Classes
These are the core BrightenUp class offerings. We would love to create classes suited to your individual needs. Please contact us if you would like to customize a training class.
Yoga
Who doesn't enjoy some Yoga? BrightenUp's yoga sessions add a little spice to ensure we make you shine!
Strength Training
Foucused on building muscle? This class is for you! You don't have to look like the Hulk to partake in our strength training classes. We are committed to crafting classes suited to the needs of all levels of fitness.
Cardio
Time to get those heart rates pumping! We focus on getting your heart rate to just the right spot to maximize the gains from these cardio sessions. Don't worry, we'll do all the thinking. Just come and give it your all!


This module is contained in the mod_isapi.c
file, and is
compiled in by default. It provides support for ISAPI Extensions when
running under Microsoft Windows. Any document with a handler of
isapi-isa
will be processed by this module.
This module implements the ISAPI Extension API. It allows Internet Server Applications (i.e., ISAPI Extensions) to be used with Apache for Windows.
In the server configuration file, add a handler called
isapi-isa
, and map it to files with a .DLL
extension. In other words:
AddHandler isapi-isa dll
Now simply place the ISA DLLs into your document root, and they will be loaded when their URLs are accessed.
ISAPI Extensions are governed by the same restrictions as CGI
scripts. That is, Options ExecCGI
must be active in the
directory that contains the ISA.
Apache's ISAPI implementation conforms to all of the ISAPI 2.0 specification, except for the "Microsoft-specific" extensions dealing with asynchronous I/O. Apache's I/O model does not allow asynchronous reading and writing in a manner that the ISAPI could access. If an ISA tries to access async I/O, a message will be place in the error log, to help with debugging.
Some servers, like Microsoft IIS, load the ISA into the server, and keep it loaded until memory usage is too high, and it is unloaded. Apache currently loads and unloads the ISA for each request. This is inefficient, but Apache's request model makes this method the only method that currently works. A future release may use a more effective loading method.
Apache 1.3a1 currently limits POST and PUT input to 48k per request. This is to work around a problem with the ISAPI implementation that could result in a denial of service attack. It is expected that support for larger uploads will be added soon.
Also, remember that while Apache supports ISAPI Extensions, it does not support ISAPI Filters. Support for filters may be added at a later date, but no support is planned at this time.


Podcast Head Title
Podcast Desc
Podcast 4 Title
Podcast 4 Themes
Podcast 4 Description.
podcast_4.mp3
Next


Data display:
F: Change frequency shown in the echogram.
E: Change data type shown in the echogram (Power, Angle across, Angle along, Sv, TS Unc).
+: Shift color map up.
-: Shift color map down.
B: Toggle "Display/hide Under Bottom data".
R: Toggle "Display/hide Regions" (filled or boundary only).
T: Toggle "Display/hide bad transmits".
Zoom in/out or move around the display:
Mouse scroll: Zoom in/out.
Arrow Keys: Move up/down/left/right.
W: Zoom in.
S: Zoom out.
A: Move left.
D: Move right.
Important shortcuts:
L: Display/edit logbook.
shift+L: Open multiple logbooks.
N: Next layer.
P: Previous layer.
C: Change echogram display Colormap (e.g., EK60, EK500, etc.)
Ctrl+S: Save current bottom/regions to XML file.
Ctr+Z: Undo last action (not available for all actions).
Ctr+Y: Redo last undone action (not available for all actions).
Home: Go to the start of an echogram (layer/transect)
End: Go to the end of an echogram (layer/transect)
i. In "Normal" mode:
Left-click on a region: Make region active.
M: Move user-created regions. Press M, click on a region (note how the cursor shape changes) and drag it.
Right-click on bottom/region/selection/display: Specific contextual menu. If on a region, this also makes it active.
Ctrl + left-click, drag & release: Create a rectangle selection box.
Shift + left-click, drag & release: Create a rectangle selection box spreading across all pings.
Double left-click: Delete selection box.
ii. In "Zoom In" mode:
Left-click* or *right-click: Zoom in.
Left-click, drag & release: Zoom-in box.
Right-click, drag & release* or *Ctrl + left-click, drag & release: Vertical zoom-in.
iii. In "Zoom Out" mode:
Left-click: Zoom out.
Right-click* or *Ctrl + left-click* or *double left-click: Zoom all the way out.
iv. In "Bad Transmit" mode:
Left-click: Flag ping as bad transmit.
Left-click, drag and release: Flag series of pings as bad transmits.
Right-click: Remove bad transmit flag.
Right-click, drag and release: Remove bad transmit flag for series of pings.
v. In "Edit Bottom" mode: - "Classic Tool" is a mode combining hand-drawn and polyline to set the bottom manually:
Left-click: to start setting bottom, then...
a. Maintain left button pressed and drag: to create a hand-drawn section over a series of pings, or...
b. Release button and left-click again*: to create a polyline section over a series of pings.
c. Double left-click: to complete.
Right-click* or *Ctrl + left-click: to remove bottom for one ping.
Right-click, drag and release* or *Ctrl + left-click, drag and release*: to remove bottom for series of pings.
-"Spline Tool" is a mode allowing to "push" up or down an existing bottom for a series of ping.
Right-click: to open a contextual menu to set the size of the tool.
Left-click above the bottom and drag down: to push the bottom downwards.
Left-click below the bottom and drag up: to push the bottom upwards.
-"Brush Tool" is a mode allowing to remove obviously bad bottoms.
Left-click, drag and release: to define a rectangle area where bottom is to be removed.
Right-click, drag and release: to do the same AND also flag pings where a bottom was found as bad transmits
vi. In "Create Region" mode:
Left-click, drag & release: Create a region.
Left-click on a region: Make region active when in "Display Regions" (filled regions) mode.
Delete: Delete active region.
vii. In "Measure Distance" mode:
Left-click: to start a polyline, then..
a. Left-click: to add a vertex to the polyline. Finally...
b. Right-click: to delete the polyline.
viii. In "Draw Line" mode:
Right-click, keep pressed, drag and release: to create a hand-drawn line.
Shift + Left-click: to start a polyline, then...
a. Left-click: to add a vertex to the polyline. Finally...
b. Double left-click* or *Right-click: to complete the polyline.
Mini display tips & tricks:
The 'blue box' on the mini display represents the **extent of the main display**.
If the main display is currently zoomed-in, the blue box on the mini display can be **left-clicked and dragged around** and the main display will automatically update on release.
Likewise, if the main display is currently zoomed-in, a **left-click, drag and release** on another area of the mini display will create a new zoom-in blue box.
Right-click anywhere on the mini display to bring up a contextual menu allowing to undock the mini display.


Tether is a JavaScript library for efficiently making an absolutely positioned element stay next to another element on the page. For example, you might want a tooltip or dialog to open, and remain, next to the relevant item on the page.
Tether includes the ability to constrain the element within the viewport, its scroll parent, any other element on the page, or a fixed bounding box. When it exceeds those constraints it can be pinned to the edge, flip to the other side of its target, or hide itself.
Tether optimizes its location placement to result in the minimum amount of 'jankyness' as the page is scrolled and resized. The page can maintain 60fps scrolling even with dozens or hundreds of tethers on screen (pop open the devtools timeline as you scroll this page).
Tether is 5kb minified and gzipped, and supports IE9+, and all modern browsers.
The element to be moved is called the 'element'. The element in the page it's to be attached to is called the 'target'.
To use Tether, you define a point on the target and a point on the element. Tether moves the element to keep those two points on top of each other.
That point is called the attachment (we've marked it in the examples with a red ). For example, if you'd like the element to sit on the left of the target:
new Tether({
element: yellowBox,
target: greenBox,
attachment: 'top right',
targetAttachment: 'top left'
});
You can move the attachment points of both the element and the target.
For example, lets move the element's attachment:
new Tether({
element: yellowBox,
target: greenBox,
attachment: 'bottom left',
targetAttachment: 'top left'
});
We can also change the target's attachment point:
new Tether({
element: yellowBox,
target: greenBox,
attachment: 'bottom left',
targetAttachment: 'bottom right'
});
There are two more attachment points we haven't seen yet, center and middle:
new Tether({
element: yellowBox,
target: greenBox,
attachment: 'middle center',
targetAttachment: 'middle center'
});
All told, Tether provides six built in attachment positions:
The syntax of the attachment properties is: "vertical-attachment horizontal-attachment"
.
You must always supply an attachment
. If you don't supply a target-attachment
, it is
assumed to be the mirror image of attachment
.
The six attachment points we provide are not always enough to place the element
exactly where you want it. To correct this, we provide two more properties,
offset
and targetOffset
.
new Tether({
element: yellowBox,
target: greenBox,
attachment: 'top right',
targetAttachment: 'top left',
offset: '0 10px'
});
As you can see, we've moved the attachment point of the element 10px to the right. We can also move the attachment point of the target:
new Tether({
element: yellowBox,
target: greenBox,
attachment: 'top right',
targetAttachment: 'top left',
offset: '0 10px',
targetOffset: '20px 0'
});
The offset properties also accept percentages. Percentages in offset
refer to
the height and width of the element, targetOffset
the height and width of
the target.
new Tether({
element: yellowBox,
target: greenBox,
attachment: 'top right',
targetAttachment: 'top left',
targetOffset: '0 75%'
});
The syntax of the offset properties is "vertical-offset horizontal-offset"
Tether offers a couple of special attachments, using the targetModifier
option:
new Tether({
element: yellowBox,
target: scrollBox,
attachment: 'middle right',
targetAttachment: 'middle left',
targetModifier: 'scroll-handle'
});
Set the target to document.body
to have the element follow the page's scroll bar.
The targetModifier
visible
can be used to attach an element to the visible part
of an element:
new Tether({
element: yellowBox,
target: document.body,
attachment: 'middle center',
targetAttachment: 'middle center',
targetModifier: 'visible'
});
new Tether({
element: yellowBox,
target: scrollBox,
attachment: 'middle center',
targetAttachment: 'middle center',
targetModifier: 'visible'
});
If you have tried any of the previous examples, you'll notice that it's pretty easy to scroll the regions in such a way that the element is hanging out on its own, with no target in sight.
Constraints allow you to control what happens when the tethered element would have to fall outside of a defined region to maintain the attachment.
new Tether({
element: yellowBox,
target: greenBox,
attachment: 'middle left',
targetAttachment: 'middle left',
constraints: [
{
to: 'scrollParent',
pin: true
}
]
});
We've created a constraint which will keep the element within its scroll parent by 'pinning' it to the edges if it tries to escape. For the sake of the example, we're also highlighting the pinned edge in red.
Specify an array of sides if you'd only like to pin those edges:
new Tether({
element: yellowBox,
target: greenBox,
attachment: 'middle left',
targetAttachment: 'middle left',
constraints: [
{
to: 'scrollParent',
pin: ['top']
}
]
});
You might want to allow the element to change its attachment, if doing so would keep more of it within its assigned region:
new Tether({
element: yellowBox,
target: greenBox,
attachment: 'top left',
targetAttachment: 'bottom left',
constraints: [
{
to: 'scrollParent',
attachment: 'together'
}
]
});
If you scroll the example a bit, you'll see it flip the attachment when necessary.
You can combine pin
and attachment
as well:
new Tether({
element: yellowBox,
target: greenBox,
attachment: 'top left',
targetAttachment: 'bottom left',
constraints: [
{
to: 'scrollParent',
attachment: 'together',
pin: true
}
]
});
Attachment will accept any of these values:
element
: Only change the element's attachmenttarget
: Only change the target's attachmentboth
: Change either's attachment (or both), as neededtogether
: Change both the element's and target's attachment at the same time (to
'flip' the element to the other side of the attachment)none
: Don't allow changes to attachment (the default)Together is the option you will use most commonly:
new Tether({
element: yellowBox,
target: greenBox,
attachment: 'top right',
targetAttachment: 'bottom left',
constraints: [
{
to: 'scrollParent',
attachment: 'together'
}
]
});
You can also provide different settings for the vertical and horizontal attachments:
new Tether({
element: yellowBox,
target: greenBox,
attachment: 'top left',
targetAttachment: 'bottom left',
constraints: [
{
to: 'scrollParent',
attachment: 'together none'
}
]
});
Whenever the element is out of the constrained area, we add the tether-out-of-bounds
class to it. If you add some CSS to make items with that class display: none
, the
tether will hide.
new Tether({
element: yellowBox,
target: greenBox,
attachment: 'middle center',
targetAttachment: 'middle center',
constraints: [
{
to: 'scrollParent'
}
]
});
You can also constrain the element to the viewport, you'll have to scroll the page to see this one.
new Tether({
element: yellowBox,
target: greenBox,
attachment: 'top left',
targetAttachment: 'bottom left',
constraints: [
{
to: 'window',
attachment: 'together'
}
]
});
You can, of course, use pin with the window as well to make it always visible no matter where the user scrolls:
new Tether({
element: yellowBox,
target: greenBox,
attachment: 'top left',
targetAttachment: 'bottom left',
constraints: [
{
to: 'window',
attachment: 'together',
pin: true
}
]
});
to
can be any of:
'scrollParent'
'window'
[X1, Y1, X2, Y2]
You can also provide multiple constraints, keeping in mind that they are processed in the order supplied (the last one always has the final word).
new Tether({
element: yellowBox,
target: greenBox,
attachment: 'top left',
targetAttachment: 'bottom left',
constraints: [
{
to: 'scrollParent',
pin: true
},
{
to: 'window',
attachment: 'together'
}
]
});
The goal of Tether's optimizer is to not have to change the positioning CSS as the page is scrolled or resized. To accomplish this it looks at the last few positions, finds commonalities, and uses them to decide whether to position the element absolutely or with fixed positioning.
If the element is fully contained within its scroll parent, its DOM node can also be moved inside the scroll parent, to avoid repaints as the container is scrolled.
new Tether({
element: yellowBox,
target: greenBox,
attachment: 'top left',
targetAttachment: 'bottom left'
});
We are moving where the DOM node is, so if you have CSS which styles elements within the offset parent, you may see some rendering changes. Also note that this optimization works best if the scroll parent is the offset parent. In other words, the scroll parent should be made position relative, fixed or absolute to enable this optimization.
If you do see stylistic changes occur when the element is moved,
you might want to disable this optimization. You can do that by
setting optimizations.moveElement
to false.
new Tether({
element: yellowBox,
target: greenBox,
attachment: 'top left',
targetAttachment: 'bottom left',
optimizations: {
moveElement: false
}
});
By default tether positions elements using CSS transforms. These transforms allow the tethered element to be moved as its own layer to not force a repaint of the underlying page.
This method of positioning can cause some issues however, including color shifts and artifacts.
If you experience these issues, you can disable this optimization by setting optimizations.gpu
to false:
new Tether({
element: yellowBox,
target: greenBox,
attachment: 'top left',
optimizations: {
gpu: false
}
});
The Tether
constructor we've been using in these examples returns us a
Tether
object.
The Tether
object has these methods:
setOptions({ options })
- Update any of the options (such as attachment)disable()
- Disable the tetheringenable()
- Enable the tetheringdestroy()
- Disable and remove all referencesposition()
- Manually trigger a repositioningThe full list of options which can be passed to the Tether
constructor and
setOptions
:
element
: The DOM element, jQuery element, or a selector string of an element which will be movedtarget
: The DOM element, jQuery element, or a selector string of an element which the element
will be attached toattachment
: A string of the form 'vert-attachment horiz-attachment'
vert-attachment
can be any of 'top'
, 'middle'
, 'bottom'
horiz-attachment
can be any of 'left'
, 'center'
, 'right'
targetAttachment
: A string similar to attachment
.
The one difference is that, if it's not provided, targetAttachment will assume the mirror
image of attachment
.offset
: A string of the form 'vert-offset horiz-offset'
vert-offset
and horiz-offset
can be of the form "20px"
or "55%"
targetOffset
: A string similar to offset
, but refering to the offset of the targettargetModifier
: Can be set to 'visible'
or 'scroll-handle'
enabled
: Should the tether be enabled initially? Defaults to true
.classes
: A hash of classes which should be changed or disabledclassPrefix
: The prefix placed at the beginning of the default classes, defaults to 'tether'
optimizations
: A hash of optimizations, used to disable themconstraints
: An array of constraint definition objects. Each definition is of the form:to
: A DOM element, bounding box, the string 'window'
, or the string 'scrollParent'
pin
: true
or an array of strings representing the sides of the constraintattachment
: A string of the form "vert-modifier horiz-modifier"
, or a single value
representing both"none"
, "together"
, "element"
, "target"
, or "both"
.outOfBoundsClass
: An alternative to "tether-out-of-bounds"
, useful if the class
needs to be differentiated from that of another constraint.pinnedClass
: An alternative to "tether-pinned"
, similar to outOfBoundsClass
.Tether adds a variety of classes to the element and target to allow you to style them based on their tethering.
You can change the prefix of the classes with the classPrefix
option. It is 'tether'
by
default, but you could, for example, change it to be 'bill'
if you were building the bill
library and all the classes would be 'bill-*'
.
new Tether({
classPrefix: 'bill'
});
The sass/css is similarily configurable, see tooltip for an example of how to make your own prefixed css file.
All classes can be changed or disabled with the classes
option. For example, to change the
tether-element
class to be my-box
:
new Tether({
classes: {
element: 'my-box'
}
});
You can also disable classes you're not going to use:
new Tether({
classes: {
out-of-bounds: false
}
});
tether-element
is added to the elementtether-target
is added to the targettether-enabled
is added to both elements when tether is not disabledtether-element-attached-[left,right,top,bottom,middle,center]
is added to both
elements based on the elements attachment, if the element becomes detached (for
example, if it's pinned), that class is removed. The class reflects how the
element is actually attached, so if a constraint changes the attachment, that
change will be reflected in the class.tether-target-attached-[left,right,top,bottom,middle,center]
is added to both
elements based on the target's attachment. All of the characteristics are the
same as for element-attached.tether-out-of-bounds
, tether-out-of-bounds-[side]
are added to both the element and the target
when the element is placed outside of its constraint.tether-pinned
, tether-pinned-[side]
are added to both the element and target when a constraint
has pinned the element to the [side] of the container.Tether supports IE9+, and all modern browsers.
Google doesn't support IE8, Microsoft is dropping support in a few months, and not supporting it saves us a whole lot of trouble. If you are interested in adding support, get in touch, we're happy to accept a PR.
Please contribute! Tether is developed in Coffeescript, but if that's problematic for you, feel free to submit pull requests which just change the JavaScript files, we can adapt them as needed.
To build Tether, you need:
npm install -g gulp
# In the project directory
npm install
gulp


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Methods
bind(watch, onChange, viewopt, filteropt)
- Source:
Use this method to bind the view to model changes. The view can be passed as parameter or using side effects inside the onChange method.
Parameters:
| Name | Type | Attributes | Description |
|---|---|---|---|
watch |
watchCb | The watch function. | |
onChange |
onChangeCb | The onChange function. | |
view |
Object |
<optional> |
The view to be bound to model changes. |
filter |
filterCb |
<optional> |
The filter function. |


All packets, both over radio and TCP contain a length byte followed by a number of data bytes. For example:
[0x03, 'A', 'B', 'C']
Encrypted packets consist of a length byte, a two byte sequence number, a 6 byte IV, a 4 byte MAC and an encrypted payload. AES-128 CBC is used for the encrypted payload, so it is always blocks of 16 bytes. The MAC is computed using AES-128 CBC-MAC.
pkt_hdr_t *PKTHDR(uint8_t *pktbuf)
Utility macro to access members of an encrypted packet.
pktbuf
[in]
pktbuf
cast to pkt_hdr_t
uint8_t *PKTPAYLOAD(uint8_t *pktbuf)
Utility macro to find the payload inside a decrypted packet.
pktbuf
[in]
Pointer to payload of decrypted packet
void pkt_enc(uint8_t *pktbuf, const uint8_t *key_enc, const uint8_t *key_mac)
Encrypt and add MAC to pktbuf
. Note, once packet is decrypted it must be access via the PKTPAYLOAD
macro.
pktbuf
[in] [out]
key_enc
[in]
key_mac
[in]
BOOLEAN pkt_dec(uint8_t *pktbuf, const uint8_t *key_enc, const uint8_t *key_mac)
Decrypt and verify pktbuf
, returning plaintext packet in pktbuf
.
pktbuf
[in] [out]
key_enc
[in]
key_mac
[in]
TRUE Success


Abstract
This tutorial performs a simple linear regression to build the Capital Asset Pricing Model(CAPM) [ref]Sharpe, William, 1990 http://www.nobelprize.org/nobel_prizes/economic-sciences/laureates/1990/sharpe-lecture.pdf[/ref], a classical model developed by William F. Sharpe and Harry Markowitz. This model yields alpha and beta for each asset and is traded by going long on the stocks ranked with the highest alpha. This tutorial will demonstrate the following:
- How to use historical data
- Set an event handler
- Conduct linear regression
- Build your own functions in the QuantConnect Algorithm Lab
The implementation of the strategy demonstrates that stocks beat the market last month are likely to beat the market again in the subsequent month. This algorithm performs well when the market is smooth. However when the market volatility increases the model fails to capture alpha and it performs poorly. What we learn from this is that market fluctuations decrease the significance level of the linear regression coefficients, especially when we are using daily returns to fit the model.
CAPM Theory
The capital asset pricing model (CAPM) describes the relationship between systematic risk and expected return for assets, typically stocks. The formula for calculating the expected return of an asset given its risk is as follows:
\[r_a = r_f + \beta_a*(r_m - r_f) + \epsilon \]
where:
\[r_f = Risk Free Rate\]
\[\beta = Beta of the security\]
\[r_m = Expected market return\]
\[\epsilon = Tracking error\]
This formula can be better understood if we refactor the formula as seen below:
\[(r_a - r_f ) = \beta_a*(r_m - r_f) + \epsilon \]
The left side of the equation gives us the difference between the asset return and risk free rate, the "excess return". If we regress the market excess return against the asset excess return the slope represents the "beta" of the asset. Therefore, beta can also be calculated by the equation:
\[\beta = \frac{Cov(r_a,r_b)}{var(r_b)}\]
So beta can be described as:
\[\beta = \rho _a,_b*\frac{\sigma _a}{\sigma_b}\]
The formula above indicates that beta can be explained as "correlated relative volatility". To make this simpler, beta can be calculated by doing a simple linear regression which can be viewed as a factor to explain the return, and the tracking error can represent alpha.
To make this theory more convenient for our algorithm, we change the above formula into the following form:
\[r_a = \beta*r_m + r_f*(1-\beta) + \epsilon\]
r*(1-β) on the right hand side of the equation is a very small item, making it negligible in the context of the Dow 30 companies. If we regress the stocks return with the return of the benchmark, the slope and intercept will be beta and alpha.
Method
Our investment logic is simple and straightforward. We assume that stocks which beat the market last month will continue to beat the market. We rank stocks according to their alpha, and each month we "long" the top two stocks. For this strategy to work, we need to do the following at the start of each month:
- Get the historical price of Dow 30 stocks in the past 21 trading days and calculate their daily rates of return.
- Conduct simple linear regression on the return of each stock against a benchmark (S&P 500 index, SPY).
- Rank the stocks by their intercepts.
- Liquidate all our positions and purchase the first 2 stocks in our sorted list.
Dow Jones components change very infrequently, with the last change being on March 19th, 2015 [ref] https://en.wikipedia.org/wiki/Dow_Jones_Industrial_Average[/ref]. To make the implementation easier we have simply listed the current Dow components in this algorithm. This means that the earliest start date of this algorithm is March 19th, 2015.
Step 1: Setup Event Handler
In the initialize method we define a Scheduled Event to trigger a monthly re-balancing of the portfolio. For more details about how to use Scheduled Events, you can read the Documentation or see the example ScheduledEventsAlgorithm.
def Initialize(self):
self.Schedule.On(self.DateRules.MonthStart(self.benchmark), self.TimeRules.AfterMarketOpen(self.benchmark), Action(self.rebalance))
Step 2: Linear Regression Function
In order to conduct linear regression, we need to write a function to take the price data and output the regression results. The function takes a list of the "asset prices" (x) and a list of the "benchmark prices" (y). It then calculates the percentage change and conducts a linear regression. The output is a tuple which contains the intercept and slope.
def regression(self,x,y):
x = np.array(x)
x = np.diff(x)/x[:-1]
y = np.array(y)
y = np.diff(y)/y[:-1]
A = np.vstack([x, np.ones(len(x))]).T
result = np.linalg.lstsq(A, y)[0]
beta = result[0]
alpha = result[1]
return(alpha,beta)
Step 3: History Function
Each month we get the historical prices of the DOW30 components using the History API. The data is returned from the API as complex Slice objects. To make this useful in the algorithm we extract the asset prices, and benchmark prices to a list.
def get_regression_data(self,symbol,history):
symbol_price = []
benchmark_price = []
for i in history:
bar = i[symbol]
benchmark = i[self.benchmark]
symbol_price.append(bar.Close)
benchmark_price.append(benchmark.Close)
result = self.regression(symbol_price,benchmark_price)
return result
Step 4: Rebalance Function:
This function is where all the action happens, it will be executed on the first trading day of each month as a scheduled event. The second argument of SetHoldings is a decimal, setting this to "1" tells the algorithm to set the portfolio as "long 100%" with no leverage. More information on the function can be read on this link: SetHoldings.
def rebalance(self):
# get historical stock symbols and prices, then put them in tuples
history = self.History(self.regression_dates, Resolution.Daily)
filter = []
for i in self.symbols:
filter.append((i,self.get_regression_data(i, history)[0]))
# sort the filter by alpha
filter.sort(key = lambda x : x[1],reverse = True)
sorted_symbols = []
for i in range(2):
sorted_symbols.append(filter[i][0])
# get the symbols of our holding stocks
holding_list = []
for i in self.Portfolio:
if i.Value.Invested:
holding_list.append(i.Value.Symbol)
# if we have holdings and we are not going to hold them anymore, sell them
if holding_list:
for i in holding_list:
if i not in sorted_symbols:
self.Liquidate(i)
# Long the 2 stock in our list.
for i in sorted_symbols:
self.SetHoldings(i,1)
Conclusion
We have demonstrated that during a smooth market, the stocks that beat the market last month are likely to beat the market again in the subsequent month. When there is market fluctuation, the significance level of linear regression will reduce and the model performance will decrease.
We can understand this by looking at the covariance of the asset(x) and the benchmark (y). As the covariance reduces to zero, the beta will decrease.
\[\hat{\beta} = \frac{Cov[x,y]}{\sum (x_i - \b{x})^2}\]
As an experiment, we tested the algorithm on market data from 2015. This was a much more volatile period for the market with a fluctuation that returned a mean close to zero and dropped neaerly 10% from Aug 18th to Aug 25th of that year. The algorithm performed quite poorly in this year with a return rate of -11.58%.
The risks associated with this strategy include a high drawdown, lack of hedging and not stop-loss. Since we are using leverage, the risk is increased and it has a margin call in January as a result.
We can improve the performance by applying the following techniques:
- Conduct optimizations: we can implement mean-variance analysis to determine the asset allocation each month and select more stocks to trade. This will lower our risk and manage the portfolio more scientifically.
- Take beta into consideration: If we want to be more aggressive, we can select targets by a combination of alpha and beta. This means we choose stocks with a high alpha that are more volatile than the market. If we are conservative investors however, we can make the strategy market-neutral, which means the portfolio would not be affected by the market performance. For example, if we long two stocks with beta 1 and -1 respectively at the same position size, our portfolio becomes market-neutral.
Algorithm


Color by
Main chain as
Nucleic acid bases as
Side chains as lines
Don't smooth beta-sheets in ribbons
Non-bonded atoms (solvent/ions) as
Small molecules(HETATMs) as
Multiple bond option is for SDF/MOL file ONLY.
Unit cell
Biological assembly (the last one defined)
Crystal packing
Show HETATMs in symmetry mates (slower)
<-- back
Model 2 Setting:
Color by
Main chain as
Nucleic acid bases as
Side chains as lines
Don't smooth beta-sheets in ribbons
Non-bonded atoms (solvent/ions) as
Small molecules(HETATMs) as
Multiple bond option is for SDF/MOL file ONLY.
Unit cell
Biological assembly (the last one defined)
Crystal packing
Show HETATMs in symmetry mates (slower)


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BULWORTH
Reviewed by Harvey Karten, Ph.D. Twentieth Century Fox Director: Warren Beatty Writer: Jeremy Pikser, Warren Beatty Cast: Warren Beatty, Halle Berry, Oliver Platt, Josh Malina, Jack Warden, Christine Baranski, Paul Sorvino, Richard Sarafian, Don Cheadle, Isaiah Washington, Amiri Baraka, Sean Astin, Laurie Metcalf, Wendell Pierce, Michele Morgan, Ariyan Johnson
Politicians have about as much public trust as used car salesmen. They lie, cheat, steal and speak in platitudes. They commit adultery, but that's not so bad. What's worse is that they get into bed with wealthy corporations, yet wind up screwing the poor and the middle class. If you don't believe that, you probably also had faith in the guy who said, "Read my lips: no new taxes." What would happen, though, if a public official actually told the truth about everything? Would he last more than a month in office? According to the movie "Bulworth," the answer to the last question is, "Yes and no." This sharp, sometimes intelligent and always stimulating picture, produced, directed, co-written and starring Warren Beatty, deals with what happens when a high public official--like Jim Carrey's character Fletcher Reed--simply cannot lie. No way is he like that hair-care manufacturer who contended some time ago that "If you have only one life, live it as a blonde." Among the points hammered home in "Bulworth" is the notion that black people have more fun. "Bulworth" is about a politician who doesn't just talk a good game: he really gives a rap.
If campaign rhetoric has ever tempted you to reach for Prozac, you'll understand what the title character is going through during his bid for re-election as U.S. senator from California. Depressed to the point of suicide after repeating the bromide, "We stand at the doorstep of a new millennium" for the thousandth time, Senator Jay Bulworth (Warren Beatty) cuts a deal with two shady characters. Agreeing to bottle in committee a bill which would force insurance companies to issue policies to ghetto residents, he pressures lobbyist Crockett (Paul Sorvino) into writing him a ten million dollar life insurance policy to provide for his family upon his demise. He then contracts with hit man Vinnie (Richard Scott Sarafian) to target himself, in effect committing suicide with the appearance of murder. When he meets and becomes smitten with a young black woman, Nina (Halle Berry), his depression lifts. Having stood at the doorstep of his own extinction, he shucks off his old, corrupt self and determines to tell it like it is. After this point, "Bulworth" divides into two stories: one, the senator's caustic and brutally honest discourses about the nature of American society; the other, a madcap series of adventures planting the politician deep into the world of a black urban ghetto. The first concept succeeds so well that you wish Beatty could sustain its tone throughout the story. The second, likely to appeal to the younger set in the audience, veers unfortunately into the well-worn categories of car chases, farcical assassination plots, and excess. If the movie could have sustained the comic, insightful repartee which made its trailer the most enticing advertisement of the year, "Bulworth" could have been a modern masterwork of political debunking.
With this in mind, you may agree that the scenes that work best are those which display Bulworth engaging his voters with politically incorrect thought. Meeting constituents in a black church packed with supporters of his party, Bulworth is confronted by an angry woman who suggests that the Democratic Party doesn't care about the African-American community. Rather than soothe the voter, he retorts, "Isn't that obvious?" He suggests that the voters are stuck with him for the next six years anyway since they're not about to vote Republican; that they will never get anywhere if their chief interests are eating chicken wings, drinking malt liquor, and supporting a former running back who stabbed his wife. Pressed to explain what happened to the development funds that the senator promised to funnel to the community, Bulworth responds truthfully enough that he forgot about the promise, "But then you haven't contributed to my campaign, have you?" In yet another repudiation of political correctness, he meets a group of Hollywood filmmakers and, in a master-stroke of self-denigrating humor about the movie industry tells them, "Most of your films are not very good. You must be doing it for the money. You turn everything to crap." He also reports to the aghast, mostly Jewish congregation that "my guys aren't stupid: they always put the big Jews on the committees."
The movie is not as successful when it abandons verbal wit and turns to madcap burlesque. Vittorio Stararo's camera frequently turns to an assassin in dark shades, a caricature who simply appears from time to time on the orders of his silly mob boss, Vinnie.  Even here, however, Beatty provides us with a three-dimensional role by Don Cheadle as L.D., a drug lord who employs kids because they can carry out his demands without the legal accountability of adults (just like politicians, who play fast with other people's money). When Halle Berry in the role of Bulworth's inspiring new girl friend, is not simply displayed with a cryptic expression on her captivating face, she has a believable sexual chemistry with a man who is of a different race and old enough to be her grandfather. As Murphy, the senator's chief of staff, Oliver Platt makes up for his miscasting as Maffio in Marshall Hershkovitz's "Dangerous Beauty," in an engaging turn as the senator's foil who finds his boss's new lifestyle contagious. Also surprisingly effective in a smaller role is black militant playwright Amiri Baraka in the part of a homeless man who stands for the conscience of America, calling ultimately for a new spirit to embrace the land.
The movie has a pulsating rap score , including a smart rendition by Beatty of an extended lyric which satirizes the right-wing strain in American politics. Beatty looks so good that when Halle Berry estimated the man's age as 60, members of the audience gasped at the absurdity. Yet this gifted performer, born in March 1937, is evidence that a keen mind focused on a productive career can indeed keep a seasoned person looking fresh. Rated R. 109 min. Copyrighted by Harvey Karten
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
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A CHRISTMAS STORY ****1/2 (out of five stars) A review by Jamey Hughton
Starring-Peter Billingsley, Darren McGavin, Melinda Dillon and Ian Petrella Director-Bob Clark Rated PG Released 1983 MGM Pictures
MOVIE VIEWS by Jamey Hughton http://Welcome.to/MovieViews
This Christmas, little Ralphie Parker (Peter Billingsley) wants nothing more than a Red Ryder BB Gun under the tree. Although cautioned by many that he will ‘shoot his eye out', Ralphie remains optimistic, conjuring up a detailed scheme to get on the good side of his parents and teachers. It could be possible that no one has ever wanted anything with more passion than Ralphie wants this BB Gun, and the story of his eternal struggle is a charming one.
`A Christmas Story' is a favorite among many during the Holiday season, and boy, it is certainly easy to see why. Ralphie's endless desire for the BB Gun may transport you back to your childhood, when you were craving a certain gift for Christmas and the anxiety was almost indescribable. Evoking pleasant childhood memories is only one of the many things `A Christmas Story' does so well. Here are a few features that make this film such a charming little package for everybody during the Holiday season:
1) Period detail. This film is based on the memoirs of late humorist Jean Shepard, who shares his experiences as a young boy living in the 1940's with loving detail. Shepard narrates from a first person point-of-view, divulging his various adventures one snowy December, in which visions of taking aim with his new BB Gun replaced that of sugarplums dancing in his head. Shepard's first-hand commentary of several situations is not only downright hilarious, but also witty and warm, with various metaphorical meanings that ring perfectly with the essence of comic timing. On top of that, young Billingsley's stupefied reactions to each predicament is absolutely perfect in contrast with the narration. Director Bob Clark captures the look and feel of the era with wonderful technicality. I can hardly imagine a more accurate depiction of what Christmas for young Ralphie must have been like.
2) Mom and Dad. Both Melinda Dillon (as mom) and Darren McGavin (as ‘the old man') are perfect in their roles. It's hard to fathom a more agreeable pair for the requirements of a story like this one, with each possessing at least one memorable trait that instantly separates them from the wooden caricatures that could have been featured. For instance, he is a bloodthirsty turkey hound, and she is forgiving and understanding when it comes to some serious issues. In portraying the writer as a persistent but mild-mannered young lad, Peter Billingsley has struck quite the chord. His performance is richly textured, making all of the humorous situations he stumbles into radiate with flavor and enjoyment. Which brings us to....
3) The Comic Situations. There are plenty of memorable moments in `A Christmas Story'. Moments that undoubtedly will improve in comic potency upon each new viewing, with so much more to explore and to cherish. I am particularly partial of the ‘f-word scene', in which Ralphie blurts out the shocking four-letter obscenity while helping the old man in the yard. Again, Shepard's method of handling this amusing scenario is nothing short of comic wizardry. The numerous sequences that stick in one's mind include, of course, the famous department store Santa scene - in which Billingsley has some problems in telling Old Saint Nick what he wants under the tree.
I could go on, but I'll finish on this note: `A Christmas Story' is a standout among Holiday movies, because it captures so much in a meager 90 minutes. Not only is it funny, it's often genuinely hilarious....not to mention warm, fluffy and touching in all the appropriate places. I plan on making `A Christmas Story' a Christmas tradition. Why don't you?
(C) 1999, Jamey Hughton
MOVIE VIEWS by Jamey Hughton http://Welcome.to/MovieViews
Your Comments Appreciated<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


WQMY
Furniture - Jacksonville, Florida
Furniture makers and furniture dealers in Jacksonville, Florida.
http://www.thecityofjacksonville.com/furniture/
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Dani's House of Pizza - Richmond Hill - Kew Gardens, NY
8128 Lefferts Blvd . The sweet sauce was interesting, but there was too much cheese (it started falling off) and the crust, though it had a nice patina of char, .
http://www.yelp.com/biz/danis-house-of-pizza-kew-gardens
Travel & Lodging in Orlando, FL Orlando International Airport
Write a Review |Map & Directions 105 Summer Bay Blvd, Clermont, FL, 34714 . Write a Review |Map & Directions 9828 Old Patina Way, Orlando, FL, 32832 . Write a Review |Map & Directions 113 Menlo Park Avenue, Davenport, FL, 33897 .
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Florida J.E. Grady & Co. 76 Water Street Apalachicola, FL 32320<PHONE_NUMBER> . 500 Grand Blvd. Suite 106. Miramar . 113 S. Gregson St . Patina Blu, LLC .
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FSEC-CR-670-00 - Florida Solar Energy Center - University of ...
Products 69 - 81 . The Florida Solar Energy Center Logo. . the surface temperatures of the captured image from 77oF (dark blue) - 113oF (white) in 3.6oF increments. . Patina Green, 24.3, 10.5, 22.7, 27.4, 0.88 . 2555 Shumard Oak Blvd.
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Connect directly to the owners of hundreds of vacation rentals in Seacrest Florida . Find vacation homes and condo rentals as well as Seacrest Florida travel .
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1023 Abbot Kinney Blvd Venice, CA . Joe Miller, a mainstay in LA who worked at Patina a long time ago, has made Joe's his mainstay restaurant. He's tried .
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Magnolia Cottages By The Sea. 113 Patina Seacrest Beach, FL 34213. Email this Property · Save this Property · Printer-Friendly Page · View on Map · View .
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Marisa's Fantasia,<PHONE_NUMBER>, 29 Petaluma Blvd North, Ste D, Petaluma, CA . Marsha Sellmeyer Killilea,<PHONE_NUMBER>, 113 Dominican Drive, San Rafael, CA 94901 . Florida Hospital Memorial Medical,<PHONE_NUMBER>, 301 Memorial Medical Pky . Patina,<PHONE_NUMBER>, 410 E 48th Street, Minneapolis, MN 55419 .
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. By Owner homes in TAMPA, FL. Search complete listings of FSBO homes throughout TAMPA, FL. . 10425 Westpark Preserve Blvd, TAMPA, FL 33625 . 1254 E 113th Ave 210, TAMPA, FL 33612 . 3719 PATINA DR, TAMPA, FL 33619 .
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1317 Winewood Blvd. . 2011 by Chicora Foundation, Inc. and the Florida Department of Children . 113. 10. Combined Priorities and Costs for Preservation Activities at Cemeteries 1-5 . inherently destructive of patina and what makes a .
http://www.chicora.org/pdfs/RC537%20Final%20optimized.pdf
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Kristaps Porzingis Shrugs Off Boos from Knicks Fans
by Marcel MutoniKristaps Porzingis was showered with a torrent of verbal abuse Thursday night by Knicks fans in his first game at Madison Square Garden as an opponent, and the big fella claims he was unaffected by the boos and taunts.
“I heard it of course. It was pretty loud,” Porzingis told reporters.
Marcus Morris hit a tie-breaking three-pointer with 13 seconds remaining to secure New York’s 106-103 win against the Dallas Mavericks.
Per The AP:
“I get it around this league,” Knicks forward Marcus Morris said, “but it was a different level.”
Kristaps Porzingis couldn’t even hide from the taunts during the national anthem.
“I wouldn’t say it affected me,” Porzingis said. “I heard it of course. It was pretty loud. But I tried to play my game, stay focused and not think too much about what’s going on on the outside.”
Porzingis has declined to talk about what caused the deterioration of his relationship with the team, so he understood why there would be such a harsh reception.
“It’s what they know. It’s what they’ve heard,” he said. “It is what it is.
Related Kristaps Porzingis Regrets Knicks ‘Never Really Got to Do Something Big’


Buttons
Every application needs some interaction. On the web a user will typically click, tap or otherwise manipulate a link to another page. We co-op this mechanism to add interaction.
bbq.gui.button.GUIButton
GUIButton provides a button based on an HTML anchor tag. An example of it's use would be:
var button = new bbq.gui.button.GUIButton({
text: "Click me",
onClick: function() {
Log.info("The button was clicked!");
}
});
The HTML produced by the GUIButton instantiated above would be:
Click me
You are then free to style the button as you see fit. See the JSDocs for a full list of configuration options.
bqq.gui.button.NativeButton
NativeButton extends GUIButton but instead of using an anchor element it's based around a form submit button:
var button = new bbq.gui.button.NativeButton({
text: "Click me",
onClick: function() {
Log.info("The button was clicked!");
}
});
This will produce:
<input type="submit" class="GUIButton NativeButton" value="Click me" />
Enabled/disabled
Buttons can have state. Typically the states are up, down, enabled, disabled.
Events
You can pass functions in to GUIButtons and NativeButtons as part of the options object. These automatically receive the relevant event (onmouseover, onmouseout, etc). But what if you want two or more listeners to receive these events? In that case, use listeners:
var button = new bbq.gui.button.NativeButton({
text: "Click me"
});
// register one listener
button.registerListener("onClick", function() {
Log.info("The button was clicked!");
});
// register another listener
button.registerListener("onClick", function() {
Log.info("I also saw that the button was clicked!");
});
All events support this multiple listener paradigm.
Toggle
GUIButtons can function as toggle style buttons. To create a toggle button, pass rememberDownState: true
in the options object.
A toggle button is initially "Up". When you first click a toggle style button, it becomes "Down" - click it again and it returns to the "Up" state.
Toggle buttons dispatch "onButtonDown" and "onButtonUp" events.
ButtonHolder
ButtonHolder can be used to hold multiple buttons.
var holder = new bbq.gui.button.ButtonHolder();
holder.addButton(new bbq.gui.button.GUIButton({
text: "Button one",
onClick: function() {
Log.info("button one clicked");
}
}));
holder.addButton(new bbq.gui.button.GUIButton({
text: "Button two",
onClick: function() {
Log.info("button two clicked");
}
}));
The HTML that ends up in the browser is:

Button one

Button two

Tabs can be created by subclassing ButtonHolder and styling them appropriately:
include(bbq.gui.button.ButtonHolder);
com.myapp.gui.button.Tabs = Class.create(bbq.gui.button.ButtonHolder, {
initialize: function($super, options) {
$super(options);
this.addClass("Tabs");
}
});
And styles:
.Tabs .GUIButton {
/** tab styles here */
}


Egor - Synopsis
A species of monster lived happily on Earth for millions of years, before the human race came along and hunted them for their soft and durable fur. Over a period of time, the monster became what was thought to be extinct.
With one remaining of the species – unknown to humans, he lived alone for 20 years on an island. Eventually, the island on which he lived was invaded by humans and turned into a city. As a result, during a deforestation the monster was found after his home was destroyed. Now, he lives in a Zoo amongst other endangered monsters. Others from his species were labelled as aggressive and dangerous. Unlike them, Egor (the name given to this monster) is friendly and gentle, but humans are simply unaware of it.
Because he is alone, he is an easy target from other animals – who bully him and threaten him. Because of this, he becomes depressed, and wants to live happily like the humans he sees outside his enclosure. He wants to be able to live like all the humans – in a functional society. After living in his enclosure for years, he takes his only possession – a teddy bear a little girl gave to him, and escapes from his enclosure. He proceeds to live in an apartment building. Wearing casual, human clothes to try and blend in with the humans.
Art Style
The art style I am attempting to achieve, is inspired by clip-art aesthetic. By implementing finer detail to the main subject (Egor), than the rest of the frame, it will hopefully direct the audience attention to the main subject. In animated films such as Detective Pikachu, Madagascar, and The Lorax; there is a distinct contrast between the dull industrial backgrounds, and the main focus. This contrast is generally produced through an orange/yellow colour, being paired with the dark and dull setting – to represent their positivity, joy, and happiness when surrounded by a dark and negative environment.
The colour palettes used in Adventure time are very bright and attractive. With this, the scenery always appears to be happy and exciting.
The realism in the fur on characters such as Pikachu from ‘Detective Pikachu’, and the chickens from ‘Hop’ – give the characters a distinct fluffiness and welcomingness.
I wanted to try and implement this into my character Egor, to show that; whilst he appears to be scary and intimidating to the general public – he is in fact friendly, gentle, and approachable.
When travelling to New York on a study tour, I found that the light of the sunset flowing between the buildings was very appealing. The gradient from blue to orange to dark purple made very a very aesthetic colour palette, which I would attempt to implement into my animation.
I had intended to use my knowledge and skills from film and media studies throughout this animation. With these skills, I wanted to implement a clear use of visual composition through rule of thirds, symmetry, headspace, etc.
Throughout my animation, I wanted to use lighting and shadows to my advantage. This can be distinctly seen when Egor is first presented as a scary and intimidating silhouette, hiding in the shadows. This is quickly contradicted using lighting, as he is displayed as a friendly character once absent from the shadows.
Sound and Music played a leading factor in the immersion of my animation. I ensured I included a series of sound effects such as footsteps, dialogue, creaking doors, city ambience, crowd murmuring, etc.
I had also elected that I record my own dialogue, for the sounds produced by Egor. Given that I was unable to locate anything fitting online, I chose to produce my own noises, to suit what I had envisaged.
Segments of different musical scores were implemented depending on the mood of the scene. For example, the escape scene included intense chase music, and the city scenes had devious, yet calm and sarcastic music.
With the inclusion of planning, designing, modelling, animating, and editing – This project involved upwards of 100 hours of work to complete.
Software List
Microsoft Word
Word will be used during the planning stage, to write out each of the pre-production modules – before moving them into the PowerPoint. This will make it much easier to read and edit the text, without having to deal with formatting.
Microsoft PowerPoint
PowerPoint is the program being used to display the final product of the pre/post production. This is where all the modules will be displayed in their final form. With this in mind, this PowerPoint will be referred to throughout the production of the animation itself.
Adobe Photoshop
Photoshop will be used to produce assets that will be used in the trailer. This may involve making assets from scratch using shapes, or modifying royalty-free assets that were sourced online. Furthermore, all the backgrounds for my trailer will be created in Photoshop.
Adobe Animate
This is where the majority of the work will take place. All of the assets created will be imported into Animate, to move or transform the assets and backgrounds accordingly – using tweens or modifying other properties.
Ableton Live
Ableton will be used to record audio for the ‘dialogue’ of the main character Egor. While no actual words are spoken, Egor makes a series of groaning noises – which will be recorded from a condenser microphone, into an Audio Interface, before being fed into the computer running Ableton.
Adobe Media Encoder
Encoder is the program that will be used to convert the animation from an MOV file to an MP4. This will make the file readable, meaning that it can be watched, and modified in other programs. By using Media Encoder, the file will also be condensed, meaning that backing up and transporting will be much more efficient.
Adobe Premiere Pro
Premiere Pro will be used to apply sound effects and music to the animation. This will be used for sound as opposed to Animate, as it has a much broader range of capabilities including volume, speed, pitch, etc. The text in the title scene will also be applied in Premiere Pro, as the text can be more easily edited and moved.
Screenshots from 'Egor'
The following audio files were recorded and produced by myself - through Ableton:
‘Egor Dialogue 1.wav’ – The groany noises that Egor produces
Egor Dialogue 2.wav’ - The groany noises that Egor produces
The following audio files were sourced Royalty-Free from YouTube:
‘City Street Ambience Sound Effect [FREE DOWNLOAD ROYALTY FREE].mp3’ – Ambient noise to be used in the city scene
‘CROWD GASP Sound Effect.mp3’ – The gasp of the crowd when they realize Egor is a monster
‘Crowd panic sound effect.mp3’ – The effect played in the background as the title screen fades in
‘Crowd Screaming, A – Free Sound Effect.mp3’ – Another layer of effect played in the background as the title screen fades in
‘Epic Chase Music - Run (Copyright and Royalty Free).mp3’ – Intense music used as Egor is running away
‘Footstep Sound (SFX) Free sound sound effects part 01.mp3’ – Used when Egor is running down the path during his escape
‘Footstep Sound (SFX) Free sound sound effects part 02.mp3’ – Used when Egor is walking down the street in the city
‘Kira Yoshikaeg’s theme using only piano.mp3’ – The score played during the city scenes
‘Happy Sound Effects All Sounds.mp3’ – The C Chord that is played when Egor is revealed from the shadows
‘Lion Roar Royalty Free Sound Effect.mp3’ – One of the noises produced by the other monsters in the enclosures
‘Metal Door squeak, iron gate creak SOUND EFFECT.mp3’ – The noise produced by the door to Egor’s enclosure
‘Bruh Sound Effect #2.mp3’ – A friend challenged me to implement this in my trailer
‘New York City Ambience Sound Effect.mp3’ – Another layer of city ambience used during the city scenes
‘One Minute Dinosaur Growl.mp3’ – Another noise produced by one of the monsters at the zoo.
‘Prison Siren Sound Effect HQ.mp3’ – One of the sirens blaring in the background of the escape scene.
‘Punch Sound Effects All Sounds (1).mp3’ – Both of the impact sounds from when Egor makes contact with one of the people in the city
‘Voices Murmur – Sound Effect.mp3’ – The murmurs of the crowd who are observing Egor in his enclosure
‘World War 2 Air Raid Siren Alarm Sound Effect Free Sound Effects.mp3’ – The other siren blaring in the background of Egor’s escape scene.
‘Zoo SOUND EFFECTS - Tierpark Animals Zoo Ambience Geräusche SOUNDS.mp3’ – The ambient noises in the background during the Zoo scene
This is Egor's first Ad Copy
This is Egor's second Ad Copy
This is Egor's third Ad Copy
This is Egor's fourth Ad Copy


DISCLAIMER: Please note that this is not some kind of reverse psychology that I am using to get you to sign up. There are no links here.
You might’ve heard about Empower Network. It is a MLM (Multi-level marketing) company. They have some products and your job is to resell them & earn commissions on every sale.
I tried it. Yes. But I quit the same day.
I never trusted these online “get rich” schemes. But this time it was different. I was recommended by a pretty reputed source to join. That is why I decided to give it a shot. I shouldn’t have done it. Should’ve trusted my gut feeling. If you are planning to join, I would suggest you to rethink your decision. This type of business is not for everyone.
No.
On the surface, it all feels good and attractive. Their main product is a blogging system. And your task is to sell this to other people. And you make money.
At first glance, it looks pretty easy. Sign up for $25. You get a blog. They claim that they will teach you how to market using Google AdSense, Facebook, etc.
Your job is to sell this same blogging system to other people. (Other than this blogging system they have other, more expensive products as well) For every sale you make, you get $25. So, just after 2 sales you are break-even (after considering overheads like advertising & other fees). They tell you that you earn 100% commissions. Which is also true. They make it sound very attractive.
So, what’s wrong?
Upon joining, the first problems start. Just after signing up, you are shrewdly presented with a page trying to sell you an “inner circle” membership for $100. They claim that this is what you need to succeed. According to the website, it has all the “insider tips” and all that mumbo jumbo. There’s a “Purchase” button and a button saying that “No Thanks. I Understand I’ll Be Giving Up My Spot In The Inner Circle - Plus, I’m O.k. With Giving My $100 Monthly Residual Commissions To My Sponsor!”.
Seriously? Instead of giving me a good reason to spend my money, you resort to such lowly methods of selling?
At this point, I was starting to feel that the foundation of this business is basically brainwashing people. I know, in any business you have to sell. That does mean influencing your customers so that they make a purchase. But in this case, the brainwashing was evident. Maybe because the products do not seem to be of real value.
After I bypassed this form, I was told that I only have a blogging system right now. To activate my “affiliate” account (which is needed to resell this product to other users), I need to pay an additional $19.95. I knew this already so it didn’t come as a shock. They have informed about this additional fee in their advertisements as well.
Before shelling out some more money, I decided to first go through all these training videos they provided. They have a total of 8 lessons which they claim that help you get started and make X dollars every month.
The first video starts with one of the founders David Wood welcoming you to the program. My first impression of him was that of a typical shrewd & overconfident salesman. I don’t know why. Maybe its the way he talked? The way he dressed? Too casual? I found the lack of professionalism disturbing. It made me loose faith in the very system they were selling.
Wood also reveals that you will not get commission for every sale you make. You get commissions for your 1st, 3rd, etc. sales. The money for the 2nd, 4th, etc. sales goes to your sponsor (The person whom you signed under).
In subsequent videos, they keep bringing up the fact that he lives in Costa Rica because “he has made so much money through this and you can do the same”. It wasn’t motivational. It was blatant showing off and at times demeaning as well.
I tried to approach the training videos with an open mind. But, the videos didn’t give me anything new that I didn’t already know. The two founders David Wood and David Sharpe sit around a table with a back-drop of a green landscape. And they talk. A lot. It’s nothing you haven’t already heard. It’s basically motivational speeches & promises that this system is going to work for you. In this case, the videos were again sneakily embedded with sales pitches to make you purchase their higher line of “products”. The first couple of videos talk about purchasing the $19.95 affiliate membership. David Wood keeps insisting that you pause the video and purchase it first and then continue. He uses so many such techniques to try to sell it to you.
I ignored this and kept watching. After a few more videos, things got weirder. Once the two Davids assumed that they’ve sold you the $19.95 product, they started slowly marketing their next product. The “Inner circle” membership that costs you $100 per month. During the talks, Wood keeps dropping little words like “We have explained this really well in that package. You need to go and get it right now if you are really serious about this.”
Here are a list of their “products”:
1. Viral Blogging System.
For $25 per month you get a “viral” blogging system. It’s based on WordPress. Nothing special. They say it’s worth hundreds of dollars and you get it for $25 per month. No it’s not worth that much. You can set up a blog for free these days. Anyone one with basic Internet knowledge can do it.
2. Inner Circle Membership
For $100 per month, they claim that you discover “elusive secrets to generating traffic, cashflow, coveted persuasion skills, etc.”.
3. Costa Rica Intensive
Shell out $500 for more videos, and some more “elusive secrets”, “insider scoop” and all that.
4. The 15K Formula
They ask you to pay you $1000 for some “formula” which helps you earn $15,000 per month. Do not fall for any of these claims. If it was really this easy, everyone would be a millionaire.
5. Masters Course
For a whopping $3,500, here’s another way they try to get your money and you do not get anything of real value in return.
The videos try to make easy things sound complicated. They tell you that if you do it on your own, you will face many problems. Instead, just purchase our <insert name here> product & we will tell you step-by-step how to do it.
For example, they insist that running Facebook ads is difficult and you need to purchase one of their insanely priced packages in which they tell you how to do it step by step. Really now? First, its a pretty easy task. Second, there are like thousands of pages on the internet and hundreds of videos on YouTube telling you how exactly to do this. You do not need to pay $100 per month to know this. Yes. They charge $100 “monthly” for the “inner circle” product.
The problem is that what they sell aren’t even real “products”.  You have to sell these very same “fake” products to your customers. If you aren’t convinced that a product is good, how will you convince your customers?
Do yourselves a favor and do not get influenced by them. The “products” are of no real value and just rehashed ideas put together in seemingly attractive & insanely high priced packages. They use typical marketing techniques of persuasion and brainwashing to extract cash from you. They expect you to do the same for your customers.
In the end, you have to spam a lot. It’s not worth it. Empower Network is on the borderline of scam & deception.
No matter what you do, to make money, you HAVE to work hard. The choice is yours. You can work hard to spam people, or you can work hard to do something of real value.
There is no easy money in this world. There is no easy fix. The sooner you realize this, the better. No matter what path you choose, you have to work hard in both the real world and the online world. Success doesn’t come easy.
So, even after all this, if you still decide to join Empower Network, please know that it is not a “side thing” that you can do in your free time. That’s what the adverts claim. No, it’s not a passive income method. Passive income without working will only be true when you have been working with the system for a long time and you have a lot of people actively working under you.
Working part-time will not do you much good. You will have to work full time or at least a good amount of hours in a day if you expect to earn any money using Empower Network.


Selfcare
Description: As part of their healthcare seeking behavior, focus group participants discussed the need for eating healthy, exercise, and reducing stress.
Comments:
- 'Stay away from ready-made food and canned foods.'
- 'Reduce the meals.''Pay attention to the quality of the food they consume, and refrain from eating canned and ready-made food.'
- 'Another participant mentioned, as all other participants in the session agreed with her, that she knows the importance of eating fruit, especially apples, in the morning, but they cannot keep on doing this, because they cannot purchase apples regularly.'
- 'Most refugees resort to good healthy habits that reduce their risk of disease.'
Full Data link


I'm a broadcast engineer at Trans7 since 2014. My family decided to move from the capital city Jakarta to our hometown Yogyakarta. There are very little job opportunities for a broadcast engineer in Yogyakarta. Therefore I decided to learn to be a backend engineer or a data engineer. I have experience with programming when attended Gadjah Mada University as a student in Electronics and Instrumentation. I'm currently taking courses to become a backend engineer.
Electronics and Instrumentation (2004 - 2013) Educate and prepare students to become graduates who are able to follow and absorb the latest developments in science and advanced technology, help develop and research, implement science and technology transfer and apply them for national development, in the field of electronics, instrumentation, and computer systems.
| Sony MVS Switcher | ⭐⭐⭐⭐⭐ |
| Multi-Cam System | ⭐⭐⭐⭐⭐ |
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I like learning new things, so I'd like to work with environment that give me opportunity to growth
CONTACT ME


**This data is not sent or stored in our servers**
'
*Disclaimer: It is your responsibility to check all numbers and data for accurate information. This is not a replacement for your auto and trailer manufacturer's data. We can't take any responsibility for any wrongly introduced data. The information provided is for entertainment only.*
Input Data
Towing Vehicle
Curb Weight
GVWR
GCVWR
Payload
Towing Capacity
Estimated Cargo (in the vehicle)
Passengers Weight
Cargo Weight
Total Payload
Travel Trailer data
UVW
GVWR
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Results
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New GVW
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*Disclaimer: It is your responsibility to check all numbers and data for accurate information. This is not a replacement for your auto and trailer manufacturer's data. We can't take any responsibility for any wrongly introduced data. The information provided is for entertainment only.*


| Internet-Draft | Process for Adoption of Drafts | May 2020 |
| Carpenter, et al. | Expires 2 December 2020 | [Page] |
IETF working groups often formally adopt drafts. This document specifies minimum requirements for this process, thereby extending RFC 2418. It also describes how an adopted draft may be withdrawn from the working group process.¶
This Internet-Draft is submitted in full conformance with the provisions of BCP 78 and BCP 79.¶
Internet-Drafts are working documents of the Internet Engineering Task Force (IETF). Note that other groups may also distribute working documents as Internet-Drafts. The list of current Internet-Drafts is at https://datatracker.ietf.org/drafts/current/.¶
Internet-Drafts are draft documents valid for a maximum of six months and may be updated, replaced, or obsoleted by other documents at any time. It is inappropriate to use Internet-Drafts as reference material or to cite them other than as "work in progress."¶
This Internet-Draft will expire on 2 December 2020.¶
Copyright (c) 2020 IETF Trust and the persons identified as the document authors. All rights reserved.¶
This document is subject to BCP 78 and the IETF Trust's Legal Provisions Relating to IETF Documents (https://trustee.ietf.org/license-info) in effect on the date of publication of this document. Please review these documents carefully, as they describe your rights and restrictions with respect to this document. Code Components extracted from this document must include Simplified BSD License text as described in Section 4.e of the Trust Legal Provisions and are provided without warranty as described in the Simplified BSD License.¶
According to [RFC2418], the Internet-Drafts (I-D) mechanism is a "resource for posting and disseminating in-process copies of working group documents." However, most I-Ds start as individual contributions and only become working group documents by a WG decision generally referred to as "adoption." As noted in [RFC7221], this process was not previously documented as a formal step in the IETF WG process. This has sometimes led to confusion about the significance of such adoption and about how it fits into the IETF standards process. The present document is intended to define a few formal rules about adoption to reduce such confusion.¶
After a draft has been formally adopted by a WG, its original authors no longer have formal change control of the text. In addition to the normal consequence of posting a draft, i.e., that it becomes an IETF Contribution under [RFC5378], all future substantive changes to the draft require WG consensus and are no longer at the authors' sole discretion.¶
As a practical matter, the original authors usually continue to edit the document and make routine editorial decisions, but substantive changes must be referred to the WG and require WG rough consensus, consistently with [RFC2418]. It is also possible that new authors or editors will join the draft, or that previous authors may withdraw.¶
Adoption represents a commitment that the WG will spend time and effort on the draft, but it does not guarantee that the draft will reach WG consensus and be submitted to the IESG for publication as an RFC.¶
A WG Adoption Call of an I-D is not a required step of the IETF standards process. The WG chairs decide what documents belong in the WG, and can create new documents by fiat. A simple situation would be if a WG decides that an existing document should be split into two pieces: There is no reason to adopt each piece, that is needless bureaucracy. A WG that decides to create a design team to solve a problem has implicitely agreed to adopt the result. To not adopt the result is to say that the results of the WG mandated design team does not deserve first class agenda time. Such a design team would have been created, for instance, when a WG can not decide between two competing individual drafts and decides to merge them.¶
It is legitimate for a draft to be submitted to the IESG as described in [RFC2026] without a formal adoption by a WG.¶
If WG Chairs choose to consult the WG about adopting a document, this is the recommended process. The WG Chairs should also consider the additional guidelines in [RFC7221].¶
Participants should consider the following aspects when responding to the WG call for adoption:¶
It sometimes happens that an adopted draft does not reach WG consensus to be submitted to the IESG for publication as an RFC due to lack of interest, lack of effort, or lack of consensus. In such a case, it may be desirable for the WG to formally withdraw the WG draft, such that it is explicitly removed from the WG's agenda and returned to the authors' control.¶
The withdrawal of WG document should be the result of an explicit decision by the relevant WG, and should follow the following recommendations.¶
This document makes no request of IANA.¶
This document should not affect the security of the Internet.¶
Useful comments were received from [TBD] ...¶


Advanced Input
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This tool was inspired by George Hotz's mad skillz, and the ideas found in the book Make It Stick by Peter C. Brown. There are no timers, no WPMs—just a never-ending stream of gibberish. Aim for accuracy over speed. Adjust the weights below to emphasize areas you're struggling with. With regular practice, typing structured text should become easier.
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--- layout: documentation title: NetflowV9DataRecordType ---
A Data FlowSet is one or more records, of the same type, that are grouped together in an Export Packet. Each record is either a Flow Data Record or an Options Data Record previously defined by a Template Record or an Options Template Record. http://www.ietf.org/rfc/rfc3954.txt.
| Field Name | Type | Description |
|---|---|---|
| Flow_Data_Record0..n | FlowDataRecordType |
Specifies a Flow Data Record, which corresponds to a FieldType defined in the Template Record. Each one will have multiple values associated with it. |
| Options_Data_Record0..n | OptionsDataRecordType |
Specifies an Options Data Record, which Corresponds to a previously defined Options Template Record. |


--- layout: documentation title: ValuesType ---
The ValuesType specifies the values that were enumerated as a result of the action on the object.
| Field Name | Type | Description |
|---|---|---|
| Value1..n | string |
The Value field specifies a single value that was enumerated as a result of the action on the object. |


[gecode-users] Reified Constraints do not propagate
Max Ostrowski
ostrowsk at cs.uni-potsdam.de
Fri Apr 13 13:17:27 CEST 2012
Thanks and sorry for bugging you again.
I tried to analyze the minimodel code.
I think that posting LinExpr instead of LinRel won't change the problem,
right?
So is there any interface so that one can still use the very handy
LinExpr class?
I do parse some quite complicated formulas and want to post a linear()
constraint.
LinExpr as far as I understood, optimizes this formula and reformulates
it to fit into the form that is needed for the linear constraint.
Is there a way to get this linear constraint out of it again to post it
manually and preserve the ICL?
Or do i have to generate the linear constraint (array of variables and
numbers) myself to get the full propagation power. Is there a logical
reason why the ICL is lost during this "translation"?
Best,
Max
On 04/10/2012 01:19 PM, Christian Schulte wrote:
>
> Maybe, not so clear yet. We will change reification for the next major
> release and might at that time also think how to fix passing the
> consistency level.
>
>
>
> For the time being you should stick to what Guido has suggested.
>
>
>
> Christian
>
>
>
> --
>
> Christian Schulte, www.ict.kth.se/~cschulte/
>
>
>
> *From:* users-bounces at gecode.org [mailto:users-bounces at gecode.org] *On
> Behalf Of *Max Ostrowski
> *Sent:* Tuesday, April 10, 2012 12:42 PM
> *To:* Guido Tack
> *Cc:* users at gecode.org
> *Subject:* Re: [gecode-users] Reified Constraints do not propagate
>
>
>
> Thank you very much for the insight.
> Unfortunately this could be a problem,
> as i have to change my data structures.
>
> Will this be fixed in future versions?
>
> Best,
> Max
>
> On 04/10/2012 12:32 PM, Guido Tack wrote:
>
> This is a current shortcoming of the minimodel library. For some
> linear constraints (such as x==5 in this case) the IntConLevel is
> ignored. To get the full propagation, you have to post the constraint
> directly, like this:
>
>
>
> Gecode::rel(*test, test->x_[1], IRT_EQ, 5, test->b_[1], ICL_DOM);
>
>
>
> Cheers,
>
> Guido
>
>
>
> On 10 Apr 2012, at 19:20, Max Ostrowski wrote:
>
>
>
> I have a small example where i do not understand why no propagation
> takes place.
>
> test is a pointer to the space instance
> x_ is an array of 10 IntVars(0,10)
> b_ is an array of 2 BoolVars(0,1)
>
>
> LinRel rel1(test->x_[0],IRT_EQ,5);
> rel1.post(*test,true,ICL_DEF);
>
> Gecode::distinct(*test,test->x_,ICL_DEF);
>
> LinRel rel2(test->x_[1],IRT_EQ,5);
> Gecode::rel(*test, rel2 == test->b_[1],ICL_DEF);
>
> test->status();
> if (test->failed())
> std::cout << "Failed" << std::endl;
> std::cout << test->x_ << std::endl;
> std::cout << test->b_ << std::endl;
>
>
> So i post das one of my elements x_[0] is 5, and all elements are
> distinct.
> Now i have a reified constraint that x_[1] == 5.
> The distinct constraint removes 5 from he domain of x_[1],
> but the propagator does not fire.
> The result is:
>
> {5, {0..4,6..10}, {0..4,6..10}, {0..4,6..10}, {0..4,6..10},
> {0..4,6..10}, {0..4,6..10}, {0..4,6..10}, {0..4,6..10}, {0..4,6..10}}
>
> {[0..1], [0..1]}
>
>
> Even with ICL_DOM the boolean variable is not touched if values are
> removed from the domain.
> Also i think this could be easily done with "Advisors" ?
> I have no experience with this, so my question:
> Is this behavior the desired one?
> Can this be changed if i have reifications like mine where i compare
> to constants?
>
> Thanks a lot,
>
> Max
>
> _______________________________________________
> Gecode users mailing list
> users at gecode.org <mailto:users at gecode.org>
> https://www.gecode.org/mailman/listinfo/gecode-users
>
>
>
> --
>
> Guido Tack,
>
> http://www.csse.monash.edu/~guidot/
> <http://www.csse.monash.edu/%7Eguidot/>
>
>
>
>
>
>
>
>
>
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"B2B"
During my six years as an Account Manager I have learned communication and building business relations. One of my favorite part working as an Account Manager, where how I could use my knowledge to help others in there everyday work.
As an Account Manager my key responsibility where to serve my customer portfolio with products and information such as market updates. Dahltek my previous company that i worked for, had the agency to sell Plantronics to the Norwegian reseller market. Plantronics is one of the world largest headset manufactures delivering premium headset solutions with a groundbreaking software and sensor technology.
Working with customers and business to business sales was one of my assignments. With a responsibility to serve hundreds of customers I had to make good strategies, of how I would spend my time.
(Figur 1.1) In figure 1.1 you can learn more about which customers I have worked with.
Fig 1.1 Learn more'Telekiosken'
I start working for the company Telekiosken in 2004 and the year after I got the job as a Store Manager. Spending more than three years as a Store Manager I learned how to run a Telecommunication store.
'Retail stores'
I worked in differet retail stores as..


{% comment "License" %}
% Copyright (c) 2018 ISP RAS (http://www.ispras.ru)
% Ivannikov Institute for System Programming of the Russian Academy of Sciences
%
% Licensed under the Apache License, Version 2.0 (the "License");
% you may not use this file except in compliance with the License.
% You may obtain a copy of the License at
%
% http://www.apache.org/licenses/LICENSE-2.0
%
% Unless required by applicable law or agreed to in writing, software
% distributed under the License is distributed on an "AS IS" BASIS,
% WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.
% See the License for the specific language governing permissions and
% limitations under the License.
{% endcomment %}{% if l.hide_id %}{% if not l.collapsed %}{% else %}{% endif %}{% endif %}


I grew up loving the outdoors, from sea level to the mountain tops! My parents shared with me a love of the outdoors from the moment I was born. My childhood was spent camping, boating, fishing, skiing and mostly exploring. My love for animals grew right along with my love for nature. I guess you could say that I had an adventurous spirit and by high school, I became an avid downhill skier.
I married and had three children and for the next 25 years I was fully immersed in raising my children and sharing with them the great joys that I had growing up.
At 50 years old I found myself an empty nester and joined the mountaineers. I was soon scrambling to mountain peaks, snow shoeing, kayaking, cross country skiing, and of course still downhill skiing at every opportunity.
In August 2007, I visited a friend in Alaska who had sled dogs. I went out on a training run with the dogs. No snow, no sled, but by four-wheeler. I fell in love with those incredible dogs that are born to pull. Their enthusiasm, their drive was amazing. A dream was born... I wanted to drive a dog team across the wilds of Alaska. I wanted to run Iditarod. I could only imagine what it must be like on a sled, on snow.
Four months later, I found out. It was spiritual. It was more than I could ever imagine. Two months later I flew to Alaska and volunteered for Iditarod 2008. I was hosted by Ted (retired Iditarod musher) and Paula English. I had no idea at the time, that the next year would find me living with them and running Ted's dogs and on my way to qualifying for the Iditarod.
I qualified for Iditarod 2012 and at age 55, I drove my team of incredible dogs 1000 miles across Alaska to Nome. I was awarded the Red Lantern Award, yes, the last musher across the finish line.
An experience of a lifetime and a personal win for me and my Dogs.
Mark Arrow is a world renowned rock climber and a 40 year veteran of outdoor adventuring. He has climbed mountains, rocks and ice all over the globe, from New York's Keene Valley to The Himalayas.
Mark enjoys guiding other climbers and introducing newcomers to the sport. He divides his time between professional guide work with Rock and Road Guides and his masonry business, Arrow Masonry, where he is a fifth generation stonemason.
Hey! Name's Dennis. I'm a Boston-based lover of hiking, cycling, and generally being outside.
In the summer of 2008, I cycled 3,600 miles from North Carolina to California. After that, I worked for six years in financial services.
Biking was more fun, so I just turned in my notice. On April 28th I'll be taking the first of many steps on my next big adventure: an attempted thru-hike of the 2,180 mile long Appalachian trail. I couldn't be more excited to take it on, and I'm honored to be doing so as part of WoolxinAction! I will definitely be putting this clothing to the test!
Paulina is an all-around adventurer with a home base in San Francisco, CA. From hiking to climbing to mountaineering, she tries to do it all, and writes about it on her blog at Little Grunts.
When she's not outside, you can find her cuddling with her cat, baking all the things, or writing code for her day job.
I was born and raised right here in Small Town, Kansas, USA. Every aspect of the outdoors has been a primary part of my life from day 1. Waterfowl hunting is my passion, but I spend over 200 days a year pursuing everything from Turkeys to Rainbow Trout.
In 2011, I started my own hunting company called Duck Wild Waterfowl. Through Duck Wild, I am fortunate enough to be able to produce hunting products, advertise for a few great companies such as Woolx, and occasionally guide Waterfowl and Turkey hunts.
The outdoors is a part of my livelihood, but it is more than that to me. Beautiful Kansas sunrises make the long days and restless nights worth every second of hard work. Kansas can be a blizzard one minute and a scorcher the next which is why I am extremely excited to be a part of the WoolxinAction team! If Woolx clothing can handle everything I put it through than it can handle anything! I guarantee it!
Ilana is a native of Southern California, reaping the benefits of the locale - always to be found either surfing, climbing, snowboarding or managing all three in one day. She is an accomplished rock and ice climber and loves earning her turns in the backcountry splitboarding. Currently residing in Colorado, she is a full-time nursing student and spends every lick of free time in the outdoors exploring mountains and pursuing adventure in whatever form it takes.
She has been featured in various media outlets including the December 2013 issue of 'Rock and Ice' magazine, December/January 2013 issue of 'Gripped Climbing' magazine, Canyoneering: A Guide to Techniques for Wet and Dry Canyons (How To Climb Series) by Dave Black as well as a Climbing Expert on MTV's Parental Control (Season 7 - "Heather").
Cliff Notes: Eiger North Face via 1938 (Original) Route, Matterhorn North Face via Schmid Route, Rubezahl (WI 6 - Kandersteg, Austria), Bird Brain Boulevard (WI 5, M6, Ouray, CO), Vallee Blanche via Grand Envers du Plan descent
Kim and Greg are choosing to skip out on the conventional 9-5 in pursuit of adventure, cycling, traveling, hiking, taking some photos and, of course, skiing.
Since embarking on their journey in 2011, they've put thousands of miles on their road bikes, picked up a 100 day season pin from Aspen Snowmass, and average 90 nights on the road each year in pursuit of their next adventure.
Currently residing near Lake Tahoe, the pair frequently can be found hiking somewhere in the West, exploring and capturing their pursuits on their blog, cooladventures.com.
Along the way, the two formed Chasing Light Media, where they specialize in pro cycling, sports, event and landscape/fine art photography.
Marti Davis grew up in southwest Missouri in a family that hunted and spent time together outdoors. She started hunting herself in her mid 20's after Jimmy, her husband, introduced her to deer hunting.
She and Jimmy still reside in Willard, the same small hometown they were both raised in; along with Maggie, their mini dachshund.
Hunting and the outdoors isn't just a past time for Marti, it's her lifestyle and her passion. She enjoys hunting, trapping, fishing, scouting, working on food plots, riding an ATV and even brush hogging - although it's not at the top of her "favorites" list.
Besides her home state of Missouri, Marti has traveled to hunt in Tennessee, Idaho, Kansas, Arkansas, Illinois, Montana, Colorado and New Mexico. She has taken whitetail deer, turkey, black bear, elk and antelope. She also hunts small game, traps and hunt predators and occasionally hunts waterfowl. Whatever season, is open, she's up for it.
Marti is on the pro-staff for Mossy Oak camouflage and Moultrie Products. She enjoys working with these companies and representing them at trade shows and outdoor stores. Marti also writes her column 'Marti Davis Afield' at the Women's Outdoor News. (www.womens outdoornews.com)
She also loves sharing her passion and introducing new hunters to the sport. Marti truly believes we must pass on our great hunting heritage.
You have heard about people being able to lift cars because of intense adrenaline running through their bodies, right? That’s the kind of adrenaline I get when I am fishing except I do not lift cars – I reel in enormous fish – some of them the largest species in the world.
After working as a television news Anchor for nearly 20 years, I traded in long hours, breaking news and investigative stories for a way to live my life pursuing my passion for travel and outdoor adventure.
I run a corporate content writing and travel writing company called ThreeWordPress. When I am not writing marketing content for websites or ghostwriting blogs, I am an award-winning travel writer and member of the Society of American Travel Writers covering outdoor adventure and extreme fishing for many publications.
My grandpa instilled in me a love of the outdoors and fishing at an early age. He would be proud to see that little girl grow up to hold a record in Thailand for catching the Mekong giant catfish and go after the world record for the enormous wels catfish in Spain.
When I am not searching for my next monster fish conquest, I am in Columbus, Ohio with my dog Sunny.
Whether I am fishing, ziplining, hiking, riding rapids, trekking glaciers, motor biking in third world countries or riding the occasional ostrich (don't ask), having the right gear for the right mission is essential. This is why Woolx is my partner in adventure.
Justin Knowles is a Bay Area father of two young boys who gets outside as much as possible. He enjoys trail running, lightweight backpacking, mountaineering, and family camping.
His outdoor adventures are centralized in the Santa Cruz Mountains, Big Sur, Sierra, and Colorado Rockies. He's climbed and trekked in New Zealand, Ecuador, Peru, and Japan. Justin is also an active volunteer with the Trail Center (trail building) and the San Mateo County Parks Foundation.
During his adventures, Justin learned the importance of comfortable, wicking, and odor free clothes the hard way.
You can follow Justin's Technology Hiker adventures at:
Adventures and life on snow in ColoRADo and around the world!
Chris was born and raised in Alaska, where the outdoors isn't just a hobby, but a way of life. He grew up camping, boating, and biking in the summers, and skiing and snowboarding in the winter.
Now based in Colorado, Chris manages the training program for the Vail Ski & Snowboard School. His passions include snowboarding, skiing, SUPing, mountain biking, disc golf, and adventure travel wherever it takes him.
In addition to WoolX, Chris is an ambassador for Burton Snowboards, Giro, Elan Skis, Alpina Boots, LEKI Poles, Yakima, Big Agnes, and Lululemon Men.
Located in Willow, Alaska, Matthew owns a kennel of 30+ dogs; 17th-Dog/Team Matthew Failor.
His love for the outdoors and canines is perfectly blended in his career as a mid and long distance musher. In the summer you will find him and his dogs living on the Mendenhall Glacier in Juneau, Alaska; taking tourists on sled rides over the glacier. In the fall and winter Matthew is back home in Willow training for either the Iditarod, Yukon Quest, or both!
Matthew has finished every Iditarod he has started, as well as finishing the Yukon Quest and the Iditarod w/in 4 weeks of each other in 2013. He has finished multiple mid-distance (2-400miles) races as well.
He knows the importance of wearing durable, functional and protective gear; its life or death in negative 50+ degrees with 40-70mph hour winds along the 1,000 mile trails. Matthew is excited to share his passion for distance mushing in partnership with Team WoolX in Action!


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