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Description: Replace each target element with the set of matched elements.
target: Selector A selector expression indicating which element(s) to replace.
The .replaceAll()
method is corollary to .replaceWith()
, but with the source and target reversed. Consider this DOM structure:

Hello

And

Goodbye

We can create an element, then replace other elements with it:
$('
New heading
').replaceAll('.inner');
This causes all of them to be replaced:

New heading

New heading

New heading

Or, we could select an element to use as the replacement:
$('.first').replaceAll('.third');
This results in the DOM structure:

And

Hello

From this example, we can see that the selected element replaces the target by being moved from its old location, not by being cloned.
<!DOCTYPE html>

Hello

cruel

World


This summer, I had become friends with an individual who had opened a small apothecary (a brilliant mixture of a culture/informational shop, headshop, and enthobotanical herb shop). After a number of visits and lengthy conversations discussion methods of distillation and extraction of a plethora of different plants, I noticed a smoking mixture he had for sale, which contained the 'Absinnthe Herb'. I had to double check a couple of times, just to be sure that he was indeed selling wormwood, and it was indeed smokable. He had discovered that one can smoke dried wormwood, obtaining the hallucinogenic qualities of the herb, without brewing or drinking Abinthe itself. I realised at that moment that, if thujone is smokable, and it can be made into an alcoholic drink, then thujone must be soluble in alcohol, which can then be reduced not unlike a solvent hash, and the yield would be, of course, a 'thujone hash'.
Quickly, I went home to search Erowid and related pages for information about this, and found nothing. I consulted with some close friends and fellow psychonauts to see if they had heard anything about this. Again, nothing. So, naturally, curiosity took its death grip on our minds, and we had to try it. The extraction was simple. We used one ounce (30 g) of dried wormwood to begin with. Putting that dried ounce in a large jar, we used just enough methyl hydrate (available in any hardware store, quite cheaply. Use methyl hydrate, which is suspended in .01% water, and not a bufering oil, like most other methyl alcohols) to cover the plant material, and let it sit for about 4 hours, shaking it occaisonally.
We then set up a pan, in a well ventillated area, and slowly reduced the substrate on an electric stove, till no alcohol was left. Then, we used some pure isopropynol (isopropynol can be purchased cheaply as 'rubbing alcohol', and the water can be removed by filtering it through salt, sodium and H2O bond, as any high school biology or chemistry student will tel you).
The resulting hash was suspended in the washed isopopynol, which was again reduced. We then put the hash through a water wash (acidifying the water with lemonjuice, which admittedly adds fructose to the hash, but the fructose can be converted to alcohol, and removed in the same fashion one would brew moonshine [add yeast, nutrients, allow sealed fermentation]) like the classic Chinese opium makers did with their opium. The yield from one ounce of plant material was a little over a gram of 'hash'.
The result of the experiment was a dough-like green hash (getting rid of the chlorophyl was something I'm still working on). The next step of the experiment was, of course, to 'Destroy it', as my compatriot Lance so eloquently put it. And thus, into the pipe it went. Now, as far as we knew, this was uncharted water. The owner of the apothecary had never done this, no reports on this could be found, no information was available. This was to be a new expidition for us, and for as far as we knew (mind you, this never having been done before is very unlikely), anyone.
We found the taste of the hash to be quite enjoyable, the hash burned and melted not unlike opium. The effects were felt in full in about 45 minutes from the point of injestion.
The first thing we discovered was that the high was very unlike absinthe the beverage. The second thing we discovered was that the high was very unlike anything we had ever done.
Now, we all felt identical results, but I can best describe them in relation to myself, and so I will.
The world around became crystal clear. Clear and real in a very surreal way, if that makes any sense. Everything appeared clean, and perfect, and I began to feel as if I were inside a doll house. We all went for a walk outside, and I realised that anything above my eyeline seemed incomprehensibly huge, dwarfing me. However, anything below my eyeline became ridiculously small, to the point were I felt as though I were a giant. My size was in constant flux, and I felt a bit like Alice must have when she changed in size during her adventures in wonderland. Now, it may seem like a cliche, but this high had a very 'Alice in Wonderland' type feel.
The world around me felt very, very warm, despite the actual tempertature (though summer nights in British Columbia are anything but cold). My body felt drunk, and moved acordingly, but I was more lucid than I had ever been before. As we continued to consume the entire gram, the world became clearer and cleared. When we were done, the occaisonal elf would peek out at me from behind a stop sign, or parking meter, but hallucinations of this kind were infrequent. The best thing that can be said about this high is that it was strage. Very strange, for all of us. We all had had some very strange hallucinogenic trips, and were anything but new to the experience, but this was definately strange. However, it was also anything but unpleasant. If fact, the perfect dollhouse world around me was often a source of amusement, and we all laughed about it for the duration of the high, which was about 4 to 4 1/2 hours. We all slept quite well that night, too.
Now, there are a few important notes about this thujone hash. One is that, even now, months afterward, I seem to get the thujone-hash high every time I smoke pot. It has yet to go away for any of us, though it has been seeming to be deminishing in potency over the months, so I believe that it will go away. Additionally, while we were on the substance, we felt as though we were moving quite slowly, but time checks proved that we were walking (most of the smoking, and the high, was done outside in the crisp summer night) distances that would normally take us anywhere from 30 to 45 minutes in about 15 minutes while high on thujone. We must have looked at least a little silly, but in a good way, not a scarey one. We also found that smoking pot was extremely condusive to the thujone high, and brought it to a new, but wonderful level.
We adopted the thujone hash, nicknamed it 'The Thuge', and brought it with us wherever we went. However, we would never indulge in the Thuge without his good friend pot. On average, we would consume 1-2 grams of the 'hashish' between three or four of us (all between 68-80 Kg, and ranging from 5'8' to 6'4' in height). To anyone intepid enough to try this, and willing to experience a definate shift in their pot highs for months (thus far) afterwards, I highly recommend trying this. The Thuge became a powerfull ally to be respected and cared for, and a great source of knowledge (the lucidity one experiences throws the mind into a very creative state) and a great deal of fun. No negative memory side effects were experienced by any of us.
Pardon the length of this entry, but I feel as though this was a special thing, and deserves a lentghy and accurate description, to the best of my abilities. One final note is that any pure alcohol should work in the reduction of the plant, from everclear, to white lightning, to isopropynol and beyond. There is perhaps one alcohol that is perfect for the creation of The Thuge, but I have yet to discover it.
Additionally, if anyone has any ideas or methods to eliminate the chlorophyl and other plant oils, I would be very interested in your techniques (please e-mail me at [email address removed]). Good luck to any of you who decide to try this, and please to it with as much respect and reverance to the plant as possible. When injested with love and respect, I'm sure you will find The Thuge will become just as much a friend to you as it has to each of us.
Sincerely, -LiHouLong
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Table of Contents
DEPARTMENT OF COMMUNICATION STUDIES
1
Art Minor
1
Requirements
1
Total Credit Hours — 21
1
Choose one of the following:
1
Communication Studies Minor
2
Requirements
2
Total Credit Hours — 15
2
Dramatic Arts Minor
3
Requirements
3
Total Credit Hours — 15-16
3
Four (4) of the five (5) courses — 11-12 hours
3
Applied Theatre Minor
4
Requirements
4
Total Credit Hours — 22
4
Recommended as additional electives
4
Interpersonal Communication Minor
6
Requirements
6
Total Credit Hours — 15
6
Multimedia Journalism Minor
7
Requirements
7
Total Credit Hours — 16
7
Choose one of the following — 3 hours
7
Media Arts and Studies Minor
8
Requirements
8
Total Credit Hours — 18
8
Music Theatre Interdisciplinary Minor
9
Organizational Communication Minor
10
Requirements
10
Total Credit Hours — 15
10
Choose two of the following — 6 hours
10
Film Production Minor
11
Requirements
11
Total Credit Hours — 18
11
Choose 6 credits — 6 hours
11
Choose one of the following — 3 hours
11
Los Angeles Film Studies Center (LAFSC)
11
DEPARTMENT OF ENGLISH
12
English Minor
12
Requirements
12
Total Credit Hours — 15
12
Choose two of the following — 6 hours
12
Creative Writing Minor
13
Requirements
13
Total Credit Hours — 15
13
Choose one of the following — 3 hours
13
DEPARTMENT OF MUSIC
14
Composition Minor
14
Requirements
14
Total Credit Hours — 28
14
Jazz Studies Minor
15
Requirements
15
Total Credit Hours — 25
15
Performance hours — 8 hours
15
Ensemble — 4 hours
15
Music Minor
16
Requirements
16
Total Credit Hours — 19
16
Performance hours — 8 hours
16
Ensemble — Choose 4 hours
16
Recording Technology Minor
17
Requirements
17
Total Credit Hours — 19
17
Songwriting Minor
18
Requirements
18
Total Credit Hours — 21
18
Performance hours — 8 hours
18
Option I — 4 hours
18
Option II — 4 hours
19
Worship Leading Minor
20
Requirements
20
Total Credit Hours — 26
20
Performance hours — 12 hours
20
Secondary Applied — 4 hours
20
Option I — 4 hours
20
Option II — 4 hours
21
Music Theatre Interdisciplinary Minor
22
Requirements
22
Total Credit Hours — 22
22
DEPARTMENT OF EXERCISE AND SPORT SCIENCE
23
Physical / Health Education Minor
23
Requirements
23
Total Credit Hours — 18
23
Exercise Science Minor
24
Requirements
24
Total Credit Hours — 18
24
Sport Science Minor
25
Requirements
25
Total Credit Hours — 18
25
DEPARTMENT OF SCIENCE AND MATHEMATICS
26
Biology Minor
26
Requirements
26
Total Credit Hours — 20
26
Chemistry Minor
27
Requirements
27
Total Credit Hours — 20
27
General Science Minor
28
Requirements
28
Total Credit Hours — 20
28
Environmental Science Minor
29
Requirements
29
Total Credit Hours — 21-24
29
Hours to be taken at Trevecca — 13-14 hours
29
Hours to be taken at Au Sable Institute and/or Gulf Coast Research Laboratory — 8-10 hours
29
Physical Science Minor
30
Requirements
30
Total Credit Hours — 20 hours
30
Physics Minor
31
Requirements
31
Total Credit Hours — 18
31
DEPARTMENT OF SOCIAL AND BEHAVIORAL SCIENCES
32
History Minor
32
Requirements
32
Total Credit Hours — 18
32
Legal Studies Minor
33
Requirements
33
Required Hours — 18 hours
33
Choose 6 hours from:
33
Political Science Minor
35
Requirements
35
Total Credit Hours — 18 hours
35
Social Science Minor
36
Requirements
36
Total Credit Hours — 18
36
Behavioral Science Minor
37
Requirements
37
Total Credit Hours — 18
37
Sociology Minor
38
Requirements
38
Total Credit Hours — 18
38
Psychology Minor
39
Requirements
39
Total Credit Hours — 18
39
Counseling Minor
40
Requirements
40
Total Credit Hours — 18
40
Choose two of the following — 6 hours
40
Criminal Justice Studies Minor
41
Requirements
41
Total Credit Hours — 18
41
Family Studies Minor
42
Requirements
42
Total Credit Hours — 18
42
Choose one of the following — 3 hours
42
Art Therapy Minor
43
Requirements
43
Total Credit Hours — 21
43
Social Work Minor
44
Requirements
44
Total Credit Hours — 18
44
Choose two of the following — 6 hours
44
DEPARTMENT OF BUSINESS ADMINISTRATION
45
Accounting Minor
45
Requirements
45
Total Credit Hours — 15
45
Business Administration Minor
46
Requirements
46
Total Credit Hours — 18
46
Economics Minor
47
Requirements
47
Total Credit Hours — 15
47
Entrepreneurship and Small Business Management Minor
48
Requirements
48
Total Credit Hours — 18
48
Choose any two of the following courses — 6 hours
48
Marketing Minor
49
Requirements
49
Total Credit Hours — 15
49
Music Business Minor
50
Requirements
50
Total Credit Hours — 16
50
DEPARTMENT OF INFORMATION TECHNOLOGY
51
Information Technology Minor
51
Requirements
51
Total Credit Hours — 18
51
Programming Series — 6 hours
51
Digital Graphic Design and Multimedia Minor
52
Requirements
52
Total Credit Hours — 18
52
E-commerce Minor
53
Requirements
53
Total Credit Hours — 18
53
Digital Multimedia Communication Minor
54
Requirements
54
Total Credit Hours — 18
54


--- layout: post title: 'FCC knocks telcos'' secret plan to divide and bill the web' date: 2006-01-07 00:00:00 categories: business mobile ---
FCC knocks telcos' secret plan to divide and bill the web: "The story reveals that large phone companies have been threatening to charge the likes of Google and Vonage for "high-quality delivery of music, movies and the like over their telecommunications networks.""
Interesting. Are the economics of running a wireless network different enough from those of running a wired network to permit this sort of thing? And does this indicate a telecomms industry move towards, not away, from walled gardens?
Ignoring what might be best for Internet incumbents... what's best for customers here? This reminds me of John Strands thoughts at World Telemedia, that in order to present content to customers at a single, easily-understood price points (as opposed to separate transaction plus obscure traffic charges), content providers should be bulk-buying bandwidth at discounted rates and taking on the delivery charges - just as they do for SMS today.


KnowRe web development curriculum for noobs
- 26 commits
- 2 branches
- 0 releases
- 1 contributer
WebDevCurriculum / +
| This is 5 branches ahead of master. | Pull request compare | |
| ... | ||
| Kivol authored 19 hours ago | latest commit 5ead7a7a36 | |
| Part 0. git/Quest 0. Hello, git | Quest 0 - Added checklist | 19 hours ago |
| old | New curriculum 2016 - started | 5 days ago |
| LICENSE | New curriculum 2016 - started | 5 days ago |
| README.md | ... | 19 hour ago |
README.md
KnowRe web development curriculum
2016
| Code |
| Issues |
| Pull Requests |
| Pulse |
| Graphs |
HTTPS clone URL
http://github.com
You can clone with HTTPS or Subversion
Clone in Desktop
Download Zip


xvidtune(1) xvidtune(1) NAME xvidtune - video mode tuner for Xorg SYNOPSIS xvidtune [ -show | -prev | -next | -unlock ] [ -toolkitoption ... ] DESCRIPTION Xvidtune is a client interface to the X server video mode extension (XFree86-VidModeExtension). When given one of the non-toolkit options, xvidtune provides a command line interface to either print or switch the video mode. Without any options (or with only toolkit options) it presents the user with various buttons and sliders that can be used to interactively adjust existing video modes. It will also print the settings in a format suit‐ able for inclusion in an xorg.conf file. Normally the Xorg X servers only allow changes to be made with the XFree86-VidModeExtension from clients connected via a local connection type. Note: The original mode settings can be restored by pressing the `R' key, and this can be used to restore a stable screen in situations where the screen becomes unreadable. The available buttons are: Left Right Up Down Adjust the video mode so that the display will be moved in the appropriate direction. Wider Narrower Shorter Taller Adjust the video mode so that the display size is altered appropriately. Quit Exit the program. Apply Adjust the current video mode to match the selected settings. Auto Cause the Up/Down/Right/Left, Wider/Narrower/Shorter/Taller, Restore, and the special S3 buttons to be applied immediately. This button can be toggled. Test Temporarily switch to the selected settings. Restore Return the settings to their original values. Fetch Query the server for its current settings. Show Print the currently selected settings to stdout in xorg.conf "Modeline" format. The primary selection is similarly set. Next Switch the Xserver to the next video mode. Prev Switch the Xserver to the previous video mode. For some S3-based cards (964 and 968) the following are also available: InvertVCLK Change the VCLK invert/non-invert state. EarlySC Change the Early SC state. This affects screen wrapping. BlankDelay1 BlankDelay2 Set the blank delay values. This affects screen wrapping. Acceptable values are in the range 0-7. The values may be incremented or decremented with the `+' and `-' buttons, or by pressing the `+' or `-' keys in the text field. For S3-864/868 based cards InvertVCLK and BlankDelay1 may be useful. For S3 Trio32/Trio64 cards only InvertVCLK is available. At the moment there are no default settings available for these chips in the video mode extension and thus this feature is disabled in xvidtune. It can be enabled by setting any of the optional S3 commands in the screen section of xorg.conf, e.g. using blank_delay "∗" 0 OPTIONS xvidtune accepts the standard X Toolkit command line options as well as the following: -show Print the current settings to stdout in xorg.conf "Modeline" format and exit. -prev Switch the Xserver to the previous video mode. -next Switch the Xserver to the next video mode. -unlock Normally, xvidtune will disable the switching of video modes via hot-keys while it is running. If for some reason the pro‐ gram did not exit cleanly and they are still disabled, the pro‐ gram can be re-run with this option to re-enable the mode switching key combinations. SEE ALSO xrandr(1), Xorg(1), xorg.conf(5). AUTHORS Kaleb S. Keithley, X Consortium. Additions and modifications by Jon Tombs, David Dawes, and Joe Moss. BUGS X Error handling, i.e. when the server does not allow xvidtune clients to write new modes, could be better. X Version 11 xvidtune 1.0.2 xvidtune(1)


WCASA IS A MEMBERSHIP AGENCY COMPRISED OF ORGANIZATIONS WORKING TO END SEXUAL VIOLENCE IN WISCONSIN.


THE OMEN (1976) A Film Review by Ted Prigge Copyright 1998 Ted Prigge
Director: Richard Donner Writer: David Seltzer Starring: Gregory Peck, Lee Remick, David Warner, Billie Whitelaw, Harvey Stephens, Patrick Troughton, Martin Benson, Holly Palance, Leo McKern
"The Omen" is a scary enough for anyone who has every read anything out of the bible and was suddenly worried that it may come true someday. It's especially aimed at those who take everything that the bible says literally, especially the book of Revelations, which predicts exactly how armageddom will take place, including the rise of the antichrist, the son of the devil (if you didn't already know that). Apparently screenwriter David Seltzer and director Richard Donner were influenced by these passages when they were a kid and decided, hey, let's make a horror flick out of them.
And so here's "The Omen," a horror film that's the first in a trilogy (actually, there's four, but few count the fourth one, as it was a TV movie that had little to do with the first three) about the rise and fall of Damien, the antichrist. And surprisingly enough, this first one is a very effective little picture, filled with just the right amount of melodrama and enough frights, chills, and little bits of intrigue to make it an extremely watchable and even creepy film.
"The Omen" opens on June 6 in Rome (the date and locale are actually important) where we meet Robert Thorn (Gregory Peck), the US Ambassador to Italy who rushes to the local hospital to witness his wife, Katherine (Lee Remick), give birth. However, she has a stillborn, and while under, the priest there makes a deal with him: they switch his dead child with an orphan child just born there as well. He accepts, and little Damien (played by the eerily adorable Harvey Stephens...who never made another film before or after this one) comes home with them.
Five years pass, and just when everything is going right, Damien's nanny (Holly Palance, daughter of Jack) commits a dramatic suicide, which becomes the first in a series of murders that occur throughout the film. Upon getting a new nanny (Billy Whitelaw) without much trouble, things turn really weird, as Robert is hounded by a raving priest (Patrick Troughton) who warns him about Damien, and begins to get friendly tips from a local member of the papparazzi, Jennings (David Warner), that proves that something is indeed afowl.
Evenly paced, this film starts out with little scares and overly-dramatic scenes, like one where they try to take Damien to church for the first time (uh oh!), and then moves on to introducing more and more elements into the storyline. The film begins to really take off as Robert is made more and more aware of the terrible threat he has on his hands. It seems that every layer that is pulled back on the story unearths even more vital danger, and the film becomes a rollar coaster ride of suspense, just because of how much knowledge is unearthed.
The director Richard Donner constantly keeps things moving, and gives many of the sequences an extremely dramatic feel, especially several of the murder sequences (of which there are a number of), which wreak of slow-mo shots, quick editing, and Jerry Goldsmith's Oscar-winning score, which features angelic choirs underscoring the satanic overtones on the screen and builds up the right amount of adrenalin and shock value for the audience. Yes, they're overdone, but it works just right for this film, which is basically an overdone version of the nastier parts of the Holy Scriptures.
Essentially, this is an intelligent film. It knows that many of the audience members are probably aquainted with the inner workings of the bible, and how much of Revelations is used to scare us from sinning, and it knows exactly how to prey on this general fear. It reads several of the passages, and deciphers them literally, often pointing out that many of the things that Revelations talks of has probably already happened. For anyone who is either a regular churchgoer or was forced to go (like me), this is especially scary because if Christians actually believe what they worship, this is something that could really happen.
For others, it's just a really fun horror film, filled with joyously manipulative undertones of Christian fear that we may or may not believe in. But even if we're not scared by it all and just feel cheated by it, we can always recognize the underlying intelligence this film has, in that the character Damien is unaware of his evil powers, at least in this installment of the "Omen" trilogy. If the trilogy had expanded on some of the ideas that were postulated by this film, it could have come off as a cross between a slasher film and a reverse version of Martin Scorsese's "The Last Temptation of Christ," which postulated that Jesus may have been just a man who found out he had a terrible burden. What if Damien is the same way? What if he's generally evil, like the way Jesus was generally good, but he discovers that he's going to bring about the end of the world and people are trying to kill him left and right? Now there's an idea for a movie. But as far as this film is concerned, it's entertaining and scary enough to pass for now.
MY RATING (out of 4): ***
Homepage at: http://www.geocities.com/Hollywood/Hills/8335/
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


A web development application template to start developing your reactive Single Page Web Application. The stack consists of Playframework 2.3.1, WebJars, RequireJS and AngularJS.
When you are done developing, run play dist
on the console to get an optimized,
production-ready app.
Enjoy!


Suresh Nelamangala, @fulstacker
Brought to you by @fulstacker
Fossil is a single-EXE, cross-platform, distributed source control management program written by SQLite author
Dr. Richard Hipp. Unsurprisingly, data is saved in an SQLite database file, making it very easy to back up.
A project resides in one or more repositories. Each change ("commit", a.k.a. check-in) is identified by an "artifact ID", which can refer either to a specific change made to a specific file, or to the whole commit.
"At its lowest level, a Fossil repository consists of an unordered set of immutable "artifacts". You might think of these artifacts as "files", since in many cases the artifacts exactly correspond to source code files that are stored in the Fossil repository. But other "control artifacts" are also included in the mix. These control artifacts define the relationships between artifacts - which files go together to form a particular version of the project, who checked in that version and when, what was the check-in comment, what wiki pages are included with the project, what are the edit histories of each wiki page, what bug reports or tickets are included, who contributed to the evolution of each ticket, and so forth, and so on."
add: Adds new files to the next commit; must run "commit" afterwards for this file to actually be added to the repository
changes: Shows changes made to files in the work directory; if no output, it means that no checked out files have been modified yet
close: Closes the connection to the repo, ie. the _FOSSIL_ file in the work directory
commit: Saves all changes to the repository, eg. add/remove files, add changes, etc.
extras: Lists files in the work directory and below that Fossil doesn't track, because they haven't been added and commited to the repo
info: Provides information about the current tree (if no argument given) or a particular object (otherwise). See "changes" and "status"
finfo: Infos on a specific file
info: Infos about the repo
ls: Lists files that Fossil tracks
new: Creates a new repo
open: Opens the connection to the repo, creating a _FOSSIL_ file in the current work directory
mv: Same as "rename"
revert: Forgets changes to one or all files that haven't been commited yet
rm: Same as "delete". Deletes files from the repository (but not from the work directory). From now on, the file(s) will no longer be part of the repository, altough all versions until then are still available
search: Searches for any comment that matches the pattern
status: Same as "changes", but with additional infos about changes made to checked-out files, if any, ie. status = info + changes
tag: Add a tag to a revision. Can be used either when commiting changes or later
undo: Cancels "revert"


{% extends "free_software.html" %} {% block logo %} {% endblock %} {% block software %}
As opposed to normal Meetup, Meetup Pro gives you a bunch of new cool data, options, and, most importantly, makes it possible for us to pay for your Meetup bill.
You will still retain full control over your Meetup page as a co-organizer.
Code for America will pay for your Meetup, saving you $180 a year.
You'll be able to host as many events as you want, and we will be able to share with you information about the attendees of your Meetup events.
If your Brigade does not have a Meetup yet, email<EMAIL_ADDRESS>to get started.
To transfer your existing Meetup group to Code for America, you will need to add Code for America as the "Organizer" and then we will re-add you as a "Co-Organizer".
Attendees will see a dialog like this when they RSVP to your event for the first time.
Users who click the "Confirm" button will opt-in to sharing their email address with your brigade and Code for America. Users clicking the "x" instead will opt them out, and you will not receive their email.
Users can opt-in to sharing their email address when they attend your Meetup. We’ll use addresses for those who opt-in to send occasional messages about network-wide activities. These will be limited to things like “Announcing National Day of Civic Hacking” and a once a quarter reminder about signing up for the Code for America email list to get the latest updates. We can provide you the list as well.
{% endblock %}


5 references to _filesNotFound
Microsoft.PowerShell.Security (5)
security\CertificateCommands.cs (5)
126
_filesNotFound
.Add(p);
137
_filesNotFound
.Add(p);
177
if (
_filesNotFound
.Count > 0)
179
if (
_filesNotFound
.Count == FilePath.Length)
194
foreach (string f in
_filesNotFound
)


Skills Summary
These are some of my basic skills that I have during work period.
User Design
I always like to create my own design, but if the customer wants an unique design, I will do what a customer wants.
Hardwork
Being a front-web developer, we must need 100% hardwork in order to complete the task(s).
Creativity
If you are creative on what you are doing, you might impress others and they will share your unique creativity to one who will benefit it.
Editing
Editing is more challenging because you need to analyze your project, and if there's something wrong, you can simply recall and edit your work.
Where To Find Me?
You can reach me on these following social media accounts. Please sure that you will respect my privacy, and if you have any questions, comments, or suggestions about me, just leave a message.
Work Experience
These jobs are my source for extra income. Every vacation, I always work to gain more income. These are my following jobs...
Service Master
2018 - current
We do demolition of properties for restoration and cleaning of the property after demolition like sweeping, throwing waste, vacuuming, and moving of properties for the client.
Warehouse Associate (on-call)
2017
I properly check and receive the goods which transported from companies/shops, and it is my responsibility to sort out each delivery so that order will be delivered properly to the owner.
Education
These are the following institutions where I studying/studied.
Diploma Front-End Web Development
January 2019 - current
www.nait.ca Digital Media and IT Northern Alberta Institute of TechnologyGetting a diploma for Front-End Web Development.
Ascension - upgrading subjects
February 2016 - June 2017
www.ecsd.net/schools/1726/ Ascension High School Cardinal Collins High School Academic CentreUpgraded some subjects in order to meet the specific requirements in post-secondary.
Bachelor of Science in Computer Science
June 2013 - October 2015
www.lcup.edu.ph College of Information Technology and Engineering La Consolacion University PhilippinesMy bachelor degree when I was in college. Unfortunately, I didn't finish my studies because of migration from there to here.


china
eu
india
japan
korea
russia
usa
iter
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{% extends "global/Page.html" %} {% load otree static %} {% block app_styles %} {% endblock%} {% block title %} Make an investment choice {% endblock %} {% block content %}
You can invest points in order to increase the chance of the left circle turning on. The percentage in the left circle represents the probability of the circle turning on. The arrows represent causal relationships between circles. An arrow between two circles means that the probability of the circle at the tip of the arrow turning on depends on whether the circle at the base of the arrow is turned on or off. You make 100 decisions in total. If the circle in the right corner is turned on, you receive a reward of 200 points.
Round: {{player.round_number }} Total points: {{tot_payoff}}
{% formfield player.investment %}


Sensex tumbles 229 points as weak macro data, rupee woes weigh
by PTIHighlights
- After gyrating 386 points during the day, the 30-share sensex ended 229.02 points, or 0.57 per cent, lower at 40,116.06
- Yes Bank was the top loser in the sensex pack cracking 6.51 per cent, followed by SBI, Axis Bank, Vedanta, Sun Pharma, ICICI Bank, IndusInd Bank
MUMBAI: Benchmark BSE sensex on Wednesday dived 229 points as concerns over poor macro data and confusion over US-China trade deal persisted.
Further, continued unrest in Hong Kong led to fall in regional markets, also impacting sentiment on Indian bourses.
A sharp depreciation in the Indian rupee too added to investors' woes, traders said. The rupee dropped below the 72-level against the US dollar in intra-day trade.
After gyrating 386 points during the day, the 30-share sensex ended 229.02 points, or 0.57 per cent, lower at 40,116.06.
Similarly, the broader NSE Nifty fell 73 points, or 0.61 per cent, to end at 11,840.45.
Yes Bank was the top loser in the sensex pack cracking 6.51 per cent, followed by SBI, Axis Bank, Vedanta, Sun Pharma, ICICI Bank, IndusInd Bank, ITC, Infosys and Tech Mahindra, shedding up to 3.69 per cent.
On the other hand, TCS, RIL, HUL, Maruti and NTPC rose up to 3.76 per cent.
Posing questions over the much-anticipated truce deal, US President Donald Trump dubbed China a cheater on trade even as he seeks an initial settlement to calm an 18-month trade war, adding to the uncertainty over the deal between the two countries.
Bourses in Shanghai, Hong Kong, Tokyo and Seoul settled up to 1.82 per cent lower violent protests in Hong Kong.
Exchanges in Europe were also trading in the red in their respective early deals.
In the forex market, the Indian rupee plunged 57 paise to 72.04 against the US dollar intra-day.
Besides global weakness, poor domestic factory output numbers dampened marker mood, traders said.
The industrial production shrank by 4.3 per cent in September, registering the weakest performance in seven years due to output decline in manufacturing, mining and electricity sectors, as per official data released on Monday.
Market is now awaiting cues from consumer price inflation data, which is scheduled to be released later in the day.
Further, an SBI research report on Tuesday sharply cut the country's GDP growth forecast to 5 per cent for FY 2019-20 from the earlier projection of 6.1 per cent, raising concerns over the health of the economy.
Meanwhile, Brent crude futures, the global oil benchmark, fell 1.22 per cent to $61.30 per barrel.


- Prep: 15 minutes
- Cooking time: 35 minutes
- Yield: 6 servings in 6 oz. ramekins
Recipe attributed to: Amy & Jacky
Ingredients
Custard:
- 2 cups heavy cream
- 6 Tablespoons granulated sugar
- 1 1/4 teaspoon vanilla extract
- 7 large egg yolks
- 1 pinch of salt
Caremelized sugar top:
- 1 cup sugar or vanilla sugar
Special Equipment
- 8-qt electric pressure cooker, such as Instant Pot Ultra
- Porcelain ramekins (6 6 oz.)
- Blender or food processor
- Steam basket, bakeware sling, or trivet for lifting ramekins out of pressure cooker
Method
Custard:- Separate egg yolks from whites, into a large mixing bowl.
- In a medium saucepan, warm cream, vanilla, and salt over medium heat. Stir frequently until hot but not boiling.
- Add sugar to the egg yolks and mix well with a whisk. Temper by pouring a small amount of the warmed cream mixture into the large mixing bowl. Mix well, then gradually add the rest of cream mixture.
- Strain through a wire mesh sieve/strainer into a large pitcher (such as a 4 cup Pyrex measuring cup).
- Pour the custard into 6 6oz. ramekins until 85% full. Tap ramekins on counter several times to remove air bubbles.
- Add 2 cups of water to 8-quart Instant Pot/electric pressure cooker, and place a steamer rack or bakeware sling inside. Place ramekins inside, stacking or cooking in two batches.
- Cook on Low Pressure for 13 minutes, and 15 minutes Natural Release. Release any remaining pressure with Quick Release.
- Check that the custard jiggles slightly in the middle. If the whole custard moves/is too liquid, continue cooking for another 3 - 5 minutes.
- Place ramekins on a cooling rack. Once cooled to room temperature, cover and refrigerate until ready to add topping. If serving immediately, leave at room temperature and proceed to make the topping.
- Spread sugar in an even layer in a heavy-bottomed saucepan.  If custard is chilled, remove the ramekins from the refrigerator and bring to room temperature.
- On medium heat, heat sugar until it melts. With a rubber spatula or silicone spoon, move the sugar gently as needed to incorporate unmelted sugar and to keep it from burning. Do not stir vigorously!
- Once melted, sugar will begin to brown quickly and can burn easily. When it is medium to dark brown in color (use your sense of smell to decide), remove from heat and pour the carmelized sugar onto parchment in a long, thick strip.
- Let the sugar cool until set, and you can the edge off easily.
- Break the caramelized sugar into pieces that fit in your blender. Pulse to blend to fine crumbs or powder.
- Sprinkle a layer of the sugar powder over the top of each custard. Place the ramekins on a baking sheet. Move rack to top of oven, and place tray with ramekins on it.
- Turn on broiler, and leave the the oven door open a crack so you can see the sugar melt. Once the sugar has melted and covers the top of the custard, remove it from the oven.
- Let ramekins cool slightly, until sugar has set again in a nice crackable layer atop the custard, then serve.


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WITNESS LIST Pensions & Investments Committee (SUBCOMMITTEE ON Retire In Place) August 9, 2004-2:00P Retire in Place/Return to Work On: Davis, Eric (TMRS) Fickel, Ann (Texas Classroom Teachers Assoc.) Fuelberg, Ann (ERS) Hamilton, Billy (Comptroller) Harrison, Tom (TCDRS) Kester, David (Harris County) Melina Raab, Ted (Texas Federation of Teachers)


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Our salon has been a full force establishing a reputation of mastery in hair cutting, facials, make up etc. Laxmi ghalyan gives you a classic experience from head to toe with the finest equipment and healthy products. Her unfaltering belief in providing with the highest standard of hair dressing, alongside exceptional customer service has led to a flourishing beauty salon in Delhi.
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--- layout: post status: publish published: true title: '"Fans won''t strike out with Enterprise car sales." - Episode 7.24' author: display_name: Corey Fineran login: Corey email<EMAIL_ADDRESS>url: '' author_login: Corey author_email<EMAIL_ADDRESS>wordpress_id: 11223 wordpress_url: http://ivyenvy.com/?p=11223 date: '2015-05-31 23:45:20 +0000' date_gmt: '2015-06-01 04:45:20 +0000' categories: - Podcast tags: [] comments: [] ---
As we wrap up the month of May and head into June, we discuss our thoughts on where this team is. This last week was not especially positive, but we still find positives to take away from it.
The MLB trade rumors are starting to fly around. The last couple of seasons, the Cubs were involved with a lot of rumors because they were sellers. We're already seeing rumors about the Cubs' interest in certain players, mainly Zobrist and Soriano. We discuss these potential trades.
Carl Edwards Jr. was promoted from Double-A Tennessee to Triple-A Iowa and it sure appears that Edwards is on the fast track to the Cubs bullpen.
We answer several listener questions on various topics, including where we came up with the name "Ivy Envy". Kurt gives us a scary stat of the week...one that is especially scary considering how much the Cubs have used their bench this season.
We wrap up the episode with some Internet Muscle Flexes. One of which is so bad, the person is awarded the "Asshat of the Week".
This upcoming Saturday night is our Iowa Cubs Meet-up. If you'd like to join us, email<EMAIL_ADDRESS>or tweet at @IvyEnvy. We'll be meeting at El Bait Shop (near Principal Park in Des Moines) at around 3pm. On-field batting practice? Dairy Night? We're there.


RUSHMORE (1998)
A Film Review by Ted Prigge
Copyright 1999 Ted Prigge
Director: Wes Anderson
Writers: Wes Anderson and Owen Wilson
Starring: Jason Schwartzman, Olivia Williams, Bill Murray, Mason Gamble, Seymour Cassel, Brian Cox, Sara Tanaka, Stephen McCole, Ronnie McCawley, Keith McCawley, Kim Terry, Connie Nielsen, Andrew Wilson, Luke Wilson
Max Fischer's such a sublime creation that the only way you could make a bad film about him would be by either determination or utter incompetence. At the very least, you'd have to make a mediocre film about him, with his character standing out amongst it as the film's true, and perhaps only, master stroke. In fact, a film called "Bottle Rocket" come to mind: made by the same guys (Wes Anderson and Owen Wilson), it featured several great characters, but most notably it featured a guy named Dignan (played by Wilson) who was about the funniest character of that year. With a short haircut, a mixed accent of parts hick and surfer dude, and a knack for devising overly ambitious schemes that were almost bound to fail from the moment they were introduced, he was the best thing about this frequently funny but somewhat unsatisfying film (read: it dragged here and there). But there was something about that film that made it better than a lot of comedies (indie or not): the creators came up with comic yet completely dimensional characters, people who were funny but complex and even human, making the laughs come without a sense of condescension (like you're laughing at them, but yet you're not, if that makes any sense...).
They bring the same droll detachment to "Rushmore," a giant improvement on "Bottle Rocket" because it's nearly successful in every way. It's witty, laugh-out-loud hilarious, and, for the kicker, strangely poignant and touching. The reason it's the most original comedy of the past couple years by a long shot is because Anderson and Wilson have managed to make big laughs out of the lives of fully realized characters, people who are very hilarious but whom we care deeply about and are deeply complex. For example, in the film's opening scene, Max is shown having a revealing dream about solving the hardest math problem in the world, and receiving the accolades of his entire class. Like many of us (read: me), Max is insecure and constantly worries about how other people perceive him, and maybe that's why he's so happy attending the elite Rushmore Academy, the stage where he sets his numerous overly ambitious artistic achievements. Max is currently enrolled in at least a couple dozen extracuricular activities, usually as either the founder or at least the president, including the leader of the Max Fischer Players, a dramatic club that is currently putting on a stage production of "Serpico." Always wearing his school blazer, while most students can barely stand the blue suit shirts, Max has set himself up as at least the school's most famous student, if not the most popular, and seems to take glee in his black-rimmed glasses, his braces, his perfectly combed hair, and his mature vernacular without letting anyone else know about it. Yet he never lets anyone know about the truth behind his life: that he was given a scholarship to the school in second grade for penning a one act play about Watergate, and his father is not a neurosurgeon but rather an unambitious barber (Seymour Cassell, of Cassavette films).
And, of course, as the film begins, he's placed on "sudden death academic probation" by the school's long-suffering dean (Brian Cox). But that only means more dandy work for Max, as his life is interrupted by meeting two people who begin to bring about his long-due "coming of age" (as this is, tradionally, a "coming of age" story, told untraditionally): Herman Blume (Bill Murray), a self-made millionaire whose two bratty teenage twins go to Rushmore; and Rosemary Cross (Olvia Williams, late of "The Postman" ha ha), a pretty first grade school teacher at Rushmore. The first becomes his mentor; the second becomes his objet d'obsession. Always needing something to do, he makes his main point of business the courting of Rosemary, first becoming her volunteer assistant (pouring her lemonade, replacing her red marking pens, etc.), but soon makes grand gestures in order to win her over, including a would-be romantic dinner and building a multi-million dollar aquarium (donated by Herman) on, of all places, the baseball diamond. But these grand gestures and his setting the bar way too high soon take a turn for the worse, and things begin escalating out of control. He's expelled from school. Max's best friend and loyal assistant (Mason Gamble, late of "Denace the Menace" ha ha) turns against him. Herman and Rosemary meet and fall in love. And Max and Herman go to war against eachother.
All this is done with a uniquely droll sense of humor, the kind that was the saving grace of "Bottle Rocket" and here just another way in which it's a phenomenal and original comedy. There are plenty of laughs in this film, from the ridiculously funny (Max as a back-flipping male cheerleader) to the deadpan (Max asking Herman about Vietnam: "So were you in the shit?" "Yeah I was in the shit.") to the sublime (a montage of static shots showing every actitivity Max takes place in), all presented with beautiful and even witty direction by Wes Anderson, who mightily improves over his completely deadpan direction of "Bottle Rocket." This is a film of lots of colors and glorious wide shots (I can't imagine this cropped for the TV screen), and filled with either glorious British Invasion obscurities (from The Kinks, The Who, Cat Stevens, Chad and Jeremy, and others) or Marx Mothersbaugh's hilarious neo-baroque score. The script is absolutely killer: there's more laughs than an episode of "Seinfeld," and more dead-on insights into teenage behavior than an entire multi-seasonal run of [pick your teenage soap opera, prime or daytime].20
And Max will go down in history as one of the truly great comic creations: he has the refreshing, cynicism of Holden Caulfield, the restlessness of Huck Finn, and the wit of Woody Allen, but a completely original desire to be more mature than he is, just because that will elevate him above everyone else. And he could have been cold and eerily manipulative, but as played by Jason Schwartzman (son of Talia Shire, proving once again that there's something in the Coppola bloodline, by god), he's easily an anti-hero, someone we root for even when we can't believe what he's doing, whether he's trying his best to form a fencing club at his newest high school or tampering with the brakes on Herman's car. Along with Eamonn Owens from "The Butcher Boy," this is the most striking new arrival of the year: a multi-dimensional performer who's not afraid to show the flaws of the character while also showing off his many redeeming qualities. Thankfully, his object of obsession, Rosemary, is also mutli-dimensional: a damaged widow who's also irresistable and easily charming, and Williams plays her with such ease and intelligence that I, who haven't seen "The Postman," cannot fathom that her performance can be anything short of wonderful (then again, I've been disappointed a lot). And there's many other great performances here, including sharp supporting turns from a gentle Cassell, a reserved Cox, a hilarious Gamble, and even a Ewan McGrgeor-lookalike Stephen McCole as a scotish bully/fellow student.
But if there's any truly brilliant performance here, it's by Bill Murray, recently snubbed greatly for an Oscar nomination for a performance that is not only delightfully Murraysian, but surprisngly subtle and tragi-comic. Herman, the opposite of Max, owns a giant factory but loathes his empty life, his potentially-unfaithful wife, and his two monstrous sons, and not only finds a refreshing change of pace in the friendship with Max (at first bewildered, but later finds pure ease with him), but he also finds that while Max yearns for adulthood, he personally yearns to be a kid again. In one wonderfully cinematic moment at his sons' birthday party, Herman gets up on the high dive of his pool, complete with cigarette dangling from mouth and cup of booze in his hand, he cannonballs into the pool, and stays underneath, curled up with eyes closed which is straight out of "The Graduate." What's so great about this performance is that it's so easy to overlook. Instead of the usual Murray schtick, like in "Stripes" or "Ghostbusters," Murray opts to speak in a defeated and saddened tone, and acts with worldweariness but new life thanks to Max. His performance is, yes, funny, but also touching and sad, and if anyone out there has recently lost faith in Murray for quality (with "The Man Who Knew Too Little," I had), here's the best performance he's ever given, and maybe the best supporting performance of the year (he and Billy Bob Thornton are, at the very least, head-to-head in my opinion).
Ditto the film. It's hilarious, and plenty witty, but it's also extremely affecting, and watching it, I not only felt for the characters, but also was able to identify with what was going on because everyone, I hope, at some point, faces something similar: a feel of inadequacy that you try to overcome in the most idiosyncratic ways. Someday, when the hype and all that has been lifted from this film, we may hopefully be able to rank it along with several Ernest Lubitsch and Woody Allen films, Hal Ashby's "Harold and Maude," and, well, "The Graduate," as one of the most unique and weirdly touching comedies to ever be made. Hopefully.
MY RATING (out of 4): ****
Homepage at: http://www.geocities.com/Hollywood/Hills/8335/
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What am I learning/doing at the moment? × Just finished my second year of UNI, about to spend the summer with projects to learn react and develop further my knowledge. Previous Next


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Yazan Tarifi
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A code-minded front-end software engineer focused on building beautiful interfaces & experiences and Convert Ideas, Design To System With Frontend Side (Android Apps, React Websites) also The Backend Side With (SpringBoot, Ktor, Nest.js) Always Trying To Build Tools To Help and Improve My Work
All of My Open Source Projects is Available on my Github Account, My passion is to learn everything new and learn different programs and programming languages to create large projects with Several Languages
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Next: funcall, Previous: fmakunbound, Up: Data and Control Flow Dictionary
flet
({(function-name
lambda-list
[[{local-declaration}*
| local-documentation]]
{local-form}*)}*)
{declaration}* {form}*
⇒ {result}*
labels
({(function-name
lambda-list
[[{local-declaration}*
| local-documentation]]
{local-form}*)}*)
{declaration}* {form}*
⇒ {result}*
macrolet
({(name
lambda-list
[[{local-declaration}*
| local-documentation]]
{local-form}*)}*)
{declaration}* {form}*
⇒ {result}*
function-name—a function name.
name—a symbol.
lambda-list—a lambda list; for flet and labels, it is an ordinary lambda list; for macrolet, it is a macro lambda list.
local-declaration—a declare expression; not evaluated.
declaration—a declare expression; not evaluated.
local-documentation—a string; not evaluated.
local-forms, forms—an implicit progn.
results—the values of the forms.
flet, labels, and macrolet define local functions and macros, and execute forms using the local definitions. Forms are executed in order of occurrence.
The body forms (but not the lambda list)
of each function created by flet and labels and each macro created by macrolet are enclosed in an implicit block whose name is the function block name of the function-name or name, as appropriate.
The scope of the declarations between the list of local function/macro definitions and the body forms in flet and labels does not include the bodies of the locally defined functions, except that for labels, any inline, notinline, or ftype declarations that refer to the locally defined functions do apply to the local function bodies. That is, their scope is the same as the function name that they affect.
The scope of these declarations does not include the bodies of the macro expander functions defined by macrolet.
flet defines locally named functions and executes a series of forms with these definition bindings. Any number of such local functions can be defined.
The scope of the name binding encompasses only the body. Within the body of flet, function-names matching those defined by flet refer to the locally defined functions rather than to the global function definitions of the same name.
Also, within the scope of flet, global setf expander definitions of the function-name defined by flet do not apply. Note that this applies to (defsetf f ...), not (defmethod (setf f) ...).
The names of functions defined by flet are in the lexical environment; they retain their local definitions only within the body of flet. The function definition bindings are visible only in the body of flet, not the definitions themselves. Within the function definitions, local function names that match those being defined refer to functions or macros defined outside the flet. flet can locally shadow a global function name, and the new definition can refer to the global definition.
Any local-documentation is attached to the corresponding local function (if one is actually created) as a documentation string.
labels is equivalent to flet except that the scope of the defined function names for labels encompasses the function definitions themselves as well as the body.
macrolet establishes local macro definitions, using the same format used by defmacro.
Within the body of macrolet, global setf expander definitions of the names defined by the macrolet do not apply; rather, setf expands the macro form and recursively process the resulting form.
The macro-expansion functions defined by macrolet are defined in the
lexical environment in which the macrolet form appears. Declarations and macrolet and symbol-macrolet definitions affect the local macro definitions in a macrolet, but the consequences are undefined if the local macro definitions reference any local variable or function bindings that are visible in that lexical environment.
Any local-documentation is attached to the corresponding local macro function as a documentation string.
(defun foo (x flag) (macrolet ((fudge (z) ;The parameters x and flag are not accessible ; at this point; a reference to flag would be to ; the global variable of that name. ` (if flag (* ,z ,z) ,z))) ;The parameters x and flag are accessible here. (+ x (fudge x) (fudge (+ x 1))))) ≡ (defun foo (x flag) (+ x (if flag (* x x) x) (if flag (* (+ x 1) (+ x 1)) (+ x 1))))
after macro expansion. The occurrences of x and flag legitimately refer to the parameters of the function foo because those parameters are visible at the site of the macro call which produced the expansion.
(flet ((flet1 (n) (+ n n))) (flet ((flet1 (n) (+ 2 (flet1 n)))) (flet1 2))) ⇒ 6 (defun dummy-function () 'top-level) ⇒ DUMMY-FUNCTION (funcall #'dummy-function) ⇒ TOP-LEVEL (flet ((dummy-function () 'shadow)) (funcall #'dummy-function)) ⇒ SHADOW (eq (funcall #'dummy-function) (funcall 'dummy-function)) ⇒ true (flet ((dummy-function () 'shadow)) (eq (funcall #'dummy-function) (funcall 'dummy-function))) ⇒ false (defun recursive-times (k n) (labels ((temp (n) (if (zerop n) 0 (+ k (temp (1- n)))))) (temp n))) ⇒ RECURSIVE-TIMES (recursive-times 2 3) ⇒ 6 (defmacro mlets (x &environment env) (let ((form `(babbit ,x))) (macroexpand form env))) ⇒ MLETS (macrolet ((babbit (z) `(+ ,z ,z))) (mlets 5)) ⇒ 10
(flet ((safesqrt (x) (sqrt (abs x)))) ;; The safesqrt function is used in two places. (safesqrt (apply #'+ (map 'list #'safesqrt '(1 2 3 4 5 6))))) ⇒ 3.291173
(defun integer-power (n k) (declare (integer n)) (declare (type (integer 0 *) k)) (labels ((expt0 (x k a) (declare (integer x a) (type (integer 0 *) k)) (cond ((zerop k) a) ((evenp k) (expt1 (* x x) (floor k 2) a)) (t (expt0 (* x x) (floor k 2) (* x a))))) (expt1 (x k a) (declare (integer x a) (type (integer 0 *) k)) (cond ((evenp k) (expt1 (* x x) (floor k 2) a)) (t (expt0 (* x x) (floor k 2) (* x a)))))) (expt0 n k 1))) ⇒ INTEGER-POWER
(defun example (y l) (flet ((attach (x) (setq l (append l (list x))))) (declare (inline attach)) (dolist (x y) (unless (null (cdr x)) (attach x))) l)) (example '((a apple apricot) (b banana) (c cherry) (d) (e)) '((1) (2) (3) (4 2) (5) (6 3 2))) ⇒ ((1) (2) (3) (4 2) (5) (6 3 2) (A APPLE APRICOT) (B BANANA) (C CHERRY))
declare, defmacro, defun, documentation; (setf documentation), let; let*, Evaluation, Syntactic Interaction of Documentation Strings and Declarations
It is not possible to define recursive functions with flet. labels can be used to define mutually recursive functions.
If a macrolet form is a top level form, the body forms are also processed as top level forms. See File Compilation.
Next: funcall, Previous: fmakunbound, Up: Data and Control Flow Dictionary


Morty
Rick
Jerry
Submit
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|
gtsam 4.1.1
gtsam
|
This is the base class for BayesTree cliques.
The default and standard derived type is BayesTreeClique, but some algorithms, like iSAM2, use a different clique type in order to store extra data along with the clique.
This class is templated on the derived class (i.e. the curiously recursive template pattern). The advantage of this over using virtual classes is that it avoids the need for casting to get the derived type. This is possible because all cliques in a BayesTree are the same type - if they were not then we'd need a virtual class.
| DERIVED | The derived clique type. |
| CONDITIONAL | The conditional type. |
Advanced Interface | |
| class | BayesTree< DerivedType > |
| class | boost::serialization::access |
| Serialization function. | |
| KeyVector | separator_setminus_B (const derived_ptr &B) const |
| Calculate set \( S \setminus B \) for shortcut calculations. | |
| KeyVector | shortcut_indices (const derived_ptr &B, const FactorGraphType &p_Cp_B) const |
| Determine variable indices to keep in recursive separator shortcut calculation The factor graph p_Cp_B has keys from the parent clique Cp and from B. More... | |
| void | deleteCachedShortcutsNonRecursive () |
| Non-recursive delete cached shortcuts and marginals - internal only. | |
| BayesNetType | shortcut (const derived_ptr &root, Eliminate function=EliminationTraitsType::DefaultEliminate) const |
| return the conditional P(S|Root) on the separator given the root | |
| FactorGraphType | separatorMarginal (Eliminate function=EliminationTraitsType::DefaultEliminate) const |
| return the marginal P(S) on the separator | |
| FactorGraphType | marginal2 (Eliminate function=EliminationTraitsType::DefaultEliminate) const |
| return the marginal P(C) of the clique, using marginal caching | |
| void | deleteCachedShortcuts () |
| This deletes the cached shortcuts of all cliques (subtree) below this clique. More... | |
| const boost::optional< FactorGraphType > & | cachedSeparatorMarginal () const |
Standard Constructors | |
| BayesTreeCliqueBase () | |
| Default constructor. | |
| BayesTreeCliqueBase (const sharedConditional &conditional) | |
| Construct from a conditional, leaving parent and child pointers uninitialized. | |
| BayesTreeCliqueBase (const BayesTreeCliqueBase &c) | |
| Shallow copy constructor. | |
| BayesTreeCliqueBase & | operator= (const BayesTreeCliqueBase &c) |
| Shallow copy assignment constructor. | |
| virtual | ~BayesTreeCliqueBase () |
Testable | |
| bool | equals (const DERIVED &other, double tol=1e-9) const |
| check equality | |
| virtual void | print (const std::string &s="", const KeyFormatter &keyFormatter=DefaultKeyFormatter) const |
| print this node More... | |
Public Member Functions | |
| void | setEliminationResult (const typename FactorGraphType::EliminationResult &eliminationResult) |
| Fill the elimination result produced during elimination. More... | |
Public Attributes | |
| sharedConditional | conditional_ |
| derived_weak_ptr | parent_ |
| FastVector< derived_ptr > | children |
| int | problemSize_ |
| bool | is_root = false |
Protected Attributes | |
| boost::optional< FactorGraphType > | cachedSeparatorMarginal_ |
| This stores the Cached separator marginal P(S) | |
| std::mutex | cachedSeparatorMarginalMutex_ |
| This protects Cached seperator marginal P(S) from concurrent read/writes as many the functions which access it are const (hence the mutable) leading to the false impression that these const functions are thread-safe which is not true due to these mutable values. More... | |
| void gtsam::BayesTreeCliqueBase< DERIVED, FACTORGRAPH >::deleteCachedShortcuts |
This deletes the cached shortcuts of all cliques (subtree) below this clique.
This is performed when the bayes tree is modified.
|
virtual |
print this node
Reimplemented in gtsam::ISAM2Clique.
| void gtsam::BayesTreeCliqueBase< DERIVED, FACTORGRAPH >::setEliminationResult | ( | const typename FactorGraphType::EliminationResult & | eliminationResult | ) |
Fill the elimination result produced during elimination.
Here this just stores the conditional and ignores the remaining factor, but this is overridden in ISAM2Clique to also cache the remaining factor.
|
protected |
Determine variable indices to keep in recursive separator shortcut calculation The factor graph p_Cp_B has keys from the parent clique Cp and from B.
But we only keep the variables not in S union B.
|
mutableprotected |
This protects Cached seperator marginal P(S) from concurrent read/writes as many the functions which access it are const (hence the mutable) leading to the false impression that these const functions are thread-safe which is not true due to these mutable values.
This is fixed by applying this mutex.


Now Open!
Welcome!
Welcome to Five Stars Family Entertainment Center! We are an amusement park local to Houston, Texas that is geared towards great fun for the whole family. We guarantee a wonderful time for customers of all ages! Spend a day winning fantastic prizes in our world class arcade, go for a thrilling ride on one of our exciting roller coasters, or relax in our exotic Five Star Lounge. We’re all about your enjoyment here at Five Stars, and every one of our employees is hand picked to help you have the best time you can. The fun never stops at Five Stars, and we can’t wait for you to stop by and have the time of your life!
Upcoming Events
Field
Day
Want to take a break from thrill seeking? Come to our huge outdoor field day event where kids and adults can relax and have a wonderful time playing outdoor games and activites! A free drink comes with each ticket to keep you refreshed while you're out on the field!
Thrill and
Chill
Enjoy an amazing day of rollarcoasters and thrilling rides with an evening of popcorn, drinks, and a movie. All tickets come with a free popcorn and soda pass along with an outdoor movie!
Patriot's
Day
USA themed attractions with a cozy night of fireworks. Patriots Day comes with an amazing discount of 10% off tickets and snacks. Be sure to come and represent America!
Hours
Monday:
{% if hours[0]["open"] == 1 %}{{ formatHours(hours[0]["start"]) }} - {{ formatHours(hours[0]["end"]) }}{% else %}CLOSED{% endif %}
Tuesday:
{% if hours[1]["open"] == 1 %}{{ formatHours(hours[1]["start"]) }} - {{ formatHours(hours[1]["end"]) }}{% else %}CLOSED{% endif %}
Wednesday:
{% if hours[2]["open"] == 1 %}{{ formatHours(hours[2]["start"]) }} - {{ formatHours(hours[2]["end"]) }}{% else %}CLOSED{% endif %}
Thursday:
{% if hours[3]["open"] == 1 %}{{ formatHours(hours[3]["start"]) }} - {{ formatHours(hours[3]["end"]) }}{% else %}CLOSED{% endif %}
Friday:
{% if hours[4]["open"] == 1 %}{{ formatHours(hours[4]["start"]) }} - {{ formatHours(hours[4]["end"]) }}{% else %}CLOSED{% endif %}
Saturday:
{% if hours[5]["open"] == 1 %}{{ formatHours(hours[5]["start"]) }} - {{ formatHours(hours[5]["end"]) }}{% else %}CLOSED{% endif %}
Sunday:
{% if hours[6]["open"] == 1 %}{{ formatHours(hours[6]["start"]) }} - {{ formatHours(hours[6]["end"]) }}{% else %}CLOSED{% endif %}
-
799 N Grand St, Amarillo, Texas 79107, United States.


Since Mac OS X is a very common platform for mobilAP and is used by people who may not be web server administrators, this page has been created to assist those with setting up their Mac OS X environment.
Every Mac OS X system from 10.5 (Leopard) and above has everything you need to deploy mobilAP. The instructions to configure the service, however, are different based on whether you are using Mac OS X Client or Server.
Mac OS X Server includes many services ready for use. It is important to note, however, that this document does not address key aspects of web server administration including maintenance and security that are critical to running a public web server. Since Mac OS X server includes Apache, the world's most popular web server, there are many resources available that are applicable to this setup.
Enabling Apache and PHP on Mac OS X server is incredibly simple. You will need to use Server Admin, part of the Server Administration tools to connect to your server. If you have never used these tools, please consult the Mac OS X Server Documentation.
If all is well you should be able to view your web server using its address. You can now continue with the rest of the installation instructions. You will typically want to place your files in the /Library/WebServer/Documents folder.
When we say "client" we are talking about the non server version of Mac OS X that comes with any Apple system. Your desktop, your laptop, etc. Even these systems include a version of Apache and PHP suitable for mobilAP use. You simply have to enable them. Note: Enabling PHP requires editing a system file. You will need to use a text editor capable of editing protected documents and an administrator name and password. One excellent free text editor that makes editing system files easy is TextWranger from BareBones software. Note that TextEdit does not currently include such a feature.
An alternative is to use a prebuilt package that automatically handles this configuration for you. Marc Liyanage provides such a package.
The following instructions assume you will be doing this yourself and not using any prebuilt packages. It also assumes that you have made no modifications to your existing Apache or PHP setup.
If all is well you can open up http://localhost and view your site. You can now continue with the rest of the installation instructions. You will typically want to place your files in the /Library/WebServer/Documents folder. Note: You should turn off Apache by unchecking the checkbox in the Sharing panel of System Preferences if you are done testing. Unless you are planning on doing full time web development, keeping the web server running will use up system resources and could be a security risk as well.


- Parameters
- Set core parameters of the installation. That's the
place where you specify the URL to access this installation, determine how
users authenticate, choose which bug fields to display, select
the mail transfer agent to send email notifications, choose which group of
users can use charts and share queries, and much more.
- Default Preferences
- Set the default user preferences. These are the values
which will be used by default for all users. Users will be able to edit their
own preferences from the Preferences.
- Sanity Check
- Run sanity checks to locate problems in your database.
This may take several tens of minutes depending on the size of your installation.
You can also automate this check by running sanitycheck.pl from a cron job.
A notification will be sent per email to the specified user if errors are detected.
- Users
- Create new user accounts or edit existing ones. You can
also add and remove users from groups (also known as "user privileges").
- Classifications
- If your installation has to manage many products at once,
it's a good idea to group these products into distinct categories. This lets users
find information more easily when doing searches or when filing new bugs.
- Products
- Edit all aspects of products, including group restrictions
which let you define who can access bugs being in these products. You
can also edit some specific attributes of products such as
components, versions
and milestones directly.
- Flags
- A flag is a custom 4-states attribute of bugs
and/or attachments. These states are: granted, denied, requested and undefined.
You can set as many flags as desired per bug, and define which users
are allowed to edit them.
|
- Custom Fields
- Bugzilla lets you define fields which are
not implemented by default, based on your local and specific requirements.
These fields can then be used as any other field, meaning that you can set
them in bugs and run any search involving them.
Before creating new fields, keep in mind that too many fields may make the user
interface more complex and harder to use. Be sure you have investigated other ways
to satisfy your needs before doing this.
- Field Values
- Define legal values for fields whose values must belong
to some given list. This is also the place where you define legal values for some
types of custom fields.
- Bug Status Workflow
- Customize your workflow and choose initial bug
statuses available on bug creation and allowed bug status
transitions when editing existing bugs.
- Groups
- Define groups which will be used in the installation.
They can either be used to define new user privileges or to restrict the access
to some bugs.
- Keywords
- Set keywords to be used with bugs. Keywords
are an easy way to "tag" bugs to let you find them more easily later.
- Whining
- Set queries which will be run at some specified date
and time, and get the result of these queries directly per email. This is a
good way to create reminders and to keep track of the activity in your installation.
|


| Part: 1 | This page contains script that inputs a student's homework average, mid-term exam score, final exam score, and ACR. |
| Part: 2 | This page Inputs the number of items sold by a salesman for each item number sold for last week, calculates how much
the salesperson sold and how much they earned, and then outputs the results. |
| Part: 3 | This page contains a script that will determine whether a department-store customer has exceeded the credit limit
on their charge account. |
| Part: 4 | Contains a script that inputs a five-digit integer (not starting with zero) that determines and outputs a message stating
whether or not it's a palindrome. |
| Part: 5 | This page has functions to write a script that enables the user to enter either a Fahrenheit or a Celsius temperature and
displays the Celsius or Fahrenheit equivalent. |
| Part: 6 | This page has a program that will help an elementary school student learn multiplication. |


plex
`
Plex Server Page
Plex Server Page
Access
Access the Plex library
Add
Add a Movie or TV Show to Plex
Nothing
This does nothing
Plex Server Status:
Checking...


Editize is a simple product with complex technology behind it. As such, there are a number of little things that have to be set up 'just right' for it to function correctly. In this section, we'll tackle some of the most frequently encountered problems along with their solutions.
Known problems with Editize are documented in the readme.txt file included with this distribution. If you suspect you have encountered a bug in Editize, check there for details.
Feel free to contact Customer Support if you are unable to resolve your problem with the instructions provided here.
java.lang.ClassFormatError: com/editize/EditizeApplet (bad magic number)
This error indicates that the Java Plug-In tried to download the editize.jar
file but instead your Web server sent it something else (e.g. a custom 404
error page). Usually this will happen if you have not correctly set the codebase
property of the Editize API you are using.
Try typing the URL for editize.jar
on your server into your
Web browser. Does it download correctly? If so, try running Editize
again. When the error occurs, open the Java Console for your browser (right-click
the Java icon in the Windows System Tray) and look for a more technically
detailed error message. A URL in the error message should indicate where the
Java Plug-In is trying to download editize.jar
from. Adjust the
codebase
property of your selected API to make sure this is pointing
to the actual location of the editize.jar
file.
The error will probably make it look like it's trying to download com/editize/EditizeApplet.class
, but this actually the fallback that the plug-in tries when it fails to retrieve editize.jar
from the same location.
java.lang.ClassNotFoundException: com.editize.EditizeApplet
The this error indicates that the Java Plug-In tried to download the editize.jar
file but was unable to do so for some reason. Possible causes of this problem
include:
codebase
property of the Editize
API you are using.editize.jar
is not in the correct location on your server.editize.jar
is in a directory that is protected by a password.editize.jar
.Try typing the URL for editize.jar
on your server into your
Web browser. Does it download correctly? If so, try running Editize
again. When the error occurs, open the Java Console for your browser (right-click
the Java icon in the Windows System Tray) and look for a more technically
detailed error message. A URL in the error message should indicate where the
Java Plug-In is trying to download editize.jar
from. Adjust the codebase
property of your selected API to make sure this is pointing to the actual
location of the editize.jar
file.
The error will probably make it look like it's trying to download com/editize/EditizeApplet.class
, but this actually the fallback that the plug-in tries when it fails to retrieve editize.jar
from the same location.
java.lang.ClassNotFoundException: com.sitepoint.rapidapps.rapidedit.RapidEditApplet
The class name for the Editize applet was changed as of Editize
2.0 to com.editize.EditizeApplet
. If you get an error message
with 'rapidedit' in it, this means you're using an outdated version of your
selected Editize API (editize.php
, editizedotnet.dll
,
editize.wsc
, or editize.js
). Replace the version
of the Editize API on your server with the one that came with the
version of Editize that you wish to use.
When my users try to input Chinese or other non-Latin characters into an Editize, all they see are little boxes where the characters should be.
As a Java applet, Editize supports international (including double byte) character sets. The source of the problem here is that Editize uses "Times New Roman" as its default font, which does not contain characters for Chinese text.
Try setting the basefontface
property of your selected API to
a font that you know contains the required characters. If Editize still
doesn't display the text correctly, please contact our Customer
Support department so we can help diagnose the problem.
My form uses ASP.NET LinkButtons, and changes to the content in Editize are not submitted.
Editize relies on the client-side 'onsubmit' event handler of the form to submit the updated document. Unfortunately, because of an oversight on the part of Microsoft, this event is not fired when the form is submitted with a LinkButton.
Fortunately, you can tweak your code to get the LinkButton to trigger the Editize field submission. Here's how it's done (in your page's Page_Load method):
MyLinkButton.Attributes.Add("onclick","return __submitEditize();");
Do this for each LinkButton that you want to make submit the Editize field when it is clicked.
I get an error message when I try to register or use the Editize
API for ASP (editize.wsc
).
In all likelihood, you need to update the version of Microsoft Windows Script installed on your server. As of this writing, the latest version is 5.6, and may be downloaded for free from Microsoft.
Another possibility is that you have placed the editize.wsc
file on a mapped network drive.
I keep getting JavaScript errors when I try to use the Editize API for JavaScript to edit an existing document.
JavaScript does not like apostrophes ('
) or line breaks to appear
within a string. Since both of these characters may appear in an HTML document
that you supply for Editize to edit, you need to replace them with
special character codes to prevent JavaScript errors from occurring. Apostrophes
must be escaped with backslashes (\'
) and each line break must
be replaced with \n
.
See the index.php and default.asp sample scripts in the javascript folder of the Editize distribution for examples of how these special characters may be replaced in PHP and ASP, respectively. Similar techniques may be applied in most any other server-side language.
Can the JavaScript API for Editize be used with ColdFusion?
Absolutely! You just need to take care of the special characters, as discussed under the previous heading.
ColdFusion has a function named JSStringFormat
that takes care
of special characters in JavaScript strings. Assuming you have the document
to be edited in a ColdFusion variable named htmlCode
, here's
how you would use JSStringFormat
to display it with the JavaScript
API for Editize:
<script type="text/javascript" src="editize.js"></script> <script type="text/javascript"> var ed = new Editize(); ed.name = "example"; ed.display("<cfoutput>#JSStringFormat(#htmlCode#)#</cfoutput>"); </script>


{# Copyright 2013 Dev in Cachu authors. All rights reserved. #}
{# Use of this source code is governed by a BSD-style #}
{# license that can be found in the LICENSE file. #}
{% extends "flatpages/default.html" %}
{% block meta %}
{% endblock %}
{% block og %}
{{ block.super }}
{% endblock %}


Covid-19 Estimator
Covid-19 Estimator
Population Size
Reported Cases
Total Hospital Beds
Time to Elapse
Example select
Days
Weeks
Months
Estimate


Sale!
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This remedy reverses diabetes and helps you to lose weight. A natural blend which will enhance your life to the fullest!!


For Those Looking for a Complete Introduction to Computer Science:
For Those Looking Specifically for Java Resources:
For Those Looking to Begin Web-development:
If you know that you want to spend a good amount of time becoming a proficient web developer, then this is the comprehensive resource for you. Here, you can learn front-end and back-end development in detail by being challenged with fun, rigorous projects. A benefit of this resource is that it teaches you various ways of setting up a development environment for your projects. Additionally, it frequently points you to great outside resources (like this page is doing). Most importantly, it has a very active Discord server, which fosters an aspect of community rarely found elsewhere on learning platforms.
Here is another resource that is great for learning HTML, CSS, and JavaScript. The benefit of this resource is that it is interactive, so you are given small problems to do as you learn, which help familiarize you with actual coding.
Here is a resource that is great if you don’t need to necessarily practice coding but just need to learn about what things mean. It is a great supplement or reference when you can’t remember a syntax rule or two
For Those Who Want to Learn Data Structures and Algorithms / Problem Solving:
Data Structures and Algorithms course. It is very extensive, challenging, and rewarding. If you complete this, then you should be well prepared to start solving problems that show up during technical interviews.
If you have ever been preparing for a technical interview, then you have probably heard of this book. If not, then here you go! It is a staple when it comes to interview prep, as it covers thought and communication processes as well as core data structures and algorithms concepts needed to solve questions.
As with Cracking the Coding Interview, you may have already heard of this if you are searching for a job or internship. If not, then this is a website where you can practice solving coding problems that will be very similar to those you will see in technical interviews. There are many other sites like Leetcode, so you can choose an alternative if you don’t enjoy the website for one reason or another
This is another website where you can practice coding problems in Java and Python. The questions are usually much simpler than those on sites like Leetcode, but they are excellent warm-up exercises or refreshers on certain topics, such as recursion
For Those Who Want to Learn Math that Frequently Appears in Computer Science:
This is a YouTube series that is an amazing supplement to learning Linear Algebra in whatever setting you are in. It has great visualizations, and it really lets you appreciate how cool the subject can be in theory and in practice.
Same YouTube channel as Essence of Linear Algebra--cannot recommend this resource enough.
This is a free online course from MIT Open Courseware. It is an in-depth course that has great lectures and also very challenging problem sets that will assure you have a good grasp of the concepts taught.
For Those Who Need Quick Help with Useful Tools:
Command Line
This resource teaches you about the command line and much much more if you desire, not limited to text editors and networking in the Linux environment. Though comprehensive, this resource is great because it is interactive and has many sections that can be completed in a short amount of time.
This is a go-to book that teaches basic commands, shell scripting, and much more. It is heavily detailed, and it is completely free to download the book as a PDF file.
Git and GitHub
Git and GitHub course on Udacity that is completely free!
This is a great tutorial on Git that is great for beginners or even those looking to refresh themselves on advanced tooling in workflow. It has a lot of overlap with GitHub’s own tutorial, but the layout is very different, so you may find it preferable.
The GitHub website itself is a great place to learn how to use the tool! A benefit of this is that you will be able to fully look at the layout of GitHub web pages while also following the tutorial.
Other Cool Sites
Here is a site that is frequently updated to show companies that currently have applications for internships open.


To compile and install SML/NJ, one needs to create a root directory (of arbitrary name, let's call it "root" for the purpose of this explanation) and then populate it with various sub-trees by checking out parts of this repository (and potentially other repositories). The default layout populates root with:
Suppose we have added the following shell definitions to our environment:
gf=https://smlnj-gforge.cs.uchicago.edu/svn smlnj=$gf/smlnj
By default, a working copy of tree T is obtained by performing
svn co $smlnj/T/trunk TThere currently are two exceptions to this:
svn co $smlnj/sml/trunk base svn co $gf/ml-lpt/ml-lpt ml-lptTo simplify the creation of the default layout one can use the scripts in $gf/admin. Do:
svn co $smlnj/admin adminand put the admin directory in your shell's PATH. To create the default layout, you can now run
checkout-all.sh rootwhich creates the root directory and populates it as described above. Without the optional argument, checkout-all.sh populates the current directory.
To perform svn update on all subtrees, run
refresh-all.shfrom within root. Similarly, to perform svn stat on all subtrees, use stat-all.sh.
Commits should be done on a per-tree basis by hand.
SMLDEV
(e.g. in my case,
SMLDEV=~/sml/Dev
).
$ export gf=https://smlnj-gforge.cs.uchicago.edu/svn $ export smlnj=$gf/smlnj
$SMLDEV
directory, create a directory gf
$ cd $SMLDEV $ mkdir gf
$ cd gf $ svn co $smlnj/adminThis creates subdirectory gf/admin containing some shell scripts to automate checking out the full source code, checking status, etc.
Of course, you could put this checkout somewhere else, such in your personal bin file, or in /usr/local/bin if you have permission. In this case, step 4 would not be necessary.
$ checkout-all.sh smlnj
$ cd smlnj $ config/install.sh
PATH
,
then this may fail because of the order in which svn checks out
certain ml-yacc source files. In this case, you can recover by
executing
$ touch ml-yacc/src/yacc.grm.sig ml-yacc/src/yacc.grm.smlto make these younger than ml-yacc/src/yacc.grm. This is a temporary problem until the build scripts are modified to take care of this.
In this example, the branch is named primop-branch-3
, and is based
on the top-level repository directory $smlnj/sml
.
sml
(= base
), do
$ svn list $gf/sml/branches/
$ mkdir primop3 $ cd primop3
$ svn co https://smlnj-gforge.cs.uchicago.edu/svn/smlnj/sml/branches/primop-branch-3or (given the definition of shell variable
smlnj
from part I above)
$ svn co $smlnj/sml/branches/primop-branch-3 baseThis checks out the primop-branch-3 code for the sml directory, locally renamed as "base".
$ checkout-all.sh


E-scooter rider on food delivery admits colliding into pedestrian
by Lydia LamSINGAPORE: An electric scooter rider admitted on Tuesday (Nov 12) to going above the speed limit and colliding into a pedestrian.
The 55-year-old woman fell as a result and knocked her head on the floor, bleeding from a cut on her scalp that required stitches at the hospital.
Skye Lee Shi Jia, 17, pleaded guilty to one charge of a negligent act endangering the personal safety of others.
A second charge of riding a non-compliant personal mobility device on a footpath will be taken into consideration for sentencing.
The court heard that Lee was 16 and a student at the time, and was working part-time delivering pizza.
He rode on an e-scooter to perform his deliveries, even though the device was 740mm wide and exceeded the width limit of 700mm stated in the Active Mobility Regulations 2018.
At about 6pm on May 23 last year, Lee was delivering food on his e-scooter along a footpath near Block 137, Teck Whye Lane.
The victim, Toh Meng Wan, was walking along a nearby footpath.
Lee was travelling at a speed of about 20kmh, above the then-prevailing speed limit of 15kmh.
He did not slow down when nearing the junction, even though his view was obstructed. When he spotted the victim, he was unable to stop in time and collided with her.
Madam Toh fell and knocked her head and began bleeding. Lee attended to her, applying pressure to the wound in a bid to stop the bleeding.
The victim was taken to hospital with a 4cm-long laceration on her scalp and bruises over her arm, ankle and head.
She was given three stitches and discharged the following day with eight days' hospitalisation leave.
Lee has paid her medical costs of S$488 in full as restitution.
The judge called for a probation report and adjourned sentencing to Dec 10.


I am Shreya, the girl you'll always find laughing around the corner. Yes, that's right, people often describe me this way, and I have to admit, it's pretty accurate! I am a person who lives in the moment and enjoys every bit of what comes my way. I love to express myself through different media, push beyond my comfort zone and explore the myriad of opportunities this world holds.
Since the age of 5, I have been exploring my artistic self. I am professionally trained in Ballet, which has made me a versatile dancer able to do Contemprory, Indian Classical and Folk dance. Dance has challenged me at every stage and has made me stronger, both physically and mentally.
I also express myself through the medium of art, something I engage in as a hobby. Nothing is better to clear my mind or take a break than just being able to pen down my thoughts on a piece of canvas. Paintings and sketches provide a very soothing outlet for my thoughts.
Lately, I have been expressing my ideas though the web and have been actively engaging in web design. This is one such project, which contains links to my other works. I hope you like them.
EXPLORE AND ENJOY!
Web-Design Projects
Dance Gallery
Art Gallery


Measuring angles between points in a landscape is much easier than measuring distances. When the location of three points is known the position of the observer can be determined based solely on the angles between these points as seen by the observer. This task (known as triangulation) however requires onerous calculations - these calculations are automated by this package.
| Version: | 0.5.0 |
| Published: | 2016-10-29 |
| Author: | Mathias Milfeldt [aut, cre] |
| Maintainer: | Mathias Milfeldt <mathias at milfeldt.dk> |
| License: | LGPL-2 | LGPL-2.1 | LGPL-3 [expanded from: LGPL] |
| NeedsCompilation: | no |
| Materials: | README |
| CRAN checks: | triangulation results |
| Reference manual: | triangulation.pdf |
| Package source: | triangulation_0.5.0.tar.gz |
| Windows binaries: | r-devel: triangulation_0.5.0.zip, r-release: triangulation_0.5.0.zip, r-oldrel: triangulation_0.5.0.zip |
| OS X binaries: | r-release: triangulation_0.5.0.tgz, r-oldrel: triangulation_0.5.0.tgz |
Please use the canonical form https://CRAN.R-project.org/package=triangulation to link to this page.


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R/recursive_feature_elimination.R
recursive_feature_elimination.Rd
Feature selector that implements recursive feature elimination
Implements a greedy algorithm that iteratively calls the user-supplied scorer function and eliminates features based on its return value.
recursive_feature_elimination(scorer, X, y, n_features_to_select)
| scorer | A custom user-supplied function that accepts a data.frame as input and returns the column name of the column with the lowest weight. |
|---|---|
| X | A data.frame of shape (n_samples, n_features) with training samples. |
| y | A data.frame of shape (n_samples, n_outputs) with true outputs used for training. |
| n_features_to_select | The target number of features. |
Vector of column names of non-eliminated features.
custom_scorer_fn <- function(data) { model <- lm(Y ~ ., data) names(which.min(model$coefficients[-1]))[[1]] } df <- tgp::friedman.1.data() data <- dplyr::select(df, -Ytrue) X <- dplyr::select(data, -Y) y <- dplyr::select(data, Y) features <- featureselection::recursive_feature_elimination(custom_scorer_fn, X, y, 4) # [1] "X1" "X2" "X4" "X5" "Y"