T3 is proprietary and not well-documented protocol. It can pass binary data.
The very first few bytes of the packet in T3 specify the total message length, so when messing with messages, the length needs to be updated appropriately.


Dudsville
You ring the bell and wait, and ring again, and wait. You repeat this process like 10 more times. nothing happens. Then you pound reall hard, you know just to be sure no one is home.


Administration tasks
1. Logging in
Much like the old Geospiza LIMS, you need to log in to MISO LIMS in order to make changes to any LIMS entities. Logging in lets MISO record any changes you make on entities you have access to.
If you were able to log in to Geospiza LIMS, you already have the correct
permissions and can proceed to logging in. If you are a new user, you will need
to contact<EMAIL_ADDRESS>so that they put you into the appropriate
Active Directory group, MISO_ROLE_INTERNAL
.
Try to log in now:
- Click on http://miso.gsi.oicr.on.ca.
- Enter your username (e.g. jdoe) and password and click the Login button.
MISO uses the same username and password as your OICR email account.
If all goes well, you should see the MISO Dashboard and see a message at the top right: "Logged in as: jdoe".
In order to perform the tasks in this section you must be a MISO admin.
Email IT, CC Morgan Taschuk and request to be added to the MISO_ROLE_ADMIN
Active Directory group.
2. Adding Users
OICR uses Active Directory authentication for MISO. Users must be added by IT; once added, they can then log in to MISO using their email credentials.
- Please email<EMAIL_ADDRESS>and CC Morgan Taschuk to request that the user be added to MISO LIMS by
making them part of the following Active Directory groups:
- If the person is to be added as an admin:
MISO_ROLE_ADMIN
andMISO_ROLE_INTERNAL
groups. - If the person is not to be given admin access:
MISO_ROLE_INTERNAL
group.
- If the person is to be added as an admin:
3. Creating groups and adding users to them
Groups permit fine-grained control over who has view and/or edit access to an item in MISO. There is a default group in MISO for "all internal users". There are also groups for Watchers, but these features are not yet fully functional.
3.1 Create a Group
To create a new group:
- Select the Groups link in the left-hand menu.
- Select the Add Group link near the top right corner.
The Edit Group page will display a number of fields that you can fill in. 1. Enter a unique Name. The name must contain only letters or numbers. It cannot contain spaces or punctuation. 1. Enter a Description of your group. 1. Select your user as the only member of your group. 1. Click the Save button at the upper right.
4. Adding new instruments
New sequencing machines must be added to MISO so that MISO can be made aware of the runs that use them.
4.1 Add a new model of sequencer
If MISO does not yet have this type of sequencer in the database, you will need to contact email<EMAIL_ADDRESS>or file a JIRA ticket in GSI Common to put the new model into MISO before you can add a new sequencer of that model.
- Please email<EMAIL_ADDRESS>or file a JIRA ticket in GSI Common to add the new sequencer
model to MISO. Include the following information:
- Sequencer manufacturer (Platform)
- Model
- Standard read lengths you anticipate using for sequencing (e.g. 1x250, 2x126)
4.1 Add a new sequencer
- Click the My Account tab at the top of the page.
- Click Configure in the Sequencing Machines section.
- Click the Add Sequencer link in the top right corner.
- Fill in the fields of the new row that is inserted at the top of the table:
- Name: enter the serial number (case-sensitive)
- Platform: select a platform from the dropdown menu
- Hostname: enter
localhost
- Click Add to save the new sequencer.
4.2 Set up MISO to be aware of aware of the sequencer's output
- Please email<EMAIL_ADDRESS>or file a JIRA ticket in GSI Common. Give the name of the new sequencing machine and indicate that you would like them to add the sequencing machine's output folder to the notification server properties file.
5. Creating project and monthly reports
If you require a report, please email<EMAIL_ADDRESS>or file a JIRA ticket in GSI Common for assistance.
| Home | Project Coordination tutorial > |


import copy
import deepdish as dd
import numpy as np
from .tools.normalize import normalize as normalizer
from .tools.reduce import reduce as reducer
from .tools.align import align as aligner
from .config import __version__
[docs]class DataGeometry(object):
"""
Hypertools data object class
A DataGeometry object contains the data, figure handles and transform
functions used to create a plot. Note: this class should not be called
directly, but is used by the `hyp.plot` function to create a plot object.
Parameters
----------
fig : matplotlib.Figure
The matplotlib figure handle for the plot
ax : matplotlib.Axes
The matplotlib axes handle for the plot
line_ani : matplotlib.animation.FuncAnimation
The matplotlib animation handle (if the plot is an animation)
data : list
A list of numpy arrays representing the raw data
xform_data : list
A list of numpy arrays representing the transformed data
reduce : dict
A dictionary containing the reduction model and parameters
align : dict
A dictionary containing align model and parameters
normalize : str
A string representing the kind of normalization
kwargs : dict
A dictionary containing all kwargs passed to the plot function
version : str
The version of the software used to create the class instance
"""
def __init__(self, fig=None, ax=None, line_ani=None, data=None, xform_data=None,
reduce=None, align=None, normalize=None, kwargs=None,
version=__version__):
# matplotlib figure handle
self.fig = fig
# matplotlib axis handle
self.ax = ax
# matplotlib line_ani handle (if its an animation)
self.line_ani = line_ani
# the raw data
self.data = data
# the transformed data
self.xform_data = xform_data
# dictionary of model and model_params
self.reduce = reduce
# 'hyper', 'SRM' or None
self.align = align
# 'within', 'across', 'row' or False
self.normalize = normalize
# dictionary of kwargs
self.kwargs = kwargs
# hypertools version
self.version = version
# a function to transform new data
# a function to plot the data
[docs] def plot(self, data=None, **kwargs):
"""
Plot the data
Parameters
----------
data : numpy array, pandas dataframe or list of arrays/dfs
The data to plot. If no data is passed, the xform_data from
the DataGeometry object will be returned.
kwargs : keyword arguments
Any keyword arguments supported by `hypertools.plot` are also supported
by this method
Returns
----------
geo : hypertools.DataGeometry
A new data geometry object
"""
# import plot here to avoid circular imports
from .plot.plot import plot as plotter
if data is None:
data = self.xform_data
transform = False
if any([k in kwargs for k in ['reduce', 'align', 'normalize']]):
data = self.data
transform = True
else:
transform = True
# get kwargs and update with new kwargs
new_kwargs = copy.copy(self.kwargs)
for key in kwargs:
new_kwargs.update({key : kwargs[key]})
return plotter(data, transform=transform, **new_kwargs)
[docs] def save(self, fname, compression='blosc'):
"""
Save method for the data geometry object
The data will be saved as a 'geo' file, which is a dictionary containing
the elements of a data geometry object saved in the hd5 format using
`deepdish`.
Parameters
----------
fname : str
A name for the file. If the file extension (.geo) is not specified,
it will be appended.
compression : str
The kind of compression to use. See the deepdish documentation for
options: http://deepdish.readthedocs.io/en/latest/api_io.html#deepdish.io.save
"""
# put geo vars into a dict
geo = {
'data' : self.data,
'xform_data' : self.xform_data,
'reduce' : self.reduce,
'align' : self.align,
'normalize' : self.normalize,
'kwargs' : self.kwargs,
'version' : self.version
}
# if extension wasn't included, add it
if fname[-4:]!='.geo':
fname+='.geo'
# save
dd.io.save(fname, geo, compression=compression)


More-Recipe
Card title
Some quick example text to build on the card title and make up the bulk of the card's content.
Card link
Another link


Varsity Blues 2 and 1/2 Stars (Out of 4) Reviewed by Mac VerStandig<EMAIL_ADDRESS>Http://www.moviereviews.org
Varsity Blues is neither a good film nor a bad one, but rather a mediocre production that had the potential to be far better, but could have slipped even lower as well. In some areas it was masterful, and other were equivalently pathetic to put it frankly. The outcome is interesting, odd and unique, but not necessarily worth the trip unless you are a teenage James Van Der Beek heartthrob or have some other obsession with one of the cult aspects of this film.
In a small town in Texas high school football is a way of life. It is the heritage, it is the society, and it is the community's favorite topic. Bud Kilmer (Jon Voight) has coached the high school squad since his current team's parents were playing. Over that time he has brought home 2 state titles and 22 division titles. Grasped by immortality, he can do no wrong.
Leading this year's squad is quarterback Lance Harbor (Paul Walker) and lineman Billy Bob, (Ron Lester) who, as you can figure out early on, is a stereotype right out of a Jeff Foxworthy book. Then, as only Hollywood would have it, through corruption, illegal drinking, and a whole lot of other stuff that ATF doesn't like, Billy Bob misses a block and Lance goes down. Of course, this is where our hero enters. Jonathan Moxon seems about as perfect you can get, a scholarship to Brown, a great girlfriend, and a steady life. But all that must change when he becomes the starting quarterback of a football team that is a way of life.
Varsity Blues tries to explore several proven aspects of film making by putting them all together into one film. Parts of the film resemble such child favorites as Angels in the Outfield and others with a fairy tale plot and overly predictable ending. But much of the film is about sex, drinking, and life in strip bars; thus making it a far cry from kiddy material. I suppose the goal is to settle on a teenage audience somewhere in-between, but I have reservations as to just how anyone could sit through these 90 minutes of contrast and be truly entertained.
One saving grace, however, is the acting. Jon Voight is absolutely stellar and offers a reminder to the world that he is one of the most underrated actors in Hollywood. In his freshman performance, James Van Der Beek is great as well. He seems to step beyond the typical teenage role and gives his part some meaning that few others could add to the film.
Overall, this film does have it's moments of glory, but they are matched with shame. The plot isn't very original, but the combination of plots within is an unprecedented theory. However, I get the feeling that there is a good reason why no one had dared to do so before: it just doesn't work. So, although I tip my cap to the acting, I just don't see a quality film here.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Help the Open Data community to identify the subjects of these paintings!
Wikidata, the free and open database worn by Wikimedia, lists more than 320,000 painted works. It is a fund of extraordinary richness, offering unprecedented possibilities to scholars and professionals of history, art history, and curious and enthusiastic.
To make the most of this tremendous source of wealth, it is imperative to describe the artworks and especially what is represented on them.
Just 15% of these works currently described on Wikidata.
This project aims to describe the other 280,000!
For this we need you, users who unknowingly use Wikidata's resources and richness on a daily basis when searching Wikipedia or Google.
To help us, it's easy: just describe what you see. If a picture depicts a man wearing a hat, enter "man" and then "hat". These two small actions will then allow us to correctly reference the work that you have indexed.
Thank you for your contribution !


FEDERAL LANDS
Section 6. The United States shall be vested with or retain title to or an interest in or shall hold the property in the Territory of Hawaii set aside for the use of the United States and remaining so set aside immediately prior to the admission of this State, in all respects as and to the extent set forth in the act or resolution providing for the admission of this State to the Union. [Ren Const Con 1968 and election Nov5, 1968; ren Const Con 1978 and election Nov7, 1978]
Cross References
Admission Act provisions, see §5.


New Research: Antimatter Could Be Portal to “Dark Universe”
by Dan RobitzskiTrying Again
The key to finally finding dark matter may be hiding in antimatter, the weird inverse version of the matter that we can see and touch.
The longstanding assumption among physicists has been that dark matter — the invisible stuff that physicists believe makes up most of the universe — doesn’t interact with antimatter any differently than it does regular matter, according to Gizmodo. But a team of scientists is now challenging that assumption, with research that may finally nail down the mysteries of dark matter.
Not Yet
The international team led by a scientist at Japan’s Riken research institute revisited existing CERN data from 2017 on the behavior of antiprotons — the conveniently-named antimatter version of protons — to search for signs that they were being influenced by a theoretical dark matter particle called an axion, according to research published Wednesday in the journal Nature.
Nothing popped out at them. But the scientists plan to amp up the sensitivity of their instruments and try again in the near future, Gizmodo reports.
Until then, we have to hope that myriad of ways scientists have discovered how not to discover dark matter, much like the famous Edison lightbulb quote, finally lead to the right answer.
READ MORE: Could Antimatter Be the Portal Into the Dark Universe? [Gizmodo]
More on dark matter: Two Nearly-Identical Dark Matter Studies Have Conflicting Results


DataRequest
object to make direct calls to the API
static
methods to convert JSON data from the API into a model
or an array of a model
found in com.thebluealliance.api.v3.models
District
object represents a district for a particular yearTeam
in
a district.
DistrictRequest
object to make calls in which a districtKey
is the primary argument


Tell the computer what to do!
A procedural language is one where instructions (in the form of source code) are carried out one at a time ie. procedural languages are sequential. Procedural languages are imperative.
The path followed by a program is known as program flow. Programs will generally start at the first instruction and end at the last ie. sequential. Even with interrupts and loops, a program will always have a beginning and an end. Program flow may be illustrated in a flow diagram.
A variable is used to store values in memory which can change as the program runs. A variable is given a name or ('identifier') which is used to refer to it. A constant is a value which cannot be modified as the program runs eg. PI.
A procedure is a section of computer code that performs a specific task. There are two main types: Subroutines and functions. A subroutine is a procedure that can take zero or more values as input (parameters), act upon that data, then return zero, one or more values. A subroutine is always 'called'. Calling a subroutine means the calling procedure sets up the CPU to carry out the instructions within the subroutine. A function is similar to a subroutine but it only ever returns one value.
Arithmetic
+ Addition
- Subtraction
* Multiplication
/ Real Division
DIV Quotient - Like division, but it only returns the whole number or integer.
MOD Modulus
^ Exponentiation
Relational
== Equal to
!= Not equal to
> Greater Than
< Less Than
>= Greater than or equal to
<= Less than or equal to
Boolean
AND Both must be true to return true
OR At least one must be true in order to evaluate as true
NOT Returns the opposite of the value in question eg. A = TRUE NOT(A)= FALSE
Strings start at 0 eg. "HI", at position 0 is "H". Represented by "" in most languages. Strings represent text in a program. Strings can be concatenated by 'adding' two strings together. Strings also have a length which can be useful to dynamically operate on the string. Len(string_name) will return the length of the string. Strings can also be converted to upper and lower case by using .upper() or .lower(). Parts of a string can be replaced using .replace("stufftoreplace", "replaceitwith"). Strings can also be sliced in order to use only the parts required using string_name[start:end]. If no start is specified, then the string will be sliced until the end specified. If no end is specified, the string from the start point all the way to the end will be returned.
Files are used to store values which one may want to retain eg. scores. f = open(“highscores.txt”,”r”) would allow one to open a file in read only mode. w = write, r = read, a = append etc. lines = f.readlines() reads all of the lines of a file into an array which one can then access. When one has finished with a file, it is important close the input stream eg. f.close(). To write to a file: f.write(“\nJames, 9720”) would be one way; note - it must be opened in a mode which permits writing!


fun setSetpointRelative(deltaSetpoint: Double): Unit
Adds the given value to the setpoint. If {@link PIDCommand#setInputRange(double, double) setInputRange(...)} was used, then the bounds will still be honored by this method.
deltaSetpoint - the change in the setpoint
deltaSetpoint


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Hi there,
I installed emoncms Event module, and it works fine. I'm looking for this event: send me an alert if a given feed (i.e. production) is zero for at least 11 hours. How can I create this type of events?
Thanks!!! :)
Archived Forum |
|
Emoncms event moduleSubmitted by hercules71035 on Thu, 14/05/2015 - 07:16Hi there, I installed emoncms Event module, and it works fine. I'm looking for this event: send me an alert if a given feed (i.e. production) is zero for at least 11 hours. How can I create this type of events? Thanks!!! :) » |
Re: Emoncms event module
How about this: sends an e-mail if variable "indoor temp" = 0 for more than 12 hours
Note that if indoor temp wiggles even once from 0, it will reset the 12 hour timer. If you have an actual sensor connected (whose signal is bound to vary at least a little) you may want to use "less than 1" instead of "equal to 0".
Re: Emoncms event module
Yeah! Great answer! I'll try it!
Re: Emoncms event module
Oh wait... there used to be a feature in Event called "Pre Mute" that confused me. "Pre Mute" is what you want. What I proposed above will fire a message immediatly when the variable equals 0, then wait 12 hours before notifying you again. The 12-hour setting is a "Post Mute".
Does anyone know if "Pre Mute" has re-appeared in the Event module version 8.5.x? I am still on 8.4.0 and don't have it.
Re: Emoncms event module
...is zero...do you mean null??
If it is null (ie a feed which isn't being updated) try https://github.com/emoncms/notify
Paul
Re: Emoncms event module
No paul, I want zero. I'm interested in monitoring if something goes wrong in production (i.e. Inverter is down) not if emontx works properly.
Re: Emoncms event module
Ah, in that case JD's solution appears sound, especially setting <1 instead of 0.
However, emoncms was never designed to be mission critical, so be wary of using it in a commercial environment.
Paul


The next step would be to find a server that would be able to meet our requirements for the project. We would need a quad-core processor and 6-8 GB of RAM. We have a Google Sheet that organizes our findings. We assigned one team member to making and designing footprints for the components of the PE Stone Board. The other members of the team were assigned with completing the Django tutorial for application development in the future. Mario helped us understand some of the limitations of the project, which also helped us finish the first iteration of the circuit for the sensors.
We drew up the engineering schematics for the the sensor board and did research on the optimal antenna for the board. We had two choices for the type of antenna, a chip antenna or an external antenna. We neeed sufficient range and minimal interference for our setup to be successful. Our interns worked on finishing the programming tutorials. Additionally, we were able to update the midro.github.io site to make it more organized and visually appealing. Our next step was to start a roughly-made web app using Django. It will intuitively display the trash levels and more information. Below is the layout of the overall project that we are trying to accomplish.
We managed to compile code onto the development module and learned how to activate the clocks on the microcontroller. The interns continued their programming tutorials and searched for hardware, specifically, a microcontroller that runs on 3.3 volts. The interns were also able to successfully update the Django site for the project with an info section that organizes information about each individual trash can, such as fill level and location. They were also able to switch the google maps icon to a trash icon instead of a red pin.


The Find Hot Spots tool will determine if there is any statistically significant clustering in the spatial pattern of your data.
Even random spatial patterns exhibit some degree of clustering. In addition, our eyes and brains naturally try to find patterns even when none exist. Consequently, it can be difficult to know if the patterns in your data are the result of real spatial processes at work or just the result of random chance. This is why researchers and analysts use statistical methods like Find Hot Spots (Getis-Ord Gi*) to quantify spatial patterns. When you do find statistically significant clustering in your data, you have valuable information. Knowing where and when clustering occurs can provide important clues about the processes promoting the patterns you're seeing. Knowing that residential burglaries, for example, are consistently higher in particular neighborhoods is vital information if you need to design effective prevention strategies, allocate scarce police resources, initiate neighborhood watch programs, authorize in-depth criminal investigations, or identify potential suspects.
The point or area layer from which hot and cold spots will be found.
This analysis answers the question: Where do high and low values cluster spatially?
If your data is points and you choose Point Counts, this tool will evaluate the spatial arrangement of the point features to answer the question: Where are points unexpectedly clustered or spread out?
If you choose a field, this tool will evaluate the spatial arrangement of the values associated with each feature to answer the question: Where are high and low values clustering?
The default is to count points within a fishnet grid created by the tool based on your point data. Alternatively, you can choose to provide an area layer (typically these would reflect administrative reporting districts such as census tracts, municipal boundaries, or counties) to answer the question: Given the number of points counted within each area feature, are there locations with statistically significant spatial clustering of high or low point counts?
Either draw or provide a layer defining where incidents are possible to answer the question: Within the area(s), are there any locations with unexpectedly high or low point concentrations?
The area features you draw or the features in the area layer you specify should define where points could possibly occur. To draw these areas, click the draw button then click a location on the map to create an area shape. To draw additional areas, click the draw button again, then click a location on the map and continue.
Sometimes you may want to analyze patterns that take into account underlying distributions. For example, if your points represent crimes, dividing by total population would result in an analysis of crimes per capita rather than raw crime counts. Choosing an attribute to divide by is often referred to as normalization.
Choosing Esri Population will geoenrich each area feature with population values which will then be used as the attribute to divide by. This option will use credits.
Provide a name for the layer that will be created in My Content and added to the map. This result layer will show you statistically significant clusters of high and low values or point counts. If the result layer name already exists you will be asked to rename it.
Using the Save result in drop-down box, you can specify the name of a folder in My Content where the result will be saved.


Using a suitable reward mechanism with the reinforcement learning to identify the correct mathematical expression from an exponentially growing space of expressions that may describe a given dataset.
Symbolic regression is a challenging task in both physics and artificial intelligence, requiring the identification of a symbolic expression that accurately fits unknown function data. Although deep neural networks have shown remarkable performance in solving complex tasks, developing deep learning methods for symbolic regression remains an open issue. The key challenge in symbolic regression is the exponential growth of the space of mathematical expressions, which is both discrete (in model structure) and continuous (in model parameters). To find the optimal solution within this space, an appropriate reward mechanism is needed to guide the model in identifying the correct mathematical expression. It means reinforcement learning is a potential solution for this problem.


What I do
I have more than 6 years' experience building software for clients all over the world. Below is a quick overview of my main technical skill sets and technologies I use. Want to find out more about my experience? Check out my resume and project portfolio.
Vanilla JavaScript
Express.js & React
Node.js
PHP & Laravel
npm
HTML, CSS & Bootstrap
Sass & LESS
git & linux
Java
Featured Projects
Real-Time object detection program
Project intro lorem ipsum dolor sit amet, consectetuer adipiscing elit. Cum sociis natoque penatibus et magnis dis parturient montes.
Project Heading
Designed in HTML CSS and Javascript, A simple site that describes who I am,what I do, And various way to contact me.
Project Heading
Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Cum sociis natoque penatibus et magnis dis parturient montes, nascetur ridiculus mus.
Client: Google
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Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Cum sociis natoque penatibus et magnis dis parturient montes, nascetur ridiculus mus.
Client: Uber


Duration
15 minutes
Lab Goals
In this optional homework exercise, you will add an additional piece of UI to allow the user to select the tip percentage to apply and then extend the logic to utilize this information to calculate the tip amount.
Required assets
The provided Homework folder contains a subfolder named Completed with a solution you can use to check your work or to see how to implement the logic.
High-level steps
Here is the final UI you will be generating. We have added a UISegmentedControl
just after the button to allow the user to select an appropriate tip percentage. This control is similar to a set of mutually exclusive radio buttons.
Here is what you will need to do for this exercise, if you have any trouble or need a hint, check the completed solution included with the lab materials.
-
Add a
UISegmentControl
into the UI between the button and the result label. It should be 20pts from the left and right, and have an 8pt margin on the top and bottom like the other controls. -
Insert 4 segments into the
UISegmentedControl
using theInsertSegment
method. You want 10%, 15%, 20% and 25%.- The method takes three parameters: the text to display, the position of the button (starting at zero), and whether to animate in - this last parameter should be
false
since we are adding the control during the initial load and not later in the app lifecycle.
- The method takes three parameters: the text to display, the position of the button (starting at zero), and whether to animate in - this last parameter should be
-
Use the
SelectedSegment
property to set the initial selection to the 20% segment (should be index "2"). - Insert the segment control into the parent view hierarchy.
- Finally, update your tip logic to get the selected segment and use the appropriate tip amount percentage.
UISegmentedControl tipAmount = ...; tipAmount.InsertSegment("10%", 0, false); tipAmount.InsertSegment("15%", 1, false);
Bonus Challenge
As a bonus challenge, see if you can get the tip to be recalculated automatically if you change the tip percentage without tapping the Calculate button. This will require a few changes:
-
You will need to handle the
ValueChanged
event from yourUISegmentedControl
. - You will need to move the tip calculation logic into it's own method - this is your Model logic. You can move it into it's own source file, or just into a method in the View Controller since it is very simple.
- The tip calculation logic needs access to the UI elements - you will need to either pass the values in, or make the controls available at the class level by promoting them to fields in the view controller.
Summary
In this homework exercise you added some logic to make the tip amount customizable using a UISegmentedControl
. Check the completed sample in the Homework folder if you would like to see an example implementation.


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TOUCH A film review by James Berardinelli Copyright 1997 James Berardinelli
RATING (0 TO 10): 5.5 Alternative Scale: ** out of ****
United States, 1997 U.S. Release Date: 2/14/97 (limited) Running Length: 1:37 MPAA Classification: R (Profanity, nudity, sex, mature themes) Theatrical Aspect Ratio: 1.85:1
Cast: Skeet Ulrich, Bridget Fonda, Christopher Walken, Tom Arnold Director: Paul Schrader Producers: Lila Cazes and Fid Attieh Screenplay: Paul Schrader based on the novel by Elmore Leonard Cinematography: Ed Lachman Music: David Grohl U.S. Distributor: United Artists
These days, Elmore Leonard is hot. Not only have his novels GET SHORTY and now TOUCH recently been adapted into motion pictures, but at least two more titles are on the way, including Quentin Tarantino's anticipated version of RUM PUNCH. But, while GET SHORTY was a bonanza for just about everyone involved, TOUCH proves that having the rights to a Leonard story isn't enough. This particular adaptation is ambivalent not only about what it wants to say, but how it wants to say it. The result is a dissonant war between drama and satire, between characters and caricatures.
On the one hand, we have the story of Juvenal (Skeet Ulrich), a former Franciscan monk who now works at an alcoholic rehab center. Juvenal's a quiet, unassuming person with an amazing gift: he can heal with a touch. His arms, feet, and side bear the wounds of Christ, and, when he heals, they bleed. While Juvenal is a deeply spiritual person, he has become disillusioned about organized religion, and, when a smooth talking con man by then name of Bill Hill (Christopher Walken) comes along, Juvenal is easy prey. That's the drama.
On the other hand, we have all of the extraneous subplots orbiting around this tale of spiritual exploration. There are Bill's attempts to get the young man booked on a trash TV show (with host Gina Gershon) and secure the publishing rights to his story. A fundamentalist Christian (Tom Arnold) insists that Juvenal can only remain true to his calling by giving up his relationship with Lynn (Bridget Fonda), an "impure" woman. The mother (Lolita Davidovich) of one of Juvenal's miraculously healed children wants to prolong her fifteen minutes of fame. Finally, there are reporters and agents (played by Janeane Garofalo and Paul Mazursky, among others) who see Juvenal as a meal ticket. That's the satire.
Taken separately, either the satirical or the dramatic elements might have formed the backbone of an interesting motion picture. Together, they create an unfocused mess. The parody isn't as biting as it could be, and we've seen this kind of stuff before. Fundamentalist religion is an easy target, especially when it involves sleazy televangelists. The Tom Arnold character is a painfully irritating caricature who should have been purged from the script altogether. Christopher Walken, putting on his best oily smile, is one of the few aspects of the film's cynical side that works. That, and the "Juvenal Touched Me" tee-shirt worn by a healed child.
Then there are Skeet Ulrich and Bridget Fonda, who act like they're in another movie. As far as they're concerned, this is a romantic drama about two lonely souls finding each other. He's having a crisis of faith and she's having a crisis of conscience. They're not particularly concerned that they are being manipulated. In fact, at one point, Juvenal makes the absurd statement that he can't be exploited if he's allowing the exploitation to take place. Huh?
Part of the problem with TOUCH is that the audience is never sure of Juvenal. I don't mean that he's complex or cleverly ambiguous; he's murky and poorly-developed. We never get much of a sense of what he feels about having these amazing powers, how he reacts to the possibility that he may have lost them, and whether he's resentful of all the media attention. Ulrich radiates a blandness that does nothing to define his character. He and Fonda make an appealing couple, but their romance is only a small part of what's going on.
TOUCH waffles regarding its views about spirituality, as well. By the final reel, we're not sure if the film views faith with reverence or contempt. And what seems to be a clear-cut message about selling out is negated during the climax. Films like LEAP OF FAITH and THE RAPTURE, which dealt with similar issues, maintained consistent viewpoints that didn't leave the viewer unsure of the film makers' intentions.
Paul Schrader has done some interesting work in the past as both a director (LIGHT SLEEPER) and a writer (TAXI DRIVER). Here, however, he has gone off track. As intriguing as the material is -- and who wouldn't be interested in a story about a con man's attempts to exploit a miracle worker who may have lost his powers -- Schrader never gets a handle on the right approach. The result is disappointing and disjointed. Simply put, TOUCH just doesn't have the right feel.
- James Berardinelli e-mail<EMAIL_ADDRESS>ReelViews web site: http://www.cybernex.net/~berardin
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


USD/INR price analysis: Greenback losing strength against Indian Rupee, challenges 71.00 handle
by Flavio Tosti- USD/INR loses momentum below the 71.20 level.
- USD/IR can decline towards the 70.50 level in the medium term
USD/INR daily chart
USD/INR is trading sideways above the 200-day simple moving averages (DMA) but below the 50/100 DMAs. The market broke below the 71.20 swing low, opening the doors for a potential move down to the 70.50 level.
USD/INR four-hour chart
The spot is trading below its main SMAs suggesting a bearish bias in the medium term. Resistances are seen at the 71.50 and 71.90 price levels.
Additional key levels
USD/INR
| Overview | |
|---|---|
| Today last price | 71.041 |
| Today Daily Change | -0.2590 |
| Today Daily Change % | -0.36 |
| Today daily open | 71.3 |
| Trends | |
|---|---|
| Daily SMA20 | 71.6696 |
| Daily SMA50 | 71.2702 |
| Daily SMA100 | 71.1021 |
| Daily SMA200 | 70.2454 |
| Levels | |
|---|---|
| Previous Daily High | 71.4403 |
| Previous Daily Low | 71.1925 |
| Previous Weekly High | 71.98 |
| Previous Weekly Low | 71.1775 |
| Previous Monthly High | 72.37 |
| Previous Monthly Low | 70.4975 |
| Daily Fibonacci 38.2% | 71.3456 |
| Daily Fibonacci 61.8% | 71.2871 |
| Daily Pivot Point S1 | 71.1816 |
| Daily Pivot Point S2 | 71.0632 |
| Daily Pivot Point S3 | 70.9338 |
| Daily Pivot Point R1 | 71.4293 |
| Daily Pivot Point R2 | 71.5587 |
| Daily Pivot Point R3 | 71.6771 |


Eligibility / Eyesight
Good eyesight is crucial. You’ll need to meet a minimum standard in both eyes of not less than 6/36 in each eye on the Snellen scale (uncorrected) and not less than 6/12 in the best eye (corrected with glasses/contact lenses if necessary). You also need to have normal binocular field vision with at least 120 degrees of vision in the horizontal plane. Your eyes will be tested at the assessment day.


--- layout: page title: projects ---
My Family Tree is a web application written in Rails 5, Vanilla JS, JQuery, HTML5/SASS/CSS that allows its users to join a family group for the purpose of being able to add family members and/or communicate with other family members.
The important features of this app include adding family members and details, a family newsfeed which includes status updates of participating family members, family members images, and geo-locations.
There is a Google Charts API visual representation of each family member on a “family tree” and a Google Maps API to show each family member's geo-location on a map. I chose to build this app because I have a large extended family and thought this would be a fun way to allow technology to act as a historian while allowing families to keep in touch in a more private and secure setting.
Yvonne Captures is a web application powered by SmugMug that I use to showcase my photography skills. I customized the website on the front-end with HTML5/SASS/CSS to make it clean, fun to look at and easy to navigate.
BJH Apartments is a web-application that helps prospective tenants learn of openings to move into the BJH Apartments and also helps current tenants swap apartments or find replacement tenants. The landing page is made with WordPress and the database is powered by Zapier.


Mothereffinganimatedgif
Drag + Drop, Client-side, Animated GIF Creator
Fork Project
Width:
Frame Delay:
Clear
Drag and
Drop
images here
Your browser doesn't support FileReader, Drag and Drop, or some other modern required features. :(
Animate
Reset
Download GIF
Post to imgur


EXPERIENCE
CrimsonLogic (Bahamas)
Application Support Representative - February 2019 to Current
L1 & L2 Technical Support
Integration testing
Organized & Conducted training activities for application usage
Facilitated communication with key stakeholders
Analyzed stakeholder expectations to formulate requirements
Performed activities to ensure completion of project milestones
ABC Shipping Services
Web Developer - September 2021 to October 2021
Developed Website
Utilized responsive design principles to ensure display is consistent with various screen sizes
Facilitated transition from design & development to Go Live
Quantum Immunotherapy
Junior Web Developer - 2018 to 2019
Developed an online application form for interested clients
Assisted in migration of previous website to current one
Assisted in redesign of website
Utilized responsive design to ensure display is consistent with various screen sizes
Bahamas Telecommunications Company
Intern - 2017
Prepared a daily report for changes in inventory
Troubleshooted mobile devices of customers
Sold cellphone devices and related accessories to customers
Assisted customers with inquiries of offered services
Parliamentary Registration Department
Intern - 2016
Assisted customers with inquiries of registration process
Prepared voter's cards for final processing
Grand Bahama Island Tourism Board
Intern - 2015
Greeted tourists in a courteous and timely manner and tour locations
Informed tourists of places of special interest in Grand Bahama
Designed social media posts that increased vistor engagement
Generated reports based on evaluation of tours offered throughout the island
Bahamas Telecommunications Company
Intern - 2013
Responsible for distribution of fuel to work vehicles
Prepared daily records for changes in inventory
Recorded the daily changes in fuel from station
Created a database to store fuel records and then exported it into a spreadsheet for analysis


MATINEE A film review by David Pimmel Copyright 1993 David Pimmel
-- comedy, rated PG, runs about 1:40 -- starring : John Goodman, Kathy Moriarty, and a bunch of teenagers -- directed by Joe Dante and written by Charles Hass -- **** out of *****
SUMMARY: Lawrence Woolsley (John Goodman) brings his new horror film MANT! to premiere in Key West during the height of the Cuban Missile crisis. He hopes to capitalize on the tense moment by providing an escape for the town. We see most of the events through the stories of four teenagers and how life affects them.
QUICK AND EASY REVIEW: I really enjoyed MATINEE. The mixture of comedy and tension blended nicely. Unlike many comedies this film tries, and succeeds, in getting past the stage of doing anything for a laugh. The makers of the film also cared about telling an intelligent story. The performances of all the principals are right on the mark, particularly John Goodman as the schlock master. So I would definitely recommend this film to anyone looking for a light hearted, yet interesting way to spend a couple of hours.
LONGER, MORE DETAILED REVIEW: [beware of spoilers]
The primary reason I enjoyed this film was, that while being a comedy, the film also had an intelligent story to tell. Too many comedies today subscribe to the the notion that a comedy need only make you laugh.  MATINEE is not like that. I left the picture thinking about what I would do faced with the Cuban Missile crisis. I found myself wondering what would happen to the characters of the film. But most importantly, I found myself caring about what would happen to the characters.
The comedy of the film centers around Goodman, his character, and the film he brings to Key West. I believe that Goodman is one of the finest comedic actors in the business today. He is highly expressive both physically and vocally. I felt he at least deserved an Oscar nomination for his work in BARTON FINK. The other characters are often lost in a scene with him due to his commanding nature, however, while the star, Goodman is actually not at the center of the film.
The movie is really the story of the four teenagers, discovering who they are and what they want, against a background where at any minute it could all end. I thought the kids reaction were highly realistic. They tried to block it out, they tried to escape from the concerns of their world. Unfortunately it kept creeping back in, particularly with the fear, and the chaos of the time.
While the comedy centered on Goodman, and the drama on the teens, there was a great deal of overlap. Several aspects of the panic are shown in a humorous light. One example is a scene where people are fighting each other for the the last cans and boxes of food in a grocery store. If you think about it the threat of nuclear annihilation seems hardly to be the backdrop for a comedy, but it works here.
Another reason I like this film is that I like B- science fiction movies. One of my favorite films to go watch is PLAN 9 FROM OUTER SPACE. (Note I did not say it was one of my favorite movies, but one of my favorite to see.) While MANT! never got made, many films like it were, and MANT! serves mostly as Dante's homage to the B-films he loves.
So again I would like to recommend MATINEE to anybody looking for a good, humorous story. This isn't a gag film like many other comedies but an intelligent, well-thought out, film about real people with real problems told in an often hilarious way. Enjoy!
-- David Pimmel<EMAIL_ADDRESS>.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


BeanShell Remote Session - Swing JConsole
Your browser will not display the applet, sorry.
For more information see the BeanShell home page:
http://www.beanshell.org


Ok, before we start I must say I had my first LSD experience (the one I'm about to report) during a crazy drug orgy week, so when I dropped the acid I still had MDMA, methamphetamine, alcohol, poppers and lots of THC in my blood. I've been told the experience would be different if I were clean before dropping so I thought I'd point this out.
I put the blotter under my tongue at 9:30 pm and went for a bath. 30 minutes later I got out and my friends were already smoking joints so I smoked too. That's when I noticed the first effects. I said 'Hmm, this is not a regular joint'. The high felt clearer and more exciting. Like I knew something wonderful would happen.
Then we sat in our hotel beds, barely having time to take a rest because 10 min later the room was full with friendly strangers (well, it was a one week trip with only high school seniors from all over the country = crazyness). I felt very social and as the joints passed around I talked about how we were all the same point of energy and matter, back in the first moment of the Universe, and how we are still one.
Later a beautiful girl arrived and I flipped. I was playing with a glow stick in the dark when she walked in, then turned on the lights and couldn't help but saying 'You're a fairy!'. Her name was Ariana, and she indeed looked like a fairy. I remembered her from a dream I had as a child. Suddenly everything made sense and I saw all kind of signs everywhere leading to her. I offered her one blotter and she was thrilled. We hugged, and she smelled so good. I cried when she left, I thought she was my soul-mate and wanted to marry her.
Then, when everybody else left, I went to the beach with a friend who was also on acid. It was the highest moment. I was seeing shadows following me everywhere and when I looked at my friend he would morph into an evil clown or a zombie but surprisingly I didn't freak out. I felt in heaven and thought nothing could hurt me. The sand felt wonderful, the sea sounded so deep but the sky, oh, I felt like I was looking at the sky of heaven, the stars of heaven. I couldn't believe how cruel the 'real world' was and just wanted everyone to feel the same way I did, that same moment, the whole world on acid, one giant love rave, trance pumping everywhere, peace, love, unity, respect.
We went inside and I took off my shoes. Walking around barefoot felt sooo great. The we listened to some music and it all sounded different. Like behind the obvious notes everybody knew there were hidden sounds and lots of trance, like easter eggs specially made for people on acid to listen. That night I finally understood what trance was: the heart of music, pure essence. Trance is everywhere, from Sigur Ros to The Beatles, the nerves of the music, the root of the sound. When I listened to Lucy in the Sky it really hit home. I felt like I was Lucy herself. And I still do. Like there's a Lucy essence inside me and now I'm closer to it than ever before.
When I turned the lights off, it was magical. I felt under the sea. So peaceful. If I closed my eyes, lots of colored patterns, not so different from those I get when eating hash, just more vivid.  Talking about orgasms, I went outside and it was really cold but at the same time it felt like the perfect temperature. It felt orgasmically good to let the cold get under my skin. So I invented the 'Criosmic Orgasm' concept (crio = ice + cosmic).
So we were sitting there smoking joints when somehow I noticed we were smoking the same joint for like 40 minutes, and it lasted a full hour, I swear!
Coming down was really smooth, I didn't even notice. Doing things was really complicated. Just going to the bathroom, ooooh, such lazyness. Our room was a mess but just thinking about cleaning it up was terrible. At about 10 am I fell asleep, then woke up at 3 pm. Getting dressed was funnier than ever (such crazy combos) and when we went outside, life seemed perfect. It sill does, 3 or 4 or 5 days later, can't remember (try to understand, I'm all burned out :P)
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Source: noframework_acc.css, line 5326
4 UC: Background
Background of containers can be easily maniputlated with textures, colors, and shadows.
Source: noframework_acc.css, line 5326
Background of containers can be easily maniputlated with textures, colors, and shadows.
Source: noframework_acc.css, line 5334
Background colors can be easily change with bg_{{color-name}}
background color warning color
background color warning color
background color alert color
background color warning color
background color success color
background color success color
background color success color

Background Color of [modifier class]

Source: noframework_acc.css, line 5354
Background colors can be shifted by appending a modifier bg_{{color-name}}-{{n5 to 5}}. The negative(n) numbers mix the color with black and the positive numbers mix the color with white.
background color modified light to dark
background color modified light to dark
background color modified light to dark
background color modified light to dark
background color modified light to dark
background color modified light to dark
background color modified light to dark
background color modified light to dark
background color modified light to dark
background color modified light to dark

white

5

4

3

2

1

0

n1

n2

n3

n4

n5

black

Source: noframework_acc.css, line 5967
Background colors of white and black can be shifted by appending a modifier bg_{{color-name}}-{{0 to 9}} to shift its transparency
background color of black modified with alphas
background color of white modified with alphas

[modifier class]-0

[modifier class]-1

[modifier class]-2

[modifier class]-3

[modifier class]-4

[modifier class]-5

[modifier class]-6

[modifier class]-7

[modifier class]-8

[modifier class]-9

[modifier class]

Source: noframework_acc.css, line 6060
All textures in the Arches design are a subtle variation of transparent. Allowing for colors to bleed through from behind. Different textures have intentions or are reserved for certain usagaes. It is easy to apply textures using the texture utlities.
Light textures is reserved for the base of a page where it can gve a soft area for text or cards to live on top of.
medium texture are used for area that are hidden away. Collapsable navs, areas, or sidebars ususaly use the medium texture.
Dust is the most transparent texture allowing for the color of the background to show through the most. This is used for the painted tops of cards, or score bars.
This texture predominatly used on the footer. Its rich black will alway requrie reversed text and buttons to be readable.
A mostly transparent cross texture used for alternating rows of content when a little extra texture is needed.
This texture is used to paint disabled buttons and ui items giving it a greyed and X'ed out appearand.

[modifier class]

Source: noframework_acc.css, line 6128
All textures are slightly transparent. You can acheive different effects with using the combo of textures and background colors.
textures are slightly transparent so they can be colored with background-color classess
textures are slightly transparent so they can be colored with background-color classess
textures are slightly transparent so they can be colored with background-color classess
textures are slightly transparent so they can be colored with background-color classess
textures are slightly transparent so they can be colored with background-color classess
textures are slightly transparent so they can be colored with background-color classess
textures are slightly transparent so they can be colored with background-color classess
textures are slightly transparent so they can be colored with background-color classess
textures are slightly transparent so they can be colored with background-color classess
textures are slightly transparent so they can be colored with background-color classess

[modifier class]

Source: noframework_acc.css, line 6150
All textures are slightly transparent. You can further shade the background colors to achieve even more flexablity.
textures are slightly transparent so they can be colored with background-color classess
textures are slightly transparent so they can be colored with background-color classess
textures are slightly transparent so they can be colored with background-color classess
textures are slightly transparent so they can be colored with background-color classess
textures are slightly transparent so they can be colored with background-color classess
textures are slightly transparent so they can be colored with background-color classess
textures are slightly transparent so they can be colored with background-color classess
textures are slightly transparent so they can be colored with background-color classess
textures are slightly transparent so they can be colored with background-color classess
textures are slightly transparent so they can be colored with background-color classess

n3

n1

1

3

Source: noframework_acc.css, line 5993
Shadows can be easily added to container .shadow_{{modifier_class}}
inset shadow
inset shadow
inset shadow
inset shadow
inset shadow
no shadow
box shadow
box shadow
box shadow
box shadow
box shadow

container has shadow of [modifier class]


Encode or decode the RDATA field in multicast DNS TXT records. For use with DNS-Based Service Discovery. For details see RFC 6763.
npm install dns-txt
var txt = require('dns-txt')()
var obj = {
foo: 1,
bar: 2
}
var enc = txt.encode(obj) // <Buffer 05 66 6f 6f 3d 31 05 62 61 72 3d 32>
txt.decode(enc) // { foo: '1', bar: '2' }
The encoder and decoder conforms to RFC 6763.
The module exposes a constructor function which can be called with an optional options object:
var txt = require('dns-txt')({ binary: true })
The options are:
binary
- If set to true
all values will be returned as Buffer
objects. The default behavior is to turn all values into strings. But
according to the RFC the values can be any binary data. If you expect
binary data, use this option.Takes a key/value object and returns a buffer with the encoded TXT
record. If a buffer is passed as the second argument the object should
be encoded into that buffer. Otherwise a new buffer should be allocated
If an offset is passed as the third argument the object should be
encoded at that byte offset. The byte offset defaults to 0
.
This module does not actively validate the key/value pairs, but keep the following in rules in mind:
To be RFC compliant, each key should conform with the rules as specified in section 6.4.
To be RFC compliant, each value should conform with the rules as specified in section 6.5.
After encoding txt.encode.bytes
is set to the amount of bytes used to
encode the object.
Takes a buffer and returns a decoded key/value object. If an offset is
passed as the second argument the object should be decoded from that
byte offset. The byte offset defaults to 0
. Note that all keys will be
lowercased and all values will be Buffer objects.
After decoding txt.decode.bytes
is set to the amount of bytes used to
decode the object.
Takes a single key/value object and returns the number of bytes that the given object would require if encoded.
MIT


Weather Station
Enter a city and state, or a ZIP code
City:
State:
or
ZIP code:
Submit
This is where the results will go if there ever are any.


binary search
sort
]
Leetcode 0436. Find Right Interval
https://leetcode.com/problems/find-right-interval
Let us look carefully at our statement: for each interval i
we need to find interval j
, whose start is bigger or equal to the end point of interval i
. We can rephrase this:
Given end of interval i
, we need to find such point among starts of interval, which goes immedietly after this end of iterval i
. How we can find this point? We can sort our intervals by starts (and hopefully there is no equal starts by statement) and then for each end of interval find desired place. Let us go through exapmle:
[1,12], [2,9], [3,10], [13,14], [15,16], [16,17]
(I already sorted it by starts):
- Look for number
12
inbegs = [1,2,3,13,15,16]
. What place we need? It is3
, because12 <13
and12 > 3
. - Look for number
9
, again place is3
. - Look for number
10
, place is3
. - Look for number
14
, place is4
, because13<14<15
. - Look for number
16
, what is place? In is5
, becausebegs[5] = 16
. Exactly for this reason we usebisect_left
, which will deal with these cases. - Look for number
17
, what is place? it is6
, but it means it is bigger than any number in ourbegs
, so we should return-1
.
So, what we do:
- Sort our intervals by starts, but also we need to keep they original numbers, so I sort triplets:
[start, end, index]
. - Create array of starts, which I call
begs
. - Creaty
out
result, which filled with-1
. - Iterate over
ints
and for every endj
, usebisect_left
. Check that found indext < len(begs)
and if it is, updateout[k] = ints[t][2]
. Why we update in this way, because our intervals in sorter list have different order, so we need to obtain original index.
Complexity: time complexity is O(n log n)
: both for sort and for n
binary searches. Space complexity is O(n)
.
class Solution:
def findRightInterval(self, intervals):
ints = sorted([[j,k,i] for i,[j,k] in enumerate(intervals)])
begs = [i for i,_,_ in ints]
out = [-1]*len(begs)
for i,j,k in ints:
t = bisect.bisect_left(begs, j)
if t < len(begs):
out[k] = ints[t][2]
return out
If you like the solution, you can upvote it on leetcode discussion section: Problem 0436


Astheno makes it easy to run quality, data-conscious services all on your own hardware.
Own your data
All Astheno apps are self-hostable and are transparent about only storing the data they need to.
Humans first
Software is about people. The ease of use and mix of intuitiveness and customization should reflect that.
Machines second
Fully featured APIs are available to use and/or ingest actions from each application, while maintaing the other principles first.
Independent
Designed to have as few dependencies as possible, there's no feature limitation for only running one app in the collection.
Integrated
However if you choose to operate many, they work tightly together to have an even more seamless user experience.
Modular
Astheno is not the only open source project out there, and integrations are made with many popular apps from the greater ecosystem.
Open source
All the code is managed out in the open on GitHub and bug reports and feature requests are always welcome.
Built for longevity
Bringing together simplicity and ease of use, applications will be maintained and supported for as long as you use them.
Secure
Data is dangerous and fine-grained controls are offered so read and write access to objects is only given to who you approve.
Lightweight
Built as single binaries, Astheno apps are portable and only a few MB in size to get up and running in no time.


Professional Work
megalith.supply
designer/developer
e-commerce site. gatsby frontend, express/apollo backend, integration with stripe for payment handling and printful for automated dropshipping.
institute of temporal film studies
designer/developer
film blog that examines art films scene-by-scene. nextJS frontend that statically renders markdown.
reed events
designer/developer
event scheduler/sign-up for Reed Memorial Library in Carmel, NY. Library staff can schedule events on daily, weekly or monthly schedules; patrons can register and provide contact information. NextJS frontend that uses Pages API to connect to MongoDB.
Sketchbook
a series of one-off experiments and riffs, including studies of interesting components and features i found around the web.
About
skills
javascript, react, node/express, graphql/apollo, mongoDB, p5js, fluent in spanish
education
full stack open 2020, university of helsinki, BA cultural studies, william & mary
(upcoming) games for the web, anderson ranch arts center
interests
film, guitar, exploring the hudson valley


|
|
T | real [2] |
| | coordinates which is the real part of the DCN
|
| |
|
T | dual [2] |
| | coordinates which is the complex part of the DCN
|
| |
template<class T >
| DCN< T >::DCN |
( |
T |
a_real0, |
|
|
T |
a_real1, |
|
|
T |
a_dual0, |
|
|
T |
a_dual1 |
|
) |
| |
|
inline |
Constructor that creats DCN with given real and dual parts
- Parameters
-
| a_real0 | the x-coordinate of the real part |
| a_real1 | the y-coordinate of the real part |
| a_dual0 | the x-coordinate of the dual part |
| a_dual1 | the y-coordinate of the dual part |
template<class T >
| DCN< T >::DCN |
( |
T |
x, |
|
|
T |
y, |
|
|
T |
theta |
|
) |
| |
|
inline |
Constructor that creats DCN which represents the rotation around a given point
- Parameters
-
| x | the x-coordinate of the center of the rotation |
| x | the y-coordinate of the center of the rotation |
| theta | the degree in radian of the rotation |
action
- Parameters
-
- Returns
- the resulting DCN acted by dcn
template<class T >
| DCN DCN< T >::blend |
( |
std::vector< DCN< T > > |
dcns, |
|
|
std::vector< T > |
weights |
|
) |
| |
|
inline |
linear blend (DLB)
- Parameters
-
| dcns | array of DCN's to be blended |
| weights | weights of the correspoding DCN's |
- Returns
- blended normalised DCN
conjugation
- Returns
- the conjugate of the DCN
norm
- Returns
- norm of the DCN
normalisation to unit length DCN
- Returns
- DCN the unit length DCN
The documentation for this class was generated from the following file:


This page describes a new benchmark for measuring both small-file and large-file performance with libgfapi. As libgfapi is increasingly used for Gluster applications, questions have arisen about metadata-intensive workload performance with libgfapi and how this scales with bricks, libgfapi instances, etc. This benchmark takes advantage of the similarity between libgfapi and POSIX interfaces so that the same tests can be run either with libgfapi or in a POSIX filesystem (example: Gluster FUSE mountpoint). This makes it easy to compare libgfapi performance with FUSE or XFS performance, for example. The "C" program that runs in each process is gfapi_perf_test.c . You can run this program by itself. The command line syntax is a little odd because it uses environment variables. This is less user-friendly but also easier in some ways. For example, you don't have to keep entering the same parameters. To compile, see the command at the top of the program. To run: # ./gfapi_perf_test -h usage: ./gfapi_perf_test environment variables may be inserted at front of command or exported defaults are in parentheses DEBUG (0 means off) - print everything the program does GFAPI_VOLNAME - Gluster volume to use GFAPI_HOSTNAME - Gluster server participating in the volume GFAPI_TRANSPORT (tcp) - transport protocol to use, can be tcp or rdma GFAPI_PORT (24007) - port number to connect to GFAPI_RECSZ (64) - I/O transfer size (i.e. record size) to use GFAPI_FSZ (1M) - file size GFAPI_BASEDIR(/tmp) - directory for this thread to use GFAPI_LOAD (seq-wr) - workload to apply, can be one of seq-wr, seq-rd, rnd-wr, rnd-rd, unlink, seq-rdwrmix GFAPI_IOREQ (0 = all) - for random workloads , how many requests to issue GFAPI_DIRECT (0 = off) - force use of O_DIRECT even for sequential reads/writes GFAPI_FUSE (0 = false) - if true, use POSIX (through FUSE) instead of libgfapi GFAPI_TRCLVL (0 = none) - trace level specified in glfs_set_logging GFAPI_FILES (100) - number of files to access GFAPI_STARTING_GUN (none) - touch this file to begin test after all processes are started GFAPI_STARTING_GUN_TIMEOUT (60) - each thread waits this many seconds for starting gun file before timing out GFAPI_FILES_PER_DIR (1000) - maximum files placed in a leaf directory GFAPI_APPEND (0) - if 1, then append to existing file, instead of creating it GFAPI_OVERWRITE (0) - if 1, then overwrite existing file, instead of creating it GFAPI_PREFIX (none) - insert string in front of filename GFAPI_USEC_DELAY_PER_FILE (0) - if non-zero, then sleep this many microseconds after each file is accessed GFAPI_FSYNC_AT_CLOSE (0) - if 1, then issue fsync() call on file before closing will print out environment variables that it supports, and # GFAPI_VOLNAME=demo GFAPI_HOSTNAME=gprfs024-10ge GFAPI_BASEDIR=/mytmpdir \ gfapi_perf_test will run a short test in the mytmpdir subdirectory of the Gluster volume. In this program, it creates subdirectories and puts no more than GFAPI_FILES_PER_DIR files in each subdirectory. This allows you to create more files per thread. FIXME: It needs an extra level of directories to run really long tests. The parallel_gfapi_test.sh script launches a multi-threaded, distributed test using the above program. Someday it may switch to using fio with the libgfapi "engine" developed by Huamin Chen, but for now it's simpler to do it this way. Environment variables supported by this script are in comments at top of the script. You may need to edit a few the lines in the script above the comment "NO EDITABLE PARAMETERS BELOW THIS LINE". Here's a sample run:
# env | grep PGFAPI
PGFAPI_PROGRAM=/root/parallel-libgfapi/gfapi_perf_test
# PGFAPI_MOUNTPOINT=/mnt/test PGFAPI_PROCESSES=1 bash ./parallel_gfapi_test.sh
/root/parallel-libgfapi/gfapi_perf_test
volume name: test2
Gluster server in the volume: <IP_ADDRESS>
workload: seq-wr
list of clients in file: clients.list
record size (KB): 64
file size (KB): 4
files per thread: 10240
processes per client: 1
threads per process: 1
test driver glusterfs mountpoint: /mnt/test
top directory within Gluster volume: /gfapi-test
each thread (process) runs program at: /root/parallel-libgfapi/gfapi_perf_test
log files for each libgfapi process at /tmp/parallel_gfapi_logs.12266
starting gun timeout = 10
removing any previous files
Thu Sep 25 11:16:24 EDT 2014: starting 1 clients ... perf88
ls: cannot access /mnt/test//gfapi-test/*.ready: No such file or directory
ls: cannot access /mnt/test//gfapi-test/*.ready: No such file or directory
ls: cannot access /mnt/test//gfapi-test/*.ready: No such file or directory
Thu Sep 25 11:16:30 EDT 2014: clients are all ready
Thu Sep 25 11:16:30 EDT 2014 : clients should all start running within a few seconds
process 12325 exited with status 255
Thu Sep 25 11:17:24 EDT 2014: clients completed
ERROR: at least one process exited with error status 255
per-thread results in /tmp/parallel_gfapi_logs.12266/result.csv
0 threads finished out of 1
transfer-rate: 1.0 MBytes/s
file-rate: 1.0 files/sec
IOPS: 1.0 requests/sec


Table of Contents
Classes
CashableSymmetricGrowMatrix
DiagonalMatrix
EquationSystem
GrowMatrix
GrowVector
IdentityMatrix
Matrix
NormalEquationSystem
RedundandEquationSystem
SquareMatrix
SymmetricGrowMatrix
SymmetricMatrix
TriangleMatrix
Vector
External Functions
main
External Variables
DIAGONAL_INVERT_MATRIX
FULL_INVERT_MATRIX
NONE_INVERT_MATRIX
Macros
_EQUATION_
__STD_COMPLEX
Class Hierarchy


Currently a Fullstack Development student at the Ohio State University Bootcamp. Have
strong communication skills, previously holding posisitions in Sales Development along with Customer
Service.
Projects
A Drink Around Here - search for breweries by
city or name


Update an existing leaflet map in a context of multiple map sets and corresponding shapefiles.
update_mapset(trigger, shp, mapset, ids, selected_regions, all_regions, all_locs, all_locs_shapefile = all_locs, default = "", click_id, session, map = "Map", color = "#3C8DBC", fill = color, color_opacity = 1, fill_opacity = 0.4)
| trigger | character, |
|---|---|
| shp | a shapefile pertaining to a single |
| mapset | character, name of a mapset in |
| ids | literal names of regions in |
| selected_regions | a subset of |
| all_regions | a named vector of region IDs pertaining to regions in |
| all_locs | a named list (names match |
| all_locs_shapefile | a named list (names match |
| default | name of a default map set, if used. Otherwise defaults to |
| click_id | character, the leaflet map click id. |
| session | the app session variable. |
| map | character, name of leaflet map object. |
| color | border color for selected polygons. |
| fill | fill color for selected polygons. |
| color_opacity | numeric, border color opacity. |
| fill_opacity | numeric, fill color opacity. |
side effects only, called from within Shiny observers to update selectInput
and leaflet output map.
This function updates a leaflet map made using build_mapset
. It is called from within Shiny observers. See examples.
The function is used twice in two contexts in an app in conjunction with a single original build_mapset
call for a single
leaflet output instance.
Specifically, one call is within an observer that reacts to map polygon mouse clicks
and the other call is within an observer that reacts to changes to the shiny::selectInput
that is synced to the leaflet map polygon selections.
The function takes a number of the same arguments passed to build_mapset
.
Compared to build_mapset
, color, fill and opacity is simplified to single values each
since this function only deals with the adding of selected polygons
to the map, not the adding of unselected polygons or polygon mouse hover options.
Note that the selectInput
observer context (trigger="selectInput"
) requires all arguments to be supplied except for
click_id
and session, which are needed only for trigger="mapclick"
.
In the case of the latter, the only arguments needed (or used) are
trigger
, click_id
, session
and selected_regions
. All other arguments may be left out.
Map clicks are observed strictly to update the synchronized selectInput
, not to remove or add polygons directly.
In turn, changes to the selectInput
, whether by the user directly, or by updating on map click observation,
are responsible for updating map polygon layers.
# NOT RUN { # Observe polygon selectInput. # Add or remove selected polygons leaflet map polygons. observeEvent(input$regions, { update_mapset("selectInput", shp, mapset, ids, input$regions, all_regions, all_locs) }, ignoreNULL=FALSE) # Observe leaflet map shape click. # Update region selectInput. observeEvent(input$Map_shape_click, { update_mapset("mapclick", selected_regions=input$regions, click_id=input$Map_shape_click$id, session=session) }) # }


| Home | Libraries | People | FAQ | More |
Copyright © 2001 -2009 Beman Dawes, Daryle Walker, Gennaro Prota, John Maddock
Distributed under the Boost Software License, Version 1.0. (See accompanying file LICENSE_1_0.txt or copy at http://www.boost.org/LICENSE_1_0.txt)
Table of Contents
Boost.Integer provides integer type support, particularly helpful in generic
programming. It provides standard C99 integer types, such as might be found
in <stdint.h>, without requiring that header. It provides the means to
select an integer type based upon its properties, like the number of bits or
the maximum supported value, as well as compile-time bit mask selection. There
is a derivative of std::numeric_limits that provides integral constant expressions
for min
and max
.
Finally, it provides two compile-time algorithms: determining the highest power
of two in a compile-time value; and computing min and max of constant expressions.
Boost.Integer 提供了整数类型的支持，在泛型编程中特别有帮助。它提供了标准的C99整数类型，即
<stdint.h> 中的类型，而不需要那个头文件。 它提供了基于整数的特性来选择某个整数类型的能力，如基于二进制位数或可支持的最大值，以及编译期的位掩码选定。
还有了一个 std::numeric_limits 的洐生物，为 min
和 max
提供整型常量表达式。最后，它提供了两个编译期算法：
用编译期值来确定2的最高幂次；以及计算某个常量表达式的
min 和 max。
|
Component 组件 |
Header 头文件 |
Purpose 目的 |
|---|---|---|
|
Forward Declarations. |
Forward declarations of classes and class templates - for use when
just the name of a class is needed. |
|
|
Provides typedef's based on the 1999 C Standard header |
||
|
Class template |
||
|
Templates for integer type selection based on properties such as
maximum value or number of bits: Use to select the type of an integer
when some property such as maximum value or number of bits is known.
Useful for generic programming. |
||
|
Templates for the selection of integer masks, single or lowest group,
based on the number of bits: Use to select a particular mask when
the bit position(s) are based on a compile-time variable. Useful
for generic programming. |
||
|
Template for finding the highest power of two in a number: Use to
find the bit-size/range based on a maximum value. Useful for generic
programming. |
||
|
Templates for finding the extrema of two numbers: Use to find a bound
based on a minimum or maximum value. Useful for generic programming.
|
Last revised: August 24, 2010 at 01:37:24 GMT |


Police seek Toyota Estima sightings
by New Zealand PoliceDetective Sergeant Glenn Toy:
Police are appealing for witnesses who might have seen the dark-coloured Toyota Estima involved in a fatal crash in Whanganui on 9 November 2019.
Sixty-eight-year-old Jeanette Gibbs died after being struck by the vehicle while riding her 50cc scooter at the intersection of Georgetti Road and Anzac Parade at about 6.15pm.
“We are particularly interested in talking to people who might have noticed a Toyota Estima people mover van on Anzac Parade between 5.45pm and 6.15pm on Saturday 9 November.”
A 41-year-old Whanganui man has been charged with manslaughter and is due to appear in the Whanganui District Court again on 4 December 2019.
Anyone with information can contact Detective Sergeant Glenn Toy at the Whanganui Police Station on 06 349 0600 or on the police non-emergency number 105.
NOTE: The vehicle in the photo supplied is similar to the vehicle involved in the incident.


Fishezzz
slam_poi.component.ts
1.0
Generates a random ID.
Initializes the current map with all POI's.
Dismisses the modal.
Dismisses the modal and saves the changes.
Unsubscribes from MQTT topics and Subscriptions before the service gets destroyed.
Subscription
Generated using TypeDoc
Fishezzz
slam_poi.component.ts
1.0


I'm an aspiring full stack developer. I attended the University of Massachusetts, Dartmouth where I majored Biochemistry until the start of my junior year. During the course of my college career, I found that I really enjoyed developing web applications. Being able to understand the entire process from application design to deployment was and still is extremely rewarding. I have taken it upon myself to learn all there is to know about web development. I am very excited to learn more and to continue cultivating new skills in this ever growing industry. I am a strong believer that continuous learning is the key to a better future. As such, I pride myself for being in a field that is always changing and as a byproduct, always pushing me to grow as an individual and as a developer.
Faced with many challenging responsibilities, I have learned many important skills such as problem solving, troubleshooting, communication, teamwork, collaboration, and professionalism. I am relieved to say that the value of these skills will not be lost in my transition to web development. Using everything I have learned, I hope that I will be able to help grow this industry and the community surrounding it.
View ResumeUsing the Clarafai API, smartbrain takes an image URL and detects the face of a person within the image. On the front-end, smartbrain uses JavaScript, and Reactjs to render the views. On the back-end, it uses Node and Express. Several Express routes were implemented to handle request from the front-end, such as authentication, user profile, user entries update, and etc... Also used PostgresSQL to save user data, and node package (Knex) to query the database and send a response to the client.
Using the Spotify API, Jammming allows users to search the Spotify library, create a custom playlist, then save it to their Spotify account. Jammming uses JavaScript and Reactjs to render the views on the front-end.
Ravenous gives users read-only access to businesses informations based on a specific search term and location of the business. Also allows users to sort data based on match, reviews, and ratings. Ravenous uses JavaScript and Reactjs on the front-end to render the views, and the Yelp API to fetch business informations.
This project was built using html, and custom CSS to showcase my knowledge of layouts, positioning, and responsive design.
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mizarlabs.transformers.sampling package¶
Submodules¶
mizarlabs.transformers.sampling.average_uniqueness module¶
mizarlabs.transformers.sampling.down_sampling module¶
-
class
mizarlabs.transformers.sampling.down_sampling.
CUSUMFilter
(threshold: float)[source]¶ Bases:
sklearn.base.BaseEstimator
,sklearn.base.TransformerMixin
Downsamples a timeseries to filter out non significant value changing samples.
- Parameters
threshold (float) – Sets the threshold to trigger a sample, setting the threshold higher will result in less samples being selected.
-
transform
(X: pandas.core.series.Series) → pandas.core.indexes.datetimes.DatetimeIndex[source]¶ Returns a pandas DatetimeIndex indicating which samples have been selected by the CUSUM filter.
- Parameters
X (pd.Series) – Time series with time indices.
- Returns
DatetimeIndex indicating which samples have been selected.
- Return type
pd.DatetimeIndex