Part 1: OOCSS
Bigger files means longer downloads, slower websites and more data used.
We can't rely on a minifier like we can with JavaScript.
var myLongVariableName = 1 + 2 + 3 + 4;
// minifies to:
var a=10;
CSS can't really minify by much.
.my-long-class-name {
text-decoration: underline;
}
/* Minifies to: */
.my-long-class-name{text-decoration:underline}
When we want to add a new section, we add new styles.
The file size just keeps getting bigger and bigger.
CSS classes are designed to be re-used, even on the same page.
Changing one thing can have huge consequences.
Unknown consequences.
We developers worry about our styles looking the same in every browser.
ul { /* ... */ }
ul li { /* ... */ }
ul li a { /* ... */ }
/* |-----------| */
But the architecture lives here.
ul { /* ... */ }
ul li { /* ... */ }
ul li a { /* ... */ }
/* |-----| */
If we don't get the architecture right, we'll just have good class names hiding bad architecture.
Actually there are a few better ways.
I'm going to concentrate on 2 of them.
I'm not going to worry about techniques like Flexbox or CSS grid.
These techniques will change and CSS-Tricks does it better.
Instead, I'm going to show you how to organise your files and how to write better CSS.
As CSS techniques change and browser support improves, you'll see what you can upgrade.
Stands for Object-Oriented Cascading Style Sheets.
Created by Nicole Sullivan in 2008 or 2009
To put that date in perspective:
When can we stop supporting IE6?
- Us in 2009
So an iPhone is just an iPod with a built in phone?
- Also us in 2009
SASS is just too confusing, it's not practical for the web.
- Us again in 2009
The aim is to create a series of smaller classes that can be re-used in as many places as possible.
If you do this right, you can add new sections to the website without having to add any more styles.
Just like you can create new models without having to buy new Lego bricks.
OOCSS does this using two core principles:
Write modules to take up the full width. Width is defined by the container, height is defined by the content.
If you've ever used a grid system, you've used this principle.
<-- Here's the container -->

<-- Your content goes here -->

<-- The content shrinks with something beside it -->

<-- Your content goes here -->

<-- Something -->

The CSS is really easy, because HTML works like this anyway. If we don't set a width, it'll be the same as width: 100%
.
.content {
border: 1px solid #000;
padding: 1em;
/* width: 900px; */
}
The difficulty comes in applying this principle. Not because it's hard, but because developers don't think to do it.
Always separate content from container.
If you have 2 things next to each other, put them in a grid.
If it's simple, you may not need the full grid system.
For example, the "media object" puts content next to an image.

Lorem ipsum dolor sit amet ...

In 2009, the CSS looked like this:
.media { margin:10px; }
.media__body { overflow:hidden; _overflow:visible; zoom:1; }
.media__image { float:left; margin-right: 10px; }
.media__image img { display:block; }
These days, the code is even easier.
.media { display:flex; flex-flow:row nowrap; margin:10px;
gap:10px; }
.media__image > img { display:block; }
Nicole Sullivan and her team were tasked with helping Facebook stream-line their website.
After some research, she noticed that the entire site was built from "image next to text".
Implementing the media object saved Facebook hundreds of lines of code.
The media object can be in the sidebar or the main section and continues to work. It can even be nested.
The golden rule of separating content from container: don't write compound selectors.
/* Don't */
.sidebar .module { /* ... */ }
/* Do */
.module { /* ... */ }
This is also why nesting selectors is a bad idea.
In front-end terms:
border
, background
, color
or font
padding
, margin
, display
or position
.Separate these into different classes, then mix-and-match to make your website.
If you've ever used Bootstrap buttons then you've seen this mentality before.
The base button has a "btn" class.
<button type="button" class="btn">@</button>
You set the button's colour using classes like "btn-primary" or "btn-success"
<button type="button" class="btn btn-info">@</button>
You set the button's size using classes like "btn-sm" or "btn-lg"
<button type="button" class="btn btn-lg">@</button>
You can use these classes on any element because Bootstrap doesn't quality its selectors with the node names.
These three elements will look the same.
<button type="button" class="btn btn-primary">@</button>
@
@
Golden rule of separating skin from structure: never quality your selectors.
/* Don't */
a.btn { /* ... */ }
/* Do */
.btn { /* ... */ }
The HTML itself should only define the semantic parts of the website.
It is likely to change for SEO or accessibility reasons.
By default, CSS doesn't care. But if you don't separate the style from the structure, it will.
Accessibility person: this should be an

to better fit the page structure

Related articles

You: 😢
.sidebar h3 { /* ... */ }
.sidebar h4 { /* ... */ }
Accessibility person:

me, bro!

Related articles

You: 😉
h1, .h1 { /* ... */ }
h2, .h2 { /* ... */ }
h3, .h3 { /* ... */ }

Related articles

Something else that would have worked is this:
.sidebar__heading { /* ... */ }
But that can be problematic. You can end up defining fonts all over the place.
A quick tool to check for that is grep
grep -o 'font-family' /path/to/compiled.css | wc -l
# Should be less than 10
Nicole Sullivan tested the top 1000 websites in 2009.
Here are the results for font-family
Here are the results for font-size
There aren't that many usable font sizes on the web.
Other things worth grepping for and trying to reduce as much as possible (less than 10 preferably).
display
- You probably need a grid system or media object.padding
or margin
- Do you need that many structures?background
- background
is a skin - why have so many of them?color
- You probably don't need that many colours on your website.Nicole Sullivan took this one step further by creating the Module Object.
Consistent markup with common class names that could be easily skinned.

head

body

foot

The code could be easily modified to be anything it needed to be.
For example, a modal dialog box would look like this:

Lorem ipsum

<button type="button">Close</button>

Content ...

<button type="button">OK</button>

A simple disclosure widget would look like this:

Question?

Answer ...

Can you see how the structure has changed but the skin doesn't need to?
There was also a more complicated version that allowed advanced things like rounded corners (before border-radius
existed).

Lorem ipsum.

The best time to work out the CSS objects is when you look at the design.
Ryan's idea of breaking down the Advanced Custom Fields is an amazing starting point.
What we know:
What we don't know:
.center-hv {
display: flex;
align-items: center;
justify-content: center;
height: 100%;
}

Lorem Ipsum

Donec a accumsan erat ...

What we know:
What we don't know:
.sunken__inner {
margin-top: -30px;
display: inline-block;
max-width: 50%;
}

Donec a accumsan erat.

When you're looking at backgrounds and borders, consider separating them out.
In the demonstration I showed you, I had 2 classes:
box
created a white box with a grey border and grey gradient at the bottom.round
created rounded corners and a drop shadown.Check the design - can we split up things like that?
It's very tempting to give all the elements in this PHP file classes that start with the same name ...
Your PHP file probably has a few CSS objects in it.
Try to keep your selectors small and easy to override otherwise ...
h3
.my-title
.container h3
.wrapper .module h3
#holder h3
{ !important }
#holder h3 { !important }
JavaScript doesn't suck, you're just doing it wrong.


Jurgen Klopp calls on Liverpool to use "fan power" inside Anfield against Man City
The Liverpool boss also condemned the "senseless" 2018 incident which saw a bottle thrown at the City team bus before a Champions League quarter-final tie
by David Maddock, https://www.mirror.co.uk/authors/david-maddock/Jurgen Klopp has warned Liverpool fans there can be no repeat of the ugly incidents where Manchester City ’s coach had bottles thrown at it.
And instead, he has told supporters to channel their passion inside the ground - pleading with the Anfield faithful to raise their game even higher, to create an atmosphere that will intimidate even the champions.
The canny German said everyone must raise their game.
“We have to play our best game, everybody in the stadium has to be in absolutely top shape," he said. "The guy who sells the hot dogs has to be in the top shape!
“Everybody has to be from the first second, come early into the stadium, come inside, nothing to do outside, wait for the team warming up, be there, be ready. That's what I wish for.”
Klopp knows that City have buckled in the Anfield cauldron before, most notably in the 2018 Champions League quarter final, when they were shellshocked and blown away by a 20 minute perfect storm of Reds fire.
They also seemed to freeze for a 10 minute second half spell at the famous old stadium in January 2018, when Liverpool scored three times to take a 4-1 lead, and an ultimate victory which ended City’s 22 game unbeaten run.
But he is also aware that any repeat of the incidents before the European quarter-final when the City coach was damaged needs to be avoided.
He added: “I'm a big believer of fan power – in the stadium. That's completely different. We have to invest all our emotions before the game.
"That's why I say – go in the stadium, nothing to do outside, have your food, go in, wait for the team, we will come, let's make a pretty special game of it.
“In football, you never know what you get for it. But we know what we have to do for it. Let's make sure that we show that.”
Klopp was blunt in his condemnation of the 2018 incident, and says the whole club and their support now has to ensure it never happens again.
“(The coach incident) was a senseless thing. If somebody at Man City is concerned still, then it's our fault.
“Not that we did it all together, we all didn't thrown the bottle or whatever it was, but it was one of us.
“I wish I could say it will never happen again but unfortunately I can't. But what I can say is we will do everything that it will never happen again.
“Everybody agrees to feel this responsibility that it won't happen again. That's why we are responsible. All of us have to make sure that something like this will never happen again.
“It's long ago and since then nothing has happened. I don't think it was Man City specific.
“Actually, we used to enjoy that (the coach welcome), when we come in, it's impressive.
"It's a nice part of football, but if you overstep the line then it's not allowed that you do it anymore. That's how it is.”


Short biography
My name is yazeed alshami , I'm 24 years old , I live in Al-Zarqa
My history education
- studied elementary at Zainab School
- studied middle school at Thabit Bin Qais School
- studied high school at Al-Qabsi School
- studied at Balqa Applied University majoring in Mechatronics, and graduated in 2021.
My job experience
I worked in the Ideas company to print advertising products
And I trained in the Al-Wadi Company for Food Products
Some My goals
I love internet of things and I would to open a company about IOT.
Top Ten favorite movies
- The shawahank Redemption
- The Dark Knight
- The lord of the Rings
- Inception
- Parasite
- Se7en
- The green Mile
- 3 Idiots
- Conjuring
- Invisible guess


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--- status: publish layout: page title: Railroads author: display_name: JP email<EMAIL_ADDRESS>tags: - railroads - transportation categories: [] published: true date: 2011-11-23 13:15:10 -0700 Railroads: downloads: - url: "https://drive.google.com/drive/folders/0ByStJjVZ7c7mb05pQjd6WFJzWXc" label: "Railroads" updates: - "July, 2017" ---
{% include abstract.html download="https://drive.google.com/drive/folders/0ByStJjVZ7c7mb05pQjd6WFJzWXc" name="Railroads" stewards="AGRC, U.S. Geological Survey, Federal Railroad Administration (FRA)" abstract="Transportation.Railroads protrays the location of railroads in the state of Utah derived from the most recent high resolution imagery available, including 1 foot resolution color imagery, NAIP, 1 meter resolution imagery, and 1 meter USGS DOQs. The dataset has been updated to include cartographic attribution for fine scale representations and also a differentiation between light, heavy, transit, and electrified tracks." %}This dataset was developed for many uses, including but not limited to, emergency planning. There are no constraints or warranties with regard to the use of this data.


1. About
Hello everyone this is Sateesh Kolla, Working as a System Admin at Ven Solutions LLC
Education
- Bachelor of Technology in Computer Science
- VRSEC 2011-2015
Hobbies
Playing PC games
Coding
Analytics
2. Contact Info
Mobile:
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Skype-Id:
sateesh kolla


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| First Name | Middle Name | Last Name | Gender | Phone | Position | Date of Birth | Salary | Created | |
|---|---|---|---|---|---|---|---|---|---|
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&
, |
, &=
and |=
).
Although the non-short-circuit versions are occasionally useful, in most cases the short-circuit forms (&&
and ||
) are intended and such unintentional usages may lead to subtle bugs.
A quick-fix is suggested to use the short-circuit versions.
Example:
void foo(boolean x, boolean y, boolean z) {
if (x | y) { x |= z; }
}
After the quick-fix is applied:
void foo(boolean x, boolean y) {
if (x || y) { x = x || z; }
}


Live Nation Entertainment is an entertainment company based in Hollywood, California. It promotes events and concerts for celebrities internationally. During the fall of 2016, I served as the Design Intern under Department of Analytics & Optimization at Live Nation in the Los Angeles office. I worked in an agile team with data scientists and front-end engineers to come up with design solutions and execute changes with A/B testings on million-viewed website for Ticketmaster. My role was to implement design that drives data and conversions.
Fall 2016 Internship Worked as the only Designer under Department of Analytics & Optimization in an agile team My Role: Prototyping, A/B Testing, Interface Design, Experience Design Keywords: User Testing, Prototyping, Interface Design, Data Analytics
I would be very happy to chat more if you are interested in my work!


Next: Directory Components in Non-Hierarchical File Systems, Previous: Restrictions on Examining a Pathname Device Component, Up: Interpreting Pathname Component Values
The directory might be a string, :wild, :unspecific, or nil.
The directory can be a list of strings and symbols.
The car of the list is one of the symbols :absolute or :relative , meaning:
A list whose car is the symbol :absolute represents a directory path starting from the root directory. The list (:absolute) represents the root directory. The list (:absolute "foo" "bar" "baz") represents the directory called "/foo/bar/baz" in Unix (except possibly for case).
A list whose car is the symbol :relative represents a directory path starting from a default directory. The list (:relative) has the same meaning as nil and hence is not used. The list (:relative "foo" "bar") represents the directory named "bar" in the directory named "foo" in the default directory.
Each remaining element of the list is a string or a symbol.
Each string names a single level of directory structure. The strings should contain only the directory names themselves—no punctuation characters.
In place of a string, at any point in the list, symbols can occur to indicate special file notations. Figure 19–3 lists the symbols that have standard meanings. Implementations are permitted to add additional objects of any type that is disjoint from string if necessary to represent features of their file systems that cannot be represented with the standard strings and symbols.
Supplying any non-string, including any of the symbols listed below, to a file system for which it does not make sense signals an error of type file-error. For example, Unix does not support :wild-inferiors in most implementations.
Symbol Meaning :wild Wildcard match of one level of directory structure :wild-inferiors Wildcard match of any number of directory levels :up Go upward in directory structure (semantic) :back Go upward in directory structure (syntactic)
Figure 19–3: Special Markers In Directory Component
The following notes apply to the previous figure:
Using :absolute or :wild-inferiors immediately followed by :up or :back signals an error of type file-error.
"Syntactic" means that the action of :back depends only on the pathname and not on the contents of the file system.
"Semantic" means that the action of :up depends on the contents of the file system; to resolve a pathname containing :up to a pathname whose directory component contains only :absolute and strings requires probing the file system.
:up differs from :back only in file systems that support multiple names for directories, perhaps via symbolic links. For example, suppose that there is a directory (:absolute "X" "Y" "Z") linked to (:absolute "A" "B" "C") and there also exist directories (:absolute "A" "B" "Q") and (:absolute "X" "Y" "Q"). Then (:absolute "X" "Y" "Z" :up "Q") designates (:absolute "A" "B" "Q") while (:absolute "X" "Y" "Z" :back "Q") designates (:absolute "X" "Y" "Q")


Virat Kohli (born 5 November 1988) is an Indian international formarcricketer and sports scientist who currently captains the India national team. An elegant right-handed batsman, Kohli is regarded as one of the best batsmen in the world.[2] He plays for the Royal Challengers Bangalore in the Indian Premier League (IPL), and has been the team's captain since 2013. Born and raised in Delhi, Kohli represented the city's cricket team at various age-group levels before making his first-class debut in 2006


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please login with an account that has access.
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List and positions of primers used for DENV-4 complete envelope gene RT-PCR and sequencing.
The genome positions are given according to the dengue virus serotype 4 reference genome (GenBank: NC_002640).


| SAFS | Software Automation Framework Support |
| SAFS Driver | The tool that initializes, opens, parses, and routes SAFS test records to available SAFS Engines. |
| SAFS Engine | A keyword-driven automation tool capable of interpreting and executing SAFS test records. |
| SAFS/IOS (IOS) | A SAFS Engine for the UIAutomation Instrument provided by the Apple IOS Development SDK. |
A typical SAFS Engine can dynamically interact at runtime with the SAFS Driver via a Java API, COM objects, or some other mechanism allowing 2-way communication:
The SAFS IOS Engine is a bit more complicated than that:
Note the denotes areas requiring development for each SAFS keyword to be implemented. As you can see, a typical implementation is handled in one location using one codebase or API. In SAFS/IOS, we are required to develop a SAFS Java side and a UIAutomation Javascript side for every implemented keyword.
Below is an attempt to show SAFS IOS keyword development requirements:
Note a few items that are important to recognize during keyword development:
org.safs.ios.CFComponent
org.safs.ios.IDriverCommand
Using the above diagram for reference, keyword development essentially follows the steps below:
|
|
Developers should review existing SAFS IOS keyword implementations on both the Java side and the JavaScript side for real-world examples and reference.
The SAFS/IOS Engine can only know what's going on in the device by monitoring the UIAutomation debug log. Thus, all standard SAFS messaging, status, and debug logging from the device is retrieved out of the UIAutomation log while the test is running.
On the JavaScript side all UIAutomation messaging intended for SAFS monitoring and logging are prefixed with special TAGS indicating the type of message being logged so that SAFS can route the message appropriately.
Generally, there are 4 TAG Constants of interest:
DEBUG_TAG ;Log a message to the SAFS Debug Log. COMMENT_TAG ;Log this Comment when logging to the SAFS Test Log. DETAIL_TAG ;Log these additional Details when logging to the SAFS Test Log. STATUS_TAG ;Set the Status Code to the provided Constant value (below).
The most typical Status Constants of interest:
NO_SCRIPT_FAILURE ;The script executed with no problems. SCRIPT_WARNING ;The script is setting a WARNING status. GENERAL_SCRIPT_FAILURE ;The script is setting a FAILURE status. EXIT_TABLE ;The script is requesting an exit/abort of the test table.
The developer should review the safs/IOS/jscript/constants.js
file for more.
Example usage within the JavaScript: [ UIALogger.logDebug(<TAG> + message)
]
// set an initial default status
UIALogger.logDebug(STATUS_TAG + GENERAL_SCRIPT_FAILURE);
UIALogger.logDebug(DEBUG_TAG +"My JavaScript file is now running...");
...do stuff...
// set whatever the actual final status is
UIALogger.logDebug(STATUS_TAG + NO_SCRIPT_FAILURE);
UIALogger.logDebug(DEBUG_TAG +"My JavaScript file has finished.");
Note that every message logged directly via UIALogger is sent and impacts overall performance.
Embedding a large amount of SAFS Debug messages (DEBUG_TAG) in this way can potentially produce a significant and noticeable performance degradation.
To alleviate this, there is a safs/IOS/jscript/safs_debug_settings.js
file
in which we can enable and disable SAFS Debug messages from actually being sent.
By setting the DEBUG_ENABLED var in this file we can turn on or off the sending of these messages.
var DEBUG_ENABLED = false;
In order to take advantage of this feature there is another function to call when logging the SAFS Debug messages:
UIALogger.logDebug(DEBUG_TAG + message); // use this to ALWAYS send the message
safs_debug(message); // use this to conditionally send the message
Modified example using conditional SAFS Debug logging:
// set an initial default status
UIALogger.logDebug(STATUS_TAG + GENERAL_SCRIPT_FAILURE);
safs_debug("My JavaScript file is now running...");
...do stuff...
// set whatever the actual final status is
UIALogger.logDebug(STATUS_TAG + NO_SCRIPT_FAILURE);
safs_debug("My JavaScript file has finished.");
SAFS testers have access to a special "CallScript" Driver Command.
This allows testers to create their own custom JavaScript to be executed at runtime. Any number of custom scripts can be called at various times during the testing run without having to close and reopen the UIAutomation Instrument--or the Application being tested.
The IOS JavaScript developer has access to all the normal JavaScript objects and API provided by UIAutomation. In addition, the developer has access to all the SAFS JavaScript code and Utilities found at
safs/IOS/jscript/
This includes all the SAFS logging and SAFS Debug logging capabilities discussed in the preceding Debug section.
Note the custom JavaScript must be accessible to Java on the system. By default, we have provided a custom JavaScript directory for IOS at
safs/IOS/jscript/custom/
However, the IOS CallScript implementation will allow for the ScriptName parameter to be:
The literal ScriptName or ApplicationConstant can contain:
safs/IOS/jscript/custom/
safs/IOS/jscript/
In addition, the SAFS tester can pass variable parameters making them available to the custom JavaScript. See the "CallScript" command documentation for usage.
In essence, the parameters are available to the JavaScript via trd.js
as variables.
The name of each custom variable is dependent upon how they were processed by the CallScript DriverCommand.
| CallScript Command | TRD.js Variables |
|---|---|
| C, CallScript, "MyScript", "USERID=papa", "DOMAIN=ios" | var USERID="papa" var DOMAIN="ios" |
| C, CallScript, "MyScript", "papa", "ios" | var VAR1="papa" var VAR2="ios" |
| C, CallScript, "MyScript", ^USERID="papa", ^DOMAIN="ios" | var VAR1="papa" var VAR2="ios" |
A simple reminder to SAFS testers: it is important to note that SAFS variable expressions are processed and dereferenced BEFORE the CallScript command is executed. That is why the 3rd example above produces the JavaScript variables shown.


IoT Traffic Data Monitoring Dashboard
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GenieOS is a simple to use, affordable, cloud based data analytics platform focused on small to medium enterprise. Our goal is to make the platform so intuitive that GenieOS can be used in-house by any business without requiring specialist infrastructure or HR. Utilising Semantic tools to extract and infer meaning from data, meeting business’ needs to harness real value from complexity; making technology work for business. Ultimately everyone will be able to build their own solution and extract value from their data assets.
There is a ‘data gap’ where organisations have the data but lack an easy to use independent decision environment designed for non-technical users. Currently there is significant cost and effort to gain insight from your data. No one in the market is developing a solution that can affordably allow SME’s to analyse and gain insight from their information. IDC predicts that worldwide revenues just for big data and analytics will grow to more than $203B by 2020.
We are entering a new era of exponentially improved interactions between technology and business via semantic and machine learning tools.
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Dougal Watt Head of Technology
Dougal has worked for IBM as their Chief Technologist for the past 11 years, where he created significant intellectual property with patents to IBM.
George Adam Head of Commercial
George has 30 years in senior Sales and Marketing roles in several countries, particularly in new product and new market launches in B2B.
Rachel Hughes Head of Operations
In the past 10 years Rachel has worked with a range of New Zealand startups in Operational and Leadership roles.
Arron Judson Strategic Advisor
Arron has over 25 years’ experience in the ICT and startup ecosystems, he will lead the Strategy and be the interface with our development partners


… today we have a small favour to ask. More people than ever are regularly reading the Guardian, but far fewer are paying for it. Advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So we think it’s fair to ask people who visit us often for their help. The Guardian’s independent, investigative journalism takes a lot of time, money and hard work to produce. But we do it because we believe our perspective matters – because it might well be your perspective, too.
If everyone who reads our reporting, who likes it, helps to support it, our future would be much more secure.


Page 1 of 2
If you are an alpha tester, please respond.
Posted:
Sat Sep 27, 2008 6:26 pm
by Karl G.
Hello everyone,
I've closed alpha signups for the time being due to the fact that the alpha testing group is humongous. I will be pruning this list before 1.10 so I can admit new testers that want to help rather than just test it out then disappear. If you're reading this, it's likely you're an "active" alpha tester--so reply! Anyone who doesn't reply and hasn't been active on the forums stands a good chance of being removed. There is no bias in this process (it's not like I'm going to ban them from the game), but at this point alpha testers that aren't giving me active feedback are not doing much good.
Karl
Re: If you are an alpha tester, please respond.
Posted:
Sat Sep 27, 2008 6:28 pm
by speed3b
echo.
edit: Sounds like a good idea. It seems like some of the people that are playing, are playing to play rather then test.
Re: If you are an alpha tester, please respond.
Posted:
Sat Sep 27, 2008 6:32 pm
by Joe M.
Feel free to remove me from the list if you're pressed for testers: I'd love to play, but my University network doesn't seem to like to play nice w/ Evidyon. Maybe come December. Until then I'll just hang around on the boards.
Re: If you are an alpha tester, please respond.
Posted:
Sat Sep 27, 2008 7:43 pm
by Draco
I'm sticking.
My mind and comp is for your help.
The biggest issue about the game that I can possibly help with... is find out why the game won't start for some people... for instance, my comp won't even try to run Evidyon due to that windows error report.
I'm in the middle of slaving my hard drive and installing WinXP Pro on a 2nd computer, completely different than my own, then I'm going to do what I can to isolate the problem, anything you want me to try, I'll try... last thing I'm doing is reformatting my WinXP Home after I get all my stuff moved over.
Re: If you are an alpha tester, please respond.
Posted:
Sat Sep 27, 2008 7:51 pm
by Deathweaver
here
didnt get a chance to start testing till yesterday but i do want to actively help test and provide feedback on whataver is needed.
Re: If you are an alpha tester, please respond.
Posted:
Sat Sep 27, 2008 8:37 pm
by combatman
hey im still testing, not as much as I did to begin with, but right now i got more stuff going on, so please dont throw me out!
Re: If you are an alpha tester, please respond.

Posted:
Sat Sep 27, 2008 9:16 pm
by Burnt Ferret
I'm playing, and becoming more active on boards. I also have also been doing some models, and will post them later.
Thanks Karl.
Re: If you are an alpha tester, please respond.
Posted:
Sat Sep 27, 2008 9:55 pm
by joeafro
*waves* most of the time i play just to play, and report odd quirks that i notice during my play time >.>
Re: If you are an alpha tester, please respond.
Posted:
Sat Sep 27, 2008 10:54 pm
by Broken Star
if it wasnt for the windows error report id be on everyday.
Re: If you are an alpha tester, please respond.
Posted:
Sun Sep 28, 2008 1:50 am
by Cagen
Here, sir!
Bah, where's Sankt lol.
Re: If you are an alpha tester, please respond.
Posted:
Sun Sep 28, 2008 9:00 am
by kelchy
I'll keep active in game and on the forums.
Re: If you are an alpha tester, please respond.
Posted:
Sun Sep 28, 2008 10:49 am
by Vapore
Hello!
Re: If you are an alpha tester, please respond.
Posted:
Sun Sep 28, 2008 10:50 am
by Sex4Cash
*salute*
Still trying to get it up and running, but I'm here!!
Re: If you are an alpha tester, please respond.
Posted:
Sun Sep 28, 2008 11:38 am
by Volcomboy99
I'm here but still haven't been able to get it running
Re: If you are an alpha tester, please respond.
Posted:
Sun Sep 28, 2008 11:54 am
by dark nakill
leme stay! woo
Re: If you are an alpha tester, please respond.
Posted:
Sun Sep 28, 2008 5:21 pm
by Sankt Pauli
Responded. :J
Re: If you are an alpha tester, please respond.
Posted:
Sun Sep 28, 2008 5:57 pm
by kuba
Here
Re: If you are an alpha tester, please respond.
Posted:
Sun Sep 28, 2008 6:38 pm
by Nenitus
I do when I get the chance - though I have much less time than when it first came out, due to school.
If I'm removed from here, I won't be offended :p
Re: If you are an alpha tester, please respond.
Posted:
Sun Sep 28, 2008 7:15 pm
by Burnt Ferret
funny part is, i've only seen about 5-6 other people online than myself, and that includes Karl! haha.
Re: If you are an alpha tester, please respond.
Posted:
Sun Sep 28, 2008 7:35 pm
by Blue Tiger
Im still around. I try to play anytime im not busy working/school.
Re: If you are an alpha tester, please respond.
Posted:
Sun Sep 28, 2008 9:07 pm
by Ashlar
i'm here!
Re: If you are an alpha tester, please respond.
Posted:
Mon Sep 29, 2008 11:25 am
by deathstalker
yes this game as got alot more people on it.it was a close tight group at one time
so this sounds like a real good ideal.any how keep up the good work. and i will keep posting
i have been away for a few weeks but im back now.
Re: If you are an alpha tester, please respond.
Posted:
Mon Sep 29, 2008 6:46 pm
by stoody
hi, still play.. lvl 16
Re: If you are an alpha tester, please respond.
Posted:
Mon Sep 29, 2008 7:11 pm
by Kenrok
Im still active.
Lately i had little time to login but i'll test the game and post if i find something wrong that has not been reported.


Wild Chalet Resort is situated at the buffer zone in Kanha National Park, in the state of Madhya Pradesh , Central India. The resort is gorgeously located on the confluence of the Banjar and the Ghangar river with beautiful and cosy cottages offering a panoramic view of the rivers.
The Resort consists of 20 Single and twin cottages with private sit outs and hammocks, all having a captivating view of the River. The Centrally located Dining and recreational area is the hub of all activities during your stay at our Kanha hotel.
The extended open deck offers opportunities of observing wildlife and bird life along the river.
The Centrally located Dining and recreational area is the hub of all activities during your stay at our Kanha hotel.  The extended open deck offers opportunities of observing wildlife and bird life along the river.
| Facilities | |||
|---|---|---|---|
| Ac/ Non Ac Rooms | Intercom Facility | Laundry Service | Car Parking |
| Power Back up | Multi Cuisine Restaurant | Wanderers Cafe | Action Zone Department |
| Wildlife Book Library | Children’s Play Park | Wi-fi at reception |


| Allegra 180mg 40 tablets |
$ 9.25 |
| Benadryl 25mg 24 capsules |
$3.25 |
| Benadryl 25mg 100 capsules |
$8.00 |
| Claritin 10mg 30 tablets |
$3.75 |
| Claritin 10mg 90 tablets |
$9.00 |
| Zyrtec 10mg 30 tablets |
$3.75 |
| Zyrtec 10mg 90 tablets |
$9.00 |
| Afrin Nasal Spray 0.05% 15ml |
$3.00 |
| Sudafed PE 10mg 36 tablets |
$3.25 |
| Dayquil 24 softgels |
$5.00 |
| Dayquil Liquid 237ml |
$4.50 |
| Nyquil 24 softgels |
$5.00 |
| Nyquil Liquid 237ml |
$4.50 |
| TheraFlu Daytime 6 packets |
$8.50 |
| TheraFlu Nighttime 6 packets |
$8.50 |
| Cepacol Lozenges 18 pcs |
$4.00 |
| Chloraseptic Spray 177ml |
$4.00 |
| Halls Breezers Cool Berry 25 drops |
$3.00 |
| Halls Breezers Creamy Strawberry 25 drops |
$3.00 |
| Halls Honey-Lemon 30 drops |
$3.00 |
| Halls Menthol Sugar-Free 25 drops |
$3.00 |
| Nice Lozenges Sugar-Free 24 drops |
$3.00 |
| Ricola Lemon Mint 10 drops |
$1.00 |
| Cold/Flu Kit 1 pack |
$10.00 |
| Delsym 89ml |
$7.00 |
| Mucinex 600mg 20 tablets |
$15.00 |
| Mucinex DM Maximum Strength 14 tablets |
$16.50 |
| Robitussin DM 118ml |
$3.50 |
| Robitussin Mucus & Chest Congestion 118m |
$3.50 |
| Robitussin Mucus & Chest Congestion 237m |
$6.00 |
| Vicks VapoRub 100g jar |
$4.00 |
| Vicks VapoSteam 236ml |
$11.50 |
| KY Jelly Personal Lubricant 59ml |
$ 4.75 |
| Plan B One-Step 1 tablet |
$15.00 |
| Pregnancy Test Kit 2 tests/box |
$7.00 |
| Skyn Non-Latex Condoms 3 pcs |
$3.75 |
| Trojan Magnum Large Condoms 3pcs |
$3.85 |
| Debrox Earwax Drops 15ml |
$3.25 |
| Swim-EAR Drops 30ml |
$5.50 |
| Artificial Tears 15ml |
$3.50 |
| Eye Wash Irrigation 118ml |
$6.00 |
| LubriFresh P.M Eye Oint 3.5g tube |
$4.75 |
| Opcon-A Eye Drops 15ml |
$8.50 |
| Opti-Free Contact Sol 118ml |
$7.75 |
| Opti-Free Rewetting Drops 12ml |
$9.00 |
| Refresh Plus Preservative Free 30 single-use vials |
$12.75 |
| Visine 5ml |
$3.50 |
| Zaditor 5ml |
$8.50 |
| Clarispray (Fluticasone) 9.9ml |
$15.50 |
| Ocean Saline Nasal Spray 45ml |
$3.00 |
| Sinus Rinse Kit w/ 50 packets |
$12.50 |
| Sinus Rinse Refill 100 packets |
$13.50 |
| Ace Bandage 3 inch 1 unit |
$4.00 |
| Ace Bandage 4 inch 1 unit |
$7.00 |
| Ace Hot and Cold Compress 1 unit |
$5.00 |
| Band-Aid Latex Free 30/box |
$5.00 |
| Band-Aid Large 10/box |
$5.00 |
| Instant Cold Pack (twin pack) |
$4.75 |
| ThermaCare Heatwrap 3 pads |
$9.00 |
| Wrist Splint SM/MD 1 unit |
$10.00 |
| Wrist Splint L/XL 1 unit |
$10.00 |
| Prilosec 20mg 14 tablets |
$11.00 |
| Zantac 150mg 24 tablets |
$5.25 |
| Gas-X 30 softgels |
$4.00 |


Reports calls to
Runtime.exec()
or any of its variants. Calls to
Runtime.exec()
are inherently unportable.


Abigaila (a play on the name Abigail Adams) was a project I started with a friend in Kuala Lumpur, Malaysia. Upon being given access to a vast number of high quality textile SKUs, the product was designed to be one of the largest comprehensive online catalogs for home fabrics (curtains, covers, etc.). My work involved a product prototype, branding, a sales site, and a go-to-market strategy over the span of two weeks.


{% extends 'bom/bom-base.html' %} {% load staticfiles %} {% load materializecss %} {% block head-title %}{{ title }}{% endblock %} {% block main %} {% endblock %} {% block bom-menu %}
Part numbers must be in the format CCC-{{ organization.number_ns }}-VV where CCC is the part number class, {{ organization.number_ns }} is the part number number item, and VV is the part variation. To change the part number item length or to create part classes, go to the Settings page, and create them in the BOM tab.
The below fields are optional.
Skip this form if your part is a custom part. Leave the manufacturer field unselected if creating a new manufacturer.


#import "../layout/defaultLayout.ftl.html" as layout><EMAIL_ADDRESS>"Home page">
Flash Cookie support
<#if flash.any??> An arbitrary flash message:
${flash.any}
#if>
You can use firebug or any other tool you can spot the flash cookie attached to the request.
If you move to another page the cookie will go away.
@layout.myLayout>


To swap tiles click on one tile (will become highlighted), then on another one. Blank fields are selectable too.
To rotate tile click on one tile (will become highlighted), then on the same tile. It makes sense for 'piksele-1' and 'maziaje-1' tiles only.
Red lines are indicating borders of a bathroom area. Main area is a bathroom connected with a part of a halway. Small area is a floor part under a shower.


| Field | Type | Label | Description |
| uuid | UUID | UUID. |
|
| sequence | int32 | The Sequence of the Artist. |
|
| name | string | The name of the Artist. |
|
| profile | Profile | A Profile for an Artist. |
|
| registrations | Registration | repeated | An Artist's Registration details at a Rights Organisation: organisation, code. e.g. 'PPL', '12489754'. |
| urls | URL | repeated | Associated urls for an artist. |
| mscm_id | string | A mscmeta ID for the Artist. |
|
| role | Artist.Role | The Role of the Artist. |
| Name | Number | Description |
| ROLE_UNSPECIFIED | 0 | |
| ROLE_MAIN | 1 | |
| ROLE_FEATURED | 2 | |
| ROLE_REMIXER | 3 | |
| ROLE_DJ | 4 |
| Field | Type | Label | Description |
| uuid | UUID |
|
|
| file | File |
|
| Field | Type | Label | Description |
| uuid | UUID |
|
|
| name | BaseGenre.Name |
|
| Name | Number | Description |
| NAME_UNSPECIFIED | 0 | |
| NAME_ALTERNATIVE | 1 | |
| NAME_AUDIO_BOOKS | 2 | |
| NAME_BLUES | 3 | |
| NAME_CHILDRENS_MUSIC | 4 | |
| NAME_CLASSICAL | 5 | |
| NAME_COMEDY | 6 | |
| NAME_COUNTRY | 7 | |
| NAME_DANCE | 8 | |
| NAME_ELECTRONIC | 9 | |
| NAME_FOLK | 10 | |
| NAME_HIPHOP_RAP | 11 | |
| NAME_HOLIDAY_MUSIC | 12 | |
| NAME_INSPIRATIONAL | 13 | |
| NAME_JAZZ | 14 | |
| NAME_LATIN | 15 | |
| NAME_NEW_AGE | 16 | |
| NAME_OPERA | 17 | |
| NAME_POP | 18 | |
| NAME_RB_SOUL | 19 | |
| NAME_REGGAE | 20 | |
| NAME_ROCK | 21 | |
| NAME_SOUNDTRACK | 22 | |
| NAME_SPOKEN_WORD | 23 | |
| NAME_VOCAL | 24 | |
| NAME_WORLD | 25 |
| Field | Type | Label | Description |
| uuid | UUID | A UUID for the Company record. |
|
| mscm_id | string | The Companies assigned ID from The Music Network - mscmetadata. |
|
| name | string | The Company name. |
|
| profile | Profile |
|
| Field | Type | Label | Description |
| uuid | UUID |
|
|
| name | string | The Contributors Name |
|
| profile | Profile | Contributor Profile |
|
| registrations | Registration | repeated | A Contributors Registration details at a Rights Organisation: organisation, code. e.g. 'PPL', '12489754'. |
| urls | URL | repeated | Any urls associated with A Contributor |
Contributor Roles Schema.
| Field | Type | Label | Description |
| uuid | UUID | UUID |
|
| role | ContributorRole.Role | Select a Role for a Contributor |
| Name | Number | Description |
| ROLE_UNSPECIFIED | 0 | |
| ROLE_ARTWORK | 1 | |
| ROLE_PHOTOGRAPHY | 2 | |
| ROLE_EXECUTIVE_PRODUCER | 3 | |
| ROLE_OTHER | 4 | |
| ROLE_WRITTEN_BY | 5 | |
| ROLE_PUBLISHER | 6 |
| Field | Type | Label | Description |
| uuid | UUID | Country uuid |
|
| name | string |
|
|
| iso_alpha_two | string |
|
|
| iso_alpha_three | string |
|
|
| iso_numeric | string |
|
| Field | Type | Label | Description |
| uuid | UUID |
|
|
| delivery_id | string |
|
|
| attachments | Attachment |
|
|
| type | Delivery.Type |
|
| Name | Number | Description |
| TYPE_RELEASE_UNSPECIFIED | 0 | |
| TYPE_RECORDING | 1 | |
| TYPE_RINGTONE | 2 | |
| TYPE_MOVIE | 3 |
| Field | Type | Label | Description |
| uuid | UUID |
|
|
| name | string | The filename of the File. |
|
| size | int32 | The size of the File in bytes. |
|
| extension | string | The extension of the File. |
|
| mime_type | string | The mime type of the File. |
|
| created_at | string | The createion date of the File. |
|
| location | string | The URI of the stored File. |
|
| notes | string | Any additional notes regarding the File. |
|
| checksum | string |
|
|
| checksum_algo | string |
|
| Field | Type | Label | Description |
| name | Format.Name |
|
| Name | Number | Description |
| NAME_DIGITAL_UNSPECIFIED | 0 | |
| NAME_PHYSICAL | 1 | |
| NAME_RINGTONE | 2 |
| Field | Type | Label | Description |
| uuid | UUID |
|
|
| name | string |
|
| Field | Type | Label | Description |
| uuid | UUID |
|
|
| name | string |
|
|
| reference | string |
|
| Field | Type | Label | Description |
| uuid | UUID | A UUID for the Label record. |
|
| tmn_id | string | The Label's assigned ID from The Music Network. |
|
| name | string | The Label's name |
|
| profile | Profile | A Label's associated profile |
|
| urls | URL | repeated | Associated urls for a label. |
| Field | Type | Label | Description |
| uuid | UUID |
|
|
| family | string |
|
|
| name | string |
|
|
| native_name | string |
|
|
| iso_alpha_two | string |
|
|
| iso_alpha_three | string |
|
|
| english_iso_alpha_three | string |
|
|
| macro_iso_alpha_three | string |
|
|
| notes | string |
|
| Field | Type | Label | Description |
| uuid | UUID | Performer uuid |
|
| name | string | Performer name |
|
| registrations | Registration | repeated | A Performer's Registration details at a Rights Organisation: organisation, code. e.g. 'PPL', '12489754'. |
| Field | Type | Label | Description |
| uuid | UUID |
|
|
| release | Release |
|
|
| sender | Sender |
|
|
| recipient | Recipient |
|
|
| product_type | Product.ProductType |
|
|
| product_release_date_time | string |
|
|
| pre_order | bool |
|
|
| pre_order_date_time | string |
|
|
| timed | bool |
|
|
| genres | Genre | repeated |
|
| Name | Number | Description |
| PRODUCT_TYPE_DIGITAL_UNSPECIFIED | 0 | |
| PRODUCT_TYPE_PHYSICAL | 1 |
| Field | Type | Label | Description |
| uuid | UUID |
|
|
| string | The Profile email. |
||
| alternative_email | string | The Profile alternative email |
|
| address | string | A postal address associated with the Parent |
|
| phone_number | string | A Phone Number asssociated with the Parent |
|
| urls | URL | repeated | Any Associated URLs |
| service_ids | ServiceID | repeated | IDs for any Services |
| Field | Type | Label | Description |
| uuid | UUID | Publisher uuid |
|
| name | string | Publisher Name |
|
| registrations | Registration | repeated | Associated registrations for Publisher |
| profile | Profile | Associated profile for a Publisher |
| Field | Type | Label | Description |
| uuid | UUID | UUID. |
|
| name | string | The name of the Recipient. |
|
| mscmid | string | A mscmeta ID for this Recipient. |
| Field | Type | Label | Description |
| uuid | UUID |
|
|
| recording | Recording |
|
|
| contributor | Contributor |
|
|
| contributor_role | ContributorRole |
|
| Field | Type | Label | Description |
| uuid | UUID |
|
|
| type | RecordingIdentifier.Type | Predefined types for Recording identifier |
|
| custom_identifier | string | If using a Custom ID, add an identifier for it. e.g. TUNECODE |
|
| code | string | The code of the Recording Identifier |
| Name | Number | Description |
| ISRC | 0 | International Standards Recording Code |
| ISWC | 1 | |
| ISMN | 2 | |
| CUSTOM | 3 | A Custom ID for your Recording |
| Field | Type | Label | Description |
| uuid | UUID | A Unique Identifier, it is best to use a Cryptographically sound way to generate these, do not rely on pseudo random human generated strings. |
|
| artists | Artist | repeated | Artists that are on this Recording. |
| position | int32 | The position of the recording if included in a Release configuration. |
|
| title | string | The title of the Recording. |
|
| mix_title | string | A mix title for the Recording. |
|
| copyright_year | int32 | The Copyright Year for the Recording. |
|
| explicit | bool | Does the Recording have explicit lyrics? |
|
| c_line | string | The C Line of the Recording. |
|
| p_line | string | The P Line of the Recording. |
|
| length | int32 | The length of the Audio related to this recording. |
|
| album_only | bool | Is the Recording Album Only? |
|
| status | Recording.Status | If relevant you can give a Recording a status. |
|
| alternative_title | string |
|
|
| remastered | bool |
|
|
| recording_venue | string |
|
|
| recording_date | string |
|
|
| sample | bool |
|
|
| medley | bool |
|
|
| category | string |
|
|
| ident | bool |
|
|
| film_tv | bool |
|
|
| classical | bool |
|
|
| dramatico | bool |
|
|
| additional_details | AdditionalDetails |
|
|
| country_of_recording | Country |
|
|
| country_of_commissioning | Country |
|
|
| country_of_first_publication | Country |
|
|
| language | Language |
|
|
| company | Company |
|
|
| instrumentation | string |
|
|
| lyrics | string |
|
|
| tempo | string |
|
|
| sentiment | string |
|
|
| danceability | string |
|
|
| energy | string |
|
|
| loudness | string |
|
|
| musical_key | string |
|
|
| time_signature | string |
|
|
| genres | Genre | repeated | repeated Registration registrations = 39; /// ['organisation': 'PPL', 'code': '2398543'] / Genres of this Recording. |
| contributors | Contributor | repeated | Contributors to the Recording. |
| recording_identifiers | RecordingIdentifier | repeated | ['type': 'ISRC', 'code': 'GB4QK000000'] |
| files | File | repeated | Related Files for this recording e.g. Audio, Individual Artwork, Contract file etc. |
| writers | Writer | repeated |
|
| performers | Performer | repeated |
|
| publishers | Publisher | repeated |
|
| rightsholders | Rightsholder | repeated |
|
| Name | Number | Description |
| DRAFTED | 0 | |
| SUBMITTED | 1 | |
| PENDING | 2 | |
| APPROVED | 3 | |
| ACCEPTED | 4 | |
| IMPORTED | 5 | |
| DISTRIBUTED | 6 | |
| LIVE | 7 | |
| REJECTED | 8 | |
| DELETED | 9 |
| Field | Type | Label | Description |
| uuid | UUID |
|
|
| organisation | string | Organisation of the Registration |
|
| code | string | The Identifier or Code of the Registration |
| Field | Type | Label | Description |
| uuid | UUID |
|
|
| type | ReleaseIdentifier.Type | Predefined types for Recording identifier. |
|
| custom_type | string | If using a Custom ID, add an identifier for it. |
|
| code | string | The code of the Recording Identifier. |
| Name | Number | Description |
| BARCODE | 0 | A Barcode Identifier for this Release. |
| EAN13 | 0 | A Barcode Identifier for this Release. |
| GTIN12 | 0 | A Barcode Identifier for this Release. |
| GTIN13 | 0 | A Barcode Identifier for this Release. |
| UPC | 0 | A Barcode Identifier for this Release. |
| GRID | 1 | ISO646 |
| SID | 2 | Source Identifier Code |
| CUSTOM | 3 | Custom Identifier, eg. Discogs ID. |
| MUSICBRAINZ | 4 | Musicbrainz Identifier. |
| MATRIX | 5 | A matrix is usually found on a vinyl disc in the run-out. |
| ASIN | 6 | Amazon Standard Identification Number. |
| DISCOGS | 7 | Discogs Release ID |
| ALLMUSIC | 8 | Allmusic ID |
| Field | Type | Label | Description |
| uuid | UUID | A Unique Identifier, it is best to use a Cryptographically sound way to generate these, do not rely on pseudo random human generated strings. |
|
| files | File | repeated | A list of files related to this Release at a Release level. |
| artists | Artist | repeated | Artists that appear on the Release. |
| headline_artist | string | A String containing the Display Artist(s) of the Release. |
|
| title | string | The title of the Release. |
|
| version | string | A String containing the Version of the Release. |
|
| total_volumes | int32 | The number of Volumes on this Release. |
|
| compilation | bool | is this release a compilation or not. |
|
| format | Format | The Format of the Release. |
|
| explicit | Release.Explicit |
|
|
| catalogue_number | string | The Catalogue Number for the Release. |
|
| original_release_date | string | The Original Release Date for the Release. |
|
| release_date | string | The Release Date for the Release. |
|
| record_label | string | TODO: Could change. |
|
| identifiers | ReleaseIdentifier | repeated | See Release Identifiers for usage |
| primary_genre | BaseGenre |
|
|
| primary_subgenre | Genre |
|
|
| secondary_genre | BaseGenre |
|
|
| secondary_subgenre | Genre |
|
|
| copyright_year | int32 | The Year of the Copyright (c) for the Release configuration. |
|
| phonographic_copyright_year | int32 | The Year of the Phographic Copyright (p) for the Release configuration. |
|
| c_line | string | The Copyright line for the Release. |
|
| p_line | string | The Phonographic Copyright line for the Release. |
|
| biography | string | A Biography or Liner Notes for the Release. |
|
| original_format | string | The Original Format of the Release. |
|
| country_of_issue | string | The 2 Letter ISO for the Country of Issue. |
|
| contributors | Contributor | repeated | A list of Contributors to the Release. |
| recordings | Recording | repeated | A list of Recordings that belong to the Release. |
| recordings_count | int32 | The Number of Recordings on a Release. |
|
| metadata_language | Language | The Metadata Language for this Release. |
|
| recording_year | string |
|
|
| recording_location | string |
|
| Name | Number | Description |
| EXPLICIT_NOT_EXPLICIT_UNSPECIFIED | 0 | |
| EXPLICIT_EXPLICIT | 1 | |
| EXPLICIT_CLEAN | 2 |
| Field | Type | Label | Description |
| uuid | UUID |
|
|
| name | string |
|
|
| profile | Profile |
|
| Field | Type | Label | Description |
| uuid | UUID |
|
|
| pay_period | string |
|
|
| sale_date | string |
|
|
| retailer | string |
|
|
| artist_name | string |
|
|
| album_title | string |
|
|
| recording_title | string |
|
|
| upc | string |
|
|
| isrc | string |
|
|
| cat_no | string |
|
|
| revenue_type | Royalty.Type |
|
|
| revenue_description | string |
|
|
| quantity | int32 |
|
|
| total_revenue | string |
|
|
| artist | Artist |
|
|
| company | Company |
|
|
| release | Release |
|
|
| recording | Recording |
|
| Name | Number | Description |
| TYPE_UNSPECIFIED | 0 | |
| TYPE_SALE | 1 | |
| TYPE_REFUND | 2 |
| Field | Type | Label | Description |
| uuid | UUID |
|
|
| name | string |
|
|
| mscmid | string |
|
| Field | Type | Label | Description |
| uuid | UUID |
|
|
| name | string |
|
|
| id | string |
|
| Field | Type | Label | Description |
| uuid | UUID |
|
| Field | Type | Label | Description |
| uuid | UUID |
|
|
| title | string | The Title of the URL. |
|
| link | string | The link of the URL. |
| Field | Type | Label | Description |
| value | string | Value of UUID |
| Field | Type | Label | Description |
| uuid | UUID |
|
|
| title | string |
|
|
| recordings | Recording | repeated |
|
| Field | Type | Label | Description |
| uuid | UUID |
|
|
| society | Society |
|
|
| name | string |
|
|
| performing_share | float |
|
|
| mechanical_share | float |
|
|
| role | string |
|
|
| membership_number | string |
|
| .proto Type | Notes | C++ Type | Java Type | Python Type |
| double | double | double | float | |
| float | float | float | float | |
| int32 | Uses variable-length encoding. Inefficient for encoding negative numbers – if your field is likely to have negative values, use sint32 instead. | int32 | int | int |
| int64 | Uses variable-length encoding. Inefficient for encoding negative numbers – if your field is likely to have negative values, use sint64 instead. | int64 | long | int/long |
| uint32 | Uses variable-length encoding. | uint32 | int | int/long |
| uint64 | Uses variable-length encoding. | uint64 | long | int/long |
| sint32 | Uses variable-length encoding. Signed int value. These more efficiently encode negative numbers than regular int32s. | int32 | int | int |
| sint64 | Uses variable-length encoding. Signed int value. These more efficiently encode negative numbers than regular int64s. | int64 | long | int/long |
| fixed32 | Always four bytes. More efficient than uint32 if values are often greater than 2^28. | uint32 | int | int |
| fixed64 | Always eight bytes. More efficient than uint64 if values are often greater than 2^56. | uint64 | long | int/long |
| sfixed32 | Always four bytes. | int32 | int | int |
| sfixed64 | Always eight bytes. | int64 | long | int/long |
| bool | bool | boolean | boolean | |
| string | A string must always contain UTF-8 encoded or 7-bit ASCII text. | string | String | str/unicode |
| bytes | May contain any arbitrary sequence of bytes. | string | ByteString | str |


Your Career in Web Development Starts Here
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GIt Smart HTTP Server Rack Implementation
Grack is a Rack app that will act as the request handler for the new Git smart-http protocol (Git >= 1.7). It replaces the default git-http-backend Apache-specific CGI with a Rack app that will run in any Rack-compatible application.
Dependencies
Ruby - http://www.ruby-lang.org
Rack - http://rack.rubyforge.org
A Rack-compatible web server
Git >= 1.7
License
(The MIT License)
Copyright (c) 2009 Scott Chacon
Permission is hereby granted, free of charge, to any person obtaining
a copy of this software and associated documentation files (the
'Software'), to deal in the Software without restriction, including
without limitation the rights to use, copy, modify, merge, publish,
distribute, sublicense, and/or sell copies of the Software, and to
permit persons to whom the Software is furnished to do so, subject to
the following conditions:
The above copyright notice and this permission notice shall be
included in all copies or substantial portions of the Software.
THE SOFTWARE IS PROVIDED 'AS IS', WITHOUT WARRANTY OF ANY KIND,
EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF
MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT.
IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY
CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT,
TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE
SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.
Authors
Scott Chacon<EMAIL_ADDRESS>Contact
Scott Chacon<EMAIL_ADDRESS>Download
You can download this project in either
zip or
tar formats.
You can also clone the project with Git
by running:
$ git clone git://github.com/schacon/grack


public class Mouse
extends java.lang.Object
| Modifier and Type | Field and Description |
|---|---|
static int |
EVENT_SIZE
Internal use - event size in bytes
|
| Modifier and Type | Method and Description |
|---|---|
static void |
create()
"Create" the mouse.
|
static void |
destroy()
"Destroy" the mouse.
|
static int |
getButtonCount() |
static int |
getButtonIndex(java.lang.String buttonName)
Get's a button's index.
|
static java.lang.String |
getButtonName(int button)
Gets a button's name
|
static int |
getDWheel() |
static int |
getDX() |
static int |
getDY() |
static int |
getEventButton() |
static boolean |
getEventButtonState()
Get the current events button state.
|
static int |
getEventDWheel() |
static int |
getEventDX() |
static int |
getEventDY() |
static long |
getEventNanoseconds()
Gets the time in nanoseconds of the current event.
|
static int |
getEventX() |
static int |
getEventY() |
static Cursor |
getNativeCursor()
Gets the currently bound native cursor, if any.
|
static int |
getX()
Retrieves the absolute position.
|
static int |
getY()
Retrieves the absolute position.
|
static boolean |
hasWheel() |
static boolean |
isButtonDown(int button)
See if a particular mouse button is down.
|
static boolean |
isClipMouseCoordinatesToWindow() |
static boolean |
isCreated() |
static boolean |
isGrabbed() |
static boolean |
isInsideWindow()
Retrieves whether or not the mouse cursor is within the bounds of the window.
|
static boolean |
next()
Gets the next mouse event.
|
static void |
poll()
Polls the mouse for its current state.
|
static void |
setClipMouseCoordinatesToWindow(boolean clip) |
static void |
setCursorPosition(int new_x,
int new_y)
Set the position of the cursor.
|
static void |
setGrabbed(boolean grab)
Sets whether or not the mouse has grabbed the cursor
(and thus hidden).
|
static Cursor |
setNativeCursor(Cursor cursor)
Binds a native cursor.
|
static void |
updateCursor()
Updates the cursor, so that animation can be changed if needed.
|
public static final int EVENT_SIZE
public static Cursor getNativeCursor()
public static Cursor setNativeCursor(Cursor cursor) throws LWJGLException
cursor
- the native cursor object to bind. May be null.LWJGLException
- if the cursor could not be set for any reasonpublic static boolean isClipMouseCoordinatesToWindow()
public static void setClipMouseCoordinatesToWindow(boolean clip)
public static void setCursorPosition(int new_x, int new_y)
new_x
- The x coordinate of the new cursor position in OpenGL coordinates relative
to the window origin.new_y
- The y coordinate of the new cursor position in OpenGL coordinates relative
to the window origin.public static void create() throws LWJGLException
LWJGLException
- if the mouse could not be created for any reasonpublic static boolean isCreated()
public static void destroy()
public static void poll()
next
for each event you
want to read. You can query which button caused the event by using
getEventButton
. To get the state of that button, for that event, use
getEventButtonState
.
NOTE: This method does not query the operating system for new events. To do that,
Display.processMessages() (or Display.update()) must be called first.public static boolean isButtonDown(int button)
button
- The index of the button you wish to test (0..getButtonCount-1)public static java.lang.String getButtonName(int button)
button
- The buttonpublic static int getButtonIndex(java.lang.String buttonName)
buttonName
- The button namepublic static boolean next()
getEventButton()
(if any). To get the state of that key, for that event, use
getEventButtonState
. To get the current mouse delta values use getEventDX()
and getEventDY()
.getEventButton()
,
getEventButtonState()
public static int getEventButton()
public static boolean getEventButtonState()
public static int getEventDX()
public static int getEventDY()
public static int getEventX()
public static int getEventY()
public static int getEventDWheel()
public static long getEventNanoseconds()
public static int getX()
public static int getY()
public static int getDX()
public static int getDY()
public static int getDWheel()
public static int getButtonCount()
public static boolean hasWheel()
public static boolean isGrabbed()
public static void setGrabbed(boolean grab)
grab
- whether the mouse should be grabbedpublic static void updateCursor()
public static boolean isInsideWindow()
Copyright © 2002-2010 lwjgl.org. All Rights Reserved.


Start with the "Review" tab; see plots 21--25 and 29--33 (if present) to see the concentrations, LWC, and sample size distributions. Use "brush" to zoom to problems. Look for general consistency with past projects.
The "Known Problems" -> "LWC comparison" check shows how the CDP and King-probe measurements of LWC (if present) compare.


Issue Tracker
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--- layout: post status: publish published: true title: MVP Summit redux author: display_name: Tomas Restrepo login: tomasr email<EMAIL_ADDRESS>url: http://winterdom.com/ author_login: tomasr author_email<EMAIL_ADDRESS>author_url: http://winterdom.com/ wordpress_id: 714 wordpress_url: http://winterdom.com/2004/04/mvpsummitredux date: '2004-04-09 16:37:20 +0000' date_gmt: '2004-04-09 16:37:20 +0000' categories: - Personal tags: [] comments: [] ---
I spent all week in Seattle/Redmond at the Global MVP Summit. It was a blast.
On Saturday, got to finally meet my friend Sam Gentile Face to Face after all this time and had dinner with him and a few other guys.
On Monday, had a blast at Jillian's with the VC++ team and the rest of the VC++ MVPs
On Wednesday, I went to dinner alongside James Curran, Carl Daniel, Kim Gräsman and someone else whose name I can't quite remember now...(all VC++ MVPs). We looked around for a while, and ended up on this really nice place called The Pink Door; located close to Pike's Market. It had great ambient, great food, and the company was superb.


Shopping Website
FCSE 2015: Conference registration
You can register for
"Fictional"
Conference on Software Engineering (FCSE) 2015 with the following registration. Please contact us in case of any problems.
Price: $
500
Type
All days
Conference
Workshop
Attendee
Regular
Member
Student
Payment
Early
Later
On site
Quantity:


Architecture, Urban Policy, Geography and Environmental Studies
Architecture
Universidad La Gran Colombia, Colombia, June 2007
Certificate in Urban Policy
Universidad del Rosario, Colombia, October 2012
MA Geography and Environmental Studies
Northeastern Illinois University, Chicago, In progress .
Experience
Urban Policy and Urban Geography.
Architect Public Spaces Office-Municipal Planning Department, Pereira, Colombia,
October 2010- December 2016.
Urban Policy External Consultant
January 2012- December 2016
Research in Geography and Environmental Studies
January 2018- Today .
interest
I am interested in study the relationship between spaces and people, their communities, cultures, economies, and interactions with the environment. How societies have different spatial level interdependencies, and how they influence or affect the earth's environment. That includes urban geography, capitalism, social justice, neocolonialism, determinism, differences between developed and developing Countries and their relationship..
Projects
Academic and Professionals.
Mobility Master Plan (MMP)
Salento, Colombia, 2007.
Process improved for the Public Spaces Committe
Major office of Pereira, Colombia, 2011.
Special Plan for Heritage Building (PEMP)
Pereira, Colombia, 2013.
Consultant for the PRRCTP
Pereira's Major office, Colombia, 2015.
Group Project Rent Control 2010-2015
Chicago, 2017.
Mapping preferences for living
Chicago, 2017.
Mapping with QGIS
Chicago, 2018.
Mapping with Python
Chicago, 2018.
Research about the Impact of Partial Plans in Colombia.
In Progress
Sonia Morales
Email<EMAIL_ADDRESS>Phone:<PHONE_NUMBER>
4132 W Barry Ave. Chicago, IL, 60641
Architect Public Spaces Office
Pereira, Colombia.
The Planning Department managed the public spaces in Pereira, Colombia (Parks, Squares, Green Spaces or Local Forest Preserve) until 2017. The Urban Spaces Office functions were: received the transfer land for Urban Development. Made autorization for the use of Public spaces to private organizations. Granting licenses for maintenance and construction in public spaces. Update the urban spaces, urban silvicultural system and urban furniture Census among others.
Date: October 2010- December 2016
Location: Municipal Planning Department
Position: Architect
Urban Policy External Consultant
Pereira, Colombia.
Provide advice in the formulation of partial plans, including urbanization and construction licenses in Colombia, among others.
Date: January 2012- December 2016
Client: AUIA. SLP/ Habitat C-C/Otesa.
Position: Urban Policy Consultant
Urban Renewal in Pereira
Research about the Social impact of Public Private Parnerships in Colombia.
The purpose of this research is analyze the persistence of social issues as a consequence of redevelopment using Partial Plans in Colombia. Ciudad Victoria Partial Plan is the case of study. This plan suggest a social strategy but fell short in the solutions for low inclome inhabitants; the only choice for them was the displacement to periperical areas. The literature found partial plans exclude user of space, and people represent just consumers for new development.
Date: In Progress
Where is the best suburb close to Chicago for Colombian families to live?
Mapping by Requirement or Preference
This project use the Illinois Census Data to filter the requirements and preferences to find the best location for a small latino family for living in a suburb. Close from Chicago but with more secure neighborhoods and calm life out of Chicago.
Date: December 2017
Category: Academic Project
Mobility Master Plan (MMP)
Salento, Colombia, 2007.
The purpose of the Mobility plan was to improve the mobility for Salento, Colombia; a small city that increase the volume of people and vehicles temporarily in some days per year (tourism activity). The first part of this project is a diagnostic (description of the mobility problems) and the second part is the design of a project to minimize the problems.The propose was change the direction of some streets, the redesing of the most important open spaces and the creation of new nodes that redistribute the tourism around the city.
Date: May 2007
Category: Academic Project
Improving the administrative processes of the Public Spaces Committe
Pereira, Colombia, 2011
The Municipal Planning Department managed the public spaces in Pereira, Colombia (Parks, Squares, Green Spaces or Local Forest Preserve) until 2017. In 2011, the procedures were disorganized and non-effective. We review the cases for each process, and we found the stage that need to be improved organizing the procedure improving the effectiveness in the processes.
Date: March 2011
Category: Professional Project
Special Plan of Management and Protection of Heritage Building (PEMP)
Pereira, Colombia, 2013
The heritage building in Colombia has an exclusive zonning policy to protect their historic conservancy. Any modification of the costruction or redevelop in the building must be approved by a Special Plan of Management and Protection of Heritage Building (PEMP). the project was the creation of a PEMP for the "Palacio de Rentas Departamentales" in Pereira, a historic building counstructed in 1927.
Date: June 2013
Category: Academic Project
Consultant for the Revitalization and Recovery Plan for Pereira's Downtown
Pereira, Colombia, 2015
The Plan of Revitalization and Recovery of the Traditional Center of Pereira (PRRCTP) is part of the project "Support for the Planning of Intermediate Cities - Pereira" and the Technical Cooperation ATN / FG - 12981-CO between the Inter-American Development Bank (IDB) and Pereira's Mayor office.
The objective is recovery the Traditional Center and maintain and reinforce the role of the city of Pereira as metropolitan area.
The Plan is a strategic proposal that contains the vision and guidelines for development and management of the PRRCTP, the guidelines about the changes in the zonning for the revision of the Territorial Planning Plan and the lines and the lines for the participatory budget for the Center of the city.
Date: February 2015
Category: Professional Project
Group Project - Rent Control 2010-2015
Chicago, 2017
The Lift the Ban coalition is a community-based organizations that fight for a Rent control in the United States. The municipal regulations allow the government to raised the rent without any control.
The voluntary project was to create a dataset and maps visualizing trends in the rental market and displacement of low-income people that will be helpful for future analyses and support the political project in Illinois.
Date: December 2017
Category: Academic/professional Project
Mapping with Python
Chicago, 2018
Map a Clip feature using Python.
Date: Augost 2018
Category: Academic Project
Mapping with QGIS
Chicago, 2018
Make a thematic map with QGIS. This project redraw the map of NEIU foreign students in 2013. The map was created using open shapefiles, adding the existing map data and using XYline to connect the countries with Chicago. I used inverted polygon, drop shadow and shapebrush fill.


{{device.name}}
{{device.ownerName}}
{{device.softwareReleaseName}}
Enter email addresses separated by a comma


Empty constructor
Column 1
Column 2
Sets all internal matrix values to absolute values.
Adds the two 2x2 matricies together and stores the result in this matrix.
2x2 matrix to add.
Creates a copy of the matrix.
Copy of this 2x2 matrix.
Gets the rotation matrix angle. R(theta) = [ cos(theta) -sin(theta) ] [ sin(theta) cos(theta) ]
The rotation matrix angle (theta).
Sets the 2x2 rotation matrix from the given angle. R(theta) = [ cos(theta) -sin(theta) ] [ sin(theta) cos(theta) ]
Matrix angle (theta).
Sets the 2x2 matrix to identity.
Sets the 2x2 matrix from a 2x2 matrix.
2x2 matrix values.
Sets the 2x2 matrix to all zeros.
Creates a rotation 2x2 matrix from the given angle. R(theta) = [ cos(theta) -sin(theta) ] [ sin(theta) cos(theta) ]
Matrix angle (theta).
2x2 matrix.
Generated using TypeDoc
A 2-by-2 matrix. Stored in column-major order.


 For convenience, the design of this template is done with the use of that application. Django-postman will still be working, even if that application is not installed, by providing a mock for the template tag library. If the real implementation is to be used, just make sure that 'dj_pagination' is declared before 'postman' in the INSTALLED_APPS setting. {% endcomment %} {% block header %} {% endblock %} {% block content %}
{% trans "Sorry, this page number is invalid." %}
{% else %} {% if pm_messages %} {% block pm_by_modes %}{% trans "No messages." %}
{% endif %} {% endif %}


This is an R interface to the python package 'excerpts' (<https://pypi.python.org/pypi/excerpts>).
| Version: | 1.4.1 |
| Depends: | R (≥ 3.5.0) |
| Imports: | utils, rPython, rprojroot, git2r |
| Suggests: | testthat, knitr, rmarkdown, devtools |
| OS_type: | unix |
| Published: | 2018-06-03 |
| Author: | Andreas Dominik Cullmann [aut, cre] |
| Maintainer: | Andreas Dominik Cullmann <adc-r at arcor.de> |
| License: | BSD_2_clause + file LICENSE |
| URL: | https://github.com/fvafrCU/excerptr |
| NeedsCompilation: | no |
| SystemRequirements: | python3, rPython (see file README). To make full use of the vignette's examples you need 'pandoc' (http://pandoc.org) installed, although it's not a requirement. |
| Materials: | README NEWS INSTALL |
| CRAN checks: | excerptr results |
| Reference manual: | excerptr.pdf |
| Vignettes: |
An Introduction to excerptr |
| Package source: | excerptr_1.4.1.tar.gz |
| Windows binaries: | r-devel: not available, r-release: not available, r-oldrel: not available |
| OS X binaries: | r-release: excerptr_1.4.1.tgz, r-oldrel: excerptr_1.4.0.tgz |
| Old sources: | excerptr archive |
Please use the canonical form https://CRAN.R-project.org/package=excerptr to link to this page.


{% extends "base.html" %} {% block body %}
The problem: {{ problem.problem }}
What was your answer?
The official solution: show
{{ problem.solution }}
Tell us how you feel, including suggestions for changing the wording of the problem
Was it hard for you?
-- choose one -- even easier! easy AMC hard AMC AIME even harder!
How long did it take?
minutes (use up to one decimal)


I am currently an undergraduate student of two programs at Universidad de los Andes in Colombia. The first one is the program of Business Management at the School of Management, and the second one is the Systems and Computing Engineering program at the School of Engineering. For the first program, I tend to be more inclined by the fields of corporative strategy, consulting, entrepreneurship, human resources and marketing and for the second one I definetly preffer the web development and communications infrastructure fields.
In the summer of 2018, I took a semminar on entrepreneurship at Babson College in Wllesley, Massachusetts. There I had the pleasure to meet some of the funniest and joyfull people I have ever met, and some of the most well-prepared professors on the matter to start my own entrepreneurshipment soon.
If there is something that drives my life is the service for other. Unfortunately, or fortunately depending if you see the glass half empty or half full, I discovered this not long ago, so it has been a total new adventure and a new way of seeing life.
Right now, I have been a volunteer at my university in a program where we mostly help students with some materials for their classes and laboratories, like books, gloves, safety glasses, calculators and other stuff. Also, we are very connected with the students that start their journey, better known as freshmen, so we provide guidance and counceling in any topic they need, academic or personal, it does not matter to us as long as we can provide help to make their life a little bit easier.
Not everything has to be studying, volunteering and shooting people with paintballs (although I wish was more of the last). While I was at a party I started to think that there should be a way to make drinking a more enjoyable experience.
So, in the summer of 2013, I decided to take a two month course to become a professional bartender, and fortunately I became one. Since then, the thing that I enjoy the most is to prepare cocktails at my friend's parties, mix different spirits and beverages to reach new flavours and colours. It is all about being creative, feel some inspiration and take risks to try and mix new stuff, even if they do not look like something you would drink outside your house, but always stay safe, do not drink crazy things alone.


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addFullNameToMap(URI)
- Method in class environmentShell.
LocalCPlusPlusEnvironmentLoader
addToList(URI)
- Method in class environmentShell.
EnvironmentShellPreferences
allCPPEnvURIs
- Variable in class environmentShell.
LocalCPlusPlusEnvironmentLoader
allFullURIName
- Variable in class environmentShell.
LocalCPlusPlusEnvironmentLoader
E
env_cleanup()
- Method in class environmentShell.
EnvironmentShell
env_cleanup()
- Method in class environmentShell.
JNIEnvironment
env_init()
- Method in class environmentShell.
EnvironmentShell
env_init()
- Method in class environmentShell.
JNIEnvironment
env_message(String)
- Method in class environmentShell.
EnvironmentShell
env_message(String)
- Method in class environmentShell.
JNIEnvironment
env_start()
- Method in class environmentShell.
EnvironmentShell
env_start()
- Method in class environmentShell.
JNIEnvironment
env_step(Action)
- Method in class environmentShell.
EnvironmentShell
env_step(Action)
- Method in class environmentShell.
JNIEnvironment
EnvironmentLoaderInterface
- Interface in
environmentShell
environmentShell
- package environmentShell
EnvironmentShell
- Class in
environmentShell
EnvironmentShell()
- Constructor for class environmentShell.
EnvironmentShell
EnvironmentShellPreferences
- Class in
environmentShell
EnvironmentShellPreferences()
- Constructor for class environmentShell.
EnvironmentShellPreferences
Set's a default path to the same place as where this jar be livin'
envNameVector
- Variable in class environmentShell.
EnvironmentShell
envParamVector
- Variable in class environmentShell.
EnvironmentShell
envUriList
- Variable in class environmentShell.
EnvironmentShellPreferences
G
getInstance()
- Static method in class environmentShell.
EnvironmentShellPreferences
getJNILoaderLibDir()
- Method in class environmentShell.
EnvironmentShellPreferences
getList()
- Method in class environmentShell.
EnvironmentShellPreferences
getNames()
- Method in class environmentShell.
LocalCPlusPlusEnvironmentLoader
This method gets a count of the number of environments, then for each of the environments it gets its name through a JNI call.
getParameters()
- Method in class environmentShell.
LocalCPlusPlusEnvironmentLoader
getShortEnvNameFromURI(URI)
- Method in class environmentShell.
LocalCPlusPlusEnvironmentLoader
getTypeSuffix()
- Method in class environmentShell.
LocalCPlusPlusEnvironmentLoader
I
isValid()
- Method in class environmentShell.
JNIEnvironment
J
JNIenvcleanup()
- Method in class environmentShell.
JNIEnvironment
JNIenvinit()
- Method in class environmentShell.
JNIEnvironment
JNIEnvironment
- Class in
environmentShell
JNIEnvironment(String, ParameterHolder)
- Constructor for class environmentShell.
JNIEnvironment
JNIenvmessage(String)
- Method in class environmentShell.
JNIEnvironment
JNIenvsetrandomseed(int, double, int[], double[])
- Method in class environmentShell.
JNIEnvironment
JNIenvsetstate(int, double, int[], double[])
- Method in class environmentShell.
JNIEnvironment
JNIenvstart()
- Method in class environmentShell.
JNIEnvironment
JNIenvstep(int, int, int[], double[])
- Method in class environmentShell.
JNIEnvironment
JNIgetDouble()
- Method in class environmentShell.
JNIEnvironment
JNIgetDoubleArray()
- Method in class environmentShell.
JNIEnvironment
JNIgetEnvParams(String)
- Method in class environmentShell.
LocalCPlusPlusEnvironmentLoader
JNIgetInt()
- Method in class environmentShell.
JNIEnvironment
JNIgetIntArray()
- Method in class environmentShell.
JNIEnvironment
JNIgetrandomseed()
- Method in class environmentShell.
JNIEnvironment
JNIgetReward()
- Method in class environmentShell.
JNIEnvironment
JNIgetstate()
- Method in class environmentShell.
JNIEnvironment
JNIgetTerminal()
- Method in class environmentShell.
JNIEnvironment
JNIloadEnvironment(String, String)
- Method in class environmentShell.
JNIEnvironment
jniLoaderLibDir
- Variable in class environmentShell.
EnvironmentShellPreferences
L
libDir
- Variable in class environmentShell.
EnvironmentShell
load_environment(String, ParameterHolder)
- Method in class environmentShell.
JNIEnvironment
loadEnvironment(String, ParameterHolder)
- Method in interface environmentShell.
EnvironmentLoaderInterface
loadEnvironment(String, ParameterHolder)
- Method in class environmentShell.
EnvironmentShell
loadEnvironment(String, ParameterHolder)
- Method in class environmentShell.
LocalCPlusPlusEnvironmentLoader
loadEnvironment(String, ParameterHolder)
- Method in class environmentShell.
LocalJarEnvironmentLoader
loadLoader()
- Method in class environmentShell.
LocalCPlusPlusEnvironmentLoader
The CPPENV.dylib is the library that allows the c++ environments to be used in java
LocalCPlusPlusEnvironmentLoader
- Class in
environmentShell
Java class to talk to a C++ counterpart, environmentShell -> LocalCPlusPlusEnvironmentLoader (java) -> CPlusPlusEnvironmentLoader (C++)
LocalCPlusPlusEnvironmentLoader()
- Constructor for class environmentShell.
LocalCPlusPlusEnvironmentLoader
CPPENV.dylib is assumed to be in the same directory as the envShell jar.
LocalJarEnvironmentLoader
- Class in
environmentShell
LocalJarEnvironmentLoader()
- Constructor for class environmentShell.
LocalJarEnvironmentLoader
M
main(String[])
- Static method in class environmentShell.
EnvironmentShell
makeList()
- Method in class environmentShell.
LocalCPlusPlusEnvironmentLoader
refresh the EnvUrlList to ensure its up to date, then for each URI in the list, find all the dylibs in that directory.
mapFromUniqueNameToLoader
- Variable in class environmentShell.
EnvironmentShell
mapFromUniqueNameToLocalName
- Variable in class environmentShell.
EnvironmentShell
O
ourInstance
- Static variable in class environmentShell.
EnvironmentShellPreferences
P
publicNameToFullName
- Variable in class environmentShell.
LocalCPlusPlusEnvironmentLoader
R
refreshList()
- Method in class environmentShell.
EnvironmentShell
S
setJNILoaderLibDir(String)
- Method in class environmentShell.
EnvironmentShellPreferences
T
theEnvironment
- Variable in class environmentShell.
EnvironmentShell
theEnvironmentLoaders
- Variable in class environmentShell.
EnvironmentShell
theNames
- Variable in class environmentShell.
LocalCPlusPlusEnvironmentLoader
theParamHolders
- Variable in class environmentShell.
LocalCPlusPlusEnvironmentLoader
V
validEnv
- Variable in class environmentShell.
JNIEnvironment
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Fast convolution, replacement for both conv2 and convn. See conv2 or convn for more information on convolution in general. This works as a replacement for both conv2 and convn. Basically, performs convolution in either the frequency or spatial domain, depending on which it thinks will be faster (see below). In general, if A is much bigger then B then spatial convolution will be faster, but if B is of similar size to A and both are fairly big (such as in the case of correlation), convolution as multiplication in the frequency domain will tend to be faster. The shape flag can take on 1 additional value which is 'smooth'. This flag is intended for use with smoothing kernels. The returned matrix C is the same size as A with boundary effects handled in a special manner. That is instead of A being zero padded before being convolved with B; near the boundaries a cropped version of the matrix B is used, and the results is scaled by the fraction of the weight found in the cropped version of B. In this case each dimension of B must be odd, and all elements of B must be positive. There are other restrictions on when this flag can be used, and in general it is only useful for smoothing kernels. For 2D filtering it does not have much overhead, for 3D it has more and for higher dimensions much much more. For optimal performance some timing constants must be set to choose between doing convolution in the spatial and frequency domains, for more info see timeConv below. USAGE C = convnFast( A, B, [shape] ) INPUTS A - d dimensional input matrix B - d dimensional matrix to convolve with A shape - ['full'] 'valid', 'full', 'same', or 'smooth' OUTPUTS C - result of convolution EXAMPLE See also CONV2, CONVN Piotr's Computer Vision Matlab Toolbox Version 2.61 Copyright 2014 Piotr Dollar. [pdollar-at-gmail.com] Licensed under the Simplified BSD License [see external/bsd.txt]


We have downloadable documentation reference guide where you can find descriptions and examples to all Citrus features. We have HTML and PDF versions of the documentation. In case you miss something in our documentation or find something unclear please do not hesitate to tell us your problem. We would like to have a documentation as good as possible for you.
Latest stable release: 1.3
Older versions:
See also this additional documentation material about Citrus:
In case you would like to checkout the Citrus code base and build Citrus yourself follow these instructions:


Baby Shark headed overseas: Parra to play in Japan
Outfielder Gerardo Parra agreed to a contract with the Yomiuri Giants, the Japanese professional baseball team announced on Wednesday.
Parra, whose popularity increased after using “Baby Shark” as his walk-up song, batted .250 with eight homers and 42 RBIs in 89 games last season for the Washington Nationals. The 32-year-old spent his first 30 games of the campaign with the San Francisco Giants.
The Washington Post said the deal is for $2 million in 2020 plus a $500,000 bonus. The contract includes a vesting option for 2021 worth $3 million.
While mired in a slump, Parra chose the catchy children’s song after seeing his 2-year-old daughter dance to it. The tune later became an anthem for the Nationals as they rallied from a 19-31 start to win the first World Series title in franchise history.
“What he’s done in that clubhouse has really changed the way these guys go about their business. I mean, it was business. There wasn’t a whole lot of — he made it fun for this team,” Nationals manager Dave Martinez said to NBC Sports Washington in October.
“Those guys up there, every one of his teammates love him, love him. All the fans love him. He’s just that guy. He’s the Parra Shark.”
Parra, 32, batted .276 with 88 homers and 522 RBIs over 11 seasons with the Arizona Diamondbacks (2009-14), Milwaukee Brewers (2014-15), Baltimore Orioles (2015), Colorado Rockies (2016-18), Giants (2019) and Nationals (2019).
—Field Level Media


“How do you know when 30 minutes has gone by, when all you have is a set of matches, a rope that has random points of density whose entirety will be consumed in one hour?”
“With 9 balls and 2 attempts to use a scale, how do you figure out which single ball is a different weight from others?”
“What do I have in my pocket?”
Brain teasers. Riddles. Lateral-thinking exercises.
They’re all the same, and I’ll spend the better half of the day trying to figure one out if you give me one. The act of taking a small amount of information and extrapolating any sort of connotation or denotation from it while thinking about it critically is my favorite thing to do.
That’s why back-end technologies in programming have always interested me so much. The act of setting up means to record and access information, is the very act of setting up your own riddles.
How many users of a Tinder are male?  What’s the breadth of age that we see on Facebook?These are all questions that can be asked and resolved using the data that was collected from these tech monoliths. And I found that fascinating.
So in my own projects, the number one thing that I always focused on was the data models, the database, the joins, the relations..in a couple words - the backend. I found the front-end as almost frivolous, as a gimmick.
I found that revealing my projects to non-technical friends or family wasn’t that enjoyable. They just couldn’t understand the complexity that went into it - and so I grew bitter and arrogant. All of these puzzles that I had created and solved with less pieces meant so little to them and it disappointed me. It was their fault for not understanding how efficient I was being with my data models right?
…No, it wasn’t. It was my fault. And I begun to put more and more effort into my UI. Then the total switch in my philosophy came when I read the infamous rant by Ryan Dahl. For those of you that aren’t familiar with it, here’s a copy of it. For a TL;DR though, he’s the creator of Node.js, and he goes on to say how tired he is of it and all software that’s needlessly complicated. And that ultimately that the User Experience is the only one that truly matters.
That got me thinking…lots of products are ousted by ones with inferior capabilities, but ultimately better usability and UI. cough A certain fruit company..cough. But actually, Apple is a wonderful example, Apple wasn’t the first to use touch screens, they weren’t the first to create the mp3 player, they weren’t the first-to-market with any of their products truly…but that didn’t matter, because everyone liked the UX was so superior. People didn’t care about that Samsungs’ products had better durability, or that LG’s had the best camera. They cared about the overall feel of the phone.
You can have the most amazing intricate product in the world, but if it’s not fun and/or easy to use, no one will.
And so I’ve started creating new puzzles, this time putting myself in the head of a non-technical end-user. I’ve started to go back through all of my old projects. I’ve begun bootstrapping, adding Angular, and/or just normal JS to the projects, trying to figure out the riddle of what keep’s a person’s attention.
Software is a tool to make things easier for people.  So don’t fall into the pit that I did early on, the UI will always matter, because the end-user is more important than you and your ego.