In todays society nearly everything we could need or want to do can be done or at least arranged online. This is why cyber security is a ever growing problem facing the technology sector. As our lives grow more and more intertwined with technology we become more and more vulnerable to cyber threats.
For the individual the risk to these threats are generally related to identity theft and the potential hit to their credit rating. In the corporate world however the threat is larger than even the potential threat to their precious IP for those in the technological service industry. For these companies successful attack or even things like the looming eye of the NSA can spell disaster for their consumer confidence.
Unfortunately there is no silver bullet to solve all of the worlds woes in the realm of computer security, or any type of security for that matter. There exists no security measures that are truly impregnable, given the proper time and motivation everything is vulnerable. That being said we shouldn't throw your hands in the air and simply accept our impending doom. The individual can start with maintaining good password practices, meaning different passwords for the different sites and services you subscribe to, since a chain is only as strong as it's weakest link. And for the developers of the systems it will require a resurgent energy be put into security measures and staying vigilante to arising exploits such as heartbleed, so that they can respond in a timely fashion to close the hole.


{% extends "base.html" %} {% block content %} {% if object.is_finished %}
Job ID: {{object.id}}
Unfortunately, an error occurred and your results are not complete. Here's the error stacktrace:
{{object.errors}}
(You can send this URL to someone who speaks computer)
{% else %} Download inputs Download outputs Download Excel {% endif %} {% else %}Job ID: {{object.id}}
Executing...Your job has been submitted and has been added to the job queue.
This page will update automatically until the job is complete.
Now might be a good time for some ☕.
{% endif %} {% endblock content %} {% block extra-js %} {% endblock %}


November 5, 1955
Chrome DevTools device mode is needed in order to get this directive working in web browser (touchstart)


I’ve followed a series of blog posts from Cal Newport at http://calnewport.com/blog/ (with posts like this) in which Newport criticizes social media platforms for, among other things, limiting the scope of internet browsing. Newport, a computer science professor and writer, proudly has never had a social media account.
Until March 2018, I regularly consumed information from Facebook, Twitter, and even Instagram and Linkedin. Termination of these accounts aligned with my larger professional and scholarly goals of wanting to focus more on my studies and other, engaging, activities. Ambivalently, I opened a new Twitter account in December 2018 to follow, for the moment, academic statisticians.
Today I encountered a blog post from Austin Kleon (https://austinkleon.com/2018/12/21/surfs-up/). Kleon is a writer and artist. I first encountered his work several years ago - I can’t honestly remember how I first came across it. I might have seen his first book - Steal like an artist - in a bookstore. Kleon writes in the post:
How much better off we’d be online, I thought, if we went back to truly emulating surfers: leaving the crowded beaches, seeking waves in obscure locations, etc. Social media has “streams” (you can’t surf a stream) or worse, “feeds” (like pigs at a trough). I want the sea, man. I want to surf again!
My first memories of using the world-wide web and email are from, I think, 1995. I was a high school student, and my family had purchased a dial-up modem and a subscription from a (now defunct) local internet service provider (whose name I forget at the moment). I would dial in to the local provider’s headquarters in downtown Stevens Point, Wisconsin before launching Netscape Navigator to visit university websites. I remember a profound joy at discovering that I could tour distant colleges and universities through my computer. (I applied to colleges in the fall of 1995.)


- BeanSerializer<T> - Class in com.esotericsoftware.kryo.serializers
-
Serializes Java beans using bean accessor methods.
- BeanSerializer(Kryo, Class) - Constructor for class com.esotericsoftware.kryo.serializers.BeanSerializer
-
- bind(int) - Method in class com.esotericsoftware.kryonet.Server
-
Opens a TCP only server.
- bind(int, int) - Method in class com.esotericsoftware.kryonet.Server
-
Opens a TCP and UDP server.
- bind(InetSocketAddress, InetSocketAddress) - Method in class com.esotericsoftware.kryonet.Server
-
- BlowfishSerializer - Class in com.esotericsoftware.kryo.serializers
-
Encrypts data using the blowfish cipher.
- BlowfishSerializer(Serializer, byte[]) - Constructor for class com.esotericsoftware.kryo.serializers.BlowfishSerializer
-
- byteArrayBaseOffset - Static variable in class com.esotericsoftware.kryo.util.UnsafeUtil
-
- ByteBufferInput - Class in com.esotericsoftware.kryo.io
-
An InputStream that reads data from a byte array and optionally fills the byte array from another InputStream as needed.
- ByteBufferInput() - Constructor for class com.esotericsoftware.kryo.io.ByteBufferInput
-
Creates an uninitialized Input.
- ByteBufferInput(int) - Constructor for class com.esotericsoftware.kryo.io.ByteBufferInput
-
Creates a new Input for reading from a byte array.
- ByteBufferInput(ByteBuffer) - Constructor for class com.esotericsoftware.kryo.io.ByteBufferInput
-
Creates a new Input for reading from a byte array.
- ByteBufferInput(byte[]) - Constructor for class com.esotericsoftware.kryo.io.ByteBufferInput
-
- ByteBufferInput(ByteBuffer, int, int) - Constructor for class com.esotericsoftware.kryo.io.ByteBufferInput
-
Creates a new Input for reading from a byte array.
- ByteBufferInput(InputStream) - Constructor for class com.esotericsoftware.kryo.io.ByteBufferInput
-
Creates a new Input for reading from an InputStream with a buffer size of 4096.
- ByteBufferInput(InputStream, int) - Constructor for class com.esotericsoftware.kryo.io.ByteBufferInput
-
Creates a new Input for reading from an InputStream.
- ByteBufferInput(long, int) - Constructor for class com.esotericsoftware.kryo.io.ByteBufferInput
-
This constructor allows for creation of a direct ByteBuffer of a given size at a given address.
- ByteBufferInputStream - Class in com.esotericsoftware.kryo.io
-
An InputStream whose source is a ByteBuffer
.
- ByteBufferInputStream() - Constructor for class com.esotericsoftware.kryo.io.ByteBufferInputStream
-
- ByteBufferInputStream(int) - Constructor for class com.esotericsoftware.kryo.io.ByteBufferInputStream
-
Creates a stream with a new non-direct buffer of the specified size.
- ByteBufferInputStream(ByteBuffer) - Constructor for class com.esotericsoftware.kryo.io.ByteBufferInputStream
-
- ByteBufferOutput - Class in com.esotericsoftware.kryo.io
-
An OutputStream that buffers data in a byte array and optionally flushes to another OutputStream.
- ByteBufferOutput() - Constructor for class com.esotericsoftware.kryo.io.ByteBufferOutput
-
Creates an uninitialized Output.
- ByteBufferOutput(int) - Constructor for class com.esotericsoftware.kryo.io.ByteBufferOutput
-
Creates a new Output for writing to a byte array.
- ByteBufferOutput(int, int) - Constructor for class com.esotericsoftware.kryo.io.ByteBufferOutput
-
Creates a new Output for writing to a byte array.
- ByteBufferOutput(OutputStream) - Constructor for class com.esotericsoftware.kryo.io.ByteBufferOutput
-
Creates a new Output for writing to an OutputStream.
- ByteBufferOutput(OutputStream, int) - Constructor for class com.esotericsoftware.kryo.io.ByteBufferOutput
-
Creates a new Output for writing to an OutputStream.
- ByteBufferOutput(ByteBuffer) - Constructor for class com.esotericsoftware.kryo.io.ByteBufferOutput
-
Creates a new Output for reading from a byte array.
- ByteBufferOutput(ByteBuffer, int, int) - Constructor for class com.esotericsoftware.kryo.io.ByteBufferOutput
-
Creates a new Output for reading from a byte array.
- ByteBufferOutput(long, int) - Constructor for class com.esotericsoftware.kryo.io.ByteBufferOutput
-
This constructor allows for creation of a direct ByteBuffer of a given size at a given address.
- ByteBufferOutputStream - Class in com.esotericsoftware.kryo.io
-
An OutputStream whose target is a ByteBuffer
.
- ByteBufferOutputStream() - Constructor for class com.esotericsoftware.kryo.io.ByteBufferOutputStream
-
- ByteBufferOutputStream(int) - Constructor for class com.esotericsoftware.kryo.io.ByteBufferOutputStream
-
Creates a stream with a new non-direct buffer of the specified size.
- ByteBufferOutputStream(ByteBuffer) - Constructor for class com.esotericsoftware.kryo.io.ByteBufferOutputStream
-


With It
When True Player Bring It, WITH IT is down. A brother shouldn’t try to bring it when he’s WITH IT.
WITH IT rolls low key. He’s down with brothers and them streets. People respect.

WITH IT handles VIP scenarios smooth. But also feels them streets.
True Player never BRING IT without a brother who’s WITH IT


The concept of restriction has been created as extension to JCR access control management in order to refine the effect of individual access control entries.
Quoting from JSR 283 section 16.6.2 Permissions:
[…] the permissions encompass the restrictions imposed by privileges, but also include any additional policy-internal refinements with effects too fine-grained to be exposed through privilege discovery. A common case may be to provide finer-grained access restrictions to individual properties or child nodes of the node to which the policy applies.
Furthermore the restriction concept is aimed to allow for custom extensions of the default access control implementation to meet project specific needs without having to implement the common functionality provided by JCR.
Existing and potential examples of restrictions limiting the effect of a given access control entry during permission evaluation include:
The set of built-in restrictions present with Jackrabbit 2.x has extended as of Oak 1.0 along with some extensions of the Jackrabbit API. This covers the public facing usage of restrictions i.e. access control management.
In addition Oak provides it’s own restriction API that adds support for internal validation and permission evaluation.
The Jackrabbit API add the following extensions to JCR access control management to read and create entries with restrictions:
The following public interfaces are provided by Oak in the package org.apache.jackrabbit.oak.spi.security.authorization.restriction and provide support for pluggable restrictions both for access control management and the repository internal permission evaluation:
Oak 1.0 provides the following base implementations:
Apart from the fact that the internal Jackrabbit extension has been replaced by a public API, the restriction implementation in Oak differs from Jackrabbit 2.x as follows:
The default implementations of the Restriction interface are present with Oak 1.0 access control management:
For a nodePath /foo the following results can be expected for the different values of rep:glob.
| rep:glob | Result |
|---|---|
| "" | matches node /foo only |
| /cat | the node /foo/cat and all it’s children |
| /cat/ | the descendants of the node /foo/cat |
| cat | the node /foocat and all it’s children |
| cat/ | all descendants of the node /foocat |
| * | foo, siblings of foo and their descendants |
| /*cat | all children of /foo whose path ends with ‘cat’ |
| /*/cat | all non-direct descendants of /foo named ‘cat’ |
| /cat* | all descendant path of /foo that have the direct foo-descendant segment starting with ‘cat’ |
| *cat | all siblings and descendants of foo that have a name ending with ‘cat’ |
| */cat | all descendants of /foo and foo’s siblings that have a name segment ‘cat’ |
| cat/* | all descendants of ‘/foocat’ |
| /cat/* | all descendants of ‘/foo/cat’ |
| *cat/* | all descendants of /foo that have an intermediate segment ending with ‘cat’ |
All restrictions defined by default in a Oak repository are stored as properties in a dedicated rep:restriction child node of the target access control entry node. Similarly, they are represented with the corresponding permission entry. The node type definition used to represent restriction content is as follows:
[rep:ACE] - rep:principalName (STRING) protected mandatory - rep:privileges (NAME) protected mandatory multiple - rep:nodePath (PATH) protected /* deprecated in favor of restrictions */ - rep:glob (STRING) protected /* deprecated in favor of restrictions */ - * (UNDEFINED) protected /* deprecated in favor of restrictions */ + rep:restrictions (rep:Restrictions) = rep:Restrictions protected /* since oak 1.0 */ /** * @since oak 1.0 */ [rep:Restrictions] - * (UNDEFINED) protected - * (UNDEFINED) protected multiple
The default security setup as present with Oak 1.0 is able to provide custom RestrictionProvider implementations and will automatically combine the different implementations using the CompositeRestrictionProvider.
In an OSGi setup the following steps are required in order to add a action provider implementation:
Please make sure to consider the following recommendations when implementing a custom RestrictionProvider: - restrictions are part of the overall permission evaluation and thus may heavily impact overall read/write performance - the hashCode generation of the base implementation (RestrictionImpl.hashCode) relies on PropertyStateValue.hashCode, which includes the internal String representation, which is not optimal for binaries (see also OAK-5784)
Simple example of a RestrictionProvider that defines a single time-based Restriction, which is expected to have 2 values defining a start and end date, which can then be used to allow or deny access within the given time frame.
@Component @Service(RestrictionProvider.class) public class MyRestrictionProvider extends AbstractRestrictionProvider { public MyRestrictionProvider() { super(supportedRestrictions()); } private static Map<String, RestrictionDefinition> supportedRestrictions() { RestrictionDefinition dates = new RestrictionDefinitionImpl("dates", Type.DATES, false); return Collections.singletonMap(dates.getName(), dates); } //------------------------------------------------< RestrictionProvider >--- @Override public RestrictionPattern getPattern(String oakPath, Tree tree) { if (oakPath != null) { PropertyState property = tree.getProperty("dates"); if (property != null) { return DatePattern.create(property); } } return RestrictionPattern.EMPTY; } @Nonnull @Override public RestrictionPattern getPattern(@Nullable String oakPath, @Nonnull Set<Restriction> restrictions) { if (oakPath != null) { for (Restriction r : restrictions) { String name = r.getDefinition().getName(); if ("dates".equals(name)) { return DatePattern.create(r.getProperty()); } } } return RestrictionPattern.EMPTY; } // TODO: implementing 'validateRestrictions(String oakPath, Tree aceTree)' would allow to make sure the property contains 2 date values. }
The time-based RestrictionPattern used by the example provider above.
class DatePattern implements RestrictionPattern { private final Date start; private final Date end; private DatePattern(@Nonnull Calendar start, @Nonnull Calendar end) { this.start = start.getTime(); this.end = end.getTime(); } static RestrictionPattern create(PropertyState timeProperty) { if (timeProperty.count() == 2) { return new DatePattern( Conversions.convert(timeProperty.getValue(Type.DATE, 0), Type.DATE).toCalendar(), Conversions.convert(timeProperty.getValue(Type.DATE, 1), Type.DATE).toCalendar() ); } else { return RestrictionPattern.EMPTY; } } @Override public boolean matches(@Nonnull Tree tree, @Nullable PropertyState property) { return matches(); } @Override public boolean matches(@Nonnull String path) { return matches(); } @Override public boolean matches() { Date d = new Date(); return d.after(start) && d.before(end); } };
RestrictionProvider rProvider = CompositeRestrictionProvider.newInstance(new MyRestrictionProvider(), ...); Map<String, RestrictionProvider> authorizMap = ImmutableMap.of(PARAM_RESTRICTION_PROVIDER, rProvider); ConfigurationParameters config = ConfigurationParameters.of(ImmutableMap.of(AuthorizationConfiguration.NAME, ConfigurationParameters.of(authorizMap))); SecurityProvider securityProvider = new SecurityProviderImpl(config)); Repository repo = new Jcr(new Oak()).with(securityProvider).createRepository();


--- layout: page title: Новости feature-text: Новости permalink: /news/ order: 1 hide: true feature-img: "img/feature-img/tishina.akademichka_1984_100_53_2.jpg" ---


Enter the temperature in fahrenheit to convert to celsius:
{{ story }}
Your converted temperature of {{ temp }} in F is {{ converted_t }} in C


JS
Games
- Simply games made with JS -
Mini Racer
Mario HD
Just like the old days with the handheld console Brickgame.
Mobile friendly
Play
Maze Escape
Mario HD
Get in a random maze to escape while the clock is ticking against you!
Play
Azure Star
Mario HD
Classic space ship battle, but this one is different.
Prepare yourself, this game was made for the best players!
Play
Tic Tac Bred
Mario HD
Even on Tic Tac Toe, the eternal battle between blue and red continues!
Mobile friendly
Play
Robin Moody!
Mario HD
The classic hero need your help yo kill the orcs. WTF?! Whatta crazy mashup.
Mobile friendly
Play
Mario HD
Brazilian developer, loves to play games and now enjoying game development too.
Lives in Fortaleza - Brazil.
Take a look


The Standard Architecture for Universal Comment Extensions or SAUCE as it is more commonly known, is an architecture or protocol for attaching meta data or comments to files. Mainly intended for ANSI art files, SAUCE has always had provisions for many different file types.
In the early 1990s there was a growing popularity in ANSI artwork. The ANSI art groups regularly released the works of their members over a certain period. Some of the bigger groups also included specialised viewers in each ‘artpack’. One of the problems with these artpacks was a lack of standardized way to provide meta data to the art, such as the title of the artwork, the author, the group, ... Some of the specialised viewers provided such information for a specific artpack either by encoding it as part of the executable, or by having some sort of database or list. However every viewer did it their own way. This meant you either had to use the viewer included with the artpack, or had to make do without the extra info. SAUCE was created to address that need. So if you wanted to, you could use your prefered viewer to view the art in a certain artpack, or even store the art files you liked in a separate folder while retaining the meta data.
The goal was simple, but the way to get there certainly was not. Logistically, we wanted as many art groups as possible to support it. Technically, we wanted a system that was easy to implement and – if at all possible – manage to provide this meta data while still being compatible with all the existing software such as ANSI viewers, and Bulletin Board Software.
SAUCE was created in 1994 and it continues to be in use today as a de facto standard within the ANSI art community. However, being created so many years ago, some of the common assumptions made back then are now cause for confusion. This document is a revised edition of the SAUCE specifications; slightly more formal and in a fresh HTML format. This specification is still compatible with the original, some of the legacy confusions are explicitly addressed, and a few new features have been added.
The ‘born from DOS’ nature explains some of the limits of SAUCE. The
Title, Author and Group fields are so short because part of the original design
idea was that the DOS filename, title and author needed to fit on a single line
in text mode while still leaving some space so you could create a decent UI to select
the files in the ANSI viewers. Limitations were also designed around what video
cards could do in text mode.
The specialised viewers in the various ANSI artpacks also explain why it was possible
to add SAUCE to some files even though the file format really does not like it when
you just add a load of extra bytes at the end. The SAUCE-aware viewer could account
for the SAUCE and still render the file properly, even if the applications used
to edit those files regarded the file as corrupt. In such an event, it was easy
enough to remove the SAUCE.
SAUCE is not a perfect solution, but at the time – and with a bit of friendly pressure from the right folks – it managed to fulfill what it was designed to do.
Applied to a file, SAUCE has 4 parts: The original file contents, an End-Of-File or EOF character (Decimal 26, Hex 1A, Ctrl+Z), an optional comment block and the SAUCE record.
The EOF character is an important part of what makes SAUCE work for text files. When processing a text file, the DOS / Windows TYPE command, most BBS terminal software and ANSI-viewers will all stop processing at the end of the file or when a EOF character is encountered with the EOF character itself not being rendered.
Adding SAUCE to a file that does not already contain SAUCE is straightforward. First, you prepare the SAUCE record and optionally the comment block.
Updating a file that already has SAUCE, can be easy as well if you only want to change some fields in the SAUCE record or change existing comment lines. Things become slightly tricky if you want to add a comment block when there was no comment block before, or if the new comment block has a different number of lines than the old one. The simple solution in such a case is to remove the old SAUCE then add the new SAUCE you want. This involves truncating a file, which depending on the language / library / OS can be a matter of a simple function call, or might involve copying the file contents without the SAUCE to a new file.
Reading SAUCE is equally easy. Read the last 128 bytes of the file into a SAUCE record structure. If the ID is set to "SAUCE", then you can assume you have a file that has SAUCE otherwise it does not. If you need the comment block as well, then once you have the SAUCE record, you can check the Comment field and work your way back to read the comment block.
Below you find some pseudo code to explain this. This code assumes a language that can not handle variable records, so the comment block is read one line at a time. In a language like C or C++ this can be handled with a single read.
Variables: Byte : Count; Long : FileSize; file : F; Code: Open_File(F); | Open the file for read access FileSize = Size_of_file(F); | Determine file size Seek_file (F, FileSize-128); | Seek to start of SAUCE (Eof-128) Read_File (F, SAUCE); | Read the SAUCE record IF SAUCE.ID="SAUCE" THEN | ID bytes match "SAUCE" ? IF SAUCE.Comments>0 THEN | Is there a comment block ? Seek_File(F, FileSize-128-(SAUCE.Comments*64)-5); | Seek to start of Comment block. Read_File(F, CommentID); | Read Comment ID. IF CommentID="COMNT" THEN | Comment ID matches "COMNT" ? FOR Count=1 to SAUCE.Comments | \ Read all comment lines. Read_File(F, CommentLine) | / ENDFOR ELSE Invalid_Comment; | Non fatal, No comment present. ENDIF ENDIF ELSE Invalid_SAUCE; | No valid SAUCE record was found. ENDIF
SAUCE was initially created for supporting only the ANSi and RIP formats. Since those formats are ‘technically’ processed one character at a time, SAUCE almost never interferes with how a program treats the files, reading and processing should stop at the EOF character. Files that are treated in a similar way such as ASCII, PCBoard, Avatar and ANSiMations equally tend to work unaffected even in programs that are not SAUCE aware.
This is not true for all the other types of files SAUCE has DataType / FileType values for however. Adding SAUCE to some of the other types of files may have serious consequences on programs using those files. For this reason I would currently advise against adding SAUCE to such files, unless there is a pressing reason to do so anyway.
If there are any requests for extending SAUCE to support additional file types, such requests will only be honored if the file does not already have its own meta data feature and it can be proven that SAUCE can safely be added from the typical programs editing such files.
A SAUCE record is a structure of 128 bytes having the following layout:
| Field name | Type | Size | Description | Required [1] | Revision [2] |
| ID | Character [3] | 5 |
SAUCE identification. This should be equal to "SAUCE". |
yes | 00.0 |
| Version [6] | Character [3] | 2 |
SAUCE version number, should be "00". |
yes | 00.0 |
| Title | Character [3] | 35 | The title of the file. | no | 00.0 |
| Author | Character [3] | 20 | The (nick)name or handle of the creator of the file. | no | 00.0 |
| Group | Character [3] | 20 | The name of the group or company the creator is employed by. | no | 00.0 |
| Date | Character [3] | 8 |
The date the file was created. The format for the date is CCYYMMDD (century, year, month, day). Example: 4 may 2013 would be stored as "20130504". |
no | 00.0 |
| FileSize | Unsigned [4] | 4 | The original file size not including the SAUCE information. | no [8] | 00.0 |
| DataType | Unsigned [4] | 1 | Type of data. | yes | 00.0 |
| FileType | Unsigned [4] | 1 | Type of file. | yes | 00.0 |
| TInfo1 [7] | Unsigned [4] | 2 | Type dependant numeric information field 1. | no | 00.0 |
| TInfo2 [7] | Unsigned [4] | 2 | Type dependant numeric information field 2. | no | 00.0 |
| TInfo3 [7] | Unsigned [4] | 2 | Type dependant numeric information field 3. | no | 00.0 |
| TInfo4 [7] | Unsigned [4] | 2 | Type dependant numeric information field 4. | no | 00.0 |
| Comments | Unsigned [4] | 1 |
Number of lines in the extra SAUCE comment block. 0 indicates no comment block is present. |
no | 00.0 |
| TFlags [7] | Unsigned [4] | 1 | Type dependant flags. | no | 00.1 |
| TInfoS [7] | ZString [5] | 22 | Type dependant string information field | no | 00.5 |
A SAUCE comment block is an optional, variable sized structure that holds up to 255 lines of additional information, each line 64 characters wide. There are as many comment lines as is mentioned in the Comments field of the SAUCE record. If the Comments field is set to 0, there should not be a comment block at all. The comment block has the following layout:
| Field name | Type | Size | Description | Required [1] | Revision [2] |
| ID | Character [3] | 5 |
SAUCE comment block identification. This should be equal to "COMNT". |
yes | 00.0 |
| Comment Line 1 | Character [3] | 64 | Line of text. | yes | 00.0 |
| ... | |||||
| Comment Line x | Character [3] | 64 |
Line of text. |
yes | 00.0 |
An Example C or C++ SAUCE record looks like this:
struct SAUCE { char ID[5]; char Version[2]; char Title[35]; char Author[20]; char Group[20]; char Date[8]; unsigned long FileSize; unsigned char DataType; unsigned char FileType; unsigned short TInfo1; unsigned short TInfo2; unsigned short TInfo3; unsigned short TInfo4; unsigned char Comments; unsigned char TFlags; char TInfoS[22]; };
SAUCE currently supports the following values for DataType:
| DataType | Name | Description | Revision |
| 0 | None |
Undefined filetype. You could use this to add SAUCE to a custom or proprietary file, without giving it any particular meaning or interpretation. |
00.0 |
| 1 | Character |
A character based file. These files are typically interpreted sequentially. Also known as streams. |
00.0 |
| 2 | Bitmap [1] | Bitmap graphic and animation files. | 00.0 |
| 3 | Vector | A vector graphic file. | 00.0 |
| 4 | Audio [2] | An audio file. | 00.0 |
| 5 | BinaryText |
This is a raw memory copy of a text mode screen. Also known as a .BIN file. This is essentially a collection of character and attribute pairs. |
00.0 |
| 6 | XBin | An XBin or eXtended BIN file. | 00.2 |
| 7 | Archive | An archive file. | 00.2 |
| 8 | Executable | A executable file. | 00.2 |
Each DataType has 1 or more possible values for FileType, and associated with each FileType value there is also an interpretation of the TInfo and Flags fields:
| DataType | FileType | Name | Description | TInfo1 [1] | TInfo2 [1] | TInfo3 [1] | TInfo4 [1] | Flags [1] | TInfoS [2] |
| None | 0 | - | Undefined filetype. | 0 | 0 | 0 | 0 | 0 | 0 |
| Character | 0 | ASCII | Plain ASCII text file with no formatting codes or color codes. | Character width [3] | Number of lines [4] | 0 | 0 | ANSiFlags | FontName |
| Character | 1 | ANSi | A file with ANSi coloring codes and cursor positioning. | Character width [3] | Number of lines [4] | 0 | 0 | ANSiFlags | FontName |
| Character | 2 | ANSiMation | Like an ANSi file, but it relies on a fixed screen size. | Character width [3] | Character screen height [5] | 0 | 0 | ANSiFlags | FontName |
| Character | 3 | RIP script | Remote Imaging Protocol graphics. | Pixel width (640) | Pixel height (350) | Number of colors (16) | 0 | 0 | 0 |
| Character | 4 | PCBoard | A file with PCBoard color codes and macros, and ANSi codes. | Character width [3] | Number of lines [4] | 0 | 0 | 0 | 0 |
| Character | 5 | Avatar | A file with Avatar color codes, and ANSi codes. | Character width [3] | Number of lines [4] | 0 | 0 | 0 | 0 |
| Character | 6 | HTML | HyperText Markup Language | 0 | 0 | 0 | 0 | 0 | 0 |
| Character | 7 | Source |
Source code for some programming language. The file extension should determine the programming language. |
0 | 0 | 0 | 0 | 0 | 0 |
| Character | 8 | TundraDraw |
A TundraDraw file. Like ANSI, but with a custom palette. |
Character width [3] | Number of lines [4] | 0 | 0 | 0 | 0 |
| Bitmap | 0 | GIF | CompuServe Graphics Interchange Format | Pixel width | Pixel height | Pixel depth [6] | 0 | 0 | 0 |
| Bitmap | 1 | PCX | ZSoft Paintbrush PCX | Pixel width | Pixel height | Pixel depth [6] | 0 | 0 | 0 |
| Bitmap | 2 | LBM/IFF | DeluxePaint LBM/IFF | Pixel width | Pixel height | Pixel depth [6] | 0 | 0 | 0 |
| Bitmap | 3 | TGA | Targa Truecolor | Pixel width | Pixel height | Pixel depth [6] | 0 | 0 | 0 |
| Bitmap | 4 | FLI | Autodesk FLI animation | Pixel width | Pixel height | Pixel depth [6] | 0 | 0 | 0 |
| Bitmap | 5 | FLC | Autodesk FLC animation | Pixel width | Pixel height | Pixel depth [6] | 0 | 0 | 0 |
| Bitmap | 6 | BMP | Windows or OS/2 Bitmap | Pixel width | Pixel height | Pixel depth [6] | 0 | 0 | 0 |
| Bitmap | 7 | GL | Grasp GL Animation | Pixel width | Pixel height | Pixel depth [6] | 0 | 0 | 0 |
| Bitmap | 8 | DL | DL Animation | Pixel width | Pixel height | Pixel depth [6] | 0 | 0 | 0 |
| Bitmap | 9 | WPG | Wordperfect Bitmap | Pixel width | Pixel height | Pixel depth [6] | 0 | 0 | 0 |
| Bitmap | 10 | PNG | Portable Network Graphics | Pixel width | Pixel height | Pixel depth [6] | 0 | 0 | 0 |
| Bitmap | 11 | JPG/JPeg | JPeg image (any subformat) | Pixel width | Pixel height | Pixel depth [6] | 0 | 0 | 0 |
| Bitmap | 12 | MPG | MPeg video (any subformat) | Pixel width | Pixel height | Pixel depth [6] | 0 | 0 | 0 |
| Bitmap | 13 | AVI | Audio Video Interleave (any subformat) | Pixel width | Pixel height | Pixel depth [6] | 0 | 0 | 0 |
| Vector | 0 | DXF | CAD Drawing eXchange Format | 0 | 0 | 0 | 0 | 0 | 0 |
| Vector | 1 | DWG | AutoCAD Drawing File | 0 | 0 | 0 | 0 | 0 | 0 |
| Vector | 2 | WPG | WordPerfect or DrawPerfect vector graphics | 0 | 0 | 0 | 0 | 0 | 0 |
| Vector | 3 | 3DS | 3D Studio | 0 | 0 | 0 | 0 | 0 | 0 |
| Audio | 0 | MOD | 4, 6 or 8 channel MOD (NoiseTracker) | 0 | 0 | 0 | 0 | 0 | 0 |
| Audio | 1 | 669 | Renaissance 8 channel 669 | 0 | 0 | 0 | 0 | 0 | 0 |
| Audio | 2 | STM | Future Crew 4 channel ScreamTracker | 0 | 0 | 0 | 0 | 0 | 0 |
| Audio | 3 | S3M | Future Crew variable channel ScreamTracker 3 | 0 | 0 | 0 | 0 | 0 | 0 |
| Audio | 4 | MTM | Renaissance variable channel MultiTracker | 0 | 0 | 0 | 0 | 0 | 0 |
| Audio | 5 | FAR | Farandole composer | 0 | 0 | 0 | 0 | 0 | 0 |
| Audio | 6 | ULT | UltraTracker | 0 | 0 | 0 | 0 | 0 | 0 |
| Audio | 7 | AMF | DMP/DSMI Advanced Module Format | 0 | 0 | 0 | 0 | 0 | 0 |
| Audio | 8 | DMF | Delusion Digital Music Format (XTracker) | 0 | 0 | 0 | 0 | 0 | 0 |
| Audio | 9 | OKT | Oktalyser | 0 | 0 | 0 | 0 | 0 | 0 |
| Audio | 10 | ROL | AdLib ROL file (FM audio) | 0 | 0 | 0 | 0 | 0 | 0 |
| Audio | 11 | CMF | Creative Music File (FM Audio) | 0 | 0 | 0 | 0 | 0 | 0 |
| Audio | 12 | MID | MIDI (Musical Instrument Digital Interface) | 0 | 0 | 0 | 0 | 0 | 0 |
| Audio | 13 | SADT | SAdT composer (FM Audio) | 0 | 0 | 0 | 0 | 0 | 0 |
| Audio | 14 | VOC | Creative Voice File | 0 | 0 | 0 | 0 | 0 | 0 |
| Audio | 15 | WAV | Waveform Audio File Format | 0 | 0 | 0 | 0 | 0 | 0 |
| Audio | 16 | SMP8 | Raw, single channel 8bit sample | Sample rate [7] | 0 | 0 | 0 | 0 | 0 |
| Audio | 17 | SMP8S | Raw, stereo 8 bit sample | Sample rate [7] | 0 | 0 | 0 | 0 | 0 |
| Audio | 18 | SMP16 | Raw, single-channel 16 bit sample | Sample rate [7] | 0 | 0 | 0 | 0 | 0 |
| Audio | 19 | SMP16S | Raw, stereo 16 bit sample | Sample rate [7] | 0 | 0 | 0 | 0 | 0 |
| Audio | 20 | PATCH8 | 8 Bit patch file | 0 | 0 | 0 | 0 | 0 | 0 |
| Audio | 21 | PATCH16 | 16 bit patch file | 0 | 0 | 0 | 0 | 0 | 0 |
| Audio | 22 | XM | FastTracker ][ module | 0 | 0 | 0 | 0 | 0 | 0 |
| Audio | 23 | HSC | HSC Tracker (FM Audio) | 0 | 0 | 0 | 0 | 0 | 0 |
| Audio | 24 | IT | Impulse Tracker | 0 | 0 | 0 | 0 | 0 | 0 |
| BinaryText | Variable [8] | - | Binary screen image | 0 | 0 | 0 | 0 | ANSiFlags | FontName |
| XBin | 0 | - | eXtended Bin | Character width [3] | Number of lines [4] | 0 | 0 | 0 | 0 |
| Archive | 0 | ZIP | PKWare Zip. | 0 | 0 | 0 | 0 | 0 | 0 |
| Archive | 1 | ARJ | Archive Robert K. Jung | 0 | 0 | 0 | 0 | 0 | 0 |
| Archive | 2 | LZH | Haruyasu Yoshizaki (Yoshi) | 0 | 0 | 0 | 0 | 0 | 0 |
| Archive | 3 | ARC | S.E.A. | 0 | 0 | 0 | 0 | 0 | 0 |
| Archive | 4 | TAR | Unix TAR | 0 | 0 | 0 | 0 | 0 | 0 |
| Archive | 5 | ZOO | ZOO | 0 | 0 | 0 | 0 | 0 | 0 |
| Archive | 6 | RAR | RAR | 0 | 0 | 0 | 0 | 0 | 0 |
| Archive | 7 | UC2 | UC2 | 0 | 0 | 0 | 0 | 0 | 0 |
| Archive | 8 | PAK | PAK | 0 | 0 | 0 | 0 | 0 | 0 |
| Archive | 9 | SQZ | SQZ | 0 | 0 | 0 | 0 | 0 | 0 |
| Executable | 0 | - |
Any executable file. .exe, .dll, .bat, ... Executable scripts such as .vbs should be tagged as Source. |
0 | 0 | 0 | 0 | 0 | 0 |
ANSiFlags allow an author of ANSi and similar files to provide a clue to a viewer / editor how to render the image. The 8 bits in the ANSiFlags contain the following information:
| 0 | 0 | 0 | A | R | L | S | B |
These bits are interpreted as:
The FontName field allows an author of ANSi and similar files to provide a clue to the viewer / editor which font to use to render the image.
Prior to revision 00.5, this field was a filler, so this field will be empty for legacy files. Supplying a font name is not required.
| Font name [1] | Font size | Resolution [2] | Aspect ratio [3] | Vertical stretch [6] | Description | |
| Display [4] | Pixel [5] | |||||
| IBM VGA | 9×16 [7] | 720×400 | 4:3 | 20:27 (1:1.35) | 35% | Standard hardware font on VGA cards for 80×25 text mode (code page 437) |
| 8×16 | 640×400 | 4:3 | 6:5 (1:1.2) | 20% | Modified stats when using an 8 pixel wide version of "IBM VGA" or code page variant. | |
| IBM VGA50 | 9×8 [7] | 720×400 | 4:3 | 20:27 (1:1.35) | 35% | Standard hardware font on VGA cards for condensed 80×50 text mode (code page 437) |
| 8×8 | 640×400 | 4:3 | 5:6 (1:1.2) | 20% | Modified stats when using an 8 pixel wide version of "IBM VGA50" or code page variant. | |
| IBM VGA25G | 8×19 | 640×480 | 4:3 | 1:1 | 0% | Custom font for emulating 80×25 in VGA graphics mode 12 (640×480 16 color) (code page 437). |
| IBM EGA | 8×14 | 640×350 | 4:3 | 35:48 (1:1.3714) | 37.14% | Standard hardware font on EGA cards for 80×25 text mode (code page 437) |
| IBM EGA43 | 8×8 | 640×350 | 4:3 | 35:48 (1:1.3714) | 37.14% | Standard hardware font on EGA cards for condensed 80×43 text mode (code page 437) |
| IBM VGA ### [8] | 9×16 [7] | 720×400 | 4:3 | 20:27 (1:1.35) | 35% | Software installed code page font for VGA 80×25 text mode |
| IBM VGA50 ### [8] | 9×8 [7] | 720×400 | 4:3 | 20:27 (1:1.35) | 35% | Software installed code page font for VGA condensed 80×50 text mode |
| IBM VGA25G ### [8] | 8×19 | 640×480 | 4:3 | 1:1 | 0% | Custom font for emulating 80×25 in VGA graphics mode 12 (640×480 16 color). |
| IBM EGA ### [8] | 8×14 | 640×350 | 4:3 | 35:48 (1:1.3714) | 37.14% | Software installed code page font for EGA 80×25 text mode |
| IBM EGA43 ### [8] | 8×8 | 640×350 | 4:3 | 35:48 (1:1.3714) | 37.14% | Software installed code page font for EGA condensed 80×43 text mode |
| Amiga Topaz 1 | 8×8 [9] | 640×200 | 4:3 | 5:12 (1:2.4) | 140% | Original Amiga Topaz Kickstart 1.x font. (A500, A1000, A2000) |
| Amiga Topaz 1+ | 8×8 [9] | 640×200 | 4:3 | 5:12 (1:2.4) | 140% | Modified Amiga Topaz Kickstart 1.x font. (A500, A1000, A2000) |
| Amiga Topaz 2 | 8×8 [9] | 640×200 | 4:3 | 5:12 (1:2.4) | 140% | Original Amiga Topaz Kickstart 2.x font (A600, A1200, A4000) |
| Amiga Topaz 2+ | 8×8 [9] | 640×200 | 4:3 | 5:12 (1:2.4) | 140% | Modified Amiga Topaz Kickstart 2.x font (A600, A1200, A4000) |
| Amiga P0T-NOoDLE | 8×8 [9] | 640×200 | 4:3 | 5:12 (1:2.4) | 140% | Original P0T-NOoDLE font. |
| Amiga MicroKnight | 8×8 [9] | 640×200 | 4:3 | 5:12 (1:2.4) | 140% | Original MicroKnight font. |
| Amiga MicroKnight+ | 8×8 [9] | 640×200 | 4:3 | 5:12 (1:2.4) | 140% | Modified MicroKnight font. |
| Amiga mOsOul | 8×8 [9] | 640×200 | 4:3 | 5:12 (1:2.4) | 140% | Original mOsOul font. |
| C64 PETSCII unshifted | 8×8 [10] | 320×200 | 4:3 | 5:6 (1:1.2) | 20% | Original Commodore PETSCII font (PET, VIC-20, C64, CBM-II, Plus/4, C16, C116 and C128) in the unshifted mode. Unshifted mode (graphics) only has uppercase letters and additional graphic characters. This is the normal boot font. |
| C64 PETSCII shifted | 8×8 [10] | 320×200 | 4:3 | 5:6 (1:1.2) | 20% | Original PETSCII font in shifted mode. Shifted mode (text) has both uppercase and lowercase letters. This mode is actuated by pressing Shift+Commodore key. |
| Atari ATASCII | 8×8 [11] | 320×192 | 4:3 | 4:5 (1:1.25) | 25% | Original ATASCII font (Atari 400, 800, XL, XE) |
| Version.Revision | Date | Description |
| 00.0 | March 1, 1994 | SAUCE is released as part of the monthly ACiD acquisition artpack. |
| 00.1 | June 30, 1994 | Added the Flags field in the SAUCE record. |
| 00.2 | July 13, 1996 |
Added support for:
|
| 00.3 | July 29, 1996 |
Character/Avatar extended to use TInfo1 and TInfo2. Added support for Audio/IT |
| 00.4 | May 31, 1997 | Technical cleanup |
| 00.5 | November 12, 2013 |
Complete rewrite of the spec – this document.
|


|
ASPECTS of the CHRISTIANA RIOT The "Christiana Riot" is one of the better-known stories from the days of the Underground Railroad and runaway slave resistance, in part because of the subsequent trial and in part because William Parker published his story in the "Atlantic Monthly" in 1866. The tale is set on a farm outside the town of Christiana, Pennsylvania, near the Lancaster-Chester county boundary and not far from the Mason-Dixon Line. There was a lawlessness in the region that predated slavery disputes: it was a haven for horse thieves and chicken thieves. The landscape of steep wooded hills and scrubby ravines made ideal hideouts and perfect terrain for stealthy movement. The intersection of three states and five counties within a few miles made this a legal shadowland, ideal for outlaws. Taverns, like the Line House between Pennsylvania and Delaware, were deliberately built to straddle boundaries; if the sheriff from one county walked into the tavern, all the criminal element simply shuffled down to the far end of the bar -- out of his jurisdiction. The 1980s movie "At Close Range" was based on a modern story from this region, though the setting was shifted to Tennessee. The path of Eastern Shore Maryland runaways naturally led up through this area, and the borderlands offered a haven to both runaways and kidnappers. Despite the intermittent danger from kidnappers, many free blacks settled in the area, lured in part by a population of sympathetic whites, including Quakers and plenty of farmers willing to hire runaways because they worked hard and worked cheap. Parker had lived there since he ran off from slavery in Maryland in 1839. He claimed to have set up a protective league among local blacks in the early 1840s, and to have instigated riots to free fugitives from as early as 1841. Later events can be corroborated. One incident, probably from 1850, involved slave-catchers taking a woman named Elizabeth. They stopped at a tavern, which gave Parker and his gang time to catch up to them and set a trap.  This signaled the others, in hiding on Gap Hill, which wagon to attack. They did, the woman escaped, and Parker claimed the slave-catchers were so badly beaten that up to three of them later died. Parker also arranged the barn-burning of a tavernkeeper who had said he would welcome slave-catchers, and he and his confederates attacked blacks they believed to be informers. One was badly beaten, in "an appeal to the Lynch Code," and the other had his house burned down around him, although he escaped to a neighbor's, rather than being shot to death as he ran out, as Parker had planned. Four slaves of Marylander Edward Gorsuch had escaped late in 1849, and they took refuge in the Christiana area. An informer told Gorsuch where they were in August 1851, and the Methodist deacon, known as a kind master, decided to retrieve his property. He went to Philadelphia for the proper papers, along with his son, cousin, nephew, and two neighbors. Joined by U.S. Marshal Henry Kline and two officers, they took the train to Christiana. Also on the train was a black Philadelphian, Samuel Williams, who knew that this was a posse. His purpose was twofold: to inform the refugees that they were being sought, and to let the posse see him and know that their plans were exposed. The implicit threat of violence intimidated Kline's two men, who returned to Philadelphia, leaving Gorsuch and his party of five and a reluctant Kline. Kline dragged his feet and the party lost a day, which gave Williams' warning time to circulate in the community. But it also seems that the slaves mistook the delay, and thought Gorsuch had given up. So when the posse arrived at Parker's house at dawn on Sept. 11, it took them by surprise. Kline and Gorsuch went into the house and told the slaves they wouldn't be punished if they returned with him peacefully. But the blacks on the second floor responded by hurling things at the men in the yard, injuring some of them. Kline then announced his official position and threatened to come upstairs. Gorsuch started up the stairs, but the blacks threw an axe and a pronged fish spear at him, so he retreated out of range. Kline read the warrant and both men then left the house into the yard. A shot was fired, but each side claimed the other had fired it. A couple of hours passed. Parker said he engaged in a scriptural debate with Gorsuch. There were seven whites against seven blacks, two of the latter women. The stone house was an excellent fort. Kline probably was simply seeing things in a practical way when he said there was no way to take the fugitives with the force on hand, and he advised leaving. But Gorsuch seemed to think time was on his side. If Parker's account is accurate, Gorsuch was right, as some of the band in the house, including Parker's brother and sister-in-law, wanted to give up. But the delay proved deadly. Some white neighbors, aroused by one of Parker's confederates, arrived at the same time as a large number of local blacks, well armed. The mix of motives of the white neighbors -- Quakers Elijah Lewis and Joseph Scarlett and miller Castner Hanway -- is hard to determine. One theory, plausible to me in the light of Quaker ways, is that they were mainly there to intimidate by their presence, as Williams had attempted to do on the train. But the effect on the blacks in the Parker house was to galvanize them into resistance. Kline requested aid from Hanway, who warned him he had better leave quickly or blood would be shed. Kline seemed to find this a good idea, but Gorsuch moved toward the house. The blacks attacked, and Gorsuch was killed, possibly "finished off by the women," as Parker later boasted. Gorsuch's son ran to his aid, but was badly wounded himself. The cousin and nephew, during the retreat, suffered buckshot wounds. The blacks most obviously involved in the fight -- Parker, the men in his house, the other Gorsuch fugitives, and two who were wounded -- set off for Canada that night. Parker was hidden for a time in upstate New York by Frederick Douglass. Parker's wife and sister-in-law were left behind to be arrested, only to be released when the prosecution decided it would damage its case to try women. Because of the violence, blacks were rounded up in the area and as many as six were remanded to slavery, including Parker's mother-in-law. Parker also left behind a large packet of letters from fugitives and resisters that would have incriminated many in the area had it come into the hands of the law, but a local Quaker found it first and burned it. Twenty-seven blacks and three whites were arrested and charged with treason. Lewis pretended he had acted only until he found out it was not an illegal kidnapping. Hanway pretended to be just observing. The trial for treason, rather than some more appropriate charge, was an attempt to placate Southern anger, for a slaveholder had been murdered in the course of a legal action while the North, figuratively, looked on.
|
| ©2002Douglas Harper | "When misunderstanding serves others as an advantage, one is helpless to make oneself understood." -Lionel Trilling |


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--- layout: post title: 'Nokia IP1280: Dealing Deep Layer Enterprise Security Threats Another Blow' date: 2008-05-30 00:01:00.000000000 -07:00 type: post published: true status: publish categories: [] tags: - Check Point - nokia meta: _publicize_pending: '1' author: login: phoneboy email<EMAIL_ADDRESS>display_name: Dameon Welch first_name: '' last_name: '' ---
Every once in a while, the part of Nokia I work for announces new stuff. Today, it's a new piece of gear: the Nokia IP1280. Excuse the marketing speak, but I occasionally like to promote the things my part of Nokia is doing. :)
For some reason, I found the phrase "dealt deep layer enterprise security threats another blow" found in the press release announcing the Nokia IP1280 funny. I suppose it does that, since this 2U, quad-core Intel CPU powerhose can handle 24 ports, up to 14 Gbps of throughput with optional ADP modules, hot-swappable components, and a starting price of $39,995 USD. Yes, the IP1280 runs Check Point VPN-1, as most of the Nokia Appliances do.
As someone who works for the group that supports the Nokia Appliances, I would certainly appreciate it if when your company buys one of these platforms, you'd avail yourself of Nokia's First Call, Final Resolution support. At least that's what the marketing types have been calling it for many moons now.


{% extends "soc/base.html" %} {% comment %} Licensed under the Apache License, Version 2.0 (the "License"); you may not use this file except in compliance with the License. You may obtain a copy of the License at http://www.apache.org/licenses/LICENSE-2.0 Unless required by applicable law or agreed to in writing, software distributed under the License is distributed on an "AS IS" BASIS, WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. See the License for the specific language governing permissions and limitations under the License. {% endcomment %} {% load forms_helpers %} {% load ghop_comments_helpers %} {% block scripts %} {{ block.super }} {% endblock %} {% block header_title %} {% if account %} {% endif %} Title: {{ entity.title }} {% if edit_link %} (Edit this task) {% else %}{% if suggest_link %} (Edit this task) {% endif %}{% endif %} {% endblock %} {% block body %} {% block task-show %} {% if header_msg %}
| {{ header_msg }} |
{% if signin_comment_msg %}


Our vision is simple:
Today’s Internet will evolve into the dominant network delivering all forms of data, voice, and video to anyone anywhere at anytime.
Our mission is also simple:
The mission of WIRE Lab is to utilize Wireless Internet in our daily life. We focus on both theoretical Research and Engineering development so that novel ideas can be realized in real-world applications.
Everything else is complex.
open source 5G core network
Sensing data by multiple incentive mechanisms
IoT of vehicle to everything


| PROFESSIONAL | ENTERPRISE | |
| Joined Reports | NÃO | SIM |
| Bucket Fields | NÃO | SIM |
| Cross Filters | NÃO | SIM |
| Dynamic Dashboards | NÃO | SIM |
| Scheduled Dashboards | NÃO | SIM |
| Limits Custom Report Types | 50 | 200 |
| PROFESSIONAL | ENTERPRISE | |
| Mass email blast | 250 | 500 |
| PROFESSIONAL | ENTERPRISE | |
| Account Assignment Rules | NÃO | SIM |
| PROFESSIONAL | ENTERPRISE | |
| Validation Rules per Object | 20 | 100 |
| Custom Fields per Object | 100 | 500 |
| Custom Fields on Activities | 20 | 100 |
| Custom Tabs | 10 | 25 |
| Custom Objects | 50 | 200 |
| Workflow / Approvals / Visual Workflow | NÃO | SIM |
| Data Export | NÃO | SIM |
| PROFESSIONAL | ENTERPRISE | |
| Service Cloud Console | NÃO | SIM |
| PROFESSIONAL | ENTERPRISE | |
| Partner or Customer Portal | NÃO | SIM |
| Websites | NÃO | SIM |
| Salesforce Communities | NÃO | SIM |
| PROFESSIONAL | ENTERPRISE | |
| Change Sets | NÃO | SIM |
| API | NÃO | SIM |
| SANDBOX TYPE | PROFESSIONAL | ENTERPRISE |
| Developer | 10 | 25 |
| Partial Copy | 0 | 1 |
| Full | 0 | 0 |
5 Process Builder processes
10 Permissions Sets
2 Custom Profiles
3 Record Types (Per Object)
2 Page Layouts
10 Developer Sandboxes
50 Process Builder processes
1000 Permissions Sets
1500 Custom Profiles
200 Record Types (Per Object)
20 Page Layouts
25 Developer Sandboxes
Shellblack https://www.shellblack.com/administration/differences-between-professional-edition-and-enterprise-edition/
Acessado 02/03/2020 14:29


Welcome to AgentBas! I am a mortgage agent for Pegasus Mortgage and Financial Solutions. Please take this opportunity to explore and learn as much as possible about how you may be able to benefit from my services and that of Pegasus Mortgage and Financial Solutions as a whole!
The mortgage business can be difficult to navigate due to an abundance of lenders, products, policies, and forecasts. I am a professional who is on your side and I look forward to helping you in any way that I can.
Learn the benefits of using a mortgage agent
Discover the various mortgage solutions that we offer
Check out our current mortgage rates


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An example of basic note scheduling.
js/scheduling.js
function playExample() { var Synth = function(audiolet, frequency) { AudioletGroup.call(this, audiolet, 0, 1); // Basic wave this.saw = new Saw(audiolet, frequency); // Gain envelope this.gain = new Gain(audiolet); this.env = new PercussiveEnvelope(audiolet, 1, 0.1, 0.1, function() { this.audiolet.scheduler.addRelative(0, this.remove.bind(this)); }.bind(this) ); // Main signal path this.saw.connect(this.gain); this.gain.connect(this.outputs[0]); // Envelope this.env.connect(this.gain, 0, 1); } extend(Synth, AudioletGroup); var SchedulerApp = function() { this.audiolet = new Audiolet(); // Play one note on beat 0 this.audiolet.scheduler.addAbsolute(0, function() { this.playNote(200); }.bind(this)); // Go to play a lower note on beat 1, but cancel it! var event = this.audiolet.scheduler.addAbsolute(1, function() { this.playNote(100); }.bind(this)); this.audiolet.scheduler.remove(event); // Play two notes one after another on beats 2 and 3 this.audiolet.scheduler.addAbsolute(2, function() { // First note this.playNote(300); // Schedule second note for one beat later this.audiolet.scheduler.addRelative(1, function() { this.playNote(400); }.bind(this)); }.bind(this)); // On beat 4 play a pattern of notes twice through as eighth notes this.audiolet.scheduler.addAbsolute(4, function() { var frequencyPattern = new PSequence([200, 300, 400, 500], 2); this.audiolet.scheduler.play([frequencyPattern], 0.5, function(frequency) { this.playNote(frequency); }.bind(this) ); }.bind(this)); } SchedulerApp.prototype.playNote = function(frequency) { var synth = new Synth(this.audiolet, frequency); synth.connect(this.audiolet.output); } var app = new SchedulerApp(); }


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Get started https://www.ondevs.com/2020 will go in the history books as a really unusual year. Due to the COVID-19 pandemic millions of people had to stay home and continue working. This situation put companies, families, schools and many more through a very rough test. People had to change the way they worked. They had to hack from home, and they needed the tools to do this effectively. We were fortunate enough to help by answering the call of duty and offering a free video conferencing platform anyone could use: lchat.co.uk We are hardly alone in this one. Other companies such as Mattermost and their messaging collaboration tools are essential for any form of productive remote work. OnDevsYou can use the End-to-End Encryption option in the overflow menu (bottom right corner of your call. Lock Meetings, and more.
HD audio video. Transcribe and share recorded meetings. Remotely control other participants desktop.
Jitsi Videobridge passes everyone’s video and audio to all participants, rather than mixing them first. Better quality, lower latency and if you are running your own service, a much more scalable and inexpensive solution
My meetings - my rules. No more unwelcome guests. No more disruptions while in large meeting
Easy to integrate and deliver a high-quality video platform which offers full support across a wide variety of platforms and channels: Windows, MacOS, Web, Android, iOS, Linux.
Live stream your meetings on youtube to unlimited viewers.. Advanced video routing support for simulcast, bandwidth estimations, scalable video coding and many others.


Last week, the party ventured bravely into the gaping maw of the shadowy tunnel that appeared before them. As soon as they entered, the maw slammed shut and they were plunged into darkness1. Undaunted, the party ventured further into the tunnel, but found only a blank wall and a large shadow dragon that shouted "I AM AZMAKALATHARIUS, THE HERITAGE KEEPER. THE WAY IS SHUT". Now partially daunted by the dragon's fearsome visage, the party decided to rest nearby for an hour. During this time, the dragon shouted "THE WAY IS SHUT" every five minutes. Maxwell tried to approach the dragon to see if there was a hidden passage behind it, but a fearsome roar convinced him to back off and return to the party.
After completing his attunement to nature2, Pabst noticed that the dragon didn't quite seem entirely real. He decided to resolve the ambiguity by throwing an axe at it. The dragon passed harmlessly through both the dragon and the wall behind it before clanking against something and prompting a protest from an unknown female voice beyond the wall. With the illusion dispelled, the party proceeded forward to see a giant planar portal and a heavily armored woman looking annoyed.
She proclaimed that the party had completed two of the four Shadow Trials, having fought their way into the tunnel and mustered the courage to defy the dragon. There were two more trails remaining: first, to recite the "True Story of Creation", and second, to perform the Ritual of Purification on the Dark Altar. Pressed for more information, she explained that the Ritual of Purification was through a smaller portal to the left, the Dark Altar was through a portal to the right. Eah portal would only allow the party through all together, not individually. The party just had to go each direction in the correct order while killing anything that got in their way, like the others had done before them. This put the party on more familiar territory.
Once things were explained, the woman introduced herself as Talia, the Guardian of the Gate. Lorelai presented the most half-hearted and summarized3 version of the Story of Creation the party could come up with3 in order to complete the third Shadow Trial. After the party clarified some of the especially ambiguous bits, Talia grudgingly accepted the story - but only because Lorelai had told the version in which the orcs were created first.
With that trial out of the way, the party walked through the portal towards the Ritual of Purification. They all appeared on the other side and were immediately surrounded by shadowy tree-like creatures that could teleport, grapple, and drain life. In the ensuing battle, Lord Khallus was severely injured. The party considered waiting for him to heal, but decided that this would take way too much time, and simply pressed on. The next room was full of shadowy crossbows on legs, shadowy bat-like creatures, and a narrow path of small platforms suspended above a shadowy abyss, leading to an ornate book on a pedestal. Before a fight could properly start, Maxwell sprinted towards the pedestal, hopped across the platforms, grabbed the book, and sprinted back. The party then stepped back through the portal without actually fighting anything.
The party victoriously returned to Talia and presented the book. She said that they had earned a reward - and that Lord Khallus, as the one most in need of aid, must choose. She would either tell the party about what lay beyond the next portal, or heal his injuries. He emphatically chose to be healed, and she seemed disappointed, but healed him anyway. The party then mucked about with time magic involving the portals for a while and got nowhere before going into the portal leading to the Dark Altar.
They found themselves in a room with five demons arranged in a pentagram, performing some sort of unholy ritual. Maxwell tried to sprint through the ritual to reach the portal on the other side of the room, but the rest of the party took a more cautious approach. This proved to be wise, as Maxwell disappeared the instant he entered the ritual area. The party then decided stop being fancy and fall back on the old strategy of "hit stuff until it stops moving", which proved largely effective. They quickly disrupted the ritual, causing Maxwell to return, but he was still seriously injured in the fight. The party went back to Talia and tried to convince her to heal him, and after persuading4 her enough, she agreed. The party then rested the night before going into the next portal.
Join us this week to perform the Ritual of Purification on the Dark Altar!


Hello there !!
you can Contact us by using any of these ways
Email: aksdjhakjdh @ gmail.com
Phone:<PHONE_NUMBER>
Phone2: 846156135


The minimum block size for allocating additional memory on the fly. The default value
(which is also the minimum) is 1024 bytes or 1 KiB. Changing this value has no effect after
memory has been allocated.
MEMORY_LIMIT_BYTES : Int
The total number bytes that the user is allowed to allocate (1 MiB equals 1.048.576 bytes).
This should be used as a safe upper limit for detecting memory leaks during development.
The default value is 64 MiB.
RAW_BYTES : Int
A reserved, fixed portion of bytes at the beginning of the byte array which can be used as a
temporary buffer or for doing math tricks. Changing this value has no effect after memory has
been allocated.
RESERVE_BYTES : Int
The total number of bytes to preallocate prior to the first call to malloc().
Default is zero bytes.


You can do anything you want with this software except to claim you hold the copyright of it.
Copyright (c) 2009 Logikit/Can Ince
Permission is hereby granted, free of charge, to any person
obtaining a copy of this software and associated documentation
files (the "Software"), to deal in the Software without
restriction, including without limitation the rights to use,
copy, modify, merge, publish, distribute, sublicense, and/or sell
copies of the Software, and to permit persons to whom the
Software is furnished to do so, subject to the following
conditions:
The above copyright notice and this permission notice shall be
included in all copies or substantial portions of the Software.
 IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT
HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY,
WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING
FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR
OTHER DEALINGS IN THE SOFTWARE.
Except as contained in this notice, the name(s) of the above copyright holders shall not be used in advertising or otherwise to promote the sale, use or other dealings in this Software without prior written authorization.


LOST & FOUND A film review by Steve Rhodes Copyright 1999 Steve Rhodes RATING (0 TO ****): 1/2
Here's a helpful hint for would-be filmmakers that I offer free of charge. If you're dead set on ripping off the funniest movies of the previous year (THERE'S SOMETHING ABOUT MARY), make sure that your film's opening sequence has at least some humorous aspect. Jeff Pollack's LOST & FOUND has an opening that is a Guinness Book of World Records contender for the movie with the fastest time to put an audience to sleep.
To be fair, there is much more wrong with the picture than Pollack's clumsy directing and the lame script by James B. Cook, Marc Meeks and David Spade. The story's star, "Saturday Night Live" veteran David Spade, as Dylan Ramsey, sleepwalks through the movie, which features him in almost every scene.
French actress Sophie Marceau, who was so intelligently intriguing and sensuously romantic last year in FIRELIGHT, is completely wasted playing opposite Spade as Lila Dubois, an attractive woman who lives in Dylan's apartment complex. The picture allows you to admire her beauty but nothing more. Mostly you feel sorry for her for getting stuck in such a bad movie.
Typical of the story's recycled humor is the oven that belches fires when opened. And then there are the flatulence jokes. Dylan plays cards with some plump old ladies, who let off gas and make crude comments about it being "crop dusting." The game? A strip poker game in which Dylan loses every hand, forcing him to leave their apartment naked. It plays just as badly as it sounds. This movie is more likely to elicit groans than laughs.
The movie features a stream of dog abuse jokes. We get to listen as a sweet little terrier flips around and around in the heat of a dryer, and we watch as he is force-fed a bottle Pepto Bismol. Supposedly, someone will find such humor funny.
The movie isn't a complete waste as we get tidbits of Dylan's philosophy. "Never date a girl who pays her rent in singles," is one.  When you ditch a woman or she ditches you, just tell her, "Honey, when the phone ain't ringing, that isn't me calling." That's sure put your ex-girlfriend in her place.
LOST & FOUND continues the recent trend of bad movies whose only decent segments occur during the closing credits. As the credits roll, the actors ham it up as they dance to an energetic rock beat. This two-minute music video is the only portion of the movie worth seeing.
LOST & FOUND runs a long 1:35. It is rated PG-13 for crude humor, sexuality, brief nudity and profanity and would be fine for teenagers.
Email<EMAIL_ADDRESS>Web: www.InternetReviews.com
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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Please direct comments/criticisms of the review to relevant newsgroups.
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Galvanize Delivers
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Joe Giudice Raves About Wife Teresa While Still In Italy – ‘You Look Great!’
by Ashley MitchellEven though their future together is uncertain while Joe Giudice is waiting for a final decision regarding his deportation appeal, he still couldn’t help but gush over his wife, Teresa. After the Real Housewives of New Jersey star posted a couple of pics on her social media platform of choice, her husband who is currently in Italy, left her a sweet comment.
It sounds like things between Joe and Teresa Giudice are going pretty well following their family reunion in Italy.
Despite the physical distance between them, Joe still felt like showing his wife of two decades some love.
It all started with Teresa sharing two separate snaps from her appearance on Watch What Happens Live and it’s safe to say that she looked absolutely gorgeous, something Joe could not help but notice as well.
Teresa showed off her great figure in a pair of gold leather pants and a black shirt and her makeup and hair were done to perfection as well.
One of the pics even puts her backside on display so how could Joe resist complimenting her?
Of course, a lot of her followers were quick to gush over her in the comment section but one message, in particular, stood out since it was from her husband.
‘You look great. Xoxo,’ he wrote and even added a thumbs-up emoji.
It was really sweet, especially given their current situation.
Speaking of, while on WWHL, one caller asked Teresa when she’d be back in Italy to visit Joe and she responded that ‘Umm..maybe this summer.‘
Andy Cohen was pretty surprised and pointed out that it’s ‘in like eight, nine months.’
Teresa went on to explain that their daughters would still go and spend Christmas with their dad while she’ll stay at home to work.
As for the reason why she’d have to wait until the summer of 2020 to reunite with her husband, she said: ‘That’ll be my next break because the girls have school.’


This line contains a footnote.1
This line contains a footnote.2
This is footnote 1.
This footnote has two paragraphs. This is the first.
And this is the second.


uid1
vs
uid2
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and
GO
Problems only
uid1
accepted:
1000
Problems only
uid2
accepted:
1000
Problems both
uid1
and
uid2
accepted:
1000
Problems only
uid1
tried but failed:
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Problems only
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tried but failed:
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Classes vs. Constructor FunctionsApril 11, 2015
Similar but not quite the same...
Alrighty, we are going to look at the fundamental differences between Ruby's classes and JavaScript's constructor functions. I am going to keep this very simple and (hopefully) very short.
Ruby classes are pretty easily defined. You start off with:
class Greet
.....def var
........@var
.....end
.....def var=(val)
........@var = val
.....end
end
different_greeting = Greet.new
This will get you a new version of Greet that has the same basic values already programmed into it because you have called #new. If we were to try to do this in JavaScript, it would look something like this:
var greet = {};
greet.greeting = "Hello!"
Now, using this setup, we can add as many properties to our object as we would like to. This is very similar to a Ruby hash. They are both used to store key/value pairs. It is easier to access these pair in Ruby if we are trying to get at them with a loop than it is if we are trying to get into them with a loop in JavaScript, though. In Ruby, we have the .each function that is not present in JavaScript. We would have to actually go create a function in JavaScript and specifically tell it how to get into the object and pull out only what we are looking for. This could be pretty difficult, depending on what kind of calculations we are trying to do.


How to Search for xAPI Events Across All Navy Profiles
A complete, searchable listing of all Navy xAPI Profiles. This handy resources enables developers to quickly scan for xAPI events in one document.
A complete, searchable listing of all Navy xAPI Profiles. This handy resources enables developers to quickly scan for xAPI events in one document.
Options for tracking general types of activities with xAPI are defined in the Navy Common Reference Profile. All of these common activities can be reused in several different types of content.
Includes asynchronous, self-paced, self-directed content such as interactive courseware augmented with multimedia and accessed from inside or outside the LMS.
Includes tracking requirments for knowledge-based assessments, feedback surveys, and scenario-based performance assessments. These profiles can be also reused with other profiles that have assessment requirements.
Includes tracking performance support for job or workplace tasks at the point of need or tracking support in the learning process, such as electronic study aids.
Includes tracking general types of simulation content and provides guidelines for extending xAPI to support unique simulation trainers.
Includes tracking general types of video interactions using an HTML5 video player and .mp4 videos.
Includes several reusable code libraries and content examples to make implementation easier.
A contracting DID template for content or applications that must support xAPI data.
General requirements and sample language that should be included in all xAPI content acquisitions.
Specific requirements and sample language that should be included in all web-based xAPI e-learning content acquisitions.
Specific requirements and sample language that should be included in all xAPI assessment content acquisitions.
Specific requirements and sample language that should be included in all performance support content acquisitions.
Specific requirements and sample language for different types of simulation acquitisions.


Welcome to SimpleTAL
SimpleTAL is a stand alone Python implementation of the TAL, TALES and METAL specifications used in Zope to power HTML and XML templates. SimpleTAL is an independent implementation of TAL; there are no dependencies on Zope nor is any of the Zope work re-used.
A mailing list exists for discussion of SimpleTAL and support questions.
Feedback, feature enhancements and bug fixes will all be gladly received!
PubTal Version


A vectorizer is an algorithm for transforming bitmap lines into vector lines.
There are 3 different implementations vectorizers in ShapeLogic.
They are all just thin wrappers around classes located in the impageprocessing package.
Color and gray scale segmentation algorithm. The segmentation algorithm works on both RGB and 8 bit gray scale images.
It is currently writing out information to a dialog box.
This is not done in Java, but is just 2 macro files that is places in the shapelogic dir.


Talk-Down In The Lockdown
IEEE APSIT SB brings to you "Talkdown in the Lockdown". Join us in this amazing series of webinars held from (20-24) . Grab this opportunity and utilise your time in this lockdown period by learning from the experts of various domains
About Us
IEEE APSIT Student Chapter is a student body representing A.P Shah Institute of Technology on IEEE platform. We formed this committee of IEEE members to educate and to bring awareness of the latest technology prevailing in today's world. We strive to improve the quality of knowledge being imparted to students by organizing technical workshops and events which are led by motivational speakers. Our aim is to help students achieve a successful career by making them eligible for the current world of technology.
Real World Knowledge
Developers with various fields of interest and a matching atmosphere, Talk-Down in the Lockdown is an opportunity for growing and updating one's knowledge and getting to know the latest in development along with industry trends.
Expertise
Talk-Down in the Lockdown webinar has speakers from the Industry who have vast experience in various domains, Students and working professionals can utilize this opportunity to learn from the expert minds.
Innovative Ideas
The world of technology is fast evolving, and so must developers. Our Speakers will discuss the latest trends in industry which includes the importance of innovative ideas
Event Speakers
Code of Conduct
IEEE APSIT is dedicated to providing a harassment-free webinar experience for everyone, regardless of gender, sexual orientation, disability, physical appearance, body size, race, or religion. We do not tolerate harassment of the participants in any form. All communication should be appropriate for a professional audience including people of many different backgrounds. Sexual language and imagery is not appropriate for any webinar venue. Be kind to others. Do not insult or put down other attendees. Behave professionally. Remember that harassment and sexist, racist, or exclusionary jokes are not appropriate for the webinar. Attendees violating these rules may be asked to leave the webinar at the sole discretion of the webinar organizers. Thank you for helping make this a welcoming, friendly event for all.
 Participants asked to stop any harassing behavior are expected to comply immediately. Be careful in the words that you choose.
Why is there a Code of Conduct?
Talk-Down in the Lockdown is a community webinar intended for networking and collaboration in the developer community. We value your and everyone else's participation in the webinar. Accordingly, We want all attendees to be safe from harm and have an enjoyable experience. For this reason, every participant is required to follow minimum conducts described below.
If a participant engages in behavior that violates this code of conduct, the webinar organizers may take any action they deem appropriate, including warning the offender or expulsion from the webinar.
Contact Us
Do you have some queries or suggestions, don't hesistate to share the same with us!
Drop us a message, we'll get back to you.!


Installation¶
Instructions¶
The easiest way to get everything installed (on macosx and linux) is to use pip:
>>> pip install pygrib
This will install all the dependencies for you (including the ECCODES C lib).
If you’re using Anaconda python (recommended for Windows), use conda:
>>> conda install -c conda-forge pygrib
If using conda on windows, you may also need to set the ECCODES_DEFINITION_PATH
environment variable to $CONDA_PREFIX/Library/share/eccodes/definitions
if you see
an error saying boot.def
cannot be found.
Developing¶
To build from source, clone the github repository and run setup.py:
>>> git clone https://github.com/jswhit/pygrib
>>> cd pygrib
>>> ECCODES_DIR=path/to/eccodes python setup.py install
where $ECCODES_DIR
is the path to the directory containing include/grib_api.h
and lib/libeccodes.so
. If ECCODES_DIR
is not specified, a few common locations
such as $CONDA_PREFIX,/usr,/usr/local,/opt/local
will be searched..
Then run the simple test script to check if things are working
cd test; python test.py
.
To be able to run all the tests, install pytest and run
>>> export MPLBACKEND=agg
>>> cd test
>>> pytest test*py --mpl --mpl-baseline-path=baseline_images
Many tests require matplotlib, pytest-mpl and cartopy. If you don’t want to install
those, just run test.py
and test_latlons.py
.


Scaltis1021.github.io
Handbücher - Mylna Sport Austria. Find spare or replacement parts for Stationary Bicycle equipment and more. #1 in parts and service for exercise and fitness equipment. PDF Exploded Drawing—Model Nos. Cex22523, Cex25023. Treadmill Parts Treadmill Walking / Running Belt Treadmill. Is treadmill better than elliptical for weight. Treadmill Parts Treadmill Running / Walking Belt NordicTrack Nordic Track treadmill belt replacement, replacement treadmill belt, treadmill running belt, treadmill walking belt, treadmill belt July 12, 2016 in NordicTrack Nordic Track treadmill belt replacement. NordicTrack T10.0 ProForm 505 CST NordicTrack C80i ProForm Performance 400i ProForm Performance 600i ProForm Performance 410i NordicTrack C700 ProForm Premier 1300 ProForm 225 CSX NordicTrack X7i Incline Trainer NordicTrack X9i Incline Trainer Abilica Stream TM60AC Abilica Stream.
34 1 2 3 4 13 14 15 16 17 18 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 32 33 33 34 34 34 34 35 36 48 48. r0704a While this was a bit of a bother at first, it served how many calories are burned during exercise. Do not think that there will challenging and targeted workouts. NordicTrack Treadmill repair - Fitness Service and Parts. Stationary Bicycle Parts Fitness and Exercise Equipment. Gorenje RK 60359 OR Kühl-Gefrier-Kombination / A++ / 188,7 cm Höhe / 229 kWh/Jahr / 229 Liter Kühlteil / 92 Liter Gefrierteil / Umluft-Kühlsystem mit Quick Cooling Funktion / LED-Innenbeleuchtung / vulcano.
We service and repair Nordictrack treadmills, ellipticals, exercise bikes or any fitness equipment that needs replacement parts we can locate any part such as motor control boards, running belts, consoles, grips, heart rate, please call are tech line<PHONE_NUMBER>. NordicTrack® Fitness and Exercise Equipment Repair Parts. Judge Food Prep Zitronenpresse Edelstahl - us214. Find edge recumbent bike parts parts for exercise and fitness equipment. Use our diagrams and parts lists to locate the right part for your treadmill, elliptical, or strength machine. Search for edge recumbent bike parts Fitness and Exercise.
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National Statistics
The tables provide 2009 information on residency-based pupil attainment broken down by gender, free school meal eligibility and ethnicity.
Reference Id: SFR10/2010
Publication type: Statistical First Release
Local authority data: LAD data
Region: England
Release date: 13 May 2010
Coverage status: Final/provisional
Publication status: Published
These latest statistics complement the 2008 attainment figures which were previously published on 18/08/2009. Institution-based tables for 2009 were published on 13/05/2010. Pupil residency based tables for 2009 were published on 10/06/2010.
The following data is available:
Institution-based tables:
Pupil residency based tables:
Pupil attainment by gender at EYFSP, KS1, KS2, KS4 and KS5 referenced by location of pupil residence, at National, Regional, LAD, MSOA and Lower Layer Super Output Area (LSOA) level.
Pupil attainment by FSM eligibility at EYFSP, KS1, KS2 and KS4 referenced by location of pupil residence, at national, regional, LAD and MSOA level.
Pupil attainment by ethnic group at EYFSP, KS1, KS2, KS4 and KS5 referenced by location of pupil residence, at national, regional and LAD level.
The key points from the latest release are:
Institution-based tables:
The tables reinforce previous messages about patterns of attainment and about the relationship between attainment and gender at national, regional and local levels.
Girls continue to perform better than boys in the majority of Local Authority Districts (LADs) at KS1, particularly in English subjects. At KS2 girls perform better than boys in English, and in the majority of LADs for science and English and maths combined, but not in maths. At KS4 and KS5, girls also outperform boys in the large majority of LADs. There is evidence of local variation in the extent to which the gap between boys and girls is either increasing or closing across key stages and subjects across the country.
Pupil residency based tables:
The tables reinforce previous messages about patterns of attainment and about the relationship between attainment and gender, FSM eligibility and ethnic group at national, regional and local levels.
 Resident girls also perform better, particularly in English subjects, than resident boys in the majority of LADs at KS1 and KS2, although at KS2 resident boys perform better at maths in the majority of LADs. At KS4 and KS5, resident girls also outperform resident boys in all but a small number of LADs.
In general, non-FSM pupils perform significantly better than FSM pupils in all areas of the country. The performance gap starts at EYFSP and continues through Key Stages 1, 2 and 4.
Chinese pupils continue to have the highest levels of attainment across all key stages and most regions. Black pupils have some of the lowest levels of attainment across the country across all key stages.
Karen Attew
0207 7838455


Globule ControlsDiagnostics
As part of its operation, Globule writes messages into the error-log when it encounters certain circumstances that may be of interest to its administrator. Besides being written into the log files, the latest messages can also be reviewed through this web-interface. The messages are classified depending on their seriousness, such as plain informational, warnings, errors, and critical messages and so on. You can select through which extend you want to have these messages logged: |


If you are having sex, it’s important to get tested at least once a year. Take our short quiz to find out what tests you should ask your provider for based on what kind of sex you’re having. Be informed, so you can make the best decisions for your sexual health.


--- layout: post title: "A few days to relax" subtitle: "PEI 2019" date: 2019-10-11 00:00:00 -0500 categories: [Travels] tags: [PEI] background: 'https://hwmckenzie.github.io/img/posts/pei2019/header.jpg' ---
On Sunday afternoon before Sandy left we took Tammi to the St. Peter’s harbour beach and Chris flew his drone. Although Tammi was initially interested in the water, she quickly decided that salt water was not for her.
After the beach we went into Charlottetown to take in a bit of Farm Day in the City. We parked at the condo, which was a good thing as the waterfront was packed with people! We walked around town, found the PEI cow, ate very tasty lobster rolls at the park, and then dropped Sandy off at the airport. I think Tammi was quite relieved that she wasn’t getting back on a plane just yet!
Following the excitement of the family gathering, everyone at the cottage took a few days to relax and we enjoyed several days of spectacular fall weather. On Monday Chris, Tammi and I all laid pretty low, though we did get out on the trail for a walk, where Tammi discovered that the squirrels of PEI deserved to be chased just as much as the squirrels back home.
Tuesday was another relaxing and beautiful day, so Chris spent some time flying his drone and got some great photos of the cottage. He also did an aerial inspection of the roof, which confirmed my Dad’s suspicion that there were damaged shingles.
On Wednesday we took a drive to Georgetown to do some apple picking and sightseeing. There were lots of different kinds of apples and picking them was really fun. The only hard part was not picking too many as we were only in PEI for one more day! Tammi was able to join us, and I think she quite enjoyed strolling around the rows.
After the orchard, we did some more walking on the beach and found a small lighthouse. Then we went into Georgetown proper and had some coffee and a cinnamon bun, and Hannah found a silversmith shop where she bought a replacement for the wedding ring that was lost over the summer.
Thursday was our last full day in PEI and we spent it in Charlottetown and then stayed the night at the condo as our flight the next day was quite early. Hannah got a haircut (a strange tradition she seems to have developed when visiting PEI!), and then we went out for a pre-dinner drink before meeting up with Malcolm at the Pilot House for dinner. A great finish to our trip.
The next morning found us at the airport bright and early on our way home to Alberta after a very memorable and enjoyable visit to PEI. We’ll come back soon!
Chris & Hannah


Empowerment
Economic Empowerment
CARE defines women’s economic empowerment as the process by which women increase their right to economic resources and power to make decisions that benefit themselves, their families and their communities.
Education
Girls’ education goes beyond getting girls into school. It is also about ensuring that girls learn and feel safe while in school; have the opportunity to complete all levels of education acquiring the knowledge and skills to compete in the labor market.
Social Empowerment
What sets Women for Women International apart is our integrated approach. We work on both women’s economic and social empowerment.
Psychological
Women’s subordinate position is not natural but socially constructed and forced upon them. The mechanism through which patriarchy operates is culture. The devaluation of women has been carried out through culture to establish it as a divine truth. This constructed truth is internalized by women as well as merged with schema of “feminine identity”. Thus addressing the schema of being “ideal women” becomes essential to overcome patriarchal oppression. Further women need a comprehensive empowerment which includes the psychological empowerment of women along with social, political and economic.
Violence
Population-level surveys based on reports from victims provide the most accurate estimates of the prevalence of intimate partner violence and sexual violence. A 2013 analysis conduct by WHO with the London School of Hygiene and Tropical Medicine and the South Africa Medical Research Council, used existing data from over 80 countries and found that worldwide, 1 in 3, or 35%, of women have experienced physical and/or sexual violence by an intimate partner or non-partner sexual violence.
Equality
Gender equality is not only a fundamental human right, but a necessary foundation for a peaceful, prosperous and sustainable world. There has been progress over the last decades: More girls are going to school, fewer girls are forced into early marriage, more women are serving in parliament and positions of leadership, and laws are being reformed to advance gender equality. Despite these gains, many challenges remain: discriminatory laws and social norms remain pervasive, women continue to be underrepresented at all levels of political leadership, and 1 in 5 women and girls between the ages of 15 and 49 report experiencing physical or sexual violence by an intimate partner within a 12-month period.


Goal: Propose redesign changes for a Memphis Taxi website using user testing and A/B testing. The main changes I'm testing for the site are, other than a more uniform grid layout for images and test, if the buttons should be red or blue, and if they should say "Learn more" or "Reserve now".
For user testing, I designed the site as an app on a mobile phone with the red button saying "Learn more". I then sent this prototype to users of usertesting.com to get feedback on the effectiveness and/or drawbacks of the design.
Completion Rate |
Error Count |
Time on Task |
|
|---|---|---|---|
| Sub-task 1: Learn about each company | 100%> | 0 | 5:46 + 2:53 + 2:30 + = 11:09 / 3 = 3:23 |
| Sub-task 2: Reserve a taxi | 100%> | 3 | 1:51 + 1:40 + 2:00 = 5:31 / 3 = 1:50 |
| Sub-task 3: Submit/confirm the reservation | 0%> | 3 | 0:00 |
My hypothesis was that it would take users a long amount of time to decide which taxi company to book with because I designed my website with the “Learn more” button, and also I didn’t have a feature telling users the exact price of their trip early on (rates don’t always align with final estimate on my app, YellowCab seems cheapest but they take an extremely long route to get to the airport). Instead, only until users actually press reserve can they get an exact estimate. Before this, price information is only available through complicated rates that users may find too much work to calculate. I thought this delay will cause people to backtrack from the reserve page more.
The users were able to complete the first two tasks well, but stumbled in 2 main places: realizing reserve and submit were separate subtasks, thus the 0% completion rate for sub-task 3 since users completed this task in sub-task 2. The second main place was predicted: once users discovered that exact estimates could be seen on the reserve page, they re-evaluated and went back as a result (as hypothesised). This is why the average time on task 2, reserve, was so long (more than a minute), because by the time users were at this step they realized they had to re-decide. Next, I tested the red button saying "Learn more" through A/B testing.
The difference between versions A and B were insignificant (as shown in the metrics and p-values calculated), so my proposal to Memphis Taxi would be to focus on changing the information provided on the main page (as pointed out through remote user testing). The website should give estimates of users’ trips on the main page, this way users can compare prices of all four options at the same time. There could be a select trip feature at the top, which will change the estimates for each company accordingly. This way, users can also see the company descriptions next to the prices and can access all the information they need before finally reserving–creating a far more efficient and useful interface.
I had a large sample of users click through versions A and B to conduct A/B testing. Version A was reformatted to a grid but maintained a blue button saying "Reserve". Version B had the red button saying "Learn More" instead


ER doctors: Deadly mix of chemicals in Burlington can happen in any home
by Robert GoulstonBOSTON - Burlington officials say a 32-year-old manager at Buffalo Wild Wings died Thursday after being exposed to the cleaning agents Scale Kleen and Super 8.
MassCOSH, a workplace safety advocacy group, says these incidents are more common than you think and their group tries to educate employers about it.
"You might be using a bleach-based cleaning agent and unfortunately you use an ammonia-based or another acidic based cleaning agent and that reaction that creates the vapor," said Al Vega, MassCOSH.
>> 32-year-old manager killed in chemical incident at Burlington Buffalo Wild Wings
Emergency room doctors say this mixing of cleaners can instantly create a toxic chlorine gas.
  "When you breathe in this caustic gas in your lungs, it causes the lung to become damaged and not be able to do its job and its job is to take oxygen and deliver it to your bloodstream and when it can't do that you die."
The deadly mixture of chemicals can happen right in your home. Doctors say one of the more common mistakes is cleaning products like bleach and Windex.
"You really gotta know what you are dealing with. Read the instructions," said Mostofi.
Emergency officials say the best rule of thumb is reading every label extra carefully and don't mix chemicals at all, and of course, always use any cleaning product in a well-ventilated area.
>> 1 dead, 10 others injured in chemical incident at Buffalo Wild Wings in Burlington