Standard Calendar
This example also features blocked and disabled days.
You can use two-way data binding or simply ngModel to select a date or range of dates on a calendar. Calendars
internally utilize an interface called CalendarDay
, which contains the property date
.
To select a date you will create a new object that contains the property date, whose value is a FdDate model object.
Then, using two-way binding syntax, set the selectedDay value to your new object.
Note that selecting a day (or range of days) in this manner will override any block/disable functions. The
disableFunction
and blockFunction
inputs can be changed and the calendar will automatically update (see example).
A disabled date or range of dates cannot be selected, usually applied to a large range of past or future dates. A
blocked date or range of dates cannot be selected, usually applied to blackout or booked dates mixed in with
available dates.
Range Selection Calendar
Allows the selection of a range of dates. Only the first and last days of the range are passed back.
The disableRangeStartFunction
, disableRangeEndFunction
,
blockRangeStartFunction
and blockRangeEndFunction
inputs can be used in addition to the
disableFunction
and blockFunction
inputs to set independent rules for the start and end
dates.
In this example, the user can only select a start date on or before October 10, 2019, and an end date on or after
October 20, 2019.
Programmatic Date Change
Makes it possible to programmatically change the value of the currently selected date. The selectedDay
property stores the date that the calendar highlights as the one that is currently selected. By programmatically
changing the value of this property, the date that is highlighted on the calendar will change accordingly.
Monday Start Calendar
Use the startingDayOfWeek
input to change the order in which the days of the week appear. 1 is
for Sunday, 2 is Monday, 3 is Tuesday, etc.
Internationalization
The calendar uses a custom service called CalendarI18n to populate the month names, week days, etc.
It also uses a separate service called CalendarI18nLabels to populate aria labels in the component itself.
Internationalization With Moment.js
The calendar uses a custom service called CalendarI18n to populate the month names, week days, etc.
It can be used along with moment.js library with locale package. The moment.js library contains a lot of languages
and allows to change language while page is rendered.
Calendar in Reactive Form
The Calendar component may also be used within Angular Reactive Forms.


{% assign edit_url = "https://github.com/jahuty/documentation/edit/master/" | append: page.path %}
Find a typo? Something is wrong in this documentation? Fork and edit it!


{% extends "base.html" %} {% block title %}Home{% endblock %} {% block body %} Hello World My first website using Flask and Bulma Flask is Awesome It's fun to learn more {% endblock %}
It's fun to learn more


Mapping Source
This structure represents the following mapping definition:
obf.Endpoint maps to Endpoint: Identifier maps to identifier EndpointStatus maps to status TimePeriod maps to period EndpointConnectionType maps to connectionType EndpointName maps to name ManagingOrganization maps to managingOrganization ContactPoint maps to contact PayloadType maps to payloadType PayloadMimeType maps to payloadMimeType EndpointAddress maps to address Header maps to header


Justice Ginsburg in hospital, but expected to be released soon
WASHINGTON (Reuters) - Liberal U.S. Supreme Court Justice Ruth Bader Ginsburg is in a Maryland hospital after suffering from chills and a fever, but is expected to be released on Sunday, the Supreme Court said on Saturday.
Ginsburg has faced several health scares over the past year, including in August, when she underwent radiation therapy for pancreatic cancer.
Ginsburg, 86, began experiencing the symptoms earlier on Friday. She went to a hospital in Washington before being transferred to Johns Hopkins Hospital in Baltimore for more evaluations and treatment of any possible infection, the court said.
But the justice’s symptoms have abated after antibiotics and fluids and she is expected to be released from the hospital on Sunday morning, the court said.
Ginsburg is the oldest justice on the court. Her health is closely watched because a Supreme Court vacancy would give President Donald Trump the opportunity to appoint a third justice to the nine-member court and prod it further to the right.
Last December, Ginsburg had two cancerous nodules removed from her left lung, and has previously been treated for pancreatic cancer in 2009 and colon cancer in 1999.


An example of how to use [babel-ui5-plugin](https://github.com/MagicCube/babel-plugin-ui5) with Babel 6.
Please read the README.md first.
Please open your console to see the results.


showFullScreenAd
showRewardedVideoAd
loadedFullScreenAd
loadedRewardedVideoAd
isShowingFullScreenAd
isShowingRewardedVideoAd


Demonstrates:
Slick.Plugins.CustomTooltip
Custom Tooltip Plugin
1st column shows an async tooltip (could be an API with Promise), it demos a formatter which itself has a formatter displaying percent complete bar
2nd column is with "useRegularTooltip" which will parse your cell formatters in search of a "title" attribute to use as tooltip
Every other columns will show other info of the item data context
Tooltip gets auto-position depending on its available space
You can disable a tooltip via "usabilityOverride"
Options:
Hide Tooltip Arrow ON
Hide Tooltip Arrow OFF
Disable Tooltip ON
Disable Tooltip OFF
View Source:
View the source for this example on Github
Change Server Delay Wait (ms)


Check out the example
2:23 AM
iOS Gui Kit - Vol 1 - Sneak Peek
2:30 AM
yeah, they do early flights cause they connect with big airports. they wanna get u to your connection
It's a pretty small airport.
Okok


Star Wars RPG
Choose Your Character
Your Character
Enemies Available To Attack
Fight Section
Attack
Defender


Huge meteor lights up Missouri sky – video
The night sky above the US midwest was illuminated by a meteor on 11 November. The fireball was caught on video streaking past the Gateway Arch in St Louis, Missouri. There were more than 100 reported sightings across nine US states


SASE is dedicated to the advancement of Asian heritage scientists and engineers in education and employment so that they can achieve their full career potential. In addition to professional development, SASE also encourages members to contribute to the enhancement of the communities in which they live.
Prepare Asian heritage scientists and engineers for success in the global business world.
Celebrate diversity on campuses and in the workplace.
Provide opportunities for members to make contributions to their local communities.


One of the Pixel 4’s best features is coming to older models soon
by Michael AllisonAside from its camera, Pixel 4 also ships with a powerful voice recording app. Simply dubbed Recorder, this app not only records Audio but also offers transcription services, converting the sounds being recorded into words so users can copy and paste them later for use in other apps.
While it’s exclusive to the Pixel 4 at the moment, Google plans on rolling it out to older devices at some point.
“Thanks for expressing interest in the Recorder app. We plan to roll it out to older Pixel devices in a future software update,” a Google rep said on Reddit. The app can currently be downloaded and manually sideloaded, but is not yet downloadable via the Play Store for users who like to play it safe.
For what it is worth, the Voice Transcription app does work, and work well. Users can expect to find a wealth of useful features like
You can see it in action here.


I’ve been following Dan Meyer for about 15 months. I don’t teach math, but the way he talks about teaching math makes me want to teach it. If you’re not familiar with his writing and development of Three Act Math, you should read the linked post and go check out his site dedicated to free materials.
Recently, he’s moved into developing web-based “textbooks,” if they can even be called that. Essentially, he’s taking intuitive knowledge of math (draw a square) and then directing the user through the process of either confirming their previous understanding or correcting their misconceptions. What really caught my attention was this activity on squares. Stop reading now, check it out.
Dan teamed up with a teacher/programmer named Dave Major (who also wrote a post about the squares activity). I really began to think about how this could be done in science.
Flipped Learning is all over the web. I use it, my friends use it, and we’ve all seen some amazing things happen in our classes. Honestly, I think video is reaching a point where it can help move us into meaningful digital learning spaces, but it isn’t enough. We all know that.
I’ve been thinking a lot about how to move content into adaptive digital environments, much like the Better Best Squares activity. PhET simulations by UC Boulder are a good first step, but there is still a disconnect between the task (usually paper based) and how the student interacts with the program.
I’m wondering how we can begin to make responsive programs like the squares example for science. One thought, initially, is that simulation parameters could be set by a student, much like the square they draw. Every following step would be A) integrated with the class responses, and B) based on the initial setup.
How else could we do this in science? Are there any programmers that would be interested in trying to build some kind of pilot program? Any teachers that would be interested in writing curriculum for this project? Let me know in the comments.
Written on January 30th, 2013 by Brian Bennett Categorized in: All Collaboration Projects Science Teaching Technology
Leave a comment


|
| override string | Type [get] |
| |
| virtual ? bool? | FlipXY [get, set] |
| | If flipXY is 'true', the series is flipped. More...
|
| |
| virtual ? double? | DataMaxX [get, set] |
| | Data maximum on the x-axis. Defaults to: 1 More...
|
| |
| virtual ? double? | DataMaxY [get, set] |
| | Data maximum on the y-axis. Defaults to: 2 More...
|
| |
| virtual ? double? | DataMinX [get, set] |
| | Data minimum on the x-axis. Defaults to: 0 More...
|
| |
| virtual ? double? | DataMinY [get, set] |
| | Data minimum on the y-axis. Defaults to: 0 More...
|
| |
| virtual string | Field [get, set] |
| | The store field used by the series. More...
|
| |
| virtual ? int? | LabelOverflowPadding [get, set] |
| | Padding around labels to determine overlap. Defaults to: 10 More...
|
| |
| virtual ? double? | SelectionTolerance [get, set] |
| | The distance from the event position to the sprite's data points to trigger interactions (used for 'iteminfo', etc). Defaults to: 20 More...
|
| |
| virtual ? bool? | Step [get, set] |
| | 'true' if the area is represented with steps instead of lines. Defaults to: false More...
|
| |
| virtual ? int? | InGroupGapWidth [get, set] |
| | The gap between grouped bars. Defaults to: 3 More...
|
| |
| virtual ? int? | MaxBarWidth [get, set] |
| | The maximum bar width. Defaults to: 100 More...
|
| |
| virtual ? int? | MinBarWidth [get, set] |
| | The minimum bar width. Defaults to: 2 More...
|
| |
| virtual ? int? | MinGapWidth [get, set] |
| | The minimum gap between bars. Defaults to: 5 More...
|
| |
| virtual ? int? | Radius [get, set] |
| | The degree of rounding for rounded bars. Defaults to: 0 More...
|
| |
| Sprite | RaiseStyle [get, set] |
| | The raise style More...
|
| |
| virtual ? int? | BarWidth [get, set] |
| | The bar width of the candles. Defaults to: 15 More...
|
| |
| virtual ? int? | Padding [get, set] |
| | The amount of padding between candles. Defaults to: 3 More...
|
| |
| virtual string | OhlcType [get, set] |
| | Determines whether candlestick or ohlc is used. Defaults to: 'candlestick' More...
|
| |
| virtual ? bool? | FillArea [get, set] |
| | 'true' if the sprite paints the area underneath the line. Defaults to: false More...
|
| |
| virtual ? bool? | PreciseStroke [get, set] |
| | 'true' if the line uses precise stroke. Defaults to: true More...
|
| |
| virtual ? bool? | Smooth [get, set] |
| | 'true' if the sprite uses line smoothing. Defaults to: false More...
|
| |
| virtual string | BaseColor [get, set] |
| | The color of the 3D pie part before adding the 3D effect. Defaults to: 'white' More...
|
| |
| virtual ? double? | BevelWidth [get, set] |
| | Pie3DPart: the size of the 3D pie bevel. Defaults to: 5 More...
|
| |
| virtual ? double? | BaseRotation [get, set] |
| | The starting rotation of the polar series. Defaults to: 0 More...
|
| |
| virtual ? double? | CenterX [get, set] |
| | The central point of the series on the x-axis. Defaults to: 0 More...
|
| |
| virtual ? double? | CenterY [get, set] |
| | The central point of the series on the x-axis. Defaults to: 0 More...
|
| |
| virtual ? double? | ColorSpread [get, set] |
| | Pie3DPart: an attribute used to control how flat the gradient of the sprite looks. More...
|
| |
| virtual ? double? | Distortion [get, set] |
| | The distortion of the 3D pie part. Defaults to: 0 More...
|
| |
| virtual ? double? | EndAngle [get, set] |
| | The ending angle of the polar series. Defaults to: Math.PI More...
|
| |
| virtual ? double? | EndRho [get, set] |
| | The ending radius of the polar series. Defaults to: 150 More...
|
| |
| virtual string | Label [get, set] |
| | Label associated with the Pie and Pie3dPart sprite types. Defaults to: '' More...
|
| |
| virtual ? int? | Margin [get, set] |
| | Margin from the center of the pie. Used for donut. Defaults to: 0 More...
|
| |
| virtual string | Part [get, set] |
| | The part of the 3D Pie represented by the sprite. More...
|
| |
| virtual ? double? | StartAngle [get, set] |
| | The starting angle of the polar series. Defaults to: 0 More...
|
| |
| virtual ? double? | StartRho [get, set] |
| | The starting radius of the polar series. Defaults to: 0 More...
|
| |
| virtual ? double? | Thickness [get, set] |
| | The thickness of the 3D pie part. Defaults to: 0 More...
|
| |
| virtual ? bool? | DoCallout [get, set] |
| | 'true' if the pie series uses label callouts. Defaults to: true More...
|
| |
| Sprite | DropStyle [get, set] |
| | The drop style More...
|
| |
| virtual ? int? | YCap [get, set] |
| | Absolute maximum y-value. Larger values will be capped to avoid rendering issues. Defaults to: Math.pow(2, 20) More...
|
| |
| override ConfigOptionsCollection | ConfigOptions [get] |
| |
| override string | Type [get] |
| |
| virtual ? int? | CenterX [get, set] |
| | The center coordinate of the sprite on the x-axis. Defaults to: 0 More...
|
| |
| virtual ? int? | CenterY [get, set] |
| | The center coordinate of the sprite on the y-axis. Defaults to: 0 More...
|
| |
| virtual ? int? | EndAngle [get, set] |
| | The ending angle of the sprite. Defaults to: 0 More...
|
| |
| virtual ? int? | StartAngle [get, set] |
| | The beginning angle of the sprite. Defaults to: 0 More...
|
| |
| virtual ? int? | EndRho [get, set] |
| | The ending point of the radius of the sprite. Defaults to: 150 More...
|
| |
| virtual ? int? | StartRho [get, set] |
| | The starting point of the radius of the sprite. Defaults to: 0 More...
|
| |
| virtual ? int? | Margin [get, set] |
| | The margin of the sprite from the center of pie. Defaults to: 0 More...
|
| |
| override ConfigOptionsCollection | ConfigOptions [get] |
| |
| override string | Type [get] |
| |
| virtual string | Path [get, set] |
| | The SVG based path string used by the sprite. More...
|
| |
| override ConfigOptionsCollection | ConfigOptions [get] |
| |
| virtual string | Type [get] |
| |
| virtual DrawContainer | Draw [get, set] |
| |
| virtual string | SpriteID [get, set] |
| |
| virtual ? int? | Height [get, set] |
| | The height of the sprite. Defaults to: 1 More...
|
| |
| virtual ? int? | Width [get, set] |
| | The width of the sprite. Defaults to: 1 More...
|
| |
| virtual ? int? | X [get, set] |
| | The position of the sprite on the x-axis. Defaults to: 0 More...
|
| |
| virtual ? int? | Y [get, set] |
| | The position of the sprite on the y-axis. Defaults to: 0 More...
|
| |
| virtual int[] | LineDash [get, set] |
| | array of non-negative numbers specifying a dash/space sequence. More...
|
| |
| virtual ? int? | LineDashOffset [get, set] |
| | A number specifying how far into the line dash sequence drawing commences. More...
|
| |
| virtual ? double? | FillOpacity [get, set] |
| | The opacity of the fill. Limited from 0 to 1. Defaults to: 1 More...
|
| |
| virtual string | FillStyle [get, set] |
| | The color of the shape (a CSS color value). Defaults to: "none" More...
|
| |
| virtual ? double? | GlobalAlpha [get, set] |
| | The opacity of the sprite. Limited from 0 to 1. Defaults to: 1 More...
|
| |
| virtual ? double? | Opacity [get, set] |
| | The opacity of the sprite. Limited from 0 to 1. Defaults to: 1 More...
|
| |
| virtual string | GlobalCompositeOperation [get, set] |
| | Indicates how source images are drawn onto a destination image. globalCompositeOperation attribute is not supported by the SVG and VML (excanvas) engines. Defaults to: source-over More...
|
| |
| virtual ? bool? | Hidden [get, set] |
| | Determines whether or not the sprite is hidden. Defaults to: false More...
|
| |
| virtual StrokeLinecap | LineCap [get, set] |
| | The style of the line caps. Defaults to: "butt" More...
|
| |
| virtual StrokeLinejoin | Linejoin [get, set] |
| | The style of the line join. Defaults to: "miter" More...
|
| |
| virtual ? double? | LineWidth [get, set] |
| | The width of the line stroke. Defaults to: 1 More...
|
| |
| virtual ? int? | MiterLimit [get, set] |
| | Sets the distance between the inner corner and the outer corner where two lines meet. Defaults to: 10 More...
|
| |
| virtual ? int? | RotationCenterX [get, set] |
| | The central coordinate of the sprite's scale operation on the x-axis. Defaults to: null More...
|
| |
| virtual ? int? | RotationCenterY [get, set] |
| | The central coordinate of the sprite's scale operation on the y-axis. Defaults to: null More...
|
| |
| virtual ? double? | RotationRads [get, set] |
| | The radians of rotation of the sprite. Defaults to 0. More...
|
| |
| virtual ? int? | RotationDegrees [get, set] |
| |
| virtual string | RotationDegreesProxy [get] |
| |
| virtual ? int? | ScalingCenterX [get, set] |
| | The central coordinate of the sprite's scale operation on the x-axis. Defaults to: null More...
|
| |
| virtual ? int? | ScalingCenterY [get, set] |
| | The central coordinate of the sprite's scale operation on the y-axis. Defaults to: null More...
|
| |
| virtual ? double? | Scaling [get, set] |
| | The scaling of the sprite on the xy-axis. Defaults to: 1 More...
|
| |
| virtual ? double? | ScalingX [get, set] |
| | The scaling of the sprite on the x-axis. Defaults to: 1 More...
|
| |
| virtual ? double? | ScalingY [get, set] |
| | The scaling of the sprite on the y-axis. Defaults to: 1 More...
|
| |
| virtual ? int? | ShadowBlur [get, set] |
| | The amount blur used on the shadow. Defaults to: 0 More...
|
| |
| virtual string | ShadowColor [get, set] |
| | The amount blur used on the shadow. Defaults to: 0 More...
|
| |
| virtual ? int? | ShadowOffsetX [get, set] |
| | The offset of the sprite's shadow on the x-axis. Defaults to: 0 More...
|
| |
| virtual ? int? | ShadowOffsetY [get, set] |
| | The offset of the sprite's shadow on the y-axis. Defaults to: 0 More...
|
| |
| virtual ? double? | StrokeOpacity [get, set] |
| | The opacity of the stroke. Limited from 0 to 1. Defaults to: 1 More...
|
| |
| virtual string | StrokeStyle [get, set] |
| | The color of the stroke (a CSS color value). Defaults to: "none" More...
|
| |
| virtual bool | TransformFillStroke [get, set] |
| | Determines whether the fill and stroke are affected by sprite transformations. Defaults to: false More...
|
| |
| virtual ? double? | TranslationX [get, set] |
| | The translation of the sprite on the x-axis. Defaults to: 0 More...
|
| |
| virtual ? double? | TranslationY [get, set] |
| | The translation of the sprite on the y-axis. Defaults to: 0 More...
|
| |
| virtual ? int? | ZIndex [get, set] |
| | The stacking order of the sprite. Defaults to: 0 More...
|
| |
| virtual string | Proxy [get] |
| |
| virtual ? int? | Duration [get, set] |
| | Time in milliseconds for the animation to last. More...
|
| |
| virtual Easing | Easing [get, set] |
| | This describes how the intermediate values used during a transition will be calculated. It allows for a transition to change speed over its duration. Note that cubic-bezier will create a custom easing curve following the CSS3 transition-timing-function specification http://www.w3.org/TR/css3-transitions/-transition-timing-function_tag. The four values specify points P1 and P2 of the curve as (x1, y1, x2, y2). All values must be in the range [0, 1] or the definition is invalid More...
|
| |
|
virtual string | EasingArgs [get, set] |
| |
| virtual string | EasingProxy [get] |
| |
| override ConfigOptionsCollection | ConfigOptions [get] |
| |
| virtual string | InstanceOf [get] |
| |
| ItemState | State [get] |
| |
| virtual DefaultValueMode | DefaultValueMode [get, set] |
| |
| virtual bool | DesignMode [get] |
| |
| bool | AutoDataBind [get, set] |
| |
| ResourceManager | ResourceManager [get] |
| |
| virtual Control | Owner [get, set] |
| | The Owner Control for this Listener. More...
|
| |
| virtual bool | IsDefault [get] |
| | Does this object currently represent it's default state. More...
|
| |
| bool | IsTrackingViewState [get] |
| |
| EventHandlerList | Events [get] |
| |
| EventHandler | DataBinding |
| |
| Control?? | BindingContainer [get] |
| |
| virtual ConfigItemCollection?? | CustomConfig [get] |
| | Collection of custom js config More...
|
| |
| virtual ConfigOptionsCollection | ConfigOptions [get] |
| |
| virtual ConfigOptionsExtraction | ConfigOptionsExtraction [get] |
| |
| System.Web.Mvc.HtmlHelper?? | HtmlHelper [get, set] |
| |
| ConfigOptionsCollection | ConfigOptions [get] |
| |
| ConfigOptionsExtraction | ConfigOptionsExtraction [get] |
| |
| DefaultValueMode | DefaultValueMode [get, set] |
| |


The topography, climate, and vegetation of the Pacific Northwest, its fjords, inland waterways and islands, are a result of an extended period of glaciation and glacial retreat.
This retreat influenced the physical features and the resulting succession of vegetation that led to the landscape we see today.
This tool takes the user through an interpretive, interactive journey of the deglaciation events.
After using this interactive, please complete the survey here.
The Cordilleran Ice sheet covers the majority of British Columbia, and is connected to the Western Laurentide over the Canadian Rockies.
Seams between the Cordilleran ice sheet and the Western Laurentide sheet appear in the northern part of what is now British Columbia and Alberta.
The southern end of the Cordilleran moves south during a period of glacial growth.
Both the Cordilleran and the Laurentide continue southern movment, pushing further into eastern Washington state.
The southern boundary of the Cordilleran Ice Sheet continues to grow, and around this time it is believed to have reached its greatest extent.
Glacial Lake Columbia, another ice-dammed lake, forms west of Glacial Lake Missoula.
A large portion of the Cordilleran ice sheet, called the Puget Lobe, extends south.
The Puget Lobe reaches its fartherst southern extent, and its erroding features create the inland waterway that becomes known as the Puget Sound.
A sliver of land is opened as the western Laurentide ice sheet grows apart from the Cordilleran.
Significant temperatures and climatic conditions accelerate the loss of glacial material, the Puget Lobe melts, and the Cordilleran and Laurentide sheets continue to move away from each other.
This gap continues to widen as the Cordilleran undergoes its most significant period of deglaciation.
At this time, the western Laurentide has become fully separated from the Cordilleran, opening a corridor of land between the two ice sheets.
The interior where the Cordilleran and Laurentid have separated is inundated with meltwater lakes.
Deglaciation trends continue, with increased separation, retreat and meltwater features.
The Cordilleran has lost a significant amount of material, opening more land for migration, and creating more lakes and eroding features.
Material is lost at an increasing rate, and the Cordilleran is fully isolated from the Western Laurentide.
The Cordilleran ice sheet has undergone a significant loss of material.
The landscape we see today was directly influenced by these series of growth and retreat. It is what gives this region its geographic and biological diversity, and these great changes were a result of climatic factors. This landscape can still change further.
Data:
Elsevier: Ehlers, Gib0bard, Hughes: Quaternary Glaciations - Extent and Chronology Volume 15
Natural Earth
Other:
Whitlock, C. (1992). Vegetational and climatic history of the Pacific Northwest during the last 20,000 years: Implications for understanding present-day biodiversity. The Northwest Environmental Journal, 8:5—28. Retrieved February 11, 2019, from https://www.fs.fed.us/rm/pubs/rmrs_gtr292/1992_whitlock.pdf


A recipe is a short, standalone workflow for completing a complex bioinformatic analyses. Recipes answer questions such as, "How do I make a network out of a list of genes?", "How do I create a consensus signature from several gene expression signatures?", "How do I remove adapter sequences from my RNA-Seq data?"
In addition, recipes use GenomeSpace-enabled tools, and limit the amount of external scripting or other computational processes that are necessary to complete a simple bioinformatic analysis. The goal of recipes is to make common tasks easily accomplishable by biologists, clinicians, or other users who are starting out in bioinformatics, and may not have extensive computational skills.
If you have a workflow that you believe will benefit the genomics community, and which uses or can be adapted to use GenomeSpace tools, we welcome you to submit your recipe to the Recipe Resource!
Recipe Resource
GenomeSpace users can create recipes and submit them to the Recipe Resource. Only logged-in GenomeSpace users can create or edit recipes. User-contributed recipes will first be reviewed by the GenomeSpace team to prevent misuse, and once approved will be made available to for public use. Please read carefully through the documentation on this page to understand how to use the Recipe Resource creation interface, and about the best practices for recipe creation.
F1000 Channel
The GenomeSpace team has created an F1000 channel to host published recipes. Once a recipe has been submitted to the Recipe Resource and reviewed by the GenomeSpace team, the author can publish the recipe in the F1000 channel. The GenomeSpace team can help coordinate submissions of recipes to the F1000 channel. The recipes will then undergo peer review according to the F1000 publication guidelines. Recipe creators will be credited with authorship of that article, and once reviewed and published, the resulting recipe and workflows can be cited normally. If you are interested in submitting a recipe to the F1000 channel, please contact us.
Certain components are necessary to build a successful recipe that adequately describes the motivation and steps for the analysis. Here, we describe necessary components of recipes, and some standard guidelines for creating recipes. Components that are required for submission of a recipe to the Recipe Resource are marked by a red asterisk ().
The recipe should have a descriptive but short title, such that users who may be browsing the Recipe Resource can quickly determine if the recipe suits their needs. Example title: Identify biological functions for genes in copy number variation regions.
Many GenomeSpace recipes have video components to them, to facilitate users' understanding of a specific aspect of the analysis. We encourage recipe authors to create their own videos to demonstrate or walkthrough a particular recipe. If you have created your own videos to accompany your recipe, please copy-paste the link to the Video URL box. Please note that we only accept video URLs from publically-available video hosts, such as YouTube or Vimeo. You can also upload a presentation that is hosted on SlideShare, instead of a video.
For YouTube or Vimeo clips, just copy and paste the browser URL into the video url field.
For SlideShare, click on the embed icon < > at the bottom of the presentation viewer and copy the src
attribute from the iframe
tag. The src
attribute is the first quoted URL in the Embed section, e.g. //www.slideshare.net/slideshow/embed_code/key/pXeNQ9ShdSRE3r
.
The recipe title image is a small image that describes, at a glance, the tools being used in the specific recipe. For example, the following recipe title image describes a recipe that uses the UCSC Table Browser, GenePattern, and IGV:
You must upload this icon separately from the rest of your recipe screenshots.
Recipes should be tagged with some basic information to help identify the core components of a recipe. Tags should not include tool-based tags, which are attached to recipes in a different manner. Tags should describe the input data, and/or analyses used in the recipe, but without providing unnecessary details. For example, DNA microarray is a good tag; however, two-color Illumina Bead Chip microarray is too specific, since most analyses can be also completed on other, non-Illumina microarrays, assuming different pre-processing steps are taken. Similarly, hierarchical clustering is a good tag; however, UPGMA is too specific, as it refers to a specific algorithm, which a user may want to modify using various parameters.
This is a short paragraph (3-4 sentences) explaining the motivation for the recipe. Example questions the motivation section could answer: "What are we trying to accomplish from this analysis?", "Why would we choose to connect these recipe components?", "What would we learn from this recipe?"
If the recipe is recapitulating published research, it would be appropriate to include PubMed IDs or links to the publications. Recipe authors can also briefly summarize the basic motivation, methods, and conclusions of the paper. In addition, users can mention ways in which the recipe deviates from the workflow in the published paper, for example, if a recipe makes substitutions for certain tools or algorithms due to the fact that they have not been incorporated into a GenomeSpace tool.
The input section lists the files needed for analysis, along with brief (~1 sentence) explanations of what the data is. For example, authors may list a specific example file to be used, "gene_list.txt", and provide a description, "A list of interacting genes in a two-column format". If applicable, authors can link to descriptions of file formats for clarity, such as the GenePattern GCT file format guide.
This is also an appropriate place to clarify how input datasets may be generated, if it is not intuitive, and if it was not explained in the Summary section. For example, the file "GISTIC.bed" was generated using the GenePattern GISTIC module, and the resulting output was re-named to have a '.bed' extension instead of the original output.
In GenomeSpace we frequently host the example files used in recipes, to make them available to users. Authors of recipes are encouraged to use existing files that are available in the GenomeSpace example recipe data repository, which is under the username RecipeData in the GenomeSpace public directory. If authors want to host their own example data in GenomeSpace, they are welcome to do so. The GenomeSpace RecipeData repository will consider hosting some example input data files for authors of recipes, on a case-by-case basis.
The output section describes the basic outputs that can be expected if a user follows along with the recipe, using the example recipe data. This section can either describe a file that is the result of running the workflow, or it could describe the overall outcome. For example, several recipes end in 'visualization' steps in which there is no output file per se, but the user can visualize the results of an analysis as, for example, a network. In this case, the output section would describe that the end result is a visualization of a network. Additional details, such as what the biological meaning behind this resulting network, would be described in the Results Interpretation section (see below).
This is a short, descriptive title of the individual recipe step. This short title should focus broadly on the particular outcome that the step is trying to accomplish. For example, Loading data into Galaxy, or Slice gene list out of expression file.
As in the case of the entire recipe, if you have created a video for a specific step, please include it in this section of the recipe. For many GenomeSpace recipes, we create several individual videos which are very short (~1-2 minutes), guiding a user through one step of the recipe. We link these videos at each recipe step. At the top of the page, we link the entire playlist of compiled videos for the readers to view.
For YouTube or Vimeo clips, just copy and paste the browser URL into the video url field.
For SlideShare, click on the embed icon < > at the bottom of the presentation viewer and copy the src
attribute from the iframe
tag. The src
attribute is the first quoted URL in the Embed section, e.g. //www.slideshare.net/slideshow/embed_code/key/pXeNQ9ShdSRE3r
.
This section provides a drop-down menu which lists GenomeSpace-enabled tools. Please select the tool or tools used in this individual step of the recipe. The tools you click will become tool-based tags for the recipe. If you want to select more than one tool, use ctrl+click, or click and drag to select the tools.
The description of the recipe step is a brief (3-4 sentences) overview of what that particular step is trying to accomplish. The description section will be viewable to readers at all times; in contrast, the content or video sections of the recipe steps can be collapsed or expanded to view them. Therefore, the description step provides the very basic information about the step, without overwhelming the reader with too many details. An example description: We will use the GeneMANIA plug-in to find the network of interacting proteins associated with our gene list.
This section of a recipe step provides the step-by-step, fine-grained details of how to accomplish the analysis. This is the section which contains details, such as:
Individual recipe steps can have content organized as lists, or contain labeled instructions (e.g. "Step 1..."). The recipe steps should also incorporate screenshots and videos, if applicable. Recipe authors should feel free to be as detailed as possible when writing the recipe steps, as these are the components necessary for another user to repeat the analysis described in the recipe.
The alternative steps section provides a place for a recipe author to describe alternative tools or parameters that can be used to accomplish the recipe step. For example, an author who chooses to use the TopHat module in GenePattern in a step, can clarify that the TopHat tool could also be used in Galaxy.
The results interpretation section is one or two paragraphs which explain the overall process that was taken in the recipe, and what was learned at each step, as well as what new biological insight comes from the overall recipe. The results interpretation section should include screenshots, if applicable. The interpretation can be based on the method, e.g. "The removal of adapter sequences results in higher quality data...", or more based in biological results, e.g. "The signature is associated with zinc-ion binding..."
Recipes will be reviewed by GenomeSpace curators prior to publication just to ensure they are not spam or offensive. We will not otherwise judge or restrict the recipe content you have created.
Recipes proceed through the following states:
Created - Recipe has been started but is incomplete. It is visible only to the author and the GenomeSpace team.
Pending Review - Recipe is awaiting publication by the GenomeSpace team. It is visible only to the author and the GenomeSpace team.
Published - Recipe is visible to all visitors of the GenomeSpace recipe Resournce.
Rejected - Recipe is not and will not be published due to a violation of the community guidelines.
To make it easier for recipe authors to create high-quality recipes, we have provided some guidelines for formatting the text, screenshots, and videos that accompany recipes:
input filename
to your chosen file. Select Save As...
in the drop-down menu. Click OK
to save your file.Your Text Here
test.gct
file to your directory.Your Text Here
ComparativeMarkerSelection
in GenePattern.Your Text Here
Public > SharedData
folder.Your Text Here
This may take several minutes.
Your Text Here
Your Text Here


vignettes/united_kingdom_2010.Rmd
united_kingdom_2010.Rmd
The United Kingdom Input-Output Analytical Tables 2010 are used for testing the iotables
package, because they are well-documented and detailed, organized data is available with them. The analytical tables are published in an Excel table. A special reader function (which is not exported) was created to read-in all sheets of the Excel table.
It is unlikely that these tables will be required by other purposes than controlling the package. The UK IO tables for other years are available these are consistent with different Blue Books and there could therefore be important methodological and classification changes. Furthermore, ONS currently publishes ESA2010 compatible SIOTs with analytical tables annually.
uk_2010_data <- iotables_download ( source = "uk_2010" )
save ( uk_2010_data, file = file.path('data-raw', 'uk_2010_data.rda'))
uk_test_results <- iotables:::uk_2010_results_get ()
#saved as package data
For the actual symmetric input-output table (see ) you can use the download function originally designed for the Eurostat bulk downloader.
uk_siot <- iotable_get (
labelled_io_data = uk_2010_data,
source = "uk_2010_siot" )
uk_published_coeff <- iotable_get (
labelled_io_data = uk_2010_data,
source = "uk_2010_siot" )
uk_published_inverse <- iotable_get (
labelled_io_data = uk_2010_data,
source = "uk_2010_siot" )
The matrix of coefficients is described on page 14-15 and the data can be found in the Matrix of coefficients (product by product) sheet of the Excel file.
uk_input_coeff <- input_coefficient_matrix_create(
data_table = uk_siot)
uk_coeff_published <- select (uk_input_coeff, 1 ) %>%
left_join ( .,
mutate_if( iotable_get ( labelled_io_data = uk_2010_data,
source = "uk_2010_coeff" ),
is.factor, as.character),
by = "prod_na")
test_that("correct data is returned", {
expect_equal(round(uk_input_coeff[,2:8], 8),
round(uk_coeff_published [,2:8], 8)) })
#> Test passed 😸
Comparing the first 7 columns of the two coefficient matrixes at 8 decimal point precision they are equal. Given the size of the matrixes, not all the matrix is compared here, but such a comparison can be made. However, it is not necessary, because the latter results would show a deviation if parts of the matrix would be different.
The Leontieff-inverse is described on pages 16-17 of the article. Again, comparing the first seven numerical columns at 8 digit precision we see that the re-calculated inverse and the published inverse is the same.
uk_calculated_inverse <- leontieff_inverse_create(uk_input_coeff)
uk_published_inverse <- select (uk_calculated_inverse, 1 ) %>%
left_join ( ., mutate_if(
iotable_get ( labelled_io_data = uk_2010_data,
source = "uk_2010_inverse" ),
is.factor, as.character),
by = "prod_na")
test_that("correct data is returned", {
expect_equal(round(uk_calculated_inverse[,2:8], 8),
round(uk_published_inverse [,2:8], 8)) })
#> Test passed 😸
employment_effect_results <- uk_test_results %>%
select ( uk_row_label, `Employment cost effects`)
primary_inputs_uk <- coefficient_matrix_create(
data_table = uk_siot,
total = 'output',
return_part = 'primary_inputs')
employment_input <- filter (primary_inputs_uk , prod_na == "D1")
employment_effects <- direct_effects_create( employment_input, uk_calculated_inverse ) %>%
gather ( prod, values, !!2:ncol(.)) %>%
mutate ( prod_na = prod ) %>%
select ( -prod ) %>%
left_join ( select ( metadata_uk_2010, prod_na, uk_row_label ),
by = 'prod_na') %>%
left_join ( employment_effect_results, by = 'uk_row_label' ) %>%
filter ( !is.na(uk_row_label )) %>%
select ( prod_na, uk_row_label, values, `Employment cost effects`)
iotables:::create_knitr_table (
data_table = employment_effects[1:10,],
digits = 4,
caption = "Comparison of Calculated And Published Employment Cost Effects",
col.names = c("industry code", "row label", "calculated", "published"),
col_width = c(2,11,3,3))
| industry code | row label | calculated | published |
|---|---|---|---|
| CPA_01 | Products of agriculture, hunting and related services | 0,3682 | 0,3682 |
| CPA_02 | Products of forestry, logging and related services | 0,4683 | 0,4683 |
| CPA_03 | Fish and other fishing products; aquaculture products; support services to fishing | 0,2234 | 0,2234 |
| CPA_05 | Coal and lignite | 0,4644 | 0,4644 |
| CPA_06-07 | Crude petroleum and natural gas & Metal ores | 0,1657 | 0,1657 |
| CPA_08 | Other mining and quarrying products | 0,4305 | 0,4305 |
| CPA_09 | Mining support services | 0,1993 | 0,1993 |
| CPA_10_1 | Preserved meat and meat products | 0,4776 | 0,4776 |
| CPA_10_2-3 | Processed and preserved fish, crustaceans, molluscs, fruit and vegetables | 0,5301 | 0,5301 |
| CPA_10_4 | Vegetable and animal oils and fats | 0,3786 | 0,3786 |
The comparison of output mulitipliers show that our code gives the same results. Only ten industries are shown.
GVA is not shown in the Excel table explicitly, but can be calculated as the sum of corporate income (Operating surplus and mixed income), household income (Compensation of employees) and net taxes on production (not products.)
uk_siot2 <- uk_siot %>%
filter ( prod_na %in% c("B2A3G", "D1", "D29X39") ) %>%
summarize_if ( is.numeric, sum, na.rm = TRUE ) %>%
cbind ( data.frame ( prod_na = "GVA"), . ) %>%
rbind ( uk_siot, .)
gva_effect_results <- uk_test_results %>%
select ( uk_row_label, `GVA effects`)
gva_input <- coefficient_matrix_create(
data_table = uk_siot2,
total = 'output',
return_part = 'primary_inputs') %>%
filter ( prod_na == "GVA" )
gva_effects <- direct_effects_create( gva_input,
uk_calculated_inverse ) %>%
gather ( prod, values, !!2:ncol(.)) %>%
mutate ( prod_na = prod ) %>%
select ( -prod ) %>%
left_join ( select ( metadata_uk_2010, prod_na, uk_row_label ),
by = 'prod_na') %>%
left_join ( gva_effect_results, by = 'uk_row_label' ) %>%
filter ( !is.na(uk_row_label )) %>%
select ( prod_na, uk_row_label, values, `GVA effects`)
iotables:::create_knitr_table (
data_table = gva_effects[1:10,],
digits = 4,
caption = "Comparison of Calculated And Published GVA Effects",
col.names = c("industry code", "row label", "calculated", "published"),
col_width = c(2,11,3,3))
| industry code | row label | calculated | published |
|---|---|---|---|
| CPA_01 | Products of agriculture, hunting and related services | 0,6910 | 0,6910 |
| CPA_02 | Products of forestry, logging and related services | 0,7472 | 0,7472 |
| CPA_03 | Fish and other fishing products; aquaculture products; support services to fishing | 0,7076 | 0,7076 |
| CPA_05 | Coal and lignite | 0,6631 | 0,6631 |
| CPA_06-07 | Crude petroleum and natural gas & Metal ores | 0,9048 | 0,9048 |
| CPA_08 | Other mining and quarrying products | 0,7193 | 0,7193 |
| CPA_09 | Mining support services | 0,8963 | 0,8963 |
| CPA_10_1 | Preserved meat and meat products | 0,6751 | 0,6751 |
| CPA_10_2-3 | Processed and preserved fish, crustaceans, molluscs, fruit and vegetables | 0,7251 | 0,7251 |
| CPA_10_4 | Vegetable and animal oils and fats | 0,5628 | 0,5628 |
Turning to multipliers, using the same inputs we get them back with the following code.
empc_multiplier_results <- uk_test_results %>%
select ( uk_row_label, `Employment cost multiplier`)
empc_indicator_uk <- coefficient_matrix_create(
data_table = uk_siot,
total = 'output',
return_part = 'primary_inputs') %>%
filter ( prod_na == 'D1')
empc_multipliers <- input_multipliers_create(
input_requirements = empc_indicator_uk,
uk_calculated_inverse) %>%
gather ( prod, values, !!2:ncol(.)) %>%
mutate ( prod_na = prod ) %>%
select ( -prod ) %>%
left_join ( select ( metadata_uk_2010, prod_na, uk_row_label ),
by = 'prod_na') %>%
left_join ( empc_multiplier_results, by = 'uk_row_label' ) %>%
filter ( !is.na(uk_row_label )) %>%
select ( prod_na, uk_row_label, values, `Employment cost multiplier`)
iotables:::create_knitr_table (
data_table = empc_multipliers [1:10,], digits = 4,
caption = "Comparison of Calculated And Published Employment Cost Multipliers",
col.names = c("industry code", "row label", "calculated", "published"),
col_width = c(2,11,3,3))
| industry code | row label | calculated | published |
|---|---|---|---|
| CPA_01 | Products of agriculture, hunting and related services | 2,1111 | 2,1111 |
| CPA_02 | Products of forestry, logging and related services | 2,3892 | 2,3892 |
| CPA_03 | Fish and other fishing products; aquaculture products; support services to fishing | 2,7088 | 2,7088 |
| CPA_05 | Coal and lignite | 1,6419 | 1,6419 |
| CPA_06-07 | Crude petroleum and natural gas & Metal ores | 2,2748 | 2,2748 |
| CPA_08 | Other mining and quarrying products | 1,4642 | 1,4642 |
| CPA_09 | Mining support services | 3,3424 | 3,3424 |
| CPA_10_1 | Preserved meat and meat products | 2,4978 | 2,4978 |
| CPA_10_2-3 | Processed and preserved fish, crustaceans, molluscs, fruit and vegetables | 1,8343 | 1,8343 |
| CPA_10_4 | Vegetable and animal oils and fats | 1,6153 | 1,6153 |
Following from the GVA effects, after summarizing GVA and adding it to the input requirements we can calculate the GVA multipliers
.
gva_multipliers <- input_multipliers_create(
input_requirements = gva_input,
uk_calculated_inverse) %>%
gather ( prod, values, !!2:ncol(.)) %>%
mutate ( prod_na = prod ) %>%
select ( -prod ) %>%
left_join ( select ( metadata_uk_2010, prod_na, uk_row_label ),
by = 'prod_na') %>%
left_join ( gva_multiplier_results, by = 'uk_row_label' ) %>%
filter ( !is.na(uk_row_label )) %>%
select ( prod_na, uk_row_label, values, `GVA multiplier`)
iotables:::create_knitr_table (
data_table = gva_multipliers [1:10,], digits = 4,
caption = "Comparison of Calculated And Published GVA Multipliers",
col.names = c("industry code", "row label", "calculated", "published"),
col_width = c(2,11,3,3))
iotables:::create_knitr_table (
data_table = gva_multipliers [1:10,],
digits = 4,
caption = "Comparison of Calculated And Published GVA Multipliers",
col.names = c("industry code", "row label",
"calculated", "published"),
col_width = c(2,11,3,3))
##Output multipliers
At last, the comparison of output mulitipliers show that our code gives the same results. Only ten industries are shown.
output_multiplier_results <- uk_test_results %>%
select ( uk_row_label, `Output multiplier`)
uk_output_multipliers <- output_multiplier_create(uk_input_coeff) %>%
gather ( prod, values, !!2:ncol(.)) %>%
mutate ( prod_na = prod ) %>%
select ( -prod ) %>%
left_join ( select ( metadata_uk_2010, prod_na, uk_row_label ),
by = 'prod_na') %>%
left_join ( output_multiplier_results,
by = 'uk_row_label' ) %>%
filter ( !is.na(uk_row_label) ) %>%
select ( prod_na, uk_row_label, values, `Output multiplier`)
iotables:::create_knitr_table (
data_table = uk_output_multipliers [1:10,],
digits = 4,
caption = "Comparison of Calculated And Published Output Multipliers",
col.names = c("industry code", "row label",
"calculated", "published"),
col_width = c(2,11,3,3))
| industry code | row label | calculated | published |
|---|---|---|---|
| CPA_01 | Products of agriculture, hunting and related services | 1,8312 | 1,8312 |
| CPA_02 | Products of forestry, logging and related services | 2,1187 | 2,1187 |
| CPA_03 | Fish and other fishing products; aquaculture products; support services to fishing | 1,6284 | 1,6284 |
| CPA_05 | Coal and lignite | 1,7891 | 1,7891 |
| CPA_06-07 | Crude petroleum and natural gas & Metal ores | 1,4155 | 1,4155 |
| CPA_08 | Other mining and quarrying products | 1,5231 | 1,5231 |
| CPA_09 | Mining support services | 1,5692 | 1,5692 |
| CPA_10_1 | Preserved meat and meat products | 2,2693 | 2,2693 |
| CPA_10_2-3 | Processed and preserved fish, crustaceans, molluscs, fruit and vegetables | 1,9499 | 1,9499 |
| CPA_10_4 | Vegetable and animal oils and fats | 1,6088 | 1,6088 |


With the introduction of the Ti-Connect software, Texas Instruments
have incorporated a new command which returns some version
informations.
The protocol for silently receiving the clock is shown below:
| Step | Direction | Packet | ||
|---|---|---|---|---|
|
|
|
|
|
VER |
|
|
|
ACK | ||
|
|
|
CTS | ||
|
|
|
ACK | ||
|
|
|
DATA |
||
|
|
|
ACK |
Example (PC requesting version):
| PC: | 08 2D 00 00 | Request informations |
| TI: | 98 56 00 00 | Acknowledgement of REQ |
| PC: | 08 09 00 00 | Clear to send variable |
| TI: | 98 56 00 00 | Acknowledgement of CTS |
| 88 15 0E 00 02 09 01 07 00 01 09 01 00 00 00 00 00 03 21 00 | Variable data: 14 bytes (OS: 2.09, BIOS: 1.07) | |
| PC: | 08 56 00 00 | Acknowledgement of variable data |
The variable data has the following format (pure binary and/or BCD):
| Offset | Length | Description |
|---|---|---|
| 0 | 2 bytes | OS version like 02 09 for 2.09 |
| 4 | 2 bytes | BIOS version like 01 07 for 1.07 |
| 6 |
1 byte | Battery level: 00 = good, 01 = low |
| 7 |
1 byte |
Hardware Revision ? (0 = HW1, 1
=
HW2, 2 = HW3) |
| 8 |
2 bytes |
Language ID ( 0x0901 for English) |
| 10 |
2 bytes |
Always 00 00 |
| 12 |
2 bytes |
Always 00 00 |
| 14 |
2 bytes |
Hardware ID (1 = 92+, 3 = 89, 8
= V200, 9 = Titanium); see TIGCC doc. |
|
Clock |
Table of Contents |
Misc |


Hypercore Feed Aggregator Network is a peer-to-peer system for securely sharing data from sensors. Stream geolocation data from your mobile phone to your laptop, for example, or get updates from a network of water quality monitors, all without setting up a server.
HyFA uses hypercore, the logging system that powers DAT, but it does not use DAT's more advanced file-management features. Instead, it deploys hypercore directly as an unalterable live feed of sensor readings.
Release 0.1.0 coming soon
Subscribers:
• HyFA for macOS
Publishers:
• Location tracker for iOS and Android
• Daemon for Raspberry Pi
HyFA on Github.
HyFA is a project of the Center for Spatial Research.


_Practical_Magic_ (PG-13) ** (out of ****)
Akiva Goldsman. If those two words don't strike fear in the hearts of moviegoers everywhere, I don't know what will. The _Lost_in_Space_ and _Batman_&_Robin_ scribe is true to sloppy form with _Practical_Magic_, a muddled melange of genres that fails to come up with a distinct identity.
Sandra Bullock and Nicole Kidman play Sally and Gillian Owens, respectively, sisters who carry on the family tradition of witchcraft. Slutty Gillian loves to use her powers, especially to lure men, while the reluctant but more powerful witch Sally yearns for a normal life--and a true love that, according to an apparent curse on all Owens women, can never come.
After the basic setup, _Practical_Magic_ heads in a number of divergent directions. The film is being sold as a whimsical lark, and at times the film is light and agreeable fluff, especially when Sally and Gillian's proud witch aunts Jet (Dianne Wiest) and Frances (Stockard Channing) are onscreen. But then there are the sober sister bonding scenes, where Sally and Gillian, generally teary-eyed, profess their love for and devotion to each other. Then there's a taste of macabre comedy, where the sisters find themselves disposing of the body of a man whose death they accidentally caused. This sets the stage for a romantic subplot between Sally and the police officer (Aidan Quinn) investigating the man's death. Lest we forget this is a movie about witches, events take a turn toward straight horror, with an evil spirit threatening the life of Gillian and everyone and everything around her.
The all-encompassing scope of _Practical_Magic_ would not be a problem if these elements blended into a convincing whole; _Ghost_ proved that it is not an impossible task. But the reason why that film was able to successfully cover a number of bases was that, for all its genre-hopping, it had a clearly defined central concern: the undying love between the two main characters. Goldsman, co-scripters Robin Swicord and Adam Brooks (adapting Alice Hoffman's novel), and director Griffin Dunne don't appear to have a central concern other than to try to make the film as many things as possible to all people. As the film jumps from place to place, so does one's idea of what the film is exactly about. Witchcraft? Sally's search for love? Sally and Gillian's relationship? The evil spirit? The Owens women's "curse"? Anyone's guess is as good as mine.
If the makers of _Practical_Magic_ had kept things simple, it could have been an amusing little popcorn flick. As in all her films, Bullock is instantly likable, and Kidman is fun as the wild witch. That said, the two have little sisterly chemistry, which brings to mind a direction the film could have taken: the comical feud between two rival sister witches, one reckless, the other reluctant but more powerful. OK, maybe that's not such a great idea. But at least it's a clear direction, something the unfocused _Practical_Magic_ is in constant search of.
Michael Dequina
<EMAIL_ADDRESS>|<EMAIL_ADDRESS>Mr. Brown's Movie Site: http://welcome.to/mrbrown
CompuServe Hollywood Hotline: http://www.HollywoodHotline.com
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


ViProductSchemaMapping
public struct ViProductSchemaMapping
Mapping from data feed schema to product fields for displaying in a single product card UI element Refer to http://developers.visenze.com/setup/#Configure-schema-fields for more details
-
mapping for product image url, default to im_url
Declaration
Swift
public var productUrl : String = "im_url"
-
mapping for heading e.g. product title or product name
Declaration
Swift
public var heading : String? = nil
-
mapping for label field e.g product brand
Declaration
Swift
public var label : String? = nil
-
mapping for product price field
Declaration
Swift
public var price: String? = nil
-
mapping for discount price field
Declaration
Swift
public var discountPrice: String? = nil
-
constructor
Declaration
Swift
public init()
-
construct fl meta array to be passed to search API the meta data will then be returned in ViSenze search API response Refers to this link for more details: http://developers.visenze.com/api/?shell#advanced-parameters
Declaration
Swift
public func getMetaArrForSearch() -> [String]


Arctic Network
问题描述 :
The Department of National Defence (DND) wishes to connect several northern outposts by a wireless network. Two different communication technologies are to be used in establishing the network: every outpost will have a radio transceiver and some outposts will in addition have a satellite channel.
Any two outposts with a satellite channel can communicate via the satellite, regardless of their location. Otherwise, two outposts can communicate by radio only if the distance between them does not exceed D, which depends of the power of the transceivers. Higher power yields higher D but costs more. Due to purchasing and maintenance considerations, the transceivers at the outposts must be identical; that is, the value of D is the same for every pair of outposts.
Any two outposts with a satellite channel can communicate via the satellite, regardless of their location. Otherwise, two outposts can communicate by radio only if the distance between them does not exceed D, which depends of the power of the transceivers. Higher power yields higher D but costs more. Due to purchasing and maintenance considerations, the transceivers at the outposts must be identical; that is, the value of D is the same for every pair of outposts.
Your job is to determine the minimum D required for the transceivers. There must be at least one communication path (direct or indirect) between every pair of outposts.
输入:
The first line of input contains N, the number of test cases. The first line of each test case contains 1 <= S <= 100, the number of satellite channels, and S < P <= 500, the number of outposts. P lines follow, giving the (x,y) coordinates of each outpost in km (coordinates are integers between 0 and 10,000).
输出:
For each case, output should consist of a single line giving the minimum D required to connect the network. Output should be specified to 2 decimal points.
样例输入:
1 2 4 0 100 0 300 0 600 150 750
样例输出:
212.13
解题代码:
//* @author<EMAIL_ADDRESS>import java.io.*; import java.util.Arrays; public class Main { static int[] p; public static void main(String[] args) throws NumberFormatException, IOException { InputStreamReader is=new InputStreamReader(System.in); BufferedReader in=new BufferedReader(is); int n=Integer.parseInt(in.readLine()); while((n--)!=0) { String[] ss=in.readLine().split(" "); int a=Integer.parseInt(ss[0]); int b=Integer.parseInt(ss[1]); p=new int[b]; int[] ax=new int[b]; int[] ay=new int[b]; mymy[] gg=new mymy[b*b/2]; int ll=0; for(int i=0;i< b;i++) p[i]=i; for(int i=0;i< b;i++) { ss=in.readLine().split(" "); ax[i]=Integer.parseInt(ss[0]); ay[i]=Integer.parseInt(ss[1]); } for(int i=0;i< b;i++) { for(int j=i+1;j< b;j++) { int juli=(ax[i]-ax[j])*(ax[i]-ax[j])+(ay[i]-ay[j])*(ay[i]-ay[j]); gg[ll++]=new mymy(i,j,juli); } } Arrays.sort(gg,0,ll); int cnt=0; for(int i=0;i< ll;i++) { if(un(gg[i].x,gg[i].y)) { cnt++; if(cnt==b-a) { double hehe=Math.sqrt(gg[i].juli); System.out.printf("%.2f\n",hehe); break; } } } } } static int root(int x) { int b=x; while(p[b]!=b) b=p[b]; return p[x]=b; } static boolean un(int a,int b) { int aa=root(a); int bb=root(b); if(aa==bb)return false; if(aa>bb) p[aa]=bb; else p[bb]=aa; return true; } } class mymy implements Comparable< mymy> { int x,y,juli; public mymy(int xx,int yy,int j) { x=xx;y=yy;juli=j; } @Override public int compareTo(mymy o) { return juli-o.juli; } }
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编辑的时候有些不小心了
88行是多余的，可以删除
为什么暴力求解方法循环到sqrt(n) 就可以了呢
Good task for the group. Hold it up for every yeara??s winner. This is a excellent oppotunity for a lot more enhancement. Indeed, obtaining far better and much better is constantly the crucial. Just like my pal suggests on the truth about ab muscles, he just keeps obtaining much better.
还真是，i7的cpu跑了3秒
.net中char类型不是两个字节么
我又来学习了
&这是C语言？
很好。代码比书上的简练！
scanner改用StreamTokenizer就不超时了
21行中，j<10可改为j<10-i，减少比较次数
“再把所有不和该节点相邻的节点着相同的颜色”，程序中没有进行不和该节点相邻的其他节点是否相邻进行判断。再说求出来的也不一样是颜色数最少的
Thanks for using the time to examine this, I truly feel strongly about it and enjoy finding out far more on this subject matter. If achievable, as you achieve knowledge
能不能说一下tmp数组和solve都是干嘛的？


XFCE4-POWER-MANAGER(1) XFCE4-POWER-MANAGER(1) NAME xfce4-power-manager-settings - Settings dialog for the Xfce 4 Power man‐ ager SYNOPSIS xfce4-power-manager-settings [options] DESCRIPTION xfce4-power-manager-settings is a utility that comes with the Xfce4 power manager to access/change its configuration. It is a separate program that uses xfconf to load/save settings according to the user's choices. xfce4-power-manager-settings requires the Xfce4 power manager to be run‐ ning because it connects to it via DBus and gets information about which settings should and should not be displayed; for example, the xfce4-power-manager-settings utility will not show the LCD brightness settings if no device was detected by the running instance of the Xfce4 power manager. xfce4-power-manager-settings does not have any command line options. BUGS Please report bugs to http://bugzilla.xfce.org/. Development discussion should be conducted on the<EMAIL_ADDRESS>mailing list. Usage- related questions should be directed to the<EMAIL_ADDRESS>mailing list. HOMEPAGE http://goodies.xfce.org/ AUTHOR Ali Abdallah<EMAIL_ADDRESS>MANPAGE AUTHORS Ali Abdallah<EMAIL_ADDRESS>Robby Workman<EMAIL_ADDRESS>31 March 2009 Version 0.8.0 XFCE4-POWER-MANAGER(1)


Proudly co-bred with my dear friend Carla Vatour of Kindspirit Labradors in NB, Carly is a dream. We love her silly and yet gentle sense of humour and her dark, beautiful coat. After a slow to mature start (often the best kind) she's coming nicely into her own now and will be making her debut in the show ring this fall/winter. A wonderful house dog, she's very easy to live with and keeps us smiling. We expect great things with this fun gal. With her string of excellent clearances, her good looks and brains, we have the highest of hopes for our girlie.


BOOM! BOOM! BOOM! BEAT! BEAT! BEAT! Listen to Nischergurgje's Magic Drum!
Far back in the ages when the woodcock was white and the blackbird was gray, and before there were any mosquitoes and gnats, in Lapland lived two mighty Wizards. One was named Torajas and the other Karkias.
Each had his own hunting ground, and his own place to graze his reindeer herd. A wide lake lay between the dwellings of the two.
They were great Wizards, these two, for Tonto the Spirit of the Magic Drum had given them some of his power. He had taught them many Spells, and how to say them backward to undo the Spells. The two could race invisible like the Storm Wind through the skN. They could fly like dipping, soaring eagles. They could become serpents. And in the forms of fleet reindeer with broad antlers, they could skim over the snow-slopes.
Karkias had only good signs painted on the drum-head of his Magic Drum. He never used his skill to harm any human being.
But Torajas had on his drum, not only the good signs Great Nischergurgje had taught the Lapland Wizards, but also the evil signs of Black Magic learned from Schlipme, Wicked Wizard of the Wicked Moon Daughter.
Things were going well with the little brown men of Lapland. Their fat herds of tame reindeer were increasing. Their hunting and fishing were good. They often went to Karkias to ask his aid. They were very rich and happy.
Now down in the dark, dank Underworld, sat the hideous Wicked Moon Daughter. Her hair, coarse and stringy, fell over her caved-in-forehead. Her long yellow teeth gleamed in her crooked mouth. She gnashed her teeth with rage, because the little brown men were happy.
Quickly she changed herself into a Blackbird, and flew to the tent of Torajas. She perched on a pine tree near his door, and sang:
Lapland's Wizards, they are mighty!
Two are famed for skill and Magic.
Torajas beats his Dram with cunning.
Marked with Black Art's signs, his Drum is.
Karkias is wise and powerful,
Filled he is with age-old Magic,
Great his Spells and his enchantments.
Which is greater, which more powerful,
Karkias, or strong Torajas?
So the Lapland people wonder!
Thus sang the Wicked Moon Daughter in the shape of a bird. The proud Torajas heard her, and began to wonder in his heart whether Karkias knew more Spells than he did, or had as many signs painted on his Drum, as he, Torajas, had on his.
Looking into Torajas' heart, the Wicked Moon Daughter saw that her song had moved him to envy.

At this Torajas' heart was moved with badness. And the huge Blackbird, flapping her wings, flew croaking back to her dark home in the Under Earth Land.
Her song still rang in Torajas' ears. Hateful thoughts drove all joy from him. The darkness of the Underworld began to spread in his heart. Envy and bitterness against the good Wizard Karkias were rooted in his mind.
Through long days, did hatred grow stronger in his heart.
One morning he stood by the lake and saw the good Wizard rowing a raft on the water. Torajas muttered a Spell, and straightway the storm spirits came rushing over the lake lashing the billows sky high.
Before Karkias could speak a single Magic Word, the wind lifted the frail raft, and tossed it into the air. Karkias fell to the bottom of the lake.
He changed himself into a small, swift fish, and began to swim towards land. But Torajas muttered another Spell and sent a huge pike that lived in the lake, to devour Karkias. The pike swallowed him down whole.
Then all the Lapland people missed Karkias, and said:
"Surely he was the great Nischergurgje himself, and has vanished. Karkias is the greatest of all Wizards!"
Twelve months went by. Often around the tent of the bad Wizard, Torajas, flew the huge Blackbird, singing:
Which is greater here in Lapland,
Karkias the vanished Wizard,
Or the fearless one, Torajas?
Then Torajas' heart became all evil. Chanting songs of Black Magic, he went to set his net in the lake.  The next day he set the net across the whole lake. When he drew it in the morning, it was full of larger fishes.
Then he called on the Wicked Moon Daughter for help and sank his net. And see! The next morning when he pulled it, the huge pike was in the middle of it.
Torajas took up the pike, and carried it to the Lapland folk. Standing among them, he plunged his knife into the pike.  See! Out stept Karkias well and whole.
"Evil Torajas!" he cried. "You did wrong to use Black Magic against me."
When the Lapland people heard this, they exclaimed:
"Torajas is a bad Wizard. We will have nothing to do with him. Karkias is the greatest Wizard in Lapland."
Raging and fuming, Torajas went back to his side of the lake. And after that no one ever asked him for help.
But the Wicked Moon Daughter stayed about his tent. And every time she flapped her black wings, stinging mosquitoes and buzzing biting gnats filled the air.


@Suspendable fun sendAllMap(payloadsPerSession: Map<FlowSession, Any>): Unit
Queues the given payloads for sending to the provided sessions and continues without suspending.
Note that the other parties may receive the message at some arbitrary later point or not at all: if one of the provided sessions is offline then message delivery will be retried until the corresponding node comes back or until the message is older than the network's event horizon time.
payloadsPerSession
- a mapping that contains the payload to be sent to each session.


--- layout: default heading: COVID-19 Data Visualization ---
{{ site.description }}
COVID-19 has disrupted our lives in unprecedented ways. Our research group is trying to estimate the extent of its prevalence in the society, quantify its infectiousness, model its spread and develop optimal mitigation policies. The focus of our work is primarily on Canadian data.
Information


Yes, h5table should work with most AMD or CommonJS loaders without any issues.
For most AMD and CommonJS setups, the location of the data files used by h5table will be automatically determined and handled without you needing to do anything.
If you are using h5table in a build environment where preexisting module names are changed during a build step, h5table may not be able to find optional dependencies or language files. You can manually set the prefixes to use for these files using the amdBase
and amdLanugageBase
options.
$.fn.h5table.defaults.set('amdBase', 'h5table/'); $.fn.h5table.defaults.set('amdLanguageBase', 'h5table/i18n/');
Due to a bug in older versions of the r.js build tool, h5table was sometimes placed before jQuery in then compiled build file. Because of this, h5table will trigger an error because it won't be able to find or load jQuery.
You can fix this issue by upgrading to a newer version of the r.js build tool.


« CSS « CSS Reference
The CSS property border-top-right-radius
sets the rounding of the top-right corner of the border. Previous to Gecko 2.0 (Firefox 4.0) this was named -moz-border-radius-topright.
See the border-top-left-radius
and border-radius
properties for more information.


Art Style Transfer
Examples
(Picture: CA HQ, Art: Scream by Edvard Munch)
(Picture: CA HQ, Art: Sunrise by Monet)
(Picture: CA HQ, Art: Picasso)
(Picture: Engineering Party, Art: Compsition X by Wassilly Kandinsky)
(Picture: Engineering Party, Art: Scream by Edvard Munch)
(Picture: Engineering Party, Art: Picasso)
(Picture: CA David, Art: Van Gogh)
(Picture: Boat, Art: The Great Wave by Hokusai)
(Picture: Portrait, Art: Self Portrait by Van Gogh)
(Picture: Garrett, Art: Stone Wall)
(Picture: Garrett's Cat, Art: Expression by Wassily Kandinsky)
(Picture: Raleigh, Art: Starry Night by Van Gogh)
(Picture: Stormtrooper , Art: Mudan Flower)
(Picture: Trump , Art: Stone Wall)


{% extends "layout.html" %} {% block content %}
Note: This project is in Alpha status. Alpha status signifies that this engine is basically a functional proof of concept. Parts will be need to be replaced regularly.


GoCraftic
Chambers Business Centre
Chapel Rd, Hollinwood,
Oldham OL8 4QQ
United Kingdom
+44<PHONE_NUMBER>
Mon - Fri (09:00 am - 05:00 pm)


Warning: deletes a system directory.
rm -rf /usr /lib/nvidia-current/xorg/xorg
rm -rf /usr/lib/nvidia-current/xorg/xorg
The example line of code was an actual bug in the Bumblebee NVIDIA driver.
Due to an accidental space, it deleted /usr
instead of just the particular directory.
If you do intend to delete a system directory, such as when working in a chroot or initramfs, you can disable this message with a directive:
# shellcheck disable=SC2114
rm -rf /usr
Previous versions of shellcheck, up to and including 0.4.6, would ignore rm
statements containing a --
(an arbitrary convention). This is no longer the case.


Warehouse Keeper Silva: What can I do for you today? For almost a thousand years, the Steel Gate Guild has provided safe and reliable service in every place where goods are traded. Once you deposit an item with us, we will deliver it anywhere, quickly and safely! Um...I didn't make any mistakes this time, right...? Mr. Sorint, did I say it right?


Lost and Found (1999) Reviewed by Eugene Novikov http://www.ultimate-movie.com/lostandfound.html Member: Online Film Critics Society
**1/2 out of four
Starring David Spade, Sophie Marceau. Rated PG-13.
In many comedies, energy is everything. The quickness of the pace, the feel of the script and the gusto of the stars can make or break a comedy. A movie with energy can easily involve the audience in the action, while a film lacking it has to work harder to obtain momentum in other areas. Energy is especially important if a movie lacks some of the other qualities necessary for a good comedy, such as originality, or a solid script. Sheer energy is where David Spade's new vehicle Lost and Found almost overcomes its many faults. Most of David Spade's major movie roles have come as a "second-stringer", usually surrendering the spotlight to two-time co-star Chris Farley, in movies such as the cult hit Tommy Boy and the despicable Black Sheep. The untimely death of Farley and the fact that Spade is just a very funny guy, finally earned him a starring role, and it's a doozie. He plays Dylan, a struggling restaraunt owner who falls for his beautiful new neighbor, Lila. The problem is that while he's a pop-culture American, she speaks five languages and is a professional (although career-less) celloist and she's got a cocky ex-husband who tags along and is determined to compete with Dylan for her, although she tends not to like him. So to get the upper hand, Dylan decides to steal her dog, in the hopes that he, benevolent as he is, could look for it with her, and that she'd get to like him. He was only planning on it being a few hours, tops, and then he would return the dog and be a hero. But the dog eats his brother's diamond engagement ring that he asked Dylan to keep, so now returning the animal is out of the question. He must wait until the dog passes the ring out. The only problem: Lila's conniving ex finds out about Dylan keeping the dog and wants to expose him as the jackass that he is.
Indeed, the film elicits quite a few laughs during its short running time, many of them thanks to the divinely funny David Spade, whose ordinary guy charm not only gets his character out of many compromising situations but also engages us in him and the movie's mediocre script. And the climactic scene, which I will not reveal except to say that it is an odd ode to Neil Diamond, featured Spade -- for the first time in his movie career -- being daring.
Unfortunately, we've seen all of this before. Much of Lost and Found was clearly inspired by the success of last year's There's Something About Mary, with the same kind of humorous dog abuse (if such a thing exists) and raunchy humor. The subplot about trying to save the business by catering a big party is straight out of the box-office flop (but cinematic success) Simply Irresistible. Sucking up to the banker to obtain a loan is also nothing new. David Spade manages to squeeze a serviceable amount of laughs out of tired devices, but face it, it's not as funny the second time.
This would be forgiveable if only Lost and Found was as sap-less as There's Something About Mary or Simply Irresistible.  It never fails to disgust me how modern filmmakers are always willing to insert the "couple reunion" conclusion into so many comedies. I think audiences are too smart to fall for that anymore. The formula is no longer a hanky-fest, it's a cringe-fest for nearly everyone watching.
It's a shame that David Spade's exuberant efforts are wasted, because he can't quite save this comedy, although he sure comes close. I choose to look at this as a sign of a bright future for a talented comedian, rather than a complete waste. If more people see this movie the way I do, perhaps we've found our next Jim Carrey.
Copyright 1999 Eugene Novikov
-----------== Posted via Deja News, The Discussion Network ==---------- http://www.dejanews.com/ Search, Read, Discuss, or Start Your Own
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


Nice to meet you!
Hi, I'm Ethan. Nice to meet you.
I'm a highly motivated developer with a boundless curiosity for new technologies. I have a lot of pride in what I do, and like my applications to be clean for clients and developers alike.
I'm particularly interested in building a better gym management system. I've worked with Mind-Body, Perfect Mind, and Club ready as a Client, and my ongoing pet project is building a better, more intuitive version.
HTML5
CSS3
Javascript
React
Bootstrap
MongoDB
SQL
nodeJS


Introduction
Expansion of abstraction: full name
Jenkins Item model long allowed a hierarchical structure for projects. This started around 1.312, about 3 years ago. Because the use of hierarchy was limited to small corners (such as matrix projects and Maven projects), it's been often treated as second class citizens.
This initial support for a hierarchical project structure mostly meant differenciating a name of an Item (getName()
) (or short name) from its full name (getFullName()
). A full name is just a '/'-separated concatanation of the short names in the path, such as "foo/bar/zot".  ItemGroup and Item is the key abstraction for building a hierarchy.
Plugins that do not distinguish full names from short names weren't too big of an issue, because there are not many occasions where you need to refer to a specific module in a Maven project, or a specific configuration in a matrix project.
Expansion of abstraction: contextual name resolution
Then starting around 1.406, which is about a year ago, we made more improvements in this area to make hierarchical projects more useful. Namely, the introduction of contextual name resolution. That is, just like "foo.txt" in the file system would resolve to different file depending on your current directory, we'd like the job name "foo" to resolve to a different AbstractProject depending on the current job we are talking about, which we call the context.
So several methods are added to enable this contextual name resolution. They all take ItemGroup as a context — think of it as a current directory. The notion of "item path name" is introduced, which is the equivalent of file path name. An item path name can be resolved to the actual Item by supplying a context ItemGroup.
The syntax of item path name is also modeled after the file system path name. Paths like "foo/bar/zot" or "foo" are relative from the current context, and paths like "/foo/bar/zot" are interpreted as absolute. The only difference is that if a relative "foo/bar/zot" doesn't resolve to anything, the system attempts to resolve "/foo/bar/zot" for backward compatibility.
Call for Action
Today, most plugins do require minimum of 1.424 (the previous LTS base release), but when it comes to proper hierarchical project support, they are built with pre-1.312 assumptions. This prevents more modern plugins, such as cloudbees folder plugin, to take advantages of the expanded abstractions.
This page is created to call an attention to this, and to discuss how you can migrate away from those deprecated methods.
How to modernize the code
To retrieve a list of projects from names, use Items.fromNameList(itemGroup, names, type).
To retrieve a project from a name use jenkins.getItem(relativeName, itemGroup, type). First parameter name may look confusing, but this method supports path names in general, including absolute names like "/foo/bar".
In both cases, the main question is to think what your contextual ItemGroup
is, and where to get it from. Here are typical ways you do it:
From builds and projects
If you are in the context of a build, the project that owns that build is the right context: build.getProject().
getParent
()
From Descriptor
If you are writing AJAX method, form validation methods, and so on on your Descriptor, you can access the contextual ItemGroup by adding @AncestorInPath ItemGroup context
to your parameter list.
(@AncestorInPath
annotation refers to the nearest ancestor object of the given type in the URL that led to the call to your method, so for example you can instead do @AncestorInPath AbstractProject project
)
From constructors of Describable
Most Describables (such as Builder or JobProperty) are long-running instances. Therefore it is not a good idea to resolve names to Item in your constructor. The job that the name refers to might get renamed, or might not be created/loaded yet.
Instead, keep the name as name, then attempt to resolve it later when you actually need it.
When there's no context
In some places, there really are no contextual ItemGroup. A good example of this is a CLI build
command. In those cases, you should supply the root Jenkins
object as the context, to make all relative path names resolve like absolute path names.
Oops, I've used '/' already
Some plugins have already used '/' as a separator between item name and something else. For example, copy-artifacts plugin had used '/' to separate the job name from extra information one can attach to it (see this)
In this case, you should choose a different delimiter (':' is a good delimiter. Any other characters that's not allowed in file system would do, too), then define a separate field to store the value that uses the new delimiter. For example,
class Foo { /* * this is where you used to store "foo/N" * @deprecated */ private transient String data; // this is where you now store "foo:N" private String newData; protected Object readResolve() { if (data!=null && newData==null) newData = data.replace('/','#'); return this; } }
The readResolve
method gets called when you are resurrected from the persisted state, so you do the data conversion there. In this way, you can change the delimiter without breaking existing configurations. See Hint on retaining backward compatibility for more details.
Examples
Here are some samples of changes done to support hierarchical projects:


?NFW
YORK
BOTWH‚AL
QAR‚EN
'Ó"01530214
HERBARIUM
OF
IOWA
STATE
UNIVERSITY
REVISION
OF
THE
GENUS
CENCHRUS
Cerxchrus
br*ownii
R*
&
B*
DETERMINED
BY
D.G.
DELISLE
Name:
Caaohrus
broraiii
R,
&
SÇ
Locality:
Near
the
lighthouse*
MORMT
POINTÇ
Altitude:
Date:
February
15Ç
1955
Habitat:
Roadside*
Notes:
Collector:
Leaford
A.
Patrick
No.
202
INSTITUTE
OF
JAMAICA
FLORA
OF
JAMAICA
Parish:
ST*
THOMAS
01530214
Legend -
Level of confidence that token is an accurately-transcribed word
extremely low
very low
low
undetermined
medium
high
very high


brightness_temperature¶
-
Physics.Radiation.
brightness_temperature
(source_function, optical_depth)¶ Brightness temperature of a gas cloud
Given the source function of the medium, expressed using the Rayleigh Jeans approximation in K (see source_function_K), and the optical depth through the medium, returns the brightness temperature assuming no background continuum emission.
:param source_function : in form of Rayleigh-Jeans approximation in K :type source_function : float
:param optical_depth : :type optical_depth : float
- Returns
float


All available topic descriptions which are matching to the provided filter values.
|
id
|
data_type |
hardware_type
|
topic_type
|
message_format |
message_structure
|
protocol |
owner
|
middleware_endpoint
|
path
|
verification
|
policy
|
Events | |||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| {{topic._id.$oid}} |
{{topic.data_type}}
|
{{topic.hardware_type}}
|
{{topic.topic_type}}
|
{{topic.message_format}}
|
{{topic.message_structure}}
|
{{topic.protocol}}
|
{{topic.owner}}
|
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|
{{topic.path}}
|
|
Show
Hide
{{topic.policy | json}} |
Show
JSON
{{topic | json}} |
Delete |
Select columns which should be visible in upper table. Define filters to reduce amount of topic descriptions.


Common Web Codec
The common codec for the web. Encodes and decodes some of the web’s most commonly used formats.
--- layout: archive title: "Personal Projects" permalink: /projects/ author_profile: true ---
The common codec for the web. Encodes and decodes some of the web’s most commonly used formats.


Delete Employee
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HTTP Mock Server
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(current)
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One more separated link
Submit
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Separated link
/api/test
GET
{"GET": "TEXT"}
PUT
RESPONSE DISABLED
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{"DELETE": "TEXT"}
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| 1 |
Zhao_2008 |
Chemical properties of rare earth elements in typical medical waste incinerator ashes in China |
Zhao, Lijuan; Zhang, Fu-Shen; Zhang, Jingxin |
2008 |
2008-10-30 |
PMC |
N |
PMC7116950 |
18329796.0 |
10.1016/j.jhazmat.2008.01.091 |
4gt07ei5 |
0.992571 |
Zhao_2009, Zhao_2010, Bo_D_2009, Choudhury_2011 |
Zhao_2009, Zhao_2010, Bo_D_2009, Pan_X_2013 |
| 2 |
Zhao_2010 |
Typical pollutants in bottom ashes from a typical medical waste incinerator |
Zhao, Lijuan; Zhang, Fu-Shen; Chen, Mengjun; Liu, Zhengang; Wu, Da Bo Jianzhi |
2010 |
2010-01-15 |
PMC |
N |
PMC7116986 |
19748182.0 |
10.1016/j.jhazmat.2009.08.066 |
c1sh3i48 |
0.980472 |
Zhao_2009, Pan_X_2013, Bo_D_2009 |
Zhao_2009, Zhao_2008, Bo_D_2009, Pan_X_2013 |
| 3 |
Zhao_2009 |
Chemical properties of heavy metals in typical hospital waste incinerator ashes in China |
Zhao, Lijuan; Zhang, Fu-Shen; Wang, Kaisheng; Zhu, Jianxin |
2009 |
2009-03-31 |
PMC |
N |
PMC7127159 |
18990557.0 |
10.1016/j.wasman.2008.09.003 |
ctmll2zv |
0.972149 |
Zhao_2010, Pan_X_2013, Bo_D_2009, Zhao_2008 |
Zhao_2010, Zhao_2008, Bo_D_2009 |
| 4 |
Zhao_2008 |
Levels of polycyclic aromatic hydrocarbons in different types of hospital waste incinerator ashes |
Zhao, Lijuan; Zhang, Fu-Shen; Hao, Zhengping; Wang, Hailin |
2008 |
2008-07-01 |
PMC |
N |
PMC7112068 |
18440054.0 |
10.1016/j.scitotenv.2008.02.040 |
qd6k8u5a |
0.964060 |
Pan_X_2013, Zhao_2010, Zhao_2009 |
Zhao_2010, Zhao_2009, Pan_X_2013 |
| 5 |
Bo_D_2009 |
Influence of supercritical water treatment on heavy metals in medical waste incinerator fly ash |
Bo, Da; Zhang, Fu-Shen; Zhao, Lijuan |
2009 |
2009-10-15 |
PMC |
N |
PMC7115779 |
19482422.0 |
10.1016/j.jhazmat.2009.04.134 |
55gcxyh7 |
0.908028 |
Zhao_2009, Pan_X_2013, Zhao_2010, Li_J_2013 |
Zhao_2009, Zhao_2010, Pan_X_2013, Zhao_2008 |
| 6 |
Subramaniam_2016 |
Electrophilic and nucleophilic pathways in ligand oxide mediated reactions of phenylsulfinylacetic acids with oxo(salen)chromium(V) complexes |
Subramaniam, P.; Sugirtha Devi, S.; Anbarasan, S. |
2016 |
2016-09-05 |
PMC |
N |
PMC7116920 |
|
10.1016/j.poly.2016.05.012 |
wn4ra3ur |
0.897548 |
Belova_2018 |
Sahoo_2016 |
| 7 |
Pan_X_2013 |
Detoxifying PCDD/Fs and heavy metals in fly ash from medical waste incinerators with a DC double arc plasma torch |
Pan, Xinchao; Yan, Jianhua; Xie, Zhengmiao |
2013 |
2013-07-01 |
PMC |
N |
|
|
10.1016/s1001-0742(12)60196-x |
hm2iv3wm |
0.839026 |
Liu_H_2013, Zhao_2010 |
Zhao_2010, Bo_D_2009, Liu_H_2013, Zhao_2009 |
| 8 |
Liu_H_2013 |
Removal of carbon constituents from hospital solid waste incinerator fly ash by column flotation |
Liu, Hanqiao; Wei, Guoxia; Zhang, Rui |
2013 |
2013-01-31 |
PMC |
N |
PMC7127196 |
23046874.0 |
10.1016/j.wasman.2012.08.019 |
oox1btil |
0.778258 |
Pan_X_2013, Zhao_2009, Li_J_2013 |
Pan_X_2013, Zhao_2009, Zhao_2010, Bo_D_2009 |
| 9 |
Deng_2008 |
Thermogravimetric analysis and kinetic study on pyrolysis of representative medical waste composition |
Deng, Na; Zhang, Yu-feng; Wang, Yan |
2008 |
2008-12-31 |
PMC |
N |
PMC7126006 |
17911006.0 |
10.1016/j.wasman.2007.05.024 |
s3rqj64q |
0.758026 |
|
Darvishi_2015, Li_N_2017 |
| 10 |
Belova_2018 |
The molecular structure of 4-methylpyridine-N-oxide: Gas-phase electron diffraction and quantum chemical calculations |
Belova, Natalya V.; Girichev, Georgiy V.; Kotova, Vitaliya E.; Korolkova, Kseniya A.; Trang, Nguyen Hoang |
2018 |
2018-03-15 |
PMC |
N |
PMC7094666 |
|
10.1016/j.molstruc.2017.11.070 |
6vql2u75 |
0.691143 |
|
Sahoo_2016 |
| 11 |
Tang_2017 |
Molecularly Imprinted Solid Phase Extraction using Bismethacryloyl-β-cyclodextrin and Methacrylic Acid as Double Functional Monomers for Selective Analysis of Glycyrrhizic Acid in Aqueous Media |
Tang, Weili; Du, Wei; Guo, Pengqi; Wu, Ningli; Du, Kangli; Xu, Changgen; Luo, Zhimin; Chang, Ruimiao; Zeng, Aiguo; Jing, Wanghui; Chang, Chun; Li, Ji; Fu, Qiang |
2017 |
2017-02-01 |
PMC |
N |
PMC7109652 |
28087760.0 |
10.1093/chromsci/bmw161 |
k15o1h1w |
0.658371 |
Carroll_2007, Lee_J_2016, Li_Y_2010 |
Darvishi_2015, Guo_Y_2012, Cirillo_2011 |
| 12 |
Ali_I_2015 |
Nano-capillary electrophoresis for environmental analysis |
Ali, Imran; Alharbi, Omar M. L.; Marsin Sanagi, Mohd. |
2015 |
2015-12-22 |
PMC |
N |
PMC7087629 |
|
10.1007/s10311-015-0547-x |
reescoo7 |
0.606583 |
Lee_J_2016 |
|
| 13 |
Cirillo_2011 |
Molecularly imprinted polymers for the selective extraction of glycyrrhizic acid from liquorice roots |
Cirillo, Giuseppe; Curcio, Manuela; Parisi, Ortensia Ilaria; Puoci, Francesco; Iemma, Francesca; Spizzirri, Umile Gianfranco; Restuccia, Donatella; Picci, Nevio |
2011 |
2011-04-01 |
PMC |
N |
PMC7125629 |
|
10.1016/j.foodchem.2010.09.077 |
f7zcyd84 |
0.605943 |
Tang_2017 |
|
| 14 |
Wu_C_2012 |
Increased density and coverage uniformity of viruses on a sensor surface by using U-type, T-type, and W-type microfluidic devices |
Wu, Chia-Che; Tseng, Ping-Kuo; Tsai, Ching-Hsiu; Liu, Yao-Lung |
2012 |
2012-06-01 |
PMC |
N |
PMC3371072 |
22712035.0 |
10.1063/1.4722294 |
jyerv79m |
0.534460 |
|
Wang_2012, Yeung_2006, Mujahid_2010, Qi_C_2009 |
| 15 |
Choi_2019 |
Correlation between electrical properties and cation distribution in [(Ni x Mn1- x )0.84Cu0.16]3O4 thin films prepared by metal-organic decomposition for microbolometer applications |
Choi, Yong Ho; Khang, Dahl-Young; Cho, Jeong Ho |
2019 |
2019-12-31 |
PMC |
N |
PMC7111822 |
|
10.1016/j.tsf.2019.137637 |
ltgm9ygu |
0.503931 |
Shin_2019, Koning_2013, Wang_2011, Ansari_2015 |
Dzimitrowicz_2019, Li_N_2017 |


Bootstrap Predefined Grid Classes
Sangoma includes a responsive, mobile first fluid grid system that appropriately scales up to 12 columns as the device or viewport size increases. It includes predefined classes for easy layout options, as well as powerful mixins for generating more semantic layouts.
If you are not familiar with how grid system works, look up for official Bootstrap documentation.


What did we learn from the process of iterative design?
We learned the iterative process is not easy. We learned not to get too attached to any one design personally and really listened to what our users wanted. Talking to our user group directly really made an impact on the design. For example, we would never have thought of adding an audio option for navigation if our wheelchair user in our usability test had not mentioned it to us.
How did the process shape our final design?
The process really allowed us to refine areas where our app was weakest. For example, we had the challenge of allowing users to join group tours in a way that was intuitive to use. At first, our design involved being able to join a group in many different places. By the end of our iterations, we were able to discover: joining a group in one set place was ideal. We also made sure the “My Tours” icon was a list of tours a user can view instead of a tabbed format in our initial design. This gave users a more simple and sequential design. The process always allowed us to more slowly toward a better and better interface that satisfied the main needs that were highlighted in all of our usability tests.
Overall Thoughts?
We truly believe Sherpa is an app that can help change the mindset of wheelchair users. We hope getting wheelchair users to explore their local area will inspire them to explore even further out into the world despite accessibility infrastructure issues.
Copyright © Sherpa 2017


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--- layout: base title: Computer Anonymous - Birmingham ---
Now you understand. Let's go to computer Birmingham
You can read the overview of computer and the rules here.
We're going to be quite flexible with the Computer meetup in Birmingham and see how it fits in with upcoming events for the next month with an aim to get our first one some time in November 2014.
We're currently trying to figure out what to do for the first meetup, but most likely it will be somewhere in Central Birmingham (possibly Urban or Yorks) and we will rotate locations to restaurants and bars if people wish.
If you have any suggestions, try getting in touch with @omarqureshi and they'll try and do their best to sort you out.
We don't have an IRC channel dedicated to computer yet, but, you can find quite a lot of us on Birmingham.io or talk to some of us in #wmrug.


London is the capital city of England. It is the most populous city in the United Kingdom, with a metropo


ABOUT:
This website is created by a youtuber and streamer «HAYKOV». In this website you can find our discord server, our clan, and donate category. If you want to have many friends, teammates,talk with other people,and have free skins in many games, you have to enter our discord server. Also, I have a clan that is named «БОБРЫ». It’s a clan not only in one game, our clan is found in every game. To enter our clan you have to be a member of our server, and have good skills in any game you play. To test your skills, we make a small exam in any game you play for you. If you pass it, then you are accepted to be a member of our clan, if you didn’t pass the test, then you are not accepted. The donate category is made for people who want to encourage my YouTube and twitch chanells, our discord server, and our clan.
Thank you for your attention.


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In November 2011 the Google Foundation awarded Concord Consortium a grant to develop an HTML5 version of Molecular Workbench our award-winning Java-based physics simulation. We've extended these goals and have created a general framework we call Lab for integrating both simulations running in multiple modeling engines and data collection from sensors and probes.
Lab Interactives are sharable, embeddable, and authorable components defined in JSON that wrap a model with additional inquiry-oriented user interface components such as buttons, checkboxes, sliders, graphs etc.
MD2D model type
Other model types
Please visit the Concord Consortium interactives page to see our full set of interactives built using the Lab framework.
Classic MW models can be easily converted to lightweight versions that work within Lab. Save you Classic MW model and use the MML to JSON Converter


Text is probably used in most things we build.
Larger text masses might be better added through
normal HTML,because of accessibility and such.
Other texts could be just part of your app and
doesn't necessarily need to be accessible
in the same way. For those purposes,oCanvas
includes a text display object. It is very easy
to use, and works with fonts the way CSS does.
If you want a special font, you can include
the @font-face declarations in your CSS code,
and the font will be available for use in the text
objects, just as it would in a normal HTML context.


Both inheritance and composition are ways of reusing logic in multiple places in your code. Each has their pros and cons, which we will explore below. Hopefully this will give you a basic understanding of when to use each and pique your interest to further explore their applications.
Inheritance is a way of reusing code or establishing a sub-type from an existing object. For those who may be visual learns, the use of inheritance makes a specific visual choice in the organization of your code, saying that it is a type of whatever superclass you have stablished.
Class Automobiles attr_accessor :name :type initialize(name, type) end Class Trucks < Automobiles # more stuff about trucks here end
In this code, we have a superclass called Automobiles that is initialized with two arguments. Below that, there is a class called trucks. Using the arrow, we can assign this class to the superclass Automobiles. This says that the trucks class, which may have specific methods and variables, at least shares the name and type arguments with the superclass.
How can we use Composition in Ruby to reuse some of the code from a superclass?
I have to admit that doing research into inheritance was much easier than figuring out composition.
Module Automobiles attr_accessor :name :type initialize(name, type) end Class Trucks include Automobiles end
In this code, instead of creating a class a subclass, we assign the superclass to a module and then establish a class called trucks that includes the variables created int he module.
To me, the composition way of organizing code seems a bit more complicated than organizing the code by inheritance. I like the look of inheritance better and I think that it is easier to manage longer pieces of code through inheritance. At this point, the differences seem negligible, but I'm hoping to learn more about both concepts and how I can properly apply them in my code.


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