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| .show | Should always be completely visible | |
| .hidden | Invisible to both browsers and SCR | |
| .invisible | Only seen by screen readers |
When using the .visible-*-* classes, replace the first star in the className with the target breakpoint size in which the element's visibility should change. For example, an element with the CSS class .visible-sm-block will be hidden at all times, except on the "phone" breakpoint, where it will be displayed as a block element.
When using the .hidden-* classes, the opposite rules apply. The element will be display as normal, with the exception of the target breakpoint size.
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| .visible-xs-* | 0px - 480px | Only visible on Smaller Phone |
| .hidden-xs | 0px - 480px | Visible on anything BUT Smaller Phone |
| .visible-sm-* | 0px - 767px | Only visible on Phone |
| .hidden-sm | 0px - 767px | Visible on anything BUT Phone |
| .visible-md-* | 768px - 1023px | Only visible on Tablet |
| .hidden-md | 768px - 1023px | Visible on anything BUT Tablet |
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| .hidden-lg | 1024px - 1299px | Visible on anything BUT Desktop |
| .visible-xl-* | 1300px and up | Only visible on Extra-Large Displays |
| .hidden-xl | 1300px and up | Visible on anything BUT Extra-Large Displays |
When using the .visible-*-* classes, replace the last star in the className with the target display property to use when the element becomes visible. For example:
| Visibility Class | Corresponding CSS Property |
|---|---|
| .visible-*-block | display: block; |
| .visible-*-inline | display: inline; |
| .visible-*-inline-block | display: inline-block; |
Emulate the print media-type in Firebug/Dev Tools to see the results
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| .visible-print-* | Should only be visible on a printed page | |
| .hidden-print | Should be hidden on a printed page |


Ever happened to go to an art gallery? Ever checked out the portraits which cost a huge price? Which of those random colored strokes of the brush on canvas makes it so expensive?
It's all about language of the heart which uses the paints and a brush to put the emotions flowing in a river of imagination on the canvas. And that is 'ART'.
 Every stroke of your brush dipped in your soul has its own meaning. So here is ELAN encouraging you to come up with your meaningful strokes to be a part of its colorful art gallery. They will be displayed throughout the fest.
Prize money of Rs.4,500/- to be won.
Click here To Register..


{% extends '../layouts/template.html' %} {% block title %}Check your State Pension - {{mvpversion}}{% endblock %} {% block serviceName %}Check your State Pension{% endblock %} {% block main %}
You can also sign in using GOV.UK Verify. If you haven’t used GOV.UK Verify before, it will take you about 10 minutes to get set up.
If you cannot use the online service contact the Future Pension centre.


Dear 姓名
We are pleased to inform you that your charge for GMC pay is successful on日期.
The charge amount is充值金额. Your current balance for GMC pay is余额.
Please be informed.
Should you have any question, please feel free to contact us at买家客服电话, or email to<EMAIL_ADDRESS>Thanks & Regards


{% extends "base.html" %} {% block title %} Not found | {{ block.super }} {% endblock %} {% block content %}
Whatever you're looking for, it's not here.
Sorry!


Copy the contents of this box into a text editor, then save the file with a .svg extension.
Note: Background will not be saved with image.


@* * Copyright 2023 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @import config.AppConfig @import models.request.AuthenticatedRequest @import models.PseudoCaseStatus.PseudoCaseStatus @import models.{ApplicationType, Paged, PseudoCaseStatus, Search} @import views.SearchTab @import views.SearchTab.SearchTab @import views.forms.components.CheckOption @import views.html.forms.components.{input_checkbox_group, input_text} @import views.html.helper.CSPNonce @import views.html.partials._ @import views.partials.SearchResult @import models.viewmodels.NoTabSelected @import views.html.includes.main @import views.html.layouts.full_main_content_layout @this( main: main, fullMainContent: full_main_content_layout ) @(form: Form[Search], results: Option[Paged[SearchResult]] = None, keywords: Seq[String], selectedTab: SearchTab)(implicit request: AuthenticatedRequest[_], messages: Messages, appConfig: AppConfig) @formHasStatus(status: PseudoCaseStatus) = @{ form.value.flatMap(_.status).exists(_.contains(status)) } @formHasApplicationType(status: ApplicationType) = @{ form.value.flatMap(_.applicationType).exists(_.contains(status)) } @useSelectedTab() = @{ selectedTab match { case SearchTab.SEARCH_BOX => SearchTab.DETAILS case _ => selectedTab } } @additionalCSS = { @**@ } @additionalJS = { } @main( pageTitle = messages("page.title.advanced.search"), customPrimaryNavTab = NoTabSelected, optCustomLayout = Some(fullMainContent(_)), additionalJS = Some(additionalJS), additionalCSS = Some(additionalCSS) ) { @error_summary(form.errors, keySwaps = Map("application_type" -> "application_type-0", "status" -> "status-0"))
To narrow your search, enter multiple search terms.
@helper.form(action = controllers.routes.SearchController.search().withFragment("advanced_search-results_and_filters"), Symbol("id") -> "advanced_search-form", Symbol("novalidate") -> "novalidate") { @input_text( field = form("case_details"), label = "Case details", hint = Some("Search the goods name or case description"), inputClass = Some("govuk-!-width-three-quarters") ) @input_text( field = form("commodity_code"), label = "Commodity code", hint = Some("Search by 2 digits or more"), inputClass = Some("govuk-!-width-three-quarters") ) @input_text( field = form("case_source"), label = "Case source", hint= Some("Search the trader name, case source or case contact"), inputClass = Some("govuk-!-width-three-quarters") ) @input_text( field = form("decision_details"), label = "Ruling details", hint = Some("Search the goods description, justification or commercial denomination"), inputClass = Some("govuk-!-width-three-quarters") ) @advanced_search_keywords(form, keywords)
@if(results.isEmpty) { @* Hack to ensure the checkbox is checked when search results aren't present This is only required for form elements that are rendered when results are present and which need a default value. *@ } @if(results.isDefined && !form.hasErrors) {


Watch: Future Celebrates B-Day W/ New Lil Durk LAST NAME Video
by Team SOHHAtlanta rapper Future is turning up for his birthday. The hip-hop veteran has acknowledged his born day with a new Lil Durk-featured “Last Name” music video premiere. Watch and comment below!


'I can't wait' - The huge transfer blow that rocked Aston Villa
Aston Villa End of Decade: Fabian Delph | we sift through the archives to re-tell the AVFC stories of the 'teenies'
by Mat Kendrick, https://www.facebook.com/matkendrickjournalist/It will go down in hiss-story as the week Fabian Delph slithered his way out of Aston Villa.
The week he shed his skin as a claret and blue hero to become Villa Parks public enemy No.1.
The week the winker went back on his word to join Manchester City after a series of embarrassing U-turns.
As part of our 'Aston Villa - End of Decade' series we reflect on the tumultuous timeline of the week of the snake.
The context
It was July 2015 and after biding his time to make his mark in B6, the former Leeds United favourite was now a key player at Villa.
Delph had played his part in Villa’s survival revival under Tim Sherwood the previous season and even scored in the glorious FA Cup semi-final victory over Liverpool at Wembley (the less said about the final defeat to Arsenal, the better).
Villa were on a pre-season training camp in the Algarve during a summer in which Sherwood and transfer committee colleagues Paddy Riley, Hendrick Almstadt and Tom Fox were overhauling the squad.
Delph was excused from the Portugal tour to stay at home with heavily pregnant wife Natalie who was expecting their second child.
Natalie wasn’t the only thing about to drop.
So too was a transfer bombshell, with more twists than Spaghetti Junction.
But before then let's wind the clock back to January 2015, when Delph announced his new contract with a wink.
The wink
It was at half-time during the 2-1 FA Cup third round victory over Bournemouth on January 25 2015 when Delph appeared on the scoreboard - and with a wink revealed that he had signed a new deal committing him to Villa until the summer of 2019.
In a pre-recorded video message, he said: "It's been a roller-coaster ride since I've been here - I've enjoyed every minute of it.
"The fans have stuck by since day one. The chairman's stuck by me, he's been unbelievable with me. The gaffer's been great as well.
"'I'm proving that there still is loyalty in football. I've decided to stay here and I'll give nothing less than 100 per cent every game.
"I'd love you guys to get behind us and support the boys."
Aston Villa latest
This is your round up of all things Villa; the one-stop shop that will keep you updated on the latest goings on at the club and beyond.
Transfers, injuries, match-days and managers, we’ve got you covered.
We’ll be bringing the very latest on the Villains throughout the week and around the clock.
Make sure you keep yourself updated with our handy daily catch up...
Must reads...
- Director reveals John McGinn's reaction to failed transfer
- Martin Keown fires puzzling criticism at Tyrone Mings
- What Jarrad Branthwaite has said about Villa interest
- Dean Smith urged to have a 'quiet word' with Frederic Guilbert
For all your latest AVFC news, opinion, analysis and transfer gossip, click here
You can follow our Villa reporter Ashley Preece on Twitter, and his email address is<EMAIL_ADDRESS>It's probably best if, in true football cliche style, we take this a day at a time now...
Friday, July 10
Remember that ‘A Big Club’ promotional kit launch thing that backfired as Villa got relegated?
Well, Delph was one of the poster boys picked to model the new QuickBooks-sponsored Macron strip.
To make matters worse he was pictured posing front and centre pointing proudly at his captain’s armband.
Which would all have been fine, but for the fickle fates of the football transfer window.
That very day the story broke that Manchester City had triggered Delph’s measly £8 million release clause.
Eight million quid - for an England international in his prime!
Saturday, July 11
The rumour mill went into overdrive - and it was not without foundation. Having agreed personal terms, Delph was set to join City and had a medical booked in for that day - but then...
Via Villa’s official website, Delph issued three short sentences that have subsequently condemned him to a life sentence where the claret and blue faithful are concerned.
He said: “I’m aware there has been intense media speculation surrounding my future in the last 24 hours and I want to set the record straight.
“I’m not leaving. I’m staying at the football club and I can’t wait for the start of the season and captaining this great football club.”
Yay, hooray, whoopie - let's get Fabian's face on tea towels, t-shirts and tattoos as a symbol of loyalty.
Sunday, July 12
Sherwood, putting the rest of the Villa squad through their paces over in Portugal, revealed his joy at the news after coming so close to losing his skipper.
He said: “He had an opportunity to join Man City and he weighed up his options and decided to stay with us, which we’re obviously all delighted about.
“We are looking to build something here and we’re looking to keep our best players. Fabian is certainly one of those.
“It’s just an example of the measure of the guy really that he decided to stay – the loyalty he’s shown to the Aston Villa fans, the football club and the chairman.
“I could go as much as to say that if Fabian Delph wasn’t with us last season we wouldn’t be in the Premier League now,” he added.
“He’s someone I had the ear of. He was very instrumental in what I wanted to do.
“He knew exactly what I wanted from the team and he drove them on.
“It can’t always come from the manager – the instructions – sometimes someone on the pitch needs to translate that information and Fabian certainly did that.”
Tuesday 14 July 2015
A couple of days later Ray Wilkins, Sherwood's right hand man, picked up the 'Delph's staying' delight and ran with it.
“We were sitting here moping about as dark as the biggest hole on the planet, then the next day Tim comes in and says he’s staying," said Wilkins.
“I thought, wow, just applaud him, Tim, for that. It’s almost like we’ve got a new player back because it’s someone who was gone.
“We thought he had gone then all of a sudden he comes back. It’s like getting a new man now.
“Fabian Delph should be applauded for his actions over the last week. He could have gone to Manchester City for a lot of money.
“But, he wants 700 games and a good career and I applaud that. It’s rare in football to see that happen. I thought it was fanastic.”
Friday 17 July
Now, Villa fans know full well what tends to happen when their star players get England recognition and go away on Three Lions duty.
They'd seen it with Gareth Barry, James Milner, Ashley Young and Stewart Downing all disappearing up the M6.
But Delph's head wasn't just turned, it virtually spun off his neck like that scene from The Excorcist.
By Friday those declarations of undying love for the Villa were forgotten as Delph realised the lure of bumping up his money and playing Champions League football was too tempting to turn down.
A fan spotted him turning up in Manchester for his medical, the speculation became fact and at 7.19pm that evening Delph was unveiled as a Manchester City player.
Villa? They played a friendly against Braga in Portugal that night, with rookie Ricky Calder a game in midfield.
How we reported it
Birmingham Live wrote an open letter to Delph following his transfer - here's an extract from it:
"We have deliberately taken our time before writing you this letter because we are loathe to make any rash statements that we may later regret, even once, let alone twice.
It's been a while now since you completed your messy, faith-destroying move to Manchester City and ensured your new status as Villa Park's public enemy No.1.
But those 'Delph You Snake!' banners, those Facebook clips of fans burning replica shirts bearing your name, those mocking memes on social media all could have been avoided if only you had not laid it on so thick.
If only you had not tried to trumpet yourself as the second coming of commitment, if only you had not awarded yourself the loyal seal of approval.
You could have gone to Manchester City with your reputation intact had you not uttered such hollow nonsense as: "I'm proving that there still is loyalty in football" back in January.
And then compounded it just a week ago, by blurting out: "I'm not leaving. I'm staying at the football club and I can't wait for the start of the season and captaining this great football club."
Oh Fabian.
Why did you not just go quietly rather than whipping up a frenzy of false hope?"
How Villa fans reacted
Well, there was the supporter who took it to the extremes by setting fire to his Delph shirt (see the video at the top of this piece).
Here's some of the comments posted on social media:
Gav Mac: Enjoy your retirement Fabian! Waste of talent. #avfc #mcfc
Matthew: I wouldn't return to VP this season if I were you #judas
Paul AVFC: What a snake, enjoy the bench at Man City #snake
Villan1999: Good riddance, don't want players like that. Not bigger than the club
MarkieVilla: So much for loyalty. All about the cash, why pretend it's not
What Delph said
Speaking the weekend after completing his move to Man City, Delph explained the events of that week.
"The week I didn't travel away my wife was expecting so there was a lot more to think about than football.
"My family comes first and I was basically sat there waiting for my daughter to be born. Obviously in the back of my mind there was a decision to be made and I' m a City player now. I'm happy and ready to go.
"Everything changes once you have children. Your priorities change. They're No.1.  That will always be the way I think throughout my career.
"It's been a great time for me, a bit of a rollercoaster ride. But everyone seems to be happy at the minute."

"Anything and everything that has been said I've not seen. I keep myself well away from it. All I do is focus on my family, playing well and helping my teammates.
"I had great time at Villa and made great friends who I'll keep in touch with, but I'm not really looking back. I'm not a player who dwells on things. I'm at Manchester City now and looking forward to challenging for titles.
"'It's a dream to come to a club as big as City and play Champions League football. That was huge for me. I think for every player, growing up as a kid you're used to watching it.
"'Probably if I hadn't taken this opportunity now it could have passed me by.
"'It's just a great club. The opportunity to come and win trophies and play with the best players in the world, to see if I can fit in and make the step up, was too good to turn down.
"I got into the England squad playing for Villa. When we'd meet up with the squad I was the only player there at a club down near the bottom, so it was a big thing for me then. Now, hopefully I'll be joining up with the squad playing for a top-four team."
What happened next
Inevitably Delph was roundly booed and hissed at on his first return to Villa Park in the colours of City on Sunday, November 8.
It was Remi Garde's first game in charge and was actually one of Villa's best performances in a gruesome relegation season.
Delph came on as a 78th minute substitute for Yaya Toure and had inflatable snakes waved in his direction as he entered the field in the 0-0 draw.
He nearly delivered a sting in the tail, nodding a good chance wide of Brad Guzan's goal.
While Villa, who also had to come to terms with losing Christian Benteke to Liverpool that summer, finished rock bottom of the Premier League, Delph went on to win the top flight title at the Etihad in 2018 and 2019 before joining Everton.


Identifies a friend function as pure virtual.
A friend function that uses the pure-specifier is a pure virtual friend function. The <cxxFriendPureVirtual> element has two mandatory attributes, nameand value Both attributes default to the value "pure virtual".
See: ISO/IEC 14882:2003(E) 10.4 Abstract classes [class.abstract]


Polytechnic
About Polytech:
Arizona State University (ASU), Polytechnic is a physical campus of ASU tucked away just east of Gilbert, located in Mesa, Arizona. There are many beautiful places to site see and stop by for a quick bite to eat. The Polytechnic campus was built where a former Air Force base used to stand, and still has a rural vibe to it. There are countless wild animals that can be spotted near and on the campus. The roadrunner is one of the most commonly seen animals, hopping from tree to tree or running through campus. There are many different eateries and areas to sight see which you would not expect from a campus that is for the most part forgotten. Overall the location of the area is truly beautiful and you will not run out of new places to visit when near ASU Polytech.
Burrito Shack
TLooks can be deceiving. The Burrito Shack is located less than a mile away from ASU’s Polytechnic Campus. It is literally a shack that serves all different kinds of burritos.
Surf City Sandwich
Surf City Sandwich is a brand-new sub restaurant located less than a mile away from ASU’s Polytechnic Campus. There are a variety of subs that are delicious. There are a lot of different options, including warm and cold subs, as well as vegetarian options.
Joe’s Farm Grill
Joe’s Farm Grill is located about 3 miles away from the ASU’s Polytechnic Campus. It is a quaint little restaurant surround by a beautiful orchard. There are orange trees and other fruits and vegetables growing on site. It is a lovely place to visit and eat outside on the picnic tables for a quick meal.


Redux Form
Getting Started
v6
Migration Guide
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props
Field
reducer
reducer.syncValidation()
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Action Creators
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Examples
Simple Form
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5.1.1


--- title: "Cours" date: layout: page categories: tags: - cours published: true comments: ---
See you in March 2023
Starts in January 2023
See details here and on moodle !
Starts in January 2023
See details here and on moodle !
Here are a few links to learn python. The best is the free book Dive in python that covers the basics and essentials.
Otherwise (in French) the wiki site Apprendre à programmer en python. And of course don't forget to take a look to the standard documentation in French or in in English
Numpy is the core library for scientific computing in Python. It provides a high-performance multidimensional array object, and tools for working with these arrays.
Using python can be easier with ipython, look at this tutorial: http://cs231n.github.io/ipython-tutorial/
The official web page of this corpus provides more details. A specific version of the database that is suited for python can be downloaded as well.
To read this data, you will find below an example and you can download this jar file here.
public class LectureImage { public static void main(String[] args) { String path="/Users/allauzen/cours/l2/VA/tps/mnist/"; String labelDB=path+"train-labels-idx1-ubyte"; String imageDB=path+"train-images-idx3-ubyte"; // Database creation MnistReader db = new MnistReader(labelDB, imageDB); // Acces to the first image int idx = 1; // one variable to store the image index // Warning: index starts at 1. int [][] image = db.getImage(idx); // Acces to the corresponding label int label = db.getLabel(idx); // Display the label System.out.println("Le label est "+ label); // Print the total number of images. System.out.println("Le total est "+ db.getTotalImages()); /* Here you can write your own code*/ }
If you want to convert an image which is a matrix in a simple array: (:codestart java:)
public static float[] image2Array(int[][] image){ float[] x = new float[image.length*image[0].length+1]; x[0] = 1; for (int i = 0; i < image.length; i++) { for (int j = 0; j < image[0].length; j++) { int k = image.length*i+j+1; x[k]=image[i][j]; } } return x; }
In python 2:
import cPickle, gzip, numpy # Load the dataset f = gzip.open('mnist.pkl.gz', 'rb') train_set, valid_set, test_set = cPickle.load(f) f.close()
While in python 3:
import pickle, gzip, numpy # Load the dataset f = gzip.open('./mnist.pkl.gz', 'rb') u = pickle._Unpickler(f) u.encoding = 'latin1' p = u.load() train_set, valid_set, test_set = p
Each set (train, valid and test) is an array that contains two objects:
im = train_set[0][0] # the first image im = numpy.append([1.],im) # add one component label = train_set[1][0] # its label numpy.dot(w,im) # the dot product of the image with a #vector of the same size.
If you want to display an image
import matplotlib.pyplot as plt im = train_set[0][0].reshape(28,28) plt.show() plt.imshow(im.reshape(28,28) , plt.cm.gray)
See the following web page for a detailed example.
Les bases du tirage aléatoire en python:
import random random.random() # retourne un rÃ©el entre 0 et 1 random.randint(5,10) # retourne un entier entre 5 et 10 ids = range(10) # => [0, 1, 2, 3, 4, 5, 6, 7, 8, 9] random.shuffle(ids) # mÃ©lange le tout
Pour tirer une valeur selon une distribution multinomiale (discrète):
import numpy.random as npr l = npr.multinomial(nsample,probs)
l est alors une liste contenant nsample tirage selon la distribution de probabilité probs


WORK TO-DO
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Welcome!
My name's Susanna Lakey and this page is for you to get to know me. I've spent the last six years working in animal care, but have recently decided it's time to make a career change. I'm currently a student at Code Fellows and look forward to learning more about what it means to be a software developer. Please take a look around to learn more about who I am.


Clousre in call backs
A closure gives you access to an outer function's scope from an inner function


The ordered products have been placed in a queue and will be processed when a vacant slot is available.
Processing status can be monitored by visiting Copernicus Global Land's access portal at http://land.copernicus.eu/global/access
The products will become available for download at your space at IPMA's FTP server. Please visit:
<EMAIL_ADDRESS>Where [username] and [password] correspond to your user credentials at the Copernicus Global Land access portal.
Please note that each file will be accessible for a minimum of {{ item_availability_days }} days. After a file expires it may be deleted according to the server's maintenance needs.
{% else %}Additional details:
{{ order.additional_status_info }}
{% endif %}If you have further inquiries regarding IPMA's Copernicus Global Land service please contact the helpdesk at helpdesk.copernicus@ipma.pt


Theatre in Melbourne
|
AN IMPORTANT PERIOD IN AUSTRALIAN HISTORY By the 1850s Melbourne was said to be one of the richest cities in the world. This was due to the discovery of gold in nearby Ballarat. By the 1880s Melbourne was a properous thriving centre and that meant that the city needed entertainment. In 1888 Melbourne boasted no less than five very large auditoriums and smaller performances were also staged at venues like the Masonic Hall, the Town-Hall, the Athenæum Hall, the Victoria Hall and St. George's Hall. These smaller stages were host to a wide variety of comedians, ventriloquists, song recitalists, local dance troupes, bellringers, boxing, wrestling and even a visiting group of Swiss Mountain yodellers. The people of Melbourne were ready to lap up any sort of entertainment and 'Full House' signs were continually posted throughout this period. If audiences began to dwindle then within a matter of days works would be withdrawn, or revamped, in the hope of increasing the box-office. Just as today one is spoilt for choice on the number of movie screens listed in the local paper then in 1880s the same applied to theatrical entertainment. In 1888 Melbourne's main theatres were the Alexander Theatre (Lesses and Manager, Alfred Dampier), the Theatre Royal (Messrs Williamson, Garner and Musgrove), the Bijou (Mr Brough and Mr Boucloault), the H.M. Opera House (Martin Simonsen) and the spectacular New Princess Theatre (Messrs Williamson, Garner and Musgrove). Electricity was replacing gas and Melbourne theatres were now cooler during summer and pleasant during the winter months. The New Princess even had a dome that could be opened leaving the sky visible to the audience. During the 1880s every play of any real importance, which had been produced in London or New York, was placed before the Australian theatregoer. Australians were better served than many international cities, and at a far less charge than was made to British or American audiences. I have spent considerable time acturately researching the exact dates for the various productions in the following pages. Often changes in programme were organised too late for newspaper advertising. Sometimes reviewers never actually sat through an entire performance. With several different works opening in different theatres reviewers would often just put in a short appearance - enough time to comment on the performers, scenery, costumes, orchestra, etc. Reviewers would often be known by a pseudonym. References to "Scalfax" in the following pages refers to Harry Wilby Taylor, a freelance jounalist who wrote with an unbiased judgement and with a tongue firmly implanted in his cheek. This period is a very important one for Australian Theatre. Click the years on the left and check out what was happening at that time in Melbourne. |
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background-color: #ffff99;
}
AN IMPORTANT PERIOD IN AUSTRALIAN HISTORY By the 1850s Melbourne was said to be one of the richest cities in the world. This was due to the discovery of gold in nearby Ballarat. By the 1880s Melbourne was a properous thriving centre and that meant that the city needed entertainment. In 1888 Melbourne boasted no less than five very large auditoriums and smaller performances were also staged at venues like the Masonic Hall, the Town-Hall, the Athenæum Hall, the Victoria Hall and St. George's Hall. These smaller stages were host to a wide variety of comedians, ventriloquists, song recitalists, local dance troupes, bellringers, boxing, wrestling and even a visiting group of Swiss Mountain yodellers. The people of Melbourne were ready to lap up any sort of entertainment and 'Full House' signs were continually posted throughout this period. If audiences began to dwindle then within a matter of days works would be withdrawn, or revamped, in the hope of increasing the box-office. Just as today one is spoilt for choice on the number of movie screens listed in the local paper then in 1880s the same applied to theatrical entertainment. In 1888 Melbourne's main theatres were the Alexander Theatre (Lesses and Manager, Alfred Dampier), the Theatre Royal (Messrs Williamson, Garner and Musgrove), the Bijou (Mr Brough and Mr Boucloault), the H.M. Opera House (Martin Simonsen) and the spectacular New Princess Theatre (Messrs Williamson, Garner and Musgrove). Electricity was replacing gas and Melbourne theatres were now cooler during summer and pleasant during the winter months. The New Princess even had a dome that could be opened leaving the sky visible to the audience. During the 1880s every play of any real importance, which had been produced in London or New York, was placed before the Australian theatregoer. Australians were better served than many international cities, and at a far less charge than was made to British or American audiences. I have spent considerable time acturately researching the exact dates for the various productions in the following pages. Often changes in programme were organised too late for newspaper advertising. Sometimes reviewers never actually sat through an entire performance. With several different works opening in different theatres reviewers would often just put in a short appearance - enough time to comment on the performers, scenery, costumes, orchestra, etc. Reviewers would often be known by a pseudonym. References to "Scalfax" in the following pages refers to Harry Wilby Taylor, a freelance jounalist who wrote with an unbiased judgement and with a tongue firmly implanted in his cheek. This period is a very important one for Australian Theatre. Click the years on the left and check out what was happening at that time in Melbourne. |
At the Opera House 'Sinbad' finally finished its long run on Friday February 13th.
On Saturday February 14th there was a reappearance by George Rignold this time in Bartley Campbell's romantic drama 'My Partner'. George Rignold originally played the same role in London. "Mr. Rignold's representation of the hero of the drama was an excellent piece of acting." (Age) "None of the performers displayed any special ability, and the performance met with the disproval of the rowdy portion of the audience." (Scalfax)
There was no stopping the popularity of 'Cinderella' at the Theatre Royal. By the end of February over 150,000 people had seen the production. "The houses continue to be as good as ever, and the piece is received with the same cordiality as on its first production" (Daily Telegraph)
At the Bijou 'Confusion' continued most of February finally finishing on Thursday February 26th. The company then headed for Sydney.
Mr. R.P. Whitworth's comedy 'Fortune's Wheel, or Captain Ginger Married and Settled' was first produced, by a scratch company, for the first time on Friday 27th. This work was a continuation of the well known Bryon comedy 'Our Girls'.
| Bijou |
The Majeroni Dramatic Company opened on Saturday March 7th with 'Fedora' by Victorieu Sardou. Reviews were positive especially for Signor Eduardo Majeroni and his wife Giulia. "The characters of Fedora and Loris take up so much of the play that there is comparatively small scope for other actors engaged in it to distinguish themselves." (Age)
| Opera House |
'My Partner' concluded on March 6th. On the 7th George Rignold appeared in the emotional drama 'Amos Clark' by Watts-Phillips (1825-1874). This was a role he had originally played in London and six years earlier in Melbourne. "As Amos Clark, Mr. Rignold was, as before, successful in giving and excellent representation of a thoroughly congenial character, and rising at times to a highly effective portrayal of character" (Argus) "Mr. Rignold's representation of the character of Amos Clark...was on the whole a very meritorious performance, and in some of the more stirring scenes he exhibited great dramatic power." (Age) On the 21st, 23rd and 24th there were performances of the Irish drama 'Clancarty' (Editor's note: this was probably 'Lady Clancarty' by Tom Taylor) and on the 25th, 26th and 27th 'My Partner'.
Opening on Saturday March 28th was the first production in Australia of 'Called Back', by Hugh Conway, based on his novel. This play had run for over 250 performances in London. "The authors have achieved much greater success in the performance of their task than might have been anticipated, and the adaptation, which was submitted to the judgement of a colonial audience for the first time on Saturday evening, has the qualities of a successful drama." (Age).
| Theatre Royal |
'Cinderella' finally finished its long and successful run on Saturday March 28th clocking up a total of 80 performances.
| Opera House |
'Called Back' continued all April. "Mr. Geo. Rignold surprised his most ardent admirers so well did he illustrate the diabolical ferocity of Macari that the audience expressed their indignation at his conduct by groans and hisses." (Daily Telegraph)
| Theatre Royal |
The Williamson, Garner and Musgrove Royal Comic Opera Company opened a season commencing on April the 4th. The first production was 'La Petite Mademoiselle', by Charles Lecocq, having its first production in Australia. The cast included Signor Brocolini, making his first appearance on the Australian stage, who "at once established himself as a favourite, his first song receiving an emphatic encore." Also in the cast were Aggie Kelton, Maggie Stewart, W.H. Woodfield and Emma Chambers who "played the part of Jacqueline with vivacity and chic, but sang painfully out of tune." (Age) The work continued successfully the rest of the month. (Editor's note: 'La Petite Mademoiselle' was first produced in Paris and London in 1879. The English libretto was by Messers Reece and Harry S. Leigh.)
| Bijou |
'Fedora' finished its season on Friday April 10th. On Saturday the 11th Ohnet's 'Le Maitre de Forges' was produced. (Editor's note: This had played in London under the title 'The Ironmaster' which in itself was an adaptation and translation of something called 'The Foundry Master') The production was "viewed as an artistic achievement, the Claire of Signora Majeroni demands almost unqualified praise." (Argus) The final night was on Thursday April 23rd. On Friday the 24th there was a farewell benefit to Madame Majeroni with Sardou's 'A Scrap of Paper'.
On April 25th saw the inaugural performance of Messes Majeroni and Wilsons Comic Opera Company. The interior of the theatre had been redecorated and recarpeted and the electric light had been installed. The opening work was was 'La Fille de Madame Angot' with a cast that included Charles Harding, Gracie Plaisted and Frances Saville. "Exception must be taken to the tempo adopted in some parts of the opera, several numbers being too hurried, robbing elegant musical phrases of their charm and distorting the meaning of the composer." (Age)


The “Uncopyable object” problem
Here I detail why most objects are not copyable and what it would take to get them copyable.
The crux of the problem is that librdf_uri* is not a copyable entity. This is by design in redland. When you try to create a new librdf_uri redland will check the existing uri’s and if it finds a match, it’ll return it, instead of making a new one. Note that even the librdf_new_uri_from_uri function which is stated to be a copy constructor in the redland docs, only takes shallow copies. Practically, this means that redland returns the same librdf_uri pointer but increments the librdf_uri count attribute.
This has significant implications for pretty much all omexmeta objects, particularly in the annotation creation API. In order to make copy constructors, the underlying reference counter system must be manipulated correctly. On the surface this sounds easy, you just add 1 whenever you copy and subtract 1 whenever you delete, unless the count is at 1 in which case you call free. The problem is that the redland libraries are complicated and the documentation is terrible (and outdated). So this strategy will theoretically work, if you get it right, but its very easy to get wrong without intimate knowledge of the redland libraries. Really, the whole reference counter system should be replaced with a std::shared_ptr to handle this automatically, but this is not a small task.
The solution, which isn’t ideal but a compromise, is to enforce the objects in the redland c++ wrapper to be unique by disabling the copy constructor and copy assignment constructor. Note, this is the same strategy employed by std::unique_ptr. Practically, this means that objects must be moved using std::move instead of copied. This is quite a restriction on what is possible and sometimes the most straight forward design needs to be modified to account for this. In fact, its a bit like programming with both arms tied behind your back, and you certainly feel like mashing your face against the keyboard sometimes.


| Name |
Type |
Description |
| name [required] |
string
|
Name of the package, used to uniquely identify the package. Must be comprised of only lower case ASCII alpha-numeric characters, "-" or "_". |
| description [required for publishing] |
string
|
Brief description of the package |
| homepage |
string
|
URL of the project website |
| authors |
string[]
|
List of project authors |
| copyright |
string
|
Copyright declaration string |
| license [required for publishing] |
string
|
License(s) under which the project can be used - see the license specification section for possible values |
| subPackages |
T[]
|
Defines an array of sub-packages defined in the same directory as the root project, where each entry is either a path of a sub folder or an object of the same formatas a dub.json file - see the sub package section for more information |
| configurations |
T[]
|
Speficies an optional list of build configurations (specified using "--config=...") - see the configurations section for more details |
| buildTypes |
T[string]
|
Defines additional custom build types or overrides the default ones (specified using "--build=...") - see the build types section for an example |
| -ddoxFilterArgs |
string[]
|
Specifies a list of command line flags usable for controlling filter behavior for --build=ddox [experimental] |
| Name |
Type |
Description |
| dependencies |
T[string]
|
List of project dependencies given as pairs of "<name>" : <version-spec> - see next section for how version specifications look like |
| systemDependencies |
string
|
A textual description of the required system dependencies (external C libraries) required by the package. This will be visible on the registry and will be displayed in case of linker errors. |
| targetType |
string
|
Specifies a specific target type - this field does not support platform suffixes |
| targetName |
string
|
Sets the base name of the output file; type and platform specific pre- and suffixes are added automatically - this field does not support platform suffixes |
| targetPath |
string
|
The destination path of the output binary - this field does not support platform suffixes |
| workingDirectory |
string
|
A fixed working directory from which the generated executable will be run - this field does not support platform suffixes |
| subConfigurations |
string[string]
|
Locks the dependencies to specific configurations; a map from package name to configuration name, see also the configurations section - this field does not support platform suffixes |
| buildRequirements |
string[]
|
List of required settings for the build process. See the build requirements section for details. |
| buildOptions |
string[]
|
List of build option identifiers (corresponding to compiler flags) - see the build options section for details. |
| libs |
string[]
|
A list of external library names - depending on the compiler, these will be converted to the proper linker flag (e.g. "ssl" might get translated to "-L-lssl") |
| sourceFiles |
string[]
|
Additional files passed to the compiler - can be useful to add certain configuration dependent source files that are not contained in the general source folder |
| sourcePaths |
string[]
|
Allows to customize the path where to look for source files (any folder "source" or "src" is automatically used as a source path if no sourcePaths field is given) - note that you usually also need to define "importPaths" as "sourcePaths" don't influence those |
| excludedSourceFiles |
string[]
|
Files that should be removed for the set of already added source files (takes precedence over "sourceFiles" and "sourcePaths") - Glob matching can be used to pattern match multiple files at once |
| mainSourceFile |
string
|
Determines the file that contains the main() function. This field can be used by dub to exclude this file in situations where a different main function is defined (e.g. for "dub test") - this field does not support platform suffixes |
| copyFiles |
string[]
|
Files that are copied to the applications directory - typically these are DLLs on Windows |
| versions |
string[]
|
A list of D versions to be defined during compilation |
| debugVersions |
string[]
|
A list of D debug identifiers to be defined during compilation |
| importPaths |
string[]
|
Additional import paths to search for D modules (the source/ folder is used by default as a source folder, if it exists) |
| stringImportPaths |
string[]
|
Additional import paths to search for string imports/views (the views/ folder is used by default as a string import folder, if it exists) |
| preGenerateCommands |
string[]
|
A list of shell commands that is executed before project generation is started |
| postGenerateCommands |
string[]
|
A list of shell commands that is executed after project generation is finished |
| preBuildCommands |
string[]
|
A list of shell commands that is executed always before the project is built |
| postBuildCommands |
string[]
|
A list of shell commands that is executed always after the project is built |
| dflags |
string[]
|
Additional flags passed to the D compiler - note that these flags are usually specific to the compiler in use, but a set of flags is automatically translated from DMD to the selected compiler |
| lflags |
string[]
|
Additional flags passed to the linker - note that these flags are usually specific to the linker in use |
| Value |
Description |
| "autodetect" |
Automatically detects the target type. This is the default global value and causes dub to try and generate "application" and "library" configurations. Use of other values limits the auto-generated configurations to either of the two. This value is not allowed inside of a configuration block. |
| "none" |
Does not generate an output file. This is useful for packages that are supposed to drag in other packages using its "dependencies" field. |
| "executable" |
Generates an executable binary |
| "library" |
Specifies that the package is to be used as a library, without limiting the actual type of library. This should be the default for most libraries. |
| "sourceLibrary" |
This target type does not generate a binary, but rather forces dub to add all source files directly to the same compiler invocation as the dependent project. |
| "staticLibrary" |
Forces output as a static library container. |
| "dynamicLibrary" |
Forces output as a dynamic/shared library. |
| Value |
Description |
| "allowWarnings" |
Warnings do not abort compilation |
| "silenceWarnings" |
Don't show warnings |
| "disallowDeprecations" |
Using deprecated features aborts compilation |
| "silenceDeprecations" |
Don't show deprecation warnings |
| "disallowInlining" |
Avoid function inlining, even in release builds |
| "disallowOptimization" |
Avoid optimizations, even in release builds |
| "requireBoundsCheck" |
Always perform bounds checks |
| "requireContracts" |
Leave assertions and contracts enabled in release builds |
| "relaxProperties" |
Do not enforce strict property handling (removes the -property switch) [deprecated, recent versions of DUB never issue -property] |
| "noDefaultFlags" |
Does not emit build type specific flags (e.g. -debug, -cov or -unittest). Note that this flag should never be used for released packages and is indended purely as a development/debugging tool. Using "-build=plain" may also be a more appropriate alternative. |
| Value |
Description |
Corresponding DMD flag |
| "debugMode" |
Compile in debug mode (enables contracts) |
-debug |
| "releaseMode" |
Compile in release mode (disables assertions and bounds checks) |
-release |
| "coverage" |
Enable code coverage analysis |
-cov |
| "debugInfo" |
Enable symbolic debug information |
-g |
| "debugInfoC" |
Enable symbolic debug information in C compatible form |
-gc |
| "alwaysStackFrame" |
Always generate a stack frame |
-gs |
| "stackStomping" |
Perform stack stomping |
-gx |
| "inline" |
Perform function inlining |
-inline |
| "noBoundsCheck" |
Disable all bounds checking |
-noboundscheck |
| "optimize" |
Enable optimizations |
-O |
| "profile" |
Emit profiling code |
-profile |
| "unittests" |
Compile unit tests |
-unittest |
| "verbose" |
Verbose compiler output |
-v |
| "ignoreUnknownPragmas" |
Ignores unknown pragmas during compilation |
-ignore |
| "syntaxOnly" |
Don't generate object files |
-o- |
| "warnings" |
Enable warnings, enabled by default (use "buildRequirements" to control this setting) |
-wi |
| "warningsAsErrors" |
Treat warnings as errors (use "buildRequirements" to control this setting) |
-w |
| "ignoreDeprecations" |
Do not warn about using deprecated features (use "buildRequirements" to control this setting) |
-d |
| "deprecationWarnings" |
Warn about using deprecated features, enabled by default (use "buildRequirements" to control this setting) |
-dw |
| "deprecationErrors" |
Stop compilation upon usage of deprecated features (use "buildRequirements" to control this setting) |
-de |
| "property" |
Enforce property syntax - deprecated |
-property |
| Name |
Build options |
| plain |
[] |
| debug |
["debugMode", "debugInfo"] |
| release |
["releaseMode", "optimize", "inline"] |
| unittest |
["unittests", "debugMode", "debugInfo"] |
| docs |
["syntaxOnly"] , plus "dflags": ["-c", "-Dddocs"] |
| ddox |
["syntaxOnly"] , plus "dflags": ["-c", "-Df__dummy.html", "-Xfdocs.json"] |
| profile |
["profile", "optimize", "inline", "debugInfo"] |
| cov |
["coverage", "debugInfo"] |
| unittest-cov |
["unittests", "coverage", "debugMode", "debugInfo"] |


| [<-,PaletteOfStyles-method {diffobj} | R Documentation |
Extract/Replace a Style Class or Object from PaletteOfStyles
## S4 replacement method for signature 'PaletteOfStyles' x[i, j, ...] <- value ## S4 method for signature 'PaletteOfStyles,ANY,ANY,ANY' x[i, j, ..., drop = FALSE] ## S4 method for signature 'PaletteOfStyles' x[[i, j, ..., exact = TRUE]]
x |
a |
i |
numeric, or character corresponding to a valid style |
j |
numeric, or character corresponding to a valid style
|
... |
pass a numeric or character corresponding to a valid
|
value |
|
drop |
TRUE or FALSE, whether to drop dimensions, defaults to FALSE, which is different than generic |
exact |
passed on to generic |
a Style
ClassRepresentation
object or
Style
object for [[
, and a list of the same for
[
diffPrint
for explanations of format
,
brightness
, and color.mode
pal <- PaletteOfStyles() pal[["ansi256", "light", "rgb"]] pal["ansi256", "light", ] pal["ansi256", "light", "rgb"] <- list(StyleAnsi8NeutralRgb())


lwIP code documentationerr.cGo to the documentation of this file.00001 /* 00002 * Copyright (c) 2001-2003 Swedish Institute of Computer Science. 00003 * All rights reserved. 00004 * 00005 * Redistribution and use in source and binary forms, with or without modification, 00006 * are permitted provided that the following conditions are met: 00007 * 00008 * 1. Redistributions of source code must retain the above copyright notice, 00009 * this list of conditions and the following disclaimer. 00010 * 2. Redistributions in binary form must reproduce the above copyright notice, 00011 * this list of conditions and the following disclaimer in the documentation 00012 * and/or other materials provided with the distribution. 00013 * 3. The name of the author may not be used to endorse or promote products 00014 * derived from this software without specific prior written permission. 00015 * 00016 * THIS SOFTWARE IS PROVIDED BY THE AUTHOR ``AS IS'' AND ANY EXPRESS OR IMPLIED 00017 * WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF 00018 * MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT 00019 * SHALL THE AUTHOR BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, 00020 * EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT 00021 * OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS 00022 * INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN 00023 * CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING 00024 * IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY 00025 * OF SUCH DAMAGE. 00026 * 00027 * This file is part of the lwIP TCP/IP stack. 00028 * 00029 * Author: Adam Dunkels<EMAIL_ADDRESS>00030 * 00031 */ 00032 00033 #include "lwip/err.h" 00034 00035 #ifdef LWIP_DEBUG 00036 00037 static char *err_strerr[] = {"Ok.", 00038 "Out of memory error.", 00039 "Buffer error.", 00040 "Connection aborted.", 00041 "Connection reset.", 00042 "Connection closed.", 00043 "Not connected.", 00044 "Illegal value.", 00045 "Illegal argument.", 00046 "Routing problem.", 00047 "Address in use." 00048 }; 00049 00050 /*-----------------------------------------------------------------------------------*/ 00051 char * 00052 lwip_strerr(err_t err) 00053 { 00054 return err_strerr[-err]; 00055 00056 } 00057 /*-----------------------------------------------------------------------------------*/ 00058 00059 #endif /* LWIP_DEBUG */ |


Home
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CSB v1.2.5.d7fd331
[
frames
] |
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]
[
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|
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|
Deprecations
]
Identifier Index
[
A
B
C
D
E
F
G
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I
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S
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U
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_
]
C
C
(in
ChemElements
)
close()
(in
TempFolder
)
Connection
(in
BenchmarkAdapter
)
c_alpha
(in
ResidueAssignmentInfo
)
close()
(in
RepositoryImp
)
connection_string()
(in
BenchmarkAdapter
)
Ca
(in
ChemElements
)
close()
(in
SQLiteRepository
)
consensus
(in
ProfileHMM
)
calculate_history()
(in
ReplicaHistory
)
closest()
(in
ChemShiftTargetResidue
)
consistency
(in
ClusterRep
)
calculate_image()
(in
Deconvolution
)
closest()
(in
TargetResidue
)
Console
(in
csb.build
)
calculate_projected_trajectories()
(in
ReplicaHistory
)
cluster2d
(in
ClansParams
)
Console
(in
csb.test
)
calculate_statistics()
(in
MaxentModel
)
ClusterDivergingError
(in
csb.bio.fragments
)
ContactMap
(in
csb.bio.nmr
)
calculate_trajectories()
(in
ReplicaHistory
)
ClusterEmptyError
(in
csb.bio.fragments
)
ContactMapComparisonInfo
(in
csb.bio.nmr
)
calibrate_hmm()
(in
ProfileBuilder
)
ClusterExhaustedError
(in
csb.bio.fragments
)
contacts
(in
ContactMap
)
CALPHAS()
(in
Filters
)
ClusterNode
(in
csb.bio.fragments
)
Container
(in
csb.core
)
CARBONS()
(in
Filters
)
ClusterRep
(in
csb.bio.fragments
)
contains()
(in
AtomConnectivity
)
Case
(in
csb.test
)
Cm
(in
ChemElements
)
contains()
(in
SequenceAlphabets
)
Cd
(in
ChemElements
)
Co
(in
ChemElements
)
content()
(in
TempFile
)
Ce
(in
ChemElements
)
CODEC
(in
FastResidueMapper
)
Context
(in
csb.apps.hhsearch
)
center_of_mass()
(in
csb.bio.utils
)
Coil
(in
SecStructures
)
convert()
(in
SecondaryShiftConverter
)
centroid
(in
ClusterRep
)
CollectionContainer
(in
csb.core
)
convert_scores()
(in
ProfileHMM
)
centroid()
(in
FragmentCluster
)
CollectionIndexError
(in
csb.core
)
convolve()
(in
csb.numeric
)
centroids()
(in
BenchmarkAdapter
)
collision_interval
(in
ThermostattedMDRENSSwapParameterInfo
)
cooling
(in
ClansParams
)
Cf
(in
ChemElements
)
collision_probability
(in
ThermostattedMDRENSSwapParameterInfo
)
coords
(in
ClansEntry
)
chain
(in
RosettaFragment
)
color
(in
ClansSeqgroup
)
copy()
(in
ResidueInfo
)
chain
(in
EntryID
)
Color
(in
csb.bio.io.clans
)
copy()
(in
TorsionAngles
)
chain
(in
ResidueInfo
)
colors
(in
ClansParams
)
copy()
(in
ColumnInfo
)
chain
(in
ContactMap
)
column()
(in
Table
)
core
(in
csb
)
Chain
(in
csb.bio.structure
)
ColumnIndexer
(in
csb.bio.sequence
)
corr()
(in
Util
)
chain()
(in
ProfileHMM
)
ColumnInfo
(in
csb.bio.sequence
)
correlate()
(in
csb.numeric
)
chain_id
(in
Target
)
ColumnInfo
(in
csb.io.tsv
)
correlation
(in
Deconvolution
)
ChainNotFoundError
(in
csb.bio.structure
)
ColumnPositionError
(in
csb.bio.sequence
)
count
(in
ClusterRep
)
ChainResiduesCollection
(in
csb.bio.structure
)
columns
(in
AbstractAlignment
)
count
(in
FragmentCluster
)
chains
(in
Structure
)
columns
(in
AlignedSequenceAdapter
)
count()
(in
RepositoryImp
)
ChainSequence
(in
csb.bio.sequence
)
columns
(in
Chart
)
count()
(in
SQLiteRepository
)
charge
(in
Atom
)
columns
(in
DataRow
)
CPU
(in
Options
)
Chart
(in
csb.io.plots
)
columns
(in
Table
)
cpu
(in
HHsearch
)
check_angle()
(in
TorsionAngles
)
CombinedResidueMapper
(in
csb.bio.io.wwpdb
)
Cr
(in
ChemElements
)
check_equal_length()
(in
State
)
command
(in
HHpredHitList
)
CRASH
(in
ExitCodes
)
check_flat_array()
(in
State
)
command_line()
(in
AppRunner
)
create()
(in
ProfileBuilder
)
ChemElements
(in
csb.bio.structure
)
command_line()
(in
AppRunner
)
create()
(in
PredictionBuilder
)
ChemicalShiftContainer
(in
csb.bio.io.vasco
)
command_line()
(in
AppRunner
)
create()
(in
ClusterNode
)
ChemicalShiftNetwork
(in
csb.bio.nmr
)
command_line()
(in
AppRunner
)
create()
(in
ChemShiftReader
)
ChemShift3Reader
(in
csb.bio.io.cs
)
command_line()
(in
AppRunner
)
create()
(in
OutputBuilder
)
ChemShiftAssignment
(in
csb.bio.fragments
)
command_line()
(in
AppRunner
)
create()
(in
EntryID
)
ChemShiftAssignmentFactory
(in
csb.bio.fragments
)
command_line()
(in
AppRunner
)
create()
(in
SparseChainSequence
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ChemShiftFormatError
(in
csb.bio.io.cs
)
command_line()
(in
AppRunner
)
create()
(in
ChainSequence
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ChemShiftInfo
(in
csb.bio.nmr
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command_line()
(in
AppRunner
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(in
RichSequence
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ChemShiftReader
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csb.bio.io.cs
)
command_line()
(in
AppRunner
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create()
(in
CompositeEntityIterator
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ChemShiftScoringModel
(in
csb.bio.nmr
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command_line()
(in
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create()
(in
Residue
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ChemShiftTarget
(in
csb.bio.fragments
)
compare()
(in
ContactMap
)
create()
(in
Enum
)
ChemShiftTargetResidue
(in
csb.bio.fragments
)
complement()
(in
RosettaFragmentMap
)
create()
(in
RepositoryImp
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ChunkedReader
(in
SQLiteRepository
)
complexatt
(in
ClansParams
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create()
(in
SQLiteRepository
)
circmean()
(in
csb.statistics
)
components()
(in
AbstractEntity
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create()
(in
TrajectoryBuilder
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circvar()
(in
csb.statistics
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CompositeEnsemble
(in
csb.statmech.ensembles
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create_deletion()
(in
StateFactory
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Cl
(in
ChemElements
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CompositeEntityIterator
(in
csb.bio.structure
)
create_gap()
(in
AbstractResidueMapper
)
clans
(in
csb.bio.io
)
compute()
(in
TorsionAnglePredictor
)
create_insertion()
(in
StateFactory
)
Clans
(in
csb.bio.io.clans
)
compute_single()
(in
TorsionAnglePredictor
)
create_match()
(in
StateFactory
)
clans_instance
(in
ClansParser
)
compute_torsion()
(in
Chain
)
create_parser()
(in
AbstractStructureParser
)
ClansEntry
(in
csb.bio.io.clans
)
compute_torsion()
(in
ProteinResidue
)
cs
(in
csb.bio.io
)
ClansEntryCollection
(in
csb.bio.io.clans
)
conditional()
(in
MultivariateGaussian
)
Cs
(in
ChemElements
)
ClansFileBuilder
(in
csb.bio.io.clans
)
confidence
(in
ClusterRep
)
csb
ClansFileWriter
(in
csb.bio.io.clans
)
config
(in
Case
)
csfrag
(in
csb.apps
)
ClansParams
(in
csb.bio.io.clans
)
Config
(in
csb.test
)
CSfrag
(in
csb.apps.csfrag
)
ClansParser
(in
csb.bio.io.clans
)
configure_input()
(in
FASTAProfileBuilder
)
CSfragApp
(in
csb.apps.csfrag
)
ClansSeqgroup
(in
csb.bio.io.clans
)
configure_input()
(in
PDBProfileBuilder
)
Cu
(in
ChemElements
)
ClansSeqgroupCollection
(in
csb.bio.io.clans
)
configure_input()
(in
ProfileBuilder
)
Cumulative
(in
csb.statistics
)
CLEAN
(in
ExitCodes
)
ConfinedEntityIterator
(in
csb.bio.structure
)
cumulative_density()
(in
Cumulative
)
client_disposed()
(in
Backend
)
ConformerMixture
(in
csb.statistics.mixtures
)
currcool
(in
ClansParams
)
clone()
(in
ChemShiftTarget
)
connect()
(in
ChemicalShiftNetwork
)
current_state
(in
SimpleProposalCommunicator
)
clone()
(in
Target
)
connect()
(in
ContactMap
)
CUSTOM
(in
Attributes
)
clone()
(in
ChemShiftInfo
)
connect()
(in
NOESpectrum
)
custom()
(in
csb.test
)
clone()
(in
Atom
)
connected()
(in
AtomConnectivity
)
CustomStructureProvider
(in
csb.bio.io.wwpdb
)
clone()
(in
Chain
)
connected()
(in
ContactMap
)
CustomTestBuilder
(in
csb.test
)
clone()
(in
Residue
)
connected_atoms()
(in
AtomConnectivity
)
cutoff
(in
ContactMap
)
clone()
(in
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)
connected_dimensions()
(in
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)
CYS
(in
ProteinAlphabet
)
clone()
(in
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)
connected_dimensions()
(in
NOESpectrum
)
CYS
(in
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)
close()
(in
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)
connected_shifts()
(in
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)
Cytosine
(in
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)
close()
(in
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)
connectedness
(in
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Hive Monitor v1: A Pi on the Roof
Here’s a prototype I’m working on for monitoring a hive’s temperature and audio. The brains of the operation is a Raspberry Pi 4 running Raspbian. Here’s what it looks like on the inside:
Temperature Data Collection
I’m measuring hive temperature with two sensors:
- k-type thermocouple and amplifier (MAX6675) for internal temperature
- infrared thermopile (TMP006) for ambient temperature
Ideally I’d use just thermocouples, but these are the only sensors I have on hand. I have some of the data I collected from this setup at the end of this article.
I’m using a python library to read the temperature every ten seconds. The logging scheme is decidedly un-fancy – I’m just appending a text file with timestamped readings. Here’s the basic idea:
while True:
with open("temp.txt", "a") as f:
dat = datetime.datetime.now()
t1, t2, t3 = 0, 0, 0
try:
t1 = sensor1.readTempC()
t2 = sensor2.readDieTempC()
t3 = sensor2.readObjTempC()
except:
print "An error occured"
f.write(','.join([dat, t1, t2, t3]) + "\n")
time.sleep(10.0)
Initially, I wrote the script with the open
statement outside the loop, like so…
with open("temp.txt", "a") as f:
while True:
f.write('something')
time.sleep(10.0)
… to save on the cost of reopening the file for each iteration of the loop. But this code doesn’t update the file after every call to f.write('...')
, thanks to the magic of unnecessary file buffering.
This can be fixed by calling f.flush()
after every f.write()
, or specifying a buffer length of 0: open('temp.txt', 'a', 0)
.
Audio Data Collection
Audio is coming from an old Guitar Hero USB mic I cannibalized. On the Pi, I’m using arecord in a bash script more or less like this:
while [true]
arecord --device sysdefault:CARD=1 --format S16_LE --rate 11025 --channels=1 --duration 3600 out.wav || break;
This is just recording an hour (3600 seconds) of mono (1 channel) sound (16 bit samples, little endian) at 11025 samples per second.
Why am I recording at 11025 Hz instead of the standard 44.1kHz? Some papers12 indicate that bee communication sounds are composed of a low fundamental frequency between 300 and 600Hz and the corresponding harmonics. Therefore, the Nyquist sampling rate is 1200 Hz, but that makes for some gnarly audio.
Besides, the standard 44.1kHz stereo signal is ~10MB per minute. The mono 11kHz signal is ~1.25 MB per minute, which is a tolerable 1.8GB per day. For data safety and ease of processing, I’m recording the audio data as 1-hour wav files.
Networking
The Pi is connected via WLAN to an old AirPort Extreme. From the house, I can connect to the network and ssh
into the Pi to download the data, modify scripts, etc. Here’s a technical schematic showing this network configuration:
To keep data collection running after I close the session, I’m running tmux
and detaching. There are other ways to do this, like nohup
, screen
, disown
, bg
, etc., but tmux
is part of my regular workflow.
From my laptop, I can run a small script to switch networks and download the data every so often:
#!/bin/bash
echo "Connecting to beenet..."
networksetup -setairportnetwork en0 beenet password
echo "Downloading data..."
scp pi@raspberrypi.local:~/bees/temp.txt .
echo "Connecting to home network..."
networksetup -setairportnetwork en0 homenet password
This data collection scheme is fine for prototyping, but would be very inconvenient for live metrics.
Housing
These sensors are arranged in a crappy box made from literal garbage – plywood and pallet wood I found in a dumpster. Here’s what it looks like all assembled:
Data
Here is what the initial data looks like from this setup:
As you can see, the TMP006 produces two readings: object temperature (the reading from the surface the thermopile is pointed at) and die temperature (the temperature from the die itself). For more info see the TMP006 user guide.
The large spike on 4/24 was due to the hive being in direct sunlight. The night of the 24th, we placed shade covers over the hives to prevent them from overheating. This clearly made a difference.
Why do bees thermoregulate?
Bees work hard to keep the temperature of the hive just right. But why? The later-stage young, called pupae, are like little Goldilocks – they need to be kept between 33 and 36ºC (91.4 - 96.8ºF) to prevent physical and behavioral defects. Pupae develop in sealed-off cells of the honeycomb, called “capped brood cells.” Here’s a picture I took of some capped brood cells:
If these cells get too hot, workers use evaporative cooling – they splash the cells with water and fan them with their wings. If the cells get too cold, workers will vibrate their flight muscles to produce heat. Here is what the heating process looks like under a thermal camera.3
Conclusions
-
Using IR sensor for ambient temperature is bad – My hope was that the attic measurements could be used as a baseline for comparison with the inside of the hive (i.e. it would provide the ambient temperature inside a wooden box, thus accounting for any insulation that the hive boxes provide). In theory, then, the difference between the attic temperature and the hive temperature would be due entirely to bee activity. But this is not necessarily the case, due to:
-
differences in sensor properties (e.g. rate of heat absorption of the IR die vs the thermocouple) → can be fixed by using a thermocouple
-
differences in construction between the hive boxes (solid wood, painted white) and the attic (plywood top and bottom, solid wood sides, unpainted) → can be re-made
-
interactions between the attic and the hive boxes (e.g. attic absorbes most of the sunlight at noon, and heat transfer between the hive boxes and the attic) → not yet sure how this can be addressed
-
-
My sampling rate is too high – A reading every ten seconds is excessive. It’s clear that interesting events happen over the course of minute, not seconds. The BUR dataset resolution of one hour might be a little coarse, but I feel comfortable sampling every 5 minutes (30 times fewer datapoints than the current setup).
-
Qandour, Amro & Ahmad, Iftekhar & Habibi, Daryoush & Leppard, Mark. Remote Beehive Monitoring using Acoustic Signals. Acoustics Australia / Australian Acoustical Society. 42. 204-209. 2014. ↩
-
M. Hrncir, F. G. Barth, and J. Tautz, “32 vibratory and airborne-sound signals in bee communication (hymenoptera),” Insect Sounds and Communication: Physiology, Behaviour, Ecology, and Evolution, p. 421, 2005. ↩
-
Stabentheiner A, Kovac H, Brodschneider R. Honeybee colony thermoregulation–regulatory mechanisms and contribution of individuals in dependence on age, location and thermal stress. PLoS One. 2010;5(1):e8967. Published 2010 Jan 29. pdf ↩


Distributed Networks: Intelligence, Security, and Applications
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Observable it is subscribed to
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a sequence of items observed by this Subscriber, in the order in which they were observed
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Note: To complete these procedures, you must be assigned a role having the necessary permissions. To determine your role, follow the directions in Participant roles. For a basic understanding of roles and permissions, see Permissions and roles: Overview.
To reorder items in Resources, from the Actions
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On the Reorder page, move an item within the folder by clicking the
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{% extends "base.html" %} {% load static %} {% block title %}Chicago City Council, demystified{% endblock %} {% block full_content %}
Search {{CITY_NAME}} legislation
Chicago City Council consists of 50 elected alders and meets monthly to shape the city. The council works with Brandon Johnson, the Mayor, and Anna Valencia, the City Clerk.
Chicago Councilmatic tracks all things related to Chicago City Council:
More on how City Council works »
Note that while the official term for a City Council member is “alderman,” Councilmatic uses “alder” for both brevity and gender neutrality.
The Mayor proposes most city-wide policies. These include business transactions, changes to the municipal code, bond issuance and appointments.
At the local level, matters like land use, signs, street parking, business permits, and other residents issues require the local Alder's support.
{{next_council_meeting.start_time | date:"D n/d/Y"}}
{{next_council_meeting.start_time| date:"g:ia"}}
Council Chambers, City Hall
121 N LaSalle St, Chicago, IL
{{event.start_time | date:"D"}} {{event.start_time | date:"m/d"}} - {{ event.link_html | safe }}
{% endfor %}At the latest City Council meeting on {{last_council_meeting.start_time | date:"M jS"}}, council members took action on {{council_bills | length}} pieces of legislation, including {{nonroutine_council_bills | length}} that are non-routine.
One of the more unusual aspects of Chicago City Council is the volume of ordinances that are introduced and passed every month. Most of these are routine items like sign permits, damaged vehicle claims, sidewalk cafe approvals and honorifics.
To help sort through all of this, we classify all legislation and tag it appropriately. If something doesn’t look like a routine piece of legislation, we tag it as Non-Routine to make it easier to discover.
{% if child.count == 0 %} {{child.count}} {% else %} {{child.count}} {% endif %} {{child.name}}
After {{last_council_meeting.start_time | date:"M jS"}}, City Council introduced {{recent_bills | length}} new pieces of legislation, including {{nonroutine_recent_bills | length}} that are non-routine.


| RAM Status : | |
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| Network Status : |
This project is an application of the cutting edge-technology present in the world. It is an application of Artificial Intelligence. It can recreate the scenarios that you've seen. By using the specialized modern Machine Learning algorithms. Our aim is to make this technology more efficient in such a way that it could be cost-effective and easily acessible. Keeping this in mind, we have attached our ML model using a modern WebStack (Angular + Python Flask) to make it easily accessible.


The above visualization shows how a set of randomly placed particles (greens) achieve
their given target (red) via swarm-based behavior. (Note: for the sake of dimensionless view,
the movement of particles is only shown on a single axis.)
- The target of the objective function here is 200.
- The number of particles is 50.
- Max velocity here is 100.
- Max number of epochs is 1000.


OneZero
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🕷 Python Status Code Checker with Response Headers
A mini crawler that only makes HEAD
requests to a known list of URLs. It
uses Scrapy under the hood, which means
you get all its power in a simplified interface for a simple and specific
use-case.
The crawl_headers()
function can be used to make those requests for
various quality assurance and analysis reasons. Since HEAD
requests don't
download the whole page, this makes the crawling super light on servers, and
makes the process very fast.
The function is straight-forward and easy to use, you basically need a list of URLs and a file path where you want to save the output (in .jl format):
import advertools as adv
import pandas as pd
url_list = ['https://advertools.readthedocs.io', 'https://adver.tools',
'https://www.dashboardom.com', 'https://povertydata.org']
adv.crawl_headers(url_list, 'output_file.jl')
headers_df = pd.read_json('output_file.jl', lines=True)
headers_df
url |
crawl_time |
status |
download_timeout |
download_slot |
download_latency |
depth |
protocol |
body |
resp_headers_content-length |
resp_headers_server |
resp_headers_date |
resp_headers_content-type |
resp_headers_content-encoding |
request_headers_accept |
request_headers_accept-language |
request_headers_user-agent |
request_headers_accept-encoding |
resp_headers_vary |
redirect_times |
redirect_ttl |
redirect_urls |
redirect_reasons |
resp_headers_x-amz-id-2 |
resp_headers_x-amz-request-id |
resp_headers_last-modified |
resp_headers_etag |
resp_headers_x-served |
resp_headers_x-backend |
resp_headers_x-rtd-project |
resp_headers_x-rtd-version |
resp_headers_x-rtd-path |
resp_headers_x-rtd-domain |
resp_headers_x-rtd-version-method |
resp_headers_x-rtd-project-method |
resp_headers_referrer-policy |
resp_headers_permissions-policy |
resp_headers_strict-transport-security |
resp_headers_cf-cache-status |
resp_headers_age |
resp_headers_expires |
resp_headers_cache-control |
resp_headers_expect-ct |
resp_headers_cf-ray |
resp_headers_alt-svc |
resp_headers_via |
|
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
0 |
2022-02-11 02:32:26 |
200 |
180 |
adver.tools |
0.0270483 |
0 |
HTTP/1.1 |
nan |
0 |
nginx/1.18.0 (Ubuntu) |
Fri, 11 Feb 2022 02:32:26 GMT |
text/html; charset=utf-8 |
gzip |
text/html,application/xhtml+xml,application/xml;q=0.9,...;q=0.8 |
en |
advertools/0.13.0.rc2 |
gzip, deflate |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
|
1 |
2022-02-11 02:32:26 |
200 |
180 |
povertydata.org |
0.06442 |
0 |
HTTP/1.1 |
nan |
13270 |
nginx/1.18.0 (Ubuntu) |
Fri, 11 Feb 2022 02:32:26 GMT |
text/html; charset=utf-8 |
gzip |
text/html,application/xhtml+xml,application/xml;q=0.9,...;q=0.8 |
en |
advertools/0.13.0.rc2 |
gzip, deflate |
Accept-Encoding |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
|
2 |
2022-02-11 02:32:26 |
200 |
180 |
advertools.readthedocs.io |
0.0271282 |
0 |
HTTP/1.1 |
nan |
0 |
cloudflare |
Fri, 11 Feb 2022 02:32:26 GMT |
text/html |
gzip |
text/html,application/xhtml+xml,application/xml;q=0.9,...;q=0.8 |
en |
advertools/0.13.0.rc2 |
gzip, deflate |
Accept-Encoding |
1 |
19 |
302 |
rNKT7MYjJ7hcnSvbnZg9qdqizeFfTx9YtZ3/gwNLj8M99yumuCgdd6YTm/iBMO9hrZTAi/iYl50= |
EE0DJX6Z511TGX88 |
Thu, 10 Feb 2022 17:04:27 GMT |
W/"14c904a172315a4922f4d28948b916c2" |
Nginx-Proxito-Sendfile |
web-i-0710e93d610dd8c3e |
advertools |
master |
/proxito/html/advertools/master/index.html |
advertools.readthedocs.io |
path |
subdomain |
no-referrer-when-downgrade |
interest-cohort=() |
max-age=31536000; includeSubDomains; preload |
HIT |
1083 |
Fri, 11 Feb 2022 04:32:26 GMT |
public, max-age=7200 |
max-age=604800, report-uri="https://report-uri.cloudflare.com/cdn-cgi/beacon/expect-ct" |
6dba2aae6b424107-PRG |
h3=":443"; ma=86400, h3-29=":443"; ma=86400 |
nan |
||
3 |
2022-02-11 02:32:26 |
200 |
180 |
www.dashboardom.com |
0.118614 |
0 |
HTTP/1.1 |
nan |
26837 |
gunicorn/19.9.0 |
Fri, 11 Feb 2022 02:32:26 GMT |
text/html; charset=utf-8 |
nan |
text/html,application/xhtml+xml,application/xml;q=0.9,...;q=0.8 |
en |
advertools/0.13.0.rc2 |
gzip, deflate |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
nan |
1.1 vegur |
Optionally, you can customize the crawling behavior with the optional
custom_settings
parameter. Please check the
crawl strategies page for tips on how you can do that.
Here are some of the common reasons for using a HEAD
crawler:
Checking status codes: One of the most important maintenance tasks you should be doing continuously. It's very easy to set up an automated script the checks status codes for a few hundred or thousand URLs on a periodic basis. You can easily build some rules and alerts based on the status codes you get.
Status codes of page elements: Yes, your page returns a 200 OK status, but what about all the elements/components of the page? Images, links (internal and external), hreflang, canonical, URLs in metatags, script URLs, URLs in various structured data elements like Twitter, OpenGraph, and JSON-LD are some of the most important ones to check as well.
Getting search engine directives: Those directives can be set using meta tags as well as response headers. This crawler gets all available response headers so you can check for search engine-specific ones, like noindex for example.
Getting image sizes: You might want to crawl a list of image URLs and get their meta data. The response header Content-Length contains the length of the page in bytes. With images, it contains the size of the image. This can be an extremely efficient way of analyzing image sizes (and other meta data) without having to download those images, which could consume a lot of bandwidth. Lookout for the column
resp_headers_content-length
.Getting image types: The
resp_headers_content-type
gives you an indication on the type of content of the page (or image when crawling image URLs); text/html, image/jpeg and image/png are some such content types.
- class HeadersSpider(*args, **kwargs)[source]
Bases:
scrapy.spiders.Spider
- custom_settings: Optional[dict] = {'HTTPERROR_ALLOW_ALL': True, 'ROBOTSTXT_OBEY': True, 'USER_AGENT': 'advertools/0.13.2'}
- name: Optional[str] = 'headers_spider'
- crawl_headers(url_list, output_file, custom_settings=None)[source]
Crawl a list of URLs using the HEAD method.
This function helps in analyzing a set of URLs by getting status codes, download latency, all response headers and a few other meta data about the crawled URLs.
Sine the full page is not downloaded, these requests are very light on servers and it is super-fast. You can modify the speed of course through various settings.
Typically status code checking is an on-going task that needs to be done and managed. Automated alerts can be easily created based on certain status codes. Another interesting piece of the information is the Content-Length response header. This gives you the size of the response body without having to download the whole page. It can also be very interesting with image URLs. Downloading all images can really be expensive and time consuming. Being able to get image sizes without having to download them can help a lot in making decisions about optimizing those images. Several other data can be interesting to analyze, depending on what response headers you get.
- Parameters
url_list (url,list) -- One or more URLs to crawl.
output_file (str) -- The path to the output of the crawl. Jsonlines only is supported to allow for dynamic values. Make sure your file ends with ".jl", e.g. output_file.jl.
custom_settings (dict) -- A dictionary of optional custom settings that you might want to add to the spider's functionality. There are over 170 settings for all kinds of options. For details please refer to the spider settings documentation.
- Examples
>>> import advertools as adv >>> url_list = ['https://exmaple.com/A', 'https://exmaple.com/B', ... 'https://exmaple.com/C', 'https://exmaple.com/D', ... 'https://exmaple.com/E']
>>> adv.crawl_headers(url_list, 'output_file.jl') >>> import pandas as pd >>> crawl_df = pd.read_json('output_file.jl', lines=True)


To use this package you need to have the Mysql .net connector (Mysql.Data.dll)
The version of you choice will be loaded dynamically at run time.
This dynamic loading means that it's enough that the Mysql.Data.dll file is present in the same directory as
Simple.Data.Mysql.Mysql40.dll at runtime. You don't have to take a dependency on the connector if you don't want to.
The easiest way to get the connector is to install one of the available Mysql.Data packages from Nuget.
Run Install-Package Mysql.Data to get the latest version.
(This will however add a reference to your project)
Note that the latest version of Mysql.Data to support Mysql 4.0 is <IP_ADDRESS>, this version is available on Nuget
The decision not to add a hard dependency on the Mysql.Data nuget package was made
to enable users to use the connector that is most compatible with the Mysql Server version in their environment.


Refresh your home for summer with these simple ideas
by SpotlightAs the days get longer and the weather gets warmer, it’s time to Pack up your woollens, put away your boots and get ready for summer! It’s also a great opportunity to revitalise your home to give it a bright and vibrant feel. Refreshing your home doesn’t need to break the bank either with these simple ideas to bring your home out of hibernation and into a summery sensation.
Step 1: Spruce Up your Bedroom with New Bed Linen
You can say goodbye to tossing and turning during the summer months, especially with some new bed linen. Pack away your flannelette and polyester bed linen for next winter. Natural fabrics like cotton breathe better, a much-needed quality during the summer months.
In summer, it’s time to move away from dark colours. Think fresh summer colours, bright florals and vibrant patterns to brighten up your bedroom. For a coastal inspired summer feel, choose blue, green or white bed linen. The finishing touch for your bedroom is to get a summer inspired coverlet. From calm whites and nautical inspired patterns, to bright patterns and pretty flowers. It is a simple way to refresh your bedroom for summer.
Step 2: Update Your Space with Modern Curtains and Blinds
It’s easy to transform the look of a room by changing your curtains and blinds. Add a touch of summer to your home with fresh white blinds that still allow natural light to filter through, bamboo roll up blinds for that modern Scandinavian look, or our favourite, neutral sun out blinds.
Sunout roller blinds will keep that harsh summer sun out, protect the family from glare and even protect the furniture from fading. They also help keep the warmth in when winter rolls back around so they’re perfect for year round functionality.
Step 3: Style Your Home with Refreshing Decor
Updating your home decor is an affordable way to add some summer personality to your home. From bright ceramic planters along your kitchen window to fragrant diffusers and stylish beach inspired ornaments on your hallway table. Affordable home decorating items make it easy to refresh your home’s décor. In your lounge room, store your winter cushions and replace them with new summer inspired cushions. The fresh pops of summer colours can continue to your dining room by simply changing your dining chair covers, adding a vibrant new tablecloth or even updating your table accessories like placemats and coasters.. You should also consider some coloured glass mosaic and ceramic vases, which are perfect for summer flower displays.
Step 4: Create a peaceful and refreshing outdoor area
Summer is the perfect time to entertain outside with family and friends. Make your outdoor living area an extension of your home. Creating a tranquil outdoor area is affordable with some simple coloured lights, beanbags and lanterns as well as outdoor rugs and cushions. With a few simple touches, your home will be the destination of choice for BBQ’s and get togethers on those balmy nights.
Help your home shed those winter blues and get it ready to enjoy long lazy days and summertime entertaining with those closest to you.


Experience
{{employerName}}, {{jobTitle}}{{employmentDates}}
- Achieved 100% of sales goals each month, consistently ranking among top 10 performers within district
- Recommend appropriate account services to customers based on financial situation and communicate benefits to achieve 15-20 new accounts per month
- Assist bank customers with opening and closing accounts, including issuing debit cards and personal checks
- Resolved claims of fraudulent purchases on customer accounts and advised customers on increased security practices


Configure Solver Parameters
# of Nodes
50
75
100
150
Solver Algorithm
Ant Colony Optimization
Greedy Search
Random Search
TSP Simulator: using Ant Colony Optimization
Circuit Dist: 0.0
Configure Solver
Restart
This page contains webassembly and javascript content, please enable javascript in your browser.


TIL, many of vim’s key bindings, such as the use of hjkl
for arrow keys, originate from the Lear Siegler ADM-3A terminal, which Bill Joy used to create the vi editor. Looking at the ADM-3A’s keyboard layout, we can notice other distinctive features:
- The placement of
Esc
andCtrl
are much more convenient - The colon key
:
, used in Command mode, can be used without holdingShift
- Home and
~
share the same key, which is why~
represents the home directory in Unix-like operating systems


Congratulations!
Your job is finished now, and you can check RNA Editing effects by clicking:
https://www.rnaeditplus.org/Viewer/Job/showJob/job/{$vcode}
Please contact us if you need help with your account at<EMAIL_ADDRESS>Your RNA Editing Plus Team


if
Table
Advanced Select
Select
Dialog
Dialog
Alert
Templated
Buttons
Button
Primary
accent
Edit
1
Button
Primary
accent
warn
Test
WIFI
Test
1
Spinner
List
{{vm.listSelected}}
Edit
{{item.name}}
{{item.email}}
{{item.phone}}
Expander
Select
File
Select
{{fileNameOne}}
What
{{fileNameTwo}}
Icons
Checkbox
Checked: {{checkboxOne}}
Checked: {{checkboxTwo}}
Checked: {{checkboxThree}}
Checked: {{checkboxFour}}
Switch
Switched: {{switchOne}}
Switched: {{switchTwo}}
Switched: {{switchThree}}
Switched: {{switchFour}}
Input
Radio
Test
accent 2
Primary 3
Menu
Change Image
Upload Image
Change Image
Upload Image
Sub Header
Sub Header 1
Sub Header 2
Sub Header 3


{% extends "quiz/base.html" %} {% load crispy_forms_tags %} {% block main_content %}
Is this the first time you visited this quiz? Type in your nickname to create a profile and play.


|
CE USART
USART Driver for the CE course
|
| ▼ include | |
| ▼ MCU | |
| ▼ LED | |
| blue_led.h | |
| green_led.h | |
| red_led.h | |
| device.h | |
| tick.h | |
| usart3.h | |
| common.h | |
| FIFO.h | FIFO setup and utilization |
| led_interface.h | |
| serial_interface.h | Header for the SerialInterface struct and result codes |
| ▼ src | |
| ▼ MCU | |
| ▼ LED | |
| blue_led.c | Led Driver |
| green_led.c | Led Driver |
| red_led.c | Led Driver |
| tick.c | Mili-Second systick implementation |
| usart3.c | USART Driver implementation for SerialPort3 |
| FIFO.c | FIFO implementation |
| main.c | |
| ▼ tests | |
| usart_test.py | |
| .ycm_extra_conf.py |


Binary to hexadecimal:
Take each 4 places as one place for hexadecimal. For example, 1110 1011 0011, 1110=E, 1011=B, 0011=3, so it’s hexadecimal= EB3.
Binary to decimal places:
From the first figure of right, it refers to 2 to the power of 0. The next one is 2 to the power of 1. And so on… Take 110111 as an example, it’s 2^0+2^1+2^2+2^4+2^5=1+2+4+16+32
It’s 55.
How to change decimal to Binary.
Find the nearest power of 2 and separate it down step by step.
For example 71, 71-64(2^6)=7, 7-4(2^2)=3=2+1, so it’s binary representation is 1000111.
Search:
Bubble sort. Each time shift the big one to the right so after one iteration the last one is the biggest. Repeat.
Insertion: separate the array into one sorted one and one unsorted. The first figure is in the sorted array, and the second one should place at the right place in the sorted array, either before the first figure or after it. Repeat till all is sorted.
Selection sort: choose the biggest and swap it to the last, iterate.
Merge: divide and conquer.
Quick: choose the pivot, let the pointer start shift from both left and right. When the left is at the right pointer’s right, swap the left and right. When they meet. Swap with the pivot.
Logic gate:
OR: output 1 when there is a 1 in input
AND: output 1 when both input is 1
NOT: give the opposite, 1 to 0, 0 to 1.
NOR: opposite of OR
NAND: opposite of AND
XOR: output 1 when two inputs are opposite.
UML diagram:
Class name
Data
Methods
OOP:
Polymorphism, encapsulation and dynamic binding are three features of OOP.
Polymorphism means one variable name could means different data type. Dynamic binding is based on that, it means use the required data type of certain variable. Encapsulation means put all data and methods in one class.
Binary to hexadecimal:
Take each 4 places as one place for hexadecimal. For example, 1110 1011 0011, 1110=E, 1011=B, 0011=3, so it’s hexadecimal= EB3.
Binary to decimal places:
From the first figure of right, it refers to 2 to the power of 0. The next one is 2 to the power of 1. And so on… Take 110111 as an example, it’s 2^0+2^1+2^2+2^4+2^5=1+2+4+16+32
It’s 55.
How to change decimal to Binary.
Find the nearest power of 2 and separate it down step by step.
For example 71, 71-64(2^6)=7, 7-4(2^2)=3=2+1, so it’s binary representation is 1000111.
Search:
Bubble sort. Each time shift the big one to the right so after one iteration the last one is the biggest. Repeat.
Insertion: separate the array into one sorted one and one unsorted. The first figure is in the sorted array, and the second one should place at the right place in the sorted array, either before the first figure or after it. Repeat till all is sorted.
Selection sort: choose the biggest and swap it to the last, iterate.
Merge: divide and conquer.
Quick: choose the pivot, let the pointer start shift from both left and right. When the left is at the right pointer’s right, swap the left and right. When they meet. Swap with the pivot.
Logic gate:
OR: output 1 when there is a 1 in input
AND: output 1 when both input is 1
NOT: give the opposite, 1 to 0, 0 to 1.
NOR: opposite of OR
NAND: opposite of AND
XOR: output 1 when two inputs are opposite.
UML diagram:
Class name
Data
Methods
OOP:
Polymorphism, encapsulation and dynamic binding are three features of OOP.
Polymorphism means one variable name could means different data type. Dynamic binding is based on that, it means use the required data type of certain variable. Encapsulation means put all data and methods in one class.
Discussions


Andrew Yang’s campaign is powered by grassroots contributions.
Donate
Learn more about Andrew Yang’s policies and get involved:


The global module defines the styles of any common page aspects, such as font family, font size, background color, text color and link states.