| MUAP-Music Applied |
| NR |
11584 |
MUAP |
2342 |
001 |
24M |
2.000 |
Private Instruction-Composition |
M |
11:30 am-12:25 pm |
10 |
2 |
8 |
0 |
0 |
0 |
Yoomi Paick (P) |
01/17-05/04 |
SFA 208 |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
17642 |
MUAP |
2342 |
002 |
24M |
2.000 |
Private Instruction-Composition |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
James Raymond Simmons (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
14699 |
MUAP |
2351 |
002 |
24M |
1.000 |
Private Instruction-Piano |
W |
11:30 am-12:25 pm |
10 |
2 |
8 |
100 |
8 |
92 |
Adam L Clark (P) |
01/17-05/04 |
WMB MH |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
11586 |
MUAP |
2351 |
003 |
24M |
1.000 |
Private Instruction-Piano/Jazz |
|
TBA |
10 |
5 |
5 |
0 |
0 |
0 |
Matt Endahl (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
11587 |
MUAP |
2352 |
001 |
24M |
2.000 |
Private Instruction-Piano |
W |
11:30 am-12:25 pm |
10 |
6 |
4 |
0 |
0 |
0 |
Arunesh N Nadgir (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
11588 |
MUAP |
2352 |
002 |
24M |
2.000 |
Private Instruction Piano |
W |
11:30 am-12:25 pm |
10 |
4 |
6 |
100 |
8 |
92 |
Adam L Clark (P) |
01/17-05/04 |
WMB MH |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
11592 |
MUAP |
2371 |
001 |
24M |
1.000 |
Private Instruction-Voice |
R |
11:20 am-12:45 pm |
20 |
1 |
19 |
65 |
16 |
49 |
Christine C Isley-Farmer (P) |
01/17-05/04 |
SFA 101 |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
11593 |
MUAP |
2371 |
002 |
24M |
1.000 |
Private Instruction-Voice |
R |
11:20 am-12:45 pm |
10 |
8 |
2 |
40 |
18 |
22 |
Dina Sandra Cancryn (P) |
01/17-05/04 |
WMB 173 |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
11594 |
MUAP |
2371 |
003 |
24M |
1.000 |
Private Instruction-Voice |
R |
11:20 am-12:45 pm |
10 |
1 |
9 |
50 |
5 |
45 |
H Stephen Smith (P) |
01/17-05/04 |
SFA 117 |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
14904 |
MUAP |
2371 |
004 |
24M |
1.000 |
Private Instruction-Voice/Jazz |
|
TBA |
5 |
2 |
3 |
0 |
0 |
0 |
James W Ferguson (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
12104 |
MUAP |
2371 |
005 |
24M |
1.000 |
Private Instruction-Voice |
T |
11:20 am-12:15 pm |
10 |
9 |
1 |
0 |
0 |
0 |
Joshua T Zink (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
12829 |
MUAP |
2371 |
006 |
24M |
1.000 |
Private Instruction-Voice/Jazz |
|
TBA |
10 |
3 |
7 |
0 |
0 |
0 |
Ashley Nycole Kimbrough (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
11595 |
MUAP |
2372 |
001 |
24M |
2.000 |
Private Instruction-Voice |
R |
11:20 am-12:45 pm |
10 |
6 |
4 |
65 |
16 |
49 |
Christine C Isley-Farmer (P) |
01/17-05/04 |
SFA 101 |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
11596 |
MUAP |
2372 |
002 |
24M |
2.000 |
Private Instruction-Voice |
R |
11:20 am-12:45 pm |
10 |
3 |
7 |
40 |
18 |
22 |
Dina Sandra Cancryn (P) |
01/17-05/04 |
WMB 173 |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
11597 |
MUAP |
2372 |
003 |
24M |
2.000 |
Private Instruction-Voice |
R |
11:20 am-12:45 pm |
10 |
1 |
9 |
50 |
5 |
45 |
H Stephen Smith (P) |
01/17-05/04 |
SFA 117 |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
14666 |
MUAP |
2381 |
001 |
24M |
1.000 |
Private Instruction-Violin |
R |
11:20 am-12:45 pm |
10 |
4 |
6 |
33 |
12 |
21 |
Karen E Clarke (P) |
01/17-05/04 |
SFA 301 |
Private Instruction Music Fee and Credit from 4-Year College |
| C |
17083 |
MUAP |
2382 |
001 |
24M |
2.000 |
Private Instruction-Violin |
R |
11:20 am-12:45 pm |
5 |
5 |
0 |
33 |
12 |
21 |
Karen E Clarke (P) |
01/17-05/04 |
SFA 301 |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
14487 |
MUAP |
2391 |
001 |
24M |
1.000 |
Private Instruction-Violoncello |
R |
11:20 am-12:45 pm |
5 |
3 |
2 |
30 |
10 |
20 |
Kevin Bate (P) |
01/17-05/04 |
SFA 208 |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
17621 |
MUAP |
2391 |
002 |
24M |
1.000 |
Private Instruction-Violoncello |
R |
11:20 am-12:45 pm |
5 |
1 |
4 |
30 |
10 |
20 |
Carol Reiner Nies (P), Amber Den Exter |
01/17-05/04 |
SFA 208 |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
11600 |
MUAP |
2392 |
001 |
24M |
2.000 |
Private Instruction-Violoncello |
R |
11:20 am-12:45 pm |
8 |
1 |
7 |
30 |
10 |
20 |
Kevin Bate (P) |
01/17-05/04 |
SFA 208 |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
17622 |
MUAP |
2392 |
002 |
24M |
2.000 |
Private Instruction-Violoncello |
R |
11:20 am-12:45 pm |
2 |
1 |
1 |
30 |
10 |
20 |
Milica Zivkovic Nelson (P) |
01/17-05/04 |
SFA 208 |
Private Instruction Music Fee and Credit from 4-Year College |
| C |
17623 |
MUAP |
2392 |
003 |
24M |
2.000 |
Private Instruction-Violoncello |
R |
11:20 am-12:45 pm |
4 |
4 |
0 |
30 |
10 |
20 |
Carol Reiner Nies (P), Amber Den Exter |
01/17-05/04 |
SFA 208 |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
11601 |
MUAP |
2401 |
001 |
24M |
1.000 |
Private Instruction-String Bass |
|
TBA |
10 |
3 |
7 |
0 |
0 |
0 |
Timothy E Pearson (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
16266 |
MUAP |
2401 |
002 |
24M |
1.000 |
Private Instruction-String Bass |
|
TBA |
10 |
2 |
8 |
0 |
0 |
0 |
Jonathan Alden Wires (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
12853 |
MUAP |
2401 |
003 |
24M |
1.000 |
Private Instruction-String Bass/Jazz |
|
TBA |
10 |
1 |
9 |
0 |
0 |
0 |
James W Ferguson (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
11602 |
MUAP |
2402 |
001 |
24M |
2.000 |
Private Instruction-String Bass |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
Timothy E Pearson (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
12721 |
MUAP |
2411 |
001 |
24M |
1.000 |
Private Instruction-Guitar |
|
TBA |
10 |
5 |
5 |
0 |
0 |
0 |
William E Yelverton (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
11603 |
MUAP |
2411 |
002 |
24M |
1.000 |
Private Instruction-Guitar |
|
TBA |
10 |
3 |
7 |
0 |
0 |
0 |
Jacob Orsey Hendley (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
11604 |
MUAP |
2411 |
003 |
24M |
1.000 |
Private Instr Guitar/Jazz |
|
TBA |
12 |
4 |
8 |
0 |
0 |
0 |
Matthew Ryan Lund (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
13105 |
MUAP |
2411 |
004 |
24M |
1.000 |
Private Instruction-Guitar:Jazz |
T |
11:20 am-12:45 pm |
5 |
3 |
2 |
33 |
4 |
29 |
Paul H Henderson (P) |
01/17-05/04 |
SFA 301 |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
11605 |
MUAP |
2412 |
001 |
24M |
2.000 |
Private Instruction-Guitar |
|
TBA |
10 |
2 |
8 |
0 |
0 |
0 |
William E Yelverton (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
11606 |
MUAP |
2412 |
002 |
24M |
2.000 |
Private Instruction-Guitar:Jazz |
|
TBA |
10 |
3 |
7 |
0 |
0 |
0 |
Paul H Henderson (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
12859 |
MUAP |
2412 |
004 |
24M |
2.000 |
Private Instruction-Guitar |
|
TBA |
5 |
2 |
3 |
0 |
0 |
0 |
Jacob Orsey Hendley (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
11608 |
MUAP |
2421 |
001 |
24M |
1.000 |
Private Instruction-Flute and Piccolo |
T |
11:20 am-12:45 pm |
5 |
1 |
4 |
30 |
13 |
17 |
Maureen Moeller (P) |
01/17-05/04 |
SFA 211 |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
16000 |
MUAP |
2422 |
002 |
24M |
2.000 |
Private Instruction-Flute and Piccolo/Baroque |
|
TBA |
5 |
2 |
3 |
0 |
0 |
0 |
Deanna Rae Little (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee and Credit from 4-Year College |
| C |
16328 |
MUAP |
2422 |
003 |
24M |
2.000 |
Private Instruction-Flute and Piccolo |
T |
11:20 am-12:45 pm |
5 |
5 |
0 |
30 |
13 |
17 |
Elizabeth Celine P Thackston (P) |
01/17-05/04 |
SFA 211 |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
16329 |
MUAP |
2422 |
004 |
24M |
2.000 |
Private Instruction-Flute and Piccolo |
T |
11:20 am-12:45 pm |
2 |
1 |
1 |
30 |
13 |
17 |
Rebecca Lynn Murphy (P) |
01/17-05/04 |
SFA 211 |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
11610 |
MUAP |
2432 |
001 |
24M |
2.000 |
Private Instruction-Oboe and English Horn |
|
TBA |
10 |
1 |
9 |
0 |
0 |
0 |
Laura A Ross (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee and Credit from 4-Year College |
| C |
11611 |
MUAP |
2441 |
001 |
24M |
1.000 |
Private Instruction-Clarinet |
T |
11:20 am-12:45 pm |
5 |
9 |
-4 |
30 |
20 |
10 |
Todd H Waldecker (P) |
01/17-05/04 |
SFA 205 |
Private Instruction Music Fee and Credit from 4-Year College |
| C |
11612 |
MUAP |
2441 |
002 |
24M |
1.000 |
Private Instruction-Clarinet |
T |
11:20 am-12:45 pm |
5 |
5 |
0 |
30 |
20 |
10 |
Todd H Waldecker (P) |
01/17-05/04 |
SFA 205 |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
11613 |
MUAP |
2442 |
001 |
24M |
2.000 |
Private Instruction-Clarinet |
T |
11:20 am-12:45 pm |
5 |
1 |
4 |
30 |
20 |
10 |
Todd H Waldecker (P) |
01/17-05/04 |
SFA 205 |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
12942 |
MUAP |
2452 |
001 |
24M |
2.000 |
Private Instruction-Bassoon |
|
TBA |
10 |
3 |
7 |
0 |
0 |
0 |
Gil Perel (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
11614 |
MUAP |
2461 |
001 |
24M |
1.000 |
Private Instruction-Saxophone |
T |
11:20 am-12:45 pm |
5 |
2 |
3 |
34 |
19 |
15 |
Don J Aliquo (P) |
01/17-05/04 |
SFA 208 |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
11615 |
MUAP |
2461 |
002 |
24M |
1.000 |
Private Instruction-Saxophone |
T |
11:20 am-12:45 pm |
4 |
1 |
3 |
34 |
19 |
15 |
Spencer Gregory Stevens (P) |
01/17-05/04 |
SFA 208 |
Private Instruction Music Fee and Credit from 4-Year College |
| C |
12854 |
MUAP |
2461 |
003 |
24M |
1.000 |
Private Instruction-Saxophone |
T |
11:20 am-12:45 pm |
4 |
4 |
0 |
34 |
19 |
15 |
Pedro Rafael Garcia Moreno (P) |
01/17-05/04 |
SFA 208 |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
17651 |
MUAP |
2461 |
004 |
24M |
1.000 |
Private Instruction-Saxophone/Jazz |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
Don J Aliquo (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
11616 |
MUAP |
2462 |
001 |
24M |
2.000 |
Private Instruction-Saxophone |
T |
11:20 am-12:45 pm |
4 |
3 |
1 |
34 |
19 |
15 |
Don J Aliquo (P) |
01/17-05/04 |
SFA 208 |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
13145 |
MUAP |
2462 |
002 |
24M |
2.000 |
Private Instruction-Saxophone |
T |
11:20 am-12:45 pm |
4 |
3 |
1 |
34 |
19 |
15 |
Pedro Rafael Garcia Moreno (P) |
01/17-05/04 |
SFA 208 |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
14492 |
MUAP |
2471 |
001 |
24M |
1.000 |
Private Instruction-Trumpet |
T |
11:20 am-12:45 pm |
10 |
8 |
2 |
50 |
23 |
27 |
Michael John Arndt (P) |
01/17-05/04 |
SFA 117 |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
13009 |
MUAP |
2471 |
002 |
24M |
1.000 |
Private Instruction-Trumpet:Jazz |
|
TBA |
10 |
4 |
6 |
0 |
0 |
0 |
James Raymond Simmons (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
11617 |
MUAP |
2472 |
001 |
24M |
2.000 |
Private Instruction-Trumpet |
T |
11:20 am-12:45 pm |
10 |
8 |
2 |
50 |
23 |
27 |
Michael John Arndt (P) |
01/17-05/04 |
SFA 117 |
Private Instruction Music Fee and Credit from 4-Year College |
| C |
11618 |
MUAP |
2482 |
001 |
24M |
2.000 |
Private Instruction-French Horn |
T |
11:20 am-12:45 pm |
10 |
10 |
0 |
20 |
11 |
9 |
Angela Ruth DeBoer (P) |
01/17-05/04 |
SFA 207 |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
14686 |
MUAP |
2491 |
001 |
24M |
1.000 |
Private Instruction-Trombone |
T |
11:20 am-12:45 pm |
10 |
5 |
5 |
80 |
21 |
59 |
David L Loucky (P) |
01/17-05/04 |
SFA 101 |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
11619 |
MUAP |
2492 |
001 |
24M |
2.000 |
Private Instruction-Trombone |
T |
11:20 am-12:45 pm |
10 |
6 |
4 |
80 |
21 |
59 |
David L Loucky (P) |
01/17-05/04 |
SFA 101 |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
14654 |
MUAP |
2501 |
001 |
24M |
1.000 |
Private Instruction-Baritone and Euphonium |
T |
11:20 am-12:45 pm |
10 |
1 |
9 |
80 |
21 |
59 |
David L Loucky (P) |
01/17-05/04 |
SFA 101 |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
11620 |
MUAP |
2502 |
001 |
24M |
2.000 |
Private Instruction-Baritone and Euphonium |
T |
11:20 am-12:45 pm |
10 |
1 |
9 |
80 |
21 |
59 |
David L Loucky (P) |
01/17-05/04 |
SFA 101 |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
11621 |
MUAP |
2512 |
001 |
24M |
2.000 |
Private Instruction-Tuba |
T |
11:20 am-12:45 pm |
10 |
3 |
7 |
30 |
5 |
25 |
Christopher Craig Combest (P) |
01/17-05/04 |
SFA 303 |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
11622 |
MUAP |
2521 |
001 |
24M |
1.000 |
Private Instruction-Snare Drum and Keyboard Percussion |
T |
11:20 am-12:45 pm |
10 |
9 |
1 |
80 |
53 |
27 |
Gerardo Davila (P) |
01/17-05/04 |
WMB 173 |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
11623 |
MUAP |
2521 |
002 |
24M |
1.000 |
Private Instruction-Snare Drum and Keyboard Percussion |
T |
11:20 am-12:45 pm |
8 |
2 |
6 |
80 |
53 |
27 |
Matthew G Jordan (P) |
01/17-05/04 |
WMB 173 |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
11624 |
MUAP |
2521 |
003 |
24M |
1.000 |
Private Instruction-Snare Drum and Keyboard Percussion |
T |
11:20 am-12:45 pm |
10 |
7 |
3 |
80 |
53 |
27 |
Julie Sutton Davila (P) |
01/17-05/04 |
WMB 173 |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
17667 |
MUAP |
2521 |
004 |
24M |
1.000 |
Private Instruction-Snare Drum and Keyboard Percussion |
T |
11:20 am-12:45 pm |
5 |
2 |
3 |
80 |
53 |
27 |
Brian S Mueller (P) |
01/17-05/04 |
WMB 173 |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
11625 |
MUAP |
2531 |
001 |
24M |
1.000 |
Private Instruction-Drum Set and Latin Percussion |
|
TBA |
10 |
5 |
5 |
0 |
0 |
0 |
Derrek C Phillips (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee and Credit from 4-Year College |
| C |
11626 |
MUAP |
2541 |
001 |
24M |
1.000 |
Private Instruction-Timpani and Keyboard Percussion |
T |
11:20 am-12:45 pm |
5 |
10 |
-5 |
80 |
53 |
27 |
Brian S Mueller (P) |
01/17-05/04 |
WMB 173 |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
13542 |
MUAP |
2541 |
003 |
24M |
1.000 |
Private Instruction-Timpani and Keyboard Percussion |
T |
11:20 am-12:45 pm |
10 |
9 |
1 |
80 |
53 |
27 |
Brian S Mueller (P) |
01/17-05/04 |
WMB 173 |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
14526 |
MUAP |
2561 |
001 |
24M |
1.000 |
Private Instruction-Viola |
|
TBA |
10 |
2 |
8 |
0 |
0 |
0 |
Henry Clay Haffner (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
17582 |
MUAP |
2572 |
001 |
24M |
2.000 |
Private Instruction, Harp |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
Sarah K Crocker (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee and Credit from 4-Year College |
| NR |
11628 |
MUAP |
3800 |
001 |
24M |
1.000 |
Junior Recital |
|
TBA |
10 |
2 |
8 |
0 |
0 |
0 |
Michael John Arndt (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
12087 |
MUAP |
3800 |
002 |
24M |
1.000 |
Junior Recital |
|
TBA |
10 |
1 |
9 |
0 |
0 |
0 |
Todd H Waldecker (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
12095 |
MUAP |
3800 |
003 |
24M |
1.000 |
Junior Recital |
|
TBA |
10 |
1 |
9 |
0 |
0 |
0 |
Dina Sandra Cancryn (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
12097 |
MUAP |
3800 |
005 |
24M |
1.000 |
Junior Recital |
|
TBA |
10 |
1 |
9 |
0 |
0 |
0 |
Paul H Henderson (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
12098 |
MUAP |
3800 |
006 |
24M |
1.000 |
Junior Recital |
|
TBA |
10 |
1 |
9 |
0 |
0 |
0 |
James W Ferguson (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
12122 |
MUAP |
3800 |
007 |
24M |
1.000 |
Junior Recital |
|
TBA |
10 |
1 |
9 |
0 |
0 |
0 |
Gerardo Davila (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
12310 |
MUAP |
3800 |
008 |
24M |
1.000 |
Junior Recital |
|
TBA |
10 |
1 |
9 |
0 |
0 |
0 |
Don J Aliquo (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
14022 |
MUAP |
3800 |
011 |
24M |
1.000 |
Junior Recital |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
Henry Clay Haffner (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
11629 |
MUAP |
4342 |
001 |
24M |
2.000 |
Private Instruction-Composition |
M |
11:30 am-12:25 pm |
10 |
5 |
5 |
0 |
0 |
0 |
Yoomi Paick (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
12828 |
MUAP |
4343 |
001 |
24M |
2.000 |
Jazz Arranging, Applied Study |
|
TBA |
10 |
3 |
7 |
0 |
0 |
0 |
James Raymond Simmons (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
13711 |
MUAP |
4352 |
001 |
24M |
2.000 |
Private Instruction-Piano |
W |
11:30 am-12:25 pm |
10 |
2 |
8 |
100 |
8 |
92 |
Arunesh N Nadgir (P) |
01/17-05/04 |
WMB MH |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
16124 |
MUAP |
4371 |
001 |
24M |
1.000 |
Private Instruction-Voice |
R |
11:20 am-12:45 pm |
5 |
4 |
1 |
65 |
16 |
49 |
Christine C Isley-Farmer (P) |
01/17-05/04 |
SFA 101 |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
13322 |
MUAP |
4371 |
002 |
24M |
1.000 |
Private Instruction-Voice |
R |
11:20 am-12:45 pm |
10 |
1 |
9 |
40 |
18 |
22 |
Dina Sandra Cancryn (P) |
01/17-05/04 |
WMB 173 |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
15144 |
MUAP |
4372 |
002 |
24M |
2.000 |
Private Instruction-Voice |
R |
11:20 am-12:45 pm |
10 |
5 |
5 |
40 |
18 |
22 |
Dina Sandra Cancryn (P) |
01/17-05/04 |
WMB 173 |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
13540 |
MUAP |
4372 |
003 |
24M |
2.000 |
Private Instruction-Voice |
R |
11:20 am-12:45 pm |
10 |
2 |
8 |
50 |
5 |
45 |
H Stephen Smith (P) |
01/17-05/04 |
SFA 117 |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
11631 |
MUAP |
4373 |
001 |
24M |
3.000 |
Private Instruction-Voice |
R |
11:20 am-12:45 pm |
10 |
5 |
5 |
65 |
16 |
49 |
Christine C Isley-Farmer (P) |
01/17-05/04 |
SFA 101 |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
11632 |
MUAP |
4373 |
002 |
24M |
3.000 |
Private Instruction-Voice |
R |
11:20 am-12:45 pm |
10 |
1 |
9 |
40 |
18 |
22 |
Dina Sandra Cancryn (P) |
01/17-05/04 |
WMB 173 |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
11633 |
MUAP |
4373 |
003 |
24M |
3.000 |
Private Instruction-Voice |
R |
11:20 am-12:45 pm |
10 |
1 |
9 |
50 |
5 |
45 |
H Stephen Smith (P) |
01/17-05/04 |
SFA 117 |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
11634 |
MUAP |
4382 |
001 |
24M |
2.000 |
Private Instruction-Violin |
R |
11:20 am-12:45 pm |
5 |
2 |
3 |
33 |
12 |
21 |
Karen E Clarke (P) |
01/17-05/04 |
SFA 301 |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
17418 |
MUAP |
4383 |
001 |
24M |
3.000 |
Private Instruction-Violin |
R |
11:20 am-12:45 pm |
5 |
1 |
4 |
33 |
12 |
21 |
Karen E Clarke (P) |
01/17-05/04 |
SFA 301 |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
12852 |
MUAP |
4402 |
001 |
24M |
2.000 |
Private Instruction-String Bass/Jazz |
|
TBA |
10 |
1 |
9 |
0 |
0 |
0 |
James W Ferguson (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
16338 |
MUAP |
4403 |
001 |
24M |
3.000 |
Private Instruction-String Bass |
|
TBA |
5 |
2 |
3 |
0 |
0 |
0 |
Timothy E Pearson (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
17629 |
MUAP |
4411 |
001 |
24M |
1.000 |
Private Instruction-Guitar |
|
TBA |
10 |
1 |
9 |
0 |
0 |
0 |
William E Yelverton (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
11638 |
MUAP |
4412 |
001 |
24M |
2.000 |
Private Instruction-Guitar:Jazz |
|
TBA |
10 |
1 |
9 |
0 |
0 |
0 |
Matthew Ryan Lund (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
14760 |
MUAP |
4412 |
002 |
24M |
2.000 |
Private Instruction-Guitar/Jazz |
T |
11:20 am-12:45 pm |
5 |
1 |
4 |
33 |
4 |
29 |
Paul H Henderson (P) |
01/17-05/04 |
SFA 301 |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
11639 |
MUAP |
4413 |
001 |
24M |
3.000 |
Private Instruction-Guitar |
|
TBA |
10 |
1 |
9 |
0 |
0 |
0 |
William E Yelverton (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| C |
11640 |
MUAP |
4422 |
001 |
24M |
2.000 |
Private Instruction-Flute and Piccolo |
T |
11:20 am-12:45 pm |
2 |
3 |
-1 |
30 |
13 |
17 |
Deanna Rae Little (P) |
01/17-05/04 |
SFA 211 |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
11641 |
MUAP |
4423 |
001 |
24M |
3.000 |
Private Instruction-Flute, Piccolo |
T |
11:20 am-12:45 pm |
5 |
2 |
3 |
30 |
13 |
17 |
Deanna Rae Little (P) |
01/17-05/04 |
SFA 211 |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
12725 |
MUAP |
4441 |
001 |
24M |
1.000 |
Private Instruction-Clarinet |
T |
11:20 am-12:45 pm |
5 |
2 |
3 |
30 |
20 |
10 |
Todd H Waldecker (P) |
01/17-05/04 |
SFA 205 |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
12726 |
MUAP |
4442 |
001 |
24M |
2.000 |
Private Instruction-Clarinet |
T |
11:20 am-12:45 pm |
5 |
2 |
3 |
30 |
20 |
10 |
Todd H Waldecker (P) |
01/17-05/04 |
SFA 205 |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
11642 |
MUAP |
4443 |
001 |
24M |
3.000 |
Private Instruction-Clarinet |
T |
11:20 am-12:45 pm |
5 |
1 |
4 |
30 |
20 |
10 |
Todd H Waldecker (P) |
01/17-05/04 |
SFA 205 |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
15927 |
MUAP |
4452 |
001 |
24M |
2.000 |
Private Instruction-Bassoon |
|
TBA |
10 |
1 |
9 |
0 |
0 |
0 |
Gil Perel (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
17187 |
MUAP |
4453 |
001 |
24M |
3.000 |
Private Instruction-Bassoon |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
Gil Perel (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| C |
12727 |
MUAP |
4462 |
001 |
24M |
2.000 |
Private Instruction-Saxophone |
T |
11:20 am-12:45 pm |
3 |
3 |
0 |
34 |
19 |
15 |
Don J Aliquo (P) |
01/17-05/04 |
SFA 208 |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
14663 |
MUAP |
4462 |
002 |
24M |
2.000 |
Private Instruction-Saxophone |
T |
11:20 am-12:45 pm |
3 |
2 |
1 |
34 |
19 |
15 |
Pedro Rafael Garcia Moreno (P) |
01/17-05/04 |
SFA 208 |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
17336 |
MUAP |
4471 |
001 |
24M |
1.000 |
Private Instruction-Trumpet |
T |
11:20 am-12:45 pm |
5 |
1 |
4 |
50 |
23 |
27 |
Michael John Arndt (P) |
01/17-05/04 |
SFA 117 |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
13538 |
MUAP |
4472 |
001 |
24M |
2.000 |
Private Instruction-Trumpet |
T |
11:20 am-12:45 pm |
10 |
3 |
7 |
50 |
23 |
27 |
Preston Keller Bailey (P) |
01/17-05/04 |
SFA 117 |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
13843 |
MUAP |
4473 |
001 |
24M |
3.000 |
Private Instruction-Trumpet |
T |
11:20 am-12:45 pm |
5 |
3 |
2 |
50 |
23 |
27 |
Preston Keller Bailey (P) |
01/17-05/04 |
SFA 117 |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
13539 |
MUAP |
4482 |
001 |
24M |
2.000 |
Private Instruction-French Horn |
T |
11:20 am-12:45 pm |
10 |
1 |
9 |
20 |
11 |
9 |
Angela Ruth DeBoer (P) |
01/17-05/04 |
SFA 207 |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
11643 |
MUAP |
4492 |
001 |
24M |
2.000 |
Private Instruction-Trombone |
T |
11:20 am-12:45 pm |
10 |
3 |
7 |
80 |
21 |
59 |
David L Loucky (P) |
01/17-05/04 |
SFA 101 |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
16323 |
MUAP |
4492 |
002 |
24M |
2.000 |
Private Instruction-Trombone |
T |
11:20 am-12:45 pm |
5 |
3 |
2 |
80 |
21 |
59 |
Paul Ryan Jenkins (P) |
01/17-05/04 |
SFA 101 |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
15795 |
MUAP |
4493 |
001 |
24M |
3.000 |
Private Instruction-Trombone |
T |
11:20 am-12:45 pm |
10 |
1 |
9 |
80 |
21 |
59 |
David L Loucky (P) |
01/17-05/04 |
SFA 101 |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
12118 |
MUAP |
4502 |
001 |
24M |
2.000 |
Private Instruction-Baritone and Euphonium |
T |
11:20 am-12:45 pm |
10 |
1 |
9 |
80 |
21 |
59 |
David L Loucky (P) |
01/17-05/04 |
SFA 101 |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
11644 |
MUAP |
4512 |
001 |
24M |
2.000 |
Private Instruction-Tuba |
T |
11:20 am-12:45 pm |
5 |
2 |
3 |
30 |
5 |
25 |
Christopher Craig Combest (P) |
01/17-05/04 |
SFA 303 |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
11645 |
MUAP |
4521 |
001 |
24M |
1.000 |
Private Instruction-Snare Drum and Keyboard Percussion |
T |
11:20 am-12:45 pm |
10 |
5 |
5 |
80 |
53 |
27 |
Gerardo Davila (P) |
01/17-05/04 |
WMB 173 |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
11646 |
MUAP |
4521 |
002 |
24M |
1.000 |
Private Instruction-Snare Drum and Keyboard Percussion |
T |
11:20 am-12:45 pm |
10 |
4 |
6 |
80 |
53 |
27 |
Brian S Mueller (P) |
01/17-05/04 |
WMB 173 |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
11647 |
MUAP |
4531 |
001 |
24M |
1.000 |
Private Instruction-Drum Set and Latin Percussion |
|
TBA |
5 |
2 |
3 |
0 |
0 |
0 |
Derrek C Phillips (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
12860 |
MUAP |
4541 |
001 |
24M |
1.000 |
Private Instruction-Timpani and Keyboard Percussion |
T |
11:20 am-12:45 pm |
5 |
3 |
2 |
80 |
53 |
27 |
Matthew G Jordan (P) |
01/17-05/04 |
WMB 173 |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
14931 |
MUAP |
4541 |
002 |
24M |
1.000 |
Private Instruction-Timpani and Keyboard Percussion |
T |
11:20 am-12:45 pm |
10 |
2 |
8 |
80 |
53 |
27 |
Brian S Mueller (P) |
01/17-05/04 |
WMB 173 |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
12943 |
MUAP |
4563 |
001 |
24M |
3.000 |
Private Instruction-Viola |
|
TBA |
10 |
1 |
9 |
0 |
0 |
0 |
Henry Clay Haffner (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee and Credit from 4-Year College and Upper-Division Work |
| NR |
12835 |
MUAP |
4800 |
001 |
24M |
0.000 |
Partial Senior Recital |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
David L Loucky (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
13148 |
MUAP |
4800 |
002 |
24M |
1.000 |
Partial Senior Recital |
|
TBA |
5 |
2 |
3 |
0 |
0 |
0 |
Dina Sandra Cancryn (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
12171 |
MUAP |
4800 |
003 |
24M |
1.000 |
Partial Senior Recital |
|
TBA |
5 |
2 |
3 |
0 |
0 |
0 |
H Stephen Smith (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
12172 |
MUAP |
4800 |
004 |
24M |
1.000 |
Partial Senior Recital |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
David L Loucky (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
13801 |
MUAP |
4800 |
006 |
24M |
1.000 |
Partial Senior Recital |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
Todd H Waldecker (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
11648 |
MUAP |
4900 |
001 |
24M |
2.000 |
Senior Recital |
|
TBA |
10 |
2 |
8 |
0 |
0 |
0 |
Elizabeth Celine P Thackston (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
12173 |
MUAP |
4900 |
002 |
24M |
2.000 |
Senior Recital |
|
TBA |
10 |
3 |
7 |
0 |
0 |
0 |
Christine C Isley-Farmer (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
12174 |
MUAP |
4900 |
003 |
24M |
2.000 |
Senior Recital |
|
TBA |
10 |
1 |
9 |
0 |
0 |
0 |
William E Yelverton (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
12294 |
MUAP |
4900 |
005 |
24M |
2.000 |
Senior Recital |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
Timothy E Pearson (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
12175 |
MUAP |
4900 |
006 |
24M |
2.000 |
Senior Recital |
|
TBA |
10 |
1 |
9 |
0 |
0 |
0 |
Derrek C Phillips (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
12283 |
MUAP |
4900 |
007 |
24M |
2.000 |
Senior Recital |
|
TBA |
10 |
1 |
9 |
0 |
0 |
0 |
Michael John Arndt (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
12287 |
MUAP |
4900 |
008 |
24M |
2.000 |
Senior Recital |
|
TBA |
10 |
1 |
9 |
0 |
0 |
0 |
Yoomi Paick (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
12288 |
MUAP |
4900 |
009 |
24M |
2.000 |
Senior Recital |
|
TBA |
10 |
1 |
9 |
0 |
0 |
0 |
Karen E Clarke (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
14819 |
MUAP |
4900 |
010 |
24M |
2.000 |
Senior Recital |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
Dina Sandra Cancryn (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
17673 |
MUAP |
4900 |
011 |
24M |
2.000 |
Senior Recital |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
Gerardo Davila (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
13118 |
MUAP |
5020 |
001 |
24M |
2.000 |
Private Instruction |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
Timothy E Pearson (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee |
| NR |
11649 |
MUAP |
5100 |
001 |
24M |
1.000 |
Private Instruction |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
James Raymond Simmons (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee |
| NR |
13128 |
MUAP |
5100 |
005 |
24M |
1.000 |
Private Instruction |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
Brian S Mueller (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee |
| NR |
11650 |
MUAP |
6670 |
001 |
24M |
3.000 |
Graduate Recital |
|
TBA |
5 |
3 |
2 |
0 |
0 |
0 |
Raymond D Thomas (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee |
| NR |
12277 |
MUAP |
6670 |
002 |
24M |
3.000 |
Graduate Recital |
|
TBA |
5 |
2 |
3 |
0 |
0 |
0 |
William E Yelverton (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee |
| NR |
12278 |
MUAP |
6670 |
003 |
24M |
3.000 |
Graduate Recital |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
Don J Aliquo (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee |
| NR |
12279 |
MUAP |
6670 |
004 |
24M |
3.000 |
Graduate Recital |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
Yoomi Paick (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee |
| NR |
12280 |
MUAP |
6670 |
005 |
24M |
3.000 |
Graduate Recital |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
Raphael B Bundage (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee |
| NR |
12832 |
MUAP |
6670 |
006 |
24M |
3.000 |
Graduate Recital |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
Carol Reiner Nies (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee |
| NR |
12306 |
MUAP |
6670 |
007 |
24M |
3.000 |
Graduate Recital |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
Arunesh N Nadgir (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee |
| NR |
15718 |
MUAP |
6670 |
008 |
24M |
3.000 |
Graduate Recital |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
Deanna Rae Little (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee |
| NR |
15721 |
MUAP |
6670 |
009 |
24M |
3.000 |
Graduate Recital |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
Pedro Rafael Garcia Moreno (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee |
| NR |
15722 |
MUAP |
6670 |
010 |
24M |
3.000 |
Graduate Recital |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
Paul H Henderson (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee |
| NR |
17084 |
MUAP |
6670 |
011 |
24M |
3.000 |
Graduate Recital |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
James W Ferguson (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee |
| NR |
17668 |
MUAP |
6670 |
012 |
24M |
3.000 |
Graduate Recital |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
Karen E Clarke (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee |
| NR |
17619 |
MUAP |
6684 |
001 |
24M |
3.000 |
Private Instruction Brass |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
David L Loucky (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee |
| NR |
13978 |
MUAP |
6688 |
001 |
24M |
3.000 |
Private Instruction Guitar |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
William E Yelverton (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee |
| NR |
13064 |
MUAP |
6695 |
001 |
24M |
3.000 |
Private Instruction Winds:Jazz |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
Pedro Rafael Garcia Moreno (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee |
| NR |
15716 |
MUAP |
6695 |
002 |
24M |
3.000 |
Private Instruction Winds |
T |
11:20 am-12:45 pm |
4 |
1 |
3 |
30 |
13 |
17 |
Deanna Rae Little (P) |
01/17-05/04 |
SFA 211 |
Private Instruction Music Fee |
| NR |
15717 |
MUAP |
6695 |
003 |
24M |
3.000 |
Private Instruction Winds |
T |
11:20 am-12:45 pm |
4 |
1 |
3 |
34 |
19 |
15 |
Todd H Waldecker (P) |
01/17-05/04 |
SFA 208 |
Private Instruction Music Fee |
| NR |
17085 |
MUAP |
6695 |
004 |
24M |
3.000 |
Private Instruction Winds |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
Gil Perel (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee |
| NR |
13065 |
MUAP |
6696 |
001 |
24M |
3.000 |
Private Instruction Strings |
|
TBA |
5 |
2 |
3 |
0 |
0 |
0 |
Kevin Bate (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee |
| NR |
13754 |
MUAP |
6697 |
001 |
24M |
3.000 |
Private Instruction Percussion/Jazz |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
Derrek C Phillips (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee |
| NR |
14543 |
MUAP |
6705 |
001 |
24M |
3.000 |
Private Instruction Winds |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
Pedro Rafael Garcia Moreno (P) |
01/17-05/04 |
TBA TBA |
Private Instruction Music Fee |


I am a curious graphic designer! I believe that Design is an adventure. It's all about experiencing and absorbing your surroundings, learning, exploring, and making connections from your adventures. I love asking random questions and most importantly, seeking and creating my own answers. Let's go explore!
close


Stretch marks are very common. They're harmless and often get less visible over time.
Check if you have stretch marks
Stretch marks look like lines or streaks across the skin.
Common causes of stretch marks
Stretch marks are often caused by sudden growth or weight gain.
You may be more likely to get them if you:
- are pregnant
- are going through puberty
- lose or gain weight quickly
- are female
- are overweight
- use some kinds of steroid creams or tablets
- have a family member with stretch marks
Rarely, stretch marks can be due to a condition called Cushing's syndrome.
What to do about stretch marks
Stretch marks usually fade over time but may not disappear completely.
Many creams and lotions claim to prevent, reduce or remove stretch marks. But there's very little evidence these work.
There are some treatments that may help make stretch marks look better, but they will not get rid of them.
They include:
- retinoid (often called tretinoin) creams or hyaluronic acid – these may help if used on new stretch marks, but you should not use retinoid creams if you're pregnant as they may harm your baby
- light or laser treatments
- microdermabrasion, which removes a thin layer of skin
You would need to pay for these treatments as they're not available on the NHS.
It's not always possible to prevent stretch marks. The best way to reduce your chance of getting them is by maintaining a healthy weight.

Coronavirus (COVID-19) update: how to contact a GP
It's still important to get help from a GP if you need it. To contact your GP surgery:
- visit their website
- use the NHS App
- call them
Page last reviewed: 07 December 2021
Next review due: 07 December 2024


Dependencies¶
The app is powered by [Bloggify](https://bloggify.org)—a modular and flexible platform for building modular applications. Since Bloggify is a Node.js platform, you have to install Node.js on your machine. The data is stored in a MongoDB database.
Along with this platform, other direct dependencies are needed. Some of them are only needed in the development environment, while others are required while the app is running in production.
Bloggify-related dependencies
- bloggify: The Bloggify platform.
- bloggify-github-login: A Bloggify plugin to provide GitHub authentication.
- bloggify-icons: A set of icons by Bloggify.
- bloggify-mongoose: The Mongoose module for Bloggify.
- bloggify-sendgrid: A module for sending emails using Sendgrid as a service.
- bloggify-ws: Websocket communication for Bloggify.
React-related Dependencies
- react: The React library.
- react-ace: ACE editor bindings for React.
- react-dom:
- react-folder-tree: Tree view for folders and files for React.
- react-github-contribution-calendar: GitHub-like contributions calendar for React.
- react-markdown: Render MarkDown content using React.
- react-md-editor: MarkDown editor for React.
- react-treebeard: Tree view for folders and files for React.
- sweetalert2-react: SweetAlert for React.
- UI & UX Libraries
- bag.css: A small CSS library for building DOM containers.
- gridly: CSS library for handling grids.
- sweetalert: Cute alternative for the native browser prompts.
- codemirror: Editor for the web.
Utility Libraries
- array-unique: Remove duplicate values from an array.
- bindy: Create an array of functions bound to an the values of an input array.
- execa: Execute child processes.
- fast-csv: A Node.js module for managing CSV files (creation and parsing).
- find-value: Find a specific value in an object, by providing the key.
- html-entities: Parse HTML entities in a string.
- is-valid-path: Check whether the path is valid.
- modernizr: A friendly library for checking different browser features.
- moment: A library for managing date objects.
- moment-timezone: An extension for moment for managing timezones.
- uc-first: Uppercase the first character in a string.
- unique-random-range: Get a unique random in a specific range.
- treeify-paths:
- util-promisifyall: Polyfill for util.promisifyall.
- map-o: Iterate over objects.
- node-schedule: Node.js module to schedule tasks.
- obj-flatten: Get the flatten version of an provided object
- paths2tree: Get the tree of an array of paths.
- regex-escape: Escape special characters in regular expressions.
- connect-mongo: Connect plugin for MongoDB sessions.
- same-time: Run tasks in parallel.
- slugo: Used to get the title slugs etc.
- streamp: Create readable and writable streams in directories which do not exist (those will be created if needed).
- API Wrappers
- gh.js: A small Node.js wrapper for the GitHub API.
- aws-sdk: The AWS SDK for Node.js. Used for the S3 APIs.
- DOM Libraries
- jquery: The jQuery library.
- elly: Select DOM elements.
- Polyfills
- whatwg-fetch: Polyfill for fetch.


| Firstname | Lastname | Savings |
|---|---|---|
| Peter | Griffin | $100 |
| Lois | Griffin | $150 |
| Joe | Swanson | $300 |
| Cleveland | Brown | $250 |
| Firstname | Lastname | Savings |
|---|---|---|
| Peter | Griffin | $100 |
| Lois | Griffin | $150 |
| Joe | Swanson | $300 |
| Cleveland | Brown | $250 |
| Firstname | Lastname | Savings |
|---|---|---|
| Peter | Griffin | $100 |
| Lois | Griffin | $150 |
| Joe | Swanson | $300 |
| Cleveland | Brown | $250 |


Setup
Consider the following navigation.
The word "page" in item title means that it navigates to a separate page when clicked. If the item is followed by another list, it means that this list is shown on hover, hidden otherwise.
- people page
- job board page
- employee page
- hr page
- payroll page
- campus housing page
Initial conditions
Always begin each test with focus on "people page".
Keyboard behavior
- enter: follows the link
- tab: focus lands on the menu toggle (often shown as a down arrow)
- enter or space: toggles the attached submenu
- tab: when submenu is showing sets focus to "job board page"
- tab: when submenu hidden, tab sets focus on "campus housing page"
- tab: with focus on "job board page" sets focus to "employee page"
Screen reader
- screen reader says "people link"
- enter: follows the link
- tab: sets focus to menu toggle (announced as "people submenu, collapsed" when hidden, "people submenu, expanded" when showing)
- enter or space: toggles the attached submenu (menu title along with new state is announced)
- tab: when submenu is showing sets focus to "job board page" ("job board, link" is announced)
- tab: when submenu hidden sets focus to "campus housing page" ("campus housing, link" is announced)
- tab: with focus on "job board page", sets focus to "employee page" ("employee submenu, collapsed" is announced)


| MAHOUT-1693 |
FunctionalMatrixView materializes row vectors in scala shell |
Blocker |
Mahout spark shell, Math |
Suneel Marthi |
Andrew Palumbo |
| MAHOUT-1696 |
QRDecomposition.solve(...) can return incorrect Matrix types |
Major |
Math |
Andrew Palumbo |
Andrew Palumbo |
| MAHOUT-1697 |
Math-scala and spark module docs are packaged under wrong path in bin distribution archive |
Trivial |
Documentation |
Stevo Slavic |
Stevo Slavic |
| MAHOUT-1707 |
Spark-itemsimilarity uses too much memory |
Major |
Collaborative Filtering, cooccurrence |
Pat Ferrel |
Pat Ferrel |
| MAHOUT-1690 |
CLONE - Some vector dumper flags are expecting arguments. |
Minor |
Integration |
Allen McIntosh |
Suneel Marthi |


This function is used to send WhatsApp messages to a particular number after a time given by the user. The tab_close parameter specifies that whether the previous tab should be closed or not after sending the message.
This function is used to send WhatsApp messages to a particular number after a time given by the user. The tab_close parameter specifies that whether the previous tab should be closed or not after sending the message.
This function is used to send WhatsApp messages to a particular number after a time given by the user. The tab_close parameter specifies that whether the previous tab should be closed or not after sending the message.
This function is used to send WhatsApp messages to a particular number after a time given by the user. The tab_close parameter specifies that whether the previous tab should be closed or not after sending the message.


List of images of IIIF Manifest
View images within manifest. Image cropper button opens image in leaflet viewer to generate xywh value of area within image:
Manifest bits go here...


@********************************************************* * navigation element that helps you see a group and all * * it's related projects * * @param group details of the group * * @param projects all the projects in the group * ********************************************************@ @(group: String, projects: Seq[Project] = Nil)


TensorBoard
Enable visualizations for TensorBoard.
Inherits From: Callback
TensorBoard is a visualization tool provided with TensorFlow.
This callback logs events for TensorBoard, including: * Metrics summary plots * Training graph visualization * Activation histograms * Sampled profiling
If you have installed TensorFlow with pip, you should be able to launch TensorBoard from the command line:
tensorboard --logdir=path_to_your_logs
You can find more information about TensorBoard here.
log_dir
: the path of the directory where to save the log files to be
parsed by TensorBoard.histogram_freq
: frequency (in epochs) at which to compute activation and
weight histograms for the layers of the model. If set to 0, histograms
won't be computed. Validation data (or split) must be specified for
histogram visualizations.write_graph
: whether to visualize the graph in TensorBoard. The log file
can become quite large when write_graph is set to True.write_grads
: whether to visualize gradient histograms in TensorBoard.
histogram_freq
must be greater than 0.batch_size
: size of batch of inputs to feed to the network for histograms
computation.write_images
: whether to write model weights to visualize as image in
TensorBoard.embeddings_freq
: frequency (in epochs) at which selected embedding layers
will be saved. If set to 0, embeddings won't be computed. Data to be
visualized in TensorBoard's Embedding tab must be passed as
embeddings_data
.embeddings_layer_names
: a list of names of layers to keep eye on. If None
or empty list all the embedding layer will be watched.embeddings_metadata
: a dictionary which maps layer name to a file name in
which metadata for this embedding layer is saved. See the
details
about metadata files format. In case if the same metadata file is
used for all embedding layers, string can be passed.embeddings_data
: data to be embedded at layers specified in
embeddings_layer_names
. Numpy array (if the model has a single input)
or list of Numpy arrays (if the model has multiple inputs). Learn more
about
embeddingsupdate_freq
: 'batch'
or 'epoch'
or integer. When using 'batch'
,
writes the losses and metrics to TensorBoard after each batch. The same
applies for 'epoch'
. If using an integer, let's say 1000
, the
callback will write the metrics and losses to TensorBoard every 1000
samples. Note that writing too frequently to TensorBoard can slow down
your training.profile_batch
: Profile the batch to sample compute characteristics. By
default, it will profile the second batch. Set profile_batch=0 to
disable profiling.ValueError
: If histogram_freq is set and no validation data is provided.Using the TensorBoard
callback will work when eager execution is enabled,
with the restriction that outputting histogram summaries of weights and
gradients is not supported. Consequently, histogram_freq
will be ignored.
__init__
__init__( log_dir='./logs', histogram_freq=0, batch_size=32, write_graph=True, write_grads=False, write_images=False, embeddings_freq=0, embeddings_layer_names=None, embeddings_metadata=None, embeddings_data=None, update_freq='epoch', profile_batch=2 )
Initialize self. See help(type(self)) for accurate signature.
on_batch_begin
on_batch_begin( batch, logs=None )
A backwards compatibility alias for on_train_batch_begin
.
on_batch_end
on_batch_end( batch, logs=None )
Writes scalar summaries for metrics on every training batch.
Performs profiling if current batch is in profiler_batches.
on_epoch_begin
on_epoch_begin( epoch, logs=None )
Add histogram op to Model eval_function callbacks, reset batch count.
on_epoch_end
on_epoch_end( epoch, logs=None )
Checks if summary ops should run next epoch, logs scalar summaries.
on_predict_batch_begin
on_predict_batch_begin( batch, logs=None )
Called at the beginning of a batch in predict
methods.
Subclasses should override for any actions to run.
batch
: integer, index of batch within the current epoch.logs
: dict. Has keys batch
and size
representing the current batch
number and the size of the batch.on_predict_batch_end
on_predict_batch_end( batch, logs=None )
Called at the end of a batch in predict
methods.
Subclasses should override for any actions to run.
batch
: integer, index of batch within the current epoch.logs
: dict. Metric results for this batch.on_predict_begin
on_predict_begin(logs=None)
Called at the beginning of prediction.
Subclasses should override for any actions to run.
logs
: dict. Currently no data is passed to this argument for this method
but that may change in the future.on_predict_end
on_predict_end(logs=None)
Called at the end of prediction.
Subclasses should override for any actions to run.
logs
: dict. Currently no data is passed to this argument for this method
but that may change in the future.on_test_batch_begin
on_test_batch_begin( batch, logs=None )
Called at the beginning of a batch in evaluate
methods.
Also called at the beginning of a validation batch in the fit
methods, if validation data is provided.
Subclasses should override for any actions to run.
batch
: integer, index of batch within the current epoch.logs
: dict. Has keys batch
and size
representing the current batch
number and the size of the batch.on_test_batch_end
on_test_batch_end( batch, logs=None )
Called at the end of a batch in evaluate
methods.
Also called at the end of a validation batch in the fit
methods, if validation data is provided.
Subclasses should override for any actions to run.
batch
: integer, index of batch within the current epoch.logs
: dict. Metric results for this batch.on_test_begin
on_test_begin(logs=None)
Called at the beginning of evaluation or validation.
Subclasses should override for any actions to run.
logs
: dict. Currently no data is passed to this argument for this method
but that may change in the future.on_test_end
on_test_end(logs=None)
Called at the end of evaluation or validation.
Subclasses should override for any actions to run.
logs
: dict. Currently no data is passed to this argument for this method
but that may change in the future.on_train_batch_begin
on_train_batch_begin( batch, logs=None )
Called at the beginning of a training batch in fit
methods.
Subclasses should override for any actions to run.
batch
: integer, index of batch within the current epoch.logs
: dict. Has keys batch
and size
representing the current batch
number and the size of the batch.on_train_batch_end
on_train_batch_end( batch, logs=None )
Called at the end of a training batch in fit
methods.
Subclasses should override for any actions to run.
batch
: integer, index of batch within the current epoch.logs
: dict. Metric results for this batch.on_train_begin
on_train_begin(logs=None)
Called at the beginning of training.
Subclasses should override for any actions to run.
logs
: dict. Currently no data is passed to this argument for this method
but that may change in the future.on_train_end
on_train_end(logs=None)
Called at the end of training.
Subclasses should override for any actions to run.
logs
: dict. Currently no data is passed to this argument for this method
but that may change in the future.set_model
set_model(model)
Sets Keras model and creates summary ops.
set_params
set_params(params)


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RESULTS --
WEDNESDAY CROSS SERIES NO. 2 |
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| Sponsor |
Year |
Permit |
Date |
Event |
Class |
Place |
License |
Last |
First |
Team |
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MEN'S A |
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| USCF |
2004 |
2004-1930 |
9/29/2004 |
Cross Race |
A |
1 |
B0150610 |
VAN GARDEREN |
Tejay |
Rio Grande |
| USCF |
2004 |
2004-1930 |
9/29/2004 |
Cross Race |
A |
2 |
New Annual |
MUNDT |
Shane |
Montana Velo |
| USCF |
2004 |
2004-1930 |
9/29/2004 |
Cross Race |
A |
3 |
B0068412 |
ROBERTSON |
Tom |
Northern Rockies |
| USCF |
2004 |
2004-1930 |
9/29/2004 |
Cross Race |
A |
4 |
80669 |
BELTZ |
Mike |
Northern Rockies |
| USCF |
2004 |
2004-1930 |
9/29/2004 |
Cross Race |
A |
5 |
B0038071 |
WHITMORE |
Josh |
Team Stampede/Five Valley Velo |
| USCF |
2004 |
2004-1930 |
9/29/2004 |
Cross Race |
A |
6 |
B0191830 |
HANSEN |
Seth |
Northern Rockies |
| USCF |
2004 |
2004-1930 |
9/29/2004 |
Cross Race |
A |
DNF |
B0164271 |
GUE |
Owen |
Hammer Gel |
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MEN'S B |
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| USCF |
2004 |
2004-1930 |
9/29/2004 |
Cross Race |
B |
1 |
One Day |
SMITH |
Garret |
Unattached |
| USCF |
2004 |
2004-1930 |
9/29/2004 |
Cross Race |
B |
2 |
B0206735 |
FRANCZYK |
Nick |
Team Stampede/Five Valley Velo |
| USCF |
2004 |
2004-1930 |
9/29/2004 |
Cross Race |
B |
3 |
New Annual |
BICKELL |
Dale |
Team Stampede/Five Valley Velo |
| USCF |
2004 |
2004-1930 |
9/29/2004 |
Cross Race |
B |
4 |
B0172566 |
BECHTOLD |
Tim |
Team Stampede/Five Valley Velo |
| USCF |
2004 |
2004-1930 |
9/29/2004 |
Cross Race |
B |
5 |
One Day |
ARNDT |
Matt |
Team Stampede/Five Valley Velo |
| USCF |
2004 |
2004-1930 |
9/29/2004 |
Cross Race |
B |
6 |
B0120006 |
CLAPP |
Jim |
Team Stampede/Five Valley Velo |
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2004 |
2004-1930 |
9/29/2004 |
Cross Race |
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B0130008 |
JONES |
Kathleen |
Team Stampede/Five Valley Velo |
| USCF |
2004 |
2004-1930 |
9/29/2004 |
Cross Race |
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One Day |
RAJAMAKI |
Blair |
Team Stampede/Five Valley Velo |
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Hypertext Markup Language is the satndard markup language for the documents designed to be displayed in a web browser.
Tag |
Description |
|---|---|
| <!DOCTYPE> | Defines the document type |
|  | Defines an HTML document |
|  | Defines information about the document |
| <title> | Defines a title for the document |
|  | Defines the document's body |
|
 to
 | Defines HTML headings |
|
 | Defines a paragraph |
|
 | Inserts a single line break |
|
 | Defines a thematic change in the content |
|  | Defines a comment |  | Defines important text |
|  | Defines subscripted text |
|  | Defines superscripted text |
| <time> | Defines a date/time |
|  | Underline the text |


Don't despair. In most cases, we can repair broken or damaged tapes and salvage those precious memories. We can repair nearly all formats and if your tape player has your tape firmly in its jaws, just bring the whole unit to us, we’ll take it from there. Once the tapes are repaired we can continue with your video editing or transfer project and no one will be the wiser. By the way, if a tape player or camera has damaged one of your tapes, it can no longer be trusted and will most likely strike again! Best to retire the unit and move on.


Annotator
Services Deatil
Service Name
*
Service ID
*
Description
Reset
Submit
#
Field
Name
Concept
Type
Action


Procter, Isabelle Dorothy
| Birth Name | Procter, Isabelle Dorothy |
| Gender | female |
| Age at Death | 74 years, 5 months, 21 days |
Narrative
Isabella's death notice was in the NMH, as Dorothy Isabelle Piggford, died 7th July, 1942 at 6 Redmond St, Islington.
Events
| Event | Date | Place | Description | Sources |
|---|---|---|---|---|
| Birth | 1868-01-17 | Throsby Creek NSW #13190 (as Proctor) | ||
|
|
||||
| Death | 1942-07-07 | Islington NSW #23533 | ||
|
|
||||
| Burial | Sandgate Methodist Cemetery | |||
|
|
Parents
| Relation to main person | Name | Birth date | Death date | Relation within this family (if not by birth) |
|---|---|---|---|---|
| Father | Procter, Samuel | 1843-05-31 | 1939-06-24 | |
| Mother | Isaac, Catherine Mc | 1845 | 1918-03-04 | |
| Procter, Isabelle Dorothy | 1868-01-17 | 1942-07-07 | ||
| Brother | Procter, Ralph OliverThomas | 1869-07-30 | 1907-02-12 | |
| Brother | Procter, George Micah | 1871-03-12 | 1954-03-19 | |
| Brother | Procter, Peter Albert Dixon | 1873-02-02 | 1938-07-14 | |
| Sister | Procter, Anna Christina Jane | 1875-08-15 | 1877-02-26 | |
| Brother | Procter, (Herbert) John | 1878 | 1936-03-21 | |
| Sister | Procter, Ethel May | 1880-05-19 | 1963-08-02 | |
| Sister | Procter, Vera Eleanor McIsaac | 1882-03-16 | 1970 |
Families
Family of Piggford, Joseph and Procter, Isabelle Dorothy |
||||||||||||||||||||||||||||||||
| Married | Husband | Piggford, Joseph ( * 1862-02-18 + 1935-02-15 ) | ||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||
| Children |
| Name | Birth Date | Death Date |
|---|---|---|
| Piggford, Reginald Jesse | 1891-02-18 | 1973-03-16 |
| Piggford, Catherine A married Charles Williams | 1893-03-22 | |
| Piggford, Vera Mary C. | 1895-05-29 | 1984-08-17 |
| Piggford, Doris Josephine | 1898-06-09 | 1978-03-08 |
| Piggford, Matthew F | 1900-06-05 | 1930-07-23 |
| Piggford, Samuel Ralph | 1900-06-05 | 1975-05-22 |
| Piggford, John & Stephen | 1903 | 24/27 Sep 1904 |
| Piggford, Jane | 1905 | 1906-12-00 |
| Piggford, female | 1910 | 1910-12-28 |
| Type | Value | Notes | Sources |
|---|---|---|---|
| _UID | 506678C4441B2842BEE167D93D9FCBFA3BD8 |
Attributes
| Type | Value | Notes | Sources |
|---|---|---|---|
| _UID | 7BD3FB1E1D655C4FA2E0B7E3C26B14706129 |


New Arsenal Skipper Pierre-Emerick Aubameyang Linked With Away Move To Barcelona
by Bonface OsanoNewly installed Arsenal captain Pierre-Emerick Aubameyang has been linked with January move to LaLiga giant Barcelona.
According to El Chiringuito, arch rivals Real Madrid are also salivating for the 30-year-old’s signature.
The Gabonese was recently appointed captain of the English Premier League side – replacing Granit Xhaka, who had a fallout with fans.
Read: Major Score For Visit Rwanda As Arsenal Defender David Luiz Visits Country (Photos)
Barclona are reportedly eyeing Aubameyang as a replacement for 32-year-old Uruguay international Luiz Suarez, who is nearing sun set years of bis career.
They are said to admire Aubameyang’s speed and power, which have helped him strike 50 goals already for Arsenal since joining from Borussia Dortmund in January 2018.
The Gabonese goal-machine is yet to commit his future at the North London club.


Compute the standard expected years of life lost (YLL), as developed by the Global Burden of Disease Study (Murray, C.J., Lopez, A.D. and World Health Organization, 1996). The YLL is based on comparing the age of death to an external standard life expectancy curve. It also computes the average YLL, which highlights premature causes of death and brings attention to preventable deaths (Aragon et al., 2008).
| Version: | 1.0.0 |
| Depends: | R (≥ 3.1.0) |
| Suggests: | testthat |
| Published: | 2018-11-02 |
| Author: | Antoine Soetewey [aut, cre] |
| Maintainer: | Antoine Soetewey <antoine.soetewey at uclouvain.be> |
| BugReports: | https://github.com/AntoineSoetewey/yll/issues |
| License: | GPL-2 | GPL-3 [expanded from: GPL (≥ 2)] |
| URL: | https://github.com/AntoineSoetewey/yll |
| NeedsCompilation: | no |
| Materials: | README |
| CRAN checks: | yll results |
| Reference manual: | yll.pdf |
| Package source: | yll_1.0.0.tar.gz |
| Windows binaries: | r-devel: yll_1.0.0.zip, r-release: yll_1.0.0.zip, r-oldrel: yll_1.0.0.zip |
| OS X binaries: | r-release: yll_1.0.0.tgz, r-oldrel: yll_1.0.0.tgz |
Please use the canonical form https://CRAN.R-project.org/package=yll to link to this page.


xy2pix
Find (nest indexed) MEALPix pixel number corresponding to a pixel index on a HEALPix face
Contents
Syntax
ipix = xy2pix(nSide, ix, iy, nFace)
Input Arguments
nside HEALPix resolution parameter (power of 2) ix,iy integer pixel location on face (1 <= ix, iy <= nSide) nFace HEALPix face number (1 <= nFace <= 12)
One or both ix and iy may be scalars. If neither is a scalar both must have the same size.
Return Arguments
ipix NESTED pixel index for given x,y on the face
Description
At lowest resolution HEALPix divides the sphere into 12 faces, each with its own coordinate system. Each face is further subdivided in a regular fashion as the resolution parameter is increased. Given a face number (from 1 to 12), a resolution parameter, and a location on the face XY2PIX identifies the pixel number (in the nested indexing scheme).
Example
nSide = 4; nFace = 3; ix = [1 2; 1 2]; iy = [1 1; 2 2]; nPix = xy2pix(nSide,ix,iy,nFace)
nPix = 49 50 51 52
See also
pix2xy
Copyright 2010-2011 Lee Samuel Finn. Terms of Use.


{% extends "base.html" %} {% block head %}
* Email
* Password
I agree to the Terms of Use. I understand that Library Gadget may stop working if my library's web site makes changes which affect Library Gadget's ability to retrieve information from my account.


---
layout: default
title: About
---
Erwin is a Software Architect at the Trifork Amsterdam. He is technical lead for different projects. He designs software solutions based on open source technology and coaches internal and external teams. He writes commercial proposals and makes budget and resource plans for new systems. Erwin is a certified Scrum Master and trainer of several Java courses. He supervises graduates during their final thesis. Erwin likes to share knowledge by giving workshops and presentations.


Controls
Key
Button
w
Up
a
Left
s
Down
d
Right
j
A
k
B
Other games
Cats and Coins
Defend Pluto
dn
METAtris
Pong META
Solitaire
Super Crate META
UFO Race
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Reuben 3
Upload game
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None


Novatorix - Business, Portfolio and Blog theme (version 1.4)
(shared on mafiashare.net)
Thank you for purchasing this template. If you have any questions that are beyond the scope
of this help file, please feel free to contact me, go to my
themeforest.net profile page and send me a message from there so that I can get back to
you sooner.
Note: After you activate the theme please do the needful settings required for this theme
and then preview the theme after you set everything. Theme visualization will not be perfect
until you setup everything as mentioned in below documentation.
Novatorix also has 10 Fantastic skins to choose from:
Features:
- Multiple CSS Styles
- Select from 10 Custom CSS styles from Admin Area
- Homepage sliders
- Nivo Slider
- The 3D image slider is editable without the use of flash. You can add and remove slides, change transitions with the help of a backend
- jQuery Drop-down menu
- Portfolio Gallery Templates
- Create as many Portfolio Galleries as you like
- Two layout options (full or gallery view)
- Lightbox (prettyPhoto) Effect for Pop-up Images
- Page Templates
- Contact Template
- Blog Template
- Full Width (no Sidebar)
- Sitemap
- 404 Error and archives pages/li>
- Custom Style Shortcodes
- Custom admin panel with 7 different option settings: General options, Homepage, Portfolio, Footer, Get in touch and 3D Homepage slider
- 5 custom widgets: Flickr, Header Search form, Popular Posts, Post Author Info, Related Posts
- 15 Custom widget sidebars
- Ajax Contact Form
- Font Replacement (cufon)
- Breadcrumbs Navigation
- Multi Level Menu
- All PSDs files (with all 10 colors)
- Layered PSDs are included for easy modification
- Detailed documentation included
Table of Contents
- Theme Info
- Features
- Files Included
- Theme Installation
- Add Pages, Categories and Posts
- Logo Setup
- Social Bookmarks
- Changing Color Options
- Theme Widget sidebars
- Changing Color Options
- Novatorix admin panel options
Theme Info
Novatorix is a Wordpress Theme, best suited for Business and Portfolio sites. This theme has all the popular and common features. It comes with a fantastic 3D Image slideshow that can be controlled from your backend with a custom tool. The Theme has a huge wordpress custom backend (7 different option pages) that make customization of the Theme easy for those who dont know much about coding or wordpress. For more details see features list below.
Features
- Multiple CSS Styles
- Select from 10 Custom CSS styles from Admin Area
- 2 Columns CSS Layout
- Homepage Sliders
- Nivo Slider
- The 3D image slider is editable without the use of flash. You can add and remove slides, change transitions with the help of a backend
- jQuery Drop-down menu
- Portfolio Gallery Templates
- Create as many Portfolio Galleries as you like
- Two layout options (full or gallery view)
- Lightbox (prettyPhoto) Effect for Pop-up Images
- Page Templates
- Contact Template
- Blog Template
- Full Width (no Sidebar)
- Sitemap
- 404 Error and archives pages
- Custom Style Shortcodes
- Custom Admin Panel with 7 different option pages: General options, Homepage, Portfolio, Footer, Get in touch and Homepage sliders
- Sidebar Widget ready Layout
- 5 custom widgets: Flickr, Header Search form, Popular Posts, Post Author Info, Related Posts
- 15 Custom Widget Sidebars
- Ajax Contact Form
- Font Replacement (font-face)
- Breadcrumbs Navigation
- All PSDs files (with all 10 colors)
- Layered PSDs also are included for easy modification
- Detailed documentation included
- Compatibility (IE 6, IE 7, IE 8, Firefox, Opera, Safari, Chrome)
Files Included
- 10 PSD files (with all 10 colors) and layered PSD files easy to slice
- HTML help file with instructions
- Wordpress PHP files
- Html files / PHP Files
- CSS files
Theme Installation
Update Wordpress
To ensure a positive user experience, we highly recommend you update your wordpress to the latest stable version. (currently 2.9.2 or 2.3.0). This will help to ensure that you are able to utilize all of the latest features of wordpress.
Installing Novatorix theme is just like installing any other wordpress theme.
1) Locate the [novatorix] directory inside the zip file you downloaded from ThemeForest.net
2) Upload the [novatorix] directory to your themes folder inside your wordpress [wp-content/themes/].
3) Activate the [Novatorix - Business, Portfolio and Blog theme] theme by selecting the Appearance -> Theme tab and then activate.
4) Theme do not requires plugins.
Make sure you have knowledge in wordpress before editing any code which is in php or css files.
Add Pages, Categories and Posts
1. At first create all Pages, that will be displayed in header menu.
a) Enter Page name
b) Add content
c) Select 'Template' from right sidebar. Available Novatorix templates: Blog Template, Contact Template, Full Width Template, Portfolio Full View, Portfolio Gallery View, Sitemap Template and 404 error page
d) After all pages was created go to admin panel 'Novatorix => General' and find 'Blog Page' and select page that will show Blog posts. Save changes.
2. Create Blog Categories
3. Create Posts
a) Enter post Title
b) Enter Content
c) Select Category from right sidebar.
d) Each post needs to have an image associated with it. 'Set thumbnail' in right sidebar under 'Post Thumbnail'. Upload full view image.
e) Add 'Portfolio image Description' for 'Portfolio Full View' template
f) Add 'Portfolio videos, flash, YouTube, Vimeo url'. Insert videos, flash, YouTube, Vimeo, iFrames full url. Note: If is empty will show image full preview from 'Post Thumbnail'.
e) Don't forget to Save when you done.
Logo Setup
For changing the logo you need to save the logo in transparent PNG format and setup URL in admin panel 'Novatorix => General'
Social Bookmarks
I have added total of 4 Options which you can enable or disable by going to theme options.
Changing Color Options
Provided 10 color schemes.
Theme Widget sidebars
5 custom widgets: Flickr, Header Search form, Popular Posts, Post Author Info, Related Posts. 15 Custom widget sidebars.
Novatorix admin panel options
'General' options
- Select your preferred color scheme.
- URL to your logo.
- Enter your header slogan or you can select select widget 'Homepage slogan'.
- Page that will show Blog posts.
- Exclude Pages.
- Exclude Blog Categories.
- Enable breadcrumbs
- Tracking Code (e.g. Google Analytics). The code will be added to the footer of each pages.
'Homepage 3 Columns' options
- Enter 3 columns title, url, image url and description or you can select select widgets 'Homepage column 1', 'Homepage column 2' and 'Homepage column 3'.
'Homepage 4 Columns' options
- Enter 4 columns title and description.
'Homepage slider' options
- Please enter how many images to show in homepage slider. Note: click 'Save changes' and after you will instert images and descrtption.
- Select slider: Nivo slider, Piecemaker 3D slider or use static image. If you will select static image, please enter 'Static Image URL' and 'Static Go To URL' (optional).
- Upload all images into your theme folder /novatorix/scripts/piecemaker/images/ and enter only image name (e.g. image1.jpg).
- Enter 'Headline', 'Description' for all images. Required is only 'Image name', 'Headline' and 'Description' are optional.
- Use a lot of slider options like Image Width, Image Height, Segments, Tween Type, etc.
'Portfolio' options
- Choose the number of items you want to display on your Portfolio Gallery view Pages. In Portfolio full view will show default number from 'Reading Settings' => (http://www.yoursite.com/wp-admin/options-reading.php)
- Assign Portfolio Page to a Category. Must be selected page templates for portfolio already when you will create pages.
'Get in touch' options
- Enable RSS, Twitter, Facebook, LinkedIn and enter full url for them. You can uncheck to now show images and links. These images will be show in footer.
- Enter your Address, Phone, Your fax, Your email or select widget 'Footer column 3'.
- Enter Footer copyrigh info.
'Footer' options
- Enter first and second testimonial or select widget 'Footer column 1' and 'Footer column 2'.
- Enter your Address, Phone, Your fax, Your email or select widget 'Footer column 3'.
- Enter Footer copyrigh info.
Thank you once again for purchasing this template. Please go to www.themeforest.net downloads page where you downloaded the template and give ratings to this theme.


Pic is the gallery site to display some beautiful picnic photos in TOKYO. Our city is highly developed and urbanized, but it is a little too difficult for you to discover any open spaces which may feel free to have a time. This site provides good open spaces and times through these photos.
Ruriko Iizuka is the photographer in KEIO Pincic Club and takes the picnic photos and presents them in this site.
She is ...
Copyright ©2014 KEIO Picnic Club.


Whoops, an internal error occurred.
We've been notified and are working on this. If this problem continues, please contact us.
{% extends "accounts/accounts_base.html" %} {% block title %} Internal Error - {{ TESTBED }} {{ CLEARINGHOUSE }} {% endblock title %} {% block content %}
We've been notified and are working on this. If this problem continues, please contact us.


THE EDUTECH was established in 2019 with the aim of providing quality guidance to students who intend to study. Today, we are the leaders in educational consultancy and represent leading colleges and universities in India [Uttar Pradesh, Maharashtra, Bangalore, Orissa, Madhya Pradesh, Rajasthan, Tamil Nadu and many more…] and in overseas also.
THE EDUTECH has of experience in counselling students and has helped over 20+ students gain admission into colleges and universities in India and overseas.
SERVICES of admission provider
PURPOSE
Our Purpose is providing the best possible guidance to students from India who intends to study. We understand that every student has different goals and each one has a different path to those goals. We guide each of our clients through the process of identifying the course best suited to him/her based on individual strengths, needs and aspirations. Our approach ensures that long- term satisfaction of all our students as well as the institutions they enrol in.
At THE ADMISSION PROVIDER, our purpose is to:
Ensure that a student is making a well-informed decision by providing complete and accurate information about colleges and universities, courses of study and their study destinations.
Assist students in finding courses that are best suited to them by applying a holistic approach that includes the student's academic, work history, requirements, ambitions, circumstances and strengths.
Guide students through the admission processes for their chosen university.
AD
AD
PNB BIHAR STUDENT CREDIT CARD SCHEME` Education Loan Scheme For Pursuing Higher Education For Students Of Bihar
Objective:
The PNB Bihar Student Credit Card Scheme outlined below aims at providing financial support from the banking system to those students who have passed their Intermediate/ 12th class from institutions recognized by the Govt of Bihar, and are unable to pursue higher education due to financial constraints.The students belonging to Bihar can pursue higher education in or outside Bihar under Technical or Non-technical courses. The main emphasis is that students are provided with an opportunity to pursue higher education with the financial support from the banking system with reasonable and affordable terms and conditions.
PURPOSE
AD
AD


Statistics Calculator
Calc
List Editor
Distributions
Normal
Student's T
Χ
2
F
Binomial
Estimates
Z Confidence Interval of the Mean
T Confidence Interval of the Mean
Z Confidence Interval for a Proportion
Z Confidence Interval of Two Means
T Confidence Interval of Two Means
Z Confidence Interval of Two Proportions
Tests
Z Test of a Mean
T Test of a Mean
Z Test of a Proportion
Z Test of Two Means
T Test of Two Means
Z Test of Two Proportions


---
layout: game-page
redirect_from: /game/kinect-hello-world
title: Kinect Hello World
year: 2011
semester: Fall
description: "An experiment using the Microsoft Kinect for a GCS project.
The goal was to see what it took to get the Kinect working and whether it was possible to do so in a reasonable amount of time. The result is a resounding \"yes\". This is a functional, if buggy, rail shooter using the Kinect as a controller."
tags: Windows Kinect Singleplayer
# tag options: "Windows",
# "Singleplayer", "Multiplayer",
# "Controller-Compatible", "VR",
# "Game-Jam"
project_members: {
Alex Moser: "Music, Modeling",
Evan Shimizu: Kinect Advice,
Joseph Altmaier: Programming,
Matt Becker: Animation,
Sharon Hoosein: Modeling
}
stage_game_path: kinect-hello-world/
builds: {
Windows: kinect-hello-world.win32.zip
}
# Optional
top-img-fit: cover
# top-img-fit options:
# "cover" - Cover the entire top area with the image, without squashing/stretching
# "fill" - Fit the FULL image into the top area, squashing/stretching as necessary
---


Please check if there is a good blue bounding box around every instance of the specified object.
- See the examples below to learn what is considered a good bounding box.
- Ignore any bad blue boxes, if any.
- Say 'Yes' if every instance of the object has a good box around it.
- Say 'Yes' if there are no instances of this object in the image.
- Say 'No' if at least one instance of the object does not have a good box.


OverviewWhat is a Coverage Tool?A coverage tool is a tool used when testing to determine exactly how much of the application you have tested. A good tool will also give you specific examples of what hasn't been tested. Coverage of a program is reported on the basis of metrics. You can think of coverage in terms of a graph with vertices and edges. The vertices represent statements that can be executed, and the edges represent flow control within the program. There are three classes of coverage that can be divined from this model:
There are other types of coverage which can be measured. These are primarily focused around where these metrics cannot easily reach. The two which come to mind first are:
Coverage tools provide assurance that Unit tests and Integration tests are indeed exercising the class adequately. This information is vital to determine if enough testing is being done. Coverage also provides valuable insight into the risk of software failure. The more a piece of code is executed under test, the less likely that a software failure will show up at the last minute, or even be found by a customer. What is Quilt?Quilt is a coverage analysis tool which operates on Java bytecode. It intercepts the bytecode before it is loaded into the JVM and instruments the class. The instruments in the class are then queried after the tests are run, and coverage is calculated. In the future, Quilt should also be able to provide insight into what tests can be added to improve coverage. There are three ways of building a coverage tool, each with their own ups and downs. The three ways you can do it are:
Why Free?There are a couple of reasons why Quilt is Open Source. First, its because Coverage tool providers charge an arm and a leg for their tools. I wanted to experiment with Code Coverage, and at the time I couldn't buy a tool for less that $500. And of course, the idea of intercepting bytecode before it hits the JVM, and adding code to it is kind of fun. Why wouldn't anyone want to do it? |


Jerry Kaplan: The Law of Artificial Intelligence
19 Feb 2015Jerry Kaplan has been an interesting force in the Stanford AI community over the past couple years. He’s been a major player in Silicon Valley since the 80s, was one of the early pioneers of touch-sensitive tablets and online auctions, and wrote a book about his 1987 pen-based operating system company (which was ahead of its time, unfortunately for the company). Recently, however, he seems to have a new mission of fostering a broader discussion of the history and philosophy of AI, especially on the Stanford campus. He has been giving a number of talks on these topics, and taught a class that brought in other AI speakers.
His most recent talk, through the Stanford CodeX center, was partially a plug for his upcoming book, “Humans Need Not Apply: A Guide to Wealth and Work in the Age of Artificial Intelligence” but focused specifically on how the legal system should handle the rise of autonomous systems. He draws a distinction between a system being “conscious” (which is far off for machines, and more of a philosophical question) and a system being a “moral agent” that is legally considered as an “artificial person.” Arguably corporations already fall under this definition, since they have rights (e.g. free speech) and can be charged with legal action independently from their employees (e.g. in the BP Deepwater Horizon spill).
Can an AI be a moral agent? Jerry argues that systems like autonomous cars are able to predict the consequences of their actions and are in control of those actions (without requiring human approval), so they meet at least a basic definition of moral agency. As has been discussed by others, self-driving cars will have to make decisions analogous to the philosophical “trolley problem,” in which every possible action results in harm to humans and value judgments must be made. Since AIs can (implicitly or explicitly) have some encoded moral system, they should bear some responsibility for their actions.
He proposed a few ways of actually enforcing this in practice. The simplest would be some type of licensing system, in which every AI system meeting some threshold of complexity would need to be registered with the government. If an AI is misbehaving in some way, such as a driverless taxi driving recklessly fast in hopes of a better tip, then its license would be revoked. The AI might just be destroyed, or if we think that the problem is fixable then it could be “rehabilitated” e.g. with new training data. There are many possible complications here (I asked him about how this would work if the AI is partially distributed in the cloud), but this general approach makes sense.
I’m happy that we’re handing over more and more control to AIs, freeing up humans from mundane tasks and probably outperforming them in many areas (though this will require some restructuring of the economy, which is a topic for another post). There are, however, some very practical problems that we need to address sooner than later - I’m glad to see that technically-minded people like Jerry are diving into these issues.
Comments? Complaints? Contact me @ChrisBaldassano


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| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
java.lang.Object | +--org.objectstyle.cayenne.access.util.DefaultOperationObserver
Simple implementation of OperationObserver interface. Useful as a superclass of other implementations of OperationObserver. This implementation only tracks transaction events and exceptions.
This operation observer is unsafe to use in application, since it doesn't
rethrow the exceptions immediately, and may cause the database to hang.
Use QueryResult
instead.
| Field Summary | |
static org.apache.log4j.Level |
DEFAULT_LOG_LEVEL
|
protected java.util.List |
globalExceptions
|
protected org.apache.log4j.Level |
loggingLevel
|
protected java.util.Map |
queryExceptions
|
| Constructor Summary | |
DefaultOperationObserver()
|
| Method Summary | |
java.util.List |
getGlobalExceptions()
Returns a list of global exceptions that occured during data operation run. |
org.apache.log4j.Level |
getLoggingLevel()
Returns a log level level that should be used when logging query execution. |
java.util.Map |
getQueryExceptions()
Returns a list of exceptions that occured during data operation run by query. |
boolean |
hasExceptions()
Returns true if at least one exception was registered
during query execution. |
boolean |
isIteratedResult()
Returns false . |
boolean |
isTransactionCommitted()
Deprecated. since 1.1 this is deprecated |
boolean |
isTransactionRolledback()
Deprecated. since 1.1 this is deprecated |
void |
nextBatchCount(Query query,
int[] resultCount)
Invoked after the batch update is executed |
void |
nextCount(Query query,
int resultCount)
Invoked after the update (can be insert, delete or update query) is executed. |
void |
nextDataRows(Query query,
java.util.List dataRows)
Invoked after the next query results are read. |
void |
nextDataRows(Query q,
ResultIterator it)
Invoked after the next query is invoked, if a query required results to be returned as a ResultIterator. |
void |
nextGlobalException(java.lang.Exception ex)
Invoked when a "global" exception occurred, such as JDBC connection exception, etc. |
void |
nextQueryException(Query query,
java.lang.Exception ex)
Invoked when an exception occurs during query execution. |
void |
printExceptions(java.io.PrintWriter out)
Prints the information about query and global exceptions. |
void |
setLoggingLevel(org.apache.log4j.Level level)
Sets log level that should be used for queries. |
void |
transactionCommitted()
Invoked when a batch of queries was processed as a single transaction, and this transaction was successfully committed. |
void |
transactionRolledback()
Invoked when a batch of queries was processed as a single transaction, and this transaction was failed and was rolled back. |
boolean |
useAutoCommit()
Deprecated. Since 1.1 this method is no longer used by Cayenne. |
| Methods inherited from class java.lang.Object |
clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Field Detail |
public static final org.apache.log4j.Level DEFAULT_LOG_LEVEL
protected java.util.List globalExceptions
protected java.util.Map queryExceptions
protected org.apache.log4j.Level loggingLevel
| Constructor Detail |
public DefaultOperationObserver()
| Method Detail |
public void printExceptions(java.io.PrintWriter out)
public java.util.List getGlobalExceptions()
public java.util.Map getQueryExceptions()
public boolean hasExceptions()
true
if at least one exception was registered
during query execution.
public boolean isTransactionCommitted()
public boolean isTransactionRolledback()
public org.apache.log4j.Level getLoggingLevel()
getLoggingLevel
in interface OperationHints
public void setLoggingLevel(org.apache.log4j.Level level)
level
argument is null, level is set to
DEFAULT_LOG_LEVEL. If level
is equal or higher
than log level configured for QueryLogger, query SQL statements
will be logged.
public void nextCount(Query query, int resultCount)
OperationObserver
nextCount
in interface OperationObserver
public void nextBatchCount(Query query, int[] resultCount)
OperationObserver
nextBatchCount
in interface OperationObserver
public void nextDataRows(Query query, java.util.List dataRows)
OperationObserver
nextDataRows
in interface OperationObserver
public void nextDataRows(Query q, ResultIterator it)
OperationObserver
nextDataRows
in interface OperationObserver
public void nextQueryException(Query query, java.lang.Exception ex)
OperationObserver
nextQueryException
in interface OperationObserver
public void nextGlobalException(java.lang.Exception ex)
OperationObserver
nextGlobalException
in interface OperationObserver
public void transactionCommitted()
OperationObserver
transactionCommitted
in interface OperationObserver
public void transactionRolledback()
OperationObserver
transactionRolledback
in interface OperationObserver
public boolean useAutoCommit()
true
so that individual queries are executed in separate transactions.
useAutoCommit
in interface OperationHints
public boolean isIteratedResult()
false
.
isIteratedResult
in interface OperationHints
|
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| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |


Barbell Configurator
Barbell Config
Barbell
settings
Units
Barbell Weight
Available Plates
Set the maximum number of plates you can put on each side of the barbell
Warmup Scheme
%
reps
Ignore small plates on warmup
Prefer fewer plate changes on warmup
Beta
Multi-weight input mode
Enter multiple weights to appear on 1 row. Separate with * , + # ;
Weight
Working Weight:
x
work
x
bar


The SoapDictionary class is a base class of dictionary objects. It is not in itself an dictionary, but proxies to the items property.
Inherits from NSMutableDictionary*.
For more about Objective-C properties, see “Properties” in The Objective-C Programming Language.
Provides access to the dictionary of deserialized objects.
@property (retain, nonatomic) NSMutableDictionary* items
Initializes the dictionary and returns it.
- (id) initWithNode: (CXMLNode*) node
Creates a new dictionary from the node.
+ (id) newWithNode: (CXMLNode*) node
Serializes a string to an dictionary.
+ (NSMutableString*) serialize: (NSDictionary*) dictionary


Consideraciones (éticas y operativas) al uso de la tecnología
May 30, 2018 in Philosophy, Technology
Read PostMay 30, 2018 in Philosophy, Technology
Read PostApr 20, 2018 in Computers, Internet, Schools, Technology, Organization, Perception, Learning
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Provides Beautiful Animated Marker Clustering functionality for Leaflet, a JS library for interactive maps.
Requires Leaflet 0.7.0 or newer.
For a Leaflet 0.5 compatible version, Download b128e950
For a Leaflet 0.4 compatible version, Download the 0.2 release
See the included examples for usage.
The realworld example is a good place to start, it uses all of the defaults of the clusterer. Or check out the custom example for how to customise the behaviour and appearance of the clusterer
Create a new MarkerClusterGroup, add your markers to it, then add it to the map
var markers = new L.MarkerClusterGroup();
markers.addLayer(new L.Marker(getRandomLatLng(map)));
... Add more layers ...
map.addLayer(markers);
By default the Clusterer enables some nice defaults for you:
You can disable any of these as you want in the options when you create the MarkerClusterGroup:
var markers = new L.MarkerClusterGroup({ spiderfyOnMaxZoom: false, showCoverageOnHover: false, zoomToBoundsOnClick: false });
As an option to MarkerClusterGroup you can provide your own function for creating the Icon for the clustered markers. The default implementation changes color at bounds of 10 and 100, but more advanced uses may require customising this. You do not need to include the .Default css if you go this way. You are passed a MarkerCluster object, you'll probably want to use getChildCount() or getAllChildMarkers() to work out the icon to show
var markers = new L.MarkerClusterGroup({
iconCreateFunction: function(cluster) {
return new L.DivIcon({ html: '<b>' + cluster.getChildCount() + '</b>' });
}
});
Check out the custom example for an example of this.
Enabled by default (boolean options):
Other options
If you register for click, mouseover, etc events just related to Markers in the cluster. To recieve events for clusters listen to 'cluster' + 'eventIWant', ex: 'clusterclick', 'clustermouseover'.
Set your callback up as follows to handle both cases:
markers.on('click', function (a) {
console.log('marker ' + a.layer);
});
markers.on('clusterclick', function (a) {
console.log('cluster ' + a.layer.getAllChildMarkers().length);
});
When you recieve an event from a cluster you can query it for the bounds. See example/marker-clustering-convexhull.html for a working example.
markers.on('clusterclick', function (a) {
map.addLayer(new L.Polygon(a.layer.getConvexHull()));
});
When you recieve an event from a cluster you can zoom to its bounds in one easy step. If all of the markers will appear at a higher zoom level, that zoom level is zoomed to instead. See marker-clustering-zoomtobounds.html for a working example.
markers.on('clusterclick', function (a) {
a.layer.zoomToBounds();
});
If you have a marker in your MarkerClusterGroup and you want to get the visible parent of it (Either itself or a cluster it is contained in that is currently visible on the map). This will return null if the marker and its parent clusters are not visible currently (they are not near the visible viewpoint)
var visibleOne = markerClusterGroup.getVisibleParent(myMarker);
console.log(visibleOne.getLatLng());
addLayer, removeLayer and clearLayers are supported and they should work for most uses.
addLayers and removeLayers are bulk methods for adding and removing markers and should be favoured over the single versions when doing bulk addition/removal of markers. Each takes an array of markers
If you are removing a lot of markers it will almost definitely be better to call clearLayers then call addLayers to add the markers you don't want to remove back in. See #59 for details.
hasLayer(layer): Returns true if the given layer (marker) is in the MarkerClusterGroup
zoomToShowLayer(layer, callback): Zooms to show the given marker (spidifying if required), calls the callback when the marker is visible on the map
addLayers(layerArray): Adds the markers in the given array from the MarkerClusterGroup in an efficent bulk method.
removeLayers(layerArray): Removes the markers in the given array from the MarkerClusterGroup in an efficent bulk method.
The Clusterer can handle 10000 or even 50000 markers (in chrome). IE9 has some issues with 50000. realworld 10000 example realworld 50000 example Performance optimizations could be done so these are handled more gracefully (Running the initial clustering over multiple JS calls rather than locking the browser for a long time)
Leaflet.markercluster is free software, and may be redistributed under the MIT-LICENSE.


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This should take no longer than a work day.


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{%- extends "base.html" %} {# Inside the ``content`` is where you should place most of your own stuff. This will keep scripts at the page end and a navbar you add on later intact. #} {% block content %}


This page shows automated results of the Leonids 2011, based on visual observations by volunteers astronomers collected through the report form of the International Meteor Organization (IMO). The information on this page is generated automatically; for scientific use please refer to manual analyses published in scientific journals (such as WGN). Send your feedback regarding this page to Geert Barentsen.
Page contents:
Note that the data will finally go into the Visual Meteor Database (VMDB) with manual inspection and rectifications. We are curretly completing the files of 2008-2011. The VMDB is an enormous project - any help will be greatly appreciated.
Page generated: 2012 January 18 at 15:15 UTC.
The graph below shows the ZHR (Zenithal Hourly Rate), which is the number of meteors an observer would see under a very dark sky with the radiant of the shower in zenith.
ZHRmax = 22 based on 258 Leonids reported in 125 intervals, assuming population index r = 2.5
| Time (UTC) | Solarlon | nINT | nLEO | ZHR | Particle density | |
|---|---|---|---|---|---|---|
| 2011-11-06 15:18 | 223.696 | 5 | 6 | 2 | ±1 | 4 / 109·km3 |
| 2011-11-09 05:51 | 226.310 | 1 | 4 | 6 | ±3 | 12 / 109·km3 |
| 2011-11-14 18:01 | 231.845 | 2 | 13 | 11 | ±3 | 22 / 109·km3 |
| 2011-11-17 04:18 | 234.291 | 26 | 53 | 17 | ±2 | 33 / 109·km3 |
| 2011-11-18 03:29 | 235.265 | 17 | 60 | 22 | ±3 | 43 / 109·km3 |
| 2011-11-18 18:13 | 235.884 | 38 | 54 | 17 | ±2 | 33 / 109·km3 |
| 2011-11-20 00:25 | 237.154 | 23 | 49 | 15 | ±2 | 29 / 109·km3 |
| 2011-11-24 06:53 | 241.467 | 3 | 5 | 6 | ±2 | 12 / 109·km3 |
| 2011-11-27 07:38 | 244.534 | 5 | 3 | 1 | ±0 | 2 / 109·km3 |
| 2011-11-28 13:42 | 245.803 | 5 | 11 | 3 | ±1 | 6 / 109·km3 |
The reported intervals are automatically added together into the bins shown above, based on the number of meteors and the distribution of the intervals. For each bin, the following parameters are computed:
Data has been received from 30 observers in 15 countries. Thank you for your efforts!
Note: click on the map for an interactive version.
| Observer | Country | Teff | nLEO |
|---|---|---|---|
| Alexandre Amorim | Brazil | 2.04h | 1 |
| Zsofi Biro | Hungary | 4.00h | 27 |
| Students Bsu | Russia | 20h | 43 |
| Yuguang Chen | China | 1.50h | 9 |
| Apurva Chordia | India | 1.00h | 2 |
| Khimaram Chuadhary | India | 4.34h | 4 |
| William Godley | United States | 1.00h | 2 |
| Karoly Jonas | Hungary | 3.00h | 6 |
| Javor Kac | Slovenia | 1.74h | 2 |
| Shalmalee Kapse | India | 1.00h | 2 |
| Zheng Kuang | China | 1.67h | 1 |
| Alexandr Maidik | Ukraine | 0.55h | 1 |
| Qiang Ma | China | 1.00h | 6 |
| Pierre Martin | Canada | 1.12h | 0 |
| Jozsef Morvai | Hungary | 3.00h | 12 |
| Piraji Patil | India | 4.04h | 3 |
| Pramila Patil | India | 7.27h | 9 |
| Shalan Patil | India | 10.86h | 20 |
| Jurgen Rendtel | Germany | 25h | 108 |
| Jiangao Ruan | China | 1.17h | 3 |
| Jiangao Ruan | China | 4.42h | 3 |
| Aguirre Salvador | Mexico | 2.00h | 6 |
| Francisco José Sevilla Lobato | Spain | 0.60h | 3 |
| Richard Taibi | United States | 2.97h | 10 |
| Istvan Tepliczky | Hungary | 0.50h | 2 |
| Sonal Thorve | India | 1.00h | 0 |
| Michel Vandeputte | Belgium | 12.47h | 15 |
| Jakub Koukal | Czech Republic | 4.00h | 29 |
| Bingqi Tong | China | 1.72h | 7 |
| Shigeo Uchiyama | Japan | 2.00h | 4 |
| Tejaswini Varade | India | 10.96h | 38 |
| Kiran Wani | India | 2.33h | 0 |
| Kiran Wani | India | 2.99h | 3 |
| Weizhou Zeng | China | 1.47h | 8 |
Create your own analysis. The files below can be opened using Excel:
leo2011_rate.csv (number of meteors per interval per observer)
leo2011_magn.csv (number of meteors per magnitude bin per observer)
The information on this page may be distributed freely provided credit is given to the International Meteor Organization (IMO) and, when possible, to the individual observers. The computer facilities to generate this page are provided by ESA/RSSD and Armagh Observatory.
References:


1 reference to PdhGetCounterInfo
Microsoft.PowerShell.Commands.Diagnostics (1)
PdhHelper.cs (1)
475
res =
PdhGetCounterInfo
(hCounter, false, ref pBufferSize, bufCounterInfo);


Software developer extraordinaire (not really but some would say I am okay). Not much to say about me, I generally enjoying programming and creating solutions to a wide variety of problems, facing new challenges is exhilarating which is why I push myself to keep learning. Recently I put a lot of my efforts in gaining a deep understanding of machine learning practices and techniques, while I have still much to learn, my confidence in my abilities is growing daily.
Outside of that, I am quite a normal modern day human, although my ability to complete old school CAPTCHA begs to differ... I enjoy an assortment of media (books, video games, music, etc...) meaning that leaves me little time or passion for excessive physical activity. In other words, if you're interested in discussing universal basic income, or the idea of how super artificial general intelligence could be seen as a sort of human 2.0, I'm your guy; if you talk about your protein shakes and muscle mass, I'd have little to add to such a conversation. I believe strongly in opensource software and what it means for society and humanity as a whole
Deep Learning
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