| SPARK-6005 |
Flaky test: o.a.s.streaming.kafka.DirectKafkaStreamSuite.offset recovery |
Major |
Streaming |
Iulian Dragos |
Shixiong Zhu |
| SPARK-15606 |
Driver hang in o.a.s.DistributedSuite on 2 core machine |
Major |
Spark Core |
Pete Robbins |
Pete Robbins |
| SPARK-16044 |
input_file_name() returns empty strings in data sources based on NewHadoopRDD. |
Major |
SQL |
Hyukjin Kwon |
Hyukjin Kwon |
| SPARK-16077 |
Python UDF may fail because of six |
Major |
PySpark |
Davies Liu |
Davies Liu |
| SPARK-16257 |
spark-ec2 script not updated for 1.6.2 release |
Minor |
EC2 |
Brian Uri |
Brian Uri |
| SPARK-16313 |
Spark should not silently drop exceptions in file listing |
Critical |
SQL |
Reynold Xin |
Reynold Xin |
| SPARK-16182 |
Utils.scala -- terminateProcess() should call Process.destroyForcibly() if and only if Process.destroy() fails |
Critical |
Spark Core |
Christian Chua |
Sean Owen |
| SPARK-16353 |
Intended javadoc options are not honored for Java unidoc |
Minor |
Build, Documentation |
Michael Allman |
Michael Allman |
| SPARK-16385 |
NoSuchMethodException thrown by Utils.waitForProcess |
Major |
Spark Core |
Marcelo Vanzin |
Marcelo Vanzin |
| SPARK-16422 |
maven 3.3.3 missing from mirror, breaks older builds |
Critical |
Build |
Thomas Graves |
Sean Owen |
| SPARK-16489 |
Test harness to prevent expression code generation from reusing variable names |
Major |
SQL |
Reynold Xin |
Reynold Xin |
| SPARK-16375 |
[Spark web UI]:The wrong value(numCompletedTasks) has been assigned to the variable numSkippedTasks |
Major |
Web UI |
marymwu |
Alex Bozarth |
| SPARK-16440 |
Undeleted broadcast variables in Word2Vec causing OoM for long runs |
Major |
MLlib |
Anthony Truchet |
Anthony Truchet |
| SPARK-16656 |
CreateTableAsSelectSuite is flaky |
Major |
SQL |
Yin Huai |
Yin Huai |
| SPARK-16873 |
force spill NPE |
Major |
Spark Core |
sharkd tu |
sharkd tu |
| SPARK-16925 |
Spark tasks which cause JVM to exit with a zero exit code may cause app to hang in Standalone mode |
Critical |
Deploy |
Josh Rosen |
Josh Rosen |
| SPARK-16409 |
regexp_extract with optional groups causes NPE |
Major |
Spark Core |
Max Moroz |
Sean Owen |
| SPARK-16939 |
Fix build error by using Tuple1 explicitly in StringFunctionSuite |
Minor |
SQL |
Dongjoon Hyun |
Dongjoon Hyun |
| SPARK-17003 |
release-build.sh is missing hive-thriftserver for scala 2.11 |
Major |
Build |
Yin Huai |
Yin Huai |
| SPARK-17038 |
StreamingSource reports metrics for lastCompletedBatch instead of lastReceivedBatch |
Minor |
Streaming |
Oz Ben-Ami |
Xin Ren |
| SPARK-17404 |
[BRANCH-1.6] Broken test: showDF in test_sparkSQL.R |
Major |
SparkR |
Yin Huai |
Sun Rui |
| SPARK-17356 |
A large Metadata filed in Alias can cause OOM when calling TreeNode.toJSON |
Major |
SQL |
Sean Zhong |
Sean Zhong |
| SPARK-17245 |
NPE thrown by ClientWrapper.conf |
Major |
SQL |
Yin Huai |
Yin Huai |


Parcel includes minifiers for JavaScript, CSS, HTML, and SVG out of the box! Just run parcel build index.html, and your whole application will be built and optimized automatically.
parcel build index.html


12 ANGRY MEN (1997) A film review by Steve Rhodes Copyright 1997 Steve Rhodes
RATING (0 TO ****): ***
Remakes, even faithful ones, are so often such pale imitations of the original that they become little more that frustrating substitutes for the genuine article. 12 ANGRY MEN from 1957 is the most insightful film ever made about serving on a jury. (The 1957 version was itself a remake, see my previous review, of a 1954 STUDIO ONE production, but that piece of cinematic trivia remains unknown to all but the most avid movie fans.)
The great director Sidney Lumet directed the 1957 version and the star-studded cast included such luminaries as Henry Fonda, Lee J. Cobb, Ed Begley, E. G. Marshall, Jack Warden, and Jack Klugman. The 1997 remake produced by MGM and released on the Showtime cable network has itself a superlative cast. Directed by Academy Award winner William Friedkin (THE FRENCH CONNECTION), the cast includes Hume Cronyn, Tony Danza, Ossie Davis, James Gandolfini, Dorian Harewood, Jack Lemmon, Armin Mueller-Stahl, Edward James Olmos, William L. Petersen, George C. Scott, Courtney B. Vance and Mykelti Williamson.
The role of the reluctant juror who bravely votes not guilty when everyone else votes otherwise is played by Jack Lemmon. Henry Fonda in one of his greatest roles played that part in the 1957 film. Lemmon is a great actor, but one who sometimes seems way past his prime as he did last year in HAMLET. In 12 ANGRY MEN, his old talent shines through, but even so his performance is not in the same league as Fonda's or Robert Cummings's, who played the part in 1954.
At the heart of the story are the "facts" that are known by the others but simply questioned by Lemmon. "It's one of those open and shut things," points out George C. Scott's character. "They proved it ten different ways." But crying out as the lone voice of compassion, Lemmon pleads, "Suppose we're wrong."
 Mykelti Williamson, from FORREST GUMP and CON AIR, wanted to get the part to show how universal racism can be. Williamson even personally designed the role so that his character was a ex-member of the Nation of Islam. Although not fully explained, apparently his character was too racist for the Black Muslims. "I've lived among them all my life," declares Williamson's venomous character about the defendant and his race. "They're born liars."
As the story unfolds, the sure and certain facts from the courtroom turn out to be anything but. And the jurors' closed minds begin to open one by one. Some, of course, resist mightily. "Don't give me those facts," complains Williamson's character. "I'm sick and tired of facts."
The Academy Award nominated screenplay by Reginald Rose is little changed from his original. One of these changes has the extremely minor role of the judge being given to a woman, Mary McDonnell. Although McDonnell is a fine actor, her brief appearance smacks of tokenism. In other updates, references are thrown in about SECRETS AND LIES and about the Tyson-Holyfield fight. These serve no purpose and are unable to make a highly relevant story any more so.
The conclusion is inevitable, but, even if you've seen the 1957 version, this remake is worth viewing for the strength of the script and the fine performances. Every juror's vote change is a milestone along a hard climb. When they reach the summit, you may find yourself as emotionally drained as the jurors.
12 ANGRY MEN runs 1:57. It is not rated but would be PG or PG-13 for mature themes and a little profanity. The film would be fine for kids say nine and up who are interested in such serious subjects. I recommend the film to you and give it ***.
**** = A must see film. *** = Excellent show. Look for it. ** = Average movie. Kind of enjoyable. * = Poor show. Don't waste your money. 0 = Totally and painfully unbearable picture.
REVIEW WRITTEN ON: August 17, 1997
Opinions expressed are mine and not meant to reflect my employer's.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Export ASA
Export ASA objects (eg, project servers/server-users/groups; audits are a work in progress). See
source.
Setup
- Show your bookmarks toolbar. In Chrome, … > Bookmarks > Show Bookmarks Bar. In Firefox, right-click in the title bar and click Bookmarks Toolbar.
- Drag/drop this ASA v1 to the bookmarks toolbar.
Usage
- In your ASA tenant, select a project or click Projects to export all projects.
Or click Audits and find the results in the DevTools console (export to CSV is a work in progress).
- Click the "ASA" button from your bookmarks toolbar.
- For debugging, it's helpful to open the browser's DevTools and look at the Network tab.


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Our story is one of progress. Together, we can harness technology to transform the way we live, work and play. Be a trailblazer.
Champion tech for public good via a multifaceted career in the Singapore Government’s Information and Communications Technology & Smart Systems (ICT&SS) sector.
Harness the power of tech to build applications we use to work, live, play, learn and more.
Harness the power of tech to build applications we use to work, live, play, learn and more.
Harness the power of tech to build applications we use to work, live, play, learn and more.
Architect digital infrastructure to power Singapore's digital transformation.
Architect digital infrastructure to power Singapore's digital transformation.
Architect digital infrastructure to power Singapore's digital transformation.
Set the stage. A Smart Nation calls for tech, talent and thought leadership.
Set the stage. A Smart Nation calls for tech, talent and thought leadership.
Set the stage. A Smart Nation calls for tech, talent and thought leadership.


class: center, middle, inverse, title-slide # ETC3250: Regression ## Semester 1, 2019 ###
Professor Di Cook
Econometrics and Business Statistics
Monash University ### Week 2 (b) --- class: split-30 .column[.pad10px[ ## Outline - .green[Moving beyond linearity] ]] .column[.top50px[  ]] --- class: split-30 .column[.pad10px[ ## Outline - .green[Moving beyond linearity] - splines and GAMs ]] .column[.top50px[  ]] --- class: split-30 .column[.pad10px[ ## Outline - .green[Moving beyond linearity] - splines and GAMs - and more ]] .column[.top50px[ The truth is rarely linear, but often the linearity assumption is good enough. When it's not ... - .orange[polynomials], - step functions, - .orange[splines], - local regression, and - .orange[generalized additive models] offer a lot of flexibility, without losing the ease and interpretability of linear models. ]] --- class: split-30 .column[.pad10px[ ## Outline - Moving beyond linearity - .green[polynomials] - basis functions ]] .column[.top50px[ Instead of fitting a linear model (in `\(X\)`), we fit the model `$$y_i = \beta_0 + \beta_1 b_1(x_i) + \beta_2 b_2(x_i) + \dots + \beta_K b_K(x_i) + e_i,$$` where `\(b_1(X), b_2(X), \dots, b_K(X)\)` are a family of functions or transformations that can be applied to a variable `\(X\)`, and `\(i = 1, \dots, n\)`. - Polynomial regression: `\(b_k(x_i) = x_i^k\)` - Piecewise constant functions: `\(b_k(x_i) = I(c_k \leq x_i \leq c_{k+1})\)` ]] --- class: split-30 .column[.pad10px[ ## Outline - Moving beyond linearity - .green[polynomials] - basis functions ]] .column[.top50px[  x1 `\(=x\)`, x2= `\(x^2\)`, x3= `\(x^3\)`, x4= `\(x^4\)`, x5= `\(x^5\)` ]] --- class: split-30 .column[.pad10px[ ## Outline - Moving beyond linearity - polynomials - .green[splines] - knots ]] .column[.top50px[ Knots: `\(\kappa_1,\dots,\kappa_K\)`. A spline is a continuous function `\(f(x)\)` consisting of polynomials between each consecutive pair of "knots" `\(x=\kappa_j\)` and `\(x=\kappa_{j+1}\)`. - Parameters constrained so that `\(f(x)\)` is continuous. - Further constraints imposed to give continuous derivatives. ]] --- class: split-30 .column[.pad10px[ ## Outline - Moving beyond linearity - polynomials - .green[splines] - knots - piecewise poly ]] .column[.top50px[ Piecewise cubic polynomial with a single knot at a point `\(c\)`: `$$\hat{y}_i = \left\{ \begin{array}{l} \beta_{01}+\beta_{11}x_i+\beta_{21}x_i^2+\beta_{31}x_i^3~~~if~x_i< c\\ \beta_{02}+\beta_{12}x_i+ \beta_{22}x_i^2+\beta_{32}x_i^3~~~if~x_i \geq c\end{array}\right\}$$` ]] --- class: split-30 .column[.pad10px[ ## Outline - Moving beyond linearity - polynomials - .green[splines] - knots - piecewise poly ]] .column[.top50px[    .font_tiny[(Chapter7/7.3.pdf)] ]] --- class: split-30 .column[.pad10px[ ## Outline - Moving beyond linearity - polynomials - .green[splines] - knots - piecewise poly - basis fns ]] .column[.top50px[ - Truncated power basis - Predictors: `\(x\)`, ..., `\(x^p\)`, `\((x-\kappa_{1})_+^p\)`, ..., `\((x-\kappa_{K})_+^p\)` Then the regression is piecewise order- `\(p\)` polynomials. - `\(p-1\)` continuous derivatives. - Usually choose `\(p=1\)` or `\(p=3\)`. - `\(p+K+1\)` degrees of freedom ]] --- class: split-30 .column[.pad10px[ ## Outline - Moving beyond linearity - polynomials - .green[splines] - knots - piecewise poly - basis fns ]] .column[.top50px[  x1 `\(=x\)`, x2= `\(x^2\)`, x3= `\(x^3\)`, x4= `\((x+0.5)^3_+\)`, x5= `\((x-0.5)^3_+\)` ]] --- class: split-30 .column[.pad10px[ ## Outline - Moving beyond linearity - polynomials - .green[splines] - knots - piecewise poly - basis fns - natural ]] .column[.top50px[ - Splines based on truncated power bases have high variance at the outer range of the predictors. - Natural splines are similar, but have additional .orange[boundary constraints]: the function is linear at the boundaries. This reduces the variance. Degrees of freedom `\(\verb|df|=K\)`. Create predictors using `\(\verb|ns|\)` function in R (automatically chooses knots given `\(\verb|df|\)`). ]] --- class: split-30 .column[.pad10px[ ## Outline - Moving beyond linearity - polynomials - .green[splines] - knots - piecewise poly - basis fns - natural ]] .column[.top50px[    .font_tiny[(Chapter7/7.4.pdf)] ]] --- class: split-30 .column[.pad10px[ ## Outline - Moving beyond linearity - polynomials - .green[splines] - knots - piecewise poly - basis fns - natural ]] .column[.top50px[    .font_tiny[(Chapter7/7.7.pdf)] ]] --- class: split-30 .column[.pad10px[ ## Outline - Moving beyond linearity - polynomials - .green[splines] - knots - piecewise poly - basis fns - natural ]] .column[.top50px[ Natural cubic splines  ]] --- class: split-30 .column[.pad10px[ ## Outline - Moving beyond linearity - polynomials - .green[splines] - knots - piecewise poly - basis fns - natural - knots ]] .column[.top50px[ Knot placement - Strategy 1: specify `\(\verb|df|\)` (equivalently `\(K\)`) and let `\(\verb|ns|\)` place them at appropriate quantiles of the observed `\(X\)`. - Strategy 2: choose `\(K\)` and their locations. ]] --- class: split-30 .column[.pad10px[ ## Outline - Moving beyond linearity - polynomials - .green[splines] - knots - piecewise poly - basis fns - natural - knots ]] .column[.top50px[ DF = 2 (linear fit)  ]] --- class: split-30 .column[.pad10px[ ## Outline - Moving beyond linearity - polynomials - .green[splines] - knots - piecewise poly - basis fns - natural - knots ]] .column[.top50px[ DF = 3  ]] --- class: split-30 .column[.pad10px[ ## Outline - Moving beyond linearity - polynomials - .green[splines] - knots - piecewise poly - basis fns - natural - knots ]] .column[.top50px[ DF = 8  ]] --- class: split-30 .column[.pad10px[ ## Outline - Moving beyond linearity - polynomials - .green[splines] - knots - piecewise poly - basis fns - natural - knots ]] .column[.top50px[ DF = 15  ]] --- class: split-30 .column[.pad10px[ ## Outline - Moving beyond linearity - polynomials - .green[splines] - knots - piecewise poly - basis fns - natural - knots ]] .column[.top50px[ DF = 50  ]] --- class: split-30 .column[.pad10px[ ## Outline - Moving beyond linearity - polynomials - splines - .green[Generalised additive models (GAMs)] - Curse of dimensionality ]] .column[.top50px[ Why is it hard to fit models of the form `$$y = f(x_1,x_2,\dots,x_p) + e?$$` - Data is very sparse in high-dimensional space. - Model assumes `\(p\)`-way interactions which are hard to estimate. ]] --- class: split-30 .column[.pad10px[ ## Outline - Moving beyond linearity - polynomials - splines - .green[Generalised additive models (GAMs)] - Curse of dimensionality - Additive functions ]] .column[.top50px[ .boxshadow[.content[ `\(y_i=\beta_0+f_1(x_{i,1})+f_2(x_{i,2})+...+f_p(x_{p,1})+e_i\)` ]] where each f is a smooth univariate function. Allows for flexible nonlinearities in several variables, but retains the additive structure of linear models. ]] --- class: split-30 .column[.pad10px[ ## Outline - Moving beyond linearity - polynomials - splines - .green[Generalised additive models (GAMs)] - Curse of dimensionality - Additive functions ]] .column[.top50px[ `$$wage = \beta_0 + f_1(year) + f_2(age) + f_3(education) + \varepsilon$$`    .font_tiny[(Chapter7/7.11.pdf)] ]] --- class: split-30 .column[.pad10px[ ## Outline - Moving beyond linearity - polynomials - splines - .green[Generalised additive models (GAMs)] - Curse of dimensionality - Additive functions - Generalisation ]] .column[.top50px[ - Can fit a GAM simply using, e.g. natural splines: - Coefficients not that interesting; fitted functions are. - Use `plot.gam` from `gam` package. - Can mix terms --- some linear, some nonlinear --- and use `anova()` to compare models. - GAMs are additive, although low-order interactions can be included in a natural way using, e.g. bivariate smoothers or interactions of the form `ns(age,df=5):ns(year,df=5)`. ]] --- class: split-30 vmiddle .column[.top50px[ ## Outline - Moving beyond linearity - polynomials - splines - .green[Generalised additive models (GAMs)] - Curse of dimensionality - Additive functions - Generalisation - Interaction ]] .column[.top50px[ - Additive models assume no interactions. - Add bivariate smooths for two-way interactions. - Graphically check for interactions using faceting. ]] --- layout: false # 👩💻 Made by a human with a computer ### Slides at [https://monba.dicook.org](https://monba.dicook.org). ### Code and data at [https://github.com/dicook/Business_Analytics](https://github.com/dicook/Business_Analytics).
 ### Created using [R Markdown](https://rmarkdown.rstudio.com) with flair by [**xaringan**](https://github.com/yihui/xaringan), and [**kunoichi** (female ninja) style](https://github.com/emitanaka/ninja-theme).

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.


Why would anyone write a script that destroys the website it lives in? That would be entirely useless!
reload...


| DiscreteWavelets Toolbox |
Create Huffman codes
[uniq,freq,codes] = MakeHuffmanCodes(v)
[uniq,freq,codes,origlen] = MakeHuffmanCodes(v)
[uniq,freq,codes,origlen,newlen] = MakeHuffmanCodes(v)
[uniq,freq,codes] = MakeHuffmanCodes(v) takes as input a vector or matrix, a character string, or a cell array whose elements are characters and returns:
[uniq,freq,codes,origlen] = MakeHuffmanCodes(v) also returns the bitstream length of the original input v.
[uniq,freq,codes,origlen,newlen] = MakeHuffmanCodes(v) also returns the bitstreatm length of the input build with codes.If v is a vector or matrix, the elements must be nonnegative integers.
This code is based on the function written by huffman5 written by Sean Danaher, University of Northumbria, Newcastle UK.
See Section 3.4 for more information on creating Huffman codes.
Find the Huffman codes for the string pitterpattertatter.
str='pitterpattertatter'; %Create the string [uniq,freq,codes,origlen,newlen]=MakeHuffmanCodes(str) %Create the Huffman codesThe output is
uniq = 'a' 'e' 'i' 'p' 'r' 't' freq = 0.1111 0.1667 0.0556 0.1111 0.1667 0.3889 codes = '0011' '010' '0010' '000' '011' '1' origlen = 144 newlen = 43
We can use HuffmanTree to plot the Huffman tree for pitterpattertatter.
HuffmanTree(uniq,freq,codes);
gry=ImageNames('ImageType','GrayScale','ListThumbnails','True'); %Get file names for included images. Use a thumbnail A=ImageRead(gry{1}); %Load a thumbnail image ImagePlot(A); %Plot the image [u,f,c,old,new]=MakeHuffmanCodes(A); %Create the Huffman codes for A str=sprintf('The length of the Huffman coded stream for A is %i.',new); disp(str); B=HWT2D(A,3); %Compute three iterations of the Haar wavelet transform figure; WaveletDensityPlot(B,3,'DivideLinesThickness',[2 2 2]); %Plot the wavelet transforma [u,f,c,old,new]=MakeHuffmanCodes(round(B-min(min(B)))); %Compute the Huffman codes - make sure the input is nonnegative integers. str=sprintf('The length of the Huffman coded stream for B is %i.',new); disp(str);
The length of the Huffman coded stream for A is 302526. The length of the Huffman coded stream for B is 219277.
© 2007-2008 Patrick Van Fleet


Brython stands for "Browser Python" and is a Python3 implementation in JavaScript. This allows Python to be written for the browser, including directly into the HTML, with the Brython script converting Python to JS at runtime! In order to test out Brython, I ported a JavaScript snake implementation to Python and deployed both games on this website. They are completely identical, but take a look at the source code in each page... Anything unusual?


Postgres 9.5 - the Feature Rundown
The headline of Postgres 9.5 is undoubtedly: Insert… on conflict do nothing/update or more commonly known as Upsert or Merge. This removes one of the last remaining features which other databases had over Postgres. Sure we’ll take a look at it, but first let’s browse through some of the other features you can look forward to when Postgres 9.5 lands:
Grouping sets, cube, rollup
Pivoting in Postgres has sort of been possible as has rolling up data, but it required you to know what those values and what you were projecting to, to be known. With the new functionality to allow you to group various sets together rollups as you’d normally expect to do in something like Excel become trivial.
So now instead you simply add the grouping type just as you would on a normal group by:
SELECT department, role, gender, count(*)
FROM employees
GROUP BY your_grouping_type_here;
By simply selecting the type of rollup you want to do Postgres will do the hard work for you. Let’s take a look at the given example of department, role, gender:
grouping sets
will project out the count for each specific key. As a result you’d get each department key, with other keys as null, and the count for each that met that department.cube
will give you the same values as above, but also the rollups of every individual combination. So in addition to the total for each department, you’d get breakups by the department and gender, and department and role, and department and role and gender.rollup
will give you a slightly similar version to cube but only give you the detailed groupings in the order they’re presented. So if you specifiedroll (department, role, gender)
you’d have no rollup for department and gender alone.
Check the what’s new wiki for a bit more clarity on examples and output
Import foreign schemas
I only use foreign tables about once a month, but when I do use them they’ve inevitably saved many hours of creating a one off ETL process. Even still the effort to setup new foreign tables has shown a bit of their infancy in Postgres. Now once you’ve setup your foreign database, you can import the schema, either all of it or specific tables you prefer.
It’s as simple as:
IMPORT FOREIGN SCHEMA public
FROM SERVER some_other_db INTO reference_to_other_db;
pg_rewind
If you’re managing your own Postgres instance for some reason and running HA, pg_rewind could become especially handy. Typically to spin up replication you have to first download the physical, also known as base, backup. Then you have to replay the Write-Ahead-Log or WAL–so it’s up to date then you actually flip on replication.
 This means just get rid of it, completely throw it out. This is still a good practice, so bring it offline, make it inactive, but from there now you could then flip it into a mode and use pg_rewind. This could save you pulling down lots and lots of data to get a replica back up once you have failed over.
Upsert
Upsert of course will be the highlight of Postgres 9.5. I already talked about it some when it initially landed. The short of it is, if you’re inserting a record and there’s a conflict, you can choose to:
- Do nothing
- Do some form of update
Essentially this will let you have the typically experience of create or update that most frameworks provide but without a potential race condition of incorrect data.
JSONB pretty
There’s a few updates to JSONB. The one I’m most excited about is making JSONB output in psql read much more legibly.
If you’ve got a JSONB field just give it a try with:
SELECT jsonb_pretty(jsonb_column)
FROM foo;
Give it a try
Just in time for the new year the RC is ready and you can get hands on with it. Give it a try, and if there’s more you’d like to hear about Postgres please feel free to drop me a note craig.kerstiens@gmail.com.


My work is to learn and Grow. What is that again? Yes! Learn and grow. Well I think I will have to explain this. Every day I usually want to learn atleast something new, something that would increase my insight and the way I view life.
I started my journey back in form three, where we had a program called Mombasa Girls In STEM. This program, at first it did not make much sense to me. I said to my self that I will just go through it and see what I would take from this.The program had a thourgh curriculum that ran for 6 months. At frist I could not make much of it because I thought one had to be intelligent to be able to be in this program. Most of the time that really affected me most cause every exercise that was to conducted I always thought that I was not good enough and ya, I shyed away from most activities.
This sometimes


From gram source:
(you)-[:GREET {message:"hello"}]->(world)
To parsed AST:
parsed AST should appear here


Jason Michael
About Me
My name is Jason Michael. I am a husband and a father of one. My start in development began with making small game mods with Epic Games' UDK for Unreal Engine 3.
Soon after that I found AutoHotkey, a free keyboard macro program. I used AutoHotkey to create small applications to help speed up the data entry parts of my job at the time. From AutoHotkey I had the opportunity to start building a process monitoring system in C# for DuPont.
I became attracted to the design side of web development and started watching all the HTML and CSS videos I could find, although I think back-end work might suit me better. My favorite part about development is being able to have an idea and bring it to life and turn it into something creative and useful.


fun Any.toOptional(): Optional<Any>
Converts any Object to an Optional.
Author Boston Vanseghi
Since 2.0.1


Cipher
I am sentence.
Click here
for something awesome to happen to the above paragrph
I am groot.
Click here
for something awesome to happen to the above paragrph


Before you spend countless hours at the word processor turning that great high-concept idea for a movie into a full-length screenplay, realize that somewhere in Hollywood some other writer has probably had exactly the same flash of brilliance you did.
Don't believe it? Look at the past few years. In 1998, we had two epics in which Earth was about to be obliterated by giant rocks from outer space: a comet in "Deep Impact," an asteroid in "Armageddon." In 1997, two thrillers revolved around murders in the Capitol, "Absolute Power" and "Murder at 1600." In 1996, there were two extravaganzas about evil aliens terrorizing the planet ("Independence Day" and "Mars Attacks!").
And let's not even try to count how many "body-switcher" comedies there were in the late 1980s.
With "Stir of Echoes" and "The Sixth Sense" currently slugging it out for space at the cineplex, it would seem little boys talking to ghosts is the latest trendy topic. But before you dismiss writer-director David Koepp's "Stir" as a rip-off, take into account that it was filming at the same time as "Sense" and that it's based on a novel by Richard Matheson that predates even Stephen King's "The Shining," which is for many people the last word in psychic-kid literature.
But now that millions have seen "Sense" (in some cases, more than once), "Stir" can't help but look like a rehash. Although the stories eventually take different courses, the initial similarities between the two pictures are striking and, unfortunately, mostly unflattering to Koepp's film. "Stir" does, however, have some terrific performances that elevate it several notches above the run-of-the-mill spook show, particularly from Kevin Bacon, who proves you need not go over the top to play a man on the brink of madness.
Bacon plays Tom, a blue-collar Chicagoan with a tough but faithful wife named Maggie (Kathryn Erbe, an actress who always seems to find intriguing angles in her characters) and a wide-eyed 5-year-old son named Jake (Zachary David Cope) who spends a considerable amount of time in what seem to be one-way conversations with unseen friends. Tom also has a sister-in-law, Lisa (Illena Douglas), who fancies herself an amateur hypnotherapist.
At a beer-fueled bash one night, Lisa hypnotizes the skeptical Tom and is surprised by how receptive he is to her suggestions. Soon after coming out of the trance, Tom begins having gruesome hallucinations about missing teeth and missing teens, sleeping 12 hours a day and guzzling orange juice as if he were at an all-night rave party. Only Jake seems to have a clue what's going on when Daddy suddenly decides to dig up the backyard.
Like "Sense," "Stir" works up a convincingly chilly atmosphere and has a few jolting moments. To his credit, Koepp doesn't rely too heavily on bursts of loud music or people jumping out of the shadows to generate cheap shocks. Bacon is outstanding, and Douglas and Erbe do wonders with their somewhat sketchy roles.
But there are enough odd loose ends in "Stir" to indicate Koepp (whose screenplays include "Death Becomes Her" and "Jurassic Park," among others) was so preoccupied with his directorial chores he didn't pay enough attention to his material. Subplots about Maggie's pregnancy and a vaguely creepy cult are introduced with great fanfare and then abruptly discarded. Even Jake's gift, which seems to be the key to the whole story, turns out to play only a minor role in the overall scheme of things.
Ultimately, where "Stir" suffers most in comparison with "Sense" is in its last reel. "Sense" has a climax that ambushes you and leaves you dazed. On the other hand, the ending of "Stir" is telegraphed so far in advance, you won't need a psychic to determine what's in Tom and Maggie's future. James Sanford
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


You can try out various border repetition rules on me!
stretch
repeat
round
space
stretch repeat
space round


| Package | Description |
|---|---|
| org.apache.batik.anim.dom | |
| org.apache.batik.anim.values | |
| org.apache.batik.bridge |
Provides an API for mapping and maintaining consistency between
the SVG DOM tree and the GVT tree.
|
| org.apache.batik.bridge.svg12 | |
| org.apache.batik.dom.svg | |
| org.apache.batik.extension |
This package contains Batik's extensions to standard SVG (custom elements,
additional bridges...).
|
| org.apache.batik.extension.svg |
| Class and Description |
|---|
| AbstractSVGList
This class is a base implementation for a live
list representation of SVG attributes.
|
| AbstractSVGNormPathSegList
This class is the implementation of the normalized
SVGPathSegList . |
| AbstractSVGNumberList
This class is the implementation of
SVGNumberList . |
| AbstractSVGPathSegList
This class is the implementation of
SVGPathSegList . |
| AbstractSVGPointList
Abstract implementation of
SVGPointList . |
| AbstractSVGPreserveAspectRatio
Abstract implementation for SVGPreservAspectRatio
This is the base implementation for SVGPreservAspectRatio
|
| AbstractSVGTransformList
This class is the implementation of
SVGTransformList . |
| ExtendedTraitAccess
Interface for SVG DOM classes to expose information about the traits
(XML attributes and CSS properties) their elements support.
|
| IdContainer
An interface for DOM nodes that can look up elements with IDs.
|
| ListHandler
Interface that defines the functionnality
of a list handler for the parser of
attributes that are list.
|
| LiveAttributeValue
This interface should be implemented by all the attribute values
objects that must be updated when the attribute node is modified.
|
| SVGContext
This interface is the placeholder for SVG application informations.
|
| SVGDocumentFactory
This interface represents an object which can build a SVGDocument.
|
| SVGItem
This interface represents an item in an SVGXXXList.
|
| SVGMotionAnimatableElement
An interface for SVG elements that can be animated with 'animateMotion'.
|
| SVGOMAngle
Implementation of an
SVGAngle not associated with any attribute. |
| SVGOMPoint
An implementation of
SVGPoint that is not associated with any
attribute. |
| SVGOMRect
An implementation of
SVGRect that is not associated with an
attribute. |
| SVGOMUseShadowRoot
This class implements
DocumentFragment interface. |
| SVGPathSegConstants
Constants for the SVGPathSeg interface.
|
| SVGPathSegItem
Internal representation of the item SVGPathSeg.
|
| SVGTextContent
This class provides the interface for the SVGTextContentElement
for the bridge to implement.
|
| TraitAccess
Interface for accessing traits on an element.
|
| Class and Description |
|---|
| AbstractSVGTransform
Abstract implementation of
SVGTransform . |
| SVGOMTransform
This class is the implementation of the SVGTransform interface.
|
| Class and Description |
|---|
| LiveAttributeException
Thrown when a live attribute cannot parse an attribute's value.
|
| SVGAnimationContext
Context class for SVG animation elements to support extra methods.
|
| SVGContext
This interface is the placeholder for SVG application informations.
|
| SVGDocumentFactory
This interface represents an object which can build a SVGDocument.
|
| SVGPathContext
Context class for the SVG path element to support extra
methods.
|
| SVGSVGContext
Context class for svg:svg elements.
|
| SVGTextContent
This class provides the interface for the SVGTextContentElement
for the bridge to implement.
|
| Class and Description |
|---|
| SVGContext
This interface is the placeholder for SVG application informations.
|
| SVGTextContent
This class provides the interface for the SVGTextContentElement
for the bridge to implement.
|
| Class and Description |
|---|
| AbstractSVGItem
Adapter for the SVGItem interface.
|
| AbstractSVGList
This class is a base implementation for a live
list representation of SVG attributes.
|
| AbstractSVGMatrix
This class provides an abstract implementation of the
SVGMatrix
interface. |
| AbstractSVGNormPathSegList.SVGPathSegGenericItem |
| AbstractSVGNumber
Implementation of
SVGNumber . |
| AbstractSVGPathSegList
This class is the implementation of
SVGPathSegList . |
| AbstractSVGTransform
Abstract implementation of
SVGTransform . |
| IdContainer
An interface for DOM nodes that can look up elements with IDs.
|
| ListHandler
Interface that defines the functionnality
of a list handler for the parser of
attributes that are list.
|
| SVGContext
This interface is the placeholder for SVG application informations.
|
| SVGItem
This interface represents an item in an SVGXXXList.
|
| SVGPathSegConstants
Constants for the SVGPathSeg interface.
|
| SVGPathSegItem
Internal representation of the item SVGPathSeg.
|
| TraitAccess
Interface for accessing traits on an element.
|
| Class and Description |
|---|
| ExtendedTraitAccess
Interface for SVG DOM classes to expose information about the traits
(XML attributes and CSS properties) their elements support.
|
| TraitAccess
Interface for accessing traits on an element.
|
| Class and Description |
|---|
| ExtendedTraitAccess
Interface for SVG DOM classes to expose information about the traits
(XML attributes and CSS properties) their elements support.
|
| SVGContext
This interface is the placeholder for SVG application informations.
|
| SVGTextContent
This class provides the interface for the SVGTextContentElement
for the bridge to implement.
|
| TraitAccess
Interface for accessing traits on an element.
|
Copyright © 2022 Apache Software Foundation. All Rights Reserved.


Where to watch 'Strahan, Sara and Keke' and 'Rachael Ray' on Monday
by WABCNEW YORK (WABC) -- Because of our coverage of the 100th New York City Veterans Day Parade on Channel 7, our regularly scheduled programs - "Strahan, Sara and Keke" at 1:00 p.m. and "Rachael Ray" at 2:00 p.m., can be seen over-the-air on channel 7.2 and on these cable channels.
Optimum: Channel 110
Verizon FIOs: Channel 467
Spectrum: Channel 1240
Comcast: Channels 790 or 1177


We have also listed out a few links regarding the project.
If you'd like more help, please check out Discussions section on our GitHub repository
for more information.
If you'd like to help improve this library, please open an issue on the repository with your suggestions and
feedback.
We ask you to follow GitHub Code of
Conduct when opening issues or discussion as we like to keep this community open and welcoming for all.


VIDEO: B.C. couple creates three-storey ‘doggie mansion’ for their five pups - Barriere Star Journal
by Ashley WadhwaniGroup of seven, who Kylee Ryan has dubbed as the ‘wandering paws,’ have a neat setup in Jade City
In Jade City, B.C., it’s joked about that dogs outnumber the people who live there, so it’s no surprise that the small northern town is home to a group of pups so loved that they have their own “doggie mansion.”
Since Kylee Ryan, 24, moved to the rural town six years ago, her and her boyfriend, Josh Bunce, have brought five dogs into their lives: a pair of Siberian huskies named Bandit and Blu, a black Labrador cross named Mama, an Alaskan Husky cross named Bilbo and a blue heeler-pitbull mix named Rollo.
The group of seven, who Ryan has dubbed as the “wandering paws,” live on a large fenced-in property which has allowed for them to build an extra home in recent years – this one special for their four-legged friends.
“My boyfriend was inspired to make the mansion simply just because he wanted them to have a vantage point, and he knew they’d love it,” Ryan told Black Press Media.
Recently, a video of the three-storey mansion went viral online, showing the dogs running through the various floors and peeking their head’s out of the windows.
ALSO READ: B.C. RCMP dog Hammer helps police nab suspects, find lost hiker – all in 4 days
Made completely out of recycled materials, the special house started off as one floor. But soon after completion the couple added a second floor and finally the “penthouse,” Ryan said, which includes a top floor with lawn chairs for Bunce and Ryan to hangout on.
But that’s not all.
Bandit, Blu, Mama, Bilbo and Rollo also have their own dog tree house which features a huge deck and a “dog walk” that leads to another deck.
Ryan said that although her dogs are all trained to sleep indoors, they all love being outside and the homemade building adds protection from wildlife when they’re playing in the big backyard.
Ryan has been sharing more videos online of the dog mansion – including a tour through the inside – where many have been quick to comment with awe.
ALSO READ: Bertie the ‘Wonder Dog’ survives 11 days on Sumas Mountain
“We have a lot of Facebook followers and they enjoy seeing the effort we put in for dogs,” she said. “Some people think we are nuts. Especially when they come here in person and see our yard.”
The pair have plans to expand the backyard, possibly add another house and maybe some more tires for the dogs to jump off of and ropes for them to pull.
“I want to paint the dog house to make it a little more appealing to the eye as well, even if the dogs don’t care,” Ryan added.


Benji's eyes go wide as you charge. He feebly attempts to raise his mace to defend himself, but he is too slow. He is knocked over, stunned from the blow. The crowd cheers at your victory!


System Architect Picture "Category Valued Characteristic"
Parent Diagram:
Subject Characteristic
(OMT Object Model)


 Unless cargo is ejected from the plane, you will run out of fuel and crash. The pilot provides you with the number of pounds of weight that must be ejected from the plane. Fortunately, the manifest of the plane is both completely accurate, digitized, and you are a programmer of some repute. Unfortunately, your boss is going to be extremely unhappy, and wants you to exactly minimize the losses to the absolute minimum possible without crashing the plane. The manifest does not contain the exact quantities of every type of good, because you have so many on board. You may assume that you will not run out of any good in the course of saving the plane. You also realize this kind of program could be handy to others who find themselves in similar situations.
Write a program that takes a single argument on the command line. This argument must be a file name, which contains the input data. The program should output to standard out the minimum losses your boss will incur from your ejection of goods (see below). Your program will be tested against several manifests of several crashing planes; each with different data. Additionally, your program must be fast, and give the correct answer.
This puzzle is interesting in that there are many ways to approach it. It's a modified Knapsack problem: we are trying to go over a certain weight while minimizing the cost. There is no limit to how many times each object can be used, making the problem easier in terms of complexity.
I originally solved it very quickly using a naive recursive approach. While correct, it was very inefficient and would blow the stack when any large weight was used as input, even if the problem was easy.
My final solution used the following algorithm:
The following solution in Ruby passed the Facebook puzzle robot:
#!/usr/bin/env ruby
# Usr Bin Crash puzzle
# Kanwei Li, 2009
# From memoize gem
def memoize(name)
cache = {}
(class<<self; self; end).send(:define_method, name) do |*args|
cache[args] = super unless cache.has_key?(args)
cache[args]
end
cache
end
# Make sure input file exists and read from it
filename = ARGV[0]
unless filename && File.exist?(filename)
puts "error: must specify a valid input file"
exit
end
input = File.open(filename)
$items = [] # Store array of items as a global so we don't have to pass it around
# Recursive is clean but blows stack on large inputs!
def optimize(weight)
return 0 if weight <= 0
best = nil
$items.each do |item|
c = optimize(weight - item.weight) + item.cost
best = c if best.nil? || c < best
end
best
end
memoize :optimize
# Finally, something that works, somewhat ugly though =\
def optimize3(weight, cost=0, items = $items)
return cost if weight <= 0 || items.empty?
# puts "#{weight}\t#{cost}\t#{items.collect{|i| i.weight}.join(' ')}"
same_ratio = items.find_all { |i| i.ratio == items[0].ratio }
global_best = nil
same_ratio.size.times do |x|
if weight % items[x].weight == 0
return items[x].cost * (weight / items[x].weight) + cost
end
best = (x == 0) ? items[x].cost * (weight / items[x].weight + 1) + cost : nil
(items - [items[x]]).each do |item|
if x == 0
c = optimize3(weight % items[x].weight, items[x].cost * (weight / items[x].weight) + cost, items - [items[x]])
else
c = optimize3(weight - items[x].weight, items[x].cost + cost, items)
end
best = c if (best.nil? || c < best)
end
global_best = best if best && (global_best.nil? || best < global_best)
end
global_best
end
memoize :optimize3
total_weight = input.gets.to_i
# Populate items array
Item = Struct.new(:weight, :cost, :ratio)
while line = input.gets do
break if line.empty?
item, weight, cost = line.split(/\s+/)
$items << Item.new(weight.to_i, cost.to_i, weight.to_f / cost.to_f)
end
$items = $items.sort_by { |i| [i.ratio, i.weight] }.reverse # Larger ratios first
# Some pruning of redundant items
$items.each do |b|
$items.delete_if { |i| i.weight > b.weight && i.ratio < b.ratio }
end
puts "#{optimize3(total_weight)}\n"


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Sample user-defined service.
from core.service import CoreService
from core.service import ServiceMode
class MyService(CoreService):
Name used as a unique ID for this service and is required, no spaces.
name = "MyService"
Allows you to group services within the GUI under a common name.
group = "Utility"
Executables this service depends on to function, if executable is not on the path, service will not be loaded.
executables = ()
Services that this service depends on for startup, tuple of service names.
dependencies = ()
Directories that this service will create within a node.
dirs = ()
Files that this service will generate, without a full path this file goes in the node’s directory. e.g. /tmp/pycore.12345/n1.conf/myfile
configs = ("myservice1.sh", "myservice2.sh")
Commands used to start this service, any non-zero exit code will cause a failure.
startup = ("sh %s" % configs[0], "sh %s" % configs[1])
Commands used to validate that a service was started, any non-zero exit code will cause a failure.
validate = ()
Validation mode, used to determine startup success.
validation_mode = ServiceMode.NON_BLOCKING
Time in seconds for a service to wait for validation, before determining success in TIMER/NON_BLOCKING modes.
validation_timer = 5
Period in seconds to wait before retrying validation, only used in NON_BLOCKING mode.
validation_period = 0.5
Shutdown commands to stop this service.
shutdown = ()
@classmethod
def on_load(cls):
Provides a way to run some arbitrary logic when the service is loaded, possibly to help facilitate dynamic settings for the environment.
pass
@classmethod
def get_configs(cls, node):
Provides a way to dynamically generate the config files from the node a service will run. Defaults to the class definition and can be left out entirely if not needed.
return cls.configs
@classmethod
def generate_config(cls, node, filename):
Returns a string representation for a file, given the node the service is starting on the config filename that this information will be used for. This must be defined, if “configs” are defined.
cfg = "#!/bin/sh\n"
if filename == cls.configs[0]:
cfg += "# auto-generated by MyService (sample.py)\n"
for ifc in node.netifs():
cfg += 'echo "Node %s has interface %s"\n' % (node.name, ifc.name)
elif filename == cls.configs[1]:
cfg += "echo hello"
return cfg
@classmethod
def get_startup(cls, node):
Provides a way to dynamically generate the startup commands from the node a service will run. Defaults to the class definition and can be left out entirely if not needed.
return cls.startup
@classmethod
def get_validate(cls, node):
Provides a way to dynamically generate the validate commands from the node a service will run. Defaults to the class definition and can be left out entirely if not needed.
return cls.validate


TRAPS A film review by James Berardinelli Copyright 1995 James Berardinelli
RATING (0 TO 10): 6.9
Australia, 1994 U.S. Availability: varies Running Length: 1:36 MPAA Classification: No MPAA Rating (Violence, sex, nudity, profanity) Theatrical Aspect Ratio: 1.85:1
Cast: Saskia Reeves, Robert Reynolds, Sami Frey, Jacqueline McKenzie, Kiet Lam Director: Pauline Chan Producer: Jim McElroy Screenplay: Robert Carter and Pauline Chan based on characters from DREAMHOUSE by Kate Grenville Cinematography: Kevin Hayward Music: Douglas Stephen Rae U.S. Distributor: Filmopolis Pictures
In TRAPS, a four-character drama is played out against the turbulent backdrop of 1950 French Indochina. An Australian man and his British wife arrive in what will soon be Vietnam to compile a report on the successes of French plantations there. Little do they realize that external pressures are about to rip apart their seemingly-perfect marriage, and each will have to face the true identity that society's conventions have buried deep within them. This fascinating study of how global events impact on the individual is marred only by occasionally obvious plotting and subpar performances.
TRAPS opens with Louise and Michael Duffield (Saskia Reeves and Robert Reynolds) traveling to the plantation of Daniel Renouard (Sami Frey). Michael has come here to research and author a study of the overseas successes of the French Indochine Rubber Company. His wife, a photojournalist, is along to snap pictures to compliment his writing. However, these are not tranquil times in southeast Asia. The Viet Minh are gathering strength and support to overthrow French rule, and it's not long before everyone becomes involved in the struggle, with Louise, Michael, Daniel, and Daniel's daughter, Viola (Jacqueline McKenzie), fighting for their lives.
Each of the characters has a clearly-defined arc. Michael, initially a self-confident, take-charge man, learns that what he really craves is safety and stability, and he'll do anything, including compromising his journalistic integrity, to attain those ends. Louise, a prim and proper Englishwoman, discovers that she needs a life of substance, not the hollow sham that her marriage to Michael has become. She finds a core of strength deep inside that she never suspected was there.
As the film progresses, Daniel becomes further entrenched in his position that Indochina is his country, and no one is going to push him out. No matter how apparent the inevitable result becomes, he will not see it. Like one of Shakespeare's tragically flawed characters, he stands his ground to the end. Viola, initially in thrall to her father, eventually finds the strength to defy him. However, hers is the least developed part, since the character is used primarily as a catalyst for Louise's transformation.
Both the political and the personal aspects of TRAPS are compelling, although there are times when the plot follows a too- predictable path. Unfortunately, the acting lets the screenplay down. The best of the four leads is Saskia Reeves, and she's no better than mediocre. Sami Frey, who gave an impressively intense performance in MY LIFE AND TIMES WITH ANTONIN ARTAUD, doesn't do much to breathe life into his character. Robert Reynolds is flat, and Jacqueline McKenzie has the opposite problem, often going over-the-top. There are numerous scenes where these actors can't convey the full impact of a situation, so it's left to the viewer to interpolate.
In many ways, TRAPS is similar to this year's BEYOND RANGOON, about a sheltered outsider who encounters political turmoil in a distant country and consequently undergoes a life-changing experience. Considering the universal appeal of these themes, it's not surprising that they have shown up again. First time director Pauline Chan (who was born in Vietnam) has crafted a film with great personal importance. More significantly, however, there's resonance in TRAPS for any viewer--that who we think we are, or pretend to be, often bears little resemblance to our true personality.
- James Berardinelli<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


The NIE IEEE STUDENT BRANCH (NISB) is a student organization affiliated to Institute of Electrical and Electronics Engineers (IEEE), based at The National Institute of Engineering, Mysore. NIE IEEE student branch provides platform to its members to explore new technology and have fun learning in their field of interests to have a career in engineering. NISB is the trusted “voice” for engineering, computing and advancing technology. Apart from membership benefits NISB extend opportunities to student members to build network around the world.
An odd semester tech fest organised by NISB.Aim of the event is to promote and learn about technology with a tinge of fun,innovation and loads of awesomeness
At this tech bonzanna all sorts of events take place ranging from competitive coding,circuit designing to online gaming and the talks on latest tech trends around.
Where you get resources to explore.
Yeah!!
Who doesn't want to win if you get such awesome prizes .
The only source of experience is knowledge.


Honzi/Personal Bests/Hearthstone/The Witchwood
| Zap!
| 0
| Common
| Shaman
| 2
|
|
| Blazing Invocation
| 1
| Rare
| Shaman
| 2
|
|
| Dark Possession
| 1
| Rare
| Warlock
| 2
|
|
| Hidden Wisdom
| 1
| Epic
| Paladin
| 2
|
|
| Swamp Dragon Egg
| 1
| Common
| Neutral
| 2
|
|
| Swamp Leech
| 1
| Common
| Neutral
| 2
|
|
| Town Crier
| 1
| Epic
| Warrior
| 1
|
|
| Witch's Apprentice
| 1
| Common
| Shaman
| 2
|
|
| Witchwood Imp
| 1
| Common
| Warlock
| 2
|
|
| Book of Specters
| 2
| Epic
| Mage
| 1
|
|
| Cathedral Gargoyle
| 2
| Epic
| Paladin
| 1
|
|
| Cheap Shot
| 2
| Common
| Rogue
| 2
| 1
|
| Curse of Weakness
| 2
| Rare
| Warlock
| 2
|
|
| Divine Hymn
| 2
| Common
| Priest
| 2
| 2
|
| Earthen Might
| 2
| Rare
| Shaman
| 2
|
|
| Ghost Light Angler
| 2
| Common
| Shaman
| 2
|
|
| Hunting Mastiff
| 2
| Common
| Hunter
| 2
|
|
| Lost Spirit
| 2
| Common
| Neutral
| 2
|
|
| Pick Pocket
| 2
| Rare
| Rogue
| 2
|
|
| Rat Trap
| 2
| Epic
| Hunter
| 1
|
|
| Rebuke
| 2
| Common
| Paladin
| 2
|
|
| Redband Wasp
| 2
| Rare
| Warrior
| 2
| 1
|
| Snap Freeze
| 2
| Common
| Mage
| 2
| 1
|
| Sound the Bells!
| 2
| Common
| Paladin
| 2
|
|
| Spellshifter
| 2
| Common
| Neutral
| 2
|
|
| Squashling
| 2
| Common
| Priest
| 2
|
|
| Vicious Scalehide
| 2
| Common
| Neutral
| 2
|
|
| Warpath
| 2
| Common
| Warrior
| 2
|
|
| Witchwood Apple
| 2
| Common
| Druid
| 2
|
|
| Woodcutter's Axe
| 2
| Common
| Warrior
| 2
|
|
| Blackwald Pixie
| 3
| Common
| Neutral
| 2
|
|
| Blink Fox
| 3
| Common
| Rogue
| 2
| 1
|
| Cinderstorm
| 3
| Rare
| Mage
| 2
|
|
| Cutthroat Buccaneer
| 3
| Common
| Rogue
| 2
|
|
| Druid of the Scythe
| 3
| Common
| Druid
| 2
|
|
| Duskbat
| 3
| Common
| Warlock
| 2
|
|
| Duskhaven Hunter
| 3
| Rare
| Hunter
| 2
| 2
|
| Ferocious Howl
| 3
| Common
| Druid
| 2
|
|
| Hench-Clan Thug
| 3
| Common
| Neutral
| 2
| 1
|
| Marsh Drake
| 3
| Common
| Neutral
| 2
|
|
| Nightmare Amalgam
| 3
| Epic
| Neutral
| 1
|
|
| Paragon of Light
| 3
| Rare
| Paladin
| 2
|
|
| Phantom Militia
| 3
| Rare
| Neutral
| 2
| 1
|
| Pumpkin Peasant
| 3
| Common
| Neutral
| 2
|
|
| Rabid Worgen
| 3
| Common
| Warrior
| 2
|
|
| Ratcatcher
| 3
| Epic
| Warlock
| 1
|
|
| Ravencaller
| 3
| Common
| Neutral
| 2
|
|
| Tanglefur Mystic
| 3
| Common
| Neutral
| 2
|
|
| Vivid Nightmare
| 3
| Epic
| Priest
| 1
|
|
| Voodoo Doll
| 3
| Epic
| Neutral
| 1
|
|
| Walnut Sprite
| 3
| Common
| Neutral
| 2
|
|
| Witching Hour
| 3
| Rare
| Druid
| 2
|
|
| Witch's Cauldron
| 3
| Epic
| Neutral
| 1
| 1
|
| Arcane Keysmith
| 4
| Epic
| Mage
| 1
|
|
| Bellringer Sentry
| 4
| Rare
| Paladin
| 2
|
|
| Blood Witch
| 4
| Rare
| Warlock
| 2
|
|
| Dire Frenzy
| 4
| Common
| Hunter
| 2
|
|
| Felsoul Inquisitor
| 4
| Common
| Neutral
| 2
| 1
|
| Fiendish Circle
| 4
| Common
| Warlock
| 2
| 1
|
| Forest Guide
| 4
| Rare
| Druid
| 2
| 1
|
| Houndmaster Shaw
| 4
| Legendary
| Hunter
| 1
|
|
| Lifedrinker
| 4
| Rare
| Neutral
| 2
| 1
|
| Mad Hatter
| 4
| Rare
| Neutral
| 2
|
|
| Militia Commander
| 4
| Rare
| Warrior
| 2
|
|
| Mistwraith
| 4
| Rare
| Rogue
| 2
|
|
| Night Prowler
| 4
| Rare
| Neutral
| 2
| 1
|
| Sandbinder
| 4
| Epic
| Neutral
| 1
| 1
|
| Scaleworm
| 4
| Rare
| Neutral
| 2
|
|
| Spectral Cutlass
| 4
| Epic
| Rogue
| 2
|
|
| Swift Messenger
| 4
| Common
| Neutral
| 2
|
|
| Totem Cruncher
| 4
| Epic
| Shaman
| 1
|
|
| Unpowered Steambot
| 4
| Common
| Neutral
| 2
| 1
|
| Vex Crow
| 4
| Common
| Mage
| 2
|
|
| Wanted!
| 4
| Epic
| Rogue
| 1
|
|
| Wing Blast
| 4
| Rare
| Hunter
| 2
|
|
| Wispering Woods
| 4
| Epic
| Druid
| 1
|
|
| Witchwood Piper
| 4
| Rare
| Neutral
| 2
|
|
| Bewitched Guardian
| 5
| Rare
| Druid
| 2
|
|
| Bonfire Elemental
| 5
| Rare
| Mage
| 2
|
|
| Carrion Drake
| 5
| Rare
| Hunter
| 2
| 1
|
| Chief Inspector
| 5
| Rare
| Neutral
| 2
|
|
| Clockwork Automaton
| 5
| Common
| Neutral
| 2
| 2
|
| Curio Collector
| 5
| Rare
| Mage
| 2
|
|
| Festeroot Hulk
| 5
| Rare
| Warrior
| 2
|
|
| Ghostly Charger
| 5
| Common
| Paladin
| 2
|
|
| Holy Water
| 5
| Rare
| Priest
| 2
|
|
| Quartz Elemental
| 5
| Common
| Priest
| 2
|
|
| Rotten Applebaum
| 5
| Common
| Neutral
| 2
|
|
| Vilebrood Skitterer
| 5
| Common
| Hunter
| 2
|
|
| Witchwood Grizzly
| 5
| Rare
| Neutral
| 2
|
|
| Coffin Crasher
| 6
| Rare
| Priest
| 2
|
|
| Cursed Castaway
| 6
| Rare
| Rogue
| 2
|
|
| Lady in White
| 6
| Legendary
| Priest
| 1
|
|
| Mossy Horror
| 6
| Epic
| Neutral
| 2
|
|
| Azalina Soulthief
| 7
| Legendary
| Neutral
| 1
|
|
| Bogshaper
| 7
| Epic
| Shaman
| 2
|
|
| Countess Ashmore
| 7
| Legendary
| Neutral
| 1
|
|
| Darkmire Moonkin
| 7
| Common
| Neutral
| 2
|
|
| Furious Ettin
| 7
| Common
| Neutral
| 2
|
|
| Lord Godfrey
| 7
| Legendary
| Warlock
| 1
|
|
| Nightscale Matriarch
| 7
| Rare
| Priest
| 2
|
|
| Worgen Abomination
| 7
| Epic
| Neutral
| 2
|
|
| Wyrmguard
| 7
| Common
| Neutral
| 2
|
|
| Cauldron Elemental
| 8
| Common
| Neutral
| 2
|
|
| Deranged Doctor
| 8
| Common
| Neutral
| 2
|
|
| Gilnean Royal Guard
| 8
| Rare
| Neutral
| 2
|
|
| Silver Sword
| 8
| Rare
| Paladin
| 2
|
|
| Emeriss
| 10
| Legendary
| Hunter
| 1
|
|


Enhanced Visualization of Method Invocations by Extending Reverse-engineered Sequence Diagrams (Paper Appendix)
Objects
CaseStudy - Standard Diagram
CaseStudy - Extended Diagram
Tasks
Tasks of Categories C2 and C4


ORCID authorization
orcid_auth(scope = "/authenticate", reauth = FALSE, redirect_uri = getOption("rorcid.redirect_uri"))
| scope | (character) one or more scopes. default: |
|---|---|
| reauth | (logical) Force re-authorization? |
| redirect_uri | (character) a redirect URI. optional |
a character string with the access token prefixed with "Bearer "
There are two ways to authorise with rorcid:
Use a token as a result of a OAuth authentication process. The token
is a alphanumeric UUID, e.g. dc0a6b6b-b4d4-4276-bc89-78c1e9ede56e
. You
can get this token by running orcid_auth()
, then storing that key
(the uuid alone, not the "Bearer " part) either as en environment
variable in your .Renviron
file in your home directory (with the name
ORCID_TOKEN
), or as an R option in your .Rprofile
file (with the name
orcid_token
). See Startup for more information.
Either an environment variable or R option work. If we don't find
either we do the next option.
Interactively login with OAuth. This doesn't require any input on your part. We use a client id and client secret key to ping ORCID.org; at which point you log in with your username/password; then we get back a token (same as the above option). We don't know your username or password, only the token that we get back. We cache that token locally in a hidden file in whatever working directory you're in. If you delete that file, or run the code from a new working directory, then we re-authorize.
We recommend the former option. That is, get a token and store it as an environment variable.
If both options above fail, we proceed without using authentication. ORCID does not require authentication at this point, but may in the future - this prepares you for when that happens :)
See https://members.orcid.org/api/orcid-scopes for more
One pitfall is when you are using rorcid on a server, and you're ssh'ed
in, so that there's no way to open a browser to do the OAuth browser
flow. Similarly for any other situation in which a browser can not be
opened. In this case, run orcid_auth()
on another machine in which you do
have the ability to open a browser, then collect the info that's ouptput
from orcid_auth()
and store it as an environment variable (see above).
# NOT RUN { x <- orcid_auth() orcid_auth(reauth = TRUE) #orcid_auth(scope = "/read-public", reauth = TRUE) # }


The DIV element is a block element, and will always start on a new line and take up the full width available (stretches out to the left and right as far as it can).


Saturday, July 13, 2019 — Kanon Valley Country Club (get directions)
Total cost today: $0
(Purchase for $50 at the Event)
(Purchase individually at the Event)
For Registration Information or Questions, contact Emma's Hope at<PHONE_NUMBER> or hello@emmashopeinc.org


SPOTLIFE is an exhibition mobile application. It will provide to people who want to access an exhibition easily and quickly.
UX UI Design
2018.06 - 2018.07
Sketch / Illustrator / Photoshop / ProtoPie / Adobe XD


Scraps
Save
Export
Project
Available Scraps
New Scrap
Available Libraries
Add Library
class Person { name; age; constructor( name, age ){ this.name = name; this.age = age; } } // Scrap.print( Scrap.table() ); // With love, forever, from Dallas return new Person('August', 20);
Return Buffer
Render Buffer
Built by OakFrame


Member Profile |
|
| #{currentUser.realName} | |
|
|
| Screen Name | #{currentUser.screenName} |
| Member Since | |
|
#{currentUser.email}
|
|
| Country | #{currentUser.country} |


Process Report
Process a report
Please complete the following steps
{{if .Step}}
Report
{{if eq .Step "2"}}
Mapping
{{else}}
Mapping
{{end}} {{if eq .Step "3"}}
Process
{{else}}
Process
{{end}} {{if eq .Step "4"}}
Export
{{else}}
Export
{{end}} {{else}}
Report
Mapping
Process
Export
{{end}}
{{if .Step}} {{if eq .Step "2"}}
Which map would you like to process:
Map name
{{range $map := .Maps}}
{{$map}}
{{end}}
Next
{{end}} {{if eq .Step "3"}}
Confirm report processing:
Report to process: {{.Report}} Map file to use: {{.Mapped}}
Process
{{end}} {{if eq .Step "4"}}
Export processed file:
Save
{{end}} {{else}}
Which report would you like to process:
Report name
{{range $report := .Reports}}
{{$report}}
{{end}}
Next
{{end}}


--- country: UK date: 2006-06-01 title: Activity Builder for Pearson Publishing company: Pearson Publishing companyUrl: http://www.pearsoned.com/ ---
A template for teachers to build a magnitude of learning tools for kids. Activity Builder won many accolades and awards for Pearson Publishing. In 2005, it was one of the new and pioneering tools for education.


--- layout: post title: no title date: '2009-05-14T19:03:36+01:00' tags: [] tumblr_url: http://backlog.robbevan.com/post/107785554/drawing-physics-prototype-on-vimeo-via-vimeo ---
Drawing Physics Prototype on Vimeo (via Vimeo)


|
Contiki 2.5
|
00001 /* 00002 * Copyright (c) 2011, Hedde Bosman<EMAIL_ADDRESS>00003 * 00004 * I2C communication device drivers for mc1322x 00005 * 00006 * Redistribution and use in source and binary forms, with or without 00007 * modification, are permitted provided that the following conditions 00008 * are met: 00009 * 1. Redistributions of source code must retain the above copyright 00010 * notice, this list of conditions and the following disclaimer. 00011 * 2. Redistributions in binary form must reproduce the above copyright 00012 * notice, this list of conditions and the following disclaimer in the 00013 * documentation and/or other materials provided with the distribution. 00014 * 3. Neither the name of the Institute nor the names of its contributors 00015 * may be used to endorse or promote products derived from this software 00016 * without specific prior written permission. 00017 * 00018 * THIS SOFTWARE IS PROVIDED BY THE INSTITUTE AND CONTRIBUTORS ``AS IS'' AND 00019 * ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE 00020 * IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE 00021 * ARE DISCLAIMED. IN NO EVENT SHALL THE INSTITUTE OR CONTRIBUTORS BE LIABLE 00022 * FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL 00023 * DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS 00024 * OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) 00025 * HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT 00026 * LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY 00027 * OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF 00028 * SUCH DAMAGE. 00029 * 00030 * $Id$ 00031 */ 00032 00033 #ifndef I2C_H 00034 #define I2C_H 00035 00036 #include <stdint.h> 00037 #include "isr.h" 00038 #include "gpio.h" 00039 00040 #define I2C_NON_BLOCKING 1 00041 00042 /* The I2C Interrupt Service Routine */ 00043 void i2c_isr (void); 00044 00045 /* Enable the I2C module */ 00046 void i2c_enable(void); 00047 00048 /* Disable the I2C module */ 00049 void i2c_disable(void); 00050 00051 00052 00053 /* Returns 1 if the I2C bus is active (we or some other device are transferring data) */ 00054 uint8_t i2c_busy(void); 00055 00056 /* Returns 1 if our data is sent or received */ 00057 uint8_t i2c_transferred(void); // indicates success of data last transfer (send or receive) 00058 00059 00060 00061 /* start receiving data from 'slave_address' of length 'byte_ctr' and store it in 'rx_buf' 00062 * @parameter slave_addr 7bits (and will be padded with the 'receive bit') 00063 * @parameter byte_ctr the number of bytes expected to be received 00064 * @parameter rx_buf the buffer in which the received bytes will be stored. 00065 * 00066 * IFDEF I2C_NON_BLOCKING THEN THIS FUNCTION RETURNS IMMEDIATLY BUT THE TRANSFER WILL ONLY 00067 * BE COMPLETE WHEN i2c_transferred IS 1 00068 */ 00069 void i2c_receiveinit( uint8_t slave_address, uint8_t byte_ctr, uint8_t *rx_buf); 00070 00071 /* start sending data to 'slave_address' of length 'byte_ctr' found in the buffer 'rx_buf' 00072 * @parameter slave_addr 7bits (and will be padded with the 'send bit') 00073 * @parameter byte_ctr the number of bytes to be sent 00074 * @parameter tx_buf the buffer in which the bytes to be sent are stored 00075 * 00076 * IFDEF I2C_NON_BLOCKING THEN THIS FUNCTION RETURNS IMMEDIATLY BUT THE TRANSFER WILL ONLY 00077 * BE COMPLETE WHEN i2c_transferred IS 1 00078 */ 00079 void i2c_transmitinit(uint8_t slave_address, uint8_t byte_ctr, uint8_t *tx_buf); 00080 00081 00082 #ifndef I2C_NON_BLOCKING 00083 #define I2C_NON_BLOCKING 1 00084 #endif 00085 00086 #if I2C_NON_BLOCKING 00087 uint8_t i2c_receive(void); 00088 void i2c_transmit(void); 00089 #endif 00090 00091 // TODO: see if this is better fit in platform definition 00092 #define I2C_SDA 13 //SDA == P5.1 // GPIO 13 00093 #define I2C_SCL 12 //SCL == P5.2 // GPIO 12 00094 00095 // TODO: this could use a nice struct with bit members... 00096 00097 #define I2C_BASE (0x80006000) 00098 00099 #define I2CADR ((volatile uint8_t *) ( I2C_BASE + 0x00 )) 00100 #define I2CFDR ((volatile uint8_t *) ( I2C_BASE + 0x04 )) 00101 #define I2CCR ((volatile uint8_t *) ( I2C_BASE + 0x08 )) 00102 #define I2CSR ((volatile uint8_t *) ( I2C_BASE + 0x0C )) 00103 #define I2CDR ((volatile uint8_t *) ( I2C_BASE + 0x10 )) 00104 #define I2CDFSRR ((volatile uint8_t *) ( I2C_BASE + 0x14 )) 00105 #define I2CCKER ((volatile uint8_t *) ( I2C_BASE + 0x18 )) 00106 00107 // TODO: fix nice structs 00108 00109 // i2c CR 00110 #define I2C_MEN 0x80 00111 #define I2C_MIEN 0x40 00112 #define I2C_MSTA 0x20 00113 #define I2C_MTX 0x10 00114 #define I2C_TXAK 0x08 00115 #define I2C_RSTA 0x04 00116 #define I2C_BCST 0x01 00117 00118 // i2c SR 00119 #define I2C_MCF 0x80 00120 #define I2C_MAAS 0x40 00121 #define I2C_MBB 0x20 00122 #define I2C_MAL 0x10 00123 #define I2C_BCSTM 0x08 00124 #define I2C_SRW 0x04 00125 #define I2C_MIF 0x02 00126 #define I2C_RXAK 0x01 00127 00128 // i2c digital filter sample rate register 00129 #define I2C_DFSR 0x3f // default = 0x10 00130 00131 // i2c CKER 00132 #define I2C_CKEN 0x01 00133 00134 00135 #endif


Child Abuse Prevalence
In America, over 3.6 million cases of child abuse are reported annually.
That is a report every every 10 seconds. What follows is one of the hardest things a child and their family can go through. It is exceeding important to make sure that the process of interviewing the child and moving forward legally is done properly and in a way that doesn't hurt the child further. It is equally important to help the child and their family heal from the trauma that they've endured.
Child Abuse is a National Epidemic
In 2017, the Champaign County Children’s Advocacy Center facilitated over 230 interviews. Considering that child abuse is one of the most underreported crimes, an even greater number of children are victims of this horrific injustice. Everyone can contribute in some way to wiping out this horrible epidemic and helping victims of child abuse heal.
Child Abuse is a community problem
In 2002, the Illinois Department of Children and Family Services received 143 reports of children being sexually abused in Champaign County. Considering that child sexual abuse is one of the most underreported crimes, an even greater number of children are victims of this horrific injustice. As part of a community that actively promotes the well-being of every child, your involvement will directly reduce the number of crimes committed against our children.
How Can You Make a Difference?
There are many ways you can support the important work that happens at the CAC. The growth and continuation of the services provided by the Children’s Advocacy Center depends upon the public’s understanding of its mission. Community support and education is crucial to the prevention of child abuse. By working together, we can stamp out child abuse cases within our community. We live in a time where violence permeates our society. If we are to make a substantial impact on child abuse and the negative toll it takes on our community, we have to make changes within our communities and our society as a whole. Our society says it is OK to call animal protection when our neighbor abuses his or her pet; however, we are told it is none of our business when that neighbor abuses a child. It is you---- the neighbor, friend, family member---who may see, hear, or even witness child abuse.
- If you suspect that abuse is happening, report it. Call 800- 25-ABUSE<PHONE_NUMBER>)
- If there is a victim of abuse in your life, be supportive of them
- Donate to the Children’s Advocacy center by contacting<PHONE_NUMBER>
Support Us
Breakdown of Children Helped by CAC (2017)
All services provided by the CAC are free. We receive funding from the state and federal governments to supplement the cost of operation, but it is often not enough. This means the CAC has to rely on private donations from individuals within the community and beyond to help pay for counseling services for the victims we serve in Champaign and Ford Counties. All monetary donations are used to provide direct support and services to the children we serve and their non-offending family members.
All donations collected are spent to help the victims of child sexual abuse and severe physical abuse recover. Each donation can be thought of as an investment into our community. By donating to our organization, you are guaranteeing each child who visits the CAC is supplied proper assistance in the journey to recovery.   Every year there are new cases reported to the authorities that requires our services. Recurring donations help us keep our doors open so we can continuously help those affected year after year. Please use the donation box below to make sure children get the help they deserve or consider scheduling a donation of items.
The CAC has immediate need of items such as:
- Gift cards (Target, Wal-Mart, Meijer, County Market, Schnucks)
- Food: Single serving child snacks (Goldfish, Granola bars, fruit snacks, Ritz Bits, Oreos, Chips Ahoy, animal crackers), juice boxes (100% juice)
- Cleaning Supplies: Clorox Wipes, Multi-Purpose Lysol Spray, Kleenex
- Miscellaneous Supplies: Disposable utensils and plates/bowls, paper towels, Palmolive free and clear dishwashing soap
These donations are accepted by appointment only. Please call us at<PHONE_NUMBER> to arrange for your donation.
Recurring donations help us keep our doors open so we can continue to assist victims of child sexual and serious physical abuse on their journey to healing. Please use the donation box below to ensure the CAC can continue to carry out its mission. Any donation is appreciated.


More than just shorter links
Build your brand’s recognition and get detailed insights on how your links are performing.
Advanced Statistics
Track how your links are performing across the web with our advanced statistics dashboard.
Brand Recognition
Boost your brand recognition with each click. Generic links don’t mean a thing. Branded links help instil confidence in your content.
Detailed Records
Gain insights into who is clicking your links. Knowing when and where people engage with your content helps inform better decisions.
Fully Customizable
Improve brand awareness and content discoverability through customizable links, supercharging audience engagement.


---
layout: default
title: about
---
"The creative person should have no other biography than his works."
- B. Traven
If anyone ever wants to contact me for any reason, I would love to hear what you have to say. I still need to set up a email for the website.


1. The T-shirt i=that I designed was from the movie Step Brothers and has the Referance "boats and Hoes" which is a song writen by Prestige World Wide.


{% extends 'main/base.html' %} {% load crispy_forms_tags %} {% block content %}
You have {{ user.account.credit}}
credits remaining in your
account. For every website you have, this number will go down by one every
day. Your websites are shut down when you run out of credits.
$5
{{ buy_form_30.render }}$10
{{ buy_form_100.render }}


About Us
Located on the John Stark Highway (1047 John Stark Highway) between Newport and Claremont New Hampshire, our retail store looks like a little red barn. We have a couple of goats and/or sheep at the store...our mini-petting zoo. We are five miles outside each town. The farm itself is about a quarter mile up McDonough Road (turn at the Rental Center), with our pick-your-own blueberries and raspberries at the farm location.
Becky (McDonough) Nelson is the eighth generation of the same family to own and work the land at Beaver Pond Farm. Her father, Fred, recently passed away, but her mother, Norma, is taunting the 90 age mark and is still making pies for the farm store! Becky's husband, Ben, runs the production end of the business. They met at the University of New Hampshire, and joined Becky's parents in partnership shortly after the marriage. Their daughter, Kathryn, works in education in southern NH while seeking her Master's degree, and their son, Samuel, has returned to work part-time at the farm (bringing fresh ideas and lots of energy!) while holding a full-time position at Sugar River Valley Regional Technical Center in Newport (Newport Middle&High School) as Forestry/Natural Resources Instructor. Both Kathryn and Samuel received their degrees at the University of New Hampshire. A long history keeps the family "rooted and growing" here in Sullivan County.
In 1780, the Osgoods claimed the land where the farm is now operating and chopped it out of the woodlands that were described in town history as "infested with bears". We still see bears on occasion, and are proud to continue the farming tradition. "Nana", at age 89, is still baking up a storm (with help) with homemade pies and other goodies almost every day! We invite you to stop by for the freshest and best local products available in the region!
The farm was chopped out the forest in 1780 when the William Osgood family moved first to Claremont, NH from Massachusetts where they first emigrated from England. William Osgood purchased land in Newport shortly after the original settlers came to the area. The family expanded on the original 100 acres and now owns 265 acres that is mostly in forested or maple-orchard land, with about 20 acres in tillable land where vegetables, apples and berries are produced. We are very proud of our heritage as farmers on the very place our ancestors chose, and to be the seventh, eighth and ninth generations of family to now work the soil here.
- William Osgood & Hepsibah (Dutton) Osgood
- William Osgood & Priscilla (Stone) Osgood
- Lemuel Osgood & Hannah (Spaulding) Osgood
- Orren & Lucy Osgood (brother & sister, never married) & sister Hannah (Osgood) Johnson (married to Thomas Bixby Johnson, a shoemaker in Newport, NH)
- Edward Bixby Johnson & Martinia (Glass) Johnson
- Lucy Osgood (Johnson) McDonough & Frederick Charles McDonough
- Frederick Charles McDonough, II & Norma (Grant) McDonough
- Rebecca ("Becky" McDonough) & Bennie Nelson
- Samuel Nelson


This page demonstrates the process of generating a GUID:
- generate a ECDSA key pair over curve secp256k1
- get the public key in format PKCS#8
- remove all line breaks
- get a string to be used as a salt
- perform PKDF2 with SHA256 with 10000 iterations on the public key, using the salt
- encode the result in Base64url. This is the GUID
The keys, the salt and the GUID are logged to the console.


You could easily select and compare all the weapons of a specific class.
That would be great. Thanks.
BloodDragon1992
why don't using the already existing filter on the weapon stats page (the buttons above the table)?
BrainFooLong
Administrator
Sorry. But this is much work for just a simple faster way.
You can click on the weapon rows you want (mark as orange) and than click on hide/show only highlighted entries. Than you can compare between a specifc set of weapons.
Topicstarter
Alva
But I want to compare all shotguns in damage or all pistols in rate of fire...
It would be one simple column that you add
THAT'S too much work? o.O
can only imagine what work you put in battlelog overall. work of your lifetime i guess...
BrainFooLong
Administrator
No, this is not a simple column - It just looks like so.
I must rework the table creation (is dynamically created by weapon data) and map "classes/groups" to each weapon in this table.
In this is too much work because already a kind of filtering exist. Click on weapons and hide out all non marked. Than you can compare in the way you want. For example mark all pistols.
You can also save the link (with marked filters) in favorites, than you can compare it every time again.
And yes, i have already spent so much time for BBLog, you are right, and that's also a reason why i want to keep my work time for it as small as possible.


Hundreds of coders created online tools for his campaign, boosting the movement by engaging millions of people to vote, volunteer, and inform themselves about the issues.
We're building on that momentum and creating a sustainable network of volunteers: creating open-source tools for progressive candidates; helping them compete without needing millions of dollars in funding; enabling progressive candidates to champion a platform centered in social and economic justice without big money's influence.
This summer, we focus on the foundations of progressive tech. We need to make it easy for people to participate in progressive politics, find ways to make volunteer tech projects sustainable, and support a Brand New Congress.
Join us to discuss how we can support Progressive candidates through open-source technology. Coders from CodeCorps, BrandNewCongress, ProgressiveEvents.org, and other grassroots tech, will talk about what they are working on and how you can contribute to this growing network of volunteers.


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Traffic offenders gifted KRA Sh31.5b in 2018
Fines from traffic offences increased to Sh31.56 billion in the financial year 2017-18, as roads proved to be a considerable revenue source for the tax man.As Kenyans break for the Christmas and New Year celebrations, government entities led by the traffic police department are expected to arrest more traffic offenders, in a move that could boost the Kenya Revenue Authority tax base. Coming in the wake of continued missed targets by Times Tower which fell short by Sh76.8 billion.Tax targets This is against a target of Sh446.4 billion (equivalent to 4.6 per cent of GDP)- the taxman’s set target for the quarter in the current financial year, where he is tasked to collect an ambitious Sh1.97 trillion. “It is below target by Sh76.8 billion mainly due to shortfalls in other Income Tax, VAT, Imports and Excise Duty among other tax heads,” National Treasury says in its November quarterly economic and budgetary review. Last year, KRA saw the traffic revenues increase by Ksh7.4 billion, from Sh28.9 billion in a corresponding period in 2016-17 financial year.
How to Calculate Import Duty for Cars in Kenya
Over the past we have had many inquiries about how duty is calculated. People find this confusing and hard to understand, so in this article we will be looking at the whole process of Duty Calculation and the applicable charges on the same.1. Customs Duty This varies by the vehicle you have imported, Customs duty depends on a few factors that you ought to understand that are listed below:
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 Regardless of how easy our lives have become with internet, buying auto spare parts should never be a hasty decision as it can lead to wastage of money, time and effort. Therefore, knowing some points to note before buying auto spare parts is necessary to consider.
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1 Now the word of the LORD came unto Jonah the son of Amittai, saying,
2 Arise, go to Nineveh, that great city, and cry against it; for their wickedness is come up before me.
3 But Jonah rose up to flee unto Tarshish from the presence of the LORD, and went down to Joppa; and he found a ship going to Tarshish: so he paid the fare thereof, and went down into it, to go with them unto Tarshish from the presence of the LORD.
4 But the LORD sent out a great wind into the sea, and there was a mighty tempest in the sea, so that the ship was like to be broken.
5 Then the mariners were afraid, and cried every man unto his god, and cast forth the wares that were in the ship into the sea, to lighten it of them. But Jonah was gone down into the sides of the ship; and he lay, and was fast asleep.
6 So the shipmaster came to him, and said unto him, What meanest thou, O sleeper? arise, call upon thy God, if so be that God will think upon us, that we perish not.
7 And they said every one to his fellow, Come, and let us cast lots, that we may know for whose cause this evil is upon us. So they cast lots, and the lot fell upon Jonah.
8 Then said they unto him, Tell us, we pray thee, for whose cause this evil is upon us; What is thine occupation? and whence comest thou? what is thy country? and of what people art thou?
9 And he said unto them, I am an Hebrew; and I fear the LORD, the God of heaven, which hath made the sea and the dry land.
10 Then were the men exceedingly afraid, and said unto him, Why hast thou done this? For the men knew that he fled from the presence of the LORD, because he had told them.
11 Then said they unto him, What shall we do unto thee, that the sea may be calm unto us? for the sea wrought, and was tempestuous.
12 And he said unto them, Take me up, and cast me forth into the sea; so shall the sea be calm unto you: for I know that for my sake this great tempest is upon you.
13 Nevertheless the men rowed hard to bring it to the land; but they could not: for the sea wrought, and was tempestuous against them.
14 Wherefore they cried unto the LORD, and said, We beseech thee, O LORD, we beseech thee, let us not perish for this man's life, and lay not upon us innocent blood: for thou, O LORD, hast done as it pleased thee.
15 So they took up Jonah, and cast him forth into the sea: and the sea ceased from her raging.
16 Then the men feared the LORD exceedingly, and offered a sacrifice unto the LORD, and made vows.
17 Now the LORD had prepared a great fish to swallow up Jonah. And Jonah was in the belly of the fish three days and three nights.
1 Then Jonah prayed unto the LORD his God out of the fish's belly,
2 And said, I cried by reason of mine affliction unto the LORD, and he heard me; out of the belly of hell cried I, and thou heardest my voice.
3 For thou hadst cast me into the deep, in the midst of the seas; and the floods compassed me about: all thy billows and thy waves passed over me.
4 Then I said, I am cast out of thy sight; yet I will look again toward thy holy temple.
5 The waters compassed me about, even to the soul: the depth closed me round about, the weeds were wrapped about my head.
6 I went down to the bottoms of the mountains; the earth with her bars was about me for ever: yet hast thou brought up my life from corruption, O LORD my God.
7 When my soul fainted within me I remembered the LORD: and my prayer came in unto thee, into thine holy temple.
8 They that observe lying vanities forsake their own mercy.
9 But I will sacrifice unto thee with the voice of thanksgiving; I will pay that that I have vowed. Salvation is of the LORD.
10 And the LORD spake unto the fish, and it vomited out Jonah upon the dry land.
1 And the word of the LORD came unto Jonah the second time, saying,
2 Arise, go unto Nineveh, that great city, and preach unto it the preaching that I bid thee.
3 So Jonah arose, and went unto Nineveh, according to the word of the LORD. Now Nineveh was an exceeding great city of three days' journey.
4 And Jonah began to enter into the city a day's journey, and he cried, and said, Yet forty days, and Nineveh shall be overthrown.
5 So the people of Nineveh believed God, and proclaimed a fast, and put on sackcloth, from the greatest of them even to the least of them.
6 For word came unto the king of Nineveh, and he arose from his throne, and he laid his robe from him, and covered him with sackcloth, and sat in ashes.
7 And he caused it to be proclaimed and published through Nineveh by the decree of the king and his nobles, saying, Let neither man nor beast, herd nor flock, taste any thing: let them not feed, nor drink water:
8 But let man and beast be covered with sackcloth, and cry mightily unto God: yea, let them turn every one from his evil way, and from the violence that is in their hands.
9 Who can tell if God will turn and repent, and turn away from his fierce anger, that we perish not?
10 And God saw their works, that they turned from their evil way; and God repented of the evil, that he had said that he would do unto them; and he did it not.
1 But it displeased Jonah exceedingly, and he was very angry.
2 And he prayed unto the LORD, and said, I pray thee, O LORD, was not this my saying, when I was yet in my country? Therefore I fled before unto Tarshish: for I knew that thou art a gracious God, and merciful, slow to anger, and of great kindness, and repentest thee of the evil.
3 Therefore now, O LORD, take, I beseech thee, my life from me; for it is better for me to die than to live.
4 Then said the LORD, Doest thou well to be angry?
5 So Jonah went out of the city, and sat on the east side of the city, and there made him a booth, and sat under it in the shadow, till he might see what would become of the city.
6 And the LORD God prepared a gourd, and made it to come up over Jonah, that it might be a shadow over his head, to deliver him from his grief. So Jonah was exceeding glad of the gourd.
7 But God prepared a worm when the morning rose the next day, and it smote the gourd that it withered.
8 And it came to pass, when the sun did arise, that God prepared a vehement east wind; and the sun beat upon the head of Jonah, that he fainted, and wished in himself to die, and said, It is better for me to die than to live.
9 And God said to Jonah, Doest thou well to be angry for the gourd? And he said, I do well to be angry, even unto death.
10 Then said the LORD, Thou hast had pity on the gourd, for the which thou hast not laboured, neither madest it grow; which came up in a night, and perished in a night:
11 And should not I spare Nineveh, that great city, wherein are more than sixscore thousand persons that cannot discern between their right hand and their left hand; and also much cattle?
| << Obadiah | Contents | Micah >> |


Engadget - The home screen of this site is a launchpad to technology news and reviews. It needes to allow for the reader to find not only what they are looking for, but new information as well to keep them engadged. There will need to be images/video's to show what each posting or review is discussing, but the screen cannot be cluttered.
IMDB - The home screen of this site is to allow for the user to search for their desired information. The whole purpose of this site is to be a searchable database for the entertainment field. The main search bar is readily available for you asking for information. If you are not here to find something specific, the page offers relevant suggestions of upcoming movies/shows to get more infomation on. Ad space is available to promote product, and sidebars allow for permanent space to be set aside for features.
Thinkgeek - The home screen of this site is not only used to convey information, put also as a sales tool. It should give catagories for the user to choose from, new items available, and make users aware of any specials.


Cintiha K. Rosas-Gordillo
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2018 AUVSI SUAS Competition Day 1
After a long night and following day spent packing and travelling to the airport, we all met up in Toronto - minus Jackie – where we began the second leg of the journey on the way to Washington. A very tired group, having been up all night in Edmonton, was very relieved to have made it to the end of the flying portion of the travel, meeting Jackie in Washington who was flying in from San Antonio, all with our safety captain Weilon wearing our sturdy hard hat. Remember, safety first.
We then proceeded to get a minivan and a car from the rental place, and hit the road in search of food, which brought Vietnamese subs and soup with too few noodles. After being fed, it was on to St. Mary’s College of Maryland where we will be staying for the next few days during competition.  The long and tiresome journey finally came to an end and we arrived at the college, ready to check in and relax.
Our discovery of a lack of water however proved to be far from relaxing, taking us to extreme measures in search of this. Stumbling across a vending machine that only accepts 1 dollar bills and change threw us for a loop… but it was no match for our fearless leader Brian – with the help of some found change in the machine – and we successfully survived our first chaotic experience. A quick game of Settlers of Catan between Jackie and Dat and we were ready for sleep, after some 30 hours of being awake.
Matt


Program and Schedule
A Comprehensive Engineering Conference
Metrocon 2013 will include six parallel tracks, and is already looking to include one of the strongest programs ever! Attendees will have the opportunity to rapidly grasp the technical and societal implications of some of the most promising and innovative new developments and ideas. Each track has been organized into well coordinated morning and afternoon sessions designed to achieve maximum exposure in minimum time.
Returning Tracks
- Biotechnologies
- Emerging Technologies
- Developing and Deploying Secure Systems
- Software and Systems Engineering
- Cutting Edge Technologies
- Power & Energy Systems
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Some amazing people have greatly contributed to Gatling and helped make it a great project! Kudos to them!
It’s up to you to make it in our Hall of Fame too! Features, bug fixes, documentation, answers on the community mailing list… There’s plenty of opportunities!
- Andrew Duffy originally contributed our WebSocket support.
- Pierre Dal-Pra is our sbt roxxor who created our build chain and our sbt plugin.
- Jason Koch originally contributed our JMS support.
- Adrian Lewis frequently helps on the community mailing list and helped with our documentation, eg on real time monitoring.
- Nicolas Rémond contributed our amazing JsonPath support and our Graphite/InfluxDb intregration.
- Constantijn Visinescu originally contributed the FunSpec and associated demo project.
Also, let us know if we’ve missed your name.


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