BLOWN AWAY A film review by Rober A. Rubio Copyright 1994 Rober A. Rubio
Starring Jeff Bridges, Tommy Lee Jones, Forrest Whittaker, and Lloyd Bridges Directed by Stephen Hopkins
I'll say the explosions in this movie are breathtaking. But the rest of the movie was lacking something. Hopkins tends to direct his movies too much like music videos (don't know if he was a video director before, but it seems like it), and this movie is not immune. And maybe I'm too used to Tommy Lee Jones in other movies, but I couldn't see him as an Irishman (let alone that accent). BLOWN AWAY could have been better, but wasn't.
I would assume the bombs are the main focus of this film, because I had a hard time finding exactly what the focus was. These intricate, somewhat confusing contraptions are supposed to be intimidating and frightening, are to some extent they are, but there is too much to be really plausible. I can understand cutting the right color wire, determining the type of explosive, etc. I think everyone can understand the reasoning behind that. But when the bombs reach the type of complexity they did in this movie, it's hard to feel any suspense because you don't know if Bridges is really in over his head or just does this thing everyday. I know that was the point--the audience is not supposed to know if the bombs are being disarmed correctly, but it's hard to feel tension when there's a million wires, switches, traps, connections, and contraptions. In reality, nothing could help you figure out which wires to cut or which switch to disable.
Do you see my point? If there were four wires of different colors, you would know that cutting one or two of them might disarm the bomb. If there are 50, well, I can't believe even the best bomb disposal expert would know which one to cut in that instance. The best use of suspense this year would have had to have been SPEED, because the bombs in that movie were a little more plausible. But BLOWN AWAY is just too complicated.
Tommy Lee Jones does his best with what is essentially a madman, but Jeff Bridges seems a little confused. He even lapses into an Irish accent midway through the film that threw me off (I know why he did it, I just think it wasn't necessary). The history between these two was presented at a breakneck pace, which led me to believe that it was only presented in the first place so that there would be some motivation for blowing things up. In SPEED, the relationship between Keanu Reeves character and Dennis Hopper's is established early in the film, in BLOWN AWAY it's scattered all over the place.
BLOWN AWAY needed some more organization. It has it's good points, like the explosions, some of the bombs, and a grueling sequence where any household item could be a trigger for explosives. But I believe the movie lacked focus. Were we here to see the explosions, the drama, or the whole movie as something neat to look at? I don't know. I would have to say this is a good dollar flick, but paying matinee or regular prices would be questionable.
THE SNAPMAN<EMAIL_ADDRESS>(Roger A. Rubio)
.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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Related links: index of all rec.arts.movies.reviews reviews


Cascade is a convenient feature to save the lines of code needed to manage the state of the other side manually.
The “Cascade” keyword is often appear on the collection mapping to manage the state of the collection automatically. In this tutorials, this one-to-many example will be used to demonstrate the cascade effect.
In this example, if a ‘Stock’ is saved, all its referenced ‘stockDailyRecords’ should be saved into database as well.
In previous section, if you want to save the ‘Stock’ and its referenced ‘StockDailyRecord’ into database, you need to save both individually.
Stock stock = new Stock();
StockDailyRecord stockDailyRecords = new StockDailyRecord();
//set the stock and stockDailyRecords data
stockDailyRecords.setStock(stock);
stock.getStockDailyRecords().add(stockDailyRecords);
session.save(stock);session.save(stockDailyRecords);
//运行结果
Hibernate: insert into mkyong.stock (STOCK_CODE, STOCK_NAME) values (?, ?)

The cascade=”save-update” is declared in ‘stockDailyRecords’ to enable the save-update cascade effect.
<!-- Stock.hbm.xml -->
<set name="stockDailyRecords" cascade="save-update" table="stock_daily_record"...>
<key>
<column name="STOCK_ID" not-null="true" />
</key>
<one-to-many class="com.mkyong.common.StockDailyRecord" />
</set>
Stock stock = new Stock();
StockDailyRecord stockDailyRecords = new StockDailyRecord();
//set the stock and stockDailyRecords data
stockDailyRecords.setStock(stock);
stock.getStockDailyRecords().add(stockDailyRecords);
session.save(stock);
//运行结果
Hibernate: insert into mkyong.stock (STOCK_CODE, STOCK_NAME) values (?, ?)

The code session.save(stockDailyRecords); is no longer required, when you save the ‘Stock’, it will “cascade” the save operation to it’s referenced ‘stockDailyRecords’ and save both into database automatically.
In this example, if a ‘Stock’ is deleted, all its referenced ‘stockDailyRecords’ should be deleted from database as well.
You need to loop all the ‘stockDailyRecords’ and delete it one by one.
Query q = session.createQuery("from Stock where stockCode = :stockCode ");
q.setParameter("stockCode", "4715");
Stock stock = (Stock)q.list().get(0);
for (StockDailyRecord sdr : stock.getStockDailyRecords()){
session.delete(sdr);
}
session.delete(stock);
//运行结果
Hibernate: delete from mkyong.stock_daily_record where DAILY_RECORD_ID=?
Hibernate: delete from mkyong.stock where STOCK_ID=?
The cascade=”delete” is declared in ‘stockDailyRecords’ to enable the delete cascade effect. When you delete the ‘Stock’, all its reference ‘stockDailyRecords’ will be deleted automatically.
<!-- Stock.hbm.xml -->
<set name="stockDailyRecords" cascade="delete" table="stock_daily_record" ...>
<key> <column name="STOCK_ID" not-null="true" /> </key>
<one-to-many class="com.mkyong.common.StockDailyRecord" />
</set>
Query q = session.createQuery("from Stock where stockCode = :stockCode ");
q.setParameter("stockCode", "4715");
Stock stock = (Stock)q.list().get(0);
session.delete(stock);
//运行结果
Hibernate: delete from mkyong.stock_daily_record where DAILY_RECORD_ID=?
Hibernate: delete from mkyong.stock where STOCK_ID=?
In above cascade delete option, if you delete a Stock , all its referenced ‘stockDailyRecords’ will be deleted from database as well. How about if you just want to delete two referenced ‘stockDailyRecords’ records? This is called orphan delete, see example…
You need to delete the ‘stockDailyRecords’ one by one.
StockDailyRecord sdr1 = (StockDailyRecord)session.get(StockDailyRecord.class, new Integer(56));
StockDailyRecord sdr2 = (StockDailyRecord)session.get(StockDailyRecord.class, new Integer(57));
session.delete(sdr1);session.delete(sdr2);
//运行结果
Hibernate: delete from mkyong.stock_daily_record where DAILY_RECORD_ID=?Hibernate: delete from mkyong.stock_daily_record where DAILY_RECORD_ID=?
The cascade=”delete-orphan” is declared in ‘stockDailyRecords’ to enable the delete orphan cascade effect. When you save or update the Stock, it will remove those ‘stockDailyRecords’ which already mark as removed.
<!-- Stock.hbm.xml -->
<set name="stockDailyRecords" cascade="delete-orphan" table="stock_daily_record" >
<key> <column name="STOCK_ID" not-null="true" /> </key>
<one-to-many class="com.mkyong.common.StockDailyRecord" />
</set>
StockDailyRecord sdr1 = (StockDailyRecord)session.get(StockDailyRecord.class, new Integer(56));
StockDailyRecord sdr2 = (StockDailyRecord)session.get(StockDailyRecord.class, new Integer(57));
Stock stock = (Stock)session.get(Stock.class, new Integer(2));
stock.getStockDailyRecords().remove(sdr1);
stock.getStockDailyRecords().remove(sdr2);
session.saveOrUpdate(stock);
//运行结果
Hibernate: delete from mkyong.stock_daily_record where DAILY_RECORD_ID=?
Hibernate: delete from mkyong.stock_daily_record where DAILY_RECORD_ID=?
In short, delete-orphan allow parent table to delete few records (delete orphan) in its child table.
The cascade is supported in both XML mapping file and annotation.
In XML mapping file, declared the cascade keyword in your relationship variable.
<!-- Stock.hbm.xml -->
<set name="stockDailyRecords" cascade="save-update, delete" table="stock_daily_record" ...>
<key> <column name="STOCK_ID" not-null="true" /> </key>
<one-to-many class="com.mkyong.common.StockDailyRecord" />
</set>
In annotation, declared the CascadeType.SAVE_UPDATE (save, update) and CascadeType.REMOVE (delete) in @Cascade annotation.
Java
//Stock.java
@OneToMany(mappedBy = "stock")
@Cascade({CascadeType.SAVE_UPDATE, CascadeType.DELETE})
public Set<StockDailyRecord> getStockDailyRecords() {
return this.stockDailyRecords;
}
Further study – Cascade – JPA & Hibernate annotation common mistake.
Both are totally different notions, see the differential here.
Cascade is a very convenient feature to manage the state of the other side automatically. However this feature come with a price, if you do not use it wisely (update or delete), it will generate many unnecessary cascade effects (cascade update) to slow down your performance, or delete (cascade delete) some data you didn’t expected.


Use LaTeX files formated with
style mooshakquiz.sty .
The following example is a quiz with a single group where a
single question is rondomly selected from a set of two questions with
mathematical expressions and graphics. Make sure you import the
graphics to images folder.
\documentclass{article}
\usepackage{mooshakquiz}
\begin{document}
\begin{quizgroup}{1}
Function graph
\begin{quizquestion} The graph of the function represented by the equation $2x +3y +3=0$ is\\:
\begin{quizchoice}{true} \includegraphics[width=3cm]{figure1a.jpg} \end{quizchoice}
\begin{quizchoice}{false} \includegraphics[width=3cm]{figure1b.jpg} \end{quizchoice}
\begin{quizchoice}{false} \includegraphics[width=3cm]{figure1c.jpg} \end{quizchoice}
\end{quizquestion}
\begin{quizquestion} Which graph represents the graph of a function with domain $\mathbb{R}$?\\
\begin{quizchoice}{false} \includegraphics[width=3cm]{figure3a.jpg} \end{quizchoice}
\begin{quizchoice}{true} \includegraphics[width=3cm]{figure3b.jpg} \end{quizchoice}
\begin{quizchoice}{false} \includegraphics[width=3cm]{figure3c.jpg} \end{quizchoice}
\end{quizquestion}
\end{quizgroup}
\end{document}
|


Canvasbar
by Kevin Bohinski
View Canvasbar on GitHub
Forked from baritone
Canvasbar is made possible by the following open source projects:
Electron
node-auto-launch
menubar


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"URIEL" God is my light. (1.) A Levite of the family of Kohath (1 Chronicles 6:24). (2.) The chief of the Kohathites at the time when the ark was brought up to Jerusalem (1 Chronicles 15:5, 11). (3.) The father of Michaiah, one of Rehoboam’s wives, and mother of Abijah (2 Chronicles 13:2).
"URIEL" God is my light. (1.) A Levite of the family of Kohath (1 Chronicles 6:24).
(2.) The chief of the Kohathites at the time when the ark was brought up to Jerusalem (1 Chronicles 15:5, 11).
(3.) The father of Michaiah, one of Rehoboam’s wives, and mother of Abijah (2 Chronicles 13:2).


| Wisecracking, gum-chewing 12-year-old Gilly is well known in the foster system. Totally unmanageable, she has stayed with more families than she can remember and has outwitted them all. After all, how can she settle down when her real mother, the beautiful and glamourous Courtney, might be out there waiting for her? When Gilly is sent to live with the Trotters, the weirdest family yet, she isn’t planning to stick around. But cheerful, affectionate Maime Trotter isn’t giving up on Gilly just yet... | |
| Genres: | Comedy, Drama, Family |
| Director: | Stephen Herek |
| Writer: | Katherine Paterson, David Paterson |
Cast: | Gilly Hopkins - Sophie Nélisse Maime Trotter - Kathy Bates Nonnie Hopkins - Glenn Close Miss Harris - Octavia Spencer Courtney Rutherford Hopkins - Julia Stiles Mr. Randolph - Bill Cobbs Ellis - Billy Magnussen W.E. - Zachary Hernandez Agnes - Clare Foley Rajeem - Sammy Pignalosa Ticket Agent - Toby Turner Principal Evans - Richard Topol Woman with Book - Cara Cooper Stevie - Salvatore Rossi Ed - Cameron Clifford Mrs. Hong - Julee Cerda Principal Maynard - Johanna Day Clerk - Katherine Peterson Angry Gardner - Victor R. Garcia School Student - Connor Keegan Dosch Neighbor - Loyzo Smolinsky Neighbor and Student - Athena Stuebe Neighbor - Sienna Stuebe |


Input a Spotify Playlist Link that you want deduped.
To get the Spotify Playlist Link, right-click the playlist's name, and click on Copy Playlist Link


THE UMBRELLAS OF CHERBOURG (LES PARAPLUIES DE CHERBOURG) A film review by James Berardinelli Copyright 1996 James Berardinelli
RATING (0 TO 10): 8.0 Alternative Scale: ***1/2 out of ****
France, 1964 U.S. Re-release: Spring 1996 Running Length: 1:27 MPAA Classification: No MPAA Rating (Mature themes) Theatrical Aspect Ratio: 1.66:1
Cast: Catherine Deneuve, Nino Castelnuovo, Anne Vernon, Marc Michel, Ellen Farner, Mireille Perrey Director: Jacques Demy Producer: Mag Bodard Screenplay: Jacques Demy Cinematography: Jean Rabier Music: Michel Legrand U.S. Distributor: Zeitgeist Films In French with English subtitles
By the 1990s, the movie musical has become a dead art form. The three recent revival attempts have been failures. The first two, NEWSIES and SARAFINA, went to video after approximately one-week theatrical runs (even the Disney name couldn't save the former). The third, I'LL DO ANYTHING, was transformed into a songless dramatic comedy following disastrous test screenings. Since then, no one has attempted a non-animated, big screen musical (EVITA is coming, but I'll reserve judgment until I see Madonna in the title role). So, for those of us who appreciate the genre, the best place to look is the past.
THE UMBRELLAS OF CHERBOURG was initially released in 1964, and, amongst other things, helped catapult Catherine Deneuve to stardom. In filming THE UMBRELLAS OF CHERBOURG, director Jacques Demy opted to sacrifice print longevity for vibrant color. The stock he used yielded brilliant hues, but degraded quickly. By the mid-seventies, the only remaining copies of the film were in terrible condition. But Demy, anticipating this problem from the outset, had archived multiple monochromatic negatives that, when properly combined with each other, allowed re-creation of the original color. With Demy's widow, Agnes Varda, supervising the re-mastering, THE UMBRELLAS OF CHERBOURG was recently brought back to life, and is now available in its previous splendor.
As a musical, THE UMBRELLAS OF CHERBOURG is unusual in several ways. First, unlike most big American productions of the time, there are no show-stopping production numbers. There's no dancing, no chorus, and no duets. Secondly, there are no spoken lines of dialogue -- everything, from the mundane to the important, is sung. Finally, THE UMBRELLAS OF CHERBOURG isn't a lightweight bon-bon with a happily-ever- after ending. While the film has its share of effervescent moments, there's also an element of undeniable poignancy.
The two main characters, 17-year old Genevieve (Deneuve) and 20- year old Guy (Nino Castelnuovo), are star-crossed lovers. Despite the stringent objections of Genevieve's mother (Anne Vernon), who thinks a gas station mechanic is beneath her daughter, the two continue their clandestine meetings, and eventually consummate their relationship. Soon after, Guy has to serve a stint away from France in the army. Following his departure, Genevieve learns that she is pregnant, and must decided whether to wait for Guy's uncertain return or marry the rich, cultured Roland Cassard (Marc Michel), who offers stability, undying love, and the promise of raising her child as his own. Genevieve's choice irrevocably alters the lives of at least four people.
Watching THE UMBRELLAS OF CHERBOURG, it's not hard to understand why Deneuve became such an icon. Not only is she beautiful, but she possesses that elusive characteristic known simply as "star quality". She's the perfect lead for this film, which demands an actress possessing legitimate range. Demy has used the musical to explore several universal themes, particularly the meaning and nature of different kinds of love. Although most movies favor passion and true love, THE UMBRELLAS shows that another less demanding, more subtle kind of love has its own appeal.
Agnes Varda's reconstruction has done the film justice. The colors, which include bright pinks, reds, purples, and oranges, look great, and the cleaned-up soundtrack is better than ever. Although, as I said before, THE UMBRELLAS OF CHERBOURG lacks song-and-dance numbers, there is one tune that recurs throughout. This song, beautifully composed by Michel Legrand, radiates longing and loss, and forms the movie's core. It, like the film, is far more powerful than one would initially suppose.
- James Berardinelli e-mail<EMAIL_ADDRESS>ReelViews web site: http://www.cybernex.net/~berardin
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


B. Verkin ILTPE of NASU –
B. Verkin Institute for Low Temperature Physics and Engineering
of the National Academy of Sciences of Ukraine, 47 Nauky Ave.,
Kharkiv, 61103, Ukraine.
Graduated from Kharkov State University in 1992.
PhD Phys & Math, ILTPE, 1994.
DrS Phys & Math, ILTPE, 2007.


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Work:
The New Croft
See it live at thenewcroft.co.uk.
I developed the website for The New Croft, a state-of-the-art community football and leisure complex based in Haverhill, Suffolk. The facility is the home ground for the town's two semi-professional football clubs, as well as playing host to countless youth fixtures and training sessions throughout the week. Aside from football, the hall and catering facilities are used by several clients for fitness, leisure and entertainment purposes.
The day-to-day running of the site has now been handed over to Haverhill Community Sports Association, but I continue to provide assistance when required.


{% include "./introduction.html" %} {% include "./complex-schemas.html" %} {% include "./simple-schemas.html" %}


@* * Copyright 2021 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @import config.ViewConfig @import model.des._ @import model._ @import langswitch.LangMessages @this( viewsHelpers: views.ViewsHelpers, viewConfig: ViewConfig ) @( showBankDetails: Boolean, bankDetailsOption: Option[BankDetails], address: Option[String], addressExists: Boolean, vrn: Vrn, inflightBankDetails : Boolean)( implicit request: Request[_] ) @import viewsHelpers.requestSupport._ @if(showBankDetails) { @bankDetailsOption.map{bankDetails =>
@{LangMessages.`You are currently paid by bank transfer`.show}
@{LangMessages.`Name on account`.show} @{bankDetails.formatAccountHolderName}
@{LangMessages.`Sort code`.show} @{bankDetails.formatSortCode}
@{LangMessages.`Account number`.show} @{bankDetails.obscureBankAccountNumber}
@{LangMessages.`Manage your repayment bank account`.show}
} } @if((addressExists && (!(showBankDetails))) && (!(inflightBankDetails<EMAIL_ADDRESS>sent to`.show}
@Html(address.getOrElse(""))
@{LangMessages.`For faster payment next time`.show} @{LangMessages.`add a repayment bank account`.show}
}


FAQ
Why another ingress controller?
HAProxy Ingress is one of the first ingress controller implementations, there wasn’t any HAProxy based one when v0.1 was released on feb/2017. It was maintained since then because it replaced our former controller at work, and also and not less important because it was being used by a growing number of users.
How was the name chosen?
In the past, what is now kubernetes/ingress-nginx was just kubernetes/ingress - a common code base that could be used by controller developers. I started the “HAProxy flavor” of the ingress project, leading to HAProxy Ingress as the name. The common code base didn’t evolve as it was initially planned, and since v0.8 HAProxy Ingress has its own resource parser implementation - but without changing the name received on its debut.
Why the latest is v0, may I use it in production?
Sure, yes, production ready! Zero based versions were chosen while API is being stabilized, so you can interpret the v0.x
versions as possible breaking compatibility changes between two minor versions. The changelog will always report all breaking compatibility changes.
How many active users HAProxy Ingress have?
I don’t know, both HAProxy (the load balancer) and HAProxy Ingress don’t advertise themselves and don’t track users. It should be between several hundreds and a few thousands based on the number of downloads (specially from Quay), the number of users in the Slack channel (started nov/2020) and how fast issues from some very specific scenarios used to be reported.
How much HAProxy Ingress scale?
We use HAProxy Ingress in front of a cluster with about 4k distinct hostnames, 1k hostnames with ACME-v2 tracking, 5k ingress resources and 5k distinct backends. This configuration takes about 2 seconds to be parsed and written to disk if a full parsing is needed (first run and when a global key is changed), and HAProxy takes about 8 seconds to reload the configuration. Every new configuration parsing (partial parsing) takes a few tens of milliseconds depending on the number of changed backends. I’ve received reports from users whose cluster is about four times bigger and partial configuration parsing is almost as fast as ours. In short we’re still looking for the limits. Let us know if you have a cluster with this amount of resources and you can share some numbers.
How to improve performance?
It mostly depends on the workload, and the following list has some tips to improve the proxy performance:
- Check if the number of threads is appropriate. Use all but one of the vCPUs of a dedicated host, leaving just one to the controller and other OS related tasks.
- Configure
--reload-interval
if the workloads demand several HAProxy reloads on a short period of time. Other configuration parsing options that worth to be mentioned are--rate-limit-update
and--wait-before-update
. - Configure
worker-max-reloads
if external HAProxy is used and the ingress hosts have a limited amount of memory. - Configure
source-address-intf
if the number of concurrent outgoing connections might be greater than 64k, or at least/proc/sys/net/ipv4/ip_local_port_range
if the number of connections might be greater than 28k. - Avoid usage of
ssl-passthrough
if possible, moving the needed ones to a new ingress class.ssl-passthrough
enforces the creation of a new internal proxy, duplicating the number of connections and generating a bit more latency. - Use dynamic scaling
dynamic-scaling
and increase the value of [backend-server-slots-increment
] or [slots-min-free
] for workloads that rapidly auto-scale. This reduces the amount of full haproxy reloads when a backend rapidly auto-scales.
Improving the controller performance:
- Configure
--backend-shards
if the number of distinct backends/services is greater than about 500. Generating the configuration file is the most expensive controller’s task of a configuration update, and sharding the backends decreases disk IO and CPU used by the controller. One new shard every 100 or so backends is a fair value.
How to track the proxy performance?
HAProxy Ingress has some useful metrics and also a suggested Grafana dashboard. Two of these metrics help to analyze how HAProxy is performing and must be tracked on mission-critical deployments. These metrics can be read from <controller>:10254/metrics
using Prometheus or a compatible tool:
haproxyingress_haproxy_processing_seconds_total
is a counter that usesIdle_pct
from HAProxy’sshow info
to calculate the number of seconds HAProxy spent doing something on its event loop. Using this metric is much more accurate than reading directly fromIdle_pct
, because HAProxy Ingress reads this value frequently, see--stats-collect-processing-period
, and will consider the spikes. Use this metric with therate()
function to find the actual rate. Rates close to 1 (one) means that HAProxy is very close to being saturated.haproxyingress_haproxy_response_time_seconds
is a histogram with the response time of calls to the admin socket. Dividing therate()
of the_sum
counter by therate()
of the_count
counter, filtered bycommand="show_info"
label, will give the amount of time HAProxy takes to answer theshow info
command. This should be below1ms
most of the time, higher values suggest a saturated proxy or a noisy neighborhood stealing CPU from the proxy. The buckets of this histogram can be configured using--buckets-response-time
. Here is the full promql to calculate the response time:rate(haproxyingress_haproxy_response_time_seconds_sum{command="show_info"}[1m]) / rate(haproxyingress_haproxy_response_time_seconds_count{command="show_info"}[1m])
How to prioritize a feature request?
There isn’t a way, someone from the community will have to have the same need or want to face the challenge. So the best way is to fill a feature request with as many details as possible and wait.
How frequently new versions are released?
HAProxy Ingress is currently following HAProxy releases, so about two new minor versions are released per year. New patches are also released with fixes and small and non intrusive features, cherry-picked from master. All new controller’s minor version uses a new HAProxy branch as its embedded HAProxy, so v0.12 uses HAProxy 2.2, v0.13 uses HAProxy 2.3 and so on.
How can I pay for support?
There is currently no paid support, unfortunately, so if your company or your manager wants someone to be paid, HAProxy Ingress actually isn’t an option. This can be changed in the future. No matter what happens, the code base will continue to be maintained as an open source project.
I’m stuck, how can I get help?
See the Learn and Connect options in the Community page.
How can I help?
Great that you asked! It depends on your skills and interests:
- Visibility: Write about HAProxy Ingress, add it on your public comparisons, promote it when applicable, improve the repository visibility giving it a GitHub star.
- Community: Follow the Slack channel, mailing list, and Stack Overflow tag, links in the Community page. Don’t hesitate to answer what you know and ask what you don’t know. We are there to help each other.
- Quality: Use the controller, report bugs, misbehavior, bad quality log messages and other related issues.
- Documentation: Fix typos and bad sentence constructions. Add, revise or migrate examples. There are some doc related issues in the issue tracker as well.
- Features: Pull requests are welcome! Some feature ideas and some discussion on feature requests are welcome as well.
Why did you start and still implement HAProxy Ingress?
Service loadbalancer was a kind of pre-ingress component that I’ve improved, between jul and dec/2016, to meet our needs at work. About jan/2017 we migrated to ingress and deployed a controller. I was enjoying to play with Kubernetes, as much as with HAProxy in the service-loadbalancer days, so I chose to start the controller just to see how far I could go. HAProxy Ingress was conceived because, in one single project, I could use two technologies that I love - HAProxy and Kubernetes, and also to improve two other skills - writing infrastructure code and contributing back to the great communities around HAProxy and Kubernetes.
Early 2018 we observed some annoying issues in the controller we were using, probably due to the amount of configuration updates that enforces the reload of the proxy. At the same time my manager and I observed how stable a HAProxy deployment is, after deploying a HAProxy Ingress instance side by side with the former controllers, but outside the DNS. “Hey Joao, what if we move some requests to HAProxy and see how it behaves?”. This sentence started our move to HAProxy Ingress, which was completed with a v0.8-snapshot version.
HAProxy Ingress is still on the road mainly due to the following reasons, with no special order: it’s being used and useful, it’s developed with passion, and we built a great community around it. These last years were awesome, looking forward to the years to come.


--- layout: page title: Contributors navigation: true class: page-template permalink: authors/ --- {% assign authors = site.data.authors %}
{{author.bio}}


---
layout: post
title: Court intrigue
date: '2013-04-09T09:38:00+02:00'
categories:
- Atoleiros Battle
- Storyboards
picture_url: https://film-Storyboards.tumblr.com/post/47540577914/court-intrigue-and-power-struggle-for-the-throne
---
Court intrigue and power struggle for the throne of Portugal, illustrated in animatic.


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Research has shown that over 60% of customers make product research online before making a purchase decision. This fact is very important to note since the growth of any eCommerce business is driven by one fundamental thing "traffic". In the world of eCommerce it is true to keep an eye on metrics such as conversion rate etc, but in order to start measuring all those metrics you need to pour in the traffic.
In 2014, the eCommerce industry experienced a rocket flight growth, attaining an exponential increase of 17%. The top eCommerce companies are making a monthly revenue of $600,000 approximately, with the average eCommerce company generating about $1.1 million/month in its 3rd year. Experts have estimated that eCommerce will make over $370 billion/year in revenue in 2017, $170 billion more than what it made in 2014 ($220 billion)
Although eCommerce traffic is still dominated by organic search, social media had a significant part to play in the rise of the eCommerce industry. In 2014, the top 500 retailers earned about $3.3 billion from social shopping which is a 26% increase from 2013. Social media platforms have undertaken new directives like the introduction of buy buttons that has optimzed them for eCommerce marketing
In the first quarters of 2014 - 2015, social media bumped up its share of eCommerce referrals to 200%. The dominating social commerce power house, Facebook, continues to show impressive social commerce statistics. Facebook accounts for over 50% of social referrals and 65% of social revenue. Pinterest is also a major social commerce contributor. It generated 16% of social revenue despite an audience of 6.5 times smaller than twitter
To better understand how social media is contributing to the eCommerce industry, Shopify analysed 37 million social visits that led to 529,000 orders. Within the social category, Facebook dominated as a source of traffic and sales with an average of 85% of orders on Shopify coming from Facebook.
The platform that pulled a surprise was Polyvore, which generated the highest average order value. Also instagram generated higher average oders than Facebook, Twitter and Pinterest. Facebook has the highest conversion rate of 1.85% on shopify. It is no doubt that social media plays an important role in eCommerce and contributes to the revenue generation of the industry hence, eCommerce businesses and merchants should be able measure the ROI of the scoal media efforts manage social media accounts and identify best perfoming channels
Reaching for the Stars
Its no doubt that the eCommerce industry has seen an impresive growth over the past 4 years. For now all the trends and statistics show that it is not slowing down anytime soon and it has its focus aimed for the stars. One can say the recent rise of the eCommerce industry can be attributed to the increased number of tech savvy consumers, rise of smartphones, beter logistics, emerging new markets and last but not the least, social media.
"We dont have a choice on whether we DO social media, the question is how well we DO it" - Erik Qualman
References
Business Insider v-employee Trueship Shopify


Motorcycling: Marquez wins season-ending MotoGP at Valencia
VALENCIA, Spain: World champion Marc Marquez clinched his 12th MotoGP victory of the season in Sunday's (Nov 17) final race in Valencia ahead of French rookie Fabio Quartararo.
Marquez, who secured his sixth premier category title last month, finished over a second clear of pole-sitter Quartararo who came second for the fifth time in his debut campaign.
The Spaniard made a poor start from second place on the grid but steadily picked off his rivals one by one to win at Valencia for just the second time in his career.
"It's been a difficult weekend because we've tried new things," said Marquez. "It's a perfect season which will be difficult to repeat."
Australian's Jack Miller claimed third while triple MotoGP champion Jorge Lorenzo bid farewell to the sport with a 13th-place finish in his final race.
The 32-year-old Spaniard announced his decision to retire on Thursday. He could be replaced by Marquez's younger brother and Moto2 champion Alex at Honda next season.
Quartararo again fell just short in his bid to become the first Frenchman to win a MotoGP race since 1999, but the 20-year-old was delighted with his first season among the elite.
"Nobody could have imagined at the start of the season that I would have six pole positions and seven podiums. It's incredible to finish the season in this way," said Quartararo, who ended fifth in the overall standings.
British rider Cal Crutchlow and Frenchman Johann Zarco, LCR Honda team-mates also with thoughts of an upgrade next year, crashed out prematurely Sunday.
Crutchlow went down before Zarco, cut loose by KTM earlier this season, was sent skidding by 19-year-old Spanish debutant Iker Lecuona who followed the Frenchman to the deck.
Zarco was examined by on-site medics before gingerly limping back to his team stable.
Lecuona was filling in for the KTM Tech team in place of Miguel Oliveira, who was injured in the last race in Australia.
Valentino Rossi, showing no signs of wanting to retire at the age of 40, rounded out his season by coming eighth. The Italian, a seven-time MotoGP champion, finished seventh overall.
Compatriot Andrea Dovizioso, second in the championship behind Marquez for the third year running, took fourth at the Ricardo Tormo circuit.
South Africa's Brad Binder concluded the Moto2 season with his third successive win to finish runner-up. He will also make the step up to the top level with KTM next year.
Valencia native Sergio Garcia, 16, won for the first time in Moto3 as he pipped Italy's Andrea Migno to the line in a race shortened after a series of crashes.


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{% extends "form.html" %} {% from "macros.html" import render_field, form_tag %} {% block content %} {{ super() }} {% if task_type %} {% if task_type.name == "AFFILIATION" %}
Format your affiliation data as either a comma-separated or tab-separated text file. The first row of the file must contain valid field headers from the following:
TODO: documentation and guidance
Format your funding data as either a json or yaml file. Multiple items can be specified but each must contain an invitees list together with the
ORCID message schema compliant-data that is to be written to each invitee's ORCID record:
Format your works data as either a json or yaml file. Multiple items can be specified but each must contain an invitees list together with the
ORCID message schema compliant-data that is to be written to each invitee's ORCID record:
Format your peer review data as either a json or yaml file. Multiple items can be specified but each must contain an invitees list together with the
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--- title: Shipyard Modal Example answers: - We're happy with Codeship, but we don't need it anymore. - We've chosen another CI/CD provider. - Codeship is too expensive for our needs. - Codeship is missing a feature that we needed. - We're unsatisfied with our experience. --- {% include page-heading.html page=page %}


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Happy Nest
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Shopping malls and groceries close by
Enjoy a home like experience


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The Government Digital Service (GDS) is solely responsible for writing any digital content on GOV.UK intended for citizens or small businesses.
The DWP digital publishing team is responsible for publishing and presenting departmental information on GOV.UK. This includes:
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The publishing teams decide where and how these items appear on GOV.UK, and in what format.
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--- layout: post title: Upcoming presentations for Technical Writers of India (TWIN) Conference date: 2015-01-09 07:06:01.000000000 -08:00 categories: - technical-writing tags: [] status: draft type: post published: false ---
I'm giving the following presentations at the [tcworld India in March 2015](http://conferences.tekom.de/tcworld-india-2015/.
Most of the common tools for publishing help material fall short when it comes to API documentation. Much API reference documentation (such as for Java, C++, or .NET APIs) is generated from comments in the source code using tools such as Javadoc or Doxygen.
REST APIs are a breed of their own, with almost no standard tools for generating documentation from the source. The variety of outputs for REST APIs are as diverse as the APIs themselves, as you can see by browsing the 12,000+ web APIs on programmableweb.com.
Some APIs have dynamic endpoint generators built from tools such as Swagger or Mashery I/O Docs to demonstrate the REST API endpoints in action based on values that users input.
There's a lot to learn to navigate the API landscape. In this workshop on best practices, you'll learn everything you need to get going in the right direction to document APIs, such as
Good code samples are arguably the most important aspect of developer documentation. Code samples often show how to use an API or SDK in a real scenario with a particular user goal in mind. These code samples make up the bulk of the developer guides that accompany API reference information.
Whereas the reference information simply lists all the classes, functions, or methods of an API, the accompanying developer guide shows users can leverage different elements of the API to achieve a specific task-oriented goal. When you create code samples, you format the code in a readable way, include comments, precede or follow the code with detailed explanations, and often visualize the results of the code.
In this session, you will learn the following:
Although documenting code samples may seem intimidating, diving into this field opens up a new landscape of learning, language, and capability. Documenting code and writing for developers presents technical writers with the ultimate challenge for simplifying complexity.
Tom Johnson is a senior technical writer for the 41st Parameter, a company in the fraud detection and advertising technology space. Tom's blog, I'd Rather Be Writing (idratherbewriting.com), is a hub for innovation and exploration in the tech comm field.
Tom recently guest edited an issue of the STC Intercom (September 2014 issue) that focused entirely on API documentation. In his current role, he provides documentation for Java, C++, and .NET APIs, in addition to other developer documentation. In a previous company, he worked on documentation for a REST API and JavaScript SDK.
Tom lives in San Jose, bikes to work, and has four girls. You can contact him at tomjoht@gmail.com.


CreateTable function is used to create a new table in a database.
This method may needs some privilege according to the database product and its version.
Tables are created according to the SchemaPrefix specified at connection's options.
(Exm. Name="table-name" , NameWithPrefix="[pfx]table-name").
Examples
Following section demonstrates creating a table.
using(var exc = cn.Executer())
{
// by table alias
var t0 = new Orders().AsQueryable();
exc.CreateTable(t0);
// by table type
exc.CreateTable<Orders>();
}
lYQxL5


You can stay at this Japanese hotel for $1... But there's a catch
by Alex HortonThe voyeurs around the world logged onto a YouTube stream Wednesday, hoping to see a random hotel guest scurry about their room. Instead, the viewers were greeted with an empty manager's chair and a whiteboard registering mutual disappointment: The guest cancelled tonight . . .
"Life happens," reflected a user named Ruinga, as messages in Turkish, English and Danish mingled with Google Translate-aided Japanese.
"A quiet night will have to do."
Tetsuya Inoue was soon in the chair, just before midnight Toyko time, patiently explaining his concept of newly viral Room No. 8 in the Asahi Ryokan hotel in Fukuoka, a western Japanese coastal city.
Guests purchase a $US1 ($A1.47) hotel stay.
But there's a catch.
They have to appear on a constant live-stream from inside their room, as long as they don't have sex.
Inoue told CNN that he got the idea after a British traveller live-streamed his stay in the hotel, and says it is the only hotel with such a proposal.
The camera in the minimally furnished room is typically located on a table, but it is out of view of the common area toilet and shower, Inoue said. The microphone attached is disabled for some semblance of privacy, but can be activated for those guests especially thrilled by being watched.
The rate is about $US27 a night at the 10-room hotel, Inoue said in a video, and only Room 8 carries the live-stream deal.
There are other precautions for the "One Dollar Hotel" room. Guests should conceal private information from prying eyes, like passports and credit card numbers, the website says.
Inoue has been the manager since last year for the hotel owned by his grandmother, CNN reported.
But the live stream started three days ago, and it's unclear how many guests have taken on the challenge. He did not return a list of questions submitted by The Post.
But he has a backup plan for people looking to watch other people. He sets up a camera in his office, pointed at himself as he chats live with some of his new fans.
The publicity is working. The previously obscure, bare-bones hotel has added nearly 3,000 YouTube subscribers. And the channel can use ads when it surpasses more than 4,000 of viewing hours.
Inoue sat intently at his keyboard, watching the chat-stream endlessly scroll past him.
"good evening from Denmark"
"hello! from buffalo, NY!"
"Hola desde Cali Colombia"
"hello from Mexico!"
Conversation did not really touch on Fukuoka, where tourists can admire a plum tree-ringed shrine, or slurp down rich bowls of tonkotsu ramen, the local specialty.
Users were more interested in what they can see from thousands of miles away.
"Hi there to all my peeping toms :);)" one user chimed in, to immediate admonishing by others.
"why you gotta make it weird tino," Ruinga said.
Robert M proclaimed the concept could make a lot of money.
"Yes insane future," Christoffer Poulsen said.
The excitement and expectations were a lot for Inoue. He moved the camera to capture himself wrapped in a white blanket, along with a new whiteboard message telling his viewers he was going to bed.
"why am I watching a man sleep," Sabira M. asked. "this is weird."
The Washington Post