Breaking Badsky: Russian Police Liquidate Huge Drug Lab Outside Moscow – Video
According to authorities, the lab contained tonnes upon tonnes of chemicals, and was operated by Russian and Ukrainian nationals who engaged in shipping drugs and their precursors across Russia.
Russian police have raided a massive drug lab, arresting a gang of drug dealers and chemists and seized their drug-making equipment, Russia’s Ministry of Internal Affairs has reported.
Police calculated that the lab contained over 100 kg of drugs in crystallised form, along with 1.5 tonnes of drugs in liquid-form, some four tonnes of reagents, and 600 kg of precursors, along with seven chemical reactors, and various other equipment.
Police spokeswoman Irina Volk said the discovered drug lab was “the largest” discovered in Russia “in the last several years,” and was discovered thanks to support from Russia’s Federal Security Service.
According to police, the gang sold its drugs through an online store on the so-called dark web, with the suspects also reportedly offering precursors to enable buyers to create their own mini-drug labs. In the course of the raid, police were able to stop 18 deliveries to regions across the country.
The drug lab was said to have been based in two buildings on a 9.8 acre lot at a former farm about 80 km south of the Russian capital, and operated by Russian and Ukrainian nationals, including a courier, three chemists, and the organiser of operation.
According to Volk, the lab was capable of producing some 1.5 illegal substances every month.
Authorities have opened a criminal case, with suspects detained and facing between three and 10 years in prison, and a fine of up to 500,000 rubles, if convicted.


{% if site.owner.google.ad-client and site.owner.google.ad-slot %}{% include ad-footer.html %}{% endif %} © {{ site.time | date: '%Y' }} {{ site.owner.name }}. Powered by Jekyll using the So Simple Theme.


# -*- coding: utf-8 -*-
__author__ = """Chris Tabor (dxdstudio@gmail.com)"""
# Concepts/learning from:
# http://inventwithpython.com/blog/2013/04/22/
# multithreaded-python-tutorial-with-threadworms/
from Queue import Queue
import threading
if __name__ == '__main__':
from os import getcwd
from os import sys
sys.path.append(getcwd())
# from random import choice
from MOAL.helpers.text import gibberish
from MOAL.helpers.display import Section
COUNT_LOCK = threading.Lock()
DEBUG = True if __name__ == '__main__' else False
total = 1
[docs]class CountThread(threading.Thread):
def start(self, name):
# Allow adding a name when start is called,
# but still defer to superclass method
self.name = name
super(CountThread, self).start()
def run(self):
# Make total a global variable, outside the scope of this
# function/class to demonstrate the thread updates
global total
for i in range(1000):
# Must acquire and then release lock after every operation,
# otherwise the global mutable state will be overwritten for each
# thread that runs, resetting the value, which is significantly
# lower than the correct total.
COUNT_LOCK.acquire()
total += 1
COUNT_LOCK.release()
if DEBUG:
print('Total processed by {}: {}:'.format(self.name, total))
def __init__(self, queue, num_threads=2):
self.NUM_THREADS = num_threads
self.queue = queue
def do_work(self, item):
if DEBUG:
print('Working on item... {}\n'.format(item))
def worker(self):
while True:
item = self.queue.get()
self.do_work(item)
self.queue.task_done()
def process_all(self):
if DEBUG:
print('Starting all process threads...')
for _ in range(self.NUM_THREADS):
t = threading.Thread(target=self.worker)
t.daemon = True
t.start()
def __init__(self):
self.items = []
def __iter__(self):
for record in self.items:
yield record
raise StopIteration
def add(self):
self.items.append(self.make())
def make(self):
return gibberish()
if DEBUG:
with Section('Python stdlib Queue and multi-threading examples'):
counter_one = CountThread()
counter_two = CountThread()
counter_three = CountThread()
counter_one.start('one')
counter_two.start('two')
counter_three.start('three')
# Some basic code taken from docs.python.org/2/library/queue.html
with Section('Python stdlib Queue and multi-threading examples 2'):
work_queue = Queue()
bot = Worker(work_queue)
producer = Producer()
for _ in range(10):
producer.add()
for record in producer:
print('Putting record {} into queue.'.format(record))
work_queue.put(record)
bot.process_all()
# Block until done
work_queue.join()


The Matthew Knight Classic is the Oregon Pit Crew's annual 3-on-3 basketball tournament for University of Oregon Students. The event started several years ago as the ASUO 3-on-3 Classic held on the Bean outdoor courts. Over the years, the event has seen different iterations as the Pit Crew Classic, Webfoot Classic and now as the Matthew Knight Classic. The event is now held at the world-class Matthew Knight Arena.
The purpose of the event is to give students the opportunity to play at one of the best collegiate venues in the country, interact with other UO students, and further connect the student section to the campus. Check out some highlights from past events or get more info on this year's event.


{% extends "base.html" %} {% block title %}Sorry, there is a problem with this service{% endblock %} {% block content %}
Please try again later.


| knit2html {knitr} | R Documentation |
This is a convenience function to knit the input markdown source and call
markdown::markdownToHTML()
in the markdown package to
convert the result to HTML.
knit2html( input, output = NULL, ..., envir = parent.frame(), text = NULL, quiet = FALSE, encoding = "UTF-8", force_v1 = FALSE )
input |
Path to the input file. |
output |
Path to the output file for |
... |
Options passed to |
envir |
Environment in which code chunks are to be evaluated, for
example, |
text |
A character vector. This is an alternative way to provide the input file. |
quiet |
Boolean; suppress the progress bar and messages? |
encoding |
Encoding of the input file; always assumed to be UTF-8 (i.e., this argument is effectively ignored). |
force_v1 |
Boolean; whether to force rendering the input document as an R Markdown v1 document, even if it is for v2. |
If the argument text
is NULL, a character string (HTML code)
is returned; otherwise the result is written into a file and the filename
is returned.
The markdown package is for R Markdown v1, which is much less
powerful than R Markdown v2, i.e. the rmarkdown package
(https://rmarkdown.rstudio.com). To render R Markdown v2 documents to
HTML, please use rmarkdown::render()
instead.
knit
, markdown::markdownToHTML
# a minimal example writeLines(c("# hello markdown", "```{r hello-random, echo=TRUE}", "rnorm(5)", "```"), "test.Rmd") knit2html("test.Rmd") if (interactive()) browseURL("test.html") unlink(c("test.Rmd", "test.html", "test.md"))


7 Simple Tips To Help You Sleep Better
by Sofiya GolovnyaModern lifestyle is the main reason so many people can’t get a good night’s sleep, and this problem majorly impacts our mood and productivity. Not getting enough rest can make you always feel tired and have a negative effect on your health. If you want to avoid this, here are seven simple tips to help you sleep better.
Be Active
Regular exercise keeps you fit and strong. Besides this, working out several hours before bedtime can help you sleep better. Just being active in general is very important, too, as when your day is busy, you will tire out by the end of the day and fall asleep right away.
Fix Your Sleep Schedule
Sleeping until midday on Saturday and Sunday might seem very tempting, but it will only harm your biological clock. Going to bed at the same time every night helps to establish your sleep schedule and reduces the amount of time required to fall asleep.
Adjust Your Diet
It’s no secret that coffee, as well as caffeine in general, messes with your body when it comes to sleep. Actually, tea, soft drinks, and chocolate also contain the energy-boosting ingredient, so try to avoid these after noon. Also, make dinner your lightest meal to help your body rest at night.
 You’re likely to wake up and have a hard time getting back to bed as the effect wears off. It’s also scientifically proven that smokers are four times more likely not to feel as well rested after a full night’s sleep than nonsmokers, so avoid cigarettes at all costs.
Put Off Your Phone Before Bedtime
We all use electronics, including a television, computer, video game, or cell phone, on a daily basis. Turning off all of those an hour before you go to bed is a great idea, as the light from these devices stimulates the brain, making it harder to wind down.
Keep Your Room Cool
If you like your house to be hot, try to make it cooler when you’re going to bed. It’s recommended to keep the temperature somewhere around 65 degrees Fahrenheit. This will reduce your body temperature and help you fall asleep faster and more deeply.
Make It Dark and Quiet
Light alerts your brain and causes you to wake up, so make sure your room as dark as possible before bedtime. Even a small amount of ambient light can affect your rest. Keeping your bedroom quiet is also essential, or you can turn on some quiet nature sounds to calm you down.
Read More:
Body,Healthhealth,Sleeping tips
Sofiya GolovnyaCOLLEGECANDY Writer
I write and stuff.
-<PHONE_NUMBER>1348454


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This will work even if they have the same name or the name attribute has not been defined.
NB.: If you don't use the name attribute the browser will not submit any values
Use this method to set the value (and display) of the star rating control via javascript. It accepts the index of the star you want to select (0 based) or its value (which must be passed as a string.
Example: (values A/B/C/D/E)
Use this method to set the value (and display) of the star rating control via javascript. It accepts the index of the star you want to select (0 based) or its value (which must be passed as a string.
Example: (values 1,2,3...10)
These methods bahve almost exactly as the readOnly method, however they also control whether or not the select value is submitted with the form.
Example: (values 1,2,3...10)


Here is a link to register for voting: Click Me!
Here is a link to find your voting location: Click Me!
Here is a guide to the 2020 Primary Elections in the great state of Oregon Click Me!
This is my favorite place to find updated and diverse news sources: Click Me!
Even though you cannot vote yet, you may still register to vote and will begin receiving voting information upon your 18th birthday.
Here is a link to register for voting: Click Me!
Here is a link to find your voting location: Click Me!


Creative Commons Media Fingerprinting Library by Ethan Lim on 2013-07-15 CC would prefer that all content on the Web include correct licensing metadata. Alas, that is...
Creative Commons Pasteboard by Thanish on 2013-07-15 The Creative Commons Pasteboard is a browser extension used to help users easily clip content...
Creative_Commons_LibreOffice_Plugin_Updates by Ishan Thilina on 2012-07-15 This year Creative Commons has a much more limited focus on what we would like to see out of...
A post with good advice for GSOC students by cwebber on 2011-03-25 As Nathan already mentioned, we will be once again participating in Google Summer of Code this...
CC + GSoC: Integration is the Word by nathan on 2011-03-21 Creative Commons is once again participating in the Google Summer of Code, an opportunity for...
GSoC CC Wordpress Plugin: Weekly Report #12 by erlehmann on 2010-08-19 This may be my last report for the plugin. After 150 commits and a bit over 30KB of written PHP...
GSoC CC WordPress Plugin: Weekly Report #11 by erlehmann on 2010-08-10 This week most of the work on the plugin consisted of styling changes and fixing bugs, mainly...
GSoC CC Wordpress Plugin: Weekly Report #9 / #10 by erlehmann on 2010-08-04 Time is running out for work on the plugin. With the 9th of this month being the suggested date...
GSoC CC WordPress Plugin: Weekly Report #8 by erlehmann on 2010-07-21 This is a short one. This week, I did only a few things related to the plugin: First, planned...
GSoC CC Firefox Extension + WordPress plugin = ? by Igor Lukanin on 2010-07-15 Undoubtedly, it's very important for all GSoC student projects (and all projects under CC in...
GSoC CC Wordpress Plugin: Weekly Report #6 / #7 by erlehmann on 2010-07-13 One week ago, my laptop's harddisk broke down during the afternoon. I had been accustomed to...
GSoC Firefox Extension: Status Report by Igor Lukanin on 2010-07-11 The extension for Firefox web browser I'm developing has a number of improvements in the code...
Creative Commons Open Office Plugin gets a new UI and supports for Public Domain by akila87 on 2010-07-03 User Interface
GSoC CC Wordpress Plugin: Weekly Report #5 by erlehmann on 2010-06-30 Another delayed report, late by a day. This time, however, I can deliver ; the current version...
GSoC CC Wordpress Plugin: Weekly Report #4 by erlehmann on 2010-06-25 As some of you may have noticed, this report about the Wordpress CC plugin is several days late....
GSoC CC Wordpress Plugin: Weekly Report #3 by erlehmann on 2010-06-16 This week, development on the plugin proceeded at a faster pace. Shortly after I posted the last...
GSoC OpenOffice Plugin Updates: Weekly Report 1 & 2 by akila87 on 2010-06-14 For the last two weeks I was focusing on the User Interface and the Picasa support. At first...
GSoC CC Wordpress Plugin: Weekly Report #2 by erlehmann on 2010-06-08 For last week's work on the plugin, I had two targets, both related to the goal of making the...
GSoC Firefox Extension: Project Introduction and Weekly Reports #1-2 by Igor Lukanin on 2010-06-08 Hello, my name's Igor Lukanin. I'm a 21 year old student of the Ural Federal University located...
GSoC CC Wordpress Plugin: Weekly Report #1 by erlehmann on 2010-06-01 This week I was busy and lazy in turns, so I worked on the plugin only on two days. These are...
Creative Commons Open Office Plugin. Here it is with some new features.... by akila87 on 2010-05-20 Hi there!
Creative Commons Drupal Module by blaise on 2009-09-23 Creative Commons provides vast number of public copyright licenses for people who want to enable...
Creative Commons Drupal Module -- GSoC 2009 by blaise on 2009-09-03 This past year was my last at the University of Toronto, making this summer my last chance to...
OpenOffice.org Add-in Updates - GSoC 2009 by nimal on 2009-07-06 I've been working on the GSoC 2009 project, where I'm working on certain updates to the existing...
New validator released! by asheesh on 2009-01-06 This past summer, Hugo Dworak worked with us (thanks to Google Summer of Code) on a new...
Loggy: some results by ankitg on 2008-09-02 So after setting up EC2, S3, grabbing the files from S3, SCP-ing the python scripts and running...
>>> py >> file ... Also if __name__ == ''__main__'': by ankitg on 2008-09-01 Some major updates and we have the scripts running, thanks Asheesh for the redirection idea, it...
License-oriented metadata validator and viewer: summertime is winding up by hugo on 2008-08-16 Google Summer of Code 2008 approaches its end, as less than forty-eight hours are left to submit...
Flickr Image Re-Use for OpenOffice.org new updates by mihai on 2008-08-12 Since my last article new functionalities were implemented :
GeoIP Hates Me ... phail. by ankitg on 2008-08-06 Not that I am expecting much trouble coding using the Geo-IP module, but trying to get it on to...
Flickr Image Re-Use for OpenOffice.org Demo availlable by mihai on 2008-07-12 Never trust a programmer when he gives you a date for something to be done . Thats what i did in...
License-oriented metadata validator and viewer: libvalidator by hugo on 2008-07-08 As the Google Summer of Code 2008 midterm evaluation deadline is approaching, it is a good time...
Python && cumulative metrics? by ankitg on 2008-06-23 So I get to see the state-of-the-art and reconciling Apache and Squid logs. Based on this I need...
Flickr Image Re-Use for OpenOffice.org update by mihai on 2008-06-13 I`m happy to announce that i succeeded in doing, in a basic manner, all the 3 requirements for...
How big are the logs again? by ankitg on 2008-06-13 OK, so now I should maybe go back and thank nathany for the advise on not to download the whole...
S3 Finally! by ankitg on 2008-06-03 /me hugs paulproteuss ... yes an extra s in there today, but thanks to him [and the guy who...
CC-Logger The S3 Chronicles by ankitg on 2008-06-02 Task One :: Setup a client to access the S3 bucket and retrieve the logs.
CC-Logger [GSoC 2008] by ankitg on 2008-06-01 Before I dive-in on what CC-Logger is all about, a small intro to who I am:
GSoC 2008 : Flickr Image Re-Use for OpenOffice.org by mihai on 2008-05-29 As title might suggest, i have been selected for GSoC 2008. As mentor for this project has been...
License-oriented metadata validator and viewer: the development has just started by hugo on 2008-05-26 Creative Commons participates in Google Summer of Code™ and has accepted a proposal (see the...
A Farewell by tannewt on 2007-08-24 Well, today is my last day. I've thoroughly enjoyed my time here at CC. Thanks to everyone here...
Sidecar XMP and License Extractors in Tracker by jakin on 2007-07-10 Tracker has accepted my patches to read XMP sidecar, as well as patches to extract licenses from...
Liblicense has licenses! 376 of them... by jakin on 2007-07-06 Prepping for the 0.1 release, I've generated RDF descriptions of all CC licenses in all...
More Summer of Code -- Liblicense, Tracker, Beagle,... by jakin on 2007-06-30 Let's see, where am I at.
It's coming! CC OpenOffice.Org Add-in by ksiomelo on 2007-06-27 As you may know, I am working on this project as part of the Google Summer of Code program....
Indexing License Metadata in Tracker, Week 2 by jakin on 2007-06-19 I've made progress extracting licenses from the following formats: Vorbis, MP3, FLAC, PDF, JPEG,...
Indexing License Metadata in Tracker, Week 1 by jakin on 2007-06-12 Week 1 of Google Summer of Code is complete and already I'm seeing much progress. There's a mess...
'Summer of Code: "Converting biomedical text mining data to RDF, integrating by matthiassamwald on 2007-04-18 About the project
"Summer of Code Project: â€œOpenOffice.org Writer Add-in for Publishing CC by ksiomelo on 2007-04-14 Hi there!
'Summer of Code Project: "Including RDFa support in Nutch: Updating the ccNutch by alankelon on 2007-04-13 Hello!
More Summer of Code projects by ml on 2007-04-12 Nathan blogged the five accepted Creative Commons/Science Commons projects.
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Hi, welcome to my page! I'm a graduate student at New York University and I'm gonna graduate at May, 2021. My concentration is Software Engineer major. In order to be an excellent engineer, I always believe one must master the details of computer system from bottom-up. Therefore, I started my career as an underlying layer software engineer in Huawei. After two years, I joined EOITEK and began my journey as a Software Engineer.
After I joined NYU, I joined Bytedance/Tiktok, AILab-US as a Research Engineer Intern because I hope to have more experience related to Cloud Computing. Now, I have the ability to track a system from most higher level into Linux kernel and I believe I'm a qualified engineer!
I'm actively seeking a fulltime software engineer position starting Jun. 2021, Infrastructure or Fullstack preferred. If you have a fulltime SWE position for me, feel free to contact me!
tech stack: (Python, Flask, kubernetes, OpenTSDB, Docker, Consul, React, Mysql, Go, Tensorflow Serving)
This project aims to implement a auto-scaling service to improve the average GPU usage rate.
tech stack: (Kafka, Spring Boot, Elasticsearch, Zookeeper, Docker, Lucene, scalability)
In order to find the anomaly in system logs and reduce DevOps time in debugging, I led a group of 3 on log pattern recognition algorithm research, real-time computing service, job-scheduler, Restful API, frontend. Achieved 100x recognition speed than previous version and adopted by 10+ companies;
tech stack: (Java, Mysql, Spark Mllib, Kafka, Machine Learning, MLFlow)
In order to find the system problem based on metrics in an automatic way, I collaborated with data scientists to develope multivariate anomaly training & detection services; And designed a flexible framework for data scientists to deploy their service quickly & easily.
tech stack: (Zuul, Consul, Ribbon, Spring Boot/Cloud, OAuth 2.0, Kafka)
Alerts noise reduction platform makes it easier for Devops or SRES to focus the problems that are most relevant, and ignore the noise.
tech stack: Java, JVM, C;
Optimized JVM module in Huawei Pay underlying platform (100M+ installed), includes GC, crash protection;
Collaborated with Huawei Pay application team, trusted service manager (TSM) team and third party application team to support application installed successfully and securely;
Related Infotech stack: Java, C, Python
Focused on card secure system based on GlobalPlatform spec, includes protocols implementation, encrypt & decrypt, problem localization, test platform etc;
Related Infotech stack: GNU C, Python, matplotlib
Daily problem localization in Linux Kernel; Developed bus bandwidth monitoring tools, includes driver, data visualization;
Related Info


{% extends "lifesaving_rankings/base.html" %} {% block head_title %}Search{% endblock %} {% block content %} Number of athletes to be deleted: {{ athletes|length }}


Birthdays today
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Gulf War veterans GWI health multiple vaccinations vaccines chronic vs. received study symptoms associated deployed vitamin reported liver {border-style Health acid effects px;} vaccination #ffffff;} increased number GWI. fatigue higher illness U.S. exposures significantly CI: chemical syndrome war exposure retinoic risk years association children deployment evidence including report Illness rates receipt retinoid retinol .), Am. Medicine Veterans disease factors hypervitaminosis levels research retinyl use vaccinated vaccine (accessed Available Clin. December Era Institute Med. Research Sci. Unwin acute hypothesis medical multisymptom online: past potential px; served specific time troops {font-family (OR British Chronic Environ. Hotopf Retinoic adverse esters excess font-size ill known likely model months outcomes pesticides, recruits related retinoids risks studies symptom total toxic vaccinations, weeks > Australian M.R. Multiple Table U.K. collab: concentrations conditions damage did disorders double; factor high metabolism military mitochondrial nondeployed pain, stored stress suggests survey unexplained unvaccinated used veterans. (see .). ./s--- DTP However, Immunol. National Occup. Persian USA Vitamin War: booster border-color border-width concentration defects dietary disease, doses early exposures, follow-up forces form function included insults large long-term musculoskeletal nearly non-deployed noted personnel post-traumatic range rate resulting self-reported sensitivity signs skin solid; suggested {font-style {font-weight .%, A.R. Blomhoff C.S. Cherry Effects Epidemiol. Figure H.K. Hull K.M. Mitochondrial New Public S.A. War, Wessely active additional administered allergic alterations analysis antimalaria bold bromide cells circulation cognitive common compared concentrations, control courier; current days development diagnosed documented drugs dysfunction effect em; endogenous era explain fatigue, features fibromyalgia, forms gastrointestinal hepatic illness, impaired is, linked liver, major male mechanisms need normal odds oral overall pathogenesis population-based problems pt;} pyridostigmine receive receiving receptor reproductive retrospective role serum severe shot suggesting supplementation toxicity vaccines. veterans:


Front Pages
Preface
1: Introduction to Objects
2: Making & Using Objects
3: The C in C++
4: Data Abstraction
5: Hiding the Implementation
6: Initialization & Cleanup
7: Function Overloading & Default Arguments
8: Constants
9: Inline Functions
10: Name Control
11: References & the Copy-Constructor
12: Operator Overloading
13: Dynamic Object Creation
14: Inheritance & Composition
15: Polymorphism & Virtual Functions
16: Introduction to Templates
A: Coding Style
B: Programming Guidelines
C: Recommended Reading
Index


Encoding
问题描述 :
Chip and Dale have devised an encryption method to hide their (written) text messages. They first agree secretly on two numbers that will be used as the number of rows (R) and columns (C) in a matrix. The sender encodes an intermediate format using the following rules:
1. The text is formed with uppercase letters [A-Z] and <space>.
2. Each text character will be represented by decimal values as follows:
<space> = 0, A = 1, B = 2, C = 3, …, Y = 25, Z = 26
The sender enters the 5 digit binary representation of the characters’ values in a spiral pattern along the matrix as shown below. The matrix is padded out with zeroes (0) to fill the matrix completely. For example, if the text to encode is: "ACM" and R=4 and C=4, the matrix would be filled in as follows:
1. The text is formed with uppercase letters [A-Z] and <space>.
2. Each text character will be represented by decimal values as follows:
<space> = 0, A = 1, B = 2, C = 3, …, Y = 25, Z = 26
The sender enters the 5 digit binary representation of the characters’ values in a spiral pattern along the matrix as shown below. The matrix is padded out with zeroes (0) to fill the matrix completely. For example, if the text to encode is: "ACM" and R=4 and C=4, the matrix would be filled in as follows:
The bits in the matrix are then concatenated together in row major order and sent to the receiver. The example above would be encoded as:<PHONE_NUMBER>101100
输入:
The first line of input contains a single integer N, (1 ≤ N ≤ 1000) which is the number of datasets that follow.
Each dataset consists of a single line of input containing R (1<=R<=20), a space, C (1<=C<=20), a space, and a text string consisting of uppercase letters [A-Z] and <space>. The length of the text string is guaranteed to be <= (R*C)/5.
Each dataset consists of a single line of input containing R (1<=R<=20), a space, C (1<=C<=20), a space, and a text string consisting of uppercase letters [A-Z] and <space>. The length of the text string is guaranteed to be <= (R*C)/5.
输出:
The first line of input contains a single integer N, (1 ≤ N ≤ 1000) which is the number of datasets that follow.
Each dataset consists of a single line of input containing R (1<=R<=20), a space, C (1<=C<=20), a space, and a text string consisting of uppercase letters [A-Z] and <space>. The length of the text string is guaranteed to be <= (R*C)/5.
Each dataset consists of a single line of input containing R (1<=R<=20), a space, C (1<=C<=20), a space, and a text string consisting of uppercase letters [A-Z] and <space>. The length of the text string is guaranteed to be <= (R*C)/5.
样例输入:
4 4 4 ACM 5 2 HI 2 6 HI 5 5 HI HO
样例输出:
1<PHONE_NUMBER>101100 2<PHONE_NUMBER> 3<PHONE_NUMBER>01 4<PHONE_NUMBER>011010110000010
#include <stdio.h> #include <string.h> #include <algorithm> using namespace std; int main() { char str[10000]; int len,i,j,cnt,s,e; while(gets(str)) { len = strlen(str); i = s = e = 0; while(1) { cnt = 1; while(str[i] == str[i+cnt] && cnt<10 && i<len) cnt++; if(i == len) { if(e) printf("1"); break; } else if(cnt!=1) { s = 0; if(e) { printf("1"); e = 0; } if(cnt<10) printf("%d%c",cnt,str[i]); else printf("%d%c",--cnt,str[i]); } else { e = 1; if(!s) { printf("1"); s = 1; } printf("%c",str[i]); if(str[i] == '1') printf("%c",str[i]); } i+=cnt; } printf("\n"); } return 0; }
解题转自：http://blog.csdn.net/libin56842/article/details/17046861
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约瑟夫也用说这么长……很成熟的一个问题了，分治的方法解起来o(n)就可以了，有兴趣可以看看具体数学的第一章，关于约瑟夫问题推导出了一系列的结论，很漂亮
约瑟夫也用说这么长……很成熟的一个问题了，分治的方法解起来o(n)就可以了，有兴趣可以看看具体数学的第一章，关于约瑟夫问题推导出了一系列的结论，很漂亮
后面的是python代码啊
#include <cstdio>
#include <cstring>
const int MAXSIZE=256;
//char store[MAXSIZE];
char str1[MAXSIZE];
/*
void init(char *store) {
int i;
store['A']=’V', store['B']=’W',store['C']=’X',store['D']=’Y',store['E']=’Z';
for(i=’F';i<=’Z';++i) store =i-5;
}
*/
int main() {
//freopen("input.txt","r",stdin);
//init(store);
char *p;
while(fgets(str1,MAXSIZE,stdin) && strcmp(str1,"STARTn")==0) {
if(p=fgets(str1,MAXSIZE,stdin)) {
for(;*p;++p) {
//*p=store[*p]
if(*p<’A’ || *p>’Z') continue;
if(*p>’E') *p=*p-5;
else *p=*p+21;
}
printf("%s",str1);
}
fgets(str1,MAXSIZE,stdin);
}
return 0;
}
第2题，TCP不支持多播，多播和广播仅应用于UDP。所以B选项是不对的。第2题，TCP不支持多播，多播和广播仅应用于UDP。所以B选项是不对的。
全是智力分析的题
妈呀！这个Dijkstra模板好长OwQ！
楼主 为什么输入的形式都不对 题目是不是弄错了？
顶一个 赞一个
这道题目重复了，删掉一个吧
题目需要求解的是最小值，而且没有考虑可能存在环
else if也是要比较两次
跟书上的解法不一样，不知道哪个效率要高些
涨姿势了


Next: The Iterative Scheme
Up: The Deblending Algorithm
Previous: Background
At the core of the QDeblend
software tool, we used an improved iterative algorithm that was initiated by Christensen et al. (2006). The basic concept is to treat the spaxels () of the IFU datacube as a set of independent spectra
. The spectral shape of a point source is the same in each spaxel (in the absence of atmospheric dispersion), whereas the brightness is a function of position with scale factors according to the Point Spread Function (PSF) of the observations. In the following we assume that the scale factors are normalised to one at the QSO position
.
While broad-band imaging studies typically use stars simultaneously observed within the field of the target to obtain an empirical PSF, current IFUs usually do not capture stars with the target due to their relatively small FOV of a few arcseconds. In the case of a broad-line AGN, scale factors for each spaxel can fortunately be estimated from the strength of the broad emission lines with respect to the adjacent continuum as presented by Jahnke et al. (2004) to reconstruct the scale factors at the wavelength of the chosen broad emission line (see Fig. 1 for illustration).
Figure:
Sketch of the broad line measurement in the case of H spectral region. Two adjacent continuum windows (green shaded areas) are defined to estimate a linear approximation of the local continuum (dashed line). To avoid contamination by a narrow H component one or two spectral windows at the H wings are selected and the flux is measured within these regions above the local continuum (red shaded areas).
|
|
On the other hand, the underlying continuum and line emission of the host may be spatially resolved and follow different distributions, and , which contribute both to the spectra of the IFU datacube:
|
(1) |
For simplicity we assume for the time being that the spectral shapes of the host spectrum and the emission line spectrum does not change in a datacube. We will relax and discuss this assumption later on.
Since we can easily construct the scale factors from the data itself, only the QSO spectrum
needs to be determined to separate
in a QSO and host galaxy term for each spaxel (,). But how can we obtain a pure QSO spectrum without any contamination from resolved host emission? The spectrum at the QSO position, e.g. the brightest spaxel, should contain an almost pure S/N QSO spectrum
|
(2) |
under the condition that
|
(3) |
This condition is certainly not fullfilled for low or intermediate luminosity QSOs so that the measured template QSO spectrum
will be inevitably contaminated by a significant fraction of host galaxy emission. Thus, the residual datacube
|
(4) |
will be subject to an oversubtraction of the QSO component around the QSO position.
Next: The Iterative Scheme
Up: The Deblending Algorithm
Previous: Background
Bernd Husemann
2011-04-07


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Celtic name John Kennedy Hibs price if Easter Road club pursue Hoops coach
Hibs have Kennedy high up in their list of managerial targets but have yet to make an approach.
by Michael Gannon, https://www.dailyrecord.co.uk/authors/michael-gannon/Christopher Jullien is convinced John Kennedy will become a top boss – but he’s hoping it’s not at Hibs.
Record Sport can reveal Easter Road chiefs would need to break the bank to land the Celtic assistant gaffer as boss with Parkhead chiefs set to demand around £300,000 in compensation.
The total bill would smash through the £1m barrier with wages and stumping up for sacked gaffer Paul Heckingbottom’s exit package.
Hibs have Kennedy high up in their list of managerial targets but have yet to make an approach and Jullien is convinced the coach’s heart remains at Parkhead.
He said: “I just know he is really important for us. He’s really good for me but every other player too.
“Who would leave Celtic?
“I am sure he loves the place and he has been so good for us.
“Will be be a manager one day? Yes, for sure. He has all the things to become a great manager.”
Jullien can understand the huge interest in Kennedy – as he insisted the coach has played a major part in helping him overcome a rocky start at Celts to become a Hoops fans favourite.
The French ace said: “Since I arrived he’s been there for me. When you arrive somewhere new it’s sometimes difficult.
“You can have some tough times to settle and things like that. He was always there and showed me the good stuff I was doing as well as the bad stuff.
“I’m so happy to have this guy close to me. He made me learn some things about the club and how to play. I’m really happy to have him on my side.
“I talked about how his career went but not with him. But I just see he’s in a really good place right now.
“What he’s teaching and doing for us on the field is really good.
“For his age I think it’s really good what he’s doing.”
Jullien revealed it was Kennedy who gave him the crucial one-to-one coaching to help him to adapt to Scottish football.
He said: “He showed me some videos of what they were doing last year or the year before and what the game here is like.
“We spent one or two hours together before I was playing regularly. We looked at things that I could do and what I could bring to the team.
“He showed me the perfect things I needed and right now I’m in a good moment because of that.
“He’s always giving so much advice. At half-time he’s really calm. He’s a really calm guy.
“I didn’t see any of the games he played so I don’t know if he was different when he was a player.
“You can compare him to a player with us though. You can see he was out on the field not a long time ago.
“You can see he wants to give and that’s the really great thing for us.
“He’s not a confidante. He just understands some stuff, like the trainer does. The fact he wasn’t on the field too long ago makes the link more natural.
“I came here recently and it’s really good to see a staff behind us. The chemistry they have together is just perfect.”


001/* 002 * Licensed to the Apache Software Foundation (ASF) under one 003 * or more contributor license agreements. See the NOTICE file 004 * distributed with this work for additional information 005 * regarding copyright ownership. The ASF licenses this file 006 * to you under the Apache License, Version 2.0 (the 007 * "License"); you may not use this file except in compliance 008 * with the License. You may obtain a copy of the License at 009 * 010 * http://www.apache.org/licenses/LICENSE-2.0 011 * 012 * Unless required by applicable law or agreed to in writing, 013 * software distributed under the License is distributed on an 014 * "AS IS" BASIS, WITHOUT WARRANTIES OR CONDITIONS OF ANY 015 * KIND, either express or implied. See the License for the 016 * specific language governing permissions and limitations 017 * under the License. 018 */ 019package org.apache.shiro.crypto; 020 021/** 022 * A cipher mode of operation 023 * directs a cipher algorithm how to convert data during the encryption or decryption process. This enum represents 024 * all JDK-standard Cipher operation mode names as defined in 025 * JDK Security Standard 026 * Names, as well as a few more that are well-known and supported by other JCA Providers. 027 *
 028 * This {@code enum} exists to provide Shiro end-users type-safety when declaring an operation mode. This helps reduce 029 * error by providing a compile-time mechanism to specify a mode and guarantees a valid name that will be 030 * recognized by an underlying JCA Provider. 031 *
Standard or Non-Standard?
 032 * All modes listed specify whether they are a JDK standard mode or a non-standard mode. Standard modes are included 033 * in all JDK distributions. Non-standard modes can 034 * sometimes result in better performance or more secure output, but may not be available on the target JDK 035 * platform and rely on an external JCA Provider to be installed. Some providers 036 * (like Bouncy Castle) may support these modes however. 037 * 038 * @see Block Cipher Modes of Operation 039 * @since 1.0 040 */ 041public enum OperationMode { 042 043 /** 044 *  045 * Cipher-block Chaining mode, defined in FIPS 046 * PUB 81. 047 *
 048 * This is a standard JDK operation mode and should be supported by all JDK environments. 049 */ 050 CBC, 051 052 /** 053 * Counter with CBC-MAC mode* - for block ciphers with 054 * 128 bit block-size only. See RFC 3610 for AES Ciphers. 055 * This mode has essentially been replaced by the more-capable {@link #EAX EAX} mode. 056 *
 057 * *THIS IS A NON-STANDARD MODE. It is not guaranteed to be supported across JDK installations. You must 058 * ensure you have a JCA Provider that can support this cipher operation mode. 059 * Bouncy Castle may be one such provider. 060 */ 061 CCM, 062 063 /** 064 * Cipher 065 * Feedback mode, defined in FIPS PUB 81. 066 *
 067 * This is a standard JDK operation mode and should be supported by all JDK environments. 068 */ 069 CFB, 070 071 /** 072 * Counter Mode, aka 073 * Integer Counter Mode (ICM) and Segmented Integer Counter (SIC). Counter is a simplification of {@link #OFB OFB} 074 * and updates the input block as a counter. 075 *
 076 * This is a standard JDK operation mode and should be supported by all JDK environments. 077 */ 078 CTR, 079 080 /** 081 * EAX Mode*. This is a patent-free but less-effecient 082 * alternative to {@link #OCB OCB} and has capabilities beyond what {@link #CCM CCM} can provide. 083 *
 084 * *THIS IS A NON-STANDARD MODE. It is not guaranteed to be supported across JDK installations. You must 085 * ensure you have a JCA Provider that can support this cipher operation mode. 086 * Bouncy Castle may be one such provider. 087 */ 088 EAX, 089 090 /** 091 * Electronic 092 * Codebook mode, defined in FIPS PUB 81. 093 * ECB is the only mode that does not require an Initialization Vector, but because of this, can be seen 094 * as less secure than operation modes that require an IV. 095 *
 096 * This is a standard JDK operation mode and should be supported by all JDK environments. 097 */ 098 ECB, 099 100 /** 101 * Galois/Counter mode* - for block ciphers with 128 102 * bit block-size only. 103 *
 104 * *THIS IS A NON-STANDARD MODE. It is not guaranteed to be supported across JDK installations. You must 105 * ensure you have a JCA Provider that can support this cipher operation mode. 106 * Bouncy Castle may be one such provider. 107 */ 108 GCM, 109 110 /** 111 * No mode. 112 *
 113 * This is a standard JDK operation mode and should be supported by all JDK environments. 114 */ 115 NONE, 116 117 /** 118 * Offset Codebook mode*. Parallel mode that provides 119 * both message privacy and authenticity in a single pass. This is a very efficient mode, but is patent-encumbered. 120 * A less-efficient (two pass) alternative is available by using {@link #EAX EAX} mode. 121 *
 122 * *THIS IS A NON-STANDARD MODE. It is not guaranteed to be supported across JDK installations. You must 123 * ensure you have a JCA Provider that can support this cipher operation mode. 124 * Bouncy Castle may be one such provider. 125 */ 126 OCB, 127 128 /** 129 * Output 130 * Feedback mode, defined in FIPS PUB 81. 131 *
 132 * This is a standard JDK operation mode and should be supported by all JDK environments. 133 */ 134 OFB, 135 136 /** 137 *  138 * Propagating Cipher Block Chaining mode, defined in Kerberos version 4. 139 *
 140 * This is a standard JDK operation mode and should be supported by all JDK environments. 141 */ 142 PCBC 143}


jQuery is built on top of JavaScript , a rich and expressive language in its own right. This section covers the basic concepts of Javascript.


Before Change
is a power law distribution. Pareto created it to describe the wealth in the economy.
from ...numpy import ndarray as np_ndarray
tensor_type_name = np_ndarray
if ctx is None:
ctx = current_context()
if size == ():
size = None
is_tensor = isinstance(a, tensor_type_name)
if is_tensor:
return _npi.pareto(a, a=None, size=size, ctx=ctx, out=out)
else:
return _npi.pareto(a=a, size=size, ctx=ctx, out=out)
def power(a, size=None):
rDraw samples in [0, 1] from a power distribution with given parameter a.
Parameters
After Change
is a power law distribution. Pareto created it to describe the wealth in the economy.
if ctx is None:
ctx = str(current_context())
else:
ctx = str(ctx)
if size == ():
size = None
return _api_internal.pareto(a, size, ctx, out)
def power(a, size=None, ctx=None, out=None):
rDraw samples in [0, 1] from a power distribution with given parameter a.


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Written by: Doty Abrams
Transcribed by: Eric Aasen
[Scene: Monica and Rachel's, Rachel is getting ready for her first day.]
Rachel: (running in from her bedroom, wearing only a towel) Okay. Hey. Umm. Does everybody hate these shoes?
Chandler: Oh yeah, but don't worry. I don't think anybody's gonna focus on that as long as your wearing that towel dress.
Rachel: (to Ross) Tell him.
Ross: (to Chandler) It's her first day at this new job. Your not supposed to start with her!
Chandler: All right, I suppose I can wait a day. Hey, what are you doing Friday?
Ross: Why?
Chandler: I need you to come to this bachelor party for my weird cousin Albert, y'know he's the botanist.
Ross: Oh God. Y'know, botanists are such geeks.
Chandler: Yeah. Is that a dinosaur tie?
Ross: Hmm? Oh, yeah. (he makes a growling sound)
Phoebe: (entering, with about 20 purses hanging around her neck) Morning. Rach, I'm here with the purses!
Chandler: (to Phoebe) It must take you forever to find your keys.
Rachel: (running into the living room) Thank you, thank you, thank you, Pheebs.
Phoebe: Your welcome, oh please not the one with the turtles.
Rachel: No, no, no, no turtles scare me. I don't need that today.
Ross: Honey, just relax, it's gonna be fine. Hey, umm,. why don't I come down there and I'll take you out to lunch?
Rachel: Oh honey, thank you, but Mark's taking me out.
Ross: Mark is that ah, the same Mark that helped you get the job?
Rachel: Yeah, it's kinda like a 'good luck on your first day' sort of thing. (to Phoebe) Is this actually a lunchbox?
Phoebe: Umm, no, it's a purse. And there's a thermos in it.
Rachel: Oh.
Chandler: (to Ross) Hey, so can you make it on Friday?
Ross: What? Oh yeah, yeah I think so. Why am I invited to this again?
Chandler: Well apparently Albert has no friends. He's very excited about the bachelor party though. I think actually the only reason he's getting married is so he can see a stripper.
Phoebe: A stripper at a bachelor party, that is so cliché. Why don't you get a magician?!
Chandler: Well, if the magician can open my beer with his but cheeks, then all right.
Opening Credits
[Scene: Chandler and Joey's, Ross and Chandler are entering, Joey is on the phone.]
Ross: She's having lunch with him. She's having lunch with him. And you should of seen the hug she gave him when she got the job. And, and, and, (to Joey) he's really good looking. (Joey gives an enthusiastic thumbs up) What am I gonna do?
Chandler: Don't do anything. Keep it inside.
Joey: (hanging up the phone) Yes! Guess who's in an audition for a Broadway musical?
Chandler: I want to say you but, that seems like such an easy answer.
Joey: It is me! It's a musical version of Tale of Two Cities. So I think I'm gonna sing New York, New York, and ah, oh I left My Heart in San Francisco.
Ross: Ah Joey, I don't think you get to pick the cities.
Joey: What?
Ross: Mr. Dickens gets to pick 'em.
Joey: Who?
Chandler: I'll get you the Cliff Notes.
Joey: The what?
Chandler: The abridgment.
Joey: Oh, okay. (to Ross) The what?
[Scene: Rachel's office, Mark is training Rachel.]
Mark: ...and the style number, and the invoice number, and the shipping date. Good. Any questions so far?
Rachel: Yeah. What kind of discount do we get?
Mark: Twenty percent.
Rachel: Oh!! I love this job! (her phone rings) Wow! My first call.
Mark: Here, let me. (answers phone) Rachel Green's line, how may I help you?
Ross: (on phone) Hi, is Rachel there?
Mark: And who may I say is calling?
Ross: This is Ross?
Mark: Ross of.....
Ross: Of Ross and Rachel.
Mark: Oh hi. It's, it's Mark.

Mark: Hey, hold on a second.
Ross: Okay.
Rachel: Hi honey!
Ross: Hi! What's ah, what's Mark doing answering your phone?
Rachel: Oh, he's just goofing around.
Ross: Ohhhhh yeah, that's, that's funny. Why ah, why isn't he goofing around in his own office?
Rachel: Oh honey, this is his office too. I told you we're Joanna's two assistants.
Ross: Why does Joanna need two assistants, how, how lazy is she?
Rachel: Oh! Oh my God! What did I just do?
Ross: What?
Rachel: I think I just shipped 3,000 bras to personnel. Oh honey, I gotta go. (to Mark) Mark, I need you!
Ross: Okay, bye-bye. (starts slamming the receiver down in anger.)
Rachel: Ow! Ross!!
Ross: Oh, oh, I'm, I'm, I'm sorry sweetie, I was just trying to ah, I'm dialing another number. (hangs up)
[Scene: The Moondance diner, Monica is cleaning up with one of the waiters, with her back turned to him she removes her fake breasts and hides them under her wig.]
Jeannine: (to Monica) All right, I just got changed in thirty seconds so you can be alone with him. You'd better go for it.
Monica: Please, I'm not going for anything.
Jeannine: Well, if you don't, I will.
Monica: Would you please go?
Jeannine: Night Mon. Night Julio.
Julio: (to Jeannine) Adios.
(Monica starts wiping down the stools, as Julio follows along behind her replacing the napkin holders.)
Monica: Look Julio, someone left their book here.
Julio: Ah actually, that is mine.
Monica: Oh yeah, what are you reading?
Julio: Flowers of Evil, by Beaudalire. Have you read it?
Monica: Have I read it? (pause) No, are you enjoying it?
Julio: I thought I would, but the translation's no good.

Julio: Actually I ah, I am a poet.
Monica: Oh, then you do know it. (pause) So um what kind of things do you write about?
Julio: Things that move me. The, the shadow of a tree, a child laughing, or this lip. (points to her lip)
Monica: Mine? (points to her lower lip) Right here?
Julio: I can write an epic poem about this lip. (grabs her lower lip)
Monica: How would that go? (they kiss) Well, it didn't rhyme, but I liked it.
[Scene: Joey's audition.]
Joey: (singing) You've got to pick a pocket or two. Boyyyyssss, (picks a handkerchief from the pianist's pocket) you've got to pick a pocket or two..........
Director: Lovely, just lovely.
Joey: Really? Thanks.
Director: Listen Joey, we definitely want to see you for the callback on Saturday.
Joey: Excellent, I'll be there.
Director: Okay, and listen don't forget to bring your jazz shoes for the dance audition.
Joey: Ahhh! My ah, my agent said it wasn't a dancing part.
Director: Joey, all the roles got to dance a little. But believe me with your dance background it'll be a piece of cake.
[Scene: Chandler and Joey's, Chandler is reading Joey's resume.]
Chandler: ....three years of modern dance with Twila Tharp! Five years with the American Ballet Theater?!
 I wasn't one of the Zoom Kids either.
Phoebe: Well, can you dance at all?
Joey: Yeah, I can dance, y'know. (starts to dance really, really, really badly)
Chandler: Oh no, no, no, no.
Phoebe: (covering her mouth in shock) What, what is that?
 Yeah listen, I'm, I'm in need of a stripper and I was told that you do that. (listens) Let me ask you this, what, what do you do for the extra hundred? (listens) So would I, would I have to provide the grapes?
Monica: (entering) Hi!
Phoebe: Oh, how was last night with Julio, senorita?
Monica: It was soo amazing, he is so sexy, and smart, which makes him even sexier. Oh gosh, I gotta so you this. Last night, we were fooling around and he stops to write a poem.
 I couldn't stop if a meteor hit me.
Chandler: Okay, we have our stripper. A miss Crystal Chandelier.
Joey: Well sure, you name a kid that, what do you expect them to grow up to be?
Monica: Anyway um, when he left he forgot to take the poem with him. Now, I am like totally dense about poetry, but I think it's pretty good all right. Check it out. (hands them the poem)
Joey: (reading) The Empty Vase. Translucent beauty...
Chandler: To yourself. (finishing) Hey-hey-hey, y'know what that's pretty good.
Monica: Oh good, I think so too. Pheebs?
Phoebe: Oh yeah.
 Yay! All right I gotta go to work. (tries to take the poem)
Joey: Whoa, I'm not done.
Monica: All right, just give it back to me when your done. See you guys.
Chandler: Bye-bye.
(Monica leaves)
Phoebe: Oh my God, oh my God! Poor Monica!
Chandler: What, what, what?!
Phoebe: What?! He was with her when he wrote this poem. Look, (reading) 'My vessel so empty with nothing inside.  He thinks Monica is empty, she is the empty vase!
Chandler: You really think that is what he meant?
Phoebe: Oh, totally. Oh, God, oh, she seemed so happy too.
Joey: Done.
[Scene: Rachel's office, her desk is covered with stuff Ross has sent her.]
Mark: (reaching through the flowers) Do you have the, the Ralph Lauren file?
Rachel: Oh, yeah, sure, it's umm... (she picks up this bug and it starts to play the theme from Love Story)
Mark: Wh-what's that?
Ross: It's from Ross, it's a love bug.
Mark: Wow! Somebody wants people to know you have a boyfriend.
Rachel: Oh no, no-no-no, that's not, not, not, what he is doing. He's just, he's just really romantic.
Man: (to Rachel) Ah, excuse me, are you Rachel Green?
Rachel: Yes.
Man: (being joined by the rest of the barbershop quartet) One, two, three...
Quartet: (singing) Congratulations on your first week at your brand new job! It won't be long before your the boss.
The Bass Barber: Omm-pah, omm-pah, omm-pah.
Quartet: (singing) And you know who will be there to support... you?! Your one and only boyfriend...
The Bass Barber: It's nice to have a boyfriend.
 Ross!
Commercial Break
[Scene: Monica and Rachel's, Ross and Rachel are entering the living room from her bedroom.]
Ross: I'm hurt! I'm actually hurt, that you would think that I would send you any of those things out of any thing other than love. Hurt! Hurt!
Rachel: All right Ross!! I get it!!
Ross: I mean my God...
Rachel: You're hurt!
Ross: ...can't, can't a guy send a barbershop quartet to his girlfriend's office anymorrrrre!!
Rachel: Oh, please, Ross it was so obvious!  I mean you might have well have just come in and peed all around my desk!
Ross: I would never do that!
Rachel: Look, I know what's going on here, okay, Mark explained it all to me. He said this is what you guys do.

[Scene: Central Perk, Chandler, Ross, Joey are there.]
Joey: Mark's a genius!
Ross: Why?! How?! How is he a genius?
Chandler: Look, don't you see what's happening here.
Ross: What am I going to do?
Chandler: Well, why don't you send her a musical bug, op, no you already did that. All right look, you're going to have to go there yourself now, okay, make a few surprise visits.
Ross: I don't know you guys.
Chandler: All right fine, don't do anything, just sit here and talk to us, meanwhile she is talking to him about you. And he's being Mr. Joe Sensitive, and she starts thinking 'Maybe this is the guy for me, because he understands me.'
Joey: And before you know it, she's with him. And you'll be all, 'Ohh, man!' And he'll be all, 'Yes!' And us, we'll be like, 'Wh-whoa, dude.' And pretty soon you'll be like, (sadly) 'Hhiii,' and, and, and, 'I can't go, Rachel and Mark might be there.' And we'll be like, 'Man get over it, it's been four years!!'
Chandler: He paints quite a picture doesn't he?
[Scene: Rachel's office.]
Woman: (walking up to Mark) Here's the Shelly Siegal stuff from December.
Mark: (turning around) And wait, I've got something for you. (kisses her)
Woman: Mark!!
Mark: It's okay, Rachel knows.
Woman: Yeah, but even soo.
(Ross appears in the hallway just outside of Rachel's office.)
Mark: I can't help it, I'm just, I'm just crazy about you.
Rachel: Ohhh! That is soo sweet! (gets up to get herself a cup of coffee)
(Ross is eavesdropping in the hallway.)

(They start to kiss, and Ross rushes into the office to break it up.)
Ross: All right that's, that's it!!
Mark: What is going on?
Ross: What's going on?! (throws the love bug at him) That's what's going on!!
Rachel: (now standing behind Ross) Ross!
(Ross finally looks at the woman kissing Mark.)
Ross: I have been down in your store for twenty minutes trying to get a tie! What do I have to do to get some service?! (turns to Rachel) Hi Rach. (He's puts his hand on her shoulder and she knocks it away.)
[Scene: Joey's dance audition, Joey is warming up.]
Director: Ah Joey. Joey Tribbiani. Listen Joey, I got a problem, I just got a call from my dance captain, he's having a relationship crisis and can't get out of Long Island.
Joey: So, does that mean the audition is off?
Director: Listen Joey, seeing as you've got the most experience, I want you to take these dancers and show them the combination.
Joey: What?!
Director: Aw come on Joey, it's easy. Y'know, it's hand, hand, head, head, (very quickly, Joey watches stunned) up, pas de bouree, pas de bouree, big turn here, grand sissone, sissone, sissone, slide back, step, step, step, and jazz hands!
Joey: It's ah, step-ity, step and jazz hands.
Director: Have fun.
Joey: Bye. (does the jazz hands)
[Scene: Monica and Rachel's, Monica is tying a ribbon to a vase.]
Phoebe: (entering) Hey!
Monica: Hey.
Phoebe: What are you wrapping?
Monica: Oh-ho, look what I got Julio.
Phoebe: Yeah, it's a vase.
Monica: Yeah, just like the one in the poem.
Phoebe: Well not exactly like the one in the poem.
Monica: What do you mean?
Phoebe: Remember how you said you were really dense about poetry? Oh. (hugs her)
[Scene: The Moondance Diner.]
Monica: (to Julio) So! I'm just an empty vase, huh?
Julio: What?
Monica: Y'know, so I don't read as many important books as you do, and I don't write trick poems that seem to be about one thing but are actually about something else.  Y'know but that does not mean that I'm empty, I care about things. I care about my friends and family. You have no right to make that kind of judgment about me.
Julio: Whoa, whoa, whoa.
Monica: You don't even know me...
Julio: Whoa, whoa, whoa, the poem is not about you.
Monica: What?
Julio: The Empty Vase is not about you. My baby, you make me so sad that you would think this.
Monica: I'm sorry, my friend Phoebe...
Julio: No, it's about all women. Well, all American women. You feel better now?
Monica: (sarcastically) Oh yeah.
[Scene: Joey's audition, the director has returned and wants to see the combination.]
Director: All right, let's do it!
(The group does the same horrible dance that Joey did earlier in the show, except they're all out of sync and they do the jazz hands at the end.)
Director: No, no, no. What was that?
Joey: I know, it was the best I could get out of them.
Director: Well, people!
Joey: People, people, people.
Director: Let's try it again, and this time let's watch everybody watch Joey. (to Joey) Show 'em how it's done. (to the pianist) Count it off.
(The pianist starts to play, and Joey readies himself, and then runs out of the audition.)
[Scene: Central Perk, Chandler and Rachel are there.]
Rachel: So ah, did you have fun at the bachelor party last night?
Chandler: Oh yeah, yeah! Look what I got, look what I got. (holds up a pen) See, she's fully dressed, right?
Rachel: Right.
Chandler: And then you click it and, uh-oh, she's naked.  She's a business woman, she's walking down the street, she's window shopping, and (clicks pen) whoa-whoa-whoa, sh-she's naked! (Rachel just stares at him.)
Ross: (entering) Hi.
Rachel: Hello.
Chandler: Y'know what, I'm, I'm gonna spend some alone time with the pen.

 Just you have to realize is, this whole Mark thing is kinda hard for me.
(Gunther is eavesdropping in the background.)
Rachel: Honey, why is it hard, I mean we've been together for almost a year now?
Ross: Well, I was with Carol for like eight years and I lost her. And now if it's possible I think I love you even more. So, it's hard for me to believe that I'm not gonna, well that someone else is not going to take you away.
Gunther: Let it be me! Let it be me!
Rachel: Honey, that's very sweet, it just seems to me though, that if two people love each other and trust each other, like we do, there's no reason to be jealous. (she kisses him)
Ross: I gotta get going. Bye Chandler.
Chandler: Oh, okay Ross. Listen, this pen is kinda getting boring, so can you pick me up some porn?
Rachel: Where ya going?
Ross: Oh, I've got to go pick up Ben, we've got a play date this afternoon.
Rachel: Ohh, with who?
Ross: Oh, just this woman that I met last night at the party.
Rachel: There was a woman at the... (realizes) The stripper?!
Ross: Yeah.
Rachel: You have a play date with a stripper?!
Chandler: Man, I gotta get a kid. (looks at the pen and starts laughing)
Ross: Ah, yeah, yeah. Umm, we started talking after she y'know, did her thing. And it turns out she's got a boy about Ben's age, so we're taking them to a gym-boree class. Why, is that okay?
Rachel: Sure, is she married?
Ross: Ahh, no.
Rachel: Oh. (starts shaking the sugar down in a packet really hard.)
Ross: Are you jealous?
Rachel: Noo, I y'know I don't see why she has to play with you, that's all. I mean doesn't she have any y'know other stripper moms friends of her own?
Ross: You are totally jealous.
Rachel: I'm not jealous. All right this is about, umm, people feeling certain things y'know about strippers. And y'know, and um, I...
Ross: Honey, I love you too.
Rachel: Ugh. Wait, wait, wait.
Ross: What?
(She runs over and gives him a very passionate kiss.)
Ross: Huh.
Rachel: (to Chandler) Well, there's a kiss that he won't forget for a couple of hours, y'know.
Chandler: Yeah.
Closing Credits
[Scene: The Moondance Diner.]
Man: (entering) Is there a Julio here?
Julio: (to him) I am Julio.
(The rest of barbershop quartet enters, and joins him.)
Man: (singing) Mister Pretensous, (Monica stands up in the background) you think there's no one finer, well but your poems are unpublished, and you work in a diner.
Quartet: Your no God's gift to women, that's all in your headdddd.
Bass Singer: No one likes a buttmunch.
Quartet: And your also bad in bedd-edd-edd!.
(Monica waves at Julio.)
End


A Very Brief Intro To Me
Admittedly, the content that has been on this site for quite some time has very little to do with my factual life. It's an excerpt from Hunter S. Thompson's Fear and Loathing In Las Vegas novel. The facts are a bit more like this:
I was born and raised in Louisiana, but since then I have lived in Los Angeles, Chicago, and now, San Francisco. I studied math in college and embarked on a life as a data analyst. As fun as data analytics is, I'm craving more knowledge and a deeper skillset to design and use databases, data warehousing, machine learning algorithms, etc. So I've embarked on this affair with computer programming to see if I might find substance beyond the craving.
Beyond why I chose to attend DevBootcamp, I'm a fiction novel junky - Tom Robbins is my current favorite. I recently decided to focus on New Journalism, namely Tom Wolfe and Hunter S. Thompson. Hence the excerpt. I also love cooking and driving... fast.


Welcome to Fit Heaven
Like Our Work? Contact us!
Kevin Washburn
Portfolio
Warren Shehan
Portfolio
Adriana Didden
Portfolio
Zach Meadows
Portfolio


Past
During my time in high school at Sacred Heart Cathedral Prep, I played on the school volleyball team up to varsity.
We would fundraise for our team by grilling hamburgers and hot dogs during basketball or women's volleyball games. Also in high school,
I volunteered to work the voting polls for the 2010 San Francisco local elections.
During my time in undergraduate at UCSB, I was involved in Pi Alpha Phi, an asian-american interest fraternity.
As a part-time job, I worked for ASPB(Associated Students Program Board) as part of the production crew there. We helped to set-up and
organize shows/concerts for the student body. On the side, I volunteered for KCSB FM 91.9 as part of the Sports Crew. I would help to
broadcast any athletic games ranging from basketball, soccer, volleyball, or baseball(unfortunatley, we didn't have a football team at UCSB).
On some days, I would try and sit in with the math lectures going on at SIAM(Society of Industrial and Applied Mathematics).
Current
I'm currently enrolled in Galvanize's Web Development Immersive program. On the side, I volunteer as
part of the core-team and Research group at Code for San Francisco. In addition, I also volunteer
with AAMA(Asian-American Multitechnology Association) to help set-up and coordinate their events.
To infinity and beyond!
It was always a dream of mine to explore uncharted territories, whether it be the deepest depths of the ocean
or the sheer vastness of outer space. I've always been fascinated with how technology works ever since I
received my first GameBoy all the way to building my very own desktop computer. I'm beginning to learn the intricacies of
software engineering. I'm also discovering a hidden passion for architecture and interior design.
After Galvanize, I would love to work for a company like SpaceX, Blue Origins, AirBnB, Twitch, or Blizzard Entertainment.
Contact
I'll get back to you as soon as possible. But feel free to send me an email at kevinlam.ucsb(at)gmail.com (Please don't send me spam)
Thanks for taking the time to read about me.


0.94 Release “Tricks or Tracebacks?”
The Pitivi team is proud to announce the fourth release of the new version of Pitivi based on GES, the GStreamer Editing Services library. This is mostly a incremental bugfixing release, so make sure to see the 0.91, 0.92 and 0.93 release notes to get the full picture.
This is considered a beta release. As per the feedback we've received since 0.91 and the many fixes we've made since then, we are confident that the new release series is of much higher quality than the 0.15 series and older.
This release works well for us and we make nice movies with it. Try it out, have fun and report detailed bugs for issues you may encounter!
Changes and fixed bugs
Executive summary:
- The main toolbar and menubar have been replaced by a headerbar and menubutton, saving a significant amount of precious vertical space and using the horizontal space better.
- The viewer has been ported to use a GStreamer GL video output sink instead of the Clutter sink. This solves crashes when running Pitivi outside of GNOME Shell and is expected to be a more future-proof solution.
- We dropped our use of CoGL APIs, namely path_round_rectangle which caused crashes on various Linux distributions shipping a broken version of CoGL
- Pitivi has been ported to Python 3
- Text wrapping in the rendering progress dialog and title editor has been fixed
- Effects can now be reordered within a clip's properties
- The default positioning of UI components (when starting from a fresh install) has been improved to be balanced properly
- Undocked window components do not shift position on startup anymore
- Docked window components do not shift position on startup anymore, when the window is not maximized. When the window is maximized, the issue remains (your help to investigate this problem is very much welcome, see bug 723061)
- The title editor's UI has been simplified, and now supports decimal font sizes
- Educational infobars throughout the UI have been tweaked to make their colors less intrusive
- Various issues have been corrected regarding:
- Drag and drop in the media library
- Audio waveforms
- Undo/redo
- The user manual is now up to date with the state of the new Pitivi series
- Pitivi has been ported to GtkApplication, allowing us to remove a lot of old code.
- Port deprecated GTK+ widgets to new ones
- Timeline UI animations have been tweaked
- Code refactoring and cleanup all over the place
- Various build and packaging fixes
- Various fixes to the test suite
- Translations have been updated
See the list of reported bugs that have been resolved in 0.94.
Since the 0.93 release, 240 commits were made across 159 files. Here is a summary of some noteworthy commits:
8f252a4 viewer: Do not call the expose function when we set the aspect ratio
2846425 viewer: Do not forget to set ViewerWidget sink when setting our pipeline
c6b12b7 Show an error dialog when encountering Unicode decoding errors/broken locales
8776f73 clipmediaprops: Handle potentially broken framerates such as 1000 fps
10d82cd pitivi: Remove our hard dependency to GdkX11
4ef394b timeline: Fix dragging of second clip from the media library to the timeline
b019640 Make the title editor's infobar more compact to avoid excessive wrapping
f0d8f4f Make the “User Manual” menu item work in the main MenuButton
4c6e137 Fix the text wrapping in the rendering progress dialog
8bc597f effects: Allow reordering the effects of a clip
ba5a7a8 timeline: Fix effects dragged onto clips
d9e89f8 effects: Display the human names in the list of effects of a clip
b054f9f clipproperties: Disable sorting of the clip's effects
e4702c5 clipproperties: Fix effects tooltips
374aa64 mainwindow: Better default placement for panes
279b6ed previewers: Avoid removing sources already running
a1985ae previewers: Always set lastUpdate when computing geometry
ae0ef1f video previewer: remove unused self._callback_id
67b9d5c previewers: Fix initial value of AudioPreviewer.lastUpdate
fb3f3da timeline: Get rid of some clip animations
9e39466 project: Fix setting of restriction caps values
e34bbfe Set emblem-system-symbolic for menu icon before gtk 3.13
c671383 render: Play the rendered file without blocking the UI
860d904 timeline: make sure not to set a negative size on elements.
89a9349 Change some infobars to be more discrete
af65ef5 elements: Don't use Cogl anymore.
c4c11de elements: Don't use path_round_rectangle.
9d171bf Use Gio.SimpleActions to handle global app keyboard events
f7e23b0 Make Pitivi a GtkApplication
d48a39c mainwindow: Replace the menubar and main toolbar by HeaderBar and MenuButton
2696f41 Port Pitivi to Python 3
4c09ca6 mainwindow: Fix main window's panes shifting position
6e894d8 tabsmanager: Fix utility windows' shifting behaviour
Requirements
In this release:
- We have dropped the dependency on ClutterGst
- We now depend on GStreamer 1.4
- We now depend on GTK+ 3.10
Generally speaking, you can refer to Pitivi's check.py for the dependencies' versions specific to a given release. See also dependencies for additional tips.
Known issues
- Layer management interface is missing features.
- The title editor UI is still quite primitive. Please join us to make it work up to your expectations! See the existing title editor bugs.
- The transformation box reimplementation is still ongoing (see bug 708495).
- Translations are not all fully up to date.
- The automated codecs installer is (still) broken. See bug 686182 and GES bug 686181.
- The automatic clip aligner feature does not work. We need someone to port it to use our new audio waveforms processing module.
- No dialog to install missing codecs after discovering clips, and no error gets raised in that case. This means that the clip will “appear” to have imported correctly, but if you try inserting it into the timeline you may get errors in the background or Pitivi's UI may hang.
See the list of currently known issues, the 0.91, 0.92, 0.93 and 0.94-specific issues and the list of bugs that need re-testing with 0.91 (you can help!)
Contributors for this release
In Pitivi:
94 Alexandru Băluț
33 Tomas Karger
24 Thibault Saunier
22 Jean-François Fortin Tam
20 Lubosz Sarnecki
8 Mathieu Duponchelle
2 Fabian Orccon
2 Georges Basile Stavracas Neto
2 Ken MacLeod
1 Brion Vibber
1 Dominique Leuenberger
In GES:
53 Thibault Saunier
15 Mathieu Duponchelle
5 Edward Hervey
5 Lubosz Sarnecki
4 Sebastian Dröge
3 Tim-Philipp Müller
2 Christoph Reiter
1 Alexandru Băluț
1 Lazar Claudiu
1 Vincent Penquerc'h
Translations:
cs Marek Černocký
de Bernd Homuth
el Tom Tryfonidis, Dimitris Spingos
es Daniel Mustieles, Milagros Alessandra Infante Montero
fi Lasse Liehu
fr Alexandre Franke, Jean-François Fortin Tam
hu Balázs Úr
lt Aurimas Černius
pl Piotr Drąg
pt_BR Rafael Ferreira
ru Alexandre Prokoudine, Yuri Myasoedov
sk Dušan Kazik
sl Martin Srebotnjak
sr Мирослав Николић
zh_TW Cheng-Chia Tseng
Download, additional information and feedback
A tarball is available on https://download.gnome.org/sources/pitivi/0.94/
A bundle usable on any linux distribution is avalaible at:
- 64 bits platforms: http://pitivi.ecchi.ca/bundles/releases/pitivi-0.94-beta-x86_64.tar
- 32 bits platforms: http://pitivi.ecchi.ca/bundles/releases/pitivi-0.94-beta-x86.tar
See the Pitivi website and building with GES for download and installation instructions.
Feedback is welcome. See bug reporting for tips and tricks.
The results of the search are


App url located here.
Edit user data example below and insert it into a entity in your domain.
{
"owner": "Enter owner of domain",
"domainName": "Enter domain name",
"port": "Enter domain ports
(default 40102)"
}
Enter server script url into server script filled of entity.
You should now be added to the goto.
This servers go to Jason URL is located here.
The GoTo is also available here.


Bomberman
1.0
Re-make of Bomberman game
Here is a list of all class members with links to the classes they belong to:
- c -
Camera() :
Camera
ChaseState() :
ChaseState
chekLiveTime() :
ParticleSystem
cleanMapForRendering() :
MapLoader
clear() :
CLEngine
,
ParticleManager
,
ResourceManager
clearMemoryStack() :
ParticleSystem
clearMusicMap() :
MusicPlayer
clearSoundMap() :
MusicPlayer
ConfusedState() :
ConfusedState
controller :
Agent< Pawn, Controller >
CreateDeviceObjects() :
Gui
createGLBufers() :
ParticleSystem
,
ParticleSystemBrick
,
ParticleSystemPoint
,
ParticleSystemQuad
createParticleSystem() :
ParticleSystemCreator
CustomException() :
CustomException
Generated by
1.8.16


| Opcode*/Instruction | Op/En | 64/32 bit Mode Support | CPUID Feature Flag | Description |
|---|---|---|---|---|
|
F3 0F 52 /r RSQRTSS xmm1, xmm2/m32 |
RM | V/V | SSE | Computes the approximate reciprocal of the square root of the low single-precision floating-point value in xmm2/m32 and stores the results in xmm1. |
| VEX.NDS.LIG.F3.0F.WIG 52 /r VRSQRTSS xmm1, xmm2, xmm3/m32 | RVM | V/V | AVX | Computes the approximate reciprocal of the square root of the low single precision floating-point value in xmm3/m32 and stores the results in xmm1. Also, upper single precision floating-point values (bits[127:32]) from xmm2 are copied to xmm1[127:32]. |
| Op/En | Operand 1 | Operand 2 | Operand 3 | Operand 4 |
| RM | ModRM:reg (w) | ModRM:r/m (r) | NA | NA |
| RVM | ModRM:reg (w) | VEX.vvvv (r) | ModRM:r/m (r) | NA |
Computes an approximate reciprocal of the square root of the low single-precision floating-point value in the source operand (second operand) stores the single-precision floating-point result in the destination operand. The source operand can be an XMM register or a 32-bit memory location. The destination operand is an XMM register. The three high-order doublewords of the destination operand remain unchanged. See Figure 10-6 in the Intel® 64 and IA-32 Architectures Software Developer’s Manual, Volume 1, for an illustration of a scalar single-precision floating-point operation.
The relative error for this approximation is:
|Relative Error| ≤ 1.5 ∗ 2−12
The RSQRTSS instruction is not affected by the rounding control bits in the MXCSR register. When a source value is a 0.0, an ∞ of the sign of the source value is returned. A denormal source value is treated as a 0.0 (of the same sign). When a source value is a negative value (other than −0.0), a floating-point indefinite is returned. When a source value is an SNaN or QNaN, the SNaN is converted to a QNaN or the source QNaN is returned.
In 64-bit mode, using a REX prefix in the form of REX.R permits this instruction to access additional registers (XMM8-XMM15).
128-bit Legacy SSE version: The first source operand and the destination operand are the same. Bits (VLMAX-1:32) of the corresponding YMM destination register remain unchanged.
VEX.128 encoded version: Bits (VLMAX-1:128) of the destination YMM register are zeroed.
RSQRTSS (128-bit Legacy SSE version)
DEST[31:0] (cid:197) APPROXIMATE(1/SQRT(SRC2[31:0])) DEST[VLMAX-1:32] (Unmodified)
VRSQRTSS (VEX.128 encoded version)
DEST[31:0] (cid:197) APPROXIMATE(1/SQRT(SRC2[31:0])) DEST[127:32] (cid:197) SRC1[127:32] DEST[VLMAX-1:128] (cid:197) 0
RSQRTSS:
__m128 _mm_rsqrt_ss(__m128 a)
None.
See Exceptions Type 5.


| Class | Description |
|---|---|
| BinaryMinus | |
| Division | |
| Exponentiation | |
| GreaterThan | |
| GreaterThanOrEqualTo | |
| LessThan | |
| LessThanOrEqualTo | |
| Max | |
| MaxRewriter |
A
TopRewriter solving intensional products by using a given quantifier eliminator. |
| Minus |
A simplifier combining unary and binary minus simplifiers.
|
| NumericSimplifier | |
| Plus | |
| PolynomialSimplifier |
A
Simplifier that attempts to normalize polynomials. |
| ProductRewriter |
A
TopRewriter solving intensional products by using a given quantifier eliminator. |
| SummationRewriter |
A
TopRewriter solving summation by using a given quantifier eliminator. |
| Times | |
| UnaryMinus |
Implements the unary MINUS operation.
|


Getting started¶
scikit-image
is an image processing Python package that works with
numpy
arrays. The package is imported as skimage
:
>>> import skimage
Most functions of skimage
are found within submodules:
>>> from skimage import data
>>> camera = data.camera()
A list of submodules and functions is found on the API reference webpage.
Within scikit-image, images are represented as NumPy arrays, for example 2-D arrays for grayscale 2-D images
>>> type(camera)
<type 'numpy.ndarray'>
>>> # An image with 512 rows and 512 columns
>>> camera.shape
(512, 512)
The skimage.data
submodule provides a set of functions returning
example images, that can be used to get started quickly on using
scikit-image’s functions:
>>> coins = data.coins()
>>> from skimage import filters
>>> threshold_value = filters.threshold_otsu(coins)
>>> threshold_value
107
Of course, it is also possible to load your own images as NumPy arrays
from image files, using skimage.io.imread()
:
>>> import os
>>> filename = os.path.join(skimage.data_dir, 'moon.png')
>>> from skimage import io
>>> moon = io.imread(filename)


{% extends "base.html" %} {% load url from future %} {% block title %} Weekly FMC - Scramble {{ scramble.id }} {% endblock %} {% block content %}
This scramble will run from {{ scramble.pub_date.date }} to {{ scramble.end_date.date }}{{ error_message|safe }}
{% endif %}If your cube doesn't match the picture, check out a full model of the scramble at alg.cubing.net.
The solution can include uppercase face moves (RLFBDU), wedge moves in both WCA notation (Rw,Lw,etc.) and SiGN notation (r,l,etc.), slice moves (MES), and cube rotations (xyz) separated by spaces or linebreaks. Slice moves count as 2 moves, cube rotations count as 0 moves, and all other moves count as 1 move.


For multiselects, typeaheads, and other selectbox needs, we recommend using a 3rd-party component,
ng-select
. We've created a Cashmere theme for the component to give it the proper look and feel. See usage tab for setup instructions.
Selected:
{{ selectedCitiesControl.value | json }}
API & other documentation:


CELESTIAL CLOCKWORK (Mecanicas Celestes) (director/writer: Fina Torres; screenwriters: Telsche Boorman/ Chantal Pelletier; cinematographer: Ricardo Aronovich; cast: Ariadna Gil (Ana), Arielle Dombasle (Celeste), Evelyn Didi (Alcanie), Frederic Longbois (Armand), Lluis Homas (Italo), Chantal Aimee (Tina), 1996-Fr.)
Reviewed by Dennis Schwartz
If you like nonsense musicals with plenty of singing, beautiful set designs, fantastic colors, sex, witchcraft, and a fairy tale charm to it, then you will probably like this film, which is in many ways like FLYING DOWN TO RIO. Though, I was hoping it could be more like those Jacques Demy or Jacques Rivette musicals, exhibiting a little more substance. But if you are in a mood for some light entertainment, this zany musical has plenty of oomph and should satisfy your Latino appetite for something that is easy and sexy to look at.
The little known director of this film, hails from Venezuela, which gives this French film a very natural Latin twist to its story and music.The film opens in a Venezuelan church, where Ana (Ariadna) is about to get married at the altar, but for some inexplicable reason changes her mind and runs out of the church, grabs a taxi, packs her Maria Callas poster, and is on a plane for Paris still in her wedding dress. In Paris, she rooms with four other countrywomen, finds a job as a housekeeper and another one in a bakery store, and decides to follow through on her dream of being a professional opera singer by taking lessons with a voice coach.
Her ambition is to get the great impresario, Italo (Lluis), to listen to her sing. She wants very much to be in his next production of Cinderella. Meanwhile she has problems with her visa, as her stay in Paris is about to legally end. The police are trying to keep close tabs on her, wanting her to leave the country.  He wants this to please his mother; and, she agrees to do this in order to stay in Paris.
In between the songs, that can break out at any moment, like in Rivette's UP DOWN FRAGILE, the ever-smiling Ana, (after awhile her smile begins to grate on you), will meet a nervous psychoanalyst, Alcanie (Didi), whom she moves in-with after drinking a love potion concocted by a witch doctor.
This is all done as harmless and silly fun, much in the vein of a long list of Hollywood and French musicals, films that I was never partial to. For what it's worth, this film is an entertaining and colorful spectacle, and with enough verve in it to make it seem inventive.
REVIEWED ON 1/14/99 GRADE: C+
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
<EMAIL_ADDRESS>© ALL RIGHTS RESERVED DENNIS SCHWARTZ
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Contents
Previous
Next
Two devices were adopted for testing different versions of CUDA
implementations of the Sciara-fv3 model, the GTX 580 (Fermi
architecture) and GTX 680 (Kepler architecture) graphic processors (see
section [sect:keplerArch] at page ). In particular, the latter has 1536
CUDA cores, 2 GB global memory and 192 GB/s high-bandwidth
communication between CPU and GPU, while the former device has 512
cores 192 GB/s high-bandwidth. The sequential SCIARA reference version
was implemented on a 3.4 GHz Intel Core i7 based desktop computer. As
previously stated, the sequential reference CPU version is
fully-optimized, where each cell can update neighbour cells directly.
At the contrary, parallel versions introduce flow substates with the
inevitable addition of overheads. However, an optimization regards both
versions: at every step, the CA space array is scrolled and the
transition function applied to each cell of the CA only where lava is
present, skipping empty cells. A first test regarded the
simulation of well-known and documented real lava flow event, the Mt.
Etna 2006 lava event occurred in July 14, 2006, where the CA space is a
\(517 \times 378\) two-dimensional grid. Besides, two different memory
layouts were considered, by adopting a hybrid shared-global memory as
explained in the previous section and all-global version. Simulations
were carried out for 370.000 steps and considering two craters for lava flow
emission. In order to further stress the efficiency of the GPU version,
a further benchmark experiment was performed by considering a
\(400^2\) cells flat plane with a central crater. Eventually, some
experiments were carried out by adopting CUDA’s intrinsic function
(i.e., fast_math
compiler option) feature (
[@NvidiaprogGuide]) for single-precision calculations, that permits the
use of mathematical functions that CUDA directly maps on-chip and thus
are faster versions of the corresponding standard ones, even if less
accurate. Timings reported for the considered GPU devices (see Tab.
[tab:execAHM_LAC] and Tab. [tab:execGM_HM] for the GTX 580 and GTX 680
and GTX 480) indicate their full suitability for parallelizing CA
models. Even if applied to a complex CA model and considering a fully
optimized reference sequential version, performance results show the
good computational power of the considered GPU in terms of execution
time reduction, significantly (and always) outperforming the CPU
(sequential) implementation up to
\(31\times\) for the considered datasets.
[tab:execGM_HM]
Achieved speedup values of experiments carried out for
evaluating the performance the GPU version of the SCIARA-fv3 MCA
lava-flow model on the GTX 580 (Fermi architecture) and the GTX 680
(Kepler architecture) graphic hardware, using the hybrid memory (HM)
and global (GM) memory layouts, fast_math option (HM_FM) and by
considering single and double precision variable values. A Intel
i7-2600 based hardware was adopted for reference sequential tests. The
\(517 \times 378\) matrix refers to the 2006 Mt. Etna event.
| CA dim | HM
(float) | HM_FM (float) | HM
(double) | |
|
\(517 \times 378 \) | 14.29 |
14.2 | 9.0 | |
|
\(400 \times 400 \) | 27.12 |
28.1 | 19.4 | |
Achieved speedup values of experiments carried out for
evaluating the performance the GPU version of the SCIARA-fv3 MCA
lava-flow model on the GTX 580 (Fermi architecture) and the GTX 680
(Kepler architecture) graphic hardware, using the hybrid memory (HM)
and global (GM) memory layouts, fast_math option (HM_FM) and by
considering single and double precision variable values. A Intel
i7-2600 based hardware was adopted for reference sequential tests. The
\(517 \times 378\) matrix refers to the 2006 Mt. Etna event.
| CA dim | GM
(float) | GM_FM (float) | GM
(double) | |
|
\(517 \times 378\) | 12.55 |
12.56 | 8.13 | |
|
\(400 \times 400 \) | 23.83 |
24.56 | 17.41 | |
Achieved speedup values of experiments carried out for
evaluating the performance the GPU version of the SCIARA-fv3 MCA
lava-flow model on the GTX 580 (Fermi architecture) and the GTX 680
(Kepler architecture) graphic hardware, using the hybrid memory (HM)
and global (GM) memory layouts, fast_math option (HM_FM) and by
considering single and double precision variable values. A Intel
i7-2600 based hardware was adopted for reference sequential tests. The
\(517 \times 378\) matrix refers to the 2006 Mt. Etna event.
| CA dim | HM
(float) | HM_FM (float) | HM
(double) | |
|
\(517 \times 378 \) | 15.6 |
15.8 | 10 | |
|
\(400 \times 400 \) | 29 | 31 | 21 | |
Achieved speedup values of experiments carried out for
evaluating the performance the GPU version of the SCIARA-fv3 MCA
lava-flow model on the GTX 580 (Fermi architecture) and the GTX 680
(Kepler architecture) graphic hardware, using the hybrid memory (HM)
and global (GM) memory layouts, fast_math option (HM_FM) and by
considering single and double precision variable values. A Intel
i7-2600 based hardware was adopted for reference sequential tests. The
\(517 \times 378\) matrix refers to the 2006 Mt. Etna event.
| CA dim | GM
(float) | GM_FM (float) | GM
(double) | |
|
\(517 \times 378\) | 13.8 |
13.6 | 9.3 | |
|
\(400 \times 400 \) | 28 | 29 | 20.4 | |
Achieved speedup values of experiments carried out for
evaluating the performance the GPU version of the SCIARA-fv3 MCA
lava-flow model on the GTX 580 (Fermi architecture) and the GTX 680
(Kepler architecture) graphic hardware, using the hybrid memory (HM)
and global (GM) memory layouts, fast_math option (HM_FM) and by
considering single and double precision variable values. A Intel
i7-2600 based hardware was adopted for reference sequential tests. The
\(517 \times 378\) matrix refers to the 2006 Mt. Etna event.
| CA dim | HM
(float) | HM_FM (float) | HM
(double) | |
|
\(517 \times 378\) | 8.3 | 8.3 | 6.6 | |
|
\(400 \times 400 \) | 19.5 |
19.3 | 14 | |
Achieved speedup values of experiments carried out for
evaluating the performance the GPU version of the SCIARA-fv3 MCA
lava-flow model on the GTX 580 (Fermi architecture) and the GTX 680
(Kepler architecture) graphic hardware, using the hybrid memory (HM)
and global (GM) memory layouts, fast_math option (HM_FM) and by
considering single and double precision variable values. A Intel
i7-2600 based hardware was adopted for reference sequential tests. The
\(517 \times 378\) matrix refers to the 2006 Mt. Etna event.
| CA dim | GM
(float) | GM_FM (float) | GM
(double) | |
|
\(517 \times 378\) | 7.3 | 7.3 | 6.6 | |
|
\(400 \times 400 \) | 18.5 |
17.6 | 12.3 | |
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We implement programming (or design) by contract as a Hoare Triple:
where {P} is the precondition before executing command C, and {Q} is the postcondition.
These semantics should only be enabled during debug builds
_dict_set()
static int32_t
_dict_set (dict_t *this, char *key, data_t *value, gf_boolean_t replace) {
...
}
static int32_t
_dict_set (dict_t *this, char *key, data_t *value, gf_boolean_t replace) {
REQUIRE(key != NULL);
REQUIRE(this != NULL);
REQUIRE(value != NULL);
REQUIRE(1000000 > strlen(key));
REQUIRE((_gf_false == replace) || (_gf_true == replace));
REQUIRE(NULL != THIS);
REQUIRE(NULL != THIS->ctx);
REQUIRE(NULL != THIS->ctx->dict_pair_pool);
INVARIANT(_dict_invariant(this));
...
INVARIANT(_dict_invariant(this));
ENSURE(NULL != _dict_lookup(this, key));
}
_dict_invariant()
static void
_dict_invariant (dict_t *this) {
REQUIRE(this != NULL);
REQUIRE(this->refcount > 0);
REQUIRE(this->lock != 0);
REQUIRE(this->members != NULL);
}
http://artofunittesting.com/definition-of-a-unit-test/
You could build the entire car and then test
test_chair()
{
assert(supports a person);
assert(move foard);
assert(move back);
assert(move left);
assert(move right);
assert(lean back N degrees without falling back);
}
// Replace human with robot
test_chair()
{
assert(robot arm push down on chair with X Newtons);
assert(robot arm move chair forward 0.5m);
assert(robot arm move chair back 0.5m);
assert(robot arm move chair left 0.5m);
assert(robot arm move chair right 0.5m);
assert(robot arm lean chair back 25 degrees);
}
test_cushion() { ... }
test_arm() { ... }
test_leg() { ... }
test_leaning_assembly { ... }
test_lift { ... }
test_wheel()
{
Mock chair leg holding wheel();
exepect wheel pin to appear in Mock chair leg();
insert wheel into mock leg();
assert(simulate weight);
assert(clockwise rotation);
assert(counter-clockwise rotation);
assert(connector to mock chair leg);
}
void null_test_success(void **state) {
}
int main(int argc, char* argv[]) {
const UnitTest tests[] = {
unit_test(null_test_success),
};
return run_tests(tests, "run");
}
Here is an example function calling assert
#include <cmockery/cmockery_override.h>
void increment_value(int * const value) {
assert(NULL != value);
(*value) ++;
}
Here we can test the assert is triggered
void increment_value_assert(void **state) {
expect_assert_failure(increment_value(NULL));
}
int main(int argc, char *argv[]) {
const UnitTest tests[] = {
unit_test(increment_value_assert),
};
return run_tests(tests, "assert_module");
}
malloc(), calloc(), free(), realloc()
functionsUsed to isolate functions
static int
a(int x, int y) {
return double(x) + y;
}
Place new mock double()
in a_mock.c and build the test:
gcc -o a_test a_test.c a.c a_mock.c -lcmockery
Test
static void
test_a( void **state ) {
expect_value(double, value, 2);
will_return(double, 4);
assert_int_equal(a(2, 4), 8);
}
Mock double();
int
double( int value ) {
check_expected(value);
return((int)mock());
}
Download the code
$ git clone -b lab https://github.com/lpabon/cmockery2.git
Prepare the environment
$ sudo yum -y install libtool make autoconf automake gcc
$ ./autogen.sh
$ ./configure
$ ./make check
Add the following includes
#include <cmockery/pbc.h>
#include <cmockery/cmockery_override.h>
Add REQUIRE and ENSURE to all API functions. Add REQUIRE() after variable initialization, and ENSURE() before last return.
Open hash_test.c and add unit tests to hash_create(). You first may want to start by testing any REQUIRE()s. You can then test that NULL is returned when size is less than 1
Rename strdup to test_strdup as follows:
#include <cmockery/pbc.h>
#include <cmockery/cmockery_override.h>
#ifdef UNIT_TESTING
#define strdup test_strdup
#endif
Create a new file called hash_mock.c and add the mock function test_strdup to that file. You can now use this function to test. Check the values passed to the mock function. By using mocks, you can now send back NULL from the mock function.


World of Warcraft's next expansion revealed: Shadowlands
by Steven MessnerWorld of Warcraft's next expansion, Shadowlands, has been announced. The months of rumors and leaks turned out to be accurate, as Shadowlands will wrap up the faction war of Battle for Azeroth as both sides unite to fight a far bigger threat: The Old Gods and their evil masters, The Void Lords.
Revealed during the opening ceremony of BlizzCon 2019, the cinematic trailer opens with Sylvanas returning to Icecrown Citadel, where the current Lich King Bolvar resides. Sylvanas and Bolvar battle one another, before Sylvanas takes his crown and claims it for herself. Using the Lich King's crown, Sylvanas tears open reality, revealing what appears to be the Shadowlands, an alternate dimension of death and decay. Players will be familiar with this realm because it's where you're sent to when you die.
One of the key features of Shadowlands will be choosing a Covenant, aligning with one of the different factions that call it home like the Valkyr. Of course, Shadowlands will also include several new zones, which we'll have more on shortly. "Shadowlands is an expansion built around choice," Hazzikostas said.
At the end of the gameplay trailer, it also looks like we got our first-ever look at a Void Lord, the legendary monsters who represent the greatest threat to Azeroth (and the puppetmasters of the Old Gods).
World of Warcraft has an entire panel dedicated to its new expansion later this afternoon at 3:30pm PT. We'll have more info for you then.


Kubecord is a next generation Discord bot frameworkdesigned with scalability and performance in mind.
Learn More


Jodie Chesney's teenage killers jailed for life for knifing Girl Scout in park
A drug dealer and a 17-year-old boy have been jailed for life for the murder of Girl Scout Jodie Chesney.
Svenson Ong-a-Kwie, 19, was sentenced to a minimum term of 26 years at the Old Bailey today.
A 17-year-old youth was locked up for at least 18 years for his part in the murder.


Braces are required for positionals over 9, e.g. ${10}.
echo "Ninth parameter: $9"
echo "Tenth parameter: $10"
echo "Ninth parameter: $9"
echo "Tenth parameter: ${10}"
For legacy reasons, $10
is interpreted as the variable $1
followed by the literal string 0
.
Curly braces are needed to tell the shell that both digits are part of the parameter expansion.
If you wanted the trailing digits to be literal, ${1}0
will make this clear to both humans and shellcheck.
In dash
, $10
is (wrongly) interpreted as ${10}
, so some 'reversed' care should also be taken:
bash -c 'set a b c d e f g h i j; echo $10 ${1}0' # POSIX: a0 a0
dash -c 'set a b c d e f g h i j; echo $10 ${1}0' # WRONG: j a0


SPACE to fly
Twitter:
@joinik_dev
Github:
JoinikST
Syringe drawing Designed by frimufilms at Freepik
You've been infected, press F5 to play again


1. The underlined character in a menu item is called a hot key. Selection of a menu item or button can be accomplished by using the mouse to click where desired or by typing [Alt] [hot key] for main menu and button selections, and simply typing the [hot key] for all other menu selections.
2. Typing [Enter] from within a dialog box usually has the same effect as selecting the “OK” button, and will result in exiting the dialog box. Use [Tab] and [Shift][Tab] to move down and up respectively between dialog box fields. The mouse can be used to move to a non-contiguous field.
3. Selection of multiple lines, for example when selecting measurements to delete, follows the windows standard.
Using the mouse:
a. Click on the first line you want to select.
b. Press and hold down the [Shift] key while you click on the last line you want to select.
c. To select lines out of sequence, press and hold down the [Ctrl] key while you click on each line you want to select.
Using the keyboard:
a. Use the arrow keys to move to the first line you want to select.
b. Press and hold down the [Shift] key while you select the remaining lines you want.


{% include themes/devAid/base/head.html %}
{% include themes/devAid/home/header.html %} {% include themes/devAid/home/promo.html %} {% include themes/devAid/home/about.html %} {% include themes/devAid/home/features.html %} {% include themes/devAid/home/docs.html %} {% include themes/devAid/home/license.html %} {% include themes/devAid/home/contact.html %} {% include themes/devAid/base/footer.html %}


hexmines
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