Celebrating the Turkey Trot's Quarter Century Club
It has always been a family affair for Daniel Cane.
It started in 1979 when he was in New York City visiting siblings.
“I looked out their apartment window early in the morning, and there were people running,” Cane said. “Oh, it’s a race!”
That caught his attention and seemed like something he’d like to try.
“Running wasn’t a big thing when I was a kid,” said Cane, who lives in Depew. “I played baseball, basketball, football, but I started running just for fun. It’s a great time.”
Running is such a good time that he keeps coming back to the annual YMCA Turkey Trot. This year, Cane will be running in his 36th Turkey Trot.
Cane is one of 320 members of the race’s Quarter Century Club, open to anyone who has completed 25 or more YMCA Buffalo Niagara Turkey Trots. The VIP Reception and Quarter Century Club were introduced in 2005 with 34 charter members. More than 30 names will be added this year.
While Cane’s interest in running was piqued by that visit to New York City, he first entered the Turkey Trot to run with his friends from his old neighborhood.
“A couple of kids from grammar school that I grew up with decided to run it,” Cane said of his introduction to the race. “We’ve done it many years together. I really enjoy it.
“You don’t have to be an elite runner to run the Turkey Trot. You can be a plodder, like me. There are plenty of walkers also in this race. And all age groups. You’ve got kids 6 or 7 years old to senior citizens doing this. It keeps bringing them back.
“It’s more of a family event now. Families are getting their kids involved and they’ve made it a whole morning tradition. That’s what I think is the best part of it – family. I get to see people I haven’t seen for a long time.”
It’s a family affair for Cane, as well, as his two sons have run various Turkey Trots with him. His wife is the transportation vehicle, making sure Cane and whomever he happens to see gets to the starting line for the race and back to his car after the post-race party.
And then there’s the running family you create out on the course, usually out of complete strangers.
“One thing about runners, they don’t criticize other runners,” Cane said. "We’re all out there. If some older man is out there, I think, ‘I hope I can do that as his age.’ If I see a woman struggling, I say, ‘Don’t worry. You’re out here. All your friends are probably sleeping.’ I tell people they’re doing a great job. You try to encourage people.”
Through his 35 years of running the Turkey Trot, Cane has come to dislike slush over very cold temperatures. The worst part about slush is that your feet get wet and can never get warm again. Cold temperatures just mean adding layers.
His favorite part of the course is “when you hit North Street and it’s all downhill,” Cane said. “That’s the best part. The crowds get thicker toward the end of the race, too, and that’s a great feeling.”
Races within a race
The third annual Santa Dash 5K on Dec. 7 is offering a different twist this year. Along with the usual route and awards for the top three finishers in 15 age categories, the race will have two interesting trophies to present.
First up is the Doughnut Cup Challenge, which will pit police officers from various law enforcement agencies. The winners claim the Doughnut Cup Trophy for a year.
Second is the First Responder Challenge, which will include Fire, EMTs and medical professionals.
The race benefits the Niagara Police Athletic League.
For additional information go to www.niagarapal.com, call PAL at<PHONE_NUMBER> or e-mail<EMAIL_ADDRESS>Marathon adds fund-raiser
The Buffalo Marathon has announced a program for Heart to Heart Fundraisers in which runners can run the half marathon or full marathon for $25 if they pledge to raise at least $500 for cardiac cancer research. Proceeds will go to the Kaleida Health Foundation to benefit the cardiac programs at Buffalo General Medical Center/Gates Vascular Institute, according to a news release.
Fundraisers will be provided a personal page to accept donations and a custom heart to heart shirt and can win prizes for reaching certain fundraising levels.
The half marathon is May 23 and the full marathon is May 24. To register and for more information, visit https://buffalomarathon.org/.
Race Calendar
Thursday, Nov. 28
- 124th Annual YMCA Turkey Trot, 8K, 9 a.m., Delaware Avenue YMCA, 2564 Delaware Ave.
Saturday, Nov. 30
- Home For The Holidays, 5K, 9 a.m., Orleans County YMCA, 306 Pearl St., Medina.
- Tacky Sweater Run, 5K, 9 a.m., Palace Theater, 2 East Ave., Lockport.
Saturday, Dec. 7
- Niagara PAL Santa Dash, 5K, 9 a.m., Sheraton At The Falls, 300 Third St., Niagara Falls.
- Holly Jolly, 5K, 10 a.m., The Orchard Fresh Plaza, 4050 N. Buffalo St., Orchard Park.
Saturday, Dec. 21
- Caroler 5K Run, 9 a.m., The Irishman Pub & Eatery, 162 Main St., East Aurora.
- Holiday 5K at Old Fort Niagara, 11 a.m., Fort Niagara State Park, Youngstown.
Tuesday, Dec. 31
- New Year's Eve 5K, noon, Fort Niagara State Park, Youngstown.


interface Callback
Interface to be implemented by either the parent fragment of the dialog, the target fragment or the parent activity. If none of these implements it, there won't be any callback.
onRecurrenceCustomClicked |
Called if the "Custom..." item is selected in the list. This is a good place to show the recurrence picker. abstract fun onRecurrenceCustomClicked(): Unit |
onRecurrenceListDialogCancelled |
Called if the recurrence list dialog is cancelled, either by a click outside or by a back press. open fun onRecurrenceListDialogCancelled(): Unit |
onRecurrencePresetSelected |
Called if a recurrence preset is selected in the list. abstract fun onRecurrencePresetSelected(recurrence: Recurrence): Unit |


I am experienced in UI development to provide a responsive high level web applications. Iterative approaches to corporate strategy foster collaborative thinking to further the overall value proposition.
• As the sole UI developer converted UX design templates to responsive UI in a limited period of few days, which saved the team time and resources.
• Coordinated between design, development, and business teams for conflict resolution by coming up with technical solutions accepted by all departments.
• Added features to an existing mobile app using Xamarin and enhanced its performance by 30%.
• Initiated to work on JIRA administration and managing agile methodology in every team.
• Added product features using C and C++, which led to an improvement in performance by 20%.
• Unit testing and inspection of the whole product build garnered a commendable feedback from clients.
• Developed products for ‘Building Technologies’ department and my internship converted to a full-time job
GPA: 3.78
8.57/10
Worked as a Team Leader in Marketing and Finance in a small scale startup known as ‘Pinnacle’ which was supported by SRM University. Several technical events were conducted under this startup. Have Experience of working as a committee head in our college’s technical fest known as ‘Aaruush’. I had worked under the startup domain leading the event towards success with a huge footfall. Was a part of this fest for 3 consecutive years.
Apart from Achieving a balance in life by practicing yoga as a healthy body creates a healthy mind leading to better decision-making. I also like indulging in dance and Zumba sessions to keep me pumped up.


GORILLAS IN THE MIST A film review by Michael Soukup Copyright 1988 Michael Soukup
GORILLAS IN THE MIST Director: Michael Apted Cast: Sigourney Weaver, Bryan Browne, Julie Harris Rating: * 1/2
GORILLAS IN THE MIST unfortunately draws its style from its many Hollywood "biopic" predecessors. It's earnest, straightforward, and without much point. Indeed, the filmmakers have dragged out the hoary old devices of a love interest, the faithful servant, and the wizened older-woman-as-advice-giver. The film is almost painful in its predictability.
The film opens with Dian Fossey (Sigourney Weaver) rushing in to catch the last of a speech by Dr. Louis Leaky (read "exposition"). She, of course, is single-minded (read "character development") in her attempts to corner Leaky and talk with him about going to Africa to study the near extinct mountain gorilla. After two seconds of hesitation (suspense!), he agrees. From them on we get several standard episodes that could be borrowed from nearly any "adventure" movie script. Dian arrives in Africa. See naive Dian overloaded with luggage (comedy!). See determined Dian patiently track the elusive gorillas. See Dian get discouraged and consider giving it all up only to be talked out of it by the "Wizened Older Woman." The film continues in this vein but without any real insight into Fossey, her work, or what her work might have meant. The audience can take nothing away with them. The film indicts itself on this score when it has to insert a title card at the end explaining the importance of Fossey's work. If it has to be explained, the film doesn't seem to have accomplished much. This is biography solely as entertainment--and even then pretty pallid entertainment.
I don't mean to imply that this film is inept. It certainly is not. Indeed, the "gorilla effects" by Rick Baker are more than convincing. [Most of the gorillas, however, are real. -Moderator] The acting, too, is generally good. Michael Apted is certainly a capable director (AGATHA, COAL MINER'S DAUGHTER) but the entire package is limp and lacking in imagination and energy. For a cinematic biography that really soars, rent Alex Cox's SID & NANCY one more time.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


Archived page - for new setup overview see home energy monitor build step 5
Emoncms overview
Create an account
Emoncms has multi-user functionality built in, so the first step after installation is to create/register your account via the GUI.
Inputs, input processing and feeds
There are 3 parts to the flow of sensing data in emoncms. Rather than just log incoming data straight away, the idea is to have the option to process this input data as it comes in and then log/store it.
- Inputs
- Input processing
- Feeds
At the moment using input processing you can:
- Multiply the input by a scalar
- Add an offset
- Multiply the input with another input
- log the input to a feed
- convert a power input to kwh per day and log to a feed
- convert a kwh increment to kwh per day
and log to a feed - count the length of time an input is 1 or 0 per day (useful for counting the length of time a solar HW pump is on for)
- convert accumulated kwh updates to kwh per day and log to a feed
See full input processing descriptions here.
1) Sending a JSON string
The first step is to send some data to emoncms, this is done by sending a HTTP request with the data in the url to the emoncms API. For example:
emoncms/api/post?apikey=YOURAPIKEY&json={power:200.2}
The data needs to be sent in json form with a tag for the variable you want to send and the variable value, for example: {testA:200} or 2 variables {testA:200,testB:400} and so on for as many variables as you want to send.
You also need to include your apikey that can be found at the top of your feeds page.
Try copying the example URL at the top of the feeds page into your browser to see this stage in action.
2) The variables should now appear in inputs:
3) Click on the arrow to bring up the input configuration box.
Lets create a log of the input (a feed). Click on the drop down menu and select log and in the arg edit box enter a name for the log you would like to create. Then click add.
4) The feed should now appear in the feeds list and the data will be logging.
5) Standard Visualisations
Once you have been logging for a little while, click on the drop down menu to see your feed visualised. The following options are available:
These visualisations can also be embedded outside of emoncms using the embedd link.
6) Get at your data for external use via the API using the following API call:
emoncms/api/getfeed?apikey=YOURAPIKEY&feedid= &start= &end= &resolution=
Re: Emoncms overview
Hello Tristian,
when I try to insert a feed (fe your test):
http://localhost/emoncms/api/api.php?apikey=f16aa42df1d43bd7f940c1c661294b93&json={testA:200,testB:400}
Thanks
Re: Emoncms overview
Aha, could the problem be the script name api.php, can you change it to post.php and see what happens. I did leave the old file name link in there by mistake and have fixed since.
Re: Emoncms overview
indeed. so simple. Thanks for the quick response
Re: Emoncms overview
Hi Trystan:
I tried to configure a new feeds from inputs. First the page show two errors at any time:
Notice: Undefined variable: out
C:\wamp2\www\emoncms\components\feedComponent\feedComponent.php on line 145
Notice: Undefined variable: input in
C:\wamp2\www\emoncms\components\feedComponent\feedComponent.php on line 146
I think I have some wrong configuration.
The page seem to be ok (forgeting the errors) until I append the second Feed (when I have only one feed there isn't problem), then the feed page in step 2 don`t do anything and erease the feed selected from step 1.
I think this error is related to $input variable. But I haven`t idea where is the real problem.
Thanks.
Luis
Re: Emoncms overview
Hey Luis
Thanks for doing this bug flagging! I see the first problem with undefined variables. The quick fix is to remove the variable:
$input in $out .= '
2) Input Configuration: '.$input.'
';
I will make a list of these changed that I will fix the next update, but that particular line is not your real problem and as you say the page works skipping that notice.
I will look at the main problem now
Trystan
Re: Emoncms overview
I've just re-tried feed creation here and it seems to work fine.
When you tried the API url did you see both testA and testB in the input list?
Then when you click on the > button for testA you entered for log say: nameA. Did this created a feed called nameA?
Then when you click on the > button for testB you entered for log say: nameB. What exactly happened at this point, did feed nameA just disappear?
Thanks, Trystan
Re: Emoncms overview
Hi Trystan:
When I tried the API url I see testA, testB, and 3 sensor that I have connected to Arduino board.I send data from python script this way:
data = {'Tint':float(sensores[0]),'Text':sensores[1],'HR':sensores[2]}
base_url =
'http://<IP_ADDRESS>/emoncms/api/api.php?json='+json.dumps(data,separators=(',',':'))
f = urllib2.urlopen(base_url)
Then, when I click on the > button for HR and enter for log "HR sensor" . This create a feed called HR sensor and all is OK.
Then, when I click on the > button for testA (or other sensor) and enter for log "nameA", the page reload, feed nameA isn't created and I see the page with list of sensors, and only one feed "HR sensor".
Re: Emoncms overview
Hmm, interesting, I wonder if this is a browser compatibility issue or something of that sort, Glyn tried creating a feed the other day but had trouble and then when I tried on my computer it was fine, I will try a couple of different browsers and on windows see if we can shed any light on this.
Re: Emoncms overview
Aha! I get the problem in chrome and internet explorer on windows, so that must be it! Now I wonder how to fix it...
Re: Emoncms overview
Yes, it works on Mozilla Firefox over Windows 7. But not in Chrome.


Nice To Know
IT
Web
Cloud Services
Infrastructure aaS
Amazon Web Services
EC2
Elastic Beanstalk
Lamda
Google Cloud Engine
IBM Cloud
Microsoft Azure
OpenStack
Platform aaS
DEIS
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(
http://reinvent-hripps.rhcloud.com/#/6
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| Author | Jos de Jong, Almende B.V. |
| Webpage | Chap Links Library |
| License | Apache License, Version 2.0 |
The Timeline is an interactive visualization chart to visualize events in time. The events can take place on a single date, or have a start and end date (a range). You can freely move and zoom in the timeline by dragging and scrolling in the Timeline. Events can be created, edited, and deleted in the timeline. The time scale on the axis is adjusted automatically, and supports scales ranging from milliseconds to years.
When the timeline is defined as editable, events can be moved to another time by dragging them. By double clicking, the contents of an event can be changed. An event can be deleted by clicking the delete button on the upper right. A new event can be added in different ways: by double clicking in the timeline, or by keeping the Ctrl key down and clicking or dragging in the timeline, or by clicking the add button in the upper left of the timeline, and then clicking or dragging at the right location in the timeline.
The Timeline is developed as a Google Visualization Chart in javascript. It runs in every browser without additional requirements. There is a GWT wrapper available to use the Timeline in GWT (Google Web Toolkit), you can find relevant documentation here.
The Timeline is designed to display up to 1000 events smoothly on any modern browser.
Here a timeline example. Click and drag to move the timeline, scroll to zoom the timeline.
More examples can be found in the examples directory.
  <title>Timeline demo</title>    <link rel="stylesheet" type="text/css" href="../timeline.css">

To load the Timeline, download the file
timeline.zip
and unzip it in a sub directory timeline on your html page.
Include the two downloaded files (timeline.js and timeline.css) in the head of your html code.
When you use a Google DataTable for providing the data,
the Google API must be included too.
Note that the Google API is only available online, so it is not possible
to use it in an offline application.
  <link rel="stylesheet" type="text/css" href="timeline/timeline.css">
When the Google API is used, the google visualization tools needs to be loaded. This is not needed when using a JSON Array as data type.
google.load("visualization", "1"); google.setOnLoadCallback(drawTimeline); function drawTimeline() { // load data and create the timeline here }The class name of the Timeline is
links.Timeline
var timeline = new links.Timeline(container);After being loaded, the timeline can be drawn via the method
draw
,
provided with data and options.
timeline.draw(data, options);
where data is a DataTable
or a JSON Array
,
and options is a name-value map in the JSON format.
The Timeline stores a link to the original data table, and applies changes
made from within the Timeline to this data table.
When the data table is changed externally, the Timeline can be updated by executing
redraw()
. The Timeline can be linked to an other/new table
via draw(data)
(without providing options).
When the website layout has been changed or resized, use checkResize()
to update the size of the timeline.
The Timeline supports two data types: a JSON Array or a Google DataTable.
The Timeline supports a JSON Array as data format. The Array must contain
JSON Objects with fields start
, end
(optional),
content
, group
(optional), and
className
(optional).
When JSON is used as data format (instead of Google DataTable), the
Timeline can be used offline.
A table is constructed as:
var data = []; data.push({ 'start': new Date(2010, 7, 15), 'end': new Date(2010, 8, 2), // end is optional 'content': 'Trajectory A' // Optional: a parameter 'group' // Optional: a parameter 'className' });
The Timeline requires a data table with three or optionally four columns. It is possible to use a Google DataTable or DataView, and the data can be queried from an external data source using Google Query. Note that the needed Google API is only available online and cannot be downloaded for offline usage.
A table is constructed as:
var data = new google.visualization.DataTable(); data.addColumn('datetime', 'start'); data.addColumn('datetime', 'end'); data.addColumn('string', 'content'); // Optional: a column 'group' // Optional: a column 'className' data.addRow([new Date(2010,7,15), new Date(2010,8,2), "Trajectory A"]); // ...
The fields are defined as:
| Name | Type | Required | Description |
|---|---|---|---|
| start | Date | yes | The start date of the event, for example new Date(2010,09,23) . |
| end | Date | no | The end date of the event. The end date is optional, and can be left null .
If end date is provided, the event is displayed as a range.
If not, the event is displayed as a box. |
| content | String | yes | The contents of the event. This can be plain text or html code. |
| group | any type | no | This column is optional. When the group column is provided,
all events with the same group are placed on one line.
A vertical axis is displayed showing the groups.
Grouping events can be useful for example when showing availability of multiple
people, rooms, or other resources next to each other. If none of the events has a group, the events will be drawn on top of the horizontal axis. When events overlap each other, the will be stacked automatically. |
| className | String | no | This column is optional. A className can be used to give events
and individual css style. For example, when an event has className
'red', one can define a css style
.red {
background-color: red;
border-color: dark-red;
}
.
Depending on how you apply your css styles, it may be needed to
(re)define the style for selected events
(class timeline-event-selected ).
More details on how to style events can be found in the section
Styles.
|
Options can be used to customize the timeline. Options are defined as a JSON object. All options are optional.
var options = { "width": "100%", "height": "auto", "style": "box", "editable": true };
The following options are available.
| Name | Type | Default | Description |
|---|---|---|---|
| animate | boolean | true | When true, events are moved animated when resizing or moving them. This is very pleasing for the eye, but does require more computational power. |
| animateZoom | boolean | true | When true, events are moved animated when zooming the Timeline. This looks cool, but does require more computational power. |
| axisOnTop | boolean | false | If false (default), the horizontal axis is drawn at the bottom. If true, the axis is drawn on top. |
| box.align | String | "center" | Alignment of items with style "box". Available values are "center" (default), "left", or "right"). |
| dragAreaWidth | Number | 10 | The width of the drag areas in pixels. When an event range is selected, it has a drag area on the left and right side, with which the start or end time of the even can be manipulated. |
| editable | boolean | false | If true, the events can be edited, created and deleted.
Events can only be editable when th option selectable is true
(default). When editable is true, the Timeline can fire events
change , edit , add , delete .
|
| end | Date | none | The initial end date for the axis of the timeline. If not provided, the latest date present in the events is taken as end date. |
| eventMargin | int | 10 | The minimal margin in pixels between events. |
| eventMarginAxis | int | 10 | The minimal margin in pixels between events and the horizontal axis. |
| groupsChangeable | boolean | true | If true (default), items can be moved from one group to another. Only applicable when groups are used. |
| groupsOnRight | boolean | false | If false, the groups legend is drawn at the left side of the timeline. If true, the groups legend is drawn on the right side. |
| groupsWidth | string | none | By default, the width of the groups legend is adjusted to the group names. A fixed width can be set for the groups legend by specifying the groupsWidth as a string, for example "200px". |
| height | string | "auto" | The height of the timeline in pixels, as a percentage, or "auto".
When the height is set to "auto", the height of the timeline is automatically
adjusted to fit the contents. If not, it is possible that events get stacked
so high, that they are not visible in the timeline.
When height is set to "auto", a minimum height can be specified with the
option minHeight .
|
| intervalMax | Number |<PHONE_NUMBER>00000 | Set a maximum interval for the visible range in milliseconds. It will not be possible to zoom out further than this maximum. Default value equals about 10000 years. |
| intervalMin | Number | 10 | Set a minimum interval for the visible range in milliseconds. It will not be possible to zoom in further than this minimum. |
| max | Date | none | Set a maximum Date for the visible range. It will not be possible to move beyond this maximum. |
| min | Date | none | Set a minimum Date for the visible range. It will not be possible to move beyond this minimum. |
| minHeight | Number | 0 | Specifies a minimum height for the Timeline in pixels.
Useful when height is set to "auto" .
|
| moveable | boolean | true | If true, the timeline is movable.
When the timeline moved, the rangechange events are fired.
|
| scale | links.StepDate.SCALE | none | Set a custom scale. Automatic scaling will be disabled.
Both options scale and step must be set.
For example scale=SCALE.MINUTES and step=5 will result in minor steps of
5 minutes, and major steps of an hour.
Available scales: MILLISECOND , SECOND ,
MINUTE , HOUR , DAY , MONTH ,
YEAR . As step size, choose for example 1, 2, 5, or 10.
|
| selectable | boolean | true | If true, the events on the timeline are selectable.
When an event is selected, the select event is fired.
|
| snapEvents | boolean | true | If true, the start and end of an event will be snapped nice integer values when moving or resizing the event. |
| stackEvents | boolean | true | If true, the events are stacked above each other to prevent overlapping events. This option cannot be used in combination with grouped events. |
| start | Date | none | The initial start date for the axis of the timeline. If not provided, the earliest date present in the events is taken as start date. |
| step | number | none | See option scale .
|
| style | string | "box" | Specifies the style for the timeline events. Choose from "dot" or "box". Note that the content of the events may contain additional html formatting. |
| showCurrentTime | boolean | true | If true, the timeline shows a red, vertical line displaying the current
time. This time can be synchronized with a server via the method
setCurrentTime . |
| showCustomTime | boolean | false | If true, the timeline shows a blue vertical line displaying a custom time. This line can be dragged by the user. The custom time can be utilized to show a state in the past or in the future. When the custom time bar is dragged by the user, an event is triggered, on which the contents of the timeline can be changed in to the state at that moment in time. |
| showMajorLabels | boolean | true | By default, the timeline shows both minor and major date labels on the
horizontal axis.
For example the minor labels show minutes and the major labels show hours.
When showMajorLabels is false , no major labels
are shown. |
| showMinorLabels | boolean | true | By default, the timeline shows both minor and major date labels on the
horizontal axis.
For example the minor labels show minutes and the major labels show hours.
When showMinorLabels is false , no minor labels
are shown. When both showMajorLabels and
showMinorLabels are false, no horizontal axis will be
visible. |
| showNavigation | boolean | false | Show a navigation menu with buttons to move and zoom the timeline. |
| zoomable | boolean | true | If true, the timeline is zoomable.
When the timeline is zoomed, the rangechange event is fired.
|
| width | string | "100%" | The width of the timeline in pixels or as a percentage. |
The Timeline supports the following methods.
| Method | Return Type | Description |
|---|---|---|
| addItem(properties) | none | Add an item to the Timeline.
The provided parameter properties is an Object,
containing parameters start (Date), end (Date),
content (String), group (String).
Parameters end and group are optional.
|
| cancelAdd() | none | An add event can be canceled by calling the method
cancelAdd from within an event listener that listens for
add events. This is useful when additions need to be approved.
|
| cancelChange() | none | A change event can be canceled by calling the method
cancelChange from within an event listener that listens for
change events. This is useful when changes need to be approved.
|
| cancelDelete() | none | A delete event can be canceled by calling the method
cancelDelete from within an event listener that listens for
delete events. This is useful when deletions need to be
approved.
|
| changeItem(index, properties) | none | Change properties of an existing item in the Timeline.
index (Number) is the index of the item.
The provided parameter properties is an Object,
and can contain parameters start (Date), end (Date),
content (String), group (String).
|
| checkResize() | none | Check if the timeline container is resized, and if so, resize the timeline. Useful when the webpage is resized. |
| deleteAllItems() | none | Delete all items from the timeline. |
| deleteItem(index) | none | Delete an existing item.
index (Number) is the index of the item.
|
| draw(data, options) | none | Loads data, sets options, adjusts the visible range,
and lastly (re)draws the Timeline.
data is a Google DataTable or a JSON Array.
options is an (optional) JSON Object containing values for options.
|
| getCustomTime() | Date | Retrieve the custom time.
Only applicable when the option showCustomTime is true.
time is a Date object.
|
| getData() | Google DataTable or JSON Array | Retrieve the current datatable from the Timeline. |
| getItem(index) | Object | Retrieve the properties of a single item. The returned object can
contain parameters start (Date), end (Date),
content (String), group (String). |
| getSelection() | Array of selection elements | Standard getSelection() implementation.
Returns an array with one or multiple selections. Each selection contains
the property row .
|
| getVisibleChartRange() | An object with start and end properties |
Returns an object with start and end properties,
which each one of them is a Date object,
representing the currently visible time range. |
| redraw() | none | Redraw the timeline. Reloads the (linked) data table and redraws the timeline when resized. See also the method checkResize. |
| setAutoScale(enable) | none | Enable or disable autoscaling.
If enable true or not defined, autoscaling is enabled.
If false, autoscaling is disabled.
|
| setCurrentTime(time) | none | Adjust the current time of the timeline. This can for example be
changed to match the time of a server or a time offset of another time zone.
time is a Date object.
|
| setCustomTime(time) | none | Adjust the custom time in the timeline.
Only applicable when the option showCustomTime is true.
time is a Date object.
|
| setData(data) | none | Set new data in the Timeline. All settings (such as visible range) stay
unchanged, and the timeline must be redrawn afterwards with the method
redraw .
data is a Google DataTable object or a JSON Array.
|
| setSelection(selection) | none | Standard setSelection(selection) implementation.
selection is an array with selection elements. The timeline
accepts only one selection element, which must have the property row .
The visible chart range will be moved such that the selected event is placed in the middle.
To unselect all items, use set selection with an empty array.
Example usage: timeline.setSelection([{row: 3}]); .
|
| setSize(width, height) | none | Parameters width and height are strings,
containing a new size for the timeline. Size can be provided in pixels
or in percentages. |
| setScale(scale, step) | none | Set a custom scale. Automatic scaling will be disabled.
For example setScale(SCALE.MINUTES, 5) will result in minor steps of
5 minutes, and major steps of an hour.
Available scales: MILLISECOND , SECOND ,
MINUTE , HOUR , DAY , MONTH ,
YEAR . As step size, choose for example 1, 2, 5, or 10.
|
| setVisibleChartRange(start, end) | none | Sets the visible range (zoom) to the specified range. Accepts two parameters of type Date that represent the first and last times of the wanted selected visible range. Set start to null to include everything from the earliest date to end; set end to null to include everything from start to the last date. |
| setVisibleChartRangeNow() | none | Move the visible range such that the current time is located in the
center of the timeline. This method does not trigger a
rangechange event. |
| setVisibleChartRangeAuto() | none | Adjust the visible time range such that all events are visible. |
The Timeline fires events after an event is selected, the visible range changed, or when an event is changed. The events can be cached by creating a listener. Listeners can be registered using the event messages from the Google API or event messages from the CHAP Links library.
Here an example on how to catch a select
event.
function onselect() { var sel = mytimeline.getSelection(); if (sel.length) { if (sel[0].row != undefined) { var row = sel[0].row; document.title = "event " + row + " selected"; } } } google.visualization.events.addListener(mytimeline, 'select', onselect); // Or, when not using the Google API: // links.events.addListener(mytimeline, 'select', onselect);
The following events are available.
| name | Description | Properties |
|---|---|---|
| add | An event is about the be added.
Fired after the user has clicked the button "Add event" and created a new
event by clicking or moving an event into the Timeline.
The selected row can be retrieved via the method getSelection ,
and new start and end data can be read in the according row in the data table.
The add event can be canceled by calling the method
cancelAdd from within the event listener. This is useful
when additions need to be approved.
|
none |
| change | The properties of an event changed.
Fired after the user modified the start date or end date of an event
by moving (dragging) the event in the Timeline.
The selected row can be retrieved via the method getSelection ,
and new start and end data can be read in the according row in the data table.
The change event can be canceled by calling the method
cancelChange from within the event listener. This is useful
when changes need to be approved.
|
none |
| edit | An event is about to be edited.
This event is fired when the user double clicks on an event.
The selected row can be retrieved via the method getSelection .
|
none |
| delete | An event is about to be deleted.
Fired after the user clicked the "Delete Event" button on the right of
an event.
The selected row can be retrieved via the method getSelection ,
and new start and end data can be read in the according row in the data table.
The delete event can be canceled by calling the method
cancelDelete from within the event listener. This is useful
when deletions need to be approved.
|
none |
| rangechange | Visible range is changing. Fired repeatedly while the user is modifying
the visible time by moving (dragging) the timeline, or by zooming (scrolling),
but not after a call to setVisibleChartRange or
setRangeToCurrentTime methods.
The new range can be retrieved by calling getVisibleChartRange
method. |
|
| rangechanged | Visible range has been changed. Fired once after the user has modified
the visible time by moving (dragging) the timeline, or by zooming (scrolling),
but not after a call to setVisibleChartRange or
setRangeToCurrentTime methods.
The new range can be retrieved by calling getVisibleChartRange
method. |
|
| ready | The chart is ready for external method calls. If you want to interact with the chart, and call methods after you draw it, you should set up a listener for this event before you call the draw method, and call them only after the event was fired. | none |
| select | When the user clicks on an event on the timeline,
the corresponding row in the data table is selected.
The visualization then fires this event.
The selected row can be retrieved via the method getSelection .
|
none |
| timechange | The custom time bar is changing. Fired repeatedly when the user is
dragging the blue custom time bar, but not after a call to the
setCustomTime method.
The new custom time can be retrieved by calling getCustomTime
method. |
|
| timechanged | The custom time bar has been changed. Fired once after the user has
dragged the blue custom time bar, but not after a call to the
setCustomTime method. The new custom time can be retrieved by
calling getCustomTime method. |
|
All parts of the Timeline have a class name and a default css style. The styles can be overwritten, which enables full customization of the layout of the Timeline.
For example, to change the border and background color of all events, include the following code inside the head of your html code or in a separate stylesheet.

The events of type box
, range
, and dot
have the following structure.
| Class name | Description | Default style |
|---|---|---|
| div.timeline-frame | The frame contains the canvas. It determines the size and the border of the Timeline. |
border: 1px solid #BEBEBE; overflow: hidden; |
| div.timeline-axis | A horizontal line forms the axis. |
border-color: #BEBEBE; border-width: 1px; border-top-style: solid; |
| div.timeline-axis-grid | The axis has a horizontal grid. |
border-left-style: solid; border-width: 1px; |
| div.timeline-axis-grid-minor | The axis has two grid lines: minor and major. When the scale is in days, each day gets a minor grid line, and each month a major grid line. |
border-color: #e5e5e5; |
| div.timeline-axis-grid-major | See div.timeline-axis-grid-major |
border-color: #bfbfbf; |
| div.timeline-axis-text | Both div.timeline-axis-text-minor and div.timeline-axis-text-major have
also the class div.timeline-axis-text . Use this class to set font styles
for both classes at once. |
color: #4D4D4D; padding: 3px; white-space: nowrap; |
| div.timeline-axis-text-minor | The axis has two grid types: minor and major. When the scale is in days, each day gets a minor text, and each month a major text. | |
| div.timeline-axis-text-major | See div.timeline-axis-text-minor |
|
| div.timeline-event | All different events (box, dot, range, line) have the class div.timeline-event. Use this class for example to set background and foreground colors. |
color: #1A1A1A; border-color: #97B0F8; background-color: #D5DDF6; |
| div.timeline-event-selected | All different events (box, dot, range, line) get the class div.timeline-event-selected when they are currently selected. Use this class to visually show the currently selected event. |
border-color: #FFC200; background-color: #FFF785; z-index: 999; |
| div.timeline-event-box | By default (option style="box"), events with only a start-date are drawn as a Box, having this class name. |
text-align: center; border-style: solid; border-width: 1px; border-radius: 5px; -moz-border-radius: 5px; |
| div.timeline-event-dot | Divs with the class div.timeline-event-dot are used
when the option style="dot" is used: a dot is drawn left from the event text.
Dots are also drawn with style="box", to draw the dot at the axis below each event. |
border-style: solid; border-width: 5px; border-radius: 5px; -moz-border-radius: 5px; |
| div.timeline-event-range | A range is drawn when an event has both start date and end date provided. |
border-width: 1px; border-style: solid; border-radius: 2px; -moz-border-radius: 2px; |
| div.timeline-event-range-drag-left | Drag area on the left side of the range |
cursor: w-resize; z-index: 1000; |
| div.timeline-event-range-drag-right | Drag area on the right side of the range |
cursor: e-resize; z-index: 1000; |
| div.timeline-event-line | When option style="box" is used (the default value), each event
is drawn as a box with a vertical line towards the axis. This line has the
class div.timeline-event-line . |
border-left-width: 1px; border-left-style: solid; |
| div.timeline-event-content | Each events from class box, dot, and range contain a div with class
div.timeline-event-content . This class contains the text of the event. |
margin: 5px; white-space: nowrap; overflow: hidden; |
| div.timeline-groups-axis | The right border of the vertical axis showing the different event groups. |
border-color: #BEBEBE; border-width: 1px; |
| div.timeline-groups-text | The text labels of the event groups on the vertical axis. |
color: #4D4D4D; padding-left: 10px; padding-right: 10px; |
| div.timeline-currenttime | The vertical line showing the current time. |
border-color: #FF7F6E; border-right-width: 2px; border-right-style: solid; |
| div.timeline-navigation | The navigation menu. Only visible when option showNavigation
is true. |
font-family: arial; font-size: 20px; font-weight: bold; color: gray; border: 1px solid #BEBEBE; background-color: #F5F5F5; border-radius: 5px; -moz-border-radius: 5px; |
| div.timeline-navigation-new, div.timeline-navigation-delete, div.timeline-navigation-zoom-in, div.timeline-navigation-zoom-out, div.timeline-navigation-move-left, div.timeline-navigation-move-right | The menu buttons in the navigation menu. You can change the images to your own icon set. |
cursor: pointer; margin: 2px 10px; float: left; text-decoration: none; border-color: #BEBEBE; |
| div.timeline-navigation-new | Menu button to create a new event. |
background: url('img/16/new.png') no-repeat center; |
| div.timeline-navigation-delete | Button to delete a selected event. The button is displayed at the top right of a selected event. |
padding: 0px; padding-left: 5px; background: url('img/16/delete.png') no-repeat center; |
| div.timeline-navigation-zoom-in | Button to zoom in on the timeline. |
background: url('img/16/zoomin.png') no-repeat center; |
| div.timeline-navigation-zoom-out | Button to zoom out on the timeline. |
background: url('img/16/zoomout.png') no-repeat center; |
| div.timeline-navigation-move-left | Button to move the timeline to the right, such that more of the left side of the timeline becomes visible. |
background: url('img/16/moveleft.png') no-repeat center; |
| div.timeline-navigation-move-right | Button to move the timeline to the left, such that more of the right side of the timeline becomes visible. |
background: url('img/16/moveright.png') no-repeat center; |
All code and data are processed and rendered in the browser. No data is sent to any server.


返回主页
贝多芬《欢乐颂》(An die Freude)
升调降调原理（四线谱）
乐谱基本常识
全音和半音（第几品格）
Ukulele各部分名称（2）
Ukulele新手指南
Edelweiss《雪绒花》
天空之城（和弦讲解）
Michael Jackson
We Are The World
"We Are the World" is a song and charity single originally recorded by the supergroup USA for Africa in 1985. It was written by Michael Jackson and Lionel Richie, and produced by Quincy Jones and Michael Omartian for the album We Are the World. With sales in excess of 20 million copies, it is one of the fewer than 30 all-time singles to have sold at least 10 million copies worldwide.
There comes a time when we hear a certain call
When the world must come together as one
There are people dying
And its time to lend a hand to life
The greatest gift of all
We can't go on pretending day by day
That someone, somewhere will soon make a change
We are all a part of God's great big family
And the truth, you know,
Love is all we need
[Chorus]
We are the world, we are the children
We are the ones who make a brighter day
So lets start giving
There's a choice we're making
We're saving our own lives
Its true we'll make a better day
Just you and me
Send them your heart so they'll know that someone cares
And their lives will be stronger and free
As God has shown us by turning stones to bread
So we all must lend a helping hand
[Chorus]
When you're down and out, there seems no hope at all
But if you just believe there's no way we can fall
Let us realize that a change can only come
When we stand together as one
version:1.0<EMAIL_ADDRESS>© retter2012.com


You are assigned to a first-response task after a disaster occurred with a robot teammate.
You have access to the floor plan BEFORE the disaster but it may have changed due to damage incurred by the disaster. For example, some paths may be blocked and only your robot teammate that is working on the scene can sense these changes. So be aware.
In this scenario, your task is to team up with a remote robot that is working on the disaster scene.
The team goal is to search all the marked locations AS FAST AS POSSIBLE and your role is to help the robot by providing high-level
guidance about what the next marked location to visit.
1. To provide your high-level guidance to the robot, click on a room marked with that is unvisited. This informs the robot that is the next room that you think it should visit.
2. After each move, the system asks you a question regarding to action the robot just performed:
Do you think the robot is doing the right thing?
You can change robot's target at any time by clicking on any of the marked rooms. Then the robot will move to visit the new ordered room.
3. The system continues asking you questions until the robot visits all of the marked locations.
Below you can see a sample map with a key for tile types.


Thank you! Your answer has been submitted, and you should get a copy sent to your email address.
If the email has not turned up in the next day (check your spam folder), please let us know at<EMAIL_ADDRESS>Love, Lam & Paul


Tails is a secure operating system that sends all traffic through the Tor network. It is installed and run off of a USB or DVD and is loaded onto RAM. The host computer's disk does not get used. If you need to stay anonymous, this is the OS you use. Edward Snowden and the journalists that worked wth him used it, for example.
Tails is based off of Debian and includes software such as:
A full list of included software can be found here.
Tails is full of counter-surveillance software. When you shutdown Tails, or physically remove the boot device, it will wipe the RAM so that sensitive data cannot be extracted. You can also wipe individual files and/or free space on the system as well and it has a virtual keyboard you can use if you suspect there is a keylogger.
You can get Tails from
If you're installing from Debian, Ubuntu or Mint, your life just got a whole lot easier. You can get the Tails installer which will install Tails on your media of choice. Tails systems installed with the Tails Installer benefit from updates that don't require you to clone another ISO. You will also not need to have 2 USB sticks.
You can create an encrypted persistant storage so you can store data that will remain on each boot. Anything not saved in the Persistant folder is lost when Tails is shutdown. You can configure it by goint to Applications > Tails > Configure Persistant Storage. It will ask you to provide a passphrase and to choose what to store. Personal Data is already enabled and you can choose to activate more options as needed. Everytime you make a change to what the persistant volume saves, you must restart Tails or that anonymous IM account you wanted to save will disappear.
Sometimes, Tails won't boot off the computer. You will need to access your BIOS or UEFI settings. Once you've went there, try:
More in depth details can be found in the installation assistant (at the next card).
Tails has a guide to easily download, verify and install Tails. Just choose your operating system to begin. Also included here is documentation, which can also be found on the desktop of Tails.


Before getting started you should make sure you have a recent version of Node.js and NPM installed. See nodejs.org for installation details. We'll use NPM to set up various tools.
Getting started with Webpack is straightforward. I'll show you how to set up a simple project based on it. As a first step, set a directory for your project and hit npm init
and fill in some answers. That will create a package.json
for you. Don't worry if some fields don't look ok, you can modify those later.
Next you should get Webpack installed. We'll do a local install and save it as a project dependency. This way you can invoke the build anywhere (build server, whatnot). Run npm i webpack --save-dev
. If you want to run the tool, hit node_modules/.bin/webpack
.
Structure your project like this:
In this case we'll create bundle.js
using Webpack based on our /app
. To make this possible, let's set up webpack.config.js
.
In our case a basic configuration could look like this:
webpack.config.js
var path = require('path');
module.exports = {
entry: path.resolve(__dirname, 'app/main.js'),
output: {
path: path.resolve(__dirname, 'build'),
filename: 'bundle.js',
},
};
Now that we have basic configuration in place, we'll need something to build. Let's start with a classic Hello World
type of app. Set up /app
like this:
app/component.js
'use strict';
module.exports = function () {
var element = document.createElement('h1');
element.innerHTML = 'Hello world';
return element;
};
app/main.js
'use strict';
var component = require('./component.js');
document.body.appendChild(component());
Now run webpack
in your terminal and your application will be built. A bundle.js file will appear in your /build
folder. Your index.html file in the build/
folder will need to load up the application.
build/index.html
<!DOCTYPE html>
<html>
<head>
<meta charset="UTF-8"/>
</head>
<body>
<script src="bundle.js"></script>
</body>
</html>
It would be possible to generate this file with Webpack using html-webpack-plugin. You can give it a go if you are feeling adventurous. It is mostly a matter of configuration. Generally this is the way you work with Webpack.
Just double-click the index.html file or set up a web server pointing to the build/
folder.
package.json
scriptsIt can be useful to run build, serve and such commands through npm
. That way you don't have to worry about the technology used in the project. You just invoke the commands. This can be achieved easily by setting up a scripts
section to package.json
.
In this case we can move the build step behind npm run build
like this:
npm i webpack --save
- If you want to install Webpack just a development dependency, you can use --save-dev
. This is handy if you are developing a library and don't want it to depend on the tool (bad idea!).package.json
: "scripts": {
"build": "webpack"
}
To invoke a build, you can hit npm run build
now.
Later on this approach will become more powerful as project complexity grows. You can hide the complexity within scripts
while keeping the interface simple.
The potential problem with this approach is that it can tie you to a Unix environment in case you use environment specific commands. If so, you may want to consider using something environment agnostic, such as gulp-webpack.
Note that NPM will find Webpack.
npm run
adds it to thePATH
temporarily so our simple incantation will work.


Privacy: no personal or usage data is collected or stored
This browser extension does not collect, send or store any usage information at all.
Live preview of documents requires information exchange with Lokalise API:
- stores an API token locally in a browser (removed after when extension is removed or browser data is cleaned),
- collects project params (project ID, filename and target language ID) from the project URL and removes after the tab is closed,
- sends a request via proxy to get a language ISO code from the ID,
- sends a request via proxy to fetch and decompress a document preview.
All data exchanged and received to proxy is encrypted with HTTPS and transferred inside the requrest body only.
No data is stored or cached on the proxy web worker level, see the source code and Cloudflare documentation.


The HTML mixed mode depends on the XML, JavaScript, and CSS modes.
It takes an optional mode configuration option, scriptTypes
, which can be used to add custom behavior for specific <script type="...">
tags. If given, it should hold an array of {matches, mode}
objects, where matches
is a string or regexp that matches the script type, and mode
is either null
, for script types that should stay in HTML mode, or a mode spec corresponding to the mode that should be used for the script.
MIME types defined: text/html
(redefined, only takes effect if you load this parser after the XML parser).


Fill out the fields below and we'll automatically generate a link to create a GitHub issue. All fields are optional.
To learn more about the parameters used to generate this link, see the official documentation.


struct Suzuri::Token
- Suzuri::Token
- Struct
- Value
- Object
Defined in:
suzuri.crInstance Method Summary
-
#payload : Bytes
Returns the decrypted payload as
Bytes
-
#timestamp : Time
Returns the creation timestamp
-
#to_s : String
Returns the decrypted payload as
String


Mobster sentenced for staging robbery, drug distribution
CAMDEN, N.J. (AP) - A man who authorities say is a member of a southern New Jersey/Philadelphia crime family has been sentenced to nearly 13 years in prison for possessing drugs and staging a robbery at a pawnshop.
Salvatore “Sam” Piccolo must also pay $174,025 in restitution as part of the 150-month sentence he received Thursday. The 68-year-old Atlantic City man had pleaded guilty to drug distribution and wire fraud charges.
Federal prosecutors say Piccolo distributed crystal methamphetamine to undercover FBI agents on three separate occasions between June and September 2017. He also admitted that he and an accomplice conspired to commit insurance fraud in April 2014 by staging a robbery at a pawn shop in Union County.
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thRelativeRootPath
The thRelativeRootPath parameter controls a new mechanism for determining the location of (template) files within the structure of a Thymol project.
The default value for thRelativeRootPath is blank (""), setting it's value to non-blank is the indicator for Thymol to use the new relative root path file location mechanism.
The mechanism works like this: normally, a Thymol template must load the "thymol.js" bootstrap script and normally, this script is found in a directory common to all template files within a given Thymol project, the relative root path addressing mechanism exploits this fact to locate the other templates relative to the location of the "thymol.js" script. The actual value given to the thRelativeRootPath parameter specifies the relative path between this script and the effective root directory. Thymol can then append this value to the path to "thymol.js", then append the value of the thPath variable to find the location of other templates files.
If thRelativeRootPath is used, Thymol will attempt to derive the value that would have been used as thRoot to achieve the same resultant root path and sets the thRoot parameter to this value. This thRoot value can then be used in scripts later in the execution flow. This can assist in the migration of existing Thymol scripts from absolute to relative root path styles.
usage
Here is a typical example taken from here:
In the home page (welcome.html), the script tag embodying the "thymol.js" load looks like this:
<script type="text/javascript" src="../../resources/thymol/thymol.js" data-jquery-src="" data-thymol-load="../../resources/thymol/petclinic.js"></script>
In this example, we set:
thRelativeRootPath = "../..";
So that the effective root directory is "main/webapp".
We also set:
thPath = "WEB-INF/thymeleaf";
and:
thMessagePath = "../resources/messages";
Now all the paths to the templates will work as normal,
resources can be found via<EMAIL_ADDRESS>and messages in "main/resources/messages".


title = "experts" url = "/experts" layout = "experts" is_hidden = 0 [photoAlbum] photoPage = "experts-relics" thumbMode = "auto" thumbWidth = 640 thumbHeight = 480 photosOnPage = 20 == {% set album = photoAlbum.album %} {{ album }}
Click on the Relic to view/post comment


{%- extends 'base.html' -%} {%- block content -%}
We are Beautiful ... is a project designed to lift the mystery that surrounds human genitalia. In many cultures and through a lot of human history it has been taboo to look at other human genitalia.
We aim to change this by presenting educational, respectul and representative models of typical humans. You may browse the collection of 3D models and you can even download and print these models on your own 3D printer.
Our goal is to provide educational models that sex educators everywhere can download, print and use in their classes. Also, if you have questions about your own genitalia, have a look at other humans -- we come in many different shapes and sizes.
Click on any model to view the 3D version of it or to download the model. We encourage you to find out more about this project and our team. Also, please consider making a small donation to help cover our operating costs.


{% load static %} {% load humanize %}
| Name: | {{ logged_user.first_name }} {{ logged_user.last_name }} |
|---|---|
| Account balance: | ${{ balance|floatformat:2|intcomma }} |
| Name | Money needed for | Description | Amount needed | Amount raised | Date added | Action |
|---|---|---|---|---|---|---|
| {{ borrower.first_name }} {{ borrower.last_name }} | {{ borrower.need_money_for }} | {{ borrower.description }} | {{ borrower.money }} | {{ borrower.borrowed_amount }} | {{ borrower.created_at|date:'F d, Y h:iA' }} | |
| No open request found |
| Name | Money needed for | Description | Amount needed | Amount raised | Amount lent |
|---|---|---|---|---|---|
| {{ borrower.first_name }} {{ borrower.last_name }} | {{ borrower.need_money_for }} | {{ borrower.description }} | {{ borrower.money }} | {{ borrower.borrowed_amount }} | {{ borrower.amount }} |
| No loans found |


We are very grateful to those who commit time to translating pgAdmin III. Here is the list of translators, ordered by language code:
There are other translations in progress, you can check the current translation status at our Translation status page.


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At Colorado Root Canal Specialist, we take our patients' comfort seriously and provide only the highest quality endodontic care. Whether you need to see us for treatment or refer someone to us, we promise to deliver an experience that exceeds your expectations.
Meet Dr. Robert McBride, DDS
Dr. McBride knows how debilitating tooth pain can be, especially when it affects your daily activities and keeps you from enjoying your life. He has dedicated his entire career to offering people a comfortable solution and treatment when faced with such uncomfortable conditions. His top concern is helping his patients eliminate tooth pain, both now and in the future.
Learn more about Dr. McBride >Services at Colorado Root Canal Specialist
Dr. Robert McBride specializes in root canal treatments, root canal retreatments, and root canal surgeries.
Root Canal Treatment
This simple treatment can save your natural teeth and prevent the need of dental implants or bridges.
Learn more >Root Canal Retreatment
In some cases, a tooth that was treated a long time ago may need to be treated again.
Learn more >Surgical Treatment
Also called an apicoectomy, this is the most common surgery done to save damaged teeth.
Learn more >Our Promise to Our Patients
We place your care as our top priority and promise to provide clear explanations, a safe and comfortable environment, a sound diagnosis, and education on how to prevent potential issues after treatment.
Learn more about our services >What We Offer...
- Location near the Thornton residential area
- Closest location to the Brighton and Reunion communities
- Clear understanding of all treatment options
- A sound diagnosis
- Comfortable care


BHAGWAN KALA KENDRA
Run by Nav Yuvak Parishad
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Rupee slips 11 paise to 71.73 against USD ahead of GDP
by PTIThe Indian rupee opened on a weak note and fell 11 paise to 71.73 against the US dollar in early trade on Friday, as investors traded the cautious path ahead of the release of GDP data.
Forex traders said rupee is trading in a narrow range as investors are also awaiting clarity on the US-China trade front.
At the interbank foreign exchange, the rupee opened at 71.63 then fell to 71.73 against the US dollar, showing a decline of 11 paise over its previous closing.
The Indian rupee on Thursday had closed at 71.62 against the US dollar.
The second-quarter GDP number is scheduled to be announced on Friday.
India's economy grew at 5 per cent in the first quarter of 2019-20 -- the slowest pace in over six years.
Traders said muted opening in domestic equities dragged the local unit, while, easing crude oil prices and sustained foreign fund inflows supported the rupee and restricted the fall.
Meanwhile, brent crude futures, the global oil benchmark, fell 0.41 per cent to USD 63.61 per barrel.
Foreign institutional investors (FIIs) remained net buyers in the capital markets, as they purchased shares worth Rs 1,008.89 crore on Thursday, as per provisional data.
Domestic bourses opened on a cautious note on Friday with benchmark indices Sensex trading 138.95 points down at 40,991.22 and Nifty lower by 41 points at 12,110.15.
The dollar index, which gauges the greenback's strength against a basket of six currencies, fell 0.05 per cent to 98.32.
The 10-year government bond yield was at 6.47 per cent in morning trade.


Uses the vibration motor of the device. This api needs a user interaction like touch or a click, if not returns an error


In general relativity, an event horizon is a boundary in spacetime beyond which events cannot affect an outside observer. In layman's terms, it is defined as "the point of no return", i.e., the point at which the gravitational pull becomes so great as to make escape impossible. An event horizon is most commonly associated with black holes. Light emitted from beyond the event horizon can never reach the outside observer. Likewise, any object approaching the horizon from the observer's side appears to slow down and never quite pass through the horizon, with its image becoming more and more redshifted as time elapses. The traveling object, however, experiences no strange effects and does, in fact, pass through the horizon in a finite amount of proper time.
More specific types of horizon include the related but distinct absolute and apparent horizons found around a black hole. Still other distinct notions include the Cauchy and Killing horizon; the photon spheres and ergospheres of the Kerr solution; particle and cosmological horizons relevant to cosmology; and isolated and dynamical horizons important in current black hole research.
One of the best-known examples of an event horizon derives from general relativity's description of a black hole, a celestial object so massive that no nearby matter or radiation can escape its gravitational field. Often, this is described as the boundary within which the black hole's escape velocity is greater than the speed of light. However, a more accurate description is that within this horizon, all lightlike paths (paths that light could take) and hence all paths in the forward light cones of particles within the horizon, are warped so as to fall farther into the hole. Once a particle is inside the horizon, moving into the hole is as inevitable as moving forward in time, and can actually be thought of as equivalent to doing so, depending on the spacetime coordinate system used.
The surface at the Schwarzschild radius acts as an event horizon in a non-rotating body that fits inside this radius (although a rotating black hole operates slightly differently). The Schwarzschild radius of an object is proportional to its mass. Theoretically, any amount of matter will become a black hole if compressed into a space that fits within its corresponding Schwarzschild radius. For the mass of the Sun this radius is approximately 3 kilometers and for the Earth it is about 9 millimeters. In practice, however, neither the Earth nor the Sun has the necessary mass and therefore the necessary gravitational force, to overcome electron and neutron degeneracy pressure. The minimal mass required for a star to be able to collapse beyond these pressures is the Tolman-Oppenheimer-Volkoff limit, which is approximately three solar masses.
Black hole event horizons are widely misunderstood. Common, although erroneous, is the notion that black holes “vacuum up” material in their neighborhood, where in fact they are no more capable of “seeking out” material to consume than any other gravitational attractor. As with any mass in the universe, matter must come within its gravitational scope for the possibility to exist of capture or consolidation with any other mass. Equally common is the idea that matter can be observed “falling into” a black hole. This is not possible. Astronomers can only detect accretion disks around black holes, where material moves with such speed that friction creates high-energy radiation which can be detected. (Similarly, some matter from these accretion disks is forced out along the axes of spin of the black hole, creating visible jets when these streams interact with matter such as interstellar gas or when they happen to be aimed directly at earth.) Further, relativity dictates that anything approaching an event horizon will, from the point of view of an observer, never actually cross the horizon, but will approach ever more slowly, gaining mass as it does so and, correspondingly, any light it emits will be further and further redshifted.
Wikipedia


If the coke guy put a soda with "Bro" into the front of the vending machine, followed by "Sidekick" and "Better Half", in what order will the machine users receive the cokes?
There are no hints for this question


link
About Me
Hi! I'm Sierra MacLeod, hopeful future graduate of Montana State University. I'm studying computer engineering, and this site documents my projects.
link
About Me
Hi! I'm Sierra MacLeod, hopeful future graduate of Montana State University. I'm studying computer engineering, and this site documents my projects.


Carl Jonas's sudoku solver
Enter start integers (between 1 and 9) in the sudoku board below and press "solve".
Solve
New


Functions | |
| static void | ADC_SetupChannel (const uint8_t ChannelIndex) |
| static void | ADC_DisableChannel (const uint8_t ChannelIndex) |
| static void | ADC_StartReading (const uint16_t MUXMask) |
| static bool | ADC_IsReadingComplete (void) ATTR_WARN_UNUSED_RESULT ATTR_ALWAYS_INLINE |
| static uint16_t | ADC_GetResult (void) ATTR_WARN_UNUSED_RESULT ATTR_ALWAYS_INLINE |
| static uint16_t | ADC_GetChannelReading (const uint16_t MUXMask) ATTR_WARN_UNUSED_RESULT |
| static void | ADC_Init (uint8_t Mode) ATTR_ALWAYS_INLINE |
| static void | ADC_ShutDown (void) ATTR_ALWAYS_INLINE |
| static bool | ADC_GetStatus (void) ATTR_WARN_UNUSED_RESULT ATTR_ALWAYS_INLINE |
ADC Reference Configuration Masks | |
| #define | ADC_REFERENCE_AREF 0 |
| #define | ADC_REFERENCE_AVCC (1 << REFS0) |
| #define | ADC_REFERENCE_INT2560MV ((1 << REFS1) | (1 << REFS0)) |
ADC Result Adjustment Configuration Masks | |
| #define | ADC_LEFT_ADJUSTED (1 << ADLAR) |
| #define | ADC_RIGHT_ADJUSTED (0 << ADLAR) |
ADC Mode Configuration Masks | |
| #define | ADC_FREE_RUNNING (1 << ADATE) |
| #define | ADC_SINGLE_CONVERSION (0 << ADATE) |
ADC Prescaler Configuration Masks | |
| #define | ADC_PRESCALE_2 (1 << ADPS0) |
| #define | ADC_PRESCALE_4 (1 << ADPS1) |
| #define | ADC_PRESCALE_8 ((1 << ADPS0) | (1 << ADPS1)) |
| #define | ADC_PRESCALE_16 (1 << ADPS2) |
| #define | ADC_PRESCALE_32 ((1 << ADPS2) | (1 << ADPS0)) |
| #define | ADC_PRESCALE_64 ((1 << ADPS2) | (1 << ADPS1)) |
| #define | ADC_PRESCALE_128 ((1 << ADPS2) | (1 << ADPS1) | (1 << ADPS0)) |
ADC MUX Masks | |
| #define | ADC_CHANNEL0 (0x00 << MUX0) |
| #define | ADC_CHANNEL1 (0x01 << MUX0) |
| #define | ADC_CHANNEL4 (0x04 << MUX0) |
| #define | ADC_CHANNEL5 (0x05 << MUX0) |
| #define | ADC_CHANNEL6 (0x06 << MUX0) |
| #define | ADC_CHANNEL7 (0x07 << MUX0) |
| #define | ADC_1100MV_BANDGAP (0x1E << MUX0) |
| #define | ADC_CHANNEL8 ((1 << 8) | (0x00 << MUX0)) |
| #define | ADC_CHANNEL9 ((1 << 8) | (0x01 << MUX0)) |
| #define | ADC_CHANNEL10 ((1 << 8) | (0x02 << MUX0)) |
| #define | ADC_CHANNEL11 ((1 << 8) | (0x03 << MUX0)) |
| #define | ADC_CHANNEL12 ((1 << 8) | (0x04 << MUX0)) |
| #define | ADC_CHANNEL13 ((1 << 8) | (0x05 << MUX0)) |
| #define | ADC_INT_TEMP_SENS ((1 << 8) | (0x07 << MUX0)) |
On-chip Analogue-to-Digital converter (ADC) driver for supported U4, U6 and U7 model AVRs that contain an ADC peripheral internally.
| #define ADC_1100MV_BANDGAP (0x1E << MUX0) |
MUX mask define for the internal 1.1V bandgap channel of the ADC. See ADC_StartReading and ADC_GetChannelReading.
| #define ADC_CHANNEL0 (0x00 << MUX0) |
MUX mask define for the ADC0 channel of the ADC. See ADC_StartReading and ADC_GetChannelReading.
| #define ADC_CHANNEL1 (0x01 << MUX0) |
MUX mask define for the ADC1 channel of the ADC. See ADC_StartReading and ADC_GetChannelReading.
| #define ADC_CHANNEL10 ((1 << 8) | (0x02 << MUX0)) |
MUX mask define for the ADC10 channel of the ADC. See ADC_StartReading and ADC_GetChannelReading.
| #define ADC_CHANNEL11 ((1 << 8) | (0x03 << MUX0)) |
MUX mask define for the ADC11 channel of the ADC. See ADC_StartReading and ADC_GetChannelReading.
| #define ADC_CHANNEL12 ((1 << 8) | (0x04 << MUX0)) |
MUX mask define for the ADC12 channel of the ADC. See ADC_StartReading and ADC_GetChannelReading.
| #define ADC_CHANNEL13 ((1 << 8) | (0x05 << MUX0)) |
MUX mask define for the ADC13 channel of the ADC. See ADC_StartReading and ADC_GetChannelReading.
| #define ADC_CHANNEL4 (0x04 << MUX0) |
MUX mask define for the ADC4 channel of the ADC. See ADC_StartReading and ADC_GetChannelReading.
| #define ADC_CHANNEL5 (0x05 << MUX0) |
MUX mask define for the ADC5 channel of the ADC. See ADC_StartReading and ADC_GetChannelReading.
| #define ADC_CHANNEL6 (0x06 << MUX0) |
MUX mask define for the ADC6 channel of the ADC. See ADC_StartReading and ADC_GetChannelReading.
| #define ADC_CHANNEL7 (0x07 << MUX0) |
MUX mask define for the ADC7 channel of the ADC. See ADC_StartReading and ADC_GetChannelReading.
| #define ADC_CHANNEL8 ((1 << 8) | (0x00 << MUX0)) |
MUX mask define for the ADC8 channel of the ADC. See ADC_StartReading and ADC_GetChannelReading.
| #define ADC_CHANNEL9 ((1 << 8) | (0x01 << MUX0)) |
MUX mask define for the ADC9 channel of the ADC. See ADC_StartReading and ADC_GetChannelReading.
| #define ADC_FREE_RUNNING (1 << ADATE) |
Sets the ADC mode to free running, so that conversions take place continuously as fast as the ADC is capable of at the given input clock speed.
| #define ADC_INT_TEMP_SENS ((1 << 8) | (0x07 << MUX0)) |
MUX mask define for the internal temperature sensor channel of the ADC. See ADC_StartReading and ADC_GetChannelReading.
| #define ADC_LEFT_ADJUSTED (1 << ADLAR) |
Left-adjusts the 10-bit ADC result, so that the upper 8 bits of the value returned by the ADC_GetResult() macro contain the 8 most significant bits of the result.
| #define ADC_PRESCALE_128 ((1 << ADPS2) | (1 << ADPS1) | (1 << ADPS0)) |
Sets the ADC input clock to prescale by a factor of 128 the AVR's system clock.
| #define ADC_PRESCALE_16 (1 << ADPS2) |
Sets the ADC input clock to prescale by a factor of 16 the AVR's system clock.
| #define ADC_PRESCALE_2 (1 << ADPS0) |
Sets the ADC input clock to prescale by a factor of 2 the AVR's system clock.
| #define ADC_PRESCALE_32 ((1 << ADPS2) | (1 << ADPS0)) |
Sets the ADC input clock to prescale by a factor of 32 the AVR's system clock.
| #define ADC_PRESCALE_4 (1 << ADPS1) |
Sets the ADC input clock to prescale by a factor of 4 the AVR's system clock.
| #define ADC_PRESCALE_64 ((1 << ADPS2) | (1 << ADPS1)) |
Sets the ADC input clock to prescale by a factor of 64 the AVR's system clock.
| #define ADC_PRESCALE_8 ((1 << ADPS0) | (1 << ADPS1)) |
Sets the ADC input clock to prescale by a factor of 8 the AVR's system clock.
| #define ADC_REFERENCE_AREF 0 |
Reference mask, for using the voltage present at the AVR's AREF pin for the ADC reference.
| #define ADC_REFERENCE_AVCC (1 << REFS0) |
Reference mask, for using the voltage present at the AVR's AVCC pin for the ADC reference.
| #define ADC_REFERENCE_INT2560MV ((1 << REFS1) | (1 << REFS0)) |
Reference mask, for using the internally generated 2.56V reference voltage as the ADC reference.
| #define ADC_RIGHT_ADJUSTED (0 << ADLAR) |
Right-adjusts the 10-bit ADC result, so that the lower 8 bits of the value returned by the ADC_GetResult() macro contain the 8 least significant bits of the result.
| #define ADC_SINGLE_CONVERSION (0 << ADATE) |
Sets the ADC mode to single conversion, so that only a single conversion will take place before the ADC returns to idle.
| static void ADC_DisableChannel | ( | const uint8_t | ChannelIndex ) | [inline, static] |
De-configures the given ADC channel, re-enabling digital I/O mode instead of analog. This function sets the associated port pin as an input and re-enabled the digital portion of the I/O.
| [in] | ChannelIndex | ADC channel number to set up for conversions. |
| static uint16_t ADC_GetChannelReading | ( | const uint16_t | MUXMask ) | [inline, static] |
Performs a complete single reading from channel, including a polling spin-loop to wait for the conversion to complete, and the returning of the converted value.
| [in] | MUXMask | Mask comprising of an ADC channel mask, reference mask and adjustment mask. |
| static uint16_t ADC_GetResult | ( | void | ) | [inline, static] |
Retrieves the conversion value of the last completed ADC conversion and clears the reading completion flag.
| static bool ADC_GetStatus | ( | void | ) | [inline, static] |
Indicates if the ADC is currently enabled.
| static void ADC_Init | ( | uint8_t | Mode ) | [inline, static] |
Initialises the ADC, ready for conversions. This must be called before any other ADC operations. The "mode" parameter should be a mask comprised of a conversion mode (free running or single) and prescaler masks.
| [in] | Mode | Mask of ADC prescale and mode settings. |
| static bool ADC_IsReadingComplete | ( | void | ) | [inline, static] |
Indicates if the current ADC conversion is completed, or still in progress.
| static void ADC_SetupChannel | ( | const uint8_t | ChannelIndex ) | [inline, static] |
Configures the given ADC channel, ready for ADC conversions. This function sets the associated port pin as an input and disables the digital portion of the I/O to reduce power consumption.
| [in] | ChannelIndex | ADC channel number to set up for conversions. |
| static void ADC_ShutDown | ( | void | ) | [inline, static] |
Turns off the ADC. If this is called, any further ADC operations will require a call to ADC_Init() before the ADC can be used again.
| static void ADC_StartReading | ( | const uint16_t | MUXMask ) | [inline, static] |
Starts the reading of the given channel, but does not wait until the conversion has completed. Once executed, the conversion status can be determined via the ADC_IsReadingComplete() macro and the result read via the ADC_GetResult() macro.
If the ADC has been initialized in free running mode, calling this function once will begin the repeated conversions. If the ADC is in single conversion mode (or the channel to convert from is to be changed), this function must be called each time a conversion is to take place.
| [in] | MUXMask | ADC channel mask, reference mask and adjustment mask. |


---
layout: single
---
Introduction
All my past talks, presentations and workshops, grouped by general topic, oldest first.
{% include /presentations/see-also.html %}
Completed Talks
{% assign relevantTalks = site.data.presentations
| where_exp:'event','event.upcoming != true'
| where_exp:'event','event.category != "Cancelled"'
%}
{% assign categoryGroups = relevantTalks | group_by: "category" %}
{% assign categoryGroupsSorted = categoryGroups | sort: "name" %}
{% include /presentations/completed-presentation-head.html %}
{% for category in categoryGroupsSorted %}
{{ category.name }} |
{% assign talksOldestFirst = category.items | reverse %}
{% for event in talksOldestFirst %}
{% include /presentations/completed-presentation-talk-row.html %}
{% endfor %}
{% endfor %}


location_on
{{restaurant.location | titlecase }}
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With you every day from {{restaurant.startingHours.split(':')[0]}}h to {{restaurant.endingHours.split(':')[0]}}h
fastfood
We offer: {{restaurant.cuisine}}
fastfood
We've been graded:
-
local_florist
Ambient: {{getAmbientGrade()}}
-
local_offer
Hospitability: {{getHospitabilityGrade()}}
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local_bar
Service: {{getServiceGrade()}}
We want to welcome you to {{restaurant.name}}!
{{restaurant.name}} is a restaurant with {{restaurant.ambient | lowercase}} ambient, intertwined with some good
{{restaurant.music | lowercase}} music. We consider {{restaurant.name}} very {{restaurant.priceRange.replace("_", " ") | lowercase}}
place, in terms of price, and we hope that that's what you are looking for.
{{hasSomethingElse()}}


Since the Ancient Greeks invented boxing, the title of World Heavyweight Champion has been highly coveted, and the most prominent image is that of a Scary Black Man from the United States of America.
This archetype can be attributed from several sources, the most famous real life inspiration comes from Mike Tyson, George Foreman and Muhammad Ali, and the most famous fictional example is without question Apollo Creed, presented as the World Heavyweight Champion.
Although it's partially based on that famous boxer, this shouldn't be confused with The Tyson Zone, a trope about crazy things made by a person, based on the things Mike Tyson did outside boxing.
This kind of character can be identified by the following traits
- A boxer, obviously.
- A Scary Black Man and/or Angry Black Man personality.
- A strong Vocal Dissonance, referencing Tyson.
- A Man Bites Man attack referencing Evander Holyfield vs. Mike Tyson II.
- A face tattoo much like Tyson.
- They're Wearing a Flag on Your Head, based on Creed.
- A Casualty in the Ring, another connection to Creed.
Examples:
- In The Great White Hype, James "Grim Reaper" Roper, played by Damon Wayans, is a deliberate parody of Tyson.
- Rocky loves this trope, as a Fighting Series about boxing.
- Apollo Creed, the World Heavyweight Champion practically embodies America, has both an outfit based on the American flag and has a Casualty in the Ring under his belt.
- Clubber Lang from Rocky III is a brutal Jerkass of a boxer played by Mr. T, as a southpaw From Nobody to Nightmare, he acts as an Evil Counterpart to a Rocky himself.
- Mason Dixon from Rocky Balboa is a more modern take on this trope: a successful and dominant heavyweight champion from the 2000s, he has everything (money, friends, women, etc.) except the respect of the people, who see him constantly winning his fights with such ease that they assume his opponents must be hopeless bums. As a result, the only people who seem a fair match for Dixon are the greats of the past, and when a computer simulation shows Dixon losing by KO to a prime Rocky Balboa, Dixon's management sees it as an interesting chance for an exhibition just as Rocky is looking at getting his boxing license back.
- Parodied in Scary Movie 4 in a spoof of Million Dollar Baby. Cindy's (female) opponent is a very obvious black transwoman (played by Mike Tyson himself) who goes around biting every one of her opponents' ears off, including the judge's.
- Inverted in the documentary film When We Were Kings, about the legendary "Rumble in the Jungle" between Muhammad Ali and George Foreman. In Zaire the populace are surprised to find that Foreman is African-American as well.
- H. P.
- Denshi Sentai Denziman and Kagaku Sentai Dynaman both have shots in their openings of their respective team leaders punching out a black boxer in a boxing ring.
- Batman: Arkham Knight has Albert King a.k.a. The Gotham Goliath; a very imposing looking heavyweight boxer and one of the five victims in the game who had been infected by The Joker's tainted blood and gained some of The Joker's aspects, most notably white splotches on his skin and Joker's more violent and sadistic personality traits.
- As the boxing representative, Rob Python from Buriki One is a boxer champion with some bad attitude, but with great fighting skills. Rob has a lot of attitude and doesn't like people who disagree with him, he's also a womanizer and has a lot of tattoos on his body. Rob seems to be modelled after some American boxers as Mike Tyson and George Foreman, as well with some traits of former NBA player Dennis Rodman.
- Crash of the Titans: Tiny Tiger was retooled to have Mike's signature Vocal Dissonance, downplayed as that's the only Tyson trait he has.
- Killer Instinct: T.J. Combo fits the Creed Expy role to a t, a black American who was the former Heavyweight Champion before his sponsor Ultratech outed him for using cybernetic enhancements.
- The King of Fighters: Heavy D! (exclamation point mandatory) is a black boxer who wears the American flag on his jacket sleeve and is quite scary and brash in the ring. Downplayed in that he's a pretty nice person when not in a fight.
- Originally the NES Power Punch II game was supposed to be a sequel of the original Punch-Out!!, also starred by Tyson, but because of the Desiree Washington case, the project was scrapped and instead was renamed and Tyson was replaced by a Captain Ersatz version of Tyson called as Mark Tyler.
- Punch-Out!!: Played straight in the various entries. In the original NES Punch Out, Mike Tyson was your final opponent (until his contract expired), and Mr. Sandman can fit too. In Super Punch Out, Mr. Sandman is back, though he's not your final opponent. However, Mr. Sandman is your final opponent in the Wii and arcade versions.
- Subverted by Doc Louis of the Punch-Out!! series. The African-American former heavyweight champion can seem imposing, but he is actually quite friendly and cheerful.
- Skylanders: While Night Shift doesn't look the part, him biting an opponent in the ring and being banned for an illegal move (that being Teleport Spam) are almost certainly a reference to good ol' iron mike.
- Street Fighter:
- Balrog is a Scary Black Man boxer that takes the biting incident Up to Eleven with an outright Casualty in the Ring, his Japanese name is straight up Mike Bison.
- Averted by Dudley, who is the face of Let's Fight Like Gentlemen for a reason.
- The Simpsons: Semi-recurring character Drederick Tatum, a boxer who has a soft voice, yet is able to intimidate an entire prison into halting a riot just by asking politely.
- The trope may have originated following the 1908 match between Jack Johnson and Tommy Burns. Johnson was a black contender who fought the reigning heavyweight champion Burns. Police stopped the fight - and the cameras - in the 14th round, ostensibly to prevent injury to Burns but more likely to prevent the indignity of seeing a white champion beaten by a black challenger. After Johnsons indisputable victory, news media characterized it as the first blow in an inevitable race war and hyped a great white hope who might defeat Johnson on behalf of the white race. When Johnson then defeated white boxer James Jeffries, humiliated racists began rioting in many places.


{{ partial "sections/teaser3.html" . }} {{ partial "sections/workplace.html" . }} {{ partial "sections/values.html" . }} {{ partial "sections/position.html" . }} {{ partial "sections/footer-circle-white.html" . }}


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Unvierse
the universe is an unimaginable vast space which is mostly empty
Multiverse
according to String theory or M theory,
infinite and identical number of universes exist in parallel
ID
001
002
name
aa
bb
Loopback!


<lcAge>
The <lcAge> provides the age range of the intended learner audience, for use by curriculum developers and course planners.
Category: Learning and training: common content elements


| Class | TZInfo::TimezonePeriod |
| In: |
vendor/rails/activesupport/lib/active_support/vendor/tzinfo-0.3.8/tzinfo/timezone_period.rb
|
| Parent: | Object |
A period of time in a timezone where the same offset from UTC applies.
All the methods that take times accept instances of Time, DateTime or integer timestamps.
| end_transition | [R] | The TimezoneTransitionInfo that defines the end of this TimezonePeriod (may be nil if unbounded). |
| offset | [R] | The TimezoneOffsetInfo for this period. |
| start_transition | [R] | The TimezoneTransitionInfo that defines the start of this TimezonePeriod (may be nil if unbounded). |
Initializes a new TimezonePeriod.
# File vendor/rails/activesupport/lib/active_support/vendor/tzinfo-0.3.8/tzinfo/timezone_period.rb, line 44 44: def initialize(start_transition, end_transition, offset = nil) 45: @start_transition = start_transition 46: @end_transition = end_transition 47: 48: if offset 49: raise ArgumentError, 'Offset specified with transitions' if @start_transition || @end_transition 50: @offset = offset 51: else 52: if @start_transition 53: @offset = @start_transition.offset 54: elsif @end_transition 55: @offset = @end_transition.previous_offset 56: else 57: raise ArgumentError, 'No offset specified and no transitions to determine it from' 58: end 59: end 60: 61: @utc_total_offset_rational = nil 62: end
Returns true if this TimezonePeriod is equal to p. This compares the start_transition, end_transition and offset using ==.
# File vendor/rails/activesupport/lib/active_support/vendor/tzinfo-0.3.8/tzinfo/timezone_period.rb, line 170 170: def ==(p) 171: p.respond_to?(:start_transition) && p.respond_to?(:end_transition) && 172: p.respond_to?(:offset) && start_transition == p.start_transition && 173: end_transition == p.end_transition && offset == p.offset 174: end
The identifier of this period, e.g. "GMT" (Greenwich Mean Time) or "BST" (British Summer Time) for "Europe/London". The returned identifier is a symbol.
# File vendor/rails/activesupport/lib/active_support/vendor/tzinfo-0.3.8/tzinfo/timezone_period.rb, line 79 79: def abbreviation 80: @offset.abbreviation 81: end
true if daylight savings is in effect for this period; otherwise false.
# File vendor/rails/activesupport/lib/active_support/vendor/tzinfo-0.3.8/tzinfo/timezone_period.rb, line 120 120: def dst? 121: @offset.dst? 122: end
Returns true if this TimezonePeriods is equal to p. This compares the start_transition, end_transition and offset using eql?
# File vendor/rails/activesupport/lib/active_support/vendor/tzinfo-0.3.8/tzinfo/timezone_period.rb, line 178 178: def eql?(p) 179: p.respond_to?(:start_transition) && p.respond_to?(:end_transition) && 180: p.respond_to?(:offset) && start_transition.eql?(p.start_transition) && 181: end_transition.eql?(p.end_transition) && offset.eql?(p.offset) 182: end
Returns a hash of this TimezonePeriod.
# File vendor/rails/activesupport/lib/active_support/vendor/tzinfo-0.3.8/tzinfo/timezone_period.rb, line 185 185: def hash 186: result = @start_transition.hash ^ @end_transition.hash 187: result ^= @offset.hash unless @start_transition || @end_transition 188: result 189: end
Returns internal object state as a programmer-readable string.
# File vendor/rails/activesupport/lib/active_support/vendor/tzinfo-0.3.8/tzinfo/timezone_period.rb, line 192 192: def inspect 193: result = "#<#{self.class}: #{<EMAIL_ADDRESS>194: result <<<EMAIL_ADDRESS>unless @start_transition || @end_transition 195: result + '>' 196: end
true if the given local DateTime is after the start of the period (inclusive); otherwise false.
# File vendor/rails/activesupport/lib/active_support/vendor/tzinfo-0.3.8/tzinfo/timezone_period.rb, line 148 148: def local_after_start?(local) 149: !@start_transition || @start_transition.local_start <= local 150: end
true if the given local DateTime is before the end of the period (exclusive); otherwise false.
# File vendor/rails/activesupport/lib/active_support/vendor/tzinfo-0.3.8/tzinfo/timezone_period.rb, line 154 154: def local_before_end?(local) 155: !@end_transition || @end_transition.local_end > local 156: end
The start time of the period in local time as a DateTime. May be nil if unbounded.
# File vendor/rails/activesupport/lib/active_support/vendor/tzinfo-0.3.8/tzinfo/timezone_period.rb, line 109 109: def local_start 110: @start_transition ? @start_transition.local_start.to_datetime : nil 111: end
Offset from the local time where daylight savings is in effect (seconds). E.g.: utc_offset could be -5 hours. Normally, std_offset would be 0. During daylight savings, std_offset would typically become +1 hours.
# File vendor/rails/activesupport/lib/active_support/vendor/tzinfo-0.3.8/tzinfo/timezone_period.rb, line 72 72: def std_offset 73: @offset.std_offset 74: end
true if the given UTC DateTime is after the start of the period (inclusive); otherwise false.
# File vendor/rails/activesupport/lib/active_support/vendor/tzinfo-0.3.8/tzinfo/timezone_period.rb, line 131 131: def utc_after_start?(utc) 132: !@start_transition || @start_transition.at <= utc 133: end
Base offset of the timezone from UTC (seconds).
# File vendor/rails/activesupport/lib/active_support/vendor/tzinfo-0.3.8/tzinfo/timezone_period.rb, line 65 65: def utc_offset 66: @offset.utc_offset 67: end
Total offset from UTC (seconds). Equal to utc_offset + std_offset.
# File vendor/rails/activesupport/lib/active_support/vendor/tzinfo-0.3.8/tzinfo/timezone_period.rb, line 85 85: def utc_total_offset 86: @offset.utc_total_offset 87: end
Total offset from UTC (days). Result is a Rational.
# File vendor/rails/activesupport/lib/active_support/vendor/tzinfo-0.3.8/tzinfo/timezone_period.rb, line 90 90: def utc_total_offset_rational 91: unless @utc_total_offset_rational 92: @utc_total_offset_rational = OffsetRationals.rational_for_offset(utc_total_offset) 93: end 94: @utc_total_offset_rational 95: end


https://egghead.io/lessons/webgl-webgl-vertex-buffers
A vertex buffer is an array of vertices, stored in memory on the GPU. The origin of the viewport is the center (0,0) (cartersian).