What do Richard Stallman and Steve Ballmer have in common? A lot more than meets the eye on first sight:
One: They are each others nemesis. They don't name each other. Stallman is "the guy who wrote GLP" and Ballmer "The big monopolist".
Two: They both came to Singapore in November 2004
Three: They both firmly believe in what they talk about and have a hard time acknowledging each others view
Four: They both would need some dress code advise. While Richard was talking barefoot, Ballmer was wearing brown shoes to a otherwise flawless dark business suite
Ballmer and the whole Microsoft crew was talking about value creation and shifting IT spending from maintenance to more productive work like new development. Of course the new Microsoft solutions will help there (so they claim). While I applaud that goal (who wants to do maintenance anyway) it looks to me, that savings in maintenance budget will rather result in budget cuts.... and I don't know (outside the consultants scene) much successful administrators in development roles.
Ballmer claimed, business value is the centre of their universe: anticipating business needs and creating value before the business community even would know about this need (or even create the need). Microsoft, so Ballmer, is committed to innovation which is documented in the 3000+ patents Microsoft will file this year alone. Microsoft's vision are agile enterprises driven by agile high performance teams (and Microsoft solutions of course).
On OpenSource and Stallman Ballmer got very firm: they don't believe in Intellectual Property (which is true, Stallman says IP is FUD and distinguished between: copyright, trademarks and patents as unrelated right) and all Open Source users are in jeopardy because law suites will hit them, with Linux alone violating 200++ patents (he mentioned an exact figure with "more than" in front, which is a contradiction in terms).
So what a difference: Stallman on one site: believing in freedom, community and sharing, Ballmer on the other side believing in vision, responsiveness and innovation. My conclusion: they both are right and they both are wrong. It is our task to find a balance between community and commerce. For my taste commerce has the much better lobby (see a future post about pirates).
But surprise, surprise even Microsoft is not alien to the concept of free (free as in beer) software: every participant returning the conference evaluation form was rewarded with a free copy of Microsoft Office Professional 2003.
Steve Ballmer obviously was on high power stress, observing his body when taking questions I saw the muscles stiffing in defence. Only when I asked him how he relaxes from his job, he visibly let go and appeared much more relaxed. Besides the usual stuff like family, sports (running and Golf) Steve mentioned reading eMail in Singapore Airline's First Class would be quite relaxing. So the notion stands: Singapore Girl you are a great way to fly


%= circled_title(1, "Modify release") %>
BOSH makes it easy to modify and deploy new versions of software. Let's modify our release source files.
In release folder open src/simple_server/app.rb and change the name to yours.
Create new version of release (force option is used to ignore warning about local changes), upload new version of release to Director and deploy!
See that the updated version was deployed:


Developer and Illustrator
A few projects I have worked on:
This application allows users to connect with neighbors in their neighborhood. They can make posts about various events happening in the neighborhood, like garage sales, birthday parties etc. Currently, this is a prototype, and you can check it out via this link: Hello, Neighbor
"Is the hype real?" is a movie popularity tracking web based app designed to give the user insite into a films popularity.Being a web based application, there is nothing to install. Simply navegate to the site at and enter the film about which you`d like to inquire: The Hype
This applet has time slots that allows the user to fill in tasks for the day by the hour. The user should be able to save their edits. The applet should also show the date and time for the current day. Work day Scheduler
"Damned if you do, damned if you don't"
I am an illustrator and web developer based in St Paul MN.
I am passionate about bringing value to people with my artwork as well as web development services.
Projects I have worked on


Installation
System requirements
pub-server was developed with node.js on macOS, so that is the recommended environment.
The generator works under Windows as well, but there are known issues with the editor and the file system watcher on Windows.
Global install
npm install -g pub-server
At this point you can run pub
from the command line in any directory, to preview your .md
files.
Project-specific install
Instead of depending on a global install, you can add pub-server to your project's package.json. This provides more granular control over which version of pub-server is being used.
npm install --save-dev pub-server
If you want to deploy pub-server onto a PaaS like Heroku, use a regular dependency instead of a devDependency.
npm install --save pub-server
Configuring scripts
You can also create script aliases for running pub with different options in your package.json E.g.
"scripts": {
"develop": "pub",
"generate": "pub -O",
"static": "pub -S out"
}
Now you can call npm run develop
or npm run generate
or npm run static
.
See Command line for details.


Why use our dashboard?
EOSIO Dashboard is a community-driven open-source tool built by a group of blockchain developers that believe transparency is fundamental to operate blockchain networks. We intend to provide a useful and straightforward app that will help visualize the Block Producers’ relevant information to promote transparency and reliability.
Why It’s Important?
On the EOS network token holders must vote for Block Producers based on information they have , and on permissioned networks such as LACChain node operators are responsible for the network running smoothly. So, we believe that monitoring what’s happening on the network is essential to improve and measure node transparency. EOSIO Dashboard’s main objective is to help you visualize objective and reliable information about each node and its activity.
Where Does the Data Come From?
EOSIO Dashboard provides clear and graphic visualization of relevant information of entities running nodes and blockchain infrastructure. We source data on-chain directly from the public blockchain tables and information provided by Block Producers in their bp.json files. For more information about EOSIO Dashboard, visit our GitHub repo or contact us on our Telegram group.


A set of distributions which can be used for modelling the response variables in Generalized Additive Models for Location Scale and Shape, Rigby and Stasinopoulos (2005), <doi:10.1111/j.1467-9876.2005.00510.x>. The distributions can be continuous, discrete or mixed distributions. Extra distributions can be created, by transforming, any continuous distribution defined on the real line, to a distribution defined on ranges 0 to infinity or 0 to 1, by using a ”log” or a ”logit' transformation respectively.
| Version: | 5.1-1 |
| Depends: | R (≥ 2.15.0), MASS, graphics, stats, methods |
| Published: | 2018-12-08 |
| Author: | Mikis Stasinopoulos [aut, cre, cph], Robert Rigby [aut], Calliope Akantziliotou [ctb], Vlasios Voudouris [ctb], Gillian Heller [ctb], Fernanda De Bastiani [ctb], Raydonal Ospina [ctb], Nicoletta Motpan [ctb], Fiona McElduff [ctb], Majid Djennad [ctb], Marco Enea [ctb], Alexios Ghalanos [ctb], Christos Argyropoulos [ctb], Almond Stocker [ctb], Jens Lichter [ctb], Stanislaus Stadlmann [ctb] |
| Maintainer: | Mikis Stasinopoulos <d.stasinopoulos at londonmet.ac.uk> |
| License: | GPL-2 | GPL-3 |
| URL: | http://www.gamlss.org/ |
| NeedsCompilation: | yes |
| In views: | Distributions |
| CRAN checks: | gamlss.dist results |
| Reference manual: | gamlss.dist.pdf |
| Package source: | gamlss.dist_5.1-1.tar.gz |
| Windows binaries: | r-devel: gamlss.dist_5.1-1.zip, r-release: gamlss.dist_5.1-1.zip, r-oldrel: gamlss.dist_5.1-1.zip |
| OS X binaries: | r-release: gamlss.dist_5.1-1.tgz, r-oldrel: gamlss.dist_5.1-1.tgz |
| Old sources: | gamlss.dist archive |
| Reverse depends: | acid, binequality, gamlss, gamlss.add, gamlss.cens, gamlss.countKinf, gamlss.demo, gamlss.mx, gamlss.spatial, gamlss.tr, gamlss.util, gamlssbssn, SemiParSampleSel |
| Reverse imports: | AGD, childsds, distreg.vis, GJRM, ImputeRobust, list, powdist, PReMiuM, rpql, Wrapped, ZIBseq |
| Reverse suggests: | betaboost, broom, depmixS4, fitdistrplus, gamboostLSS, hnp, mazeinda, PerformanceAnalytics |
Please use the canonical form https://CRAN.R-project.org/package=gamlss.dist to link to this page.


Note:: This web-page contains characters in Devanagiri, Telugu, Kannada, Tamil and Malayalam. If they do not display correctly, then you need to install proper fonts on your computer. On Firefox, if the Indian language characters do appear but are in the wrong order, please follow instructions given in this page: http://en.wikipedia.org/wiki/Wikipedia:Enabling_complex_text_support_for_Indic_scripts#Check_for_existing_support
| Unified transliteration Scheme for Carnatic Music Compositions (version 1.2) (Numbers in super-script forms are qualifiers to disambiguate the script or represent sounds not part of the script. For Tamil, qualifiers for certain letters may or may not appear in certain contexts depending on the qualifier scheme) |


Extremely Intuitive
Heck provides a familiar syntax and doesn't overstep its bounds with assumptions. It does exactly what you expect it to!
As Much Control as You Need
Heck will optimize your high-level code as much as possible, but it will also give you all the control you can ask for!
All of the High-Level Benefits
Heck has an extremely smart compiler, and it will do what you ask of it with extremely little code.
Zero-Cost Abstractions
Heck lets you do more at compile time, and we encourage metaprogramming, rather than trying to fight it!


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| DOSE: |
7 flowers |
oral |
Datura |
(tea) |
Well, I made my little tea, using around 7 flowers in a pot of water...
Well, it all went fine for the first couple hours but then all hell broke loose. My girlfriend called me and I kept blacking out on the phone, but when I came to my senses I was saying something about a James Bond movie I just watched... I seriously thought I was in the James bond movie.
The problem was, my subconscious was talking to my girlfriend and saying some crazy things every time I blacked out. And then my near-sighted vision started going bad. My eyes dilated so large that I could not see anything 2 feet or closer to my face. That means when my girlfriend texted me, I could not read it, and it was a horrible thought. So I hung up with her at 2 and I am dead serious when I say I called her back as soon as I set the phone down because I just wanted to tell her I love her and that I am going to bed. (which I had not done before)
It took about 5 calls for her to pick up, and when she did, she wondered why I had called her at 5 in the morning. I literally blacked out for 3 hours, without any recollection of what just happened.
The next day I was out of it all together and my eyes were still dilated. My vision did not improve much for the whole day, which made work very hard. I was tired, and my stomach was extremely upset.
All of that would have been ok, saying I am an experienced drug user and can cope with the obvious side effects, but the cottonmouth I got from the tea was overwhelming. It was impossible to get rid of, and it lasted all day, seeming to get worse as the day progressed. Once I had another night sleep, I felt better and 2 days after almost all the side effects had dissipated. My vision was still a tad off, and I was extremely worn out.
Datura is cheap, and is easy to prepare, but it had horrible side effects and made me delerious. Blacking out is not only dangerous, but also very inconvienent depending on one's location. (blacking out here refers to loosing consciousness, or the conscious actions of any movement, this does not mean I couldn't functions, or respond to the outside world, it just means I had absolutely no control of what I was doing, and when I came to my senses, I would hardly remember what happened)
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


{%include "base.html" %}
| Show Highlighted Peptide Sequence | Protein ID | Peptide Sequence | Start | End | Sequence Length | FASTA Sequence | Peptide unique in protein | Data source |
|---|---|---|---|---|---|---|---|---|
| Protein ID | Peptide Sequence | Start | End | Sequence Length | FASTA Sequence | Peptide unique in protein | Data source |
This data entry is not available due to technical error in connecting to an external data resource. Please try again later.
{% endif %}


|
PKD Rig
Set of Pipeline and Rigging Tools
|
The main core classes for the PKD rig system. More...
Classes | |
| class | CartoonySystem |
| A setup which simulates the squash and stretch effect through joints. More... | |
| class | ConstraintSystem |
| A constraint meta rig. More... | |
| class | Ctrl |
| The meta rig for a control system. More... | |
| class | Joint |
| This meta class which creates a joint by default. More... | |
| class | JointSystem |
| Network class which deals with a collection of joint. More... | |
| class | MetaEnhanced |
| This is a helper class which adds pynode based functionality and support. More... | |
| class | MetaRig |
| An modfied Red9 meta rig class. More... | |
| class | MovableSystem |
| This is a system which can be moved. More... | |
| class | NetSubSystem |
| An extended class of Network class where it is always going to be part of sub system, therefore it will always add 'systemType' attr to the node eg Cartoony system. More... | |
| class | Network |
| This is a MetaRig that doesn't create a transform node. More... | |
| class | SpaceLocator |
| Space locator meta. More... | |
| class | TransSubSystem |
| This is a MovableSystem which can be converted to a subcomponent. More... | |
Functions | |
| def | forcePyNode (node) |
| Ensure to return a pynode. More... | |
Variables | |
| f | |
| toon = CartoonySystem(side="C", part="Cora") | |
The main core classes for the PKD rig system.
All new system are created here until they can be grouped together to create new packages.
The PKD rig system uses the combination of the Red9 meta rig system and Pymel API as part of the core development process
Red9 comes with many development API to traversing networks, getting control nodes easily and initialising objects after you open scene. In addition to this this makes PKD tools compatible with the tools that comes with Red9 such as a well defined pose libary and mirroring system.
PyMel which is natively supported also comes with powerful and developer friendly API such as their easy way to make connections and OpenMaya based functionality.
However using these do come at the cost of speed however in the long run it will payoff for easier development process
The PKD tools also officially compatible with the ZV Parent Master tool which is a very refined and production tested constraint management system.
Just a small note with regards to naming convention, while other aspects of the PKD_Tools tries to keep to the Pep8 convention however in the rigging part of the tool we use camelCase for all variable, properties and function to conform to naming standards in maya, pyside, Red9 and pymel
| def PKD_Tools.Rigging.core.forcePyNode | ( | node | ) |
| PKD_Tools.Rigging.core.toon = CartoonySystem(side="C", part="Cora") |


workbox-cache-expiration
workbox-cache-expiration
A helper library that enforces restrictions on a cache including:
- Allowing a specific number of requests to be cached. This prevents a cache from continuously growing in size.
- Define an expiration for request.
This means stale requests aren't used and the cache size is kept under control.
Most developers will use this module by instantiating a new
CacheExpirationPlugin
and passing it to a
RequestWrapper, as shown in the first example below.
Classes
CacheExpiration
The CacheExpiration
class allows you define an expiration and / or limit on the responses cached.
CacheExpirationPlugin
The CacheExpirationPlugin
class allows you define an expiration and / or limit on the responses cached.
This class is meant to be automatically invoked as a plugin to a
RequestWrapper, which is used by the workbox-sw
and workbox-runtime-caching
modules.
If you would like to use this functionality outside of the RequestWrapper
context, please use the CacheExpiration class directly.


Work Day Scheduler
A simple calendar app for scheduling your work day
9AM
10AM
11AM
12PM
1PM
2pm
3pm
4pm
5pm


Older children may flush the toilet without observing the nature of a diarrhea stool. They should be asked to look at the stool and show it to an adult if it is abnormal. With the emergence of E. coli as a potentially very dangerous germ, it has become important that parents watch diarrhea carefully (see Tip 220 for more emergency information on diarrhea in babies and children). Large numbers of stools, severe cramping with diarrhea, and blood in the stools should cause parents to seek medical attention.
Remember, when observing the stool, that if the child drinks red liquids or eats beets, the stool may have a red color.


LOVERS ON THE BRIDGE, THE (AMANTS DU PONT-NEUF) (director/writer: Leos Carax; cinematographer: Jean-Yves Escoffier; cast: Juliette Binoche (Michèle Stalens), Denis Lavant (Alex), Klaus-Michael Gruber (Hans), 1991-France)
Reviewed by Dennis Schwartz
Leos Carax's inspiration for this film was Jean Vigo's masterpiece "L'Atalante" (1934). This becomes very evident by the film's end, as the love story concludes with a note of romanticism on a barge heading out to the Atlantic. This modern lyrical film, is a love story about the homeless who live on the oldest and most famous bridge in Paris, the Pont-Neuf, which is in a high rent area where the only other group that could afford to live in the area are the very rich. The film starts out looking as if it is going to be a documentary, but it slowly builds into a study of three people who come to live there as homeless souls and then builds into a fantastically intense love story. The lovers live outside in the debris of the Pont-Neuf (the bridge was closed for repairs in 1989). The lovers had nothing in the way of possessions and had to live only for their feelings for one another. There is nothing pretty about these characters or endearing about the situation they are in, and it has a frighteningly real look to it.
This high-budget fantasy film is directed by Leos Carax (Boy Meets Girl/Bad Blood); it is one of the most costly French films ever made. It cost roughly $28 million to make this film about the homeless. Carax built a monumental set in the South of France countryside that duplicated Pont-Neuf and its environment, which is where most of the loot was spent.
 When he limps back to his usual resting spot under the bridge, he finds a young woman, Michèle (Juliette Binoche), who is wearing an eye patch and is sleeping in his usual spot. His partner, an older bum, Hans (Klaus-Michael Gruber), takes an immediate dislike to her and tells her to get lost she can't sleep here. He tells her a woman will only get raped or beaten up here, it only a place for bums like Alex and me. It turns out that she is an artist and is rapidly losing her eyesight. She is also suffering from a heartache over a lover; afraid that she will never see again she has run away from her comfortable former existence, wishing to just stay here and draw some last portraits and see a famous museum picture before going blind.
The story is a quiet one, an imitation of the life and sounds of all the things happening in their surroundings. We hear gun fire, a cello played, see snow fall on Christmas Eve, see a stunning fireworks show on Bastille Day, and get a feel for the subway passages the way the vagrants view them. It is not a story where we are going to find out much about these three, just enough so that we have a little feel of how they came to be there. The skinheaded Alex is a panhandler, a petty thief, and a street theater performer: doing fire-eating and gymnastic routines to earn some money. Hans was a night watchman for thirty years and when his family went to pieces, he became a bum.
What this reckless film is about (it is reckless because it is not about logical people), is something that can't easily be explained because it is a poetical vision about those who have gone over the line of sanity. It is about those who will survive only through a miracle, the good will of others, or through continuing to lead the foolish life they are leading and not retreating from their folly. This film is visual cinema, dialogue is not that relevant. We observe the madness of their lives and how love is so difficult to comprehend but is the only thing that is out there that can't be taken away from them, that it becomes the rationale of the film. This could have been made as a silent film, it could be viewed like Murnau's "Sunrise," as the disenfranchised view the bright lights of a modern urban city for how it might corrupt those who live there.
One of the problems that held up production was that the producer died. That was followed by the breakup of the director with his lover, who happened to be the star of the film, Juliette Binoche ("The English Patient"/ "Blue"/ "Damage"). In the meantime, while the film stopped shooting, she had a few breakthrough roles and could have gone to make more glamorous films at higher pay, but she felt committed to this project and did finish the film. It took three years for the film to be made and then some considerable more time to get a U.S. release date (reportedly because the producers charged exorbitant fees for its release, in the hope of making up for the high production costs). Commercially the film bombed, but critically it received many great reviews. There were also quite a few negative ones, and the one from Vincent Canby in the N.Y. Times really hurt. It delayed the release date in America. The ones who hated this film, seemed to really hate it.
I appreciated the film, finding it to be slow-moving but a startling and compelling film, that had a unique way of influencing my sensibilities through its images. Not quite a masterpiece, but a film that made my heart go out to its lovers.
REVIEWED ON 3/2/2000 GRADE: A-
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
<EMAIL_ADDRESS>© ALL RIGHTS RESERVED DENNIS SCHWARTZ
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


A choose your own adventure story game. - Download on itunes
Play
Would you like to have an astral projection experience. You can with magical meditations. -- Download on itunes
Listen
A traditional card game.


Preparation time
less than 30 mins
Cooking time
10 to 30 mins
Serves
Serves 10
Dietary
This is a hot salad that would be fabulous to serve on a buffet table for a summer supper or barbecue. It is delicious served with chargrilled meats, chicken or fish.
Each serving provides 236kcal, 4g protein, 42g carbohydrate (of which 6g sugars), 5g fat (of which 0.8g saturates), 2.5g fibre and 0.6g salt.
Measure the rice in a jug, then place in a pan with double the volume of boiling water. Add the salt. Bring to the boil, then cover and reduce the heat to a low simmer and cook for 20-30 minutes, or until the grains are tender but still have a little bite.
Meanwhile, coarsely grate the carrots (use the thick grating blade of a food processor if you have one) and thinly slice the spring onions. Tip into a bowl and add half of the chopped coriander.
For the dressing, make the dressing by mixing all the ingredients together in a jam jar and shake.
Drain the rice if necessary and add to the bowl with the vegetables. Add the dressing, taste and season with more salt and pepper if necessary. Serve with the remaining coriander scattered on top.


AIRPLANE! (PG)
Directed by Jim Abrahams, David Zucker, and Jerry Zucker Running Time: 88 minutes Originally Released: 1980
Reviewed by E. Benjamin Kelsey
* * * (out of four)
AIRPLANE! is considered among many to be the epitome of satire film-making. After all, it's brought to us by one of the best known satire writing/directing teams. Even if most people don't recognize the names behind the films, they are bound to recognize the titles: AIRPLANE!, TOP SECRET, THE NAKED GUN, and HOT SHOTS to name a few. But although the Zucker/Abrahams/Zucker team was first introduced with THE KENTUCKY FRIED MOVIE in 1977, AIRPLANE! remains the true cornerstone of their work, and their directorial debuts.
In the seventies, disaster films seemed to be at an all time high. Films like EARTHQUAKE, THE TOWERING INFERNO, and THE POSEIDON ADVENTURE were big hits. There was also a series about the disasters that can arise when traveling by plane - a series that spanned the entire decade. And so, in 1980, we were introduced to a new airplane disaster film. This time the disaster had nothing to do with a maniacal hijacker or crashing into the ocean . . . it had to do with bad fish.
AIRPLANE! is the story of Ted Striker (Robert Hays) - an ex-fighter-pilot who has never gotten over the fact that a decision he had to make in the midst of war led to the death of six, er, seven comrades. Unable to stop living in the past, Ted's world fell apart. He spent his time moving from city to city without ever having a stable job, and eventually, as we begin this film, is getting dumped by his lover, flight attendant Elaine Dickinson (Julie Hagerty).
In a desperate attempt not to lose her, Ted buys a ticket for the same flight Elaine is working. Unfortunately, she is unsympathetic and even criticizes Ted for following her, which leaves him wallowing in self-pity. In the midst of it all, something happens. Someone gets sick. Then another. Then another.  (Gee, I wonder)
Of course the main draw here is the non-stop "whiz-bang" comedy, with a hefty dose of both visual and spoken gags.  The most fun character by far is the doctor, played by Leslie Nielsen. He's a dry, subtle, sterotypically straight-faced doctor that ends up saying some of the funniest lines of the film.
In a film like this, you're not really expecting an elaborate production, so one can't complain about the amateurish quality. What you can complain about is the absolutely annoying Johnny, played by Stephen Stucker. This character is pointless, nauseating, and very unfunny. I don't know why he was put in there, and I don't think anybody will find a good excuse. And when the film nears an end, it slows down quite a bit, almost getting old. You gotta give it to a movie that only runs 88 minutes and can feel two hours long. Aside from that, AIRPLANE! is really a top-notch spoof that will likely forever be known as a spoof classic. It would be a good choice to pop in the VCR with a group of friends, especially if they haven't seen it. And if they ask what the plot is, just tell 'em "It's a synopsis of the basic storyline of the film, but that's not important right now." If you've seen the film, you'll understand ;-)
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


It would be an understatement to say that I am proud of myself. The amount of knowledge I have gained over my journey to becoming a Full-Stack Web Developer goes beyond words. I was making a list of the skills I have learned over the last 8 months. Each time I thought I was done, a new skill popped into my mind. Flatiron has been one of my greatest accomplishments. I am about 2 months away from graduating and it feels so amazing. I didn’t shy away from the challenge. All the times I wanted to give up because I felt like I wasn’t getting anywhere had to take a backseat. I refuse to give up on myself.
I faced imposter syndrome a few times. Each time I would go for a review of my projects, I felt like there was no way I would pass. That I would say the wrong thing and it would show that I have no idea what I’m doing. It made my day when I passed my Ruby on Rails Portfolio Project. Corinna, the instructor reviewing my assignment, rendered me speechless. She said she could tell this was the right place for me. She helped me realize that I am going in the right direction. That this isn’t just a phase, this is something I can truly go all the way with. I AM A WEB DEVELOPER. I have never been so excited about doing something in my life.
I am a very introverted person. Talking to people makes me nervous and I have a hard time asking for help. When talking to others, my mind moves a million miles a minute and I stand there dumbfounded without the words to truly express myself. This is my next biggest challenge. I admit, the thought of networking scares the life out of me. Talking to people I have never met, trying to create connections, it doesn’t come easily to me. My career coach helped by stating that if I hold back on details of myself, nobody will ever get the full picture of what I have to offer. It makes so much sense but my stomach and nerves have not figured out how to calm down. I don’t know what to say, how to begin or how to get rid of the feeling that I am bothering people by asking for help and advice. But in order to get to the next step, I am going to have to step out of my comfort zone.
It is a challenge in my current circumstance because I live in a small area. There are not meet ups I can get to, I have limited transportation and social media has never been very big in my life. I’ve been trying to find alternative methods to get involved in my community. I am learning to be more involved on Twitter. #CodeNewbies has weekly check-ins for coding goals. I’ve been on LinkedIn searching for fellow Flatiron alumni. I continue to be proud of the steps I take and avoiding negativity in my thought process. It has been an amazing journey and learning experience. I’ve come so far and the great part is that this is just the beginning.


Where I Spend My Spare Time
When I'm not working on projects that have my interest, I'm usually spending time with my wife (Amy) and dog (Wes). Amy and I met at Notre Dame, and we've been happy together ever since. We are HUGE Notre Dame fans. A few years in, we rescued our Australian Cattle Dog / Shiba Inu mix, Wes, pictured below.
I'm also usually trying to stay physically active (healthy body --> healthy mind), usually in the form of powerlifting. Powerlifting is a sport where the highest weight moved in each of three lifts (squat, bench, deadlift) is added up to compose a powerlifter's 'total." The highest total in each weight class wins. Currently, my all-time maxes are a 405lb squat, a 340lb bench, and a 520lb deadlift (1265lb total) at about 217lbs bodyweight. My love of powerlifting is compelled by my love of data; tracking quantifiable key metrics over the course of a training program, like total volume, intensity, and stress can be incredibly signficant in getting stronger and "working smarter not harder."
Fantasy football is another hobby fueled by my inner data nerd. You're telling me that, as someone who loves sports in general, I also get the opportunity to try to predict which specific players are going to perform above/below specific expectations? Sold. At the very least, playing fantasy gives me the (very fun) opportunity to annoy my leaguemates with my statistical musings year in and year out.
I've also been having an absolute blast with my Nintendo Switch. Some favorites of mine are Super Mario Maker 2, Fortnite, and the Jackbox Party Pack Collection.


Ms. Nastya Svitova
My letter to Santa this year asked for YOU!  :) Merry Christmas


Schedule A Meeting
Book an appointment:
Select Appointment Date:
To book an appointment, please select a doctor:
Dr. Anjuman Ghosh
Psychiatrist
Contact Number:<PHONE_NUMBER>3,<PHONE_NUMBER>4,<PHONE_NUMBER>0
Email Id<EMAIL_ADDRESS>Address: Mindfullness Centre, Flat- 302, Golden Heights apartment, DDA Flats (Near Bal Bharti Public School), Pocket-1, Sector-12, Dwarka, Delhi-110075
Dr. XYZ
Psychiatrist
Contact Number: 044 4813 8452, 011 4967 4967


|
A workshop at the 7th
International Protege Conference |
|
Knowledge engineering is often a complex area for
end-user and engineer alike. This workshop explores cognitive issues in
both knowledge engineering processes and tools. In the past few years,
many tools have been developed to support people working with formal,
complex knowledge models. These tools can be advanced visual interfaces
like visualization tabs, or instance creation wizards, or simpler slot
widgets that provide support in a specific area. Some of these tools include
Ontoviz,
Jambalaya,
TGVizTab,
EZ-Owl,
the Instance Tree widget,
and the Calendar
widget.
Building on a successful session at KCAP 2003, VIKE2004 brings together researchers and developers of these tools with practitioners who have an interest in various aspects of cognitive support and problem solving in the Protégé environment, as well as other knowledge engineering environments. Topics include, but are not limited to:
This is a half-day workshop approximately 3.5 hours in duration. The workshop format is a series of presentations followed by a general discussion. Presentations may be about particular visualization or user-support tools, or (equally important) problems and suggestions for future work. We are also considering tool demonstrations and how-tos with a common ontology. We are particularly interested in comments and presentations from end-users. If you wish to make a presentation at the workshop, you should submit a two-page summary to Neil Ernst by e-mail no later than June 1, 2004. More details coming soon. The workshop will consist of tool demonstrations followed by a discussion
session on that tool. Participants are encouraged to download the tools
and follow along. Nearly all the tools come included with the latest
'full' version of Protege 2.1. 1.30 - 2.00 OntoViz Also see the conference schedule. This workshop is currently scheduled for Tuesday afternoon (July 6th). Neil
Ernst, U. Victoria, Canada
Harith
Alani, U. Southampton, England
We invite short presentation papers, limited to 2-3
pages, which describe ongoing work or new ideas within the scope of the
workshop. Papers may also be in the form of a position statement, indicating
a writer's particular opinion on a subject related to the workshop. Thought-provoking
papers are always welcome!
Submission procedure: Please email submissions, in PDF format only, to nernst(at)cs.uvic.ca (note: spam protected) by midnight Pacific Daylight Time June 1st, 2004. Submission format: Please use this Word template or the LaTex style sheet file (.sty) (an example .tex file). This template is based on the official ACM templates for proceedings.
|


Ron Maclean tells Don Cherry 'I love you so much' on Coach's Corner
by Jeremiah Rodriguez, CTVNews.ca WriterTORONTO -- In an emotional speech on the first “Coach’s Corner” since Don Cherry was fired, hockey broadcaster Ron MacLean said he still loves his former co-host but he ultimately had to choose “principle over friendship.”
Maclean made his comments Saturday night during the first intermission of “Hockey Night in Canada” as the Toronto Maple Leafs took on the Pittsburgh Penguins.
“We are all hurting. I have collapsed a hundred times if not more,” MacLean said. “I’ve sat all week long reflecting to you. I mean you, the viewers.”
Sportsnet fired Cherry on Monday after a rant which many felt was critical of immigrants for not wearing Remembrance Day poppies.
Maclean said he’d spoken to Cherry in the past week and called him a “fantastic human being,” telling his long-time co-host, “I love you so much.”
In the wake of the controversy, Maclean apologized for giving a thumbs-up on-air reaction to Cherry’s comments. Cherry has not apologized.
“How can you choose principle over friendship? But I had to,” Maclean said, adding that Cherry “made his choice, and I made mine.”
At the start beginning of Saturday’s show, Maclean said there were “obviously mixed emotions” and called it “the end of an era.”
Sportsnet has said it plans to take the long-running segment in a new direction.


Encodes input according to Quoted-Printable Content-Transfer-Encoding (RFC2045).
Parameters:
Returns:The encoded content.
Copyright 2015 Jaypha


We make it simple. Choose our Menu that we always have in stock and order something from it. Our get our homeroasted coffee. Or better yet try our costumize optioon for yourself.
Look through our menu and pick what you want for order
Order coffee with our recomended roast or costumize it
Fill out the form or contact us for custom orders


Vienna orchestra celebrates 50th birthday with new woman chief
by AFPVIENNA: When Vienna’s ORF Radio Symphony Orchestra marks its 50th anniversary with a special concert on Wednesday, it will be under the baton of its new chief conductor who, for the first time in Austria, is a woman.
Top-tier orchestras in Vienna — arguably the world capital of classical music — are traditionally a predominantly male preserve.
But industry observers see the arrival in September of US conductor Marin Alsop at the helm of the ensemble as a sign that even deeply conservative Vienna is beginning to change with the times.
The 63-year-old American — who has previously been chief conductor of orchestras in Bournemouth in Britain, Baltimore in the United States and Sao Paolo in Brazil — said her reception in the Austrian capital has been “very warm”.
“I haven’t felt this kind of welcome in a long time,” she told AFP after a recent rehearsal.
Globally, only four per cent of conductors are women and the situation is no different in Vienna.
The city’s world-famous Vienna Philharmonic, whose New Year concert is broadcast to more than 90 countries across the globe, started admitting women only in 1997.
And men still vastly outnumber women on the podium of that orchestra’s home, the legendary Musikverein concert hall.
More than half of Vienna’s music students are female, but they are still a relatively rare sight in conducting classes.
In the rarefied world of conducting, sexist stereotypes — that women lack the necessary strength and authority to lead an orchestra — are deep-seated.
In 2017, the renowned Latvian maestro Mariss Jansons caused a storm when he said in a newspaper interview that seeing a woman on the podium was not “my cup of tea”, a remark he quickly apologised for.
Alsop said that at the outset of her career concert promoters tended to hire her because they mistakenly thought her name was that of a man.
But that was not the case for the ORF Vienna Radio Symphony Orchestra.
“When Marin was suggested to me, I was electrified,” the orchestra’s director Christoph Becher said at a recent symposium on gender equality organised by Vienna’s University of Music and Performing Arts.
“I proposed her name to my musicians and they were enthusiastic,” he said.
Patricio Canete-Schreger, head of music at the city council’s culture department, is convinced that Alsop’s presence will help speed up change in the sector.
He noted that the music university has just appointed a woman as its head for the first time in its 200-year history and has also introduced diversity targets for its conducting programme.
“These are all excellent signs,” Canete-Schreger said.
For the students, however, gender is not an issue.
“Whether you’re a man or a woman, the technique in leading us doesn’t change,” said one young trombonist, 22-year-old Tobias Grabher.


ofStyle
ofStyle class contains general information about the style of our ofGraphics elements such as color, line width and others.
ofStyle variables
bool bFill
bool ofStyle::bFill
bFill variable contains information about how the graphics have to be drawed: Fill or noFill(empty)
bool blending
bool ofStyle::blending
blending contains style information about allow the use of alpha channel in our graphics.
int circleResolution
int ofStyle::circleResolution
circleResolution variable contains the resolution of a ofCircle.
ofColor color
ofColor ofStyle::color
color variable contain the color information for the style object.
float lineWidth
float ofStyle::lineWidth
lineWidth contains information about the width of the line for our ofLine.
int polyMode
int ofStyle::polyMode
polyMode variable contains information about the drawing behavior for ovelapping parts of the same polygon when we create a shape.
Possible modes are: OF_POLY_WINDING_ODD - OF_POLY_WINDING_NONZERO - OF_POLY_WINDING_POSITIVE - OF_POLY_WINDING_NEGATIVE - OF_POLY_WINDING_ABS_GEQ_TWO -
int rectMode
int ofStyle::rectMode
rectMode contains information about the mode for drawing rectangles. If they are corner aligned, or drawn so that the x,y position is the center of the rectangle. Possible options are OF_RECTMODE_CENTER and OF_RECTMODE_CORNER
bool smoothing
bool ofStyle::smoothing
smoothing variable contanins the information about if smoothing effect is activated or not.


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Which Marvel movies is Disney releasing between now and 2023?
If Marvel fans thought that the record-breaking, years-in-the-making Avengers: Endgame meant the end of the franchise’s stronghold on moviegoers, think again.
The next four years look set to be quite Marvel-lous (sorry) as Disney set the release dates for some massive blockbusters, sequels and new franchises.
What’s next from the Marvel Cinematic Universe?
What is Marvel’s Phase Four?
On top of the recently announced future release dates for different projects, Marvel have had their ‘Phase Four’ planned for a while.
This phase was announced around the same time as Avengers: Endgame closed phases one to three – known as ‘The Infinity Saga’ – that started with Iron Man back in 2008 and was made up of 22 films that all connected on some level.
Black Widow (1 May 2020)
Advertisement Advertisement
If her death wasn’t bad enough the first time, Marvel made us relive it with an alternative death scene recently released.
Tears for Natasha aside, Black Widow is set to kick Phase Four off strongly with a prequel all about the spy.
Speaking about the role, Scarlett Johansson said: ‘I get to play Natasha as a fully realised woman and in all of her many facets. I’m excited for fans to see the flawed side of her, what she perceives to be the flawed side of her, and I’m looking to wipe out some of that red in my ledger so you guys will be seeing more of that.’
The Eternals (6 November 2020)
Based on the ancient story from the comic books about an immortal alien race who are trying to protect humanity from their evil counterparts, the Deviants, The Eternals has booked itself a stellar cast so far, including Richard Madden and Angelina Jolie, who was spotted singing autographs for fans on set recently.
Shang-Chi and the Legend of the Ten Rings (12 February 2021)
The first Asian-led superhero movie, the character was first introduced in the comics in 1973.
The film already has its star in Simu Liu – who got some advice from Tom Hiddleston on joining the Marvel universe.
Doctor Strange in the Multiverse of Madness (7 May 2021)
Benedict Cumberbatch is officially reprising his role as the trippy trickster hero.
Advertisement Advertisement
The sequel’s title was officially announced at the 2019 San Diego Comic-Con, along with director Scott Derrickson’s intention to explore more of the ‘gothic’ horror elements from the comic books.
Spider-Man: Far From Home sequel, (16 July 2021)
After a brief split from the Marvel Universe, a sequel to Spider-Man: Far From Home has been confirmed.
Tom Holland will be reprising his role.
Thor: Love and Thunder (5 November 2021)
One of the biggest shocks for Marvel’s Phase Four came when it was revealed at San Diego Comic-Con that Natalie Portman will be stepping into the Mighty Thor’s boots.
The first female Thor will be directed by Taika Waititi, who directed Thor: Ragnarok.
Black Panther II (6 May 2022)
It’s coming, but some fans were miffed at the long wait.
The sequel to the culture-shaking Black Panther will reunite Chadwick Boseman as T’Challa with the first film’s director Ryan Coogler.
Newly announced release dates
- 7 October 2022
- 17 February 2023
- 5 May 2023
- 8 July 2023
- 3 November 2023
These projects are yet unnamed and up-for-wild-speculation.
Could the X-Men be joining the MCU? Will it be the Fantastic Four? It’s anyone’s guess – dream big.
What Marvel content will be released on Disney+?
It’s not just the cinema releases that Marvel fans have got to look forward to. As part of the recently launched streaming service (in America, anyway – the UK has to wait until March 31 2020), Disney+ will host original MCU content including:
- The Falcon and Winter Soldier (2020)
- WandaVision (2021)
- Loki (2021)
- Marvel’s What If…? (2021)
- Hawkeye (2021)
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In Agama you can see the incoming and outgoing transactions. These are called "In" and "Out". There are also "self" transactions. You can export these transactions as a CSV file. If a wallet user spends his complete KMD inventory, then according to the mathematical rules inputs and outputs together should result in zero.
The balance display in AGAMA then (as for now) actually shows zero. And that is correct. But if you look at the CSV file and subtract all outputs from all inputs, in some ...


| Modifier and Type | Method and Description |
|---|---|
double |
PlayerData.scaleDynamic(EffectComponent component,
String key,
double value)
Scales a dynamic skill's value using global modifiers
|
| Modifier and Type | Field and Description |
|---|---|
ArrayList<EffectComponent> |
EffectComponent.children
Child components
|
| Modifier and Type | Method and Description |
|---|---|
EffectComponent |
TriggerHandler.getComponent() |
| Modifier and Type | Method and Description |
|---|---|
static boolean |
ItemChecker.check(org.bukkit.entity.Player player,
int level,
EffectComponent component,
boolean remove)
Checks the player inventory for items matching the settings
|
| Modifier and Type | Class and Description |
|---|---|
class |
ArmorCondition |
class |
AttributeCondition |
class |
BiomeCondition |
class |
BlockCondition |
class |
CastLevelCondition |
class |
CeilingCondition |
class |
ChanceCondition |
class |
ClassCondition |
class |
ClassLevelCondition |
class |
CombatCondition
A condition for dynamic skills that requires the target to be a player
who's combat status matches the settings
|
class |
ConditionComponent
SkillAPI © 2018
com.sucy.skill.dynamic.condition.ConditionComponent
|
class |
CrouchCondition |
class |
DirectionCondition
A condition for dynamic skills that requires the target or caster to be facing a direction relative to the other
|
class |
ElevationCondition
A condition for dynamic skills that requires the target to fit the elevation requirement
|
class |
ElseCondition
A simple "else" condition, applying if the previous component failed
|
class |
EntityTypeCondition |
class |
FireCondition
A condition for dynamic skills that requires the target to be on fire
|
class |
FlagCondition
A condition for dynamic skills that requires the target to have a specified flag active
|
class |
FoodCondition |
class |
GroundCondition
SkillAPI © 2018
com.sucy.skill.dynamic.condition.Ground
|
class |
HealthCondition
A condition for dynamic skills that requires the target's health to fit the requirement
|
class |
InventoryCondition
A condition for dynamic skills that requires the target to have a specified item
|
class |
ItemCondition
A condition for dynamic skills that requires the target to have a specified held item
|
class |
LightCondition
A condition for dynamic skills that requires the lighting at the target's location to be within a range
|
class |
LoreCondition |
class |
ManaCondition |
class |
MountedCondition |
class |
MountingCondition |
class |
NameCondition
A condition for dynamic skills that requires the target to have a specified potion effect
|
class |
OffhandCondition
Item condition for a player's off hand
|
class |
PermissionCondition |
class |
PotionCondition
A condition for dynamic skills that requires the target to have a specified potion effect
|
class |
SkillLevelCondition |
class |
SlotCondition |
class |
StatusCondition
A condition for dynamic skills that requires the target to have a status condition
|
class |
TimeCondition
A condition for dynamic skills that requires the game time to match the settings
|
class |
ToolCondition
A condition for dynamic skills that requires the target to have a specified potion effect
|
class |
ValueCondition |
class |
WaterCondition
A condition for dynamic skills that requires the target to have a specified potion effect
|
class |
WeatherCondition
SkillAPI © 2018
com.sucy.skill.dynamic.condition.Weather
|
| Modifier and Type | Class and Description |
|---|---|
class |
CustomEffectComponent
SkillAPI © 2018
com.sucy.skill.dynamic.custom.CustomEffect
|
| Modifier and Type | Class and Description |
|---|---|
class |
ArmorMechanic
Sets the specified armor slot of the target to the item defined by the settings
|
class |
ArmorStandMechanic
Summons an armor stand that can be used as a marker or for item display.
|
class |
ArmorStandPoseMechanic |
class |
AttributeMechanic
Applies a flag to each target
|
class |
BlockMechanic
Mechanic that changes blocks for a duration before
returning them to what they were
|
class |
BuffMechanic
SkillAPI © 2017
com.sucy.skill.dynamic.mechanic.BuffMechanic
|
class |
CancelEffectMechanic |
class |
CancelMechanic
Cancels the event that caused the trigger to go off
|
class |
ChannelMechanic
Executes child components after a delay, applying "channeling" rules
|
class |
CleanseMechanic
Cleanses a target of negative potion or status effects
|
class |
CommandMechanic
Executes a command for each target
|
class |
CooldownMechanic
Lowers the cooldowns of the caster's skills
|
class |
DamageBuffMechanic
Applies a flag to each target
|
class |
DamageLoreMechanic
Deals damage based on a held item's lore to each target
|
class |
DamageMechanic
Deals damage to each target
|
class |
DefenseBuffMechanic
Applies a flag to each target
|
class |
DelayMechanic
Executes child components after a delay
|
class |
DisguiseMechanic
Disguises each target
|
class |
DurabilityMechanic
SkillAPI © 2017
com.sucy.skill.dynamic.mechanic.DurabilityMechanic
|
class |
ExplosionMechanic
Creates an explosion at the target's location
|
class |
FireMechanic
Executes child components after a delay
|
class |
FlagClearMechanic
Applies a flag to each target
|
class |
FlagMechanic
Applies a flag to each target
|
class |
FlagToggleMechanic
Applies a flag to each target
|
class |
FoodMechanic
SkillAPI © 2017
com.sucy.skill.dynamic.mechanic.FoodMechanic
|
class |
ForgetTargetsMechanic |
class |
HealMechanic
Heals each target
|
class |
HealthSetMechanic
SkillAPI © 2017
com.sucy.skill.dynamic.mechanic.HealthSetMechanic
|
class |
HeldItemMechanic |
class |
ImmunityMechanic
Applies a damage immunity flag to each target
|
class |
InterruptMechanic
Interrupts any channels that may be being performed by the targets
|
class |
ItemMechanic
Gives an item to each player target
|
class |
ItemProjectileMechanic
Launches a projectile using an item as its visual that applies child components upon landing
|
class |
ItemRemoveMechanic
Removes an item to from each player target
|
class |
LaunchMechanic
Launches the target in a given direction relative to their forward direction
|
class |
LightningMechanic
Strikes lightning about each target with an offset
|
class |
ManaMechanic
Gives mana to each target
|
class |
MechanicComponent
SkillAPI © 2018
com.sucy.skill.dynamic.mechanic.MechanicComponent
|
class |
MessageMechanic
Sends a message to each player target
|
class |
ParticleAnimationMechanic
Plays a particle effect
|
class |
ParticleEffectMechanic |
class |
ParticleMechanic
Plays a particle effect
|
class |
ParticleProjectileMechanic
Heals each target
|
class |
PassiveMechanic
Executes child components continuously
|
class |
PermissionMechanic
Applies a flag to each target
|
class |
PotionMechanic
Executes child components after a delay
|
class |
PotionProjectileMechanic
Heals each target
|
class |
ProjectileMechanic
Heals each target
|
class |
PurgeMechanic
Purges a target of positive potion or status effects
|
class |
PushMechanic
Launches the target in a given direction relative to their forward direction
|
class |
RememberTargetsMechanic
Applies a flag to each target
|
class |
RepeatMechanic
Executes child components multiple times
|
class |
SoundMechanic
Plays a particle effect
|
class |
SpeedMechanic
Applies a flag to each target
|
class |
StatusMechanic
Applies a flag to each target
|
class |
TauntMechanic
Mechanic for taunting mobs
|
class |
TriggerMechanic
SkillAPI © 2017
com.sucy.skill.dynamic.mechanic.TriggerMechanic
|
class |
ValueAddMechanic
Adds to a cast data value
|
class |
ValueAttributeMechanic
Adds to a cast data value
|
class |
ValueCopyMechanic
SkillAPI © 2018
com.sucy.skill.dynamic.mechanic.ValueCopyMechanic
|
class |
ValueDistanceMechanic
SkillAPI © 2017
com.sucy.skill.dynamic.mechanic.ValueDistanceMechanic
|
class |
ValueHealthMechanic |
class |
ValueLocationMechanic
Adds to a cast data value
|
class |
ValueLoreMechanic
Adds to a cast data value
|
class |
ValueLoreSlotMechanic |
class |
ValueManaMechanic |
class |
ValueMultiplyMechanic
Adds to a cast data value
|
class |
ValuePlaceholderMechanic
SkillAPI © 2018
com.sucy.skill.dynamic.mechanic.ValuePlaceholderMechanic
|
class |
ValueRandomMechanic
Adds to a cast data value
|
class |
ValueSetMechanic
Adds to a cast data value
|
class |
WarpLocMechanic
Strikes lightning about each target with an offset
|
class |
WarpMechanic
Strikes lightning about each target with an offset
|
class |
WarpRandomMechanic
Strikes lightning about each target with an offset
|
class |
WarpSwapMechanic
Strikes lightning about each target with an offset
|
class |
WarpTargetMechanic
Strikes lightning about each target with an offset
|
class |
WarpValueMechanic
Applies a flag to each target
|
class |
WolfMechanic
Applies a flag to each target
|
| Modifier and Type | Class and Description |
|---|---|
class |
AreaTarget
Applies child components to the closest all nearby entities around
each of the current targets.
|
class |
ConeTarget
Applies child components to the closest all nearby entities around
each of the current targets.
|
class |
LinearTarget
Applies child components to the entities in a line in front of each of the
provided targets.
|
class |
LocationTarget
Applies child components to a location using the caster's faced direction
|
class |
NearestTarget
Applies child components to the closest all nearby entities around
each of the current targets.
|
class |
OffsetTarget
Applies child effects to a location offset from the current targets
|
class |
RememberTarget
Applies a flag to each target
|
class |
SelfTarget
Applies child components to the caster
|
class |
SingleTarget
Applies child components to the closest linear entity of each of the
provided targets.
|
class |
TargetComponent
SkillAPI © 2018
com.sucy.skill.dynamic.target.TargetComponent
|
| Modifier and Type | Class and Description |
|---|---|
class |
TriggerComponent
SkillAPI © 2018
com.sucy.skill.dynamic.trigger.TriggerComponent
|
| Modifier and Type | Method and Description |
|---|---|
List<AttributeManager.Attribute> |
AttributeManager.forComponent(EffectComponent component,
String key) |
double |
AttributeManager.Attribute.modify(EffectComponent component,
String key,
double value,
int amount)
Modifies a dynamic condition's value
|
boolean |
AttributeManager.AttributeValue.passes(EffectComponent component)
Checks whether or not the formula should be applied to the component
|
Copyright © 2021. All rights reserved.


|
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| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
java.lang.Object de.uni.bamberg.wiai.minf.forflow.datagenerator.controller.datageneration.filltype.FillBehaviourFactory
public final class FillBehaviourFactory
This class is a factory for all different types (strategies) of fill behaviour. You may use this for object creation rather creating it by yourself. Objects in layer other than that have to use this.
Factory Pattern Factories are used to encapsulate object creation from the use. In other words, object creation is always done in the layer objects reside. After the creation process it is passed to where it is used. In this implementation it's the controller layer. This layer is above the model layer so it has to ask the factory for doing the job. In that case it doesn't matter that controller layer does the request. Look at the factory as an access point to a different layer. Factories handle the details of object creation and has one job in life: creating the objects of this package for layer above of this.
| Method Summary | |
|---|---|
static Address |
createAddress()
creates the address object and passes it on to the invoker |
static Country |
createCountry()
creates a new country object and the instance is passed to the invoker. |
static Dates |
createDate()
creates a new date object. |
static Editor |
createEditor()
creates the editor object and passes the instance on to the invoker. |
static Email |
createEmail()
creates a new email object. |
static ExternalFile |
createExternalFile()
creates a new external file object and passes the instance on to the invoker. |
static FillType |
createFillType()
creates the fill type and passes the instance to the invoker |
static FirstName |
createFirstName()
creates the first name object and passes the instance on to the invoker. |
static Interval |
createInterval()
creates the interval fill behviour and passes the instance on to the invoker. |
static LastName |
createLastName()
creates the last name fill behaviour and passes the instance on to the invoker. |
static Name |
createName()
creates the name fill behaviour and passes the instance on to the invoker. |
static Sex |
createSex()
creates the sex object instance and passes it on to the invoker. |
| Methods inherited from class java.lang.Object |
|---|
clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Method Detail |
|---|
public static Address createAddress()
public static Country createCountry()
public static Dates createDate()
public static Editor createEditor()
public static Email createEmail()
public static ExternalFile createExternalFile()
public static FillType createFillType()
public static FirstName createFirstName()
public static Interval createInterval()
public static LastName createLastName()
public static Name createName()
public static Sex createSex()
|
||||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |


fipe
is a R package to access Fipe’s average purchase price of vehicles in the Brazilian national market. The prices are effectively used in purchase negotiations according to region, vehicle’s conservation, color, accessories or any other factor that might influence the demand and supply for a specific vehicle. The year of the vehicle refers to the model year, and the vehicles are not considered for professional or special use. The values are expressed in R$ (reais) for each month/year of reference.
You can install the development version from github:
The stable version is availabe on CRAN
The function fipe_vehicle
provide access to historical data of brazilian cars price
library(fipe)
library(ggplot2)
library(dplyr)
bmw_x6 <- fipe_vehicle(
model = "x6 ",
make = "bmw",
year = c(0, 2017:2015),
date = seq.Date(as.Date("2013-01-01"), as.Date("2017-12-01"), by = "4 months")
)
bmw_x6
#> # A tibble: 90 x 5
#> model make year date price
#> <chr> <chr> <fct> <date> <dbl>
#> 1 X6 M 4.4 4x4 V8 32V Bi-Turbo Aut. BMW 0 km 2013-01-01 550000
#> 2 X6 M 4.4 4x4 V8 32V Bi-Turbo Aut. BMW 0 km 2013-05-01 494950
#> 3 X6 M 4.4 4x4 V8 32V Bi-Turbo Aut. BMW 0 km 2013-09-01 504580
#> 4 X6 M 4.4 4x4 V8 32V Bi-Turbo Aut. BMW 0 km 2014-01-01 515000
#> 5 X6 M 4.4 4x4 V8 32V Bi-Turbo Aut. BMW 0 km 2014-05-01 524900
#> 6 X6 M 4.4 4x4 V8 32V Bi-Turbo Aut. BMW 0 km 2014-09-01 524750
#> 7 X6 M 4.4 4x4 V8 32V Bi-Turbo Aut. BMW 0 km 2015-01-01 517157
#> 8 X6 M 4.4 4x4 V8 32V Bi-Turbo Aut. BMW 0 km 2015-05-01 502911
#> 9 X6 M 4.4 4x4 V8 32V Bi-Turbo Aut. BMW 0 km 2015-09-01 529310
#> 10 X6 M 4.4 4x4 V8 32V Bi-Turbo Aut. BMW 0 km 2016-01-01 529937
#> # ... with 80 more rows
bmw_x6 %>%
ggplot(aes(date, price, color = year, group = year)) +
geom_line(color = "grey30") +
geom_point(size = 3) +
facet_wrap(~model) +
labs(
x = "Referance date",
y = "Price (R$)",
color = "Year"
) +
scale_y_continuous(breaks = seq(0, 700000, 50000), labels = scales::number) +
scale_x_date(date_breaks = "1 year", date_labels = "%b/%y") +
scale_color_viridis_d() +
theme_bw() +
theme(legend.position = "top")
bmw_x6 %>%
filter(date == max(date)) %>%
mutate(model = reorder(model, price, max)) %>%
ggplot(aes(price, model)) +
geom_line(aes(group = model), color = "cadetblue4", size = 2) +
geom_point(size = 10, color = "cadetblue4") +
geom_text(aes(label = year), color = "white", size = 3) +
labs(
x = "Price (R$)",
y = "Model"
) +
scale_x_continuous(breaks = seq(0, 700000, 50000), labels = scales::number) +
theme_bw()


Hover over and click map icons to display site information; use search tool to locate specific site; use filter to limit sites displayed on map


Avatar (marketed as James Cameron's Avatar) is a 2009 American[7][8] epic science fiction film directed
Ice Age Continental Drift is a 2012 American 3D computer-animated comedy adventure film produced by Blue Sky Studios. It was written by Jason Fuchs and Michael Berg, and directed by Steve Martino and Michael Thurmeier the first film in the series not to be directed by Carlos Saldanha.[4]
Saw is a 2004 American psychological horror film[3][4] directed by James Wan. It is Wan's feature film directorial debut.
The Expendables is an American series of action films written by and starring Sylvester Stallone and originally created by David Callaham. The film series itself was created to pay homage to the blockbuster action films of the 1980s and 90s and also pays gratitude to the action stars of those decades, as well as more recent stars in action. The series consists of three films: The Expendables (2010), The Expendables 2 (2012) and The Expendables 3 (2014), with a final fourth film scheduled to be released in 2018. The series has received mixed critical reception, in regard to its plots and dialogue between the characters; however, many critics praised the use of humor and action scenes. The films have been box office successes.
The Godfather is a 1972 American crime film directed by Francis Ford Coppola and produced by Albert S. Ruddy, based on Mario Puzo's best-selling novel of the same name. It stars Marlon Brando and Al Pacino as the leaders of a fictional New York crime family. The story, spanning 1945 to 1955, chronicles the family under the patriarch Vito Corleone, focusing on the transformation of Michael Corleone (Pacino) from reluctant family outsider to ruthless mafia boss.
La La Land is a 2016 American musical film written and directed by Damien Chazelle


Home
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S M A R T R I D E
Team 24 CodeU Project
Read About Our Mission Here
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U
MAD
BRO?!
May the saltiest reign supreme
The Team
Spotlight
About the App
Screenshots
About the Team
Chris Cruz
Full Stack
github.com/christopherc1331
twitter.com/ChrisCruzes
linkedin.com/in/christopher-cruz-5b7979186/
Karthik Mahendra
Data Science
github.com/kmk028
Steve Smodish
Project Lead
github.com/ssmodish
linkedin.com/in/stevesmodish/
Martin Lehman
Data Science
github.com/martinclehman
Vinni Hoke
Full Stack
github.com/vinnihoke
Mike Padiernos
Full Stack
github.com/mppadiernos
<EMAIL_ADDRESS>Donald Hager
Full Stack
github.com/b1zz3
<EMAIL_ADDRESS>Christopher Quinn
Full Stack
github.com/Xerillius
linkedin.com/in/christopher-quinn-a46367176
Denton Warnock
Full Stack
github.com/DentonWarnock


|
Call for Workshop Proposals for the 5th International Symposium on Cyberspace Safety and Security (CSS 2013) Organizers: Technical Co-Sponsorship: Venue & Dates: http://trust.csu.edu.cn/conference/css2013
Introduction The CSS 2013 organizing committee invites proposals for workshops/symposiums to be held in conjunction with the main conference. Prospective workshop organizers are invited to submit workshop proposals on foundational and emerging topics in areas relevant to this conference. The workshops/symposiums will provide an opportunity for researchers and industry practitioners to share their research results and practical development experiences on specific challenging and emerging issues. A workshop proposal should include a proper title, an overview, workshop scope, information about the program, organizers of the workshop, a tentative list of members of the program committee, history of the workshop (if held previously by the same team), and short bios of all organizers. Workshop proposals should be submitted to the workshop co-chairs (to one co-chair or to all co-chairs), with the subject "CSS 2013 WORKSHOP PROPOSAL". The organizers of approved workshops/symposiums are required to announce the workshops/symposiums and their call for papers, form a program committee to review papers and decide upon the final program. The conference will provide workshop facilities including author registration, meeting room arrangement, coffee break, lunch, etc. Papers accepted for the workshops/symposiums will be published by the IEEE Computer Society and distributed to the participants. All accepted papers will be published in Springer Lecture Notes in Computer Science (to be indexed by EI Compendex). The workshops/symposiums with more than 15 accepted papers will be granted with a free complimentary registration for the leading workshop organizer. Important Dates CSS-13 Workshop Co-Chairs Jemal H.Abawajy, Deakin University, Australia (jemal.abawajy AT deakin DOT edu DOT au) Jin-Hee Cho, U.S. Army Research Laboratory, USA (jinhee.cho AT us DOT army DOT mil) Yanjiang Yang, Institute for Infocomm Research, Singapore (yyang AT i2r DOT a-star DOT edu DOT sg) Yeong-Deok Kim, Woosong University, Korea (ydkim AT wsu DOT ac DOT kr) |


Inputs
Basic
Name
E-mail
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You can use animated inputs with
.animated
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Enter your full name
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Your password must be between 8 to 16 chars
Types
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Select a city
New York City
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Select a city
New York City
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Enter your e-mail address
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Enter your password
With Image List
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extra_settingsedit
This setting should be nested YAML. The values beneath extra_settings
will be
used by whichever action uses the option.
action: alias description: "Add/Remove selected indices to or from the specified alias" options: name: alias_name extra_settings: filter: term: user: kimchy add: filters: - filtertype: ... remove: filters: - filtertype: ...
action: create_index description: "Create index as named" options: name: myindex # ... extra_settings: settings: number_of_shards: 1 number_of_replicas: 0 mappings: type1: properties: field1: type: string index: not_analyzed
See the official Elasticsearch Documentation.
actions: 1: action: restore description: >- Restore all indices in the most recent snapshot with state SUCCESS. Wait for the restore to complete before continuing. Do not skip the repository filesystem access check. Use the other options to define the index/shard settings for the restore. options: repository: # If name is blank, the most recent snapshot by age will be selected name: # If indices is blank, all indices in the snapshot will be restored indices: extra_settings: index_settings: number_of_replicas: 0 wait_for_completion: True max_wait: 3600 wait_interval: 10 filters: - filtertype: state state: SUCCESS exclude: - filtertype: ...
action: rollover description: >- Rollover the index associated with index 'name', which should be in the form of prefix-000001 (or similar), or prefix-YYYY.MM.DD-1. options: name: aliasname conditions: max_age: 1d max_docs: 1000000 extra_settings: index.number_of_shards: 3 index.number_of_replicas: 1 timeout_override: continue_if_exception: False disable_action: False
There is no default value.


- How did the 'process over product' concept affect the way you tackled the site redesign and rebuild?
I studied a bit of UX design so I've learned how to use wireframes before and find them very useful. I enjoy using wireframes because they encourage me to focus on the process and the fundamentals of a site instead of getting distracted by the more aesthetic, pretty elements. My original concept was to have a collage of images on the homescreen, but I found that difficult to create. Focusing on the process - on the squares that make up a site - instead of the final product was helful in creating a more simple design first that hopefully I can upgrade to be more complex as I continue.
- What did you think about meditation before reading chapter 2?
Meditatioin makes me roll my eyes... I know a lot of people who do it, and so many who absolutely swear by it. It just seems boring and uninteresting to me. Deep attention and preoccupation is really enjoyable to me; empty-mindedness seems really dull.
- What new things have you learnt about meditation?
- Meeta-attention is like riding a bike, where you make several small corrections to stay centred
- Agitating the mind is like agiating a pot of water with sediment. Once you begin to calm the water, calm and clarity manifest
- Physcal exercise enhances physical ability; mental exercise enhances mental ability like focus and perception
- Process: intention - breath - distraction - regain attentional focu
- Did any of the suggested meditation techniques stand out to you?
- If you have to react (for example, you really have to scratch), try to take five breaths before reacting. The reason to do this is to practice creating space between stimulus and reaction. The more we are able to create space between stimulus and reaction, the more control we will have over our emotional lives.


GUN Events!
Come one, come all! Please RSVP to<EMAIL_ADDRESS>until we have an official Meetup group.
Highlighted Events
- Free food! October 9th, 2015 at World Tech Academy, Utah.
Come one, come all! Please RSVP to<EMAIL_ADDRESS>until we have an official Meetup group.


2 types derived from ICabinetExtractor
System.Management.Automation (2)
help\CabinetAPI.cs (1)
115
internal sealed class EmptyCabinetExtractor :
ICabinetExtractor
help\CabinetNativeApi.cs (1)
11
internal class CabinetExtractor :
ICabinetExtractor
4 references to ICabinetExtractor
System.Management.Automation (4)
help\CabinetAPI.cs (3)
75
internal virtual
ICabinetExtractor
GetCabinetExtractor() { return null; }
84
internal static readonly
ICabinetExtractor
EmptyExtractor = new EmptyCabinetExtractor();
99
internal static
ICabinetExtractor
GetCabinetExtractor()
help\CabinetNativeApi.cs (1)
187
internal override
ICabinetExtractor
GetCabinetExtractor()


c4 - Connect Four
Player 1 Image
Player 2 Image
c4 - Connect Four
Welcome to connect four game!
Please refer to
Wikipedia article on Connect Four
for how to play.
Mode chooser
Offline: Human player vs AI player
Offline: Human player vs human player
Online: Human player vs human player
Start game
...
...
...
OK


Example Player widget
Client API Endpoint:
Video name:
JWT Auth Token for Client API:
Muted:
Yes
No
Start Time:
End time:
Start Playback


Toggle navigation
Visualization Tool
Select image to upload:
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Attributes
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Attributes
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Attributes
Clear
×
Visualization Attributes
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Height
Color
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Import File


The URL of the linked-to page is shown, as here:
Notice that the URL shown is the full URL of a file located on your own computer, not the file name alone, as was used in the anchor tag. This is useful when a link you have placed in a web page doesn't work, and you want to know where the browser is looking.
The picture shows a typical arrangement of web pages.
The file (web page) myHome.html
is a
home page.
This is a web page that outside sites will link to.
It contains links that (ultimately) lead to all
your other pages.
Usually all your other pages should (ultimately) link back to your homepage.
Often the files of a web site are placed in a directory structure: the home page and supporting files is placed in the main directory, and each separate web page (and supporting files) are placed in a subdirectory of the main directory.
To link from a page in the main directory to a page in a subdirectory do this:
My Fine Pets
This is called a relative path name because it shows were files are relative to the directory in which the linking page is located.
To link back from myPets.html
to myHome.html
you need to go up one level in the
directory structure.
So myPets.html
will have:
Back to Home
An absolute path name consists of the disk name and all the subdirectories down to the one that contains the web page. An example of an absolute path name is shown in the answer to the question (above). Usually absolute path names are not used in anchor tags.


ZVC Bootstrap Table is based on standard HTML table plus pagination component from Bootstrap.
In order to use this component, please include
<script src="zvc/zvc-bootstrap-table.js"></script>
after zvc.js
Tables can be used with or without pagination. Pagination can be local or sever side. It also supports a custom component to use as editor, details viewer, etc. for each row in table.
Please follow examples in next sections in order to see all funcionalities provided by ZVC Bootstrap Table. Examples use a simulated Customers Model to interact with data. This model supports search and basic CRUD operations.
To make examples more real a reusable TextSearch component is used to filter rows:


Szia, we are BitRaptors.
We do Product Design. Mobile Development. Full-stack development. Brand Identity. You name it...
Some of our works
PlacidO
We’ve helped a team of professors and researchers at Stanford, to build their first prototype of PlacidO.
An iOS app to make calculations for parameters of contact lenses easier.
Branding design
App design
Prototyping
Native iOS
SlowTime
Proof of Concept Design
An online platform to help users developing their mindfulness meditation skills.
With a subscription users can reach multiple collections of guided materials and many standalone voice and music content on SlowTime.
Brand Design
Server-side rendering
Unique cms platform
Startup on the market of Cape Town and Seattle
It creates an opportunity to eat in the best
restaurants with some discounts
We created a genuinely native experience that was on par with
contemporary
applications on the market.
Backend side App UI rendering
App redesign
Cross platform to native
iOS | Android | Website
Applications for small businesses
BabyWeather & Babuci
Applications for small businesses
We helped them to realise their ideas: from inception to
market release
We always try to get involved in the Product development phase and not just
delivering an app.
Defining the MVP, making prototypes, have a clear roadmap for the upcoming
releases, frequent communication, iteration and collaboration on the product and finally, make it
a reality in time are the keys for
a successful project
End-to-end solutions
Project management
Consulting
Prototyping
Games
iOS | Website
BeeRides
It created an airport focused peer to peer car sharing platform with high level of automation. We
digitalized their workflow by replacing paper-based car rental workflow processes.
Overall, the turnaround time went from 40 to 10 minutes.
Due to our unique backend for a frontend solution, any kind of digital workflow is achievable.
Digitalization
4X efficiency
Backend side App UI rendering
Remote configuration
Image processing


library(tidyverse)
library(cowplot)
library(broom)
library(modelr)
library(viridis)
library(lubridate)
library(hms)
library(knitr)
library(kableExtra)
knitr::opts_chunk$set(tidy.opts=list(width.cutoff=60),tidy=TRUE, echo = TRUE, message=FALSE, warning=FALSE, fig.align="center")
source("../../tools/echem_processing_tools.R")
source("../../tools/plotting_tools.R")
theme_set(theme_1())
# Agarose
gc_agarose <- read_csv("../../06_06_19_agarose_PYO_2/Processing/06_06_19_processed_gc_max_agarose.csv")
swv_agarose <- read_csv("../../06_06_19_agarose_PYO_2/Processing/06_06_19_processed_swv_max_agarose.csv")
swvGC_agarose <- read_csv("../../06_06_19_agarose_PYO_2/Processing/06_06_19_processed_swvGC_agarose.csv")
# Agarose + ctDNA
gc_ctDNA <- read_csv("../processing/08_13_19_processed_gc_max_ctDNA.csv")
swv_ctDNA <- read_csv("../processing/08_13_19_processed_swv_max_ctDNA.csv")
swvGC_ctDNA <- read_csv("../processing/08_13_19_processed_swvGC_ctDNA.csv")
df_gc <- bind_rows(gc_agarose %>% mutate(condition = "agarose"),
gc_ctDNA %>% mutate(condition = "ctDNA")) %>% group_by(condition,
reactor) %>% mutate(min_time = min(minutes)) %>% mutate(norm_time = minutes -
min_time)
ggplot(df_gc, aes(x = norm_time, y = max_current, color = reactor,
shape = electrode)) + geom_point() + facet_wrap(~condition)
ggplot(df_gc %>% filter(norm_time < 100) %>% filter(reactor !=
"soak" & reactor != "soak_2"), aes(x = norm_time, y = max_current,
color = condition, shape = electrode)) + geom_point() + facet_wrap(~electrode)
Looks like their may actually be a small difference especially when normalizing by the starting values…
ggplot(df_gc %>% filter(norm_time < 100) %>% filter(reactor ==
"soak" | reactor == "soak_2"), aes(x = norm_time, y = max_current,
color = condition, shape = electrode)) + geom_point() + facet_wrap(~electrode)
Hard to tell without normalization / letting it go longer…but ctDNA may actually be slower.
df_swv <- bind_rows(swv_agarose %>% mutate(condition = "agarose"),
swv_ctDNA %>% mutate(condition = "ctDNA")) %>% group_by(condition,
reactor) %>% mutate(min_time = min(minutes)) %>% mutate(norm_time = minutes -
min_time)
ggplot(df_swv, aes(x = norm_time, y = max_current, color = reactor,
shape = electrode)) + geom_point() + facet_wrap(~condition)
ggplot(df_swv %>% filter(reactor != "soak" & reactor != "soak_2") %>%
filter(norm_time < 100), aes(x = norm_time, y = max_current,
color = reactor, shape = electrode)) + geom_point() + facet_wrap(~electrode)
Again, looks like the ctDNA may actually be slower, especially after normalizing. Transfer 2 / 3 are replicates and look pretty similar, so that’s good.
ggplot(df_swv %>% filter(reactor == "soak" | reactor == "soak_2"),
aes(x = norm_time, y = max_current, color = reactor, shape = electrode)) +
geom_point() + facet_wrap(~electrode)
Same as before…a little hard to tell without normalization or running longer. ctDNA is possibly slower.
df_swv_gc <- bind_rows(swvGC_agarose %>% mutate(condition = "agarose"),
swvGC_ctDNA %>% mutate(condition = "ctDNA"))
ggplot(df_swv_gc, aes(x = max_current_swv, y = max_current_gc,
color = reactor)) + geom_point() + facet_wrap(~electrode_swv) +
scale_color_viridis_d() + geom_smooth(data = df_swv_gc %>%
filter(rep <= 10), method = "lm")
Overall slopes look pretty similar. Transfer_2 is an obvious outlier with a shallower slope.


PERT: probability of a project meeting a target deadline
Probability of meeting project deadline:
JS code by Michael Nguyen
University of Wollongong
23/05/2015


Chapter 2 Data: Statistical units and Variables
The W’s
and their types are what you should be interested in and careful about in the data:
- Who
- What
- Where
- When
Statistics, from the latin status
and same root as State, is the art of counting and classifying. At first, statistics were used to describe countable information on population. Rapidly they became essential to model and predict data from experiences to foresee outcomes and help decision making.
2.1 Statistical units
“Statistics is all about variation
.”
In Public Health, we are interested in population. In biostatistics, we like to compare groups in a population. To that aim we need to identify our groups which will be composed of statistical units
. For example, the statistical units could be:
- patients, schooled children
- health care services
- countries
The Who is the statistical unit
, the unitary element of interest (individual, hospital, country…).
2.2 Variables
The statistical units are characterized by one or more variables
, which by definition varies between statistical units.
The What are variables
, the recorded characteristics of the statistical units.
For example, the variables characterizing the schooled children could be: age, height, weight…(Figure 2.1). For health care establishments, the characteristics could be the legal status, the number of beds, nurses, doctors, patients…(Figure 2.2).
2.3 Data storage
The information on each statistical unit can be stored and displayed in a data table. Typically, the Who of the table are found in the leftmost column and read row-wise. The What are stored in the remaining columns. Table 2.1 presents a snapshot of the HBSC data presented in the Introduction section (1).
| ID | Grade.level | School.Status | Gender | Age | Weight |
|---|---|---|---|---|---|
| 5617 | 7th grade | private | boy | 13.58 | 50.0 |
| 4578 | 6th grade | public | boy | 12.00 | 47.7 |
| 6512 | 6th grade | public | girl | 11.42 | 28.7 |
| 5695 | 10th grade | private | girl | 15.58 | 48.5 |
| 3906 | 8th grade | public | boy | 13.75 | 48.5 |
| 6266 | 6th grade | public | boy | 11.67 | 59.8 |
| 363 | 9th grade | public | girl | 15.25 | NA |
| 1095 | 6th grade | public | boy | 12.75 | 47.5 |
| 5388 | 8th grade | public | girl | 13.50 | 52.0 |
| 6730 | 8th grade | public | girl | 15.25 | 58.0 |
Try to guess what these data represent and what information is available.
Hint: Do not forget to read the title of the table.
The Where and When are the context/location and time of the data collection.
For instance in our HBSC the When is the year 2006 and the Where is in France. The scale of time and place are of great importance that need to be clearly defined. For example, the time can be a time point or a period of several months or years. As for France, it could be metropolitan France (excluding overseas departments) or France with all its departments. We could also look at different geographical levels like the city, the county, the state…
Those information have to be reported in every titles of every tables and plots you will create from the data along with the Who and What. A table or a figure should be self-explanatory
(self-content).
2.4 Variable types
Public Health data may come from various sources. For instance, they can be collected via interviews, surveys,or health information systems.
In qualitative sciences, interviews are often based on open questions where answers are free text. We will not discuss that case in this class.
In quantitative sciences, surveys or records from health information systems are based on short queries where short answers with a finite range of possibilities are expected. For instance, let’s say you are interested in tobacco consumption and plan a survey. You may ask the following questions with finite possibilities of answers:
Variables are of different types (Figure 2.3). When a variable is allowed to takes a limited number of categorical values, or categories, and answers questions about how cases fall into those categories, we call it a categorical
, or qualitative
, variable. When a variable corresponds to measured numerical values with units and the variable tells us about the quantity of what is measured, we call it a quantitative
variable (Sharpe, De Veaux, and Velleman 2012).
The type of a variable will condition the statistical method chosen to summarize and describe your population of interest (Chapter 3).
The categorical
, or qualitative
, variables can be of two sub-types: the nominal
and the ordinal
variables. The nominal variables are for instance the colors of the eyes or various professions that count many categories. The nominal variables can also be binary
with only two categories like smoking/non smoking or boys/girls. The ordinal variables take into account an ordering between the possible categories of the variables. For instance, a ordinal variable could be a scale of spiciness: neutral, middle, hot, very hot ! Note that this is suggestive. You can come up with a ranking where the intervals between the categories are not of equal width.
The quantitative
variables can be discrete or continuous. A quantitative discrete variable corresponds to numerical counts like the number
of kids per household. A quantitative continuous variable corresponds to measures
with potential decimals like the weight or height of pupils in the HBSC cohort.
Propose a set of variables, one of each type.


--- layout: post title: I WANT YOU! date: '2012-09-14T08:49:52+02:00' tags: - startup - failure - say no tumblr_url: http://hussfelt.tumblr.com/post/31519800839/i-want-you ---
Read a blogpost regarding emails sent to developers about “The next thing/app/service”.
Found myself thinking: “I wonder how many emails like this I have responded to”, coming up with a number far greater than 100…
Then I thought of all the meetings I have been to before I learned to say:
No thank you.
I am always glad to help, and I will always try my best to guide people if I can. But a good advice is to learn to say no. It took me quite a while and a number of failures…


My name is Shrishti. I'm a CSE undergraduate pursuing BTech in Computer Science And Engineering from Bit Mesra, Deoghar.


Fraud Detection
Credit Suisse Project
Ranked List:
Score:
?
/1.5
Message:
Feedback:
Is it a real Fraud?
(Yes)
(No)
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SUPERCOP A film review by John Robertson Copyright 1996 John Robertson
Directed by: Stanley Tong
Starring: Jackie Chan, Michelle Khan, Maggie Cheung, Ken Tsang, Yuen Wah, Bill Tung.
Perfect Person Rating*: The Perfect Person for Supercop is someone in the mood for an action film that doesn't pull any punches (or use stuntmen!), who also gets a kick out of campy humour and bad overdubbing. This film's perfect person would give Supercop 10 out of 10.
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For those whose first experience with Jackie Chan was this year's Rumble in the Bronx (Cannonball Run notwithstanding), Supercop will be both a surprise and a delight. Everything that there was to love about Rumble in the Bronx, namely the action, the incredible fight choreography and the charisma of Jackie Chan, are to be found in Supercop. The surprise for people familiar with Rumble is that Supercop is actually a much better movie. Where Rumble was something of a comedy that scored many of its laughs through the absurdity of the plot and setting, Supercop is a more straightforward action flick in the summer blockbuster vein that gives you smiles along the way.
The plot of Supercop isn't too important, but a brief summary for those who are interested. Chan plays Kevin, a Hong Kong cop with an impressive resume in the martial arts. He volunteers for a mission infiltrating a drug ring that has its tendrils spread all through southeast Asia. He suceeds, and makes his way to the inner circle of the gang along with his sister "Hanna" (Michelle Khan), the second best thing about the movie (after Chan himself).
Supercop isn't a typical action movie, and one of the ways this is most apparent is the character played by Khan. Most females in action movies are ornaments typically, who slow up the hero, trip when being chased, and maybe kick someone in the groin for humour near the end of the movie. Sure I'm over generalizing, but compared to Khan that's what every female action movie sidekick seems like. She not only keeps pace with Chan in the fighting and humour department, she does her own stunts as well, and at least one of hers is better than anything Jackie does.
If you had to find a flaw with Supercop, you don't have to look far -- or listen far as the case may be. Made in Hong Kong, the movie is overdubbed into English, but whoa, the audio on the dubbing is REALLY bad. It sounds like it was done through a couple of tin cans tied together with string, and that's just not what you expect for your eight bucks.
Next movie Miramax decides to bring us from Chan's repetoire, I'll buy the microphones for the dubbing if they let me meet Jackie. :)
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Copyright 1996 by John Robertson. Retransmit freely if unedited. My opinions are solely my own, and in no way reflect those of my employer.
* Perfect Person Rating: The Perfect Person Rating is an attempt to give the reader a new way of understanding my rating. Rather than give a film a score, either overall, or on several attributes, the Perfect Person Rating tries to identify the type of person would enjoy this movie the most. Since a reviewer is by nature someone with a great deal of experience in what they are reviewing, their experience may not be the same as someone who has less experience, is less jaded, or more attuned to the subject. Hopefully the Perfect Person Rating will go further toward eliminating reviewer bias than a simple rating scale. Comments are appreciated.
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int pg_set_error_verbosity ([ resource $connection ], int $verbosity )
Determines the verbosity of messages returned by pg_last_error() and pg_result_error(). pg_set_error_verbosity() sets the verbosity mode, returning the connection's previous setting. In PGSQL_ERRORS_TERSE mode, returned messages include severity, primary text, and position only; this will normally fit on a single line. The default mode (PGSQL_ERRORS_DEFAULT) produces messages that include the above plus any detail, hint, or context fields (these may span multiple lines). The PGSQL_ERRORS_VERBOSE mode includes all available fields. Changing the verbosity does not affect the messages available from already-existing result objects, only subsequently-created ones.
The previous verbosity level: PGSQL_ERRORS_TERSE, PGSQL_ERRORS_DEFAULT or PGSQL_ERRORS_VERBOSE.


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How like a widow has she become,
she who was great among the nations!
She who was a princess among the provinces
has become a slave.
2 She weeps bitterly in the night,
with tears on her cheeks;
among all her lovers
she has none to comfort her;
all her friends have dealt treacherously with her;
they have become her enemies.
3 Judah has gone into exile because of affliction
and hard servitude;
she dwells now among the nations,
but finds no resting place;
her pursuers have all overtaken her
in the midst of her distress.
4 The roads to Zion mourn,
for none come to the festival;
all her gates are desolate;
her priests groan;
her virgins have been afflicted,
and she herself suffers bitterly.
5 Her foes have become the head;
her enemies prosper,
because the LORD has afflicted her
for the multitude of her transgressions;
her children have gone away,
captives before the foe.
6 From the daughter of Zion
all her majesty has departed.
Her princes have become like deer
that find no pasture;
they fled without strength
before the pursuer.
7 Jerusalem remembers
in the days of her affliction and wandering
all the precious things
that were hers from days of old.
When her people fell into the hand of the foe,
and there was none to help her,
her foes gloated over her;
they mocked at her downfall.
8 Jerusalem sinned grievously;
therefore she became filthy;
all who honored her despise her,
for they have seen her nakedness;
she herself groans
and turns her face away.
9 Her uncleanness was in her skirts;
she took no thought of her future;
therefore her fall is terrible;
she has no comforter.
“O LORD, behold my affliction,
for the enemy has triumphed!”
10 The enemy has stretched out his hands
over all her precious things;
for she has seen the nations
enter her sanctuary,
those whom you forbade
to enter your congregation.
11 All her people groan
as they search for bread;
they trade their treasures for food
to revive their strength.
“Look, O LORD, and see,
for I am despised.”
12 “Is it nothing to you, all you who pass by?
Look and see
if there is any sorrow like my sorrow,
which was brought upon me,
which the LORD inflicted
on the day of his fierce anger.
13 “From on high he sent fire;
into my bones he made it descend;
he spread a net for my feet;
he turned me back;
he has left me stunned,
faint all the day long.
14 “My transgressions were bound into a yoke;
by his hand they were fastened together;
they were set upon my neck;
he caused my strength to fail;
the Lord gave me into the hands
of those whom I cannot withstand.
15 “The Lord rejected
all my mighty men in my midst;
he summoned an assembly against me
to crush my young men;
the Lord has trodden as in a winepress
the virgin daughter of Judah.
16 “For these things I weep;
my eyes flow with tears;
for a comforter is far from me,
one to revive my spirit;
my children are desolate,
for the enemy has prevailed.”
17 Zion stretches out her hands,
but there is none to comfort her;
the LORD has commanded against Jacob
that his neighbors should be his foes;
Jerusalem has become
a filthy thing among them.
18 “The LORD is in the right,
for I have rebelled against his word;
but hear, all you peoples,
and see my suffering;
my young women and my young men
have gone into captivity.
19 “I called to my lovers,
but they deceived me;
my priests and elders
perished in the city,
while they sought food
to revive their strength.
20 “Look, O LORD, for I am in distress;
my stomach churns;
my heart is wrung within me,
because I have been very rebellious.
In the street the sword bereaves;
in the house it is like death.
21 “They heard my groaning,
yet there is no one to comfort me.
All my enemies have heard of my trouble;
they are glad that you have done it.
You have brought the day you announced;
now let them be as I am.
22 “Let all their evildoing come before you,
and deal with them
as you have dealt with me
because of all my transgressions;
for my groans are many,
and my heart is faint.”