Interface IBrowsingCache
Abstract Cache.
Inherited Members
Namespace: Gee.External.Browsing.Cache
Assembly: Gee.External.Browsing.dll
Syntax
public interface IBrowsingCache : IDisposable
Methods
GetSafeCacheEntryAsync(String, CancellationToken)
Get a Safe Cache Entry Asynchronously.
Declaration
Task<SafeCacheEntry> GetSafeCacheEntryAsync(string threatSha256HashPrefix, CancellationToken cancellationToken)
Parameters
| Type | Name | Description |
|---|---|---|
| System.String | threatSha256HashPrefix | A SHA256 hash prefix, formatted as a hexadecimal encoded string, identifying a threat to retrieve from the cache. |
| System.Threading.CancellationToken | cancellationToken | A cancellation token to cancel the asynchronous operation with. |
Returns
| Type | Description |
|---|---|
| System.Threading.Tasks.Task<SafeCacheEntry> | The SafeCacheEntry cached for the threat identified by
|
Exceptions
| Type | Condition |
|---|---|
| BrowsingCacheException | Thrown if a caching error occurs. |
| System.ArgumentNullException | Thrown if |
| System.ObjectDisposedException | Thrown if the object is disposed. |
| System.OperationCanceledException | Thrown if the asynchronous operation is cancelled. |
GetUnsafeCacheEntryAsync(String, CancellationToken)
Get an Unsafe Cache Entry Asynchronously.
Declaration
Task<UnsafeCacheEntry> GetUnsafeCacheEntryAsync(string threatSha256Hash, CancellationToken cancellationToken)
Parameters
| Type | Name | Description |
|---|---|---|
| System.String | threatSha256Hash | A full SHA256 hash, formatted as a hexadecimal encoded string, identifying a threat to retrieve from the cache. |
| System.Threading.CancellationToken | cancellationToken | A cancellation token to cancel the asynchronous operation with. |
Returns
| Type | Description |
|---|---|
| System.Threading.Tasks.Task<UnsafeCacheEntry> | The UnsafeCacheEntry cached for the threat identified by
|
Exceptions
| Type | Condition |
|---|---|
| BrowsingCacheException | Thrown if a caching error occurs. |
| System.ArgumentNullException | Thrown if |
| System.ObjectDisposedException | Thrown if the object is disposed. |
| System.OperationCanceledException | Thrown if the asynchronous operation is cancelled. |
PutSafeCacheEntryAsync(SafeCacheEntry, CancellationToken)
Put a Safe Cache Entry Asynchronously.
Declaration
Task PutSafeCacheEntryAsync(SafeCacheEntry safeCacheEntry, CancellationToken cancellationToken)
Parameters
| Type | Name | Description |
|---|---|---|
| SafeCacheEntry | safeCacheEntry | A SafeCacheEntry to cache. |
| System.Threading.CancellationToken | cancellationToken | A cancellation token to cancel the asynchronous operation with. |
Returns
| Type | Description |
|---|---|
| System.Threading.Tasks.Task | A task representing the asynchronous operation. |
Exceptions
| Type | Condition |
|---|---|
| BrowsingCacheException | Thrown if a caching error occurs. |
| System.ArgumentNullException | Thrown if |
| System.ObjectDisposedException | Thrown if the object is disposed. |
| System.OperationCanceledException | Thrown if the asynchronous operation is cancelled. |
PutUnsafeCacheEntryAsync(UnsafeCacheEntry, CancellationToken)
Put an Unsafe Cache Entry Asynchronously.
Declaration
Task PutUnsafeCacheEntryAsync(UnsafeCacheEntry unsafeCacheEntry, CancellationToken cancellationToken)
Parameters
| Type | Name | Description |
|---|---|---|
| UnsafeCacheEntry | unsafeCacheEntry | An UnsafeCacheEntry to cache. |
| System.Threading.CancellationToken | cancellationToken | A cancellation token to cancel the asynchronous operation with. |
Returns
| Type | Description |
|---|---|
| System.Threading.Tasks.Task | A task representing the asynchronous operation. |
Exceptions
| Type | Condition |
|---|---|
| BrowsingCacheException | Thrown if a caching error occurs. |
| System.ArgumentNullException | Thrown if |
| System.ObjectDisposedException | Thrown if the object is disposed. |
| System.OperationCanceledException | Thrown if the asynchronous operation is cancelled. |
RemoveSafeCacheEntryAsync(String, CancellationToken)
Remove a Safe Cache Entry Asynchronously.
Declaration
Task RemoveSafeCacheEntryAsync(string threatSha256HashPrefix, CancellationToken cancellationToken)
Parameters
| Type | Name | Description |
|---|---|---|
| System.String | threatSha256HashPrefix | A SHA256 hash prefix, formatted as a hexadecimal encoded string, identifying a threat to remove from the cache. |
| System.Threading.CancellationToken | cancellationToken | A cancellation token to cancel the asynchronous operation with. |
Returns
| Type | Description |
|---|---|
| System.Threading.Tasks.Task | A task representing the asynchronous operation. |
Exceptions
| Type | Condition |
|---|---|
| BrowsingCacheException | Thrown if a caching error occurs. |
| System.ArgumentNullException | Thrown if |
| System.ObjectDisposedException | Thrown if the object is disposed. |
| System.OperationCanceledException | Thrown if the asynchronous operation is cancelled. |
RemoveUnsafeCacheEntryAsync(String, CancellationToken)
Remove an Unsafe Cache Entry Asynchronously.
Declaration
Task RemoveUnsafeCacheEntryAsync(string threatSha256Hash, CancellationToken cancellationToken)
Parameters
| Type | Name | Description |
|---|---|---|
| System.String | threatSha256Hash | A full SHA256 hash, formatted as a hexadecimal encoded string, identifying a threat to remove from the cache. |
| System.Threading.CancellationToken | cancellationToken | A cancellation token to cancel the asynchronous operation with. |
Returns
| Type | Description |
|---|---|
| System.Threading.Tasks.Task | A task representing the asynchronous operation. |
Exceptions
| Type | Condition |
|---|---|
| BrowsingCacheException | Thrown if a caching error occurs. |
| System.ArgumentNullException | Thrown if |
| System.ObjectDisposedException | Thrown if the object is disposed. |
| System.OperationCanceledException | Thrown if the asynchronous operation is cancelled. |


FILM TITLE: FAR AWAY, SO CLOSE DIRECTOR: WIM WENDERS COUNTRY: GERMANY 1993 CINEMATOGRAPHY: JURGEN JURGES MUSIC: LAURENCE PETTIGAND CAST: Otto Sander, Peter Falk, Horst Buchholtz, Nastassja Kinski, Heinz Ruhmann, Solveig Dom Martin, Rudiger Vogler, Lou Reed, Willem Dafoe, M. Gorbatschov SUPER FEATURES: I wanted to like this film.
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
I really wanted to like this film. And like its predecessor, WINGS OF DESIRE, it has some nice touches, which one wonders where is going to lead, and what is the film doing.
But, alas, it seems that every film exercise has to end up in some sort of theme, or idea, for it to have meaning, so it seems. It is my opinion, that this film deteriorates, as soon as it becomes a story, instead of maintaining the idea that it had created.
That's not to say that the film isn't as good, when that happens. To me, the illusory part was a bit more interesting, than the eventual story about an angel wanting to find out what it is like to be a human, and having to go and find out what it is like.
The film starts with the usual style that made the other film so interesting. In this one Cassiel, Rafaela spend much of their time looking at things and making observations about people. As before, they can hear, and see things before they actually happen, and most often when they are happening. Where their attention goes, they connect and hear that person's lament, or questions.
Cassiel, however, longs to find out what it is like to be human, and eventually gets to try it. And innocently enough he gets to find out that not everyone around is honest, and has good reasons to boot. His first connection, is in all actuality another member of his group ( a baker named Daniel ), and they all go about their business until Cassiel gets involved with some not so good affairs. And the film becomes a bit of an over ripe fig for my tastes. To me the wonder of the previous half, is now becoming the symbolic path that the film has to take. A sort of Christian concept now has to take over, complete with sacrificial lamb, and pointed theme. This, to this reviewer, ate the film up.
But, it isn't all as bad as I make it sound. I suppose, for a regular art film go'er, we may have liked to see something stick to it, and really make a case. The premise was great, but since we are humans, our resources into that space are limited, and this film is no different. It really is not the film's fault. But it could have been more interesting to me to see the stream of consciousness that it was working with instead of a thematic story, so overly laden with symbols that do not really add anything to the whole film.
The best part of the film, and also the oddest, is Wim Wenders use of various musicians and their songs to highlight several things here and there. Right out in the open, are Lou Reed, Nick Cave, Jane Sieberry, Laurie Anderson, House of Love and other unusual musicians, which give the film a basic art house style. To me, though, it is a shame that the film departs from it too soon. But these artists, become a sort of inspiration for the now earth bound angel, which adds a nice touch to the material. While what these artists do say is interesting, it is not as good as what is around, but the analogy is good enough. And Lou Reed is specially interesting, as he happens not to be a vain artist, and knows very well what he is doing.
Another of Wim Wenders' curiosity shop items, is his use, and handling of Michael Gorbachov, of the recently broken up Soviet Union. As he works on a book, he wonders about certain things, and then writes, and of course, we already knew that these things were happening. But the charismatic leader, did come off, like the other characters in the film, for the most part, as honest, and caring, something that not many of us has the feeling for in many politicians, specially one of Gorbachov's stature.
Not a great film, but easier to watch than its predecessor Wings of Desire. Watch the really well thought out camera angles to allow you to see a different point of view. The technical side of this film is probably its very best asset.
3 GIBLOONS Copyright (c) Pedro Sena 1995. All Rights Reserved. Member of the Internet Movie Critics Association
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
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The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


It appears that you are logged in using the Grafana Admin user account. The FlexSCADA app cannot be used on the admin account however it can be used to setup grafana accounts with the FlexSCADA App Enabled. (Client Accounts)
Since you are logged in as the admin user this would be the inital account key with the `"admin":true` attribute set in the devices.json database file.
If you did not receive your account key please contact us.


<EMAIL_ADDRESS>(with subelement of a tag)
mailto with more "to" and a "cc"
mailto with more "to" and a "cc" not valid
example with a subject and a body
example with a cc, a subject and a body
example with a cc, a bcc, a subject and a body
less-spam example (with class=mailgo)
less-spam example (with href=#mailgo)
<EMAIL_ADDRESS>(single dark mode, class=dark)
mailto with a cc and single dark mode
example with a cc, a bcc, a subject and a body and single dark mode
less-spam dark mode example (with class=mailgo)


East Kilbride venue to welcome back top wrestling stars this Christmas
Fan favourite BT Gunn will be back on the billing at the Ballerup Hall
by Fraser N Wilson, https://www.dailyrecord.co.uk/authors/fraser-n-wilson/The stars of British Championship Wrestling are set to return to East Kilbride next month.
And Ballerup Hall will help the promotion start the Christmas season off with a bang, welcoming a host of fans' favourites to the show.
Organisers say they are “buzzing” to get back to East Kilbride, adding that the promotion has “really missed the fans and the buzz of Ballerup Hall”.
With wrestling getting bigger and bigger and wrestlers in such high demand, organisers say they are “extremely happy” to be able to bring firm
fan favourites to East Kilbride.
That includes BCW heavyweight superstars BT Gunn, Jack Jester, Stevie Xavier, Kenny Williams and much more!
BCW mastermind Graham McKay told us: “I’m really looking forward to getting back to East Kilbride.
“I’ve been involved in the wrestling business for 17 years and can safely say there is no family show in the UK that has the same buzz that EK fans bring with them.
“And there is no other venue that allows you to get so up close to the action. This was the very first venue we ran as a promotion and we are proud of what it has become today.
“There are simply no fans like it.”
Tickets for BCW Live cost £12.50, with a group ticket for four coming in at £40.
To find out more, follow BCW on social media.


{% extends 'base.html'%} {%block content%}
Showing the greatest pitches of all times
You’re like a style guide … you add consistency to my life.
Written by:Joy
Hi, my name is Mark. After graduating with my Bachelor’s degree in Business Administration, I’ve spent the last three years building professional experience as an Executive Assistant. I’ve successfully managed end-to-end event coordination and have generated a strong professional network for my colleagues. I was excited to learn about this opportunity in the sports management space
Written by:Mark
Gap is better known as a clothing brand, but the company behind it, Gap Inc, is a publicly traded firm with multiple successful brands under its belt. In its pitch to its potential investors, Gap Inc emphasizes its dominant position in the marketplace while ensuring that the company will be a secure long-term investment.
Written by:GAP Inc.


Supervisor:Prof. Kui Wu
Master of Science in Computer Science
University of Victoria
Email Address<EMAIL_ADDRESS>Cell Phone: (+01)250-885-5032
Research Interests
Mathematical Modeling, Data Science, Machine Learning, Computational Finance,
NetWork Optimization, Artificial Intilligence, Combinatorial Optimization
Interests
I'm a big fan of music, I play Saxophone and Piano, And I also like singing.

Skills
Programming in Python, C++/C and Java with SQL-Server and Oracle database.
Programming with Python/Django and C++/Qt framework
Mathematical modeling and data analysis using Matlab/Octive, SPSS/SAS and AzureMl.
Mathematics and algorithms background, project planning.
Fluent English and Mandarin
Honors and Rewards
University of Victoria Graduate Award in 2015.
Silver Prize of Consecutive Innovation in The 13th Session Challenge Cup China National University
Extracurricular Academic Science and Technology Works Competition in 2013.
First Prize in Shaanxi region in 2012 China Undergraduate Mathematical Contest in Modeling.
First Prize in 2nd Session National College of Information Technology Innovation Application Contest.
First Prize in The 8th Session XPUT Mathematical Contest in Modeling.
First Prize in The 7th Session XUPT Mathematical Contest in Modeling.
Education
Candidate for Master of Science in Computer Science in University of Victoria (Current)
Bachelor of Science in Information and Computing Science in Xian University of Posts and Telecommunications
Minor in Economics in Xian University of Posts and Telecommunications
Return to Home Page
Github
Facebook
LinkIn


|
Returns a useful error string for debugging based on the specified error
code.
|
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|
Sentinel value used to indicate an incomplete chunk in a multi-chunk
response.
|
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|
Sentinel value used to indicate an invalid chunk in a multi-chunk response.
|
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Minimum version of Safari that receives a non-null responseText in ready
state interactive.
|
Code » | |
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How often to poll (in MS) for changes to responseText in browsers that don't
fire onreadystatechange during incremental loading of responseText.
|
Code » | |
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Default timeout in MS for a request. The server must return data within this
time limit for the request to not timeout.
|
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Jack Ross aiming to create a legacy at Hibernian
Jack Ross is keen to make "a little bit of history" with Hibernian.
The 43-year-old was appointed as the club's new head coach on a three-and-a-half-year deal last week.
The former Alloa and St Mirren boss was sacked by English League One side Sunderland in October.
He replaces Paul Heckingbottom, who departed Easter Road earlier in November after nine months in charge.
Ross told HibsTV about his attraction to the club who are sitting in eighth place in the Ladbrokes Premiership with 12 points from 12 games.
He said: "The history and tradition of the club, the size of the club, but the potential of the club as well.
"Short term is very obvious in terms of us winning games consistently and if you do that then your position in the league table becomes much healthier and much more positive.
"If you do that between now and the end of the year even it gives a platform for a more positive second half of the season.
"Longer-term the aim to make sure the club is always challenging in the top three or four positions in the league and with that comes the opportunity for European football, and the domestic cups always offer Hibs the chance of success and silverware and that is another ambition.
"But beyond that it is about wanting to stay here as long as I can and be involved in creating some sort of legacy as well.
"I think you have to come in with that ambition as a manager, to create a little bit of history with the club and certainly I feel as if I am coming into a football club that has more than a realistic potential and possibility to do that."
body check tags ::


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| Interface Summary | |
|---|---|
| AnimatedAttributeListener | An interface to listen for changes on any animatable XML attribute in
an SVGOMDocument . |
| AnimatedLiveAttributeValue | An interface for LiveAttributeValue s that have an animated value
component. |
| ExtendedTraitAccess | Interface for SVG DOM classes to expose information about the traits (XML attributes and CSS properties) their elements support. |
| IdContainer | An interface for DOM nodes that can look up elements with IDs. |
| ListHandler | Interface that defines the functionnality of a list handler for the parser of attributes that are list. |
| LiveAttributeValue | This interface should be implemented by all the attribute values objects that must be updated when the attribute node is modified. |
| SVGAnimationContext | Context class for SVG animation elements to support extra methods. |
| SVGAnimationTargetContext | Context interface for elements that can be the target of animations. |
| SVGContext | This interface is the placeholder for SVG application informations. |
| SVGDocumentFactory | This interface represents an object which can build a SVGDocument. |
| SVGItem | This interface represents an item in an SVGXXXList. |
| SVGMotionAnimatableElement | An interface for SVG elements that can be animated with 'animateMotion'. |
| SVGPathContext | Context class for the SVG path element to support extra methods. |
| SVGPathSegConstants | Constants for the SVGPathSeg interface. |
| SVGSVGContext | Context class for svg:svg elements. |
| SVGTextContent | This class provides the interface for the SVGTextContentElement for the bridge to implement. |
| TraitAccess | Interface for accessing traits on an element. |
| Exception Summary | |
|---|---|
| LiveAttributeException | Thrown when a live attribute cannot parse an attribute's value. |
| SVGOMException | An implementation of the SVGException class. |
|
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--Milton Berle
"I didn't attend the funeral, but I sent a nice letter saying I approved of it."
"Some men are born mediocre, some men achieve mediocrity, and some men have mediocrity thrust upon them."
"He is one of those people who would be enormously improved by death."
"Outstanding question, perhaps the finest question I have ever received -- for me to poop on." |


It turns out that you don't need Microsoft Office to create PowerPoint files - you can create them in Node.js. In this talk I will show you how libraries like Officegen allow you to generate PowerPoint files containing text, shapes, charts and images, and demonstrate a real-world use of this tool that we've been crafting to save us some time.
My name is Paul Jensen, I'm the author of Manning's Cross Platform Desktop Applications, and I'm the Lead Innovation Engineer at Starcount. My twitter handle is paulbjensen.
Mongoose has helped us greatly to maintain the integrity of our data against a mongodb database. However, we are not able to share the models we use on our apis anywhere outside those apis. And Mongoose schemas are not shareable, which means we cannot consume them on any other level of our applications. This means either using conversion plugins, or else writing and maintaining some other solution. In addition, the mongoose models themselves are not shareable, which means even if we solve the schema issue, we still have at least two sets of models to maintain.
Finally, we use Typescript, which means ideally we can share schema definitions with that which would allow us to define our entities once and have those definitions propagate to all levels of our applications.
The final part of this presentation will focus on the solution we now intend to adopt as we begin to overhaul our entire architecture in the coming months.


Thanks to Apenwarr for
Blip
! Blue =
http://apenwarr.ca/blip
, Brown =
terracesfortourists.com.au
, Green =
gstatic.com/generate_204
... Red = bad news. Feedback on this page:
@crgentle


{% extends 'layouts/layout.html' %} {% from 'button/macro.njk' import button %} {% from 'back-link/macro.njk' import backLink %} {% block pageTitle %} Enter your email address {% endblock %} {% block content %}
Reference: CID1004
This can happen if you try to log in directly from a web search engine, bookmark, or your browser history.
Go to the website or app you want to access and select Continue with NHS login.
Avoid using bookmarks or links from your browser history.
See the full list of websites and apps you can access with NHS login.


The datepicker's start view is day (default)
The datepicker's start view is month
The datepicker's start view is year


CSS Tutorial
Save a lot of work with CSS!
In out CSS tutorial you will learn how to use CSS to controle the style and layout of multiple Web pages all at once.
Start Learning CSS!
Learn by 70 examples! With our editor you can edit CSS, and click on a test button to view the result.
Try-It-Yourself!
At W3Schools you will find a complete CSS2 reference, listing properties, units of measurements, colors and more.
CSS2 Reference


Smart Lamp Control Centre
The way you're lighting your home may be ruining your sleep. Our lamp will help.
Connect your device
Enter your Device ID and Access Token to connect.
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Access Token:


Exceptions¶
Target object cannot be traversed
-
exception
gemma.
SuppressedErrors
(*args)[source]¶ Errors occurred while Cartographer mapped data
- Attributes:
errors (
List[BaseException]
): list of errors which occurred.chart_partial (
List[Tuple["Course", Any]]
): If raised fromSurveyor.chart()
raising a NonNavigableError for some elements, a partial chart of the successfully traversed data will be stored here.
-
property
types
¶ Types of errors in
SuppressedErrors.errors
to be used for isinstance() checks.- Return type
Tuple
[Union
[Type
[NonNavigableError
],Type
[NullNameError
]], …]- Returns
error types


{{multiple issues| {{orphan|date=October 2009}} {{notability|date=August 2012}} }}
Dalithoy or daali toy is very simple and healthy soup made with split yellow lentils in the Malvani cuisine of the Konkan region of India. Daali is the Konkani word for daal or lentil.
Dalithoy or daali toy is quite simple and healthy soup made with split yellow lenses in the Malvani cuisine of the Konkan region of India .<ref>http://www.ovguide.com/dalithoy-9202a8c04000641f800000000de85805</ref> Daali is the Konkani word for daal or lentil .{{Cn|date=June 2015}}
{{reflist}}
{{india-cuisine-stub}}


BitcoinZ is Bitcoin 2.0 and it's carrying the original vision of fairness and a coin for all. Everyone is equal and every coin is made by the community and for the community. BitcoinZ fight for freedom. This is a community gift to the world.
BitcoinZ is a bitcoin compatible cryptocurrency based on the zcash core. It utilizes the Equihash algorithm with t-addresses and zk-snarks anonymous z-addresses. The combination of these technologies enables BitcoinZ to operate as a proven cryptocurrency with the ability to offer graphics processor unit (GPU) mining to anyone in the world with access to off the shelf graphics cards, also known as commodity hardware. Additionally, it enables the portability and compatibility with BitcoinZ and other cryptocurrency blockchains.
Since BitcoinZ has adopted the zcash core, it inherits a ‘halving interval’, adjusted for BitcoinZ’s total supply. The halving interval is set for block 840,000 and is estimated to occur in approximately 4 years from the Sept 9th, 2017 launch.
BitcoinZ was officially launched by an anonymous developer on September 9 th, 2017 at Block #1 with BlockHash<PHONE_NUMBER>f84249ad7829f9673ea4b6d26a139c741c5847926aff944337d908. They deemed BitcoinZ a community gift to the world, emphasizing that it is, and will continue, as a community creation.
To enshrine this vision of liberty, fairness, and the fight for freedom, a message was encoded in the genesis block timestamp of BitcoinZ dedicated to The Purest Son of Liberty - Thaddeus Kosciuszko, whose 200th death anniversary is October 15th.
More information can be found in the Community Paper (Whitepaper): https://drive.google.com/file/d/19eJ09gwba5Ix9k3Y8Kk7NqdTbnUTFXDj
Before you can accept BitcoinZ, you must have a BTCz address or a BTCz Wallet. There are several possibilities described below, for different uses and platform. For more information, please visit the official BitcoinZ website under wallets section.
Now that you owne a BTCz address, you can also receive BitcoinZ ! Remember that you only owne the founds of your address if you owne the private key. You are responsible for keeping safe your private keys.
You can sell goods by directly giving your public address to your customer or integrate the pay.btcz.app API into your website to automate the sale. You can also use the btcz.me interface to facilitate the payment of your customers via a QR code if you do not want to automate transactions.
Others way, if you own one or more graphics card (GPU), you can also perform mining of BitcoinZ or if you do not want bother with this technique you can simply buy some BTCz on the exchange sites listed on the official BitcoinZ website.
Pay.btcz.app is an BitcoinZ Open-Source payment gateway.
A payment gateway is an ecommerce service that processes payments for online and traditional brick and mortar stores. Payment gateways facilitate these transactions by transferring key information between payment portals such as web-enabled mobile devices/websites and the front end processor/bank/blockchain.
Linking the flow of goods and money becomes extremely important, because once it's been done, companies can to do things like automate payments or confirm transactions. In fact, it’s a natural progression for supply chain participants to adopt blockchain payment processors.
Payment gateways fulfill a vital role in the ecommerce transaction process, authorizing the payment between merchant and customer. What results is a system that increases efficiency, automation, and liquidity in the supply chain.
The exchange rates comes from the pro.coinmarketcap.com API. We chose the "Hobbyist" plan which allows us to make a change for 10 differents currencies. Each currency is refreshed with an interval of <%= RefreshRate %> minutes.
If you are buying and selling, the exchange rate is determined after you have confirmed the order and payment is made within the provided time frame. If you do not complete your payment within the provided time frame, then you will have to repeat the process once again and may be provided with a varied exchange rate.
This is a free and open-source service, please support us by donating here.
[BTCz.app] BTCz: t1VYSo8VtpKMm1SUwp1KJHbqrtfqj7tgpaE[Community] BTCz: t1fHHnAXxoPWGY77sG5Zw2sFfGUTpW6BcSZ
There is, however, a standard transaction fee that is charged to the buyer (standard network fee) and a transaction fee of <%= fee_tx %> BTCz charged to the seller (transfer of the temporary address to the seller's address).
By using the speed payment method (0 confirmation), a <%= speed_sweep_fee %>% surcharge is charged to the buyer. No additional fees are added for a standard payment with <%= confirmation_before_forward %> confirmations.
This method is an instant checkout method that confirms payment immediately without waiting for blockchain confirmations. In general, the payment is confirmed to the seller in 5-8 seconds.
Unlike standard payment, which requires <%= confirmation_before_forward %> confirmations (about 4-6 minutes), the funds are transferred to the seller's address immediately after receipt of the transaction ID (TXID) from a temporary address already loaded with confirmed funds.
This method poses no risk to the seller or the buyer. We take all the risks since the funds are advanced from one of our addresses, and for this reason we also ask for a <%= speed_sweep_fee %>% surcharge when using the speed payment. A maximum amount of <%= SpeedSweepAmount %> BTCz can be used for instant checkout.
The use of the speed payment should only be used when the buyer can not wait, for example when buying from a vending machine. In general, for an online purchase on a website, the buyer and the seller can wait for the time required for a standard confirmation so as not to incur additional costs.
Of course, this gateway can be used for any payment in BTCz whether for goods, services or charity. But it will be easier anyway to use the btcz.me interface for charitable donations like for example https://btcz.me/Charity because it is probably more transparent to know the final address in this case.
We have no relationship with the merchants using this gateway. We only perform payment verification and no information about your purchases, other than the amount, is recorded here. In case of problem of delivery of goods or services, you must therefore directly contact the seller.
In case of payment dispute, you can check your transaction at the following URL: https://pay.btcz.app/invoice/ << InvoiceID >> (The invoice ID format is: c5e9631d-b107-4022-8de5-ae9f0efd03af). You will find a link that will redirect you to the BTCz block explorer with the BitcoinZ transaction ID.
No, only BitcoinZ can be used as a payment method on this gateway.
A refund of your BTCz is performed automatically if the invoice has not been paid fully once the invoice is expired. In this case, the transaction will also not be confirmed.
The over paid amount will be refunded to your address used for payment directly from this payment gateway. The merchant receives only the requested amount.
The refund is automatically done about one hour after expiration or success confirmation of the invoice.
We do not refund the paid invoice in case of return of goods or dispute with the seller. You will then have to contact the merchant's site directly.
You can create a gateway by directly using the test form on the home page to familiarize yourself with the API. You must enter the receipt address, the amount and the conversion currency. This form is not usable on the site of the merchant.
In a sales website, it is necessary to use a Plugin or to directly integrate the functionality of the API by coding them yourself. Please visit the Getting Started section for more information on how to integrate the API into your online store.
We have implemented two usage limitations to prevent misuse and fraud:
For any other related question about this gateway, feel free to contact us via the below community channels. You can also contact us directly by using the contact form. Please visite first the Getting Started page for any API integration related question.


The 20 Best Music Videos Of The 2010s
by Tom BreihanIn the very early days of this century, people would still sometimes watch music videos on television. MTV’s Total Request Live was in its halcyon era in 2000, and the show wouldn’t be cancelled until 2008. Meanwhile, YouTube debuted in 2005, changing the way everyone experienced the music video. So the 2010s are the first full decade in the online era of the music video — the time when you could pull up whatever you wanted, whenever you wanted.
Videos could’ve easily outlived their usefulness by now. Why would a label blow a whole lot of money on making a mini-movie for a song, knowing full well that people would have to type the song’s name into a search engine to find it? And yet the opposite has happened. Music videos have utterly dominated YouTube as the platform has found a central place in our lives. Almost all of the most-viewed YouTube videos of all time are music clips. And when a video goes viral, people probably see it more times than they would’ve done even in MTV’s dominant era. People watch videos over and over, on repeat. That didn’t happen when they were on TV.
At the end of 2012, the South Korean rapper PSY posted his “Gangnam Style” video on YouTube.  It transcended language, culture, and platform. “Gangnam Style” was the first YouTube video to hit a billion views, and it made an international celebrity out of a guy who was barely known in his homeland beforehand. Not even MTV could’ve done that for PSY.
So music videos are fine. They’re a crucial way that musicians broadcast their images, capture imaginations, and put their work into context.  The following list is entirely subjective, and it probably looks nothing like yours. It is also completely and indisputably correct. Here are the decade’s best music videos.
20. Leningrad – “Kolshik” (Dir. Ilya Naishuller)
A gory and absurdist Russian Rube Goldberg black comedy, told in reverse. Sometimes, you don’t even need context.
19. Lady Gaga – “Telephone” (Feat. Beyoncé) (Dir. Jonas Åkerlund)
Now that she’s transitioned into movies and Vegas and sincerity, it’s important to remember how Lady Gaga began her decade: as a master of her own sleazily surreal sensibility. Virgin Mobile spent its product-placement money well.
18. Duck Sauce – “Barbra Streisand” (Dir. So Me)
The New York of 2010 is just as dead as the New York of 1971. This video is its deeply silly, cameo-jammed French Connection. Think of it as last lifetime’s party.
17. Flying Lotus – “Never Catch Me” (Feat. Kendrick Lamar) (Dir. Hiro Murai)
In front of our eyes, unspeakable tragedy merges with freewheeling fantasy, combining into one disorienting and beautiful and sickening whole. It’s fun to watch kids dance. It’s a whole lot less fun to think about a society so crushing that, for a whole lot of people, death and freedom can blur together.
16. The Blaze – “Territory” (Dir. The Blaze)
In five and a half ecstatic, wordless minutes, we get an entire novel’s worth of character and community, and we see into a world that we might’ve never glimpsed otherwise. That’s what great filmmaking can do.
15. Solange – “Losing You” (Dir. Melina Matsoukas)
You could make a case that the phrase “splendor in the face of systemic oppression” sums up the entire history of black American music. With that in mind, it’s hard to find heroes more powerful than Le Sape Society, an entire subculture of South African township dandies. That’s why Solange’s “Losing You” video, filmed amidst that subculture, feels like the most glamorous thing in the world.
14. Jamie xx – “Gosh” (Dir. Romain Gavras)
In the Chinese city of Tianducheng, you’ll find grand, ghostly replicas of the Eiffel Tower and the Champs Élysées. The Parisian director Romain Gavras uses those images as backdrop for large-scale, abstract messianic imagery. Try to find a drone shot more dazzling than the one that ends this video.
13. A$AP Rocky – “Peso” (Dir. Abteen Bagheri)
For his grand entry onto the national stage, A$AP Rocky presented classic New York rap iconography as something fashion-forward and gallery-ready. It was exciting then, and it’s exciting now.
12. Tyler, The Creator – “Yonkers” (Dir. Wolf Haley)
When Tyler, The Creator eats a roach and barfs, he’s an instant generational spokesperson. But when you eat a roach and barf, you’re just gross. Nothing is fair.
11. Donnie Trumpet & The Social Experiment – “Sunday Candy” (Feat. Jamila Woods) (Dir. Austin Vesely, Ian Eastwood, & Chance The Rapper)
A lovingly choreographed high school musical with footwork breaks, elegantly assured camera movements, and a no-shit star performance at its center. Simultaneously the cheesiest and the least cheesy thing Chance The Rapper has ever done — which, in both directions, is saying something.
10. Beyoncé – “Formation” (Dir. Melina Matsoukas)
Everything about this video — the choreography, the costumes, the sinking police car, the little kid dancing in front of the line of riot cops, the entire specter of post-Katrina New Orleans — is there to support what might be the greatest thousand-yard stare in pop history, or to give that stare the context it demands and deserves.
9. Rosalía – “Malamente” (Dir. CANADA)
If you’re old enough, there’s a pretty good chance you remember the joy and confusion you felt upon happening across Missy Elliott’s “The Rain (Supa Dupa Fly)” video for the first time.
8. Migos – “T-Shirt” (Dir. DAPS & Quavo)
The Revenant is an OK movie and a bad Oscar juggernaut. But it’s important because it provided the inspiration for Quavo to shoot a bow and arrow while Takeoff wears an entire bear on his head. The “T-Shirt” video is a true achievement in the art of rap-music ridiculousness.
7. Billie Eilish – “Bad Guy” (Dir. Dave Meyers)
In The Exorcist, Linda Blair spider-walks because her character’s body has been possessed by the demon Pazuzu, a malignant force who wants to turn all that is innocent and pure into unnatural ugliness. In the “Bad Guy” video, Billie Eilish spider-walks because it’s fun and because she is our new great avatar of euphoric brattitude. Duh.
6. Childish Gambino – “This Is America” (Dir. Hiro Murai)
Donald Glover was a sitcom star long before he was a rap star. In “This Is America,” he turns his physical comedy gifts into weapons, casting himself as a symbol and symptom and victim of a bloodthirsty culture.
5. Grimes – “Oblivion” (Dir. Emily Kai Bock)
With dream-logic panache, Grimes turns various temples to masculinity — the locker room, the football field, the motocross track, the moshpit — into playgrounds to dance through.
4. Mark Ronson – “Uptown Funk” (Feat. Bruno Mars) (Dir. Cameron Duddy & Bruno Mars)
On the one hand, it’s a pastiche of past pastiches, an answer to the unasked question of what if prime mid-’80s Jonathan Demme had directed a Morris Day & The Time video. On the other hand, why didn’t prime mid-’80s Jonathan Demme direct any Morris Day & The Time videos? That would’ve ruled almost as hard as this does.
3. Kendrick Lamar – “Humble.” (Dir. Dave Meyers & The Little Homies)
Almost every frame in the “Humble.” video could be a painting, or a tattoo. And yet those instantly-iconic images all arrive with such speed and energy that your brain can barely process it. It’s art film as strobe light, and it’s overwhelming.
2. 2NE1 – “I Am The Best” (Dir. Seo Hyun Seung)
The cultural assembly lines of Seoul, where the music video has always been understood as a vital part of the pop-music experience, produced some truly eyeball-searing visions in the past decade. None was as purely dazzling as “I Am The Best.” Take the title literally: 2NE1 were here to tell the Western world that they could floss better than our rappers, dance and preen better than our pop stars, and rage out better than our punks. We never had a chance.
1. M.I.A. – “Bad Girls” (Dir. Romain Gavras)
M.I.A. sat atop a speeding BMW that was doing a sideways wheelie, calmly filing her nails, not even flinching, looking like the coolest human being that has ever existed or will ever exist.


This is not the perldebug(1) manpage, which tells you how to use the debugger. This manpage describes low-level details concerning the debugger's internals, which range from difficult to impossible to understand for anyone who isn't incredibly intimate with Perl's guts. Caveat lector.
A Perl demon stopped responding at random times
There are two ways to call you own debugger:
$ PERL5DB="sub DB::DB{ ... }" \ perl -d youscript.pl
$ perl -d:YouDB
The function DB::DB is called for each statement.
{ package DB; sub DB { $stmt++; print STDERR "." if $stmt % 25 } }
(but only if either $DB::single, $DB::trace, or $DB::signal is true)
DB::sub is called instead of each function call
{ package DB; sub DB {} sub sub { print STDERR "$sub\n"; &$sub; } }
(not depending on any variables)
For each file ($filename) Perl maintains a few variables:
Also %DB::subs is maintained with all suroutine names as keys and the filename, startline, and endline of the subroutine definition used as values.
By using caller() we can use this to make a simple tracer:
{ package DB; sub DB { my ($package, $filename, $line) = caller; print $main::{"_<$filename"}[$line] } }
Tracing subroutine call is just as easy
{ package DB; sub sub { my ($package, $filename, $line) = caller(-1); print "Called $sub at $filename:$line\n"; &$sub; } }
If DB::postponed() exists it will be called when either a subroutine or a file is compiled.
A GLOB is a special type containing all the other types of the same name. I.e. *foo{SCALAR} is the same as $foo and *foo{ARRAY} is the same as @foo.
How can we differ between being called with an ordinary scalar or a glob? This seems to work:
sub postponed { my $arg = shift; if (ref \$arg eq 'GLOB') { ... } ... }
Then tracing compilation is easy:
sub postponed { my $arg = shift; if (ref \$arg eq 'GLOB') { print "Loaded file ${ *$arg{SCALAR} }\n"; } else { print "Compiled function $arg\n"; } }
But remember to fill %DB::postponed with fully qualified subroutine names.
$^P contains flags used by the debugger. Some are used at compile time and some at run time. These are the most usefull:
0x01 Debug subroutine enter/exit. 0x02 Line-by-line debugging. 0x04 Switch off optimizations. 0x08 Preserve more data for future interactive inspections. 0x10 Keep info about source lines on which a subroutine is defined. 0x20 Start with single-step on. 0x100 Provide informative "file" names for evals 0x200 Provide informative names to anonymous subroutines
See Devel::RemoteTrace for everything put together
$ PERLDB_OPTS="RemotePort=localhost:9999" \ perl -d youscript.pl


DROPPING NOTES
DAY:- Friday
TIME:- 7:30pm - 8:30pm
VENUE:- Academic Block Gate
Event's Details:
DROPPING NOTES: Final winners of Solo and Duet Singing will be performing on the Cultural Night.The lyrics can be either hind or english.
Prices worths 5K.
Rounds - 2
Time Limit - 4min.
The Golden Rule of Music ~ “Music gives a soul to the universe, wings to the mind, flight to the imagination and life to everything.”


Research beyond the business plan
Need something changed or is there something not quite working the way you envisaged? Is your van a little old and tired and need refreshing? Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged.
Lorem Ipsum is simply dummy text of the printing and typesetting industry.
Research beyond the business plan
Marketing options and rates
The ability to turnaround consulting
Customer engagement matters
Need something changed or is there something not quite working the way you envisaged? Is your van a little old and tired and need refreshing? Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged.
lorem Ipsum has been the industry's standard dummy text ever since the when an unknown printer took a galley of type and scrambled it to make a type specimen book has survived not only five centuries.
lorem Ipsum has been the industry's standard dummy text ever since the when an unknown printer took a galley of type and scrambled it to make a type specimen book has survived not only five centuries.


After a preview screening of the new Harold Ramis film, Analyze This (*** ˝), I broke into a black, fully-loaded 1999 Lincoln Continental in the theater's parking lot. My friend at the DMV had previously traced the plates to one Tony Boombatti (Fat Tony), the owner of the Boombatz Pizzeria and the right arm of the even more well-known local `waste-management specialist' Tony Matsorelli (Tony Two-Step). I then placed a transmitter under both sun visors in order to get their reactions to the film.
(Doors unlock and open. Laughter.)
Tony Matsorelli: Jesus, that was a great
Tony Boombatti: Great
Tony M:
Tony B: Yeah.
Tony M: His hand shakes a little bit and all of a sudden he's some great actor? C'mon.
Tony B: (Burps.)
Tony B.  He ain't no
Tony M. DeNiro and
Tony B. Are you
Tony M.A.
Tony B.A.
Tony M. Hey, didn't Crystal sorta remind you of that lawyer…aww
Tony B. (Burps again.) Who?
Tony M.
Tony B. That's a
Tony M. And that pock-marked guy – who knew he could be sofunny?
Tony B. Whatguy?
Tony M.  The fat guy?
Tony M. Jesus
Tony B. No, Tony. I just don't know who you're
Tony M.it.
Tony B. You believe that a hard
Tony M.
Tony B. Yeah?
Tony M. Everybody knows that we don't
Tony B.A, Tony.
Tony M.
Tony B. Bunch of
Tony M.
Tony B. But bothgreat.
Tony M.
Tony B. That was from The Godfather? No
Tony M. Yeah; no
Tony B.
Tony M. You wanna get something to eat?
Tony B. Yeah, I'mstarvin'
Tony M. Now, there's a
Tony B.
Tony M.  Hey! (Tires squeal, horns blow.) Stay the
Tony M.
Tony B. (Revving engine.)
Tony M. (Shouting.)
Tony B. Ooh, I'm
PLANET SICK-BOY: http://home.eznet.net/~jpopick
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


We've worked really hard these past two months tackling the rigorous task of creating an original factions experience for you!
Check out our awesome new plugin, Custom Enchantments!
Are you up to the task? Take up a perilous Quest today!
From challenging a fellow companion to raiding a faction, Duels makes sure your fights fair!


List is an element containing a group of clickable items. Different from a bootstrap list group, one item can contain several horizontal components.
First Item is clicked {{ItemOne}} times.
Second Item is clicked {{ItemTwo}} times.
is clicked {{IconTwo}} times.
is clicked {{ItemThreeIconOne}} times.
Cell Two is clicked {{ItemThreeCellTwo}} times.
Row three, excluding and Cell Two is clicked {{ItemThree}} times.
The remaining area in the list is clicked {{List}} times. (click Item Four)
The template name is TEList
The parent template including the TEList
looks like:
The list
is an object passed to the list element.
For each list item, its horizontal component, and its icon, you can
specify the id
, class
, href
,
and action
to control its behavior.
Note, if title
or description
is specified in an item cell, the icons
array is ignored.
However, icons
can co-exist with title
and
description
in a list item. The icons
are
aligned to the right of the text content.
The action
callback takes four arguments: the event,
the calling template, the jquery item of the list row, and the jquery
item of the closest a
tag.


Class ConstructAction.PlaneInput
Defines an input object for an action derived from ConstructAction. This input object expects the input of a plane. The value may be either entered on the keyboard or by moving the mouse. There is always a base plane which is by default the drawing plane. The mouse input is defines a plane which is parallel to the base plane and contains the mouse point (snapping is applied) Pressing enter or TAB or clicking the mouse proceeds to the next input object.
Implements
Inherited Members
Namespace: CADability.Actions
Assembly: CADability.dll
Syntax
public class PlaneInput : ConstructAction.InputObject, ConstructAction.IInputObject, ICommandHandler
Constructors
| Improve this Doc View SourcePlaneInput(String)
Constructs a PlaneInput object.
Declaration
public PlaneInput(string resourceId)
Parameters
| Type | Name | Description |
|---|---|---|
| System.String | resourceId | the resource id to specify a string from the StringTable. |
PlaneInput(String, Plane)
Constructs a PlaneInput object with a initial value.
Declaration
public PlaneInput(string resourceId, Plane basePlane)
Parameters
| Type | Name | Description |
|---|---|---|
| System.String | resourceId | the resource id to specify a string from the StringTable. |
| Plane | basePlane | the base plane |
Properties
| Improve this Doc View SourceForwardMouseInputTo
Mouse input should be forwarded to another input object and only processed by this input, when the other input object is fixed.
Declaration
public object ForwardMouseInputTo { get; set; }
Property Value
| Type | Description |
|---|---|
| System.Object |
ReadOnly
true: this input field does not accept user input, false: normal input field that requires user input
Declaration
public override bool ReadOnly { get; set; }
Property Value
| Type | Description |
|---|---|
| System.Boolean |
Overrides
Methods
| Improve this Doc View SourceAdjustHighlight()
Declaration
protected override void AdjustHighlight()
Overrides
| Improve this Doc View SourceForceValue(Plane)
Forces the input object to the specified value. The input filed is updated accordingly.
Declaration
public void ForceValue(Plane val)
Parameters
| Type | Name | Description |
|---|---|---|
| Plane | val | the value to set |
Events
| Improve this Doc View SourceGetPlaneEvent
Provide a method here, if the length not only depends from this input, but is also modified by other means.
Declaration
public event ConstructAction.PlaneInput.GetPlaneDelegate GetPlaneEvent
Event Type
| Type | Description |
|---|---|
| ConstructAction.PlaneInput.GetPlaneDelegate |
MouseClickEvent
Event that is fired when a mousclick happens and this input has the focus.
Declaration
public event ConstructAction.MouseClickDelegate MouseClickEvent
Event Type
| Type | Description |
|---|---|
| ConstructAction.MouseClickDelegate |
SetPlaneEvent
Provide a method here to get the result of this input (and modify your object)
Declaration
public event ConstructAction.PlaneInput.SetPlaneDelegate SetPlaneEvent
Event Type
| Type | Description |
|---|---|
| ConstructAction.PlaneInput.SetPlaneDelegate |
Explicit Interface Implementations
| Improve this Doc View SourceICommandHandler.OnCommand(String)
Declaration
bool ICommandHandler.OnCommand(string MenuId)
Parameters
| Type | Name | Description |
|---|---|---|
| System.String | MenuId |
Returns
| Type | Description |
|---|---|
| System.Boolean |
ICommandHandler.OnSelected(MenuWithHandler, Boolean)
Declaration
void ICommandHandler.OnSelected(MenuWithHandler selectedMenuItem, bool selected)
Parameters
| Type | Name | Description |
|---|---|---|
| MenuWithHandler | selectedMenuItem | |
| System.Boolean | selected |
ICommandHandler.OnUpdateCommand(String, CommandState)
Declaration
bool ICommandHandler.OnUpdateCommand(string MenuId, CommandState CommandState)
Parameters
| Type | Name | Description |
|---|---|---|
| System.String | MenuId | |
| CommandState | CommandState |
Returns
| Type | Description |
|---|---|
| System.Boolean |


Lampard to be 'one of the best managers in the world' - Hazard
Cape Town - Former Chelsea star Eden Hazard believes Blues boss Frank Lampard has the potential to be one of the best managers in the world.
Having almost taken Derby County up into the Premier League, Lampard was handed the Chelsea job following the departure of Maurizio Sarri.
In just his second season in management, Lampard has taken Chelsea up to third place in the table as they look ahead to their next outing against Manchester City on Saturday.
Belgium international Hazard decided to end his time in west London over the summer and did not get the opportunity to work under the new Blues boss.
When asked if he was surprised by the start Lampard has made in the dugout at Stamford Bridge, Hazard said: "No, not at all. I know Frank as a player, not as a manager, but he's a great guy. He's showed already after four months that he can be one of the best managers in the world.
"The good thing is that they are playing with young players, young English players. For England it's good, for Chelsea it's good. They are lucky to have young players with quality."
Hazard added: "I still have good friends there. I follow them all the time. They are winning at the moment so I'm just happy for them."
All has not gone according to plan so far for Hazard in Spain, with the Belgian seemingly struggling to get up to speed with life at the Santiago Bernabeu.
Meanwhile, the in-form Blues have a one-point advantage over Premier League champions Manchester City ahead of their encounter at the Etihad Stadium this weekend.
Chelsea find themselves eight points behind frontrunners Liverpool and victory over the Citizens on Saturday would be a real boost to Lampard’s hopes of entering the title race.
- TeamTalk Media


- Habit - Class in cmput301f17t26.smores.all_models
-
Represents a Habit
- Habit(UUID, String, String, Date, HashMap<Integer, Boolean>) - Constructor for class cmput301f17t26.smores.all_models.Habit
-
Constructs a habit object.
- HABIT_DELETED - Static variable in class cmput301f17t26.smores.all_activities.HabitDetailsActivity
-
- HABIT_POSITION_NONE - Static variable in class cmput301f17t26.smores.all_activities.HabitDetailsActivity
-
- HABIT_SAVED - Static variable in class cmput301f17t26.smores.all_activities.HabitDetailsActivity
-
- HabitAdapter - Class in cmput301f17t26.smores.all_adapters
-
- HabitAdapter(HabitFragment.HabitFragmentListener) - Constructor for class cmput301f17t26.smores.all_adapters.HabitAdapter
-
- HabitAdapter.ViewHolder - Class in cmput301f17t26.smores.all_adapters
-
- HabitController - Class in cmput301f17t26.smores.all_storage_controller
-
Created by Luke on 2017-10-31.
- HabitController(Context) - Constructor for class cmput301f17t26.smores.all_storage_controller.HabitController
-
- HabitDetailsActivity - Class in cmput301f17t26.smores.all_activities
-
- HabitDetailsActivity() - Constructor for class cmput301f17t26.smores.all_activities.HabitDetailsActivity
-
- HabitDetailsActivityTest - Class in cmput301f17t26.smores
-
Created by farhadmakiabady on 2017-11-11.
- HabitDetailsActivityTest() - Constructor for class cmput301f17t26.smores.HabitDetailsActivityTest
-
- HabitEvent - Class in cmput301f17t26.smores.all_models
-
Represents a Habit Event
- HabitEvent(UUID, UUID) - Constructor for class cmput301f17t26.smores.all_models.HabitEvent
-
Constructs a habit event object.
- HabitEventController - Class in cmput301f17t26.smores.all_storage_controller
-
Created by Christian on 2017-10-31.
- HabitEventController(Context) - Constructor for class cmput301f17t26.smores.all_storage_controller.HabitEventController
-
- habitEventController - Static variable in class cmput301f17t26.smores.all_storage_controller.HabitEventController
-
- HabitEventDetailsActivity - Class in cmput301f17t26.smores.all_activities
-
- HabitEventDetailsActivity() - Constructor for class cmput301f17t26.smores.all_activities.HabitEventDetailsActivity
-
- HabitEventDetailsActivityTest - Class in cmput301f17t26.smores
-
Created by farhadmakiabady on 2017-11-11.
- HabitEventDetailsActivityTest() - Constructor for class cmput301f17t26.smores.HabitEventDetailsActivityTest
-
- HabitEventTest - Class in cmput301f17t26.smores
-
Created by Luke on 2017-10-21.
- HabitEventTest() - Constructor for class cmput301f17t26.smores.HabitEventTest
-
- HabitFragment - Class in cmput301f17t26.smores.all_fragments
-
A fragment representing a list of Items.
- HabitFragment() - Constructor for class cmput301f17t26.smores.all_fragments.HabitFragment
-
Mandatory empty constructor for the fragment manager to instantiate the
fragment (e.g.
- HabitFragment.HabitFragmentListener - Interface in cmput301f17t26.smores.all_fragments
-
This interface must be implemented by activities that contain this
fragment to allow an interaction in this fragment to be communicated
to the activity and potentially other fragments contained in that
activity.
- HabitHistoryAdapter - Class in cmput301f17t26.smores.all_adapters
-
RecyclerView.Adapter
that can display a
DummyContent.DummyItem
and makes a call to the
specified
HabitHistoryFragment.HabitHistoryFragmentListener
.
- HabitHistoryAdapter(HabitHistoryFragment.HabitHistoryFragmentListener) - Constructor for class cmput301f17t26.smores.all_adapters.HabitHistoryAdapter
-
- HabitHistoryAdapter.ViewHolder - Class in cmput301f17t26.smores.all_adapters
-
- HabitHistoryFragment - Class in cmput301f17t26.smores.all_fragments
-
A fragment representing a list of Items.
- HabitHistoryFragment() - Constructor for class cmput301f17t26.smores.all_fragments.HabitHistoryFragment
-
Mandatory empty constructor for the fragment manager to instantiate the
fragment (e.g.
- HabitHistoryFragment.HabitHistoryFragmentListener - Interface in cmput301f17t26.smores.all_fragments
-
This interface must be implemented by activities that contain this
fragment to allow an interaction in this fragment to be communicated
to the activity and potentially other fragments contained in that
activity.
- HabitTest - Class in cmput301f17t26.smores
-
Created by farhadmakiabady on 2017-10-21.
- HabitTest() - Constructor for class cmput301f17t26.smores.HabitTest
-


nestable_view.js |
|
|---|---|
Duckbone.NestableViewIn the Duckbone View lifecycle, it is critical that the appropriate setup and teardown
happens for all views. Without this, weak bindings will not get unbound and many other
“zombie code” bugs will plague the developer. NestableView provides automated setup and
teardown of child views. This is primarily used by TemplateableView, and its This mixin is included in UsageProvide a
The |
(function() {
Duckbone.NestableView = { |
property isNestableViewIndicates the presence of this mixin |
isNestableView: true, |
function setupNestedViewsCall |
setupNestedViews: function() {
this.children = this.createChildren();
},
createChildren: function() {
return {};
}, |
function removeNestedViewsCall |
removeNestedViews: function() {
_.each(this.children, function(child) {
child.remove();
});
this.children = {};
}
}
})(); |


--- layout: post title: Reading an Int32 from a DataRow coming from SharePoint date: 2010-09-23 15:55:45.000000000 +02:00 categories: [] tags: - DataRow - DataTable - Extension Methods - SharePoint status: publish type: post published: true meta: {} author: login: admin email<EMAIL_ADDRESS>display_name: Philippe first_name: Philippe last_name: Vlérick excerpt: !ruby/object:Hpricot::Doc options: {} ---
In my previous post, I described how to convert a String to an Int32 making sure that Convert.ToInt32 works all the time for positive integers.
Now, there is still an issue with that method: when the integer is negative. In that case, adding a 0 in front of it does not work and makes the conversion throw a FormatException, as the underlying parse chokes on the “0-”.
Now, the obvious ultimate solution to that problem is simply to write an extension method for DataRow to try to parse the value as an Int32:
internal static int FieldAsInt32(this DataRow dataRow, String columnName, int defaultValue) { var fieldValue = dataRow.Field<String>(columnName); int value; if (Int32.TryParse(fieldValue, out value)) { return value; } else { return defaultValue; } } internal static int FieldAsInt32(this DataRow dataRow, String columnName) { return dataRow.FieldAsInt32(columnName, 0); }
I added an overload that takes the default value, i.e. the value that is to be returned if the parse fails. The default for that is 0. This might not be useful in all cases, but in our case this field is used to order elements, so if it can be parsed, it has to return a very high value to make sure it is the latest in the ordered sequence.


--- layout: post authors: ["James Baker"] title: "Programming Historian Live" date: 2015-10-21 time: "05:00:00" tags: ["Community"] ---
Originally posted at http://cradledincaricature.com/2015/10/21/programming-historian-live/.
On 19 October curious historians descended on the British Library for Programming Historian Live. The Programming Historian is a suite of open access, peer reviewed lessons that provide practical instruction to historians thinking about using data, code, and software in their research. It is co-edited by 2013 Software Sustainability Institute Fellow Adam Crymble and it does an amazing job at bringing the methods and motivations of the (small but growing) Digital History community to the wider historical profession. This "Live" spin-off, funded by my 2015 Software Sustainability Institute Fellowship, was designed to take into account the fact that whilst some of us learn just fine through self-directed tutorials, others need the mental space, in person support, and peer pressure of seminar style learning.
The programme of events was ambitious, some would say foolhardy (including me at the outset!). Across the day six trainers covered hands-on, practical introductions to Extensible Markup Language (XML), XSLT (Extensible Stylesheet Language Transformations), Regular Expressions (regex), AntConc, Shell, and wget — a range of standards, software environments, and commands that intersected and cross-pollinated in pleasing, unexpected ways.
The schedule ran to budget and to time. The attendees were well fed and watered. And core values of the Software Sustainability Institute — that we sustain software together, that we must critique our interactions with software, that we must get stuck in and cannot rely on "tech support" to get our research done — were communicated. All markers of a successful event. But what did we learn? What did we gain from a day of breakneck pace software skills training humanities style? From the lively Twitter backchannel it seems we learnt a great deal:
We learnt that digital practices, such as encoding texts using TEI-XML, help us reflect on everyday editorial practices, even on the choices we make when we approach texts and take meaning from them.
We learnt that investing effort upfront can enable us to re-imagine the texts we produce, even in the case of texts as simple as our notes, through transformation process such as XSLT.
We learnt that even the most simple looking lines of code can be powerful not only when applied to our data, but also — such as in the case of regex — with respect to their interoperability, their proclivity to pop up in all sorts of computational environments and software.
We learnt that unassuming software tools such as AntConc can tell us more than we imagined about the texts that we read and can introduce us to a world where communities love, support, and sustain software.
We learnt the command line, a vision of computing that sometimes we'd prefer to forget, have their virtues and a clear place in any historical research that uses data.
We learnt that software tools available on command lines can make us all archivists of the contemporary world.
And we learnt that we wouldn't be able to learn all about this without the goodwill, hard work, and openness of people, people we should always remember to acknowledge. And so I'd like to take this opportunity to reiterate my thanks to Melodee Beals, Jonathan Blaney, Adam Crymble, Anouk Lang, Nora McGregor, Cornelis Schilt, Peter Webster, and all the attendees of Programming Historian Live for making the event such a rich learning experience.
Notes, slides, and details of Programming Historian Live sessions available on GitHub for you to reuse.
Finally, though conceived as a one-off, I'd be interested to hear from folks who think there is value in taking the concept further.


Betsy Bawden
16016 NE 26th St, Bellevue, WA 98008
(425) 615-1140
Email<EMAIL_ADDRESS>Education
Interlake High School (2015-Present)
- Current GPA: 3.8
- Anticipated Graduation: June 2019
Bellevue College (2017-Present)
- Current GPA: 3.67
- Anticipated Graduation: June 2019
- Running Start student
Experience
Bellevue Parks Department (June 2016-August 2016)
Well KEPT Trainee
- Maintained city parks and trails
- Worked as a team to achieve a common goal
- Adressed the needs of local homeowners
Starbucks (September 2017-Present)
Barista
- Responsible for cleaning and closing the store
- Experience with customer service and retail
- Prepare food and beverages for customers
State Farm (August 2018-Present)
Marketing Intern
- Interact with clients on a daily basis
- Propose marketing strategies
- Work on marketing projects such as flyers and gift baskets
Skills
- Fluent in Spanish
- Understands Portuguese
- Proficient in Microsoft Offfice


Montréal’s warmth, cosmopolitan character and geographic accessibility will ensure that the ISMIR2020 conference will be successful and memorable.


new Brick(cementHelper, config)
Create a new Brick instance
Parameters:
| Name | Type | Description |
|---|---|---|
cementHelper |
CementHelper | cementHelper instance |
config |
BrickConfig | cement configuration of the brick |
Methods
_initialized()
This method should not be override by child bricks
It emits "initialized" event to the Cement to tell him i'm ready to be plugged into the flow
Important: we add a delay of 100ms for the Cement to first instanciate the Brick before listening to its event
eg. if you emit the event in the brick constructor, the cement won't see it
init()
This method is called by Cement before starting pub/sub between Bricks
It should be override only by child Bricks that need initialization before being plugged into the flow
ie. connect to MQ, Db, starting server...etc
Important: you should call this._initialized() when your brick is really ready
for test case, you can simulate in your brick a random delay eg.
const delay = 1000 * Math.ceil(1 + 3 * Math.random());
const that = this;
setTimeout(function() {
that._initialized();
}, delay);
process(context)
Process the context
Parameters:
| Name | Type | Description |
|---|---|---|
context |
Context | a Context |
start()
This method is called by Cement when all other Bricks are initialized and ready
It should be override only by child Bricks that directly publish data to the flow
without having to wait for other bricks to get data from (eg. Receiver)
It guarantees that Bricks interconnection are done by the Cement
validate(context) → {Promise}
Validates Context properties
Parameters:
| Name | Type | Description |
|---|---|---|
context |
Context | a Context |
Returns:
- Type
- Promise


{% extends "layout.html" %} {% block pageTitle %} Support you may be entitled to {% endblock %} {% block beforeContent %} {% include "includes/phase-banner.html" %} {{ govukBackLink({ text: "Back", href: actions.back }) if actions.back | length }} {% endblock %} {% block content %} {% include "./partials/_error-summary.html" %}
Find out what support is available in Scotland. You can be eligible for both Scottish and UK-wide schemes.
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The aim of the package is to provide some basic functions for doing statistics with trapezoidal fuzzy numbers. In particular, the package contains several functions for simulating trapezoidal fuzzy numbers, as well as for calculating some central tendency measures (mean and two types of median), some scale measures (variance, ADD, MDD, Sn, Qn, Tn and some M-estimators) and one diversity index and one inequality index. Moreover, functions for calculating the 1-norm distance, the mid/spr distance and the (phi,theta)-wabl/ldev/rdev distance between fuzzy numbers are included, and a function to calculate the value phi-wabl given a sample of trapezoidal fuzzy numbers.
| Version: | 1.0 |
| Published: | 2017-02-08 |
| Author: | Asun Lubiano, Sara de la Rosa de Saa |
| Maintainer: | Asun Lubiano <lubiano at uniovi.es> |
| License: | GPL-2 | GPL-3 [expanded from: GPL (≥ 2)] |
| NeedsCompilation: | no |
| CRAN checks: | FuzzyStatTra results |
| Reference manual: | FuzzyStatTra.pdf |
| Package source: | FuzzyStatTra_1.0.tar.gz |
| Windows binaries: | r-devel: FuzzyStatTra_1.0.zip, r-release: FuzzyStatTra_1.0.zip, r-oldrel: FuzzyStatTra_1.0.zip |
| OS X binaries: | r-release: FuzzyStatTra_1.0.tgz, r-oldrel: FuzzyStatTra_1.0.tgz |
Please use the canonical form https://CRAN.R-project.org/package=FuzzyStatTra to link to this page.


Near-Earth Objects
Showing {{numAsteroids}} items
{{closestObject}} has the shortest miss distance
#
Name
Close Approach Date
Miss Distance
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{{ a.name }}
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2016
- Ep 17 - Sports Conversation Assistant
- Ep 16 - Pool Sharing App
- Like Uber but for hangovers
- Ep 15 - Uber but for.......
- Ep14 - Gifting Based Surveillance App w/ Jack Druce
- Ep13 - Lying App w/ Blake Freeman
- How to Subscribe to Let's Make Billions
- 3 Times This Podcast Has Already Predicted the God Damn Future
- Ep12 - Pockets for Women's Clothing w/ Rhi Down
- Ep11- Social Media Newspaper w/ Lewis Dowell
- Ep10 - Questionable Service Dog Prescriptions w/ Justin Sproules
- Ep9 - House Party Finder
- Ep8 - Hipster Tours Melbourne
- Ep7 - Public Toilet Directory App
- Ep6 - Wholesome Dating App
- Ep5 - Mr. Beanie: A Craft Play Center for Adults
- Bonus Episode! Simon and Murphy visit a dog cafe
- Ep4 - Jim's Gym for Jims: a Gym for Life Skills
- Ep3 - The World's Most Profitable Baby Sitting / Team Building service
- Ep2 - Keb-App: An App for Finding Great Kebabs w/ Kate Dehnert
- Ep1 - A Bar For Dogs w/ Murphy McLachlan
- Launch date brought forward to Monday 8th of August
- Podcast Trailer is Up
- Now Live in iTunes Store
- Launches August 15
- Welcome to The Podcast


{% extends "admin/base_site.html" %} {% load i18n admin_static admin_modify grp_tags %} {% block bodyclass %}grp-doc{% endblock %} {% block content-class %}{% endblock %} {% block title %}Grappelli Documentation{% endblock %} {% block breadcrumbs %}
Basic Page Structure How a custom template is built
Mueller Grid System The grid system we use
Predefined Layouts Layouts based on the Mueller Grid System
Form Fields Labels, Form Fields & Widths
Errors in Forms Non-Form-, Non-Field- and Field-Errors
Fieldsets Modules in Forms
Submit-Rows Defining Submit-Rows
Pagination How a pagination is built
Search-Form How a search-form is built
Filter How a filter is built
Date-Hierarchy How a date-hierarchy is built
Admin Index How the admin index is built
Change-List How a change-list is built
Change-Form How a change-form is built


Welcome to the "Frequent Flyer" demonstration application, which is designed to introduce you to developing applications with Ingres, C#, Visual Studio 2005, and the .NET Data Provider 2.0.
The application consists of the following:
We hope that you find this application useful. If you have questions or comments, please raise an issue with Ingres Technical Support at http://servicedesk.actian.com.
Note: Knowledge of C# and Visual Studio is necessary to understand the examples.


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Use this application to try out all of the text-to-speech voices in Chrome.
Speak Stop
Click on or tab to these boxes:
Alpha Bravo Charlie Delta Echo Foxtrot


...no challenges are available right now. Come back later!
waiting for challengers...
{{interval}}
Get ready, the next question starts in
{{interval}}
{{interval}}
{{current.q}}
{{a.answer}}
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Results {{current.q}} {{a.answer}} |
Fastests {{users[0].name}}({{users[0].t}}s.) {{users[1].name}}({{users[1].t}}s.) {{users[2].name}}({{users[2].t}}s.) |
Don't miss the next challenge in the halftime
Podium
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Couldnt play ? Download the CFLTailgate app from cfltailgate.app


UTC +11
Voltage: 220 V
Frequency: 50 Hz
Most shops and offices open from 7:30 - 11:30 am and 1:30 - 6pm closing for lunch. Banks and the Post Office stay open during lunch but close earlier at 3:45 pm. Some shops open on Saturday and supermarkets open on Sunday morning. The Noumea Market with its local produce is held daily at the Baie de la Moselle. It opens from 5am-11am and is closed the 3rd Monday of the month.
Last updated December 2008.
French Pacific franc (CFP Fr) of 100 centimes. It has a fixed rate to the Euro [1 Euro = 119.332 CFP).
Credit cards are accepted by most businesses and tourist resports.
International Dialing Code for New Caledonia is +687.
New Caledonia has a modern satellite communications system allowing direct calls overseas. Most places have mail, internet and telephone facilities.
New Caledonia Internet
Access to the Internet is easy in Noumea, where there are numerous Internet Cafes. The Rocket Guide to New Caledonia includes the locations of the most popular Internet Cafes. The cost of Internet in New Caledonia is very high, between 500 and 1000 cfp per hour, and the "high speed" connections are miserably slow compared to broadband connections in other countries.
OPT, the New Caledonia telecom service, has a "Carte iZi" that lets you log onto the Internet with a special number from any phone at all - including mobile phones or hotel phones. This is the most economical way to get connected to the Internet in Noumea (4.5 cfp per minute). The connection however is reported to be painfully slow.
SSB
See Pacific List of Radio Nets
The Namba Net operates now on 8101 because 6 megs became too noisy. It is at 0815 hrs local time for vessels cruising New Caledonia and Vanuatu.
Please note that the Namba net only operates when there are sufficient cruisers prepared to act as net controllers. Ideally 7 people but it usually starts with 4. It starts usually sometime in June and finishes in October. The 8 meg frequency covers Vanuatu. New Caledonia, the Solomon Islands and the Louisaides.
Mobile Phones
GSM mobile phones work almost everywhere near population centres throughout New Caledonia. The Rocket Guide to New Caledonia includes a coverage map and full details of mobile phone use.
International roaming is available from most countries so your normal mobile phone and telephone number should work in New Caledonia. Ask your GSM provider before you leave to arrange for roaming in New Caldeonia.
Last updated June 2012.
La Grande Terre, Loyalty Islands and the Isle of Pines all have an excellent network of roads. Major roads are all sealed. Driving is on the right hand side of the road and rental cars are widely available. A valid driving licence is required to rent a car - the visitor centre has a list of companies. Taxis, mopeds and motorbikes are also available.
Police - Dial 17
Ambulance - Dial 18
Maritime Police - Dial 16
Fire - Dial 18
IMRAY AND ADLARD COLES PILOT BOOKS are available at a discounted price for Noonsite.com users via World Cruising Club
Cruising Guide to New Caledonia
Electronic cruising guide available on CD - www.cruising-newcaledonia.com
By Frederique and Richard Chesher (continually updated)
Cruisers say "it's worth the cost", all the info you need and comes with tested GPS routes and waypoints. The website also has alot of useful free information re. cruising NC.
South Pacific Handbook
By David Stanley
Publisher: Avalon Travel Publishing; 8th Revised edition (28 Jan 2005)
ISBN-13:<PHONE_NUMBER>116
From lagoon swimming in the Cook Islands to witnessing the race of the banana bearers in the Heiva i Tahiti festival, travellers will find the best of the South Pacific both popular and obscure in this guidebook.
Landfalls of Paradise: Cruising Guide to the Pacific Islands
By Earl Hinz
Publisher: University of Hawai'i Press; 5th Revised edition edition (1 May 2006)
ISBN-13:<PHONE_NUMBER>373
The fifth edition of this sailing standard includes updated charts and text reflecting changes in regulations and facilities for most countries and specific ports of entry. New appendices include procedures for entry to Australia, which are more exacting than most Pacific landfalls, and an extensive list of information sources: cruising guidebooks, important general tourist guides, chart suppliers, and key web sites for the countries covered by "Landfalls of Paradise".
The Pacific Crossing Guide
By Michael Pocock, Revised by Ros Hogbin
Publisher: Adlard Coles; 2nd edition (August 2011)
ISBN-13:<PHONE_NUMBER>828
See the detailed review
South Pacific Anchorages
By Warwick Clay
Publisher: Imray Laurie Norie & Wilson Ltd; 2nd edition (January 1, 2001)
ISBN-13:<PHONE_NUMBER>829
Warwick Clay's cruising guide covers the South Pacific from the Mariana Islands in the northwest across to the Galapagos in the east then down passed Easter Island to New Zealand in the Southwest.
British Admiralty Pacific Islands Pilot Vol ll(The Central Groups)
Published by UK Admiralty and available from Imray Publications (11th edn 2006)
ISBN :<PHONE_NUMBER>330 (ref. NP061)
This covers the islands of the South-West Part of the Pacific Ocean including: Nouvelle-Calédonie and îles Loyauté Vanuata, Banks and Torres Islands, Santa Cruz Islands, Fiji Islands, Samoa Islands, Tuvalu, Kiribati (Gilbert and Phoenix Groups), Marshall Islands.
Cruising Guide to New Caledonia (South Pacific)
By Joel Marc, Marc Raubeau, Ross Blackman
Publisher TBC - 3rd Edition (2001)
ISBN<PHONE_NUMBER>059
Long out of print and very difficult to find
An anchorage and general yachting guide to this South Pacific island. Illustrated with B/W and color photos and maps and sketch charts, this book will help you plan and get the most from a New Caledonia cruising adventure. Covers arrival and departure formalities, general information on New Caledonia, transportation, where to buy fuel, food and lodging, diving and fishing, conservation of marine reserves, health, weather, tides and currents, aids to navigation, anchoring, and more.
Loyalty Islands Tourist Office.
Cruising Guide to New Caledonia.
New Caledonia Lagoon
Substantial image library of beaches, seascapes, underwater, marine life and marine activities in New Caledonia.


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{% include 'app1/includes/htmlsnippet.html' %} {% endblock %}


| Interface | Description |
|---|---|
| Projector |
| Class | Description |
|---|---|
| ComplexToJsonBatchCreator | |
| OutputSizeEstimateConstants | |
| OutputWidthExpression |
OutputWidthExpressions are used to capture the information required to calculate the width of the output
produced by a variable-width expression.
|
| OutputWidthExpression.FixedLenExpr |
Used to represent fixed-width values used in an expression.
|
| OutputWidthExpression.FunctionCallExpr |
FunctionCallExpr captures the details required to calculate the width of the output produced by a function
that produces variable-width output.
|
| OutputWidthExpression.IfElseWidthExpr |
IfElseWidthExpr is uded to capture an
IfExpression . |
| OutputWidthExpression.VarLenReadExpr |
VarLenReadExpr captures the inputColumnName and the readExpression used to read a variable length column.
|
| OutputWidthVisitor | |
| OutputWidthVisitorState | |
| ProjectBatchBuilder |
Implements callbacks to build the physical vectors for the project
record batch.
|
| ProjectBatchCreator | |
| ProjectMemoryManager |
ProjectMemoryManager(PMM) is used to estimate the size of rows produced by
ProjectRecordBatch.
|
| ProjectMemoryManager.VariableWidthColumnInfo | |
| ProjectorTemplate | |
| ProjectRecordBatch | |
| TestProjectEmitOutcome | |
| TestSimpleProjection |
Copyright © 2021 The Apache Software Foundation. All rights reserved.


Logan
For the merciless broadcasters
{% block log %} {% endblock %}
NOW
© << Insert your name here >>


{% extends "base.html" %} {% block content %}
The mission of the Romanian Alpine Club is to develop, support, practice and promote any kind of recreational activities in nature, with the conscious minimization of risk factors and with care and respect for the environment, fauna and flora as well as nature conservation.
The vision of the Romanian Alpine Club is to develop a strong community that will become a respected voice in Romania regarding responsible practice and the promotion of all noninvasive mountain activities and respect for the natural environment.
We develop ethics in mountain activities. We support the permanent effort for a correct and complete mountain education. We promote performance athletes as well as table sports. We declare friendship and tolerance for attracting fellows to mountain activities.


Raiders LB Marquel Lee eyes return from IR
by Myles SimmonsALAMEDA, Calif. — The Raiders should be getting some help at linebacker soon with the return of Marquel Lee.
Lee suffered an ankle injury against the Vikings back in Week 3 and was put on injured reserve. Now having spent eight weeks on the list, he’s eligible to return to the active roster. Coach Jon Gruden said the exact timing of Lee’s return is still uncertain.
“I don’t know that he’ll be back this week, but he’ll be back soon — either this week or next,” Gruden said. “Getting Marquel back will be a good boost for us.”
On Monday, Lee said that when he suffered the injury and was placed on IR, the idea was for him to come back and play this season. He said he developed a target date working in tandem with general manager Mike Mayock and the training staff.
“That’s what I’ve been working towards,” Lee said. “I feel like we’re going to be able to accomplish that.”
In terms of the injury itself and the rehab, Lee said he thought he’d be able to return in 2019 because he suffered a similar injury during his rookie year.
“I had no doubt in my mind that I would rehab to get back to performing and things of that nature — just how long it was going to take,” Lee said.
Lee has been practicing for the last two weeks and said he’s felt good with the process.
In his third pro season after the Raiders took him in the fifth round of the 2017 NFL Draft, Lee has played 32 games, starting 18. While he played single-digit defensive snaps in each of the Raiders’ first three 2019 contests, he was a heavy contributor on special teams for this year’s club.
More Raiders: Follow at vegasnation.com and @VegasNation on Twitter.


Web Developer - UI Designer - UX Tester
I am in the last quarter of Seattle University’s Web Development program. I have a significant work history in human services, and can offer your organization a powerful perspective about how a wide range of users interact with information and information technology.
As a potential employee I'm especially interested in finding an entry-level position that relates to Web Development, User Interface Design, and Usability Design. I would be equally happy in a not-for-profit or for-profit organization.


A Beautiful Sadness...
It was about midnight when I finished chewing the 'shrooms. I was in an artificially good mood, the first joint of the evening was consumed half an hour prior to the mastication of the main course.
The weather was gorgeous, a perfect summer evening for tripping. It was my first experience with 'shrooms and there was a mild nervous electricity in the air. The joint pushed the harsh realities of life to the side and I was thinking only of my current high, and the brand new intoxication I would soon experience.
The 'shrooms took longer than I expected to affect my consciousness. About 75 minutes after I finished chewing, the first effects of the toxic seed I planted in my mind began to blossom. The periphery was the first to change, internal and external boundaries began to alter.
Illuminated by a nearby torch, the leaves of a bush formed crude human faces. Internally, the borders that contain various modes of my personality were beginning to crumble. For the first time in a while, I felt unconditionally happy, almost giddy.
Something rare occurred - a genuine smile illuminated my face. A crescent moon lighting up the night sky.
I remained in 'happy mode' for another hour or so, smoking joints with impunity, chatting with friends, exploring a sparkling, rare side of myself. Externally, the visual and auditory senses were in top form. Music was decadent and my eyes perceived things that were previously hidden. Patterns of motion left streaks in the windshield of reality, lights multiplied and captured new colors, cigarettes were subtly curving and morphing like liquid cylinder volcanoes.
The unpleasant mental effects of the mushrooms began at the peak of my trip, when we decided to leave my friend's house and go for a walk through a quiet, affluent neighborhood. I stepped out the door first, eager to sample the outside world through this remarkable filter, when I saw my shadow on the ground. Out of the blue, it had quickly fractured into five outlines and coalesced into its original form. I thought nothing of it until, less than a minute later, the high changed.
Suddenly, the world became raw and unwelcoming. My hallucinations changed and my happy mode turned to something sinister. A thin membrane prevented hostile feelings, based on various personal problems, from escaping into everyone's trip. I communicated through gritted teeth, barely tolerating any faults or stupidity, and reacting to everything with extreme cynicism. Even hallucinations were hostile, either concealing themselves quickly after discovery or invading my perceptions by sticking longer than welcomed.
A few minutes later, an old friend I recently started hanging out with again walked up to me and asked how I was feeling. The trip changed once again and I was severely depressed.  For some reason the class difference between my friend and I also felt more pronounced. (I've lived in a ‘low-income area’ for twenty years, they all live in nice houses in friendly areas)
However, unlike my hostile mode, where everything was frustrating and adversarial, my depressed mode was a beautiful place to exist. Hallucinations gently supported me, and it felt like my friends were accepting my tortured soul. Lights became softer and produced gentle colors, trees would appear to form protective canopies above me and time felt more relaxed, as if it were giving me the space I need to heal my psychological wounds.
For the rest of the evening, this pattern repeated. Every fifteen to thirty minutes, the trip would change from happy, to hostile, to depressed and according to my internal state of being my external surroundings would change appropriately. Every significant shift would produce a new peak. Several times I thought the trip was over before a new wave crashed into the scene.
The final phase of my mushroom trip left me in depressed mode, where I remained for the rest of the morning. We returned to my friend's basement, mellowed out, listened to music, chatted and smoked a seemingly endless string of joints. The next day we discovered that we burned through at least a quarter of weed.
During this period I came to an important conclusion about my psychological existence. By experiencing my various personalities in rapid succession, I was able to compare them and better understand how they are linked. I fully understood that, despite the fact that therapy has made me more stable, I still have problems enjoying happiness. Now I try to appreciate whatever good vibes I can find and feel less guilty about them.
About the drug, I learned that it hit in waves and that it is a far more 'internal' drug than I previously believed.
Although it was nice to have my happy side set free for brief periods of time, I cherished the truths brought out by my depressed mode of existence. It was a beautiful sadness. I look forward to the next trip.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Welcome to the blog of Kim Hartley
EQ, emotional quotient or intelligence (EI) is having the ability to read ones own emotions and others. The person is self-aware and able to recognise the feelings one and others can have.
This also includes the actions of yours, other peoples actions and how they affect a situation. They are able to use the information of the emotions/actions of theirs or others and use it to adjust to the situation.
This adjustment can be done by making or changing the situation based on the emotions of either party. For example - easier by being empathetic (sharing and understanding feelings) with the other.
IQ, intelligence quotient is having the ability in which a person can learn and reason information. The person can use the knowledge that they learnt to solve problems. So a person with a higher IQ most likely has learnt and retained (not neccessarily)
the knowledge required to solve the problem. On a more personal level i'd look at IQ not in the way of so much solving problems, but having a vaster knowledge on a specific topic or various topics.
A persons IQ level can be worked out via IQ tests. Changes have been made over the past to these tests, but the data is taken from the persons knowledge to solve the problems in the given test. If the person can solve the problems,
then the person has a higher IQ.
The variance in IQ and EQ is just the measures of what is being proccessed, both have the ability to learn and use information, then using it to help solve something. EQ being emotional information. IQ is just general information. Both can be used to solve "problems". If a person is angry in a work situation due to a problem, then EQ can be used to work the situation with the person and IQ would be used to solve the actual work problem. I'd even say the two go hand in hand. They can be used together to work things out dependent on the situation. In the case of the angry co worker, a person with both EQ and IQ could solve the problem, calm the person and even maybe make them happy.
It's important to have both to a degree, one doesn't have to be super high in both. To have a good EQ is to be able to be a good person to others and to know how to act with them. They are self aware and can be empathetic. This has been explained to be very good for working with others in a job. No one wants to work with someone who is hard to get along with as it's less enjoyable. IQ is possibly not as important as EQ in a job, obviously dependent on what it is. Maybe your job is working alone and you don't need people skills. But if you want friends with good relationships then you'd want to have some EQ. But IQ for the job is to learn and the gain the knowledge required to do the job. They say the most successful people have a high EQ and good at working with others. Haha i'd even throw Steve Jobs and Mark Zuckerberg in the mix. Both had a high IQ, very smart men, but I think they lacked EQ to treat the others well and focused on the task at hand, the goal to get what was done with little to no care of the co workers.


GetClipboardText()
Syntax
Text$ = GetClipboardText()Description
Returns the text string currently contained within the clipboard.
Parameters
None.
Return value
Returns the content of the clipboard if it contains text. If the clipboard contains no data or no text data, then an empty string is returned.
See Also
GetClipboardImage()
Supported OS
All