Preparation time
over 2 hours
Cooking time
30 mins to 1 hour
Serves
Serves 4
Fresh seafood is one of life’s joys - just add warm (homemade) bread, lightly whipped butter and mayo.
For the rye bread and butter, place the flour, sugar and salt in a large bowl or a food mixer fitted with a dough hook. Pour 200ml/7fl oz tepid water into a jug and sprinkle over the yeast, mixing to combine. Gradually add the yeasted water to the dry ingredients, mixing continuously, until all of the yeasted water has been incorporated. Add another 150ml/5fl oz water and mix until it comes together as a dough.
Turn the dough out onto a lightly floured work surface and knead well for 5-10 minutes, or until smooth and elastic. Roll the dough into a long sausage shape, then transfer to a baking tray lined with baking parchment, cover loosely with cling film, and set aside to prove for at least 6 hours, but preferably overnight, until the dough has doubled in size.
When the dough has proved, preheat the oven to 220C/200C Fan/Gas 7. Uncover the dough and dust with a little rye flour, then slash the top diagonally a few times using a sharp knife. Bake the loaf in the oven for 30 minutes, or until golden-brown and the base sounds hollow when tapped firmly. Set aside to cool slightly.
Meanwhile, blend the softened butter in a food processor until pale and fluffy, then transfer to a serving dish.
For the fruits de mer, steam the langoustines, razor clams and clams for 5-8 minutes, or until cooked through (discard any clams that do not open during cooking). To do this you can place the different ingredients into separate layers of a steamer and suspend the stack over a pan half-filled with boiling water. Alternatively, steam each ingredient separately using a steamer insert. Set aside.
Cut the lobster in half lengthways and remove the legs and claws. Discard the head contents, leaving just the body meat. Crack the lobster claws and knuckles by bashing them with a rolling pin, then pick out the meat and pile it back into the body shell.
Open the shell of the crab and discard the dead man’s fingers (the sponge-like gills). Remove the claws and crack by bashing them with a rolling pin. Pick out the meat and pile it back into the crab shell.
For the mayonnaise, whisk the egg yolks, mustard, vinegar and lemon juice in a bowl until well combined. Gradually add the oil in a thin stream, whisking continuously, until it has all been incorporated into the mixture to form a thick mayonnaise. Stir in the lemon zest and season, to taste, with salt and freshly ground black pepper.
To serve, pile the seafood, including the oysters and shrimps, onto a large serving platter. Serve the lemon mayonnaise and whipped butter in bowls alongside, with the sliced rye bread.


temps
City
API Key
You need a free api key from
openweathermap
.
Temperature scale
°C
°F
Show weather in menubar
(
auto
white
black
)
Start at login
Time format
24h
12h
Apply
Quit


Saturday-night special
`Prev `__
S
`Next `__
--------------
**Saturday-night special**: n.
[from police slang for a cheap handgun] A
`*quick-and-dirty* <../Q/quick-and-dirty.html>`__ program or feature
kluged together during off hours, under a deadline, and in response to
pressure from a `*salescritter* `__. Such hacks are
dangerously unreliable, but all too often sneak into a production
release after insufficient review.
--------------
+---------------------------------+----------------------------+------------------------+
| `Prev `__ | `Up <../S.html>`__ | `Next `__ |
+---------------------------------+----------------------------+------------------------+
| sanity check | `Home <../index.html>`__ | say |
+---------------------------------+----------------------------+------------------------+


mixed max ( array $values )
If the first and only parameter is an array, max() returns the highest value in that array. If at least two parameters are provided, max() returns the biggest of these values. Note: PHP will evaluate a non-numeric string as 0 if compared to integer, but still return the string if it's seen as the numerically highest value. If multiple arguments evaluate to 0, max() will return a numeric 0 if given, else the alphabetical highest string value will be returned.
max() returns the numerically highest of the parameter values. If multiple values can be considered of the same size, the one that is listed first will be returned. When max() is given multiple arrays, the longest array is returned. If all the arrays have the same length, max() will use lexicographic ordering to find the return value. When given a string it will be cast as an integer when comparing.


Django Demo CSS Framework¶
This is a light reusable framework coded for this test.
The grid¶
The grid it’s Foundations compatible with 12 columns and 5 sizes (small
, medium
, large
, xlarge
and xxlarge
), the number of columns and the sizes can be combiled to generate responsive web pages in a really easy way.
E.g.: You can set the class of a div to small-12 medium-8 large-6 xlarge-4 xxlarge-3
then, for small devices like mobile phones it’s going to have a width of 100%, for tablets-like a width of 66.66%, 50% for pc-like devices and so on.
Mobile first¶
The grid follows the Mobile First
technique, you should start coding the mobile version first, after that you start grown the screen and make adjustments using media queries.
Following this principle, small-12
it’s going to set the width to 100% in every size, and it’s only going to be rewrite if it need it, then small-12 large-6
set width to 100% for small and medium and it’s rewrite to 50% in large and bigger sizes.
Media Queries¶
To make the life easier, the media queries are already set for you, and can be called like this:
@media #{$small-up} { }
@media #{$small-only} { }
@media #{$medium-up} { }
@media #{$medium-only} { }
@media #{$large-up} { }
@media #{$large-only} { }
@media #{$xlarge-up} { }
@media #{$xlarge-only} { }
@media #{$xxlarge-up} { }
@media #{$xxlarge-only} { }
Transition Helper¶
This it’s a simple but powerfull weapon to make interfaces look nicer, just add the class transition
and every change in the css it’s going to be distributed in 500ms.
Ps: You can cancel the effect adding the class notransition
.


class: center, middle # NoSQL (and big data) --- class: center # Vertical scaling
--- class: center # Horizontal scaling
+
+
+ ... +
--- class: center # Sharded cluster App
Middleware (config servers)
+
+
+ ... +
--- # Constraints (Most likely) no autoincrementing int primary key. Hello `uuid`! --- # Cardinality Sharding key cardinality should match the number of nodes in the cluster.
--- # Key frequency We want equal probability for each key range (or hash). (And don't want to shard keys to increase monotonically.)
--- # Query restrictions To take advantage of sharding, sharding key must be part of the query. ___ App
Middleware
+
+
+ ... +
+
+
+ ... +
--- # What about relationships? .center[![Shopping cart](cart.svg)] --- # NoSQL is all about embedding ```js { _id: "f1e4acc6-2aab-4b98-a9fe-28f78eb0d645", user: { name: "Máximo Afonso", // ... }, billingAddress: { /* ... */ } items: [ { name: "The Double", categories: ["books", "hardcover"] // ... } ], // ... } ``` --- # Schema type SQL: relational (collection of tables) NoSQL: document with embedded fields --- # Query language SQL: (pretty) standard NoSQL: idiosyncratic (each vendor has it's own) --- # Query structure SQL: generic (connect anything with foreign keys) NoSQL: Document structure must match query pattern --- # Query structure NoSQL cannot be domain agnostic User has photos? ```js { user: "Máximo", photos: [ { caption: "Me watching TV", tags: [] } ] } ``` Or photos belong to user? ```js { caption: "Me watching TV", tags: [], user: "Máximo" } ``` --- # Schema design SQL: domain agnostic NoSQL: domain specific --- # Scalability SQL: limited NoSQL: virtually unlimited #
--- # Other reasons to use NoSQL * Quick prototyping * Persistent document storage * Naturally polymorphic data * Your document represents your app --- # NoSQL use case http://demographi.ca


About this mail
I have found an entry in the settings file PROJECT/Documentation/Settings.cfg
about emailing.
Therefore I'm sending this report to %(receivers_from_settings_cfg)s.
I saw a 'no', so I'm not really going to send a mail.
I did not find an entry about emailing in the settings file PROJECT/Documentation/Settings.cfg.
Therefore I have looked around for email addresses in the project and I am now sending this report
to %(receivers_from_project)s.
To configure emailing
Add a setting to PROJECT/Documentation/Settings.cfg to specify what you want.
To have one or more receivers notified write:
[notify]
about_new_build = email-1 [, email-2, ...]
Or turn notification off by setting one email to 'no':
[notify]
about_new_build = no


I had been reading a few days ago about codeine & morphine content of poppy seeds, and that they may be made into a tea using a simple lemon juice extraction. I decided to try a test run, as very conflicting information regarding dosage was found online.
Note that I have no opiate or any other tolerance.
55g of store bought poppy seeds were ground for about 60 seconds in three portions in a mortar & pestle. These were placed in a glass jar and covered with 4oz of lemon juice concentrate and about 8oz of steaming hot water. The mixture was allowed to steep with stirring for about 45 minutes, then filtered through a piece of clean cloth into a glass. The liquid had turned a whitish color, with small beads of a refractive oil floating on top. Ice, sugar, and water were added, and the mixture ended up tasting like lemonade with a hint of some type of flowery taste. No horrible flavor like some had mentioned.
About half of this was drank over a 15 minute period.
T+0:30h - A mild numbness of the skin is noted, along with a slight slowing of coordination. Feels like 5mg or so of hydrocodone.
T+1:00h - Effects remain constant. The other portion of the tea was consumed over another 15 minutes.
T+1:30h - A little bit stronger, but not much. Still at the level of a weak hydrocodone dose. This continues at this level until I'm ready for some sleep, around T+7:00h.
T+7:30h - Sleep comes easy, but I awake often due to profuse sweating over the next couple of hours.
T+14:00h - Awake to alarm. Skin is still numb, and feeling a little queasy. Decide this would be a good day to stay in.
Current. My skin is still a little numb, feels like after-effects at this point though. No negative side effects except the queasyness upon awakening.
I feel that this might be more useful in a larger amount, but am also concerned with how long it lasted / is still lasting. Almost 24 hours later I am at baseline but feel worn out, as though I hadn't really slept more than a couple of hours last night. Still, I will probably repeat if I have a long weekend available.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


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WEPPCAT is an interactive, iterative tool used for helping to understand and assess management practice (BMP) effectiveness under user-defined climate change scenarios. The purpose of this product is to provide interested users an online tool that can be used for assessing and managing the impacts of climate change on erosion rates for soils under agricultural management in the United States. WEPPCAT utilizes the capabilities of the WEPP model, in conjunction with climate generation tools CLIGEN (USDA-ARS) and RockCLIME (USDA-FS). It also includes a new capability to independently alter the intensity of rainfall events for any location's climate in the nation.


Come visit us and check out our lovely B&B and quaint comfy rooms. Each room is personally decorated. Click me to edit me..
Thatched roofs, country styling, hectares of property to wander and discover. Come visit us soon!.
Nestled in the heart of the country-side, our B&B is perfectly located for the weekend break or a leisurely mid-week holiday.


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appliance suppliers in the UK, supplying a wide range of built-in, integrated and free standing :-
American
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machines,
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Hello. My name is Phil MacEachron. I moved around when growing up, living on the east and west coasts of the US, as well as in New Delhi, India. I studied physics in college and worked in the aerospace industry for few years where I developed low-gravity fluid devices.
I love building things that help people, learning, helping others learn, and spending time in nature. Currently I’m exploring the potential of spatial computing to improve physics education.
This is a work-in-progress. I'm building it off the framework of CurieVR, but instead of only having pre-made simulations like CurieVR, it provides the tools for users to make their own educational physics simulations and lessons, and share them with others. It is multi-user and cross-platform, working on mobile and PC 6DoF VR systems, as well as in a desktop version in web browsers using WebGL.
CurieVR is a multi-user virtual physics classroom, for use in online education. It is available on Steam for PC VR in a closed beta. If you'd like a key, please email: phil at curievr.com. It contains interactive simulations to visualize and experiment with physics concepts, as well as learning tools such as a networked blackboard, slide deck, calculator, stopwatch, and tape measure.
Users can share their own slides in the app via an embedded chromium browser. The app communicates with a simple Flask server written in Python and hosted on Google App Engine. The server accesses the Google Slides API to query data from the slide deck in order to create buttons that can be clicked in the app to jump to different slides and read widgets on the current slide to pose questions or load a simulation.


Velvet Goldmine (1998) Ewan McGregor, Jonathan Rhys Meyers, Toni Collette, Christian Bale, Eddie Izzard, Emily Woof, Michael Feast, Janet McTeer, Maraid McKinley. Written by Todd Haynes, based on a story by Haynes and James Lyons. Directed by Todd Haynes 120 minutes. Rated R, 1.5 stars (out of five stars)
Review by Ed Johnson-Ott, NUVO Newsweekly www.nuvo-online.com Archive reviews at http://us.imdb.com/M/reviews_by?Edward+Johnson-ott To receive reviews by e-mail at no charge, send subscription requests to<EMAIL_ADDRESS>Todd Haynes, acclaimed for his 1995 feature, "Safe," has pulled off quite a feat with "Velvet Goldmine." Incredibly, the writer-director manages to take the British glam-rock era, one of the most colorful, outrageous, fascinating periods in the history of contemporary music, and turn it into 120 minutes of unfocused, surrealistic crap. This overwrought mishmash of style without substance most closely resembles Ken Russell's film version of "Tommy," and it's just as annoying.
Essentially, "Velvet Goldmine" simply rips-off the story of David Bowie through his Ziggy Stardust days, with one crucial difference. Bowie was interesting and Brian Slade (Jonathan Rhys Meyers) is not. Bowie's breakthrough came in the '70s, when he pushed the prevailing hippie mentality into a more theatrical, androgynous zone. He achieved notoriety in England by dressing in a frock and trumpeting his bisexuality. Global success came when he adopted the persona of Ziggy Stardust, an orange- haired alien without eyebrows or defined gender, slinking about the stage in feathered boas, inventive make-up and bizarre clothing. With his out- of-date slang and cheesy sci-fi imagery, Bowie seemed less like a genuine rock singer and more like an actor playing one, but damned if he wasn't fun to watch. And it was easy to overlook his mannered, occassionally wince-inducing lyrical affectations, because the man wrote absolutely terrific songs.
During the Ziggy days, Bowie hit the publicity circuit with his look-a- like wife, Angela, even as rumors circulated about him being spotted in the sack with Mick Jagger. When Johnny Carson asked Angela if she was concerned about all the girls chasing her husband, she cooed "Oh no, darling, it's the boys I have to worry about." Shortly before ditching the Ziggy persona for a white-suited soul identity, Bowie told reporters of his belief that, sooner or later, a rock singer would be assassinated onstage.
Haynes takes it from there. In his story, Brian Slade fakes his own onstage death, but is exposed as a fraud and falls from grace with fans. Ten years later, melancholy journalist Arthur Stuart (Christian Bale) is assigned a "whatever happened to" story, and sets out to discover the final fate of Brian Slade. The "Citizen Kane" framework, while pretentious, provides the only successful facet of the production, with Bale offering a strong performance as a former glam fan whose painful memories of trying to make the glitter scene are stirred by the investigation.
 Instead of delving into the psyches of the characters, Haynes trots out a series of tedious rock videos, tacked together with preening actors, elaborate fashion shows and periodic make-out scenes between the boys. Having a bad actor in the lead role doesn't help matters. As Brian Slade, Jonathan Rhys Meyers is woefully inadequate, projecting zero charisma as he pouts his way through the movie. Never for a moment do you believe this kid could orchestrate his own superstardom.
Ewan McGregor is better as Curt Wild, an American rocker who is the object of Slade's affections. Wild is supposed to be modeled after legendary punk-burnout and Bowie protégé Iggy Pop, though McGregor's performance is more reminiscent of Kurt Cobain than Iggy.
In a supporting role, Toni Collette does what she can as Mandy, Slade's wife. She makes little impression during the flashbacks, but has a certain Marianne Faithfull ravaged survivor quality in the latter-day interview scenes set in a dingy pub. As Brian Slade's manager, Eddie Izzard merely growls and struts.
"Velvet Goldmine" is maddening because it takes material with great potential and utterly wastes it. The glam rock era was a heady time, with its sexual experimentation, blurred gender lines, grandiose theatrics and knock-out music. Instead of probing the minds behind the phenomena, Todd Haynes settles for a gauzy surface glance; a tarted-up tribute without any oomph. "Velvet Goldmine" is to glam rock what the "Beatlemania" stage show was to the Beatles; just a bunch of poseurs going through the motions. David Bowie refused to let Haynes use his name or any of his music for the movie. Good for him. Hopefully, Bowie will wait until a filmmaker comes along with the chops to really do justice to the dizzying saga of Ziggy Stardust.
© 1998 Ed Johnson-Ott
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Classes and Objects¶
Original Source:
Class¶
A class is a user-defined blueprint or prototype from which objects are created. Classes provide a means of bundling data and functionality together. Creating a new class creates a new type of object, allowing new instances of that type to be made. Each class instance can have attributes attached to it for maintaining its state. Class instances can also have methods (defined by its class) for modifying its state.
To understand the need for creating a class let’s consider an example, let’s say you wanted to track the number of dogs which may have different attributes like breed, age. If a list is used, the first element could be the dog’s breed while the second element could represent its age. Let’s suppose there are 100 different dogs, then how would you know which element is supposed to be which? What if you wanted to add other properties to these dogs? This lacks organization and it’s the exact need for classes.
Class creates a user-defined data structure, which holds its own data members and member functions, which can be accessed and used by creating an instance of that class. A class is like a blueprint for an object.
Some points on Python class:
Classes are created by keyword
class
.Attributes are the variables that belong to class.
Attributes are always public and can be accessed using dot (.) operator. Eg.: Myclass.Myattribute
Objects¶
An Object is an instance of a Class. A class is like a blueprint while an instance is a copy of the class with actual values. It’s not an idea anymore, it’s an actual dog, like a dog of breed pug who’s seven years old. You can have many dogs to create many different instances, but without the class as a guide, you would be lost, not knowing what information is required.
An object consists of :
State : It is represented by attributes of an object. It also reflects the properties of an object.
Behavior : It is represented by methods of an object. It also reflects the response of an object with other objects.
Identity : It gives a unique name to an object and enables one object to interact with other objects.
Declaring Objects (Also called instantiating a class)¶
When an object of a class is created, the class is said to be instantiated. All the instances share the attributes and the behavior of the class. But the values of those attributes, i.e. the state are unique for each object. A single class may have any number of instances.
class Dog:
'''Attributes of the class'''
attribute1 = "Mammal"
attribute2 = "Dog"
'''Functions'''
def who_am_i(self):
print("I am a "+ self.attribute1)
print("I am a "+ self.attribute2)
'''Creating an object of the class'''
Tommy = Dog()
'''Accessing the characteristics of Tommy'''
print(Tommy.attribute1)
print(Tommy.attribute2)
Tommy.who_am_i()
Output:
Mammal
Dog
I am a Mammal
I am a Dog
self
¶
self represents the instance of the class. By using the self
keyword we can access the attributes and methods of the class in python. It binds the attributes with the given arguments.
The reason you need to use self
is because Python does not use the @
syntax to refer to instance attributes. Python decided to do methods in a way that makes the instance to which the method belongs be passed automatically, but not received automatically: the first parameter of methods is the instance the method is called on.
When we call a method of any object as myobject.method(arg1, arg2)
, this is automatically converted by Python into MyClass.method(myobject, arg1, arg2)
– this is all the special self
is about. This is similar to this
pointer in C++ and this
reference in Java.
Note
Self
is a convention and not a real python keyword
self
is parameter in function and user can use another parameter name in place of it. But it is advisable to use self
because it increase the readability of code.
__init__ method
¶
The __init__ method
is similar to constructors in C++ and Java. Constructors are used to initialize the object’s state. The task of constructors is to initialize(assign values) to the data members of the class when an object of class is created. Like methods, a constructor also contains collection of statements(i.e. instructions) that are executed at time of Object creation. It is run as soon as an object of a class is instantiated. The method is useful to do any initialization you want to do with your object
class person:
'''Initilizing the name of the object'''
def __init__(self, name):
self.name = name
def say_hi(self):
print("Hello! I am "+ self.name)
person1 = person("Rahul")
person1.say_hi()
'''This will throw an error'''
person2 = person()
person2.say_hi()
Output:
Hello! I am Rahul
TypeError: __init__() missing 1 required positional argument: 'name'
Class and Instance Variables¶
Instance variables are for data unique to each instance and class variables are for attributes and methods shared by all instances of the class. Instance variables are variables whose value is assigned inside a constructor or method with self
whereas class variables are variables whose value is assigned in the class.
'''Class for Dog'''
class Dog:
'''This is the class variable
Every instance will have the same value'''
animal = 'dog'
'''The init method or constructor'''
def __init__(self, breed, color):
'''These are the instance variable
Every object will have the different value'''
self.breed = breed
self.color = color
'''Objects of Dog class'''
Rodger = Dog("Pug", "brown")
Buzo = Dog("Bulldog", "black")
'''Each object will have same class variable: Dog
But will have different instance variable: Breed/Color'''
print('Rodger details:')
print('Rodger is a', Rodger.animal)
print('Breed: ', Rodger.breed)
print('Color: ', Rodger.color)
print('Buzo details:')
print('Buzo is a', Buzo.animal)
print('Breed: ', Buzo.breed)
print('Color: ', Buzo.color)
'''Class variables can be accessed using class name also'''
print("Accessing class variable using class name: "+ Dog.animal)
Output:
Rodger details:
Rodger is a dog
Breed: Pug
Color: brown
Buzo details:
Buzo is a dog
Breed: Bulldog
Color: black
Accessing class variable using class name: dog


Directions: Identify which type of programmer(Front End, Back end, Mobile Programmer or Data Analyst) would work on the features of Project Compass. Type your answers between the paragraph tags and be sure to provide an brief explanation for your choice.
1. Which programmer would build and manage the database for storing map pin locations in Project Compass?
Back End Programmers would build and manage the database for storing map pin locations in Project Compass.
They are responsible for making the website work by ensuring the database contains the correct and relevant data.
2. Which programmer would make Project Compass responsive on different screen sizes on the web?
Front End Programmers would make Project Compass responsive on different screen sizes on the web.
They would use html and css to ensure this aspect meets the needs of different hardware Users, in order to make their website User friendly.
3. Which type of mobile programmer (Android or iOS) would be using Swift to turn Project Compass into a mobile app?
An iOS mobile programmer would use Swift to turn Project Compass into a mobile app. Apple use this app software for their iPhones.
4. Which programmer would add the image to Project Compass?
The Front End Programmer would add the image to Project Compass.
The Front End Programmer uses html and css code to acquire images from source.
5. Who would evaluate information about Project Compass users to give insights for product decisions?
The Data Analyst would evaluate information about Project Compass users to give insights for product decisions.
The Data Analyst is responsible for analysing the behaviour of users of the website.
6. Who would make requests to the Google Maps API in Project Compass?
The Front End Programmer as a developer would make requests to the Google Maps API in Project Compass.
The developer of a website would send a get request to the server as the client in order to interact with the apps server.
7. Which programmer would need to consider hardware components to make Project Compass usable with a microphone or camera?
The Back End Programmer would need to consider hardware components to make Project Compass usable with a microphone or camera.
The Back End Programmer deals with the required computer hardware necessary to make the software function effectively.
8. Which programmer would make a post request endpoint to add comments onto Project compass?
The Front End Programmer would make a post request endpoint to add comments onto Project compass.
The Front End Programmer is responsible for designing the website to meet user needs.
9. Which programmer would look at user clicking rates on Project Compass to make recommendations for external tourism sites?
The Data Analyst would look at user clicking rates on Project Compass to make recommendations for external tourism sites.
The Data Analyst is responsible for analysing user's habits and behaviour.
10. After evaluating these four different paths into programming, which role are you most interested in pursuing? Why?
I would be most interested in pursuing a role in either Front End programming or Mobile App programming.
Not only would I be in a position to teach these areas in school to my students, but I would also have another career option available to me. However, outside of teaching, I would be really be interested in pursuing a career in Front End Programming because I would get the opportunity to learn different programing languages such as Javascript.
I would be able to create programmes that the user can happily interact with and I would be able to design website apps and see the results of my work being used to meet the individual needs of the user.
I have been disappointed with some of the mobile apps out there for android phones, the one's that I have downloaded from the play store never seem to perform in the way that they claim to be able to, and I always end up deleting them from my phone.


Athena is the Greek goddess of wisdom and battle strategy, and was also the patron goddess of heroes. Odysseus was a great hero among the Greeks, and so had Athena’s favor and aid in many of his exploits. She was also a key goddess in the story of "The Odyssey" as a divine assistant to Odysseus on his journey home.
From the very beginning of the Odyssey, Athena is helping Odysseus. Her first act is persuading Zeus to send Hermes to Ogygia, Calypso's island, to inform her that it was Zeus’s will that Odysseus continued his journey home. No one could disobey Zeus, so Calypso was forced to let Odysseus go despite her own wishes to have him stay on the island forever. Athena also secures Odysseus' future through other characters, such as the Phaecian Princess Nausicaa.
Athena has also done minor things to help out Odysseus, such as improving his appearances so that he is respected by other characters. An example of direct assistance by Athena includes when she led Odysseus to the palace of the Phaecian in the disguise of a beggar. She also helps him directly by transforming him into an old beggar in the later books of the odyssey. Athena has also helped Odysseus indirectly by planting ideas into his head.
Poseidon is the Greek god of the sea and the brother of Zeus, Hades, Hera, Hestia and Demeter.  He appears to be very spiteful in The Odyssey and actively causes problems for Odysseus on sight. Although he cannot kill Odysseus, as it is his destiny to return home, he makes every effort to make Odysseus suffer.
Hermes is Patron of Travellers, Messenger of the gods and the king of thieves and one of the 12 Olympian gods. Hermes appears three times in the Odyssey. The first time is to deliver a message to Calypso to let Odysseus return home. The second time, he appears to Odysseus to warn him about Circe. The third time he is sent to escort the spirits of the suitors from the halls of Odysseus's home to the underworld.
Zeus is the King of the gods and God of Thunder, lightning, sky, and girls (and the Patron of guest friendship too).
Keeper of the Winds, Aeolus gives Odysseus a tightly closed bag full of the captured winds so he could sail easily home to Ithaca.
Helios is the God of the Sun. He is the son of the Titan Hyperion and the Titaness Theia.
Goddess of snow, ice and wind, Khione is daughter of Boreas, god of the cold north-winds.


- Become competent engineers with continuous professional advancement and learning in Information Technology.
- Design and develop computing systems using modern technologies that cater to societal and environmental needs.
- Function effectively as professionals having good communication skills, leadership qualities with ethical and social commitment.


|
Stone Axe |
4 |
13 to 22 |
1.15 |
20.1 |
17 |
0 |
0 |
|
|
|
|
Jade Chopper |
9 |
23 to 36 |
1 |
29.5 |
31 |
0 |
0 |
|
|
|
|
Woodsplitter |
13 |
19 to 40 |
1.2 |
35.4 |
36 |
17 |
0 |
|
|
|
|
Poleaxe |
18 |
28 to 42 |
1.25 |
43.8 |
44 |
25 |
0 |
|
|
|
|
Double Axe |
23 |
37 to 61 |
1.15 |
56.4 |
62 |
27 |
0 |
|
|
|
|
Gilded Axe |
28 |
42 to 57 |
1.25 |
61.9 |
64 |
37 |
0 |
|
|
|
|
Shadow Axe |
33 |
47 to 71 |
1.2 |
70.8 |
80 |
37 |
0 |
|
|
|
|
Jasper Chopper |
37 |
64 to 100 |
1 |
82 |
100 |
29 |
0 |
|
|
|
|
Timber Axe |
41 |
46 to 96 |
1.2 |
85.2 |
97 |
45 |
0 |
|
|
|
|
Headsman Axe |
45 |
59 to 88 |
1.25 |
91.9 |
99 |
57 |
0 |
|
|
|
|
Labrys |
49 |
69 to 114 |
1.15 |
105.2 |
122 |
53 |
0 |
|
|
|
|
Noble Axe |
52 |
71 to 96 |
1.25 |
104.4 |
113 |
65 |
0 |
|
|
|
|
Abyssal Axe |
55 |
74 to 110 |
1.2 |
110.4 |
128 |
60 |
0 |
|
|
|
|
Karui Chopper |
58 |
94 to 147 |
1 |
120.5 |
151 |
43 |
0 |
|
|
|
|
Sundering Axe |
60 |
65 to 134 |
1.2 |
119.4 |
149 |
76 |
0 |
|
|
|
|
Ezomyte Axe |
62 |
75 to 113 |
1.25 |
117.5 |
140 |
86 |
0 |
|
|
|
|
Vaal Axe |
64 |
82 to 137 |
1.15 |
125.9 |
158 |
76 |
0 |
|
|
|
|
Despot Axe |
66 |
80 to 108 |
1.25 |
117.5 |
140 |
86 |
0 |
|
|
|
|
Void Axe |
68 |
79 to 119 |
1.2 |
118.8 |
149 |
76 |
0 |
|
|
|


This is a website for a New York based poet and author. It's built on Wordpress with a custom theme. This image is from an early design.


Given a class named Patient
. It has one string property name
.
You must add the say
member function. The function prints the text containing the name of a patient (instead of "...") and their desire to see a doctor:
Hello, my name is ..., I need a doctor.
The function doesn't take any arguments and returns nothing.


By adding splide-extension-video to Splide, you can assign HTML video, YouTube or Vimeo videos to slides.
Demo
Click to Play
A play button will appear on a slide where a video is assigned.
Autoplay
Videos are played automatically after a slider is initialized or it moves.
Installation
NPM(Recommended)
Get the latest extension by NPM:
$ npm install @splidejs/splide-extension-video
Link to the stylesheet:
<link rel="stylesheet"<EMAIL_ADDRESS>Mount the extension to the Splide:
import Splide from '@splidejs/splide';
import Video from '@splidejs/splide-extension-video';
new Splide( '#splide' ).mount( { Video } );
CDN or Hosting Files
Visit jsDelivr and get the links of the latest files or download files from the dist drectory . Then import minified stylesheet and JavaScript files on your site:
<link rel="stylesheet" href="https://cdn.jsdelivr.net/npm/<EMAIL_ADDRESS>


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This display piece was rescued from a Toys 'R Store during their liquidation process. It is roughly 38 cm long.


CN conductors’ union gives 72-hour strike notice
Canadian National Railways conductors, trainpersons and yardpersons have given strike notice ahead of a Tuesday deadline.
The union, which represents 3,200 workers, provided the 72-hour notice today as contract negotiations continue over the weekend.
CN Rail to lay off 1,600 employees amid weakening economy, trade tensions
The Teamsters Canada Rail Conference warned in October it was prepared to launch job action after over six months of unsuccessful talks.
A strike could begin at 12:01 a.m. on Nov. 19 now that the notice has been provided.
The company says its offer to enter into binding arbitration was declined by the union.
The workers, who are mostly located in major urban centres across Canada, have been without a contract since July 23.
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WELCOME TO
GHOST HUNT
In this game, you will randomly assigned to the realm of the living, or the life of the dead. Depending on your fate, it will be imperative that you succesfully HUNT or HIDE.
Don't forget, you are not alone in your endeavors.
HUNTERS must work together to track and expel the ghost. Shine your light on it, and that should be enough to dispel the spirit. Don’t forget, even if you can’t see them, the GHOSTS can see you.
GHOSTS must work together to avoid the HUNTERS. Be wary spirits, you may not be visible to the HUNTERS, but by passing through objects, you alert them to your position.
Good luck, and Happy Haunting!
CLICK TO START


| #A1288 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 245 | 5 |
| #A1289 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 245 | 5 |
| #A1290 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 245 | 5 |
| #A1291 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 254 | 5 |
| #A1292 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 254 | 5 |
| #A1293 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 254 | 5 |
| Severity | Rule | Message | Line | Col | |
|---|---|---|---|---|---|
| #A1294 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 695 | 5 |
| #A1295 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 695 | 5 |
| #A1296 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 695 | 5 |
| #A1297 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 706 | 5 |
| #A1298 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 706 | 5 |
| #A1299 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 706 | 5 |
| Severity | Rule | Message | Line | Col | |
|---|---|---|---|---|---|
| #A1300 | error | RightCurlyAlone | '}' at column 3 should be alone on a line. | 71 | 3 |
| #A1301 | error | RightCurlyAloneOrSingleLine | '}' at column 3 should be alone on a line. | 71 | 3 |
| #A1302 | error | RightCurlySame | '}' at column 3 should be alone on a line. | 71 | 3 |
| #A1303 | error | RightCurlyAlone | '}' at column 3 should be alone on a line. | 102 | 3 |
| #A1304 | error | RightCurlyAloneOrSingleLine | '}' at column 3 should be alone on a line. | 102 | 3 |
| #A1305 | error | RightCurlySame | '}' at column 3 should be alone on a line. | 102 | 3 |
| #A1306 | error | RightCurlyAlone | '}' at column 3 should be alone on a line. | 117 | 3 |
| #A1307 | error | RightCurlyAloneOrSingleLine | '}' at column 3 should be alone on a line. | 117 | 3 |
| #A1308 | error | RightCurlySame | '}' at column 3 should be alone on a line. | 117 | 3 |
| Severity | Rule | Message | Line | Col | |
|---|---|---|---|---|---|
| #A1309 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 188 | 5 |
| #A1310 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 188 | 5 |
| #A1311 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 188 | 5 |
| #A1312 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 198 | 5 |
| #A1313 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 198 | 5 |
| #A1314 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 198 | 5 |
| #A1315 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 209 | 5 |
| #A1316 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 209 | 5 |
| #A1317 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 209 | 5 |
| #A1318 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 220 | 5 |
| #A1319 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 220 | 5 |
| #A1320 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 220 | 5 |
| #A1321 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 230 | 5 |
| #A1322 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 230 | 5 |
| #A1323 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 230 | 5 |
| #A1324 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 240 | 5 |
| #A1325 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 240 | 5 |
| #A1326 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 240 | 5 |
| #A1327 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 250 | 5 |
| #A1328 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 250 | 5 |
| #A1329 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 250 | 5 |
| Severity | Rule | Message | Line | Col | |
|---|---|---|---|---|---|
| #A1330 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 185 | 5 |
| #A1331 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 185 | 5 |
| #A1332 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 185 | 5 |
| #A1333 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 195 | 5 |
| #A1334 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 195 | 5 |
| #A1335 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 195 | 5 |
| #A1336 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 206 | 5 |
| #A1337 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 206 | 5 |
| #A1338 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 206 | 5 |
| #A1339 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 217 | 5 |
| #A1340 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 217 | 5 |
| #A1341 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 217 | 5 |
| #A1342 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 227 | 5 |
| #A1343 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 227 | 5 |
| #A1344 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 227 | 5 |
| #A1345 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 237 | 5 |
| #A1346 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 237 | 5 |
| #A1347 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 237 | 5 |
| #A1348 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 247 | 5 |
| #A1349 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 247 | 5 |
| #A1350 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 247 | 5 |
| Severity | Rule | Message | Line | Col | |
|---|---|---|---|---|---|
| #A1351 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 187 | 5 |
| #A1352 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 187 | 5 |
| #A1353 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 187 | 5 |
| #A1354 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 197 | 5 |
| #A1355 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 197 | 5 |
| #A1356 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 197 | 5 |
| #A1357 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 208 | 5 |
| #A1358 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 208 | 5 |
| #A1359 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 208 | 5 |
| #A1360 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 219 | 5 |
| #A1361 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 219 | 5 |
| #A1362 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 219 | 5 |
| #A1363 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 229 | 5 |
| #A1364 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 229 | 5 |
| #A1365 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 229 | 5 |
| #A1366 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 239 | 5 |
| #A1367 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 239 | 5 |
| #A1368 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 239 | 5 |
| #A1369 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 249 | 5 |
| #A1370 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 249 | 5 |
| #A1371 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 249 | 5 |
| Severity | Rule | Message | Line | Col | |
|---|---|---|---|---|---|
| #A1372 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 77 | 5 |
| #A1373 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 77 | 5 |
| #A1374 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 77 | 5 |
| #A1375 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 83 | 5 |
| #A1376 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 83 | 5 |
| #A1377 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 83 | 5 |
| Severity | Rule | Message | Line | Col | |
|---|---|---|---|---|---|
| #A1378 | error | RightCurlyAlone | '}' at column 3 should be alone on a line. | 49 | 3 |
| #A1379 | error | RightCurlyAloneOrSingleLine | '}' at column 3 should be alone on a line. | 49 | 3 |
| #A1380 | error | RightCurlySame | '}' at column 3 should be alone on a line. | 49 | 3 |
| #A1381 | error | RightCurlyAlone | '}' at column 3 should be alone on a line. | 68 | 3 |
| #A1382 | error | RightCurlyAloneOrSingleLine | '}' at column 3 should be alone on a line. | 68 | 3 |
| #A1383 | error | RightCurlySame | '}' at column 3 should be alone on a line. | 68 | 3 |
| #A1384 | error | RightCurlyAlone | '}' at column 3 should be alone on a line. | 76 | 3 |
| #A1385 | error | RightCurlyAloneOrSingleLine | '}' at column 3 should be alone on a line. | 76 | 3 |
| #A1386 | error | RightCurlySame | '}' at column 3 should be alone on a line. | 76 | 3 |
| #A1387 | error | RightCurlyAlone | '}' at column 3 should be alone on a line. | 84 | 3 |
| #A1388 | error | RightCurlyAloneOrSingleLine | '}' at column 3 should be alone on a line. | 84 | 3 |
| #A1389 | error | RightCurlySame | '}' at column 3 should be alone on a line. | 84 | 3 |
| #A1390 | error | RightCurlyAlone | '}' at column 3 should be alone on a line. | 103 | 3 |
| #A1391 | error | RightCurlyAloneOrSingleLine | '}' at column 3 should be alone on a line. | 103 | 3 |
| #A1392 | error | RightCurlySame | '}' at column 3 should be alone on a line. | 103 | 3 |
| Severity | Rule | Message | Line | Col | |
|---|---|---|---|---|---|
| #A1393 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 262 | 5 |
| #A1394 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 262 | 5 |
| #A1395 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 262 | 5 |
| #A1396 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 274 | 5 |
| #A1397 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 274 | 5 |
| #A1398 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 274 | 5 |
| #A1399 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 286 | 5 |
| #A1400 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 286 | 5 |
| #A1401 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 286 | 5 |
| #A1402 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 298 | 5 |
| #A1403 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 298 | 5 |
| #A1404 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 298 | 5 |
| Severity | Rule | Message | Line | Col | |
|---|---|---|---|---|---|
| #A1405 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 394 | 5 |
| #A1406 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 394 | 5 |
| #A1407 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 394 | 5 |
| #A1408 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 409 | 5 |
| #A1409 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 409 | 5 |
| #A1410 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 409 | 5 |
| #A1411 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 424 | 5 |
| #A1412 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 424 | 5 |
| #A1413 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 424 | 5 |
| #A1414 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 446 | 5 |
| #A1415 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 446 | 5 |
| #A1416 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 446 | 5 |
| #A1417 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 461 | 5 |
| #A1418 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 461 | 5 |
| #A1419 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 461 | 5 |
| #A1420 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 476 | 5 |
| #A1421 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 476 | 5 |
| #A1422 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 476 | 5 |
| #A1423 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 492 | 5 |
| #A1424 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 492 | 5 |
| #A1425 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 492 | 5 |
| #A1426 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 499 | 5 |
| #A1427 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 499 | 5 |
| #A1428 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 499 | 5 |
| #A1429 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 514 | 5 |
| #A1430 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 514 | 5 |
| #A1431 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 514 | 5 |
| #A1432 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 529 | 5 |
| #A1433 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 529 | 5 |
| #A1434 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 529 | 5 |
| #A1435 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 545 | 5 |
| #A1436 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 545 | 5 |
| #A1437 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 545 | 5 |
| Severity | Rule | Message | Line | Col | |
|---|---|---|---|---|---|
| #A1438 | error | RightCurlyAlone | '}' at column 3 should be alone on a line. | 40 | 3 |
| #A1439 | error | RightCurlyAloneOrSingleLine | '}' at column 3 should be alone on a line. | 40 | 3 |
| #A1440 | error | RightCurlySame | '}' at column 3 should be alone on a line. | 40 | 3 |
| #A1441 | error | RightCurlyAlone | '}' at column 3 should be alone on a line. | 53 | 3 |
| #A1442 | error | RightCurlyAloneOrSingleLine | '}' at column 3 should be alone on a line. | 53 | 3 |
| #A1443 | error | RightCurlySame | '}' at column 3 should be alone on a line. | 53 | 3 |
| #A1444 | error | RightCurlyAlone | '}' at column 3 should be alone on a line. | 65 | 3 |
| #A1445 | error | RightCurlyAloneOrSingleLine | '}' at column 3 should be alone on a line. | 65 | 3 |
| #A1446 | error | RightCurlySame | '}' at column 3 should be alone on a line. | 65 | 3 |
| #A1447 | error | RightCurlyAlone | '}' at column 3 should be alone on a line. | 76 | 3 |
| #A1448 | error | RightCurlyAloneOrSingleLine | '}' at column 3 should be alone on a line. | 76 | 3 |
| #A1449 | error | RightCurlySame | '}' at column 3 should be alone on a line. | 76 | 3 |
| #A1450 | error | RightCurlyAlone | '}' at column 3 should be alone on a line. | 87 | 3 |
| #A1451 | error | RightCurlyAloneOrSingleLine | '}' at column 3 should be alone on a line. | 87 | 3 |
| #A1452 | error | RightCurlySame | '}' at column 3 should be alone on a line. | 87 | 3 |
| Severity | Rule | Message | Line | Col | |
|---|---|---|---|---|---|
| #A1453 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 251 | 5 |
| #A1454 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 251 | 5 |
| #A1455 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 251 | 5 |
| #A1456 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 258 | 5 |
| #A1457 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 258 | 5 |
| #A1458 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 258 | 5 |
| Severity | Rule | Message | Line | Col | |
|---|---|---|---|---|---|
| #A1459 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 99 | 5 |
| #A1460 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 99 | 5 |
| #A1461 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 99 | 5 |
| #A1462 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 106 | 5 |
| #A1463 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 106 | 5 |
| #A1464 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 106 | 5 |
| Severity | Rule | Message | Line | Col | |
|---|---|---|---|---|---|
| #A1465 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 55 | 5 |
| #A1466 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 55 | 5 |
| #A1467 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 55 | 5 |
| #A1468 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 77 | 5 |
| #A1469 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 77 | 5 |
| #A1470 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 77 | 5 |
| #A1471 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 100 | 5 |
| #A1472 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 100 | 5 |
| #A1473 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 100 | 5 |
| #A1474 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 111 | 5 |
| #A1475 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 111 | 5 |
| #A1476 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 111 | 5 |
| #A1477 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 122 | 5 |
| #A1478 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 122 | 5 |
| #A1479 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 122 | 5 |
| #A1480 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 141 | 5 |
| #A1481 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 141 | 5 |
| #A1482 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 141 | 5 |
| #A1483 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 151 | 5 |
| #A1484 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 151 | 5 |
| #A1485 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 151 | 5 |
| #A1486 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 169 | 5 |
| #A1487 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 169 | 5 |
| #A1488 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 169 | 5 |
| Severity | Rule | Message | Line | Col | |
|---|---|---|---|---|---|
| #A1489 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 142 | 5 |
| #A1490 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 142 | 5 |
| #A1491 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 142 | 5 |
| #A1492 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 153 | 5 |
| #A1493 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 153 | 5 |
| #A1494 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 153 | 5 |
| Severity | Rule | Message | Line | Col | |
|---|---|---|---|---|---|
| #A1495 | error | RightCurlyAlone | '}' at column 3 should be alone on a line. | 86 | 3 |
| #A1496 | error | RightCurlyAloneOrSingleLine | '}' at column 3 should be alone on a line. | 86 | 3 |
| #A1497 | error | RightCurlySame | '}' at column 3 should be alone on a line. | 86 | 3 |
| #A1498 | error | RightCurlyAlone | '}' at column 3 should be alone on a line. | 140 | 3 |
| #A1499 | error | RightCurlyAloneOrSingleLine | '}' at column 3 should be alone on a line. | 140 | 3 |
| #A1500 | error | RightCurlySame | '}' at column 3 should be alone on a line. | 140 | 3 |
| Severity | Rule | Message | Line | Col | |
|---|---|---|---|---|---|
| #A1501 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 395 | 5 |
| #A1502 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 395 | 5 |
| #A1503 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 395 | 5 |
| #A1504 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 401 | 5 |
| #A1505 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 401 | 5 |
| #A1506 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 401 | 5 |
| Severity | Rule | Message | Line | Col | |
|---|---|---|---|---|---|
| #A1507 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 138 | 5 |
| #A1508 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 138 | 5 |
| #A1509 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 138 | 5 |
| #A1510 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 153 | 5 |
| #A1511 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 153 | 5 |
| #A1512 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 153 | 5 |
| #A1513 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 228 | 5 |
| #A1514 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 228 | 5 |
| #A1515 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 228 | 5 |
| Severity | Rule | Message | Line | Col | |
|---|---|---|---|---|---|
| #A1516 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 899 | 5 |
| #A1517 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 899 | 5 |
| #A1518 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 899 | 5 |
| Severity | Rule | Message | Line | Col | |
|---|---|---|---|---|---|
| #A1519 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 1084 | 5 |
| #A1520 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 1084 | 5 |
| #A1521 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 1084 | 5 |
| #A1522 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 1153 | 5 |
| #A1523 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 1153 | 5 |
| #A1524 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 1153 | 5 |
| Severity | Rule | Message | Line | Col | |
|---|---|---|---|---|---|
| #A1525 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 810 | 5 |
| #A1526 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 810 | 5 |
| #A1527 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 810 | 5 |
| Severity | Rule | Message | Line | Col | |
|---|---|---|---|---|---|
| #A1528 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 113 | 5 |
| #A1529 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 113 | 5 |
| #A1530 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 113 | 5 |
| #A1531 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 124 | 5 |
| #A1532 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 124 | 5 |
| #A1533 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 124 | 5 |
| #A1534 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 560 | 5 |
| #A1535 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 560 | 5 |
| #A1536 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 560 | 5 |
| #A1537 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 575 | 5 |
| #A1538 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 575 | 5 |
| #A1539 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 575 | 5 |
| #A1540 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 598 | 5 |
| #A1541 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 598 | 5 |
| #A1542 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 598 | 5 |
| #A1543 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 619 | 5 |
| #A1544 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 619 | 5 |
| #A1545 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 619 | 5 |
| Severity | Rule | Message | Line | Col | |
|---|---|---|---|---|---|
| #A1546 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 206 | 5 |
| #A1547 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 206 | 5 |
| #A1548 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 206 | 5 |
| #A1549 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 218 | 5 |
| #A1550 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 218 | 5 |
| #A1551 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 218 | 5 |
| #A1552 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 231 | 5 |
| #A1553 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 231 | 5 |
| #A1554 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 231 | 5 |
| Severity | Rule | Message | Line | Col | |
|---|---|---|---|---|---|
| #A1555 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 182 | 5 |
| #A1556 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 182 | 5 |
| #A1557 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 182 | 5 |
| #A1558 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 190 | 5 |
| #A1559 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 190 | 5 |
| #A1560 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 190 | 5 |
| #A1561 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 198 | 5 |
| #A1562 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 198 | 5 |
| #A1563 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 198 | 5 |
| #A1564 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 206 | 5 |
| #A1565 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 206 | 5 |
| #A1566 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 206 | 5 |
| #A1567 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 217 | 5 |
| #A1568 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 217 | 5 |
| #A1569 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 217 | 5 |
| #A1570 | error | RightCurlyAlone | '}' at column 5 should be alone on a line. | 228 | 5 |
| #A1571 | error | RightCurlyAloneOrSingleLine | '}' at column 5 should be alone on a line. | 228 | 5 |
| #A1572 | error | RightCurlySame | '}' at column 5 should be alone on a line. | 228 | 5 |


HOUSE OF BAMBOO (director/writer: Samuel Fuller; screenwriter: Harry Kleiner; cinematographer: Joe MacDonald; editor: James B. Clark; cast: Robert Ryan (Sandy Dawson), Robert Stack (Eddie Kenner/Spanier), Shirley Yamaguchi (Mariko), Cameron Mitchell (Griff), Brad Dexter (Capt. Hanson), Sessue Hayakawa (Inspector Kito), Biff Elliot (Webber), Sandro Giglio (Ceram), DeForest Kelley (Charlie), 1955)
Reviewed by Dennis Schwartz
A total remake of "Street With No Name," as this time the volatile Samuel Fuller offers an action-packed thriller in his "House of Bamboo", set in post-WW II Japan.
In 1954 an American crime syndicate, made up of ex-GI's and organized by a devious psychopath, Sandy (Ryan), rob a train of machine guns, where an American soldier, Webber (Biff), dies not telling who the boss of the robbery is. But, his U.S. Army interrogators, in a joint investigation with Japanese authorities, discover he has secretly married a Japanese woman, Mariko (Yamaguchi). Webber tells the lead investigator, Captain Hanson (Dexter), that if anyone should find out that he is married to Mariko, she would be in grave danger.
The army assigns an undercover agent, Sergeant Eddie Kenner (Stack), who uses the name Eddie Spanier as a cover-up for his real identity. The real Spanier is currently in prison for armed robbery and is a good friend of the dead soldier, Webber, from their army days. Spanier first visits Mariko and feigns disappointment when she tells him her husband is dead. He then goes into a Tokyo pachinko parlor and demands protection money from the boss, but soon finds that he is being roughed up by Sandy's ichi-ban (number one man), Griff (Cameron).
After he is closely checked out by Sandy, who gets a hold of his police record through his police connections, he is taken into the gang. He uses Mariko as his "kimono girl", someone who takes care of him sexually. He uses her, thinking that she is someone he could trust to get word to Captain Hanson of his activities, in case he runs into trouble with this dangerous assignment.
The rule of the gang, is that if one of them gets wounded, the others shoot him. This way no one talks if captured. On his first caper with the gang, in a factory, the robbery turns violent and Spanier is wounded, but Sandy against his own orders, pulls him out to safety. He thereby comes to favor Eddie to the disgust of Griff, and the reason for it, is that by all indications, Sandy is physically attracted to Eddie, as there is also a hint of homosexuality in the Sandy character, as suspicions arise due to the way he contemptuously treats the kimono girls.
One of the most absurd scenes, even for Fuller, who lives to film whacky scenes like this one, is in the teahouse, where the American gangsters are partaking of the traditional Japanese tea ceremony and Griff is carrying on to the ice-cold Sandy about not being close to him anymore, ranting at him, I'm your ichi-ban, not that newcomer. Why can't I go with you on the next job?
Fuller's main motifs: dual identities, betrayal, and racial conflict, all play a major part in the playing out of the story. His busy camera is almost perverse in catching the evil smirks of the gang members, the crowded Ginza district's feverish atmosphere, a Kabuki troupe taking a moment off in practice to tell a hobo like questioner that the girl he is looking for is no longer here, the ritual of a steam bath being trampled on by the impulsive American in a rage to find his woman, and in the climactic scene, in an amusement park that features a whirling globe (as if the whole world is spinning out of control), Fuller has Eddie gun down the crime boss as the globe continues to whirl. The shoot-out between Sandy and Eddie, comes after a robbery is aborted, when Sandy is tipped off by his informants that the cops are waiting at the bank, and Sandy assumes it is the jealous Grigg who ratted him out, whom he kills while insanely telling the dead man that I know what you did. But he soon finds out that it was Eddie who betrayed him, the one he was willing to give all his love to. He thereby comes up with a harebrained scheme to have the Japanese police kill Eddie for him, when he calls them about a robbery in progress, leaving Eddie propped-up against the wall of the place. But Eddie escapes and is reunited with Mariko at the film's conclusion.
This is a particularly violent and crude noir work, whose subject matter offers a penetrating look at the American occupation of Japan, basically saying that what the U.S. is doing there is criminal. It also magnifies the huge cultural bridges the two countries have and why it is so difficult for the two countrys to get to know and trust one another. This is highlighted by the very formal structure of the love relationship between Mariko and Eddie, where Eddie is always viewed as a foreigner and can't be fully accepted, no matter what he does. Their love story left an empty feeling in the pit of my stomach, as there seemed to be a psychological separation between the two that couldn't be reconciled.
Even though the story had a lot of loose ends to it and didn't make sense most of the time, the strangeness of the characters and the oddness of the location made for a telling tale, a sure-fire iconoclastic Fuller experience, for a director who just goes into a film and grabs what he wants out of it, not caring a darn about how silly it all looks. Fuller, as always, is resourceful and fresh. His films guarantee the viewer a jolt or two of electricty into their nonplused movie faces. Here, the number of jolts is much higher, thereby making this an even juicier Fuller spectacle.
REVIEWED ON 4/16/2000 GRADE: B
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
<EMAIL_ADDRESS>© ALL RIGHTS RESERVED DENNIS SCHWARTZ
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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Flamengo fan, 40, dies of heart attack celebrating dramatic Copa Libertadores winner
by Magnus EriksenA Flamengo fan has tragically died at the age of just 40 after suffering a heart attack celebrating the club’s dramatic late Copa Libertadores final victory over River Plate.
Washington Vasconcelos was watching the game with his eight-year-old daughter before suffering the heart attack due to the emotional intensity of the situation.
MORE: Video: Keeper scores from his own box after the opposing goalie came up for a corner
It’s claimed that Washington exercised regularly and was in apparently good health despite this tragic incident.
He has been described by his family as a huge Flamengo fan, and doctors attempted to save him at hospital though they could not manage it.
A family member said: “He had a heart attack after Flamengo’s second goal. He was a huge Flamengo fan. Maybe it (the heart attack) was because of the emotion.”
Gabriel Barbosa scored the dramatic goals needed to give Flamengo this huge win, but everyone associated with the Brazilian club will no doubt be deeply saddened by this news.


--- layout: default header: Hello, TypiJS subheader: A CMS framework for building fully-featured SPA sites title: The Angular CMS built on top NodeJS, MongoDB with TypeScript description: A CMS framework for building fully-featured SPA sites built on top modern stacks Angular, NodeJS and MongoDB with TypeScript tags: Angular Cms, NodeJS, MongoDB, TypeScript image: /assets/imgs/typijs-github-social.webp sitemap: priority: 0.9 ---
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16 |
3 years 28 weeks ago by modenet |
3 years 24 weeks ago by modenet |
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How to get emonGLCD programmed? |
4 |
1 year 19 weeks ago by ChannelZ |
1 year 19 weeks ago by Bill Thomson |
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How to get your hands on an emonTx kit |
0 |
5 years 30 weeks ago by glyn.hudson |
n/a |
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How to handle high amp applications |
1 |
3 years 31 weeks ago by Guest |
3 years 31 weeks ago by Robert Wall |
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How to Interface NRG #40 Anemometer to Arduino |
3 |
1 year 11 weeks ago by Lee_B |
1 year 11 weeks ago by Robert Wall |
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How to program the WiFi MQTT Relay with FTDI? |
1 |
44 weeks 6 days ago by pychu |
44 weeks 5 days ago by pychu |
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How to set the calibration coefficients?? |
1 |
3 years 47 weeks ago by Guest |
3 years 47 weeks ago by Robert Wall |
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How to set up basic communication signals with emontx and Nanode RF basestation |
35 |
3 years 45 weeks ago by Guest |
3 years 44 weeks ago by Robert Wall |
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How to talk to the emonTX V3 via the serial monitor |
6 |
3 years 10 weeks ago by dkeverne |
3 years 10 weeks ago by Robert Wall |
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How to verify if the RF modules are working? |
2 |
1 year 26 weeks ago by Gzero |
1 year 26 weeks ago by Robert Wall |
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Howto Use RFM12pi without emoncms |
25 |
3 years 9 weeks ago by Guest |
2 years 8 weeks ago by Docin |
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I can use Arduino UNO for uploading firmware to ATMEGA ? |
2 |
2 years 9 weeks ago by saba01 |
2 years 9 weeks ago by saba01 |
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I have only got a green LED flashing is this correct |
2 |
5 years 6 days ago by Guest |
5 years 5 days ago by Guest |
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I need some help to get started |
5 |
2 years 3 weeks ago by scrissti |
2 years 2 weeks ago by scrissti |
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I2C bus and EmonTX shield v2 |
1 |
3 years 5 weeks ago by tomkerswill |
3 years 4 weeks ago by tomkerswill |
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Iconic presentation of information on EmonGLCD |
5 |
4 years 30 weeks ago by Drsdre |
4 years 29 weeks ago by Drsdre |
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Idiots guide to voltage calibration |
3 |
1 year 4 weeks ago by webby |
1 year 4 weeks ago by Robert Wall |
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Idle question regarding interrupt based sampling of sensor data |
6 |
4 years 11 weeks ago by wbortz |
4 years 11 weeks ago by MartinR |
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if (Serial) debug = 1; else debug=0; line in emonTH code - does it work? |
14 |
2 years 51 weeks ago by cybergibbons |
2 years 51 weeks ago by cybergibbons |
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Immersion heater control |
4 |
5 years 10 weeks ago by markbeal2 |
4 years 39 weeks ago by Guest |
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improving CT accuracy on emonPi |
2 |
1 year 23 weeks ago by marcneelen |
1 year 23 weeks ago by marcneelen |
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Improving Emontx battery life and supply voltage |
20 |
3 years 41 weeks ago by john.b |
2 years 26 weeks ago by Guest |
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Incorrect 3.5mm jacks in kit |
2 |
2 years 45 weeks ago by Lionel |
2 years 45 weeks ago by Lionel |
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Incorrect temperature from emonTH |
11 |
1 year 34 weeks ago by nzpaul |
1 year 34 weeks ago by nzpaul |
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Incorrect time from emoncms.org....sometimes |
6 |
4 years 17 weeks ago by Guest |
4 years 16 weeks ago by Petrik |
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Inductance in DC circuit and two CT sensors |
4 |
2 years 42 weeks ago by Dawn |
2 years 42 weeks ago by Dawn |
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information on the wireless system |
1 |
2 years 17 weeks ago by dariodott |
2 years 17 weeks ago by Robert Wall |
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Input value showing negative on 3 phase |
5 |
1 year 41 weeks ago by nihonjin |
1 year 29 weeks ago by christophe_meyers |
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Installing a CT sensor |
3 |
4 years 2 weeks ago by Guest |
4 years 2 weeks ago by Robert Wall |
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Intel Galileo - Arduino compatible x86 board |
2 |
3 years 20 weeks ago by fluppie007 |
3 years 20 weeks ago by Mattia Rossi |
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interfacing arduino with raspberry pi |
5 |
3 years 7 weeks ago by ageurtse |
3 years 6 weeks ago by cybergibbons |
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Interrupt based setup for monitoring a 3phase system? |
1 |
3 years 15 weeks ago by Guest |
3 years 15 weeks ago by Robert Wall |
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invalid values emonTX /emonBase |
3 |
1 year 7 weeks ago by Roeland |
1 year 7 weeks ago by pb66 |
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Investigating before buying |
7 |
2 years 19 weeks ago by Guest |
2 years 19 weeks ago by Robert Wall |
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IR-sensor for pulse counting |
7 |
4 years 5 weeks ago by Guest |
4 years 5 weeks ago by PaulOckenden |
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IrDA emonTx v2 R8 resistor |
2 |
1 year 19 weeks ago by E-Mike |
1 year 19 weeks ago by E-Mike |
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Is EmonTx Shield (no RF) compatible with Arduino Ethernet |
5 |
4 years 15 weeks ago by Guest |
4 years 5 weeks ago by Guest |
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Is it possible to improve on the AC-AC adapter? |
22 |
4 years 6 weeks ago by jack_kelly |
4 years 2 weeks ago by calypso_rae |
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Is it possible to use only one AC-AC Adapter toward 2 AC voltage sensors ? |
4 |
3 years 27 weeks ago by Guest |
3 years 25 weeks ago by Robert Wall |
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is the data sent to econsms accessible as database? |
6 |
3 years 12 weeks ago by rsegoly |
3 years 6 weeks ago by Guest |
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Is the RFM12PI V1 compatible with Emoncms V9 .4? |
3 |
46 weeks 2 days ago by john.b |
46 weeks 1 day ago by john.b |
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Is there a remote programmer interface ? |
4 |
4 years 17 weeks ago by Petrik |
4 years 15 weeks ago by mharizanov |
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Is there a way of testing the EmonTX shield? |
3 |
3 years 21 weeks ago by Guest |
3 years 20 weeks ago by Guest |
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Is there any ports available( for example analog pins, IO pins) for Atmega328 on the emonTx? |
3 |
4 years 46 weeks ago by Guest |
4 years 40 weeks ago by glyn.hudson |
|
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Is there interest in an eMonTx and combined Base+GLCD unit? |
4 |
4 years 49 weeks ago by stuart |
4 years 49 weeks ago by stuart |


Projects allow you to manage data, processing and results. Share Projects privately with collaborators or publicly with the brainlife.io community.
Brainlife.io maps data files to registered Datatypes, allowing Apps to interoperate.
Data can be uploaded using a web browser or the Brainlife CLI for bulk upload compatible with the BIDS standard.
See Apps for publicly registered brainlife.io Apps. Use Process page to store stage input datasets and data derivatives generated by running the Apps.
Brainlife Apps are small, modular and composable. This allows users to experiment flexibly by buidling personalized pipelines one step at a time.
Our unique analyses management mechanism (pipeline) allows easy submission and monitoring of thousands of processes.
Brainlife.io processes each subject independently. This leads to high scalability, and makes Brainlife.io Big Data ready.
Each datatype provides a set of visualization tools. We support both web based and native visualizers, such as fsleyes, freeview, that are streamed directly from our GPU enabled VMs.
If you are a developer of a visualization tool, brainlife.io can bring your tool alive by allowing users to launch it on any dataset hosted on the platform.
Brainlife.io keeps track of the history of each dataset. It preserves input and output data files, Apps version and configuration parameters as well as the computer resource used to generate the dataset.
You can count on brainlife.io to make sure your scientific results are reproducible.
You can automatically create a single record preserving Apps and Data referenced by a unique DOI.
Brainlife.io publications are archived securely on a geographically-redundant tape system for long term preservation.


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Learn about the project's history and meet the developer
Created by Douglas Petla as a personal project, Menote is a fast and productive journaling and note-taking application. This Single Page Application has its front-end running with Angular 9 and material design to create a fast, clean, and responsive UI, with a real-time database powered by Firebase. Menote is a Progressive Web App (PWA) that provides great user experience, loads instantly and works offline.
Douglas Petla is a developer living and working in Toronto.


Tek
30-May-19 04:46 AM
I need to get me an isabel or heidi
we can go eat papa jonhns together
next update of dash will be the one that will kickstart mass usage
they will have blockchain usernames
so you can pay @username instead of getting an adress or QR code
its unironically called "Evolution"


This is a complex demonstration of the PHP+HTML+JavaScript+CSS mixed-mode
syntax highlight capabilities of CodeMirror.
<?php ... ?> tags use the PHP parser, <script> tags use the JavaScript
parser, and <style> tags use the CSS parser. The rest of the content is
parsed using the XML parser in HTML mode.
Features of the PHP parser:
- special "deprecated" style for PHP4 keywords like 'var'
- support for PHP 5.3 keywords: 'namespace', 'use'
- 911 predefined constants, 1301 predefined functions, 105 predeclared classes
from a typical PHP installation in a LAMP environment
- new feature: syntax error flagging, thus enabling strict parsing of:
- function definitions with explicitly or implicitly typed arguments and default values
- modifiers (public, static etc.) applied to method and member definitions
- foreach(array_expression as $key [=> $value]) loops
- differentiation between single-quoted strings and double-quoted interpolating strings


This is a proper Java framework for handling spectra and peak lists. The framework can read and write to a number of different spectra and peak list formats, and the framework provides a simple, intuitive Java object model for working with spectra or peak lists. All classes support two methods of handling peak list and spectrum data, in-memory or stream. The in memory model parses entire peak list(s) or spetrum(a) in to memory all at once -- it is fast and easy to use. The stream method parses peak list(s) or spectrum(a) data in to memory as requested -- ideal for low memory use and handling of extremely large data sets.
The goal of this framework is to support all the popular MS and MSMS data formats, and to eliminate any time or effort involved in figuring out how to read and write peak list or spectrum files.
This is a project supported and contributed to by many different people. Here is a formal list of all of those who have submitted code and/or documentation.
Support for this project, in part, comes from the National Resource for Proteomics and Pathways (NRPP), http://www.proteomeconsortium.org.
The following peak list formats are supported, to the extend documented here.
MGF file format support is based on Matrix Science LLC's generic format.
Mostly complete support is implemented for reading and writing Mascot Generic Format files. Peak list information, parent ion charge, and parent ion mass information is preserved, but the other meta-information an MGF file may maintain is not. Any file that ends with ".mgf" is treated as if it is in Mascot Generic Format.
DTA file format support is based on Finnigan's LCQ file format.
Complete DTA file support is provided by this framework. Any file ending with ".dta" is treated as if it is in the sequest DTA format.
Micromass PKL file format support is based on the simple DTA format but with optional concatination.
Partial PKL support is provided by this framework. The framework is not well tested on large PKL files. Any file ending with ".pkl" is treaded as if it is in the Micromass PKL file format.
This IO library is useful for many different things, and a few tools are included to demonstrate how the IO library woks. Researchers may find these tools helpful for day-to-day use, and coders can use the source-code as an example of how to incorporate the ProteomeCommons.org IO library with their code.
It is near trivial to parse a peak list from a file in a known format. The code is the following:
// load the libraries import org.proteomecommons.io.*; ... // load the peak list PeakList peaklist = PeakListReader.read("your-peaklist-file.mgf"); // modify the peak list some ... // write out the new peak list to a file PeakListWriter.write(peaklist, ".mgf");
The PeakList object provides the parent ion m/z(if available), the parent ion charge (if available), and a list of m/z and intensity pairings. Any Java program will quickly be able to load and analyze peak lists using this object. For other information that may be specific to a particular type of peak list format, simply cast the PeakList object in to an appropriate sub-class. There is an appropriate PeakListReader/PeakListWriter implementation for each peak list format supported by this framework. Along with those implementations are classes that deal with handling any additional information peak list formats may provide. See the Java docs for more information.
This tool lets you scan a directory of peak lists and ask if any of those peak lists has a peak that hints at a potential modification. You can specify the mass of the modification you are interested in and the mass accuracy to use. Returned from the program is a list of peak lists that have a peak at the m/z corresponding to the parent ion lacking the potential modifications. This tool is commonly used to find modifications such as phosphorilation, e.g. "java -jar PotentialModificationFinder.jar /peaklists/ --mz 80 --mz 98"
This tool parses a peak list of a known format, i.e. anything the framework supports, and it prints the same information, in a standardized format on the screen. This utility may be used as a simple, pipe method of exposing peak list data in a standard format. A shell script could use this class to abstract the task of reading a peak list file, which is particularly nice if you are attempting to read more than one file format.
This is tool that converts peak lists from one format to another, optionally normalizing peak intensities and/or sorting m/z values. The program is suitable for bulk translation of peak list files to and from any format supported by this framework.
The goal of this project is to provide free, open-source code that anyone may use as they please; However, everyting in this project is strictly licensed under the Apache 2.0 license. This protects the authors and contributors of this project, and it encourages fair use of the code. A copy of the Apache 2.0 license may be found on-line at http://www.apache.org/licenses/LICENSE-2.0 or as plain text in the LICENSE.txt file included in this archive.
In addition to the Apache 2.0 license it is requested that any person or organization that uses the Falk Model Project properly reference this project. In at least one public, appropriate place, please note that the "Falk Model Project" is being used, and provide a URL to the proteomecommons.org copy of this archive.


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