Family: France's Catherine Deneuve hospitalized with stroke
by The Associated Press, StaffPARIS -- Her family says French cinematic icon Catherine Deneuve has had a mild stroke while filming her latest movie.
Denueve's family said in a statement released Wednesday that the 76-year-old actress suffered a "very limited and therefore reversible" stroke. The statement, by the actress' representative, Artmedia, says "fortunately, she has no motor deficits (but) must, of course, take some time to rest."
Deneuve was hospitalized in Paris but the family did not disclose the name of the facility.
Deneuve has been filming "De son vivant" directed by Emmanuelle Bercot.


Hey Google — why hasn't my Pixel 4 gotten the November security patch?
Source: Joe Maring / Android Central
What you need to know
- Google began rolling out the November 2019 security patch on November 4.
- However, a lot of Pixel 4 owners still haven't gotten it.
- A Google rep says you should "see it in the next few weeks."
One of the perks of buying a Pixel phone is that it's first-in-line for major software updates and security patches. Once Google rolls a new OTA update out, Pixels get it before anyone else. At least, that's supposed to be how things work.
Google began rolling out the November 2019 security patch on November 4, and for the most part, it was a pretty generic update. Some people in our forums reported getting it on their devices, but as the days have gone on, more and more people have been speaking out about still not seeing the update — including yours truly.
After a heap of complaints started piling up in Google's official Pixel Phone Help forums, a rep from the company reached out with the following response:
The update is rolling out and you should see it in the next few weeks.
That's...odd. Security patches are usually available on Pixels shortly after the new security bulletin is published, so what's causing the holdup this time around?
Some people on Google's support forums are reporting that their old Pixels have gotten the November patch, but their new Pixel 4 is still stuck on the October one. For the Pixel 4 and 4 XL, in particular, the November update also includes changes to the way Google's Smooth Display feature works — allowing the 90Hz screen to be enabled more often.
Perhaps Google's testing the waters with small groups of Pixel 4 owners with this patch to see how things shake out before pushing it to everyone? Whatever the reason is, rest assured that you aren't the only one with outdated software on your shiny, brand-new Pixel 4.
Get More Pixel 4
Google Pixel 4 & 4 XL
- Google Pixel 4 review
- Google Pixel 4 XL review
- Best Pixel 4 cases
- Best Pixel 4 screen protectors
- Best Pixel 4 XL cases
- Best Pixel 4 XL screen protectors
We may earn a commission for purchases using our links. Learn more.


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|
Standard Reference Data Program |
Data Gateway |
Chemistry WebBook |
Go To: Top, Constants of diatomic molecules, References, Notes / Error Report
Data compilation copyright by the U.S. Secretary of Commerce on behalf of the U.S.A. All rights reserved.
Data compiled as indicated in comments:
LLK - S.G. Lias, R.D. Levin, and S.A. Kafafi
| Quantity | Value | Units | Method | Reference | Comment |
|---|---|---|---|---|---|
| ΔfH(+) ion,0K | 1310. | kJ/mol | N/A | N/A |
| IE (eV) | Method | Reference | Comment |
|---|---|---|---|
| 9.2 ± 1.0 | EI | Haque and Gingerich, 1981 | LLK |
| 9.2 ± 1.0 | EI | Haque and Gingerich, 1979 | LLK |
| 7.2 ± 0.5 | EI | Gingerich and Gupta, 1978 | LLK |
| 8.6 ± 0.4 | EI | Cocke and Gingerich, 1974 | LLK |
| 8.1 ± 0.6 | EI | Cocke, Gingerich, et al., 1973 | LLK |
| 8.6 ± 0.4 | EI | Cocke and Gingerich, 1972 | LLK |
Go To: Top, Gas phase ion energetics data, References, Notes / Error Report
Data compilation copyright by the U.S. Secretary of Commerce on behalf of the U.S.A. All rights reserved.
Data compiled by: K.P. Huber and G. Herzberg
| State | Te | ωe | ωexe | ωeye | Be | αe | γe | De | βe | re | Trans. | ν00 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Additional systems observed in matrix absorption. Brom, Graham, et al., 1972 | ||||||||||||
| D 2Σ(-) | (21756) | (782) 1 | (0.482) 1 2 | (1.804) | ||||||||
| Lagerqvist and Scullman, 1966 | ||||||||||||
| C 2Σ(+) | 21439.2 | 927.8 3 Z | 13.73 | 0.5510 3 4 | 0.0060 | (1.0E-6) | 1.6873 | C ← X R | 21376.0 3 Z | |||
| Lagerqvist, Neuhaus, et al., 1965; missing citation; Brom, Graham, et al., 1972 | ||||||||||||
| B 2Σ(+) | [0.5067] 5 6 | (0.8E-6) | [1.7595] | B ← X R | 21361.0 5 Z | |||||||
| Lagerqvist, Neuhaus, et al., 1965; Lagerqvist and Scullman, 1966; Brom, Graham, et al., 1972 | ||||||||||||
| State | Te | ωe | ωexe | ωeye | Be | αe | γe | De | βe | re | Trans. | ν00 |
| A 2Πr | 10242.75 7 | 939.12 Z | 5.48 | 0.021 | 0.57149 | 0.00428 | 0.832E-6 | 3.2E-9 | 1.6554 | A ↔ X R | 10187.24 8 Z | |
| Kaving and Scullman, 1969; Brom, Graham, et al., 1972 | ||||||||||||
| 9462.94 | 949.41 Z | 5.357 | 0.57329 9 | 0.00426 | 0.826E-6 | -1.9E-9 | 1.6554 | A ↔ X R | 9412.60 8 Z | |||
| X 2Σ(+) | 0 | 1049.87 Z | 4.937 | 0.6027 10 | 0.00396 | 0.783E-6 | 1.2E-8 | 1.6133 11 |
| 1 | Vibrational numbering uncertain. All information based on perturbations in C 2Σ(+). |
| 2 | Spin-splitting constant γ ~ -1.6. |
| 3 | Strong perturbations produced by interaction with B 2Σ+, and weaker perturbations produced by D 2Σ(-). The constants in the table are deperturbed values. The observed origin of the 0-0 band is at 21452.0 cm-1. |
| 4 | Spin-splitting constant γ ~ -0.03. |
| 5 | Vibrational numbering uncertain. Strong interaction with v=0 of C 2Σ(+). The constants in the table are deperturbed values. The observed band origin is at 21285.0 cm-1. |
| 6 | Spin splitting constant γ = +1.00. |
| 7 | Av= + 781.07 - 10.50(v+1/2); also J-dependent terms. |
| 8 | J'=0 relative to N"=0. |
| 9 | Λ-type doubling; Δvfe(2Π1/2) = (+)[0.0177 + 0.00l6(v+1/2)](J+1/2). |
| 10 | Spin-splitting constant γ = -0.065. |
| 11 | ESR sp. 13 |
| 12 | Thermochemical value (mass-spectrometry) Auwera-Mahieu and Drowart, 1967, Cocke and Gingerich, 1972. |
| 13 | In rare gas matrices at 4 K Brom, Graham, et al., 1972. |
Go To: Top, Gas phase ion energetics data, Constants of diatomic molecules, Notes / Error Report
Data compilation copyright by the U.S. Secretary of Commerce on behalf of the U.S.A. All rights reserved.
Haque and Gingerich, 1981
Haque, R.; Gingerich, K.A.,
Identification and atomization energies of gaseous molecules ScC2, ScC3, ScC4, ScC5, and ScC6 by high temperature mass spectrometry,
J. Chem. Phys., 1981, 74, 6407. [all data]
Haque and Gingerich, 1979
Haque, R.; Gingerich, K.A.,
Investigation of the thermodynamic stabilities of the gaseous molecules RhScC, RhScC2 RhYC2 by Knudsen effusion mass spectrometry,
J. Chem. Soc. Faraday Trans. 2, 1979, 985. [all data]
Gingerich and Gupta, 1978
Gingerich, K.A.; Gupta, K.A.,
Dissociation energies of the molecules RhTh and RhU from high temperature mass spectrometry and predicted thermodynamic stabilities of selected diatomic actinide-platinum metal intermetallic molecules,
J. Chem. Phys., 1978, 69, 505. [all data]
Cocke and Gingerich, 1974
Cocke, D.L.; Gingerich, K.A.,
Thermodynamic investigation of the gaseous molecules TiRh, Rh2, and Ti2Rh by mass spectrometry,
J. Chem. Phys., 1974, 60, 1958. [all data]
Cocke, Gingerich, et al., 1973
Cocke, D.L.; Gingerich, K.A.; Kordis, J.,
Determination of the high bond dissociation energy of the molecule LaRh,
High Temp. Sci., 1973, 5, 474. [all data]
Cocke and Gingerich, 1972
Cocke, D.L.; Gingerich, K.A.,
Determination of the heats of atomization of the molecules RhC2, RhC, and TiC2 by high temperature mass spectrometry,
J. Chem. Phys., 1972, 57, 3654. [all data]
Brom, Graham, et al., 1972
Brom, J.M., Jr.; Graham, W.R.M.; Weltner, W., Jr.,
ESR and optical spectroscopy of the RhC molecule at 4°K,
J. Chem. Phys., 1972, 57, 4116. [all data]
Lagerqvist and Scullman, 1966
Lagerqvist, A.; Scullman, R.,
Rotational analysis of the spectrum of RhC in the 4000-5000 Å region,
Ark. Fys., 1966, 32, 479. [all data]
Lagerqvist, Neuhaus, et al., 1965
Lagerqvist, A.; Neuhaus, H.; Scullman, R.,
Das Bandenspektrum des RhC,
Z. Naturforsch. A, 1965, 20, 751. [all data]
Kaving and Scullman, 1969
Kaving, B.; Scullman, R.,
The spectrum of RhC in the near infrared region,
J. Mol. Spectrosc., 1969, 32, 475. [all data]
Auwera-Mahieu and Drowart, 1967
Auwera-Mahieu, A.V.; Drowart, J.,
The dissociation energies of the molecules PtC and RhC,
Chem. Phys. Lett., 1967, 1, 311-313. [all data]
Go To: Top, Gas phase ion energetics data, Constants of diatomic molecules, References
| ΔfH(+) ion,0K | Enthalpy of formation of positive ion at 0K |
Copyright for NIST Standard Reference Data is governed by the Standard Reference Data Act.
|
Standard Reference Data Program |
Data Gateway |
Chemistry WebBook |
If you have comments or questions about this site, please contact us.


The product includes:
Apache License, Version 2.0
You may obtain a copy of the license at
http://www.apache.org/licenses/LICENSE-2.0
Android Support Library
Copyright © 2005 The Android Open Source Project. All rights reserved.
http://developer.android.com/tools/extras/support-library.html
Glide
Copyright © 2014 Google, Inc. All rights reserved.
https://github.com/bumptech/glide
Google Material Design Icons
Copyright © Google, Inc. All rights reserved.
https://material.io/icons/


This is a supercalifragilisticexpialidocious paragraph that contains a ver long word.
This is a supercalifragilisticexpialidocious paragraph that contains a ver long word.
This is a supercalifragilisticexpialidocious paragraph that contains a ver long word.


Here 2019-01-05 The \(n\)-th time is the charm 2017-07-11 Installing NixOS 2017-07-08 Turn On Compiler Warnings! 2017-03-10 Song of the Week, 10 2016-05-27 Song of the Week, 21 2016-05-19 Song of the Week, 20 2016-04-27 Welcome And there 2018-09-14 Redesigning Getkw _or_ reinventing the wheel: 0. State of affairs and requirements 2018-05-03 Docker Images for Fun and for Profit 2017-06-04 Turn On Compiler Warnings! 2017-03-01 Branching Models


Surface
We are Surface
A global fashion nexus
Brining the fashion community back together.
Exclusively for people in fashion industry.
Sign in


Aspley man appears in court to face charge of burgling a house in the Broxtowe estate
The address of the house involved is Denewood Crescent on the Broxtowe estate
by Rod MalcolmA labourer faced court on a charge of burgling a house in the
while having an offensive weapon on Friday.
Jake Seaford, 23, of Bell's Lane, Aspley was brought to a hearing of Nottingham Magistrates' Court.
District Judge Leo Pyle remanded him in custody and sent the case to Nottingham Crown Court. It is due to be heard there on January 8.
The allegation was briefly outlined by Lee Shepherd, prosecuting.
A bail application was made by Neil O'Sullivan, defending.
The address of the house involved is Denewood Crescent on the Broxtowe estate.
To receive one WhatsApp message a day with the main headlines, as well as breaking news alerts, text NEWS to 07790 586202. Then add the number to your phone contacts book as 'Nottingham Post'. Your phone number won't be shared with other members of the group.


Distributed and Decentralized Applications
on OpenShift
One thing that the cloud has taught me
is to plan for failure
Is your social network provider too big to fail?
"What's the worst that could happen?"
No negotiation
Subject to change at any moment
You may be banned without warning
Can your data be exported in an open format?
Focused on:
German Telemedia Act
What about laws in the US?
As we move our lives online, we often lose the ability to negotiate with the businesses we deal with on a daily basis
No democratic process to work with
Only free market supply and demand to rely on
open protocols, but currently access control is still generally centralized
Or, better yet, what is our switching cost?
In a way, the tech industry has recently been strugling with the same question in regard to hardware / infrastucture (IaaS)
Who is the customer? Do I have any control?
Most are advertising or info focused
Identity managers have incredible control over their platforms
Reality check:
Thats why we have OpenShift Online
don't like RedHat? Try GetUpCloud.com
I have a feeling that you may see some major IaaS providers offering their own OpenShift managed hosting service soon
The cloud is a free market for services. We're seeing a lot of specialization in storage, compute, caching, hosting, monitoring - all being handled by different open and pluggable vendor solutions.
Figure A:
Figure B:
Are we there yet?
practical killer apps, an open realtime office
even for the windows users
An organization built around:
Who controls the lines of transmission?
ISPs, telcos, NSA (prism, xkeyscore)?
For information about running your own OpenShift:
Or, sign up for a free OpenShift Online account
(FLOCK2013)
Thanks for following along! --ryanj


Lacquer
If, having been ground, you let it dry without keeping it in water, it will dry out and it will be quite difficult to crush it as before.
Stretching a canvas portrait
If it is crumpled or folded from when it was rolled up, moisten the back side with a wet sponge. Then stretch it very evenly without damaging it.
Plaster for molding
When it is long to set and dry, it means that it is too fat and moist, which is what makes it shrink away from the fire and crack. This is where burrs come from. The one that comes from lean earth is better.  The best is to reheat them soon after they have been made and cast. Moulds made of good plaster can be stored a long time.
at left middle margin
It is necessary to oilit well, because it is more difficult to separate the two halves of these moulds than when it is mixed.
Dragon’s blood
It is imitated with lake that surpasses it in beauty if, with this distempered in oil, you glaze on gold or silver. Distempered in varnish, it dies.
Repairing snakes and lizards
You could make some marks according to the form of their scales, making some bigger ones and some smaller ones, according to the shape of the neck, the body and the tail. If there is something broken, you can attach it with small iron or steel nails, and glue it with some mouth glue, then cover the whole thing with gray or black wax. But it is necessary to let the glue dry for one day without touching it.


Erin Shellman PhD - Data Scientist - @erinshellman
David Von Lehman - Developer - @davidvlsea
Erin Shellman PhD - Data Scientist - @erinshellman
David Von Lehman - Developer - @davidvlsea
Delighting customers through data-driven products.
There has been a shift in our thinking. A part of our resources are now more human curated...
our engineers evolve the algorithm, and humans help us see if a suggested change is really an improvement.
- Scott Huffman
Engineering Director at Google
Our Stylists Suggest is a recommendation engine that analyzes transactions in Nordstrom stores that were facilitated by a personal stylist.
Stylist-based Market Basket Analysis
Stylist-based Market Basket Analysis
Stylist-based Market Basket Analysis
Stylist-based Market Basket Analysis
Stylist-based Market Basket Analysis
Test internally with a light-weight prototype
Compare to incumbent
What are the colors I buy?
What are the colors I should try?
Sara Hogenson, Paul Payne and the Nordstrom Innovation Lab
Scott Jones, Prashanth Nair, Abid Saifee and the Advanced Analytics, Personalization, and Mobile Teams, @nordysanda
Questions? Ask<EMAIL_ADDRESS>This Presentation
nordstrom.github.io/stratanyc
Nordstrom Technology is Hiring
techcareers.nordstrom.com
Nordstrom Shoebox
www.nordstromshoebox.com


A very long time ago, when the world was just created, the moon was not there and the sun shone all the time. There was no concept of night as the sun never set. It was bright and sunny and there was daylight all the time. People worked hard continuously and did not realize when to rest.
One fine day, the creator of the world visited the men in the fields while they were working.
He asked one of the men,"When did you last water this field?"
"Today," replied the sweating farmer.
"And when did you dig the hole?"
"Today," replied another man.
"When did you plant those trees in the garden?"
"Today,of course. It is day all the time so everything was done today."
The creator then saw a woman with a small child and asked her, "When was your son born?"
"Today," replied the woman.
The creator then understood that the people of the world had no understanding of time; they would work all the time as they couldn't understand the division of day and night. He thought that he should do something about it. He then told the sun, "You must shine all day and set in the evening, and rise once again the next morning. People will then realise the difference between day and night. They will stop working when it becomes dark and will get some rest." The sun readily agreed.
When it became evening,the sun went down quietly. Suddenly, everything became dark. Everyone got scared with the abrupt darkness.They panicked and ran here and there, some stumbled upon each other and some hurt themselves by falling into ditches. People were not used to this and so they did not realise what to do about it.
Finally,the leaders and the elderly realised that nothing could be done in the darkness, so they told everyone,"Please lie down and take some rest, and you shall work again when it becomes bright." When the sun came up the next morning, everyone woke up and started working.Thus, from then on, night became the time for resting.
People started living more happily and comfortably,as they were well rested. But one problem still persisted. It became completely dark after sunset, so the people could not see anything at all.They would often bang against a tree, and hurt themselves by hitting against rocks and falling into ditches. They also broke things as they couldn't see where they were kept.
After some days the creator visited them once again and asked them,"Are you happy now?"
"Yes, we are. We sleep all night and wake up fresh to work the next morning," replied a man. "But there is still one problem - we cannot see anything in the dark. We tend to hurt each other and break a lot of things. Can we at least have the sun for some time?" asked the man.
The creator thought for some time, and replied, "No, you can't. But don't worry. I shall give you something else, something more soothing and less bright than the sun.You can see things and still sleep peacefully in its presence."
Then he created the moon. People were extremely happy, as they could see at night and did not hurt themselves any more. They slept peacefully in the light of the moon and woke up the next day when the sun shone brightly.
Thus, the moon was created.


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Temperature blankets are knitted or crocheted blankets that use weather data to plot out the order of the colors used in the blanket. Generally, the blankets use a year's worth of temperature data.
The colors can be arranged in any regular pattern such as rows or squares. The example shown here is a bias blanket with two rows for each day, one corresponding to the maximum temperature and the other to the minimum temperature. There are options to insert a separating color between day and/or months and as the first and last few rows.
The locations here correspond to the ten largest cities by population in the US as well as Washington, DC and a few custom locations.
This is an app by Katherine Thompson. Source code is available on github.


WIC Explorer is a tool that uses the Windows Imaging Component API to enumerate and list all of the elements within an image, including metadata, frames, and thumbnails. Use it to explore the contents of images, as well as understanding how the WIC API is interpreting a file.
WIC Explorer originally was released as part of the WIC Tools package for Windows Vista and Windows 7. This version has been updated with bug fixes and compatibility with Visual Studio 2013.
WIC Explorer requires the Windows Template Library version 9.0, which must be downloaded separately.
For more information about WTL, see its project website.
To load an image, go to File > Open... and select the file you wish to open.
To load an entire directory of images, go to File > Open Directory... and select the directory you wish to open.
WIC Explorer supports any file format that has a WIC codec installed. On Windows 10, the built-in codecs are:
The left hand pane displays a hierarchical tree view of all of the WIC accessible elements in the image.
The lower left hand pane displays information about the WIC component (IWICComponentInfo) that was used to extract the currently highlighted node.
The right hand pane displays the contents of the currently highlighted node. This view changes depending on the type of node. For example, when selecting a frame (IWICBitmapFrameDecode), it displays attributes of the frame including DPI, resolution, and pixel format, as well as rendering the image data. When selecting a metadata reader (IWICMetadataReader), it displays all of the metadata items that are children of the node.
WIC Explorer can save an image to any supported WIC encoder; you can also specify the desired pixel format in which to save. Note that not all of the listed pixel formats may be supported by the encoder; it will automatically perform pixel format conversion when necessary. It also will not preserve any metadata in the original image.


Kitura-CredentialsJWT
A package enabling Kitura to authenticate users using JSON Web Tokens.
Summary
This package provides two facilities:
CredentialsJWT
: A plugin for the Kitura-Credentials framework that supports JWT (token-based) authentication,- A
TypeSafeMiddleware
extension for theJWT
type, enabling it to be used as authentication for Codable routes.
Swift version
The latest version of Kitura-CredentialsJWT requires Swift 4.0 or newer. You can download this version of the Swift binaries by following this link. Compatibility with other Swift versions is not guaranteed.
Usage
Add dependencies
Add the Kitura-CredentialsJWT
dependency within your application’s Package.swift
file. Substitute "x.x.x"
with the latest Kitura-CredentialsJWT
release.
.package(url: "https://github.com/Kitura/Kitura-CredentialsJWT.git", from: "x.x.x")
Add CredentialsJWT
to your target’s dependencies:
.target(name: "example", dependencies: ["CredentialsJWT"]),
Import packages
import CredentialsJWT
Using the CredentialsJWT
plugin
This plugin requires that the following HTTP headers are present on a request:
X-token-type
: must beJWT
Authorization
: the JWT string, optionally prefixed withBearer
.
The Swift-JWT library is used to decode the token supplied in the Authorization header. To successfully decode it, you must specify the Claims
that will be present in the JWT.
One claim (by default, sub
) will be used to represent the identity of the bearer. You can choose a different claim by supplying the subject
option when creating an instance of CredentialsJWT, and you can further customize the resulting UserProfile
by defining a UserProfileDelegate
.
Usage Example
To use CredentialsJWT
using the default options:
import Credentials
import CredentialsJWT
import SwiftJWT
// Defines the claims that must be present in a JWT.
struct MyClaims: Claims {
let sub: String
}
// Defines the method used to verify the signature of a JWT.
let jwtVerifier = .hs256(key: "<PrivateKey>".data(using: .utf8)!)
// Create a CredentialsJWT plugin with default options.
let jwtCredentials = CredentialsJWT<MyClaims>(verifier: jwtVerifier)
let authenticationMiddleware = Credentials()
authenticationMiddleware.register(plugin: jwtCredentials)
router.get("/myProtectedRoute", middleware: authenticationMiddleware)
Following successful authentication, the UserProfile
will be minimally populated with the two required fields - id
and displayName
- both with the value of the JWT’s sub
claim. The provider
will be set to JWT
.
Usage Example - custom claims
To customize the name of the identity claim, and further populate the UserProfile fields, specify the subject
and userProfileDelegate
options as follows:
import Credentials
import CredentialsJWT
import SwiftJWT
// Defines the claims that must be present in a JWT.
struct MyClaims: Claims {
let id: Int
let fullName: String
let email: String
}
struct MyDelegate: UserProfileDelegate {
func update(userProfile: UserProfile, from dictionary: [String:Any]) {
// `userProfile.id` already contains `id`
userProfile.displayName = dictionary["fullName"]! as! String
let email = UserProfile.UserProfileEmail(value: dictionary["email"]! as! String, type: "home")
userProfile.emails = [email]
}
}
// Defines the method used to verify the signature of a JWT.
let jwtVerifier = .hs256(key: "<PrivateKey>".data(using: .utf8)!)
// Create a CredentialsJWT plugin with default options.
let jwtCredentials = CredentialsJWT<MyClaims>(verifier: jwtVerifier, options: [CredentialsJWTOptions.subject: "id", CredentialsJWTOptions.userProfileDelegate: MyDelegate])
let authenticationMiddleware = Credentials()
authenticationMiddleware.register(plugin: jwtCredentials)
router.get("/myProtectedRoute", middleware: authenticationMiddleware)
Following successful authentication, the UserProfile
will be populated as follows:
id
: theid
claim (converted to a String),displayName
: thefullName
claim,emails
: an array with a single element, representing theemail
claim.
Example of JWT authentication for Codable routes
A Kitura Codable route can be authenticated using a JWT by using the JWT<C: Claims>
type (defined by Swift-JWT) as a Type-Safe Middleware:
import SwiftJWT
import CredentialsJWT
// Define the claims that must appear in the JWT
struct MyClaims: Claims {
// Subject's id (e.g. name)
let sub: String
}
// Set up TypeSafeJWT by specifying the method for verifying a JWT signature
let key = "<PrivateKey>".data(using: .utf8)!
TypeSafeJWT.verifier = .hs256(key: key)
// Use the JWT type as a Type-Safe Middleware to protect a route. The handler will only be
// invoked if the JWT can be successfully verified, and contains the required claims.
router.get("/protected") { (jwt: JWT<MyClaims>, respondWith: (User?, RequestError?) -> Void) in
// (Decide whether to permit the user access to this resource, based on the JWT claims)
// Send the requested resource:
let user = User(name: jwt.claims.sub)
respondWith(user, nil)
}
License
This library is licensed under Apache 2.0. Full license text is available in LICENSE.


Audio Analyzer is a audio analyzation and visualization application. It captures audio data using Direct Sound and displays the captured and processed data to the user using Direct 3D. It's built to capture audio data from the default recording device so you can use it with any audio player application, you just set the defaut recording devce to record from the stereo mixer and play your music!
Audio Analyzer requires the folowing hardware/software:
Press F1 in Audio Analyzer to display the controls, F12 to see the about screen.
Enter the Audio Anaylzer menu and select Capture Source, now select the
desired source of audio capture.
Note: If you have a No Signal message flashing in the upper-left corner
and/or there is no activity in the visualizations but you have sound playing on your system, it probably means that your recording
source is se to the wrong device. Usualy the Stereo Mixer (might be named diferently) is what you want.
The file Presets.ini contains the color preset
definitions. This file will be automaticly loaded when Audio Analyzer starts.
To add a new color preset, open the file in notepad or a nother text editor. To define a new color preset add a preset
section that looks something like this: [Name
of your preset]. Now, the preset
color definitions go below the section declaration. A color definition looks like
this Id of color=Color value. The available color id-s:
Peak - Peak color
Text1 - Normal text color
Text2 - Bright text color
Text3 - Dark text color
Background - Global background color
BackgroundTopLeft - Top left corner of the background plane
BackgroundTopRight - Top right corner of the background plane
BackgroundBottomLeft - Bottom left corner of the background
plane
BackgroundBottomRight - Bottom right corner of the background
plane
BackgroundTop - Sets both the top left and top right
BackgroundBottom - Sets both the bottom left and bottom right
BackgroundRight - Sets both the top right and bottom right
BackgroundLeft - Sets both the top left and bottom left
If you don't specify a color the Default preset's color will be used. The
colors are in ARGB format, ranging from 0.0 to 1.0. If you don't specify the
alpha, 1.0 will be used. If you only specify the Text1 color, Text2 and Text1
will be generated automaticaly from Text1. The text
shadow's color is the negative value of the Background color. So if the
background color is white, the text shadow color will be black and similar.
Info: Color preset names and id's are case-insensitive
Note: You can use the provided color presets as templates.
Copyright Miha Software 2010. All Rights Reserved 2010. For updates visit the Miha Software Home Page.


Test Pages index
Basic Checkboxes
Basic Radiobuttons
Slotting
Add/Remove Nodes
Selection
Async Loading
Drag and Drop


To find out the average production and the total income of the sheds click below
press ok to view the production per sheds
cotinue pressing ok on the alert pop-up to see the income


... {{ feePerSatByte }} {{coin !== 'eth' && coin !== 'try'?'sat/byte':'Gwei'}} {{ 'Enter custom fee in sat/byte' | translate }}Transactions without fee are not supported.Your fee is lower than recommended.You should not set a fee higher than {{ maxFeeRecommended }} satoshis/byte.


Bunker Bustin' Level Code Optimizer
About
Bunker Bustin' is the "twelfth and final game in [of the] 12 months Dev Diary challenge", developed by Ben "Yahtzee" Croshaw (link). The game features a level editor, where a level can be shared via a string of characters, so called "level codes".
This small application allows you to optimize these level codes, shortening them while still being perfectly interpreted by the game. The optimization is done by correcting a flaw with the level code generation, and exploiting some quirks of the game's interpretation logic.
To understand what is being optimized, it is important to know how a level codes is generated, and what quirks exists in the level generation code. Yahtzee goes into great detail how the level code generation works in his final installment of the first Dev Diary video series. However, it is never mentioned that the 16×9 level grid actually stored as a 17×10 grid. Optimizations can be performed due to this flaw.
In summary, here are the optimization strategies:
- Discard the last row of the level.
- Replace the last tile of each row to the tile before it.
- Ignore material changes if a tile is empty.
- Disregard the first material and/or shape for for the first tiles if they are of grey material and/or empty tiles.
Source code for this tool can be found here. Optimization tool created by @vladdeSV, in no affiliation with the game developer or game publisher.


UPDATED: March 31, 2014, at 3:40 p.m.
Yesterday at 5 p.m., the fates of many high school seniors were altered as top U.S. colleges released their
Regular Decision results. But what do the numbers tell us? First, let’s take a look at the acceptance rates
of the most prestigious universities in the country for the class of 2018.
Colleges whose acceptance rates decreased:
Brown University - 8.6%, down
from 9.2% last year.
Yale
University - 6.26%, down from 6.72% last year.
Princeton University* -
7.28%, down from 7.29% last year.
University of
Pennsylvania* - 9.9%, down from 12.1% last year.
Cornell
University - 14%, down from 15.2% last year.
Duke
University* - 9%, down from 10% last year (record low acceptance rate)
Massachusetts
Institute of Technology* - 7.7 percent, down from 8.2% last year.
Colleges whose acceptance rates increased:
Harvard University
- 5.9%, up from 5.8% last year.
Dartmouth
College - 11.5%, up from 10% last year.
Columbia
University - 6.94%, up from 6.89% last year.
Colleges getting more applications:
University of
California, Los Angeles received 86,472 freshman applicants, up 6.9%
from last year.
University
of California, San Diego received 73,356 freshman applications, up 8.8% from last year.
Stanford
University received 42,167 freshman applicants, up 8.6% from last year,
Cornell University received 43,041 freshman applicants, up 7.6% from
last year.
Colleges getting less applicants:
Dartmouth College received 19,235 applications this year, down 14%
from last year.
Harvard University received 34,295 applications this year, down 2.1%
from last year.
Other fun facts
At University
of California, Berkeley last year, offers to international students increased by 44% (from 1,137 to 1,638). As a result, the number of
international students admitted to Berkeley last year was larger
than MIT’s entire class of 2018.
MIT admitted only 1,419 students this year, a 9% less than last year. This was partly account for by the loss of accommodation provided by an
undergraduate dorm, Bexley Hall, which was closed down last year
after the building was deemed unsafe for residents due to structural
problems.
Dartmouth welcomed its first-ever admitted students from Fiji and Iran.
When answering the MIT Class of 2018 Facebook group’s poll question "How did you feel when you got accepted?”, around 20% said
that "[MIT admissions] made a mistake."
This article has been revised to reflect the following correction:
CORRECTION: March 31, 2014
An earlier version of this post incorrectly stated the direction in which Brown's admissions rate moved from the Class of 2017 to the Class of 2018. In fact, it decreased from to 8.6% from 9.2%.


The void fraction is a measure of the emptiness of the unit cell.
It is recommended to use at least 10 000 probes and a small (< 2 Å) probe size for optimal results.
The surface area is a measure of the exposure of the structure atoms to solvent probes.
It is recommended to use at least 20 probes per atom. Often an N2 probe is used of diameter 3.72 Å.
The pore size distribution is a measure of the size and abundance of available pore space.
It is recommended to use at least 500 probes and a maximum pore size smaller than the unit cell. The PSD is a computationally intense calculation and may take a few minutes.


Supported by Verisium Manager 15.1 and above only
In case of a need in adding the vsif environment variables, the pre-job should place into the workspace directory a file with a list of relevant environment variables in json keys format.
Example:
"MY_REGRESSION_AREA": "/home/dan/regression",
"MY_DUT" : "top"
(Note the comma separator at the end of each line, to exclude the last line.)
The input file should be place into the working directory.
In case this field is empty, The file name need to be: ${BUILD_NUMBER}.${BUILD_ID}.environment.input
Please fill this field only in case, you want to hard code the input file name, to be consist across all builds.


This town is rather industrialised, and its port has commercial docks, but it does have some interesting buildings in its historic centre.
The port of Savona has an easy approach and is very sheltered.
The bridge across the entrance to Darse Vecchia opens for 5 minutes each hour at H+ 30 (Mon - Sat), H+15 and H+45 (Sun and Hols) and midnight to 6 am, it is left open.


| Class | Symbol |
| In: |
lib/overrides/symbol.rb
|
| Parent: | Object |
Return the Method of obj named by this symbol. This may be a singleton method of obj (such as a class method) or an instance method defined by obj.class or inherited from a superclass. Examples:
creator = :new[Object] # Class method Object.new doubler = :*[2] # * method of Fixnum 2
# File lib/overrides/symbol.rb, line 17 17: def [](obj) 18: obj.method(self) 19: end
Define a singleton method on object o, using Proc or Method f as its body. This symbol is used as the name of the method. Examples:
:singleton[o] = lambda { puts "this is a singleton method of o" } :class_method[String] = lambda { puts "this is a class method" }
Note that you can‘t create instance methods this way. See Module.[]=
# File lib/overrides/symbol.rb, line 30 30: def []=(o,f) 31: # We can't use self in the block below, as it is evaluated in the 32: # context of a different object. So we have to assign self to a variable. 33: sym = self 34: # This is the object we define singleton methods on. 35: eigenclass = (class << o; self end) 36: # define_method is private, so we have to use instance_eval to execute it. 37: eigenclass.instance_eval { define_method(sym, f) } 38: end


A successful project requires many people to play many roles. Some members write code or documentation, while others are valuable as testers, submitting patches and suggestions.
The team is comprised of Members and Contributors. Members have direct access to the source of a project and actively evolve the code-base. Contributors improve the project through submission of patches and suggestions to the Members. The number of Contributors to the project is unbounded. Get involved today. All contributions to the project are greatly appreciated.
The following is a list of developers with commit privileges that have directly contributed to the project in one way or another.
| Id | Name | Organization | |
|---|---|---|---|
| martinc | Martin Cooper |<EMAIL_ADDRESS>| EMC |
| dion | dIon Gillard |<EMAIL_ADDRESS>| Multitask Consulting |
| jmcnally | John McNally |<EMAIL_ADDRESS>| CollabNet |
| dlr | Daniel Rall |<EMAIL_ADDRESS>| CollabNet |
| jvanzyl | Jason van Zyl |<EMAIL_ADDRESS>| Zenplex |
| rdonkin | Robert Burrell Donkin |<EMAIL_ADDRESS>| - |
| sullis | Sean C. Sullivan | sean |at| seansullivan |dot| com | - |
| jochen | Jochen Wiedmann |<EMAIL_ADDRESS>| - |
The following additional people have contributed to this project through the way of suggestions, patches or documentation.
| Name | |
|---|---|
| Aaron Freeman |<EMAIL_ADDRESS>|
| Daniel Fabian |<EMAIL_ADDRESS>|
| Gary Gregory |<EMAIL_ADDRESS>|
| Jörg Heinicke |<EMAIL_ADDRESS>|
| Stepan Koltsov |<EMAIL_ADDRESS>|
| Michael Macaluso |<EMAIL_ADDRESS>|
| Amichai Rothman |<EMAIL_ADDRESS>|
| Alexander Sova |<EMAIL_ADDRESS>|
| Paul Spurr |<EMAIL_ADDRESS>|
| Thomas Vandahl |<EMAIL_ADDRESS>|
| Henry Yandell |<EMAIL_ADDRESS>|


Use Guide
Vestibulum pellentesque vulputate tempus. Suspendisse sed consequat lectus. Nulla bibendum venenatis eros, elementum malesuada mi imperdiet eu.
Easely whip up Menu Lists comprised of both text & images.
The Page Title - Lorem ipsum dolor sit amet, consectetur adipisicing elit. Lorem ipsum dolor sit amet, consectetur adipisicing elit. We’re chameleonlike when we consciously or unconsciously adopt the prevailing wisdom that our faith is merely a private matter, a choice relevant only to our own circle and situation. The fear of what we might lose keeps us from showing our true colors. The honor of men deteriorates into an honor of our reputations among men.
The Page Title - Lorem ipsum dolor sit amet, consectetur adipisicing elit. Lorem ipsum dolor sit amet, consectetur adipisicing elit. We’re chameleonlike when we consciously or unconsciously adopt the prevailing wisdom that our faith is merely a private matter, a choice relevant only to our own circle and situation. The fear of what we might lose keeps us from showing our true colors. The honor of men deteriorates into an honor of our reputations among men.
The Page Title - Lorem ipsum dolor sit amet, consectetur adipisicing elit. Lorem ipsum dolor sit amet, consectetur adipisicing elit. We’re chameleonlike when we consciously or unconsciously adopt the prevailing wisdom that our faith is merely a private matter, a choice relevant only to our own circle and situation. The fear of what we might lose keeps us from showing our true colors. The honor of men deteriorates into an honor of our reputations among men.
Description describing descriptive definition defining de item.
Description describing descriptive definition defining de item.
Description describing descriptive definition defining de item.
Description describing descriptive definition defining de item.


ConFront Demo
press CTRL+SHIFT+`
to start
Hints:
- Try writing
prom
and then hit TAB
- You can navigate history using arrows
- Type in
add 1 2
- Type in
add 1 2 3 4
- Type in
add 1 2 3 4 --all
- Type in
add 1 2 3 4 --limit 3
- ... and now you get how flags and arguments are working
- So include ConFront in your web app and add your own custom
commands to fulfill your needs


| Library: | Input/Output |
| Introduced: | 2.2.0 |
| Appearance: |
This component allows the circuit to read keys typed from the keyboard - as long as the keys are representable in the 7-bit ASCII code. After clicking the component using the poke tool, the user can type characters, which accumulate in a buffer. At all times, the ASCII value for the leftmost character in the buffer is sent out the rightmost output. When the clock input is triggered, the leftmost character disappears from the buffer and the new leftmost character is sent on the rightmost output.
The supported characters for the buffer include all the printable ASCII characters, as well as space, newline, backspace, and control-L. In addition, the left-arrow and right-arrow keys move the cursor within the buffer, and the delete key deletes the character to the right of the cursor (if any).
The component is asynchronous in the sense that when the buffer is empty and the user types a character, that character is sent immediately as an output, without any wait for a clock pulse.
Rising Edge,then when the clock input changes from 0 to 1, the leftmost character is consumed (when enabled by the Read Enable input). If it is
Falling Edge,, then this happens when the clock input changes from 1 to 0.
Pressing the mouse button into the component gives keyboard focus to the component, and a vertical-bar cursor will be displayed.
Each character typed will then be inserted into the buffer, as long as the buffer hasn't reached its capacity and the character is one of those that the component supports: the printable characters within the 7-bit ASCII code, as well as space, backspace, newline, and control-L. Additionally, the user may type the left-arrow and right-arrow keys to change the location of the cursor within the buffer, and the user may type the delete key to delete the buffer character (if any) just to the right of the cursor.
None.


The page you requested has been relocated to https://joswarmer.github.io/ProjectIt/projectit/0.0.1/Projectional-Overview.html.


Dinosaur Party for fun dinosaurs
Some fun dinosaur facts for those who are interested
- all dinosaurs are extinct
- dinosaurs had feathers like birds do
- the tuatara is an animal that is so old that they lived when dinosaurs did
(although the tuatara that are alive now didn't know dinosaurs)
- on the subject of really old animals - the greenland shark lives to over 500 years old - and that means there are some Greenland sharks alive today who might (might) have known Shakespeare


Module 2 Assessment Please click on the correct answer for each question. Click "Submit" when done. 1. Which databases are designed just for teens? LexisNexis Explora for High School and MAS Ultra-School Edition SAPL catalog 2. Of the two databases discussed, which one has content just for current events in the news? SAPL catalog MAS Ultra-School Edition Explora for High School 3. What do you need to access library materials electronically? Driver’s license Social Security card SAPL library card 4. What are some of the tools available in Pronunciator? Quizzes, flash cards, words on the street (conversational language) Puzzles and games Fill in the blank exercises 5. How many languages are available in Pronunciator? 30 80 50 6. If you want to do practice drills on Pronunciator, what do you need? A USB drive A microphone A credit card 7. If you wanted to find books, what tool would you use? Facebook Flickr SAPL Catalog 8. If you wanted to find out facts about a subject, what source would you use? I-Spy Books Guinness World Book of Records World Book Encyclopedia 9. If you wanted to write a speech for a class and wanted to find a clever phase to start it off, what source would you use? An encyclopedia A quote book A dictionary 10. How do you find Teen Services on the library’s website? Use the catalog Click under Services, then click on Teen Services Click on “New Arrivals”


I've been working at the intersection of cryptocurrencies and product design since 2017. Recently, I've worked with companies like DAppNode and Nethermind.
Previously I was Head of Design at Muun, where I helped build and launch a self-custodial Bitcoin wallet for Android and iOS. I hold an MSc. in Cognitive Systems and Interactive Media at Universitat Pompeu Fabra.
In my free time I create abstract 3D animations and play them live as a VJ in parties or live shows.


| 020:086 Khan | : |
Then Musa (Moses) returned to his people in a state of anger and sorrow. He said: "O my people! Did not your Lord promise you a fair promise? Did then the promise seem to you long in coming? Or did you desire that wrath should descend from your Lord on you, so you broke your promise to me (i.e disbelieving in Allah and worshipping the calf)?" |
| 020:086 Maulana | : |
So Moses returned to his people angry, sorrowing. He said: O my people, did not your Lord promise you a goodly promise? Did the promised time, then seem long to you, or did you wish that displeasure from your Lord should come upon you, so that you broke (your) promise to me? |
| 020:086 Pickthal | : |
Then Moses went back unto his folk, angry and sad. He said: O my people! Hath not your Lord promised you a fair promise?  Could you not wait? Did you want to incur wrath from your Lord? Is this why you broke your agreement with me?" |
| 020:086 Sarwar | : |
Moses, sad and angry, returned to his people saying, "My people, did not the Lord make you a gracious promise? Why did you disregard your appointment with me? Was it because of the long time or did you want to become subject to the wrath of your Lord?". |
| 020:086 Shakir | : |
So Musa returned to his people wrathful, sorrowing. Said he: O my people! did not your Lord promise you a goodly promise: did then the time seem long to you, or did you wish that displeasure from your Lord should be due to you, so that you broke (your) promise to me? |
| 020:086 Sherali | : |
So Moses returned to his people, angry and sad, and he said, 'O my people, did not your Lord promise you a gracious promise? Did, then, the time of its fulfillment appear too long to you, or did you desire that wrath should descend upon you from your Lord, that you broke your promise to me?' |
| 020:086 Yusufali | : |
So Moses returned to his people in a state of indignation and sorrow. He said: "O my people! did not your Lord make a handsome promise to you? Did then the promise seem to you long (in coming)? Or did ye desire that Wrath should descend from your Lord on you, and so ye broke your promise to me?" |
Concepts/Themes Covered:
This tool uses eight English parallel translations for the Holy Quran imported from Mr. Clay Smith. You can also visit Qurany Concepts for browsing the Quran themes or topics. If you want to search the Holy Quran for keywords, please visit Qurany Keywords.


{% extends "base.html" %} {% block body %}
Congratulations! You, sir, are the first to find this blog. It is therefore your duty to choose a username and a password.
Since you will be the sole author of this blog these credentials' only purpose is to keep away other, potentially sinister people from submitting here.
You can enter your e-mail adress if you want to be notified about certain events.
{% endblock %} {% block search %}{% endblock %}


Quad Cities Marathon
Moline IL/USA
Web Site: www.qcmarathon.com
Race Winners
(29 runnings)
2:41:11 2:42:41 2:44:22 2:43:13 23 Sep
2007
2:18:28
2:45:42
24 Sep
2006
2:16:36
2:41:32
25 Sep
2005
2:20:27
2:45:35
26 Sep
2004
2:20:44
2:36:26
28 Sep
2003
2:18:42
2:44:48
22 Sep
2002
2:21:15
2:45:48
23 Sep
2001
2:26:19
2:49:00
24 Sep
2000
2:24:22
2:50:15
26 Sep
1999
2:26:43
2:56:31
20 Sep
1998
2:34:50
3:00:32
1986-1997
---
---
05 May
1985
2:39:48
3:22:09
06 May
1984
2:32:03
3:25:29
01 May
1983
2:23:44
2:49:55
02 May
1982
2:19:53
2:58:36
03 May
1981
2:41:52
4:00:04
18 May
1980
2:31:51
3:32:44
03 Jun
1979
2:32:41
3:41:54
04 Jun
1978
2:54:19
3:53:53
1977
2:31:46
---
Notes: 1977 was the inaugural year. The 1977-79 races were known as the Southpark Marathon; the 1980-81 races were
known as the Athlete's Foot Marathon; the 1985 race was known as The One Quad City Marathon. The venue was Rock
Island thru 1985. In 2016, the first finisher, Hirut Beyene Guangul (ETH)
in 2:44:25, was later disqualified for using Methylhexanamine.
24 Sep
2017
2:21:40
Hillary Too (KEN)
2:42:11
Belaynesh Fikadu (ETH)
25 Sep
2016
2:16:56
Fikadu Girma Teferi (ETH)
2:56:01
Getahun Bizuwork Kasaye (ETH)
27 Sep
2015
2:20:34
Kennedy Kemei Kimeli (KEN)
2:39:10
Hirut Beyene Guangul-3
28 Sep
2014
2:15:42
Sammy Malakwen (KEN)
2:42:27
Ruth Chepkoech Kimutai (KEN)
22 Sep
2013
2:14:04
Philemon Terer Kiplagat (KEN)
2:38:50
Hirut Beyene Guangul-2
23 Sep
2012
2:19:41
Philip Lagat Chirchir (KEN)
2:35:07
Hirut Beyene Guangul (ETH)
25 Sep
2011
2:18:40
Jaynocel
Basweti-3
Caroline (Bierbaum) LeFrak (NY/USA)
26 Sep
2010
2:16:37
Leonard Mucheru Maina (KEN)
Elena Orlova (RUS)
27 Sep
2009
2:19:13
Henry Kipsang (KEN)
Bizunesh Deba (ETH)
28 Sep
2008
2:18:04
Jaynocel
Basweti-2
Nadezhda Tuptova (RUS)
Genna Tufa (ETH)
Irene Mogaka (KEN)
Jaynocel Basweti (KEN)
Anne Chelegat (KEN)
Paul Rugut (KEN)
Valentine Poltavskaya (UKR)
Andrew Musuva-2
Galina Karnatevicz (BLR)
Sergey Nochevnyi (RUS)
Elena Vinitskaya-2
Andrew Musuva (KEN)
Elena Vinitskaya (BLR)
Dan Mayer (IL/USA)
Cindy Keeler (FL/USA)
Craig Lawson (UT/USA)
Janne Debonis (OH/USA)
Bob Simmons (IA/USA)
Christy Nielson (NE/USA)
David Heppner (IA/USA)
Mary Burns-Prine (CA/USA)
not held
not held
Bruce Tracy-2
Wanda Hartwigsen (IA/USA)
Bruce Tracy (IL/USA)
Sheryll Langley
Richard Fuller
Beverly Docherty (MN/USA)
Dave Hoover (IL/USA)
Sue Pearce
Robert "Steve" Kline-2
Eloise Caldwell-2
Robert "Steve" Kline (IA/USA)
Marcia Spoto (IA/USA)
Bob Emmons
Diane Humphrey
Larry Voss (IL/USA)
Eloise Caldwell (IA/USA)
Dan Cooper
n/a
Most Wins
(1977/date)
Men
3
Jaynocel Basweti (KEN)
2006,2008,2011
Women
4
Hirut Beyene Guangul (ETH)
2012-13,2015-16
Prize Money (ADR
qualified runners)
Year Men Women Total 2017 $8,750 $8,450 $17,200 2016 7,750 6,000 13,750 2015 8,250 7,000 15,250 2014 8,750 7,000 15,750 2013 10,250 8,250 18,500 2012 8,750 10,050 18,800 2011 8,250 7,750 16,000 2010 9,050 8,550 17,600 2009 8,250 6,750 15,000 2008 8,550 9,050 17,800 2007 6,250 6,250 12,500 2006 7,000 6,750 13,750 2005 5,750 5,500 11,250 2004 6,450 6,450 12,900 2003 7,150 6,750 13,900 2002 6,900 6,900 13,800 2001 3,900 4,500 8,400 2000 2,850 4,350 7,200 1999 2,250 3,000 5,250 1998 1,000 2,500 3,500 Sums $127,550 $123,350 $250,900
Race Time Bias (sec/km)
Year Men Women
2014 +4.0 n/c
....
2010 +6.3 n/c
....
2005 +5.2 n/c
Avgs +5.2 n/c
Competitive Level (1990-date) Year Men Women 2017 n/c 74 .... 2015 27 n/c 2014 166 n/c 2013 189 n/c 2012 257 130 .... 2010 295 n/c 2009 124 n/c 2008 196 38 2007 81 n/c 2006 n/c 113 2005 34 n/c .... 2003 55 n/c
Quality Performances
Men <2:15 1 <2:16 2 <2:17 5 <2:18 7 <2:19 13 <2:20 23 Women <2:38 1 <2:38 3 <2:40 6 <2:42 9 <2:44 13 <2:46 25 <2:48 32 <2:50 39
Last Updated on 28 Sep 2017


wise up
BBC Scotland’s Darren ‘Loki’ McGarvey insists on the importance of college following Glasgow Clyde College visit
by John McNicolSCOTTISH rapper Darren ‘Loki’ McGarvey has insisted going to college was the key to his success - because he wasn't judged on how he talked or dressed.
Loki, a former Glasgow Clyde College student, went on to win the Orwell prize in 2018 for his acclaimed book Poverty Safari after graduating.
Now the 35-year-old's back at the college to help inspire and mentor current students.
He told the class: “Every success that I am enjoying in my life the now I owe to getting into college.”
Darren, who grew up in Pollok, Glasgow, has gone on to produce BBC Scotland mini-series Darren McGarvey’s Scotland.
In the show, each episode focuses on different issues across Scotland including poverty and crime.
Loki admitted his time at college was difficult – and he wants to help encourage current students to make it through to achieve their qualifications.
Darren, who achieved an HND in Practical Journalism, said: “If it wasn’t for the compassion of the lecturers I probably wouldn’t have made it through.
“Further education is the gateway back in not just to learning but into society.
“I came into college at a time where if I didn’t get on the course – it’s debatable what would have happened.”
And the rapper, who was homeless as a teen, said college is there for everyone – no matter how you talk or dress.
He said: “The course gave me a language to describe all the things I was already doing.
“It taught me how to sound like I could do stuff.
“Cos actually I knew how to deal with people, I knew how to write, I knew how to work with kids cos I was just always trying to be natural.
Every success that I am enjoying in my life the now I owe to getting into college.”Darren McGarvey
“Education is as much them trying to give you a language so that you will be accepted within certain spheres because you speak a certain way or dress a certain way and actually a lot of the stuff you need to know to get on in life.”
Darren believes the college sector should be given more prominence in Scotland’s education system.
He said: “It’s by far the most accessible institution educationally and that extends from everything to the warm welcome you’ll receive whether you are 17 or 49.
“Whether you’re someone with additional support needs, mental health problems, male, female and every other gender you could care to mention.
“The difference between college and university is that FE or HE -whatever you want to call it – a college in itself is more capable of adjusting because unlike universities it’s not rooted in 500 years of institutional rigidity and history and a false sense of its own importance.
“That’s why they need to receive more prominence in the discussion about education.”
Darren, who was 30 when he applied to college, admits that he wouldn’t have committed to a college course in his 20s.
He said: “I left home very, very early I was already bunking about in friends’ houses and lofts when I was 16.
“I was getting looked after by other people’s families for a very long time. I was homeless for three years, I stayed in supported accommodation.
“Now don’t get me wrong, I was still learning.
“I was still active in my community and I was still making music.
“I was still making a name for myself, but the whole concept of committing to a college course was beyond me.”
Darren has openly spoken about his struggles growing up in poverty and his battles with addiction – and admits he still deals with some of these issues today.
Not letting anything get the better of him, he’s now working on his second novel.

“And then one day you start breaking though it and then you start realising the book’s nearly done.”
But it’s not always easy.
He admitted: “I’m a nightmare to deal with if you’re a publisher who wants a chapter plan and such and such.
“For me it’s extremely challenging when you’ve got unconventional, shall we say, educational challenges.
“My impulsivity is very high, I don’t regulate well emotionally.
“I focus and obsess on certain things and that’s not contusive sometimes to writing a book where a conventional structure may be required.”
In a final promise to fans, he added: “The book will be out at some point – I don’t know when, but I do think it’ll be a better book than the last one.”


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Closed Forum Radio Button
Select this radio button if you want to create a closed CIX forum, that is one that is visible in the full CIX forum list but to which participants can only be joined by moderators.


IMMORTAL BELOVED A film review by Ben Hoffman Copyright 1994 Ben Hoffman
This is being billed as "The untold love story of Ludwig Van Beethoven." What we are not being told is that the story is pure fabrication, written and directed by Bernard Rose.
Over the years I've seen a number of films about the life of probably the greatest composer of all time, from Abel Gance's (1937) (the same Gance who did the memorable NAPOLEON) to the 1985 BETHOVEN'S NEPHEW but never has anyone taken the liberty, the licence to invent a biography such as IMMORTAL BELOVED.
No place does it say it is a documentary but to throw in unsubstantiated nonsense as part of a biography is shameful. No one knows to whom Beethoven dedicated several of his pieces but director- writer Rose let his imagination soar so that Beethoven's nephew (his brother's son) turns out to be Ludwig's son. Hah! That's a new one on me.
That is not my only complaint. There is lots of great music and with Sony Digital Sound it is great. But no one seemed to relate the visual portion of the film to the music being played. When Ludwig, who had dedicated his third symphony (Eroica) to Napoleon and then eradicated the honor when he discovered Napoleon was just another military dictator on a land grab, the music playing in the background is the 5th Symphony, not the 3rd, or my ears have also gone deaf.
When the wonderful 9th is soaring, some of the visuals show kids punching at each other on a dark street. Was that Rose's interpretation of Heine's lyrics?
I cannot believe any of the above and will force myself to see it again. But the inane story and the poor choice of the visuals accompanying the music are simply awful. Maybe when I've had time to see it again I'l review it to be sure everything I've written above is true.
Gary Oldman is subdued as Ludwig. Others in the cast include Jeroen Krabbe who tries to find out to whom Beethoven left a dedication "To My Immortal Beloved"; also Isabella Rosselini, Johanna Ter Steege and Velerina Golino.
2 bytes . . . but that's for the music. 4 Bytes = Absolutely must see. 3 Bytes = Too good to be missed. 2 Bytes = So so. 1 Byte = Save your money.
Ben Hoffman
.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


This is a jenkins plugin to run wallarm-fast security tests on a remote host. Plugin uses pre-recorded TestRun


Out of Love actor Rasika Dugal: It was a challenge to be in almost every frame
Actors Rasika Duggal and Purab Kohli on Hotstar Special's latest offering Out of Love, infidelity and more.
by Sana FarzeenHotstar Special’s latest offering Out of Love is an adaptation of popular British show Dr. Foster. Starring Rasika Duggal and Purab Kohli in the lead roles, the five-episode thriller has been directed by Tigmanshu Dhulia and Aijaz Khan.
The story revolves around Dr. Meera Kapoor (Duggal), whose perfect marriage and life crumbles after she realises her husband has been cheating on her. The medical practitioner then makes some drastic life choices, confused whether to forgive, forget or fight her philander partner.
Recently, the lead pair of Out of Love sat down for an exclusive conversation with indianexpress.com. They talked about the show, infidelity and more.
Excerpts from the conversation:
What is Out of Love about?
Purab: It’s the journey of Dr Meera Kapoor, who is trying to find out if her husband is cheating. And then how she deals with the reality and what stand she takes. It’s going to be an exciting journey.
Tell us more about your characters and its challenges.
Rasika: I was really keen to get an opportunity to do a part that was driving the narrative. So I was really happy, but the challenging part was to be in almost every frame. Thankfully, the script took care of it, and since Meera goes through an arch, it was exciting for me. She does some really unpredictable things. It would now be the audience’s call if they find me engaging enough.
Purab: The difficulty was to relate to Akarsh, who is very different from who I am. Every actor tries to find common ground with their characters so that you can relate to it. But it was so hard for me as I couldn’t find anything common between us.
Do you feel there are more expectations around adaptations? You will also be judged and compared to the original show.
Rasika: I actually didn’t think about that. You have given me a new fear (laughs).
Purab: Well I don’t think there are too many people here who have seen Dr. Foster. Also, I don’t think it should come as a problem. We are confident of the talent we have on the show. They have given the best to their part. It’s a completely new audience and we have kept their sensibilities in mind while making this show. I am sure they will like it.
How was it to work together after POW: Prisoner of War?
Rasika: We did not have too many scenes in POW but we have known each other for a while now. So that comfort was always there. Also, it’s always wonderful to have a good co-star as you can do nothing without them.
The show also has two directors- Tigmanshu Dhulia and Aijaz Khan. Doesn’t it get difficult to follow different commands?
Purab: It is really hard, and I did feel the difference. I shot with them on different days, but it was more difficult for Rasika as she shot with both on the same day. I am not saying one is good or bad, but they both did have different vision, approach to characters and sometimes as a team, it would get tough to get on the same page.
Rasika, do you think the web has been giving you more unique roles?
Absolutely, the medium has changed my life. I am so thrilled by the different shows that are being made. Also, it goes on to show that the audiences have been waiting for different content. We can always give them something run of the mill. Also, people finally realise that content is the new formula. It has also helped me reach a wider audience and play some really different characters.
Have you ever been cheated in love? How does one deal with it?
Purab: Well, we have all been cheated on in different aspects of our relationships. But I think the point is to address the bigger issue and find out what’s the reason for the friction between partners.
Rasika: I haven’t ever been cheated upon. Also, I don’t think I am anyone to give tips. It’s a very personal thing. But it should be talked about and also professional help should be sought if needed.
Forgive, forget or fight – what would be your choice?
Purab: It all depends on the situation.
Rasika: I don’t want to pick one and then do something else later (laughs). But I too think it all depends on the moment.


Violence erupts at university campus in Hong Kong – media
At one point, a police media liaison officer was hit in the lower leg by an arrow.
Police fired tear gas at pro-democracy protesters early Sunday in a bid to clear the group from the Hong Kong Polytechnic University in Kowloon.
The city's Polytechnic University has become a stronghold for anti-government protesters who have camped out there for several days. Students lit fires on bridges and held a blockaded tunnel against advances from police, DW wrote.
The activists have barricaded the campus' entrances and blocked access to the nearby Cross-Harbor Tunnel, a major artery connecting Hong Kong Island to the rest of the city.
The area has become a flashpoint in the demonstrations that have gripped Hong Kong for the past five months.
Violence flared there overnight and continued throughout Sunday as riot police and protesters exchanged tear gas and petrol bombs.
At one point, a police media liaison officer was hit in the lower leg by an arrow.
Protesters have used bows and arrows several times on officers over the past week, but this is the first time anyone was hit.
The protesters also faced off with a large group of government supporters who attempted to clear barricades and remove debris from a roadway near the campus.
Protesters occupied several major Hong Kong universities last week, but the Polytechnic is believed to be the only one they still hold.
A message on the university's Facebook page called on protesters to leave "immediately."
"In view of safety concerns posed by possible violent unlawful activities conducted by protesters who are still occupying the PolyU campus, the University again urges all people on campus, including students and staff members, not to stay, and to leave as soon as possible," the post said.
On Saturday, squads of Chinese People's Liberation Army soldiers joined residents in cleaning up debris.
Opposition lawmakers criticized their appearance on the streets, warning that it could be seen as an attempt to interfere in local affairs.
The unrest has brought much of the financial hub to a standstill, shutting down the train network, and forcing the closure of schools and businesses.
The protests were triggered by a proposed law allowing for the extradition of criminal suspects to mainland China. Although the bill was ultimately dropped, the protests have expanded into a wider resistance movement demanding full democracy.
The legislation was seen by many in Hong Kong as an attempt by Beijing to erode the autonomy the territory was guaranteed when Britain handed it over to China in 1997.


2 writes to s_globalId
System.Management.Automation (2)
engine\hostifaces\Connection.cs (2)
467
Id = System.Threading.Interlocked.Increment(ref
s_globalId
);
486
s_globalId
= 0;


If we lose, he played s*** – Guardiola happy to stick with Fernandinho in defence
by OmnisportPep Guardiola is eager for Fernandinho to remain in Manchester City's defence, even if the decision draws criticism.
Fernandinho has been used primarily as an emergency centre-back this season, with Aymeric Laporte out injured while John Stones and Nicolas Otamendi have struggled with fitness and consistency issues.
The Brazil international has often looked City's most solid option at the back in Laporte's absence, despite the fact he is primarily a midfielder.
And Guardiola has no plans to alter Fernandinho's role if his other midfield options stay fit.
"If Rodri and Gundogan are fit, I don't think so. I like Fernandinho there, in that position [centre-back]. I like it," Guardiola told reporters when asked if he would move the 34-year-old back into the centre of the park.
"I know he can play there, but we have Gundogan, I trust him a lot, and Rodri.
"Since I arrived here we were looking for a holding midfielder in the first season. Fernandinho was good [against Chelsea] because we won.
"If we lose, he played s***, I know that, but we won. So at Anfield he was the best central defender we have there, but [apparently] it was a disaster. I know how it works, this job.
"He was incredible at Anfield, he was incredible [against Chelsea]. He is so fast, in our build-up he's perfect.
"It is important to be aggressive as the midfielder but to be quick with the ball and to find solutions in smaller spaces. Gundogan has that quality. That's why we look [at him] in other situations."
While City's injury problems have come mainly in defence so far this season, Guardiola harbours concerns over Sergio Aguero, who was forced off late on in the 2-1 win over Chelsea on Saturday.
However, Guardiola has no doubts Gabriel Jesus – who has scored five goals in all competitions this season – can fill the void should Aguero miss an extended period of time.
"Gabriel has made one of the best starts this season. If Sergio cannot play in the next games, we will see, Gabriel will be of course our option," Guardiola said.
"[Raheem] Sterling can play also in that position but Gabriel is going to play there of course."


DrawAlphaImage()
Syntax
DrawAlphaImage(ImageID, x, y [, ConstAlpha])Description
Draws an image to the current drawing output using alpha-blending. The filling mode is determined by DrawingMode(). The current output is set with StartDrawing().
Parameters
ImageID The ID of the image to draw. This value can be obtained using the ImageID() function from the image library. x, y The position of the top/left corner of the image in the drawing output. ConstAlpha (optional) The amount of extra transparency to apply to the image when drawing. The value can range from 0 (fully transparent) to 255 (fully opaque). Even images that have no alpha channel themselves can be drawn with transparency this way.
Return value
None.
Remarks
This command works on all drawing outputs, even those that do not support the alpha-blending flags in DrawingMode(). The image will be drawn at its original size. ResizeImage() can be used to change the size of an image.
This command cannot be used to draw Icons (loaded from .ico files).
See Also
DrawImage(), ImageID()
Supported OS
All


Students often lack time to focus on their personal goals. Balancer is a mobile app that encourages busy users to work toward accomplishing their personal goals through small, crowdsource-generated tasks.
The goal of Balancer is to help users to make easy progress toward personal goals.
User Research
After completing structured interviews, contextual inquiry, and guided tours, we compiled compiled the data and organized it using an affinity diagram (pictured).
Persona Creation
We created personas that addressed the needs, interests, and pain points of the individuals we interviewed.
Sketches
Our team spent about 30 minutes to an hour creating quick sketches of ideas that might address user concerns. We then sorted all of the sketches into categories (such as accomplishment awareness, pictured). After this, we decided which ideas best addressed user needs and pain points, and then began sketching a design for our app that would incorporate these ideas.
Low fidelity wireframes created in Balsamiqfor early usability testing
Based on usability testing feedback, a high fidelity prototype was created in Axure.


video Start
Upload snapshot using web socket
Upload snapshot using POST
Your browser doesn't appear to support the HTML5
<canvas>
element.
Samsung Galaxy s2
Samsung Galaxy Note 3
LG Stereoscopic
Data
Calculated Velocity
Ambient Light


Allows for the display of AdMob in Titanium Android applications.
Please note that if your androidManifest has screen support set to: android:anyDensity="false", any banner ads will display too small on high density devices. It is not clear at this point if this is a bug with AdMob or Titanium. In any event, you will either need to NOT set your screen support -- or set android:anyDensity="true" and adjust your app layout accordingly
View the Using Titanium Modules document for instructions on getting started with using this module in your application.
In order to use the module you would need to add the following tags in yout tiapp.xml
<android
xmlns:android="http://schemas.android.com/apk/res/android">
<manifest>
<application>
<meta-data
android:name="com.google.android.gms.ads.APPLICATION_ID"
android:value="your-admob-application-id"/>
</application>
</manifest>
</android>
To access this module from JavaScript, you would do the following (recommended):
js
var Admob = require('ti.admob');
The "Admob" variable is now a reference to the Module object.
https://developers.google.com/mobile-ads-sdk/
You need to initialize the Admob SDK by passing your AdmobAppID as a parameter to this method.
Returns a number value indicating the availability of Google Play Services which are for push notifications.
Possible values include SUCCESS
, SERVICE_MISSING
, SERVICE_VERSION_UPDATE_REQUIRED
, SERVICE_DISABLED
,
and SERVICE_INVALID
.
createView(args)
DEPRECATED since 4.5.0. Use createBannerView
instead.
Returns a view with an ad initialized by default.
parameters[object]: a dictionary object of properties.
var adMobView = Admob.createView({
adUnitId: 'ENTER_YOUR_AD_UNIT_ID_HERE',
testing:false, // default is false
top: 0, // optional
left: 0, // optional
right: 0, // optional
bottom: 0 // optional
adBackgroundColor: '#FF8800', // optional
backgroundColorTop: '#738000', // optional - Gradient background color at top
borderColor: '#000000', // optional - Border color
textColor: '#000000', // optional - Text color
urlColor: '#00FF00', // optional - URL color
linkColor: '#0000FF' // optional - Link text color
});
AdMobView.requestAd(args)
DEPRECATED since 4.5.0. Use load()
instead.
Calls for a new ad if needed. Pass optional args
to configure extras.
js
bannerView.load({
extras: {
adBackgroundColor:"FF8855", // optional
backgroundColorTop: "738000", //optional - Gradient background color at top
borderColor: "#000000", // optional - Border color
textColor: "#000000", // optional - Text color
urlColor: "#00FF00", // optional - URL color
linkColor: "#0000FF" //optional - Link text color
}
});
Deprecated:
js
adMobView.requestAd({
extras: {
'npa': '1' // Disable personalized ads (GDPR)
}
});
AdMobView.requestTestAd()
DEPRECATED since 4.5.0. Use load()
with the testDevices
property instead. More details about this can be found on this link:
https://developers.google.com/admob/android/test-ads#enabletestdevices
Calls for a test ad if needed. This works independently from the testing flag above.
js
adMobView.requestTestAd();
requestConsentInfoUpdateForPublisherIdentifiers(args)
Requests consent information update for the provided publisher identifiers. All publisher identifiers used in the application should be specified in this call. Consent status is reset to unknown when the ad provider list changes.
publisherIdentifiers
(Array<String>)callback
(Function)showConsentForm(args)
Shows a consent modal form. Arguments:
shouldOfferPersonalizedAds
(Boolean)
Indicates whether the consent form should show a personalized ad option. Defaults to true
.shouldOfferNonPersonalizedAds
(Boolean)
Indicates whether the consent form should show a non-personalized ad option. Defaults to true
.shouldOfferAdFree
(Boolean)
Indicates whether the consent form should show an ad-free app option. Defaults to false
.callback
(Function)
Callback to be triggered once the form completes.resetConsent()
Resets consent information to default state and clears ad providers.
setTagForUnderAgeOfConsent(true|false)
DEPRECATED since 4.5.0. Use directly isTaggedForUnderAgeOfConsent
instead.
Sets whether the user is tagged for under age of consent.
isTaggedForUnderAgeOfConsent()
(Boolean)DEPRECATED since 4.5.0. Use directly isTaggedForUnderAgeOfConsent
instead.
Indicates whether the user is tagged for under age of consent.
consentStatus
(CONSENT_STATUS_UNKNOWN
, CONSENT_STATUS_NON_PERSONALIZED
or CONSENT_STATUS_PERSONALIZED
)adProviders
(Array)Array of ad providers.
debugGeography
(DEBUG_GEOGRAPHY_DISABLED
, DEBUG_GEOGRAPHY_EEA
or DEBUG_GEOGRAPHY_NOT_EEA
)Debug geography. Used for debug devices only.
Gets the user Android Advertising ID. Since this works in a background thread in native
Android a callback is called when the value is fetched. The callback parameter is a key/value
pair with key androidAdId
and a String value with the id.
Admob.getAndroidAdId(function (data) {
Ti.API.info('AAID is ' + data.aaID);
});
Checks whether the user has opted out from ad tracking in the device's settings. Since
this works in a background thread in native Android a callback is called when the value
is fetched. The callback parameter is a key/value pair with key isLimitAdTrackingEnabled
and a boolean value for the user's setting.
Admob.isLimitAdTrackingEnabled(function (data) {
Ti.API.info('Ad tracking is limited: ' + data.isLimitAdTrackingEnabled);
});
SUCCESS
Returned by isGooglePlayServicesAvailable()
if the connection to Google Play Services was successful.
SERVICE_MISSING
Returned by isGooglePlayServicesAvailable()
if Google Play Services is missing on this device.
SERVICE_VERSION_UPDATE_REQUIRED
Returned by isGooglePlayServicesAvailable()
if the installed version of Google Play Services is out of date.
SERVICE_DISABLED
Returned by isGooglePlayServicesAvailable()
if the installed version of Google Play Services has been disabled on this device.
SERVICE_INVALID
Returned by isGooglePlayServicesAvailable()
if the version of the Google Play Services installed on this device is not authentic.
CONSENT_STATUS_UNKNOWN
Returned by consentStatus
if the consent status is unknown.
CONSENT_STATUS_NON_PERSONALIZED
Returned by consentStatus
if the consent status is not personalized.
CONSENT_STATUS_PERSONALIZED
Returned by consentStatus
if the consent status is personalized.
DEBUG_GEOGRAPHY_DISABLED
Returned by debugGeography
if geography debugging is disabled.
DEBUG_GEOGRAPHY_EEA
Returned by debugGeography
if geography appears as in EEA for debug devices.
DEBUG_GEOGRAPHY_NOT_EEA
Returned by debugGeography
if geography appears as not in EEA for debug devices.
Admob.AD_RECEIVED
DEPRECATED since 4.5.0. Use load
instead.
returns the constant for AD_RECEIVED -- for use in an event listener
adMobView.addEventListener('load', function () {
alert('ad was just received');
});
Deprecated: adMobView.addEventListener(Admob.AD_RECEIVED, function () { alert('ad was just received'); });
Admob.AD_NOT_RECEIVED
DEPRECATED since 4.5.0. Use fail
instead.
returns whenever the ad was not successfully loaded. The callback contains the
error code in its parameter under the key errorCode
Error codes for Android can be checked here:
https://developers.google.com/android/reference/com/google/android/gms/ads/AdRequest#ERRORCODEINTERNAL_ERROR
adMobView.addEventListener('fail', function (e) {
alert('ad was not received. error code is ' + e.errorCode);
});
Deprecated: adMobView.addEventListener(Admob.ADNOTRECEIVED, function (e) { alert('ad was not received. error code is ' + e.errorCode); });
Admob.AD_OPENED
DEPRECATED since 4.5.0. Use open
instead.
returns the constant for AD_OPENED -- for use in an event listener
adMobView.addEventListener('open', function () {
alert('ad was just opened');
});
Deprecated: adMobView.addEventListener(Admob.AD_OPENED, function () { alert('ad was just opened'); });
Admob.AD_CLOSED
DEPRECATED since 4.5.0. Use close
instead.
adMobView.addEventListener('closed', function () {
alert('ad was just closed');
});
Deprecated: adMobView.addEventListener(Admob.AD_CLOSED, function () { alert('ad was just closed'); });
Admob.AD_LEFT_APPLICATION
DEPRECATED since 4.5.0. Use leftapp
instead.
adMobView.addEventListener('leftapp', function () {
alert('user just left the application through the ad');
});
Deprecated: adMobView.addEventListener(Admob.ADLEFTAPPLICATION, function () { alert('user just left the application through the ad'); });
Starting in 4.3.0 you can use the included Facebook Audience Network adapter to turn on the mediation in your AdMob account. Here you do not have to do anything 😙. You only need to configure mediation in your AdMob and Facebook accounts by following the official guide.
WARNING! From version 4.5.0 the Facebook Audience Network adapter is deprecated. Once it is removed in a future release, it would depend on users to add it manually to the module when they need it.
View the change log for this module.
Please direct all questions, feedback, and concerns to<EMAIL_ADDRESS>Brian Kurzius |<EMAIL_ADDRESS>Axway Appcelerator
Copyright 2011, Brian Kurzius, Studio Classics. Copyright 2014 - Present, Appcelerator.
Please see the LICENSE file included in the distribution for further details.


Use the Client App details to modify the Client App's metadata, policies and contracts. There is no need to follow the tabs in order, but you will need to fill out a minimum amount of data before the Client App can be registered with the gateway. In particular, the Client App must have at least one API contract (see tab Contracts).
In the Contracts tab you can manage all API contracts for this Client App. An API contract is a link between this Client App and a provided API the Client App consumes.
The Policies tab allows you to manage the client-level policies that should be applied whenever a request is made to any API consumed by this Client App.
The APIs tab lists all APIs consumed by this Client App. Use the list to display also the API Key and live endpoint for each API. Use this tab to figure out how to invoke an API once you have created a contract for it.
The Metrics tab contains basic analytic information for the Client App. Use this tab to monitor the Client App's activity.
The Change Log tab shows a history of all the changes made to the Client App. Essentially this is an audit log.


{% extends "base.html" %} {% block content %} We've got what you need! Start Bootstrap has everything you need to get your new website up and running in no time! All of the templates and themes on Start Bootstrap are open source, free to download, and easy to use. No strings attached! Get Started! Post Edit post {{post.body}} Submit {% for message in get_flashed_messages() %} × {{ message }} {% endfor %} {% endblock %}
Start Bootstrap has everything you need to get your new website up and running in no time! All of the templates and themes on Start Bootstrap are open source, free to download, and easy to use. No strings attached!


Reports backslashes in places where line continuation is implicit inside (), [], and {}.
()
[]
{}
Example:
a = ('first', \ 'second', 'third')
When the quick-fix is applied, the redundant backslash is deleted.


SkyDreams Air Line
WELCOME
Please enter following details...!
Email-Id
Enter Country
Select Country
India
Germany
Italy
France
Iceland
To City
Select City
Gender
Male
Female
Other
Select
One Way
Round Trip
Departure
Return
Passport no:
Expiry date
Click to confirm
Book Ticket
Reset


Order Management
Order Line Items
| Product | Container | Qunatity In | Qunatity Stock | Quantity Out Till Now | {% for in_oli in inwardorder.inoli_set.all %}
|---|---|---|---|---|
| {{ in_oli.product }} | {{ in_oli.container_type }} | {{ in_oli.quantity }} | {{ in_oli.stock }} | {{ in_oli.quantity|isub:in_oli.stock }} |
| Product | Container type | Qunatity Out | Out Date | {% for out_oli in outward_orders %}
|---|---|---|---|
| {{ out_oli.in_oli.product }} | {{ out_oli.in_oli.container_type }} | {{ out_oli.quantity }} | {{ out_oli.outward_order.date }} |
No outward order generated for this lot
{% endif %}| Invoice Number | Inward Order | Outward Order | Date | Total Amount | Received Amount | Pending Amount | Status |
|---|---|---|---|---|---|---|---|
| {{ invoice.pk }} | {{ invoice.inward_order.lot_number }} | {{ invoice.outward_order.pk }} | {{ invoice.created }} | {{ invoice.total_amount }} | {{ invoice.received_amount }} | {{ invoice.pending_amount }} | {{ invoice.status }} |
No invoice generated for this lot
{% endif %}Order Summary
-
{{ order_amount }}
Total Bill Till Now
-
{{ amount_received }}
Total Amount Received
-
{{ amount_pending }}
Total Amount Pending


The project aims to make people disappear from images at a single click! Link to code: Source code link


The Tin Woodman of Oz
by L. Frank Baum
Chapter 1: “Woot the Wanderer”
Additional Information
- Year Published: 1918
- Language: English
- Country of Origin: United States of America
- Source: Baum, L. F. (1918). The Tin Woodman of Oz. J. R. Neill (Ed.).
-
Readability:
- Flesch–Kincaid Level: 7.0
- Word Count: 1,968
- Genre: Fantasy
- Keywords: 20th century literature, american literature, books of oz, children's literature, fantasy, l. frank baum
- ✎ Cite This
Downloads
The Tin Woodman sat on his glittering tin throne in the handsome tin hall of his splendid tin castle in the Winkie Country of the Land of Oz. Beside him, in a chair of woven straw, sat his best friend, the Scarecrow of Oz. At times they spoke to one another of curious things they had seen and strange adventures they had known since first they two had met and become comrades. But at times they were silent, for these things had been talked over many times between them, and they found themselves contented in merely being together, speaking now and then a brief sentence to prove they were wide awake and attentive. But then, these two quaint persons never slept. Why should they sleep, when they never tired?
And now, as the brilliant sun sank low over the Winkie Country of Oz, tinting the glistening tin towers and tin minarets of the tin castle with glorious sunset hues, there approached along a winding pathway Woot the Wanderer, who met at the castle entrance a Winkie servant.
The servants of the Tin Woodman all wore tin helmets and tin breastplates and uniforms covered with tiny tin discs sewed closely together on silver cloth, so that their bodies sparkled as beautifully as did the tin castle—and almost as beautifully as did the Tin Woodman himself.
Woot the Wanderer looked at the man servant—all bright and glittering—and at the magnificent castle—all bright and glittering—and as he looked his eyes grew big with wonder. For Woot was not very big and not very old and, wanderer though he was, this proved the most gorgeous sight that had ever met his boyish gaze.
“Who lives here?” he asked.
“The Emperor of the Winkies, who is the famous Tin Woodman of Oz,” replied the servant, who had been trained to treat all strangers with courtesy.
“A Tin Woodman? How queer!” exclaimed the little wanderer.
“Well, perhaps our Emperor is queer,” admitted the servant; “but he is a kind master and as honest and true as good tin can make him; so we, who gladly serve him, are apt to forget that he is not like other people.”
“May I see him?” asked Woot the Wanderer, after a moment’s thought.
“If it please you to wait a moment, I will go and ask him,” said the servant, and then he went into the hall where the Tin Woodman sat with his friend the Scarecrow. Both were glad to learn that a stranger had arrived at the castle, for this would give them something new to talk about, so the servant was asked to admit the boy at once.
By the time Woot the Wanderer had passed through the grand corridors—all lined with ornamental tin—and under stately tin archways and through the many tin rooms all set with beautiful tin furniture, his eyes had grown bigger than ever and his whole little body thrilled with amazement. But, astonished though he was, he was able to make a polite bow before the throne and to say in a respectful voice: “I salute your Illustrious Majesty and offer you my humble services.”
“Very good!” answered the Tin Woodman in his accustomed cheerful manner. “Tell me who you are, and whence you come.”
“I am known as Woot the Wanderer,” answered the boy, “and I have come, through many travels and by roundabout ways, from my former home in a far corner of the Gillikin Country of Oz.”
“To wander from one’s home,” remarked the Scarecrow, “is to encounter dangers and hardships, especially if one is made of meat and bone. Had you no friends in that corner of the Gillikin Country? Was it not homelike and comfortable?”
To hear a man stuffed with straw speak, and speak so well, quite startled Woot, and perhaps he stared a bit rudely at the Scarecrow. But after a moment he replied:
“I had home and friends, your Honorable Strawness, but they were so quiet and happy and comfortable that I found them dismally stupid. Nothing in that corner of Oz interested me, but I believed that in other parts of the country I would find strange people and see new sights, and so I set out upon my wandering journey. I have been a wanderer for nearly a full year, and now my wanderings have brought me to this splendid castle.”
“I suppose,” said the Tin Woodman, “that in this year you have seen so much that you have become very wise.”
“No,” replied Woot, thoughtfully, “I am not at all wise, I beg to assure your Majesty. The more I wander the less I find that I know, for in the Land of Oz much wisdom and many things may be learned.”
“To learn is simple. Don’t you ask questions?” inquired the Scarecrow.
“Yes; I ask as many questions as I dare; but some people refuse to answer questions.”
“That is not kind of them,” declared the Tin Woodman. “If one does not ask for information he seldom receives it; so I, for my part, make it a rule to answer any civil question that is asked me.”
“So do I,” added the Scarecrow, nodding.
“I am glad to hear this,” said the Wanderer, “for it makes me bold to ask for something to eat.”
“Bless the boy!” cried the Emperor of the Winkies; “how careless of me not to remember that wanderers are usually hungry. I will have food brought you at once.”
Saying this he blew upon a tin whistle that was suspended from his tin neck, and at the summons a servant appeared and bowed low. The Tin Woodman ordered food for the stranger, and in a few minutes the servant brought in a tin tray heaped with a choice array of good things to eat, all neatly displayed on tin dishes that were polished till they shone like mirrors. The tray was set upon a tin table drawn before the throne, and the servant placed a tin chair before the table for the boy to seat himself.
“Eat, friend Wanderer,” said the Emperor cordially, “and I trust the feast will be to your liking. I, myself, do not eat, being made in such manner that I require no food to keep me alive. Neither does my friend the Scarecrow. But all my Winkie people eat, being formed of flesh, as you are, and so my tin cupboard is never bare, and strangers are always welcome to whatever it contains.”
The boy ate in silence for a time, being really hungry, but after his appetite was somewhat satisfied, he said:
“How happened your Majesty to be made of tin, and still be alive?”
“That,” replied the tin man, “is a long story.”
“The longer the better,” said the boy. “Won’t you please tell me the story?”
“If you desire it,” promised the Tin Woodman, leaning back in his tin throne and crossing his tin legs. “I haven’t related my history in a long while, because everyone here knows it nearly as well as I do. But you, being a stranger, are no doubt curious to learn how I became so beautiful and prosperous, so I will recite for your benefit my strange adventures.”
“Thank you,” said Woot the Wanderer, still eating.
“I was not always made of tin,” began the Emperor, “for in the beginning I was a man of flesh and bone and blood and lived in the Munchkin Country of Oz. There I was, by trade, a woodchopper, and contributed my share to the comfort of the Oz people by chopping up the trees of the forest to make firewood, with which the women would cook their meals while the children warmed themselves about the fires. For my home I had a little hut by the edge of the forest, and my life was one of much content until I fell in love with a beautiful Munchkin girl who lived not far away.”
“What was the Munchkin girl’s name?” asked Woot.
“Nimmie Amee. This girl, so fair that the sunsets blushed when their rays fell upon her, lived with a powerful witch who wore silver shoes and who had made the poor child her slave. Nimmie Amee was obliged to work from morning till night for the old Witch of the East, scrubbing and sweeping her hut and cooking her meals and washing her dishes. She had to cut firewood, too, until I found her one day in the forest and fell in love with her. After that, I always brought plenty of firewood to Nimmie Amee and we became very friendly. Finally I asked her to marry me, and she agreed to do so, but the Witch happened to overhear our conversation and it made her very angry, for she did not wish her slave to be taken away from her. The Witch commanded me never to come near Nimmie Amee again, but I told her I was my own master and would do as I pleased, not realizing that this was a careless way to speak to a Witch.
“The next day, as I was cutting wood in the forest, the cruel Witch enchanted my axe, so that it slipped and cut off my right leg.”
“How dreadful!” cried Woot the Wanderer.
“Yes, it was a seeming misfortune,” agreed the Tin Man, “for a one-legged woodchopper is of little use in his trade. But I would not allow the Witch to conquer me so easily. I knew a very skillful mechanic at the other side of the forest, who was my friend, so I hopped on one leg to him and asked him to help me. He soon made me a new leg out of tin and fastened it cleverly to my meat body. It had joints at the knee and at the ankle and was almost as comfortable as the leg I had lost.”
“Your friend must have been a wonderful workman!” exclaimed Woot.
“He was, indeed,” admitted the Emperor. “He was a tinsmith by trade and could make anything out of tin. When I returned to Nimmie Amee, the girl was delighted and threw her arms around my neck and kissed me, declaring she was proud of me. The Witch saw the kiss and was more angry than before. When I went to work in the forest, next day, my axe, being still enchanted, slipped and cut off my other leg. Again I hopped—on my tin leg—to my friend the tinsmith, who kindly made me another tin leg and fastened it to my body. So I returned joyfully to Nimmie Amee, who was much pleased with my glittering legs and promised that when we were wed she would always keep them oiled and polished. But the Witch was more furious than ever, and as soon as I raised my axe to chop, it twisted around and cut off one of my arms. The tinsmith made me a tin arm and I was not much worried, because Nimmie Amee declared she still loved me.”


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