A Victorious Union
by Oliver Optic
Chapter II: “The Departure of the Expedition”
Additional Information
- Year Published: 1893
- Language: English
- Country of Origin: United States of America
- Source: Optic, O. (1893). A Victorious Union. Boston, MA: Lee and Shepherd Publishers.
-
Readability:
- Flesch–Kincaid Level: 9.0
- Word Count: 2,212
- Genre: Adventure
- Keywords: 19th century literature, american literature, blue and the gray, civil war
- ✎ Cite This
Downloads
The conversation between the captain and the executive officer of the Bellevite was continued till they were called to supper; but a decision had been reached. On important occasions, as when several boats were ordered upon an expedition, it was not unusual to send the first lieutenant in command. Though only a single whale boat would be required for the enterprise in which the commander was so deeply interested, its importance appeared to justify the selection of the executive officer to conduct it; and Christy was directed to suit himself.
Of course the expedition was to be sent out at night, for the cover of the darkness was necessary to render it effectual. In the afternoon the wind had come around to the south-west, and already a slight fog had obscured the Sand Island Lighthouse. It promised to be such a night as a blockade-runner would select for getting to sea.
Christy was especially warned that the principal business of his expedition was to obtain information in regard to the Trafalgar, though it was probable that a new name had been given to her for the service in which she was to be engaged. The examination of the surroundings of the fort, the captain strongly impressed upon his mind, was entirely subsidiary to the discovery of the intending blockade-runner. In fact, the commander seemed to have serious doubts as to whether it was proper for him even to reconnoitre without special orders for the use of the army.
It was several months that Christy had been on board of the Bellevite in his present capacity, and he had become very well acquainted with all the petty officers and seamen of the ship’s company, now composed of one hundred and twenty men. After he had finished his supper he walked about the spar-deck to refresh his memory by a sight at all of the men, and selected those who were to take part in his enterprise.
One of the first persons he encountered in his promenade was the third assistant engineer, Charles Graines, whom he had known as a boy, before the war. He was not only a machinist, but a sailor, having served in both capacities, though now only twenty-five years of age. Through his father Christy had procured his appointment as an engineer, and his assignment to the Bellevite. The young man was exceedingly grateful to him for this service, and entirely devoted to him.
Paul Vapoor, the chief engineer, spoke of Graines in the high estterms, not only in his official capacity, but as a high-toned, patriotic, and thoroughly reliable man. The moment the executive officer put his eye on the assistant engineer, he decided that Graines should be his right-hand man. As a matter of precaution the proposed expedition was to be a profound secret, for there were white men and negroes about the deck who had been picked up in various ways, and were retained till they could be disposed of. They could not be trusted, and doubtless some of them were Confederates at heart, if not engaged in secret missions.
Christy invited Graines to the ward room for a conference. There were several officers there, and they retired to the stateroom of the first lieutenant, which is the forward one on the starboard side. The plan, as it had been matured in the mind of the one appointed to carry it out, was fully explained, and the engineer was delighted to be chosen to take part in its execution. The selection of the seamen to compose the expedition was not an easy matter, though every sailor on board would have volunteered for such duty if the opportunity had been presented to him.
Graines was not so familiar with the merits of the seamen as he was with those of the men in the engineer department. It became necessary for the executive officer to take another walk on the spar-deck, in order to revive his recollection of the men; and he soon returned to the stateroom with a complete list of those he had selected. The engineer suggested an oiler by the name of Weeks as a most excellent man; and Christy accepted him, completing the number from those of his own choice. Seated at his desk, he wrote out the names of the ten men chosen.
“Of course if we should be caught on shore in our ordinary uniforms it would be all night with us,” said Christy, as he completed the writing out of the list. “I believe you have never seen the inside of a Confederate prison, Mr. Graines.”
“Never; though I came pretty near it once while I was an oiler on board of the Hatteras,” replied the engineer.
“You have been fortunate, and I hope you will come out of this excursion as well. I spent a short time in a Confederate lock-up; but I did not like the arrangements, and I took leave of it one night. It was in Mobile, and I don’t care to be sent up there again. Therefore we must clothe ourselves in the worst garments we can find; and I carry a suit for just this purpose, though I have not had occasion to use it lately.”
“I have to wear old clothes when at work on the machinery, and I have a plentiful supply on hand,” added Graines. “Perhaps I could help out some of the others.”
“All the seamen have old clothes, and they will need no assistance in arranging their wardrobes. Now, Mr. Graines, it will excite remark if I instruct the ten men we have selected, and I must leave that part of the work to you,” continued Christy. “But all the instruction you need give them is in regard to their dress, and require them to be at the main chains on the starboard side at ten o’clock to-night precisely.”
“As I have plenty of time I will take the men, one at a time, to my room in the steerage, and instruct them,” replied the engineer.
“You can tell each one to send in the next one wanted. Above all, make them promise not to speak to any person whatever in regard to the expedition,” said the executive officer as his companion retired.
Mr. Graines lost no time in discharging the important duty assigned to him. Christy reported to the commander, as soon as he found an opportunity to speak to him privately, what progress he had made in carrying out the duty assigned to him. Captain Breaker looked over the list of the men selected, and gave it his hearty approbation. He was a man of elevated moral and religious character; he had always exercised a sort of fatherly supervision over his ship’s company, and he was better acquainted with those under his command than most commanders.
“It looks as though it was going to be a good night for blockade-runners, Mr. Passford,” said Captain Breaker, as he looked over to windward and saw the banks of fog, not yet very dense, rolling up from the open gulf.
“It is not known, I suppose, whether or not the Trafalgar has come down from Mobile?” inquired Christy.
“I have been unable to obtain any definite information; but a negro who came off from the shore yesterday assured me there was a black steamer at anchor between the Middle Ground and Mobile Point. That is all the information I have been able to obtain, though I have examined all who came on board during the last week. It is certainly time for the Trafalgar to come out, as the Confederates are in great haste to re-enforce the Alabama, the Shenandoah, and other cruisers; for these vessels have made a tremendous impression upon our mercantile marine. She has been in port long enough to rebuild her already, and I am confident she must be ready for service.”
“If I don’t find her ready to come out to-night, would it not be well to repeat my visit to the shore until we learn something about her?” asked Christy.
“That is my purpose,” replied the commander.
“I should like to have the scope of my powers as the officer of this expedition a little more definitely defined, Captain Breaker,” continued the first lieutenant.
“I thought I had fully instructed you, Christy,” answered the commander with a smile.
“Am I to confine myself solely to the two points assigned to me?”
“I don’t understand what you have in your mind, my boy.”
“I have nothing in my mind, Captain. I have not laid out any plan of operations outside of the instructions you have given me, sir; and I do not purpose to do so. If I had the intention to do anything but the duty assigned to me, I should assuredly inform you of it, and obtain your orders.”
“I know you would, my dear boy.”
“But if I see an opportunity to do anything for the benefit of my country”—
“Such as the capture of a sloop of war,” interposed the commander with a suggestive laugh. “When you were sent to look out for a small steamer, simply to obtain information in regard to her, in Pensacola Bay, you went on your mission, and brought out the Teaser, which afterwards became the Bronx, and rendered very valuable service to the country under your command.”
“I could not very well help doing so when I saw my opportunity,”replied Christy, in an apologetic tone, as though he had been reproved for exceeding his instructions.
“You did precisely right, Christy; and that act did more to make the deservedly high reputation you have won than almost anything else you have done, unless it was your achievements at Cedar Keys,” added Captain Breaker heartily.
“I am glad you have brought up the Teaser matter, Captain, for it just illustrates what I have in my mind. If I see an opportunity to do such a thing as that on the present occasion, I simply wish to know whether or not I am to confine my operations to the strict letter of my instructions. Of course, if so instructed, I shall obey my orders to the letter.”
“‘The letter killeth, the spirit giveth life,’ my boy. Your mission always and everywhere is to serve your country, and you are to do this on the present occasion. What I said about ingenuity in speaking of my officers is covered in this case. If you can capture and send out theTrafalgar, do it by all means, for that is the object in view in sending off this expedition. Your head is level, Christy; and that is the reason why I desired you to command this enterprise rather than either of the other officers. I can trust you, and you have full powers to act on your own judgment.”
“I thank you for your abundant confidence, Captain; and I shall endeavor not to abuse it,” replied Christy. “But it is not even remotely possible that I shall capture the Trafalgar; yet sometimes unexpected opportunities are presented, and the letter of my orders might prevent me from embracing them. I am very glad to know where I stand.”
The night came on, and with it more fog; but it was of that flitting kind which settles down and then blows away. It seemed to come in banks that were continually in motion. The men who were to go to the shore had all been instructed, and at precisely ten o’clock they were seated in the whaleboat, with Mr. Graines in the stern sheets. They were all armed with two revolvers apiece, and there was a cutlass for each in the boat. The men had not only changed their dress, but they had disguised themselves, smooching their faces with coal dust, and tearing their garments till they were in tatters.
Christy had dressed himself in his old garments, but added to them a gray coat he had obtained on board of a prize. The watch on deck had been ordered to the forecastle, so that they need not too closely observe the crew of the whaleboat. The chief of the expedition had quietly descended to the platform of the after gangway, and when the boat dropped astern, he stepped into it, selecting his place by the side of the engineer, who had taken the tiller lines. The boat pulled away at once, with four hands at the oars, and Mr. Graines headed it to the north-east by the compass, the sidelights of which were covered so that they should not betray the approach of the boat to the shore, if any one was there.
On the way Christy gave the men full instructions in regard to their conduct; and in less than an hour the party landed.


fp_snap_analysis.Rd
Detailed Analysis of NFL snap counts
fp_snap_analysis(pos = "offense", season, start_week = 1, end_week = 17, scoring = c("half", "ppr", "std"))
| pos |
|
|---|---|
| season |
|
| start_week |
|
| end_week |
|
| scoring |
|
a tibble
If you query a single week all players that were on a bye that week are not returned
# all offensive positions for weeks 5-9 of the 2018 season fp_snap_analysis(season = 2018, start_week = 5, end_week = 9)#> # A tibble: 423 x 17 #> player pos team season start_week end_week scoring games snaps snaps_gm #> <chr> <chr> <chr> <dbl> <dbl> <dbl> <chr> <dbl> <dbl> <dbl> #> 1 Aaron~ QB GB 2018 5 9 half 4 278 70 #> 2 Adria~ RB WAS 2018 5 9 half 5 157 31 #> 3 Alex ~ QB WAS 2018 5 9 half 5 328 66 #> 4 Ben R~ QB PIT 2018 5 9 half 4 283 71 #> 5 Benja~ TE NO 2018 5 9 half 4 119 30 #> 6 Brian~ QB NE 2018 5 9 half 1 2 2 #> 7 Chase~ QB CHI 2018 5 9 half 2 4 2 #> 8 Danny~ WR MIA 2018 5 9 half 5 295 59 #> 9 DeSea~ WR TB 2018 5 9 half 4 155 39 #> 10 Drew ~ QB NO 2018 5 9 half 4 258 65 #> # ... with 413 more rows, and 7 more variables: snap_percent <dbl>, #> # rush_percent <dbl>, tgt_percent <dbl>, touch_percent <dbl>, #> # util_percent <dbl>, fantasy_pts <dbl>, pts_100_snaps <dbl># TE's in the 2017 season using standard scoring fp_snap_analysis(pos = "TE", season = 2017, scoring = "std")#> # A tibble: 80 x 16 #> player team season start_week end_week scoring games snaps snaps_gm #> <chr> <chr> <dbl> <dbl> <dbl> <chr> <dbl> <dbl> <dbl> #> 1 Benja~ BAL 2017 1 17 std 16 699 44 #> 2 Delan~ TEN 2017 1 17 std 16 744 47 #> 3 Greg ~ CAR 2017 1 17 std 7 367 52 #> 4 Jared~ OAK 2017 1 17 std 16 796 50 #> 5 Jason~ DAL 2017 1 17 std 16 1050 66 #> 6 Marce~ JAC 2017 1 17 std 16 895 56 #> 7 Verno~ WAS 2017 1 17 std 16 803 50 #> 8 Ed Di~ CAR 2017 1 17 std 16 875 55 #> 9 Logan~ SF 2017 1 17 std 14 147 11 #> 10 Kyle ~ MIN 2017 1 17 std 16 924 58 #> # ... with 70 more rows, and 7 more variables: snap_percent <dbl>, #> # rush_percent <dbl>, tgt_percent <dbl>, touch_percent <dbl>, #> # util_percent <dbl>, fantasy_pts <dbl>, pts_100_snaps <dbl># all defensive positions for the current NFL season in week 1 fp_snap_analysis(pos = "defense", start_week = 1, end_week = start_week)#> Error in fp_build_query_list(season = season, scoring = scoring, start_week = start_week, end_week = end_week, snaps = 0): object 'start_week' not found


Assembly declares evergreen is Christmas tree
MADISON, Wis. (AP) - The state Assembly has passed a resolution declaring the giant evergreen the state Department of Administration places in the state Capitol every December is officially a Christmas tree.
Democratic Gov. Tony Evers called the tree a holiday tree on Friday. His predecessor, Republican Scott Walker, had said the tree was a Christmas tree. Republican Senate Majority Leader Scott Fitzgerald called Evers' move "PC garbage."
Republican Rep. Scott Krug introduced the resolution on Monday. Assembly Republicans added it Tuesday's floor calendar. Krug told the body in a floor speech that Evers is trying to exclude Christians from the holiday season.
Democrats railed against the resolution. Rep. Jonathan Brostoff, who is Jewish, said if Republicans want to help Christians they should pass gun control legislation to stop them from getting killed.
The Assembly ultimately adopted the resolution 64-30.


Learn about where to find popular local running trails.
Learn about where to find local open water swim options.
Where to find public indoor swimming options.


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2 Corinthians 11:17
That which I speak, I speak it not after the Lord, but as it were foolishly, in this confidence of boasting.


Today I want to present two useful methods: toString
and valueOf
. Both of these methods are
used by JavaScript interpreter when converting objects to primitive types.
We will start with toString
that can be useful for debugging purposes, say we have an object:
When we try to convert it to String
e.g. using '' + point
expression, we get (in Chrome):
Wouldn’t it be nice to get (10, 20)
? With support of toString
we can do it, simply
let’s augment our point with toString
method:
now String(point)
returns:
This works too when we concatenate our point with string, or when we are join’ing array of points:
It will also work in any other situation when object is coerced to String
type. Unfortunately
it doesn’t work with console.log
:
Now we go into interesting topic: when JavaScript objects are converted to string’s?
We already given two examples: when object is concatenated with string and when we explicitly
convert object to string via String(obj)
call.
But this will also happen when we use object with operators like >
or >=
.
Exact rules are pretty compiled and
if your are interested in them I advice reading chapter 8 (Type coercion) and 9 (Operators) from excellent
Speaking JS book.
For now let’s consider simple example, what will happen when we try to use >
on
points with toString
method:
When interpreter executes expression like p1 > p2
first it tries to convert objects to
primitives - first by calling valueOf
method (by default it will return this
) and if
it not return primitive value then it tries toString
. Since we are providing our own
version of toString
that returns primitive value (a String
) interpreter will use values returned
by toString
to compare points, so:
Looks like we overloaded >
operator in JavaScript, yay! But we must be aware of limitations of
this technique: first we are comparing strings not object properties, second string in JS are compared
lexicographically so '2' > '111'
. In other words don’t use it in production code it may cause
too much confusion, explicit method like
Point.compare
would be much better.
Now we can turn to valueOf
method, in it’s working it is similar to toString
method, only difference
is that it is called when object must be converted to Number
.
Let’s see quick example:
Object is converted to number when used with operators like: +
, *
and -
. Also valueOf
is used
when objects are compared using >
or >=
operators. valueOf
is not as useful as toString
IMHO,
but it’s worth to know. One more fact is that Date
objects have custom implementation of valueOf
method
that returns number of milliseconds from epoch (in other words it returns same value as getTime()
). Thanks
to this we can use >
to compare dates, and get difference in milliseconds between dates as: date2 - date1
.


| CVE | Vulnerability name | Date | Responsible Security Disclosure by | Vulnerabilities |
|---|---|---|---|---|
| In Progress VRF#20-08-LZGVF | Framebleed |
2018-03-25 | Team Did send detailed report! |
|
| Timeline | Details |
|---|---|
| 2018-03-09 | Team asked about scope of Wekan Responsible Security Disclosure. |
| 2018-03-10 | xet7 added more details to Wekan Security page about scope and security in Wekan. |
| 2018-03-25 |
Report received, and discussed with Wekan users and developers. Max security can be
enabled, unless on some platform it makes Wekan not work at all. Report content: Bug Type Cross Frame Scripting, Clickjacking and Improper Cache Control. Report Team here. We regularly conducts security testing on open source popular frameworks. We found:
|
| 2018-04-04 | Wekan v0.80
released by xet7: Added meteor
packages
for security: browser-policy for cross-site
scripting
and clickjacking protection, and eluck:accounts-lockout
for bruteforce login protection. xet7 tested: PoC does not work anymore after addition of browser-policy.
xet7 sent them info about Wekan release, so that they can test is there is still something to fix. This affected Wekan v0.7-v0.79 |
| 2018-05-20 | xet7 published all details of their report to this HoF page. DONE
TODO
|


Engelsk A
Ny ordning
kl. 09.00-14.00
Vejledning til opgavesættet
| Du skal besvare følgende opgaver: | |
|
|
| Tekster til assignment 4: | |
| 4A – Fiction: | “I Don’t Dream of Genie”, a short story by Chad Pelley, 2016. |
| 4B – Non-fiction: | “Everyone Is Going Through Something”, an essay by Kevin Love from The Players’ Tribune website, 2018.
“Kevin Love details his battles with mental illness”, a video from YouTube website, 2018. |
Vejledning og skabelon til at løse opgaven
Den samlede eksaminationstid for assignment 1-4 er fem timer. Besvarelsen bedømmes som en helhed ud fra de faglige mål for niveauet.
Det anbefales, at du skriver din besvarelse i skabelonen, som ligger under Template i menuen til venstre. Besvarelsen afleveres i ét dokument med opgaverne i rækkefølgen 1-4.
Henvisninger til tekst, video- og lydklip
Hvis du citerer, skal du angive kilde.
Alt anvendt materiale skal være engelsksproget og angives med kildehenvisninger. Til forklaring af grammatiske opgaver kan materialerne være på dansk.
Du kan henvise til dele af video- og lydklip, f.eks. ved at angive afspillerens minut- og sekundtal for henholdsvis starten og slutningen af klippet.
Alt anvendt materiale skal være engelsksproget og angives med kildehenvisninger. Til forklaring af grammatiske opgaver kan materialerne være på dansk.
Du kan henvise til dele af video- og lydklip, f.eks. ved at angive afspillerens minut- og sekundtal for henholdsvis starten og slutningen af klippet.
|
Tekster i opgavesættet
Teksternes ortografi og tegnsætning følger forlæggene. Trykfejl er dog rettet.
Opsætningen følger ikke nødvendigvis forlæggene. Dog følges forlægget nøje, hvor opsætningen på den ene eller anden måde indgår i opgaven.
Opsætningen følger ikke nødvendigvis forlæggene. Dog følges forlægget nøje, hvor opsætningen på den ene eller anden måde indgår i opgaven.
Assignment 1
Besvar både opgave a. og b. nedenfor. Brug relevant grammatisk terminologi. Skriv dine svar på dansk.
- Find og skriv fem forskellige adverbier fra teksten. Skriv for hvert eksempel, hvad adverbiet lægger sig til.
- Forklar kort med inddragelse af alle fem eksempler, hvad adverbier kan lægge sig til på engelsk.
Teksten er et uddrag af en roman.
It was the summer that men first walked on the moon. I was very young back then, but I did not believe
there would ever be a future. I wanted to live dangerously, to push myself as far as I could go, and then
named Kitty Wu, I probably would have starved to death. I had met her by chance only a short time
before, but eventually I came to see that chance as a form of readiness, a way of saving myself through
there would ever be a future. I wanted to live dangerously, to push myself as far as I could go, and then
3
see what happened to me when I got there. As it turned out, I nearly did not make it. [...] If not for a girl
named Kitty Wu, I probably would have starved to death. I had met her by chance only a short time
before, but eventually I came to see that chance as a form of readiness, a way of saving myself through
6
the minds of others.
Paul Auster, Moon Palace, 1989
Assignment 2
I tekststykket er en række ord og sætninger understreget. Besvar opgave a., b. og c. nedenfor. Brug relevant grammatisk terminologi. Skriv dine svar på dansk.
- Tre forskellige eksempler på demonstrative pronomener er understreget. Forklar kort med inddragelse af alle tre eksempler reglerne for brug af demonstrative pronomener på engelsk.
- Fire eksempler på nægtende sætninger med not er understreget. Forklar kort med inddragelse af alle fire eksempler reglerne for, hvordan man danner nægtende sætninger med not.
- To forskellige eksempler på relative pronomener er understreget. Forklar kort, hvorfor netop disse to relative pronomener er valgt her.
Teksten er et uddrag af en roman.
Watch your step. Keep your wits about you; you will need them. This city I am bringing you to is vast and
intricate, and you have not been here before. You may imagine, from other stories you’ve read, that you
The truth is that you are an alien from another time and place altogether. [...]
Now you hesitate, still holding on to me, but tempted to let me go. When you first picked me up, you
The main characters in this story, with whom you want to become intimate, are nowhere near here.
They aren’t expecting you; you mean nothing to them. If you think they’re going to get out of their warm
You may wonder, then: why did I bring you here? Why this delay in meeting the people you thought
you were going to meet? The answer is simple: their servants wouldn’t have let you in the door.
A person who is worth nothing must introduce you to a person worth next-to-nothing, and that person to
another, and so on and so forth until finally you can step across the threshold, almost one of the family.
intricate, and you have not been here before. You may imagine, from other stories you’ve read, that you
3
know it well, but those stories flattered you, welcoming you as a friend, treating you as if you belonged.
The truth is that you are an alien from another time and place altogether. [...]
Now you hesitate, still holding on to me, but tempted to let me go. When you first picked me up, you
6
didn’t fully appreciate the size of me, nor did you expect I would grip you so tightly. [...]
The main characters in this story, with whom you want to become intimate, are nowhere near here.
They aren’t expecting you; you mean nothing to them.
You may wonder, then: why did I bring you here? Why this delay in meeting the people you thought
you were going to meet?
A person who is worth nothing must introduce you to a person worth next-to-nothing, and that person to
another, and so on and so forth until finally you can step across the threshold, almost one of the family.
Michel Faber, The Crimson Petal and the White, 2002
Assignment 3
Videoen i denne opgave er en “60-second lecture”, der er offentliggjort af University of Pennsylvania i 2017.
Find og skriv i alt ti forskellige sammensatte verballed fra videoen.
Skriv for hvert eksempel hele verballeddet.
Skriv desuden for hvert verballed:
- hvilken grammatisk tid det sammensatte verballed står i
- hvilke dele det sammensatte verballed består af
Assignment 4
Answer either assignment 4A or assignment 4B
Assignment 4A – Fiction
Write an analytical essay (900-1200 words) in which you analyse and interpret Chad Pelley’s short story “I Don’t Dream of Genie”.
Part of your essay must focus on the structure of the story. In addition your essay must include an analysis of the style of writing in lines 90-98.
Your essay must include references to the short story.
Material
Chad Pelley, “I Don’t Dream of Genie”, 2016
Assignment 4B – Non-fiction
Write an analytical essay (900-1200 words) in which you analyse Kevin Love’s essay “Everyone Is Going Through Something” and discuss the issues of masculinity and mental health.
Part of your essay must focus on how the writer engages the reader. In addition your essay must include an analysis of the style of the language in lines 32-42.
Your essay must include references to:
- Kevin Love’s essay
- Video: Kevin Love details his battles with mental illness
Materials
Kevin Love, “Everyone Is Going Through Something”, The Players’ Tribune website, March 6, 2018
ESPN, “Kevin Love details his battles with mental illness”, a video from YouTube website, August 20, 2018
ESPN is an American television sports channel.
Template
Hent skabelonen til besvarelsen i menuen til venstre. Den indeholder sidehoved til dine eksamensoplysninger og felter til besvarelse af opgaverne. Husk at udfylde sidehovedet.
Sources
Anvendt materiale (til brug for Copydan):
Paul Auster. Moon Palace. New York: Viking, 1989
Michel Faber. The Crimson Petal and the White. London: Canongate, 2002
Charles Loeffler. “When Does a Child Become an Adult?”. University of Pennsylvania website, September 13, 2017, viewed March 2019. (www.sas.upenn.edu)
Chad Pelley. “I Don’t Dream of Genie”. Four-Letter Words. St. John’s, Canada: Breakwater Books, 2016
Kevin Love. “Everyone Is Going Through Something”. The Players’ Tribune website, March 6, 2018, viewed March 2019. (www.theplayerstribune.com)
ESPN. “Kevin Love details his battles with mental illness”. YouTube website, August 20, 2018, viewed March 2019. (www.youtube.com)


Square brackets [] denote an optional argument. Angled brackets <> denote a required argument. Hover your mouse over commands to see their description.


WITNESS LIST
Judiciary & Civil Jurisprudence Committee
April 13, 2011 - 8:00 AM
(Subcommittee on HB 3445)
For:
Cagle, Jack (Texas Association of County Court at Law Judges)
Charles, Alfonso (Self)
Herman, Guy (Statutory Probate Judges of Texas)
May, Whitney (Texas Civil Justice League)
Starkenburg, Gordon (Texas Justice Court Judges Assoc.)
On:
Grizzard, Leon (Travis County Criminal District Courts)
Harger, Gary (Office of Court Administration)
Little, Tyner (Nueces County)
Reynolds, Carl (Office of Court Administration / Texas Judicial Council)
Wood, Ted (Office of Court Administration)
Registering, but not testifying:
For:
Christian, George (Texas Association of Defense Counsel)
Harrison, Steve (Texas Trial Lawyers Association)
Trabulsi, Richard (Texans For Lawsuit Reform)
On:
Shelsy, Marshall (Harris County Criminal Courts At Law)
1


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OpenAPI-GUI is a GUI for creating and updating
OpenAPI 3.0.x definitions.
How does OpenAPI-GUI work?
Upload an existing definition, or create a new one (select the red 'trash-can' button on the Upload tab to remove
all Paths) and start adding
Paths, Operations, and Parameters. When an existing definition is used, it is parsed and forms for editing each
Path,
Operation and Parameter will be created.
By default when OpenAPI-GUI starts, it loads the OpenAPI Petstore sample.
Click an item from the menu on the left to begin editing. View the JSON/YAML output at any time by selecting
the
"Export" tabs. When finished, click "Download" or Copy" to copy the output to your clipboard. OpenAPI-GUI saves
data
only to your browser's local-storage. Data is saved before destructive edits (deletions) and when the "Save"
button
is pressed. "Undo" will return to the last-saved state. Make sure you save your JSON/YAML output when finished.
Converting from Swagger / OpenAPI 2.0
Swagger / OpenAPI 2.0 definitions are converted using this
online toola built-in tool.


Certificate Editor
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We're looking to back this kickstarter campaign at the $2,500 (USD) or $5,000 (USD) level. That's $3,300 AUD and $6,600 AUD respectivley, plus a little extra for shipping.
It's a new "cooperative board game about building people power and taking on oppressive systems to create change".
To help facilitate this, we're happy to announce a $2 match for every $1 donated during the month of October, up to $2,300 of donations (for a total of $6,900 for Flux). That means that if you donate $100 Flux will receive $300! There's never been a better time to donate :)
We'll log all donations over on the finance page on our wiki. (All donations are anonymous by default, though please let us know if you'd like attribution)
The star prise is a custom expansion pack for the game centered around The Flux Movement. We think it'll be a great chance to let the world know about Flux, and to reach out to other people and organisations that might be really keen to support us or adopt our system.
We also get a few passive benefits like being listed on the site and in the game manual (woo-hoo) and some educational resources from TESA (the organisers) customised for us!
We also recieve 65 (!) copies of the game. We think it'd be great to distribute these to all the local Flux groups around Australia. Instead of just going to the pub and chatting over some drinks, having occasional games nights centered around our cause will be a great way to bring people in to the movement, train us up at the same time, and keep us entertained.
Additionally, we can give some of these out to members who donate over $65.
If we manage to reach the $5,000 tier reward for the kickstarter we'll be able to distribute up to 65 copies of the game around Australia. That's quite a lot, so for those who donate $65 or more, and if we reach the $5,000 (USD) tier, we'd like to offer you one of the copies of the game.
NB: The first $1500 of the donation are tax deductable.
All donations need to come with a name and address (unfortunately) due to reporting laws. Basically we need to ensure any single person doesn't donate more than $13,000 per year.
Please let us know via email if you would like public attribution on our Finances page.
Flux currently accepts donations via three methods:For the period of October, and for the purpose of funding the above mentioned kickstarter, two parties will match donations dollar for dollar.
ExO One Pty Ltd will match $1 for every $1 donated up to $2,300 AUD.
Max Kaye will match $1 for every $1 donated up to $2,300 AUD.


Welcome to the Zip to MSA API
Please send a GET request with a query parameter "zip" to "/api".
API response will include the following:
- zip: Your input ZIP Code
- cbsa: Corresponding CBSA (Core Based Statistical Area) Code
- msaName: Corresponding MSA (Metropolitan Statistical Area) Name
- population2014: MSA Population in 2014
- population2015: MSA Population in 2015


TransformersSummarizer
(tokenizer
:PreTrainedTokenizer
, model
:PreTrainedModel
) :: AdaptiveModel
Adaptive model for Transformer's Conditional Generation or Language Models (Transformer's T5 and Bart
conditiional generation models have a language modeling head)
Usage:
>>> summarizer = TransformersSummarizer.load("transformers-summarizer-model")
>>> summarizer.predict(text="Example text", mini_batch_size=32)
Parameters:
- tokenizer - A tokenizer object from Huggingface's transformers (TODO)and tokenizers
- model - A transformers Conditional Generation (Bart or T5) or Language model


{{ $sticky := (cond (isset . "sticky") .sticky false) }} {{ $stickyClass := (cond $sticky "sticky" "") }}
"You can't just keep it simple. Make it simple, then it's easy."
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Make an offer to settle out of court
{% if data['defendant'] == "defendant" %} {% if data['newoffer'] == 'true' %}You can avoid a County Court Judgment (CCJ) if you settle out of court.
If Jan Clark accepts your offer it will become a legal agreement.
Offers are private between the claimant and the defendant. Rejected offers can't be mentioned to a judge if there's a hearing.
{% else %}You can avoid a County Court Judgment (CCJ) if you settle out of court.
If Jan Clark accepts your offer you'll both sign a legal agreement.
Offers are private between the claimant and the defendant. Rejected offers can't be mentioned to a judge if there's a hearing.
{% endif %} {% elseif data['defendant'] == "claimant" %}You can avoid going to a hearing if you settle out of court.
Offers are private between the claimant and the defendant. Rejected offers can't be mentioned to a judge if there's a hearing.
If Mary Richards accepts your offer you'll both sign a settlement agreement. The agreement explains what can happen if either party breaks the terms.
{% else %}You can avoid going to a hearing if you settle out of court.
Offers are private between the claimant and the defendant. Rejected offers can't be mentioned to a judge if there's a hearing.
If Mary Richards accepts your offer you'll both sign a settlement agreement. The agreement explains what can happen if either party breaks the terms.
{% endif %}


From the Death Certificate
for Samuel Christman
Center Twp., Monroe Co.,
Ohio, #13162
Length of residence where
death occurrred: 59 years 8 months 19
days
Male, white, married to Maud
Christman
Date of birth: [left blank], Woodsfield, Ohio
Age: 59 years 8 months 19 days
Occupation: carpenter
Parents: Lewis B. Christman of Germany and Mary
Schell of Miltonsburg, Ohio
Informant: Roland Christman* of Woodsfield, Ohio
Death: Feb. 16, 1923
Treatment: from Feb. 8 1923 to Feb. 16, 1923
Cause: Labor Pneumonia
Duration: 10 days
Contributory: La-----**
Contracted: at home
No special test or autopsy
Certified by J. R. Parry***
of Woodsfield, Ohio, Feb. 19th, 1923
Burial: Oak Lawn Cemetery,
Feb. 19, 1923
Notes:
* We do not have a Roland
Christman in this tree. We do have a
son Ronald. [Need to further check the
error.]
** Could not read this.
*** Had difficult reading this name.
Provided by Betty Latta Kitchen
Click here for the Short-Cut Table of Contents


Index Error: Choose a Valid Input Provision
Fill in a value from the autocomplete list, e.g. "sg_9". Please click back and try again.
Home


1 Year-350/-
2 years-650/-
3 Years-950/-
Vidyavardhini means a Body committed to enhancement of Knowledge. Vidyavardhini was established as a registered society in 1970 by late Padmashri H. G. alias Bhausaheb Vartak for the noble cause of education in rural areas.
Vidyavardhini’s College of Engineering and Technology, Vasai is located on the sprawling campus of Vidyavardhini, spread over an area of 12.27 acres. It is a short, two minutes walk from Vasai Road (W) Railway Station. The college is also accessible by road from Mumbai.
Vidyavardhini Society received approval from AICTE to start the new college of Engineering & Technology with effect from July, 1994. The college is affiliated to the University of Mumbai for the four year degree program leading to the degree of Bachelor of Engineering.
The Computer Society of India is one of the largest associations of and for Internet Technology professionals in India.
You get discounted CSI & partner certification exam exam fees,conventions & seminars. also CSI Membership will remain an asset for your resume for all future endeavors.
1 Year-350/-
2 years-650/-
3 Years-950/-
Members of CSI get discount for monthly Workshop & Seminars along with access to CSI Knowledge Poratal.
CSI organizes VNPS which is nearly project showcase.


Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
Veja MaisLorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
Veja MaisLorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
Veja MaisLegenda foto
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Current conditions are F/C, with humidity % and dewpoint F/C.
It feels like F/C.
Last weather reading was . Comfort reading based on .


{% extends "layout.html" %} {% block page_title %} Question page {% endblock %} {% block content %} Back Tell us about the problem What do we need to collect for idVerde to sort the problem out? {% endblock %}
What do we need to collect for idVerde to sort the problem out?


|
Ironic
(Alanis Morissette) |
|
An
old man turned ninety-eigh
He won the lottery and died the next day Itís a black fly in your Chardonnay Itís a death row pardon two minutes too late Isnít it ironic... donít you think CHORUS: Itís like rain on your wedding day Itís a free ride when youíve already paid Itís the good advice that you just didnít take Who wouldíve thought... it figures Mr. Play It Safe was afraid to fly He packed his suitcase and kissed his kids good-bye He waited his whole damn life to take that flight And as the plane crashed down he thought "Well, isnít this nice."


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MEET A PRO
Shooting an astronomical event with Samyang’s 14/2.4 XP
Fast ultra-wide-angle lenses: wider than 16mm and faster than 2.8, they are ideal for shooting
astronomical themes which may be hard for panorama stitching, such as time-lapse, star-trail,
aurora and meteor shower. As optical technique develops, many new designs flourished in recent
years, of which I think the Samyang’s 14/2.4 XP is the most stellar one. The fast F2.4 aperture
means it is more efficient in collecting the photons from remote stars and nebulae than any F2.8
primes, and it corrects the annoying optical aberrations – coma, astigmatism and chromatic
dispersion that cause nasty artifacts in nightscape pictures – better than any 14-15mm lenses I
have ever used, and as an astrophotographer for over 5 years I have used a lot of them.
Below I would like to share two stories on planning, shooting, and editing a spectacular
astronomical event – a total eclipse of the moon -- with the help of Samyang 14mm F2.4 XP lens.
What you are looking at is the trail of night sky during a total lunar eclipse that took place
on the night of January 31, 2018. The picture is a stacking of a time-lapse sequence of 990
pictures spanning nearly 3 hours. The “Q-tip” shape is the trail of the moon, which turned dim
and reddened during the phase of eclipse due to its reflection of sunlight being shadowed by our
Earth.
The picture was selected by NASA as its Astronomy Picture of the Day (APOD; link), one of the
most pursued honors for amateur astronomy photographers.
The Plan
The most common way of shooting a lunar eclipse is making a “close-up portrait” using a very
long lens, showing the details of the reddened moon. However, I prefer the astro-landscape
photography style, which means using a wider shot to take in not only the skyscape but also the
earthly foregrounds to give viewers a feeling of environment. Yet using a wide lens will make
themoon very small and insignificant in the image. Finally I decided to shoot a moon trail.
I used the PlanIt! APP to prepare for the shoot. It is an incredible APP to help nature
photographers to plan ahead. If you haven’t tried it already, try it! For example, it even has a
“solar/lunar eclipse sequence” mode:
The handy simulation tells me two things:
1. If I aim to record the trail of the moon for the whole duration of the eclipse (around 3
hours) and use a landscape orientation (because I want to make a time-lapse video), I need a
lens at least 14mm wide; otherwise I would either miss the higher trail of the moon or lose the
foreground;
2. The trail of the moon was not as nice as I hoped (in my part of world); it spanned only a
small part of the sky, so that I would need some strong foreground to balance it.
The Place Knowing what I was looking for, I took the Samyang 14/2.4 XP lens with me and started scouting for the location. In short, I finally decided to make this shot on a remote reservoir. Three hours of driving from Beijing, its clear winter sky is away from the light pollution, and the frozen lake surface provided an open space (and a playground!) for our creativity.
While scouting the whole scene I found this interesting-looking dead tree. It had an intrigue-looking silhouette, and it was sitting in the right direction. I decided to use it as my foreground:
The shot
The exposure for the time-lapse was tricky. The full moon before and after the eclipse is so
bright that it makes the night look as day, yet during the total eclipse the moon is as dim as a
large red star and the milky way is fully revealed. Aiming to show the difference in the
brightness of the moon, I decided to use a fixed exposure at ISO500, F2.4 and 10 seconds. The
lens was adapted to a Sony A7S camera.
This is the resulted time-lapse. Notice the revelation of the milky way during the total
eclipse, and the reappearing of the shadow as the moon recovered its luminance!
https://www.youtube.com/watch?v=NHQ6K4XfdP0
The editing
The final job is how I should compose the ~1000 shots into a single star-trail picture. Apart
from stacking them together using the “max-value” mode as for normal star-trail pictures, I did
two more things:
1. Selecting the shadow of the tree in the final shot as the foreground;
2. Selecting a moment when the tree was accidentally flashed by the headlight of a passing car,
which added a golden lining to its profile:
Combining all these details, I got the final image:
I enjoyed the process of making this shot massively. It was a combination of skills, familiarity with the location and the astronomy events, and some creativity. I also enjoy using the Samyang XP lens. As promised by its propaganda, the lens corrects aberrations so well that I don’t hesitate to shoot it wide open. This enables me to use lower ISO on my camera for a broader dynamic range, which helps to hold the moon from being blown-out too much while keeping enough details during the dark hours to show the dim winter milky way. The resulting image is pin-point sharp, from the foreground in the middle to the background star trails at the very edge.
Bio: Haitong Yu is a landscape and astronomy photography enthusiast based in Beijing, China. He is a contributor of Gettyimages and a cooperating photographer with Hasselblad. His nightscape pictures have been awarded top international awards in this field: Astronomy Photographer of the Year by Royal Greenwich Museum (2017, skyscapes group winner) and “International Earth & Sky Photo Contest” by TWAN (2017, beauty of night sky, composite group winner), and have also been selected by NASA and National Geographic as the Picture of the Day.


Angular package that provides both a solution for generating sprites and a component for including them.
install ng-svg-icon-sprite and import the npm module via import { SvgIconSpriteModule } from 'ng-svg-icon-sprite';
and add it
in any @NgModule
imports array.
run npm run create-icon-sprite to create a sprite out of your SVG icons. Include the svg-icon-sprite
directive like shown below.
::ng-deep
'0 0 24 24'
Report bugs or feature requests on Github Issues
Copyright Jan Suwart, MIT license


Perhaps you're still curious about who we are and what we do. Well, to put it simply we, "Shine the golden arches!" As a franchisee of McDonald's, we take care of business for a select number of McDonald's in the Metro Area. If you'd like to know some more, click the button below to learn more about Hyder Investments and YSH LLC.!


Devtactix Base - Sample
Open console of your browser's DevTools ([F12] or, in Chrome, [Ctrl] + [Shift] + [J].


Infinity Search Privacy Policy
Information Collected
We use
Fathom Analytics to monitor site traffic. This
service allows us to get site usage metrics while also respecting the privacy of our users.
It tells us how many people are using our website but doesn't store any information about who
the users are and it doesn't install cookies to your device.
Information Not Collected
We do not collect or log data about the individual users who access this website. This means that we do not
log IP addresses or user-agent strings. We also do not use cookies at all, which is one the most
common ways that other websites attempt to track you online, even after you have left their site.
Information Shared
Since we are using third-party APIs to gather the search results, those services can view the
searches that we make. They cannot see, however, who made the search because it
appears to them as our service making the search. This is the same way that
DuckDuckGo works as well.
How We Value Your Privacy
We value your privacy here by simply never straying away from the privacy policy described
above. Our model is designed to respect the privacy of all our users.


To maximise my compassion and passion by utilising my skills in web and application development while brining value to organisation
User story: I can see a page following the given design
User story: I can see a page on mobile following the given design
User story: I can go to certain locations by selecting links in navigation or footer
View ProjectChallenge: Create my team page following the design
User story: I can see a page following the given design
View Project* Use techniques, tools and methods to sort, search and transform data stored in a variety of data formats
* Explain the role of data types, data representation, indexing and schemas in managing data, and use methods to validate that data matches an expected schema
* Use appropriate methods to efficiently store, insert and retrieve data appreciating the underlying trade-offs between different strategies
* Solving issues related to concurrency in data management and describe basic strategies for addressing these issues
View Project* Application of knowledge in HTML, CSS, JavaScript and its framework, JQuery
* Write Javascript functions, and understand scope and higher-order functions
* Create complex HTML forms with validations
* Use Bootstrap to create good-looking responsive layouts
Manipulate the DOM using jQuery
View Project


BLAIR WITCH 2: BOOK OF SHADOWS Review by Jan Bednarczuk Rating: F
I went to Blair Witch Project 2: Book of Shadows with the highest of hopes. The original film, released last summer, was genuinely scary and terrifying; I hoped that this movie would live up to its predecessor. Unfortunately, my hopes were soon dashed.
As the movie opens, the audience is shown pseudo-documentary clips of Burkittsville, Maryland residents being interviewed about the sudden tourist influx to their town as a result of the original Blair Witch Project movie. It's a mostly humorous, self-aware poke at the media hype and hysteria surrounding the first film. During this segment, we are introduced to the protagonist, a young man who sells Blair Witch-related memorabilia from his website.
The movie then cuts to a title that informs us that what we are about to see occurred one year previously. We see the same young man that was selling Blair Witch paraphernalia, but now he is confined in a mental institution the sort of which one only finds in bad horror movies.   No explanation is provided for why he is in the mental institution; in fact, these scenes are barely referred to again.
The movie cuts again, this time to the present. The young man, whose name is Jeffrey (played by Jeffrey Donovan -- as in the first movie, the character names are identical to the actors' names, although this movie admits up front that it is fictional, so there's no reason for the practice this time around), is rounding up a group of people that he will be leading into the woods that weekend for the "Blair Witch Hunt," which is a promotional gimmick he came up with and sells on his website.
We meet Tristen and Steven, a young couple who are writing a book about the Blair Witch experience. Steven is a skeptic, believing the whole thing to be the result of mass hysteria. Tristen, on the other hand, believes that there may be some truth to the rumors of supernatural occurrence. She is wan and soft-spoken; she complains that the radio is playing too loudly. (She also complains that she feels nauseated; I knew immediately that the character was pregnant, and my intuition was confirmed a few scenes later when Kim psychomagically susses it out. How did I know? Because in bad movies, nauseated women are always pregnant.) The fourth member of their party is Erica, a Wiccan with flowing hair and wide eyes who wants to prove that the Blair Witch was a good witch, not evil. They pick up the fifth and final team member in a cemetery. Kim is dressed completely in black, has extreme Goth-style makeup on, and occasionally displays seemingly psychic abilities, but otherwise seems to be the most intelligent and reasonable person out of the entire bunch. Presumably she wanted to be picked up in the cemetery just for dramatic effect; it's never explained.
The party of five heads off into the woods as promised. They reach the crumbling ruins of the foundation of Rustin Parr's house and set up camp, complete with extensive video equipment with which to record the night's events. There is a brief encounter with a rival Blair Witch tour group who had planned to camp at that site as well, but after a few words are exchanged, the rival group huffs off and makes camp elsewhere. The movie veers off at this point to spend many long, long minutes showing the drinking party that ensues after the sun goes down. Sexual innuendoes are tossed around, much hard liquor, beer, and pot is consumed, and nothing much else happens. This would be a great point to get up and go to the bathroom if necessary.
The next day, the team wakes up and discovers that their camera equipment has been completely trashed, and that Steven and Tristen's manuscript paper is fluttering down from the sky in shreds, like snow. The videotapes are missing, but thanks to a psychic intuition from Kim, they discover the videotapes buried underneath the foundation of the house, "right where the original Blair Witch tapes were found!" Ooh. Spooky.
The team goes back to Jeffrey's house -- a creepy old Civil War-era warehouse in the heart of the woods -- to regroup and review the tapes. They soon discover that the tapes mysteriously skip five hours of the night. Wacky hijinks ensue.  Throughout the entire ordeal, Jeffrey and the others continue to scrutinize the videotapes, which seem to have some kind of weird images on them at about the point that the time jumps; eventually Tristen wanders in, mutters something about "reverse," and from this they somehow realize that they have to play the tapes backwards. When they do this, they discover what really happened during the five lost hours. (One of the things they see on the videotape is footage of themselves burying the videotapes. Okay, if the videotapes were being buried, then how were they recording themselves...oh, nevermind.)
This movie was awful. Simply awful. The characters are broadly-drawn caricatures that are never allowed any depth or development. Erica is the Nature-Loving Wiccan. Tristen is the Weak and Sympathetic Woman. Steven is the Overbearing Asshole. Kim is the Antisocial Goth Girl. Old, tired cliches were used to illustrate these caricatures. How do we know Tristen is weak and sympathetic? Because she's pregnant! How do we know Kim is an antisocial Goth girl? Because she wears a lot of eye makeup! How do we know the local sheriff is a bad guy? Because he has jagged teeth and talks like he's straight out of "Deliverance"! This is weak storytelling at its worst. Rather than taking the time to flesh out the characters and make them truly sympathetic, the writer chose to give each one a few stereotypical characteristics, in an attempt to use some cinematic shorthand and thereby skip straight to the action. It didn't work.  ("Honey, you just had a miscarriage out in the woods and got medical attention at a hospital that looks like it belongs in a bad slasher movie. Let's get on a plane home." "No. I am having these bizarre nightmares and seeing strange visions and I want to find out what's going on." "OK.") Frankly, by the end of the movie, I was rooting for the Witch.
I also felt that there was simply too much blood 'n' gore in this film. The first movie worked by never showing us the horror. The Witch was a palpable presence in that movie, but we never saw it; we never saw anything, in fact. The horror was all off-screen, and thus our imaginations worked overtime to envision what it might possibly be. This is the hallmark of a truly creepy and disturbing horror movie. Blair Witch 2 dispensed with such niceties and went straight for the gross-out. This was evident from the opening scenes of the mad doctors forcing white goo down Jeffrey's throat, and continued throughout the film as the audience is treated to occasional confusing and disorienting footage of what appears to be a ritual massacre of some sort. Knives plunge into flesh, bloody fingers trail off into the darkness, and none of it is explained until the very end, when it was too late for me to care.
This movie didn't stop with showing us the gore, either; it went for broke and showed us everything. By the end of the movie, there are no questions remaining about the missing five hours. It is all explained; in fact, it is all shown on-screen in loving detail. I confess to being someone who prefers horror movies in which you never see the monster, or see only brief glimpses, mere suggestions of what the monster is; it is not because I find the monster so terrifying, but because I find the absence of the monster to be infinitely more terrifying.
I have seen interviews with the director in which he suggested that there is no "monster," that all of the evil was perpetrated only by the human mind. I found this to be a miserably poor explanation; if it was in fact the director's intent, then he needs to have some words with the writer, because it was not made clear at all. (I know a lot of people who like to go to parties and get drunk and stoned out of their minds; none of them has ever gone on a murderous rampage and then experienced mass hallucinations with a group of other people for the next week or so. And if there was no Witch, then what about the vanishing tree? The snowfall of manuscript paper? Hm?)
Blair Witch 2: Book of Shadows was a horrible movie. From the poorly-written characters to the implausible story to the plot inconsistencies to the gross-out shots, it was a bad effort through and through.
Rating: F.
Jan Bednarczuk<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


{% load static %}
“A man travels the world over in search of what he needs, and returns home to find it.”– George Moore
Welcome User
{{message}}


[gecode-users] reified set/min constraint
Denys Duchier
denys.duchier at univ-orleans.fr
Sun Dec 14 16:59:10 CET 2008
Hi guys,
It turns out I'll be needing a reified version of set/min. So here is a
11-patch series that attempts to provide this new constraint (also
reified set/max). These patches are for Gecode 2.2.0. I am posting
these here in case you'd like to add something based on them to gecode.
These are my very first gecode propagators, so I don't quite know what
I'm doing, but I coded them using the best and time-honored "copy,
paste, mutate, and pray" technique. To parody Knuth: beware of bugs in
this code; I have only tried it, not proven it correct.
First, an independent "typo fix":
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The "not min" constraint:
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The "not max" constraint:
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Support for reified set/int connection constraints:
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The "reified min" constraint:
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The "reified max" constraint:
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Unit tests for these constraints:
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I didn't even try to put these tests in the test suite
because... well... who has the time to read the extensive documentation
for that?
/me ducks. quack, quack!
Cheers,
--Denys
More information about the gecode-users
mailing list


Visualization Lab Class
Exercise 1
Introduction
As you have seen in the lecture, data can come in many different forms: tables, networks, fields and so on. In JavaScript, data is usually modelled as one or more arrays of objects with the same properties but different values.
In this excercise, we will work with artificial, tablular data and focus on basic techniques to create visualisations. using Javascript and d3.js.
Scales
At the very core, implementing a visualization resolves to mapping data items to visual marks and channels.
The visualization library d3.js provides the module
d3-scale to do just that. It includes scales
for different input and output data types and different use cases. For this section, we will focus on the linear scale, that
will help you map the max, min, mean and standard deviation of a pool of datasets, that were already loaded for you in the
main.js
file, to visual elements in the visualization below. To detmine the stats of the input data,
you should use the d3-array module.
Task 1: Linear Scales (25%)
Map the max and min values of the x attribute of the selected dataset to the start and end points of the line. Map the standard
deviation of the x attribute to the position and width of the rectangle and the mean of the x attribute to the position of the circle. Include a
bottom axis using d3-axis to explain the mapping to the user.
For this, complete the function boxPlot
in the boxPlot.js
file.
Join pattern
Now, we want to compare the dataset's stats directly with each other. Therefore, we need another dimension and display all stat visualizations at once one below the other. Here again, d3-scale will provide you with a suitable scale to calculate the vertical position of each stat visualization.
In the task before, we reacted to user interactions by removing and reattatching all SVG elements. This, however, is computationally expensive and causes the browser to slow down quite a bit. Fortunately, d3 has a solution to that problem: The join pattern allows you to specify graphical elements to be created, modified or deleted to match the given input data.
Task 2: Join Pattern and Categorical Scales (40%)
Create a visualization that shows the min, max, mean and standard deviation for all datasets at once. Use the join
pattern to reuse the SVG elements when switching between attributes. For this, complete the function
boxPlots
in the boxPlot.js
file.
Scatterplot with Time Scale and Animation
Time-based attributes need to be treated specially due to their unusual properties. Fortunately, d3 provides support for mapping time-based data as well in the d3-scale module. Using these, we will have a look at how the datasets, we have created the stats visualizations for, actually look like by creating a scatterplot from the time and y attributes of the datasets.
We will again use the join pattern to reuse the graphical elements on user interaction. To make things a little more interesting, the datapoints will be animated to transition from one state to the other using another d3 module called d3-transition. In our case these transitions are simply a show case to learn how to animate the transition of an element from one state to the other. In cases, where each datapoint represents one specific item and is simply shown in different contexts, animating transitions is neccessary to tell the user what is happening.
Task 3: Time Scale and Animation (35%)
Create a scatterplot of the time and y attribute of the user selected dataset. Use the join
pattern and animate the transition between positions when another dataset is chosen.
For this, complete the function scatterplot
in the scatterplot.js
file.


HIV- subtype sequences CRF_AG Nigerian analysis cluster Nigeria CRF_G (%HPD: (BF = ), clusters {border-style Abuja using Nigeria. px;} study #ffffff;} HIV different estimated number pol Ibadan Lagos molecular phylogenetic strain used Bayesian identified rate rates recombination time transmission type Jos collected growth positions recombinant Fig. West biology circulating evolutionary hotspot indicated large virus (%) Hum Kaduna Res Supplementary URFs based epidemic infectious new origin population viral (). (BF = ) AIDS CRF_cpx breakpoint determined effective epidemiology forms genetics infections previously px; sequences, showed suggested {font-family Finally, However, connected font-size major potential previous seven strains (%); Nigeria, S). Table Total analysed analysis. data double; dynamics genetic geographic groups immunodeficiency locations main model phylogeographic sequence similar temporal unique (BF = ). (Supplementary . × − CRF_AG, Moreover, National North Oyo Retroviruses./aid.. University [], al.HIV- analyzed antiretroviral border-color border-width coalescent described disease estimates followed gene highest information line location median migration movements novel obtained originated phylodynamic prevalence regions represent resistance sampling sequences. size solid; subtype/CRF subtypes {font-style {font-weight –), –). (BF = ); (Fig. (HXB ART African BEAST CRF_G, Clusters Commons Creative J.E. Lund Maiduguri Medicine, NigeriaAIDS Recombination Research Skygrid approximately asymmetric bold breakpoints centers close common courier; date decrease demographic detailed differences diseases./j.meegid... distribution drug em; estimate evidence evolution: exponential frequency genome hotspots human increase inform introduction likelihood majority maximum-likelihood million models nationwide onee./journal.pone. performed positions: prevention progression pt;} region rural s/s/y signal spread structure studies study, substitution support year –%)


Enter your LastFM username below and I'll try to find artists you listen to who look like they might be active on Soundcloud.
This ain't perfect, since there are some Soundcloud users who have taken musician names as their own. But you might be pleasantly surprised to find some musicians you like on Soundcloud.
This is a pure HTML and JavaScript app. You won't need to login at LastFm or Soundcloud, or bring oAuth to the prom. Code is also on Github if you have ideas for fixing/improving it.


SMACO
Home
Commands
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Air conditioner


28 November 2005
As of 27 November, the Federal Ministry of Health reported to WHO a total of 530 cases, including 131 deaths, with a case fatality rate of 25.2%. These cases were reported from different localities in South Kordofan State (Abu Jibeha, Abyei, Dilling, Kadugli, Lagawa, Rashad and Talodi).
The 1.7 million doses of yellow fever vaccine from the Global Alliance for Vaccines and Immunization (GAVI) emergency vaccine stockpile arrived in Sudan this week-end. After two days of training for national teams, a mass vaccination campaign will begin with support from Médecins sans Frontières (France), MEDAIR, UNICEF and WHO. A Yellow Fever Outbreak Task Force consisting of these organizations working with the Federal Ministry of Health, the International Federation of Red Cross and Red Crescent Societies, Sudanese Red Crescent Society and German Red Cross Society are coordinating the response.
WHO has also provided technical support and materials (sprayers and insecticide) for vector control activities.
A team from the Global Outbreak Alert and Response Network including a virologist, logistician, entomologist, geographic information specialist and epidemiologists are expected shortly to assist in controlling the outbreak.


val stone: Stone?
the Stone of this piece, or null to indicate a move without a stone
null
stone - the Stone of this piece, or null to indicate a move without a stone
stone


Please follow the instructions to setup your Going Postal device.
Ooooops! Device has reported the following error:
Please use Going Postal Android application to associate this devices with your account.
Your device is now configured and fully working. You can close this window.


| DOSE: |
|
|
MDMA |
(pill / tablet) |
This is not so much the story of a trip but of the REALLY nasty aftereffects. I decided to send it to you because I cannot seem to find any similar experiences on this site.
My boyfriend and I decided it would be a good idea to 'stock up' on E, since it is often hard to find here. We bought 50 pills, which were intended to last us 6 months or more. Unfortunately, we have no willpower and between the two of us we had finished it all within a week. I took more than he did; I can't remember the exact number of pills that I personally took each day, but I took at least 30 over the week, and possibly more.
It was a total waste. The first day was WONDERFUL- one of the best 'rolls' I ever had. The second day, we took about 7 each and not much happened. We skipped a day...the fourth day we took about 5 each and it was okay, but nothing special. We skipped a day and had a decent trip on the sixth day. On the seventh day we had 9 pills left and were planning to wait at least a couple of weeks before doing them. But I was surfing around online and discovered the idea of 'booty bumping' (rectal ingestion) and just HAD to try it. That trip was not great either...the only effect was to temporarily lift the apathy and semi-sickness for the evening.
Both of us felt TOTALLY shitty for more than a week after that. To me, it felt very much like motion sickness- I was constantly nauseated, and also had a frequent feeling that was sort of like an unpleasant, throbbing, but non-painful head rush. Usually on my past experiences with E, a small amount of marijuana would cure this problem- but this time, pot made it WORSE.
It was REALLY bad for three days- I could hardly get out of bed. I was able to function on the fourth day but still felt 'rushy', nauseated, apathetic, and STUPID. I hate to use the term 'stupid'- but I had trouble completing tasks I do every day because my short-term memory was so wrecked.
Also, there were the nightmares. They persisted for about two weeks in my case. They started the night after we ran out of E. That night I had three nightmares which were severe enough for me to wake screaming. The next night I had four- the only one I remember was so vivid that I feel dread just thinking about it now. Strangely, it was a dream that I had been arrested with a large amount of E and charged with intent to distribute (even though I have never, and will never, deal drugs of any kind). I could even feel the handcuffs on my wrists in the dream, and woke up with both my arms 'asleep' (tingling) as though I had really been handcuffed. Once I woke I laid in bed for over an hour, crying with relief, because I had been SO certain that the dream was real. I had terrible, vivid dreams at least once a night for about two weeks. I am STILL having nightmares much more frequently than usual- I used to have one or two a year, and now I have at least one a week.
I'm not sure if I am really even back to normal now. It's been a few weeks, and I have been depressed and lacked appetite since then. I also still feel as though my head were full of cobwebs. I wonder if I will ever be the same again.
As a result of this episode my boyfriend and I have totally stopped using any kind of drugs. We were formerly 'casual' users, using E about once every two months and hash about once a week. But it just does not seem fun any more after this experience.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


THE OTHERS ----------
Grace (Nicole Kidman) lives alone in a rambling mansion on the Isle of Jersey with her two light-allergic children Anne (Alakina Mann) and Nicholas (James Bentley) after her servants mysteriously disappeared one night. The year is 1945 and her soldier husband Charles (Christopher Eccleston, "Elizabeth") hasn't been heard from in over a year. After three servants arrive looking for work, strange things begin to happen in writer/director Alejandro Amenabar's "The Others."
Grace is very religious and becomes angered when her daughter Anne upsets Nicholas with tales of a young boy whom she says comes into their room at night. Grace doesn't believe in the supernatural and brands Anne a liar, making her read the bible aloud in the hallway until the girl admits her sin. The new housekeeper Mrs. Mills (Fionnula Flanagan, "Waking Ned Devine"), is more receptive to Anne's stories, though, and questions the harshness of Grace's punishment, especially when Anne hasn't relented after three days. After all, Anne has hinted to Mrs. Mills that her mother may have once gone mad.
Grace accuses Mrs. Mills and the mute Lydia (Elaine Cassidy, "Felicia's Journey") of leaving doors open (they must be locked so as not to allow potentially life-threatening light to enter the room) and says Lydia makes a racket upstairs. But when Grace hears thuds that set the chandelier to swinging while she can see the two women outside, she's forced to investigate.
Anne tells her that 'the others' are in an attic room, and Grace discovers shrouded furniture, whispering voices and even a 'book of the dead' that panic her.
Things take stranger turns and it's unclear what agenda the three servants, who showed up unbidden claiming to know the house, have, if any. Grace asks the gardener, Mr. Tuttle (Eric Sykes, "Those Magnificent Men in Their Flying Machines") to search for a graveyard on the grounds and sets out to fetch the parish priest. But she becomes enveloped in blanketing fog and instead finds her shell shocked husband dazedly coming up the road.
Alejandro Amenabar ("Open Your Eyes") has taken a page from "The Innocents" and created a spooky, psychological, gothic ghost story of a time gone by. The children's odd ailment gives him the opportunity to create an eerie mood with dark, shadowy rooms and corridors lit only by the candles and lanterns carried by his characters. Religious symbols, from a covered status of Jesus to Anne's communion dress, become sinister. Creaking doors, whooshing drapes and unexpected footfalls make one shiver. Amenabar's score is also effectively old-fashioned.
Kidman walks a line between being overly strict and warmly maternal. Mounting fear shines from her ever-widening eyes. The performance tends toward brittleness, however. Young newcomers Alakina Mann and James Bentley are both superb, childlike and innocent on the one hand, almost eerily pale and borderline creepy on the other. Anne is willful and rebellious while Nicholas is terrified and trusting. Fionnula Flanagan keeps us off balance with her caring housekeeper who just might know more about the strange goings on that she's letting on.
While anyone who's seen a lot of movies should have no trouble at least partially figuring out the 'surprise' twist ending, "The Others" is still an enjoyable, well made thriller for those who like things that go bump in the night.
B
For more Reeling reviews visit www.reelingreviews.com
<EMAIL_ADDRESS><EMAIL_ADDRESS>========== X-RAMR-ID: 29180 X-Language: en X-RT-ReviewID: 243840 X-RT-TitleID: 1109257 X-RT-SourceID: 386 X-RT-AuthorID: 1487 X-RT-RatingText: B
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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Related links: index of all rec.arts.movies.reviews reviews


The latest version of this module can be found at:
Visit the W3 ESW wiki for more information about FOAF+SSL:
Release versions of the following packages for your Linux distribution:
Development versions of the following packages for your Linux distribution:
Use the following compilation and installation procedure:
$ autoconf $ ./configure $ sudo make install
The 'make install' command calls Apache's apxs utility to create and install the mod_authn_webid DSO using default Apache module installation parameters.
LoadModule authn_webid_module modules/mod_authn_webid.so SSLVerifyClient optional_no_ca # WebID ignored <Location /> </Location> # WebID optional <Location /public/> AuthType WebID Require everyone AuthWebIDAuthoritative off </Location> # WebID required <Location /private/> AuthType WebID Require valid-user </Location>
Clients are verified using the following SPARQL query:
PREFIX rdf: <http://www.w3.org/1999/02/22-rdf-syntax-ns#> PREFIX cert: <http://www.w3.org/ns/auth/cert#> PREFIX rsa: <http://www.w3.org/ns/auth/rsa#> SELECT ?m ?e ?mod ?exp WHERE { ?key cert:identity <%s>; rsa:modulus ?m; rsa:public_exponent ?e. OPTIONAL { ?m cert:hex ?mod . } OPTIONAL { ?e cert:decimal ?exp. } }
%s is substituted by the client's WebID claim.
Matching modulus and exponent triggers successful authentication. Only hex characters [0-9a-f] are considered for modulus comparison.
The optional clauses maintain compatibility for users with FOAF WebIDs before the changes to the cert datatypes discussed on foaf-protocols here: http://lists.foaf-project.org/pipermail/foaf-protocols/2010-March/001857.html
Please visit the issue tracker for bug reports, feature requests, and other support.
Joe Presbrey
presbrey@csail.mit.edu


#Saving Lentil
### Tips for a Successful Instagram API Submission
[Todd Stoffer | NCSU<EMAIL_ADDRESS>/ [@toddstoffer](www.twitter.com/toddstoffer) / [toddstoffer.com](www.toddstoffer.com)
## Lentil
#### by NCSU Libraries
* Instagram Harvester
* Created in 2013 by NCSU Libraries
* Requires 'Basic' and 'public_content' API Scope Permissions
* Without API Approval Would Stop Working in June
## Instagram API Changes
* All Clients Created After Nov. 15, 2015 Sandboxed by Default
* Formal Permissions Review Process
* Limited Set of Valid Use Cases
## Valid Use Cases
* Help individuals share their own content with 3rd party apps.
* Help brands and advertisers understand, manage their audience and media rights.
* Help broadcasters and publishers discover content, get digital rights to media, and share media with proper attribution.
Source: www.instagram.com/developer
## Sandbox
All new clients that are created are automatically placed in sandbox mode. Limited to 10 users and 20 most recent images from those users
## Permissions Review
New clients must be submitted for review before granted approval to be moved out of sandbox
## Submission Requirements
* Demo Website and Privacy Policy
* Valid Use Case Documentation
* Screencast
* Additional Permissions Documentation
## Be Specific
Pick your valid use case and stick with it, quote their use cases in your submission
## Be Persistent
If rejected, tweak and resubmit
## Be Lucky
Wear your lucky socks on submission day
## More Info
* * *
#### Lentil
[github.com/NCSU-libraries/lentil](https://github.com/ncsu-libraries/lentil)
#### Sample API Submission Docs
[github.com/toddstoffer/instagram-API-Submission](https://github.com/toddstoffer/Instagram-API-Submission)


I am a Software Developer with eight years of experience, who has proven background in designing and implementing complex apps and systems. I have expert knowledge of the SW development life cycle, including design, coding, testing, debugging, deployment and maintenance. I'm highly self-organized, with a proven ability to handle full SW development/release cycle, and particularly passionate about app architectures and automation of work processes. I'm keen on sharing my knowledge with the rest of the programming community through articles on Medium , as well as contributing to the open source projects on GitHub. I'm a quick learner with a thirst to expand my already vast knowledge, and I excel at conceptualizing and implementing new and innovative ideas to help organisations reach their goals.
Leading an iOS development as part of a technical team, providing a cross-application solutions across the bank products and successfully integrating it into existing systems.
Acted as technical lead for the development of an enterprise level framework for pipelining of application customization for different customers. Lead the development of solution architecture of main company product.
Developed the company flagship product and managed a small team of developers, including training new starters, allocating tasks, determining project timeframes, conducting performance reviews, and motivating the team to meet deadlines and achieve higher quality results.
Contributed to a key organisation products and created multiple mobile applications from zero, taking role of a leading mobile developer in company. Created main workflows inside the mobile department, as part of a constant and productive work with clients.


A mammalian histone deacetylase related to the yeast transcriptional regulator Rpd3p[ see comments] Trapoxin is a microbially derived cyclotetrapeptide that inhibits histone deacetylation in vivo and causes mammalian cells to arrest in the cell cycle.
Abstract
A trapoxin affinity matrix was used to isolate two nuclear proteins that copurified with histone deacetylase activity. Both proteins were identified by peptide microsequencing, and a complementary DNA encoding the histone deacetylase catalytic subunit (HD1) was cloned from a human Jurkat T cell library. As the predicted protein is very similar to the yeast transcriptional regulator Rpd3p, these results support a role for histone deacetylase as a key regulator of eukaryotic transcription.


IBM Digital Analytics policy
IBM allows you to view or change the way they collect data about your user experience on this site. There are three different levels of data collection.
Your current level
Use a cookie on my device to collect data about my experience. This data may be used to produce a report on an individual anonymous visitor.
To update the level of data that is collected about you, select one of the following options:


{% extends "base.html" %} {% load url from future %} {% block content %} {% if previous %}
That was {{ previous.country }}, not {{ previous.wrong_answer }}.


You haven’t been shortlisted for {{opportunities[opportunity_id].name}}
Dear supplier,
Thank you for applying to {{opportunities[opportunity_id].name}}.
Unfortunately, your application was unsuccessful. The buyer may be in touch with feedback.
You can find this information on the Digital Marketplace at
https://digitalmarketplace.service.gov.uk/suppliers/services/dos2
Email<EMAIL_ADDRESS>with any questions.
Thanks,
The Digital Marketplace team