All functions
|
|
align_bowtie2()
|
Aligns metagenomic shotgun sample against a reference |
|
as.matrix(<mbquant>)
|
Convert a mbquant data table to a matrix. |
|
association()
|
Run differential association tests between taxa counts and exogenous
factors. |
|
combinatorial_association()
|
Run differential association tests between between all combinations of a
factor variable. Can be used as post-hoc test for regression. |
|
discretize()
|
Discretize all continuous variables in a data frame. |
|
download_index()
|
Builds index files for human sequence identification |
|
find_taxa()
|
Checks whether taxa from one taxonomy table are contained in another table. |
|
mbtools
|
mbtools. |
|
mock_plot()
|
Creates a plot of measured taxa quantifications vs. reference quantification. |
|
mockrobiota()
|
Downloads a complete data set from mockrobiota. |
|
mothur_to_dada()
|
Converts taxa annotations from mothur format to dada2 format. |
|
normalize()
|
Normalize a set of read counts across samples |
|
orlitsky()
|
Orlitsky's diminishing attenuation estimator (q2/3). |
|
plot_counts()
|
Plots counts for several taxa across a co-variable |
|
plot_taxa()
|
Plots relative distribution for taxa across samples. |
|
read_slimm()
|
Reads SLIMM output to a data table. |
|
remove_organism()
|
Removes sequence contamination from another target organism (for instance
human sequences). |
|
run_slimm()
|
Quantifies abundances for the bacteria using SLIMM |
|
split_barcodes()
|
Splits FASTQ files into individual samples. |
|
sra_files()
|
List samples and read files in a directory. |
|
standardize()
|
Standardize all continuous columns of a data frame. |
|
taxa_count()
|
Counts the reads for a specific taxonomy level. |
|
taxa_metrics()
|
Calculates what percentage of taxa was found in a reference set. |
|
taxa_quants()
|
Compares taxa quantification from a measurement to a reference ground truth. |
|
types()
|
Applies the specified types to a data frame-like object. |


grammar
, define
and
ref
This section sketches how to handle the simplification of
grammar
, define
and ref
described in sections 4.18 and 4.19 of the RELAX NG specification.
The result of the initial parse of the full syntax is a Pattern object representing the schema; this differs from the simple syntax pattern in that it contains an additional kind of Pattern, namely a RefPattern. A RefPattern is a Pattern containing a reference to another Pattern.
During parsing maintain a current Grammar object. A Grammar object contains
When you see a <grammar>
start-tag, create a new
Grammar object that becomes the new current Grammar. Initially the
map is empty, the start pattern is null, and the parent Grammar is the
old current Grammar.
When you see a define
element, look up the name in the
current Grammar's map. If it doesn't exist, add a new RefPattern
referring to the body of the definition. If it does exist, then check
with the RefPattern's pattern reference is null; it is is null, then
change it to refer to the body of the definition; if it's not null,
then we have a duplicate definition.
Handle <start>
similarly to
<define>
.
When you see a <ref>
element, lookup the name in
the current Grammar's map. If it doesn't exist, add a new RefPattern
with a null pattern reference to the map. In either case, return that
RefPattern as the result of parsing the <ref>
element.
When you see a <parentRef>
do the same as
<ref>
except use the parent Grammar's map.
At the <grammar>
end-tag, check that the start
of the current grammar is non-null. Also walk the map to check that
all RefPatterns have non-null pattern references. Return the start
pattern as the result of parsing the <grammar>
element.
The next task is to check that there is no illegal recursion. For
this it is convenient to add a checkRecursionDepth
field
to the PatternRef object. This should be initialized to -1. Define a
checkRecursion(int depth)
method on Patterns. By default
this simply calls checkRecursion
with the same argument
on all subpatterns. For an ElementPattern it calls
checkRecursion(depth + 1)
. For a PatternRef pattern it
does this:
checkRecursion(int depth) { if (checkRecursionDepth == -1) { checkRecursionDepth = depth; referencedPattern.checkRecursion(depth); checkRecursionDepth = -2; } else if (depth == checkRecursionDepth) error("illegal recursion"); }
To check for illegal recursions, call
checkRecursion(0)
on the pattern for the schema as a
whole.
After determining that there is no illegal recursion, the next
stage is to eliminate RefPatterns. Do this with an
expand()
method on Patterns. It is convenient to add a
boolean
expanded field to ElementPattern; this is
initialized to false. For an ElementPattern the code for expand is
Pattern expand() { if (!expanded) { expanded = true; content = expand(content); } return this; }
For a RefPattern it would be simply
Pattern expand() { return referencedPattern.expand(); }
For a Text/DataPattern etc it would be simply
Pattern expand() { return this; }
For a Choice it would be
Pattern expand() { return makeChoice(operand1.expand(), operand2.expand()); }
include
and combine
See the following message from Kohsuke Kawaguchi.
James Clark


-
Schedule
- Bangladesh vs Afghanistan, Match 31 Mon Jun 24 • 3:00 PM GMT
- England vs Australia, Match 32 Tue Jun 25 • 3:00 PM GMT
- Malaysia vs Maldives, 2nd Match Tue Jun 25 • 7:30 AM GMT
- Netherlands vs Zimbabwe, 2nd T20I Tue Jun 25 • 9:00 PM GMT
- New Zealand vs Pakistan, Match 33 Wed Jun 26 • 3:00 PM GMT
Todays News
World Cup Pulse
All that's happening on and off the field at the 2019 World Cup in England & Wales
A masterpiece, a name remembered, but a dream diminished
His first 27 deliveries yielded just 17 runs; his plan was clear: take the game deep and see what happens. He finished with a century, but fell just short in the end!...
Brathwaite special in vain as New Zealand seal thriller
Brathwaite was 'pretty exceptional', says Boult
Holder lauds Brathwaite, lower order for tough fight
Thought the last hit had enough bat on it: Brathwaite
South Africa no longer hold a strong hand of cards
The collage of their World Cup exits has become iconic, each image telling its own different story of heartbreak in a unique way
Haris Sohail lays ghosts of past to rest, earns acceptance
Tried to stop Rabada from going to the IPL: Faf du Plessis
"Sarfaraz we are sorry" - Pakistan fans, team, look at forgetting the last week
All-round Pakistan end South Africa's 2019 World Cup


|
genetics
|
#include <fasta.hpp>
Public Types | |
| typedef ChromosomeType | chromosome_type |
| typedef StringType | string_type |
| typedef IndexType | index_type |
Public Member Functions | |
| basic_fasta_file () | |
| Create an empty FASTA reference file. Use append() to add files. More... | |
| basic_fasta_file (const std::string &filename) | |
| Create a FASTA reference from a single text file. More... | |
| template<class Mapper > | |
| basic_fasta_file (Mapper &map, typename Mapper::is_mapper *p=0) | |
| Use a mapper to instantly load from a mapped file. More... | |
| basic_fasta_file & | operator= (basic_fasta_file &&rhs) |
| Move from another reference of the same type. More... | |
| virtual | ~basic_fasta_file () |
| void | append (const std::string &filename) |
| Append a single FASTA file to this file. More... | |
| void | append (const char *p, const char *end) |
| Append the image of a FASTA file to this file. More... | |
| void | swap (basic_fasta_file &rhs) |
| Swap FASTA files. More... | |
| void | write_binary (writer &wr) const |
| copy the bytes in this file to an image. More... | |
| void | write_ascii (std::ostream &os) const |
| copy the bytes in this file to an image. More... | |
| void | find_inexact (std::vector< fasta_result > &result, const std::string &dstr, size_t max_distance, size_t max_results, size_t max_gap, bool is_brute_force) |
| Search the FASTA file for strings with some allowable errors. More... | |
| const chromosome & | get_chromosome (size_t index) const |
| Get the chromosomes in this file. More... | |
| size_t | get_num_chromosomes () const |
| void | make_index (size_t num_indexed_chars) |
| Must be called after appending FASTA data. More... | |
| size_t | size () const |
| Number of base pairs in this file. More... | |
| const chromosome & | find_chromosome (size_t location) const |
| Find a chomosome for a location. More... | |
| Public Member Functions inherited from boost::genetics::fasta_file_interface | |
| virtual | ~fasta_file_interface () |
| typedef ChromosomeType boost::genetics::basic_fasta_file< ChromosomeType, StringType, IndexType >::chromosome_type |
| typedef IndexType boost::genetics::basic_fasta_file< ChromosomeType, StringType, IndexType >::index_type |
| typedef StringType boost::genetics::basic_fasta_file< ChromosomeType, StringType, IndexType >::string_type |
|
inline |
Create an empty FASTA reference file. Use append() to add files.
|
inline |
Create a FASTA reference from a single text file.
|
inline |
Use a mapper to instantly load from a mapped file.
|
inlinevirtual |
|
inlinevirtual |
Append a single FASTA file to this file.
Implements boost::genetics::fasta_file_interface.
|
inline |
Append the image of a FASTA file to this file.
|
inlinevirtual |
Find a chomosome for a location.
Implements boost::genetics::fasta_file_interface.
|
inlinevirtual |
Search the FASTA file for strings with some allowable errors.
Implements boost::genetics::fasta_file_interface.
|
inlinevirtual |
Get the chromosomes in this file.
Implements boost::genetics::fasta_file_interface.
|
inlinevirtual |
Implements boost::genetics::fasta_file_interface.
|
inlinevirtual |
Must be called after appending FASTA data.
Implements boost::genetics::fasta_file_interface.
|
inline |
Move from another reference of the same type.
|
inline |
Number of base pairs in this file.
|
inline |
Swap FASTA files.
|
inlinevirtual |
copy the bytes in this file to an image.
Implements boost::genetics::fasta_file_interface.
|
inlinevirtual |
copy the bytes in this file to an image.
Implements boost::genetics::fasta_file_interface.


Destiny 2: Shadowkeep ability trees in the Solar subclass are being reworked
by Stephany NunneleyNext Season, Bungie will rework several Destiny 2 ability trees in the Solar subclasses.
Bungie will apply updates to Solar subclass abilities next season, and like Arc and Void, the combat team will be revisiting some older subclass paths to “freshen them up a bit.”
After looking over some of the data, the team found that three specific subclasses were “underperforming” an in need of a rework. These Solar subclasses are Gunslinger, Sunbreaker, and Dawnblade.
With Gunslinger: Way of the Sharpshooter, the team wants to make it to where this bottom path is chosen more often for more activities other than PvE.
In order to differentiate both Golden Gun paths and make Sharpshooter more versatile, it will make the following changes: for 3-shot auto-aim distance and reliability when aiming down sights will be increased. For 6-shot, damage falloff range will be shortened to “emphasize the short-range gunfighter role with a lot of kill potential.”
Then there’s Weighted Knife which will be a high-damage knife throw which will travel at high speeds, bounces once, and does extra damage to the head. Precision shot final blows recharge the melee completely and will have a one-hit precision final blow in PvP.
Practice Makes Perfect will also last longer but it will give the player less energy per second. Precision hits will grant two stacks.
For Titans, changes coming to Sunbreaker will make it more competitive in PvP when using the middle path Code of the Devastator.
The Roaring Flame perk will receive a “significant buff” to its bonus damage, and the buff now lasts 25% longer, making it easier to build and retain stacks between encounters. Throwing Hammer’s melee ability will be increased and with Roaring Flames active in PvP it will be much more lethal.
Burning Maul will last longer, the Throwing Hammer will have increased impact damage from 100 to 120 and an increased hammer pick-up radius will move from 2m to 3.5m. Roaring Flames will also see its damage bonus increased in PvP.
With Dawnblade top path Attunement of Sky, Icarus Dashes while in Daybreak will have increased speed and thrust. The new Celestial Fire will send a spiral of three explosive Solar projectiles, and the rework of Heat Rises will consume your grenade to extend Glide time and reduce the in-air accuracy penalties for weapons.
Other changes are coming to each subclass, and if you hit up the Bungie Weekly Update, you can learn more about the changes.
The next season for Destiny 2: Shadowkeep will start in roughly two weeks or so.
Games featured in this article


Preparation time
1-2 hours
Cooking time
10 to 30 mins
Serves
Serves 4
For the chicken, combine the chicken, ginger, garlic and vegetable oil in a shallow non-reactive dish. Cover and leave in the fridge to marinate for at least one hour.
For the basmati rice, place the rice into a pan with a lid. Add the water and bring to the boil over a medium heat with the lid on. Once boiling, reduce to a simmer and cook for 8-10 minutes. Remove from the heat and leave to stand for at least 10 minutes before serving.
Meanwhile, for the curry, heat the oil in a large pan over a medium heat. Add the onion and cook for 10 minutes, or until the onion has softened and has taken on some colour. Add the garlic and ginger and cook for a further five minutes. Add the curry powder and cook for two minutes.
Stir in the coconut milk, chicken stock and tomatoes. Bring to the boil and add the potatoes. Simmer for about 10 minutes, or until the potatoes are just tender. Add the chickpeas and bring back to the boil. Simmer for two minutes.
To cook the chicken, heat a splash of oil in a frying pan over a high heat. Cook the chicken on all sides until golden-brown and cooked through. Reserve the chicken, covered, in a warm place until ready to serve.
To serve, place generous amounts of the curry and chicken onto the rice on plates. Garnish with the chopped coriander.


Ghana is a free country where the people value it's traditions.In Ghana,Akan names are derived from Ghananian culture .Frequenly in Ghana ,children are given their first name as a 'day name' which corresponds to the day in the week they were born.Most people do know when their birthdays are,but some might not know what day of the week they were born. Luckily,I have created a webpage for calculating the day of the week from a specific date.Here is a link to the webpage
Check out User's form


This project template is the basis of an expansion board for the Adafruit Circuit Playground Express This includes the following models to date:
The board outline looks like the following:
(c)2020 Oliver von Sehlen


The cost of college attendance is increasing faster than most cost indices. Student
and parents are now looking at other avenues to finance college other than the standard
government student loan.
Your first step is to determine what amount of financing you will need.
Understand the financial aid process. This requires you to file federal forms that
colleges use to estimate how much financial aid the student can receive:
Types of Student Financial Aid that are available:
1: Scholarships
You want all of the FREE money you can get. True, most scholarship awards are for
athletic and academic merits. But there are other scholarships for talents and affiliations.
Use a national database to begin your search.
2: Federal Student Loans
The most popular form of financial aid. Federal student loans are generally processed
through your college. You donít have to repay these loans until after you leave
or graduate from school.
3: Federal PLUS Loans
Federal loans for parents of undergraduate students. Parents can borrow up to the
full cost of college minus any financial aid awarded to the student.
4: Private Student Loans
Sometimes loans, scholarships, grants, and other college aid do not cover the full
cost of college, including personal expenses such as a computer. Many students are
using private student loans to cover the gap.
If investment, financial,
mortgage or insurance planning and/or products are required, College Retirement Solutions, LLC may refer you to one of its affiliates. Any discussion of the Tax implications of planning is strictly for general
purposes. Neither "CRS" nor its representatives may give specific tax advice. One
should seek the advice and counsel of their accountant and/or tax advisor for information
regarding their particular situation.


Fri Dec 29, 2006
My girlfriend was telling me about her Bikram yoga class today and how you pay $20 a class to just sit there like a pretzel and sweat and feel nauseous and have acid bile rise up your throat at each contortion. Wow, what fun. Anyway, apparently all the other ladies at yoga sport Lululemon outfits. This was the first time I’d been introduced to this apparently wildly popular brand.
Needless to say, inspired by the “yes men” video, I looked into the company and was pleased to see they were based in Vancouver and produced all their clothes here. Basically, the company seemed an ethical, homegrown success that supported the local economy and made Vancouverites justifiably proud of their stylish yoga apparel.
I dug a little deeper and was dismayed to discover that Lululemon has become so popular that they have sprung up all across North America and started outsourcing all their production in China. Not only that, but according to this Tyee article, the owner, Mr. Chip Wilson thinks child labour is a great idea and that we should even implement it in Canada to give the street kids something to do.
Mr. Wilson is hardly politically correct. Here’s another example - The name Lululemon was supposedly chosen by Wilson because “he thinks the trouble Japanese people face pronouncing L’s works as an extra marketing tool for his product in that country.” “It’s funny to watch them try and say it,” he adds.
Mmmmmm… All this leaves a bitter aftertaste in my mouth.


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"JEROHAM "cherished; who finds mercy. (1.) Father of Elkanah, and grandfather of the prophet Samuel (1 Samuel 1:1). (2.) The father of Azareel, the “captain” of the tribe of Dan (1 Chronicles 27:22). (3.) 1 Chronicles 12:7; a Benjamite. (4.) 2 Chronicles 23:1; one whose son assisted in placing Joash on the throne. (5.) 1 Chronicles 9:8; a Benjamite. (6.) 1 Chronicles 9:12; a priest, perhaps the same as in Nehemiah 11:12.
"JEROHAM "cherished; who finds mercy. (1.) Father of Elkanah, and grandfather of the prophet Samuel (1 Samuel 1:1).
(2.) The father of Azareel, the “captain” of the tribe of Dan (1 Chronicles 27:22).
(3.) 1 Chronicles 12:7; a Benjamite.
(4.) 2 Chronicles 23:1; one whose son assisted in placing Joash on the throne.
(5.) 1 Chronicles 9:8; a Benjamite.
(6.) 1 Chronicles 9:12; a priest, perhaps the same as in Nehemiah 11:12.


The Road to Better Code
-
Set-up Istanbul on a JS repo
-
Run it to get a baseline coverage reading
-
Use that reading to set a Git hook on push requests
-
Encourage engineers to exceed the threshold, even if just by a little
We can raise the threshold as the baseline coverage gradualy rises, encouraging a higher standard of coding and testing over time.


Floating labels appear to sit inside the textbox when it has no value or focus, and sit above the textbox otherwise.
If the textbox has no value, the label can be positioned inside the textbox.
If the textbox has a value, the label must be positioned above the textbox.
Use the disabled property & floating-label__label--disabled modifier on the input element and the label element respectively to disable the input.
The placeholder should only be shown when the textbox is focused and there is no text
Set the aria-invalid property to true and add floating-label__label--invalid to the label to semantically and visually highlight the invalid state.
Use the textarea tag for a multi-line textbox.
A multi-line textbox allows line breaks and has a minimum height of 200px.
In order to prevent overlap for floating label, use .floating-label--opaque class
Use the textarea tag for a multi-line textbox.
A multi-line textbox allows line breaks and has a minimum height of 200px.
This example shows how the floating label will truncate with long text
By default, with only the base markup shown above, the label remains in a floating state above the input. This default state ensures that the label does not obscure the textbox value while we wait for JavaScript.
When JavaScript is ready, the label can be re-positioned inside the textbox by adding the floating-label__label--inline modifier class. By default, this re-positioning of label happens instantly, without a transition. Typically, we do not want to show transitions on the initial page render, as this might be too jarring and distracting for some users.
You will also need to add the floating-label__label--focus class when the input recieves focus and remove it when the input loses focus. This is to ensure the right colors are applied to the label when focusing the input.
To opt into transitions after the initial render is complete, add the floating-label__label--animate modifier when the textbox receives focus.
The examples above use makeup-floating-label, a simple JavaScript module that adds the aforementioned logic. Feel free to use this module or use it as the basis to roll your own.


+++ title = "Cusco" lat = -13.500000 lon = -71.950000 +++
Few tourists can say that they visited Peru and that they missed Cusco. With more tour agencies, Internet cafés, and falafel joints than anywhere else in the country — and with close proximity to the world-famous Inca ruins of Machu Picchu — Cusco is the tourist Mecca of South America. I spent a few days here before my Salkantay hike, and I'm spending one month more here, to study some Spanish.


THE FIFTH ELEMENT
Review by John Beachem
* * * * 1/2
Directed by: Luc Besson Written by: Luc Besson, Robert Mark Kamen
Korben Dallas (Bruce Willis) is an ex-fighter pilot in the 23rd century who now flies a cab. His life takes a sudden turn when a beautiful young woman named Leeloo (Milla Jovovich) falls into his cab. Leeloo is a perfect entity, sent to Earth to fight the ultimate evil, which comes every five thousand years. Four groups are searching for Leeloo: Priest Vito Cornelius (the excellent Ian Holm), whose line has assisted in the fight against evil for centuries; Jean-Baptiste Emmanuel Zorg (the wonderful Gary Oldman) and his flunkies, who work for the ultimate evil; an evil warrior race known as the Mangalores, who were betrayed by Zorg; and the Earth government, led by the ever uncertain President Lindberg (Tom "Tiny" Lister Jr.) and his chief General, Munro (Brion James). Now Korben and Leeloo have to meet up with Cornelius, find four sacred stones needed to fight the evil, and get back to Earth in just a few days or all life in the universe will be destroyed. Along the way Korben will meet such peculiar characters as a cross-dressing radio host named Ruby Rhod (Chris Tucker), a galactic Diva named Plavalaguna (Maiwenn Le Besco), and a mugger (Mathieu Kassovitz) with a very interesting hat (don't ask, it has to be seen).
"The Fifth Element" is not a movie designed for all tastes. Viewers will most likely be divided into two groups: those who don't like their movies far-fetched and ridiculous, and those who love their movies to be comically bizarre (I fall into this category). The first group is going to loathe this movie because it represents all they detest in cinema. The plot (despite my rather confusing description) is child like in its simplicity. The characters are really nothing more than cartoon characters given human form; and all the movie's events are so ridiculous these people will no doubt be hitting the stop button after about thirty minutes. The other group is going to have an absolute blast. These people won't care about how ridiculous the movie is, so long as it entertains with fantastic visuals and off-the-wall humor. Is "The Fifth Element" entertaining? It is, quite possibly, the most flat-out entertaining movie I've seen this decade. It has no qualities one would associate with a great film, but if that's what you're looking for when you watch this movie you've obviously heard nothing about it. Rather than giving a deep, meaningful, Oscar worthy (you know, boring) picture, Luc Besson ("The Professional") instead chooses to give us a movie which promises to be just one thing - fun. "The Fifth Element" delivers on this promise in spades.
Dramatic acting is obviously not going to be of supreme importance in a movie like this, but comic acting is all important. Bruce Willis does quite a good job as the jaded Korben Dallas, dead-panning nearly everything but occasionally letting just a trace of amusement at his surroundings leak out (watch for his scene with the mugger; it's too funny for words). Milla Jovovich delivers a very amusing performance since she spends over half the movie speaking in gibberish. Word has it she actually made up her chattering language as she went along. Chris Tucker's ("Friday") performance is something of an acquired taste. When he first showed up on screen, I'll admit, I was rather shocked; but as the film went on, his character grew on me (maybe like fungus, but whatever works). The two actors who truly deliver outstanding comic performances are Gary Oldman ("Lost In Space") and Ian Holm ("Brazil"). Oldman hams it up like you've never seen as the multi-zillionaire Zorg. Zorg has a limp, a southern twang, a bizarre wardrobe, and an even stranger haircut. In the hands of anyone else, this character would have been a pathetic failure. Oldman actually manages to make Zorg likeable enough that a small part of you wants to see him get away, if not win. Ian Holm displays some of the best comic timing I've seen from an actor, well, anywhere. The way he delivers some of his lines is nothing short of perfection (one of my personal favorites was Ian Holm saying, "We're going to save the world my son." Korben responds with, "You're um, heh, gonna save the world?" Holm says, in an exasperated tone, "Yes!").
"The Fifth Element" is one of those marvelous movies which contains scenes that will stick with you for days, weeks, possibly even months afterwards. My favorite scenes were Leeloo's reconstruction in a futuristic (though very peculiar looking) laboratory; Korben's cab being chased by the police through the futuristic city; and the Diva's scene where she sings a beautiful (though very alien) opera while Leeloo fights a horde of Mangalores. Those first two I mentioned show Besson's visual imagination in two very different ways. The scene where Leeloo is being assembled is something quite extraordinary. It shows her skeleton being assembled quickly, piece by piece, then muscle and tissue being created over it, and finally skin being created. It's a remarkable scene in a remarkable movie. Korben's car chase gives us a chance to see most of Besson's futuristic city, and it's a sight to behold. The city is comprised of massive skyscrapers, surrounded by row after row of flying cars, going up as far as the eye can see. The scene with the Diva singing her opera while Leeloo beats up the Mangalores is exquisitely filmed (I must have re-watched that one scene five or six times). It combines Leeloo's martial arts style fighting with the singing flawlessly. Again, none of these scenes are going to win any major awards, but they're ever so much fun to watch.
Those who have seen Besson's work on "Nikita" and "The Messenger" know he is one of the more erratic directors in Hollywood. "Nikita" was a suspenseful tale which bordered on masterpiece, while "The Messenger" was quite the opposite. His work on "The Fifth Element" is far closer to that in "Nikita". One of Besson's trademarks is his frantic pacing throughout the film; this didn't work in "The Messenger", but it works perfectly in "The Fifth Element". The movie runs 126 minutes, which should have felt like an eternity, but with the combination of Besson's quick pacing and constant laughs, it feels more like 45 minutes (I'm not kidding). The soundtrack to "The Fifth Element", by composer Eric Serra ("Goldeneye"), is one of the film's strongest points. It's such a bizarre mix of different types of music (everything from something which sounded Jamaican during the car chase to beautiful instrumental music at the film's conclusion) that it could have sounded awful, but each song is somehow perfectly suited to its scene. I'd recommend the movie to anyone who likes their movies more than a little on the strange side and give it four and a half out of five stars.
Comments? Send to<EMAIL_ADDRESS>Past reviews can be found at: http://www.epinions.com/user-elerad?public=yes or http://us.imdb.com/ReviewsBy?John+Beachem
* * * * * - One of the best movies of the year. * * * * - Great flick, try and catch this one. * * * - Okay movie, hits and misses. * * - Pretty bad, see it at your own risk. * - See this one only if you enjoy pain.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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A one-time fee defines an amount a customer has to pay for a subscription in the first billing period.
A one-time fee is added to the total charges for the first billing period. It is independent of the number of users, events, or other usage data.
If a one-time fee is defined for a service to which a customer upgrades or downgrades a subscription, it is added to the total charges for the customer, even if the service from which the customer migrates also defines a one-time fee.
In the example above, 50.00 € are added to the charges of the first billing period.


---
layout: post
title: director fred de loof production hamlet
date: '2018-03-18T11:30:37+01:00'
categories:
- Storyboards
picture_url: https://film-Storyboards.tumblr.com/post/172000963880/director-fred-de-loof-production-hamlet
---
Director: Fred De Loof Production: Hamlet


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RFID Titanium Wallets
RFID Titanium Wallets
RFID Titanium Wallets
RFID Titanium Wallets
RFID Titanium Wallets
RFID Titanium Wallets
This is where I write about the wallet itself.... It is made of titanium and is resistant to rusting...blah...blah..blah


Gamut Mapping of Scene-Referred Light Values
The Academy Color Encoding System (ACES) is a free, open, device-independent color management and image interchange system used in the production of movies, series and games. ACES adoption has increased during the last decade and the system is becoming a successful standard in the Media and Entertainment Industry. However, amid of the growing success, ACES users are frequently reporting defects occurring on their imagery while using the system.
The artefacts are often generated by digital still or motion-picture cameras: their spectral sensitivities do not satisfy the Maxwell-Ives criterion (Luther condition). Put another way, they are not colorimetric and capture the world differently than the Standard Observer, i.e. a standardised average human viewer. Ultimately, they produce non-physically realisable values outside the Spectral Locus, i.e. the volume bounding the extent of the Standard Observer sensitivity to the electro-magnetic spectrum. Colour grading tools used to infuse the creative vision into the imagery are also source of defect generation.
In the context of this document, and the portion of interest of the ACES pipeline, the imagery is said to be in a scene-referred state. A scene-referred image encodes light values as they were captured at the camera focal plane in a given scene. The encoded values are intrinsically linear, and proportional, relatively, to the incident light from the scene to the camera.
The A.M.P.A.S formed a new Virtual Working Group with the objective of finding strategies to manage and correct the artefacts. The Working Group is researching a source-agnostic model that performs the mapping of scene-referred light values from any source, i.e. any light capturing device, irrespective of its sensitivities, to a target RGB colourspace primaries, e.g. ACES AP1.
As a contribution to the initiative, the Colour Developers have designed and built an interactive Jupyter Widget to explore the problem space. The widget leverages Colour, an open-source Python package providing a comprehensive number of algorithms and datasets for colour science, and Matplotlib.
As of this writing, the widget implements two gamut mapping study models via sub-classes:
- Mansencal and Scharfenberg (2020) HSV Control Based Study Model built on top of the HSV colourspace
- Smith (2020) - RGB Saturation Study Model built on top of the RGB colourspace
While being order of magnitude slower than commercial applications such as Davinci Resolve or The Foundry Nuke, the interactive widget is extremely useful as it allows to tap directly into the entire Python scientific ecosystem while promoting Open Source Software and reproducible research.
More information is available on the colour-science's Gamut Mapping Ramblings repository and ACESCentral.
Copyright © 2020 – Colour Developers – colour-developers@colour-science.org


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17-May-19 04:04 PM
[dscrd-hush] <jl777c> those who had the average amount, get their coins
[dscrd-hush] <dukeleto> We had 31K unique addresses on chain, that is an upper bound to how many people lost funds
[dscrd-hush] <jl777c> those that have more dont get complete refund, but they can get more via promotion campaigns
[dscrd-hush] <jl777c> i doubt anywhere near 31k people, most would be from new addresses from mining, and change
[dscrd-hush] <dukeleto> I think that half of those are change addresses, and so I don't expect more than 10-15K people have a right to a claim. It gives us a data point
[dscrd-hush] <jl777c> i would be very surprised if it is more than 1000 people
[dscrd-hush] <Pepin the Healer> ^ this
[dscrd-hush] <dukeleto> yes, I am just giving upper bounds. I agree with James
[dscrd-hush] <jl777c> so get the tipbot setup
[dscrd-hush] <dukeleto> 420,000 HUSH spread across 1000 people is 420 HUSH each
[dscrd-hush] <jl777c> then we can just tip the people who are active in the community and pass the notsockpuppet test
[dscrd-hush] <JWolf (WW Clan leader)> lol
[dscrd-hush] <dukeleto> if double the people show up, it's half that. If half show up, it's double that
[dscrd-hush] <ComputerGenie - ChickenPool> my point is/was that absent data from topia, there's nothing to verify that any claim wasn't dumped and claimant isn't being double paid
[dscrd-hush] <jl777c> exactly\
[dscrd-hush] <dukeleto> @ComputerGenie - ChickenPool agreed, there is no system to prove anything
[dscrd-hush] <dukeleto> So we will not use such a system
[dscrd-hush] <jl777c> so not being a sockpuppet is a valid claim
[dscrd-hush] <jl777c> we assume everyone had coins at topia
[dscrd-hush] <Pepin the Healer> phone verified accounts, lockdown new ones
[dscrd-hush] <Pepin the Healer>
[dscrd-hush] <jl777c> 271 online now
[dscrd-hush] <dukeleto> there are ways to check the age of a discord account, i think
[dscrd-hush] <dukeleto> and last i checked we had around 2200 people on our server
[dscrd-hush] <jl777c> to be alive, they need to be active
[dscrd-hush] <dukeleto> yes, most of those 2200 users rarely join the server, but they signed up
[dscrd-hush] <jl777c> less than 300 online
[dscrd-hush] <jl777c> this is like the NEM initial giveaways
[dscrd-hush] <dukeleto> This system is far from perfect, but we find ourselves here. It seems like a way forward
[dscrd-hush] <JWolf (WW Clan leader)> the market will dump
[dscrd-hush] <dukeleto> Markets do that, just look at binance re-opening
[dscrd-hush] <JWolf (WW Clan leader)> we were making progressss
[dscrd-hush] <Pepin the Healer> if you're dumping a low supply coin at these sat values, you deserve to be poor, lol
[dscrd-hush] <dukeleto> Burning it all is the option if we want to make Hush price increase, at any cost
[dscrd-hush] <JWolf (WW Clan leader)> lol
[dscrd-hush] <dukeleto> But is that really healthy for the community?
[dscrd-hush] <dukeleto> I don't know and I don't really want to dictate this
[dscrd-hush] <dukeleto> @JWolf (WW Clan leader) there is the balance of giving back something that was stolen, and preserving the current price of Hush
[dscrd-hush] <dukeleto> There is also the option to slowly give away the funds, to prevent the option of it all being sold at once
[dscrd-hush] <JWolf (WW Clan leader)> true
[dscrd-hush] <dukeleto> or hybrid options where we burn some %, giveaway some %, or compensate miners some %
[dscrd-hush] <dukeleto> we have many options, I think the best one will "present itself" when we see it
[dscrd-hush] <dukeleto> I also think that rewarding people for taking actions that help the Hush network is a very good use of funds
[dscrd-hush] <JWolf (WW Clan leader)> Yeah we must maintain our integrity the market will reward...
[dscrd-hush] <dukeleto> it's going to be impossible to make everybody happy
[dscrd-hush] <dukeleto> right now, nobody is happy
[dscrd-hush] <jl777c> burn half
[dscrd-hush] <dukeleto> I think we can at least make some people happy
[dscrd-hush] <jl777c> that makes the bonfire crowd half happy
[dscrd-hush] <JWolf (WW Clan leader)> me2
[dscrd-hush] <jl777c> giveaway half
[dscrd-hush] <dukeleto> I do like to burn stuff
[dscrd-hush] <dukeleto> so we are talking about burning 210K Hush and giving away 210K Hush
[dscrd-hush] <JWolf (WW Clan leader)> lol yeah
[dscrd-hush] <dukeleto> that turns out to be burning exactly 1% of our supply
[dscrd-hush] <JWolf (WW Clan leader)> wow
[dscrd-hush] <ITM> @dukeleto what was the premine in the original chain?
[dscrd-hush] <jl777c> lifetime supply
[dscrd-hush] <dukeleto> If supply + demand math really works, that could very much have an effect on our price, in a good way. Is there any precedent for a coin doing something like this @jl777c ?
[dscrd-hush] <JWolf (WW Clan leader)> thats why I like the mining idea
[dscrd-hush] <dukeleto> @ITM it was 160,000 HUSH
[dscrd-hush] <jl777c> isnt it more like 3% of current supply
[dscrd-hush] <dukeleto> @jl777c i am talking total supply
[dscrd-hush] <jl777c> many coins have done burns
[dscrd-hush] <dukeleto> it's a much higher % of circulating supply
[dscrd-hush] <dukeleto> Burning half should help Hush price, it makes it a lot more rare
[dscrd-hush] <ITM> @dukeleto I think burn 160 000 and say 0 premined. the rest I feel auction it at a higher price and that fund be use for exchanges. Distributing among users will result in clone accounts and base on faucet experience 90% are clone accounts.
[dscrd-hush] <JWolf (WW Clan leader)> but 21mill is like a standard...
[dscrd-hush] <dukeleto> 21M would still be our supply, but we would have a provably smaller circulating supply
[dscrd-hush] <JWolf (WW Clan leader)> ok
[dscrd-hush] <dukeleto> Right now, we have a provably smaller circulating supply which is 71,000 coins less, because Sprout coins are locked onto the old Hush v2 chain
[dscrd-hush] <JWolf (WW Clan leader)> I like the 420 Idea lol jk
(edited)
[dscrd-hush] <Pepin the Healer> stoner
[dscrd-hush] <dukeleto> I would love to put it to a vote, but i think any vote would most likely be gamed as well
[dscrd-hush] <JWolf (WW Clan leader)> 4sure
[dscrd-hush] <JWolf (WW Clan leader)> hybrid is best
[dscrd-hush] <ITM> @dukeleto Can always have votes via mining power. More blocks mine = more votes. Mining coinbase addresses not registered in the registry is not accounted for.


‘Queen & Slim’ soundtrack a perfect mix of new and old songs
by MELANIE J. SIMSVarious artists, “Queen & Slim: The Soundtrack” (Motown)
The trailer for upcoming film “Queen & Slim” packs a ton - intensity and beauty, flashes of lightheartedness and the strain of heaviness, too. In similar fashion, “Queen & Slim: The Soundtrack” comes bearing plenty of the same, with 16 songs expertly capturing the journey of the film’s lead characters as they go on the run following a traffic stop that ends in the shooting of a police officer.
“Queen & Slim” director Melina Matsoukas - who has won Grammys for directing music videos for Beyoncé and Rihanna - and Emmy-winning writer Lena Waithe executive produced the soundtrack, along with Motown Records President Ethiopia Habtemariam. Together they’re like the perfect aux cord DJs. They hit play, and they don’t miss, with a perfect mix of pleasantly surprising old favorites - from Bilal to Mike Jones to Roy Ayers - and fresh new material, too.
TOP STORIES
Adam Schiff cracking under 'point of order' pressure
Nancy Pelosi goes for slam dunk -- and crashes to court
Franklin Graham calls on nation to pray for Trump as impeachment effort gains speed
There’s the high energy fun: Megan Thee Stallion’s “Ride or Die,” a New Orleans bounce-music track featuring VickeeLo, along with The-Dream’s rocking “Cedes Benz” and the dance-worthy “My Money, My Baby” from Nigerian artist Burna Boy.
Add to that mix a feel-good crop of mellow music: Syd’s extra sexy “Getting Late,” Moses Sumney’s haunting “Doomed” and the sweet “Yo Love” from Vince Staples, 6lack and Mereba. The latter is an anthem perfectly suited for a Bonnie and Clyde love story.
Perhaps the crown jewel is a rare appearance from Ms. Lauryn Hill, whose new song “Guarding the Gates” is enough to bring a tear to her dearest fans’ eyes. “Everybody, everybody wants to know/Where you going to/Cuz they wanna come, or so they think… until they find the cost of it,” Hill testifies in her husky alto. “Til they find out, find out what you lost for it/And I’d do it all ‘cuz I found love.”
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The Tartanator is a community-built association of groups, businesses and individuals bent on keeping the Scottish heritage alive overseas by promoting the understanding and enjoyment of tartans.


| Class | ActiveRecord::ConnectionAdapters::OpenBaseAdapter |
| In: |
vendor/rails/activerecord/lib/active_record/connection_adapters/openbase_adapter.rb
|
| Parent: | AbstractAdapter |
The OpenBase adapter works with the Ruby/Openbase driver by Tetsuya Suzuki. www.spice-of-life.net/ruby-openbase/ (needs version 0.7.3+)
Options:
The OpenBase adapter will make use of OpenBase’s ability to generate unique ids for any column with an unique index applied. Thus, if the value of a primary key is not specified at the time an INSERT is performed, the adapter will prefetch a unique id for the primary key. This prefetching is also necessary in order to return the id after an insert.
Caveat: Operations involving LIMIT and OFFSET do not yet work!
Maintainer<EMAIL_ADDRESS>| update | -> | delete |
# File vendor/rails/activerecord/lib/active_record/connection_adapters/openbase_adapter.rb, line 60 60: def adapter_name 61: 'OpenBase' 62: end
DATABASE STATEMENTS ======================================
# File vendor/rails/activerecord/lib/active_record/connection_adapters/openbase_adapter.rb, line 125 125: def add_limit_offset!(sql, options) #:nodoc 126: if limit = options[:limit] 127: unless offset = options[:offset] 128: sql << " RETURN RESULTS #{limit}" 129: else 130: limit = limit + offset 131: sql << " RETURN RESULTS #{offset} TO #{limit}" 132: end 133: end 134: end
# File vendor/rails/activerecord/lib/active_record/connection_adapters/openbase_adapter.rb, line 64 64: def native_database_types 65: { 66: :primary_key => "integer UNIQUE INDEX DEFAULT _rowid", 67: :string => { :name => "char", :limit => 4096 }, 68: :text => { :name => "text" }, 69: :integer => { :name => "integer" }, 70: :float => { :name => "float" }, 71: :decimal => { :name => "decimal" }, 72: :datetime => { :name => "datetime" }, 73: :timestamp => { :name => "timestamp" }, 74: :time => { :name => "time" }, 75: :date => { :name => "date" }, 76: :binary => { :name => "object" }, 77: :boolean => { :name => "boolean" } 78: } 79: end
# File vendor/rails/activerecord/lib/active_record/connection_adapters/openbase_adapter.rb, line 93 93: def next_sequence_value(sequence_name) 94: ary = sequence_name.split(' ') 95: if (!ary[1]) then 96: ary[0] =~ /(\w+)_nonstd_seq/ 97: ary[0] = $1 98: end 99: @connection.unique_row_id(ary[0], ary[1]) 100: end
# File vendor/rails/activerecord/lib/active_record/connection_adapters/openbase_adapter.rb, line 85 85: def prefetch_primary_key?(table_name = nil) 86: true 87: end
QUOTING ==================================================
# File vendor/rails/activerecord/lib/active_record/connection_adapters/openbase_adapter.rb, line 105 105: def quote(value, column = nil) 106: if value.kind_of?(String) && column && column.type == :binary 107: "'#{@connection.insert_binary(value)}'" 108: else 109: super 110: end 111: end
# File vendor/rails/activerecord/lib/active_record/connection_adapters/openbase_adapter.rb, line 117 117: def quoted_false 118: "0" 119: end
# File vendor/rails/activerecord/lib/active_record/connection_adapters/openbase_adapter.rb, line 113 113: def quoted_true 114: "1" 115: end


Properties
- AcceptAMPM - Determines whether or not AM/PM is accepted on time. The default value is false
- AcceptNegative - Set to True if the negative sign (-) is allowed
- AutoComplete - Set to True to automatically fill in empty mask characters not specified by a user
- AutoCompleteValue - A Default character to use when AutoComplete is enabled
- Century - A default century used when a date mask only has two digits for the year
- ClearMaskOnLostFocus - Set to True to remove a mask when the TextBox loses focus
- ClearTextOnInvalid - Set to True to clear the TextBox when invalid text is entered
- ClipboardEnabled - Set to True to allow the copy/paste operation with the clipboard
- ClipboardText - Prompt text to use when the clipboard paste is performed
- CultureAMPMPlaceholder - Culture override
- CultureCurrencySymbolPlaceholder - Culture override
- CultureDateFormat - Culture override
- CultureDatePlaceholder - Culture override
- CultureDecimalPlaceholder - Culture override
- CultureName - The name of a culture to use (overrides the default page culture)
- CultureThousandsPlaceholder - Culture override
- CultureTimePlaceholder - Culture override
- DisplayMoney - Specifies how the currency symbol is displayed
- ErrorTooltipCssClass - A CSS class for the tooltip message
- ErrorTooltipEnabled - Set to True to show a tooltip message when the mouse hovers over an invalid TextBox
- Filtered - Valid characters for mask type C (case-sensitive)
- InputDirection - Text input direction
- Mask - A mask to be applied to the target TextBox
- MaskType - A type of validation to perform
- MessageValidatorTip - A message displayed when editing in the TextBox
- OnBlurCssNegative - A CSS class used when the TextBox loses focus with a negative value
- OnFocusCssClass - A CSS class used when the TextBox receives focus
- OnFocusCssNegative - A CSS class used when the TextBox gets focus with a negative value
- OnInvalidCssClass - A CSS class used when the text is not valid
- PromptCharacter - Prompt character
- UserDateFormat - A custom date format
- UserTimeFormat - A custom time format


{% extends "single-column.html" %} {% block register_current %}class=current{% endblock %} {% block content %}
We have not yet opened registrations to the public. If you are interested in participating in the Crunch.io Beta please follow the link below and fill out the form to join our Beta mailing list.


Configurations
This is the complete list of variables that power Saturn V along with their default values and descriptions.
base units
foundational variables that dictate base units in Saturn V
| Variable | Default Value | Description |
|---|---|---|
$s5_foundation-unit-size |
4px |
The default value used as a multiplier in the size-multiplier() function. |
$s5_color-scale-step-total |
19 | This controls how many additional lighter and darker colors get generated. This must be an odd number. 19 color steps means there is 1 base and 9 darker/lighter options. |
$s5_type-scale-modifier |
1.125 | This controls how much each type size increases |
$s5_type-scale-base |
10px | This controls what the starting (and smallest) type scale size is. |
$s5_type-root-size |
16px | This keeps the math accurate for determining rem sizes. If you change the font-size for the html property, you should change this variable also. |
$s5_zindex-order |
"example-one", "example-two", "example-three" | This auto-sets z-index values depending on the order in this list. This is used by the zindex() mixin. |
Color
foundational variables that dictate base units in Saturn V
| Variable | Default Value | Description |
|---|---|---|
$s5_color-brand-color-1 |
#9C75F3 |
The default brand color. you can access via get-color(primary) . |
$s5_color-brand-color-2 |
mediumblue |
The secondary brand color. you can access via get-color(secondary) . |
$s5_color-brand-color-3 |
#a10000 |
The tertiary brand color. you can access via get-color(tertiary) . |
$s5_color-soft-white |
#FAFCFC |
a soft grey that's light enough to use as an alternative to white. you can access via
get-color(soft-white) . |
$s5_color-soft-black |
#0D0C0C |
a dark grey that's dark enough to use as an alternative to black. you can access via
get-color(soft-black) . |
$s5_color-focus-base |
#002eff |
a color that is used for UI elements that are being focused. you can access via
get-color(focus) . |
$s5_color-info-base |
#002eff |
a color that is used for UI elements that represent info. you can access via
get-color(info) . |
$s5_color-alert-base |
gold |
a color that is used for UI elements that represent alerts. you can access via
get-color(alert) . |
$s5_color-warning-base |
#f14400 |
a color that is used for UI elements that represent warnings. you can access via
get-color(warning) . |
$s5_color-danger-base |
#dc1414 |
a color that is used for UI elements that represent danger. you can access via
get-color(danger) . |
$s5_color-success-base |
#1aaa35 |
a color that is used for UI elements that represent success. you can access via
get-color(success) . |
media-queries
viewport breakpoints for adaptive layouts
| Variable | Default Value | Description |
|---|---|---|
$s5_viewport-micro |
320px |
the smallest viewport size |
$s5_viewport-xs |
640px |
the "extra-small" viewport size |
$s5_viewport-sm |
768px |
the "small" viewport size |
$s5_viewport-md |
1024px |
the "medium" viewport size |
$s5_viewport-lg |
1440px |
the "large" viewport size |
$s5_viewport-xl |
1600px |
the "extra-large" viewport size |
$s5_viewport-massive |
2200px |
the "massive" viewport size |
Type-Stacks
the various sets of Type families and fallbacks for different contexts.
| Variable | Default Value |
|---|---|
$s5_typestack--monospace |
"Andale Mono", AndaleMono, monospace |
$s5_typestack--sans-serif |
sans-serif |
$s5_typestack--serif |
serif |
$s5_typestack--display |
BlinkMacSystemFont,-apple-system,"Roboto","Droid Sans","Segoe UI","Helvetica
Neue",Helvetica,Arial,sans-serif |
$s5_typestack--masthead |
$s5_typestack--display |
$s5_typestack--body |
$s5_typestack--display |
$s5_typestack--text |
$s5_typestack--body |
$s5_typestack--code |
$s5_typestack--monospace |
$s5_typestack--interface |
$s5_typestack--display |
$s5_typestack--caption |
$s5_typestack--display |
$s5_typestack--aside |
$s5_typestack--display |
$s5_typestack--blockquote |
$s5_typestack--display |
Type-Weights
various type-weights.
| Variable | Default Value |
|---|---|
$s5_weight--thin |
100 |
$s5_weight--extra-light |
200 |
$s5_weight--light |
300 |
$s5_weight--book |
400 |
$s5_weight--medium |
500 |
$s5_weight--demi-bold |
600 |
$s5_weight--bold |
700 |
$s5_weight--heavy |
800 |
$s5_weight--black |
900 |
Line Heights
various line-heights.
| Variable | Default Value |
|---|---|
$s5_line-height-xxs |
1 |
$s5_line-height-xs |
1.2 |
$s5_line-height-sm |
1.4 |
$s5_line-height-md |
1.6 |
$s5_line-height-lg |
2 |
$s5_line-height-xl |
3 |


Library: MongoDB
Package: MongoDB
Header: Poco/MongoDB/ReplicaSet.h
Description
Class for working with a MongoDB replica set.
Member Summary
Member Functions: findMaster, isMaster
Constructors
ReplicaSet
explicit ReplicaSet(
const std::vector < Net::SocketAddress > & addresses
);
Creates the ReplicaSet using the given server addresses.
Destructor
~ReplicaSet
virtual ~ReplicaSet();
Destroys the ReplicaSet.
Member Functions
findMaster
Connection::Ptr findMaster();
Tries to find the master MongoDB instance from the addresses passed to the constructor.
Returns the Connection to the master, or null if no master instance was found.
isMaster
Connection::Ptr isMaster(
const Net::SocketAddress & host
);


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public class StateGrid
extends java.lang.Object
| Modifier and Type | Field and Description |
|---|---|
private int |
height |
private State[][] |
states
states[][]: The States in the StateGrid of the form SIZE*SIZE
|
private int |
width |
| Constructor and Description |
|---|
StateGrid(int h,
int w)
Class Constructor
Creates a new State in the grid with the default StateType White
|
| Modifier and Type | Method and Description |
|---|---|
void |
generateA()
Generates the StateGrid as per Assignment Part 1.
|
void |
generateB()
Generates the StateGrid as per Assignment Part 2.
|
int |
getHeight()
Get method for height
|
State[][] |
getStates()
Get method for states[][]
|
int |
getWidth()
Get method for width
|
void |
seeStateGrid()
Displays the StateGrid with their respective States on the console
|
private State[][] states
private int height
private int width
public StateGrid(int h, int w)
height
- public State[][] getStates()
public int getHeight()
public int getWidth()
public void seeStateGrid()
public void generateA()
public void generateB()


Whoever you vote for government wins. ANOK 1984
g1077 Hidden Testcase
Panel 2
The Daily Planet Part One
The Daily Planet Part Two
- Zebra
- Zoom
- Zebra
- Zoom
Calendar
ONE
TWO
THREE
FOUR
FIVE
SIX
SEVEN
EIGHT
NINE
additions
Initial live region content.
Initial live region content.


THE GAME (director: David Fincher; screenwriters: Michael Ferris/John Brancato; cinematographer: Harris Savides; cast:Michael Douglas (Nicholas Van Orton), Sean Penn (Conrad), Deborah Kara Ungar (Christine), James Rebhorn (CRS representative), Armin Mueller-Stahl (Anson Baer), Peter Donat (Lawyer), 1997)
Reviewed by Dennis Schwartz
THE GAME is a manipulative but entertaining film that falls far short of director Fincher's more successful, SEVEN. Michael Douglas is seen in almost every shot of the film, as he plays a part that he can probably do in his sleep; that is, of a nasty, egotistical, extremely wealthy white man who has everything that is material that he wants in life and seems invincible until things start to fall apart and he begins to get what is coming to him.
For his 48th birthday, which he celebrates in his San Francisco mansion, his good-for-nothing younger brother Conrad (Penn), gives him a mysterious present, called the game, which he reluctantly accepts, wishing not to offend the giver. A company called "Consumer Recreation Service," developed the game to imitate whatever it is a person is missing in his life.
The game takes on dangerous pretensions, as Douglas wonders if this is really a game or is it to be taken for real, or is he just being scammed. His bank account is stolen, he is drugged, and someone is trying to kill him, among the many other things that are now infiltrating his once smug life. Yet, he is slow to do the obvious, which is to call the police, or get his own people to take care of the problem (a person in his position would not be tackling this by himself). We watch him begin to unravel, and you are perhaps feeling like I do at this point of the story, that I am being set-up, following a tale that is so unbelievable, that I am being taken for a sucker to buy into this. Anyway, we are not that concerned about Douglas, maybe that's because we don't have much to go on why he is as obnoxious and joyless as he is, except we learn that his father committed suicide when he was a child and he never quite got over it. He goes through life not understanding why his father did this to him, taking the suicide personally.
The purpose of the film becomes to try and figure out what is going on with this game, whether he is in a scam or not, and whether this will give him a better understanding of himself, and if he can ever learn to trust people. It also portends to be a psychological study of a control-freak in distress, now unable to control his environment.
The best feature of the film is its unpredictability, it is what sucks you into watching the entire film expecting something sensational to take place. I thought any ending would be apt. I never got a sense that what was happening mattered. And when you become conscious that what is going on is all acting and only acting, even if films are just that, nevertheless, they should hold out the illusion that what is on screen is real, and if that is not so, then it becomes natural to lose interest in the story and you become prepared to accept whatever it is that you see happening on the screen, whatever the director wants to put in, any logic will do.
I felt nothing as I watched to see if Douglas will commit suicide, or if this is really an on-the-level game, or if Douglas will be transformed by the game into a better human being (which to me would be the phoniest way for this film to end). So when I saw what actually developed, I could only think of how clever this filmmaker is, that he used the same formula that someone making toothpaste commercials might use to catch the consumer's attention. In this case, the consumer is the viewer, who has no other reference points to find out what is true, except what Fincher tells them is true.
Art is more metaphorical than that, commercial films are not, their bottom line is always the almighty dollar and the gimmick that will get it for them. This film should be pleasing to those who like to play games. But the film will only work for those who are willing to believe that they are in Nick's shoes, and can relate to the choices he makes.
The director is a graduate from the video and advertising world, well able to work in that slick media market, who has come up with a novel idea for a film but one that falls short in being credible.
REVIEWED ON 10/7/98 GRADE: C
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
<EMAIL_ADDRESS>© ALL RIGHTS RESERVED DENNIS SCHWARTZ
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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belongs to the author.
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Might trick me once, but wont let you...
Along with the majority of ‘ordinary’ people, the existence of Blockchain technology and cryptocurrencies went unoticed until a slow Boxing Day morning, in 2017, where my tech savvy younger cousin clued me up about the recent surge of this digital currency Bitcoin and its closely following compatriot, named Ethereum. I feigned some interest and he described how he came into a few Ethereum playing an online game. The concept went largely over my head and it failed to grip me, until I realised these same coins had rallied well over 1000% since their introduction. I swiftly decided that I would download Coinbase and jump on the bandwagon with the last £100 of my student overdraft. Confident of a 10x return, I could pay that back later.
As it turned out, I had unwittingly FOMO’d (acted in the fear of missing out) into a craze at the peak of a price surge and I watched my small but exciting investment diminish over a few weeks, before I lost interest its existence. When I heard no more about this over hyped winter phenomenon I assumed that the blockchain fad was dead and I continued about my business spending my FIAT currency to the brink of my available credit.
My next encounter, just a few months ago, has been a vastly different experience. In the midst of a global pandemic, travel plans were off the table. As a teacher in the Middle East and with a hot summer ahead of me, I had some spare time on my hands. After an expensive exposure to commodities trading, I was re-awoken to cryptocurrencies as I read an article entitled ‘Bitcoin or Gold?’ , a piece discussing which asset would be the best investment of 2020/21.
I quickly recovered my Coinbase account and saw a vastly different offering to that which I’d seen before. My rediscovery neatly coincided with the latest blockchain buzz word ‘DeFi’ and I decided to add to my funds for a second time with a few hundred dollars during a frenzy at its peak. This time, however, I can say with some confidence that those few hundred dollars were well spent. In spite of my fairly dismal initial investment, my interest was peaked and as I began to discover a multitude of decentralised apps (DApps) that existence in an eco system full of opportunities. I realised that this was a field of true ingenuity that was anything but a passing fad.
Today, in the settling wake of the US election result, Bitcoin is surging towards new all time highs and the attention of retail investors will surely be captured in these coming months. This blog will be pitched to those who may not have much prior exposure to the world of decentralised finance. So far in my few short journey in DeFi, I've staked tokens for interest on COMP, I've provided liquidity on UniSwap, I've taken a crypto loan with AAVE, I've done yield farming with YFI and YFDai, I've bought first generation NFTs from Bondly, I've joined the fight club of Duck Dao and got early entrance to BASE protocol and even more. This is an ecosystem of interesting products and real functionality. I truly believe that your mind will be blown. Follow this blog as I will set out to caution against some common ‘newbie’ trip wires that I’ve stumbled upon myself as well as to draw your attention to some exciting new opportunities.
The potential of ‘DeFi’ has been compared to the dot com boom and I now share this opinion as a true enthusiast. Patience is certainly necessary, as with every new venture, but I hope you will enjoy your journey wherever it take you. As my portfolio is growing, my future aim is to launch a Dapp offering a solution to renewable energy adoption.
How to start?
The first thing I will make clear here is that ANYONE can enter the decentralised finance space. You don't need vast sums of money or a degree in computer Science. All that's required is a bit of time to you learn the basics and a cautious approach. The later will serve you well, as there are certainly plenty of ways to loose your money. Risks aside there is all sorts of fun to be had. Step one is to get some access to some cryptocurrency funds, for this you have several options. I am going to present three of these options.
"Getting into DeFi is much like learning to swim, you need to jump into the pool and get hands on but it's useful to dip your toe in, strap on some arm bands and figure out which ends the deep end first. That said, I did none of the above and I am still here."
Option 1 - Centralised exchanges
There are several centralised exchanges out there - which will allow you to buy crypto/ deposit funds via your credit card.
A popular example is Coinbase. This is an easy option, as it's easy to deposit and the user interface is straight forward but I do not think it is the best option. Fees are
generally high, the coin listings are limited and the exchange rates aren't transparent. A positive feature is that Coinbase has a useable wallet which can interact with some Dapps easily.
Binance is an alternative centralised exhange which is more centred to those who which to trade cryptocurrency pairs. The advantages of Binance are the many different options for
trading and a wide range of coin listings. Bincance also allows for leveraged trading although this carries high risk so I would proceed with extreme caution. A negative is that binance
does not seem to have a functional wallet feature for interacting with Dapps easily.
Both of these exchanges require KyC so you will have to prove your identity before you get started - the cryptocurrecy is also not truely yours as the exchange retains true ownership of
any cryptocurrencies they hold. So whilst you will be able to trade crypto currency and you will be able to interact with Dapps, your funds will still be centralised with the exchange
owners.
Option 2 - Using a browser wallet
The browser wallet that I highly recommend would be Metamask, which is a google chrome extension and very straight forward to use once you have the hang of it.  The advantage of using Metamask is that you can hold any ERC20 token
and you are in full control of your finances. The negative is that is takes a tiny bit of getting used to and a few small leaps of faith (until you get used to it).
Find below a video on how to download metamask. Metamask will be used in future posts when reviewing Dapp experiences.
Option 3 - Use a hardware wallet A hardware wallet, such as the ledger nano, is a physical hardward device which securely stores your funds. This is the most secure device and it is recommended that any significant capital is kept on one of these. Your hardware wallet can be plugged into your PC and it can interact with your Metamask wallet. The disadvantage is that you have to buy one and that you will have to store it safely and back it up. If you lose/ forget your pass phrase then your funds will also be lost.
In summary, Ledger nano is the most secure for serious investors, Coinbase is an easy entrance to crypto, Binance is your one stop trading shop and Metamask is your most functional way of interacting with Dapps. In reality I have used all of the wallets/ exchanges I've discussed for different reasons. Whichever you begin with, you are now all set.
What even is DeFi?
So it would make some sense to epxlain the Blockchain at this point but I'm no expert so I've found one and linked in their video. In summary, blockchain technology cuts out the middle man - Bitcoin and Ethereum are the main two independent blockchains, although many others exist. Bitcoin is primarily used as a ledger system that acts a balance sheet to keep tab of all transactions between different parties. The Ethereum Blockchain has more varied functionality as it can store 'smart contracts' which allow for far wider reaching purposes such as Dapp development. It is the Ethereum Blockchain on which a large proportion of DeFi projects exist. A few key ideas include:
- Smart contracts are a form of logic on which Dapps are built on.
- Transactions are made between user accounts and/ or smart contracts, the data for which are all stored on the Blockchain
- All successful/ verified transactions are recorded in order and they are irreversible.
- Each transaction has a 'Gas fee' which can be thought of as a fee to verify your transaction.
I remember my first Dapp
With one foot now in the door, why stop now? It is time to interact with a Dapp and see what the fuss is about. It is my intention in this wider blog to walk you through how to use some of the apps I've stumbled across and to review my experiences of new offerings.
I have decided to introduce you to YF-Dai as I think it's a project with a good future and the potential to earn good returns, as it has an interesting deflationary model for 'tokenomics' meaning that there is a dimishing supply of coins and that new coins cannot be minted. YF-Dai offers many services across it's platform including staking and farming, both of which I will explain. To interact with this Dapp you will also have to use UniSwap, so lets kill two birds with one stone.
Staking is the process where you provide liquidity to the platform and in return you earn interest. YF-Dai is currently offering a rate of 72% APR! A rate I challenge you to find at the bank.
Farming is a different offering, as the kickback from farming is generated from fees on the swapping of YF-DAI tokens with other tokens. The farming vaults offer different rewards depedning on the length your funds are locked up for.
BEWARE to take into account Gas prices and fees for when you deposit and withdraw your funds. Further, these interest rates are not always fixed so you are entering at your own risk. Below are some snapshots and a link to the YF-DAI tutorial.
In my next post I'll be reviewing some lending and borrowing platforms and talking about how to gain early entry into new projects through the DuckDao incubator clubs.
Thanks for reading and please leave comments below!
Video links credited to Space Ipsum. Photographs by NASA on The Commons.


Mayor's Dashboard: City of Los Angeles
The Mayor's Dashboard tracks key metrics and outcomes from the City of Los Angeles. The platform is open-source and easily reusable; contact us if your city is interested in deploying it.
Job Growth: Overall Employment
Building Permits
0.00%
Unique visitors: LACity.org


Move Units Dialog
This dialog shows all units that can move away from the source site specified in the dialog’s title bar, and allows you to select the target site and the units to move.
- Map View
- Unit List
- Drag the vertical splitter between Map View and Unit List to adjust their respective share of the current window width.
- Choose OK or press Enter to accept the selected units and target site, dismiss the dialog, and execute the movement.
- Choose Cancel or press Escape to dismiss the dialog without moving any units. Closing the window using X (Close) or Alt+F4 has the same effect.
- Choose Help or press F1 to show this help page.
The left side of this dialog is taken up by a map view. The source site of the movement is initially centered and selected.
- Highlighted sites are valid movement targets. The highlights always reflect the movement range of all units currently selected in the Unit List.
- Left-click to select a highlighted site as the target site of the movement.
- Double-click to select a highlighted site as the target site and immediately close the dialog, as with the OK button.
When a highlighted site is selected, the map view shows a sequence of blue arrows from the source site towards the target site, indicating the exact path that the moving units will take.
This list shows all units in the source site that are eligible for movement, and allows you to select which units to move.
- Left-click on an entry to select it.
- Double-click on an entry to show its Entity Classes dialog.
- Check an entry to have the unit participate in the movement.
- Uncheck an entry to exclude the unit from the movement.
- Choose Check All (Alt+C) to check all units.
- Choose Uncheck All (Alt+U) to uncheck all units.
The Property List shows the statistics of the selected unit. Please refer to the Property List page for details.


Featured Destinations
The 43rd Annual Prince Lot Hula Festival is the largest non-competitive hula celebration in Hawaii. It honors Prince Lot Kapuaiwa, who helped reprise hula in the 1850s and reigned as Kamehameha V from 1863 to 1872. The festival will also feature a Hawaiian craft fair, and cultural demonstrations.
Where? 364 S King St, Honolulu, HI 96813
When? July 18 9 am to 4 pm and July 19 9 am to 3 pm
Ka Papa Lo'i o Kanewai - Get dirty in the lo‘i every first Saturday of the month. Refreshments provided. Or you can organize a private work day with the lo‘i staff.
Contact Info:<PHONE_NUMBER>
Visit their website: manoa.hawaii.edu/hshk/ka-papa-loi-o-kanewai/
Makaleha is an online tool to help locals and visitors embrace the beauty of Hawai'i by learning about the free opportunities and events in the islands. Come and take a walk through the ʻāina with us.


Lifeline Pregnancy Help Clinic
306 W. Washington
Kirksville, MO 63501
660-665-5688
Click here to request an appointment
Lifeline Pregnancy Help Clinic
306 W. Washington
Kirksville, MO 63501
660-665-5688
Click here to request an appointment


With VerisDB Analyst, you can search the dataset in realtime because the application is isomorphic. If you have a rapidly changing dataset, you can easily view changes in realtime.
The charts included with VerisDB Analyst are comprehensive and provide a broad view of any VERIS dataset in realtime. The official dataset is included by default.
VerisDB Analyst supports direct MongoDB search queries and so data can be searched and filtered with tailored searches.


Cyprus ‘golden passports’ to be revoked if wrongdoing foun
NICOSIA, Cyprus (AP) - Cyprus’ president is pledging to revoke any passports that were “mistakenly” granted to wealthy investors who were found to have committed wrongdoing.
President Nicos Anastasiades says “errors” may have been made in granting such “golden passports” under an earlier, less-strict version of a lucrative investment program.
He said Monday there could be “perhaps 10-15” such instances of investors whom vetting had vailed to identify as ineligible.
Cypriot government spokesman Prodromos Prodromou said nearly 4,000 passports have been issued to investors since the program began following a 2013 financial crisis.
Anastasiades said passport revocations will happen once an ongoing investigation confirms that specific investors had breached eligibility rules.
Anastasiades‘ pledge came following media reports suggesting that some investors may have been implicated in money-laundering or linked to authoritarian governments.
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Copyright © 2019 The Washington Times, LLC.
Please read our comment policy before commenting.


Sharks
Sharks are a group of fish characterized by a cartilaginous skeleton, five to seven gill slits on the sides of the head, and pectoral fins that are not fused to the head. Modern sharks are classified within the clade Selachimorpha (or Selachii) and are the sister group to the rays. However, the term "shark" has also been used for extinct members of the subclass Elasmobranchii outside the Selachimorpha, such as Cladoselache and Xenacanthus, as well as other Chondrichthyes such as the holocephalid eugenedontidans. Under this broader definition, the earliest known sharks date back to more than 420 million years ago. Acanthodians are often referred to as "spiny sharks"; though they are not part of Chondrichthyes proper, they are a paraphyletic assemblage leading to cartilaginous fish as a whole.
Since then, sharks have diversified into over 500 species. They range in size from the small dwarf lanternshark (Etmopterus perryi), a deep sea species of only 17 centimetres (6.7 in) in length, to the whale shark (Rhincodon typus), the largest fish in the world, which reaches approximately 12 metres (39 ft) in length. Sharks are found in all seas and are common to depths of 2,000 metres (6,600 ft). They generally do not live in freshwater although there are a few known exceptions, such as the bull shark and the river shark, which can survive and be found in both seawater and freshwater. They breathe through five to seven gill slits. Sharks have a covering of dermal denticles that protects their skin from damage and parasites in addition to improving their fluid dynamics. They have several sets of replaceable teeth.
Well-known species such as the great white shark, tiger shark, blue shark, mako shark, and the hammerhead shark are apex predators—organisms at the top of their underwater food chain. Many shark populations are threatened by human activities.


Whisper: A GeoLocation based Communication service.
 With these messages, you can specify a loudness. The louder your message, the greater the area it can be read in, and the quicker the message goes away.
 Give them clues and leave small whisper messages directing them to the next location.
Messages automatically appear and disappear when you leave a location or the messages get too old.


Sweatcoin is a cryptocurrency that you can earn when your walking or running. Every 1,000 step allows you to make 1 sweatcoin with these coins you can redeemed them for gift cards, healthy energy drinks, digital watches, running shoes, electronics, and more. This also, helps people to be motivated to keep on gaining steps.
According to Dummies, Cryptocurrency is virtual currencies but they aren’t like U.S. dollars, they live online and aren’t backed up by a government. In sweatcoin, your able to exchange the cryptocurrency with rewards that are available in the store sweatcoin which are mostly gift card, electronics, and discounts.
People are mostly likely going to walk or run if they made money for walking or running. According to CNN Money, “‘If you remember that your steps can be converted into something valuable, you're slightly more likely to walk rather than take a bus,’ Derlyatka said.” Also, the founders want to help the government and healthcare system to motivated people to be more active and so that they can save money.
When you noticed that you have been walking a lot and collected enough sweatcoins to buy something than you can exchange that currency for offers. Some of the offers given in sweatcoin is discounts for clothing, healthy food, exercise equipment, or even Amazon credit. Also, keep in mind that there isn’t always going to be good rewards in exchange for sweatcoin.


Age: 25-34
Gender: Male
Residence: New York City, NY
Password Manager Passcode: 42069666
Recently broke up with girlfriend, Claire
Pursuing unsuccessful music career
Muzak
Fitness
Pizza
Skateboard
Arizona
Mercedes Benz
Adidas
Facebook


Currently this AI is familiar with the following types of bird: seagull, penguin, owl, pigeon, kiwi bird, blackbird, eagle and mallard


Celebrity * * * (out of * * * * )
Directed by Woody Allen. Cast: Kenneth Branagh, Judy Davis, Joe Mantegna, Winona Ryder, Famke Janssen, Charlize Theron, Melanie Griffith, Leonardo DiCaprio, Bebe Neuwirth, Michael Lerner, Hank Azaria, Gretchen Mol, Kate Burton, Allison Janney, Karen Duffy, Sam Rockwell, Andre Gregory, Heather Marni, Donald Trump. 1998 - 113 minutes. Rated R (for profanity, drug use, and sexual situations). Reviewed December 5, 1998.
By Dustin Putman < Dustin Putman's Film Reviews >
Woody Allen, one of the most celebrated and acclaimed modern-day directors, has, in recent years, experimented with different types of films, straying from his regular New York comedy-dramas. 1994's "Bullets Over Broadway," was a period piece set in the 1940's; 1995's "Mighty Aphrodite," was a modern day Greek interpretation; 1996's "Everyone Says I Love You," was a magical return to the musical genre; and 1997's "Deconstructing Harry," was a deliberately graphic and offensive comedy.
Woody Allen's new film, "Celebrity," is perhaps his strongest picture since 1992's "Husbands and Wives," a winning and often hilarious comedy that delves into the lives of the rich, the famous, and the struggling. The film follows its main character, Lee Simon (Kenneth Branagh), a journalist, around throughout one year, as he has interesting run-ins with some of Hollywood's most powerful celebrities, all the while searching for true love. He recently has gotten a divorce from his wife of sixteen years, Robin (Judy Davis), who was devastated to find out he had been having an affair.  While all of these people come and go through Lee's life, the woman he seems most right for is Nola (Winona Ryder), a waitress and struggling actress, despite their age difference. Meanwhile, the unhappy Robin, to her astonishment, meets a man (Joe Mantegna) in the talk show arena whom falls in love with her and gives her her first big break in showbiz, a profession she had never expected to go into.
One of the problems that last year's "Deconstructing Harry," ran into was that it had such a large cast that everyone ultimately felt criminally wasted. I was fearing the same fate for, "Celebrity," but all of the characters are infinitely more well-handled, and the story and screenplay feel far more assured and satisfying.
One of the qualities of, "Celebrity," which is very appropriate, is the dream-like black & white cinematography that constantly reminded me of films from the 1930's and 40's. The way that the story drifts from one character vignette to the next was entertaining to watch because I was enthralled by every single one of the characters, and couldn't wait to see who Lee would meet next.
As in all of Allen's films, he has recruited a wonderful, large cast. Kenneth Branagh, obviously doing an Allen impersonation, is convincing as the central character, and Judy Davis gives a touching performance as Robin, a woman who has been so unhappy for so long that she can't really believe the happiness she feels when she meets Mantegna. Charlize Theron is, to say the least, bewitching as an uninhibited supermodel; Bebe Neuwirth, as a hooker, has a hilarious scene with Davis where she teaches her how to have oral sex with a banana; and Leonardo DiCaprio is annoying, but plays the rebellious, out-of-control teen superstar to a T. Finally, and perhaps giving the best performance is Winona Ryder, who brings so much life and spark to her scenes that I feared the film might burn up in the projector. One particular sequence set at a party where Branagh and Ryder are trying to talk amidst the various conversations around them is fabulously developed and shot.
Although set amidst the glitz and glamour of Hollywood, what, "Celebrity," is really about is the things that people desperately long for in order to be happy. Lee only wants to find love, but has several character flaws that he needs to get over first, and Robin is so used to not being appreciated that when she finally feels wanted, she doesn't know how to react to it. The final sequence of the film, in which Lee and Robin meet up at a film premiere and are able to talk rationally for the first time since their divorce, is especially powerful, and the last shot, which circles around to the opening shot, is an alternately clever and thought-provoking image that I think says quite a lot.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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review and has no editorial control. Unless stated otherwise, the copyright
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Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


PCB Stackup FAQ
pcb_stackup.eps Frequently Asked Questions
Last updated: 02 Mar 2020
General
A. 1.0 How do I change the PCB Stackup in the picture?
Edit the pcb_stackup.eps file with any text editor (e.g. vi, gedit, gvim, emacs,
etc.) At the top of the file is an array called layer_stackup which you
edit to create your stackup.
% [(Layer Name) (Layer#) (Cu Weight) (Thickness) (GrayScale) -> 1.0 White, 0.0 Black]
/layer_stackup [
[(Top) (1) (0.5) () (0.9)]
[(02_GND_01) (2) (1.0) () (0.6)]
[(03_SIG_01) (3) (1.0) () (0.8)]
[(04_SIG_02) (4) (1.0) () (0.8)]
[(05_PWR_01) (5) (1.0) () (0.4)]
[(Bottom) (6) (0.5) () (0.9)]
] def
Return to top
A. 1.1 What if I don't know what the layer name/layer #/copper weight/thickness/grayscale of a layer is?
If you want to omit a layer variable, just substitue a null string () for it in the array.
Return to top
A. 1.2 How do I view the PCB Stackup?
You can send the pcb_stackup.eps file to a PostScript printer ($ lp
pcb_stackup.ps), or view it with GhostScript ($ /usr/bin/gs ) or Okular
($/usr/bin/okular ) or Evince ($ /usr/bin/evince ), or
Gnome Ghostview ( /usr/bin/ggv ).
Return to top
A. 1.3 How do I change the title of the PCB Stackup?
Edit the pcb_stackup.eps file with any text editor (e.g. vi, gedit, gvim,
emacs, xemacs etc.) At the top of the file is a string called fab_name which
you edit to change the title. The fab_name printed at the top of the page is
scaled to fit the page no matter how long this title string is, so don't worry
if you want to use a long descriptive name.
/fab_name (Project_Name Board_Name PCB Stackup 271-XXXX-YY rev ZZ) def
Return to top
A. 1.4 How do I use the PCB Stackup in another document?
You should be able to directly import the pcb_stackup.eps file into your
document in its native EPS format. If you really need to convert it to a
different graphic format, here's how to do so with Imagemagick:
Convert to a GIF w/ transparent background using Imagemagick:
$ /usr/bin/convert pcb_stackup.eps pcb_stackup.gif
Convert to a PNG w/ white background using Imagemagick:
$ /usr/bin/convert -flatten pcb_stackup.eps pcb_stackup.gif
Return to top


package input
This package contains utilities for handling input sources and positions.
// Building a source from a string: val stringSource = Source.fromString("[1, 2, 3]") // Or from a file: val fileSource = Source.fromFile("data/clients.json") // With a custom positioner: val customSource = Source.fromFile("data/clients.json", IndexPositioner)
- Source
- package.scala
- Grouped
- Alphabetic
- By Inheritance
- input
- AnyRef
- Any
- Hide All
- Show All
- Public
- All
Type Members
-
class
IteratorSource[Character, Position] extends Source[Character, Position]
Source over an iterator.
-
trait
Positioner[-Character, Position] extends AnyRef
Indicates the start position and how to increment positions.
-
trait
Source[Character, Position] extends AnyRef
Represents a sequence of characters mutably traversed over.
Represents a sequence of characters mutably traversed over.
The sequence can be traversed only once, but arbitrary long lookaheads are supported.
Sources conceptually contain two mutable pointers: - The base pointer, which points past the fully traversed portion of the sequence. - The lookahead pointer, which can point arbitrarily past the base pointer.
The base pointer can be advanced all the way through the lookahead pointer using
consume()
. The sequence of characters advanced over are returned.The lookahead pointer can be advanced by one character at the time using
ahead()
, and can be reset to the base pointer by a call toback()
. -
case class
StringPosition(index: Int, line: Int, column: Int) extends Product with Serializable
Position within a string.
Position within a string.
- index
The index in the string. Zero-based.
- line
The line number. Zero-based.
- column
The column number. Zero-based.
- See also
See scallion.input.StringPositioner for the corresponding positioner.
Value Members
-
object
IndexPositioner extends Positioner[Any, Int]
General index-based positioner.
-
object
NoPositioner extends Positioner[Any, Unit]
Positioner for
Unit
positions. -
object
Source
Builds sources.
-
object
StringPositioner extends Positioner[Char, StringPosition]
Positioner for scallion.input.StringPosition.
Overview
Scallion is a library for easily writing lexers, parsers and pretty printers in Scala. See the package scallion for more information.


Type
Running
Cycling
Distance
Duration
Cadence
Elev Gain
OK
© Copyright by
Soumya Ranjan Rout
. Use for learning or your portfolio. Don't claim as your own.
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Interested in directly linking to decklist.org for your tournament or for your deck building application? It's super easy! Simply set the following GET parameters to have the fields automatically populated:
- firstname: the participant's first name (e.g. April)
- lastname: the participant's last name (e.g. King)
- dcinumber: the participant's DCI number (e.g.<PHONE_NUMBER>, no dashes needed)
- event: the name of the event (e.g. Grand Prix Minneapolis)
- eventdate: the date of the event (e.g. 2099-12-31)
- eventlocation: the physical location of the event (e.g. Minneapolis Convention Center)
- deckmain: the deck itself; this can be in any format the website understands (use %0A for newlines)
- deckside: the side itself; this can be in any format the website understands (use %0A for newlines)
- logo: please contact<EMAIL_ADDRESS>if you'd like to replace the DCI logo
Please note that any field not specifically set will simply be left blank on the form.
Tournament organizer example, for an unregistered player:
http://www.decklist.org/?eventdate=2099-12-31&event=Grand%20Prix%20Minneapolis&eventlocation=Minneapolis%20Convention%20Center
Or a preregistered player:
http://www.decklist.org/?firstname=April&lastname=King&dcinumber=1234567890&eventdate=2099-12-31&event=Grand%20Prix%20Minneapolis&eventlocation=Minneapolis%20Convention%20Center
Just replace the values above with your tournament's values; that's all! Please note that when creating a link, to replace spaces with %20; this is important! :)
Deck building website example:
http://www.decklist.org/?deckmain=2%09Arid%20Mesa%0A4%09Brainstorm%0A1%09Council%27s%20Judgment%0A4%09Counterbalance%0A2%09Counterspell%0A2%09Entreat%20the%20Angels%0A4%09Flooded%20Strand%0A4%09Force%20of%20Will%0A4%09Island%0A3%09Jace%2C%20the%20Mind%20Sculptor%0A2%09Plains%0A2%09Polluted%20Delta%0A4%09Ponder%0A2%09Scalding%20Tarn%0A4%09Sensei%27s%20Divining%20Top%0A3%09Snapcaster%20Mage%0A4%09Swords%20to%20Plowshares%0A4%09Terminus%0A3%09Tundra%0A2%09Volcanic%20Island&deckside=1%09Council%27s%20Judgment%0A1%09Counterspell%0A1%09Disenchant%0A3%09Flusterstorm%0A1%09Keranos%2C%20God%20of%20Storms%0A1%09Path%20to%20Exile%0A1%09Pyroblast%0A2%09Red%20Elemental%20Blast%0A2%09Rest%20in%20Peace%0A1%09Supreme%20Verdict%0A1%09Surgical%20Extraction%0A


pipe, pipe2 - create pipe
#include <unistd.h>
/* On Alpha, IA-64, MIPS, SuperH, and SPARC/SPARC64; see NOTES */
struct fd_pair {
long fd[2];
};
struct fd_pair pipe();
/* On all other architectures */
int pipe(int pipefd[2]);
#define _GNU_SOURCE /* See feature_test_macros(7) */
#include <fcntl.h> /* Obtain O_* constant definitions */
#include <unistd.h>
int pipe2(int pipefd[2], int flags);
pipe() creates a pipe, a unidirectional data channel that can be used for
interprocess communication. The array pipefd is used to return two file
descriptors referring to the ends of the pipe. pipefd[0] refers to the
read end of the pipe. pipefd[1] refers to the write end of the pipe.
Data written to the write end of the pipe is buffered by the kernel until it
is read from the read end of the pipe. For further details, see
pipe(7).
If flags is 0, then pipe2() is the same as
pipe(). The following values can be bitwise ORed in flags to
obtain different behavior:
- O_CLOEXEC
- Set the close-on-exec (FD_CLOEXEC) flag on the two new file
descriptors. See the description of the same flag in open(2) for
reasons why this may be useful.
- O_DIRECT (since Linux 3.4)
- Create a pipe that performs I/O in "packet" mode. Each
write(2) to the pipe is dealt with as a separate packet, and
read(2)s from the pipe will read one packet at a time. Note the
following points:
- Writes of greater than PIPE_BUF bytes (see pipe(7)) will be
split into multiple packets. The constant PIPE_BUF is defined in
<limits.h>.
- If a read(2) specifies a buffer size that is smaller than the next
packet, then the requested number of bytes are read, and the excess bytes
in the packet are discarded. Specifying a buffer size of PIPE_BUF
will be sufficient to read the largest possible packets (see the previous
point).
- Zero-length packets are not supported. (A read(2) that specifies a
buffer size of zero is a no-op, and returns 0.)
- Older kernels that do not support this flag will indicate this via an
EINVAL error.
- Since Linux 4.5, it is possible to change the O_DIRECT setting of a
pipe file descriptor using fcntl(2).
- O_NONBLOCK
- Set the O_NONBLOCK file status flag on the open file descriptions
referred to by the new file descriptors. Using this flag saves extra calls
to fcntl(2) to achieve the same result.
On success, zero is returned. On error, -1 is returned, errno is set
appropriately, and pipefd is left unchanged.
On Linux (and other systems), pipe() does not modify
pipefd on failure. A requirement standardizing this behavior was
added in POSIX.1-2016. The Linux-specific pipe2() system call
likewise does not modify pipefd on failure.
- EFAULT
- pipefd is not valid.
- EINVAL
- (pipe2()) Invalid value in flags.
- EMFILE
- The per-process limit on the number of open file descriptors has been
reached.
- ENFILE
- The system-wide limit on the total number of open files has been
reached.
- ENFILE
- The user hard limit on memory that can be allocated for pipes has been
reached and the caller is not privileged; see pipe(7).
pipe2() was added to Linux in version 2.6.27; glibc support is available
starting with version 2.9.
The SystemV ABI on some architectures allows the use of more than one register
for returning multiple values; several architectures (namely, Alpha, IA-64,
MIPS, SuperH, and SPARC/SPARC64) (ab)use this feature in order to implement
the pipe() system call in a functional manner: the call doesn't take
any arguments and returns a pair of file descriptors as the return value on
success. The glibc pipe() wrapper function transparently deals with
this. See syscall(2) for information regarding registers used for
storing second file descriptor.
pipe(): POSIX.1-2001, POSIX.1-2008.
pipe2() is Linux-specific.
The following program creates a pipe, and then fork(2)s to create a child
process; the child inherits a duplicate set of file descriptors that refer to
the same pipe. After the fork(2), each process closes the file
descriptors that it doesn't need for the pipe (see pipe(7)). The parent
then writes the string contained in the program's command-line argument to the
pipe, and the child reads this string a byte at a time from the pipe and
echoes it on standard output.
#include <sys/types.h>
#include <sys/wait.h>
#include <stdio.h>
#include <stdlib.h>
#include <unistd.h>
#include <string.h>
int
main(int argc, char *argv[])
{
int pipefd[2];
pid_t cpid;
char buf;
if (argc != 2) {
fprintf(stderr, "Usage: %s <string>\n", argv[0]);
exit(EXIT_FAILURE);
}
if (pipe(pipefd) == -1) {
perror("pipe");
exit(EXIT_FAILURE);
}
cpid = fork();
if (cpid == -1) {
perror("fork");
exit(EXIT_FAILURE);
}
if (cpid == 0) { /* Child reads from pipe */
close(pipefd[1]); /* Close unused write end */
while (read(pipefd[0], &buf, 1) > 0)
write(STDOUT_FILENO, &buf, 1);
write(STDOUT_FILENO, "\n", 1);
close(pipefd[0]);
_exit(EXIT_SUCCESS);
} else { /* Parent writes argv[1] to pipe */
close(pipefd[0]); /* Close unused read end */
write(pipefd[1], argv[1], strlen(argv[1]));
close(pipefd[1]); /* Reader will see EOF */
wait(NULL); /* Wait for child */
exit(EXIT_SUCCESS);
}
}
fork(2), read(2), socketpair(2), splice(2),
tee(2), vmsplice(2), write(2), popen(3),
pipe(7)
This page is part of release 5.05 of the Linux man-pages project. A
description of the project, information about reporting bugs, and the latest
version of this page, can be found at https://www.kernel.org/doc/man-pages/.


{% load i18n %}
{% blocktrans trimmed %} You can customize the ticket design with our PDF ticket editor. There, you can upload a PDF file used as a background for the tickets and then place various texts and QR codes on the background at the positions of your choice. The editor is easy to use thanks to its drag-and-drop user interface, but it requires a modern browser and a decent internet connection. {% endblocktrans %}


Hello World of NPM
Why should you care about NPM?.
It will open up a new world of development opportunities
You can setup and run much of the sample code Microsoft is publishing
All the cool kids are doing it