# Web Programming
slides.matschaffer.com/3
# Objects
Specific "Things" in ruby
# Objects
* Me
* my "finding developers" blog post
* your comment on piazza
* Minecraft
* a purple pen
* a tweet
* the Eagles
# Classes
Types of "things"
# Classes
* Person
* Post
* Comment
* Player
* Game
* Pen
* Message
* Team
# Classes?
* Me
* my "finding developers" blog post
* your comment on piazza
* Minecraft
* a purple pen
* a tweet
* the Eagles
# I'm making:
## a Message Board App
# What classes should I have?
# My classes
* Post
* User
# Attributes
Data that makes an object specific
# What attributes would Post have?
# Post
* name
* description
* image
* (id, created\_at, updated\_at)
# Types
Tells Ruby what kind of data an attribute holds
* string
* integer
* decimal
* datetime
# Post Attribute Types?
* name
* description
* image
* (id, created\_at, updated\_at)
# Model =
Class + Attributes + Types ( + methods)
# Make models with
rails generate model ...
rails generate model post \
name:string \
description:string \
image:string
Look in app/models/post.rb
That's your model
class Post < ActiveRecord::Base
attr_accessible :description, :image, :name
end
So destroy the model
rails destroy model post
And make a scaffold
rails generate scaffold post \
name:string \
description:string \
image:string
# Scaffold =
Model + Views + Controllers
run this
rake db:migrate
* start your sever
* go to [http://localhost:3000/posts](http://localhost:3000/posts)
Try one of these:
* [http://2380-lab-025.local:3000](http://2380-lab-025.local:3000)
* [http://2380-lab-026.local:3000](http://2380-lab-026.local:3000)
* [http://2380-lab-027.local:3000](http://2380-lab-027.local:3000)
* [http://2380-lab-030.local:3000](http://2380-lab-030.local:3000)
* [http://2380-lab-031.local:3000](http://2380-lab-031.local:3000)
* [http://2380-lab-032.local:3000](http://2380-lab-032.local:3000)
# Try putting in some data
# How about a real image?
app/views/posts/show.html.erb
before
after
or
# Views

Mix html <%= with_ruby_code %>

# Try some things
Come from the controller
app/controllers/posts_controller.rb
# Try it out, see what breaks!
# Homework
Make a scaffold for your app, make some changes to the view files.


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| And there was given me a reed like unto a rod: and the angel stood, saying, Rise, and measure the temple of God, and the altar, and them that worship therein.
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| ᎠᎴ ᎦᎾᏍᏓ ᎥᎩᏕᎸᎩ ᎠᏙᎳᏅᏍᏗ ᎾᏍᎩᏯᎢ; ᏗᎧᎿᎭᏩᏗᏙᎯᏃ ᎤᎴᏅᎩ, ᎯᎠ ᏄᏪᏒᎩ, ᏔᎴᎲᎦ, ᎠᎴ ᎭᏟᎶᏣ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎠᎴ ᎠᏥᎸ-ᎨᎳᏍᏗᏱ, ᎠᎴ ᎾᏍᎩ Ꮎ ᎠᎾᏓᏙᎵᏍᏗᏍᎩ ᏥᎩ ᎾᎿᎭᏂ.
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A-le ga-na-s-da v-gi-de-lv-gi a-do-la-nv-s-di na-s-gi-ya-i; di-ka-hna-wa-di-do-hi-no u-le-nv-gi, hi-a nu-we-sv-gi, Ta-le-hv-ga, a-le ha-tli-lo-tsa U-ne-la-nv-hi u-tse-li di-ga-la-wi-i-s-di-yi, a-le a-tsi-lv--ge-la-s-di-yi, a-le na-s-gi na a-na-da-do-li-s-di-s-gi tsi-gi na-hna-ni.
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| But the court which is without the temple leave out, and measure it not; for it is given unto the Gentiles: and the holy city shall they tread under foot forty and two months.
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| ᎤᏜᏓᏅᏛᏍᎩᏂ ᏗᎦᎳᏫᎢᏍᏗᏱ ᏙᏱᏗᏢ ᏥᎪᏢᎭ, ᎯᏃᎯᏴᎭ, ᎠᎴ ᏞᏍᏗ ᏣᏟᎶᎥᎩ, ᏧᎾᏓᎴᏅᏛᏰᏃ ᏴᏫ ᎨᏥᏁᎸᎯ ᎾᏍᎩ; ᎠᎴ ᎦᎸᏉᏗᏳ ᎦᏚᎲ ᎤᎾᎳᏍᏓᎡᏗ ᎨᏎᏍᏗ ᏅᎦᏍᎪᎯ ᏔᎵᎦᎵ ᎢᏯᏅᏙ.
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U-dla-nv-dv-s-gi-ni di-ga-la-wi-i-s-di-yi do-yi-di-tlv tsi-go-tlv-ha, hi-no-hi-yv-ha, a-le tle-s-di tsa-tli-lo-v-gi, tsu-na-da-le-nv-dv-ye-no yv-wi ge-tsi-ne-lv-hi na-s-gi; a-le ga-lv-quo-di-yu ga-du-hv u-na-la-s-da-e-di ge-se-s-di nv-ga-s-go-hi ta-li-ga-li i-ya-nv-do.
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| And I will give power unto my two witnesses, and they shall prophesy a thousand two hundred and threescore days, clothed in sackcloth.
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| ᏗᏆᏤᎵᏃ ᎠᏂᏔᎵ ᎠᏂᎦᏔᎯ ᏓᎦᏥᏁᎵ [ᎤᎾᏙᎴᎰᎯᏍᏗᏱ] ᎠᎴ ᎠᎾᏙᎴᎰᏍᎨᏍᏗ ᏌᏉ ᎢᏯᎦᏴᎵ ᏔᎵᏧᏈ ᏑᏓᎵᏍᎪᎯᏃ ᏧᏒᎯᏛ, ᏧᏏᏕᏅ ᏚᎾᏄᏩᎡᏍᏗ.
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Di-qua-tse-li-no a-ni-ta-li a-ni-ga-ta-hi da-ga-tsi-ne-li [u-na-do-le-ho-hi-s-di-yi] a-le a-na-do-le-ho-s-ge-s-di sa-quo i-ya-ga-yv-li ta-li-tsu-qui su-da-li-s-go-hi-no tsu-sv-hi-dv, tsu-si-de-nv du-na-nu-wa-e-s-di.
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| These are the two olive trees, and the two candlesticks standing before the God of the earth.
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| ᎯᎠ ᎾᏍᎩ ᎣᎵᏩ ᏔᎵ ᏕᏡᎬᎢ, ᎠᎴ ᏔᎵ ᏗᏨᏍᏙᏗ ᏗᎦᎪᏙᏗᏱ ᏥᏕᎦᎧᎭ ᎤᏁᎳᏅᎯ ᎡᎶᎯ ᎤᏬᏢᏅᎯ ᏄᏛᏅ ᎢᎬᏱᏗᏢ.
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Hi-a na-s-gi o-li-wa ta-li de-tlu-gv-i, a-le ta-li di-tsv-s-do-di di-ga-go-do-di-yi tsi-de-ga-ka-ha U-ne-la-nv-hi e-lo-hi u-wo-tlv-nv-hi nu-dv-nv i-gv-yi-di-tlv.
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| And if any man will hurt them, fire proceedeth out of their mouth, and devoureth their enemies: and if any man will hurt them, he must in this manner be killed.
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| ᎢᏳᏃ ᎩᎶ ᎪᎱᏍᏗ ᏙᎬᏁᎮᏍᏗ ᎾᏍᎩ, ᎠᏥᎸ ᏗᏂᎰᎵ ᏗᎦᏄᎪᎨᏍᏗ, ᎠᎴ ᎤᏂᏛᏗᏍᎨᏍᏗ ᎬᏩᏂᏍᎦᎩ; ᎢᏳ ᎠᎴ ᎩᎶ ᎪᎱᏍᏗ ᏧᏩᏁᏗᏱ ᎤᏚᎵᏍᎨᏍᏗ, ᎾᏍᎩ ᎢᏯᎬᏁᏗ ᎠᏥᎢᏍᏗ ᎨᏎᏍᏗ.
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I-yu-no gi-lo go-hu-s-di do-gv-ne-he-s-di na-s-gi, a-tsi-lv di-ni-ho-li di-ga-nu-go-ge-s-di, a-le u-ni-dv-di-s-ge-s-di gv-wa-ni-s-ga-gi; i-yu a-le gi-lo go-hu-s-di tsu-wa-ne-di-yi u-du-li-s-ge-s-di, na-s-gi i-ya-gv-ne-di a-tsi-i-s-di ge-se-s-di.
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| These have power to shut heaven, that it rain not in the days of their prophecy: and have power over waters to turn them to blood, and to smite the earth with all plagues, as often as they will.
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| ᎯᎠ ᎾᏍᎩ ᎤᏂᎭ ᎦᎸᎳᏗ ᎤᏂᏍᏚᏗᏱ, ᎾᏍᎩ ᎤᎦᏅᏗᏱ ᏂᎨᏒᎾ ᎠᎾᏙᎡᎰᏍᎬ ᎢᎪᎯᏛ; ᎠᎴ ᎤᏂᎭ ᎠᎹᏱ ᏚᏪᏯᏗᏒ ᎩᎬ ᎢᏧᏅᏁᏗᏱ, ᎠᎴ ᎾᏍᎩ ᎢᏳᏅᏂᏐᏗᏱ ᏂᎦᎥᏉ ᎤᏕᏯᏙᏗ ᎨᏒ ᎡᎶᎯ ᎤᎷᏤᏗᏱ ᎢᎦᎢᏉ ᎠᏁᎵᏍᎬᎢ.
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Hi-a na-s-gi u-ni-ha ga-lv-la-di u-ni-s-du-di-yi, na-s-gi u-ga-nv-di-yi ni-ge-sv-na a-na-do-e-ho-s-gv i-go-hi-dv; a-le u-ni-ha a-ma-yi du-we-ya-di-sv gi-gv i-tsu-nv-ne-di-yi, a-le na-s-gi i-yu-nv-ni-so-di-yi ni-ga-v-quo u-de-ya-do-di ge-sv e-lo-hi u-lu-tse-di-yi i-ga-i-quo a-ne-li-s-gv-i.
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| And when they shall have finished their testimony, the beast that ascendeth out of the bottomless pit shall make war against them, and shall overcome them, and kill them.
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| ᎿᎭᏉᏃ ᎤᏂᏍᏆᏛ ᎾᏍᎩ ᎤᏂᏃᎮᏗ ᎨᏒᎢ, ᏅᎩ-ᏗᎦᏅᏌᏗ ᎾᏍᎩ ᏫᎾᏍᏛᎾ ᎠᏔᎴᏒ ᏨᏗᎦᎾᏄᎪᎦ ᏓᎿᎭᏩ ᏅᏓᎬᏁᎵ ᏓᏳᎾᏡᏔᏂ, ᎠᎴ ᏓᏳᏂᏎᎪᎩᏏ, ᎠᎴ ᏙᏓᏳᏂᎵ.
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Hna-quo-no u-ni-s-qua-dv na-s-gi u-ni-no-he-di ge-sv-i, nv-gi--di-ga-nv-sa-di na-s-gi wi-na-s-dv-na a-ta-le-sv tsv-di-ga-na-nu-go-ga da-hna-wa nv-da-gv-ne-li da-yu-na-tlu-ta-ni, a-le da-yu-ni-se-go-gi-si, a-le do-da-yu-ni-li.
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| And their dead bodies shall lie in the street of the great city, which spiritually is called Sodom and Egypt, where also our Lord was crucified.
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| ᎾᏍᎩᏃ ᏧᏂᏲᎱᏒᎯ ᏗᏂᏰᎸᎢ ᏕᎦᏁᏍᏗ ᏕᎦᎳᏅᏛ ᎡᏓᏍᏗᏱ ᎡᏆ ᎦᏚᎲᎢ, ᎾᏍᎩ ᏓᏟᎶᏍᏛ ᏐᏓᎻ ᏣᏃᏎᎭ ᎠᎴ ᎢᏥᏈ, ᎾᎿᎭᎾᏍᏉ ᎤᎬᏫᏳᎯ ᎢᎦᏤᎵ ᎠᏥᎸᎢ.
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Na-s-gi-no tsu-ni-yo-hu-sv-hi di-ni-ye-lv-i de-ga-ne-s-di de-ga-la-nv-dv e-da-s-di-yi e-qua ga-du-hv-i, na-s-gi da-tli-lo-s-dv So-da-mi tsa-no-se-ha a-le I-tsi-qui, na-hna na-s-quo U-gv-wi-yu-hi i-ga-tse-li a-tsi-lv-i.
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| And they of the people and kindreds and tongues and nations shall see their dead bodies three days and an half, and shall not suffer their dead bodies to be put in graves.
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| ᎢᎦᏛᏃ ᎾᏍᎩ Ꮎ ᏴᏫ, ᎠᎴ ᎪᎱᏍᏗ ᏗᎾᏓᏛᎿᎭᎨᏒᎢ, ᎠᎴ ᏧᏓᎴᏅᏛ ᏗᏂᏬᏂᏍᎩ ᎨᏒᎢ, ᎠᎴ ᎤᎾᏓᏤᎵᏛ ᏴᏫ ᏓᏁᏩᏗᏒᎢ, ᏓᏂᎪᏩᏗᏍᎨᏍᏗ ᏧᏂᏲᎱᏒᎯ ᏗᏂᏰᎸᎢ ᏦᎢ ᎢᎦ ᏅᎩᏁᏃ ᎠᏰᎵ, ᎥᏝᏃ ᎤᏁᎳᎩ ᎤᏁᎵᏍᏗ ᏱᎨᏎᏍᏗ ᏧᏂᏲᎱᏒᎯ ᏗᏂᏰᎸ ᏗᏓᏂᏐᏗᏱ ᏧᏂᏅᏗᏱ.
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I-ga-dv-no na-s-gi na yv-wi, a-le go-hu-s-di di-na-da-dv-hna ge-sv-i, a-le tsu-da-le-nv-dv di-ni-wo-ni-s-gi ge-sv-i, a-le u-na-da-tse-li-dv yv-wi da-ne-wa-di-sv-i, da-ni-go-wa-di-s-ge-s-di tsu-ni-yo-hu-sv-hi di-ni-ye-lv-i tso-i i-ga nv-gi-ne-no a-ye-li, v-tla-no u-ne-la-gi u-ne-li-s-di yi-ge-se-s-di tsu-ni-yo-hu-sv-hi di-ni-ye-lv di-da-ni-so-di-yi tsu-ni-nv-di-yi.
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| And they that dwell upon the earth shall rejoice over them, and make merry, and shall send gifts one to another; because these two prophets tormented them that dwelt on the earth.
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| ᎿᎭᏃ ᎡᎶᎯ ᎠᏁᎯ ᏛᎾᎵᎮᎵᏥ ᎾᏍᎩ ᎨᏒ ᏅᏗᎦᏍᏙᏗᏍᎨᏍᏗ, ᎠᎴ ᎣᏍᏛ ᎤᎾᏓᏅᏔᏩᏕᎨᏍᏗ, ᎠᎴ ᎪᎱᏍᏗ ᏓᎾᏓᏁᎸᎥᏍᎨᏍᏗ; ᎯᎠᏰᏃ ᎠᏂᏔᎵ ᎠᎾᏙᎴᎰᏍᎩ ᎬᏩᏂᎩᎵᏲᎢᏍᏔᏅᎩ ᎾᏍᎩ Ꮎ ᎡᎶᎯ ᎠᏁᎯ.
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Hna-no e-lo-hi a-ne-hi dv-na-li-he-li-tsi na-s-gi ge-sv nv-di-ga-s-do-di-s-ge-s-di, a-le o-s-dv u-na-da-nv-ta-wa-de-ge-s-di, a-le go-hu-s-di da-na-da-ne-lv-v-s-ge-s-di; hi-a-ye-no a-ni-ta-li a-na-do-le-ho-s-gi gv-wa-ni-gi-li-yo-i-s-ta-nv-gi na-s-gi na e-lo-hi a-ne-hi.
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| And after three days and an half the Spirit of life from God entered into them, and they stood upon their feet; and great fear fell upon them which saw them.
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| ᏦᎢᏃ ᎢᎦ ᏅᎩᏁᏃ ᎠᏰᎵ ᎤᎶᏐᏅ ᎠᏓᏅᏙ ᎬᏂᏛ ᎠᏓᏁᎯ ᎤᏁᎳᏅᎯ ᏅᏓᏳᎵᏍᎪᎸᏔᏅᎯ ᎬᏩᏂᏴᎸᎩ, ᎠᎴ ᏚᎾᎴᏅᎩ, ᎾᏍᎩᏃ ᎬᏩᏂᎪᎲᎯ ᎤᏣᏘ ᎤᏂᎾᏰᏒᎩ.
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Tso-i-no i-ga nv-gi-ne-no a-ye-li u-lo-so-nv a-da-nv-do gv-ni-dv A-da-ne-hi U-ne-la-nv-hi nv-da-yu-li-s-go-lv-ta-nv-hi gv-wa-ni-yv-lv-gi, a-le du-na-le-nv-gi, na-s-gi-no gv-wa-ni-go-hv-hi u-tsa-ti u-ni-na-ye-sv-gi.
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| And they heard a great voice from heaven saying unto them, Come up hither. And they ascended up to heaven in a cloud; and their enemies beheld them.
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| ᎤᎾᏛᎦᏅᎩᏃ ᎠᏍᏓᏯ ᏗᎧᏁᎬ ᎦᎸᎳᏗ ᏅᏓᏳᏓᎴᏅᎯ, ᎯᎠ ᏄᏂᏪᏎᎲᎢ, ᎡᏍᏓᎩᎳᏩ ᎠᏂ ᎢᏍᏗᎷᎩ. ᎦᎸᎳᏗᏃ ᏭᏂᎶᏒᎩ ᎤᎶᎩᎸ ᎤᎾᎵᏌᎳᏓᏅᎩ. ᎠᎴ ᎬᏩᏂᏍᎦᎩ ᎬᏩᏂᎪᎲᎩ.
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U-na-dv-ga-nv-gi-no a-s-da-ya di-ka-ne-gv ga-lv-la-di nv-da-yu-da-le-nv-hi, hi-a nu-ni-we-se-hv-i, E-s-da-gi-la-wa a-ni i-s-di-lu-gi. Ga-lv-la-di-no wu-ni-lo-sv-gi u-lo-gi-lv u-na-li-sa-la-da-nv-gi. A-le gv-wa-ni-s-ga-gi gv-wa-ni-go-hv-gi.
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| And the same hour was there a great earthquake, and the tenth part of the city fell, and in the earthquake were slain of men seven thousand: and the remnant were affrighted, and gave glory to the God of heaven.
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| ᎾᎯᏳᏉᏃ ᎧᎳᏩᏗᏒ ᎤᏣᏘ ᎤᎵᏖᎸᏅᎩ ᎦᏙᎯ, ᎠᏍᎪᎯᏃ ᎢᎦᏛᎯ ᎨᏒ ᎦᏚᎲ ᎾᏍᎩ ᏌᏉ ᎢᏳᏪᏨᎯ ᎤᏲᏨᎩ, ᎦᏙᎯᏃ ᎠᎵᏖᎸᎲᏍᎬ ᎢᏳᎢ ᎦᎸᏉᎩ ᎢᏯᎦᏴᎵ ᏴᏫ ᏙᎨᏥᎸᎩ; ᎤᎾᎵᏃᎯᏴᎯᏃ ᎤᏂᏍᎦᎸᎩ, ᎠᎴ ᎦᎸᎳᏗ ᎡᎯ ᎤᏁᎳᏅᎯ ᎤᏂᎸᏉᏔᏅᎩ.
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Na-hi-yu-quo-no ka-la-wa-di-sv u-tsa-ti u-li-te-lv-nv-gi ga-do-hi, a-s-go-hi-no i-ga-dv-hi ge-sv ga-du-hv na-s-gi sa-quo i-yu-we-tsv-hi u-yo-tsv-gi, ga-do-hi-no a-li-te-lv-hv-s-gv i-yu-i ga-lv-quo-gi i-ya-ga-yv-li yv-wi do-ge-tsi-lv-gi; u-na-li-no-hi-yv-hi-no u-ni-s-ga-lv-gi, a-le ga-lv-la-di e-hi U-ne-la-nv-hi u-ni-lv-quo-ta-nv-gi.
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| The second woe is past; and, behold, the third woe cometh quickly.
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| ᏔᎵᏁ ᎤᏲ ᎨᏒ ᎤᎶᏐᏅ; ᎬᏂᏳᏉ ᏦᎢᏁ ᎤᏲ ᎬᏒ ᏞᎩᏳ ᏓᎦᎷᏥ.
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Ta-li-ne u-yo ge-sv u-lo-so-nv; gv-ni-yu-quo tso-i-ne u-yo gv-sv tle-gi-yu da-ga-lu-tsi.
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| And the seventh angel sounded; and there were great voices in heaven, saying, The kingdoms of this world are become the kingdoms of our Lord, and of his Christ; and he shall reign for ever and ever.
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| ᎦᎵᏉᎩᏁᏃ ᎨᏒ ᏗᎧᎿᎭᏩᏗᏙᎯ ᎤᏤᎷᎯᏒᎩ; ᎠᎴ ᎦᎸᎳᏗ ᎢᏴᏛ ᎠᏍᏓᏯ ᏗᎧᏁᎬᎩ ᎩᎶᎢ, ᎯᎠ ᏅᏓᎦᏪᏍᎬᎩ, ᎠᏰᎵ ᏕᎪᏢᏩᏗᏒ ᎠᏂ ᎡᎶᎯ, ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ, ᎠᎴ ᎾᏍᎩ Ꮎ ᎤᏤᎵ ᎦᎶᏁᏛ ᏧᎾᏤᎵ ᏂᏕᎦᎵᏍᏓ; ᎠᎴ ᎾᏍᎩ Ꮎ ᏂᎪᎯᎸ ᎠᎴ ᏂᎪᎯᎸ ᎤᎬᏫᏳᎯ ᎨᏎᏍᏗ.
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Ga-li-quo-gi-ne-no ge-sv di-ka-hna-wa-di-do-hi u-tse-lu-hi-sv-gi; a-le ga-lv-la-di i-yv-dv a-s-da-ya di-ka-ne-gv-gi gi-lo-i, hi-a nv-da-ga-we-s-gv-gi, A-ye-li de-go-tlv-wa-di-sv a-ni e-lo-hi, i-ga-tse-li U-gv-wi-yu-hi, a-le na-s-gi na u-tse-li Ga-lo-ne-dv tsu-na-tse-li ni-de-ga-li-s-da; a-le na-s-gi na ni-go-hi-lv a-le ni-go-hi-lv u-gv-wi-yu-hi ge-se-s-di.
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| And the four and twenty elders, which sat before God on their seats, fell upon their faces, and worshipped God,
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| ᏅᎩᏦᏁᏃ ᎢᏯᏂᏛ ᏧᎾᏛᏐᏅᎯ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏄᏛᏅ ᎢᎬᏱᏗᏢ ᏕᎦᏍᎩᎸ ᏣᏂᏅᎩ, ᏚᎾᎵᏯᏍᏚᏅᎩ, ᎠᎴ ᎤᎾᏓᏙᎵᏍᏓᏁᎸᎩ ᎤᏁᎳᏅᎯ,
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Nv-gi-tso-ne-no i-ya-ni-dv tsu-na-dv-so-nv-hi na-s-gi U-ne-la-nv-hi nu-dv-nv i-gv-yi-di-tlv de-ga-s-gi-lv tsa-ni-nv-gi, du-na-li-ya-s-du-nv-gi, a-le u-na-da-do-li-s-da-ne-lv-gi U-ne-la-nv-hi,
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| Saying, We give thee thanks, O Lord God Almighty, which art, and wast, and art to come; because thou hast taken to thee thy great power, and hast reigned.
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| ᎯᎠ ᏄᏂᏪᏒᎩ, ᎢᏨᏯᎵᏒᎵᏤᎭ, ᏂᎯ ᏣᎬᏫᏳᎯ ᏣᏁᎳᏅᎯ, ᏫᎾᏍᏛᎾ ᏣᎵᏂᎩᏛ, ᏂᎯ ᎾᏍᎩ ᏤᎭ, ᎠᎴ ᎾᏍᎩ ᏤᎲᎩ, ᎠᎴ ᎾᏍᎩ ᏤᎮᏍᏗ; ᏅᏗᎦᎵᏍᏙᏗᎭ ᏥᏣᎩᏒ ᎤᏣᏘ ᏣᎵᏂᎩᏗᏳ ᎨᏒᎢ, ᎠᎴ ᏣᎬᏫᏳᎯ ᏥᏂᏣᎵᏍᏔᏅ.
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Hi-a nu-ni-we-sv-gi, I-tsv-ya-li-sv-li-tse-ha, ni-hi Tsa-gv-wi-yu-hi Tsa-ne-la-nv-hi, Wi-na-s-dv-na tsa-li-ni-gi-dv, ni-hi na-s-gi tse-ha, a-le na-s-gi tse-hv-gi, a-le na-s-gi tse-he-s-di; nv-di-ga-li-s-do-di-ha tsi-tsa-gi-sv u-tsa-ti tsa-li-ni-gi-di-yu ge-sv-i, a-le tsa-gv-wi-yu-hi tsi-ni-tsa-li-s-ta-nv.
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| And the nations were angry, and thy wrath is come, and the time of the dead, that they should be judged, and that thou shouldest give reward unto thy servants the prophets, and to the saints, and them that fear thy name, small and great; and shouldest destroy them which destroy the earth.
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| ᎤᎾᏓᏤᎵᏛᏃ ᏴᏫ ᏓᏁᏩᏗᏒ ᎤᏂᎿᎭᎸᏨᎩ, ᎠᎴ ᏂᎯ ᎾᎯᏳ ᏣᏔᎳᏬᎯᏍᏗ ᎨᏒ ᎤᏍᏆᎸᎲ, ᎠᎴ ᎾᎯᏳ ᏧᏂᏲᎱᏒᎯ ᏗᎨᎫᎪᏓᏁᏗ ᎨᏒᎢ, ᎠᎴ ᎾᏍᎩ ᏔᎫᏴᎡᏗ ᎨᏒ ᏘᏅᏏᏓᏍᏗ ᎠᎾᏙᎴᎰᏍᎩ, ᎠᎴ ᎤᎾᏓᏅᏘ, ᎠᎴ ᎾᏍᎩ Ꮎ ᏕᏣᏙᎥ ᎠᏂᎾᏰᏍᎩ, ᏧᎾᏍᏗ ᎠᎴ ᎾᏍᏉ ᏧᎾᏛᎾ; ᎠᎴ ᏗᏛᏙᏗᏱ ᎾᏍᎩ Ꮎ ᎡᎶᎯ ᎠᏂᏛᏗᏍᎩ ᎨᏒᎢ.
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U-na-da-tse-li-dv-no yv-wi da-ne-wa-di-sv u-ni-hna-lv-tsv-gi, a-le ni-hi na-hi-yu tsa-ta-la-wo-hi-s-di ge-sv u-s-qua-lv-hv, a-le na-hi-yu tsu-ni-yo-hu-sv-hi di-ge-gu-go-da-ne-di ge-sv-i, a-le na-s-gi ta-gu-yv-e-di ge-sv ti-nv-si-da-s-di a-na-do-le-ho-s-gi, a-le u-na-da-nv-ti, a-le na-s-gi na de-tsa-do-v a-ni-na-ye-s-gi, tsu-na-s-di a-le na-s-quo tsu-na-dv-na; a-le di-dv-do-di-yi na-s-gi na e-lo-hi a-ni-dv-di-s-gi ge-sv-i.
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| And the temple of God was opened in heaven, and there was seen in his temple the ark of his testament: and there were lightnings, and voices, and thunderings, and an earthquake, and great hail.
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| ᎤᏁᎳᏅᎯᏃ ᎤᏤᎵ ᏗᎦᎳᏫᎢᏍᏗᏱ ᏓᏳᏂᏍᏚᎢᏒᎩ ᎦᎸᎳᏗ, ᎠᎴ ᏩᎪᏩᏛᏗ ᎨᏒᎩ ᎾᎿᎭᎤᏤᎵ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎦᏁᏌᎢ ᏗᎧᎿᎭᏩᏛᏍᏗ ᏗᎦᎶᏗ; ᎠᎴ ᏚᎾᎦᎸᎲᎩ, ᎠᎴ ᏚᏂᏁᏨᎩ, ᎠᎴ ᏚᏴᏓᏆᎶᎥᎩ, ᎠᎴ ᎪᏙᎯ ᎤᎵᏖᎸᏅᎩ, ᎠᎴ ᎤᏍᎦᏎᏗ ᎤᏁᏐᎠᏒᎩ.
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U-ne-la-nv-hi-no u-tse-li di-ga-la-wi-i-s-di-yi da-yu-ni-s-du-i-sv-gi ga-lv-la-di, a-le wa-go-wa-dv-di ge-sv-gi na-hna u-tse-li di-ga-la-wi-i-s-di-yi ga-ne-sa-i di-ka-hna-wa-dv-s-di di-ga-lo-di; a-le du-na-ga-lv-hv-gi, a-le du-ni-ne-tsv-gi, a-le du-yv-da-qua-lo-v-gi, a-le go-do-hi u-li-te-lv-nv-gi, a-le u-s-ga-se-di u-ne-so-a-sv-gi.
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OUR SERVICES
- RENTAL Psikontacto is a psychology clinic settled in Coimbra, Portugal. The website is a straight to the point facilitator for new clients. Portuguese-only but who reads text on a site anyway, especially when there is such a simple website design?
- VISUAL AND SPECIAL It is a company which represents premium fashion brands in the Czech, Slovak and Hungarian market. Their aim is to inspire, pamper you and provide you the energy.
- CORPORATE Norgram is the Design Director duo of internationally recognized and awarded designers Sebastian Gram & Mathias Høst Normark. Their website layout ideas are a good example of simple yet serious approach of design projects.
- HEALTHCARE A unique not-for-profit organization located in the Adelaide city center and at Seppeltsfield in the Barossa, JamFactory is supported by the South Australian Government and is recognized globally as a center for excellence.


Preparation time
overnight
Cooking time
1 to 2 hours
Serves
Serves 4
Parsley mash adds freshness to this classic French dish of chicken in a rich red-wine sauce.
Equipment and preparation: for this recipe you will need a potato ricer, muslin cloths (for straining) and a cooking thermometer.
Place the chicken pieces, red wine, vegetables, bay leaf, thyme and peppercorns in a large glass bowl and marinade in the fridge for 12 hours.
Preheat the oven to 180C/350F/Gas 4.
Remove the chicken from the wine and dry, strain the wine through a sieve and reserve the vegetables.
Season the chicken pieces with salt and freshly ground black pepper. In a large heavy-based casserole or ovenproof pan set over a high heat fry the meat until golden-brown all over (you may need to do this in batches).
Remove the chicken from the pan, add the reserved vegetables to the same pan and brown. Add the wine and cook until the liquid has reduced in volume by half.
Place the chicken back on top and pour over enough stock to almost cover the chicken. Bring to the boil.
Cover with a cartouche (a lid made of baking paper placed directly over the ingredients) and cook in the oven for 35 minutes. Remove and set aside to rest.
For the parsley mash, in a food processor blend the curly parsley with 2½ litres/4½ pints water.
Place a colander inside a large bowl. Line the colander with a muslin cloth and add the ice. You will need this in the next step.
In a large heavy-based pan, heat the parsley water, whisking continuously. When the temperature reaches approximately 80C/176F the chlorophyll will separate from the water. At this stage pour the liquid into the colander lined with muslin and set aside to drain for an hour, until a thick parsley purée is left in the muslin. Scrape this off and reserve for the mash.
Place the potatoes in salted water and cook until soft.
Meanwhile, strain the cooked coq au vin using a colander placed over a large pan or bowl. Set aside the chicken pieces. Pass the sauce through a fine sieve lined with muslin and return to the heat to cook until the liquid has reduced in volume by half. Add the chicken back to the sauce and keep warm until ready to serve.
For the parsley mash, drain the potatoes and push them through a potato ricer twice. Place the mash in a clean pan set over a low heat. Add the butter and stir until the butter has melted and incorporated into the potatoes. Add the milk and stir to combine. Now add the parsley purée and stir to combine.
For the garnish, heat the olive oil in a small pan. Add the onions and fry until brown. Add the pancetta and fry until brown and crisp. Add the mushrooms, stock and butter. Cook until the stock has reduced to a thick sauce. Finish with the chopped parsley and set aside until ready to serve.
To serve, place some mash in a heap or a large quenelle on each plate. Make a large well in the mash and fill with the sauce from the coq au vin. Add a few pieces of chicken and add the garnish.


| User
Guide Using the software to convert VB projects |
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The easiest way to use vb2Py is by working in the vb2py directory in your Python site-packages location. To check the basic usage from the command line, > python vb2py.py -h An example project should be installed in the folder, vb2py/vb/test. To convert this project to a PythonCard project use the command, > python vb2py.py vb/test/test1.vbp vb/test/test1 vb/test/test1.vbp = the VB project file for the project vb/test/test1 = the location of the generated Python files The directory where the Python files will be put must exist before you run the conversion. The above conversion simply converts the layouts - no VB code is translated and you will find that the PythonCard forms don't have any code behind them. You can still try them out by typing, > python vb/test/test1/frmMain.py You
should see a form open with a lot of controls on it. If you want to try
to convert VB code as well then you can use the -c command line
switch, > python vb2py.py -c vb/test/test1.vbp vb/test/test1 The -c switch causes VB code for each VB method to be converted. You should be wary of using this switch in your own projects because the code conversion is very simplistic and will not generally work straight away. |
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 We"re going to default
// to key to handle items where the user hard codes a aesthetic
// (i.e. alpha=0.6)
mapping = pd.DataFrame({
ae: data.get(key, key)
for ae, key in aes.items()
})
if "color" in mapping:
mapping["color"] = data["color_mapping"]
if "size" in mapping:
mapping["size"] = data["size_mapping"]
After Change
mapping = {}
extra = {}
for ae, key in aes.items():
if isinstance(key, list) or hasattr(key, "__array__"):
// direct assignment of a list/array to the aes -> it"s done in the get_layer step
mapping[ae] = key
elif key in data:
// a column or a transformed column
mapping[ae] = data[key]
else:
// now we have a single value. ggplot2 treats that as if all rows should be this
// value, so lets do the same. To ensure that all rows get this value, we have to
// do that after we constructed the dataframe.
// See also the _apply_transform function below, which does this already for
// string values.
extra[ae] = key
mapping = pd.DataFrame(mapping)
for ae, key in extra.items():
mapping[ae] = key


Welcome to my DevBootcamp home. Pretty sweet, huh?
It's pretty bare for the moment, admittedly, but that's just for now. At the moment, the blog link above works. Everything else is pending.
Coming soon, though: new and exciting projects! More blog entries! Interesting facts about me! Facts about not-me! Well-mixed old fashioneds and a jazzy soundtrack!
Update 11/16/15:
The "About Me" page is live.


from .ssl_ import create_urllib3_context, resolve_cert_reqs, resolve_ssl_version def connection_requires_http_tunnel( proxy_url=None, proxy_config=None, destination_scheme=None ): """ Returns True if the connection requires an HTTP CONNECT through the proxy. :param URL proxy_url: URL of the proxy. :param ProxyConfig proxy_config: Proxy configuration from poolmanager.py :param str destination_scheme: The scheme of the destination. (i.e https, http, etc) """ # If we're not using a proxy, no way to use a tunnel. if proxy_url is None: return False # HTTP destinations never require tunneling, we always forward. if destination_scheme == "http": return False # Support for forwarding with HTTPS proxies and HTTPS destinations. if ( proxy_url.scheme == "https" and proxy_config and proxy_config.use_forwarding_for_https ): return False # Otherwise always use a tunnel. return True def create_proxy_ssl_context( ssl_version, cert_reqs, ca_certs=None, ca_cert_dir=None, ca_cert_data=None ): """ Generates a default proxy ssl context if one hasn't been provided by the user. """ ssl_context = create_urllib3_context( ssl_version=resolve_ssl_version(ssl_version), cert_reqs=resolve_cert_reqs(cert_reqs), ) if ( not ca_certs and not ca_cert_dir and not ca_cert_data and hasattr(ssl_context, "load_default_certs") ): ssl_context.load_default_certs() return ssl_context


MRS. WINTERBOURNE A film review by Michael John Legeros Copyright 1996 Michael John Legeros
(TriStar) Directed by Richard Benjamin Written by Lisa-Marie Radano and Phoef Sutton, based on the novel "I Married a Dead Man" by Cornell Woolrich Cast Shirley MacLaine, Ricki Lake, Brendan Fraser, Miguel Sandoval MPAA Rating "PG-13" Running Time 104 minutes Reviewed at General Cinemas at Pleasant Valley, Raleigh, NC (13APR96)
==
Pairing Shirley MacLaine and Ricki Lake is probably a violation of the recent Telecommunications Decency Act-- coming soon: Former Lives of Angst-Filled Psychic Teenagers!-- but since this isn't television, I guess we don't have to worry. The two star in MRS. WINTERBOURNE, a shallow fairy tale that's even *lighter* than such similar fluff as PRETTY WOMAN and WHILE YOU WERE SLEEPING. Based on Cornell Woolrich's novel "I Married a Dead Man," the plot has a pregnant unwed mother (Lake) mistaken as a rich man's widow after a train wreck kills both him and his pregnant wife. (She wakes up in the hospital, with everyone calling her a different name. Sound familiar?) What sounds like the perfect (albeit grim) "Cinderella story" needs, well, a better actress than Lake. She's photogenic enough-- and, of a refreshingly "non-model" type-- but she's too coarse. Yeah, I know, her blunt approach fits the character, but she's still taxing to an audience already contending with logic leaps, telegraphed emotions, and a few too many happily-ever- after's. Directed by Richard Benjamin. Need I say more?
Grade: C-
--
Mike Legeros - Raleigh, NC
<EMAIL_ADDRESS>(h) -<EMAIL_ADDRESS>(w)
Visit me in MOVIE HELL
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


{{ "" | safeHTML}} Multi-Cloud Elastic Environment The Kuberlab Platform deployed in the cloud, connecting the enterprise to clusters in the Public Cloud
The Kuberlab Platform deployed in the cloud, connecting the enterprise to clusters in the Public Cloud


{% extends 'base.html' %} {%block content%}
This application is build for investigating Radial Visualization charts
...and some more text goes here


Cisco Digital Engagement Center (DEC) is a single location for Cisco Partners to access all of the digital content, tools and services to engage customers.
Cisco Systems Digital Engagement Center team:
As one of the main services provided for the partners, DEC team needed a customizable product website design template that could accommodate partner’s own style guidelines.
UI/UX Design, Wireframe, Web Design, Front-end Development
Copywrite: Stephen Proux
Project Owner: Alec Walker
Development: Aki Perez
Branding is important. Engagement Center websites provide cutomization experience for the Partners so they can include their logo, font and their color palette
Offering the most fluid and pleasant experience for the both mobile and tablet versions.


--- layout: default title: Dental Sealants | Cute Smile Dr Samina Kathawala Hackensack NJ<PHONE_NUMBER> description: What are Dental Sealants? Dental sealants is a thin coating painted on your teeth to prevent cavities and especially recommended in children. Dental Sealants are usually covered by insurance so if you have insurance then avail this benefit. Studies have proven that School-age children without sealants have almost three times more cavities than children with sealants.We serve Hackensack NJ Lodi NJ Hasbrouck Heights NJ River Edge NJ Teaneck NJ Maywood NJ Paramus NJ Carlstadt NJ East Rutherford NJ South Hackensack NJ Wood Ridge NJ Wood-ridge NJ. ---
ADDRESS - 52 Summit Ave, Hackensack NJ
Dental sealant is a thin, plastic coating painted on the chewing surfaces of teeth -- usually the back teeth (the premolars and molars) -- to prevent tooth decay. The sealant quickly bonds into the pits and grooves of the teeth, forming a protective shield over the enamel of each tooth.
Although brushing usually will keep you teeth clean but the brushing action tend to leave spots as it cannot reach every nook and cranny. Thats where sealants shine. Sealants are applied professionally and will cover all of your tooth surface. Sealants literally - seals out - any opening where plague can deposit.
Sealants are usually suggested for children under the age of 19, usually when they start growing their permanent molars.
Highly effective in preventing decay on the biting surfaces of your chewing teeth, applying sealant is a straight forward procedure with no needles and no pain. The dentist will apply these tooth-colored acrylic coating, just painted onto the surface of the tooth. This effectively - seals - the deep pits and grooves acting as a barrier, protecting enamel from plaque and acids.
Sealants protect the depressions and grooves of your teeth from food particles and plaque that brushing and flossing cannot reach.
Easy to apply, sealants take only a few minutes to seal each tooth. Sealants hold up well under the force of normal chewing and can last several years before a reapplication is needed. If kids start with sealants they will be a step ahead against the fight for tooth decay at an early age.
More info at wikipedia
What Do sealant's look like?
Sealants can be clear, white, or slightly tinted. Usually, you cannot see a sealant when a child talks or smiles.
How long sealant's last?
Sealants usually do not wear of quickly. Since they bond with the teeth, and in most cases will usually last 2-4 years. In some instances they may wear off quickly, but that usually depends on the childs orale hygiene. Its recommended that during your routine dental visits, ask the dentist to check and if required let him reapply the sealant. Once the sealant is gone the protective shield is gone. Therefore a reapplication is always a good idea.
How does the sealant's taste?
Sealants usually do not taste anything. They are desgined to be tastelss. And after an application your child want feel much of anything. In some rare instances, the child may feel the sealant with thier tongue but that effect will soon dies once the sealant dries and absorbed by the tooths pit and grooves.
How much does dental sealant's cost?
Sealants are usually covered by insurance. So if you have dental insurance, there may be no cost or very little cost. Sealants are always cheaper than letting a tooth decay. A decayed tooth will eventually require dental filling, which will be more expensive.
Check out this webmd article for more info on sealants.
For appointment's please call {% if site.contact.phone %} {{ site.contact.phone }} {% endif %}


Each programmer has his own way of programming but some criteria can be applied when analysing code: there are a set of best practices that can be checked, or ”not so common” instructions that are mainly used by experts that can be found. Considering that all programs that are going to be compared are correct, it’s possible to infer the experience level of the programmer or the proficiency level of the solution.
The approach presented in this paper has as main goal to compare sets of solutions to the same problem and infer the programmers profile. This can be used to evaluate the programmer skills, the proficiency on a given language or evaluate programming students. A tool to automatically profile Java programmers called PP (Programmer Profiler) was developed as a proof of concept.
The programmer’s Java source code is loaded as PP input. Then, the code goes through two static analysis processes: the analyser implemented (PP-Analyser) using AnTLR with the goal of extracting a set of metrics and the PMD-Analyser, an analyser that resorts to the PMD Tool to find a set of predefined metrics regarding poor coding practices.
Both analysis’ outcomes feed two other modules: A Metrics Visualizer (a generator of HTML pages 5) which will allow us to make a manual assessment of the source code to infer the programmer’s profile; and a Profile Inference Engine whose goal is to make the profile assignment an automatic process.
Lorem ipsum dolor sit amet, consectetur adipisicing elit. Mollitia neque assumenda ipsam nihil, molestias magnam, recusandae quos quis inventore quisquam velit asperiores, vitae? Reprehenderit soluta, eos quod consequuntur itaque. Nam.
Close ProjectLorem ipsum dolor sit amet, consectetur adipisicing elit. Mollitia neque assumenda ipsam nihil, molestias magnam, recusandae quos quis inventore quisquam velit asperiores, vitae? Reprehenderit soluta, eos quod consequuntur itaque. Nam.
Close ProjectLorem ipsum dolor sit amet, consectetur adipisicing elit. Mollitia neque assumenda ipsam nihil, molestias magnam, recusandae quos quis inventore quisquam velit asperiores, vitae? Reprehenderit soluta, eos quod consequuntur itaque. Nam.
Close ProjectLorem ipsum dolor sit amet, consectetur adipisicing elit. Mollitia neque assumenda ipsam nihil, molestias magnam, recusandae quos quis inventore quisquam velit asperiores, vitae? Reprehenderit soluta, eos quod consequuntur itaque. Nam.
Close ProjectLorem ipsum dolor sit amet, consectetur adipisicing elit. Mollitia neque assumenda ipsam nihil, molestias magnam, recusandae quos quis inventore quisquam velit asperiores, vitae? Reprehenderit soluta, eos quod consequuntur itaque. Nam.
Close ProjectLorem ipsum dolor sit amet, consectetur adipisicing elit. Mollitia neque assumenda ipsam nihil, molestias magnam, recusandae quos quis inventore quisquam velit asperiores, vitae? Reprehenderit soluta, eos quod consequuntur itaque. Nam.
Close Project


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Xiaomi Mi CC9 Pro is the new king of photography at DxOmark
by AbdullahXiaomi Mi CC9 Pro is the new king of photography at DxOmark
4.7 (93.33%) 3 votes
The Xiaomi Mi CC9 Pro breaks new ground in Xiaomi‘s history. The smartphone that will be called Mi Note 10 in global markets has already passed DxOmark’s tests and achieved a fantastic score of 121 points.
The five-camera smartphone that includes the 108MP sensor has achieved a score that placed it at the top of this ranking, with the same points as the Huawei Mate 30 Pro.
Xiaomi Mi CC9 Pro
In terms of photography, the Mi CC9 Pro achieves 130 points (Mate 30 Pro scored 132 points), delivering good results in all situations. According to DxOmark, it preserves the details very well and can greatly avoid noise in the images.
The portraits will be at a good level, and the white balance as well. Night photography offers natural tones, but we are talking about a device that also has flaws. Such as the loss of sharpness towards the edges of images with a high dynamic range.
Zoom is the big photographic highlight
Its native 2x zoom and 4x optical gives it a score of 109 points in this field. While in the video tests, it reaches 102 points, which is the highest number so far on the platform.
The actual use is what will really determine this quality. No matter how high the score is, you should wait for the first user reviews. To see if this is really the device that will make you dispense from professional cameras.


TASK ASSIGNED TO ME:
Page no. 82 (this is urdu page number in book. in PDF, it is page 100 -- to avoid confusion, lets just stick to the urdu numbers)
MY THOUGHT PROCESS WHILE WORKING THIS TASK:
STEP 0) Locate the right page number. See below on top.. it says in urdu numerals 82. I am on right page Alhamdulillah.
STEP 1) Let me drilldown to the content. I see the first entry is - entry #11, Aasaan (Easy). and the entry goes on, till I see another entry start - entry #12. Aasmaan (Sky).
STEP 2) Ok Lets start typing up, now that I know the general format. Bismillah...pg 82: 11 - 'Aasaan' (Easy) key liye yaseer (y s r), awr hayyinun (h w n) ke alfaaz aye hain. #1) ...explanation of yaseer follows... includes ayah reference, for which just write: 4:30. Dont type ayah, meaning. #2) ...explanation of hayyin follows... includes ayah references: 25:63, 46:20, 19:20-21 HaSil (Gist): 1) Yaseer: baat yaa kaam jow faa3il se sahuwlath se sar anjaam paa'ay. 2) hayyinun: woh baat yaa kaam jow faa3il kiy quwwat wa qudrath ke muqable main bahuth kam darjah kaa ho.
STEP 3) Mashallah! That was aasaan, Easy. Thank you Allah! please accept it from me and from them. Ameen.
MODEL EXAMPLE DONE BY EXPERT USTAD NOUMAN HIMSELF: STEP 4) I want to take it to the next level. Do translation to English myself. Here's how. Right below entry 11 - Aasaan above, you will see entry 12 - 'Aasmaan' (Sky) Translate it to proper English as ustad has done below, like this. (See entry #4 "The Sky above" in Ustad's Near Synonyms handout. link at end.) ----------------------------------------------------------------------- The Sky سَمٓاء - Essentially means height without limitation. - Purely linguistically, anything that is above another thing is a سَمٓاء and that which is below is أرض. This explains the usage in ayah 65:12 - 65:12 ٱللَّهُ ٱلَّذِى خَلَقَ سَبْعَ سَمَٰوَٰتٍ وَمِنَ ٱلْأَرْضِ مِثْلَهُنَّ - Where the sky is used for heights above, the word أرض is used for depths below. 7:176 - 7:176 وَلَوْ شِئْنَا لَرَفَعْنَٰهُ بِهَا وَلَٰكِنَّهُۥٓ أَخْلَدَ إِلَى ٱلْأَرْضِ فلك - Though commonly interpreted as the sky, it actually refers to the paths or orbits assigned to planets and stars - These orbits are usually oval in shape and so the word is appropriate in that they resemble the shape of a ship الفُلْك ! - 36:40 وَكُلٌّ فِى فَلَكٍ يَسْبَحُونَ --------------------------------------------------------------------------- Plus around 20 other model entries in Ustad Nouman khan’s NearSynonyms handout EXTRACTED OUT FROM Mutaradifaat book. That's what you are aiming for!
LINK: Near Synonyms handout - Ustad Nouman Khan Was it easy? Be inspired! Now inspire others! may Allah's help be with you. ma'salaam.


Having successfully completed the Bachelor of Science in Information Technology at University of Technology Sydney, I have many years working experiences using Python/C/C++ in Australia and Chinese companies.
[Transport Protocol Stack]
https://github.com/Kiddinglife/geconet[Game Backend Solution]
https://github.com/Kiddinglife/gecoengine[Linkin]
https://www.linkedin.com/in/kiddinglife[Github]
https://github.com/kiddinglife[Email]
<EMAIL_ADDRESS>| Anotherhome | Reverland | ZhiLi | Simmer | awthink | Aralic | zchen9 | wuhuaji | lisheng | 薛彬XueBin | TBOOX


Just getting started with emonTxV2. I have:
- followed build instructions: http://openenergymonitor.org/emon/emontx/make/assemble/buildguide22
- setup arduino environment and uploaded firmware - IDE reports 'Done uploading'
However, there is no LED flash on the emonTx after power cycling. Also I can't see anything on the IDE serial monitor.
Any tips or links on debugging?
Thanks,
Bruce
Re: Getting started emonTx
There's really not enough information there to go on.
How are you powering it?
Did all the voltages look sensible?
Have you checked that the RFM12B module in particular is correctly soldered with no missed joints and no whiskers to adjacent tracks?
Which sketch have you loaded?
Re: Getting started emonTx
Good call... I have unsoldered connections on RFM12B. I will fix when I have soldering iron access tomorrow and try again.
I am using the openenergy USB to FTDI programming adapter and powering the emonTx through this. Vcc to ATMega appears to be okay. I have loaded emonTx_CT123 sketch.
Looking at the code I assumed I should see some output on IDE serial monitor.
Re: Getting started emonTx
You should see the first few 'print' statements in the serial monitor, but you must be quick turning on the monitor in the IDE (Windows) or you will miss them. you might want to add
delay(8000);
(an 8 second delay) right at the beginning of setup( ) to give yourself time to get the serial monitor working. (Ubuntu Linux (at least) sends a reset when you start the monitor, so the sketch restarts and the delay is not necessary. I don't know about OSX.)
Next, the sketch won't get past "rf12_initialize(nodeID, freq, networkGroup);" without the radio module responding, which allows the function to complete and return. If you want to run without it, you'll need to comment out all the statements associated with it. (Basically anything with "rf" in the name.)
An obvious silly: is the LED the right way round? - test it with a one-line sketch "pinMode(9, OUTPUT); digitalWrite(9, HIGH);" should turn it on! But if the sketch was sticking trying to initialise the RFM12B, then the LED would never have been turned on at all.
Re: Getting started emonTx
Thanks for your help Robert. It was the radio module soldering... it pays to examine under a microscope! Resoldered and its working fine.
Re: Getting started emonTx
Hi guys! Just received my EmonTx-V3 board with the RFM12B module and started to play around for the first time, so definitely a new user here. However, it seems I have a related issue.
Setup: EmonTX-V3 board connected via USB-UART cable to PC. Set up Arduino IDE environment with emonTxV3_RFM12B_DiscreteSampling test set. After uploading to the EmonTx-V3 (powered by 9V AC adapter) the code hangs at rf12_initialize(node, freq, networkgroup).
Adding print statements to RF12.cpp shows that the problem is at the following line:
while (digitalRead(RFM_IRQ) == 0)
This always returns true and it stays in the loop.
Visible inspection showed me no clear soldering problems (as mentioned above) at thr RFM12B module, but will do a closer inspection later, although I am not really sure what I'm looking for.
Haven't tested more of the board yet as I was following the guide on the website for setting op the home electricity monitor.
Any tips on what to do next?
Thijs
Re: Getting started emonTx
If the sketch hangs at rf12_initialize( ), then the fault is almost certainly in the RFM12B module or the soldering. You are looking for either a bad joint or a whisker of solder bridging between two tracks. If the solder has not flowed freely to form a smooth shiny fillet between the pad and the module, the joint is suspect. You need to remove as much of the old solder as you reasonably can, and apply fresh. Make sure your iron is hot enough - a cool soldering iron will not only lead to bad joints but it will make you apply the heat for too long and increase the possibility of damaging the PCB. You will do far less damage with a hot iron because you will complete the operation quickly - you should be able to solder a joint like that in under 1 s.
Re: Getting started emonTx
Hi Robert! Thanks for the quick reply. Could it be both at the full RFu328 (2x10 pins) soldering and the RFM12B (2x7 pins) module mounted on it? I will investigate tomorrow in close detail and report back the findings.
Re: Getting started emonTx
I would be almost certain that it's the RFM12B module, but it won't hurt to carefully examine all the joints - and everything else - while you're at it. When you think about it, the main PCB has only the I/O interfacing and power supplies on it, and if the processor is running and sticking when it hits the RFM12B, it has to be between the processor and the RFM12B. It's most unlikely to be in the power supply and can't be in the analogue I/O.
Re: Getting started emonTx
Checked the soldering, it looked ok, but removed as much as I could anyway, applied new soldering, but unfortunately the problem persists. I am going to send the board back for replacement. Not a great start of the DIY project.
Cheers
Thijs
Re: Getting started emonTx
I'm sorry to hear that. If it's any consolation, I think this is the first failure that I've heard of in over 2 years. Have you emailed the shop for advice?


{% extends "layout/default.html" %} {% load bootstrap3 %} {% block title %}Create a Ticket{% endblock %} {% block content %} {% include "djangoRT/navigation.html" %}
You can browse common issues here. Select each answer that fits your problem. If nothing seems to fit, please submit a ticket.
{{ group.desc | safe }}
{% endif %} {% for question in group.questions %}{{ question.desc }}
Fields marked with are required.
{% endblock %}


DaVido & Summer Walker Connect On "A Good Time" Select "D&G"
DaVido and Summer Walker come through with a smooth duet.
by Milca P.D&G
Davido Feat. Summer Walker
Produced by London On Da Track
Editor Rating: VERY HOTTTTT
User Rating: n/a - 0% (0)
This week, Nigerian star DaVido touched down with his A Good Time third studio album, recruiting a slew of collaborators to help deliver the full body of work. Among those features was a look from Summer Walker, who appeared on the project's "D&G" track, co-produced by London on Da Track and Kiddominant.
The song arrives as a smooth offering that finds DaVido's expressive vocals balanced by Walker's relatively muted tones. It makes for an appropriate addition among heavy-hitters that include Chris Brown, Popcaan, Gunna, A Boogie Wit Da Hoodie, and Naira Marley among others.
Get into "D&G" below and be sure to visit A Good Time.


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We’re here because of you.
A few years ago, a small team of people determined to transform banking launched a
savings app for Nigerians. That app was the first step toward Kuda.
Today, we’re even more determined and we’ve built a Central Bank-licensed, microfinance
bank to help you get the best out of your money without overcharging you.
Kuda includes tools for tracking your spending habits, saving more and making the right
money moves.
So no matter who you are or where you live in Nigeria, we’re here because of you. We know
the pain that comes with using a regular bank and we will make things work better for
everyone.
Let’s do this together.
151 Herbert Macaulay Way, Yaba,
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Nigeria
5 New Street Square, London,
EC4A 3TW,
UK
*Kuda Customers get 25 free transfer to other banks every month. Extra transfers to other banks cost ₦10 each. **Kuda account holders can deposit money in over 10,000 branches across Nigeria for free.
© 2021 Kuda Microfinance Bank (RC796975). All rights reserved. All deposits are insured by the Nigerian Deposit Insurance Corporation (NDIC). Kuda Microfinance Bank is licensed by the Central Bank of Nigeria. “Kuda” and “Kudabank” are trademarks of Kuda Technologies Ltd Lagos: 151 Herbert Macaulay Way, Yaba, Lagos. London: 5 New Street Square, London, EC4A 3TW, UK
Kuda Current Account is provided through Kuda Microfinance Bank. All text, graphics, audio files, code, downloadable material, and other works on this website are the copyrighted works of Kuda Microfinance Bank. All Rights Reserved. Any unauthorized redistribution or reproduction of any copyrighted materials on this website is strictly prohibited. Other product and company names are trademarks of their respective owners. This website contains simulated images; actual appearance may vary.


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Release Notes for Apache FOP 1.1
Major Changes in Version 1.1
Note
This is not a complete list of changes, just some of the more important ones.
A full list of changes in this release is available.
Changes to the Code Base
- Update to use of checkstyle-5.5 as default configuration. Remove checkstyle-4.0 configuration. Also, import environment build properties before local properties, so that latter can refer to former. Committed by GA. See Issue 53083.
- Invoke JVM in headless mode from FOP command scripts and JS shell to prevent stealing focus from GUI applications. Committed by GA. See Issue 50062.
- Support list-block in marker, thus preventing NPE. Committed by GA. See Issue 52763.
- Allow https scheme URI for PDF external action target. Committed by GA. Thanks to Paul Huemer. See Issue 51599.
- Fixed incorrect rejection of fo:wrapper inside fo:inline inside fo:footnote-body. Committed by GA. Thanks to Alberto Simões. See Issue 53005.
- Added support for PDF Object Streams. When accessibility is enabled and PDF version 1.5 selected, the structure tree will be stored in object streams in order to reduce the size of the final PDF. Committed by VH. Thanks to Peter Hancock.
- Fixed bug that caused a configured and installed SVG font to be stroked, also added an event indicating when fonts are stroked. Committed by MH. Thanks to Luis Bernardo. See Issue 52849.
- Improved support for empty flow-name mapping. Committed by PH. See Issue 50391.
- Add support for different flow-name of fo:region-body in FOP Committed by CB. Thanks to Peter Hancock. See Issue 50391.
- Allow JPEG images to be embedded in an AFP document as is, without being decoded and encoded. Committed by PH. Thanks to Mehdi Houshmand. See Issue 52089.
- Fix for when the last simple-page-master referenced in a page-sequence-master is not chosen when force-page-count=odd. Committed by PH. Thanks to Mehdi Houshmand. See Issue 51962.
- Upgraded all tests to JUnit 4. Committed by VH. Thanks to Mehdi Houshmand. See Issue 51928.
- Added support for resolution of relative URIs against a specified xml:base during property refinement. Committed by AD. See Issue 48334.
Changes to the User Configuration
- Added configuration option to set the version of the output PDF document. Committed by VH. Thanks to Mehdi Houshmand. See Issue 51385.
Changes to the Font Subsystem
- Add support for OpenType advanced typographic tables (GDEF, GSUB, GPOS). Committed by GA.
- Changes the way PostScript handles Graphics2D images such that if the language is set to level 3, the image is stored as an embedded file which has no length limit. Previously it was stored as an array which has a implementation limit of 65535 elements. Committed by PH. Thanks to Mehdi Houshmand. See Issue 51760.
- Improved support for EBCDIC encoded double byte fonts fo AFP. Committed by PH. Thanks to Mehdi Houshmand. See Issue 51530.
- Reinstated support for being able to specify a font cache filepath in the fop user configuration. Committed by AC.
- Added convenience support for the flushing of the Fop font cache file from the command line. Committed by AC.
Changes to the Image Support
- Support use of ImageLoaderRawPNG decoder in order to prevent re-encoding of PNG images (and unnecssary output file bloat). Committed by GA. Thanks to Luis Bernardo, Matthias Reischenbacher. See Issue 40676.
Changes to the Layout Engine
- Fix for break before (break-before) not respected on blocks nested in inlines. Committed by GA. Thanks to Luis Bernardo. See Issue 45715.
- Ensure square image is appropriately scaled. Committed by GA. Thanks to Luis Bernardo. See Issue 52514.
- Add support for complex scripts, including: full bidi support, support for advanced typographic tables, advanced support for number conversion. Committed by GA. See Issue 32789, 49008, 49687.
- Implemented non-standard behavior for basic-link areas, such that they take into account the heights of their descendants areas. Committed by VH.
- Fix for keep-together does not apply to fo:table-cell. Committed by VH.
- Fix for keep-together on a table containing row-spanning cells that was not honored. Committed by VH.
- Fix forpadding-start ignored when table-header/footer is repeated. Committed by VH. Thanks to Matthias Reischenbacher. See Issue 50196.
- Fix for correct behavior of keep-together.within-line in case there are nested inlines Committed by AD. See Issue 49848.
Changes to Renderers (Output Formats)
- Added possibility to embed TrueType fonts in PostScript. Committed by VH. See Issue 52338.
- Add extension to place code just before PostScript %PageTrailer. Committed by GA. Thanks to Luis Bernardo. See Issue 53295.
- Added support for 128bit encryption in PDF output. Committed by VH. Thanks to Michael Rubin.
- Added an IFDocumentHandler filter for triggering rendering events. Created an Event that captures an end page event with the page number. Committed by PH.
- AFP GOCA: Changed the way FOP fonts are selected based on Batik's GVT fonts to match the behaviour of PDF/PS output. Committed by JM.
- Added option to place AFP NOPs right before the end of a named page group (page-sequence), rather than after the start. Committed by JM.
- Added option for PostScript output to optimize for file size rather than quality. Committed by JM.
- AFP GOCA: Added option to disable GOCA and to control text painting inside GOCA graphics. Committed by JM.
- Increased maximum possible PDF size from 2GB to around 9GB (hard maximum imposed by the PDF specification). Committed by JM.
- Added support for CIE Lab colors (from XSL-FO 2.0 WD). Committed by JM.
- Initial work on spot colors (aka named colors) for PDF output. Committed by JM. Thanks to Patrick Jaromin. See Issue 49403.
- Added ability to embed an external AFP page segment resource file (AFP output only). Committed by JM. Thanks to Peter Hancock. See Issue 49379.


windows
a handy, loosely-coupled jQuery plugin for scrolling windows
a handy, loosely-coupled jQuery plugin for scrolling windows
This plugin allows you to create a single-page website with multiple 'windows' that unroll much like a curtain rises. To navigate, you can use your keyboard, the scrollbar, or your mousewheel. For a demonstration of the different effects, scroll into this document.
With a small fixed text. Oh, and you can see my last selected Instagram pictures on the right.


motional intelligence is something that you can learn with practice; it is not an innate talent. Peter Salovey and John D. Mayer define is as “The ability to monitor one’s own and others’ feelings and emotions, to discriminate among them and to use this information to guide one’s thinking and actions”.
Emotional intelligence helps to create these useful skills: stellar work performance, outstanding leadership, and the ability to create the conditions for happiness.
Two minutes of mindfullness involves bringing awareness to our breathing and sitting without agenda for two minutes. I found this useful in the morning to start the day with clarity and useful in the evening to take a moment to unwind before bed.
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{% extends 'layout-lab-8-a-to-z.html' %} {% block pageTitle %} NHS.UK breast screening content transformation {% endblock %} {% block beforeContent %} {% endblock %} {% block outerContent %} {% endblock %} {% block content %}
Information and advice about routine breast screening and why it is important.
Coronavirus (COVID-19) updates to breast screening
Breast Cancer Now: Breast screening
www.breastcancernow.org
Cancer Research UK: Breast screening
www.cancerresearchuk.org


RT @jr_carpenter: 500 YEARS OF WEIRD CONDIMENT HISTORY WENT INTO THE HEINZ KETCHUP BOTTLE DESIGN http://m.fastcodesign.com/1673352/how-500-years-of-weird-condiment-history-designed-the-heinz-ketchup-bottle (via @unmakingthing…
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Computing and plotting joint confidence regions and intervals. Regions include classical ellipsoids, minimum-volume or minimum-length regions, and an empirical Bayes region. Intervals include the TOST procedure with ordinary or expanded intervals and a fixed-sequence procedure. Such regions and intervals are useful e.g., for the assessment of multi-parameter (bio-)equivalence. Joint confidence regions for the mean and variance of a normal distribution are available as well.
| Version: | 0.3.3 |
| Imports: | boot, KernSmooth, plyr, TSP |
| Suggests: | mvtnorm |
| Published: | 2017-05-12 |
| Author: | Philip Pallmann [aut, cre] |
| Maintainer: | Philip Pallmann <p.pallmann at lancaster.ac.uk> |
| BugReports: | https://github.com/PhilipPallmann/jocre/issues |
| License: | GPL-2 |
| NeedsCompilation: | no |
| Citation: | jocre citation info |
| Materials: | NEWS |
| CRAN checks: | jocre results |
| Reference manual: | jocre.pdf |
| Package source: | jocre_0.3.3.tar.gz |
| Windows binaries: | r-devel: jocre_0.3.3.zip, r-release: jocre_0.3.3.zip, r-oldrel: jocre_0.3.3.zip |
| OS X binaries: | r-release: jocre_0.3.3.tgz, r-oldrel: jocre_0.3.3.tgz |
| Old sources: | jocre archive |
Please use the canonical form https://CRAN.R-project.org/package=jocre to link to this page.


EzPyGame¶
Easier and more pythonic usage of pygame
.
-
class
ezpygame.
Application
(title='EzPyGame App', resolution=(640, 480), update_rate=30)[source]¶ The class for creating a
pygame
application.A simple wrapper around
pygame
, which initializes and quitspygame
as the application starts/ends. Also makes the scene management seamless and fun together withScene
.Example usage:
class Menu(ezpygame.Scene): ... class Game(ezpygame.Scene): ... app = ezpygame.Application( title='My First EzPyGame Application', resolution=(1280, 720), update_rate=60, ) main_menu = Menu() app.run(main_menu)
-
__init__
(title='EzPyGame App', resolution=(640, 480), update_rate=30)[source]¶ Initialize the application with window settings.
Parameters: - title (str) – title to display in the window’s title bar
- resolution (tuple[int,int]) – resolution of the game window
- update_rate (int) – how many times per second to update
-
active_scene
¶ The currently active scene.
-
change_scene
(scene)[source]¶ Change the currently active scene in the application.
This will change the current scene and invoke
Scene.on_exit()
andScene.on_enter()
on the switching scenes (unlessNone
).The scene will change after the next update.
Parameters: scene (Scene) – the scene to change into
-
resolution
¶ The application’s game window’s resolution.
-
run
(scene=None)[source]¶ Run the application.
Parameters: scene (Scene) – initial scene to start the execution from
-
title
¶ The title to display in the application’s game window.
-
-
class
ezpygame.
Scene
[source]¶ An individual scene in the application.
Create a scene by subclassing and overriding any of the methods.
Example usage with two scenes interacting:
class Menu(Scene): def __init__(self): self.font = pygame.font.Font(...) def on_enter(self, previous_scene): self.application.title = 'Main Menu', self.application.update_rate = 30 def draw(self, screen): pygame.draw.rect(...) text = self.font.render(...) screen.blit(text, ...) def handle_event(self, event): if event.type == pygame.MOUSEBUTTONUP: if event.button == 1: game_size = self._get_game_size(event.pos) self.change_scene(Game(game_size)) def _get_game_size(self, mouse_pos_upon_click): ... class Game(ezpygame.Scene): def __init__(self, size): super().__init__() self.size = size self.player = ... ... def on_enter(self, previous_scene): self.previous_scene = previous_scene self.application.title = 'The Game!', sefl.application.update_rate = 60 def draw(self, screen): self.player.draw(screen) for enemy in self.enemies: ... def update(self, dt): self.player.move(dt) ... if self.player.is_dead(): self.application.change_scene(self.previous_scene) elif self.player_won(): self.application.change_scene(...) def handle_event(self, event): ... # Player movement etc.
-
application
¶ The application currently running the scene.
-
draw
(screen)[source]¶ Draw the scene.
Parameters: screen (pygame.Surface) – screen to draw the scene on
-
handle_event
(event)[source]¶ Process an event.
All of
pygame
‘s events are sent here, so filtering should be applied manually in the subclass.Parameters: event (pygame.event.Event) – event to handle
-
on_enter
(previous_scene=None)[source]¶ The scene is entered.
Parameters: previous_scene (Scene) – previous scene to run, or None
-


Ramesh G Jethwani is a prolific "Letters to Editor writer/columnist, who over the decades has written over a thousand "Letters to editor" and few columns, which have been widely published in leading newspapers in India and in GCC(Gulf countries),These letters to editor/ Columns are a testimony to the power of his ideas,his letters and columns short and precious --have served a very useful purpose in drawing the attention of authorities about important issues concerning society and the governmnet. His father always emphasized the importance of public service Read more


Conditionally render the element based on the truthy-ness of the expression value. The element and its contained directives / components are destroyed and re-constructed during toggles. If the element is a <template>
element, its content will be extracted as the conditional block.
{{message}}
{{message}}
This is v-else hidden message!
Now show = {{isShow2}}
Equals to 1
Greater than 1
less than 1


scala
Benchmark can be used to quickly turn an existing class into a benchmark.
Benchmark
Classes inheriting trait Show can test their member methods using the notattion meth(arg1, .
Show
meth(arg1, .
Unit testing methods in the spirit of JUnit framework.