Using CSS conventions from Bootstrap for the API design of your React components can lead to bad decisions. Here's what you can learn from "The Clean Code" by Robert C. Martin in the context of React.
One of the main considerations in creating this component was that I needed it to be reusable on multiple pages of the site, so my goal was to create something that could be imported and utilized in other react components in order to add to a div which had content that would need to be scrolled through.
Load data asynchronously into your React components. Works on both client and server render.
 Short and sweet. No spam.


Terrain
Extends:
Implements:
- EventListener
The terrain system.
Constructor Summary
| Public Constructor | ||
| public |
constructor(options: Object) Constructs a new terrain. |
Member Summary
| Public Members | ||
| public |
A chronological sequence of CSG operations that have been executed during this session. |
|
| public |
The terrain material. |
|
| public |
object: Object3D The terrain object. |
|
| public |
The volume of this terrain. |
Method Summary
| Public Methods | ||
| public |
clear() Resets this terrain by removing data and closing active worker threads. |
|
| public |
dispose() Destroys this terrain and frees internal resources. |
|
| public |
Executes the given SDF and discards the volume data that doesn't overlap with the generated data. |
|
| public |
Loads a volume. |
|
| public |
Finds the terrain chunks that intersect with the given ray and raycasts the associated meshes. |
|
| public |
Saves a description of the current volume data. |
|
| public |
Executes the given SDF and subtracts the generated data from the volume. |
|
| public |
union(sdf: SignedDistanceFunction) Executes the given SDF and adds the generated data to the volume. |
|
| public |
update(camera: PerspectiveCamera) Updates the terrain geometry. |
Public Constructors
public constructor(options: Object) source
Constructs a new terrain.
Params:
| Name | Type | Attribute | Description |
| options | Object |
|
The options. |
| options.chunkSize | Number |
|
The world size of a volume chunk. Will be rounded up to the next power of two. |
| options.resolution | Number |
|
The resolution of a volume chunk. Will be rounded up to the next power of two. |
| options.workers | Number |
|
Limits the amount of active workers. The default limit is the amount of logical processors which is also the maximum. |
| options.levels | Number |
|
The amount of detail levels. The default number of levels is derived from the resolution. |
| options.iterations | Number |
|
Limits the amount of volume chunks that are being processed during each update. |
Public Members
Public Methods
public intersect(sdf: SignedDistanceFunction) source
Executes the given SDF and discards the volume data that doesn't overlap with the generated data.
Params:
| Name | Type | Attribute | Description |
| sdf | SignedDistanceFunction | An SDF. |
public load(data: String) source
Loads a volume.
Params:
| Name | Type | Attribute | Description |
| data | String | The volume description to load. |
public raycast(raycaster: Raycaster): Array source
Finds the terrain chunks that intersect with the given ray and raycasts the associated meshes.
Intersections are sorted by distance, closest first.
Params:
| Name | Type | Attribute | Description |
| raycaster | Raycaster | A raycaster. |
public subtract(sdf: SignedDistanceFunction) source
Executes the given SDF and subtracts the generated data from the volume.
Params:
| Name | Type | Attribute | Description |
| sdf | SignedDistanceFunction | An SDF. |
public union(sdf: SignedDistanceFunction) source
Executes the given SDF and adds the generated data to the volume.
Params:
| Name | Type | Attribute | Description |
| sdf | SignedDistanceFunction | An SDF. |
public update(camera: PerspectiveCamera) source
Updates the terrain geometry. This method should be called each frame.
Params:
| Name | Type | Attribute | Description |
| camera | PerspectiveCamera | A camera. |


fun copyOfRange(range: IntRange): Bytes
Creates a deep copy of this Bytes, where the new instance's byteArray is an entirely new ByteArray with each byte within range copied by value.


You probably have something on your to-do list that you find intimidating, but is exactly the step you know you need to take in your business, or your career.
You know the kind.
Maybe it’s a set of tasks that requires new skills outside of your comfort zone, or just beyond your current know-how. Or you freeze when you think about taking a deep dive into the unknown to figure out what comes next.
These are the projects that we know are most important...but we put them off, over and over and over.
Starting something new is the exciting bit...but we're here to make sure that the real work you've been putting off get's finished.
You'll have to two structured days of coworking where you can benefit from the shared energy of people working just as hard as you, and avoid the distractions that come up every other weekend.
We'll make sure your breaks are relaxing but productive, instead of getting sucked into a Netflix binge session never to return.
Not sure what you can do in a weekend? Potential projects include:
Whatever it is, we'll help you keep it in scope so you're able to finish something valuable in a weekend, and then keep up the momentum.
We’ll have a range of expertise in the room, including business strategy, design, development, copywriting and marketing. If you find yourself reading the same sentence over and over, or are stuck with a technical bug, just raise your hand and help is on the way.
In addition to Finish Up Weekend organizers Alex Hillman and Nicole Forrester, you'll be supported by a team of mentors representing the range of skills and expertise you need to take your project across the finish line.
Apply now to get your ticket to Finish Up weekend, and you'll meet our mentors before they're announced to the public!
Can help you with: branding, web design, community building, social media, creative events.
More about Melissa on https://www.melissaalam.com/
Can help you with: user experience, product/brand focus, coding/technical issues, audio design.
More about Dain on https://www.cipherprime.com/
Can help you with: designing and developing for accessibility and inclusivity, writing, teaching, internet memes, event production.
More about Mikey on http://www.billypenn.com
Can help you with: partnerships, wellness, marketing, communications, finding entrepreneurial resources.
More about Kiera on https://www.linkedin.com/in/kierasmalls/
Can help you with: copywriting (case studies, emails, blog posts), presentations & pitches, facilitation & conflict resolution.
More about Vanessa on https://twitter.com/mozzadrella
Can help you with: creative writing, freelancing, marketing & selling your book, starting your own blog, finishing your drafts.
More about Eric on https://ericsmithrocks.com/
Can help you with: storytelling, starting/improving your podcast, software development, shipping your ideas quickly.
More about Kevin on https://podphillywho.com/
Can help you with: positioning & communicating yourself, connecting with your dream job/employer, product design.
More about Kristin on https://withcocreate.com/about-us/
Can help you with: designing products, strategic decision-making, coding/technical issues, marketing/copy, design/art.
More about Nicole on http://www.treehouseops.com/
Can help you with: business strategy, writing, events, marketing & outreach, learning new things quickly.
More about Alex on https://dangerouslyawesome.com/
Curated expertise from a variety of backgrounds to support and inspire your work for the weekend. (We'll even factor in your project needs based on your Finish Up Weekend application.)
Sign up to find out when we announce more mentors!
Content strategist, podcaster, filmmaker
Social Entrepreneur, GDI Philly & ROAR for Good
Event Curator, Media Artist
Bootstrapping Expert, Designer, Author
Video Game Designer, Engineer, Musician
Software/Web Developer & SEO
We've built in more structure than your usual coworking session to help you cross the finish line! Each work session starts with a valuable (and inspiring) lesson from our team of mentors, and ends with a check-in to see evaluate your progress.
Happy Hour! 5-7pm
Chill and low key, quick round of intros:
What are you finishing up this week?
What could you help someone else with?

Get Started! 9am-5pm
90 min (long lunch!)
Finish up! 9am-5pm
90 min (long lunch!)
Nope! In fact, the busier we get the more likely we are to get bogged down with commitments. If you've ever felt like you were too busy to find time for important projects you've always wanted to do, or to take next important step for growth, this is for you.
While there’s no hard and fast rule, our mentors are present to give insight, encourage you in the right direction, help fix an issue that’s tripping you up etc... and then let you get back to work. In our experience, as little as 5 minutes of expert time can give you the confidence or technical tip you need to push through. After 5-10 minutes of helpful advice, your mentors may rotate to help other attendees before checking back to see your progress.
Our goal is to end the weekend with as many people FINISHED as possible. If you don’t think you can finish your entire project, we suggest that you pick a smaller aspect of the project that you could finish during the weekend. You might even want to focus on a portion of your project that you've been putting off, and getting the help you need to start and finish.
For example: Instead of designing and building a whole website in a weekend, focus on the home page or a landing page that will let you accept sign ups or new clients. And once you've got the look of that page finished, the rest of the site can be built even easier!
Definitely! Even if you're dividing and conquering a project, you'll be able to get the support you need. Just remember that you each need your own ticket to attend.
You can email Nicole and Alex at<EMAIL_ADDRESS>:)


$(function(){
//This below line is optional. It's used to override the default container element and/or the breadcrumb element.
bladeManager.init();
bladeManager.addBlade({
title: 'Sample title',
content:{
url: '/path/page.ext'
}
});
});
This event is raised once a blade was fully initialized, and added to the DOM. Please note that this event is raised even if the content wasn't loaded yet
bladeManager.addBlade({
//...
onOpen: function(blade){
//...
}
//...
});
onClose
This event is raised once a blade is fully closed, and removed from the DOM.
bladeManager.addBlade({
//...
onClose: function(blade){
//...
}
//...
});
Methods:
Resolve blade
Returns a "Blade" reference which can be used with other methods (e.g. bladeManager.setSettings(settings, bladeReference); )
//caller: can be an element ID or a reference to any child element of the blade to be resolved.
//An object of type "Blade" is returned.
bladeManager.resolveBlade(caller);
Remove blade
Completely removes a Blade and its content from the DOM. A blade with a settings of { canClose: false } won't be removed using the below method. canClose must be set to true first.
//caller: can be a reference to any child element of the blade to be closed
//blade: should be a reference to the blade to be closed.
//Blade references are returned when '.addBlade' method is called.
//Or you can use bladeManager.Blades[n] to retrieve a reference of a specific blade.
bladeManager.removeBlade([caller], [blade]);
Refresh blade
Refreshes the content of the blade.
//caller: can be a reference to any child element of the blade to be refreshed
//blade: should be a reference to the blade to be refreshed.
//Blade references are returned when '.addBlade' method is called.
//Or you can use bladeManager.Blades[n] to retrieve a reference of a specific blade.
bladeManager.refreshBlade([caller], [blade]);
Restore blade
Maximises or restores the size of the blade.
//caller: can be a reference to any child element of the blade to be restored
//blade: should be a reference to the blade to be restored.
//Blade references are returned when '.addBlade' method is called.
//Or you can use bladeManager.Blades[n] to retrieve a reference of a specific blade.
bladeManager.restoreBlade([caller], [blade]);
Set settings
Sets the settings of a specific blade.
//A new settings object which replaces or appends the current blade's settings.
//If the new settings object contains an options which has been already set, the options gets replaced, otherwise it gets appended.
//blade: should be a reference to the blade which settings to be set.
//Blade references are returned when '.addBlade' method is called.
//Or you can use bladeManager.Blades[n] to retrieve a reference of a specific blade.
bladeManager.setSettings(settings, blade);
Replace content
Replaces the content of a specific blade by passing a new "content" object.
//blade: should be a reference to the blade which content should be replaced.
//Blade references are returned when '.addBlade' method is called.
//Or you can use bladeManager.Blades[n] to retrieve a reference of a specific blade.
//content: can be static HTML, or an object with a 'url' path to load a page using AJAX.
bladeManager.replaceContent(blade, content);
Show blade
Gets a specific balde into view and the blade gets the focus.
//blade: should be a reference to the blade to be shown.
//Blade references are returned when '.addBlade' method is called.
//Or you can use bladeManager.Blades[n] to retrieve a reference of a specific blade.
bladeManager.showBlade(blade);
Show loader
Shows the loader of a specific blade if an action/long running process is called manually.
If a form within the blade is submitted, the loader is shown/hidden automatically.
//caller: can be a reference to any child element of the blade to be restored
//blade: should be a reference to the blade where the loader should be shown.
//Blade references are returned when '.addBlade' method is called.
//Or you can use bladeManager.Blades[n] to retrieve a reference of a specific blade.
bladeManager.showLoader([caller], [blade]);
Hide loader
Hides the loader of a specific blade.
If a form within the blade is submitted, the loader is shown/hidden automatically.
//caller: can be a reference to any child element of the blade to be restored
//blade: should be a reference to the blade where the loader should be hidden.
//Blade references are returned when '.addBlade' method is called.
//Or you can use bladeManager.Blades[n] to retrieve a reference of a specific blade.
bladeManager.hideLoader([caller], [blade]);
Get variables
Gets the variables/functions defined for a speific blade.
//caller: can be a reference to any child element of the blade to be restored
//blade: should be a reference to the blade which the variables/functions should be returned.
//Blade references are returned when '.addBlade' method is called.
//Or you can use bladeManager.Blades[n] to retrieve a reference of a specific blade.
bladeManager.getVariables([caller], [blade]);


Should I install XXX in /usr
or /usr/local
?
This is a question without an obvious answer for an LFS based system.
In traditional Unix systems, /usr
usually contains files that come with the system distribution, and
the /usr/local
tree is free for the
local administrator to manage. The only really hard and fast rule is
that Unix distributions should not touch /usr/local
, except perhaps to create the basic
directories within it.
With Linux distributions like Red Hat, Debian, etc., a possible rule
is that /usr
is managed by the
distribution's package system and /usr/local
is not. This way the package manager's
database knows about every file within /usr
.
LFS users build their own system and so deciding where the system
ends and local files begin is not straightforward. So the choice
should be made in order to make things easier to administer. There
are several reasons for dividing files between /usr
and /usr/local
.
On a network of several machines all running LFS, or mixed LFS
and other Linux distributions, /usr/local
could be used to hold packages
that are common between all the computers in the network. It
can be NFS mounted or mirrored from a single server. Here local
indicates local to the site.
On a network of several computers all running an identical LFS
system, /usr/local
could hold
packages that are different between the machines. In this case
local refers to the individual computers.
Even on a single computer, /usr/local
can be useful if you have several
distributions installed simultaneously, and want a place to put
packages that will be the same on all of them.
Or you might regularly rebuild your LFS, but want a place to put files that you don't want to rebuild each time. This way you can wipe the LFS file system and start from a clean partition every time without losing everything.
Some people ask why not use your own directory tree, e.g.,
/usr/site
, rather than /usr/local
?
There is nothing stopping you, many sites do make their own trees,
however it makes installing new software more difficult. Automatic
installers often look for dependencies in /usr
and /usr/local
,
and if the file it is looking for is in /usr/site
instead, the installer will probably fail
unless you specifically tell it where to look.
What is the BLFS position on this?
All of the BLFS instructions install programs in /usr
with optional instructions to install into
/opt
for some specific packages.
Last updated on 2007-04-04 14:42:53 -0500


Class Utf8
UTF8 Helper methods and routines.
Inheritance
Namespace: NStack
Assembly: NStack.dll
Syntax
public static class Utf8
Remarks
The term "rune" is used to represent a Unicode code point merely because it is a shorter way of talking about it.
Fields
MaxRune
Maximum valid Unicode code point.
Declaration
public const uint MaxRune = 1114111;
Field Value
| Type | Description |
|---|---|
| System.UInt32 | To be added. |
RuneError
The "error" Rune or "Unicode replacement character"
Declaration
public static uint RuneError;
Field Value
| Type | Description |
|---|---|
| System.UInt32 | To be added. |
RuneSelf
Characters below RuneSelf are represented as themselves in a single byte
Declaration
public const byte RuneSelf = 128;
Field Value
| Type | Description |
|---|---|
| System.Byte | To be added. |
Utf8Max
Maximum number of bytes required to encode every unicode code point.
Declaration
public const int Utf8Max = 4;
Field Value
| Type | Description |
|---|---|
| System.Int32 | To be added. |
Methods
DecodeLastRune(ustring, Int32)
DecodeLastRune unpacks the last UTF-8 encoding in the ustring.
Declaration
public static ValueTuple<uint,int> DecodeLastRune (NStack.ustring str, int end = -1);
Parameters
| Type | Name | Description |
|---|---|---|
| ustring | str | String to decode rune from; if it is empty, it returns (RuneError, 0). Otherwise, if the encoding is invalid, it returns (RuneError, 1). Both are impossible results for correct, non-empty UTF-8. |
| System.Int32 | end | Scan up to that point, if the value is -1, it sets the value to the lenght of the buffer. |
Returns
| Type | Description |
|---|---|
| System.ValueTuple<System.UInt32,System.Int32> | The last rune and its width in bytes. |
Remarks
An encoding is invalid if it is incorrect UTF-8, encodes a rune that is out of range, or is not the shortest possible UTF-8 encoding for the value. No other validation is performed.
DecodeLastRune(Byte[], Int32)
DecodeLastRune unpacks the last UTF-8 encoding in buffer
Declaration
public static ValueTuple<uint,int> DecodeLastRune (byte[] buffer, int end = -1);
Parameters
| Type | Name | Description |
|---|---|---|
| System.Byte[] | buffer | Buffer to decode rune from; if it is empty, it returns (RuneError, 0). Otherwise, if the encoding is invalid, it returns (RuneError, 1). Both are impossible results for correct, non-empty UTF-8. |
| System.Int32 | end | Scan up to that point, if the value is -1, it sets the value to the lenght of the buffer. |
Returns
| Type | Description |
|---|---|
| System.ValueTuple<System.UInt32,System.Int32> | The last rune and its width in bytes. |
Remarks
An encoding is invalid if it is incorrect UTF-8, encodes a rune that is out of range, or is not the shortest possible UTF-8 encoding for the value. No other validation is performed.
DecodeRune(ustring, Int32, Int32)
DecodeRune unpacks the first UTF-8 encoding in the ustring returns the rune and its width in bytes.
Declaration
public static ValueTuple<uint,int> DecodeRune (NStack.ustring str, int start = 0, int n = -1);
Parameters
| Type | Name | Description |
|---|---|---|
| ustring | str | ustring to decode. |
| System.Int32 | start | Starting offset to look into.. |
| System.Int32 | n | Number of bytes valid in the buffer, or -1 to make it the lenght of the buffer. |
Returns
| Type | Description |
|---|---|
| System.ValueTuple<System.UInt32,System.Int32> | If p is empty it returns (RuneError, 0). Otherwise, if the encoding is invalid, it returns (RuneError, 1). Both are impossible results for correct, non-empty UTF-8. |
DecodeRune(Byte[], Int32, Int32)
DecodeRune unpacks the first UTF-8 encoding in p and returns the rune and its width in bytes.
Declaration
public static ValueTuple<uint,int> DecodeRune (byte[] buffer, int start = 0, int n = -1);
Parameters
| Type | Name | Description |
|---|---|---|
| System.Byte[] | buffer | Byte buffer containing the utf8 string. |
| System.Int32 | start | Starting offset to look into.. |
| System.Int32 | n | Number of bytes valid in the buffer, or -1 to make it the lenght of the buffer. |
Returns
| Type | Description |
|---|---|
| System.ValueTuple<System.UInt32,System.Int32> | If p is empty it returns (RuneError, 0). Otherwise, if the encoding is invalid, it returns (RuneError, 1). Both are impossible results for correct, non-empty UTF-8. |
EncodeRune(UInt32, Byte[], Int32)
Writes into the destination buffer starting at offset the UTF8 encoded version of the rune
Declaration
public static int EncodeRune (uint rune, byte[] dest, int offset = 0);
Parameters
| Type | Name | Description |
|---|---|---|
| System.UInt32 | rune | Rune to encode. |
| System.Byte[] | dest | Destination buffer. |
| System.Int32 | offset | Offset into the destination buffer. |
Returns
| Type | Description |
|---|---|
| System.Int32 | The number of bytes written into the destination buffer. |
FullRune(ustring)
FullRune reports whether the ustring begins with a full UTF-8 encoding of a rune. An invalid encoding is considered a full Rune since it will convert as a width-1 error rune.
Declaration
public static bool FullRune (NStack.ustring str);
Parameters
| Type | Name | Description |
|---|---|---|
| ustring | str | The string to check. |
Returns
| Type | Description |
|---|---|
| System.Boolean |
|
FullRune(Byte[])
FullRune reports whether the bytes in p begin with a full UTF-8 encoding of a rune. An invalid encoding is considered a full Rune since it will convert as a width-1 error rune.
Declaration
public static bool FullRune (byte[] p);
Parameters
| Type | Name | Description |
|---|---|---|
| System.Byte[] | p | byte array. |
Returns
| Type | Description |
|---|---|
| System.Boolean |
|
InvalidIndex(ustring)
Use to find the index of the first invalid utf8 byte sequence in a buffer
Declaration
public static int InvalidIndex (NStack.ustring str);
Parameters
| Type | Name | Description |
|---|---|---|
| ustring | str | String containing the utf8 buffer. |
Returns
| Type | Description |
|---|---|
| System.Int32 | The index of the first insvalid byte sequence or -1 if the entire buffer is valid. |
InvalidIndex(Byte[])
Use to find the index of the first invalid utf8 byte sequence in a buffer
Declaration
public static int InvalidIndex (byte[] buffer);
Parameters
| Type | Name | Description |
|---|---|---|
| System.Byte[] | buffer | Buffer containing the utf8 buffer. |
Returns
| Type | Description |
|---|---|
| System.Int32 | The index of the first insvalid byte sequence or -1 if the entire buffer is valid. |
RuneCount(ustring)
Returns the number of runes in a ustring.
Declaration
public static int RuneCount (NStack.ustring str);
Parameters
| Type | Name | Description |
|---|---|---|
| ustring | str | utf8 string. |
Returns
| Type | Description |
|---|---|
| System.Int32 | Numnber of runes. |
RuneCount(Byte[], Int32, Int32)
Returns the number of runes in a utf8 encoded buffer
Declaration
public static int RuneCount (byte[] buffer, int offset = 0, int count = -1);
Parameters
| Type | Name | Description |
|---|---|---|
| System.Byte[] | buffer | Byte buffer containing a utf8 string. |
| System.Int32 | offset | Starting offset in the buffer. |
| System.Int32 | count | Number of bytes to process in buffer, or -1 to process until the end of the buffer. |
Returns
| Type | Description |
|---|---|
| System.Int32 | Numnber of runes. |
RuneLen(UInt32)
number of bytes required to encode the rune.
Declaration
public static int RuneLen (uint rune);
Parameters
| Type | Name | Description |
|---|---|---|
| System.UInt32 | rune | Rune to probe. |
Returns
| Type | Description |
|---|---|
| System.Int32 | The length, or -1 if the rune is not a valid value to encode in UTF-8. |
Valid(ustring)
Reports whether the ustring consists entirely of valid UTF-8-encoded runes.
Declaration
public static bool Valid (NStack.ustring str);
Parameters
| Type | Name | Description |
|---|---|---|
| ustring | str | String to validate. |
Returns
| Type | Description |
|---|---|
| System.Boolean | To be added. |
Valid(Byte[])
Reports whether p consists entirely of valid UTF-8-encoded runes.
Declaration
public static bool Valid (byte[] buffer);
Parameters
| Type | Name | Description |
|---|---|---|
| System.Byte[] | buffer | Byte buffer containing a utf8 string. |
Returns
| Type | Description |
|---|---|
| System.Boolean | To be added. |
ValidRune(UInt32)
ValidRune reports whether a rune can be legally encoded as UTF-8.
Declaration
public static bool ValidRune (uint rune);
Parameters
| Type | Name | Description |
|---|---|---|
| System.UInt32 | rune | The rune to test. |
Returns
| Type | Description |
|---|---|
| System.Boolean |
|


FAQ
Great question! HipRez’s main goal is to help those who want to embellish their current resume without spending countless hours trying to fix or create an attractive resume site. The process of receiving your new resume site from us is quite simple. First, you will need to select the desired template you want for your new resume site. Choose from one of our recruiter approved and graphic friendly templates to be used for your new online resume. Next, you will need to create a HipRez account for logging into our site and reviewing your finished product. Then, you will need to upload your resume or share your LinkedIn profile with us so we can create your resume site with all the correct info needed to provide you the best product possible. Finally, your finished resume site will be emailed to you and be ready for action in the job market!
The typical turnaround for a resume is between 1-3 business days. Depending on our sales queue it can be within 24 hours. If you do not hear from us for some reason in that timeframe please contact our support at<EMAIL_ADDRESS>and they will investigate and get back to you ASAP!
Once you have successfully selected your resume template, created an account, and uploaded your resume info, you will be prompted with our billing screen to process your order.
We accept all major credit card types (Mastercard, Visa, American Express, and Discover) and PayPal.
Yes! We have helped improve thousands of customers resumes and all have been pleased with the security of their resume and billing information. We don’t store any of your credit card information (that’s handled by our payment processors, Stripe and PayPal, the best in the business!) and will never share any of your information with third parties or anyone else. You have our word on it!
Yes. You will need to choose one of our premier hosting packages at a very reasonable rate to make your new resume active. Choose between our monthly or annual hosting packages. You can cancel your service with these at any time. Please refer to our terms for full details on subscription services.
As a default option we will provide your site to you under our HipRez domain with your first and last name as a subdomain. For example, if John Smith purchased a resume site with us his resume url would be johnsmith.hiprez.com. However, you will be offered to purchase a custom domain for your resume site at a low cost so you won’t have to worry about having HipRez in your domain. Your site could be as simple as johnsmith.com which a lot of our customers prefer!
If you change jobs or learn a new skill that you want to showcase, please reach out to us by emailing<EMAIL_ADDRESS>and we will take care of it! Even if you want to change your resume template we can handle that for you as well. We want all of our customers to get that dream job they always wanted so if there is anything we can do to help improve your resume please give us a shout!
You will need to reach out to us contacting<EMAIL_ADDRESS>and one of our customer service representatives will handle the cancellation of your account. If needed, they can also discontinue any subscription services you have with us.


_print <expression>
Examples:
Print the value of an expression.
The difference between this command and the "print" command is a subtle one: if one of the arguments contains square-brackets, the Tcl interpreter will attempt to evaluate the text between the brackets as a command before _print is given the argument. If the text between the brackets is intended to be an array index, the interpreter will generate an error before the Swat expression evaluator has a chance to decide whether the text is a nested Tcl command or an array index.
For this reason, this function is intended primarily for use by Tcl procedures, not by users.
See Also: print, addr-parse.
abort [<frame-number>] abort [<function>]
Examples:
Abort code execution up through a given frame or routine. By "abort", we me "do not execute". This can be quite dangerous, as semaphores may not be ungrabbed, blocks not unlocked, flags not cleared, etc., leaving the state of objects, and if executing system code, possibly the system itself in a bad state. This command should only be used when the only alternative is to to detach (i.e. in a fatal error) as a way to possibly prolong the usefulness of the debugging session.
abortframe <frame-token>
Examples:
Aborts code execution up through a particular stack frame. As no code is executed, the registers may be in a garbaged state.
event
Tcl command.


Active ingredient
Terbinafine hydrochloride 1%
Uses
- cures most athlete's foot (tinea pedis)
- cures most jock itch (tinea cruris) and ringworm (tinea corporis)
- relieves itching, burning, cracking and scaling which accompany these conditions
Warnings
For external use only
Do not use
- on nails or scalp
- in or near the mouth or the eyes
- for vaginal yeast infections
When using this product do not get into the eyes. If eye contact occurs, rinse thoroughly with water.
Stop use and ask a doctor if
- too much irritation occurs or gets worse.
Keep out of reach of children. If swallowed, get medical help or contact a poison control center right away.
Directions
- adults and children 12 years and older
- use the tip of the cap to break the seal and open the tube
- wash the affected skin with soap and water and dry completely before applying
-
for athlete's foot wear well-fitting, ventilated shoes. Change shoes and socks at least once daily.
-
between the toes only: apply twice a day (morning and night) for 1 week or as directed by a doctor.
-
on the bottom or sides of the foot: apply twice a day (morning and night) for 2 weeks or as directed by a doctor.
-
for jock itch and ringworm: apply once a day (morning or night) for 1 week or as directed by a doctor.
- wash hands after each use
- children under 12 years: ask a doctor
|
1 week between the toes
2 weeks on the bottom
or sides of the foot
|
Other information
- do not use if seal on tube is broken or is not visible
- store at controlled room temperature 20°-25°C (68°-77°F)
- see carton or tube crimp for lot number and expiration date
Inactive ingredients
benzyl alcohol, cetyl alcohol, cetyl palmitate, isopropyl myristate, polysorbate 60, purified water, sodium hydroxide, sorbitan monostearate, stearyl alcohol.
Questions?
Call 1-866-923-4914
Manufactured by
Taro Pharmaceuticals Inc.
Brampton, Ontario, Canada L6T 1C1
Distributed by
Kaiser Foundation Hospitals
Livermore, CA 94551-9756
PRINCIPAL DISPLAY PANEL - 30 g Tube Carton
KAISER PERMANENTE®
Terbinafine Hydrochloride Cream 1%
ANTIFUNGAL CREAM
CURES MOST ATHLETE'S FOOT
Compare to the active ingredient in Lamisil AT®*
NET WT 1 OZ (30 g)


Click once to set a start point, and a second time to set an end point and generate a route.
Routes are node-to-node so clicks are interpretted as starting from the nearest node.


FAQ
-
Q: What is a breast form?
A: A breast form is an external prosthesis that can be worn inside the pocket of a bra. Breast forms are designed to resemble natural breast tissue and are therefore made of silicone.
-
Q: Why do I need to wear a breast form?
A: Wearing a breast form will help you to restore the weight that's missing from your chest wall. Even though wearing a breast form can enhance your overall appearance, not wearing one can cause physical alterations as well. A weighted breast form will restore your body's natural balance. It will prevent spinal curvature, shoulder drop, and lower back and neck pain.
-
Q: How do I clean my breast form?
A: Clean your breast form daily in lukewarm water with mild soap. Dry off with a soft towel. Once clean, store your breast form, nipple side down in the travel case provided.
-
Q: What happens if I puncture my breast form?
A: Your breast form is not covered under warranty if punctured.  This means storing your breast form in the travel case when not in use and staying away from sharp objects.
-
Q: Can I swim in my breast form?
A: It is recommended that you opt for a swim form which was designed specifically for swimming. ABC offers 2 swim forms from which you can choose.
-
Q: How long will my breast form last?
A: Breast forms have a life expectancy of 2 years. Medicare and most private insurances grant you an allowable for a new prosthesis every 2 years. If you have a bilateral, you're allowed 2 breast forms every 2 years.
-
Q: Is there a breast form that keeps me cool?
A: If you're looking for a cooler breast form, the patented Massage Form ® was proven to reduce perspiration when compared to a standard back breast form. The special channels on the back layer allow air to circulate between you and the form. View more information about the Massage Forms ®.

A: Our Lightweight breast forms and Ultra Light breast forms are lighter when compared to standard silicone. Ultra Light is an exclusive creation from ABC. Having a weighted breast form is important, but we know that too much weight can become cumbersome. Depending on your preference, ABC provides 3 different types of silicone: standard, lightweight and ultra light. Lightweight and ultra light are respectively 30% and 45% lighter than standard silicone.
-
Q: I need to restore symmetry after a lumpectomy, reconstruction or breast conserving surgery. What will work best for me?
A: Shapers, also known as partials, are designed to restore symmetry, helping you achieve a balanced look and feel. ABC provides a variety of shapers depending upon your need.
-
Q: Will people be able to tell the difference between my natural breast and my breast form?
A: No, breast form technology has made great strides. With a proper fitting, you will find the right breast form and bra to make you look balanced and feel confident. As an added measure, it's helpful to know that our silicone breast forms are completely "huggable". So don't worry about the feel of your breast forms. No one will be able to tell. Your breast form will pass the "hug test" with flying colors!
-
Q: Why should I be seen by a certified fitter?
A: Every woman is different – so is every bra and every best form. It's best to have a certified fitter help you look at what works best for your size, frame and build.
-
Q: What should I do if my breast size changes before I'm due for a replacement?
A: Before you go for another fitting, you should check with your doctor. You need to have another prescription in order for your insurance cover another breast form(s).
-
Q: Can I wear a breast form without wearing a pocketed post-mastectomy bra?
A: Yes, you can, but you may find it easier to wear a pocketed bra that was designed to hold the weight of a breast form. Other bras may not be able to sustain the weight of the breast form. A post-mastectomy bra gives you the added security that you need.
-
Q: When should I start wearing a breast form?
A: Immediately following your surgery, you should be seen by a fitter. It is recommended that you get fitted with a non-silicone form. This should be worn for at least 6 weeks after your surgery. When your doctor determines that you're ready for a weighted prosthesis, then he/she will write you a prescription for a silicone breast form. A silicone breast form has a guaranteed life of 2 years.
-
Q: Is silicone safe to use?
A: Silicone is deemed a safe material to use in the production of an external breast prosthesis.
-
Q: What's the difference between a post-mastectomy bra and regular bra?
A: Post-mastectomy bras are designed with a pocket on the inside of the bra cup. This pocket is designed to hold your breast prosthesis in place. Additionally, there are design features that allow for the added weight of a silicone breast form.  A certified fitter will consult with you to determine which bra works best for you.
-
Q: How many bras will my insurance cover?
A: Medicare and most insurance providers will usually cover several bras up to a 3 month supply each time. To be certain, ask your doctor to specify the number of bras on your prescription. Also check with your insurance provider before visiting your fitter.
-
Q: How will I know which bra will work the best for me?
A: Every woman is designed differently. It's best to be fitted by a certified mastectomy fitter before you purchase your post-mastectomy bra. The fitter will consult with you to determine if a seamless molded cup works better than a soft cup bra. Regardless of how much you think you know about bras, it's always best to see how it fits on you. When choosing a bra you want to consider three things: comfort, confidence, and ease of wear.
-
Q: Now that I have to wear a breast form, will I have to wear an unattractive and unflattering bra?
A: In your search to find the right bra, you will discover that many post-mastectomy bras by ABC are designed to reflect the current fashion trends in the market. There are a number of bras that provide the beauty you want as well as the support you need.
-
Q: How many bras will my insurance cover?
A: Medicare and most insurance providers usually cover between 2 to 6 bras every year. Check with your insurance provider before visiting your fitter.
-
Q: Will my insurance cover my breast prosthesis?
A: Medicare and most private insurance providers usually cover one silicone breast form every two years. If you had a bilateral mastectomy, then you are normally entitled to two silicone breast forms every two years. For non-silicone prostheses, Medicare and most insurance providers normally allow one form every 6 months. Non-silicone breast forms are commonly used immediately after surgery and for leisure wear. Wait at least 6 weeks after surgery or based on your doctor's recommendation before you transition into a silicone breast form.
-
Q: Is there anything I need to bring to my first fitting appointment?
A: Make sure that you have a prescription from your doctor. This will help the fitter know exactly what you need and what needs to be covered by your insurance. Both a breast prosthesis and post-mastectomy bra require a prescription.
-
Q: What happens if I lose (gain) weight and need to change my breast prosthesis and/or bra?
A: If you experience weight loss or gain and require a new prosthesis and/or bra, you must have a prescription from your doctor. There must be a weight gain or loss of 20 lbs. in order for your doctor to write another prescription. This prescription is required for insurance reimbursement.


|
hcash
2.0.0
hcash
|
#include <serialize.h>
Public Member Functions | |
| CAutoFile (FILE *filenew, int nTypeIn, int nVersionIn) | |
| ~CAutoFile () | |
| void | fclose () |
| FILE * | release () |
| operator FILE * () | |
| FILE * | operator-> () |
| FILE & | operator* () |
| FILE ** | operator & () |
| FILE * | operator= (FILE *pnew) |
| bool | operator! () |
| void | setstate (short bits, const char *psz) |
| bool | fail () const |
| bool | good () const |
| void | clear (short n=0) |
| short | exceptions () |
| short | exceptions (short mask) |
| void | SetType (int n) |
| int | GetType () |
| void | SetVersion (int n) |
| int | GetVersion () |
| void | ReadVersion () |
| void | WriteVersion () |
| CAutoFile & | read (char *pch, size_t nSize) |
| CAutoFile & | write (const char *pch, size_t nSize) |
| template<typename T > | |
| unsigned int | GetSerializeSize (const T &obj) |
| template<typename T > | |
| CAutoFile & | operator<< (const T &obj) |
| template<typename T > | |
| CAutoFile & | operator>> (T &obj) |
Public Attributes | |
| int | nType |
| int | nVersion |
Protected Attributes | |
| FILE * | file |
| short | state |
| short | exceptmask |
RAII wrapper for FILE*.
Will automatically close the file when it goes out of scope if not null. If you're returning the file pointer, return file.release(). If you need to close the file early, use file.fclose() instead of fclose(file).
|
inline |
|
inline |
|
inline |
|
inline |
|
inline |
|
inline |
|
inline |
|
inline |
|
inline |
|
inline |
|
inline |
|
inline |
|
inline |
|
inline |
|
inline |
|
inline |
|
inline |
|
inline |
|
inline |
|
inline |
|
inline |
|
inline |
|
inline |
|
inline |
|
inline |
|
inline |
|
inline |
|
protected |
|
protected |
| int CAutoFile::nType |
| int CAutoFile::nVersion |
|
protected |


height and width is 60,60 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/979a39f22.png
height and width is 470,470 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/98e87074b.png
height and width is 470,470 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/99926b786.png
height and width is 1543,1543 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/999f75899.png
height and width is 845,845 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/99a9b1567.png
height and width is 152,152 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/9a8bb2fff.png
height and width is 1114,1114 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/9af73f331.png
height and width is 825,825 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/9bdf9ba7d.png
height and width is 444,444 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/9d13632b9.png
height and width is 443,443 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/9ee5dbda4.png
height and width is 576,576 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/9f70ba1fb.png
height and width is 516,516 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/a012863ce.png
height and width is 165,165 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/a06757f32.png
height and width is 524,524 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/a59405ba8.png
height and width is 438,438 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/a63ac9b84.png
height and width is 545,545 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/a6805e809.png
height and width is 513,513 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/a77646b15.png
height and width is 632,632 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/a8ff2c49e.png
height and width is 1197,1197 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/a9b7af892.png
height and width is 1085,1085 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/a9daba74c.png
height and width is 90,90 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/aa2ab6ee7.png
height and width is 962,962 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/ab3b58928.png
height and width is 197,197 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/ab90aee48.png
height and width is 164,164 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/abd486e7b.png
height and width is 492,492 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/acf5eabef.png
height and width is 146,146 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/ad5397f8a.png
height and width is 1026,1026 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/ad8a3280e.png
height and width is 181,181 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/afe1cdd50.png
height and width is 303,303 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/b0264558c.png
height and width is 588,588 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/b0d647301.png
height and width is 89,89 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/b2b9468af.png
height and width is 944,944 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/b3bac1203.png
height and width is 1250,1250 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/b41816608.png
height and width is 671,671 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/b4190fe96.png
height and width is 779,779 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/b44f9e223.png
height and width is 482,482 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/b47d8d8f9.png
height and width is 651,651 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/b8418755e.png
height and width is 285,285 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/b8d4a8a59.png
height and width is 155,155 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/b92458cf6.png
height and width is 82,82 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/b94efd26f.png
height and width is 626,626 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/b98d35523.png
height and width is 98,98 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/ba820bf35.png
height and width is 150,150 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/bb719464c.png
height and width is 519,519 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/bbf48c655.png
height and width is 928,928 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/bd5d6e03f.png
height and width is 141,141 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/be337bf4d.png
height and width is 134,134 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/c024ba394.png
height and width is 674,674 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/c0341c93d.png
height and width is 495,495 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/c06e70a77.png
height and width is 314,314 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/c2c6d48e0.png
height and width is 80,80 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/c3b9a611c.png
height and width is 324,324 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/c3d57ab11.png
height and width is 174,174 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/c405c0e38.png
height and width is 632,632 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/c48b70c02.png
height and width is 118,118 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/c4c87351c.png
height and width is 1440,1440 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/c5687dbb2.png
height and width is 1380,1380 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/c6818bcde.png
height and width is 412,412 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/c69dc6f62.png
height and width is 475,475 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/c6b426814.png
height and width is 493,493 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/c80847076.png
height and width is 167,167 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/c833940d5.png
height and width is 407,407 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/cabb25dd8.png
height and width is 528,528 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/cb5ff9c78.png
height and width is 583,583 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/cbed7333d.png
height and width is 519,519 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/cc285d141.png
height and width is 1433,1433 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/cd8c55d21.png
height and width is 877,877 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/cfb3565b9.png
height and width is 960,960 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/d173b40c2.png
height and width is 183,183 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/d1da687e9.png
height and width is 885,885 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/d2b3e12d7.png
height and width is 468,468 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/d2c9f9921.png
height and width is 649,649 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/d415a63be.png
height and width is 626,626 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/d41a8cb93.png
height and width is 606,606 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/d41b1916c.png
height and width is 208,208 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/d42bcf4bd.png
height and width is 408,408 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/d4998deee.png
height and width is 592,592 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/d4aec4bee.png
height and width is 651,651 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/d4db82d2c.png
height and width is 752,752 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/d558ea002.png
height and width is 973,973 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/d585fe0c7.png
height and width is 493,493 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/d5d014036.png
height and width is 698,698 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/d5d909ed5.png
height and width is 521,521 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/d62099b5b.png
height and width is 644,644 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/d63de4d6b.png
height and width is 955,955 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/d7b6e4654.png
height and width is 769,769 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/d97272f23.png
height and width is 816,816 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/d9f0ac9a7.png
height and width is 169,169 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/d9f471b2d.png
height and width is 536,536 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/da2912b2f.png
height and width is 1412,1413 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/dc351dfa4.png
height and width is 150,150 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/dc39e01ec.png
height and width is 142,142 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/de1da036c.png
height and width is 89,89 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/e0348224d.png
height and width is 682,682 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/e053702bb.png
height and width is 531,531 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/e0f7fb20b.png
height and width is 371,371 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/e11ffb03d.png
height and width is 1331,1331 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/e32175ef7.png
height and width is 624,624 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/e49429c11.png
height and width is 592,592 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/e4a149c23.png
height and width is 488,488 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/e4a9bfee6.png
height and width is 522,522 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/e54889b13.png
height and width is 163,163 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/e61d10caf.png
height and width is 727,727 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/e6217a0c4.png
height and width is 615,615 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/e6c1a7bbc.png
height and width is 533,533 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/e7bed72a5.png
height and width is 774,774 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/e7c7bab19.png
height and width is 468,468 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/e81a8dacb.png
height and width is 452,452 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/e832be17c.png
height and width is 481,481 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/e8870a1b1.png
height and width is 499,499 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/e947502b4.png
height and width is 538,538 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/e9492ed97.png
height and width is 306,306 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/e9ed80cf3.png
height and width is 592,592 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/ea224d23a.png
height and width is 446,446 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/ea2b5a53e.png
height and width is 797,797 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/ea6cc9c1b.png
height and width is 834,834 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/ead3ac2e1.png
height and width is 1320,1476 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/eadf78247.png
height and width is 1036,1036 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/eb0418d36.png
height and width is 1174,1310 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/eb2b13b27.png
height and width is 130,130 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/ebcbefdad.png
height and width is 553,553 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/ed71987ae.png
height and width is 531,531 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/ee24d08ce.png
height and width is 745,745 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/ee7e8f2d9.png
height and width is 598,598 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/ee9ea960d.png
height and width is 662,662 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/ef286fe28.png
height and width is 1064,1064 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/f171da2ef.png
height and width is 1004,1004 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/f1bb1de07.png
height and width is 432,432 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/f22262822.png
height and width is 1045,1045 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/f2eeeb0a2.png
height and width is 267,267 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/f30abde8b.png
height and width is 621,621 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/f40d6554c.png
height and width is 982,982 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/f474da0ca.png
height and width is 498,498 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/f506aa640.png
height and width is 566,566 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/f5e7d66b9.png
height and width is 589,589 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/f72176e1a.png
height and width is 264,264 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/f78fcd305.png
height and width is 140,140 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/f7ac77334.png
height and width is 415,415 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/f861c27a9.png
height and width is 686,686 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/f8bf223f3.png
height and width is 929,929 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/f9a842f5f.png
height and width is 902,902 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/faaac2544.png
height and width is 1286,1286 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/fb57ce659.png
height and width is 341,341 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/fbb26c002.png
height and width is 602,602 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/fbec8cc1a.png
height and width is 548,548 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/fc293eacb.png
height and width is 182,182 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/fc441208c.png
height and width is 431,431 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/fed9406b2.png
height and width is 1005,1005 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/fef5e7066.png
height and width is 478,478 for image C:/Users/aksha/Desktop/PLANT_SEEDLINGS/train/Sugar beet/ffa401155.png


Trump Suddenly Announces Renewed Peace Talks With The Taliban
President Donald Trump declared on Thanksgiving Day that U.S. peace negotiations with the Taliban have resumed after the talks collapsed in September.
Trump made the sudden announcement during a secret trip to Afghanistan, his first visit to the war-torn country, to meet with American troops and Afghan President Ashraf Ghani.
“The Taliban wants to make a deal, and we’re meeting with them,” Trump said, according to the New York Times. “We’re going to stay until such time as we have a deal, or we have total victory, and they want to make a deal very badly.”
The President gave few other details of the negotiations apparently underway.
White House Press Secretary Stephanie Grisham had told the Times Trump’s unannounced trip was “nothing about the peace process,” merely “Thanksgiving and supporting the troops.”
Several months ago, Trump shocked lawmakers on both sides of the aisle when he announced that he had secretly extended, then cancelled, an invitation to Taliban leaders to hammer out peace negotiations at Camp David.
Republicans, including House Republican leader Liz Cheney (R-WY), slammed Trump’s planned meeting.
“Camp David is where America’s leaders met to plan our response after al Qaeda, supported by the Taliban, killed 3000 Americans on 9/11,” Cheney tweeted. “No member of the Taliban should set foot there. Ever.”


All functions
|
|
all_surveys()
|
Retrieve a data frame of all active surveys on Qualtrics |
|
append_root_url()
|
Append proper end points to create root URL |
|
check_for_warnings()
|
Check if httr GET result contains a warning |
|
check_params()
|
Check if parameters passed to functions are correct |
|
construct_header()
|
Construct a header to send to Qualtrics API |
|
create_raw_payload()
|
Create raw JSON payload to post response exports request |
|
download_qualtrics_export()
|
Download response export |
|
fetch_survey()
|
Download a survey and import it into R |
|
getSurvey()
|
Download a survey and import it into R |
|
getSurveyQuestions()
|
Retrieve a data frame containing question IDs and labels |
|
getSurveys()
|
Retrieve a data frame of all active surveys on Qualtrics |
|
infer_data_types()
|
Set proper data types on survey data. |
|
metadata()
|
Download metadata for a survey |
|
qualtRicsConfigFile()
|
Prints an Example of a QualtRics Configuration File to the Console. |
|
qualtrics_api_credentials()
|
Install Qualtrics credentials in your .Renviron file for repeated use |
|
qualtrics_api_request()
|
Send httr requests to Qualtrics API |
|
qualtrics_response_codes()
|
Checks responses against Qualtrics response codes and returns error message. |
|
readSurvey()
|
Read a CSV file exported from Qualtrics |
|
read_survey()
|
Read a CSV file exported from Qualtrics |
|
registerOptions()
|
Register Qualtrics API Key, Base Url and Other Options |
|
survey_questions()
|
Retrieve a data frame containing question IDs and labels |
|
wrapper_mc()
|
Convert multiple choice questions to ordered factors |


EXILE
INFO
API
/
Info
Legacy
HC Legacy
SSF Legacy
SSF HC Legacy
WIP
Hello there!
We are currently under construction, so things can go wild out of nowhere.
PSA
You can use the mouse wheel to zoom in or out.


Saudi eateries rid of double entrances
by AFPIn Summary
- Eateries have long required one entrance for single men and another for women and families.
- The latest reform was hailed by young Saudis but dismissed by arch-conservatives on social media, with one Twitter user saying it went "against sharia", or Islamic law.
- Saudi Arabia's de facto ruler has sought to project a moderate, business-friendly image of his austere kingdom as he seeks to boost investment.
Riyadh,
Restaurants and cafes in Saudi Arabia are no longer required to have gender-segregated entrances, officials said, in a further easing of social restrictions in the ultra-conservative Islamic kingdom.
Eateries have long required one entrance for single men and another for women and families, in a country where the once-powerful religious police zealously enforced sex segregation in public places for decades.
The ministry of municipalities and rural affairs said on Twitter Sunday it was eliminating several requirements for restaurants, including the need for "an entrance for bachelors and a separate entrance for families".
It was unclear whether a restriction on seating inside restaurants will also be removed.
REACTIONS
Restaurants are currently segregated into a "family" section for those accompanied by women and a "singles" area for men, though many have quietly taken down the barriers in recent years amid the kingdom's sweeping liberalisation drive.
The latest reform was hailed by young Saudis but dismissed by arch-conservatives on social media, with one Twitter user saying it went "against sharia", or Islamic law.
Saudi Arabia's de facto ruler, Crown Prince Mohammed bin Salman, has sought to project a moderate, business-friendly image of his austere kingdom as he seeks to boost investment.
Prince Mohammed has clipped the powers of hard-line clerics as he pursues a modernisation drive that has allowed mixed-gender music concerts and ended decades-long bans on cinemas and women drivers.
FEAR
Until three years ago, the religious police elicited widespread fear in the kingdom, chasing men and women out of malls to pray and berating anyone seen mingling with the opposite sex.
The hard-line enforcers of public morality, whose powers began waning even before Prince Mohammed rose to power, are now largely out of sight.
But the reforms have been accompanied by a crackdown on activists, including women urging faster reform, some of whom have accused interrogators of sexual harassment and torture. Saudi prosecutors deny the accusations.


InvocationError class
Invocation error occurs when there has been an
error in the invocation of a handlers. It dynamically
wraps the inner error and attaches the requestId
to
track it along the event.
Constructors
- InvocationError(dynamic error, StackTrace stackTrace)
-
const
Properties
- error → dynamic
-
The error that catched during the invocation and
which is posted to the Lambda Runtime Interface.
final
- stackTrace → StackTrace
-
StackTrace ...
final
- hashCode → int
-
The hash code for this object. [...]
read-only, inherited
- runtimeType → Type
-
A representation of the runtime type of the object.
read-only, inherited
Methods
-
toJson(
) → Map< String, dynamic> - Extracts the InvocationError data into a JSON representation for the Runtime Interface.
-
noSuchMethod(
Invocation invocation) → dynamic -
Invoked when a non-existent method or property is accessed. [...]
inherited
-
toString(
) → String -
Returns a string representation of this object.
inherited
Operators
-
operator ==(
dynamic other) → bool -
The equality operator. [...]
inherited


Home
Read on!
The Team
About us
Philomath Testing
This is a test webiste. Ofiicial website is
Here
Test button
Test button


/*
The nav bar came out weird on this page; font is purple and underlines instead of being resume blue. "Menu" remains unchanged, as does "Page 5" and h1.
It looks like the CSS for the badge overrides the CSS I implement in my own website.
*/
Testing out to see if this shows
This page is still being updated due to styling errors.


Black Desert Developer Pearl Abyss Announces Three Games, All With Impressive Visuals
by Brian AshcraftPearl Abyss is best known for Black Desert – and its eye-popping character creation tool. Today in South Korea, the studio just announced three games. They all look visually impressive.
At the G-Star gaming expo (via tipster Sang), Pearl Abyss announced the following games:
Plan 8
Pearl Abyss is aiming to release this open world “exosuit MMO shooter” on PC and consoles and revealed that developer Minh Le, better known as “Gooseman” from his Counter Strike days, joined the studio in March 2018.
DokeV
This is an open-world MMO for mobile. It looks cute!
Crimson Desert
Pearl Abyss describes this game as an “epic fantasy open world MMORPG.” Heading to PC and consoles, it apparently has a single player campaign with multiplayer elements. The game seems to be a prequel of sorts to Black Desert.
At the end of Pearl Abyss’s G-Star presentation, there was a message that read “See you at E3.”


"Cecilia was the first to go..." Virgin Suicides
By Ross Anthony
The provocative title "Virgin Suicides" connotes a rough edgy film shaded with dark humor and graphic violence - perhaps even sporting a grainy 16mm touch and feel to the projection on screen. But in reality, "Virgin Suicides" plays out more like the "growing up" stories of "Liberty Heights" or "October Sky" as it utilizes the suicides of five beautiful, blonde, teen sisters as the story's vehicle.
Rewinding to the 1970's, this suburban high school tale aspires to recreate the mystery, magic and agony of teendom.
Doctor to patient, "What are you doing here? You're not even old enough to know how bad life can get."
Suicidal teen, "Obviously doctor, you've never been a 13 year old girl."
Narrator Giovani Ribisi recounts the events that lead up to the final suicides, while simultaneously introducing us to the Lisbon sisters, his group of neighborhood boys, and the intersection thereof. Though the filmmakers' constantly seem to be telling this tale as some sort of cathartic therapy toward understanding the suicides and therefore, I don't know, comprehending life itself a little better; it unfortunately seems more of an insincere excuse to relate a rather interesting story. In fact, it isn't necessary that Ribisi needs to or even cares to know the WHY's. The fact is, the story itself is compelling enough. In this way, it's not unlike a bystander ogling a car-wreck for the inexplicable guttural attraction, then trying to excuse his interest as purely investigatory.
But that's just what I saw, here's what the director had to say, "It's about mortality and obsession and love. It isn't about romanticizing suicide. I never saw the Lisbon sisters or their acts as real and I don't think they were intended to be. The Lisbons are the figments of memory, these lovely mythical creatures of the imagination who are more beautiful than reality can ever be, so of course they cannot last."
Still, this is my review. The reasons for the suicides seem rather strongly implied if not plainly obvious. Personally, I'd rather have had them left mysterious. But as long as they weren't, any pursuit to their understanding by Ribisi seems insulting. A focus from the domineeringly oppressive parents' perspective, may have been a curious direction, though that would have been another project all together. James Woods is awesome, albeit a minor character, as the submissively bliss math teacher father; while Kathleen Turner (mom) rules the house with an iron-gate fist.
In the end, this is not really the edgy graphic picture you'd expect. It's a coming of age tale about boys and girls that never quite comes of age itself, but still makes an interesting story. Ribisi's narration generalizes the difference between the sexes, "We know that they knew everything about us, but we couldn't fathom them at all."
Debuting director Soffie Coppla (daughter of Francis Ford) shows great talent in portraing the moments. A family at home watching nature TV with the handsome young male guest, a bare foot on the coffee table, the uneasy parents. But this particular film, though compelling (even humorous) at times, doesn't quite fill out in the end.
Virgin Suicides. Copyright © 2000. Rated R. 97 minutes. Starring James Woods, Kathleen Turner, Kirsten Dunst, Josh Hartnett, Hanna Hall, Chelse Swain, A.J. Cook, Leslie Hayman, Michael Pare, Jonathon Tucker, Anthony DeSimone, and Noah Shebib. Written and Directed by Sophia Coppla. Based upon the novel by Jeffrey Eugenides. Produced by Francis Ford Coppola, Julie Costanzo, Dan Halsted at Paramount Classics/American Zoetrope/Muse/Eternity.
Grade..........................B -- Copyright © 2000. Ross Anthony, currently based in Los Angeles, has scripted and shot documentaries, music videos, and shorts in 35 countries across North America, Europe, Africa and Asia. For more reviews visit: http://RossAnthony.com
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


All functions
|
|
HDG_ranking()
|
Highly dropped-out gene selection |
|
Seurat_CCA_GeneLoading()
|
Wrapper around Seurat's CCA to extract gene loadings |
|
batch_separation()
|
Compute the batch separation metric |
|
combine_sces()
|
Combine several SingleCellExperiment objects |
|
corgi()
|
The user friendly version of corgi |
|
corgi_select_genes()
|
Select genes |
|
dhillon_emb()
|
The embedding as defined in Dhillon, Inderjit S. "Co-clustering documents and words using bipartite spectral graph partitioning." Proceedings of the seventh ACM SIGKDD international conference on Knowledge discovery and data mining. ACM, 2001. |
|
get_axes_legend()
|
Empty plot with just the axes and labels |
|
get_color_legend()
|
Legend for colors in a scatter plot |
|
get_compared_gene_sets()
|
Get compared gene sets |
|
get_membership_labels_from_set_list()
|
Convert a list of sets to a membership vector |
|
get_scatterplots()
|
Return a list of scatter plots |
|
get_shape_legend()
|
Legend for shapes in a scatter plot |
|
plot_dimensionality_reduction()
|
Wrapper around qplot for making cell scatter plots |
|
run_mapping_accuracy_comparison()
|
Run scmap over a range of parameters, over multiple gene sets |
|
run_par_fs()
|
The inner loop of corgi |
|
run_scmapCell()
|
Wrapper for scmap::scmapCell |
|
run_scmapCluster()
|
Wrapper for scmap::scmapCluster |
|
sample_cells()
|
Subsample cells random |
|
spearman_rho_mds()
|
Multidimensional scaling on Spearman rho correlation distance |
|
top_n_genes()
|
Return the top genes according to a named vector. |


| Home | Libraries | People | FAQ | More |
Copyright © 2009 Christian Schladetsch
Distributed under the Boost Software License, Version 1.0. (See accompanying file LICENSE_1_0.txt or copy at http://www.boost.org/LICENSE_1_0.txt)
Table of Contents
The Boost.Monotonic library provides storage, allocation and container types for use in high-performance and real-time applications. The source code is available in the boost SVN repository here.
The library provides a means for allocation to come from the BSS, stack, or the heap, or transparently from a combination of the BSS, stack and heap. Allocation is fast, because de-allocation does nothing [1] . As such, the amount of storage used by a monotonic allocator can only ever increase - hence the name of the library. A LIFO allocation model is also provided.
Allocation can be regionalised by application of user-supplied 'tag types' to specify a logical storage region. A second tag may be used to specify the access type for the region - which can be either global, guarded by a mutex, or using thread-local storage.
Boost.Monotonic is generally used where performace is a key concern, but there are many use-cases where use of this library provides new functionality [2] .
By making deallocation a no-op, allocation of memory resources is extremely fast. In general, the programmer is required to release storage used at an appropriate time, however local scoping systems are provided by the library for the most common use cases.
Features include:
Last revised: July 08, 2009 at 20:26:03 GMT |


Sara Jolene Beery
Democrat
Retired: attorney, Grand Junction municipal judge, Boulder County Court referee, administrative hearing officer Part time elections judge, early voting in Boulder County
B.A. degree, Wittenberg University, 1959 J.D. degree, University of Denver, 1968
80501
volunteer and donor to Democratic party and candidates in Colorado since 1970 Since Nov. 10, 2015, donor to campaigns: Michael Bennet; Andrew Romanoff; Sara Gideon; Pat Timmons-Goodson; Kate Schroder; Lizzie Fletcher; Abigail Spanberger; Emily's List candidates generally; ACLU; League of Women Voters; Human Rights Campaign; Gifford's PAC (gun control); One Colorado;
Home Owners Assoc. Board, Blue Vista subdivision; OUR Center, Longmont, (volunteer); ACLU Colorado; OLOC (Old Lesbians Organizing for Change); Advisory Board to Longmont Senior Center; Area Aging Council for Boulder County; Aging Services Foundation Board
Advocacy as member of groups listed above.
I believe that fair, bipartisan and proportional design of our voting districts, to provide each voter with an equivalence in voting power, is essential to democracy. Legislative districts should be as compact as possible, without inflating or deflating the proportions of voters by race, ethnicity, gender, political party, or other special interest.
My interest in redistricting is as an impartial citizen, not as a political advocate for any party or ideology. I have extensive experience as participant in decision-making bodies, such as Judicial District performance evaluation commission, and Colorado State Civil Rights Commission. Throughout my career I have emphacised the importance of giving all voices a chance to be heard, and reaching decisions which all members can support. In my work as a county court referee, administrative appeals officer, and Civil Rights Commissioner, it was important to be sure that all parties and decision-makers understood the issues and rationale involved in each decision; I believe that my ability to identify issues and explain them to others clearly was valued by my colleagues.
Skills as a legal advocate; experience as an adjudicator, hearing officer or referee; ability to assemble and evaluate data and apply analysis to them without preconceived opinion or desired outcome.
female


-byJK Rowling
The Eighth Tale in the Harry Potter Saga Being labelled as 'the boy who lived' for his whole life has not been easy for Harry Potter. In the official eighth instalment of the Harry Potter series penned in the form of a two-part stage production play, J. K. Rowling weaves yet another thrilling and magical yarn featuring the life of Harry Potter nineteen years later in the post-Voldemort wizarding world. A glimpse into the epic tale Harry Potter plays the role of a man finally living out the quiet, conventional lifestyle he always wanted to live as a Minister of Magic employee, who is a doting husband and father of three. Yet, he struggles to escape the haunting past, the demons of which continue to consume him. The play also features a grown up Albus Severus Potter following the footsteps of his legendary father and labouring to carry the burden of a family bequest and fortune he hadn't expected. As the past meets the present, the legendary father and son duo strive to come in terms with the darkness that lies within and overcome their inner demons. The Play The 'Harry Potter And The Cursed Child: The Play' airs for the first time at the London Palace Theatre on July 30th, 2016. The play is based on the book written by Jack Thorne in collaboration with J. K. Rowling and the book is scheduled to release on July 31st, 2016. On 10th February, 2016, it was declared that the scripts of both the parts of the play would be released in both digital and print formats. J. K. Rowling promises to take fans deeper into the recesses of Harry Potter's mind as the play showcases the life of Potter when he was an unwanted orphan.
It is available in Paperback form and can be ordered at our website.
About the author:
J .K. ROWLING J.K. Rowling is the author of the seven Harry Potter novels, which have sold over 450 million copies and have been translated into 79 languages, and three companion books originally published for charity. She is also the author of The Casual Vacancy, a novel for adults published in 2012, and, under the pseudonym of Robert Galbraith, is the author of the Cormoran Strike crime series. J.K. Rowling is making her screenwriting debut and is a producer on the film Fantastic Beasts and Where to Find Them, a further extension of the Wizarding World, due for release in November 2016. JOHN TIFFANY John Tiffany directed Once, for which he was the recipient of multiple awards both in the West End and on Broadway. As Associate Director of the Royal Court, his work includes The Twits, Hope and The Pass. He was the director of Let the Right One In for the National Theatre of Scotland, which transferred to the Royal Court, West End and St Ann's Warehouse. His other work for the National Theatre of Scotland includes Macbeth (also Broadway), Enquirer, The Missing, Peter Pan, The House of Bernarda Alba, Transform Caithness: Hunter, Be Near Me, Nobody Will Ever Forgive Us, The Bacchae, Black Watch, for which he won the Olivier and Critics' Circle Best Director Awards, Elizabeth Gordon Quinn and Home: Glasgow. Other recent credits include The Glass Menagerie at ART and on Broadway and The Ambassador at BAM. Tiffany was Associate Director of the National Theatre of Scotland from 2005 to 2012, and was a Radcliffe Fellow at Harvard University in the 2010-2011 academic year. JACK THORNE Jack Thorne writes for theatre, film, television and radio. His theatre credits include Hope and Let the Right One In, both directed by John Tiffany, The Solid Life of Sugar Water for the Graeae Theatre Company and the National Theatre, Bunny for the Edinburgh Fringe Festival, Stacy for the Trafalgar Studios, and 2nd May 1997 and When You Cure Me for the Bush. His adaptations include The Physicists for the Donmar Warehouse and Stuart: A Life Backwards for HighTide. On film his credits include War Book, A Long Way Down and The Scouting Book for Boys. For television his credits include The Last Panthers, Don't Take My Baby, This Is England, The Fades, Glue, Cast-Offs and National Treasure. He won BAFTAs in 2016 for Best Mini-Series (This Is England '90) and Best Single Drama (Don't Take My Baby), and in 2012 for Best Drama Series (The Fades) and Best Mini-Series (This Is England '88).


Mushrooms (P. cubensis), Ginseng, Ephedra, Guarana & Cannabis
Last week I gave a Psychedelic Party to celebrate my birthday and invited 7 close friends to take mushrooms with. I took 30 grams of fresh Thai Cubensis and a little (0,25 g I suppose) dried Copelandia leftovers.
These I prepared by cutting each mushroom in half and putting them one at a time in a blender with one kiwi and half a banana. With the fresh shrooms this worked very good, but the dried ones stayed quite intact and I had to chew them. To this potion I added a teaspoon of Ginseng, Guarana and Ephedra each.
I slowly sipped from it leaving each sip of potion in my mouth for a while, it tasted a lot better than just eating dried mushrooms. The shrooms came on quite quickly, I think the first effects came on after 30 minutes, this is about twice as fast as when I chew them. I didn't really mentally feel anything from the Ephedra and Guarana, but I was more physically active, I think.
The setting was informal, I was with good friends and my intention was just to have fun, no real psychonautic plans. Set was ok, I felt good, a little worried maybe about two girls for whom this was their first trip. What also bothered me a bit was that I had eaten a large meal that night, while I usually fast for at least 6 hours. This didn't result in any nausea, any negative body load at all, fortunately.
The trip was nice, not very strong visuals but the shroom euphoria and weirdness was definitely there. I always enjoy tripping very much but I usually feel I want to go deeper. This time was no exception, so after a couple hours I decided on smoking some weed to intensify things. I usually don't smoke while tripping because the only time I had previously done that, things had become quite weird.
I smoked even more this time, and 5 minutes after that I was propelled in a extreme intensity I had never experienced, the feeling of my previous Mushroom/Marijuana combo came back, but with much greater intensity. This feeling was a total disbelief in the existence of what I normally experience as reality.
I had the experience that everybody, including myself, moves in small, kind of spastic, robotic movements quickly followed by each other. This is very hard to explain, but very frustrating and kind of frightening to experience. Illustration: A friend of mine told me he was going home, and every word of his was followed by a one movement, moving his hand for 5 centimeters to the right, for example. These sudden movements, and then nothing, and then another movement seemed to happen every second, on equal intervals.
They seemed like a sort of dances, my role was to move or say something in the interval when he didn't and that was what the communication was all about. Meanwhile I realised that I had already experienced this conversation, but was unable to give any other answer or act any different than I felt I did that other time. I also didn't understand what he said, hearing only half sentences or something.
These very intense deja-vu's were accompanied by a loss of control of what I did, it wasn't my normal ego controlling my actions, but there certainly was an ego, and I recognised it as a part of me.
Worse than communicating with the outside world was going introspective, I experienced a state of consciousness I thought to be worse than death, in death there seemed peace and serenity, but I was currently being bombarded with the most extreme and unsettling thoughts and experiences.
There didn't seem to be any time passing, so I frequently thought I was stuck in this crazy state forever, and my thoughts were very frequently interrupted with sentences like 'If I ever get back to reality I will never take drugs again' and more depressed and suicidal thoughts, but although not believing in the existence of reality at all, I told myself to not do anything stupid, like wounding myself, my head was clear enough for these rational thoughts, fortunately.
I didn't really learn anything from the trip, the introspection was only extremely weird, therefore interesting, but not enlightening. I asked very deep questions to this other ego, but didn't get any sensible answers. This I contribute to the marijuana, mushrooms always have an aura of meaning around them, but I experience marijuana-induced hallucinations as being merely silly, no mystical entheogenic properties, although it is entheogenic in meditation, awaking my kundalini.
This trip happened last week, but I had forgotten almost everything, until last night.
I smoked a lot of weed at a party, and totally flashed back to the trip the week before. That flashback enabled my to write this detailed report, because I remembered and re-experienced a lot of it. And this morning when I woke up it was fresh in my mind. Because of the similarity to the 'real' trip, I will not discuss what I experienced last night but what I will go in to one thing that I think is extremely interesting.
The thing I experienced (in the sense that it really happened) last night had been experienced by me the week before too! So I had had a 'Préja-vú' then, I off course can't be a 100% sure because I had remembered very little of that trip, so it could be that I projected the 'real-life' experience of talking to a friend to a vision I had had during the trip last week.
More esoterically speaking, I now have this theory that the Cannabis/Mushroom combination might put me in a timeless dimension from which I can travel to previous trips and trips I will have in the future.
Being safe back in reality now, I quickly remember the experience as being extremely interesting, but I must not forget the terror accompanied by it, and I will not be using any drugs the coming weeks, especially high dose cannabis.
As a last remark I want to say that this combination also enables me to have very vivid memories of past experiences and that it's quite sensual at times. This combination resulted in my having very vivid images of previous sexual experiences, and having intense kundalini in first chakra and a erection as a result. Very much like to explore this particular aspect further, for obvious reasons ;-)
The lesson learned here is that people should not assume that Cannabis is very mild and fit for combination with a every psychedelic for this can produce very intense synergy in some people, like me.
I am not sure if the Homeopathy has any role in this but I recommend being easy on the psychedelics while using it. I'm on something to treat mild depression (platinum, for connaisseurs). It might have made me more sensitive.
This trip and it's flashback I consider my first real trips, I've had a 5 gr. Cubensis and Salvia 10x intense trip, but those were nothing compared to these. These trips have opened my mind to a more shamanistic approach to entheogens.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Labels are a core part of Bootstrap, we've just added some of our own colours.
We've created a set of labels featuring all of the NHS Brand colours. Just add the appropriate class, from the list on the left, to a span
which also has the label
class
This does mean that there are some duplicates, for example, .label-primary
is the same as .label-nhs-blue
label-nhs-blue
label-nhs-dark-green
label-nhs-green
label-nhs-light-green
label-nhs-aqua-green
label-nhs-aqua-blue
label-nhs-light-blue
label-nhs-dark-blue
label-nhs-purple
label-nhs-dark-pink
label-nhs-dark-red
label-nhs-red
label-nhs-orange
label-nhs-yellow
label-nhs-black
label-nhs-white


CEDA Archive Overview
Downloads
Deposits
Ingest state
View archive size
User database statistics
Uptime
Currently depositing
{{svg}}


| deleteAllVisibleCookies |
|
|
| open |
/vivo/ |
|
| assertTitle |
VIVO |
|
| clickAndWait |
link=Index |
|
| clickAndWait |
link=Faculty Member |
|
| assertTitle |
Faculty Member |
|
| clickAndWait |
link=Faculty, Jane |
|
| assertTitle |
Faculty, Jane |
|
| click |
//div[@id='wrapper-content']/ul/li[10] |
|
| verifyTextPresent |
clinical activities |
|
| verifyTextPresent |
Ape Health Program Founder 1993 - |
|
| verifyElementPresent |
link=Ape Health Program |
|
| verifyTextPresent |
Prototype New Ape Home Designer 1990 - 1991 |
|
| verifyElementPresent |
link=Prototype New Ape Home |
|
| verifyTextPresent |
principal investigator on |
|
| verifyTextPresent |
NIH VIVO Too 2010 - |
|
| verifyElementPresent |
link=NIH VIVO Too |
|
| verifyTextPresent |
co-principal investigator on |
|
| verifyTextPresent |
NIH VIVO 2009 - 2010 |
|
| verifyElementPresent |
link=NIH VIVO |
|
| verifyTextPresent |
VIVO Cornell Grant 2007 - 2009 |
|
| verifyElementPresent |
link=VIVO Cornell Grant |
|
| verifyTextPresent |
investigator on |
|
| verifyTextPresent |
VIVO Cornell Grant Too 2009 |
|
| verifyElementPresent |
link=VIVO Cornell Grant Too |
|
| verifyTextPresent |
other research activities |
|
| verifyTextPresent |
History of Apes in Africa Consultant 2010 - |
|
| verifyElementPresent |
link=History of Apes in Africa |
|
| verifyTextPresent |
Habitats for Apes Researcher 1980 - 1985 |
|
| verifyElementPresent |
link=Habitats for Apes |
|
| verifyTextPresent |
teaching activities |
|
| verifyTextPresent |
Ape World Planner 2009 |
|
| verifyElementPresent |
link=Ape World |
|
| verifyTextPresent |
Working with Primates Co-Instructor 2000 - 2005 |
|
| verifyElementPresent |
link=Working with Primates |
|
| verifyTextPresent |
Introduction to the Ape World Creator 2000 - 2001 |
|
| verifyElementPresent |
link=Introduction to the Ape World |
|
| verifyTextPresent |
attended |
|
| verifyTextPresent |
PoA Annual Conference 2000 - 2010 |
|
| verifyElementPresent |
link=PoA Annual Conference |
|
| clickAndWait |
link=Index |
|
| clickAndWait |
link=Librarian |
|
| assertTitle |
Librarian |
|
| clickAndWait |
link=Librarian, Lily |
|
| assertTitle |
Librarian, Lily |
|
| click |
//div[@id='wrapper-content']/ul/li[10] |
|
| verifyTextPresent |
head of |
|
| verifyTextPresent |
Reference Division Head Librarian 2009 - |
|
| verifyElementPresent |
link=Reference Division |
|
| verifyTextPresent |
member of |
|
| verifyTextPresent |
Amercian Library Association Member 1988 - |
|
| verifyElementPresent |
link=Amercian Library Association |
|
| verifyTextPresent |
presentations |
|
| verifyTextPresent |
invited talk |
|
| verifyTextPresent |
Animal Librarianship, Member of panel, USAIN Conference 2003 |
|
| verifyElementPresent |
link=Animal Librarianship |
|
| verifyTextPresent |
presentation |
|
| verifyTextPresent |
Researching Primates, Presenter 2009 |
|
| verifyElementPresent |
link=Researching Primates |
|
| verifyTextPresent |
professional service activities |
|
| verifyTextPresent |
Carroll College Consultant 2010 - |
|
| verifyElementPresent |
link=Carroll College |
|
| verifyTextPresent |
Primates of the World Board 2001 - 2003 |
|
| verifyElementPresent |
link=Primates of the World |
|
| verifyTextPresent |
outreach and community service |
|
| verifyTextPresent |
Librarians for the Better Treatment of Primates Chair 2009 - |
|
| verifyElementPresent |
link=Librarians for the Better Treatment of Primates |
|
| verifyTextPresent |
Show Me the Primates! Booth 2001 |
|
| verifyElementPresent |
link=Show Me the Primates! |
|
| clickAndWait |
link=Home |
|
| assertTitle |
VIVO |
|


Before Change
self.wt = wt
self.M = dist(xs, xt, metric=self.metric)
self.normalizeM(norm)
self.G = emd(ws, wt, self.M, max_iter)
self.computed = True
def interp(self, direction=1):
After Change
self.metric = metric
self.computed = False
def fit(self, xs, xt, ws=None, wt=None, norm=None, max_iter=100000):
Fit domain adaptation between samples is xs and xt
(with optional weights)
self.xs = xs
self.xt = xt
if wt is None:
wt = unif(xt.shape[0])
if ws is None:
ws = unif(xs.shape[0])
self.ws = ws
self.wt = wt
self.M = dist(xs, xt, metric=self.metric)
self.M = cost_normalization(self.M, norm)
self.G = emd(ws, wt, self.M, max_iter)
self.computed = True
def interp(self, direction=1):


Alexis' birthday is coming up! We hope you intend to come to our magical party for a most lovely friend. There will be 99 bottles of wine, a dozen in attendance, and if we're lucky, Dr. Bubbles (in special appearance)!
You know when to go out, you know when to stay in. Come to Schiller's this Thursday, and party like it's Berlin!
Starts promptly at


All verbs are regular. Verbs are usually ending with "u" but not all words ending with "u" are verbs. Maj has an unusually large number of verbs. Many verbs are related to nouns and adjectives. The only difference is the last letter.
Conjugation
Maj is a regular language. Maj verbs do not change root with gender, time, number or use-case. We use suffixes to establish verb conjugation. Particles can be used after the verb as a suffix or independent as a word.
Infinitive
The most basic form of a verb, without any inflection or suffix is called infinitive form:
- Ea vhzu una flora = I see a flower.
- Noi venu sh vhzu el flora= We came to see the flower.
- El gatse sonu siro = Boys are thirsty.
- Zhi dovu sh bebu algo = They must drink something.
| Conjugation | Particle | Example | Meaning |
| Present | oi | | Mh joku oi | I'm playing now |
| Past | pa | Mh joku pa | I have played |
| Future | va | Mh joku va | I will play |
| Conditional Present | ra | Mh joku ra | I would play |
| Negation | nu | Nu mh joku | I do not play |
Note: Verb conjugation is a little more complex than this but we need to present composite words before we continue with examples about verb conjugation. Read on ...
Conditional
An action that does not happen or will happen only if specific conditions are met is a conditional mood of the verb. We use the "ra" particle to create a conditional mood.
- Ea voru-ra el paca sh doru po imo = I wish the peace to last forever.
- Ea desa-ra para omi xete plu feza = I wish for all people more happiness.
- Ea sonu ia satso, ergo ea nu nesu moka = I'm already full, therefore I do not need food.
Imperative
The imperative mood is used to make a command or request to a second person or many other persons. To make imperative sentences, you must use a specific form of pronoun as a suffix to refer to the subject of action. This form of pronoun has only 2 letters.
| Person | Singular | IPA | Plural | IPA |
| 1 | -mh | /mə/ | -ne | /ne/ |
| 2 | -te | /te/ | -vh | /və/ |
| 3 | -se | /se/ | -zh | /zə/ |
- Xai mocu! = come on eat!
- Xai dicu-ne algo! = come on tell us something!
- Xei toa, macu-te! = hey you, walk!
- Xei tu, dicu-ne vi! = hey you, tell us why!
- Toa nu dicu-zh nada! = you don't tell them anything!
- Toa dovu sh nu vobu de nada! = you must not talk about anything!
Subjunctive
This is a mood of verbs frequently used in Maj to express what is imagined or possible or necessary. We use the particle "sh" that is read /sə/ and is translated in English as "to".
- Noi posu sh andu! = We can go!
- Ea posu sh mh lavu! = I can wash myself!
- Sua dovu sh se lavu! = He must wash himself!
- Sua zolu-ra sh se lavu! = He should have wash himself!
Interrogative
There are two rules for a proposition to become a question. First is to use an interrogative particle or an auxiliary verb. Second is to end the proposition with a question mark (?)
Interrogative verbs:
Most explicit interrogative sentences start with the pronoun "moa". The root word "ker" can be used to create a family of interrogative words:
- keru = ask/ asking
- kera = demand/ request
- kero = demanding
Interrogative particles:
Next words are interrogative particles or relative pronouns. We use these to create interrogative propositions or expressions. Most interrogative proposition will start with one of these words:
| Maj | English | Maj | English |
| kes | what | vic | which |
| kin | who | kum | how |
| ven | when | ure | where |
| vai | why | edh | whether |
| kyt | how much | kyte | how many |
|
Interrogative expressions:
Two words can create a new interrogation that may be covered with a single word in English. Maj enable complex questions using expressions similar to other Romance languages:
- de kin = from who?
- al kin = whose?
- po kes = for what?
- kyth = how much?
- kyte = how many?
Affirmative:
For affirmative responses we use three most significant words:
- da = yes
- vero = true
- kico = perhaps
Negative:
For negative response we use three most significant words:
- nu = no
- faso = false
- nixo = negative
Examples:
A: In this example we demonstrate negative responses
- Sonu vero kh toa sonu ivro? = Is it true that you are drunk?
- Nu; esta sonu faso! = No, this is false!
- Ea nu sonu ivro. = I'm not drunk.
- Ea sonu un piko dozo. = I'm a little dizzy.
B: In this example we demonstrate a positive response
- Sonu-toa xago? = Are you hungry?
- Xa, ea sonu moro de xaga! = Yes, I'm dead of hunger!
- Poi xai salu sh moku algo; = Then let's go out to eat something


--- layout: page title: Notes image: /assets/images/convexe1anime.gif ---
'The "best" way to find interesting configurations is to define a natural functional and show that extrema (exist and) are the objects sought after.'


Enter the characters that you wish to search for here. This can be a whole word or a part of a word. If you have performed a search before, then the words that you search on will be in this list.


The title of my blog comes from something that my children do in summer - jumping from trees. At the bottom of our section winds a sluggish estuarine river.  The branches of the tree tickle the surface of the rising flow of water before scooping up my kids. Screams and shouts erupt from the tree as wiry bodies leap with whole hearted abandon back into the river. Sometimes I feel like my children might do in this moment, with writing and researching. These activities are often a scramble that sometimes require a leap and often end in joy.
This website is a reflection on my journey as a primary health care researcher and as a doctor working in a kaupapa Māori health service. My blog posts reflect the tools that I have learnt in assisting me in my journey so far as well as research that I have done or found useful.


User Administration
Create User
First Name
Last Name
Roles
Actions
First Name
Last Name
Roles
Actions
×
Create User
Something went wrong.
First Name
Errors...
Last Name
Errors...
Email
Errors...
Create