An overview of interactor classes
Contents
Mouse tracking interactors
The most numerous and best-developed set of interactors in Tycho are those that "track" movement of the mouse in some way. These interactors can all be cascaded -- for example, cascading a Bounder with a Stepper will move an item in discrete steps and keep it within a given region of the Slate.
Follower
Follower just follows the mouse exactly. It is the most basic kind of mouse tracker, and is the superclass of all other mouse trackers. It has no options other than those in the Interactor superclass.Bounder
Bounder moves an item, but keeps it within a rectangular region of the Slate. It can also constrain the movement of the item in other ways. It adds the following options:
- -bounds. A four-list giving the rectangular coordinates in which to keep the target item. If it is the empty list, then the Bounder keeps the target item within the coordinates of the slate.
- -constrain. This option further restricts movement along certain axes. The default is "none." It can have the following values:
- none: Move anywhere within the bounds
- x: Move only along the horizontal axis
- y: Move only along the horizontal axis
- positive: Move only along the positive diagonal axis
- negative: Move only along the negative diagonal axis
Stepper
Stepper quantizes the mouse movement. It adds the following options:
- -stepsize. The quantization step size. The default is 12.
- -gridded. If true, the cursor movement is quantized to a grid with size given by the -stepsize option. Otherwise, the change in coordinates is quantized (the default).
Repeater
The Repeater interactor is used to provide recurring stimulus while the mouse is held down. Once activated on an item, it executes a command it fixed time intervals for as long as the mouse is held down. It is used, for example, in the Slider widget to move the slider bar while the mouse is pressed anywhere above or below the bar.
Repeater adds the following options:
- -command. The script that is executed repeatedly as long as the mouse button is held down.
- -delay. The time delay between the first and second clicks.
- -interval. The time interval between executions of the script.
TextItemEdit
The Tk canvas (and thus the Slate) provides no built-in editing capabilities for text. The TextItemEdit interactor encapsulates the code needed by the Slate to support basic interactive editing on text items. Note that this is intended only for editing small items like labels in diagrams.
The interactor is attached to one or a set of Slate items with the bind command (as usual). Once activated, the insertion cursor remains in the text item until the stop method is called. How this method is called depends on the client -- it will usually be by the user clicking on a different object. (The usual click-drag-release sequence is used in this interactor, but to drag-select text.)
While an item has the insertion cursor, the text can be edited as follows:
- Typing deletes the selection (if any) and inserts text;
- Left and right cursor keys move one character, control-left and control-right move a word;
- Text can be drag-selected with the mouse; double-click and dragging selects words at a time;
- Holding shift while pressing cursor keys extends the selection.
Selector
The Selector interactor provides the Slate with a general selection mechanism. In effect, it coordinates a number of interactors in order to achieve complex user interaction. By default, the Slate contains a single Selector object that can be accessed through the selector, select, and deselect method. In more complex editors, multiple selectors can be created (such as for selecting within different hierarchical items).
More detail on the selection mechanism is given in Managing graphical selections.


Profile of Doge
Home
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Area of ocupation:
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Alen Kuca
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web designer /
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web application for renting goods.
a personal cryptocurrency portfolio.
web appllication for creating and organizing courses.
alkuca@gmail.com


James Allison frustrated with "miserable" race for Mercedes
by Adam NewtonJames Allison was left disappointed for his first race in charge of the Mercedes team in Toto Wolff's absence, as the 2019 constructors' champions only managed to pick up a measly six points as Lewis Hamilton received a penalty and Valtteri Bottas retired.
The race was only the third time Mercedes failed to score a podium, although Hamilton did collect the P3 trophy before his penalty for hitting Alex Albon was given.
Wolff missed the race for the first time since 2013, giving Allison more responsibility. He told Autosport he enjoyed the new tasks, despite the poor result.
He said: “To be honest I have been doing the same thing I do when I’m here normally, just with a few extra things like this [media session].
“But in terms of what I do here normally, which is just engage with the engineers and try to say helpful things here and there through the weekend, it’s been no different.
“I’ve been here as a technical director and not a team principal. And Toto has been a team principal off doing other work, instead of here.
“It’s hard to say that I haven’t enjoyed it. I always enjoy coming to the track. It’s just been miserable when we make a mess of a race.”


NOAA data sources are compiled for easy comparison with dengue health data. These environmental data are from Iquitos, Peru and San Juan, Puerto Rico to correspond with the available dengue data. All data are provided in a csv format for easy access. All data are maintained and quality controlled by the programs that manage these data sources. Please be aware that data may still potentially contain quality issues and any user should inspect these data before use.
Environmental data provided for this study are from a variety of sources (ground observations, remote sensing, and reanalysis). Each source has different limitations and quality issues. Users of these data should be careful to utilize data that provide the most confidence for the actual representation of the surrounding conditions. Ground observations are generally an optimal representation of the actual local conditions. Remotely sensed observations are generally an excellent observation of precipitation and vegetation conditions for a location. Reanalysis data are a good representation of the conditions of a given area, especially when other data sources are not available.
Users should also be aware that these environmental data are at varying spatial scales. Station data are at a point-based estimate of the local climate conditions; whereas, the reanalysis and remotely sensed data are grid cells. For more information, please read the following descriptions to learn more about the differences.
Below is a description of the environmental data sources that are provided for analysis with dengue data.
The GHCN stations with daily temperature and precipitation data are available for both locations.
Additional data access and full description of data can be found here:
https://www.ncdc.noaa.gov/oa/climate/ghcn-daily/
Individual stations that are inside or near the city are listed here:
San Juan, Puerto Rico: RQW00011641; Lat = 18.4325; Long = -66.0108; Elevation = 2.7; Start = 1956; End = 2015
Iquitos, Peru: PE000084377; Lat = -3.783; Long = -73.3; Elevation = 126; Start = 1973; End = 2015
Temperature values are in Celsius; Precipitation values are in mm.
Values include Maximum Temperature, Minimum Temperature, Daily Average Temperature, Diurnal Temperature Range, and Daily Precipitation.
*Be aware that some stations may have missing days and/or missing values. Missing values are identified as -9999. Missing days are not identified in the record.
*Station observations for San Juan are complete and have few missing values. However, there are multiple missing station observations for Iquitos and users should refer to other data sources provided.
Download data (naming convention = CityNameIDENTIFICATION_NUMBER.csv):
Iquitos
San Juan
PERSIANN is a global climatological data record of precipitation from remote sensing information using an artificial neural network. These data are available for each city on a daily basis from 1983-present.
The resolution of this data product is 0.25x0.25 degree.
Additional data access and full description of data can be found here:
http://www.ncdc.noaa.gov/cdr/operationalcdrs.html
Precipitation data are from the grid surrounding the station located in the city.
Precipitation values are reported as daily sums in mm.
*Missing values are listed as -9999.
Download data (naming convention = LOCATION_Precip.csv):
Iquitos
San Juan
Climate Forecast System Reanalysis is global, high-resolution, coupled atmosphere-ocean-land surface-sea ice system to provide the best estimate of the state of these coupled domains over the period of record.
Data are available from 1979-present.
Additional data access and full description of data can be found here:
http://rda.ucar.edu/datasets/ds093.0/#metadata/detailed.html?_do=y
CFSR provides a variety of data that are not easily accessible from other data sources. This includes relative humidity, specific humidity and dew point.
Temperature data values are available in Kelvin.
Resolution of the grid is 0.5 degree.
Download data (naming convention = LOCATION.csv):
Iquitos
San Juan
NDVI CDR is a global climatological data record of vegetation. These data are available for each city on a weekly basis from 1981-present.
The resolution of the product is at 0.05x0.05 degree.
Additional data access and full description of data can be found here: http://www.ncdc.noaa.gov/cdr/operationalcdrs.html
Four pixels closest to the city centroid are provided for evaluation of vegetation change.
30-year climatologies were also provided for these sites.
*NDVI data are provided without quality flagged data removed. Quality flagged data are provided at the CDR webpage.
Download raw data (naming convention = LOCATION_noqc.csv):
Iquitos
San Juan
Download raw climatologies (naming convention = LOCATION_clim_noqc.csv):
Iquitos
San Juan


Steak Fajita Salad Tired of your basic toast? Try this superfood breakfast recipe! Simple yet delicious, this recipe will only take less than half an hour.
Fresh Salmon with Thai Noodle Salad My name is Bansari! I am currently a third year Economics student at the University of Bristol. I have always enjoyed cooking and experimenting with new recipees. For new students, cooking can be quite scary. However, I want to make cooking a more enjoyable experience.
Ultimate Chicken Burrito Feeling adventurous?  The best part of this meal is that it is made in under 30 minutes.


Learn fast and forget about forgetting
With the kememo method, you can memorize thousands of words, facts and rules, once and for all. The algorithm makes sure that you minimize the time you spend on learning and repetitions, and achieve your learning goals in the most effective way.


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The Hunger Games: Mockingjay - Part 1
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2014
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Using the MIMIC-III database
Final Project of HS650: Data Analysis and Predictive Analytics
Writing & research synthesis sample
Report written for SI501: Contextual Inquiry


HeliumLogger
Provides a lightweight logging implementation for Swift which logs to standard output.
Features
- Logs output to stdout by default. You can change the output stream, see example usage for
HeliumStreamLogger.use(_:outputStream:)
. - Different logging levels such as Warning, Verbose, and Error
- Enable/disable color output to terminal
- Support for the Kitura
LoggerAPI
and Swift-logLogging
logging APIs.
Usage
Add dependencies
Add the HeliumLogger
package to the dependencies within your application’s Package.swift
file. Substitute "x.x.x"
with the latest HeliumLogger
release.
.package(url: "https://github.com/Kitura/HeliumLogger.git", from: "x.x.x")
Add HeliumLogger
to your target’s dependencies:
.target(name: "example", dependencies: ["HeliumLogger"]),
Import packages
To use with LoggerAPI:
import HeliumLogger
import LoggerAPI
To use with swift-log:
import HeliumLogger
import Logging
Initialize HeliumLogger
To use HeliumLogger as a logging backend for LoggerAPI:
let logger = HeliumLogger()
Log.logger = logger
or, if you don’t need to customize HeliumLogger
:
HeliumLogger.use()
To use HeliumLogger as a logging backend for swift-log:
let logger = HeliumLogger()
LoggingSystem.bootstrap(logger.makeLogHandler)
Or, as a convenience:
HeliumLogger.bootstrapSwiftLog()
Logging levels
You can specify the level of output on initialization. You will see output of that level, and all levels below that.
The order is:
- entry (entering a function)
- exit (exiting a function)
- debug
- verbose (default)
- info
- warning
- error
For example, this logger will show messages of type verbose
, info
, warning
, and error
:
let logger = HeliumLogger(.verbose)
Log.logger = logger
In this example, the logger will only show messages of type warning
and error
:
HeliumLogger.use(.warning)
Note that when HeliumLogger is used in conjunction with swift-log, the logging level is determined by the Logger
, and HeliumLogger’s own logging level is unused.
Adjust logging levels at runtime (LoggerAPI)
Calling HeliumLogger.use(LoggerMessageType)
will set the LoggerAPI
to use this new HeliumLogger instance. If in a route you detect an error with your application, you could use this to dynamically increase the log level.
This new instance will not have any customization which you applied to other instances (see list item 7).
Logging messages (LoggerAPI)
How to use HeliumLogger to log messages in your application with LoggerAPI:
Log.verbose("This is a verbose log message.")
Log.info("This is an informational log message.")
Log.warning("This is a warning.")
Log.error("This is an error.")
Log.debug("This is a debug message.")
Further customization
/// Whether, if true, or not the logger output should be colorized.
public var colored: Bool = false
/// If true, use the detailed format when a user logging format wasn't specified.
public var details: Bool = true
/// If true, use the full file path, not just the filename.
public var fullFilePath: Bool = false
/// If not nil, specifies the user specified logging format.
/// For example: "[(%date)] [(%type)] [(%file):(%line) (%func)] (%msg)"
public var format: String?
/// If not nil, specifies the format used when adding the date and the time to the logged messages.
public var dateFormat: String?
/// If not nil, specifies the timezone used in the date time format.
public var timeZone: TimeZone?
API documentation
For more information visit our API reference.
Community
We love to talk server-side Swift, and Kitura. Join our Slack to meet the team!
License
This library is licensed under Apache 2.0. Full license text is available in LICENSE.


What's new in version 4?
- SVG Support
- Kraken now features an SVG sprite generator, as well as an SVG feature test for some conditional styling.
- Goodbye IE 8
- Kraken 4 drops optimization for IE 8. That means no more conditional classes on the
<html>
element, and HTML5 shim has been removed. IE 8 users will get a very minimal, content-focused, single-column experience.
- Documentation Generator
- A built-in documentation generator makes it easier for you to keep your team informed and teach clients about how to use the things you build with Kraken.
- Sass 3 Features
- Sass variables and the new
@each
loop make extending the grid and adding icon fonts much easier.
- New Namespacing
- The feature detection script was renamed
detects.js
. The main CSS and JavaScript files were namespaced as main
instead of kraken
. And .text-tall
was changed to .text-large
for better semantics and extensibility.
@@include('_templates/_nav.html')


Last Updated: 25 May 2018
This is the Privacy Policy for Surge Ventures Inc. (“Privacy Policy”), and this Privacy Policy explains how and why we collect and use personal information, and what we do to ensure it is kept private and secure and in compliance with the applicable laws.
Click on any of the following sections to jump directly to that heading:
We are Surge Ventures Inc., the company behind Shedul and Fresha (“we,” “our”, “us”). When you use our apps and services, you’re trusting us with your information. We understand this is a big responsibility and we work hard to protect your information and put you in control.
This Privacy Policy is meant to help you understand what information we collect, why we collect it, and how you can update, manage, export, and delete your information. For the purposes of data protection law, we will be a controller of the personal information we hold about you. This means we make decisions about how and why your information is used, and have a legal duty to make sure that your rights are protected when we use it.
| “Apps” | the “Shedul” and “Fresha” apps available on the Google Play Store or the Apple App Store; |
|---|---|
| “End User” | an individual using any of our Apps; |
| “Merchant” | a business owner who uses the Shedul app to make bookings and engage with customers; |
| “Privacy Policy” | this privacy policy which may be amended from time-to-time; and |
| “Services” | any of the services we provide to merchants or individuals through our Apps and Websites (being www.fresha.com and www.shedul.com). |
This Privacy Policy will apply to you if you are either:
By accessing or using the Services or any of our Websites, you agree to the terms of this Privacy Policy. If we make any significant changes to this Privacy Policy, we will notify you through email or directly through our Apps and Websites.
If you have any questions about our Privacy Policy, don’t hesitate to get in touch with us. Please feel free to reach out to us at [email protected].
We collect personal information (meaning anything that could identify you either by itself, or when combined with other information we are able to gain access to), as described below. You can always choose not to provide us with your personal information, but it may mean that we are unable to provide you with the Service you have requested.
When you create an account using either of our Apps or Websites, you provide us with personal information, including your name, e-mail address, postal address, a password, the name of your business (if you are a Merchant) and your phone number (if your device has one). We also collect demographic information such as your birth date, age, gender and lifestyle. If you give us permission to do so, we may also collect information about your social media presence, including your usernames.
Apps and Browsers
We collect information about your device when you download and install one of our Apps, and about your browser when you visit either of our Websites.
The information we collect includes:
When Using Our Services
We collect personal information when you use our services. This may include:
If you are a Merchant, we will collect the following details about you:
We may receive personal information about you from other sources with which you have registered, Merchants, business partners, affiliate entities (collectively, "Partners"), or other third parties. For example, if an End User creates an account on Fresha through one of our registration partners, such as Google or Facebook, we may collect personal information from those websites. We may associate this information with the other personal information we have collected about you.
Through your use of the Services, we may also collect information from you about someone else. If you provide Fresha with personal information about someone else, you must ensure that you are authorised to disclose that information to Fresha and that, without Fresha taking any further steps required by applicable data protection or privacy laws, Fresha may collect, use and disclose such information for the purposes described in this Policy. See Section 0 for more about referrals. If Fresha has been given personal information about you by another user and you would not like us to retain it, please contact us using the details given in Section 1 above, and we will delete it.
A cookie is a small file of letters and numbers that we store on your browser or device if you agree. Pixel tags and web beacons are tiny graphic images placed on website pages or in our emails that allow us to determine whether you have performed specific actions. When you access these pages or open email messages, the pixel tags and web beacons generate a notice of that action to us or our service providers. These tools allow us to measure response to our communications and improve our web pages and promotions.
We use the following types of cookies:
Remarketing Cookies
You may notice that sometimes, after visiting a website, you see increased numbers of adverts from the site you visited. That’s because the website you visited has placed a cookie on your web browser. Using that cookie and web analytics tools, the website owner will be able to show you adverts on third-party websites that they think you might be interested in. This cookie does not give access to your computer or mobile device, but may be able to identify you from other details.
Google Analytics
Our Websites use Google Analytics to show relevant adverts to users who have previously visited us as they browse the web. This enables us to tailor our marketing to better suit your needs and only display ads that are relevant to you. You may see Fresha or one of our Merchants in search results pages (using Google Adwords), on YouTube, in banner adverts on Gmail and on other services run by Google.
Any information collected will be used in accordance with our own privacy policy and Google’s privacy policy. If you do not wish to see ads, you can:
Facebook Remarketing
We also use similar targeted advertising technology to ensure that we only serve people with adverts on their Facebook pages that are relevant to them. To enable us to do this, we include a piece of code on our websites, called the Facebook Pixel. The information collected, for example which pages you visited, which device you used and what actions you took, will be used in accordance with our own privacy policy, as well as Facebook’s privacy policies. The Facebook Pixel only lasts for sixty (60) days. Using the Facebook Pixel, we can also remarket adverts to you through Instagram, which is owned by Facebook. You can set preferences for how Facebook advertises to you using your Facebook ad preferences.
You can refuse to accept some or all cookies by modifying settings within your browser. For guidance on how to do this, please visit http://www.aboutcookies.org. However, if you block strictly necessary cookies, you may be unable to access certain parts of our Websites. If you wish to opt out of remarketing cookies, please visit the Network Advertising Initiative Opt-out Page.
We will only use your personal information when the law allows us to. Most commonly, we will use your personal information in the following circumstances:
Your information will be treated in accordance with applicable data protection law.
We may rely on legitimate interests to process your personal information, provided that your interests do not override our own. Where we rely on legitimate interests, these interests are:
We employ a variety of physical and technical measures to keep your personal information safe and to prevent unauthorised access to, use or disclosure of it. Databases are stored on secure servers and we control who has access to them (using both physical and electronic means).
Where we have given you (or where you have chosen) a password which enables you to access our Services, you are responsible for keeping this password confidential. We ask you not to share a password with anyone. We cannot absolutely guarantee the security of the internet, external networks, or your own device, accordingly any online communications (e.g. information provided by e-mail, through our Website or our Apps) are at your own risk.
We are a multinational company with group companies in the United States, United Kingdom, Poland, and the United Arab Emirates. Where possible, our data is hosted and stored within the European Economic Area or with partners protected by Privacy Shield agreements. When necessary, the information that we collect from you may be transferred to, and stored at, a destination outside the United Kingdom and the European Economic Area (“EEA”), and may also be processed by staff operating outside the United Kingdom or the EEA who work for us or for one of our partners. Whenever data is transferred outside of the UK or EEA, we will take all steps reasonably necessary to ensure that any transferred personal information is treated securely and in accordance with applicable data protection laws.
Fresha will store personal data as long as Merchant accounts continue to use our software, and for a period of not more than 24 months thereafter. Users may elect to have their data removed from Fresha either by contacting the Merchant directly or by contacting users on Fresha.com. In the case that a Merchant explicitly indicates their intention to cease to use our software and have their data deleted, personally identifiable information stored with their account shall be encrypted and/or removed. Other information related to activity on the Apps will be retained for reporting and analytical purposes, or other purposes at set forth in Section 8.
Except as otherwise stated in this Privacy Policy, we do not sell, trade, rent, or otherwise share the personal information that we collect with third parties, unless you ask or authorise us to do so. However, there are occasions where we may need to disclose your personal information. Where we do so, any such disclosure will be on the basis that these third parties are required to keep the information we give them confidential and secure, and will not use it for any other purpose than to carry out the services they are performing for us. We may disclose personal information as follows:
We may share some or all of your personal information, including but not limited to booking information, staff member names, Merchant offerings, ratings and reviews, prices and discounts, appointment availability, and related data (collectively "Merchant Information") with end users who have signed up or registered for Fresha and with Fresha business partners and affiliates with which Fresha is working:
We may use aggregated non-personally identifiable data to:
We are subject to the law like everyone else. We may be required to give information to legal and/or regulatory authorities if they so request, or if they have the proper authorisation such as a search warrant or court order.
We also may need to retain and disclose certain personal information about you to legal and/or regulatory authorities and to appropriate agencies to conduct anti-money laundering checks and to assist with fraud prevention. We will disclose this information as is required by law.
This Privacy Policy applies solely to the personal information collected by Fresha and does not apply to third party websites. Fresha is not responsible for the privacy policies of third party websites. You should read the privacy policies of other websites before providing them with any personal information about you.
We want you to remain in control of your personal information. Part of this is making sure you understand your legal rights, which are as follows:
If you would like further information about any of your rights or wish to exercise them, please contact us using the details given in Section 1.
Please keep in mind that there are exceptions to the rights above and, though we will always try to respond to your satisfaction, there may be situations where we are unable to do so (for example, because the information no longer exists or there is an exception which applies to your request).
If you are not happy with our response, or you believe that your information protection or privacy rights have been infringed, you should contact the UK Information Commissioner's Office, which oversees information protection compliance in the United Kingdom. Details of how to do this can be found at www.ico.org.uk.
We may update this Privacy Policy at any time. When we do, we will post a notification on the main page of our Website and we will also revise the updated date at the bottom of this page. We encourage users to frequently check this page for any changes to stay informed about how we are helping to protect the personal information we hold.


yue.less is a optimized less version of yue.css
yue.css is a typography stylesheet for readable content. It was created for my blog at first since I always designed a new theme for my blog. But later it becomes the offical stylesheet for yuehu site.
yue.css is not a reset stylesheet.
It is designed for article content, and only article content. If you are looking for a reset css, you are watching the wrong repository.
Just grab the css file or the less file from the yue.less GitHub project.
.yue
classFor readable content, wrapper them under the .yue
class, and everything
would be ok now:

Heading

Paragraph of contents...

.du
classThe .du
class add SN prefix to your h(2-4) tags automatically.

Title

Chapter 1>

Section 1

Click the link below to see the .du
class's effect in action.
https://cdn.rawgit.com/uexim/yue.less/master/index.html?du
yue.css only supports selected tags which are commonly used in an article.
| Tag Name | Description |
|---|---|
| h1 - h6 | headings for title |
| p | paragraph |
| a | anchor links |
| strong b | emphasis in bold style |
| em i | emphasis in italic style |
| img | image |
| figure | figure wrapper for images |
| figcaption | figcaption in figure |
| hr | separator |
| blockquote | style for quotes |
| ul ol li | ordered and unordered list |
| pre | code block |
| code tt | inline code |
| table .. | tables (not well designed) |
| iframe | embed iframe style |
Headings are tags

,

,

,

,

and

.
But the most commonly used tags are

,

, and

.
Emphasis works on something important or valuable.
and
are not designed for this purpose, you should always use
and
.
Links are the soul of internet. Fork it on GitHub.
Images can be wrappered in a

tag:
There is ordered list

and unordered list

.

yue.css has no target language, however it looks great in both English and Chinese.
yue.css 并不是为某一特定语言设计的，但是它确实在英文和中文上表现出色。
MIT for personal websites only. Commercial websites should contact me for more information.


ALMOST FAMOUS A film review by Steve Rhodes Copyright 2000 Steve Rhodes RATING (0 TO ****): *** 1/2
Watching ALMOST FAMOUS by writer/director Cameron Crowe (JERRY MAGUIRE) is like enjoying one of those old vinyl LPs that are collecting dust in your closet. As you kick back, you can remember your younger days, while listening to some great rock 'n' roll.
Our guide on this journey to the past is William Miller, a cherubic 15-year-old high school senior about to graduate. He not only looks and is much younger than his fellow classmates, he even seems younger than 15. In an inspired bit of casting, Patrick Fugit, a kid with sweetly penetrating eyes and an androgynous bowl haircut, plays William.
Today's kids dream of becoming video game designers or dot-com zillionaires. Back in 1973 being a music critic would rank second only to being a rock star. With no apparent musical skills but with a gift for writing and a passion for listening to music, William sets his sights on a career writing about rock bands. Whether anyone will take this boyish figure as a real critic seems questionable at best.
William's mother, Elaine (Frances McDormand), is a professor who warns her family against rock 'n' roll. Even Simon and Garfunkel's music, she tells them, is just about "drugs and promiscuous sex." Whenever she speaks to her son, she is just as likely to say, "Don't take drugs!" -- which he never does -- as she is to say, "I love you." The good-spirited script softens Elaine's image so that we find her a strong, lovable character and not merely a cliché.
As a cynical music writer named Lester Bangs, Philip Seymour Hoffman plays William's brash mentor. Lester tells William that it's too bad he missed rock's heyday and that it's all over now. He generously gives William his first assignment -- a small piece writing about Black Sabbath. William repeats Lester's writing advice like a mantra from on high: "Honest. Unmerciful." Lester warns him about the pitfalls of writing about a band that he likes. "Friendship is the booze they feed you," Lester admonishes him.
Although he can't even get past the stage door bouncer to see Black Sabbath, he does manage to strike up a friendship with Clearwater, who end up inviting him to join them on tour. This lands him a writing gig with Ben Fong-Torres (Terry Chen) of Rolling Stone to interview the band on the tour, which is called the "Almost Famous Tour 73." (The real-life Ben Fong-Torres was at our press screening, and he seemed quite amused by it all.)
Right away, the pixyish kid is adopted by the band like a mascot, and they take William (and us) into their world of concerts, bus trips and groupies. They also provide enough quotes for our young scribe to fill several volumes. "Rock 'n' roll can save the world!" Jeff Bebe (Jason Lee from DOGMA) tells William. "And the chicks are great, right?"
Traveling with Clearwater are girls that call themselves "Band-Aids" rather than groupies since they don't have "sex" with band members, just oral sex -- where have we heard that one before? The leader of this contingent is a girl who calls herself Penny Lane (Kate Hudson) and who says that she's about William's age. She and William become best friends, but she is the mistress of Russell Hammond (Billy Crudup from JESUS' SON), the band's most popular member. Russell, who bonds with William, explains that all of the band members have wives and permanent girlfriends back home so that he shouldn't write about the Band-Aids.
Crudup, who frequently seems so serious in his parts that you wonder if he's having any fun, clearly gets a kick out of his role this time. Russell knows that no matter how innocent William looks, he could still be the enemy if he writes something that trashes the band or reveals too many secrets. Russell's a trippy philosopher ("In 11 years, it will be 1984 -- think about it."), who is more profound sober than stoned.
The music is great, the concert footage is energetic and John Toll's cinematography is luscious. A completely entertaining film, it manages to find a cathartic way to wrap it all up. And it makes this film critic a bit jealous since William's assignment is like the job of a lifetime.
ALMOST FAMOUS runs 2:04. It is rated R for language, drug content and brief nudity and would be acceptable for most teenagers.
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Downtown Streets Team
The Downtown Streets Team help homeless people in Marin and other areas. They treat the people who they help with dignity and they make them feel empowered. Those who they help work on projects with them. The Downtown Streets Team's ultimate goal is to transition the people who the help into employment and having a job. They believe that having a job restores hope and creates opportunity, so the Downtown Streets Team helps homeless people do this.
You can find them
In the real world, here: 532 4th St, San Rafael, CA 94901
Through email here<EMAIL_ADDRESS>Remember:
You should contact Downtown Streets Team before donating any items.


As of version 1.84 PsychoPy connects directly with the Open Science Framework website (http://OSF.io) allowing you to search for existing projects and upload your own experiments and data.
Sharing with collaborators
You may find it simple to share files with your collaborators using dropbox but that means your data are stored by a commercial company over which you have no control and with no interest in scientific integrity. Check with your ethics committee how they feel about your data (e.g. personal details of participants?) being stored on dropbox. OSF, by comparison, is designed for scientists to stored their data securely and forever.
Once you’ve created a project on OSF you can add other contributors to it and when they log in via PsychoPy they will see the projects they share with you (as well as the project they have created themselves). Then they can sync with that project just like any other.
Sharing files/projects with others
Optionally, you can make your project (or subsets of it) publicly accessible so that others can view the files. This has various advantages, to the scientific field but also to you as a scientist.
- Good for open science:
- Sharing your work allows scientists to work out why one experiment gave a different result to another; there are often subtleties in the exact construction of a study that didn’t get described fully in the methods section. By sharing the actual experiment, rather than just a description of it, we can reduce the failings of replications
- Sharing your work helps others get up and running quickly. That’s good for the scientific community. We want science to progress faster and with fewer mistakes.
Some people feel that, having put in all that work to create their study, it would be giving up their advantage to let others simply use their work.
- Good for the scientist:
- When you create a study you want others to base their work on yours (we call that academic impact)
- By giving people the exact materials from your work you increase the chance that they will work on your topic and base their next study on something of yours
- By making your project publicly available on OSF (or other sharing repository) you raise visibility of your work
You don’t need to decide to share immediately. Probably you want your work to be private until the experiment is complete and the paper is under review (or has been accepted even). That’s fine. You can create your project and keep it private between you and your collaborators and then share it at a later date with the click of a button.
Using PsychoPy to sync with OSF
PsychoPy doesn’t currently have the facility to create user profiles or projects, so the first step is for you to do that yourself.
Login to OSF
From the Projects menu you can log in to OSF with your username and password (this is never stored; see Security). This user will stay logged in while the PsychoPy application remains open, or until you switch to a different user. If you select “Remember me” then your login will be stored and you can log in again without typing your password each time.
Projects that you have previously synchronised will try to use the stored details of the known users if possible and will revert to username and password if not. Project files (defining the details of the project to sync) can be stored wherever you choose; either in a private or shared location. User details are stored in the home space of the user currently logged in to the operating system so are not shared with other users by default.
Security
When you log in with your username and password these details are not stored by PsychoPy in any way. They are sent immediately to OSF using a secure (https) connection. OSF sends back an “authorisation token” identifying you as a valid user with authorised credentials. This is stored locally for future log in attempts. By visiting your user profile at http://OSF.io you can see what applications/computers have retrieved authorisation tokens for your account (and revoke them if you choose).
The auth token is stored in plain text on your computer, but a malicious attacker with access to your computer could only use this to log in to OSF.io. They could not use it to work out your password.
All files are sent by secure connection (https) to the server.
Searching for projects
Having logged in to OSF from the projects menu you can search for projects to work with using the >Projects>Search menu. This brings up a view that shows you all the current projects for the logged in user (owned or shared) and allows you to search for public projects using tags and/or words in the title.
When you select a project, either in your own projects or in the search box, then the details for that project come up on the right hand side, including a link to visit the project page on the web site.
On the web page for the project you can “fork” the project to your own username and then you can use PsychoPy to download/update/sync files with that project, just as with any other project. The project retains information about its history; the project from which it was forked gets its due credit.
Synchronizing projects
Having found your project online you can then synchronize a local folder with that set of files.
- To do this the first time:
- select one of your projects in the project search window so the details appear on the right
- press the “Sync...” button
- the Project Sync dialog box will appear
- set the location/name for a project file, which will store information about the state of files on the last sync
- set the location of the (root) folder locally that you want to be synchronised with the remote files
- press sync
- The sync process and rules:
- on the first synchronisation all the files/folders will be merged:
- the contents of the local folder will be uploaded to the server and vice versa
- files that have the same name but different contents (irrespective of dates) will be flagged as conflicting (see below) and both copies kept
- on subsequent sync operations a two-way sync will be performed taking into account the previous state. If you delete the files locally and then sync then they will be deleted remotely as well
- files that are the same (according to an md5 checksum) and have the same location will be left as they are
- if a file is in conflict (it has been changed in both locations since the last sync) then both versions will be kept and will be tagged as conflicting
- if a file is deleted in one location but is also changed in the other (since the last sync) then it will be recreated on the side where it was deleted with the state of the side where is was not deleted.
Conflicting files will be labelled with their original filename plus the string “_CONFLICT<datetimestamp>”
Deletion conflicts will be labelled with their original filename plus the string “_DELETED”
Limitations
- PsychoPy does not directly allow you to create a new project yet, nor create a user account. To start with you need to go to http://osf.io to create your username and/or project. You also cannot currently fork public projects to your own user space yet from within PsychoPy. If you find a project that is useful to you then fork it from the website (the link is available in the details panel of the project search window)
- The synchronisation routines are fairly basic right now and will not cater for all possible eventualities. For example, if you create a file locally but your colleague created a folder with the same name and synced that with the server, it isn’t clear what will (or should ideally) happen when you now sync your project. You should be careful with this tool and always back up your data by an independent means in case damage to your files is caused
- This functionality is new and may well have bugs. User beware!


?6
7
8
9
10
copyright
reserved
botanical
Garden
Yo*>
BOTANICAL
GARDE**
INSTITUTE
OF
JAMAICA
FLORA
OF
JAMAICA
Parish:
CLARENDON
Name:
Lisianthus
exsertus
Sw,
Locality:
Wason
R.
Field
Station,
ca.
2.75
mi
NW
of
Kellitts
Altitude:
2100*
Date:
24
Jan.
1984
Habitat:
savanna
of
damp
compacted
clay,
dominated
sedges
and
grasses
Notes:
Collector:
Nilsson
No.
1984-25
À76
Co
t
7
Det.-rev.
M.
Thiv
(B)
2001
1624644
Legend -
Level of confidence that token is an accurately-transcribed word
extremely low
very low
low
undetermined
medium
high
very high


Basic overview of "the web"
The main type of documents on the web are made with a language called HTML.
HTML stands for "Hypertext Markup Language". Another types of documents we can find on the web are: PDF, images, plain text, videos, music and basically anything you like.
To understand what "the web" is, we can break it up in parts:
1) Your computer + browser: A browser is a program that runs on your computer to display files found on the web. e.g. Google Chrome, Firefox, others.
2) The internet: is the world's larger computer network.
3)HTTP: is the main protocol of the web, used by your computer to communicate with the servers.
4) Servers: are big computers hosting the files that make up the web.
How does it work?
Your computer (through your favorite browser) makes requests via the internet to the server, using a protocol called HTTP. After that, the server responds with files that your browser displays in your computer.
This video explains very well this process.
Introduction to HTML
HTML stands for "Hypertext Markup Language". It is basically "The heart of the Web".
HTML is made of:
1. Text content: is what you see.
2. Markup: what it looks like.
3. References to other documents.e.g: images + videos.
4. Links to other pages
HTML Markup
HTML Markup is made of tags. To understand this better, refer to this video.
Its basic structure is the following:
tag - content - tag
-Tags:
Tags are always contained within angle brackets. Most of them have an opening and a closing tag. Some of them doesn't require a closing tag (called void tags).
For an example of a tag watch this video.
-Content:
Contents could be other tags or just text.
-Elements:
The structure (tag - content - tag) is called an element. But sometimes a tag might be called an element as well.
Other HTML jargon:
-HTML Attributes:
These are properties of an HTML element. It has the following structure:
tag - atribute = "atributes value" - contents - tag
For an example of how to use "attributes" watch the following video.
End Notes:
-How coding works: coding is a language we use to communicate with computers.
- Computers are stupid: this means programmers should write exactly what the computer understands. Otherwise, there will be problems with its function.
-Programmers can't remember everything: don't feel bad if you can't remember how to type something in HTML language. You can always look it up! :).


A doctrine of the church is only as good as the doctrine of God on which is built.
—John Webster,
“He Will Be With Them” (Kantzer Lectures No. 6)
, 14:55


Select Patient Category
{{category.CategoryName}}
×
Create a new HMO field
Field Name
Field Type
Noun (A word that indicates a name)
Text (An address, a description, etc)
Number (An integer or fractional based number)
Date (includes time)
Field Description
×
Modify HMO field
Field Name
Field Description


Flat skin are simple PNG images and some PSD for complex PNG. But You can easily change the color of a PNG image in Photoshop using the color overlay layer effect.
Open a .png file in Photoshop CS
Right-click on "Layer 0" and choose "Blending Options"
In the resultant dialog, select "Color Overlay" from the left-hand pane
And then double click the red color swatch to change the color
Choose a new color and click OK to save your changes
You can "Copy Layer Styles" and "Paste Layer Styles" for apply color for other icons


| DOSE: |
55 mg |
oral |
AMT |
(powder / crystals) |
Around six o'clock in the afternoon Stumpy The worm called me in the kitchen to kick off the drop time. We were taking AMT tonight and the word was that this stuff could last up to 12 hours. We also knew not to eat much before the drop time because it would increase the nausea symptoms. The day was old but the night was creaping around the corner. 6:15 AMT was successfully consumed. My mindset was good and I was ready for this long adventure. We had to mix it with everclear because it doesn't disolve in water. It wasn't properly measured but we were sure the dosage would be around 40 mg. It was my first time and soon enough to be my last. I took fifteen mg over the estimated dosage.
An hour passes and Stumpy is hugging the toilet. Omar the omniscient shows up at fifteen after seven and drops 10 mg more than me. The nausea was really bad but I kept it down. I felt weighed to the ground and I knew I wasn't going anywhere for a long time. 9:00 rolls around, Omar, stumpy and I watched tv while triping on certian motions in the room. I've experienced mushroom, x, and 5Meo-Dipt last semester but this was on a totally different level.  It was like being drunk and blind. Stumpy started to get all excited and hyper while he paced around the room smikering with amazement. He said he was seeing trailers all over. Omar was feeling lazy like me but I got up anyway to get the blood flowing. I started to get a familiar tingling sensation in my head and down my back. It was like x but without the energy.
ten o'clock pops up and my mind starts to fluster. I couldn't keep up with all the thoughts, trips, and sounds. Stumpy and I decided to take a stroll outside. This was the longest journey of the evening. We found ourselves at the swings and gave it a try. Pure joy! Must swing on AMT. After the swing we chilled in the house for quite a while. This is when the visual really started kicking. Hundreds of faces were in the floor.  Hoopty was twigging on the baloon.  It was pretty frigin' triped out.
 After seeing skulls, scary faces, and Lucafer in the sky I would have to say it was pretty evil trip.  Every time we smoked dank we would trip 10X as much. It was crazy watching the movies and tv inside a balloon. I think people with open minds and creative thoughts could really expand on this drug. It's back to mushrooms for me but for stumpy and Omar, they'll repeat. the end.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


When post-editing existing text, Writer’s auto-formatting feature can convert the typewriter keyboard’s “straight” quotes and apostrophes into typographic “curly” ones. However, this works only for paragraphs assigned the “default” paragraph style and, depending on the document language, for the quotation marks once set.
The “curly quotes” extensions convert quotes, apostrophes, dashes and ellipses between different language-dependent styles, whatever the document or system language. You can also convert the typographic glyphs back to the “typewriter” style if desired. This works regardless of the paragraph style you set.
You can install several language variants in parallel. Use the exchange format to convert quotation marks between different languages.
For more information see the project home page.
OpenOffice Extension Compiler by Bernard Marcelly.


WITNESS LIST Higher Education Committee May 2, 2006-10:00A Interim Charge 4 On: Brunjes, Jim (Texas Tech University System) Escalante, Richard (University of North Texas System) Garcia, Rey (Texas Assn of Community Colleges) Gay, Jr., Vergel Lee (University of Houston System) Hooton, James (The Texas A&M University System) Kelley, Scott C. (The University of Texas System) Miller, John (LBB) Paredes, Dr. Raymund A. (Texas Higher Education Coordinating Board) Pickelman, John (TACC) Shepard, Mr. Bob (Texas Higher Education Coordinating Board) Smith, Roland (Texas State University System) Valek, Millicent (TACC)


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BatmanThe sexual orientation of America's premiere caped crusader has been a point of flaming contention for well over fifty years. For some people, witnessing a cameo by Liberace as piano-playing villain "Chandel" on the television series is sufficient proof, but let's allow the record to speak for itself. Batman's earliest uniform was little more than a skin tight, candy-colored leotard which left little to the imagination. Instead of a frilly tutu, there was a utility belt. This ensemble was further complimented by long, sweeping cloakery and a bulging codpiece. Yes, the costuming was all very dandy, and it further cemented an unspoken connection between fruity drama-queen acrobatics and lead actor Adam West's propensity for high camp. Batman the comic, Batman the television program, Batman the animated cartoon and Batman the major motion picture series all cheerfully subscribe to characteristics attributed to male homosexual culture across the globe. Batman's eagerness to indulge in wrestling or full contact fisticuffs during hand-to-hand combat easily reveals repressed queer intentionality similar to that exhibited by tightly-wound homosexual delinquents who substitute violence for intimacy. Batman's lack of commitment to women, specifically his inability to maintain long-term, close relationships with female partners, is a recurrent theme. Finally, there's the constant presence of lifelong companion Robin, the boy wonder. They work together, they play together. They slide down poles and try on different outfits. Superhero crime fighters often assume secret identities which imply they're firmly wedged in the closet with mom's lipstick, but Batman and Robin are a truly a dynamic duo. Both conceal vast inner worlds of wrenching conflict from public view. When one considers Batman came into creation during a time in American history when homosexuality was illegal (or a curable mental illness), further credibility to these accusations is readily sustained. The most probing, penetrating, namblariffic analysis of Batman was originally published in 1954. The Seduction of the Innocent outlined Bellevue Hospital psychiatrist Fredric Wertham's hypothesis that Batman's fraternization with Robin was a daddy-boy relationship, an adolescent-with-adult "Ganymede-Zeus" narrative device operating at harmful, subconscious levels on America's youth. Wertham's initial essays seized the comics industry with panic and embarrassment as he drew more and more direct links between superheroes, gayness, and juvenile delinquency. Wonder Woman came under fire for hating men and being plainly lesbian. He labeled the union of Batman and Robin the "wish dream of two homosexuals living together". From The Seduction of the Innocent:
Contemporary director Joel Shumacher has been universally applauded by gay groups for further homoeroticising the Batman film franchise by adding to the costumes of Val Kilmer and George Clooney a set of pert nipples, firmer buttocks, and an extended, inflatable codpiece which more or less resembles a grocery basket overstuffed with bananas.  Journalists, television producers, content providers, and Web sites are regularly denied copyright access by DC Comics if the angle of your story involves gayness. Nevertheless, parody and pop culture analysis continues unabated. In 1996, Robert Smeigel and J.J. Sedelmaier introduced America to superheroes Ace & Gary: The Ambiguously Gay Duo. They fight crime while piloting a dynamic supervehicle shaped like an enormous penis.  The initial cartoons were yanked by censors of the Dana Carvey variety show, but The Ambiguously Gay Duo later found a home on Saturday Night Live.  Timeline
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We host a public cloud running an instance of Nimbits server, but Nimbits was designed to allow you to build an ecosystem of highly scaleable, highly available clusters for your data logging needs. It's not always practical to use a public cloud, so we offer you a way to build your own instance of Nimbits for your data collection needs.
We also provide consulting services for helping you build and monitor your system.
You can download and deploy an entire instance of Nimbits, an Android ready java SDK for connecting software clients, and an Arduino library for connecting custom hardware devices directly to the cloud.
Nimbits runs on the Google ™ App Engine infrastructure, as well as Amazon EC2 and any other cloud provider capable of hosting an Ubuntu Linux KVM based virtual machine. With an enterprise that has many thousands of connected devices it may not be practical to feed all of your data out to the cloud. Many users run an internal cloud on their own hardware with Nimbits consolidating data, and then reporting data upstream to an external cloud.
Nimbits is the only cloud based data historian that is also a fully downloadable package.
Quick Start:
Edit the /etc/apt/sources.list file to add the Nimbits repository to the bottom:
deb http://deb.nimbits.net/packages/ ./
at a terminal, run the following commands:
sudo apt-get update sudo apt-get install nimbits
Edit the file /opt/nimbits/server/war/WEB-INF/appengine-web.xml and change the app id to your Nimbits Instance. Note the version Number you will need to set to the current version on the App Engine Console. Then run the following command from the bin directory in your App Engine SDK:
./appcfg.sh update /opt/nimbits/server/war
Depending on your needs, you can use our hosted nimbits server right now on http://cloud.nimbits.com, or deploy your own to Google App Engine. You can also build an entire nimbits ecosystem with clusters of virtualized servers inside your companies network that can also then relay data out to your choice of externally hosted clouds. Nimbits Server can run on a laptop, server cluster, Google App Engine or Amazon's EC2 cloud.
Nimbits Servers can be interacted with using a collection of REST Web Services where you can do things like record and download data. There is also an SDK for working with your Nimbits Environment, the SDK simplifies using the REST services and handles things like authentication for you. It is a Java program you can include in your development projects or run independently from the command line.
Nimbits server is built on Cloud Computing architecture which makes it highly scalable. You can run Nimbits on a single virtual machine and continue to add virtual machines as your resource needs increase. Nimbits will scale across any number of machines, sharing memory, CPU and I/O resources seamlessly.
Nimbits Server is the data historian and portal server you see when you log into the public instance. Nimbits is built to run on Google App Engine, so you will need to read the installation instructions that will show you how to deploy this download to your App Engine Account. Once you're up and running, you'll be able to use your personal instance on Nimbits Server.


Select Columns¶
Once the table has been read, either from a Local or a Remote source, the Select Columns page displays a list of the table’s variable (column) names and asks you to categorize them as Input, Output, or Neither for the CCA analysis. Variables marked as Neither are omitted from the analysis altogether. Since CCA requires numeric values, strings are automatically excluded from consideration.
Looking at the variables in our Cars example in Figure 19, the faded variable name at the top of the list, Model, is the name for each car model. Because its values are all strings, it has been automatically set to Neither and cannot be changed. Although Origin is a numeric variable, the numbers are encoding categorical labels whose value order has no meaning (US = 1, Europe = 2, Asia =3). Because the values have no ordinal interpretation, Origin should also be removed from the analysis.
Since the number of inputs typically exceeds the number of outputs, we initialize all numeric variables to be inputs, leaving you to identify just the output and excluded variables. If variables shown for this table don’t correspond to the ones you wanted or expected, you can click the Back button to select a different table file.
Variables can be marked one at a time by clicking the radio buttons, or they can be marked in larger groups by using either shift-click to select a contiguous group of variables, or by using control-click to pick a scattered set of rows (as demonstrated in Figure 20). For group selections, you must click on the rows near the variable names instead of near the radio buttons. Once you have highlighted a set of lines for joint assignment, click on the icon under the desired category to set the radio buttons for the group, as shown in Figure 21. Since CCA can be performed on any subset of variables, you can also use it to calculate correlations between multiple inputs and a single output, or between any two individual variables.
Sometimes value ranges between variables differ by many orders of magnitude, which can bias the analysis. The checkbox, Scale inputs to unit variance, permits you to normalize the values prior to running CCA. This feature is enabled by default. If you wish to perform the analysis using the original unscaled values, click within the box to remove the checkmark.
Once you have finished defining the input/output variables for the CCA analysis and have determined whether you want the values to be scaled, click Continue to go to the final step where you provide a name for your model.


{% extends "appfx:base_with_app_bar.html" %} {% load splunkui %} {% block title %}{{app_name}} Home Page{% endblock title %} {% block css %} {% endblock css %} {% block content %}
It is very common to use a timepicker to control the time bounds of a search. This example shows you can can easily set up a timepicker, without any custom code. This example uses Django template tags, but the same can easily be achieved in JavaScript.
Multiple timepickers can exist simultanenously on the page, controlling different searches (or even the same search).
Note that currently only the presets for the timepicker are implemented. Custom time ranges are not supported for this preview release.


After having a very successful introduction to psychedelics a few months ago, I had somehow decided to try, of all things, Salvia Divinorum. I had read about it with some interest over the last several months: an extremely powerful pseudo-psychedelic plant with a history of sacramental usage, but thought by some to either 'not work' or to be extremely unpleasant in effect. I had the will to try it, and it was the easiest powerful drug to obtain at the time.
I received in the mail a half-ounce bag of dried Salvia leaves, and a 1 gram packet of Salvia 5x extract enhanced leaves. I awaited them excitedly and did last-minute research, and they were delivered discretely within a few days. I knew from my studies that I should ease into this plant as slowly and safely as possible. So my plan was to spend the day building up to a breakthrough. I would try both sublingual quids and smoking as methods, and I would only use the extract enhanced leaf if the natural leaves repeatedly failed.
Which they did. I started by chewing a quid of about 6 or 7 leaves for twenty minutes, starting shortly after noon. I expected that would be the best way to start, since I liked the idea of a 2 hour, gradually accumulating trip more than a brief, intense experience. I got only borderline effects. Sort of a swirling sensation, nothing exciting. It had more in common at this point with a bad pot substitute than a powerful entheogen. I could have made a larger quid and tried again, but I found the taste too nauseating to tolerate. Horribly bitter leaves. I don't think I could bring myself to chew them ever again.
After returning to baseline, I next tried smoking Salvia. I tried my first bowl of dried salvia leaf. My water pipe could only hold one crumbled leaf in the bowl at a time, as the leaves sent were rather large. One leaf produced no good results. The same swirling, dizzy sensation, the same feeling of being at the borderlines of something but unable to cross over. Even after gradually ramping up the dosage and smoking three bowls of Salvia in rapid succession, I still couldn’t break through. I was glad to find it much easier to smoke than it was to chew… not too harsh or distasteful. But I was a little frustrated with the lack of effects.
So I waited until I was completely back to normal once again, and around 4:00PM I finally broke out the 5x. I loaded a fairly full bowl, what I estimate to be about a sixth of a gram packet. I took in my first lungful of real Salvinorin. As I held the smoke in my lungs, the borderline visual hallucinations I’d been having began to manifest much, MUCH more intensely. It looked like everything I saw was being spun around me, whipped violently in a circle. The visual distortion grew in intensity, and the swirling sensation sped up until it seemed like it would “break” my senses. Then, almost as soon as I put the pipe down and exhaled, I entered a state of complete dissociated delirium. My mind seemed to expand out beyond my head and disperse into the room. I suddenly no longer knew who… or even what… I was! I had forgotten what had just happened a second beforehand, I was alone in a room and didn’t even particularly comprehend that I had just smoked salvia divinorum.
It would be close to accurate to say I was lying on the bed, wondering what was happening to me. But it also seemed like the entire room, and perhaps even the entire world, was “me”. I was certainly somewhere but I could not locate my consciousness. The room around me was confused, caught in an endless circle… asking itself questions.
'Am I really a room containing a guy lying on a bed next to a pipe, or am I something else entirely?'
“Is that body on the bed alive or is it just a moving object?”
“Will it meld into the bed? Will the bed become part of the body?”
”Will we ever figure out how all the pieces fit together again? Who or what will be left?”
For an indeterminable amount of time a confused global consciousness watched my body from a distance. I couldn't tell whether the body was me, a part of me, or just another object. For about five minutes, I was very, very confused. Not scared, not in pain, just... strange!
Then I started to get my orientation of reality again. I said to myself, 'This body on the bed is definitely me, and I'm pretty sure I just smoked salvia. That must be why things have been weird'.  The experience ended as suddenly as it began.
Salvia is strange, strange stuff. It gave me nothing until it gave me this total out of body dissociation. I was amazed at its power, yet somewhat put off by effects which I would describe as not very psychedelic in nature at all. It seems more like a dissociative or deliriant. I can’t be sure there’s not more here that I haven’t been clever enough to unlock yet, but the primary nature of salvia’s full-blown effects, for me, was the destruction of all identity for a short time. There was no enhancement of my natural abilities, too much confusion to self reflect. It was essentially an experience of letting go of my mind and my memory. That said, I wouldn't call the experience scary. It was just a radical perspective shift. In no way does this drug make me 'high'... but it doesn't seem to hurt anything. There were no negative after effects even a half-hour after ceasing usage.
The level of confusion involved in this experience could have been maddening if it had gone on for hours, but the peak was a mere 5 minutes, followed by twenty minutes of swirling, dizzy afterglow. This substance had some value to me, but it’s not something I would do for fun… probably better to save it for when I have some soul searching to do.
I'm glad I eased into this one slowly. I’m not sure whether I enjoyed it, but I think I'll explore it more in time, and I don't regret giving it a try.
Note: In case I can't find the time for a follow up report, I want to note one thing on its effects. In follow-up experiences I have discovered that total dissociation, while possible, is not a “regular” event. In spite of some talk about Salvinorin A. having reverse tolerance characteristics, I have had difficulty reproducing strong experiences like this, even with higher powered extracts. Numerous test subjects in my area have reported 'dud' experiences not only with raw leaf, but with extracts of all kinds... mixed in with the occasional bizarre breakthrough such as this. There is almost no dose-response predictability whatsoever. And the numbers next to the extracts don't necessarily mean much because different suppliers extract from leaves of wildly differing potencies. Fun!
Salvia is a trickster. Be careful, and good luck.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Jurgen Klopp gives Liverpool FC transfer update on Xherdan Shaqiri
Liverpool FC manager Jurgen Klopp says Xherdan Shaqiri is still part of his plans at the Anfield outfit
by The Sport Review staffJurgen Klopp says Xherdan Shaqiri still has a future at Liverpool FC after recovering from a long-term injury.
The Switzerland international’s future has been a source of debate during the international break due to a lack of first-team opportunities at the Premier League leaders.
Shaqiri has only featured in 25 minutes of competitive football so far this season, although the former Stoke City playmaker missed six weeks with a calf problem.
The 28-year-old hasn’t started a game since he was a surprise inclusion in Klopp’s starting line up for their 4-0 victory over FC Barcelona at Anfield in the second leg of their Champions League semi-final.
Shaqiri has been linked with a potential move in recent weeks due to his lack of first-team opportunities at Liverpool FC.
Speaking at his pre-match media conference at Melwood training ground ahead of Liverpool FC’s trip to Crystal Palace on Saturday, Klopp said of Shaqiri:
“Yes, he offers an option in attack, but he needs to be fit for that.
“That is all we are concerned about at the moment. He was out long and he trained and was really good in moments and in other moments it was different to the rehab stuff he did before.
“All good, the most intense period is coming so he will be ready for that hopefully if nothing happens again and you will see him on the pitch, 100%.”
Liverpool FC were 3-1 winners against defending Premier League champions Manchester City in their last Premier League outing before the international break.
The Reds won the Champions League title last season to end their title drought under the former Borussia Dortmund head coach in his third full season in charge.
Liverpool FC finished in second place in the Premier League table last term.


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Don RicklesComedians who dabble in racist humor are few and far between. Lenny Bruce was successful, Andrew Dice Clay was not. Political correctness has smothered the life out of American comedy, but racial humorist Don Rickles refuses to make it a rally.  "God put us on this earth to laugh. We're human beings. Jew, gentile, Irish, Negro, Puerto Rican. Laugh at bigotry.  People say, 'how can you make fun of religion?' Why not? What's to fear?"
December, 1957. It's two o'clock in the morning. A not-so-famous Rickles is onstage at The Sahara Lounge in Las Vegas, doing his act.
 "I say this from heart: A Negro can move into my neighborhood, you can't." Ten minutes later, he's targeting Canadians, Arabs, Germans, Poles and Jews. The laughter is slow to ripple, largely liquor-induced. "Excuse me sir, what is your nationality? I know, it's a big word. Lady, you here on vacation? And you're sitting next to the Mexican? You've taken your shots?  Get a job at a fruit stand. Didn't I see you during the war hanging around the embarkation point in a torn sweater? You gotta be a Jew, lady - it's 105 degrees in here and you're the only one with a mink stole. If it weren't for the Mexicans, we wouldn't have filth." Then - to everyone's complete astonishment - Frank Sinatra strolls into the lounge, flanked by Peter Lawford, Sammy Davis, Jr., Joey Bishop, Shirley Maclaine, Henry Silva, and actor Richard Conte. They take a seat near the back, and the room grows silent. Young Master Rickles is temporarily speechless, staring goggle-eyed beyond the hot lights. The stakes have been upped: this unknown comic is now expected to tickle the ribs of an indomitable battery of professional entertainers. Any one of them alone holds a massive ego capable of derailing Don's entire career without so much as an arched eyebrow. "What are you guys, lost?" Rickles blurts. "This isn't the Sands." He instructs a cocktail waitress to get them a drink. "You guys do drink, don't you? Frank, buy them a drink. You got plenty of money." When Lawford tips the waitress, Rickles continues. "Hey that's good. Frank, you got him trained. Now sit down. Sammy, you get permission to be out this late? You can't get negro help like that any more. To have a guy who can sing and dance - and dust." The crowd is silent. Casino bodyguards move to the back, prepared to restrain Sinatra if he loses it. The room is visibly uncomfortable. Collectively, audience members wonder if this is really part of the act. "Frank, you need to to go back to the Sands. Sammy, show him the way out. Jesus, looked who I picked - they follow Sammy, they'll be bumping into walls. Richard, can I tell you something? Nobody goes to your movies anymore. Seriously, you can't act. Go home and watch TV like old people. And Frank, you're no spring chicken. Shirley, how does it feel to be with Frank Sinatra? He's gonna put you in the movies! Sure he is. Frank, find somebody your own age. Honey, how old are you? Let me see your ID. "
People are starting to laugh out loud, but the tension remains palpable. Members of the audience - bartenders included - are more than a little freaked out. This is not how a comedian behaves in the presence of the Chairman. How many of Sinatra's buttons will Rickles push? The comedian turns his back on the crowd, addressing the band. "Is Frank smiling? See any guns? He starts shooting, everybody duck." Then he turns back around. "Frank, just make yourself at home and hit somebody." At which point, Frank Sinatra drops his drink and falls completely out of his chair, doubled over with laughter.  Richard, help Frank get up. Show him the way out. And don't come back with that riff-raff. Frank, you look terrible. You have to dress better. It's getting embarrassing. You need some clothes? Just ask me." That night, Sinatra became the comedian's number-one fan. Don Rickles was the performer among big-name Hollywood stars, and they flocked by the dozens to be the targets of his insults. To Ernest Borgnine: "Oh my God, look at you. Anyone else hurt in the accident?" To David Letterman: "Who picks your clothes, Stevie Wonder?" To Bob Hope: "What are you doing here? Is the war over?" He opened for Sinatra regularly, like a straight shot of cheap booze designed to make a more expensive drink taste better. His insults and put-downs quickly earned him the nickname Mr. Warmth. He would later become a pallbearer at Sinatra's funeral, carrying the gardenia-strewn casket to and from the church. Don Rickles appears opposite Robert De Niro and Joe Pesci in Casino, directed by Martin Scorsese. He can currently be heard as the voice of Mr. Potato Head in Disney/Pixar's Toy Story franchise. timeline
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Jennifer Lopez, Scarlett Johansson And Eddie Murphy To Host ‘SNL’ In December
by Corey AtadIt’s going to be a star-studded holiday season on Global’s “Saturday Night Live”.
On Wednesday, the official “SNL” Twitter account revealed the full host and performer lineup for the month of December.
Jennifer Lopez, Scarlett Johansson and Eddie Murphy will each host the show on Dec. 7, 14 and 21, backed up by DaBaby, Niall Horan and Lizzo respectively.
Reacting to the news, Horan tweeted that “dreams do come true.”
Meanwhile, “SNL” fans expressed their excitement at the lineup.
“Saturday Night Live” airs Saturdays at 11:30 p.m. ET/8:30 p.m. PT on Global.


 Squeezing itself in before Pokémon chatter turns to Sword and Shield’s release next week, and hot on the heels of the Halloween and ‘Colossal Discovery’ events, Niantic have put live another new event. This time, it’s the turn of the game’s Team GO Rocket battles to take centre stage – defeat grunts and track the leaders of this shadowy organisation with our guide to the new mechanics and the newly available special research quest ‘Looming in the Shadows’.
What’s Happening?
 Look out for the following:
- Team GO Rocket Grunts can now drop ‘Mysterious Components’ once defeated
- Collect 6 ‘Mysterious Components’ to create a ‘Rocket Radar’ that will locate one of the leaders of Team GO Rocket – Arlo, Cliff and Sierra
-
New Special Research available – ‘Looming in the Shadows’ (see our Walkthrough below)
- Follow the Special Research questline and you’ll receive a Super Rocket Radar capable of locating famed Pokémon evil team leader (and part-time Gym owner) Giovanni
- Once Giovanni is defeated, Niantic are teasing a chance to rescue ‘a Legendary Shadow Pokémon’
This follows several weeks of teases from Niantic in which the game’s social channels and websites have featured story snippets involving Professor Willow and Team Leaders Blanche, Candela and Spark tracking down details of Team GO Rocket’s leadership. This culminated in the appearance of ‘mysterious component’ drops in a small number of cities (London in the UK, Atlanta, Austin and San Francisco in the US) on 6 November before a global rollout on 7 November.
What are Mysterious Components and How Do I Find Them?
Theorised by Professor Willow to be the devices that help Team GO Rocket grunts to take over PokéStops, these purple-screened ‘mysterious components’ can now be dropped by any grunts you fight at infected PokéStops – the darkened stops that shake as if ‘glitched out’ on the Pokémon GO map (find out more in our guide to infected PokéStops).
How to Find Team GO Rocket Leaders Using Rocket Radars
Collect six mysterious components, and you will be prompted to turn them into a ‘Mysterious Device’/Rocket Radar – a machine capable of locating a Team GO Rocket leader.
Using the Rocket Radar will provide you with access to a new map view. On this new map view, you will be able to see Pokéstops occupied by a Team GO Rocket leader, indicated by a large red ‘R’. Walk closer and the leader occupying the Pokéstop will appear, standing beside the PokéStop.
In the event that there are no leaders near your current location, the game will prompt you to search elsewhere/at another time.
Note that you can only hold one Rocket Radar at a time, and will not collect more Mysterious Components until you have fought the boss (consuming the radar in the process).
Team GO Rocket Leader Guide
Once you have located a Rocket Leader’s base, you will have the opportunity to battle them for some nice rewards. Battles play out similar to those for regular grunts, with the exception that the leaders will have Protect Shields at their disposal that they actually use – as with your own Protect Shields, you will do no damage to the leader when they use them.
Because of this, we recommend frontloading your team with a Pokémon that has a charged attack that is available relatively quickly.
Rewards
Beating any Team GO Rocket leader will reward you with the following:
- 1,000 Stardust
- An encounter with the leader’s Signature Shadow Pokémon (see trainer bios below) – this shadow Pokémon can be shiny
-
Any two of the following:
- Max Potion
- Max Revive
- Revive
- Sinnoh Stone
- Unova Stone
GO Rocket Leader Arlo
Arlo is an ambitious trainer and ex-member of Team Valor – once a close friend of Candela, he resented her elevation to leader of Team Valor and appears to have found the vehicle for his revenge in Giovanni’s Team GO Rocket.
Signature Pokémon: Scyther
Second Pokémon: Gyarados, Magnezone or Crobat
Third Pokémon: Charizard, Dragonite or Scizor
GO Rocket Leader Cliff
The first leader of Team GO Rocket that Professor Willow encountered, Cliff is a muscular, straightforward and intimidating trainer who professes great loyalty to Team GO Rocket and Giovanni.
Signature Pokémon: Meowth
Second Pokémon: Sandslash, Snorlax or Flygon
Third Pokémon: Tyranitar, Torterra or Infernape
GO Rocket Leader Sierra
A highly experienced trainer who refuses to suffer fools, the formidable Sierra clashed with Team Instinct leader Spark in the events recalled by Willow in his report.
Signature Pokémon: Sneasel
Second Pokémon: Hypno, Lapras or Sableye
Third Pokémon: Alakazam, Houndoom or Gardevoir
How to Complete the Team GO Rocket Special Research Quest - ‘Looming in the Shadows’ Walkthrough
Step 1/6
| Quest | Reward |
| Spin 10 PokéStops | 500 XP |
| Defeat 3 Team GO Rocket Grunts | 500 XP |
| Catch 1 Shadow Pokémon | 500 XP |
| Rewards: 500 Stardust, 10x Poké Balls, 10x Razz Berries |
If you’ve been playing Pokémon GO at any point since July, there’ll be nothing to phase you in this step – just walk around for a bit, spin some PokéStops and look our for at least three darkened/glitched PokéStops. Once defeated, catch their Shadow Pokémon – easy stuff, but for a guide to the basics of beating Grunts at infected PokéStops in order to catch and purify Shadow Pokémon, click here.
Note that Step 2/6 involves purifying Shadow Pokémon – leave any you catch in step 1/6 unpurified until then.
Step 2/6
| Quest | Reward |
| Spin a PokéStop 5 days in a row | 750 XP |
| Purify 15 Shadow Pokémon | 750 XP |
| Win 5 raids | 750 XP |
| Rewards: 1,000 Stardust, 3x Super Potions, 3x Revives |
Step two ramps things up a tiny bit – you’ll need to play for five days in a row, spinning a PokéStop each day. You’ll also have to win 5 raids (any level) and purify 15 shadow Pokémon – which means finding 15 infected PokéStops, assuming you don’t already have unpurified shadow Pokémon in your collection.
Steps 3 to 6
The 5-day PokéStop spin requirement for step two will keep the GO community from progressing in the quest until at least 11 November – check back then to discover what you’ll need to do next.
Niantic’s press-release teases does contain some glimpses of what to expect – not only will you apparently develop a Super Rocket Radar capable of locating Giovanni, but you can expect grunts to impersonate him to throw you off the scent. The ultimate reward will apparently be some kind of Legendary Shadow Pokémon – could we perhaps see the return of Shadow Mewtwo (Pokkén Tournament), Shadow Lugia (Pokémon XD: Gale of Darkness), or just as likely, something entirely different?
A word of caution: we expect that subsequent steps will involve fighting the Team GO Rocket leaders, Cliff, Sierra, Arlo and Giovanni himself. This process will likely mean gathering Mysterious Components and assembling Rocket Radars. Because Special Research quests are typically not awarded retroactively (except for one-and-done things such as Pokédex progress), it is possible that any leaders you manage to fight (or radars you build/components you find) won’t be counted until after you have completed Step 2/6.


EU citizens' appeal to ban pesticides by 2035
by EUobserverA new European citizen's initiative (ECI) launched on Monday aims to ban synthetic pesticides by 2035, Le Soir reported. If the initiative collects 1m signatures by September 2020, the European Commission and the European Parliament will have to address the issue. The initiative calls for an 80 percent reduction in the use of pesticides in Europe in 2030, starting with the most dangerous ones, and their total elimination in 2035.


Travel with unique experience and discover the wonders of Nigeria
Nigeria is a beautiful country filled with many wonders, both natural and man-made. It has a varied landscape, from the fresh water swamps and deep green jungles of the north to the tropical rainforests of the south. Culture Nigeria boasts the largest population in Africa, accounting for nearly one fifth of the continent's total population, at an estimated 190 million people. Nigeria has rich ethnic diversity with over 250 ethnic groups, each with their own language and customs. The major ethnic groups are the Hausa, Yoruba, Igbo and Fulani who cumulatively represent nearly three quarters of the population. Nigerians have produced many influential works in English and more recently plays a huge role in the development of various genres of African music and cinema.


{% extends 'common/__base.html' %} {% load crispy_forms_tags %} {% block content %}
Are you sure you want to delete character: {{ object.name }}


Vector
Extends:
Simple extension to js Array to allow function chaining when doing vector operations. A vector instance can be used the same way as a native Array instance. Note that length will therefore return the number of vector components, and not its scalar value. Use the scalar function if you want to know the vector's length.
Instantiate a vector by its constructor or using one of the factory functions (vec2, vec3...)
Static Method Summary
| Static Public Methods | ||
| public static |
Instantiate a vector from an array. |
Member Summary
| Public Members | ||
| public |
[i]: * assign value |
Method Summary
| Public Methods | ||
| public |
Add one or more vectors to this vector |
|
| public |
Add a scaled version of a vector to this vector |
|
| public |
Clone/copy vector |
|
| public |
Find the cross product vector between this vector and the passed in argument. |
|
| public |
Calculate the psudo cross product between this vector and the passed in argument. |
|
| public |
Calculate the distance between this coordinates to the coordinates supplied in the argument |
|
| public |
Calculate the dot product between this vector and the passed in argument |
|
| public |
Test if this vector is a null vector |
|
| public |
Negate all components of this vector |
|
| public |
Normalize this vector |
|
| public |
Calculate the scalar product (length) of this vector. |
|
| public |
Scale this vector by a factor |
|
| public |
Assign values to this vector |
|
| public |
Subtract one or more vectors from this vector |
|
| public |
Subtract a scaled version of a vector from this vector |
|
| public |
Mimic the swizzle feature in glsl. |
Static Public Methods
Public Members
Public Methods
public add(vectors: ...number[]): Vector source
Add one or more vectors to this vector
Params:
| Name | Type | Attribute | Description |
| vectors | ...number[] | vectors to add to this |
public addScaled(vector: number[], factor: number): Vector source
Add a scaled version of a vector to this vector
public cross(other: number[], target: Array/Vector): Vector source
Find the cross product vector between this vector and the passed in argument. Only for 3d vectors!
Params:
| Name | Type | Attribute | Description |
| other | number[] | 3d vector |
|
| target | Array/Vector | optional array/vector to avoid mutating this vector |
public cross2(other: number[]): number source
Calculate the psudo cross product between this vector and the passed in argument. Only for 2d vectors!
Params:
| Name | Type | Attribute | Description |
| other | number[] | 2d vector |
public distance(other: number[]): number source
Calculate the distance between this coordinates to the coordinates supplied in the argument
Params:
| Name | Type | Attribute | Description |
| other | number[] | coordinates |
public dot(other: number[]): number source
Calculate the dot product between this vector and the passed in argument
Params:
| Name | Type | Attribute | Description |
| other | number[] | vector |
public isNull(epsilon: number): * source
Test if this vector is a null vector
Params:
| Name | Type | Attribute | Description |
| epsilon | number | epsilon |
Return:
| * |
public negate(target: Array/Vector): Vector source
Negate all components of this vector
Params:
| Name | Type | Attribute | Description |
| target | Array/Vector | optional array/vector to avoid mutating this vector |
public normalize(target: Array/Vector): Vector source
Normalize this vector
Params:
| Name | Type | Attribute | Description |
| target | Array/Vector | optional array/vector to avoid mutating this vector |
public scale(factor: number, target: Array/Vector): Vector source
Scale this vector by a factor
Params:
| Name | Type | Attribute | Description |
| factor | number | scaling factor |
|
| target | Array/Vector | optional array/vector to avoid mutating this vector |
public set(v: ...number): Vector source
Assign values to this vector
Params:
| Name | Type | Attribute | Description |
| v | ...number | values to set |
public sub(vectors: ...number[]): Vector source
Subtract one or more vectors from this vector
Params:
| Name | Type | Attribute | Description |
| vectors | ...number[] | vectors to subtract from this vector |
public subScaled(vector: number[], factor: number): Vector source
Subtract a scaled version of a vector from this vector
public swizzle(pattern: string, target: Array/Vector): Vector source
Mimic the swizzle feature in glsl. Supply the swizzle pattern as a string, using the defined accessors (xyzw, rgba, ijkl or stuv): ex: vec.swizzle('xxyw') or vec.swizzle('rrra)
Params:
| Name | Type | Attribute | Description |
| pattern | string | swizzle pattern |
|
| target | Array/Vector | optional array/vector to avoid mutating this vector |


Event Details
We are celebrating the famous festival of “Diwali” for our Indian users.
19th October – 23nd October
In this event, we are going to give out prizes for the most number of coins.
- The one who receives the most Coins will win.
- The one who send the most Gifts will win.
Rules and Regulation:
- This event is for Happy Diwali any user caught creating disturbances will be banned immediately.
- Harassment, Bullying and Abusive language will result in ban of user from Streamkar.
- Streamkar will not favor any party.
- The result will be fair and cannot be contested.
- Streamkar reserves the right to ban any user.
- Streamkar reserves the right to modify any of these rules, for any reason, at any time.
- Streamkar reserves the right to dissolve the competition for any reason, at any time.
All rights reserved StreamKar 2017


Watch it changing for tiny, small, medium, large, xlarge, 2xlarge and 3xlarge widths!
The last two columns are also aligned differently depending on the window size.


OVA for Flowplayer - Special Ad Tag Cases
- Empty VAST pre-roll with autoplay:true (empty mid-roll)
- Bad VAST Response
- Security Exception - Standard Playlist (with "delayAdRequestUntilPlay")
- Security Exception - OVA Playlist (with "delayAdRequestUntilPlay")
- Non-Compliant XML Response with Autoplay
- Empty Ad Schedule (with OVA configured show clip)
- Empty Ad Schedule (with show clip specified via player playlist)
- Explicitly Turning Ads Off
- No Ads, No Streams, Autostart
- Empty OVA Configuration
- Multiple ad tag requests (both fail)
- Multiple ad tag requests (first fails)
- Auto-sorting a badly ordered ad schedule
- Empty ad tag
- Invalid ad stream URL
- Sharing Ad Tags Across Ad Slots
These examples use an OpenX installation that we are running at Open Video Ads. To gain more insight
into the zone/banner setup that we have in place for the examples, please read this short guide.
Back to main index
Copyright 2011 Open Video Ads


I have been trying to get access to decent mugwort for some time now and have recently acquired a full pound of it over the Internet. Although I only kept half as it was co-payed for by a friend. The night I got it I smoked two bowls of it in my pipe. I was expecting very little, but instead was surprised when a very noticeable wave of “something” came over me almost immediately.
It really is hard to explain what that something was... a sense of serenity and almost epiphany-like calm would be the best way to describe it. All in all, to quote my friend who also has used it with similar success, “if it were a little more potent, it would defiantly be preferable to marijuana.”
The smoke is pretty smooth. First time I took it, it was with a straight pipe and it was just a little bit too harsh for my liking, but after that I used a water bong that solved the harshness problem. On it's own, it smells something similar to tea, once smoked it has a strong sent that could be easily mistaken for marijuana.
After I finished smoking it, I went back inside and chilled for about a half-hour, wallowing in this generalized “good feeling.” then I went to bed and just layed awake for about 15 minutes. One odd thing that I noticed is that it was very easy for me to visualize things in my head. That is, I could see, quite vividly, objects in my “minds eye.” And so eventually a fell asleep. I'm not even going to bother to try and convey the dream experiences I had. Utterly unlike any that I have had before it. The next morning I woke up feeling perhaps a little out of it (likely from the insane dreams I had been having all night) but otherwise completely refreshed and feeling more alive than I had been for quite some time. A certain weight that seemed to have been on me for quite a while seemed to have been lifted, I felt energized, and particularly clear minded.
Since then (1.5 weeks ago) I have had at least one bowl pretty much every night, I have found myself to be sleeping better, and feeling better throughout the day. I wholeheartedly recommend this to every person wanted to explore the dream world, or for anyone that just wants a mellow alternative to tobacco or marijuana.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


I thought for far in the future.
Posted: Thu Jul 05, 2007 10:11 pm
Boss fights in xenimus have always seemed kinda dumb. They are not nearly epic enough.
I had a dream one time about an awesome boss fight system. ITs a little far fetched but bear with me.
You and your buddies enter a boss zone and the area becomes an "arena" Music plays. I mean like rock music or something. A bar appears and you have to keep the bar above 50%. The bars progress is commanded my damage dealt per minute to the boss. If atleast one person is alive and the bar is over 50% when the song ends, you win. Otherwise the boss escapes somehow. OR maybe he kills everyone in your party? Anyway, to see a mage boss firing all sorts of cool looking magic everywhere in sync with some high-energy music would be an awesome gameplay experience, thats why I posted in here.
I know this is unlikely but I think its a cool idea and I wanted to get it out there. If there is any one thing that Xenimus got right it was the visual presentation of magic. Its just cool. If you've ever seen two high level mages PvP you know what I mean. Too see that kind of light show orchestrated to Dark Moor or Dragonforce would just be badass. Also, because the fights last a few minutes it encourages teamplay, i.e. using a cleric rather than burning 500 maxies.
What ya think? It could be real trippy. The final boss fight could be played with Tool's "Triad" playing. hahahah!
I had a dream one time about an awesome boss fight system. ITs a little far fetched but bear with me.
You and your buddies enter a boss zone and the area becomes an "arena" Music plays. I mean like rock music or something. A bar appears and you have to keep the bar above 50%. The bars progress is commanded my damage dealt per minute to the boss. If atleast one person is alive and the bar is over 50% when the song ends, you win. Otherwise the boss escapes somehow. OR maybe he kills everyone in your party? Anyway, to see a mage boss firing all sorts of cool looking magic everywhere in sync with some high-energy music would be an awesome gameplay experience, thats why I posted in here.
I know this is unlikely but I think its a cool idea and I wanted to get it out there. If there is any one thing that Xenimus got right it was the visual presentation of magic. Its just cool. If you've ever seen two high level mages PvP you know what I mean. Too see that kind of light show orchestrated to Dark Moor or Dragonforce would just be badass. Also, because the fights last a few minutes it encourages teamplay, i.e. using a cleric rather than burning 500 maxies.
What ya think? It could be real trippy. The final boss fight could be played with Tool's "Triad" playing. hahahah!


Preparation time
less than 30 mins
Cooking time
less than 10 mins
Serves
Makes 8
Dietary
Switching to wholegrain flours will add a nutty flavour to your pancake proceedings - as well as fibre and slow-release energy.
Place the milk, egg, salt and oil into a large bowl and mix well.
Sift the wholewheat and buckwheat flour into a separate bowl.
Add the mixed flour to the milk mixture gradually, stirring constantly until a smooth batter is formed. Allow the batter to rest for thirty minutes prior to cooking.
Add teaspoon of oil to a hot pan, pour in an eighth of the mixture and cook for 1-2 minutes on each side, or until golden on each side. Remove from the pan and place between sheets of baking paper and keep warm while repeating the process with the remaining mixture to create eight pancakes.
To serve, place a pancake onto a warmed plate and add a squeeze of fresh lemon and orange juice.


This is the API
By passing in the appropriate options, you can search for available inventory in the system
https://dev-virtserver.swaggerhub.com/fbmattos/atest2/1.0.0/inventory
GET
pass an optional search string for looking up inventory
number of records to skip for pagination
maximum number of records to return