Each accordion item contains header and content part. Click on the header toggles the content part.
smartAccordion may be used for a variety of tasks, such as:
Editing
Creating flows
Expand
Collapse
Focus
Editing
Accordions are best used for lightweight editing of an element, such as selecting a value for a setting.
For example, an app that contains tables may use accordion to adjust settings on table elements.
Creation flows
Accordion items may be displayed in a sequence to form creation flows.
This is an example of a tool for creating ad campaigns.
Displays summary information. Upon selecting the collapsed panel, it expands to display the full expansion panel.
Upon selection, a collapsed panel expands, allowing users to add or edit information.
Helper text may be added to the panel to assist the user.
An expansion panel may use a focus state (by using a grey background on the list item) to provide focus to individual list items.
On a keyboard, users may traverse through list items by using the Tab key.


Curly.CMD
Configurations
ShellCommand
AskWhenClosingTab
CloseToTrayWhenMinimize
SelectLanguage
RequiresRestart
English
Portugês Brasileiro
Electron:
Node:
Chrome:
Close


- Read the text carefully.
- Highlight words, phrases, or sections of the text.
- Choose the label that best matches what you have highlighted.
- To change a label, choose highlighted text and select a new label.
- To remove a label from highlighted text, choose the X next to the abbreviated label name on the highlighted text.
- You can select all of a previously highlighted text, but not a portion of it.
Apply labels to words or phrases.
What is the overall subject of this text?
Technology
Politics


You have four types of authentication methods
Database Authentication: username and password style that is queried from the database to match. Passwords are kept hashed on the database. Open ID: Uses the user’s email field to authenticate on Gmail, Yahoo etc... LDAP: Authentication against an LDAP server, like Microsoft Active Directory. REMOTE_USER: Reads the REMOTE_USER web server environ var, and verifies if it’s authorized with the framework users table. It’s the web server responsibility to authenticate the user, useful for intranet sites, when the server (Apache, Nginx) is configured to use kerberos, no need for the user to login with username and password on F.A.B.
Configure the authentication type on config.py, take a look at Base Configuration
The session is preserved and encrypted using Flask-Login, OpenID requires Flask-OpenID.
Each user has multiple roles, and a role holds permissions on views and menus, so a user has permissions on views and menus.
There are two special roles, you can define their names on the Base Configuration
Admin Role: The framework will assign all the existing permission on views and menus to this role, automatically, this role is for authenticated users only. Public Role: This is a special role for non authenticated users, you can assign all the permissions on views and menus to this role, and everyone will access specific parts of you application.
Of course you can create any additional role you want and configure them as you like.
Note
User’s with multiple roles is only possible since 1.3.0 version.
The framework automatically creates for you all the possible existing permissions on your views or menus, by “inspecting” your code.
Each time you create a new view based on a model (inherit from ModelView) it will create the following permissions:
- can list
- can show
- can add
- can edit
- can delete
- can download
These base permissions will be associated to your view, so if you create a view named “MyModelView” you can assign to any role these permissions:
- can list on MyModelView
- can show on MyModelView
- can add on MyModelView
- can edit on MyModelView
- can delete on MyModelView
- can doanload on MyModelView
If you extend your view with some exposed method via the @expose decorator and you want to protect it use the @has_access decorator:
class MyModelView(ModelView):
datamodel = SQLAInterdace(Group)
@has_access
@expose('/mymethod/')
def mymethod(self):
# do something
pass
The framework will create the following access based on your method’s name:
- can mymethod on MyModelView
You can aggregate some of your method’s on a single permission, this can simplify the security configuration if there is no need for granular permissions on a group of methods, for this use @permission_name decorator.
You can use the @permission_name to override the permission’s name to whatever you like.
Take a look at API Reference
All your permissions and views are added automatically to the backend and associated with the ‘Admin’ role. The same applies to removing them. But, if you change the name of a view or menu, the framework will add the new Views and Menus names to the backend, but will not delete the old ones. It will generate unwanted names on the security models, basically garbage. To clean them, use the security_cleanup method.
Using security_cleanup is not always necessary, but using it after code rework, will guarantee that the permissions, and associated permissions to menus and views are exactly what exists on your app. It will prevent orphaned permission names
and associations.
Use the cleanup after you have registered all your views.
appbuilder.add_view(GroupModelView, "List Groups", category="Contacts")
appbuilder.add_view(ContactModelView, "List Contacts", category="Contacts")
appbuilder.add_separator("Contacts")
appbuilder.add_view(ContactChartView, "Contacts Chart", category="Contacts")
appbuilder.add_view(ContactTimeChartView, "Contacts Birth Chart", category="Contacts")
appbuilder.security_cleanup()
You can always use it and everything will be painlessly automatic. But if you use it only when needed (change class name, add to security_cleanup to your code, the garbage names are removed, then remove the method) no overhead is added when starting your site.
All user’s creation and modification are audited. On the show detail for each user you can check who created the user and when and who has last changed it.
You can check also, a total login count (successful login), and the last failed logins (these are reset if a successful login occurred).
If your using SQLAlchemy you can mix auditing to your models in a simple way. Mix AuditMixin class to your models:
from flask_appbuilder.models.mixins import AuditMixin
from flask_appbuilder import Model
from sqlalchemy import Column, Integer, String
class Project(AuditMixin, Model):
id = Column(Integer, primary_key=True)
name = Column(String(150), unique=True, nullable=False)
This will add the following columns to your model:
These columns will be automatically updated by the framework upon creation or update of records. So you should exclude them from add and edit form. Using our example you will define our view like this:
class ProjectModelView(ModelView):
datamodel = SQLAModel(Project)
add_columns = ['name']
edit_columns = ['name']
If you want to alter the security views, or authentication methods since (1.0.1) you can do it in a simple way. The AppBuilder has a new optional initialization parameter where you pass your own custom SecurityManager If you want to add, for example, actions to the list of users you can do it in a simple way.
First i advise you to create security.py and add the following to it:
from flask import redirect
from flask_appbuilder.security.views import UserDBModelView
from flask_appbuilder.security.sqla.manager import SecurityManager
from flask.ext.appbuilder.actions import action
class MyUserDBView(UserDBModelView):
@action("muldelete", "Delete", "Delete all Really?", "fa-rocket", single=False)
def muldelete(self, items):
self.datamodel.delete_all(items)
self.update_redirect()
return redirect(self.get_redirect())
class MySecurityManager(SecurityManager):
userdbmodelview = MyUserDBView
Then on the __init__.py initialize AppBuilder with you own security class:
appbuilder = AppBuilder(app, db.session, security_manager_class=MySecurityManager)
F.A.B. uses a different user view for each authentication method
- UserDBModelView - for database auth method
- UserOIDModelView - for Open ID auth method
- UserLDAPModelView - for LDAP auth method
You can extend or create from scratch your own, and then tell F.A.B. to use them instead, by overriding their correspondent lower case properties on SecurityManager (just like on the given example).
Take a look and run the example on Employees example
Study the source code of BaseSecurityManager
If you want to extend the User Model with extra columns specific to your application (since 1.3.0) you can easily do it. Use the same type of approach as explained earlier.
First extend the User Model (create a sec_models.py file):
from flask_appbuilder.security.sqla.models import User
from sqlalchemy import Column, Integer, ForeignKey, String, Sequence, Table
from sqlalchemy.orm import relationship, backref
from flask_appbuilder import Model
class MyUser(User):
extra = Column(String(256))
Next define a new User view, just like the default User view but with the extra column (create a sec_view.py):
from flask_appbuilder.security.views import UserDBModelView
from flask_babelpkg import lazy_gettext
class MyUserDBModelView(UserDBModelView):
"""
View that add DB specifics to User view.
Override to implement your own custom view.
Then override userdbmodelview property on SecurityManager
"""
show_fieldsets = [
(lazy_gettext('User info'),
{'fields': ['username', 'active', 'roles', 'login_count', 'extra']}),
(lazy_gettext('Personal Info'),
{'fields': ['first_name', 'last_name', 'email'], 'expanded': True}),
(lazy_gettext('Audit Info'),
{'fields': ['last_login', 'fail_login_count', 'created_on',
'created_by', 'changed_on', 'changed_by'], 'expanded': False}),
]
user_show_fieldsets = [
(lazy_gettext('User info'),
{'fields': ['username', 'active', 'roles', 'login_count', 'extra']}),
(lazy_gettext('Personal Info'),
{'fields': ['first_name', 'last_name', 'email'], 'expanded': True}),
]
add_columns = ['first_name', 'last_name', 'username', 'active', 'email', 'roles', 'extra', 'password', 'conf_password']
list_columns = ['first_name', 'last_name', 'username', 'email', 'active', 'roles']
edit_columns = ['first_name', 'last_name', 'username', 'active', 'email', 'roles', 'extra']
Next create your own SecurityManager class, overriding your model and view for User (create a sec.py):
from flask_appbuilder.security.sqla.manager import SecurityManager
from .sec_models import MyUser
from .sec_views import MyUserDBModelView
class MySecurityManager(SecurityManager):
user_model = MyUser
userdbmodelview = MyUserDBModelView
Finally (as shown on the previous example) tell F.A.B. to use your SecurityManager class, so when initializing AppBuilder (on __init__.py):
from flask import Flask
from flask.ext.appbuilder import SQLA, AppBuilder
from flask.ext.appbuilder.menu import Menu
from .sec import MySecurityManager
app = Flask(__name__)
app.config.from_object('config')
db = SQLA(app)
appbuilder = AppBuilder(app, db.session, menu=Menu(reverse=False), security_manager_class=MySecurityManager)
from app import views
Now you’ll have your extended User model as the authenticated user, g.user will have your model with the extra col.
Some images:


Hi, I am Nitish Patnaik and I am
pursuing B.Tech in Computer Science and Engineering from KIIT University, Bhubaneswar
Welcome to my portfolio. I am a final year undergrad who is highly enthusiastic about coding. I am an avid reader and I have a huge passion for astrophysics. Besides that, I love to write and I am also well-versed with pop culture. My hobbies also include football and cinema. I am enthusiastic about using the concepts of computer science to solve real world problems and innovate new ideas as well as I also want to learn new technologies. I am actively seeking roles that involve data science and machine learning.
C, C++, Core Java, Data Structures and Algorithms, DBMS, SQL
1. Certified by NPTEL in the course “Introduction to Machine Learning”.
2. Finished a short course on Internet of Things from Central Tool room and Training
Centre (CTTC), Bhubaneswar in January 2020.
| Graduation Year | Name of Institution | Percentage/CGPA | Degree/Qualification |
|---|---|---|---|
| 2015 | Madnawati Public School, Sambalpur, Odisha | 95 | 10th |
| 2017 | Delhi Public School, Ruby Park, Kolkata, West Bemgal | 84 | 12th |
| 2021 | KIIT Deemed to be University, Bhubaneswar, Odisha | 8.5 | B.Tech |
1. Sentiment Analysis on a dataset of tweets based on a trending hashtag to determine
people's opinion and using that data to develop a prediction model.
2. COVID 19 Analysis in different parts of the world based on different parameters
using machine learning.


Baboon roaming northern Joburg captured at Sandton hotel
by Riaan GroblerThe male baboon who had been roaming the streets of northern Johannesburg was safely captured at a Sandton hotel on Monday afternoon.
News24 reported that the baboon had been spotted in Bryanston, Fourways and, more recently, Sandton.
Residents had been reporting sightings of the baboon since Saturday, and he had been spotted along Witkoppen Road and the N1 highway, as well as in residential complexes, parks and gardens in the area.
Animal organisations, such as Community Led Animal Welfare (CLAW), Wild Serve, and the SPCA, had been tracking the baboon's movements in an attempt to trap it and release it into the wild.
On Monday evening, CLAW's Cora Bailey announced on her Facebook page that the baboon had been captured.
"He is trapped. Thanks for all the lovely comments. This rescue would not have been possible without lots of special people getting involved," Bailey wrote.
The baboon was caught at the Capital on the Park Hotel in Sandton.
'Sterling job'
According to Bailey, director at Wild Serve, Dirk Engelbrecht, did a "sterling job of dealing with the media and driving our bakkie".
"#AnimalAllies Monique Friedland and her dad, Alan, were there before we arrived. They sent for our smaller trap (all the way to Durban Deep), when our large trap was not going to get through any doorways. And [they] were there for anything else that was needed," wrote Bailey.
"Michelle Watson (wildlife rehabilitator) who was just so practical and helpful; and rushed to previous sightings to try and plot where he was going next. She was at the hotel waiting for us when we got there too."
According to Bailey, the hotel management, "who were clearly stressed", coped with utmost patience and professionalism.
"Capital on the Park, you were so accommodating, and the buffet for the baboon trap looked scrumptious. Your hotel is a little bit of heaven among all the hustle and bustle that is Sandton.
"And Devon Williams, a Bryanston resident, who offered his services and did a fantastic job of keeping us posted from outside the hotel while we were in the lobby on the ninth floor.
"What were the chances that this baboon was going to enter the only vacant room in the hotel? But he did, and he is safe and sound," Bailey wrote.
She said that watching him perched on a balcony railing on the 10th floor, expecting him to fall at any time, will forever be etched in her memory.
'Released into the wild'
On Monday, Bailey told News24 that having a baboon roaming urban areas is not an anomaly.
"These incidents happen quite often and largely because of rapid urbanisation that these animals become visible.
"Male baboons and vervet monkeys often leave their troops – sometimes up to four times in their lives," Bailey said.
They then seek to join other troops, which can take months.
"It is becoming increasingly difficult for them to do what nature dictates. If they didn't migrate, it would lead to inbreeding. So they do it to ensure genetic diversity," Bailey said.
Engelbrecht told News24 the baboon would be held temporarily at a rehabilitation centre before it will be released into the wild.


Table of Contents
This is the whether a table of contents will look good in my theme.
In order to add this you have to have something similiar to the following in your pelicanconfig.py
.
# Markdown Plugins
MARKDOWN = {
'extension_configs': {
'markdown.extensions.codehilite': {'css_class': 'highlight'},
'markdown.extensions.extra': {},
'markdown.extensions.meta': {},
'markdown.extensions.toc': {'baselevel': '3', 'title': 'Table of Contents'},
'figureAltCaption':{},
},
'output_format': 'html5',
}
Please see the Pelican Documentation on Markdown Settings
First main header
Some random Text.
Sub Heading One
Fine points to be made. [Link to nothing][].
Other stuff goes here. Also, I love my wife.
Sub Heading Two
Some more text that I've spent some time coming up with. Also, I want to spend some time looking into the things!
Second Main Header
Another point.
Mini-Header
Some text.
Finer point on the issue
I can't go that far
So fine you blew my mind
I don't know what else to add
Another header that showed up
Conclusion
Definitely not how I currently write, but I want to add it for others.


| Partition | Bank | Location | Name | Category | Version | Piano A | Samp Lib A | Piano B | Samp Lib B | Info |
|---|---|---|---|---|---|---|---|---|---|---|
| Program | Bank A | 01:1 | LegatoTrumpet-PH | Grand | 6 | Not found: (Unknown) | Legato_Trumpet | Not found: (Unknown) | (No sound) | WARNING: program is missing 2 pianos/samples |
| Program | Bank A | 01:2 | ClavD6DistWham | User | 6 | Clavinet D6 5.0 | Not found: (Unknown) | Clavinet D6 5.0 | SynthPad2__ste CLv4 | WARNING: program is missing 1 pianos/samples |
| Program | Bank A | 01:3 | GuitSoloPinkWah | User | 6 | Clavinet D6 5.0 | Not found: (Unknown) | Clavinet D6 5.0 | SynthPad2__ste CLv4 | WARNING: program is missing 1 pianos/samples |
| Program | Bank A | 01:4 | GuitSoloPinkWahv | User | 7 | Clavinet D6 5.0 | Not found: (Unknown) | Clavinet D6 5.0 | SynthPad2__ste CLv4 | WARNING: program is missing 1 pianos/samples |
| Program | Bank A | 01:5 | Grand Imperial | Grand | 6 | Grand Imperial Bdorf Lrg 5.3 | 22violins__ste SRv4 | Grand Imperial Bdorf Lrg 5.3 | SynthPad2__ste CLv4 | |
| Program | Bank A | 02:1 | Piano Pad | None | 6 | Grand Imperial Bdorf Lrg 5.3 | pianopad | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank A | 02:2 | Shaky Rhodes | EPiano1 | 6 | Epiano7 Mk1 Amped Med 5.3 | FullOrchestra__ste SRv4 | Epiano7 Mk1 Amped Med 5.3 | FullOrchestra__ste SRv4 | |
| Program | Bank A | 02:3 | Grand Pad | Grand | 6 | Grand Imperial Bdorf Lrg 5.3 | SynthPad1__ste CLv4 | Grand Imperial Bdorf Lrg 5.3 | StringOrchestra_ _ste SRv4 | |
| Program | Bank A | 02:4 | Growing Pad | Pad | 6 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank A | 02:5 | DX-PAD | Pad | 7 | Studio Grand 2 YaC7 Lrg 5.3 | DX_PAD | Grand Imperial Bdorf Lrg 5.3 | DX_PAD | |
| Program | Bank A | 03:1 | Moog | Synth | 6 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank A | 03:2 | Genuine-Rhodes | EPiano1 | 6 | EPiano 1 Mk I Low Deep 5.3 | FullOrchestra__ste SRv4 | Grand Imperial Bdorf Lrg 5.3 | SynthPad2__ste CLv4 | |
| Program | Bank A | 03:3 | Dance Event | Synth | 7 | Ital Harpsich 1A Short Str 5.0 | Tekno_Stack_1 | Ital Harpsich 1A Short Str 5.0 | Tekno_Stack_1 | |
| Program | Bank A | 03:4 | Strings I | String | 6 | EPiano 1 Mk I Low Deep 5.3 | 22violins__ste SRv4 | Clavinet D6 5.0 | StringOrchestra_ _ste SRv4 | |
| Program | Bank A | 03:5 | Big Mighty Str | String | 7 | Grand Imperial Bdorf Lrg 5.3 | Strings_Voice_Rogerio_AO | Clavinet D6 5.0 | FullStrings1__ste SRv5 | |
| Program | Bank A | 04:1 | LINGUS-LEAD----- | User | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank A | 04:2 | Student Mode | Grand | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank A | 04:3 | B3-x4---------- | Organ | 7 | Silver Grand SK7 Lrg 5.3 | (No sound) | Silver Grand SK7 Lrg 5.3 | (No sound) | |
| Program | Bank A | 04:4 | Beautiful-Day | User | 7 | Grand Imperial Bdorf Lrg 5.3 | Not found: (Unknown) | Silver Grand SK7 Lrg 5.3 | Not found: (Unknown) | WARNING: program is missing 2 pianos/samples |
| Program | Bank A | 04:5 | Med-Brass | User | 7 | Not found: (Unknown) | HornTrio+Baryton_Split_CL ste 2.0 | Not found: (Unknown) | Tenor Saxophone_mf_Korg mono 2.0 | WARNING: program is missing 2 pianos/samples |
| Program | Bank A | 05:1 | OD-Gtr | User | 7 | Not found: (Unknown) | (No sound) | Not found: (Unknown) | Not found: (Unknown) | WARNING: program is missing 3 pianos/samples |
| Program | Bank A | 06:2 | Rock with you | User | 7 | EP5 Bright Tines CustomMod 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | OrchStrings Marc_LiteVib _ste KHv4 | |
| Program | Bank A | 06:3 | Bed Of Roses | Upright | 7 | Saloon Upright Baumgardt Lrg 5.3 | (No sound) | Romantic Upright Schimmel Med5.3 | NL2X Warm Pad PH_v2 | |
| Program | Bank A | 06:4 | Hello | EPiano1 | 6 | EPiano 2 Mk I ClosIdeal 5.3 | StringOrchestra_ _ste SRv4 | EPiano 1 Mk I Low Deep 5.3 | FM Another EP | |
| Program | Bank A | 06:5 | Rhodes-MKII-LP12 | EPiano1 | 6 | EPiano 2 Mk I ClosIdeal 5.3 | Not found: (Unknown) | EPiano 1 Mk I Low Deep 5.3 | Rhodes_MKII_LP12 | WARNING: program is missing 1 pianos/samples |
| Program | Bank A | 07:1 | Radio-GaGa | User | 7 | Silver Grand SK7 Lrg 5.3 | (No sound) | Silver Grand SK7 Lrg 5.3 | FullStrings1__ste SRv4 | |
| Program | Bank A | 07:2 | Universal-Rhodes | EPiano1 | 6 | EPiano 2 Mk I ClosIdeal 5.3 | (No sound) | EPiano 2 Mk I ClosIdeal 5.3 | (No sound) | |
| Program | Bank A | 07:3 | Strings - Brass | User | 7 | Grand Imperial Bdorf Lrg 5.3 | 22violins Leg_LoVib_ SR ste 2.0 | Grand Imperial Bdorf Lrg 5.3 | FullOrchestra__SR stereo 2.0 | |
| Program | Bank A | 08:1 | DX7 Rhodes W | EPiano1 | 7 | Studio Grand 2 YaC7 Lrg 5.3 | 3 Violins MkII_Mellotron_v4 | Epiano7 Mk1 Amped Med 5.3 | DXPiano_ste_PH | |
| Program | Bank A | 08:2 | Strings-R | String | 7 | Clavinet D6 5.0 | StringQuartet_ _SRv4 | Clavinet D6 5.0 | Strings_SOL8_Rogerio_AO | |
| Program | Bank A | 08:3 | Strings-Voice-R | String | 7 | Clavinet D6 5.0 | Strings_Voice_Rogerio_AO | Clavinet D6 5.0 | (No sound) | |
| Program | Bank A | 08:4 | Prince-OBXa-- | Synth | 7 | Saloon Upright Baumgardt Lrg 5.3 | (No sound) | Saloon Upright Baumgardt Lrg 5.3 | (No sound) | |
| Program | Bank A | 08:5 | AnotherPartOfMe | User | 6 | EPiano 2 Mk I ClosIdeal 5.3 | SynthPad2__ste CLv4 | Clavinet D6 5.0 | DX7IIC Touch Perco BR | |
| Program | Bank A | 09:1 | Just Dance | User | 6 | Clavinet D6 5.0 | (No sound) | Clavinet D6 5.0 | P5 Saw Unison BR | |
| Program | Bank A | 09:2 | Fireflies | User | 6 | Clavinet D6 5.0 | (No sound) | Clavinet D6 5.0 | (No sound) | |
| Program | Bank A | 09:3 | Dangerous | User | 6 | Clavinet D6 5.0 | MM Soft Lead BR | Clavinet D6 5.0 | MM Soft Lead BR | |
| Program | Bank A | 09:4 | California Gurls | User | 7 | Clavinet D6 5.0 | (No sound) | EPiano 2 Mk I ClosIdeal 5.3 | (No sound) | |
| Program | Bank A | 09:5 | 1999 - Prince | User | 6 | Clavinet D6 5.0 | P5 Saga Synth BR | Clavinet D6 5.0 | P5 Saw Unison BR | |
| Program | Bank A | 10:1 | Party Rock LMFAO | User | 6 | Clavinet D6 5.0 | (No sound) | Clavinet D6 5.0 | P5 Saw Unison BR | |
| Program | Bank A | 10:2 | We Found Love | User | 7 | Clavinet D6 5.0 | MM Fusion Bass BR | Clavinet D6 5.0 | MM Fusion Bass BR | |
| Program | Bank A | 10:3 | LockedOutSamples | User | 6 | Clavinet D6 5.0 | BrunoMars_Locked_out | Clavinet D6 5.0 | (No sound) | |
| Program | Bank A | 10:4 | Last-Christmas | Synth | 7 | EP5 Bright Tines CustomMod 5.3 | NL2X Warm Pad PH_v2 | EPiano 1 Mk I Low Deep 5.3 | SynthPad1__ste CLv4 | |
| Program | Bank A | 10:5 | DontStopBelievin | Grand | 7 | Silver Grand SK7 Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank A | 11:1 | Axel-F- | Synth | 7 | Silver Grand SK7 Lrg 5.3 | (No sound) | Silver Grand SK7 Lrg 5.3 | (No sound) | |
| Program | Bank A | 11:2 | Crazy---Seal | User | 6 | Not found: (Unknown) | SynthPad1__ste CLv4 | Not found: (Unknown) | (No sound) | WARNING: program is missing 2 pianos/samples |
| Program | Bank A | 11:3 | Hold The Line | User | 7 | Electric Grand 1 CP80 5.3 | 22violins__ste SRv4 | Electric Grand 1 CP80 5.3 | SynthPad2__ste CLv4 | |
| Program | Bank A | 11:4 | A-ha-Take-on-me | Synth | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank A | 11:5 | Walk of Life | Organ | 6 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank A | 12:1 | No Woman | Organ | 6 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank A | 12:2 | Born2Be Wild | Organ | 6 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank A | 12:3 | Insomnia Faithle | User | 7 | Grand Imperial Bdorf Lrg 5.3 | Choir Female_ste BR | Grand Imperial Bdorf Lrg 5.3 | Pizzicato_OrchStr_ste KHv4 | |
| Program | Bank A | 12:4 | Wake-me-up | User | 6 | Grand Imperial Bdorf Lrg 5.3 | Tekno_Stack_1 | EP5 Bright Tines CustomMod 5.3 | (No sound) | |
| Program | Bank A | 12:5 | Mesmerized - ARP | None | 7 | Studio Grand 2 YaC7 Lrg 5.3 | (No sound) | Silver Grand SK7 Lrg 5.3 | (No sound) | |
| Program | Bank A | 13:1 | Final-Countdown | Synth | 7 | Electric Grand 1 CP80 5.3 | (No sound) | Electric Grand 1 CP80 5.3 | SynthPad2__ste CLv4 | |
| Program | Bank A | 13:2 | Great-Balls-of-F | Grand | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Saloon Upright Baumgardt Lrg 5.3 | (No sound) | |
| Program | Bank A | 13:3 | JumpTheBest | Synth | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank A | 13:4 | The Logical Song | EPiano1 | 7 | Wurlitzer 2 Amped XL 5.3 | (No sound) | EPiano 1 Mk I Low Deep 5.3 | (No sound) | |
| Program | Bank A | 13:5 | Runaway | User | 6 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank A | 14:1 | Disco Attack | String | 7 | Grand Imperial Bdorf Lrg 5.3 | DiscoStrings | Grand Imperial Bdorf Lrg 5.3 | DiscoTremolo | |
| Program | Bank A | 14:2 | Disco Falls | String | 7 | Grand Imperial Bdorf Lrg 5.3 | DiscoFalls | Grand Imperial Bdorf Lrg 5.3 | DiscoFalls | |
| Program | Bank A | 14:3 | Disco FX MW | String | 7 | Grand Imperial Bdorf Lrg 5.3 | DiscoStrings | Grand Imperial Bdorf Lrg 5.3 | DiscoFalls | |
| Program | Bank A | 14:4 | Disco Kavinsky | String | 7 | Grand Imperial Bdorf Lrg 5.3 | DiscoStrings | Grand Imperial Bdorf Lrg 5.3 | DiscoTremolo | |
| Program | Bank A | 14:5 | Disco Octaves | String | 7 | Grand Imperial Bdorf Lrg 5.3 | DiscoStrings | Grand Imperial Bdorf Lrg 5.3 | DiscoStrings | |
| Program | Bank A | 15:1 | Disco Pad 2 MW | String | 7 | Grand Imperial Bdorf Lrg 5.3 | DiscoStrings | Grand Imperial Bdorf Lrg 5.3 | DiscoStrings | |
| Program | Bank A | 15:2 | Disco Pad MW | String | 7 | Grand Imperial Bdorf Lrg 5.3 | DiscoStrings | Grand Imperial Bdorf Lrg 5.3 | DiscoStrings | |
| Program | Bank A | 15:3 | Disco Ring MW | String | 7 | Grand Imperial Bdorf Lrg 5.3 | DiscoStrings | Grand Imperial Bdorf Lrg 5.3 | DiscoFalls | |
| Program | Bank A | 15:4 | Disco RomanticMW | String | 7 | Grand Imperial Bdorf Lrg 5.3 | DiscoStrings | Grand Imperial Bdorf Lrg 5.3 | DiscoTremolo | |
| Program | Bank A | 15:5 | Disco Strings AB | String | 7 | Grand Imperial Bdorf Lrg 5.3 | DiscoStrings | Grand Imperial Bdorf Lrg 5.3 | DiscoFalls | |
| Program | Bank A | 16:1 | Disco Strings MW | String | 7 | Grand Imperial Bdorf Lrg 5.3 | DiscoStrings | Grand Imperial Bdorf Lrg 5.3 | DiscoFalls | |
| Program | Bank A | 16:2 | Disco Trem Oct | String | 7 | Grand Imperial Bdorf Lrg 5.3 | DiscoTremolo | Grand Imperial Bdorf Lrg 5.3 | DiscoTremolo | |
| Program | Bank A | 16:3 | Disco Tremolo AB | String | 7 | Grand Imperial Bdorf Lrg 5.3 | DiscoTremolo | Grand Imperial Bdorf Lrg 5.3 | DiscoFalls | |
| Program | Bank A | 16:4 | Disco Tremolo MW | String | 7 | Grand Imperial Bdorf Lrg 5.3 | DiscoStrings | Grand Imperial Bdorf Lrg 5.3 | DiscoTremolo | |
| Program | Bank A | 16:5 | Falls Octaves | String | 7 | Grand Imperial Bdorf Lrg 5.3 | DiscoFalls | Grand Imperial Bdorf Lrg 5.3 | DiscoFalls | |
| Program | Bank A | 17:1 | Piano DX7 Pad | User | 7 | Silver Grand SK7 Lrg 5.3 | DXPiano_ste_PH | Silver Grand SK7 Lrg 5.3 | SynthPad1__ste CLv4 | |
| Program | Bank A | 17:2 | DX7 | User | 7 | Silver Grand SK7 Lrg 5.3 | DXPiano_ste_PH | Silver Grand SK7 Lrg 5.3 | SynthPad1__ste CLv4 | |
| Program | Bank A | 18:1 | Touch Me There | User | 7 | Clavinet D6 5.0 | (No sound) | Silver Grand SK7 Lrg 5.3 | DiscoStrings | |
| Program | Bank A | 18:2 | Somebodys Else L | User | 7 | Clavinet D6 5.0 | DiscoStrings | Clavinet D6 5.0 | DiscoStrings | |
| Program | Bank A | 18:3 | Standing Strong | User | 7 | Clavinet D6 5.0 | DiscoStrings | Clavinet D6 5.0 | orch_hits_stacc | |
| Program | Bank A | 18:4 | One Moment Your | User | 7 | Silver Grand SK7 Lrg 5.3 | DXPiano_ste_PH | Clavinet D6 5.0 | (No sound) | |
| Program | Bank A | 18:5 | Love Me In Slowm | User | 7 | Clavinet D6 5.0 | DiscoStrings | Grand Imperial Bdorf Lrg 5.3 | DiscoStrings | |
| Program | Bank A | 19:1 | Wereld zonder | User | 7 | Silver Grand SK7 Lrg 5.3 | SynthPad1__ste CLv4 | Clavinet D6 5.0 | SynthPad1__ste CLv4 | |
| Program | Bank A | 20:1 | Unnamed | None | 7 | EPiano 1 Mk I Low Deep 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank A | 20:5 | Mainstage | User | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank B | 01:1 | A Deeper Love | User | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank B | 01:2 | Super d love | EPiano1 | 7 | EP5 Bright Tines CustomMod 5.3 | MarkStrings_FedericoSolazzo | Grand Imperial Bdorf Lrg 5.3 | SynthPad2__ste CLv4 | |
| Program | Bank B | 01:3 | River Deep | User | 7 | Silver Grand SK7 Lrg 5.3 | HornTrio+Baryton_Split_CL ste 2.0 | Silver Grand SK7 Lrg 5.3 | Tenor Saxophone_mf_Korg mono 2.0 | |
| Program | Bank B | 01:4 | Titanium | Synth | 7 | Grand Imperial Bdorf Lrg 5.3 | SynthPad1__ste CLv4 | Ital Harpsich 1A Short Str 5.0 | Tekno_Stack_1 | |
| Program | Bank B | 01:5 | Titanium 2 | Synth | 7 | Grand Imperial Bdorf Lrg 5.3 | SynthPad1__ste CLv4 | Ital Harpsich 1A Short Str 5.0 | Tekno_Stack_1 | |
| Program | Bank B | 02:1 | Son Of A Preache | Organ | 7 | Wurlitzer 2 Amped XL 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank B | 02:2 | Proud Mary | Organ | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 01:1 | Kiss | None | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 01:2 | Kiss v2 | Synth | 7 | Grand Imperial Bdorf Lrg 5.3 | Marimba__STv5 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 01:4 | Let Me Entertain | None | 7 | Silver Grand SK7 Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 01:5 | Kom Van Dat Dak | Grand | 7 | Studio Grand 2 YaC7 Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 02:1 | I Feel Good | Organ | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | JP4 Strings 2 BR | |
| Program | Bank C | 02:2 | Hard To Handle | None | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 02:3 | DontYouForgetPad | Pad | 7 | Grand Imperial Bdorf Lrg 5.3 | SynthPad1__ste CLv4 | Grand Imperial Bdorf Lrg 5.3 | StringOrchestra_ _ste SRv4 | |
| Program | Bank C | 02:4 | Dont You Forget2 | Synth | 7 | Grand Imperial Bdorf Lrg 5.3 | P5 Spit Brass BR | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 02:5 | Piano Man | Upright | 7 | Romantic Upright Schimmel Med5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | Mandola MkI_Mellotron_v4 | |
| Program | Bank C | 03:1 | Hey Jude F | Grand | 7 | Grand Imperial Bdorf Lrg 5.3 | FullStrings2__SRv4 | Grand Imperial Bdorf Lrg 5.3 | 22violins__ste SRv4 | |
| Program | Bank C | 03:2 | Lion In The Morn | None | 6 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 03:3 | Angels | Grand | 7 | Silver Grand SK7 Lrg 5.3 | SynthPad1__ste CLv4 | Grand Imperial Bdorf Lrg 5.3 | StringOrchestra_ _ste SRv4 | |
| Program | Bank C | 03:4 | Brabant | None | 7 | Grand Imperial Bdorf Lrg 5.3 | DiscoStrings | Grand Imperial Bdorf Lrg 5.3 | StringOrchestra_ _ste SRv5 | |
| Program | Bank C | 03:5 | Brabant - Akkord | None | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | Accordion 2 | |
| Program | Bank C | 04:1 | Valerie | Grand | 7 | EP5 Bright Tines CustomMod 5.3 | Metallophone__DVv4 | Saloon Upright Baumgardt Lrg 5.3 | DiscoStrings | |
| Program | Bank C | 04:2 | I Wish | Grand | 7 | Epiano7 Mk1 Amped Med 5.3 | FullOrchestra__ste SRv4 | Clavinet D6 5.0 | (No sound) | |
| Program | Bank C | 04:3 | The Way To Your | Pad | 6 | Grand Imperial Bdorf Lrg 5.3 | SynthPad1__ste CLv4 | Grand Imperial Bdorf Lrg 5.3 | Vibes_Medium_DVv4 | |
| Program | Bank C | 04:4 | Call Me Maybe 1 | User | 7 | Grand Imperial Bdorf Lrg 5.3 | Pizzicato_OrchStr_ste KHv4 | Grand Imperial Bdorf Lrg 5.3 | White Noise | |
| Program | Bank C | 04:5 | Call Me Maybe 2 | User | 7 | Grand Imperial Bdorf Lrg 5.3 | Pizzicato_OrchStr_ste KHv4 | Grand Imperial Bdorf Lrg 5.3 | Call_me_maybe | |
| Program | Bank C | 05:1 | Het Moet En T Za | Organ | 6 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 05:2 | Unchain My Heart | Grand | 6 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 05:3 | Play That Funky | Wind | 7 | Clavinet D6 5.0 | bells_and_claps | Grand Imperial Bdorf Lrg 5.3 | bells_and_claps | |
| Program | Bank C | 05:4 | IkOokVanJou | None | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 05:5 | Swing Medley | Grand | 6 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 06:1 | James Bond | String | 7 | Grand Imperial Bdorf Lrg 5.3 | DiscoStrings | Grand Imperial Bdorf Lrg 5.3 | DiscoStrings | |
| Program | Bank C | 06:2 | Groot Hart | Organ | 6 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | JP4 Strings 2 BR | |
| Program | Bank C | 06:3 | 9 to 5 | None | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 06:4 | Venus | Organ | 7 | Grand Imperial Bdorf Lrg 5.3 | StringOrchestra_ _ste SRv5 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 06:5 | Suspicious Minds | String | 7 | EP5 Bright Tines CustomMod 5.3 | DiscoStrings | Grand Imperial Bdorf Lrg 5.3 | DiscoTremolo | |
| Program | Bank C | 07:1 | Son Of A Preache | EPiano2 | 7 | Wurlitzer 2 Amped XL 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 07:2 | Jimmy | Grand | 6 | Grand Imperial Bdorf Lrg 5.3 | StringOrchestra_ _ste SRv5 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 07:3 | Down On The Corn | EPiano1 | 6 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 07:4 | I Feel Like A Wo | Synth | 7 | Studio Grand 2 YaC7 Lrg 5.3 | DX7IIC AnaStrings BR | Grand Imperial Bdorf Lrg 5.3 | Tekno_Stack_1 | |
| Program | Bank C | 07:5 | Paradise By The | Grand | 7 | Silver Grand SK7 Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 08:1 | Walking On Sunsh | Organ | 6 | Epiano7 Mk1 Amped Med 5.3 | (No sound) | Epiano7 Mk1 Amped Med 5.3 | (No sound) | |
| Program | Bank C | 08:2 | Iedereen is van | Organ | 7 | EP5 Bright Tines CustomMod 5.3 | (No sound) | Epiano7 Mk1 Amped Med 5.3 | (No sound) | |
| Program | Bank C | 08:3 | Good God | Organ | 7 | Grand Imperial Bdorf Lrg 5.3 | GoodGod | EPiano 1 Mk I Low Deep 5.3 | GoodGod | |
| Program | Bank C | 08:4 | Lets Get Loud | Grand | 6 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 08:5 | Soulman | Organ | 6 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 09:1 | Ive Got Music 1 | Grand | 7 | Silver Grand SK7 Lrg 5.3 | DiscoFalls | Grand Imperial Bdorf Lrg 5.3 | DiscoFalls | |
| Program | Bank C | 09:2 | Ive Got Music 2 | None | 6 | EPiano 1 Mk I Low Deep 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | OrchStrings Marc_LiteVib _ste KHv4 | |
| Program | Bank C | 09:3 | Im A Believer | Organ | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 09:4 | Narcotic | Synth | 6 | Grand Imperial Bdorf Lrg 5.3 | Roland_D70_Lite_Bell1 | Romantic Upright Schimmel Med5.3 | P5 Saga Synth BR | |
| Program | Bank C | 09:5 | Kids Of America | None | 6 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | StringOrchestra_ _ste SRv5 | |
| Program | Bank C | 10:1 | Jailhouse Rock | Grand | 6 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 10:2 | Ease On Down | None | 6 | EPiano 1 Mk I Low Deep 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 10:3 | Sex On Fire | None | 6 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 10:4 | Joost - Piano | Grand | 7 | Grand Imperial Bdorf Lrg 5.3 | Accordion4_Carina _PSv4 | Clavinet D6 5.0 | Accordion4_Carina _PSv4 | |
| Program | Bank C | 10:5 | Joost - Akk | Synth | 7 | Clavinet D6 5.0 | TyrosTuba | Epiano7 Mk1 Amped Med 5.3 | Weltmeister3_Accordion_PS mono 2.0 | |
| Program | Bank C | 11:1 | Marley Organ | Organ | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 11:2 | Bad Romance | Synth | 6 | Grand Imperial Bdorf Lrg 5.3 | Tekno_Stack_1 | Grand Imperial Bdorf Lrg 5.3 | Accordion4_Carina _PSv4 | |
| Program | Bank C | 11:3 | Grease Lightnin | Grand | 6 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 11:4 | Proud Mary | Organ | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 11:5 | I Will Survive | Grand | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | StringOrchestra_ _ste SRv4 | |
| Program | Bank C | 12:1 | Could You Be | Organ | 6 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Clavinet D6 5.0 | (No sound) | |
| Program | Bank C | 12:2 | Satisfaction | None | 6 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 12:3 | Sorry | EPiano1 | 6 | EPiano 1 Mk I Low Deep 5.3 | FullOrchestra__ste SRv4 | Grand Imperial Bdorf Lrg 5.3 | SynthPad2__ste CLv4 | |
| Program | Bank C | 12:4 | Girl | None | 6 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | JP4 Strings 2 BR | |
| Program | Bank C | 12:5 | Wat Een Vrouw | Grand | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | Fretless Bass BR | |
| Program | Bank C | 13:1 | Dansen Op Vulkaa | Organ | 6 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 13:2 | Accordeon-fun 1 | Synth | 6 | Epiano7 Mk1 Amped Med 5.3 | Accordion4_Carina _PSv4 | Clavinet D6 5.0 | Accordion4_Carina _PSv4 | |
| Program | Bank C | 13:3 | Accordeon-fun 2 | Synth | 6 | Epiano7 Mk1 Amped Med 5.3 | Accordion1_Carina _PSv4 | Clavinet D6 5.0 | Accordion4_Carina _PSv4 | |
| Program | Bank C | 13:4 | Grozzie - Piano | Upright | 6 | Romantic Upright Schimmel Med5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 13:5 | Grozzie - Akk | Synth | 7 | Epiano7 Mk1 Amped Med 5.3 | Accordion4_Carina _PSv4 | Clavinet D6 5.0 | TyrosTuba | |
| Program | Bank C | 14:1 | Always On The Ru | Clavinet | 6 | Clavinet D6 5.0 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 14:2 | ShowMustGoOn | User | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | 16celli__ste SRv4 | |
| Program | Bank C | 14:3 | I Want It All | User | 7 | Silver Grand SK7 Lrg 5.3 | (No sound) | Silver Grand SK7 Lrg 5.3 | StringOrchestra_ _ste SRv4 | |
| Program | Bank C | 14:4 | Innuendo | None | 7 | Grand Imperial Bdorf Lrg 5.3 | FullStrings1__ste SRv4 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 14:5 | Bohemian Rhapsod | None | 7 | Silver Grand SK7 Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 15:1 | Dont Stop Me Now | User | 7 | Silver Grand SK7 Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 15:3 | Dancing Queen | String | 7 | Silver Grand SK7 Lrg 5.3 | DiscoStrings | Grand Imperial Bdorf Lrg 5.3 | DiscoStrings | |
| Program | Bank C | 15:4 | Mama Mia | User | 7 | Grand Imperial Bdorf Lrg 5.3 | Marimba__STv5 | Grand Imperial Bdorf Lrg 5.3 | ChambStringsMarc_LiteVib _ste KHv4 | |
| Program | Bank C | 15:5 | Mama Mia Piano | Grand | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | StringOrchestra_ _ste SRv4 | |
| Program | Bank C | 16:2 | Shake Tailfeath | EPiano1 | 6 | EP5 Bright Tines CustomMod 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 16:3 | Doe Maar Medley | Organ | 6 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | StringOrchestra_ _ste SRv4 | |
| Program | Bank C | 16:4 | Thriller | None | 7 | Grand Imperial Bdorf Lrg 5.3 | P5 Spit Brass BR | Grand Imperial Bdorf Lrg 5.3 | StringOrchestra_ _ste SRv4 | |
| Program | Bank C | 16:5 | Bad | None | 6 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | StringOrchestra_ _ste SRv4 | |
| Program | Bank C | 17:1 | Smooth Criminal | None | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | StringOrchestra_ _ste SRv4 | |
| Program | Bank C | 17:2 | Billie Jean | Fantasy | 7 | EPiano 1 Mk I Low Deep 5.3 | JP4 Brass BR | EPiano 1 Mk I Low Deep 5.3 | Choir Uuhs_ste BR | |
| Program | Bank C | 17:3 | Dont Stop Until | None | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | StringOrchestra_ _ste SRv4 | |
| Program | Bank C | 17:4 | I Want You Back | None | 6 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | StringOrchestra_ _ste SRv4 | |
| Program | Bank C | 17:5 | No Limit | None | 7 | Silver Grand SK7 Lrg 5.3 | Shakuhachi__BR mono 2.0 | Grand Imperial Bdorf Lrg 5.3 | Marimba__STv5 | |
| Program | Bank C | 18:1 | No Limit | None | 7 | Silver Grand SK7 Lrg 5.3 | Shakuhachi__BR mono 2.0 | Grand Imperial Bdorf Lrg 5.3 | Marimba__STv5 | |
| Program | Bank C | 18:2 | Eternity | None | 7 | Grand Imperial Bdorf Lrg 5.3 | SynthPad1__ste CLv4 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 18:3 | I Love RockNRoll | None | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 18:4 | Witch Doctor | User | 7 | Silver Grand SK7 Lrg 5.3 | WitchDoctor | Grand Imperial Bdorf Lrg 5.3 | WitchDoctor | |
| Program | Bank C | 18:5 | Everybodys Free | None | 7 | Grand Imperial Bdorf Lrg 5.3 | SynthPad1__ste CLv4 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank C | 19:1 | Wa Trekte Aon 1 | User | 7 | Clavinet D6 5.0 | TyrosTuba | Epiano7 Mk1 Amped Med 5.3 | Weltmeister3_Accordion_PS mono 2.0 | |
| Program | Bank C | 19:2 | Wa Trekte Aon 2 | User | 7 | Epiano7 Mk1 Amped Med 5.3 | Celeste__STv5 | Clavinet D6 5.0 | TyrosTuba | |
| Program | Bank D | 01:1 | In The Stone Str | Grand | 7 | Grand Imperial Bdorf Lrg 5.3 | DiscoStrings | Grand Imperial Bdorf Lrg 5.3 | FullStrings1__ste SRv5 | |
| Program | Bank D | 01:2 | Get Ready | Organ | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank D | 01:3 | Happy | EPiano1 | 7 | EPiano 1 Mk I Low Deep 5.3 | FullOrchestra__ste SRv4 | Studio Grand 2 YaC7 Lrg 5.3 | bells_and_claps | |
| Program | Bank D | 01:4 | Lovely Day | EPiano1 | 7 | EP5 Bright Tines CustomMod 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | StringOrchestra_ _ste SRv4 | |
| Program | Bank D | 01:5 | Uptown Funk | Synth | 7 | Studio Grand 2 YaC7 Lrg 5.3 | Uptown_Funk_2 | Studio Grand 2 YaC7 Lrg 5.3 | Uptown_Vocal | |
| Program | Bank D | 02:1 | Blame It On The | Grand | 7 | EPiano 2 Mk I ClosIdeal 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank D | 02:2 | BlameBoogie | Clavinet | 7 | Clavinet D6 5.0 | FullStrings1__ste SRv4 | EPiano 2 Mk I ClosIdeal 5.3 | Not found: (Unknown) | WARNING: program is missing 1 pianos/samples |
| Program | Bank D | 02:3 | Disco Inferno | Grand | 7 | Studio Grand 2 YaC7 Lrg 5.3 | 22violins__ste SRv4 | Studio Grand 2 YaC7 Lrg 5.3 | SynthPad2__ste CLv4 | |
| Program | Bank D | 02:4 | Dance Across The | None | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank D | 02:5 | Bad Girls | Grand | 7 | Grand Imperial Bdorf Lrg 5.3 | DiscoStrings | Grand Imperial Bdorf Lrg 5.3 | DiscoStrings | |
| Program | Bank D | 03:1 | Thats The Way | String | 7 | EPiano 1 Mk I Low Deep 5.3 | 22violins__ste SRv4 | Clavinet D6 5.0 | DiscoStrings | |
| Program | Bank D | 03:2 | Dont You Worry | User | 7 | EPiano 2 Mk I ClosIdeal 5.3 | SynthPad1__ste CLv4 | Grand Imperial Bdorf Lrg 5.3 | StringOrchestra_ _ste SRv4 | |
| Program | Bank D | 03:3 | Carwash | String | 6 | EPiano 1 Mk I Low Deep 5.3 | 22violins__ste SRv4 | Clavinet D6 5.0 | OrchStrings Marc_LiteVib _ste KHv4 | |
| Program | Bank D | 03:4 | Lady Marmelade | None | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank D | 03:5 | Back In Love | Grand | 7 | EPiano 1 Mk I Low Deep 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | OrchStrings Marc_LiteVib _ste KHv4 | |
| Program | Bank D | 04:1 | Locked Out 1 | String | 7 | Grand Imperial Bdorf Lrg 5.3 | SynthPad1__ste CLv4 | Grand Imperial Bdorf Lrg 5.3 | BrunoMars_Locked_out | |
| Program | Bank D | 04:2 | Locked Out Synth | User | 6 | EPiano 2 Mk I ClosIdeal 5.3 | (No sound) | Clavinet D6 5.0 | (No sound) | |
| Program | Bank D | 04:3 | Superstition Eb | Grand | 7 | Clavinet D6 5.0 | (No sound) | EPiano 1 Mk I Low Deep 5.3 | (No sound) | |
| Program | Bank D | 04:4 | Get Lucky | Clavinet | 7 | Epiano7 Mk1 Amped Med 5.3 | FullStrings1__ste SRv4 | EPiano 1 Mk I Low Deep 5.3 | Get_Lucky_Vocoder | |
| Program | Bank D | 04:5 | Good Times | Grand | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank D | 05:1 | Le Freak | String | 7 | Grand Imperial Bdorf Lrg 5.3 | DiscoStrings | Studio Grand 2 YaC7 Lrg 5.3 | DiscoFalls | |
| Program | Bank D | 05:2 | We Are Family | String | 7 | Grand Imperial Bdorf Lrg 5.3 | FullStrings1__ste SRv4 | Grand Imperial Bdorf Lrg 5.3 | FullStrings1__ste SRv4 | |
| Program | Bank D | 05:3 | Reach Out | Organ | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank D | 05:4 | Soul Sister | EPiano1 | 7 | EP5 Bright Tines CustomMod 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank D | 05:5 | Rescue Me | EPiano1 | 7 | EPiano 1 Mk I Low Deep 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank D | 06:1 | Be My Baby | String | 7 | Clavinet D6 5.0 | NL3 Morph Bells_ste PH_v2 | Clavinet D6 5.0 | StringOrchestra_ _ste SRv5 | |
| Program | Bank D | 06:2 | Soulman | Organ | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank D | 06:3 | Hold On | Organ | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank D | 06:4 | Signed Sealed | Organ | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank D | 06:5 | Sexy Als Ik Dans | EPiano1 | 7 | EPiano 1 Mk I Low Deep 5.3 | DiscoStrings | EPiano 1 Mk I Low Deep 5.3 | DiscoFalls | |
| Program | Bank D | 07:1 | Higher | String | 6 | EPiano 1 Mk I Low Deep 5.3 | FullStrings1__ste SRv5 | Clavinet D6 5.0 | FullStrings2__SRv4 | |
| Program | Bank D | 07:2 | Hit It - Funky | Organ | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank D | 07:3 | If You Dont Know | User | 7 | Silver Grand SK7 Lrg 5.3 | SynthPad1__ste CLv4 | Grand Imperial Bdorf Lrg 5.3 | StringOrchestra_ _ste SRv4 | |
| Program | Bank D | 07:4 | I Feel Good | Organ | 6 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | JP4 Strings 2 BR | |
| Program | Bank D | 07:5 | Its Your Thing | Grand | 7 | Electric Grand 1 CP80 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank D | 08:1 | Ladies Night | EPiano1 | 6 | EPiano 1 Mk I Low Deep 5.3 | (No sound) | EPiano 1 Mk I Low Deep 5.3 | (No sound) | |
| Program | Bank D | 08:2 | Ladies Night Ep | EPiano1 | 6 | EPiano 1 Mk I Low Deep 5.3 | (No sound) | EPiano 1 Mk I Low Deep 5.3 | (No sound) | |
| Program | Bank D | 08:3 | Love Shack | EPiano1 | 7 | EPiano 1 Mk I Low Deep 5.3 | FullOrchestra__ste SRv4 | Grand Imperial Bdorf Lrg 5.3 | SynthPad2__ste CLv4 | |
| Program | Bank D | 08:4 | Mans World | Organ | 6 | EPiano 1 Mk I Low Deep 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank D | 08:5 | Moves-Like-Ja | User | 7 | Studio Grand 2 YaC7 Lrg 5.3 | (No sound) | EPiano 1 Mk I Low Deep 5.3 | Recorder M400_Mellotron_v4 | |
| Program | Bank D | 09:1 | Respect | Grand | 6 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank D | 09:2 | Brickhouse | Organ | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank D | 09:3 | See Saw | Grand | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank D | 09:4 | Dr Feelgood | Organ | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank D | 09:5 | Stayin Alive | EPiano1 | 7 | EPiano 1 Mk I Low Deep 5.3 | FullOrchestra__ste SRv4 | Grand Imperial Bdorf Lrg 5.3 | DiscoStrings | |
| Program | Bank D | 10:1 | Jive Talking | EPiano1 | 7 | EPiano 1 Mk I Low Deep 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | DiscoStrings | |
| Program | Bank D | 10:2 | You Should Danci | String | 7 | EPiano 1 Mk I Low Deep 5.3 | DiscoStrings | Clavinet D6 5.0 | DiscoStrings | |
| Program | Bank D | 10:3 | Sweet Soul Music | Organ | 6 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank D | 10:4 | Aint No Mountain | User | 7 | Grand Imperial Bdorf Lrg 5.3 | MarkStrings_FedericoSolazzo | Clavinet D6 5.0 | Vibes_Medium_DVv4 | |
| Program | Bank D | 10:5 | Baby I Love You | EPiano1 | 7 | Epiano7 Mk1 Amped Med 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank D | 11:1 | Aint-Nobody-1- | Synth | 7 | EPiano 1 Mk I Low Deep 5.3 | MM Fat Square Bass BR | Clavinet D6 5.0 | DiscoStrings | |
| Program | Bank D | 11:2 | Aint-Nobody-2- | Synth | 7 | EPiano 1 Mk I Low Deep 5.3 | MM Fat Square Bass BR | Clavinet D6 5.0 | DiscoStrings | |
| Program | Bank D | 11:3 | Tell Me Bout It | EPiano1 | 7 | EPiano 1 Mk I Low Deep 5.3 | (No sound) | EPiano 1 Mk I Low Deep 5.3 | StringOrchestra_ _ste SRv4 | |
| Program | Bank D | 11:4 | Always There | Grand | 7 | Studio Grand 2 YaC7 Lrg 5.3 | 22violins__ste SRv4 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank D | 11:5 | All Night Long | EPiano1 | 7 | EP5 Bright Tines CustomMod 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | DiscoStrings | |
| Program | Bank D | 12:1 | This Is The Hous | Grand | 7 | Grand Imperial Bdorf Lrg 5.3 | GoodGod | EPiano 1 Mk I Low Deep 5.3 | (No sound) | |
| Program | Bank D | 12:2 | Digging | Organ | 7 | Grand Imperial Bdorf Lrg 5.3 | GoodGod | EPiano 1 Mk I Low Deep 5.3 | (No sound) | |
| Program | Bank D | 12:3 | Fantasy | None | 7 | Ital Harpsich 1A Short Str 5.0 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | SynthPad1__ste CLv4 | |
| Program | Bank D | 12:4 | September | EPiano1 | 7 | EPiano 1 Mk I Low Deep 5.3 | DiscoStrings | Grand Imperial Bdorf Lrg 5.3 | SynthPad2__ste CLv4 | |
| Program | Bank D | 12:5 | Boogie Wonderlan | Synth | 7 | Electric Grand 1 CP80 5.3 | FullOrchestra__ste SRv4 | Ital Harpsich 1A Short Str 5.0 | StringOrchestra_ _ste SRv4 | |
| Program | Bank D | 13:1 | Sexmachine | Grand | 7 | Romantic Upright Schimmel Med5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank D | 13:2 | Shout | Grand | 7 | EPiano 1 Mk I Low Deep 5.3 | 22violins__ste SRv4 | Studio Grand 2 YaC7 Lrg 5.3 | SynthPad2__ste CLv4 | |
| Program | Bank D | 13:3 | Rock Steady | Organ | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank D | 13:4 | Papas Got A Bag | Organ | 7 | Grand Imperial Bdorf Lrg 5.3 | (No sound) | Grand Imperial Bdorf Lrg 5.3 | (No sound) | |
| Program | Bank D | 13:5 | Love Bizarre | User | 7 | EPiano 2 Mk I ClosIdeal 5.3 | SynthPad2__ste CLv4 | Clavinet D6 5.0 | DX7IIC Touch Perco BR | |
| Program | Bank D | 14:1 | Treasure | Synth | 7 | Grand Imperial Bdorf Lrg 5.3 | treasure | Clavinet D6 5.0 | (No sound) | |
| Program | Bank D | 14:2 | How Deep | User | 7 | EP5 Bright Tines CustomMod 5.3 | SynthPad1__ste CLv4 | EP5 Bright Tines CustomMod 5.3 | SynthPad1__ste CLv4 | |
| Program | Bank D | 14:3 | Can You Feel It | User | 7 | Grand Imperial Bdorf Lrg 5.3 | DiscoStrings | Grand Imperial Bdorf Lrg 5.3 | DiscoStrings | |
| Program | Bank D | 14:4 | The Way You Make | User | 7 | Grand Imperial Bdorf Lrg 5.3 | SynthPad1__ste CLv4 | EP5 Bright Tines CustomMod 5.3 | SynthPad1__ste CLv4 | |
| Program | Bank D | 14:5 | Baby Love 1 MF | Synth | 7 | Clavinet D6 5.0 | (No sound) | EP8 Nefertiti Mk1 1970 Lrg5.3 | (No sound) | |
| Program | Bank D | 15:1 | Baby Love 1 MF | Synth | 7 | Clavinet D6 5.0 | (No sound) | EP8 Nefertiti Mk1 1970 Lrg5.3 | (No sound) | |
| Program | Bank D | 15:2 | Baby Love 1 MF | Synth | 7 | Clavinet D6 5.0 | (No sound) | EP8 Nefertiti Mk1 1970 Lrg5.3 | (No sound) | |
| Program | Bank D | 15:3 | Baby Love 1 MF | Synth | 7 | Clavinet D6 5.0 | (No sound) | EP8 Nefertiti Mk1 1970 Lrg5.3 | (No sound) |


--- layout: documentation title: IndicatorsType ---
| Field Name | Type | Description |
|---|---|---|
| Indicator1..n | IndicatorBaseType |
Characterizes a single cyber threat Indicator. This field is implemented through the xsi:type extension mechanism. The default and strongly recommended type is IndicatorType in the http://stix.mitre.org/Indicator-2 namespace. This type is defined in the indicator.xsd file or at the URL http://stix.mitre.org/XMLSchema/indicator/2.1/indicator.xsd. |


Plato on Github
Report Home
src\ng\controller.js
Maintainability
65.34
Lines of code
172
Difficulty
33.28
Estimated Errors
0.72
Function weight
By Complexity
By SLOC
'use strict'; var $controllerMinErr = minErr('$controller'); var CNTRL_REG = /^(\S+)(\s+as\s+(\w+))?$/; function identifierForController(controller, ident) { if (ident && isString(ident)) return ident; if (isString(controller)) { var match = CNTRL_REG.exec(controller); if (match) return match[3]; } } /** * @ngdoc provider * @name $controllerProvider * @description * The {@link ng.$controller $controller service} is used by Angular to create new * controllers. * * This provider allows controller registration via the * {@link ng.$controllerProvider#register register} method. */ function $ControllerProvider() { var controllers = {}, globals = false; /** * @ngdoc method * @name $controllerProvider#register * @param {string|Object} name Controller name, or an object map of controllers where the keys are * the names and the values are the constructors. * @param {Function|Array} constructor Controller constructor fn (optionally decorated with DI * annotations in the array notation). */ this.register = function(name, constructor) { assertNotHasOwnProperty(name, 'controller'); if (isObject(name)) { extend(controllers, name); } else { controllers[name] = constructor; } }; /** * @ngdoc method * @name $controllerProvider#allowGlobals * @description If called, allows `$controller` to find controller constructors on `window` */ this.allowGlobals = function() { globals = true; }; this.$get = ['$injector', '$window', function($injector, $window) { /** * @ngdoc service * @name $controller * @requires $injector * * @param {Function|string} constructor If called with a function then it's considered to be the * controller constructor function. Otherwise it's considered to be a string which is used * to retrieve the controller constructor using the following steps: * * * check if a controller with given name is registered via `$controllerProvider` * * check if evaluating the string on the current scope returns a constructor * * if $controllerProvider#allowGlobals, check `window[constructor]` on the global * `window` object (not recommended) * * The string can use the `controller as property` syntax, where the controller instance is published * as the specified property on the `scope`; the `scope` must be injected into `locals` param for this * to work correctly. * * @param {Object} locals Injection locals for Controller. * @return {Object} Instance of given controller. * * @description * `$controller` service is responsible for instantiating controllers. * * It's just a simple call to {@link auto.$injector $injector}, but extracted into * a service, so that one can override this service with [BC version](https://gist.github.com/1649788). */ return function(expression, locals, later, ident) { // PRIVATE API: // param `later` --- indicates that the controller's constructor is invoked at a later time. // If true, $controller will allocate the object with the correct // prototype chain, but will not invoke the controller until a returned // callback is invoked. // param `ident` --- An optional label which overrides the label parsed from the controller // expression, if any. var instance, match, constructor, identifier; later = later === true; if (ident && isString(ident)) { identifier = ident; } if (isString(expression)) { match = expression.match(CNTRL_REG); if (!match) { throw $controllerMinErr('ctrlfmt', "Badly formed controller string '{0}'. " + "Must match `__name__ as __id__` or `__name__`.", expression); } constructor = match[1], identifier = identifier || match[3]; expression = controllers.hasOwnProperty(constructor) ? controllers[constructor] : getter(locals.$scope, constructor, true) || (globals ? getter($window, constructor, true) : undefined); assertArgFn(expression, constructor, true); } if (later) { // Instantiate controller later: // This machinery is used to create an instance of the object before calling the // controller's constructor itself. // // This allows properties to be added to the controller before the constructor is // invoked. Primarily, this is used for isolate scope bindings in $compile. // // This feature is not intended for use by applications, and is thus not documented // publicly. // Object creation: http://jsperf.com/create-constructor/2 var controllerPrototype = (isArray(expression) ? expression[expression.length - 1] : expression).prototype; instance = Object.create(controllerPrototype || null); if (identifier) { addIdentifier(locals, identifier, instance, constructor || expression.name); } var instantiate; return instantiate = extend(function() { var result = $injector.invoke(expression, instance, locals, constructor); if (result !== instance && (isObject(result) || isFunction(result))) { instance = result; if (identifier) { // If result changed, re-assign controllerAs value to scope. addIdentifier(locals, identifier, instance, constructor || expression.name); } } return instance; }, { instance: instance, identifier: identifier }); } instance = $injector.instantiate(expression, locals, constructor); if (identifier) { addIdentifier(locals, identifier, instance, constructor || expression.name); } return instance; }; function addIdentifier(locals, identifier, instance, name) { if (!(locals && isObject(locals.$scope))) { throw minErr('$controller')('noscp', "Cannot export controller '{0}' as '{1}'! No $scope object provided via `locals`.", name, identifier); } locals.$scope[identifier] = instance; } }]; }


| < Day Day Up > |
Hack 49 Why Do I Need sendmail?
As an end user, you've probably asked yourself: "If all I'm doing is running a FreeBSD machine for personal use, why should I need to run a heavyweight MTA daemon like sendmail?" sendmail is the standard Mail Transport Agent (MTA) on FreeBSD, as it is on most Unix systems. In fact, the majority of email passing over the Internet will probably travel through a sendmail server at some point. However, sendmail isn't the easiest software package to manage, and the configuration file syntax gives most people a headache. There are several alternative MTA packages available, but these are also industrial-strength programs suitable for demanding use. Many modern graphical email clients, such as Netscape Mail or Evolution, can send email directly to a mail server machine across the network. So, no, you won't need an MTA on your local machine to send email. (However, you will need an MTA if you use one of the more traditional Unix mail clients, such as mail, mutt, or pine.) Regardless of your email client, if you want to see any automatic emails the system sends—usually from the periodic scripts—then you do require an MTA. More precisely, Unix programs expect to be able to send email by piping its text into the standard input of /usr/sbin/sendmail, and have the system take care of the rest of the work for them.
5.9.1 Closing Port 25Since most systems aren't mail servers, you can disable the receiving of email. In other words, there's no reason to have sendmail listening on port 25 on any exposed interface.
It is possible to close port 25 (except on the loopback interface) and still allow sendmail to run occasionally in order to process outgoing messages. Add the following line to /etc/rc.conf: sendmail_enable="NO" With the release of sendmail-8.12.2 in 2002, sendmail has been split into two parts, each with a separate configuration file. These are the MTA process, which uses SMTP to copy the mail from machine to machine, and the Mail Submission Process (MSP), whose job is to read in the complete text of any new email and reliably inject it into the MTA. When programs run /usr/sbin/sendmail, they interact with the MSP. You can either run an MTA process locally or not run it at all, configuring the MSP to deliver straight to the MTA on your provider's smart host. In order to deliver any email, it has to pass from the MSP to an MTA. The MSP talks SMTP to the MTA to do that, which requires the MTA to be listening on port 25. 5.9.2 Simple sendmail Configuration with a Local MTASetting sendmail_enable="NO" in /etc/rc.conf does not turn off sendmail—use sendmail_enable="NONE" for that—but it does stop sendmail from receiving incoming email. In fact, sendmail_enable="NO" will result in starting up two sendmail processes: an MSP queue manager and an MTA process that listens on the loopback address only. Having the MTA listen only on the loopback interface means that it can be accessed only from the local machine. This is an acceptably secure compromise between having port 25 open generally and not having access to the local MTA at all. If you want to send emails to external recipients, edit the sendmail configuration file slightly to tell it the name of your provider's email smart host: # cd /etc/mail # cp freebsd.mc `hostname`.mc where `hostname` turns into the system's hostname. Open <hostname>.mc in your favorite editor. Change the line that says: dnl define(`SMART_HOST', `your.isp.mail.server') to read: define(`SMART_HOST', `smtp.yourprovider.net') Replace smtp.yourprovider.net with the correct name of your provider's SMTP server. dnl stands for "Delete until New Line"—it's used to comment out text in .mc files, so this change simply uncomments an example line in the default .mc file. Note that in .mc files, the left tick (`) is different from the right tick (').
FEATURE(no_default_msa)dnl Now process the .mc file into a .cf file, and install and activate it: # make # make install # make restart-mta You don't need to make any changes to the default sendmail MSP configuration. This setup will send all messages for nonlocal users to the provider's smart host for processing. It doesn't provide any means of receiving incoming emails over the network. 5.9.3 Simple sendmail Configuration Without a Local MTAInstead of running both a sendmail MSP queue runner and a sendmail MTA process, an alternative is to use just an MSP queue runner. Don't worry about the sendmail MTA, as you're not using it. In addition to sendmail_enable="NO", add these lines to /etc/rc.conf: sendmail_submit_enable="NO" sendmail_outbound_enable="NO" You'll also need to customize the sendmail configuration slightly, this time for the MSP rather than the MTA. # cd /etc/mail # cp freebsd.submit.mc submit.mc Change the last line in submit.mc from: FEATURE(`msp', `[<IP_ADDRESS>]')dnl to: FEATURE(`msp', `smtp.yourprovider.net')dnl where, as before, smtp.yourprovider.net is your ISP's mail smart host. Then, install and activate the new configuration: # make # make install # make restart-msp Again, this will permit you to send email anywhere in the world, but not to receive incoming messages. This differs from the preceding "with MTA" configuration, in that this has to send all outgoing messages—without exception—through the provider's smart host. In return, there is no longer a sendmail process listening on port 25.
5.9.4 See Also
|
| < Day Day Up > |


VIDEO: Inmate caught on camera during failed escape attempt at UT Medical Center
KNOXVILLE, Tenn. (WVLT) — A Knox County inmate briefly escaped from The University of Tennessee Medical Center Wednesday morning and was recaptured a short time later, according to a Knoxville police spokesperson.
KPD and KCSO worked together to capture the inmate, identified as Jason Hale, who was taken into custody near Cherokee Trail Drive.
According to a release from the Knox County Sheriff's Office Hale fled to a nearby wooded area.
Dozens of Officers and K-9's from both the Knox County Sheriff's Office, The Knoxville Police Department and UTMC Security responded and quickly captured Hale without incident.
According to court documents, Hale was arrested on October 23 on charges of Possession of Meth with Intent to Sell, Theft of Property and Resisting Arrest.
The sheriff's office did not specify if any additional charges have been filed against Hale following his attempted escape.
Sheriff Spangler said he would like to thank all of the Officers and Dispatchers involved for their fast and efficient response.


Dear {{ doc.participant_name }},
Thank you for registering for the 2018 ERPNext Conference!
Here are your ticket details:
| Ticket Type | Qty | Rate |
|---|---|---|
| Conference Tickets + Lunch + Dinner | {{ doc.full_conference_tickets or 0 }} | {% if doc.currency=="INR" %}4000{% else %}60{% endif %} |
If you need any help, please email us at foundation@erpnext.com


Paste match link here:
Select which team to pull stats for: Blue Red
Click to export table to csv file Export


Adding an Anchor
How to create an anchor using the TelerikEditorProvider for the RTE. An anchor is a location within this content which can be linked to using the Hyperlink Manager. Note Links to this anchor can only be created in this instance of this module.
- Place your cursor where you want to insert the anchor - OR - Highlight some text or an object to add an anchor to it. Note: Text may display link formatting even though there is no link.
- Click the Hyperlink Manager (CTRL + K) button. This opens the Hyperlink Manager.
- Select the Anchor tab.
- In the Name text box, enter an anchor name.
-
Click the OK button confirm.


Patrick Grenning
Viktor Nikitenko
Viktor's Reflection
Pairing for the first time was lot easier than I first though it would be. Using the different apps including Google HAngout and Stypi to share code and communicate made it a smooth process. I did enjoy working with another person on this assignment. I believe we were able to overcome coding issues much faster by throwing our own ideas and experiences. The one thing we struggled with was sharing files with one another, to take the simple way out we just emailed information back and forth when we switched roles as Driver and Navigator.
Patrick's Reflection
Pairing for the first time was an enjoyable experience. I learned a number of miscellaneous things. Some of it little things other big things. I gained a better understanding of positioning elements in HTML/CSS. I learned some tricks for working with Sublime. I got a good feel for how to work together and best ways to share code together.


Hi. I'm new to Arduino and the OpenEnergyProject, but am pretty familiar with Ubuntu Linux.
I've spent the best part of the day trying to get my newly installed Arduino to read the libraries and firmware.
I'm using Ubuntu 11.04 and have newly installed arduino using apt-get install. I created a /libraries folder and an OpenEnergyMonitor folder in the sketchbook folder created by arduino in my home folder.
I downloaded the files into the appropriate directories using the git clone command, following the Step by Step instructions at: http://openenergymonitor.org/emon/buildingblocks/installing-libraries-an...
I restarted arduino.
When I go to File>Sketchbook, I can see the libraries folder, but the only library present is Arduino-Temperature-Control. I cannot see the OpenEnergyMonitor directory where the firmware has been placed.
I've tried reinstalling arduino twice. I've checked and double checked file pemissions and attritbutes - the missing directories seem identical to the Temperature-Control directory's.
I've tried importing libraries which seems to only do a partial import, for example, Sketch>Import Library>Ethercard brings up the following on the terminal, and nothing else:
#include <net.h>
#include <EtherCard.h>
#include <enc28j60.h>
I've rebooted the computer a few times.
I also tried downloading the firmware as a zip and installing this way, as specified here: http://openenergymonitor.org/emon/modules/emontx/firmware.
All to no avail. I'm running out of ideas ! :-$ Has anybody else had these problems? Any advice would be appreciated. Rob
Re: Arduino not picking up libraries and firmware
OK have worked out what is going on.
The repositries for Ubuntu 11.04 are old and download arduino v 0022. The OpenEnergyMonitor git hub downloads are intended for arduino v 1.0 or greater. They do not work on older versions becaue they use . ino file extensions for the sketches instead of .pde.
I tried changing all the file extensions, which worked to the extent that arduino could see the sketches, but failed upon trying to compile.
I found the answer to my problem here: http://arduino-info.wikispaces.com/Arduino-Libraries
I found good advice on installing arduino v.1.xx on ubuntu11.04 here: http://arduinoexplained.blogspot.co.uk/2012/03/install-arduino-10-on-ubu...
The above link tells you to do the following:
---
First, download two arduino pakages from the debian sid repository
http://packages.debian.org/sid/arduino-core
http://packages.debian.org/sid/arduino
Then,
$ sudo apt-get install binutils-avr gcc-avr avr-libc avrdude
$ sudo dpkg - i arduino-core_1.0+dfsg-9_all.deb
$ sudo apt-get install libjna-java librxtx-java
$ sudo dpkg -i arduino_1.0+dfsg-9_all.deb
---
Actually the current .deb download version is 1.0.1+dfsg-7 so you should enter these instead:
$ sudo apt-get install binutils-avr gcc-avr avr-libc avrdude
$ sudo dpkg - i arduino-core_1.0.1+dfsg-7_all.deb
$ sudo apt-get install lib
$ sudo dpkg -i arduino_1.0.1+dfsg-7_all.deb
Hopefully this will save some time for someone in the future .. R
Re: Arduino not picking up libraries and firmware
Or you could have looked here: http://openenergymonitor.org/emon/buildingblocks/setting-up-the-arduino-...
Re: Arduino not picking up libraries and firmware
Oh yes thanks .. not.


--- layout: default title: Latest Meteor and Fireball News description: Network of detection cameras watching and recording meteors over United Kingdom. Get the latest meteor and fireball news here. permalink: / image: img/twitter-card-default.jpg ---
Network of detection cameras watching and recording meteors over United Kingdom
UKMON is a group of like-minded astronomers sharing a fascination with meteors. Together we operate a network of meteor detection cameras that monitor the night sky continually and recording any meteor activity. Since it was set up in 2012 our network has grown to 30 cameras and is still growing.
As meteors streak across the sky our cameras detect their motion and record video clips capturing these spectacular event. The video clips are then analysed and from these we can determine basic information about the meteor. The magic happens when a meteor is recorded from different locations; by triangulation we can calculate altitudes, velocities, and even the orbit of the meteoroid around the sun before it encountered our atmosphere.
UKMON is all about teamwork and sharing data. We collaborate with similar groups internationally and as far away as Brazil. Closer to home, we have partnered with the Natural History Museum. We also work with radio astronomers. UKMON welcomes everyone equally, even if you don't have a camera.
There are lots of reasons but primarily we are all passionate about astronomy and the night sky. Our data is making a valuable contribution to the understanding of meteors and the solar system and in this respect we are all Citizen Scientists.
But let's not also forget that it's FUN too! Checking what your camera captured overnight is the astronomy equivalent to fishing and there is real excitement when you discover that you captured a bright fireball.
Everyone is welcome, whether you are an amateur astronomer, professional scientist or just interested in observing meteors. You don't even need a camera to join in.
See our UKMON website, follow us on Twitter, Facebook, Instagram, YouTube and even Github. Or if you want to get your own camera we an help you on your journey, just email us.


{% extends 'jobboard/base.html' %} {% load static %} {% block content %} {{ block.super }}
It is a long established fact that a reader will be distracted by the readable content of a page when looking at its layout. The point of using.


TMDiskCacheBlock Block Reference
| Declared in | TMDiskCache.h |
|---|
Block Definition
TMDiskCacheBlock
TMDiskCache
is a thread safe key/value store backed by the file system. It accepts any object conforming
to the NSCoding
protocol, which includes the basic Foundation data types and collection classes and also
many UIKit classes, notably UIImage
. All work is performed on a serial queue shared by all instances in
the app, and archiving is handled by NSKeyedArchiver
. This is a particular advantage for UIImage
because
it skips UIImagePNGRepresentation()
and retains information like scale and orientation.
typedef void (^TMDiskCacheBlock) (TMDiskCache *cache)
Discussion
TMDiskCache
is a thread safe key/value store backed by the file system. It accepts any object conforming
to the NSCoding
protocol, which includes the basic Foundation data types and collection classes and also
many UIKit classes, notably UIImage
. All work is performed on a serial queue shared by all instances in
the app, and archiving is handled by NSKeyedArchiver
. This is a particular advantage for UIImage
because
it skips UIImagePNGRepresentation()
and retains information like scale and orientation.
The designated initializer for TMDiskCache
is <initWithName:>. The description:
.
Unless otherwise noted, all properties and methods are safe to access from any thread at any time. All blocks
will cause the queue to wait, making it safe to access and manipulate the actual cache files on disk for the
duration of the block. In addition, the
Because this cache is bound by disk I/O it can be much slower than TMMemoryCache, although values stored in
TMDiskCache
persist after application relaunch. Using TMCache is recommended over using TMDiskCache
by itself, as it adds a fast layer of additional memory caching while still writing to disk.
All access to the cache is dated so the that the least-used objects can be trimmed first. Setting an optional
Declared In
TMDiskCache.h


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Dear user, you are not logged in.
Unfortunately this means that you will not be able to see any of the functions that are available.
Should you want to work with Cesar, then here are your options:


THE PROMISE A film review by James Berardinelli Copyright 1995 James Berardinelli
RATING (0 TO 10): 8.7
Germany, 1995 U.S. Availability: beginning 10/95 (limited) Running Length: 1:59 MPAA Classification: R (Mature themes, sex, profanity) Theatrical Aspect Ratio: 1.66:1
Cast: Meret Becker, Corinna Harfouch, Anian Zollner, August Zimer Director: Margarethe von Trotta Producer: Eberhard Junkersdorf Screenplay: Peter Schneider Cinematography: Franz Rath Music: Juergen Knieper U.S. Distributor: Fine Line Features In German with subtitles
Sometimes lovers are separated by race. Other times, it's age. On still other occasions, it's religion. But in THE PROMISE, Sophie and Konrad are the same nationality, the same age, and the same faith.  In Berlin during the 1960s, nothing was more tragic than the reality of families, friends, and lovers kept apart by what became known simply as "the Wall."
The Berlin wall was erected in the summer of 1961, mere months before the start of this film. Back then, in the early days, a crossing was less difficult than it eventually would become. As THE PROMISE opens, Sophie (Meret Becker), Konrad (Anian Zollner), and two friends have planned an escape to the West that relies on a hastily-sketched map of miles of underground sewers. When the time arrives to climb through a manhole and a passing guard troop passes dangerously near to the escape route, Konrad stays behind to cover the others' tracks. He promises to join his girlfriend and her pals later, but he never does. The script leaves it carefully ambiguous whether it's circumstances or his own reluctance to leave behind his family that keep him in the East. Regardless, the Wall now divides Sophie and Konrad, whose love for each other holds them both in misery.
By 1968, Konrad has become a respected astronomer, and is allowed to travel to Prague for a seminar. After receiving his letter, Sophie meets him there. Recriminations give way to passion, and the two spend joyous weeks together, full of bright promises for the future. Shortly after Sophie becomes pregnant, however, events split the couple, with Konrad again in the East and Sophie in the West.
Their next meeting occurs twelve years later. This time, the lead actors have been seamlessly switched (Corinna Harfouch now plays Sophie; August Zimer, Konrad). By now, Konrad is married and has a daughter, and Sophie is living with someone. Their common link is their son, Alexander, and Konrad, as a top-level scientist, is allowed visitation privileges, until a rash act on his part earns him the displeasure of the Stasi.
The final segment is in November 1989, at the fall of the Wall. Equally full of promise and poignancy, this sequence not only gives the film closure, but highlights its principal differences from Hollywood romances. THE PROMISE ends on an ambiguous note, allowing the viewer to draw his or her own conclusions about what comes next.
Director Margarethe von Trotta effortlessly weaves history and personal events into a tapestry full of emotion and irony. Sophie and Konrad are likeable and we, as an involved audience, can't help but root for them to reach each other, even while recognizing that their different values and goals make a lasting union unlikely. Von Trotta doesn't cheat either side of her story, West or East.
Individual scenes stick in the mind. A man opens a stepladder near the Wall, climbs to the top, and waves to relatives (a daughter and granddaughter?) watching from a facing apartment window in the East. Near him, vans blaring propaganda wage a war of words across the barrier. Later, a boy in the West throws a ball over the Wall. Moments later, unseen hands return it. When he is asked how it comes back, he responds that he doesn't know, but it always happens that way.
The scope of THE PROMISE is ambitious--an allegorical tale of love and loss spanning three decades in the heart of a country sundered by an unnatural boundary. Because von Trotta has only two hours to work with, she cannot accomplish everything needed to explore the subject. The results of such time constraints are that some subplots, and even certain aspects of the main story, don't get their deserved exposure. THE PROMISE mines a motherlode, but there's no way the full potential can be unearthed in a single film.
Nevertheless, there's more than enough here to satisfy a viewer with a penchant for history, politics, or love. In movies, romance is often treated as a frothy thing, so it's rare to find the emotional highs and lows of THE PROMISE. Constructed with obvious care, this film is filled with the little details that differentiate a very good picture from an average one. With this movie, at least, von Trotta delivers on the promise of her ability as a film maker.
- James Berardinelli<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Yes Node does. That loader uses the CommonJS module format. The CommonJS module format is non-optimal for the browser, and I do not agree with some of the trade-offs made in the CommonJS module format. By using RequireJS on the server, you can use one format for all your modules, whether they are running server side or in the browser. That way you can preserve the speed benefits and easy debugging you get with RequireJS in the browser, and not have to worry about extra translation costs for moving between two formats.
Yes! The Node adapter for RequireJS, called r.js, will use Node's implementation of require and Node's search paths if the module is not found with the configuration used by RequireJS, so you can continue to use your existing Node-based modules without having to do changes to them.
However, the top most app file, the one you pass to r.js on startup, needs to be coded to the RequireJS API.
RequireJS will use its Configuration Options first to find modules. If RequireJS cannot find the module with its configuration, it is assumed to be a module that uses Node's type of modules and configuration. So, only configure module locations with RequireJS if they use the RequireJS API. For modules that expect Node's APIs and configuration/paths, just install them with a Node package manager, like npm, and do not configure their locations with RequireJS.
Even though RequireJS is an asynchronous loader in the browser, the RequireJS Node adapter loads modules synchronously in the Node environment to match the default loading behavior in Node.
Finally, RequireJS in Node can only load modules that are on the local disk -- fetching modules across http, for instance, is not supported at this time.
Download r.js from the the download page and place it on your disk somewhere. Then run this command:
node path/to/r.js myNodeApp.js
This assumes you are in the directory that contains myNodeApp.js, your top-level Node application file.
That is it!
If you want to try a sample app that works with r.js, see the index.js Hello World app on the download page.
If you find you have a problem, and want to report it, use the RequireJS GitHub Issues page.
If you want to discuss the RequireJS-Node integration, you can use the RequireJS Group.


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Bootstrap's default well's work great for side widgets! What is a widget anyways...?


Belmond Resort
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When a tooltip is used with an "click" trigger, the action of clicking on a Tooltip's target element causes the tooltip to show.


How to get the Pixel Launcher with overview text and image selection on any rooted Android 10 device
by Joe FedewaWhen Google switched up the Overview screen in Android P, they introduced a new feature called “Smart Selection.” Basically, switching the Pixel Launcher Overview to horizontal scrolling cards with high-resolution previews allowed OCR (optical character recognition) to work on them. You can literally select text and images from what is essentially a screenshot of the last state of the app. Unfortunately, Google limited this feature to the Pixel 2 and newer Pixel devices.
Of course, these limitations are easily broken if you’re willing to do a little modding. You can get text and image selection working on the Pixel Launcher Overview screen on any rooted Android 10 device with the QuickSwitch Magisk Module and a few other tricks. Thanks to XDA Senior Member remewer, if you already have a rooted ARM64 Android 10 device with Magisk (20.1+), the setup process is pretty simple.
Note: Installing Device Personalization Services may not work on your device and may result in a bootloop. Your mileage may vary. If this happens, you can remove the module in /data/adb/modules.
- Install the Pixel Launcher APK (found here) but do not set it as your default launcher.
- Open the Magisk Manager and search for the QuickSwitch module, created by the Lawnchair team.
- Install the module and reboot your phone.
- Open QuickSwitch and select Pixel Launcher as the Recents provider. Reboot your phone.
- Set Pixel Launcher as your default launcher.
- Install the Device Personalization Services Magisk module found in the linked thread, created by XDA Senior Member paphonb. Reboot your phone.
- Open the Pixel Launcher settings and select Suggestions and enable both options.
- That’s it!
Pixel Launcher with Overview Selection on the OnePlus 6


BEETHOVEN'S SECOND A film review by Steve Rhodes Copyright 1996 Steve Rhodes
RATING (0 TO ****): **
Director Rod Daniel's BEETHOVEN'S 2ND (1993) is the sequel to the box office hit BEETHOVEN (1992). Whereas the original stuck to formula laughs with one slapstick gag after another, the sequel turns its attention to character development and to the subject of love. Although still not memorable entertainment, it is much better than the first.
 Even in the Newton household, father George (Charles Grodin), wife Alice Newton (Bonnie Hunt), and their three kids, Ryce (Nicholle Tom), Ted (Christopher Castile), and Emily (Sarah Rose Karr) have love on their minds. Except for Emily, the kids find their first sweethearts and the parents try to help them cope.
First to find true love is Beethoven who hooks up with a St. Bernard named Missy.  It seems Missy is owned by humans, Regina (Debi Mazar) and her ex-husband, who are in the process of getting a divorce. Regina tells her ex to pay her $50,000 for Missy, whom she actually hates, and screams at him, "If you want your dog back, call my lawyer."
 The movie's plot is about the kids trying to hide the pups from their dad who thinks dogs are a pain and about Regina, playing the Cruella de Vil role, trying to extort money using Missy.
Ryce enters what appears to be a sweet romance and gets her first kiss in a touching scene. Later in the film, we have an uncalled-for sequence about underage drinking and the beginnings of date rape.
Ted, nicknamed Shorty, is always the last to be picked in baseball and even then they do not want him. My childhood was just like that so this struck a chord with me. Later when a girl he is trying to make an impression on tells him he is too short for her, he reasons to her, "Height is just temporary, right? When you wake up in the morning, you're a little taller." Again, I can remember so well the sinking feeling of being rejected for a date. Did she really already have a date for that night or was she just saying it so that you would go away?
Even little Emily comes alive in the sequel. Although at 5 she is too young for her first romance, she does get to be wiser. When her mom tells her something is too expensive for them, Emily retorts, "We're not millionaires yet. Are we thousandaires?"
Bonnie Hunt's part as the mother is better drawn too than the first, and Hunt is more animated. Only Charles Grodin manages to give just as dismal a performance in the sequel as in the original. This great comedic genius sleepwalks through both films.
As in the original, the cinematography (Bill Butler) and the sets (Lawrence Miller) are middle town America at its best. A dreamy and nostalgic feeling. There are lots of nice images, my favorites being one with a pup on George's head and one of a puppy on a skateboard.
My favorite part of the picture is the ending, especially the dream sequence and the "earthquake" scene. I am not giving anything away by telling you this, but when you see the show, you will recognize them based on the above description.
BEETHOVEN'S 2ND runs 1:29. It is rated PG. There are two unnecessary minor cuss words and the inappropriate scene of underage drinking and the start of date rape. This is no sex, nudity or violence. The movie is fine for kids of any age although I do wish they had deleted the above mentioned scenes. My son Jeffrey (age 7) liked both BEETHOVENs. I liked this one a lot more than the first, but not quite enough to recommend it. I give it ** for its sweetness, but I wish it would have had more substance.
**** = One of the top few films of this or any year. A must see film. *** = Excellent show. Look for it. ** = Average movie. Kind of enjoyable. * = Poor show.  Totally unbearable.
REVIEW WRITTEN ON: May 12, 1996
Opinions expressed are mine and not meant to reflect my employer's.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Kosovo vs England kick-off time, TV channel, live stream, odds, team news
England have already booked their spot at Euro 2020, but will complete their qualification process away to Kosovo on Sunday evening.
The Three Lions are coming off a resounding 7-0 walloping of Montenegro on Thursday at Wembley and will be full of confidence as they head to Pristina.
Kosovo have had an impressive campaign, but cannot make it into the tournament, with Czech Republic already guaranteeing second place in Group A.
However, they will be looking to finish off their campaign in style and produce another exciting performance after their thrilling 5-3 defeat to England in Southampton earlier in the process.
Gareth Southgate will be making a number of changes to his team with qualification already secured, but will be looking to score a hatful of goals again after his side have netted 33 times in just seven matches so far.
Advertisement Advertisement
What time is Kosovo vs England?
The match kicks-off at 5pm UK time, at the Stadiumi Fadil Vokrri.
What TV channel is Kosovo vs England on and is there a live stream?
ITV will be showing the game live with coverage starting at 4.15pm.
Subscribers can stream the action through the ITV Hub.
Kosovo vs England odds
Kosovo – 8.4 (15/2)
Draw – 5.3 (9/2)
England – 1.44 (4/9)
Odds courtesy of Betfair Exchange
Kosovo vs England team news
Raheem Sterling will return to the starting line-up after being left out against Montenegro on Thursday.
Joe Gomez and Jordan Henderson are out with a knee injury and a viral infection respectively, while James Maddison is struggling with a calf strain.
There will be numerous changes for England, including in goal, with Nick Pope likely to start instead of Jordan Pickford.


Community
There are many ways to get help from the Apache DistributedLog community. The mailing lists are the primary place where all DistributedLog committers are present. Bugs and feature requests can either be discussed on dev mailing list or on JIRA. Those interested in contributing to DistributedLog should check out the contribution guide.
Mailing Lists
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|---|---|---|---|---|---|
|
<EMAIL_ADDRESS>User related discussions |
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Archives |
|
<EMAIL_ADDRESS>Development related discussions |
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|
<EMAIL_ADDRESS>Updates from DistributedLog's JIRA, Github and Jenkins. |
Subscribe | Subscribe | Unsubscribe | Read only list | Archives |
|
<EMAIL_ADDRESS>All commits to our repositories |
Subscribe | Subscribe | Unsubscribe | Read only list | Archives |
Slack Channel
There is a Slack channel dedicated to Apache DistributedLog at https://apachedistributedlog.slack.com/. The slack channel can be used for online discussions about Apache DistributedLog as community. Users can get help using DistributedLog, follow developement discussions and connect with the community.
But developers should be careful to move or duplicate all the official or useful discussions to the issue tracking system or dev mailing list.
If you are interested in connecting with the community using Slack channel, you can get invite from here.
Issue Tracker
We use JIRA to track all code related issues: https://issues.apache.org/jira/browse/DL.
All issue activity is also mirrored to the dev mailing list.
Source Code
Main source repositories
- ASF gitbox: https://gitbox.apache.org/repos/asf/distributedlog.git
- GitHub repo: https://github.com/apache/distributedlog.git
Note: We prefer to run distributedlog using Java 8.


| DOSE: T+ 0:00 |
10 mg |
insufflated |
5-MeO-DiPT |
(powder / crystals) |
| T+ 2:30 |
5.0 mg |
insufflated |
5-MeO-DiPT |
(powder / crystals) |
A while ago, I had 15mg of foxy methoxy. I've found that 25mg is a good dose orally, so my assumption was that 15mg would result in 'not-high-enough' syndrome. What to do, what to do?
I decided to snort it!
I looked all over the net and asked various people (the kind of people who would know) if anyone had snorted it, and whether it worked. Nobody seemed to know!
So, I figured the typical 1:2:4 (smoke:snort:eat) ratio would apply to Foxy, and snorted 10mg at around 9pm. I felt an alert almost immediately, and knew that it was going to work. I found myself at a ++ at about 20 minutes. It was very comfortable in the nasal region, comparable to ketamine. However, the drip out of the sinus (as I, as a good snorter, kept it there as long as possible) BURNED rather intensely.  Specifically, I kept the cider circulating and focused it on the back of my mouth where the foxy was dripping out. The burn didn't totally go away until I cleared my sinus aroudn T+30min. I rented 'A Fistful of Dollars' at about T+1 and had a very nice time watching it. I was high in the typical foxy way, some visual 'difference', interesting auditory enhancement but very lucid mindspace.
Around T+2:30 I snorted the remaining 5mg. Same burn, etc., although the boosted effects seemed to come on faster. I was high quite late into the night. One thing I've noticed about foxy (any method) is that it tends to cause muscle tension for me. My sinus was a little bit odd the next day, but not significantly messed up.
In conclusion, snorting foxy works. My assumption is that it will last shorter than oral dosing as long as you don't boost it like I did. I like foxy.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.