.K. Sreekandan, MP, inaugurated the college’s social initiative named Unarvu, a programme meant to bring back the socially backward students who dropped out of the campus for different reasons. Akathethara grama panchayat president D. Sadasivan inaugurated another project named Haritham. Former Principals of the college were felicitated at the function.
NSS education secretary Prasanna Kumar presided over the function.
Various events
A science exhibition, a technical festival, international seminars and several schemes with social relevance will be rolled out as part of the 60th anniversary celebrations of the college.
The college was started in 1960 with mechanical, civil and electrical branches.


What is grid based design?
Grid based design is when a webpage is comprised of different columns and rows of varying sizes. It will often utilise people's tendency to read a page top to bottom, left to right. Almost every webpage will follow a grid based design, and of those, the majority will consist of 12 columns.
What's all the hype about responsive webpages?
Responsive webpages allow for differing screen sizes. The content in the page will adapt to fit any screen. This is especially important in this day and age as it has become increasingly common to use the internet on phones and tablets, rather than just computer screens.
What is semantic structure?
Semantic structure is a way of organizing elements based on their meaning. For example, a header that uses the class "header". Furthermore, the most important header would use "h1", while the lesser ones would use "h2", "h3", etc. Semantic structures reduce ambiguity for those reading the tags.


Crooks make off with equipment worth a five-figure sum after a smash and grab at a Dumfries firm
Police are urging anyone who has any information to contact Dumfries Police via 101 quoting reference 0429.
by Stuart McFarlane, https://www.dailyrecord.co.uk/authors/stuart-mcfarlane/Ram raiders escaped with equipment worth a five-figure sum after smashing their way into a Dumfries firm’s warehouse.
The premises of Brown’s Pressure Washers at the Lochside Industrial Estate were targeted between 5pm on Thursday and 6am on Friday.
The thieves escaped with a number of pressure washers in the raid.
Company owner Sam Hughes was alerted to the robbery by a neighbouring trader.
Gail Bigham from Brown’s told the Standard: “They ram-raided their way through the big swing doors at the entrance to the property and caused quite a lot of damage to one of the doors in the process.
“There are quite a few pressure washers that have been taken — we’re not quite sure what we’re doing yet but we’re hoping it can be covered by insurance.
“It will be a financial burden on us for a bit.”
She added: “The gentleman from a nearby business noticed the damage and phoned our boss and it was a bit frightening to come in to work and see what had happened, so it’s just about getting things secure again.”
Police have issued a plea for information about the raid on the Irongray Road premises and urged anyone with information to come forward.
Constable Kelly Douglas said: “We are currently checking CCTV and making enquiries with local businesses but would also wish to alert members of the public to the theft.
“If you are approached to buy this type of equipment and have any doubts where it comes from, then please contact police. The equipment is bulky and the thieves would require to have used a vehicle, possibly a van, to get away with the haul.
“If you have any information that will assist officers please contact Dumfries Police via 101. Quote reference 0429.”


Rebuilding the society
Burning Man is a network of people inspired by the values reflected
in
the Ten Principles and united in the pursuit of a more creative and connected existence
in
the world. Throughout the year we work to build Black Rock City, home of the largest
annual
Burning Man gathering, and nurture the distinctive culture emerging from that
experience.
This drives us
Burning Man Project will bring experiences to people in grand,
awe-inspiring and joyful ways that lift the human spirit, address social problems, and
inspire a sense of culture, community, and civic engagement. Burning Man provides
infrastructural tools and frameworks to support local communities in applying the Ten
Principles through six interconnected program areas, including Arts, Civic Involvement,
Culture, Education, Philosophical Center, and Social Enterprise.


{% block head %}
Home
{% endblock %} {#This probably needs to be better thought out and moved to a more sensible location in the hierarchy#}
Toggle navigation
Home
{% for page, title in pages.items() %}
{{ title[0] }}
{% endfor %}
{% block content %} {% endblock %}
{% block last %} {% endblock %}


The Moving Picture Girls Under the Palms or Lost in the Wilds of Florida
by Laura Lee Hope
Chapter 5: Disabled
Additional Information
- Year Published: 1914
- Language: English
- Country of Origin: United States of America
- Source: Hope, L. L. (1914). The Moving Picture Girls Under the Palms or Lost in the Wilds of Florida.New York: Grosset & Dunlap.
-
Readability:
- Flesch–Kincaid Level: 5.4
- Word Count: 1,943
- Genre: Adventure
- Keywords: florida stories, the moving picture girls under the palms
- ✎ Cite This
Downloads
Panics start so easily, especially at the mere mention of the word “fire,” that it is no wonder there was at once an incipient one aboard the Tarsus. But the captain, who was a veteran, acted promptly and efficiently.
Some of the sailors had made a rush for the boats, but the captain, coming down from the bridge on the run, flung himself in front of the excited men. He pushed one or two of them aside so violently that they fell to the deck. Then the commander, in a voice that rang out above the startled calls, cried out:
“Get back, you cowards! If we do take to the boats it will be women and children first! But we’re not going to! Stop that noise!”
His hand went, with an unmistakable gesture, to his pocket. Perhaps he was about to draw a weapon, but there was no need.
His ringing words, the lash of “coward,” that cut like a knife, and his bearing, had an immediate effect.
“Stop those shouts of ‘fire!’” he cried, and the excited men and women became quiet.
“Now get back to your places—every one of you!” he ordered the sailors. “You ought to be ashamed of yourselves, to leave your mates to answer the fire call alone,” and he pointed to where a number of hands were about the hatchway, from which smoke was still coming. But the wind was taking it away from the ship now, which was the reason why the vessel had been turned around.
“Get to your quarters!” the captain commanded, and the men slunk away. The danger of a panic was over—at least for the time.
Ruth and Alice stood where they had risen from their steamer chairs, their hands clasped, and Alice had thrust her rosy palm into the broad one of Paul. He held it reassuringly.
“Oh, what shall we do?” murmured Ruth.
“There isn’t another ship in sight,” added Alice, as she looked about the horizon.
“We can call one soon enough,” said Paul. “They’ll start the wireless if they have to.”
Mr. DeVere came hurrying up, his eyes searching about for his daughters. A look of relief came over his face as he saw them.
“You had better go below, and get what things you can save while there is time,” he said, hoarsely. “We may have to take to the boats any minute.”
“Listen, the captain is going to say something,” warned Paul.
Nearly all the passengers were now gathered on deck, as were most of the sailors, but the latter were engaged in fighting the fire through the forward hatchway. Those who were not needed at that particular place were at the other fire stations, in readiness for any emergency.
The Tarsus now lay motionless on the ocean, rolling to and fro slowly under the influence of a gentle swell. There was scarcely any wind, and the smoke, which had constantly grown thicker and blacker, even with the efforts made to subdue the flames, arose in a straight pillar of cloud.
“There is no danger!” began the captain, and there were a few murmurs at these rather trite words under the circumstances.
“I mean just what I say!” went on the commander, and there was no mistaking his sincerity. “There is no danger—at present,” he continued. “There is a slight fire among the cargo in one of the small forward holds. But it is cut off from the rest of the ship by fire-proof doors, and we are flooding that compartment. The fire will be out shortly, I expect.
“So there is absolutely no need of taking to the boats. Later on, if there should be, I will give you ample warning, and I might add that we carry a sufficient complement of boats and life rafts to accommodate all. And should we take to the boats, the weather is in our favor. So you see you should not worry.”
“But suppose we have to take to the boats at night?” asked Mr. Sneed, who seemed to have the faculty for hitting on the most unhappy aspect of any situation.
“The fire cannot possibly get beyond control before morning, even if it is not put out,” the captain replied. “So there will be no need of boats in the night. Even if there were, we have powerful searchlights, and each boat carries her own storage battery lighting plant. Now, please be reasonable.”
His words had a calming effect, and those who had rushed up to take to the boats now began to disperse.
Russ, who had come on deck with Mr. DeVere, was seen talking to Mr. Pertell. As the two advanced toward Ruth and Alice the girls heard Russ saying:
“I’m going to make moving pictures of the fire scenes.”
“A good idea!” commented Mr. Pertell. “If the captain will let you.”
“I’ll ask him.”
Captain Falcon, after a moment of consideration, agreed that the young operator might take views showing the fire-fighters at work.
“I wish I had had it going when they made that rush for the boat, though,” Russ said.
“I am glad you did not,” returned the captain, gravely. “I would not have an audience see what cowards some of my men were to so far forget themselves. That is better forgotten. Doubtless they were mad with fear. But I am glad you did not get that picture.”
Russ, however, might be pardoned for still wishing he had it, for he had the true instinct of a moving picture operator—he wanted to get everything possible.
He now set up his camera in different parts of the ship, and made a number of separate views. The black smoke would come out particularly well on the film, he knew.
The men were shown at their various stations, and of those at the hatchway where the smoke came up, several different views were made. Captain Falcon was also shown, directing the fire-fighting.
In order to cut off the draft from the fire the hatchway had been covered with heavy tarpaulins, the hose being put through holes cut in them.
There was some relaxation of the tension following the captain’s little speech, but even yet there were serious faces among the passengers, as the volume of smoke seemed to grow instead of diminish. Captain Falcon, too, was observed to be laboring under a strain.
“I wonder if it is true—as he says—that there is no danger?” observed Alice, as she, Paul and Ruth walked about uneasily, pausing now and then to observe the men at work.
“Oh, I think so,” answered Paul, quickly. “He would have no object in deceiving us, and let matters go so long that it would be necessary to take a risk in getting to the boats. If he did that he might be censured by the owners. I think he really believes there is no danger. And when he thinks otherwise he will give us ample warning.”
“Let us hope so,” murmured Mr. DeVere. “Fire is a terrible element—terrible, and at sea there is nothing more awful! I trust we may be spared from it.”
“Let’s go see if the wireless is working,” suggested Ruth. “It will take our minds off the fire to know that help is being called for—and perhaps on the way.”
“Yes, it is working,” announced Alice, as they drew near the quarters occupied by the wireless operator and heard the spiteful snapping of the notched wheel of the spark-gap apparatus.
They looked in and saw the operator with the telephone receivers on his ears, while with nervous fingers he pressed the key that made and broke the circuit, thus sending out from the wire aerials between the masts the dots and dashes that, flying through the air, were received on other aerials and translated from meaningless clicks into words fraught with meaning.
“I must get a picture of that, too,” observed Russ, as he came up behind Paul, Ruth and Alice. “May I?” he asked of the captain, who, at that moment came to give an order.
“Yes,” nodded the commander. And while the vivid blue spark shot from the revolving wheel to the connection, where it was made and interrupted as the operator pressed the key, or allowed it to spring up, Russ made a short film. The young man who was sending a message looked up as he finished and smiled at the group observing him.
“I got that smile, too,” Russ informed him.
“Did you get any reply?” asked Captain Falcon, as the operator removed the receivers in order to hear the commander’s question.
“The Bell, of the Downing Line, is within fifty miles of us,” the operator replied. “She can come up when we need her.”
“I don’t think we shall,” the captain said. “But kindly ask her to stand by during the night.”
“Then the fire isn’t altogether under control?” asked Paul.
“Not as much so as I would like to see it,” answered the commander, frankly. “But we are keeping at it.”
He wrote out the message he wished sent to the Bell, and then the little audience gathered again at the door of the wireless room to watch the operator at work.
Russ made films as long as the daylight lasted, but finally the coming of night forced him to stop, and he put away his camera.
The fighting of the fire still went on, though little of it could be observed now. There were no flames to be seen, but doubtless, down in the hold, where the cargo burned, there were angry, red tongues of fire. But the compartment was kept closed.
“Unless it has crept to another compartment,” ventured Mr. Sneed.
“Hush! Don’t let anyone hear you say such things!” cried Russ, indignantly.
Dinner was not a very cheerful meal, but all managed to eat something. And the night was an uneasy one. What sleep there was came only in catnaps, for there was the constant noise of the pumps, and the running about of the sailors on the decks.
The Tarsus was still motionless, save only as she rolled with the sea, which was still calm. Captain Falcon found that to proceed would be to drive the smoke aft into the cabins, and he did not want to do this. So he had the main engines shut down.
Through the night the fire was fought, and in the morning it was a gray and haggard captain who faced the anxious group of passengers gathered in the main saloon.
“What is the report?” asked Mr. Pertell.
“Not very encouraging,” was the answer. “We are now disabled, and the fire is still burning.”


Compassionate, creative and effective person. That’s how I would like to describe myself, with valuable knowledge in my Specialist. , and huge Motivation, Will be more than ready to develop my skills and grow professionally I Graguated from The Hashimate Universty Bachelor in, Electrical Engineering
I am Sarah, an electrical engineering specialist, I worked with (counsoling Engineers) I love movies, especially anime, action and gory movies I love reading books, especially novels I love calm a lot The black list, dark, viking the weaking dead I hated the most, the breaking bad
The Top Ten My Movie 1- game of throns 2- viking 3- frind 4- dark 5- srtanger things 6- picky blander 7- weaking dead 8- black list 9- sharlok homes 10- alsayad


{% extends 'casestudy/base.html' %} {% load static from staticfiles %} {% block quote_one_text %} Working with Amazon has allowed us to save money on buying our own warehouses and additional manpower, and focus on growing other areas of the business. {% endblock %} {% block quote_one_name %} William Forshaw {% endblock %} {% block quote_one_job_title %} Founder {% endblock %} {% block quote_one_link %} Maxwell Scott Bags {% endblock %} {% block main_content %}
In 2013, Maxwell Scott Bags noticed an increase in orders from Germany. They decided to launch both a German and US website and successfully increased their exporting business.
Exporting overseas has seen the business grow by 300% in 3 years and led to the appointment of a Head of e-Marketplaces who focuses on expanding their business further in the online world.
The business asked the Department for International Trade (DIT) for marketplace advice to help increase their business. From listening to the e-commerce advisor at DIT, 25% of Maxwell Scott Bags export sales are now through Amazon.
{% endblock %} {% block quote_two_text %} We currently sell on Amazon, which is going really well for us and contributes 25% to our total export sales. {% endblock %} {% block quote_two_name %} William Forshaw {% endblock %} {% block quote_two_job_title %} Founder {% endblock %} {% block quote_two_link %} Maxwell Scott Bags {% endblock %}


resource pg_connect ( string $connection_string [, int $connect_type ] )
pg_connect() opens a connection to a PostgreSQL database specified by the connection_string. If a second call is made to pg_connect() with the same connection_string as an existing connection, the existing connection will be returned unless you pass PGSQL_CONNECT_FORCE_NEW as connect_type. The old syntax with multiple parameters $conn = pg_connect("host", "port", "options", "tty", "dbname") has been deprecated.
PostgreSQL connection resource on success, FALSE on failure.