This post will go into some detail about how to get started with docker-machine. Docker Machine is a really nice tool to aid in deploying docker hosts across any environment. It seems to be quickly becoming the standard for creating dev environments. Today, I’ll go through how to talk to OpenStack with Docker Machine and then deploy a quick container.
Install Docker Machine
I installed both Docker and Docker Machine with Homebrew. There are several other installation options that you can find in the “Installation” sections here and here.
For Homebrew, simply issue this in the terminal:
Prepare Openstack
There’s a few things that we need to do on the OpenStack side in order to ensure that our machine can be created successfully. First, go ahead and source your keystone credentials. Docker Machine will use these environment variables if they are present. This keeps us from having to pass a bunch of authentication parameters later on.
Next, take a look at your OpenStack environment. We’ll need to gather up some IDs and ensure some things are setup properly. First, take a look at your security group that you plan to use and ensure that SSH access is allowed into it. It’s also important to note here that you’ll want to allow any ports that you plan to map into your containers. For me, I allowed ports 22 and 80 initially. Now, let’s gather some IDs. I needed to find the ssh user for my image type (Centos 7), the image ID, the flavor I wished to use, the floating-ip pool name, and finally the security group that I wanted to use.
Create Our Machine
We’re finally ready to create our machine. Using the IDs I found above, here is the (extremely verbose) command that I issued:
Be patient here. I found that creating the machine took quite a while, as the docker-machine command will SSH into the instance and do some long-running tasks like ‘yum upgrade’.
Once complete, we’ll want to override our built in docker settings to point to our new machine. We can do that by issuing:
Finally, we’ll want to ensure that our machine is totally up to date by issuing the following:
Write A Test Container
Now that we have a working Docker Machine in OpenStack, let’s try deploying something fun to it. First, we’ll create a Dockerfile to simply install Apache and push a little image and a webpage.
In a test directory, I created three files: Dockerfile, index.html, and logo.png. Here’s the contents of each file:
Dockerfile:
index.html:
logo.png:
Finally, we’ll build our container image. Change into the directory that contains the files we just created and issue docker build. I’m also supplying a tag so that I can easily identify my apache container that I’m building. The docker build command can take a little while to complete, as there’s a lot happening with the update and installation of apache2.
Test It Out
Now that our image has been created, it’s time to test it out by launching our new container in our machine. We can do that simply by calling the docker run command. Note that we will launch apache in the foreground so that it continues running and keeps our container up.
Point your browser to the IP address of our machine and see the results!


This demo shows how to set different layouts to the pop-up content sections in Custom element Ribbon.


| Name: SMT.GIRIJA | Reg No: 06-12SMHC18 |
|---|---|
| Age / Sex:52/F | Contact No:9741834713 |
| Marital Status: ML-37 YEARS | Date:22.12.18 |
| Occupation:HOUSEWIFE | Dr. PJFP |
| Address:NATIVE KANAKPURA | DIAGNOSIS- |
KNEE TO FEET PAIN<WALKIG, NIGHT. SINCE FROM 3-4 YEARS OR EVEN MORE CNT RECOLLECT. CANT TOUCH ALSO.
HAD CHIKUN GUNYA 15 YEARS BACK. IMM HAD NO POST PAINS BUT FRM 5 YEARS FEELING SAME PAIN.
BODY PAIN.
IF SITS FOR LONG BACKPAIN.
NO DM, HTN,THYROID DYSFNCT.
GIDDINESS COMES IMM VOMIT AND MOTION ALSO COMES OUT. THEN ONLY STAYS FFR 30 MIN. GOEST TO BATHROOM A LOT. EVEN IF SHE LIFTS WEIGHTS IMM GETS GIDDINESS AND THE OTHERS FOLLOWS. CANT SEE ALSO. WILL SIT WER SHE IS. CANT MOVE HERSELF ALSO.
WEIGHT GAIN. EATS LESS ONLY. HUNGER IS THERE BUT DUE TO WEIGHT SHE IS REFUSING TO EAT MUCH N UNABLE TO EXERCISE ALSO NA.
AFTER THIS PROBLEM FEELS SLEEPLESS ALSO. WT: 92.8KG
RX:
PULS 200 – M 4PILLS B/FOOD
COCCULUS A- 4 PILLS B/FOOD
CAUSTICUM- N 4 PILLS B.FOOD
KALI PHOS 6X 4-4-4-4.
RHUS TOX 3+BRY 30 – 4-0-4
5/1/19: right side mild better but left knee joint pain is more cant lift also. Pain killers only making her feel better. Left leg and left hand more.
Rx:
Bry1m +rhus tox 1m – 4-4-4-4
Polyporus 200 – 4-4-4-4.
Calc flour 200 - 7 doses alt days.
Pl 1-1-1.
Lach 1m – 1 dose.
19/1/19: cough, wheezing at nights. Itcing in throat and then it becomes cough. Sleep not there. Feels disturbed. After 4am sleeps.
Rx:
Ant tart 200 – 4-4-4-4-4.
Bryonia 200 – 4-4-4-4-4.
2/1/19: not better. Had giddiness. Leg pain also not better. Even little distance is also fully paining b/l. feeling chest discomfort and lot of cough. <evening, afternoon. On allorx daily.
Rx:
Nat sulph 200 – 4-4-4-4
Ant tart1m – 4-4-4-4
Osteofit drops – 15-15-15 daily a/food water.
Polyporus 200+apis 200+bry1m – 4-0-4


Landing Page
Special Projects
This story is part of a series of specially designed stories that represents some of the best journalism The Post has to offer. Check out the rest of the special projects here.
MEAGAN HALL
08.24.17
It’s easy to completely forget about Bobcats athletics while you’re on your summer vacation. While you might not have the motivation to read about a team while sitting on the beach, the Bobcats sports landscape didn’t stop.
Here are the biggest headlines from summer 2017:
On June 27, Drake Bolon, former Assistant Athletic Director of Marketing and Sales, stepped down.
He then pleaded guilty to the charge of tampering with records via a Bill of Information, which is when someone agrees to the charges before coming in front of a grand jury.
Bolon has been placed in the Athens County Empowerment program for three years. The program rehabilitates low-level first-time offenders. He also agreed to pay the university $6,000 in restitution.
The Post will stick with this story, as it is still developing.
Carl Fonticella | FILE
Ohio junior forward Antonio Campbell (#33) puts up a shot against pressure from Bowling Green redshirt freshman forward Rasheed Worrell (#32) during the first half of their game on January 12, 2016.
In addition to losing star point guard Jaaron Simmons to Michigan, Ohio officially lost its former MAC Player of the Year.
Antonio Campbell suffered a broken foot in early January and missed the rest of the regular season. Ohio lost in the MAC Tournament semifinals to Kent State.
Campbell was averaging 16.4 points and 8.9 rebounds before his injury, and was consistently regarded as one of the MAC’s premier post players.
With Simmons, and then Campbell, out of the fold, it wasn’t a model offseason for coach Saul Phillips and the Bobcats.
Ohio made the NCAA Tournament for the second time in three years, but fell in the first two games with losses to Kentucky and Indiana.
The Bobcats lost 6-4 to the Wildcats and 11-2 to the Hoosiers.
Ohio finished the season 31-28 after an incredible run in the MAC Tournament, but couldn’t solve the power of Kentucky and Indiana.
Ohio had a truly magical season last year.
The Bobcats had the most dominant pitchers in the MAC and one of the most dominant in the country, as they rode that to the inaugural National Invitational Softball Championship.
With a 42-18 record, the Bobcats finished with the most wins in program history. Though they didn’t win the NISC or the MAC, they had a year that won’t be soon forgotten.
Former Ohio pitcher Tom Colletti signed with the San Diego Padres organization as an unrestricted free agent after three seasons as a Bobcat.
Colletti made six starts last season with 27 appearances, a 3.66 ERA and led the team with a .196 opponent batting average.
He reported to the AZL Padres 2, a Rookie League team in the Arizona League.
BackLanding Page
This story is part of a series of specially designed stories that represents some of the best journalism The Post has to offer. Check out the rest of the special projects here.


Blue Marble Project
Small business, big impact
- Content-first design
- Focus on an authentic editorial voice
- Research and strategy every step of the way
Making a difference for the environment in today’s political landscape is a complex road to walk, filled with hidden roadblocks and red tape. The The Blue Marble Project (BMP) was born to guide organizations through this complex terrain using their expertise in strategy, campaign management and alliance development.
When BMP was introduced to CoLab, they had clarity of purpose and all the connections, knowledge, and passion necessary to provide an exceptional set of services. They were an experienced team, but a young company without a website or a developed brand. They were ready to hit the ground running. CoLab would help them do exactly that, collaborating to build the foundation for a successful company. This was an exciting opportunity for CoLab, aligning with our mission to support businesses working toward a brighter future.
RESEARCH
We began by diving into some of the most in depth research we've ever done. We interviewed the BMP architect, Alex Matthiessen, several members of the BMP team, and their current clients. We identified key customer personas, and conducted an analysis of the current landscape.
Our conversations with the Blue Marble team helped us establish a direction for their website that reflected the personality of their organization.
Diving deep into the customer interviews, we focused on who Blue Marble was serving so the website’s content, design, and unique tools spoke directly to the target audience.
The landscape analysis revealed competitors relying on formal language and laundry lists of services to appeal to a broad audience. BMP was different: focused on collaboration, personal relationships, and deeply dedicated to responsible stewardship of the planet. CoLab would tailor a website that celebrated and reflected this uniqueness.
CONTENT STRATEGY
Directly from our research came the content strategy. Through the magic of Jess Sand, data transformed into a site-flow, a rough map outlining the content and design.
Here is where we hit one of the central challenges of the project: how do we explain the complex and unique services of BMP in down-to-earth, easily understood, plain English, and make it appealing to potential customers? It took trial, error, and collaboration to craft approachable content that allowed the group’s personality and work style to shine through.
BRANDING AND DESIGN
Abby Allen guided the development of the brand, Jessica Peery created the logo design, and Ralph Cutler led the charge on web and mobile design. There was also significant collaboration with the Blue Marble team, who came to us with examples of the aesthetic they wanted to inspire us and provide direction.
This project is an excellent example of content-first design. The actual design and UX (user experience) took cues from the content strategy we established early on. The framework of the website was built by aligning BMP’s core values with the specific needs of their target audience. Everything we did would be carefully crafted to best serve site visitors. Ralph translated this strategy into an aesthetic design that was both human, establishing trust with potential customer, and elegantly clean, reflecting BMP’s high level of professionalism.
DEVELOPMENT
Noam Eppel designed the site in WordPress. This solution enabled the client to have ongoing control over their content. The development was optimized to ensure that the site loads and runs very fast. Their unique, custom designed menu looks good on desktops, laptops, and mobile devices.
THEY HIT THE ROAD RUNNING...
In the end, CoLab had the rewarding experience of collaborating to help Blue Marble Project expand their business and secure new opportunities.
This project was a success thanks to the many complimentary disciplines working closely together to produce a holistic product: landscape analysis, brand identity, market research, content strategy, design work, marketing strategy, and content management system implementation.
And, we had fun to boot! When asked about this project, CoLabr Jess Sand said:
Working with the CoLab team on this project was a blast; it’s hugely rewarding to be part of a team that is so collaborative and committed to excellent, client-driven work.


Review apprentices
Hackney Skills & Training Ltd
Reference:
98HGS3F
Status:
Awaiting employer approval
Date started:
14th August 2018
Message:
no messages
15 Apprenticeships
7 apprenticeships changed
Changes your provider has made have been highlighted below.
To see details click View on the row.
10 Mechatronics Engineers
Level: 4
Training code: 3246
| Name | ULN | Training dates | Endpoint Assessor | Cost | |
|---|---|---|---|---|---|
| Rob Edwards |<PHONE_NUMBER> | 11/18 - 11/20 | Hackney endpoint assessor ltd | £2,000 | View |
| Taylor Lucas |<PHONE_NUMBER> | 11/18 - 11/20 | Hackney endpoint assessor ltd | £2,000 | View |
| Prahlad Naik |<PHONE_NUMBER> | 11/18 - 11/20 | Hackney endpoint assessor ltd | £2,000 | View |
| Jeff Bloggs |<PHONE_NUMBER> | 11/18 - 11/20 | Hackney endpoint assessor ltd | £2,000 | View |
| Mahershalalhashbaz Tollemache-Tollemache de Orellana Plantagenet |<PHONE_NUMBER>3 | 11/18 - 11/20 | Hackney endpoint assessor ltd | £2,000 | View |
| Melissa Shaw |<PHONE_NUMBER> | 11/18 - 11/20 | Hackney endpoint assessor ltd | £2,000 | View |
| Brendan Hamazaki |<PHONE_NUMBER> | 11/18 - 11/20 | Hackney endpoint assessor ltd | £2,000 | View |
| Gary Barton |<PHONE_NUMBER> | 11/18 - 11/20 | Hackney endpoint assessor ltd | £2,000 | View |
| Tommy Barger |<PHONE_NUMBER> | 11/18 - 11/20 | Hackney endpoint assessor ltd | £2,000 | View |
| William Dewitt |<PHONE_NUMBER> | 11/18 - 11/20 | Hackney endpoint assessor ltd | £2,000 | View |
1 apprenticeship changed
Changes your provider has made have been highlighted below.
To see details click View on the row.
5 Bakery Assistants
Level: 4
Training code: 3246
| Name | ULN | Training dates | Endpoint Assessor | Cost | |
|---|---|---|---|---|---|
| Mayu Hirano |<PHONE_NUMBER> | 10/18 - 09/19 | Bakery Endpoint Assessor Ltd | £1,492 | View |
| Rajeshwari Pillai |<PHONE_NUMBER> | 10/18 - 09/19 | Bakery Endpoint Assessor Ltd | £1,492 | View |
| Hoai Mi Le |<PHONE_NUMBER> | 10/18 - 09/19 | Bakery Endpoint Assessor Ltd | £1,492 | View |
| Raven Welsh |<PHONE_NUMBER> | 10/18 - 09/19 | Bakery Endpoint Assessor Ltd | £1,492 | View |
| Nana Friedman |<PHONE_NUMBER>1 | 10/18 - 09/19 | Bakery Endpoint Assessor Ltd | £1,492 | View |


Those buttons allow to show/hide two DIVs elements called "div1" & "div2". When it shows one of them, the other one is hidden.
View DIV 1
View DIV 2
Showing DIV 1 :)
Change to DIV 2 :(


CHAPTER 37D
MANAGEMENT OF FINANCING AGREEMENTS
Section
37D-1 Definitions
37D-2 Financing agreements
37D-3 Related agreements
37D-4 Inclusion of budget request
37D-5 Financing agreements not a general obligation of State
37D-6 Federal tax-exempt status; preference; protection
37D-7 Financing agreements legal investments
37D-8 Exemption from taxation
37D-9 Line of credit
37D-10 Litigation; jurisdiction; appeal
Note
Chapter heading amended by L 2001, c 200, pt of §3.
Case Notes
Financing agreements entered into in accordance with this chapter are not bonds as that term is used in article VII, §12 of Hawaii constitution and thus do not count toward the debt ceiling of article VII, §13. 85 H. 1, 936 P.2d 637.


CSS variables are entities defined by CSS authors that contain specific values to be
reused throughout a document. They are set using custom property notation
(e.g., --main-color: black;)
and are accessed using the
var() function (e.g., color: var(--main-color);).
Complex websites have very large amounts of CSS, often with a lot of repeated values.
For example, the same color might be used in hundreds of different places, requiring
global search and replace if that color needs to change. CSS variables allow a value to
be stored in one place, then referenced in multiple other places. An additional benefit
is semantic identifiers. For example, --main-text-color is easier to understand than
#00ff00
, especially if this same color is also used in other contexts.
CSS variables are subject to the cascade and inherit their value from their parent.
Declaring a variable
Using the variable
Notice the repetition in the CSS. The background color is set to brown in several places.
For some CSS declarations, it is possible to declare this higher in the cascade and let
CSS inheritance solve this problem naturally. For non-trivial projects, this is not always
possible. By declaring a variable on the
:root pseudo-class, a CSS author can reduce the need for
repetition by using the variable.
Example 2
Feature Query
The @supports CSS at rule lets you specify
declarations that depend on a browser's support for one or more specific CSS features.
This is called a feature query. The rule may be placed at the top level of your code or
nested inside any other conditional group at-rule.
The @supports at-rule associates a block of statements
with a supports condition. The supports condition consists of one or more name-value
pairs combined by conjunctions (and), disjunctions
(or), and/or negations
(not). Precedence of operators can be defined with
parentheses.
In JavaScript, @supports can be accessed via the CSS
object model interface CSSSupportsRule.
The most basic supports condition is a simple declaration (a property name followed by a
value, separated by a colon). The declaration must be surrounded by parentheses
Example 1
The above example checks to see if the browser support CSS-grid if yes, then the styles
will be applied, if no then the block will be ignored.
Example 2
The above example checks to see if the browser does not support CSS-grid if it does not,
then the styles will be applied, if it does support CSS-grid then the block will be
ignored.
calc()
The calc() CSS function lets you perform calculations
when specifying CSS property values. It can be used anywhere a length, frequency, angle,
time, percentage, number, or integer is allowed.
The calc() function takes a single expression as its
parameter, with the expression's result used as the value. The expression can be any
simple expression combining the following operators, using standard operator precedence
rules:
Addition: +
Subtraction: -
Multiplication (at least one of the arguments must be a number): *
Division (the right-hand side must be a number): /
The operands in the expression may be any length syntax value. You can use different
units for each value in your expression, if you wish. You may also use parentheses to
establish computation order when needed.
Example 1
calc() makes it easy to position an object with a set margin. In this example, the CSS
creates a banner that stretches across the window, with a 40-pixel gap between both
sides of the banner and the edges of the window:
Example 2
Another use case for calc() is to help ensure that
form fields fit in the available space, without extruding past the edge of their
container, while maintaining an appropriate margin.
Media Queries
The @media CSS at-rule can be used to apply part of a
style sheet based on the result of one or more media queries.
The @media at-rule may be placed at the top level of
your code or nested inside any other conditional group at-rule.
Example 1
Box-sizing
The box-sizing CSS property defines how the user agent should calculate the total width
and height of an element.
By default in the CSS box model, the width and height you assign to an element is
applied only to the element's content box. If the element has any border or padding,
this is then added to the width and height to arrive at the size of the box that's
rendered on the screen. This means that when you set width and height, you have to
adjust the value you give to allow for any border or padding that may be added. The
box-sizing property can be used to adjust this behavior:
content-box gives you the default CSS box-sizing behavior. If you set an element's
width to 100 pixels, then the element's content box will be 100 pixels wide, and the
width of any border or padding will be added to the final rendered width.
border-box tells the browser to account for any border and padding in the values you
specify for an element's width and height. If you set an element's width to 100
pixels, that 100 pixels will include any border or padding you added, and the content
box will shrink to absorb that extra width. This typically makes it much easier to
size elements.


Greyhound was the first coach and bus service to introduce intercity coach services in 1984. Since then, they have built a brand that is known as the most awarded intercity coach liner that offers safe, affordable and reliable travel options to 150 destinations in the lower part of the continent
Toll-free: 099 444 800
| Office | Operating Hours | Address | Contacts |
|---|---|---|---|
| Cape Town | Mon-Sun: 6 a.m-9 pm | Old Marine Drive, Cape Town Station |<PHONE_NUMBER> |
| PORT ELIZABETH | Mon-Sun: 9 a.m-5 pm | Shop G4 3rd Floor, P.E MALL, Port Elizabeth | 0530 215 3214 |
| JOHANNESBURG | Mon-Sun: 4 a.m-9 pm | JOHANNESBURG, G5 PARK STATION, JOHANNESBURG | 0210 555 3214 |


{% extends 'base.html' %} {% block content %}
Log in with Social Media, and browse the site. Your data can only be seen by you.
Components can be mixed and matched to suit your needs. The CSS is responsive so try it on smaller screens.
Material icons make themes look good right out of the box
This website it great. It helps me daily.
- John Doe
I don't know how I did my job before this website.
- Jane Doe
Wow, just fantastic work. Keep it up!
- James Doe
Quisque non tempus massa.
Quisque non tempus massa.
Quisque non tempus massa.


Toggle navigation
John Smith
Profile
Inbox
Settings
Log Out
Configuration
SudCycle Alarm Configuration
×
Use this dashboard to set your SudCycle alerts
Cycle Start
Alert Point
Alert Point
Cycle Finish
Settings saved!
Check your phone for alerts!
Set SudCycle


ngPlaces
Min Price
$100,000
$200,000
$300,000
$400,000
$500,000
$600,000
$700,000
$800,000
$900,000
$1,000,000
Max Price
$100,000
$200,000
$300,000
$400,000
$500,000
$600,000
$700,000
$800,000
$900,000
$1,000,000
{{place.price | currency}}
{{place.address}}
{{place.type}}
Details
Edit
Close
Beds: {{place.details.bedrooms}}
Baths: {{place.details.bathrooms}}
SqFt: {{place.details.area}}
{{crib.description}}


from
Enter a URL.
shex-simple is a simple RDF validator web application. It accepts a ShEx schema on the left in three forms: Compact Syntax (ShExC), JSON (ShExJ) and RDF/Turtle (ShExR). Data can be provided on the right in Turtle.
Load ShEx: s d URL: ddi NS: switches:
invent missing shapes


influxdb2.exceptions module¶
Exceptions for influxdb2 API.
- exception influxdb2.exceptions.AuthenticationDenied¶
Bases:
influxdb2.exceptions.InfluxHTTPError
Raised when a bad password or user name is encountered.
- exception influxdb2.exceptions.InfluxAPIError(status, code, message, op, err)¶
Bases:
influxdb2.exceptions.InfluxError
Exception raised for errors from the InfluxDB API.
- Parameters
status (
int
) – HTTP Status code generating the error.code (
str
) – Status code from InvluxDB’s API.message (
str
) – Human readable message describing the error.op (
str
) – Describes the logical code operation during error. Useful for debugging.err (
str
) – A stack of errors that occurred during processing of the request. Useful for debugging.
- property code: str¶
InfluxDB description of the error code
- Return type
str
- property err: str¶
Stack of errors that occurred during processing of the request.
- Return type
str
- property op: str¶
Describes the logical code operation during error.
- Return type
str
- property status: int¶
HTTP status code for the failed request.
- Return type
int
- exception influxdb2.exceptions.InfluxError(message)¶
Bases:
Exception
Base exception for all errors in the influxdb2 package.
- property message: str¶
Error message associated with the exception.
- Return type
str
- exception influxdb2.exceptions.InfluxHTTPError(status, data, message)¶
Bases:
influxdb2.exceptions.InfluxError
Base exception for errors derived from HTTP requests.
- property data: any¶
Body that came back from the HTTP Error.
- Return type
any
- property status: int¶
HTTP status code for the failed request.
- Return type
int
- exception influxdb2.exceptions.NetworkError(message)¶
Bases:
influxdb2.exceptions.InfluxError
Raised when a network error happens.


This track was produced as part of the mouse ENCODE Project. This track shows RNA-seq measured genome-wide in mouse tissues and cell lines. Poly-A selected mRNA was used as the source for transcriptome profiling of tissues and cell types that also had corresponding DNase I hypersensitive profiles.
This track is a multi-view composite track that contains multiple data types (views). For each view, there are multiple subtracks that display individually on the browser. Instructions for configuring multi-view tracks are here. Color differences among the views are arbitrary and they provide a visual cue for distinguishing between the different cell and tissue types. This track contains the following views:
Cells were grown according to the approved ENCODE cell culture protocols. Fresh tissues were harvested from mice and stored until used for preparing total RNA samples. The total RNA was used as starting material to select poly-A RNA and used for constructing SOLiD libraries according to the protocols supplied by the manufacturer. All RNA samples were spiked in with NIST standards before libraries were constructed. The RNA-seq libraries were sequenced on ABI SOLiD sequencing platform as 50-base reads according to the manufacturer's recommendations.
Reads were aligned to the mm9 reference genome using ABI BioScope software version 1.2.1. Colorspace FASTQ format files were created using Heng Li's solid2fastq.pl script version 0.1.4 (Li et al., 2009a), representing 0, 1, 2, 3 color codes with the letters A, C, G, T respectively. Signal files were created from the BAM (Li et al., 2009b) alignments using BEDTools (Quinlan et al., 2010).
This is Release 1 (July 2012). It contains a total of 25 RNA-seq experiments.
These data were generated by the UW ENCODE group.
Contact: Richard Sandstrom
Li H, Durbin R. Fast and accurate short read alignment with Burrows-Wheeler transform. Bioinformatics. 2009a Jul 15;25(14):1754-60.
Li H, Handsaker B, Wysoker A, Fennell T, Ruan J, Homer N, Marth G, Abecasis G, Durbin R, 1000 Genome Project Data Processing Subgroup. The Sequence Alignment/Map format and SAMtools. Bioinformatics. 2009b Aug 15;25(16):2078-9.
Quinlan AR, Hall IM. BEDTools: a flexible suite of utilities for comparing genomic features. Bioinformatics. 2010 Mar 15;26(6):841-2.
Data users may freely use ENCODE data, but may not, without prior consent, submit publications that use an unpublished ENCODE dataset until nine months following the release of the dataset. This date is listed in the Restricted Until column, above. The full data release policy for ENCODE is available here.


Checkout the latest offer on Dealhunt!


|
Larry FlyntLarry Flynt doesn't really consider himself a pornographer; actually, he prefers the title "Publisher." He points out that his company produces dozens of monthly periodicals, most of which being completely devoid of prurient matter. Even so, Flynt concedes that the American public knows him principally as the guy who brought labia minora to the magazine rack.
"They think I'm a seedy old man in the basement of a building, grinding out pornography." HUSTLER was founded in 1974. From the beginning, it never resembled the other men's magazines. Flynt's mission was to produce pornography for the common man. In that way, he strove to be the Henry Ford of stroke mags. HUSTLER's chief competitor, Playboy, dominated the men's magazine scene. It had become an icon, an institution. It reeked of legitimacy, which was Hugh Hefner's explicit goal from the start. Playboy had always been marketed to urbane sophisticates who enjoyed jacking off occasionally. As such, every issue was packed with a wide array of intellectual offerings. Flynt assumed that Playboy's actual demographic skew was predominantly working-class. And therefore, the majority of their readership probably ignored the think pieces; they just checked out the centerfold. To most guys, the provocative interviews with writers, artists, and world leaders were strictly filler. HUSTLER labored under no such pretensions. That was one magazine tailor-made for the blue collar customer. There were no interviews with Gore Vidal or the President of the United States. And it wasn't clogged full of advertising better suited to GQ or a Sharper Image catalog. The humor was decidedly crude, and the pictorials relentlessly pushed the boundaries of obscenity law. It was the first magazine to show shaved pussies, shemales, hermaphrodites, cumshots, preggies, etc. But HUSTLER achieved its most noteworthy milestone in December 1974, when it was the first national magazine to "show pink" (i.e. spread cuntlips). Naturally, this approach landed HUSTLER and its publisher in court many times, defending against violations of local obscenity laws. Every time, fighting the case cost them years and a small fortune, but Flynt was determined to fight them. The typical sequence of events usually went down something like this:
None of this exactly endeared Flynt to prominent politicians, feminists, clergymen, and moral crusaders of every stripe. They denounced him with fervor. It shouldn't surprise anybody if it ever comes out that the Christian censors had been praying for Flynt's death all along. In March 1978, one antagonist opted to take matters into his own hands. Using a high-powered rifle, Joseph Paul Franklin shot Flynt and his lawyer outside a Georgia courthouse. Apparently, the sniper was incensed over HUSTLER's depictions of interracial couples. Franklin, an avowed white supremacist and former Klansman, was finally apprehended in 1980. Both Flynt and his attorney survived, but Flynt was paralyzed by the gunman's bullet. He lost all motor control below the waist. After a long and painful recuperation period, Flynt resumed his life from a gold-plated wheelchair. Additionally, he required a penile implant to restore the ability to gain an erection. Following the incident, Flynt took stock of his life and rethought his priorities:
"When I was gunned down in the streets of Georgia and paralyzed, I saw that pretty much as my life being over. And I made a calculated decision to spend the rest of my life devoted to expanding the parameters of free speech." From that point on, Flynt would be spending a lot more time in courtrooms.  He was hanging by his neck with a belt looped around the doorknob. The current issue of HUSTLER magazine was laying next to him. The magazine was open to a page containing the article "Orgasm of Death" by Richard Milner, under the "Sexplay" column. After a dire warning from the editor, the article goes on to explain how one would go about performing autoerotic asphyxiation. It also contained a second warning at the end of the article:
[A]uto-asphyxiation is one form of sex play you try only if you're anxious to wind up in cold storage, with a coroner's tag on your big toe. When it went to trial, HUSTLER was found guilty of incitement by a Texas jury. But the conviction was reversed on appeal. The appellate court summed it up thusly:
The constitutional protection accorded to the freedom of speech and of the press is not based on the naive belief that speech can do no harm but on the confidence that the benefits society reaps from the free flow and exchange of ideas outweigh the costs society endures by receiving reprehensible or dangerous ideas. In 1984, automaker John DeLorean was on trial for conspiracy to commit drug trafficking. Somehow Flynt purchased a copy of the FBI's surveillance tape. The video showed DeLorean with the undercover agents and a suitcase full of cocaine. When the court ordered Flynt to disclose the source of the leak, he refused. For a while, he was fined $10,000 per day for his refusal. By then, Larry had developed a perceptibly combative attitude toward the judicial system. He appeared at one hearing wearing the American flag as a diaper. He threw fruit at the judge.  He was thrown in a psychiatric hospital for six months, and then jail, where he spent another 15 months. Also in 1984, Jerry Falwell sued Flynt for $45 million, over a fake ad HUSTLER had printed which featured the preacher. It took the form of an ad for Campari rum, which was the subject of a campaign featuring celebrity interviews discussing their "first time." The Campari ads played off the idea of famous people divulging how they lost their virginity, but they were actually only describing their first taste of the product. In the fake ad, the prominent clergyman and leader of the Moral Majority used uncharacteristically vulgar language to describe his first sexual encounter, which had taken place in an outhouse.
INTERVIEWER: Did you ever try it again? It's easy to see why a jury in Virginia would find HUSTLER guilty of emotional distress. Eventually the case was appealed all the way to the Supreme Court. Ultimately, Flynt won in a unanimous decision. Chief Justice Rehnquist wrote the opinion.
The State's interest in protecting public figures from emotional distress is not sufficient to deny First Amendment protection to speech that is patently offensive and is intended to inflict emotional injury when that speech could not reasonably have been interpreted as stating actual facts about the public figure involved. In words befitting a Christian minister, Falwell claimed later that he would rather have settled the matter without resorting to litigation:
"If Larry had been physically able and were not in a wheelchair, there'd have been no lawsuit. I'm a Campbell County, Virginia country boy. I'd just take him outside the barn and whip him, and that'd be the end of it." After Bill Clinton was elected, things got easier for Flynt. Attorney General Janet Reno considered obscenity cases to be a very low priority for the Department of Justice. Then the Monica Lewinsky scandal struck, and the President was caught committing perjury. Soon the Republican Congress began preparations for evicting the occupant of the beleaguered White House. Larry decided that he wasn't going to stand by and watch this happen. In October 1998, during the impeachment hearings, Flynt offered a $1 million reward for anyone who could prove that they "had an adulterous sexual encounter with a current member of the United States Congress or a high-ranking government official." He managed to flush out Bob Barr, Republican congressman from Georgia. And Henry Hyde. And, most remarkably, Speaker-elect Robert Livingston. From the Flynt Report:
Our intent from the very beginning was to shine a light on the double moral standard being wielded by the Republican prosecutors and other high-placed detractors of the Chief Executive. We wanted to illuminate the scorched bottom of the kettle as it shrilly called the pot black. The exposure of hidden shadows in the lives of Georgia's Bob Barr and Speaker Designate Bob Livingston of Louisiana highlighted the truth that the governing body railroading Bill Clinton was made up of frauds who might easily have been his partners in slime." Later, Flynt expressed a modicum of regret over having cost Livingston his career:
"I personally don't think Livingston should have resigned.  But it's all the hypocrisy. If someone will raise the white flag, then we'll go away.  During the final days of the 2000 campaign, Flynt accused Presidential candidate George W Bush of having arranged an illegal abortion in 1971 for his girlfriend. He claimed to possess corroborating evidence in the form of affadavits from friends of the woman. But the allegations were never pursued by the mainstream press.
Governor FlyntIn July 2003, California voters decided to hold a special election to recall their governor, Gray Davis. Any Californian with $3,500 and the signatures of 65 registered voters could get their name on the ballot. Predictably, hundreds of wannabe politicians crawled out of the woodwork, hoping for their chance at the big time, and Larry was among them. For two days, he was the richest, most famous candidate in the running. That is, until Arnold Schwarzenegger's surprise announcement on the Tonight Show.At Flynt's press conference, unveiled his campaign slogan: "Vote for the smut-peddler with a heart." Reporters asked whether his lifelong career as a porno publisher would be a liability. Larry responded:
"I don't think the business I'm in has anything at all to do with being a good governor. Just because I publish pornography doesn't mean I'm not concerned about the public ills. ... California is the most progressive state in the union. I don't think anyone here will have a problem with a smut peddler as governor." If elected, Flynt says he will decriminalize drugs and prostitution, expand casino gambling, grant amnesty to illegal aliens, and then close the Mexican border.
Timeline
|


|
|
The title of the site to be displayed in all web page titles and citations in PDF files. |
|
|
Enter a brief description of collection. This is used for VOiD RDF for data sharing. |
|
|
The URL is necessary in pipelines where relative paths are not sufficient (Atom, RDF, etc.). A trailing slash is necessary. |
|
|
Projects must contain a URI space for the Nomisma VoID RDF metadata and coin type projects require the URI space for select SPARQL queries. The URI space is typically the Site URL appended with 'id/'. |
|
|
Optional contact email address for OpenSearch description. |
|
|
Appears in the header banner. For more sophisticated control, edit header.xsl. |
|
|
A Geonames username is required in order to link geographical places to geonames ids. |
|
|
A Mapbox API token is required in order to use baselayers from Mapbox. |
|
|
A Google API token is required in order to import data from Google Sheets. |
|
|
|
|
|
|
|
|
A coin type project must must be bound to a URI for a type series: usually, but not necessary, a Nomisma URI. |
|
|
A die study project must must be bound to a URI for a die series: usually, but not necessary, a Nomisma URI. This URI can represent a traditionally printed, published monograph or a born-digital work. |
|
|
If enabled (the default), the Featured Object function will be displayed in the index page. It does not function correctly in coin-type catalogs. |
|
|
If enabled, records linked to Pleiades-defined ancient places will be exposed at |
|
|
If enabled, records conforming to the Nomisma ontology will be exposed at |
The facet must be a valid Solr string-based field (preferably defined by the *_facet dynamicField type in the schema). An invalid field will cause the browse and map pages to fail. Note that the order of the facets below dictates the order in which they appear on the browse and maps pages.
The following languages are available in the Numishare public user interface. The availability of translations of Nomisma.org-defined concepts in these languages is variable. Enabling other languages will required Solr re-indexing to facilitate the multilingual browse and map interfaces.
|
|
The base URL for the IIIF Image Server. It must end with a forward slash. |
|
|
If a IIIF Server has been configured, the image folder is the path on the server into which Numishare will place uploaded files. This folder should be writeable by Tomcat. |
|
|
Copy and paste the javascript code between <script type="text/javascript"></script> provided by Google. |
Here you can configure the pages that will appear as links in the navigation tab. Note that some pages are unavailable for certain types of Numishare collections. For example, the 'Analyize Hoards' feature is only available for hoard projects.
Insert an internal or external SMTP mail server and one or more email addresses that are designated to receive correspondence from the Feedback web form.
The following fields pertain to electronic records and will be populated automatically into each new object record. They can be changed on a per-document bases from within the object editing form. The maintenance agency is the entity responsible for the web site which provides access to the electronic record. The copyright holder maintains the intellectual property (and may differ from the repository or physical custodian). The project field pertains to the project responsible for the creation of the record. CreatedBy denotes the individual responsible for entering metadata. The language refers to the language of the electronic record.
Publisher, copyright holder, and language are required. Project and createdBy may be left blank.
The following fields pertain to attributes of the physical objects themselves. The collection is the public name of the physical collection. The owner field is an individual or corporate body which legally controls the object, and repository is the entity which serves as physical custodian. Objects on loan may have a different owner than repository.
Local types and positions may be defined here. These values populate drop down menues in the Numishare editing interface, but also allow for translations into other languages that are used in the public user interface.
Select a page layout from the following four choices. Note that these layouts apply to physical--not conceptual--record types.
Two page layouts are available for the browse section. Facets may occur either in a left or right-aligned column. Output fields can also be selected from the list below and ordered. Keep in mind that selecting many fields may result in a cumbersome user experience. Thumbnail images may be aligned either to the left or right of the record content.
Only change these options if Orbeon is run on a separate server.
If Solr is run on a different server or core than the default, the Cocoon sitemap global variable must be edited manually in addition to this URL, which is referenced in Orbeon web forms.


MR. MAGOO A film review by Steve Rhodes Copyright 1997 Steve Rhodes
RATING (0 TO ****): 1/2
Some concepts seem patently hopeless from the beginning, a live-action version of MR. MAGOO being a prime example. The cartoon figure Mr. Magoo, the bumbling blind man, can be quite funny, but only in small doses and only within the confines of animated images.
If you think NAKED GUN star Leslie Nielsen is a dubious choice to play the role of the short guy who runs into walls, you are right, but there is an even more astonishing selection. For a director they tapped Hong Kong's Stanley Tong, whose resume consists mainly of a handful of movies featuring martial arts expert Jackie Chan.
The story, such that there is one, is about a large, stolen ruby, which looks a Woolworth reject. Mr. Magoo gets it and, of course, does not realize he has it. Mayhem then ensues as the bad and the good guys chase each other with Mr. Magoo frequently oblivious to the fact that anyone is being chased.
Like HOME ALONE 3 but without any class, MR. MAGOO can only be described as painfully bad. Fifteen minutes of it feels like an eternity. The movie's humor is pathetically lame, and the pacing is way off.
When one is stuck in a theater for an hour and a half watching what claims to be a motion picture, one looks for some solace. MR. MAGOO provides only three such moments.
The movie begins and ends with the classic cartoon version of the character, who exudes his usual charm. The only other saving grave in the movie itself is Angus, the sweet little bulldog. Angus demonstrates more genuine emotions and a wider acting range than any of the humans in the picture. Finally, the ending credits contain outtakes of the movie, which have some of the genuineness and spontaneity that the movie badly lacked.
Rather than attempt to adapt Mr. Magoo to a non-cartoon movie, Nielsen makes the strategic mistake of trying to literally be a human version of the cartoon.
My wife managed to get some sleep during the movie, but I was not so lucky. Hopefully, this picture will force producers to think harder about which subjects have promise and which do not.
MR. MAGOO runs 1:37. It is rated PG for comic violence and would be acceptable for all ages.
My son Jeffrey, age 8, said he thought the movie was good and really funny, but recommends you not choose it if you want an action movie. He said he liked HOME ALONE 3 much more. His friend Maxim, age 9, said that he thought it was good but very silly and parts did not make sense. His other friend Nickolas, age 8, said he'd give the movie *** 1/2, but that it was really silly.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Cameron County
2017
Total Felonies Filed = 2355
Total Felony Dispositions = 3318
Total Felony Dispositions = 3318
Total Misdemeanors Filed = 4525
Total Misdemeanor Dispositions = 5109
Total Misdemeanor Dispositions = 5109
2016
Total Felonies Filed = 2791
Total Felony Dispositions = 2928
Total Felony Dispositions = 2928
Total Misdemeanors Filed = 4985
Total Misdemeanor Dispositions = 5103
Total Misdemeanor Dispositions = 5103
2015
Total Felonies Filed = 2600
Total Felony Dispositions = 3323
Total Felony Dispositions = 3323
Total Misdemeanors Filed = 5165
Total Misdemeanor Dispositions = 6764
Total Misdemeanor Dispositions = 6764
2014
Total Felonies Filed = 2600
Total Felony Dispositions = 3713
Total Felony Dispositions = 3713
Total Misdemeanors Filed = 5650
Total Misdemeanor Dispositions = 6709
Total Misdemeanor Dispositions = 6709
2013
Total Felonies Filed = 3476
Total Felony Dispositions = 3938
Total Felony Dispositions = 3938
Total Misdemeanors Filed = 7633
Total Misdemeanor Dispositions = 9691
Total Misdemeanor Dispositions = 9691
2012
Total Felonies Filed = 3421
Total Felony Dispositions = 3525
Total Felony Dispositions = 3525
Total Misdemeanors Filed = 7044
Total Misdemeanor Dispositions = 6342
Total Misdemeanor Dispositions = 6342
2011
Total Felonies Filed = 3470
Total Felony Dispositions = 3866
Total Felony Dispositions = 3866
Total Misdemeanors Filed = 7326
Total Misdemeanor Dispositions = 7353
Total Misdemeanor Dispositions = 7353


Grouping¶
Modules
grouping_clause¶
-
grouping.grouping_clause.
grouping_clause
(tree, pivot, res)¶ Provide grouping of leaf node from dependency parsed tree. This service is used for grouping the leaf node phrase. Normally, SBAR label is used as pivot
- Parameters
tree – Paresed dependency tree of sentence
pivot – Dependency label, which is used to grouping the leaf node
res – Result of grouping


statsmodels.gam.generalized_additive_model.GLMGam.select_penweight¶
method
-
GLMGam.
select_penweight
(criterion='aic', start_params=None, start_model_params=None, method='basinhopping', **fit_kwds)[source]¶ find alpha by minimizing results criterion
The objective for the minimization can be results attributes like
gcv
,aic
orbic
where the latter are based on effective degrees of freedom.Warning: In many case the optimization might converge to a local optimum or near optimum. Different start_params or using a global optimizer is recommended, default is basinhopping.
- Parameters
- criterion=’aic’
name of results attribute to be minimized. Default is ‘aic’, other options are ‘gcv’, ‘cv’ or ‘bic’.
- start_paramsNone or array
starting parameters for alpha in the penalization weight minimization. The parameters are internally exponentiated and the minimization is with respect to
exp(alpha)
- start_model_paramsNone or array
starting parameter for the
model._fit_pirls
.- method‘basinhopping’, ‘nm’ or ‘minimize’
‘basinhopping’ and ‘nm’ directly use the underlying scipy.optimize functions basinhopping and fmin. ‘minimize’ provides access to the high level interface, scipy.optimize.minimize.
- fit_kwdskeyword arguments
additional keyword arguments will be used in the call to the scipy optimizer. Which keywords are supported depends on the scipy optimization function.
- Returns
- alphandarray
penalization parameter found by minimizing the criterion. Note that this can be only a local (near) optimum.
- fit_restuple
results returned by the scipy optimization routine. The parameters in the optimization problem are log(alpha)
- historydict
history of calls to pirls and contains alpha, the fit criterion and the parameters to which pirls converged to for the given alpha.
Notes
In the test cases Nelder-Mead and bfgs often converge to local optima, see also https://github.com/statsmodels/statsmodels/issues/5381.
This does not use any analytical derivatives for the criterion minimization.
Status: experimental, It is possible that defaults change if there is a better way to find a global optimum. API (e.g. type of return) might also change.


Chapter 15 - All Excercises
Chapter 1 Exercises
Exercise 1.1
Translate the following into English:
- Macili cirir orcor.
- I elda tuvë osto.
- Sílan.
- I aran tíra aiwi.
- I naucor nórar.
- Atani samir cöar.
- Tirin eleni.
- I aiwi lorir.
Translate the following into Quenya:
- I have a bird.
- The stars shine.
- An orc cuts the forest.
- The captain is sleeping.
- Birds are eating.
- I am watching the house.
- The men find (or discover) the elves.
- Elves are going.
Answers are in Answer Key 1.1 at the end of Chapter 1.
Exercise 1.2
Translate the following into English:
- Nóras.
- Tíralyë cöanya.
- Cirin lye.
- Macilelyar sílar.
- Mátalyes.
- Aranya ména.
- Tuvinyë i taurë.
- I elda tiret.
Translate the following into Quenya:
- You have my sword.
- The captain finds your forests.
- The elf watches his/her city.
- I am going.
- The dwarf finds me.
- He/she is sleeping.
- An orc is eating him/her.
- His kings run.
Answers are in Answer Key 1.2 at the end of Chapter 1.
Exercise 1.3
Translate the following into English:
- I turcë atani cirir i taurë sí.
- Orco linquë.
- Luine aiwë lóra.
- I aran oialë tirë i osto.
- Cirin i linta orco.
- Cirin linta i orco.
Translate the following into Quenya:
- The elves are watching the glorious star.

- Birds go far.
- The dead orcs are blue.
- The captain sleeps well.
- The well loved king is eating.
Answers are in Answer Key 1.3 at the end of Chapter 1.
Exercise 1.4
Translate the following into English:
- I atan nóra i orcollor.
- Aiwi lórar i tauressë.
- Naucor nu i ambor.
- I eleni silir menelessë.
- I hesto atanion ú macilo.
- I aran sí menë ostoryanna.
Translate the following into Quenya:
- The orc [is] strong like iron.
- The men go out from the city.
- The dwarf has a sword of iron.
- The sky [is] above the hills.
- I am eating in my tower.
- Dead elves sleep forever in the hills.
Answers are in Answer Key 1.4 at the end of Chapter 1.
Exercise 1.5
Translate the following into English:
- I atan ar i nauco samir macili.
- Macili i cirir orcor silir luini.
- Samis macil yallo orcor norir.
- Tíran i hesto orcoron yenna i orcor menir.
Translate the following into Quenya:
- Elves sleep in the forest that orcs cut.
- Men find the forest where [= in which] the elves sleep.
- Elves are running from the orcs who are cutting the forest.
- Men and dwarves are going to the forest from which the elves run.
Answers are in Answer Key 1.5 at the end of Chapter 1.
Chapter 2 Exercises
Exercise 2.1
Translate the following Quenya words into English. Then mark their syllable boundaries and underline their stressed syllable. Finally, rewrite (or simply say) each word using the pseudo-phonetic system described above, again marking stress via capital letters or underlines. For example:
- ambo: “hill”, am.bo, pronounced “AHM.boh”
You may want to look at the Grammar Summary from Chapter 1 to remind yourself what the inflected forms mean (nouns and verbs with their grammatical suffixes).
- Ambar
- Endórë
- luini
- tuvinyes
- taurëo
- nórë
- nórenya
- noirë
- noirerya
- ailin
- ailino
- ailinya
- ailinessë
- oron
- oronto
- orontello
- opelë
- opelelya
- opelelyo
- opelelyanna
Answers are in Answer Key 2.1 at the end of Chapter 2.
Exercise 2.2
Translate the following into English:
- I rotto latë nu oron.
- Elda séra i opelessë.
- Tië tulyanë i atan i nórenna.
- I men menë oialë.
- I naucor váner i rottollo.
- I hesto tolunë ara raxarya.
- I tië mennë et i nandollo.
- Sí anyëan i mindon. ¹
- Táral nu i telumë.
- I sírë celu nu i yanta. ²
- Note ¹: There is no locative here because “at” is part of the meaning of the verb.
- Note ²: The verb norë can’t be used here. Can you guess why?
Translate the following into Quenya:
- The man went to the city.
- He/she is departing from the forest.
- The orcs dwell under the mountain.
- The captain sent for an elf.
- The river lies beside your country.
- A street leads me from the tower.
- The tomb sits on a hill.
- A dwarf is sitting down in your house.
- The tower is standing by a lake.
- The king traveled to Middle-earth.
Answers are in Answer Key 2.2 at the end of Chapter 2.
Exercise 2.3
Practice the pronunciation of the following words using the pseudo-phonetic representations from section 2.1.5 Pronunciation Summary.
- meldo - “MEHL.doh”
- lië - “LEE.eh”
- quilda - “KWEEL.dah”
- aiqua - “EYE.kwah”
- núra - “NOOO.rah”
- perian - “PEHR.ee.ahn”
- periandi - “pehr.ee.AHN.dee”
- tiuca - “TYOO.kah”
- raica - “REYE.kah”
- tauressë - “tow.REHS.seh” [like “how” not “toe”]
Translate the following into English:
- Meldonya tyelca.
- I nitya nauco nís.
- I oronti aiquë.
- Seldolya senna quén.
- I netti náner márë meldi.
- Nanyë lenca sí.
- Nauval qualin.
- I raica sírë i celu ar’ i osto núra ná.
- I aiwi i atani fárëar lintë nár.
- Quilda ná.
Translate the following into Quenya:
- His/her child is small.
- The deep valley is narrow.
- The men [males] are friends.
- Straight rivers are wide.
- The tall towers were crooked.
- I will be burly.
- The halflings will be fat.
- It is bad.
- The halfling who is running in the forest is swift.
- The elves who are watching the king are quiet.
Pick appropriate locational verbs for these sentences (hint: they won’t be ná or ëa):
- The women are in the city [semi-permanently].
- The house is on the hill.
- The road is under the bridge.
- The elf is in the house [temporarily].
- The towers are in the forest.
Answers are in Answer Key 2.3 at the end of Chapter 2.
Exercise 2.4
Translate the following into English:
- I cirya luntë et i ëarello ar mí londenna.
- I nér i hára i falassessë ciryamo ná.
- I tyulma tára halla i luntessë.
- Ciryar lutir ëaressë mal aiwi vilir vilyassë.
- Isil sílë i ambonna.
- Lauca hwesta i ostossë mára ná.
Translate the following into Quenya:
- The sun is shining and the birds are flying in the sky.
- Dark clouds float in the sky.
- A wave on the lake is small, but a wave on the sea is large.
- The wind is strong now.
- A man or a dwarf watches the earth but an elf watches the sky.
- The women came to the island where (= on which) the elves live.
Answers are in Answer Key 2.4 at the end of Chapter 2.
Exercise 2.5
The various capitalized names in the exercise (Lëa, Oren, Cissë, Miro, Tilë) are not intended to have any particular meaning other than as individuals in the story. Here are some adverbs and conjunctions used in the story, not previously introduced:
- tá adv. “then”
- yá conj. “when”
- yú adv. “too, also”
Translate the following into English:
- Lëa melë Oren ar Oren melë Lëa.
- Lëa ar Oren vestaner i tauressë.
- Nosserya túlë i veryanwenna, mal nossë Oreno vánë i taurello.
- Atarya tarnë ara Lëa.
- Amillë Lëo tirnë i ambollo.
- Nilderya Cissë nánë tanomë yú.
Translate the following into Quenya:
- The marriage was good.
- Lëa and Oren conceived [begat] a son Miro.
- Lëa loved the son of her husband.
- Then Lëa gave birth to a daughter Tilë.
- Tilë loves her brother Miro.
- Miro watches his sister Tilë when his parents go to the city.
Answers are in Answer Key 2.5 at the end of Chapter 2.
Chapter 3 Exercises
Exercise 3.1
Try pronouncing these Elvish vocabulary words. You may also want to attempt the archaic pronunciations. This pronunciation exercise does not include any pseudo-phonetic renderings of the words because the pronunciations are different enough from English that trying to map them to English sounds is counterproductive.
- vanwa adj. “lost, gone”
- hlas n. “ear”
- hröa n. “body”
- hwesta n. “breeze”
- hyarmen n. “south”
- Isil [þ] n. “Moon”
- nandë [ñ-] n. “harp”
- nwalmë [ñ-] n. “torment”
- nésa [þ] n. “sister”
- ohta n. “war”
- raxa n. “wagon”
- tehta n. “written mark, diacritic”
- tyávë n. “taste”
- vendë [w-] n. “maiden”
- vingë [w-] n. “foam”
For vocabulary practice, translate the following from Quenya to English. Elerondo and Aracorno are the Quenya names of Elrond and Aragorn.
- Essenya Lëa.
- Elerondo nyarnë i lúmequenta eldaron andanéya Aracornon.
- I nettë téca tengwar tecilmen.
- I atan quéta i neren.
- Yallen yeldenya ómanyanen.
Translate the following to Quenya:
- I am naming my son Miro.
- You wrote a book with paper.
- The woman reads books to the king.
- The girl spoke a word to her mother.
- The dwarf gave a pen to the boy.
Answers are in Answer Key 3.1 at the end of Chapter 3.
Exercise 3.2
Translate the following to English:
- Liltëaldë i ambossen.
- Nyarnetyë lairetya ar nánes mára.
- Simpalya lirë nin.
- Lindalë yalë fëalvar.
- Túvelmë i orco ar tíralmes sí.
- Lírelvar lairi eldaron nár, ar nanta márë.
Translate the following to Quenya:
- His pen was swift and it danced on the paper.
- Their son is singing gaily to us (including you).
- You (familiar) have a blue bell.
- Your (plural) drums are calling them.
- We (but not you) sang for our (including you) king.
- The singer had my harp.
Answers are in Answer Key 3.2 at the end of Chapter 3.
Exercise 3.3
Translate the following to English:
- Aiya! Ma técal parma?
- Ná. Nauvas mára.
- A, merin henta sa.
- Á anta i tecil nin, mecin.
- Cáran sa sí.
- Hantan lyen. Márienna.
Translate the following to Quenya:
- (Stay) in happiness. It is good that you came, sir.
- Yes, captain. I see that you made the sword.
- Behold! I made it for you, my king.
- It pleases me well.
- I am giving it to you, my king.
- I want to hunt orcs with it. Farewell!
Answers are in Answer Key 3.3 at the end of Chapter 3.
Exercise 3.4
Translate the following to English:
- Á tulë i taurenna lúmessë andúnëo.
- Cenuvan amillenya enar.
- Merin serë lómessë.
- Isil oryuva amba rómenessë.
- Nai Anar caluva tyenna síra.
- Yá cenin Valinorenna, formen forya ar hyarmen hyarya.
Translate the following to Quenya:
- May the dawn be warm for you (plural).
- The mountain is far away but we (including you) will see it in the morning.
- Stay a day (24 hours) in the cave.
- The Moon will go down in the west.
- The Sun shines in the day.
- I came to the tower yesterday.
Answers are in Answer Key 3.4 at the end of Chapter 3.
Chapter 4 Exercises
Exercise 4.1
Transcribe the following Quenya phrases to tengwar, and then translate them to English. Pay special attention to (a) words that use letters from their archaic pronunciation and (b) letters for sounds that are different based on their position in the word.
- I atan hirnë i osto.
- Isil síla sí or tië.
- I perian matuva aiwë enar.
- I nís merë marë mi taurë. ¹
- I nauco fárëa i orcor nu i oron.
- Aiwi vilir nu menel.
Note ¹: You might wonder why this sentence uses mi taurë rather than the more usual tauressë. That’s because we haven’t learned how to write ss in tengwar yet.
Answers are in Answer Key 4.1 at the end of Chapter 4.
Exercise 4.2
Translate the following from Quenya to English. This should also give you some practice in “unpluralizing” adjectives.
- Ninqui axor naucoron caitar nu i oron. ¹
- Luini aiwi vílar or i andë tiër.
- I atano sercë carnë.
- Calmar cálar laurië i ostossë.
- Cenin varni leperi máryo.
- Mornë homi orquion serir amborintassen.
- Note ¹: You may wonder why the definite article i is used so rarely in these examples. That’s because genitive expressions (X of Y, Y’s X) are an example of a situation where English uses “the” but Quenya often omits i. This topic is discussed further in Chapter 6, Section §<IP_ADDRESS>.
Translate the following to Quenya:
- The blood-coloured towers stand on the hills.
- Children have little toes.
- Strong arms make powerful men.
- The captain cut the orcs’ legs.
- Pale white clouds fly in the sky.
- The grey elves dwell in green forests.
Answers are in Answer Key 4.2 at the end of Chapter 4.
Exercise 4.3
Translate the following to English:
- I nér maxëa apsa.
- I seldo antanë yávi i netten.
- Amillenya mastëa massa sí.
- Atarelya nancë i orva.
- Eldar carir miruvórë nehtenen.
- Quëar ar yávi mára matta (nár).
Translate the following to Quenya:
- The husband poured wine for his wife.
- Give [to] me a cup of water.
- We [and you] will eat a meal [together] with the halflings today.
- I want a drink of wine now.
- You licked my hand with [by means of] your tongue.
- The woman ate an orange.
Answers are in Answer Key 4.3 at the end of Chapter 4.
Exercise 4.4
Translate the following to English:
- Nís rendë erdi restaryassë.
- Olvali alaner lintë tanomë.
- I nís nemnë alassëa restaryassë.
- Matta launë i nissen.
- I nís mastanë massa.
- Nettë cambë massa i nissello.
Translate the following to Quenya:
- Some boys snatched the bread from the girl.
- The girl kicked the leg of a boy.
- The boys heard the girl call the captain.
- They pushed the girl away and they ran from the captain.
- The captain searched the city for the boys.
- The roof covered the children.
Answers are in Answer Key 4.4 at the end of Chapter 4.
Exercise 4.5
Translate the following to English:
- Calali cálar i ostossë.
- Uluva enar.
- I taurë lauca síra.
- I rottossë morë ná.
- Hrísa ar i lossë ringa.
- Nicunë nöa.
Translate the following to Quenya:
- Fire [is] hot.
- Water [is] wet.
- Ice [is] cold.
- Light [kindle] a lamp, please.
- The air is warm in the house.
- Plants grow in the earth.
Answers are in Answer Key 4.5 at the end of Chapter 4.
Chapter 5 Exercises
Exercise 5.1
Transcribe the following into tengwar. For simple Quenya practices, just translate the following into English. This exercise uses one verb we haven’t introduced yet: orta-. It has a meaning similar to orya-, but can take a direct object. See if you can guess what it means.
- Halla nér túlë i osto andonna ó raxarya.
- “Man tára nu i ando ango?” i hesto quentë.
- “Nányë indyo i arano ar essenya Mico” i nér quentë.
- “Á yalë i aran!” i hesto quentë.
- I hesto ortanë macilya tyelpëo.
- Aran i ardo tirnë i atani mindonyallo.
For additional tengwar practice, you can repeat the exercises from earlier in the course, but write the answers in tengwar instead of Latin letters. You can do the same for future exercise. All the exercises have a set of (optional) tengwar answers.
Answers are in Answer Key 5.1 at the end of Chapter 5.
Exercise 5.2
Translate the following to English:
- Hendinyat tírat i orco atta.
- I nauco fanga ninquë yo sinda.
- Súlerya autëa peu i atano lenca.
- I hínat samit laurëa findë.
- I elda nustanë i nísima hwesta.
- Hlarin hlón i tauressë.
Translate the following to Quenya:
- Do your ears listen to the king’s words?
- The pair of birds sang in the tree.
- His tongue tasted a bitter vegetable.
- Birds fly above both land and sea.
- The halfling ate a sweet apple beside the pair of trees.

Answers are in Answer Key 5.2 at the end of Chapter 5.
Exercise 5.3
Translate the following to English:
- I perian álëa matta liëryan.
- I nettë cirnë salquë ataryan.
- I erdi tuianer úrenen Anaro.
- I nís tiruva hínali i naucoin.
- I hesto quentë i aranen.
- Lóti márë nin (nár).
Translate the following to Quenya:
- The dwarves dig gold for their king.
- Flowers bloom in daytime.
- A garden [is] good for plants.
- The elves gave some swords to the men.
- A tree will grow in the field.
- The man [male] cooked a meal for the halfling.
Answers are in Answer Key 5.3 at the end of Chapter 5.
Exercise 5.4
Translate the following from Quenya to English. See if you can guess what minna (mi-nna) means.
- Acápien minna i sírë.
- I cirya ulútië i londessë.
- I aran orortanië macilya.
- I sírë ecélië i orontello.
- I nauco ihílië i atan.
- I cöa atalantië i lómessë.
Translate the following to Quenya:
- The elf has run to the forest.
- The boy has pushed the girl.
- The man has walked to the city.
- He/she has fallen in the garden.
- The man [male] has risen in the morning.
- The captain has struck the bell.
Answers are in Answer Key 5.4 at the end of Chapter 5.
Exercise 5.5
Translate the following to English:
- I nauco ui halla
- Únen verya.
- I atani uir laituva i aran.
- Áva menë i ostonna síra.
- Ván! Ván menuva i ostonna.
- I aran váquentë i voronda hesto auta.
Translate the following to Quenya:
- The orc is not beautiful.
- Do not dare the danger in the cave.
- I won’t! I will not do an evil thing.
- The king was not good [moral].
- The boy will become admirable.
- The boy refused to go to the city.
Answers are in Answer Key 5.5 at the end of Chapter 5.
Chapter 6 Exercises
Exercise 6.1
Combine the following elements and indicate how the sounds would change in the combined forms. Capitalized words are names from Tolkien’s Legendarium.
- ara “beside” + i sírë “the river”
- calima “bright” + arin “morning”
- ostollo “from city” + ambonnar “to hills”
- miquë “kiss” + i seldo “the boy”
- lingwë (lingwi-) “fish” + már “home” (as a compound)
- Valinórë + -ssë “in”
- opelë “village” + -li “some”
- lindalë “music” + -nen “by [means of]”
- Ilúvatar + -o “of”
- Malinornë “Mallorn” + -lion “of some”
To practice vocabulary words, translate the following to Quenya.
- War came to the land.
- The captain watched the enemies from the hill.
- The commanders of the orcs quarrelled.
- The captain raised his/her spear and called the warriors.
- The warriors fought the orcs with swords.
- They protected the captain with shields.
- The knights defeated the enemies and rescued the elves.
- The forest was safe and peace returned (“to return” = entul-).
Answers are in Answer Key 6.1 at the end of Chapter 6.
Exercise 6.2
Translate the following to English:
- Aiweli viller vilyassë.
- Rácali fárëar lopoldi.
- Alquali lútar i ailinessë.
- Porocéli ontaner ohteli.
- Rauroli amátier mámali.
- Leucali serir salquessë.
Translate the following from English to Quenya. There are some new additional vocabulary words as well:
- Some animals hunt and some animals do not hunt.
- Some fish eat seaweed (ëaruilë).
- Some cats are chasing (roita-) some rats.
- Some dogs watched the cows.
- Some horses have run to the river.
- Some bears fought the dragon.
Answers are in Answer Key 6.2 at the end of Chapter 6.
Exercise 6.3
Translate the following from English to Quenya. Pay particular attention to cases where Quenya would use genitive -o vs. possessive -va, as well as cases where it is ambiguous.
- A warrior’s captain.
- The elf’s house.
- A king’s warriors.
- A warrior’s sword.
- Fruits of trees.
- Beginning of the day.
- Towers of war.
- Warriors’ swords.
- The king’s glory.
- A house of joy (alassë).
Translate the following from Quenya to English as vocabulary practice:
- Cennelvë i aran ep’ ambarónë.
- I yára elda quéta i nessa atanen sí.
- Andúnë metta i aurëo (ná).
- Á pusta!
- Meluvan lye oialë.
- Tarnes nó i cöa.
Answers are in Answer Key 6.3 at the end of Chapter 6.
Exercise 6.4
Translate the following to Quenya, paying particular attention to phrases where Quenya would omit the definite article even though English uses it:
- I saw a woman. The woman was tall.
- Altáriel [Galadriel] the Wise.
- The arm of an orc.
- Call the captain.
- The last man.
- The mast pushes a ship.
- Stars shine in the heavens.
- They will speak to the king.
Translate the following to English as vocabulary practice:
- Túves cumna rotto.
- I elda eressëa rimbessë.
- Ui métima nótë.
- Ilyë atani túler síra.
- Samilvë fárëa massa.
- Á quanta i yulma, mecin.
Answers are in Answer Key 6.4 at the end of Chapter 6.
Exercise 6.5
Translate the following to English:
- Rauro atta tirnet i máma. ¹
- I hesto quéta i ohtarin neldë.
- Atani yuquain tarir i andossë.
- Á anta min macil nin.
- Yúyo nauco lórat mí mindon. ¹
- Minya elda tarnë ar’ i ailin.
- Note ¹: Remember, if the subject is two of something, the verb takes the dual inflection -t: see section §<IP_ADDRESS>.
Answers are in Answer Key 6.5 at the end of Chapter 6.
Chapter 7 Exercises
Exercise 7.1
Translate the following to English:
- Issë qualuva macilmen.
- Merin i elyë hiruva rainë.
- Intë lorir lómessë.
- Mo coinë sina rottossë.
- I orcor nacanter sé mal ú hyé.
- I nauco cennë i nér ar hye sérë i cöassë.
Translate the following to Quenya:
- Even we (including you) are not immortal.
- I will give even you (plural) some bread.
- They discovered something yesterday.
- I want that someone save even me.
- The captain spoke to the warrior and he [the warrior] went to the city.
- The captain spoke to the warrior and he [the captain] went to the city.
Answers are in Answer Key 7.1 at the end of Chapter 7.
Exercise 7.2
Translate the following to English:
- I ronyo merë roita lopoldi.
- Polil hlicë tuvë farna i tauressë.
- Nurtaitas rehtanë i hína.
- Á telya faraitalyas enar.
- Farië lamni anta matta lienyan.
- Mennelmë i taurenna rembien.
Translate the following to Quenya:
- The feathers of birds are good for arrow making.
- The bull’s horn is not long.
- I can ride a horse every day.
- A bird’s wing has some feathers.
- I found her bow under the tree.
- My finding it shows that she is in danger.
Answers are in Answer Key 7.2 at the end of Chapter 7.
Exercise 7.3
Translate the following to English:
- Mennelmë endenna i taurëo.
- I osto harë imbi ambor.
- I orcor ménar minna i rotto.
- Cenuvan i hesto lómessë.
- I atani túler et i mindonillon.
- I atani nacanter orcor macilínen.
Translate the following to Quenya:
- The elf went with the dwarves to the tower.
- The women are coming from there.
- The man [male] wrote the story with a pen.
- The king has walked from the base to the top of the tower.
- The house sits in the centre of a city.
- The height of the mountain watches above the valley.
Answers are in Answer Key 7.3 at the end of Chapter 7.
Chapter 8 Exercises
Exercise 8.1
Based on the tenses provided, fill in the remaining verb tense conjugations (past, perfect, present, future) and identify the verb class:
- Aorist ala “grows”, future aluva “will grow”
- Aorist auta “departs”, past vánë “departed”
- Aorist henta “scans”, perfect ehentanië “has scanned”
- Aorist tulya “brings”, past tulyanë “brought”
- Aorist nahta “slays”, past nacantë “slayed”
- Aorist fara “hunts”, present fárëa “is hunting”
- Aorist tengwa “reads (writing)”, past tengwanë “read (writing)”
- Aorist orya “rises”, past oronyë “rose”
- Aorist tulta “summons”, past tultanë “summoned”
- Aorist caita “lies (down)”, past cainë “lay (down)”
- Aorist sulpa “laps up”, perfect sulpanë “lapped up”
- Aorist talta “collapses”, past talantë “collapsed”
As vocabulary practice, translate the following to Quenya:
- Work caused me to become strong [= that I became strong].

- Some dwarves broke the orcs’ swords.
- Birds have knocked on trees in the forest.
- Horses will pull the wagon swift[ly].
- The river bends beyond the city.
Answers are in Answer Key 8.1 at the end of Chapter 8.
Exercise 8.2
Translate the following to English:
- Man melilyë?
- Ma i elda rëantë?
- Ma micuvalyë ni?
- Massë i netti tyálar?
- Manen polin fasta i aran?
- Ma i atani alassië?
Translate the following to Quenya:
- What is your answer?
- Who is laughing?
- Are they excited?
- Where did the orcs come from?
- Will you see the captain?
- Do you want to watch the warriors?
Answers are in Answer Key 8.2 at the end of Chapter 8.
Exercise 8.3
Translate the following to English:
- Orcor ruhtaner i taurëo periandi.
- Soronyentë i orcor merner nahta te.
- Orcor tevir periandi ar naucor ar eldar ar atani.
- Hrávë orcor marner rottossen nu i oronti.
- Nwalmë periandion fastanë i orcor.
- I periandi nainaner umbartinta.
Translate the following to Quenya:
- Pain does not terrify dwarves.
- Angry dwarves hunted orcs in the forest.
- The orcs growled in fear.
- The rage of the dwarves was powerful.
- The elves were sorrowful that fighting filled the forest.
- The tears of the elves flowed like rivers.
Answers are in Answer Key 8.3 at the end of Chapter 8.
Chapter 9 Exercises
Exercise 9.1
Translate the following to English:
- I harma-antaila aran alya.
- Mancaimë armar mirwë.
- I telpë-samila nauco ui penya.
- Orcor merir tuvë lépima harma.
- I mapinë macili vanwë.
- I ohtari norner minna i lantaina ando.
Translate the following to Quenya:
- The generous (prone to give) halfling lacks money now.
- The receptive (able to receive) merchant sits in the house.
- All fighting warriors will die.
- The received gifts saved the girls’ happiness.
- The elves gave the taken goods to the captain.
- The taking men stayed (= sat) in the tower.
Answers are in Answer Key 9.1 at the end of Chapter 9.
Exercise 9.2
Translate the following to English:
- Hrisë.
- Cantë i cirma.
- Mo namba taxi yá mo carasta cöa.
- Tammar catinë taminwen.
Translate the following to Quenya:
- It rains.
- One fashions a sword with craft.
- The picture was fastened on the wall with a nail.
- The smith feels an urge to make a sword.
Answers are in Answer Key 9.2 at the end of Chapter 9.
Exercise 9.3
Translate the following to English:
- I nís sernë linta i laupë.
- I periandi coller i corma andavë.
- I eldar autuvar Endorello rongo.
- I mai carina vacco nánë hirina i rottossë.
Translate the following to Quenya:
- The horse ran swift[ly].
- The horse ran swiftly [= with swiftness].
- The horse ran long.
- The horse ran well.
Answers are in Answer Key 9.3 at the end of Chapter 9.
Exercise 9.4
Translate the following to English:
- I súrë ringa lá nöa.
- I cirma ammaica.
- I collo ammussë hampion.
- Mithril arnorna tincoron.
Translate the following to Quenya:
- The dwarf is very clever.
- The man is more clever than the dwarf.
- The elf is very clever among people.
- The wizard [istar] is most clever of all.
Answers are in Answer Key 9.4 at the end of Chapter 9.
Chapter 10 Exercises
Exercise 10.1
Translate the following to English:
- Massë i asëa i asarta yuhtanë i naucon?
- I atani i túler i ostonna tárar i andossë.
- I cirma yanen i hesto harnanë i elda nánë hirina nu i alda.
- I asarta yen quentel nöa hasuva i nauco.
Translate the following to Quenya:
- Find the man with whom the elf travelled.
- I am searching for (ces- [þ] + dative) the house in which the elf dwells.
- Show me the man who has the sword.
- I know that you have the captain’s sword.
Answers are in Answer Key 10.1 at the end of Chapter 10.
Exercise 10.2
Translate the following to English:
- I nís marë tassë.
- Ma meril nin anta si lyen?
- Á latya tana fendë.
- Cenuvanyes en.
Translate the following to Quenya:
- The man [male] is standing on yonder hill.
- I have these knives.
- Will you give me that?
- I want it now.
Answers are in Answer Key 10.2 at the end of Chapter 10.
Exercise 10.3
Translate the following to English:
- Poituvan imni.
- Hirnexë tauressë.
- Sampentë assa i ambossë.
- Macil ve anda cirma (ná).
Translate the following to Quenya:
- Save yourself (familiar)!
- They asked themselves where [whither] the captain went.
- The girls stood in a circle.
- It is the same man.
Answers are in Answer Key 10.3 at the end of Chapter 10.
Exercise 10.4
Translate the following to English:
- Istas quetë Quenya.
- Polis mahta.
- Lertas quetë i aranen.
- Mauya sen quetë i aranen.
Answers are in Answer Key 10.4 at the end of Chapter 10.


My Profile
Settings
Logout
search
view_module
refresh
person
Date of creating account:
Username:
Subscription:
Subscribe
Subscribed
Number of left waypoints:


Source Needpix.com
By creating an account you agree to our Terms & Privacy.
Already have an account? Sign in.
Privacy Policy
Terms of use
Return policy
Discount Coupans
About us
Announcements
Careers
Contact Us
Facebook
Twitter
Linkedin
Youtube
© 2020. Designed by WebProgramming Group1


/**
* Enforces the abstract class paradigm
*/
class AbstractClass {
/**
* Ensures the class being created is a derived class not a base class
* @param {Object} BaseClass - The baseclass that is abstract
*/
constructor(BaseClass) {
this._baseClass = BaseClass;
if (this.constructor === AbstractClass) {
throw new TypeError('Abstract class "AbstractClass" cannot be instantiated directly');
}
if (this.constructor === this._baseClass) {
throw new TypeError(`Abstract class "${this._baseClass.name}" cannot be instantiated directly`);
}
}
/**
* Raises an error if an abstract base class method is called
* @param {string} methodName - The name of the method that is abstract
*/
AbstractMethod(methodName) {
throw new TypeError(
`${this._baseClass.name}: Abstract method "${methodName}" not overridden by derived class "${this.constructor.name}".`
);
}
}
/**
* Defines the base functionality of interactive game objects
* @extends AbstractClass
*/
class GameObject extends AbstractClass {
/**
* Creates a base GameObject
* @param {Object} game - The game manager class
* @param {Object} boundingBox - Initial size and position of this GameObject
*/
constructor(game, boundingBox) {
super(GameObject);
this._game = game;
this._box = boundingBox;
}
/**
* Gets the bounding box dimensions of this Object
* @return {Object} This GameObject's BoundingBox
*/
get dimensions() {
return this._box;
}
/**
* Abstract interface definition for the draw method.
* Must be overridden in derived classes.
*/
draw(ctx) {this.AbstractMethod("draw");}
/**
* Simple collision test between this GameObject and another
* @param {Object} object - The GameObject to check for intersection
* @return {boolean} true/false if colliding
*/
collision(object) {
return this._box.collides(object._box);
}
/**
* Performs a comprehensive collision test that checks where the two objects are
* overlapping and indicates the closest point to move them out of collision.
* @param {Object} object - The object to check for intersection
* @return {Object} a dictionary with side: axis of intersection and
* pos: closest point of non-intersection
*/
intersects(object) {
return this._box.intersects(object._box);
}
}
/**
* Defines a destroyable block
* @extends GameObject
*/
class Block extends GameObject {
/**
* Creates a Block
* @param {Object} game - The game manager class
* @param {Object} boundingBox - Initial size and position of this Block
*/
constructor(game, boundingBox) {
super(game, boundingBox);
this._alive = true;
}
/**
* Gets whether this Block is still alive
* @return {boolean} True/False if the Block is still alive
*/
get isAlive() {
return this._alive;
}
/**
* Draws this block on the screen
* @param {Object} ctx - The Canvas rendering context to draw to.
*/
draw(ctx) {
if (this._alive) {
ctx.beginPath();
ctx.rect(this._box.x, this._box.y, this._box.width, this._box.height);
ctx.fill();
}
}
/**
* Simple collision test between this GameObject and another
* @param {Object} object - The GameObject to check for intersection
* @return {boolean} true/false if colliding
*/
collision(object) {
let collision = false;
// Only check collisions if the block is still alive
if (this._alive) {
collision = super.collision(object);
this._alive = !collision;
}
return collision;
}
/**
* Performs a comprehensive collision test that checks where the two objects are
* overlapping and indicates the closest point to move them out of collision.
* @param {Object} object - The object to check for intersection
* @return {Object} a dictionary with side: axis of intersection and
* pos: closest point of non-intersection
*/
intersects(object) {
let collision = false;
// Only check collisions if the block is still alive
if (this._alive) {
collision = super.intersects(object);
if (collision) this._alive = false;
}
return collision;
}
}
/**
* Defines a player controlled paddle
* @extends GameObject
*/
class Paddle extends GameObject {
/**
* Creates a Paddle
* @param {Object} game - The game manager class
* @param {Object} boundingBox - Initial size and position of this Paddle
* @param {number} speed - The movement speed of this paddle in pixels a second
*/
constructor(game, boundingBox, speed) {
super(game, boundingBox);
// Speed the paddle can move in pixels a second
this._speed = speed;
}
/**
* Gets this Paddles current movement speed
* @return {number} The movement speed of this Paddle
*/
get speed() {
return this._speed;
}
/**
* Sets the Paddle's movement speed
* @param {number} val - The new movement speed
*/
set speed(val) {
this._speed = val;
}
/**
* Draws this Paddle on the screen
* @param {Object} ctx - The Canvas rendering context to draw to.
*/
draw(ctx) {
ctx.beginPath();
ctx.rect(this._box.x, this._box.y, this._box.width, this._box.height);
ctx.fill();
}
/**
* Sets the x position of this Paddle while keeping it within the boundary passed
* @param {object} bounds - BoundingBox the Paddle should stay within
* @param {number} x - The new x coordinate
*/
setPosInBounds(bounds, x) {
// Clamp to the left side of the screen
if (x < bounds.x) {
x = bounds.x;
}
// Clamp to the right side of the screen
if (x + this._box.width > bounds.x + bounds.width) {
x = bounds.width - this._box.width;
}
this._box.x = x;
}
// Generalised movement function, for internal use
_move(bounds, timeDelta, direction) {
this.setPosInBounds(bounds, this._box.x + ((this._speed * timeDelta) * direction));
}
/**
* Moves the paddle left based on it's speed and the time since the last update
* @param {Objects} bounds - BoundingBox the Paddle should stay within
* @param {number} timeDelta - The time in seconds since the last update
*/
moveLeft(bounds, timeDelta) {
this._move(bounds, timeDelta, -1);
}
/**
* Moves the paddle right based on it's speed and the time since the last update
* @param {Objects} bounds - BoundingBox the Paddle should stay within
* @param {number} timeDelta - The time in seconds since the last update
*/
moveRight(bounds, timeDelta) {
this._move(bounds, timeDelta, 1);
}
}
/**
* Defines a basic ball
* @extends GameObject
*/
class Ball extends GameObject {
/**
* Creates a Ball
* @param {Object} game - The game manager class
* @param {Object} boundingBox - Initial size and position of this Ball
* @param {Object} initalVector - Initial movement vector of the Ball
*/
constructor(game, boundingBox, initalVector) {
super(game, boundingBox);
this._vector = initalVector;
}
/**
* Gets this Ball's current movement vector
* @return {Object} The current movement Vector2D
*/
get vector() {
return this._vector;
}
/**
* Draws this Ball on the screen
* @param {Object} ctx - The Canvas rendering context to draw to.
*/
draw(ctx) {
// Calculate the center point from the BoundingBox
let cX = this._box.x + this._box.width / 2;
let cY = this._box.y + this._box.height / 2;
// Draw the circle. Assumes height === width
ctx.beginPath();
ctx.arc(cX, cY, this._box.width / 2, 0, 2 * Math.PI);
ctx.fill();
}
/**
* Moves the ball based on it's movement vector and the time since the last update
* @param {Object} bounds - BoundingBox the Ball should stay within
* @param {number} timeDelta - The time in seconds since the last update
*/
move(bounds, timeDelta) {
// Calculate new position
this._box.x = this._box.x + (this.vector.x * timeDelta);
this._box.y = this._box.y + (this.vector.y * timeDelta);
// Check the ball will still be in bounds
if (this._box.x < bounds.x) {
// Hit the left side of the screen
this._box.x = bounds.x;
this._vector.x = -this._vector.x;
}
if (this._box.x + this._box.width > bounds.x + bounds.width) {
// Hit the right side of the screen
this._box.x = bounds.x + (bounds.width - this._box.width);
this._vector.x = -this._vector.x;
}
if (this._box.y < bounds.y) {
// Hit the top of the screen
this._box.y = bounds.y;
this._vector.y = -this._vector.y;
}
if (this._box.y + this._box.height > bounds.y + bounds.height) {
// Hit the bottom of the screen
game.loseALife();
}
// Check for collision with the paddle
let collision = game.paddle.intersects(this);
if (collision) {
this._box[collision.side] = collision.pos;
this._vector[collision.side] = -this._vector[collision.side];
}
// Check for collisions with the blocks
const blocks = game.blocks;
for (let row = 0; row < blocks.length; row++) {
for (let column = 0; column < blocks[row].length; column++) {
collision = blocks[row][column].intersects(this);
if (collision) {
this._box[collision.side] = collision.pos;
this._vector[collision.side] = -this._vector[collision.side];
// Increment the score counter
game.increaseScore();
}
}
}
}
}


I'm A Celebrity: Viewers say there are 'too many adverts'
They have to pay for Caitlyn somehow…
by Nancy BrownFans of I'm A Celebrity have said there's "no point" watching the show as it features "too many adverts".
Viewers have said they are "sure" there are more ads being aired during the show this year than in any previous year.
"I'm A Celeb are definitely increasing the amount of adverts by the year," claimed one fan of the show.
Read more: Prince Harry and Meghan start their "well-deserved" extended break
The second episode of the show ran for 90 minutes, with viewers asking ITV to run less adverts and air the show for an hour instead.
Other's complained the ad breaks were way too frequent.
Others thought they'd figured out why there seemed to be more adverts during this series, though.
Read more: IAC viewers divided over John Barrowman's drastic new look
And it seems they've put the blame squarely at the feet of big-money signing Caitlyn Jenner.
Last night's show saw the campmates get to grips with life in the jungle, with Adele Roberts dividing opinion over her choice of luxury item.
Do you think there are too many ad breaks? Let us know on our Facebook page @EntertainmentDailyFix.


Image on the side shows you the design for my program for the plooikfy app. This is a social networking program used to manage the social network of people sharing their playlists so that they can listen to each others' music. Ploolify is a music app that works like Spotify where you can listen to the music you like. That project was the most diffcult project I did but still learnt a lot about how a software engneering project works. I learnt about SQLite & JavaFX which I used to make this program. The Image below shows my database design for my program.


:a small cluster of elongated flexible outgrowths attached or close together at the base and free at the opposite ends
:a growing bunch of grasses or close-set plants
:a bunch of soft fluffy threads cut off short and used as ornament
:clump cluster
:mound
:any of the projections of yarns drawn through a fabric or making up a fabric so as to produce a surface of raised loops or cut pile


UARegistrationDelegate
Objective-C
@protocol UARegistrationDelegate <NSObject>
Swift
protocol UARegistrationDelegate : NSObjectProtocol
Implement this protocol and add as a [UAPush registrationDelegate] to receive registration success and failure callbacks.
-
Deprecated
Deprecated – to be removed in SDK version 15.0. Please use the UAChannelUpdatedEvent NSNotification.
Called after the device channel registers with Airship. Successful registrations could be disabling push, enabling push, or updating the device registration settings.
The device token will only be available once the application successfully registers with APNS.
When registration finishes in the background, any async tasks that are triggered from this call should request a background task.
Note
This method may be called at any time. It does not guarantee a channel registration just occurred.
@deprecated Deprecated – to be removed in SDK version 15.0. Please use the UAChannelUpdatedEvent NSNotification.
Declaration
Objective-C
- (void)registrationSucceededForChannelID:(nonnull NSString *)channelID deviceToken:(nonnull NSString *)deviceToken;
Swift
optional func registrationSucceeded(forChannelID channelID: String, deviceToken: String)
Parameters
channelID
The channel ID string.
deviceToken
The device token string.
-
Deprecated
Deprecated – to be removed in SDK version 15.0. Please use the UAChannelRegistrationFailedEvent NSNotification.
Called when the device channel failed to register with Airship.
When registration finishes in the background, any async tasks that are triggered from this call should request a background task.
@deprecated Deprecated – to be removed in SDK version 15.0. Please use the UAChannelRegistrationFailedEvent NSNotification.
Declaration
Objective-C
- (void)registrationFailed;
Swift
optional func registrationFailed()
-
Called when APNS registration completes.
Declaration
Objective-C
- (void) notificationRegistrationFinishedWithAuthorizedSettings: (UAAuthorizedNotificationSettings)authorizedSettings categories: (nonnull NSSet< UANotificationCategory *> *)categories status: (UAAuthorizationStatus) status;
Swift
optional func notificationRegistrationFinished(withAuthorizedSettings authorizedSettings: UAAuthorizedNotificationSettings, categories: Set<AnyHashable>, status: UAAuthorizationStatus)
Parameters
authorizedSettings
The settings that were authorized at the time of registration.
categories
NSSet of the categories that were most recently registered.
status
The authorization status.
-
Called when APNS registration completes.
Declaration
Objective-C
- (void) notificationRegistrationFinishedWithAuthorizedSettings: (UAAuthorizedNotificationSettings)authorizedSettings categories: (nonnull NSSet< UANotificationCategory *> *)categories;
Swift
optional func notificationRegistrationFinished(withAuthorizedSettings authorizedSettings: UAAuthorizedNotificationSettings, categories: Set<AnyHashable>)
Parameters
authorizedSettings
The settings that were authorized at the time of registration.
categories
NSSet of the categories that were most recently registered.
-
Called when notification authentication changes with the new authorized settings.
Declaration
Objective-C
- (void)notificationAuthorizedSettingsDidChange: (UAAuthorizedNotificationSettings)authorizedSettings;
Swift
optional func notificationAuthorizedSettingsDidChange(_ authorizedSettings: UAAuthorizedNotificationSettings)
Parameters
authorizedSettings
UAAuthorizedNotificationSettings The newly changed authorized settings.
-
Called when the UIApplicationDelegate’s application:didRegisterForRemoteNotificationsWithDeviceToken: delegate method is called.
Declaration
Objective-C
- (void)apnsRegistrationSucceededWithDeviceToken:(nonnull NSData *)deviceToken;
Swift
optional func apnsRegistrationSucceeded(withDeviceToken deviceToken: Data)
Parameters
deviceToken
The APNS device token.
-
Called when the UIApplicationDelegate’s application:didFailToRegisterForRemoteNotificationsWithError: delegate method is called.
Declaration
Objective-C
- (void)apnsRegistrationFailedWithError:(nonnull NSError *)error;
Swift
optional func apnsRegistrationFailedWithError(_ error: Error)
Parameters
error
An NSError object that encapsulates information why registration did not succeed.


new_indexedit
This optional setting is only used by the rollover action.
description: >- Rollover the index associated with alias 'name'. Specify new index name using date math. options: name: aliasname new_index: "<prefix-{now/d}-1>" conditions: max_age: 1d wait_for_active_shards: 1
A new index name for rollover should still end with a dash followed by an
incrementable number, e.g. my_new_index-1
, or if using date math, <prefix-{now/d}-1>
or <prefix-{now/d}-000001>
date_mathedit
This setting may be a valid Elasticsearch date math string.
A date math name takes the following form:
<static_name{date_math_expr{date_format|time_zone}}>
|
is the static text part of the name |
|
is a dynamic date math expression that computes the date dynamically |
|
is the optional format in which the computed date should be rendered. Defaults to |
|
is the optional time zone . Defaults to |
The following example shows different forms of date math names and the final form they resolve to given the current time is 22rd March 2024 noon utc.
| Expression | Resolves to |
|---|---|
|
|
|
|
|
|
|
|
|
|
There is no default value for new_index
.


HOME
ABOUT
Users
Get All Todos
id:
Get todo by id
Filter By Completion Status
Complete
| Incomplete
Return Limit:
owner:
Get todos by owner
category:
contains:
Order by Tag
ID
| Owner
| Category
| Status
| Body
Get Filtered Todos
Json will go here


| internalLeading : int) |
var fontID, height, ascent, descent, internalLeading, : int
var externalLeading: int
fontID := Font.New ("Palatino:24:bold,italic")
Font.Sizes (fontID, height, ascent, descent, internalLeading)
externalLeading := height ascent descent
put "The height of the font is ", height, " pixels"
put "The ascent of the font is ", ascent, " pixels"
put "The descent of the font is ", descent, " pixels"
put "The internal leading of the font is ", internalLeading, " pixels"
put "The external leading of the font is ", externalLeading, " pixels"
Font.Free (fontID)
This means that you can only call the function by calling Font.Sizes, not by calling Sizes.


{{Unreferenced|date=December 2009}}
Secca de bœuf or Secca d'Entrevaux is a type of dried salted beef made in Entrevaux. Similar to the Swiss viande des Grisons or Bündnerfleisch, it is typically eaten as a starter, thinly sliced and served with virgin olive oil, lemon juice, and sliced tomatoes.
{{portal|Food}}
{{DEFAULTSORT:Secca De Bouf}}
{{france-cuisine-stub}} {{meat-stub}}


<paper-steps>
is an implementation of material design
steppers
.
Specify an initial step to begin on, for example to continue progress after a user leaves and then returns to the steps.
Previously entered or skipped content. Populating the details is handled through your own application.


The US PostgreSQL Association depends on donations for maintaining the corporation and funding volunteer efforts to exhibit PostgreSQL at various events throughout the year. Please consider an annual $5000 donation to help the cause and your company logo will be presented on this page.
You may also simply make a donation. Thank you for your participation and consideration of our mission!
Any further questions or concerns can be directed to our secretary using the email secretary@postgresql.us.


QWebEngineCertificateError Class
The QWebEngineCertificateError class provides information about a certificate error. More...
| Header: | #include <QWebEngineCertificateError> |
| qmake: | QT += webenginewidgets |
| Since: | Qt 5.4 |
Public Types
| enum | Error { SslPinnedKeyNotInCertificateChain, CertificateCommonNameInvalid, CertificateDateInvalid, CertificateAuthorityInvalid, ..., CertificateTransparencyRequired } |
Public Functions
| Error | error() const |
| QString | errorDescription() const |
| bool | isOverridable() const |
| QUrl | url() const |
Detailed Description
The QWebEngineCertificateError class provides information about a certificate error.
Provides information about a certificate error. This class is used as a parameter of QWebEnginePage::certificateError().
Member Type Documentation
enum QWebEngineCertificateError::Error
This enum describes the type of certificate error encountered.
The values of this enum type match the SSL errors Chromium provides. QSslError::SslError values are not used directly, because the Qt error categories cannot be mapped to the Chromium error categories.
| Constant | Value | Description |
|---|---|---|
QWebEngineCertificateError::SslPinnedKeyNotInCertificateChain | -150 | The certificate did not match the built-in public keys pinned for the host name. |
QWebEngineCertificateError::CertificateCommonNameInvalid | -200 | The certificate's common name did not match the host name. |
QWebEngineCertificateError::CertificateDateInvalid | -201 | The certificate is not valid at the current date and time. |
QWebEngineCertificateError::CertificateAuthorityInvalid | -202 | The certificate is not signed by a trusted authority. |
QWebEngineCertificateError::CertificateContainsErrors | -203 | The certificate contains errors. |
QWebEngineCertificateError::CertificateNoRevocationMechanism | -204 | The certificate has no mechanism for determining if it has been revoked. |
QWebEngineCertificateError::CertificateUnableToCheckRevocation | -205 | Revocation information for the certificate is not available. |
QWebEngineCertificateError::CertificateRevoked | -206 | The certificate has been revoked. |
QWebEngineCertificateError::CertificateInvalid | -207 | The certificate is invalid. |
QWebEngineCertificateError::CertificateWeakSignatureAlgorithm | -208 | The certificate is signed using a weak signature algorithm. |
QWebEngineCertificateError::CertificateNonUniqueName | -210 | The host name specified in the certificate is not unique. |
QWebEngineCertificateError::CertificateWeakKey | -211 | The certificate contains a weak key. |
QWebEngineCertificateError::CertificateNameConstraintViolation | -212 | The certificate claimed DNS names that are in violation of name constraints. |
QWebEngineCertificateError::CertificateValidityTooLong | -213 | The certificate has a validity period that is too long. (Added in Qt 5.7) |
QWebEngineCertificateError::CertificateTransparencyRequired | -214 | Certificate Transparency was required for this connection, but the server did not provide CT information that complied with the policy. (Added in Qt 5.8) |
Member Function Documentation
Error QWebEngineCertificateError::error() const
Returns the type of the error.
See also errorDescription() and isOverridable().
QString QWebEngineCertificateError::errorDescription() const
Returns a short localized human-readable description of the error.
See also error(), url(), and isOverridable().
bool QWebEngineCertificateError::isOverridable() const
Returns whether this error can be overridden and accepted.
See also error() and errorDescription().
QUrl QWebEngineCertificateError::url() const
Returns the URL that triggered the error.
See also error() and errorDescription().


COLLAB-JUNCTION
Collab-Junction is a platform for all the innovators to turn their ideas
into reality.
There is no dearth of innovators but many innovative ideas fail to see the daylight due to lack of resources, skills and funding. On the other hand there are people having skills, resources and funding, but waiting for the idea to finally start a venture. What we need is a platform that allows innovators, investors, service providers, and entrepreneurs to discover each other, collaborate on ideas, and transform the ideas to products and services in the marketplace.


--- layout: page brython: true --- This page requires JavaScript to be enabled. If you prefer not to do so, please try the offline version of the cheat generator.