The Texas Chain Saw Massacre
The Texas Chain Saw Massacre is a movie starring Marilyn Burns, Edwin Neal, and Allen Danziger. Two siblings and three of their friends en route to visit their grandfather's grave in Texas end up falling victim to a family of...


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This package contains time-dependent and controlled multiphase voltage and current sources:
| Name | Description |
|---|---|
| SignalVoltage | Multiphase signal voltage source |
| ConstantVoltage | Multiphase constant voltage source |
| SineVoltage | Multiphase sine voltage source |
| CosineVoltage | Multiphase cosine voltage source |
| SignalCurrent | Multiphase signal current source |
| ConstantCurrent | Multiphase constant current source |
| SineCurrent | Multiphase sine current source |
| CosineCurrent | Multiphase cosine current source |


CHAPTER 354D
HAWAII CORRECTIONAL INDUSTRIES
Section
354D-1 Finding and purpose
354D-2 Definitions
354D-3 Correctional industries program
354D-3.5 Annual report
354D-4 Powers and duties of the director
354D-5 Advisory committee
354D-6 Required programs
354D-7 Pricing
354D-8 Business operations; budget
354D-9 Rules
354D-10 Correctional industries revolving fund
354D-11 Provisions for qualified, able-bodied inmates;
employment
354D-12 Training and employment by organization; account
proceeds and wages
354D-13 Venture agreements
354D-14 Disclosure of interests
354D-15 Repealed
354D-16 Penalties


Alakazam remains a strong pick in Rose Red/Iris Blue, with its great 120 speed and 135 special allowing it to be a powerhouse while still having good utility options. However, a lot of competition has caught up to it. The buffs to bug type Pokemon and attacks make absorbing Paralysis a risky task for Alakazam, and the rise of Dream Eater teams makes brainlessly absorbing sleep or poison dangerous as well. Furthermore, many special attackers gained strong mixed offensive tools, notably flying-type attackers like Moltres and Articuno, that can prey on Alakazam's weak physical bulk. In short, Alakazam is still a strong pick but now it can't be used as brainlessly as standard RBY.
- Psychic
- Recover
- Thunder Wave
- Seismic Toss
Some things never change, and Alakazam's strengths are certainly one of them. Spread paralysis with the threat of a Psychic backed by powerful 135 special, and use Seismic Toss against opposing psychic types that resist your attacks.
Reflect can be used to try tanking physical hits and weaker explosions. Counter can catch a normal-type attacker by surprise, but the rise of other physical attacking types makes this less useful.
Butterfree: The dedicated anti-psychic Pokemon can comfortably switch into Alakazam, threaten sleep or paralysis, and heal off damage with Leech Life.
Bug-type attackers: From speed demons like Beedrill to bulky tanks like Parasect, many physical bug types can scare off Alakazam.
Bulky physical attackers: If Alakazam is paralyzed, then bulky attackers like Snorlax can threaten a lot of damage.
Dream Eater: A poisoned or sleeping Alakazam is now susceptible to getting hit by a 180 bp ghost-type attack.
Author: Kurai
Publish Date: 24th July 2020


The Society of Hispanic Professional Engineers (SHPE) was formed in Los Angeles, California in 1974 by a group of Hispanic engineers to promote the advancement of Hispanics in engineering and science. The Society has the objective to serve as role models and to promote educational programs for minority youth. Currently, SHPE is composed of student and professional chapters with membership approaching ten thousand.  The program’s objective is to provide high school students the opportunity to develop and deliver a technical response towards a real-life topic; whilst promoting the pursuit of higher education in the science, engineering, technology, and math fields. If interested in sponsoring this event please download and submit a Sponsorship Package.
Register Here Deadline to register is TBD. Parents’ attendance is optional; we will be allowing audience attendance for the delivery of case study resolution from students to panel. Parents and students will be part of a brief meet and greet session before going to their respective workshops.
| 9:00 am | 9:30 am | Students Arrive at NJIT |
|---|---|---|
| 9:30 am | 10:00 am | Welcome Presentation / Meet & Greet |
| 10:00am * | 3:00 pm * | Case Study Presentations * |
| 10:00 am | 11:00 am | Workshop 1 | 2 | 3 | 4 |
| 11:00 am | 12:00 pm | Workshop 1 | 2 | 3 | 4 |
| 12:00 pm | 1:00 pm | Lunch |
| 1:00 pm | 2:00 pm | Workshop 1 | 2 | 3 | 4 |
| 2:00 pm | 3:00 pm | Workshop 1 | 2 | 3 | 4 |
| 3:00 pm | 3:30 pm | Winner Announcements / Closing Remarks |
| 3:30 pm | 3:45 pm | Student Pick Up |
If you have any questions feel free to contact:
Edgard Jimenez-Cucchi at<PHONE_NUMBER> |<EMAIL_ADDRESS>Chapter President Mike Chica at<PHONE_NUMBER> | shpenj.president@gmail.com


Most of the time you don't need to think about reactive-web
's
internals. However, to reason about more complex situations, it may be
helpful to understand what's happening behind the scenes. That said, the
following is not meant to paint a picture about typical usage of the
library.
At its heart, deep down, reactive-web
is just a
simple abstraction over Lift's superb Ajax and Comet support. It allows
you to demarcate a dynamic scope (think scala.util.DynamicVariable
's
withValue
/ net.liftweb.util.ThreadGlobal
's doWith
)
in which code can queue JavaScript to be executed in the browser. How
the JavaScript is sent to the browser depends on the dynamic scope:
either the current thread is responding to an Ajax call, and the queued
JavaScript will be accumulated and returned as the Ajax response; or the
current thread has a scope associated with a particular Page
,
and when the thread exits the scope, the JavaScript will be sent to the
Comet actor associated with that Page
. It is a runtime
error to queue JavaScript when not inside any scope.
Note that if in your application nothing happens after page load that is not in response to a browser event, you do not need to put enable Comet support. However, if you do need Comet support, you need to:
Reactions.initComet
reactive-web
:

reactive-web
builds on this, and on reactive-core
,
to provide concise, composable abstractions for rendering highly
interactive and dynamic browser content.
So what is a Page
? Well, really all it does is hold
a unique id. But Comet actors are named based on this id, keeping a
separate flow of updates to separate pages. And, as mentioned above,
it's used to associate a scope with a Comet actor. Similarly, browser
content is associated with one or more Page
s, which they
keep themselves updated on. In addition, Page
extends Observing
,
so by having one in the implicits scope (as is the case if your snippet
extends ReactiveSnippet
), you can foreach
over
events.
The simplest way to experience how reactive-web
interacts with the browser at the low level is perhaps the confirm
method (a member of the package object), which triggers its JavaScript
namesake.
confirm("Are you sure you want to delete XXX?"){ case true => xxx.delete }
What happens is that when you call confirm, reactive-web
queues JavaScript that calls confirm in the browser, and sends the
return value back to your application via Ajax.
Here's the implementation:
def confirm(message: String)(response: PartialFunction[Boolean, Unit])(implicit page: Page): Unit = { val funcWrapper: String=>Unit = { case "true" => if(response.isDefinedAt(true)) response(true) case "false" => if(response.isDefinedAt(false)) response(false) } val js = S.fmapFunc(S.contextFuncBuilder(RElem.ajaxFunc(funcWrapper))) {funcId => SHtml.makeAjaxCall( JsRaw("'"+funcId+"='+confirm(" + Str(message).toJsCmd + ")") ).toJsCmd } Reactions.inAnyScope(page)( Reactions.queue( JsCmds.Run(js) ) ) }
Let's break that up:
def confirm(message: String)(response: PartialFunction[Boolean, Unit])(implicit page: Page): Unit = {
Okay, so we take in a message to display, and a PartialFunction
to handler the result (it can handle neither, one, or both Boolean
values). And we require a Page
, normally passed in
implicitly.
val funcWrapper: String=>Unit = { case "true" => if(response.isDefinedAt(true)) response(true) case "false" => if(response.isDefinedAt(false)) response(false) }
The above simply wraps the PartialFunction
in a
regular function, to be called via Ajax.
val js = S.fmapFunc(S.contextFuncBuilder(RElem.ajaxFunc(funcWrapper))) {funcId => SHtml.makeAjaxCall( JsRaw("'"+funcId+"='+confirm(" + Str(message).toJsCmd + ")") ).toJsCmd }
This is regular Lift code: we're generating JavaScript to call
our Ajax function with whatever confirm
returns.
Now for the reactive-web
part:
Reactions.inAnyScope(page)( Reactions.queue( JsCmds.Run(js) ) )
In order to understand the above code, it is helpful to be aware
of two other methods on the Reactions
singleton: inClientScope
and inServerScope
. inClientScope
takes a block
of code and executes it with a dynamic scope that is client-side,
meaning that the code is executing in response to an Ajax call triggered
by the client (browser). inClientScope
runs the code block
and stores up all JavaScript it queues -- and the accumulated JavaScript
becomes its return value. (Browser events are wired up by adding event
handlers in the browser that call an Ajax function which fires the
server events inside of a call to inClientScope
, then
returning its return value back to the browser.) Then there's inServerScope
,
which takes a Page
and a code block, and all JavaScript
queued by the code block is sent to the Comet actor associated with the
Page
.
Both of the above methods temporarily overwrite whatever the
current scope was before (of course it's restored after the code block
is run). What if you have code that needs to run in some Reactions
scope, but it should be agnostic as to which one? That's what Reactions.inAnyScope
is for. It needs a Page
, in case it's going to run in
server scope, but what it does is that if there already is a Reactions
scope, the code is just executed in the existing scope. If there is no
current Reactions
scope, then it enters a new server scope
to run the code.
So we call Reactions.inAnyScope
, and pass it a code
block that calls Reactions.queue
, with js
(a String
)
wrapped in a JsCmd
.


Resources used:
HTML, CSS JavaScript compiled with Babel, React, React DOM, Bootstrap and Font Awesome
Test Requirements(Select Drum Machine to test in test suite):
Technology Stack:
1. You can use any mix of HTML, JavaScript, CSS, Bootstrap, SASS, React, Redux, and jQuery to complete this project. You should use a frontend framework (like React for example) because this section is about learning frontend frameworks. Additional technologies not listed above are not recommended and using them is at your own risk. We are looking at supporting other frontend frameworks like Angular and Vue, but they are not currently supported. We will accept and try to fix all issue reports that use the suggested technology stack for this project. Happy coding!
Tests:
- I should be able to see an outer container with a corresponding id="drum-machine" that contains all other elements
- Within #drum-machine I can see an element with corresponding id="display".
- Within #drum-machine I can see 9 clickable "drum pad" elements, each with a class name of "drum-pad", a unique id that describes the audio clip the drum pad will be set up to trigger, and an inner text that corresponds to one of the following keys on the keyboard: Q, W, E, A, S, D, Z, X, C. The drum pads MUST be in this order.
- Within each .drum-pad, there should be an HTML5 audio element which has a src attribute pointing to an audio clip, a class name of clip, and an id corresponding to the inner text of its parent .drum-pad (e.g. id="Q", id="W", id="E" etc.).
- When I click on a .drum-pad element, the audio clip contained in its child audio element should be triggered.
- When I press the trigger key associated with each .drum-pad, the audio clip contained in its child element should be triggered (e.g. pressing the Q key should trigger the drum pad which contains the string "Q", pressing the W key should trigger the drum pad which contains the string "W", etc.).
- When a .drum-pad is triggered, a string describing the associated audio clip is displayed as the inner text of the #display element (each string must be unique).


Police appeal to find wanted man from south Bristol who has breached his terms of license
Jamie Cockle is known to frequent Bishopsworth and Hartcliffe
by Jasper KingAvon and Somerset Constabulary are appealing to find a wanted man.
Jamie Cockle, a 25-year-old from south Bristol is wanted on recall after breaching his terms of license.
Cockle is described by police as being 6ft tall, of muscular build and typically has short hair and often has a beard.
He is known to frequent the Bishopsworth and Hartcliffe areas of south Bristol.
Avon and Somerset Constabulary are keen to hear from anyone who sees him or has any information about his whereabouts.
The public in Bristol are advised not to contact Cockle but instead to call them on 101, providing the call handler with the reference number<PHONE_NUMBER>.
For the latest news in and around Bristol, visit and bookmark Bristol Live's homepage.


| Created: | 4/29/2013 12:00:00 AM |
| Modified: | 4/30/2013 4:09:46 PM |
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Name: |
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Terms of appeal for this tendering process.
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Name: |
Name: Minutes Document Reference |
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Details:
A reference to a set of minutes associated with this award.
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Name: Additional Document Reference |
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A reference to an additional document associated with this document. It can be used to include annex documents such as the minutes of the awarding process meetings.
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Name: Receiver Party |
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The party receiving this document.
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Name: Sender Party |
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The party sending this document.
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A signature applied to this document.
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An association to the Tender Result being notified
|


I am a creative and innovative Software Engineer who has spent the last year teaching Full-Stack development to over 100 students. As both a teacher and a Web Development consultant, I have an innate ability to break down complex code into intuitive, interactive solutions that support a diverse set of stakeholders
• Educated 100+ students on Full-Stack Development using agile methodology
• Promoted from role of teaching assistant to instructional associate due to
exceptional performance based on manager and student feedback• Taught: HTML, CSS, JavaScript, React.JS, Node.JS, Express.JS, Ruby on Rails, PSQL
• 80% of students landed Jr. Web Development roles within six-months of graduation
• Clients Included: Walden Home & Garden, Northwell Health, Rachel Flam Design, Bais Torah U'Tefillah Synagogue, Shidduchline Matchmaking Services
• Responsible for designing and developing digital brand materials in addition to building and renovating company websites
• Leveraged Photoshop, In-Design, and Illustrator to design company deliverables
• Collaborated with Chief Marketing Officer and Visual Design team to create 150-page book that was sold to over 300 outside stakeholders
• Received formal training in HTML, CSS, and JavaScript
• Applied training to develop user interface for multiple, internal clients
• Worked in an agile environment directly under CEO and Principal Developer
Apart from being a web developer, I enjoy most of my time being in the kitchen. I love creating new recipes and experimenting. I cook and bake as much as possibe and love to share my results with others.
I also love to create artwork for my home using mixed media and oil paints. I can spend hours mixing colors and testing new ideas. Creativity is huge force in my life which is part of why I appreciate code so much.


In the context of complex dynamics, a topic of mathematics, the Julia set and the Fatou set are two complementary sets (Julia "laces" and Fatou "dusts") defined from a function. Informally, the Fatou set of the function consists of values with the property that all nearby values behave similarly under repeated iteration of the function, and the Julia set consists of values such that an arbitrarily small perturbation can cause drastic changes in the sequence of iterated function values. Thus the behavior of the function on the Fatou set is "regular", while on the Julia set its behavior is "chaotic".
The Julia set of a function f is commonly denoted J(f), and the Fatou set is denoted F(f). These sets are named after the French mathematicians Gaston Julia and Pierre Fatou whose work began the study of complex dynamics during the early 20th century.
Source: Wikipedia
The Mandelbrot set is the set of complex numbers c for which the function
fc(z) = z2 + c
doesn't diverge when iterated from z = 0, i.e., for which the sequence
fc(0), fc(fc(0)), etc., remains bounded in absolute value.
Its definition and name are due to Adrien Douady, in tribute to the mathematician Benoit Mandelbrot. The set is connected to a Julia set, and related Julia sets produce similarly complex fractal shapes.
Mandelbrot set images may be created by sampling the complex numbers and testing, for each sample point c, whether the sequence
fc(0), fc(fc(0)), ... goes to infinity (in practice, whether it leaves some predetermined bounded neighborhood of 0 after a predetermined number of iterations).
Treating the real and imaginary parts of c as image coordinates on the complex plane, pixels may then be coloured according to how soon the sequence
|fc(0)|, |fc(fc(0))|, ... crosses an arbitrarily chosen threshold, with a special color (usually black) used for the values of c for which the sequence hasn't crossed the threshold after the predetermined number of iterations (this is necessary to clearly distinguish the Mandelbrot set image from the image of its complement). If c is held constant and the initial value of z (denoted by z0) is variable instead, one obtains the corresponding Julia set for each point c in the parameter space of the simple function.
Images of the Mandelbrot set exhibit an elaborate and infinitely complicated boundary that reveals progressively ever-finer recursive detail at increasing magnifications. The "style" of this repeating detail depends on the region of the set being examined. The set's boundary also incorporates smaller versions of the main shape, so the fractal property of self-similarity applies to the entire set, and not just to its parts.
The Mandelbrot set has become popular outside mathematics both for its aesthetic appeal and as an example of a complex structure arising from the application of simple rules. It's one of the best-known examples of mathematical visualization and mathematical beauty.
Source: Wikipedia


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Charity T-Shirt
For the PonyFest × PVFM Concert, we have another fantastic concert shirt AND a powerful charity attached!
Our charity this time around is The Trevor Project, the world’s largest suicide prevention and crisis intervention organization for LGBTQ+ youth. Providing free counseling over chat, phone, and text as well as doing important advocacy and activist work, Trevor Project has supported gay, lesbian, bisexual, transgender, non-binary, gender-nonconforming, and questioning young people across the entire United States since 1998. Their counseling services are available 24/7 and staffed by trained volunteers and experts.
Particularly during the Covid-19 pandemic, the risk for LGBTQ+ youth to lose safety nets, become homeless, get abused, or be otherwise at high risk of personal crisis has increased massively. All money benefiting The Trevor Project will go directly into providing crucial resources and crisis support for youth in need.
Q&A
Q: Are there only 100 shirts available?
A: No, there are an infinite number of shirts to be had! 100 is just an initial goal, and one we would very much like to beat!
Q: Do these shirts ship internationally?
A: Yes! Printing, processing and shipping is directly handled by CustomInk, and they offer worldwide shipping!
Q: Does the shirt come in a different fit?
A: Unfortunately not! We offer the shirt at a unisex fit, avaible in sizes YXS to 4XL. Please check out the fundraiser page for a more detailed sizing guide!


Gaebrielle is passionate about discovering new music and artists.
After studying Communication Design, she would love to work as a music supervisor.
Family Early Life Favorite Music Favorite Movies Favorite Art Favorite Foods Current Life Cool Talent
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Work Day Scheduler
A simple calendar app for scheduling your work day
8AM
9AM
10AM
11AM
12PM
1PM
2PM
3PM
4PM
5PM
6PM
7PM
8PM
9PM
10PM


Point to Point means message(s) is sent from one application(producer or sender) to another application(consumer/receiver) via a queue. There can be more than one consumer listening on a queue but only one of them will be get the message. Hence it is Point to Point or One to One.
In this scenario, we have two distinct applications (App1 and App2) that simulate two different purpose APIs that "listen" to the same topic (Chat).
Both applications use the same consumer group ID and only one will receive the message.
Below are some reference links for this model:
Steps to simulate:


Submitting this form will generate a link to a custom DuckHuntJS level that you can share with friends!
Field limits are meant to avoid browser crashes from render overload and indicate sporting values.
Field limit validation is not performed in game, so if you really want to see what happens when you shoot
1000 ducks all at once, you can make that happen.


It was proposed by Christian Goldbach that every odd composite number can be written as the sum of a prime and twice a square.
9 = 7 + 2×12
15 = 7 + 2×22
21 = 3 + 2×32
25 = 7 + 2×32
27 = 19 + 2×22
33 = 31 + 2×12
It turns out that the conjecture was false.
What is the smallest odd composite that cannot be written as the sum of a prime and twice a square?
Naive solution.
Iterate through all odd numbers, split them into odd primes and odd composites.
For each odd composite, check if it can be wirtten as the format: $ odd = prime + 2 \times i^2, i \ is \ positive \ integer $. Notice, we do not need to check $prime = 2$
from math import sqrt
def is_prime(n):
return all((n % d for d in range(3, int(sqrt(n))+1, 2)))
is_prime(3)
is_prime(9)
def solve():
odd_primes = set()
odd_composites = set()
odd = 3
while True:
if is_prime(odd):
odd_primes.add(odd)
else:
odd_composites.add(odd)
square_i = range(1, int(sqrt(odd / 2))+1)
squares = map(lambda i: pow(i, 2), square_i)
remains = map(lambda sq: odd - 2*sq, squares)
if all(map(lambda remain: remain not in odd_primes, remains)):
return odd
odd += 2
solve()


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| Top |
This GSocketControlMessage contains a GCredentials instance. It
may be sent using g_socket_send_message()
and received using
g_socket_receive_message()
over UNIX sockets (ie: sockets in the
G_SOCKET_FAMILY_UNIX
family).
For an easier way to send and receive credentials over
stream-oriented UNIX sockets, see
g_unix_connection_send_credentials()
and
g_unix_connection_receive_credentials()
. To receive credentials of
a foreign process connected to a socket, use
g_socket_get_credentials()
.
GSocketControlMessage *
g_unix_credentials_message_new (void
);
Creates a new GUnixCredentialsMessage with credentials matching the current processes.
Since 2.26
GSocketControlMessage *
g_unix_credentials_message_new_with_credentials
(GCredentials *credentials
);
Creates a new GUnixCredentialsMessage holding credentials
.
Since 2.26
GCredentials *
g_unix_credentials_message_get_credentials
(GUnixCredentialsMessage *message
);
Gets the credentials stored in message
.
Since 2.26
gboolean
g_unix_credentials_message_is_supported
(void
);
Checks if passing GCredentials on a GSocket is supported on this platform.
Since 2.26
typedef struct _GUnixCredentialsMessage GUnixCredentialsMessage;
The GUnixCredentialsMessage structure contains only private data and should only be accessed using the provided API.
Since 2.26
struct GUnixCredentialsMessageClass { GSocketControlMessageClass parent_class; };
Class structure for GUnixCredentialsMessage.
Since 2.26
“credentials”
property“credentials” GCredentials *
The credentials stored in the message.
Flags: Read / Write / Construct Only
Since 2.26


Saturday, November 29, 2003
I've been playing with GridPanel today and really like how elegant it is. If I say the following:
<GridPanel> <SimpleText>Testing</SimpleText> <SimpleText>1</SimpleText> <SimpleText>2</SimpleText> <SimpleText>3</SimpleText> </GridPanel>
I get the equivalent of an HTML table with four rows with each SimpleText element forming a cell like so (augmented with Border elements not shown above to accentuate the cells):
If I want to split the data into columns, I can do that using the Columns attribute:
<GridPanel Columns="2"> <SimpleText>Testing</SimpleText> <SimpleText>1</SimpleText> <SimpleText>2</SimpleText> <SimpleText>3</SimpleText> </GridPanel>
Which gives me two rows of two columns each:
That's all nice and simple, but still flexible. For example, if I want to set the Testing string to cover two columns, I can give it an ID in the XAML and call the GridPanel.SetColumnSpan static method in code, e.g. when the Window loads:
<!-- xaml --> <Window ... Loaded="window1_Loaded"> <GridPanel Columns="2"> <SimpleText ID="testingSimpleText">Testing</SimpleText> <SimpleText>1</SimpleText> <SimpleText>2</SimpleText> <SimpleText>3</SimpleText> </GridPanel> </Window>
// C# void window1_Loaded(...) { GridPanel.SetColumnSpan(testingSimpleText, 2); }
This code yields 3 rows arranged as follows:
This is all fine and makes you appreciate the elegance of the GridPanel. However, that's not what inspired me to write this entry.
Remember that the SimpleText element serves as a cell in the GridPanel. Even better, the SimpleText element doesn't know it's serving as a cell in a GridPanel. The architecture of Avalon is loosely-couple so that all of the elements don't need to have intimate knowledge of each other. This loose coupling is really great for future elements that some developer wants to host in a GridPanel or that want to host SimpleText elements. Still, I'd like to be able to set GridPanel-related properties for each "cell" on the cell element itself, even if the cell element doesn't know it's a child of a GridPanel. And that's what the extended attribute syntax in XAML lets me do. Instead of writing the code, I can just do this:
<GridPanel Columns="2"> <SimpleText GridPanel.ColumnSpan="2">Testing</SimpleText> <SimpleText>1</SimpleText> <SimpleText>2</SimpleText> <SimpleText>3</SimpleText> </GridPanel>
This dotted attribute syntax allows me to set a GridPanel setting for the SimpleText element w/o any knowledge from the GridPanel of the SimpleText or vice versa. That means that if I define the FooBar element tomorrow, I can set it's GridPanel.ColumnSpan on it when it's used inside a GridPanel w/o extending GridPanel. This also means that if FooBar has a Quux per-child property, I can set the FooBar.Quux attribute of the SimpleText element w/o extending SimpleText. Nice!
BTW, if you'd like to see the code that provides the GridPanel in "outline mode" as above, it looks like this:
<Border Background="black" Width="100%" Height="100%"> <GridPanel Columns="2"> <Border Background="white" GridPanel.ColumnSpan="2"> <SimpleText >Testing</SimpleText> </Border> <Border Background="white"> <SimpleText>1</SimpleText> </Border> <Border Background="white"> <SimpleText>2</SimpleText> </Border> <Border Background="white"> <SimpleText>3</SimpleText> </Border> </GridPanel> </Border>
Notice that the GridPanel.ColumnSpan is on the Border element, not the SimpleText element. That's because it's the Border that's the cell of the GridPanel, not the SimpleText.


Creating channel...
✔ Channel Created.
Creating contract...
✔ Channel Created.
✔ Contract Created.
Current balance {{ balance }}
Ready to play?
Max stake is: {{ maxStake }}
Stake:
Ready to toss. Guess an outcome:
Game status:
Hash Created.
Casino Pick.
Game status:
✔ Hash Created.
Casino Pick.
Game status:
✔ Hash Created.
✔ Casino Pick.
Ups we encountered an error. Please reload :)
Current balance {{ balance }}
You won! :)
Current balance {{ balance }}
You lost! :(
You need to open a channel to play a game


A KNIGHT'S TALE ---------------
A young thatcher's son William aspires to the impossible dream of becoming a knight, a title reserved for the noble born. When the adult William (Heath Ledger, "The Patriot") is faced with his liege Knight's death before the final round of a joust, he seizes an opportunity, shielded from questioning eyes by his benefactor's armor in writer/director Brian Helgeland's "A Knight's Tale."
Who would have predicted the writer of "L.A. Confidential" and director of Mel Gibson's "Payback" would make his hyphenate debut with such a risky premise? "A Knight's Tale" is a bold melding of a modern rock score and culture with the medieval jousting tournament circuit of the 14th century. We're thrown into the excitment as Queen's "We Will Rock You" blares, peasants in the stands do a wave and a young wench boogies to the music.
William wins the third round merely by staying on his horse (his knight was ahead in the first two rounds) and amusingly stays undercover by dint of the dent delivered to his helmet by his opponent's lance. William and his starving cohorts Roland (Mark Addy, "The Full Monty") and Wat (Alan Tudyk, "28 Days") quickly convert the prize into fifteen silver florins. After heated debate, William convinces them to invest the money into turning him into a tournament competitor rather than immediately gratifying their stomaches.
One amusing Rocky-like training montage later, the trio make their way towards the next meet, picking up a very nude Geoffrey Chaucer (Paul Bettany, "Bent") along the roadside when he offers to fake William's nobility papers and perform as his herald. Once there, William espies his lady fair, Jocelyn (newcomer Shannyn Sossamon) and crosses the man who will be his arch rival in both love and war, Count Adhemar (Rufus Sewall, "Dark City"). A need for armor repair on account over currency adds female blacksmith Kate (Laura Fraser, "Titus") to William's entourage.
If "The Patriot" didn't catapult Heath Ledger into full fledged stardom, "A Knight's Tale" surely will. Ledger exudes down to earth charm as well as being up to the physical demands of medieval tournament competition. He can also cut a mean rug. Ledger's more than ably supported. Paul Bettany is comicly inspired as the scene-stealing, gambling addicted future author of 'The Canterbury Tales.' His hammy, hilarious deliveries of 'Sir Ulrich's' qualifications are one of the film's highlights and his character's weakness provides an opportunity for William to show what he's made of. Alan Tudyk also provides laughs as the fiery redhead whose approach to almost any situation is like a pitbull's. Addy is the more level-headed voice of reason. Laura Fraser quietly makes a strong stand for women's lib. Sewell is a haughty, egotistical cheat, and therefore, a good villain. Newcomer Sossamon has an exotic beauty, but adds little else to the mix.
Helgeland's script has the right mix of humor, action, adventure and sentiment, although a couple of jarring character changes (William accuses his beloved of being a silly girl out of the blue, only to have to win her back; a romance that seems to be percolating between the widowed Kate and Roland is abandoned) may be attributable to editting for run time. He blends pop culture in with ancient history cleverly, usually managing to get a laugh. Kate designs new, more lightweight armor and etches in her 'brand,' which resembles a Nike logo. A courtly medieval dance evolves into present day moves to David Bowie's "Golden Years."
Cinematographer Richard Greatrex ("Shakespeare in Love") along with the film's editor and sound designer make you feel every connection of the knights' lances with their targets. Costume design by Caroline Harris ("An Ideal Husband") mostly works, although Jocelyn's outfits are sometimes too outlandish (one costume featuring a straw bonnet would look more at home at "My Fair Lady's" horse race).
"A Knight's Tale" is rousing fun - it rocks.
B
For more Reeling reviews visit www.reelingreviews.com
<EMAIL_ADDRESS><EMAIL_ADDRESS>========== X-RAMR-ID: 28728 X-RT-AuthorID: 1487 X-RT-TitleID: 1107871 X-RT-RatingText: B
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Using the Package¶
There is a specific workflow which must be adhered to in order to use the package.
First, you must specify the cpw geometry parameters. I have specified a text file called cpw_parameters.txt where I update the values, and in a preprocessing script I simply read the parameters in from that file. The text file which specifies the parameters looks something like
w = 10e-06 t = 50e-09 l = 8.194e-03 pen = 200e-09 omega = 7.3e09 Z = 50
Next, you must define a preprocessing script which sets the cpw geometry parameters, and determines the current density of the structure based on those parameters. See the example current_density.py to get a better idea on how to achieve this.
With the current density calculated and stored in a parameter file, you can now remoteley connect to a host computer and run COMSOL. One way to achieve this is to define a python script such as the example remote_interface.py, and run that script from the terminal window with the command python remote_interface.py.
- There are a number of host computers available at ucl. Two common ones are vienna and monaco, found in the EEE department. To ssh directly into these machines, in a terminal window you would type the command::
ssh<EMAIL_ADDRESS>There is also gade.phys. However, this is my personal machine, and is often in use.
This would remoteley give you access to the machine from your own computer. This package does all of this for you. When you first use the package, you will need to specify your username annd the host network (ee.ucl.ac.uk), and the ssh_command library includes functionality to gennerate a secure ssh key and upload this to the host computer.
Bear in mind, if you want to ssh into a ucl machine when you are outside UCL, you will be blocked by the firewall. To get round this, you need to install the ucl vpn. This can be found on the UCL Software Database. When outside UCL, first login to the vpn, and then procedd as normal.
- You may find it useful to add a remote machine to your ssh config file. This makes life a lot easier when transferring the files and interfacing with a remote machine. An example of how to do this is given in the example “Adding a remote machine”
- The remote_interface script will copy the parameter list to the remote machine, update a predefined COMSOL script with the new parameters, remotely run COMSOL, and retrieve the data back to your computer.
- With the data now retrieved, you can post-process the data to determine certain figures of merit. See the post-processing examples.


Search for Go projects. Find a cup of source code.
What is this?
Go Walker is a web server that generates Go projects API documentation with source code on the fly from projects on Bitbucket, Github, Google Code, Launchpad and Git @ OSC.
Awesome features and More.
Please read the About Page for information about adding projects to Go Walker and more.
What other people are looking at. My history
| Import Path(Rank) | Viewd Time(Local) |
|---|---|
| {{.Path}} {{if .IsGoRepo}} Standard {{end}} | {{.ViewedTime}} |
What you have been looking at. Global history
| Import Path(Rank) | Viewd Time(Local) |
|---|---|
| {{.Path}} | {{.ViewedTime}} |
Announcement
New version of Go Walker has been released, features including add examples for projects by Gist, view project documentation by Tags.
Learn morePopular Projects
Recent Updated Examples
-
{{range .RecentExams}}
- {{.Path}} {{end}}


The following actions can be carried out with HTTP requests to this server. The server is provided by the piga devkit library. The recommended way of using these functions is the piga compilation helper toolkit, which lets you execute a script on your local PC, which controls the console with this REST-interface.


April 8th-16th, 2016
Posted Friday, August 7th, 2015
Sensoria will take place April 8 – 16, 2016. Please check back for new and exciting information!


Minhas séries e filmes favoritos
Grey's Anatomy
Gilmore Girls
The Good Doctor
Doutor House
La casa de papel
Two and a Half Men
The Act
Modern Family
This is us
Grace and Frankie
Friends
Modern Love
Voltar ao Início


Home price
Down payment ({{ upfront }}%)
Interest rate
Loan term
{{ term.text }}
{{ button }}
Monthly payment*
Total payments
{{ months }} monthly payments
––
Down payment ({{ upfront }}%)
Principal
Total interest paid
Total mortgage cost*
*Estimated, not including taxes and insurance.


|
||||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
java.lang.Object | +--com.milk.command.CommandList
This is a handy class for holding a list of zero or more
Command
s. It implements the Commandable
interface as a means of getting to the list, not for actually commanding
this object (which isn't user-commandable).
BUG--myListeners
ought to be sharable. This means that
we actually need to have a reasonable ListenerDelegate
-type
class which, e.g., knows about the set of initial events to send to
new listeners.
| Field Summary | |
private Command[] |
myCommands
the array of commands |
private int |
myCount
the count of commands |
private ListenerList |
myListeners
the listeners to this object |
private java.lang.Object |
mySynch
the (intentionally-private) object to synchronize on |
| Constructor Summary | |
CommandList()
Construct an initially-empty CommandList . |
| Method Summary | |
void |
add(Command command)
Add a command to the list. |
void |
add(Command[] commands)
Add an array of commands to the list. |
void |
addListener(java.util.EventListener listener)
Add a listener for this object. |
Command[] |
getCommands()
Get the user commands that may be used with this object. |
boolean |
isEmpty()
Return true if this list has no elements. |
boolean |
remove(Command command)
Remove a command from the list. |
void |
removeListener(java.util.EventListener listener)
Remove a listener from this command that was previously added with addListener . |
| Methods inherited from class java.lang.Object |
clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Field Detail |
private Command[] myCommands
private ListenerList myListeners
private java.lang.Object mySynch
private int myCount
| Constructor Detail |
public CommandList()
CommandList
.
| Method Detail |
public void add(Command command)
command
- the command to addpublic boolean remove(Command command)
command
- the command to remove
public boolean isEmpty()
public void add(Command[] commands)
add()
on each command individually.
commands
- the commands to addpublic void addListener(java.util.EventListener listener)
addListener
in interface Commandable
listener
- the listener to addCommandableEvent
,
CommandableListener
public void removeListener(java.util.EventListener listener)
addListener
.
removeListener
in interface Commandable
listener
- the listener to removepublic Command[] getCommands()
getCommands
in interface Commandable
|
||||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |


MULTIVERSE WORLD BROWSER ERROR
Invalid Asset Repository
The Multiverse World Browser was unable to load a required media file. Possible causes include:
- Invalid asset repository - the asset repository may not have files in the correct place
- Incorrect asset repository Specification - the path to the asset repository may be incorrect
- Missing file - the file being loaded may have been excluded from the asset repository
Copyright © 2008 The Multiverse Network, Inc.


GO FAST. SWEAT EVERY DETAIL. LOOK RIDICULOUSLY GOOD. ➔
Design First
Our Story
Built by Hand. In West Oakland.
Hand-built metalwork and fabrication bring our visions to life. But it starts with a spark — the creative vision drawing from the past and slamming it into the future.
.col-md-12
.col-md-4
.col-md-4 .offset-md-4
.col-md-4 .offset-md-2
.col-md-4 .offset-md-1
.col-4 .offset-2
.col-4 .offset-1
Incorporated—
1850
37°47′N 122°25′W
1850
37°47′N 122°25′W
68°
.col-md-4
.col-md-4 .offset-md-4
.col-md-4 .offset-md-2
.col-md-4 .offset-md-1
.col-4 .offset-2
.col-4 .offset-1
SERIOUSLY, WHY?!
Come on, how boring is the internet without excessive javascript? We made this library since too many github repos are abandoned (RIP skrollr) or feature creepy. You got some beef or caught us slippin on unit tests, send rants and 10mb gifs to<EMAIL_ADDRESS>BUT ACTUALLY
We've benefitted so much from open source projects that we're actively trying to give back. As designers, we're starting by releasing our own quirky js code.


Fixup 0 Set Options.
In Fixup mode - press 0.
A pop-up menu prompts for settings for
Influence angle Min. Tolerance for skew lines
Fillet/Chamfer sizeRadius of fillet or chamfer cutback
Constraints Calls the Constraints dialog box


if(Optional.isPresent())
This inspection only reports if the language level of the project or module is 8 or higher


Note: The
Global Webhooks API
is currently available for developers to preview. To access the API during
the preview period, you must provide a custom
media type in the
Accept
header:
application/vnd.github.superpro-preview+json
Warning: The API may change without advance notice during the preview period. Preview features are not supported for production use. If you experience any issues, contact your GitHub Enterprise site administrator.
This will trigger a ping event to be sent to the webhook.
POST /admin/hooks/:hook_id/pings
Status: 204 No Content


John Palmer
What is C?
What is $\pi?$
Why does the approximation hold?
The following slides have hints...
- Alfred A. Knopf


This function creates the edges of a network of entities from a direct citations data frame (i.e. documents citing references).
Entities could be authors, affiliations, journals, etc. Consequently, coupling links are calculated using the coupling angle measure
(like biblio_coupling()
) or the coupling strength measure (like coupling_strength()
. But it also takes into account the fact that
an entity can cite several times a reference, and considers that citing 10 times a ref is more significant that citing it only once (see details).
coupling_entity( dt, source, ref, entity, weight_threshold = 1, output_in_character = FALSE, method = c("coupling_strength", "coupling_angle") )
| dt | The table with citing and cited documents. |
|---|---|
| source | The column name of the source identifiers, that is the documents that are citing. |
| ref | The column name of the cited references identifiers. |
| entity | The column name of the entity (authors, journals, institutions) that are citing. |
| weight_threshold | Corresponds to the value of the non-normalized weights of edges. The function just keeps the edges
that have a non-normalized weight superior to the |
| output_in_character | If TRUE, the function ends by transforming the |
| method | Choose the method you want to use for calculating the edges weights: either |
A data.table with the entity identifiers in from
and to
columns, with the coupling strength or coupling angle measures in
another column, as well as the method used. It also keeps a copy of from
and to
in the Source
and Target
columns. This is useful is you
are using the tidygraph package then, where from
and to
values are modified when creating a graph.
Coupling links are calculated depending of the number of references two authors (or any entity) share,
taking into account the minimum number of times two authors are citing each references.
For instance, if two entities share a reference in common, the first one citing it twice (in other words, citing it in two different articles),
the second one three times, the function takes two as the minimum value. In addition to the features of the coupling strength measure (see coupling_strength()
)
or the coupling angle measure (see biblio_coupling()
), it means that, if two entities share two reference in common, if the first reference is cited
at least four times by the two entities, whereas the second reference is cited at least only once, the first reference contributes more to the edge weight than
the second reference. This use of minimum shared reference for entities coupling comes from Zhao and Strotmann (2008)
. It looks like
this for the coupling strength:
$$\frac{1}{L(A)}.\frac{1}{L(A)}\sum_{j} Min(C_{Aj},C_{Bj}).(log({\frac{N}{freq(R_{j})}}))$$
with \(C_{Aj}\) and \(C_{Bj}\) the number of time documents A and B cite the reference j.
Zhao D, Strotmann A (2008). “Author Bibliographic Coupling: Another Approach to Citation-Based Author Knowledge Network Analysis.” Proceedings of the American Society for Information Science and Technology, 45(1), 1--10. https://asistdl.onlinelibrary.wiley.com/doi/full/10.1002/meet.2008.1450450292.
library(biblionetwork) Ref_stagflation$Citing_ItemID_Ref <- as.character(Ref_stagflation$Citing_ItemID_Ref) # merging the references data with the citing author information in Nodes_stagflation entity_citations <- merge(Ref_stagflation, Nodes_stagflation, by.x = "Citing_ItemID_Ref", by.y = "ItemID_Ref") coupling_entity(entity_citations, source = "Citing_ItemID_Ref", ref = "ItemID_Ref", entity = "Author.y", method = "coupling_angle")#> from to weight Source Target Weighting_method #> 1: ALBANESI-S BALL-L 0.02429648 ALBANESI-S BALL-L coupling_angle #> 2: ALBANESI-S ROTEMBERG-J 0.03045725 ALBANESI-S ROTEMBERG-J coupling_angle #> 3: ALBANESI-S BARSKY-R 0.02100729 ALBANESI-S BARSKY-R coupling_angle #> 4: ALBANESI-S BEYER-A 0.03458572 ALBANESI-S BEYER-A coupling_angle #> 5: ALBANESI-S CHAPPELL-H 0.04264014 ALBANESI-S CHAPPELL-H coupling_angle #> --- #> 1545: VELDE-F YOUNG-W 0.01601282 VELDE-F YOUNG-W coupling_angle #> 1546: VELDE-F WEISE-C 0.02282177 VELDE-F WEISE-C coupling_angle #> 1547: VELDE-F WACHTER-M 0.01883109 VELDE-F WACHTER-M coupling_angle #> 1548: VELDE-F WEINTRAUB-S 0.12909944 VELDE-F WEINTRAUB-S coupling_angle #> 1549: WACHTER-M WEINTRAUB-S 0.14586499 WACHTER-M WEINTRAUB-S coupling_angle


| H2 | Hydrogen | H2O | Water |
| Br2(aq) | Bromine (in an aqueous solution) | NaOH(alc) | Sodium hydroxide (in an alcoholic solution) |
| NaOH(aq) | Sodium hydroxide (in an aqueous solution) | NH3(alc) | Ammonia (in an alcoholic solution) |
| NH3 | Ammonia | H2O/H+ | Acidified water |
| H2O/OH- | Alkalised water | MnO4-/H+ | Permanganate |
| Cr2O7-/H+ | Dichromate | LiAlH4 | Lithium aluminium hydride |
| NaBH4 | Sodium borohydride | conc HCl | Concentrated hydrochloric acid |
| conc H2SO4 | Concentrated sulfuric acid | PCl3 | Phosphorus(III) chloride |
| PCl5 | Phosphorus(V) chloride | SOCl2 | Thionyl chloride |
| anhyd ZnCl2 | Anhydrous zinc chloride | Tollens | Tollens' reagent (silver complex ion) |
| Fehlings | Fehling's solution (CuH2O4S) | Benedicts | Benedict's reagent |
| Ni | Nickel | Pt | Platinum |
| X-COOH | Carboxylic acid | X-COCl | Acyl chloride |
| X-NH2 | Amine | X-OH | Alcohol |
| UV Light | Ultraviolet light |


Genome-wide gene insertion and deletion rates can be modelled in a maximum likelihood framework with the additional flexibility of modelling potential missing data using the models included within. These models simultaneously estimate insertion and deletion (indel) rates of gene families and proportions of "missing" data for (multiple) taxa of interest. The likelihood framework is utilized for parameter estimation. A phylogenetic tree of the taxa and gene presence/absence patterns (with data ordered by the tips of the tree) are required. See Dang et al. (2016) <doi:10.1534/genetics.116.191973> for more details.
| Version: | 1.0.8 |
| Depends: | R (≥ 2.10) |
| Imports: | Rcpp (≥ 0.11.2), ape (≥ 3.2), numDeriv (≥ 2012.9.1), phangorn (≥ 1.99.13) |
| LinkingTo: | Rcpp |
| Suggests: | testthat |
| Published: | 2018-01-30 |
| Author: | Utkarsh J. Dang and G. Brian Golding |
| Maintainer: | Utkarsh J. Dang <udang at binghamton.edu> |
| License: | GPL-2 | GPL-3 [expanded from: GPL (≥ 2)] |
| NeedsCompilation: | yes |
| Citation: | indelmiss citation info |
| Materials: | NEWS |
| CRAN checks: | indelmiss results |
| Reference manual: | indelmiss.pdf |
| Package source: | indelmiss_1.0.8.tar.gz |
| Windows binaries: | r-devel: indelmiss_1.0.8.zip, r-release: indelmiss_1.0.8.zip, r-oldrel: indelmiss_1.0.8.zip |
| OS X binaries: | r-release: indelmiss_1.0.8.tgz, r-oldrel: indelmiss_1.0.8.tgz |
| Old sources: | indelmiss archive |
Please use the canonical form https://CRAN.R-project.org/package=indelmiss to link to this page.


David Johnson
Top Ten Favorite Movies
Casablanca
To Have and Have Not
Monkey Business
The Big Sleep
An Affair to Remember
The Tuskegee Airman
Pearl Harbor
Mirace at St. Anna
Hart's War
Love Jones
Top Ten Places I want to Visit
France
Africa
Italy
Australia
Germany
Sweden
Hawaii
Fiji
Spain
India


Why #FartGate was trending and continues to be a hot topic of debate in the US
During a live interview on news channel MSNBC, a show's host and a lawmaker Eric Swalwell were discussing developments in the latest impeachment hearing. But viewers were more intrigued by a strange sound that sounded a lot...like a fart.
by Trends DeskThe on-going impeachment hearings against US President Trump may have divided people in the US, but one thing united everyone on Twitter on Tuesday night — an alleged fart. #FartGate dominated trends on Twitter, starting as a whodunnit and turning into a meme-fest.
What happened
During a live interview on news channel MSNBC’s Hardball show, host Chris Matthews was discussing the latest developments in the impeachment hearing with US representative Eric Swalwell. But viewers were baffled by a strange sound, that sounded a lot…like a fart.
The Democrat from California seemed to pause briefly, and continued talking unfazed. There was no mention of the sound, or any other clues offered, as the interview continued.
However, in minutes, the clip was on Twitter.
The fallout
The clip quickly went viral as people tried to figure who may have let one rip. Some came up with ‘proof’ to argue it was the show’s host, while others blamed the politician for breaking wind on live television.
As the debate exploded, the show’s official handle claimed the sound came from a mug being scraped across a desk. But by that time no one was willing to buy that theory, even though the lawmaker also tweeted it.
So the jokes continued. Swalwell was referred to as a ‘real whistleblower’, while others thanked the lawmaker for uniting America. And then came the spoof videos.
The Denial
The Democrat legislator has firmly denied the sound came from his end. Replying to a Buzzfeed journalist, Swalwell said he didn’t even hear it as he was talking and the timing of the pause was incidental.
That only inspired this thermal imaging clip of the interview.
And it didn’t end there, as talk show hosts in the US and UK reacted to the incident with these reenactments:
Has the debate blown away 24 hours later? Not yet, and we may not have heard the last of #FartGate.


Runnable Examples¶
OAuth Flow¶
Note
The runnable source for this can be found in the examples/2_shortcode_oauth folder of this repo.
This example shows you how to use the shortcode OAuth flow to get an access token to connect to Interactive. For development you can manually request a token, but the shortcode flow provides a better experience to users!
import asyncio
from sys import argv
async def get_access_token(client):
code = await client.get_code()
print("Go to mixer.com/go and enter {}".format(code.code))
try:
return await code.accepted()
except interactive.ShortCodeAccessDeniedError:
print("The user denied access to our client")
except interactive.ShortCodeTimeoutError:
print("Yo, you're too slow! Let's try again...")
return await get_access_token(client)
async def run():
try:
with interactive.OAuthClient(argv[1]) as client:
token = await get_access_token(client)
print("Access token: {}".format(token.access))
except interactive.UnknownShortCodeError as e:
print("An unknown error occurred in Mixer: {}".format(e))
Pong¶
Note
The runnable source for this can be found in the examples/1_viewer_controlled folder of this repo.
For an initial example, we’ll create a small pong game. We already wrote a tiny game engine that can be used to create a two player game like so:
def __init__(self):
super().__init__()
self._player_1 = self._create_paddle(x=0, height=self._screen_height//6)
self._player_2 = self._create_paddle(x=self._screen_width-1,
height=self._screen_height//6)
def update(self, pressed_key=None):
if pressed_key == ord('s'):
self._player_1.move(1)
elif pressed_key == ord('w'):
self._player_1.move(-1)
if pressed_key == ord('k'):
self._player_2.move(1)
elif pressed_key == ord('i'):
self._player_2.move(-1)
self._ball.step(self._player_1, self._player_2)
Let’s make it Interactive!
def __init__(self):
super().__init__()
self._player_1 = self._create_paddle(x=0, height=self._screen_height//6)
self._player_2 = self._create_paddle(x=self._screen_width-1,
height=self._screen_height//4)
self._interactive = None
async def setup(self):
"""
Called automatically by our game engine to boot the game. We'll create
an interactive connection here! I've hard-coded a blank project to use.
"""
try:
interactive = await State.connect(authorization="Bearer " + argv[1],
project_version_id=42489,
project_sharecode='rheo1hre')
except Exception as e:
print("Error connecting to interactive", e)
return
self._interactive = interactive
interactive.on('error', lambda e: self.fatal_error(e))
interactive.pump_async()
await self._setup_controls()
async def _setup_controls(self):
"""
All the control setup! Alternately, you can design the controls in
the Interactive Studio, but we'll do them programmatically
for demonstration purposes.
"""
up = Button(
control_id='up',
text='Up',
keycode=keycode.up,
position=[
{'size': 'large', 'width': 5, 'height': 5, 'x': 0, 'y': 0},
],
)
up.on('mousedown', lambda call: self._player_2.move(-1))
down = Button(
control_id='down',
text='Down',
keycode=keycode.down,
position=[
{'size': 'large', 'width': 5, 'height': 5, 'x': 0, 'y': 6},
],
)
down.on('mousedown', lambda call: self._player_2.move(1))
await self._interactive.scenes['default'].create_controls(up, down)
await self._interactive.set_ready()
def update(self, pressed_key=None):
if pressed_key == ord('s'):
self._player_1.move(1)
elif pressed_key == ord('w'):
self._player_1.move(-1)
self._ball.step(self._player_1, self._player_2)


| Action |
Behavior |
| ○ button |
Collapse current submenu |
| △ button |
Display context-sensitive help |
| × button |
Expand current submenu, or adjust item to next value |
| up button |
Selects the previous item in the menu |
| right button |
For menu items that adjust a value, selects the next value |
| right analog stick |
Secondary adjustment, if any, for current menu item (e.g. rotate camera) |
| left button |
For menu items that adjust a value, selects the previous value |
| left analog stick |
For a menu item that adjusts a value, left-right motion of the analog stick moves the value down-up. For a menu item that adjusts two values, left-right motion adjusts the first value and down-up motion adjusts the second value. |
| down button |
Selects the next item in the menu |
| OPTIONS button |
Shows or hides the on-screen controller menu |
| Command Line Options |
| Name | Description | Default Value | Minimum Value | Maximum Value |
| refresh | frames per second refresh rate of fullscreen display mode | 60 | 20 | 60 |
| buffers | number of render targets to allocate for round-robin display | 3 | 1 | 3 |
| stencil | is there a stencil buffer for the render targets? 0=no, 1=yes | 0 | 0 | 1 |
| htile | is there an htile buffer for the render targets? 0=no, 1=yes | 1 | 0 | 1 |
| screenshot | take a screenshot on exit, into the FSROOT directory? 0=no, 1=TGA, 2=PFM1, 3=PFM3 (OR bitfields 4=COLOR->GNF, 8=DEPTH->GNF, 16=STENCIL->GNF) | 0 | 0 | 28 |
| microSecondsPerFrame | 0=use OS clock, >0=use fixed microseconds per frame | 0 | 0 | 100000 |
| displayBuffer | which buffer to display: the RGB channels of color buffer, alpha channel of color buffer, depth buffer, or stencil buffer | 0 | 0 | 3 |
| cameraControls | 0: camera controls are disabled, 1: camera controls are enabled | 1 | 0 | 1 |
| displayTimings | 0: do not display frame timings, 1: display frame timings | 1 | 0 | 1 |
| clearColor | color to clear the backbuffer to | 0 | 0 | 7 |
| lightColor | color of the direct light in the scene | 7 | 0 | 7 |
| ambientColor | color of the ambient light in the scene | 1 | 0 | 7 |
| log2CharacterWidth | log2 of the character width in pixels | 3 | 3 | 5 |
| log2CharacterHeight | log2 of the character height in pixels | 4 | 3 | 5 |
| lookAtPosition | position for camera to look from | 0.000000 0.000000 2.500000 | -10.000000 -10.000000 -10.000000 | 10.000000 10.000000 10.000000 |
| lookAtTarget | position of target for camera to look at | 0.000000 0.000000 0.000000 | -10.000000 -10.000000 -10.000000 | 10.000000 10.000000 10.000000 |
| lookAtUp | direction that camera considers to be up | 0.000000 1.000000 0.000000 | -1.000000 -1.000000 -1.000000 | 1.000000 1.000000 1.000000 |
| lightPosition | position of light in scene | -1.500000 4.000000 9.000000 | -10.000000 -10.000000 -10.000000 | 10.000000 10.000000 10.000000 |
| lightTarget | position of light in scene | 0.000000 0.000000 0.000000 | -10.000000 -10.000000 -10.000000 | 10.000000 10.000000 10.000000 |
| lightUp | direction that light considers to be up | 0.000000 1.000000 0.000000 | -1.000000 -1.000000 -1.000000 | 1.000000 1.000000 1.000000 |


bytes Invalid message size: It must be between {{ Producer.messageSizeMin }} and {{ Producer.messageSizeMax }}
The average size of the messages, measured in bytes. This is not including record aggregation,
but instead relates to what Kinesis calls "user records".
It must to be at least 1 byte and at most 1MB (Kinesis limitation).

Using Kinesis Record Aggregation
Indicates whether or not the producer is using Kinesis record aggregation. This feature which is available in the KPL
allows us to group user records into fewer larger aggregated records.
Note that using Kinesis Record Aggregation increases throughput and reduces cost, at the expense of latency.

Average throughput
records/second Invalid average throughput: It must be at least 1
The number of records per second written to the stream by the producer on average throughout the day.
Average bandwidth
{{ prettifyBytes(Producer.averageInBandwidth()) }}
/ second
The average bandwidth produced by the producer throughout the day. This is directly correlated with the
average throughput and message size.
Peak throughput
records/second Invalid peak throughput: It must be at least 1 and greater than the average throughput
The maximum number of records per second written to the stream by the producer. It is part of the regular
traffic, as it varies throughout the day (e.g. daily TV viewing pattern). Surge traffic is not included here and needs to be tackled independently.
It must be higher than the average throughput.
This impacts the shard count if not using Kinesis Record Aggregation because of the Kinesis producer limit of 1000 records per second.
{{ Producer.shardsFromPeakInThroughput() }}
Peak bandwidth
{{ prettifyBytes(Producer.peakInBandwidth()) }}
/ second
The peak bandwidth produced by the producer. This is directly correlated with the message size and the
peak throughput (not counting surge).
This impacts the shard count because of the Kinesis incoming bandwidth limit of 1MB/s.
{{ Producer.shardsFromPeakInBandwidth() }}
Stream has surges
Indicates whether or not the stream has traffic surges, or in other words significant throughput increases (higher
than the peak throughput) for a short period of time. This may be the case for instance if an event (e.g. alert or notification) notifies
a large number of clients, resulting in each one of them producing records to the stream.
Surge throughput
records/second Invalid surge throughput: It must be at least 1 and greater than the peak throughput
This is the throughput reached during a traffic surge. It needs to be larger than the peak throughput.
{{ Producer.shardsFromSurgeInThroughput() }}
Surge bandwidth
{{ prettifyBytes(Producer.surgeInBandwidth()) }}
/ second
The bandwidth produced by the producer during surges. This is directly correlated with the message size and the
surge throughput.
This impacts the shard count because of the Kinesis incoming bandwidth limit of 1MB/s.
{{ Producer.shardsFromSurgeInBandwidth() }}
Surge duration
seconds Invalid surge duration: It must be at least 1
This is longest expected duration of a traffic surge.
consumers
Number of consumers
{{ nbConsumers() }}
This is the total number of consumers, including enhanced fan-out consumers. You can add additional consumers by clicking the button above.
This impacts the shard count because the outgoing bandwidth limit of 2MB/s/shard is sharded amongst the "standard" consumers (i.e. non-fan-out consumers).
{{ shardsFromNbConsumers() }}
Consumer {{ id }}

Enhanced Fan-Out Consumer
Indicates whether or not the consumer is using the Kinesis Enhanced Fan-out
feature. It essentially isolates this consumer from the other consumers, so that the fan-out consumers each have a dedicated 2MB/s/shard bandwidth.

Maximum consumption speed
records/second Invalid consumption speed: It must be at least 1
This is the maximum number of records that a single consumer instance (i.e. process) can handle. This
assumes that a single shard is consumed by exactly one consumer process.
It impacts the shard count because it can limit the actual throughput on a shard.
{{ c.shardsFromMaxOutThroughput() }}
Maximum acceptable latency
seconds Invalid maximum acceptable latency: It must be at least 1
This is the maximum duration that is acceptable for a consumer to recover from a surge.
It impacts the shard count, if either the consumption speed of the consumer is particularly low, or if the average message size and
the overall number of consumers (with which this consumer needs to share the bandwitdh) are high.
{{ c.shardsFromMaxAcceptableLatency() }}
Stream Analysis
Number of Shards Needed

This is the total number of shards needed for Kinesis data stream based on the information provided.
Warning: This exceeds the maximum number of shards per stream in some AWS regions. You may need to request this soft limit to be increased.
Warning: This exceeds the maximum number of shards per stream in all AWS regions. You will need to request this soft limit to be increased.
{{ totalShards() }}
Bottleneck Factors

The factors that drive the number of shards are:
The producer peak bandwidth
The producer peak throughput
The producer surge bandwidth
The producer surge throughput
The number of consumers
Consumer {{ id }} consumption speed
Consumer {{ id }} acceptable latency

Average incoming bandwidth utilization

This provides the percentage of the available incoming bandwitdh acutally used under "normal" conditions.
Using Kinesis record aggregation would lower the required number of shards from {{ totalShardsWithoutAggregation() }} down to {{ totalShardsWithAggregation() }}.
This would significantly reduce the cost of your Kinesis data stream.
Using Kinesis record aggregation would not lower the required number of shards, but it would reduce the cost of your Kinesis data stream.
Highly Recommended
Recommended
Cost Analysis
Important*: The costs provided in this section are estimations, and may differ from the actual amount charged by AWS.
In order to compute these approximated prices, we take a number of assumptions that may or may be valid based on your specific context.
Retention Period
hours Invalid retention period: It must be between {{ retentionPeriodMin }} and {{ retentionPeriodMax }}
The cost of a Kinesis stream depends on the Kinesis stream data retention. By default, it is set to 24 hours, but you can increase it up to 7 days.

Shard Hour Price
$/hour/shard Invalid Shard Hour Price: It must be between {{ AWSPricing.shardHourMin }} and {{ AWSPricing.shardHourMax }}
See the current AWS list price for Kinesis. It depends on the AWS region in which the Kinesis stream is defined.

PUT Payload Price
$/1,000,000 PUT Units Invalid PUT Payload Price: It must be between {{ AWSPricing.putUnitsMin }} and {{ AWSPricing.putUnitsMax }}
See the current AWS list price for Kinesis. It depends on the AWS region in which the Kinesis stream is defined.

Extended Data Retention Price
$/hour/shard Invalid Extended Data Retention Price: It must be between {{ AWSPricing.shardExHourMin }} and {{ AWSPricing.shardExHourMax }}
See the current AWS list price for Kinesis. It depends on the AWS region in which the Kinesis stream is defined.

Enhanced Fan-Out Shard Hours Price
$/hour/shard Invalid Enhanced Fan-Out Shard Hours Price: It must be between {{ AWSPricing.fanoutShardMin }} and {{ AWSPricing.fanoutShardMax }}
See the current AWS list price for Kinesis. It depends on the AWS region in which the Kinesis stream is defined.

Enhanced Fan-Out Data Retrievals Price
$/GB Invalid Enhanced Fan-Out Data Retrievals Price: It must be between {{ AWSPricing.fanoutDataMin }} and {{ AWSPricing.fanoutDataMax }}
See the current AWS list price for Kinesis. It depends on the AWS region in which the Kinesis stream is defined.

AWS Discount
% Invalid AWS discount: It must be between {{ AWSPricing.discountMin }} and {{ AWSPricing.discountMax }}
The discount you might have negotiated with AWS.

Kinesis data stream cost

This is approximately* the total cost of the Kinesis data stream, which breaks down into:
Shard hour cost: ${{ prettify( shardPrice() ) }} per day
PUT payload cost (approximately*): ${{ prettify( putPrice() ) }} per day
${{ prettify( shardPrice() + putPrice() )}} per day
Record Aggregation Saving

Using Kinesis record aggregation {{Producer.recordAggregation ? "provides" : "would provide"}} an approximative saving of ${{ prettify(aggregationSavings()) }} per day
({{prettify(100*aggregationSavings()/(shardPriceWithoutAggregation() + putPriceWithoutAggregation()))}}%).
You could save ${{ prettify(aggregationSavings()) }} per day
${{ prettify(aggregationSavings()) }} per day
Kinesis enhanced fan-out consumer cost

Each consumer that uses the Kinesis Enhanced Fan-out has an additional cost, which breaks down into:
Enhanced fan-out shard hours cost: ${{ prettify( fanoutShardPrice() ) }} per day
Enhanced fan-out data retrievals cost (approximately*): ${{ prettify( fanoutDataPrice() ) }} per day
${{ prettify( fanoutPrice() ) }} per day (each)
* The prices provided here are approximation. It depends on the exact production/consumption pattern.
In order to provide an estimated cost, we take the following assumptions:
A day is made of 24 hours, each of which is made of 3600 seconds.
Daily prices are for a full day of usage. In other words, the price is not relevant for the days when you use the data stream partially.
The data production throughput can vary but it is continuous (i.e. no interruption).
The data consumers each consume the whole data stream once and only once. In other words, they don't "replay" past data or skip portion of the stream.


|
| int | MapSize [get, set] |
| |
| int | MapSeed [get, set] |
| |
| float | MapLacunarity [get, set] |
| |
| long | Budget [get, set] |
| |
| float | RevenueMultiplier [get, set] |
| |
| List< int > | DailyIncomeHistory [get, set] |
| |
| string | PlayerName [get, set] |
| |
| Color | PlayerColor [get, set] |
| |
| BuildingData[] | UnlockedObjects [get, set] |
| |
| Dictionary< Vector2Int, List< PlacementData > > | ChunkChangeData [get, set] |
| |
| List< CityData > | CityList [get, set] |
| |
| List< PlacementData > | TreeList [get, set] |
| |
| List< BuildingData > | PlacedObjects [get, set] |
| |
| List< RouteData > | RouteList [get, set] |
| |
◆ Budget
◆ ChunkChangeData
| Dictionary<Vector2Int, List<PlacementData> > GameSettings.ChunkChangeData |
|
getset |
◆ CityList
◆ DailyIncomeHistory
| List<int> GameSettings.DailyIncomeHistory |
|
getset |
◆ MapLacunarity
| float GameSettings.MapLacunarity |
|
getset |
◆ MapSeed
◆ MapSize
◆ PlacedObjects
◆ PlayerColor
| Color GameSettings.PlayerColor |
|
getset |
◆ PlayerName
| string GameSettings.PlayerName |
|
getset |
◆ RevenueMultiplier
| float GameSettings.RevenueMultiplier |
|
getset |
◆ RouteList
◆ TreeList
◆ UnlockedObjects
The documentation for this class was generated from the following file:


This script will install the CIX Forums debugging profile which can help diagnose some problems. You should only use this script under the instruction of a member of the support staff.


From I-71 |
|---|
|
Take exit 15 and turn right onto Kenwood Rd. We are on the right, behind Pogo Play. |
From I-275 |
|---|
|
Take exit 47 (Reed Hartman) and turn left on Cornell Rd. then right onto Kenwood Rd. We are on the left, behind Pogo Play |


Standard output
20:21:15.160 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - Start test loginRegisteredUserPositiveTestwith data:[]
20:21:15.170 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - ______________________________
20:21:15.201 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - Start search By.cssSelector: [href='/signup']
20:21:15.326 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - By.cssSelector: [href='/signup']found.
20:21:15.343 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - Start search By.cssSelector: #root > div > header > section > ul > li:nth-child(5) > a
20:21:15.615 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - By.cssSelector: #root > div > header > section > ul > li:nth-child(5) > afound.
20:21:16.371 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - Start search By.cssSelector: [name='email']
20:21:16.399 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - By.cssSelector: [name='email'] found.
20:21:16.661 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - Start search By.cssSelector: [name='email']
20:21:16.681 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - By.cssSelector: [name='email'] found.
20:21:16.700 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - Start search By.cssSelector: [name='email']
20:21:16.727 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - By.cssSelector: [name='email'] found.
20:21:16.922 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - Start search By.name: password
20:21:16.957 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - By.name: passwordfound.
20:21:17.203 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - Start search By.name: password
20:21:17.224 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - By.name: passwordfound.
20:21:17.241 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - Start search By.name: password
20:21:17.266 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - By.name: passwordfound.
20:21:17.342 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - Start search By.cssSelector: [type='submit']
20:21:17.360 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - By.cssSelector: [type='submit']found.
20:21:17.620 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - Start search By.xpath: //a[contains(.,'logOut')]
20:21:17.813 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - By.xpath: //a[contains(.,'logOut')]found.
20:21:17.828 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - Passed: test method loginRegisteredUserPositiveTest
20:21:17.831 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - Start test loginRegisteredUserWithWrongPasswordNegativeTestwith data:[]
20:21:17.833 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - ______________________________
20:21:17.836 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - Start search By.cssSelector: [href='/signup']
20:21:37.880 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - By.cssSelector: [href='/signup']found.
20:21:37.880 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - Start search By.xpath: //a[contains(.,'logOut')]
20:21:37.902 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - By.xpath: //a[contains(.,'logOut')]found.
20:21:38.274 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - Start search By.cssSelector: #root > div > header > section > ul > li:nth-child(5) > a
20:21:38.291 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - By.cssSelector: #root > div > header > section > ul > li:nth-child(5) > afound.
20:21:38.539 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - Start search By.cssSelector: [name='email']
20:21:38.557 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - By.cssSelector: [name='email'] found.
20:21:38.785 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - Start search By.cssSelector: [name='email']
20:21:38.803 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - By.cssSelector: [name='email'] found.
20:21:38.822 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - Start search By.cssSelector: [name='email']
20:21:38.836 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - By.cssSelector: [name='email'] found.
20:21:38.950 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - Start search By.name: password
20:21:38.972 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - By.name: passwordfound.
20:21:39.221 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - Start search By.name: password
20:21:39.240 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - By.name: passwordfound.
20:21:39.257 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - Start search By.name: password
20:21:39.270 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - By.name: passwordfound.
20:21:39.332 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - Start search By.cssSelector: [type='submit']
20:21:39.348 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - By.cssSelector: [type='submit']found.
20:21:39.591 [Test worker] INFO com.ilCarro.qa14.tests.TestBase - Passed: test method loginRegisteredUserWithWrongPasswordNegativeTest


291 Suites
291 Suites Apartments offer good quality, sensibly priced rooms in the outskirt of Lira. The suits are located in an ideal central location and within short distance from Lira Town.
Self Contained
We have two products in one place, which is fully furnished apartments, single and double room accommodation. All our rooms are self contained with the option of a quick shower, the balconies are swept by a gentle cool breeze.
Security
Our 24 hours surveillance security guards are alert to give you space of mind and security while with us.Management
We offer shuttle and car hire services, this can enable our guests to access shopping centres and places of interest with ease, and the guests putting up in this in this hotel can further explore the glitz and glamour of the town by visiting some more nearby attractions.
These spacious suits feature a blend of traditional décor and modern style.
The suits import the guests with a sense of royal luxury and elegance. It has been taken care of that maximum amount of fresh air and light to be circulated in the rooms.
You can relax and recharge in Mumbai Gardens or Corporate garden all located at 291 Suites.
We offer the ultimate in comfort and escapism, all lodgings are stylishly appointed and feature an array of contemporary comforts, including, LCD TVs with satellite channels and power showers.
- Distance from Kampala to 291 Suites, Lira 380km
- 291 Suits Lira to Murchison fall 194km
- 291 Suites Lira to Kidepo Valley 358km
- 291 Suits Lira to Paraa 209km
We offer our guests a comprehensive array of facilities, which include:


THEN THE MAN dropped into what seemed to him the most comfortable and satisfying sleep he had ever known. The dog sat facing him and waiting. The brief day ended in a long evening. There were no signs of a fire to be made. Never in the dog’s experience had it known a man to sit like that in the snow and make no fire. As the evening grew darker, its eager longing for the fire mastered it. With much lifting of its feet, it cried softly. Then it flattened its ears, expecting the man’s curse. But the man remained silent. Later, the dog howled loudly. And still later it moved close to the man and caught the smell of death. This made the animal back away. A little longer it delayed, howling under the stars that leaped and danced and shone brightly in the cold sky. Then it turned and ran along the trail toward the camp it knew, where there were the other food providers and fire providers.
test with more than one paragraph.
Another paragraph


---
layout: home
author_profile: true
---
I am a second year PhD student at University College London (UCL) Centre for Artificial Intelligence supervised by Emine Yilmaz. My main research interests are:
Before UCL, I was a member of Koc University AI Lab supervised by Deniz Yuret, where I worked on deep learning, and natural language processing. I, and my great team - Koc University-, participated CoNLL17 and CoNLL18 competitions.


Native Drag-and-Drop support:
Status: experimental. Details: ext-dnd5.
Drag me Drop here: Trashcan
jquery.fancytree.js project home Link to this page Example Browser View source code


|
Chess and Chip Games: games played with a Chess set and Poker
chips |
As mentioned in the "Starting Out" section of my
recommendations for game resources, one can maximize diversity of game
playing options with a minimum of money by getting a pencil and paper, playing
cards, dice and cups, a Chess set, and Poker chips. Concerning the Chess
set and Poker chips in combination, a few games were recommended. This
page expands those recommendations. It is not meant to be exhaustive, but
rather a place to collect my recommendations and links to relevant online
resources. Feel free to recommend others to me as well!
- Chess set alone - Chess has a rich history and allows
great depth of study, but there are also many Chess variations and puzzles
that can be played with a standard set.
- Chess set with Poker chips - Beyond Poker, Poker chips may be used for a variety of
games with a Chess set.
- Poker chips may be
purchased separately, or as part of a
budget set. Bargains on 11.5 gram plastic piece sets in
aluminum cases can be a great value. Generally the included cards
(and sometimes dice) are very poor quality, so focus on the weight of
the chips and the portability.
- Use the Poker chips on a Chess board to play other games such as:
- Achi -
Play on a 3x3 subsection of the Chess board (e.g. columns a - c,
rows 1 - 3).
- Amazons -
Originally called
El Juego de
las Amazonas ("The Game of the Amazons"), this is an excellent
abstract territorial strategy game with very simple rules, yet lots of
depth to grow in interest as one grows. As of this writing, only a
paper grid version can be easily purchased from
Kadon.
However, one can play a smaller variation with a Chess set and Poker
chips as follows: Use pawns for Amazon pieces and Poker chips to mark
squares with arrows. Place white pawns at A3, C1, F1, and H3 of the
chessboard. Place black pawns at A6, C8, F8, and H6. Beyond the setup,
rules follow as in the
Wikipedia
article.
- Ataxx - When
using Poker chips, stack contrasting color chips as with
Reversi/Othello.
-
Breakthrough
- Checkers
-
Variants:
- Giveaway checkers: The winner is the first player to
have no legal move: that is, all of whose pieces are lost or
blocked.
- Cheskers
- Chomp - Let
square a1 be the "poisoned" square of chocolate, and form an m-by-n
rectangle of poker pieces for the initial setup. Players
alternate "chomping" by choosing a chip, and removing that chip and
any chips in the rectangular region from that position to h8, i.e.
having row and column greater than or equal to the chosen chip row
and column.
- Play
Chomp online
- Variant: Within the m-by-n rectangle,
randomly distribute p peanuts represented by
contrasting-colored chips. Each player is limited to
removing no more than a positive number q peanuts (as
in "quit eating all the peanuts!"). The normal
strategy-stealing argument for a first-player win doesn't hold
when there is a peanut in the far corner and the second player
response chomps q peanuts. (Note: I can't
remember if I created this variant or not. If you find a
reference to it or a specialization of it, please let me know.
Also, if you recommend a ratio of p to m*n or a value of q, I
would be interested in your observations.)
 In Go, pieces are placed on the intersections of a
19x19 grid, and practice games are often played on a 9x9 grid.
Happily, the intersections at the corners of squares on the
Chess board form a convenient 9x9 grid.

- Gomoku
- Halma (8x8) -
the predecessor of Chinese Checkers
- On an 8x8 board, each player places 10 pieces (chips) in
opposing corners of the board. The starting positions (“yard”)
of the pieces should be along the first four diagonals from the
corner (1 in the corner, the 2 spaces orthogonally
(horizontally/vertically) adjacent, the 3 spaces orthogonally
adjacent to those, etc.).
- Hasami Shogi
- As with Go (9x9), one can play Hasami Shogi on a Chess board
by playing on the 9x9 edges intersections of the 8x8 squares.
- Rules and Variants at
Chess Variants
- Hex
- While awkward perceptually, one can play 8x8 Hex with two
contrasting-color Poker chips on a Chess board by (1) having
opposing players seek to connect north-south edges and
east-west edges, respectively, and (2) having
adjacency defined as horizontal adjacency, vertical adjacency,
and diagonal adjacency for one diagonal (e.g. b1 is
adjacent to a2, but a1 is not adjacent to b2).
-
Hex Variants, e.g. Chameleon Hex - Players seek to connect
opposite board edges, but may play pieces of either color and
make the connection through a chain of single color pieces of
either color.
-
Hey! That's My Fish!
variants:
- Mr. Pauper's Penguins - This
presentation compares Amazons and
Hey! That's My Fish! , and introduces my variation, Amazon Penguins,
combining the two. The "Mr. Pauper's Penguins" slide describes how
one can play the excellent game Hey! That's My Fish! using Poker chips
and small game tokens.
- If playing with two colors of chips on a chess board, one
can work the setup as follows:
- Players decide the starting player. Beginning with the
starting player, players create the ice floe by taking turns
placing 21 chips of one color (e.g. red) on the chess
board. Each of these chips represents a section of the ice
floe containing 2 fish.
- Chips of a second color (e.g. blue) are placed in the
remaining empty spaces on the chess board. Each of these
chips represents a section of the ice of the ice floe
containing 1 fish.
- Beginning with the non-starting player, players take
turns placing one of 4 penguins (pawns) each on top of the
chips. The starting player uses black pawns.
- Knights Tour
puzzles - Place chips in a pattern on the Chess board (e.g. whole
board, 5-by-6 subgrid, etc.), place the Knight on a chip, and see if
it's possible to visit every chip using Knight moves. Remove
each chip from the board as you visit it with the Knight.
- Lights Out puzzles:
- Select a section of the Chess board (e.g. rectangular
subgrid) and cover it with Reversi/Othello-type piece stacks
with the dark color chip on top of the light color chip. Select a switching rule, for example:
- When selected, a piece and all pieces orthogonally
(horizontally and vertically) adjacent are switched.
- When selected, a piece and all pieces orthogonally
(horizontally and vertically) and diagonally adjacent are
switched.
- When selected, a piece and all pieces in the same row
or column are switched.
- One player creates the puzzle by selecting a sequence of
pieces, performing the chosen switching rule for each selection,
and then announcing the number of selections.
- The other player tries to restore the board to its original
"lights out" condition by selecting a sequence of pieces, using
the same chosen switching rule. If desired, the solving
player seeks to restore the board with the least number of
selections, less than or equal to the number announced.
- Lines of Action
-
Magneton
- Mancala - a
family of "sowing" games. Many of these can be played on a
Chess board with Poker chips by designating squares as specific
"pits" and stacking chips on a square to "sow seeds" in a "pit".
While losing the tactile sowing feel of traditional Mancala games,
the games are still functionally the same, and in some cases, chip
stacks may make it easier to count the seeds in any given pit.
- For example, Kalah is the most well-known Mancala game in the West.
Players sit across the Chess board from each other, with player
pits at b1-g1 and b8-g8, and stores at h1 and a8, respectively.
-
The Complete Mancala Games Book by Larry Russ is an
excellent survey of more than 100 Mancala games and their
origins.
- Reversi/Othello
- When using Poker chips, one creates a Reversi/Othello piece by
stacking two chips of contrasting color in a square. The chip on
top indicates the owner of the piece. To change ownership of a
piece, flip the chip stack over.
- Poker chips alone
- Nim, with
variants
including:
- The Subtraction Game
- single heap with a limit to the maximum number of pieces (e.g. 3)
that can be taken
- Multiple
Heap Rule - like Nim, but allowing one to take from multiple
heaps, so long as the same number of pieces are taken from each heap
- Variants can sometimes be made more interesting by adding
asymmetric restrictions on player actions, e.g. the peanut variant
of Chomp above.
- Related resources:
- Zillions of Games
- a commercial general game playing program with many games listed above
and free user game extensions
- GamesCrafters
games list - a good list of abstract strategy games, along with
computer play and analysis
-
The New Games Treasury by Merilyn Simonds Mohr - my favorite treasury of 500+ diverse games
with good illustrations and interesting historical information. Although
out of print, it is still relatively easy to purchase a used copy.
-
About.com Free 8-by-8 Board Games
Last updated October 2011
Todd Neller


The Internet is a world-wide network of computers that use a common language to share information with one another. If you have a connection to this network you can gain access to the data stored on any of the computers that are part of the Internet network.


© Eeckhout Margot
Arteveldehogeschool - Grafische en digitale media
Deze website is fictief en een opdracht voor de Arteveldehogeschool
Volg ons
The internet is currently in meltdown over a man who has been dubbed as a ‘perfect combination’ of Justin Bieber and Zayn Malik. Biebs and Zayn are two of the hottest stars on the planet right now so what’s better than one of them? A combination of the two! Meet David Carrera, a Spanish model who is the talk of the internet right now after posting a series of snaps looking strikingly similar to both Bieber and Zayn. See the resemblance?
Terug


| Name: smt.A.Manjula | Reg No: 01-4SMHC19 |
|---|---|
| Age / Sex:49/f | Contact No:9740713758 |
| Marital Status:ml- 16 years | Date:2/4/19 |
| Occupation:housewife - sslc | Dr. pjfp |
Address: Native blore |
DIAGNOSIS- |
k/c/o: thyroid dysfunction. Got to know by increasing weight. Throat also swollen.
Body full pain frm 1 and half year. Dengue fever had then. Fingers all swelling and pain. <before periods2-3 days before.
Knee pains childhood. Left side back pain < sitting, standing.
Headaches < sunlight, food skip, tension. Since 4 yrs
Anger more. Unable to control. After tht feels guilty about the things she said in anger. Since 6 yrs.
Anticipation of bad things may happen.
Infront of doctor will forget the symptoms but will get them at home.
Wanted another child. But it didn’t happen as husband was out of place fr work and use to come only 2-3 days in a month.
Sits separately and cries. Wants to be alone.
Brittle nails cuts in the middle.
Doenst feel hungry.
Had urine infections before.
Passes worms in urine.
Doesn’t like movies. Gets headache.
I wasn’t like this before I was rude and controlled.
Rx:
Ignatia 1m/staphysagria1m – 4-4-4-4
Sil 6x 4-4-4-4.
Polyporus 1m / bryonia 1m disc 4-4-4
Rub 15 – 1 tab
Santonin 3x 4-4-4-4. 3 dram pills.
15/4/19: hip and pain still not reduced. Fingers still paining. Unable to hold things also. Pricking type of pain. headache better than before. Hairfall. Motion not clear.
Rx:
Actae spicata 200 / ruta200/rhus tox 1m disc – 4-0-4.
Pulsatilla 1m – 4 pills morning b/food.
Nat mur 1m/staphy1m – 4-4-4-4 b/food.
Rheumagic oil.
Y-lax tab.
Santonin 3x 4-4-4-4. 3 dram pills.
31/5/19: backpain, finger pain same pain. headache 80% better. Hairfall is same. Motio is clear. Worms still there. Sleep is not good in the night. Sweating is more in the night. Thirst is more. Knee pain if travels more. Thinking about the same thing all the time. Weight gain recently. Lmp: 11/5/19 7-8 days flow. 3 days 3 pads after tht reduce. Legs seem swelling but pain reduced. Excitement absent …but like him very much.
Rx:
Sepia 200 – 4 pills afternoon/night.
Lachesis 1m/ignatia1m – 4 pills b/food mng/evening
Calc phos 200/ sil 200 4-0-4 b/food disc.
Thuja 200 – weekly doses 2.
Rub 15 – 1 tab night b/food.
28/6/19: backpain reduced by 20%. Finger pain not ther. Headache comes weekly once or twice. evening and stays till 10.30pm. and smtimes till next mng. Sleep is not good. Knee pain 50% better. Toe fingers pinching pin pricks pain. leg pain and swelling reduced. Cont 100mcg. Emotions slight change is ther less temper. Feels improved in her desires. Wt: 79.8kg. lmp: 10/6/19. Memory power is reducing. Backpain is worse when getting up frm sitting position. Stopped quarrelling by 40%. Being responsive desire part told by husband. Feeling more hungry towards evening.
Rx:
Thyroidinum1m/nat mur 1m /thuja1m
Silica 1m /calc phos1m– 4-4-4.
Homoeocal.
Rub 15


# Filter expressions
Many commands in the mitmproxy tool make use of filter expressions. Filter expressions consist of the following operators:
| ~a | Match asset in response: CSS, Javascript, Flash, images. |
|---|---|
| ~b regex | Body |
| ~bq regex | Request body |
| ~bs regex | Response body |
| ~c int | HTTP response code |
| ~d regex | Domain |
| ~dst regex | Match destination address |
| ~e | Match error |
| ~h regex | Header |
| ~hq regex | Request header |
| ~hs regex | Response header |
| ~http | Match HTTP flows |
| ~m regex | Method |
| ~marked | Match marked flows |
| ~q | Match request with no response |
| ~s | Match response |
| ~src regex | Match source address |
| ~t regex | Content-type header |
| ~tcp | Match TCP flows |
| ~tq regex | Request Content-Type header |
| ~ts regex | Response Content-Type header |
| ~u regex | URL |
| ~websocket | Match WebSocket flows |
| ! | unary not |
| & | and |
| | | or |
| (...) | grouping |
- Regexes are Python-style
- Regexes can be specified as quoted strings
- Header matching (~h, ~hq, ~hs) is against a string of the form “name: value”.
- Strings with no operators are matched against the request URL.
- The default binary operator is &.
# View flow selectors
In interactive contexts, mitmproxy has a set of convenient flow selectors that operate on the current view:
| @all | All flows |
|---|---|
| @focus | The currently focused flow |
| @shown | All flows currently shown |
| @hidden | All flows currently hidden |
| @marked | All marked flows |
| @unmarked | All unmarked flows |
These are frequently used in commands and key bindings.
# Examples
URL containing “google.com”:
google\.com
Requests whose body contains the string “test”:
~q ~b test
Anything but requests with a text/html content type:
!(~q & ~t "text/html")


{% extends "utils/base.html" %} {% from 'utils/greeting.html' import greeting %} {% from 'utils/map.html' import map_footer_scripts, map_rendered %} {% block body %}
| # | Name | Phone number | Location |
|---|---|---|---|
| {{ i + 1 }} | {{ req.name }} | {{ req.phone_num }} (Call) | {{ req.address }} (Open in Google Maps) |


Electrical Engineer/ Full Stack Web Developer
University of Texas at Arlington 2016 - 3.5 GPA (Cum Laude)
Udacity 2017
Project 1
Comming Soon


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Venmo Redesign Case Study
Venmo is a mobile payment service owned by PayPal. Venmo account holders can transfer funds to others via a mobile phone app; both the sender and receiver have to live in the U.S. Venmo is a type of payment rail. It handled $12 billion in transactions in the first quarter of 2018
Technologies used: Adobe XD, Adobe Photoshop, Google Forms
Skills used: User Research, High Fidelitiy Prototyping, Technical Writing, Document Design, Online Collaboration, Remediation.
Open the Case Study: Venmo Redesign Case Study


|
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def | __init__ |
| |
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def | application_key |
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def | set_application_key |
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def | clear_application_key |
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def | has_application_key |
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def | duration_minutes |
| |
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def | set_duration_minutes |
| |
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def | clear_duration_minutes |
| |
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def | has_duration_minutes |
| |
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def | MergeFrom |
| |
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def | Equals |
| |
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def | IsInitialized |
| |
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def | ByteSize |
| |
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def | ByteSizePartial |
| |
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def | Clear |
| |
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def | OutputUnchecked |
| |
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def | OutputPartial |
| |
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def | TryMerge |
| |
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def | __str__ |
| |
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| has_application_key_ |
| |
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| application_key_ |
| |
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| has_duration_minutes_ |
| |
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| duration_minutes_ |
| |
|
|
int | has_application_key_ = 0 |
| |
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string | application_key_ = "" |
| |
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int | has_duration_minutes_ = 0 |
| |
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int | duration_minutes_ = 0 |
| |
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int | kapplication_key = 1 |
| |
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int | kduration_minutes = 2 |
| |
The documentation for this class was generated from the following file:
- code/googleappengine-read-only/python/google/appengine/api/channel/channel_service_pb.py


Automatically starts the install of MEGAM. On successful completion of megam installation COBBLERD install is started. Click Log to watch the progress of the install.
0.9
Installing...
2.4.1


Xhwlay provides event-driven oriented statefull page flow control library.
Xhwlay does NOT provides following features :
- Input vaildation
- Session/Cookie Management
- Database Layer(like ORM)
- Logging
- Other helpful utilities
Why not ? - Because of Xhwlay's Concept described below.
Xhwlay's concepts are following three:
- Simple
- Primitive
- Small
I believe that these concepts lead ease to learn, ease to hack, ease to use, and more and more flexibility for developers.
Xhwlay minds only page flow control. Other features cited above are have to be implemented by Developer's (equal your) own hands.
But, You'll requre less time to learn Xhwlay itself, than any other "PHP Framework" like symfony, cake to learn.
Instead, you can use more and more time to consider your own business logics and implementing many codes as you like.
I hope you'll sense "FREEDOM" by using Xhwlay in your programming.


{{"By sharing information, we bring all sectors together to collaborate and support each"|_}}
{{'Annual Conference'|_}}
{{"Lorem ipsum dolor sit amet, consectetur adipiscing elit. Phasellus dapibus eu turpis eu placerat. Quisque vitae nulla auctor libero malesuada molestie vel quis mauris. Proin vel dolor diam. Donec vitae luctus nibh."|_}}
{{'CSR Workshop'|_}}
{{"Lorem ipsum dolor sit amet, consectetur adipiscing elit. Phasellus dapibus eu turpis eu placerat. Quisque vitae nulla auctor libero malesuada molestie vel quis mauris. Proin vel dolor diam. Donec vitae luctus nibh."|_}}
{{'NPO Networking'|_}}
{{'LIN\'s Annual Cross-Sector Conference is a unique platform to develop our understanding of sustainable community development and to strategically partner in solving social and enviromental issues, to create impact for a more resilient community in Vietnam.'|_}}
{{'CSR Workshop'|_}}
{{"Lorem ipsum dolor sit amet, consectetur adipiscing elit. Phasellus dapibus eu turpis eu placerat. Quisque vitae nulla auctor libero malesuada molestie vel quis mauris. Proin vel dolor diam. Donec vitae luctus nibh."|_}}
{{'Online NPO Forum'|_}}
{{"LIN's Annual Cross-Sector Conference is a unique platform to develop our understanding of sustainable community development and to strategically partner in solving social and enviromental issues, to create impact for a more resilient community in Vietnam."|_}}


{% extends "base.html" %}
{% load static %}
{% block css %}
{% endblock %}
{% block title %}{{title}}{% endblock %}
{% block content %}
WildcatTyper is a type racer game you can play with friends or bots!
Choose a Paragraph to type
The Paragraph you will be typing will appear here
Please select your Paragraph
{% if user.is_authenticated %} {% for para in paragraphs %}Finished players will appear here:


[1]
Good feel, good look, good pictures.; Noise, noise, noise.
[2]
Larger LCD, control layout, solid build quality; minimal improvement over last years model