GO
* 1/2 (out of 4) - a below average movie
Release Date: April 9, 1999 Starring: Katie Holmes, Sarah Polley, Jay Mohr, Scott Wolf, Desmond Askew, Taye Diggs, William Fichtner, Nathan Bexton Directed by: Doug Liman Distributed by: Sony Pictures Entertainment / TriStar Pictures MPAA Rating: R (strong drug content, sexuality, language, some violence) URL: http://www.execpc.com/~kinnopio/reviews/1999/go.htm
Filmmakers will use all manner of tricks to flesh out and brighten up a dull, dreary, and overused idea. Doug Liman (SWINGERS), director of the ultra-hip and severely dark comedy GO, is an example of just such a filmmaker. In his latest, he gives the viewers a raucous, neon-lit backdrop as cinematographer and points the audience down a drug-infested path of misadventure as director. But he fails to come up with any parallel structure in his multi-tiered movie and he fails to connect with the audience on any level, bringing the worth of his efforts to nil and the value of GO to about the same.
His movie is produced anthology-style -- telling the same story from multiple (three) points of view, much as an author might write a serial novel. Consistent with this ethic, Liman and screenwriter John August provide a bit of an overlap at the beginning of each narrative and insert brief connections to other narratives. The thread that laces the three stories together is a drug deal and the events thereafter. In story A we have checkout clerk Ronna (Sarah Polley) looking to score some rent money and turning to drug trafficking to do it; in story B we have regular drug dealer Simon (Desmond Askew) gone to Las Vegas giving Ronna her opportunity; and in story C we have gay soap actors Zack (Jay Mohr) and Adam (Scott Wolf) working undercover for the police to bust said drug deal.
Neither of the three stories have much substance, and the movie has the feel of a campfire story (albeit a rather strange one) that could be told in five to ten minutes. (In fact, the movie was originally a short film entitled X expanded to feature length.) The early April release date is too mistimed to capitalize on the movie's Christmas setting, and the Los Angeles/Las Vegas nightlife is something too far from the mainstream for most theater-goers to attach themselves to. The characters are shallow to the point of prerequisite, and performances from little-known players like Polley, Askew, and Taye Diggs don't help or hurt the roles. In fact, even bigger names like Mohr, Wolf, and Katie Holmes don't have enough time to make substantial success.
Although that's almost expected for lack of continuous screen time, the success in the picture should come from a thread that binds the stories. GO doesn't have this, and it suffers because of it. As far as teen movies are concerned, GO represents the absolute bottom, for its constant stream of indecipherable light and sound mean nothing without some sort of common theme. (The following do not count as common themes: drug deals, people attempting to have romantic interludes with drug dealers, people resorting to drug deals for alterior motives, or people not involved in drug deals stumbling into them.) At times, the humor in GO is sickly funny, and on a low night, almost watchable; but for the majority of its running time and for most viewers, this movie will best be left to teens at Blockbuster on a Saturday night.
all contents © 1999 Craig Roush
-- Craig Roush<EMAIL_ADDRESS>-- Kinnopio's Movie Reviews http://www.execpc.com/~kinnopio
The review above was posted to the
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simple twist of fate chords
Simple Twist Of Fate Digital Sheet Music by Bob Dylan | Sheet Music ...
Buy digital sheet music for Simple Twist Of Fate at Sheet Music Plus. By Bob Dylan. For piano, voice, and guitar (chords only). Folk; Rock. 7 pages. Published by .
http://www.sheetmusicplus.com/title/Simple-Twist-Of-Fate/19400800
Simple Twist Of Fate - Grateful Dead Lyric And Song Finder
And watched out for a simple twist of fate (note 2) . (2) Dylan sang "And forgot about that simple twist of fate." . Jerry Garcia Songbook (vocal line and chords) .
http://www.whitegum.com/songfile/SIMPLETW.HTM
Bob Dylan - Simple Twist Of Fate - Blood On The Tracks - Standard ...
Apr 17, 2009 . 966 - Simple Twist of Fate - Bob Dylan cover with chords and lyrics by George Possley 167 views · Thumbnail Bob Dylan - Tangled Up In Blue .
http://www.youtube.com/watch?v=w8Swmok6BSk
Instructions
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-
1
Bob Dylan - Simple Twist Of Fate (Live) Lyrics
Simple Twist Of Fate (Live) is performed by Bob Dylan - Get lyrics, music video & widget and read meanings of this song here.
http://www.lyricsmode.com/lyrics/b/bob_dylan/simple_twist_of_fate_live.htmlA Simple Twist of Fate: Bob Dylan and the Making of Blood on the ...
Consequently, since "A Simple Twist of Fate" the book focuses more on the musical part of the equation. Specifics on chords and what key the harmonica is in .
http://www.amazon.com/Simple-Twist-Fate-Making-Tracks/dp/0306814137 -
2
Simple Twist of Fate - DylanChords
Am 'Twas then he felt alone E B(ii) A A' and wished that he'd gone straight E B11 B11' E And watched out for a simple twist of fate. They walked along .
http://dylanchords.info/16_bott/simple_twist_of_fate.htmUkulele fun-no junk! - Guitar Tabs, Guitar Chords and Lyrics - Chordie
Guitar Tabs, Guitar Chords and Song Lyrics . Rave on (Buddy Holly) · Rawhide ( Blues Brothers) · Simple Twist Of Fate (Bob Dylan) · Sixteen Tons (Merle Travis) .
http://www.chordie.com/publicbooks.php?show=details&songid=254400 -
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3
The 30 Greatest Bob Dylan Songs: #17 "Simple Twist Of Fate ...
Apr 17, 2009 . That's how Bob Dylan introduces Simple Twist of Fate on 1979?s live . The first four chords are the same as the ones found in The Beatles' .
http://www.americansongwriter.com/2009/04/the-30-greatest-bob-dylan-songs-17-simple-twist-of-fate/ -
4
BOB DYLAN - 'SIMPLE TWIST OF FATE' Guitar chords
The best Bob Dylan Simple twist of fate chords found online. With video lesson and description. Accurate and free. Simple twist of fate guitar video lesson and .
http://www.guitartabsexplorer.com/dylan_bob-tabs/simple_twist_of_fate-crd.php
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1
References
Resources
- Photo Credit Justice image by MVit from weeds how to kill


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{% overextends "index.html" %} {% load i18n %} {% block index_banner %}
{% blocktrans %}This site publishes Access to Information requests and helps you to make your own!{% endblocktrans %}
{% endblock %} {% block sample_letter %}{% blocktrans %}Access to Information Request To: General Office of the Chief Executive's Office Dear Sir or Madam, I request information about the following: ...{% endblocktrans %} {% endblock %} {% block index_sub_left %}{% blocktrans %}Everyone has the right under the Code of Access to Information to ask for and receive access to information held by the Hong Kong government.{% endblocktrans %}
{% blocktrans %}Read more about the Code on Access to Information{% endblocktrans %}
{% blocktrans %}This site publishes Access to Information requests and replies so that others don't have to ask for the same information again, and replies (especially unfair dismissals) can be scrutinized by the public.{% endblocktrans %}
{% blocktrans %}Read more about the concept{% endblocktrans %}


Mushrooms - P. cubensis
I was with my boyfriend, my best guy friend, and another close friend of ours. All the guys took way more than I because they're experienced shroomers, but for me, it was my first time and decided to take a small dosage. It was 12:30 A.M. The taste was horrible, so I made myself a mushroom sandwich to camouflage the taste; it worked.
About 15-20 minutes later, I started to feel a floaty-drunken sensation; almost unexplanable. I knew I was tripping because the room started changing COLORS. We were listening to 'A Perfect Circle,' which made me feel at great ease. The sound of Maynard's voice was amazing. I felt the pounding of his words, which would soon turn to color, and soon that room would be that color. For the most part, the room was green with hints of yellow, and soon, I felt a relation to nature and the music.
As time went by, the drunken affect began to increase, and I hate being drunk, so soon I was worrying that I would get sick, but kept it to myself. At around 1:30 AM, we all walked over to the lake behind my best friends house and watched the sky and the trees around us. It was beautiful, but too silent. No one would speak at all, and my hearing was so powerful that silence sounded noisy. I felt so confused because I was with my four closest persons, yet I felt so alone. No laughter, no conversation, nothing.
Later, I asked my boyfriend to walk me back to the house because I had a sudden urge to go to the bathroom. When I finished using the bathroom, it seemed almost as if my boyfriend and I both started peeking at the same time. As we left the house, we both described it as if we were walking out of a black cave. And once we got outside, there are no words to describe how I felt! I looked at everything.  I told my boyfriend this and he said he saw it, too. It all seemed so fake, as if it were just a movie setting. Everything looked so little and plastic, and perfect, I began thinking about life in general. Then I started thinking that this life is all fake and temporary, like a movie. I looked at the skies and I realized there is sooo much out there; so many other worlds, and dimensions, and I felt so small.
The visuals were insane. The trees were expanding and the grass was moving in circular motions. All the lights of houses were passing me by as if I were on a ride. and then, I saw my best friends shirt. His shirt was amazing, the patterns on it were soo beautiful and vivid they were comming right at me! We all decided to go back to the house for A/C. But as we walked back, there was just so much movement and motion, and everything felt sooo fast I couldn't take it. I felt nausiated and threw up. I hated it because my friends were standing there watching me. I felt ashamed and I didn't want to ruin their trip, but they said it was ok. The dizziness decreased a little but the visuals were almost too intense.
When we walked in, my best friend put on Radiohead, and I love Radiohead but I really didn't want to listen to them at that very moment. All I heard from Thom Yorke was crying and wailing and sobbing! I couldn't take it so I went outside and sat on the porch. I was by myself now and I couldn't stop thinking about it. All I told myself was, 'Go! you're tripping, enjoy it!' But the visuals were so strong, I closed my eyes. Whoa! bad idea! it was even worse like that.  A lot of snakes and a lot of flowers and shapes. Whatever, I went back in and decided to just 'go with the flow,' and I did.
So for four hours we all just laid in the couch, without a single word spoken, and enjoyed the rest of Radiohead, Bjork, and Pink Floyd live. The best was absolutely Bjork. That musik is made for tripping. By the end of Bjork, my trip started to wear off but everyone still seemed to be tripping intensely. The funny thing is, whenever I would step into the bathroom, I'd feel as if I were tripping hard again, and when I'd step out, it would go away. So for a long time, I just chilled in the bathroom watching vines grow from the bathroom walls. When I came out, our friend was balancing a stack of glass cups on his knee. How he did it? We still ponder about it till this day. So by the time 6 AM came by, my boyfriend and I came back to our place and went to the lake behind our home. It was such a beautiful experience I will never forget. I will be doing it again soon, alone with my boyfriend this time though, and a bit more dosage. I kinda like feeling insane.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


The following is a basic instance of form manager. It contains a small collection of forms in the pane immediately below, and some of the (evented) attributes from the form-manager, detailing the state of the form set!


Serialized Form
serialVersionUID:<PHONE_NUMBER>456324913L
beanType
String beanType
propertyName
String propertyName
validatorKey
String validatorKey
value
Object value
children
InvalidValue[] children
validatorAttributes
Object[] validatorAttributes
message
String message
serialVersionUID:<PHONE_NUMBER>745730539L
list
List<E> list
serialVersionUID:<PHONE_NUMBER>322478077L
property
String property
ascending
boolean ascending
serialVersionUID: -6185355529565362494L
invalid
InvalidValue invalid
|
Package com.avaje.ebean.bean |
serialVersionUID: -8590644046907438579L
zeroHash
String zeroHash
pathHash
String pathHash
callStack
StackTraceElement[] callStack
serialVersionUID: -3664031775464862648L
beanLoaderIndex
int beanLoaderIndex
ebeanServerName
String ebeanServerName
owner
EntityBean owner
- The actual entity bean that 'owns' this intercept.
parentBean
Object parentBean
- The parent bean by relationship (1-1 or 1-M).
loaded
boolean loaded
- true if the bean properties have been loaded. false if it is a reference
bean (will lazy load etc).
disableLazyLoad
boolean disableLazyLoad
- Flag set to disable lazy loading - typically for SQL "report" type entity beans.
intercepting
boolean intercepting
- Set true when loaded or reference.
Used to bypass interception when created by user code.
state
int state
- The state of the Bean (DEFAULT,UDPATE,READONLY,SHARED).
useCache
boolean useCache
- set to true if the lazy loading should use the L2 cache.
oldValues
Object oldValues
- The bean as it was before it was modified. Null if no non-transient
setters have been called.
loadedProps
Set<E> loadedProps
- Used when a bean is partially filled.
changedProps
HashSet<E> changedProps
- Set of changed properties.
lazyLoadProperty
String lazyLoadProperty
serialVersionUID:<PHONE_NUMBER>650228996L
originQueryPoint
ObjectGraphOrigin originQueryPoint
- Identifies the origin.
path
String path
- The path relative to the root.
serialVersionUID:<PHONE_NUMBER>87968707L
callStack
CallStack callStack
key
String key
beanType
String beanType
|
Package com.avaje.ebean.common |
serialVersionUID:<PHONE_NUMBER>140187588L
state
int state
- The state (DEFAULT, READONLY or SHARED).
loaderIndex
int loaderIndex
ebeanServerName
String ebeanServerName
ownerBean
Object ownerBean
- The owning bean (used for lazy fetch).
propertyName
String propertyName
- The name of this property in the owning bean (used for lazy fetch).
finishedFetch
boolean finishedFetch
- Can be false when a background thread is used to continue the fetch the
rows. It will set this to true when it is finished. If no background
thread is used then this should already be true.
hasMoreRows
boolean hasMoreRows
- Flag set to true if rows are limited by firstRow maxRows and more rows
exist. For use by client to enable 'next' for paging.
modifyHolder
com.avaje.ebean.common.ModifyHolder<E> modifyHolder
modifyAddListening
boolean modifyAddListening
modifyRemoveListening
boolean modifyRemoveListening
modifyListening
boolean modifyListening
readResolve
Object readResolve()
throws ObjectStreamException
- Throws:
ObjectStreamException
writeReplace
Object writeReplace()
throws ObjectStreamException
- Throws:
ObjectStreamException
list
List<E> list
- The underlying List implementation.
readResolve
Object readResolve()
throws ObjectStreamException
- Throws:
ObjectStreamException
writeReplace
Object writeReplace()
throws ObjectStreamException
- Throws:
ObjectStreamException
map
Map<K,V> map
- The underlying map implementation.
readResolve
Object readResolve()
throws ObjectStreamException
- Throws:
ObjectStreamException
writeReplace
Object writeReplace()
throws ObjectStreamException
- Throws:
ObjectStreamException
set
Set<E> set
- The underlying Set implementation.
|
Package com.avaje.ebean.meta |
serialVersionUID: -6640406753257176803L
id
String id
origin
ObjectGraphOrigin origin
beanType
String beanType
counter
int counter
queryStats
List<E> queryStats
nodeUsageStats
List<E> nodeUsageStats
serialVersionUID:<PHONE_NUMBER>374844739L
path
String path
profileCount
int profileCount
profileUsedCount
int profileUsedCount
usedProperties
String[] usedProperties
serialVersionUID: -5517935732867671387L
path
String path
exeCount
int exeCount
totalBeanLoaded
int totalBeanLoaded
totalMicros
int totalMicros
serialVersionUID:<PHONE_NUMBER>889170215L
id
String id
beanType
String beanType
origin
ObjectGraphOrigin origin
- The profile query point (call stack and query).
tunedDetail
String tunedDetail
- The tuned query details with joins and properties.
profileCount
int profileCount
- The number of times profiling has been collected for this query point.
tunedCount
int tunedCount
- The number of queries tuned by this info.
lastTuneTime
long lastTuneTime
serialVersionUID: -8746524372894472583L
autofetchTuned
boolean autofetchTuned
beanType
String beanType
origQueryPlanHash
int origQueryPlanHash
- The original query plan hash (calculated prior to autofetch tuning).
finalQueryPlanHash
int finalQueryPlanHash
- The final query plan hash (calculated after to autofetch tuning).
sql
String sql
executionCount
int executionCount
totalLoadedBeans
int totalLoadedBeans
totalTimeMicros
int totalTimeMicros
collectionStart
long collectionStart
lastQueryTime
long lastQueryTime
avgTimeMicros
int avgTimeMicros
avgLoadedBeans
int avgLoadedBeans
|
Package com.avaje.ebean.text |
serialVersionUID:<PHONE_NUMBER>486033148L
|
Package com.avaje.ebean.validation.factory |
serialVersionUID:<PHONE_NUMBER>077565394L
localPattern
Pattern localPattern
Copyright © 2010. All Rights Reserved.


{{#copyright}} {{/copyright}}
Welcome to Montage. You are looking at the contents of the Welcome component, located at hello/ui/welcome.reel. Designed to accompany our Quick Start tutorial, this component is but a sample project meant to help kickstart your basic understanding of how to build and architect Montage applications. Step through the tutorial and you will learn how to assemble Montage components into a user interface, surface and synchronize data between objects and the user interface, and listen for and react to events.


--- layout: page use-site-title: false ---
I am an Assistant Professor in the Department of Computer Science and Computational Medicine Program at the University of North Carolina at Chapel Hill and lead the CompCy Lab. My research is broadly focused on 1) single-cell bioinformatics 2) computational and systems immunology, and 3) developing algorithms for representing and understanding graph-based data (many of these concepts are very appropriate for studying single-cell data!). As a postdoc, I particularly focused on how to relate single-cell mass cytometry data to external variables of interest (such as clinical outcome). This is a challenging problem, given the heterogenity and diverse amount of information contained across the hundreds of millions of cells collected in an individual single-cell experiment.
I completed training as a postdoc in computational and systems immunology at Stanford with Nima Aghaeepour from 2018-2020. Prior to joining Stanford, I finished my PhD in 2018 with Peter Mucha, where my research focused on graph partitioning.
Image Credit to Amy TsaiI am looking for students to work with me! If you are interested in single-cell bioinformatics, integrating multiple experimental modalities, analysis of graph-based data, systems immunology, and their intersection, please feel free to send me an email. Computational biology is a highly interdsciplinary field. Complementary perspectives and training backgrounds lead to exciting method developments and new questions. So, I am excited to welcome students from diverse backgrounds.
Email: natalies at cs.unc.edu


window.onresize / window.matchMedia
test
darkmode detect
use matchMeadia
darkmode
Theme
darkmode toggle
changed box color
changed box color


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This document was last updated on March 21, 2018


Text to Speech
A brief introduction to speech synthesis in Ubuntu and Python.
This article is about a python game which presents players with an anagram
and the player has guess the right word within a fixed number of attempts.
The number of attempts allowed depends on the length of the word. After each incorrect
attempt, user is provided with a hint to the actual word. In case the player is unable to
get the right word within the number of allowed attempts, the correct word is displayed
and the game continues.
The code discussed here is written on a Linux Mint 17.1 system using Python 2.7 as the scripting
language.
In almost all the Linux based systems there is a file located at directory location “/usr/share/dict/” under different names like “cracklib-small”(Ubuntu based systems),”words”(Redhat,Arch) which contains words from dictionary and are often used by many applications to implement features such as “spell-check”.
We just need to parse that file. This can be done as
loc=’/usr/share/dict/cracklib-small’
with open(loc) as f:
content=f.read().split(‘\n’)
f.close()
The file also words like zoo's, 2nd, 3rd which we do not want in our game. Also
to avoid making the game too easy I am skipping all the words with length less than 5.
All this is done as follows.
l=len(content)
words=[]
for i in range(0,l):
if ‘\” in content[i] or len(content[i])< 5:
continue
words.append(content[i])
Finally “words” contain all the words we need for the game to proceed.We can choose a specific word for a particular round of the game by:word=words[random.randint(0,d)]
A word would be randomly choosen from the list of words created. To create an anagram of
the word we need to shuffle its characters. This is done by:
shuffle=list(word)
random.shuffle(shuffle)
Now we need to set the number of tries. As this depends on the length of the word it can be
done using a simple if-else statement.
t1=random.randint(0,len(word))
t2=random.randint(0,len(word))
hint=””
for i in range(0,len(word)):
if i==t1 or i==t2:
hint=hint+word[i]
else:
hint=hint+”.”
print hint
If number of tries equals number of chances we display the correct word and the game
continues with a new word.
if tries==chances:
print “The answer was “+word
Special note:
os=platform.dist()[O]
if os==’LinuxMint’ or os==’Ubuntu’:
loc=’/usr/share/dict/cracklib-small’
else:
loc=’/usr/share/dict/words’
A full,working code for this artice can be found on Github.
A brief introduction to speech synthesis in Ubuntu and Python.
A simple python script to read out text from a PDF.


Doctor Zhivago's Appt. Request
Patient Name:
Patient Phone:
Patient Email:
Appointment Date
Appointment Time
And we are taking a Patient Poll ... this week ...
Do you Like Bob?
Submit
Make Me Mad!


--- layout: post title: Video Coverage of OOPSLA 2007, Montreal date: 2007-10-29 05:34:51.000000000 -06:00 type: post published: true status: publish categories: - Library tags: [] meta: _gcid: '36' _edit_last: '3110' _wp_page_template: default _bitly_trim: http://dddcommunity.org/?p=28 _dependencies: s:6:"a:0:{}"; _custom_background: a:5:{s:3:"url";s:0:"";s:16:"background-color";s:0:"";s:17:"background-repeat";s:6:"repeat";s:21:"background-attachment";s:6:"scroll";s:19:"background-position";s:8:"left top";} _intro_text: default _intro_custom_banner: a:1:{s:3:"url";s:0:"";} U_S_C_message: '' author: login: Vladimir Gitlevich email<EMAIL_ADDRESS>display_name: Vladimir Gitlevich first_name: Vladimir Gitlevich last_name: '' ---
Interviews |
| Rebecca Wirfs-Brock is one of those people who did DDD long before it was called that. She kindly agreed to be interviewed by Vladimir Gitlevich on behalf of domaindrivendesign.org. In this interview, Rebecca talks about DDD in relation with responsibility-driven design and OO modeling, integration of DDD with technical frameworks such as Hibernate. She also gives advice on telling design stories and explaining domain models. |
| Markus Völter works as an independent consultant and coach for software technology and engineering. He focuses on software architecture, middleware as well as model-driven software development. Markus is the author of several magazine articles, patterns and books and is a regular speaker at conferences world wide. He is also the founder and editor of Software Engineering Radio. In this interview Markus speaks with Vladimir Gitlevich about domain-specific languages, MDSD and gives us his take on how they fit with DDD. Watch interview here. |
Practitioner Reports |
| So We Thought We Knew Money
by Ying Hu and Sam Peng |
| IAnticorruption-A Domain-Driven Design Approach to More Robust Integration
by Sam Peng and Ying Hu |
| Agile Enterprise Software Development Using Domain-Driven Design and Test First
by Einar Landre, Harald Wesenberg and Jørn Ølmheim |
This BoF session was one of the highlights of the DDD activities of the conference. A number of related topics, such as domain-specific languages and behavior-driven development, were discussed, along with some core DDD themes such as ubiquitous language and strategic design.
We recorded the session, however in the interest of a more compact presentation (the session lasted for nearly two hours) instead of the full video we decided to publish the transcript supplemented with a few clips featuring Eric Evans, Martin Fowler and Dan North – just to breathe a little life into the text.
We hope you will enjoy it.
Vladimir Gitlevich
| Video clip: Eric Evans | Video clip: Martin Fowler | Video clip: Dan North |


I completed bachelor and master in urban planning at Hanyang University, South Korea. Currently, I am doing second masters program at Center for Urban Science and Progress, New York University. For future work, I would like to apply machine learning and computer vision to promote urban environment.
Park, K. and Lee, S. 2018. “Application and Validation of a Deep Learning Model to Predict the Walking Satisfaction on Street Level”, Journal of the Urban Design Institute of Korea, forthcoming. (in Korean, KCI)
Park, K., Lee, S., Lee, E. Y. and Choi, B. Y. 2017. “A study on the effects of individual and household characteristics and built environments on resident’s depression: focused on the community health survey 2013-2014 of Gyeonggi province in Korea”, Journal of Korea Planning Association, 52(3): 93-108. (in Korean, KCI)
Park, K., and Lee, S. 2017. “Analysis of the structural relationship between neighborhood environment, daily walking activity, and subjective health status in Seoul, Korea: application of path analysis model”, Journal of Korea Planning Association, 53(1):255-272. (in Korean, KCI)
Park, K. and Lee, S. 2017. “Analysis of walkability of street image using deep learning and Google street view API”, Proceeding at the Annual Conference of the Urban Design Institute of Korea, Mokpo National University, Sep. 4.
Park, K. and Lee, S. 2017. “Analysis of the structural relationship between neighborhood environment, daily walking activity, and subjective health status in Seoul, Korea: Application of path analysis model”, Proceeding at the Annual Conference of Korea Planning Association, Yonsei University, Apr. 29.
Park, K., Lee, S., Lee, E. Y. and Choi, B. Y. 2016. “A study on the effects of individual and household characteristics and built environments on resident’s depression”, Proceeding at the Annual Conference of Korean Regional Science Association, Sungshin University, Seoul, Korea, Nov. 25.
Park, K. and Lee, S. 2016. “Analysis of residential location determinants: Focused on 20-30s single household in subway station areas”, Presentation at the 2016 Seoul Research Contest using Public Data, Seoul City Hall, Nov. 16.
Lee, S., Park, C., Park, K. and Li, Y. 2016. “The impacts of anthropogenic heat sources on urban air temperature in Seoul, Korea. Proceeding at International Conference of Asia-Pacific Planning Societies(ICAPPS), Chinese Cultural University, Taipei, Taiwan. Aug. 25.
Park, K., Lee, S. and Park, J. I. 2016. “Analysis of status of vitalization within transit station influence areas: focused on subway stations in Seoul, Korea”, Proceeding at the Annual Conference of Korea Planning Association, University of Seoul, Apr. 30.
GPA: NaN
GPA: 4.00
GPA: 3.24
“Finding Happy Place in Seoul Using Social Media data and Textmining” Funded by Seoul Institute (Principal Investigator: Dr. Sugie Lee)
“Model Development for Promoting Spatial-Temporal Street Vitality Integrating Bigdata and Spatial Information Technology” Funded by National Research Foundation of Korea (Principal Investigator: Dr. Sugie Lee)
“A Study on the Impacts of Community Built Environment to Physical Activity and Health Status” Funded by Hanyang University (Principal Investigator: Dr. Sugie Lee)
“A Study on the Interaction between Social Capital and Physical Environment for Sustainable Urban Regeneration” Funded by National Research Foundation of Korea (Principal Investigator: Dr. Sugie Lee)
“Developing the Urban Thermal Environmental Planning and Design System for Adapting Climate Changes” Funded by Korea Agency for Infrastructure Technology Advancement (Principal Investigator: Dr. Kyu Shik Oh)
“A Study on the Impacts of Built Environment on Physical Activity, Obesity, and Cardiovascular Disease in Women Living in Socioeconomically Vulnerable Areas” Funded by National Research Foundation of Korea (Principal Investigator: Dr. Eun Young Lee)
“Creating City Trail and Walkable Health-Promoting Stair” Funded by Seoul Metropolitan Government (Principal Investigator: Dr. Sugie Lee)


Interactive visualization of effects, response functions and marginal effects for different kinds of regression models. In this version linear regression models, generalized linear models, generalized additive models and linear mixed-effects models are supported. Major features are the interactive approach and the handling of the effects of categorical covariates: if two or more factors are used as covariates every combination of the levels of each factor is treated separately. The automatic calculation of marginal effects and a number of possibilities to customize the graphical output are useful features as well.
| Version: | 0.3-1 |
| Depends: | R (≥ 3.0.0), rpanel (≥ 1.1-3), xtable |
| Suggests: | AER, gam, mgcv, nlme |
| Published: | 2015-04-23 |
| Author: | Martin Meermeyer |
| Maintainer: | Martin Meermeyer <m.meermeyer at gmail.com> |
| License: | GPL-2 |
| NeedsCompilation: | no |
| Citation: | LinRegInteractive citation info |
| In views: | Econometrics |
| CRAN checks: | LinRegInteractive results |
| Reference manual: | LinRegInteractive.pdf |
| Vignettes: |
Interactive Interpretation of Regression Models |
| Package source: | LinRegInteractive_0.3-1.tar.gz |
| Windows binaries: | r-devel: LinRegInteractive_0.3-1.zip, r-release: LinRegInteractive_0.3-1.zip, r-oldrel: LinRegInteractive_0.3-1.zip |
| OS X binaries: | r-release: not available, r-oldrel: LinRegInteractive_0.3-1.tgz |
| Old sources: | LinRegInteractive archive |
Please use the canonical form https://CRAN.R-project.org/package=LinRegInteractive to link to this page.


This is Wasted Tech. Couple of guys spitballin' and shootin' the breeze on tech, the interesting and life in general.
Listen to the latest (and greatest)
Whether your sippin' it along with a podcast or downing shots at the bar, whiskey is damn cool
The tablequiz revolution is upon us but its finger power, not brain power that's doing all the work
We discuss the pace of the tech race and the implications it has on our lives
We'd all be ripped, eating the nicest looking food and have a pool in the back garden?
Dropping phones and tablets, smashing laptop screens and failing hard drives...what do?
Is that a laptop that you're holding to your head or am I trippin'?


John Joon Young Chung, Hijung Valentina Shin, Haijun Xia, Li-Yi Wei, Rubaiat Habib Kazi
CHI 2021
Live streaming is gaining popularity across diverse application domains in recent years. A core part of the experience is streamer-viewer interaction, which has been mainly text-based. Recent systems explored extending viewer interaction to include visual elements with richer expression and increased engagement. However, understanding expressive visual inputs becomes challenging with many viewers, primarily due to the relative lack of structure in visual input. On the other hand, adding rigid structures can limit viewer interactions to narrow use cases or decrease the expressive-ness of viewer inputs. To facilitate the sensemaking of many visual inputs while retaining the expressiveness or versatility of viewer interactions, we introduce a visual input management framework (VIMF) and a system, VisPoll, that help streamers specify, aggregate, and visualize many visual inputs. A pilot evaluation indicated that VisPoll can expand the types of viewer interactions. Our framework provides insights for designing scalable and expressive visual communication for live streaming.


This is the fourth principle of object oriented programming. Abstraction is a concept related to polymorphism. Abstraction in programming means declaring the methods that will be defined in derived class. The idea of abstraction works well with large and complex projects, where class contains multiple methods that performs different tasks.
Another approach to this concept is saying that Abstraction works by establishing a level of complexity on which a person interacts with the system, suppressing the more complex details below the current level. The process of abstraction is the process to build a software model that presents solution for some task\s in real world. Abstraction is a process of building concept model of more complex system where we dont need to know how low level tasks are executed
Abstract Base Class
The abstract modifier indicates that the thing being modified has a missing or incomplete implementation. The abstract modifier can be used with classes, methods, properties, indexers, and events. Abstract classes are created to be a base class of other classes. User can not instantiate object and call abstract class method. Members marked as abstract, or included in an abstract class, must be implemented by classes that derive from the abstract class.
Lets take a look at example:
abstract class car { public abstract void move(); }
Here we create abstract class with one abstract method. This method must be public so it’s available for other classes.
abstract class car { public abstract void move(); } class audi : car { public override void move() { Console.WriteLine("moving"); } }
Method in child class must overwrite the abstract method and contain the body of the function. Noticed that abstract class contains only declaration of the method.
class audi : car { public override void move() { Console.WriteLine("moving"); } } static void Main(string[] args) { audi r8 = new audi(); car myNewCar = r8; myNewCar.move(); r8.move(); } }
We can now call our method from the instance of the child class. We can also create Object of type car, by coping the instance of subclass. Notice that we don’t instantiate object of abstract class.
This was the last topic of main principles of object oriented programming in C#. In the next article I’ll cover more complex topics. Use this knowledge to write better and more cleaner code. Posts about other principles of oop you can find in C# .NET category. Stay Awesome!


Image to rms
- Select the default terrain that shall be assigned to all colours of your image initially.
- Load an image of your choice. Ideally the image size is 101x101 pixels.
- Select below which terrain shall be used for which colour. Choose
NONE
to exclude tiles from the
generated rms code.
- Use the download buttons to get a standalone script or just the snippet for the terrains.
Download script as
or
Made by Siege Engineers. You can contribute
to this project on GitHub.


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This file should be ordered with the most recent entries at the top.
Before March 2014, notes on choices made and paths taken, to the extent they have been written, has been sent by email and thus don't exist as a collection in one place.
With my recent investigations of code analysis tools, I thought it might be a good idea to start collecting these in one place for the project.
Henrik<EMAIL_ADDRESS>23 Mar 2014
Pyflakes has proved robust and easy to work with, and has shown no false positives in the messages provided. It has been included in the form of a standalone management command, as well as a test suite test.
Vulture has been a disappointment. Given that the purpose of using it was to discover dead code, it was necessary to extend the Vulture class to also parse and process variables in template files, as these are points where reference back to object methods and object attributes can be made.
Unfortunately, once this extension was in place, it turned out that the amount of remaining false positives was unreasonably large, because Vulture fails to understand that the declarative style of Django models (from django.models.Model) and admin classes (from django.contrib.admin.ModelAdmin) doesn't in fact constitute unused class attributes.
Finally, it turns out that Vulture is really simpleminded about what constitutes usage. It has one set of global lists for used functions, used attributes, and used variables; any instance of overlapping function, method, variable, or attribute naming across modules will result in one instance of use in one module masking lack of usage in all other modules.
At the moment, it looks like it might be a better way forward to see if PyFlakes could be extended with some dead code capability, than to continue to pound on what seems to be a broken framework in Vulture.
PyLint has been excluded from futher consideration because it doesn't only parse the code, it also executes it, which comes with both a speed penalty and the possibility of triggering unwanted side effects of doing an analysis run.
PyChecker turned out to require much more fiddling than PyFlakes in order to do the right thing, but once it was made to run on the datatracker code, and ignore the django code, it didn't report anything that PyFlakes hadn't already caught.
Henrik<EMAIL_ADDRESS>23 Mar 2014


1983 was the year of the computer revolution in the movies. Computers were ubiquitous, even appearing as a deadly villain against Superman in the dreary "Superman III." The following year, it became an instrument of jealousy in a relationship in the sweet "Electric Dreams." "WarGames" is different though, since it is not really about computers in the general sense - it is about how much trust we put in computers, and how we may erroneously depend on them when it comes to the inevitable threat of nuclear war.
Matthew Broderick, in his pre-Ferris Bueller mode, stars as David Lightman, a teenage high school student with a fixation for his bedroom computer. His parents are unaware of his computer hacking methods, but they do know his school grades are suffering (he breaks into the school's computer and advances his grades to A's). One day, David unknowingly accesses the WOPR computer at the NORAD missile-defense system, which makes 24-hour decisions regarding the plight of a possible World War III.  Before you know it, the country is embroiled in a possible war with the Russians, but it is all orchestrated by the supercomputer - the question remains: Does the computer know it is only a game?
"WarGames" starts off with a thrilling prologue where we see the men who pull the switches for the silos preparing for an unforeseen attack. One of the men fails to operate the switch to launch the missile, afraid of killing millions of people. It turns out that the attack was a test but they did not know this - this sets up the rest of the film's theme about the paranoia centering on the threat of nuclear war. We also get lots of "Dr. Strangelove" scenes of Barry Corbin (best known for TV's "Northern Exposure") as General Beringer commingling with other advisers in front of giant computer screens showing several Russian missiles destroying U.S. military bases. The coup de resistance is seeing Dabney Coleman arguing with Beringer while John Wood shows up as Stephen Falken, a former scientist who created the WOPR, insisting that it is all a game.
"WarGames" is skillfully directed by John Badham ("Blue Thunder," "Stakeout") and the thrills and tension abound with restless unease. The threat of nuclear war seems real enough because it is all at the mercy of a computer, and that is what makes the film a thrillingly scary ride. "2001: A Space Odyssey" warned us of the dangers of computers in 1968 and "WarGames" tells us that it is no longer a warning - it is a very real possibility. Now in 1999, we are all dependent on computers for all our daily needs such as the Internet, banking, shopping, the arts, etc. I am using a computer right now to type this review, though they say writing improves greatly when first written on paper. The last straw, though, is to have a computer making life-threatening decisions for us.
One of the best scenes is when David tries to get the WOPR to play thermonuclear war. It asks: "Wouldn't you prefer a fine game of chess?" David says: "No, let's play global thermonuclear war." Its response: "Fine." That scene still keeps me horrified and tense probably because we also hear the computer talk with David's use of an electronic transmitter - the voice sounds properly inhuman and soulless.
"WarGames" may not be a great thriller nor is there much weight to certain characters, particularly the underdeveloped Stephen Falken role played by John Wood. Still, it has its share of surprises and thrills along the way, and its relatively simple theme - do not rely on anyone but yourselves in the event of a crisis - is as resonant today as it was in 1983.
For more reviews, check out JERRY AT THE MOVIES at http://buffs.moviething.com/buffs/faust/
E-mail me with any questions, concerns or complaints at<EMAIL_ADDRESS>or at<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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Contact Us General Information Name*: Phone : Email*: Web address : Sponsor a Turtle Pick a monthly amount and help save a turtle today $5 $10 $20 $50 $ Thank you! It's tax deductible. Select an area: Choose West Coast America North America West Coast South America East Coast North America East Coast South America Caribbean Pacific Islands Sign-up for the newsletter Sign-up for our newsletter e-newsletter print-newsletter Additional comments or questions: Type the characters you see in the picture below. Submit


Philadelphia plays Cleveland, seeks 4th straight home win
by The Associated PressCleveland Cavaliers (4-5, seventh in the Eastern Conference) vs. Philadelphia 76ers (6-3, fifth in the Eastern Conference)
Philadelphia; Tuesday, 7 p.m. EST
Philadelphia heads into a matchup with Cleveland after winning three straight home games.
Philadelphia finished 31-21 in Eastern Conference action and 31-10 at home in the 2018-19 season. The 76ers averaged 115.2 points per game last season, 21.2 on free throws and 32.5 from beyond the arc.
Cleveland went 19-63 overall and 6-35 on the road in the 2018-19 season. The Cavaliers shot 44.4% from the field and 35.5% from 3-point range last season.
The matchup Tuesday is the first meeting this season between the two teams.
76ers Injuries: Ben Simmons: day to day (shoulder), Shake Milton: out (knee), Al Horford: out (rest).
Cavaliers Injuries: Ante Zizic: out (foot), Dylan Windler: out (stress reaction), John Henson: out (hamstring).
___
The Associated Press created this story using technology provided by Data Skrive and data from Sportradar.


Simple website used for tests right now to test git-express
Check out these histiorical commits 6e246a6d and 7681ef4d
And dont forget these branches red and blue
absolute
relative


Here’s a short story I wrote some years ago for the Fourth of July. It is a fictional dialogue between a history teacher (father) and student (son) on what makes America… American.
With all the quotations from American poetry and politics, it’s a bit of a history lesson in itself. Plus, I think, it has a little interesting Platonic plot to it that makes it an American Myth in itself. It’s called “Still in the Shining Sea”
If you have the stomach for philosophy, you might enjoy it.
TL;DR summary:
America is defined by its English language, uniquely British laws, and vaguely Christian deism – all of which are consistent enough to undergird a diverse pluralism.
The American Myth is this: “The American Protagonist is a young Man or Boy who lives in a paradisaical State of Nature. This natural state is threatened by an unjust tyrant, and so our rebel-hero revolts in order to establish peace and freedom for the majority. God, or the gods, are within him, and through his superhuman strength and intelligence, he overthrows this unjust power, but he refuses to replace it with a similar power. He divides power amongst others and within himself. The story ends with the new power being either too weak to do its job, or else too strong, and thus in danger of starting the cycle over again. And through it all, there is a fear of the tyrant and desire to be free mixed with a desire to be lead and thus a hope for the rise a benevolent king in whom we can trust.”
Happy Independence Day!


class: center, middle, inverse, title-slide # ETC1010: Data Modelling and Computing ## Lecture 3B: Dates and Times ### Dr. Nicholas Tierney & Professor Di Cook ### EBS, Monash U. ### 2019-08-16 --- background-image: url(https://njtierney.updog.co/img/allison-horst-ggplot2-masterpiece.png) background-size: contain background-position: 50% 50% class: center, bottom, white --- class: bg-main5 .vvhuge[ Try drawing a mental model of last lecture's material on ggplot2 ] --- background-image: url(https://njtierney.updog.co/img/allison-horst-lubridate.png) background-size: contain background-position: 50% 50% class: center, bottom, white .right.purple.large[Art by Allison Horst] --- class: bg-main1 ## Overview .huge[ - Working with dates - Constructing graphics ] --- class: bg-main1 # Reminder re the assignment: .huge[ - Due 5pm **today** - Submit by one person in the assignment group - ED > assessments > upload your `Rmd`, and `html`, files. - **One per group** - **Remember to name your files as described in the submission** ] --- class: bg-main1 # The challenges of working with dates and times .huge[ - Conventional order of day, month, year is different across location - Australia: DD-MM-YYYY - America: MM-DD-YYYY - [ISO 8601](https://en.wikipedia.org/wiki/ISO_8601): YYYY-MM-DD ] --- background-image: url(https://imgs.xkcd.com/comics/iso_8601.png) background-size: contain background-position: 50% 50% class: center, bottom, white --- class: bg-main1 # The challenges of working with dates and times .huge[ - Number of units change: - Years do not have the same number of days (leap years) - Months have differing numbers of days. (January vs February vs September) - Not every minute has 60 seconds (leap seconds!) - Times are local, for us. Where are you? - Timezones!!! ] --- class: bg-main1 # The challenges of working with dates and times .huge[ - Representing time relative to it's type: - What day of the week is it? - Day of the month? - Week in the year? - Years start on different days (Monday, Sunday, ...) ] --- class: bg-main1 # The challenges of working with dates and times .huge[ - Representing time relative to it's type: - Months could be numbers or names. (1st month, January) - Days could be numbers of names. (1st day....Sunday? Monday?) - Days and Months have abbreviations. (Mon, Tue, Jan, Feb) ] --- class: bg-main1 # The challenges of working with dates and times .huge[ - Time can be relative: - How many days until we go on holidays? - How many working days? ] --- background-image: url(https://njtierney.updog.co/img/allison-horst-lubridate.png) background-size: contain background-position: 50% 50% class: center, bottom, white .right.purple.large[Art by Allison Horst] --- class: bg-main1 # Lubridate .left-code.huge[ - Simplifies date/time by helping you: - Parse values - Create new variables based on components like month, day, year - Do algebra on time ] .right-plot[  ] --- background-image: url(https://njtierney.updog.co/img/allison-horst-lubridate-ymd.png) background-size: contain background-position: 50% 50% class: center, bottom, white .right.purple.large[Art by Allison Horst] --- class: bg-main1 .vvvhuge[ Parsing dates & time zones using `ymd()` ] --- class: bg-main1 # `ymd()` can take a character input ```r ymd("20190810") ``` ``` ## [1] "2019-08-10" ``` --- class: bg-main1 # `ymd()` can also take other kinds of separators ```r ymd("2019-08-10") ``` ``` ## [1] "2019-08-10" ``` ```r ymd("2019/08/10") ``` ``` ## [1] "2019-08-10" ``` -- # yeah, wow, I was actually surprised this worked ```r ymd("??2019-.-08//10---") ``` ``` ## [1] "2019-08-10" ``` --- class: bg-main1 # Change the letters, change the output ```r mdy("10/15/2019") ``` ``` ## [1] "2019-10-15" ``` -- # `mdy()` expects month, day, year. -- # `dmy()` expects day, month, year. ```r dmy("10/08/2019") ``` ``` ## [1] "2019-08-10" ``` --- class: bg-main1 # Add a timezone .huge[ If you add a time zone, what changes? ] ```r ymd("2019-08-10", tz = "Australia/Melbourne") ``` ``` ## [1] "2019-08-10 AEST" ``` --- class: bg-main1 # What happens if you try to specify different time zones? .pull-left[ ```r ymd("2019-08-10", tz = "Africa/Abidjan") ``` ``` ## [1] "2019-08-10 GMT" ``` ```r ymd("2019-08-10", tz = "America/Los_Angeles") ``` ``` ## [1] "2019-08-10 PDT" ``` ] .pull-right.huge[ A list of acceptable time zones can be found [here](https://en.wikipedia.org/wiki/List_of_tz_database_time_zones) (google wiki timezone database) ] --- class: bg-main1 # Timezones another way: ```r today() ``` ``` ## [1] "2019-08-16" ``` -- ```r today(tz = "America/Los_Angeles") ``` ``` ## [1] "2019-08-15" ``` -- ```r now() ``` ``` ## [1] "2019-08-16 07:31:37 AEST" ``` -- ```r now(tz = "America/Los_Angeles") ``` ``` ## [1] "2019-08-15 14:31:37 PDT" ``` --- class: bg-main1 # date and time: `ymd_hms()` ```r ymd_hms("2019-08-10 10:05:30", tz = "Australia/Melbourne") ``` ``` ## [1] "2019-08-10 10:05:30 AEST" ``` ```r ymd_hms("2019-08-10 10:05:30", tz = "America/Los_Angeles") ``` ``` ## [1] "2019-08-10 10:05:30 PDT" ``` --- class: bg-main1 # Extracting temporal elements .huge[ - Very often we want to know what day of the week it is - Trends and patterns in data can be quite different depending on the type of day: - week day vs. weekend - weekday vs. holiday - regular saturday night vs. new years eve ] --- class: bg-main1 # Many ways of saying similar things .huge[ - Many ways to specify day of the week: - A number. Does 1 mean... Sunday, Monday or even Saturday??? - Or text or or abbreviated text. (Mon vs. Monday) ] --- class: bg-main1 # Many ways of saying similar things .huge[ - Talking with people we generally use day name: - Today is Friday, tomorrow is Saturday vs Today is 5 and tomorrow is 6. - But, doing data analysis on days might be useful to have it represented as a number: - e.g., Saturday - Thursday is 2 days (6 - 4) ] --- class: bg-main1 # The Many ways to say Monday (Pt 1) ```r wday("2019-08-12") ``` ``` ## [1] 2 ``` ```r wday("2019-08-12", label = TRUE) ``` ``` ## [1] Mon ## Levels: Sun < Mon < Tue < Wed < Thu < Fri < Sat ``` --- class: bg-main1 # The Many ways to say Monday (Pt 2) ```r wday("2019-08-12", label = TRUE, abbr = FALSE) ``` ``` ## [1] Monday ## Levels: Sunday < Monday < Tuesday < Wednesday < Thursday < Friday < Saturday ``` ```r wday("2019-08-12", label = TRUE, week_start = 1) ``` ``` ## [1] Mon ## Levels: Mon < Tue < Wed < Thu < Fri < Sat < Sun ``` --- class: bg-main1 # Similarly, we can extract what month the day is in. ```r month("2019-08-10") ``` ``` ## [1] 8 ``` ```r month("2019-08-10", label = TRUE) ``` ``` ## [1] Aug ## Levels: Jan < Feb < Mar < Apr < May < Jun < Jul < Aug < Sep < Oct < Nov < Dec ``` ```r month("2019-08-10", label = TRUE, abbr = FALSE) ``` ``` ## [1] August ## 12 Levels: January < February < March < April < May < June < July < ... < December ``` --- class: bg-main1 # Fiscally, it is useful to know what quarter the day is in. ```r quarter("2019-08-10") ``` ``` ## [1] 3 ``` ```r semester("2019-08-10") ``` ``` ## [1] 2 ``` --- class: bg-main1 # Similarly, we can select days within a year. ```r yday("2019-08-10") ``` ``` ## [1] 222 ``` --- # Our Turn: .huge[ - Open rstudio.cloud and check out Lecture 3B and follow along. ] --- class: bg-main1 ## Example: pedestrian sensor  --- class: bg-main1 # [Melbourne pedestrian sensor portal](http://www.pedestrian.melbourne.vic.gov.au/): .huge[ - Contains hourly counts of people walking around the city. - Extract records for 2018 for the sensor at Melbourne Central - Use lubridate to extract different temporal components, so we can study the pedestrian patterns at this location. ] --- class: bg-main1 ```r library(rwalkr) walk_all <- melb_walk_fast(year = 2018) library(dplyr) walk <- walk_all %>% filter(Sensor == "Melbourne Central") write_csv(walk, path = "data/walk_2018.csv") ``` ```r walk <- readr::read_csv("data/walk_2018.csv") walk ``` ``` ## # A tibble: 8,760 x 5 ## Sensor Date_Time Date Time Count ## <chr> <dttm> <date> <dbl> <dbl> ## 1 Melbourne Central 2017-12-31 13:00:00 2018-01-01 0 2996 ## 2 Melbourne Central 2017-12-31 14:00:00 2018-01-01 1 3481 ## 3 Melbourne Central 2017-12-31 15:00:00 2018-01-01 2 1721 ## 4 Melbourne Central 2017-12-31 16:00:00 2018-01-01 3 1056 ## 5 Melbourne Central 2017-12-31 17:00:00 2018-01-01 4 417 ## 6 Melbourne Central 2017-12-31 18:00:00 2018-01-01 5 222 ## 7 Melbourne Central 2017-12-31 19:00:00 2018-01-01 6 110 ## 8 Melbourne Central 2017-12-31 20:00:00 2018-01-01 7 180 ## 9 Melbourne Central 2017-12-31 21:00:00 2018-01-01 8 205 ## 10 Melbourne Central 2017-12-31 22:00:00 2018-01-01 9 326 ## # … with 8,750 more rows ``` --- class: bg-main1 # Let's think about the data structure. .left-code.vlarge[ - The basic time unit is hour of the day. - Date can be decomposed into - month - week day vs weekend - week of the year - day of the month - holiday or work day ] .right-plot[ ![](images/Time.png) ] --- class: bg-main1 # What format is walk in? ```r walk ``` ``` ## # A tibble: 8,760 x 5 ## Sensor Date_Time Date Time Count ## <chr> <dttm> <date> <dbl> <dbl> ## 1 Melbourne Central 2017-12-31 13:00:00 2018-01-01 0 2996 ## 2 Melbourne Central 2017-12-31 14:00:00 2018-01-01 1 3481 ## 3 Melbourne Central 2017-12-31 15:00:00 2018-01-01 2 1721 ## 4 Melbourne Central 2017-12-31 16:00:00 2018-01-01 3 1056 ## 5 Melbourne Central 2017-12-31 17:00:00 2018-01-01 4 417 ## 6 Melbourne Central 2017-12-31 18:00:00 2018-01-01 5 222 ## 7 Melbourne Central 2017-12-31 19:00:00 2018-01-01 6 110 ## 8 Melbourne Central 2017-12-31 20:00:00 2018-01-01 7 180 ## 9 Melbourne Central 2017-12-31 21:00:00 2018-01-01 8 205 ## 10 Melbourne Central 2017-12-31 22:00:00 2018-01-01 9 326 ## # … with 8,750 more rows ``` --- class: bg-main1 # Create variables with these different temporal components. ```r walk_tidy <- walk %>% mutate(month = month(Date, label = TRUE, abbr = TRUE), wday = wday(Date, label = TRUE, abbr = TRUE, week_start = 1)) walk_tidy ``` ``` ## # A tibble: 8,760 x 7 ## Sensor Date_Time Date Time Count month wday ## <chr> <dttm> <date> <dbl> <dbl> <ord> <ord> ## 1 Melbourne Central 2017-12-31 13:00:00 2018-01-01 0 2996 Jan Mon ## 2 Melbourne Central 2017-12-31 14:00:00 2018-01-01 1 3481 Jan Mon ## 3 Melbourne Central 2017-12-31 15:00:00 2018-01-01 2 1721 Jan Mon ## 4 Melbourne Central 2017-12-31 16:00:00 2018-01-01 3 1056 Jan Mon ## 5 Melbourne Central 2017-12-31 17:00:00 2018-01-01 4 417 Jan Mon ## 6 Melbourne Central 2017-12-31 18:00:00 2018-01-01 5 222 Jan Mon ## 7 Melbourne Central 2017-12-31 19:00:00 2018-01-01 6 110 Jan Mon ## 8 Melbourne Central 2017-12-31 20:00:00 2018-01-01 7 180 Jan Mon ## 9 Melbourne Central 2017-12-31 21:00:00 2018-01-01 8 205 Jan Mon ## 10 Melbourne Central 2017-12-31 22:00:00 2018-01-01 9 326 Jan Mon ## # … with 8,750 more rows ``` --- class: bg-main1 # Pedestrian count per month .left-code[ ```r ggplot(walk_tidy, aes(x = month, y = Count)) + geom_col() ``` ] .right-plot[  ] ??? - January has a very low count relative to the other months. Something can't be right with this number, because it is much lower than expected. - The remaining months have roughly the same counts. --- class: bg-main1 # Pedestrian count per weekday .left-code[ ```r ggplot(walk_tidy, aes(x = wday, y = Count)) + geom_col() ``` ] .right-plot[  ] ??? How would you describe the pattern? - Friday and Saturday tend to have a few more people walking around than other days. --- class: bg-main1 # What might be wrong with these interpretations? .huge[ - There might be a different number of days of the week over the year. - This means that simply summing the counts might lead to a misinterpretation of pedestrian patterns. - Similarly, months have different numbers of days. ] --- class: bg-main1 # Your Turn: Brainstorm with your table a solution, to answer these questions: .huge[ 1. Are pedestrian counts different depending on the month? 2. Are pedestrian counts different depending on the day of the week? ] --- class: bg-main1 # What are the number of pedestrians per day? ```r walk_day <- walk_tidy %>% group_by(Date) %>% summarise(day_count = sum(Count, na.rm = TRUE)) walk_day ``` ``` ## # A tibble: 365 x 2 ## Date day_count ## <date> <dbl> ## 1 2018-01-01 30832 ## 2 2018-01-02 26136 ## 3 2018-01-03 26567 ## 4 2018-01-04 26532 ## 5 2018-01-05 28203 ## 6 2018-01-06 20845 ## 7 2018-01-07 24052 ## 8 2018-01-08 26530 ## 9 2018-01-09 27116 ## 10 2018-01-10 28203 ## # … with 355 more rows ``` --- class: bg-main1 # What are the mean number of people per weekday? ```r walk_week_day <- walk_day %>% mutate(wday = wday(Date, label = TRUE, abbr = TRUE, week_start = 1)) %>% group_by(wday) %>% summarise(m = mean(day_count, na.rm = TRUE), s = sd(day_count, na.rm = TRUE)) walk_week_day ``` ``` ## # A tibble: 7 x 3 ## wday m s ## <ord> <dbl> <dbl> ## 1 Mon 25590. 8995. ## 2 Tue 26242. 8989. ## 3 Wed 27627. 9535. ## 4 Thu 27887. 8744. ## 5 Fri 31544. 10239. ## 6 Sat 30470. 9823. ## 7 Sun 25296. 9024. ``` --- class: bg-main1 ```r ggplot(walk_week_day) + geom_errorbar(aes(x = wday, ymin = m - s, ymax = m + s)) + ylim(c(0, 45000)) + labs(x = "Day of week", y = "Average number of predestrians") ```  --- class: bg-main1 # Distribution of counts .huge[ Side-by-side boxplots show the distribution of counts over different temporal elements. ] --- class: bg-main1 # Hour of the day ```r ggplot(walk_tidy, aes(x = as.factor(Time), y = Count)) + geom_boxplot() ```  --- class: bg-main1 # Day of the week ```r ggplot(walk_tidy, aes(x = wday, y = Count)) + geom_boxplot() ```  --- class: bg-main1 # Month ```r ggplot(walk_tidy, aes(x = month, y = Count)) + geom_boxplot() ```  --- class: bg-main1 # Time series plots: Lines show consecutive hours of the day. ```r ggplot(walk_tidy, aes(x = Time, y = Count, group = Date)) + geom_line() ```  --- class: bg-main1 # By month ```r ggplot(walk_tidy, aes(x = Time, y = Count, group = Date)) + geom_line() + facet_wrap( ~ month) ```  --- class: bg-main1 # By week day ```r ggplot(walk_tidy, aes(x = Time, y = Count, group = Date)) + geom_line() + facet_grid(month ~ wday) ```  --- class: bg-main1 # Calendar plots .left-code[ ```r library(sugrrants) walk_tidy_calendar <- frame_calendar(walk_tidy, x = Time, y = Count, date = Date, nrow = 4) p1 <- ggplot(walk_tidy_calendar, aes(x = .Time, y = .Count, group = Date)) + geom_line() prettify(p1) ``` ] .right-plot[  ] --- class: bg-main1 # Holidays .pull-left[ ```r library(tsibble) library(sugrrants) library(timeDate) vic_holidays <- holiday_aus(2018, state = "VIC") vic_holidays ``` ``` ## # A tibble: 12 x 2 ## holiday date ## <chr> <date> ## 1 New Year's Day 2018-01-01 ## 2 Australia Day 2018-01-26 ## 3 Labour Day 2018-03-12 ## 4 Good Friday 2018-03-30 ## 5 Easter Saturday 2018-03-31 ## 6 Easter Sunday 2018-04-01 ## 7 Easter Monday 2018-04-02 ## 8 ANZAC Day 2018-04-25 ## 9 Queen's Birthday 2018-06-11 ## 10 Melbourne Cup 2018-11-06 ## 11 Christmas Day 2018-12-25 ## 12 Boxing Day 2018-12-26 ``` ] pull-right[ ![](images/tsibble.png) ] --- class: bg-main1 # Holidays ```r walk_holiday <- walk_tidy %>% mutate(holiday = if_else(condition = Date %in% vic_holidays$date, true = "yes", false = "no")) %>% mutate(holiday = if_else(condition = wday %in% c("Sat", "Sun"), true = "yes", false = holiday)) walk_holiday ``` ``` ## # A tibble: 8,760 x 8 ## Sensor Date_Time Date Time Count month wday holiday ## <chr> <dttm> <date> <dbl> <dbl> <ord> <ord> <chr> ## 1 Melbourne Central 2017-12-31 13:00:00 2018-01-01 0 2996 Jan Mon yes ## 2 Melbourne Central 2017-12-31 14:00:00 2018-01-01 1 3481 Jan Mon yes ## 3 Melbourne Central 2017-12-31 15:00:00 2018-01-01 2 1721 Jan Mon yes ## 4 Melbourne Central 2017-12-31 16:00:00 2018-01-01 3 1056 Jan Mon yes ## 5 Melbourne Central 2017-12-31 17:00:00 2018-01-01 4 417 Jan Mon yes ## 6 Melbourne Central 2017-12-31 18:00:00 2018-01-01 5 222 Jan Mon yes ## 7 Melbourne Central 2017-12-31 19:00:00 2018-01-01 6 110 Jan Mon yes ## 8 Melbourne Central 2017-12-31 20:00:00 2018-01-01 7 180 Jan Mon yes ## 9 Melbourne Central 2017-12-31 21:00:00 2018-01-01 8 205 Jan Mon yes ## 10 Melbourne Central 2017-12-31 22:00:00 2018-01-01 9 326 Jan Mon yes ## # … with 8,750 more rows ``` --- class: bg-main1 # Holidays ```r walk_holiday_calendar <- frame_calendar(data = walk_holiday, x = Time, y = Count, date = Date, nrow = 6) p2 <- ggplot(walk_holiday_calendar, aes(x = .Time, y = .Count, group = Date, colour = holiday)) + geom_line() + scale_colour_brewer(palette = "Dark2") ``` --- class: bg-main1 # Holidays  --- # References .huge[ - suggrants - tsibble - lubridate - dplyr - timeDate - rwalkr ] --- # Your Turn: .huge[ - Do the lab exercises - Take the lab quiz - Use the rest of the lab time to coordinate with your group on the first assignment. ] --- ## Share and share alike
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.


AMQP Types¶
These tables summarize the various AMQP types and their Python API equivalents as used in the API.
Scalar Types¶
AMQP Type |
Proton C API Type |
Proton Python API Type |
Description |
|---|---|---|---|
null |
PN_NONE |
|
Indicates an empty value. |
boolean |
PN_BOOL |
|
Represents a true or false value. |
ubyte |
PN_UBYTE |
Integer in the range \(0\) to \(2^8 - 1\) inclusive. |
|
byte |
PN_BYTE |
Integer in the range \(-(2^7)\) to \(2^7 - 1\) inclusive. |
|
ushort |
PN_USHORT |
Integer in the range \(0\) to \(2^{16} - 1\) inclusive. |
|
short |
PN_SHORT |
Integer in the range \(-(2^{15})\) to \(2^{15} - 1\) inclusive. |
|
uint |
PN_UINT |
Integer in the range \(0\) to \(2^{32} - 1\) inclusive. |
|
int |
PN_INT |
Integer in the range \(-(2^{31})\) to \(2^{31} - 1\) inclusive. |
|
char |
PN_CHAR |
A single Unicode character. |
|
ulong |
PN_ULONG |
Integer in the range \(0\) to \(2^{64} - 1\) inclusive. |
|
long |
PN_LONG |
|
Integer in the range \(-(2^{63})\) to \(2^{63} - 1\) inclusive. |
timestamp |
PN_TIMESTAMP |
An absolute point in time with millisecond precision. |
|
float |
PN_FLOAT |
32-bit floating point number (IEEE 754-2008 binary32). |
|
double |
PN_DOUBLE |
|
64-bit floating point number (IEEE 754-2008 binary64). |
decimal32 |
PN_DECIMAL32 |
32-bit decimal number (IEEE 754-2008 decimal32). |
|
decimal64 |
PN_DECIMAL64 |
64-bit decimal number (IEEE 754-2008 decimal64). |
|
decimal128 |
PN_DECIMAL128 |
128-bit decimal number (IEEE 754-2008 decimal128). |
|
uuid |
PN_UUID |
|
A universally unique identifier as defined by RFC-4122 section 4.1.2. |
binary |
PN_BINARY |
|
A sequence of octets. |
string |
PN_STRING |
|
A sequence of Unicode characters. |
symbol |
PN_SYMBOL |
Symbolic values from a constrained domain. |
Compound Types¶
AMQP Type |
Proton C API Type |
Proton Python API Type |
Description |
|---|---|---|---|
array |
PN_ARRAY |
A sequence of values of a single type. |
|
list |
PN_LIST |
|
A sequence of polymorphic values. |
map |
PN_MAP |
|
A polymorphic mapping from distinct keys to values. |
Specialized Types¶
The following classes implement specialized or restricted types to help enforce type restrictions in the AMQP specification.
Proton Python API Type |
Description |
Where used in API |
|---|---|---|
A |
|
|
A |
||
A |
These types would typically be used where the the above attributes are set. They will silently convert strings to symbols, but will raise an error if a not-allowed type is used. For example:
>>> from proton import symbol, ulong, Message, AnnotationDict
>>> msg = Message()
>>> msg.annotations = AnnotationDict({'one':1, symbol('two'):2, ulong(3):'three'})
>>> msg.annotations
AnnotationDict({symbol('one'): 1, symbol('two'): 2, ulong(3): 'three'})
>>> m.instructions = AnnotationDict({'one':1, symbol('two'):2, ulong(3):'three', 4:'four'})
...
KeyError: "invalid non-symbol key: <class 'int'>: 4"
>>> m.instructions
>>>


Redirecting to the project codebase:
https://github.com/Project-MONAI/research-contributions/tree/master/UNETR/BTCV


The very basic relationship between HTML and CSS is that CSS makes the content you put on the page which is created using HTML look pretty. You use HTML to tell the browser wht to put on the page, what the headers will be, what wil be inside of the paragraphs, what images and links there will be. If you are making a birthday card for your friend then HTML is all the stuff you want to say in your card, such as "Happy Birthday!" and maybe a picture of some balloons. Without CSS, all the stuff you want to put in your birthday card is going to be clumped up together at the top of the first page. In image 1 you can see what this website's header bar would look like without any CSS.
CSS can make your birthday card look amazing! You can change the colour of your "Happy Birthday!" message, and put it on the inside not the outside. You can change the size of your images and you can add borders to the images too. CSS is what you use to tell the HTML (the content) what to look like.
Both the control flow and loops are elements of Javascript which is a coding language used to make webpages interactive rather than just something to look at (which is all HTML and CSS does). Thinking about it in terms of morning routines, the control flow is the flow of activities you perform to get ready for work:
Sometimes the control flow is interrupted. When you wake up you check the time and you are already late! Now your control flow is changed because you have to skip breakfast. If you woke up on time then you would follow the normal order of things.  Brushing your teeth and eating breakfast can both be described as loops, something that you do over and over until a condition is met.
DOM stands for Document Object Model and represents the page you are looking at when you have your browser open. The DOM thinks of everything on the page as a node or a child of a node. Every div, h1, or p element on the page is a child of a parent. Similar to a tree where every twig branches off, starting from the trunk. Because the DOM represents everything on a webpage we can use the DOM to access elements on the page.
Maybe there is an image on your page and when someone clicks on that image you want a box to pop up and show the image in full size. We can use the DOM to access that image and change the page when an event happens (clicking on the page).
If there is no DOM then there is no way that your javascript code can find the image and look for clicks on the image. HTML builds the DOM and the DOM allows Javascript to access the elements on the page.
Arrays and objects are both ways of storing data in Javascript, except that objects are more powerful. Data stored in an array can only be accessed by its index, array[index]. For example if we have this array and this object:
var myArray = [[0, "Hello"], [1,"World"]]; var myObject = { myName : "Francine", myHeight : 175, writeMyName : function () { console.log(this.myName); } }
To access "Hello" we would need to say: myArray[0][1], that is the 0th (first) array of myArray at the 1th (second) position. Objects can contain data in a similar way to an array but they can also contain their own variables with variable names. To access a variable inside of an object we can say either object.variableName or object["variableName"], "variableName" is the same as an index for an array. If we want to know what the 'myName' attribute of myObject is, we can say myObject.myName or myObject["myName"].
A function is a set of code you can call at any time. Maybe you want to print the first and last name of your students, "Bobby Jones" and "Sandy Helens". You could do it like this:
var students = [["Bobby", "Jones"], ["Sandy", "Helens"]]; var printMe = "First name: " + students[0][0] + " Last Name: " + students[0][1]; console.log(printMe); printMe = "First name: " + students[1][0] + " Last Name: " + students[1][1]; console.log(printMe);
But this is confusing, long and not extendable, what if you had 100 students? Why not just put the code into a loop?
var students = [["Bobby", "Jones"], ["Sandy", "Helens"]]; for(var i=0; i<students.length; i++){ console.log("First name: " + students[i][0] + " Last Name: " + students[i][1]); }
The problem with just putting it into a loop is that if we need to print their names anywhere else in our program, such as after editting their details, we have to write it all out again. An easier way of dealing with this is by making a method which takes a first and a last name and prints the message out.
function printFirstAndLastName (first, last){ console.log("First name: " + first + " Last Name: " + last); } var students = [["Bobby", "Jones"], ["Sandy", "Helens"]]; for(var i=0; i<students.length; i++){ printFirstAndLastName(students[i][0], students[i][1]); }
The other bonus about using methods, other than reducing lines of code is increasing readability. Using printFirstAndLastName(a, b) is clearer when reading through code than seeing console.log("First name: " + students[i][0] + " Last Name: " + students[i][1]); all over the place.


SoundJS: Basics and Best Practices
Synopsis: Play audio with best practices.
Topics: sound, play, best practices, basics
Target: SoundJS 0.5.2+
This tutorial is part of the SoundJS GitHub repository.
Check out the repository for more tutorials and a handful of helpful samples.
Intro
SoundJS is a JavaScript library that provides a simple API for playing sounds in a consistent cross-browser supported way. Sounds great doesn't it? But how do you actually make it work? And what are some good approaches to take? We explore these questions in this tutorial.
After reading this article, you should be able to play audio on a website on any desktop browser that supports audio in some form, using a single, easily maintained code base. The end result will be very similar to the "JustPlay" example in the SoundJS GitHub repository.
Basics
This tutorial assumes that you already have a basic grasp of html and javascript. We'll start with some best practices.
In all of our SoundJS examples you'll see that CSS is always loaded in the <HEAD>. This is so the page styles are loaded before the body content that is displayed to the user, so they never see un-styled content.
Conversely, all of our scripts are loaded at the bottom of the <BODY>. This is because JavaScript has a blocking behavior, preventing the display of any content following it until the script load has completed. Generally it is better to show a user something, then add functionality using JavaScript, rather then to make the user wait for everything to load first.
Initial Setup
After creating a new html document, the first thing we'll need to play audio is, not surprisingly, a link to the
SoundJS library. SoundJS is hosted on a CDN, so in the
HTML body we create a <SCRIPT> tag and set it's source to http://code.createjs.com/soundjs-0.5.2.min.js
.
Note that the SoundJS library is available globally under the "createjs" namespace. For example the primary
class "Sound" is accessed in code with createjs.Sound
.
Next, create an inline script that does the actual work of playing the sound. In general, it is a better practice to create an external JavaScript file and load it in the html. This gives the benefit of separating code into more maintainable chunks and allows browsers to cache the files for quicker loads if users revisit your site or visit different areas in your site that use the same script. However, for our purposes, it is easier to demonstrate how to play sound inline in the HTML file.
Inside this script, create an init
function, which will be called by adding an onload handler to the
<BODY> tag. The onload
callback will execute the init
function when everything
on the page has loaded. The body tag should look similar to the following:
Plugins
Once setup is complete, we can get directly to loading and playing sounds. It is important to know, however, that SoundJS uses a number of plugins to enable audio playback in different browsers. There are no additional steps to initialize the plugins, and the default plugin set (Web Audio and HTML Elements) will work in the majority of modern browsers. For this tutorial, the default plugin set will be fine.
Plugin selection will happen automatically the first time audio is preloaded or played, however if you need to
determine if audio will play before, that (to show a message for example), a handy method exists to
manually initialize the default plugins:
initializeDefaultPlugins()
can be called at any time.
Internal Preloading
It is a best practice to preload audio so it is ready for immediate playback. We have an excellent tutorial on preloading techniques, but for this example we'll only be using a basic internal preloading approach.
SoundJS accepts an array of objects that represent each audio instance, containing a src
property that is the URI of the audio file. These objects can have other properties, and we use an
id
property as a best practice, as it can make future interactions easier.
We store the relative path to our audio assets as a variable as a best practice, which allows us to make a single change when moving the files, rather than trying to track down every individual use. Another best practice is to include both an mp3 and ogg version of your audio to give the broadest playback support possible. SoundJS enables you to do this by adding a setting the alternateExtensions property. The code will look like this:
With our audio comfortably defined in a manifest, let's move on to loading the audio. SoundJS uses an
Event model, so we can add an event listener for the
fileload
event. It is a best practice to add this before we begin loading the audio to avoid a race
condition where audio can load from cache immediately. The second parameter of the listener is the function to
call back. Once this is ready, the audio load can be kicked off using the
registerManifest
method. Our deceptively simple and clean code should look like this:
Playback
Once audio has been registered (via loading), it can be played anywhere with the super simple
play()
method. It's worth noting that the handleLoad
call in the previous example will fire once for
each sound we load. This example shows how to immediately play audio once it is internally preloaded:
This is it, the last step when we finally make some noise! Open up the html file in a web browser, or using your favorite localhost tool. Hear the awesome? Great job! This is what the final code should look like:
Check out sample.html provided in this tutorial's directory.
Conclusion
This wraps up the tutorial on basics and best practices, which should give you a great start. The above example will not work on all mobile devices (phones and tablets), due to security requirements that require user input to play audio. This topic is the focus of the Mobile Safe tutorial. Good places to learn more are SoundJS are the online documentation and examples in GitHub.
Hope that helps!
Related Links
- Download CreateJS from the Adobe CDN.
- Get the latest SoundJS source code, including minified versions of SoundJS and FlashPlugin from GitHub.
- Read more about SoundJS in the online docs (also available in GitHub).
- Get involved in active community discussion.


WELCOME
AMAZING PEOPLE ARE MAKING AMAZING DESIGNS IN A FUN ENVIRONMENT
When you work with us, you are part of a team of commitef collaborators.All aspects of our software development process are integrated,interactive and agile.
Our approach unifies designs,development and product management to create exponential products.
We start each project by understanding your business goals,the user's needs and the product requirements
Then we help translate them into effective and elegant solutions.
Before we sign a contract or write a line of code our team will spend the necessarytime needed to understand your product vision
The outcome of this scoping session is proposal or high-level statement of work.
Based on your Requirements, we can provide acomplete offering or just the pieces you need.
DESIGN
Our design practice offers a full range of services including brand strategy, interaction and visual design and user experience testing.
Throughout your project, our designers create and implement visual design and workflows, solicit user feedback and work with you to make sure what gets built is what is needed.
DEVELOPMENT
All engineers are fluent in the latest enterprise, mobile and web development technologies.
They collaborate with your team to write, and improve code on a daily basis, using proven practices such as test-driven development and pair programming.
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Planning and development is iterative. Because we are constantly coding and testing, the products we build are always ready to go live.
This iterative process allows for changes as business requirements evolve.
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2019


System Architect Symbol details for "Access Group For Object"
Access Group For Object (Class)
- Description:
Describes the access an "Agent Access Group" has to an "Object".
- Examples:
For example, if a patient says to a GP, "Don't tell anyone about this but another doctor in the
practice".
Access Type (Class)
- Description:
"Level" specifying the extents to which access to information may be granted.
- Examples:
-
Examples which may be considered include:
Read only
Copy
Forward to others
Absolute.
Each level would be deemed to include all lower levels.
Agent Access Group (Class)
- Description:
Method of allowing one or more "Agents" to gain access to "Subjects" or information about them.
group (Association)
- From Class:
"Agent Access Group"
- To Class:
"Access Group For Object"
- From Class:
"Agent Access Group"
- To Class:
"Access Group For Object"
maximum access (Association)
- From Class:
"Access Type"
- To Class:
"Access Group For Object"
- From Class:
"Access Type"
- To Class:
"Access Group For Object"
object (Association)
- From Class:
Object
- To Class:
"Access Group For Object"
- From Class:
Object
- To Class:
"Access Group For Object"
Object (Class)
- Description:
Part of the perceivable or conceivable universe.
- Comment:
-
Previous documented definitions providing the source for the above are:
Something that exists (CBS v2).
- Definitions Used:
-
Identifier (Class Attribute)


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Abnormal T lymphocyte development induced by targeted overexpression of IkappaB alpha.
Abstract
A role in thymic maturation for factors of the NF-kappaB family has long been suspected, but not yet proven. Transgenic mice with a lymphocyte-specific defect in NF-kappaB activation were produced by targeted expression of human IkappaB alpha. The thymic cellularity of these mice was significantly decreased. The proportion of mature, TCRhigh thymocytes of the alphabeta lineage was reduced, and the remaining TCRhigh population contained an unusually high proportion of double-positive cells. This defect in maturation resulted in a transgene dose-dependent reduction in peripheral T lymphocytes, with the CD8 lineage being more severely affected. These data provide direct evidence for the involvement of NF-kappaB/Rel family proteins in late stages of T lymphocyte development, coincident with positive and negative selection.