[gecode-users] GecodeSupport-4-0-0-d-x86.lib
manel askri
askri.manel1 at gmail.com
Thu Jan 9 21:12:48 CET 2014
HI all
i have problem with compling a simple example like "magic-square" with my
windows 64 bits , i installed gecode 4.2.1 with Visual Studio 2010C++
I get this error whil compling : can't open the file
"GecodeSupport-4-2-1-D-x86.lib"
is there any solution for this problem
Thank You a lot for every thing
Manel
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| core.feature.motionsenseHRVdecode | index /home/a/CCdoc/CerebralCortex-DataAnalysis/core/feature/motionsenseHRVdecode/__init__.py |
Takes as input raw datastreams from motionsenseHRV and decodes them
to get the Accelerometer, Gyroscope, PPG, Sequence number timeseries.
Last of all it does timestamp correction on all the timeseries and saves them.
Algorithm::
Input:
Raw datastream of motionsenseHRV and motionsenseHRV+
Each DataPoint contains a 20 byte array that was transmitted to the mobile phone by the sensors itself
Steps:
1. Decode accelerometer,gyroscope,ppg and sequence number timeseries from the raw datastreams
2. Timestamp correction based on the sequence number timeseries
3. Store the timestamp corrected timeseries
Output:
motionsenseHRV decoded datastream. Each DataPoint sample contains a list of 9 values with the first 3
corresponding to accelerometer, next three corresponding to gyroscope and the last three are Red, Infrered,
Green channels of PPG
| Package Contents | ||||||
|


BATTLESHIP
Choose a game type
Standard
Classic Battleship with randomly placed ships
Custom
Choose any 5 ships and place them where you like. The computer will have the same 5 ships, randomly placed
Standard
Custom
Pick 5 Ships
Selected ships
X
X
X
X
X
Carrier
Battleship
Submarine
Cruiser
Destroyer
Build Fleet
Ships to place
Use 'WASD' keys to rotate pieces
Start game
BATTLESHIP
Human Board
AI Board
New Game
Show Stats
Enemy ships remaining
GAME LOG


[Deal] This Bestek 8-outlet surge protector is on sale for $20 on Amazon right now
by Jared PetersSurge protectors are boring, but completely necessary in tons of situations. Whether you’re trying to hook up everything to your home theater system or get your computer workstation sorted out, you’re very likely going to need more than just two outlets from the wall. Having something to protect them from surges and other damage is just icing on the cake.
They don’t have to be expensive, though. Right now Amazon is running a lightning deal on an 8-outlet surge protector from Bestek that knocks its price down to just $19.99. It offers 600 joules of protection, and even has four USB ports to directly connect things like phones and tablets without wasting an outlet on a charging adapter.

Bestek 8-outlet surge protector | $20 | Amazon


In Bangladesh natural gas is presently playing a very significant role in the economic development. The country so far has discovered 25 gas fields including 2 offshore ones. The total initial gas reserve in the 25 fields has been estimated at 20.63 Tcf. Daily productions from 80 wells out of 17 gas fields are about 1.83 Bcf(Source: Annual report,Petrobangla,2009 )
In Bangladesh natural gas is presently playing a very significant role in the economic development. The country so far has discovered 25 gas fields including 2 offshore ones. The total initial gas reserve in the 25 fields has been estimated at 20.63 Tcf. Daily productions from 80 wells out of 17 gas fields are about 1.83 Bcf(Source: Annual report,Petrobangla,2009 )
In Bangladesh natural gas is presently playing a very significant role in the economic development. The country so far has discovered 25 gas fields including 2 offshore ones. The total initial gas reserve in the 25 fields has been estimated at 20.63 Tcf. Daily productions from 80 wells out of 17 gas fields are about 1.83 Bcf(Source: Annual report,Petrobangla,2009 )
In Bangladesh natural gas is presently playing a very significant role in the economic development. The country so far has discovered 25 gas fields including 2 offshore ones. The total initial gas reserve in the 25 fields has been estimated at 20.63 Tcf. Daily productions from 80 wells out of 17 gas fields are about 1.83 Bcf(Source: Annual report,Petrobangla,2009 )
In Bangladesh natural gas is presently playing a very significant role in the economic development. The country so far has discovered 25 gas fields including 2 offshore ones. The total initial gas reserve in the 25 fields has been estimated at 20.63 Tcf.


Sign Counter!!!
Using a div element for displaying output
First Number:
Second Number:
Third Number:
Fourth Number:
Fifth Number:


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--- title: "Sponsorship" updated: 2015-12-15 13:09:00 layout: default group: sponsorship menu: main status: published ---
ISWC is the premier international forum for Intelligent Processing of Data on the Web. The conference will be attended by academics, industry professionals, and government agencies from around the world.
We are pleased to announce three levels of sponsorship: Silver, Gold and Platinum.
Custom-tailored sponsorships to better suit your needs can also be agreed on demand. Contact the sponsorship chairs for further details


II.4 Building Development Financing
Financing – Building Development (II.4.)
Like land development, this is a “beat the clock” game.
- The building developer must be ready to start construction immediately so the that the improvements can
be constructed and leased before the end of the construction loan.
- Some times building developers arrange a “mini-perm” with the construction lender which provides for an
automatic extension of the construction loan if needed.
- Alternatively, the building developer can negotiate a “take-out” with another lender who will guarantee to
pay off the construction lender (for a fee of course). The Building developer, the construction lender , and
the take-out lender enter into a tri-party agreement to document this understanding.
Building Pad acquisition can require equity and some debt.
- Equity capital is usually used for the acquisition of the building pad. The building pad becomes part
of the collateral for the construction mortgage.
- If debt capital is used to acquire the building pad, then this loan must be subordinated to the construction
loan so that the construction loan will have a first lien position.
Hard costs are usually financed with an accruing construction loan.
- The interest on the construction loan usually accrues during the construction and lease-up period so
the developer does not need to make out-of-pockets payment to the lender.
- However, this means that the developer must pay interest on interest. This is called compound interest and
it accelerates the increase in the outstanding loan balance.
Soft costs are usually financed with equity contributions.
- Most soft costs are not funded with the construction loan.
- Therefore equity contribution must cover these important expenditures.
Pre-leases create value.
- Who ever leases the building lease reduces the risk of the investment therefore increase the value of
the projected.
- A building that is 100% prelease to a credible tenant removes most of the market risk from the building
developer.
- Similarly, building that have significant pre-leasing, say 30-70% are considered mush less risky that
buildings that are started with out any leasing (‘all Spec”).
- Consequently, construction lenders will offer lower interest rates to preleased building development and
reduce the level of person guarantees and credit enhancements.
Building can be sold prior to completion, which would require hold backs.
- These situations have pre-sales agreements that provide for a purchase price that is funded in stages.
- Initial funding occurs at a particular level of construction.
- Subsequent funding that are based on leasing activities.
- Tenant improvements holdback for unleased spaces are funded when the lease for the space are
executed so the improvements can be built.
- Leasing commissions holdbacks for unleased space are funded when new leases are signed and the
tenant occupies the space.
- Economic earn-outs are usually passed on the level of rental income increase as value is created
during the lease-up period.
Build-to-suit opportunities.
- Space users who want to own and occupy their newly constructed building enter in to build-to-suit
agreements with the building developer.
- These may be special purpose-buildings like medical laboratories or manufacturing plants.
- These be headquarter building with special, expensive finishes and meeting facilities.
- The building developer’s risk is much lower in these situation so the sales price can be much lower, all
other things being equal.


{% set nav_bg_color = '' %} {% extends 'conftheme/2021/parts/base.html'%} {% block head %}
1st—4th December, 2021
Talks, community, initiatives and more!
From the website to staff, the conference is 100% volunteer-driven!
We are planning 30 talks and one day of community projects. To that end we'd be happy to put in a whole week of conference.
The conference has the aim of exploring the Flask community itself. It's an opportunity to see the whole landscape of Flask and get a peek at new, cutting edge features.
Meet folks!
The live Q&A and talk setup maximizes interaction time with speakers. Join the fun and make Flask friends with folks from all over the world!
A great panel!
{% if reviewer.bio %}
{{ reviewer.bio.replace('\n', '
') | safe }}
{% endif %}


Lesson 1: Algorithms with Turtle
I consider that Python is an excellent language to start programming, especially for kids. Usually, a Python course starts with algorithms, so I will use the library Turtle for this class since it is the best way to show what is an algorithm is for kids.
How to do:
Definition: An algorithm is a finite sequence of steps to generate a result.
Example 1: Draw a line
a = 2
print('my 1st line')
print(f'my {a}nd line')
Example 2: Change size of the line
a = 2
print('my 1st line')
print(f'my {a}nd line')
Example 3: Change colour of the line
a = 2
print('my 1st line')
print(f'my {a}nd line')
Example 4: Draw to lines
a = 2
print('my 1st line')
print(f'my {a}nd line')
Example 5: Draw a circle
a = 2
print('my 1st line')
print(f'my {a}nd line')
Example 6: Draw a dot
a = 2
print('my 1st line')
print(f'my {a}nd line')
Example 7: Change the Background colour
a = 2
print('my 1st line')
print(f'my {a}nd line')
Example 8: Change the title
a = 2
print('my 1st line')
print(f'my {a}nd line')
Example 9: Create and Start
a = 2
print('my 1st line')
print(f'my {a}nd line')
Example 10:
a = 2
print('my 1st line')
print(f'my {a}nd line')


Survey Form
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|
IAIK PKCS#11 Wrapper version 1.3 |
|||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: INNER | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
java.lang.Object | +--iaik.pkcs.pkcs11.wrapper.CK_INFO
class CK_INFO provides general information about Cryptoki.
PKCS#11 structure:
typedef struct CK_INFO { CK_VERSION cryptokiVersion; CK_UTF8CHAR manufacturerID[32]; CK_FLAGS flags; CK_UTF8CHAR libraryDescription[32]; CK_VERSION libraryVersion; } CK_INFO;
| Field Summary | |
CK_VERSION |
cryptokiVersion
PKCS#11: |
long |
flags
must be zero PKCS#11: |
char[] |
libraryDescription
must be blank padded - only the first 32 chars will be used |
CK_VERSION |
libraryVersion
PKCS#11: |
char[] |
manufacturerID
must be blank padded - only the first 32 chars will be used |
| Constructor Summary | |
CK_INFO()
|
| Method Summary | |
java.lang.String |
toString()
Returns the string representation of CK_INFO. |
| Methods inherited from class java.lang.Object |
clone, equals, finalize, getClass, hashCode, notify, notifyAll, wait, wait, wait |
| Field Detail |
public CK_VERSION cryptokiVersion
CK_VERSION cryptokiVersion;
public char[] manufacturerID
PKCS#11:
CK_UTF8CHAR manufacturerID[32];
public long flags
CK_FLAGS flags;
public char[] libraryDescription
PKCS#11:
public CK_VERSION libraryVersion
CK_VERSION libraryVersion;
| Constructor Detail |
public CK_INFO()
| Method Detail |
public java.lang.String toString()
toString
in class java.lang.Object
|
IAIK PKCS#11 Wrapper version 1.3 |
|||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: INNER | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |


Template from http://tools.ietf.org/html/rfc5395
DNS RRTYPE PARAMETER ALLOCATION TEMPLATE
When ready for formal consideration, this template is to be submitted
to IANA for processing by emailing the template to
dns-rrtype-applications&ietf.org.
A. Submission Date:
30, June 2009
B. Submission Type:
[X] New RRTYPE
[ ] Modification to existing RRTYPE
C. Contact Information for submitter:
Name: Wouter Wijngaards
Email Address: wouter&nlnetlabs.nl
International telephone number: +31 20 888 4551
Other contact handles: -
(Note: This information will be publicly posted.)
D. Motivation for the new RRTYPE application?
Please keep this part at a high level to inform the Expert and
reviewers about uses of the RRTYPE. Remember most reviewers
will be DNS experts that may have limited knowledge of your
application space.
A double linked list of names that contain specific DNSKEY data at
those names. The type is to be used by applications that maintain trust
anchors for DNS validators. The DNSKEY data is used to rollover trust
anchors to the current key. Therefore they must know the start and end
of the list, and be able to move forwards and backwards through the list.
E. Description of the proposed RR type.
This description can be provided in-line in the template, as an
attachment, or with a publicly available URL:
The RR is a data type, can be handled as an RFC3597 unknown record.
No additional section processing.
The rdata is two domain names, presentation format is the two
domain names, wireformat the two domain names in uncompressed form.
The type is used to link domain names.
TALINK _start_ _end_ for the list head and
TALINK _prev_ _next_ for linking the elements.
To end the list, the root label '.' is used to denote the endpoints.
Thus, the root can be the list head, but not a list element.
This is fine, saves space and is less complex than other solutions
for flagging list endpoints or an empty list.
F. What existing RRTYPE or RRTYPEs come closest to filling that
need and why are they unsatisfactory?
RP has two domain names but it means 'Responsible Person'.
MINFO has two domain names but means 'Machine Information'.
These types are compressed, which is nice.
The PTR type is the right concept, but has only one domain
name in its rdata, and I need two. If I use two PTRs then
the validator cannot distinguish the previous and next pointer,
because the ordering of RRs in an RRset is not fixed.
Another alternative is using PTR records at _start, _end, _prev and
_next prefixes for disambiguation. Prefixes limit the domains that
can be used because of the max domain name length. This is
the alternative I would consider if this application is denied.
G. What mnemonic is requested for the new RRTYPE (optional)?
Note: This can be left blank and the mnemonic decided after the
template is accepted.
TALINK (Trust Anchor LINK).
H. Does the requested RRTYPE make use of any existing IANA
Registry or require the creation of a new IANA sub-registry in
DNS Parameters?
If so, please indicate which registry is to be used or created.
If a new sub-registry is needed, specify the allocation policy
for it and its initial contents. Also include what the
modification procedures will be.
No.
I. Does the proposal require/expect any changes in DNS
servers/resolvers that prevent the new type from being
processed as an unknown RRTYPE (see [RFC3597])?
no changes.
J. Comments:
[expert note: the approval of this application was contemporary
with the draft http://tools.ietf.org/html/draft-wijngaards-dnsop-trust-history-02]
-


Before Change
Our run_epoch is a bit different, because we"re wrapping the model forward
call with model.train_batch, which arranges tensors and gets loss, etc.
print(f"Rank {rank} worker: Running epoch //{epoch} for {stage}")
timer = time_utils.StageTimer()
report_metric = stage != Stage.TRAIN or self.config.report_train_metrics
for batch_id, batch in enumerate(batches):
pre_batch()
After Change
for batch_id, batch in enumerate(batches):
pre_batch()
with time_utils.time("model.train_batch"):
loss, metric_data = model.train_batch(batch)
with time_utils.time("backprop"):
backprop(loss)
if report_metric:
with time_utils.time("add metrics"):
metric_reporter.add_batch_stats(
batch_id, *metric_data, **metric_reporter.batch_context(batch)
)
metrics = None
if report_metric:
with time_utils.time("report metrics"):
metrics = metric_reporter.report_metric(
stage, epoch, print_to_channels=(rank == 0)
)
else:
metric_reporter._reset()
return metrics


Instructions:
- Fill this form with the patient's SAB panels MFI values for the donor's HLA alleles, per locus.
- If a donor's HLA allele is present in more than one bead, choose its lowest MFI value.
- If all donor's HLA alleles from a specific locus are not tested, leave its field blank.
Result: ?
Score: ?
The result is more reliable if:
- The donor's HLA typing is complete and in high resolution (preferably w/o conversion).
- The SAB panels are the ones with the highest MFI values for the donor's HLA alleles.
- The score is closer to 0, when the result is negative, or to 1, when it is positive.
IMPORTANT:
This service is designed for research purposes only. It is not intended for making clinical decisions.


Write your description here.
Start the description with a verb in 3rd person singular, like reports, detects, highlights.
In the first sentence, briefly explain what exactly the inspection helps you detect.
Make sure the sentence is not very long and complicated.
The first sentence must be in a dedicated paragraph separated from the rest of the text. This will make the description
easier to read.
Make sure the description doesn’t just repeat the inspection title.
See https://jetbrains.design/intellij/text/inspections/#descriptions for more information.
Text after this comment will only be shown in the settings of the inspection.


Kemono Friends Opening - Youkoso to Japaripark! Thank for JScii from https://github.com/EnotionZ/jscii


WITNESS LIST Agriculture & Livestock Committee April 29, 1997-8:00A SB 1465 On: Beals, Dr. Terry (TX Animal Health Commis)


Contrary to popular belief, Lorem Ipsum is not simply random text. It has roots in a piece of classical Latin literature from 45 BC
The standard chunk of Lorem Ipsum used since the 1500s is reproduced below for those interested. Sections 1.10.32 and 1.10.33
order received
total sales
total profit
Proper sell monitoring through the world map to plan for the next marketing attempt
Sr. Marketing Executive


[92]
Our World in Data. Data on CO2 and Greenhouse Gas Emissions by Our World in Data.
https://github.com/owid/co2-data
. Accessed 07/12/23.https://github.com/owid/co2-data
. Accessed 07/12/23.


Student Form
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Click on a column to add a circle in the bottom.
Connect four circles of the same color to win the game(THE GAME. You lose).
The line can be in whichever direction you want (vertical, horizontal and diagonal)
Good Luck!


You will be able to watch the live stream right here,
the stream will start automatically at the scheduled time.
Re-watch recordings of previous streams anytime, by clicking the "Replays" button:
You can ask questions and chat with folks on our Matrix channel:


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{% endfor %}{{ food.food_name }}
Rate: {{ food.food_rate}}
{% endfor %}{{ food.food_name }}
Rate: {{ food.food_rate}}
{% endfor %}{{ food.food_name }}
Rate: {{ food.food_rate}}
{% endfor %}{{ comment.comment_text}}
{% endfor %}


SNOW FALLING ON CEDARS (Universal) Starring: Ethan Hawke, Youki Kudoh, Rick Yune, Max von Sydow, James Rebhorn, James Cromwell. Screenplay: Ron Bass and Scott Hicks, based on the novel by David Guterson. Producers: Frank Marshall & Kathleen Kennedy and Ron Bass & Harry J. Ufland. Director: Scott Hicks. MPAA Rating: PG-13 (sexual situations, adult themes, violence, profanity) Running Time: 127 minutes. Reviewed by Scott Renshaw.
Several months ago, upon hearing that David Guterson's much-respected novel _Snow Falling on Cedars_ was being turned into a film, I made my usual effort to familiarize myself with the source material. After approximately 90 pages, I did something I almost never do: I surrendered. The grinding pacing of the story -- which, at the point I lost interest, had consisted almost entirely of a court proceeding -- did absolutely nothing to motivate persistence. Whatever intriguing themes might have been contained in Guterson's tale would never be known to me thanks to a narrative decision I considered crippling: waiting far too long to get to the point.
This background is offered to make it clear that my ambivalence towards Scott Hicks' SNOW FALLING ON CEDARS has nothing to do with affection for the source material. It also sets up the problem with the film, which is the same problem I had with the novel. The story begins in 1950, in a fishing village on an island off the coast of Washington state. A murder trial is beginning, in which Japanese-American fisherman Kazuo Miyamoto (Rick Yune) is accused of killing another fisherman with whom there was a history of family dispute. Reporter Ishmael Chambers (Ethan Hawke) is covering the trial, but his interest is more than merely journalistic. In flashback, we learn of Ishmael's youthful romance with Hatsue (Youki Kudo), who will become Kazuo's wife. Their love affair is thrown into turmoil, by the "relocation" of Japanese-Americans during World War II, an act of discrimination the implications of which carry into Kazuo's trial.
It's not the first time the screen has seen a story of lovers separated by the Japanese-American internment camps (Alan Parker fumbled the similarly-themed COME SEE THE PARADISE), but that doesn't mean it's not an important story to tell. In fact, SNOW FALLING ON CEDARS has an angle on the often-didactic issue of racism that makes it potentially compelling. Ishmael faces a moral choice when he discovers information that could exonerate Kazuo, a choice complicated by his own feelings of hatred. Those feelings, however, are not some easily dismissable bigotry. Instead, they're a churning mixture of Ishmael's tangled feelings about his father (Sam Shepard), a controversial liberal publisher; about the loss of an arm in the war; and about his lingering obsession/revulsion towards Hatsue. While the prosecutor in Kazuo's case (James Rebhorn) engages in none-too-subtle race-baiting, Ishmael's own brand of less overt racism makes it harder to watch with smug superiority.
Unfortunately, by the time it's clear how Hicks and co-screenwriter Ron Bass are trying to personalize the murky matter of racism, the film is almost over. That leaves a film with two glaring flaws. The first is Ethan Hawke's performance as Ishmael, which is so blank that the role might just as easily have been played by a cardboard cutout. Hicks does a nice job with Ishmael and Hatsue's secretive adolescent trysts inside a hollow tree, but he doesn't do much to help us understand Ishmael's longing. Hawke plays most of his scenes with a thousand-yard stare we're expected to interpret as a combination of introspection and repressed emotion, while it could just as easily be interpreted as trying to remember where he left his car keys. By the time Hicks tries to crank up the drama by cranking up James Newton Howard's score during a wildly overwrought sequence involving Hatsue's "Dear John" letter, it's too late to give the relationship the sense of consequence it demands.
The second problem is the directorial self-indulgence exemplified by that "Dear John" sequence, which shows up at every possible wrong time. There are quiet moments in SNOW FALLING ON CEDARS when the mournfully personal manages to escape -- Kazuo and Hatsue sharing a wedding night in the internment camp separated from her family only by a curtain, or the always-segregated school bus suddenly missing its Japanese-American passengers. Too often, however, Hicks either ladles on the symbolism (Hatsue in a convoy to the internment camps reminiscent of her parade as the town's "Strawberry Princess") or lets speeches tell his story (fixing on a close-up of Max von Sydow as Kazuo's defense attorney, summing up for the jury how "humanity itself is on trial"). There's too much film-making business going on for too long, and too little of the human story that should intensify the historical story. I didn't surrender on the film version of SNOW FALLING ON CEDARS. I merely walked out unsatisfied, wondering why the story, like bad journalism, had to bury the lead.
On the Renshaw scale of 0 to 10 snow dazes: 5.
Visit Scott Renshaw's Screening Room http://www.inconnect.com/~renshaw/ *** Subscribe to receive new reviews directly by email! See the Screening Room for details, or reply to this message with subject "Subscribe".
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
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belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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Related links: index of all rec.arts.movies.reviews reviews


--- layout: post status: publish published: true title: MSMQC Adapter Woes author: display_name: Tomas Restrepo login: tomasr email<EMAIL_ADDRESS>url: http://winterdom.com/ author_login: tomasr author_email<EMAIL_ADDRESS>author_url: http://winterdom.com/ wordpress_id: 703 wordpress_url: http://winterdom.com/2005/04/msmqcadapterwoes date: '2005-04-26 16:11:32 +0000' date_gmt: '2005-04-26 16:11:32 +0000' categories: - BizTalk tags: [] comments: [] ---
A couple months ago I was testing the MSMQ(C) adapter for BizTalk Server 2004 for a proof of concept I was working on. While overall it worked fine, I did run into a couple of problems with it which I cannot explain fully yet.
As I wrote in a newsgroup post some time ago, I was never able to actually get the adapter to send messages to transactional queues. Non-transactional queues worked fine, as well as receiving messages from a transactional queue, but not the other way around. Here's what I posted at that time:
Has anyone else noticed a problem with sending messages using the recently
released MSMQ adapter to transactional queues?
I've been trying to do it on my machine, and receiving works just fine, but
trying to send messages to a transactional queue keeps failing with the
following entry in the event log:
Event Type: Warning
Event Source: BizTalk Server 2004
Event Category: BizTalk Server 2004
Event ID: 5743
Date: 3/10/2005
Time: 6:23:43 PM
User: N/A
Computer: C-TRESTREPO
Description:
The adapter failed to transmit message going to send port
"FORMATNAME:DIRECT=OS:.\PRIVATE$\ALMACEN1". It will be retransmitted after
the retry interval specified for this Send Port. Details:"No such interface
supported".
For more information, see Help and Support Center at
http://go.microsoft.com/fwlink/events.asp.
Sending messages to non transactional queues works fine, though....
Any clues?
I tried this in two different machines and ran into the same error, and I know other people are seeing this. However, I have yet to see a useful answer on what the cause is and how to correct it.
The other problem I did run into on one machine, though I couldn't reproduce it was actually even stranger: In my old machine, the BizTalk Application Host would randomly hang during shutdown when the MSMQ adapter was installed on the machine, and the only way to get it to end was to forcefully kill it. Even more strange was that the application host service would hang during startup if I had the MSMQ management console open at the same time!. As soon as I closed it, the problem went immediately away. Talk about bizarro queues...


This is a simple example that shows how to embed PCT Cookies in your own JS
app.
Normally only your script has access to PCT Cookies, here we explicitly
assign it to the "window" object inside "index.js" so that we can show
the manager, which would usually be done by your app.


Euromillions couple who won £105m jackpot to reveal spending plans
National Lottery operator Camelot said the "hard-working" couple, who are joint winners, will reveal how they plan to use the win to transform the lives of their whole family
by James Rodger, https://www.facebook.com/jamesrodgerjournalistA couple who won a £105 million EuroMillions jackpot are set to reveal how they plan to spend the cash.
The joint winners, from the Chichester area of West Sussex, have not yet been named but will reveal their identities at a press conference on Tuesday.
A single ticket won £105,100,701.90 on November 19, the 25th anniversary of the National Lottery's first draw.
National Lottery operator Camelot said the "hard-working" couple, who are joint winners, will reveal how they plan to use the win to transform the lives of their whole family.
The prize was the sixth EuroMillions jackpot banked in the UK this year.
A UK ticket-holder won the £170 million jackpot in October, making them the UK's biggest winner.
The previous biggest UK winners were Colin and Chris Weir, from Largs in North Ayrshire, who won £161 million in July 2011.
A £123 million jackpot was won by a UK ticket-holder in June and a UK winner scooped £38 million on the EuroMillions in April.
Ade Goodchild, from Hereford, bagged £71 million on March 15 and Patrick and Frances Connolly, from Northern Ireland, won £114.9 million on New Year's Day.


---
layout: post
title: 50 Inspiring Examples of Minimalism in Web Design
date: '2009-08-14T11:38:04-07:00'
tags:
tumblr_url: http://alexhwilliams.tumblr.com/post/162965664/50-inspiring-examples-of-minimalism-in-web-design
---
50 Inspiring Examples of Minimalism in Web Design


Written by: Andrew Reich & Ted Cohen
Directed by: David Schwimmer
Transcribed by: Eric Aasen
[Scene: Central Perk, Joey, Monica, and Chandler are sitting on the couch and chair as Phoebe is getting coffee.]
Rachel: (coming from the bathroom) Hey Pheebs?
Phoebe: Huh?
Rachel: Im having dinner with my dad tomorrow night, do you wanna come?
Phoebe: Sure. Yeah, hes kinda sexy.
Rachel: Oh no, no, Ill be there too.
Phoebe: Okay so, well just come up with some kind of signal if its going well you can take off.
Rachel: No Phoebe! I just need you there for support. I havent told him Im pregnant yet.
Phoebe: Oh. Why not?

Phoebe: Oh Rachel, this is all so Papa dont preach.
Rachel: What Phoebe? Wait!
Phoebe: Wow! Oh well, I will be there!
Rachel: Thank you.
Phoebe: Gosh.  (They both sit down by the rest of the gang and Phoebe recognizes a man by the window.) Oh. Hey! Who is that guy? I think I know him.
Monica: (recognizing him and panicking) No you dont!
Rachel: (panicking) No you dont.
Phoebe: Oh my God!!! Monica!! Hes the stripper from your bachelorette party!!
Chandler: Her what?!!

Phoebe: She untied his G-string with her teeth. (Pause) Somebody stop me!
Chandler: I thought we werent gonna have bachelor/bachelorette parties! Yknow, we agreed that it was a silly tradition.
Joey: Its a grand tradition!
Monica: Im sorry, they surprised me. There was nothing I could do!
Rachel: Well you couldve untied it with your hands.
Joey: This is so unfair! The one thing I wanted to do was throw my best friend a bachelor party, but no, I wasnt allowed to.
Chandler: You went home with the waitress.
Joey: Oh yeah, that was a pretty good night.
Chandler: I cant believe you didnt tell me! You know that the two pillars of marriage are openness and honesty!

Opening Credits
[Scene: A Restaurant, Rachel and Phoebe are having dinner with Dr. Green, and everyone is looking at the menu.]
Dr. Green: How about I order everyone the Moroccan chicken?

Phoebe: Yeah, I dont eat that either.
Dr. Green: Ill never understand you lesbians. (To Rachel) So baby, tell me what is new with you.
Rachel: Well actually umm
Waiter: (interrupting) Your 74 Lafite sir.
Dr. Green: 74?! I ordered the 75! Thats a magnificent wine! The 74 is sewage! Why would you bring me sewage?! (The waiters dumbfounded) Is that a hard question?  Is that why youre a waiter?
Waiter: This is why I told the manager I wouldnt wait on you tonight! (Runs off.)
Dr. Green: Oh come on! Dont be such a baby! (Goes after him)
Rachel: (To Phoebe) In case you didnt notice, that is a scary man.

Rachel: This was such a huge mistake. I cant tell him Phoebe. I cant, I cant, I cant, I cant
Phoebe: Rachel!
Rachel: No its okay, this is whats gonna happen. Im gonna wait a couple years and then the baby will tell him.
Phoebe: Why, so he can get mad at the baby?
Rachel: Hey, that is the babys problem. (Dr. Green returns.) Oh, everything okay with the waiter?
Dr. Green: I have no idea, I went to the bathroom. So sweetie, you were starting to tell me what is uh, what is new with you.
Rachel: Well Umm, I got TiVo.
Dr. Green: Whats TiVo?
Phoebe: Its slang for pregnant.
Rachel: Phoebe!
Dr. Green: Are you really pregnant?
Rachel: Well uh, yes and no. Except not no. So to sum it up, yeah.
Dr. Green: Who is the father? Oh no!  (Points at Phoebe.)
Rachel: No, its Ross. Its Ross. You like Ross. (He just shakes his head.) Oh daddy, I hope youre okay with all of this. I mean think about it, this is a good thing. Youre gonnaThis is your first grandchild! Youre gonna be a poppy!
Dr. Green: Thats true.
Rachel: Yeah.
Dr. Green: (laughs) Poppy. (To Phoebe) Oh, Im gonna be a poppy. (Stops laughing) So when is the wedding?
Rachel: Who?
Dr. Green: The wedding! Theres going to be a wedding.
Rachel: February 2nd!
(Dr. Green exhales in relief.)
[Scene: Central Perk, Chandler and Joey are reading a magazine and Ross is chatting with Mona.]
Mona: So it was really cool seeing you lecture today.
Ross: Oh thanks. Although it kinda seemed like you were falling asleep there a little.
Mona: Oh no-no, I-I had my eyes closed so I could concentrate and yknow take it all in.
Ross: Yeah, a lot of my students do that.
Mona: So, I gotta get going.
Ross: Okay, I-Ill see you tonight.
Mona: Yeah.
Ross: Okay, bye.
(They kiss and she starts to leave.)
Mona: Oh hey, thanks again for showing me your semi-precious stone collection. It was amazing! (She leaves.)
Chandler: My God! You must be good in bed!
Joey: So uh, you and Mona, been a while now. Hows it going?
Ross: Ah, its good. Its going good. I mean, we get along great. Shes, shes so
Joey: Hot?
Ross: Well, I was gonna say sweet, but yeah-huh!
Chandler: Shes okay with Rachel and the baby?
Ross: Well I I havent actually told her yet. I dont want to scare her off, yknow?
Chandler: Well, you have to honest with her! Otherwise you may think that youre going down the same path, but youre really going down different ones.
Joey: Im gonna take that book and beat you to death with it.
Monica: (entering) Oh my God!  I felt really bad about the whole bachelorette party thing, so tonight youre gonna have a bachelor party.
Chandler: What?
Monica: Yeah, I got this number from this guy at work and I hired a stripper to come dance for you. Am I going in the wife hall of fame or what?!
Chandler: Honey! Thats crazy! I dont want you to get me a stripper
Joey: Will you let the lady talk?!
Monica: Come on! Come on, itll be fun! Itll make me feel so much better.
Chandler: Look, I appreciate it, but uh, its a little creepy. Yknow? Im not a bachelor anymore.
Monica: So dont think of it as a bachelor party, think of it as a a two month anniversary present.
Ross: Sure, one year is paper, but two months is lapdance! (Joey nods his agreement.)
Monica: Please! I feel so bad! Just watch the hot woman get naked!
Chandler: All right fine! But Im only doing this for you!
Joey: Yeah!
Chandler: And Joey.
Monica: Thank you. All right, now who else do you want to invite?
Chandler: Ah, no-no-no just Ross. Ross and Joey is embarrassing enough.
Ross: Uh actually, sorry I cant even make it. Im seeing Mona again tonight.
Chandler: I understand: who would cancel an actual date to go to a fake bachelor party?
Joey: (on cell phone) Im sorry I gotta cancel tonight baby
[Scene: The Restaurant, dinner has ended and Phoebe and Rachel are talking. Dr. Green is not at the table.]
Phoebe: Im sorry I wont be able to make it to your imaginary wedding, but Im really busy that day. Yeah, I already have a unicorn baptism and a leprechaun bar mitzvah.
Rachel: I know. I know. I panicked, I panicked. I didnt want him to start yelling at me like I was some 74 Latour.
Phoebe: Its Lafite. The 74 Latour is actually drinking quite nicely.
Rachel: All right here he comes. Im gonna do this, Im gonna tell him, Im gonna be strong.
Dr. Green: I just called a friend of mine.
Rachel: Yeah?
Dr. Green: I think I may be able to book The Plaza on short notice.
Rachel: Really?! The Plaza?!! Oh daddy!! (Hugs him and Phoebe glares at her.) Right. Daddy, I need to talk to you. Please, sit down.
Dr. Green: What is it sweetie?
 Ross and I are not getting married.
Dr. Green: What?!
Rachel: Im sorry daddy.
Dr. Green: I dont believe this!!
Rachel: Oh now daddy, stay calm. Please.
Dr. Green: Stay calm?!! How do you expect me to stay calm?! This is unacceptable Rachel! And I wanna know why?!! Is it because that punk Ross wont marry you?! Thats it! Is that it?!
Rachel: Yes. Yes, he says Im damaged goods.
[Scene: Monica and Chandler's, Chandlers bachelor party has begun, what there is of it, with only Joey (wearing a gold paper top hat) and Chandler (wearing what appears to be a Burger King paper crown) enjoying a nice product placement of Budweisers on ice.]
Joey: So you uh, nervous about getting married?
Chandler: What are you doing?
Joey: Look, look lets pretend its a real bachelor party. Okay? Yknow? Before your wedding.
Chandler: Okay. I cant believe tomorrows the big day.

Chandler: Youre right, this is more fun.
(Theres a knock on the door.)
Joey: Thats her! Okay, come on! (They go over and open the door.)
Stripper: Hi!
Chandler: Hi. (Joey blows on a noisemaker.)

Joey: Uh, that-thats-thats me!
Chandler: Thats me.
Joey: Joey Tribbiani, a big fan.
Stripper: So is that a bedroom? (Points to the guestroom.)
Chandler: Yeah, yeah right over there.
Stripper: All right, whenever youre ready. (She goes into the bedroom.)
Chandler: That was weird.
Joey: Why-why would she go in the bedroom?
Stripper: Im waiting.
(They both slowly enter the bedroom and quickly walk back out.)
Chandler: So shes a
Joey: Yeah, thats one naked hooker!
[Scene: Ross's Apartment, Ross and Mona are sitting on the couch.]
Mona: I love your place! Where is this guy from? (A statue from the top of his apothecary table.)
Ross: Uh thats an eighteenth century Indian artifact from Calcutta.
Mona: Oh wow! So, youre more than just dinosaurs.
Ross: So much more.
(They start making out and she kicks the eighteenth century Indian artifact from Calcutta off of his apothecary table from the days of yore and the magical city of White Plains.)
Mona: Oh my God! Oh my God! Im so sorry!
Ross: Aw forget it, its from Pier One. (Theres an angry knock on the door.) Sorry. (Goes and opens the door to an irate Dr. Green.)
Dr. Green: You think you can knock up my daughter and then not marry her?!
Ross: Yknow this is actually not a great time for me.
Commercial Break
[Scene: Ross's Apartment, continued from earlier.]
Dr. Green: So? Come on! Explain yourself Geller! First you get my Rachel pregnant!
Mona: You got Rachel pregnant?!
Ross: Who did?!
Dr. Green: You did!
Ross: Yes. Yes, yes I did. (To Mona) But-but it was, it was just a one night thing. It meant nothing.
Dr. Green: Oh? Really? Thats what my daughter means to you? Nothing?
Ross: No! No sir umm, she means a lot to me. I mean, I careI-I love Rachel.
Mona: What?!
Ross: (to Mona) Oh but not that way. I mean I mean Im not in love with her. I love her like a, like a friend.
Dr. Green: Oh really? Thats how treat a friend? You get her in trouble and then refuse to marry her?
Ross: (to Dr. Green) Hey! I offered to marry her!
Mona: Wh
Ross: (To Mona) But I didnt want to.
Dr. Green: Well why not? So you can spend your time with this tramp?!
Mona: Tramp?!
Ross: Im sorry. Dr. Green, Mona. Mona, Dr. Green.
[Scene: Monica and Chandler's, Chandler and Joey are discussing what to do about the now naked hooker in the guestroom.]
Chandler: I cant believe there is a naked hooker in there!
Joey: Wait! Wait! Maybe shes a hooker and a stripper, but she got confused about what shes supposed to do.
Chandler: Could be. I mean technically she did strip, we just, we just missed it. (Walks towards the bedroom.) Maam, are you also a stripper?
Hooker: Uh, no. But I could pretend to strip, but thats gonna cost extra. Okay, heres the extras, handcuffs, spanking (Chandler grunts for her not to continue and Joey pulls him back into the kitchen.)
 Yknow? Getting her own husband a hooker, thats pretty funny.
Chandler: That is funny, maybe for my birthday shell murder someone.
Joey: I bet Ross was in on it too. I mean he was conveniently busy.
Hooker: Do you mind if I smoke in here?

[Scene: Ross's Apartment, continued from earlier.]
Mona: How could you have kept all of this from me?
Ross: I was going to tell you, but
Dr. Green: But what?! You figured youd get what you wanted and then dump her like you dumped Rachel!
Ross: Hey! I did not dump Rachel! (To Mona) Nor are we still together. (The phone rings and Ross goes to answer it, only hes trapped behind the apothecary table by Dr. Green.) Can I just (Dr. Green glares at him.) Why dont we just let the machine get that?
Joey: (on machine) Hey Ross. Its Joey. Theres a hooker over here and we thought maybe youd know something about it.
Ross: No! No! No! No! No! I-I-I-II need to, I need to lie down.
[Scene: Monicas Restaurants Kitchen, shes cooking as one of her waiters, Stu, comes over to talk to her.]
Stu: So, tonights the night of the big bachelor party?
Monica: Yeah! Hey! Thanks for getting me that girls number.
Stu: No problem. So whos the party for?
Monica: My husband.

Monica: Shes a stripper.
Stu: No, shes a hooker.
Monica: Is that, is that what they call strippers sometimes?
Stu: When theyre hookers.
Monica: Oh my God Stu! I-I cant believe you did this! Now are you absolutely sure shes a hooker?
Stu: Either that or shes just the best, most expensive date I ever had.
(Monica runs out.)
[Scene: Monica and Chandler's, Joey and Chandler are still deciding what to do about the hooker.]
Joey: Maybe she meant to get you a hooker.
Chandler: Why would she do that?
Joey: Maybe she wants you to learn something. Huh? Now is there anything youre really bad at yknow, sexually?
Chandler: This is the worst bachelor party ever!
Hooker: Whats taking you boys so long?
Joey: In a minute!
Chandler: (To Joey) In a minute? Whats gonna happen in a minute?!
Joey: All right, all right maybe-maybe you should just ask her to leave.
Chandler: Why me?!
Joey: Hey! Its your bachelor party.
Chandler: Which is why you should do it.
Joey: I dont want to. You do it!
Chandler: You do it!
Joey: You do it!
 (Joey smirks.) What?
Joey: I miss this.
Chandler: I dont think weve actually done this before!
Joey: No, I-I miss hanging out with you.
Chandler: Well we we still hang out.
Joey: Not like we used to. Remember? You and me used to be inseparable. Yknow now its like things are different.
Chandler: Well yknow, things are different. Im Im married now.
Joey: Oh sureAnd hey, dont get me wrong, I am so happy for you guys. I just I miss hanging out just-just us, yknow?
Chandler: Yeah, I miss that too. I tell you what; from now on well make time to hang out with each other.
Joey: You got it. Come here. (They hug and are observed by the hooker.)
Hooker: Oh God! Listen, I am this close to robbing you guys. (Does the close sign.)
Monica: (entering quickly) Shes a hooker! Shes a hooker! Shes a (Stops as she sees her.) Hi! Uh, we spoke on the phone. (Goes and shakes the hookers hand.)
[Scene: Joey and Rachel's, Rachel and Phoebe are at the counter as Ross enters.]
Ross: So your dad dropped by. Hes a pleasant man!
Rachel: (quietly) Oh no
Phoebe: Id better go. (She goes and sits down in the La-Z-Boy E-cliner 3000, the chair that Sit magazine called chair of the year, and they both look at her.) Just over here: I dont want to miss the fight.
Rachel: Ross Im so sorry. Okay. I-I will promise I will straighten this out with him tomorrow in person, or via e-mail.
Ross: I dont care about your dad! I care about Mona! She was there and now shes totally freaked out!
Rachel: Oh okay, Ill fix that to. Whats her e-mail address?
Ross: Rachel!
Rachel: All right, I promise. Ill fix this. I swear. Ill-Ill-Ill-Ill talk to her.
Ross: Okay!
Rachel: Okay.
Ross: Thank you!
Phoebe: Thats it?! You call that a fight? Come on! "We were on a break!" "No we werent!" What happened to you two?!
[Scene: Ross's Apartment, Ross is opening the door to Mona. Rachel is there as well.]
Ross: Thank you so much for coming back over.
Mona: Oh good, youre here. Yeah, and I was worried that it was going to be uncomfortable.
Rachel: I know Mona, just hear me out. First of all, Im so sorry about my father yelling at you, but I heard you totally held your own. Youre gonna have to tell me how you did that.
Ross: Focus.
Rachel: Okay. Um ButOkay, yes Ross and I used to date. And yes we are gonna have a baby. But we are definitely not getting back together.
Mona: How can I be sure on that?

Ross: Yeah.
Rachel: I mean he was possessive, he was jealous, he could never just let the little things go!
Ross: Trying to date this woman.
Rachel: Right! But, none of that compared to how kind and-and how gentle and thoughtful he is. (Rubbing his shoulder.)
Ross: Probably shouldnt touch me.
Mona: Yknow, I-I-I just I dont want to get in the middle of something so complicated.
Rachel: I know, I get it, but Mona, what relationship is not complicated? I mean we all have our baggage! You must too! Why else would you still be single? (Mona looks at her.) I am so gonna leave right now. (Ross opens the door for her and she leaves.)
Ross: Should I leave this open for you too?
Mona: Im not sure yet. Why didnt you just tell me about all this?
Ross: Because whats going on with Rachel has nothing to do with how I feel about you.
Mona: Yeah? Well you still shoulda told me.
Ross: I know and I was going to, but I thought it was better that you heard it from Rachels father. Look I I made a mistake, but its only because I really, really like you. Really!
Mona: Okay, I guess you can close the door now. (He does so and they kiss.)
Rachel: (entering) Forgot my purse! (Sees them kissing.) Oh, you guys made up. (To Mona) Hes a good kisser isnt he? (Ross goes to close the door on her.) Im going! (Quickly leaves and Ross locks the door.)
[Scene: Monica and Chandler's, the bachelor party has ended and Monica is trying to explain herself to Chandler.]
Monica: I swear I didnt know she was a hooker! I mean whDid you let her smoke in here?

Monica: Yknow what? Im gonna make this up to you.  (She starts to strip.)
Chandler: Monica! Wait!
Monica: What?
Chandler: (puts on his crown) Carry on.
(She does so by taking off her jacket seductively, only she has trouble getting one hand out and slams the jacket on the chair angrily to remove it.)
Monica: Ooh, these tennis shoes are so tight. I think Ill take them off. (Goes to do so.)
Chandler: Could you not narrate?
Monica: Gotcha sailor. (Kicks one of her shoes off and it lands in the kitchen knocking something down, but she continues to strip.)
Closing Credits
[Scene: Joey and Rachel's, Rachel is being yelled at by her dad over the phone, and hes been going on for so long Rachel is holding the phone away from her ear and reading a book.]
Dr. Green: (on phone) just because youre not in love with the guy you cant
Phoebe: (entering, quietly) Wow, you told your dad the truth.
Rachel: About an hour ago.
Phoebe: Wanna go see a movie?
Rachel: Yes! (She gets up and sets the phone on the counter without hanging it up.) Bye daddy. (Phoebe and her leave.)
Dr. Green: (on phone, not hearing her) theres gonna be a wedding! (Joey enters from his room and goes to get a beer from the fridge.) Thats unacceptable Rachel!  There are more important things in a marriage other than love! (Joey hears something and looks around for the source.) constantly thinking about things! You have to think about the consequences of your decision. (Joey finds that the sound is coming from the phone and puts it to his ear.)
Joey: (on phone) Hey! I do too think about the consequences of my decisions!  (Hangs up the phone and opens the fridge.)
End


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You can use Test Container as a design tool or as a container similar to that in which users will view your control and/or form.
To choose Design or User mode, choose Design Mode from the Options.
When the menu command is selected, Test Container is in design mode. When it is cleared, it is in user mode.
Note This menu command serves the same purpose as selecting the UserMode ambient property.


Canon Culture: an experiment with Parse
Read the documentation and start building your JavaScript app:
Looks like there was a problem saving the test object. Make sure you've set your application ID and javascript key correctly in the call to Parse.initialize
in this file.
We've also just created your first object using the following code:
var TestObject = Parse.Object.extend("TestObject");
var testObject = new TestObject();
testObject.save({foo: "bar"});


--- layout: post title: Databases Revisited permalink: databases-revisited tags: [Database, MongoDB] ---
The artifact that I decided to revisit for the database portion of
the final project is a course provided database for the database
MongoDB. It is a simple database that contains research records for
a series of various companies. The inclusion of this artifact is
intended to signal to potential employers and peers that I am
capable of working with and improving a database that someone else
created. A major portion of software development is maintaining some
legacy code and preparing for future changes or modifications.
It also showcases my abilities within a popular database system for
web development applications.
I analyzed the original schema and picked apart much of the data
types present in the research documents. Using the following code,
var col_list = db.research.findOne();
I was able to obtain a basic
list of columns from the table consisting of:
| _id | providerships |
| name | total_money_raised |
| permalink | funding_rounds |
| crunchbase_url | investments |
| homepage_url | acquisition |
| blog_url | acquisitions |
| blog_feed_url | offices |
| twitter_username | milestones |
| category_code | video_embeds |
| number_of_employees | screenshots |
| founded_year | external_links |
| deadpooled_year | partners |
| tag_list | alias_list |
| email_address | phone_number |
| description | created_at |
| updated_at | overview |
| image | products |
| relationships | competitions |
With this information in hand I normalized the data and reduced the number of fields. Instead of fields with the postfix _url I decide to normalize those fields into a single identifier links_id which links to a separate table containing links that relate to the research document.
When normalizing the companies database, I found myself constantly questioning what would be a proper restructuring of a document that lacks a schema. MongoDB brings extreme flexibility with it, so much so that it is, simultaneously, daunting and liberating to quickly alter a table’s structure. It speaks to the power that a NoSQL database brings to the table when considering what to use for development purposes.


Data
Colors dataset
Earthquakes dataset
Iris dataset
Transform
Drop
Filter
Placeholder
Sort
descending
Plot
Bar
Histogram
Point
Operation
=
<
>
Value
Combine
Statistics


class NotaryException : FlowException
Exception thrown by the notary service if any issues are encountered while trying to commit a transaction. The underlying error specifies the cause of failure.
<init> |
NotaryException(error: NotaryError)
Exception thrown by the notary service if any issues are encountered while trying to commit a transaction. The underlying error specifies the cause of failure. NotaryException(error: NotaryError, txId: SecureHash?) |
error |
Cause of notarisation failure. val error: NotaryError |
txId |
Id of the transaction to be notarised. Can be null if an error occurred before the id could be resolved. val txId: SecureHash? |


World famous Salmon cookies
A warm biscuit with ground salmon that's crispy on the outside, tender and juicy on the inside. Now that's style. It’s sweet, it’s savory, and it’s a great reason to get out of bed in the morning.
We take great care to serve quality, great-tasting menu items to our customers each and every time they visit our restaurants. We understand that each of our customers has individual needs and considerations when choosing a place to eat or drink outside their home, especially those customers with food allergies.
As part of our commitment to you, we provide the most current ingredient information available from our food suppliers for the eight most common allergens as identified by the U.S. Food and Drug Administration (eggs, dairy, wheat, soy, peanuts, tree nuts, fish and shellfish), so that our guests with food allergies can make informed food selections.


Scope determines the accessbility or visibility of variables. In JavaScript there are two types of scope:
Probably the easiest way to explain it is like this:
Let's say I have a garage and my car is currently parked inside it. Only someone (who has no previous knowldge of the car) inside the garage
will know the details of the car e.g. type, color etc
If the car is parked outside then anybody can know the type of the car without the need to entering the garage.


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--- title: Text to Image keywords: fastai sidebar: home_sidebar summary: "My experiments of text to image" description: "My experiments of text to image" ---
git clone this repository
make install
nbdev_build_lib
to update python filesmake test
to run unit testmake test-slow
to run integration testmake build-all
to run build-lib, build-docs, clean-nbsgit add commit and push


In the context of the Web of Things (WoT), a Binding Template is a blueprint that gives guidance on how to implement a specific IoT protocol, data format or IoT platform. The Core Binding Templates specification explains the overall mechanism and requirements for any binding to follow. This document gives implementation guidelines regarding the Modbus protocol, which is a well-known cost-effective IoT protocol for communication between industrial control and automation devices.
More specifically, this document defines a set of vocabulary terms that can be used inside a Thing Description document, and associated rules which allow to describe WoT operations using the Modbus protocol over the network. Additionally, relevant examples are provided to showcase different vocabulary terms and the associated behavior.
This document is a work in progress
The Modbus is a data communication protocol originally developed by Modicon which is now a part of Schneider Electric. The protocol was specifically designed for the remote management of the hardware devices in the industrial environment. For this reason, it has low level of abstraction and it has built in bit handling capabilities oriented to the direct control of the relays and generic contact statuses. The physical layer it is mainly an RS485 differential bus which has less susceptibility to the EMC interference. This Limit the usability of the protocol in short distance networks, typically within a kilometer. Due to its age the protocol does not implement any safety system, so usually when wide internet access is needed it is encapsulated in a TCP/IP protocol and with Ethernet as a physical layer. Thanks to this encapsulation strategy, the Modbus protocol can reach remote nodes deployed in distant facilities over the internet. Moreover, in the years due to its simplicity and cost-effectiveness the Modbus protocol becomes a standard all over the world. This fame together with the advancement of the microcontroller/microprocessor led to a shift on how applications pack the information. Today it is usual to store and read any type of data in the Holdings Registers like bit, bytes, words, float etc.
This document describes how the Web of Things specification can be use to present devices that use the Modbus protocol in a Thing Description. In particular, the document explain how to create valid URLs and Forms for the different operations that the Modbus protocol can perform. Developers are encouraged to use this document as an implementation guidelines and as a reference for the creation of their own binding implementations. The following sections will cover the URL format, the Vocabulary and a list of Form examples.
Forms of a Thing Description instance with Modbus Binding complies with this specification if it follows the normative statements in and .
A JSON Schema [[?JSON-SCHEMA]] to validate Thing Description instances containing Modbus Binding is provided in the GitHub repository.
modbus+tpc://
, modbus+ascii://
and modbus+rtu://
.
Considering that in Web of Things context all protocol binding templates are required to at least support the Internet Protocol, for the Modbus protocol modbus+tcp://
was selected as the only valid URL scheme. The following shows the typical structure of an URL of the Modbus protocol:
modbus+tcp://{address}:{port}/{unitID}/{address}?quantity={?quantity}
Where:
{address}
is the IP address of the Modbus device{port}
is the port of the Modbus device{unitID}
is the unit ID of the Modbus device. See vocabulary{address}
is the address of the register/coil referenced in this URL. See vocabulary{quantity}
the amount of registers/coils referenced in this URL. See vocabulary| Vocabulary term | Description | Assignment | Type |
|---|---|---|---|
modbus:address |
Specifies the starting address of the Modbus operations | required | integer |
modbus:unitID |
The Unit ID is usually not needed for ModbusTCP, since the IP-address works as unique identifier, but for compability reasons still often included | required | integer |
modbus:quantity |
Specifies the amount of either registers or coils to be read or written to | optional | integer |
| Vocabulary term | Description | Assignment | Type |
|---|---|---|---|
modbus:pollingTime |
Modbus TCP maximum polling rate. The Modbus specification does not define a maximum or minimum allowed polling rate, however specific implementations might introduce such limits. Defined as integer of milliseconds. | optional | integer |
modbus:timeout |
Modbus response maximum waiting time. Defines how much time the runtime should wait until it receives a reply from the device. | optional | integer |
modbus:zeroBasedAddressing |
Modbus implementations can differ in the way addressing works, as the first coil/register can be either referred to as True or False. | optional | boolean |
modbus:entity |
A registry type to let the runtime automatically detect the right function code | optional | Entity |
modbus:function |
Function Code sent by the master in every request. Specifying the desired interaction. | optional | Function |
modbus:function
cannot (See the
[[[#example-read-coil-entity]]])
| Value | Description |
|---|---|
Coil |
Represent a modbus coil register. These entities can be read or written |
DiscreteInput |
Represent a modbus discrete input. These entities can only be read |
HoldingRegister |
Represent a modbus holding register. These entities can be read or written |
InputRegister |
Represent a modbus input register. These entities can only be read |
modbus:function
, the value of modbus:function
property should be ignored.
| Value | Label | Code | Description |
|---|---|---|---|
readCoil |
Read Single Coil | 1 | Read a single coil (i.e. boolean/bit access) value. Usually in the address range 00001-09999 |
readDeviceIdentification |
Read Device Identification | 43 | Read Device Identification for diagnostic purposes. Avaiable in the majority of Modbus implementations. |
readDiscreteInput |
Read Discrete Inputs | 2 | Read Physical Discrete Inputs (bit access). Address range 10001-19999 |
readHoldingRegisters |
Read Multiple Holding Registers | 3 | Read Multiple Holding Registers (16 bit access). Address range 40001-49999 |
readInputRegisters |
Read Multiple Input Registers | 4 | Read Multiple Physical Input Registers (16 bits). Address range 30001-39999 |
writeMultipleCoils |
Write Multiple Coils | 15 | Write Multiple Physical Coils (internal bits). Address range 00001-09999 |
writeMultipleHoldingRegisters |
Write Multiple Holding Registers | 16 | Write Multiple Holding Registers (output registers, 16 bit). Address range 40001-49999 |
writeSingleCoil |
Write Single Coil | 5 | Write Single Physical Coil (internal bit). Address range 00001-09999 |
writeSingleHoldingRegister |
Write Single Holding Register | 6 | Write Single HoldingRegister (internal bits). Address range 40001-49999 |
This section describes strategies and default values to employ protocol specific concepts within the WoT Interaction model.
The following table lists the default mappings between the protocol specific concepts and the WoT concepts. Please note that operations that are not
listed in the table are not supported by this binding template. For example, since the Modbus protocol is a request-response based protocol, the
subscribeevent
operation is not supported.
| Operation | Default Binding |
|---|---|
writeproperty |
"modbus:function": "writeSingleCoil" |
invokeaction |
"modbus:function": "writeSingleCoil" |
readallproperties |
"modbus:function": "readHoldingRegisters" |
readmultipleproperties |
"modbus:function": "readHoldingRegisters" |
writeallproperties |
"modbus:function": "writeMultipleHoldingRegisters" |
writemultipleproperties |
"modbus:function": "writeMultipleHoldingRegisters" |
| Operation | Default | Comments |
|---|---|---|
modbus:quantity |
1
|
|
modbus:zeroBaseAddressing |
false
|
|
modbus:timeout |
infinite
|
Additional to the default mappings, users may decide to use other [[[#function]]]s for a specific operation. The following table lists examples of possible mappings for some operation types.
| Operation | Possible Binding |
|---|---|
writeproperty |
"modbus:function":"writeMultipleCoils"
|
writeproperty |
"modbus:function":"writeSingleHoldingRegister"
|
readproperty |
"modbus:function":"readDeviceIdentification"
|
readproperty |
"modbus:function":"readDiscreteInput"
|
observeproperty |
"modbus:function":"readCoil" ;
"modbus:pollingTime": 1000
|
{ "href": "modbus+tcp://<IP_ADDRESS>:60000/1", "op": [ "readproperty" ], "modbus:function": "readCoil", "modbus:address": 1 }To describe forms with multiple operations types, the [[[#entity]]] keyword can be used to create a short description of the modbus endpoint.
{ "href": "modbus+tcp://<IP_ADDRESS>:60000/1/1", "op": [ "readproperty", "writeproperty" ], "modbus:entity": "Coil", }A TD processor will intepred [[[#example-read-coil-entity]]] configuration as the following:
{ "href": "modbus+tcp://<IP_ADDRESS>:60000/1/1", "op": [ "readproperty", ], "modbus:function": "readCoil", }, { "href": "modbus+tcp://<IP_ADDRESS>:60000/1/1", "op": [ "writeproperty", ], "modbus:function": "writeCoil", },Reducing effectively the verbosity of a TD. Thanks to the expressiveness of the Modbus ontology users can describe also the total number of registries read or wrote in a WoT operation. [[[#example-read-holding]]] shows how to read or write 8 HoldingRegisters.
{ "href": "modbus+tcp://<IP_ADDRESS>:60000/1/40001?quantity=8", "op": [ "readproperty", "writeproperty" ], "modbus:entity": "HoldingRegister" }When possible WoT consumers will use Modbus features to read the desired amount of data with a single protocol request. However, it may be possible to still specify a total length for Modbus operations that do not support reading or writing on a range of registers (see [[[#example-read-coil-range]]]). In these circumstances consumers will perform different requests to satisfy the configuration requirements.
{ "href": "modbus+tcp://<IP_ADDRESS>:60000/1/1?quantity=8", "op": [ "readproperty", "writeproperty" ], "modbus:entity": "Coil" }Another notable configuration of a form using the Modbus vocabulary is the polling mechanism. Thanks to the keyword
pollingTime
the user can indicate the intervals for observing a particular
set of registers. Supposing that the device knows that the value of coil register 1 does change every
1000 ms, in [[[#example-polling]]], it suggest that the polling time should not be faster than 10 ms. WoT
consumers may still create requests faster than the specified time but it should be taken as a reasonable
default for observing a property.
{ "href": "modbus+tcp://<IP_ADDRESS>:60000/1/1", "op": [ "observeproperty" ], "modbus:entity": "Coil", "modbus:pollingTime": 1000, }Finally, [[[#full-td]]] shows a complete device described using Modbus ontology.
{ "@context": [ "https://www.w3.org/2019/wot/td/v1", { "modbus": "https://www.example.com/ns/modbustcp" } ], "title": "ModbusPLC", "description": "An industrial machine, retrofitted to be IoT capable.", "id": "uri:dev:ModbusTCPThing", "securityDefinitions": { "nosec_sc": { "scheme": "nosec" } }, "security": "nosec_sc", "base": "modbus+tcp://<IP_ADDRESS>:502/1/", "properties": { "limitSwitch1": { "title": "downLimitSwitch", "type": "boolean", "description": "Limit switch moving downwards", "forms": [ { "op": "readproperty", "href": "10003", "modbus:function": "readDiscreteInput", "contentType": "application/octet-stream" } ] }, "limitSwitch2": { "title": "forwardLimitSwitch", "type": "boolean", "description": "Limit Switch moving forward", "forms": [ { "op": "readproperty", "href": "10002", "modbus:function": "readDiscreteInput", "contentType": "application/octet-stream" } ] }, "moveDown": { "title": "moveDown", "type": "boolean", "description": "Down Motor Status (single coil). PLC output, can be written to control the motor.", "forms": [ { "op": [ "writeproperty", "observeproperty", "readproperty" ], "href": "6", "modbus:entity": "Coil", "modbus:pollingTime": 100, "contentType": "application/octet-stream" } ] }, "moveForward": { "title": "moveForward", "type": "boolean", "description": "Forward Motor Status (single coil). PLC output, can be written to control the motor.", "forms": [ { "op": [ "writeproperty", "observeproperty", "readproperty" ], "href": "3", "modbus:entity": "Coil", "modbus:pollingRate": 100, "contentType": "application/octet-stream" } ] } } }
The following describe the [[[#url]]] using [[[RFC2234]]] with the reference to [[[uri]]] specification.
MODBUS-URI = "modbus+tcp://" authority path-modbus [ "?quantity=" quantity ] path-modbus = "/" unitID "/" address unitID=1*DIGIT address=1*DIGIT quantity=1*DIGIT


This showcase is supported by Hyperledger Fabric, SDK, MQ, Redis and Socket.io
Alice sents one coin to Bob
Bob sents one coin to Alice
Send 50 trancations
Send 100 transactions


You can run a transfer directly from the operating system (OS) prompt or you can execute a command file.
If you wish to run a transfer directly from the OS prompt, then the COPY command is implicit, and (if the command processor is on your path) you type the following:
ST infilename.ex1 outfilename.ex2 -x1 -x2 ...
where infilename.ex1 and outfilename.ex2 are the input and output files, respectively, just as they are for the COPY command used within the command processor. File-type tags are used in the same way.
In order to run a transfer from the command line, you will either need to be in the directory in which you installed Stat/Transfer, or have that directory on your path, or precede 'st' by the path to Stat/Transfer.
The same parameters, -xi, that are used from within the command processor from the Stat/Transfer prompt, are also used at the OS prompt.
When a transfer is run directly from the OS prompt, variable selection and case selection are not possible. All variables and all cases will be transferred. Carrying out a transfer from the OS command line is equivalent to copying the file from one format to another.
For example, to transfer all of the variables and cases from an Excel file, indata.xls to a Stata file, outdata.dta, type:
st indata.xls outdata.dta
If you need to set options with SET commands before your transfer, you can do it one of two ways.
st indata.xls outdata.dta -exmyopt.stcmd
Wildcard transfers can be specified from the OS prompt, just as they are from the st prompt.


Boston: A Long Poem - by Hugh Fox.
Ibbetson Street Press, 25 School Street, Somerville, MA 02143. Write for Price or
Send $10.00 to Doug Holder at Ibbetson.
Switch - by Tim Gaze.2002. Anabasis/Xtant.
Unconscious at Cape Paterson - by Tim Gaze & Cornelis Vleeskens. 2002.
Anabasis/Xtant.
Xtant is Jim Leftwich, 1512 Mountainside Ct., Charlottesville, VA 22903-9707.
Anabasis is Thomas Lowe Taylor, Oysterville, Washington 98641-0216. Write to these folks about prices and other good great books. www.anabasispress.com
Find on line poems - by Henry Wilkens.
http://www.bewrite.net/read/poetry.htm#NEW - Write him at<EMAIL_ADDRESS>- Awaiting your comments on-line... he is.
Postcard Poems - by Del Ray Cross & Cassie Lewis.
2002. Cassie Lewis, 1401 Red Hawk Circle #G302, Fremont, California, 94538. To order copies,
write to<EMAIL_ADDRESS>Young Chet and other recent poems - by Gerald Locklin.
Pudding House
Publications Chapbook Series. 2002. $8.95. Pudding House Publications,
60
North Main Street, Johnstown, Ohio, 43031.
Isotopes - by Dan Zimmerman.
2001. 16 pages. Frame Publications. Contact publisher for price and postage etc.
<EMAIL_ADDRESS>A tremendously fun book, with amazement on each page and humor also -
follows the drifting imagination and it is startling how it shifts and that
shifting pops the mind into yes, I see. Chance generated from 4x4
wordsquares and run through an anagram generator and then downsized to
these neat 14 line poems this poetry engages the tech.stuff of this mod.
world. Most contemporary high-tech poetry runs like this: poet thinks of an
idea and puts it on the web. Web proves the poet's idea not poetry (mainly
because the poet doesn't do any poetry anyway). But Hear: Here then in
ISOTOPES, Zimmerman, smart read deep, Gnostic poet imagines and writes,
engages the writing with some form of tech, here anagram generator, and
then reengages with imagination, his poet imagination, engages the raw
material and produces poetry. This is the way to deal with poetry with tech.
Ah. Zimmerman shows us the path through all the websites, emails, hypertext
dull forest of unpoetic silliness. He makes poetry. Look for the light. He
lives in New Jersey!
TOP
Maybe Tomorrow - by Shane Jones.
$3.00. 25 pages. MuscleHead Press Chapbooks. BoneWorld Publishing, John and Nancy Berbirch, 3700 County Route 24, Russell, New York 13684
A nice chunk of collection by one our youngest and best. Shane Jones is one
of those rare poets for whom poetry is living. Frightening how close to the
fallen and sparking electric lines of heart and soul he comes. Melding in
fact. This book divided into three sections: Moister or less clothes, the
sweetness of love - smell and puddles of robins, bunny slippers; and the
crumbling toast of a burned out love smothered with rancid butter and hard
cream cheese… and horrible fact that memory does something to old romances
- makes you remember only the crickets, the ice cream, the wonder of
Niagara Falls etc. See what fools we all are. But we see through these
windows and Shane Jones keeps them open.
TOP
Boston: A Long Poem - by Hugh Fox.
Ibbetson Street Press, 25 School Street, Somerville, MA 02143. Write for Price or
Send $10.00 to Doug Holder at Ibbetson.
Hugh Fox master being and form of Lord in Small Press circles has with vast
energy and deep knowledge knows all of the small press world more than any
other and better than all those teachers of poetry out there in the fancy
soft cheese world of poetry. But poetry knows Fox. Fox is the fashion in
witch one protects oneself from the unchained dog, the way of doing of
other peaks of authors. He knows so perfectly knows and that poetic is here
displayed in this poem of Boston that brings together in one spot all that
living and poetry are when merged. All places one place all information one
information a mesh and a meld and merging and coming together and implosion
of diversity - words-art-gods - and the like all like into one spots. Here
Fox is the intersection of all roads, which then makes him poet and allows
him, with clarity and ease, to make the poem, weaves it out of all the
waves coming ashore.
TOP
Switch - by Tim Gaze.2002. Anabasis/Xtant.
Unconscious at Cape Paterson - by Tim Gaze & Cornelis Vleeskens. 2002.
Anabasis/Xtant.
Xtant is Jim Leftwich, 1512 Mountainside Ct., Charlottesville, VA 22903-9707.
Anabasis is Thomas Lowe Taylor, Oysterville, Washington 98641-0216. Write to these folks about prices and other good great books. www.anabasispress.com
Visual works. I am sure that these are examples of imaginative deep
writing, they being other symbols and lines merged into new forms or
developing alphabets - now we have a name for these works - Asemic writing.
That is the word: Hear it: ASEMIC. But for me the delight of these books,
written in Asemic, is the reading of this work - because the new writing in
these new worlds/works with other alphabets demands a form of reading that
translates into sound each glyph or string, poem- therefore new sounds must
be made and the expansive experience is then IT. Wonderful to touch down on
this terrific planet of other writing. These authors stretch it and brake
it and broke it and IS now someplace else … in the other… place of
creativity. Obviously the air is there breathable, beautiful. Let's go.
Paint your wagon, and come along.
TOP
Find on line poems - by Henry Wilkens.
http://www.bewrite.net/read/poetry.htm#NEW - Write him at<EMAIL_ADDRESS>- Awaiting your comments on-line... he is.
Henry is the author of: The Farting Dog, which can be found at the sight
above-mentioned. Here is a stiff whiff: This is/ the true story/ of a
German/ ballet dancer/ who couldn't/ make it/ in Hollywood/ and ended up/
in a German/ movie/ featuring her/ with a farting dog. And just want to let
you know that the moral rights of the author have been asserted. The rights
of Harry Wilkens to be identified as the author have been asserted in
accordance with sections 77 and 78 of the Copyright etc. The poem is about
Sylvia Seidel, a young Munich ballet dancer, and now actress, explains
Wilkens, who as poet king of mid-Europe and Alps, goes on to say, who got
the LUCK to be introduced into Hollywood by Kirk Douglas. Henry Wilkens is
a gas! Check out the site… but I mean… go there for Hank's poems! I mean he
is in the great line of Henrys: Henry the 8th, Henry Miller, Henry
Hemingway, Henry Bukowski, Rames the Henry.
TOP
Postcard Poems - by Del Ray Cross & Cassie Lewis.
2002. Cassie Lewis, 1401 Red Hawk Circle #G302, Fremont, California, 94538. To order copies,
write to<EMAIL_ADDRESS>"I've got a revolver/ I revolve," this line in the poem Foglifting by Del
Ray Cross that sticks in mind and in my admiration chamber. And this poem
is part of the sequence by Del Ray Cross in this postcard collection. And
the other half of this correspondence is Cassie Lewis, "freedom comes
disguised/ as a book of poems." Two burgeoning poets finding their rhythm
as writers by the simple demand of riting writing each day to each other a
poem, a poem on postcard. This fruit then of this conversation and merging
is this book of poems, which reads, classically like an open book to the
room in the recesses of the creative mind. The space created by mail, ol'
time, like post office, allows the poems the distance of authenticity and
this then genuine poetry conveys its intense, hence real, so to speak,
emotion, to the humble reader. Each poem arrives in the mailbox of the
imagination, and then opened and then read in the heart.
TOP
Young Chet and other recent poems - by Gerald Locklin.
Pudding House Publications Chapbook Series. 2002. $8.95. Pudding House Publications,
60 North Main Street, Johnstown, Ohio, 43031.
The other day I was taking a walk, as has become my custom. You see, I must
take weight off, eat vegetables (raw without butter and salt!), and all
that bow-wow, woof woof. And I came upon some shards of plastic drinking
cup, which I dreamed once held some very cheap draft street picnic beer.
And as I looked closer, the shards seemed to become stick figures of people
and then ghosts and then they became full fleshed figures, as mush as
flattened plastic drinking cups can become full fleshed figures and art.
Art was what I was left with as I wandered away. (Lucky I did cause as I
gazed upon the flattened shards of plastic I heard a couple guys sitting on
a porch say, "Look at that crazy asshole." So as I walked I understood how
finding stuff like Yoko Ono did and does, how everything is art as you come
upon it and find it and it is the spinning off of whatever one encounters
that makes everything art and that we live totally in art if we are artists
or get into the rare rhythm of the artist's mind, where, yeah, everything
is art.  Wow I said as
I read this new book by Gerald Locklin.  Here I have encountered an artist of
the greatest caliber. Locklin is artist as everywhere. Damn! I was so
happy that the door to my enlightenment came from a plastic beer cup,
squished. I think Ger would like that notion. And to those guys on the
porch, "kiss my ripe rotten butt."
TOP
Michael Basinski
©2002 the-hold.com
grafitti messageboard BACK
email |
the hold


Woman smashed vodka bottle over 'rapist's' head to escape '14 hour ordeal'
The 25-year-old was allegedly snatched by Joseph McCann just after midnight on April 25 as she walked home in Walthamstow, east London, and allegedly repeatedly raped, the Old Bailey heard
by Emily PenninkA woman smashed a vodka bottle over an alleged rapist's head to escape a 14 hour ordeal, a court heard.
The 25-year-old was allegedly snatched by Joseph McCann just after midnight on April 25 as she walked home in Walthamstow, east London, and allegedly repeatedly raped, the Old Bailey heard.
McCann, 34, is accused of kidnapping a second woman from the street in Edgware, north London, and allegedly threatened to "slit her throat" and sexually assaulted her.
The women managed to escape and run towards builders near the Phoenix Lodge hotel in Watford, Hertfordshire, the court heard.
Giving evidence, the woman told jurors: "It was not about courage. It was about logic, the best time to incapacitate him."
In a video police interview played in court, the 25-year-old woman told how McCann said to them "I'm going to put my arms round you and you need to smile", before ordering them out of the car at the hotel.
Instead, the woman grabbed a vodka bottle and hit him over the head, she said.
McCann reacted angrily, saying: "What the f***", jurors heard.
The witness said: "I saw it smash and he turned round and looked at me and was shouting and I dropped the stuff and ran up the road towards the builders shouting for help and saying we had been kidnapped.
"I ran up to one of them and said 'I need your phone, I need your phone' but he didn't understand me.
"I ran up the road and a man said 'come in here' and I went into the shop.
"As soon as I got into the shop I started just crying and I could not believe that I was in there.
"I turned round to look out and I saw the car drive away. I thought that meant he had driven away with her so I told them she was there.
"I looked down and was bleeding and there was lots of people there and they were saying 'don't worry you are safe' and there is people that will protect me.
"The next thing I remember is the other girl coming in."
She told police her attacker was white with blue eyes and a "weird" Irish accent.
He wore a white rosary and had tattoos, including one that said "bobbie", she said.
At one point a man had called him John, but he allegedly told her: "Don't worry that's not my real name.
Under cross-examination, Jo Sidhu QC suggested on McCann's behalf that both women had got into McCann's car "willingly" and engaged in consensual sex.
The witness repeatedly denied it, saying she was terrified of McCann and "always waiting to raise the alarm".
McCann, from Harrow, west London, denies 37 charges relating to 11 women and children including rape, false imprisonment and kidnap.
The trial continues.


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Tel No: +2348013366678
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Comparison [%title%]
This is a comparison between the 2 profiles guides [%left%] and [%right%],
generated to help compare the interoperability of implementations based on the two
profiles, or, alternatively, for implementers to understand what is required
to conform to both profiles.
Implementers can review:
- A series of messages from the comparison algorithm. Errors indicate that solutions cannot be interoperable across both implementation guides (or that there are structural flaws in the definition of at least one)
- The intersection of the 2 constraint statements. This is what resource authors (either client or server) would need to conform to produce content valid against both implementation guides
- The union of the 2 constraint statements. This is what resource authors (either client or server) would need to be able to handle to accept content valid against either implementation guides
Comparisons
[%table%]
ValueSets
[%valuesets%]


Here, I will share some non-obvious dap insights, that may be surprising (likely, in a good way).
The ?
operator that can be called "if-gate" for simplicity, offers some interesting possibilities. When several tokens are given, they are in fact executed sequentially until truthy result (or out of tokens). This allows to execute some conditional operation right there, in the ?
-step. For example: ? $data $data=source:query (dict.error.no-data)alert;
step will first check if $data
is set, if not set (and only if not set!) it will try to query it from the source
, and if the query fails and $data
is still not set — alert the dict.error.no-data
message and terminate the rule execution. If the $data
is set (initially or after query), rule execution will continue.
Consider expression $a:c1,c2,c3
where converters are applied in a chain. The naive interpretation of this expression in javascript terms would be c3(c2(c1($a)))
which is okay in many cases. However, what if converters are asynchronous? Surprisingly, a semantically better javascript's equivalent for this simple dap construct is expressed in terms of Promises: c1($a).then(c2).then(c3)
.
In dap, array elements are accessed using dot notation instead of square bracket notation.
'B'.d("! arr.1") .DICT({ arr:["zero","one","two"] })
As you probably know, JavaScript makes no real difference between "arrays" and "objects", and you can write foo.bar
or foo["bar"]
interchangeably. However, in Javascript you can write foo["1"]
instead of foo[1]
, but not foo.1
. This is a purely synactic restriction that denies this short and neat syntax in Javascript. But not in dap.


mapbox-gl-control demo
1. Plotting Map markers
[[msg]]
[[item.msg]]
Generate random markers
2. Attach popup to a map marker
Click on marker to show popup!
3. Display a popup on click
Click on the map to show a popup!
4. Style a popup with slotted elements
Hi
You clicked on [[lat]], [[lng]]!
Click on the map to show a popup!


How to use this:
- Create a js file with the pack
- Put the js file in this directory and change the import below to import it instead of another one
- Open this page in a browser using
http-server
or similar
- Open the JS console & see the stuff that's logged
- Use that info to fine-tune the pack, e.g. by removing any cities that are too close to each other
- Once it's fine-tuned, copy the output of
JSON.stringify(cityData)
and create a file with that to add to /dist


Upload File To: {$ ctrl.model.container.name $}: {$ ctrl.model.folder $}
Note: Delimiters ('{$ ctrl.model.DELIMETER $}') are allowed in the
file name to place the new file into a folder that will be created
when the file is uploaded (to any depth of folders).


/v2
to each endpoint.
The REST API gives anyone free, programmatic access to all of oaDOI's data. There's no rate limit, but if you need more than 100k calls/day you may want to download the datasets instead.
Requests must include your email, so that we can
get in touch if something breaks, and so we can report usage to our funders.
Add the email as a parameter at the end of the URL, like this:
?email=YOUR_EMAIL
.
If you're using the API, we recommend you subscribe to the mailing list in order to stay up-to-date when there are changes or new features.
GET /
| Description | Gets an API status object that describes this API. |
| Returns | API Status object |
| Example |<EMAIL_ADDRESS>|
GET /:doi
| Description | Gets OA status and bibliographic info for an given DOI-assigned resource. |
| Accepts | A valid DOI. |
| Returns | DOI object |
| Example |<EMAIL_ADDRESS>|
The API returns three different types of response objects. Really two, since more users won't ever need the API Status object, which just defines the root of the API. The OA Location object describes a place we found an OA copy of an article. There are one or more of these associated with DOI object, which describes a given DOI-assigned resource.
| documentation_url String | Where you can find documentation for this version. | |
| msg String | Relevant messages. | |
| version String | Version string. |
Example: 2.0.1
|
The OA Location object describes particular location where we found a given OA article. The same article is often available from multiple locations. There may be differences in format, version, and license from one location to another, even if it's the same article in all cases.
| evidence String | How we found this OA location. |
Used for debugging. Don’t depend on the exact contents of this for anything, because values are subject to change without warning. Example values:
|
| host_type String | The type of host that serves this OA location. |
There are two possible values:
|
| license String | The license under which this copy is published. |
We return several types of licenses:
|
| updated String | Time when the data for this location was last updated. |
Returned as an ISO8601-formatted timestamp. Example: 2017-08-17T23:43:27.753663
|
| url String | The URL where you can find this OA copy. |
Although this URL points to fulltext of some kind, there is (for now) no format normalization...it could be PDF, HTML, or even Word or TeX. |
| versions String | The content version accessible at this location. |
We use the DRIVER Guidelines v2.0 VERSION standard to define versions of a given article; see those docs for complete definitions of terms. Here's the basic idea, though, for the three version types we support:
|
The DOI object describes a given DOI-assigned resource. It contains metadata about the resource itself, as well as information about its OA status.
| best_oa_location Object|null | The best OA Location object we could find for this DOI. |
The "best" location is determined using an algorithm that prioritizes publisher-hosted content first (eg Hybrid or Gold), then prioritizes versions closer to the version of record (
Returns |
| data_standard Integer | Indicates the data collection approaches used for this resource. |
Possible values
|
| doi String | The DOI of this resource. | This is always lowercase. |
| is_oa Boolean |
True if there is an OA copy of this resource.
|
Convenience attribute; returns true when best_oa_location is not null .
|
| journal_is_oa Boolean | Is this resource published in a completely OA journal | Useful for most definitions of Gold OA. Currently this is based entirely on inclusion in the DOAJ, but eventually may use additional ways of identifying all-OA journals. |
| journal_issns String | Any ISSNs assigned to the journal publishing this resource. |
Separate ISSNs are sometimes assigned to print and electronic versions of the same journal. If there are multiple ISSNs, they are separated by commas. Example: 1232-1203,1532-6203
|
| journal_name String | The name of the journal publishing this resource. | The same journal may have multiple name strings (eg, "J. Foo", "Journal of Foo", "JOURNAL OF FOO", etc). These have not been fully normalized within our database, so use with care. |
| oa_locations List | List of all the OA Location objects associated with this resource. |
This list is unnecessary for the vast majority of use-cases, since you probably just want the best_oa_location . It's included primarily for research purposes.
|
| publisher String | The name of this resource's publisher. | Keep in mind that publisher name strings change over time, particularly as publishers are acquired or split up. |
| title String | The title of this resource. | It's the title. Pretty straightforward. |
| updated String | Time when the data for this resource was last updated. |
Returned as an ISO8601-formatted timestamp. Example: 2017-08-17T23:43:27.753663
|


This example shows how to configure Telerik Window for ASP.NET MVC to animate when opening and closing. The supported animations are zoom, opacity and expand.
<%= Html.Telerik().Window() .Name("Window") .Effects(fx => fx .Zoom() .Opacity() .OpenDuration(200) .CloseDuration(300) ) .Content("
Content
") %>
Use the configurator to experiment with the animation settings.


GLADIATOR
Review by John Beachem
* * * * 1/2
Directed by: Ridley Scott Written by: David H. Franzoni, John Logan
Ridley Scott's ("Blade Runner", "Alien") "Gladiator" is the kind of movie that hasn't been seen in a very long time: A massive, sprawling epic of a picture which is a shock to the senses. This is the kind of movie that Hollywood hasn't made in past years due to the enormous budget required to recreate ancient Rome. Now, thanks to computers and the miracle called CGI, Hollywood can show us Rome in all its glory. Speaking of glory, what a glorious movie "Gladiator" is. Not only does Scott's Rome look fantastic, but so do the costumes, the gorgeous cinematography, and the amazing battle scenes. "Gladiator" is the sort of movie that will leave you staring slack-jawed at the majestic proceedings unfolding before you. This is the sort of film which isn't merely watched, it is experienced.
Maximus (Russell Crowe) is a brilliant and respected Roman general, fighting the barbarian hordes of Germania. After defeating the barbarians, Maximus has only one dream to follow: to return to his wife and son back in Rome. However, Caesar Marcus Aurelius (Richard Harris) is dying, and he refuses to let his amoral son, Commodus (Joquin Phoenix), succeed him as emperor. He wants Maximus to take the throne until the time is right to hand the kingdom over to the senate. Commodus, infuriated by his father's decision, assassinates him and then sends Maximus off to be executed. Maximus escapes his executioners, only to find that Commodus has slain his family and destroyed his home. After wandering blindly for awhile, he is picked up by a slave caravan and sold to Proximo (the late Oliver Reed), a man who buys slaves and trains them to become gladiators. Now Maximus has returned to Rome to compete in the arena and find a way to get his revenge.
While the previews might lead you to believe that "Gladiator" is nothing more than a whole lot of arena fighting and one or two large battles, they are a tad misleading. There are, in fact, only four major arena fights and one large battle scene at the film's beginning. The rest of the film is filled with political intrigue and watching Commodus slime his way through his emperorship. This doesn't mean the film is boring, far from it in fact. Two and a half hours have seldom felt so short as they did in this movie. While the political goings on may be interesting, the vast majority of audiences are seeing "Gladiator" for the fights, and they are certainly worthwhile. The battles which take place in the Roman Coliseum are fast paced and exciting; particularly one involving a one on one fight between Maximus and an undefeated gladiator. The two go at it, with swords and axes flying, while tigers circle, waiting for one of them to get too close.
Acting obviously isn't supposed to be a high point in a movie like this, but when Russell Crowe ("LA Confidential", "The Insider") is involved you can expect at least one great performance. The real surprise was that nearly the entire cast turned in great performances. Joquin Phoenix ("8MM") is suitably slimy and evil as the ambitious emperor, despite my fears that I would be able to see him as nothing more than River Phoenix's little brother. Connie Nielsen ("Mission to Mars") gives a nice, almost understated turn as Commodus' sister and love interest (remember, ancient Rome and incest tend to go hand in hand). Oliver Reed ("The Big Sleep") gives a great final performance as the greedy Proximo. I found it interesting how Reed's character was recreated through CGI after his death. Watch for Djimon Hounsou ("Amistad") and Duane Johnson (professional wrestling's The Rock) as fellow gladiators.
There are two more things I must point out as being simply great about "Gladiator". First is the score, which I can only hope Academy members will remember at the end of the year. Composer Hans Zimmer ("The Thin Red Line") has created a truly magnificent and moving body of music here (I went out and bought the soundtrack the next day). The music played during the battles is fierce and rousing, causing your heart to pound just as much as the action does. The other great moment in the movie is the opening battle scene, which simply must be witnessed on the big screen. During this battle, we see wide panning shots of massive Roman legions marching towards barbarian hordes; flaming arrows flying overhead; a burning forest in the background; and some wonderfully choreographed fight scenes. I'd recommend everyone see "Gladiator" on the big screen rather than waiting for video. I'm certain it's going to lose a lot of its power on the small screen. The film runs 154 minutes, but believe me, it won't feel nearly that long. I give "Gladiator" a well earned four and a half out of five stars.
Comments? Feel free to e-mail them to<EMAIL_ADDRESS>For past reviews, movie news, and other fun stuff, visit: http://www.dependentfilms.net
* * * * * - One of the best movies of the year, see it now. * * * * - Great flick, try and catch this one. * * * - Okay movie, hits and misses. * * - Pretty bad, see it only if you have nothing better to do. * - One of the worst movies ever made. See it only if you enjoy pain.
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