Fourth Uncle
A couple of months back you may remember I let you know I was an uncle for the third time, well, I am pleased as punch to announce I am an uncle for the fourth time (…and, no, this wasn’t the same sister you may ask, that would be pretty amazing)! My nephew, Graham Jason, was born today! I don’t have a fancy song like last time (unless Brian Eno has one called “Fourth Uncle” I don’t know about), so here is a photo of the little guy:
P.S.: I know I haven’t been really great about filling you in on all the action like I promised, but I promise again, I have lots of stuff to tell you about. The truth is that I have been out of town away at meetings, weddings, or visitings for the past month and really have not yet established myself as an ‘on the road’ blogger, so maybe you can forgive me?
Posted by If You Find The Earth Boring... on April 5, 2011


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Welcome to the website for the Scratch Forum Helpers!
Who are we?
We are a small group of people on Scratch who help around on the Discussion Forums by answering questions, responding to bug reports, and giving our thoughts on suggestions made by Scratchers from all over the world. We don't "police" the forums, but we try our best to assist other users whenever we can.
All of us are members of this studio.
What forums are the Forum Helpers most active in?
We generally frequent the Suggestions, Bugs And Glitches, Questions About Scratch, and Help With Scripts forums.
I'm interested in becoming a Forum Helper! How do I apply?
Currently, there isn't an application process, but if three studio managers agree that you are being active and helpful on the Scratch Discussion Forums, they may choose to invite you to become a Forum Helper.


The *ending command is used either when the game is successfully completed or in the event of a death scene. Either case will display the following choices:
Play again. Play more games like this. Share this game with friends. Email me when new games are available.Looking for a little more detail? Try the wiki page


"I've worked in partnership with, and hired graduates from Tech Talent South. They work quickly, learn and iterate, and drive incredible quality graduates into the workforce."
At Tech Talent South, we serve organizations of all sizes by providing diverse talent pipelines supported by over 100 hours of data on every candidate. We help our hiring partners drive growth, innovation, and diversity through our proven recruiting, training, and staffing services.
Tech Talent South offers flexible talent solutions for teams of all sizes and at all stages.
Hire from a diverse pool of strategically sourced and screened experts, vetted over the course of 100+ hours of training and assessments.
With a proven high capacity for learning and leadership skills, we give you the kind of talent you can put in front of a client and the kind of teammate that adds value.
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Information technology recruiting is made simple with Tech Talent South’s technical education ecosystem of individuals, corporations, and talent pipeline partners. As an information technology staffing agency and provider of technical training on a diverse range of subjects, we have been serving corporations and individuals alike with customized talent pipelines to help bridge the gap between corporate goals and the talent acquisition that is necessary to achieve them. No matter your current talent needs, our team will help you meet them at scale and with speed. Our talented pool of candidates makes information technology recruiting simple for businesses of all sizes. Discover what we can do for you or your business today.


Paragraph of text beneath the heading to explain the heading. We'll add onto it with another sentence and probably just keep going until we run out of words.
Learn MoreParagraph of text beneath the heading to explain the heading. We'll add onto it with another sentence and probably just keep going until we run out of words.
Learn MoreParagraph of text beneath the heading to explain the heading. We'll add onto it with another sentence and probably just keep going until we run out of words.
Learn MoreSome quick example text to build on the card title and make up the bulk of the card's content.
Go somewhereSome quick example text to build on the card title and make up the bulk of the card's content.
Go somewhereSome quick example text to build on the card title and make up the bulk of the card's content.
Go somewhereSome quick example text to build on the card title and make up the bulk of the card's content.
Go somewhereQuickly build an effective pricing table for your potential customers with this Bootstrap example. It’s built with default Bootstrap components and utilities with little customization.
Below is an example form built entirely with Bootstrap’s form controls. Each required form group has a validation state that can be triggered by attempting to submit the form without completing it.


Yung Bans Flips "Pumped Up Kicks" On His New Song, "Partna In Crime"
Did he do the hit justice?
by Noah CPartna In Crime
Yung Bans
Editor Rating: HOTTTTT
User Rating: meh - 56% (17)
At the end of September, Yung Bans teased a snippet of him flipping Foster The People's 2011 hit, "Pumped Up Kicks". A tricky move to play with a classic like that, but the Atlanta rapper made it playful enough to be passable. Although "Pumped Up Kicks" had everyone happily singing along when it shot up the charts, you may remember that the indie rock song caused some controversy over its lyrical content. Once people paid attention to the words coming out of their radios, they noticed the song was actually about school shootings and was potentially even guilty of glamorizing gun violence.
Yung Bans certainly isn't disturbed by this subject matter, as he uses it to his advantage by spinning it into a ditty about his weaponry. The beat is stripped away while he recites the original's chorus verbatim and then brought back in with a bubblegum trap bounce.
Yung Bans dropped his debut studio album, Misunderstood in July.


The short answer is: no, they are not equal:
The difference is that if an error happens in f1
, then it is handled by .catch
here:
js run promise .then(f1) .catch(f2);
…But not here:
js run promise .then(f1, f2);
That’s because an error is passed down the chain, and in the second code piece there’s no chain below f1
.
In other words, .then
passes results/errors to the next .then/catch
. So in the first example, there’s a catch
below, and in the second one there isn’t, so the error is unhandled.


Resulting names are unique and consist only of the _
character, numbers, and letters.
Capitalization preferences can be specified using the case
parameter.
Accented characters are transliterated to ASCII. For example, an "o" with a
German umlaut over it becomes "o", and the Spanish character "enye" becomes
"n".
This function takes and returns a data.frame, for ease of piping with
`%>%`
. For the underlying function that works on a character vector
of names, see make_clean_names
.
clean_names(dat, ...)
# S3 method for data.frame
clean_names(dat, ...)
# S3 method for default
clean_names(dat, ...)
# S3 method for sf
clean_names(dat, ...)
# S3 method for tbl_graph
clean_names(dat, ...)
Arguments
| dat |
the input data.frame. |
| ... |
Arguments passed on to make_clean_names
case The desired target case (default is "snake" ) will be
passed to snakecase::to_any_case() with the exception of "old_janitor",
which exists only to support legacy code (it preserves the behavior of
clean_names() prior to addition of the "case" argument (janitor
versions <= 0.3.1). "old_janitor" is not intended for new code. See
to_any_case for a wide variety of supported cases,
including "sentence" and "title" case.
replace A named character vector where the name is replaced by the
value.
ascii Convert the names to ASCII (TRUE , default) or not
(FALSE ).
use_make_names Should make.names() be applied to ensure that the
output is usable as a name without quoting? (Avoiding make.names()
ensures that the output is locale-independent but quoting may be required.)
sep_in (short for separator input) if character, is interpreted as a
regular expression (wrapped internally into stringr::regex() ).
The default value is a regular expression that matches any sequence of
non-alphanumeric values. All matches will be replaced by underscores
(additionally to "_" and " " , for which this is always true, even
if NULL is supplied). These underscores are used internally to split
the strings into substrings and specify the word boundaries.
transliterations A character vector (if not NULL ). The entries of this argument
need to be elements of stringi::stri_trans_list() (like "Latin-ASCII", which is often useful) or names of lookup tables (currently only "german" is supported). In the order of the entries the letters of the input
string will be transliterated via stringi::stri_trans_general() or replaced via the
matches of the lookup table. When named character elements are supplied as part of `transliterations`, anything that matches the names is replaced by the corresponding value.
You should use this feature with care in case of case = "parsed" , case = "internal_parsing" and
case = "none" , since for upper case letters, which have transliterations/replacements
of length 2, the second letter will be transliterated to lowercase, for example Oe, Ae, Ss, which
might not always be what is intended. In this case you can make usage of the option to supply named elements and specify the transliterations yourself.
parsing_option An integer that will determine the parsing_option.
1: "RRRStudio" -> "RRR_Studio"
2: "RRRStudio" -> "RRRS_tudio"
3: "RRRStudio" -> "RRRSStudio" . This will become for example "Rrrstudio" when we convert to lower camel case.
-1, -2, -3: These parsing_options 's will suppress the conversion after non-alphanumeric values.
0: no parsing
numerals A character specifying the alignment of numerals ("middle" , left , right , asis or tight ). I.e. numerals = "left" ensures that no output separator is in front of a digit.
|
Value
Returns the data.frame with clean names.
Details
clean_names()
is intended to be used on data.frames
and data.frame
like objects. For this reason there are methods to
support using clean_names()
on sf
and tbl_graph
(from
tidygraph
) objects. For cleaning named lists and vectors, consider
using make_clean_names()
.
Examples
# not run:
# clean_names(poorly_named_df)
# or pipe in the input data.frame:
# poorly_named_df %>% clean_names()
# if you prefer camelCase variable names:
# poorly_named_df %>% clean_names(., "small_camel")
# not run:
# library(readxl)
# read_excel("messy_excel_file.xlsx") %>% clean_names()


--- layout: page title: About header-img: "img/about-bg.png" ---
This is my journey through what seems to be a new world. Thanks for coming along.


@(tradeno:String)(totalfee:Double)(ordercode:String)(uid:Long)(pid:Long)(backurl:String)(phone:String) @views.html.sheSaid.main{


We put our trust in Sunnyside and they delivered, making sure our needs were met and deadlines were always hit.
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We put our trust in Sunnyside and they delivered, making sure our needs were met and deadlines were always hit.
Sunnyside’s enthusiasm coupled with their keen interest in our brand’s success made it a satisfying and enjoyable experience..
Incredible end result! Our sales increased over 400% when we worked with Sunnyside. Highly recommended!


§666-13 Effect of writ. Whenever a writ is issued for the removal of any tenant, the contract for the use of the premises, if any exists, and the relation of landlord and tenant between the parties, shall be deemed to be canceled and annulled. [CC 1859, §945; RL 1925, §2786; RL 1935, §4023; RL 1945, §10412; RL 1955, §240-13; HRS §666-13]
Case Notes
Warrant terminates relation of landlord and tenant only upon final judgment for possession. 27 H. 362, 368 (1923). See 28 H. 160, 162 (1925).


WELCOME ALL!!
links of some website
Hy all
github
Wikipedia
geeks of geeks
```.
This is a link to GitHub!
```


Light and Sound Memory Game
Welcome to the game! Repeat back the pattern by pressing buttons.
Start
Stop
Countdown: 15s


Meatless mincemeat
Despite its name, our delicious pie filling actually contains no meat. Perhaps it did incorporate bits of animal flesh in ancient times, but today mincemeat is a mix of apple, raisins and other fruits (fresh and dried), candied peel, vegetable shortening and mixed spices.
Tried & true
Since 1987, Mincemeat International has been satisfying the appetites of customers in and around Los Angeles, California. Family owned and operated, we are known by people around the world for our delicious and healthy mincemeat fillings.
Organically-grown
Our local farmers put their heart and soul into growing the freshest and most delicious fruits possible, to bring produce from the field to your kitchen table, with love. The fruits we use in our ingredients are handpicked and organically-grown.
All-natural ingredients
We take time preparing our small handmade batches of mincemeat filling by slow cooking each to fully extract the exceptional flavors and gemlike hues real fruit has to offer. You’ll never find any artificial flavors or high fructose corn syrup.


 Written by Joan Didion and John Gregory Dunne, suggested by the book "Golden Girl" by Alanna Nash. Photography, Karl Walter Lindenlaub. Editing, Debra Neil-Fisher. Production design, Jeremy Conway. Music, Thomas Newman. Produced by Avnet, David Nicksay and Jordan Kerner. Cast: Robert Redford (Warren Justice), Michelle Pfeiffer (Tally Atwater), Stockard Channing (Marcia McGrath), Joe Mantegna (Bucky Terranova), Kate Nelligan (Joanna Kennelly), Glenn Plummer (Ned Jackson), James Rebhorn (John Merino), et al. A Touchstone release. 124 mins. PG-13.
Hereafter this uncatchily titled movie will be referred to as UCAP, which sounds like another University of California campus yet. There is nothing academic about the movie though, except for the academic response by those who persist in connecting the film to "A Star Is Born" or ASIB. In this, they have been influenced by the fact that Joan Didion and husband John Gregory Dunne (novelists, non-fiction writers, screenwriters), had also penned the third version (1976, with Barbra Streisand) of ASIB -- the fourth, if you include "What Price Hollywood" (1932), the root-film. (Be it said in passing that the 1976 film was far inferior to all its predecessors).
In the earlier movies, a male celebrity brings fame and fortune to an aspiring younger woman. As her star rises, his falls. In ASIB 1 and 2, the man is a Hollywood star named Norman Maine. He sinks into alcoholism and commits suicide, upon which, his widow Vicki Lester (nee Esther Blodgett) addressing the public, starts with the famous: "This is Mrs. Norman Maine."
There is really very little of ASIB in UCAP. Here,Sallyanne Atwater (Michelle Pfeiffer) is an untutored nobody from Nevada. Determined to make her way into TV, she fakes her credentials,does not fool Warren Justice (Robert Redford),the news director of a Miami station, yet still gets hired as an assistant.
The movie opens like a sitcom, with Sally's silly string of little accidents. It also telegraphs immediately the inevitable love affair.Indeed, the very names Pfeiffer and Redford do this, even if you haven't seen the film or heard of it. To its credit, unlike the zillion flicks that set up antagonism-that-will-turn-to-amore, the relationship of the couple is cool, un-strident and quite harmonious.
To make a long story short (TMLSS), ambitious Sally gets her chance, muffs it, but Warren dismisses this, hyperbolically declaring that "she eats the lens" (don't try this at home). He grooms, protects, molds Sally, rebaptized Tally. She becomes, with peculiar swiftness and no obvious reason (except her looks), a star.
The other side of the coin is that Warren, a bastion of journalistic integrity, won't play footsie with TV-exploitation and will find his star waning. (It had happened to him before, but never mind).
There's a bunch of colorful happenings in the depiction of TV station life: professional rivalries, banter, competitiveness. These may not be authentic, but, as Hitchcock used to say, it's only a movie. Most of the shenanigans are interesting, some of the gags and the like fall a bit flat. You can tell which those are by listening the the audience: it laughs louder.
By minute 40 there is a loss of momentum, especially with an interlude where Tally goes to Reno to rescue her sister and Warren surprisingly shows up and lends a hand. Unconvincing.
Sex comes in at minute 54, right after Tally gets an offer to move to another, bigger affiliate, in Philadelphia. Pleasant romantic stuff, but did writers Didion and Dunne have to include the inevitable cliche of the couple having fun on the beach to the off-screen sounds and soupy lyrics of a love song? Mercifully,this second interlude is brief.
Tally goes to Philly, has to put up with the barbs of older anchorwoman Stockard Channing (as always, very good) who sees the handwriting on the wall, meaning that Tally will probably replace her. Tally does well, but has some troubles. Warren to the rescue. They also marry.
Warren is out of a job but manages to remote-control Tally, stuck inside a rioting prison, into doing a great telecast. (I don't see what's great about it, but never mind). Her star skyrockets and she's offered to anchor (for weekends only) at the network. Oh, bliss. Further developments will not be disclosed.
The film, genuinely or not, is well fleshed out with the hectic, frantic atmosphere of big-time TV. Above all, there's that couple that drips charisma. That Pfeiffer is almost 40 and Redford almost 60 makes no difference. Her beauty, in the small group of a Loretta Young or a Pamela Kohn, is buttressed by charm. His oxymoronic laid-back intensity is a joy. The electricity is good. And it is not Redford's fault that Didion-Dunne dreamed up the silly, in-joke name of Warren Justice (Chief Justice Earl Warren, get it?).
Director Avnet directs well, but, keen as he reportedly is for every shot to be perfect, he sometimes neglects the cartilage between shots,the editing.
The movie, at some point, was to be based on the short unhappy life of the late TV news-star Jessica Savitch. Happily, there's nothing of that left in the final script, which is a hybrid of older movies.
It's no "Network," no "Broadcast News" in depth or intensity, no "China Syndrome" in suspense. It is no "Switching Channels" (the undervalued remake of "The Front Page" and "His Girl Friday" shifted from press to TV) in comedy. UCAP is more skin than nerves, yet a good pastime and no rip-off of your time and money.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


i fully understand that vast majority of crypto media is pay-for-play, but we need some kind of 'authority' sources to confirm that what Komodo team has done, is actually top-notch stuff.
otherwise now matter how much the community members try to mention Komodo on different channels, the answer seems to be:
Komodo? never heard or read about anything about them. so probably nothing really going on there...
wrong statements, but unfortunately this kind of dialogue happens often


--- layout: post title: 'ProTip: Reactivating iectrl vm''s' date: '2013-11-29T12:23:00+00:00' tags: - Programming ---
If you are using iectrl to manage your Internet Explorer vm’s and have had your XP activation expire, you can reactivate by running the command below:
{% highlight ruby %} iectrl reinstall 6,7,8 {% endhighlight %}


Random Utility
The Random utility gives you an easy, script-free way of returning random results from a defined list or type, such as numbers, words from a list or UUIDs (Universal Unique Identifier).
You can use it for simple "Heads or Tails" binary choices, to pick a random number from a defined range, or for more advanced random selections like the Magic 8 Ball example below.
- Using the Random Utility
- Workflow Example: Magic 8 Ball
- Workflow Example: Who's Doing the Dishes Tonight?
Using the Random Utility
Add the Random object to your workflow from the Utilities list, and connect it to the object you'd like your random result to be passed to.
Choose the type of random result you want to return:
Word from a list
Type or paste in a list of words or phrases for Alfred to randomly choose from. Using a comma or new line will separate the results.
You can use the {query} and {var:} variables to dynamically add items to the list. Find out more about using variables
When using variables, empty strings will be ignored (e.g. if there are three variables but you only feed in two via your argument, the remaining ones will be excluded).
Number
Set the start and end of your range of numbers, whether it's 1 to 10 for a simple guessing game, or -200000 to 200000 if you're really good at guessing.
As with the random Words, you can use variables to add items dynamically.
UUID (Universal Unique Identifier)
This option will generate a UUID string for you.
Workflow Examples Using the Random Utility
Magic 8 Ball
Download the Magic 8 Ball Workflow to see how this workflow was built.
The Keyword Input is set to "Argument Optional", so that you can either type in your question after using the 8ball
keyword, or simply type the keyword and hit Enter.
This is connected to the Random utility, where a list of possible answers have been added.
Finally, the third object is a Large Type Output which slowly fades in to reveal the answer to your question.
Who will do the dishes tonight?
In this workflow example, you can enter the name of a few (unwilling) participants with a comma between each name, and hit Return to find out who's doing the dishes tonight!
Download the "Who's Doing the Dishes?" Workflow and modify it to your own uses!
The workflow uses four objects, including the Split Arg to Vars object:
- Keyword Input: Set to the keyword "dishes" with an argument required
- Split Arg to Vars Utility: It splits your string of names into individual variables
- Random Utility: Randomly picks an item from your list of variables
- Large Type Output displays in large font who's the "lucky" winner!


Functions to compute the one-sided dynamic principal components ('odpc') introduced in Smucler, Peña and Yohai (2018) <doi:10.1080/01621459.2018.1520117>. 'odpc' is a novel dimension reduction technique for multivariate time series, that is useful for forecasting. These dynamic principal components are defined as the linear combinations of the present and past values of the series that minimize the reconstruction mean squared error.
| Version: | 2.0.0 |
| Depends: | R (≥ 3.3.0) |
| Imports: | methods, Rcpp (≥ 0.12.7), forecast, parallel, doParallel, foreach |
| LinkingTo: | Rcpp, RcppArmadillo (≥ 0.7.500.0.0) |
| Suggests: | testthat |
| Published: | 2018-09-12 |
| Author: | Daniel Peña, Ezequiel Smucler, Victor Yohai |
| Maintainer: | Ezequiel Smucler <ezequiels.90 at gmail.com> |
| License: | GPL-2 | GPL-3 [expanded from: GPL (≥ 2)] |
| NeedsCompilation: | yes |
| Materials: | NEWS |
| In views: | TimeSeries |
| CRAN checks: | odpc results |
| Reference manual: | odpc.pdf |
| Package source: | odpc_2.0.0.tar.gz |
| Windows binaries: | r-devel: odpc_2.0.0.zip, r-release: odpc_2.0.0.zip, r-oldrel: odpc_2.0.0.zip |
| OS X binaries: | r-release: odpc_2.0.0.tgz, r-oldrel: odpc_2.0.0.tgz |
| Old sources: | odpc archive |
Please use the canonical form https://CRAN.R-project.org/package=odpc to link to this page.


Welcome dear visitor. In this page I will be listing truly unrelated bits of information about things that I find interesting. If at any moment I find out how to implement a comments section, you're welcome to start a conversation about anything you see. Read you then!
This is what I would honestly call a palomera movie. This is a term we use in Mexico to describe a movie that will never ever win an Oscar, nor stands out in any paticular subject except its entertainment value. I personally really enjoy it, and it is a testament to the fact that with Tom Cruise you can never go wrong. Now, for you literature fans, I must say this movie has little to do with H.G. Well's War of the Worlds. In fact, I could say with some confidence that it is also about aliens that come out of the ground and travel in tripod-shaped ships, but that is as far as it goes with respect to source material adaptation. The film actually takes place in the early XXI century in the USA, not in XX century UK. Nevertheless, it is a great way to spend a saturday afternoon.
This Amazon Original Series is more like an Amazon More-or-less Original Series as it is based on Philip K. Dick's novel of the same name. Now, I'm honestly still watching this, but so far it has been quite the ride to see what could have been the "normal" in the world, had the Axis won WWII and taken over the "free world". It really makes you thin"k on a neverending succession of "what-if's just like this one. A very interesting view on what we consider nowadays to be an unthinkable scenario.
Otherwise known as Come on! IT'S BEEN 9 YEARS SINCE BOOK 2!!, The Kingkiller Chronicle tells the story of an orphan child destined to be the savior of the world (after attending college, of course) that discovers he is akin to magic. Don't get me wrong, this is by no means a Harry Potter ripoff, and Patrick Rothfuss has a unique storytelling style, he is just a little slow to polish the final details of book 3, like continental drift slow. In any case, this story told as adult Kvothe's (orphan child) recalling of his past life to a passing historian is absolutely amazing.
| Shooters | RPG | RTS | Battle Royale |
|
|
Age of Mythology | CoD Warzone |
| Battlefield 1 | Mass Effect | Rome: Total War | PUBG |


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Creates a circular shape with pure CSS. - Use `border-radius: 50%` to curve the borders of the element to create a circle. - Since a circle has the same radius at any given point, the `width` and `height` must be the same. Differing values will create an ellipse.


This synth is heavily indebted to the code from Chris Wilson https://github.com/cwilso/monosynth
Chris original license text is included


Functions can be defined either using function declarations or function expressions.
Function expressions can be stored in variables, can be used as anonymous functions (e.g. as function parameters), and can be returned by higher-order functions.
Callbacks: functions as parameters
Like any other object and every primitive, functions can be passed to other functions as parameters.
Array Functions
JavaScript offers a range of functions to transform arrays. The outputs of these transformations are either arrays or primitives. The most important array functions are:
map(): apply a function to each element of an array and store the outputs in a new array.
filter(): select values that fulfill a condition (predicate) and store them in a new array.
reduce(): reduce an array to a single value.
Function: map()
Syntax:
array.map(callback(currentValue [, index]));
Callback parameters:
currentValue: the current array element
index: the index of the current array element (optional)
Function: filter()
Syntax:
array.filter(callback(currentValue [, index]));
Callback parameters:
currentValue: the current array element
index: the index of the current array element (optional)
The callback’s return value is interpreted as a true or false.


Generic File and Image Header Information. More...
#include <DPXHeader.h>
Inherited by dpx::Header.
Public Member Functions | |
| GenericHeader () | |
| Constructor. | |
| void | Reset () |
| Reset class to initial state. | |
| int | ImageElementCount () const |
| Number of Active Elements in the Image. | |
| void | CalculateNumberOfElements () |
| Set member numberOfElements based on channel structure. | |
| int | ImageElementComponentCount (const int element) const |
| Number of components for the element. | |
| DataSize | ComponentDataSize (const int element) const |
| DataSize required for individual image element components. | |
| int | ComponentByteCount (const int element) const |
| Byte count of data element components. | |
File Information Methods | |
| U32 | MagicNumber () const |
| Get magic number, used for byte ordering identification. | |
| U32 | ImageOffset () const |
| Get the offset in bytes to the start of the first image element. | |
| void | SetImageOffset (const U32 offset) |
| Set the offset in bytes to the start of the first image element. | |
| void | Version (char *v) const |
| Get current version string of header. | |
| void | SetVersion (const char *v) |
| Set the version string. | |
| U32 | FileSize () const |
| Get the size of the entire file. | |
| void | SetFileSize (const U32 fs) |
| Set the size of the entire file. | |
| U32 | DittoKey () const |
| Get the ditto key. | |
| void | SetDittoKey (const U32 key) |
| Set the ditto key. | |
| U32 | GenericSize () const |
| Get the size of the generic section within the header. | |
| U32 | IndustrySize () const |
| Get the size of the industry section within the header. | |
| U32 | UserSize () const |
| Get the size of the user data. | |
| void | SetUserSize (const U32 size) |
| Set the size of the user data. | |
| void | FileName (char *fn) const |
| Get the file name. | |
| void | SetFileName (const char *fn) |
| Set the file name. | |
| void | CreationTimeDate (char *ct) const |
| Get the creation time/date. | |
| void | SetCreationTimeDate (const char *ct) |
| Set the creation time/date. | |
| void | SetCreationTimeDate (const long secs) |
| Set the creation time/date. | |
| void | Creator (char *creat) const |
| Get the creator. | |
| void | SetCreator (const char *creat) |
| Set the creator. | |
| void | Project (char *prj) const |
| Get the project. | |
| void | SetProject (const char *prj) |
| Set the project. | |
| void | Copyright (char *copy) const |
| Get the copyright information. | |
| void | SetCopyright (const char *copy) |
| Set the copyright information. | |
| U32 | EncryptKey () const |
| Get the encryption key (no encryption is 0xffffffff). | |
| void | SetEncryptKey (const U32 key) |
| Set the encryption key (no encryption is 0xffffffff). | |
Image Information Methods | |
| Orientation | ImageOrientation () const |
| Get the image orientation. | |
| void | SetImageOrientation (const Orientation orient) |
| Set the image orientation. | |
| U16 | NumberOfElements () const |
| Get the number of elements. | |
| void | SetNumberOfElements (const U16 num) |
| Set the number of elements. | |
| U32 | PixelsPerLine () const |
| Get the pixels per line. | |
| void | SetPixelsPerLine (const U32 ppl) |
| Set the pixels per line. | |
| U32 | LinesPerElement () const |
| Get the lines per element. | |
| void | SetLinesPerElement (const U32 lpe) |
| Set the lines per element. | |
| U32 | DataSign (const int i) const |
| Get the data sign (0 = unsigned, 1 = signed). | |
| void | SetDataSign (const int i, const U32 sign) |
| Set the data sign (0 = unsigned, 1 = signed). | |
| U32 | LowData (const int i) const |
| Get the minimum data value. | |
| void | SetLowData (const int i, const U32 data) |
| Set the minimum data value. | |
| R32 | LowQuantity (const int i) const |
| Get the quantity of minimum data value. | |
| void | SetLowQuantity (const int i, const R32 quant) |
| Set the quantity of minimum data value. | |
| U32 | HighData (const int i) const |
| Get the maximum data value. | |
| void | SetHighData (const int i, const U32 data) |
| Set the maximum data value. | |
| R32 | HighQuantity (const int i) const |
| Get the quantity of maximum data value. | |
| void | SetHighQuantity (const int i, const R32 quant) |
| Set the quantity of maximum data value. | |
| Descriptor | ImageDescriptor (const int i) const |
| Get the component defintion. | |
| void | SetImageDescriptor (const int i, const Descriptor desc) |
| Set the component defintion. | |
| Characteristic | Transfer (const int i) const |
| Get the amplitude transfer function. | |
| void | SetTransfer (const int i, const Characteristic ch) |
| Set the amplitude transfer function. | |
| Characteristic | Colorimetric (const int i) const |
| Get the color reference. | |
| void | SetColorimetric (const int i, const Characteristic c) |
| Set the color reference. | |
| U8 | BitDepth (const int i) const |
| Get the bit size of each component. | |
| void | SetBitDepth (const int i, const U8 depth) |
| Set the bit size of each component. | |
| Packing | ImagePacking (const int i) const |
| Get the data packing mode. | |
| void | SetImagePacking (const int i, const Packing pack) |
| Set the data packing mode. | |
| Encoding | ImageEncoding (const int i) const |
| Get the encoding method. | |
| void | SetImageEncoding (const int i, const Encoding enc) |
| Set the encoding method. | |
| U32 | DataOffset (const int i) const |
| Get the offset to element. | |
| void | SetDataOffset (const int i, const U32 offset) |
| Set the offset to element. | |
| U32 | EndOfLinePadding (const int i) const |
| Get the number of bytes padding the end of each line. | |
| void | SetEndOfLinePadding (const int i, const U32 eolp) |
| Set the number of bytes padding the end of each line. | |
| U32 | EndOfImagePadding (const int i) const |
| Get the number of bytes padding the end of the image element. | |
| void | SetEndOfImagePadding (const int i, const U32 eoip) |
| Set the number of bytes padding the end of the image element. | |
| void | Description (const int i, char *desc) const |
| Get the element description. | |
| void | SetDescription (const int i, const char *desc) |
| Set the element description. | |
Image Origination Methods | |
| U32 | XOffset () const |
| Get the line offset (in pixels) from the first pixel in original image. | |
| void | SetXOffset (const U32 offset) |
| Set the line offset (in pixels) from the first pixel in original image. | |
| U32 | YOffset () const |
| Get the frame offset (in lines) from the first line in original image. | |
| void | SetYOffset (const U32 offset) |
| Set the frame offset (in lines) from the first line in original image. | |
| R32 | XCenter () const |
| Get the X image center in pixels. | |
| void | SetXCenter (const R32 center) |
| Set the X image center in pixels. | |
| R32 | YCenter () const |
| Get the Y image center in pixels. | |
| void | SetYCenter (const R32 center) |
| Set the Y image center in pixels. | |
| U32 | XOriginalSize () const |
| Get the number of pixels per line in the original image. | |
| void | SetXOriginalSize (const U32 size) |
| GSt the number of pixels per line in the original image. | |
| U32 | YOriginalSize () const |
| Get the number of lines per image in the original image. | |
| void | SetYOriginalSize (const U32 size) |
| Set the number of lines per image in the original image. | |
| void | SourceImageFileName (char *fn) const |
| Get the source image file name that this image was extracted. | |
| void | SetSourceImageFileName (const char *fn) |
| Set the source image file name that this image was extracted. | |
| void | SourceTimeDate (char *td) const |
| Get the source image time and date that this image was extracted. | |
| void | SetSourceTimeDate (const char *td) |
| Set the source image time and date that this image was extracted. | |
| void | SetSourceTimeDate (const long secs) |
| Set the source image time and date that this image was extracted. | |
| void | InputDevice (char *dev) const |
| Get the input device name. | |
| void | SetInputDevice (const char *dev) |
| Set the input device name. | |
| void | InputDeviceSerialNumber (char *sn) const |
| Get the input device serial number. | |
| void | SetInputDeviceSerialNumber (const char *sn) |
| Set the input device serial number. | |
| U16 | Border (const int i) const |
| Get the pixel offset for the border region. | |
| void | SetBorder (const int i, const U16 bord) |
| Set the pixel offset for the border region. | |
| U32 | AspectRatio (const int i) const |
| Get the pixel aspect ratio (horizontal:vertical). | |
| void | SetAspectRatio (const int i, const U32 ar) |
| Set the pixel aspect ratio (horizontal:vertical). | |
| R32 | XScannedSize () const |
| Get the horizontal size of the original scanned optical image. | |
| void | SetXScannedSize (const R32 size) |
| Set the horizontal size of the original scanned optical image. | |
| R32 | YScannedSize () const |
| Get the vertical size of the original scanned optical image. | |
| void | SetYScannedSize (const R32 size) |
| Set the vertical size of the original scanned optical image. | |
Static Public Member Functions | |
| static int | DataSizeByteCount (const DataSize ds) |
Public Attributes | |
File Information Members | |
| U32 | magicNumber |
| Indicates start of DPX image file and is used to determine byte order. | |
| U32 | imageOffset |
| Offset to image data (in bytes). | |
| ASCII | version [8] |
| Version number of header format. | |
| U32 | fileSize |
| Total file size (in bytes). | |
| U32 | dittoKey |
| Ditto Key (0 = same as previous frame, 1 = new). | |
| U32 | genericSize |
| Generic Header length (in bytes). | |
| U32 | industrySize |
| Industry Header length (in bytes). | |
| U32 | userSize |
| User defined header length (in bytes). | |
| ASCII | fileName [100] |
| File name. | |
| ASCII | creationTimeDate [24] |
| Create date time /see DateTimeFormat. | |
| ASCII | creator [100] |
| Creator. | |
| ASCII | project [200] |
| Project name. | |
| ASCII | copyright [200] |
| Copyright statement. | |
| U32 | encryptKey |
| Encryption Key (0xffffffff if unencrypted). | |
| ASCII | reserved1 [104] |
| Reserved. | |
Image Information Members | |
| U16 | imageOrientation |
| Image orientation. | |
| U16 | numberOfElements |
| Number of elements (1-8). | |
| U32 | pixelsPerLine |
| Pixels per line. | |
| U32 | linesPerElement |
| Lines per element. | |
| ImageElement | chan [MAX_ELEMENTS] |
| Image element data structures. | |
| ASCII | reserved2 [52] |
| Reserved. | |
Image Origination Members | |
| U32 | xOffset |
| X offset. | |
| U32 | yOffset |
| Y offset. | |
| R32 | xCenter |
| X center. | |
| R32 | yCenter |
| Y center. | |
| U32 | xOriginalSize |
| X original size. | |
| U32 | yOriginalSize |
| Y original size. | |
| ASCII | sourceImageFileName [100] |
| Source image file name. | |
| ASCII | sourceTimeDate [24] |
| Source date and time /see DateTimeFormat. | |
| ASCII | inputDevice [32] |
| Input device name. | |
| ASCII | inputDeviceSerialNumber [32] |
| Input device serial number. | |
| U16 | border [4] |
| Border validity. | |
| U32 | aspectRatio [2] |
| Pixel aspect ratio (horizontal:vertical). | |
| R32 | xScannedSize |
| X scanned size. | |
| R32 | yScannedSize |
| Y scanned size. | |
| ASCII | reserved3 [20] |
| Reserved. |
Generic File and Image Header Information.
| dpx::GenericHeader::GenericHeader | ( | ) |
Constructor.
| U32 dpx::GenericHeader::AspectRatio | ( | const int | i | ) | const [inline] |
Get the pixel aspect ratio (horizontal:vertical).
| i | aspect ratio index (0-1) |
| U8 dpx::GenericHeader::BitDepth | ( | const int | i | ) | const [inline] |
Get the bit size of each component.
| i | element index (0-7) |
| U16 dpx::GenericHeader::Border | ( | const int | i | ) | const [inline] |
Get the pixel offset for the border region.
There are 4 border pixel offsets that define a region -- X-left, X-right, Y-top, Y-bottom
| i | border index (0-3) |
| void dpx::GenericHeader::CalculateNumberOfElements | ( | ) |
Set member numberOfElements based on channel structure.
| Characteristic dpx::GenericHeader::Colorimetric | ( | const int | i | ) | const [inline] |
Get the color reference.
| i | element index (0-7) |
| int dpx::GenericHeader::ComponentByteCount | ( | const int | element | ) | const |
Byte count of data element components.
| dpx::DataSize dpx::GenericHeader::ComponentDataSize | ( | const int | element | ) | const |
DataSize required for individual image element components.
| void dpx::GenericHeader::Copyright | ( | char * | copy | ) | const [inline] |
Get the copyright information.
| copy | buffer to store copyright string (200+1 chars) |
| void dpx::GenericHeader::CreationTimeDate | ( | char * | ct | ) | const [inline] |
Get the creation time/date.
| ct | buffer to store creation time/date (24+1 chars) |
| void dpx::GenericHeader::Creator | ( | char * | creat | ) | const [inline] |
Get the creator.
| creat | buffer to store creator (100+1 chars) |
| U32 dpx::GenericHeader::DataOffset | ( | const int | i | ) | const [inline] |
Get the offset to element.
| i | element index (0-7) |
| U32 dpx::GenericHeader::DataSign | ( | const int | i | ) | const [inline] |
Get the data sign (0 = unsigned, 1 = signed).
| i | element index (0-7) |
| int dpx::GenericHeader::DataSizeByteCount | ( | const DataSize | ds | ) | [static] |
| void dpx::GenericHeader::Description | ( | const int | i, | |
| char * | desc | |||
| ) | const [inline] |
Get the element description.
| i | element index (0-7) | |
| desc | buffer to write description string (32+1 chars) |
| U32 dpx::GenericHeader::DittoKey | ( | ) | const [inline] |
Get the ditto key.
| U32 dpx::GenericHeader::EncryptKey | ( | ) | const [inline] |
Get the encryption key (no encryption is 0xffffffff).
| U32 dpx::GenericHeader::EndOfImagePadding | ( | const int | i | ) | const [inline] |
Get the number of bytes padding the end of the image element.
| i | element index (0-7) |
| U32 dpx::GenericHeader::EndOfLinePadding | ( | const int | i | ) | const [inline] |
Get the number of bytes padding the end of each line.
| i | element index (0-7) |
| void dpx::GenericHeader::FileName | ( | char * | fn | ) | const [inline] |
Get the file name.
| fn | buffer to store filename (100+1 chars) |
| U32 dpx::GenericHeader::FileSize | ( | ) | const [inline] |
Get the size of the entire file.
| U32 dpx::GenericHeader::GenericSize | ( | ) | const [inline] |
Get the size of the generic section within the header.
| U32 dpx::GenericHeader::HighData | ( | const int | i | ) | const [inline] |
Get the maximum data value.
| i | element index (0-7) |
| R32 dpx::GenericHeader::HighQuantity | ( | const int | i | ) | const [inline] |
Get the quantity of maximum data value.
| i | element index (0-7) |
| Descriptor dpx::GenericHeader::ImageDescriptor | ( | const int | i | ) | const [inline] |
Get the component defintion.
| i | element index (0-7) |
| int dpx::GenericHeader::ImageElementComponentCount | ( | const int | element | ) | const |
Number of components for the element.
| int dpx::GenericHeader::ImageElementCount | ( | ) | const |
Number of Active Elements in the Image.
| Encoding dpx::GenericHeader::ImageEncoding | ( | const int | i | ) | const [inline] |
Get the encoding method.
| i | element index (0-7) |
| U32 dpx::GenericHeader::ImageOffset | ( | ) | const [inline] |
Get the offset in bytes to the start of the first image element.
| Orientation dpx::GenericHeader::ImageOrientation | ( | ) | const [inline] |
Get the image orientation.
| Packing dpx::GenericHeader::ImagePacking | ( | const int | i | ) | const [inline] |
Get the data packing mode.
| i | element index (0-7) |
| U32 dpx::GenericHeader::IndustrySize | ( | ) | const [inline] |
Get the size of the industry section within the header.
| void dpx::GenericHeader::InputDevice | ( | char * | dev | ) | const [inline] |
Get the input device name.
| dev | buffer to write device (32+1) |
| void dpx::GenericHeader::InputDeviceSerialNumber | ( | char * | sn | ) | const [inline] |
Get the input device serial number.
| sn | buffer to write device serial number (32+1) |
| U32 dpx::GenericHeader::LinesPerElement | ( | ) | const [inline] |
Get the lines per element.
| U32 dpx::GenericHeader::LowData | ( | const int | i | ) | const [inline] |
Get the minimum data value.
| i | element index (0-7) |
| R32 dpx::GenericHeader::LowQuantity | ( | const int | i | ) | const [inline] |
Get the quantity of minimum data value.
| i | element index (0-7) |
| U32 dpx::GenericHeader::MagicNumber | ( | ) | const [inline] |
Get magic number, used for byte ordering identification.
| U16 dpx::GenericHeader::NumberOfElements | ( | ) | const [inline] |
Get the number of elements.
| U32 dpx::GenericHeader::PixelsPerLine | ( | ) | const [inline] |
Get the pixels per line.
| void dpx::GenericHeader::Project | ( | char * | prj | ) | const [inline] |
Get the project.
| prj | buffer to store project (200+1 chars) |
| void dpx::GenericHeader::Reset | ( | ) |
Reset class to initial state.
Reimplemented in dpx::Header.
| void dpx::GenericHeader::SetAspectRatio | ( | const int | i, | |
| const U32 | ar | |||
| ) | [inline] |
Set the pixel aspect ratio (horizontal:vertical).
| i | aspect ratio index (0-1) | |
| ar | ratio quantity |
| void dpx::GenericHeader::SetBitDepth | ( | const int | i, | |
| const U8 | depth | |||
| ) | [inline] |
Set the bit size of each component.
| i | element index (0-7) | |
| depth | bit size |
| void dpx::GenericHeader::SetBorder | ( | const int | i, | |
| const U16 | bord | |||
| ) | [inline] |
Set the pixel offset for the border region.
There are 4 border pixel offsets that define a region -- X-left, X-right, Y-top, Y-bottom
| i | border index (0-3) | |
| bord | offset in pixels |
| void dpx::GenericHeader::SetColorimetric | ( | const int | i, | |
| const Characteristic | c | |||
| ) | [inline] |
Set the color reference.
| i | element index (0-7) | |
| c | colorimetric specification |
| void dpx::GenericHeader::SetCopyright | ( | const char * | copy | ) | [inline] |
Set the copyright information.
| copy | buffer with copyright string |
| void dpx::GenericHeader::SetCreationTimeDate | ( | const long | secs | ) |
Set the creation time/date.
| secs | number of seconds since January 1, 1970 00:00 |
| void dpx::GenericHeader::SetCreationTimeDate | ( | const char * | ct | ) | [inline] |
Set the creation time/date.
| ct | buffer with creation time/date |
| void dpx::GenericHeader::SetCreator | ( | const char * | creat | ) | [inline] |
Set the creator.
| creat | buffer with creator |
| void dpx::GenericHeader::SetDataOffset | ( | const int | i, | |
| const U32 | offset | |||
| ) | [inline] |
Set the offset to element.
| i | element index (0-7) | |
| offset | offset in bytes from the start of the file |
| void dpx::GenericHeader::SetDataSign | ( | const int | i, | |
| const U32 | sign | |||
| ) | [inline] |
Set the data sign (0 = unsigned, 1 = signed).
| i | element index (0-7) | |
| sign | data sign |
| void dpx::GenericHeader::SetDescription | ( | const int | i, | |
| const char * | desc | |||
| ) | [inline] |
Set the element description.
| i | element index (0-7) | |
| desc | buffer |
| void dpx::GenericHeader::SetDittoKey | ( | const U32 | key | ) | [inline] |
Set the ditto key.
| key | ditto key |
| void dpx::GenericHeader::SetEncryptKey | ( | const U32 | key | ) | [inline] |
Set the encryption key (no encryption is 0xffffffff).
| key | encryption key |
| void dpx::GenericHeader::SetEndOfImagePadding | ( | const int | i, | |
| const U32 | eoip | |||
| ) | [inline] |
Set the number of bytes padding the end of the image element.
| i | element index (0-7) | |
| eoip | count |
| void dpx::GenericHeader::SetEndOfLinePadding | ( | const int | i, | |
| const U32 | eolp | |||
| ) | [inline] |
Set the number of bytes padding the end of each line.
| i | element index (0-7) | |
| eolp | count |
| void dpx::GenericHeader::SetFileName | ( | const char * | fn | ) | [inline] |
Set the file name.
| fn | buffer with filename |
| void dpx::GenericHeader::SetFileSize | ( | const U32 | fs | ) | [inline] |
Set the size of the entire file.
| fs | file size in bytes |
| void dpx::GenericHeader::SetHighData | ( | const int | i, | |
| const U32 | data | |||
| ) | [inline] |
Set the maximum data value.
| i | element index (0-7) | |
| data | maximum value |
| void dpx::GenericHeader::SetHighQuantity | ( | const int | i, | |
| const R32 | quant | |||
| ) | [inline] |
Set the quantity of maximum data value.
| i | element index (0-7) | |
| quant | quantity |
| void dpx::GenericHeader::SetImageDescriptor | ( | const int | i, | |
| const Descriptor | desc | |||
| ) | [inline] |
Set the component defintion.
| i | element index (0-7) | |
| desc | component descriptor |
| void dpx::GenericHeader::SetImageEncoding | ( | const int | i, | |
| const Encoding | enc | |||
| ) | [inline] |
Set the encoding method.
| i | element index (0-7) | |
| enc | encoding method |
| void dpx::GenericHeader::SetImageOffset | ( | const U32 | offset | ) | [inline] |
Set the offset in bytes to the start of the first image element.
| offset | offset in bytes |
| void dpx::GenericHeader::SetImageOrientation | ( | const Orientation | orient | ) | [inline] |
Set the image orientation.
| orient | orientation |
| void dpx::GenericHeader::SetImagePacking | ( | const int | i, | |
| const Packing | pack | |||
| ) | [inline] |
Set the data packing mode.
| i | element index (0-7) | |
| pack | packing method |
| void dpx::GenericHeader::SetInputDevice | ( | const char * | dev | ) | [inline] |
Set the input device name.
| dev | buffer with device name |
| void dpx::GenericHeader::SetInputDeviceSerialNumber | ( | const char * | sn | ) | [inline] |
Set the input device serial number.
| sn | buffer with device serial number |
| void dpx::GenericHeader::SetLinesPerElement | ( | const U32 | lpe | ) | [inline] |
Set the lines per element.
| lpe | lines count |
| void dpx::GenericHeader::SetLowData | ( | const int | i, | |
| const U32 | data | |||
| ) | [inline] |
Set the minimum data value.
| i | element index (0-7) | |
| data | minimum value |
| void dpx::GenericHeader::SetLowQuantity | ( | const int | i, | |
| const R32 | quant | |||
| ) | [inline] |
Set the quantity of minimum data value.
| i | element index (0-7) | |
| quant | quantity |
| void dpx::GenericHeader::SetNumberOfElements | ( | const U16 | num | ) | [inline] |
Set the number of elements.
| num | element count |
| void dpx::GenericHeader::SetPixelsPerLine | ( | const U32 | ppl | ) | [inline] |
Set the pixels per line.
| ppl | pixel count |
| void dpx::GenericHeader::SetProject | ( | const char * | prj | ) | [inline] |
Set the project.
| prj | buffer with project |
| void dpx::GenericHeader::SetSourceImageFileName | ( | const char * | fn | ) | [inline] |
Set the source image file name that this image was extracted.
| fn | buffer with source file name |
| void dpx::GenericHeader::SetSourceTimeDate | ( | const long | secs | ) |
Set the source image time and date that this image was extracted.
| secs | number of seconds since January 1, 1970 00:00 |
| void dpx::GenericHeader::SetSourceTimeDate | ( | const char * | td | ) | [inline] |
Set the source image time and date that this image was extracted.
| td | buffer with time/date string |
| void dpx::GenericHeader::SetTransfer | ( | const int | i, | |
| const Characteristic | ch | |||
| ) | [inline] |
Set the amplitude transfer function.
| i | element index (0-7) | |
| ch | transfer characteristic |
| void dpx::GenericHeader::SetUserSize | ( | const U32 | size | ) | [inline] |
Set the size of the user data.
| size | user data size in bytes |
| void dpx::GenericHeader::SetVersion | ( | const char * | v | ) | [inline] |
Set the version string.
| v | version string |
| void dpx::GenericHeader::SetXCenter | ( | const R32 | center | ) | [inline] |
Set the X image center in pixels.
| center | pixel position |
| void dpx::GenericHeader::SetXOffset | ( | const U32 | offset | ) | [inline] |
Set the line offset (in pixels) from the first pixel in original image.
| offset | offset count |
| void dpx::GenericHeader::SetXOriginalSize | ( | const U32 | size | ) | [inline] |
GSt the number of pixels per line in the original image.
| size | size |
| void dpx::GenericHeader::SetXScannedSize | ( | const R32 | size | ) | [inline] |
Set the horizontal size of the original scanned optical image.
| size | size in millimeters |
| void dpx::GenericHeader::SetYCenter | ( | const R32 | center | ) | [inline] |
Set the Y image center in pixels.
| center | pixel position |
| void dpx::GenericHeader::SetYOffset | ( | const U32 | offset | ) | [inline] |
Set the frame offset (in lines) from the first line in original image.
| offset | offset count |
| void dpx::GenericHeader::SetYOriginalSize | ( | const U32 | size | ) | [inline] |
Set the number of lines per image in the original image.
| size | size |
| void dpx::GenericHeader::SetYScannedSize | ( | const R32 | size | ) | [inline] |
Set the vertical size of the original scanned optical image.
| size | size in millimeters |
| void dpx::GenericHeader::SourceImageFileName | ( | char * | fn | ) | const [inline] |
Get the source image file name that this image was extracted.
| fn | buffer to write source file name (100+1) |
| void dpx::GenericHeader::SourceTimeDate | ( | char * | td | ) | const [inline] |
Get the source image time and date that this image was extracted.
| td | buffer to write time/date string (24+1) |
| Characteristic dpx::GenericHeader::Transfer | ( | const int | i | ) | const [inline] |
Get the amplitude transfer function.
| i | element index (0-7) |
| U32 dpx::GenericHeader::UserSize | ( | ) | const [inline] |
Get the size of the user data.
| void dpx::GenericHeader::Version | ( | char * | v | ) | const [inline] |
Get current version string of header.
| v | buffer to place string, needs to be at least 8+1 bytes long |
| R32 dpx::GenericHeader::XCenter | ( | ) | const [inline] |
Get the X image center in pixels.
| U32 dpx::GenericHeader::XOffset | ( | ) | const [inline] |
Get the line offset (in pixels) from the first pixel in original image.
| U32 dpx::GenericHeader::XOriginalSize | ( | ) | const [inline] |
Get the number of pixels per line in the original image.
| R32 dpx::GenericHeader::XScannedSize | ( | ) | const [inline] |
Get the horizontal size of the original scanned optical image.
| R32 dpx::GenericHeader::YCenter | ( | ) | const [inline] |
Get the Y image center in pixels.
| U32 dpx::GenericHeader::YOffset | ( | ) | const [inline] |
Get the frame offset (in lines) from the first line in original image.
| U32 dpx::GenericHeader::YOriginalSize | ( | ) | const [inline] |
Get the number of lines per image in the original image.
| R32 dpx::GenericHeader::YScannedSize | ( | ) | const [inline] |
Get the vertical size of the original scanned optical image.
Pixel aspect ratio (horizontal:vertical).
Border validity.
| ImageElement dpx::GenericHeader::chan[MAX_ELEMENTS] |
Image element data structures.
Copyright statement.
Create date time /see DateTimeFormat.
Creator.
Ditto Key (0 = same as previous frame, 1 = new).
Encryption Key (0xffffffff if unencrypted).
File name.
Total file size (in bytes).
Generic Header length (in bytes).
Offset to image data (in bytes).
Image orientation.
Industry Header length (in bytes).
Input device name.
Input device serial number.
Lines per element.
Indicates start of DPX image file and is used to determine byte order.
Number of elements (1-8).
Pixels per line.
Project name.
Reserved.
Reserved.
Reserved.
Source image file name.
Source date and time /see DateTimeFormat.
User defined header length (in bytes).
Version number of header format.
X center.
X offset.
X original size.
X scanned size.
Y center.
Y offset.
Y original size.
Y scanned size.


Dataset name:
(must be exactly as your dataset name on
Pennsieve):
Brief description/subtitle of your dataset:


Fruit: Make Selection Oranges ($3) Apples ($3)
Meat: Make Selection Steak ($5) Salmon ($5)
Vegetables Make Selection Beets ($3) Potatoes ($2)
Dairy: Make Selection Sharp Cheddar ($3) Milk ($4)
Alcohol: Make Selection Wine - Dry ($10) Beer ($8)


"Are we so different?"
younger brother calls to elder.
"We both know the old dodderer
means well, but you've got to
admit He's a bit misguided.
We've got brains, we've got time -
let's go, see what we can do!"
"Are you kidding?!"
rejoined the elder.
"We have a real base here! It's true
the Old Man is a bit tiresome, but
this farm's a solid investment!
Soon He'll die, and we can run things
the way they should be done! Or at least
not pretend so much…"
So the younger ran out one way
and threw away his lot, while
the other toiled and strained and
worked long years on
his share of the plot.
And all the while the Father grieved
for the day His two lost sons would
come back to His heart, and Home.


This is being served by image 2, named multiple-image-sample-two.
Try editing the text in the HTML file HERE to see your changes automatically be rebuilt. Remember to refresh the page (may need hard refresh if your browser is caching) to view your changes.


import {ScrollPanelModule} from 'primeng/primeng';
ScrollPanel is defined with p-scrolPanel element having dimensions for the scrollable viewport and content.

Content

Look and feel can easily be customized, here is an example with a background and blue handle.

Content

.custombar1 .ui-scrollpanel-wrapper {
border-right: 9px solid #f4f4f4;
}
.custombar1 .ui-scrollpanel-bar {
background-color: #1976d2;
opacity: 1;
transition: background-color .3s;
}
.custombar1 .ui-scrollpanel-bar:hover {
background-color: #135ba1;
}
| Name | Type | Default | Description |
|---|---|---|---|
| style | string | null | Inline style of the component. |
| styleClass | string | null | Style class of the component. |
Following is the list of structural style classes, for theming classes visit theming page.
| Name | Element |
|---|---|
| ui-scrollpanel | Container element. |
| ui-scrollpanel-wrapper | Wrapper of content section. |
| ui-scrollpanel-content | Content section. |
| ui-scrollpanel-bar | Scrollbar handle. |
None.

The story begins as Don Vito Corleone, the head of a New York Mafia family, oversees his daughter's wedding. His beloved
son Michael has just come home from the war, but does not intend to become part of his father's business.
Through Michael's life the nature of the family business becomes clear. The business of the family is just
like the head of the family, kind and benevolent to those who give respect, but given to ruthless violence
whenever anything stands against the good of the family. The story begins as Don Vito Corleone, the head
of a New York Mafia family, oversees his daughter's wedding. His beloved son Michael has just come home from
the war, but does not intend to become part of his father's business. Through Michael's life the nature of
the family business becomes clear. The business of the family is just like the head of the family, kind and
benevolent to those who give respect, but given to ruthless violence whenever anything stands against the
good of the family.

The story begins as Don Vito Corleone, the head of a New York Mafia family, oversees his daughter's wedding. His beloved
son Michael has just come home from the war, but does not intend to become part of his father's business.
Through Michael's life the nature of the family business becomes clear. The business of the family is just
like the head of the family, kind and benevolent to those who give respect, but given to ruthless violence
whenever anything stands against the good of the family. The story begins as Don Vito Corleone, the head
of a New York Mafia family, oversees his daughter's wedding. His beloved son Michael has just come home from
the war, but does not intend to become part of his father's business. Through Michael's life the nature of
the family business becomes clear. The business of the family is just like the head of the family, kind and
benevolent to those who give respect, but given to ruthless violence whenever anything stands against the
good of the family.

The story begins as Don Vito Corleone, the head of a New York Mafia family, oversees his daughter's wedding. His beloved
son Michael has just come home from the war, but does not intend to become part of his father's business.
Through Michael's life the nature of the family business becomes clear. The business of the family is just
like the head of the family, kind and benevolent to those who give respect, but given to ruthless violence
whenever anything stands against the good of the family. The story begins as Don Vito Corleone, the head
of a New York Mafia family, oversees his daughter's wedding. His beloved son Michael has just come home from
the war, but does not intend to become part of his father's business. Through Michael's life the nature of
the family business becomes clear. The business of the family is just like the head of the family, kind and
benevolent to those who give respect, but given to ruthless violence whenever anything stands against the
good of the family.


Eddie Franco
Hello! My name is Eddie, I currently live in Lawrence, KS after living in Denver for 3 years. I have a 1-bedroom apartment with Allie, my girlfriend. I was born in Garden City, KS and raised in Salina, KS by my parents who still live there with my 2 sisters, Michelle, 21, and Lizzy, 15. After receiving my high school diploma from Salina South High School I went to school for 2 years at Kansas Wesleyan University. I was attending University on a soccer and academic scholarship where I studied Computer Science for 2 years.
I had an opportunity to move to Denver, CO to ensure I could be closer to the job market upon completing school. My credits from Kansas Wesleyan... did not transfer properly and would have required an additional 4 years of school to complete my Bachelor of Computer Science at any other University, even though I had 59 current credits. During this time I worked for a Moving Company. Starting as a labor employee and working my way up to supervisor I was exposed to the Payroll Process as well as the Scheduling. I was able to build spreadsheets and forms to complete essential functions that were being doing by hand for my boss.
These 'beginner' spreadsheets as I would call them in comparison to the current system I've written for Black Belt Movers were things such as an Hours Log and a Clock In/Out System for the movers. My boss' boss saw the new spreadsheets and how things were being done and requested I work in the office as a Reservationist and work into an IT role as I proved a need for one.
That was 2 years ago when I started in the 'corporate office' as it is referred to at Black Belt. Since then I have updated the entire system to be completely paperless and operating solely through Google Apps Suite. This includes the 'Booking Ticket' form that is filled out anytime a phone call is taken, a Time Clock System for the Office, monitoring the build and maintaining a WordPress website, as well as automated Reconcile Spreadsheets that pull data from 10+ separate spreadsheets.
I am looking forward to being able to market myself as well as increase my skillset 100 times over. "If I know one thing it is that I know nothing", has been a piece of advise I try to take to heart when it comes to programming. I look forward to having a career where programming is my entire focus, rather than multi-tasking multiple roles in a smaller corporate office setting.


You've been invited to join a group on PodTalk!
If the link didn't work, download the PodTalk app and click the invite link again.
PodTalk lets you listen to and talk about podcasts with your friends.


CSS ANIMATION
Specifying the style of your chart in CSS is not only cleaner but also enables you to use awesome CSS animations and transitions to be applied to your SVG elements!
Line
Simple Line Chart
An example of a simple line chart with three series.
Line Scatter Diagram
This advanced example uses a line chart to draw a scatter diagram.  There is a mobile first responsive configuration using the responsive options to show less labels on small screens.
Line Chart With Tooltips
This is just one of many benefits of using inline-SVG and provides you with the freedom you need in order to create exactly the experience you're looking for.
Line Chart With Area
This chart uses the showArea option to draw line, dots but also an area shape. Use the low option to specify a fixed lower bound that will make the area expand. You can also use the areaBase property to specify a data value that will be used to determine the area shape base position (this is 0 by default).
Bi-Polar Line Chart With Area Only
You can also only draw the area shapes of the line chart. Area shapes will always be constructed around their areaBase (that can be configured in the options) which also allows you to draw nice bi-polar areas.
Advanced Smil Animations
Chartist provides a simple API to animate the elements on the Chart using SMIL. Usually you can achieve most animation with CSS3 animations but in some cases you'd like to animate SVG properties that are not available in CSS.
Svg Path Animation
Path animation is made easy with the SVG Path API. The API allows you to modify complex SVG paths and transform them for different animation morphing states.
Line Interpolation / Smoothing
By default Chartist uses a cardinal spline algorithm to smooth the lines. However, like all other things in Chartist, this can be customized easily!
Bar
Bi-Polar Bar Chart
A bi-plar bar chart with a range limit set with low and high. There is also an interpolation function used to skip every odd grid line / label.
Overlapping Bars On Mobile
This example makes use of label interpolation and the seriesBarDistance property that allows you to make bars overlap over each other. This then can be used to use the available space on mobile better.
Add Peak Circles Using The Draw Events
With the help of draw events we are able to add a custom SVG shape to the peak of our bars.
Multi-Line Labels
Chartist will figure out if your browser supports foreignObject and it will use them to create labels that re based on regular HTML text elements. Multi-line and regular CSS styles are just two of many benefits while using foreignObjects!
Stacked Bar Chart
You can also set your bar chart to stack the series bars on top of each other easily by using the stackBars property in your configuration.
Horizontal Bar Chart
Guess what! Creating horizontal bar charts is as simple as it can get. There's no new chart type you need to learn, just passing an additional option is enough.
Extreme Responsive Configuration
As all settings of a chart can be customized with the responsive configuration override mechanism of Chartist, you can create a chart that adopts to every media condition!
Pie
Simple Pie Chart
A very simple pie chart with label interpolation to show percentage instead of the actual data series value.
Pie Chart With Custom Labels
This pie chart is configured with custom labels specified in the data object. On desktop we use the labelOffset property to offset the labels from the center. Also labelDirection can be used to control the direction in which the labels are expanding.
Gauge Chart
This pie chart uses donut, startAngle and total to draw a gauge chart.


{{ partial "head.html" . }}
{{ .Site.Params.Author }}
Prose
Poetry
Blog
Music
Instagram
Github
About Me
Contact Me


C:\Windows\Desktop\Mind.html
[For the above link to work, copy to your local hard disk
http://mind.sourceforge.net/Mind.html
and name it Mind.html in the C:\Windows\Desktop\ directory.]


|
hwlib
C++ hardware library for V1IPAS-TI
|
hwlib implementation for the Arduino Due More...
Classes | |
| class | pin_in |
| pin_in implementation for a ATSAM3X8E More... | |
| class | pin_in_out |
| pin_in_out implementation for a ATSAM3X8E More... | |
| class | pin_oc |
| pin_oc implementation for a ATSAM3X8E More... | |
| class | pin_out |
| pin_out implementation for a ATSAM3X8E More... | |
Enumerations | |
| enum | pins { d0, d1, d2, d3, d4, d5, d6, d7, d8, d9, d10, d11, d12, d13, d14, d15, d16, d17, d18, d19, d20, d21, d22, d23, d24, d25, d26, d27, d28, d29, d30, d31, d32, d33, d34, d35, d36, d37, d38, d39, d40, d41, d42, d43, d44, d45, d46, d47, d48, d49, d50, d51, d52, d53, a0, a1, a2, a3, a4, a5, a6, a7, a8, a9, a10, a11, dac0, dac1, canrx, cantx, scl, sda, scl1, sda1, tx, rx, led, sck, miso, mosi, cs0, cs1 } |
| Arduino Due pin names. More... | |
hwlib implementation for the Arduino Due
and (sotware) UART output for the Arduino Due (ATSAM3X8E chip). The first wait call configures the chip to run at 12 MHz, from its internal (calibrated) RC oscillator.
The port and pin parameters to the constructors of the pin classes can either use to the ATSAM3X8E ports and pins, or the Arduino names.
The Due has an on-board orange LED connected to port 1 pin 27.
The chip runs at 3.3 Volt and that is the level on its IO pins.
The ATSAM3X8E chip has a watchdog system that is enabled by default. If left alone, the watchdog will reset the chip after a short time. To prevent this, all Due applications start with these lines:
References:
|
strong |
Arduino Due pin names.
These are the pins of an Arduino Due board. Digital pins d0..d13, analog input pins A0..A5, SCL, SDA, TX (=D1), RX (=D0), LED (=D13), SCK (=D13), MISO (=D12), MOSI (=D11), SS (=D10).


| bitwhich {bit} | R Documentation |
A bitwhich object represents a boolean filter like a bit
object (NAs are not allowed)
but uses a sparse representation suitable for very skewed (asymmetric) selections.
Three extreme cases are represented with logical values, no length via logical(),
all TRUE with TRUE and all FALSE with FALSE. All other selections are represented with
positive or negative integers, whatever is shorter.
This needs less RAM compared to logical
(and often less than bit
or which
).
Logical operations are fast if the selection is asymetric (only few or almost all selected).
bitwhich( maxindex = 0L, x = NULL, xempty = FALSE, poslength = NULL, is.unsorted = TRUE, has.dup = TRUE )
maxindex |
length of the vector |
x |
Information about which positions are FALSE or TRUE: either |
xempty |
what to assume about parameter |
poslength |
tuning: |
is.unsorted |
tuning: FALSE implies that |
has.dup |
tuning: FALSE implies that |
an object of class 'bitwhich' carrying two attributes
see above
see above
bitwhich_representation
, as.bitwhich
, bit
bitwhich() bitwhich(12) bitwhich(12, x=TRUE) bitwhich(12, x=3) bitwhich(12, x=-3) bitwhich(12, x=integer()) bitwhich(12, x=integer(), xempty=TRUE)


--- layout: default title: Language selection language: en_US redirect_from: "/help.html" redirect_from: "/quiz.html" ---


|
lubyk
0.5
|
#include <QPainterPath.h>
Inherited by mimas::Path.
Public Member Functions | |
| void | moveTo (float x, float y) |
| void | cubicTo (float c1X, float c1Y, float c2X, float c2Y, float endPointX, float endPointY) |
| void | addRect (float x, float y, float w, float h) |
| void | lineTo (float x, float y) |
This is a dummy class to create bindings for objects inheriting from Qt's QPainterPath.
Definition at line 8 of file QPainterPath.h.
| void mimas::QPainterPath::addRect | ( | float | x, |
| float | y, | ||
| float | w, | ||
| float | h | ||
| ) |
| void mimas::QPainterPath::cubicTo | ( | float | c1X, |
| float | c1Y, | ||
| float | c2X, | ||
| float | c2Y, | ||
| float | endPointX, | ||
| float | endPointY | ||
| ) |
Bezier curve from current point to endPoint with control points c1, c2.
| void mimas::QPainterPath::lineTo | ( | float | x, |
| float | y | ||
| ) |
| void mimas::QPainterPath::moveTo | ( | float | x, |
| float | y | ||
| ) |


Ooops...looks like you donot have a web-monetization provider setup!
To listen to some tunes, make sure you have installed a monetization provider
either natively in the browser or via an extension.
If you have no idea what to do, head over to Coil for more instructions.
Hmmm...we have detected your web-monetization provider but it seems to be stopped!
Before we kick in some beats for you, maybe you need to Sign-In to or Configure
your web-monetization provider via an extension or natively in the browser.
If needed, reach-out to your Web-monetization provider support team for help.


Chromecast Webpage Viewer (sender)
Cast webpages to a Chromecast
Can't find any Chromecast devices to cast to!
Ensure that everything is setup correctly.
Searching for receivers...
Cast webpages to a Chromecast
Can't find any Chromecast devices to cast to!
Ensure that everything is setup correctly.
Searching for receivers...


The logarithmic scale is used to chart numerical data. It can be placed on either the x or y-axis. As the name suggests, logarithmic interpolation is used to determine where a value lies on the axis.
!!!include(axes/cartesian/_common.md)!!!
!!!include(axes/_common.md)!!!
Namespace: options.scales[scaleId]
| Name | Type | Default | Description |
|---|---|---|---|
format |
object |
The Intl.NumberFormat options used by the default label formatter |
!!!include(axes/cartesian/_common_ticks.md)!!!
!!!include(axes/_common_ticks.md)!!!
Internally, the logarithmic scale uses numeric data.


local-motion
Businessmodel of Local Motion
Customer Segments
Local Motion has a niche market business model, with a specialized customer segment. The company targets its offerings at companies and government agencies that have car-sharing programs.
Value Proposition
Local Motion offers five primary value propositions: convenience, accessibility, risk reduction, cost reduction, and performance.
The company offers convenience by simplifying clients’ operations. Its cloud-based platform enables vehicle fleet managers to have a high-level view of their automobiles, providing information such as current status and usage history. This enables managers to make decisions anytime and anywhere, and take important actions such as activating driver badges and scheduling blocks on vehicles.
The company creates accessibility by providing a wide variety of options. Its solution can be deployed in any type of vehicle, ranging from luxury sedans and electric vehicles to utility trucks and golf carts.
The company reduces risk by decreasing opportunities for vehicle underutilization. Instead of keys, drivers are given ID badges that they can use to check available cars out from a parking lot. Saving time from having to sign out vehicles from a facility increases the likelihood of vehicles being used. Local Motion in general provides a more convenient experience for car drivers than they are used to from car-sharing services – for example, they can book usage or lock their vehicles remotely from the Web. This results in higher satisfaction levels, also leading to increased utilization.
The company reduces costs because of the automation and visibility offered by its solution. Not having keys helps streamline operations, and providing a cloud-based fleet management platform helps managers lower maintenance costs.
The company has demonstrated strong performance through tangible results for clients. High-profile examples of positive outcomes include the following:
- 1-800Courier used Local Motion’s solution to make decisions that increased its vehicle utilization by 20% and helped scale its fleet to 7x its original size – resulting in higher profits
- Fleet Division & Parking Enterprise at Sacramento County used Local Motion’s solution to increase employees’ ease of access to vehicles by 30% and add 10% more unique drivers ### Channels
Local Motion’s main channel is its direct sales team. The company promotes its offering through its website, social media pages, and participation in expos and conferences.
Customer Relationships
Local Motion’s customer relationship is primarily of a self-service, automated nature. Customers utilize the service through the main platform while having limited interaction with employees.
That said, there is a personal assistance component in the form of phone and e-mail support.
Key Activities
Local Motion’s business model entails designing and developing hardware and software for its customers, and maintaining and updating its cloud-based platform.
Key Partners
Local Motion relies on third parties to manufacture its hardware. The company does not maintain a formal partnership program. That said, it forms strategic alliances from time to time to expand its reach. High-profile examples include the following:
- The company partnered with Carahsoft, a government IT solutions provider, to facilitate incorporation of its solution into federal and state government contract vehicles
- The company partnered with Nissan by launching a pilot project for the car manufacturer’s eNV200; its technology was integrated and the vehicle was showcased to car-sharing firms ### Key Resources
Local Motion’s main resource is its proprietary software platform.
It depends on human resources in the form of engineering employees to develop software and hardware and maintain the platform and customer service employees to provide support.
As a relatively new startup it has relied on funding from outside parties, raising $6 million from nine investors as of August 2013.
Cost Structure
Local Motion has a cost-driven structure, aiming to minimize expenses through significant automation and low-price value propositions.
Its biggest cost driver is likely sales/marketing, a fixed expense. Other major drivers are in the areas of research/development and product development, also fixed costs.
Revenue Streams
Local Motion has one revenue stream: revenues it generates from the subscription fees it charges vehicle fleet managers for annual access to its cloud-based platform.
The fee amount varies based on size of the fleet; sales staff must be contacted directly for pricing quotes. There is no charge for hardware - the company maintains ownership so that it can replace it if necessary.


Add the .progress-bar-animated class to animate the progress bar:
Image at the top (card-img-top):
Some example text some example text. John Doe is an architect and engineer
Image at the bottom (card-img-bottom):
Some example text some example text. Jane Doe is an architect and engineer


|
Car Accidents will make you cry |
Car Accidents will be ugly |
Car Accidents will make you lose money |
|
Danger watchout!!! |
You'll also have to go to Driver Safety School |
Your insurance will also be at risk |
|
w00t Halo! |
Fight me bruh |
Why is this here..... |


Lampard not trying to be ‘Mr Tough Guy’ with substantial player fines
Among the punishments facing the Chelsea players is a £20,000 fine for being late for training, according to a leaked list.
Frank Lampard has insisted he is not a “Mr Tough Guy” manager despite confirming Chelsea’s new hefty fines structure was his idea.
The Blues boss said money levied from player fines will be donated to charities, with the recently leaked list of internal fines showing anyone late for training will face a £20,000 penalty.
Lampard revealed he sat down with captain Cesar Azpilicueta to draw up the list before the start of the season, and maintained that the punishments are not draconian.
“I can understand it might sound harsh but it’s not harsh if you’re not late; that’s one thing,” he said.
“I think we put in the discipline for one reason.
“My only concern when that came out was it makes me look like I’m trying to be Mr Tough Guy. I’m not.
“We spoke with the players and I gave the list to Azpilicueta when we set out the fines. In fact I was asking him if there were any areas you see because I wanted to know what happened last year, whether the players were happy, were they not.
“That came into the picture as well so it’s certainly a bit of a joint effort. Maybe the numbers were chosen by myself to a degree.
“I do think discipline is an important thing and I’m very happy to work with the players.”
Lampard believes his players are comfortable with the fines system, and insisted he will be happy to see good causes benefit.
“I want to be successful; I expect them to look after each other on the pitch and when they train, so I expect them to respect each other in terms of turning up,” said Lampard.
“If you talk about coming late to training, we arrive at 10 and we start training at 11.
“If you’re late for training you’re effectively an hour and 15 minutes late without any excuse, that’s quite a big deal if you’re preparing for a game against Manchester City on the next day.
“I know the fines are relative, people can have their own mind. But the players are certainly big in the setting up of that and I think it’s important to have discipline in the workplace.
“The players were part of the process.
“We’re here to be successful as a football club and discipline’s part of it and I worked with them in putting it together.
“The fine money goes to charities and it said on the form about having certain team get-togethers. We haven’t had any of those yet.
“Predominantly it will go to charities of our choice. I don’t mind as long as it’s good causes.”


| Blocked | Pickup | Available | |
|---|---|---|---|
| {{roomrevenues.room_nights}} | {{roomrevenues.room_nights_picked}} | {{roomrevenues.room_nights_available}} | |
| {{roomrevenues.net_revenue}} | {{roomrevenues.net_revenue_picked}} | {{roomrevenues.net_revenue_available}} | |
| {{roomrevenues.net_rate}} | {{roomrevenues.net_rate_picked}} | {{roomrevenues.net_rate_available}} |


{% extends "base.html" %} {% block content %}
PuSH-Tester is an application designed to allow the creation of RSS feeds for testing PubSubHubbub Hubs and Subscribers.
Entries can then be created for these feeds, and the feed's hub can be pinged to notify it of updates.
Registration is required only to allow access control for individual feeds. There are no fees, and your email will never be used for anything other than this service.


{% extends 'layout.html' %} {% block title %} DELETE ACCOUNT! {% endblock %} {% block main %} DELETE ACCOUNT
If you are certain you want to delete your account, type in your username and password for the last time.


XML notation: Marek
XML notation with trailing whitespace: Marek
HTML notation: Thomas
Recursive: Thomas Marek
Unicode: €10
CSS: body { font-family: 'Thomas' }
Javascript: var last_name = "Thomas";
JSON: {"name": "Thomas Marek"}
XML: Thomas Marek
Alternative option: File not found: /unknown
Different host: Thomas
No leading slash: Thomas
Commented out
Thomas


Reading from Sources¶
All data flows start with a source. Sources are Python iterables and a small
set of specific nuts. As a general rule, sources must appear on the left side
of the >>
operator and can never appear on the right side.
Iterables¶
Some examples of Python iterables and iterators that can be used as sources:
>>> from nutsflow import *
>>> range(5) >> Collect()
[0, 1, 2, 3, 4]
>>> ['a', 'ab', 'abc'] >> Map(len) >> Collect()
[1, 2, 3]
>>> 'text' >> Map(lambda c: c.upper()) >> Join()
'TEXT'
>>> {1:'one', 2:'two'} >> Collect()
[1, 2]
>>> {1:'one', 2:'two'}.items() >> Collect()
[(1, 'one'), (2, 'two')]
with open(filepath) as lines:
lines >> Filter(lambda l: l.startswith('ERR')) >> Print() >> Consume()
Source nuts¶
nuts-flow has a few special source nuts.
Range¶
Range(start [,end [, step]])
essential operates the same as range
but depletes. The following examples demonstrates the difference:
>>> numbers = Range(5)
>>> numbers >> Head(3)
[0, 1, 2]
>>> numbers >> Head(3)
[3, 4]
>>> numbers >> Head(3)
[]
Subsequent calls deplete the numbers iterator created with Range
, while
range
returns a new iterator every time when called and does not deplete:
>>> numbers = range(5)
>>> numbers >> Head(3)
[0, 1, 2]
>>> numbers >> Head(3)
[0, 1, 2]
Enumerate¶
Enumerate(start=0 [, step])
returns an iterator over increasing integer
numbers. In contrast to Range it does not have an upper limit and
iterates indefinitely.
>>> Enumerate(1) >> Zip('abc') >> Collect()
[(1, 'a'), (2, 'b'), (3, 'c')]
Often Enumerate
is used to add line numbers to the lines of a file:
# Collect line numbers of empty lines
with open(filepath) as lines:
(Enumerate() >> Zip(lines) >> Filter(lambda (i,l): not l) >>
Get(0) >> Collect())
Product¶
Product
is the functional equivalent of a nested loop. It generates the
cartesian product of the input iterables. For instance, the following example
returns the coordinates of a 2x3 grid:
>>> Product(Range(2), Range(3)) >> Collect()
[(0, 0), (0, 1), (0, 2), (1, 0), (1, 1), (1, 2)]
Each element of each input iterable is combined with each element of the other input iterables.
Repeat¶
The Repeat(value [, times]))
nut returns the specified value the given
number of times or indefinitely if not specified:
>>> Repeat('a', 3) >> Collect()
['a', 'a', 'a']
>>> Repeat(1) >> Take(4) >> Collect()
[1, 1, 1, 1]
ReadNamedCSV¶
nuts-flow supports reading from Comma Separated Format (CSV) files with
header names via the ReadNamedCSV(filepath, colnames, fmtfunc, rowname, **kwargs)
nut.
Given the correct delimiter also files in Tab Separated Format (TSV) or other column
formats can be read. Given a CSV file with the following content
A,B,C
1,2,3
4,5,6
the code below reads the rows as named tuples, and converts the elements of the row into integers (fmtfunc=int):
>>> filepath = 'tests/data/data.csv'
>>> with ReadNamedCSV(filepath, fmtfunc=int) as reader:
... reader >> Print() >> Consume()
Row(A=1, B=2, C=3)
Row(A=4, B=5, C=6)
Different convert functions for columns are suppported:
>>> fmtfuncs = (int, str, float)
>>> with ReadNamedCSV(filepath, fmtfunc=fmtfuncs) as reader:
... reader >> Print() >> Consume()
Row(A=1, B='2', C=3.0)
Row(A=4, B='5', C=6.0)
ReadNamedCSV
allows to read specific columns in a given/different order.
Here we read columns ‘B’ and ‘C’ only in swapped order:
>>> with ReadCSV(filepath, ('C', 'B')) as reader:
... reader >> Print() >> Consume()
Row(C='3', B='2')
Row(C='6', B='5')
Finally, if ‘Row’ is not a good tuple name, it can be changed:
>>> with ReadNamedCSV(filepath, rowname='Sample') as reader:
... reader >> Print() >> Consume()
Sample(A='1', B='2', C='3')
Sample(A='4', B='5', C='6')
ReadCSV¶
ReadCSV()
is very similar to ReadNamedCSV
but can read CSV files
without header information and returns (unnamed) tuples.
>>> filepath = 'tests/data/data.csv'
>>> with ReadCSV(filepath, skipheader=1, fmtfunc=int) as reader:
... reader >> Print() >> Consume()
...
(1, 2, 3)
(4, 5, 6)


United preparing 60 million for Bruno Fernandes
by BeSoccerThe Premier League is calling for the 25-year-old midfielder Bruno Fernandes, a player that has entered on Manchester United's radar for the 2nd half of the season.
At 25, Bruno Fernandes is standing out for Sporting Lisbon. The Portuguese international has spent 3 seasons at them, after previous spells at Udinese and Sampdoria in Serie A.
In total, he has played 126 games and scored 57 goals, stats that have awoken the interest from other European clubs for several transfer windows.
Featured links
- Possible 'Clasico' in the Spanish Supercup final
- The latest football transfers news and rumours
- BREAKING: Luis Enrique returns to Spain national team
- Who has the most free-kicks goals: Messi or Cristiano?
But the latest big club interested in his signature is Manchester United, a club that needs goals and aggressiveness in attack, as well as assists from a player like Bruno Fernandes.
This season he has now scored 9 goals and got 6 assists in 17 official matches, stats that, according to 'O Jogo', are enough for Manchester United to offer 60 million euros for him.


Full Stack Web Developer
Anish Dabade
I'm a Full Stack Web Developer from San Francisco Bay Area. I use web technologies to make various applications. At the moment, I'm primarily using React.js and Node.js with MongoDB.
My Skills
Web Development
Electrical
Goal oriented
3+
Years of professional experience
Years of professional experience
10+
Projects done
Projects done
1000+
Hours of coding in last 3 months
Hours of coding in last 3 months
6 years
Of engineering education
Of engineering education


--- title: nnanno keywords: fastai sidebar: home_sidebar summary: "Sample, annotate and apply computer vision models to the Newspaper Navigator dataset " description: "Sample, annotate and apply computer vision models to the Newspaper Navigator dataset " nb_path: "nbs/index.ipynb" ---
nnanno
is a modest collection of tools to help work with the delightful Newspaper Navigator data.
Newspaper Navigator is a project which extracted visual content (pictures, maps etc.) from the Library of Congress Chronicling America digitised newspaper collection.
Newspaper Navigator has released data in a number of formats including json
files which contain a range of metadata about the newspaper from which the image was taken from. nnanno
was thrown together to help work with this collection as part of the preparation of some example datasets used in a series of Programming Historian tutorials (currently under review). Since this code was developed using the wonderful nbdev library it is possible to install it for your own use.
nnanno doesn't to provide an end-to-end to end software for using machine learning with the Newspaper Navigator data. Instead it is a minimal collection of code that may help you if you want to work with the Newspaper Navigator data.
There are three particular areas where nnanno tries to help a little:
This code was written mainly to help develop some example datasets for a series of Programming Historian tutorials. It has some tests but there are likely bugs and issues with the code. The code in this repository was all written in notebooks, some people hate notebooks. Those people will probably hate this too 🤷♂
If you want to work with the full Newspaper Navigator data you will likely be better of accessing it via the provided S3 bucket see news-navigator.labs.loc.gov/ for more information.
This code was written using nbdev
. This is a tool that helps use Jupyter notebooks for developing Python libraries. Inside the documentation you will see code cells followed by output. This is generated from a Jupyter notebook and shows the actual output of the code rather than something that has been copied and pasted for example:
import datetime
print(datetime.date.today())
Is evaluated as Python code. This also means all of the documentation and examples can be opened in notebooks and the code inspected, changed and run.
If you want to use all of the parts of nnanno
you'll need to install some extra packages.
If you also want to use label-studio
for annotating you will need to install this too. There are various ways in which you may want to install label-studio. See the label studio documentation for various options for setting this up.
If you want to use the experimental inference functionality you will need to install fastai. See the fastai docs for options for doing this.
The documentation can be viewed as rendered pages with the option of opening as notebooks in Google Colab.
You can find an 'end-to-end' example in examples folder of the documentation.
This example goes through the process of sampling, annotating, training a model and predicting this against the newspaper navigator data.
from nnanno.sample import *
sampler = nnSampler()
df = sampler.create_sample(1,
'photos',
start_year=1850,
end_year=1855,
step=1)
This returns a dataframe containing samples from the Newspaper Navigator data (loaded via JSON) into a Pandas DataFrame.
df.columns
The annotation part of nnanno is mainly a little bit of documentation and a few functions to help setup annotation of a sample from Newspaper Navigator using IIIF urls and the label studio annotation tool. Since we can annotate via IIIF this offers a way of annotating without having to download large amounts of data locally.
from nnanno.annotate import create_label_studio_json
The inference section of nnanno attempts to show one possible way to use IIIF to run inference against samples of Newspaper Navigator using a trained fastai model. This will allow you to make predictions against larger parts of the Newspaper Navigator data.
from nnanno.inference import *
from fastai.vision.all import *
dls = ImageDataLoaders.from_csv('../ph/ads/',
'ads_upsampled.csv',
folder='images',
fn_col='file',
label_col='label',
item_tfms=Resize(64,ResizeMethod.Squish),
num_workers=0)
learn = cnn_learner(dls, resnet18, metrics=F1Score())
learn.fit(1)
With a trained fastai model we can predict on a sample from Newspaper Navigator
predictor = nnPredict(learn, try_gpu=False)
predictor.predict_sample('ads','testinference',0.01,end_year=1850)
This returns a json
file for each year from the sample containing the original newspaper navigator data plus the predictions from your model
df = pd.read_json('testinference/1850.json')
We can access the 'decoded' predictions
df['pred_decoded'].value_counts()
or work with the probabilities directly
df.iloc[:5,-2]
This work was support by Living with Machines. This project, funded by the UK Research and Innovation (UKRI) Strategic Priority Fund, is a multidisciplinary collaboration delivered by the Arts and Humanities Research Council (AHRC), with The Alan Turing Institute, the British Library and the Universities of Cambridge, East Anglia, Exeter, and Queen Mary University of London.


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My Project
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#include <CMap.hpp>
Public Member Functions | |
| CMap (std::string name, int max_objects, int length, int width) | |
| CMap () | |
| void | new_object (_object object) |
| void | destroy_object (int x, int y) |
| void | draw_map (int x, int y) |
| void | setDrawCircles (bool drawCircles) |
| _object * | getObjects () |
| int | getNobject () |
| ~CMap () | |
| Public Member Functions inherited from Map | |
| Map () | |
| virtual bool | save_map (std::string pathname) |
| virtual bool | load_map (std::string pathname) |
| virtual int | serialize (char *buffer) |
| virtual void | deserialize (char *buffer) |
| _object * | getObjects () |
| ~Map () | |
Additional Inherited Members | |
| Protected Attributes inherited from Map | |
| int8_t | type |
| char | name [50] |
| _object * | objects |
| int16_t | length |
| int16_t | width |
| int16_t | max_objects |
| int16_t | n_object |
| CMap::CMap | ( | std::string | name, |
| int | max_objects, | ||
| int | length, | ||
| int | width | ||
| ) |
| CMap::CMap | ( | ) |
| CMap::~CMap | ( | ) |
| void CMap::destroy_object | ( | int | x, |
| int | y | ||
| ) |
| void CMap::draw_map | ( | int | x, |
| int | y | ||
| ) |
|
inline |
|
inline |
| void CMap::new_object | ( | _object | object | ) |
|
inline |


{% extends "django_nova/images/base.html" %} {% block title %} - Launch an Image{% endblock %} {% block headerjs %} {% endblock %} {% block content %}
Images are snapshots of running systems which can easily be deployed to run one or more instances.