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South Park: Bigger, Longer and Uncut (1999) 80m
Those who like to collect SOUTH PARK sound bites for their web pages will have their work cut out for them here. See it with an audience of fans and you'll know what I mean - nearly every line gets a response. It's a rare thing for an animated feature to be more dependent on the script than the animation itself, but that's pretty much the case here. SOUTH PARK: BIGGER, LONGER AND UNCUT is the feature version of the hit cable TV series, and is really quite groundbreaking as animated features go, managing to attract the attention of mainstream boxoffice with scrappy, alternative material. Whether it ever screens on television in any form is another matter completely - this is the worst of the TV show's regular offenses taken to the nth degree. Its two most puerile and irritating characters (a flatulent duo named Terrance and Philip) are the catalyst for the plot, which involves the South Park Elementary School kids sneaking into an R-rated movie and emerging with their vocabulary expanded considerably. The mothers of the children - this is trash imitating life, folks - immediately ask for reprisals to be taken against the film. Of course these are the charges that creators Trey Parker and Matt Stone have been answering for months, and this is their magnificently infantile response. I won't get into any polemic about how SOUTH PARK is setting a bad example for children, because as long as there have been cartoons there have always been sad individuals unable to grasp the concept of animation being an adult entertainment form, and the argument is pointless before it has even begun. Nuff said.
SOUTH PARK is a riot (one line about menstruation kept me laughing for over a minute) but, as is usually the case, its humor is an acquired taste and it does help if you are familiar with the characters. The pretext for getting all the children suddenly swearing is a logical one, given the absence of R-rated language in the television series (even though we all knew they were capable of it). For the first half hour it's funny, but then too much weight is placed on this one idea as the film's central gag. As is often the case with this sort of thing, the initial shock/humor of seeing the grade-schoolers using coarse language becomes routine with overuse. It wouldn't have been self-censoring of Parker and Stone to have edited quite a bit of the 'R' language out, especially in the film's second half. There would have been enough concessions included for series followers to compensate: Kenny's weekly death scene goes beyond the show's standard cut-out animation style into a fluid, three-dimensional afterlife; Cartman gets a reprise of his well-known pejorative ditty about Kyle's mother; there's some truly appalling and tasteless attacks on Saddam Hussein (but he deserves it, the jerk); and one unexpected semi-serious moment involving Kenny near the film's conclusion (which includes a line from BEAVIS AND BUTT-HEAD creator Mike Judge). And then of course there are the songs. As tiresome as these may seem in the Disney films and their imitators (which always slow the plot down with some sappy number in the hopes of netting an Oscar), in SOUTH PARK they are suitably short, funny and punchy, including a LES MISERABLES spoof and a zinger directed at those introspective, soul-searching ballad-monologues (featuring Satan). Surprisingly the songs are pretty good (My favorites would be the opening track and 'Just Say Mm'Kay'). It's too bad they won't be nominated for any Oscars though. I would have loved to have seen the Terrance and Philip number performed at the Academy Awards.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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Related links: index of all rec.arts.movies.reviews reviews


Complex numbers can be created by a mathematical expression (well, that's not too surprising...) which will be parsed by mathjs. This implies that many functions like exp(), sqrt() or trigonometric functions will work, but one should keep in mind that CNum.js does not do any plausibility or nonsense checking.
Wanna use the force? You can do so by entering a complex number into this text field (maybe you would like to try some fancy stuff like 12*exp(2*i)+2i ):
Complex number:
z = new CNum( $("#exprinput").val());
z.setCanvas( $("#canvas") );
z.displayGauss();
Furthermore, CNum can echo the cartesian, trigonometric and polar representation of its complex number (with a tiny bit of html formatting) - the spans in the second column of this table are updated dynamically by the given functions:
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| trigonometric: | |
| polar: |
var o1 = { clear: true, coords: true, circle: false, color: "#F00" };
z1 = new CNum( "2+3i" );
cnv2 = $("#canvas2");
z1.setCanvas( cnv2 );
z1.displayGauss(o1);
// construct another one (z2) - when adding to an existing plot, options
// clear, coords and circle are silently ignored.
var o2 = { clear: false, coords: false, circle: false, color: '#0F0'};
z2 = new CNum( "-2+2i" );
z1.addToPlot( z2, o2 );
// add a third number z3 to the plot and set the color to blue
z3 = new CNum( "-1-3i" );
z1.addToPlot( z3, { color: "#0000F3" });
There are some more possibilities to use a CNum:
If you think your Gaussian plot is a bit boring, you can use colors for arrows, angles or text in your plot.
Several CNums (resp. the complex values they carry) can be plotted on the same canvas by constructing a CNum, displaying its value on an existing canvas (this will create the cartesian axes) and adding other CNums to the same canvas.
Here is an example to give an idea what the class is able to do:
Say, for example, that you want to show addition or multiplication of two complex numbers. The first step will probably be constructing the numbers themselves (read: the CNum objects) and some options describing how to plot them (just to satisfy the gods of aesthetics).
z5 = new CNum( "3+3i" );
z6 = new CNum( "-2+i" );
var Options = {
ReIm: false, Ctext: false, arc: false
};
Everything is set up, plotting the numbers onto a canvas is as simple
as
z5.setCanvas( $("#canvasVectors") );
z5.displayGauss(Options );
z5.addToPlot(z6, Options );
Here is the result: two nice vectors without decoration.
var OptionsResult = {
ReIm: false, Ctext: true,
colarrow: true, color: '#A00',
arc: true
};
Adding or multiplying the complex numbers and plotting the results
is as simple as
z5.setCanvas( $("#canvasAddition") );
z5.addCNum(z6, Options , OptionsResult);
z5.setCanvas( $("#canvasMultiplication") );
z5.multiplyCNum(z6, Options , OptionsResult);


Loyce Gayo is a Tanzanian born slampoet, singer, teaching artist and activist who is currently based in Houston, TX. Gayo is profoundly influenced by her experience in the African Diaspora and uses her craft to celebrate the journey of a people dispersed. She also uses her voice to advocate for the empowerment of marginalized people by supporting local efforts and organizations. Gayo was the slam champion of the UT Spitshine poetry slam team who won the 2014 Collegiate Union Poetry Slam Invitational (CUPSI). Her work has been featured on Button Poetry, Write About Now, Badilisha Poetry, and PBS. She also teaches creative writing for Writers in the Schools, Houston.
- Ariana Brown
Competed at the annual College Union Poetry Slam Invitational in New York City, as a member of the first Univeristy of Texas of Austin's poetry slam team, Spitshine.
Competed at the annual College Union Poetry Slam Invitational in Boulder, Colorado, as a member of the Univeristy of Texas of Austin's Spitshine team, winning the competition.
Competed at the international youth poetry festival, Brave New Voices as a member of the Austin's TheySpeak poetry slam team.
Led a series of poetry and creative writing workshops at Alliance Francaise in Dar-Es-Slaam
Performed in a collaborative exhibit on the African Diaspora, featuring works from Hakeem Adewumi and Moyo Oyelola.


Basketball
I love to play basketball. Which is one of my main hobbies.
I love to play basketball. Which is one of my main hobbies.
I enjoy riding a bike and to feel the wind.
Take me to classic bikes.
Since I was a kid riding on the motorcycles is what I like.
I found it cool when I see a retro or old school bikes.
Late road trip Bike. "Whoop Whoop"
Within the troad trip, one of my destiniation is a coffee shop where I can have a cup of coffe and relax at the same time.
I'm a part of Theater guild in NU-Asia Pacific College.
I encountered as a talent model for Nip's Television Commercial (TVC).
In the middle of summer I take the chance to join thw Summer Acting workshop in Teatré Phileo.
Every time I play basketball. I thing of this is my last time of playing.


This SRFI defines keyword objects, a
data type similar to Scheme symbols. Keyword objects have the same
lexical syntax as symbols but they must end in a colon. Moreover keyword
objects are self-evaluating. Procedures for converting between strings
and keyword objects (string->keyword
and
keyword->string
) and a type predicate (keyword?
) are
defined. Finally this SRFI specifies the changes to the Scheme lexical
syntax required to accomodate keywords.


Registering for GST might be mandatory for your business. Even if GST registration is optional there are aspects you should consider when deciding if your business will be registered for GST.


Whenever I watch a Ghibli film, I have at least one moment during the film where I want to gobble up all the food shown. Yum.
If you are looking for some some of the top Ghibli food shots, here are a few worth checking:
- Ponyo
- Spirited Away
- My Neighbor Totoro
If you are looking to recreate one of these meals in real life, checkout this video:
If you are looking for a Ghibli food that is much easier on the eyes, checkout
this Buzzfeed post
You will see this page actually fits your browser window, has a comment section and allows you to browse to other fun content.


Interface IGameObject
Assembly: GoRogue.dll
Syntax
public interface IGameObject : IHasID, IHasLayer, IHasComponents
Properties
|
Improve this Doc
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CurrentMap
Declaration
Property Value
|
Improve this Doc
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IsStatic
Declaration
Property Value
| Type |
Description |
| System.Boolean |
|
|
Improve this Doc
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IsTransparent
Declaration
bool IsTransparent { get; set; }
Property Value
| Type |
Description |
| System.Boolean |
|
|
Improve this Doc
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IsWalkable
Declaration
bool IsWalkable { get; set; }
Property Value
| Type |
Description |
| System.Boolean |
|
|
Improve this Doc
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Position
Declaration
Coord Position { get; set; }
Property Value
Methods
|
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MoveIn(Direction)
Declaration
bool MoveIn(Direction direction)
Parameters
Returns
| Type |
Description |
| System.Boolean |
|
|
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OnMapChanged(Map)
Internal use only, do not call manually! Must, at minimum, update the CurrentMap field of the
IGameObject to reflect the change.
Declaration
void OnMapChanged(Map newMap)
Parameters
| Type |
Name |
Description |
| Map |
newMap |
New map to which the IGameObject has been added.
|
Events
|
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Moved
Declaration
event EventHandler<ItemMovedEventArgs<IGameObject>> Moved
Event Type
Extension Methods


{% extends 'base.html' %} {% block content %}
Make a get request to endpoint: "/get-token" to recieve your token onces you have successfully signed up.
TokenTask, that sends the average rating of each movie to all of the admins, at midnight daily
NotificationsA Database Diagram to show the Tables made in Backend and their Relationship
View ER Diagram


'3 Black Chicks Review...'
FREQUENCY (2000) Rated PG-13; running time 124 minutes Genre: Drama/Sci-fi IMDB site: http://us.imdb.com/Title?0186151 Official site: http://www.frequencymovie.com/ Written by: Toby Emmerich Directed by: Gregory Hoblit Starring: Dennis Quaid, Jim Caviezel, Elizabeth Mitchell, Andre Braugher, Noah Emmerich, Shawn Doyle, Daniel Henson, Stephen Joffe, Michael Cera
Review Copyright Rose Cooper, 2000 Review URL: http://www.3blackchicks.com/bamsfrequency.html
Some movies are easy to pick or pan; their brightly shining goodness (KEEPING THE FAITH) or dull, throbbing badness (WHERE THE MONEY IS) make it easy for me as a movie critic to greenlight those that I'd recommend my readers rush out to see, or redlight those that should be taken out with the day's garbage.
And then there are flicks like FREQUENCY; movies that have Issues that prevent me from giving them an unqualified greenlight, but that I still liked well enough to not apply the slow-your-roll brakes on for a yellowlight rating. These are the movies, indeed, that make writing my reviews all the more hard. Thus, I'm writing this on Sunday afternoon instead of last night after I came back from the theater, which allowed me to sleep on it.
But enough of this filler; on with the show.
The Story (WARNING: **spoilers contained below**): The pretty lights in the sky--the storm known as the aurora borealis--have a surprise in store John Sullivan (Jim Caviezel), a Queens cop who still mourns the death of his father Frank (Dennis Quaid) 30 years past. As the movie opens, John, his best friend Gordo (Noah Emmerich), and Gordo's son Gordy Jr. (Michael Cera) discover a chest belonging to Frank, a firefighter during 1969; the chest contains a shotgun, pictures of his father--and a ham radio ("so this is what people used before the net, huh?") that will link him to his father in ways he never believed could happen.
The radio allows John to reach out to his past and change it, affecting the lives of not only he and his father, but also of his mother Julia (Elizabeth Mitchell), the young Gordo of his past (Stephen Joffe), John's current boss and his father's best friend, Satch DeLeon (Andre Braugher), and even John himself as a young boy (Daniel Henson). But changes made in the past have a direct effect on the future--John's present time--and because of these changes, a serial killer may have been allowed another chance to kill again.
The Upshot: Issues, Issues, everywhere...
Issue #1: the movie's treatment of the concept of time travel, through what writer Toby Emmerich (brother of Noah, who plays Gordo) calls "multiverses". If you can't get past this concept and suspend your disbelief from the start, you will likely not be able to enjoy this flick. I got past it, though I still have questions about how "multiverses" effect some parts of the character's lives, but not others. For instance, in a scene shown in the movie's trailer **[MINOR SPOILER AHEAD]**, a big deal is made of the 1969 Frank putting his wallet in a common area for the 1999 John to find (immediately, not "in the future". These notes are gonna make me dizzy); similar situations occur throughout the movie. That's all well and good--but if that's the case, why don't other everyday changes to the environment from "now-time" 1969, affect the now of 1999? (Yeah, definitely dizzy). Shouldn't simple things like the 1969 Sullivans taking items in and out of the refrigerator, making the bed, or even going to the bathroom (ugh), leave marks on the 1999 Sullivans' lives? Hmmm... **[END MINOR SPOILER]**
Issue #2: the way director Gregory Hoblit chose to let the viewer know there was some Important! Stuff! about to happen. Hoblit all too often hit the audience the dreaded Whifflebat Of Exposition, by way of using closeups on things that Joe Viewer should pay close attention to, as they would be of great import later on in the story. There's an aurora borealis storm out tonight...wham! And look! at that dead cop's name...wham! And watch...wham!...things drop...wham!...simultaneously... wham!...in slow motion...WHAM-0! But even with that Whifflebat hitting me upside the head as often as it did, I still missed a couple of key sequences that left me wondering what was going on at certain points in the movie. Lucky for me, my husband caught me up afterwards.
Issue #3: Call me picky, but if you're gonna begin with one premise--that using a ham radio requires you to hold down the talk button ("keying") to transmit--you damn well should stick with that premise. I'd rather be asked to believe that you don't key the mike to talk, than to have characters start keying at first, but later have radio conversations from clear across the room with no microphone in sight, much less actually pushing the damn button. Hey, I've walked out on movies for less; I cannot stand having my intelligence insulted, and this singular detail pushed my buttons.
With all those Issues in the way, you might think I didn't like the movie, but actually, I did. Though it wasn't great, it was good enough to keep me interested in what was going on; and the sense of sincerity that came across from the actors--especially Dennis Quaid and Jim Caviezel--made it convincing, even if it's a bit far-fetched. Given the nature of the parts they're playing, a father and son caught up in what seems like an implausible situation, Quaid and Caviezel go beyond the gimmickry in science fantasy, making the viewer believe that they have genuine affection for one another. It borders on saccharine at times, but the movie rarely suffers for the melodrama inherent in such a tale.
The supporting players, especially Noah Emmerich as the humorous yet never buffoonish Gordo, and Shawn Doyle in a particularly slimy but pivotal role, did well in their parts; and the younger versions of John and Gordo (Daniel Henson and Stephen Joffe) never came off as typical bratty movie kids. The special effects and opening titles were well-done, and the attention paid to story-continuity, except with regards to one character (noted below), was noteworthy. And if nothing else, FREQUENCY succeeds because it does leave the viewer pondering the question at its base: "What if...?"
The "Black Factor" [ObDisclaimer: We Are Not A Monolith]: Issue #4: One of the best actors you've Never Seen--Andre Braugher as Satch DeLeon cum "Frank Pembleton".
Three side issues regarding Braugher, actually: one, his was the only character that did not age well. Given that there were 30 years between the time that he knew both Sullivan men, Satch should have looked a lot older than he did in his scenes with Caviezel. Most of the other characters aged correctly, but except for a few bags under his eyes and a gray hair or two, there was hardly any noticeable change in Satch. It bothered me that I had to be reminded of last week's Rules Of Engagement when watching this movie; on both movie sets, whoever dropped the ball in Makeup, needed to be whupped.
Two, the bizarre decision to cast Braugher as a cop here; after watching him work magic in "The Box" as Detective Pembleton on NBC-TV's HOMICIDE: LIFE ON THE STREET, it was extremely disconcerting to see his character placed in much the same situation--and even dressed the same way, complete with Pembleton-like suspenders. It was downright rude that, in this similar role, he had to address someone else as "Frank"--his character's name on the TV show. And it was a criminal act when one interrogation scene with Satch and John bore shades of Frank and the execrable Falsone from "Homicide". It felt like I was having a bad LSD flashback--and I've never touched the stuff.
And three, you've "never seen" this actor play to his full potential, unless like me you've seen him in "Homicide", or in the Spike Lee Joint, GET ON THE BUS. More's the pity--because Braugher's one baaad mutha [shut yo' mouth], when he's allowed to cut loose. Forget the conditional "Black"; he's one of the best actors out there, period. Here's to Braugher, being Seen.
Bammer's Bottom Line: FREQUENCY had lots of plot holes, and some things that made my eyes roll; and casting Andre Braugher in a very Frank Pembleton-like role, was unnecessarily confusing as far as this former "Homicide" viewer is concerned. But it was interesting enough to have my husband and I discuss it for almost an hour after we saw it, so I'm giving it a qualified greenlight. Not great, and the science (fiction) is iffy, but the special effects were very well done, and the audience was cheering and crying in all the right spots. It's certainly worth a look-see.
FREQUENCY (rating: greenlight): But stop me before I say something corny like "received transmission loud and clear".
3 Black Chicks...Movie Reviews With Flava! /~\ Rose "Bams" Cooper /','\ 3BlackChicks Enterprises /','`'\ Copyright Rose Cooper, 2000 /',',','/`, EMAIL<EMAIL_ADDRESS>ICQ: 7760005 `~-._'c / http://www.3blackchicks.com/ `\ ( http://www.evenbetter.com/?partner=1987 /====\
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


A set of active directions.
The Faces type represents a set of directions, on three orthogonal axes, that are considered active. Corresponds to the Faces type in Roblox.
Creates a new Faces with components set directly from each argument.
The fromComponents constructor returns a new Faces value, with each argument setting the corresponding component.
Creates a new Faces with components set from a number of values.
The new constructor returns a new Faces value. Each valid argument sets a component of the value, depending on the type:
"Axis"
, and item name is one of the following:
"X"
: sets Right and Left."Y"
: sets Top and Bottom."Z"
: sets Back and Front."NormalId"
, and item name is "Right"
,
"Top"
, "Back"
, "Left"
,
"Bottom"
, or "Front"
.0
: sets Right.1
: sets Top.2
: sets Back.3
: sets Left.4
: sets Bottom.5
: sets Front."Right"
, "Top"
,
"Back"
, "Left"
, "Bottom"
, or
"Front"
.Whether the back face is active.
The Back field returns whether the back face is active.
Whether the bottom face is active.
The Bottom field returns whether the bottom face is active.
Whether the front face is active.
The Front field returns whether the front face is active.
Whether the left face is active.
The Left field returns whether the left face is active.
Whether the right face is active.
The Right field returns whether the right face is active.
Whether the top face is active.
The Top field returns whether the top face is active.
Returns whether two Faces values are equal.
The equal operator returns true if both operands are Faces, and each corresponding component is equal.


Ethiopia 0-2 Kenya: Harambee Starlets Begin Cecafa Women’s Championship On High
by Bonface OsanoKenya’s Harambee Starlets 2-0 in their opening group match in the ongoing Cecafa Women’s Championship in Tanzania on Sunday.
After a barren first half, Jentrix Shikangwa opened the scoring in the 79th minute before Cynthia Shilwatso doubled the lead in the 82nd minute.
Starlets will face Djibouti in their next Group B fixture.


Protorabbit Monitor Configuration
Components
Resources
Statistics
Home
Can Record Stats :
Stats Recording :
(
)


Issue #846
This test-case is intended for Issue #846
- Wrong data with XMLHttpRequest.
Jan Odvarko<EMAIL_ADDRESS>- Click on the Generate Requests button. It will start to generate 5 requests.
- Wait till all the requests are finished. Watch this status:
Not started yet
- Activate the Console panel and check all responses. They should be all different (it's time stamp).


Test nanoSQL
Test alaSQL
Everything is in the console, not much to see here just a scratchpad to test queries with.


HOLY CHILD CATHOLIC SECONDARY SCHOOL, ADO-EKITI.
VALEDICTORY SERVICE, 2015 SET.
GRACIT FOUNDATION
TGIM: Thank God It's Monday


Nokia 9 PureView drops to the lowest of $379 in the US
by NayanNokia 9 PureView has dropped to the lowest ever pricing of $379 in the US at retailer B&H. This price is without need of any activation and that certainly makes it a great deal.
Nokia 9 PureView price has seen many drops recently and $379 means a discount of $320 on the official price.
Nokia 9 PureView Penta-Lens camera packs features like five simultaneous shots, 10 times more light capture, an incredible amount of details, Refocus in Google Photos and more. It comes with 5.99-inch, 2K resolution PureDisplay with HDR10 support, in-display fingerprint sensor, Snapdragon 845 and 6GB RAM/128GB ROM. You can read all Nokia 9 specs and features in detail at our dedicated page.


| G.A.R. 10 |
| [ See Note 2 below rule 34 ] |
| BILL TRANSIT REGISTER |
|
| Name of the Ministry/Department/Office |
.......................................................................................... |
|
| Sl.No. |
Particulars of the Bill |
Net Amount |
Initials of Drawing & Disbursing Officer |
Token No. allotted by the Pay & A/cs. Office/Cheque drawing DDO |
Dated initials of the receiving official in the P&AO/ Cheque drawing D.D.O. |
Remarks |
| 1 |
2 |
3 |
4 |
5 |
6 |
7 |
| |
|
|
|
|
|
|
|
| Notes: |
| 1. Column 2: Entries should indicate the No. and Date of the Bill and the nature of the claims viz. Establishment
Pay Bill, T.A. Bill, Contingent Bill etc. and in the caw of self drawing officers their names.
|
| 2. Column 5 and 6: Entries to be made by the P.A.O./Cheque Drawing D.D.O' |
| 3. Column 7: (i) On receipt of payment by cheque, the D.D.O. will make the entry 'Payment
received'. The register should be reviewed by making the entries in Column 7 to ensure than
unauthorised bills are not presented and encashed. |
| (ii) On return of a bill unpassed by the PAO etc., the DDO shall note the fact
against the relevant entry under his dated initials. If presented again, the bill should
bear a new serial number. |


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HOBBIES
my interests
Apart from my interest in technology, my hobbies include martial arts particularly tae-kwon-do. I attained a blue belt in this field during my early teenage years.I intend to continue with this intrest as martial arts has taught me courtesy,integrity,persevearance,selfcontrol as well as aided the building of my indominatable spirit.
In addition to that, i enjoy swimming,photography,community service and travelling.For photography my major models are flora and fauna..I enjoy mostly taking potraits of my eight year old crossbreed Doberman-Rotweiller.I find photography very interesting because it is a visual expression of thought as a "picture is worth a thousand words"
YOU ONLY LIVE ONCE.So aside from your normal 8-5's go have some fun and relax your brain.You have worked hard.YOU ARE ENOUGH!


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Venice's St. Mark's Square re-opens after worst flooding in decades
Venice’s famous St. Mark’s Square has been re-opened to residents and tourists after it was closed due to a series of high tidal waters that devastated the city centre.
On Saturday, the public returned to the square to slosh in the remaining shallow water and stroll around, following almost a week of the worst flooding the city has seen in decades.
Despite sunny skies, the city remained on edge due to possibly more wind-propelled high tidal waters during the weekend, as the water began to rise again in the square.
At noon on Saturday the square was inundated with more than 8 inches of water.

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The weather forecast for Sunday is even worse and the high water mark is expected to reach 5.2ft above sea level.
Late on Tuesday, water levels in the historic Italian city reached 6ft 1in above sea level, resulting in its worst floods since 1966.
Luigi Brugnaro, the city’s mayor, estimated damages from the flooding would reach at least €1 billion (£856,192,063) but the final figures are yet to be calculated.
‘Venice is once again being watched by the world and it needs to show that it can succeed and pick itself back up,’ the mayor told Gazzettino and Messaggero newspapers.
The mayor added that programmes were being set up to help compensate residents, with families expecting to receive up to €5,000 (£4,317) and businesses up to €20,000 (£17,123).
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Among those recovering from Tuesday’s devastating high waters was Sabrina Laggia and her husband Alfredo, who own a stone jewelry workshop near St. Mark’s Square.
She was dreading forecasts for more high water on Sunday, adding: ‘We have been here 30 years and we have never seen anything like this’.
Alfredo said they used to feel safe if the forecast said anything up to 4.6ft but they were shocked when it surged way above that on Tuesday night.
They spent the night moving their creations to higher shelves in their store but when the levels rose so high there was no way of saving them.
On Thursday, the government declared a state of emergency, approving €20 million (£17,123,841) to help Venice repair the most urgent damage.
Built on a series of tiny islets amid a system of canals, Venice is particularly vulnerable to a combination of rising sea levels due to climate change coupled with the city’s well-documented sinking into the mud.
The sea level in Venice is 4 inches higher than it was 50 years ago, according to the city’s tide office.
This week’s devastation has left Italians exasperated at the long delay in building the city’s Moses flood defence project.
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Moses consists of a series of movable barriers in the lagoon that can be raised when high winds and high tides combine to threaten to send high tides rushing across the city.
Completion of the multibillion-euro project, under construction since 2003, has been delayed by corruption scandals, cost overruns and opposition from environmentalists worried about its effects on Venice’s delicate lagoon ecosystem.
‘They need to finish the Moses tomorrow,’ said Sabrina Laggia. ‘Not next year.’
Got a story for Metro.co.uk?
Get in touch with our news team by emailing us at<EMAIL_ADDRESS>For more stories like this, check our news page.


SMBGET(1) User Commands SMBGET(1) NAME smbget - wget-like utility for download files over SMB SYNOPSIS smbget [-a, --guest] [-r, --resume] [-R, --recursive] [-u, --username=STRING] [-p, --password=STRING] [-w, --workgroup=STRING] [-n, --nonprompt] [-d, --debuglevel=INT] [-D, --dots] [-P, --keep-permissions] [-o, --outputfile] [-f, --rcfile] [-q, --quiet] [-v, --verbose] [-b, --blocksize] [-O, --stdout] [-?, --help] [--usage] {smb://host/share/path/to/file} [smb://url2/] [...] DESCRIPTION This tool is part of the samba(7) suite. smbget is a simple utility with wget-like semantics, that can download files from SMB servers. You can specify the files you would like to download on the command-line. The files should be in the smb-URL standard, e.g. use smb://host/share/file for the UNC path \\\\HOST\\SHARE\\file. OPTIONS -a, --guest Work as user guest -r, --resume Automatically resume aborted files -R, --recursive Recursively download files -u, --username=STRING Username to use -p, --password=STRING Password to use -w, --workgroup=STRING Workgroup to use (optional) -n, --nonprompt Don´t ask anything (non-interactive) -d, --debuglevel=INT Debuglevel to use -D, --dots Show dots as progress indication -P, --keep-permissions Set same permissions on local file as are set on remote file. -o, --outputfile Write the file that is being downloaded to the specified file. Can not be used together with -R. -O, --stdout Write the file that is being downloaded to standard output. -f, --rcfile Use specified rcfile. This will be loaded in the order it was specified - e.g. if you specify any options before this one, they might get overridden by the contents of the rcfile. -q, --quiet Be quiet -v, --verbose Be verbose -b, --blocksize Number of bytes to download in a block. Defaults to 64000. -?, --help Show help message --usage Display brief usage message SMB URLS SMB URL´s should be specified in the following format: smb://[[[domain;]user[:password@]]server[/share[/path[/file]]]] smb:// means all the workgroups smb://name/ means, if name is a workgroup, all the servers in this workgroup, or if name is a server, all the shares on this server. EXAMPLES # Recursively download ´src´ directory smbget -R smb://rhonwyn/jelmer/src # Download FreeBSD ISO and enable resuming smbget -r smb://rhonwyn/isos/FreeBSD5.1.iso # Recursively download all ISOs smbget -Rr smb://rhonwyn/isos # Backup my data on rhonwyn smbget -Rr smb://rhonwyn/ BUGS Permission denied is returned in some cases where the cause of the error is unknown (such as an illegally formatted smb:// url or trying to get a directory without -R turned on). VERSION This man page is correct for version 3 of the Samba suite. AUTHOR The original Samba software and related utilities were created by Andrew Tridgell. Samba is now developed by the Samba Team as an Open Source project similar to the way the Linux kernel is developed. The smbget manpage was written by Jelmer Vernooij. Samba 3.6 06/22/2012 SMBGET(1)


Create a Lambda function with the console
In the following getting started exercises, you create Lambda functions using the console.
In the first exercise, you create a function and use the default code that Lambda creates. The Lambda console provides a code editor for non-compiled languages that lets you modify and test code quickly.
In the next exercise, you create a function defined as a container image. First, create a container image for your function code, and then use the Lambda console to create a function from the container image.
Topics
Create a Lambda function with default function code
In this getting started exercise, you create a Node.js Lambda function using the Lambda console. Lambda automatically creates default code for the function. Next, you manually invoke the Lambda function using sample event data. Lambda runs the function and returns results. You then verify the results, including the logs that your Lambda function created and various Amazon CloudWatch metrics.
To create a Lambda function with the console
-
Open the Functions page
on the Lambda console. -
Choose Create function.
-
Under Basic information, do the following:
-
For Function name, enter
my-function
. -
For Runtime, confirm that Node.js 14.x is selected.
-
-
Choose Create function.
Lambda creates a Node.js function and an execution role that grants the function permission to upload logs. The Lambda function assumes the execution role when you invoke your function, and uses the execution role to create credentials for the AWS SDK and to read data from event sources.
Use the designer
The Designer shows an overview of your function and its upstream and downstream resources. You can use it to configure triggers, layers, and destinations.
Choose my-function in the designer to return to the function's code and configuration. For scripting languages, Lambda includes sample code that returns a success response. You can edit your function code with the embedded AWS Cloud9 editor as long as your source code doesn't exceed the 3 MB limit.
Invoke the Lambda function
Invoke your Lambda function using the sample event data provided in the console.
To invoke a function
-
In the upper right corner, choose Test.
-
In the Configure test event dialog box, choose Create new test event. In Event template, leave the default Hello World option. Enter an Event name and note the following sample event template:
{ "key1": "value1", "key2": "value2", "key3": "value3" }
You can change keys and values in the sample JSON, but don't change the event structure. If you do change any keys and values, you must update the sample code accordingly.
-
Choose Create, and then choose Test. Each user can create up to 10 test events per function. Those test events are not available to other users.
Lambda runs your function on your behalf. The function handler receives and then processes the sample event.
-
Upon successful completion, view the results in the console.
-
The Execution result section (below the Test button) shows the execution status as succeeded. To view the function execution results, expand Details. Note that the logs link opens the Log groups page in the CloudWatch console.
-
The Summary section shows the key information reported in the Log output section (the REPORT line in the execution log).
-
The Log output section shows the log that Lambda generates for each invocation. The function writes these logs to CloudWatch. The Lambda console shows these logs for your convenience. Choose Click here to add logs to the CloudWatch log group and open the Log groups page in the CloudWatch console.
-
-
Run the function (choose Test) a few more times to gather some metrics that you can view in the next step.
-
Near the top of the page, choose the Monitoring tab. This page shows graphs for the metrics that Lambda sends to CloudWatch.
For more information on these graphs, see Monitoring functions in the AWS Lambda console.
Clean up
If you are done working with the example function, delete it. You can also delete the log group that stores the function's logs, and the execution role that the console created.
To delete a Lambda function
-
Open the Functions page
on the Lambda console. -
Choose a function.
-
Choose Actions, Delete.
-
In the Delete function dialog box, choose Delete.
To delete the log group
-
Open the Log groups page
of the CloudWatch console. -
Select the function's log group (
/aws/lambda/my-function
). -
Choose Actions, Delete log group(s).
-
In the Delete log group(s) dialog box, choose Delete.
To delete the execution role
-
Open the Roles page
of the AWS Identity and Access Management (IAM) console. -
Select the function's role (
my-function-role-
).31exxmpl
-
Choose Delete role.
-
In the Delete role dialog box, choose Yes, delete.
You can automate the creation and cleanup of functions, log groups, and roles with AWS CloudFormation and the AWS Command Line Interface (AWS CLI). For fully functional sample applications, see Lambda sample applications.
Create a function defined as a container image
In this getting started exercise, you use the Docker CLI to create a container image and then use the Lambda console to create a function from the container image.
Topics
Prerequisites
To complete the following steps, you need a command line terminal or shell to run commands. Commands and the expected output are listed in separate blocks:
this is a command
You should see the following output:
this is output
For long commands, an escape character (\
) is used to split a command over multiple lines.
On Linux and macOS, use your preferred shell and package manager. On Windows 10, you
can install the Windows Subsystem for Linux
This exercise uses Docker CLI commands to create the container image. To install the
Docker CLI, see Get Docker
Create the container image
AWS provides a set of base images in the Amazon Elastic Container Registry (Amazon ECR). In this getting started exercise, we use the Node.js base image to create a container image. For more information about base images, see AWS base images for Lambda.
In the following commands, replace<PHONE_NUMBER>12
with your AWS account ID.
To create an image using the AWS Node.js 12 base image
-
On your local machine, create a project directory for your new function.
-
Create a file named
app.js
in your project directory. Add the following code toapp.js
:exports.handler = async (event) => { // TODO implement const response = { statusCode: 200, body: JSON.stringify('Hello from Lambda!'), }; return response; };
-
Use a text editor to create a new file named
Dockerfile
in your project directory. Add the following content toDockerfile
:FROM public.ecr.aws/lambda/nodejs:12 # Copy function code and package.json COPY app.js package.json /var/task/ # Install NPM dependencies for function RUN npm install # Set the CMD to your handler CMD [ "app.handler" ]
-
Create the
package.json
file. From your project directory, run thenpm init
command. Accept all of the default values:npm init
-
Build your Docker image. From your project directory, run the following command:
docker build -t hello-world .
-
(Optional) AWS base images include the Lambda runtime interface emulator, so you can test your function locally.
-
Run your Docker image. From your project directory, run the
docker run
command:docker run -p 9000:8080 hello-world:latest
-
Test your Lambda function. In a new terminal window, run a
curl
command to invoke your function:curl -XPOST "http://localhost:9000/2015-03-31/functions/function/invocations" -d '{}'
-
Upload the image to the Amazon ECR repository
-
Authenticate the Docker CLI to your Amazon ECR registry.
aws ecr get-login-password --region
us-east-1
| docker login --username AWS --password-stdin123456789012
.dkr.ecr.us-east-1
.amazonaws.com -
Create a repository in Amazon ECR using the
create-repository
command.aws ecr create-repository --repository-name hello-world --image-scanning-configuration scanOnPush=true --image-tag-mutability MUTABLE
-
Tag your image to match your repository name using the
docker tag
command.docker tag hello-world:latest
123456789012
.dkr.ecr.us-east-1
.amazonaws.com/hello-world:latest -
Deploy the image to Amazon ECR using the
docker push
command.docker push
123456789012
.dkr.ecr.us-east-1
.amazonaws.com/hello-world:latest
Update the user permissions
Make sure that the permissions for the IAM user or role that creates the function
contain the AWS
managed policies GetRepositoryPolicy
and SetRepositoryPolicy
. For information about
access policies, see Access
Management in the IAM User Guide
For example, use the IAM console to create a role with the following policy:
{ "Version": "2012-10-17", "Statement": [ { "Sid": "VisualEditor0", "Effect": "Allow", "Action": ["ecr:SetRepositoryPolicy","ecr:GetRepositoryPolicy"], "Resource": "arn:aws:ecr:<region>:<account>:repository/<repo name>/" } ] }
Create a Lambda function defined as a container image
Use the Lambda console to create a function defined as a container image.
To create the function with the console
-
Open the Functions page
on the Lambda console. -
Choose Create function.
-
Choose the Container image option.
-
Under Basic information, do the following:
-
For Function name, enter
my-function
. -
For Container image URI, enter the URI of the Amazon ECR image that you created previously.
-
-
Choose Create function.
Lambda creates your function and an execution role that grants the function permission to upload logs. Lambda assumes the execution role when you invoke your function, and uses the execution role to create credentials for the AWS SDK and to read data from event sources.
Invoke the Lambda function
Invoke your Lambda function using the sample event data provided in the console.
To invoke a function
-
In the upper right corner, choose Test.
-
In the Configure test event dialog box, choose Create new test event. In Event template, leave the default Hello World option. Enter an Event name and note the following sample event template:
{ "key1": "value1", "key2": "value2", "key3": "value3" }
-
Choose Create, and then choose Test. Each user can create up to 10 test events per function. Those test events are not available to other users.
Lambda runs your function on your behalf. The function handler receives and then processes the sample event.
-
Upon successful completion, view the results in the console.
-
The Execution result section (below the Test button) shows the execution status as succeeded. To view the function execution results, expand Details. Note that the logs link opens the Log groups page in the CloudWatch console.
-
The Summary section shows the key information reported in the Log output section (the REPORT line in the execution log).
-
The Log output section shows the log that Lambda generates for each invocation. The function writes these logs to CloudWatch. The Lambda console shows these logs for your convenience. Choose Click here to add logs to the CloudWatch log group and open the Log groups page in the CloudWatch console.
-
-
Run the function (choose Test) a few more times to gather some metrics that you can view in the next step.
-
Near the top of the page, choose the Monitoring tab. This page shows graphs for the metrics that Lambda sends to CloudWatch.
For more information on these graphs, see Monitoring functions in the AWS Lambda console.
Clean up
If you are finished with the container image, see Deleting an image in the Amazon Elastic Container Registry User Guide
If you are done working with your function, delete it. You can also delete the log group that stores the function's logs and the execution role that the console created.
To delete a Lambda function
-
Open the Functions page
on the Lambda console. -
Choose a function.
-
Choose Actions, Delete.
-
In the Delete function dialog box, choose Delete.
To delete the log group
-
Open the Log groups page
of the CloudWatch console. -
Select the function's log group (
/aws/lambda/my-function
). -
Choose Actions, Delete log group(s).
-
In the Delete log group(s) dialog box, choose Delete.
To delete the execution role
-
Open the Roles page
of the IAM console. -
Select the function's role (
my-function-role-31exxmpl
). -
Choose Delete role.
-
In the Delete role dialog box, choose Yes, delete.
You can automate the creation and cleanup of functions, log groups, and roles with AWS CloudFormation and the AWS CLI. For fully functional sample applications, see Lambda sample applications.


All universities and colleges have a visual identity composed of their specific colours and typefaces. This enables all publications from a given university to have a cohesive theme and be immediately identifiable.
hueniverrrsity is a package designed to apply the visual themes of four Canadian Universities to ggplot2 objects. The package currently supports the visual identities of University of Alberta, McGill University, the University of Toronto, and the University of British Columbia.
theme_alberta()
- Applies the U of A visual identity to ggplot2 objects. Input:
colour_use
: fill
or colour
colour_use = colour
for geom_point()
and geom_line()
colour_use = fill
for geom_boxplot()
, geom_bar()
, geom_violin()
and geom_histogram()
colour_palette
: alpha
, beta
, gamma
or delta
colour palettes are different colour combinations specified in the U of A visual identity theme_mcgill()
- Applies the McGill visual identity to ggplot2 objects.
Input:
colour_use
: fill
or colour
colour_use = colour
for geom_point()
and geom_line()
colour_use = fill
for geom_boxplot()
, geom_bar()
, geom_violin()
and geom_histogram()
theme_toronto()
- Applies the U of T visual identity to ggplot2 objects.
Input:
colour_use
: fill
or colour
colour_use = colour
for geom_point()
and geom_line()
colour_use = fill
for geom_boxplot()
, geom_bar()
, geom_violin()
and geom_histogram()
colour_palette
: vibrant
, cool
or awards
colour palettes are different colour combinations specified in the U of T visual identity theme_ubc()
- Applies the UBC visual identity to ggplot2 objects.
Input:
colour_use
: fill
or colour
colour_use = colour
for geom_point()
and geom_line()
colour_use = fill
for geom_boxplot()
, geom_bar()
, geom_violin()
and geom_histogram()
# Create scatter plot
ggplot(data=mtcars, aes(x = hp, y = mpg, colour = as.factor(cyl))) +
geom_point(size = 3, alpha = 0.8) +
theme_alberta('colour', 'beta')
# Create density plot
ggplot(data = mtcars, aes(x = hp, fill = as.factor(cyl))) +
geom_density(alpha = 0.8) +
theme_alberta('fill', 'delta')
# Create scatter plot
ggplot(data = mtcars, aes(x = hp, y = mpg, colour = as.factor(cyl))) +
geom_point(size = 3, alpha = 0.8) +
theme_mcgill('colour')
# Create density plot
ggplot(data = mtcars, aes(x = hp, fill = as.factor(cyl))) +
geom_density(alpha=0.8) +
theme_mcgill('fill')
# Create scatter plot
ggplot(data = mtcars, aes(x = hp, y = mpg, colour = as.factor(cyl))) +
geom_point(size = 2.5) +
theme_toronto('colour', 'vibrant')
# Create density plot
ggplot(data = mtcars, aes(x = hp, fill = as.factor(cyl))) +
geom_density(alpha = 0.8) +
theme_toronto('fill', 'awards')


| Asset | Status | Address | Credential |
|---|
$def with () $var jsfiles: assetEdit.js managePageCommon.js tags.js $var cssfiles:
The Manage Assets screen allows administrators to modify, add and delete Assets.
Unlike Cloud instances, Assets are physical and persistent devices on which Tasks can perform work.
Select one or more Assets from the list to the right, using the checkboxes. Select an action to modify or delete the Assets you've selected.
Click here for a more detailed introduction on Assets.
| Asset | Status | Address | Credential |
|---|
| Asset Name | |
| Status | |
| Address | |
| DB Name | |
| Port | |
| Connection String |
| Name | Username | Domain | Description |
|---|
| Username | |
| Domain | |
| Password | |
| Password Confirm | |
| Privileged Mode Password | |
| Password | |
| Password Confirm |
| Are you sure you want to delete these Assets? |


Blow For Chiefs’ Title Contenders
by Soccer LadumaSuperSport United have a chance to close the gap on Kaizer Chiefs this weekend with the Glamour Boys not in action, but they have been dealt a blow for their game.
Read: Chiefs Boss - ‘We Have To Look Back And See…’
Jamie Webber may be only 21-years-old, but the young midfielder has played in all but three of Matsatsantsa’s 12 Absa Premiership games so far in 2019/20, getting one goal and two assists along the way.
The midfielder, however, was handed his fourth yellow card of the season in the 2-0 win over Maritzburg United, meaning that he will have to sit out the clash with Stellenbosch as they seek to leapfrog Mamelodi Sundowns into second place.
While Bradley Grobler (flu), Evans Rusike and Thabo Qalinge (both injury) were missing for the win over Maritzburg, the only player definitely out for SuperSport going into their tie against Stellies is the suspended Webber – the others will be assessed before the game.
Read: Chiefs’ Award-Winner Chats PSL Award
SuperSport host Stellies at 20h15 tomorrow night, with Teboho Mokoena likely to come in for Webber following his return from South Africa’s successful campaign to reach the Tokyo 2020 Olympic Games at the U23 African Cup of Nations.
Earn Airtime & Data With Soccer Laduma’s Social Media App - Download Now


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| That which was from the beginning, which we have heard, which we have seen with our eyes, which we have looked upon, and our hands have handled, of the Word of life;
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| ᎾᏍᎩ ᏗᏓᎴᏂᏍᎬ ᏤᎮᎢ, ᎠᏴ ᎣᎦᏛᎦᏅᎯ, ᏦᏥᎦᏙᎵ ᏦᎬᏔᏅᎯ ᎣᎩᎪᎲᎯ, ᎾᏍᎩ ᏦᎦᎧᎿᎭᏅᎯ, ᎠᎴ ᏦᎪᏰᏂ ᏦᎬᏔᏅᎯ ᎣᎦᏒᏂᎵᏙᎸᎯ, ᎧᏃᎮᏛ ᎬᏂᏛ^
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Na-s-gi di-da-le-ni-s-gv tse-he-i, a-yv o-ga-dv-ga-nv-hi, tso-tsi-ga-do-li tso-gv-ta-nv-hi o-gi-go-hv-hi, na-s-gi tso-ga-ka-hna-nv-hi, a-le tso-go-ye-ni tso-gv-ta-nv-hi o-ga-sv-ni-li-do-lv-hi, ka-no-he-dv gv-ni-dv^
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| (For the life was manifested, and we have seen it, and bear witness, and shew unto you that eternal life, which was with the Father, and was manifested unto us;)
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| ᎬᏂᏛᏰᏃ ᎬᏂᎨᏒ ᏄᎵᏍᏔᏅᎩ, ᎠᎴ ᎣᎩᎪᎲᎩ, ᎠᎴ ᎣᏥᏃᎮᎭ, ᎠᎴ ᎢᏨᎾᏄᏫᏎᎭ ᎾᏍᎩ ᎠᎵᏍᏆᏗᏍᎩ ᏂᎨᏒᎾ ᎬᏂᏛ, ᎾᏍᎩ ᎠᎦᏴᎵᎨᎢ ᎡᎲ ᏤᎮᎢ, ᎠᎴ ᎬᏂᎨᏒ ᎢᏲᎬᏁᎸᎯ ᏥᎩ^
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Gv-ni-dv-ye-no gv-ni-ge-sv nu-li-s-ta-nv-gi, a-le o-gi-go-hv-gi, a-le o-tsi-no-he-ha, a-le i-tsv-na-nu-wi-se-ha na-s-gi a-li-s-qua-di-s-gi ni-ge-sv-na gv-ni-dv, na-s-gi A-ga-yv-li-ge-i e-hv tse-he-i, a-le gv-ni-ge-sv i-yo-gv-ne-lv-hi tsi-gi^
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| That which we have seen and heard declare we unto you, that ye also may have fellowship with us: and truly our fellowship is with the Father, and with his Son Jesus Christ.
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| ᎾᏍᎩ Ꮎ ᎣᎩᎪᎲᎯ ᎠᎴ ᎣᎦᏛᎦᏅᎯ ᎨᏒ ᎢᏨᎾᏄᏫᏎᎭ, ᎾᏍᏉ ᏂᎯ ᎢᏣᏖᎳᏗᏍᏗᏱ ᎣᎦᏚᏓᏕᏫᏒᎢ; ᎠᎴ ᎤᏙᎯᏳᎯᏯ ᎣᎦᏚᏓᏕᏫᏒ ᎠᎦᏴᎵᎨᎢ ᎠᎴ ᎤᏪᏥ ᏥᏌ ᎦᎶᏁᏛ.
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Na-s-gi na o-gi-go-hv-hi a-le o-ga-dv-ga-nv-hi ge-sv i-tsv-na-nu-wi-se-ha, na-s-quo ni-hi i-tsa-te-la-di-s-di-yi o-ga-du-da-de-wi-sv-i; a-le u-do-hi-yu-hi-ya o-ga-du-da-de-wi-sv A-ga-yv-li-ge-i a-le U-we-tsi Tsi-sa Ga-lo-ne-dv.
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| And these things write we unto you, that your joy may be full.
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| ᎯᎠ ᎠᎴ ᎾᏍᎩ ᎢᏨᏲᏪᎳᏁᎭ ᎢᏣᎵᎮᎵᎬ ᎤᎧᎵᎢᏍᏗᏱ.
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Hi-a a-le na-s-gi i-tsv-yo-we-la-ne-ha i-tsa-li-he-li-gv u-ka-li-i-s-di-yi.
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| This then is the message which we have heard of him, and declare unto you, that God is light, and in him is no darkness at all.
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| ᎯᎠᏃ ᎾᏍᎩ ᎧᏃᎮᏛ ᎣᏣᏛᎦᏁᎸᎯ ᏥᎩ ᎠᎴ ᏥᏨᎾᏄᏫᏎᎭ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎢᎦᎦᏘ ᎨᏒᎢ, ᎠᎴ ᎤᏍᏗ ᎤᏅᎤᎵᏏᎩ ᏄᏪᎲᎾ ᎨᏒᎢ.
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Hi-a-no na-s-gi ka-no-he-dv o-tsa-dv-ga-ne-lv-hi tsi-gi a-le tsi-tsv-na-nu-wi-se-ha na-s-gi U-ne-la-nv-hi i-ga-ga-ti ge-sv-i, a-le u-s-di u-nv-u-li-si-gi nu-we-hv-na ge-sv-i.
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| If we say that we have fellowship with him, and walk in darkness, we lie, and do not the truth:
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| ᎢᏳᏃ ᎾᏍᎩ ᏙᎦᏚᏓᏔ ᏱᏓᏗᎭ, ᎤᎵᏏᎬᏃ ᏱᏕᏙᎭ, ᏱᏓᏥᎪᎥᏍᎦᏉ ᎠᎴ ᎥᏝ ᏱᎨᏗᏍᏓᏩᏕᎦ ᎤᏙᎯᏳᎯ ᎨᏒᎢ.
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I-yu-no na-s-gi do-ga-du-da-ta yi-da-di-ha, u-li-si-gv-no yi-de-do-ha, yi-da-tsi-go-v-s-ga-quo a-le v-tla yi-ge-di-s-da-wa-de-ga u-do-hi-yu-hi ge-sv-i.
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| But if we walk in the light, as he is in the light, we have fellowship one with another, and the blood of Jesus Christ his Son cleanseth us from all sin.
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| ᎢᎦᎦᏛᏍᎩᏂ ᏱᏕᏙᎭ, ᎾᏍᎩᏯ ᎾᏍᎩ ᎢᎦᎦᏛᎢ ᏤᎭ, ᏕᎦᏚᏓᏕᏫᏒ ᎢᎬᏒ ᎨᏒᎢ; ᎠᎴ ᎤᏪᏥ ᏥᏌ ᎦᎶᏁᏛ ᎤᎩᎬ ᎢᎩᏅᎦᎵᎭ ᏂᎦᎥ ᎢᎩᏍᎦᏅᏨᎢ.
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I-ga-ga-dv-s-gi-ni yi-de-do-ha, na-s-gi-ya na-s-gi i-ga-ga-dv-i tse-ha, de-ga-du-da-de-wi-sv i-gv-sv ge-sv-i; a-le u-we-tsi Tsi-sa Ga-lo-ne-dv u-gi-gv i-gi-nv-ga-li-ha ni-ga-v i-gi-s-ga-nv-tsv-i.
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| If we say that we have no sin, we deceive ourselves, and the truth is not in us.
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| ᎢᏳᏃ ᎥᏝ ᎠᏍᎦᏂ ᏲᎨᎭ ᏱᏓᏗᎭ, ᎢᎬᏒ ᏱᏓᏓᎵᏓᏍᏗᎭ, ᎠᎴ ᎥᏝ ᏱᎨᎨᎭ ᎤᏙᎯᏳᎯ ᎨᏒᎢ.
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I-yu-no v-tla a-s-ga-ni yo-ge-ha yi-da-di-ha, i-gv-sv yi-da-da-li-da-s-di-ha, a-le v-tla yi-ge-ge-ha u-do-hi-yu-hi ge-sv-i.
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| If we confess our sins, he is faithful and just to forgive us our sins, and to cleanse us from all unrighteousness.
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| ᎢᏳᏃ ᏱᏗᏃᎲᏍᎦ ᎢᎩᏍᎦᏅᏨᎢ, ᏄᏓᎵᏓᏍᏛᎾ ᎠᎴ ᎤᏓᏅᏘᏳ, ᎾᏍᎩ ᎢᎩᏁᏗᏱ ᎢᎩᏍᎦᏅᏨᎢ, ᎠᎴ ᎢᎩᏅᎦᎸᏗᏱ ᏂᎦᎥ ᎤᏲ ᏗᎦᎸᏫᏍᏓᏗ ᎨᏒᎢ.
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I-yu-no yi-di-no-hv-s-ga i-gi-s-ga-nv-tsv-i, nu-da-li-da-s-dv-na a-le u-da-nv-ti-yu, na-s-gi i-gi-ne-di-yi i-gi-s-ga-nv-tsv-i, a-le i-gi-nv-ga-lv-di-yi ni-ga-v u-yo di-ga-lv-wi-s-da-di ge-sv-i.
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| If we say that we have not sinned, we make him a liar, and his word is not in us.
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| ᎢᏳᏃ ᎥᏝ ᏲᎩᏍᎦᏅᏨ ᏱᏓᏗᎭ, ᎡᏗᏰᎪᎥᏍᎦᏉ, ᎠᎴ ᎧᏃᎮᏛ ᎤᏤᎵᎦ ᎥᏝ ᏱᎨᎨᎭ.
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I-yu-no v-tla yo-gi-s-ga-nv-tsv yi-da-di-ha, e-di-ye-go-v-s-ga-quo, a-le ka-no-he-dv u-tse-li-ga v-tla yi-ge-ge-ha.
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Low gears are very important for nearly every type of 4 wheeling
and they are especially important for rock crawling. Changing the
transfer case gears in a 4x4
equipped with a Dana transfer case is probably the easiest and
most cost effective way to
achieve a substantial gain in crawl ratio without ruining highway drivability,
thanks to Tera Manufacturing.
Tera has a 3.15:1 low range gear set available for all Jeep, Early Bronco and
Scout Dana 18 or Dana 20 transfer cases. The gear set replaces all five gears in Dana 20 applications
and all four in Dana 18 applications.
The kit also includes a complete gasket kit, small parts
kit and new 1-1/4" center shaft.
Gear Ratio Comparisons
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| Tera gears next to factory 2.03:1 low range Dana 20 gears.
The shiny new gears are from Tera. Note how much thicker the teeth
are on the Tera sliding gears compared to the originals. |
Tera gears next to 2.46:1 low range Dana 18 gears. The sliding gears
are nearly the same size, but the Tera gears have much thicker teeth and
a higher tooth count for greater strength. |
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| 2.03:1 low range sliding gear laid over a Tera sliding gear.
The Tera gear is significantly larger. |
2.46:1 low range sliding gear laid over a Tera sliding gear.
The Tera gear is slightly smaller than the 2.46's gear,
requiring less grinding on the case itself. |
| Trans. (1st gear) | Low Range Gearing | axle gears | Crawl Ratio |
| T18 (6.32) | 2.03 | 5.38 | 69:1 |
| T18 (6.32) | 3.15 | 3.54 | 70:1 |
| T18 (6.32) | 3.15 | 5.38 | 107:1 |
| 3 Speed (~3:1) | 2.03 | 5.38 | 33:1 |
| 3 Speed (~3:1) | 3.15 | 3.54 | 33:1 |
| 3 Speed (~3:1) | 2.46 | 5.38 | 40:1 |
| 3 Speed (~3:1) | 3.15 | 5.38 | 51:1 |
Click here for more numbers
Changing the transfer case gears from 2.03 to 3.15 has the
same effect in low range as changing from 3.54 to 5.38 gears while leaving
high range unchanged for good freeway driving. Changing from a 2.46:
low range to 3.15 is nearly the same as going from 4.56 to 5.38 gears.
Three digit crawl ratios
are possible with the use of a compound
low type transmission such as a T-18, the Tera 3.15 gear set and
5.38 axle gears. A very respectable 51:1 crawl ratio is the result
of using the Tera 3.15
gear set in an early CJ with 5.38 gears and a three speed transmission.
Installation
The gear set arrives in a well designed shipping box with foam inserts
to protect
the gears from damage during shipping. A gasket and seal kit, small parts kit,
new center shaft and needle bearings, the gears themselves and very
detailed instructions are contained in the box. The instructions cover
the disassembly and re-assembly of the transfer case and are very thorough.
No special tools are need to disassemble the transfer case, but a short
length of 1-1/4" OD pipe, tubing or wooden dowel is necessary to hold
the needle bearings in place during assembly.
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| Arrows point to the ridge I had to remove with a grinder.
Your particular case may require more or less grinding. |
Tera gear slid all the way onto the rear output shaft.
The arrow points to area where the ridge was ground away. |
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| No grinding was required on the top of the case,
unlike my 2.46:1 conversion. |
Assembly is similar to rebuilding the stock transfer case except that
minor grinding may be required for gear clearance. I found that the
Tera 3.15 gears required less grinding on the case than the 2.46 gear
swap using Early Bronco and Dana 18 gears.
The pictures show where the grinding was required on my particular Dana 20
transfer case. Some cases will need more grinding than mine did,
some will need less.
The instructions from Tera have a clear diagram showing where to grind
for those that are not sure. Remember to do the
grinding away from the area where you are working on the transfer case and
to clean the case thoroughly before test fitting the gears.
 Dana 20
transfer cases are inexpensive to buy used, and all the Dana 18 parts
will transfer in. This doesn't add much complication, time, or expense to the gear swap.
Dana 18 gear sets will require no grinding, even when used in a Dana 20
case, becuase the Dana 18 doesn't use the upper sliding gear that
causes the interference on a Dana 20.
To install a a Tera low 18 kit in a Dana 20 case start by disassembling
the Dana 20, set the Dana 20 parts aside, and rebuild the Dana 20
using all of your Dana 18 parts and the Tera gears. The 2wd/4wd mode
shift rail will require triming to fit past the larger intermediate
gear on Dana 18 applications.  The bearing retainer for a large hole Dana 18
can be found on the T86 3spd
trans used from 1966-68 CJs and Jeepsters and also in trucks and wagons from
1961-65. The Jeep part number for this bearing
retainer is PN JO928477, and it is also available from Advanced
Adapters if your Jeep dealer or wrecking yard can't locate one.
At this time Warn/Saturn overdrives are not
compatible with this gear set. PTO units that replace the lower oil pan are not compatible. PTO units that bolt on the rear inspection
plate will work.
Driving Impressions
There is no difference from stock when in high range, so my freeway
driving experience was the same as it always was. There is no way I
could tell if there was an increase or decrease in gear noise in 2WD high
range due to my soft top and Swampers. I would expect no change in
noise for Dana 20 equipped vehicles becuase there is no load on the
gears when in 2WD high range. I am unable to directly comment on gear
noise in
Dana 18 equipped vehicles, but the high range gears are hellical cut and
hellical gears are not normally noisy.
The difference in crawl ratio was
very noticable
in low range, even over my previous 2.46 low range gears. The extra
control and torque will be greatly appreciated on difficult sections of
rock trails. I will be using 2nd gear most of the time on Midwestern
trails and possibly even third on sand hills and between obstacles
with the Tera gears.
The only draw back
I can forsee is that I may need to generate some wheel speed in reverse
if I get stuck in deep snow
and I may have to go to high range becuase of the low gearing of
my T-18 reverse gear. I consider the possibilty of having to shift
into high range for reversing to be a very minor draw back compared
to gaining this much crawl ratio without reducing my street drivability.
Tera Manufacturing
Dept. ORC
7055 South 700 West
Midvale Ut 84047
801-256-9897
FAX<PHONE_NUMBER>
Http://www.teraflx.com
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Dynamic Cursor Pre-Open
In certain situations, DB2 automatically adds an OPEN cursor request to the PREPARE statement. By anticipating that a cursor is to be opened and doing so, DB2 optimizes performance by avoiding VTAM overhead.
To take advantage of dynamic cursor pre-open, the statement being prepared must be a SELECT statement, no parameter markers can be used, and the connection must be a DRDA connection.
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| get_historical_data {rWBclimate} | R Documentation |
The Climate Data API provides access to historical temperature and precipitation data. These data are separate from the outputs of the GCMs, and they are based on gridded climatologies from the Climate Research Unit.
get_historical_data(locator, cvar, time_scale)
locator |
The ISO3 country code that you want data about. (http://unstats.un.org/unsd/methods/m49/m49alpha.htm) or the basin ID [1-468]. The historical period for country is 1901 - 2009, and 1960 - 2009 for basin |
cvar |
The climate variable you're interested in. "pr" for precipitation, "tas" for temperature in celcius. |
time_scale |
The time scale you want to return values on. Must be "month", "year" or "decade" |
The time_scale parameter returns a different number of variables depending on the input timescale. Month will return 12 values, a historical average for that month across all years. Year will return yearly averages for each year, and decade will return decade averages.
a dataframe with historical climate data