public abstract static class BaseLayer.Builder<T extends BaseLayer.Builder<T>> extends Layer.Builder<T>
| Modifier and Type | Field and Description |
|---|---|
protected IActivation |
activationFn |
protected double |
biasInit |
protected IUpdater |
biasUpdater |
protected Distribution |
dist |
protected GradientNormalization |
gradientNormalization |
protected double |
gradientNormalizationThreshold |
protected IUpdater |
iupdater |
protected double |
l1 |
protected double |
l1Bias |
protected double |
l2 |
protected double |
l2Bias |
protected WeightInit |
weightInit |
protected IWeightNoise |
weightNoise |
allParamConstraints, biasConstraints, iDropout, layerName, weightConstraints
| Constructor and Description |
|---|
Builder() |
| Modifier and Type | Method and Description |
|---|---|
T |
activation(Activation activation)
Set the activation function for the layer, from an
Activation enumeration value. |
T |
activation(IActivation activationFunction)
Set the activation function for the layer.
|
T |
biasInit(double biasInit)
Bias initialization value, for layers with biases.
|
T |
biasUpdater(IUpdater biasUpdater)
Gradient updater configuration, for the biases only.
|
T |
dist(Distribution dist)
Distribution to sample initial weights from.
|
T |
gradientNormalization(GradientNormalization gradientNormalization)
Gradient normalization strategy.
|
T |
gradientNormalizationThreshold(double threshold)
Threshold for gradient normalization, only used for GradientNormalization.ClipL2PerLayer,
GradientNormalization.ClipL2PerParamType, and GradientNormalization.ClipElementWiseAbsoluteValue
Not used otherwise. L2 threshold for first two types of clipping, or absolute value threshold for last type of clipping. |
T |
l1(double l1)
L1 regularization coefficient (weights only).
|
T |
l1Bias(double l1Bias)
L1 regularization coefficient for the bias.
|
T |
l2(double l2)
L2 regularization coefficient (weights only).
|
T |
l2Bias(double l2Bias)
L2 regularization coefficient for the bias.
|
T |
updater(IUpdater updater)
Gradient updater.
|
T |
updater(Updater updater)
Deprecated.
|
T |
weightInit(Distribution distribution)
Set weight initialization scheme to random sampling via the specified distribution.
|
T |
weightInit(WeightInit weightInit)
Weight initialization scheme to use, for initial weight values
|
T |
weightNoise(IWeightNoise weightNoise)
Set the weight noise (such as
DropConnect and
WeightNoise ) for this layer |
build, constrainAllParameters, constrainBias, constrainWeights, dropOut, dropOut, name
protected IActivation activationFn
protected WeightInit weightInit
protected double biasInit
protected Distribution dist
protected double l1
protected double l2
protected double l1Bias
protected double l2Bias
protected IUpdater iupdater
protected IUpdater biasUpdater
protected GradientNormalization gradientNormalization
protected double gradientNormalizationThreshold
protected IWeightNoise weightNoise
public T activation(IActivation activationFunction)
IActivation
instancesactivationFunction
- Activation function to use for the layerpublic T activation(Activation activation)
Activation
enumeration value.activation
- Activation function to use for the layerpublic T weightInit(WeightInit weightInit)
WeightInit
public T weightInit(Distribution distribution)
.weightInit(WeightInit.DISTRIBUTION).dist(distribution)
distribution
- Distribution to use for weight initializationpublic T biasInit(double biasInit)
biasInit
- Value to use for initializing biasespublic T dist(Distribution dist)
public T l1(double l1)
l1Bias(double)
to configure the l1 regularization
coefficient for the bias.public T l2(double l2)
l2Bias(double)
to configure the l2 regularization
coefficient for the bias.public T l1Bias(double l1Bias)
l1(double)
public T l2Bias(double l2Bias)
l2(double)
@Deprecated public T updater(Updater updater)
Updater
public T biasUpdater(IUpdater biasUpdater)
updater(IUpdater)
biasUpdater
- Updater to use for bias parameterspublic T gradientNormalization(GradientNormalization gradientNormalization)
gradientNormalization
- Type of normalization to use. Defaults to None.GradientNormalization
public T gradientNormalizationThreshold(double threshold)
public T weightNoise(IWeightNoise weightNoise)
DropConnect
and
WeightNoise
) for this layerweightNoise
- Weight noise instance to use


| > The Unit Test Framework > User's guide > Supplied test runners > External test runner > |
The external test runner variant of the UTF supplies the test runner in a form of standalone utility
boost_test_runner. You are free to implement different, more advanced, test runners that can be used with this
variant.
UTF 的外部测试运行器用法中以独立工具 boost_test_runner 的形式提供测试运行器。
你可以自由地实现不同的、更高级的测试运行器应用于这种用法。


Many readers, not least the ornithologists among you, will know that birds are commonly covered in feathers. A bird's feathers are replaced periodically during its life through molt. For those of you who do not know what a bird is, let me tell you: it is a bipedal, warm-blooded, egg-laying vertebrate characterized primarily by feathers, forelimbs modified as wings, and hollow bones. Wings, by the way, are surfaces used to produce an aerodynamic force normal to the direction of motion by travelling in air or another gaseous medium, gas being one of the phases of matter. An ideal gas, or perfect gas, is a hypothetical gas which obeys gas laws exactly. Below is a picture of a man who devoted his life to obeying the Laws of Gas. You will note that he has a feather in his cap. In such ways are all things in this world interlinked.


import random
import warnings
[docs]class Client:
def __init__(self, client_id, group=None, train_data={'x' : [],'y' : []}, eval_data={'x' : [],'y' : []}, model=None):
self._model = model
self.id = client_id # integer
self.group = group
self.train_data = train_data
self.eval_data = eval_data
[docs] def train(self, num_epochs=1, batch_size=10, minibatch=None):
"""Trains on self.model using the client's train_data.
Args:
num_epochs: Number of epochs to train. Unsupported if minibatch is provided (minibatch has only 1 epoch)
batch_size: Size of training batches.
minibatch: fraction of client's data to apply minibatch sgd,
None to use FedAvg
Return:
comp: number of FLOPs executed in training process
num_samples: number of samples used in training
update: set of weights
update_size: number of bytes in update
"""
if minibatch is None:
data = self.train_data
comp, update = self.model.train(data, num_epochs, batch_size)
else:
frac = min(1.0, minibatch)
num_data = max(1, int(frac*len(self.train_data["x"])))
xs, ys = zip(*random.sample(list(zip(self.train_data["x"], self.train_data["y"])), num_data))
data = {"x": xs, "y": ys}
# Minibatch trains for only 1 epoch - multiple local epochs don't make sense!
num_epochs = 1
comp, update = self.model.train(data, num_epochs, num_data)
num_train_samples = len(data)
return comp, num_train_samples, update
[docs] def test(self, model):
"""Tests self.model on self.eval_data.
Return:
dict of metrics returned by the model.
"""
return model.test(self.eval_data)
@property
def num_test_samples(self):
"""Number of test samples for this client.
Return:
int: Number of test samples for this client
"""
return len(self.eval_data['y'])
@property
def model(self):
"""Returns this client reference to model being trained"""
return self._model
@model.setter
def model(self, model):
warnings.warn('The current implementation shares the model among all clients.'
'Setting it on one client will effectively modify all clients.')
self._model = model


FINAL ROUND: Labour Day Trackday Wakefield Park. Last chance to compete in the Circuit Club Advan Neova Challenge 2016! There was much anticipation with Jason's big power Evo competing at Round 3, however some suspected engi...
Read moreOriginally posted by Narada Kudinar, 23.08.11. At our Trackdays, we get a variety - owners with their girlfriends, owners with their mates, owners and their mechanics - but there is one combination I am truly at envy with. It's the owners and their Dads.
Read moreFor the first time, Yokohama Advan Tyres are hosting their very own Trackdays, hosted by your's truly! The aim? To thank their loyal customers by providing a bargain event as well as introduce new Advan tyres to those who don't use them yet..
Read moreFINAL ROUND: Labour Day Trackday Wakefield Park. Last chance to compete in the Circuit Club Advan Neova Challenge 2016! There was much anticipation with Jason's big power Evo competing at Round 3, however some suspected engi…
Read moreOriginally posted by Narada Kudinar, 23.08.11. At our Trackdays, we get a variety - owners with their girlfriends, owners with their mates, owners and their mechanics - but there is one combination I am truly at envy with. It's the owners and their Dads.
Read moreFor the first time, Yokohama Advan Tyres are hosting their very own Trackdays, hosted by your's truly! The aim? To thank their loyal customers by providing a bargain event as well as introduce new Advan tyres to those who don't use them yet...
Read moreCircuit Club was founded in 2003 with one goal in mind, to make motorsport accessible through Trackdays. What started out simply as a bunch of mates with a love of cars and driving fast…
Learn more


5.0.0
Class for connection management
(object)
connection parameters
Return an existing query builder instance
QueryBuilder
:
The Query Builder object
Main object that builds SQL queries.
Extends QueryBuilderBase
(Driver)
The syntax driver for the database
(Adapter)
The database module adapter for running queries
Reset the object state for a new query
void
:
Closes the database connection for the current adapter
void
:
Specify rows to select in the query
QueryBuilder
:
The Query Builder object, for chaining
query.select('foo, bar'); // Select multiple fields with a string
query.select(['foo', 'bar']); // Select multiple fileds with an array
Specify the database table to select from
(String)
The table to use for the current query
QueryBuilder
:
The Query Builder object, for chaining
query.from('tableName');
query.from('tableName t'); // Select the table with an alias
Add a 'like/ and like' clause to the query
(String)
The name of the field to compare to
(String)
The value to compare to
(String
= both
)
The placement of the wildcard character(s): before, after, or both
QueryBuilder
:
The Query Builder object, for chaining
Add a 'not like/ and not like' clause to the query
(String)
The name of the field to compare to
(String)
The value to compare to
(String
= both
)
The placement of the wildcard character(s): before, after, or both
QueryBuilder
:
The Query Builder object, for chaining
Add an 'or like' clause to the query
(String)
The name of the field to compare to
(String)
The value to compare to
(String
= both
)
The placement of the wildcard character(s): before, after, or both
QueryBuilder
:
The Query Builder object, for chaining
Add an 'or not like' clause to the query
(String)
The name of the field to compare to
(String)
The value to compare to
(String
= both
)
The placement of the wildcard character(s): before, after, or both
QueryBuilder
:
The Query Builder object, for chaining
Add a 'having' clause
QueryBuilder
:
The Query Builder object, for chaining
Add an 'or having' clause
QueryBuilder
:
The Query Builder object, for chaining
Set a 'where' clause
QueryBuilder
:
The Query Builder object, for chaining
Set a 'or where' clause
QueryBuilder
:
The Query Builder object, for chaining
Select a field that is Null
(String)
The name of the field that has a NULL value
QueryBuilder
:
The Query Builder object, for chaining
Specify that a field IS NOT NULL
(String)
The name so the field that is not to be null
QueryBuilder
:
The Query Builder object, for chaining
Field is null prefixed with 'OR'
(String)
The name of the field
QueryBuilder
:
The Query Builder object, for chaining
Field is not null prefixed with 'OR'
(String)
The name of the field
QueryBuilder
:
The Query Builder object, for chaining
Set a 'where in' clause
QueryBuilder
:
The Query Builder object, for chaining
Set a 'or where in' clause
QueryBuilder
:
The Query Builder object, for chaining
Set a 'where not in' clause
QueryBuilder
:
The Query Builder object, for chaining
Set a 'or where not in' clause
QueryBuilder
:
The Query Builder object, for chaining
Set values for insertion or updating
QueryBuilder
:
The Query Builder object, for chaining
query.set('foo', 'bar'); // Set a key, value pair
query.set({foo:'bar'}); // Set with an object
Add a join clause to the query
(String)
The table you are joining
(String)
The join condition.
(String
= 'inner'
)
The type of join, which defaults to inner
QueryBuilder
:
The Query Builder object, for chaining
Group the results by the selected field(s)
QueryBuilder
:
The Query Builder object, for chaining
Order the results by the selected field(s)
QueryBuilder
:
The Query Builder object, for chaining
Put a limit on the query
QueryBuilder
:
The Query Builder object, for chaining
Adds an open paren to the current query for logical grouping
QueryBuilder
:
The Query Builder object, for chaining
Adds an open paren to the current query for logical grouping, prefixed with 'OR'
QueryBuilder
:
The Query Builder object, for chaining
Adds an open paren to the current query for logical grouping, prefixed with 'OR NOT'
QueryBuilder
:
The Query Builder object, for chaining
Ends a logical grouping started with one of the groupStart methods
QueryBuilder
:
The Query Builder object, for chaining
Get the results of the compiled query
(String?)
The table to select from
(Number?)
A limit for the query
(Number?)
An offset for the query
Promise<Result>
:
Promise containing the result of the query
query.get('table_name').then(promiseCallback); // Get all the rows in the table
query.get('table_name', 5); // Get 5 rows from the table
query.get(); // Get the results of a query generated with other methods
Insert multiple sets of rows at a time
(String)
The table to insert into
(Array)
The array of objects containing data rows to insert
Promise<Result>
:
Promise containing the result of the query
query.insertBatch('foo',[{id:1,val:'bar'},{id:2,val:'baz'}])
.then(promiseCallback);
Query result object


Common stock is, well, common. When people talk about stocks in general they are most likely referring to this type. In fact, the majority of stock issued is in this form. We basically went over features of common stock in the last section. Common shares represent ownership in a company and a claim (dividends) on a portion of profits. Investors get one vote per share to elect the board members, who oversee the major decisions made by management.
Preferred stock represents some degree of ownership in a company but usually doesn't come with the same voting rights. (This may vary depending on the company.) With preferred shares investors are usually guaranteed a fixed dividend forever. This is different than common stock, which has variable dividends that are never guaranteed. Another advantage is that in the event of liquidation preferred shareholders are paid off before the common shareholder (but still after debt holders). Preferred stock may also be callable, meaning that the company has the option to purchase the shares from shareholders at anytime for any reason (usually for a premium).
The real time graphs of the stock market rates are shown below
If you expect the stock prices to go up then you are said to be bullish on the stock price. From a broader perspective, if the stock market index is going up during a particular time period, then it is referred to as the ‘bull market’.
If you expect the stock prices to go down then you are said to be bearish on the stock price. From a broader perspective, if the stock market index is going down during a particular time period, then it is referred to as the ‘bear market’.
Any of your queries regarding the stock market rates and its subsidaries can be answered Here
The prediction model in accordance with all the given information above is beong amalgamated and an optimized information has been shown below


Error:
Filters
National records
- National records
Include schema in graph
* schema selection only available in graph mode, switch to graph to enable
Reference records
Combine Graph
- National records
- Reference records


I've been working on building ideahack with my friend, Cole Nakatani, for nearly two years. Ideahack was initially founded in 2010 by Cole and Andrei Pop, who left ideahack to start his own business Human API in San Francisco.
I had a brief stint in Environmental Consulting between 2009 and 2011, until I decided I was not fit for digging holes and getting bitten alive by mosquitos in Northern Canada for a living. Having founded my own design agency 3ntrance in 2008 while I was still a student, my natural next move was to dive back into design consulting full-time. I joined forces with Ideahack Creative in October 2011, and ever since, I've been at the helm of all the creative and technical work being produced.
I've worked with industries ranging from fashion, education, construction, to new building technologies, developing campaigns, wordpress sites, shopify e-commerce solutions, print material, and branding.


Woman Filing Her Nails
Rose knows she’s got no clean clothes except for one frock she’s been saving so she sits on the bed filing her nails with a nightie pulled around her limbs, the frothy lacy top barely hiding her breasts. It’s been raining for a week now, and most of her garments are sodden on the line strung between the ledge of her bedsitter window and the brick tenement across the other side of cobblestone alley. She glances out the window, smeared with fat from cooking bacon and chips on the one gas ring in the bedsit, and looks at the clothes, thinks they look like exotic coloured birds wet through, out of their clime, huddled together for warmth against the weather.
Rose shivers, but it is warm in the bedsitter because it is so small and the warmth from Rose’s body heats the confined space. A bit stuffy she thinks, but better than being outside in that lot. She breaks a nail; the purple bits fall like pottery shards all over the unmade bed. Rose swears softly under her breath. Not like the last time something happened to upset her.
Swearing like a trooper under fire, Rose was with the landlady, living right next door, knocking on the door demanding to know what the commotion was all about. Rose opening the door a lizard-smile-sliver to stop the woman looking in. All curlers, bunions and damp smelly dressing gown, the landlady, and a nose as long as an elephant’s trunk ready for snooping into the affairs of her lodgers.
But Rose wasn’t about to be intimidated by that baggage, not like the other boarders were. She wouldn’t let her in when the woman demanded entrance to inspect her property.
“Yer not comin’ in here. Yer inspect with notice to me not off the cuff, and yer know it. I pay me rent on time so yer’ve no reason to whinge,” she told the woman.
“I don’t have to put up with language like that comin’ through the walls,” the landlady replied.
“Well then, I shouldn’t have to put up with the noise yer make when yer gentleman friend comes callin’ on yer.  Yellin’ for him to put it all in,” said Rose.
The woman turned the colour of the cheap tawny port she drank late at night, turned on her heel, went back inside her flat, slamming the door after her.
Rose smiles to herself now, remembering the incident, and she wonders where Johnny Shortcross is now. She hasn’t seen him in almost a year; the last she saw of him was that night he spilt the wine, Johnny later standing under her window and waving to her, his duffle bag jammed under one arm, his big cheesy grin shining like a light in the night. But his black shirt and brown dungarees faded quickly into the murk of the alley as he headed off looking for work.
It’s all he seems to do, look for work, thinks Rose as she carefully shapes the small nail of the little finger of her left hand, holds it up to the lamplight. It looks like a tiny moon, reflecting her face so she looks back at herself; self-consciously she pulls the nightie up to hide her breasts from her sight.
She ponders the proposal of marriage Johnny left her with the last time she saw him. Down on bended knees he went, and he looked so ridiculous, so comical Rose burst out laughing, and set the landlady knocking on the dividing wall. It was all he could do to get the words out, embarrassed by Rose’s laughter, and hampered by the terrible stammer that only ever disappeared for a little while after he’d made love to Rose.
Occasionally she gets an envelope, Johnny’s name rudely scrawled on the front, a money order inside.  But the money order is more than money; it is a poem that tells her he loves her, and Rose weeps.
Sometimes she imagines she sees the dried sweat on the money order because she knows Johnny Shortcross isn’t sitting somewhere in a nice cool office writing letters on expensive letterhead paper. He’s out in the paddocks of far western New South Wales ploughing, or he’s under the searingly-hot tin roof of a shearing shed in The Territory taking the fleece from two hundred sheep a day or he’s bent over wielding the steel blade into the thick stalks of sugar cane in Queensland.
But when will he come home she wonders, does he even remember how to get back to me, does he want to come back even though he sends me money on occasions? It’s lonely for a girl by herself in Glebe, Sydney, with the rain falling like a leaden veil, and a landlady waiting for the merest excuse to chuck her out on the street.
Rose wonders about her new gentleman friend; he’s almost a complete mystery to her, not someone she’d normally rub shoulders with or anything else with for that matter. Mr. Bates is what she calls him because she doesn’t know his first name. It’s like going out with your own father or a schoolteacher too old to be playing around with young girls.
He’ll be here soon, she knows, and although she finds his company awkward, it’s nice because Mr. Bates intimidates the landlady, who sticks her head around her door when he arrives, smiles and blushes when he says good evening to her. Honestly you’d think she was about to curtsy to him sometimes, the way she grovels thinks Rose, and starts filing the nails of the other hand.
As she files, she’s careful not to dislodge the sliver of diamond inset in the index finger nail; a present from Mr. Bates who seems to want to please Rose in any way he can. Rose looks at the eye of diamond and it blinks at her the way the eyes of the feral cats in the alley blink at her when she sits on the window ledge at night to get a breath of fresh air.
Rose thinks about her first meeting with Mr. Bates, that balmy summer evening with the air full of musk and roses as Rose walked along Pit Street, not wanting to go back to her bedsitter in Glebe where the air smelt like rotten bananas. She wanted to be out and about even if there was little in the way of amusement, not since the crash hit in America and the clubs, the dives and dens of Sydney boarded up their premises with wood and tin.
But it was enough for the young woman to walk amongst the throng of passersby, to hear their voices, smell the cigarette smoke of the men, the perfume of the women. It took away the loneliness as she pretended she knew every one of them, pretended they would all stop and chat with her. Then some of them would invite her to a comfortable brick and tile home on the North Shore with steaming lamb, vegetables and a boat of hot gravy on the table, and some decent plonk winking at her in fine crystal glasses.
Thoughts of wine, lamb and a warm North Shore home made her careless, and she walked straight into the man, standing on the corner, and knocked him flat on his back. All apologies she was until he told her not to worry. He asked her to come with him for a drink in the saloon bar of one of the pubs down along The Rocks. A bit rough for someone like Mr. Bates, Rose thought later, but he didn’t want to see her walk away from him into the crowd, she knew. And so it went from there.
Suddenly there’s a knock at the door and Rose knows it’s him even though he’s half an hour early. It’s a habit with Mr. Bates, turning up early as though he’s keen to find her unprepared, but for what she doesn’t know. And she is unprepared, rushes to the door to rescue him from the landlady.
 His eyes play over her form under the garment, but she has no choice other than to let him in because she hears the creak of the landlady’s door.
“Evening Mr. Bates,” sings the landlady.
“Piss off!” spits Rose.
She regrets it straight away, but it doesn’t seem to bother her visitor, and the smile spreads broadly in his face as he steps into the bedsitter, closing the door behind him. Rose looks at him, sees the three upper teeth armoured with gold. She sees the narrow rabbit shoulders, and the skin that looks like the white, slippery belly of a shark Rose once saw pulled from the harbour when she was a child. She makes him turn his back, and slips into her one clean frock.
He takes her out on the tram; they sit on the same seat in silence. Rose sticks her head out the window as the vehicle trundles into the leafy suburbs of the North Shore, she smells the sea spray and she laughs for the sheer joy of it. Pushes from her mind the thought of returning to the Glebe later.
Mr. Bates pulls the cord, they get off and walk; her high heels hammer pistol shots on the pavement. Mr. Bates, his hand under her right elbow, directs her down an alley and stops. He looks up, and Rose follows his gaze. She sees the room at the top of the apartment block; it is golden with electric light.
“It’s for you, Rose. If you want it,” says Mr. Bates. “I’ll pay the rent and you stay there. I’ll see you three times a week when I can get away from my family. No more landladies, no more smell, no more rats.”
Rose looks at the light and, for a second, she imagines she sees Johnny Shortcross struggling towards her, wading his way through the thick amber.
Russel Drysdale, a famous Australian painter, is known for his bleak desert landscapes of Australia. I find the same bleakness in the painting Woman Filing Her Nails. It is easy to see the setting as warm and even welcoming, but the single room is stifling for the woman and the viewer of the painting. There is a desolation despite the fact that it is a very sexy painting; the woman’s legs and breasts are almost completely exposed. There is the suggestion of prostitution; the woman may well be waiting for another client to arrive. In my story, I made the main character instead face the choice between her rich older lover and the man she loves, Johnny Shortcross.


This website has GAMES.
You have INTERNET EXLPPORRRER
To play games, you should upgrade
(Show IE 10+, but lower versions if detected)
IE 6 | IE 7 | IE 8 | IE 9 | IE 10 | IE 11 | Edge | Firefox | Chrome
... Microsoft | Google | Mozilla
Windows XP | Windows 7 | Windows 8, Windows Phone 8 | Windows 10, Windows Phone 10 | Windows 7+, Mac, Linux, Android, iOS | Windows XP+ *, Mac, Linux, Android, iOS
Canvas (2D)
WebGL (3D)
WebGL 2.0 (Advanced 3D)
Gamepad API
Persistent Storage (Local Save Files)
Audio Mixing
Audio File Formats
Threading
Networking


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Hi Everyone!
Moving Forward
By now we have completed various jQ functions.
_______ Edit this text _______
text
html
val
Click Me


Pinned by<EMAIL_ADDRESS>Come join the discussion and write something nice. You will have to confirm your comment by mail, so make sure it is legit and not a throwaway. Only the name part of it will be displayed, so don't worry about spam.
Come join the discussion and write something nice. You will have to confirm your comment by mail, so make sure it is legit and not a throwaway. Only the name part of it will be displayed, so don't worry about spam.


What is WebStorm?
A powerful and intelligent IDE that gives you the best coding assistance for JavaScript, HTML and CSS and a wide range of modern web technologies. WebStorm is perfectly equipped for complex client-side development and server-side development with Node.js. It provides smart code insight, autocompletion, refactoring features, on-the-fly error prevention, and much more. Together with support for the popular frameworks such as AngularJS and Meteor and integrated instruments for testing, debugging and code analysis and integration with various VCS, WebStorm enhances your productivity and takes your development experience to a whole new level.
The first tutorial shows you how to set up a project for the first time using a boilerplate template. This
tutorial will include:
1) Starting an SSH session
2) CD to the public_html
3) Configure AFS
4) Automatically Upload to AFS
The second tutorial shows you how to move around your project in the terminal. This tutorial will
include:
1) Starting an SSH session in the terminal
2) CD to the public_html
3) View whats in your folder
4) Make new files within your folder


If you require any more information or have any questions about our privacy policy, please feel free to contact us by email at<EMAIL_ADDRESS>At www.Issa.be we consider the privacy of our visitors to be extremely important. This privacy policy document describes in detail the types of personal information is collected and recorded by www.Issa.be and how we use it.
Log Files
Like many other Web sites, www.Issa.be makes use of log files. These files merely logs visitors to the site - usually a standard procedure for hosting companies and a part of hosting services's analytics. The information inside the log files includes internet protocol (IP) addresses, browser type, Internet Service Provider (ISP), date/time stamp, referring/exit pages, and possibly the number of clicks. This information is used to analyze trends, administer the site, track user's movement around the site, and gather demographic information. IP addresses, and other such information are not linked to any information that is personally identifiable.
Cookies and Web Beacons
www.Issa.be uses cookies to store information about visitors' preferences, to record user-specific information on which pages the site visitor accesses or visits, and to personalize or customize our web page content based upon visitors' browser type or other information that the visitor sends via their browser.
DoubleClick DART Cookie
→ Google, as a third party vendor, uses cookies to serve ads on www.Issa.be.
→ Google's use of the DART cookie enables it to serve ads to our site's visitors based upon their visit to www.Issa.be and other sites on the Internet.
→ Users may opt out of the use of the DART cookie by visiting the Google ad and content network privacy policy at the following URL - http://www.google.com/privacy_ads.html
Our Advertising Partners
Some of our advertising partners may use cookies and web beacons on our site. Our advertising partners include .......
While each of these advertising partners has their own Privacy Policy for their site, an updated and hyperlinked resource is maintained here: Privacy Policies.
You may consult this listing to find the privacy policy for each of the advertising partners of www.Issa.be.
These third-party ad servers or ad networks use technology in their respective advertisements and links that appear on www.Issa.be and which are sent directly to your browser. They automatically receive your IP address when this occurs. Other technologies (such as cookies, JavaScript, or Web Beacons) may also be used by our site's third-party ad networks to measure the effectiveness of their advertising campaigns and/or to personalize the advertising content that you see on the site.
www.Issa.be has no access to or control over these cookies that are used by third-party advertisers.
Third Party Privacy Policies
You should consult the respective privacy policies of these third-party ad servers for more detailed information on their practices as well as for instructions about how to opt-out of certain practices. www.Issa.be's privacy policy does not apply to, and we cannot control the activities of, such other advertisers or web sites. You may find a comprehensive listing of these privacy policies and their links here: Privacy Policy Links.
If you wish to disable cookies, you may do so through your individual browser options. More detailed information about cookie management with specific web browsers can be found at the browsers' respective websites. What Are Cookies?
Children's Information
We believe it is important to provide added protection for children online. We encourage parents and guardians to spend time online with their children to observe, participate in and/or monitor and guide their online activity.
www.Issa.be does not knowingly collect any personally identifiable information from children under the age of 13. If a parent or guardian believes that www.Issa.be has in its database the personally-identifiable information of a child under the age of 13, please contact us immediately (using the contact in the first paragraph) and we will use our best efforts to promptly remove such information from our records.


Where to?
Home
Form
Multi-Column Text
Image Gallery
RESTful API
A RESTful API
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The enunumable method is used in every major collection class in Ruby. Therefore, it's really important to fully understand to enumerable methods. I am going to break it down for you to help you be more proficient in Ruby moving forward. These instance methods include:
For arrays, you would write the following:
Ex: Is there one, and only one, state with "West" in its name?
>> states.one? {|state| state =~ /West/ }
=> true
Ex: Does the array include Louisiana?
>> states.include?("Louisiana")
=> true
For hashes, you would write the following:
Ex:1.1: Is there one, and only one, state with "West" in its name?
>> states.keys.one? {|state| state =~ /West/ }
=> true
OR
Ex1.2: Is there one, and only one, state with "West" in its name?
>> states.values.one? {|state| state =~ /West/ }
=> true
Ex:2.1: Does the array include Louisiana?
>> states.keys.include?("Louisiana")
=> true
OR
Ex:2.2: Does the array include Louisiana?
>> states.values.include?("Louisiana")
=> true
input: block
output: hash
Example:
colors = %w{ red orange yellow green blue purple }
colors.group_by {|color| color.size }
=> {3 => ["red"], 6 => ["orange", "yellow", "purple"], 5 => ["green"], 4 => ["blue"] }
The block "{|color| color.size }" returns an integer for each color. The resulting hash with the color size (key) and color (value).
input: array
output: array of two arrays (aka a partition between two arrays)
Example:
people = 10.step(25,3).map { |i| Person.new(:age => i) }
teens = people.partition { |person| person.teenager? }
[[ELEMENT 1 TEENAGER, ELEMENT 2 TEENAGER], [ELEMENT 3 NOT TEENAGER, ELEMENT 4 NOT TEENAGER]]
Find more information in Chapter 11 of The Well Grounded Rubiest." More information to come in the next week or two as I explore the use of all these methods!


1 These verses and this passage prove most clearly that the Cyprian poems are not the work of Homer but of someone else. For the Cyprian poems relate that Alexandrus reached Ilion with Helen in three days from Sparta, having a fair wind and a smooth sea; but according to the Iliad, he wandered from his course in bringing her.


Google Earth Enterprise Documentation Home | Fusion tutorial
Pushing, Publishing, and Viewing a Database
Pushing a database is the process of making a Google Earth Enterprise Fusion database available on a Google Earth Enterprise Server so that it can then be published for viewing with Google Earth EC.
The push operation copies all the necessary files associated with a given 2D/3D Fusion database version to Google Earth Enterprise Server and registers the database. Pushing is performed from Fusion.
The publish operation makes a previously pushed database available for serving at a specified publish point. Publishing is performed on Google Earth Enterprise Server.
Note: This lesson assumes that Google Earth Enterprise Fusion, the Google Earth Enterprise Server, and Google Earth EC are all installed on your local workstation. If any of these applications are installed elsewhere on your network, adjust the instructions in this lesson accordingly.
Note: This lesson describes the steps for pushing a 3D Fusion database. The same workflow is used to push a 2D Mercator database, but note that snippet profiles don't apply and that the published map can be viewed in a web browser, not Google Earth EC. See Creating a Map Database for more information.
Push Your Database to Google Earth Enterprise Server
After you define and build your database, you “push” your database to Google Earth Enterprise Server. Pushed databases appear on the Databases page of the Google Earth Enterprise Server Admin console, from where you can then publish them.
To push a database:
- Select Asset Manager from the Tools menu. The Asset Manager appears.
- Navigate to the SFHighways database you built in Defining and Building Databases.
- Right-click the name of the database, and select Push from the context menu.
The Push Database dialog appears. The default server association is the only option on the Server Associations drop-down list. The most recent version of the selected database is the default selection on the Version drop-down list.
- Click Push. Google Earth Enterprise Fusion pushes the database to Google Earth Enterprise Server, and displays a success message when it is done.
Note: If you get an error message, contact your Google Earth Enterprise Server administrator for help, or check the documentation on Fusion Administration for more information.
Publish Your Database in Google Earth Enterprise Server
After you push your database to Google Earth Enterprise Server, you can publish it for viewing with Google Earth EC.
To publish a database:
- Access the Google Earth Enterprise Server Admin console in a browser window by going to myserver.mydomainname.com/admin, replacing myserver and mydomainname with your server and domain.
- Sign in with the default credentials or the username and password assigned to you:
- Default username: geapacheuser
- Default password:geeadmin
Note: If you do not know your username and password, contact your Google Earth Enterprise Server System Administrator.
- Click Databases to display the list of databases pushed to the Server.
SFHighways-v001 is listed. The Description, Type, Date, and Size of the database are also noted.
- Check the box next to SFHighways-v001. The Publish button on the Databases page appears.
- Click Publish. The Publish dialog appears.
- Change the default Publish point from SFHighways-v001 to BayAreaHighways.
Note: You can publish a database to multiple publish points, useful when you want to apply different search tabs, snippet profiles, and virtual host settings for different viewing needs.
Note: When publishing a database, the publish point you specify is case insensitive. Upper and lower case are not differentiated. Make sure each publish point path name you specify is unique.
To learn more about the options available in the Publish dialog, see Create Search Tabs, Snippet profiles, and WMS.
- Click Publish. The Databases page updates to indicate the published status of your database.
View Your Database
After you publish your database, you can view it in Google Earth EC. Google Earth EC can be downloaded from here.
To view your database:
- Launch Google Earth EC.
The Login dialog appears.
- Specify the Publish point by entering or selecting the URL or IP address of your server and database in the Server field. For this tutorial, the Publish point is myserver.mydomainname.com/BayAreaHighways, where myserver and mydomainname are specific to your server. An example URL would be http://myhostname/BayAreaHighways.
- Click Sign In.
- Double-click CAHighways to zoom in to your road data.
Caution: If you have logged in to this server with Google Earth EC previously, log out, clear your cache, and log back in. See clearing your cache.
Google Earth EC displays your database. The Layers panel shows the terrain, imagery, and vector layers in the database you published in the previous exercise.
This concludes the basic lessons in this tutorial. If you want to continue with the advanced lessons, you can work through them in any order you want. Alternatively, you can start working with real data now and come back and work through the advanced lessons as you need them.


It computes the solutions to a generic stochastic growth model for a given set of user supplied parameters. It includes the solutions to the model, plots of the solution, a summary of the features of the model, a function that covers different types of consumption preferences, and a function that computes the moments of a Markov process. Merton, Robert C (1971) <doi:10.1016/0022-0531(71)90038-X>, Tauchen, George (1986) <doi:10.1016/0165-1765(86)90168-0>, Wickham, Hadley (2009, ISBN:978-0-387-98140-6 ).
| Version: | 0.1.0 |
| Imports: | ggplot2, ramify, Rtauchen, tidyverse |
| Suggests: | knitr, rmarkdown, testthat |
| Published: | 2018-07-13 |
| Author: | Thomas Vigie |
| Maintainer: | Thomas Vigie <vigiethomas at gmail.com> |
| License: | GPL-3 |
| NeedsCompilation: | no |
| Materials: | NEWS |
| CRAN checks: | sgmodel results |
| Reference manual: | sgmodel.pdf |
| Vignettes: |
Sgmodel_vignette |
| Package source: | sgmodel_0.1.0.tar.gz |
| Windows binaries: | r-devel: sgmodel_0.1.0.zip, r-release: sgmodel_0.1.0.zip, r-oldrel: sgmodel_0.1.0.zip |
| OS X binaries: | r-release: sgmodel_0.1.0.tgz, r-oldrel: sgmodel_0.1.0.tgz |
Please use the canonical form https://CRAN.R-project.org/package=sgmodel to link to this page.


To make it work, you need to log into vkontakte. Click on me.
Flash might not be on.
To search for work and play, you need to log into vkontakte. So here's magic button:
{{ACCESS_TOKEN}}


Quickstart¶
Installing the CAP¶
To install download the repo and run the setup command
python setup.py install
cap2 --help
Installing Subprograms¶
By default the CAP installs all necessary subprograms itself. If a particular version of a subprogram is required it is usually possible to override the defaults and supply the program as a parameter.
Configuration¶
By default CAP2 downloads all necessary programs and databases when it is run. For users running CAP2 multiple times on the same system it will be beneficial to set up configuration so that downloads only occur once.
Configuration consists of setting three environmental variables. These should go in your .bashrc or equivalent.
CAP2_DB_DIR=<some local path...>
CAP2_CONDA_SPEC_DIR=<some local path...>
CAP2_CONDA_BASE_PATH=<some local path...>
You can also use a yaml configuration file. See the API for details and all options.
Running in the cloud¶
Running the CAP2 in the cloud often requires some additional setup. This is what we needed to do to get the CAP2 running on DigitalOcean Ubuntu Servers:
sudo apt update
sudo apt install build-essential python-dev libfreetype6-dev config
wget https://repo.anaconda.com/miniconda/Miniconda3-latest-Linux-x86_64.sh
bash Miniconda3-latest-Linux-x86_64.sh
source ~/.bashrc
cd CAP2/
git checkout feat/single-ended-reads
python setup.py develop
cd
mkdir workdir
cd workdir
cap2 --help
Databases¶
The CAP uses a number of large reference databases. Building and indexing these databases is considered a first-class part of the pipeline and modules are included to do so. However, in most cases users will simply want to download prebuilt version of the databases rather than build them from scratch. This is the pipeline default and will happen automatically.
To preload databases on a machine run this from the command line:
cap2 run db -c /path/to/config/file
or from python
from .api import run_db_stage
config = /path/to/config/file
run_db_stage(config_path=config, cores=1, workers=1)


MOTHER NIGHT A film review by Scott Renshaw Copyright 1996 Scott Renshaw
Starring: Nick Nolte, Sheryl Lee, Alan Arkin, John Goodman, Bernard Behrens, Kirstin Dunst. Screenplay: Robert B. Weide, based on the novel by Kurt Vonnegut. Producers: Keith Gordon, Robert B. Weide. Director: Keith Gordon.  Reviewed by Scott Renshaw.
Having read most of Kurt Vonnegut's novels before viewing MOTHER NIGHT, I predicted to myself that it was the most likely of Vonnegut's works to make a successful transition to the screen. Much of the Vonnegut canon has struck me as singularly unfilmable -- including one which _was_ filmed, SLAUGHTERHOUSE-FIVE -- but MOTHER NIGHT's narrative was a relatively straightforward one, and its themes equally direct. In a sense, director Keith Gordon's MOTHER NIGHT has proved me correct; in another sense, it has proved me dreadfully wrong. Thought well-crafted and moderately compelling in its own right, MOTHER NIGHT loses a lot with the absence of Vonnegut's ironic voice. Where the novel was a sly social comedy, the film strives almost for Greek tragedy.
Nick Nolte stars as Howard W. Campbell Jr., an American-born playwright living in Berlin in the 1930s with his actress-wife Helga Noth (Sheryl Lee). Campbell's way with words brings him to the attention of Third Reich officials, who recruit him to create a weekly radio program of Nazi propaganda. He is also recruited by Frank Wirtanen (John Goodman), an American agent who asks Campbell to act as a double-agent and broadcast coded Nazi secrets during his program. Campbell agrees, even though the Americans insist they will never acknowledge him, a circumstance which places him in an uncomfortable situation when the Nazis lose the war. Campbell begins an anonymous life in New York City, but even his friendship with neighbor George Kraft (Alan Arkin) makes it difficult for him to live without Helga and with the growing realization that he may have been more villain than hero.
The title of MOTHER NIGHT comes from a line in Goethe's "Faust" about the interdependence of Good and Evil, and it is that gray area which the film explores in the character of Howard W. Campbell Jr. Gordon frames the film, like the novel, as a flashback, with black-and-white segments of Campbell awaiting trial in Israel and preparing his memoirs, so there is a built-in sense of impending justice. Nick Nolte contributes to that feeling with one of his best performances in years as a man whose history begins to weigh him down, and who learns the hard way that it is impossible to remain apolitical when politics turns to war. It is a finely constructed narrative which holds the focus on one of Vonnegut's key lines: "We are what we pretend to be, so we must be careful what we pretend to be."
There is a difference, however, between retaining lines and retaining the tone of those lines, and that is where Robert B. Weide's script becomes a disappointment. Though MOTHER NIGHT deals with heavy subject matter -- conscience, personal identity, the Holocaust -- Vonnegut never resorted to heaviness to tell the story. The kind of detached irony which is Vonnegut's stock in trade is tough to convey cinematically, and Gordon steers instead into the twin extremes of overly straight drama (as in the scene where Campbell watches an old newsreel of himself with growing horror) or broad comedy (the portrayal of a collection of hate-mongers who idolize Campbell). There are certainly moments where Gordon hits just the right note, like the opening shot of an Israeli flag underscored by Bing Crosby's rendition of "White Christmas," or the off-handed comment by fellow prisoner Adolph Eichmann (the disembodied voice of Henry Gibson) when Campbell accuses him of the murder of of six million Jews -- "I can spare a few of them for you." Too often, however, the earnestness becomes burdensome.
It is an example of Gordon and Weide's traditional filmic story-telling that they try to turn certain twists of identity or plot developments into grand surprises, when Vonnegut reveals them casually through Campbell's narration long before the events occur chronologically. MOTHER NIGHT may be one of his most traditionally plotted novels, but it still isn't about the plot...it's about a perspective and an idea. Gordon has not made a bad film; it is well-acted and keeps you interested from moment to moment. He simply wants Campbell's moment of truth to come like a thunderbolt, rather than the way Vonnegut prefers to deliver it: as a single finger tapping you ever so lightly on the shoulder.
On the Renshaw scale of 0 to 10 veteran Aryans: 6.
Receive Scott Renshaw's reviews directly via email! Visit Scott Renshaw's MoviePage for details http://www-leland.stanford.edu/~srenshaw
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


|
Game Engine Architecture
1.0
A simple 3D game engine.
|
A class that manages the scene[s], input handler, and gameplay. More...
#include <DefaultGame.h>
Public Member Functions | |
| DefaultGame () | |
| Default constructor. | |
| ~DefaultGame ()=default | |
| Default destructor. | |
| void | SetScene (unsigned int p_SceneNumber) override |
| Used to set the scene. More... | |
| void | Update (float p_DeltaTime) override |
| Used to update the game. More... | |
| void | Render () override |
| Used to render the game. | |
| unsigned int | GetNextScene () const |
| Gets the next scene, in m_Scenes map. More... | |
| unsigned int | GetPreviousScene () const |
| Gets the previous scene, in m_Scenes map. More... | |
| const unsigned int & | GetCurrentSceneNumber () const |
| Gets the current scene, in the m_Scenes map. More... | |
| Public Member Functions inherited from Game | |
| Game ()=default | |
| Default constructor. | |
| virtual | ~Game ()=default |
| Default destructor. | |
| const bool & | IsRunning () |
| Gets whether the game is running/on-going. More... | |
Additional Inherited Members | |
| Public Attributes inherited from Game | |
| std::shared_ptr< IEngineCore > | m_EngineInterface |
| A pointer to the engine. | |
| std::shared_ptr< InputHandler > | m_InputHandler |
| A pointer to the input handler. | |
| Protected Attributes inherited from Game | |
| std::shared_ptr< Scene > | m_CurrentScene |
| Stores the current scene. | |
| bool | m_IsRunning = true |
| Stores whether the game is/should be running. | |
A class that manages the scene[s], input handler, and gameplay.
|
inline |
Gets the current scene, in the m_Scenes map.
| unsigned int DefaultGame::GetNextScene | ( | ) | const |
Gets the next scene, in m_Scenes map.
| unsigned int DefaultGame::GetPreviousScene | ( | ) | const |
Gets the previous scene, in m_Scenes map.
|
overridevirtual |
|
overridevirtual |
Used to update the game.
| p_DeltaTime | the amount of time passed since the last update. |
Implements Game.


This is one of those tech of the past that change our lives forever. The Game Boy is the most popular portable handheld gmaing console ever. And I chaged the course of gaming history. Kids of this 21st century might never had played with that piece of tech that changed history. Nintendo Game Boy came out in the year 1989.
There were other gmaing consoles in 1980, but Game Boy crushed everyone even though there were'nt few attracting features like colorful screen and sleek design. Coz the Game Boy really played the business game with true portable gaming experience. The portable gmaing tech. even though having a colorful screen weren't attracting people coz most of its battery power is consumed by the screen users had to play by pluging into the ac socket which lost the portability feature. Game Boy was able to support 59 games. Game Boy made everyone feel like true gamers then. And Game Boy design and philosophy was truly responsible for todays tech.


This craft brew from Tennessee is pretty good. Thanks @1967mustangman! 🥃
10/16/2017, 8:46:44 PM
Favs: 2
Retweets: 1
link--- layout: tweet ---
This craft brew from Tennessee is pretty good. Thanks @1967mustangman! 🥃
10/16/2017, 8:46:44 PM
Favs: 2
Retweets: 1
link


I went to the website called MakerCase and decided that I wanted to make a cube with finger joints.
I got the file, opened it on CorelDraw in order to vector and rastor on it.
To vector, I put some text on the box and made it hairlined.
To rastor, I created a bitmap of an image I wanted to make.
Then I went to the laser cutter, focused it and watched it as it cut out my box.
You can see the assembled box on the bottom.
I thought about it a bit and realized that I just needed to make rectangular holes around shapes the same size.
So I did that on CorelDraw and made it hairline so that the laser cutter would cut the pieces out.
You can see how it fits together nicely.
So, I used CorelDraw again, using a canvas the same size as the band.
I put the text on it and did not hairline so that it would rastor.
The text turned out a bit higher than I expected, but it was still pretty good.
I had to get a special thing in order to laser cut on a cup.
I laid the cup on the special machinery and make it flat so that the laser can cut straight on the cup.
It turned out the image I used was too low resolution, but when you hold it up to the light, you can see the details.
So I still like my pogchamp cup.


i sing songs in
jack on fire
here are nice things people have said about us:
how music is helping abortion advocates keep up the fight
pitchfork :: july 15, 2015
jack on fire at fort reno
washington city paper :: july 24, 2015
pilot waves with alex
pilot waves :: may 31, 2015
suggestion donation with tom and ronradio cpr :: may 15, 2015
jack on fire's new album blasts condos, catcallers, federal databases full of ballswashington city paper :: november 11, 2014


Role: UX Designer, VR Developer, Team Lead |
Duration: 6 Weeks
Tools Used: Microsoft Mixed Reality Toolkit, Unity, Oculus Integration Kit
UX Skills Used: Crazy-8 Brainstorming, UX Design, VR Prototyping
Summary: Mandala Ball is a VR medical therapy game for the Oculus Quest. The game trains
children with ADHD to manage their ADHD symptoms. Mandala Ball is built around the idea of the “Mind has
Power”. Mandala Ball simulates “mind
powers” though handtracking input. By tying the use of these “powers” to control of ADHD, we motivate our
players to actively manage their ADHD condition.
This project was an entry to the Virtual Medicine
Conference
2020 Online Hackathon.
My Contributions:
As Team Lead, I managed a remote team of video producers, medical researchers, and 3-D
artists towards a
single vision of VR therapy.
I acted as the team lead, primary UX designer, and primary developer for Mandala Ball.
As UX Designer, I generated the primary design concept for Mandala Ball, including the
Mandala Ball social
companion, the key stakeholders, the primary features, and the technical architecture.
As VR Developer, I coded the Mandala Ball VR app, using a combination of Unity, Microsoft
Mixed Reality
Toolkit, and custom game code.


1: GridFromHtml instantiated programmatically, with columns using editor plugin
Date
Text editable on dblclick
State
Uneditable
2: Fully declarative GridFromHtml, with columns using editor plugin
Date
Text editable on dblclick
State
Uneditable


Introducting a way to backup just the parts of your website that matter most.
Azure Web Apps provides powerful backup/restore functionality. (Because disasters can happen to anyone)
However, sometimes you don’t want to backup everything on your site, especially if you backup your site regularly, or if your site has over 10GB of content (that’s the max amount you can backup at a time).
For example, you probably don’t want to back up the log files. Or if you setup weekly backups you won’t want to fill up your storage account with static content that never changes like old blog posts or images.
Partial backups will let you choose exactly which files you want to back up.
You can create a list of files and folders to exclude from the backup.
You save the list as a text file called _backup.filter in the wwwroot folder of your site. An easy way to access this is through the Kudu Console at http://{yoursite}.scm.azurewebsites.net/DebugConsole
.
The instructions below will be using the Kudu Console to create the _backup.filter file, but you can use your favorite deployment method to put the file there.
I’ve got a site that contains log files and static images from past years that are never going to change.
I already have a full backup of the site which includes the old images. Now I want to backup the site every day, but I don’t want to pay for storing log files or the static image files that never change.
The below steps show how I’d exclude those files from the backup.
This is easy. I already know I don’t want to backup any log files, so I want to exclude D:\home\site\wwwroot\Logs
.
There’s another log file folder that all Azure Web Apps have at D:\home\LogFiles
. Let’s exclude that too.
I also don’t want to backup the images from previous years over and over again. So lets add D:\home\site\wwwroot\Images\2013
and D:\home\site\wwwroot\Images\2014
to the list as well.
Finally, let’s not backup the brand.png file in the Images folder either, just to show we can blacklist individual files as well. It’s located at D:\home\site\wwwroot\Images\brand.png
This gives us the following folders that we don’t want to backup:
You save the blacklist of files and folders that you don’t want to backup in a special file called _backup.filter. Create the file and place it at D:\home\site\wwwroot\_backup.filter
.
List all the files and folders you don’t want to backup in the _backup.filter file. You add the full path relative to D:\home of the folder or file that you want to exclude from the backup, one path per line.
So for my site, D:\home\site\wwwroot\Logs
becomes \site\wwwroot\Logs
, D:\home\LogFiles
becomes \LogFiles
, so on and so forth, resulting in the following contents for my _backup.filter:
\site\wwwroot\Logs
\LogFiles
\site\wwwroot\Images\2013
\site\wwwroot\Images\2014
\site\wwwroot\Images\brand.png
Note the starting \
at the beginning of each line. That’s important.
Now you can run backups the same way you would normally do it. Manually, automatically, either way is fine.
Any files and folders that fall under the filters listed in the _backup.filter will be excluded from the backup. This means now the log files and the 2013 and 2014 image files will no longer be backed up.
You restore partial backups of your site the same way you would restore a regular backup. It’ll do the right thing.
With full (non-partial) backups normally all content on the site is replaced with whatever is in the backup. If a file is on the site but not in the backup it gets deleted.
But when restoring partial backups though any content that is located in one of the blacklisted folders (like D:\home\site\wwwroot\images\2014
for my site) will be left as is. And if individual files were black listed then they’ll also be left alone during the restore.
What do you do when disaster strikes and you have to restore your site? Make sure you’re prepared beforehand.
Yeah, you have partial backups, but take at least one full backup of the site first so that you have all your site’s contents backed up (this is worst case scenario planning). Then when you’re restoring your backups you can first restore the full backup of the site, and then restore the latest partial backup on top of it.
Here’s why: it lets you use Deployment Slots to test your restored site. You can even test the restore process without ever touching your production site. And testing your restore process is a Very Good Thing. You never know when you might run into some subtle gotcha like I did when I tried restoring my blog and end up losing half your content.
My blog is powered by the Ghost blogging platform. Like a responsible dev I created a backup of my site and everything was great. Then one day I got a message saying that there was a new version of Ghost available and I could upgrade my blog to it. Great!
I created one more backup of my site to backup the latest blog posts, and proceeded to upgrade Ghost.
On my production site.
Bad mistake.
Something went wrong with the upgrade, my home screen just showed a blank screen. “No problem” I thought, “I’ll simply restore the backup I just took.”
I restored the upgrade, saw everything come back…except the blog posts.
WHAT???
Turns out, in the Ghost upgrade notes there’s this warning:
If you try to backup the data while Ghost is running…the data doesn’t actually get backed up.
Bummer.
If I had tried the restore on a test slot first I would have seen this issue and not lost all my posts.
Such is life. It can happen to the best of us.


:: com :: sun :: star :: awt ::
|
| interface XDialog2 |
- Base Interfaces
XDialog2
┗ XDialog
| XDialog |
- (referenced interface's summary:)
- makes it possible to show and hide a dialog and gives access to
the title of the dialog.
|
|
- Description
- Makes it possible to end a dialog and set a help id.
- Since
- OOo 3.0
|
| Methods' Summary |
| endDialog |
hides the dialog and then causes XDialog::execute
to return with the given result value.
|
| setHelpId |
sets the help id so that the standard help button action will
show the appropriate help page.
|
| Methods' Details |
endDialog
| void |
| endDialog( |
[in] long |
Result ); |
- Description
- hides the dialog and then causes XDialog::execute
to return with the given result value.
|
|
setHelpId
| void |
| setHelpId( |
[in] string |
Id ); |
- Description
- sets the help id so that the standard help button action will
show the appropriate help page.
|
|
Top of Page
Copyright © 2013, The Apache Software Foundation, Licensed under the Apache License, Version 2.0. Apache, the Apache feather logo, Apache OpenOffice and OpenOffice.org are trademarks of The Apache Software Foundation. Other names may be trademarks of their respective owners.


Geospatial data, aerial and ground photos: NOAA Digital Coast, USGS, NCDOT and NCSU MEAS research program
Active migrating dune system within fixed state park boundaries, lost half of its height and split into multiple smaller ridges
Capes and inlets are the most dynamic landforms: Bald Head island shoreline evolution and Cape Fear dynamics

Coastal erosion moves shoreline and degrades dunes making homes vulnerable to flooding
Foredunes protect homes and infrastructure from flooding during storms,
their degradation increases vulnerability

Flooding extent simulation at Cape Fear area
This game is set on a vulnerable stretch of the coast on Bald Head Island, North Carolina.
The community is protected from the ocean by a foredune, but the dune may be breached and a storm surge may flood the homes.
Objective: Build coastal defenses with your limited sand budget to save as many homes as possible from flooding.


|
Hi,
You told us that you would like to reset your Example.com password.
To do so please click on the following link:
>> Reset password <<
Please note that this link is only valid for 20 minutes to keep your account secure.
Enjoy!
Your Example.com-Team
You received this message because there was a password reset request with your e-mail address. In case you did not send this request simply ignore this e-mail.
|


--- layout: 404 title: Page not found image: 404.gif permalink: /404.html ---
The requested page could not be found.
Back to the Stux Society.


Ethan McCasland
About
Work
Contact
Ethan McCasland
Front End Software Engineer
React, Bootstrap, AWS Experience
CSS Grid+Flexbox, SCSS, HTML, CSS, JS
Work Examples:
Octagon Microsite Template
CSS Grid + Flexbox
Amazon Web Services
Contact Form With Input Validation
"Wookiepedia" Viewer
Wikipedia API
Bootstrap Framework
Wookie Noises
100 Days Of Code
Consistent, documented progress
Javascript
HTML, CSS, Frameworks
Other Projects:
Contact
Email me at<EMAIL_ADDRESS>or
Message me on:
Github
LinkedIn
CodePen


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World's
most advanced app
with high-tech solutions
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The Strong museum has collected more than 55,000
video games and related artifacts from the history
of gaming.
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The Strong museum has collected more than 55,000
video games and related artifacts from the history
of gaming.
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Features
All Joined Together
in One App
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Sync
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Computer manufacturer Lenovo is getting flak.
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Sync
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Computer manufacturer Lenovo is getting flak.
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Computer manufacturer Lenovo is getting flak.
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Responsive Layout
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Tanjin is one of nearly 2,000 people to have
landed on Italy’s suthernmost.
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Retina ready
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Tanjin is one of nearly 2,000 people to have
landed on Italy’s suthernmost.
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Various Skins
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Tanjin is one of nearly 2,000 people to have
landed on Italy’s suthernmost.
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Great Performance
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User Friendly Menus
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Interested in our App?
Muriel Bowser’s administration says move is unrelated to
charges that encryption caused failures in Metro.
request a quote
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Slark
Tips
- Dark Pact is a 'nuke' like Lifestealer's Infest can be a 'nuke.' Yes, the spell can deal healthy damage,
but that's not its only purpose. Don't yank the Pact ripcord the second you get in melee range of
your gank target. Wait for them to turn around, or for their teammate to come in to save them, then pull
the trigger and wipe off any potential disable. If you need to use Dark Pact for damage, only use it if
you're sure the enemy can't stop you or try to save it for the killing blow.
-
Dark Pact can't purge a lot of things despite being a 'strong' dispel. The ones worth remembering
from this list are Ancient Apparition's Ice Blast, Arc Warden's Flux, Bloodseeker's Rupture, Bane's Enfeeble,
Witch Doctor's Maledict, Razor's Static Link, Ursa's Fury Swipes, Viper's Viper Strike, or Warlock's Fatal Bonds or
Shadow Word. If you want to get rid of these spells, too bad.
- Medallion/Solar Crest is a cute pickup on Slark because Dark Pact can purge the negative armor debuff
off yourself after you cast it on an enemy.
- Pounce won't latch illusions, making it useful for identifying the real CK/PL/Waifu Siren.
- Pounce can hit invisible units.
- Pounce disjoints stuff like tower shots or ranged right clicks. If you time it right you can even evade
projectile spells like Assassinate.
- Take advantage of your collisionless state in Pounce when you're escaping. Don't just leap along down
the lane, jump over a tree line or clear a cliff to create a gap.

- Capitalize on Essence Shift stacks.
- Shadow Dance is an extremely effective spell for counterwarding. The moment you stop dripping and slow
down, you're in enemy vision and the Shadow Dance passive is lost.
- Slark is one of few heroes that has 1800 night vision.
- If you have slots to burn late game for some reason, an interaction worth noting is that Skadi's slow
fully stacks with Orb of Venom's slow.
Counters
- Dark Pact purges as often as it damages, meaning that there are 10 little mini-purges throughout the
duration of the spell. So don't stun Slark mid-Pact.
- Ground targeted spells (especially stuns like LSA, Split Earth, Impale, etc.) are highly valuable
against Slark for hassling him whenever he activates Shadow Dance.
- Inexperienced Slarks have a tendency of going for long-range Pounces which are fairly easy to juke. Line
yourself up with him when you're getting chased to tease the Pounce out, then move straight left or
right and dodge it.
- Try to block Pounce by standing in front of Slark if he's trying to escape.
- Essence Shift is the long con. You may think you're winning these exchanges in lane because Slark has
awful HP, but he's gaining a Slipper of Agility and you're losing an Iron Branch's worth of stats every
time you trade hits.
- You'll get your Essence Shifted stats back when you respawn, but Slark will still have them as well. If
Slark dies, you'll still be missing your stats, but he'll lose them as well.
- Ghost Scepter isn't as useful against Slark as it is against some other gankers since Pounce and Pact
can deal substantial magical damage, but it can still be a worthwhile pickup.
- He has no means of breaking channels. If Slark is hot on your tail, just start TPing.
- Bloodseeker notably counters the dickens out of Slark. Slark doesn't like to be silenced, he can't Dark
Pact off Rupture, and if he loses too much HP he'll make BS Thirsty and give him true sight, stopping
him from getting Shadow Dance regen.
- Spirit Breaker is also irritating for Slark to deal with since Dark Pact can't purge off Charge and
since Charge will provide vision the whole time, Slark can't regen unless he activates Shadow Dance.
- Slark can't purge Disruptor's Glimpse, making Glimpse into Static Storm+Kinetic Field often lethal.


Find relief for your bloated game woes in the recent Game On! DevByte on WebP from @duhroach http://goo.gl/0Paa9V
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DR. WILLIAMS BANIGO FEDERAL SECRETARIAT, LAGOS, NIGERIA URGENT & CONFIDENTIAL Best wishes of good health and success in your pursuits particularly through my proposal as contained in this letter.Before going into details of my proposal to you, I must first solicit you to treat it with utmost confidentiality, as this is required for its success. My colleagues and I are senior officials of the Federal Government of Nigeria�s Contracts Review Panel who are interested in diverting some funds that are presently floating in the accounts of the Central Bank of Nigeria.In order to commence this transaction, we solicit for your assistance to enable us transfer into your account the said floating funds. We are determined to conclude the transfer before the end of this financial quarter. The source of the funds are as follows: During the last military regime, government officials awarded contracts that were grossly over-invoiced to Contractors.The present civilian government set up the Contract Review Panel, which has the mandate to use the instruments of payments made available to it by the decree setting up the panel, to review these contracts and if necessary pay those who are being owed outstanding amounts. My colleagues and I have identified quite a huge sum of these funds which are presently floating in the Central Bank of Nigeria ready for disbursement and would like to divert some of it for our own purposes. However, by virtue of our positions as civil servants and members of this panel,we cannot acquire these funds in our names or in the names of companies that are based in Nigeria. I have therefore been mandated, as a matter of trust by my colleagues in the panel, to look for a reliable overseas partner into whose account we can transfer the sum of U.S.$16,500,000.00(sixteen Million,five hundred thousand U.S. Dollars). That is why I am writing you this letter. We have agreed to share the money to be transferred into your account, if you agree with our proposition as follows; (i) 10% to the account owner (you). (ii) 80% for us (the panel officials). (iii) 10% to be used in settling all expenses (by both you and us )incidental to the actualisation of this project. We wish to invest our share of the proceeds of this project in foreign stock markets and other business till we are ready and able to have access to them. Please note that this transactionis 100% safe and risk-free.We intend to effect the transfer within a few days from the date of receipt of the following information: Your name, company�s name, address and telephone and fax numbers, and your banking information. The above information will enable us write letters of claim andjob description respectively. This way, we will use your company�s name to apply for the payment and backdate the award of the contract to your company. We are looking forward to doing this transaction with you and we solicit for your utmost confidentiality in this transaction. Please acknowledge the receipt of this letter and, I will bring you into a more detailed picture of this transaction when I hear from you. Best regards, Dr. Williams Banigo Check out http://www.abercrombie.com/aftv


At least now.
However, after faring a rather difficult time in my life I started to notice a few changes in my overall mental state. I was experiencing slight to mild paranoia, along with anxiety of a similar degree. After seeking the advice of a 'professional', I aquired a prescription of Effexor XR with a starting dose of 37.5 mg.
After a few days, the 37.5 mg dose didn't seem to do much.  I was now taking 75mg in the morning and 75mg in the evening. The day I upped my dose I noted a VERY distinct change in my mindstate. I had an overwhelming feeling of euphoria, coupled with a dark undertone that I wasn't able to put my finger on...yet. I also noticed that the effexor was almost fully dilating my pupils in regular to dim light. I found it to be quite amusing. At this point I thought that effexor was the answer for me.  I began having difficulty sleeping. Going to bed at 11:30pm but not falling asleep till 3-4am, then waking up at 7am. This continued for the duration of the time I took the drug.
I would wake up in the morning groggy and wanting to sleep for another 5 hours, but after taking effexor and a strong cup of coffee I was good to go. I found that caffiene and effexor were quite synergistic. The effexor produced a very controllable state of dreamy euphoria for me, along with a body load not unlike a medium sized dose of MDA. The caffiene increased the body stimulation, and helped clear the 'foggy euphoria' a little.
I quickly found myself abusing the effexor.
I found that if i opened the capsules and dumped the little balls inside directly onto my tounge, the effects became MUCH more pronounced. I very quickly went from a regular dosing schedule to Just opening a 150mg capsule on my tounge whenever I felt like. My doctor was quite generous with the refills on my script. Psychologicly I was breaking down. I lost all intrest in anything but myself. I quit my job. I quit going to school. Most days I would drive to a nearby coffeeshop and just sit drinking coffee and smoking profusely. Sometimes I would write, read, or draw. I know that sounds pretty normal, but the manner in which I went about these activities was not.
While reading a book I would circle words or phrases that held (at the time) some sort of hidden meaning or message. Throughout the book I would connect them and relate them to my current situation in life. After a short while, pretty much all of the books I owned were drawn on so badly that they are hardly worth reading now. My drawing and writing were equally as bizarre.
At this point the effect had changed notably. It's really hard to explain. The best way I can put it is: The euphoria and body load seemed to MERGE and increase tenfold. It would resonate throughout my body to the very core of my bone structure. I was absolutely enthralled with this feeling. I became very disassociative. For some reason I decided to ignore the fact that my day-to-day heartrate had increased exponentially. I ignored the fact that I was frequently mumbling to myself. I ignored the fact that I had almost stopped eating anything except effexor and coffee. But that was about to change.
Finally, the day came when the the powers that be found out I took 3 months worth of effezor in 1, and my supply was cut off. Over the phone, the doc mentioned (rather nonchalantly) that there *may* be some withdrawl symptoms and to step down my dose gradually with what I had left. While I stepped down my dose I felt 'normal'. No euphoria or heartbeat, no mumbling, just what I thought to be a normal mindstate. I assumed that after I ran out that there would be no withdrawl symptoms.
I was in for a shock. Literally.
A day or two after my last pill I quickly lapsed back into a paranoid mindstate. This time, the paranoia was MUCH MUCH worse (like smoking meth for 5 days on end) and it was coupled with VIOLENT mood swings of a negative nature. Top that off with the occassional delusion. But, of course, that was just the beginning. I started getting these 'shocks'.  At it's worst, it would happen a couple times a minute. Yet another difficult to explain feeling. The 'electricty' originated from the back of my head...often times accompanied with an extreme emotion. Usually this emotion was rage. Silly as it may sound, i was experiencing literal 'shocks' of sadness, rage, anger, and paranoia.
Psychologically it was torture. I found myself pacing the house at all times. I was punching random things at random times, and felt on the verge of exploding 24/7. Nightmares every night. No appetite. Sweaty, nervous, achy. It was difficult to talk. Forming words took effort that I didnt want to exert. I'm sure you get the point. There was one thing that was worse than all of this combined. The terrifyingly negative introspective mindstate I was in.  It was mostly focused on certain past relationships that were long gone....yet somehow those memories turned against me. It seemed almost karmic. It was the exact reverse of how effexor made me feel when I took it.....plus interest.
I would never wish this experience upon anyone.
If anybody who is reading this is/has gone through what I have, you have my respect. I know a few people who are afraid to stop for fear of the side effects. I can only hope that those who want to stop will, with help from those who care, never have to pick up another pill again. Thinking back on those days sickens my stomach. I feel fortunate enough to have been forced to stop. Otherwise....well...I can't even imagine the consequences.
Final word:
DO NOT take effexor. At least not in the way I did.
Once the lustre on the surface of the pill has worn away, only then will you finally realize the nightmare that is underneath.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Low Level API¶
All service clients support the low level interface, provided by the
BaseClient
.
-
class
globus_sdk.base.
BaseClient
(service, environment=None, base_path=None, authorizer=None, app_name=None)[source]¶ Simple client with error handling for Globus REST APIs. Implemented as a wrapper around a
requests.Session
object, with a simplified interface that does not directly expose anything from requests.You should never try to directly instantiate a
BaseClient
.Parameters
authorizer
(GlobusAuthorizer
)AGlobusAuthorizer
which will generate Authorization headersapp_name
(string)- Optional “nice name” for the application. Has no bearing on the semantics of client actions. It is just passed as part of the User-Agent string, and may be useful when debugging issues with the Globus Team
All other parameters are for internal use and should be ignored.
-
set_app_name
(app_name)[source]¶ Set an application name to send to Globus services as part of the User Agent.
Application developers are encouraged to set an app name as a courtesy to the Globus Team, and to potentially speed resolution of issues when interacting with Globus Support.
-
get
(path, params=None, headers=None, response_class=None, retry_401=True)[source]¶ Make a GET request to the specified path.
Parameters
path
(string)- Path for the request, with or without leading slash
params
(dict)- Parameters to be encoded as a query string
headers
(dict)- HTTP headers to add to the request
response_class
(class)- Class for response object, overrides the client’s
default_response_class
retry_401
(bool)- Retry on 401 responses with fresh Authorization if
self.authorizer
supports it
Returns: GlobusHTTPResponse
object
-
post
(path, json_body=None, params=None, headers=None, text_body=None, response_class=None, retry_401=True)[source]¶ Make a POST request to the specified path.
Parameters
path
(string)- Path for the request, with or without leading slash
params
(dict)- Parameters to be encoded as a query string
headers
(dict)- HTTP headers to add to the request
json_body
(dict)- Data which will be JSON encoded as the body of the request
text_body
(string or dict)- Either a raw string that will serve as the request body, or a dict which will be HTTP Form encoded
response_class
(class)- Class for response object, overrides the client’s
default_response_class
retry_401
(bool)- Retry on 401 responses with fresh Authorization if
self.authorizer
supports it
Returns: GlobusHTTPResponse
object
-
delete
(path, params=None, headers=None, response_class=None, retry_401=True)[source]¶ Make a DELETE request to the specified path.
Parameters
path
(string)- Path for the request, with or without leading slash
params
(dict)- Parameters to be encoded as a query string
headers
(dict)- HTTP headers to add to the request
response_class
(class)- Class for response object, overrides the client’s
default_response_class
retry_401
(bool)- Retry on 401 responses with fresh Authorization if
self.authorizer
supports it
Returns: GlobusHTTPResponse
object
-
put
(path, json_body=None, params=None, headers=None, text_body=None, response_class=None, retry_401=True)[source]¶ Make a PUT request to the specified path.
Parameters
path
(string)- Path for the request, with or without leading slash
params
(dict)- Parameters to be encoded as a query string
headers
(dict)- HTTP headers to add to the request
json_body
(dict)- Data which will be JSON encoded as the body of the request
text_body
(string or dict)- Either a raw string that will serve as the request body, or a dict which will be HTTP Form encoded
response_class
(class)- Class for response object, overrides the client’s
default_response_class
retry_401
(bool)- Retry on 401 responses with fresh Authorization if
self.authorizer
supports it
Returns: GlobusHTTPResponse
object


If a domain is available on HTTPS but the site breaks (e.g. missing images), you can exclude it here to prevent switching to the HTTPS version.
.google.com
will exclude google.com
as well as www.google.com
, etc.
These are the domains which you have previously switched to the secure versions of.


Coronation Street fans recognise Roy Cropper's long-lost brother from 80s sitcom
Do you remember him?
by Helen FearRoy Cropper will finally meet his long-lost brother tonight, in an emotional Coronation Street storyline, which is set to leave the cafe owner shaken to the core.
On Monday (November 11), the fan favourite revealed he had a secret younger half-brother called Richard Lucas, the product of an affair his late mum Sylvia had decades ago.
Read more: Coronation Street writer reveals soap could go to SEVEN episodes a week
He explained how the love child was put up for adoption, so as to ensure the family scandal was swiftly buried.
After some convincing from Carla, Roy agreed to go looking for his estranged sibling and the pair headed towards the address Roy believed was where his relative lived.
However, when they got there, Richard's daughter Nina fobbed Roy off, denying she knew anyone with that name...
Read more: Coronation Street SPOILERS: Ken's rushed to hospital
Fans were shocked, however, as Richard was later seen in the flat.
And some recognised the actor from his previous role in an 80s sitcom.
Writing on Coronation Street ITV Facebook fan page, one wrote: "Apologies if this has already been asked, but could anyone tell me what sitcom Roy's brother was in?
"I think it was in the 80s or 90s... Thanks in advance."
Many replied with the information that it was, in fact, Watching - which also starred Liza Tarbuck and Emma Wray.
One confirmed: "Watching, he was Malcolm, his real name is Paul Bown."
Another added: "He was Mrs Cakeworthy's husband Colin in Green Green Grass."
A third typed: "If you watched the recent serial drama A Confession, he had a small part in that. I spent about two hours racking my brain as to what he was in, then remembered he played a birdwatcher in Watching. He looks so different now."
Jobbing actor Paul, 62, is probably still best known as fresh-faced romantic Malcolm in popular ITV sitcom Watching, which ran from 1987 to 1993.
More recently he appeared in an episode of ITV's true life drama serial A Confession, playing a former cellmate of serial killer Christopher Halliwell.
Over the years, he's also starred in Holby City, Doctors, Endeavour, New Tricks, Father Brown, Casualty and The Bill.
On Wednesday (November 13), the brothers are eventually reunited when the cafe owner reveals the full family backstory.
Sadly, it's tinged with tragedy as Roy discovers Richard is seriously ill with pulmonary fibrosis.
Spoilers suggest that Richard's goth daughter Nina, played by newcomer Mollie Gallagher, could well be sticking around once her dad dies.
Are you looking forward to watching this storyline play out? Let us know on our Facebook page @EntertaimentDailyFix .


When all the contnet within an element is floated its parent element will not have a height. This is beause the content that is floated is pulled form the flow there for not occuping any space.
There are a number of ways to fix this isses. Some good some not so good.
In this example we add a fixed height to the element.
In this example we add overflow: hidden;
In this example add a div that is then cleared
In this example we add a pseudo element of after and clear that it.


????? ???
on 2012-04-04 14:24:20
I have a lot to benefit from this article and thank you for this wonderful effort to this article and will continue my many articles you have other
Brett Zamir
on 2011-06-13 06:13:33
@P: Fixed in Git. Thanks for the report!
P
on 2011-06-12 22:30:23
The raw seems to be different than the site's copy, and in the raw copy there's a cs variable that's unaccounted for.
Brett Zamir
on 2011-02-18 05:37:28
@jd: Yes, in this function, I see no reason we shouldn't return a genuine array, since PHP is not preserving keys of an original array here but is just starting fresh (and is only producing a sequential numeric array). I've fixed in Git. Some of our other functions, however, our constrained to return an object in order to preserve keys and/or to avoid returning confusing arrays which have "undefined" interspersed throughout.
jd
on 2011-02-16 18:12:42
Shouldn't line 11 be:
var tmp_arr = []
(i.e. not curly brackets)
Brett Zamir
on 2010-05-12 19:36:21
@JeromeM: Can you provide some sample data where it is not working? Are you using the latest version? (see "raw js source" link on this page) What errors? The example is working for me
JeromeM
on 2010-05-12 11:04:33
Doesn't seem to work on Safari 4 ..
Neither on Safari 3.x (i'm actually developping for iPhone / iPad).
Brett Zamir
on 2010-01-12 13:35:10
Hello Mickael,
This should definitely be working in Firefox, as that is what i use to test it. Can you please give example code which causes the problem for you? Are you using any other libraries with your code like Prototype?
Mickael
on 2010-01-12 10:44:01
Hi,
I test this function with Mozilla Firefox 3.5.7 but it does not work.
I think that Mozilla has a bug concerning "for in" syntax.
Thanks for all scripts, PHP.JS is a very good work :)
Kevin van Zonneveld
on 2008-01-22 08:46:41
@ Ates Goral: Nice work, added!
Ates Goral
on 2008-01-22 04:22:08
Hmmm. I should change that to:
const CASE_LOWER = 0;
const CASE_UPPER = 1;
Ates Goral
on 2008-01-22 04:20:11
Hey Kevin, here's my implementation for array_change_key_case().
var CASE_LOWER = 0;
var CASE_UPPER = 1;
function array_change_key_case(array) {
// * example 1: array_change_key_case(42);
// * returns 1: false
// * example 2: array_change_key_case([ 3, 5 ]);
// * returns 2: {0: 3, 1: 5}
// * example 3: array_change_key_case({ FuBaR: 42 });
// * returns 3: {"fubar": 42}
// * example 4: array_change_key_case({ FuBaR: 42 }, CASE_LOWER);
// * returns 4: {"fubar": 42}
// * example 5: array_change_key_case({ FuBaR: 42 }, CASE_UPPER);
// * returns 5: {"FUBAR": 42}
// * example 6: array_change_key_case({ FuBaR: 42 }, 2);
// * returns 6: {"FUBAR": 42}
if (array instanceof Array) {
return array;
}
if (array instanceof Object) {
var case_fn = (arguments.length == 1 || arguments[1] == CASE_LOWER) ?
"toLowerCase" : "toUpperCase";
var ret = new Object();
for (var key in array) {
ret[key[case_fn]()] = array[key];
}
return ret;
}
return false;
}


Cape High School students learn sustainable landscape principles and water quality testing
by WFTX Digital TeamCAPE CORAL, Fla. — There are new "students" at Cape Coral High School, but it's not what you think.
Today, Mrs. Lori Shaw, The Global Studies Club, and environmental studies students released native turtles into the pond in front of the school.
Last month, students planted one-thousand aquatic plants in the pond as part of a restoration project.
The pond will teach students sustainable landscape principles and water quality testing.
They will also be able to measure biodiversity and record their progress over time.


Everything we do, we believe in changing the status quo, we believe in thinking differently. The way we change the status quo is by making our product beautifully design, simple to use and user friendly. My Diary


| Created: | 8/19/2020 1:13:25 PM |
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Chilling last moments of US family of 9 who were 'shot at point blank range'
Three mums and six children of the Mormon family from the US were killed by suspected drug cartel gunmen in Sonora, Mexico, but Donald Trump initially claimed the victims were caught in the crossfire of a gun battle
by Bradley Jolly, Chris Kitching, https://www.mirror.co.uk/authors/bradley-jolly/, https://www.mirror.co.uk/authors/chris-kitching/The tragic family of nine "slaughtered" by suspected drug cartel were killed in a "point-blank assassination".
Rhonita Maria LeBaron, 33, was killed with her six-month-old twin babies , Titus and Tiana, and two other children - Crystal, eight, and Howard, 10.
Other family members were allegedly taken hostage eight miles up the road in Sonora, Mexico .
Relatives feared Rhonita and her children were alive and trapped when their bullet-riddled SUV was allegedly set on fire and exploded.
Another mum, Christina Johnson, 31, is said to have saved her seven-month-old baby girl, Faith, after she was shot multiple times.
Now new harrowing detail has emerged about the shootings, which were believed to be at point-blank range.
One Mexican federal official close to the investigation said "some of the victims [were shot] at point-blank range".
And an American federal investigator said: "They were taken out of their cars and shot.
"It’s kind of disturbing that the FBI has had no access to the crime scene, which is probably a disaster already because the Mexicans have allowed families to remove the bodies. Any evidence that could have been gathered is probably destroyed."
New York Post reports on allegations cartel gunmen mistook the Mormons’ convoy of dark SUVs for a rival drug group’s in Sonora, Mexico.
But the American federal source added: "We’ve been saying all along that the Mexican government just doesn’t want to investigate anything related to drug trafficking.
"They will go to any extreme to cover everything up.
"It’s completely corrupt, and it’s only going to get worse."
Heavily-armed troops stood guard at the funeral yesterday.
The cemetery in the La Mora Mormon community in Sonara was full of grieving relatives.
They gathered from both sides of the US-Mexico border, including states such as Arizona, Colorado, Idaho, Iowa, North Dakota and Utah.
Pallbearers lowered into the ground three simple wooden coffins built by family members and adorned with white, red and orange flowers.
Kenneth Miller, whose daughter-in-law and four grandchildren died in the attack, said he hoped the tragedy would draw attention to the thousands of drug cartel victims in Mexico.
"This is happening because we are dual citizens," Mr Miller said, referring to the Mexican government's support following the attack.


I am Nazia Pathan, I am from the latest batch of Microsoft Learn Student Ambassador. I have done my Masters research on a microsoft funded project from Mehran UET Jamshoro. My area of expertise are in area of mobile app development and machine learning.
I worked as Research Associate in MUET SZAB Campus for an year, my role their was to support the on going research project and help researchers and student around their project
I working as Lecturer at Mehran UET SZAB Campus, As Lecturer my role is to take classes and perform any practical assigned to me.
It is a mobile application that check the style of person using it and save his/her profile and for future locks essential app if any authorized user is using it
View ProjectThis is a machine learning application that predict amount of aresenic in water from amount of arsenic in water. It is built using Azure ML Studio
View ProjectActivity Recognition API is created from mobile sensor using machine learning. Microsoft ML Studio was used to create this API
View Project