A Film Review by Mark O'Hara
Visit Online Film Critics Society at http://www.ofcs.org
American Beauty (1999)
There's something classic about the word "American" when it's used in a title. It's appeared in the names of films, fiction, music and many more genres, and gains a certain amount of dignity perhaps from the nomenclature of history: wars and political events.
"American Beauty," from director Sam Mendes, spins this proper adjective in an altogether new direction.
The film opens with an aerial shot, voice-over narration running as the camera closes in on a city and then a neighborhood and street. Lester Burnham (Kevin Spacey) tells us this is his town and street - his life. And he will be dead within a year.
Why the artifice, the super-removed point of view from a crucial character? It's part of the approach that lifts "American Beauty" beyond mediocrity and places it on the level of classic.
 A schmuck that slaves for an advertising agency, Lester is on his way out due to downsizing. His marriage is loveless, his wife caught up in her business as pusher of real estate, seemingly obsessed with beating out her competition, Buddy Kane, the "King" of Real Estate (played by a graying Peter Gallagher). Daughter Jane is part of a high school troupe, sort of dancing cheerleaders, and often shows her sullen teen demeanor. When Mom and Dad actually show up at the half time of a basketball game to catch the dancers' performance, Lester catches sight of Jane's friend Angela Hayes (Mena Suvari) and begins a fixation that traces his fall from typical American grace. It is as though Angela dances for him alone, and we see the first of segments set in unreal time, the fantasies that feature Angela in sensual poses, surrounded by loads of red rose petals.
But Lester's life is not the only one beset by unhappiness and miserable hope. Wife Carolyn becomes smitten by no other than Buddy the "King" himself, and Jane shows fascination with a new neighbor kid named Ricky Fitts (Wes Bentley), who has come out of two years in a mental hospital and now sells exotic marijuana to a wide clientele. Ricky's father is a military retiree who introduces himself as "Colonel Fitts, U. S. Marine Corps."
What goes down largely involves Lester's abandoning of the American work ethic. He writes an absurd diatribe of a job description for himself, ensuring his firing, but blackmails his way into a year's full salary and benefits, using knowledge of managerial infidelities. After Angela comments to Jane that she would find Jane's dad attractive if he would just work out a little, Lester indeed begins to work out. He also begins to speak his mind to his wife, and to smoke Ricky's very best blend. We never expect Lester to be happy in the long term, as we know his fate already; but he does have a heck of a good time in his reconciliation with reality.
The ensemble cast does a marvelous job of portraying individuals with lost dreams. Kevin Spacey fills in the blanks of Lester's life with terrible nuances: we are at once repelled and drawn by his devil-may-care antics. For a long time Lester is caught in his unsmiling rut. When he finally breaks out and grins, we are happy for him, and realize the best side of the film: it's a very dark comedy that pokes you in the ribs, getting as many winces of pain as it gets laughs. For his sketching of Lester Burnham, Spacey deserves at least a few nominations.
Annette Bening shows her talent for comedy and melodrama, often in the same scene. At one point she shows a hopeless cause of a house (which she herself cleans) to several reluctant couples. After the open house is over, Carolyn leans against the patio door and sobs, finally slapping herself out of it. She is a creature attracted to success to an extreme degree, using mantras like "I am going to sell this house today," and "I will no longer be a victim." Carolyn's love for Lester is on hold, but she could connect once again if she could stop worrying about his ruining the furniture.
Thora Birch is wonderful as Jane, an angry girl looking for any type of attention. With a talent for using a deadpan expression, Birch shows utter contempt for her parents, yet commences to see the beautiful side of her creepy neighbor Ricky. This actress also shows perfectly natural, if a bit reluctant, nonchalance when she is the subject of Ricky's ever-present videocamera.
Chris Cooper, one of the best character actors now working, plays Colonel Fitts with gripping naturalness. Although we need to know more about his motivation, Fitts treats son Ricky with extra-stern discipline, virtually jailing him for two years after the boy smokes pot and severely beats a schoolmate. Late in the film Fitts shows more of his butch-headed mania; in every scene he thrills us with what he might do to any character around him.
First-time film director Sam Mendes does a nice job with Alan Ball's script. One criticism is that Mendes, a veteran of theater, is overly enamored with the medium of film. Composition and framing are often very noticeable, distracting viewers from the action, and in fact causing the action to move at a slow pace at times. But the shots are nevertheless amazing to watch: perfectly groomed living rooms, double and triple images of Jane on Ricky's camera and television screens as she poses for him across the side yard. Further, imagery involving red roses and water lend the story a whimsical resonance. Several scenes benefit from a stark soundtrack of piano and marimba.
What the film ultimately takes as its topic is just what the title suggests: Beauty. Angela Hayes is as beautiful as the red rose of the film's name, but beauty is in fact skin deep. Ricky often mentions beauty when talking of his filming. In one sequence that he shows to Jane, a white plastic bag is tossed in a tiny whirlwind among the leaves on an empty sidewalk, a symbol of the beauty that results from being human - from being tossed about and absorbing the aches we get from love or the lack of it, which is neglect. The beauty these characters experience or miss is again typically American, and the result is a tale of immorality and wonder that causes mixed feelings toward the characters and their actions.
"American Beauty" has come out a couple of months before December's Oscar competitors, but some nominations should come its way. The film is rated R for language and drug use, a couple of scenes of extreme violence, and strong sexual content. I would hesitate taking along anyone under 17, the American recommendation for mature viewing audiences.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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Animation and Transitions in Qt Quick
Animation and Transitions Types
- Transition - Animates transitions during state changes
- SequentialAnimation - Runs animations sequentially
- ParallelAnimation - Runs animations in parallel
- Behavior - Specifies a default animation for property changes
- PropertyAction - Sets immediate property changes during animation
- PauseAnimation - Introduces a pause in an animation
- SmoothedAnimation - Allows a property to smoothly track a value
- SpringAnimation - Allows a property to track a value in a spring-like motion
- ScriptAction - Runs scripts during an animation
Types that animate properties based on data types
Animates changes in anchor values | |
Animates changes in parent values | |
Animates an item along a path | |
Animates changes in color values | |
Animates changes in qreal-type values | |
Animates changes in property values | |
Animates changes in rotation values | |
Animates changes in QVector3d values |
Animations are created by applying animation types to property values. Animation types will interpolate property values to create smooth transitions. As well, state transitions may assign animations to state changes.
To create an animation, use an appropriate animation type for the type of the property that is to be animated, and apply the animation depending on the type of behavior that is required.
Triggering Animations
There are several ways of setting animation to an object.
Direct Property Animation
Animations are created by applying animation objects to property values to gradually change the properties over time. These property animations apply smooth movements by interpolating values between property value changes. Property animations provide timing controls and allows different interpolations through easing curves.
Rectangle { id: flashingblob width: 75; height: 75 color: "blue" opacity: 1.0 MouseArea { anchors.fill: parent onClicked: { animateColor.start() animateOpacity.start() } } PropertyAnimation {id: animateColor; target: flashingblob; properties: "color"; to: "green"; duration: 100} NumberAnimation { id: animateOpacity target: flashingblob properties: "opacity" from: 0.99 to: 1.0 loops: Animation.Infinite easing {type: Easing.OutBack; overshoot: 500} } }
Specialized property animation types have more efficient implementations than the PropertyAnimation type. They are for setting animations to different QML types such as int
, color
, and rotations. Similarly, the ParentAnimation can animate parent changes.
See the Controlling Animations section for more information about the different animation properties.
Using Predefined Targets and Properties
In the previous example, the PropertyAnimation and NumberAnimation objects needed to specify particular target and properties values to specify the objects and properties that should be animated. This can be avoided by using the <Animation> on <Property> syntax, which specifies the animation is to be applied as a property value source.
Below are two PropertyAnimation objects that are specified using this syntax:
import QtQuick 2.0 Rectangle { id: rect width: 100; height: 100 color: "red" PropertyAnimation on x { to: 100 } PropertyAnimation on y { to: 100 } }
The animation starts as soon as the rectangle is loaded, and will automatically be applied to its x
and y
values. Since the <Animation> on <Property> syntax has been used, it is not necessary to set the target value of the PropertyAnimation objects to rect
, and neither is it necessary to set the property values to x
and y
.
This can also be used by grouped animations to ensure that all animations within a group are applied to the same property. For example, the previous example could instead use SequentialAnimation to animate the rectangle's color
first to yellow, then to blue:
import QtQuick 2.0 Rectangle { width: 100; height: 100 color: "red" SequentialAnimation on color { ColorAnimation { to: "yellow"; duration: 1000 } ColorAnimation { to: "blue"; duration: 1000 } } }
Since the SequentialAnimation object has been specified on the color
property using the <Animation> on <Property> syntax, its child ColorAnimation objects are also automatically applied to this property and do not need to specify target or property animation values.
Transitions during State Changes
Qt Quick States are property configurations where a property may have different values to reflect different states. State changes introduce abrupt property changes; animations smooth transitions to produce visually appealing state changes.
The Transition type can contain animation types to interpolate property changes caused by state changes. To assign the transition to an object, bind it to the transitions
property.
A button might have two states, the pressed
state when the user clicks on the button and a released
state when the user releases the button. We can assign different property configurations for each state. A transition would animate the change from the pressed
state to the released
state. Likewise, there would be an animation during the change from the released
state to the pressed
state.
Rectangle { width: 75; height: 75 id: button state: "RELEASED" MouseArea { anchors.fill: parent onPressed: button.state = "PRESSED" onReleased: button.state = "RELEASED" } states: [ State { name: "PRESSED" PropertyChanges { target: button; color: "lightblue"} }, State { name: "RELEASED" PropertyChanges { target: button; color: "lightsteelblue"} } ] transitions: [ Transition { from: "PRESSED" to: "RELEASED" ColorAnimation { target: button; duration: 100} }, Transition { from: "RELEASED" to: "PRESSED" ColorAnimation { target: button; duration: 100} } ] }
Binding the to
and from
properties to the state's name will assign that particular transition to the state change. For simple or symmetric transitions, setting the to to
property to the wild card symbol, "*
", denotes that the transition applies to any state change.
transitions: Transition { to: "*" ColorAnimation { target: button; duration: 100} }
Default Animation as Behaviors
Default property animations are set using behavior animations. Animations declared in Behavior types apply to the property and animates any property value changes. However, Behavior types have an enabled
property to purposely enable or disable the behavior animations.
A ball component might have a behavior animation assigned to its x
, y
, and color
properties. The behavior animation could be set up to simulate an elastic effect. In effect, this behavior animation would apply the elastic effect to the properties whenever the ball moves.
Rectangle { width: 75; height: 75; radius: width id: ball color: "salmon" Behavior on x { NumberAnimation { id: bouncebehavior easing { type: Easing.OutElastic amplitude: 1.0 period: 0.5 } } } Behavior on y { animation: bouncebehavior } Behavior { ColorAnimation { target: ball; duration: 100 } } }
There are several methods of assigning behavior animations to properties. The Behavior on <property>
declaration is a convenient way of assigning a behavior animation onto a property.
See the Qt Quick Examples - Animation for a demonstration of behavioral animations.
Playing Animations in Parallel or in Sequence
Animations can run in parallel or in sequence. Parallel animations will play a group of animations at the same time while sequential animations play a group of animations in order: one after the other. Grouping animations in SequentialAnimation and ParallelAnimation will play the animations in sequence or in parallel.
A banner component may have several icons or slogans to display, one after the other. The opacity
property could transform to 1.0
denoting an opaque object. Using the SequentialAnimation type, the opacity animations will play after the preceding animation finishes. The ParallelAnimation type will play the animations at the same time.
Rectangle { id: banner width: 150; height: 100; border.color: "black" Column { anchors.centerIn: parent Text { id: code text: "Code less." opacity: 0.01 } Text { id: create text: "Create more." opacity: 0.01 } Text { id: deploy text: "Deploy everywhere." opacity: 0.01 } } MouseArea { anchors.fill: parent onPressed: playbanner.start() } SequentialAnimation { id: playbanner running: false NumberAnimation { target: code; property: "opacity"; to: 1.0; duration: 200} NumberAnimation { target: create; property: "opacity"; to: 1.0; duration: 200} NumberAnimation { target: deploy; property: "opacity"; to: 1.0; duration: 200} } }
Once individual animations are placed into a SequentialAnimation or ParallelAnimation, they can no longer be started and stopped independently. The sequential or parallel animation must be started and stopped as a group.
The SequentialAnimation type is also useful for playing transition animations because animations are played in parallel inside transitions.
Controlling Animations
There are different methods to control animations.
Animation Playback
All animation types inherit from the Animation type. It is not possible to create Animation objects; instead, this type provides the essential properties and methods for animation types. Animation types have start()
, stop()
, resume()
, pause()
, restart()
, and complete()
-- all of these methods control the execution of animations.
Easing
Easing curves define how the animation will interpolate between the start value and the end value. Different easing curves might go beyond the defined range of interpolation. The easing curves simplify the creation of animation effects such as bounce effects, acceleration, deceleration, and cyclical animations.
A QML object may have different easing curve for each property animation. There are also different parameters to control the curve, some of which are exclusive to a particular curve. For more information about the easing curves, visit the easing documentation.
The easing example visually demonstrates each of the different easing types.
Other Animation Types
In addition, QML provides several other types useful for animation:
- PauseAnimation: enables pauses during animations
- ScriptAction: allows JavaScript to be executed during an animation, and can be used together with StateChangeScript to reused existing scripts
- PropertyAction: changes a property immediately during an animation, without animating the property change
These are specialized animation types that animate different property types
- SmoothedAnimation: a specialized NumberAnimation that provides smooth changes in animation when the target value changes
- SpringAnimation: provides a spring-like animation with specialized attributes such as mass, damping and epsilon
- ParentAnimation: used for animating a parent change (see ParentChange)
- AnchorAnimation: used for animating an anchor change (see AnchorChanges)
Sharing Animation Instances
Sharing animation instances between Transitions or Behaviors is not supported, and may lead to undefined behavior. In the following example, changes to the Rectangle's position will most likely not be correctly animated.
Rectangle { // NOT SUPPORTED: this will not work correctly as both Behaviors // try to control a single animation instance NumberAnimation { id: anim; duration: 300; easing.type: Easing.InBack } Behavior on x { animation: anim } Behavior on y { animation: anim } }
The easiest fix is to repeat the NumberAnimation for both Behaviors. If the repeated animation is rather complex, you might also consider creating a custom animation component and assigning an instance to each Behavior, for example:
// MyNumberAnimation.qml NumberAnimation { id: anim; duration: 300; easing.type: Easing.InBack }
// main.qml Rectangle { Behavior on x { MyNumberAnimation {} } Behavior on y { MyNumberAnimation {} } }
See also Qt Quick Examples - Animation.


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Bases: AbstractControlFile.AbstractControlFile
Simple class to read/write control file.
Note read() and create() are in base class; encode() and decode() are helpers for them.
Lines of control file are:
magic1 data_file_name expected_size_in_bytes expected_md5_checksum basename_requested_for_receipt_file magic2


When you think of the times in your life where you’ve been the happiest, the proudest, or the most satisfied, which of the following values come to mind?
When I think back on my best experiences, I remember feelings of accomplishment, adventure, enthusiasm, or feeling like I was in control, had a high intellectual status, that I had a sense of creativity and feelings of being safe whenever I made money or had a sense of economic sercurity.
In general, I try to live up to these values: Disagree 1 ----- 2 ----- 3 ----- 4 ----- 5 Agree
I agree very strongly that I try to live up to these values. They are reflected in my everyday life and almost anytime I feel good it involves at least one of those values. Often times even if I do things well it doesn't count much to me if I don't have at least two of the values I mentioned involved the achievement. In fact, it is those values that lead me to believe I've made any accomplishment at all.
The strongest feeling that I had throughout my experiences also happened to be the most reocurring feeling in all of those memories as well. For, me this feeling is the sense of accomplishment. I need to feel as though I've done something worthwhile or something of value otherwise I don't feel as if I've done anything at all. I realized that each of the other feelings that I mentioned are all standards of measure that I use when evaluating the worth of something - how much intelligence did it take, were their unkown risks that made it an adventure without a predictable outcome, does it have monetary value.
What was the last topic that someone asked for your advice on? Did it relate to any of the values you found important?
The last topic someone asked for my advice on could best be described as getting their act together. The person had a hard time following through with things and forming a stable schedule to live by. To be honest I don't think I'm the best person to be asking about in regards to those values because they certainly aren't the ones that I believe in the strongest. However, I've noticed that in college, quite a few of my friends would ask me for help in physics, and in those moments I would always feel proud. I suppose those feelings reinforced my persistence learning in the subject and thus increased the likelihood that I would be able to help people out in the future.
How do you feel when you think about your values? Do you think it can help you mediate stereotype threat if you recognize you feel it? Can you think of any other exercises you can use to help you when you are feeling down (for whatever reason) at DBC?
I'm not so sure if my values help or not with my sterotype feelings. I may be wrong, but at this point I feel like placing value in intellectual ablities and feeling bad about sports go almost hand in hand. I still think that the most important thing to think about whenever I feel those feelings of not measuring up to most people in atheletics is to remember that I am whoever I make myself to be. It has nothing to do with any group I may or may not belong to.


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Page maintained by Ke-Sen Huang.
If you have additions or changes, send an e-mail.
Information here is provided with the permission of the ACM.
Note that when possible I link to the page containing the link to the actual PDF or PS of the preprint.
I prefer this as it gives some context to the paper and avoids possible copyright problems with direct linking.
Thus you may need to search on the page to find the actual document.
ACM Digital Library: Proceedings of the 2016 symposium on Interactive 3D graphics and games
ACM Digital Library (DOI) Link for the paper
Paper Abstract
Author Preprint
Paper Video
Paper Presentation
Paper Images
Paper Data
Demo Program or Source Code
Related Links
Changelog
Geometry
- SSVDAGs: Symmetry-aware Sparse Voxel DAGs
-
Alberto Jaspe Villanueva,
Fabio Marton,
Enrico Gobbetti
- Exploiting Coherence in Time-Varying Voxel Data
-
Viktor Kampe,
Sverker Rasmuson,
Markus Billeter,
Erik Sintorn,
Ulf Assarsson
- Triangle Reordering for Reduced Overdraw in Animated Scenes
-
Songfang Han,
Pedro V. Sander
- On the Efficiency of Image Metrics for Evaluating the Visual Quality of 3D Models
(IEEE TVCG Paper Presentation)
-
Guillaume Lavoue,
Mohamed Larabi,
Libor Vasa
Animation
- PRECISION: Precomputed Environment Semantics for Contact-Rich Character Animation
-
Mubbasir Kapadia,
Xu Xianghao,
Marcelo Kallmann,
Stelian Coros,
Robert W. Sumner,
Markus Gross
- Dynamically Balanced and Plausible Trajectory Planning for Human-Like Characters
-
Chonhyon Park,
Jae Sung Park, Steve Tonneau, Nicolas Mansard, Franck Multon, Julien Pettre,
Dinesh Manocha
- Path Patterns: Analyzing and Comparing Real and Simulated Crowds
-
He Wang,
Jan Ondrej,
Carol O'Sullivan
- Real-time Hair Mesh Simulation
-
Kui Wu,
Cem Yuksel
Simulation
- Ductile Fracture for Clustered Shape Matching
-
Ben Jones,
April Martin,
Joshua A. Levine,
Tamar Shinar,
Adam W. Bargteil
- Adaptive Impulse Response Modeling for Interactive Sound Propagation
-
Carl Schissler,
Dinesh Manocha
- Interactive Modal Sound Synthesis Using Generalized Proportional Damping
-
Auston Sterling,
Ming C. Lin
- Guided Ecological Simulation for Artistic Editing of Plant Distributions in Natural Scenes
(JCGT Paper Presentation)
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Gwyneth A. Bradbury,
Kartic Subr,
Charalampos Koniaris,
Kenny Mitchell,
Tim Weyrich
Interaction
- Barehanded Music: Real-time Hand Interaction for Virtual Piano
-
Hui Liang,
Jin Wang, Qian Sun, Yong-Jin Liu, Junsong Yuan, Jun Luo,
Ying He
- Augmented Reality Instruction for Object Assembly based on Markerless Tracking
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Li-Chen Wu,
I-Chen Lin,
Ming-Han Tsai
- Data-Driven Adaptive History List for Image Editing
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Hsiang-Ting Chen,
Li-Yi Wei,
Bjorn Hartmann,
Maneesh Agrawala
- New Controls for Combining Images in Correspondence
(IEEE TVCG Paper Presentation)
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Jing Liao,
Diego Nehab,
Hugues Hoppe,
Pedro V. Sander
Illumination
- Accurate Analytic Approximations For Real-Time Specular Area Lighting
-
Pascal Lecocq,
Sourimant Gael,
Marvie Jean-Eudes
- Sequential Monte Carlo Instant Radiosity
(Thesis)
-
Peter Hedman,
Tero Karras,
Jaakko Lehtinen
- Precomputed Illuminance Composition for Real-Time Global Illumination
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Johannes Jendersie,
David Kuri,
Thorsten Grosch
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(JCGT Paper Presentation)
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Cyril Crassin,
David Luebke,
Michael Mara,
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Peter Shirley,
Peter-Pike Sloan,
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Tobias Zirr,
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Morgan McGuire,
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Christoph Peters,
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Jefferson Amstutz,
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Johannes Gunther,
Ingo Wald
kesen.huang@gmail.com


| Interface | Description |
|---|---|
| UltrasonicController |
Implements two methods used for reading ultrasonic data and determines
whether to react to the data or not depending on the values (Too close or too
far from a wall).
|
| Class | Description |
|---|---|
| FinalProject |
Date 10/25/17 Preliminary version of the DPM final project using the final
code from lab 5 Still need to incorporate additional functionality such as
odometry correction and flag search.
|
| LightLocalizer |
Allows the robot in the beginning, and in times when error accumulates
too much to re-adjust itself and continue its tasks with corrected odometer
using one to potentially two light sensors to perform this task
|
| Navigation |
Navigates the robot around using coordinates that get converted into
distances based on the length of the tiles.
|
| Odometer |
Uses the odometer class to keep track of the position of
the robot with respect to the wheel rotations of the robot, along with the
heading of the robot
|
| OdometryCorrection |
Uses to correct the small but accumulating errors of the
odometer using the light sensor to detect grid lines on the
floor.
|
| OdometryDisplay |
Uses to display the odometer to the screen of the EV3 brick.
|
| UltrasonicLocalizer |
Uses at the start to approximate a suitable heading to then,
perform light localization using the light sensor.
|
| UltrasonicPoller |
Control of the wall follower is applied periodically by the UltrasonicPoller
thread.
|
| Enum | Description |
|---|---|
| LocalizationType |
The Enum LocalizationType, created enum to allow easy construction when
creating the constructor for ultrasonic localization
|
| UltrasonicLocalizer.LocalizationType |
The Enum LocalizationType.
|


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Comparision of different ways to write effective code for operations on lists.
I compareTo my surprise the third approach works always better and the second one proved to be the worth
-----------------------------------------------------------------------------| average_time/3 | Calculates average time of function executtion. |
| cnt/3 | Counts number of numbers {Less than P, Equal to P}. |
| compare_methods/3 | Calculates everage times calling different function on the same example. |
| compare_methods/4 | Calculates everage times calling different function on the same example. |
| filter/3 | Calls different methods for to filter even numbers from a list. |
| mk_example/2 | Creates example for testing. |
| time_tst/3 | Calls time:tc Repete times. |
average_time(Function::function(), Example::[number()], Repete::pos_integer()) -> number()
returns: average execution time
Calculates average time of function executtion
cnt(Lst::[integer()], P::integer(), X3::1 | 2 | 3) -> {integer(), integer()}
Counts number of numbers {Less than P, Equal to P}
Erlang/OTP 24 [erts-12.1.5] [source] [64-bit] [smp:8:8] [ds:8:8:10] [async-threads:1] [dtrace] Eshell V12.1.5 (abort with ^G) 1> c(cmp). {ok,cmp} 2> R=999, FL = [fun(Lst) -> cmp:cnt(Lst, R, I) end || I - [1,2,3]]. 3> cmp:compare_methods(FL, lists:seq(1,10000000), 10). [264023.2,281910.9,108400.2]Here
compare_methods(Functions::[function()], Example::[number()], Repete::pos_integer()) -> [{number(), number()}]
returns: list of execution times
Calculates everage times calling different function on the same example
compare_methods(Functions::[function()], Length::pos_integer(), Range::pos_integer(), Repete::pos_integer()) -> [number()]
returns: list of execution times
Calculates everage times calling different function on the same example
filter(Lst::[integer()], P::integer(), X3::1 | 2 | 3) -> [integer()]
Calls different methods for to filter even numbers from a list
Erlang/OTP 24 [erts-12.1.5] [source] [64-bit] [smp:8:8] [ds:8:8:10] [async-threads:1] [dtrace] Eshell V12.1.5 (abort with ^G) 1> c(cmp). {ok,cmp} 2> P=3, FLst = [fun(Lst) -> cmp:filter(Lst, P, I) end || I - [1,2,3]]. 3> cmp:compare_methods(FLst, lists:seq(1,10000000), 10). [492005.4,530288.0,329764.3]Here
mk_example(Length::pos_integer(), Range::pos_integer()) -> [pos_integer()]
Creates example for testing
time_tst(Function::function(), Example::[number()], Repete::pos_integer()) -> [{number(), number()}]
Calls time:tc Repete times
Generated by EDoc


Documentation
1. Installation
Download the desire version (ES5 pr ES6, minified or development) from GitHub and add the CSS and the script to your project:
GitHub2. Usage
3. Options
Optionally, you can pass in an a targeted selector where the freezing will be limited. And a custom loading text.
FreezeUI({selector: '.class-name', text: 'Custom text'})
The UnFreezeUI()
function has no options
4. More
You can submit bugfixes or questions on GitHub, and see the small Roadmap also.
Issues & Questions RoadmapThanks to Notyf and OpenColor for the inspiration. Both are awesome projects.
Notyf OpenColor


WITNESS LIST Health Services Committee April 10, 2000-10:00A Charge 1 Medicaid Managed Care On: Berger, Ed (Seton Healthcare Network), Austin Bradberry, Anita (Texas Association for Home Care), Austin Campbell, Lisa A. (Coalition for Nurses in Advanced Practice / TNA), Victoria Galbreath, Autumn Dawn (U.T. Health Science Center at San Antonio), San Antonio Gilbert, Don (Texas Health and Human Services Commission), Austin Kanter, Anne (Methodist Healthcare System), San Antonio Koops, Beverly, MD (Texas Department of Health), Austin Leslie, Steven W., RPh (U.T. College of Pharmacy), Austin Steinhauer, W., DDS (Self), San Antonio Wayne, Richard S., MD (CHRISTUS Santa Rosa Children's Hospital), San Antonio Willams, Josie, MD (Texas Health Quality Alliance), Austin Registering, but not testifying: On: Potter, Michael N. (Vector Research Inc.), San Antonio Charge 2 Pharmacy/Biotech/Genetics On: Burke, Max (Vector Research Inc.), San Antonio Cunningham, Casey, MD (Mary Crowley Medical Research Clinic), Dallas Guerra, Fernando, MD (City of San Antonio), San Antonio Howe, John, MD (U.T. Health Science Center at San Antonio), San Antonio Kowalski, Thomas R. (Texas Healthcare & Bioscience Institute), Austin Nemunaitis, John, MD (Mary Crowley Medical Research Clinic), Dallas Perrotta, Dennis, PhD (Texas Department of Health), Austin Price, Robert B. (U.T. Health Science Center at San Antonio), San Antonio Rodriguez, Ben (Self), San Antonio Registering, but not testifying: On: Luthy, Connie (The Luthy Group), Dallas Charge 3 Medical Privacy On: Peel, Deborah, MD (Texas Society of Psychiatric Physicians / TMA), Austin Charge 4 Children Vaccine Program On: Perryman, Teri, MD (Self), Seguin Stanley, Sharilyn, MD (Texas Department of Health), Austin Charge 5 Healthcare Workforce For: Ackley, Nancy (Texas Nurses Association), Austin Dugi, Dan, MD (Texas Medical Association), Cuero Furino, Antonio (U.T. Health Science Center at San Antonio), San Antonio On: Finnie, Mitch, MD (Texas Academy of Family Physicians), San Antonio Harracksingh, Rachel (Texas Ambulance Association), El Paso Leslie, Steven, RPh (U.T. College of Pharmacy), Austin Sewell, D. Andrew, DDS (Texas Dental Association), Corpus Christi Registering, but not testifying: On: Steinhauer, W., DDS (Self), San Antonio Tessen, Robert T. (Center for Rural Health Initiatives), Austin Charge 6 CHIP On: Perkins, Vicki S. (Health Care for Every Child Coalition), San Antonio Prachyl, Dianna (Texas Dental Hygienists Association), Dallas


I found myself trying to use the Arrow Keys on my Keyboard to move the Emblem Layers in the Battlefield 4 Emblem editor.
Post edited 1 x times, last by
Brady_The
Brady_The
leonidas wrote:
I found myself trying to use the Arrow Keys on my Keyboard to move the Emblem Layers in the Battlefield 4 Emblem editor.
That would be indeed a great feature. It would make the really bad emblem editor a little better, especially because I do like working pixel-precisely.
BrainFooLong
Administrator
I have the info from DICE that they add a couple of keyboard features in the emblem editor.
So, we should wait for that, before we waist our time.
BrainFooLong
Administrator
Anyway, i played around with the emblem editor and i integrate some first helpful stuff in 3.7.0 release.
Doesn't matter what i said before :)


Demo
The following are demonstrations of a basic grid system
col-1
col-2
col-3
col-4
col-5
col-6
col-7
col-8
col-9
col-10
col-11
col-12


Object http provides access to Http client and gives information about HTTP responses:
http.client |
Returns instance of org.apache.commons.httpclient.HttpClient class which
is used as primary HTTP client during the configuration execution.
|
http.contentLength |
Lenght of the last HTTP response's content in bytes. |
http.charset |
Encoding of the last HTTP response, if it contain textual content. |
http.mimeType |
Mime type of the last HTTP response. |
http.headers |
Map of last HTTP response's headers. To access individual header, use
http.headers.get("headername") .
|
http.statusCode |
Status code of the last HTTP response. |
http.statusText |
Status message of the last HTTP response. |
http.totalLength |
Total length in bytes of all responses returned to this HTTP client. |
http.totalResponses |
Total number of responses returned to this HTTP client. |


Politico
Politico enables citizens give their mandate to politicians running for different government offices while building trust in the process through transparency.
Politico enables citizens give their mandate to politicians running for different government offices while building trust in the process through transparency.


@(params: Map[String, Any])@uk.gov.hmrc.hmrcemailrenderer.templates.helpers.html.template_main(params, "",true,None,false) { @if(params("name").toString.trim.nonEmpty){
Dear @{params("name")}
Thank you for registering your interest in Tax-Free Childcare
You'll get an email when Tax-Free Childcare becomes available. You'll then be invited to apply online. There is no need to contact us.
}


I Alone Level-up: Chapter 43
From 27 to 39, he had gained 12 levels . Other than the time he had entered his first Instant Dungeon at level 1 and left at level 17, he had not gained levels this fast before . Even moreso, he was a much lower level back then and was expected to level-up faster . This was not the case for him right now . As such, all this could be attributed to the number of Raids he had completed with Yoo Jinho .
‘It’s been four days since we started Raiding together . We’ve gone through nine Dungeons in those four days…’
And those 9 Dungeons were C-rank Dungeons, the highest difficulty possible for a solo clear . It was indeed a crazy speed . However, to the other Hunters who needed C-rank Gates, it was as if a disaster had fallen upon them . Even Yoo Jinho, who had watched Jinwoo’s increasing clear times, was impressed .
Of course, all of this made sense to Jinwoo . After all, with each level-up, clearing the same difficulty became easier . 12 levels from 9 Dungeons, it was practically one level-up per Dungeon . And there were 10 Raids remaining . If he completed the 19 Raids he had promised to Yoo Jinho, he could probably go up another 4~5 levels .
He recalled defeating a B-rank Hunter when his level was in the 20s . He was no longer sure how powerful had become .
‘My heart is beating . ’
Jinwoo placed a hand over his heart . He felt its vigorous beating .
ba dum ba dum ba dum
It was an exciting feeling to experience the growth of his strength day by day . All of this was something he couldn’t even dream of in the past . To think that he would actually enjoy entering a Gate and raiding a Dungeon .
‘It’s because I can confirm my strength each time . ’
As he leveled up . As his attributes increased . Hunting the magic beasts gave him assurance of his changed strength .
‘Hunting…’
He truly had felt that he had become a Hunter . The idea of hunting was no longer awkward to him . Now, he had a new goal:
‘ . The Demon Castle . ’
He was level 21 when he had first entered it . Since then, he had gained nearly 20 levels . Jinwoo wondered if this would be enough, but then thought back on the Cerberus and became unsure .
‘If I entered through the castle gates and was met with something that I could not run from…’
He shuddered . It would be good if he could escape using the ‘Stealth’ skill, but even that was not a guaranteed possibility . You could be successful 10 times in a row, but a single mistake could cost you your life; that was the Hunter’s life . So he needed a complete assurance . The assurance that he could fight something like the Cerberus and win .
‘Cerberus’ name was in red . ’
The monster’s difficulty was classified by the color of its name . Outside of the Demon Castle, Jinwoo had yet to see another monster with a red name . The other Instant Dungeons he had entered so far all had low-level monsters, including the Mirae Mall today .
But something was off .
‘What is it?’
When he thought about the idea that he had only seen a monster with a red name in the Demon Castle, something felt off . As if he was forgetting something…
‘Have I seen a red name monster outside of the Demon Castle?’
That was impossible . Even at level 21, he had almost died while fighting the Cerberus . If he had met a red name monster before that, he would’ve surely died-
“Ah!”
Jinwoo gasped in disbelief .
Yes, indeed there was a time .
A time where he ran from a red named monster until he was about to die .
‘The penalty quest!’
The centipedes he had encountered in that desert had red names .
‘Poison-fanged Giant Sand Centipede’
Because of the time that had passed, doubled up with the fact that he had no idea what was happening at the time, the memory of those monsters had faded in Jinwoo’s head .
‘If I can take those centipedes down easily!’
Then he would earn the assurance that he could raid the Demon Castle . Since there was more than one centipede, he could even test himself against multiple enemies .
The problem was how he would go back there…
‘Is skipping out on the daily quest the only way?’
There was not that much loss involved . He would still earn the same amount of stat points, even if it was the penalty quest .
‘Let’s try for the Penalty Zone tomorrow . ’
To think that he would skip the daily quest so he could get the penalty quest… Jinwoo thought back on the time he ran for his life and chuckled .
“I wonder if they’ll give experience and items . ”
Jinwoo couldn’t help but smile .
At that time, Jinwoo felt a presence of someone getting out of the elevator at the end of the hallway outside . It was the light footsteps of a girl . Her walk was familiar to him .
‘It’s Jinah . ’
It was 11 o’clock at night, about time for his sister to come home . Jinwoo got up and opened the door before she could even get the keys out of her pocket .
“Oooh~”
Jinah jokingly praised her brother . The first time he did this, she nearly jumped out of her skin, but she had gotten accustomed to this method of greeting . They say human beings can get used to anything .
“I’m home~”
“Welcome~”
Jinah happily greeted her brother then walked to her room . She was about to close the door, then stopped,
“Oppa .
“Do you have any free time this week?”
“This week? Why?”
“The teacher asked me to ask you for a parent/guardian meeting[1] . Can’t be helped if you’re not free, though . ”
As if her teacher had sent her on an important mission, Jinah looked nervous .
‘Parent/guardian meeting…’
As a senior in high school, Jinah must’ve been busy with school . He wanted to make an excuse that he did not have the time, but thanks to someone, he did have a day he was completely free .
‘Sigh… Yoo Jinho, you’re no help at all . ’
Jinwoo replied after giving it some thought,
“Thursday . ”
“Really? Thanks, oppa!”
Jinah’s expression brightened . Feeling like she was about to run over and give him a hug, Jinwoo held up a hand .
“Che . ”
Jinah scrunched her face at him and closed the door . Jinwoo sighed at his situation .
“Hah…”
On top of the nonstop Raids, he wanted to visit the Penalty Zone and now, he had to go to a parent/guardian meeting on Thursday .
It was going to be a busy week .
.
-8 . Class Advancement Quest- [2]
Jinwoo left his house early in the morning . Today’s schedule was packed with work . Yoo Jinho had told him that they had reserved 4 Gates . As they would be taking a break tomorrow, the young man wanted to take care of 2 day’s worth of Raids in one day .
‘Well, when I think about the recent clear speeds…’
He could certainly pull off 4~5 Raids in a day . The only limiting factor was the number of C-rank Gates appearing in a same area . So today was a rather lucky day . He happily walked towards outside of the apartment, but he did not see Yoo Jinho’s Bongo that would always be waiting for him . On top of that, he felt an unfamiliar presence nearby .
“Tsk . ”
If it wasn’t for what happened yesterday, he would’ve given it no thought . But not after that meeting .
‘I even warned them . ’
Jinwoo discovered his watcher hiding around the corner . The man in a business suit was checking the time on his watch and did not notice Jinwoo approaching him .  ”
The man jumped in surprise,
“H-Hunter Sung Jinwoo-nim!”
He looked like he had seen a ghost .
‘Well, that’s why I hid my presence . ’
Jinwoo clicked his tongue on the inside .
“You’re from Baekho Guild, right?”
“Hmm? Ah, yes . I’m Hyun Gicheol of Baekho Guild’s Second Management Division . ”
This appeared to be the subordinate that Ahn Sangmin was talking about yesterday .
“Please to meet you, Hunter-nim . ”
Hyun Gicheol cautiously held out a hand . He was asking for a handshake, but Jinwoo was not in the mood . Seeing Jinwoo just stare without reciprocating, Hyun Gicheol turned red and retracted his hand .
“Didn’t I make it clear that I won’t be entering a Guild for the time being?”
Hyun Gicheol frantically held out a hand .
“Ah, that’s not why I’m here . ”
Then, the man held out a tumbler he was holding in the other hand .
“What’s this?”
In the frosted sides of the tumbler, Jinwoo saw a strange colorful liquid . Hyun Gicheol held his head up with pride and replied,
“It’s vegetable juice . I personally made it, and I can guarantee it’s quality . ”
“ . ”
Hyun Gicheol did not lower his hand this time . Jinwoo relented and took the tumbler from him .
“So, you’re telling me you’ve been waiting since dawn, just to give me this?”
“Yes! Hunter-nim has to think about his health, after all!”
Jinwoo wanted to ask why Baekho Guild would be concerned with his health but stopped himself . Hyun Gicheol bowed his head then smiled brightly as he walked away .
“Then, I’ll see you again, Hunter-nim!”
The man waved to him as he disappeared in the distance . Jinwoo waved the tumbler back at him .
“ . What an amusing man . ”
After Hyun Gicheol left, Jinwoo stared at the tumbler . He had heard of insurance salesmen who tried to earn brownie points with a potential customer with store-bought yogurt, but that man was probably the first in history to bring handmade vegetable juice to a potential customer .
‘Well, I shouldn’t throw it away . ’
It probably wasn’t poisoned . Not that it would work against him .
He thought to at least give the taste a try .
gulp
Jinwoo drank the juice and was surprised .
‘It’s delicious . ’
A familiar voice came from behind him,
“Hyungnim!”
Turning around, he saw Yoo Jinho approaching him . Brightly smiling as always, the young man gestured towards the direction Hyun Gicheol had walked away to .
“Hyungnim, who was that just now? I saw him standing around for a while . ”
Jinwoo’s reply was short .
“An insurance salesman . ”
“Ah . ”
As expected, Yoo Jinho accepted the explanation without a doubt . Jinwoo looked around and asked,
“Where’s your car?”
If the young man had seen Hyun Gicheol waiting for him, that meant he must’ve been also waiting around nearby, but Jinwoo did not see his ride .
“I parked it way over there, hyungnim . ”
“Why?”
“Haven’t there been reports of a serial killer in this area? I’m not from around here, so people were looking at me strangely . ”
Jinwoo nodded, understanding . It was an incident making its round in the news . The victims were mostly young women . They said there were already two murders just this month . Of course, if people saw a strange Bongo parked at the entrance of the apartment… It made sense the neighbors would be suspicious .
Jinwoo drank the last drops of the juice and started walking towards where Yoo Jinho had parked the car .
“Let’s go . ”
“Yes, hyungnim!”
The magic beasts this time were lizardmen . As their name implied, the lizardmen were humanoids in the shape of lizards . Walking on two feet, they used both weapons and occasionally magic . The lizardmen magicians were few in number, but they were an annoying enemy .
Two fireballs appeared in the lizardmen magician’s hands .
‘Magic?’
As Jinwoo tried to approach the caster, the two lizardmen that were standing guard at its side raised their spears . Their reptilian reflexes were fast . Jinwo leaped backwards to dodge their spears, but the fireballs launched themselves at him, one after the other .
woooosh-
“Hyungnim, watch out!”
Yoo Jinwoo screamed from a distance .
Bang!
The cave shook with the explosion .
Translator’s Notes:
[1]: “parent/guardian meeting” (학부모 상담): “student’s parent” 학부모 + “discussion/counselling” 상담 . As highschool students near their graduation and prepare for college in Korea, parent/guardians are often called to the school to sit down and discuss the student’s future prospects with their homeroom teacher .
[2]: “Class Advancement” (전직): lit . “to change jobs” . I’ve translated “job” as “class” in his status screen .


Sensible Divorce Mediation
Sensible Divorce Mediation provides neutral third-party assistance to couples who require help resolving their divorce issues. We had the opportunity to brand their business which included:
- Website Design & Development
- Logo Design
- Illustration


A native function can take a callback as an argument, and call it later
to create real asynchronous scripts. The example below (see this page's
source) creates a getXhr
function that fetches the URL and
calls the given callback, returning the content.
This function is defined using createNativeFunction
during
initialization. When called, the interpreter passes the provided callback
function as a pseudo object representing all the data needed to execute
it later. The Xhr is then intialized and waits for the targeted URL's content.
The execution of the interpreter's program continues normally. When the
Xhr responds, the callback is loaded in the interpeter, and all it's arguments
are provided using queueCall
. Then the interpreter is re-started
by calling run
, and the callback function is executed within the
interpreter.
Click Parse, then either click Step repeatedly, or click Run once. Open your browser's console for errors.
Back to the JS-Interpreter documentation.


During a cross-forest migration from Exchange 2003 to Exchange 2010 I found a nasty issue while migration a mailbox. The first 10% of the move request went OK but after that it failed. In the first 10% the mailbox is created, the folder structure is created and permissions are set on the folders.
I started looking in the event log as, by default, enough information is logged here to see why a move request failed and found the following event:
_Mailbox move for ‘xxxxxxxxxxxxxxxxxxxxxx’ (d126705e-af4d-4aca-83c6-0ea443a2ad60) has failed.

Error code: -2147024809
MapiExceptionInvalidParameter: Unable to set properties on object. (hr=0x80070057, ec=-2147024809)
Diagnostic context:
Lid: 18969 EcDoRpcExt2 called [length=363]
Lid: 27161 EcDoRpcExt2 returned [ec=0x0][length=108][latency=0]
Lid: 23226 — ROP Parse Start —
Lid: 27962 ROP: ropSetProps [10]
Lid: 17082 ROP Error: 0x80070057
Lid: 30561
Lid: 21921 StoreEc: 0x80070057
Lid: 27962 ROP: ropExtendedError [250]
Lid: 1494 —- Remote Context Beg —-
Lid: 26426 ROP: ropSetProps [10]
Lid: 47113
Lid: 7915 StoreEc: 0x80070057
Lid: 5263 StoreEc: 0x80070057
Lid: 19768
Lid: 4559 StoreEc: 0x80070057
Lid: 1750 —- Remote Context End —-
Lid: 26849
Lid: 21817 ROP Failure: 0x80070057
Lid: 25761
Lid: 1940 StoreEc: 0x80070057
Lid: 25297
Lid: 21201 StoreEc: 0x80070057
Context:
Mailbox: Primary (d126705e-af4d-4aca-83c6-0ea443a2ad60)
Folder: ‘/Top of Information Store/Taken/xxxxxx’, entryId [len=46, data=00000000109014FD0A523641A2C3C55606B5EA8201006E5BA8745959BC4C9F7B175EAE3144A80000378F00370000], parentId [len=46, data=00000000109014FD0A523641A2C3C55606B5EA820100C0260BEE56B49E4981448625D74A5AAB0000000400470000]
Operation: LocalDestinationFolder.SetSecurityDescriptor
SD: O:S-1-5-21-3869603026-3631219241-1903344517-3835G:S-1-5-21-3869603026-3631219241-1903344517-513D:AI(A;OIIO;0x1f0fbf;;;S-1-5-21-3869603026-3631219241-1903344517-3835)(A;CI;0x1fc9ff;;;S-1-5-21-3869603026-3631219241-1903344517-3835)(A;OIIO;0x1208a9;;;S-1-5-21-4230955503-526549450-3057572010-5377)(D;OIIOID;0x1f0716;;;S-1-5-21-3869603026-3631219241-1903344517-2781)(A;CI;0x1208a9;;;S-1-5-21-4230955503-526549450-3057572010-5377)(D;CIID;0xdc916;;;S-1-5-21-3869603026-3631219241-1903344517-2781)
As you can see above it has some problems with the Taken folder. When we had a look at this folder together with the end-user we found out that specific permissions where set in the folders. So we asked if he could remove them on one of the folders to check if that fixed the issue. After the user had done this we were a step further but, as expected, had the same issue with another folder. As it isn’t an option to remove all permissions before migrating the mailbox I decided to contact Microsoft.
After we contacted Microsoft a lot became more clear. During the migration of a mailbox from Exchange 2003 to Exchange 2010 the process will try to regenerate the ACL’s on the Exchange 2010 side. This because Exchange 2010 does use the ACL’s in another way then Exchange 2003. It can happen that the an ACL get’s corrupt which will cause the migration of the mailbox to fail.
The solution: redefine the permissions via Outlook either by removing and adding them again or by changing them to something else and then change them back to the original permissions. Not a really nice solution but you can continue migrating.
Collegue Michel de Rooijave me another tip, try to use PFdavAdmin with this tool it’s possible to fix AC’L’s of mailboxes.


|
Nimiq Client
|
Commands to change the state of a peer. More...
Static Public Member Functions | |
| static implicit | operator string (PeerStateCommand level) |
| static | operator PeerStateCommand (string level) |
Properties | |
| static PeerStateCommand | Connect [get] |
| Connect. More... | |
| static PeerStateCommand | Disconnect [get] |
| Disconnect. More... | |
| static PeerStateCommand | Ban [get] |
| Ban. More... | |
| static PeerStateCommand | Unban [get] |
| Unban. More... | |
Commands to change the state of a peer.
|
staticget |
Ban.
|
staticget |
Connect.
|
staticget |
Disconnect.
|
staticget |
Unban.


Anna Gusarenko
professional model, based in Austin, TX
PORTFOLIO
ABOUT
CONTACT
by Carina Milk
Thank you!


‘Frankly dreadful’: Gary Lineker reacts to Arsenal’s 2-2 draw with Southampton
Gary Lineker has his say on Arsenal's 2-2 draw with Southampton in the Premier League on Saturday
by Social SpyGary Lineker has taken to social media to label Arsenal’s performance as “dreadful” after they slumped to a 2-2 draw with Southampton in the Premier League on Saturday.
The Gunners headed into the game under pressure to find a win after their 2-0 loss to Leicester City last time out.
Unai Emery’s side had only won one of their previous five Premier League games heading into the home clash against the Saints on Saturday.
Danny Ings gave the visitors a surprise lead in the eighth minute, but Alexandre Lacazette levelled for Emery’s men in the 18th minute.
James Ward-Prowse thought he had won it for the Saints when he netted in the 71st minute to put the visitors in front once again.
Arsenal looked to be heading to another Premier League defeat, but Lacazette netted a last-gasp equaliser in the sixth minute of stoppage time to salvage a point for the home side.
England legend Lineker was clearly not impressed by Arsenal’s performance overall as he reacted to Lacazette’s second goal on social media.
Writing on Twitter, Lineker said: “Lacazette grabs a last ditch equaliser for Arsenal after what was frankly a dreadful display against a very good Southampton side.”
Arsenal’s draw left them in seventh place in the Premier League table and well off the pace in the race for the top four.
Emery’s side have only managed to win four of their opening 13 Premier League games under the Spanish head coach this season.
They will return to Premier League action next weekend with a trip to Norwich City.


KBC 11 November 18 Episode Highlights: Aspiring Chartered Accountant Jitender Singh Chauhan Becomes Roll-over Contestant
Check out the toughest questions from tonight's episode.
Megastar-host Amitabh Bachchan begins tonight’s episode of Kaun Banega Crorepati Season 11 begins the episode on an emotional note where he talks about parents who are deaf and cannot talk. He further talks to the audience in the sign language. He then introduces all the 10 contestants of the show and rolls out the fastest finger first question.
Pratik Kalkal takes on the hot seat. He is pursuing Ph.D. in electrical engineer with renewable energy as his main subject. He hails from Gaddi Kheri village and is currently living in Punjab. He is also establishing a start-up that will work to generate electricity and gas from gobar gas. This start-up will also provide medical facilities, educational facilities and employment opportunities in the village.
He decided to work on his project during his undergraduate days. He got inspiration for his start-up from a village in China where every villager is a millionaire because it is a self-sustainable village. He wants to increase the wage of farmers through his start-up and also publish his journal about the optimal use of renewable energy.
Check out tonight’s toughest questions here:
Q. Which of these states has a number in its name?
A. Chhattisgarh
Q. With reference to the features of a mobile phone, what do figures like 1920x1080x2560x1440 and 1280×720 represent?
A. Screen Resolution
Q. With respect to elections in India, which of these is used to identify political parties on an EVM?
A.Party Symbol
Q. Who can be heard speaking about her growing up years in this clip? (audio plays at the background)
A. Anushka Sharma
Q. What is the sum of the numbers on the opposite faces of a regular dice used in games like ludo and snakes and ladders?
A. 7
Q. Complete this line of a famous couplet by Mirza Ghalib: “Ishq par zor nahi____, kiki lagaye na lage aur bujhaye na bane”
A. Hai ye woh aatish Ghalib
Q. Which regiment of the Indian Army can be seen in this image? (Image displays on LCD screen)
A. President’s Bodyguard
Pratik flips the question and chooses the category science &technology.
Q. Bariatric surgery is usually performed on whom?
A. Obese People
Pratik’s parents often insist on him to get married, but he would like to focus on his project, complete his Ph.D. first and then think about marriage.
Q. Identify this actor seen in this video clip? (video plays on the LCD screen)
A. Abhay Deol
Q. Before becoming separate states, which of these pairs of regions was once part of Punjab?
A. Himachal Pradesh, Haryana?
Q. A player in which of these sports or games has not yet received the Rajiv Gandhi Khel Ratna award?
A. Football
The turning point of his life came when he realised that he had embarrassed his father because of his mistakes. He never hides anything from his father now and is completing his Ph.D. from IIT as per his wish.
Q. In 2019, PepsiCo and nine Indian farmers were involved in a controversy over the FC, which is a variety of which of these plants?
A. Potato
Pratik Kalkal answers the question correctly and takes home Rs 3,20,000. With the prize money, he would like to establish a start-up that helps him in transforming the village into a smart village and complete his post-doctorate from a foreign university.
Big B rolls out the fastest finger first question and Jitender Singh Chauhan. He is born in Mainpuri village in Uttar Pradesh and brought up in New Delhi. He is currently pursuing the CA course and also runs coaching classes. He teaches accounts in a coaching center and also has his own coaching classes called “Coaching for Careers” where 40-50 students study.
Buzzer rings and Jitender becomes the roll-over contestant for the next episode.
Stay tuned for the latest updates!
For breaking news and live news updates, like us on Facebook or follow us on Twitter and Instagram. Read more on Entertainment Latest News on India.com.
Story Timeline
- 18 Nov 2019 KBC 11 November 18 Episode Highlights: Aspiring Chartered Accountant Jitender Singh Chauhan Becomes Roll-over Contestant
- 15 Nov 2019 KBC 11 Nov 15 Karamveer Episode Highlights: Dr Achyuta Samanta-Taapsee Pannu Win Rs 12,50,000
- 15 Nov 2019 Abhishek's Heartwarming Letter Plucked Out of Nostalgia is Enough to Set Big B And Fans Gushing
- 14 Nov 2019 KBC 11 November 14 Episode Highlights: Software Engineer Khushboo Tiwari Becomes The Roll-over Contestant
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To join in our course, you will open all the doors of programming world...
From what resource did you learn english before applyed to our course?
What type of lessons do you want to choose?
Have you any suggestion, idea or question?


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30 Days course
Monday to friday
In foofys office
With expert developers
Full stack web development with ruby on rails backend
Only 20 seats available Download Curriculum
$1500
30 Days course
Monday to friday
In foofys office
With expert developers
Full stack web development with ruby on rails backend
Only 20 seats available Download Curriculum
Apply
Code Astra has really helped me kick start my career as a web developer. Mentors are very nice and experienced and have a profound knowledge on topic. To learn something, I believe that there's no better way than to learn the practical implementation of the same and Code Astra has delivered just that. They have helped me write right and beautiful code, not just during the course, but beyond.
Anuj Thakur
Code Astra has really helped me kick start my career as a web developer. Mentors are very nice and experienced and have a profound knowledge on topic. To learn something, I believe that there's no better way than to learn the practical implementation of the same and Code Astra has delivered just that. They have helped me write right and beautiful code, not just during the course, but beyond.
Anuj Thakur
Code Astra has really helped me kick start my career as a web developer. Mentors are very nice and experienced and have a profound knowledge on topic. To learn something, I believe that there's no better way than to learn the practical implementation of the same and Code Astra has delivered just that. They have helped me write right and beautiful code, not just during the course, but beyond.


Hello, I am
Rishika Raj
And I'm a Learner.
Hello, I am
And I'm a Learner.
Who I Am
Hello, I'm Rishika & I'm a Learner.
I'm a first year student pursing B.Tech in IT from Birla Institute of Technology, Mesra, Ranchi. I'm exploring the various technical fields to know where my interest lies. I love problem solving. I'm also interested in competitive programming. I'm always keen to know about stuffs that are new to me. I think I'm a fast learner that helps me learn things in a short span of time.
What I Know
I know intermediate level of C/C++. I'm currently learning data structures and algorithms. I also have basic knowledge about HTML, CSS and JavaScript. I've idea about Microsoft Office. I'm good at putting forward my ideas. I'm good at commuticating and presenting my skills.
C/C++
60%
HTML
70%
CSS
50%
JavaScript
30%
JQuery
25%
What I made
Get in touch


This page functions as extended CV for my skillset
Centikhene is an electronic mouth organ that is modeled after the Laotian traditional mouth organ, Khene, and the Japanese traditional mouth organ, 笙 Shō. This is the most current electronic musical instrument project. Project page --> here. This project involved folloing skillsets;
Project has gone through few iterations of prortotying, iterating through design, layouts, materials, and archtecture. Image below from left, 1) handcarved copper board 2) cnc machine milled copper board on hand crafted case 3) Printed circuit board manufactured
Project is designed in a circuit design software Osmond and KiCad. Prototypes are tested through breadboard >> handsoldered boards >> manufactured PCB. Images below are PCB manufactured.
Version 1 of manufactured PCB Version 2 of manufactured PCBI have adopted the simple wind sensor that are developed by Ian Fritz and iterated to be bidirectional. LED light shines onto LDR, this triggers notes with the movement of the diaphragm both at inhale and exhale, allowing the player to play rhythmically and continuously. 3D model of wind sensor Here. Voltage from the wind sensor is scaled and shifted by op-amp and then gates the oscilators, alowing them to make sound when we breath in or out.
This project was contracted by Ye Qin Zhu for grant project for Yale School of Medicine. I have worked on a circuit design and constructed the board that houses transistror circuit for each hight power LED lights, a microcontroleler, and a infrared sensor. I have programmed the microcontroller for the light fading sequence that is cordinated with the presence of a person.
April 2022
Here is the breath sensor of Centikhene project. This 3D model was developped and 3D printed. Two piece will clamp the thin rubber sheeting in the middle which will move to the breath preventing lgiht from reaching to LDR.
Lucas Yasunaga
Please contact me at;
yasunaga dot work @ gmail.com


Note: Before use this component, you need to know the `image-mask` feature of the browser actually support.


Each organization contains their own dashboards, data sources and configuration, and cannot be shared between orgs. While users may belong to more than one, multiple organization are most frequently used in multi-tenant deployments.


--- layout: default title: "Documentation - Configuration" ---
While I think the config file itself should be very self-explanatory, some settings might require some more explanation.
Since the configuration is just a big JSON object in a JavaScript file, the configuration can be defined in many more ways than just what the example looks like. The option names are the "path" in the object structure, e.g. the path "channels[i].name" could describe the container of "#foo" in the following structure:
var config = { channels: [ { name: "#foo" } ] };
Convenient fast access high-speed lift to the section you're looking for.
It's just a name, nothing more. Pick anything. For example, if your channel is called "#MyChannel" and it's in the IRC network "MyNetwork", you could, for example, name it "#MyChannel @ MyNetwork"
var config = { channels: [ { name: "#MyChannel @ MyNetwork" } ] };
This setting is case sensitive.
This changes how the generated statistics look like. Currently there's only one option, "default". If you create more, or if one day the package comes with more, you can insert the name of the theme folder under "themes/" here. For example, if in the JSIS installation directory you ran the command "ls themes" and got the result:
$ ls themes
default cooltheme
... you could use "default" or "cooltheme" as the option.
var config = { channels: [ { theme: "cooltheme" } ] };
This setting is case sensitive.
The destination directory you want to put the generated HTML, CSS, and JavaScript in. If you're running JSIS on the server hosting the statistics, you probably want this to be under your web root directory. E.g., if your web root is /var/www/html/ and you want your stats to be accessible under http://mydomain/stats/ ... you could try setting this as "/var/www/html/stats/".
var config = { channels: [ { theme: "/var/www/html/stats/" } ] };
NOTE: I will not help you to publish your generated stats if you run into issues.
This setting is case sensitive.
The format your log files are in, or really the name of the class that will do the parsing. The valid values can be figured out by executing "ls classes/LogReaders/" in your JSIS installation directory. For example, if you got the result:
$ ls classes/LogReaders/
eggdrop.js irssi.js
... the valid values would be "eggdrop" and "irssi", which obviously are for parsing logs from Eggdrop and Irssi.
For example, if your log files are from an Eggdrop bot, you'll want to enter "eggdrop", as in:
var config = { channels: [ { logFormat: "eggdrop" } ] };
This setting is case sensitive (afaik).
Wrong setting can produce broken output.
If your log files are not in UTF-8, we should really REALLY convert them to UTF-8 using iconv. If this setting is set to anything except "UTF-8", we will put them through an iconv conversion from the encoding entered here to UTF-8, prior to parsing them. List of iconv supported encodings
You can try and find out what type the file is with the "file" util. E.g. if one of your log files is at /home/lietu/logs/mylog.log, you could run:
$ file -bi /home/lietu/logs/mylog.log
text/plain; charset=us-ascii
.. the output then quite clearly says that we should be using the ASCII encoding (in this example, your results might vary).
For example if your log files are using ASCII encoding, you can use:
var config = { channels: [ { logEncoding: "ASCII" } ] };
The timezone your log files are in. You really only need this in case your log files are on a different timezone than the server you're generating the logs on.
Format is +|-HH:MM as offset from GMT. Set to null to use server timezone, which is also the default.
E.g. +03:00 or -07:00.
var config = { channels: [ { logTimezone: "+03:00" } ] };
This setting is case sensitive.
The location your log files are in ... for safety, you should really use a full path here. For example, if your log files are stored in "/home/lietu/logs/", you should enter that, e.g.:
var config = { channels: [ { logPath: "/home/lietu/logs/" } ] };
If your logPath contains logs for many channels, you can use this variable to define a regular expression that will be used to match only the files you want to include in this channel's stats. The regular expression will be matched against the full path to the file, and if you need it to be case insensitive, you will have to make it case insensitive yourself (/foo/i).
... for help with regular expressions, check:
For example to match only files that start with "mychannel.log" in a case insensitive manner, you could use:
var config = { channels: [ { logFileFilter: /\/mychannel.log[^/]*/i } ] };
If the logPath should be parsed recursively. That is, if we should look in subdirectories and subdirectories of subdirectories (etc.) of the logPath. If your log files are organized in folders by year, or similar, then you might want to enable this setting. There rarely are any side-effects of leaving it on when you don't need to.
var config = { channels: [ { recursive: true } ] };
If you want to limit the amount of log files to parse, set the limit here. JavaScript has a magic constant called "Infinity" that you can use to parse them all. Good values could be: 7, 14, 30, 90, 180, 365, Infinity
For example to always generate stats for the last two weeks, you could use:
var config = { channels: [ { maxLogFiles: 14 } ] };
If you want to adjust the stats to be rendered in a different timezone than the server is at, then set to the timezone you want it to be rendered in. If you are going to use this, you probably want to make sure logTimezone is correct.
Format is +|-HH:MM as offset from GMT. Set to null to use server timezone, which is also the default. For GMT, use +00:00.
E.g. +03:00 or -07:00.
var config = { channels: [ { statsTimezone: '-07:00' } ] };
What to show as being the timezone when outputting to the stats. By default it is "GMT+|-HH:MM", e.g. "GMT-07:00", so if you want to replace this with something like "DST", you can set the text to be used instead here.
var config = { channels: [ { statsTimezoneText: 'GMT (Greenwich Mean Time)' } ] };
This setting is for customizing the contents and the order of items on your stats page. If you define this list, the page will only include the widgets listed here, in the order they are listed. You can see the available widgets by running "ls -1d widgets/*/" in your JSIS installation folder.
For example, if the output was:
$ ls -1d widgets/*/
widgets/BigNumbers/
widgets/DailyActivity/
widgets/Example/
widgets/LatestTopics/
widgets/MostActiveNicks/
widgets/MostActiveNicksByHour/
widgets/MostActiveTimes/
widgets/MostReferencedNicks/
widgets/MostReferencedURLs/
widgets/MostUsedWords/
widgets/OtherInterestingNumbers/
widgets/Smileys/
widgets/UsersWithMostNicknames/
The valid options would be:
For example, if you would only want your stats to contain the list of most active nicks, and latest topics, you could use:
var config = { channels: [ { widgets: ['MostActiveNicks', 'LatestTopics'] } ] };
If you want to easily add your own HTML code to the
section of the HTML, you can insert it here. For example, if you want Google Analytics for your stats, just get the HTML code from Google and paste it here. You can do a lot of other things too with it, if you're creative.For example, to always show an annoying "Welcome to the stats" message for every page load, you could use this (please don't):
var config = { channels: [ { customHeadHtml: '<script type="text/javascript">alert("Welcome to the stats");</script>' } ] };
Please note that if you don't escape the quotes properly, you can easily break the configuration file.
If you want to tune how many lines/actions in a row does one one need to say before it's considered "soloing", you can do it with this.
For example, to consider 4 consecutive lines/actions from one person "soloing", you can use:
var config = { channels: [ { soloLength: 4 } ] };
Minimum length of words to be shown in the "most used words" widget. Easy way to remove all the plain useless words like "and", "or", etc.
var config = { channels: [ { wordMinLength: 4 } ] };
Space separated list of words to be ignored for the "most used words" widget. If you set this, the defaults will not be used at all. If you want to add words, please contribute to the project instead.
For example, in a Finnish channel you might want to replace the default list with common Finnish pronouns, etc., e.g.:
var config = { channels: [ { foulWords: 'ja ei tai'] } ] };
You might end up with character set issues with non-ASCII characters. Good luck resolving those, if you bump into any.
Space separated list of words to be considered foul. If you set this, the defaults will not be used at all. If you want to add words, please contribute to the project instead.
For example, in a Finnish channel you might want to replace the default list with Finnish foul words, e.g.:
var config = { channels: [ { foulWords: 'paska vittu kyrpä'] } ] };
You might end up with character set issues with non-ASCII characters. Good luck resolving those, if you bump into any.
Space separated list of words to be considered aggressive. If you set this, the defaults will not be used at all. If you want to add words, please contribute to the project instead.
For example, in a Finnish channel you might want to replace the default list with Finnish words, e.g.:
var config = { channels: [ { aggressiveWords: ['lyö läpsii hakkaa'] } ] };
Space separated list of "words" to be considered happy smileys. If you set this, the defaults will not be used at all. If you want to add smileys, please contribute to the project instead.
var config = { channels: [ { happySmileys: ['XD ^^'] } ] };
Space separated list of "words" to be considered unhappy smileys. If you set this, the defaults will not be used at all. If you want to add smileys, please contribute to the project instead.
var config = { channels: [ { unhappySmileys: [';.-( D:'] } ] };
User configuration. This consists of several per-user sections.
JavaScript array of aliases for this user. They can be space separated strings with simple wildcards (* and ?), or JavaScript RegExp objects, that will be tested against the nickname after it's been converted to lowercase characters.
For example, to give te user "lietu" the aliases "lietu-", "*lietu" and do a RegEx alias /^lie.*tu$/, you could do the following:
var config = { channels: [ { userConfig: { lietu: { aliases: ["lietu- *lietu", /^liet.*tu$/] } } } ] };
... for help with regular expressions, check:
Not yet implemented
Not yet implemented
Not yet implemented
Not yet implemented
This is the logging configuration. The application is logging a lot of things, with different log levels, so you can get a varying level of output depending on your level of interest in what's going on.
Generally you'll probably want to enable MESSAGE, WARNING, ERROR and CRITICAL. Maybe when automating generation you might want to only enable ERROR and CRITICAL. You can just leave out the ones you don't want.
You can also define separate destinations for every log level, either with filenames, or the two magic strings STDOUT and STDERR.
For example to log and dump ERROR and CRITICAL levels to STDERR, you could use the following:
var config = { log: { 'ERROR': ['STDERR', 'errors.log'], 'CRITICAL': ['STDERR', 'errors.log'] } };


development trajectory
The final goal is to use the accel-sensor in the watch (BMA423), which does not exist yet. In order to minimize the effort:
we’ll use something that looks like it (ADXL372), because there exists an example.
next we adapt it to use the existing BMA280 sensor (under drivers/sensor), so we get a sample that works with the BMA280.
we create a driver for the BMA423, based upon the BMA280
we adapt the sample for the BMA280 to BMA423
Bosch BMA280
west build -p -b pinetime samples/drivers/bma280
Overview
This sample application mimics the presence of a bosch, bma280 accel sensor. For this sensor exists a driver in zephyr, but no sample. Remember, I’m not a zephyr expert and am learning on the way.
Requirements
complement the pinetime.dts file with the following (under samples/sensor/bma280)
This will supplement / override what’s already definition on the board level (boards/arm/pinetime)
&i2c1 {
bma280@18 {
compatible = "bosch,bma280";
reg = <0x18>;
label = "BMA280";
int1-gpios = <&gpio0 8 0>;
};
};
Create a file: /dts/bindings/sensor/bosch,bma280-i2c.yaml. Which contains:
compatible: "bosch,bma280"
include: i2c-device.yaml
properties:
int1-gpios:
type: phandle-array
required: false
Building and Running
Todo
since no serial port and no J-LINK, I have to print messages to the screen (see sample gui/lvaccel)
I adapted the BMA driver so it accepts the CHIP_ID, further registers are subject to investigation, since no doc
References
BMA421 is not a part number available to the general public, and therefore all the supporting documentation and design resources are neither discussed in public forums, nor disclosed on GitHub.
CHIP_ID=0X11 (so 423 drivers need to be adapted)


Currently I'm studying as a Computer Science Student at St. Dominic's Academy. One of my greatest strengths is my ability to make the conceptual practical to a computer program.
Being a Web Developer, I love creating applications that are scalable and efficient under the hood while providing engaging, pixel-perfect user experiences.

GYMX an online gym management tool build with Laravel which build a bridge between gym customer and trainer. Also it digitalized the whole system by online payment, task, chat and alert etc.


--- layout: page title: Lean Prover Zulip Chat Archive permalink: archive/113488general/37897pathissues.html ---
I'm getting the following error whenever I run lean from the console instead of vscode:
/usr/local/lib/lean/library/init/data/default.lean:1:0: error: ambiguous import, it can be '/usr/local/lib/lean/library/init/data/ordering/default.lean' or '/usr/local/lib/lean/library/init/data/ordering.lean'
Any ideas?
Hm, okay, removing /usr/local/lib/lean
and re-installing helped
Yeah, this is a known general issue with make install
. I don't recommend using it.
Because it just doesn't clear the directories?
Yes
And I don't recommend using it because adjusting PATH is so much easier :)
{% endraw %}


| Win/Linux | Mac | Description |
|---|---|---|
| Ctrl+⏎ | ⌘+⏎ | Play/Stop MML |
| Win/Linux | Mac | Description |
|---|---|---|
| Ctrl+D | ⌘+D | Remove line |
| Alt+Shift+/ | ⌘+⌥+/ | Copy lines down/up |
| Alt+/ | ⌥+/ | Move lines down/up |
| Alt+Delete | Ctrl+K | Remove to line end |
| Alt+Backspace | ⌘+Backspace | Remove to linestart |
| Ctrl+Delete | ⌥+Delete | Remove word right |
| Ctrl+Backspace | ⌥+Backspace Ctrl+⌥+Backspace | Remove word left |
| --- | Ctrl+O | Split line |
| Win/Linux | Mac | Description |
|---|---|---|
| Ctrl+A | ⌘+A | Select all |
| Alt+Shift+ | ⌘+Shift+ | Select to line end |
| Alt+Shift+ | ⌘+Shift+ | Select to line start |
| Ctrl+Shift+D | ⌘+Shift+D | Duplicate selection |
| Ctrl+Shift+P | --- | Select to matching bracket |
| Win/Linux | Mac | Description |
|---|---|---|
| Ctrl+Alt+/// | Ctrl+⌥+/// | Add multi-cursor |
| Ctrl+Alt+Shift+/// | Ctrl+⌥+Shift+/// | Move multicursor |
| Ctrl+Shift+L | Ctrl+Shift+L | Select all from multi-selection |
| Win/Linux | Mac | Description |
|---|---|---|
| Alt+/ | ⌘+/ Ctrl+A/E | Go to line start/end |
| Ctrl+Home/End | ⌘+Home/End ⌘+/ | Go to start/end |
| Ctrl+L | ⌘+L | Go to line |
| Ctrl+/ | ⌘+/ | Scroll line down/up |
| Ctrl+P | --- | Go to matching bracket |
| Win/Linux | Mac | Description |
|---|---|---|
| Ctrl+F | ⌘+F | Find |
| Ctrl+H | ⌘+⌥+F | Replace |
| Ctrl+K | ⌘+G | Find next |
| Ctrl+Shift+K | ⌘+Shift+G | Find previous |
| Win/Linux | Mac | Description |
|---|---|---|
| Alt+L Ctrl+F1 | ⌘+⌥+L ⌘+F1 | Fold selection |
| Alt+Shift+L Ctrl+Shift+F1 | ⌘+⌥+Shift+L ⌘+Shift+F1 | Unfold |
| Alt+0 | ⌘+⌥+0 | Fold all |
| Alt+Shift+0 | ⌘+⌥+Shift+0 | Unfold all |
| Win/Linux | Mac | Description |
|---|---|---|
| Tab | Tab | Indent |
| Shift+Tab | Shift+Tab | Outdent |
| Ctrl+Z | ⌘+Z | undo |
| Ctrl+Shift+Z Ctrl+Y | ⌘+Shift+Z ⌘+Y | Redo |
| Ctrl+, | ⌘+, | Show the settings menu |
| Ctrl+/ | ⌘+/ | Toggle comment |
| Ctrl+T | Ctrl+T | Transpose letters |
| Ctrl+⏎ | ⌘+⏎ | Enter full screen |
| Ctrl+Shift+U | Ctrl+Shift+U | Change to lower case |
| Ctrl+U | Ctrl+U | Change to upper case |
| Ctrl+Shift+E | ⌘+Shift+E | Macros replay |
| Ctrl+Alt+E | --- | Macros recording |
| --- | Ctrl+L | Center selection |


{% extends "layout_req.html" %} {% block content %}
Scan the QR code with WWPass™ Key App to open your vault


Have fun barking! Bow Bow
Login or Register
Logout
Signed in as {{current_user.firstName}} {{current_user.secondName}}


All command line options begin with a dash (-) and unlike earlier versions of
the assembler can appear before, after or inbetween the source filenames.
| -help |
Displays list of command line options |
| -? |
Displays list of command line options |
| -6809 |
Allow only 6809 Opcodes |
| -D |
Define symbol |
| -C |
Use case sensative labels |
| -silent |
Run in silent mode |
| --no-warn |
Disable warnings |
| -O |
Set output directory |
| -o |
Set output name |
| -bin |
Generate CoCo RS-DOS binary file |
| -s19 |
Generate S-record file |
| -rom |
Generate a padded ROM file |
| -raw |
Generate raw binary file |
| -mod |
Generate shared object module |
| -os9 |
Generate Microware OS-9 module |
| -rof |
Generate Microware Relocatable Object File |
| -obj |
Generate KASM object file |
| -noout |
Assemble only, do not generate output file |
| --mode-rma |
Assemble in RMA compatibility mode |
| --mode-macro80c |
Assemble in Macro-80c compatibility mode |
| --mode-edtasm |
Assemble in EDTASM+ compatibility mode |
| --mode-edtasm6309 |
Assemble in EDTASM6309 compatibility mode |
| --mode-ccasm |
Assemble in CCASM compatibility mode |
| --warn-portable |
Warn of source code portability issues |
| --force-zero-offset |
Enable explicit 0 index offset |
| --force-pc-relative |
Use relative offsets for both PC and PCR on indexed addressing
modes |
| --disable-macros |
Disable use of macros |
| --disable-locals |
Disable use of local labels |
| --strict-locals |
Enable use of strict local label rules |
| --ignore-case |
Ignore case on symbols |
| --enable-precedence |
Enable operator precedence in expressions |
| -list |
Generate formatted source file listing to stdout |
| -nolist |
Source output disabled |
| -cycle |
Cycle count enabled |
| -slist |
Generate formatted list of labels |
| -xref |
Cross refence table disabled |
| -expand |
Macro definitions will be expanded in listing |
| -opt |
Display number of lines that could be optmized |
| -alert |
Display source lines containing branch instructions that can be optimized |
| -noln
|
Do not print line numbers in listing |
| -noopdata |
Do not print opcode data in listing |
| -cm |
Comment out macros in listing |


This is an example page that loads strictly the minimal core styles & scripts required by BUSINESS and the table-responsive-footable component


| Prepared by: | root (root) on Sat Dec 26 22:06:52 NOVT 2015 |
|---|---|
| Workspace: | /home/lan/jdk/jdk |
| Compare against: | http://hg.openjdk.java.net/jdk9/dev/jdk/ |
| Summary of changes: | 231 lines changed: 231 ins; 0 del; 0 mod; 4491 unchg |
| Patch of changes: | jdk.patch |
| Bug id: | JDK-8146218 : Add LocalDate.datesUntil method producing Stream<'LocalDate> |
| Legend: |
Modified file Deleted file New file |
Cdiffs
Udiffs
Sdiffs
Frames
Old
New
Patch
Raw
src/java.base/share/classes/java/time/LocalDate.java
69 lines changed: 69 ins; 0 del; 0 mod; 2127 unchg
Cdiffs
Udiffs
Sdiffs
Frames
Old
New
Patch
Raw
test/java/time/tck/java/time/TCKLocalDate.java
162 lines changed: 162 ins; 0 del; 0 mod; 2364 unchg
This code review page was prepared using webrev.ksh (vers 25.14-hg+openjdk.java.net).


Properties:
Class MainApplication |
Artifact DefaultTriggers |
Stereotype: source
Artifact source associated with : DefaultTriggers
Artifact ITrigger |
Stereotype: source
Artifact source associated with : ITrigger
Artifact Trigger |
Stereotype: source
Artifact source associated with : Trigger
Artifact BatteryLevelReceiver |
Stereotype: source
Artifact source associated with : BatteryLevelReceiver
Artifact BootCompletedIntentReceiver |
Stereotype: source
Artifact source associated with : BootCompletedIntentReceiver
Artifact StepAndGoalIntentReceiver |
Stereotype: source
Artifact source associated with : StepAndGoalIntentReceiver
Artifact ToastBroadcastReceiver |
Stereotype: source
Artifact source associated with : ToastBroadcastReceiver
Artifact ContextualTriggersService |
Stereotype: source
Artifact source associated with : ContextualTriggersService
Artifact MainApplication |
Stereotype: source
Artifact source associated with : MainApplication
Artifact Action |
Stereotype: source
Artifact source associated with : Action
Artifact CustomMapNotificationAction |
Stereotype: source
Artifact source associated with : CustomMapNotificationAction
Artifact SimpleMapNotificationAction |
Stereotype: source
Artifact source associated with : SimpleMapNotificationAction
Artifact SimpleNotificationAction |
Stereotype: source
Artifact source associated with : SimpleNotificationAction
Artifact UnitTestAction |
Stereotype: source
Artifact source associated with : UnitTestAction
Class AbstractCondition |
Class Condition |
Class AcceptableTimeCondition |
Class DataCondition |
Class ActivityPeriodCondition |
Class AndCondition |
Class CompositeCondition |
Class ClearWeatherCondition |
Class GymNearbyCondition |
Class InBuildingCondition |
Class InPlaceTypeCondition |
Class MeetingCondition |
Class StepCountCondition |
Artifact Condition |
Stereotype: source
Artifact source associated with : Condition
Artifact AbstractCondition |
Stereotype: source
Artifact source associated with : AbstractCondition
Artifact DataCondition |
Stereotype: source
Artifact source associated with : DataCondition
Artifact AcceptableTimeCondition |
Stereotype: source
Artifact source associated with : AcceptableTimeCondition
Artifact ActivityPeriodCondition |
Stereotype: source
Artifact source associated with : ActivityPeriodCondition
Artifact AltitudeTransitionCondition |
Stereotype: source
Artifact source associated with : AltitudeTransitionCondition
Artifact CompositeCondition |
Stereotype: source
Artifact source associated with : CompositeCondition
Artifact AndCondition |
Stereotype: source
Artifact source associated with : AndCondition
Artifact ClearWeatherCondition |
Stereotype: source
Artifact source associated with : ClearWeatherCondition
Artifact FrequentNotificationPreventionCondition |
Stereotype: source
Artifact source associated with : FrequentNotificationPreventionCondition
Artifact GymNearbyCondition |
Stereotype: source
Artifact source associated with : GymNearbyCondition
Artifact HistoricStepsDaysUnmetCondition |
Stereotype: source
Artifact source associated with : HistoricStepsDaysUnmetCondition
Artifact InPlaceTypeCondition |
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Artifact source associated with : InPlaceTypeCondition
Artifact InBuildingCondition |
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Artifact source associated with : InBuildingCondition
Artifact MeetingCondition |
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Artifact source associated with : MeetingCondition
Artifact NoLongerInBuildingTypeCondition |
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Artifact source associated with : NoLongerInBuildingTypeCondition
Artifact NotNotifiedTodayCondition |
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Artifact source associated with : NotNotifiedTodayCondition
Artifact StepAndGoalRealCountCondition |
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Artifact source associated with : StepAndGoalRealCountCondition
Artifact StepCountCondition |
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Artifact source associated with : StepCountCondition
Artifact LogSinkNotDefinedException |
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Artifact source associated with : LogSinkNotDefinedException
Artifact TriggerNotConnectedException |
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Artifact source associated with : TriggerNotConnectedException
Class TimeOfDayData |
Class Data |
Class ActivityData |
Class AltitudeData |
Class WeatherData |
Class VoidData |
Class PlacesData |
Class StepAndGoalData |
Class CalendarData |
Class StepData |
Class AbstractData |
Class BatteryData |
Class EventData |
Class DayData |
Class GoalData |
Class ListCalendarData |
Class NotificationData |
Artifact Data |
Stereotype: source
Artifact source associated with : Data
Artifact AbstractData |
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Artifact source associated with : AbstractData
Artifact ActivityData |
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Artifact source associated with : ActivityData
Artifact AltitudeData |
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Artifact source associated with : AltitudeData
Artifact BatteryData |
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Artifact source associated with : BatteryData
Artifact CalendarData |
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Artifact source associated with : CalendarData
Artifact DayData |
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Artifact source associated with : DayData
Artifact EventData |
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Artifact source associated with : EventData
Artifact GoalData |
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Artifact source associated with : GoalData
Artifact ListCalendarData |
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Artifact source associated with : ListCalendarData
Artifact NotificationData |
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Artifact source associated with : NotificationData
Artifact PlacesData |
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Artifact source associated with : PlacesData
Artifact StepAndGoalData |
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Artifact source associated with : StepAndGoalData
Artifact StepData |
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Artifact source associated with : StepData
Artifact TimeOfDayData |
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Artifact source associated with : TimeOfDayData
Artifact VoidData |
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Artifact source associated with : VoidData
Artifact WeatherData |
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Artifact source associated with : WeatherData
Class IDataManager |
Class ActivityDataManager |
Class AlarmDataManager |
Class DataManager |
Class AltitudeDataManager |
Class BatteryDataManager |
Class CalendarDataManager |
Class IntervalsDataManager |
Class NotificationDataManager |
Class PlacesDataManager |
Class SimulatedStepDataManager |
Class WeatherDataManager |
Artifact IDataManager |
Stereotype: source
Artifact source associated with : IDataManager
Artifact DataManager |
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Artifact source associated with : DataManager
Artifact AlarmDataManager |
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Artifact source associated with : AlarmDataManager
Artifact ActivityDataManager |
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Artifact source associated with : ActivityDataManager
Artifact ActualStepAndGoalDataManager |
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Artifact source associated with : ActualStepAndGoalDataManager
Artifact AltitudeDataManager |
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Artifact source associated with : AltitudeDataManager
Artifact BatteryDataManager |
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Artifact source associated with : BatteryDataManager
Artifact CalendarDataManager |
Stereotype: source
Artifact source associated with : CalendarDataManager
Artifact IntervalsDataManager |
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Artifact source associated with : IntervalsDataManager
Artifact NotificationDataManager |
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Artifact source associated with : NotificationDataManager
Artifact PlacesDataManager |
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Artifact source associated with : PlacesDataManager
Artifact SimulatedStepDataManager |
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Artifact source associated with : SimulatedStepDataManager
Artifact WeatherDataManager |
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Artifact source associated with : WeatherDataManager
Artifact RequestCalendarPermission |
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Artifact source associated with : RequestCalendarPermission
Artifact RequestLocationPermission |
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Artifact source associated with : RequestLocationPermission
Class Service |
Class ServiceConnection |
Class AppCompatActivity |
Class Exception |
Class BroadcastReceiver |
Class Binder |


Usage Rate of Cache Paths analysis▲
Usage rates for access paths between Channel Adapters and CM packages. X-Axis represents Date-Time, Y-Axis represents utilization [%]. Average Utilization: %CHA_CMPK_AVG% [%], peak: %CHA_CMPK_MAX% [%].
Usage rates for access paths between Disk Adapters and CM packages. X-Axis represents Date-Time, Y-Axis represents utilization [%]. Average Utilization: %DKA_CMPK_AVG% [%], peak: %DKA_CMPK_MAX% [%].
Usage rates for access paths between Processors and CM packages. X-Axis represents Date-Time, Y-Axis represents utilization [%]. Average Utilization: %MPPCB_CMPK_AVG% [%], peak: %MPPCB_CMPK_MAX% [%].
Cache usage rates within CM packages. X-Axis represents Date-Time, Y-Axis represents utilization [%]. Average Utilization: %CMPK_Cache_AVG% [%], peak: %CMPK_Cache_MAX% [%].
Write Pending analysis▲
Average Write Pending Rate. X-Axis represents Date-Time, Y-Axis represents utilization [%]. Average Utilization: %WP_AVG% [%], peak: %WP_MAX% [%].
%HTMLBody%


The elements of the array are converted to Strings, and these Strings are then concatenated, separated by occurrences of the separator. If no separator is provided, a single comma is used as the separator.
The join method takes one argument, separator, and performs the following steps:
Let O be the result of calling ToObject passing the this value as the argument.
Let lenVal be the result of calling the [[Get]] internal method of O with argument “length”.
Let len be ToUint32(lenVal).
If separator is undefined, let separator be the single-character String ”,”.
Let sep be ToString(separator).
If len is zero, return the empty String.
Let element0 be the result of calling the [[Get]] internal method of O with argument “0”.
If element0 is undefined or null, let R be the empty String; otherwise, Let R be ToString(element0).
Let k be 1.
Repeat, while k < len a.  Let element be the result of calling the [[Get]] internal method of O with argument ToString(k). c. If element is undefined or null, Let next be the empty String; otherwise, let next be ToString(element). d.
Return R.
NOTE The length property of the join method is 1. NOTE The join function is intentionally generic; it does not require that its this value be an Array object. Therefore, it can be transferred to other kinds of objects for use as a method. Whether the join function can be applied successfully to a host object is implementation-dependent.


BEAVIS AND BUTT-HEAD DO AMERICA A film review by Serdar Yegulalp Copyright 1997 Serdar Yegulalp
CAPSULE: Huh huh huh. Heh hmh hmh. If you're not already snickering at the prospects, this probably isn't the movie for you, but there are many, many laugh-out-loud moments.
First, a confession: Beavis and Butt-head, those neo-Chaucerian Harlequins of MTV, make me laugh. They're absolutely on target. We've seen their kind before, in the backs of every classroom we've ever had to waste our lives in, behind convenience stores and maybe even in our own homes. (Jeez, I hope not.)
"Beavis and Butt-head Do America" takes the basic premises of the censor-infuriating TV series, stretches them to movie-size, lights the fuse, and gets the heck out of there, leaving us to enjoy the blast wave as it slams our tuchis to the ground. It's not the funniest movie ever made, but it's amusing for most of the time and there are moments where I laughed harder than anything in recent memory. (One of the best jokes involves a running gag about cavity searches -- just so you know what to expect.)
The plot, what little there is of it, is a gag on which to hang an endless series of complications -- most of them centering around the Dimwit Duo's infallible stupidity. The movie opens with their TV being stolen, and the way this is introduced to the audience and then the protags (dare we call them that?) is a little masterpiece of timing.
The two hit the streets to find their TV, and in the process get embroiled in a very strange plot to go kill someone for money. The way in which their instructions are misinterpreted gets one good laugh after another -- leading to a great mini-punchline when the woman who is to be killed offers them even more money to go back and kill their employer. (I am treading carefully here to avoid ruining anything.) From there they get embroiled in an even weirder plot that centers around a stolen chemical weapon sewn into the seat of Beavis's pants. And so on.
I had (and won, I think) an argument with someone after the movie when they said it was stupid. No, I said -- it's ABOUT stupidity. That's why it's funny: it points out things about them that a less-ambitious movie would never get it in its head to attempt. It's not enough that Beavis and Butt-head are about as repulsive to women as a pair of cold corpses.  In short, it's about an attitude. If Beavis and Butt-head do nothing for you but try your patience, you'll probably get more yuks elsewhere, but my only criterion for whether a comedy works is: Did it make me laugh? Sure, I did.
Two and a half out of four M-80s.
<EMAIL_ADDRESS>EFNet IRC: GinRei http://serdar.home.ml.org another worldly device...
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