Controller¶
Controller used as a specific simulation kernel
-
class
controller.
Controller
(name, model, server)[source]¶ The controller class, which is a special kind of normal simulation kernel. This should always run on the node labeled 0. It contains some functions that are only required to be ran on a single node, such as GVT initiation
-
__init__
(name, model, server)[source]¶ Constructor
Parameters: - name – name of the controller
- model – model to host at the kernel
- server – the server to make requests on
-
checkForTemporaryIrreversible
()[source]¶ Checks if one node is hosting all the models. If this is the case, this node will gain ‘temporary irreversibility’, allowing it to skip state saving and thus avoiding the main overhead associated with time warp.
-
dsScheduleModel
(model)[source]¶ Dynamic Structure change: create a new model
Parameters: model – the model to add
-
dsUnscheduleModel
(model)[source]¶ Dynamic Structure change: remove an existing model
Parameters: model – the model to remove
-
findAndPerformRelocations
(gvt, activities, horizon)[source]¶ First requests the relocator for relocations to perform, and afterwards actually perform them.
Parameters: - gvt – the current GVT
- activities – list containing all activities of all nodes
- horizon – the horizon used in this activity tracking
-
gameLoop
()[source]¶ Perform all computations up to the current time. Only applicable for the game loop realtime backend.
-
getEventGraph
()[source]¶ Fetch a graph containing all connections and the number of events between the nodes. This is only useful when an initial allocator is chosen.
Returns: dict – containing source and destination, it will return the amount of events passed between them
-
getInitialAllocations
()[source]¶ Get a list of all initial allocations. Will call the allocator to get the result.
Returns: list – containing all nodes and the models they host
-
getVCDVariables
()[source]¶ Generate a list of all variables that exist in the current scope
Returns: list – all VCD variables in the current scope
-
isFinished
(running)[source]¶ Checks if all kernels have indicated that they have finished simulation. If each kernel has indicated this, a final (expensive) check happens to prevent premature termination.
Parameters: running – the number of kernels that is simulating Returns: bool – whether or not simulation is already finished
-
notifyLocked
(remote)[source]¶ Notify this kernel that the model is locked
Parameters: remote – the node that is locked
-
performRelocationsInit
(relocate)[source]¶ Perform the relocations specified in the parameter. Split of from the ‘findAndPerformRelocations’, to make it possible for other parts of the code to perform relocations too.
Parameters: relocate – dictionary containing the model_id as key and the value is the node to send it to
-
realtimeInterrupt
(string)[source]¶ Create an interrupt from other Python code instead of using stdin or the file
Parameters: string – the value to inject
-
runAllocator
()[source]¶ Actually extract the graph of exchanged messages and run the allocator with this information.
Results are cached.
Returns: tuple – the event graph and the allocations
-
setActivityTracking
(at)[source]¶ Sets the use of activity tracking, which will simply output the activity of all models at the end of the simulation
Parameters: at – whether or not to enable activity tracking
-
setAllocator
(initial_allocator)[source]¶ Sets the use of an initial relocator.
Parameters: initial_allocator – whether or not to use an initial allocator
-
setCellLocationTracer
(x, y, location_cell_view)[source]¶ Sets the Location tracer and all its configuration parameters
Parameters: - x – the horizontal size of the grid
- y – the vertical size of the grid
- location_cell_view – whether or not to enable it
-
setClassicDEVS
(classic_DEVS)[source]¶ Sets the use of Classic DEVS instead of Parallel DEVS.
Parameters: classicDEVS – whether or not to use Classic DEVS
-
setDSDEVS
(dsdevs)[source]¶ Whether or not to check for DSDEVS events
Parameters: dsdevs – dsdevs boolean
-
setRealTime
(subsystem, generator_file, ports, scale, args=[])[source]¶ Set the use of realtime simulation
Parameters: - subsystem – defines the subsystem to use
- generator_file – filename to use for generating external inputs
- ports – input port references
- scale – the scale factor for realtime simulation
- args – additional arguments for the realtime backend
-
setRealtime
(input_references)[source]¶ Sets the use of realtime simulation.
Parameters: input_references – dictionary containing the string to port mapping
-
setRelocator
(relocator)[source]¶ Sets the relocator to the one provided by the user
Parameters: relocator – the relocator to use
-
setTerminationCondition
(termination_condition)[source]¶ Sets the termination condition of this simulation kernel.
As soon as the condition is valid, it willl signal all nodes that they have to stop simulation as soon as they have progressed up to this simulation time.
Parameters: termination_condition – a function that accepts two parameters: time and model. Function returns whether or not to halt simulation
-
simulate
()[source]¶ Run the actual simulation on the controller. This will simply ‘intercept’ the call to the original simulate and perform location visualisation when necessary.
-
simulate_sync
()[source]¶ Synchronous simulation call, identical to the normal call, with the exception that it will be a blocking call as only “simulate” is marked as oneway.
-
startGVTThread
(gvt_interval)[source]¶ Start the GVT thread
Parameters: gvt_interval – the interval between two successive GVT runs
-
stateChange
(model_id, variable, value)[source]¶ Notification function for when a variable’s value is altered. It will notify the node that is responsible for simulation of this model AND also notify the tracers of the event.
Parameters: - model_id – the model_id of the model whose variable was changed
- variable – the name of the variable that was changed (as a string)
- value – the new value of the variable
-


---
author:
display_name: JP
email<EMAIL_ADDRESS>tags:
- bioscience
- fire
- gap landcover
- habitat
- overview
- vegetation
- wildfire
date: 2011-10-19 15:24:03 -0600
title: Bioscience Overview
categories: []
---
{% include table_overview.html name="Bioscience" %}
| Beaver Restoration
Assessment |
map data |
US Fish and Wildlife Service |
The Utah statewide Beaver Restoration Assessment Tool (BRAT) is a decision support and planning tool for beaver
management. The backbone to BRAT is a capacity model developed to assess the upper limits of riverscapes to
support beaver dam-building
activities. Both existing and potential capacity were estimated with readily available spatial datasets to
evaluate five key lines of evidence: 1) a perennial water source, 2) availability of dam building materials, 3)
ability to build a dam
at baseflow, 4) likelihood of dams to withstand a typical flood, and 5) likelihood that stream gradient would
limit or completely eliminate dam building by beaver. Fuzzy inference systems were used to combine these lines of
evidence while accounting
for uncertainty. |
| Dominant Vegetation |
map data |
Utah Division of Wildlife Resources (DWR) |
Statewide distribution of dominant vegetation species in Utah. The data were derived from 1:24,000 scale
orthophoto quadrangles, 1:40,000 scale aerial photos and field mapping by the Utah Division of Wildlife Resources
(approximate date Jan. 2001). Explore the companion the domain codes
dataset to make sense of the codes. |
| GAP Landcover Classification (Raster) |
map data and map services |
USGS GAP Analysis Program, USU RS/GIS Lab |
Landcover classification for the State of Utah for the purposes of regional terrestrial biodiversity
assessment. Visit swregap.org for all of the documents and downloads. |
| DWR Habitat
Areas |
map data |
DNR, Utah Division of Wildlife Resources (DWR) |
Habitat areas for game species of Utah and generalized occurrence data for habitat areas of protected species.
|


Simple CRUD Operation This is a simple Web application based on CRUD (Create Read Update Delete) operations. It is made using Spring Boot Framework


We found a bug in both mobile and desktop safari, versions higher than 9. This testcase demonstrates the bug. If svg a linked as an external svg sprite sheet, they are downloaded by the browser everytime one icon is used in a webpage.
<symbol viewBox="0 0 9 20" id="svg-arrow-gallery-right">
<title>Ein Bild vor</title>
<path d="M0 18.92l5.326-9.253L.056.977 2.29 0 9 9.82 2.236 20 0 18.92z" />
</symbol>
You'll find the source of the sprite sheet in the repository.
<svg class="svg-symbol" role="img">
<use xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="icons_symbols.svg#svg-arrow-gallery-right"></use>
</svg>
To reproduce the bug, reload this page with developer tools network panel open and caching off in a mobile Safari (iOS 9.3) or an desktop Safari (Version 9.1.1). You'll see the file icons.svg
is downloaded five times. Using the same procedure in Chrome or Firefox shows the file is downloaded only once there, which would be the expected behaviour.
… in this Github repository.


Police ask for help to identify unconscious elderly woman found in St Annes
An elderly woman who has been unconscious after falling in St Annes has yet to be identified by the police.
by James GravesOfficers are struggling to identify the woman who fell in Lima Road on Sunday.
She was discovered at around 11pm with ‘serious head injuries’ on the street.
The woman was taken to Royal Preston Hospital by ambulance and her condition is currently described as poorly.
DS Lee Kelly, of West Division Police, said: “We would like to reiterate that, at this time, there is nothing to suggest there are any suspicious circumstances surrounding this lady’s injuries.
“However we are struggling to establish who she is.
“Perhaps you recognise the description and think she may be someone who lives near you, or who you often see in your local area.
“Maybe you were in the Lima Road area last night and think you may have seen her, and are able to tell us which direction she came from.
“If you think you can help us please get in touch with us as soon as possible.”
The woman is described as white, aged between 70 and 80, approximately 5ft 4ins tall, of slim build, with shoulder length grey/silver hair.
When she was found she was wearing a navy-coloured coat, dark blue denim jeans, a white patterned blouse and a pair of boat shoes.
Police maintained a presence at the scene yesterday with a police car remaining where the woman fell with police tape around the pavement.
Anybody with information is asked to get in touch with police by calling either 101 or (01253) 604153, or email<EMAIL_ADDRESS>quoting log number 1474 of December 8.
Alternatively call independent charity Crimestoppers on 0800 555 111 or online at crimestoppers-uk.org.


@(env: String, pageSkinnedAdUnits: dfp.PageSkinSponsorshipReport)
@import tools.DfpLink
@import tools.SiteLink
@listItem(sponsorship: dfp.PageSkinSponsorship) = {
@sponsorship.lineItemName
(@sponsorship.lineItemId)
@if(sponsorship.editions.isEmpty) {
No edition
} else {
Editions: @sponsorship.editions.map(_.id).mkString(" ")
}
@if(sponsorship.countries.isEmpty) {
No country
} else {
Countries: @sponsorship.countries.mkString(" ")
}
Ad Units:
@if(sponsorship.adUnits.isEmpty) {- Run of network
}
@for(adUnit <- sponsorship.adUnits) {
- @SiteLink.adUnit(adUnit).map { link => @adUnit}.getOrElse {@adUnit}
}
}
@admin_main("Pageskins", env, isAuthed = true) {
Pageskins
Pages will squish to accommodate pageskins according to these criteria:
- The Ad Unit must be a front
- The Line Item must target an edition in its customised criteria
- The Line Item must have a Roadblocking type of Creative Set
- The Line Item Placeholder should target the Out of Page (1x1 pixel) slot.
Some of these are not targetting fronts. They are just here so you can work it out.
Pageskinned Ad Units
Last updated: @pageSkinnedAdUnits.updatedTimeStamp
Deliverable to NGW
@for(sponsorship <- pageSkinnedAdUnits.deliverableSponsorships) {@listItem(sponsorship)}
Behind Test Cookie
@if(pageSkinnedAdUnits.testSponsorships.isEmpty) {
None
} else {
@for(sponsorship <- pageSkinnedAdUnits.testSponsorships) {@listItem(sponsorship)}
}
R2 Only
@for(sponsorship <- pageSkinnedAdUnits.legacySponsorships) {@listItem(sponsorship)}
}


--- layout: post status: publish published: true title: "一直想着你,往前跑的孩子..." author: Leask author_login: leask author_email<EMAIL_ADDRESS>author_url: https://leaskh.com wordpress_id: 657 wordpress_url: http://leaskh.wordpress.com/2005/10/15/%e4%b8%80%e7%9b%b4%e6%83%b3%e7%9d%80%e4%bd%a0%e5%be%80%e5%89%8d%e8%b7%91%e7%9a%84%e5%ad%a9%e5%ad%90 date: '2005-10-15 17:10:00 +0800' date_gmt: '2005-10-15 17:10:00 +0800' categories: - Life tags: [] comments: [] ---


Next:
Cylindrical tokamak
Up:
Notes on tokamak equilibrium
Previous:
Grad-Shafranov equation with prescribed
Misc contents
Subsections
Cylindrical tokamak
parameters
Toroidal magnetic field of EAST tokamak
Comparison of EAST with DIII-D tokamak
Miller's formula for shaped flux surfaces
Double transport barriers pressure profile
Ballooning transformation
Discussion about the poloidal current function, check!
tmp check!
Radial coordinate to be deleted
yj 2018-03-09


Parent Resources
We have started to collect resources and links for parents. Please check back soon for the latest additions and updates.
Director Kris Blue welcomes you to St. John's first virtual open house!
All completed and signed forms must be submitted to St. John’s before 7:00pm on the night of the lottery in order to be eligible. You may drop off your completed registration form during one of our open houses or registration sessions, or mail your registration form to us. Please consider your registration form received only once you have received a confirmation email from our registrar.
Here, you'll find all the details about our Lottery, including priorities, process, and instructions for completing your lottery form.
St. John’s current tuition schedule, policy, and information about tuition refunds.
A sample of Director Kris Blue's monthly Literacy Newsletter that's provided to the parents of children in the 4-year old program.
For three-year olds, the St. John’s school year begins in early September and ends in early June. Click the link for the full calendar.
For four-year olds, the St. John’s school year begins in early September and ends in early June. Click the link for the full calendar.
The St. John’s Nursery School Parent Handbook for the current year.
We design an age appropriate schedule which provides opportunities for social and academic development.
All the forms you need for your registered student: enrollment form, consent forms, family and emergency information, etc.
Interested in volunteering to serve on the SNJS Board of Directors?


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Functions to compute quasi variances and associated measures of approximation error.
| Version: | 0.9-1 |
| Suggests: | relimp, MASS |
| Enhances: | psychotools |
| Published: | 2017-09-19 |
| Author: | David Firth |
| Maintainer: | David Firth <d.firth at warwick.ac.uk> |
| License: | GPL-2 | GPL-3 |
| URL: | https://github.com/DavidFirth/qvcalc |
| NeedsCompilation: | no |
| Materials: | NEWS |
| In views: | SocialSciences |
| CRAN checks: | qvcalc results |
| Reference manual: | qvcalc.pdf |
| Package source: | qvcalc_0.9-1.tar.gz |
| Windows binaries: | r-devel: qvcalc_0.9-1.zip, r-release: qvcalc_0.9-1.zip, r-oldrel: qvcalc_0.9-1.zip |
| OS X binaries: | r-release: qvcalc_0.9-1.tgz, r-oldrel: qvcalc_0.9-1.tgz |
| Old sources: | qvcalc archive |
| Reverse imports: | BradleyTerry2, gnm, logmult, PlackettLuce |
| Reverse suggests: | catdata |
Please use the canonical form https://CRAN.R-project.org/package=qvcalc to link to this page.


"ARNON "swift, the southern boundary of the territory of Israel beyond Jordan, separating it from the land of Moab (Deuteronomy 3:8, 16). This river (referred to twenty-four times in the Bible) rises in the mountains of Gilead, and after a circuitous course of about 80 miles through a deep ravine it falls into the Dead Sea nearly opposite Engedi. The stream is almost dry in summer. It is now called el-Mujeb. The territory of the Amorites extended from the Arnon to the Jabbok.
"ARNON "swift, the southern boundary of the territory of Israel beyond Jordan, separating it from the land of Moab (Deuteronomy 3:8, 16). This river (referred to twenty-four times in the Bible) rises in the mountains of Gilead, and after a circuitous course of about 80 miles through a deep ravine it falls into the Dead Sea nearly opposite Engedi. The stream is almost dry in summer. It is now called el-Mujeb. The territory of the Amorites extended from the Arnon to the Jabbok.


solos::Tec
Home
(current)
Configuration
System
Devices
Gateway
Meter
LoRa
Upload
Download
Status
Sessions
Targets
Connections
Monitoring
System
Messages
Time Series
LoRa Uplink
Tasks
CSV
connection state
Time Series
ID
Timestamp (UTC)
Account
Event
Description


HTML demos
We can do amazing things with HTML5, especially when it's associated with the power of CSS3. A lot of things what were not thought possible with HTML before. For instance we can make an online presentation (a slide-show) without any plugin. This is what we can see in the following link: HTML5 Can website
In this page we are going to show some demos. The page will add some demos as the time goes. We will try to keep it at least monthly demos to showcase the powerfulness of HTML5 combined with CSS3
Audio and video integration:
HTML5 came with new elements <video>
and <audio>
to give
us the ability to include a video or a sound track with flash or any other plugin.
Insert a video:
The following code
<video width="320" height="240" controls>
<source src="video/Nature-Canada.mp4" type="video/mp4">
Your browser does not support the video tag.
</video>
Will output the following video (the video can be controlled by the user: pause, play, full-screen, ...):
Note: To make the video works in all modern browsers, including Firefox, the most common format is .mp4
Insert a sound track
The following code will insert a beautiful song from an Algerian singer Matoub Lounes:
<audio controls>
<source src="audio/Matoub-Lounes-Zzher-iw.mp3" type="audio/mpeg">
Your browser does not support the audio element.
</audio>
Note: For the audio element the most supported format is .mp3
New form elements and attributes:
New attributes
Placeholder attribute for an input field:
A placeholder for an input field must be a text. It disappears when the user enter a new text in the field.
autofocus attribute for an input field:
With autofocus attribute, the field is automatically focused (the cursor goes inside it) when page loads, as we can see in the example above. Browsers that don’t support the autofocus attribute will simply ignore it.
New values for input type attribute:
Email input:
The email type is useful for form control or to display a keyboard with handy @
in case of touch devices with non physical keyboard.
URL input:
Number input
The input of type number is very useful to enter a number and it give as a lot of control, like the minimum value, maximum value, the default value and the step from a value to another, as we can see in the following example.
<input type="number"
min="0"
max="10"
step="2"
value="6">
An number as slider:
<input type="range"
min="0"
max="50"
step="1"
value="6">
Notice that the slider can also be controlled by the keyboard (left and right arrows)
Date input
The date input will allow us to show the date piker as we can see in the following example:
<input type="date" >
Note: The date input is not supported by all modern browsers. Currently it's only supported by Google Chrome, Opera browser and Safari (for Mac OS and iOS).
A lot of HTML5 elements and attributes are not supported by some browsers, especially INTERNET Explorer which is used to have a poor support for new standards like HTML5 and CSS3. To check which browser supports which element or attribute, please visite the following web site http://html5test.com/
In the following days we are going to add new demos, because the list of new staff in HTML5 is long!


When I think of the best music videos of the last 5 years, this is the first thing that pops to mind.


-
SWAPNIL DAS
-
FULL STACK DEVELOPER
- RESUME CONTACT ME
Work
Infosys Technologies
Web Developer(1st May 2015 - 1st August 2016)
Developed API (REST) using MVC in .NET to interact with other components.
Used Team Foundation Server to perform version control and code sharing.
Performed database tuning and query optimization in SQL server.
Created table schemas, stored procedures, and triggers in Microsoft SQL.
California State University Long Beach
Web Developer - Student Assistant (1st October 2016 - 26th May 2017)
Developed Angular reusable components (directives, services, routes, and events).
Integrated third-party REST APIs on ASP.NET website and Angular using AJAX.
Designed and developed optimized-landing-pages in HTML5, CSS3, Bootstrap and jQuery which included cross-browser compatibility.
Extron Electronics
Applications Developer (13th November 2017 - present)
Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos qui ratione voluptatem sequi nesciunt. Neque porro quisquam est, qui dolorem ipsum quia dolor sit amet, consectetur.
About ExtronMy Qualifications
Bachelor's in Computer Science
National Institute of Technology Raipur
Graduation Date: 22/08/2016
My Projects
Marketing
My Recipes
-
Create your own recpies, store online and explore other recipes
- TypeScript, HTML5, Materialize CSS, Angular
Entertainment
Online Movie Rental
-
Rent movies online, explore global list of movies
- REST API, MVC5, C# .NET, jQuery, Bootstrap 4, Razor


Export a button
Right click on the button and select Export JSON. The button will be copied to your clipboard, you just need to paste it and send it away!
Import a button
Copy the whole JSON string you’ve been sent. Right click on any empty space in your deck and select Import JSON.


rankmirrors
Rank a list of Pacman mirrors by connection and opening speed.
Writes the new mirrorlist to `stdout`.
More information: home page
- Rank a mirror list:
rankmirrors /etc/pacman.d/mirrorlist
- Output only a given number of the top ranking servers:
rankmirrors -n number /etc/pacman.d/mirrorlist
- Be verbose when generating the mirrorlist:
rankmirrors -v /etc/pacman.d/mirrorlist
- Test only a specific URL:
rankmirrors --url url
- Output only the response times instead of a full mirrorlist:
rankmirrors --times /etc/pacman.d/mirrorlist


BABE: PIG IN THE CITY (Also known as BABE 2) Review written by Boyd Petrie
Rated G for some violence and suggested sex. ---------- Out of 4 Stars: **** (4 stars)
Starring: Magda Szubanski, Mary Stein, Mickey Rooney, and James Cromwell. Featuring the voices of Elizabeth Daily (Babe), Glenne Headly (Zootie), Danny Mann (Ferdinand), Steven Wright (Bob), and many others.
Let it be known that I was one of the very few individuals to want BRAVEHEART to lose at the Oscars to BABE, the 1995 family film. Of course, that was before I became the cynical and jaded person I have become. I preferred films that dealt with happy subjects. I didn't like SE7EN the first time I saw it in 1995. Now, I think it's 1995's best film. As you can tell, my taste in film has changed considerably (mind you, I still think BABE should have won, since SE7EN wasn't nominated). So upon hearing about the release of a sequel to BABE, I was worried that I might not like it. From the previews, I thought I would hate it.
And gosh darn it, it takes those expectations and flips them completely. Just as the first film did, it surprises with a touching and heartfelt story that is very hard to find these days. Taking themes that can be used in everyday life, Babe created a modern day fairy tale. The old story of an outsider trying to find his place in society was reinvented for animals.  This farmer nurtures him, hoping for a fantastic Thanksgiving ham.
Well now that pig is back, and I couldn't be happier. Frankly, this is exactly what a sequel should be. It doesn't really improve on the original... it builds on it, making the franchise as a whole more solid. It's not better than the original, mostly due to some particular plot elements that keep it from reaching the status that Babe did. But other elements, most notably the visual style, improves dramatically. For once, a sequel that doesn't rely on rehashing the same old themes the original did. Surprisingly, I wouldn't mind it if this film were nominated for Best Picture again. You aren't going to find a better family film all year long.
BABE: PIG IN THE CITY begins precisely when the original left off. As we left Farmer Hoggett (James Cromwell) three years ago, his pig Babe (now voiced by Elizabeth Daily) won the sheep herding contest after being ridiculed by humans and animals alike. A parade is now thrown for the pig and his "human" as they arrive back home to greet his loving wife, Esme Hoggett (Magda Szubanski). But trouble is around the corner. As Babe wonders what to do next, he watches as Farmer Hoggett descends into their well out back, in order to update it. Unfortunately, Babe gets a bit too close, and falls in, causing Hoggett to smash his finger in the pulley, plunge to the bottom of the well, and get hit on the head by the counterweight which held him up. Needless to say, he is unable to work for quite a while.
Esme takes over the chores, but she finds herself struggling, and soon, two men dressed in black, their eyes seeming hollow and soulless, arrive. Yes... they're bankers. They want to sell the farm unless the Hoggetts can come up with money to pay for their mortgage. Despite the prestige the pig has brought them, they are still struggling. They received many invitations for the pig to come perform. In return, a nice sum of money will be rewarded. Esme decides to take Babe to the festival, hoping the money will suffice to save the farm. But trouble brews when a drug-sniffing dog shows Babe how he gets security's attention. Esme is now suspected for carrying drugs, and she misses her connecting flight to the festival. Depressed, she wanders aimlessly to find a motel that will accept pets. Being unsuccessful, she sits and waits in the airport when a mysterious janitor hands her an address. "They'll take care of you there," he says.
She finds the hotel, a massive, four-story building one might find in Disneyland. The landlady (Mary Stein) seems nervous and fidgety, and finally accepts the two into the hotel. Inside is a world of animals, varying from dogs to cats to mice to monkeys.  Babe now must befriend his fellow inhabitants, find food, rescue enemies, and save the farm. How can one pig do all this? Easy, when you are Babe.
While the plot seems rather childish and loony, it's handled with the utmost intelligence, mixing themes with thoroughly entertaining sight gags.  In order to successfully live, the enemies of instinct must combine and set aside their natural urges. When Esme travels outside the hotel to find a pay phone, she discovers a world of hatred, one very similar to the animals' world. Surprisingly, these complex themes are handled very well, and the adult viewer will be pleasantly surprised by the intelligence in which it is handled. While some family films pander to the lowest common denominator just to amuse kids, BABE: PIG IN THE CITY tries it's hardest to entertain everyone at the same time. And it does, on every aspect.
Visually, this is definitely one of the best of the year, definitely beating WHAT DREAMS MAY COME and even PLEASANTVILLE. Full of incredibly funny sight gags, from the wickedly designed hotel to the humorous landscapes, BABE: PIG IN THE CITY incredulously improves on its predecessor in this aspect. Looking out the window of the hotel, one can see America scrunched down into one city. You see the Hollywood sign on one end, and the Statue of Liberty on the other. Frankly, this film will be nominated for at least one Oscar, and that's for Best Set Design. Roger Ford, the production designer, will receive an Oscar nomination again for his work on this sequel. If he does not, then there is no justice in the world. Frankly, I don't see how the Academy could overlook his work. Every set is immensely appealing. The hotel and the surrounding Venice-like waterways are a sight to behold. The puppet animals, such as the pelicans, are wonderfully cartoon-ish. Simply put, it's a real-life cartoon. It's pure eye-candy, and I ate it up intently.
Costume designer Norma Moriceau has an incredible job, creating costumes for every single animal and human. This varies from black-and-white tuxes and ballroom gowns, to sweaters and clown suits, Moriceau impressively creates a perfect costume for each individual's personality. The cinematography Andrew Lesnie does an extremely good job at capturing the fairy tale-like story that unfolds before the camera. The colors are vivid and bright, even in the middle of the night. Look for both to be nominated at the Oscars. Animal trainers Karl Lewis Miller and Steve Martin (no, not that Steve Martin) arguably had the motherload of the work placed on them. Many animal films have animals that obey simple commands or seem just like animals. But here, the animals come to life, producing extremely life-like characters. If it were possible, I believe that Bob (Steven Wright) and Zootie (Glenne Headley), the husband-and-wife chimps in Fugley Floom's (Mickey Roonie), deserve Best Supporting Actor and Actress awards. I'm not kidding. You really have to see their performances to believe it. In the history of film, I have never even thought of an animal receiving an Oscar nomination. Here, I have made an exception.
The performances are uniformly terrific, despite the lacking presence of 1995's Oscar-nominee James Cromwell. Though he has a limited performance, we still care about him from the first film. Now, we get to learn more about Mrs. Hoggett, portrayed by Magda Szubanski who exudes energy in every inch of the frame. Frankly, I feel sequels should do this more often: center on a different character, instead of the original human lead. Now, we know both characters equally well. Szubanski is a gem to behold as she fights to save her farm. She balances the film very well. The other main human character is Mary Stein. Making brief appearances on "Star Trek: The Next Generation" and other various shows, she finally lands a role that could introduce her to the world. Her towering 6-foot-1 body is appropriate for the strange role, but she plays it with deadpan humor. As soon as I saw her, I knew I'd like her. Mickey Rooney also makes a brief appearance, but he has a heart attack and is removed from the film rather quickly.
The voices are also terrific, especially the two aforementioned chimps. Frankly, I don't want to mention all of them, so I'll just give a list of my favorites. Elizabeth Daily, of course, who takes over Christine Cavanaugh's vocalizations from the previous film. Strangely, you can't tell the difference (it may be that Cavanaugh and Daily both provide voices for "The Rugrats" television show). Danny Mann is Ferdinand, the quirky duck who hates to be without Babe at his side. Mann is hysterical once again. The scene-stealers are Wright and Headly, who turn in incredibly delicious vocal performances. If these two actors could receive Oscar nominations for their voice work alone, they should. James Cosmo, Nathan Kress, and Myles Jeffrey all do great work as the other chimps. Adam Goldberg is hilarious as an arthritis-stricken dog who must wheel around in a hind-leg coach. And while I'm not sure who did the voice, the little kitten who complains, "I'm still hungry," is sad but cute at the same time.
Director George Miller, who also produced and co-wrote the original, has done an immense job in bringing this film to life. Filmed in Australia where filming is much cheaper, Miller was able to capture the same intensity and tone the original had. His impressive resume continues to grow (it's hard to believe this is the same guy who provided us with pure evil in THE WITCHES OF EASTWICK). The writing team of Miller, Judy Morris, and Mark Lamprell have crafted a finely-tuned screenplay with witty dialogue that never seems tacky or forced. It's smart, funny, and sad all at the same time. Just as many sequels are, this one is darker than the original, but as they say, "The best family films always have a dark side." To prove this, just look at the classics: THE WIZARD OF OZ, MATILDA, SLEEPING BEAUTY, BEAUTY AND THE BEAST. All had dark sides to them. BABE: PIG IN THE CITY is no different. The music is pretty similar to the original, right down to the singing mice (this time, a little more prominently... just 'cause they're so cute!). This is one of those few films that provides you with many different emotions, but you leave the theater feeling good all over.
 If this sounds too harsh for your children, it really isn't. The audience I attended the film with seemed overwhelmingly pleased, especially little kids. Even adults cheered the film's intelligence. If the Oscars do award this film with another Best Picture Oscar, I wouldn't be disappointed in the slightest. While it's not quite up to par with the original, it certainly pleases those looking for an entertaining time at the movies. I'm pretty sure that this film will end up on my top ten list at the end of the year.
-------------- Respect's Movie Reviews http://www.aros.net/~respect/movies.html ------<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Cytoscape as an Integration Platform
Cytoscape is designed to support integration of multiple data types
- Tabular data from
- Excel
- tsv, csv, or txt
- web services
- Network data from
- XGMML, SIF, cx, cx2, BioPax, GraphML, Cytoscape JSON, PSI-MI, GML, SBML
- Excel, tsv, csv, txt, web services
Cytoscape as an Integration Platform
Cytoscape has no inherent knowledge about biology
- Doesn't care about network source
- Doesn't care about attribute sources
- Only cares about nodes, edges, networks, tables
- Table columns can be integer, long integer, floating point, strings, boolean, or lists of any of these
Typical Integration Workflow
- Import or create a network
- From a web service app: e.g. STRING, IntAct
- From a file (e.g. AP/MS output)
- From an analysis (e.g. scNetViz, GeneMANIA
- Add additional data as attributes
- From Excel or a text file
- Analyze the data
- Clustering, network analysis, enrichment
- Visualize the results
- Color, shape, size, heatmaps, etc.
- Possibly integrate more data
- No a priori limit to the number of columns
- Make sure column names don't overlap, though
- Go back to step 3
Common Integration Issues
- Incorrect key mapping
- When you are importing a table, make sure to correctly choose the column in the existing network and the column in your table to act as matching keys
- Not all networks have name as the best choice for a matching key
- In the case of stringApp, for example, display name, or often query term is the best column to choose
- Getting the order wrong
- Generally, you always want to create your network first
- Then you can integrate tabular data
- Some apps create networks based on tabular data (e.g. scNetViz), but that is the exception


|
JavaTM 2 Platform Standard Ed. 5.0 |
|||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
java.lang.Object java.awt.MediaTracker
public class MediaTracker
The MediaTracker
class is a utility class to track
the status of a number of media objects. Media objects could
include audio clips as well as images, though currently only
images are supported.
To use a media tracker, create an instance of
MediaTracker
and call its addImage
method for each image to be tracked. In addition, each image can
be assigned a unique identifier. This identifier controls the
priority order in which the images are fetched. It can also be used
to identify unique subsets of the images that can be waited on
independently. Images with a lower ID are loaded in preference to
those with a higher ID number.
Tracking an animated image
might not always be useful
due to the multi-part nature of animated image
loading and painting,
but it is supported.
MediaTracker
treats an animated image
as completely loaded
when the first frame is completely loaded.
At that point, the MediaTracker
signals any waiters
that the image is completely loaded.
If no ImageObserver
s are observing the image
when the first frame has finished loading,
the image might flush itself
to conserve resources
(see Image.flush()
).
Here is an example of using MediaTracker
:
import java.applet.Applet; import java.awt.Color; import java.awt.Image; import java.awt.Graphics; import java.awt.MediaTracker; public class ImageBlaster extends Applet implements Runnable { MediaTracker tracker; Image bg; Image anim[] = new Image[5]; int index; Thread animator; // Get the images for the background (id == 0) // and the animation frames (id == 1) // and add them to the MediaTracker public void init() { tracker = new MediaTracker(this); bg = getImage(getDocumentBase(), "images/background.gif"); tracker.addImage(bg, 0); for (int i = 0; i < 5; i++) { anim[i] = getImage(getDocumentBase(), "images/anim"+i+".gif"); tracker.addImage(anim[i], 1); } } // Start the animation thread. public void start() { animator = new Thread(this); animator.start(); } // Stop the animation thread. public void stop() { animator = null; } // Run the animation thread. // First wait for the background image to fully load // and paint. Then wait for all of the animation // frames to finish loading. Finally, loop and // increment the animation frame index. public void run() { try { tracker.waitForID(0); tracker.waitForID(1); } catch (InterruptedException e) { return; } Thread me = Thread.currentThread(); while (animator == me) { try { Thread.sleep(100); } catch (InterruptedException e) { break; } synchronized (this) { index++; if (index >= anim.length) { index = 0; } } repaint(); } } // The background image fills the frame so we // don't need to clear the applet on repaints. // Just call the paint method. public void update(Graphics g) { paint(g); } // Paint a large red rectangle if there are any errors // loading the images. Otherwise always paint the // background so that it appears incrementally as it // is loading. Finally, only paint the current animation // frame if all of the frames (id == 1) are done loading, // so that we don't get partial animations. public void paint(Graphics g) { if ((tracker.statusAll(false) & MediaTracker.ERRORED) != 0) { g.setColor(Color.red); g.fillRect(0, 0, size().width, size().height); return; } g.drawImage(bg, 0, 0, this); if (tracker.statusID(1, false) == MediaTracker.COMPLETE) { g.drawImage(anim[index], 10, 10, this); } } }
| Field Summary | |
|---|---|
static int |
ABORTED
Flag indicating that the downloading of media was aborted. |
static int |
COMPLETE
Flag indicating that the downloading of media was completed successfully. |
static int |
ERRORED
Flag indicating that the downloading of media encountered an error. |
static int |
LOADING
Flag indicating that media is currently being loaded. |
| Constructor Summary | |
|---|---|
MediaTracker(Component comp)
Creates a media tracker to track images for a given component. |
| Method Summary | |
|---|---|
void |
addImage(Image image,
int id)
Adds an image to the list of images being tracked by this media tracker. |
void |
addImage(Image image,
int id,
int w,
int h)
Adds a scaled image to the list of images being tracked by this media tracker. |
boolean |
checkAll()
Checks to see if all images being tracked by this media tracker have finished loading. |
boolean |
checkAll(boolean load)
Checks to see if all images being tracked by this media tracker have finished loading. |
boolean |
checkID(int id)
Checks to see if all images tracked by this media tracker that are tagged with the specified identifier have finished loading. |
boolean |
checkID(int id,
boolean load)
Checks to see if all images tracked by this media tracker that are tagged with the specified identifier have finished loading. |
Object[] |
getErrorsAny()
Returns a list of all media that have encountered an error. |
Object[] |
getErrorsID(int id)
Returns a list of media with the specified ID that have encountered an error. |
boolean |
isErrorAny()
Checks the error status of all of the images. |
boolean |
isErrorID(int id)
Checks the error status of all of the images tracked by this media tracker with the specified identifier. |
void |
removeImage(Image image)
Removes the specified image from this media tracker. |
void |
removeImage(Image image,
int id)
Removes the specified image from the specified tracking ID of this media tracker. |
void |
removeImage(Image image,
int id,
int width,
int height)
Removes the specified image with the specified width, height, and ID from this media tracker. |
int |
statusAll(boolean load)
Calculates and returns the bitwise inclusive OR of the status of all media that are tracked by this media tracker. |
int |
statusID(int id,
boolean load)
Calculates and returns the bitwise inclusive OR of the status of all media with the specified identifier that are tracked by this media tracker. |
void |
waitForAll()
Starts loading all images tracked by this media tracker. |
boolean |
waitForAll(long ms)
Starts loading all images tracked by this media tracker. |
void |
waitForID(int id)
Starts loading all images tracked by this media tracker with the specified identifier. |
boolean |
waitForID(int id,
long ms)
Starts loading all images tracked by this media tracker with the specified identifier. |
| Methods inherited from class java.lang.Object |
|---|
clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Field Detail |
|---|
public static final int LOADING
statusAll(boolean)
,
statusID(int, boolean)
,
Constant Field Valuespublic static final int ABORTED
statusAll(boolean)
,
statusID(int, boolean)
,
Constant Field Valuespublic static final int ERRORED
statusAll(boolean)
,
statusID(int, boolean)
,
Constant Field Valuespublic static final int COMPLETE
statusAll(boolean)
,
statusID(int, boolean)
,
Constant Field Values| Constructor Detail |
|---|
public MediaTracker(Component comp)
comp
- the component on which the images
will eventually be drawn| Method Detail |
|---|
public void addImage(Image image, int id)
image
- the image to be trackedid
- an identifier used to track this imagepublic void addImage(Image image, int id, int w, int h)
image
- the image to be trackedid
- an identifier that can be used to track this imagew
- the width at which the image is renderedh
- the height at which the image is renderedpublic boolean checkAll()
This method does not start loading the images if they are not already loading.
If there is an error while loading or scaling an image, then that
image is considered to have finished loading. Use the
isErrorAny
or isErrorID
methods to
check for errors.
true
if all images have finished loading,
have been aborted, or have encountered
an error; false
otherwisecheckAll(boolean)
,
checkID(int)
,
isErrorAny()
,
isErrorID(int)
public boolean checkAll(boolean load)
If the value of the load
flag is true
,
then this method starts loading any images that are not yet
being loaded.
If there is an error while loading or scaling an image, that
image is considered to have finished loading. Use the
isErrorAny
and isErrorID
methods to
check for errors.
load
- if true
, start loading any
images that are not yet being loaded
true
if all images have finished loading,
have been aborted, or have encountered
an error; false
otherwisecheckID(int)
,
checkAll()
,
isErrorAny()
,
isErrorID(int)
public boolean isErrorAny()
true
if any of the images tracked
by this media tracker had an error during
loading; false
otherwiseisErrorID(int)
,
getErrorsAny()
public Object[] getErrorsAny()
null
if
there are none with errorsisErrorAny()
,
getErrorsID(int)
public void waitForAll() throws InterruptedException
If there is an error while loading or scaling an image, then that
image is considered to have finished loading. Use the
isErrorAny
or isErrorID
methods to
check for errors.
InterruptedException
- if another thread has
interrupted this threadwaitForID(int)
,
waitForAll(long)
,
isErrorAny()
,
isErrorID(int)
public boolean waitForAll(long ms) throws InterruptedException
ms
argument has passed.
If there is an error while loading or scaling an image, then
that image is considered to have finished loading. Use the
isErrorAny
or isErrorID
methods to
check for errors.
ms
- the number of milliseconds to wait
for the loading to complete
true
if all images were successfully
loaded; false
otherwise
InterruptedException
- if another thread has
interrupted this thread.waitForID(int)
,
waitForAll(long)
,
isErrorAny()
,
isErrorID(int)
public int statusAll(boolean load)
Possible flags defined by the
MediaTracker
class are LOADING
,
ABORTED
, ERRORED
, and
COMPLETE
. An image that hasn't started
loading has zero as its status.
If the value of load
is true
, then
this method starts loading any images that are not yet being loaded.
load
- if true
, start loading
any images that are not yet being loaded
statusID(int, boolean)
,
LOADING
,
ABORTED
,
ERRORED
,
COMPLETE
public boolean checkID(int id)
This method does not start loading the images if they are not already loading.
If there is an error while loading or scaling an image, then that
image is considered to have finished loading. Use the
isErrorAny
or isErrorID
methods to
check for errors.
id
- the identifier of the images to check
true
if all images have finished loading,
have been aborted, or have encountered
an error; false
otherwisecheckID(int, boolean)
,
checkAll()
,
isErrorAny()
,
isErrorID(int)
public boolean checkID(int id, boolean load)
If the value of the load
flag is true
,
then this method starts loading any images that are not yet
being loaded.
If there is an error while loading or scaling an image, then that
image is considered to have finished loading. Use the
isErrorAny
or isErrorID
methods to
check for errors.
id
- the identifier of the images to checkload
- if true
, start loading any
images that are not yet being loaded
true
if all images have finished loading,
have been aborted, or have encountered
an error; false
otherwisecheckID(int, boolean)
,
checkAll()
,
isErrorAny()
,
isErrorID(int)
public boolean isErrorID(int id)
id
- the identifier of the images to check
true
if any of the images with the
specified identifier had an error during
loading; false
otherwiseisErrorAny()
,
getErrorsID(int)
public Object[] getErrorsID(int id)
id
- the identifier of the images to check
null
if there are none with errorsisErrorID(int)
,
isErrorAny()
,
getErrorsAny()
public void waitForID(int id) throws InterruptedException
If there is an error while loading or scaling an image, then that
image is considered to have finished loading. Use the
isErrorAny
and isErrorID
methods to
check for errors.
id
- the identifier of the images to check
InterruptedException
- if another thread has
interrupted this thread.waitForAll()
,
isErrorAny()
,
isErrorID(int)
public boolean waitForID(int id, long ms) throws InterruptedException
ms
argument has passed.
If there is an error while loading or scaling an image, then that
image is considered to have finished loading. Use the
statusID
, isErrorID
, and
isErrorAny
methods to check for errors.
id
- the identifier of the images to checkms
- the length of time, in milliseconds, to wait
for the loading to complete
InterruptedException
- if another thread has
interrupted this thread.waitForAll()
,
waitForID(int)
,
statusID(int, boolean)
,
isErrorAny()
,
isErrorID(int)
public int statusID(int id, boolean load)
Possible flags defined by the
MediaTracker
class are LOADING
,
ABORTED
, ERRORED
, and
COMPLETE
. An image that hasn't started
loading has zero as its status.
If the value of load
is true
, then
this method starts loading any images that are not yet being loaded.
id
- the identifier of the images to checkload
- if true
, start loading
any images that are not yet being loaded
statusAll(boolean)
,
LOADING
,
ABORTED
,
ERRORED
,
COMPLETE
public void removeImage(Image image)
image
- the image to be removedremoveImage(java.awt.Image, int)
,
removeImage(java.awt.Image, int, int, int)
public void removeImage(Image image, int id)
Image
being tracked
under the specified ID are removed regardless of scale.
image
- the image to be removedid
- the tracking ID frrom which to remove the imageremoveImage(java.awt.Image)
,
removeImage(java.awt.Image, int, int, int)
public void removeImage(Image image, int id, int width, int height)
image
- the image to be removedid
- the tracking ID from which to remove the imagewidth
- the width to remove (-1 for unscaled)height
- the height to remove (-1 for unscaled)removeImage(java.awt.Image)
,
removeImage(java.awt.Image, int)
|
JavaTM 2 Platform Standard Ed. 5.0 |
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Copyright © 2004, 2010 Oracle and/or its affiliates. All rights reserved. Use is subject to license terms. Also see the documentation redistribution policy.


Create Web Objects
This service allows anyone to represent paper forms as JSON objects.
Complete
Name
Finish
API binds customer data from client service or web form.
Play Again


{% extends 'base.html' %} {% block content %}
Optimized security footage storage, search, and analysis.


Preparation time
30 mins to 1 hour
Cooking time
30 mins to 1 hour
Serves
Makes 24 éclairs
Dietary
If you aren't up to the challenge of Paul's choux pastry tower , you can still enjoy the same gorgeous flavours in these easier éclairs.
Preheat the oven to 220C/200C Fan/Gas 7. Line 2 baking sheets with baking parchment. On the first sheet draw 12 x 9cm/3½in lines spaced well apart. Turn the paper over so the pencil marks are underneath but can be seen, to use as a template.
Put the butter, salt and 250ml/9fl oz water into a large saucepan. Heat gently until the butter has melted, then bring to the boil. (Don’t let the liquid boil for any length of time, or you will drive off too much moisture.) Immediately remove from the heat and tip the flour into the pan. Beat with a wooden spoon to form a smooth ball of dough that leaves the sides of the pan clean.
Now vigorously beat the egg into the hot dough, a little at a time. This takes some elbow grease! As you add the egg, the dough will become stiff and glossy. Stop adding the egg if the dough starts to become loose (though you should use up all or most of it).
Spoon the mixture into a piping bag fitted with a 12mm/½in plain nozzle. Pipe the mixture onto the templates on the baking sheets.
Bake for 10 minutes, then reduce the oven temperature to 190C/170C Fan/Gas 5 and bake for a further 25-30 minutes until dark golden-brown. When baked, the pastry should be crisp and dry. As soon as you remove it from the oven, transfer to a cooling rack and pierce each éclair gently with a skewer (this allows steam to escape and stops the pastry becoming soggy). Put the choux on wire racks to cool completely.
For the pistachio crème pâtissière, pour the milk into a pan, add the pistachio paste and bring to the boil, then remove from the heat.
Whisk the sugar, egg yolks and cornflour together in a large bowl. Pour a little of the hot milk onto the egg mixture, whisking continuously. Whisk in the rest of the hot milk until well combined, then return to the pan. Cook the mixture over a gentle heat, stirring continuously, until the mixture thickens.
Remove from the heat and pass the mixture through a sieve into a clean bowl. Beat in the butter until melted. Leave to cool, cover the surface with cling film to prevent a skin forming and chill. When cool, spoon into a piping bag fitted with a long thin nozzle.
For the raspberry crème pâtissière, pour the milk into a pan, add the raspberry powder and bring to the boil, then remove from the heat.
Whisk the sugar, egg yolks and cornflour together in a large bowl. Pour a little of the hot milk onto the egg mixture, whisking continuously. Whisk in the rest of the hot milk until well combined, then return to the pan. Cook the mixture over a gentle heat, stirring continuously, until the mixture thickens.
Remove from the heat and pass the mixture through a sieve into a clean bowl. Beat in the butter until melted. Leave to cool, cover the surface with cling film and chill before using. When cool, spoon into a piping bag fitted with a long thin nozzle.
 Fill half of the éclairs with the pistachio crème pâtissière and the remaining half with raspberry crème pâtissière.
For the icing, add enough water to the fondant icing sugar to make a very stiff icing. Divide the mixture into 2 bowls. Add the raspberry liqueur to one bowl and a tiny amount of pink food colouring paste to make a pale pink icing. Add the almond extract to the other bowl and a tiny amount of green food colouring paste to make a pale green icing.
Spoon the icing into 2 separate disposable piping bags and snip off the ends. Pipe the pink icing onto the raspberry filled éclairs and the green icing onto the pistachio filled éclairs. Smooth with a palette knife and allow to set.
For best results serve the éclairs immediately. They can be stored in the fridge for an hour but the pastry will start to absorb moisture from the filling and become soggy.


--- layout: default meta_title: "Art Yarn Scarves | Blind Dog Yarns" meta_description: "" href: "scarves" open_graph_img: /assets/images/BlindDogYarns-vector-black.svg twitter_img: /assets/images/BlindDogYarns-vector-black.svg ---
These one of a kind cowls and scarves are made with a combination of commercial acrylic yarn and hand spun wool art yarn. The art yarn was hand dyed, blended, and spun by me and adds such a fun, funky touch to the common scarf. These cowls and scarves are lightweight and would be great in fall or spring or to complete your winter outfit.
All of the scarves pictured below are ready to ship and available for $32.
Contact me to place an order


Implements the s-values proposed by Ed. Leamer. It provides a context-minimal approach for sensitivity analysis using extreme bounds to assess the sturdiness of regression coefficients.
| Version: | 0.1.6 |
| Imports: | ggplot2, reshape2 |
| Suggests: | knitr, testthat |
| Published: | 2018-07-15 |
| Author: | Carlos Cinelli |
| Maintainer: | Carlos Cinelli <carloscinelli at hotmail.com> |
| BugReports: | https://github.com/carloscinelli/sValues |
| License: | GPL-3 |
| NeedsCompilation: | no |
| CRAN checks: | sValues results |
| Reference manual: | sValues.pdf |
| Vignettes: |
Brief Introduction to the sValues Package |
| Package source: | sValues_0.1.6.tar.gz |
| Windows binaries: | r-devel: sValues_0.1.6.zip, r-release: sValues_0.1.6.zip, r-oldrel: sValues_0.1.6.zip |
| OS X binaries: | r-release: sValues_0.1.6.tgz, r-oldrel: sValues_0.1.6.tgz |
| Old sources: | sValues archive |
Please use the canonical form https://CRAN.R-project.org/package=sValues to link to this page.


Definition: The 3C's Model is a business model, which offers a strategic look at the factors needed for success.
- The Corporation What are the internal strengths of the organization? How could these be developed in order to target a market opportunity? How could the corporation become more cost effective?
- The Customer What does the customer want? What needs are not currently being addressed? Can customer segmentation help you to identify opportunities?
- The Competitors What is the competition doing? What are potential sources of differentiation, including: purchasing, design, engineering, sales and servicing.


Evy recently graduated from the Film Animation program at Concordia University. She is passionate about 2D and 3D animation, and is actively looking for work!
Evy would like to work on interesting projects and improve her skills. Please contact her at the email address listed below.
“My Chef” was my first stop-motion project. I wanted to portray a clumsy chef who wanted to cook a delicious dish but had no idea what he was doing. Working on this project was extremely rewarding, I learnt a variety of techniques, made 2 kinds of puppet, and experimented with numerous materials. However, the process of production was time-consuming and challenging.
In “My Chef”, I used Monster Clay to sculpt the character, cement to make molds, and foam latex to create the soft body and limbs. Despite my efforts, the results did not completely match my expectations. After baking the molds, some parts of the body shrank and became stiff and hard to animate. In short, “My Chef” was an extremely interesting project and valuable learning opportunity.
“The City of Frog”, a.k.a. “The City of Fog”, depicts a not so distant world, where the air pollution has gotten so hideous that everyone has to wear a mask to protect themselves from the toxins. Without supervision, the exhaust fume from factories and cars polluted the whole world. I drew my inspiration from a recent visit to Beijing in 2014, where I observed how serious the smog has become.
“The City of Frog” was selected to screen at the Los Angeles CineFest, Montreal International Animation Festival, and TMFF. It is my hope that this short animated piece could raise some awareness to save the world we live in.
“Japanese Hot Spring” is one of my projects done during the second year in the animation program. It is an animated advertisement that promotes special anti-fog glasses.
“Wild” was a group project done in teams. Each group member has to animate a fox, a turtle, and a bird in order to demonstrate how these animals act in their natural habitat, while using different techniques and styles.
“War” is an abstract animation. I used ink and colorful lights to create random patterns on paper or wall. Then, by using a digital camera, I took photos of these patterns. After, I modified the colors of photos into different red in Premiere, and combined them together following the rhythm of a series of violent sound effects.


Use morphological image processing and edge detection algorithms to automatically identify tree-ring boundaries on digital images. Tree-ring boundaries are determined by the changes of light reflectance from late wood to early wood. Two geometric models are provided to calibrate the errors resulted from inclined rings. The package provides a Shiny-based application, allowing R beginners to easily analyze tree-ring images and export ring-width series in standard file formats.
| Version: | 1.1 |
| Depends: | R (≥ 3.3.0), magrittr (≥ 1.5) |
| Imports: | png, jpeg, tiff, bmp, magick, imager, dplR, spatstat, measuRing, shiny, shinydashboard, shinyWidgets |
| Published: | 2018-10-16 |
| Author: | Jingning Shi, Wei Xiang |
| Maintainer: | Jingning Shi <snow940220 at bjfu.edu.cn> |
| License: | GPL-3 |
| NeedsCompilation: | no |
| CRAN checks: | MtreeRing results |
| Reference manual: | MtreeRing.pdf |
| Package source: | MtreeRing_1.1.tar.gz |
| Windows binaries: | r-devel: MtreeRing_1.1.zip, r-release: MtreeRing_1.1.zip, r-oldrel: MtreeRing_1.1.zip |
| OS X binaries: | r-release: MtreeRing_1.1.tgz, r-oldrel: MtreeRing_1.1.tgz |
Please use the canonical form https://CRAN.R-project.org/package=MtreeRing to link to this page.


The highest populated country China tops the list, whereas other nations severely affected by COVID-19 such as USA and India take the next two places.
The smaller nations and islands such as Bhutan and Falkland Islands make their way to the top. India is not among the top 14 countries in this regard.
Uttar Pradesh and Maharashtra are the leading states for doses administered in the country.
There are no clear preferences according to age group and gender. Individuals aged 18- 44 years got the most doses, this group also represents majority of the country's population.
Covishield is the most preferred company for vaccines.
Day-to-day vaccine dosage shot up after the 2nd wave hit India (March-June, 2021).
The straight line is a linear fit to the data.
"The vaccine delivery dropped from 3.5 million per day (March) to an average of 1.6 million per day
this week. Assuming vaccine supplies at the same rate, it will take until February 2022 for the
country to vaccinate 300 million people, which represents only 20% of the population."
Reference Link
Using this linear fit, India will be fully vaccinated by 10-10-2027. (Considering India's population as 136.64 crore)
After the daily cases increased during March-June, 2021, the preventive and diagnostic measures escalated.
Virus mutations and new strains emerging with enhanced infectivity and virulence rate, could be the reason for the rise in cases.
The box plot represents the inter-quartile range.
The points outside the box represent the outliers of the data.
The width denotes the scatter of the data and the height shows maximum value.
COVID-19 effectiveness (R) for a region over a period of time is defined
which is used for the further visualizations -
R(effectiveness) = (0.4tests+0.6vax)/(0.3cases+0.7deaths)
{All parameters used are in terms of number of people}
Higher the value of the metric, the better the effectiveness of the region against COVID-19.
(I) Numerator - (maximize) COVID-19 detection / prevention:
Tests - Important, but not as much as getting vaccinated :- weight - 40%
Vaccinations - More important but testing cannot be ignored:- weight: 60%
Tests and Vaccinations form the numerator and infer how the region is fighting the virus.
(II) Denominator - (minimize) Challenges/problems faced due to COVID-19:
Cases - Considering the recovery rate of COVID-19, cases are dangerous but not as much as deaths:- weight - 30%
Deaths - Most significant impact of the virus:- weight - 70%
The parameter 'R' tells us how a region (during a certain interval) is faring in the face of the pandemic.
(whether the undesirable denominator is dominating or if the preferable numerator is more influential).
Since all the factors of this metric are positive, R is always > 0.
During the extremely severe 2nd wave that hit the country from 70 to 130 days after the commencement
of vaccination, effectiveness drastically degraded to a value close to zero.
(9.51 to be precise, whereas the maximum value was around 550)
Signifies the change in situation from the previous day (for better or the worse). During the period of stupendous case load (May-June), the effectiveness stayed put at zero. There are normal fluctuations - in the case of any rate variable, with the degree of deviation rising with time, owing to the increased awareness about COVID-19.
The correlation matrix shows how the different variables are related with each other.
Effectiveness relates negatively with the number of cases and the number of deaths, as expected.
Effectiveness wrt to the raw number of daily vaccinations is naturally positive, since it is directly proportional
The factor of effectiveness has a fractionally negative interdependence on the number of tests conducted,
which is counter-intuitive. This could be due to the rate of growth of cases far exceeding the rate of growth of tests.
The values and signs of these correlation factors can be considered to be a result of: -
1. the definition and the weightage given to each term in the metric
2. the factors driving the government to enhance the rate of vaccinations/tests
Om
Abishek
Sonal
Roshni
Copyright © 2021 Vizathon21, Track: Public Health | Designed by Template Mo


Filename:
variables
Extension:
md
Path:
/variables
Base URL:
http://jigsaw.test
URL:
http://jigsaw.test/variables
Global Variable:
some global variable
Local (title): Jigsaw is awesome!
Local (author): Keith Damiani
Meta (filename): variables
Helper function: hello global! #98765
Illuminate Collection methods are available on config arrays (sum
, for example): 6 or 6 or 6
Illuminate Higher Order Messages are available on config arrays (sum
, for example): 6
Iterating variables when referenced as objects:
Nested arrays are accessible as iterable objects below first level:


{% extends "base_page.html" %} {% block content %}
About:{{object.About}}
Technologies: {{object.technologies.all|join:", " }}.
Experience: {{object.experience}}.
Skills: {{object.skills.all|join:", " }}.
Ratings: {{object.ratings}}
Education: {{object.education}}.
{% endblock %}