| DOSE: |
18 mg |
oral |
2C-E |
(powder / crystals) |
Background: I am male, at the time of this experience 22 years old and weighing around 120 pounds. I do not use prescription or over-the-counter medications, but drink yerba mate and smoke marijuana on a daily basis. I am pretty familiar with psychedelics. In terms of substances similar to 2C-E, I had experimented extensively with 2C-I at doses ranging from 5 to 30 milligrams, and also had experiences using Trichocereus cacti (peruvian torch and san pedro). I am also experienced with mushrooms, MDMA, ayahuasca-type brews and LSD. I was very cautious experimenting with 2C-E, starting out my trials at just 3 milligrams and working up slowly. Given the reputation this compound has for being an intense and often challenging (but rewarding) experience, I did not wish to go off the deep end.
Substance: 2,5-dimethoxy-4-ethylphenethylamine (2C-E)
Dosage: 18 milligrams taken in a little fruit juice after a light breakfast. I do not have a milligram scale, so instead I took a larger known amount (500 mg) and dissolved it in a known amount of 40% alcohol so I could use the liquid measuring technique, allowing me to accurately dose in increments of 0.5 milligrams.
Previous experience: Trials of this compound at 3, 5, 8 and 12 milligrams. All levels were active, with effects developing quickly after about an hour. At 8 and 12 milligram dosages a plus two was reached, with some interesting visual patterning with eyes open and visual imagery with eyes closed. Body load at the 8 and 12 mg levels was already noticeably stronger than with, say, 20 milligrams of 2C-I.
Effects on body noticed at 18 milligrams:
Strong stimulation and energy tremor
Muscle tension and aching
Jaw clenching
Mydriasis (pupil dilation)
Feeling of tightness and rawness in throat
Increased production of mucous in nasal passageways, coughing reflex
Slight nausea
Anorexia (blunted appetite)
Restlessness
Changes in body temperature regulation (chills and flushes)
A day in the park on 2C-E
I wanted to experience the true potential of 2C-E. A recent trial at 12 milligrams, the highest I had yet attempted, had given me a taste. It reminded me a lot of a low-dose acid trip, combined with an amphetamine-like speediness and some nausea. I figured if I was going to be dealing with this amount of body load, I might as well at least up the dosage hoping for some spectacular mental effect which would offset the annoying sense of being overstimulated. I didn’t want to go higher than 18 milligrams just yet, figuring increasing the dosage by 50% over what I’d taken last time should be plenty.
After taking the 2C-E I smoked a couple bowls of pot, hoping to ward off any queasiness during onset. The first thing I noticed was a bit of a jagged alerted feeling, slightly restless and anxious. Around forty minutes after dosing I began seeing things move and shift ever so slightly. The effects started coming in waves, stimulation and a kind of confused mental agitation would overtake me at moments. I laid down for the rest of the onset, and this was much more comfortable. Any stomach twinges disappeared as soon as I lay down.
Until about the third hour into the experience everything was just building up and building up. The waves of effects were becoming more intense now. In previous trials I had been startled at how lucid and rational my thoughts remained on this substance. This same sense of lucidity, of clear-headed tripping, was definitely present at this higher dosage. At the peak of a wave, my thoughts were not nearly so chaotic and disordered as on a sufficient amount of mushrooms or LSD. In between waves, I had enough attention span to attentively read large sections of PIHKAL. I got all caught up in reading of the Shulgin’s research group tripping together on mescaline. Reading took a little longer than normal, but only because I pondered each line deeply until I felt I really understood and resonated with the meaning that each sentence contained.
The visuals were getting stronger too. Mostly I noticed that whenever I moved my head I would see trails behind. Not phosphorescent, glowing trails. More of a brown, earthy trailing effect, fading quickly. Colours were intensified, and white surfaces seemed filled with gentle waves of rainbows, not vibrant but more muted and understated.
The stimulation, and just this tense feeling inside kept growing bigger. Building up the pressure. The release came quite suddenly, without much warning. There was a sensation part pleasant and part painful. There was this feeling like God had put the tip of his finger through my skull and was gently tickling my brain. A sort of shivery-revelatory sensation round the top of the head. At the same time, opening of the heart. An emotional release, almost violent. A few tears forced out of me then trembling I began to breath deeply past the pain. It was okay to feel this way, because I was now profoundly open, to life, to awareness, to emotion. This is what it feels like to be fully alive, it’s both exhilerating and terrifying.
This cathartic effect, the emotional release given by the 2C-E, enabled me to view my life with a certain amount of honesty and distance not normally possible. I thought awhile about some of my hopes and fears, and also reflecting on some habitual patterns I have fallen into. It certainly gave me a new perspective. I would compare the emotional opening I felt to that caused by MDMA, a feeling of being absolute honest with myself. However, the way I had gotten into this space was so different than with MDMA. I wasn’t being pushed and prodded into a euphoric state where I could accept things more easily. No, unlike MDMA I was going to have to work for it this time.
2C-E has been described as emotionally “neutral” or even “unfriendly”. I’m not sure I’d go so far as to call it unfriendly, but it certainly seems a lot more suited to therapeutic use than to recreational use. I wouldn’t take 2C-E hoping to have a good time. It seemed to wind me all up, bring all this emotional baggage up to the conscious, then BAM! Hit me with it all at once. A full-frontal assault forcing me into an open-hearted state of awareness. Not smooth, not gentle, but quite rewarding nonetheless.
After this I felt a great sense of relief. The tension that had been building was now dissipating slightly. I began to settle in and enjoy the experience a little more. A vague euphoria, and pleasant body buzz were evident. Sometimes that feeling of divine revelation, of God gently teasing and tickling my brain, would come back.
Getting up briefly I realized I was a little more affected than I had suspected when lying down. It was a little hard to walk straight, and everything kept moving around in the periphery of my vision in a slightly disconcerting way. Sounds and sights were blending together quite smoothly. I was feeling rather weak and shaky, with a tightness in the stomach, now around 4 hours into the trip.
I prepared a cup of yerba mate and a small piece of bread with cheddar cheese, hoping some food and liquids would replenish my strength and hopefully settle my stomach. Biting and chewing felt incredibly strange, and it took me a good while to eat that bit of bread and cheese because I had so little appetite, I’d have to leave it after every couple bites. Somehow I managed to log onto the internet and pull up some beautiful pictures of flowering peruvian torch cacti, all without being consciously aware of what I was doing. I sort of came to staring at these pictures, going, my don’t these look lovely!
In a lot of ways I found 2C-E to be very much like peruvian torch cactus. The strong effects on the body with each are similar, and I found the visual effects of the 2C-E very much like mescaline visuals.  This particular visual effect I’ve only experienced with cactus and (now) 2C-E, not with any other psychedelic. All the depth and richness of cactus is there in 2C-E as well, it’s not a sort of light, fluffy psychedelic like 2C-I. The only significant difference I noticed was the neutral and lucid headspace on 2C-E. Cactus I find a bit warmer.
I decided a change of scenery and a stroll were in order, so taking a backpack with essentials (water, wallet, sweater for if it got cold, and PIHKAL to continue reading) I headed out to the local park. It was a little bit confusing, orienting myself to walking and sitting rather than lying down, but I did okay. Some slight paranoia when encountering other people walking their dogs and such, after all I was still at a solid plus three and not really comfortable about interacting with others. Some birds flew across my path leaving crazy tracers behind them.  There were a lot of birds out in the park, I spent some time watching a woodpecker hard at work looking for insects, and all these chirps and bird songs around me gave me a sensation of being in the jungle somewhere.
2C-E is certainly tenacious, I’ll give it that. Almost fully up after only an hour, and that plateau didn’t let up much until the seventh hour. I ran into a friend and we smoked a small joint that I had rolled and been carrying around for about an hour, still too high to contemplate smoking it. The three tokes I had off the joint (nice organic weed, mind you) got me really, really high. I didn’t feel the pot much, but it sure kicked the 2C-E back in. We were sitting in a car to smoke, and I felt very uncomfortable being confined into this little space. The overstimulated feeling was coming over me strongly again. After the joint I had a great deal of difficulty following the train of conversation and spent a lot of time sort of lolling sideways with the intensity of it all, playing with my favourite quartz crystal.
My friend was off to go drinking, and I definitely was not up for being anywhere near a bar, so I just stayed in the park. By now I was coming down enough to be able to read some more of PIHKAL and just bask in the low rays of golden sunshine.  The weak shaky feeling was back, and even if I wasn’t very hungry I figured eating was a good idea.
Shortly thereafter the sun went down and the temperature dropped rapidly. I headed back home, drank some more yerba mate and watched some mindless TV while the last of the effects whiled away. At around T + 9 hours the psychedelic effects were pretty much gone. However, a residual stimulation and muscle tension continued long after this. Even now at T + 15 hours I am too stimulated to go to sleep, hence writing this report.
Overall this experience was more positive than negative. I can imagine myself taking the dosage a little higher, but probably wouldn’t go over 25mg. I hope the body load doesn’t continue to get worse at higher dosages, as it could become unbearable. In future I would take the 2C-E on a full stomach, as the appetite killing effect is quite long-lived.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Reports: Serie A star rejects Real Madrid & Barcelona in favour of Atletico Madrid move
Brescia and Italy midfielder Sandro Tonali is one of the highly-rated youngsters currently playing in Serie A and teams like Real Madrid and Barcelona are scouting the 19-year-old. While Barcelona believe Tonali can replace Sergio Busquets for the long-term, Madrid believe he can take Casemiro’s spot in the side.
However, if reports from Don Balon are to be believed, the midfielder has already picked the La Liga club he wants to play for and it’s neither Real nor Barcelona. Diego Simeone’s Atletico Madrid have registered their interest in the youngster and the report claims that Tonali prefers a move to the Wanda Metropolitano over the two giants of Spanish football.
While a January move isn’t on the cards, Atletico could move in for him in the summer with midfielder Thomas Partey being linked to a move away from the club. Tonali has been compared with the likes of Andrea Pirlo and Gennaro Gattuso in the past.
“It’s tough to pick one of those champions,” Tonali had told Rai Sport after being compared to Pirlo, Gattuso and Daniele De Rossi.
“Maybe a mix of all of them would be perfect. I guess there are similarities with Pirlo in a way but I also add a lot of grit in there, so maybe more Gattuso.”


Graph streched to fit inside a jquery UI resizable DIV
number of ticks adjust as the size of the graph changes to avoid tick label overlap.


As Bayesian models usually generate a lot of samples (iterations), one could want to plot them as well, instead (or along) the posterior “summary” (with indices like the 90% HDI). This can be done quite easily by extracting all the iterations in get_predicted
from the psycho
package.
The Model
# devtools::install_github("neuropsychology/psycho.R") # Install the last psycho version if needed
# Load packages
library(tidyverse)
library(psycho)
# Import data
df <- psycho::affective
# Fit a logistic regression model
fit <- rstanarm::stan_glm(Sex ~ Adjusting, data=df, family = "binomial")
We fitted a Bayesian logistic regression to predict the sex (W / M) with one’s ability to flexibly adjust to his/her emotional reaction.
Plot
To visualize the model, the most neat way is to extract a “reference grid” (i.e., a theorethical dataframe with balanced data). Our refgrid is made of equally spaced predictor values. With it, we can make predictions using the previously fitted model. This will compute the median of the posterior prediction, as well as the 90% credible interval. However, we’re interested in keeping all the prediction samples (iterations). Note that get_predicted
automatically transformed log odds ratios (the values in which the model is expressed) to probabilities, easier to apprehend.
# Generate a new refgrid
refgrid <- df %>%
dplyr::select(Adjusting) %>%
psycho::refdata(length.out=10)
# Get predictions and keep iterations
predicted <- psycho::get_predicted(fit, newdata=refgrid, keep_iterations=TRUE)
# Reshape this dataframe to have iterations as factor
predicted <- predicted %>%
tidyr::gather(Iteration, Iteration_Value, starts_with("iter"))
# Plot all iterations with the median prediction
ggplot(predicted, aes(x=Adjusting)) +
geom_line(aes(y=Iteration_Value, group=Iteration), size=0.3, alpha=0.01) +
geom_line(aes(y=Sex_Median), size=1) +
ylab("Probability of being a man\n") +
theme_classic()
Credits
This package helped you? Don’t forget to cite the various packages you used :)
You can cite psycho
as follows:
- Makowski, (2018). The psycho Package: an Efficient and Publishing-Oriented Workflow for Psychological Science. Journal of Open Source Software, 3(22), 470. https://doi.org/10.21105/joss.00470
Previous blogposts
- Copy/paste t-tests Directly to Manuscripts
- APA Formatted Bayesian Correlation
- Fancy Plot (with Posterior Samples) for Bayesian Regressions
- How Many Factors to Retain in Factor Analysis
- Beautiful and Powerful Correlation Tables
- Format and Interpret Linear Mixed Models
- How to do Repeated Measures ANOVAs
- Standardize (Z-score) a dataframe
- Compute Signal Detection Theory Indices


THtmlViewer component
Use method LoadFromString instead.
procedure LoadStrings(Strings: ThtStrings; const Reference: ThtString = '');
The LoadStrings method loads an HTML document from a TStrings object.
Reference is an optional reference parameter.
Example
Assume an HTML document exists in a TMemo object. The following line of code could be used to then copy the document to an THtmlViewer object:
Viewer.LoadStrings(Memo1.Lines);


Trading_RecommendationValidationRulesType Class Reference
| Inherits from | NSObject |
| Conforms to | PicoBindable |
| Declared in | Trading_RecommendationValidationRulesType.h Trading_RecommendationValidationRulesType.m |
Overview
Defines rules for recommended Item Specifics. The rules apply when
the Item Specific is subsequently used in AddItem and related calls.
@ingroup EBayAPIInterface
Tasks
-
valueType
The data type (e.g., decimal) that eBay expects the value to
property
adhere to in listing requests.
Only returned if the data type is not Text.
In some cases, more details about the data type are returned
in the ValueFormat field.
As buyers may search on the value you specify in AddItem,
the ISBN, UPC, or EAN should match the value that was specified by
the publisher or manufacturer. -
minValues
Minimum number of values that you can specify for this Item Specific
property
in listing requests. Not returned if zero (0).
If 1 or more, it means this Item Specfic is required
in listing requests (in the specified category). (Your listing
request will return errors if the Item Specific is not present.)
If Relationship is also present, it means this Item Specific is
required when you specify its parent value in listing requests. -
maxValues
Maximum number of values that you can specify for this Item Specific
property
in listing requests (like AddItem) in the specified
category.
Most Item Specifics can only have one value. When this is
greater than 1, your application can present the value
recommendations (if any) as a multi-select list to the seller.
(See SelectionMode to determine whether the seller needs to
choose from eBay’s recommendations or not.) -
selectionMode
Controls whether you can specify your own name and value
property
in listing requests, or if you need to use a name and/or value
that eBay has defined. -
confidence
Indicates eBay’s confidence that this is the right name or value,
property
given the data you specified your request. The confidence is based
on historical items in the same category, with similar titles
(if specified).
For example, in GetItemRecommendations, if your request includes a
title with words like “Blue T-Shirt”, then Color=Blue is likely to
have a higher confidence score than Color=Red in the response.
If the title does not include a recognized color value,
then Color may still have a high confidence score
(based on historical item data in the category), but the scores for
Blue and Red may have a more even distribution.
Only returned when IncludeConfidence is true in the request.
Not returned when SelectionMode is Prefilled. -
relationship
Indicates the Item Specific’s logical dependency on another
property
Item Specific, if any.
For example, in a clothing category, Size Type could be
recommended as a parent of Size, because Size=XL would
mean something different to buyers when
Size Type=Juniors or Size Type=Regular.
Or in the US (in the future), a list of cities can vary depending
on the state, so State could be recommended as a parent of City.
Currently, categories only recommend a maximum of one parent
for an Item Specific.
For example, Size=XL could have a Size Type=Juniors
parent in a Juniors clothing category.
In the future, some categories may recommend multiple parents.
For example, City=Mountain View could have parents like
State=California, State=New York, and State=North Carolina.
If an Item Specific has value dependencies (i.e., if it has value recommendations that contain Relationship), then
all of its value recommendations are returned (regardless of the
number you specified in MaxValuesPerName). -
variationPicture
Indicates whether the name (e.g., Color) can (or must) be used to
property
classify the variation pictures. -
variationSpecifics
Indicates whether the recommended name/value pair can be used in
property
Item.Variations in AddFixedPriceItem and related calls.
For example, a given category could disable a name like Brand
in variation specifics (if Brand is only allowed in the item specifics at the Item level). The same category could
enable a name like Size for variation specifics
(in addition to recommending it for item specifics).
If not returned, then the name/value can be used for
both variation specifics and item specifics. -
valueFormat
The format of the data type (e.g., date format) that eBay
property
expects the item specific’s value to adhere to in listing requests.
A data type identified by the ValueType field may have different
representations, and ValueFormat specifies the precise format
that is required. -
any
(public property)
property
Properties
any
(public property)
@property (nonatomic, retain) NSMutableArray *any
Discussion
(public property)
entry type : PicoAnyElement, wrapper for primitive anyelement
Declared In
Trading_RecommendationValidationRulesType.h
confidence
Indicates eBay’s confidence that this is the right name or value,
given the data you specified your request. The confidence is based
on historical items in the same category, with similar titles
(if specified).
For example, in GetItemRecommendations, if your request includes a
title with words like “Blue T-Shirt”, then Color=Blue is likely to
have a higher confidence score than Color=Red in the response.
If the title does not include a recognized color value,
then Color may still have a high confidence score
(based on historical item data in the category), but the scores for
Blue and Red may have a more even distribution.
Only returned when IncludeConfidence is true in the request.
Not returned when SelectionMode is Prefilled.
@property (nonatomic, retain) NSNumber *confidence
Discussion
Indicates eBay’s confidence that this is the right name or value,
given the data you specified your request. The confidence is based
on historical items in the same category, with similar titles
(if specified).
For example, in GetItemRecommendations, if your request includes a
title with words like “Blue T-Shirt”, then Color=Blue is likely to
have a higher confidence score than Color=Red in the response.
If the title does not include a recognized color value,
then Color may still have a high confidence score
(based on historical item data in the category), but the scores for
Blue and Red may have a more even distribution.
Only returned when IncludeConfidence is true in the request.
Not returned when SelectionMode is Prefilled.
type : NSNumber, wrapper for primitive int
Declared In
Trading_RecommendationValidationRulesType.h
maxValues
Maximum number of values that you can specify for this Item Specific
in listing requests (like AddItem) in the specified
category.
Most Item Specifics can only have one value. When this is
greater than 1, your application can present the value
recommendations (if any) as a multi-select list to the seller.
(See SelectionMode to determine whether the seller needs to
choose from eBay’s recommendations or not.)
@property (nonatomic, retain) NSNumber *maxValues
Discussion
Maximum number of values that you can specify for this Item Specific
in listing requests (like AddItem) in the specified
category.
Most Item Specifics can only have one value. When this is
greater than 1, your application can present the value
recommendations (if any) as a multi-select list to the seller.
(See SelectionMode to determine whether the seller needs to
choose from eBay’s recommendations or not.)
type : NSNumber, wrapper for primitive int
Declared In
Trading_RecommendationValidationRulesType.h
minValues
Minimum number of values that you can specify for this Item Specific
in listing requests. Not returned if zero (0).
If 1 or more, it means this Item Specfic is required
in listing requests (in the specified category). (Your listing
request will return errors if the Item Specific is not present.)
If Relationship is also present, it means this Item Specific is
required when you specify its parent value in listing requests.
@property (nonatomic, retain) NSNumber *minValues
Discussion
Minimum number of values that you can specify for this Item Specific
in listing requests. Not returned if zero (0).
If 1 or more, it means this Item Specfic is required
in listing requests (in the specified category). (Your listing
request will return errors if the Item Specific is not present.)
If Relationship is also present, it means this Item Specific is
required when you specify its parent value in listing requests.
type : NSNumber, wrapper for primitive int
Declared In
Trading_RecommendationValidationRulesType.h
relationship
Indicates the Item Specific’s logical dependency on another
Item Specific, if any.
For example, in a clothing category, Size Type could be
recommended as a parent of Size, because Size=XL would
mean something different to buyers when
Size Type=Juniors or Size Type=Regular.
Or in the US (in the future), a list of cities can vary depending
on the state, so State could be recommended as a parent of City.
Currently, categories only recommend a maximum of one parent
for an Item Specific.
For example, Size=XL could have a Size Type=Juniors
parent in a Juniors clothing category.
In the future, some categories may recommend multiple parents.
For example, City=Mountain View could have parents like
State=California, State=New York, and State=North Carolina.
If an Item Specific has value dependencies (i.e., if it has value recommendations that contain Relationship), then
all of its value recommendations are returned (regardless of the
number you specified in MaxValuesPerName).
@property (nonatomic, retain) NSMutableArray *relationship
Discussion
Indicates the Item Specific’s logical dependency on another
Item Specific, if any.
For example, in a clothing category, Size Type could be
recommended as a parent of Size, because Size=XL would
mean something different to buyers when
Size Type=Juniors or Size Type=Regular.
Or in the US (in the future), a list of cities can vary depending
on the state, so State could be recommended as a parent of City.
Currently, categories only recommend a maximum of one parent
for an Item Specific.
For example, Size=XL could have a Size Type=Juniors
parent in a Juniors clothing category.
In the future, some categories may recommend multiple parents.
For example, City=Mountain View could have parents like
State=California, State=New York, and State=North Carolina.
If an Item Specific has value dependencies (i.e., if it has value recommendations that contain Relationship), then
all of its value recommendations are returned (regardless of the
number you specified in MaxValuesPerName).
entry type : class Trading_NameValueRelationshipType
Declared In
Trading_RecommendationValidationRulesType.h
selectionMode
Controls whether you can specify your own name and value
in listing requests, or if you need to use a name and/or value
that eBay has defined.
@property (nonatomic, retain) NSString *selectionMode
Discussion
Controls whether you can specify your own name and value
in listing requests, or if you need to use a name and/or value
that eBay has defined.
type: string constant in Trading_SelectionModeCodeType.h
Declared In
Trading_RecommendationValidationRulesType.h
valueFormat
The format of the data type (e.g., date format) that eBay
expects the item specific’s value to adhere to in listing requests.
A data type identified by the ValueType field may have different
representations, and ValueFormat specifies the precise format
that is required.
@property (nonatomic, retain) NSString *valueFormat
Discussion
The format of the data type (e.g., date format) that eBay
expects the item specific’s value to adhere to in listing requests.
A data type identified by the ValueType field may have different
representations, and ValueFormat specifies the precise format
that is required.
type: string constant in Trading_ValueFormatCodeType.h
Declared In
Trading_RecommendationValidationRulesType.h
valueType
The data type (e.g., decimal) that eBay expects the value to
adhere to in listing requests.
Only returned if the data type is not Text.
In some cases, more details about the data type are returned
in the ValueFormat field.
As buyers may search on the value you specify in AddItem,
the ISBN, UPC, or EAN should match the value that was specified by
the publisher or manufacturer.
@property (nonatomic, retain) NSString *valueType
Discussion
The data type (e.g., decimal) that eBay expects the value to
adhere to in listing requests.
Only returned if the data type is not Text.
In some cases, more details about the data type are returned
in the ValueFormat field.
As buyers may search on the value you specify in AddItem,
the ISBN, UPC, or EAN should match the value that was specified by
the publisher or manufacturer.
type: string constant in Trading_ValueTypeCodeType.h
Declared In
Trading_RecommendationValidationRulesType.h
variationPicture
Indicates whether the name (e.g., Color) can (or must) be used to
classify the variation pictures.
@property (nonatomic, retain) NSString *variationPicture
Discussion
Indicates whether the name (e.g., Color) can (or must) be used to
classify the variation pictures.
type: string constant in Trading_VariationPictureRuleCodeType.h
Declared In
Trading_RecommendationValidationRulesType.h
variationSpecifics
Indicates whether the recommended name/value pair can be used in
Item.Variations in AddFixedPriceItem and related calls.
For example, a given category could disable a name like Brand
in variation specifics (if Brand is only allowed in the item specifics at the Item level). The same category could
enable a name like Size for variation specifics
(in addition to recommending it for item specifics).
If not returned, then the name/value can be used for
both variation specifics and item specifics.
@property (nonatomic, retain) NSString *variationSpecifics
Discussion
Indicates whether the recommended name/value pair can be used in
Item.Variations in AddFixedPriceItem and related calls.
For example, a given category could disable a name like Brand
in variation specifics (if Brand is only allowed in the item specifics at the Item level). The same category could
enable a name like Size for variation specifics
(in addition to recommending it for item specifics).
If not returned, then the name/value can be used for
both variation specifics and item specifics.
type: string constant in Trading_VariationSpecificsRuleCodeType.h
Declared In
Trading_RecommendationValidationRulesType.h


Games and Sports Council, IIT Kanpur
{{heading}}
Ranking
Name
Distance
Trips
{{data | safe}}
Follow Games and Sports Council, IIT Kanpur
Made with
♥
by
GnS Web Team, IITK


It is pretty simple, prepare your markup and initialize "animateTo".
$('.product').animateTo('#cart');
cloneClone the element or use it itself. (default:
true
)useTransitionUse css3 transitions or jQuery's builtin
animate
-method.
(default: false
)durationThe animation speed. (default:
900
)easingThe easing method you want to use. (default:
'swing'
)extendAnimationObject to extend the cloned elements css-styling. (default:
{opacity: 0}
)
@yckart #fastkey
http://yckart.com
Copyright (c) 2012 Yannick Albert (http://yckart.com/)
Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the "Software"), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions:
The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.
THE SOFTWARE IS PROVIDED 'AS IS', WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.


About me
I'm Sean Brennan. I work at Darkwind media, and I also teach classes at RIT.
I make games, I've worked on games like Wulverblade and République. I've also worked on as a project lead on non-game projects like CraneBrain3D.
Some of my skills include:
- Languages: C#, D, C++, HTML, CSS, PHP
- Engines: Unity, Unreal
- Technology: Jetbrains Rider, Visual Studio, Brackets, Git, Perforce


Search across primary pages, code, and web properties.
'; // Build request and send to Google Ajax Search API $request = file_get_contents($url); if ($request === FALSE) { // API call failed, display message to user echo 'It looks like we can\'t communicate with the API at the moment.
'."\n"; exit(); } // Decode json object(s) out of response from Google Ajax Search API $result = json_decode($request, true); // Get values in json data for number of search results returned $totalItems = isset($_GET['totalItems']) ? strip_tags((int)$_GET['totalItems']) : $result['queries']['request'][0]['totalResults']; if ($totalItems <= 0) { // Empty results, display message to user echo 'Sorry, there were no results
'."\n"; } else { // Make sure some results were returned, show results as html with result numbering and pagination ?>Sort: Relevance or Date | Category: All
(About results)
1) ? ($start - $limit) : null; $previous = (!is_null($previous) && ($previous < 1)) ? 1 : $previous; // Calculate new start value for "next" link $next = (($start + $limit) <= $totalItems) ? ($start + $limit) : null; if ($next >= 100) { $next = null; } // Display previous and next links if applicable if (!is_null($previous) || !is_null($next)) { ?>


our market shop
home
our avalibel shop around contryes
branch Name
Min customer per hour
Max customer per hour
Num of cookies for single customer
Salmon Cookies land: Sales Data


Instructions
In this experiment, you will read two passages of text. Please pay attention. We will ask you some questions about the text afterwards.
NB: In this experiment you will be rewarded with an additional bonus based on the number of words that you will be assigned to read (up to a maximum of 1.50 $).


An Interactive Open Data Visualization tool for Mumbai City
A smarter context based phonebook Collaboration with Microsoft Research
A virtual reality immersive exploration of the city of Kolkata
An interactive tool to visualize Chai(tea) shops in the institute
A Holographic Interface for exhibitsResearch collaboration with CSMVS
Parametric Furniture Design and Fabrication for Urban Homes
Gesture controlled explorer for artifactsResearch collaboration with CSMVS
Research internship for a fulldome immersive installation with JSW
A Smart Media Exploration. Embedding information in existing media
Lenovo Game Design Third PrizeLaika, the dog saves the world
A community wide healthcare monitoring service using wearables
Security system for the elderlyusing IOTs and wearables
Extensive User Studies on Doctors and Patients for a Healthcare Startup
Design and development of a portfolio website for Architect Vikas Dilawari
A Service Design project for the IIT Bombay placements process
Information design for data of NOTA votes at the National Elections
An Interactive installation for India HCI at IIT Delhi
An Interactive installation for Typoday 2015 at IIT Bombay
Design and Brand Guidelines for the IIT Bombay Heritage fund website
Pre-2014 WorksProjects and Competitions


...and it is possibly useless
(defn main-loop [dt]
(update dt)
(render dt))
But, where is the state (world)?
(defn main-loop [world dt]
(let [new-world (update world dt)]
(render new-world dt)
new-world))
But, where are the user inputs (events)?
(defn main-loop [world events dt]
(let [new-world (update world events dt)]
(render new-world dt)
new-world))
Not bad.

We need to call render once every 16.667ms to keep our game running at 60fps.
[................] 0/16 ms
[ ]
[ ]
[UUUUU...........] 5/16 ms
[ ]
[ ]
[UUUUURRR........] 8/16 ms
[ ]
[ ]
[UUUUURRR........]
[UUURRRRRRRRRRRRR] 16/16 ms
[ ]
[UUUUURRR........]
[UUURRRRRRRRRRRRR] 16/16 ms
[RRRRRRRRRRR.....] 11/16 ms
update
immediately after render
?render
and update
in separate threads?Basically...
(defn timestamp [] (System/currentTimeMillis))
...but more precisely
(defn timestamp []
(-> (System/nanoTime)
(/ 1000000.0)))
(defn make-dtfn []
(let [t (atom (timestamp))]
(fn []
(let [now (timestamp)
dt (- now @t)]
(reset! t now)
dt))))
Usage:
(let [dtfn (make-dtfn)]
(println (dtfn)) ;; 0.12153200060129166
(Thread/sleep 1000)
(println (dtfn)) ;; 1001.2701580002904
(println (dtfn)) ;; 0.9757639989256859
(Thread/sleep 1000)
(println (dtfn))) ;; 1061.0490560010076
Practically integers should be alright.
(def escape-hatch (promise))
(while (not (realized? escape-hatch))
...)
(deliver escape-hatch nil)
Are they supposed to be equal?
(let [dtfn (make-dtfn)]
(loop [world (make-world)]
(let [events (query-events)
dt (dtfn)]
(recur (main-loop world events dt)))))

(let [dtfn (make-dtfn)]
(loop [world (make-world)]
(let [events (query-events)
dt (dtfn)
new-world (main-loop world events dt)]
(Thread/yield) ;; <--
(recur new-world))))
(let [dtfn (make-dtfn)
escape-hatch (promise)] ;; <--
(loop [world (make-world)]
(let [events (query-events)
dt (dtfn)
new-world (main-loop world events dt escape-hatch)]
(if-not (realized? escape-hatch) ;; <--
(do
(Thread/yield)
(recur new-world))))))
function love.load() ... end
function love.update() ... end
function love.draw() ... end
-- Example: Basic callbacks
function love.load()
love.graphics.setFont(
love.graphics.newFont(11)
)
end
elapsed = 0
-- Update: Called each frame. Update the
-- state of your game here.
function love.update(dt)
elapsed = elapsed + dt
end
-- Draw: Called each frame. The game
-- should be drawn in this functions.
function love.draw()
love.graphics.print(
"Elapsed time: " .. elapsed, 100, 100
)
end
function love.run()
if love.load then love.load(love.arg.parseGameArguments(arg), arg) end
-- We don't want the first frame's dt to include time taken by love.load.
if love.timer then love.timer.step() end
local dt = 0
-- Main loop time.
return function()
-- Process events.
if love.event then
love.event.pump()
for name, a,b,c,d,e,f in love.event.poll() do
if name == "quit" then
if not love.quit or not love.quit() then
return a or 0
end
end
love.handlers[name](a,b,c,d,e,f)
end
end
-- Update dt, as we'll be passing it to update
if love.timer then dt = love.timer.step() end
-- Call update and draw
if love.update then love.update(dt) end -- will pass 0 if love.timer is disabled
if love.graphics and love.graphics.isActive() then
love.graphics.origin()
love.graphics.clear(love.graphics.getBackgroundColor())
if love.draw then love.draw() end
love.graphics.present()
end
if love.timer then love.timer.sleep(0.001) end
end
end
function love.run()
-- Process events.
dt = ...
love.update(dt)
love.draw()
love.graphics.present()
love.timer.sleep(0.001)
end
(defprotocol Screen
(on-show [screen])
(on-hide [screen])
(on-render [screen])
(defprotocol Game
(start [game])
...
(render [game content])
...
(get-screen [game])
(set-screen [game screen])
...)
(reify p/Screen
(on-show [this]
(reset! state {:text-x 20 :text-y 30}))
(on-hide [this])
(on-render [this]
(p/render game
[[:fill {:color "lightblue"}
[:rect {:x 0 :y 0 :width 500 :height 500}]]
[:fill {:color "black"}
[:text {:value "Hello, world!"
:x (:text-x @state)
:y (:text-y @state)
:size 16
:font "Georgia"
:style :italic}]]])
(swap! state update :text-x inc)))
this._draw = function() {
var now = window.performance.now();
var time_since_last = now - this._lastFrameTime;
var target_time_between_frames = 1000 / this._targetFrameRate;
// only draw if we really need to; don't overextend the browser.
// draw if we're within 5ms of when our next frame should paint
// (this will prevent us from giving up opportunities to draw
// again when it's really about time for us to do so). fixes an
// issue where the frameRate is too low if our refresh loop isn't
// in sync with the browser. note that we have to draw once even
// if looping is off, so we bypass the time delay if that
// is the case.
var epsilon = 5;
if (
!this._loop ||
time_since_last >= target_time_between_frames - epsilon
) {
//mandatory update values(matrixs and stack)
this.redraw();
this._frameRate = 1000.0 / (now - this._lastFrameTime);
this._lastFrameTime = now;
// If the user is actually using mouse module, then update
// coordinates, otherwise skip. We can test this by simply
// checking if any of the mouse functions are available or not.
// NOTE : This reflects only in complete build or modular build.
if (typeof this._updateMouseCoords !== 'undefined') {
this._updateMouseCoords();
}
}
// get notified the next time the browser gives us
// an opportunity to draw.
if (this._loop) {
this._requestAnimId = window.requestAnimationFrame(this._draw);
}
}.bind(this);
this._setProperty = function(prop, value) {
this[prop] = value;
if (this._isGlobal) {
window[prop] = value;
}
}.bind(this);
p5.prototype.redraw = function(n) {
var numberOfRedraws = parseInt(n);
if (isNaN(numberOfRedraws) || numberOfRedraws < 1) {
numberOfRedraws = 1;
}
var context = this._isGlobal ? window : this;
var userSetup = context.setup;
var userDraw = context.draw;
if (typeof userDraw === 'function') {
if (typeof userSetup === 'undefined') {
context.scale(context._pixelDensity, context._pixelDensity);
}
var callMethod = function(f) {
f.call(context);
};
for (var idxRedraw = 0; idxRedraw < numberOfRedraws; idxRedraw++) {
context.resetMatrix();
if (context._renderer.isP3D) {
context._renderer._update();
}
context._setProperty('frameCount', context.frameCount + 1);
context._registeredMethods.pre.forEach(callMethod);
userDraw();
context._registeredMethods.post.forEach(callMethod);
}
}
};
(defn run-game [game screen]
(loop [{:keys [input uis] :as game} game]
(when (seq uis)
(recur (if input
(-> game
(dissoc :input)
(process-input input))
(-> game
(update-in [:world] tick-all)
(draw-game screen)
(clear-messages)
(get-input screen)))))))
Note: get-input
blocks.


Version: 0.9.0
Grove Led is connected as followed on Netduino3:
| Grove Led | Mainboard with base shield |
|---|---|
| Yellow wire | Socket D7 |
using System.Threading;
using Bauland.Grove;
using Bauland.Pins;
namespace TestLed
{
internal static class Program
{
private static void Main()
{
// Led Grove module is connected as follow:
// * yellow wire on D7
// on a base shield connected on Netduino3
Led led = new Led(Netduino3.GpioPin.D7);
while (true)
{
led.TurnOn();
Thread.Sleep(500);
led.TurnOff();
Thread.Sleep(500);
}
}
}
}


{% include "includes/contest-list.html" with heading="Open Contests" contests=contests_submission_open %}
{% include "includes/contest-list.html" with heading="Closed Contests" contests=contests_voting_open %}
{% include "includes/contest-list.html" with heading="Ended Contests" contests=contests_ended %}
{% endblock %}


This is beta version of HLS checker.
This template can discovery different streams (playlist in playlists file) and show next parameters:
There is presented ts file
Total lenght of ts file
Target duration of ts file
Duration of ts file
Spended time for download ts file
Average speed for download ts file
Not created: different paraneters of ts file from ffprobe. May be later.
You need install python2, m3u8 library and ffmpeg if you want:
apt install python python-m3u8 python-requests ffmpeg
Put script to /path_to_script/check_hls
Give him executable flag by:
chmod ugo+x check_hls
echo “UserParameter=hls[*], /usr/bin/python /path_to_script/check_hls $1 $2” > /etc/zabbix/zabbix_agentd.d/hls.conf
Import template into zabbix server
Apply template to host
Add macros {$HLSURI} = “http://yourdmain.local/playlist.m3u8”
If you have additions or comments you are welcome!
Kirill Savin
| Name | Description | Default | Type |
|---|---|---|---|
| {$HLSURI} |
URI to m3u8
 | `` | Text macro |
There are no template links in this template.
| Name | Description | Type | Key and additional info |
|---|---|---|---|
| m3u8 lists |
-
 | Zabbix agent |
hls[“-d”,{$HLSURI}]
Update: 1h
 |
| Name | Description | Type | Key and additional info |
|---|---|---|---|
| HLS playlist $2 |
-
 | Zabbix agent |
hls[“-g”,{#PROFILE}]
Update: 2m

LLD
 |
| HLS average speed $1 |
-
 | Dependent item |
hls.averagespeed[{#PROFILE}]
Update: 0

LLD
 |
| HLS duration $1 |
-
 | Dependent item |
hls.duration[{#PROFILE}]
Update: 0

LLD
 |
| HLS spended time $1 |
-
 | Dependent item |
hls.spendedtime[{#PROFILE}]
Update: 0

LLD
 |
| HLS target duration $1 |
-
 | Dependent item |
hls.target_duration[{#PROFILE}]
Update: 0

LLD
 |
| HLS total legth $1 |
-
 | Dependent item |
hls.totallength[{#PROFILE}]
Update: 0

LLD
 |
| HLS ts present $1 |
-
 | Dependent item |
hls.tsuri[{#PROFILE}]
Update: 0

LLD
 |
| Name | Description | Expression | Priority |
|---|---|---|---|
| HLS duration is different on target duration in {#PROFILE} |
-
 |
Expression: {Service HLS:hls.duration[{#PROFILE}].last()} < {Service HLS:hls.target_duration[{#PROFILE}].last()} or {Service HLS:hls.duration[{#PROFILE}].last()} > {Service HLS:hls.target_duration[{#PROFILE}].last()}

Recovery expression:
 | not classified |
| HLS duration is below 8 in {#PROFILE} |
-
 |
Expression: {Service HLS:hls.duration[{#PROFILE}].last()}<8

Recovery expression:
 | warning |
| HLS spended time is more 200ms in {#PROFILE} |
-
 |
Expression: {Service HLS:hls.spendedtime[{#PROFILE}].last()}>200

Recovery expression:
 | information |
| HLS there’s unstable bitrate in {#PROFILE} |
-
 |
Expression: {Service HLS:hls.totallength[{#PROFILE}].last()} < ({Service HLS:hls.totallength[{#PROFILE}].avg(5m)} * 0.9)

Recovery expression:
 | not classified |
| HLS TS isn’t present in {#PROFILE} |
-
 |
Expression: {Service HLS:hls.tsuri[{#PROFILE}].last()}=0

Recovery expression:
 | high |
| HLS duration is different on target duration in {#PROFILE} (LLD) |
-
 |
Expression: {Service HLS:hls.duration[{#PROFILE}].last()} < {Service HLS:hls.target_duration[{#PROFILE}].last()} or {Service HLS:hls.duration[{#PROFILE}].last()} > {Service HLS:hls.target_duration[{#PROFILE}].last()}

Recovery expression:
 | not classified |
| HLS duration is below 8 in {#PROFILE} (LLD) |
-
 |
Expression: {Service HLS:hls.duration[{#PROFILE}].last()}<8

Recovery expression:
 | warning |
| HLS spended time is more 200ms in {#PROFILE} (LLD) |
-
 |
Expression: {Service HLS:hls.spendedtime[{#PROFILE}].last()}>200

Recovery expression:
 | information |
| HLS there’s unstable bitrate in {#PROFILE} (LLD) |
-
 |
Expression: {Service HLS:hls.totallength[{#PROFILE}].last()} < ({Service HLS:hls.totallength[{#PROFILE}].avg(5m)} * 0.9)

Recovery expression:
 | not classified |
| HLS TS isn’t present in {#PROFILE} (LLD) |
-
 |
Expression: {Service HLS:hls.tsuri[{#PROFILE}].last()}=0

Recovery expression:
 | high |
This is beta version of HLS checker.
This template can discovery different streams (playlist in playlists file) and show next parameters:
There is presented ts file
Total lenght of ts file
Target duration of ts file
Duration of ts file
Spended time for download ts file
Average speed for download ts file
Not created: different paraneters of ts file from ffprobe. May be later.
You need install python2, m3u8 library and ffmpeg if you want:
apt install python python-m3u8 python-requests ffmpeg
Put script to /path_to_script/check_hls
Give him executable flag by:
chmod ugo+x check_hls
echo “UserParameter=hls[*], /usr/bin/python /path_to_script/check_hls $1 $2” > /etc/zabbix/zabbix_agentd.d/hls.conf
Import template into zabbix server
Apply template to host
Add macros {$HLSURI} = “http://yourdmain.local/playlist.m3u8”
If you have additions or comments you are welcome!
Kirill Savin
| Name | Description | Default | Type |
|---|---|---|---|
| {$HLSURI} |
URI to m3u8
 | `` | Text macro |
There are no template links in this template.
| Name | Description | Type | Key and additional info |
|---|---|---|---|
| m3u8 lists |
-
 | Zabbix agent |
hls[“-d”,{$HLSURI}]
Update: 1h
 |
| Name | Description | Type | Key and additional info |
|---|---|---|---|
| HLS playlist $2 |
-
 | Zabbix agent |
hls[“-g”,{#PROFILE}]
Update: 2m

LLD
 |
| HLS average speed $1 |
-
 | Dependent item |
hls.averagespeed[{#PROFILE}]
Update: 0

LLD
 |
| HLS duration $1 |
-
 | Dependent item |
hls.duration[{#PROFILE}]
Update: 0

LLD
 |
| HLS spended time $1 |
-
 | Dependent item |
hls.spendedtime[{#PROFILE}]
Update: 0

LLD
 |
| HLS target duration $1 |
-
 | Dependent item |
hls.target_duration[{#PROFILE}]
Update: 0

LLD
 |
| HLS total legth $1 |
-
 | Dependent item |
hls.totallength[{#PROFILE}]
Update: 0

LLD
 |
| HLS ts present $1 |
-
 | Dependent item |
hls.tsuri[{#PROFILE}]
Update: 0

LLD
 |
| Name | Description | Expression | Priority |
|---|---|---|---|
| HLS duration is different on target duration in {#PROFILE} |
-
 |
Expression: last(/Service HLS/hls.duration[{#PROFILE}]) < last(/Service HLS/hls.target_duration[{#PROFILE}]) or last(/Service HLS/hls.duration[{#PROFILE}]) > last(/Service HLS/hls.target_duration[{#PROFILE}])

Recovery expression:
 | not classified |
| HLS duration is below 8 in {#PROFILE} |
-
 |
Expression: last(/Service HLS/hls.duration[{#PROFILE}])<8

Recovery expression:
 | warning |
| HLS spended time is more 200ms in {#PROFILE} |
-
 |
Expression: last(/Service HLS/hls.spendedtime[{#PROFILE}])>200

Recovery expression:
 | information |
| HLS there’s unstable bitrate in {#PROFILE} |
-
 |
Expression: last(/Service HLS/hls.totallength[{#PROFILE}]) < (avg(/Service HLS/hls.totallength[{#PROFILE}],5m) * 0.9)

Recovery expression:
 | not classified |
| HLS TS isn’t present in {#PROFILE} |
-
 |
Expression: last(/Service HLS/hls.tsuri[{#PROFILE}])=0

Recovery expression:
 | high |
| HLS duration is different on target duration in {#PROFILE} (LLD) |
-
 |
Expression: last(/Service HLS/hls.duration[{#PROFILE}]) < last(/Service HLS/hls.target_duration[{#PROFILE}]) or last(/Service HLS/hls.duration[{#PROFILE}]) > last(/Service HLS/hls.target_duration[{#PROFILE}])

Recovery expression:
 | not classified |
| HLS duration is below 8 in {#PROFILE} (LLD) |
-
 |
Expression: last(/Service HLS/hls.duration[{#PROFILE}])<8

Recovery expression:
 | warning |
| HLS spended time is more 200ms in {#PROFILE} (LLD) |
-
 |
Expression: last(/Service HLS/hls.spendedtime[{#PROFILE}])>200

Recovery expression:
 | information |
| HLS there’s unstable bitrate in {#PROFILE} (LLD) |
-
 |
Expression: last(/Service HLS/hls.totallength[{#PROFILE}]) < (avg(/Service HLS/hls.totallength[{#PROFILE}],5m) * 0.9)

Recovery expression:
 | not classified |
| HLS TS isn’t present in {#PROFILE} (LLD) |
-
 |
Expression: last(/Service HLS/hls.tsuri[{#PROFILE}])=0

Recovery expression:
 | high |
This is beta version of HLS checker.
This template can discovery different streams (playlist in playlists file) and show next parameters:
There is presented ts file
Total lenght of ts file
Target duration of ts file
Duration of ts file
Spended time for download ts file
Average speed for download ts file
Not created: different paraneters of ts file from ffprobe. May be later.
You need install python2, m3u8 library and ffmpeg if you want:
apt install python python-m3u8 python-requests ffmpeg
Put script to /path_to_script/check_hls
Give him executable flag by:
chmod ugo+x check_hls
echo “UserParameter=hls[*], /usr/bin/python /path_to_script/check_hls $1 $2” > /etc/zabbix/zabbix_agentd.d/hls.conf
Import template into zabbix server
Apply template to host
Add macros {$HLSURI} = “http://yourdmain.local/playlist.m3u8”
If you have additions or comments you are welcome!
Kirill Savin
| Name | Description | Default | Type |
|---|---|---|---|
| {$HLSURI} |
URI to m3u8
 | `` | Text macro |
There are no template links in this template.
| Name | Description | Type | Key and additional info |
|---|---|---|---|
| m3u8 lists |
-
 | Zabbix agent |
hls[“-d”,{$HLSURI}]
Update: 1h
 |
| Name | Description | Type | Key and additional info |
|---|---|---|---|
| HLS playlist $2 |
-
 | Zabbix agent |
hls[“-g”,{#PROFILE}]
Update: 2m

LLD
 |
| HLS average speed $1 |
-
 | Dependent item |
hls.averagespeed[{#PROFILE}]
Update: 0

LLD
 |
| HLS duration $1 |
-
 | Dependent item |
hls.duration[{#PROFILE}]
Update: 0

LLD
 |
| HLS spended time $1 |
-
 | Dependent item |
hls.spendedtime[{#PROFILE}]
Update: 0

LLD
 |
| HLS target duration $1 |
-
 | Dependent item |
hls.target_duration[{#PROFILE}]
Update: 0

LLD
 |
| HLS total legth $1 |
-
 | Dependent item |
hls.totallength[{#PROFILE}]
Update: 0

LLD
 |
| HLS ts present $1 |
-
 | Dependent item |
hls.tsuri[{#PROFILE}]
Update: 0

LLD
 |
| Name | Description | Expression | Priority |
|---|---|---|---|
| HLS duration is different on target duration in {#PROFILE} |
-
 |
Expression: last(/Service HLS/hls.duration[{#PROFILE}]) < last(/Service HLS/hls.target_duration[{#PROFILE}]) or last(/Service HLS/hls.duration[{#PROFILE}]) > last(/Service HLS/hls.target_duration[{#PROFILE}])

Recovery expression:
 | not classified |
| HLS duration is below 8 in {#PROFILE} |
-
 |
Expression: last(/Service HLS/hls.duration[{#PROFILE}])<8

Recovery expression:
 | warning |
| HLS spended time is more 200ms in {#PROFILE} |
-
 |
Expression: last(/Service HLS/hls.spendedtime[{#PROFILE}])>200

Recovery expression:
 | information |
| HLS there’s unstable bitrate in {#PROFILE} |
-
 |
Expression: last(/Service HLS/hls.totallength[{#PROFILE}]) < (avg(/Service HLS/hls.totallength[{#PROFILE}],5m) * 0.9)

Recovery expression:
 | not classified |
| HLS TS isn’t present in {#PROFILE} |
-
 |
Expression: last(/Service HLS/hls.tsuri[{#PROFILE}])=0

Recovery expression:
 | high |
| HLS duration is different on target duration in {#PROFILE} (LLD) |
-
 |
Expression: last(/Service HLS/hls.duration[{#PROFILE}]) < last(/Service HLS/hls.target_duration[{#PROFILE}]) or last(/Service HLS/hls.duration[{#PROFILE}]) > last(/Service HLS/hls.target_duration[{#PROFILE}])

Recovery expression:
 | not classified |
| HLS duration is below 8 in {#PROFILE} (LLD) |
-
 |
Expression: last(/Service HLS/hls.duration[{#PROFILE}])<8

Recovery expression:
 | warning |
| HLS spended time is more 200ms in {#PROFILE} (LLD) |
-
 |
Expression: last(/Service HLS/hls.spendedtime[{#PROFILE}])>200

Recovery expression:
 | information |
| HLS there’s unstable bitrate in {#PROFILE} (LLD) |
-
 |
Expression: last(/Service HLS/hls.totallength[{#PROFILE}]) < (avg(/Service HLS/hls.totallength[{#PROFILE}],5m) * 0.9)

Recovery expression:
 | not classified |
| HLS TS isn’t present in {#PROFILE} (LLD) |
-
 |
Expression: last(/Service HLS/hls.tsuri[{#PROFILE}])=0

Recovery expression:
 | high |


Main Concepts
Dependency Injection - Introduction
If an application only consist in a dependency between two elements,
say classes for example, sure the concept is not very usefull.
To understand how powerfull it is, we have to understand that it's
really interesting when an application grows, essentially because
the developper doesn't need to know everything about a class/service
to inject it.
//The aim is still to inject A into B
//I need to instanciate A
var a= new A(); // => Error, A itself depends on A2
var a2= new A2(); // => Error, A2 itself depends on A3
// *** BEGIN ***
var a3= new A3(); // => Ouf, fine, it works
var a2= new A2(a3);
var a= new A(a2);
var b= new B(a);
// *** END ***
// All these lines are mandatory,
//I need to know that A depends on A2, A2 on A3 and to instantiate
// everything manually
// We have to specify that B depends on A
// (depends on laguages)
//A needs A2
injector.dep(A, A2)
//A2 needs A3;
injector.dep(A2, A3);
B needs A;
injector.dep(B, A)
// *** BEGIN ***
// Everywhere you need A, you just as the injector
// As a developer, you know you need A, and don't
// care about A dependencies
var a= injector.get(A);
// *** END ***


Configuration
Overview
The configuration is stored under the /etc/weather directory and consists of a series of files containing all of the required configuration for the main daemon.
The name's of each file is not important - just the presence of one or more files in that directory.
Each file is in the ini format, consisting of sections labeled [name] where name is the section name listed below.
Sections
| Section name | Description |
|---|---|
| annotation | Defines the text, font & colours used when annotating images |
| camera | Configures the camera |
| clouds | Configures the cloud sensor works |
| logging | Configures logging |
| observatory | Defines the weather stations location |
| webserver | Configures the embedded webserver |


Image Gallery
Golden Gate Bridge
Rocky Coastline
Clouds Moving in on the Coast
Waterfall Near Big Sur
Waves Crashing in on the Coast
Sunset on the Coast


The Story
If you thought about deploying BitLocker in your enterprise, you probably came across the recovery issue - if you lose the encrypting smart card, corrupt the key file, forget the password or the TPM breaks down - how can you access the data?
For small organizations, manual recovery can be enough - when bitlocker is enabled through the UI (or via cli with RecoveryPasswordProtector
), bitlocker keeps one password numeric, like<PHONE_NUMBER>56-123456-123456-123456-123456-123456-123456
, and urges you to save this password externally, so you can use it in
emergencies.
For large organizations, documenting these keys (and making sure they're kept safe) is difficult.
Because such organizations are probably good with keeping their primary store of confidential data (the Active Directory) safe, it makes sense to keep the BitLocker recovery passwords there. It's also available out-of-the-box.
There is a TechNet article about this, but I think my steps are better:
The Solution
1. Extend the AD schema
Only needed if you don't have 2008+ DCs, because their schema includes the required objects
2. Set AD permissions
Recovery passwords are saved as objects inside the computer objects, so you have to give the computers permissions to create such objects.
I think that in 2008+ domains they're already present, but it you might want to add them anyway, to make sure
3. Set GP to replicate to AD
The GP location is Computer Configuration>Administrative Templates>Windows Components>BitLocker Drive Encryption
For NT6 (Server 2008 / Vista), the setting is global and called "Store BitLocker recovery information in Active Directory Domain Services":
For newer versions, there are different settings for OS drives ("C:"), fixed data drives (additional HDs) and removable data drives (e.g. Disk-On-Keys), each under the relevant folder and called "Choose how BitLocker-protected XXX drives can be recovered":
Both GPs have settings in common:
Passwords or Packages? Each drive is actually encrypted with a long key which in turn is encrypted by the password. This negates the security vulnerabilities of encrypting large amounts of data with human-memorable passwords. As long as the drive is healthy, the password suffices to read the data because the key can be decrypted. But if the drive is damaged and the part containing the key can't be read, the password is useless.
Storing the entire key package in AD allows reading data even from a key-damaged drive.
On the other hand, storing only the password is safer (since the password can be easily changed without re-encrypting the disk, if the AD is compromised).
No Encryption Before Backup Completion: AD backup is among the first things that happen during a drive encryption (right after password and key package generation). Both GPs have a checkbox to stop the encryption process if the backup fails, saving the sysadmin (you!) from one day finding an encrypted drive with no valid AD-backed key.
4. Trigger Backup
Backups to AD only happen when BitLocker passwords are modified (so if some drive was encrypted before you completed the previous steps, the container won't be backed up). To trigger backups manually, use manage-bde
, as explained here.
If you're on Windows 8 and want a simple script to backup whatever key you have, here:
$drive = Get-BitLockerVolume | ?{$_.KeyProtector | ?{$_.KeyProtectorType -eq 'RecoveryPassword'}} | select -f 1
$key = $drive | select -exp KeyProtector | ?{$_.KeyProtectorType -eq 'RecoveryPassword'} | select -f 1
Backup-BitLockerKeyProtector $drive.MountPoint $key.KeyProtectorId
Write-Host "Backing up drive $drive, key $($key.KeyProtectorId), password $($key.RecoveryPassword)"
5. Test Search:
Use the command "Find BitLocker recovery password" under dsa.msc
:
Then enter the first "box" from the recovery guid, and make sure the password is found:
Have fun!


Ten Things You Didn’t Know: J.C. Leyendecker
1 During his career, it’s reported that J.C. Leyendecker’s magazine covers totaled more than 400, with many appearing on The Saturday Evening Post. J.C. stands for Joseph Christian.
2 Born in Montabaur, Germany, in 1874, Leyendecker immigrated to America with his family at age 8. At the age of 15, he began working days at J. Manz & Co. Engraving in Chicago, and in the evening he studied at the Chicago Art Institute.
3 He was posthumously initiated into the Society of Illustrators’ Hall of Fame in 1977. Leyendecker died of a heart attack in 1951.
4 Leyendecker and his brother, Frank, both studied at the illustrious Académie Julian in Paris, and upon their return to the U.S. in 1898, they opened an art studio in Chicago. They relocated to New York at the turn of the 20th century.
5 An oil on canvas laid on panel, titled “Man With Narrow Tie,” serving as a Cluett Shirts Arrow Collar
advertisement, circa 1910, by J.C. Leyendecker commanded $56,250 during an auction May 10, 2014, at Heritage Auctions. Leyendecker’s Arrow Collar Man is considered by many to be one of his most revolutionary works.
6.In the summer of 2015, the Norman Rockwell Museum hosted an exhibition titled “J.C. Leyendecker and The Saturday Evening Post.” Rockwell is largely considered one of the preeminent illustrators of The Saturday Evening Post, along with his predecessor, Leyendecker.
7 Leyendecker’s covers were a significant part of how The Saturday Evening Post acknowledged holidays in the early 20th century. Leyendecker’s holiday covers helped grow circulation to 2 million copies a week during that period
8.He was among a group of about 30 artists considered to be the leaders of the “Golden Age of American Illustration.” During the period of 1880 and the 1920s, Lyendecker, Howard Pyle, Jessie Willcox Smith, Maxfield Parrish, Violet Oakley, Walter Crane and Beatrix Potter, among others, established new avenues in book and magazine illustration.
9 More than 10 museums within the U.S. have permanent displays or have hosted exhibitions featuring J.C. Leyendecker’s work. The Haggin Museum in Stockton, California, features nearly 60 original pieces by Leyendecker, all acquired during the 1950s.
10 One of the most recognizable illustrations of Leyendecker’s storied career is the varied New Year Baby series he designed for the cover of The Saturday Evening Post at the beginning of each year. The last painting in that series was done in 1943, which was also the last cover Leyendecker designed for The Saturday Evening Post.


Test dx-alias/on
Test results are in the console.
Click Me
Remove Group
Click Me Once
Press and Hold Me


On this page:ViewVC Users Group |
DownloadingYou can download the ViewVC (and the older ViewCVS releases, too) from our File and Documents area. For information about what has changed in each release, see the CHANGES file. We are also making nightly snapshots available in tar.gz and zip formats. SubversionThe source code for ViewVC is maintained in a Subversion repository at Tigris.org. You can checkout the trunk of our development tree from http://viewvc.tigris.org/svn/viewvc/trunk/. You'll need to provide your Tigris.org username and password when so prompted, or, if you don't have a Tigris.org account, use "guest" as both the username and password. |


BMP --- Microsoft Windows Device Independent Bitmap
MS Windows Device Independent Bitmaps supported by the Windows kernel and
mostly used for storing system decoration images. Due to the nature of the
BMP format it has several restrictions and could not be used for general image
storing. In particular, you can create only 1-bit monochrome,
8-bit pseudocoloured and 24-bit RGB images only. Even grayscale images must
be saved in pseudocolour form.
This driver supports reading almost any type of the BMP files and could write
ones which should be supported on any Windows system. Only single- or three-
band files could be saved in BMP file. Input values will be resampled to 8
bit.
If an ESRI world file exists with the .bpw, .bmpw or .wld extension, it will be read and
used to establish the geotransform for the image.
Creation Options
- WORLDFILE=YES: Force the generation of an associated
ESRI world file (with the extension .wld).
See Also:


Community-Maintained Publications
Publications - Conference & Workshop
Guiding Hardware-Driven Turbo with Application Performance Awareness. In Proceedings of IEEE 13th International Green and Sustainable Computing Conference (IGSC) Energy Efficient HPC State of the Practice Workshop (EE HPC SOP), Sept. 2022.
Introducing Application Awareness Into a Unified Power Management Stack. In Proceedings of IEEE International Parallel and Distributed Processing Symposium (IPDPS), May 2021.
Global Extensible Open Power Manager: A Vehicle for HPC Community Collaboration on Co-Designed Energy Management Solutions. In International Conference on High Performance Computing (ISC), June 2017.
HPC Lab Resources
Media Posts
Tutorials
Boosting Power Efficiency of HPC Applications with GEOPM, ALCF Training Assets, August 2018
GEOPM Tutorial, Supercomputing Conference 2019
GEOPM Tutorial, ISC-HPC 2019
Invited Talks
Energy efficiency challenges in High Performance Computing for a symposium organized by the Centre for Development of Advanced Computing (C-DAC), India, 2019
Challenges faced by supercomputing sites in the field of energy & power-aware job scheduling and resource management, International Workshop on SRMPDS (Scheduling and Resource Management for Parallel and Distributed Systems), 2018
The PowerStack Initiative (A Community-driven Effort), EEHPC-WG Webinar Series, October 2018
Posters
Research poster on the global wide survey on energy and power-aware job scheduling and resource management, SC 2017
Research poster on the open-source power management runtime - GEOPM, SC 2017
Discussion Forums
Birds-of-a-feather sessions: SC 2017, ISC 2018, ISC 2019, ISC 2020, ISC 2021, SC 2021
HPC PowerStack workshop: SC 2019


To create a custom CSS transition, select a class name that corresponds to the name of your transition, for example "slide", and then define your "in" and "out" CSS rules to take advantage of transitions or animation keyframes:
.slide.in {
-webkit-transform: translateX(0);
-moz-transform: translateX(0);
-webkit-animation-name: slideinfromright;
-moz-animation-name: slideinfromright;
}
.slide.out {
-webkit-transform: translateX(-100%);
-moz-transform: translateX(-100%);
-webkit-animation-name: slideouttoleft;
-moz-animation-name: slideouttoleft;
}
@-webkit-keyframes slideinfromright {
from { -webkit-transform: translateX(100%); }
to { -webkit-transform: translateX(0); }
}
@-webkit-keyframes slideouttoleft {
from { -webkit-transform: translateX(0); }
to { -webkit-transform: translateX(-100%); }
}
@-moz-keyframes slideinfromright {
from { -moz-transform: translateX(100%); }
to { -moz-transform: translateX(0); }
}
@-moz-keyframes slideouttoleft {
from { -moz-transform: translateX(0); }
to { -moz-transform: translateX(-100%); }
}
During a CSS-based page transition, jQuery Mobile will place the class name of the transition on both the "from" and "to" pages involved in the transition. It then places an "out" class on the "from" page, and "in" class on the "to" page. The presence of these classes on the "from" and "to" page elements then triggers the animation CSS rules defined above. As of jQuery Mobile version 1.1, animation class additions are queued, rather than simultaneous, producing an out-then-in sequence, which is friendlier for mobile rendering than our previous simultaneous transition sequence.
If your transition supports a reverse direction, you need to create CSS rules that use the reverse
class in addition to the transition class name and the "in" and "out" classes:
.slide.in.reverse {
-webkit-transform: translateX(0);
-moz-transform: translateX(0);
-webkit-animation-name: slideinfromleft;
-moz-animation-name: slideinfromleft;
}
.slide.out.reverse {
-webkit-transform: translateX(100%);
-moz-transform: translateX(100%);
-webkit-animation-name: slideouttoright;
-moz-animation-name: slideouttoright;
}
@-webkit-keyframes slideinfromleft {
from { -webkit-transform: translateX(-100%); }
to { -webkit-transform: translateX(0); }
}
@-webkit-keyframes slideouttoright {
from { -webkit-transform: translateX(0); }
to { -webkit-transform: translateX(100%); }
}
@-moz-keyframes slideinfromleft {
from { -moz-transform: translateX(-100%); }
to { -moz-transform: translateX(0); }
}
@-moz-keyframes slideouttoright {
from { -moz-transform: translateX(0); }
to { -moz-transform: translateX(100%); }
}
After the CSS rules are in place, you simply specify the name of your transition within the @data-transition attribute of a navigation link:
Page 2
When the user clicks on the navigation link, jQuery Mobile will invoke your transition when it navigates to the page mentioned within the link.
In case you were wondering why none of the CSS rules above specified any easing or duration, it's because the CSS for jQuery Mobile defines the default easing and duration in the following rules:
.in {
-webkit-animation-timing-function: ease-out;
-webkit-animation-duration: 350ms;
-moz-animation-timing-function: ease-out;
-moz-animation-duration: 350ms;
}
.out {
-webkit-animation-timing-function: ease-in;
-webkit-animation-duration: 225ms;
-moz-animation-timing-function: ease-in;
-moz-animation-duration: 225;
}
If you need to specify a different easing or duration, simply add the appropriate CSS3 property to your custom page transition rules.
When a user clicks on a link within a page, jQuery Mobile checks if the link specifies a @data-transition
attribute. The value of this attribute is the name of the transition to use when displaying the page referred to by the link. If there is no @data-transition
attribute, the transition name specified by the configuration option $.mobile.defaultPageTransition
is used for pages, and $.mobile.defaultDialogTransition
is used for dialogs.
After the new page is loaded, the $.mobile.transitionHandlers
dictionary is used to see if any transition handler function is registered for the given transition name. If a handler is found, that handler is invoked to start and manage the transition. If no handler is found the handler specified by the configuration option $.mobile.defaultTransitionHandler
is invoked.
By default, the $.mobile.transitionHandlers
dictionary is only populated with a single handler entry called "default". This handler plays a dual purpose of either executing a "none" transition, which removes the "ui-page-active"
class from the page we are transitioning "from", and places it on the page we are transitioning "to", or a Queued CSS3 Animated Transition, such as the one explained above. If the transition is "none", it will be instantaneous; no animation, no fanfare.
The $.mobile.defaultTransitionHandler
points to a handler function that assumes the name is a CSS class name, and implements the "Pure CSS3 Based Transitions" section above.
The default transition handler is available on the $.mobile namespace:
$.mobile.transitionHandlers[ "default" ];
A transition handler is a function with the following call signature:
function myTransitionHandler(name, reverse, $to, $from)
{
var deferred = new $.Deferred();
// Perform any actions or set-up necessary to kick-off
// your transition here. The only requirement is that
// whenever the transition completes, your code calls
// deferred.resolve(name, reverse, $to, $from).
// Return a promise.
return deferred.promise();
}
Your handler must create a Deferred object and return a promise to the caller. The promise is used to communicate to the caller when your transition is actually complete. It is up to you to call deferred.resolve()
at the correct time. If you are new to Deferred objects, you can find documentation here.
Once you have created a transition handler function, you need to tell jQuery Mobile about it. To do this, simply add your handler to the $.mobile.transitionHandlers
dictionary. Remember, the key used should be the name of your transition. This name is also the same name that will be used within the @data-transition
attribute of any navigation links.
// Define your transition handler:
function myTransitionHandler(name, reverse, $to, $from)
{
var deferred = new $.Deferred();
// Perform any actions or set-up necessary to kick-off
// your transition here. The only requirement is that
// whenever the transition completes, your code calls
// deferred.resolve(name, reverse, $to, $from).
// Return a promise.
return deferred.promise();
}
// Register it with jQuery Mobile:
$.mobile.transitionHandlers["myTransition"] = myTransitionHandler;
Once you've registered your handler, you can invoke your transition by placing a data-transition
attribute on a link:
Page 2
When the user clicks the link above, your transition handler will be invoked after the page is loaded and it is ready to be shown.
As previously mentioned the default transition handler assumes that any transition name other than "none" is a CSS class to be placed on the "from" and "to" elements to kick off a CSS3 animation. If you would like to override one of these built-in CSS transitions, you simply register your own handler with the same name as the CSS page transition you want to override. So for example, if I wanted to override the built-in "slide" CSS transition with my own JavaScript based transition, I would simply do the following:
// Define your transition handler:
function myTransitionHandler(name, reverse, $to, $from)
{
var deferred = new $.Deferred();
// Perform any actions or set-up necessary to kick-off
// your transition here. The only requirement is that
// whenever the transition completes, your code calls
// deferred.resolve(name, reverse, $to, $from).
// Return a promise.
return deferred.promise();
}
// Register it with jQuery Mobile:
$.mobile.transitionHandlers["slide"] = myTransitionHandler;
Once you do this, anytime the "slide" transition is invoked, your handler, instead of the default one, will be called to perform the transition.
The $.mobile.css3TransitionHandler
function is the default transition handler that gets invoked when a transition name is used and not found in the $.mobile.transitionHandlers
dictionary. If you want to install your own custom default handler, you simply set the $.mobile.defaultTransitionHandler
to your handler:
// Define your default transition handler:
function myTransitionHandler(name, reverse, $to, $from)
{
var deferred = new $.Deferred();
// Perform any actions or set-up necessary to kick-off
// your transition here. The only requirement is that
// whenever the transition completes, your code calls
// deferred.resolve(name, reverse, $to, $from).
// Return a promise.
return deferred.promise();
}
$.mobile.defaultTransitionHandler = myTransitionHandler;
Once you do this, your handler will be invoked any time a transition name is used but not found within the $.mobile.transitionHandlers
dictionary.
Transition handlers involve a number of critical operations, such as hiding any existing page, showing the new page, scrolling either to the top or a remembered scroll position on that new page, setting focus on the new page, and any animation and timing sequences you'd like to add. During development, we would recommend using jquery.mobile.transitions.js
as a coding reference.
One of the key things jQuery Mobile does is store your scroll position before starting a transition so it can restore you to the same place once you return to the page when hitting the Back button or closing a dialog. Here are the same buttons from the top to test the scrolling logic.


FEELING MINNESOTA A film review by Steve Rhodes Copyright 1996 Steve Rhodes
RATING (0 TO ****): *
After reading a bunch of bad reviews about FEELING MINNESOTA, but hearing that Siskel and Ebert gave it two thumbs, I went wondering what they liked about it. I've now seen it, and I'm still wondering.
FEELING MINNESOTA is a would be romantic comedy, but actually is about as tasty as bowl of cold mush on a winter morning. This is a mean spirited show, that will probably make you wish you had never wasted your time. It also serves as further proof, if any is needed, that Keanu Reeves has a proclivity for choosing bad material as if his agent gets him a bonus for doing them.
In one of the first scenes, a woman named Freddie (Cameron Diaz) is being chased by some hoods through a remote Industrial district.  Instead we find the man demanding that she live up to her bargain and marry Sam Clayton (Vincent D'Onofrio).
Soon we switch to their wedding where she meets Sam's brother Jjaks (Keanu Reeves) for the first time. [No this is not a typo, his name is "Jjaks."] She quickly gets Jjaks in a bathroom and rapes him. I supposed you could label it surprise sex instead if you prefer, but certainly there is no seduction or even a hint that she likes him before she starts pulling his clothes off.
At the wedding is Sam's mother Norma played embarrassingly bad by Tuesday Weld. Here is an actress who once could charm the bark off the trees. Today she looks bloated and lifeless. Other than show up, she does nothing for the picture.
Dan Aykroyd repeats his bumbling character routine in the show. He plays a caricature of an incompetent cop by the name of Ben Costikyan. Aykroyd makes a mess of every scene he appears in, but then to be fair, so does everyone else.
I kept think about poor Minnesota. In films great (FARGO) and worthless (FEELING MINNESOTA), it is shown as a bleak and forgotten place populated by crooks and lowlifes. Granted I have only been there twice, but I liked the state. Oh well, perhaps there is a producer right now working on a picture that show the state in a better light.
Speaking of light, the cinematography by Walt Lloyd is on the dark side of depressing. He uses dull grays and blues to accentuate the saturnine tone of the writing and the directing, both by first time writer and director Steven Baigleman. Well, at least Baigleman's next film now can only be better.
The saddest part for me was watching talented and attractive Cameron Diaz give the first bad performance I had seen her give. I loved her in the great low budget film THE LAST SUPPER and thought she was good too in SHE'S THE ONE. Here her work is totally unconvincing. She gives an unsympathetic performance that makes you yearn for the real Diaz. She even has the word "slut" tattooed on her arm to make sure you get the point. Subtle this script is not.
After lots more sex between Jjaks and Freddie, included the cliched scene of them doing it in a car and then making the car roll into the traffic by hitting the gear shift lever, Jjaks decides to leave her because "it feels too good." He comes back, surprise, and they leave together. There is a subplot about Jjaks going back to get money out of his brother's house for her. Also, there is a fair of petty thievery and random violence. One gory scenes includes an ear being partially cut off and then carried around. From here, you can write the script yourself and probably guess most of it. Not that you'd want to bother of course.
Before closing, I want to share a couple of little "gems" from the script. Freddie philosophizes that, "Time is like an orange. It's round. It repeats itself. Everything happens for a reason." Probably want to put that on your wall at work. In a scene at the pool of a cheap motel that is a take off on the motel scene from LEAVING LAS VEGAS, Freddie tells Jjaks that, "I dream of being in a Las Vegas hotel where all of the towels smell like Downy Fabric Softener." Gosh, what imagery.
FEELING MINNESOTA runs 1:35. It is rated R for gory violence, a lot of sex and bad language. It is probably acceptable for mature teenagers. I did not like and do not recommend the picture. The film left me feeling much worse that when I walked in, and there was not a performance worth viewing, but I generously give it a single star for reasons that escape me. Perhaps it is self-doubt. How could a movie with stars as talented as Diaz and Reeves be this awful? Maybe I missed something, but I don't think so.
**** = One of the top few films of this or any year. A must see film. *** = Excellent show. Look for it. ** = Average movie. Kind of enjoyable. * = Poor show.  Totally unbearable.
REVIEW WRITTEN ON: September 23, 1996
Opinions expressed are mine and not meant to reflect my employer's.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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img src="Images/2011-04-23 11.48.37.jpg" width="250" height="333" alt="Aqua Building" longdesc="Images/TrumpChi.jpg" />
Park-
-Sphere


Open Source
Google Summer of Code
Google Summer of Code is a global program focused on introducing students to open source software development. Students work on a three month long programming project with an open source organization during their break from university.
Eligibility: 18+ University students
Applications Period: March
Stipend: Check here
Outreachy
Outreachy provides internships to work in open source and free software. Outreachy internships are open to applicants around the world. Interns work remotely, and are not required to move.
Eligibility: Women Cis-Trans, residents and nationals of the United States of any gender who are Black/African American, Hispanic/Latin, Native American/American Indian, Alaska Native, Native Hawaiian, or Pacific Islander.
Applications Period: February to March and September to October
Stipend: 5,000 USD
Google Season of Docs
Brings open source and technical writer communities together, to benefit them both. They aim to raise awareness of open source, of docs, and of technical writing.
Eligibility: 18+
Applications Period: May to June
Stipend: Check here
GirlsScript Summer of Code
Aims to help beginners get started with Open Source Development while encouraging diversity. Throughout the program, participants contribute to different projects under guidance of experienced mentors.
Eligibility: Everyone
Applications Period: January to February
Stipend: Top participants get exciting goodies and opportunities.
Hacktoberfest
A month-long celebration of open source software run by DigitalOcean.
Eligibility: Everyone
Applications Period: October
Stipend: Official limited edition Hacktoberfest t-shirt
The X.Org Endless Vacation of Code (EVoC)
X.Org Endless Vacation of Code (EVoC) is a Google Summer of Code (GSoC)-like project initiated in 2008 funded by the X.Org Foundation. It allows students to participate to X. Org-related projects during their vacation, at any time of the year.
Eligibility: Anyone can apply. Stipend is only provided to students with age 18+
Applications Period: Anytime throughout the year
Stipend: 5,000 USD


setting
play
p result
l result
dump
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Nimi
Poista
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{{player.name}}
Numero:
Nimi:
Per 1
Per 2
Per 3
OT
{{buttonText}}
{{counter|formatTimer}}
Line 1
Line 2
Line 3
Line 4
PP 1
PP 2
SH 1
SH 2
Own
Opp
5vs5
PP
SH
WG
EN
Event Selectors
+
Pass
-
+
1vs1 Off
-
+
1vs1 Def
-
Shot
Goal
Miss
Blocked
Your browser does not support the HTML5 canvas tag.
Your browser does not support the HTML5 canvas tag.


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killav.rb Attempts to kill all AV processes
winenum.rb Enum a windows sytem
scraper.rb harvest sysem info, including net shares, reg hives, pass hashes
persistence.rb create a persistent backdoor on host
keylogrecorder.rb Meterpreter keylogger
getgui.rb Enable RDP
show advanced and see if AutoRunScript is an option
Windows can auto migrate to a new process.
msf>setg AutoRunScript post/windows/manage/migrate
msf>setg InitialAutoRunScript post/windows/manage/migrate
InitialAutoRunScript post/windows/manage/priv_migrate no An initial script to run on session creation (before AutoRunScript)


Note: To complete these procedures, you must be assigned a role having the necessary permissions. To determine your role, follow the directions in Participant roles. For a basic understanding of roles and permissions, see Permissions and roles: Overview.
In Gradebook, you can import grades in two different ways:
You can also use the Post'Em tool to upload a
.csv
spreadsheet of grades (and feedback, if desired)
that students can view; see Using the Post'Em tool.
Note: You cannot import grades for gradebook items added from the Assignments tool; see Linking an assignment to the Gradebook.
Gradebook
.
Import Grades
.
Download
Spreadsheet Template
, choosing Save File
, and
clicking OK
.
.csv
or .xls
file.
Browse...
and choosing
the .csv
or .xls
file.
Import Spreadsheet
.
OK
.
When using this option, it's best to download the spreadsheet template
provided, as instructed in step 3 above. You can upload a different
spreadsheet in .csv
or .xls
format instead,
but if you do, format it as closely as possible to the template. The
first column should contain individuals' usernames, and the first row
should contain headings, with the title and point value for each
gradebook item as in this example:
To import gradebook items, first create a .csv
or
.xls
spreadsheet file containing columns of point-based
scores, and then upload it to the Gradebook Loading Dock. The first
row of your spreadsheet must contain headings for the columns it
contains. The first column must contain individuals' usernames.
Once you have your .csv
or .xls
file ready
for upload:
Gradebook
.
Import gradebook item from
spreadsheet
.
Upload spreadsheet
(csv or xls format) to Loading Dock
.
Browse
. Find the file
on your computer, click its name, and then click Open
.
Save
.
Ok
. If you need to
select another file, click Back
.
Once a file is uploaded to the Loading Dock, its contents become available to import as a new gradebook item. To import an uploaded file's contents as a new gradebook item:
Import
.
Import Selected
.
mm/dd/yy
format,
indicate the item's due date, or click the calendar icon
( ) to select a date using the pop-up calendar tool. This
field is not required.
Release this Item to Students
. You can deselect this
later, if necessary.
Include this item in course grade calculations
. You
can deselect this later, if necessary.
Submit
. You'll return to the
Import Preview screen, where you'll see confirmation that your item
was added. You can now select another item for import, or click the
reset icon ( ) to return to the main screen; see The reset button. You should see your imported
assignment(s) listed under "Gradebook Items Summary".


News story
The DfE Character Awards open for the second consecutive year.
Schools and organisations are invited to submit entries for the Character Awards 2016 , which seek to identify, recognise and celebrate those leading the field in character education.
The awards support young people to develop the traits that:
All young people deserve opportunities to learn:
First introduced in 2015 by Education Secretary Nicky Morgan, the awards celebrate excellence and diversity in this field, recognising that character is already being encouraged, nurtured and developed alongside academic rigour through a variety of programmes in and outside schools across the country.
Character education can be found within a school’s ethos, in the classroom and on the playground, as much as it can be found on the sports field and outside of school in the local community.
Schools, colleges and other learning providers can apply for the DfE Character Award 2016 on the Teaching Awards website.
Published: 12 April 2016
From: Department for Education
Part of: School behaviour and attendance


A simple synths on the UI thread are posted to the worklet [You might need to clean the cache when you are testing your worklet processor code]


Flippable Cards are a neat and tidy way to show more information about something, without taking up screen space.
To create a Flippable Card you must use the flippable-card
directive.
Within this directive you will also make use of 2 other directives; card-front
and card-back
.
Once you have set up the directives, all you have to do is insert the content/HTML you wish to have on each side of the card.
This content will be placed within the card-front
and card-back
tags.
There are some optional attributes you can specify on the flippable-card
directive to customize it to suit your needs. These include:
hover
and click
.
If you specify click
then you can also set a flip-on-click
attribute on the element you wish to flip the card when clicked,
otherwise it will flip when the card is clicked.
The following code was used in the example above:


BLUE VELVET (director/writer: David Lynch; cinematographer: Frederick Elmes; editor: Duwayne Dunham; cast: Kyle MacLachlan (Jeffrey Beaumont), Isabella Rossellini (Dorothy Vallens), Dennis Hopper (Frank Booth), Laura Dern (Sandy Williams), Hope Lange (Mrs. Williams), Dean Stockwell (Ben), George Dickerson (Detective Williams), Jack Harvey (Tom Beaumont), Priscilla Pointer (Mrs. Beaumont), Brad Dourif (Raymond), 1986)
Reviewed by Dennis Schwartz
It's a strange world-- alright, an artificial nostalgic world that David Lynch depicts of close neighbors, friendly dogs, of red roses growing against a white picket fence, a clear blue sky, and the nice suburban homes that are shown in the beginning and at the end of the film. There are also the cheerful sounds of the radio DJ announcing the time "at the sound of the falling tree." There is also a dark side to life that David Lynch (Eraserhead/The Elephant Man/Dune) wants to show you in the underbelly of normalcy and that's what gets explored in this fantastic, original American film of his.
Jeffrey Beaumont (Kyle MacLachlan) is a young college-aged man returning to his home town of Lumberton, USA, after his father had a stroke and he must run the family hardware store. The routines of suburban life changes for him when he picks up a severed human ear in the field by his house and brings it to his neighbor Detective Williams (George Dickerson).
Jeffrey meets Detective Williams' attractive daughter, the high school student Sandy (Laura Dern), outside her house and she intriguingly tells him that she overheard her father talking about the case, and that they are investigating the singer Dorothy Vallens (Isabella Rossellini ), who resides in an apartment in the neighborhood. Jeffrey feels adventurous and romantically inclined toward Sandy and talks her into showing him the building where the singer lives. He then devices a plan so that he can sneak into the apartment and snoop around.
Hiding in the slatted closet, Jeffrey gets an eyeful of the attractive singer parading around in panties and bra and sees her have one of the weirdest sexual encounters ever in filmdom, as a deranged gangster, Frank Booth (Dennis Hopper) enters her apartment and begins a sadomasochistic tryst with her. He beats her, orders her not to look at him, yells obsenities at her, inhales some kind of drugs from a cylinder, and rapes her.  He does what she asks him to do, even though he didn't want to love her that way. The singer's child and, possibly, her husband are being held captive by Frank. It is also possible that the severed ear, is her husband's.
She will sing in her nightclub act the titled song from the film, where Jeffrey watches her perform.
Jeffrey has entered into a dark world of madness, a world that most of the people of Lumberton could never imagine exists in their community.   He will end the joy ride by being severely beaten by Frank as a warning to keep away.
Hopper is madly funny and menacing in one of his all-time best over-the-edge roles. He is the energy of the film. He has lines like "let me f*ck everything that movies!". In what goes for conversation, he asks MacLachlan, "What kind of beer do you like?"
There were many quirky moments in a film that was as straight as a curve ball. The romance Kyle has with the innocent Dern is cleverly compared with the maddening passion of his romance with the not-so innocent Rossellini. The conversations with Dern, who constantly looks like she lost something in the translation, while with Rossellini, it is unbridled sex she has on her mind. One conversation between Dern and Kyle goes like this: Laura: "I don't know if you are a detective or a pervert!" Jeff: "That's for me to know and you to find out."
This is a highly personal film. For those looking to criticize it these might be some reasons to do so: it relies on shock to tell its forgettable story, it fails to develop character emphasizing style instead, and the acting seems more staged than spontaneous. Some might be overwrought upon viewing the naked singer, as she appears on the lawn of the detective's house and seems to be irrationally babbling. They may be looking upon it as the mocking of a helpless woman. True. It was shocking to see, but I didn't feel that Lynch glossed over this scene lightly. I think it set a mood for how painful and humiliating life is, and these incidences do happen more regularly in contemporary America than some would care to admit. All these possible flaws in the film, still do not detract from how visually powerful the story was and how it had such a unique feel to it, as if it were capturing something about the American heartland that hasn't been told in this way before.
I loved the film for its intransigencies. What it has going for it in large measures is a sense of freshness, imagination, and an almost seamless melding of beauty and violence. It is a dark visionary tale encompassing the conventional lives of the protagonists when pitted against their antagonists, and it offers a genuine sense of terror with a devilish peek at the sexual subconscious, as even the innocent find under unusual circumstances they will do something they might ordinarily not do. This non-commercial film should satisfy Lynch's fans and those looking for a film that doesn't pull its punches. Others might dislike it for being so plainly weird and shock-orientated, admiring it only for its craftsmanship. I think they will have sold this film short; after all, strange stuff happens all the time, and the most interesting people are the so called "normal" ones. When such a normal character becomes tempted by evil and battles inside for his integrity, the battles usually prove interesting. I believe that is what happened in this film, and though its motivations are ambiguous, it does hit some kind of sore spot for respectable society to consider, without turning up its nose at all the revolting things this story brought to the surface.
REVIEWED ON 3/19/2000 GRADE: A-
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
<EMAIL_ADDRESS>© ALL RIGHTS RESERVED DENNIS SCHWARTZ
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


Here's your list of winning date ideas.
...but we can only do our best when we know what city you're in. Make sure to tell your browser to allow your location to be shared with us.


Hello, and thanks for taking the time to visit my website. My name is Jayson Perkins, and I am software engineer. I graduated from The Ohio State
University in 2016 with a B.S. in Computer Science and Engineering, and I am looking for a software development position starting late July/early August of 2017.
I have experience working with embedded systems, web applications, local Windows applications, and more. For information about past projects, click on the portfolio
link above. Along with the portfolio link, links to my current resume and my Github page are also located above.
In my free time, I usually play competitive video games with my friends, namely Super Smash Brothers Melee and Blizzard's Heroes of the Storm. If I am not gaming with friends or watching Bob's Burgers, I am working on a side project.


Comments
-
Greg Hurrell
It could be miscompiled (ie. not built against the same version of Ruby that Vim itself was built against). Are you using RVM or rbenv or any kind of custom Ruby?
It might be a buggy version of Vim, although that seems like a long shot (there was a known bug in the the version of Vim that shipped with Ubuntu 11.04, but I've never heard of such problems with 10.10).
To know more I'd need to see the full output of
vim --version
and also the build transcript for Command-T (runa make clean
before you rebuild it so we an see the whole process). -
anonymous
I have to add: I started with stock vim on Mac OS X Lion, then installed command-t plugin, THEN installed vim via Macports using +ruby and +huge.
The latter breaks whatever I did with command-t before, so I re-extracted the Vimball, re-ran the extconf.rb and make stuff, and it worked.
-
Greg Hurrell
Closing due to lack of activity.
-
Greg Hurrell
Status changed:
- From: new
- To: closed
Add a comment
Comments are now closed for this issue.


I am a Responsive Designer & Developer who thrives on visual storytelling and the best user experience. When I'm not working, pursuing side projects or researching new skills to learn, I can be found traveling, hiking and cooking away in my kitchen.
I am a Responsive Designer & Developer who thrives on visual storytelling and the best user experience. When I'm not working, pursuing side projects or researching new skills to learn, I can be found traveling, hiking and cooking away in my kitchen.
Where it all started: I was born in Cape Town, South Africa, but moved to Johannesburg as a teenager. My mom always pushed my dream of moving to Europe so I travelled a lot and finally planted some roots in Edinburgh, Scotland. I love this wee city, but the road will take me where it must!
My passion: I love cooking and eating! Trying a new texture, tasting a new flavour and smelling the aroma of something exciting brings pure joy and happiness into my life. Sitting around a table to feast with loved ones is what life is truly about, paired with a good whiskey or wine is just the cherry on top.
Fact: I still need to get a drivers licence! When I lived in Johannesburg I drove a little Suzuki 125cc scooter because I couldn't be one of the many people stuck in traffic for hours. Now that I live in Edinburgh I rely on public transport which is better for the environment!