THE PORTRAIT OF A LADY A film review by Peter Reiher Copyright 1997 Peter Reiher
"The Portrait of a Lady" was one of the worst films I saw this year. While I haven't liked all her films, I generally consider Jane Campion to be an interesting director who, at least, never did anything that was an imitation or a predictably dull effort. As a result, I was extremely disappointed with "The Portrait of a Lady."
"The Portrait of a Lady" is based on a novel by Henry James, written in the 19th century. It concerns a young American woman who comes to Europe to visit relatives, and becomes involved with suitors both European and American. In a greater sense, it's another of James' stories about the clash of American and European cultures.
The problems with the film start, as most films' problems do, with the script. It's an over-long, rather straightforward telling of the story, with a few ill-advised stylistic flourishes. Not having read the novel, I will not comment on the script's faithfulness to the book, but it is not successful on its own terms. However, the script is not the greatest problem with this film.
With one major and a couple of minor exceptions, the film was very badly cast, with the greatest problems in the most central roles. These casting mistakes, combined with the poor script and a lack of directorial inspiration, sink the film.
The title role is the core of the problem. Isabel Archer is meant to be a truly extraordinary young woman, someone who inspires love in practically every man she meets and admiration in practically every woman. We are told that she is capable of great things, that she could live a life that would amaze us. The script goes to great lengths to tell us how wonderful she is - but that's all it does, tell us. It never shows us anything to make the audience admire the young woman. A better script would have shown us the immense potential of this young woman, and made us understand why people are so very interested in her. Given that Laura Jones' script did not make that choice, the only hope was to cast the part with an actress with such fierce charisma and internal flame that we would immediately agree that she was indeed a remarkable woman, even if we never see her do or say anything remarkable. That means someone like a young Katherine Hepburn. Nicole Kidman is beautiful, and reasonably talented, but she doesn't have that kind of charisma. As a result, the audience is left to wonder why everyone is making such a fuss over her.
John Malkovich is equally wrong for his part, that of an American expatriate who has lived in Florence for years, cultivating a collection of art and antiquities, seemingly doing little else. The story demands that he exert a nearly irresistible attraction on Isabel, who has been well able to resist the attractions of younger, wealthier, more handsome and eligible men. There is absolutely nothing about Malkovich in this role that suggests he would attract such an extraordinary young woman. He's not handsome, the script gives him no real opportunity to dazzle her with his supposedly exquisite taste, and he doesn't even seem terribly interested in her. Again, the writing required a far more charismatic actor. Malkovich does better when the darkest side of the character comes out, but that's too late to do much good.
Some of the supporting roles were cast with truly annoying actors. Both Mary Louise Parker and Shelley Duvall, in rather similar roles as eccentric busy bodies, made one wish that Arnold Schwarzenegger had a role in the film, so there would be some hope that he'd suddenly show up with a machine gun and blow them away. Shelley Winters and Christian Bale were merely boring, a big step up. Richard E. Grant and Viggo Mortenson play Kidman's other suitors, and were apparently chosen to give some credibility to the attractiveness of Malkovich, by contrast. They are acceptable, but unextraordinary. Martin Donovan is not especially good as Kidman's consumptive, infatuated British cousin. John Gielgud appears briefly as Donovan's father, and does what he can with the part.
Barbara Hershey, on the other hand, seemed to be the only actor in command of her role. Only she, among the leads, seems like she has the characteristics the script claims for her. She practically makes the film worth watching, at least during her scenes. Ms. Hershey is a fine, underappreciated actress who deserves the best roles. She, and the production design (by Janet Patterson), were the only good qualities of the film.
As far as the direction goes, Jane Campion has made an excellent audition piece for the Cinematic Academy of Embalming. She did a fine job convincing the audience that, yes, classics on the screen *do* have to be a tedious chore to sit through. She uses a glacial pace, lots of long-held shots on the central character's face (in which Ms. Kidman's expressive abilities are stretched well beyond her current limitations), many stately tracking shots, and plenty of long-held images of pretty scenery and architecture . Most of the film looks like Merchant/Ivory, without their driving intensity. (That's a little joke, in case it isn't clear.) This is one seriously dull film.
Campion dolls the film up with various little cinematic tricks, perhaps trying to convince herself that she wasn't making such a stodgy film. In one scene, Isabel fantasizes about abandoning herself to her potential lovers, and they eventually disappear in gratuitous special effects.  Isabel's travels after meeting Malkovich are dealt with as a fake travelog done in the style of an early silent film. And once in a while Campion chooses a skewed camera angle, for no apparent reason. These departures from the overall style of the film seemed desperate. Each is a separate, momentary departure from the extremely conventional style of the body of the film. They are in no sense part of an integrated whole, unlike, say, the bridging shots in "Breaking the Waves."
It's not actually the case that Henry James has to be dull, but you'd never guess that from "The Portrait of a Lady." You'd be far better off seeing "The Heiress" again, or getting hold of the BBC production of "The Golden Bowl," than wasting time on "The Portrait of a Lady."
-- Peter Reiher<EMAIL_ADDRESS><http://fmg-www.cs.ucla.edu/project-members/reiher>
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WORK EXPERIENCE
Bookkeeping @ JBI Commercial Cleaning (2014 – Present
)
-
Profit analysis, income statements, cash flow statements, annual reports, and bank reconciliation.
-
Data entry into MYOB mainly by coding bank statements and then importing into MYOB.
-
Management accounting, scheduling workers and timetables.
-
Superannuation entries through the clearing house.
-
Payroll system management.
Quality Assurance (QA) & Customer Support @ Solrise Finance (2020 – Present)
-
Research and problem solving to recreate any bug/issues in our apps/software are occurring. Use logic to recreate/reproduce the bug/issue, if that fails, I’ll create a detailed report and escalate it to relevant departments.
-
Using applications such as ‘Figma’ and ‘TestRail throughout the QA process.
-
Provide support ASAP to customers via Live Chat, filter, and escalate complex issues to relevant departments if instant resolution cannot be achieved.
Food Service Attendant @ Sir Charles Gairdner Hospital (2017 – Present
)
-
Assisting in food preparation and distribution, while ensuring the highest standards of hygiene and food handling are maintained in all food preparation, production, and holding areas in accordance with HACCP and Food Safety requirements.
SKILLS & INTERESTS:
-
Skills: Financial and accounting reporting; logical problem solver; very high work ethic; thorough planning, analytical, and researching skills; effective communicator; excellent report writing and meticulous paperwork; quick learner with any new technology, programs, applications, and software.
-
Programming Skills: HTML+ CSS; Python; Microsoft Office.
Interests: Travelling; Motorcycling; Water Skiing; Snowboarding; Skateboarding; Derivatives, Futures, & Options Trading.


Weekly High Frequency Indicators: Still No Evidence Of Spreading Contraction
by New Deal DemocratSummary
- High frequency indicators can give us a nearly up-to-the-moment view of the economy.
- The metrics are divided into long leading, short leading, and coincident indicators.
- Although there was some deterioration this week, all time frames remain positive.
- Unless and until weakness spreads beyond manufacturing, the forecast remains slowdown only.
Purpose
I look at the high frequency weekly indicators because while they can be very noisy, they provide a good nowcast of the economy and will telegraph the maintenance or change in the economy well before monthly or quarterly data is available. They are also an excellent way to "mark your beliefs to market." In general, I go in order of long leading indicators, then short leading indicators, then coincident indicators.
A Note on Methodology
Data is presented in a "just the facts, ma'am" format with a minimum of commentary so that bias is minimized.
Where relevant, I include 12-month highs and lows in the data in parentheses to the right. All data taken from St. Louis FRED unless otherwise linked.
A few items (e.g., Financial Conditions indexes, regional Fed indexes, stock prices, the yield curve) have their own metrics based on long-term studies of their behavior.
Where data is seasonally adjusted, generally it is scored positively if it is within the top 1/3 of that range, negative in the bottom 1/3, and neutral in between. Where it is not seasonally adjusted, and there are seasonal issues, waiting for the YoY change to change sign will lag the turning point. Thus I make use of a convention: data is scored neutral if it is less than 1/2 as positive/negative as at its 12-month extreme.
With long leading indicators, which by definition turn at least 12 months before a turning point in the economy as a whole, there is an additional rule: data is automatically negative if, during an expansion, it has not made a new peak in the past year, with the sole exception that it is scored neutral if it is moving in the right direction and is close to making a new high.
Recap of monthly reports
October data was all neutral or negative. Both consumer and producer inflation ran higher than expected. Industrial production declined even without including the GM (NYSE:GM) strike, and sharply with it. Retail sales increased substantially, but in real, inflation-adjusted terms declined slightly.
Long leading indicators
Interest rates and credit spreads
Rates
- BAA corporate bond index 3.95%, down -0.10% w/w (1-yr range: 3.73-5.29)
- 10-year Treasury bonds 1.83%, down -0.11% w/w (1.47-3.24)
- Credit spread 2.12%, up +0.01% w/w (1.56-2.48).
Yield curve
- 10 year minus 2 year: +0.22%, down -0.04% w/w (-0.01-1.30)
- 10 year minus 3 month: +0.26%, down -0.12% w/w (-0.44 to +1.00)
- 2 year minus Fed funds: +0.04%, down -0.09% (-1.0% required for recession signal)
30-Year conventional mortgage rate (from Mortgage News Daily)
- 3.78%, down -0.07% w/w (3.46-5.05)
BAA Corporate bonds and Treasury bonds turned positive two months ago. In particular, that corporate bonds recently fell to yet another new expansion low is extremely bullish into Q3 2020. The spread between corporate bonds and Treasuries, after improving to neutral, is back to negative this week. The year yield curve is generally neutral. Mortgage rates are still not too far from their post-Brexit low, so they remain positive.
Housing
Mortgage applications (from the Mortgage Bankers Association)
- Purchase apps +5% w/w to 254 (214-281) (SA)
- Purchase apps 4 wk avg. down +1 to 246 (SA)
- Purchase apps YoY +15% (NSA)
- Purchase apps YoY 4 wk avg. +10% (NSA)
- Refi apps +13% w/w (SA)
*(SA) = seasonally adjusted, (NSA) = not seasonally adjusted
Real Estate Loans (from the FRB)
- Down -0.1% w/w
- Up +3.7% YoY (2.7-6.5)
Purchase applications generally declined from expansion highs through neutral to negative from the beginning of summer to the end of 2018. With lower rates this year, their rating has climbed back to positive. Meanwhile, lower rates once again caused a spike upward in refi, returning it to neutral. NOTE: If the 4-week average of purchase applications drops below 240, that will lower the rating to neutral.
With the re-benchmarking of the last year, the growth rate of real estate loans turned from neutral to positive. For two weeks it fell back below +3.25%, and so went back from positive to neutral, then rebounded to positive and has generally stayed there since. For two weeks declined back to negative, but returned to positive one month ago.
Money supply
M1
- +1.0% w/w
- +1.5% m/m
- +5.8% YoY Real M1 (-0.7 to 5.8) (NEW ONE YEAR HIGH)
M2
- +0.2% w/w
- +0.9% m/m
- +5.4% YoY Real M2 (0.9-5.4) (NEW ONE YEAR HIGH)
In 2018 and early this year, real M1 turned neutral and very briefly negative. Real M2 growth fell below 2.5% almost all last year and earlier this year, and so was rated negative. In the past six months, both have continued to improve, and for the past few months, both have turned and remained positive.
Corporate profits (estimated and actual S&P 500 earnings from I/B/E/S via Factset.com)
- Q3 2019 actual (92%) + estimated (08%) earnings, up +0.13 w/w to 42.26, up +1.9% q/q, down -1.1% from Q4 2018 peak
I initiated coverage of this metric earlier this year on an experimental basis. FactSet estimates earnings, which are replaced by actual earnings as they are reported and are updated weekly. Based on the preliminary results, I have expanded the "neutral" band to +/-3% as well as averaging the previous two quarters together until at least 100 companies have actually reported.
Because Q3 projected earnings have risen strongly compared with the bottom two quarters ago and are now close to their Q4 2018 peak, this series is now firmly positive again.
Credit conditions (from the Chicago Fed)
- Financial Conditions Index down -.02 (looser) to -0.76
- Adjusted Index (removing background economic conditions) up +.06 (less loose) to -0.63
- Leverage subindex unchanged (loose) at -0.31
The Chicago Fed's Adjusted Index's real breakeven point is roughly -0.25. In the leverage index, a negative number is good, a positive poor. The historical breakeven point has been -0.5 for the unadjusted Index. All three metrics presently show looseness and so are positives for the economy. Late last year, the leverage subindex turned up to near neutral, then turned more positive earlier this year, but is now back to close to its least loose reading from one year ago. In the past, an inverted yield curve has led to a contraction in lending - but apparently not this time!
Short leading indicators
Trade weighted US$
- Down -0.19 to 129.25 w/w, +1.2% YoY (last week) (broad) (115.19-131.58)
- Down -0.37 to 98.00 w/w, +1.6% YoY (major currencies)
Both measures of the US$ had been positives in the summer of 2018, but by last autumn, the broad measure turned neutral, followed more recently by the measure against major currencies. As of roughly nine months ago, both were negative. In late summer, both improved to neutral on a YoY basis. The measure against major currencies took a major spill four weeks ago, but is still neutral.
Commodity prices
Bloomberg Commodity Index
- Down -0.82 to 79.09 (76.07-91.94)
- Down -5.7% YoY
Bloomberg Industrial metals ETF (from Bloomberg)
- 113.76, down -4.23 w/w, down -0.9% YoY (107.87-123.18)
Commodity prices surged higher after the 2016 presidential election. Both industrial metals and the broader commodities indexes declined to very negative last year. Industrial metals improved enough to be scored neutral recently. This week they declined.
Stock prices S&P 500 (from CNBC)
- Up +0.9% to 3120.46 (NEW HIGH)
At the end of 2018, stocks' rating became negative. This year, they made repeated new 3-month and several all-time highs.
Regional Fed New Orders Indexes
(*indicates report this week)
- *Empire State up +2.0 to +5.5
- Philly up +1.4 to +26.2
- Richmond up +21 to +7
- Kansas City down -10 to -13
- Dallas down -11.3 to -4.2
- Month-over-month rolling average: unchanged at +4
The regional average is more volatile than the ISM manufacturing index, but usually correctly forecasts its month-over-month direction. It was "very" positive for most of 2018, but cooled beginning late last year. This year it has been waxing and waning between positive and flat. In July and earlier in August it was flat, but has since rebounded to positive.
Employment metrics
Initial jobless claims
- 225,000, up +14,000
- 4-week average 217,000, up +1750
In November 2018, initial claims briefly spiked and did so again at the end of January (probably connected to the government shutdown). They made new 49-year lows in April. Even though this week's number was the worst since midyear, the overall trend is still weakly positive.
Temporary staffing index (from the American Staffing Association)
- Unchanged at 97 w/w
- Down -6.1% YoY (WORST YOY READING IN NEARLY 10 YEARS)
Beginning in November 2018, this index gradually declined to neutral in January and has been negative since February. Since the beginning of the third quarter has progressively had its worst YoY readings since 2016, and finally exceeded them to the downside three weeks ago, and once again had its worst reading since the Great Recession this week.
Tax Withholding (from the Dept. of the Treasury)
- $184.2 B for the last 20 reporting days vs. $164.4 B one year ago, up +$19.8 B or +12.0%
This was generally negative last year once the effects of the tax cuts started in February 2018. Straight YoY comparisons have become valid again since this February, and with the exception of one week, have been positive.
Oil prices and usage (from the E.I.A.)
- Oil up +$0.40 to $57.79 w/w, down -0.6% YoY
- Gas prices up +$.01 to $2.62 w/w, down -$0.07 YoY
- Usage 4-week average up +2.6% YoY
After bottoming in 2016, generally prices went sideways with a slight increasing trend in 2017 and 2018. While at the end of last year, prices plummeted, and after rising earlier this year, have been declining recently to near a new 52-week low last week. Gas prices made their seasonal high for this year four months ago. Usage was positive YoY during most of 2016, but has oscillated between negative and positive for the last several months. For the last three weeks, it turned negative, before turning positive again three weeks ago.
Bank lending rates
- 0.380 TED spread unchanged w/w
- 1.76 LIBOR unchanged w/w
Both TED and LIBOR rose in 2016 to the point where both were usually negatives, with lots of fluctuation. Of importance is that TED was above 0.50 before both the 2001 and 2008 recessions. The TED spread was generally increasingly positive in 2017, while LIBOR was increasingly negative. After being whipsawed between being positive or negative last year, this year it has remained positive.
Coincident indicators
Consumer spending
- Johnson Redbook up +5.0% YoY
- Retail Economist up +1.8% w/w, up +4.3% YoY
Both the Retail Economist and Johnson Redbook Indexes were positive all during 2018. The Retail Economist measure decelerated earlier this year, turning neutral, but improved enough to score positive in April and May. It has been varying between neutral and weakly positive until this week's very positive reading. Johnson Redbook fell sharply at the beginning of this year before improving to positive beginning in spring.
Transport
Railroads (from the AAR)
- Carloads down -5.1% YoY
- Intermodal units down -6.7% YoY
- Total loads down -5.9% YoY
Shipping transport
- Harpex up +2 to 716 (440-727)
- Baltic Dry Index down -64 to 1364 (610-2499)
In 2018 rail, after some weakness in January and February, it remained positive until autumn, when it weakened precipitously, probably due to tariffs. It rebounded strongly in January, but since then, it has turned almost uniformly negative, suggesting that the trade war with China is having a major impact. In the last two months (except this week), the YoY comparisons have gotten even worse. By contrast, truck traffic remains slightly positive YoY; the trend there is neutral to slightly positive.
Harpex made multi-year lows in early 2017 and after oscillating improved to new multi-year highs earlier in 2018, but earlier this year turned negative. In the past three months, it rebounded enough to be neutral and now is positive. BDI traced a similar trajectory and made three-year highs near the end of 2017 and again at midyear 2018, before declining all the way back to negative. In the past three months, it made repeated three year highs, before backing off in the past few weeks, enough to be scored neutral.
I am wary of reading too much into price indexes like this since they are heavily influenced by supply (as in, a huge overbuilding of ships in the last decade) as well as demand.
Steel production (from the American Iron and Steel Institute)
- Down -1.4% w/w
- Down -2.2% YoY
Steel production was generally positive in 2017. It turned negative in January and early February of 2018, but with the exception of three weeks recently has been positive since then. Recently the YoY comparison abruptly declined to less than 1/2 of its recent range over 10% YoY and was neutral and had been varying between neutral and positive since. In the summer, it varied between neutral and negative, but for two months has been almost exclusively negative.
Summary And Conclusion
Among the long leading indicators, corporate bonds, Treasuries, purchase mortgage applications, mortgage rates, corporate profits, the Chicago Fed Adjusted Financial Conditions Index and Leverage subindex, real M1 and real M2, and real estate loans, are positives. The yield curve also turned back to neutral this week, along with mortgage refinancing. There are no negatives.
Among the short leading indicators, the Chicago National Conditions Index, regional Fed new orders, gas and oil prices, gas usages, stock prices, and initial claims are positive. The US$ and industrial commodities are neutral. The spread between corporate and Treasury bonds, total commodities, and temporary staffing are negative.
Among the coincident indicators, consumer spending, tax withholding, Harpex, and the TED spread are positive. The Baltic Dry Index is neutral. Rail, steel, and LIBOR are negative.
Although there was some deterioration this week, the long leading forecast remains positive, as does the short-term forecast. Coincident indicators also remain positive. Barring new and worsening public policy, while we are in the teeth of a slowdown, recession risk has lessened. The important issue is whether weakness spreads from manufacturing to other areas. With the exception of temporary staffing, that simply has not happened. I also want to specifically note that other forms of transportation, particularly trucking, have not confirmed the downturn in rail.
Disclosure: I/we have no positions in any stocks mentioned, and no plans to initiate any positions within the next 72 hours. I wrote this article myself, and it expresses my own opinions. I am not receiving compensation for it (other than from Seeking Alpha). I have no business relationship with any company whose stock is mentioned in this article.


How to Win the Internet
08 Apr 2014Today, John Saddington, partner at The Iron Yard, stopped by to chat with the Ruby and iOS cohorts about Winning the Internet. His challenge to us was simple. Be in control of our brand online. Each of us have the power to curate what people find when Googling our name.
Still Learning
Because competition has become so fierce in the marketplace, you must show others why you are different, what sets you a part from the pack. The goal is not to show others that you are an expert, but to show others your constant pursuit in becoming an expert. This is precisely the reason I entitled this blog, "Still Learning." The more I learn, the more I realize how much more I have to learn.
There are people that do and there are people that dream.
To Win the Internet, John challenged us with four practical thoughts about how we can make ourselves stand out in a crowd.
Capture a thought and tell others.
Take one specific thing and show people that you understand it. Then, take that a step further. Prove you are able to take what you've learned and help others understand it. It is easy to comprehend a topic for yourself, but to be able to transfer that knowledge in a clear, relatable message to someone else is invaluable.
Don’t be afraid to be unique.
Being unique is what sets you apart from the pack. Having an opinion and telling others how you really feel is important! Apple has become an industry leader with Think Different. Their entire company culture is built around challenging the status quo.
Talk about how your are improving.
 When put in the proper perspective, every experience has the opportunity to be a teachable moment. This shows others that you are not interested in just existing, but consistently striving to improve yourself and others around you.
Everyone that you meet knows something you don't.
No one likes working with a know it all! And by telling others what you are attempting to learn, you prove to others you have not arrived.
Prove you can be an ambassador
Effective communication is arguably the most valued asset to a company. By having a message online, you are effectively an ambassador for yourself. By communicating the value of your own personal brand, you are proving ahead of time that you can transfer that to whatever company you work for.
I was challenged to tailor the images and content that returned when people search for me online. I want people to be wowed when googling "Nate Winn." How are you winning the internet?


| Control | Name | Qty. | Departament | Receiver | Received | Invoice | Employee | Unit Price | Total Price | Outgoing |
|---|---|---|---|---|---|---|---|---|---|---|
| Name | 02 | TI | Receiver | 111-111-111 | 111XX111-111582765923676234 | Employee | R$100 | R$200 | ||
| Name | 02 | TI | Receiver | 111-111-111 | 111XX111-111582765923676234 | Employee | R$100 | R$200 | ||
| Name | 02 | TI | Receiver | 111-111-111 | 111XX111-111582765923676234 | Employee | R$100 | R$200 |


Use functions of x. Do Math.pow(x,y) for x^y. For most other functions, add 'Math.' in front, so Math.sin(x), and Math.sqrt(x). And add in operators everywhere, '10*x+4*x' rather than '10x+4x'.
Y =
X1:
X2:
Get Slope


Public Member Functions | |
Destructor | |
| virtual | ~DOMImplementationSource () |
| Destructor. | |
Functions introduced in DOM Level 3 | |
| virtual DOMImplementation * | getDOMImplementation (const XMLCh *features) const =0 |
| A method to request the first DOM implementation that supports the specified features. | |
| virtual DOMImplementationList * | getDOMImplementationList (const XMLCh *features) const =0 |
| A method to request a list of DOM implementations that support the specified features and versions,. | |
Protected Member Functions | |
Hidden constructors | |
| DOMImplementationSource () |
| DOMImplementationSource::DOMImplementationSource | ( | ) | [protected] |
| virtual DOMImplementationSource::~DOMImplementationSource | ( | ) | [virtual] |
Destructor.
| virtual DOMImplementation* DOMImplementationSource::getDOMImplementation | ( | const XMLCh * | features | ) | const [pure virtual] |
A method to request the first DOM implementation that supports the specified features.
| features | A string that specifies which features are required. This is a space separated list in which each feature is specified by its name optionally followed by a space and a version number. This is something like: "XML 1.0 Traversal 2.0" |
null
if this source has none. | virtual DOMImplementationList* DOMImplementationSource::getDOMImplementationList | ( | const XMLCh * | features | ) | const [pure virtual] |
A method to request a list of DOM implementations that support the specified features and versions,.
| features | A string that specifies which features are required. This is a space separated list in which each feature is specified by its name optionally followed by a space and a version number. This is something like: "XML 1.0 Traversal 2.0" |


The wine is strong,the wind warm,you are mine,The wine is
strong,the wind is warm,you are mine
-
活力早餐
Dynamic breakfast
The wine is strong,the
wind is warm,you are mine
-
精致生活
Sophisticated life
The wine is strong,the
wind is warm,you are mine
-
悠然午后
Carefree afternoon
The wine is strong,the
wind is warm,you are mine
西式甜点
Western dessert
The taste of happiness is sweet;Every sweet has a story;Life is
like a dessert,how do you know which way is more suittable for
your taste
The wine is strong,the wind warm,you are mine,The wine is
strong,the wind is warm,you are mine


Calciomercato: Juventus want Barça's Rakitic but put off by his salary
There is also interest from Milan and Inter in the Barcelona midfielder
by sport.esJuventus seem to want to push hard for the signing of Barcelona's Croatian midfielder Ivan Rakitic, who is still not playing regularly in Ernesto Valverde's side.
A number of other Italian clubs are also interested in Rakitic, such as AC Milan and Inter, and he could leave Camp Nou in January if his situation does not change.
Rakitic, who has a contract with Barça until 2021, has one thing working against him, though, when it comes to moving to Serie A: his salary.
According to 'calciomercato.com', Juve remain keen on the Croatia international but at the moment they are separated by, among other things, the eight million euros he earns in Spain. The Old Lady are not ready to pay so much.
Therefore, Rakitic's future could lie in Milan, where the two clubs are prepared to pay more money to lure him to Italy in the winter transfer window.


@* * Copyright 2021 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @import config.ApplicationConfig @import include._ @import model.Crumb @import domain.models.applications.Application @import domain.models.developers.DeveloperSession @this(devMain: DevMain) @(app: Application)( implicit request: play.api.mvc.Request[Any], loggedIn: DeveloperSession, messagesProvider: MessagesProvider, applicationConfig: ApplicationConfig) @devMain( title = "Credentials", userFullName = loggedIn.loggedInName, breadcrumbs = Seq( Crumb("Credentials"), Crumb.application(app), Crumb.viewAllApplications, Crumb.home ), developerSession = Some(loggedIn) ) {
Your credentials are your client ID and your client secret.
Credentials are used:
You cannot view or edit production credentials because you're not an administrator.
The administrator @administrators.head.emailAddress has access.
} else {The administrators have access:


Glossary¶
$*¶
All key-value pairs in the current record, as a map.
For example, if myfile.csv
has header line a,b,c
, and the
third line after the header is 7,8,9
, then the third record
processed by Miller will be the ordered list of key-value pairs a=7
, b=8
,
c=9
, and $*
will be (using JSON formatting) {"a": 7, "b": 8, "c": 9 }
.
@*¶
All out-of-stream
variables, as a
map. Synonymous with all
.
For example, if out-of-stream variables @count = 3
and @sum = 55
have been
assigned, then @*
will be (using JSON formatting) {"count": 3, "sum": 55}
.
absent¶
The data type obtained from accessing a missing
key, e.g. $x
when the current record has no field named x
. See the
null-data page.
all¶
All out-of-stream variables, as a map.
Synonymous with @*
.
array¶
A list of values, indexable by integers starting with 1 for the first value.
auxents¶
Stands for auxiliary entry points. These are effectively separate programs,
but bundled together inside the Miller executable for convenience. For example,
mlr termcvt
converts from CR-LF to LF format or vice versa. See the
auxiliary-commands page page for more
information.
begin¶
A keyword in the Miller programming language
indicating the start of a begin
block within an instance of the put
or filter
verb. See begin/end blocks.
block¶
A group of statements between {
and }
in the Miller programming language,
including if-statement bodies, for-loop bodies, begin-block bodies,
end-block bodies, etc.
bool¶
A keyword for type declaration, used for variables taking boolean (true/false) values.
break¶
Used for exiting a for-loop or while-loop earlier than its top-of-loop continuation expression would have specific.
BZIP2 / .bz2¶
A data-compression format supported by Miller.
Files compressed using BZIP2 compression normally end in.bz2
.
call¶
A keyword used for invoking a user-defined subroutine.
colorization¶
Miller uses configurable colors for some output to the terminal. See the output-colorization page for more information.
compression¶
A technique for having disk files take up less space. See the compressed-data page for information on how Miller handles this.
continue¶
Used for jumping to the next iteration of a for-loop or while-loop without executing the remaining loop-body statements on the current iteration.
CSV¶
Stands for comma-separated values. A popular file format for tabular data, which Miller supports.
Cygwin¶
A collection of GNU and open-source tools which provide functionality similar to a Linux distribution on Windows. Miller can run inside Cygwin, but does not need to. See Miller on Windows.
data line¶
Any line after the first (header) line of a CSV or TSV file. The header line contains the keys for all records in the file; data lines contain values to be zipped together with those keys to form records. See record.
Note that a data line can contain more line in the sense that it can contain embedded newlines within double quotes: see also RFC 4180 and the Miller CSV documentation.
delimiter¶
A delimiter is something that goes in between each item in a list of things.
For example, writing an array as [1,2,3,4,5]
, we can say that the
comma character delimits the list items.
More specifically, in terms of Miller file formats, delimiter can be used as a synonym for separator.
division¶
Miller uses pythonic division for quotients of integers, with the exception that integer divided by integer is integer (not float) if the quotient can be represented exactly as an integer.
DKVP¶
Stands for delimited key-value pairs. A Miller-specific file
format, with each line of a file being
of the form x=1,y=2,z=3
. For historical reasons, this is Miller's default
format unless flags such as --csv
are
supplied. You can also make CSV your default format using a .mlrrc file.
do¶
A keyword which is used to indicate the start of a do-while loop in the Miller programming language.
DSL¶
Stands for domain-specific language. The Miller programming language is embedded within the put and filter verbs. It's a language with its own syntax and semantics; the Miller executable does not embed, say, Python or Lua as a language for put and filter statements. This makes the Miller programming language an embedded domain-specific language, or domain-specific language, or (more briefly) a DSL.
dump¶
A keyword in the Miller programming
language which is used for printing variables to the
screen (namely, to stdout). Largely synonymous with
print
, except that print
with no arguments prints nothing, while
dump
with no arguments displays all currently defined out-of-stream
variables.
See also dump statements.
edump¶
Same as dump
, except it prints to stderr rather than stdout.
See also dump statements.
elif¶
A keyword which is used to indicate the else-if-part of an
if-statement in the Miller programming
language. In some
languages this is elsif
or else if
; in
Miller's programming language, elif
.
else¶
A keyword which is used to indicate the else-part of an
if-statement in the Miller programming
language. See also elif
.
emit, emitf, emitp¶
Three keywords in the Miller programming language for injecting new records into the record stream using the put or filter verbs.
See also the emit-statements section.
empty¶
Refers to the string with zero characters. For example, in a CSV file with header line
a,b,c
and data ,,
the three fields are empty; with data 1,2,
the first two fields (a
and b
)
are not empty and the third field c
is empty.
end¶
A keyword in the Miller programming language
indicating the start of an end
block within an instance of the put
or filter
verb. See begin/end blocks.
ENV¶
A keyword in the Miller programming language for accessing a readable/writable map of environment variables
eprint¶
Same as print
, except it prints to stderr rather than stdout.
eprintn¶
Same as printn
, except it prints to stderr rather than stdout.
false¶
A keyword in the Miller programming language for the
boolean literal; signified by False
in Python; in some languages (such as C)
signified by the zero integer value.
field¶
A single key-value pair within a record.
file format¶
A standard way for encoding information within a text file. Examples include CSV, TSV, and JSON. See the file-formats page for information on which file formats Miller handles.
FILENAME¶
A built-in variable in the Miller programming language referring to the name of the current file being processed as Miller streams through your data.
See the section on built-in variables.
FILENUM¶
A built-in variable in the Miller programming language referring to the one-up index of the current file being processed as Miller streams through your data.
See the section on built-in variables.
filter¶
Along with put, one of the Miller verbs which use the Miller programming language.
Also, a keyword which you can use within put
statements: see the
page on DSL filter statements.
See the DSL overview.
flatten¶
To convert map-valued and/or array-valued fields to something representable in CSV and other non-JSON file formats -- either by JSON-stringifying them or by key spreading. See the flatten/unflatten page.
See also unflatten.
float¶
A floating-point number as a value in Miller records, and in the Miller programming language. Floats interconvert seamlessly with integers using Miller's arithmetic rules, so usually you only need to think of numbers, rather than ints and floats separately.
Also, float
is a keyword for type declaration.
FNR¶
Like NR
but resets to 1 at the start of each file in the input
stream. If you have mlr ... a.csv b.csv
where a.csv
has 10
records and b.csv
has 20, then FNR
will be 10 on the last record of
a.csv
, then it will have value 1 on the first record of b.csv
.
See also the section on built-in variables.
for¶
A keyword which is used to indicate the start of a for-loop in the Miller programming language.
format¶
See file format.
func¶
A keyword used for defining a user-defined functions in the Miller programming language.
funct¶
A type declaration used for local variables, function arguments, and function return values which are (named) user-defined functions or (unnamed) function literals.
See the variables page for examples.
function¶
A bit of callable code in the Miller programming language which takes zero or more arguments, and optionally returns a value.
See the page on built-in functions to see functions which are present in Miller.
See the page on user-defined functions for how to write your own functions.
function literal¶
A function without a name, like func(a,b) {return a + 2*b + 7}
, assigned to
a local variable or passed to a higher-order
function like apply
or sort
. See
the section on function literals.
GZIP / .gz¶
A data-compression format supported by Miller.
Files compressed using GZIP compression normally end in .gz
.
hashmap¶
See map.
header line¶
The first line of a CSV or TSV file. It contains the keys for all records in the file; subsequent lines contain values to be zipped together with those keys to form records. See record.
Note that a header line can contain more line in the sense that it can contain embedded newlines within double quotes: see also RFC 4180 and the Miller CSV section.
heterogeneity¶
Referring to data where not all records have the same keys, in the same order. See the record-heterogeneity page.
higher-order function¶
A function which takes another function as an argument, such as
select
or
apply
. See the page on
higher-order functions.
homogeneity¶
Referring to data where all records have the same keys, in the same order. See the record-heterogeneity page.
if¶
A keyword which is used to indicate the start of an if-statement in the Miller programming language.
IFS¶
Stands for input field separator. See the separators page.
in¶
A keyword in the Miller programming language for single-variable for-loops and key-value for-loops.
in-place¶
Indicates that a file will be modified after processing. Miller's default mode
is to read one or more files (or standard input on a pipe) and to write to
standard output. This normally goes to the terminal, but can be redirected to
another pipe, or an output file -- for example,
mlr --csv sort myfile.csv
(prints sorted output to the terminal),
mlr --csv sort myfile.csv | some-other-command
, or
mlr --csv sort myfile.csv > newfile.csv
.
In all these cases, the original myfile.csv
is left unmodified.
But using Miller's -I
flag, we can update the original file: e.g. mlr -I --csv sort myfile.csv
won't print the sorted output to the terminal, but rather will write it back to myfile.csv
.
See also the section on in-place mode.
int¶
A 64-bit signed integer as a value in Miller records, and in the Miller programming language. Ints interconvert seamlessly with floats using Miller's arithmetic rules, so usually you only need to think of numbers, rather than ints and floats separately.
Also, int
is a keyword for type declaration.
IPS¶
Stands for input pair separator. See the separators page.
IRS¶
Stands for input record separator. See the separators page.
JSON¶
Stands for JavaScript object notation. A popular file format for tabular data supported by Miller.
JSON Lines¶
A file format related to JSON, supported by Miller. Key points are that every record is an object written on a single line, without need to be wrapped an outermost list. This format helps people interoperate with non-JSON-aware tools in the Unix toolkit which generally operate on lines.
key¶
The string index in a map. Also, the name of a field in a record.
keyword¶
A reserved name in the
Miller programming language
which you can't use for any other purpose. For example, if
, for
, and while
are keywords;
trying to define a local variable if = 3
will result in a parse error.
line¶
A subsequence of a text file in between line-ending symbols such as the special linefeed character. Tools in the Unix toolkit generally operate on lines; Miller is designed to do that (using the NIDX format flags), as well as non-line-oriented formats such as CSV, TSV, JSON, and others.
local variable¶
A variable in the Miller programming language whose extent is limited to the expression in which it appears; contrast out-of-stream variables which endure across the entire record stream. See the section on local variables.
manpage / manual page¶
A form of on-line help which is common in Unix-like operating systems, including MacOS and BSD variants.
If you've installed Miller using your system's package-install tools
(versus say building Miller from source),
you can probably see Miller's manual page using man mlr
at a terminal prompt.
Regardless, you can find the same content within this documentation site.
map¶
A data structure in the Miller programming language containing an ordered sequence of key-value pairs. See the maps page for more information.
Note that Miller operates on records by treating them as maps.
.mlrrc¶
A file you can create, nominally in your home directory, to customize the
default flag-settings used by Miller. For example, while Miller's default file
format is DKVP, you can make the default format be CSV so that instead
of mlr --csv sort myfile.csv
you can simply do mlr sort myfile.csv
. See
the customization page.
MSYS2¶
MSYS2 is a collection of tools and libraries providing an easy-to-use environment for building, installing and running native Windows software. Miller on Windows no longer requires this as of Miller version 6.
M_E¶
A built-in variable in the Miller programming language referring to the mathematic constant e. The M is for math.
M_PI¶
A built-in variable in the Miller programming language referring to the mathematic constant π. The M is for math.
NF¶
Stands for number of fields. A read-only built-in variable in the Miller programming language which shows the number of fields in the current record.
NIDX¶
Stands for numerically indexed. This is a format directive telling Miller to process files one line at a time, splitting lines into fields, with the resulting fields indexed one-up as in the Unix toolkit.
See also the file-formats page.
NR¶
Stands for number of records. Unlike NF
, which counts definitely the
total number of fields within the current record, since
Miller is streaming the NR
built-in
variable counts the number of
records so far, counting upward from one. So, on the first record
the NR
variable will have value 1, on the second record the NR
variable
will have value 2, and so on.
This increments a total count across files, so if you have mlr ... a.csv b.csv
where a.csv
has 10 records and b.csv
has 20, then NR
will be 30 on the last
record of b.csv
.
See also FNR
.
See also the section on built-in variables.
null¶
This term is used in various programming languages to indicate the absence of something:
for example, neither true
nor false
, but rather unspecified or no data available here.
Miller has more than one kind: see the page on null/empty/absent data.
num¶
The num
keyword is used for type declaration
in the Miller programming language. The num
type
encompasses both int
and float
. Ints and floats
interconvert seamlessly using Miller's arithmetic
rules, so usually you only need to think of
numbers, rather than ints and floats separately.
OFS¶
Stands for output field separator. See the separators page.
one-up¶
A way of indexing arrays. If x=["a", "b", "c"]
, then using one-up indexing,
x[1]
is "a"
, x[2]
is "b"
, and x[3]
is "c"
. Miller uses one-up indexing.
Contrast zero-up indexing.
See also the arrays page, as well as the page on differences from other programming languages.
oosvar¶
A whimsical shorthand for out-of-stream variable.
OPS¶
Stands for output pair separator. See the separators page.
ORS¶
Stands for output record separator. See the separators page.
Out-of-stream variable¶
Variables, prefixed with the @
sigil, which persist their values
across multiple records in the Miller programming language.
See out-of-stream variables
for more information.
PPRINT¶
A Miller-specific file format for key-value pairs, with columns vertically aligned for easy visual scanning.
print¶
A keyword in the Miller programming language for printing things to the terminal, with final newline printed for you.
See also printn
which does not insert the final newline.
See also emit
which inserts new records into the record stream.
printn¶
A keyword in the Miller programming language for printing things to the terminal, with no final newline printed for you.
See also print
which does insert the final newline.
put¶
Along with filter, one of the Miller verbs which use the Miller programming language.
See the DSL overview.
ragged¶
Referring to data where not all records have the same number of keys, particularly in a malformed-CSV context. See the record-heterogeneity page.
record¶
An ordered list of key-value pairs.
Miller's fundamental streaming operation is to read one record at a time from input file(s) you specify, using some input format; transforming those records using one or more verbs you specify; then printing them out in some output format.
For CSV files, each record gets its keys
from the file's header line, zipped together with values from a given data
line's data line. For example, if myfile.csv
has header line a,b,c
, and the
third line after the header is 7,8,9
, then the third record processed by
Miller will be the ordered list of key-value pairs a=7
, b=8
, c=9
.
For JSON files, each record is a JSON object which isn't nested inside another one.
See also the Miller command structure page.
rectangular¶
Referring to data where all records have the same keys, in the same order. Synonymous with homogeneous. See the record-heterogeneity page.
REPL¶
Stands for read-evaluate-print loop, such as when you invoke python
with no
arguments: a place where you can type 1+2
and get 3
. Miller has a
REPL you can use.
return¶
A keyword in the Miller programming language which is used for returning control from a function to its caller, optionally returning a value from the function.
semicolon¶
Semicolons are used to delimit statements in the Miller programming language.
separator¶
Used in two senses:
(1) In some programming languages, such as C, C++, and Java, semicolons are required after every statement; in others such as Python, they're not required at all; in yet others, they're required in between statements but are optional after the last. Miller is in the third category, so we can say that semicolons are separators, not terminators, within the Miller programming language.
(2) Refers to character sequences which separate records from one another (like
newlines, sometimes), fields from one another (like commas in CSV), and keys
from values in key-value pairs (=
or :
, perhaps). See the separators
page for more information.
sparse¶
Referring to data where not all records have the same keys. See the record-heterogeneity page.
stderr¶
A keyword in the Miller programming language for print, dump, and tee statements indicating that data are to be sent to the standard error.
stdout¶
A keyword in the Miller programming language for print, dump, and tee statements indicating that data are to be sent to the standard output.
str¶
A keyword for type declaration, indicating that a variable is intended to be of type string.
streaming¶
Refers to operations which can be done a record at a time, so (a) output is
produced as input records arrive, before end of input stream, and (b) memory
usage is typically bounded. The latter means that a streaming processor can
operate on data files larger than system memory. Most of Miller's operations
are streaming; some (such as sort
) need to see all data before producing any
output, and are non-streaming. Please see the page on Streaming processing and
memory usage.
subr¶
A keyword used for defining a user-defined subroutine.
subroutine¶
A user-definable bit of code in the Miller programming language, intended to be called for its side effects rather than for returning a value.
tee¶
In Unix-like and other systems, a tee is a command which reads standard input and writes both standard output and a specified file -- duplicating its output. The name comes from the T-splitter used in plumbing whose shape looks like the capital letter T.
One particular use-case is to snapshot data at an intermediate point in a
processing pipeline -- e.g. thing1 | thing2 | tee output2.dat | thing3 |
thing4
.
Miller has a tee in two places: (1) a verb you can insert into a
Miller then-chain, and (2) an output
statement in the Miller programming
language. Using the latter, you have the additional
option of using a tee-to file name which is variable, perhaps depending on the
current record. For example, if you have a large file with an id
column, you
can split it into several files, one for each distinct id
. See the section
on tee statements for an
example.
terminator¶
Used in two senses:
(1) Refers to whichever character sequence terminates a line of text, such as newline/linefeed (LF) or a carriage-return-linefeed pair (CR/LF). See also https://en.wikipedia.org/wiki/Newline.
(2) In some programming languages, such as C, C++, and Java, semicolons are required after every statement; in others such as Python, they're not required at all; in yet others, they're required in between statements but are optional after the last. Miller is in the third category, so we can say that semicolons are separators, not terminators, within the Miller programming language.
toolkit¶
See Unix toolkit.
true¶
A keyword in the Miller programming language for the boolean
literal; signified by True
in Python; in some languages (such as C) signified by
non-zero integer values.
TSV¶
Stands for tab-separated values. A popular file format for tabular data (tab-separated values) supported by Miller.
UDF¶
A user-defined function in the Miller programming language.
unflatten¶
To undo the flatten operation, restoring map-valued and/or array-valued fields encoded in CSV and other non-JSON file formats for JSON output. See the flatten/unflatten page.
Unix toolkit¶
The term Unix toolkit
refers to a collection of command-line programs present in Unix and Unix-like
operating systems, BSD variants, MacOS, etc. Examples include awk
, sed
,
grep
, cat
, and cut
. Common characteristics include processing data files
one line at a time, reading input from one or more files, reading input from
standard input if no files are specified, writing output to standard output,
and connecting the output of one program to the input of another using
pipes. Miller is designed
explicitly to work well in this paradigm alongside items in the Unix toolkit.
Moreover, several of Miller's verbs are designed
to imitate some of the programs in the Unix toolkit, but with ability
to operate on richer file formats such as CSV, TSV,
JSON, and others.
unnamed function¶
See function literal.
unset¶
A keyword in the Miller programming language for removing the definition of a local or out-of-stream variable, or for removing a key from the current record.
See the DSL unset statements page.
unsparse¶
Transforming data so that all records have the same keys, by filling in default values. See the record-heterogeneity page.
value¶
The thing indexed by a key in a map. Miller values take one of Miller's data types. See also record.
var¶
A keyword for type declaration. It means a variable can have any type, which in itself is not useful; its usefulness comes from letting you declare a new variable, in an inner scope, of the same name as another in an outer scope.
variable¶
A way to access data by name within the Miller programming language. See the DSL variables page.
verb¶
One of the ways you ask Miller to transform your data as it
processes it. Many of Miller's verbs such as
sort
and cut
are
file-format-aware analogues of tools in the Unix
toolkit.
See the List of verbs page.
while¶
A keyword which is used to indicate the start of a while-loop, and also used in do-while loops, in the Miller programming language.
XTAB¶
Stands for transposed tabular. A Miller-specific file
format for key-value pairs: it's a
vertical-tabular format useful for looking a files with a large number of
columns.  If x=["a", "b", "c"]
, then using zero-up indexing,
x[0]
is "a"
, x[1]
is "b"
, and x[2]
is "c"
. Miller uses one-up indexing.
See also the arrays page, as well as the page on differences from other programming languages.
ZLIB / .z¶
A data-compression format supported by Miller.
Files compressed using ZLIB compression normally end in .z
.


EXECUTIVE DECISION A film review by Steve Rhodes Copyright 1996 Steve Rhodes
RATING (0 TO ****): *** 1/2
Heart attack city! So, is your adrenaline a little low? Suffer from low blood pressure? Have I got a cure for you: EXECUTIVE DECISION. Since Steven Seagal is on the marquee, you figure, hey, this has got to be another Steven Seagal action film, right? Wrong. Steven Seagal has basically a cameo role and disappears early on, never to be seen again. Moreover, you even guessed the wrong genre; this is a thriller. Although there is action, most of the movie's time and tension is spent in mental anguish with lots of sweaty brows as the time for disaster approaches. How will they figure a way to pull it out?
The show starts with an unsuccessful covert mission by Lt. Col. Austin Travis (Steven Seagal). The research for the mission was done at a comfortable desk back in Washington by David Grant, Ph. D. (Kurt Russell) so Col. Travis and Dr. Grant dislike and distrust each other from the beginning with each blaming the other for the failed mission. In the next scene, Dr. Grant gets a flying lesson in a small private plane. Just before he gets to fly solo for the first time, he is called back to his desk to learn about the failed mission. Right then and there, the whole audience knows the ending of the show, but it doesn't matter because editor turned director Stuart Baird is so good at keeping the tension mounting.
While Dr. Grant is in a very formal tuxedo at a government ball, he gets called to the Pentagon situation room. It seems that the same terrorist group has hijacked a 747 and plans to kill everyone on board unless another terrorist is released from an American prison. Up until then, it is the classic terrorist problem, but Dr. Grant deduces the terrorists have an extremely lethal nerve gas called DC-5 on board, and they do not want to land in Washington, D. C., they want to kill everyone there with the gas by taking the plane on a kamikaze mission.
The only solution is to get on board the 747 in flight, defuse the bomb attached to the nerve gas, subdue the terrorists and land the plane. The question is should the president make an executive decision instead to shoot down the plane and the 400 people on board before the terrorists get a chance to explode the nerve gas over land. Dr. Grant says the rescue mission is possible since he knows a nerdy engineer named Cahill (Oliver Platt) who has devised a theoretical way to fly a stealth fighter underneath another plane and link up without being detected.
Cahill, Dr. Grant, and a small, crack secret forces team headed by Col. Travis flies in the stealth fighter which links up with the 747. Most of the show happens after the army team plus Cahill and Dr. Grant, still in his Tux, boards the cargo hold of the 747. I will not cover what happens next, but suffice it to say that your heart may try to pound out of your chest as mine did. I even found my body shaking some on the defusing the bomb scenes. The soldier named Cappie tells the Cahill while trying to defuse the bomb not to worry since, "if you screw up, you'll never know it."
Beside what I believe is one of the best performances ever by Russell, many others are great too. David Suchet from PBS's Perot series, is excellent as the leader of the terrorists on the plane. Halle Barry plays a brave and resourceful airline stewardess. John Leguizamo and B. D. Wong are good as some of the soldiers. The only weak character in the show is an ambitious senator (J. T. Walsh) who wants to be the next president. This character happens to be on board the plane, but I wish he hadn't been. The senator's aid tells him, "Senator I think we are presented with an incredible opportunity here." The senator quizzically asks, "Opportunity for what?" The aid goes on to explain, "Remember how the press is always talking about your not having a war record? You could be the one to negotiate with the terrorists." Walsh's performance is extremely weak, and the movie would have been more focused without his character.
The show works because of the tension, but there is one technical aspect deserving of special mention, the cinematography by Alex Thomson.  See the show at your local monster screen house because the images of the stealth fighter coming right at you in the hazy yellow and red glow of early morning are quite impressive as is the sound. The whole linkup sequence is another marvel to behold. Finally, although the show does not try to overwhelm its viewers with technology, I was fascinated by the way the soldiers look through cameras with small flexible tubing to see what is going in the main cabin.
The script by Jim and John Thomas sticks to the suspense to keep the show going. Other writers would have gone for a lot more laughs. They do use humor, but sparingly. Upon boarding the 747, one of the soldiers says, "I hope they have a good movie on this flight." EXECUTIVE DECISION, by the way, is one film I guarantee you, you will never see on an airplane. The movie ends with Frank Sinatra singing, "It's nice to go traveling, but oh so much nicer to come home." By that time, my adrenaline was pumping so fast, I could have flown home without use of a plane.
Since this is about a presidential decision, whom do you think they cast in the role of the president? In the show's major incredulity, the answer is: nobody! The president is AWOL throughout the entire film and is not available even by telephone since he is out of the country. I guess he is in one of those fourth world countries where they have no phones. No problem, since the Secretary of Defense makes all of the decisions for him. The situation concerns the destruction of the nation's capital along with tens of millions of people, but I guess since the president can not be reached, he is dealing with matters of more import.
Finally, every show with bad guys has to have them be of some nationality or religious conviction. Although most American shows with bad guys, have just plain old Americans as the evil characters, I have seen the villains be Colombians, Italians, Fundamentalist Christains, and just about everyone imaginable. In this movie they are Islamic. We were pamphleted on arrival, admonishing us that Islam does not condone killing. I wonder if in the future, I will be pamphleted by Colombians, Italians, Fundamentalist Christains, etc.? Oh well, they were very friendly and polite leafleters. I should point out that the number two in command complains at one point to David Suchet about the destruction of Washington that, "This has nothing to do with Islam."
EXECUTIVE DECISION runs 2:15, but it feels like a much shorter show. I would advise going to the bathroom before entering the theater. You do not want to miss a second of the suspense. The film is rated R. This is a soft R that comes from a little bad language and several people killed, but without a lot of blood or gore, more like an old fashion Western. There is no sex or nudity. The movie would be fine for any teenager. I loved this show, and I think you will too so I recommend it highly and give it *** 1/2.
**** = One of the top few films of this or any year. A must see film. *** = Excellent show. Look for it. ** = Average movie. Kind of enjoyable. * = Poor show.  Totally unbearable.
REVIEW WRITTEN ON: March 15, 1996
Opinions expressed are mine and not meant to reflect my employer's.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Landing Page
Special Projects
This story is part of a series of specially designed stories that represents some of the best journalism The Post has to offer. Check out the rest of the special projects here.
TAYLOR JOHNSTON
Landing Page
This story is part of a series of specially designed stories that represents some of the best journalism The Post has to offer. Check out the rest of the special projects here.


Name:
<%Name%>
Address Line 1:
<%Extended%>
Address Line 2:
<%Street%>
Address Line 3:
<%Locality%>
Region:
<%Region%>
Postcode:
<%Postcode%>
Categories:
<%Categories%>
Website:
<%Website%>
Contact Name:
<%ContactName%>
Contact Email:
<%Email%>


"I love to boogie." Hannah O'Gorman, radio personality extraordinaire.
"I love to boogie."
"I bring the Coldplay nobody wants." Ellie Gould, just trying really hard.
"I bring the Coldplay nobody wants."


At the end of part 1, we have an IAM role created in our account, OURTHING which has the required permissions in our account, and allows a user in the BUILD account to assume this role provided they specify a matching ExternalId - which in this case is “some_key_build”.
Steps for BUILDACCOUNT
We’ll need an IAM user in BUILD account which we can use to run our builds. We’ll need the BUILD account admin to create this for us. They can then give us the user’s AWS_ACCESS_KEY_ID, and AWS_SECRET_ACCESS_KEY. It’s worth noting that we never use these credentials from our account. In fact, if the build server running on BUILD account sets these environment variables, then we don’t need to know the values at all.
In addition to creating the account, the user will also need a policy applied to it that will enable it to assume the role we created on our side. The policy to apply will look like:
{
"Version": "2012-10-17",
"Statement": [{
"Effect": "Allow",
"Action": "sts:AssumeRole",
"Resource": "arn:aws:iam::OURACCONT:role/OURTHINGBUILDROLE"
}]
}
Note, the resource is the ARN of the AWS IAM Role we created under our account in part 1.
Assuming the role - way 1
Before running our build, we’ll need to assume the role we’ve set up. This can be done in two ways. We can run
aws sts assume-role --role-arn arn:aws:iam::OURACCOUNT:role/OURTHINGBUILDROLE --role-session-name something
This will return a json document with a Credentials property, which has fields like SecreteAccessKey, AccessKeyId, etc. You can extract the json values, and set environment variables. You’d then be able to access what you need. For example:
$(aws ecr get-login)
Assuming the role - way 2
Another way to assume the role is through profiles. On the build server, you can create a file at ~/.aws/config that looks like:
[profile build]
role_arn=OURBUILDTHINGROLE
external_id=<the ExternalId used in part 1>
source_profile=build
region=eu-west-1
and a corresponding ~/.aws/credentials file:
[build]
aws_access_key_id=<access key id for AWS IAM user running the build>
aws_secret_access_key=<that user's key>
Then, we can do what we need by specifying the profile:
$(aws ecr get-login --profile build)
I’m using docker containers to execute builds, and have a simple script that sets up the profiles at configure-aws.sh. The second approach works fine for me in this environment.
Summary
In short, the step we need to take are:
- Create a role in our account, grant it the permissions it needs.
- Have the BUILD account create a user, and grant it assume role permissions for our role.
- That user can then assume our role, allowing it to access our resource, push to our ECR repos, etc.
Of course, we could have simply created an IAM user in our account, and used its access keys from the build account. But this would require using long running keys in a different account. With this approach, a user’s access keys never leaves its account. We can also add or remove the build role’s capabilities from ourside, revoke sessions, and permissions without any help from the BUILD account once this is set up.


Owner
<EMAIL_ADDRESS>Mr. liton is a college student who decided to do this business because of his families circumstances, many people doubted his actions since he is still a teenager when he started this business and has no background of sorts regarding business nor does he have a knowledge to back it up however, he did not let others bring him down and instead work hard while studying he studied in the morning while his parents guard the store and at night he managed the store while doing homeworks given by his teachers, he is a person who wants to help his family even while suffering due to physical and mental burdens that is brought by studying. He believes that no one should give up in their studies for this is for the future.


Twitter Reacts as Sloppy Barça Scrape to Victory Over Basement-Dwelling Leganes
by Ed AlexanderBarcelona may have come from a goal down to beat Leganés 2-1 on Saturday, but manager Ernesto Valverde seems to be on the brink of losing his job.
Luis Suarez and Arturo Vidal got the goals as the visitors maintained their status as La Liga's number one side. However, the fans did not hold back in their merciless criticism of the coach.
Here's how Twitter reacted to the match.
Youssef En-Nesryi lit up the contest with a spectacular curler into the top corner, with Marc-André ter Stegen a mere bystander as the Moroccan opened the scoring...
Safe to say, the Blaugrana faithful were not best pleased with Valverde...
The gaffer was the main target of abuse from angry tweeters, though many of his players were likewise ridiculed...
You'd hope viewers would keep their comments classy - you'd be wrong...
Amongst those coming in for heavy criticism was Sergio Busquets, whose first-half booking meant he would be suspended for next weekend's meeting with Atletico Madrid.
Barça supporters couldn't decide whether it was good or bad news. Maybe that's because his replacement will probably be Ivan Rakitić...
Fans may have spent most of the game complaining about Suarez's performance, yet it was the Uruguayan who got La Blaugrana level as he nodded in following a near Lionel Messi free kick...
It seemed Barcelona's comeback was underway, but the home side responded strongly, Javier Aguirre's men looking likeliest to score next.
Once again, the hate was directed at Valverde...
The coach restored some pride after one of his substitutions proved critical in the contest, Arturo Vidal finishing off a gilt-edged chance, the ball rebounding off a defender to the Chilean...
And yet, Valverde still could not catch a break...
So, were Barcelona supporters happy at the end? Sort of...
Well, at least they're top of La Liga...
For more from Ed Alexander, follow him on Twitter


49
Why Should I Fear in Times of Trouble?
TO THE CHOIRMASTER. A PSALM OF THE SONS OF KORAH.
1 Hear this, all peoples!

Selah
14 Like sheep they are appointed for Sheol;
Death shall be their shepherd,
and the upright shall rule over them in the morning.
Their form shall be consumed in Sheol, with no place to dwell.
15 But God will ransom my soul from the power of Sheol,
for he will receive me.
Selah
16 Be not afraid when a man becomes rich,
when the glory of his house increases.
17 For when he dies he will carry nothing away;
his glory will not go down after him.
18 For though, while he lives, he counts himself blessed,
—and though you get praise when you do well for yourself—
19 his soul will go to the generation of his fathers,
who will never again see light.
20 Man in his pomp yet without understanding is like the beasts that perish.


--- layout: lander ---
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Júnior Ferreira
Tech Lead, Kovi (YC W19)
“Seed has made it possible for us to use Serverless at Shyft. Instead of spending time configuring environments and managing our workflows; we can focus on the business use case. It also gives us great control over our deployments and it has reduced our DevOps spend significantly.”
Daniel Chen
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Number Step Input without form
This example shows what options Number Step Input has and how it can be used out of form
Number Step Input with state
This example shows state option for Number Step Input
-
Set
[state]
property value to: success
, error
, warning
,
information
Number Step Input with reactive form
This example shows how Step Input behaves with reactive form
Number Step Input in template-driven form
This example shows how Step Input behaves with a template-driven form with an initial value set.


Check this option to launch process to be debugged with classic VM.
For some Java SDK's this checkbox is disabled, because the -classic option should be forced automatically, or when no classic VM is available at all.
-classic


Raúl Piracés Alastuey
Computer Scientist & Engineer
| Date | Position |
| December 2016 - Now | Software Engineer, Endalia HR Consulting & Software, Zaragoza (Spain). |
| January 2013 - September 2015 | Computing services department manager, at Exea Alimentos S.A. De C.V. |
| Date | Studies |
| 2012-2016 (July) | Computer Science and Engineering Degree Graduate, at University of Zaragoza, Spain. |
| 2010-2012 | High School diploma / Secondary School, at IES Reyes Católicos, Ejea de los Caballeros (Zaragoza), Spain. |
| Date | Experience |
| April 2017 | Participant at S4CIP’17: 2nd Workshop on Safety & Security aSSurance |
| November 2016 | Participant at "IV Congreso Nacional de I+D en Defensa y Seguridad, 2016" (DESE I+D 2016) |
| November 2016 | EUHackathon 2016 (Visualizing copyright evidence) participator at Brussels (Belgium). |
| November 2016 | ImaginChallenge Games Edition 2016 participator at Barcelona. |
| October 2016 | HackUPC 2016 (Autumn) participator at Barcelona. |
| July 2016 | Attendee at "Keyword search in Big Linked Data" summer school and Hackathon, CiTIUS, Santiago de Compostela, Spain. |
| November 2015 | Finapps Party 2015 participator at Barcelona |
| Date | Award/Honor |
| 9 October 2016 | Prize for the challenge: "GFT: Change the future of banking" in HackUPC 2016 (Autumn), with my partner (Ismael Rodríguez). |
| 22 July 2016 | First Prize in Keystone Hackaton, "Keyword Search in Big Linked Data", with my team (Borja Espejo, Ismael Rodríguez and I). |
| July 2016 | Paper "Process Mining to improve Security in Web Information Systems", sent and accepted at "IV Congreso Nacional de I+D en Defensa y Seguridad (DESEI+D 2016)". |
| 5 July 2016 | Final Degree Project: "Process Mining to improve Security in Web Information Systems", obtaining an evaluation of 9.4 out of 10 with honors. Access to full text. |
See
Projects page.
| Language | Speaking | Understanding | Writing | Reading |
| Spanish (native) | Excellent | Excellent | Excellent | Excellent |
| English (B2.2) | Very good | Very good | Good | Good |
| Date | Volunteer task |
| February 2014 - April 2015 | Volunteer at "APINME: Asociación Pro Investigación para la reparación medular" (Research for spinal repair, Health). Computer Maintenance, relationship with suppliers and donors, creation/management and maintenance of website, management and control of donations (in different ways). |
| Date | Certificate |
| August 2016 | First Certificate In English (FCE) - University of Cambridge. |
| February 2015 | Computer Forensics (at "Asociación de Ingenieros en Informática de Aragón - AI2Aragón"). |
I'm interested in Data & Process Mining, Business Intelligence, Computer Security, Software Development and Engineering,
and Web Services.
Also interested on Front-end and Back-end development, as well as mobile application development.


module DarkSky::Languages
Defined in:
languages.cr
Constant Summary
-
Arabic =
"ar"
-
Azerbaijani =
"az"
-
Belarusian =
"be"
-
Bosnian =
"bs"
-
Catalan =
"ca"
-
Cornish =
"kw"
-
Croatian =
"hr"
-
Czech =
"cs"
-
Dutch =
"nl"
-
English =
"en"
-
Estonian =
"et"
-
French =
"fr"
-
German =
"de"
-
Greek =
"el"
-
Hungarian =
"hu"
-
Icelandic =
"is"
-
IgpayAtinlay =
"x-pig-latin"
-
Indonesia =
"nb"
-
Indonesian =
"id"
-
Italian =
"it"
-
Polish =
"pl"
-
Portuguese =
"pt"
-
Russian =
"ru"
-
Serbian =
"sr"
-
SimplifiedChinese =
"zh"
-
Slovak =
"sk"
-
Slovenian =
"sl"
-
Spanish =
"es"
-
Swedish =
"sv"
-
Tetum =
"te"
-
TraditionalChinese =
"zh-tw"
-
Turkish =
"tr"
-
Ukrainian =
"uk"


<trademarklist>
The <trademarklist>
element references a topic that contains a list of
trademarks within the book. It indicates to the processing software that the author wants a
list of trademarks generated at the particular location. If no @href
attribute
is specified on the <trademarklist>
element, an external processor may
generate a list of trademarks at this location.
Category: Bookmap content elements


MY GIANT
A Film Review by James Berardinelli
RATING: ** OUT OF ****
United States, 1998 U.S. Release Date: 4/10/98 (wide) Running Length: 1:37 MPAA Classification: PG (Profanity, mild violence) Theatrical Aspect Ratio: 2.35:1
Cast: Billy Crystal, Gheorghe Muresan, Kathleen Quinlan, Zane Carney, Steven Seagal, Joss Ackland Director: Michael Lehmann Producers: Billy Crystal, Peter Schindler Screenplay: David Seltzer Cinematography: Michael Coulter Music: Marc Shaiman U.S. Distributor: Columbia Pictures
I don't know what it says about a movie when the best sequence features Steven Seagal. That's right -- the same Seagal whose harsh monotone, unchanging expression, and wooden performances have earned him a worldwide following. And, while Seagal doesn't have a major role in MY GIANT, his five minutes represent the film's undisputed highlight, because the humorless actor permits himself to be the object a particularly biting satire. In fact, not only does Seagal allow his dubious thespian talents to be skewered, but he actively participates in the process. After seeing MY GIANT, I'm willing to admit a certain degree of respect for the man. (I will ignore the possibility that Seagal didn't realize this to be a parody -- nobody could possibly be that obtuse, could they?)
Billy Crystal is a naturally funny performer. Put him in front the Oscar crowd of 1 billion people, and he shines, with his ad-libs generating more laughs than the material flashing up on the TelePrompTer. In fact, it's only because of Crystal's innate ability to make people smile that MY GIANT is remotely watchable. The comic's self-deprecating humor, highlighted in a number of stinging one-liners, provides a partial antidote to the mawkish sentimentality that floods the film's second half. Director Michael Lehmann appears to have been going for RAIN MAN meets JERRY MAGUIRE, but falls considerably short of the mark. MY GIANT will give THE ODD COUPLE 2 (another major April 10 release) a run for its money in the "pointless mediocrity" category.
Speaking of Lehmann, few directors in Hollywood have had such an uneven career. (Bruce Beresford is the only other one who immediately comes to mind.) On the positive side, he has helmed such top-notch comedies as HEATHERS and THE TRUTH ABOUT CATS AND DOGS. But he has also been responsible for duds like MEET THE APPLEGATES, HUDSON HAWK, and now MY GIANT. About the only noteworthy thing Lehmann can claim for this film is that he had an opportunity to work with one of the tallest actors ever to grace the big screen.
That actor is Gheorghe Muresan, a 7'7" man with an Eastern European accent so thick that he makes Arnold Schwarzenegger sound American-born. Muresan is described as "fluent" in English, but, while he may understand the words, he isn't always intelligible. Half the time, I wasn't sure whether he was speaking in Romanian or English, and, when he delivers a speech from Shakespeare's "Henry V," it took me a moment to realize who he was quoting. Muresan, who is plagued by limited range, isn't a great performer, but he's at least competent enough to develop a sympathetic character. Then again, when it comes to casting giants, Lehmann probably didn't have much of a group to pick from.
MY GIANT opens with mild-mannered Sam (Crystal) driving around Romania, looking for a town whose name he can't pronounce. Sam is an agent (or, in his words, "a leech, a vulture, ...a scum-sucking pig"), and his lone client is on-location doing a BRAVEHEART-like epic. When an unexpected flock of sheep forces Sam to drive his car off the road and into a water-filled ditch, he is saved from drowning by Max (Muresan), the biggest man he has ever seen ("Please don't say 'fe fi fo fum'"). Max, who lives at a local monastery doing odd-jobs for the monks, is actually a gentle soul whose time is spent pining after his lost love, a girl he once knew who moved to America. Sam, sensing a chance to make Max into a big star, uses the lure of seeing her again as a carrot to persuade the giant to travel to the United States, where he can audition for a role in the new Steven Seagal action film, DOUBLE OR NOTHING. However, as Sam spends more time with Max, he develops a genuine affection for his new client, and comes to re-discover the importance of family -- namely, his son, Nick (Zane Carney), and estranged wife, Serena (Kathleen Quinlan).
MY GIANT is surprisingly lean in the laugh department, especially once the buddy story kicks into high gear. The scene in MY GIANT guaranteed to generate the loudest guffaws happens early in the film, and features projectile vomiting. Yeah, it's gross, but so was the overeating bit in MONTY PYTHON'S THE MEANING OF LIFE, and that had me laughing so hard that tears were running down my cheeks. This isn't nearly as funny, but for those who aren't turned off this sort of stuff, there's a payoff.
At its heart, MY GIANT tries to be a feel-good tale, but it's too pat and cloying to be effective. Like JERRY MAGUIRE, it's about a jaded man learning to place friendship and love above being shown the money. >From the start, MY GIANT feels plotted and manipulative, with a story that seems pieced together using scraps of other, better movies. There's also too much going on -- Lehmann should have chosen to concentrate on one particular plot element (the relationship between Sam and Max, for example) rather than throwing them together with an ample dose of saccharine and setting the cinematic blender to "puree." The result is predictably mixed up and dissatisfying.
Copyright 1998 James Berardinelli
- James Berardinelli e-mail<EMAIL_ADDRESS>Now with more than 1400 reviews... The ReelViews web site: http://movie-reviews.colossus.net/
"My belief is that no movie, nothing in life, leaves people neutral.
-- David Puttnam
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Msi Dominator G
Buy IT!
Msi Titan VR
Msi Stealth VR
Alienware 17 R4
Acer Predator 17
Asus GX700 VO Watercooling Laptop
Razer Blade Pro 17
Prime Concept
Buy IT! (Maybe in 2024)


29 March 2010 - The Ministry of Health has reported a new confirmed case of human infection with the H5N1 avian influenza virus. This case was confirmed at Pasteur Institute, Ho Chi Minh City.
The case was a 3 year old girl residing in Thuan An district, Binh Duong province. She developed symptoms on 5 March 2010 and presented to Thuan An District Hospital and a private health facility for investigation and treatment. On 10 March, she was presented to the Pediatrics Hospital No. 2 where she was suspected to have influenza A (H5N1). Despite treatment, the case died on 17 March. Confirmatory test results for influenza A (H5N1) were also obtained on that day.
Of the 117 cases confirmed to date in Viet Nam, 59 have been fatal.


Positive, Negative or Zero Open on JetBrains Academy
Write a program that reads an integer number and prints:
- "negative" if the number is less than 0;
- "positive" if the number is greater than 0;
- "zero" if the number equals 0.
Do not output double quotes.
Sample Input:
-5
Sample Output:
negative
Memory limit: 256 MB
Time limit: 15 seconds
Show topic summary


Grocer Helvetia:
My goodness.  What, do the guards of Giran just spend our taxes and sleep or what?


{% extends "layout.html" %} {% set serviceName = "Send your fit note" %} {% block page %}
Click the link in your email to use the service.


air {border-style health px;} #ffffff;} pollution noncommunicable climate global Health energy World change deaths diseases polluting px; {font-family Available environmental font-size reducing Climate [cited disease double; emissions from: million sources International Oct border-color border-width effects greenhouse physical production reduce solid; transport year {font-style {font-weight Geneva: Organization Organization; United active activity ambient approximately article bold carbon consumption courier; electricity em; expected exposure fuels gas human local pollutants pt;} risk travel use


Generate Password
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Jenkins On Azure
This Jenkins instance does not support https, so logging in through a public IP address has been disabled (it would expose your password and other information to eavesdropping). To securely login, you need to connect to the Jenkins instance using SSH port forwarding. You can find the password (jenkinsVMPassword) in the zip file provided to your team.
For Linux or Mac
ssh -L <IP_ADDRESS>:8080:localhost:8080 jenkins@{domain-name}
For Windows
putty.exe -ssh -L 8080:localhost:8080 jenkins@{domain-name}
1- After you have started your tunnel, navigate to http://localhost:8080/ on your local machine.
2- Unlock the Jenkins dashboard for the first time with the initial admin password. To get this token, SSH into the VM and run:
sudo cat /var/lib/jenkins/secrets/initialAdminPassword


come on keep your head up.mp3
everythings moving so fast.mp3
hey were on the same wave.mp3
i could do this with my eyes closed.mp3
i got that teleporter.mp3
i need to learn to let go.mp3
looks like we got an audience.mp3
moving with the payload.mp3
nothing going to stop me.mp3
nothings going to stop me.mp3
now that was the sound.mp3
oh man you lost the beat.mp3
theyre taking the objective.mp3
this is going to make you feel.mp3
yeah that was the drop.mp3
yo yo yo lets form up.mp3


Algorithm
public enum Algorithm
Enumerates available Digest algorithms
-
Message Digest 2 See: http://en.wikipedia.org/wiki/MD2_(cryptography)
Declaration
Swift
case MD2,
-
Message Digest 4
Declaration
Swift
MD4,
-
Message Digest 5
Declaration
Swift
MD5,
-
Secure Hash Algorithm 1
Declaration
Swift
SHA1,
-
Secure Hash Algorithm 2 224-bit
Declaration
Swift
SHA224,
-
Secure Hash Algorithm 2 256-bit
Declaration
Swift
SHA256,
-
Secure Hash Algorithm 2 384-bit
Declaration
Swift
SHA384,
-
Secure Hash Algorithm 2 512-bit
Declaration
Swift
SHA512


TT
问题描述 :
Association of Collision Management (ACM) is planning to perform the controlled collision of two as-teroids. The asteroids will be slowly brought together and collided at negligible speed. ACM expects asteroids to get attached to each other and form a stable object. Each asteroid has the form of a convex polyhedron. To increase the chances of success of the experiment ACM wants to bring asteroids together in such manner that their centers of mass are as close as possible.
To achieve this, ACM operators can rotate the asteroids and move them independently before bringing them together. Help ACM to find out what minimal distance between centers of mass can be achieved. For the purpose of calculating center of mass both asteroids are considered to have constant density.
To achieve this, ACM operators can rotate the asteroids and move them independently before bringing them together. Help ACM to find out what minimal distance between centers of mass can be achieved. For the purpose of calculating center of mass both asteroids are considered to have constant density.
输入:
Input file contains two descriptions of convex polyhedra.
The first line of each description contains integer number n indicate the number of vertices of the polyhedron (4 <= n <= 60). The following n lines contain three integer numbers xi; yi; zi each — the coordinates of the polyhedron vertices (-10000 <= xi, yi, zi <= 10000). It is guaranteed that the given points are vertices of a convex polyhedron, in particular no point belongs to the convex hull of other points. Each polyhedron is non-degenerate. The two given polyhedra have no common points.
The first line of each description contains integer number n indicate the number of vertices of the polyhedron (4 <= n <= 60). The following n lines contain three integer numbers xi; yi; zi each — the coordinates of the polyhedron vertices (-10000 <= xi, yi, zi <= 10000). It is guaranteed that the given points are vertices of a convex polyhedron, in particular no point belongs to the convex hull of other points. Each polyhedron is non-degenerate. The two given polyhedra have no common points.
输出:
Input file contains two descriptions of convex polyhedra.
The first line of each description contains integer number n indicate the number of vertices of the polyhedron (4 <= n <= 60). The following n lines contain three integer numbers xi; yi; zi each — the coordinates of the polyhedron vertices (-10000 <= xi, yi, zi <= 10000). It is guaranteed that the given points are vertices of a convex polyhedron, in particular no point belongs to the convex hull of other points. Each polyhedron is non-degenerate. The two given polyhedra have no common points.
The first line of each description contains integer number n indicate the number of vertices of the polyhedron (4 <= n <= 60). The following n lines contain three integer numbers xi; yi; zi each — the coordinates of the polyhedron vertices (-10000 <= xi, yi, zi <= 10000). It is guaranteed that the given points are vertices of a convex polyhedron, in particular no point belongs to the convex hull of other points. Each polyhedron is non-degenerate. The two given polyhedra have no common points.
样例输入:
8 0 0 0 0 0 1 0 1 0 0 1 1 1 0 0 1 0 1 1 1 0 1 1 1 5 0 0 5 1 0 6 -1 0 6 0 1 6 0 -1 6
样例输出:
0.75
(adsbygoogle = window.adsbygoogle || []).push({});
心在墙外就不用爬了~~
21行中，j<10可改为j<10-i，减少比较次数
第15行代码，/n/n，应该改为\n\n
这是什么编译器啊，不通过
题目需要求解的是最小值，而且没有考虑可能存在环
已更正。
有点意思
题目和代码都不一样好吗！！！搞错了
我觉得是D哎……
I like your publish. It is great to see you verbalize from the coronary heart and clarity on this essential subject matter can be easily noticed.
信息不全
<EMAIL_ADDRESS>第一句可以忽略不计了吧。从第二句开始分析，说明这个花色下的所有牌都会在其它里面出现，那么还剩下♠和♦。第三句，可以排除2和7，因为在两种花色里有。现在是第四句，因为♠还剩下多个，只有是♦B才能知道答案。
嗯，是写错了，文中以更改。MAX ( L(X[0..m-2], Y[0..n-1]), L(X[0..m-1], Y[0..n-2])
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