The theme for this year’s conference, Collision, aims to explore how the Asian American experience emerges from our communities’ converging movements. We invite folx to think about collision within and amongst Asian American experiences as an active process of developing identity, expressing oneself, and exchanging narratives.
While 2018 saw unprecedented representation for certain Asian groups in Hollywood blockbusters, it also saw continued struggles for community members at the margins, from deportation to displacement. This history of underrepresentation and differentiation within the pan-Asian community prompts us to revisit the roots of the term “Asian American.” How can we learn from the student activists in the ‘60s, who coined “Asian American” as a statement of solidarity—a commitment to unite in the name of social justice?
The theme for this year’s conference, Collision, aims to explore how the Asian American experience emerges from our communities’ converging movements. Collision—the act of worlds making contact—characterizes the Asian American experience, whether broadly, as with migration, or individually, as with assimilation. When our paths collide, how does that inform, engage, and challenge our own understandings of what it means to be Asian American?
We invite attendees to think about collision within and amongst Asian American experiences as an active process of developing identity, expressing oneself, and exchanging narratives. Through this year’s NYCAASC, we seek to create a more nuanced understanding of Asian American identity that is shaped by our stories.
This conference takes place on the occupied land of the Lenape people.
Click on a schedule item or scroll below to see more information.
Settler colonialism is a particular type of colonialism when a settler society/state occupies the place of indigenous peoples. Come learn more about how so-called United States is a settler colonial state and how it relates to Asian Americans in our history and present. This workshop is for people who have little to a lot of familiarity with the topic and will feature NYU professor, Dean Saranillio.
In the Asian Pacific American community, rage is often suppressed and political discussions, silenced. When it comes to combating inter-passivity, it is important to recognize the role our discourses embrace and how they operationalize in social spaces. Historically, immigrants on Angel island have used poetry as a survival strategy and Chinese women have used poetry as a mechanism by which they rewrite a history that has “unremembered” them. This workshop seeks to provide a safe space in which students can translate rage by creating and using slam poetry to change the scope in which Asian Pacific Americans navigate the world, bridging the gap between theory and praxis.
Some reflections, both personal and historical, on the experiences of radical Asian American struggles in the mid 20th century. Retracing their passage from minority struggles to struggles as part of the working class movement and the fight for democracy and socialism can change our political narrative and thereby our sense of the present and what to do moving forward.
Specialized High School admissions has always been a controversial issue in the history of the New York City public school education. Most recently, proposed reform to the single-measure admissions process, the SHSAT, has bought up questions around equity, diversity, integration, and inclusiveness in the education system. For Asian Pacific Americans specifically, the Asian Model Minority Myth has made it challenging for us to take up space in education advocacy. How did we get here and where do we go?
Media-based organizing presents a way for communities of color to change the narrative on who creates solutions for our communities and allows us build our own visions of the future. Case studies highlight how we are now using media-based organizing to push back on white supremacist history and policy. 18MillionRising.org is a key resource on accessible ways to reclaim histories, strengthen organizing, and support rapid response interventions for Asian American student activists. Zines are one such way to get an immediate start with media-based organizing. Staff from 18MillionRising.org will discuss their successes and failures with utilizing media ecosystems, art and design, storytelling, and creative technologies to fuel community organizing, rapid response interventions, and political education. Attendees will participate in a group exercise and leave with a “mini zine” outlining strategies, takeaways, and additional learning resources.
What is ‘self care’? This term is thrown around in many spaces - including activism-oriented spaces. But what does self-care look like for the average activist and community organizer? What does self care look like for you? Emotional labor is something we’re used to dealing with and it can become emotionally draining. How do we create safe spaces and communities of care where burnout isn’t the end result and instead we create communities of resilience? Come to this workshop to discuss and learn more!
Navigating higher education is difficult as is, but can be even more so for students without the resources that others may take for granted; what happens when these processes occur against the context of the Model Minority Myth? From impostor syndrome to affirmative action, this workshop seeks to center the narratives of underrepresented students and provide a space for discussion, validation, and tools to help handle the transitions in the context of these experiences.
Despite shifts in administrations, American immigration policy has been resilient in marginalizing and displacing Asian communities in the United States. Most recently, Southeast Asian and Indian migrants have been put on the map of immigration discourse. Viet, Cambodian, and Laotian refugees escaping war migrated to the United States in the 1970s. Sikh Punjabi asylum seekers have arrived in the 2010s escaping religious persecution. However, both communities have been detained in the United States and deported, regardless of immigration status, as American immigration powers separate families and violate human rights laws. This workshop will break down the policies, map institutional power, and highlight community resistance.
We tend to assume that anti-Muslim racism only comes in the form of slurs, hijab pulling, and violent crimes. Unfortunately, anti-Muslim racism is rampant across Asian spaces, especially in silent forms, such as microaggressions and systemic policies.   How does anti-blackness and anti-Muslim racism overlap? A workshop that focuses on all this is essential as Asian American student activists work to do community organizing and build solidarity, especially with Muslim Asians and non-Asian Muslims. The workshop will provide the tools to (1) break down internalized anti-Muslim racism, (2) continually engage one another on the prevalence of anti-Muslim racism within our Asian communities, and (3) collectively work towards supporting Muslim communities.
Indian Occupied Kashmir is the world’s most militarized zone. Since 2008, a generation of Kashmiri youth has protested against Indian rule, demanding azadi, or freedom. Nonetheless, despite a mass movement for self-determination, the international community has largely remained silent on Kashmir and India is able to leverage its soft power to silence Kashmiris. During this teach-in, the instructors will present a brief historical overview of the Kashmir issue, and discuss the contemporary context of state violence and repression and youth resistance.
Come hear guests from the US-ASEAN organization speak about the Pan Asian movement and how solidarity was accomplished and continues to thrive. Learn more about the Asian American movement and how civil rights have been fought for from Joyce Moy the Director of the Asian American Research Institute of CUNY. Engage with us as we challenge you to embrace the power of solidarity in our community and learn more the legacy we can create in social justice if we choose to support the African American community's movement and support the civil rights of other minority groups too in America.
Before Gina Apostol's fourth novel, Insurrecto, hit the shelves, Publishers' Weekly named it one of the Ten Best Books of 2018. Her third book, Gun Dealers' Daughter, won the 2013 PEN/Open Book Award and was shortlisted for the William Saroyan International Prize. Her first two novels, Bibliolepsy and The Revolution According to Raymundo Mata, both won the Juan Laya Prize for the Novel (Philippine National Book Award). Her essays and stories have appeared in The New York Times, Los Angeles Review of Books, Foreign Policy, Gettysburg Review, Massachusetts Review, and others. She lives in New York City and western Massachusetts and grew up in Tacloban, Philippines. She teaches at the Fieldston School in New York City.
Come join us in room 269 to see some of the art that's been composed throughout the day by your fellow NYCAASC members!  Then we'll improvise our own short pieces and talk about what we've learned.
Comics are a realm for storytelling, each panel a translation of emotion and experience. How can we work with this medium in a way that engages our identity and form connections? In this interactive workshop facilitated by Matt Huynh, we'll share technical skills and knowledge for telling stories visually, workshop stories we'd like to tell and characters we'd like to see, and talk about how we'd like to experience comics today — whether online, on our phones, or as printed artifacts. Come to explore these concepts and create our own comics in the process!
CUNY was a free university until the 1970s. Over the past few decades, CUNY has increasingly become a profit-making institution, prioritizing money over the needs of its students and faculty. The neoliberalization of our education is something that affects every aspect of our lives, but students and faculty are fighting back. Join us for a discussion with The Coalition of the Revitalization of Asian American Studies at Hunter (CRAASH), 7k or Strike, and student organizers who fought against Amazon HQ2. Learn about the incredible activism happening at CUNY and gain some organizing skills to bring back to your own campus!
This workshop will address the ways in which poetry can be a specific form of anti-colonial resistance and work to contour our own relationships to historical and current day imperialism. We will analyze two poetry texts, Look by Solmaz Sharif and Seam by Tarfiah Faizullah, and explore the parallels between their examinations of the War on Terror and the Bangladeshi Liberation War, respectively. This workshop seeks to highlight the ways that imperial violence directly and indirectly shapes our lives, and ultimately calls for the development of an anti-imperialist politics of poetry.
What is the power of writing? How can writing unearth parts of ourselves and help heal? In this political moment, how do we find and create safety? This writing workshop will center QTPOC voices and stories to write our truths. We will use writing as a river to better know ourselves and build our collective imaginations. Writers of all levels are welcome, no prior experience necessary. This workshop is for self-identified queer, trans, and questioning, people of color. Limited to 15 participants.
"How did we get here?" Participants and facilitators use their own personal histories and narratives as Asian/Asian Americans to show the history of migration to the United States and other countries around the world. The workshop aims to educate youth on the root causes and problems of forced migration, putting focus on the experiences of the Filipino community while connecting it to global patterns of migration. As Anakbayan New York is a comprehensive National Democratic mass organization that stands for the basic rights and welfare of Filipinos at in the Philippines and across the world, the workshop historicizes Filipino migration, explores the underpinning political and economic forces that shaped it, and how there came to be a diaspora of millions of Filipinos around the world. Participants will learn about calls to action and how they can get involved.
Shaina Rae is a Filipina-American R&B artist hailing from Jamaica, Queens. She lights a spark in the New York music scene with her captivating performances that brings audiences to a whole new world. Having opened up for Billboard charting artists, her music is set apart as "healing and memorable even in the most upbeat settings." With over a decade of performance experience in musical genres ranging from classical to pop, Shaina Rae is a force to be reckoned with.


--- title: "Home" layout: default ---
What you see here is a website in the very early stages of development. Please forgive my silly jokes, colorblind palette, and the occasional incomplete
Self-reflection information goes here. If anyone wonders how I'd self-describe, their answers will be here.
Some of my current personal projects involve creating software. Here are my favorites.
This is a list of my prefered recreational activities. I notice a theme that they are all social competitions.


Page title should not be hyphenated. “But quotes yes.”
Page content should be hyphenated. But "code" should not be hyphenated.
Neither preformatted text. "No quotes for you."
Nested content should be hyphenated also! And also bold sections or
italics text. Oh and “quotes should be smart” — with proper em-dash,
8–22 (en-dash) and ellipsis…
Link titles can be hyphenated as well. But inline verbatim stuff shouldn’t: hello "this" is not hyphenated. Neither verbatim blocks:
"quote" hyphenationOdstavec v češtině. „Uvozovky“ fungují jinak a dělení slov jakbysmet.
Links
Links with titles that are URLs (or e-mail addresses) shouldn’t be hyphenated either:
-<EMAIL_ADDRESS>- https://magnum.graphics
- Links without refuri should not give an error


Preparation time
less than 30 mins
Cooking time
less than 10 mins
Serves
Serves 1
Preheat the oven to 180C/350F/Gas 4.
For the salmon goujons, whisk together the flour, egg, milk and enough sparkling water to make a batter with the consistency of double cream (you may not need all of the water).
Half-fill a deep saucepan with the vegetable oil and heat until a small cube of bread dropped in sizzles and turns golden-brown in 30 seconds (CAUTION: hot oil can be dangerous. Do not leave unattended). Dip the salmon strips into the batter and deep-fry, in batches, in the oil for 1-2 minutes, or until golden-brown. Remove with a slotted spoon and drain on kitchen paper. Repeat until all the salmon strips are cooked.
For the sweet potato chips and garlic, heat the oil in an ovenproof frying pan and gently fry the sweet potato and garlic for 3-4 minutes, then transfer to the oven to cook for 10-12 minutes, or until the chips are tender and golden-brown.
To serve, pile the salmon goujons on a serving plate alongside the sweet potato chips and garlic. Garnish with a slice of lemon.


In business for more than 60 years, we carry New York Times bestsellers, one of the largest selections of Penguin classics you'll ever see, limited editions, popular favorites, and a wide variety of titles any well-read book lover would be proud to own.


--- layout: default Title: Save my dinner! ---
Things will go wrong...Sometimes VERY WRONG, but that’s OK. If you’re adaptable and able to understand the processes that will help you fix your mistakes, you’ll do just fine.
Setting out to do things right is all good, but when things go wrong, don’t think that you have to start over or settle to eat the disaster you have created
You can end up with a dish that is the opposite of what you started out to do, but it doesn’t mean it is a failure (unless it’s inedible). Disaster recovery isn’t really a time machine.
Think of it as making the choices that will give you the best end result, not as forcing the food back into what you originally wanted. Think of your failed dishes as new ingredients, not as failures.
Start by locating the characteristic that makes you think the dish is unsuccessful:
And if the only problem is it looks or tastes like another dish than what you intended – just pretend it’s the dish you’d set out to do.


|
StreamableInputInterface.php
|
<?php
/*
* This file is part of the Symfony package.
*
* (c) Fabien Potencier<EMAIL_ADDRESS>*
* For the full copyright and license information, please view the LICENSE
* file that was distributed with this source code.
*/
namespace Symfony\Component\Console\Input;
/**
* StreamableInputInterface is the interface implemented by all input classes
* that have an input stream.
*
* @author Robin Chalas<EMAIL_ADDRESS>*/
interface StreamableInputInterface extends InputInterface
{
/**
* Sets the input stream to read from when interacting with the user.
*
* This is mainly useful for testing purpose.
*
* @param resource $stream The input stream
*/
public function setStream($stream);
/**
* Returns the input stream.
*
* @return resource|null
*/
public function getStream();
}


public interface Camera extends CameraControls
Camera
provides access to a camera that has been opened.
Modelled after CameraDevice
, but somewhat simplified.CameraManager.asyncOpenCameraAssumingPermission(org.firstinspires.ftc.robotcore.external.hardware.camera.CameraName, <any>, long, java.util.concurrent.TimeUnit)
,
com.example.android.camera2.cameratoo.CameraTooActivity
| Modifier and Type | Interface and Description |
|---|---|
static class |
Camera.Error
Reasons for which a
Camera might have failed after opening. |
static class |
Camera.OpenFailure
Reasons for which a
Camera might have failed to open. |
static interface |
Camera.StateCallback |
static class |
Camera.StateCallbackDefault
An implementation of StateCallback that does nothing by default
|
| Modifier and Type | Method and Description |
|---|---|
void |
close()
Close the connection to this camera device as quickly as possible.
|
CameraCaptureRequest |
createCaptureRequest(int androidFormat,
Size size,
int fps)
Create a capture request.
|
CameraCaptureSession |
createCaptureSession(<any> continuation)
Creates a capture session for this device.
|
Camera |
dup()
Returns another
Camera on the same underlying device with an independent close()
effect. |
CameraName |
getCameraName()
Returns the name of this camera device.
|
getControl
CameraName getCameraName()
This method can be called even if the device has been closed or has encountered a serious error.
CameraManager.getAllWebcams()
CameraCaptureRequest createCaptureRequest(int androidFormat, Size size, int fps) throws CameraException
CameraCaptureSession createCaptureSession(<any> continuation) throws CameraException
CameraCaptureSession.StateCallback.onConfigured(CameraCaptureSession)
is called.
If the creation fails, then an exception is thrown.CameraException
void close()
Immediately after this call, all calls to the camera device or active session interface
will throw a IllegalStateException
, except for calls to close(). Once the device has
fully shut down, the Camera.StateCallback.onClosed(org.firstinspires.ftc.robotcore.external.hardware.camera.Camera)
callback will be called.
Immediately after this call, besides the final Camera.StateCallback.onClosed(org.firstinspires.ftc.robotcore.external.hardware.camera.Camera)
calls, no
further callbacks from the device or the active session will occur, and any remaining
submitted capture requests will be discarded, and no success or failure
callbacks will be invoked.


More...
Definition at line 11 of file Space1.cs.
◆ Space1()
| droid.Runtime.Utilities.Structs.Space1.Space1 |
( |
int |
decimal_granularity = 2 | ) |
|
◆ ClipNormaliseRound()
| float droid.Runtime.Utilities.Structs.Space1.ClipNormaliseRound |
( |
float |
v | ) |
|
◆ Round()
| float droid.Runtime.Utilities.Structs.Space1.Round |
( |
float |
v | ) |
|
◆ Sample()
| dynamic droid.Runtime.Utilities.Structs.Space1.Sample |
( |
| ) |
|
◆ ToVector2()
| Vector2 droid.Runtime.Utilities.Structs.Space1.ToVector2 |
( |
| ) |
|
◆ ToVector3()
| Vector3 droid.Runtime.Utilities.Structs.Space1.ToVector3 |
( |
| ) |
|
◆ Vector3Description()
| string droid.Runtime.Utilities.Structs.Space1.Vector3Description |
( |
| ) |
|
◆ _Decimal_Granularity
| int droid.Runtime.Utilities.Structs.Space1._Decimal_Granularity |
◆ _distribution_sampler
◆ _Max_Value
| float droid.Runtime.Utilities.Structs.Space1._Max_Value |
◆ _Min_Value
| float droid.Runtime.Utilities.Structs.Space1._Min_Value |
◆ normalised
| bool droid.Runtime.Utilities.Structs.Space1.normalised |
◆ DecimalGranularity
| int droid.Runtime.Utilities.Structs.Space1.DecimalGranularity |
|
get |
◆ DiscreteZeroOne
| Space1 droid.Runtime.Utilities.Structs.Space1.DiscreteZeroOne |
|
staticget |
◆ DistributionSampler
◆ IsNormalised
| Boolean droid.Runtime.Utilities.Structs.Space1.IsNormalised |
|
getset |
◆ MinusOneOne
| Space1 droid.Runtime.Utilities.Structs.Space1.MinusOneOne |
|
staticget |
◆ Span
| float droid.Runtime.Utilities.Structs.Space1.Span |
|
get |
◆ TwentyEighty
| Space1 droid.Runtime.Utilities.Structs.Space1.TwentyEighty |
|
staticget |
◆ ZeroOne
| Space1 droid.Runtime.Utilities.Structs.Space1.ZeroOne |
|
staticget |
The documentation for this struct was generated from the following file:
- /home/heider/Projects/Neodroid/Unity/Examples/Assets/droid/Runtime/Utilities/Structs/Space1.cs


public interface JavascriptExecutor
| Modifier and Type | Method and Description |
|---|---|
java.lang.Object |
executeAsyncScript(java.lang.String script,
java.lang.Object... args)
Execute an asynchronous piece of JavaScript in the context of the currently selected frame or
window.
|
java.lang.Object |
executeScript(java.lang.String script,
java.lang.Object... args)
Executes JavaScript in the context of the currently selected frame or window.
|
java.lang.Object executeScript(java.lang.String script, java.lang.Object... args)
Within the script, use document
to refer to the current document. Note that local
variables will not be available once the script has finished executing, though global variables
will persist.
If the script has a return value (i.e. if the script contains a return
statement),
then the following steps will be taken:
Arguments must be a number, a boolean, a String, WebElement, or a List of any combination of the above. An exception will be thrown if the arguments do not meet these criteria. The arguments will be made available to the JavaScript via the "arguments" magic variable, as if the function were called via "Function.apply"
script
- The JavaScript to executeargs
- The arguments to the script. May be emptyjava.lang.Object executeAsyncScript(java.lang.String script, java.lang.Object... args)
synchronous JavaScript
,
scripts executed with this method must explicitly signal they are finished by invoking the
provided callback. This callback is always injected into the executed function as the last
argument.
The first argument passed to the callback function will be used as the script's result. This value will be handled as follows:
Example #1: Performing a sleep in the browser under test.
long start = System.currentTimeMillis();
((JavascriptExecutor) driver).executeAsyncScript(
"window.setTimeout(arguments[arguments.length - 1], 500);");
System.out.println(
"Elapsed time: " + System.currentTimeMillis() - start);
Example #2: Synchronizing a test with an AJAX application:
WebElement composeButton = driver.findElement(By.id("compose-button"));
composeButton.click();
((JavascriptExecutor) driver).executeAsyncScript(
"var callback = arguments[arguments.length - 1];" +
"mailClient.getComposeWindowWidget().onload(callback);");
driver.switchTo().frame("composeWidget");
driver.findElement(By.id("to")).sendKeys("bog@example.com");
Example #3: Injecting a XMLHttpRequest and waiting for the result:
Object response = ((JavascriptExecutor) driver).executeAsyncScript(
"var callback = arguments[arguments.length - 1];" +
"var xhr = new XMLHttpRequest();" +
"xhr.open('GET', '/resource/data.json', true);" +
"xhr.onreadystatechange = function() {" +
" if (xhr.readyState == 4) {" +
" callback(xhr.responseText);" +
" }" +
"};" +
"xhr.send();");
JSONObject json = new JSONObject((String) response);
assertEquals("cheese", json.getString("food"));
Script arguments must be a number, a boolean, a String, WebElement, or a List of any combination of the above. An exception will be thrown if the arguments do not meet these criteria. The arguments will be made available to the JavaScript via the "arguments" variable.
script
- The JavaScript to execute.args
- The arguments to the script. May be empty.


Let the game begin!
Making your bed is never exciting. We got your back. Chorify is just about to make your life better.
Find Out MoreChorify is an app that lets you be the best human being. Can you imagine your desk, bed and closet all cleaned up? How happy you would feel? Think..... We are about to show you how much it brings happiness
Let's Play!Our chorify app doesn't forget to reward people when they are at their best!
Be the best in front of your peers who are lazy!
Get reminded to clean things up at your home
Make people, friends, parents and your better half love you more!
Feel free to contact us with any questions!
510-334-2231


--- layout: page title: Download permalink: /download/ icon: fa-download classes: download col-md-10 col-md-offset-1 col-sm-10 col-sm-offset-1 stylesheet: /css/pages/download.css ---
Current version of Woopsa specification is version {{ site.current_version }}. Latest implementations of Woopsa are available here. Everything you need to quickly get started can be found in the source code:
We recommend reading the getting started tutorial to grasp the basic concepts of Woopsa. Of course, that's only a suggestion...


Class ReflectionClass
- ReflectionClass implements Reflector
Methods summary
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Magic methods summary
Constants summary
integer |
IS_IMPLICIT_ABSTRACT
|
# 16 |
integer |
IS_EXPLICIT_ABSTRACT
|
# 32 |
integer |
IS_FINAL
|
# 4 |
Properties summary
public
string
|
$name
|
# '' |


to add a new price for a variant, locate the + New Price
link at the top of the page in the navbar.
this link will open a new page that allows you to select a specific variant and adjust a price for it. You also have the option of specifying which country this new price can relate to.
once you’ve adjusted the proper settings, click Create
at the bottom of the page and your price for the variant will be automatically saved to the product.


We have sent you a magic link to your email address
Click the link to login automatically
If you are seeing this you have not yet overridden the 'MAGICLINK_LOGIN_SENT_TEMPLATE_NAME' setting yet.
Please see the README on Github for more details on setting up django-magiclink correctly


WITNESS LIST
Urban Affairs Committee
April 28, 2015 - 10:30 AM or upon final adjourn./recess
Registering, but not testifying:
For:
Long, Matt (Self)
Rice, Chuck (Texas Land Developers Association)
Smith, Angela (Self; Fredericksburg tea party)
Against:
Acevedo, Julie (Texas Fire Chief's Assn)
For:
McIver, Diana (Texas affiliation of affordable housing providers & texas association of local
housing finance agencies)
On:
Henneberger, John (Self)
Registering, but not testifying:
For:
Anderson, Sarah (S.Anderson Consulting)
Jackson, Frank (Texas Affiliation of Affordable Housing Providers)
Mintz, David (Texas Apartment Association)
Munoz, Ned (Texas Association of Builders)
Rice, Chuck (Texas Land Developers Association)
Talerico, Jeanne (Texas Association of Local housing Finance Agencies)
Warner, Michael (Pinnacle Housing Group)
On:
Irvine, Tim (Texas Department of Housing and Community Affairs)
On:
Henneberger, John (Self)
Registering, but not testifying:
For:
Alter, Craig (Delphi Affordable Housing Group)
Anderson, Sarah (S.Anderson Consulting)
Munoz, Ned (Texas Association of Builders)
Rice, Chuck (Texas Land Developers Association)
Talerico, Jeanne (Texas Association of Local housing Finance Agencies)
Warner, Michael (Pinnacle Housing Group)
On:
Irvine, Tim (Texas Department of Housing and Community Affairs)
1
WITNESS LIST
For:
Avila, Hector (Self; Bexar county sheriff office)
Doubrava, Randy (TMPA)
Gomez, Mike (Tmpa)
Hamilton, Blaine (Hays County Constable Office Pct. # 4)
Helm, Ray (Self; Hays County Constable pct 3)
Ott, David (Self; Dsabc)
Perez, Nathaniel (Self)
Rivera, Joshua (Self; Bexar county sheriff office)
Tamayo, Amy (Self; Dsabc)
Against:
Brown, Kathryn (Self; Deputy sheriff association (bexar county))
Daggett, Anthony (Dsabc)
Daggett, Anthony (Dsabc)
Gillespie, Nate (Travis County Sheriffs Officers Association)
Harrisom, Todd (Self; Combined law enforcement associations of texas)
Jones, Chris (Combined Law Enforcement Associations of Texas (CLEAT), Webb County
Sheriffs Deputies Association)
Martin, Edward (Self; Jefferson County Deputy Sheriffs and Corrections Officers Asso)
Reyes, Michelle (Self; Deputy Sheriff's Association of Bexar County)
Tijerina, Don (Deputy Sheriffs Association of Bexar County)
Registering, but not testifying:
For:
Cuevas, David (Harris County Deputies Organization)
Davis, Rick (Self; Chambers County Officers Association)
Martinez, Mario (TMPA)
Against:
Aguillon, John M (Deputy Sheriff's Association Of Bexar County)
Alcantar, Alfred (Deputy Sheriff's Association of Bexar County)
Blanco, Billy (Deputy sheriffs association of Bexar County)
Contreras, Juan (Dsabc)
Delgado, Hector (Dsabc)
Earnest, Daniel (Self; San Antonio Police Officers Association)
Garrett, Mike (Sheriffs Law Enforcement Association of McLennan County)
Gonzalez, Jose (Nueces County Sheriffs Officers Association)
Hammock, Richard (Self; Deputy Sheriff'S Association of Bexar County)
Hardin, Bobby (Tarrant County Law Enforcement Association)
Martinez, Mike (Self)
Smith, Melinda (El Paso County Sheriffs Officers association)
Wilkison, Charley (Self; Combined Law Enforcement Associations of Texas)
2
WITNESS LIST
For:
Hinojosa, Richar d (Self; City of lagu na vist a)
Hunter, James (Town of Laguna Vista)
Vela, Rolando (Town of laguna vista)
Against:
Sossi, Mark (Brownsville)
3


WITNESS LIST Teacher Health Insurance, Select Committee April 11, 2001-2:00P HB 3343 On: Barwinkel, Paulette (Texas Legislative Council) Jung, Ronnie (Teacher Retirment System) Wisnoski, Joe (Texas Education Agency)


Check with the sound techs if you need to share a box, or if you want a headphone splitter.
| I'm on... | Plug into... | Set your mix to... |
|---|---|---|
| Lead vocals | 3 | Mix1 |
| Backing vocals | 4 | Mix2 |
| Bass | 5 | Mix3 |
| Electric guitar | 9 | Mix4 |
| Acoustic guitar | 10 | Mix5-6 |
| Keys | 11 | Mix7-8 |
| Drums | 12 | Mix9-10 |
If your instrument isn't listed here, follow the direction of the sound techs.
| Channel | Input |
|---|---|
| 1 | Kick |
| 2 | Acoustic guitar 2 |
| 3 | |
| 4 | Violin |
| 5 | Cello |
| 6 | |
| 7 | Cajon |
| 8 | |
| 9 | |
| 10 | |
| 11 | Bass |
| 12 | Electric guitar |
| 13 | |
| 14 | Acoustic guitar |
| 15 | Vocals (additional) |
| 16 | Keys |
| 17 | Ukulele |
| 18 | |
| 19 | Vocals (additional) |
| 20 | |
| 21 | |
| 22 | Techs / talkback mic |
| 23 | Lead Vocals (Wireless) |
| 24 | Vocals 2 (Wireless) |
| ST1 | PC/Mac |


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THE HOUSE OF MIRTH
Reviewed by Harvey Karten Sony Pictures Classics Director: Terence Davies Writer: Terence Davies, novel by Edith Wharton Cast: Gillian Anderson, Eric Stoltz, Dan Aykroyd, Eleanor Bron, Terry Kinney, Anthony LaPaglia, Laura Linney, Jodhi May, Elizabeth McGovern
I know a woman--and I'm sure you are familiar with the type as well--who was the daughter of a moderately successful professional man but who wanted far more wealth and status than she was afforded. She herself married a highly successful lawyer and made her home in one of the toniest burgs of New York's Long Island communities. She allegedly taught second grade for a year or two (though I doubt her word on this), and to this day regularly chats with her pals about the accoutrements of the family's latest auto, the most recent trip to Provence or Tuscany, or the $100 repast she enjoyed with her group of ladies who lunch, which she calls money well spent because "I'm worth it." At the same time she has no hesitations about confiding in what her latest psychiatrist told her "the one I got after I fired the last guy who did me no good" or about the handsome European man she once met just before her marriage, "the one I always wonder about...whether I should have accepted his proposal instead." This is a woman in conflict, a very rich woman who dimly realizes that her life is empty, that she never had any real work or identity of her own.
Edith Wharton's partly autobiographical "The House of Mirth," which deals with yet another individual who is of the manor born but who, through a combination of her own arrogance and thoughtlessness overwhelms her basic integrity and contempt for hypocrisy meets a tragic fate, has been successfully adapted into a richly textured drama. Filmmaker Terence Davies--who, though a methodical pace and a wise refusal to make even his own dialogue sound too contemporary--has brought to vivid life the compromises that prominent women had to make as recently as the turn of the Twentieth Century to keep their position. When reputation counted for all and a willingness to play by all the rules of social convention was the only ticket to maintaining a position in polite society, a decent woman with a mind of her own had to accommodate herself to an often suffocating existence in a world ruled thoroughly by men. While Terence Davies' "The House of Mirth" could be called a film celebrating our current age of women's liberation, such a stamp reduces the film to mere propaganda when in fact the story is at heart a biting satire on a venal, insincere cosmos of political and social backstabbing and of pathetic compromises.
In the central role of Lily Bart, Gillian Anderson ("The X- Files") inhabits the guise of a woman who is described by Miss Wharton at one point as "vigorous and exquisite, at once strong and fine," and who as such is a welcome albeit risky casting choice by Mr. Davies. While another filmmaker might have gone with, say, Helena Bonham-Carter, Ms. Anderson--who cannot be called a young, blushing beauty, displays the bounce that made her the perfect choice to play Special Agent Scully opposite her TV co-star David Duchovny in the long-running series. Displaying a brash indifference to social convention, her character, Lily Bart, opens the movie by accepting an invitation to tea by man-about-town lawyer Lawrence Selden (Eric Stoltz)--inside his New York apartment! Though unmarried now and in her late twenties, Ms. Bart takes the first step toward a slow descent in position after begin spotted leaving the building by its owner, the fabulously rich Sim Rosedale (Anthony LaPaglia), a fellow who is both feared and respected by others in New York society and yet whose identity as a Jew--so pronounced in Wharton's novel--remains strangely unmentioned in the film.
Flirtatious to a fault, Lily is obviously in lust with Selden but no union of marriage or even of much physicality takes place because for her part, Lily is unwilling to combine forces with a fellow who, relative to othes of her acquaintance, is poor, while Selden--who seems to teach Lily that the conventions of polite society are empty--is himself unwilling to break with those very rules. In other words, Selden is the story's leading sellout.
With Ms. Anderson in virtually every scene, scripter-director Davies takes us slowly and patiently into her decline, tightening the noose almost imperceptibly during the 140- minute piece so that we are scarcely aware until the cataclysmic conclusion that Lily has been both lanced by society and a victim of self-inflicted wounds. The gambling debts that transform her from a grande dame who believes she has the world under her thumb thanks to her beauty and charm become but a factor contributing to her loss of reputation. More important--and more cinematic as well--are the by the ways that others in her little world use her to satisfy their selfish ambitions. Ms. Wharton's heroine joins the likes of the eponymous character in Francois Truffaut's 1975 film "The Story of Adele H," done in ironically enough by her decency and her stupidity.
Whether this film works for you or not depends on your capacity to enjoy a story that is uncompromisingly a period piece, rich in costumes and even stilted in dialogue--all the more to encourage us to think of the very contemporary resonance that this director's decision evokes. Davies shows us not simply the avaricious and venomous nature of New York society in 1905, but by extension demonstrates Edith Wharton's own cynicism about the world in general. Just as Lily's "friend," Bertha Dorset played by the marvelous Laura Linney as a bubbly, adulterous good-time-girl, is perfectly willing to throw her buddy to the wolves to protect her own reputation, so are politicians and businesspeople and, yes, even the ordinary guy on the street agreeable to stab us in the back when this suits their own ends. As rich investor Gus Trenor (Dan Aykroyd) demands sex as the price for subsidizing Lily's waning fortune, so are many of us today agreeable to demanding favors of woman whom they take out to dinner and for whom they buy expensive presents.
While we can criticize Davies and Wharton alike for displaying men as one-dimensional fixtures, some perhaps even as plot devices, we should understand that Ms. Anderson's Lily is in every way the axis around which an entire organization evolves. Though Eleanor Bron's performance as Lily's rich aunt, Mrs. Peniston, is a caricature worthy of Oscar Wilde's counterpart in "The Importance of Being Earnest," Dan Aykroyd does fine in a serious role as a male chuavinist pig, Eric Stoltz as a cool, conflicted playboy, and Anthony LaPaglia as a complex person who withdraws his offer of marriage when he no longer sees Lily as a trophy bride. Talk about contemporary resonance! If tragedy is about bad things happening to a good person, this "House of Mirth" easily justifies the irony in its very title.
Not Rated. Running time: 140 minutes. (C) 2000 by Harvey Karten<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Dogs available for adoption
Thank you for opting to ADOPT! Once you find the right animal for your family and that animal arrives to your loving home, you now form part of OUR FAMILY! Interested in adopting one of our Furry Friends? Our adoption process can be lengthy as many of our animals come from severe situations of abuse and or abandonment and require a healing process that might take some time. Sometimes there might be a waiting list for a particular animal and we always match our animals with the best situation possible.
To Begin the Process
Now that you have determined the specific animal you wish to adopt, you need to contact us to begin the adoption process. The process requires you complete a thorough application and return it to us at<EMAIL_ADDRESS>See below.
Once your application has been reviewed, we will be in contact. Please allow us a few days of review before expecting to hear from us. Be aware that there may be additional contact required, such as a home visit before the adoption is approved. Please understand that we want to make sure this is a perfect fit for you as well as our rescue.
We will guide you through the transport process if necessary and provide you with all the necessary veterinary records regarding vaccinations, etc.
You will also need to agree to the terms of our ADOPTION CONTRACT. Important to note that if any of the terms of the contract are not honored it will be considered a breach of contract, invalidating it and allowing for retrieval of the animal back to the SPCA PV.
Please click below to download our adoption application in WORD. Please fill out and email to<EMAIL_ADDRESS>Thank you!
CLICK TO DOWNLOAD PVCA ADOPTION APPLICATION.
Adoption Fees
Mexico: $3,000 pesos
US and Canada: $380 USD
Note* Adoption fees may change without prior notice.
Foster
One of the biggest ways you can help an organization like ours is to volunteer your home to foster those rescues that are ready to leave the sanctuary and transition to a forever home.
Fostering can be a very rewarding experience and allows you to participate in the final stages of “rescuing”. Additionally, inviting one of our rehabilitated dogs to stay with you and your family frees up space within our sanctuary for another dog to be rescued. It is a win/win!


Class ProjectTypes
A list of known project types guids.
Inheritance
System.Object
ProjectTypes
Inherited Members
System.Object.ToString()
System.Object.Equals(System.Object)
System.Object.Equals(System.Object, System.Object)
System.Object.ReferenceEquals(System.Object, System.Object)
System.Object.GetHashCode()
System.Object.GetType()
System.Object.MemberwiseClone()
Namespace: EnvDTE
Assembly: Community.VisualStudio.Toolkit.dll
Syntax
public static class ProjectTypes
Fields
| Improve this Doc View SourceASPNET_Core
The project type of ASP.NET Core projects.
Declaration
public const string ASPNET_Core = "{8BB2217D-0F2D-49D1-97BC-3654ED321F3B}"
Field Value
| Type | Description |
|---|---|
| System.String |
DOTNET_Core
The project type of .NET Core projects.
Declaration
public const string DOTNET_Core = "{9A19103F-16F7-4668-BE54-9A1E7A4F7556}"
Field Value
| Type | Description |
|---|---|
| System.String |
MISC
The project type of Misc projects.
Declaration
public const string MISC = "{66A2671D-8FB5-11D2-AA7E-00C04F688DDE}"
Field Value
| Type | Description |
|---|---|
| System.String |
NODE_JS
The project type of Node.js projects.
Declaration
public const string NODE_JS = "{9092AA53-FB77-4645-B42D-1CCCA6BD08BD}"
Field Value
| Type | Description |
|---|---|
| System.String |
SOLUTION_FOLDER
The project type of a solution folder.
Declaration
public const string SOLUTION_FOLDER = "{66A26720-8FB5-11D2-AA7E-00C04F688DDE}"
Field Value
| Type | Description |
|---|---|
| System.String |
SSDT
The project type of SQL Server Data projects.
Declaration
public const string SSDT = "{00d1a9c2-b5f0-4af3-8072-f6c62b433612}"
Field Value
| Type | Description |
|---|---|
| System.String |
UNIVERSAL_APP
The project type of UWP app projects.
Declaration
public const string UNIVERSAL_APP = "{262852C6-CD72-467D-83FE-5EEB1973A190}"
Field Value
| Type | Description |
|---|---|
| System.String |
WAP
The project type of Web Application projects.
Declaration
public const string WAP = "{FAE04EC0-301F-11D3-BF4B-00C04F79EFBC}"
Field Value
| Type | Description |
|---|---|
| System.String |
WEBSITE_PROJECT
The project type of the legacy website projects.
Declaration
public const string WEBSITE_PROJECT = "{E24C65DC-7377-472B-9ABA-BC803B73C61A}"
Field Value
| Type | Description |
|---|---|
| System.String |


GNSDK provides working, command-line C-based sample applications that demonstrate common queries and application scenarios.
The package also provides sample databases you can use when developing your applications.
Gracenote recommends stepping through the sample applications with a debugger to observe module usage and API calls.
The sample applications are designed for simplicity and clarity, and not for use in real-world applications.
Below is a list of code snippets, sample applications, and reference applications for GNSDK. Sample and reference applications are included in the release package in the /samples and /reference_applications folders. Code snippets are part of the documentation and are not included.
| Description | Link/Name |
|---|---|
| Look up Album cover art | samples/code_snippets/album_content_lookup.c |
| Set up caching | samples/code_snippets/cache.c |
| Set up callbacks | samples/code_snippets/callback.c |
| Navigate an Album's GDO and get its metadata | samples/code_snippets/gdo_get_metadata.c |
| Serialize GDOs | samples/code_snippets/gdo_serialize.c |
| Render GDOs as XML | samples/code_snippets/gdo_xml_render.c |
| Initialization | samples/code_snippets/initialization.c |
| samples/code_snippets/initialization_multiple.c | |
| Use Lists | samples/code_snippets/list.c |
| Use Locales | samples/code_snippets/locale_mgmt_1.c |
| samples/code_snippets/locale_mgmt_2.c | |
| Set up logging | samples/code_snippets/logging.c |
| samples/code_snippets/logging_to_callback.c |
| Modules Used | Description | Link/Name |
|---|---|---|
| Link | Retrieves an Album cover art image using Link starting with a serialized GDO as source. | samples/link_coverart/main.c |
| MusicID | Uses MusicID to look up Album GDO content, including Album artist, credits, title, year, and genre. It demonstrates how to navigate the album GDO that returns basic track information, including artist, credits, title, track number, and genre. | samples/musicid_gdo_navigation/main.c |
| Looks up an Album using a TUI in the local database, if not found then performs an online lookup. | samples/musicid_lookup_album_local_online/main.c | |
| Looks up an Album based on its TOC using either a local database or online. | samples/musicid_lookup_album_toc/main.c | |
| MusicID-File | Uses AlbumID for advanced audio recognition. The audio file’s folder location and its similarity to other audio files are used to achieve more accurate identification. | samples/musicid_file_albumid/main.c |
| Uses LibraryID to perform additional scanning and processing of all the files in an entire collection. This enables LibraryID to find groupings that are not captured by AlbumID processing | samples/musicid_file_libraryid/main.c | |
| Uses TrackID, the simplest MusicID-File processing method to process each audio file independently, without regard for any other audio files in a collection. | samples/musicid_file_trackid/main.c |
| Modules Used | Description | Name |
|---|---|---|
| Playlist | Demonstrates the MoreLikeThis use-case using Playlist and MoodGrid. | reference_apps/MoodGrid_MoreLikeThis |


The meaning of colors in finished tasks
compiler_proxy's console (http://localhost:8088/) shows finished tasks with several colors:
- Succeeded:
The task has run in a backend server and it succeeded
- Cache hit:
Goma reused cached result
- Local Cache hit:
Goma reused local cached result
- Local fallback:
The task finished locally. This happens when
1) the local command finishes before Goma respond or
2) Goma decided to run the task locally (e.g., for preprocess and link,
Goma doesn't use its backends)
- Retry:
The first request failed but the retried request succeeded.
compiler_proxy remembers files it has already sent to backends and
doesn't send them again. This status can happen Goma's backends
don't have some of these files actually, due to cache expiration.
You should be able to consider this state as success unless you see many
(like >30%).
-
Client Error*:
There was an error in the part of the build execution on the Goma client
(compiler_proxy). This could be due to a failure in a local build.
-
HTTP Error*:
There was an error trying to communicate with the Goma backend server over
HTTPS. This could be due to an unhealthy or otherwise unresponsive backend
server.
-
Backend Error*:
Something wrong has happened in Goma's backends. Several reasons can
cause this:
- this type of request isn't supported by Goma yet
- Goma's bug
- cache expiration, etc.
- Failed
Local task failed. Usually, this means your source code has some errors.
If you are sure your source code is OK, this may indicate a serious bug
in Goma. Please let us know.
- Failed but
maybe during ./configure:
Same as above but the input filename contains "conftest" so this may
happened during ./configure.
- Mismatch:
compiler version, compiler hash, or subprogram (e.g. .so files that
a compiler uses) is mismatched between client and server.
It means, the Goma server didn't use the same compiler as the compiler
you used in your client, maybe because the Goma server doesn't have
the same compiler.
- Canceled:
Goma canceled this task. This should happen only when you stopped
your build (e.g., SIGINT for make).
* compiler_proxy will run local fallback whenever this
happens and your compilation should succeed. You may be able to ignore these
failures unless a lot of tasks are going to this state. When many tasks fail due
to this reason, Goma's performance can be significantly worse than usual.


Anti-Maritime Piracy Bill introduced in LS, aims to promote safety on water
The proposed law is aimed at promoting the safety and security of India's maritime trade.
by PTINew Delhi: A bill which seeks to provide for stringent punishment, including death penalty or life imprisonment, to those involved in piracy at sea was introduced in Lok Sabha on Monday.
Shashi Tharoor (Cong) opposed The Anti-Maritime Piracy Bill at the introduction stage saying, the provision of automatic death penalty was against the law.
External Affairs Minister S Jaishankar said the bill does not have automatic death penalty provision. He said it is factually incorrect to say that there is an automatic death penalty provision.
The proposed law is aimed at promoting the safety and security of India's maritime trade including the safety of its crew members, according to the bill.
The government is bringing the law as part of the commitment made by India while signing the United Nations Convention on the Law of the Sea (UNCLOS) in 1982.
The UNCLOS was ratified by India in 1995. According to the statement of objects, India does not have a separate domestic legislation on piracy.
The provisions of the Indian Penal Code pertaining to armed robbery and the Admiralty jurisdiction of certain courts have been invoked in the past to prosecute pirates apprehended by the Indian Navy and the Coast Guard.
"But in the absence of any specific law relating to the offence of maritime piracy in India, problems are being faced in ensuring effective prosecution of the pirates," it said.
According to section 3 of the bill, "whoever commits any act of piracy, shall be punished (i) with imprisonment for life; or (ii) with death, if such person in committing the act of piracy causes death or an attempt thereof."
Catch the latest news, live coverage and in-depth analyses from India and World. Follow us on Facebook and Twitter.


Branding PBSN through event media campaigns
- Collaborators: Jacqueline Shi
- Ongoing project
- PBSN's Interview Competition
- Stock Pitch Competition
- Spring Social
The Pre-Business Students’ Network (PBSN) is a student-run organization which aims to help university students discover, explore, and gain experience in the many fields of business. Through a variety of conferences, workshops, and competitions, PBSN connects the very best emerging business leaders at Western University, building a network that is carried beyond their time at university and into the professional world.
As a media executive on team, I am responsible for creatively brainstorming methods of outreach. Aside from aligning the minimalist and polished look, together with our media team, we create a variety of material from animations, graphics to promotional videos. Below are some of the assets I have created for:
Interview Competition
Stock Pitch Competition
Inspired by PepsiCo, we based our initial teaser draft on similar round fluid forms. Our colour scheme consisted of yellow and orange hues + bold and navy blues.


| Class and Description |
|---|
| Triple
A class for wrapping three objects of arbitrary type
|
| Class and Description |
|---|
| AbstractRecord
The super class for models, should be extended by all model classes.
|
| Correspondence
Represent a correspondence.
|
| DataSet
Interface for data sets.
|
| FusedValue
Represents a fused value in the data fusion process
|
| Fusible
Interface representing all fusible records
|
FusibleDataSet
DataSet extended by functionality for data fusion |
| FusibleFactory
Specifies the factory method for creating a fused record
|
| FusibleValue
Wrapper for a value during the data fusion process
|
| Matchable
An interface defining the basic requirements for everything that can be
matched with this framework.
|
| Pair
A pair of two objects.
|
| RecordGroup
Represents a group of
Fusible s. |
| RecordGroupFactory
Factory for
RecordGroup s |
| Class and Description |
|---|
| FusedValue
Represents a fused value in the data fusion process
|
| Fusible
Interface representing all fusible records
|
| FusibleValue
Wrapper for a value during the data fusion process
|
| Matchable
An interface defining the basic requirements for everything that can be
matched with this framework.
|
| Class and Description |
|---|
| FusedValue
Represents a fused value in the data fusion process
|
| Fusible
Interface representing all fusible records
|
| FusibleValue
Wrapper for a value during the data fusion process
|
| Matchable
An interface defining the basic requirements for everything that can be
matched with this framework.
|
| Class and Description |
|---|
| FusedValue
Represents a fused value in the data fusion process
|
| Fusible
Interface representing all fusible records
|
| FusibleValue
Wrapper for a value during the data fusion process
|
| Matchable
An interface defining the basic requirements for everything that can be
matched with this framework.
|
| Class and Description |
|---|
| FusedValue
Represents a fused value in the data fusion process
|
| Fusible
Interface representing all fusible records
|
| FusibleValue
Wrapper for a value during the data fusion process
|
| Matchable
An interface defining the basic requirements for everything that can be
matched with this framework.
|
| Class and Description |
|---|
| FusedValue
Represents a fused value in the data fusion process
|
| Fusible
Interface representing all fusible records
|
| FusibleValue
Wrapper for a value during the data fusion process
|
| Matchable
An interface defining the basic requirements for everything that can be
matched with this framework.
|
| Class and Description |
|---|
| Correspondence
Represent a correspondence.
|
| DataSet
Interface for data sets.
|
| Matchable
An interface defining the basic requirements for everything that can be
matched with this framework.
|
| MatchableValue
A wrapper for objects that implements the {link
Matchable interface. |
| MatchingGoldStandard
Class representing a gold standard data.
|
| Performance
Contains the evaluation performance.
|
| Class and Description |
|---|
| Correspondence
Represent a correspondence.
|
| Matchable
An interface defining the basic requirements for everything that can be
matched with this framework.
|
| Pair
A pair of two objects.
|
| Class and Description |
|---|
| Correspondence
Represent a correspondence.
|
| DataSet
Interface for data sets.
|
| Matchable
An interface defining the basic requirements for everything that can be
matched with this framework.
|
| MatchableValue
A wrapper for objects that implements the {link
Matchable interface. |
| MatchingGoldStandard
Class representing a gold standard data.
|
| Performance
Contains the evaluation performance.
|
| Class and Description |
|---|
| Correspondence
Represent a correspondence.
|
| DataSet
Interface for data sets.
|
| LeftIdentityPair
A
Pair that is equal to another pair if the first element of both pairs is equal. |
| Matchable
An interface defining the basic requirements for everything that can be
matched with this framework.
|
| MatchableValue
A wrapper for objects that implements the {link
Matchable interface. |
| MatchingGoldStandard
Class representing a gold standard data.
|
| Pair
A pair of two objects.
|
| Triple
A class for wrapping three objects of arbitrary type
|
| Class and Description |
|---|
| Correspondence
Represent a correspondence.
|
| Matchable
An interface defining the basic requirements for everything that can be
matched with this framework.
|
| MatchableValue
A wrapper for objects that implements the {link
Matchable interface. |
| Pair
A pair of two objects.
|
| Class and Description |
|---|
| AbstractRecord
The super class for models, should be extended by all model classes.
|
| Correspondence
Represent a correspondence.
|
| DataSet
Interface for data sets.
|
| Fusible
Interface representing all fusible records
|
| Matchable
An interface defining the basic requirements for everything that can be
matched with this framework.
|
| MatchingGoldStandard
Class representing a gold standard data.
|
| Pair
A pair of two objects.
|
| Performance
Contains the evaluation performance.
|
| Class and Description |
|---|
| Correspondence
Represent a correspondence.
|
| Matchable
An interface defining the basic requirements for everything that can be
matched with this framework.
|
| Triple
A class for wrapping three objects of arbitrary type
|
| Class and Description |
|---|
| Correspondence
Represent a correspondence.
|
| Correspondence.RecordId |
| DataSet
Interface for data sets.
|
| Fusible
Interface representing all fusible records
|
FusibleDataSet
DataSet extended by functionality for data fusion |
| FusibleValue
Wrapper for a value during the data fusion process
|
| HashedDataSet
An implementation of a Data set backed by a HashMap
|
| Matchable
An interface defining the basic requirements for everything that can be
matched with this framework.
|
| Pair
A pair of two objects.
|
| ParallelHashedDataSet
An implementation of a
DataSet backed by a HashMap |
| Performance
Contains the evaluation performance.
|
| RecordGroup
Represents a group of
Fusible s. |
| Class and Description |
|---|
| AbstractRecord
The super class for models, should be extended by all model classes.
|
| DataSet
Interface for data sets.
|
| Fusible
Interface representing all fusible records
|
FusibleDataSet
DataSet extended by functionality for data fusion |
FusibleHashedDataSet
HashedDataSet class extended by functionalities for data fusion |
| HashedDataSet
An implementation of a Data set backed by a HashMap
|
| Matchable
An interface defining the basic requirements for everything that can be
matched with this framework.
|
| Class and Description |
|---|
| Correspondence
Represent a correspondence.
|
| DataSet
Interface for data sets.
|
| Matchable
An interface defining the basic requirements for everything that can be
matched with this framework.
|
| MatchableValue
A wrapper for objects that implements the {link
Matchable interface. |
| Pair
A pair of two objects.
|
| Class and Description |
|---|
| Correspondence
Represent a correspondence.
|
| Matchable
An interface defining the basic requirements for everything that can be
matched with this framework.
|
| Class and Description |
|---|
| DataSet
Interface for data sets.
|
| Class and Description |
|---|
| Correspondence
Represent a correspondence.
|
| DataSet
Interface for data sets.
|
| Matchable
An interface defining the basic requirements for everything that can be
matched with this framework.
|
| Class and Description |
|---|
| Pair
A pair of two objects.
|
| Class and Description |
|---|
| Pair
A pair of two objects.
|
| Performance
Contains the evaluation performance.
|
| Class and Description |
|---|
| Pair
A pair of two objects.
|
| Class and Description |
|---|
| Triple
A class for wrapping three objects of arbitrary type
|
| Class and Description |
|---|
| Pair
A pair of two objects.
|
| Class and Description |
|---|
| Pair
A pair of two objects.
|
Copyright © 2018. All rights reserved.


A jquery plugin for the JTab javascript library.
JTabify is used display guitar chord diagrams for chords in guitar tablature.


Modify Student Information
Select Student
Modify Student
Student Name
EMPL ID
Nickname
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Email
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Clicking OK below will save changes to the above student information.
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Compounds | |||
| union | _fixed | ||
Typedefs | |||
| typedef INT8 | BOOLEAN | ||
| TRUE or FALSE. | |||
| typedef INT8 | BYTE | ||
| Signed 8 bit. | |||
| typedef UINT8 | UBYTE | ||
| Unsigned 8 bit. | |||
| typedef INT16 | WORD | ||
| Signed 16 bit. | |||
| typedef UINT16 | UWORD | ||
| Unsigned 16 bit. | |||
| typedef INT32 | LWORD | ||
| Signed 32 bit. | |||
| typedef UINT32 | ULWORD | ||
| Unsigned 32 bit. | |||
| typedef INT32 | DWORD | ||
| Signed 32 bit. | |||
| typedef UINT32 | UDWORD | ||
| Unsigned 32 bit. | |||
| typedef union _fixed | fixed | ||
| Useful definition for fixed point values. |


{{ template.text_box("message","A Welcome message to newcomer!","
Super Pro Tips: {user} is refer to new member's name,if you want a
mention use
{user_mention},
<{server} is server name of your.",message)}}
{{ template.text_box("delete_msg","Custom time second to delete message","Given time to make bot delete message. Recommend not to this if you set Whisper Options.",delete_msg)}}
{{ template.channel_list("channel","Welcome channel",guild_channel,"Note,make sure Nurevam are able to speak on that channel!",welcome_channel)}}
{{template.typeahead("assign_role","Assign Role",assign_role,guild_roles,"assign_role","Role that can assign a member. Multiple role work as well.")}}


Namespace com.CIMthetics.CSharpSECSTools.SECSCommUtils
Classes
ConnectionDefaults
This class provides default values for various parameters related to SECS-I and HSMS connections.
HSMSConnection
This class implements a SECSConnection
that uses HSMS for
its transport layer.
HSMSHeader
This class represents a SECS message header for user when a message is sent via an HSMS transport layer. Refer to the SEMI Standards covering E037 for more information.
SECSConnection
This is the abstract
base class for classes supporting communication of SECS-II
messages to an end point.
SECSConnectionConfigInfo
SECSConnectionFactory
SECSHeader
This is an abstract
base class for a SECS message header.
SECSIConnection
This class implements a SECSConnection
that uses SECS-I for
its transport layer.
SECSIHeader
This class represents a SECS message header when a SECS-II message is sent via the SECS-I transport layer. Refer to the SEMI Standards covering E004 for more information.
SECSMessage
This class represents a SECS message that will be sent to some other entity or a SECS message that has been received from some other entity.
Enums
HSMSConnectionMode
This enum
is used to indicate whether an HSMSConnection
is to
operate in an Active
or Passive
manner.
HSMSConnectionNetworkFamily
HSMSConnectionState
PTypeValues
SECSConnectionType
This enum
is used to indicate whether a SECSConnection
uses
SECS-I or HSMS as its transport layer.


Classic black leather jackets. Dark months call for dark clothing.
Email us:
Abacus, an email template created by EmailOctopus, rebuilt with Tailwind CSS in Maizzle.


The humidity in is %
The temperature is °
The time is .
You have to prepare for Justin Timberlake's birthday.


Williams hoping to develop "phenomenal" George Russell in 2020
by Adam NewtonWilliams are hoping to continue developing young talent George Russell in 2020 as the Brit will continue to race for the team next season. Russell has impressed as much as is possible at a very uncompetitive Williams team, comfortably outperforming teammate Robert Kubica despite the Pole having more points.
Russell is yet to score a point in F1, but his talent is obvious, having stormed to the F2 title in 2018.
Williams' senior race engineer Dave Robson says that the team will continue to work with the 21-year old as he develops his skills for what could be a long and fruitful career in F1.
According to motorsportweek.com, Robson said: “We’ve definitely spent time, and used the opportunity with George particularly to make sure he learns the tracks – not just the left and right! – but that he understands the subtleties of how you have to set an F1 car up for a particular circuit, [for both] qualifying and the race.
“Undoubtedly we spend a lot of time now doing that with him and trying to open his eyes, he’s got a phenomenal understanding of how the car works, and what he wants from the car.
“Now he’s got to marry that up with the complexity of the set-up, and when we visit the same tracks next year he’ll be in a much better place to help us, to guide us, and that key bit in F1 of how the set-up interacts with the tyres, which as always is the crucial bit, which perhaps for him and anyone coming up from the lower formulas is a bit different."


This demo uses FathGrid.serverURL to get data from server-side API (jsonplaceholder).
When a row is selected, form is initialized to allow data editing.


Meet another gem in the standard library: functools
, which contains tools for functional-style programming.
In this Bite you will play with its useful partial()
function which -as per PEP 309- lets you construct variants of existing functions that have some of the parameters filled in.
The PEP also shows a small but realistic example:
import functools def log (message, subsystem): "Write the contents of 'message' to the specified subsystem." print '%s: %s' % (subsystem, message) ... server_log = functools.partial(log, subsystem='server') server_log('Unable to open socket')
In this Bite you will apply this concept to the round
builtin:
>>> round(10.42342, 2) 10.42
Write two partial
s to add the default behavior of rounding to 0 and 4 places respectively. See the template code below ...
Good luck and keep calm and code in Python!