Kai Zhang（张凯)
M.s , Graduate Student
Anhui Province Key Laboratory of Big Data Analysis and Application,
University of Science and Technology of China (USTC).
Email<EMAIL_ADDRESS><EMAIL_ADDRESS>Room 205, Science and Technology Laboratory Building, West Campus,
USTC, Hefei, Anhui, China, 230027
Publications
-
Kai Zhang, Hefu Zhang, Qi Liu, Hongke Zhao, Hengshu Zhu, Enhong Chen. Interactive Attention Transfer Network for Cross-domain Sentiment Classification, The 33th AAAI Conference on Artificial Intelligence(AAAI’2019), Honolulu, Hawaii, United states, 2019.1.27-2019.2.2 [Slide][Poster]
-
Kai Zhang, Hongke Zhao, Qi Liu, Zhen Pan, Enhong Chen. A Dynamic and Cooperative Tracking System for Crowdfunding, The 35th IEEE International Conference on Data Engineering, ICDE(under review), 2019 [Video]
-
Enhong Chen, Qi Liu, Kai Zhang, Hongke Zhao, Hefu Zhang. A Method and Related Device for Cross-domain Sentiment Classification, MP 1825101. [Patent]
-
Enhong Chen, Qi Liu, Zheng Li, Hongke Zhao, Kai Zhang, A sequence recommendation method based on user behavior difference modeling, Patent No.201810414330.3. [Patent] [Video]
Projects
-
Website development (中科大∙大数据学院)
– In March 2018, the School of Data Science, University of Science and Technology of China, was formally established. In May, there was a demand for official website construction. So I took over this task and implemented the official website. June. 2018 ~ July. 2018.
– The School of Data Science (working ), University of Science and Technology of China. -
User Interest Modeling Competition (快手∙用户兴趣建模大赛)
– The theme of the competition is “content-based user interest modeling”, which requires the use of multimedia content data to model and predict user interaction behavior, and explore the application scenarios of content understanding algorithms in the recommended field. May. 2018 ~ Aug. 2018.
– Ranked 14th in the preliminary round (14/383), Ranked 18th in the semi-finals (18/50).
Experience
-
Teaching Assistant, Introduction to Data Science (Prof. Qi Liu), Undergraduate Course in USTC, Fall 2018/2019.
-
Deep Learning for Sentiment-Analysis, Lab of BDAA, USTC, April 3th, 2018. [Talk] [Slide]
-
Interaction Attention Transfer Network for Cross-domain Sentiment Classification.(Exsting Research & My Work), Lab of BDAA, USTC, August 14th, 2018. [Talk] [Slide]
Hobbies
-
Like open source tools, love Linux (especially Arch-Linux, now I’m working with it), enjoy the experience of black technology.
-
Familiar with computer hardware, passionate about DIY equipment.
-
And some useless but cool technologies …
Intro: I am currently a second-year graduate student and a member of Anhui Province Key Laboratory of Big Data Analysis and Application. My current research interests are data mining and machine learning, especially financial data analysis and natural language processing.


The official home of the Mobile Esports Gaming League. The exclusive company that brings you the biggest tournaments to mobile esports games. Watch, compete, collaborate, stay up to date and get everything you need from the world of professional mobile gaming right here.


About:
Quadrilactic is a simple game about bouncing through space. Jump to climb higher and increase your score.
Built using typescript and HTML5 canvas. View on GitHub to find out more.
Quadrilactic is a simple game about bouncing through space. Jump to climb higher and increase your score.
Built using typescript and HTML5 canvas. View on GitHub to find out more.
Background music from Section 31
Menu sounds from UI sounds from Little Robot Sound Factory
Sound effects made using BFXR


using Graph = boost::adjacency_list<
boost::vecS, // vecS: vector of nodes (setS, listS)
boost::vecS, // vecS: vector of nodes (setS, listS)
boost::bidirectionalS,
Vertex_p,
Edge_p,
Graph_p>;
using Vertex_p = boost::property< boost::vertex_name_t, std::string>;
using Edge_p = boost::property< boost::edge_name_t, std::string>;
using Graph_p = boost::property< boost::graph_name_t, std::string>;


this is just a confirmation email
Username: {{username}}
Please select the link below in order to finish the registration process, this will then activate your account and allow you to login.
{{activation_url}}


OOPS! 404 NOT FOUND
the page you are looking for was not found!
BUT WE WOULD LOVE TO HELP YOU! :)
Visit Home again or Contact us about the problem
OOPS! 404 NOT FOUND
the page you are looking for was not found!
BUT WE WOULD LOVE TO HELP YOU! :)
Visit Home again or Contact us about the problem


Hi, this is a work in progress to highlight Verified YouTuber name in the comment section.
To make it easier to distinguish verified users from spam bots and normal users.


Class rex_article_slice_history
Package: redaxo\structure\history
Author: dergel
Located at redaxo/src/addons/structure/plugins/history/lib/article_slice_history.php
Author: dergel
Located at redaxo/src/addons/structure/plugins/history/lib/article_slice_history.php
Methods summary
public static
|
||
public static
|
||
public static
|
||
public static
|
||
public static
|
||
public static
|


{% extends "base.html" %} {% block containercontent %}
Welcome to the twauth-web sample. This will show a basic demo of the standard Twitter 3-legged application authorization flow (also known as Sign in with Twitter).
To get started, we'll need you to authorize twauth-web to access your Twitter account. More information on what is required is available from Twitter's OAuth overview.
Here's our plan:
Ready to give this a shot?
Let's Begin {% endblock %}


{% extends 'layouts/tree.html' %} {% block title %}- Browse Synchronizable Files{% endblock %} {% block treeAnnotation %}
castlib3
Filesystem EntriesIndex of synchronizable files.
This page is designed for web-browser access and provides common
information about files indexed in castlib3
database. The main purpose
of castlib3
synchronization module is to provide automated monitoring
of dedicated CERN CASTOR storage
devoted to a particular (small or medium scale) experiment.


lagunitas-ipa clone v0.1
15 Mar 2015made on: 2015-03-15
2o fermentation on: 2015-03-19
bottled on: 2015-03-24
volume (gal): 5
original gravity: 1.06
final gravity: 1.012
ABV: 6.3
This is a clone of Lagunitas IPA from the book CloneBrews: Homebrew Recipes for 200 Commercial Beers.
Ingredients
Grains
- 10 lbs American 2-Row pale malt (original called for 9.25, I upped a bitto account for probably lower efficiency of extraction process I have)
- 12 oz. German Dark Munich malt
- 8 oz. 10oL American crystal malt
- 4 oz. 40oL American crystal malt
Hop bill
- 1 oz Magnum (recipe had Horizon) (recipe said to do 29% less than 1 oz for all grain, but I like the hops)
- 0.5 oz Willamette
- 1.4 oz Cascade
- 0.6 oz Centennial
Steps:
- Warmed up water in pot on stove to 151 degrees F. Then poured all malt in together into the cooler, and poured enough water on top of the malts to cover them. I stirred occasionally and measured temperature. If it was too cold I put in some hot water. After 90 min., vorlofted 3 times, sparged with hotter water (165 deg F) twice (each time resting for about 10 min.), and added back to pot each time.
- Brought volume in pot up to about 5.5 gallons.
- Add
- 2 tsp. burton water salts
- 1 oz. Magnum hops (recipe had Horizon)
- Boil for 45 min.
- Add
- 0.5 oz. Willamette hops
- 0.5 oz. Cascade hops
- 1 tsp. Irish moss
- Boil for 10 min.
- Add
- 1/3 oz. Centennial hops
- 2/3 oz. Cascade hops
- Boil for 4 minutes
- Add
- 0.25 oz. Centennial hops
- 0.25 oz. Cascade hops
- Boil for 1 min.
- Remove pot from stove and cool down as fast as possible to temperature ideal for the yeast - I used the copper tubing I put in the boil earlier.
- Transfer cooled down wort to primary fermenter
- Put in yeast when temperature is right (Wyeast 1056 - American Ale Yeast, pitch yeast at 69 degrees F).
- At start of secondary fermentation after primary (7 days later), add
- 0.25 oz. Cascade hops (was supposed to be 0.5, so put in .25 of Saaz)
- 0.25 oz. Centennial hops
- Just before bottling, boiled 1.25 c. DME, added to mix, and then bottled.
Note: At 15 left to go put in the copper tubing apparatus to sterilize for the last 15 min. of boil (optional if you have one)


Snookes1516.github.io
To apply for the OppU Achievers Scholarship, submit a short essay responding to the prompted question. Scholarship decisions are based solely on an applicant’s.
The Presbytère Museum Museum in New Orleans.
Information about the Christian Season of Lent from a Protestant perspective; reflections on its significance as part of the celebration of Easter. Louisiana purchase argument essay – Simplicity. Gentrification and its Discontents: Notes from New Orleans. Free louisiana purchase papers, essays, and research papers. Free Essay: 3 cents an acre. No doubt the Louisiana Purchase was good for the US. It benefited us with double the land size and not to mention for a cheap.
Articles and Essays. of Louisiana to 1803 Until 1803 the exploration and mapping of the territory acquired by the United States in the Louisiana Purchase.
Readers of this forum have probably heard rumors of gentrification in post-Katrina New Orleans. Residential shifts playing out in the Crescent City share. Folklife and Louisiana Crafts - louisianafolklife.org.
The Case for Reparations by Ta-Nehisi Coates - The Atlantic. Louisiana's Traditional Cultures: An Overview. By Maida Owens An essay adapted from one originally published in the book Swapping Stories: Folktales from Louisiana.
Candidacy in the ELCA is a churchwide process. Entrance into candidacy occurs through a synod candidacy committee which provides guidance and makes decisions.
Candidacy - Evangelical Lutheran Church in America. Louisiana Women: Their Lives and Times (Southern Women: Their Lives and Times Ser.) Janet Allured, Judith Gentry, Bambi Cochran, Carolyn Morrow Long, Christina Vella. Analysis of the Louisiana Purchase Treaty - UK Essays. Amazon.com: House Proud: Unique Home Design, Louisiana. Louisiana's Traditional Cultures: An Overview. Go back in time and expand the nation! Complete this map activity and discuss the impact of the Louisiana Purchase How i learn best essay english cognitive dissertation worksheet article review of journal business history university of michigan essay neuroscience undergraduate. Buy custom essays online for all purposes. JELLY ROLL MORTON - AN ESSAY IN GENEALOGY. Free Essay: Module 3 - The Formative Years of the New Nation, 1820-1860 The Louisiana Purchase The Louisiana Purchase was the largest land transaction. The Season of Lent - CRI/Voice.
Louisiana purchase argument essay - modify the way you cope with your task with our appreciated service Receive an A+ aid even for the most urgent writings. Germans are both one of the oldest and one of the newest immigrant groups in Louisiana, having immigrated to Louisiana from 1722 to the 21st century. Free louisiana purchase Essays and Papers - 123helpme.com. The Louisiana Purchase Essay examples - 818 Words Bartleby. The best place to buy custom essays online, and how to order your own for colleges and universities.
Free Essay: The Louisiana Purchase was done in the year 1803. In this purchase the United States of America paid fifteen million dollars
Private Eye Field Reports and Lesson Ideas. Battle of the Thames - Wikipedia. This Louisiana purchase essay describes one of the challenges that the American Indians and white settlers faced. Thomas Jefferson and the Louisiana Purchase essays. Louisiana Purchase Essay SpeedyPaper.com.
Thomas Jefferson and the Louisiana Purchase essaysThe purchasing process of the Louisiana Territory was not as easy of a business transaction as one might. The Benefits of the Louisiana Purchase Essay - 509 Words. IDEA Public Schools is the fastest-growing network of tuition-free, Pre-K-12 public charter schools in the United States. IDEA boasts national rankings OppU Achievers Scholarship - OppLoans. The Louisiana Purchase was done in the year 1803. In this purchase the United States of America paid fifteen million dollars to get all the land west of the Mississippi.
Louisiana Purchase Worksheet Education.com.
The Battle of the Thames, also known as the Battle of Moraviantown, was a decisive American victory in the War of 1812 against Great Britain and its Indian allies.
The Louisiana Purchase in 1803 represented the time when the United States expanded to the West by buying an area previously owned Why Women Still Can’t Have It All - The Atlantic. It’s time to stop fooling ourselves, says a woman who left a position of power: the women who have managed to be both mothers and top professionals. Amazon.com: House Proud: Unique Home Design, Louisiana<PHONE_NUMBER>535): Valorie Hart, Sara Essex Bradley, Debra Shriver: Books. The Louisiana Purchase Essays - 940 Words Bartleby. Essay about The Louisiana Purchase -- Louisiana Purchase. The Case for Reparations. Two hundred fifty years of slavery. Ninety years of Jim Crow. Sixty years of separate but equal.
Articles and Essays - Louisiana: European Explorations. The Presbytère was designed in 1791 to match the Cabildo, alongside St. Louis Cathedral in the French Quarter. Check out this and more Louisiana Museums.
The Private Eye is an interdisciplinary hands-on curriculum using a jeweler's loupe and inquiry method to accelerate creativity, literacy, scientific literacy.


My name is João and I’m a Product Owner @ Sonae MC.
I've worked in 3 different countries - Portugal, Colombia, and Australia - in different types of roles: IT, Sales, Teaching, Marketing, Innovation, and Digital Transformation.
These days, as a Product Owner in the food retail sector, my job is to orchestrate the expectations of different stakeholders and align them with the efforts of multidisciplinary development teams.
Lately, I've been focusing on generating value through customer experience digitalization and crowdsourced product development.
GET IN TOUCH
<EMAIL_ADDRESS>STUFF I'VE WRITTEN
- A lista de recomendações de leitura que ninguém pediu #1 (PT), 2020
- O Futuro da Alimentação (PT), 2020
- Chegou ao seu destino (PT), 2020
- The Psychology of Corporate Collaboration (EN), 2017
- Artificial Intelligence: The End of Cognitive Biases (EN), 2017
- Game of Thrones: Winter is Here (and it brought a Chatbot) (EN), 2017
- House of Cards vs Seinfeld: Will Machine Learning kill the Creative’s Star? (EN), 2017
MENTIONED IN
MOST RELEVANT CERTIFICATIONS
- Certified Scrum Product Owner®, by SCRUM Alliance, 2020
- Certified Scrum Master®, by SCRUM Alliance, 2020
- Elements of AI, by University of Helsinki, 2018
- The Online Marketing Fundamentals, by Google - The Digital Garage, 2017
- Digital Marketing, by Shaw Academy, 2016
I'm developing this website while learning about HTML, CSS,and JavaScript. That's why it's not mobile friendly yet (sorry for that).


Teleplay by: Gigi McCreery & Perry Rein
Story by: Seth Kurland
Transcribed by: Eric Aasen
[Scene: Joey and now Rachel's apartment, Joey has the fridge pulled out away from the wall and is in the process of pulling off the cooling grate behind it.]
Joey: Well that thing is clearing in the way! All right. Ah-ha! (He grabs a screwdriver and starts to attack the compressor, only he causes a small short circuit and shocks himself.) Ah-ah!! Damn fridge!
(Rachel enters from her new room.)
Rachel: Hi Joey, how ya doin?
Joey: Great! Roomie!
Rachel: Huh, yeah I guess we are roommates now.
Joey: Yeah! Well, now that you brought it up, our fridge is broken. We have to get a new one. Now, I checked around and your half is $400. Thanks a lot.
Rachel: Im not paying for half of that! Im only staying here until my apartment gets fixed.
Joey: Look Rach, my parents bought this fridge just after I was born, okay? Now, I have never had a problem with it. Then you show up and it breaks! What does that tell ya?
Rachel: That refrigerators dont live as long as people.
Joey: All right, now you know that the ATM will only lets you take out 300 at a time, Ill take a check for the other hundred.
Rachel: Youre jokin right?
Joey: Of course Im jokin! I dont take checks.
Rachel: Thank God youre pretty. (Exits.)
Opening Credits
[Scene: Central Perk, Joey, Chandler, Monica, and Phoebe are there as Rachel enters.]
Rachel: Hey!
All: Hi! Hey!
Rachel: Do you guys know any cute guys?
Chandler: Well, of course I do! My good friend Joey over here. (Pats Joeys arm, Joey pats Chandlers shoulder, and Chandler motions for Joey to say the same about him.)
Joey: Oh, Im sorry. Thank you Chandler.
Rachel: Anyway, theres this big charity ball this weekend and Ralph Lauren bought a table, so I kinda have to go
Monica: Whats the charity?
Rachel: I dont know, something either trees or diseaseRalph mumbles a lot.
Monica: Does Ralph mumble when youre not paying attention?
Rachel: Yeah! Its weird. But the thing is need to find a date.
Phoebe: Well, what kind of guy are you looking for?
Rachel: Well, someone that has his own tux, or has the ability to rent a tux.
Chandler: So he has to be a male who has at least $50.
Joey: Ooh! So close.
(Ross and Elizabeth enter.)
Ross: Hey everybody!
All: Hi!
Ross: Hey uh, this is Elizabeth.
Elizabeth: Oh hi!
All: Hi!
Elizabeth: Im the student.
Chandler: (laughs) Isnt she cute? (On Monicas death stare) No!
Phoebe: Yknow, this is probably none of my business, but werent you guys supposed to not be seen in public together?
Elizabeth: Oh, were not together.
Ross: Oh no-no-no, were just two people who happen to run into each other here at the coffee house. (He winks at her.)
Phoebe: Oh, sly.
Elizabeth: Well, I really wanted to meet you guys, but I have to run. Ill see you later?
All: Okay!
Elizabeth: Bye Ross.
Ross: Bye.
(They kiss.)
Elizabeth: Oops! I did not mean to run into you like that sir.
Ross: Oh that is quite all right maam. (Elizabeth exits.)
Chandler: So, why is she leaving? Is it a school night and she has a lot of homework to do?
Ross: Yes, her molecular epidemiology paper is due tomorrow.
Chandler: Oh, tell her good luck with that.
Ross: Anyone else? Huh? Bring em on!
Rachel: Oo! Whens her birthday?!
Ross: I dont know Rachel, why?
Rachel: Well, yknow its just been so long since Ive been to Chuckie Cheese.
Monica: Oh, I like Elizabeth.
Ross: Well thanks!
Monica: Yeah. In fact, I like her so much you tell her I want my cookies early this year! Yknow, a box of Thin Mints and some Tag-a-Longs.
 Ross, seriously, hows it going with her?
Ross: Well, actually its been great. Shes 20 so shes not looking for anything too serious, which is perfect for me right now.
Monica: Well that is great. And seriously, she seems very nice.
Ross: Thanks. I know you guys like to give me a hard time and all, but it really means a lot to me that you like her. Just knowing that you guys are
Phoebe: (interrupting) Okay, I got a good one. Okay, umm, what is she? Like 12?
[Scene: Monica, Chandler, and Phoebe's, Chandler is sitting at the table and Monica is doing something in the kitchen.]
Monica: Chandler, do you think we talk about our relationship enough?
Chandler: Yeah. Do we have any Fruit Roll-Ups?
Phoebe: (entering) Hey!
Monica: Hey!
Phoebe: Okay, I just thought of the perfect guy for Rachel to take to her thing.
Chandler: Oh thats so funny because we found someone too.
Phoebe: Oh thats good, I guess shell have a choice between my guy and your weirdo.
Chandler: Why would our guy be a weirdo?
Phoebe: Cause thats just your taste.

Phoebe: Oh yeah?
Monica: Yeah!
Phoebe: My guy is a lawyer who has volunteer work.
Phoebe: A chin dimple!
Monica: Well, uh yknow, our guy works with Chandler and hes really nice and smart and hes a great dresser!
Phoebe: Have you seen your guys body?
Chandler: No, our guy is just a floating head.
Phoebe: Well my guy is spectacular. Okay? Hes a massage client and one time umm, when he was on the table, I looked at it. And I mean all of it.
Monica: Youre not supposed to look!
Phoebe: Oh yeah, like there are police for that!
Chandler: (horrified) Wait! You look? You-you massaged me.
Phoebe: I know. (Laughs.)
Monica: All right fine, your guy may have a great body, but our guy is really funny.
Phoebe: Oh, Chandler funny?
Monica: Our guys a great dancer!
Phoebe: My guy is well read.
Chandler: Our guy has great hair.
Phoebe: My guy has great teeth!
Chandler: Our guy smells incredible.
Monica: (To Chandler) Do you want our guy to be your guy?
[Scene: Joey and Rachel's apartment, Chandler is entering to find Joey bingeing on the food from the fridge. Joey isnt doing all that well.]
Chandler: Hey.
Joey: Huh.
Chandler: Well, you dont look good Joe.
Joey: The fridge broke. I have to eat everything. Cold cuts, ice cream, limesHey, what was in that brown jar?
Chandler: Thats still in there?!
Joey: Not anymore. So anyway, how do you want to pay me?
Chandler: Is this a service youre providing me?
Joey: No! No! No! For my new fridgeour new fridge!
Chandler: Our new fridge? I dont live here anymore.
Joey: So what? Look, suppose we were a divorced couple.
Chandler: Uh-huh.
Joey: And I got custody of the kid, right? Now suppose the kid dies and-and I gotta buy a new kid.
Chandler: (not quite sure where Joeys going and is a little worried) Okay
Joey: (pause) Give me $400!
[Scene: Rosss office, hes unlocking his office door as Elizabeth walks up.]
Elizabeth: Professor Geller?
Ross: Hmm? (Turns around and sees that its Elizabeth) Oh, a student I dont know.
Elizabeth: I was wondering if I could talk to you for a moment?
Ross: Yes, yes of course, what-what would this be regarding?
Elizabeth: Making out in your office.
Ross: Shh! (Laughs then composes himself) Of course, why dont we go inside?
(They go inside and Ross closes the door. When he turns around Elizabeth walks up to him, pushes him back against the door, and starts kissing him.)
Ross: Oh-ooh!
Elizabeth: What?
Ross: Doorknob! Doorknob!
Elizabeth: Oh! Sorry! Umm, I actually do need to talk to you.
Ross: Oh, okay. What-what about?
Elizabeth: Spring vacation.
Ross: Spring vacation.
Elizabeth: Yeah, we have time off and a lot of people are going on trips
(Another professor barges in.)
Professor Feesen: Professor Geller!
Ross: (quickly jumping away from Elizabeth) Yes, professor Feesen-sen-stenlger Ill be with you in one moment. (To Elizabeth) So, I will take one box of the Thin Mints. (And he ushers Elizabeth out of the office.)
[Scene: Joey and Rachel's apartment, Ross, Chandler, and Joey are entering.]
Ross: You dont understand! Elizabeth was about to ask me to go on a trip with her! Is that taking it slow?! No, Im not ready for this! Okay? What-what do I tell her?
Chandler: Just tell her the truth! Tell her youre not ready.
Ross: I can do that. Oh-oh, what if she gets upset?
Chandler: Then you distract her with a Barbie doll.
Joey: Or! You can just, yknow (He walks up close to whisper in Rosss ear and when he gets there he pushes Ross into the fridge.)

Joey: What?  You just broke my fridge!
Ross: What?! What? How do you, how do you even know its broken?!
Joey: Oh-ho-ho, you think I dont know what breaks my fridge? Excuse me! (He opens the door and feels inside.) Well what do you know! Broken! Thatll be $400!
Chandler: Joey, I saw you push him!
Joey: (pause) You pushed him!
Ross: Joey, I did not break this! Okay? (He opens the freezer and smells inside and recoils in disgust.) That has been broken for a while.
Joey: All right. Chandler, do you remember how I told you about our fridge?
Chandler: Uh-huh.
Joey: I still havent gotten a check for your half yet.
Ross: Do not give him any money!
 You broke my fridge!

Elizabeth: You wanted to see me Professor Geller?
Ross: Yes. Yes! Please, come in.
(She does so, he closes the door, and she pushes him against the doorknob again.)
Ross: Oo-oo!
Elizabeth: Doorknob?
Ross: Yeah, it kinda grows on you. (They both laugh.) Actually, I wanted to finish talking to you about uh, spring vacation.
Elizabeth: Oh good.
Ross: Look, I (He has trouble sitting in his chair.) Look, Im having a great time with you and I just dont want us to move to fast or put to much pressure on us. So, Im sorry I just dont think we should go away together yet. Its-its too soon.
Elizabeth: Ross, I think you misunderstood what I was saying. I just wanted to tell you that Im going to Florida for a couple weeks.
Ross: No. I think you misunderstood what I was saying. What I meant was
Elizabeth: You are so adorable.
Ross: That! Lets talk about that.
[Scene: Central Perk, Monica, Chandler, and Phoebe are there as Ross enters.]
Ross: Hey!
Chandler: Hey!
Phoebe: Hey!
Monica: Hey! How did it go with Elizabeth?
Ross: Huh? Oh-oh, it was fine. Uh, it was just a misunderstanding. She didnt want me to go with her. She just wanted to let me know that shes going to Florida for spring vacation.
Chandler: Wait a minute, is she going for spring vacation or is she going for spring break? (Does a little whooping/party noise.)
Ross: Whats-whats the difference?
Monica: Well, spring vacation is doing nice things with your grandparents. Spring break youre doing frat guys.
Ross: Hey, yknow what? Not all spring breaks are like that.
Phoebe: What did you do on yours?
Ross: I went to Egypt with my dad.
Chandler: I can see it now, "Look dad, its the Sphinx!" (Does that party noise again.)
Ross: Hey, I think Elizabeth is a little more serious than, "Spring break!" (Imitates the party noise.) All right? I mean shes taken my class!
Monica: And slept with the professor.
Ross: Im gonna call her.
Chandler: Yeah.
(Ross leaves to do so and Rachel enters with a guy.)
Rachel: Hey!
Sebastian: Hi.
Rachel: We just uh, we just met at the newsstand. We both grabbed for the last Field & Stream. (Chandlers shocked.) What? I read that.
Sebastian: Can I get you a cup of coffee?
Rachel: Oh yes! Thank you! (He does so and Rachel sits down on the couch.)

Rachel: (shocked) What?
Phoebe: You ask us to find you a guy and you come traipsing in here with your own!
Rachel: You found me a guy?
Monica: Yes! We found you a really cute and funny guy from Chandlers work!
Phoebe: Yeah and I-I found you one too who is not a weirdo.
Rachel: Well, yknow what though you guys? I really appreciate that but I think Im just gonna take Sebastian to the charity.
Chandler: Are you sure?! Because our guy smells incredible!
Monica: Uh, would you stop it with that already?!
(Sebastian returns with the coffee.)
Sebastian: Here you go. (Hands her, her cup.)
Rachel: Oh, thank you.
Sebastian: Sure.
Phoebe: So, Sebastian, do you do any volunteer work?
Sebastian: Uh, no not really. Why?
Phoebe: No reason, its just I know a single guy that cares about other people.
Chandler: Are you funny?
Sebastian: Excuse me?
Rachel: What are you guys doing?
Monica: Are you funny? Tell us a joke!
Sebastian: Look, I just wanted to have coffee with Rachel.
Phoebe: Well, so do a lot of people.
Sebastian: Actually, I uh, I gotta get going. (To Rachel) Give me a call sometime.
Rachel: Oh, but yknow, no, you didnt give me your phone number.
Sebastian: Okay! See you later! (Exits.)
Chandler: (To Monica) Turns out he is kinda funny.
Commercial Break
[Scene: Central Perk, continued from earlier.]
Rachel: I cannot believe you guys! He was really nice and he left because of you!
Chandler: Yeah, but Sebastian? What is that? A cats name?
Phoebe: Yeah, yknow what I noticed Rachel? He scares easy. Is that the kind of guy youd like to take to a ball? "Hey Sebastian, would you like to dance?" (Imitates him.) "Uhh, okayI gotta go!"
Monica: All right guys stop it. Rachel, were very sorry that is a very insensitive thing for us to do. And yknow what? Let us make it up to you, we have two really great guys for you.
Phoebe: Yeah! What have you got to lose? Yknow you might even end up with someone really special (whispers) if you pick my guy.
Rachel: All right.
Chandler: Okay, so you will meet our guys?
Rachel: Yes, Ill meet em.
Chandler: Okay now it doesnt matter which one you choose, yknow? Its completely up to you. Our guy is perfect, or you can go out with the guy Phoebe deemed not good enough to go out with herself.
Joey: (entering) Pheebs! There you are! Okay, you broke my fridge; you owe me 400 bucks!
Phoebe: Okay sure!
Joey: Really?!
Phoebe: Ooh, technically you owe me $600 for sending out happy thoughts on your last ten auditions.
Joey: Call it even?
Phoebe: Okay.
(Ross returns.)
Chandler: (To Ross) Well, there you are! So what did Elizabeth say?
Ross: Well, it turns out that she is going to Daytona for spring break woo-hoo. That means, that means wet T-shirt contests, guys doing shots off of girls bodies, waking up next to people you dont even know
Joey: Man, she is going to have a great time! Is she staying at the Hotel Corona?
Chandler: You know the hotels?
Joey: Sure! I was there! Spring Break 81! Woo-hoo!
Monica: In 1981 you were 13!
Joey: So what? I drove down, sold T-shirts, had a blast. And yknow who knows how to party? Drunk college chicks.
Ross: Okay, she cant go.
 You just started dating.
Ross: Then what am I supposed to do?
Phoebe: Nothing, you just have to be cool with it.

Chandler: Well, maybe you dont marry this one.
[Scene: Elizabeths apartment, she is packing for her trip as Ross watches.]

Elizabeth: Yeah! Ive been working so hard this semester.

Elizabeth: What?
Ross: Are you into crafts at all?
Elizabeth: Ross, are you okay?
Ross: Well, yeah, of-of course Im okay! What? Im just being supportive. Supportive of you and this whole trip, and-and (notices something) what-what is uh, whats this? (He holds up a rather skimpy bathing suit.)
Elizabeth: Its a bathing suit?
Ross: To wear in front of people?
Elizabeth: Is that supportive?
Ross: Is this?!
[Scene: Central Perk, Rachel is reading as Monica and Chandler enter.]
Monica: Hey!
Chandler: Good-good-good-good.
Monica: Hey!
Chandler: Hey!
Rachel: Hi!

Rachel: Oh
Monica: Youre gonna like him so much. So umm, when do you want to meet him?
Rachel: I dont know. I know I dont work late tomorrow night.
Chandler: Tomorrow night is good. Tomorrow night is good, but uh, yknow what? Why put off something till tomorrow that you can do right now? (Laughs) Eldad come here! (He stands up from the next table.)
Rachel: What?
Monica: Eldad, this is Rachel.
Eldad: How are you?
Rachel: Well-well a little blind sided but yknow good.
Chandler: Eldad, sit down. (To Rachel) Move over! Move over now!
Rachel: IOhh! (Moves over and lets Eldad sit on the couch.)
Chandler: There you go! There you are! (Rachel stares at Monica and Chandler)
Monica: Okay! Okay! We can take a hint! (They start to leave but run into Phoebe with her guy in tow.) (To Phoebe) What are you doing here?!
Phoebe: This is Patrick. (Points to him.)
Patrick: Hi.
Chandler: Hi. (To Phoebe) Okay, youre too late okay? Because shes already with our guy.
 I am too late; theyre sitting on the couch and talking! (To Patrick) Come on! (They go over to the couch.) Rachel?
Rachel: Yeah?
Phoebe: This is Patrick.
Rachel: Oh, hi.
Patrick: Hi.
Phoebe: Yeah, this is the guy I was telling you about.
Rachel: Yeah?
Phoebe: Yeah. And believe me, this suit does not do justice to whats underneath it.
Rachel: Oh-okay, but Pheebs?
Phoebe: Yeah?
Rachel: Im just sort of in the middle of something.
Phoebe: Oh! Okay! Yeah, thats okay. (To Patrick) Have a seat. (Sits Patrick down next to Rachel.)
Monica: No! You cant do that!
Eldad: Maybe I should go!
Monica: (stopping him) Sit down! Were winning!
Rachel: Okay, yknow what? Maybe I should go!
All: (Chandler stops her) No-no-no-no! Have a seat! Have a seat!
Monica: Rachel! Rachel! You havent touched Eldads hair!
Chandler: It is the softest hair! Touch it! (Both he and Monica do so.)
Rachel: Yeah, Im good.
Phoebe: Rachel? Patrick is really rich. (To Patrick) Give her some money.
Patrick: Yknow what Phoebe? This isnt really worth the free massage.
Monica: Thats right Patrick, bye-bye!
Chandler: (To Rachel) Eldad is much more cooperative! And he can dance! (To Eldad) You dance for Rachel!
(He starts to get up, but Rachel stops him.)
Rachel: No-no! Dont dance for me! Please? Dont! (She gets up to yell at her friends.) What is the matter with you guys?
Phoebe: Yeah, okay, lets talk it out.
Rachel: I Am I the only one that this is embarrassing for?
Eldad: Im a little embarrassed. (Chandler shushes him.)
Rachel: Ill tell ya who should be embarrassed! Its you guys! Come on! This is ridiculous! Thank you very much, but I do not need you to get me a date!
Phoebe: Then why did she ask us to
Rachel: I am still talking!! And then you chase away the one guy that I actually liked! I mean, no offense to you guys. Really! I mean (To Patrick) congratulations on all the cash, (He nods) and-and yknow(Feels Eldads hair)Wow! You do have very soft hair! But I would much rather go to the ball all by myself than go through anymore of this! Good-bye! (Grabs her stuff, starts to leave, then turns back suddenly, and to Eldad) Now do you use some sort of special conditioner on that hair?!
Eldad: Yes, Papaya Extract.
Rachel: Thank you! (Storms out.)
[Scene: The airport, Elizabeths flight is about to leave and Ross is there to send her off.]
Ross: So uh, have a great time down there.
Elizabeth: I will.
Ross: Yeah.
Elizabeth: Yeah.
Ross: It was pretty funny when I, when I hid it for a while, huh? Anyway, umm, I-I am worried about that bathing suit, not because its revealing which Im fine with, no Im concerned about your health, sun exposure.
Elizabeth: Oh, dont worry I have plenty of sun block, its SPF-30.
Ross: Well, if whats in the bottle is actually 30. I mean sometimes you get 30, sometimes its-its get 4, and I swear to God more often than not its just milk.
Elizabeth: Ross, its going to be okay.  I really like you. I like how things are going between us.
Ross: Really?
Elizabeth: Yeah! Im just going down there to relax and hang out with my friends.
Ross: Okay. Cool.
Elizabeth: Oh hey! Here they are!
(A group of about 10 guys and no women come running around the corner.)
Guy: Elizabeth!
(The guys pick up Elizabeth and carry her onto the plane as she waves bye.)
Ross: Call me!
Ending Credits
[Scene: Monica, Chandler, and Phoebe's, Rachel, Chandler, and Phoebe are there.]
Phoebe: Rachel, were sorry for pushing those guys on you.
 Yknow, I ended up having a really good time. Yknow, the charity was a big success and they raised a lot of money and awareness.
Chandler: So what was it for anyway?
Rachel: I wanna say a disease.
Joey: (entering) Hey!
All: Hey!
Joey: I just got this really weird message from Ross. He said turn on MTV.
Rachel: Huh. All right.
(Rachel does so and its one of those dance party shows they have during spring break and we see )
Phoebe: Oh my God, look! Thats Elizabeth!
(Suddenly Ross jumps in and starts dancing with her.)
Rachel: Oh-oh Professor Geller.
Joey: Ahh, to be 13 again.
Chandler: Yeah.
End


 For example, organization administrators can create new teams as well as manage all organization settings (including the list of admins).{% endblocktrans %}
All pending access requests have been taken care of.
| Member | Role | Teams | ||
|---|---|---|---|---|
|
{{ member.get_display_name }}
{{ member.get_email }} |
{% if needs_sso or member.is_pending %} {% if member.is_pending %} Invited {% else %} Missing SSO Link {% endif %} Resend invite {% endif %} | {{ member.get_type_display }} | {% if member.has_global_access %} ∞ {% elif team_list|length > 1 %} {{ team_list|length }} teams {% else %} {{ team_list.0.name }} {% endif %} | {% if authorizing_access <= member.type %} {% if member.user != request.user or member_can_leave %} {% endif %} {% endif %} |


--- layout: post title: Thoughts about Dual-screen experience with Raspberry Pi + DSI + HDMI date: 2014-05-20 20:29:02.000000000 +02:00 categories: [] tags: [] status: draft type: post published: false meta: _edit_last: '1' author: login: cybear email<EMAIL_ADDRESS>display_name: cybear first_name: '' last_name: '' ---
Late February this year, RasPi.tv published some information about the upcoming official Raspberry Pi DSI touch screen.
Here's some specs:
* 10 point capacitive touch
* 7 inch LCD
* DSI connector
* 800 x 480 pixels
It sounds like we can expect simultaneous output on both the touch screen and over HDMI.
Given the premise that we have two screens I started imagining how software could make use of it.
• Presentation software - speaker's notes and navigation on touch screen, slides on HDMI
• XBMC - browse, preview, playback controls on touch screen, movie on. HDMI
If the two-screen setup takes off in the Raspberry Pi community, I think we are going to see a lot of software to work with 2 screens.
An idea is to start implementing 2-screen app interfaces in HTML. This way they can be made available to smartphones as well. In many situations I'd love it if I could use a dedicated screen (Pi DSI screen) and my smartphone interchangably.


Comments
-
Greg Hurrell
Right, thanks for the report.
I hadn't seen
'wildignore'
used in this way before (ie. with upper pathname components and the recursive**
notation) so I'll have to look into it.Right now Command-T is just looking at each item in
'wildignore'
and seeing if it matches against the current item (file or directory) being scanned, and if it does, it skips it. So as it currently stands there is no setting of'wildignore'
which will give you exactly what you want, except for perhaps:set wildignore+=rails
, which could potentially hide more than you're actually wanting to.My only concern here is that both uses of
**
that I can find in the manual (forexpand()
andglobpath()
) use it in the form "**/somefile
", so I will have to experiment with it to see if it can be made to work the way you're wanting it to. -
Greg Hurrell
Just did a test and it doesn't seem to expand the way you think it does...
:echo glob('**/README')
In a Rails project echoes:
README vendor/plugins/rails_upgrade/README
But:
:echo glob('vendor/rails/**')
Echoes nothing at all.
-
Greg Hurrell
Actually, scratch that... It seems to have some kind of internal depth limit, because it is not returning all the
README
files which I know to be in thevendor/rails
hierarchy. So I'll have to try it on a smaller directory hierarchy to see if thesomething/**
notation works or not. -
Greg Hurrell
Ok, tested on a smaller hierarchy and it does seem to work.
-
Greg Hurrell
Ok, just thinking out loud here on what the semantics of this should be if globs like
**/foo
,foo/**
, or evenfoo/bar
are to be supported.The typical use case (99% of the time) for
'wildignore'
is to ignore stuff like object files (*.o
), backup and temporary files (*.bak
,*.tmp
,*~
), and things like SCM metadata directories (eg..git
etc). So here we're always talking about matching against a filename, no matter where the file actually is in the directory hierarchy.If we start talking about something like
foo/bar
, should those same semantics — that is, match against the pattern regardless of where it is in the hierarchy — still apply? ie. should all the following be filtered?foo/bar
foo/bar/baz
abc/foo/bar
abc/foo/bar/baz
Or should it obey different semantics and consider itself relative to the project root only? ie. only the first two in the list above would be filtered, and the other two would not.
Likewise for a pattern like
foo/**
, should it matchfoo
anywhere in the hierarchy, or only at the root?If the former, then the pattern may as well just be
foo
because it will have the same effect.For a pattern like
**/foo
, it's the same deal really. By definition the**
will make this apply universally, regardless of wherefoo
might be in the hierarchy. But once again, if that's really all you're wanting to filter thenfoo
would be all you need anyway.Going back to the example posted by the ticket owner,
vendor/rails/**
, the presence of**
here kind of implies that the user wants the pattern to be anchored to the project root, at least according to my interpretation.**/vendor/rails
would be an explicit way of specifying that the pattern should not be anchored.I'm guessing that the most intuitive/coherent way to proceed then is probably going to be the following:
foo/**
orfoo/bar/**
etc express a desire for anchored pattern matching (anchored at project root)**/foo
or**/foo/bar
etc explicitly express a desire for unanchored pattern matchingfoo
and evenfoo/bar
should adopt the default (ie. unanchored) behavior
This means that patterns like
**/foo
and**/foo/bar
could always be written more concisely asfoo
andfoo/bar
respectively.Algorithmically, I guess it'll just be a case of splitting patterns on the path separator (
/
), and starting matching from right to left. That is, if rightmost component matches, we check the parent component against the component to the left, and the grandparent against the left of the left and so on.**
as a leftmost component is effectively ignored.**
as a rightmost component triggers the anchored-match special case, which we can actually check for as a first step so as to potentially short-circuit the normal procedure. (For that case would probably do a left-to-right check instead.)Finally would just need to make sure we correctly handle (bizarre?) stuff like:
**/foo/bar/**
(as leading**
is the default behavior, this is effectively equivalent tofoo/bar/**
)**/a/**/b/**/c
(pathological, but to be properly robust we have no choice but to handle it I guess)
As well as ensure that other glob patterns like the following continue to work:
*.o
As well as when combined with other components:
**/foo/*.o
foo/*.o
etc
This will be a little fiddly to implement, so I am going to leave this ticket open for a while to see if anybody has any feedback to add.
-
Michael Henry
I'd been looking for simpler behavior than requested in this posting, and I thought I'd need to submit a feature request; But it turns out my test procedure was wrong, and CommandT already handles my scenario.
I want to ignore content in any directory named "build". I'd tried ":set wildignore += build", but it didn't seem to have any effect. The problem was that I hadn't thought to do ":CommandTFlush" before re-trying ":CommandT", so I was seeing the cached contents of my build directory.
So it turns out that CommandT already supports my more limited use case :-) I thought I'd mention it here in case a documentation update might be helpful to other users that might make my mistake.
Perhaps a sentence like this near "command-t-wildignore" would be useful:
Changes to the 'wildignore' setting will not apply to cached directory contents; therefore, after modifying 'wildignore' it is recommended to flush the cache using :CommandTFlush.
-
Greg Hurrell
Changes to the 'wildignore' setting will not apply to cached directory contents; therefore, after modifying 'wildignore' it is recommended to flush the cache using :CommandTFlush.
Seeing as pretty much the same comment applies to all settings**, I think I'll add such a comment at the very beginning of the "OPTIONS" section of the docs.
(** about the only ones which get picked up automatically are changes to the key mappings, seeing as they are set-up fresh for the buffer each time it is shown)
-
Greg Hurrell
I'm going to close this ticket as there has been a proposed patch submitted (see ticket #1555) which adds support for pretty much anything you might want to add to
'wildignore'
by using VIM'sexpand()
function to check each path (seeing asexpand()
will automatically omit any path which matches the'wildignore'
patterns). -
Greg Hurrell
Status changed:
- From: new
- To: closed
Add a comment
Comments are now closed for this issue.


More women, elderly coming forward to register grievances, says SP
‘It indicates their confidence on redressal system’
by Staff ReporterKrishna Superintendent of Police
M. Ravindranath Babu on Monday said that more women and elderly people have started bringing their grievances to the notice of the police for redressal in Krishna district.
Addressing the police officials here, Mr. Ravindranath Babu has said that above half of the grievances registered both at the district and the police station levels were received from women and the elderly.
“The number of grievances being registered by the women is increasing. Such a trend is a signal of their confidence on redressal system and style of functioning of the police,” said Mr. Ravindranath Babu.
On Monday, at least 50 grievances have been received by the SP at the District Police Office here. The Krishna police have been equipped with a strong team to looks into grievances pertaining to online fraud and violation of the Information Technology Act.


Preparation time
less than 30 mins
Cooking time
less than 10 mins
Serves
Serves 1-2
Want to get your kids cooking? This easy omelette recipe from CBBC is the perfect place to start.
Take your eggs and crack them into a bowl – don’t put them directly into the pan as you need to mix them first! Add a pinch of salt and pepper to the eggs and stir in the milk.
Beat the eggs with a fork, first use the fork to break the yolks of the eggs (this makes beating the eggs easier). Then tip the bowl gently and using a fork in a circular motion beat the eggs until the yolks and whites are combined and the mixture has an even colour.
Bring your pan to a high heat and add the butter. Pour in your egg mixture and cook on a high heat for 2 minutes, making sure that the mixture is spread out evenly. Reduce the heat.
As the egg begins to set, use a spatula to push the set egg towards the omelette centre, tilting the pan so the runny egg fills the space. Add the tomatoes and most of the cheese and parsley. Arrange the ham on top.
Cook the omelette for another minute, then loosen the edges with a spatula. Slide the omelette from the pan onto a warmed plate, tilting the pan so that the omelette folds nicely on the plate.
Sprinkle with the remaining cheese and parsley, then serve.


 I love Data and the power it brings with itself, and am eager to dive deeper into the world of Data Science and Machine Learning, which I believe, along with the web, are the technologies which will shape our future.
Also, I am a cricketer. I've represented my district in under-age cricket and I currently play at the super-division level in my state.
A facial recognition web app which detects faces in pictures with the help of Clarifai's Face Detection API. Made using React, Node, Express and PostgreSQL.
This is a blogging platform made using HTML, CSS, JavaScript and Bootstrap on the front-end and NodeJs, Express and MongoDB on the back end with passport-sessions and Google OAuth for User Authentication.
A landing page for a fictional dating app for dogs. Made using Bootstrap.
A site where you can play drums without playing drums! Made using HTML, CSS and vanilla Javascript.
Analysis of the Indian Premier League (IPL) data to gather some meaningful insights. Done using Python. (Ongoing)
Like My Work? Want me to work for you? Want to discuss on who should bat at number 4 for India? Drop me a mail.
Contact Me


Writes the contents of a field to an AVS UCD (Unstructured Cell Data) file.
Input Ports
Name Type Description in_fld Mesh+Node_Data Field data that should be written to the output. Parameters
Name Type Description UI Control filename String Name of file to create. File Dialog name String Field name to insert into UCD file. - binary int ASCII or binary format. Radio Box
The write_ucd macro parses an AVS/Express field structure and then creates an UCD file in either ASCII or binary format. The Unstructured Cell Data or UCD file format was created by AVS to allow arbitrary field data to be stored. Node coordinates, cell connectivity, node data and cell data can all be stored in a UCD file. The format has also been extended to support time-dependent data. By default AVS/Express is able to read UCD files but is not able to write to them.
This IAC module allows field data to be written to UCD files from AVS/Express. However it does not currently support all of the features of the UCD file format. In particular it does not output time dependent data. It is able to output node coordinates, multiple components of node data with varying vector lengths and the following types of cell sets:
- Line
- Polyline
- Triangle
- Polytristrip
- Quad
- Tetrahedral
- Prism
- Pyramid
- Hexagonal
The UCD file format does not support Polyline or Polytristrip cell sets so these cell types are converting into Line and Triangle cell sets. This conversion code is not enabled by default. To enable it, you must define the symbol OUTPUT_POLY_TEST and recompile (this can be done by editing the source code). The ASCII UCD format also does not appear to support the storage of maximum and minimum data values. This can result in the data map appearing to be incorrect when a UCD file is read back into AVS/Express. The binary UCD format does support maximum and minimum data values, but the AVS/Express UCD reader does not appear to utilize the node data maximum and minimum. Currently the only work around for this problem is to use the set_minmax module to manually set the maximum and minimum data values.
&in_fld
Reference to a Field that contains the Mesh, Cell_Set, Cell_Data and Node_Data information that should be written to the specified UCD file.
filename
String parameter that contains the fully specified pathname of UCD file that should be created by the write_ucd macro. This string can contain AVS/Express environment variables (i.e. $XP_ROOT, $XP_PATH<1>).
name
String parameter that contains the field name that should be written to the UCD file. This parameter can normally be ignored as the AVS/Express Read_UCD module ignores field names in UCD files. By default this parameter has the value "default_avs_field"
binary
integer parameter that determines the format of the UCD file to be written. 0 (the default) means ASCII, 1 means binary.
The write_ucd user macro makes use of the WriteUCDUI user interface macro and the WriteUCDCore low-level module. No parameter block or functional macro are used.
Four example applications are provided with this project. The WriteUCDEg application creates an isosurface and writes that field to a UCD file. The WriteUCDTest application creates a field with complex node data components and illustrates that this information can be successfully written to a file. The WriteUCD_ARR_Eg application illustrates writing an array of fields to a UCD file. See Other Notes for further details. Finally the ReadUCDEg application reads UCD files, hence providing a quick way of testing if UCD files have been written correctly.
xp_comm_proj/wr_ucd/wucdmods.v contains the V definition of the WriteUCDCore module.
xp_comm_proj/wr_ucd/wucdmacs.v contains the V definitions of the WriteUCDUI UI macro and the write_ucd and write_ucd_ARR user macros.
xp_comm_proj/wr_ucd/wucdapps.v contains the V definitions of the WriteUCDEg, WriteUCDTest, WriteUCD_ARR_Eg and ReadUCDEg example applications.
The low-level module code also supports the writing of an array of fields to a single UCD file. The write_ucd_ARR macro exposes this functionality. However the UCD file format normally only allows a single field to be written to each file. Hence this ability may initially seem redundant. In reality it is intended for future expansions of the module. The output of arrays of fields could provide the basis of the output of time dependent UCD data or an extended form of the UCD file format.
The low-level WriteUCDMods library containing the low-level module WriteUCDCore does not specify a process. By default the express process will be used.
Documentation for the UCD format can be found on the AVS FTP site.
Ian Curington Advanced Visual Systems, Ltd. Hanworth Lane, Chertsey Surrey, UK KT16 9JX<EMAIL_ADDRESS>Andrew Dodd, International AVS Centre Sudhir Sangappa, AVS Inc.


In Dramatic Decrease, Trump Administration Caps Refugees to Be Taken in by U.S. in 2020 at 18,000
by Associated Press(WASHINGTON) — President Donald Trump has signed off on a plan that continues a dramatic drop in the number of refugees taken in by the U.S. to no more than 18,000 in fiscal year 2020.
When the State Department first announced the plan in September religious and humanitarian groups sharply criticized the administration.
In the last full year of the Obama administration, the refugee ceiling was 85,000. This year, the Trump administration set the limit at 30,000. That number was the lowest since the modern resettlement program’s creation in 1980.
In a statement issued Saturday, Secretary of State Mike Pompeo noted that refugee resettlement “is only one aspect of U.S. humanitarian-based immigration efforts.” He cited diplomatic efforts to find solutions to crises as well as humanitarian aid.


SUBURBIA A film review by Andrew Hicks Copyright 1997 Andrew Hicks
(1997) *** (out of four)
If SUBURBIA leaves no other legacy to American cinema, it will be known as the movie where you can see Cory from "My Two Dads" fully naked. Yes, TV's "Cory," Giovanni Ribisi and six other young talents bring Eric Bogosian's play to life in this Richard Linklater film. In SUBURBIA, Linklater successfully combines elements of his earlier three films -- the aimlessness of SLACKER, the fun of DAZED AND CONFUSED and the thoughtful dialogue of BEFORE SUNRISE.
Ribisi is Jeff, the leader of a group of losers whose days consist of unemployment or low-paying jobs and whose nights are dominated by drinking beer and loitering in convenience store parking lots.  Sooze (Amie Carey) is Jeff's girlfriend, a performance artist who delivers an anti-testosterone manifesto called "Burger, Part I" at the beginning.
Her friend Bee-Bee (Dina Spybey) is a recovering alcoholic and Tim (Nicky Katt) is a discharged Air Force officer on his way to becoming one. Then there's Buff (Steve Zahn), whose intellect is anything but. He's the token clown of the group, the kind of guy who will say or do anything crazy for a laugh. The fact that he's either drunk, stoned or both most of the time feeds the lack of inhibition.
As the group of friends stands outside the convenience store, we meet another of SUBURBIA's central characters, Naseer (Ajay Naidu). He's the Pakistani night clerk of the c-store, who in the beginning is made out to be the Mr. Roper or Gale Gordon-type foil to the kids, the guy who will come out and chase them away whenever they start to act immature. As the movie goes on, we realize Naseer is the voice of responsibility and far closer to the American ideal than these five white kids who were born here.
The movie would be almost plotless without the arrival of Pony (Jayce Bartok), the one friend in the bunch who has done anything with his life. He's on his way to becoming a rock star (with more than 90,000 units sold already!) and incites various responses from the friends.  Pony's sexy publicist (Parker Posey, who is now by act of Congress required to be in every low-budget indie opus) also incites various unprintable responses from Buff.
SUBURBIA seems like the setup for a typical, party-all-night comedy about a bunch of teenagers. Linklater did it well once with DAZED AND CONFUSED, but digs deeper here. The Bogosian screenplay is dark and ultimately rather depressing, a lot like his cynical script for TALK RADIO. Anyone between the ages of 16 and 30 will realize the characters depicted in SUBURBIA aren't far from the truth and neither are the problems they either address or try to ignore. I liked it.
--
Visit the Andrew Hicks: Movie Critic at LARGE homepage at http://www.missouri.edu/~c667778/movies.html
Serving The World For Nearly 1/25th of a Century!
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Vue defends dropping ‘Blue Story’ from cinemas after “25 significant incidents” in 24 hours
Chain says incidents occurred in 16 of its venues.
Vue have defended dropping Blue Story from its cinemas after “25 significant incidents” at its venues within the last 24 hours.
The film was pulled from the chain’s 91 cinemas in the UK following an incident that broke out at one of its venues, and was followed by cinema chain Showcase opting to do the same soon after.
Despite a backlash, Vue have now defended the decision by saying that there had been a number of incidents at 16 of its cinemas related to the film.
“This is the biggest number we have ever seen for any film in a such a short time frame,” they said in a statement.
“Despite a range of precautionary measures in place, including increased security, removal of late-night showings and reduced screenings of the film, the decision to withdraw Blue Story in its entirety was made on Saturday evening on grounds of safety alone.
Rapman and the cast of Blue Story (Credit: Nick Wall)
“While we are disappointed that these are the actions we have had to take, we hope it is understandable that we cannot, and will not, take any risks with regard to the welfare and safety of our staff and our customers.
“Unfortunately, the actions of a significant few have spoiled the opportunity for others, but we stand by our decision to withdraw the film from our schedule indefinitely.”
NME have contacted Vue for further comment, who said they are “not releasing any more details about specifics” at this time.
The original incident involved 100 youngsters and occurred at Star City in Nechells, Birmingham on Saturday (November 23). Six teenagers were arrested on suspicion of violent disorder, while police said that two machetes and a knife were recovered from the scene.
Despite the film being pulled from the two cinema chains, Blue Story took in £1.3m on its opening weekend (via Screen), with director Rapman thanking fans on Twitter.
“We lost nearly half of our screens on the 3rd day but we still made history with 1.3M in 3 days,” he said. “@BlueStoryMovie is no.3 in the UK box office. Thank you.”
Speaking previously to NME, the director explained what he feels needs to be done about London’s gang violence problem and knife crime epidemic.


Source code for openstack_dashboard.dashboards.project.access_and_security.tabs
# Copyright 2012 United States Government as represented by the
# Administrator of the National Aeronautics and Space Administration.
# All Rights Reserved.
#
# Copyright 2012 Nebula, Inc.
# Copyright 2012 OpenStack Foundation
#
# Licensed under the Apache License, Version 2.0 (the "License"); you may
# not use this file except in compliance with the License. You may obtain
# a copy of the License at
#
# http://www.apache.org/licenses/LICENSE-2.0
#
# Unless required by applicable law or agreed to in writing, software
# distributed under the License is distributed on an "AS IS" BASIS, WITHOUT
# WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. See the
# License for the specific language governing permissions and limitations
# under the License.
from django.utils.translation import ugettext_lazy as _
from horizon import exceptions
from horizon import tabs
from neutronclient.common import exceptions as neutron_exc
from openstack_dashboard.api import keystone
from openstack_dashboard.api import network
from openstack_dashboard.api import nova
from openstack_dashboard.dashboards.project.access_and_security.\
api_access.tables import EndpointsTable
from openstack_dashboard.dashboards.project.access_and_security.\
floating_ips.tables import FloatingIPsTable
from openstack_dashboard.dashboards.project.access_and_security.\
keypairs.tables import KeypairsTable
from openstack_dashboard.dashboards.project.access_and_security.\
security_groups.tables import SecurityGroupsTable
[docs]class SecurityGroupsTab(tabs.TableTab):
table_classes = (SecurityGroupsTable,)
name = _("Security Groups")
slug = "security_groups_tab"
template_name = "horizon/common/_detail_table.html"
permissions = ('openstack.services.compute',)
[docs] def get_security_groups_data(self):
try:
security_groups = network.security_group_list(self.request)
except neutron_exc.ConnectionFailed:
security_groups = []
exceptions.handle(self.request)
except Exception:
security_groups = []
exceptions.handle(self.request,
_('Unable to retrieve security groups.'))
return sorted(security_groups, key=lambda group: group.name)
[docs]class KeypairsTab(tabs.TableTab):
table_classes = (KeypairsTable,)
name = _("Key Pairs")
slug = "keypairs_tab"
template_name = "horizon/common/_detail_table.html"
permissions = ('openstack.services.compute',)
[docs] def get_keypairs_data(self):
try:
keypairs = nova.keypair_list(self.request)
except Exception:
keypairs = []
exceptions.handle(self.request,
_('Unable to retrieve key pair list.'))
return keypairs
[docs]class FloatingIPsTab(tabs.TableTab):
table_classes = (FloatingIPsTable,)
name = _("Floating IPs")
slug = "floating_ips_tab"
template_name = "horizon/common/_detail_table.html"
permissions = ('openstack.services.compute',)
[docs] def get_floating_ips_data(self):
try:
floating_ips = network.tenant_floating_ip_list(self.request)
except neutron_exc.ConnectionFailed:
floating_ips = []
exceptions.handle(self.request)
except Exception:
floating_ips = []
exceptions.handle(self.request,
_('Unable to retrieve floating IP addresses.'))
try:
floating_ip_pools = network.floating_ip_pools_list(self.request)
except neutron_exc.ConnectionFailed:
floating_ip_pools = []
exceptions.handle(self.request)
except Exception:
floating_ip_pools = []
exceptions.handle(self.request,
_('Unable to retrieve floating IP pools.'))
pool_dict = dict([(obj.id, obj.name) for obj in floating_ip_pools])
instances = []
try:
instances, has_more = nova.server_list(self.request)
except Exception:
exceptions.handle(self.request,
_('Unable to retrieve instance list.'))
instances_dict = dict([(obj.id, obj.name) for obj in instances])
for ip in floating_ips:
ip.instance_name = instances_dict.get(ip.instance_id)
ip.pool_name = pool_dict.get(ip.pool, ip.pool)
return floating_ips
[docs] def allowed(self, request):
return network.floating_ip_supported(request)
[docs]class APIAccessTab(tabs.TableTab):
table_classes = (EndpointsTable,)
name = _("API Access")
slug = "api_access_tab"
template_name = "horizon/common/_detail_table.html"
[docs] def get_endpoints_data(self):
services = []
for i, service in enumerate(self.request.user.service_catalog):
service['id'] = i
services.append(
keystone.Service(service, self.request.user.services_region))
return services
[docs]class AccessAndSecurityTabs(tabs.TabGroup):
slug = "access_security_tabs"
tabs = (SecurityGroupsTab, KeypairsTab, FloatingIPsTab, APIAccessTab)
sticky = True


While trying NooBaa with VirtualBox, you may see the following message
This kernel requires an x86-64 CPU, but only detected an i686 CPU. Unable to boot – please use a kernel appropriate to your CPU.
The solution is easy. Go to the machine settings, basic and make sure that the version is 64-bit. See example below.


JavaScript (JS) is a lightweight, interpreted, or just-in-time compiled programming language with first-class functions. While it is most well-known as the scripting language for Web pages, many non-browser environments also use it, such as Node.js, Apache CouchDB and Adobe Acrobat. JavaScript is a prototype-based, multi-paradigm, single-threaded, dynamic language, supporting object-oriented, imperative, and declarative (e.g. functional programming) styles.
This section is dedicated to the JavaScript language itself, and not the parts that are specific to Web pages or other host environments.
The standards for JavaScript are the ECMAScript Language Specification (ECMA-262) and the ECMAScript Internationalization API specification (ECMA-402). The JavaScript documentation throughout MDN is based on the latest draft versions of ECMA-262 and ECMA-402. And in cases where some proposals for new ECMAScript features have already been implemented in browsers, documentation and examples in MDN articles may use some of those new features.
Do not confuse JavaScript with the Java programming language. Both "Java" and "JavaScript" are trademarks or registered trademarks of Oracle in the U.S. and other countries. However, the two programming languages have very different syntax, semantics, and use. I leave you an example:
What Can JavaScript Do?
JavaScript can change HTML content.
Beginners
Head over to our Learning Area JavaScript topic if you want to learn JavaScript but have no previous experience with JavaScript or programming. The complete modules available there are as follows:
JavaScript first steps: answers some fundamental questions such as "what is JavaScript?", "what does it look like?", and "what can it do?", along with discussing key JavaScript features such as variables, strings, numbers, and arrays.
JavaScript building blocks: continues our coverage of JavaScript's key fundamental features, turning our attention to commonly-encountered types of code blocks such as conditional statements, loops, functions, and events.
Introducing JavaScript objects: the object-oriented nature of JavaScript is important to understand if you want to go further with your knowledge of the language and write more efficient code, therefore we've provided this module to help you.
Asynchronous JavaScript: discusses asynchronous JavaScript, why it is important, and how it can be used to effectively handle potential blocking operations such as fetching resources from a server.
Client-side web APIs: explores what APIs are, and how to use some of the most common APIs you'll come across often in your development work.
A good example to get started with writing JavaScript, open the Scratchpad and write your first "Hello world" JavaScript code: function greetMe(yourName) { alert("Hello " + yourName); }
greetMe("World");
Intermediate
Understanding client-side JavaScript frameworks: are an essential part of modern front-end web development, providing developers with proven tools for building scalable, interactive web applications. This module gives you some fundamental background knowledge about how client-side frameworks work and how they fit into your toolset, before moving on to tutorial series covering some of today's most popular ones.
A re-introduction to JavaScript: an overview for those who think they know about JavaScript.
JavaScript data structures: overview of available data structures in JavaScript.
Equality comparisons and sameness: JavaScript provides three different value-comparison operations: 1. Strict equality using: === 2. Loose equality using: == 3. The method: Object.is()
Closures: is the combination of a function and the lexical environment within which that function was declared.
Advanced
Inheritance and the prototype chain: explanation of the widely misunderstood and under-estimated prototype-based inheritance.
Strict mode: defines that you can not use any variable before initializing it. It is a restricted variant of ECMAScript 5, for faster performance and easier debugging.
JavaScript typed arrays: provide a mechanism for accessing raw binary data.
Memory Management: memory life cycle and garbage collection in JavaScript.
Concurrency model and Event Loop: JavaScript has a concurrency model based on an "event loop".
JavaScript & Java
JavaScript and Java are similar in some ways but fundamentally different in some others. The JavaScript language resembles Java but does not have Java's static typing and strong type checking. JavaScript follows most Java expression syntax, naming conventions and basic control-flow constructs which was the reason why it was renamed from LiveScript to JavaScript.
In contrast to Java's compile-time system of classes built by declarations, JavaScript supports a runtime system based on a small number of data types representing numeric, Boolean, and string values. JavaScript has a prototype-based object model instead of the more common class-based object model. The prototype-based model provides dynamic inheritance; that is, what is inherited can vary for individual objects. JavaScript also supports functions without any special declarative requirements. Functions can be properties of objects, executing as loosely typed methods.
JavaScript is a very free-form language compared to Java. You do not have to declare all variables, classes, and methods. You do not have to be concerned with whether methods are public, private, or protected, and you do not have to implement interfaces. Variables, parameters, and function return types are not explicitly typed.
JavaScript Guide
A much more detailed guide to the JavaScript language, aimed at those with previous programming experience either in JavaScript or another language. You can check more informantion here
Reference
All the documentation in this page is taken from MDN


The raccoon is able to position itself on its back legs and hold objects with the front ones.
Raccoons are smart animals with a great memory and a high IQ. They are excellent learners. Research has shown that not only are they able to solve problems but that they can also remember the solution and use it again years later.


 We know you have a choice when opening e-mails and we appreciate your continued interest. It's been a busy spring, with tons of news about research, ambitious students, faculty recognition, and visitors from afar. We hope you enjoy your summer and consider supporting the COE's efforts to increase access for students in the form of more scholarships and better opportunities.
Education Matters is distributed each term. Use the e-mail link below to contact the editor; physical letters are always welcome as well.
Manage your subscription
|
|
|
|
|
Published by the
University of Oregon College of Education
|
|
|
|
|
|
Marketing and Communications
College of Education
1215 University of Oregon
Eugene, OR 97403-1215
|
|
|
|
|
|
|
|
|
|
|
|


Peter Pan
by J.M. Barrie
Chapter 2: The Shadow
Additional Information
- Year Published: 1911
- Language: English
- Country of Origin: Scotland
- Source: Barrie, J. M. (1911)Peter and Wendy.
-
Readability:
- Flesch–Kincaid Level: 7.5
- Word Count: 3,224
- Genre: Fantasy
- Keywords: 20th century literature, british literature, children’s literature, peter pan, scottish authors
- ✎ Cite This
Downloads
Mrs. Darling screamed, and, as if in answer to a bell, the door opened, and Nana entered, returned from her evening out. She growled and sprang at the boy, who leapt lightly through the window. Again Mrs. Darling screamed, this time in distress for him, for she thought he was killed, and she ran down into the street to look for his little body, but it was not there; and she looked up, and in the black night she could see nothing but what she thought was a shooting star.
She returned to the nursery, and found Nana with something in her mouth, which proved to be the boy's shadow. As he leapt at the window Nana had closed it quickly, too late to catch him, but his shadow had not had time to get out; slam went the window and snapped it off.
You may be sure Mrs. Darling examined the shadow carefully, but it was quite the ordinary kind.
Nana had no doubt of what was the best thing to do with this shadow. She hung it out at the window, meaning "He is sure to come back for it; let us put it where he can get it easily without disturbing the children."
But unfortunately Mrs. Darling could not leave it hanging out at the window, it looked so like the washing and lowered the whole tone of the house. She thought of showing it to Mr. Darling, but he was totting up winter great-coats for John and Michael, with a wet towel around his head to keep his brain clear, and it seemed a shame to trouble him; besides, she knew exactly what he would say: "It all comes of having a dog for a nurse."
She decided to roll the shadow up and put it away carefully in a drawer, until a fitting opportunity came for telling her husband. Ah me!
The opportunity came a week later, on that never-to-be-forgotten Friday. Of course it was a Friday.
"I ought to have been specially careful on a Friday," she used to say afterwards to her husband, while perhaps Nana was on the other side of her, holding her hand.
"No, no," Mr. Darling always said, "I am responsible for it all. I, George Darling, did it. MEA CULPA, MEA CULPA." He had had a classical education.
They sat thus night after night recalling that fatal Friday, till every detail of it was stamped on their brains and came through on the other side like the faces on a bad coinage.
"If only I had not accepted that invitation to dine at 27," Mrs. Darling said.
"If only I had not poured my medicine into Nana's bowl," said Mr. Darling.
"If only I had pretended to like the medicine," was what Nana's wet eyes said.
"My liking for parties, George."
"My fatal gift of humour, dearest."
"My touchiness about trifles, dear master and mistress."
Then one or more of them would break down altogether; Nana at the thought, "It's true, it's true, they ought not to have had a dog for a nurse." Many a time it was Mr. Darling who put the handkerchief to Nana's eyes.
"That fiend!" Mr. Darling would cry, and Nana's bark was the echo of it, but Mrs. Darling never upbraided Peter; there was something in the right-hand corner of her mouth that wanted her not to call Peter names.
They would sit there in the empty nursery, recalling fondly every smallest detail of that dreadful evening. It had begun so uneventfully, so precisely like a hundred other evenings, with Nana putting on the water for Michael's bath and carrying him to it on her back.
"I won't go to bed," he had shouted, like one who still believed that he had the last word on the subject, "I won't, I won't. Nana, it isn't six o'clock yet. Oh dear, oh dear, I shan't love you any more, Nana. I tell you I won't be bathed, I won't, I won't!"
Then Mrs. Darling had come in, wearing her white evening-gown. She had dressed early because Wendy so loved to see her in her evening-gown, with the necklace George had given her. She was wearing Wendy's bracelet on her arm; she had asked for the loan of it. Wendy loved to lend her bracelet to her mother.
She had found her two older children playing at being herself and father on the occasion of Wendy's birth, and John was saying:
"I am happy to inform you, Mrs. Darling, that you are now a mother," in just such a tone as Mr. Darling himself may have used on the real occasion.
Wendy had danced with joy, just as the real Mrs. Darling must have done.
Then John was born, with the extra pomp that he conceived due to the birth of a male, and Michael came from his bath to ask to be born also, but John said brutally that they did not want any more.
Michael had nearly cried. "Nobody wants me," he said, and of course the lady in the evening-dress could not stand that.
"I do," she said, "I so want a third child."
"Boy or girl?" asked Michael, not too hopefully.
"Boy."
Then he had leapt into her arms. Such a little thing for Mr. and Mrs. Darling and Nana to recall now, but not so little if that was to be Michael's last night in the nursery.

"It was then that I rushed in like a tornado, wasn't it?" Mr. Darling would say, scorning himself; and indeed he had been like a tornado.
Perhaps there was some excuse for him. He, too, had been dressing for the party, and all had gone well with him until he came to his tie. It is an astounding thing to have to tell, but this man, though he knew about stocks and shares, had no real mastery of his tie. Sometimes the thing yielded to him without a contest, but there were occasions when it would have been better for the house if he had swallowed his pride and used a made-up tie.
This was such an occasion. He came rushing into the nursery with the crumpled little brute of a tie in his hand.
"Why, what is the matter, father dear?"
"Matter!" he yelled; he really yelled. "This tie, it will not tie." He became dangerously sarcastic. "Not round my neck! Round the bed-post! Oh yes, twenty times have I made it up round the bed-post, but round my neck, no! Oh dear no! begs to be excused!"
He thought Mrs. Darling was not sufficiently impressed, and he went on sternly, "I warn you of this, mother, that unless this tie is round my neck we don't go out to dinner to-night, and if I don't go out to dinner to-night, I never go to the office again, and if I don't go to the office again, you and I starve, and our children will be flung into the streets."
Even then Mrs. Darling was placid. "Let me try, dear," she said, and indeed that was what he had come to ask her to do, and with her nice cool hands she tied his tie for him, while the children stood around to see their fate decided. Some men would have resented her being able to do it so easily, but Mr. Darling had far too fine a nature for that; he thanked her carelessly, at once forgot his rage, and in another moment was dancing round the room with Michael on his back.
"How wildly we romped!" says Mrs. Darling now, recalling it.
"Our last romp!" Mr. Darling groaned.
"O George, do you remember Michael suddenly said to me, 'How did you get to know me, mother?'"
"I remember!"
"They were rather sweet, don't you think, George?"
"And they were ours, ours! and now they are gone."
The romp had ended with the appearance of Nana, and most unluckily Mr. Darling collided against her, covering his trousers with hairs. They were not only new trousers, but they were the first he had ever had with braid on them, and he had had to bite his lip to prevent the tears coming. Of course Mrs. Darling brushed him, but he began to talk again about its being a mistake to have a dog for a nurse.
"George, Nana is a treasure."
"No doubt, but I have an uneasy feeling at times that she looks upon the children as puppies."
"Oh no, dear one, I feel sure she knows they have souls."
"I wonder," Mr. Darling said thoughtfully, "I wonder." It was an opportunity, his wife felt, for telling him about the boy. At first he pooh-poohed the story, but he became thoughtful when she showed him the shadow.
"It is nobody I know," he said, examining it carefully, "but it does look a scoundrel."
"We were still discussing it, you remember," says Mr. Darling, "when Nana came in with Michael's medicine.
Strong man though he was, there is no doubt that he had behaved rather foolishly over the medicine. If he had a weakness, it was for thinking that all his life he had taken medicine boldly, and so now, when Michael dodged the spoon in Nana's mouth, he had said reprovingly, "Be a man, Michael."
"Won't; won't!" Michael cried naughtily. Mrs. Darling left the room to get a chocolate for him, and Mr. Darling thought this showed want of firmness.
"Mother, don't pamper him," he called after her. "Michael, when I was your age I took medicine without a murmur. I said, 'Thank you, kind parents, for giving me bottles to make we well.'"
He really thought this was true, and Wendy, who was now in her night-gown, believed it also, and she said, to encourage Michael, "That medicine you sometimes take, father, is much nastier, isn't it?"
"Ever so much nastier," Mr. Darling said bravely, "and I would take it now as an example to you, Michael, if I hadn't lost the bottle."
He had not exactly lost it; he had climbed in the dead of night to the top of the wardrobe and hidden it there. What he did not know was that the faithful Liza had found it, and put it back on his wash-stand.
"I know where it is, father," Wendy cried, always glad to be of service. "I'll bring it," and she was off before he could stop her. Immediately his spirits sank in the strangest way.
"John," he said, shuddering, "it's most beastly stuff. It's that nasty, sticky, sweet kind."
"It will soon be over, father," John said cheerily, and then in rushed Wendy with the medicine in a glass.
"I have been as quick as I could," she panted.
"You have been wonderfully quick," her father retorted, with a vindictive politeness that was quite thrown away upon her. "Michael first," he said doggedly.
"Father first," said Michael, who was of a suspicious nature.
"I shall be sick, you know," Mr. Darling said threateningly.
"Come on, father," said John.
"Hold your tongue, John," his father rapped out.
Wendy was quite puzzled. "I thought you took it quite easily, father."
"That is not the point," he retorted. "The point is, that there is more in my glass than in Michael's spoon." His proud heart was nearly bursting. "And it isn't fair: I would say it though it were with my last breath; it isn't fair."
"Father, I am waiting," said Michael coldly.
"It's all very well to say you are waiting; so am I waiting."
"Father's a cowardly custard."

"I'm not frightened."
"Neither am I frightened."
"Well, then, take it."
"Well, then, you take it."
Wendy had a splendid idea. "Why not both take it at the same time?"
"Certainly," said Mr. Darling. "Are you ready, Michael?"
Wendy gave the words, one, two, three, and Michael took his medicine, but Mr. Darling slipped his behind his back.
There was a yell of rage from Michael, and "O father!" Wendy exclaimed.
"What do you mean by 'O father'?" Mr. Darling demanded. "Stop that row, Michael. I meant to take mine, but I—I missed it."
It was dreadful the way all the three were looking at him, just as if they did not admire him. "Look here, all of you," he said entreatingly, as soon as Nana had gone into the bathroom. "I have just thought of a splendid joke. I shall pour my medicine into Nana's bowl, and she will drink it, thinking it is milk!"
It was the colour of milk; but the children did not have their father's sense of humour, and they looked at him reproachfully as he poured the medicine into Nana's bowl. "What fun!" he said doubtfully, and they did not dare expose him when Mrs. Darling and Nana returned.
"Nana, good dog," he said, patting her, "I have put a little milk into your bowl, Nana."
Nana wagged her tail, ran to the medicine, and began lapping it. Then she gave Mr. Darling such a look, not an angry look: she showed him the great red tear that makes us so sorry for noble dogs, and crept into her kennel.
Mr. Darling was frightfully ashamed of himself, but he would not give in. In a horrid silence Mrs. Darling smelt the bowl. "O George," she said, "it's your medicine!"
"It was only a joke," he roared, while she comforted her boys, and Wendy hugged Nana. "Much good," he said bitterly, "my wearing myself to the bone trying to be funny in this house."
And still Wendy hugged Nana. "That's right," he shouted. "Coddle her! Nobody coddles me. Oh dear no! I am only the breadwinner, why should I be coddled—why, why, why!"
"George," Mrs. Darling entreated him, "not so loud; the servants will hear you." Somehow they had got into the way of calling Liza the servants.
"Let them!" he answered recklessly. "Bring in the whole world. But I refuse to allow that dog to lord it in my nursery for an hour longer."
The children wept, and Nana ran to him beseechingly, but he waved her back. He felt he was a strong man again.
"George, George," Mrs. Darling whispered, "remember what I told you about that boy."
Alas, he would not listen. He was determined to show who was master in that house, and when commands would not draw Nana from the kennel, he lured her out of it with honeyed words, and seizing her roughly, dragged her from the nursery. He was ashamed of himself, and yet he did it. It was all owing to his too affectionate nature, which craved for admiration. When he had tied her up in the back-yard, the wretched father went and sat in the passage, with his knuckles to his eyes.
In the meantime Mrs. Darling had put the children to bed in unwonted silence and lit their night-lights. They could hear Nana barking, and John whimpered, "It is because he is chaining her up in the yard," but Wendy was wiser.
"That is not Nana's unhappy bark," she said, little guessing what was about to happen; "that is her bark when she smells danger."
Danger!
"Are you sure, Wendy?"
"Oh, yes."
Mrs. Darling quivered and went to the window. It was securely fastened. She looked out, and the night was peppered with stars. They were crowding round the house, as if curious to see what was to take place there, but she did not notice this, nor that one or two of the smaller ones winked at her. Yet a nameless fear clutched at her heart and made her cry, "Oh, how I wish that I wasn't going to a party to-night!"
Even Michael, already half asleep, knew that she was perturbed, and he asked, "Can anything harm us, mother, after the night-lights are lit?"

She went from bed to bed singing enchantments over them, and little Michael flung his arms round her. "Mother," he cried, "I'm glad of you." They were the last words she was to hear from him for a long time.
No. 27 was only a few yards distant, but there had been a slight fall of snow, and Father and Mother Darling picked their way over it deftly not to soil their shoes. They were already the only persons in the street, and all the stars were watching them. Stars are beautiful, but they may not take an active part in anything, they must just look on for ever. It is a punishment put on them for something they did so long ago that no star now knows what it was. So the older ones have become glassy-eyed and seldom speak (winking is the star language), but the little ones still wonder. They are not really friendly to Peter, who had a mischievous way of stealing up behind them and trying to blow them out; but they are so fond of fun that they were on his side to-night, and anxious to get the grown-ups out of the way. So as soon as the door of 27 closed on Mr. and Mrs. Darling there was a commotion in the firmament, and the smallest of all the stars in the Milky Way screamed out:
"Now, Peter!"


Italy Net Nine, Spain Score Five In Euro 2020 Qualifiers
by SL InternationalSpain 5-0 Romania
Spain ended their European Championship qualifying campaign in style after thumping Romania 5-0 at the Wanda Metropolitano.
Fabian Ruiz, a brace from Gerard Moreno and a Adrian Rus own goal put the hosts four goals ahead inside the first half, before Mikel Oyarzabal rounded off the scoring in second-half stoppage time.
Italy 9-1 Armenia
Italy were the biggest winners of the night after romping to a 9-1 triumph over Armenia in their final Group J qualifier.
The hosts were four goals ahead in the first through Ciro Immobile's brace and strikes from Nicolo Zaniolo and Nicolo Barella.
Zaniolo completed his brace after the hour mark, while Alessio Romagnoli, Jorginho, Riccardo Orsolini and Federico Chiesa completed the rout.
Gibraltar 1-6 Switzerland
Switzerland finished top of Group D after thumping Gibraltar 6-1 at the Victoria Stadium.
Cedric Itten bagged a brace, while Granit Xhaka, Ruben Vargas, Christian Fassnacht and Loris Benito also got on the score-sheet.
Sweden 3-0 Faroe Islands
Sweden finished second in Group F after defeating Faroe Islands 3-0 in their final qualifier at the Friends Arena.
Sebastian Andersson, Mattias Svanberg and John Guidetti guided the Swedes to victory on the night.
Other results:
Ireland 1-1 Denmark
Greece 2-1 Finland
Liechetenstein 0-3 Bosnia and Herzegovina
Malta 1-2 Norway


November 26
What's Your Name?
And whatsoever ye do in word or deed, do all in the name of the Lord Jesus, giving thanks to God and the Father by him. Colossians 3:17
Did you know your name has been changed? It's no longer the same as it was before you were born again. You gave your old name away when you made covenant with Jesus. To fully appreciate what that means, you have to think about it in the light of what we know about blood covenant. When someone enters a covenant of blood, he is giving himself completely away. He is no longer his own. His assets and his debts, his strengths and his weaknesses belong forever to his covenant brother.
When you're in blood covenant with someone, that person's name becomes your name forever. You cannot escape it--good or bad--it's yours. When you received Jesus as your Lord and Savior, He took your name! Your name was sin. Your name was weakness.  Jesus took those names from you and gave you His own in exchange. That's right! Ephesians 3:15 says that the whole Body of Christ has been named after Him both in heaven and earth. That means you have been given Jesus' Name. Its authority is now yours!
Just think about who you're named after:
"Jesus, Mighty God, Wisdom, Deliverer, Lion of the Tribe of Judah, Word of Life,
Advocate, Provider, The Great I Am, Helper, Savior, Prince of Peace, Wonderful
Counselor, Lamb of God, Lord of Hosts, Root of David, Author and Finisher of our
Faith, The Way, Healer, Son of God, The Truth, Chief Cornerstone, King of Kings, Light of the World, Chief Shepherd, My Strength and Song, Righteous Judge, Son of Righteousness, Resurrection and Life, The Alpha and Omega." Praise God, those names cover any need you'll ever have. What's more, the power of God is in His Name to bring that Name to pass in your life (Acts 3:16).
You can't call yourself discouraged anymore. That's not your name. You can't answer when the devil yells, "Hey, poor boy." That's not your name. Jesus has taken those old names of yours. They're gone. So meditate on the names of the Lord. They're all wrapped up in the Name of Jesus, the Name above all names, and that Name with all its power and authority has been given to you!
Scripture Reading: Ephesians 3:16-21


The probability that the array starts with a 1
Is this sentence classified as hardware or software?
Is this name popular?


Aka
names
Enter Date of birth
Gender
Male
Female
Reveal Your Akhan Name
This is Africa!
African
culture
is amazing and should be embraced.
Congrats Your Akan Name is


Class Packager_Phar_ResultCompleter
- Packager_Common_Base
- Packager_Common_StaticCopies
- Packager_Phar_ResultCompleter
Direct known subclasses
Packager_Phar
Located at src/Packager/Phar/ResultCompleter.php
protected
|
|
protected
|
|
protected
|
|
private
|
|
private
|
|
private
|
|
protected
|
cleanReleaseDir(),
copyStaticFilesAndFolders()
|
private static
array
|
$_pharNotAllowedMsg
|
#
[
"It is not allowed to create PHAR archive on your computer.",
"Go to 'php.ini' and allow PHAR archive creation by set up 'phar.readonly = 0'."
]
|
private
|
$_jsonResult
|
$staticallyCopiedFiles
|


Revision 21142f3bf7ad: /apache/roboto/src
[
Project Page
]
..
METADATA_comments.txt
VERSIONS.txt
Google Code
powered by
Mercurial


{% extends "base.html" %} {% load crispy_forms_tags %} {% block content %}
This is the registration of the patient user model


SCENE IV. The forest.
Enter DUKE SENIOR, AMIENS, JAQUES, ORLANDO, OLIVER,
and CELIA
- DUKE SENIOR
- Dost thou believe, Orlando, that the boy
- Can do all this that he hath promised?
- ORLANDO
- I sometimes do believe, and sometimes do not;
- As those that fear they hope, and know they fear.
Enter ROSALIND, SILVIUS, and PHEBE
- ROSALIND
- Patience once more, whiles our compact is urged:
- You say, if I bring in your Rosalind,
- You will bestow her on Orlando here?
- DUKE SENIOR
- That would I, had I kingdoms to give with her.
- ROSALIND
- And you say, you will have her, when I bring her?
- ORLANDO
- That would I, were I of all kingdoms king.
- ROSALIND
- You say, you'll marry me, if I be willing?
- PHEBE
- That will I, should I die the hour after.
- ROSALIND
- But if you do refuse to marry me,
- You'll give yourself to this most faithful shepherd?
- PHEBE
- So is the bargain.
- ROSALIND
- You say, that you'll have Phebe, if she will?
- SILVIUS
- Though to have her and death were both one thing.
- ROSALIND
- I have promised to make all this matter even.

- If she refuse me: and from hence I go,
- To make these doubts all even.
Exeunt ROSALIND and CELIA
- DUKE SENIOR
- I do remember in this shepherd boy
- Some lively touches of my daughter's favour.
- ORLANDO
- My lord, the first time that I ever saw him
- Methought he was a brother to your daughter:
- But, my good lord, this boy is forest-born,
- And hath been tutor'd in the rudiments
- Of many desperate studies by his uncle,
- Whom he reports to be a great magician,
- Obscured in the circle of this forest.
Enter TOUCHSTONE and AUDREY
- JAQUES
- There is, sure, another flood toward, and these
- couples are coming to the ark. Here comes a pair of
- very strange beasts, which in all tongues are called fools.
- TOUCHSTONE
- Salutation and greeting to you all!
- JAQUES
- Good my lord, bid him welcome: this is the
- motley-minded gentleman that I have so often met in
- the forest: he hath been a courtier, he swears.
- TOUCHSTONE
- If any man doubt that, let him put me to my
- purgation. I have trod a measure; I have flattered
- a lady; I have been politic with my friend, smooth
- with mine enemy; I have undone three tailors; I have
- had four quarrels, and like to have fought one.
- JAQUES
- And how was that ta'en up?
- TOUCHSTONE
- Faith, we met, and found the quarrel was upon the
- seventh cause.
- JAQUES
- How seventh cause? Good my lord, like this fellow.
- DUKE SENIOR
- I like him very well.
- TOUCHSTONE
- God 'ild you, sir; I desire you of the like. I
- press in here, sir, amongst the rest of the country
- copulatives, to swear and to forswear: according as
- marriage binds and blood breaks: a poor virgin,
- sir, an ill-favoured thing, sir, but mine own; a poor
- humour of mine, sir, to take that that no man else
- will: rich honesty dwells like a miser, sir, in a
- poor house; as your pearl in your foul oyster.
- DUKE SENIOR
- By my faith, he is very swift and sententious.
- TOUCHSTONE
- According to the fool's bolt, sir, and such dulcet diseases.
- JAQUES
- But, for the seventh cause; how did you find the
- quarrel on the seventh cause?
- TOUCHSTONE
- Upon a lie seven times removed: — bear your body more
- seeming, Audrey: — as thus, sir. I did dislike the
- cut of a certain courtier's beard: he sent me word,
- if I said his beard was not cut well, he was in the
- mind it was: this is called the Retort Courteous.
- If I sent him word again 'it was not well cut,' he
- would send me word, he cut it to please himself:
- this is called the Quip Modest. If again 'it was
- not well cut,' he disabled my judgment: this is
- called the Reply Churlish. If again 'it was not
- well cut,' he would answer, I spake not true: this
- is called the Reproof Valiant. If again 'it was not
- well cut,' he would say I lied: this is called the
- Counter-cheque Quarrelsome: and so to the Lie
- Circumstantial and the Lie Direct.
- JAQUES
- And how oft did you say his beard was not well cut?
- TOUCHSTONE
- I durst go no further than the Lie Circumstantial,
- nor he durst not give me the Lie Direct; and so we
- measured swords and parted.
- JAQUES
- Can you nominate in order now the degrees of the lie?
- TOUCHSTONE
- O sir, we quarrel in print, by the book; as you have
- books for good manners: I will name you the degrees.
- The first, the Retort Courteous; the second, the
- Quip Modest; the third, the Reply Churlish; the
- fourth, the Reproof Valiant; the fifth, the
- Countercheque Quarrelsome; the sixth, the Lie with
- Circumstance; the seventh, the Lie Direct. All
- these you may avoid but the Lie Direct; and you may
- avoid that too, with an If. I knew when seven
- justices could not take up a quarrel, but when the
- parties were met themselves, one of them thought but
- of an If, as, 'If you said so, then I said so;' and
- they shook hands and swore brothers. Your If is the
- only peacemaker; much virtue in If.
- JAQUES
- Is not this a rare fellow, my lord? he's as good at
- any thing and yet a fool.
- DUKE SENIOR
- He uses his folly like a stalking-horse and under
- the presentation of that he shoots his wit.
Enter HYMEN, ROSALIND, and CELIA
Still Music
- HYMEN
- Then is there mirth in heaven,
- When earthly things made even
- Atone together.
- Good duke, receive thy daughter
- Hymen from heaven brought her,
- Yea, brought her hither,
- That thou mightst join her hand with his
- Whose heart within his bosom is.
- ROSALIND
- To DUKE SENIOR To you I give myself, for I am yours.
- To ORLANDO
- To you I give myself, for I am yours.
- DUKE SENIOR
- If there be truth in sight, you are my daughter.
- ORLANDO
- If there be truth in sight, you are my Rosalind.
- PHEBE
- If sight and shape be true,
- Why then, my love adieu!
- ROSALIND
- I'll have no father, if you be not he:
- I'll have no husband, if you be not he:
- Nor ne'er wed woman, if you be not she.
- HYMEN
- Peace, ho! I bar confusion:
- 'Tis I must make conclusion
- Of these most strange events:
- Here's eight that must take hands
- To join in Hymen's bands,
- If truth holds true contents.

- Whiles a wedlock-hymn we sing,
- Feed yourselves with questioning;
- That reason wonder may diminish,
- How thus we met, and these things finish.
- SONG.
- Wedding is great Juno's crown:
- O blessed bond of board and bed!
- 'Tis Hymen peoples every town;
- High wedlock then be honoured:
- Honour, high honour and renown,
- To Hymen, god of every town!
- DUKE SENIOR
- O my dear niece, welcome thou art to me!
- Even daughter, welcome, in no less degree.
- PHEBE
- I will not eat my word, now thou art mine;
- Thy faith my fancy to thee doth combine.
Enter JAQUES DE BOYS
- JAQUES DE BOYS
- Let me have audience for a word or two:
- I am the second son of old Sir Rowland,
- That bring these tidings to this fair assembly.
- Duke Frederick, hearing how that every day
- Men of great worth resorted to this forest,
- Address'd a mighty power; which were on foot,
- In his own conduct, purposely to take
- His brother here and put him to the sword:
- And to the skirts of this wild wood he came;
- Where meeting with an old religious man,
- After some question with him, was converted
- Both from his enterprise and from the world,
- His crown bequeathing to his banish'd brother,
- And all their lands restored to them again
- That were with him exiled.
- DUKE SENIOR
- Welcome, young man;
- Thou offer'st fairly to thy brothers' wedding:
- To one his lands withheld, and to the other
- A land itself at large, a potent dukedom.
- First, in this forest, let us do those ends
- That here were well begun and well begot:
- And after, every of this happy number
- That have endured shrewd days and nights with us
- Shall share the good of our returned fortune,
- According to the measure of their states.
- Meantime, forget this new-fall'n dignity
- And fall into our rustic revelry.
- Play, music! And you, brides and bridegrooms all,
- With measure heap'd in joy, to the measures fall.
- JAQUES
- Sir, by your patience. If I heard you rightly,
- The duke hath put on a religious life
- And thrown into neglect the pompous court?
- JAQUES DE BOYS
- He hath.
- JAQUES
- To him will I : out of these convertites
- There is much matter to be heard and learn'd.
- To DUKE SENIOR
- You to your former honour I bequeath;
- Your patience and your virtue well deserves it:
- To ORLANDO
- You to a love that your true faith doth merit:
- To OLIVER
- You to your land and love and great allies:
- To SILVIUS
- You to a long and well-deserved bed:
- To TOUCHSTONE
- And you to wrangling; for thy loving voyage
- Is but for two months victuall'd. So, to your pleasures:
- I am for other than for dancing measures.
- DUKE SENIOR
- Stay, Jaques, stay.
- JAQUES
- To see no pastime I what you would have
- I'll stay to know at your abandon'd cave.
Exit
- DUKE SENIOR
- Proceed, proceed: we will begin these rites,
- As we do trust they'll end, in true delights.
A dance