--- title: a wakeup call to deadened urbanites (Steve Paxton) date: 2011-01-06 17:04:01.000000000 +02:00 categories: - dance tags: - contact - contact improvisation - dance - dancer - dancing - movement - paxton - physicality - steve paxton - video status: publish type: post published: true meta: _edit_last: '600927' geo_latitude: '37.979180' geo_longitude: '23.716647' geo_accuracy: '4584' geo_address: "Αθήνα, Ελλάς" geo_public: '1' tagazine-media: a:7:{s:7:"primary";s:0:"";s:6:"images";a:0:{}s:6:"videos";a:0:{}s:11:"image_count";s:1:"0";s:6:"author";s:6:"600927";s:7:"blog_id";s:7:"5739772";s:9:"mod_stamp";s:19:"2011-01-06 17:04:01";} delicious: a:3:{s:5:"count";s:1:"0";s:9:"post_tags";s:0:"";s:4:"time";s:10:"1294655198";} reddit: a:2:{s:5:"count";s:1:"0";s:4:"time";s:10:"1305067105";} author: login: kouk email<EMAIL_ADDRESS>display_name: Konstantinos Koukopoulos first_name: '' last_name: '' excerpt: !ruby/object:Hpricot::Doc options: {} ---
[youtube=http://www.youtube.com/watch?v=a82Qy62bUTc&fs=1&hl=en_US]
I think that one of the reasons I got involved in dance
is to finish my movement development.
Because I have a hunger to find,
and to finish,
and to explore,
to do essentially what babies do when they begin to move.
A hunger to find out more of what movement is or can be.
I think it provides a service to keep the search alive
in a culture,
which has engineered an environment which requires physical and sensorial suppression to exist in.
Most of the people who study dance aren't ambitious to be dancers, in fact.
Or aren't serious about that ambition.
I think they're trying to complete physicality
that gets messed up by sitting for 12 years in school, or longer.
Essentially, urban civilization has cut off from movement and sensorial development which would occur in a natural environment.
I mean the sense of smell is leaving.
The sense of sight is rigidly controlled by readings,
by television,
by school,
by signage,
by words everywhere in the city.
In fact there are many kinds of of control or implicit visual message
about how to interact with the city.
Here there is more neon than nuance.
Food is advertised rather than hunted for.
Entertainment becomes divorced from ingenuity.
I'm not complaining because it is about 15,000 years too late to change direction.
I have found the cities very interesting places,
but when I return to the country I am struck by the difference in what is required by the senses.
It is appalling how we disuse the body.
Dance remind us about that.
Dance explores some of the physical possibilities.
Dance refocuses our focusing mind on very basic existence,
and time, space, gravity, open up to creativity.
This seems to me a reminder of nature, of our natures,
and as such it provides a service to us in our physical doldrums.
It is a wakeup call to deadened urbanites,
a stimulus, to work-habituated bodies,
a promise to developing children...


Jenkins allows you to disable a plugin as well as uninstall a plugin. What are the difference?
Uninstalling a plugin
Uninstalling a plugin removes the plugin binary (*.jpi or *.hpi) from the disk. The plugin continues to function normally until you restart Jenkins, but once you restart, Jenkins will behave as if you didn't have the plugin to being with. They will not appear anywhere in the UI, all the extensions they contributed will disappear.
Uninstalling a plugin, however, does not remove the configuration that the plugin might have created. If there are existing jobs/slaves/views/builds/etc that used some extensions from the plugin, during the boot Jenkins will report that there are some fragments in those configurations that it didn't understand, and pretend as if it didn't see such a fragment.
Because the configuration is still intact until you overwrite those configuration files, at this point if you re-install the uninstalled plugin and restart Jenkins, the configuration will come back.
If you want to scrab the configuration left by uninstalled plugins, go to "Manage Jenkins" and click "Manage Old Data".
Disabling a plugin
Disabling a plugin is a softer way to retire a plugin. Jenkins will continue to recognize that the plugin is installed, but it will not start the plugin, and no extensions contributed from this plugin will be visible.
The fragments contributed from a disabled plugin to configuration files would follow the same fate as in the case of uninstalled plugins.
Plugins can be disabled from the UI (or by touch $JENKINS_HOME/plugins/$PLUGIN_NAME.jpi.disabled
(or $JENKINS_HOME/plugins/$PLUGIN_NAME.hpi.disabled
) file.)
Plugins that are disabled can be re-enabled from the UI (or by removing *.jpi.disabled
(or *.hpi.disabled
) file from the disk.)


In order to enjoy "Battlefield Earth," you don't necessarily have to be the kind of person who speaks L. Ron Hubbard's name in hushed tones and consults "Dianetics" every day.  This is his pet project, a $75 million sci-fi spectacle that finds him wobbling around in the highest platform shoes since Elton John played the Pinball Wizard in "Tommy" and sporting bizarre dreadlocks that make him look like a cast-off from a reggae band. It's the oddest vanity production imaginable, one in which the main attraction is nearly impossible to recognize.
But Travolta's hammy performance and sorry fashion sense are the least of the movie's worries. Seemingly there wasn't enough even in that lavish budget to buy a few decent special effects or to hire screenwriters who could make a coherent story out of Hubbard's doorstop-sized novel. Matters are not helped by director Roger Christian's insistence on shooting almost every scene with a headache-inducing tilted camera and employing slow-motion and echoing dialogue, the telling signs of a hack filmmaker.
Set in the year 3000, "Earth" predicts a world in which humans are hunted down and enslaved by sinister alien Psychlos, who have ravaged our planet and forced the few unlucky survivors to hide out in caves, where they dress in pelts and buckskin, wear wispy little braids and murmur about the "demons" who haunt the "forbidden land."
As a rule, science-fiction demands a leap of faith, but "Battlefield Earth" is so patently absurd only the dimmest audience members will be able to put up with it.  Jonnie then goes on to rally his fellow cave-dwellers to revolt against the giants by stealing Harrier jets and attacking the Psychlos' domed city.
Yes, you read correctly: We are treated to the sight of spear-rattling cavemen jumping into high-tech fighter planes. Even the infamously tacky filmmaker Ed Wood Jr. never thought of that one.
Also, despite the fact that the action takes place 1,000 years from now, somehow such 20th-century relics as Putt-Putt golf courses, parking ramps and mannequins have managed to remain intact. Ditto the books in the Library of Congress, where Jonnie stops by for a crash course on human rights.
Then, when the humans are forced to mine gold in the Colorado hills, Terl issues a stern warning that he'll be watching them. Obviously not very closely, since Jonnie and his crew manage to steal an aircraft and fly all the way to Fort Knox and back without a hitch.
We're expected to root for the man-animals to take back control of the Earth from these extraterrestrial invaders, but there's not a single interesting character among the bunch. At least the Psychlos have some personality: Travolta and his sidekick Forrest Whitaker snipe at each other like they're auditioning for the sci-fi remake of "The Birdcage."
About halfway through the film's interminable two hours, you're bound to grow nostalgic for such other ill-advised star vehicles as Kevin Costner's "The Postman" and Bruce Willis' "Hudson Hawk." Even those clunkers were far easier to sit through than this.
To add a bit of extra campiness to his performance, Travolta punctuates every third line with a booming theatrical chuckle. Let's see who's laughing after his fans find out just how abysmal "Battlefield Earth" truly is. James Sanford
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


Update: This class is deprecated. Use este.events.GestureHandler instead.
Just list of paragraphs to have scrollable content.
On desktop, nothing interesting. On mobile, it enables tap event, which is faster then click. TapHandler handles scrolled content, which is quite unique feature. Try fast scroll then stop scroll momentum. If should not show alert, because scroll momentum is detected.


How does JavaScript compare to HTML and CSS?
To me, it seems like HTML is the core structure of a website. CSS adds more colour and aesthetically pleasing functions. JavaScript is a further expansion of that, and adds interactivity while allowing the storage of data. It tells the browser how to change the web page in response to events that happen.
Explain control flow and loops using an example process from everyday life, for example 'waking up' or 'brushing your teeth'.
Code is read and executed from top down, so if the order of your code is not correct it can return different values. Control flow refers to this - the structure that code is written in. All the while, control flow checks to see if the condition is true or false, and then executes a certain code based on the boolean result. Looping is a sequence of instruction.
An everyday example: The simple act of taking a walk. You know how to move your left leg. You know how to move your right leg. Now do that repeatedly (via a loop) until you arrive at your destination.
Explain the difference between accessing data from arrays and objects.
In JavaScript, arrays are objects, just slightly modified (with a few more functions). Arrays are for numerically indexed data - for non-numeric keys, we use an Object.
Explain what functions are and why they are useful.
Functions are a set of code that can be called upon and used repeatedly. Instead of painstakingly writing the same or similar code over and over again, we can simply call a function by its name, then the computer takes over and does the repeating job.


TSqlMapCacheModel corresponds to the <cacheModel> sql mapping configuration tag.
The results from a query Mapped Statement can be cached simply by specifying the CacheModel property in <statement> tag. A cache model is a configured cache that is defined within the sql map configuration file. Cache models are configured using the <cacheModel> element.
The cache model uses a pluggable framework for supporting different types of caches. The choice of cache is specified by the Implementation property. The class name specified must be one of TSqlMapCacheTypes.
The cache implementations, LRU and FIFO cache below do not persist across requests. That is, once the request is complete, all cache data is lost. These caches are useful queries that results in the same repeated data during the current request.
Located in /Data/SqlMap/Configuration/TSqlMapCacheModel.php (line 35)
TComponent | --TSqlMapCacheModel
Clears the cache.
Initialize the cache implementation, sets the actual cache contain if supplied.
Register a mapped statement that will trigger a cache flush.
Inherited From TComponent
TComponent::addParsedObject()
TComponent::attachEventHandler()
TComponent::canGetProperty()
TComponent::canSetProperty()
TComponent::createdOnTemplate()
TComponent::detachEventHandler()
TComponent::evaluateExpression()
TComponent::evaluateStatements()
TComponent::getEventHandlers()
TComponent::getSubProperty()
TComponent::hasEvent()
TComponent::hasEventHandler()
TComponent::hasProperty()
TComponent::raiseEvent()
TComponent::setSubProperty()
TComponent::__get()
TComponent::__set()
Documentation generated on Mon, 22 Feb 2010 12:18:41 +0000 by phpDocumentor 1.3.0RC4


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Application API¶
Each Sphinx extension is a Python module with at least a setup()
function.
This function is called at initialization time with one argument, the
application object representing the Sphinx process.
-
class
sphinx.application.
Sphinx
[source]¶ This application object has the public API described in the following.
Extension setup¶
These methods are usually called in an extension’s setup()
function.
Examples of using the Sphinx extension API can be seen in the sphinx.ext
package.
-
Sphinx.
setup_extension
(name)[source]¶ Load the extension given by the module name. Use this if your extension needs the features provided by another extension.
-
Sphinx.
add_builder
(builder)[source]¶ Register a new builder. builder must be a class that inherits from
Builder
.
-
Sphinx.
add_config_value
(name, default, rebuild)[source]¶ Register a configuration value. This is necessary for Sphinx to recognize new values and set default values accordingly. The name should be prefixed with the extension name, to avoid clashes. The default value can be any Python object. The string value rebuild must be one of those values:
'env'
if a change in the setting only takes effect when a document is parsed – this means that the whole environment must be rebuilt.'html'
if a change in the setting needs a full rebuild of HTML documents.''
if a change in the setting will not need any special rebuild.
Changed in version 0.4: If the default value is a callable, it will be called with the config object as its argument in order to get the default value. This can be used to implement config values whose default depends on other values.
Changed in version 0.6: Changed rebuild from a simple boolean (equivalent to
''
or'env'
) to a string. However, booleans are still accepted and converted internally.
-
Sphinx.
add_domain
(domain)[source]¶ Make the given domain (which must be a class; more precisely, a subclass of
Domain
) known to Sphinx.New in version 1.0.
-
Sphinx.
override_domain
(domain)[source]¶ Make the given domain class known to Sphinx, assuming that there is already a domain with its
.name
. The new domain must be a subclass of the existing one.New in version 1.0.
-
Sphinx.
add_index_to_domain
(domain, index)[source]¶ Add a custom index class to the domain named domain. index must be a subclass of
Index
.New in version 1.0.
-
Sphinx.
add_event
(name)[source]¶ Register an event called name. This is needed to be able to emit it.
-
Sphinx.
set_translator
(name, translator_class)[source]¶ Register or override a Docutils translator class. This is used to register a custom output translator or to replace a builtin translator. This allows extensions to use custom translator and define custom nodes for the translator (see
add_node()
).New in version 1.3.
-
Sphinx.
add_node
(node, **kwds)[source]¶ Register a Docutils node class. This is necessary for Docutils internals. It may also be used in the future to validate nodes in the parsed documents.
Node visitor functions for the Sphinx HTML, LaTeX, text and manpage writers can be given as keyword arguments: the keyword should be one or more of
'html'
,'latex'
,'text'
,'man'
,'texinfo'
or any other supported translators, the value a 2-tuple of(visit, depart)
methods.depart
can beNone
if thevisit
function raisesdocutils.nodes.SkipNode
. Example:class math(docutils.nodes.Element): pass def visit_math_html(self, node): self.body.append(self.starttag(node, 'math')) def depart_math_html(self, node): self.body.append('</math>') app.add_node(math, html=(visit_math_html, depart_math_html))
Obviously, translators for which you don’t specify visitor methods will choke on the node when encountered in a document to translate.
Changed in version 0.5: Added the support for keyword arguments giving visit functions.
-
Sphinx.
add_enumerable_node
(node, figtype, title_getter=None, **kwds)[source]¶ Register a Docutils node class as a numfig target. Sphinx numbers the node automatically. And then the users can refer it using
numref
.figtype is a type of enumerable nodes. Each figtypes have individual numbering sequences. As a system figtypes,
figure
,table
andcode-block
are defined. It is able to add custom nodes to these default figtypes. It is also able to define new custom figtype if new figtype is given.title_getter is a getter function to obtain the title of node. It takes an instance of the enumerable node, and it must return its title as string. The title is used to the default title of references for
ref
. By default, Sphinx searchesdocutils.nodes.caption
ordocutils.nodes.title
from the node as a title.Other keyword arguments are used for node visitor functions. See the
Sphinx.add_node()
for details.New in version 1.4.
-
Sphinx.
add_directive
(name, func, content, arguments, **options)[source]¶ -
Sphinx.
add_directive
(name, directiveclass) Register a Docutils directive. name must be the prospective directive name. There are two possible ways to write a directive:
In the docutils 0.4 style, obj is the directive function. content, arguments and options are set as attributes on the function and determine whether the directive has content, arguments and options, respectively. This style is deprecated.
In the docutils 0.5 style, directiveclass is the directive class. It must already have attributes named has_content, required_arguments, optional_arguments, final_argument_whitespace and option_spec that correspond to the options for the function way. See the Docutils docs for details.
The directive class must inherit from the class
docutils.parsers.rst.Directive
.
For example, the (already existing)
literalinclude
directive would be added like this:from docutils.parsers.rst import directives add_directive('literalinclude', literalinclude_directive, content = 0, arguments = (1, 0, 0), linenos = directives.flag, language = directives.unchanged, encoding = directives.encoding)
Changed in version 0.6: Docutils 0.5-style directive classes are now supported.
-
Sphinx.
add_directive_to_domain
(domain, name, func, content, arguments, **options)[source]¶ -
Sphinx.
add_directive_to_domain
(domain, name, directiveclass) Like
add_directive()
, but the directive is added to the domain named domain.New in version 1.0.
-
Sphinx.
add_role
(name, role)[source]¶ Register a Docutils role. name must be the role name that occurs in the source, role the role function (see the Docutils documentation on details).
-
Sphinx.
add_role_to_domain
(domain, name, role)[source]¶ Like
add_role()
, but the role is added to the domain named domain.New in version 1.0.
-
Sphinx.
add_generic_role
(name, nodeclass)[source]¶ Register a Docutils role that does nothing but wrap its contents in the node given by nodeclass.
New in version 0.6.
-
Sphinx.
add_object_type
(directivename, rolename, indextemplate=’‘, parse_node=None, ref_nodeclass=None, objname=’‘, doc_field_types=[])[source]¶ This method is a very convenient way to add a new object type that can be cross-referenced. It will do this:
- Create a new directive (called directivename) for documenting an object.
It will automatically add index entries if indextemplate is nonempty; if
given, it must contain exactly one instance of
%s
. See the example below for how the template will be interpreted. - Create a new role (called rolename) to cross-reference to these object descriptions.
- If you provide parse_node, it must be a function that takes a string and
a docutils node, and it must populate the node with children parsed from
the string. It must then return the name of the item to be used in
cross-referencing and index entries. See the
conf.py
file in the source for this documentation for an example. - The objname (if not given, will default to directivename) names the type of object. It is used when listing objects, e.g. in search results.
For example, if you have this call in a custom Sphinx extension:
app.add_object_type('directive', 'dir', 'pair: %s; directive')
you can use this markup in your documents:
.. rst:directive:: function Document a function. <...> See also the :rst:dir:`function` directive.
For the directive, an index entry will be generated as if you had prepended
.. index:: pair: function; directive
The reference node will be of class
literal
(so it will be rendered in a proportional font, as appropriate for code) unless you give the ref_nodeclass argument, which must be a docutils node class. Most useful aredocutils.nodes.emphasis
ordocutils.nodes.strong
– you can also usedocutils.nodes.generated
if you want no further text decoration. If the text should be treated as literal (e.g. no smart quote replacement), but not have typewriter styling, usesphinx.addnodes.literal_emphasis
orsphinx.addnodes.literal_strong
.For the role content, you have the same syntactical possibilities as for standard Sphinx roles (see Cross-referencing syntax).
This method is also available under the deprecated alias
add_description_unit
.- Create a new directive (called directivename) for documenting an object.
It will automatically add index entries if indextemplate is nonempty; if
given, it must contain exactly one instance of
-
Sphinx.
add_crossref_type
(directivename, rolename, indextemplate=’‘, ref_nodeclass=None, objname=’‘)[source]¶ This method is very similar to
add_object_type()
except that the directive it generates must be empty, and will produce no output.That means that you can add semantic targets to your sources, and refer to them using custom roles instead of generic ones (like
ref
). Example call:app.add_crossref_type('topic', 'topic', 'single: %s', docutils.nodes.emphasis)
Example usage:
.. topic:: application API The application API ------------------- <...> See also :topic:`this section <application API>`.
(Of course, the element following the
topic
directive needn’t be a section.)
-
Sphinx.
add_transform
(transform)[source]¶ Add the standard docutils
Transform
subclass transform to the list of transforms that are applied after Sphinx parses a reST document.
-
Sphinx.
add_post_transform
(transform)[source]¶ Add the standard docutils
Transform
subclass transform to the list of transforms that are applied before Sphinx writes a document.
-
Sphinx.
add_javascript
(filename)[source]¶ Add filename to the list of JavaScript files that the default HTML template will include. The filename must be relative to the HTML static path, see :confval:`the docs for the config value <html_static_path>`. A full URI with scheme, like
http://example.org/foo.js
, is also supported.New in version 0.5.
-
Sphinx.
add_stylesheet
(filename, alternate=None, title=None)[source]¶ Add filename to the list of CSS files that the default HTML template will include. Like for
add_javascript()
, the filename must be relative to the HTML static path, or a full URI with scheme.New in version 1.0.
Changed in version 1.6: Optional
alternate
and/ortitle
attributes can be supplied with the alternate (of boolean type) and title (a string) arguments. The default is no title and alternate =False
(see this explanation).
-
Sphinx.
add_latex_package
(packagename, options=None)[source]¶ Add packagename to the list of packages that LaTeX source code will include. If you provide options, it will be taken to usepackage declaration.
app.add_latex_package('mypackage') # => \usepackage{mypackage} app.add_latex_package('mypackage', 'foo,bar') # => \usepackage[foo,bar]{mypackage}
New in version 1.3.
-
Sphinx.
add_lexer
(alias, lexer)[source]¶ Use lexer, which must be an instance of a Pygments lexer class, to highlight code blocks with the given language alias.
New in version 0.6.
-
Sphinx.
add_autodocumenter
(cls)[source]¶ Add cls as a new documenter class for the
sphinx.ext.autodoc
extension. It must be a subclass ofsphinx.ext.autodoc.Documenter
. This allows to auto-document new types of objects. See the source of the autodoc module for examples on how to subclassDocumenter
.New in version 0.6.
-
Sphinx.
add_autodoc_attrgetter
(type, getter)[source]¶ Add getter, which must be a function with an interface compatible to the
getattr()
builtin, as the autodoc attribute getter for objects that are instances of type. All cases where autodoc needs to get an attribute of a type are then handled by this function instead ofgetattr()
.New in version 0.6.
-
Sphinx.
add_search_language
(cls)[source]¶ Add cls, which must be a subclass of
sphinx.search.SearchLanguage
, as a support language for building the HTML full-text search index. The class must have a lang attribute that indicates the language it should be used for. See :confval:`html_search_language`.New in version 1.1.
-
Sphinx.
add_source_parser
(suffix, parser)[source]¶ Register a parser class for specified suffix.
New in version 1.4.
-
Sphinx.
add_html_theme
(name, theme_path)[source]¶ Register a HTML Theme. The name is a name of theme, and path is a full path to the theme (refs: Distribute your theme as a python package).
New in version 1.6.
-
Sphinx.
add_env_collector
(collector)[source]¶ Register an environment collector class (refs: Environment Collector API)
New in version 1.6.
-
Sphinx.
require_sphinx
(version)[source]¶ Compare version (which must be a
major.minor
version string, e.g.'1.1'
) with the version of the running Sphinx, and abort the build when it is too old.New in version 1.0.
-
Sphinx.
connect
(event, callback)[source]¶ Register callback to be called when event is emitted. For details on available core events and the arguments of callback functions, please see Sphinx core events.
The method returns a “listener ID” that can be used as an argument to
disconnect()
.
Emitting events¶
Producing messages / logging¶
The application object also provides support for emitting leveled messages.
Note
There is no “error” call: in Sphinx, errors are defined as things that stop
the build; just raise an exception (sphinx.errors.SphinxError
or a
custom subclass) to do that.
Deprecated since version 1.6: Please use Logging API instead.
-
Sphinx.
warn
(message, location=None, prefix=None, type=None, subtype=None, colorfunc=None)[source]¶ Emit a warning.
If location is given, it should either be a tuple of (docname, lineno) or a string describing the location of the warning as well as possible.
prefix usually should not be changed.
type and subtype are used to suppress warnings with :confval:`suppress_warnings`.
Note
For warnings emitted during parsing, you should use
BuildEnvironment.warn()
since that will collect all warnings during parsing for later output.
Sphinx core events¶
These events are known to the core. The arguments shown are given to the
registered event handlers. Use connect()
in an extension’s setup
function (note that conf.py
can also have a setup
function) to connect
handlers to the events. Example:
def source_read_handler(app, docname, source):
print('do something here...')
def setup(app):
app.connect('source-read', source_read_handler)
Checking the Sphinx version¶
Use this to adapt your extension to API changes in Sphinx.
-
sphinx.
version_info
¶ A tuple of five elements; for Sphinx version 1.2.1 beta 3 this would be
(1, 2, 1, 'beta', 3)
.New in version 1.2: Before version 1.2, check the string
sphinx.__version__
.
The Config object¶
-
class
sphinx.config.
Config
[source]¶ The config object makes the values of all config values available as attributes.
It is available as the
config
attribute on the application and environment objects. For example, to get the value of :confval:`language`, use eitherapp.config.language
orenv.config.language
.
The template bridge¶
-
class
sphinx.application.
TemplateBridge
[source]¶ This class defines the interface for a “template bridge”, that is, a class that renders templates given a template name and a context.
-
init
(builder, theme=None, dirs=None)[source]¶ Called by the builder to initialize the template system.
builder is the builder object; you’ll probably want to look at the value of
builder.config.templates_path
.theme is a
sphinx.theming.Theme
object or None; in the latter case, dirs can be list of fixed directories to look for templates.
-
newest_template_mtime
()[source]¶ Called by the builder to determine if output files are outdated because of template changes. Return the mtime of the newest template file that was changed. The default implementation returns
0
.
-
Exceptions¶
-
exception
sphinx.errors.
SphinxError
[source]¶ This is the base class for “nice” exceptions. When such an exception is raised, Sphinx will abort the build and present the exception category and message to the user.
Extensions are encouraged to derive from this exception for their custom errors.
Exceptions not derived from
SphinxError
are treated as unexpected and shown to the user with a part of the traceback (and the full traceback saved in a temporary file).-
category
¶ Description of the exception “category”, used in converting the exception to a string (“category: message”). Should be set accordingly in subclasses.
-


Is it worthier to take coffees or energy drinks ? Unless you are used to enjoy teas ?
Most people use to drink coffees in their daily life at their working place or even at home. But is it the most economical way to get energy (after sleeping) ? If we compare it with other products in terms of caffeine concentration, coffee wins easily the battle. Below a bar chart showing it.
We have sorted various beverages by type : Coca Cola, Diet Coke and Pepsi as "sodas", Red Bull and Monster as "energy drinks", coffees produced by Dolce Gusto pods/capsules as "pod coffees", Lipton and Pure Leaf iced drinks as "iced teas", some Lipton tea bags as "tea Infusions", and Starbucks/Macdonalds Coffees as "fast food coffees".
Although "Pod Coffees" could have a fewer concentration because of an imperfect filtration of the coffee in the capsule, they are from far the bests. So we are led to think that they are the most efficient drink ever to stay awake. However, I'm sure you've already had the feeling that the "machine" coffee at the office was less strong than a good one in a coffeeshop like Starbucks, haven't you ?
It's because pod coffees are actually weaker. Indeed, the results are quite different if you take your beverage in its traditional format (can for sodas, long cups for fast food coffees)) :
So if you have only time for one drink, the best solution is without doubt a Starbucks Caffe Mocha Grande.
However, one important aspect is missing in the reasoning : the price ! That's why I checked how does each drink cost on the Walmart's official grocery website and the menus of Starbucks and McDonald in California. Then, if we divide the occuring caffeine by the related price of the beverage, we get an "efficiency" rate as following :
Tea infusions are the indisputed winners ! If you are ready to drink a lot of water and not afraid to go to the toilets every 5 minute, they are from far the cheapest drink to stay awake. You can moreover find them almost everywhere ! So if you wish to make huge spare of money this year, you know what to do. :)


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Transportation Service
Omkara Transport is one of the largest transporter of truckload
freight between the nine States of India. With offices
throughout north, south, western India, Omkara Transport is
focused on providing the finest transportation service between
different states of India. We have developed the advanced
computer systems in the industry, the skilled group of driver
professionals and have highly-trained and dedicated personnel.
We are determined to provide the best possible service to our
customers, enhance the environment for our employees and
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comprehensive transportation and logistics services that bring
together thousands of suppliers, plants and customers every day
throughout India.


{% blocktrans %} The location of static media files (CSS, JavaScript, images) has changed. You will need to make manual changes to your web server configuration. {% endblocktrans %}
{% blocktrans %} For Apache, you will need to add: {% endblocktrans %}
$ Alias {{SITE_ROOT}}static "{{STATIC_ROOT}}"
{% blocktrans %} For lighttpd, add the following to alias.url: {% endblocktrans %}
$ "{{SITE_ROOT}}static" => "{{STATIC_ROOT}}"
{% blocktrans %} These lines will look similar to the existing lines for the media files. {% endblocktrans %}
{% blocktrans %} Once you have made these changes, type the following to resolve this: {% endblocktrans %}
$ rb-site manage {{SITE_DIR}} resolve-check static-media


|
Network Services API
<IP_ADDRESS>
|
#include <ti/net/http/httpstd.h>
Variables | |
HTTP Request Methods | |
| const char * | HTTPStd_GET = "GET" |
| const char * | HTTPStd_POST = "POST" |
| const char * | HTTPStd_HEAD = "HEAD" |
| const char * | HTTPStd_OPTIONS = "OPTIONS" |
| const char * | HTTPStd_PUT = "PUT" |
| const char * | HTTPStd_DELETE = "DELETE" |
| const char * | HTTPStd_CONNECT = "CONNECT" |
| const char * | HTTPStd_PATCH = "PATCH" |
HTTP Content Types | |
| const char * | HTTPStd_CONTENT_TYPE_APPLET = "application/octet-stream " |
| const char * | HTTPStd_CONTENT_TYPE_AU = "audio/au " |
| const char * | HTTPStd_CONTENT_TYPE_CSS = "text/css " |
| const char * | HTTPStd_CONTENT_TYPE_DOC = "application/msword " |
| const char * | HTTPStd_CONTENT_TYPE_GIF = "image/gif " |
| const char * | HTTPStd_CONTENT_TYPE_HTML = "text/html " |
| const char * | HTTPStd_CONTENT_TYPE_JPG = "image/jpeg " |
| const char * | HTTPStd_CONTENT_TYPE_MPEG = "video/mpeg " |
| const char * | HTTPStd_CONTENT_TYPE_PDF = "application/pdf " |
| const char * | HTTPStd_CONTENT_TYPE_WAV = "audio/wav " |
| const char * | HTTPStd_CONTENT_TYPE_ZIP = "application/zip " |
| const char * | HTTPStd_CONTENT_TYPE_PLAIN = "text/plain " |
HTTP Header Fields | |
| const char * | HTTPStd_FIELD_NAME_ACCEPT = "Accept" |
| const char * | HTTPStd_FIELD_NAME_ACCEPT_CHARSET = "Accept-Charset" |
| const char * | HTTPStd_FIELD_NAME_ACCEPT_ENCODING = "Accept-Encoding" |
| const char * | HTTPStd_FIELD_NAME_ACCEPT_LANGUAGE = "Accept-Language" |
| const char * | HTTPStd_FIELD_NAME_ACCEPT_RANGES = "Accept-Ranges" |
| const char * | HTTPStd_FIELD_NAME_AGE = "Age" |
| const char * | HTTPStd_FIELD_NAME_ALLOW = "Allow" |
| const char * | HTTPStd_FIELD_NAME_AUTHORIZATION = "Authorization" |
| const char * | HTTPStd_FIELD_NAME_CACHE_CONTROL = "Cache-Control" |
| const char * | HTTPStd_FIELD_NAME_CONNECTION = "Connection" |
| const char * | HTTPStd_FIELD_NAME_CONTENT_ENCODING = "Content-Encoding" |
| const char * | HTTPStd_FIELD_NAME_CONTENT_LANGUAGE = "Content-Language" |
| const char * | HTTPStd_FIELD_NAME_CONTENT_LENGTH = "Content-Length" |
| const char * | HTTPStd_FIELD_NAME_CONTENT_LOCATION = "Content-Location" |
| const char * | HTTPStd_FIELD_NAME_CONTENT_MD5 = "Content-MD5" |
| const char * | HTTPStd_FIELD_NAME_CONTENT_RANGE = "Content-Range" |
| const char * | HTTPStd_FIELD_NAME_CONTENT_TYPE = "Content-Type" |
| const char * | HTTPStd_FIELD_NAME_COOKIE = "Cookie" |
| const char * | HTTPStd_FIELD_NAME_DATE = "Date" |
| const char * | HTTPStd_FIELD_NAME_ETAG = "ETag" |
| const char * | HTTPStd_FIELD_NAME_EXPECT = "Expect" |
| const char * | HTTPStd_FIELD_NAME_EXPIRES = "Expires" |
| const char * | HTTPStd_FIELD_NAME_FROM = "From" |
| const char * | HTTPStd_FIELD_NAME_HOST = "Host" |
| const char * | HTTPStd_FIELD_NAME_IF_MATCH = "If-Match" |
| const char * | HTTPStd_FIELD_NAME_IF_MODIFIED_SINCE = "If-Modified-Since" |
| const char * | HTTPStd_FIELD_NAME_IF_NONE_MATCH = "If-None-Match" |
| const char * | HTTPStd_FIELD_NAME_IF_RANGE = "If-Range" |
| const char * | HTTPStd_FIELD_NAME_IF_UNMODIFIED_SINCE = "If-Unmodified-Since" |
| const char * | HTTPStd_FIELD_NAME_LAST_MODIFIED = "Last-Modified" |
| const char * | HTTPStd_FIELD_NAME_LOCATION = "Location" |
| const char * | HTTPStd_FIELD_NAME_MAX_FORWARDS = "Max-Forwards" |
| const char * | HTTPStd_FIELD_NAME_ORIGIN = "Origin" |
| const char * | HTTPStd_FIELD_NAME_PRAGMA = "Pragma" |
| const char * | HTTPStd_FIELD_NAME_PROXY_AUTHENTICATE = "Proxy-Authenticate" |
| const char * | HTTPStd_FIELD_NAME_PROXY_AUTHORIZATION = "Proxy-Authorization" |
| const char * | HTTPStd_FIELD_NAME_RANGE = "Range" |
| const char * | HTTPStd_FIELD_NAME_REFERER = "Referer" |
| const char * | HTTPStd_FIELD_NAME_RETRY_AFTER = "Retry-After" |
| const char * | HTTPStd_FIELD_NAME_SERVER = "Server" |
| const char * | HTTPStd_FIELD_NAME_TE = "TE" |
| const char * | HTTPStd_FIELD_NAME_TRAILER = "Trailer" |
| const char * | HTTPStd_FIELD_NAME_TRANSFER_ENCODING = "Transfer-Encoding" |
| const char * | HTTPStd_FIELD_NAME_UPGRADE = "Upgrade" |
| const char * | HTTPStd_FIELD_NAME_USER_AGENT = "User-Agent" |
| const char * | HTTPStd_FIELD_NAME_VARY = "Vary" |
| const char * | HTTPStd_FIELD_NAME_VIA = "Via" |
| const char * | HTTPStd_FIELD_NAME_WWW_AUTHENTICATE = "WWW-Authenticate" |
| const char * | HTTPStd_FIELD_NAME_WARNING = "Warning" |
| const char * | HTTPStd_FIELD_NAME_X_FORWARDED_FOR = "X-Forwarded-For" |
| const char* HTTPStd_GET = "GET" |
| const char* HTTPStd_POST = "POST" |
| const char* HTTPStd_HEAD = "HEAD" |
| const char* HTTPStd_OPTIONS = "OPTIONS" |
| const char* HTTPStd_PUT = "PUT" |
| const char* HTTPStd_DELETE = "DELETE" |
| const char* HTTPStd_CONNECT = "CONNECT" |
| const char* HTTPStd_PATCH = "PATCH" |
| const char* HTTPStd_CONTENT_TYPE_APPLET = "application/octet-stream " |
| const char* HTTPStd_CONTENT_TYPE_AU = "audio/au " |
| const char* HTTPStd_CONTENT_TYPE_CSS = "text/css " |
| const char* HTTPStd_CONTENT_TYPE_DOC = "application/msword " |
| const char* HTTPStd_CONTENT_TYPE_GIF = "image/gif " |
| const char* HTTPStd_CONTENT_TYPE_HTML = "text/html " |
| const char* HTTPStd_CONTENT_TYPE_JPG = "image/jpeg " |
| const char* HTTPStd_CONTENT_TYPE_MPEG = "video/mpeg " |
| const char* HTTPStd_CONTENT_TYPE_PDF = "application/pdf " |
| const char* HTTPStd_CONTENT_TYPE_WAV = "audio/wav " |
| const char* HTTPStd_CONTENT_TYPE_ZIP = "application/zip " |
| const char* HTTPStd_CONTENT_TYPE_PLAIN = "text/plain " |
| const char* HTTPStd_FIELD_NAME_ACCEPT = "Accept" |
| const char* HTTPStd_FIELD_NAME_ACCEPT_CHARSET = "Accept-Charset" |
| const char* HTTPStd_FIELD_NAME_ACCEPT_ENCODING = "Accept-Encoding" |
| const char* HTTPStd_FIELD_NAME_ACCEPT_LANGUAGE = "Accept-Language" |
| const char* HTTPStd_FIELD_NAME_ACCEPT_RANGES = "Accept-Ranges" |
| const char* HTTPStd_FIELD_NAME_AGE = "Age" |
| const char* HTTPStd_FIELD_NAME_ALLOW = "Allow" |
| const char* HTTPStd_FIELD_NAME_AUTHORIZATION = "Authorization" |
| const char* HTTPStd_FIELD_NAME_CACHE_CONTROL = "Cache-Control" |
| const char* HTTPStd_FIELD_NAME_CONNECTION = "Connection" |
| const char* HTTPStd_FIELD_NAME_CONTENT_ENCODING = "Content-Encoding" |
| const char* HTTPStd_FIELD_NAME_CONTENT_LANGUAGE = "Content-Language" |
| const char* HTTPStd_FIELD_NAME_CONTENT_LENGTH = "Content-Length" |
| const char* HTTPStd_FIELD_NAME_CONTENT_LOCATION = "Content-Location" |
| const char* HTTPStd_FIELD_NAME_CONTENT_MD5 = "Content-MD5" |
| const char* HTTPStd_FIELD_NAME_CONTENT_RANGE = "Content-Range" |
| const char* HTTPStd_FIELD_NAME_CONTENT_TYPE = "Content-Type" |
| const char* HTTPStd_FIELD_NAME_COOKIE = "Cookie" |
| const char* HTTPStd_FIELD_NAME_DATE = "Date" |
| const char* HTTPStd_FIELD_NAME_ETAG = "ETag" |
| const char* HTTPStd_FIELD_NAME_EXPECT = "Expect" |
| const char* HTTPStd_FIELD_NAME_EXPIRES = "Expires" |
| const char* HTTPStd_FIELD_NAME_FROM = "From" |
| const char* HTTPStd_FIELD_NAME_HOST = "Host" |
| const char* HTTPStd_FIELD_NAME_IF_MATCH = "If-Match" |
| const char* HTTPStd_FIELD_NAME_IF_MODIFIED_SINCE = "If-Modified-Since" |
| const char* HTTPStd_FIELD_NAME_IF_NONE_MATCH = "If-None-Match" |
| const char* HTTPStd_FIELD_NAME_IF_RANGE = "If-Range" |
| const char* HTTPStd_FIELD_NAME_IF_UNMODIFIED_SINCE = "If-Unmodified-Since" |
| const char* HTTPStd_FIELD_NAME_LAST_MODIFIED = "Last-Modified" |
| const char* HTTPStd_FIELD_NAME_LOCATION = "Location" |
| const char* HTTPStd_FIELD_NAME_MAX_FORWARDS = "Max-Forwards" |
| const char* HTTPStd_FIELD_NAME_ORIGIN = "Origin" |
| const char* HTTPStd_FIELD_NAME_PRAGMA = "Pragma" |
| const char* HTTPStd_FIELD_NAME_PROXY_AUTHENTICATE = "Proxy-Authenticate" |
| const char* HTTPStd_FIELD_NAME_PROXY_AUTHORIZATION = "Proxy-Authorization" |
| const char* HTTPStd_FIELD_NAME_RANGE = "Range" |
| const char* HTTPStd_FIELD_NAME_REFERER = "Referer" |
| const char* HTTPStd_FIELD_NAME_RETRY_AFTER = "Retry-After" |
| const char* HTTPStd_FIELD_NAME_SERVER = "Server" |
| const char* HTTPStd_FIELD_NAME_TE = "TE" |
| const char* HTTPStd_FIELD_NAME_TRAILER = "Trailer" |
| const char* HTTPStd_FIELD_NAME_TRANSFER_ENCODING = "Transfer-Encoding" |
| const char* HTTPStd_FIELD_NAME_UPGRADE = "Upgrade" |
| const char* HTTPStd_FIELD_NAME_USER_AGENT = "User-Agent" |
| const char* HTTPStd_FIELD_NAME_VARY = "Vary" |
| const char* HTTPStd_FIELD_NAME_VIA = "Via" |
| const char* HTTPStd_FIELD_NAME_WWW_AUTHENTICATE = "WWW-Authenticate" |
| const char* HTTPStd_FIELD_NAME_WARNING = "Warning" |
| const char* HTTPStd_FIELD_NAME_X_FORWARDED_FOR = "X-Forwarded-For" |


|
F´ Flight Software - C/C++ Documentation
NASA-v1.5.0
A framework for building embedded system applications to NASA flight quality standards.
|
A validated file. More...
#include <Os/ValidatedFile.hpp>
Public Member Functions | |
| ValidatedFile (const char *const fileName) | |
| Construct a validated file. More... | |
| Os::ValidateFile::Status | validate (void) |
| Os::ValidateFile::Status | createHashFile (void) |
| const Fw::EightyCharString & | getFileName (void) const |
| const Fw::EightyCharString & | getHashFileName (void) const |
| const Utils::HashBuffer & | getHashBuffer (void) const |
Public Attributes | |
| PRIVATE | __pad0__: Fw::EightyCharString fileName |
| Fw::EightyCharString | hashFileName |
| The hash file name. More... | |
| Utils::HashBuffer | hashBuffer |
| The hash value after creating or loading a validation file. More... | |
A validated file.
Definition at line 23 of file ValidatedFile.hpp.
| Os::ValidatedFile::ValidatedFile | ( | const char *const | fileName | ) |
Construct a validated file.
| fileName | The file name |
Definition at line 18 of file ValidatedFile.cpp.
| Os::ValidateFile::Status Os::ValidatedFile::createHashFile | ( | void | ) |
| const Fw::EightyCharString & Os::ValidatedFile::getFileName | ( | void | ) | const |
| const Utils::HashBuffer & Os::ValidatedFile::getHashBuffer | ( | void | ) | const |
Get the hash file buffer
Definition at line 63 of file ValidatedFile.cpp.
| const Fw::EightyCharString & Os::ValidatedFile::getHashFileName | ( | void | ) | const |
| Os::ValidateFile::Status Os::ValidatedFile::validate | ( | void | ) |
| PRIVATE Os::ValidatedFile::__pad0__ |
Definition at line 56 of file ValidatedFile.hpp.
| Utils::HashBuffer Os::ValidatedFile::hashBuffer |
The hash value after creating or loading a validation file.
Definition at line 65 of file ValidatedFile.hpp.
| Fw::EightyCharString Os::ValidatedFile::hashFileName |
The hash file name.
Definition at line 62 of file ValidatedFile.hpp.


Ingredients:
4 English Pork Sausages
4 slices Back Bacon
6 ounces Mushrooms, Sliced
1 cup Canned Beans in Tomato Sauce
2 Ripe Tomatoes, Cut in half
pinch of Salt, Small
2 slices Black Pudding
2 slices White Bread
4 large Eggs
Directions:
Preheat oven to 200°F. Place an ovenproof dish in the oven to keep warm.
Heat a large frying pan over medium heat and brush with vegetable oil.
Add the sausages to the pan and cook until browned on all sides, about
10 minutes.
While the sausages are cooking add the bacon and mushrooms to the pan.
Cook the bacon for 3-5 minutes per side and cook the mushrooms until browned.
When the sausages, bacon and mushrooms are done, transfer to the ovenproof dish,
cover with foil and keep warm in the oven while you make the other components.
To a small saucepan, add the beans and keep warm over medium low heat.
Wipe out the frying pan and brush with vegetable oil.
Season the tomatoes with salt and add them flesh down to the pan. Add the
black pudding to the same pan and cook each for 2 minutes per side. Remove and
transfer to the dish in the oven.
Wipe out the pan and add 3 tablespoons vegetable oil and heat over medium-high
heat.
Add the bread to the oil (test it by putting in a corner of bread, if it
sizzles, it’s ready) and cook until golden brown. Remove to a paper towel to
drain.
To the same oil add the eggs and spoon hot oil over the yolks until cooked.
Serve all the components on a plate with the bread on the side.


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| OLD line(s): 58
<xsd:include schemaLocation="../../PartnershipIncome/Common/IRS5884A/IRS5884A.xsd" /> | NEW line(s): 57
|
| OLD line(s): 96
<xsd:include schemaLocation="../../PartnershipIncome/Common/IRS8909/IRS8909.xsd" /> | NEW line(s): 94
|
| OLD line(s): 1038,1044
<!-- Form 8909 --> <xsd:element ref="IRS8909" minOccurs="0" maxOccurs="unbounded"> <xsd:annotation> <xsd:documentation>IRS Form 8909 - Energy Efficient Appliance Credit</xsd:documentation> </xsd:annotation> </xsd:element> | NEW line(s): 1035
|


Focused and enthusiastic developer with a keen interest in software development and artificial intelligence. By comprehensive exposure to the underlying concepts and applying them vividly to various projects, my love for these domains came into being. I am a passionate individual who thrives to build and apply algorithms to solve real-world industry problems.
Systems Engineer, India
Intern, India
Web Developement Intern, India
1006 Greek Row Dr
Unit 236
Arlington, Texas 76010
kushaal1704<EMAIL_ADDRESS><EMAIL_ADDRESS>+1<PHONE_NUMBER>


This subpart—
(a) Implements 41 U.S.C. 3509, Notification of Violations of Federal Criminal Law or Overpayments; and
(b) Prescribes policies and procedures for the establishment of contractor codes of business ethics and conduct, and display of agency Office of Inspector General (OIG) fraud hotline posters.
As used in this subpart—
“Subcontract” means any contract entered into by a subcontractor to furnish supplies or services for performance of a prime contract or a subcontract.
“Subcontractor” means any supplier, distributor, vendor, or firm that furnished supplies or services to or for a prime contractor or another subcontractor.
“United States” means the 50 States, the District of Columbia, and outlying areas.
(a) Government contractors must conduct themselves with the highest degree of integrity and honesty.
(b) Contractors should have a written code of business ethics and conduct. To promote compliance with such code of business ethics and conduct, contractors should have an employee business ethics and compliance training program and an internal control system that—
(1) Are suitable to the size of the company and extent of its involvement in Government contracting;
(2) Facilitate timely discovery and disclosure of improper conduct in connection with Government contracts; and
(3) Ensure corrective measures are promptly instituted and carried out.
(a) Contractor requirements.
(1) Although the policy at 3.1002 applies as guidance to all Government contractors, the contractual requirements set forth in the clauses at 52.203-13, Contractor Code of Business Ethics and Conduct, and 52.203-14, Display of Hotline Poster(s), are mandatory if the contracts meet the conditions specified in the clause prescriptions at 3.1004.
(2) Whether or not the clause at 52.203-13 is applicable, a contractor may be suspended and/or debarred for knowing failure by a principal to timely disclose to the Government, in connection with the award, performance, or closeout of a Government contract performed by the contractor or a subcontract awarded thereunder, credible evidence of a violation of Federal criminal law involving fraud, conflict of interest, bribery, or gratuity violations found in Title 18 of the United States Code or a violation of the civil False Claims Act. Knowing failure to timely disclose credible evidence of any of the above violations remains a cause for suspension and/or debarment until 3 years after final payment on a contract (see 9.406-2(b)(1)(vi) and 9.407-2(a)(8)).
(3) The Payment clauses at FAR 52.212-4(i)(5), 52.232-25(d), 52.232-26(c), and 52.232-27(l) require that, if the contractor becomes aware that the Government has overpaid on a contract financing or invoice payment, the contractor shall remit the overpayment amount to the Government. A contractor may be suspended and/or debarred for knowing failure by a principal to timely disclose credible evidence of a significant overpayment, other than overpayments resulting from contract financing payments as defined in 32.001 (see 9.406-2(b)(1)(vi) and 9.407-2(a)(8)).
(b) Notification of possible contractor violation. If the contracting officer is notified of possible contractor violation of Federal criminal law involving fraud, conflict of interest, bribery, or gratuity violations found in Title 18 U.S.C.; or a violation of the civil False Claims Act, the contracting officer shall—
(1) Coordinate the matter with the agency Office of the Inspector General; or
(2) Take action in accordance with agency procedures.
(c) Fraud Hotline Poster.
(1) Agency OIGs are responsible for determining the need for, and content of, their respective agency OIG fraud hotline poster(s).
(2) When requested by the Department of Homeland Security, agencies shall ensure that contracts funded with disaster assistance funds require display of any fraud hotline poster applicable to the specific contract. As established by the agency OIG, such posters may be displayed in lieu of, or in addition to, the agency’s standard poster.
(a) Insert the clause at FAR 52.203-13, Contractor Code of Business Ethics and Conduct, in solicitations and contracts if the value of the contract is expected to exceed $5.5 million and the performance period is 120 days or more.
(b)(1) Unless the contract is for the acquisition of a commercial item or will be performed entirely outside the United States, insert the clause at FAR 52.203-14, Display of Hotline Poster(s), if—
(i) The contract exceeds $5.5 million or a lesser amount established by the agency; and
(ii)(A) The agency has a fraud hotline poster; or
(B) The contract is funded with disaster assistance funds.
(2) In paragraph (b)(3) of the clause, the contracting officer shall—
(i) Identify the applicable posters; and
(ii) Insert the website link(s) or other contact information for obtaining the agency and/or Department of Homeland Security poster.
(3) In paragraph (d) of the clause, if the agency has established policies and procedures for display of the OIG fraud hotline poster at a lesser amount, the contracting officer shall replace “$5.5 million” with the lesser amount that the agency has established.


Dicarba-closo-dodecaboranes as a pharmacophore.
Abstract
Retinoidal antagonists and potential agonists. Synthesis and biological evaluation of the first dicarba-closo-dodecaborane (carborane) derivatives of retinoids are described. Their retinoidal activity were examined in terms of the differentiation-inducing ability toward human promyelocytic leukemia HL-60 cells. High retinoidal activity (agonist or antagonist for retinoic acid receptor (RAR) requires a carboxylic acid moiety and an appropriate hydrophobic group located at a suitable position on the molecule. The 4-carboranyl-substituted compounds (7, 11) showed antagonistic activity but no agonistic activity even in the presence of the potent synergist HX630. On the other hand, the 3-carboranyl-substituted compounds (8, 12) showed potential agonistic activity, but no antagonistic activity. The results indicates that carboranes are applicable as the hydrophobic moiety of biologically active molecules.


Tool for analysing benthos data. It estimates several quality indices like the total abundance of species, species richness, Margalef's d, AZTI Marine Biotic Index (AMBI), and the BEQI-2 index. Furthermore, additional (optional) features are provided that enhance data preprocessing: (1) genus to species conversion, i.e.,taxa counts at the taxonomic genus level can optionally be converted to the species level and (2) pooling: small samples are combined to bigger samples with a standardized size to (a) meet the data requirements of the AMBI, (b) generate comparable species richness values and (c) give a higher benthos signal to noise ratio.
| Version: | 2.0-0 |
| Depends: | R (≥ 3.0.2), methods |
| Imports: | knitr, markdown, jsonlite, xtable, plyr, reshape2 |
| Suggests: | testthat |
| Published: | 2015-01-07 |
| Author: | Willem van Loon [aut, cph], Dennis Walvoort [aut, cre] |
| Maintainer: | Dennis Walvoort <dennis.Walvoort at wur.nl> |
| License: | GPL (≥ 3) |
| NeedsCompilation: | no |
| Materials: | NEWS |
| CRAN checks: | BEQI2 results |
| Reference manual: | BEQI2.pdf |
| Vignettes: |
BEQI2: An Introduction BEQI2: Installation Guide |
| Package source: | BEQI2_2.0-0.tar.gz |
| Windows binaries: | r-devel: BEQI2_2.0-0.zip, r-release: BEQI2_2.0-0.zip, r-oldrel: BEQI2_2.0-0.zip |
| OS X binaries: | r-release: BEQI2_2.0-0.tgz, r-oldrel: BEQI2_2.0-0.tgz |
| Old sources: | BEQI2 archive |
Please use the canonical form https://CRAN.R-project.org/package=BEQI2 to link to this page.


Enter your job details to create your pbs script and then hit submit!
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Preparation time
less than 30 mins
Cooking time
30 mins to 1 hour
Serves
Serves 4
Serve with creamy mashed potato for comfort food perfection.
Sift the flour and salt into a large bowl and rub the butter and lard into the flour until it resembles breadcrumbs.
Add the vinegar and enough cold water to bring the mixture together into a smooth dough.
Divide the dough into two pieces, wrap in cling film and chill in the fridge for 30 minutes.
Meanwhile, for the filling heat 25g/1oz of the butter in a frying pan and cook the chicken for 5-6 minutes, then add the leeks and continue to cook for a further 3-4 minutes, or until just soft. Transfer the mixture to a large bowl, then season and set aside.
Melt the remaining butter in a saucepan, then add the flour and whisk to a smooth paste. Cook for a minute or two then remove from the heat and slowly whisk in the milk. Return the sauce to the heat and cook over a gentle heat until smooth and thick (do not boil).
Stir in the chicken mixture, ham and tarragon.
Preheat the oven to 180C/350F/gas 4.
Roll one of the pieces of pastry thinly and use it to line a 25cm/10in pie plate. Trim the edges. Spoon in the chicken mixture and brush the edges of the pastry with the beaten egg.
 Seal and crimp the edges. Cut a hole in the top of the pie and brush the top with the beaten egg.
Bake in the oven for 35-40 minutes.


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Before Change
reconstructed_predictions.append(cur_preds)
// shape: (batch_size, beam_size)
cur_backpointers = backpointers[timestep - 1].gather(1, cur_backpointers)
// shape: (batch_size, beam_size, 1)
final_preds = predictions[0].gather(1, cur_backpointers).unsqueeze(2)
After Change
from inspect import signature
step_signature = signature(step)
if len(step_signature.parameters) < 3:
old_step = cast(StepFunctionTypeNoTimestep, step)
def new_step(
last_predictions: torch.Tensor, state: Dict[str, torch.Tensor], time_step: int
):
return old_step(last_predictions, state)
step = new_step
batch_size = start_predictions.size()[0]
// List of (batch_size, beam_size) tensors. One for each time step. Does not
// include the start symbols, which are implicit.


Registration of a WWW dataset for harvesting by Europeana R&D
(Note: this registration of the datasets serves only for research purposes on alternative aggregation mechanisms for Europeana. The datasets are not used for ingestion in the official Europeana dataset.)


This project is an investigation of the YouTube war, investigating the platform as a means to better understand the physical destruction and humanitarian crisis in the city. While Western based non-profit organizations note barrel bomb destruction that can be viewed from satellite imagery, the footage accessible online provides an opportunity to understand the conflict with a greater depth of realism. This project is a mapping of the spatial relevance and political meaning of the ‘YouTube War’
GO TO PROJECTEvery city is, among other things, a rich repository of stories. The Aleppo Memory Map attempts to capture some of Aleppo's stories, allowing listeners to explore what the city means to those who know it best. Click on a marker, and a short audio file pops up: a memory of summers spent playing with cousins, or of poetry readings at a neighborhood church. The map contains no images, attempting instead to paint a verbal portrait of the city as seen through the eyes of its citizens. In doing so, it aims to capture some of the pride and affection that Aleppans feel for their city.
GO TO PROJECTPrior to the conflict, Syria’s road network was highly trafficked but poorly maintained and unsafe due to poor construction, operation, and maintenance. Heavy loads from freight trucks and weathering over time caused numerous cracks and potholes throughout Syria’s road network. In addition to these variables, poor initial construction and poor maintenance of Syrian roads has led to numerous fatalities and accidents throughout the country according to local news reports from 2006.1
In this study, I obtained background transportation research from the University of Damascus in order to study the road network of Syria. I then conducted a spatial analysis of current damage in Aleppo using data from the United Nations- UNITAR’s Operational Satellite Applications Programme (UNOSAT).
GO TO PROJECTOn a sunny evening in April, during Orthodox Holy Week, about 75 people gathered at W83, a New York City community center and event space owned by Redeemer Presbyterian Church, for traditional Syrian orthodox chants in honor of orthodox holy week. This example of a Syrian Orthodox musical performance represents the attempts of an ancient religious community to maintain their religious practice and cultural heritage in the face of violence against Christians in Syria.
GO TO PROJECTHistorically, Aleppo is a city that has been defined and redefined by its borders. The Romans, early Muslims, Abuyyids, Ottomans, French, post-independence regimes, and others have all destroyed, adapted, and expanded the borders of the previous period.
Allowing that the war might be one more step in this continuous redrawing of boundaries, I studied satellite imagery of the frontlines and identified three emerging categories of new, wartime borders. In the next sections I will examine a case study of each of the following:
Go To ProjectThe camp has become the new reality, and the new urbanity, for those fleeing Aleppo. Hastily constructed but inhabited for years, the refugee camp is its own type of city, carceral but also safe, secure but also hopeless. This case study looks at several of the camps on the Syria-Turkey border on the route from Aleppo to Turkey and beyond, examining them as the type of urbanism that stems from conflict.
GO TO PROJECTThe Syrian civil war has leveled cities, uprooted thousands of families, and forced a refugee crisis of a scale not witnessed since the Second World War. Of the many inhuman brutalities inflicted upon the residents of Syria, barrel bombs dropped by regime forces, torture at the hands of ISIS militants, the blockading of food and medical supplies, and the intentional targeting of non-combatants, the weaponization of the water infrastructure represents a uniquely viscous attack against civilians. Residents throughout the divided city of Aleppo describe finding safe water as a constant struggle.
GO TO PROJECTThe camp has become the new reality, and the new urbanity, for those fleeing Aleppo. Hastily constructed but inhabited for years, the refugee camp is its own type of city, carceral but also safe, secure but also hopeless. This case study looks at several of the camps on the Syria-Turkey border on the route from Aleppo to Turkey and beyond, examining them as the type of urbanism that stems from conflict.
GO TO PROJECTLike a single picture composed of stitched images, this urban section couples distinct viewports to render a cohesive depiction of the conflict at its most consequential scale, simultaneously mitigating the sensory chaos of first-person footage and the abstraction of satellite imagery. Looking west, the drawing reveals the southeastern part of the Citadel (the urban theater right in the center of the Battle for Aleppo) and it unstable spatial demarcations.
GO TO PROJECTAs the situation in Syria has shifted over the course of the civil war from government-sponsored violence against civilians protesting in cities like Homs to the current picture of a global refugee crisis now pushing on the borders of Europe, critical attention has drifted along extended avenues of escape and humanitarian resources have organized around the already displaced.
This case study concerns the immediate possibilities of flight from a seemingly depopulated city of Aleppo, now a decisive front of the ongoing conflict.
GO TO PROJECTThe camp has become the new reality, and the new urbanity, for those fleeing Aleppo. Hastily constructed but inhabited for years, the refugee camp is its own type of city, carceral but also safe, secure but also hopeless. This case study looks at several of the camps on the Syria-Turkey border on the route from Aleppo to Turkey and beyond, examining them as the type of urbanism that stems from conflict.
GO TO PROJECTIn a civil war marked by base savagery, one of the greatest crimes committed against the Syrian people has been the routine targeting of their medical facilities. Civilians and militants alike have been affected by this blatant disregard for basic human decency. While war crimes against medical professionals and civilians have been committed by both rebel and regime forces, the greater military power of the Syrian government and their Russian allies, has damaged or destroyed much of the medical infrastructure in rebel held Aleppo. This portion of the case study investigates this particular strain of inhumanity.
GO TO PROJECT| Name | Project role | Title | |
|---|---|---|---|
| Laura Kurgan | Principal Investigator | Graduate School of Architecture, Planning and Preservation |<EMAIL_ADDRESS>|
| Madeeha Merchant | Project Lead | Graduate School of Architecture, Planning and Preservation |<EMAIL_ADDRESS>|
| Jamon Van Den Hoek | Collaborator | Graduate School of Architecture, Planning and Preservation |<EMAIL_ADDRESS>|
| Grga Basic | Research Associate | Graduate School of Architecture, Planning and Preservation |<EMAIL_ADDRESS>|
| Mike Howard | Research Assistant | Graduate School of Architecture, Planning and Preservation |<EMAIL_ADDRESS>|
| Name | School | Program |
|---|---|---|
| Aaron Febuary | Graduate School of Architecture, Planning and Preservation | Master of Science in Urban Planning |
| Alexander Cox | School of International and Public Affairs | Master of Public Adminstration |
| Alexandra Diaz | Graduate School of Architecture, Planning and Preservation | Master of Science in Urban Planning |
| Amanda Chan | Graduate School of Architecture, Planning and Preservation | Master of Science in Urban Design |
| Anjali Singhvi | Graduate School of Architecture, Planning and Preservation | Master of Science in Urban Planning |
| Ashwini Karanth | Graduate School of Architecture, Planning and Preservation | Master of Science in Urban Design |
| Caitlin Miller | Department of Art History and Archeology | Doctor for Philosophy Art History |
| Darcy Alexandra Coulter | Graduate School of Arts and Sciences, Graduate School of Journalism | Master of Arts in Religion/Master of Science in Journalism |
| Despo Thoma | Graduate School of Architecture, Planning and Preservation | Master of Science in Advanced Architectural Design |
| Eva Johanna Schreiner | Graduate School of Architecture, Planning and Preservation | Doctor of Philosophy in Architecture |
| Gabrielle Printz | Graduate School of Architecture, Planning and Preservation | Master of Science in Critical, Curatorial & Conceptual Practices |
| Gayatri Kawlra | Global Thought | Master of Arts in Global Thought |
| Grace Mills | Graduate School of Architecture, Planning and Preservation | Master of Science in Urban Design |
| Hasbrouck Miller | Department of Art History and Archeology | Doctor of Philosophy in Art History |
| Jason Danforth | Graduate School of Architecture, Planning and Preservation | Master of Architecture |
| Javier Bidot-Betancourt | Graduate School of Architecture, Planning and Preservation | Master of Science in Advanced Architectural Design |
| Jay Logan Clark | Graduate School of Architecture, Planning and Preservation | Master of Science in Urban Planning |
| Jessica Engebretson | Graduate School of Arts and Sciences | Doctor of Philosophy in English |
| Joachim Hackl | Graduate School of Architecture, Planning and Preservation | Master of Science in Critical, Curatorial & Conceptual Practices |
| John Darcey | Graduate School of Architecture, Planning and Preservation | Master of Science in Urban Planning |
| Michael Storm | Graduate School of Architecture, Planning and Preservation | Master of Science in Architecture |
| Nadine Fattaleh | Columbia College | Bachelor of Arts in Economics and Sustainable Development |
| Nicolas Russell | Graduate School of Architecture, Planning and Preservation | Master of Science in Urban Design |
| Violet Whitney | Graduate School of Architecture, Planning and Preservation | Master of Architecture |


Ticket Graph
Ticket Graph
Last ${days} days in ${component}
Last ${days} days
by Component:
All Tickets


Customizing
While we previously looked at editing a basic building mass, we want to dive deeper into the Dynamo/Revit link by editing a large number of elements in one go. Customizing on a large scale becomes more complex as data structures require more advanced list operations. However, the underlying principles behind their execution is fundamentally the same. Let's study some opportunities for analysis from a set of adaptive components.
Point Location
Suppose we've created a range of adaptive components and want to edit parameters based on their point locations. The points, for example, could drive a thickness parameter which is related to the area of the element. Or, they could drive an opacity parameter related to solar exposure throughout the year. Dynamo allows the connection of analysis to parameters in a few easy steps, and we'll explore a basic version in the exercise below.
Query the adaptive points of a selected adaptive component by using the AdaptiveComponent.Locations node. This allows us to work with an abstracted version of a Revit element for analysis.
By extracting the point location of adaptive components, we can run a range of analysis for that element. A four-point adaptive component will allow you to study the deviation from plane for a given panel for example.
Solar Orientation Analysis
Use remapping to map a set of a data into a parameter range. This is fundamental tool used in a parametric model, and we'll demonstrate it in the exercise below.
Using Dynamo, the point locations of adaptive components can be used to create a best-fit plane each element. We can also query the sun position in the Revit file and study the plane's relative orientation to the sun in comparison to other adaptive components. Let's set that up in the exercise below by creating an algorithmic roofscape.
Exercise
Download the example files that accompanies this exercise (Right click and "Save Link As..."). A full list of example files can be found in the Appendix.
This exercise will expand on the techniques demonstrated in the previous section. In this case, we are defining a parametric surface from Revit elements, instantiating four-point adaptive components and then editing them based on orientation to the sun.
- Beginning by selecting two edges with the "Select Edge" node. The two edges are the long spans of the atrium.
- Combine the two edges into one list with the List.Create node.
- Create a surface between the two edges with a Surface.ByLoft.
- Using code block, define a range from 0 to 1 with 10 evenly spaced values:
0..1..#10;
- Plug the code block into the u and v inputs of a Surface.PointAtParameter node, and plug the Surface.ByLoft node into the surface input. Right click the node and change the lacing to Cross Product. This will give a grid of points on the surface.
This grid of points serves as the control points for a parametrically defined surface. We want to extract the u and v positions of each one of these points so that we can plug them into a parametric formula and keep the same data structure. We can do this by querying the parameter locations of the points we just created.
- Add a Surface.ParameterAtPoint node to the canvas, connect the inputs as shown above.
- Query the u values of these parameters with the UV.U node.
- Query the v values of these parameters with the UV.V node.
- The outputs show the corresponding u and v values for every point of the surface. We now have a range from 0 to 1 for each value, in the proper data structure, so we're ready to apply a parametric algorithm.
- Add a code block to the canvas and enter the code:
Math.Sin(u*180)*Math.Sin(v*180)*w;
This is a parametric function which creates a sine mound from a flat surface.- The u input connects to UV.U.
- The v input connects to UV.V.
- The w input represents the amplitude of the shape, so we attach a number slider to it.
- Now, we have a list of values as defined by the algorithm. Let's use this list of values to move the points up in the +Z direction. Using Geometry.Translate, plug the code block into zTranslation and the Surface.PointAtParameter into the geometry input. You should see the new points displayed in the Dynamo preview.
- Finally, we create a surface with the NurbsSurface.ByPoints node, plugging the node from the previous step into the points input. We have ourselves a parametric surface. Feel free to drag the slider to watch the mound shrink and grow.
With the parametric surface, we want to define a way to panelize it in order to array four-point adaptive components. Dynamo does not have out-of-the-box functionality for surface panelization, so we can look to the community for helpful Dynamo packages.
- Go to Packages>Search for a Package...
- Search for "LunchBox" and download "LunchBox for Dynamo". This is a really helpful set of tools for geometry operations such as this.
- After downloading, you now have full access to the LunchBox suite. Search for "Quad Grid" and select "LunchBox Quad Grid By Face". Plug the parametric surface into the surface input and set the U and V divisions to 15. You should see a quad-paneled surface in your Dynamo preview.
If you're curious about its setup, you can double click on the Lunch Box node and see how it's made.
Back in Revit, let's take a quick look at the adaptive component we're using here. No need to follow along, but this is the roof panel we're going to instantiate. It is a four-point adaptive component which is a crude representation of an ETFE system. The aperture of the center void is on a parameter called "ApertureRatio".
- We're about to instantiate a lot of geometry in Revit, so make sure to turn the Dynamo solver to "Manual".
- Add a Family Types node to the canvas and select "ROOF-PANEL-4PT".
- Add an AdaptiveComponent.ByPoints node to the canvas, connect Panel Pts from the "LunchBox Quad Grid by Face" output into the points input. Connect the Family Types node to the familySymbol input.
- Hit Run. Revit will have to think for a bit while the geometry is being created. If it takes too long, reduce the code block's '15' to a lower number. This will reduce the number of panels on the roof.
Note: If Dynamo is taking a long time to calculate nodes, you may want to use the "freeze" node functionality in order to pause the execution of Revit operations while you develop your graph. For more information on freezing nodes, check out the "Freezing" section in the solids chapter.
Back in Revit, we have the array of panels on the roof.
Zooming in, we can get a closer look at their surface qualities.
Analysis
- Continuing from the previous step, let's go further and drive the aperture of each panel based on its exposure to the sun. Zooming into Revit and select one panel, we see in the properties bar that there is a parameter called "Aperture Ratio". The family is setup so that the aperture ranges, roughly, from 0.05 to 0.45.
- If we turn on the solar path, we can see the current sun location in Revit.
- We can reference this sun location using the SunSettings.Current node.
- Plug the Sun settings into Sunsetting.SunDirection to get the solar vector.
- From the Panel Pts used to create the adaptive components, use Plane.ByBestFitThroughPoints to approximate a plane for the component.
- Query the normal of this plane.
- Use the dot product to calculate solar orientation. The dot product is a formula which determines how parallel or anti-parallel two vectors may be. So we're taking the plane normal of each adaptive component and comparing it to the solar vector to roughly simulate solar orientation.
- Take the absolute value of the result. This ensures that the dot product is accurate if the plane normal is facing the reverse direction.
- Hit Run.
- Looking at the dot product, we have a wide range of numbers. We want to use their relative distribution, but we need to condense the numbers into the appropriate range of the "Aperture Ratio" parameter we plan to edit.
- The Math.RemapRange is a great tool for this. It takes an input list and remaps its bounds into two target values.
- Define the target values as 0.15 and 0.45 in a code block.
- Hit Run.
- Connect the remapped values into a Element.SetParameterByName node.
- Connect the string "Aperture Ratio" into the parameterName input.
- Connect the adaptive components into the element input.
- Hit Run.
Back in Revit, from a distance we can make out the affect of the solar orientation on the aperture of the ETFE panels.
Zooming in, we see that the ETFE panels are more closed as the face the sun. Our target here is to reduce overheating from solar exposure. If we wanted to let in more light based on solar exposure, we just have to switch the domain on Math.RemapRange.


64 Sex-Filled Films to Stream on Netflix For a Steamy Night In
by Tara BlockWe've found the sexiest movies on Netflix in 2019 for when you want some hot, steamy onscreen lovin' that's not porn. There are racy foreign flicks, sexy romantic comedies, erotic period pieces, and everything in between (the sheets) — perfect for solo watching or date night. Whether you're in the mood to appreciate your favorite sexy actor or enjoy a hot and heavy romance, hop into bed with one of these raunchy movies tonight. Fair warning: they bring the heat!
Looking for even more Netflix recs? Check out more movies and TV shows that are available on Netflix in November here.
— Additional reporting by Lauren Harano, Corinne Sullivan, and Hannah Abrams
1 Compulsion
When an erotic novelist's ex-boyfriend invites her to an Italian villa, she finds him there with another woman and quickly starts falling for her. Compulsion, from 2016, centers around love, lies, and ultrasteamy encounters.
2 High Society
The 2018 movie High Society follows a couple who will do whatever it takes to become part of the elite community. Their race to the top includes sex, betrayal, and so much more.
3 Immoral Tales
Immoral Tales, a French film from 1973, tells four different erotic stories that involve everything from the loss of purity to the dark depths of incest.
4 After
The 2019 romantic drama After follows the life of Tessa Young, a freshman in college. After she meets an alluring man named Hardin, their romantic relationship takes twists and turns she never saw coming.
5 The Lake House
Starring Keanu Reeves, Sandra Bullock, and Christopher Plummer, this movie is already off to a good start. The Lake House centers around an architect and a doctor who lived in his house two years prior. The two meet through letters left in the mailbox at the lake house they have both lived in at separate points in time.
6 Lovesong
The romantic film Lovesong tells the story of two best friends who experience an intimate moment together one night while on a road trip. After years pass, they are forced to face their feelings, and each other.
7 A Perfect Ending
A Perfect Ending is the story of Rebecca, an older woman who is in search of her first orgasm. When she meets a call girl, she finds that as well as a whole new meaning of self.
8 Sorry Angel
Sorry Angel is set in France in 1933 and follows Jacques (Pierre Deladonchamps), a single father in his late 30s who has a sour outlook on life, and Arthur (Vincent Lacoste), an aspiring filmmaker in his early 20s, who together explore a new sexual relationship and ultimately a new way to live their lives as one.
9 Enemy
When Jake Gyllenhaal finds an actor who looks just like him, he takes a deep dive into the other man's personal affairs in this 2013 movie, Enemy.
10 Goodbye Lover
Patricia Arquette may look like a nice girl next door, but in Goodbye Lover she is much naughtier than that. Need we say more?
11 Nymphomaniac: Volume I and II
Director Lars von Trier filmed his actors — which included Shia LaBeouf, Uma Thurman, and Charlotte Gainsbourg, among others — having actual sex in his two-part drama art film Nymphomaniac: Volume I and Nymphomaniac: Volume II. The films follow a self-diagnosed nymphomaniac, so naturally they include many graphic sex scenes.
12 Concussion
Concussion tells the steamy story of a housewife who feels trapped in her marriage and develops a new interest in female sex workers.
13 Zipper
A prosecutor could lose everything as he falls further into the world of high-class escorts in the political thriller Zipper.
14 The Exception
The Exception follows a German solider during World War II who is on a mission to find out if spies are collecting information on the old monarch. While he is on his assignment, he finds himself falling for a young Jewish housekeeper, and steamy scenes ensue.
15 Blue Valentine
Ryan Gosling and Michelle Williams have plenty of hot and heavy scenes together in the sad tale of love falling apart Blue Valentine.
16 God's Own Country
You heard plenty of buzz about Call Me by Your Name in 2017, but you may not have heard about its very indie sibling, God's Own Country. It's a beautiful, captivating look at one man's struggle with his sexuality, and it earned a directing award at Sundance, as well as a BAFTA nomination.
17 Y Tu Mamá También
In Y Tu Mamá También, two teens take an older woman on a road trip — sexual excapades ensue.
18 Below Her Mouth
An engaged fashion editor determinedly pursues a lovelorn roofer, and their salacious affair blooms into something more in Below Her Mouth.
19 Blue Is the Warmest Color
Blue Is the Warmest Color is a sexual coming-of-age story about two teen girls falling in love. With its NC-17 rating, it's no surprise there are some very graphic lesbian sex scenes.
20 Newness
The world would be a better place if more movies starred a sexy Nicholas Hoult. Newness, set in Los Angeles, tells the story of two millennials trying to find their way in the app-driven dating world.
21 Sex Doll
Sex Doll is a 2016 erotic thriller about a high-end French escort in London who falls for a man trying to help her escape the business.
22 Lust Stories
Love, lust, sex, and modern relationships are all explored in the 2018 film Lust Stories from the viewpoint of four Indian women.
23 People You May Know
When a wife becomes pregnant by her husband's gay best friend, People You May Know only just begins to heat up.
24 The Lives of Others
This German Oscar-winning drama, The Lives of Others, tells the story of a dedicated Stasi officer who decides to spy on a playwright and his famous actress girlfriend when he doubts their loyalty to the Communist party, but the longer the officer watches them, the more he warms to them — a sentiment that becomes complicated when his superior orders him to eliminate the playwright so he can have the beautiful actress for himself.
25 Across the Universe
Starring Rachel Evan Wood and Jim Sturgess as Lucy and Jude, the trippy Beatles-themed musical romance Across the Universe places two star-crossed lovers in the midst of the Vietnam War, the turbulence of the late 1960s, and the most incredible soundtrack you'll ever hear.
26 Battle
If you can't get enough of Step Up and Save the Last Dance, then you'll love Battle. This new movie is about an affluent dancer whose father's bankruptcy means the end of her formal dance training — and her introduction to a hip-hop dancer who wants to teach her all new moves.
27 American Honey
The dreamy romance American Honey revolves around Star (played by Sasha Lane), a young woman who runs away from her troubled home life to drive across the Midwest, and Jake (played by Shia LaBeouf), the hard-partying guy who lures Star into a world of debauchery.
28 The Ugly Truth
Katherine Heigl stars in this rom-com, The Ugly Truth, as an unlucky-in-love TV producer named Abby, who's desperate to woo the sexy doctor who just moved next door, while Gerald Butler costars as the crass TV celebrity who's determined to help Abby land the doctor by proving just how little she understands about men.
29 Indiscretion
Steamy crime drama Indiscretion stars Mira Sorvino as Veronica, a politician's wife who thinks she's just engaging in a harmless weekend fling with a tortured young artist, but instead she becomes the target of an insanely intense obsession that slowly infiltrates her life.
30 Ex Machina
In perhaps one of the sexiest modern sci-fi films, Ex Machina portrays Tomb Raider star Alicia Vikander and Crazy Rich Asians actress, model, and ballerina Sonoya Mizuno as two female humanoid robots desperate to experience the outside world, even if that means killing their creator.
31 Berlin Syndrome
You'll never want to date again after watching Berlin Syndrome. The psychological thriller follows a young Australian backpacker (Teresa Palmer) exploring Berlin on a solo trip who decides to join a sexy local at his place for a one-night stand. It all seems to be going well — until the next morning, when she discovers that her new Berlin lover has no intention of letting her leave.
32 Perfect Stranger
When a journalist goes undercover to find evidence that a suspicious advertising executive killed her best friend, she finds herself in the middle of a scheme more complicated than she had ever imagined, but here's what we never imagined: that Halle Berry and Bruce Willis would have such steamy onscreen chemistry in Perfect Stranger.
33 All the Boys Love Mandy Lane
Starring Amber Heard, this teen slasher film All the Boys Love Mandy Lane is about a high-schooler who reluctantly accepts an invitation to a rural weekend party, only to find her many male suitors murdered one by one.
34 In Darkness
Game of Thrones hottie Natalie Dormer both wrote and stars in 2018's In darkness, a thriller about a blind pianist who accidentally finds herself witness to a murder that takes place in the apartment above hers. She's also joined by Emily Ratajkowski as her neighbor, who even makes getting murdered look hot.
35 The Aviator
The Aviator depicts the early years of director and aviation tycoon Howard Hughes (played by Leonardo DiCaprio) who hides his dark side with his successful public persona. Cate Blanchett and Kate Beckinsale round out the cast as Hughes's lovers Katharine Hepburn and Ava Gardner.
36 Someone Great
Starring Jane the Virgin's Gina Rodriguez, Pitch Perfect's Brittany Snow, and She's Gotta Have It's DeWanda Wise, Someone Great tells the story of aspiring music journalist Jenny (played by Rodriguez), whose boyfriend of nine years unceremoniously dumps her as soon as she lands her dream job in San Francisco because he's not willing to make long distance work. However, her two BFFs, Blair and Erin (played by Snow and Wise, respectively), are there to help her get over her ex and give her one last crazy (and sexy) weekend in New York City before she moves across the country.
37 Mother and Child
Don't let the title Mother and Child fool you. This steamy (and emotional) movie ties in family, adoption, and some sexy scenes.
38 Studio 54
Not to be confused with the late-'90s flick 54 starring Ryan Phillippe, Salma Hayek, and Neve Campbell, this documentary-style movie Studio 54 offers an inside look at the real Studio 54, the pleasure-seeking epicenter of 1970s New York City that would become known as the greatest (and sexiest) nightclub of all time.
39 Porto
When an American expat and a French student share a steamy encounter together, they are haunted by the sexual connection they share years later. What happened in Porto sure didn't stay there.
40 Sleeping With Other People
In the film Sleeping With Other People, when Jason Sudeikis and Alison Brie run into each other twelve years after having a one-night stand, they try to keep a platonic relationship while still having a sexual connection.
41 The Black Room
The Black Room is a chillingly sexual movie which revolves around an evil and (very) lustful spirit living in a couple's new home. Watch it only if you think you can handle it.
42 Two Lovers and a Bear
When two burning souls come together near the North Pole, Two Lovers and a Bear makes the snowy setting so much hotter.
43 Under the Skin
The sexy extraterrestrial Scarlett Johansson disguises herself and preys on men in the steamy and out of this world film Under the Skin.
44 Winter of Our Dreams
When a bookstore owner finds an unlikely friend in a heroin-addicted sex worker, he finds himself drawn to the troubled woman in the 1981 movie Winter of Our Dreams.
45 Carol
When a wealthy married woman develops a forbidden affair with a female department store clerk, a complicated love affair ensues in the 2015 movie Carol.
46 Loving Annabelle
After Annabelle is sent to a Roman Catholic school for bad behavior, she develops a scandalous relationship with her female poetry teacher. A feverish affair makes Loving Annabelle a hot, hot flick.
47 The New Romantic
Best known for playing Alyssa in The End of the F***ing World, Jessica Barden stars in The New Romantic as a journalism student in need of some inspiration (and some cash) who decides to masquerade as a sugar baby for a wealthy older man, hoping the resulting story will earn her a win in an upcoming journalism competition. Luckily, Camila Mendes is happy to show her the ropes.
48 Last Night
Keira Knightley and Sam Worthington star in this lustful drama where they are both tempted one night when they are apart. See if there marriage will make it or if their night away will ruin everything in Last Night.
49 White Girl
When a wild college freshman meets a drug dealer, she almost loses it all in the romantic drama White Girl.
50 Princess Cyd
When a 16-year-old girl visits her aunt in Chicago for the summer, she meets another girl who flips her world upside in the movie Princess Cyd.
51 Desire
The 2017 movie Desire is an erotic thriller in which a woman falls in love with the one man off limits. Her sister's fiance.
52 Alex Strangelove
In the romantic drama Alex Strangelove, a young boy who has planned on losing his virginity to his girlfriend is taken by surprise when he develops a romantic interest in a charming boy.
53 The Model
When an aspiring model falls for a photographer, things become more than they can handle. Watch how a love affair becomes a lustful obsession in The Model.
54 The Graduate
A college graduate gets seduced by a bored housewife and then falls for her daughter in this dramatic and sexy 1967 movie The Graduate.
55 The Tree of Blood
In The Tree of Blood, a young couple visits an old farmhouse that belonged to the woman's family, and it is there that they discover their shared genealogical roots and family histories, among other things. This steamy Spanish movie will heat up any night.
56 One Day
One Day stars Jim Sturgess and Anne Hathaway, who fall in love and make this movie so steamy.
57 Cam
This psychological horror film Cam is set in the world of webcam pornography where an erotic cam girl who finds her popular channel hijacked by a look-alike.
58 Her
A lonely writer develops a steamy relationship with an artificial entity in this futuristic film. Her will change the way you interact with technology.
59 An Education
In An Education, a sheltered teen gets charmed by a much older suitor, and things get hot and heavy.
60 Us and Them
Us and Them follows the love story between two strangers who meet on a train and have a serious bond afterwards.
61 Dare to Be Wild
Dare to Be Wild is based on the true story of an Irish landscaper who gets a chance to compete at the prestigious Chelsea Flower Show and then falls in love with a sexy builder while she is there.
62 Nights in Rodanthe
Adrienne Willis (Diane Lane) is living a life of chaos when she decides to help run a friend's inn in a small town in North Carolina. When a storm hits, she and Dr. Paul Flanner (Richard Gere), the only guest who is staying at the inn that weekend, find themselves in a whirlwind romance that changes both of their lives forever in Nights in Rodanthe.
63 Who's That Knocking at My Door
The 1967 drama Who's That Knocking at My Door tells the story of a tumultuous relationship between a couple who must try to understand how to fully love each other, despite what has happened to them.
64 Love
Love, a 2015 French film, is pure sex, literally. And in 3D, no less! It follows a twisty, hypersexualized relationship.


This page can be used to push your firewall configuration out to several systems
simultaneously, so that you can manage a cluster of firewall systems from a single
interface. Before a server can be added to this page, it must have Webmin 1.170 or
above installed and be added in the Webmin Servers Index module. It must also have the
necessary iptables programs installed and properly configured.