Protocols
The following protocols are available globally.
-
An
See moreCacheSerializer
would be used to convert some data to an image object for retrieving from disk cache and vice versa for storing to disk cache.Declaration
Swift
public protocol CacheSerializer
-
Protocol of
See moreImageDownloader
.Declaration
Swift
public protocol ImageDownloaderDelegate: class
-
Protocol indicates that an authentication challenge could be handled.
See moreDeclaration
Swift
public protocol AuthenticationChallengeResponsable: class
-
Supply a filter to create an
See moreImageProcessor
.Declaration
Swift
public protocol CIImageProcessor: ImageProcessor
-
A type that has Imagery extensions.
See moreDeclaration
Swift
public protocol ImageryCompatible
-
Undocumented
See more
-
An
See moreImageProcessor
would be used to convert some downloaded data to an image.Declaration
Swift
public protocol ImageProcessor
-
Request modifier of image downloader.
See moreDeclaration
Swift
public protocol ImageDownloadRequestModifier
-
See moreImageryResource
protocol defines how to download and cache a resource from network.Declaration
Swift
public protocol ImageryResource


Contact
Here's how to contact us. Fill in stuff in the forms. Make sure it's the right stuff or it won't work. Fill in the stuff, then click or enter or submit of whichever verb you prefer to use. Then, well, I'd like to say we'll get back to you, but this form isn't actually hooked into anything. Bwahahaha you might as well be shouting into the wind!


I am a student from BRS, I love playing games and also I make games
Here is serveal games I designed
This is a game that can make you feel dizzy You can score every three squares of the same color by folding up and down.
It was a leisure game invented by Russian Alexei Pazhitnov in June 1984.The game has been represented by a number of companies. After many rounds of litigation, the game's agency was finally obtained by Nintendo. Nintendo is significant for the Tetris, because it has been a great success when it matches GB. The basic rule of Tetris is to move, rotate and place various squares of automatic output of the game, so that it can be arranged into a complete row or row and eliminate the score.
This is a classic flight shooting game, beautiful and gorgeous picture. The overall environment is mainly around the space, the high fidelity sound effect, presents a different shooting experience for the player. What players have to do in the game is to drive the latest aircraft, and to attack the enemy's headquarters. In addition to inheriting the classic flight shooting elements
this is mine biology report && other tank game.
Design Project
Tank Battle Game


This example will create a client to request a service named "add_two_ints" to calculate the sum of two values.
Connecting to rosbridge...
Connected
Error in the backend!
Connection closed.


|
Padaria Baker
|
#include <order.h>
Public Member Functions | |
| Order () | |
| Order (const Order &o) | |
| vector< Package * > | getPurchase () const |
| int | getId () const |
| double | getPrice () const |
| int | getHadDiscount () const |
| int | getRating () const |
| string | getPickUpAddress () const |
| Date | getDateToPickUp () const |
| Time | getTimeToPickUp () const |
| int | getNifClient () const |
| string | getInfo () const |
| void | setRating (int rating) |
| void | setHadDiscount (int discount) |
| void | setPickUpAddress (string address) |
| void | setPrice (double price) |
| void | setNifClient (int nif) |
| void | setDateToPickUp (Date date) |
| void | setTimeToPickUp (Time time) |
| void | addPackage (Package *purchase) |
| void | sendOrderToBakery (string mode="normal") |
| void | productMoneyEarned (int discount) |
| bool | operator< (const Order &order) const |
| bool | operator== (const Order &order) const |
Order Class An order is a group of package, that a certain client requests for the bakery, and will be done by an employee
| Order::Order | ( | ) |
Order Constructor. This will create an empty order object, that we are going to add the packages the client wants later on
| Order::Order | ( | const Order & | o | ) |
| void Order::addPackage | ( | Package * | purchase | ) |
Adds a new package to the order, and also increses its price
| purchase | the package being added |
| Date Order::getDateToPickUp | ( | ) | const |
Returns the date when the order is ready to be picked up by the client
| int Order::getHadDiscount | ( | ) | const |
Returns how much discount this order had, including zero for no discount
| int Order::getId | ( | ) | const |
| string Order::getInfo | ( | ) | const |
Returns basic Information about the order
| int Order::getNifClient | ( | ) | const |
Returns the nif of the client who ordered it
| string Order::getPickUpAddress | ( | ) | const |
Returns the address which this order will be picked up
| double Order::getPrice | ( | ) | const |
| vector< Package * > Order::getPurchase | ( | ) | const |
Vector of the packages of the order
| int Order::getRating | ( | ) | const |
Returns the rating that the client gave in this order
| Time Order::getTimeToPickUp | ( | ) | const |
Returns the time when the order is ready to be picked up by the client
| bool Order::operator< | ( | const Order & | order | ) | const |
| bool Order::operator== | ( | const Order & | order | ) | const |
| void Order::productMoneyEarned | ( | int | discount | ) |
This method increases the money earned by a certain product, now that we now if the client had a discount of not, and stores it in the static variable of the category product class. It also increases the quantity of the category!
| discount |
| void Order::sendOrderToBakery | ( | string | mode = "normal" | ) |
This method sees the date and time now, that the order is being requested to the bakery, and calculates the date and time to pick it up And stores then in their right attributes of the order object
| mode | For debugging and testing purposes, the mode can accept "alwaysOpen", so that it will calculate the date and time based in the "alwaysOpen" default value |
| void Order::setDateToPickUp | ( | Date | date | ) |
| void Order::setHadDiscount | ( | int | discount | ) |
| void Order::setNifClient | ( | int | nif | ) |
| void Order::setPickUpAddress | ( | string | address | ) |
| void Order::setPrice | ( | double | price | ) |
| void Order::setRating | ( | int | rating | ) |
| void Order::setTimeToPickUp | ( | Time | time | ) |


immediately know when an element becomes hidden, partly visible or fully visible.
react on visibility changes and execute proper actions.
vissense.js can be extended. checkout existing plugins or create your own extension - it's supereasy.


ezXML is a C library for parsing XML documents inspired by simpleXML for PHP. As the name implies, it's easy to use. It's ideal for parsing XML configuration files or REST web service responses. It's also fast and lightweight (less than 20k compiled). The latest version is available here: ezxml-0.8.6.tar.gz
Example UsageGiven the following example XML document:
<?xml version="1.0"?>
<formula1>
<team name="McLaren">
<driver>
<name>Kimi
Raikkonen</name>
<points>112</points>
</driver>
<driver>
<name>Juan Pablo
Montoya</name>
<points>60</points>
</driver>
</team>
</formula1>
This code snippet prints out a list of drivers, which team they drive for, and how many championship points they have:
ezxml_t f1 = ezxml_parse_file("formula1.xml"), team, driver;
const char *teamname;
for (team = ezxml_child(f1, "team"); team; team = team->next) {
teamname = ezxml_attr(team, "name");
for (driver = ezxml_child(team, "driver"); driver;
driver = driver->next) {
printf("%s, %s: %s\n",
ezxml_child(driver, "name")->txt, teamname,
ezxml_child(driver, "points")->txt);
}
}
ezxml_free(f1);
Alternately, the following would print out the name of the second driver on the first team:
ezxml_t f1 = ezxml_parse_file("formula1.xml");
printf("%s\n", ezxml_get(f1, "team", 0, "driver", 1, "name", -1)->txt);
ezxml_free(f1);
The -1 indicates the end of the argument list. That's pretty much all there is to it. Complete API documentation can be found in ezxml.h.
Known Limitationsezxml_parse_file()
and
ezxml_parse_fd()
, which use mmap to map the file to a
virtual address space and rely on the virtual memory system to page in
data as needed.
<doc>line one

line two</doc>
The character content of the doc tag is reported as
"line one\nline two"
, and

is
reported as a sub tag, but the location of

within the character data is not. The function
ezxml_toxml()
will convert an ezXML structure back to XML
with sub tag locations intact.
ezXML was written by Aaron Voisine and is distributed under the terms of the MIT license.


This section describes the usage of the user interface (UI) for singleCellTK (SCTK) clustering workflow. The underneath process is wrapped by R function for clustering, including runScranSNN()
, runKMeans()
and seuratFindClusters()
. For the help of R console workflow, also refer to the help page for R console.
From anywhere of the UI, the panel for clustering can be accessed from the top navigation panel at the circled tab shown below.
The UI is includes two panels. The top one is for setting the parameters and run the clustering, while the bottom one is for visualizing the results.
User will choose an algorithm to run the clustering at the very first step. The slide-down option list is constructed in a grouped style. Each group lists all the algorithm that a dependency (shown with grey text) supports. By selecting an algorithm that belongs to different groups, the parameter settings will change.
When the selected algorithm belongs to “Scran SNN” group, the parameter settings will look like the figure above. For the choices in the algorithm list, please refer to igraph::cluster_walktrap()
, igraph::cluster_louvain()
, igraph::cluster_infomap()
, igraph::cluster_fast_greedy()
, igraph::cluster_label_prop()
, and igraph::cluster_leading_eigen()
.
assay
or altExp
, respectively, or a dimension reduction, technically reducedDim
, is allowed.K
is an integer scalar specifying the number of nearest neighbors to consider during graph construction. Considering more neighbors results in larger groups. (See parameter k
of scran::buildSNNGraph()
)type
of scran::buildSNNGraph()
)assay
or altExp
) - numeric input “Number of Components”. When an assay
or altExp
is chosen, the algorithm will perform a PCA on the matrix and obtain the top principal components (PCs) for downstream use. Thus users will specify the number of PCs here.When the selected algorithm belongs to “K-Means” group, the parameter settings will look like the figure above.
reducedDim
. Should be obtained in advance from “Feature Selection & Dimension Reduction” tab.When the selected algorithm belongs to “Seurat” group, the parameter settings will look like the figure above.
reducedDim
. Should be obtained in advance from “Feature Selection & Dimension Reduction” tab.The visualization is implemented with a plotting of a chosen dimension reduction, colored with a chosen cluster assignment.
colData(sce)
) are accessible if “Select from All Present Annotation” is chosen.


Returns the current battle background music.
Returns the number of battles the player has participated in.
Returns the defeat musical effect.
Returns true if the player can encounter enemies.
Disables the use of the formation command in the menu.
Disables the menu from being accessed.
Disables the ability to save the game.
Enables the use of the formation command in the menu.
Enables the menu to be accessed.
Enables the ability to save the game.
Returns the number of battles the player has escaped from in battle.
Returns true if the menu is enabled.
Returns the main font face
Returns the main font size
Returns the font face for number
Returns the total play time.
Replays the saved background music.
Replays the saved walking background music.
Saves background music to the game system object.
Returns the number of saves the player has made in game.
Saves the walking background music.
Saves the second walking bgm from the map data.
Returns the current save file id
Sets the battle background music.
Sets the save file id
Sets the victory musical effect.
Sets the window tone, given an array of rgb. Example: [0, 255, 255].
Returns the version id represented in the database.
Returns the victory musical effect.
Returns the number of the wins the player has gained in battle.
Returns the window padding
Returns the tone of the window in the database.
Generated using TypeDoc
Game_System The game object class representing system data.


---
baseurl: ../
site: ipfs
template: tmpl/layouts/ipfs.html
tagline:
---
{% set pgns = 'docs' %}
{% include "tmpl/partials/ipfs.pagenav.html" %}
{% markdown %}
## Documentation
- [Install](docs/install)
- [Getting Started](docs/getting-started)
- [Command Reference](docs/commands)
- [API Reference](docs/api)
## Code
These are links to some of the IPFS repositories.
- [github.com/jbenet/ipfs](https://github.com/jbenet/ipfs) - original IPFS paper. Soon the spec too.
- [github.com/jbenet/go-ipfs](https://github.com/jbenet/go-ipfs) - the main, reference implementation
- [github.com/protocol/ipfs-webui](https://github.com/protocol/ipfs-webui) - our web console
- [Search github for "ipfs"](https://github.com/search?p=4&q=%22ipfs%22&ref=searchresults&type=Repositories&utf8=%E2%9C%93)
## Community
The IPFS community maintains the following communication channels:
- github: [github.com/jbenet/ipfs](https://github.com/jbenet/ipfs) for the IPFS spec
- github: [github.com/jbenet/go-ipfs](https://github.com/jbenet/go-ipfs) for the go-ipfs implementation
- IRC: `#ipfs` on irc.freenode.net for live help + some dev discussions ([Logs](https://botbot.me/freenode/ipfs/))
- Google Group: [ipfs-users@groups.google.com](https://groups.google.com/forum/#!forum/ipfs-users)
- Twitter: [@IPFSbot](https://twitter.com/ipfsbot) for some news
{% endmarkdown %}


Sort Order determines the order that content pages display in dropdowns and navigation. A sort order of 1 will appear at the top, 2 will appear next, etc. The Sort Order does not need to be set. Content pages with the same sort order will appear in the order they were entered. For example:
Cats – Sort Order 1
Dogs – Sort Order 2
Canaries – Sort Order 2
Parakeets – Sort Order 2
Eagles – Sort Order 3
Lions – Sort Order 4


CREATE TYPE
Section: SQL Commands (7)Updated: 2012-08-14
Index Return to Main Contents
NAME
CREATE TYPE - define a new data typeSYNOPSIS
CREATE TYPE name AS ( attribute_name data_type [, ... ] ) CREATE TYPE name AS ENUM ( 'label' [, ... ] ) CREATE TYPE name ( INPUT = input_function, OUTPUT = output_function [ , RECEIVE = receive_function ] [ , SEND = send_function ] [ , TYPMOD_IN = type_modifier_input_function ] [ , TYPMOD_OUT = type_modifier_output_function ] [ , ANALYZE = analyze_function ] [ , INTERNALLENGTH = { internallength | VARIABLE } ] [ , PASSEDBYVALUE ] [ , ALIGNMENT = alignment ] [ , STORAGE = storage ] [ , LIKE = like_type ] [ , CATEGORY = category ] [ , PREFERRED = preferred ] [ , DEFAULT = default ] [ , ELEMENT = element ] [ , DELIMITER = delimiter ] ) CREATE TYPE name
DESCRIPTION
CREATE TYPE registers a new data type for use in the current database. The user who defines a type becomes its owner.
If a schema name is given then the type is created in the specified schema. Otherwise it is created in the current schema. The type name must be distinct from the name of any existing type or domain in the same schema. (Because tables have associated data types, the type name must also be distinct from the name of any existing table in the same schema.)
COMPOSITE TYPES
The first form of CREATE TYPE creates a composite type. The composite type is specified by a list of attribute names and data types. This is essentially the same as the row type of a table, but using CREATE TYPE avoids the need to create an actual table when all that is wanted is to define a type. A stand-alone composite type is useful as the argument or return type of a function.
ENUMERATED TYPES
The second form of CREATE TYPE creates an enumerated (enum) type, as described in in the documentation. Enum types take a list of one or more quoted labels, each of which must be less than NAMEDATALEN bytes long (64 in a standard PostgreSQL build).
BASE TYPES
The third form of CREATE TYPE creates a new base type (scalar type). To create a new base type, you must be a superuser. (This restriction is made because an erroneous type definition could confuse or even crash the server.)
The parameters can appear in any order, not only that illustrated above, and most are optional. You must register two or more functions (using CREATE FUNCTION) before defining the type. The support functions input_function and output_function are required, while the functions receive_function, send_function, type_modifier_input_function, type_modifier_output_function and analyze_function are optional. Generally these functions have to be coded in C or another low-level language.
The input_function converts the type's external textual representation to the internal representation used by the operators and functions defined for the type. output_function performs the reverse transformation. The input function can be declared as taking one argument of type cstring, or as taking three arguments of types cstring, oid, integer. The first argument is the input text as a C string, the second argument is the type's own OID (except for array types, which instead receive their element type's OID), and the third is the typmod of the destination column, if known (-1 will be passed if not). The input function must return a value of the data type itself. Usually, an input function should be declared STRICT; if it is not, it will be called with a NULL first parameter when reading a NULL input value. The function must still return NULL in this case, unless it raises an error. (This case is mainly meant to support domain input functions, which might need to reject NULL inputs.) The output function must be declared as taking one argument of the new data type. The output function must return type cstring. Output functions are not invoked for NULL values.
The optional receive_function converts the type's external binary representation to the internal representation. If this function is not supplied, the type cannot participate in binary input. The binary representation should be chosen to be cheap to convert to internal form, while being reasonably portable. (For example, the standard integer data types use network byte order as the external binary representation, while the internal representation is in the machine's native byte order.) The receive function should perform adequate checking to ensure that the value is valid. The receive function can be declared as taking one argument of type internal, or as taking three arguments of types internal, oid, integer. The first argument is a pointer to a StringInfo buffer holding the received byte string; the optional arguments are the same as for the text input function. The receive function must return a value of the data type itself. Usually, a receive function should be declared STRICT; if it is not, it will be called with a NULL first parameter when reading a NULL input value. The function must still return NULL in this case, unless it raises an error. (This case is mainly meant to support domain receive functions, which might need to reject NULL inputs.) Similarly, the optional send_function converts from the internal representation to the external binary representation. If this function is not supplied, the type cannot participate in binary output. The send function must be declared as taking one argument of the new data type. The send function must return type bytea. Send functions are not invoked for NULL values.
You should at this point be wondering how the input and output functions can be declared to have results or arguments of the new type, when they have to be created before the new type can be created. The answer is that the type should first be defined as a shell type, which is a placeholder type that has no properties except a name and an owner. This is done by issuing the command CREATE TYPE name, with no additional parameters. Then the I/O functions can be defined referencing the shell type. Finally, CREATE TYPE with a full definition replaces the shell entry with a complete, valid type definition, after which the new type can be used normally.
The optional type_modifier_input_function and type_modifier_output_function are needed if the type supports modifiers, that is optional constraints attached to a type declaration, such as char(5) or numeric(30,2). PostgreSQL allows user-defined types to take one or more simple constants or identifiers as modifiers. However, this information must be capable of being packed into a single non-negative integer value for storage in the system catalogs. The type_modifier_input_function is passed the declared modifier(s) in the form of a cstring array. It must check the values for validity (throwing an error if they are wrong), and if they are correct, return a single non-negative integer value that will be stored as the column ``typmod''. Type modifiers will be rejected if the type does not have a type_modifier_input_function. The type_modifier_output_function converts the internal integer typmod value back to the correct form for user display. It must return a cstring value that is the exact string to append to the type name; for example numeric's function might return (30,2). It is allowed to omit the type_modifier_output_function, in which case the default display format is just the stored typmod integer value enclosed in parentheses.
The optional analyze_function performs type-specific statistics collection for columns of the data type. By default, ANALYZE will attempt to gather statistics using the type's ``equals'' and ``less-than'' operators, if there is a default b-tree operator class for the type. For non-scalar types this behavior is likely to be unsuitable, so it can be overridden by specifying a custom analysis function. The analysis function must be declared to take a single argument of type internal, and return a boolean result. The detailed API for analysis functions appears in src/include/commands/vacuum.h.
While the details of the new type's internal representation are only known to the I/O functions and other functions you create to work with the type, there are several properties of the internal representation that must be declared to PostgreSQL. Foremost of these is internallength. Base data types can be fixed-length, in which case internallength is a positive integer, or variable length, indicated by setting internallength to VARIABLE. (Internally, this is represented by setting typlen to -1.) The internal representation of all variable-length types must start with a 4-byte integer giving the total length of this value of the type.
The optional flag PASSEDBYVALUE indicates that values of this data type are passed by value, rather than by reference. You cannot pass by value types whose internal representation is larger than the size of the Datum type (4 bytes on most machines, 8 bytes on a few).
The alignment parameter specifies the storage alignment required for the data type. The allowed values equate to alignment on 1, 2, 4, or 8 byte boundaries. Note that variable-length types must have an alignment of at least 4, since they necessarily contain an int4 as their first component.
The storage parameter allows selection of storage strategies for variable-length data types. (Only plain is allowed for fixed-length types.) plain specifies that data of the type will always be stored in-line and not compressed. extended specifies that the system will first try to compress a long data value, and will move the value out of the main table row if it's still too long. external allows the value to be moved out of the main table, but the system will not try to compress it. main allows compression, but discourages moving the value out of the main table. (Data items with this storage strategy might still be moved out of the main table if there is no other way to make a row fit, but they will be kept in the main table preferentially over extended and external items.)
The like_type parameter provides an alternative method for specifying the basic representation properties of a data type: copy them from some existing type. The values of internallength, passedbyvalue, alignment, and storage are copied from the named type. (It is possible, though usually undesirable, to override some of these values by specifying them along with the LIKE clause.) Specifying representation this way is especially useful when the low-level implementation of the new type ``piggybacks'' on an existing type in some fashion.
The category and preferred parameters can be used to help control which implicit cast will be applied in ambiguous situations. Each data type belongs to a category named by a single ASCII character, and each type is either ``preferred'' or not within its category. The parser will prefer casting to preferred types (but only from other types within the same category) when this rule is helpful in resolving overloaded functions or operators. For more details see in the documentation. For types that have no implicit casts to or from any other types, it is sufficient to leave these settings at the defaults. However, for a group of related types that have implicit casts, it is often helpful to mark them all as belonging to a category and select one or two of the ``most general'' types as being preferred within the category. The category parameter is especially useful when adding a user-defined type to an existing built-in category, such as the numeric or string types. However, it is also possible to create new entirely-user-defined type categories. Select any ASCII character other than an upper-case letter to name such a category.
A default value can be specified, in case a user wants columns of the data type to default to something other than the null value. Specify the default with the DEFAULT key word. (Such a default can be overridden by an explicit DEFAULT clause attached to a particular column.)
To indicate that a type is an array, specify the type of the array elements using the ELEMENT key word. For example, to define an array of 4-byte integers (int4), specify ELEMENT = int4. More details about array types appear below.
To indicate the delimiter to be used between values in the external representation of arrays of this type, delimiter can be set to a specific character. The default delimiter is the comma (,). Note that the delimiter is associated with the array element type, not the array type itself.
ARRAY TYPES
Whenever a user-defined type is created, PostgreSQL automatically creates an associated array type, whose name consists of the base type's name prepended with an underscore, and truncated if necessary to keep it less than NAMEDATALEN bytes long. (If the name so generated collides with an existing type name, the process is repeated until a non-colliding name is found.) This implicitly-created array type is variable length and uses the built-in input and output functions array_in and array_out. The array type tracks any changes in its element type's owner or schema, and is dropped if the element type is.
You might reasonably ask why there is an ELEMENT option, if the system makes the correct array type automatically. The only case where it's useful to use ELEMENT is when you are making a fixed-length type that happens to be internally an array of a number of identical things, and you want to allow these things to be accessed directly by subscripting, in addition to whatever operations you plan to provide for the type as a whole. For example, type point is represented as just two floating-point numbers, which it allows to be accessed as point[0] and point[1]. Note that this facility only works for fixed-length types whose internal form is exactly a sequence of identical fixed-length fields. A subscriptable variable-length type must have the generalized internal representation used by array_in and array_out. For historical reasons (i.e., this is clearly wrong but it's far too late to change it), subscripting of fixed-length array types starts from zero, rather than from one as for variable-length arrays.
PARAMETERS
- name
- The name (optionally schema-qualified) of a type to be created.
- attribute_name
- The name of an attribute (column) for the composite type.
- data_type
- The name of an existing data type to become a column of the composite type.
- label
- A string literal representing the textual label associated with one value of an enum type.
- input_function
- The name of a function that converts data from the type's external textual form to its internal form.
- output_function
- The name of a function that converts data from the type's internal form to its external textual form.
- receive_function
- The name of a function that converts data from the type's external binary form to its internal form.
- send_function
- The name of a function that converts data from the type's internal form to its external binary form.
- type_modifier_input_function
- The name of a function that converts an array of modifier(s) for the type into internal form.
- type_modifier_output_function
- The name of a function that converts the internal form of the type's modifier(s) to external textual form.
- analyze_function
- The name of a function that performs statistical analysis for the data type.
- internallength
- A numeric constant that specifies the length in bytes of the new type's internal representation. The default assumption is that it is variable-length.
- alignment
- The storage alignment requirement of the data type. If specified, it must be char, int2, int4, or double; the default is int4.
- storage
- The storage strategy for the data type. If specified, must be plain, external, extended, or main; the default is plain.
- like_type
- The name of an existing data type that the new type will have the same representation as. The values of internallength, passedbyvalue, alignment, and storage are copied from that type, unless overridden by explicit specification elsewhere in this CREATE TYPE command.
- category
- The category code (a single ASCII character) for this type. The default is 'U' for ``user-defined type''. Other standard category codes can be found in in the documentation. You may also choose other ASCII characters in order to create custom categories.
- preferred
- True if this type is a preferred type within its type category, else false. The default is false. Be very careful about creating a new preferred type within an existing type category, as this could cause surprising changes in behavior.
- default
- The default value for the data type. If this is omitted, the default is null.
- element
- The type being created is an array; this specifies the type of the array elements.
- delimiter
- The delimiter character to be used between values in arrays made of this type.
NOTES
Because there are no restrictions on use of a data type once it's been created, creating a base type is tantamount to granting public execute permission on the functions mentioned in the type definition. This is usually not an issue for the sorts of functions that are useful in a type definition. But you might want to think twice before designing a type in a way that would require ``secret'' information to be used while converting it to or from external form.
Before PostgreSQL version 8.3, the name of a generated array type was always exactly the element type's name with one underscore character (_) prepended. (Type names were therefore restricted in length to one less character than other names.) While this is still usually the case, the array type name may vary from this in case of maximum-length names or collisions with user type names that begin with underscore. Writing code that depends on this convention is therefore deprecated. Instead, use pg_type.typarray to locate the array type associated with a given type.
It may be advisable to avoid using type and table names that begin with underscore. While the server will change generated array type names to avoid collisions with user-given names, there is still risk of confusion, particularly with old client software that may assume that type names beginning with underscores always represent arrays.
Before PostgreSQL version 8.2, the syntax CREATE TYPE name did not exist. The way to create a new base type was to create its input function first. In this approach, PostgreSQL will first see the name of the new data type as the return type of the input function. The shell type is implicitly created in this situation, and then it can be referenced in the definitions of the remaining I/O functions. This approach still works, but is deprecated and might be disallowed in some future release. Also, to avoid accidentally cluttering the catalogs with shell types as a result of simple typos in function definitions, a shell type will only be made this way when the input function is written in C.
In PostgreSQL versions before 7.3, it was customary to avoid creating a shell type at all, by replacing the functions' forward references to the type name with the placeholder pseudotype opaque. The cstring arguments and results also had to be declared as opaque before 7.3. To support loading of old dump files, CREATE TYPE will accept I/O functions declared using opaque, but it will issue a notice and change the function declarations to use the correct types.
EXAMPLES
This example creates a composite type and uses it in a function definition:
CREATE TYPE compfoo AS (f1 int, f2 text); CREATE FUNCTION getfoo() RETURNS SETOF compfoo AS $$ SELECT fooid, fooname FROM foo $$ LANGUAGE SQL;
This example creates an enumerated type and uses it in a table definition:
CREATE TYPE bug_status AS ENUM ('new', 'open', 'closed'); CREATE TABLE bug ( id serial, description text, status bug_status );
This example creates the base data type box and then uses the type in a table definition:
CREATE TYPE box; CREATE FUNCTION my_box_in_function(cstring) RETURNS box AS ... ; CREATE FUNCTION my_box_out_function(box) RETURNS cstring AS ... ; CREATE TYPE box ( INTERNALLENGTH = 16, INPUT = my_box_in_function, OUTPUT = my_box_out_function ); CREATE TABLE myboxes ( id integer, description box );
If the internal structure of box were an array of four float4 elements, we might instead use:
CREATE TYPE box ( INTERNALLENGTH = 16, INPUT = my_box_in_function, OUTPUT = my_box_out_function, ELEMENT = float4 );which would allow a box value's component numbers to be accessed by subscripting. Otherwise the type behaves the same as before.
This example creates a large object type and uses it in a table definition:
CREATE TYPE bigobj ( INPUT = lo_filein, OUTPUT = lo_fileout, INTERNALLENGTH = VARIABLE ); CREATE TABLE big_objs ( id integer, obj bigobj );
More examples, including suitable input and output functions, are in in the documentation.
COMPATIBILITY
This CREATE TYPE command is a PostgreSQL extension. There is a CREATE TYPE statement in the SQL standard that is rather different in detail.
SEE ALSO
CREATE FUNCTION [create_function(7)], DROP TYPE [drop_type(7)], ALTER TYPE [alter_type(7)], CREATE DOMAIN [create_domain(7)]
Index
This document was created by man2html, using the manual pages.
Time: 05:34:14 GMT, December 24, 2015


Add a state: double-click on the canvas
Add an arrow: shift-drag on the canvas
Move something: drag it around
Delete something: click it and press the delete key (not the backspace key)
Make accept state: double-click on an existing state
Type numeric subscript: put an underscore before the number (like "S_0")
Type greek letter: put a backslash before it (like "\beta")
Note*
JPEG are not avaible in Edge or Internet Explorer


When researching ageism in technology, two quotes are widely being cited to drive the argument home:
"Young people are just smarter", Mark Zuckerberg, Facebook’s chief executive, told an audience.
“People over 45 basically die in terms of new ideas”, Vinod Khosla, a prominent venture capitalist, once said.
Sure, there is a youth worship in technology. Young tech workers fill offices across Silicon Valley. At Facebook and Google, the median is 29. At Twitter, the median is 28. Is ageism going on then?
Any company needs an influx of young talents. And it is particularly true for the technology industry where it is a question of survival to stay ahead of the curve. The young has been brought up on the latest technologies. And the young is cheap. So it should be expected that some job openings target recent graduates with few years experience or none. This is not ageism!
Furthermore, the age imbalance in the technology industry can vary widely from company to company. Consumer web companies are full of young employees fresh out of college. Computer hardware and business software firms are packed with people in their 30's and 40's. At Oracle, the median age is 38. At HP, the median is 40.
However, like Vinod, many in the tech world would prone that innovation only stems from youth. Middle-aged tech workers or entrepreneurs can be dismissed because of this stereotype. This is ageism! Innovation advantage is also knowledge, maturity, experience, and connections.
Mark Zuckerberg was 22 when he said that "young people are just smarter". Like Mark, the young tends to discriminate against the old (and vice versa). This is not news. However, there is some apparent compounded effect of youth celebration and concentration. And, under the disguise of culture, ageism is rampant in some companies.Yes, age discrimination does occur. Some people views are not going to change. Vinod was saying "People over 45 basically die in terms of new ideas because they keep falling back on old habits". I decided to take matters in my own hands and make sure that I can keep up with the pace of change. Keep a young mind and benefit from knowledge, maturity, experience, and connections! I joined Dev Bootcamp...


Read more about our colors and how and when to use them in design library and in our brand manual.
All colors listed on the sites above are available in bootstrap too, the names might differ and bootstrap includes additional colors not mentioned in design library. For example bootstrap contains a border color which happens to be gray and a primary color which happens to be blue, just to mention a few.
The idea is to add an abstraction layer on top of our design. We rarely need to specify things like borders should be gray (tables already inherit that style etc.) if we need to, we should instead use the $table-border-color
variable provided by our theme for bootstrap. We also want to avoid using or inventing class names like .seb-green
and instead use contextual class names like .bg-success
which happens to be SEB:s green color and in this case we add bg-
to denote that we're referring to a background color.
In most cases you should avoid using the classes below as they're often inherited, see alerts or buttons as an example. It's possible to override their appearance or create new "styles" using these utility classes but most of the time there's already a component or class that does that for you, i.e. use alerts instead of adding the background color directly.
{{'bg-' + color.name}}
{{'text-' + color.name}}
Use the following classes to add the fifth element as a background image.
bg-primary-element
Primary Element
bg-secondary-element
Secondary Element
bg-success-element
Success Element
bg-info-element
Info Element
bg-warning-element
Warning Element
bg-danger-element
Danger Element


Before Change
assert_array_almost_equal(x,direct_lstsq(a,b))
def test_random_complex_overdet(self):
n = 20
m = 15
a = random([n,m]) + 1j * random([n,m])
for i in range(m):
a[i,i] = 20*(.1+a[i,i])
for i in range(2):
b = random([n,3])
x,res,r,s = lstsq(a,b)
assert_(r == m, "unexpected efficient rank")
// XXX: check definition of res
assert_array_almost_equal(x,direct_lstsq(a,b,1))
def test_check_finite(self):
a = [[1,20],[-30,4]]
for b in ([[1,0],[0,1]],[1,0],
After Change
def test_random_complex_overdet(self):
for dtype in COMPLEX_DTYPES:
for (n,m) in ((20,15), (200,2)):
for lapack_driver in TestLstsq.lapack_drivers:
for overwrite in (True,False):
a = np.asarray(random([n,m]) + 1j*random([n,m]),
dtype=dtype)
for i in range(m):
a[i,i] = 20*(.1+a[i,i])
for i in range(2):
b = np.asarray(random([n,3]), dtype=dtype)
// Store values in case they are overwritten
// later
a1 = a.copy()
b1 = b.copy()
out = lstsq(a1,b1,lapack_driver=lapack_driver,
overwrite_a=overwrite,
overwrite_b=overwrite)
x = out[0]
r = out[2]
assert_(r == m, "unexpected efficient rank")
assert_allclose(x,direct_lstsq(a,b,cmplx=1),
rtol=25*np.finfo(a1.dtype).eps,
atol=25*np.finfo(a1.dtype).eps,
err_msg="driver: %s" % lapack_driver)
def test_check_finite(self):
for dtype in REAL_DTYPES:
a = np.array(((1,20),(-30,4)), dtype=dtype)
for bt in (((1,0),(0,1)),(1,0),


core.support
类
Condition
CustomDateEditor
PageRequest
SearchRequest
Sort
Sort.Order
枚举
Sort.Direction


Questions
Do I like spam?
How many toes do I have?
What is my favorite food?
What is my favorite show right now?
Am I good at sports?
My Top 10 Favorite Foods (Not in Order)
1. Sushi
2. Vietnamese Food
3. Chinese Food
4. Thai Food
5. American Food
6. Vietnamese Food
7. Vietnamese Food
8. Vietnamese Food
9. Vietnamese Food
10. Vietnamese Food


Sleepers (1996) A film review by James Berardinelli Copyright 1996 James Berardinelli
RATING (0 TO 10): 8.0 Alternative Scale: ***1/2 out of ****
United States, 1996 U.S. Release Date: 10/18/96 (wide) Running Length: 2:32 MPAA Classification: R (Violence, rape, mature themes, profanity, brief nudity) Theatrical Aspect Ratio: 2.35:1
Cast: Jason Patric, Brad Pitt, Ron Eldard, Billy Crudup, Robert DeNiro, Joseph Perrino, Brad Renfro, Geoffrey Wigdor, Jonathan Tucker, Kevin Bacon, Minnie Driver, Dustin Hoffman, Bruno Kirby, Vittorio Gassman Director: Barry Levinson Producers: Barry Levinson and Steve Golin Screenplay: Barry Levinson based on the novel by Lorenzo Carcaterra Cinematography: Michael Ballhaus Music: John Williams U.S. Distributor: Warner Brothers
Robert DeNiro. Dustin Hoffman. Brad Pitt. Jason Patric. Kevin Bacon. Minnie Driver. With a talented cast like this, it's virtually impossible to envision a bad movie, and, in that regard, SLEEPERS doesn't surprise or disappoint. This is easily Barry Levinson's best effort of the decade, and it helps to erase the bad taste left by his early-'90s mega-flops TOYS and JIMMY HOLLYWOOD. Despite protests from the Catholic Church (which whines about any movie that portrays priests as anything less-than-pure), SLEEPERS, which represents two and one-half hours of gripping entertainment, is well worth the price of admission.
The movie is about revenge and redemption, and how, in America's darkest social corridors and backalleys, the two can be inextricably linked. It's also a condemnation of a criminal justice system that allows innocence to be callously destroyed. Yet, even though SLEEPERS is basically a vigilante motion picture, it exists on a much higher plane than something like DEATH WISH, which offers a least common denominator, visceral satisfaction. There's little thrill in watching the vengeance extracted by the protagonists of this film because SLEEPERS approaches its subject with a conscience. The movie's moral compass is Robert DeNiro's Father Bobby, a Catholic priest who recognizes that friendship and loyalty can require sacrifices of the soul, but who doesn't tread lightly across the line separating what's legally correct from what's ethically mandated.
In fact, Father Bobby's dilemma is arguably the most compelling aspect of SLEEPERS' second half. The film's sluggish final hour is its weakest portion, but there's still enough there to maintain audience interest. We've spent a long time with these characters, and we're not about to abandon them because Levinson doesn't move things as smoothly to the climax as we might prefer.
SLEEPERS, which may or may not be based on a true story (the author of the novel, Lorenzo Carcaterra, isn't doing interviews these days), spans fifteen years. Much of the action transpires in New York's Hell's Kitchen, which stretches from 34th to 56th Street west of 8th Avenue to the Hudson River. During the film's era, the neighborhood was ruled by two vastly different powers: the mob (represented by gangster King Benny, played by Vittorio Gassman) and the Catholic Church (represented by Father Bobby). Every child learned to respect both, and live by a simple creed: never commit a crime against someone else in the neighborhood. Such offenses were not permitted; the people of Hell's Kitchen looked after one another.
The film opens in 1966 by introducing us to four inseparable friends: Lorenzo (Joseph Perrino), Michael (Brad Renfro), John (Geoffrey Wigdor), and Tommy (Jonathan Tucker). Like most boys, they're curious about sex, enjoy playing stickball, and have an appetite for pranks. One such practical joke, gone horribly wrong, changes their lives. When their theft of a hot dog vendor's cart nearly causes a man's death, Lorenzo and his friends are found guilty of reckless endangerment and sent to the Wilkinson Reform School. There, under the watchful eye of a sadistic guard named Sean Nokes (Kevin Bacon), they are subjected to mental, physical, and sexual abuse.
Although their sentences are only for a year, those twelve months fundamentally alter their personalities. When we next meet them, in 1981, their lives have moved on, but the submerged hatred lingers. Lorenzo (now played by Jason Patric) is an aspiring reporter working for the New York Daily News. Michael (Brad Pitt) is an attorney in the D.A.'s office. John (Ron Eldard) and Tommy (Billy Crudup) are hardened criminals. All four are forced to confront their shared past when John and Tommy encounter Nokes in a restaurant. Their actions provide the catalyst for a plan that Michael devises to bring the entire Wilkinson experience into the open. So, with the help of Lorenzo; John's lover, Carol (Minnie Driver); and a burned-out lawyer (Dustin Hoffman), Michael strives to attain redemption and revenge for them all.
SLEEPERS' provocative script is marred only by an unnecessarily verbose voiceover narrative and the protracted final third. One of the most fascinating aspects of the movie is watching how the law can be manipulated to deliver justice in a manner that was never intended. And, while Michael's scheme may be a little too convoluted to be plausible, it's nevertheless entertaining to watch the pieces fall into place.
Then there's Father Bobby's dilemma, which, in some ways, echoes the one agonized over by the protagonist of Antonia Bird's PRIEST. At what point do the demands of basic humanity take precedence over the oaths and responsibilities of the Cloth? Much of this struggle is not played out in words, but in Bobby's face, and, with an actor of lesser ability than DeNiro, the emotional resonance of the internal war could have been lost.
DeNiro isn't the only one to turn in a powerful performance. SLEEPERS is as well-acted as it is deftly-crafted. There are those who may be disconcerted by the intensity of the reform school scenes (nothing overly graphic is shown, but much is implied). Levinson takes us through every phase of the boys' torture so that, when the time comes, we can understand and sympathize with their need to emulate the hero of their favorite book, THE COUNT OF MONTE CRISTO, and exact decisive retribution.
As SLEEPERS opens in theaters, members of the media are trying to determine how much of this film is grounded in reality. Ultimately, however, it doesn't make much difference whether the events of SLEEPERS happened or not. The themes and messages are no less valid either way, and, even if it isn't a true story, events like these could have transpired. Fact or fiction, this is a memorable motion picture.
- James Berardinelli e-mail<EMAIL_ADDRESS>ReelViews web site: http://www.cybernex.net/~berardin
"We go away from our parents in youth and then we gradually come back to them; and in that moment, we have grown up." -- Ingmar Bergman
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


THE STAR MAKER (L' UOMO DELLE STELLE) A film review by Steve Rhodes Copyright 1996 Steve Rhodes
RATING (0 TO ****): ** 1/2
THE STAR MAKER (L' UOMO DELLE STELLE) is an Italian film and one of the 1995 Academy Award nominees for best foreign film along with ALL THINGS FAIR (Sweden), ANTONIA'S LINE (Netherlands), DUST OF LIFE (Algeria), and O QUATRILHO (Brazil). It is by the director (Giuseppe Tornatore) of the widely acclaimed and Oscar-winning Cinema Paradiso. It is a great little story of a movie talent scout and huckster who scours poor but picturesque Sicily enticing the locals with the promise of great riches.
Sergio Castellitto plays the con artist known as Joe Morelli or Dr. Morelli. He is supposedly an agent for the studios in Rome, and Joe plays his part with great gusto stopping everyone and inspecting their faces from all sides. He finds them all worthy, of course, and invites them to pay for a screen test promising them that the bigwigs in Rome will get back to them in a month, after he is long gone of course.
The movie starts with a scared and terrified guy trying out in front of the camera. From offscreen the talent scout sticks his hand in to pat him on the back and reassure him with a simple, but forceful "very good." Soon we cut to a scene with Joe driving through towns in Sicily in an old beat up truck with big loudspeakers on it which booms out with, "We are here to offer you a fantastic future!" Soon the whole town is practicing the last lines of GONE WITH THE WIND. Some do it straight, "Afterall tomorrow is another day," whereas other embellish it or localize it. There is one especially funny scene with some old tough guys rehearsing Scarlet's lines to each other.
Joe has the whole town convinced that they will be the one to get rich. He is treated like a god, and people dote on his every word. Usually, he cons people out of their hard earned money without remorse, but sometimes his conscience gets the better of him. To one person he tells, "movies are a new business. I don't want to disappoint you," but most people he makes feel sure that they will be the one picked to be the next movie star.
Like a Woody Allen movie, the first thirty minutes or so of the picture is filled with scores and scores of people doing short screen tests. Some people are fun to watch and some are incredibly boring and repetitive which is one of the major downfalls of this format when it is carried on for so long. These scenes needed much stronger editing by Massimo Quaglia.
Joe sees a dead body floating down a river, but the locals ignore it since it is a Mafia hit. Later, he runs into bandits who want to kill him. How he avoids death makes for a fantastic scene. Joe is confused and frighten by all of this. A local physician whom he gives a lift tells him, "We all understand things when it is too late."
One of the major problems with the film is that the script by Fabio Rinaudo and Giuseppe Tornatore is too talky. The images and the plot are more than enough to carry the show, yet many scenes have way too much dialog which amount to little. The simpler scenes are by far and away the best. Overall, I thought the script was the weakest part of the film and was badly in need of rework. It needed to be much more focused.
Eventually Joe falls in love with a woman named Beata (Tiziana Lodato) so he refuses to take her money for the fake screen test. Beata has a simple view of the movies, "I like love stories where everybody kisses and are happy ever after." Lodato is a great, but simple actress who plays her part with great sensuality and feeling. Quite a compelling performance. Sergio Castellitto gives a sweet performance, but I thought Lodato upstaged him with a smaller role.
THE STAR MAKER has two parts. A long, fanciful, funny, and hopeful part switches to a morose shorter part. I thought the first part worked well, but the writer seemed to run out of energy and ideas toward the end. The first part is imaginative and unique; the last is pure formula. Overall, I thought the plot and the concept were better than the execution. It could and should have been much better, but I certainly enjoyed it, and I hope to see both of the leads again, especially Tiziana Lodato.
The picture is beautifully filmed by Dante Spinotti with sets of tremendous natural beauty. There are beautiful brown and yellow stone buildings in ruins and near ruins. The Sicilian countryside manages to outshine most of the people in Joe's screen tests.
THE STAR MAKER runs 1:48. It is in Italian with English subtitles. It is rated R. It has sex, full frontal nudity, bad language, and some violence, but would be fine for any teenager. Flaws and all, I liked the film, and I think you will too so I am giving it a thumbs up and awarding it ** 1/2.
**** = One of the top few films of this or any year. A must see film. *** = Excellent show. Look for it. ** = Average movie. Kind of enjoyable. * = Poor show.  Totally unbearable.
REVIEW WRITTEN ON: March 21, 1996
Opinions expressed are mine and not meant to reflect my employer's.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Hyperlink Prompt Task
The hyperlink prompt task displays an Options tab containing input fields for "Link text" and "Link address(URL)".
When values are specified the following macro variables are created and set as follows:
- Folder_Server - set to the value "Local"
- Folder - the complete path of the folder selected
An example of the code generated by this task is:
%global Hyperlink;
%let Hyperlink_Path="Local";
%global Hyperlink;
%let Hyperlink=/r/ge.unx.sas.com/vol/vol810/u81/sasxxx;


Welcome to my Game
Below is the game
GameInfo
Levels
Game
Highscore
Audio
Index
Below are the game levels
October 6, 2019
Level 1
Level 2
October 6, 2019
Level 2
Level 3
October 6, 2019
Level 3
Level 4
October 6, 2019
Level 4
Level 5
October 6, 2019
Level 5
Level 6
October 6, 2019
Level 6
Level 7
October 6, 2019
Level 7
Level 8
October 6, 2019
Level 8
Level 8
October 6, 2019
Level 8
Level 9
October 6, 2019
Level 9
Level 10
October 6, 2019
Level 10
Game image
Popular levels
Follow Me
Some text..


I'm 17 years old and African American. I attend school at Little Red Schoolhouse and Elisabeth Irwin High School (LREI) , located in SoHo, New York. I am a Prep for Prep and All Star Code alum. I live in Brooklyn, New York. I consider myself an athelte, a musician, a comedian, an artist, a designer and I am an aspiring Computer Engineer. I currently intern at Bleu Magazine, a men's fashion magazine. I represent All Star Code as an alum ambassador.
Here are some of my "hard" technical and "soft" social skills I've gained over the years. They range from CS to Music and Athletics. I am learning new coding languages, and am always working with digital media.
Final Cut Pro
Painting and Drawing
Java script and jQuery
Wordpress, HTML5 and CSS3
Adobe Photo shop
Adobe Illustrator
Python
C Programming
Knowledge
I was not able to list all of my skill. However, I do have an interest and experience in the following areas.
Robotics
Web Design
User Experience
Graphic Design
Photo manipulation skills
Digital Painting
Photo Composition
Tipography
Video Editing
Music Theory
App Development
Virtual Reality App Design
Language Skills
I've traveled abroad and had formal training in the following languages.
English (First Language)
Chinese
French
Experience
MY Experience!
The following are my experiences up until now that have shaped me into who I am and what I want to do.
I am currently interning at Bleu Magazine. I am creating their spin-off ecommerce website, "Brick and Ivy". I will then develop their mobile application.
I was recruited into the Young Hackers, an exclusive group of teenage students in NYC, who create hackathons around the city to promote Computer Science and diversity in the tech industry.
I helped lead, organize, and run Local Hack Day NYC 2015 (click me) on October 15th. I built the website, promoted the event, and led the event, as the Master of Ceremony, throughout the day. Local Hack Day was city-wide hackathon open to any highschooler, with guest speakers, Minerva Tantoco (NYC CTO), and Robin Raskin (TV personality)
I was elected on the ASC board as a representive and ambassador for my cohort of the ASC Summer Intensive. I am in charge of planing events, managing social media, and representing the organization.
Hackathons and Conferences
Participant
Present
I recently attended Droid Con, the annual convention hosted by Google for global Android Developers at the Metropolitan Pavillion. Facebook, Microsoft, Firebase, American Express, Uber, Cloudbase, Twillio, Lyft, Twitter, and other companies attended and distributed "swag" and offered opportunities.
I went to Space Apps Next Generation, the first ever 24 hour Hackathon exclusive for High Schoolers, hosted by NASA in September. I also attended, PennApps XII, the twelfth iteration of the first college and elite hackathon, hosted by the University of Pennsylvania.
I am on the executive board committe and act as a facilitator and representative of LREI at DAIS.
At DAIS, Students across New York City participate in discussions to strengthen schools through increased knowledge, awareness, and respect for different cultures, ideas, and lifestyles. These meetings and conferences occure every first Friday of the month.
Phasellus nec gravida purus. Aliquam ac enim vel ipsum consectetur vulputate. Duis quis feugiat neque. Pellentesque eleifend, nisi vel mattis vestibulum, est lacus pretium quam.
Awarded scholarship to travel as a participant in a dynamic cross-cultural educational summer program.
I traveled to France to study French culture, language and urban architecture for 6 weeks. I interned at a restaurant, La Brigout, and did community service.
I organized test material for Prep for Prep student applicants and actively supervised tests in session and assisted students in need. In addition to proctoring student testing, I spoke to prospective parents to voice personal experience and answer questions about the program. I was also a Prep for Prep student panelist.
I was awarded a scholarship from Prep for Prep to attend this Arts camp. I was formally instructed in painting and drawing techniques, as well as, music theory and jazz technique.
LREI Admissions Ambassador. Representative at the White Privelege Conference
Sports: Track and Field: 100-200m Sprinter, Shot-Put (3 consecutive year ISAL League Champion), Long and Triple Jump, Varsity Soccer Team, JV Basketball Co-Captain, Starting Center for Varsity Basketball
Clubs: Improvisational Comedy Club Leader ,LREI Ambassador and Panelist, People of Color- Representative,Prom Committee DJ
Music: Lead Trumpet / Trumpet Section Leader and pianist in Jazz Band, 1rst Baritone in Wind Ensemble, Pianist and Drummer in Rock Band
I led a "minimester", a 3 day workshop teaching students in my school computer science. Check out the workshop @ Minimester.XYZ
I recieved a merit -based scholarship from a highly selective leadership development program that incorporates a rigorous 14-month academic component to prepare students for placement in leading independent school and continues to work closely with them through high school and
beyond
I participated in the 6-week Summer Intensive Program, learning programming skills (web and mobile app development, physical computing and software) and leadership training, and received mentorship
I visited Tech Companies such as Google, Yelp, DropBox, Goldman Sachs, and the Flatiron School.
I also represented the organization at the 2015 Annual Sumer Benefit and was also featured on the PBS Newshour: "Cracking the code to a more diverse tech workforce"


openapi
openapi.command
openapi.command.openapi
openapi.function
openapi.function.conf
openapi.function.executor
openapi.function.generator
openapi.function.server
openapi.registry
openapi.registry.cache
openapi.registry.fileoperation
openapi.registry.Registry
Contents:


Lulu. Photography and Design.
Your idea. Your vision. Aesthetically Optimized.
Home
About
Gallery
Contact
Photo
A gateway to your lifestyle.
Design
Visually Relatable.
Through photo and design, I strive to provide a unique experience that defines your goals.
Social Media
Instagram
Facebook
Snapchat
Links
Git-hub
Youtube


This is a handful of projects I have been able to get out from behind a NDA (non-disclosure agreement). If you have any feedback, let me know
This is a SPA portfolio in AngularJS
This site is an example of a SPA (single page application). The Contact form is data bound to the bottom of the page and there is a router for the navigation. Code is written in HTML5, CSS3, AngularJS and a Bootstrap Responsive Design. The file structure is Google’s fractal hierarchy Link: dedicatedworkhorse.com
Parallax example
This is similar to a parallax system I built that Ford used to show off parts of their new electric cars. Link: parallax example
Built the jQuery for GM.com
Working with MRM Worldwide gave me the opportunity to work on the GM and GM's brand platform. The experience was outstanding because I was able to work on some fantastic jQuery, that is till being used today! Link: gm.com
Managed the implementation of the redesign
Was the Senior Web Developer for the implementation of the redesign. The new site is responsive and has updated javascript on it. Link: aiag.org
Built the Scheduling System for Lee Contracting
This schedule was created as part of a Request For Quote system to track where the employees are supposed to be working and on what. It also drives a ticket system.
The functionality that was built in was frozen top and left bar, auto sizing modal windows, accordion functionality, permissions based on departments and users, responsive design and much much more!
Link: View and Edit


 Mimi Leder's DEEP IMPACT faces humanity with the same fate. While with his astronomy club one evening, high school student Leo Biederman spots an unknown star and has a picture of it sent to Marcus Wolf, a club advisor who works at a nearby telescopic observatory. Wolf identifies the object as a meteor, not a star, and plots its trajectory, only to find that it is due to collide with the earth.
The United States government keeps this information under wraps for a year, when MSNBC reporter Jenny Lerner (Tea Leoni), unwittingly uncovers the story while following up leads on what she thinks is a sex scandal within the President's cabinet. Soon thereafter, President Beck (Morgan Freeman) makes a televised announcement that a meteor roughly the size of New York City will hit the planet within a year, causing what is known as an ELE, or extinction level event. What isn't destroyed by the initial impact will eventually succumb to the lack of sunlight caused by the sun's being obscured by debris. On the bright side, a joint U.S./Russian mission to destroy the cosmic interloper has already been planned. Using the new nuclear "Orion Drive", the largest spaceship ever built will take six astronauts out to the meteor, where they will land on the surface, drill into it, and plant nuclear devices which, when detonated, will break the meteor up into small, harmless pieces.
I'm not giving away a whole lot by saying that the mission is not entirely successful. The movie poster has a meteor hitting the earth, and every commercial I've seen shows a giant wave bearing down on New York. The bulk of this film is devoted to an emotional reconciliation amongst the main characters in what are surely the last days of their lives, superimposed against the backdrop of a mission to save humanity. What results is basically a long wait until the meteor gets here.
You see, DEEP IMPACT bills itself as a disaster movie, but what it lacks are, well, disasters. Most disaster movies put their earthquakes, eruptions, nuclear explosions, etc. somewhere around the middle of the film and have the main characters try to deal with salvaging what they can, or prevent a final, fatal disaster from happening. Remember METEOR from 1979? The premise was much the same: A meteor is coming to crush the earth. However, throughout the film, splinters off the main rock hurtle our way and impact the planet, giving us enough eye candy to tempt our visual taste buds and make us say, "Gee, if a splinter did that, what's the big one going to do?" No such luck with this film. Instead, we just get poor development of characters we only intermittently care about, and the film therefore fails to maintain the tension of impending doom. Like I said, a long wait until the meteor gets here.
The characters are forgettable largely due to fundamental faults in the screenplay. In a movie about the potential end of civilization, why choose a reporter as the lead? The Jenny Lerner character is one of the most uninteresting of the film, yet she is thrust to the forefront. Leo Biederman is played nicely by Elijah Wood, but Biederman is also a character whose presence is questionable. President Beck's credibility as a component of the film was unfortunately undermined by a terribly corny speech at the movie's finale. What a waste of a convincing performance by Morgan Freeman.
There are a few things in the film which just don't make sense, and therefore distract the viewer from the rest of the movie, while you try and figure out what they meant. For example, while following her scandal leads, Jenny sees cases of Ensure, a dietary supplement for seniors, being loaded onto a boat belonging to presidential cabinetmember Alan Rittenhouse (James Cromwell). A little while later, she is taken to a secret meeting with the President in the kitchen of some restaurant, where she also notices a large supply of Ensure. We have no idea of the significance of this connection, as there are many plausible explanations for the presence of Ensure at both locations.
The special effects, however, are excellent, as you would expect from George Lucas's Industrial Light and Magic. The big wave is probably the best part of the whole film, although whoever decided to show the head of the Statue of Liberty floating underwater should really get a slap.  Please.
Review posted May 18, 1998
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Design your own segment display with this Web App. Choose between 7, 14 or 16 segments, experiment with the settings for the geometry, colors and output formats.
On the basis of your inputs, the App automatically generates the appropriate JavaScript source code. You can copy it here and build it directly into your website
| Segment count | |||
| Segment form | |||
| Digit height | |||
| Digit width | |||
| Digit distance | |||
| Display angle | |||
| Segment width | |||
| Segment distance |
When playing with the geometry values, – especially with the number of segments, their width and spacing – overmodulation or flaring can easily occur. Though this does create interesting effects, it ends up making the display illegible. One click on “Reset values” sets sensible parameters for the chosen number of segments.
| Segment on | |||
| Segment off | |||
| Background color | |||
The colors set for segments switched on or off are deployed automatically as hexadecimal color specification in the source code located further below on this page.
Here an added suggestion for several color combinations:
| Example |
|
| Pattern | |
| Value |
The layout for the display is defined via a pattern comprised of a combination of the following characters:
| ' # ' |
Segment display
Numerals, hyphenation, underlining and the letters A, b, C, d, E, F, H, L, n, o, P, r, t, U and Y can be displayed using a seven-segment display. In addition to numbers, brief texts such as “Error”, “HELP”, “run” or “PLAY” can be displayed, too. With fourteen and sixteen-segment displays, numerals, all Latin capital letters and the special characters +, -, ×, /, =, \, $ and @ can be depicted. Using the sixteen-segment display, the special characters % and ° can be displayed as well. |
| ' . ' | Period |
| ' : ' | Colon |
| ' ' | Blank space and/or double character spacing |
For instance, the pattern ##:##:## can be used to display the time. By doing so, two slots apiece are respectively reserved for hours, minutes and seconds, and these blocks are separated from each other by a colon.
The display is then driven by transferring a character string termed the ‘value’ here. The characters in the value are compared with the pattern going from left to right. If a character fits the pattern, for example the character 'A' for the pattern '#', then this character is displayed. Otherwise the corresponding element remains dark. If the value '#' is transferred for a character, then all of the segments light up.
Example: As described above, the 8-digit pattern ##:##:## is used for the clock. If the colons are supposed to light up, then a colon must be transferred onto the third and sixth digits within the value, too. If they are supposed to remain dark, then some other character has to stand in these positions. In the case of single-digit hours (0 to 9 a.m.), unlike the minutes and seconds, no preceding zero is displayed. In this case, that’s why there is a blank space at the first digit of the value.
It sounds more complicated than it is. Just give it a try.
The segment display shown to the right has been realized using JavaScript and the <canvas> tag. This tag is an integral component of HTML 5 and is supported by all modern browsers; unfortunately, Internet Explorer up to Version 8 is not among them. To make the <canvas> tag usable for Internet Explorer users, the open source project explorercanvas at least makes the basic functions available with the help of a small JavaScript library.
The following describes how you can integrate the segment display into your HTML pages. All you need to accomplish this is the JavaScript class seven-segment-display and, if you want give consideration to Internet Explorer users as well, the explorercanvas JavaScript library.
Like any other HTML tag, the <canvas> tag is declared and recognizes the 3 attributes id, width and height. Issue an id that makes sense – "display" for instance – and any width and height desired for the element. The display is centered within the <canvas> tag, its size is adapted appropriately. If a browser is unable to depict the segment display, the included text is shown to the user.
<canvas id="display" width="260" height="140"> Your browser is unfortunately not supported. </canvas>
The JavaScript Code below is automatically generated from the settings for the sections “Geometry”, “Colors” and “Display”. This way you can design your own segment display, then afterwards simply copy the source code generated.
The first 3 lines are of interest only for Internet Explorer up to Version 8. You integrate the JavaScript library excanvas.js via a Conditional Comment; other browsers ignore this instruction.
The script assumes that the two JavaScript libraries seven-segment-display.js and excanvas.js are located in the same directory as the HTML page with the <canvas> tag. If this is not the case with you, then you have to change both path specifications appropriately.
The script furthermore assumes that you are using the name display as the <canvas> id on the HTML page, as was the case in the abovementioned example. If you prefer another id, then you have to adapt the source code here, too.
<!--[if lt IE 9]> <script type="text/javascript" src="excanvas.js"></script> <![endif]--> <script type="text/javascript" src="segment-display.js"></script> <script type="text/javascript"> var display = new SegmentDisplay("display"); display.pattern = "##:##:##"; display.displayAngle = 6; display.digitHeight = 20; display.digitWidth = 14; display.digitDistance = 2.5; display.segmentWidth = 2; display.segmentDistance = 0.3; display.segmentCount = 7; display.cornerType = 3; display.colorOn = "#e95d0f"; display.colorOff = "#4b1e05"; display.draw(); </script>
Once all this has been done, the segment display is initialized and merely displays the switched-off segments at first. The characters and/or segments can now be set using the function setValue(value).
display.setValue('12:34:56');
The digital clock to the right can be written equally quickly. To do this, the function animate() is activated every 100 milliseconds. This function generates a new JavaScript object, Date, which is initialized using the current date and time. Hours, minutes and seconds are subsequently read out, prepared for the format ##:##:## and transferred to the segment display via display.setValue(value). The clock is now up and running.
window.setInterval('animate()', 100); function animate() { var time = new Date(); var hours = time.getHours(); var minutes = time.getMinutes(); var seconds = time.getSeconds(); var value = ((hours < 10) ? ' ' : '') + hours + ':' + ((minutes < 10) ? '0' : '') + minutes + ':' + ((seconds < 10) ? '0' : '') + seconds; display.setValue(value); }
Another bit of advice: This page integrates the JavaScript framework jQuery and uses this intensely. As a result, the HTML source code for this page is not readily understandable for one and all. On the other hand, the JavaScript segment display does not depend on jQuery and can be used with every other JavaScript framework, or even without one like it.
The two JavaScript files segment-display.js and excanvas.js along with an example of an HTML page are compiled here for downloading in a ZIP file:
The script is governed by the Creative Commons 3.0 Lizenz. and may be used freely for private and commercial purposes. I would be glad if reference is made to the author or if a link to this website is posted.


JPL and USC, under the direction of Dr. Chris Mattmann, have worked to collect a corpus of “deep web” polar datasets spanning many file types containing scientific data such as images, videos, and other information on the Web. These pieces of data were collected using Apache Nutch, Apache Tika, and Apache Solr.
Our goal is to aggregate this data into an intuitive search engine that scientists can utilize for polar research. Additionally, the data is analyzed and illustrated using visualization APIs Banana and D3.js, providing researchers a better understanding of the data's relationship within the Polar ecosystem.
| 4 April 2017 | Arctic Science Summit Week | Prague, Czechia | Presented in session "ARCTIC DATA AND INFORMATION SCIENCE MEETS SYSTEM SCIENCE" Details |
| 24 July 2017 | International Geoscience and Remote Sensing Symposium | Ft. Worth, USA | Presented in session "Intelligence for Big Geospatial Data" Details |
| 16-18 September 2017 | SAON - Arctic Data Committee | Montreal, Canada | Details |
| 19-20 September 2017 | Research Data Alliance | Montreal, Canada | Details |
| 4-5 October 2017 | NITR Open Knowledge Network | Washington DC, USA | Details |
| 11-15 December 2017 | Fall AGU | Washington DC, USA | Details Presentation |
| 8 January 2018 | Semantics Symposium | Washington DC, USA | Details Presentation |
| 9-11 January 2018 | ESIP Winter Meeting | Washington DC, USA | Poster Presentation Details |
| 1-2 March 2018 | 1st U.S. Semantic Technologies Symposium (US2TS) | Wright State University, Dayton, Ohio, USA | Details |
| 21-23 March 2018 | Research Data Alliance | Berlin, Germany | Details |
| 6-8 June 2018 | Earthcube All Hands Meeting | Washington DC, USA | Details Poster |
| 17-20 July 2018 | ESIP Summer Meeting | Tucson, USA | Details |
Search multiple keywords simultaneously for thousands of relevant URLs.
Add filters for more refined results using Banana's live-updating visualizations.
View data sets from a variety of sources to better understand polar relationships.
Filter searches using facets and easily save, share, and consume documents from the Deep Web.
This code gets connected to Solr DB created for Sparkler Crawled Data to do further data extraction, classification, filtering and insights generation using various Machine Learning models.
The ML models are capable of using keywords list from user, extract features from URL content, and classify (score) output and update Solr parameter accordingly.
The Polar Deep Insights project is a tool that can be used as generic content extraction and evaluation tool on any dataset.
It is a Dockerized Pipeline consisting of a content extraction, enrichment and rich visualization interface to explore the spatial-conceptual-temporal trec polar dataset and documents downloaded from ACADIS, AMD, and NSIDC websites crawled using Sparkler Web Crawler.We plan to use this to gain deep insights about climate change and its impact on the Arctic region.
This project uses Google Search API to provide a list of most occurred urls based on domain keywords and phrases list. The code generates the phrases first based on the provided keywords and then uses them for searching.
After each search, top 10 urls(or all active & working URLs from the first page) are considered and added to a dictionary. Iterating through all keywords, the dictionary is finally sorted based on the frequency of occurrence.
A web crawler is a bot program that fetches resources from the web for the sake of building applications like search engines, knowledge bases, etc. Sparkler (contraction of Spark-Crawler) is a new web crawler that makes use of recent advancements in distributed computing and information retrieval domains by conglomerating various Apache projects like Spark, Kafka, Lucene/Solr, Tika, and pf4j.
Sparkler is an extensible, highly scalable, and high-performance web crawler that is an evolution of Apache Nutch and runs on Apache Spark Cluster.
LDA topic modeling for Polar Deep Insights.
Domain Discovery on Polar Domain
This is a FacetView setup for ocean observation Crawled Data.
Wayne M Burke
Simin Ahmadi Karvigh
Omid Davtalab
Thamme Gowda
Nithin Krishna Ottilingam
Karanjeet Singh
Madhav Sharan
Srinidhi Nandakumar
Prerana Teligi Harapanahalli Math
Dixita Patel
The goal of the Text Retrieval Conference (TREC) is to encourage research in information retrieval from large text collections by providing interesting and understudied domains of documents to crawl.
Currently, the polar domains contains the NSF-funded Advanced Cooperative Artic Data and Information System (ACADIS), NASA-funded Antarctic Master Directory (AMD), and National Snow and Ice Data Center (NSIDC) Arctic Data Explorer. Our data was retrieved using these directories and submitted to TREC in 2015.
Hosted by the NSF, the goal of this hackathon was to implement visualizations of existing polar data sets to support new discoveries and promote cross agency collaboration between the NSF, NASA, NOAA and other Arctic/Polar related agencies.
Ultimately, the workshop fostered the understanding of the variability of the polar regions at different timescales, allowing the NSF to make longer-term investments in technologies and visualizations that can be adopted by the community.
The Information Retrieval and Data Science Group’s (I.R.D.S.) mission is to research and develop new methodology and open source software to analyze, ingest, process, and manage Big Data and to turn it into information.
We have expertise in data collection and contribute to the world's largest and most often downloaded open-source projects, working with NASA, DARPA, DHS, NIH across a number of domains, Earth Science, Planetary Science, Astronomy, defense, and private industry.
Dr. Chris Mattmann - Visit his website
CS401 Group (Lorraine Sposto, Jonathan Luu, Ruthvik Peddawandla, Titus Jung, Janet Kim)
CS599 Spring 2016 Class - Visit the class website
CS572 Spring 2015 Class - Visit the class website


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