Summit Racing Series national champions crowned at Auto Club NHRA Finals
Michael Sturgill (Super Pro), Chris Johnston (Pro), Ryan Montford (Sportsman), and Jim Were (Motorcycle) were crowned the National Champions of the Summit Racing Series.
by Phil Burgess, NHRA National Dragster EditorMichael Sturgill (Super Pro), Chris Johnston (Pro), Ryan Montford (Sportsman), and Jim Were (Motorcycle) were crowned the National Champions of the Summit Racing Series.
The top bracket racers from NHRA’s seven geographical divisions journeyed to Auto Club Raceway at Pomona after winning their respective divisional titles to battle it out for the overall championship to compete at the Auto Club NHRA Finals.
Sturgill, representing Division 3 out of Medvay, Ohio, won the Super Pro title before he ever left the starting line in the final as Division 7’s Dave Meziere left too soon and fouled.
Division 6’s Johnston won the Pro title in his wheelstanding Keyport, Wash.-based ’98 Firebird in similar fashion after Division 4’s Brian Hughes left the starting line .001-second too soon and turned on the red-light.
Ryan Montford powered his Wichita, Kan.-based ’84 Grand Prix to the Sportsman win, taking an easy lap after Division 2’s Jake Ball red-lighted in the final round.
Division 6 added a second championship when Jim Were, of Renton, Wash., wheeled his Kawasaki to victory over Jason Clampitt, who left .005-second too soon aboard his Division 5-based Kawasaki.


Module stream
String streams.
Streams are similar to pipes, but specialized for strings. They serve the same purpose as LTN12, i.e. typically processing input from a socket.
Usage:
local stream = require 'lumen.stream'
Functions
| read (streamd, length) | Read from a stream. |
| read_line (streamd) | Read a line from a stream. |
| write (streamd, s, err) | Write to a stream. |
| set_timeout (streamd, read_timeout, write_timeout) | Change the timeout settings. |
| new (size, read_timeout, write_timeout) | Create a new stream. |
Functions
- read (streamd, length)
-
Read from a stream.
Will block if there is no (or not enough) data to read, until it appears. Also accessible as streamd:read([len])
Parameters:
- streamd the the stream descriptor to read from.
- length optional length of string to be returned.
Returns:
-
a string if data is available, nil,'timeout' on timeout, nil, 'closed', err if
stream is closed and empty (err is the additinal error parameter provided on write when closing).
- read_line (streamd)
-
Read a line from a stream.
Will block if there is not a whole line to return, until it arrives. Also accessible as streamd:read_line()
Parameters:
- streamd the the stream descriptor to read from.
Returns:
-
a string if data is available, nil,'timeout' on timeout, nil, 'closed', err if
stream is closed and empty (err is the additinal error parameter provided on write when closing).
The trailing newline is not included in the returned string.
- write (streamd, s, err)
-
Write to a stream.
Will block when writing to a full stream. Also accessible as streamd:write(s ,err)
Parameters:
- streamd the the stream descriptor to write to.
- s the string to write to the stream. false or nil closes the stream.
- err optional error message to register on stream closing.
Returns:
-
true on success, nil,'timeout' on timeout, nil, 'closed', err if
stream is closed
- set_timeout (streamd, read_timeout, write_timeout)
-
Change the timeout settings.
Can be invoked as streamd:set_timeout(read_timeout, write_timeout)
Parameters:
- streamd the the stream descriptor to configure.
- read_timeout timeout for blocking on stream reading operations. -1 or nil wait forever
- write_timeout timeout for blocking on stream writing operations. -1 or nil wait forever
- new (size, read_timeout, write_timeout)
-
Create a new stream.
Parameters:
- size When the buffered string length surpases this value, following attempts to write will block. nil means no limit.
- read_timeout timeout for blocking on stream reading operations. -1 or nil wait forever timeout
- write_timeout timeout for blocking on stream writing operations. -1 or nil wait forever
Returns:
-
a stream descriptor


94 Feet
94 Feet is a movie starring Larry Wilcox, Jeremy Childs, and Skeeta Jenkins. An industry that has sustained a town for over 100 years is closing it's doors. A family that has been the cornerstone of the community, has given up. The...


Update Page
Bring Me Back!
10/14/21: Today I Created This Page
10/23/21: Today I started a project with Shadab
The Project is a Deep Learning Based Game where an AI should teach itself to play brickbreaker
10/29/21: This Week I worked on creating the Basics of the BrickBreaker Game Itself
I am making the Code which will allow me to make custom Levels through text files. Shadab and I have made good progress with these developments.
11/04/21: This week Shadab and I continued our work on the project. I was able to get the program to read the LevelOne.txt file the correct way. I also learned how to bold
11/12/21: This week I continued to work on my project and I also worked on learning how neural networks work for my teachback project. I will have working code which will demonstrate my knowledge of neural networks.
11/19/21: This Week I presented my Neural Networks Teachback Project. I have also continued working on my project
12/3/21: This Week I continued my work on my project with shadab. We are still working on creating the game in an efficient manner before delving into the world of artificial intelligence.
12/10/21: This week i worked with shadab on the basics of the game once again. We are getting much closer to a finished product.
12/17/21: This week i worked with shadab finalizing the basics and creating a plan for the break. We are going to try and have most of the basics done by the end of the break.
1/20/22: Over the break shadab and I worked in the break and were working on making a full working game. We were able to get the basics of the game working. We have also decided to pause work on this project in favor of other pursuits.
2/4/22: During the break Shadab and I looked into potential project ideas which will likely include art mixed with AI.
2/11/22: Over the past weeks I have been looking for a new project and am looking into image recognition and art applications along with shadab.
2/18/22: At the moment I am starting work on two projects. For the first project I am working with Ben on a project which includes more engineering. The idea of the project is that It can determine if a person is focusing on a given task. (Details to come). The second project is with shadab and related to music. The project will likely take MIDI files and find peoples taste in music. Eventually the program could be expanded to create music people like rather than simpily finding it.
2/25/22:This Week I worked on a MIDI file Program. This program would both read, understand and display music. I am using the MIDO Library for this project
3/4/22:This week I got the project to edit whole midi files. This allows me to change the key and octive of songs
3/11/22: This week I decided to change the program so that I am able to modify individual tracks. This allows me to create an interesting effect
3/18/22: For this week I started on the process of transcribing the edited music. At the moment I am attempting to mark every note as its coresponding letter
4/1/22: With this update I Assigned every note with a letter value and store them as Strings. I still do not know if they are perfectly alligned and am looking for a way to verify this
4/8/22: This week I was unable to put in meaningful work on this project as I was traveling the majority of the week
4/15/22: This week I created a basic Midi file in order to test if my track lines up with the letter values for notes. I am continuing to tweak it until it is all correct.
4/22/22: This Week I started work on a side project. This mini project is a reaction tester I need for another class but it is a good experiment with html and Javascript compatability
4/29/22: This week I continued work on the reaction tester. I have now created the general framework for the project and am making steady progress
5/6/22: This week I finished up the mini project. It now can test reactions and has modes to create sound and visuals smoothly
5/13/22: This week I researched for my teachback presentation. I am additionally making a program that goes with my project.
5/20/22: This week I Presented for my teachback presentation.I had to scrap the idea of attatching a presentation
5/27/22: This is week I worked on looking into potential projects for next year.
6/3/22: As the year is over this is my final entry. I am ready for next year.


Improve this Doc
Like the [checkbox](#checkbox), a radio is an input component that holds a *boolean* value. Under the hood, radios are no different than HTML radio inputs. However, like other Ionic components, radios are styled differently on each platform. Unlike checkboxes, radio components form a group, where only one radio can be selected at a time. Use the `checked` attribute to set the default value, and the `disabled` attribute to disable the user from changing to that value.
_For more information, Check out the [Radio Button API docs](../api/components/radio/RadioButton) and the [Radio Group API docs](../api/components/radio/RadioGroup)._
Basic Usage
Demo
Demo Source
```html
Language
Go
Rust
Python
```


Select Application
scroll down for more details.
Go On!
Instagram Aero
Official
Go On!
WhatsApp Aero
Official


Relative Locator Tests
This text is above.
This is a paragraph of text in the middle.
This text is below.
1
2
3
4
5
6
7
8
9
Rectangle 1
Rectangle 2, which is near Rectangle 1
Rectangle 3
Rectangle 4, which is not near Rectangle 2 because it is more than 50 px away


Id = 42
Nombre Capitulo = Earth (Giant Telepathic Spiders Dimension)
Tipo = Planet
Dimension = Giant Telepathic Spiders Dimension
Personaje = ['https://rickandmortyapi.com/api/character/159', 'https://rickandmortyapi.com/api/character/160']
Numero Personaje = ['159', '160']
URL Locacion = https://rickandmortyapi.com/api/location/42


Web development services imply designing, building, integrating, scaling and maintaining software that work via intranet or internet.
“We love what we do and we do what our clients love & work with great clients all over the world to create thoughtful and purposeful websites.”
“Learning HTML and CSS is a lot more challenging than it used to be. Responsive web design adds more layers of complexity to design and develop websites.”
“A successful website does three things: It attracts the right kinds of visitors. Guides them to the main services or product you offer. Collect Contact details for future ongoing relation.”
this project i have made using html,css and javascript,project is based on showing time,which i have made by applying javascript
i have made this project using html,css ,javascript.project is of making calculator by applying some javascript
A front end developer has one general responsibility: to ensure that website visitors can easily interact with the page. They do this through the combination of design, technology and programming to code a website's appearance, as well as taking care of debugging.
DOWNLOAD RESUME


Portfolio
Home
About
Contact
Resume
HTML & CSS
HTML & CSS
HTML & CSS
My Resume
My First HTML Page
1st Sem Test #1
1st Sem Test #2
Bootstrap and HTML/CSS
JavaScript
Web Design & JavaScript
Web Design & JavaScript
1st Sem Midterm
1st JavaScript
TIC TAC TOE!
Combining Everthing
C#
C#
C#
C# & DataBase
Pay Day
Bank Array
Array Fun
DataBase Intro
ASP.NET
ASP.NET
ASP.NET
ASP.NET
Intro to Dasabases
SportsStore
RecordStore
BikeShop
Java/Android
Java/Android
Java/Android
Java/Android
FortuneTeller
RockPaperScissors
Guessing Game
Resume App


Remove spaces around += to assign (or quote '+=' if literal).
var += "my text"
var+="my text"
ShellCheck found an unquoted +=
after a word. To append text to a variable, remove spaces around +=
as in the example.
If the +=
was supposed to be literal, you can quote it to make ShellCheck ignore it:
grep '+=' files..


require.main.filename
is great for figuring out the entry
point for the current application. This can be combined with a module like
pkg-conf to, as if by magic, load
top-level configuration.
Unfortunately, require.main.filename
sometimes fails when an application is
executed with an alternative process manager, e.g., iisnode.
require-main-filename
is a shim that addresses this problem.
var main = require('require-main-filename')()
// use main as an alternative to require.main.filename.
ISC


View, add and edit cities here.
View, add and edit Theatres here
View, add and edit Show Times here
View, add and edit Movies here


# -*- coding: utf-8 -*-
__author__ = """Chris Tabor (dxdstudio@gmail.com)"""
if __name__ == '__main__':
from os import getcwd
from os import sys
sys.path.append(getcwd())
DEBUG = True if __name__ == '__main__' else False
"""
Rule of Representation: Fold knowledge into data,
so program logic can be stupid and robust.
Source: http://www.catb.org/esr/writings/taoup/html/ch01s06.html
"Data is more tractable than program logic. It follows that where you see a
choice between complexity in data structures and complexity in code,
choose the former. More: in evolving a design, you should *actively* seek ways
to shift complexity from code to data."
Also see: http://www.catb.org/esr/writings/taoup/html/generationchapter.html
"""
[docs]def example_1_bad_method(arg):
"""This is convoluted and hard to read. It is also potentially
less performant, since the logic branching must be generated and evaluated.
"""
if arg is 'foo':
return 1
elif arg is 'bar':
return 2
elif arg is 'bim':
return 3
elif arg is 'bam':
return 4
elif arg is 'baz':
return 5
elif arg is 'quux':
return 6
[docs]def example_1_good_method(arg):
"""This employees pure data, and is fast as it assumes a lookup, which is
always O(N). The failed assumption is caught and handled, and new lookups
can be quickly added, without adding much to the complexity."""
data = {
'foo': 1,
'bar': 2,
'bim': 3,
'bam': 4,
'baz': 5,
'quux': 6,
}
try:
return data[arg]
except KeyError:
return None
[docs]def example_2_bad_method(arg1, arg2):
"""Continuing down this path of complicated conditional branching,
things get hairy very fast. Think about cognitive processing time when
reading this code -- it's easy to make a mistake here."""
if arg1 is 'foo' and arg2 is 'bar':
return 1
elif arg1 is 'bar' and arg2 is 'foo':
return 3
elif arg1 is 'foo' and arg2 is 'quux':
return 2
elif arg1 is 'bar' and arg2 is 'quux':
return 4
[docs]def example_2_good_method(arg1, arg2):
"""Mapping inputs to this nested dictionary is easy and intuitive, compared
to the more cognitively challenging task of parsing multiple levels of
conditional branching statements. It is obvious almost immediately to look
at the arguments and map them to the data and see what the result is.
This is exemplified in the below quote from catb.org:
"In Chapter 1 we observed that human beings are better at
visualizing data than they are at reasoning about control flow."
More advanced examples of this concept are discussed within the context of
clojure s-expressions on the amazing "macronomicon" video by Michael Fogus:
https://www.youtube.com/watch?v=0JXhJyTo5V8 this is not surprising to me
because lisp-style languages are typically homoiconic, or nearly so, and so
the code-as-data paradigm is commonplace for them.
"""
data = {
'foo': {
'bar': 1,
'quux': 2
},
'bar': {
'foo': 3,
'quux': 4
}
}
try:
return data[arg1][arg2]
except KeyError:
return None


| < Day Day Up > |
If you have a cluster of caches talking to each other and sharing a single visible_hostname value, you must use this directive to give each a unique name. Squid uses the unique name in HTTP Via headers to detect forwarding loops (see Section 10.2).
|
| < Day Day Up > |


# How mitmproxy works
Mitmproxy is an enormously flexible tool. Knowing exactly how the proxying process works will help you deploy it creatively, and take into account its fundamental assumptions and how to work around them. This document explains mitmproxy’s proxy mechanism in detail, starting with the simplest unencrypted explicit proxying, and working up to the most complicated interaction -transparent proxying of TLS-protected traffic1 in the presence of Server Name Indication.
# Explicit HTTP
Configuring the client to use mitmproxy as an explicit proxy is the simplest and most reliable way to intercept traffic. The proxy protocol is codified in the HTTP RFC, so the behaviour of both the client and the server is well defined, and usually reliable. In the simplest possible interaction with mitmproxy, a client connects directly to the proxy, and makes a request that looks like this:
GET http://example.com/index.html HTTP/1.1
This is a proxy GET request - an extended form of the vanilla HTTP GET request that includes a schema and host specification, and it includes all the information mitmproxy needs to proceed.
- The client connects to the proxy and makes a request.
- Mitmproxy connects to the upstream server and simply forwards the request on.
# Explicit HTTPS
The process for an explicitly proxied HTTPS connection is quite different. The client connects to the proxy and makes a request that looks like this:
CONNECT example.com:443 HTTP/1.1
A conventional proxy can neither view nor manipulate a TLS-encrypted data stream, so a CONNECT request simply asks the proxy to open a pipe between the client and server. The proxy here is just a facilitator - it blindly forwards data in both directions without knowing anything about the contents. The negotiation of the TLS connection happens over this pipe, and the subsequent flow of requests and responses are completely opaque to the proxy.
# The MITM in mitmproxy
This is where mitmproxy’s fundamental trick comes into play. The MITM in its name stands for Man-In-The-Middle - a reference to the process we use to intercept and interfere with these theoretically opaque data streams. The basic idea is to pretend to be the server to the client, and pretend to be the client to the server, while we sit in the middle decoding traffic from both sides. The tricky part is that the Certificate Authority system is designed to prevent exactly this attack, by allowing a trusted third-party to cryptographically sign a server’s certificates to verify that they are legit. If this signature doesn’t match or is from a non-trusted party, a secure client will simply drop the connection and refuse to proceed. Despite the many shortcomings of the CA system as it exists today, this is usually fatal to attempts to MITM a TLS connection for analysis. Our answer to this conundrum is to become a trusted Certificate Authority ourselves. Mitmproxy includes a full CA implementation that generates interception certificates on the fly. To get the client to trust these certificates, we register mitmproxy as a trusted CA with the device manually.
# Complication 1: What’s the remote hostname?
To proceed with this plan, we need to know the domain name to use in the interception certificate - the client will verify that the certificate is for the domain it’s connecting to, and abort if this is not the case. At first blush, it seems that the CONNECT request above gives us all we need - in this example, both of these values are “example.com”. But what if the client had initiated the connection as follows:
CONNECT <IP_ADDRESS>:443 HTTP/1.1
Using the IP address is perfectly legitimate because it gives us enough information to initiate the pipe, even though it doesn’t reveal the remote hostname.
Mitmproxy has a cunning mechanism that smooths this over - upstream certificate sniffing. As soon as we see the CONNECT request, we pause the client part of the conversation, and initiate a simultaneous connection to the server. We complete the TLS handshake with the server, and inspect the certificates it used. Now, we use the Common Name in the upstream certificates to generate the dummy certificate for the client. Voila, we have the correct hostname to present to the client, even if it was never specified.
# Complication 2: Subject Alternative Name
Enter the next complication. Sometimes, the certificate Common Name is not, in fact, the hostname that the client is connecting to. This is because of the optional Subject Alternative Name field in the certificate that allows an arbitrary number of alternative domains to be specified. If the expected domain matches any of these, the client will proceed, even though the domain doesn’t match the certificate CN. The answer here is simple: when we extract the CN from the upstream cert, we also extract the SANs, and add them to the generated dummy certificate.
# Complication 3: Server Name Indication
One of the big limitations of vanilla TLS is that each certificate requires its own IP address. This means that you couldn’t do virtual hosting where multiple domains with independent certificates share the same IP address. In a world with a rapidly shrinking IPv4 address pool this is a problem, and we have a solution in the form of the Server Name Indication extension to the TLS protocols. This lets the client specify the remote server name at the start of the TLS handshake, which then lets the server select the right certificate to complete the process.
SNI breaks our upstream certificate sniffing process, because when we connect without using SNI, we get served a default certificate that may have nothing to do with the certificate expected by the client. The solution is another tricky complication to the client connection process. After the client connects, we allow the TLS handshake to continue until just after the SNI value has been passed to us. Now we can pause the conversation, and initiate an upstream connection using the correct SNI value, which then serves us the correct upstream certificate, from which we can extract the expected CN and SANs.
# Putting it all together
Lets put all of this together into the complete explicitly proxied HTTPS flow.
- The client makes a connection to mitmproxy, and issues an HTTP CONNECT request.
- Mitmproxy responds with a
200 Connection Established
, as if it has set up the CONNECT pipe. - The client believes it’s talking to the remote server, and initiates the TLS connection. It uses SNI to indicate the hostname it is connecting to.
- Mitmproxy connects to the server, and establishes a TLS connection using the SNI hostname indicated by the client.
- The server responds with the matching certificate, which contains the CN and SAN values needed to generate the interception certificate.
- Mitmproxy generates the interception cert, and continues the client TLS handshake paused in step 3.
- The client sends the request over the established TLS connection.
- Mitmproxy passes the request on to the server over the TLS connection initiated in step 4.
# Transparent HTTP
When a transparent proxy is used, the connection is redirected into a proxy at the network layer, without any client configuration being required. This makes transparent proxying ideal for those situations where you can’t change client behaviour - proxy-oblivious Android applications being a common example.
To achieve this, we need to introduce two extra components. The first is a redirection mechanism that transparently reroutes a TCP connection destined for a server on the Internet to a listening proxy server. This usually takes the form of a firewall on the same host as the proxy server - iptables on Linux or pf on OSX. Once the client has initiated the connection, it makes a vanilla HTTP request, which might look something like this:
GET /index.html HTTP/1.1
Note that this request differs from the explicit proxy variation, in that it omits the scheme and hostname. How, then, do we know which upstream host to forward the request to? The routing mechanism that has performed the redirection keeps track of the original destination for us. Each routing mechanism has a different way of exposing this data, so this introduces the second component required for working transparent proxying: a host module that knows how to retrieve the original destination address from the router. In mitmproxy, this takes the form of a built-in set of modules that know how to talk to each platform’s redirection mechanism. Once we have this information, the process is fairly straight-forward.
- The client makes a connection to the server.
- The router redirects the connection to mitmproxy, which is typically listening on a local port of the same host. Mitmproxy then consults the routing mechanism to establish what the original destination was.
- Now, we simply read the client’s request…
- … and forward it upstream.
# Transparent HTTPS
The first step is to determine whether we should treat an incoming connection as HTTPS. The mechanism for doing this is simple - we use the routing mechanism to find out what the original destination port is. All incoming connections pass through different layers which can determine the actual protocol to use. Automatic TLS detection works for SSLv3, TLS 1.0, TLS 1.1, and TLS 1.2 by looking for a ClientHello message at the beginning of each connection. This works independently of the used TCP port.
From here, the process is a merger of the methods we’ve described for transparently proxying HTTP, and explicitly proxying HTTPS. We use the routing mechanism to establish the upstream server address, and then proceed as for explicit HTTPS connections to establish the CN and SANs, and cope with SNI.
- The client makes a connection to the server.
- The router redirects the connection to mitmproxy, which is typically listening on a local port of the same host. Mitmproxy then consults the routing mechanism to establish what the original destination was.
- The client believes it’s talking to the remote server, and initiates the TLS connection. It uses SNI to indicate the hostname it is connecting to.
- Mitmproxy connects to the server, and establishes a TLS connection using the SNI hostname indicated by the client.
- The server responds with the matching certificate, which contains the CN and SAN values needed to generate the interception certificate.
- Mitmproxy generates the interception cert, and continues the client TLS handshake paused in step 3.
- The client sends the request over the established TLS connection.
- Mitmproxy passes the request on to the server over the TLS connection initiated in step 4.
# Footnotes
The use of “TLS” refers to both SSL (outdated and insecure) and TLS (1.0 and up) in the generic sense, unless otherwise specified.
[return]


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---
---
The Ph.D. Programme
See also: The Integrated Ph.D. Degree Programme
The Department of Mathematics offers excellent opportunities for research in both pure and applied mathematics. Visit this page to get a sense of the research interests of the faculty in the department.
The written test conducted by IISc for entrance to the Ph.D. programme has been discontinued as of 2013. Students will be selected through the examinations listed below, followed by an interview at IISc.
Note: the short-list for NBHM 2016 will be based only on the NBHM 2016 screening test.
Selection to the Ph.D. programme will be based on performance in the interview.
Candidates who are yet to complete their examinations for the eligible degree and expect to complete all the requirements for their degree (including all examinations, project dissertations, viva voce, etc.) before July 31, 2016, are eligible to apply.
The IISc online portal for 2016 admissions is NOW OPEN. Visit this page for information and instructions on how to access the online admission portal.
| Deadline for online submission of applications | March 21, 2016 |
| Interviews at IISc | To be announced |
Students admitted to the Ph.D. programme need to take a minimum of 12 credits to complete the course requirement. Each course carries 3 credits. (View the webpage Courses for more information.)
Visit the webpage Careers in Mathematics.
NBHM Ph.D. Screening Test: past question papers & answer keys
| 1. June 2005 | : Key June 2005 | |
| 2. February 2006 | : Key Feb. 2006 | |
| 3. January 2007 | : Key Jan. 2007 | |
| 4. February 2008 | : Key Feb. 2008 | |
| 5. January 2009 | : Key Jan. 2009 | |
| 6. January 2010 | : Key Jan. 2010 | |
| 7. January 2011 | : Key Jan. 2011 | |
| 8. January 2012 | : Key Jan. 2012 | |
| 9. January 2013 | : Key Jan. 2013 |
|
|
||
| Indian Institute of Science | Contact the Administrator | Disclaimer |


This a work in progress that transfers files between two computers equipped with monitors and webcams. Take a minute to read how it works below!
Try it out.Shoop didly do bah
I honestly don't have a clue.
TBD
I don't have any sort of formal education in this - I'm actually an Industrial Design Student. If there's a better/faster/easier way to do any part of this, I'd really love to hear about it!
I don't have the resources to test it, but apparently you can enable getUserMedia support on Chrome for Android by checking off "Enable WebRTC" flag under chrome://flags. Remember that you'd need a phone with a front-facing camera. It's also pretty resource-hungry, so I'm not 100% confident that it would work. If anyone has a chance to test it, I'd love to know!


WITNESS LIST
Intergovernmental Relations
February 17, 2015 1:30 PM - or upon adjournment
Committee Jurisdiction
ON:
Allison, Jim General Counsel (also providing written testimony) (County Judges &
Commissioners Association of Texas), Austin, TX
Henneberger, John Co-Director (Texas Low Income Housing Information Service), Austin,
TX
Irvine, Tim Executive Director (Texas Department of Housing & Community Affairs),
Austin, TX
Jackson, Frank Executive Director (also providing written testimony) (Texas Affiliation of
Affordable Housing Providers), Austin, TX
Ledbetter Parham, Amy Executive Director (also providing written testimony) (Habitat for
Humanity Texas), Buda, TX
Lee, Don Executive Director (also providing written testimony) (Texas Conference of
Urban Counties), Austin, TX
Long, David President (also providing written testimony) (Texas State Affordable Housing
Corporation), Austin, TX
Norman, Scott Executive Director (also providing written testimony) (Texas Association
of Builders), Austin, TX
Ramirez, Jorge Deputy Director, Disaster Recovery (also providing written testimony)
(Texas General Land Office), Austin, TX
Sandlin, Bennett Executive Director (also providing written testimony) (Texas Municipal
League), Austin, TX
Sugg, Paul Legislative Director (also providing written testimony) (Texas Association of
Counties), Austin, TX
Suiter, Wes The Honorable Angelina County Judge & President (also providing written
testimony) (Angelina County & Texas Association of Regional Councils), Lufkin, TX
Taack, Justin Section Manager, Districts Section (also providing written testimony) (Texas
Commission on Environmental Quality), Austin, TX
Talerico, Jeanne Executive Director (also providing written testimony) (Texas Association
of Local Housing Finance Agencies), Austin, TX


Sprint 3
Topic: Technical JavaScript Blog Others
Emotional Intelligence: EQ & IQ
After spending time researching about EQ and IQ, I realised that they both go hand in hand to live a happy life. It's important to center yourself and create empathy on what you do in life.
Growing up in a Filipino culture, we were expected to do our best and level our intelligence to become successful in life.  It is more of the aspect of living your parent's dream of expectation and not your dream in the long run. It is a problem emotionally because mental stress builds up and makes you unhappy internally. Proof of my statement: Filipino comedian, Jokoy shares his experience:
I realised growing up, we weighed in more of IQ over EQ since it guarantees success in life. We never ask ourselves are we happy emotionally? Sometimes we need to step back, evaluate ourselves, and communicate with our own emotions. It is finding the right balance to become happy both intellectually and emotionally.


Land Ho! is an app that displays the publicly available sailboat cruising information from noonsite.com whenever you need it, offline, even out at sea!


UIL Competition in Trump Tower! Make sure to sign your transportation form(get it from Mr. Cadle)!
This is a day that is named Leap Day because it only happens during leap years
This is a day that is named Leap Day because it only happens during leap years
This is a day that is named Leap Day because it only happens during leap years
This is a file of words from the language called English. Not all obviously because Texan-speech isn't included but can we even call that English?
| Name | |
|---|---|
| William Tichenor |<EMAIL_ADDRESS>|
| Hernan Tijerina |<EMAIL_ADDRESS>|
| Kieran Bierne |<EMAIL_ADDRESS>|


This page has been relocated to a site of its own
Please click the following link:
Parafield Vernal Pools


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When Shane goes night night he likes to make sure he has his doggies and his quilt and his blanket and lots of toys. Sometimes he talks and sings to himself for a while before he goes to sleep. When he wakes up in the morning he talks and sings some more until Mom and Dad finally wake up and take him out of his crib. Sometimes he takes his PJs off if he gets bored, but he doesn't know how to put them back on so then he gets cold. Shane has had lots of visitors recently -- grandparents and great grandparents visiting every weekend. Shane is happy that the snow has melted and he can go outside wearing a sweater rather than a heavy coat. The deer are happy too because they can eat the grass in Shane's backyard now (as Shane points out to Grandma Connie). Shane has become quite articulate about what he wants and doesn't want. He negotiates with Mom and Dad about what he wants to eat and wear. If Mom suggests a shirt to wear in the morning Shane often says, "How about the yellow choo choo shirt?" If Mom tells him that shirt is dirty he says, "Wash it!" If Dad asks him if he wants to eat some apple sauce, Shane says very emphatically, "I don't want to eat the apple sauce!"
Dad painted the old office blue for Shane. Mom and dad brought the bed upstairs that they painted blue last summer and put it in Shane's new blue room. The bed still needs some new sheets and the room needs some more furniture, but Shane is looking forward to sleeping in his new big boy bed soon.
Shane likes to go outside and play in the dirt. He likes to pick up rocks and dig with sticks.  Shane's new favorite expression is "I don't want to X anymore." Where X might be "go night night," "get dressed," "eat toast" or whatever it is he is currently being asked to do. Shane has started attending gym class on Saturday mornings.  He is learning how to walk on the balance beam. Shane can now climb into his car seat by himself.
Shane's friend Mira came over to play. Shane and Mira like to bounce on Shane's blue bed. Shane likes to say "I just want to X" where X might be "go up mama," or "read the truffula tree book," or "go in the silver car" or what ever it is he wants. Often he changes his mind, however, and "just" wants to do something else.
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Originally written by Chris Brown
Transcribed by Mindy Mattingly Phillips<EMAIL_ADDRESS>Minor additions and adjustments by Dan Silverstein.
[Scene: At Chandler and Joey's. Ross and Chandler are there. Ross is watching wrestling.]
ROSS: Man, I sure miss Julie.
CHANDLER: Spanish midgets. Spanish midgets wrestling. Julie. Ok, yes, I see how you got there. (phone rings)
ROSS: You ever figure out what that thing's for?
CHANDLER: No, see, I'm trying this new screening thing. You know, I figure if I'm always answering the phone, people'll think I don't have a life. My god, Rodrigo never gets pinned.
(MACHINE--JOEY'S VOICE): Here comes the beep, you know what to do.
JADE: Hello, I'm looking for Bob. This is Jane. I don't know if you're still at this number, but I was just thinking about us, and how great it was, and, well, I know it's been three years, but, I was kinda hoping we could hook up again. I barely had t he nerve to make this call, so you know what I did?
CHANDLER: What?
JADE: I got a little drunk...and naked.
CHANDLER: Bob here.
CHANDLER: (on phone) What've you been up to?
JADE: Oh, you know, the usual, teaching aerobics, partying way too much. Oh, and in case you were wondering, those are my legs on the new James Bond poster.
CHANDLER: Can you hold on a moment? I have another call. (to Ross) I love her.
ROSS: I know.
CHANDLER: I'm back.
JADE: So, are we gonna get together or what?
CHANDLER: Um, absolutely. Uh, how 'bout tomorrow afternoon? Do you know uh, Central Perk in the Village, say, five-ish?
JADE: Great, I'll see you then.
CHANDLER: Ok. Ok. Having a phone has finally paid off.
ROSS: Even though you do do a good Bob impression, I'm thinkin' when she sees you tomorow, she's probably gonna realize, "hey, you're not Bob."
CHANDLER: I'm hoping that when Bob doesn't show up, she will seek comfort in the open arms of the wry stranger at the next table.
ROSS: Oh my god. You are pure evil.
CHANDLER: Ok, pure evil, horny and alone. I've done this.
(At Monica and Rachel's)
ROSS: (on phone) Yeah, yeah, everybody's here. Hey, everybody, say hi to Julie in New Mexico.
ALL: Hi, Julie!
RACHEL: (sarcastically) Hi, Julie.
CHANDLER: Ok, while Ross is on the phone, everybody owes me 62 bucks for his birthday.
PHOEBE: Um, is, is there any chance that you're rounding up? You know, like from, like 20?
CHANDLER: Hey, come on, we got the gift, the concert, and the cake.
JOEY: Do we need a cake?
CHANDLER: Look guys, I know it's a little steep.
RACHEL: Yeah, whoosh!
CHANDLER: But it's Ross.
PHOEBE: It's Ross.
JOEY: All right.
CHANDLER: I'll see you guys later, I gotta go...do a thing.
ROSS: Ok, sweetheart, I'll call you later tonight. Whoa, whoa, whoa, hey, hey, hey, you're not really gonna go through with this, are you?
CHANDLER: You know, I think I might just.
RACHEL: So uh, what are you guys doing for dinner tonight?
JOEY: Well I guess I gotta start savin' up for Ross's birthday, so I guess I'll just stay home and eat dust bunnies.
PHOEBE: Can you believe how much this is gonna cost?
RACHEL: Do you guys ever get the feeling that um, Chandler and those guys just don't get that we don't make as much money as they do?
JOEY: Yes! Yeah, it's like they're always saying "let's go here, let's go there". Like we can afford to go here and there.
PHOEBE: Yes, yes, and it's, and we always have to go to, you know, someplace nice, you know? God, and it's not like we can say anything about it, 'cause, like this birthday thing, it's for Ross.
JOEY: For Ross.
RACHEL: For Ross, Ross, Ross.
MONICA: (enters) Oh my god.
RACHEL: Hey.
JOEY: Hi.
RACHEL: What?
MONICA: I'm at work, ordinary day, you know, chop chop chop, sauti, sauti, sauti. All of a sudden, Leon, the manager, calls me into his office. It turns out they fired the head lunch chef, and guess who got the job.
JOEY: If it's not you, this is a horrible story.
MONICA: Fortunately, it is me. And, they made me head of purchasing, thank you very much. Anyway, I just ran into Ross and Chandler downstairs, and they think we should go out and celebrate. You know, someplace nice.
JOEY: Yeah, someplace nice. (to Phoebe and Rachel) How much do you think I can get for my kidney? (at Central Perk)
ROSS: I'm tellin' you. You can't do this.
CHANDLER: Oh, come on. I can never get a girl like that with conventional methods.
ROSS: That doesn't matter. She wanted to call Bob. Hey, for all we know, Bob is who she was meant to be with. You may be destroying two people's chance for happiness.
CHANDLER: We don't know Bob, ok? We know me. We like me. Please let me be happy.
ROSS: Go over there and tell that woman the truth.
CHANDLER: All right.
ROSS: Go.
CHANDLER: Hi.
JADE: Hi.
CHANDLER: Listen, I have to, uh, um, I have to, I have to confess something.
JADE: Yes?

JADE: How did you--?
CHANDLER: I don't know. I just had this weird sense. You know, but that's me. I'm weird and sensitive. Tissue?
JADE: Thanks.
CHANDLER: No, you keep the pack. I'm all cried out today.
(At Somplace Nice)
ROSS: Ok, ok, here is to my sister, the newly-appointed head lunch chef--
MONICA: Who is also in charge of purchasing.
ROSS: Newly appointed head lunch chef who is also in charge of purchasing--
MONICA: Who has her own little desk when Roland's not there.
ROSS: Uh, lunch chef, purchasing, own little desk when Roland's not there. Here's to my little sister--
MONICA: Oh, wait, and I got a beeper!
JOEY: Cool.
PHOEBE: Let's see!
ROSS: That's fine, I'll just wait!
MONICA: Oh, sorry.
JOEY: Sorry, sorry.
ROSS: Monica!
(glasses clinking)
WAITER: Are we ready to order?
RACHEL: Oh, you know what, we haven't even looked yet.
WAITER: Well, when you do, just let me know. I'll be right over there on the edge of my seat.
PHOEBE: Wow, look at these prices.
RACHEL: Yeah, these are pretty ch-ching.
JOEY: What are these, like famous chickens?
CHANDLER: Hey, sorry I'm late. Congratulations, Mon. (to Ross) I'm not sorry I'm late. How incredible was my afternoon with Jade?
ROSS: Well, pretty incredible according to the message she left you on my machine. Hey, Chandler, why is this woman leaving a message for you on my machine?
CHANDLER: Oh, see, I had to tell her that my number was your number, because I couldn't tell her that my number was my number because she thinks that my number is Bob's number.
ROSS: Hey, tell me again, what do I do when Mr. Roper calls?
WAITER: Do I dare ask?
MONICA: Yes, I will start with the carpaccio, and then I'll have the grilled prawns.
ROSS: That sounds great. Same for me.
WAITER: And for the gentleman?
JOEY: Yeah, I'll have the Thai chicken pizza. But, hey, look, if I get it without the nuts and leeks and stuff, is it cheaper?
WAITER: You'd think, wouldn't you? Miss?
RACHEL: Ok, I will have the uh, (whispers) side salad.
WAITER: (whispers) And what will that be on the side of?
RACHEL: Uh, I don't know. Why don't you put it right here next to my water?
WAITER: And for you?
PHOEBE: Um, I'm gonna have a cup of the cucumber soup, and, um, take care.
CHANDLER: I will have the uh, Cajun catfish.
WAITER: Anything else?
CHANDLER: Yes, how 'bout a verse of Killing Me Softly.
ROSS: (using calculator) Plus tip, divided by six. Ok, everyone owes 28 bucks.
RACHEL: Um, everyone?
ROSS: Oh, you're right, I'm sorry.
JOEY: Thank you.
ROSS: Monica's big night, she shouldn't pay.
MONICA: Oh, thank you!
ROSS: So five of us is, $33.50 apiece.
PHOEBE: No, huh uh, no way, I'm sorry, not gonna happen.
CHANDLER: Whoa, whoa, prom night flashback.
PHOEBE: I'm sorry, Monica, I'm really happy you got promoted, but cold cucumber mush for thirty-something bucks? No! Rachel just had that, that, that salad, and, and Joey with his like teeny pizza! It's just...
ROSS: Ok, Pheebs! How 'bout we'll each just pay for what we had. It's no big deal.
PHOEBE: Not for you.
MONICA: All right, what's goin' on?
RACHEL: Ok, look you guys, I really don't want to get into this right now. I think it'll just make everyone uncomfortable.
PHOEBE: Fine. All right, fine.
JOEY: Yeah.
CHANDLER: You can tell us.
ROSS: Hello, it's us, all right? It'll be fine.
JOEY: Ok, um, uh, we three feel like, that uh, sometimes you guys don't get that uh, we don't have as much money as you.
MONICA: Ok.
ROSS: I hear ya.
CHANDLER: We can talk about that.
PHOEBE: Well, then...Let's.
ROSS: I, I just never think of money as an issue.
RACHEL: That's 'cause you have it.
ROSS: That's a good point.
CHANDLER: So um, how come you guys haven't talked about this before?
JOEY: 'Cause it's always somethin', you know, like Monica's new job, or the whole Ross's birthday hoopla.
ROSS: Wha--?
RACHEL: Basically, there's the thing, and then there's the stuff after the thing.
MONICA: If it makes anybody feel better, then we can just forget the thing, and we'll just do the gift.
ROSS: G-gift? The thing's not the gift?

ROSS: Hootie and the--oh my. I, I can catch them on the radio.
PHOEBE: No, now I feel bad. You wanna go to the concert.
ROSS: No, look, hey, it's my birthday, and the important thing is that we all be together.
MONICA: All of us.
CHANDLER: Together.
ROSS: Not at the concert.
RACHEL: Ok.
JOEY: Yeah.
RACHEL: Thank you.
JOEY: Thanks.
PHOEBE: Yeah.
CHANDLER: So, the ebola virus. That's gotta suck, huh?
(at Monica and Rachel's)
CHANDLER: Gee, Monica, what's in the bag?
MONICA: I don't know, Chandler. Let's take a look.
PHOEBE: Oh, it's like a skit.
MONICA: Why, it's dinner for six. 5 steaks, and an eggplant for Phoebe.
ROSS: Whoo!
PHOEBE: Cool.
MONICA: Yeah, we switched meat suppliers at work, and the new guys gave me the steaks as sort of a thank-you.
ROSS: But wait, there's more. Hey, Chandler, what is in the envelope?
CHANDLER: By the way, this didn't seem so dorky in the hall.
ROSS: Come on.
CHANDLER: Why, it's six tickets to Hootie and the Blowfish! The Blowfish!
MONICA: It's on us, all right, so don't worry. It's our treat.
PHOEBE: So...Thank you.
ROSS: Could you be less enthused?
JOEY: Look, it's a nice gesture, it is. But it just feels like--
MONICA: Like?
JOEY: Charity.
MONICA: Charity?
ROSS: We're just tryin' to do a nice thing here.
RACHEL: Ross, you have to understand that your nice thing makes us feel this big.
PHOEBE: Actually, it makes us feel that big.
ROSS: I don't, I don't understand.
CHANDLER: If you guys feel this big, maybe that's not our fault. Maybe that's just how you feel.
JOEY: Oh, now you're tellin' us how you feel.
RACHEL: Ok, we never shoulda talked about this.
PHOEBE: I'm just gonna pass on the concert, 'cause I'm just not in a very Hootie place right now.
RACHEL: Me neither.
JOEY: Me too.
MONICA: Guys, we bought the tickets.
PHOEBE: Oh, well, then you'll have extra seats, you know, for all your tiaras and stuff.
CHANDLER: Why did you look at me when you said that?
MONICA: Well, I guess now we can't go.
RACHEL: What? Come on, you do what you want to do. Do we always have to do everything together?
MONICA: You know what? You're right.
PHOEBE: Fine.
ROSS: Fine.
JOEY: Fine.
CHANDLER: Fine.
RACHEL: Fine.
MONICA: All right. We're gonna go. It's not for another six hours. We're gonna go then.
ROSS: Chandler!
CHANDLER: Yeah?
ROSS: Geez! Are you ready?
CHANDLER: Yeah. Just let me grab my jacket and tell you I had sex today.
ROSS: Whoa!
CHANDLER: Wow, it sounds even cooler when somebody else says it. I was awesome, ok? She was biting her lip to stop from screaming.
ROSS: Wow.
CHANDLER: Now I know it's been awhile, but I took it as a good sign.
(phone rings)
ROSS: Still doing the screening thing?
CHANDLER: I had sex today. I never have to answer that phone again.
MACHINE: Here comes the beep, you know what to do.
JADE: Hey, Bob, it's Jade.
CHANDLER: Bob here.
JADE: Oh, hi.

JADE: Yes, yes, I did.
CHANDLER: So, uh, how was he?
JADE: Eh.
CHANDLER: Eh?
JADE: Oh, Bob, he was nothing compared to you. I had to bite my lip to keep from screaming your name.
CHANDLER: Well, that makes me feel so good.
JADE: It was just so awkward and bumpy.
ROSS: (silently mouthing) Bumpy?
CHANDLER: Well, maybe he had some kind of uh, new, cool style, that you're not familiar with. And uh maybe you have to get used to it.
JADE: Well there really wasn't much time to get used to it, you know what I mean?
(at the concert)
MONICA: You know what? I'm not gonna be able to enjoy this.
ROSS: Yeah, I know, it's my birthday. We all should be here.
CHANDLER: So, let's go.
ROSS: Well maybe, you know, maybe we should stay for one song.
CHANDLER: Yeah, I mean, it would be rude to them for us to leave now.
MONICA: You know, the guys are probably having a great time.
(at Monica and Rachel's)
JOEY: Come on you guys, one more time.
PHOEBE: Ok. One.
JOEY: Nooo.
MONICA: That was amazing!
ROSS: Excellent, that was excellent.
CHANDLER: I can't believe the guys missed this.
ROSS: What guys? Oh, yeah.
STEVE: Excuse me, you're Monica Geller aren't you?
MONICA: Do I know you?
STEVE: You used to be my babysitter.
 How've you been?
STEVE: Good, good, I'm a lawyer now.
MONICA: You can't be a lawyer. You're eight.
STEVE: Listen, it was nice to see you. I gotta run backstage.
MONICA: Uh, wait, backstage?
STEVE: Oh, yeah, my firm represents the band.
ROSS: Ross.
CHANDLER: Chandler.
STEVE: How are you? Look, you guys wanna meet the group? Come on.
RACHEL: Happy birthday.
ROSS: Oh, thank you, thanks. So uh, how was your night last night?
RACHEL: Oh, well, it pretty much sucked. How was yours?
 Remember him?
RACHEL: Oh yeah. I used to babysit him. Hey, how's his dad?
MONICA: Uh, good.
ROSS: Uh, aside from that, the whole evening was pretty much a bust.
CHANDLER: Yeah, we really missed you guys.

PHOEBE: We just have to really, really, really, not let stuff like money get--is that a hickey?
MONICA: No, I just, I fell down.
RACHEL: On someone's lips? Where'd you get the hickey?

ROSS: It wasn't so much a party as...a gathering of people, with food, and music, and, and the band.
JOEY: You partied with Hootie and the Blowfish?
CHANDLER: Yes, apparently Stevie and the band are like this.
RACHEL: Who gave you that hickey?
MONICA: That would be the work of a Blowfish.
RACHEL: Oh!
PHOEBE: Oh! I can't believe it. I can't believe this.
ROSS: Look, don't blame us. You guys coulda been there, you know.
RACHEL: What, as part of your poor friends outreach program?
(Monica's pager goes off)
MONICA: It's work.
CHANDLER: I don't know what to say. I'm sorry that we make more money than you. But we're not gonna feel guilty about it. We work really hard for it.
JOEY: And we don't work hard?
MONICA: (on phone) Yeah, hi, it's Monica. I just got a page.
CHANDLER: I'm just saying that sometimes we like to do stuff that costs a little more.
JOEY: And you feel like we hold you back.
CHANDLER: Yes.
RACHEL: Oh!
CHANDLER: No.
MONICA: Leon, Leon. Shhh! Guys. Wait, I don't understand. Those steaks were just a gift from the meat vendor. That was not a kick back. I'll just replace them and we can forget the whole thing. What corporate policy? No. Yeah. All right. I just got fired.
PHOEBE: Oh.
(Everyone goes over to comfort Monica)
WAITRESS: Here's your check. That'll be $4.12.
JOEY: Let me get that. (to Chandler) You got five bucks?
MACHINE: Here comes the beep, you know what to do.
JADE: Hi, it's me. Listen, Bob. I'm probably way out of line here. I mean, It has been 3 years, and you're probably seeing someone else now, but if we could just have one night together, just for old time's sake, one hot, steamy, wild night...
(Joey lunges for phone and misses.)
END


Documentation Guidelines Getting Started CLI create-composi-app Install Usage Core Install Render Props Events Lifecycle Hydration State Fragment CDN Runtime Runtime Init Update View Effects Tagged Unions Subscriptions Composition Stop Program Immutability Higher Order Program Router Install Usage Type Safety Introduction Defining Types Testing Additional Resources IndexedDB Install IDB Usage Styled Components Install Styler Gestures Install Usage Server-Side Install Usage


12.18.20
09th January 2016
FINAL ROUND: Labour Day Trackday Wakefield Park. Last chance to compete in the Circuit Club Advan Neova Challenge 2016! There was much anticipation with Jason's big power Evo competing at Round 3, however some suspected engi… Read More
10th January 2016
FINAL ROUND: Labour Day Trackday Wakefield Park. Last chance to compete in the Circuit Club Advan Neova Challenge 2016! There was much anticipation with Jason's big power Evo competing at Round 3, however some suspected engi… Read More
09th Febuary 2016
FINAL ROUND: Labour Day Trackday Wakefield Park. Last chance to compete in the Circuit Club Advan Neova Challenge 2016! There was much anticipation with Jason's big power Evo competing at Round 3, however some suspected engi… Read More
09th January 2018
FINAL ROUND: Labour Day Trackday Wakefield Park. Last chance to compete in the Circuit Club Advan Neova Challenge 2016! There was much anticipation with Jason's big power Evo competing at Round 3, however some suspected engi… Read More
07th January 2015
FINAL ROUND: Labour Day Trackday Wakefield Park. Last chance to compete in the Circuit Club Advan Neova Challenge 2016! There was much anticipation with Jason's big power Evo competing at Round 3, however some suspected engi… Read More
09th January 2014
FINAL ROUND: Labour Day Trackday Wakefield Park. Last chance to compete in the Circuit Club Advan Neova Challenge 2016! There was much anticipation with Jason's big power Evo competing at Round 3, however some suspected engi… Read More
Racing Club was founded ini 2003 with one goal in mind, to make motorsport accessible through trackDays. What started out simply as a bunch of mates with a love of cars and driving fast...
Advan Neova Cup
JDM Style Tuning


--- title: IceVisionDashboard keywords: fastai sidebar: home_sidebar nb_path: "nbs/index.ipynb" ---
IceVisionDashboard is an extension to the IceVision object detection framework. This extension provides different dashboards
to investigate datasets, create new datasets and analyse the results of a training.


|
Copyright 2013-01-06 Werner Randelshofer | ||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | ||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
java.lang.Object org.monte.media.seq.SEQAudioCommand
public class SEQAudioCommand
An SEQAudioCommand handles an audio command that is associated to a single frame of a SEQMovieTrack. This class is currently unused.
| Field Summary | |
|---|---|
static int |
COMMAND_PLAY_SOUND
Start playing a sound. |
static int |
COMMAND_SET_FREQVOL
Change frequency/volume for a channelMask. |
static int |
COMMAND_STOP_SOUND
Stop the sound in a given channelMask. |
static int |
FLAG_NO_INTERRUPT
Play the sound, but only if the channelMask isn't in use. |
| Constructor Summary | |
|---|---|
SEQAudioCommand(int command,
int volume,
int sound,
int repeats,
int channelMask,
int frequency,
int flags)
Creates a new instance. |
| Method Summary | |
|---|---|
void |
dispose()
|
void |
doCommand(SEQMovieTrack track,
SEQAudioCommand[] runningCommands)
|
int |
getChannelMask()
|
int |
getCommand()
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int |
getFrequency()
|
int |
getSound()
|
int |
getVolume()
|
void |
play(SEQMovieTrack track)
|
void |
prepare(SEQMovieTrack track)
|
void |
stop(SEQMovieTrack track)
|
void |
stop(SEQMovieTrack track,
int channelMask)
Stops playback of this audio command on the specified channels. |
| Methods inherited from class java.lang.Object |
|---|
clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Field Detail |
|---|
public static final int COMMAND_PLAY_SOUND
public static final int COMMAND_STOP_SOUND
public static final int COMMAND_SET_FREQVOL
public static final int FLAG_NO_INTERRUPT
| Constructor Detail |
|---|
public SEQAudioCommand(int command, int volume, int sound, int repeats, int channelMask, int frequency, int flags)
| Method Detail |
|---|
public int getChannelMask()
public int getFrequency()
public int getSound()
public int getVolume()
public int getCommand()
public void prepare(SEQMovieTrack track)
public void play(SEQMovieTrack track)
public void stop(SEQMovieTrack track)
public void stop(SEQMovieTrack track, int channelMask)
public void doCommand(SEQMovieTrack track, SEQAudioCommand[] runningCommands)
public void dispose()
|
Copyright 2013-01-06 Werner Randelshofer | ||||||||
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| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |


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LEDs
API for manipulating LEDs.
Functions
-
struct metal_led *
metal_led_get
(char *label)
Get a handle for an LED.
- Return
- A handle to the LED, or NULL if none is found for the requested label
- Parameters
label
: The DeviceTree label for the desired LED
-
struct metal_led *
metal_led_get_rgb
(char *label, char *color)
Get a handle for a channel of an RGB LED.
- Return
- A handle to the LED, or NULL if none is found for the requested label and color
- Parameters
label
: The DeviceTree label for the desired LED
color
: The color for the LED in the DeviceTree
-
void
metal_led_enable
(struct metal_led *led)
Enable an LED.
- Parameters
led
: The handle for the LED
-
void
metal_led_on
(struct metal_led *led)
Turn an LED on.
- Parameters
led
: The handle for the LED
-
void
metal_led_off
(struct metal_led *led)
Turn an LED off.
- Parameters
led
: The handle for the LED
-
void
metal_led_toggle
(struct metal_led *led)
Toggle the on/off state of an LED.
- Parameters
led
: The handle for the LED
-
struct
metal_led
- #include <led.h>
A handle for an LED.


Java, JavaScript, HTML, CSS, JPQL, JDBC, Spring Data, JPA, Shell
Angular, jQuery, AJAX, Bootstrap, Spring, REST, SpringMVC, JSON, XML
Agile, Object-Oriented Programming (OOP), Pair Programming, Scrum, Test-driven Development
BS Anchropology
Minor Japanse Language & Culture
US Army ROTC
Upon graduating college I was comissioned as an Artillery Officer in the US Army. I spent one year in Korea as a Support Platoon Leader in a Rocket Battalion. I then was sent to Fort Carson, CO to serve as a Fire Support Officer in an Infantry Battalion and was deployed to Kandahar, Afghanistan. Upon our return I was selected as a Rear Detachment Commander before leaving the military at the rank of Captain.
I moved back to the San Francisco Bay Area as a District Manager with Public Storage. I managed 16 employees in a district of eight facilities spread across three cities. I was also responsible for recruiting, hiring, and coaching my team in order to meet sales goals.
I joined a 16-week course that developed the skills needed to implement full-stack applications using Java 8. We also wrote RESTful services in Angular, HTML, CSS, JavaScript, and Bootstrap. I participated in Agile as both developer and Scrum Master roles. I collaborated with team members using Git/GitHub, Trello, and Pair Programming. Throughout the course we created relational SQL database using referential integrity and applied MVC pattern using Spring Boot and Spring MVC.


Black stars pitch invader arrested; tells police he wanted a selfie with Thomas Partey
by Qwame BenedictYesterday, the Black Stars of Ghana took on the South African national team in the first stage of qualifiers ahead of the 2021 African Cup of Nations.
Ghana won by two goals to nil with goals coming from Thomas Partey and Kudus Mohammed respectively.
After the second goal, a Ghanaian football lover invaded the pitch which disrupted the football match for a few minutes.
The invader was subsequently arrested by the security personnel on sight who whisked him away for the match to continue.
In the video which has since gone viral, one could see the security personnel had a tough time before finally grabbing him.
It has now emerged that the invader is a member of the Central Regional Athletic team, 400m runner precisely and that alone explains his pace and why the police struggled to apprehend him.
According to the Police after the game revealed that the guy told them he wanted a selfie with his idol, Athletico Madrid’s Thomas Partey.


I am a hardworking and ambitious individual with a great passion for the IT industry. I am currently in my third year of studying BIT Management Information Systems at University of Wollongong, Dubai. I have excellent communication and problem analyzing skills, enabling me to effectively communicate with a wide range of people and come up with solutions of the problems.
Total Marks: 91%
I enjoy most of my time being outdoors. I am health enthusiast and at same time I am foodie, love to go to new places and restaurants. I am freelancer photographer & videographer and enjoy taking photos and videos.
I like to play Cricket, Table Tennis and spend times with friends watching movies or going to other places. I spend my time watching series or show in NetFlix and also spend time in exploring the latest technology advancements.


CLE. HERE’S no lords nor ladies.
DION. Credit me, gentlemen, I wonder at it. They receiv’d strict charge from the King to attend here; besides, it was boldly published that no officer should forbid any gentleman that desired to attend and hear.
CLE. Can you guess the cause?
DION. Sir, it is plain, about the Spanish Prince, that’s come to marry our kingdom’s heir and be our sovereign.
THRA. Many that will seem to know much say she looks not on him like a maid in love.
DION. Faith, sir, the multitude, that seldom know any thing but their own opinions, speak that they would have; but the prince, before his own approach, receiv’d so many confident messages from the state, that I think she’s resolv’d to be rul’d.
CLE. Sir, it is thought, with her he shall enjoy both these kingdoms of Sicily and Calabria.
DION. Sir, it is without controversy so meant. But ’twill be a troublesome labour for him to enjoy both these kingdoms with safety, the right heir to one of them living, and living so virtuously; especially, the people admiring the bravery of his mind and lamenting his injuries.
CLE. Who, Philaster?
DION. Yes; whose father, we all know, was by our late King of Calabria unrighteously deposed from his fruitful Sicily. Myself drew some blood in those wars, which I would give my hand to be washed from.
CLE. Sir, my ignorance in state-policy will not let me know why, Philaster being heir to one of these kingdoms, the King should suffer him to walk abroad with such free liberty.
DION. Sir, it seems your nature is more constant than to inquire after state-news. But the King, of late, made a hazard of both the kingdoms, of Sicily and his own, with offering but to imprison Philaster; at which the city was in arms, not to be charmed down by any state-order or proclamation, till they saw Philaster ride through the streets pleased and without a guard; at which they threw their hats and their arms from them; some to make bonfires, some to drink, all for his deliverance: which wise men say is the cause the King labours to bring in the power of a foreign nation to awe his own with.
THRA. See, the ladies! What’s the first?
DION. A wise and modest gentlewoman that attends the princess.
CLE. The second?
DION. She is one that may stand still discreetly enough, and ill-favour’dly dance her measure; simper when she is courted by her friend, and slight her husband.
CLE. The last?
DION. Faith, I think she is one whom the state keeps for the agents of our confederate princes; she’ll cog and lie with a whole army, before the league shall break. Her name is common through the kingdom, and the trophies of her dishonour advanced beyond Hercules’ Pillars. She loves to try the several constitutions of men’s bodies and, indeed, has destroyed the worth of her own body by making experiment upon it for the good of the commonwealth.
CLE. She’s a profitable member.
MEG. Peace, if you love me! You shall see these gentlemen stand their ground and not court us.
GAL. What if they should?
LA. What if they should?
MEG. Nay, let her alone.—What if they should! Why, if they should, I say they were never abroad. What foreigner would do so? It writes them directly untravell’d.
GAL. Why, what if they be?
LA. What if they be!
MEG. Good madam, let her go on.—What if they be! Why, if they be, I will justify, they cannot maintain discourse with a judicious lady, nor make a leg nor say “Excuse me.”
GAL. Ha, ha, ha!
MEG. Do you laugh, madam?
DION.
MEG. Then you must sit beside us.
DION. I shall sit near you then, lady.
MEG. Near me, perhaps; but there’s a lady endures no stranger; and to me you appear a very strange fellow.
LA. Methinks he’s not so strange; he would quickly be acquainted.
THRA. Peace, the King!
KING. To give a stronger testimony of love
Than sickly promises (which commonly
In princes find both birth and burial
In one breath) we have drawn you, worthy sir,
To make your fair endearments to our daughter.
And worthy services known to our subjects,
Now lov’d and wondered at; next, our intent
To plant you deeply our immediate heir
Both to our blood and kingdoms.
Think not, dear sir, these undivided parts,
That must mould up a virgin, are put on
To show her so, as borrowed ornaments
To speak her perfect love to you, or add
An artificial shadow to her nature,—
No, sir; I boldly dare proclaim her yet
No woman. But woo her still, and think her modesty
A sweeter mistress than the offer’d language
Of any dame, were she a queen, whose eye
Speaks common loves and comforts to her servants.
Last, noble son (for so I now must call you),
What I have done thus public, is not only
To add a comfort in particular
To you or me, but all; and to confirm
The nobles and the gentry of these kingdoms
By oath to your succession, which shall be
Within this month at most.
THRA. This will be hardly done.
CLE. It must be ill done, if it be done.
DION. When ’tis at best, ’twill be but half done, whilst
So brave a gentleman is wrong’d and flung off.
THRA. I fear.
CLE. Who does not?
DION. I fear not for myself, and yet I fear too.
Well, we shall see, we shall see. No more.
PHA. Kissing your white hand, mistress, I take leave
To thank your royal father; and thus far
To be my own free trumpet. Understand,
Great King, and these your subjects, mine that must be,
(For so deserving you have spoke me, sir.
 Oh, this country!
By more than all the gods, I hold it happy;
Happy in their dear memories that have been
Kings great and good; happy in yours that is;
And from you (as a chronicle to keep
Your noble name from eating age) do I
Opine myself most happy. Gentlemen,
Believe me in a word, a prince’s word,
There shall be nothing to make up a kingdom
Mighty and flourishing, defenced, fear’d,
Equal to be commanded and obeyed,
But through the travails of my life I’ll find it,
And tie it to this country. By all the gods,
My reign shall be so easy to the subject,
That every man shall be his prince himself,
And his own law—yet I his prince and law.

CLE.
DION. I wonder what’s his price; for certainly
He’ll sell himself, he has so prais’d his shape.
But here comes one more worthy those large speeches,
Than the large speaker of them.
Let me be swallowed quick, if I can find,
In all the anatomy of yon man’s virtues,
One sinew sound enough to promise for him,
He shall be constable. By this sun,
He’ll ne’er make king unless it be for trifles,
In my poor judgment.
PHI. [kneeling.] Right noble sir, as low as my obedience,
And with a heart as loyal as my knee,
I beg your favour.
KING. Rise; you have it, sir. [PHILASTER rises.]
DION. Mark but the King, how pale he looks! He fears!
Oh, this same whorson conscience, how it jades us!
KING. Speak your intents, sir.
PHI. Shall I speak ’em freely?
Be still my royal sovereign.
KING. As a subject,
We give you freedom.
DION. Now it heats.
PHI. Then thus I turn
My language to you, prince; you, foreign man!
Ne’er stare nor put on wonder, for you must
Endure me, and you shall. This earth you tread upon
(A dowry, as you hope, with this fair princess),
By my dead father (oh, I had a father,
Whose memory I bow to!) was not left
To your inheritance, and I up and living—
Having myself about me and my sword,
The souls of all my name and memories,
These arms and some few friends beside the gods—
To part so calmly with it, and sit still
And say, “I might have been.” I tell thee, Pharamond,
When thou art king, look I be dead and rotten,
And my name ashes: for, hear me, Pharamond!
 Prince, it shall;
By the just gods, it shall!
PHA. He’s mad; beyond cure, mad.
DION.
PHI. Sir prince of popinjays, I’ll make it well
Appear to you I am not mad.
KING.  No, sir, I am too tame,
Too much a turtle, a thing born without passion,
A faint shadow, that every drunken cloud
Sails over, and makes nothing.
KING. I do not fancy this.
Call our physicians; sure, he’s somewhat tainted.
THRA. I do not think ’twill prove so.
DION. H’as given him a general purge already,
For all the right he has; and now he means
To let him blood. Be constant, gentlemen:
Be heaven, I’ll run his hazard,
Although I run my name out of the kingdom!
CLE. Peace, we are all one soul.
PHA. What you have seen in me to stir offence
I cannot find, unless it be this lady,
Offer’d into mine arms with the succession;
Which I must keep, (though it hath pleas’d your fury
To mutiny within you,) without disputing
Your genealogies, or taking knowledge
Whose branch you are. The King will leave it me,
And I dare make it mine. You have your answer.
PHI. If thou wert sole inheritor to him
That made the world his, and couldst see no sun
Shine upon any thing but thine; were Pharamond
As truly valiant as I feel him cold,
And ring’d among the choicest of his friends
(Such as would blush to talk such serious follies,
Or back such bellied commendations),
And from this presence, spite of all these bugs,
You should hear further from me.
KING. Sir, you wrong the prince; I gave you not this freedom
To brave our best friends. You deserve our frown.
Go to; be better temper’d.
PHI. It must be, sir, when I am nobler us’d.
GAL. Ladies,
This would have been a pattern of succession,
Had he ne’er met this mischief. By my life,
He is the worthiest the true name of man
This day within my knowledge.
MEG. I cannot tell what you may call your knowledge;
But the other is the man set in mine eye.
Oh, ’tis a prince of wax!
GAL.
PHI. If you had my eyes, sir, and sufferance,
My griefs upon you, and my broken fortunes,
My wants great, and now nought but hopes and fears,
My wrongs would make ill riddles to be laugh’d at.
Dare you be still my king, and right me not?
KING. Give me your wrongs in private.
PHI.  They whisper.
CLE. He dares not stand the shock.
DION. I cannot blame him; there’s danger in’t. Every man in this age has not a soul of crystal, for all men to read their actions through: men’s hearts and faces are so far asunder, that they hold no intelligence. Do but view yon stranger well, and you shall see a fever through all his bravery, and feel him shake like a true tenant. If he give not back his crown again upon the report of an elder-gun, I have no augury.
KING. Go to;
Be more yourself, as you respect our favour;
You’ll stir us else. Sir, I must have you know,
That you are, and shall be, at our pleasure, what
Fashion we will put upon you. Smooth your brow,
Or by the gods—
PHI. I am dead, sir; you’re my fate. It was not I
Said, I was wrong’d; I carry all about me
My weak stars led me to, all my weak fortunes.
Who dares in all this presence speak, (that is
But man of flesh, and may be mortal,) tell me
I do not most entirely love this prince,
And honour his full virtues!
KING. Sure, he’s possess’d.
PHI. Yes, with my father’s spirit. It’s here, O King,
A dangerous spirit! Now he tells me, King,
I was a king’s heir, bids me be a king,
And whispers to me, these are all my subjects.
 Noble sir, your hand;
I am your servant.
KING. Away! I do not like this:
I’ll make you tamer, or I’ll dispossess you
Both of your life and spirit. For this time
I pardon your wild speech, without so much
As your imprisonment. Exeunt KING, PHARAMOND, ARETHUSA [and Attendants.]
DION. I thank you, sir; you dare not for the people.
GAL. Ladies, what think you now of this brave fellow?
MEG. A pretty talking fellow, hot at hand. But eye yon stranger: is he not a fine complete gentleman? Oh, these strangers, I do affect them strangely! They do the rarest home-things, and please the fullest! As I live, I could love all the nation over and over for his sake.
GAL. Gods comfort your poor head-piece, lady! ’Tis a weak one and had need of a night-cap. Exeunt Ladies.
DION. See, how his fancy labours! Has he not
Spoke home and bravely?  How he shook the King.
Made his soul melt within him, and his blood
Run into whey! It stood upon his brow
Like a cold winter-dew.
PHI. Gentlemen,
You have no suit to me? I am no minion.
You stand, methinks, like men that would be courtiers,
If I could well be flatter’d at a price
Not to undo your children. You’re all honest:
Go, get you home again, and make your country
A virtuous court, to which your great ones may,
In their diseased age, retire and live recluse.
CLE. How do you, worthy sir?
PHI. Well, very well;
And so well that, if the King please, I find
I may live many years.
DION.  Shrink not, worthy sir,
But add your father to you; in whose name
We’ll waken all the gods, and conjure up
The rods of vengeance, the abused people,
Who, like to raging torrents, shall swell high,
And so begirt the dens of these male-dragons,
That, through the strongest safety, they shall beg
For mercy at your sword’s point.
PHI. Friends, no more;
Our ears may be corrupted; ’tis an age
We dare not trust our wills to. Do you love me?
THRA. Do we love Heaven and honour?
PHI. My Lord Dion, you had
A virtuous gentlewoman call’d you father;
Is she yet alive?
DION. Most honour’d sir, she is;
And, for the penance but of an idle dream,
Has undertook a tedious pilgrimage.
PHI. Is it to me, or any of these gentlemen, you come?
LADY. To you, brave lord; the princess would entreat
Your present company.
PHI. The princess send for me! You are mistaken.
LADY. If you be called Philaster, ’tis to you.
PHI. Kiss her fair hand, and say I will attend her. [Exit Lady.]
DION. Do you know what you do?
PHI. Yes; go to see a woman.
CLE. But do you weigh the danger you are in?
PHI. Danger in a sweet face!
By Jupiter, I must not fear a woman!
THRA. But are you sure it was the princess sent?
It may be some foul train to catch your life.
PHI. I do not think it, gentlemen; she’s noble.
Her eye may shoot me dead, or those true red
And white friends in her cheeks may steal my soul out;
There’s all the danger in’t. But, be what may,
Her single name hath armed me. Exit.
DION. Go on,
And be as truly happy as thou’rt fearless!—
Come, gentlemen, let’s make our friends acquainted,
Lest the King prove false. Exeunt.


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CA XI hold Pakistan at bay
Pakistan's raw pace attack have been given a wake-up call ahead of the Test series against Australia after struggling to fire against a youth-laden Cricket Australia XI outfit.
In reply to Pakistan's 7(dec)-386, the CA XI were reeling at 2-6 in the two-day tour match at the WACA Ground after Mohammad Abbas and 19-year-old Muhammad Musa struck early in scorching heat on Saturday.
But Pakistan struggled to make inroads from that point on, with a 122-run stand between Jonathan Merlo (78) and Matthew Spoors (54no) frustrating the visitors.
The CA XI outfit, featuring just five players with first-class experience, finished at 7-245, with the match ending in a draw.
Bradley Hope finished unbeaten on 50.
Pakistan batsman Imam-ul-Haq went off the field for treatment after jarring his neck while fielding a ball during the morning session. Although the injury didn't appear serious, he will be monitored ahead of the first Test at the Gabba, starting next Thursday.
The mercury soared past 40C on Saturday, and Pakistan made the hottest of starts to the day after declaring on their overnight score.
Jake Carder fell for an 18-ball duck when he chopped Abbas onto his stumps.
And Jayden Goodwin made just six before he edged Musa behind, leaving the home side in early strife.
But the prospect of Pakistan ripping through the rest of the CA XI line-up were thwarted by fighting efforts from Merlo and Spoors.
The brave display was in stark contrast to the powerful Australia A outfit, who got rolled by Pakistan for 122 at Optus Stadium earlier in the week.
That performance sent a powerful message to Australia about the talent of Pakistan's pace attack.
But they haven't been able to back it up with a glut of wickets against the CA XI.
Naseem Shah, a 16-year-old who has been likened to Dennis Lillee, unleashed some ferocious bouncers on Saturday but wasn't able to snare a wicket during the first two sessions.
Abbas (2-22 from 14 overs) was excellent, while Musa (1-24 from 10 overs) was economical.
Imran Khan, who snared 5-32 against Australia A earlier in the week, and 19-year-old Shaheem Afridi are yet to bowl in the warm-up match, with Pakistan rotating through 15 players.
Asad Shafiq's unbeaten 101 was the highlight of day one, with teenage spinner Lloyd Pope (5-100) also impressing.
AAP


This SRFI is currently in final status. Here
is an
explanation of each status that a SRFI can hold. To provide input
on this SRFI, please send email
to<EMAIL_ADDRESS>.
To subscribe to the list,
follow these
instructions. You can access previous messages via the mailing
list archive.
This SRFI describes, for sufficiently POSIX-compatible systems, a portable interface for compiling Scheme programs conforming to the R7RS to binaries that can be directly executed on the host system.
There are currently no issues.
While the R7RS describes portable Scheme programs, it does not describe how to actually store and run such a Scheme program together with its libraries on a host system. This makes it impossible to write portable scripts (including Makefiles) that involve compiling and running Scheme programs.
This situation of Scheme can be compared to the C language. While ISO C does define the syntax and semantics of C programs, it leaves out questions how C programs are compiled and run on the host system. Contrary to Scheme programs, however, there also exists a portable interface for compiling and running C programs (at least on POSIX-conforming systems), namely the description of the c99 utility in the POSIX standard.
It is the purpose of this SRFI to describe an analogous interface for Scheme programs conforming to the R7RS. The description assumes a sufficiently POSIX-compatible system, not because it needs any very POSIX-specific features but because POSIX is a host system interface that has been standardized. Mutatis mutandis, this specification also applies to host systems with a similar file and command line interface as described by POSIX, like Windows.
While this SRFI speaks of compiling Scheme programs, the interface described by this SRFI applies also to Scheme interpreters. The only requirement for the compiler's output is that it is a directly executable program on the host machine. In particular, the resulting binary is allowed to call an interpreter to execute the actual Scheme program.
The following description of the utility described by this SRFI follows in form roughly the description of c99 of the POSIX standard.
compile-r7rs [options...] [pathname]
compile-r7rs
utility is an interface to a compiler
for Scheme programs conforming to the R7RS. The
program pathname (if present) shall be compiled to produce an
executable file. The resulting executable file shall be written to the
file specified by the -o option (if present) or to
the file file if pathname is of the
form file.scm. (Implementations on Windows
would choose file.exe instead
of file.)
The following options shall be supported:
Multiple instances of the -D, -A, and -I options can be specified.
If exactly one pathname operand of the form file.scm is specified, the application shall behave as specified. If the operand is not of this form, the behaviour is unspecified.
Rationale: This allows an implementation to support additional file types, e.g. top-level programs written for the R6RS, by assigning different extensions to these file types.
If no such operand is given, the application may do nothing or compile the library definitions contained in text files in the directories (and its subdirectories) specified by the -A, and -I options into an implementation-defined format.
Rationale: In implementations supporting precompilation of libraries, libraries are usually precompiled when they are installed as this may need administrator privileges depending on the file system location of the libraries. Thus the above description ensures that compilation of a program can be split into two phases, one happening at library installation time, the other happening when the final executable is build from the program source.
The input file shall be a text file containing a R7RS program.
The following exit values shall be returned:
As the R7RS does not describe a mapping between library names and text files
containing library
definitions, this SRFI defines such a mapping as follows: First of all, a library name
(<library name element> ... <library name element>)
is mapped to the
(relative) pathname <library name element>/.../<library name
element>.sld
.
If the input file processed by compile-r7rs
directly or indirectly imports a library,
the application searches an implementation-defined list of directories (which is amended by the
-A and -I options) for the pathname corresponding to the
library until a valid text file containing a library definition for the imported library is
found.
This SRFI does not specify whether this algorithm applies to the standard libraries described by the R7RS.
The algorithm is unspecified if the mapping from library names to pathnames produces invalid pathnames on the host system (e.g. if a library name element contains a null character).
As the mapping from library names to pathnames is not injective (a library name element may contain a slash, for example), implementations are encouraged to allow more than one library definition in a text file that is located by this algorithm.
The application may use compiled versions of the library definitions that are produced by running the utility without a pathname argument instead of the library definitions itself.
In order for a host system to implement this specification, firstly, it has to provide a command named compile-r7rs, and secondly, this command has to fulfill the command-line arguments interface as described above.
For a Scheme system to implement this specification, it is enough to provide the second layer, that is a command, say compile-fantastic-scheme, that conforms to the command-line arguments interface as described above, and to ask the user to create a symlink from compile-fantastic-scheme to a compile-r7rs pathname. (A Scheme system may alternatively provide an option at install time specifying whether the command compile-r7rs should be installed automatically.)
Rationale: If a conforming Scheme implementation was forced to install compile-r7rs automatically, several such Scheme implementations in one host system would likely step on each other's toes. So in the case of more than one conforming Scheme implementation, it is really the system administrator's or the distribution tools' matters to provide compile-r7rs as the command name.
There exists no portable implementation (otherwise this SRFI would be moot), so each Scheme implementation supporting this SRFI should ship its own implementation. There are Scheme systems that already implement most of this SRFI: Chibi and Larceny implement the library location algorithm described above. Chibi implements the -D, -A, and -I options. Larceny implements compiling library definitions into an implementation-defined format.
A not very sophisticated sample implementation for Chibi Scheme is provided as a shell script for readers to read and experiment with. (In order for the -D flag to be supported, a post-0.7.3-release version of Chibi is needed.)
This SRFI is related to, but not overlapping with SRFI 22. While SRFI 22 describes how Scheme script executables can be written without invoking a compiler, this SRFI does not assume that the compiled file is in any human-readable format. Furthermore, this SRFI assumes an underlying implementation of R7RS and specifies how to locate libraries supplementary to the standard libraries, which is not possible with SRFI 22. Thus, neither SRFI makes the other obsolete.
The specification of c99 by the POSIX standard and the Chibi and Larceny implementations of R7RS were influential while this SRFI was written.
Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the "Software"), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions:
The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.
 IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.


| GEOS SDK TechDocs
|
|
| Menus and Dialog Boxes
| 2 GenInteraction Instance Data
Because of the nature of
GenInteractionClass
, objects of this class may appear in a variety of forms. The specific UI will have some control over the visual presentation of GenInteractions, but your application can usually specify in what manner the Interaction should appear. Your application may also add hints to the specific UI to modify the arrangement of objects within the Interaction.
GenInteraction provides three main visual implementations:
-
A sub-group, having no inherent visual representation at all. (The visual implementation depends on the Interaction's parent.)
-
A popup (typically a menu) remaining hidden from the application until activated, and then normally only remaining on-screen for the duration of the selection.
-
An independently displayable window (dialog box) coming on-screen whenever activated and going off-screen whenever instructed to.
-
Popout dialog boxes which can act as sub-group GenInteractions (for example a menu bar) that can be "popped out" into dialog boxes. Note that popouts are not related to pop-ups.
Specifically, a GenInteraction also provides the following features:
-
organization of the spacial arrangement of other objects.
-
the capability to apply properties within an Interaction either immediately (in immediate mode) or at a later time (in delayed mode).
-
the display of progress reports on the state of a process or object.
-
the ability to initiate commands.
-
several default dialog boxes for notification and affirmation responses.
-
modal dialog boxes that block other threads of execution until responded to.
Sub-Group Interactions
Popup Interactions (Menus)
Dialog Boxes
PopOuts
| GEOS SDK TechDocs
|
|
| Menus and Dialog Boxes
| 2 GenInteraction Instance Data


Grid Based Design
This is an approach that web designers use for easily laying things out. It divides the page into a grid, which enables you to visualise and plan out where you should put what. It also enables you to take total advantage of a person's eye-line.
Responsive Webpages
These allow you to look at the website on any device. Whether it's a laptop, tablet, or phone. As phones and tablet viewing becomes more popular, these are almost essential. Responsive webpages are designed to be aesthetically pleasing and easy/comfortable to use anywhere, any time.
Semantic Structure
Just as in the English language, HTML language has different ways to be interpreted. Changing the placement of a word in a sentence can completely alter the meaning. In HTML, it's equally important to get the meaning of your sentence right - to ensure everything is placed correctly and will be interpreted properly.


| MPI_GROUP_SIZE(group, size) | |
| IN group | group (handle) |
| OUT size | number of processes in the group (integer) |
int MPI_Group_size(MPI_Group group, int *size)
MPI_Group_size(group, size, ierror)
TYPE(MPI_Group), INTENT(IN) :: group
INTEGER, INTENT(OUT) :: size
INTEGER, OPTIONAL, INTENT(OUT) :: ierror
MPI_GROUP_SIZE(GROUP, SIZE, IERROR)
INTEGER GROUP, SIZE, IERROR
| MPI_GROUP_RANK(group, rank) | |
| IN group | group (handle) |
| OUT rank | rank of the calling process in group, or MPI_UNDEFINED if the process is not a member (integer) |
int MPI_Group_rank(MPI_Group group, int *rank)
MPI_Group_rank(group, rank, ierror)
TYPE(MPI_Group), INTENT(IN) :: group
INTEGER, INTENT(OUT) :: rank
INTEGER, OPTIONAL, INTENT(OUT) :: ierror
MPI_GROUP_RANK(GROUP, RANK, IERROR)
INTEGER GROUP, RANK, IERROR
| MPI_GROUP_TRANSLATE_RANKS(group1, n, ranks1, group2, ranks2) | |
| IN group1 | group1 (handle) |
| IN n | number of ranks in ranks1 and ranks2 arrays (integer) |
| IN ranks1 | array of zero or more valid ranks in group1 |
| IN group2 | group2 (handle) |
| OUT ranks2 | array of corresponding ranks in group2, MPI_UNDEFINED when no correspondence exists. |
int MPI_Group_translate_ranks(MPI_Group group1, int n, const int ranks1[], MPI_Group group2, int ranks2[])
MPI_Group_translate_ranks(group1, n, ranks1, group2, ranks2, ierror)
TYPE(MPI_Group), INTENT(IN) :: group1, group2
INTEGER, INTENT(IN) :: n, ranks1(n)
INTEGER, INTENT(OUT) :: ranks2(n)
INTEGER, OPTIONAL, INTENT(OUT) :: ierror
MPI_GROUP_TRANSLATE_RANKS(GROUP1, N, RANKS1, GROUP2, RANKS2, IERROR)
INTEGER GROUP1, N, RANKS1(*), GROUP2, RANKS2(*), IERROR
This function is important for determining the relative numbering of the same processes in two different groups. For instance, if one knows the ranks of certain processes in the group of MPI_COMM_WORLD, one might want to know their ranks in a subset of that group.
MPI_PROC_NULL is a valid rank for input to MPI_GROUP_TRANSLATE_RANKS, which returns MPI_PROC_NULL as the translated rank.
| MPI_GROUP_COMPARE(group1, group2, result) | |
| IN group1 | first group (handle) |
| IN group2 | second group (handle) |
| OUT result | result (integer) |
int MPI_Group_compare(MPI_Group group1,MPI_Group group2, int *result)
MPI_Group_compare(group1, group2, result, ierror)
TYPE(MPI_Group), INTENT(IN) :: group1, group2
INTEGER, INTENT(OUT) :: result
INTEGER, OPTIONAL, INTENT(OUT) :: ierror
MPI_GROUP_COMPARE(GROUP1, GROUP2, RESULT, IERROR)
INTEGER GROUP1, GROUP2, RESULT, IERROR
MPI_IDENT results if the group members and group order is exactly the same in both groups. This happens for instance if group1 and group2 are the same handle. MPI_SIMILAR results if the group members are the same but the order is different. MPI_UNEQUAL results otherwise.


/*
* This file is part of the fastimage node module. Copyright (C) 2015 and above Shogun<EMAIL_ADDRESS>* Licensed under the MIT license, which can be found at http://www.opensource.org/licenses/mit-license.php.
*/
(function(){
"use strict";
var core = require("./lib/core");
var errors = require("./lib/errors");
var streams = require("./lib/streams");
/**
* Fastimage module.
*
* @module fastimage
*/
module.exports = {
timeout: core.timeout,
threshold: core.threshold,
/**
* Analyzes a source (a local path, a remote URL or a Buffer) and return the image informations.
*
* The second argument of the callback, when successful, will be a object containing the image informations.
*
* Specifically, when the source is a remote URL, the object will be similar to this:
*
* ```javascript
* {
* "width": 1000, // The width of the image in pixels.
* "height": 1000, // The height of the image in pixels.
* "type": "gif", // The type of the image. Can be `bmp`, `gif`, `jpeg`, `png`, `psd`, `tif`, `webp` or `svg`.
* "subject": "http://placehold.it/1000x1000.gif", // The original URL of the image.
* "realUrl": "http://placehold.it/1000x1000.gif", // The real URL of the image after all the redirects. It will be omitted if equals to the URL.
* "size": 24090, // The size of the image (in bytes). Present only if the server returned the Content-Length HTTP header.
* "transferred": 979, // The amount of data transferred (in bytes) to identify the image.
* "time": 171.43721 // The time required for the operation, in milliseconds.
* }
* ```
*
* When the source is a local file the object will be similar to this:
*
* ```javascript
* {
* "width": 150, // The width of the image in pixels.
* "height": 150, // The height of the image in pixels.
* "type": "png", // The type of the image. Can be `bmp`, `gif`, `jpeg`, `png`, `psd`, `tif`, `webp` or `svg`.
* "path": "1.png", // The original path of the image.
* "realPath": "/home/user/1.png", // The absolute path of the image. It will be omitted if equals to the path.
* "size": 24090, // The size (in bytes) of the image.
* "time": 14.00558 // The time required for the operation, in milliseconds.
* }
* ```
*
* When the source is a Buffer the object will be similar to this:
*
* ```javascript
* {
* "width": 150, // The width of the image in pixels.
* "height": 150, // The height of the image in pixels.
* "type": "png", // The type of the image. Can be `bmp`, `gif`, `jpeg`, `png`, `psd`, `tif`, `webp` or `svg`.
* "analyzed": 4096 // The number of bytes analyzed.
* "time": 14.00558 // The time required for the operation, in milliseconds.
* }
* ```
*
* @alias module:fastimage.info
* @param {string|Buffer} subject - The source to analyze. It can be a local path, a remote URL or a Buffer.
* @param {function} [callback] - The callback to invoke once finished.
* @returns {Promise} A promise which will contain the result object once resolved.
*/
info: function(subject, callback){
return core.filteredInfo(subject, null, callback);
},
/**
* Analyzes a source (a local path, a remote URL or a Buffer) and return the image size.
*
* The second argument of the callback, when successful, will be a object containing the fields `width` and `height` in pixels.
*
* @alias module:fastimage.size
* @param {string|Buffer} subject - The source to analyze. It can be a local path, a remote URL or a Buffer.
* @param {function} [callback] - The callback to invoke once finished.
* @returns {Promise} A promise which will contain the image size once resolved.
*/
size: function(subject, callback){
return core.filteredInfo(subject, function(info){
return {width: info.width, height: info.height};
}, callback);
},
/**
* Analyzes a source (a local path, a remote URL or a Buffer) and return the image type.
*
* The second argument of the callback, when successful, will be the type of the image.
*
* @alias module:fastimage.type
* @param {string|Buffer} subject - The source to analyze. It can be a local path, a remote URL or a Buffer.
* @param {function} [callback] - The callback to invoke once finished.
* @returns {Promise} A promise which will contain the image type once resolved.
*/
type: function(subject, callback){
return core.filteredInfo(subject, function(info){
return info.type;
}, callback);
},
filteredInfo: core.filteredInfo,
stream: streams.stream,
FastImageStream: errors.FastImageStream,
FastImageError: errors.FastImageError
};
})();


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