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Sounds funny but with last year bear market and a bit of other things, being a NN operator might actually be painful
On the other hand, if kmd goes to $10, that would be a different story
grewalsatinder13-Apr-19 12:49 PM
I'm guessing this season notary nodes will be happy. because it's not bear market like previous
siu - Chainmakers13-Apr-19 12:50 PM
Still needs confirmation
But yeah.
grewalsatinder13-Apr-19 12:50 PM
for notary nodes, the real test is who still gives best when it's bear market and when there isn't much incentive to run a node.(edited)
on top of it if you don't have much savings and no other reliable earning source, it's hard, very hard.(edited)
siu - Chainmakers13-Apr-19 12:53 PM
For NN operator to pay the full linux admin job yearly salary of around $150k a year, kmd needs to be at about $8.00
grewalsatinder13-Apr-19 12:53 PM
there are other expenses too.
server costs, hosting costs, living costs
if sharing revenue with team of N, then that
Markus13-Apr-19 12:54 PM
so far KMD price is quite disappointing considering how much is being made on the platform and everything what is going on, meanwhile other projects like BNB make like 300% for basically no reason
siu - Chainmakers13-Apr-19 12:55 PM
Bnb is a binance profit washing machine
grewalsatinder13-Apr-19 12:55 PM
the market is not thoughtful mate.
not yet
I really liked the words of James sometime ago,
"running on shoe lace budget" (edited)
Komodo really runs on shoe lace budget
and delivers more
siu - Chainmakers13-Apr-19 12:57 PM
Imo, with the fact that most notary admins were operating with practically no profit, many thing were done
1
Markus13-Apr-19 12:57 PM
but if kmd get the recognition it deserves coming year or 2 then im quite confident believing price can easily make 100x from this point
siu - Chainmakers13-Apr-19 12:57 PM
At least we at chainmakers are proud of what we achieved with practically 0 financing
2
grewalsatinder13-Apr-19 12:58 PM
@siu - Chainmakers second season was THE BEST mate!
Much respect for all @Notary-Operator of 2018-2019 season!
siu - Chainmakers13-Apr-19 12:58 PM
mrlynch13-Apr-19 12:58 PM
@grewalsatinderI'd very highly recommend the new notary node operators to be Totally commit yourself to Notary Nodes.
Else DO NOT RUN in the elections.
have i mentioned i quit my job for this? we get elected
making customized daemons for wallet optimizations and how to not break it when you do that's fine, i have gdb on speed dial
@ComputerGenie 👴👴👴 could've posted the 24hr stat from testnet, counting from after i ran the bt on iguana
i can assure you it's plug&play .. ./m_notary_testnet and you can go down the beach.. easy money
disclaimer: it isn't, better hve $$ prepared for living costs.. i've spent $300+ just testing things in testnet so far
grewalsatinder13-Apr-19 12:59 PM
@mrlynch nope, you haven't mentioned, or may be I didn't came across your mention, but I read that from @FishyGuts
ComputerGenie 👴👴👴13-Apr-19 01:00 PM
I couldn't use 24 hr because @Alright was on there and we all know he doesn't do anything (edited)
I wouldnt quit my day job hoping nn operation will make a living for me
At least in my case its impossible
If you live with your parents and have no kids and no debt then yeah, you may think about it.
mrlynch13-Apr-19 01:03 PM
i didn't do it either.. i (somewhat) planned for it.. will not rely on NN rewards for living costs
lol, i'm a bit too old to live with my parents
ComputerGenie 👴👴👴13-Apr-19 01:03 PM
NN rewards for living costs
that's what those aluminum tubes are for
mrlynch13-Apr-19 01:04 PM
everything's gonna be alright
siu - Chainmakers13-Apr-19 01:05 PM
To each its own
mrlynch13-Apr-19 01:05 PM
all in all, i fekkin love this
siu - Chainmakers13-Apr-19 01:06 PM
Im sure that if i look for a job on a blockchain related company and i have "notary node administrator for komodo platform from 2018-present" i would definitively get much better consideration though
2
dukeleto13-Apr-19 01:07 PM
"real" blockchain jobs are weird, I applied to many
Nobody got back to me, lol
siu - Chainmakers13-Apr-19 01:08 PM
Lol
grewalsatinder13-Apr-19 01:08 PM
they wanted Ethereum, or Corda person?
dukeleto13-Apr-19 01:09 PM
most people want ETH junk, and I would rather die in a ditch than code that stuff
Hush v3 Whitepaper. Contribute to MyHush/hush-v3-whitepaper development by creating an account on GitHub.
4
as always, this is not financial advice, get rekt responsibly
siu - Chainmakers13-Apr-19 01:11 PM
.... or die trying(edited)
dukeleto13-Apr-19 01:11 PM
I have a lot of details to add to the whitepaper regarding Cryptopia, that will happen soon
regardless of you loving it or hating it, you will want
1
Additionally, I must warn any trader from using ZEL products, as they want to follow the old legacy HUSH chain
Do not store HUSH in any ZEL wallet, it's closed source and unsuppported and they don't want to support our new chain without charging us money, lol
Cryptoon13-Apr-19 01:14 PM
Seems like that is a 0.5% arb possibility on kmd/usd - kmd/btc on bittrex
Thought marketmaker bots traded that shit for a living?
Hollowman900013-Apr-19 02:19 PM
Isn’t 0.5% the tx fee on Trex
No profit
Cryptoon13-Apr-19 02:21 PM
marketmakers dont pay fees iirc
btw bittrex kmd withdrawals are confirmed after 1 confirmation
Did they implement check dPoW?
dukeleto13-Apr-19 02:24 PM
1conf is not dpow
jl777c13-Apr-19 02:24 PM
withdraw or deposit
Cryptoon13-Apr-19 02:25 PM
withdraw
jl777c13-Apr-19 02:25 PM
that is generated based on their exchange balances
not about double spends
Cryptoon13-Apr-19 02:26 PM
Aha got it
FishyGuts13-Apr-19 03:26 PM
@grewalsatinder - I was making a joke. I did not lose my job, go BK or divorce from running a NN... but I could see it happening somewhere in the world sometime in the history of KMD.
ComputerGenie 👴👴👴13-Apr-19 03:45 PM
Then they should have gotten a better wife from the jump


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Client's health data in a chronological order
QR-code Identity Access System
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Get the corresponding Quick Response code of an individual to get an access to the medical history retrieval system
Medical History Retrieval System designed to serve every client with utmost care irrespective of the hospitals
Copyright © 2021 - All Rights Reserved - Health History
Medical Record with QR System


{include file="public/head"}
{include file="public/nav"}
{include file="shopping_cart/shopping_cart_body"}
{include file="shopping_cart/shopping_cart_foot"} {include file="chat/modal_chat"}


This view allows you to upload a data file into the server. The documents in the file will be loaded into the database using mlcp.


About
I've been a resident of this city for the majority of my life and a homeowner in District 18 for the last decade. I truly enjoy living here and I want my efforts as a Councillor to have a positive impact on the city. Please contact me with any ideas you might have to improve the municipality.
Education
I completed my Honours degree in Public Administration and Political Science (BsocSc) from the University of Ottawa followed by a Master of Public Administration (MPA) from Western University.
Career
I began my career working with the Commissioner of Community Services and, after many excellent years, I resigned to pursue municipal politics. I've since had the pleasure of serving as the councillor for District 18 for over 8 years. I serve on both the Administrative Policies and Planning committees.


Convert Mode
Convert Mode is more advanced and requires knowledge of the Perforce Journal replay and Archive file store. This mode can only be used for single shot conversions and cannot be used incrementally. The performance of Convert Mode is significantly better than Import Mode (x100 sometimes!).
After using Convert Mode the administrator will need to run several commands to rebuild the Perforce server and upgrade the metadata. Please refer to the Post Conversion [Conversion Mode] section for step-by-step instructions.
To use this mode set:
com.p4convert.p4.mode=CONVERT
Configuration options specific to Conversion Mode
-
Perforce server root address (path should end with a slash (
/
)), the default is set top4_root/
under you local directory:com.p4convert.p4.root=
/full/path/to/p4_root/
-
Change list offset from which to start conversion (handy for batched conversions):
com.p4convert.p4.offset=
0
-
Generated journal names (useful to increment the prefix when running batched conversions):
com.p4convert.p4.jnlIndex=
0
com.p4convert.p4.jnlPrefix=jnl.
-
Mimic the 2011.1 or greater credit behavior on rollbacks / downgrades (to enable set value to
true
):com.p4convert.p4.downgrade=
false
-
Perforce normalises line-endings when storing the file on the server and restores them based on the client workspace options and platform type. However, in special cases it can be useful to store line-ending in the server and use the 'share' option in the client. To disable normal line-ending support set the following option to
false
:com.p4convert.p4.lineEnding=
true
-
For non Unicode servers, or to simplify storage of hi-ASCII files, setting the following option to
false
will store the file asbinary
:com.p4convert.p4.unicode=
false


August 1, 2017| Real Dynamics Team
In Part-1 of this two-part series, we explored supply chain enhancements in Dynamics 365 for Operations.
This time, we will explore new capabilities in warehousing and the Dynamics 365 for Operations mobile app.
As Microsoft describes the Warehousing module of Dynamics 365 for Operations, you can:
"Automate your warehouse processes to reduce operational costs. With Microsoft ERP, your warehouse managers can better control their put-away, quality-control, and picking operations. And, with a flexible workflow engine, they can rapidly respond to changing business needs."
Let us explore what all these capabilities looks like, in detail.
Warehouse enhancements for high-volume distribution centers
Several enhancements have been made to enhance the productivity of warehouse workers by adding flexibility and effectiveness to operations after work has been created. Additions to the packing station functionality include the ability to:
Also, support has been added for short-pick processes, and when an associate wants to fulfil an order with an item that is available elsewhere. It's possible to use an automatic re-allocation process, which uses location directives to retrieve. Alternatively, when manual re-allocation is used, a list of the locations with the relevant item is shown on the mobile device, allowing the warehouse worker to choose a source location. These two methods can be set individually or combined as a single command on the warehouse worker menu.
It is now possible to move inventory that has work associated to it. This can be useful if, for example, a worker wants to clear some inbound dock space and move registered pallets that are waiting to be put away to another inbound location. The dock is cleared and can receive an additional load of goods, and the inventory that's been moved is updated with new put-away information.
You can also merge license plates that have outbound work associated with them. For example, when a pick has been broken into several pieces of work, it can be useful to allow the license plates to be merged after they are delivered at the staging location.
It is now possible to freeze work at the line level instead of at the header level, so workers can fulfil the pick lines that aren't frozen by demand replenishment. This feature allows a wholesaler with large sales orders or a retailer with large replenishment transfer orders to allow the picking work to start on all lines that are not subject to replenishment work enabling parallel completion of the picking and replenishment work.
Work can now be cancelled using the mobile device, with or without demand replenishment. Previously, this process was only possible using the rich client.
Warehouse operation enhancements
Enhancements for warehouse operations include:
Additional warehouse support in manufacturing
This release introduces new workflows for the handheld mobile device, which enable you to:
Enable withdrawal Kanban for warehouse processes
Support will be added for the withdrawal Kanban in production to replenish material on the production floor for lean, discrete, and process manufacturing. This will make it possible to release work for Kanban picking for the withdrawal Kanban, so that items can be picked from non-fixed locations in the warehouse.
Advanced warehousing in retail
This functionality will let retailers use the advanced warehouse management solution in their stores. Stores can be modelled as advanced warehouses so it is possible to take advantage of all the advanced warehouse functionality, including hand-held solutions. In addition, all current retail store inventory processes and any point-of-sale (POS) process that creates or updates inventory transactions has been updated to work with the specific requirements for advanced warehouses.
Cross-docking from production to transfer orders
A new option for cross docking from a production or batch order to released transfer orders is upcoming. This is relevant in manufacturing if the material produced is immediately transferred to remote warehouses and distribution centers, and not stored at the production site. A work policy will be used to query for cross-docking opportunities. This will include the product and the location for the produced goods.
Warehouse work policies (released in D365)
After ensuring data has been successfully extracted from D365 for Operations, it is time to view the same in Azure SQL Database. The figure below illustrates one of my favorite ways of exploring data in Azure SQL DB using SQL Server Object Explorer in Visual Studio (2015 Professional):
For this you need to download an add-in from Azure/Microsoft, then create a new database connection by providing adequate connection and security details. Once the connection is established, the data from D365 for Operations can be browsed or otherwise used in your data warehouse.
The new warehouse work policy is applicable for specific locations and products.
Typically, warehouse work for finished goods put-away and co-products and by-products put-away is created when a production order is reported as finished. By using the new warehouse work policy, you have the flexibility to control whether warehouse work needs to be created for finished goods put-away and co-products and by-products put away. For example, this can be useful if the finished goods from one production area are reported to a location where the goods are later consumed.
Warehouse work for raw material picking is typically created when releasing a production or batch order. By using the new warehouse work policy, you have the flexibility to control whether warehouse work for raw material picking needs to be created. This can be useful if, for example, the material consumed by production is received directly where it is consumed.
Microsoft's Warehouse Management home page, provides more details
New Dynamics 365 for Operations mobile app
We can now design mobile experiences to enable your users to stay productive while on the move. The mobile approach allows you to reuse business logic and modelling from the product while enabling rich offline and mobile interactions, and an easy-to-use designer experience.
Dynamics 365 for Operations brings support for a mobile phone app (to be available on iTunes App Store for iPhones, Google Play Store for Android phones, and Windows Store for Window phones).
Developers can create simplified forms in Microsoft Visual Studio and then design mobile pages that expose this functionality. This mobile solution makes it easy to change the forms and mobile app definitions in order to include customizations made to the product.
Mobility and modern user experience
Retailers will benefit from leveraging a POS application that is built on a state of the art, cloud engineered, secure, and flexible architecture, designed and optimized to run on different form factors, and across Windows, iOS, and Android.
Key capabilities expected:
Mobile in production operations
The mobile app for production will make it possible to start, complete, or cancel production activities or operations on a mobile device. It can also be used to handle units on the shop floor or in the warehouse by scanning the bar code of the attached labels, such as license plates. Based on the scan results, the app will show related information which would enable warehouse personnel on the move to make informed decision using right information available on time.
New mobile warehouse app
An application is expected that will allow handheld mobile devices to run warehouse operations connected to Dynamics 365 for Operations without installing the Warehouse Mobile Devices portal.
The app will use the existing business logic for handheld devices to run warehouse operations, but it will have a new simplified responsive user interface that dynamically scales to the screen size and resolution of the handheld device. It will also be possible to show a company logo on the log-in screen and product pictures as part of the warehouse operations.
If you have any question contact us on<EMAIL_ADDRESS>September 1, 2017|| Real Dynamics Team
July 1, 2017| Real Dynamics Team
June 1, 2017| Real Dynamics Team
May 1, 2017|Real Dynamics Team
April 1, 2017| Real Dynamics Team
March 3, 2017| Real Dynamics Team
February 1, 2017| Real Dynamics Team
January 1, 2017| Real Dynamics Team
Contact us and we'll get back to you within 24 hours.
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St Catherines - Walter Henry Grist born 4th Qtr 1874 Bath (5c page 638)
Winifred Margaretta Grist born 4th Qtr 1877 Bath (5c page 616)
Ada Grist born 2nd Qtr 1882 " (5c " 645)
26/1/1982 Received my own Birth Certificate from N.S.W. BD&M's.
5/2/1982 " father Norman's Birth Certificate " " "
22/2/1982 " grandmother Olive's Birth Cert, & Walter & Olive's marriage cert. from NSW BD&M"S
30/4/1983 " John Grist and "Bessie" Grist's Death certificates from NSW BD&M's.
5/7/1985 " John & Bessie Grist Marriage Cert. from St. Cath's
9/5/1985 -- 1871 Census - Found Job & Ann Turner living at No 18 Phillip St, Bath., Bath. Mary Elizabeth was the eldest of seven children, she was 17years old.
Also 1985 - Looked at 1841 & 1851 Census of Bristol for Charles Grist & family with no luck.
24/4/1985 Archives of NSW Assistant. Immigrants- Film No.26469.
John Grist 33yrs Labourer, paid 4 pounds from Somerset, Methodist & Mary Elizabeth 30yrs Paid 2 pounds.
Walter H. 8 yrs, paid 1 pound,.. Winifred 5yrs paid 1pound,... & Ada 1yr, paid 0pound, all from Somerset.
"Lusitania" arrived 15th Feb, 1884 -- Reel 4/5027. No relatives in the Colony.
1985 - Sydney State Library -" 1st Steam Tramway started on Tuesday 16th Sept,1879, the day before the opening of the International Exhibition at the Palace Gardens. The next year 1880, the Oxford St. extension - running to Randwick Race Course was finished. Photo was taken on corner of King & Elizabeth Sts, Sydney on 8/4/1882 in SMHerald. Also Photo of Tramcar on the corner of Oxford & Crown Sts, on 19/1/1884, in SMHerald. John Grist was brought out to Aust. for the 1st Steam Trams at Randwick Workshops. He was an Engineer.
Oct 1988 Looked at IGI again dated July 1985, There are only 13 enteries for Grist.--- No Charles Grist in Somerset at all!! 1 in Devon, 9 in Essex. Only Charles Grist b14/10/1863 son of William Grist, born Kelvedon near Colchester, Essex. Also a family of John & Eliz Grist in Mundon, Essex - not our family.
1/5/1990 - Looked at St Catherines birth & marriages again from 1840 to 1850 for John Grists death with no luck.
Found parents Marriage - Charles Grist to Caroline Elizabeth Morgan at Bristol, 3rd Qtr 1842 -(XI 153)
1/5/1990 -Also found marriage of Job Turner to Ann Denman at Bristol 2nd Qtr 1852 - (6a 61). Also found Birth of Elizabeth Mary Turner on 2nd Qtr 1853, Bath (5c 719). But didn't apply for them at the time much to my regret.
12/5/1994 Received Walter & Winifred's Grist birth cert. from St Caths. when I was in England.
16/7/1996 " Ada Grist's birth cert. from St Cath's.
4/7/1996 " Winifred's marriage cert. from New Zealand. She was married to John Arthur Jackson on 22/9/1926 at St James Presbyterian Church Wellington, New Zealand. (Wilma paid for it).
23/5/1996 Looked thru St.Caths for a birthday on 13th July ???? for a WAP Grist mentioned in G.Grandfather birthday diary that Wilma has. Looked from 1860 &1900 with no luck. Then I realised much later that it stood for Dorothy Ada Pearl.(a bad "D")
SMH - Death's - GRIST - 31st March, 1920, JOHN FISHER GRIST, late of High St, Waverley, aged 75years.
FUNERAL - The rels & friends of the late Mr. JOHN FISHER GRIST, late of High St, Waverley, are invited to attend his funeral; to leave our parlor to-morrow Saturday morning, at 10.15am, for Waverley Cemetery.
I visited Waverley Cemetery for a walkabout on 5 Nov, 1998, & took some photos of the grave Sec 21, grave 317 His name is not on the headstone??


Welcome to Mike's Pizza Place!
Order your pizza below with your favorite toppings and we'll have it ready in 15 minutes, or its free!


--- layout: archive title: Zulip Chat Archive permalink: /stream/113488-general/topic/setting.20up.20lean-git-hooks.html ---
Is my set-up borked? I don't usually edit mathlib. How do I start again?
git clone git@github.com:leanprover-community/mathlib.git git fetch --all git checkout origin/lean-3.4.2 cache-olean --fetch find src/ -name '*.olean' -exec touch {} +
all work fine. Then
$ setup-lean-git-hooks This script will copy post-commit and post-checkout scripts to .git/hooks /home/buzzard/.mathlib/bin/setup-lean-git-hooks: 5: read: Illegal option -n /home/buzzard/.mathlib/bin/setup-lean-git-hooks: 7: /home/buzzard/.mathlib/bin/setup-lean-git-hooks: [[: not found Cancelled... buzzard@bob:~/Lean/lean-projects/mathlib$
$ /bin/sh $ read -p "Do you want to proceed? " -n 1 -r /bin/sh: 1: read: Illegal option -n
Editing $HOME/.mathlib/bin/setup-lean-git-hooks
so that it starts with /bin/bash
works for me on Ubuntu. Is that not an acceptable change in general?
By default I seem to have this:
$ more /home/buzzard/.mathlib/bin/setup-lean-git-hooks #! /bin/sh HOOK_DIR=`git rev-parse --git-dir`/hooks if [ -e $HOOK_DIR ]; then echo This script will copy post-commit and post-checkout scripts to $HOOK_DIR read -p "Do you want to proceed? " -n 1 -r ...
and this doesn't work for me on Ubuntu 18.04
$ git checkout -b pointwise Switched to a new branch 'pointwise' hint: The '.git/hooks/post-checkout' hook was ignored because it's not set as executable. hint: You can disable this warning with `git config advice.ignoredHook false`.
I need more hints. I have no idea what that means.
(deleted)
Editing
$HOME/.mathlib/bin/setup-lean-git-hooks
so that it starts with/bin/bash
works for me on Ubuntu. Is that not an acceptable change in general?
This is a good change. On some systems /bin/sh
is actually bash; I assume those systems should have /bin/bash
as well. Shells that use bash features should not assume /bin/sh
is bash.
https://stackoverflow.com/questions/226703/how-do-i-prompt-for-yes-no-cancel-input-in-a-linux-shell-script gives several posix variants
$ git checkout -b pointwise Switched to a new branch 'pointwise' hint: The '.git/hooks/post-checkout' hook was ignored because it's not set as executable. hint: You can disable this warning with `git config advice.ignoredHook false`.
I need more hints. I have no idea what that means.
.git/hooks/post-checkout
is a file
But do I want to disable the warning or do I want to set the executable flag?
I've never used these hooks but presumably if you went to the trouble of setting them up then you want to set the executable flag so that they run.
I went to the trouble of cutting and pasting stuff from here
In that case, I don't understand how you ended up with the file without the executable flag being set, but you want to set it
cache-olean
also had x not set
The fact that setup-lean-git-hooks.sh
copies the files from ~/.mathlib
strikes me as bizarre
The files live in the same repository
I think that's an oversight. I think I corrected the mistake recently but if your setup is older, you didn't get to take advantage of that fix
{% endraw %}Last updated: Apr 24 2020 at 19:02 UTC


Rescue
Time Limit: 2000/1000 MS (Java/Others) Memory Limit: 32768/32768 K (Java/Others)
Total Submission(s): 393 Accepted Submission(s): 291
Problem Description
I work at NASA outer space rescue team which needs much courage and patient. In daily life, I always receive a lot of mission, and I must complete it right now.
Today, team leader announced me that there is a huge spaceship dropping anchor in the out space, and we should reach there for rescue. As a working principle, at first, we should check whether there are persons living in the spaceship. So we carry a kind of
machine called life sensor which can sense the life phenomenon when the distance between the machine and the living is not farther than the sense radius.
I have read the designing paper of the spaceship in advance. It has a form of a convex polyhedron, and we can assume it is isodense. For best control, control center of the whole ship is located at the center of the mass. It is sure that if someone is still
alive, he will stay at the control center.
It’s unfortunately that I find the door is stocked when I try to enter into the spaceship, so I can only sense the living out of the space ship. Now I have opened the machine and it’s time to set the sense radius of it. I wonder the minimal radius of the machine
which can allowe me to check whether there are persons living in the spaceship.
Today, team leader announced me that there is a huge spaceship dropping anchor in the out space, and we should reach there for rescue. As a working principle, at first, we should check whether there are persons living in the spaceship. So we carry a kind of
machine called life sensor which can sense the life phenomenon when the distance between the machine and the living is not farther than the sense radius.
I have read the designing paper of the spaceship in advance. It has a form of a convex polyhedron, and we can assume it is isodense. For best control, control center of the whole ship is located at the center of the mass. It is sure that if someone is still
alive, he will stay at the control center.
It’s unfortunately that I find the door is stocked when I try to enter into the spaceship, so I can only sense the living out of the space ship. Now I have opened the machine and it’s time to set the sense radius of it. I wonder the minimal radius of the machine
which can allowe me to check whether there are persons living in the spaceship.
Input
There are multiple test cases.
The first line contains an integer n indicating the number of vertices of the polyhedron. (4 <= n <= 100)
Each of the next n lines contains three integers xi, yi, zi, the coordinates of the polyhedron vertices (-10,000 <= xi, yi, zi <= 10,000).
It guaranteed that the given points are vertices of the convex polyhedron, and the polyhedron is non-degenerate.
The first line contains an integer n indicating the number of vertices of the polyhedron. (4 <= n <= 100)
Each of the next n lines contains three integers xi, yi, zi, the coordinates of the polyhedron vertices (-10,000 <= xi, yi, zi <= 10,000).
It guaranteed that the given points are vertices of the convex polyhedron, and the polyhedron is non-degenerate.
Output
For each test case, output a float number indicating the minimal radius of the machine. Your answer should accurate up to 0.001.
Sample Input
4 0 0 0 1 0 0 0 1 0 0 0 1 8 0 0 0 0 0 2 0 2 0 0 2 2 2 0 0 2 0 2 2 2 0 2 2 2
Sample Output
0.144 1.000先构建一个三维凸包 求出其重心 ，然后求出重心到每个面的距离，找出最小值#include <iostream> #include <cstdio> #include <cstring> #include <stdlib.h> #include <algorithm> #include <queue> #include <map> #include <cmath> #define N 101 #define ll long long int #define eps 1e-8 #define PI acos(-1.0) #define inf 0x3f3f3f3f using namespace std; struct point { double x,y,z; point() {} point(double xx,double yy,double zz): x(xx),y(yy),z(zz) {} point operator -(const point p) { return point(x-p.x, y-p.y, z-p.z); } point operator +(const point p) { return point(x+p.x, y+p.y, z+p.z); } point operator *(const point p) { return point(y*p.z-z*p.y, z*p.x-x*p.z, x*p.y-y*p.x); } point operator *(double p) { return point(x*p, y*p,z*p); } point operator /(double p) { return point(x/p, y/p,z/p); } double operator ^( point p) { return x*p.x+y*p.y+z*p.z; } }; struct node { struct face { int a,b,c; bool ok; }; int n; point tn[N]; int num; face F[8*N]; int g[N][N]; double vlen(point a) { return sqrt(a.x*a.x+a.y*a.y+a.z*a.z); } point cross(const point &a,const point &b,const point &c) { return point ( (b.y-a.y)*(c.z-a.z) - (b.z-a.z)*(c.y-a.y), (b.z-a.z)*(c.x-a.x) - (b.x-a.x)*(c.z-a.z), (b.x-a.x)*(c.y-a.y) - (b.y-a.y)*(c.x-a.x) ); } double area(point a,point b,point c) { return vlen((b*a)*(c-a)); } double volume(point a,point b,point c,point d) { return (b-a)*(c-a)^(d-a); } double dbcmp(point &p,face &f) { point m = tn[f.b] - tn[f.a]; point n = tn[f.c] - tn[f.a]; point t = p - tn[f.a]; return (m*n)^t; } void deal(int p,int a,int b) { int f = g[a][b]; face add; if(F[f].ok) { if(dbcmp(tn[p],F[f]) > eps) dfs(p,f); else { add.a=b; add.b=a; add.c=p; add.ok=true; g[p][b] = g[a][p] = g[b][a] =num; F[num++] = add; } } } void dfs(int p,int now) { F[now].ok = false; deal(p,F[now].b,F[now].a); deal(p,F[now].c,F[now].b); deal(p,F[now].a,F[now].c); } bool same(int s,int t) { point &a = tn[F[s].a]; point &b = tn[F[s].b]; point &c = tn[F[s].c]; return fabs( volume(a,b,c,tn[F[t].a])) < eps && fabs( volume(a,b,c,tn[F[t].b])) < eps && fabs( volume(a,b,c,tn[F[t].c])) < eps ; } void create() { int i,j,tmp; face add; num = 0; if(n<4) return ; bool flag =true; for(i=1; i<n; i++) { if(vlen(tn[0]-tn[i]) > eps) { swap(tn[1],tn[i]); flag = false; break; } } if(flag) return ; flag =true; for(i=2; i<n; i++) { if(vlen((tn[0]-tn[1])*(tn[1]-tn[i])) > eps ) { swap(tn[2],tn[i]); flag =false; break; } } if(flag) return ; flag =true; for(i =3; i<n; i++) { if(fabs((tn[0]-tn[1])*(tn[1]-tn[2])^(tn[0]-tn[i])) >eps ) { swap(tn[3],tn[i]); flag =false; break; } } if(flag) return ; for(i=0; i<4; i++) { add.a = (i+1)%4; add.b = (i+2)%4; add.c = (i+3)%4; add.ok = true; if(dbcmp(tn[i],add) > 0) { swap(add.b,add.c); } g[add.a][add.b] = g[add.b][add.c] = g[add.c][add.a] =num; F[num++]=add; } for(i =4; i<n; i++) { for(j =0; j<num; j++) { if(F[j].ok && dbcmp(tn[i],F[j])>eps) { dfs(i,j); break; } } } tmp =num; for(i=num=0; i<tmp; i++) { if(F[i].ok) F[num++] = F[i]; } } double area() { double res=0; if(n==3) { point p = cross(tn[0],tn[1],tn[2]); res = vlen(p)/2.0; return res; } for(int i=0; i<num; i++) { res += area(tn[F[i].a],tn[F[i].b],tn[F[i].c]); } return res/2.0; } double volume() { double res=0; point tmp(0,0,0); for(int i = 0; i<num; i++) res += volume(tmp,tn[F[i].a],tn[F[i].b],tn[F[i].c]); return fabs(res/6.0); } int triangle() { return num; } int polygon() { int i,j,res,flag; for(i=res=0; i<num; i++) { flag=1; for(j=0; j<i; j++) { if(same(i,j)) { flag=0; break; } } res+=flag; } return res; } point barycenter() { point ans(0,0,0),o(0,0,0); double all=0; for(int i=0; i<num; i++) { double vol = volume(o,tn[F[i].a],tn[F[i].b],tn[F[i].c]); ans = ans+(o+tn[F[i].a]+tn[F[i].b]+tn[F[i].c])/4.0*vol; all+=vol; } ans = ans/all; return ans; } double ptoface(point p,int i) { return fabs(volume(tn[F[i].a],tn[F[i].b],tn[F[i].c],p) / vlen( (tn[F[i].b]-tn[F[i].a])*(tn[F[i].c]-tn[F[i].a]) )); } }; node ans; int main() { while(~scanf("%d",&ans.n)) { for(int i=0; i<ans.n; i++) { scanf("%lf%lf%lf",&ans.tn[i].x,&ans.tn[i].y,&ans.tn[i].z); } ans.create(); point p=ans.barycenter(); double answer=1e20; for(int i=0; i<ans.num; i++) { answer=min(answer,ans.ptoface(p,i)); } printf("%.3lf\n",answer); } return 0; }
版权声明：本文为博主原创文章，未经博主允许不得转载。
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典型的室外家具
刚看到这篇文章，我每读一条，都在觉得写的是我，我一直觉得我自己不成熟，所以才会要求很多关心，爱情，是两个人扶持着，理解着，改变着，没有谁对谁错，谁也不可能是永远最对的一个人


blockingRead(byte[])
except
overrides this stream's default timeout with the given one.blockingRead(byte[], int, int)
except
overrides this stream's default timeout with the given one.read()
, except overrides
this stream's default timeout with the given
timeout in milliseconds.SerialPort
to provide
InputStream
functionality.SerialPort
Do not create multiple streams for the same serial port
unless you implement your own synchronization.v2.0.1 Phoenix
project Ardulink http://www.ardulink.org/v2.0.1 Phoenix
project Ardulink http://www.ardulink.org/SerialPort
to provide
OutputStream
functionality.SerialPort
Do not create multiple streams for the same serial port
unless you implement your own synchronization.Copyright © 2016. All rights reserved.


--- layout: page title: 'Finance' ---
phone:<PHONE_NUMBER>
fax:<PHONE_NUMBER>
<EMAIL_ADDRESS>Hours
8:30–4:30
Department Head: Gordon L. Stelter
Erin Petrosino, Accounts Payable
The Finance Department maintains financial records of the Borough and handles all Borough purchases.


?AngeIonia
ja.ma.icensis
K.A.
Barringer
sp.
nov.
K.
Barringer
1981
1LO
INSECT
DAMAQC
3^64
FLORA
JAMAICENSIS.
.
PUBLIC
GARDENS,
JAMAICA,
and
NEW
YOKK
BOTANICAL
GARDEN.
N
AMĒ,
^
Locality,
no
izystr
'
Date.
C
ĮDe*.
Date.
Collector
,
Wm.
HARRIS.
S&P
a/JT!
AnamaiAjr
a*utA&e&;
Q/c*ujr
U/Ufc
a>
-14sAz£lT
Ay*..
^
Legend -
Level of confidence that token is an accurately-transcribed word
extremely low
very low
low
undetermined
medium
high
very high


To view your own model, drag a gcode file from your desktop and drop it in this window.
This is a viewer for GCode files, which contain commands sent to a CNC machine such as a RepRap or MakerBot 3D printer.
This viewer shows the operations the machine will take.
Drag the mouse to rotate the model. Hold down 'S' to zoom.
To view your own model, drag a gcode file from your desktop and drop it in this window.
To learn more, read the blog post.


Templates
Templates are sections of code that occur frequently enough that you would like to be able to insert them with a few keystrokes. This function is known as Content Assist; the sections of code that are inserted are known as templates.
To insert an existing Content Assist template into a file, such as one for an if statement, type the initial character ("i" in this case), then press Ctrl+Space. The templates that begin with that character appear. Double-click on a template to insert it into a file.
You can edit the existing Content Assist templates or create new ones using the C/C++ > Editor > Templates preference pane.
Creating and editing
templates
Using
templates
Importing
and exporting templates
Edit
menu
Content
Assist page
Templates
page


Compiling Machine Images¶
Introduction¶
The OKD cluster (and its Bastion) are formed from hardware provided by your cloud provider. As the base image for each of our physical machines needs some pre-installed software it’s often easier to compile a dedicated base image that all our compute instances will use.
Once an image has been compiled for a cloud provider region it can be used for any number of clusters for that provider’s region.
To compile images we use yacker a YAML wrapper for packer, a HashiCorp tool dedicated to the the automated construction of machine images.
Yacker configurations are defined template files written in YAML. Without going into great detail the files consist of
variables
,builders
andprovisioners
sections.The
provisioners
section contains the list of instructions that are executed on top of a base images. The cloud-specific details are held in thebuilders
section and thevariables
provide some dynamic control.
The image templates are located in the yacker
project directory
where you’ll find templates organised according to OKD release and
cloud provider. For example, the OpenShift 3.11 AWS EC2 templates for the
Bastion and OpenShift cluster nodes can be found in the yacker/3.11/aws
directory.
Compiling Machine Images for AWS¶
Before you start, as Yacker will be creating a small EC2 compute instance
upon which it will run the build, you will need suitable AWS API Keys
and these need to be available in your provider environment script
(e.g. setenv.sh
).
For some cloud providers, like AWS, you may need to build images for each region that you want to create an OpenShift cluster in. Yacker can build images for as many regions as you like. You simply need a
builders
section for each region in the template file. The template files in our example build images for the Frankfurt region.
Validate¶
To compile the OKD 3.11 machine images, set your environment variables and launch the orchestrator container. You will not need to define all the environment variables at this stage, only those required for compiling machine images.
When you’re ready run the following to start and enter the container from the root of the project:
$ ./okdo-start.sh
It is important to realise that the okdo-start.sh
script maps your
orchestrator working directory to the container directory
$HOME/okd-orchestrator
, which is also the working directory when you
enter the container.
If this is the first time you’re running the orchestrator the container image will need to be downloaded from Docker. This might take a moment or two before you eventually enter the container.
From the orchestrator container you can validate the OpensShift/OKD 3.11 template files:
$ yacker validate yacker/3.11/aws/bastion.yaml
$ yacker validate yacker/3.11/aws/okd.yaml
Build¶
Once validated, build each image:
$ yacker build yacker/3.11/aws/bastion.yaml
$ yacker build yacker/3.11/aws/okd.yaml
The builds may take a minute or two. As long as you have not changed
the image ami_name
variable the machine images (AMIs) Yacker creates
will be picked up automatically by the cluster orchestration.
- > You do not need to create the bastion image if your deployment’s Master
instance is also acting as the Bastion machine. The Bastion machine image is only required if you’re creating a dedicated Bastion in the cluster.
You can stay in the container image and follow the Creating a Cluster guide to create your cluster.
Finding new base AWS Machine Images¶
The base image AMI that your Yacker template files use depends on the AWS
region you wish to deploy your cluster to. The orchestrator images
are based on an official CentOS Linux image. The example configuration uses
the FREE TIER CentOS 7 image version 1805_01 that is available in
Frankfurt called “CentOS 7 (x86_64) - with Updates HVM” (ami-dd3c0f36
).
When creating Yacker templates for other regions you will need a compatible CentOS 7 image.
You can use the aws
command-line utility in the orchestration
container to find images on AWS. The command needs your API keys,
passed to it during configuration:
$ aws configure
You only need to provide your access and secret keys. The default region and output format can be left at None.
Once configured you can find the AMI for “Canada (Central)”
(ca-central-1
) with the following command:
$ aws --region ca-central-1 \
ec2 describe-images --owners aws-marketplace \
--filters Name=product-code,Values=aw0evgkw8e5c1q413zgy5pjce \
--filters Name=description,Values="CentOS Linux 7 x86_64 HVM EBS ENA 1805_01" \
| jq -r '.Images[0].ImageId'
ami-e802818c
This value can be used on the command-line to execute a builder for an image in that region. For example, the following can be added to the yacker command to build images for the specific regions (valid February 2019) 1: -
-var 'aws_region=us-east-1' -var 'aws_source_ami=ami-9887c6e7'
-var 'aws_region=us-east-2' -var 'aws_source_ami=ami-9c0638f9'
-var 'aws_region=us-west-1' -var 'aws_source_ami=ami-4826c22b'
-var 'aws_region=us-west-2' -var 'aws_source_ami=ami-3ecc8f46'
-var 'aws_region=ap-south-1' -var 'aws_source_ami=ami-1780a878'
-var 'aws_region=ap-northeast-1' -var 'aws_source_ami=ami-8e8847f1'
-var 'aws_region=ap-northeast-2' -var 'aws_source_ami=ami-bf9c36d1'
-var 'aws_region=ap-southeast-1' -var 'aws_source_ami=ami-8e0205f2'
-var 'aws_region=ap-southeast-2' -var 'aws_source_ami=ami-d8c21dba'
-var 'aws_region=ca-central-1' -var 'aws_source_ami=ami-e802818c'
-var 'aws_region=eu-west-1' -var 'aws_source_ami=ami-3548444c'
-var 'aws_region=eu-west-2' -var 'aws_source_ami=ami-00846a67'
-var 'aws_region=eu-west-3' -var 'aws_source_ami=ami-262e9f5b'
-var 'aws_region=eu-north-1' -var 'aws_source_ami=ami-b133bccf'
-var 'aws_region=sa-east-1' -var 'aws_source_ami=ami-cb5803a7'
As an example, to build the base OKD base image for Singapore
(ap-southeast-1
) you would run:
$ yacker build \
-var 'aws_region=ap-southeast-1' -var 'aws_source_ami=ami-8e0205f2' \
yacker/3.11/aws/okd.yaml
Footnotes
- 1
Does not include Asia Pacific (Osaka-Local), China or GovCloud
Compiling Machine Images for GCE¶
To compile the OKD 3.11 machine images, set your environment variables and launch the orchestrator container. You will not need to define all the environment variables at this stage, only those required for compiling machine images.
When you’re ready run the following to start and enter the container from the root of the project:
$ ./okdo-start.sh
It is important to realise that the okdo-start.sh
script maps your
orchestrator working directory to the container directory
$HOME/okd-orchestrator
, which is also the working directory when you
enter the container.
If this is the first time you’re running the orchestrator the container image will need to be downloaded from Docker. This might take a moment or two before you eventually enter the container.
From the orchestrator container you can validate the OpensShift/OKD 3.11 template files:
$ yacker validate yacker/3.11/gce/bastion.yaml
$ yacker validate yacker/3.11/gce/okd.yaml
Build¶
Once validated, build each image:
$ yacker build yacker/3.11/gce/bastion.yaml
$ yacker build yacker/3.11/gce/okd.yaml
The builds may take a minute or two. As long as you have not changed
the image ami_name
variable the machine images (AMIs) Yacker creates
will be picked up automatically by the cluster orchestration.
- > You do not need to create the bastion image if your deployment’s Master
instance is also acting as the Bastion machine. The Bastion machine image is only required if you’re creating a dedicated Bastion in the cluster.
You can stay in the container image and follow the Creating a Cluster guide to create your cluster.
Compiling Machine Images for OpenStack¶
To compile the OKD 3.11 machine images, set your OpenStack environment variables using the _keystone_ file you’ve been provided with. You will not need to define all the environment variables at this stage, only those required for compiling machine images.
When you’re ready run the following to start and enter the container from the root of the project:
$ ./okdo-start.sh
It is important to realise that the okdo-start.sh
script maps your
orchestrator working directory to the container directory
$HOME/okd-orchestrator
, which is also the working directory when you
enter the container.
If this is the first time you’re running the orchestrator the container image will need to be downloaded from Docker. This might take a moment or two before you eventually enter the container.
From the orchestrator container you can validate the OpensShift/OKD 3.11 template files:
$ yacker validate yacker/3.11/os/okd.yaml
Build¶
Once validated, build the OpenShift base image:
$ yacker build yacker/3.11/os/okd.yaml
The builds may take a minute or two.
You can stay in the container image and follow the Creating a Cluster guide to create your cluster.


MI VIDA LOCA (MY CRAZY LIFE) A film review by James Berardinelli Copyright 1994 James Berardinelli
Rating (0 to 10): 7.9
Date Released: 7/94 (varies) Running Length: 1:32 Rated: R (Language, violence, sexual situations)
Starring: Angel Aviles, Seidy Lopez, Jacob Vargas, Marlo Marron, Jessie Borrego Director: Allison Anders Producers: Daniel Hassid and Carl-Jan Colpaert Screenplay: Allison Anders Cinematography: Rodrigo Garcia Music: John Taylor Released by Sony Pictures Classics
1992 saw the debuts of two incredible American filmmakers. The first, with his devastating, ultra-violent RESERVOIR DOGS, was Quentin Tarantino. The second, with a more low-key, yet no less effective effort, was Allison Anders. Her GAS FOOD LODGING possessed the refreshing quality of emotional honesty.
MI VIDA LOCA, the director's sophomore film, takes her into the Los Angeles neighborhood of Echo Park, a community dominated by gangs, the likes of which has been portrayed in such diverse offerings as BOYZ 'N THE HOOD and BOUND BY HONOR (BLOOD IN, BLOOD OUT). This is the female perspective of what it means to live in the inner city, where almost every girl has at least one child by the age of twenty-one, and where most homeboys of the same age are either dead or in prison.
MI VIDA LOCA allows a peek into the lives of several of the young Echo Park women, as gathered through Anders' interviews with the people who really live there. The two most prominent characters are Sad Girl (Angel Aviles) and Mousie (Seidy Lopez), a pair of friends who were inseparable until they both became involved with a smooth-talking drug dealer named Ernesto (Jacob Vargas).
Then there's Giggles (Marlo Marron), an older homegirl who spent four years in prison because of the crimes of her dead boyfriend. After walking past the barred gates as a free woman, she decides to change the way she lives. No longer will she be in thrall to any man; self-reliance is her new creed.
The film is divided into three episodes (complete with their own opening title cards), each presenting a different story. While characters, plot elements, and themes are shared, Anders uses (and occasionally overuses) a variety of narrative perspectives (and voiceovers) to emphasize where one tale ends and another begins.
MI VIDA LOCA doesn't have the power of GAS FOOD LODGING, although both movies develop similar themes regarding the empowerment of women. One of the main problems here is that there are too many characters to develop, so none gets much in-depth presentation. As soon as the audience starts to relate to a person, there is a viewpoint shift. With this sort of gritty, near-documentary style, the most effective films focus the audience's empathy towards a small number of protagonists.
The abrupt ending is stunning, and recalls the kind of impact than Anders is capable of making. The voiceover at the time--"Women don't use weapons to prove a point. Women use weapons for love."--adds an extra dash of potency to the scene.
MI VIDA LOCA's insight into human nature is as keen as that of any other film with an inner city perspective, and this is a rare attempt to present the women's point-of-view. Anders has a keen eye and ear for details and dialogue. The movie presents life as it is, the good alongside the bad. The large number of characters offers the opportunity for greater variety, but their presence is also a diluting factor.
MI VIDA LOCA is worthwhile viewing, but it will not draw you as completely into Echo Park as GAS FOOD LODGING did into the world of truck stops and tumbleweeds.
- James Berardinelli<EMAIL_ADDRESS>.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
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| sac à main |
15 000 FCFA |
description du sac à main |
non categorisé |
| ordinateur |
300 000 FCFA |
description de l'ordinateur |
non categorisé |
| Telephone |
100 000 FCFA |
description du stelephone |
non categorisé |
| Dormouse into the earth. At. |
698 943 FCFA |
Pray how did you do lessons?' said Alice, as she. |
I needn't be. |
| RABBIT' engraved upon it. |
374 683 FCFA |
While she was trying to find quite a commotion in the. |
I needn't be. |
| I am so VERY remarkable in. |
971 087 FCFA |
Dormouse go on with the Dormouse. 'Don't talk nonsense,'. |
I needn't be. |
| Queen. 'You make me grow. |
451 159 FCFA |
He sent them word I had to fall a long hookah, and taking. |
I needn't be. |
| ONE.' 'One, indeed!' said. |
146 597 FCFA |
She was a large rabbit-hole under the sea--' ('I haven't,'. |
I needn't be. |
| NEVER come to the Dormouse. |
926 227 FCFA |
Hatter asked triumphantly. Alice did not look at a king,'. |
Hatter. Alice. |
| King, 'that only makes the. |
582 443 FCFA |
King. 'Shan't,' said the Queen, who was sitting on a. |
Hatter. Alice. |
| Caterpillar, and the turtles. |
313 613 FCFA |
Then followed the Knave 'Turn them over!' The Knave shook. |
Hatter. Alice. |
| Alice laughed so much about. |
576 969 FCFA |
Cat. 'I'd nearly forgotten that I've got to the Queen, the. |
Hatter. Alice. |
| For the Mouse only growled. |
482 911 FCFA |
Nobody moved. 'Who cares for you?' said Alice, quite. |
Hatter. Alice. |
| So you see, as she could. |
112 614 FCFA |
Alice's shoulder as he found it made Alice quite jumped. |
COULD he turn. |
| Alice, they all quarrel so. |
136 486 FCFA |
WHAT things?' said the Cat. 'Do you play croquet with the. |
COULD he turn. |
| I goes like a sky-rocket!'. |
719 097 FCFA |
Hatter, and, just as usual. I wonder what Latitude or. |
COULD he turn. |
| However, this bottle does. I. |
170 635 FCFA |
Duchess, who seemed to be an old crab, HE was.' 'I never. |
COULD he turn. |
| BEST butter,' the March Hare. |
233 164 FCFA |
Puss,' she began, in a natural way again. 'I wonder if I. |
COULD he turn. |
| Hatter and the pair of boots. |
790 289 FCFA |
Alice was beginning to write with one eye; 'I seem to dry. |
Alice went on. |
| Alice again. 'No, I didn't,'. |
147 090 FCFA |
Mock Turtle in a ring, and begged the Mouse to Alice with. |
Alice went on. |
| I hadn't mentioned Dinah!'. |
327 728 FCFA |
Wonderland of long ago: and how she would get up and beg. |
Alice went on. |
| Why, there's hardly enough. |
13 711 FCFA |
Gryphon: 'I went to school every day--' 'I'VE been to her. |
Alice went on. |
| M, such as mouse-traps, and. |
943 799 FCFA |
What made you so awfully clever?' 'I have answered three. |
Alice went on. |
| Hatter instead!' CHAPTER. |
725 700 FCFA |
WHAT?' said the Rabbit's little white kid gloves: she took. |
Suppress him!. |
| Alice thoughtfully: 'but. |
29 683 FCFA |
CHAPTER IX. The Mock Turtle said: 'I'm too stiff. And the. |
Suppress him!. |
| There was nothing on it (as. |
150 102 FCFA |
Alice could speak again. In a little anxiously. 'Yes,'. |
Suppress him!. |
| What happened to me! When I. |
9 497 FCFA |
VII. A Mad Tea-Party There was nothing so VERY wide, but. |
Suppress him!. |
| After a minute or two she. |
589 882 FCFA |
QUITE as much as she could. 'No,' said the Gryphon. 'They. |
Suppress him!. |
| I think--' (she was so much. |
5 507 FCFA |
March Hare went 'Sh! sh!' and the three gardeners who were. |
You MUST have. |
| Exactly as we needn't try to. |
893 358 FCFA |
Queen to play croquet.' The Frog-Footman repeated, in the. |
You MUST have. |
| Lizard, who seemed to think. |
108 138 FCFA |
Duck: 'it's generally a ridge or furrow in the pool. |
You MUST have. |
| Alice could see it pop down. |
537 291 FCFA |
I shall have to go down the chimney, has he?' said Alice. |
You MUST have. |
| MUST be more to come, so she. |
770 056 FCFA |
For this must be what he did not appear, and after a. |
You MUST have. |
| Mock Turtle said: 'I'm too. |
208 905 FCFA |
Rabbit asked. 'No, I give you fair warning,' shouted the. |
Come on!' So. |
| VERY nearly at the cook, and. |
207 663 FCFA |
I tell you!' said Alice. 'Why, SHE,' said the Lory, as. |
Come on!' So. |
| Mock Turtle, who looked at. |
914 932 FCFA |
I look like one, but it was over at last: 'and I wish you. |
Come on!' So. |
| She said it to half-past one. |
718 715 FCFA |
The Antipathies, I think--' (she was rather doubtful. |
Come on!' So. |
| I'll be jury," Said cunning. |
755 412 FCFA |
Alice said to herself, 'Which way? Which way?', holding. |
Come on!' So. |
| THIS FIT--" you never to. |
846 621 FCFA |
I don't take this young lady to see it again, but it was. |
Gryphon, and. |
| Hatter, and, just as if it. |
669 793 FCFA |
Alice recognised the White Rabbit; 'in fact, there's. |
Gryphon, and. |
| For he can EVEN finish, if. |
422 488 FCFA |
I suppose I ought to have got into it), and sometimes. |
Gryphon, and. |
| If they had to be Involved. |
935 101 FCFA |
Rabbit came up to her feet as the March Hare. The Hatter. |
Gryphon, and. |
| CURTSEYING as you're falling. |
339 636 FCFA |
CHAPTER X. The Lobster Quadrille is!' 'No, indeed,' said. |
Gryphon, and. |
| I'm sure she's the best way. |
319 699 FCFA |
I shall remember it in asking riddles that have no. |
Come and help. |
| Gryphon. 'I've forgotten the. |
395 144 FCFA |
So she sat still just as I get it home?' when it saw mine. |
Come and help. |
| Alice would not open any of. |
938 395 FCFA |
Alice was not an encouraging opening for a minute or two. |
Come and help. |
| YOU.--Come, I'll take no. |
953 101 FCFA |
Caterpillar. Alice folded her hands, wondering if anything. |
Come and help. |
| They're dreadfully fond of. |
201 571 FCFA |
Gryphon. Alice did not dare to disobey, though she looked. |
Come and help. |
| Hatter and the words have. |
865 793 FCFA |
So she sat still and said 'No, never') '--so you can find. |
Alice, as she. |
| However, she got used to it. |
115 772 FCFA |
I should be like then?' And she squeezed herself up and to. |
Alice, as she. |
| Rabbit-Hole Alice was not. |
960 289 FCFA |
And it'll fetch things when you come and join the dance?. |
Alice, as she. |
| He says it kills all the. |
147 690 FCFA |
Dodo could not tell whether they were lying on the ground. |
Alice, as she. |
| Alice could see, as they lay. |
551 447 FCFA |
Alice could hear the very tones of her head was so much. |
Alice, as she. |


Sweden discontinues investigation into Wikileaks Assange over rape
by BNNSwedish investigators have decided to end investigation into Julian Assange, the whistle-blower organisation Wikileaks, over alleged rape that has been upheld since 2010.
British public broadcaster BBC reports, Deputy Director of Sweden’s Public Prosecution Eva-Marie Persson explained on Tuesday, November 20:
«I would like to emphasise that the injured party has submitted a credible and reliable version of events. Her statements have been coherent, extensive and detailed; however, my overall assessment is that the evidential situation has been weakened to such an extent that that there is no longer any reason to continue the investigation».
Assange, who denies the accusation, has avoided extradition to Sweden for seven years after seeking refuge at the Ecuadorean embassy in London in 2012.
The 48-year-old Australian was evicted in April and sentenced to 50 weeks in jail for breaching his bail conditions.
He is currently being held at a prison in London and separately, the U.S. is seeking Assange’s extradition from the UK over his alleged role in the release of classified military and diplomatic material by Wikileaks in 2010.


create the file cmd.json on your sd-card with the example content: [{"cmd_name":"reboot","cmd":"reboot"}] cmd_name = command title cmd_name = command


email
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GIF from YouTube users CaseyNeistat, Apple and Alex Marchionda
01.18.2016
When Lindokuhle Mnyandu traveled across the Atlantic Ocean to shoot a narrative film in Maputo, Mozambique, he decided to leave his conventional filming rigs at home and take a pocket-size device.
“I didn't want to carry traditional shooting gear across the Atlantic, so I thought, ‘Why not use a mobile device?’ ” Mnyandu, who is currently in South Africa, said in an email. “I find (a) traditional shooting rig to be bulky and a bit intimidating to new actors, whereas a mobile phone is something that they also have in their pockets and is easier to relate to.”
Mnyandu, who graduated from Ohio University with a master’s of fine arts in 2013, used a Samsung Galaxy S2 to capture images and a Nokia XpressMusic phone to record sound.
The affordability, convenience and prominence of cellphones allow filmmakers and videographers with a low budget to create films and videos with near-professional results.
In 2015, Tangerine, an independent film shot almost entirely on an iPhone 5s, was the first of its kind to be shown in Park City, Utah at the Sundance Film Festival. Sundance, the “United States’ most important film festival,” according to IndieWire, aims to support filmmakers with a low budget.
Sean Baker, the director of Tangerine, decided to use cellphones to capture the story he wanted to tell, according to The Verge. He used three phones, attachable lenses and a $10 film app called Filmic Pro, which allowed more control over the cellular device.
Baker spent comparatively little to make Tangerine, a departure from the “capital intensive” process of making films before the age of cellphones, Thomas Hayes, an assistant professor of film, said. With new technology, the cost barrier for video storytelling is lower than ever.
The cost of a Canon XA20 Camcorder, which is “ideal for shooting professional content at almost any level,” according to Epfilms, a website that reviews filming equipment, is $2,000 on Amazon. A new iPhone 7 Plus has a price of $769, according to Apple, but many people can use the phones they already have in their pockets.
“I think not that it’s just convenient, but I think it’s changing the geography of media in the United States and around the world,” Hayes said. “(Filmmakers) don’t have to dump thousands (of dollars) on cameras and sound equipment — they can just bear witness to the events in their lives and then share them around the planet. I think it’s just massively a revolution.”
Rebecca Sell, an associate professor in the School of Visual Communication, said cellphones are “less intimidating” and allow anybody who has a cellphone to become a storyteller. Using cellphones alleviates cost restraints as well, and it suppresses the need to have the biggest and best cameras.
“There are pluses to having those really high-end cameras, but it takes down that barrier of entry into being a storyteller because everybody has a cellphone,” Sell said.
Blake Nissen
Sophomore Alex Marchionda studying intergrated media makes videos on his iPhone. These videos were his inspiration to enter the program.
Alex Marchionda, a sophomore studying integrated media, likes the accessibility of the cellphone and the “ability to use (his) iPhone everywhere,” he said. Marchionda uses his iPhone 6s to make videos for his YouTube channel, which consists of parody videos. His most-viewed upload is a parody of Macklemore and Ryan Lewis’ “Downtown.” The video, titled “Smalltown,” has more than 30,000 views.
During Winter Break, he said he shot in a restaurant using his cellphone, a public location where it would be have been difficult to use a bigger camera. Marchionda does not see much of a difference between cellphone and professional-grade camera imagery, he said.
Mnyandu said he liked the freedom of being able to shoot anywhere — which included busy markets — and anytime. Shooting on a cellphone, he said, allowed him to film in populated places without drawing a large crowd of people.
“I wanted the background to be natural and the extras to be real people going about their daily lives. This is easier to pull off with a barely noticeable mobile device,” Mnyandu said in an email. “Plus, I wanted to test this modern media technology and see what it can do for any type of storyteller or filmmaker (who) may not have much to work with. I wanted to see how flexible the tools could be.”
Even though cellphones are easily accessible and affordable for most people, some difficulties with sound and image quality can arise when filming on the devices.
“They’re not great cameras. You don’t have a lot of control over the focal length and depth of field,” Hayes said. “I think that (cellphones) have a niche … but I don’t think that the next Lord of the Rings trilogy is going to be shot on a cellphone camera.”
Todd Fredricks, an assistant professor of family medicine in the Heritage College of Osteopathic Medicine, is in the process of filming medical documentaries and often uses an iPhone 6s for his projects. The first documentary he and his team will be releasing later this year is about soldiers who are injured or contract illnesses while in the line of duty and how they transition back home.
Though Fredricks likes the image quality of a cellphone, the sound is not at the same standard. To combat the poor sound quality of a cellphone, he uses a handheld sound recorder — a Zoom H4N, with a price of $200.
“If you have a good story, you can allow for a lot of sins in production,” he said. “That said, if you’re going to prioritize, you’re always going to want the best sound you can get followed by video … but the story is supreme.”
Blake Nissen
Sophomore Alex Marchionda studying Intergrated Media makes videos on his iPhone. These videos were his insperation to enter the program
Keeping the cellphone steady while filming can also be a difficult feat, Marchionda said. When filming on his phone, Marchionda will try to keep himself and the device as steady as possible. If the video is still shaky, he uses a stabilizing feature during the editing process, which is mostly done in iMovie, an app that is free for Macbook users and $4.99 for those with iPhones and iPads. Tripods are available for cellphones, and they can be bought for about $14 on Amazon to help stabilize the device.
“(The aspect) that bugs me the most is the shakiness,” he said. “With my camera, I’ll have a tripod, and it’s just steady shots. The thing you can kind of tell with iPhones is it will be shaky because someone is holding it.”
Mnyandu was not able to adjust his focus and exposure on the cellphone, which resulted in images that were not as sharp or bright as he would have liked, he said. Different detachable lenses can be purchased to help with zoom and focus on cellphones. Despite not being able to control some of the setting on his phone, Mnyandu said he would not have done anything differently, as he gained more than he lost during the filming process.
“Without the cumbersome technicalities that sometimes come with all of the equipment, I felt closer to the narrative,” he said in an email. “I found myself closer to (the) essence of why I make movies, which is to follow the storytelling tradition.”


City Size, Land Use and Transportation Costs. by
Sliyahu Borukhov . Ww
A dissertation submitted to The Johns Hopkins University in conformity with the requirements for the degree of
Doctor of Philosophy.
Baltimore, Maryland
1972
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.


To renovate the old station buildings. Creating a new glazed enclosure under a reinstated station canopy to ensure that a a mixture of town archive, themed cafe, exhibition spaces, office and meeting rooms can be housedPersonal Involvement : Whilst employed at Michael Rayner Associates Architects I prepared and submitted documents and drawings for the Planning Permission, Building Regulations Approval and the successful application for a lottery grant.
The rejuvenated station buildings now provide community facilities at the heart of the Longridge. The Cafe is well attended and people now regularly enjoy using a building which is historically significant to the town.


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Takayama, Japan
Takayama Shōwa-kan Museum
Its collection distills more than 60 years of pop culture in Japan, from Godzilla to Hulk Hogan.
Emperor Hirohito’s reign (the Shōwa Era) was one of the most tumultuous in Japanese history. It began with Japan’s slow descent into fascism, and went through the devastation of World War II and nuclear bombing before going through the economic miracle that would make Japan one of the most powerful countries on Earth.
In Takayama’s Shōwa-kan Museum, pop culture trinkets from the more than 60-year period are arranged into a free-flowing experience, with something to appeal to every niche and interest. There is barely a blank space anywhere in the building, as each part is used to its fullest. Yet the museum never feels slapped together. A veritable town with stores, shady silhouettes, and sounds can be explored any which way.
You can enter what resembles a 1950s barber shop with Japanese radio blaring out long-forgotten songs to the phantom guests. Nearby, an authentic 1950s Japanese car teases with its invitation to enter. You can gawk and smirk at the cheesy television shows of times gone by, with Astro Boy playing as proudly as it did all those decades ago.
For cinema buffs, a 1960s-style theater plays old Godzilla films behind a curtain. For gamers, the old NES classics are given their own room for a younger generation to experience. Posters of everything from daily kitchen appliances to wrestling showdowns plaster the walls. A working karaoke machine plays the songs of times gone by.
Know Before You Go
The museum is open from 9 a.m. to 6 p.m. Adult admission is 800 yen.
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Bandit is a nice dog, he loves to run in the grass and chase birds. He is gentle with kids and loves to sleep in the sun.
Roxy is a nice dog, she loves to run in the grass and chase birds. She is gentle with kids and loves to sleep in the sun.
Sugar is a nice dog, she loves to run in the grass and chase birds. She is gentle with kids and loves to sleep in the sun.


lingvo.core.lr_schedule module¶
Learning rate schedule.
-
class
lingvo.core.lr_schedule.
BaseLearningRateSchedule
(*args, **kwargs)[source]¶ Bases:
lingvo.core.base_layer.LayerBase
Base class for learning rate decay algorithms.
-
Value
(current_step)[source]¶ Returns the current learning rate schedule value.
Parameters: current_step – The current global step value. Returns: Returns the current learning rate schedule value given the current training global step. Typically, the base learning rate multiplied by the returned schedule value is used as the effective learning rate.
-
-
class
lingvo.core.lr_schedule.
PiecewiseConstantLearningRateSchedule
(*args, **kwargs)[source]¶ Bases:
lingvo.core.lr_schedule.BaseLearningRateSchedule
Piecewise constants rate decay.
-
FProp
(theta, current_step)[source]¶ Forward propagation.
The central interface that subclasses should implement. The caller calls
FProp
with atheta
dictionary. E.g.:foo = InstanceOfASubClassOfFoo(params) y = foo.FProp(foo.theta, x)
The implementation of
FProp()
computes a function given the theta and the inputs. E.g.:subs = self.children inputs = args[0] a0 = subs.linear.FProp(theta.linear, inputs) a1 = subs.softmax.FProp(theta.softmax, a0) # The same layer applied twice. a2 = subs.linear.FProp(theta.linear, a1) return a2
Parameters: - theta – A
NestedMap
object containing weights’ values of this layer and its children layers. - *args – List args.
- **kwargs – Keyward args.
- theta – A
-
-
class
lingvo.core.lr_schedule.
ContinuousLearningRateSchedule
(*args, **kwargs)[source]¶ Bases:
lingvo.core.lr_schedule.BaseLearningRateSchedule
Continuous learning rate decay.
-
class
lingvo.core.lr_schedule.
LinearLearningRateSchedule
(*args, **kwargs)[source]¶ Bases:
lingvo.core.lr_schedule.BaseLearningRateSchedule
Linear learning rate schedule.
If x < x0, returns y0. If x >= x1, returns y1. Otherwise, interpolate linearly between (x0, y0) and (x1, y1).
-
FProp
(theta, current_step)[source]¶ Forward propagation.
The central interface that subclasses should implement. The caller calls
FProp
with atheta
dictionary. E.g.:foo = InstanceOfASubClassOfFoo(params) y = foo.FProp(foo.theta, x)
The implementation of
FProp()
computes a function given the theta and the inputs. E.g.:subs = self.children inputs = args[0] a0 = subs.linear.FProp(theta.linear, inputs) a1 = subs.softmax.FProp(theta.softmax, a0) # The same layer applied twice. a2 = subs.linear.FProp(theta.linear, a1) return a2
Parameters: - theta – A
NestedMap
object containing weights’ values of this layer and its children layers. - *args – List args.
- **kwargs – Keyward args.
- theta – A
-
-
class
lingvo.core.lr_schedule.
ExponentialLearningRateSchedule
(*args, **kwargs)[source]¶ Bases:
lingvo.core.lr_schedule.BaseLearningRateSchedule
Linear learning rate schedule.
If x < x0, returns y0. If x >= x1, returns y1. Otherwise, interpolate exponentially between (x0, y0) and (x1, y1).
-
FProp
(theta, current_step)[source]¶ Forward propagation.
The central interface that subclasses should implement. The caller calls
FProp
with atheta
dictionary. E.g.:foo = InstanceOfASubClassOfFoo(params) y = foo.FProp(foo.theta, x)
The implementation of
FProp()
computes a function given the theta and the inputs. E.g.:subs = self.children inputs = args[0] a0 = subs.linear.FProp(theta.linear, inputs) a1 = subs.softmax.FProp(theta.softmax, a0) # The same layer applied twice. a2 = subs.linear.FProp(theta.linear, a1) return a2
Parameters: - theta – A
NestedMap
object containing weights’ values of this layer and its children layers. - *args – List args.
- **kwargs – Keyward args.
- theta – A
-
-
class
lingvo.core.lr_schedule.
CombinedMinimumLearningRateSchedule
(*args, **kwargs)[source]¶ Bases:
lingvo.core.lr_schedule.BaseLearningRateSchedule
Combine a few learning rate decay schedules and takes the min.
-
FProp
(theta, current_step)[source]¶ Forward propagation.
The central interface that subclasses should implement. The caller calls
FProp
with atheta
dictionary. E.g.:foo = InstanceOfASubClassOfFoo(params) y = foo.FProp(foo.theta, x)
The implementation of
FProp()
computes a function given the theta and the inputs. E.g.:subs = self.children inputs = args[0] a0 = subs.linear.FProp(theta.linear, inputs) a1 = subs.softmax.FProp(theta.softmax, a0) # The same layer applied twice. a2 = subs.linear.FProp(theta.linear, a1) return a2
Parameters: - theta – A
NestedMap
object containing weights’ values of this layer and its children layers. - *args – List args.
- **kwargs – Keyward args.
- theta – A
-
-
class
lingvo.core.lr_schedule.
TransformerLearningRateSchedule
(*args, **kwargs)[source]¶ Bases:
lingvo.core.lr_schedule.BaseLearningRateSchedule
Inverse-decay learning rate until warmup_steps, then decay.
-
class
lingvo.core.lr_schedule.
TransformerLearningRateScheduleNoWarmUp
(*args, **kwargs)[source]¶ Bases:
lingvo.core.lr_schedule.BaseLearningRateSchedule
Fixed learning rate until decay_start, then decay.
This learning rate schedule is identical to TransformerLearningRateSchedule except in the warm-up phase, where this learning rate schedule uses a fixed learning rate (peak-learning rate of TransformerLearningRateSchedule) for the original warm-up phase.
-
class
lingvo.core.lr_schedule.
LinearRampupExponentialDecayScaledByNumSplitSchedule
(*args, **kwargs)[source]¶ Bases:
lingvo.core.lr_schedule.BaseLearningRateSchedule
A learning rate schedule that does the following.
- The peak learning rate multiplier is scaled by num splits, (often the same as #replicas during batch splitting synchronous training).
- The multiplier ramps up linearly from 1 to the peak initially.
- The multiplier stays constant until the exponential decay starts.
- The multiplier is capped at max.
-
FProp
(theta, current_step)[source]¶ Forward propagation.
The central interface that subclasses should implement. The caller calls
FProp
with atheta
dictionary. E.g.:foo = InstanceOfASubClassOfFoo(params) y = foo.FProp(foo.theta, x)
The implementation of
FProp()
computes a function given the theta and the inputs. E.g.:subs = self.children inputs = args[0] a0 = subs.linear.FProp(theta.linear, inputs) a1 = subs.softmax.FProp(theta.softmax, a0) # The same layer applied twice. a2 = subs.linear.FProp(theta.linear, a1) return a2
Parameters: - theta – A
NestedMap
object containing weights’ values of this layer and its children layers. - *args – List args.
- **kwargs – Keyward args.
- theta – A
-
class
lingvo.core.lr_schedule.
LinearRampupPiecewiseConstantSchedule
(*args, **kwargs)[source]¶ Bases:
lingvo.core.lr_schedule.BaseLearningRateSchedule
A learning rate schedule that does the following.
- The learning rate is scaled by #split * lrs[i] (often #split is the same as #replicas during batch splitting synchronous training).
- The multiplier ramps up linearly from 0 to the peak(lrs[0]) at boundaries[0].
- After peak, the multiplier stays lrs[i] when step falls into [boundaries[i], boundaries[i+1])
-
FProp
(theta, current_step)[source]¶ Forward propagation.
The central interface that subclasses should implement. The caller calls
FProp
with atheta
dictionary. E.g.:foo = InstanceOfASubClassOfFoo(params) y = foo.FProp(foo.theta, x)
The implementation of
FProp()
computes a function given the theta and the inputs. E.g.:subs = self.children inputs = args[0] a0 = subs.linear.FProp(theta.linear, inputs) a1 = subs.softmax.FProp(theta.softmax, a0) # The same layer applied twice. a2 = subs.linear.FProp(theta.linear, a1) return a2
Parameters: - theta – A
NestedMap
object containing weights’ values of this layer and its children layers. - *args – List args.
- **kwargs – Keyward args.
- theta – A
-
class
lingvo.core.lr_schedule.
DevBasedSchedule
(*args, **kwargs)[source]¶ Bases:
lingvo.core.lr_schedule.BaseLearningRateSchedule
Decay triggered by lack of improvement on the dev set.
This reads a file containing a history of values of a selected metric versus global step (file is recorded by the evaler loop in the trainer). Decay depends on these variables:
- best_step - step at which optimum metric value occurred in history file
- last_step - last step recorded in history file
- ref_step - most recent decay step or best_step
- cur_factor - current multiplier on initial learning rate
The decay algorithm is:
ref_step = max(ref_step, best_step) if last_step - ref_step > window: cur_factor = max(cur_factor * decay, min_factor) ref_step = last_step
-
FProp
(theta, current_step)[source]¶ Forward propagation.
The central interface that subclasses should implement. The caller calls
FProp
with atheta
dictionary. E.g.:foo = InstanceOfASubClassOfFoo(params) y = foo.FProp(foo.theta, x)
The implementation of
FProp()
computes a function given the theta and the inputs. E.g.:subs = self.children inputs = args[0] a0 = subs.linear.FProp(theta.linear, inputs) a1 = subs.softmax.FProp(theta.softmax, a0) # The same layer applied twice. a2 = subs.linear.FProp(theta.linear, a1) return a2
Parameters: - theta – A
NestedMap
object containing weights’ values of this layer and its children layers. - *args – List args.
- **kwargs – Keyward args.
- theta – A


Additive Logs and Notes
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An XPS
document is a paginated set of related pages. The pages have a fixed layout,
are organized into one or more fixed documents, and stored according to the
Open Packaging Conventions. This document and the attached code sample
demonstrate how we can edit the text in XPS document programmatically.
You must run this
code sample on Windows 7 or newer operating system.
After you
successfully build the sample in Visual Studio 2012, you will get EditXPS.exe.
Run the application and it should display the window below. By default, the
application will load a test XPS file, and the code will change “XPS” to “XML
Paper Specification” on “Save” click.
Enter any other text in the text box to replace “XPS” with a desired
text.
Once we click on
“Save” button, we will get the modified XPS below. Also a copy is saved to the
location where the original XPS is available. In the screen shot, the text from
original file and modified file is highlighted.
This code sample
provides the following reusable code to edit XPS files.
How to Create new
XPS from source XPS?
- VB code snippet -
Private Function CreateNewXPSFromSource() As Boolean
Dim blnResult As Boolean = False
Try
' Delete the old file generated by our code.
If File.Exists(destinationXpsPath) Then
File.Delete(destinationXpsPath)
End If
' Creating the output XPS file.
Dim document As New XpsDocument(destinationXpsPath, FileAccess.ReadWrite, System.IO.Packaging.CompressionOption.Maximum)
Dim docSeqWriter As IXpsFixedDocumentSequenceWriter = document.AddFixedDocumentSequence()
' Loading the source xps files to list to read them for editing.
Dim sourceFiles As New List(Of String)()
sourceFiles.Add(sourceXPS)
' Looping each source file.
For Each sourceFile As String In sourceFiles
Dim docToRead As New XpsDocument(sourceFile, FileAccess.ReadWrite)
Dim docSequenceToRead As IXpsFixedDocumentSequenceReader = docToRead.FixedDocumentSequenceReader
For Each fixedDocumentReader As IXpsFixedDocumentReader In docSequenceToRead.FixedDocuments
Dim fixedDocumentWriter As IXpsFixedDocumentWriter = docSeqWriter.AddFixedDocument()
AddStructure(fixedDocumentReader, fixedDocumentWriter)
For Each fixedPageReader As IXpsFixedPageReader In fixedDocumentReader.FixedPages
Dim pageWriter As IXpsFixedPageWriter = fixedDocumentWriter.AddFixedPage()
AddImages(fixedPageReader, pageWriter)
AddFonts(fixedPageReader, pageWriter)
AddContent(fixedPageReader, pageWriter)
' Commmit all changes.
pageWriter.Commit()
Next
fixedDocumentWriter.Commit()
Next
' Close the current source before opening next one.
docToRead.Close()
Next
docSeqWriter.Commit()
' Show the modified content in a DocumentViewer.
dvModifiedXPS.Document = document.GetFixedDocumentSequence()
ModifiedGrid.Visibility = System.Windows.Visibility.Visible
' Close newly created XPS documents.
document.Close()
blnResult = True
Catch ex As Exception
MessageBox.Show(ex.Message)
End Try
Return blnResult
End Function
- end -
This code snippet
reads the Images, Fonts and content from the source XPS and creates a new XPS with
the edited information.
These are the
supporting methods used within CreateNewXPSFromSource function to edit XPS
content.
- VB code snippet -
''' <summary>
''' Add content from source to new XPS.
''' </summary>
''' <param name="fixedPageReader"></param>
''' <param name="pageWriter"></param>
Private Sub AddContent(fixedPageReader As IXpsFixedPageReader, pageWriter As IXpsFixedPageWriter)
' Reading XPS content as XML.
Dim reader As XmlReader = fixedPageReader.XmlReader
Dim xmlDoc As New XmlDocument()
xmlDoc.Load(fixedPageReader.XmlReader)
'Find and replace text to edit the XPS.
EditXPSContent(xmlDoc.ChildNodes)
'Writing the modified XML content to a new XPS doc.
xmlDoc.Save(pageWriter.XmlWriter)
End Sub
''' <summary>
''' Add fonts from source to new XPS.
''' </summary>
''' <param name="fixedPageReader"></param>
''' <param name="pageWriter"></param>
Private Sub AddFonts(fixedPageReader As IXpsFixedPageReader, pageWriter As IXpsFixedPageWriter)
' Adding fonts from source to resources.
For Each font As XpsFont In fixedPageReader.Fonts
If Not CheckIfFontAddedAlready(font.Uri.ToString()) Then
Dim newFont As XpsFont = pageWriter.AddFont(False)
Using dstFontStream As Stream = newFont.GetStream()
Using srcFontStream As Stream = font.GetStream()
If font.IsObfuscated Then
WriteObfuscatedStream(font.Uri.ToString(), dstFontStream, srcFontStream)
Else
WriteToStream(dstFontStream, srcFontStream)
End If
newFont.Commit()
Dim xpsFont As New XpsDetails()
xpsFont.resource = newFont
xpsFont.sourceURI = font.Uri
xpsFont.destURI = newFont.Uri
xpsFonts.Add(xpsFont)
End Using
End Using
End If
Next
End Sub
''' <summary>
''' Add images from source to new XPS.
''' </summary>
''' <param name="fixedPageReader"></param>
''' <param name="pageWriter"></param>
Private Sub AddImages(fixedPageReader As IXpsFixedPageReader, pageWriter As IXpsFixedPageWriter)
'Adding images to resources.
For Each image As XpsImage In fixedPageReader.Images
Dim newImage As XpsImage = Nothing
'Getting the URI to check the image extension.
Dim sourceExt As String = image.Uri.ToString().ToLower()
If sourceExt.Contains(ImageType.PNG) Then
newImage = pageWriter.AddImage(XpsImageType.PngImageType)
ElseIf sourceExt.Contains(ImageType.JPG) OrElse sourceExt.Contains(ImageType.JPEG) Then
newImage = pageWriter.AddImage(XpsImageType.JpegImageType)
ElseIf sourceExt.Contains(ImageType.TIF) OrElse sourceExt.Contains(ImageType.TIFF) Then
newImage = pageWriter.AddImage(XpsImageType.TiffImageType)
ElseIf sourceExt.Contains(ImageType.WDP) Then
newImage = pageWriter.AddImage(XpsImageType.WdpImageType)
Else
newImage = Nothing
End If
If newImage IsNot Nothing Then
Using dstImageStream As Stream = newImage.GetStream()
Using srcImageStream As Stream = image.GetStream()
CopyStream(srcImageStream, dstImageStream)
newImage.Commit()
Dim xpsImage As New XpsDetails()
xpsImage.resource = newImage
xpsImage.sourceURI = image.Uri
xpsImage.destURI = newImage.Uri
xpsImages.Add(xpsImage)
End Using
End Using
End If
Next
End Sub
''' <summary>
''' Add the structure of source XPS to new XPS.
''' </summary>
''' <param name="fixedDocumentReader"></param>
''' <param name="fixedDocumentWriter"></param>
Private Shared Sub AddStructure(fixedDocumentReader As IXpsFixedDocumentReader, fixedDocumentWriter As IXpsFixedDocumentWriter)
Dim [Structure] As XpsStructure = fixedDocumentReader.DocumentStructure
If [Structure] IsNot Nothing Then
Dim myStructure As XpsStructure = fixedDocumentWriter.AddDocumentStructure()
Using destStream As Stream = myStructure.GetStream()
Using sourceStream As Stream = [Structure].GetStream()
CopyStream(sourceStream, destStream)
myStructure.Commit()
End Using
End Using
End If
End Sub
''' <summary>
''' Load the test XPS to DocumentViewer.
''' </summary>
Private Sub LoadXPSFile()
Dim document As New XpsDocument(sourceXPS, System.IO.FileAccess.Read)
dvSampleXPS.Document = document.GetFixedDocumentSequence()
document.Close()
End Sub
''' <summary>
''' Copying Font as stream from source to new stream
''' to be used in the new XPS file.
''' </summary>
''' <param name="destStream">Destination Stream to be copied to.</param>
''' <param name="sourceStream">Source stream to be copied from.</param>
Private Sub WriteToStream(destStream As Stream, sourceStream As Stream)
Const bufSize As Integer = &H1000
Dim buf As Byte() = New Byte(bufSize - 1) {}
Dim bytesRead As Integer = 0
While (InlineAssignHelper(bytesRead, sourceStream.Read(buf, 0, bufSize))) > 0
destStream.Write(buf, 0, bytesRead)
End While
End Sub
''' <summary>
''' If font is Obfuscated, then we use this method to
''' create read Obfuscated stream.
''' </summary>
''' <param name="resourceName">Font's URI</param>
''' <param name="destStream"></param>
''' <param name="sourceStream"></param>
Private Sub WriteObfuscatedStream(resourceName As String, destStream As Stream, sourceStream As Stream)
Dim bufSize As Integer = &H1000
Dim guidByteSize As Integer = 16
Dim obfuscatedByte As Integer = 32
' Get the GUID byte from the resource name. Typical Font name:
' /Resources/Fonts/xxxxxxxx-xxxx-xxxx-xxxx-xxxxxxxxxxxx.ODTTF
Dim startPos As Integer = resourceName.LastIndexOf("/"c) + 1
Dim length As Integer = resourceName.LastIndexOf("."c) - startPos
resourceName = resourceName.Substring(startPos, length)
Dim guid As New Guid(resourceName)
Dim guidString As String = guid.ToString("N")
' Parsing the guid string and converting into byte value
Dim guidBytes As Byte() = New Byte(guidByteSize - 1) {}
For i As Integer = 0 To guidBytes.Length - 1
guidBytes(i) = Convert.ToByte(guidString.Substring(i * 2, 2), 16)
Next
' XOR the first 32 bytes of the source
' resource stream with GUID byte.
Dim buf As Byte() = New Byte(obfuscatedByte - 1) {}
sourceStream.Read(buf, 0, obfuscatedByte)
For i As Integer = 0 To obfuscatedByte - 1
Dim guidBytesPos As Integer = guidBytes.Length - (i Mod guidBytes.Length) - 1
buf(i) = buf(i) Xor guidBytes(guidBytesPos)
Next
destStream.Write(buf, 0, obfuscatedByte)
' copy remaining stream from source without obfuscation
buf = New Byte(bufSize - 1) {}
Dim bytesRead As Integer = 0
While (InlineAssignHelper(bytesRead, sourceStream.Read(buf, 0, bufSize))) > 0
destStream.Write(buf, 0, bytesRead)
End While
'}
End Sub
''' <summary>
''' Method where we can specify the text we need to edit.
''' </summary>
''' <param name="childNodes"></param>
Private Sub EditXPSContent(childNodes As XmlNodeList)
Dim maxvalue As Integer = childNodes.Count
For i As Integer = 0 To maxvalue - 1
Dim node As XmlNode = childNodes(i)
If node.HasChildNodes Then
EditXPSContent(node.ChildNodes)
End If
If node.NodeType = XmlNodeType.Element Then
If node.Name = "Glyphs" Then
For Each attribute As XmlAttribute In node.Attributes
If attribute.Name = "UnicodeString" Then
'Compare String and replace.
If attribute.Value.Contains("XPS") Then
node.Attributes("UnicodeString").Value = node.Attributes("UnicodeString").Value.Replace("XPS", newStringToReplace)
'= newStringToReplace;
node.Attributes("Indices").Value = ""
End If
End If
If attribute.Name = "FontUri" Then
node.Attributes("FontUri").Value = GetNewFontUri(attribute.Value)
End If
Next
ElseIf node.Name = "ImageBrush" Then
For Each attribute As XmlAttribute In node.Attributes
If attribute.Name = "ImageSource" Then
' Get the uri of image added to resource.
attribute.Value = GetNewImageUri(attribute.Value)
End If
Next
End If
End If
Next
End Sub
''' <summary>
''' Get the newly created Font URI.
''' </summary>
''' <param name="oldUri">
''' URI of the font from where this font stream was generated.
''' </param>
''' <returns>FontURI</returns>
Private Function GetNewFontUri(oldUri As String) As String
Dim result As String = String.Empty
For Each data As XpsDetails In xpsFonts
If data.sourceURI.ToString() = oldUri.ToString() Then
result = data.destURI.ToString()
End If
Next
Return result
End Function
''' <summary>
''' Get the newly created Image URI.
''' </summary>
''' <param name="oldUri">
''' URI of the Image from where this image was generated.
''' </param>
''' <returns>ImageURI</returns>
Private Function GetNewImageUri(oldUri As String) As String
Dim result As String = String.Empty
For Each data As XpsDetails In xpsImages
If data.sourceURI.ToString() = oldUri.ToString() Then
result = data.destURI.ToString()
End If
Next
Return result
End Function
''' <summary>
''' Return uri of font to display numbers.
''' </summary>
''' <returns>FontURI</returns>
Private Function GetNumFontUri() As String
Dim uri As String = String.Empty
For Each dat As XpsDetails In xpsFonts
If dat.sourceURI.ToString() = dat.destURI.ToString() Then
uri = dat.destURI.ToString()
Exit For
End If
Next
Return uri
End Function
''' <summary>
''' Check if the same font is already created before creating new one.
''' </summary>
''' <param name="uri"></param>
''' <returns></returns>
Private Function CheckIfFontAddedAlready(uri As String) As Boolean
Dim IsFontAdded As Boolean = False
For Each data As XpsDetails In xpsFonts
If data.sourceURI.ToString() = uri Then
IsFontAdded = True
End If
Next
Return IsFontAdded
End Function
Private Shared Function CopyStream(sourceStream As Stream, destStream As Stream) As Int32
Const size As Integer = 64 * 1024
Dim localBuffer As Byte() = New Byte(size - 1) {}
Dim bytesRead As Integer
Dim bytesMoved As Int32 = 0
sourceStream.Seek(0, SeekOrigin.Begin)
destStream.Seek(0, SeekOrigin.Begin)
While (InlineAssignHelper(bytesRead, sourceStream.Read(localBuffer, 0, size))) > 0
destStream.Write(localBuffer, 0, bytesRead)
bytesMoved += bytesRead
End While
Return bytesMoved
End Function
Private Shared Function InlineAssignHelper(Of T)(ByRef target As T, value As T) As T
target = value
Return value
End Function
- end -
More Information
http://msdn.microsoft.com/en-us/library/system.windows.xps.packaging.xpsdocument(v=vs.110).aspx
http://msdn.microsoft.com/en-us/library/system.windows.xps.xpsdocumentwriter(v=vs.110).aspx