Autocomplete for Native Javascript
autocomplete snippet for HTML input fields build with native javascript and no dependencies
This snippet:
- is built with **native javascript**
- is built with native javascript
- requires no dependencies
- can be used with OR without AJAX
- highy customizable yet very simple
- user experience is inspired from Google search
Without AJAX (list array)
Search for 'apple', 'applepie', 'abacus', 'grape', 'watermelon', 'cherry'
Without AJAX (list array) and Custom Search Function
Search for 'apple', 'applepie', 'abacus', 'grape', 'watermelon', 'cherry'
Built-in AJAX
Search for anime names


Lyle has 18 points, New Mexico rolls CSU Northridge 97-70
by GLEN ROSALESALBUQUERQUE, N.M. (AP) - Led by 18 points from Jaquan Lyle, five New Mexico players reached doubles figures Saturday as the Lobos beat Cal State-Northridge 97-70.
Carlton Bragg and Corey Manigault each added 17 points for New Mexico (2-0).
Lance Coleman II scored 19 to lead the Matadors (0-2), with Terrell Gomez chipping in 14.
Despite the offensive outburst, New Mexico coach Paul Weir was more impressed with the defensive effort.
“I do think defensively these guys are hopefully buying into the idea that’s what’s going to carry us,” he said. “We have very gifted offensive players. We know that. I think the other team knows that. I think our players know that. It’s going to be a question of how committed to defense can we get. When we can, I think we can be pretty good.”
After the Matadors went ahead 26-25 on an Elijah Harkless’ jumper with 9:19 left in the first half, New Mexico grabbed control over the next nine minutes with an 18-2 run that included six points from the foul line, taking a 43-29 lead.
“We missed some foul shots and they got loose in the break a couple of times and our defensive transition wasn’t near as good as it should have been,” said Northridge coach Mark Gottfried. “Those two things were probably the biggest issues.”
The game never got closer than 14 points in the second half.
“They (the Matadors) came out with good energy,” Weir said. “I think at some point, you could feel them losing a little bit of that. I think that’s when we found a little bit of our rhythm and hopefully put our imprint on the game.”
New Mexico dramatically cut down on its turnovers from its first game with 10 fewer at 12, while Northridge had 16. New Mexico turned that advantage into a 26-7 edge in points.
And the Lobos held a 36-30 rebounding edge, with Makuach Maluach grabbing eight.
New Mexico shot exactly 60% from the field for the second straight game.
The Lobos also dominated underneath with a 56-24 advantage in points in the paint.
“They got the ball inside,” Gottfried said. “That’s something we talked about with the team. We did not execute our defense very well.”
BIG PICTURE
In taking care of business against Northridge, the Lobos continued to hone their eight-man rotation and their substitution patterns. New Mexico is showing a dangerously versatile and diverse offense that is capable of scoring from the perimeter as well as pounding it in deep.
The Matadors faced a second-straight larger opponent and both times the games were all but decided by halftime. And Auburn looms on the horizon next week.
IT’S ALL ACADEMIC
Top Northridge player Lamine Diane, who was the Big West Player of the Year, Freshman of the Year and Newcomer of the Year, missed his second straight game because of academic issues. His return to the court is not known, Gottfried said.
HE SAID IT
“As crazy as it sounds,” Weir said, “This really isn’t about winning and losing as much as it is about trusting our process and continuing to grow.”
UP NEXT
New Mexico next plays Green Bay on Wednesday in the opener of the Legends Classic Tournament.
Northridge next plays Tuesday at home against Pepperdine.
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Hello my name is Laila Hashi and I am a Mechatronics Engineering undergraduate student at the University of Waterloo.
Languages that I am familiar with using include C++, RobotC, java, and HTML/CSS. I am also experienced with using AutoCAD and solidWorks.
I enjoy reading and spending most of my time with family.
Through this program I hope to contribute to the renewable energy sector and develope new ways to improve the lives of many in developing countries all around the world. I also hope to help combat the many new challenges occuring due to climate change.
These are a couple of projects that I have completed over the past couple of years.
Feel free to contact me at:
lhashi.uwaterloo.ca linkedin.com/in/LailaHashiMy resume is also available here.


{% extends 'base.html' %} {% block title %}
Note 1: to upload data to Course and Lesson models we can use
$ python manage.py loaddata fixtures/learning.json --app learning
Note 2: to store data from Course and Lesson models we can use
$ python manage.py dumpdata learning > fixtures/learning.json


How To Grow Custard Apple Crop
Introduction
Custard Apple could be a fruit from alittle deciduous, semi-evergreen plant happiness to the Annonaceae family. The tree is usually found in sub-tropical regions of the globe and there are concerning 2000 plants everywhere the world that belong to the present group. dish apple is taken into account to be a native of the West Indies, however it's long been cultivated in South American country and Brazil. This tree is usually found within the state and generally it's seen growing in island and southern Florida. One will notice custard apple trees being cultivated in India, South Africa, some regions of South Asia, and also the Philippines. dish apple is self-addressed with totally different names comparable to wild-sweetsop, bull’s heart, bullock’s heart, or ox heart. This tree isn't terribly enticing in nature however bears fruits with a pleasant flavor. In India, it's called ‘Sitaphal’ and it is calculable that around 55 thousand hectares of land are dedicated to custard apple cultivation in India.
Soil and climate conditions
Climatic conditions –
The plants would like a tropical climate for better performance, but should even have cooler winters. it's expected to grow well on the plains and conjointly on elevations up to 4000 ft. The plant will tolerate a temperature of twenty seven or 28˚F while not obtaining harmed. Plants would like a damp climate (around seventy to 80%) for survival and also the minimum annual rain needed by the plants is around 50-80 cm. The plants begin flowering throughout the hot, dry climate and bear fruit during the monsoon.
Soil conditions –
There's no explicit soil for cultivating custard apple as a result of it will flourish in any kind of soil like shallow, sandy, clayey loam, etcetera the best-suited soil is sandy dirt soil. The soil for dish apple farming ought to be well-drained just like the deep black soil. The plants are ineffective to saline conditions within the soil, however alkalinity, chlorine, improper drainage, or marshy-wet lands hamper the expansion of the plants and bearing. The subsoil should be a minimum of onem deep to forestall plant disease and guarantee higher performance. If the surface soil is a smaller amount than 1 m deep, then the planting should be done on mounds.
Cultivation -
Land ought to be completely cleared and tilled before planting the seedlings. Pits of dimensions sixty x 60 x 60 cm are created before the start of the monsoon and will be crammed with FYM, margosa cake, and single super phosphate. when filling the pits with the specified manure, they ought to be left open for fifteen days before planting. The spacing between every pit can be either of the following; four x 4 m, 5 x 5 m, or vi x 6 m and it mostly depends on the kind of soil. it's been discovered that spacing of 6 x 4 m with a correct drip irrigation system has provided sensible growth within the plants and increased the fruit-bearing. The planting is principally done throughout the monsoon.
Propogation –
Seeds are unremarkably used for the propagation of custard apple plants, however there can be different strategies like inarching, budding, or affixation for propagating the plants. it's discovered that once the seeds are treated for twenty-four hours with an acceptable solution, they germinate quickly and uniformly. The germination takes thirty days and it can be accelerated by soaking the seeds for three days at area temperature. Scarification i.e. breaking the episperm mistreatment baby nail clippers can even be helpful for up the rate of germination. The seeds are adult rigorously associate degree exceedingly|in a very} nursery before being transplanted into the most farming area. The seeds shouldn't be planted on the far side a depth of ¾ of an inch.
Fertilizer
Manures and Fertilizers in Custard Apple Cultivation: If the dish apple plants are being rained, then no manures or fertilizers are applied. For having an early harvest or for making a decent quality harvest, the subsequent fertilizers can be applied to a very grown tree: ten kilogram of bio meal throughout planting. Ormichem substance mixture @ 0.250 kg during flowering and another dose of 10: 26: twenty six mixture throughout fruit set. ten g/l of 8: 12: 24: four foliar spray is employed double during fruit set. The plant whereas bearing season wants 250 g of N, a hundred twenty five g of potassium, and phosphorous. because the plant attains 5 years, it ought to be inseminated with 450 g of N, P₂O₅, and K₂O.
Irrigation
The soil should have uniform wet content throughout the fruit set and development amount such high yield can be obtained and there would be no issues like fruit splitting. Irrigation is very necessary to own sensible quality fruit from the plant. Care ought to be taken such the salinity within the water doesn’t exceed 800 µS/cm. One square measure of dish apple farm might have five megaliters of water throughout the whole year. once the plant starts flowering, irrigation should be provided until regular monsoon sets in. Drip systems, flood, or mist mechanical device systems can be accustomed improve flowering and fruit sets. Mist sprinkler could be a extremely most well-liked irrigation technique as a result of it keeps the temperature low and will increase the humidity. If irrigation is provided during fruit development then it improves the scale and quality of the fruit.
Diseases occurred in crop:
| Name of Disease | Caused by | Symptoms | Management |
|---|---|---|---|
| Anthracnose | Fungus | Infection begins at blossom-end of the fruit and later spreads on entire fruit surface, affected fruits shrivel and they may cling to the tree or fall down. Necrotic spots of 2-10 mm in diameter appear on unripe fruits which turn into dark brown to black spots. These spots coalesce later and cover entire fruit. | Older fruits left on the trees provide inoculum for disease spread. |
| Leaf spot | Bacteria | Alternaria leaf spot: Small yellowish spots first appear along the leaf margins, which gradually enlarge and turn into brownish patches with concentric rings. Severe infection leads to drying and defoliation. Dark brown-purplish patches appear on the infected fruits andrachis just below its attachment with the shoots. Cylindrocladium leaf spot: Upper: dark purple spots about 1 to 2 mm in diameter develop first on the shoulders of the fruit and then spread down the sides. Spots enlarge and then later dry out and crack. Similar in appearance to spotting bug damage, but spots are irregular in shape whereas spotting bug lesions are round, and damage does not extend very far into the fruit. | Relative humidity above 70% coupled with warm weather (12-25 ºC temp.) and intermittent rains favours disease. |
| Diplodia rot | Fungus | Diseased fruits show symptoms of purplish to black spots or blotches confined to the surface of the fruit and eventually covered with white mycelia and black pycnidia. Diplodia rot is distinguished by its dark internal discolouration and the extensive corky rotting produces. The penetrated flesh eventually softens or hardens and cracks, depending on the presence of secondary microbes. | The pathogen persists in infected plant parts which serve as source of inoculums. |
Custard Apple Harvest and Yielding
Harvest
ACustard apple could be a seasonal fruit and will solely be harvested once it reaches complete maturity. The fruit maturity is thought by the amendment in color of the fruit from inexperienced to a unique shade. Another indication of maturity in custard apples is known by the show of inner pulp. The fruit should ne'er be picked when it's green in color as a result of later it might turn into inferior quality. The fruits are harvested in late spring or winter (August to October) and it is calculable that a mature tree will manufacture seventy five to a hundred pounds (34-45 kg) of fruits annually. once the harvest, short twigs that bore flowers and fruits are shed completely.
Yielding
The fruits are harvested in late spring or winter (August to October) and it's calculable that a mature tree will manufacture seventy five to a hundred pounds (34-45 kg) of fruits annually. once the harvest, short twigs that bore flowers and fruits are shed completely.


Version control is a means to keep track of (and remember) changes made to a file, allowing one to revert to an older, working version in case the current version is lost, corrupted, or simply needs to be updated. For version control, developers use Git, which is a version control system that allows them to make changes to a project, track said changes, and create readily-available backup versions without affecting the most current stable version of the code (also known as the master branch). Git achieves this through the use of "branches", where the "master" branch contains the most recent, well tested and stable version of the code. One could think of the master branch as the trunk of the tree.
Whenever a dev team needs to make changes (i.e. work on the latest update), they would create a new branch off the master branch. This new branch contains the same code as the master branch and allows the team to make changes and test the new code out before merging it into the master branch. Each series of changes, such as a new feature added to an application, is bundled into what is known as a "commit", which records each set of changes into a snapshot that is added into the project's history. Commits from two or more sources can be merged, creating a new file that contains the changes made by all sources working on the current branch.
Why use GitHub? GitHub is a web-based Git repository hosting service, which offers all of the distributed revision control and source code management functionality of Git as well as adding its own features. It is one of the most popular online platforms for Git version control, but another feature that makes it popular is it's "social coding" aspect that allows for collaboration between developers. As Stephanie Oh states in her blog post "Git vs. GitHub for Dummies" (http://stephaniehoh.github.io/blog/2013/10/07/git-vs-github-for-dummies/), GitHub is sort of like the Dropbox (or Google Drive) for the changes you make to files using Git, which, unlike GitHub, lives locally as software that you install on your own computer. One slight difference is that while Dropbox has an autosync feature in the form of a desktop application, Git (for obvious reasons) doesn't auto-sync but rather requires that you "push" your changes to GitHub.


Apple to fix 16-inch MacBook Pro ‘popping sound’ issue
by Tech DeskBy: Tech Desk | New Delhi | Published: December 9, 2019 3:34:47 pm
The notebook starts at Rs 190,000 in India, though it will cost more for a fully backed version.
Apple has acknowledged the popping sound issues on the 16-inch MacBook Pro. The tech giant says the popping sound coming from the speakers of the new 16-inch MacBook Pro is a software issue, according to a memo obtained by MacRumors. The company says it will roll out a fix through a software update in the near future. The company advises its Authorised Service providers not to repair or replace the affected MacBook Pros due to it.
As reported by MacRumors, users have taken to Apple Support Communities and Reddit to raise their voice about the popping sound issues. Multiple users have reported hearing popping or clicking sounds coming from the speakers when playing audio or video. The popping sound usually occurs after a user has stopped playing a video or audio. One user has suggested that the issue could be related to Final Cut Pro X. It is unclear when Apple plans to fix the issue, but Apple is currently working on it.
Another issue that has surfaced is slow-response time from the 16-inch MacBook Pro wide-colour display. This issue results in a “ghosting” when scrolling text.
Diwali Offers on Mobiles - Get Cashback Upto Rs. 3000
Just last month, Apple released a new 16-inch MacBook Pro that succeeded the original 15-inch MacBook Pro, which has now been permanently discontinued. The 16-inch MacBook Pro is pitched as a premium notebook designed to meet the expectations of video editors, musicians, artists, etc. The notebook starts at Rs 190,000 in India, though it will cost more for a fully backed version.
With the 16-inch MacBook Pro, Apple has made a number of changes to make the new computer standout. Perhaps the most visible change comes in the form of a redesigned keyboard that ditches the flat “butterfly” keyboard, as well as a new thermal architecture. Apple has also improved battery life on the new 16-inch MacBook Pro.
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- Apple


Reports calls to
Objects.equals(a, b)
where the first argument is statically known to be non-null. Such a call can be safely replaced with
a.equals(b)
or
a == b
if both arguments are primitives.
New in 2018.3


CSS Box Model
\
What makes up a CSS box model?
A CSS box model consists of 4 different elements.these elements are:
- Content
- padding
- border
- margin
when we breakdown these elements we can understand what is going on.
- "content" is what will be displayed within youir box model.
- "padding" is the distance between your content and the border.
- "border" is a visible outline for your content and padding.
- "margin" is the distasnce between your border and other elements on your page.


How can we get a functioning prototype (including common features) live on day 1 of a project?
The Atos Kickstart Template system.
- Secure registration and log-on
- Role-based access to menus and content
- Email generation using parameterised templates
- Dashboards and charts including drill-down
- Data import and export to spreadsheet
- Opensource technology including PAMM & Bootstrap
The prototype is for INTERNAL ATOS USE AND CLIENT DEMOS ONLY and can be accessed at the following URL:
Demo website: https://dpu013.sivdi.uk/kickstart/
Jenkins Dev Ops Environment: https://dpu013.sivdi.uk/jenkins/


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{# ------------------------------------------------------- #} {# YOUR HOMEPAGE #} {# Webhook uses the SWIG.js (like Djagno/Twig) templating system. Their documentation is here: #} {# http://paularmstrong.github.io/swig/docs/tags/ #} {# Learn about calling data into Webhook pages here: #} {# http://www.webhook.com/docs/template-rules-and-filters/ #} {# ------------------------------------------------------- #} {# Confused what extends and blocks do? Watch a primer: #} {# http://www.webhook.com/docs/template-inheritance-blocks/ #} {% extends "templates/partials/base.html" %} {# This sets our page
{{ cms.contactinfo.phone_number }}
Latitude: {{ cms.contactinfo.geolocation.latitude }}
Longitude: {{ cms.contactinfo.geolocation.longitude }}
{{ cms.contactinfo.email }}
{{ cms.contactinfo.website }}
This is your homepage 12345 homepage, located at /pages/index.html.
{# If you have at least content page type, we show a list. #} {% if cms_types|size !== 0 %}


Product Testing, Nimble Pharmacy - December 2018
We conducted research to collect qualitative and quantitative data, and determine customer satisfaction with Nimble’s current digital Rx product. We then used this information to put together a presentation of proposed improvements to share directly to the client. For this project we started by considering the business need: Nimble must improve the self-serve experience so that more customers use the self service tools and fewer customers call the support line.
We evaluated usability, comprehension, and completion of actions by giving users tasks to complete on the site and monitoring the ways they do or do not complete the task.
We tested 10 participants, aged 41-55, with a variety of devices. Prior to testing, we developed our process. Testing was performed using the methods described by Steve Krug in "Don’t Make Me Think".
We used quantitative methods to compile/communicate our results.
We performed a competitive analysis to look at competitor products. This was a great way to discover what works and what does not. It was also a great way to get visual design inspiration.
The competitive analysis and results of our user tests set the stage for our recommendations, and helped validate our recommendations.
We concluded by suggesting next steps the client should take with this product.
Our full proposal can be found here.


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--- layout: default --- {% capture crumbs %}{% t pages.news %}{% endcapture %} {%- include breadcrumbs.html breadcrumbs=crumbs title=crumbs -%}


home / fiction
The Phoenix Project (5th Anniv. ed.)
A Novel about IT, DevOps, and helping your business win
Cast of Characters - Parts Unlimited (PAUD), Business Executives
Parts Unlimited is a automotive parts manufacturer and retailer based in Elkhart Grove.
| Ann | Operations Manager |
| Bill Palmer | VP of IT Operations, former Director of Midrange Tech. Oper. Previously a Sargeant in the Marines |
| Bob Strauss | Lead Director, new company Chairman (Ch. 7), former CEO |
| Brent Geller | Lead Engineer |
| Chris Allers | VP of Application Development |
| Damon | Worked for Luke and was Bill's boss. Was fired |
| Dick Landry | CFO |
| Ellen | Bill's former boss' assistant, now Bill's assistant |
| Erik Reid | Board Candidate |
| John Pesche | Chief Information Security Officer (CISO) |
| Kelly Lawrence | Nestor Myers Chief Industry Analyst |
| Kirsten Fingle | Runs the Project Management Office. Organized, levelheaded (Ch. 4) |
| Laura Beck | VP of Human Resources |
| Luke | Former Chief Information Officer (CIO), was fired |
| Maggie Lee | Senior Director of Retail program management |
| Mark | Supervisor for the first work center |
| Max | Developer maintaining the timekeeping app |
| Nancy Mailer | Chief Audit Executive. Smart and formidable (Ch. 5) |
| Paige | Bill Palmer's wife |
| Patty McKee | Director of IT Service Support |
| Sarah Moulton | SVP of Retail Operations |
| Stacy | Forty-year old working in Steve's corner office |
| Steve Masters | CEO, acting CIO. Was a Major in the Army |
| Tim | IT Auditor (Ch. 5) |
| Wes Davis | Director or Distributed Tech. Oper. |
| William Mason | Director of QA (Quality Assurance), works for Chris |
Locations
| Building 7 | Used to be the brake-pad factory. Now the data center and office space. |
| Building 9 | Marketing |
| NOC | Network Operations Center |
Acronyms and definitions
| CAB | Change Advisory Board |
| ITIL | IT Infrastructure Library |
| PII | Personally Identifiable Information (like Social Security Numbers) |
| SAN | Storage Area Network, they provide centralized storage to critical systems |
| Smoke test | Used in circuit board design. "If you turn the circuit board on and no smoke comes out, it'll probably work. |
For immediate release
Steve Masters steps down from his role of chairman after 8 years.
Bob Strauss assumes the role of chairman.
The "Phoenix" program is a plan to tightly integrate its retailing and e-commerce channels.
Management movements that benefited the manufacturing plant (Ch. 7)
- Theory of Constraints (improvements must be done in the bottleneck)
- Lean production (Toyota Production System)
- Total Quality Management
WIP (Work in process) is the silent killer. One of the most critical mechanisms in the management of any plant is job and materials release.
The Three Ways
- understand how to create fast flow of work as it moves from Development into IT Operations
- how to shorten and amplify feedback loops to fix quality at the source and avoid rework
- how to create a culture that simultaneously fosters experimentation, learning from failure, and understanding that repetition and practice are prerequisites to mastery
The four types of work (as stated by Erik, end of Ch. 7)
- Business project work (Ch. 7)
- Internal IT projects (Ch. 9)
- Changes (Ch. 9)
Ch. 9 Tue, Sep 9
The most ruthless budget meeting Bill's ever attended.


| Frames |
Index
A
- About FontForge
- AccentCenterLowest preference item
- AccentOffsetPercent preference item
- acorn2sfd
- Adding more glyphs to a font
- Advance Width
- Advanced Typography
- GSUB, GPOS & morx
- Examining features
- Creating with Element->Glyph Info
- Creating with Element->Font Info
- See Feature
- alternate substitution (in GSUB)
- AlwaysGenApple preference item
- Anchor Classes
- Anchor points
- Apple mode in ttf generation
- ArrowMoveSize preference item
- Ascender
- Ascent
- AskBDFResolution preference item
- AutoHint
- AutoLBearingSync preference item
- AutoTrace
- AutoTraceArgs preference item
- AutotraceAskpreference item
- AutoWidthSync preference item
B
- Baseline
- BDF -- Bitmap distribution format
- extensions for greymap support
- generating
- creating a bitmap font-- see bitmap font
- Bézier curve or Bézier splines
- Bitmap view
- Bitmap fonts
- Black letter
- BMP (Basic Multilingual Plane of Unicode)
- BlueValues
- Bold
BROWSER
environment variable- Bugs
- Build Instructions (from source code)
C
- Cap-height
- CFF
- chaining contextual positioning (in GPOS)
- chaining contextual substitution (in GSUB)
- Changelog
- Character
- Character set
- CharCenterHighest preference item
- CID
- CID-keyed font
- CJK
- CJKV
- Command line arguments
- Compact File Format (CFF)
- Condensed style
- Contextual features
- OpenType (substitutions, ligatures, kerning, positioning)
- Apple fonts (substitutions, glyph insertion, indic rearangement, kerning)
- CopyMetaData
- Copyright
- Cubic splines
- Example
- Setting font order (by turning off quadratic splines)
- cursive attachment (in GPOS) cursive connection(in morx)
- Cygwin
D
- Descender
- Descent
- Device Table
- Didot point
- Display dialog (for examining fonts on the screen)
- Distortable font
- See Multi-Master
- Downloads
- DumpGlyphMap preference item
E
- Eeyore
- em
- em unit
- en
- Encoding
- Environment Variables
- eps files (encapsulated postscript)
- Error Recovery
- Even-Odd fill rule
- Extended style
F
- Family
- Familyname
- FAQ
- Feature (in advanced typography tables)
- Feature tags (OpenType)
- Feature/Settings (Apple)
- mapping between the two
- Tagging a lookup with a feature
- ordering features within GSUB/GPOS/morx
- fig files (generated by xfig)
- Files used by FontForge
- Flex Hints
- The criteria for flex hints are given on pages 72-73 of Adobe's T1_Spec.pdf.
- The UpdateFlex preference item
- Font
- Font Family
- Font File Formats
- Font Info dialog
- FontLab
- Fontname
- Fontographer
- Font View
- FoundryName
- Fractur
- FreeType
- FreeTypeInFontView preference item
- In the bitmap generationdialogs
- Using the freetype based truetype debugger
- Seeing the results of (freetype based) glyph grid fitting
- FullName
- Setting with Font Info (as human readable name)
G
- GDEF opentype table
- Glossary
- Glyph
- GlyphMap
- Glyph Info dialog
- GPOS opentype table
- Gothic
- Grid Fitting
- GreekNames preference item
- Grotesque
- GSUB opentype table
H
- Help
- HelpDir preference item
- Hints
- AutoHint preference item
- Histograms for StemSnap and BlueValues
- Hot Keys
I
- Ikarus
- Images
- Indic style rearrangement(in morx)
- Installing fonts for
- Instructions, TrueType
- Install Instructions System specific install procedures Unix/Linux Mac MS/Windows VMS from source
- Italic
- Italic Angle
- ItalicConstrained preference item
- Italic Correction
J
- JoinSnap preference item
K
- kern truetype table
- See also GPOS opentype table
- Kerning
- Kerning by classes
- Kern pair
L
- Left side bearing
- Definition
- Setting the left side bearing from the menu
- Setting the left side bearing from a script
- Lemur
- LGC
- ligature
- ligature substitution (in GSUB)
- ligature substitution(in morx)
- Line Gap
- Line Spacing
- License
- LoadedFontsAsNew preference item
- LocalEncoding preference item
- Localization
- See also X-Resources
- Lookup dialog
- Lookup subtable dialogs
M
- Macintosh specifics
- Installing
- Generating Mac Fonts
- Generating Mac Font Families
- Mac Features to OTF Features conversion preference item
- Mac Features in morx table
- Mac font formats
- Mailing lists
- math
- mark to base (in GPOS)
- mark to ligature (in GPOS)
- mark to mark (in GPOS)
- MetaFont
- See MF (for Knuth's program)
- MF
- MfArgs preference item
- MfClearBg preference item
- MfShowErr preference item
- Menus
- Metrics View
- Milne, A. A.
- MIME type
- for sfd files: application/vnd.font-fontforge-sfd
- Monospace
- morx truetype table
- See also GSUB opentype table
- morx feature/settingcorrespondence to otf feature tags
- Multiple Master font
- multi-layered fonts
- multiple substitution (in GSUB)
N
- NameList
- Naming a font
- NewCharset preference item
- NewEmSize preference item
- NewFontsQuadratic preference item
- non-contextual glyph substitution(in morx)
- non-standard SFNT (TrueType) tables
- non-standard OpenType features
- non-zero winding number rule
O
- Oblique
- OpenType
- Definition
- Generating opentype fonts
- OpenType Advanced typography tables (GPOS, GSUB and GDEF).
- OpenType tables
- Adobe's specification
- Outline Character View
- Overshoot
P
- pair adjustment (in GPOS)
- Panose
- Path
- FontForge
- 'PfEd' table
- Pica point
- Piglet
- Point
- Point Size
- PostScript
- PreferCJKEncoding preference item
- Preference items
- Private dictionary
- Python scripts
- Using FontForge from python(rather than python from FontForge)
Q
- Quadratic splines
- Quit
R
- Reencoding a font
- Reference
- Definition
- Description
- creating with Copy Reference and Paste commands
- ResourceFile preference item
- reverse chaining contextual substitution (in GSUB) (not supported)
- Right side bearing
S
- Sans Serif
- Script
- Description -- as a generic term for alphabets, syllabaries and ideographic writing systems
- As a set of commands for FontForge to run
- Executing a script within FontForge
- Executing a script from the command line
- Python scripts
- Using FontForge from python(rather than python from FontForge)
- Legacy fontforge scripts
- script sub-menu
- Script tags
- Scripting
- Python Scripting
- Using FontForge from python(rather than python from FontForge)
- Legacy Scripting
- Python Scripting
- Script menu
- Preferences to define it
- menu
- Search
- Search for a shape (and replace it with another)
- Serif
- sfd (Spline Font Database)
- format
- MIME type: application/vnd.font-fontforge-sfd
- sfddiff
- single adjustment (in GPOS)
- single substitution (in GSUB)
- SnapDistance preference item
- Sourceforge
- Spline
- Spline font database format
- State machines
- StdHW/StdVW
- StemSnapH/V
- StopAtJoin preference item
- Stroked glyph
- Stroked font
- Setting font type with Element->FontInfo
- Style
- SVG fonts
- Syllabary
T
- tables (in SFNTs -- TrueType/OpenType files)
- Table of Contents(sort of )
- Tags
- SFNT tags (table tags)
- OpenType tags
- TeX
- tfm files
- Transform
- True Type
- Definition
- Generating truetype fonts
- TrueType Advanced typography tables (GPOS, GSUB and GDEF or kern, morx and prop).
- TrueType tables
- Apple's specification
- TrueType Instructions
- TTF
- See True Typeabove
- TTF Foundry preference item
- Tutorial
- Type 1
- Type 2
- Type 3
- Type 0
- Type 42
- Typewriter
U
- Underline Position & Size
- Undo menu item
- UndoDepth preference item
- UniqueID
- Unicode
- UpdateFlex preference item
- UseMyMetrics
V
- Version (Font Version)
- Setting PostScript with Element->Font Info
- Setting CID with Element->Font Info
- Setting TrueType with Element->Font Info
- Vertical Advance Width
- Vertical Metrics
- Vertical Origin
W
- Wacom
- Weight
- Width
- Winding number rule
- Windows specifics
- See cygwin
X
- X-height
- xfig
- X Resources
- XUID
- XUID-Base preference item
Y
-
Z
-


sourceforge.net |
AVL ArrayLicense |
Download |
Copyright © 2006-2009, Universidad de Alcalá
Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the "Software"), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions:
The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.
 IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.
Revised 29 November, 2009


Planet Sick-Boy: http://www.sick-boy.com "We Put the SIN in Cinema"
© Copyright 2001 Planet Sick-Boy. All Rights Reserved.
The Hollywood Bakery has just concocted a new recipe that's bound to tantalize the tastebuds of the tasteless throughout the country. Add one part American Pie to one part There's Something About Mary, bake for 90 minutes and - poof - out pops Say It Isn't So. It's crudely funny and has a story you'll likely forget about halfway home from the theatre.
So's voiceover gives us the important background on its main character as the film opens. Gilly Noble (Chris Klein, Here on Earth) was raised in an orphanage and is currently working in Shelbyville, Indiana's animal control department. Despite his loneliness, Gilly still dreads having dinner with his boss' severely dysfunctional family, which provides one of So's early shock scenes and sets the pace for the rest of the film's seemingly endless parade of sight gags.
Gilly becomes smitten with Jo Wingfield (Heather Graham, Bowfinger), a former Shelbyville resident and hairdresser who has recently moved back to town. She's awful at her job, a point driven home in a scene that shows everything Tarantino left out of Reservoir Dogs. The two fall in love, Gilly pops the question, and, shortly after they consummate their relationship, Gilly finds out his birth parents are - surprise - Valdine and Walter Wingfield (Sally Field and Richard Jenkins).
Long story short, Jo moves back to Oregon (to a town called Beaver) and gets engaged to a millionaire you know will turn out to be a really bad dude. Gilly finds out he isn't really Jo's sibling, and the remaining 60 minutes involves him trekking across the country to win back his true love. Along the way, he befriends a pilot who looks like Jimi Hendrix but swears he's part American Indian (Orlando Jones, Double Take) and falls prey to a series of jokes involving pubic hair, amputees, parapalegics and bovine proctology. We're not talking subtle humor, people. Here's the bottom line - if you liked Pie and Mary, you'll like this.
With a film like this, you can't expect too much from the actors. It's hard to tell if Graham is an airhead or just playing one on the screen. Klein comes off a little better, more than making up for the miserable Earth. Jones logs his best performance yet and steals every scene he's in. Ditto for Jenkins, but Field gives one of those is-it-too-late-to-take-back-her-Oscar? performances. Lin Shaye, a frequent bit player in the Farrelly films, is surprisingly subdued here. There's cameo at the end that's kind of shocking and quite funny.
The gross-out jokes will definitely remind you of Pie and Mary, but the feeble story is reminiscent of Mary, too. Think about sad-sack Ben Stiller (Klein) wooing the beautiful Cameron Diaz (Graham), meeting her wacky father played by David Keith (Jenkins) and then horribly disfiguring his scrotum (ear). Klein was in Pie and is starring in this summer's sequel, and Jenkins was just in the Farrelly's Me, Myself & Irene. The similarities to Pie and Mary extend behind the camera, too. Director James B. Rogers, making his debut here, served as the first assistant director on all four Farrelly brothers' films and Pie (he's also directing Pie's sequel). And the Farrellys are producers here, as well. It's all one, big, sick family.
1:30 - R for strong sexual content (nudity), crude humor and language
========== X-RAMR-ID: 29093 X-Language: en X-RT-ReviewID: 198960 X-RT-TitleID: 1104413 X-RT-SourceID: 595 X-RT-AuthorID: 1146
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


{% extends 'base.html' %} {% load static %} {% load url from grandchallenge_tags %} {% load humanize %} {% load thumbnail %} {% block title %}All Challenges{% endblock %} {% block content %}
Here is an overview of all challenges that have been organized within the area of medical image analysis that we are aware of. If you know any study that would fit in this overview, or want to advertise your challenge, please send an email to<EMAIL_ADDRESS>and we will add the challenge to the list on this page.
{% if request.user.is_staff %} {% endif %}


public class SoundProcessor
extends java.lang.Thread
| Modifier and Type | Field and Description |
|---|---|
private javax.sound.sampled.AudioFormat |
audioFormat |
private boolean |
BIG_ENDIAN |
private byte[] |
buf |
private int |
bufferByteSize |
private int |
CHANNELS |
private javax.sound.sampled.TargetDataLine |
line |
private float |
SAMPLE_RATE |
private int |
SAMPLE_SIZE_IN_BITS |
private float[] |
samples |
private boolean |
SIGNED |
private AtomicFloat |
value |
| Constructor and Description |
|---|
SoundProcessor() |
| Modifier and Type | Method and Description |
|---|---|
float |
getValue() |
void |
init() |
void |
run() |
activeCount, checkAccess, clone, countStackFrames, currentThread, destroy, dumpStack, enumerate, getAllStackTraces, getContextClassLoader, getDefaultUncaughtExceptionHandler, getId, getName, getPriority, getStackTrace, getState, getThreadGroup, getUncaughtExceptionHandler, holdsLock, interrupt, interrupted, isAlive, isDaemon, isInterrupted, join, join, join, onSpinWait, resume, setContextClassLoader, setDaemon, setDefaultUncaughtExceptionHandler, setName, setPriority, setUncaughtExceptionHandler, sleep, sleep, start, stop, stop, suspend, toString, yield
private final float SAMPLE_RATE
private final int SAMPLE_SIZE_IN_BITS
private final int CHANNELS
private final boolean SIGNED
private final boolean BIG_ENDIAN
private final javax.sound.sampled.AudioFormat audioFormat
private javax.sound.sampled.TargetDataLine line
private final int bufferByteSize
private final byte[] buf
private final float[] samples
private AtomicFloat value


Titanic (1997)
A movie review by Michael J. Legeros Copyright 1997 by Michael J. Legeros
(Paramount) Directed by James Cameron Written by James Cameron Cast Leonardo DiCaprio, Kate Winslet, Billy Zane, Kathy Bates, Frances Fisher, Gloria Stuart, Bill Paxton, Bernard Hill, David Warner MPAA Rating "PG-13" Running Time 184 minutes Reviewed at Mission Valley Cinemas, Raleigh, NC (16DEC97)
==
What to say about James Cameron's TITANIC?  However it succeeds (or fails) as a narrative, by golly Ms. Unsinkable Molly, you *do* get to take that once-in-a-lifetime time-machine tour. Up and down and around we're guided, from stem to stern, in and out of staterooms, ball rooms, dining halls, cargo holds, and even the boiler room. (And, geez, will you ever forget the sight of those massive pistons in the engine room?) These endlessly fascinating period details are the film's greatest as- set, guaranteed to hold your interest, no matter how expertly (or poor- ly) Cameron handles both the characters and the story. Well, that is, *both* stories. Not counting the curiously flat framing device-- a modern-day deep-sea treasure hunt, starring Bill Paxton and featuring Cameron's own footage (!) of the wreck itself-- TITANIC is actually *two* movies in one.
The first is a breezy but embarrassingly juvenile love story, about a Third Class boy (Leonardo DiCaprio) and a First Class girl (Kate Win- slet) and the forces that conspire to keep them apart. (One of which is her well-to-do but narrow-minded fiancee, Billy Zane, doing Snidely Whiplash sans mustache.) JAMES CAMERON'S ROMEO AND JULIET runs about an hour and a half and, if the teen romance doesn't strike a chord, you're probably doomed to dwell on some of the worser aspects of the film: corny dialogue, repetitive shots, weak supporting characters, a cloying Celtic/New Age score, and, on most of the daylight exteriors, an odd and presumably special effects-induced "haze." And, yet, even if you can't believe it and run with it, those ninety or so minutes pass pretty quickly because there *is* so much atmosphere to take in. (Cameron pulls out so many stops and delivers such an embarrassment of riches that you really have to step back from stepping back to get cranky about the stuff that sucks.)
TITANIC-- not *The* Titanic. Just Titanic-- is also a disaster movie. Perhaps the granddaddy of all disaster movies. (Or, at the very least, the granddaddy of all POSEIDON ADVENTURE remakes.) Using compu- ters and models and moving sets, Cameron successfully, believably, astonishingly recreates *the* great failure of 20th Century technology. Whatever the liabilities of the script-- and, oh God, there are so many of them-- the images speak for themselves: an elderly couple preparing to drown together in bed, the ass end of a great ship rising higher and higher into the air, the pained, pale expressions of lifeboat passen- gers, wincing at the distant screams of the dying. It's an hour of film that has to be seen to be believed and, perhaps, be ultimately disap- pointed by. (In particular, the death throes are drawn out to an almost comic extreme. If you're in a sarcastic mood, comparisons to the for- ever-and-a-day finale of SPEED 2: CRUISE CONTROL won't be far behind.) But when we've returned to present day, our tears dried and the pains of a poor script promptly forgotten, the likely reaction of any paying cus- tomer will be, well, that they got their money's worth. And, really, isn't that the name of the game?
Grade: B+
-- Mike Legeros - Movie Hell http://www.nonvirtual.com/hell
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


trust
Tool for operating on the trust policy store.
More information: home page
- List trust policy store items:
trust list
- List information about specific items in the trust policy store:
trust list --filter=blocklist|ca-anchors|certificates|trust-policy
- Store a specific trust anchor in the trust policy store:
trust anchor path/to/certificate.crt
- Remove a specific anchor from the trust policy store:
trust anchor --remove path/to/certificate.crt
- Extract trust policy from the shared trust policy store:
trust extract --format=x509-directory --filter=ca-anchors path/to/directory
- Display help for a subcommand:
trust subcommand --help


ATAME! (American title: TIE ME UP! TIE ME DOWN!) A film review by Ken Johnson Copyright 1993 Ken Johnson
101 min., NC-17, Comedy/Drama, 1990, In Spanish with English subtitles Director: Pedro Almodovar Cast: Victoria Abril, Antonio Banderas, Loles Leon, Francisco Rabal, Julieta Serrano, Maria Barranco, Rossy de Palma
Released mental patient Antonio Banderas kidnaps porn star Victoria Abril when she refuses to marry him. Banderas ties Abril up and keeps her trapped in her apartment. As Abril's captivity goes on, she starts to fall for Banderas.
ATAME! is certainly not a comedy for all people. People with obscure tastes, I think, will have the most chance of liking this film. I enjoyed this film a lot and suggest that adventurous people take a chance with this film. Inspite of what the title might suggest, this is not a S&M, T&A, or bondage film. I give ATAME! a five on a scale of zero to five. ATAME! is rated NC-17 for female nudity, explicit language, adult situations, and violence. There are two versions of ATAME! available, an NC-17 version and an unrated version (the version that I saw). Both versions have a run time of 101 minutes, so there can't be more than a few seconds difference.
The cast for this film is excellent, especially Victoria Abril (LA LUNE DANS LE CANIVEAU [THE MOON IN THE GUTTER], AMANTES [LOVERS 1991 version], HIGH HEELS). She brings her character alive when she is on screen. Victoria Abril is the highlight of this film. Antonio Banderas (WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN) also does a great job. Francisco Rabal, who plays an old director in the film, has the funniest character in the film.
Spanish cult director Pedro Almodovar (WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN) has created an excellent dark comedy that will most likely reward those who are willing to try this film with a great time. ATAME! is excellently written and has great locations. I think the way that the drug district was set up to look was great. The subtitles are in yellow and done well, so that they can be read in all of the scenes.
-------- Ken Johnson<EMAIL_ADDRESS>.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


click here
Cupcake shop
Cupcakes to choose
Vanilla
Chocolate
Maple flavored
Cookie muffin
These Cupcakes are international winners for best cupcakes.


personal info
- Calculation of experience
- Suggested upgrades
- Unfilled items
Full Profile
Network
Opportunities
what my clients getLorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer.
web design
Lorem Ipsum is simply dummy text of the printing and typesetting industry.
web development
Lorem Ipsum is simply dummy text of the printing and typesetting industry.
branding
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marketing
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support my products
Lorem Ipsum is simply dummy text of the printing and typesetting industry.
Recommendations
Approve colleagues' recommendationsLorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer.
É um grande prazer recomendar o Marcelo, sendo ele um profissional com perfil de inovação e liderança, sempre buscando melhoria nos processos gerenciais para alcançar os objetivos e metas da empresa.
Anderson Silveira - Gestor de TI
Anderson Silveira supervisinava
Marcelo na função de
Analista de Processos
Add New Job Opportunity
Add um nova oportunidade de emprego recoemendada a comunidade Incluindo novas vagas você contribui para o desenvolvimento e a integração de sua rede de relacionamentos.


Air Astana says signs letter of intent for 30 Boeing 737 MAX
DUBAI (Reuters) - Kazakhstan flag carrier Air Astana said on Tuesday it had signed a letter of intent to order 30 Boeing 737 MAX for its recently launched low-cost carrier subsidiary Fly Arystana.
The carrier, which operates Airbus and Embraer jets in its main network, said it was confident in Boeing’s ability to resolve problems over the grounding of the MAX in the wake of two accidents.
“We are making flying affordable for the people of Kazakhstan,” Chief Planning Officer Alma Aliguzhinova told reporters at the Dubai Airshow, adding the budget subsidiary would start taking the jets in late 2021.
The airline plans to hold 15 aircraft directly and may finance the rest through a lease transaction, she said, adding Air Astana would not change the composition of its main fleet.
Separately, another airline signed a firm order for 10 Boeing 737 MAX 7 and 10 Boeing MAX 10, a person familiar with the matter said. The airline’s name was not disclosed.


Demo for article "Building a
Conference Schedule with CSS Grid" on CSS Tricks.
By Mark Root-Wiley.
Conference Schedule
Monday
Tuesday
Wednesday
Thursday
Friday
8:00am
8:30am
9:00am
9:30am
10:00am
10:30am
11:00am
11:30am
12:00pm
12:30pm
12:00pm
12:30pm
1:00pm
1:30pm
2:00pm
2:30pm
3:00pm
3:30pm
4:00pm
4:30pm
5:00pm
Monday
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Friday


Traditions and Hearthside Stories of West Cornwall, Vol. 2, by William Bottrell, [1873], at sacred-texts.com
In old time, according to tradition, a compact cloud of mist often came in from over sea—when the weather was by no means foggy—and rested on the rocks called Cowloe, thence it spread itself, like a curtain of cloud, quite across Sennen Cove. By night a dull light was mostly seen amidst the vapour, with sparks ascending as if a fire burned within it; at the same time hooping sounds, were heard proceeding therefrom. People believed the misty cloud shrouded a spirit, which came to forewarn them of approaching storms, and that those who attempted to put to sea found an invisible force—seemingly in the mist—to resist them.
A reckless fisherman and his son, however,—disregarding the token—launched their boat and beat through the fog with a threshal (flail); they passed the cloud of mist which followed them, and neither the men, nor the Hooper, were evermore seen in Sennen Cove.
This is the only place in the west where any tradition of such a guardian spirit is preserved.


This form can be used to send a transaction over the vToken network.
Use private key to sign transaction and address to specify destination.


| PostgreSQL 9.0.10 Documentation | ||||
|---|---|---|---|---|
| Prev | Up | Chapter 24. Backup and Restore | Next |
An alternative backup strategy is to directly copy the files that PostgreSQL uses to store the data in the database; Section 17.2 explains where these files are located. You can use whatever method you prefer for doing file system backups; for example:
tar -cf backup.tar /usr/local/pgsql/data
There are two restrictions, however, which make this method impractical, or at least inferior to the pg_dump method:
The database server must be shut down in order to get a usable backup. Half-way measures such as disallowing all connections will not work (in part because tar and similar tools do not take an atomic snapshot of the state of the file system, but also because of internal buffering within the server). Information about stopping the server can be found in Section 17.5. Needless to say, you also need to shut down the server before restoring the data.
If you have dug into the details of the file system layout of the database, you might be tempted to try to back up or restore only certain individual tables or databases from their respective files or directories. This will not work because the information contained in these files is not usable without the commit log files, pg_clog/*, which contain the commit status of all transactions. A table file is only usable with this information. Of course it is also impossible to restore only a table and the associated pg_clog data because that would render all other tables in the database cluster useless. So file system backups only work for complete backup and restoration of an entire database cluster.
An alternative file-system backup approach is to make a "consistent snapshot" of the data directory, if the file system supports that functionality (and you are willing to trust that it is implemented correctly). The typical procedure is to make a "frozen snapshot" of the volume containing the database, then copy the whole data directory (not just parts, see above) from the snapshot to a backup device, then release the frozen snapshot. This will work even while the database server is running. However, a backup created in this way saves the database files in a state as if the database server was not properly shut down; therefore, when you start the database server on the backed-up data, it will think the previous server instance crashed and will replay the WAL log. This is not a problem; just be aware of it (and be sure to include the WAL files in your backup).
If your database is spread across multiple file systems, there might not be any way to obtain exactly-simultaneous frozen snapshots of all the volumes. For example, if your data files and WAL log are on different disks, or if tablespaces are on different file systems, it might not be possible to use snapshot backup because the snapshots must be simultaneous. Read your file system documentation very carefully before trusting the consistent-snapshot technique in such situations.
If simultaneous snapshots are not possible, one option is to shut down the database server long enough to establish all the frozen snapshots. Another option is perform a continuous archiving base backup (Section 24.3.2) because such backups are immune to file system changes during the backup. This requires enabling continuous archiving just during the backup process; restore is done using continuous archive recovery (Section 24.3.3).
Another option is to use rsync to perform a file system backup. This is done by first running rsync while the database server is running, then shutting down the database server just long enough to do a second rsync. The second rsync will be much quicker than the first, because it has relatively little data to transfer, and the end result will be consistent because the server was down. This method allows a file system backup to be performed with minimal downtime.
Note that a file system backup will typically be larger than an SQL dump. (pg_dump does not need to dump the contents of indexes for example, just the commands to recreate them.) However, taking a file system backup might be faster.


check m8
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please log in to create a collection, otherwise current changes will not be saved
{{collectionTool.title}}


---
start: 2019-02-06 15:00
edition: 7
participate: https://docs.google.com/forms/d/e/1FAIpQLSeL77jdURtdaYNooOiktK51ZDCDZXLl0dMUgLzKPbwL0Iq4fA/viewform
talk: "closed"
agenda:
-
time: "03:00 pm"
title: "Welcome and Registrations"
-
time: "03:30 pm"
title: "Keynote Address"
-
time: "03:45 pm"
title: "eCommerce Funnel Optimization"
speaker: "Arijit Bhattacharyya
Product Head, Jubilant Foodworks. He is into conceptualizing, creating and nurturing products as a passion and profession for the past 12 years. He has built eCommerce Apps supporting 20 Million+ users and managed product lines delivering business goals of USD 200 Million+ in Revenue."
subtitle: "An interactive session covering eCommerce Product Design and Funnel Optimization Best Practices. We will discuss some Optimization Experiments from top eCommerce companies and their results."
-
time: "04:30 pm"
title: "Agile Transformation, Leadership and Training the Dragon"
speaker: "Vikrant Kardam
Vikrant Kardam is a Principal Consultant at ThoughtWorks with special focus on AGILE Transformation, Engineering and Delivery practices. In his 19+ years of experience, he has worked for several organizations in India and USA in the areas of Agile, Technical Delivery, Program Management, Coaching and Consulting in the recent years."
subtitle: "In this era of unprecedented development and fast-paced changes in business needs, almost every organization is pursuing to bring in Business Agility via various means. Let's join this session to understand the pivotal role of Leadership to make Agile Transformation successful."
-
time: "05:15 pm"
title: "Break"
-
time: "05:30 pm"
title: "Workshop: Event Storming"
speaker: "Neha Agarwal and Noah Savio Pereira"
subtitle: "Fun and collaborative workshop enabling participants to quickly explore complex business problems."
-
time: "07:00 pm"
title: "Networking Dinner"
---


Next: Destructive Operations, Previous: Error Checking in Function Calls, Up: Evaluation and Compilation
The consequences are undefined when code executed during an object-traversing operation destructively modifies the object in a way that might affect the ongoing traversal operation. In particular, the following rules apply.
For list traversal operations, the cdr chain of the list is not allowed to be destructively modified.
For array traversal operations, the array is not allowed to be adjusted and its fill pointer, if any, is not allowed to be changed.
For hash table traversal operations, new elements may not be added or deleted except that the element corresponding to the current hash key may be changed or removed.
For package traversal operations (e.g., do-symbols), new symbols may not be interned in or uninterned from the package being traversed or any package that it uses except that the current symbol may be uninterned from the package being traversed.


New Item Row
The GridControl provides the New Item Row feature to allow your end-users to enter new data rows. By default, this functionality is disabled. To activate it, set the NewItemRowVisibility property to true. An additional ‘Tap here to add a new row’ row appears above all data and group rows in the grid. When an end-user taps it, a new row with empty or default values appears telling the user to enter or change cell data. After all cell values are entered and focus leaves the newly created row, it is automatically committed to the grid’s data source.
The GridControl provides you with the InitNewRow event that you can handle to initialize specific fields within the new record.
Related APIs:


This function pushes the text in log_text to the log window specified by its handle log_listbox_handle. This function appends the log window text. The input log_text should be formated as a cell array, containing each line of text as a row in the array. Max length of a line of text is 63 characters. Last modified: 2013/03/12 (FLE)
0001 function statusLogging(log_listbox_handle, log_text) 0002 % This function pushes the text in log_text to the log window specified by 0003 % its handle log_listbox_handle. This function appends the log window text. 0004 % 0005 % The input log_text should be formated as a cell array, containing each 0006 % line of text as a row in the array. Max length of a line of text is 63 0007 % characters. 0008 % 0009 % Last modified: 2013/03/12 (FLE) 0010 0011 % Get the current log window contents 0012 log_contents = get(log_listbox_handle,'string'); 0013 0014 % Append new log text 0015 l = size(log_text,1)-1; 0016 log_contents = vertcat(log_contents,log_text); 0017 0018 % Push updated log to the log window 0019 set(log_listbox_handle,'string',log_contents) 0020 0021 % Make the last line the "active" line. This is to aid readability 0022 set(log_listbox_handle,'value',length(log_contents)) 0023 0024 % [EOF] statusLogging 0025 0026


Apache CarbonData periodically declares and publishes releases.
Each release is executed by a Release Manager, who is selected among the CarbonData committers. This document describes the process that the Release Manager follows to perform a release. Any changes to this process should be discussed and adopted on the dev@ mailing list.
Please remember that publishing software has legal consequences. This guide complements the foundation-wide Product Release Policy and Release Distribution Policy.
Deciding to release and selecting a Release Manager is the first step of the release process. This is a consensus-based decision of the entire community.
Anybody can propose a release on the dev@ mailing list, giving a solid argument and nominating a committer as the Release Manager (including themselves). There's no formal process, no vote requirements, and no timing requirements. Any objections should be resolved by consensus before starting the release.
Checklist to proceed to next step:
Before your first release, you should perform one-time configuration steps. This will set up your security keys for signing the artifacts and access release repository.
To prepare for each release, you should audit the project status in the Jira, and do necessary bookkeeping. Finally, you should tag a release.
You need to have a GPG key to sign the release artifacts. Please be aware of the ASF-wide release signing guidelines. If you don't have a GPG key associated with your Apache account, please create one according to the guidelines.
Determine your Apache GPG key and key ID, as follows:
gpg --list-keys
This will list your GPG keys. One of these should reflect your Apache account, for example:
pub 2048R/845E6689 2016-02-23
uid Nomen Nescio<EMAIL_ADDRESS>sub 2048R/BA4D50BE 2016-02-23
Here, the key ID is the 8-digit hex string in the pub
line: 845E6689
.
Now, add your Apache GPG key to the CarbonData's KEYS
file in dev
and release
repositories
at dist.apache.org
. Follow the instructions listed at the top of these files.
Configure git
to use this key when signing code by giving it your key ID, as follows:
git config --global user.signingkey 845E6689
You may drop the --global
option if you'd prefer to use this key for the current repository only.
You may wish to start gpg-agent
to unlock your GPG key only once using your passphrase.
Otherwise, you may need to enter this passphrase several times. The setup of gpg-agent
varies
based on operating system, but may be something like this:
eval $(gpg-agent --daemon --no-grab --write-env-file $HOME/.gpg-agent-info)
export GPG_TTY=$(tty)
export GPG_AGENT_INFO
Configure access to the Apache Nexus repository, used for staging repository and promote the artifacts to Maven Central.
org.apache.carbondata
under Staging Profiles
.Profile
(top right dropdown menu of the page).User Token
from the dropdown, then click Access User Token
. Copy a snippet of the
Maven XML configuration block.settings.xml
file, typically ${HOME]/ .m2/settings.xml
. The end result should look like this, where TOKEN_NAME
and TOKEN_PASSWORD
are your secret tokens: <settings>
<servers>
<server>
<id>apache.releases.https</id>
<username>TOKEN_NAME</username>
<password>TOKEN_PASSWORD</password>
</server>
<server>
<id>apache.snapshots.https</id>
<username>TOKEN_NAME</username>
<password>TOKEN_PASSWORD</password>
</server>
</servers>
</settings>
When contributors resolve an issue in Jira, they are tagging it with a release that will contain their changes. With the release currently underway, new issues should be resolved against a subsequent future release. Therefore, you should create a release item for this subsequent release, as follows:
CarbonData > Administration > Versions
.Start Date
, and choose Add
.There could be outstanding release-blocking issues, which should be triaged before proceeding to
build the release. We track them by assigning a specific Fix Version
field even before the
issue is resolved.
The list of release-blocking issues is available at the version status page. Triage each unresolved issue with one of the following resolutions:
Fix Version
field to the new version you just created. Please consider discussing this
with stakeholders and the dev@ mailing list, as appropriate.Jira automatically generates Release Notes based on the Fix Version
applied to the issues.
Release Notes are intended for CarbonData users (not CarbonData committers/contributors). You
should ensure that Release Notes are informative and useful.
Open the release notes from the version status page by choosing the release underway and clicking Release Notes.
You should verify that the issues listed automatically by Jira are appropriate to appear in the Release Notes. Specifically, issues should:
Bug
, New Feature
, Improvement
, etc.Adjust any of the above properties to the improve clarity and presentation of the Release Notes.
Run mvn clean install -Prelease
to ensure that the build processes that are specific to that
profile are in good shape.
Checklist to proceed to the next step:
dist.apache.org
.git
configuration.org.apache.carbondata
listed under Staging Profiles
in Nexus.settings.xml
.Use Maven release plugin to tag and build release artifacts, as follows:
mvn release:prepare
Use Maven release plugin to stage these artifacts on the Apache Nexus repository, as follows:
mvn release:perform
Review all staged artifacts. They should contain all relevant parts for each module, including
pom.xml
, jar, test jar, source, etc. Artifact names should follow
the existing format
in which artifact name mirrors directory structure. Carefully review any new artifacts.
Close the staging repository on Nexus. When prompted for a description, enter "Apache CarbonData x.x.x release".
Copy the source release to dev repository on dist.apache.org
.
dev
repository on dist.apache.org
via Subversion. In a fresh directory:svn co https://dist.apache.org/repos/dist/dev/carbondata
mkdir x.x.x
cp apache-carbondata-x.x.x-source-release.zip x.x.x
svn add x.x.x
svn commit
The final step of building a release candidate is to propose a website pull request.
This pull request should update the following page with the new release:
src/main/webapp/index.html
src/main/webapp/docs/latest/mainpage.html
Checklist to proceed to the next step:
Once you have built and individually reviewed the release candidate, please share it for the community-wide review. Please review foundation-wide voting guidelines for more information.
Start the review-and-vote thread on the dev@ mailing list. Here's an email template; please adjust as you see fit:
From: Release Manager
To<EMAIL_ADDRESS>Subject: [VOTE] Apache CarbonData Release x.x.x
Hi everyone,
Please review and vote on the release candidate for the version x.x.x, as follows:
[ ] +1, Approve the release
[ ] -1, Do not approve the release (please provide specific comments)
The complete staging area is available for your review, which includes:
* JIRA release notes [1],
* the official Apache source release to be deployed to dist.apache.org [2], which is signed with the key with fingerprint FFFFFFFF [3],
* all artifacts to be deployed to the Maven Central Repository [4],
* source code tag "x.x.x" [5],
* website pull request listing the release [6].
The vote will be open for at least 72 hours. It is adopted by majority approval, with at least 3 PMC affirmative votes.
Thanks,
Release Manager
[1] link
[2] link
[3] https://dist.apache.org/repos/dist/dist/carbondata/KEYS
[4] link
[5] link
[6] link
If there are any issues found in the release candidate, reply on the vote thread to cancel the vote.
There?s no need to wait 72 hours. Proceed to the Cancel a Release (Fix Issues)
step below and
address the problem.
However, some issues don?t require cancellation.
For example, if an issue is found in the website pull request, just correct it on the spot and the
vote can continue as-is.
If there are no issues, reply on the vote thread to close the voting. Then, tally the votes in a separate email. Here?s an email template; please adjust as you see fit.
From: Release Manager
To<EMAIL_ADDRESS>Subject: [RESULT][VOTE] Apache CarbonData Release x.x.x
I'm happy to announce that we have unanimously approved this release.
There are XXX approving votes, XXX of which are binding:
* approver 1
* approver 2
* approver 3
* approver 4
There are no disapproving votes.
Thanks everyone!
While in incubation, the Apache Incubator PMC must also vote on each release, using the same
process as above. Start the review and vote thread on the<EMAIL_ADDRESS>list.
Checklist to proceed to the final step:
Any issue identified during the community review and vote should be fixed in this step.
To fully cancel a vote:
mvn release:cancel
git tag -d x.x.x
git push --delete apache x.x.x
Verify the version is back to the correct SNAPSHOT.
Code changes should be proposed as standard pull requests and merged.
Once all issues have been resolved, you should go back and build a new release candidate with these changes.
Once the release candidate has been reviewed and approved by the community, the release should be finalized. This involves the final deployment of the release to the release repositories, merging the website changes, and announce the release.
On Nexus, release the staged artifacts to Maven Central repository. In the Staging Repositories
section, find the relevant release candidate orgapachecarbondata-XXX
entry and click Release
.
Copy the source release from the dev
repository to release
repository at dist.apache.org
using Subversion.
Merge the website pull request to list the release created earlier.
In Jira, inside version management
, hover over the current release and a settings menu will appear. Click Release
, and select
today's state.
Checklist to proceed to the next step:
Once the release has been finalized, the last step of the process is to promote the release within the project and beyond.
Announce on the dev@ mailing list that the release has been finished.
Announce on the user@ mailing list that the release is available, listing major improvements and contributions.
While in incubation, announce the release on the Incubator's general@ mailing list.
Checklist to declare the process completed:


This is just a small demo for instant testing. Please see the commented source of this file in order to learn how the big boy is set up. Check the playlist.json file to get an idea how playlists must look like. More information about playlists can be found here. If you want to hack a little check out the API docs over there.
If you like what you see, please consider a donation: donate.
Music taken from the album Beyond Good and Evil by Paniq released under Creative Commons
speakker is a last.fm-resque audio player built upon the famous projekktor video player.
© 2011-2012 Porkhead.org & Spinning Airwhale


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§325-55 Rules and regulations. The department of health may, subject to the approval of the governor, adopt, promulgate, and enforce rules and regulations for the more effective enforcement of this part. [L 1943, c 219, §5; RL 1945, §2314; RL 1955, §49-54; am L Sp 1959 2d, c 1, §19; HRS §325-55]
Cross References
Rulemaking, see chapter 91.


{% extends "base.html" %} {% block head %} {{ super() }} {% endblock %} {% block title %}Configure Report Booklet{% endblock %} {% block headline %}Report Booklet Writer{% endblock %} {% block content %}
Name:
Surname:
Nickname:
Email:
Unit:
Current Week:
Beginning Week:
Years in apprenticeship:
Beginning Year:
Color Mode:


Sorry, the page you're looking for cannot be found.
Click here to go back to the main page for the Autonomous Systems for SPACE ROBOTICS Lab!
If you're looking for Prof. McGhan's main page, however, then click here to be redirected to the department website (or here to go to her personal webpage).


Koding w/ Karen
Hello, User
Home
Write Code Here!
Below is where you will be writing and testing your code!
print " Hello World"
Below is where the output of your code will be. Try hitting the run button!
Run
Next Challenge


Account Settings
Username:
First name:
Last name:
Email:
Phone number:
Address:
City:
Account status:
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Main Page
Classes
Files
Related Pages
Class List
Class Hierarchy
Class Members
IOF Library Graphical Class Hierarchy
Go to the textual class hierarchy
Generated on Sun Oct 15 23:55:35 2006 for IOF Library by
1.4.7


Design patterns love story
Richard tilted his head to watch the waves push flotsam against the boat hull below. Up and down, the flotsam moved. Up and down. Richard had an idea.
“Virginia, my dear”, he said to the blond woman beside him. “We’ve been singletons on this ship for a long time”.
“I know, Richard”, she replied. “My mean step-mother, the intercepting filter that she is, denies me time with others.”
Richard paused for a moment, to contemplate strategy. Her father, with his pipes and filters, would return soon, and force them to communicate over his message bus. He glanced aft, and saw no one else around. Richard turned his front controller to face Virginia, and looked her in the eyes. She was close now, and Richard could feel his active record rising.
“Virginia”, he whispered. “There is no observer in sight. Let us run below deck. I want to peel away your façade, and tightly couple.”
“Oh yes, Richard”, she blushed, and leaned towards him. “I want you to give me a dependency injection”.
(Copiata dupa http://odetocode.com/blogs/scott/archive/2005/11/22/design-patterns-a-love-story.aspx )
https://en.wikipedia.org/wiki/Decorator_pattern http://www.dofactory.com/net/decorator-design-pattern
In object-oriented programming, the decorator pattern is a design pattern that allows behavior to be added to an individual object, either statically or dynamically, without affecting the behavior of other objects from the same class.[1] The decorator pattern is often useful for adhering to the Single Responsibility Principle, as it allows functionality to be divided between classes with unique areas of concern.
Example:FileStream, CryptoStream,GZipStream
Example:DBConnection
Example:Coffee
Netflix - make netflix items viewable for every derived class
when viewing, record name of the user
when viewing, also record time start and time end
Thank you


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|
marking
1.0
A marking script for 1st year programming
|
The marker script for Java submissions. More...
Public Member Functions | |
| def | __init__ (self) |
| def | convertByteString (self, bytes) |
| Decodes the given byte string into a regular string. More... | |
| def | compileFile (self, name) |
| Compiles the given file. More... | |
| def | runFile (self, name) |
| Runs the program after being compiled. More... | |
| def | performDiff (self, expected, ans) |
| Performs the diff between the student's output and the master output. More... | |
| def | runSubmission (self, submission) |
| Runs the student submission. More... | |
| def | formatForCSV (self, table, rubric) |
| def | writeIncremental (self, table, rubric) |
| Writes the incremental file. More... | |
| def | loadIncremental (self, file, masterRubric) |
| def | mark (self, rootDir, rubric) |
| This is the main function of the Marker. More... | |
Public Attributes | |
| extension | |
| generatedExtension | |
| compiler | |
| run | |
| editor | |
| inputFiles | |
| runArgs | |
| outputFiles | |
| diff | |
| workingDir | |
| preProcessScript | |
| auxFiles | |
The marker script for Java submissions.
extension: The extension of Java files. generatedExtension: The extension that Java generates when it compiles. compiler: The Java compiler. run: The Java runtime. editor: An instance of the Editor class. inputFiles: The list of input files for the assignment. runArgs: The arguments when invoking the program. outputFiles: The list of output files for the assignment. diff: Whether to perform the diff or not. workingDir: The directory where we copy all of the files. preProcessScript: The script that needs to be run before the assignment is run. auxFiles: The list of auxiliary files.
Definition at line 44 of file javamarker.py.
| def javamarker.JavaMarker.__init__ | ( | self | ) |
Definition at line 46 of file javamarker.py.
| def javamarker.JavaMarker.compileFile | ( | self, | |
| name | |||
| ) |
Compiles the given file.
name: The name of the file to compile.
The stdout, stderr, and return code of the compiler.
Definition at line 99 of file javamarker.py.
| def javamarker.JavaMarker.convertByteString | ( | self, | |
| bytes | |||
| ) |
Decodes the given byte string into a regular string.
bytes: The byte string to be decoded.
The decoded string (if possible)
Definition at line 72 of file javamarker.py.
| def javamarker.JavaMarker.formatForCSV | ( | self, | |
| table, | |||
| rubric | |||
| ) |
Definition at line 294 of file javamarker.py.
| def javamarker.JavaMarker.loadIncremental | ( | self, | |
| file, | |||
| masterRubric | |||
| ) |
Definition at line 360 of file javamarker.py.
| def javamarker.JavaMarker.mark | ( | self, | |
| rootDir, | |||
| rubric | |||
| ) |
This is the main function of the Marker.
This will iterate over the directory of each student, read their submission, compile and run it. It will then capture their output and diff it. This will then be sent to the editor so the TA can mark the assignment. It can also restore the list using an incremental file.
rootDir: The root of the assignemnts. rubric: The marking rubric to use.
The table containing all of the students, their marks and comments.
Definition at line 397 of file javamarker.py.
| def javamarker.JavaMarker.performDiff | ( | self, | |
| expected, | |||
| ans | |||
| ) |
Performs the diff between the student's output and the master output.
expected: The master output to compare against. ans: The students answer.
0 if the diff fails, 1 otherwise. It will also return the results of the diff.
Definition at line 165 of file javamarker.py.
| def javamarker.JavaMarker.runFile | ( | self, | |
| name | |||
| ) |
Runs the program after being compiled.
This will also capture stdout, stderr, and use any input files as stdin.
name: The name of the file to run.
The stdout, stderr, and return code of the program.
Definition at line 125 of file javamarker.py.
| def javamarker.JavaMarker.runSubmission | ( | self, | |
| submission | |||
| ) |
Runs the student submission.
submission: The student submission bundle.
Definition at line 189 of file javamarker.py.
| def javamarker.JavaMarker.writeIncremental | ( | self, | |
| table, | |||
| rubric | |||
| ) |
Writes the incremental file.
This file is used as a backup in case the script crashes (or a break needs to be taken.) It also keeps track of which students have been marked.
This assumes that the students are marked in the order that their directories exist in the root directory.
table: The table of students and their grades. rubric: The sample rubric.
Definition at line 334 of file javamarker.py.
| javamarker.JavaMarker.auxFiles |
Definition at line 58 of file javamarker.py.
| javamarker.JavaMarker.compiler |
Definition at line 49 of file javamarker.py.
| javamarker.JavaMarker.diff |
Definition at line 55 of file javamarker.py.
| javamarker.JavaMarker.editor |
Definition at line 51 of file javamarker.py.
| javamarker.JavaMarker.extension |
Definition at line 47 of file javamarker.py.
| javamarker.JavaMarker.generatedExtension |
Definition at line 48 of file javamarker.py.
| javamarker.JavaMarker.inputFiles |
Definition at line 52 of file javamarker.py.
| javamarker.JavaMarker.outputFiles |
Definition at line 54 of file javamarker.py.
| javamarker.JavaMarker.preProcessScript |
Definition at line 57 of file javamarker.py.
| javamarker.JavaMarker.run |
Definition at line 50 of file javamarker.py.
| javamarker.JavaMarker.runArgs |
Definition at line 53 of file javamarker.py.
| javamarker.JavaMarker.workingDir |
Definition at line 56 of file javamarker.py.


| 1 | /* | |
| 2 | * Licensed to the Apache Software Foundation (ASF) under one or more | |
| 3 | * contributor license agreements. See the NOTICE file distributed with | |
| 4 | * this work for additional information regarding copyright ownership. | |
| 5 | * The ASF licenses this file to You under the Apache License, Version 2.0 | |
| 6 | * (the "License"); you may not use this file except in compliance with | |
| 7 | * the License. You may obtain a copy of the License at | |
| 8 | * | |
| 9 | * http://www.apache.org/licenses/LICENSE-2.0 | |
| 10 | * | |
| 11 | * Unless required by applicable law or agreed to in writing, software | |
| 12 | * distributed under the License is distributed on an "AS IS" BASIS, | |
| 13 | * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. | |
| 14 | * See the License for the specific language governing permissions and | |
| 15 | * limitations under the License. | |
| 16 | */ | |
| 17 | package org.apache.commons.imaging.palette; | |
| 18 | ||
| 19 | class ColorCount { | |
| 20 | public final int argb; | |
| 21 | public int count = 0; | |
| 22 | public final int alpha, red, green, blue; | |
| 23 | ||
| 24 | public ColorCount(final int argb) { | |
| 25 | this.argb = argb; | |
| 26 | ||
| 27 |
2
1. 2. |
alpha = 0xff & (argb >> 24); |
| 28 |
2
1. 2. |
red = 0xff & (argb >> 16); |
| 29 |
2
1. 2. |
green = 0xff & (argb >> 8); |
| 30 |
2
1. 2. |
blue = 0xff & (argb >> 0); |
| 31 | } | |
| 32 | ||
| 33 | @Override | |
| 34 | public int hashCode() { | |
| 35 |
1
1. hashCode : replaced return of integer sized value with (x == 0 ? 1 : 0) → NO_COVERAGE |
return argb; |
| 36 | } | |
| 37 | ||
| 38 | @Override | |
| 39 | public boolean equals(final Object o) { | |
| 40 |
1
1. equals : negated conditional → NO_COVERAGE |
if (o instanceof ColorCount) { |
| 41 | final ColorCount other = (ColorCount) o; | |
| 42 |
2
1. equals : negated conditional → NO_COVERAGE 2. equals : replaced return of integer sized value with (x == 0 ? 1 : 0) → NO_COVERAGE |
return other.argb == this.argb; |
| 43 | } | |
| 44 |
1
1. equals : replaced return of integer sized value with (x == 0 ? 1 : 0) → NO_COVERAGE |
return false; |
| 45 | } | |
| 46 | ||
| 47 | } | |
Mutations | ||
| 27 |
1.1 2.2 |
|
| 28 |
1.1 2.2 |
|
| 29 |
1.1 2.2 |
|
| 30 |
1.1 2.2 |
|
| 35 |
1.1 |
|
| 40 |
1.1 |
|
| 42 |
1.1 2.2 |
|
| 44 |
1.1 |


city_check.scripts package¶
Submodules¶
city_check.scripts.apinfo module¶
API requests module in json format, using https://restcountries.eu/
-
city_check.scripts.apinfo.
get_info
(apiurl, country)¶ Return info’s about state/capital country from API.
Given the place selected, the function makes request to the restcountries service trying to get all the info’s about the country.
Parameters: - apiurl (str) – url of the API, by country name or capital
- country (str) – user shell inputs argument
Returns: returning json with all the info’s from api
Return type: data (str)
city_check.scripts.capitals module¶
Capital module is core to the whole functioning of the program.
This module contains two main functions:
- load_csv: utilised to open and analyse csv file datas.
- check_capitals: returns the correspondence asked.
Check function called by the main_app taking argument place of the parser, is gonna check the list previously loaded by the load_csv function to answer.
Example
Given user shell input:
$ python parser.py place -v
args.place is passed to the check_capital function and csv. If place = ITALY is gonna answer back:
The capital of ITALY is ROME
Verbosity level is regulated through the optional argument of the parser, The level goes from 0 (answer only) to 3 (API - country info’s)
-
city_check.scripts.capitals.
check_capital
(list, args)¶ Return the right state/capital given the user shell input capital/state.
- 1st Part: check if the input is a valid state in the capitals list,
- and gives in return the capital associated.
- 2nd Part: check exactly the reverse of the first one.
The function is gonna calibrate the verbosity if specified by (-v) level.
Parameters: - list (dict) – list containing the state/capital dictionary
- args (argparse.Namespace) – user shell inputs arguments
- *place – user state/capital input
- *verbosity – user desired output verbosity
Returns: returning strings with variable verbosity
Return type: answer (string)
Raises: - -bash – [Non-European State/Capital]:
- command not found – error raised if the user input is wrong/incorrect.
-
city_check.scripts.capitals.
load_csv
(filename)¶ Read the csv file and return the state/capital dictionary.


API¶
-
graphpca.
draw_graph
(nx_graph)¶ Draws the input graph on two axes with lines between the nodes
Positions of the nodes are determined with reduce_graph, of course.
- Parameters
nx_graph (
nx.Graph
ornx.DiGraph
) – The graph to be plotted
-
graphpca.
reduce_graph
(nx_graph, output_dim)¶ Run PCA on the ETCD of the input NetworkX graph
The best algorithm and parameters for doing so are selected dynamically, based on the size of the graph. A graph G with number of nodes n < 50 will use the naive algorithm, reduce_graph_naively, which has more stable behaviour at low node counts. Above that will use reduce_graph_efficiently. For such graphs the connectivity is checked, and if the graph has 20 or more connected components we use the add_supernode trick.
- Parameters
nx_graph (
nx.Graph
ornx.DiGraph
) – The graph to be reducedoutput_dim (int) – The number of dimensions to reduce to
-
graphpca.
reduce_graph_efficiently
(nx_graph, output_dim, add_supernode=False, eigendecomp_strategy='smart')¶ Run PCA on the ETCD of the input NetworkX graph
We skip calculating the actual ETCD for efficiency. The ETCD is given by the Moore-Penrose pseudoinverse of the Laplacian of the input graph. The input graph is G, the Laplacian is L, and its pseudoinverse is pinv(L). We actually only care about the eigenvectors associated with the top output_dim eigenvalues. Therefore we use the fact that:
eigvals(pinv(A)) == [1/e for e in eigvals(A) if e != 0 else e]
and the corresponding eigenvectors are the same. Further, we only care about the top output_dim eigenpairs of pinv(L), which correspond to the smallest nonzero eigenvalues of L. We use scipy.sparse.linalg.eigs with which=SM to calculate eigenpairs, which includes zero eigenpairs. Therefore in order to calculate the smallest nonzero eigenpairs we need to calculate the smallest
output_dim + nullity
eigenpairs. We compute the nullity using the convenient fact that the nullity of L is equal to the number of connected components in G.- Parameters
nx_graph (
nx.Graph
ornx.DiGraph
) – The graph to be reducedoutput_dim (int) – The number of dimensions to reduce to
add_supernode (bool) – If True, adds a node to the graph that is connected to every other node in the graph. This reduces the nullspace of the Laplacian to 1, making there many fewer eigenpairs that need to be computed. The cost is minor information loss.
eigendecomp_strategy ('exact' | 'sparse' | 'smart') –
Chooses the eigendecomp strategy. ‘exact’ uses numpy.linalg.eigh on a dense matrix. Calculates all
eigenpairs and then strips to just the necessary ones.
- ’sparse’ uses numpy.sparse.linalg.eigsh on a sparse matrix.
Calculates just the necessary eigenpairs. Is an iterative- approximative algorithm, and so sometimes yields things that are not amazing, especially for edge cases.
’smart’ uses ‘exact’ if n < 1000, ‘sparse’ otherwise.
- Returns
The reduced data in output_dim dimensions
- Return type
numpy.ndarray
-
graphpca.
reduce_graph_naively
(nx_graph, output_dim, eigendecomp_strategy='exact')¶ Run PCA on the ETCD of a NetworkX graph using a slow but precise method
This is the method that calculates the actual ETCD. It calculates the Moore-Penrose pseudoinverse of the Laplacian of the input graph. We return the first output_dim dimensions of the ETCD, ordered by decreasing eigenvalue.
This method starts to take a very, very long time as graph size reaches into the thousands due to the matrix inversion.
- Parameters
nx_graph (
nx.Graph
ornx.DiGraph
) – The graph to be reducedoutput_dim (int) – The number of dimensions to reduce to
eigendecomp_strategy ('exact' | 'sparse' | 'smart') –
Chooses the eigendecomp strategy. ‘exact’ uses numpy.linalg.eigh on a dense matrix. Calculates all
eigenpairs and then strips to just the necessary ones.
- ’sparse’ uses numpy.sparse.linalg.eigsh on a sparse matrix.
Calculates just the necessary eigenpairs. Is an iterative- approximative algorithm, and so sometimes yields things that are not amazing, especially for edge cases.
’smart’ uses ‘exact’ if n < 1000, ‘sparse’ otherwise.
- Returns
The reduced data in output_dim dimensions
- Return type
numpy.ndarray


Tenet simulator HITCON CTF 2020
Emulator
Show line numbers
Parsed assembly(AST)
Backward executions(AST)
Forward execution result
Backward execution result
Judgement
Postscript
This refers the problem
Tenet in HITCON CTF 2020
.
This implementation is generated by
Scala.js
.
The assembly editor is created by
Vue Prism Editor
.


Howdy, this is your wiki.
It's designed to be a really simple wiki that doesn't get in your way. The layout was inspired by documentation projects like Backbone
The table of contents on the left is automatically generated from your markdown.
Works on devices of various sizes
new Class([options])
¶Source code is automatically syntax-highlighted when indented with 4 spaces:
for (var i = 0; i < 10; i++) {
alert(i);
}
Or using the alternative Github Flavored Markdown syntax.
Tables can be displayed like this:
| First Header | Second Header |
|---|---|
| Content Cell | Content Cell |
| Content Cell | Content Cell |
Lists are trivial:
Or numeric:
This entire paragraph of text will be enclosed in an HTML blockquote element. Blockquote elements are reflowable. You may arbitrarily wrap the text to your liking, and it will all be parsed into a single blockquote element.
You can also embed any HTML you like, for example here's a button:


{% extends 'base.html'%} {% block styles%} {{ super() }} {% endblock %} {% block content %}
An application that enables one to chose the pitch they want.
Select your pitch and happy time


{%- extends 'base.html' -%} {% from "macros.html" import screenshot without context %} {%- block content -%}
We have many models available on this site and it can be hard to know where to start. In these exhibit pages we would like to highlight some of our models. While most of the models on the site are straighforward 3D representations of humans models, other models are more complex or belong in a series that may not be immediately obvious.
For each exhibit we have a downloadable model kit that contains the ready-to-print models described in the exhibit. We hope that these kits will be useful to sexual education teachers and will provide better tools to use in class.
{% for kit in kits %}


Abhiram Kumar
Forensics
Third-Year
Forensics
Third-Year
Memory & Malware - The only M&M I like.
Binary-Exploitation
Third-Year
Emacs was my first love! And they say you can never forget your first love!
Web Exploitation
"Third-Year"
Loves to take down any code you can host in a website.
Cryptography
"Third-Year"
I love bruteforce!
I'm a detail-oriented Cryptanalyst, interested in LD cryptanalysis and xauthentication protocols.
sayoojsamuel
Cryptography
"Third-Year"
Android security
"Third-Year"
Reverse Engineering
"Third-Year"
from ELFs to Gameboy ROMs! akulpillai.com
Scada
"Third-Year"
Hardware
"Third-Year"
Reverse engineering
Third-Year
"Third-Year"
Web Exploitation
"Third-Year"
Reverse Engineering
"Third-Year"
An avid learner and reverse engineer. ashwathisasi.wordpress.com
Reverse Engineering
"Third-Year"
Cryptography
"Third-Year"
Hardware
"Third year"
Junior researcher in IoT security, with ML and Android along the way
Reverse Engineering
"Third-Year"
Stripping the binaries apart and reading between the lines.
Binary Exploitation
"Second-Year"
Forensics
"Second-Year"
Digging data from Memory bolisettynihith.wordpress.com
Reverse Engineering
"Second-Year"
Web Exploitation
Second-Year
If no one came from the future to stop you how bad could your decisions be.
Binary-Exploitation
"Second-Year"
Anything related to Science and technology interests me.
Cryptography
"Second-Year"
I like my cryptosystems the way I like my coffee - real and strong.
Web Exploitation
"Second-Year"
Reverse Engineering(Windows)
"Second-Year"
Forensics
"Second-Year"
Reverse Engineering
Second-Year
Taking things apart bit by bit. adityapadala.com
Web Exploitation
Second-Year
Reverse Engineering
"Second-Year"
Reverse Engineering
"Second-Year"
Emacs was my first love! And they say you can never forget your first love!


MOUSE HUNT RATING: 6.5 / 10 --> So-so
Review Date: May 18, 1998 Director: Gore Verbinski Writer: Adam Rifkin Producers: Bruce Cohen, Tony Ludwig and Alan Riche Actors: Nathan Lane as Ernie Smuntz Lee Evans as Lars Smuntz Christopher Walken as Caesar Genre: Children's Comedy Year of Release: 1997
This children's picture melds the comedic spirit of the original HOME ALONE (7.5/10) picture, with the style and darkness of the ADDAMS FAMILY movies.
PLOT: Two unique brothers inherit a historically rich mansion from their dying father. After valuing the house at over a million dollars, they decide to hold an auction at which all interested parties could bid. Unfortunately for them, there is one feisty little mouse in the house that does not want to let anyone rest in peace. Mayhem ensues.
CRITIQUE: Mostly enjoyable but redundant picture that pits two brothers against the dynamic smarts of a two-inch mouse. This movie had many funny moments, as well as many not-so-funny ones. Kids under ten should enjoy this picture whole-heartedly, while all others might meander between the "hit" and "miss" classifications. I guess it all depends on how interested you are in seeing the hundreds of different ways that a tiny mouse could frustrate two grown men. I personally was never really bored during the entire picture, so I guess that's a pretty good sign.
Also, one of my favourite actors, Christopher Walken, makes an incredible cameo as the "exterminator from hell" who owns every single device known to man to deal with this defiant rodent. His fate is a pretty slick sequence to behold. Other than that, not too many scenes stick out in my mind, but the style of the picture is very cool and Coen-esque. It's also very dark and colorless, unlike a lot of other children's movies. This is an aspect that I embrace in pictures, but you might not.
The actors are all fine in their roles, while the mouse also pulls off an overall authentic vibe throughout the entire movie.  If not, skip this puppy and rent THE NIGHTMARE BEFORE CHRISTMAS (8/10) for some real kid's dark, spooky fun.
Little Known Facts: Christopher Walken's real name is Ronald Walken (I wonder why he changed it? :)). He was born in Queens, New York, in 1943, and has been married to the same woman since 1969, Georgianne Walken. He won a Best Supporting Actor Oscar for his role in 1978's DEER HUNTER (7.5/10). Ernie (Nathan Lane) greets Maury (Ernie Sabella) at the auction by saying "Hakuna Matada", a reference to Lane and Sabella's roles in the animated children's feature, THE LION KING (7.5/10). Gore Verbinski was a TV commercial director before hitting the feature-film realm. He directed the first "Budweiser Frogs" commercial. Nathan Lane's real name is Joe Lane. He was born in New Jersey in 1956. Lee Evans was born in Avonmouth, England.
(c) 1998 Berge Garabedian
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