Version Control
Let's get straight to it! Version Control
When playing a complex, open-world video game, you're faced with many decisions which can greatly affect your path going forward. Sometimes, before making a big decision, I will create a new save point and then continue the game, maybe creating a few more save points along the way. If I don't like how things panned out, I can go back to that initial save point and change my decision. My favorite way to think about version control is like save points in a video game. Version control is a tool within git to make save points/checkpoints. When you commit a new version of a file, not only is the file saved, but it also tracks changes from the previous version. You can see additions, subtractions and edits. This allows you the opportunity to keep many checkpoints (commits) of your code so that when you screw something up, you can just go back to a moment in time when everything was good!
Now, what's super interesting about version control is that it is a remarkably useful tool for group projects. It allows for multiple people to work on the same file concurrently, since it only takes note of CHANGES to the file. If I'm working on paragraph one of a blog post, Lisa can work on paragraph five and we can each save our changes and everything will be groovy.
When modifying files using git, there are three different stages a file can be in:
Working - The file is unstaged and has been modified since the previous commit (or has never been committed).
Staged - The files modifications have been noted and the file is prepared to be committed. I kinda think of this stage as a kind of file purgatory. It has been changed, it has been sort of set, but it has yet to be committed. It's rough being a file in staging...
Committed - Committing a file means you have made a hard checkpoint of the file that can be referenced later and reverted back to if need be.
Now We Get to Github
Github is like Dropbox for your git managed repositories. It is a cloud-based client from which you and others can access your repositories.
This is useful for many reasons. For one, you have your code available to you wherever you go. Secondly, you have a centralized location to refer friends, colleagues, and others to so they can view your code. But finally, maybe the most crucial function of Github is that it provides developers the means to collaborate with many people on a single project. It manages files and changes to files and provides ways for multiple users to observe when files change and how they change. Developers can easily go back to prior versions of code or make entirely different branches of the repository to toy around with until they're happy with the results and can merge it back to the main branch. Github is a remarkably smart tool for managing all your repository needs! (Github, you can paypal me later)
-- I'm really looking forward to challenging myself with this blog. I don't usually enjoy sharing my creative output, but I think this will be a really valuable learning experience in not only getting comfortable with doing so but also cultivating my presence online. This posting was incredibly within the lines and I look forward to getting more creative! See you all soon!


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Gophers give up 8 goals in loss to No. 8 Penn State
by FOX Sports NorthThe Minnesota Gophers gave up a season-high eight goals in an 8-2 loss to No. 8 Penn State on Friday night at 3M Arena at Mariucci.
After a scoreless first period, the Nittany Lions scored four goals in the second and another four in the third while Minnesota got a pair of goals from Jaxon Nelson and Sampo Ranta.
The Gophers were outshot 48-27 on the night while going 0-for-1 on the power play.
Jack LaFontaine made 33 saves in net for Minnesota. Justen Close made seven saves on 10 shots in relief.


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# INFO 610 Fall 2019
Week 1.5
--- --- # History of Databases
Hierarchical Database - Inverted tree - Parent Child
Network Database - Nodes and Set Structures - Collection of Records and Relationships
--- # Relational Database 1969 - Dr. Edgar F. Codd - IBM
A relational database stores data in relations, which the user pereives as tables.
Each relation/table is composed of records and attributes.
tuples, fields
Two characteristics of the database allow the data to exist independently of the way it is represented:
Physical order of storage is immaterial
Each record in a table is recognized by a field unique value
--- # Example of Tables Page 14 - Agents, Clients
Page 14 - Entertainers, Engagements
Discussion
How would we model information about a school program, like VCU's IS program?
--- # Relationships of Relations Relational model categorizes relationships as
* One to One
* One to Many
* many-to-many - future class --- # Retrieving Data | ClientID | AgentID | ClientFirstName | ClientLastName| ClientPhoneNumber | |---|---|---|---|---| | 1 | 100 | Mickey | Mouse |<PHONE_NUMBER> | | 2 | 101 | Isaac | Newton |<PHONE_NUMBER> | | 3 | 102 | Magic | Johnson |<PHONE_NUMBER> | * Retrieving Data
Find clients with lastname 'Mouse'
select * from clients where ClientLastName = "Mouse"
Find clients with Agent 102
select * from clients where AgentID = 102
Get specific fields
select ClientFirstName, ClientLastName, ClientPhoneNumber from agents
--- # Advantages of Relational Databases
Built in Multi Level Integrity
Logical and Physical Data Independance from Applications
Guaranteed Data Consistency and Accuracy
Easy* data retrieval
--- # Relational Database Management Systems A
relational database management system (RDBMS)
is a software application program you ues to create, maintain, modify and manipulate a relational database
Oracle
Microsoft SQL Server
Microsoft Access
MySQL/MariaDB
Postgresql
Amazon RDS
--- # Docker On your laptops, please install Docker:
https://docs.docker.com/install/
This will be successful when you can run the following on your command line: ```bash docker run hello-world ``` THEN Attempt this: ```bash $ docker run --name some-postgres -e POSTGRES_PASSWORD=mysecretpassword -d postgres:11 ```
--- # Next Week * Database Design * Methodology * ER Diagrams * Terminology * Relationships ---


Deacon Blue are coming to Arena Birmingham in 2020 - how to get tickets
The Real Gone Kid stars of the 80s are bringing their Cities of Love UK Tour 2020 to Arena Birmingham - and other venues across the UK and Europe. See how you can get your tickets
by Fionnuala Bourke, https://www.facebook.com/fionnualabourke05/?fref=tsScottish punk rock stars of the 80s, Deacon Blue wowed a generation and topped the charts with hits like Real Gone Kid.
And 2020 is set to be a big year for the Glasgow band who have announced a Cities of Love tour of the UK and Europe - and a new album, by the same name.
The album sees the multi-million selling band deliver eleven brilliant new tracks tethered by a singluar belief - that eve in the corners of a town or a life where no lights falls, hope can prevail.
They will be touring the UK in November and December 2020 - arriving at Arena Birmingham on November 25.
For a full list or the Deacon Blue City of Love tour dates see below. Tickets go on general sale at 9am on November 15 - to book click on this Ticket Factory link here , pre-sale options on the 14th will be available too.
Long praised for their live performances Cities of Love will see Deacon Blue visit more cities in the UK and Ireland than ever before, including seven arena shows and the Royal Albert Hall in London.
City of Love (released March 6th and available to pre-order now from www.deaconblue.com) is the fourth release of a prolific seven-year period for the band. Their last three albums returned Deacon Blue to the Top 20 of the UK album charts, the most recent posting at No 12, giving them their highest charting album in 23 years.
This has fuelled a creative resurgence which returned the band not only to mainstream radio playlists, but also back into the sort of venues befitting the stature of a chart-topping legacy boasting seven million album sales, two number one albums and fourteen hit singles.
Lead singer Ricky Ross said: "We're so looking forward to you hearing City of Love and getting out on the road, playing new songs and old songs too. Every time we tour now it feels like a celebration because our fans are still there and it's a delight for us. We're planning to make this the best one yet.”
City of Love, the new album by Deacon Blue is released by earMusic on 6th March 2020 and is available to pre-order now giving fans access to an exclusive 48hr tour pre-sale from 13th November. Just click on the Deacon Blue website here or earMusic here .
For a full list or the Deacon Blue City of Love tour dates see below. Tickets go on general sale at 9am on November 15 - to book click on this Ticket Factory link here , pre-sale options on the 14th will be available too.
UK Tour Dates:
06-Nov – O2 Apollo, Manchester
07-Nov - O2 Apollo, Manchester
08-Nov – First Direct Arena, Leeds
10-Nov – Royal Concert Hall, Nottingham
11-Nov – Royal Albert Hall, London
13-Nov – Corn Exchange, Cambridge
14-Nov – Pavilions, Plymouth
15-Nov – Motorpoint Arena, Cardiff
17-Nov – Guildhall, Portsmouth
18-Nov - Guildhall, Portsmouth, England
20-Nov – Bonus Arena, Hull
21-Nov – New Theatre, Oxford
22-Nov – Centre, Brighton
24-Nov – Cliffs Pavilion, Southend
25-Nov – Arena Birmingham, Birmingham
27-Nov – M&S Bank Arena, Liverpool
28-Nov – City Hall, Newcastle
29-Nov – City Hall, Newcastle
01-Dec – Opera House, Blackpool
For a full list or the Deacon Blue City of Love tour dates see below. Tickets go on general sale at 9am on November 15 - to book click on this Ticket Factory link here , pre-sale options on the 14th will be available too.


Members
Client
Events
ready
The event ready is triggered when all the servers informations have been loaded and the notification module is ready. This event isn't triggered when the notifier drops and reconnect.
message_received
The event message_received is triggered everytime the client receive a message, the callback gives a messageNotification as first and only argument.
message_liked
The event message_liked is triggered everytime the client receive a like, the callback gives a messageNotification as first and only argument.
message_edited
The event message_edited is triggered everytime the client receive an edited message, the callback gives a messageNotification as first and only argument.
message_deleted
The event message_deleted is triggered everytime the client receive a deleted message, the callback gives a messageNotification as first and only argument.


"x" "1" "SHORT-TERM TEST PROGRAM SPONSORED BY THE DIVISION OF CANCER BIOLOGY,NATIONAL CANCER INSTITUTE, MS. ELLEN ZAIKA, ASSISTANT PROJECT OFFICER , p.Y90"


DEF aims at providing the best education available in some of the best schools in the state of Manipur in particular and the country as a whole in general. It aspires to provide an academic atmosphere to achieve all round development for each child and to inculcate in the children an awareness of rich cultural inheritance of Indian Society. The school has desire to achieve the A-Type Pre-Primary School (referred to as standard pre-primary schools by the Child Care Committee) especially for pre-primary standard. It also aimed to promote the high quality of Education to promote so as to improve the educational status of general public resulting into better way of life.
| PN & Nursery : | First come first serve basis |
| K.G & Class I: | Simple test for new-comer students |
| Class II to Class IX: | Oral test for new-comer students |
| Nursery to K.G : | 40 children each |
| Class I-V : | 35 children each |
| Class VI-X : | 30 children each |
| PN : 40 | N : 25 | K.G : 20 |
| Cl-I : 18 | Cl-II : 15 | Cl-III : 15 |
| Cl-IV : 15 | Cl-V : 15 | Cl-VI : 15 |
| Cl-VII : 15 | Cl-VIII : 15 | Cl-IX : 10 |
| PROCEDURE | STANDARD | |
| Pre-Nry to K.G | I-X | |
| Issue of Adm. Form | 1st Dec. 2016 | 9th Dec. 2016 |
| Last date of Adm. | 5th Jan. 2017 | 16th Jan.2017 |
| Start of Class | 12th Jan. 2017 | 19th Jan. 2017 |
| PARTICULARS | STANDARD | |||||
| PN | N-K.G | I-II | IV-VI | VII-VIII | IX-X | |
| Admission Fee | 2355 | 2455 | 2555 | 2655 | 2755 | 2855 |
| Monthly Fees | 350 | 380 | 410 | 440 | 470 | 500 |
| Identity Card | 85 | 85 | 85 | 85 | 85 | 85 |
| Total | 2790 | 2920 | 3050 | 3180 | 3310 | 3440 |
Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts. Separated they live in Bookmarksgrove right at the coast of the Semantics, a large language ocean. A small river named Duden flows by their place and supplies it with the necessary regelialia. It is a paradisematic country, in which roasted parts of sentences fly into your mouth.
Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts. Separated they live in Bookmarksgrove right at the coast of the Semantics, a large language ocean. A small river named Duden flows by their place and supplies it with the necessary regelialia. It is a paradisematic country, in which roasted parts of sentences fly into your mouth.
Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts. Separated they live in Bookmarksgrove right at the coast of the Semantics, a large language ocean. A small river named Duden flows by their place and supplies it with the necessary regelialia. It is a paradisematic country, in which roasted parts of sentences fly into your mouth.


http://www.susangranger.com/
Susan Granger's review of "FINAL APPEAL: THE OUTER LIMITS" (Showtime TV)
On Sunday, Sept. 3, at 8 PM, the two-hour final episode of "The Outer Limits" concludes the popular sci-fi series which aired 132 original, made-for-television episodes during six seasons. Written by Sam Egan and directed by Jimmy Kaufman, "Final Appeal" is set in the year 2076, when the U.S. Supreme Court agrees to hear a landmark case. Amanda Plummer plays Dr. Theresa Givens, who has been sentenced to death for her "crimes against society." Her transgressions center around the use of a time-travel device which violates a stringent ban on all technology in the wake of a devastating, world-wide technological holocaust. So it's back to the horse 'n' buggy as transportation and communication are restricted to the lowest levels of development. Kelly McGillis is her defense attorney, while Michael Moriarty is the prosecutor. Charlton Heston is the Chief Justice who is joined on the bench by Robert Loggia, Cicily Tyson, Swoozie Kurtz, and Hal Holbrook. The trial's outcome is unexpectedly prompted by a surprise witness, a terrorist played by Wallace Langham. The concept of using technology as a scapegoat for all of society's ills is intriguing, particularly with the use of film clips from previous "Outer Limits" episodes to illustrate different points-of-view. But, as actors, Amanda Plummer and Michael Moriarty muddle their characters. It's one thing for a thespian to choose an unusual line-reading, it's another to waver uncomfortably on the edge of bizarre. Plus, the staid courtroom setting tends to grow static as the participants are confined to specific places. So, on the Granger Movie Gauge of 1 to 10, "Final Episode" culminates in a 5, begging the question: What will become of a world that has outlawed the tools it has traditionally used to solve its problems?
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


Conference Publication
1. Samrat Kumar Dey, "RHM: Designing a Customized Health Model for the Union of Ramjibon" 2019 IEEE International Conference on Biomedical Engineering, Computer and Information Technology for Health (BECITHCON), Dhaka, Bangladesh, 2019 (in press)
2. Kabid Hassan Shibly, Sazia Rahman, Samrat Kumar Dey, "Advanced Artistic Style Transfer Using Deep Neural Network," 2nd International Conference on Cyber Security and Computer Science (ICONCS 2020), Dhaka, Bangladesh, 2019 (in press) (Acceptance Rate: 21.35%)
3.Arpita Howlader, and Samrat Kumar Dey, "RP-DMAC: Receiver Pivotal Directional MAC with Multichannel for IoT Based WSN," 2nd International Conference on Cyber Security and Computer Science (ICONCS 2020), Dhaka, Bangladesh, 2019 (in press) (Acceptance Rate: 21.35%)
4. S. K. Dey, R. M. Rubayet Shamim, M. A. Islam and M. M. Rahman, "ParkEasy: An Embedded Model to Mitigate Car Parking Problems Using IoT Technology," 2019 1st International Conference on Advances in Science, Engineering and Robotics Technology (ICASERT), Dhaka, Bangladesh, 2019, pp. 1-7. doi:10.1109/ICASERT.2019.8934480
5. K. H. Shibly, S. Kumar Dey, M. A. Islam and S. Iftekhar Showrav, "Design and Development of Hand Gesture Based Virtual Mouse," 2019 1st International Conference on Advances in Science, Engineering and Robotics Technology (ICASERT), Dhaka, Bangladesh, 2019, pp. 1-5. doi: 10.1109/ICASERT.2019.8934612
6. Dey S.K., Raihan Uddin M., Mahbubur Rahman M. (2020) Performance Analysis of SDN-Based Intrusion Detection Model with Feature Selection Approach. In: Uddin M., Bansal J. (eds) Proceedings of International Joint Conference on Computational Intelligence. Algorithms for Intelligent Systems. Springer, Singapore
7. S. K. Dey, A. Hossain and M. M. Rahman, "Implementation of a Web Application to Predict Diabetes Disease: An Approach Using Machine Learning Algorithm," 2018 21st International Conference of Computer and Information Technology (ICCIT), Dhaka, Bangladesh, 2018, pp. 1-5.doi: 10.1109/ICCITECHN.2018.8631968
8. S. K. Dey, M. Sherajul Islam Bappy, M. Sabrina Biswas and S. Akter, "A Comparative Usability Experience Analysis of Card Sorting and Interactive Dialogue Model Design Technique," 2018 International Conference on Innovations in Science, Engineering and Technology (ICISET), Chittagong, Bangladesh, 2018, pp. 268-273.
9. S. K. Dey and M. M. Rahman, "Flow Based Anomaly Detection in Software Defined Networking: A Deep Learning Approach With Feature Selection Method," 2018 4th International Conference on Electrical Engineering and Information \& Communication Technology (iCEEiCT), Dhaka, Bangladesh, 2018, pp. 630-635.doi: 10.1109/CEEICT.2018.8628069
10. S. K. Dey, M. M. Rahman and M. R. Uddin, "Detection of Flow Based Anomaly in OpenFlow Controller: Machine Learning Approach in Software Defined Networking," 2018 4th International Conference on Electrical Engineering and Information \& Communication Technology (iCEEiCT), Dhaka, Bangladesh, 2018, pp. 416-421.doi: 10.1109/CEEICT.2018.8628105
11. S. K. Dey, M. R. Uddin, K. M. Kabir and M. M. Rahman, "Enhancing the security of cloud computing: Genetic algorithm and QR code approach," 2017 4th International Conference on Advances in Electrical Engineering (ICAEE), Dhaka, Bangladesh, 2017, pp. 181-186. doi: 10.1109/ICAEE.2017.8255350
12. S. K. Dey, S. S. M. Tariq, M. S. Islam and G. M. M. Bashir, "Cognitive complexity: A model for distributing equivalent programming problems," 2017 International Conference on Electrical, Computer and Communication Engineering (ECCE), Cox's Bazar, Bangladesh, 2017, pp. 831-837.doi: 10.1109/ECACE.2017.7913018
13. Dey, S.K.; Bashir, G.M.M,; Tariq, S.S.M.; Islam, M.S. On 8th International Conference on Electrical and Computer Engineering (ICECE 2014, 20-22nd December) “Complexity Measurement: A New Approach to Ensure Equal Distribution of Programming Problems for Evaluation”. ISBN: 978-1- 4799-4820-8, DOI:10.1109/ICEEICT.2014.6919052, Page: 780-783
Journal Publication
1. Dey, S.K., Rahman, M.M., Siddiqi, U.R. and Howlader, A. (2020), Analyzing the Epidemiological Outbreak of COVID-19: A Visual Exploratory Data Analysis (EDA) Approach. J Med Virol. Accepted Author Manuscript. doi:10.1002/jmv.25743
2. Dey, S.K.; Rahman, M.M. Effects of Machine Learning Approach in Flow-Based Anomaly Detection on Software-Defined Networking. Symmetry 2020, 12, 7.
3. Rahman, Md; Dey, Samrat; and, Shibly, Kabid. (2020). Advanced Single Image Resolution Upsurging Using A Generative Adversarial Network. Signal and Image Processing : An International Journal. 11. 51-60. 10.5121/sipij.2020.11105
4. Samrat Kumar Dey and Tamim Al Mahmud. Article: “Program Complexity Finder: A Tool for Finding Program Complexity in Terms of Cognitive Weight based on Complexity Measurement Algorithm”. International Journal of Computer Applications 131(8):41-47, December 2015. Published by Foundation of Computer Science (FCS), NY, USA. ISSN: 0975 - 8887,DOI: 10.5120/ijca2015907443
5. Sraboni Barua, Tamim Al Mahmud, Samrat Kumar Dey and Md. Motiur Rahman. “Future of Social Network with Collaboration of Cloud Computing and Brain Computer Interface”. International Journal of Computer Applications 145(14):34-37, July 2016. Published by Foundation of Computer Science (FCS), NY, USA.DOI: 10.5120/ijca2016910863
GRANTS and PROJECTS
MUJIB BORSHO IT CARNIVAL 2020
Convener
ICT Special Grants from the Ministry of Posts, Telecommunications and Information Technology, Government of Peoples Republic of Bangladesh
Dhaka, Bangladesh
ParkEsay: An Smartphone Based Approach to Mitigate Car Parking Problems Using IoT at Dhaka City
Principle Supervisor
ICT Innovation Fund from the Ministry of Posts, Telecommunications and Information Technology, Government of Peoples Republic of Bangladesh
Dhaka, Bangladesh
Study the Challenges and Opportunities of Mobile Health in Bangladesh: Regional Exposures and Health Consequences in Context to Bangladesh
Principle Supervisor
Research Grant Sanctioned by Dhaka International University Research Cell
Dhaka, Bangladesh
Skills
Programming Languages & Tools
Workflow
-
Mobile-First, Responsive Design
-
Cross Browser Testing & Debugging
-
Cross Functional Teams
-
Agile Development & Scrum
Interests
Apart from being a independent resercher, I enjoy most of my time being outdoors. In the winter, I am an avid skiier and novice ice climber. During the warmer months here in Bangladesh, I enjoy exploring mountain biking, free climbing, and sea seeing.
When forced indoors, I follow a number of sci-fi and fantasy genre movies and television shows, I am an aspiring chef, and I spend a large amount of my free time exploring the latest technolgy advancements in the front-end web development world.
Awards & Certifications
-
Best Project Supervisor Award
-
Champion at National Mobile Application Awareness Development and Training Program
-
1st
Place -Mentor- ESONANCE 2018 hosted by Islamic University of Technology
-
1st
Place - Mentor - IEEE DAY 2018 hosted by East West University
-
1st
Place - Mentor - BUP ICT Fest 2018
-
-
2nd
Place - Mentor - Fab Fest 2018 by University of Dhaka
-
2nd
Place - Mentor - International Telco Warfare 2018


\frac{3}{14}
\frac{2}{3}
\frac{3}{28}
\frac{2}{14}
Here V
denotes the size of the vocabulary, which is the number if types in the corpus, not the number of tokens.
We add one to all counts, even those which are already non-zero.
The maximum-likelihood estimate is \frac{2}{3}
Using a bigram language model with add-one smoothing, P(Sam | am) = \frac{c(am, Sam) + 1}{c(am) + V} = \frac{2 + 1}{3 + 11} = \frac{3}{14}
.


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THE OTHERS A film review by Pete Croatto Copyright 2001 filmcritic.com
The Others has a great ending -- one that will be spoofed in Scary Movie 4 and referred to in Entertainment Weekly for years to come. It's the reason why people will rush to the theater this summer, spurred on by the word of mouth from friends and co-workers.
What people will forget to tell you is that there's more than 90 minutes of an OK horror movie to watch before a glorious 10 minutes. Take away the ending--which ties the script's agnostic themes together too perfectly--and you get The Haunting, just with superior acting and production values.
The latest horrorfest brings us to 1945 England, where the repressed, icy Grace, played by Nicole Kidman (Note: Tom Cruise served as an executive producer on the film), cares for her kids Ann and Nicholas (Alakina Mann and James Bentley) in a colossal house, where things are in turmoil. Grace has been told that her husband (Christopher Eccleston), who's fighting in World War II, is missing and unlikely to return. The house's staff has simply vanished. And to top it all off, Ann repeatedly sees visions of another family who she says used to live in the house.
Ann tries to explain what she sees to her dubious mother, who drums Christian doctrine into her children's heads and has an impatient streak. At first, Grace doubts her daughter. But when doors fly open and unknown screams are unleashed, Grace strives (unsuccessfully) to gain control of the situation. Meanwhile, the new housekeeping staff led by the friendly Mrs. Mills (Fionnula Flanagan), acts peculiar. Mrs. Mills tells Ann that she has seen the same visions, and that their presence will lead to some changes in the house.
The movie is propelled by a few highlights, most notably its look. The house is devoid of natural light (the kids are allergic to it), which gives the movie a continually creepy feel. Fog swirls in and out, creating a dreamlike environment. Throughout the movie, Kidman dresses in long, uncomfortable dresses, which scream her repression and cool demeanor. The kids talk in sing-songy English accents, giving the false impression that everything is fine.
The one nuisance is director/screenwriter/composer Alejandro Amenábar's pacing. Amenábar (directing his first English language feature) spends so much time establishing mood and religious symbolism that the movie simmers, instead of boils. There are very few chills until the finale. However, the ending still falls a bit flat because it's so much livelier than the material before it.
Writing this review, I'm reminded of when I first saw The Blair Witch Project two years ago. I loved the idea, but I left the theater feeling a little disappointed. It just wasn't scary enough. I feel the same way about The Others. The film geek inside of me is satisfied, but the Scaredy Cat in me isn't.

Visit filmcritic.com on the Web at http://www.filmcritic.com
========== X-RAMR-ID: 29156 X-Language: en X-RT-ReviewID: 243873 X-RT-TitleID: 1109257 X-RT-SourceID: 178 X-RT-AuthorID: 3402 X-RT-RatingText: 3/5
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Gonville and Caius College
Cambridge, UK
The table and the chairs in walnut wood with bronze details were specially designed for the new Fellows’ Dining Room at Gonville and Caius College at the University of Cambridge. The long table, designed to accommodate 64 place settings, can be broken into four separate tables. Herms with bronze heads form the legs to the tables and match the bronze rear legs of the chairs and the torcheres.
Gonville and Caius College
Cambridge, UK
This cabinet in mahogany was specifically designed for the new Reading Room at Gonville and Caius College at the University of Cambridge, to contain newspapers and periodicals. The two desk tops, either side of the newspaper stand in the centre, open to reveal rows of journals. Past publications are stored in the cupboards below. The two caskets conceal a radiator used to heat the room.
Gonville and Caius College
Cambridge, UK
The College commissioned the practice to design the furniture for the new rooms. The chair and table shown here were designed in mahogany with a blue horsehair fabric for the upholstery. The carpet was also designed and specially made for the room.
Gonville and Caius College
Cambridge, UK
This sofa, built in mahogany with blue horsehair upholstery, was designed as part of the furniture suite for the new Colyton Room
Ashfold House
Sussex, UK
This bed, together with the tripod tables, the light fitting and the curtains, were designed to give the East Bedroom a flavour of ancient Greece. The design of the bed was inspired by a Roman bed from Pompeii, now housed at the Metropolitan Museum in New York.
Ashfold House
Sussex, UK
The tripod table is in beechwood with a black ebonised bowl and urn. The design for the chaise lounge is in satinwood and upholstered in silk. The design for this piece of furniture was inspired by Jacque-Louis David's painting of Juliette Récamier in the Louvre museum in Paris.
Ashfold House
Sussex, UK
The table and chairs are designed in walnut, and the chairs are upholstered in black horsehair fabric. The door behind the table, which is the door to the basement cellar, is based on the design of an Egyptian false door signifying an entrance to another world.
Ashfold House
Sussex, UK
This Welsh dresser in oak was designed for the kitchen at Ashfold House.
Ashfold House
Sussex, UK
Ashfold House, despite its relatively small size, has been designed so as to project the architectural gravitas and sophistication of a country house. The exterior is clearly inspired by John Soane, with the most direct references being Soane's house in Lincolns Inn Fields and Pitzhanger Manor, Ealing, reflected in the south and north elevations respectively. Just as Soane was excited by the possibilities offered by new technology, John Simpson has taken delight in incorporating modern systems such as underfloor heating into the scheme; many other modern elements such as burglar alarm sensors are beautifully integrated into specially designed housings which allow them to blend in seamlessly with the building.
Ashfold House
Sussex, UK
Ashfold House, despite its relatively small size, has been designed so as to project the architectural gravitas and sophistication of a country house. The exterior is clearly inspired by John Soane, with the most direct references being Soane's house in Lincolns Inn Fields and Pitzhanger Manor, Ealing, reflected in the south and north elevations respectively. Just as Soane was excited by the possibilities offered by new technology, John Simpson has taken delight in incorporating modern systems such as underfloor heating into the scheme; many other modern elements such as burglar alarm sensors are beautifully integrated into specially designed housings which allow them to blend in seamlessly with the building.
Ashfold House
Sussex, UK
Ashfold House, despite its relatively small size, has been designed so as to project the architectural gravitas and sophistication of a country house. The exterior is clearly inspired by John Soane, with the most direct references being Soane's house in Lincolns Inn Fields and Pitzhanger Manor, Ealing, reflected in the south and north elevations respectively. Just as Soane was excited by the possibilities offered by new technology, John Simpson has taken delight in incorporating modern systems such as underfloor heating into the scheme; many other modern elements such as burglar alarm sensors are beautifully integrated into specially designed housings which allow them to blend in seamlessly with the building.
Belsize Park
London, UK
The project involved the internal reworking of an 1850's house in Belsize Park which had been gutted in the 1960's and converted into apartments. The interiors were completely remodelled with a new layout and new plasterwork and embellishment. The new interior with furniture and soft furnishings were designed by John Simpson and Partners.
Buckhurst Park
Ascot, Berkshire, UK
John Simpson Architects were commissioned by Her Majesty Queen Noor of Jordan to extend and remodel a substantial house near Ascot, Berkshire, Buckhurst Park. Queen Noor is, of course, unusual amongst royal architectural patrons in that she studied architecture and planning at university, receiving a bachelor’s degree in the subject from Princeton in 1974.
Buckhurst Park is a stucco-fronted Italianate house that was much altered in a variety of styles during the later nineteenth century. Simpson added two large wings to the house: a two storey extension at the front which comes forward to frame an entrance court with a colonnaded loggia on the ground floor. This wing is terminated by an ashlar tower that houses a staircase running down to service areas at garden level. The second wing extends the whole width of the house on the other side. Towards the forecourt it presents a powerfully-modelled façade in a language indebted to C.R. Cockerell, featuring an arch rising up into the pediment above. At the rear it ends in a great curving bay with three windows that overlook the garden. Behind these are new reception rooms, including a drawing room in which the plasterwork of the ceiling cleverly combines classical and Islamic details in a single coherent design.
The Queen's GalleryBuckingham Palace
London, UK, 2002
The furniture in the Pennethorne Gallery, which includes benches, display cases and screens, was designed as a matching set that could be used in any of the gallery spaces. The screens, however, can only be used in the Chambers Gallery, so as to increase the wall space available for the display of works of art. The design of the legs is developed from ancient Roman and Greek prototypes.


%rebase('osnova.html')
The reference for pairing wine with food was taken from this picture. While it does include a lot of information it can't say everything. One of the guidelines to pairing wine is that you should try to select a wine from the country where your food originates from. Another tip is that white wine is lighter and to be paired with lighter foods like green vegatables and fish. Whereas red wine can be paired with heavier, fattier foods, like red meat, etc. Choosing to pair otherwise, for example fish with red wine is only suggested when the fish are heavier/more fatty or the wine is very light.
There are other nuances to matching food with wine, far too many to be mentioned here, but the most important thing is to try out different combinations. Learn about them and find your personal preferences along the way.
For beer we included many different sources in order to define the suggestions for this application. The pairings aren't quite as definite as with wine. You can choose to pair beer based on different qualities. A match can be selected because the food and beer are similar, for example, smoky beer goes well with smoky food. Or you can try to find a contrast between the food and beer, a beer with a strong taste, perhaps an IPA, to cut through the flavour of greasy food.
An important guideline when matching beer is to balance the pairing. If the flavour of the beer is too strong it can easily overpower the food you're eating. On the other hand you also don't want a beer with a taste too gentle to enjoy next to heavier food. Of course, again, experimentation and finding your personal preferences is key.


Before Change
experiment_dict = self._get(self._get_experiments_keybase() + key)
checkpoint_threads = [
Thread(
target=self.store.put_artifact,
args=(art,))
for _, art in six.iteritems(experiment.artifacts)
if art["mutable"] and art.get("local")]
for t in checkpoint_threads:
t.start()
After Change
for worker in workers:
try:
worker.result()
except Exception as exc:
// If any of artifact savers failed and threw an exception,
// rethrow it to signal overall checkpoint failure
raise exc


1) The theater isn't near full for a *free* preview screening.
2) One of the movie trailers shown is for an upcoming Chuck Norris film in which he plays a cop--who's partnered with a clever dog. (Some guy in the audience shouted, "Hey! Didn't they already make this movie ... *twice*??!"
3) All the music played throughout the movie sounds like the soundtrack from one of those crap-ola movies that Gilbert Godfrey runs on the USA Network ... and the songs are from well-regarded artists like L7 and Bjork!
I have to give Lori Petty some credit, she did the best she could with a role she was never meant to play. Malcolm MacDowell was once again playing his generic sci-fi bad guy role. He looked like he came right from the Star Trek Generations set and was on his way to do the Wing Commander III CD. My God, can't this guy play any other character??
And I'm not even going to go into the movie's erratic editing and bizarre use of animation and art from the comic book (at first, it would seem this was done for artsy purposes, but it actually feels like they ran out of money for SFX and spliced in animations).
Naomi Watts as Jet Girl was cool, and she was the only thing decent about the movie. I have to agree with comments on the Net that if not Emily Lloyd, Drew Barrymore would've been great as Tank Girl, as well as Claire Danes for the part of Jet.
At the end of the preview, a guy said loudly, "Well, Honey, that certainly SUCKED."
So, gang, save your $$$ this weekend for something more worthwhile. Like, say, food. Catch TANK GIRL at the $1 theater.
You've been warned.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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--- layout: article title: What we need to get our HTML5 game on iPad author: matt ---
One of our attractions to HTML5 is its portability. Our game Onslaught! Arena began as a browser-based app but has since moved into native land by embedding a WebKit Web View into our OSX app.
Given how easy it was to get our game onto the Mac App Store, the next obvious question is, "What about iPad?" We've been exploring it and are sad to report that we've hit a brick wall of sorts.
HTML5 Audio is a disaster on iPad; only one sound file can play at a time, in addition to latency and other issues.  The good news is that it was pretty easy to hack in a fix on iPad and make audio work beautifully.
The trick to getting responsive audio on iPad via HTML5 was to create a bridge from JavaScript to Objective-C. I'll post a more detailed tutorial in the future (here's our RSS feed to get updates), but it looks something like this:
{% highlight objc %} - (BOOL) webView:(UIWebView *)webView shouldStartLoadWithRequest:(NSURLRequest *)request navigationType:(UIWebViewNavigationType)navigationType { NSString *requestString = [[request URL] absoluteString]; NSArray *components = [requestString componentsSeparatedByString:@"://"]; if (([components count] > 1) && [(NSString *)[components objectAtIndex:0] isEqualToString:@"jsbridge"]) { if ([(NSString *)[components objectAtIndex:1] isEqualToString:@"battle_music"]) { // Play battle music here } return NO; } // Let any other request through return YES; } {% endhighlight %}
Then in your JavaScript you'd send a request to "jsbridge://battle_music";
.
The device detects this request, parses it, plays an audio file and cancels the request.
So there's a workaround; audio is not the bottleneck. The problem with getting our game onto iOS is speed. As you can see in some of these screenshots of our game running in the iPad simulator, the frames per second (FPS) is severely lacking.
Movies play at 24 FPS, TV plays at about 30 FPS. Modern video games probably run at 60 FPS or more. While taking screenshots of Onslaught! Arena, I did notice it can run as high as 59 FPS, but it's bursty and doesn't last. Most of the screenshots are more depressing, showing the game running at about 7 FPS, which is completely unplayable for an arcade game like ours. Plus, as you can see I've removed the extra pixel drawing of the arena itself: the screen is just plain black and it's still unacceptably slow.
This speed problem is the only thing keeping us from having a playable game on any iOS device. So Apple, Google, all of you WebKit supporters and browser makers: please make things run faster. Lotta love for ya, we just want more speed!


<EMAIL_ADDRESS>COMPLIMENTS OF THE DAY MA/SIR. I am JOHN MOKA the chief accountant of Amalgamated Bank of South Africa (ABSA). There is an account opened in this bank in 1999 and since 2001 nobody has operated on this account again. After going through some old files in the records, I discovered that if I do not remit this money out urgently it would be forfeited for nothing. The owner of this account is Mr. Morris Thompson, a foreigner, Business Man and a miner at Kruger Gold Company, a Geologist by profession and he died since 2000. Ever then no other person knows this account or anything concerning it, the account has no other beneficiary and my investigation proved to me as well that this company does not know anything about this account and the money involved is One hundred and Thirty Six Million United States Dollars (US$ 136 Million). I want us to first transfer US$ 36 Million from this money into your safe overseas account before the rest. I am only contacting you as a foreigner because this money cannot be approved to a local bank here, but can only be approved to any foreign account because the money is in United States Dollars and the former owner Mr. Morris Thompson is a foreigner too. I know that this message will come to you as surprise as we don’t know ourselves before. We will sign an agreement, but be sure that it is real and a genuine business. You can view the web site bellow for more information on our late client. http://archives.cnn.com/2000/US/02/01/alaska.airlines.list/ I only got your contact information from my secretary who operates computer; with believe in God that you will never let me down in this business, considering my position as a public servant. You are the only person that I have contacted in this business; so please reply urgently so that I will inform you the next step to take immediately. Send also your private telephone and fax numbers including the full details of your account to be used for the deposit. I want us to meet face-to-face and sign a binding agreement to bind us together so that you can receive this money into your account where the fund will be safe. And I will fly to your country for withdrawal and sharing and other investment. Meanwhile, I am contacting you because of the need to involve a foreigner with foreign account and foreign beneficiary. I need your full co-operation to make this work fine because the management is ready to approve this payment to any foreigner who has correct information of this account, which I will give to you as soon as you indicate your sincerity to co-operate with me, and capability to handle such amount in strict confidence and trust according to my instruction and advice for our mutual benefit because this opportunity may never come again in my life. I need a truthful and God fearing person in this business because I don’t want to make a mistake so I need your strong assurance and trust. With my position in the office I don’t want anything that will jeopardize my job so I advice that we should make secrecy and confidentiality our primary working condition, bearing in mind that I am a public servant. I will also use my position and influence to effect legal approvals and onward transfer of this money to your account with appropriate clearance forms of the ministries and foreign exchange department. At the conclusion of this business, you will be giving 25% of the total amount, 70% will be for me, while 5% will be for expenses both parties might have incurred the process of the transfer. I look forward to your earliest reply. Yours sincerely, JOHN MOKA CONFIDENTIAL _________________________________________________________________ Find just what you're after on your PC with Windows Desktop Search - FREE! http://desktop.msn.co.za/


### Table of Contents
- The Internet
- Web Servers
- Client Vs. Server
- HTTP
- Requests and Responses
- Building Web Applications
- Todo List App (Flask, Python, CRUD and Security)
The Internet: a network of computers
Communication takes a long route
Web servers LISTENS for incoming requests
Simplified Overview
Web Servers:
- listen for incoming network requests
- process them (if this do that)
- return response back to network
Web Server Logic
Client Vs. Server
Servers handle multiple clients at the same time
Your server can be a client too
Classic 3-Tier Layer Application
It can get complicated
HTTP
Everything is a Request and Response
Examples
Security
Multi-step workflow
Real Example: demo
Browsers: special type of clients
Browsers do a lot!


Add this Component the BlockLayer, which is understood to be above the
HighlightLayer, although no guarantee is made about its order relative
to any other layers this RBParent may have.
Add this Component to the HighlightLayer, which is understood to be
directly and completely beneath the BlockLayer, such that all Components
on the HighlightLayer are rendered behind ALL Components on the BlockLayer.


Be social. Securely.
Show/Hide Custom Wordlist
Show
Hide
First Name:
Last Name:
Email:
Years from:
to:
Whitelisted Webpages
Show
Hide
Whitelisted Phrases
Show
Hide
Delete Custom Webpages Whitelist
Clear Webpages
Delete Custom Phrase Whitelist
Clear Phrases


Preferences
| Maximum simultaneous downloads | |
| Download path. () | |
| Place downloaded files in a sub-directory named after the title of the programme. | |
| Also download subtitles. | |
| Specify an HTTP proxy. (EXPERIMENTAL) Default is taken from the HTTP_PROXY environment variable. This setting is unreliable and should be considered BETA |
|
| Delete file if download is cancelled. If false the partially download file will remain on your computer and if you choose to download the programme again, it should resume from where it left off |
|
| Enable notifications. |
Downloads


Welcome
Source: _introduction\Welcome.mdHello, BLiPPER!
This is the documentation for BLiP Toolkit. Here you will get to know the classes and patterns which compose the elements from BLiP's platform.
BLiP Toolkit is a compilation of SCSS configuration and Vanilla JS components made to fit BLiP's needs. The toolkit was created in order to standardize CSS specifications and component behavious between all of BLiP's products. From the simplest details, like typography and section dividers, to more complex components, such as tag selectors, BLiP Toolkit makes for an easy implementation of styles and functionalities.
It is important to read the documentation and be aware of our design patterns. That way, the project's code will be more organized and future changes will be easier.
Design Principles
Our design principles help maintain a visual quality that reflects the values and characteristics of our brand.
- Reliability through consistency: componentes must communicate with each other and be hierarchical, representing BLiP's design as a family in the smallest details.
- Empowering users through simplicity: our design mitigates visual interference, helping users focus on what is important, learn and evolve faster.
- Familiarity, elegance and innovation: Elements reproduce behaviour that mimics the real world: they have weight and are influenced by light, moviment and other phenomenons.
- Constant evolution - "Level Up": Improvements are made alongside users, strengthening BLiP's community.
Installation
To install BLiP Toolkit in your project, use npm install blip-toolkit
You can also check our GitHub or NPM JS page.
Color
Source: _style\Color.mdBLiP's color palette consists of three groups of colors: Corporates, Semiotics and Neutrals.
Insert classes containing a root followed by a color's name to apply color on:
- Background: bp-bg-{color}
- Border: bp-bc-{color}
- Text: bp-c-{color}
- Button: bp-btn-{color} - see Button section for more!
- Svg/Use fill: bp-fill-{color} - see below for more!
SVG fillings
SVG icons, if inline or created with a use tag, can have their fill colors stylized. For that, you can use fill classes for the base element and for some pseudo classes:
- Base color: bp-fill-{color}
- Hover color: bp-fill-{color}--hover
- Active color: bp-fill-{color}--active
- Disabled color: bp-fill-{color}--disabled
Those classes apply for all svg and use tags inside the component, so be careful!
Corporate Palette
Corporate colors are nuances which feature BLiP's brand and must be used for highlighting and catching users' attention.
Semiotic Palette
Semiotic colors carry recurrent meanings and transmit messages to users.
Neutral Palette
Neutral colors are tones used in typography and the biggest part of the platform's components. These colors create a fluid experience, with no visual noise.
Gradients
Gradients are used in specific cases and consists of colors from the palette's spectrum.
Insert a class containing bp-grad-{gradient} to apply it as a background-image.
Typography
Source: _style\Typography.mdBLiP's typography is defined by one particular font family: Nunito.
Although Nunito is embedded throughout every BLiP Toolkit component, you can apply it using bp-ff-nunito.
Font Size
There are eight custom font sizes, ordered by decrescent size.
Line Height
There are eight custom line heights, ordered by decrescent size and based on all font sizes.
These line heights are calculated by multiplying their respective font size by 1.5, according to W3's accessibility specifications.
There are also four relative line-height classes: bp-lh-zero (0%), bp-lh-simple (100%), bp-lh-plus (160%) and bp-lh-double (200%).
Font Weight
There are three custom font sizes: regular, bold and extra bold.
Icons and Logos
Source: _icons\Hand-off.mdIcons and logos are handed-off as compressed SVGs, with specific names and sizes.
Icons are symbols used as semantic images, usually as action buttons or menu links. These symbols mostly will be saved on 24 pixels by 24 pixels (24x24px) SVG files. It is important to compress such files for smaller sizes. We recommend using Vecta's Nano SVG Compressor.
One-colored Icons
One-colored icons must be saved with no fill modification (visually, they will be black). When a designer is creating such icons, they must think SVG areas should always be painted black (not filled) and hollow on the inside. It is better NOT to use masks or other tricks, but draw exactly the shape a designer wants before saving the SVG. In other words, icon shapes must be draw as they are, not be created with visual effects.
After saving one or many SVGs, one must pass such SVGs through cleaning-scripts and compression. These processes ensure the removal of unecessary bits inside the SVG for smaller sizes and better performance.
Arrow
Source: _components\Arrow.mdArrows can be represented through SVGs also, but you can use the CSS arrow with bp-arrow followed by bp-arrow--up, bp-arrow--down, bp-arrow--right or bp-arrow--left. Their size is related to their current font size.
Since CSS arrows are made from a border hack, you must change border color in order to customize these arrows.
Badge
Source: _components\Badge.mdBadges are interface elements that can contain or not text inside (usually numbers). They use the class bp-badge and have their size and padding related to their font-size. They have a minimum size of 1.6em, line-height of 1.6em and horizontal padding of 0.5em. A badge has blip-light as default background color and white as default text color. Also, they have bottom vertical alignment.
If you wish to use a badge only as a colored circle with no text, you can use the variant bp-badge--no-text. They have a smaller size of 1em, with no line-height and padding.
Checkbox
Source: _components\Checkbox.mdCheckboxes are implemented with four elements in a certain configuration:
- a label with class bp-input--check--wrapper englobing the others;
- an input with class bp-input;
- a div with class bp-input--checkbox;
- and a span containing the text.
The code MUST be exactly as the following example's in order to get the desired result.
Divider
Source: _components\Divider.mdDropdown
Source: _components\Dropdown.mdDropdowns are implemented through the base class bp-dropdown. They only delimit a dropdown's container CSS. Its size is decided by its content.
Dropdowns must have at least one variation of orientation - bp-dropdown--right or bp-dropdown--left - and one of visibility - bp-dropdown--show or bp-dropdown--hide.
Radio
Source: _components\Radio.mdRadios are implemented with four elements in a certain configuration:
- a label with class bp-input--check--wrapper englobing the others;
- an input with class bp-input;
- a div with class bp-input--radio;
- and a span containing the text.
The code MUST be exactly as the following example's in order to give the desired result.
Table
Source: _components\Table.mdTables are styled through the base class bp-table. They MUST respect the standards of a HTML5 table: have

englobing

and

.
The text-align property of bp-table
is not defined for more flexibility.
Vertical Scroll
Tables also can have the bp-table--scroll-y variation, which allows its

to have vertical scroll if overflown. For that to work, you must manually declare the

's maximum height.
Important: This variation transforms the table's display into flex. If you don't want any unexpected layout breaks, you must set all
and
's width accordingly, so they respect one another.
Google Charts
Since Google Charts do not allow the addition of classes in its tables, you can use bp-table-chart and bp-table-chart--scroll-y on the table's parent. Also, bp-table-chart--sort can be used to add pointer cursor onto headers' sorting arrows and remove their outline.


Bootstrap includes a responsive, mobile first fluid grid system that appropriately scales up to 12 columns as the device or viewport size increases. It includes predefined classes for easy layout options, as well as powerful mixins for generating more semantic layouts.
See how aspects of the Bootstrap grid system work across multiple devices with a handy table.
| Extra small devices Phones (<768px) | Small devices Tablets (≥768px) | Medium devices Desktops (≥992px) | Large devices Desktops (≥1200px) | |
|---|---|---|---|---|
| Grid behavior | Horizontal at all times | Collapsed to start, horizontal above breakpoints | ||
| Container width | None (auto) | 750px | 970px | 1170px |
| Class prefix | .col-xs- |
.col-sm- |
.col-md- |
.col-lg- |
| # of columns | 12 | |||
| Column width | Auto | 60px | 78px | 95px |
| Gutter width | 30px (15px on each side of a column) | |||
| Nestable | Yes | |||
| Offsets | Yes | |||
| Column ordering | Yes |
Using a single set of .col-md-*
grid classes, you can create a basic grid system that starts out stacked
on mobile devices and tablet devices (the extra small to small range) before becoming horizontal on desktop (medium)
devices. Place grid columns in any .row
.
Don't want your columns to simply stack in smaller devices? Use the extra small and medium device grid classes by
adding .col-xs-*
.col-md-*
to your columns. See the example below for a better idea of how
it all works.
Build on the previous example by creating even more dynamic and powerful layouts with tablet .col-sm-*
classes.
Move columns to the right using .col-md-offset-*
classes. These classes increase the left margin of a
column by *
columns. For example, .col-md-offset-4
moves .col-md-4
over four
columns.
To nest your content with the default grid, add a new .row
and set of .col-md-*
columns
within an existing .col-md-*
column. Nested rows should include a set of columns that add up to 12 or
less.
Easily change the order of our built-in grid columns with .col-md-push-*
and .col-md-pull-*
modifier classes.


Welcome to browserify sourcemapping urls sample app
Please open your dev tools/console to inspect original JavaScript files


| Locations | Seattle | Tokyo | Dubai | Paris | Lima |
|---|---|---|---|---|---|
| The address | saettel-amirca | Tokyo-japan | Dubai-arabian | Paris-franc | Lima-piro |
| working hour | 6am-12pm | 6am-12pm | 6am-12pm | 6am-12pm | 6am-12pm |
| Location | Seattle | Tokyo | Dubai | Paris | Lima | (Working hours 6am - 14 pm) |
- contact information
- our email<EMAIL_ADDRESS>- our facbook: salmon cookies
- our instgram: @cooki67
- our mobail: +0997654335632124


Crumb
Chad'z rating: *** (out of 4 = good)
1995, R, 119 minutes [1 hour, 59 minutes]
[documentary]
Produced by Lynn O'Donnell, Terry Zwigoff, directed by Terry Zwigoff.
Most people are familiar with Andy Warhol, Salvador Dali, and other modern artists whose art seemed to reflect their bizarre lifestyles. Robert Crumb is one of those artists, but more blue collar and down-to-Earth and this is reflected in his artwork. His art defines the division between the sexes, but portrays them in such a distorted manner , it's no wonder the documentary "Crumb" was made.
The film does not have much of a linear order, which causes it to be just as strange as Crumb's artwork. We drop in on him in the present day and learn as much about him by following him around, meeting others who know and/or are related to him, and also learn about his past at the same time.
Crumb was a "geek" as a child, who wasn't accepted by his peers and vented his emotions through his drawings and comics. They say the best revenge is liv ing well, and Crumb gets his revenge in that manner, as he has become a rich and famous comic book artist.
We also meet and spend (maybe a little too much) time with Crumb's brothers, Max and Charles. Charles is over 40, clinically depressed, and still lives at home. Max is much like Charles, ugly and weird, but seems to have more of a life than Charles. All of this is just so bizarre it's interesting.
There is some attention paid to the effects of Crumb's artwork, but not nearly enough.  Is this degrading to women? Perhaps, but that is not the point of the film. The point is to show this man's outlook on the world, and in some ways this reflects how all men feel. At least he does not blame society for his problems. In fact, Crumb is not really depressed at all, he is quite happy with his situation.
"Crumb" was touching, but often confusing and bizarre. Art is a great medium to comment about society and provide for quality entertainment and a source of income. But sometimes the artist is even more fascinating than the art.
e-mail<EMAIL_ADDRESS>(C) 1997 Chad Polenz
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


interface FacadeInterface
Allow to assist in getting relevant data on the current application state
Methods
|
__construct(ContainerInterface $container)
Constructor |
||
| Cart |
getCart()
Return a Cart a CouponManager can process |
|
| Address |
getDeliveryAddress()
Return an Address a CouponManager can process |
|
| Customer |
getCustomer()
Return an Customer a CouponManager can process |
|
| float |
getCheckoutTotalPrice()
Return Checkout total price |
|
| float |
getCartTotalPrice()
Return Products total price CartTotalPrice = Checkout total - discount - postage |
|
| float |
getCartTotalTaxPrice()
Return Product total tax price |
|
| string |
getCheckoutCurrency()
Return the Checkout currency EUR|USD |
|
| float |
getCheckoutPostagePrice()
Return Checkout total postage (only) price |
|
| int |
getNbArticlesInCart()
Return the number of Products in the Cart |
|
| array |
getCurrentCoupons()
Return all Coupon given during the Checkout |
|
| Coupon |
findOneCouponByCode(string $code)
Find one Coupon in the database from its code |
|
| Container |
getContainer()
Return platform Container |
|
| TranslatorInterface |
getTranslator()
Return platform TranslatorInterface |
|
| string |
getMainCurrency()
Return the main currency THe one used to set prices in BackOffice |
|
| Request |
getRequest()
Return request |
|
| ConditionEvaluator |
getConditionEvaluator()
Return Condition Evaluator |
|
| array |
getAvailableCurrencies()
Return all available currencies |
|
| EventDispatcher |
getDispatcher()
Return the event dispatcher, |
Details
at line 37
public
__construct(ContainerInterface $container)
Constructor
at line 44
public Cart
getCart()
Return a Cart a CouponManager can process
at line 51
public Address
getDeliveryAddress()
Return an Address a CouponManager can process
at line 58
public Customer
getCustomer()
Return an Customer a CouponManager can process
at line 65
public float
getCheckoutTotalPrice()
Return Checkout total price
at line 73
public float
getCartTotalPrice()
Return Products total price CartTotalPrice = Checkout total - discount - postage
at line 80
public float
getCartTotalTaxPrice()
Return Product total tax price
at line 87
public string
getCheckoutCurrency()
Return the Checkout currency EUR|USD
at line 94
public float
getCheckoutPostagePrice()
Return Checkout total postage (only) price
at line 101
public int
getNbArticlesInCart()
Return the number of Products in the Cart
at line 108
public array
getCurrentCoupons()
Return all Coupon given during the Checkout
at line 117
public Coupon
findOneCouponByCode(string $code)
Find one Coupon in the database from its code
at line 124
public Container
getContainer()
Return platform Container
at line 131
public TranslatorInterface
getTranslator()
Return platform TranslatorInterface
at line 139
public string
getMainCurrency()
Return the main currency THe one used to set prices in BackOffice
at line 146
public Request
getRequest()
Return request
at line 153
public ConditionEvaluator
getConditionEvaluator()
Return Condition Evaluator
at line 160
public array
getAvailableCurrencies()
Return all available currencies
at line 167
public EventDispatcher
getDispatcher()
Return the event dispatcher,


A&A
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When I was younger I went through a period when I watched a LOT of 'classic' movies. These were black and white movies from the golden age of cinema, the heyday of MGM, Paramount etc... There are a lot of things I liked about those movies, but one of the recurring themes was partnership. It could be Bing Crosby and Danny Kay, Fred Astaire & Judy Garland, Jack Lemmon and Tony Curtis, Laurel and Hardy...it didn't matter. The underlying, essential truth in the story structure was that the two together made up a greater whole than the sum of their parts. Where one had a weakness, the other had a strength and together they could always find a way to at least muddle through.
I think that these movies had an indelible effect on my understanding of teamwork. I really do, fundamentally believe that we do better when we work in concert with one another.
Before DBC I had never done pair programming in any formal sense. There were occasions when I would ask for help from a colleague, or vice versa, but it was never a formal, anticipated exercise. I mean, we would try to help one another through a problem, but we never sat down and said...'Hey, let's spend an hour working on a problem together whether we are stuck or not!', and that is a shame.
I have found pairing, deliberately pairing to be really very rewarding, and in unpredictable ways. I am learning a lot, get stuck for less time, and overall I feel like my game is 'upped' from working this way. When I say 'unpredictable', I mean it. I don't know going into a session if I am going to learn a new way to approach iterating over an array, discover a new resource that will help me better grasp a concept, learn a new trick for working with Sublime Text or just share an 'At least I'm not alone' frustration.
I can't predict this, and it doesn't really matter, because all of these are rewarding. We are social beings we humans. Turns out those classic movies had it right.
In my life, I have had a lot of opportunities to be offered feedback. I used to do theater, I have been a writer etc... From the time I was in high school I remember learning how to give and, more importantly (I think) receive feedback. I like to think that, for the most part, I am able to listen to feedback, and apply the lessons it holds.
Receiving feedback from DBC has been...well...for lack of a better work, fine. The feedback has been, at various points reassuring (my participation is being perceived the way I expected it to) and insightful (I didn't think of it that way...but I can see how I can improve here).
I have not experienced any antagonistic feedback. All of the feedback I have received has been polite and on point.
The one area that I really need to improve on, is my tendency to mix driving and navigating. I am used to working alone on pairing, so I am used to oscillating between both roles fairly regularly and quickly. In fact, I often 'think with my fingers', which is to say I work ideas out by typing them out...which doesn't work great if I am playing the role of the navigator.
I view providing feedback, is an important responsibility. Especially in the anonymous, textual form that we are using during phase-0. I take extra care to use unambiguous language to express my feedback. I try to provide measured and actionable criticism, if I think that would be helpful, but I don't criticize solely for the sake of writing something.
Additionally, I always work to start from the standpoint of what the person I am providing feedback for is doing well. I think it is vitally important to call out, explicitly the positive things that people are doing. Sometimes people take their own positives for granted, and having someone else explicitly pointing them out can provide encouragement and reassurance.


If you get an error message like "Not Found", the CGI script is probably not installed at the URL you used. Relocate the script or check the URL.
If you get an error message like "Forbidden", "Permission Denied",
or "Premature End of Script Headers",
check the permissions on the CGI script.
It needs to be executable by all users.
If your Web server uses suexec
,
it also needs to be writable only by its owner.
To set these permissions,
do chmod 755 flamenco.cgi
.
If you still get a "Forbidden" error after checking the permissions,
check your Web server configuration to make sure
that CGI script execution is enabled
in the location where you put the script.
Also, check the first line of the CGI script.
The first line should consist of a number-sign and an exclamation point
immediately followed by a command that will run Python.
Try changing it to use the path
to a specific python
executable
for Python version 2.3 or higher,
and make sure that the python
file
you specify is executable by the Web server's user account.
If Flamenco fails to start,
the last few lines of the log should be displayed in your Web browser.
These messages may give you a clue as to why it failed.
You can examine the log file at
target/instances/instance/log.txt
to see more of the record of what happened.
If the log says that no ports were available, check whether the ports in the specified port range are blocked by a firewall or are being used by other services.
Flamenco uses 8-bit strings throughout, not Unicode (unfortunately). All the names, category terms, and attribute values in the database are treated as strings in the ISO-8859-1 character set (also known as Latin-1), so only characters in that character set can be displayed. If you have accented characters in your data files, make sure that they are encoded using the Latin-1 character set.
Check to make sure that TCP access to your MySQL server is turned on.
In some Linux configurations, TCP access is turned off by default
(look for the skip-networking
setting
in my.cnf
, the MySQL configuration file).


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Scotland's Secession Ballot is Outstandingly Simple
www.slate.com
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"Should I apply to YC?"
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Scott Hurff
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Five successful angel investors spill their secrets
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Lambda, Lambda, Lambda
Tuesday June 23, 2015
Desipte the title, this post is not about the movie Revenge of the nerds, it's not about Half-life and it has almost nothing to do with the 11th letter in the greek alphabet with numerical value is 30 for those things google has you covered. This is about the programming object Lambda. A lambda is a Proc, and a Proc is a Block but even though one thing is another it doesn't mean they are all the same thing.
The Block
A Block is an arbitrary set of operations
bothe are examples of block syntax
The Proc
A Proc is a Procedure, an Object in ruby, that you pass a block into.
The biggest difference between a Block and and Proc is that a block is not as a local variable and therefor cannot be pasted into other methods as arguments or parameters. However a Proc object, since it is in fact and object, can be passed into methods.
Lambda, Lambda, Lambda
A Lambda as you can probable guess is a type of Proc. all the same syntax is except of course you replace Proc.new with lambda.
lambda's enforce arity. so if the block expects to have n number of arguments, then when you call an object of this type you need to have n number of arguments or the program will crash. In this way it is more like a method call then a Proc. A Proc object although it suports arity, if not give the right number of arguments will simple subsitute them with nil.
lambda's also relinquish control back to the object from which they were called, something Proc objects do not allow. What this means is that you can call 2 lambda's, with return values, in sequence and they will both get run where as if you tried to do this with a proc that had a return value only the first Proc object would run and the second would get jumped over.
TL;DR