Zimcke Van de Staey, Natacha Gesquière. April 2021. A Social Robot Activity for Novice Programmers. In International Conference on Robotics in Education (RiE), Springer, pp. 72-77.
Zimcke Van de Staey, Tobias Verlinde, Bart Demoen, and Bern Martens. 2018.
Co-de: an online learning platform for computational thinking.
In Proceedings of the 13th Workshop in Primary and Secondary Computing Education (WiPSCE'18). ACM,
New Yorks, NY, USA, Article 32, 2 pages.
Zimcke Van de Staey. 2015. Spelen met muziek? in Ecce Home Ludens, Uit het Erasmushuis, Tijdschrift van de Alumni Letteren Leuven, Vol. 5, pp.44-48.
Zimcke Van de Staey. 2014. Music for Mobile Media. Master thesis.
In 2019 I took this picture from a double-deck bus in Hong Kong on my way to the airport, because Biu Kee Mahjong stands out in the street and is part of the city's heritage.  They safeguarded them for two months 🥹
— Zimcke Van de Staey (@zimcke) May 30, 2022
Why do refrigerators always come with lights and freezers do not get extended the same courtesy? Rude 🤯
— Zimcke Van de Staey (@zimcke) May 13, 2022
Chinese New Year. One blissful week of no construction noise.
— Zimcke Van de Staey (@zimcke) February 2, 2022
After months of taking countless elevators every day, I still flinch when the doors might close and trap me like a plushy in a claw machine. Every time the doors close automatically, it just reinforces this behaviour. #HK
— Zimcke Van de Staey (@zimcke) January 30, 2022
Today I took part in an #EdTech workshop from the @EU_Commission. We shared ideas and discussed improvements for the future of education. An overview from some companies' perspectives:
— Zimcke Van de Staey (@zimcke) January 14, 2022


For all platforms use wxWidgets 3.0 and higher. AStyleWx will NOT compile with wxWidgets 2.8.
AStyleWx expects a Unicode, non-Monolithic build. This is the default for WxWidgets 3.0 and higher and is usually the default for the Linux wxWidgets installation packages.
On Linux, wxWidgets is available as installation packages. AStyleWx will work with the available packages if wxWidgets 3.0 or higher is used. You can install both versions 2.8 and 3.0 on the same system. Both the development packages and the run-time packages should be installed.
The Linux compiles use the wx-config script for information about wxWidgets. The default release is used unless another is requested. Install locations as well as compiler and linker options are also obtained from the script.
To display the default release:
wx-config --release
To display a list of all installed releases:
wx-config --list
To display the compiler options:
wx-config --cflags
To display the linker options:
wx-config --libs
To get a list of other options:
wx-config --help
Use wxWidgets 3.1 or higher. Previous versions did not work with C++11. For MacOS it must be compiled and installed from the source code. For Artistic Style Wx version 3.0 it must be compiled as C++11. Download the source for Linux and MacOS. Do NOT use a Windows download. It will have the wrong line endings which will cause problems.
Build the library for cocoa. Install instructions are in wxWidgets docs/osx. Either Xcode or the command line tools may be used. The Xcode install did NOT do a complete install with the tested release. The command line tools were the better choice. The AStyleWx compiles are built with wxWidgets STATIC libraries from the default install folders.
Building with C++11 requires additional options. The following instructions worked on a macOS 10.12 Sierra with wxWidgets 3.1.0. Other possible configure flags are at http://wiki.wxwidgets.org/Possible_Configure_Flags_under_OS_X
NOTE: The following configure statement is three lines long for readability. It should be entered as one line. The files are built as static libraries (disable-shared). The option gnu++11 MUST be used instead of c++11 or linker errors will occur. The minimum deployment is macOS 10.9 Mavericks. The Clang compiler is used instead of the default GCC.
To build and install static libraries using the command line:
cd wxWxdgets-3.1.0 mkdir build-release cd build-release ../configure --disable-shared -with-macosx-version-min=10.9 CC=clang CXX=clang++ \ CXXFLAGS="-std=gnu++11 -stdlib=libc++" OBJCXXFLAGS="-std=gnu++11 -stdlib=libc++" \ LDFLAGS="-stdlib=libc++" make sudo make install
NOTE: An error may occur when compiling and installing QTKit. If it does, just re-execute the make using the additional option --ignore-errors e.g. "make --ignore-errors". The make will continue from that point. The project that does not compile is not needed.
The Artistic Style Wx compiles use the "wx-config" script for information about wxWidgets. The default release is used unless another is requested. Install locations as well as compiler and linker options are also obtained from the script. A brief description of the script is in the wxWidgets Linux description.
There are Visual Studio solution files for wxWidgets releases in the wxWidgets build\msw folder. All of the configurations and platforms in the wxWidgets solution files are supported by AStyleWx. Just open the appropriate solution file for your Visual Studio version and compile the configurations and platforms you want. The outputs will be in the various wxWidgets "lib" folders.
The wxWidgets website has binary DLLs available for download. These were not used because the wxWidgets static libraries are not included. The binary DLLs can be used for the DLL files if you want, but the AStyleWx properties will need to be changed to the correct directories. The binaries are apparently compiled with the options OFFICIAL_BUILD, COMPILER_VERSION, and TARGET_CPU (and possibly others) while the solution file compiles are not. The properties that require changing are "C/C++ > General > Additional Include Directories" and "Linker > General > Additional Library Directories". This may change, of course, with later versions.
Compiling wxWidgets 3.0.2 with Visual Studio 2015 requires making changes to the wxWidgets source files. A description of the solution is at https://forums.wxwidgets.org/viewtopic.php?f=19&t=40491. Use the reply by doublemax tagged as [SOLVED]. These changes are NOT needed for wxWidgets 3.1.0 and higher.
AStyleWx has a "static" build which is not available with the wxWidgets solutions. The Visual Studio wxWidgets project files can be modified by using the procedure described in the AStyleWx documentation Visual Studio Static Compile.
Other Windows compilers will need to use the makefiles in the wxWidgets build\msw folder. With wxWidgets 3 you can use the default options with the following exceptions. To build the wxWidgets static libraries no additional options are needed. To build the wxWidgets DLLs the option SHARED=1 should be used.
Some compilers require compiling wxWidgets with C++11. If you need to compile with C++11, there is an important note in wxWidgets docs\msw\install.txt. Use ‑std=gnu++11 instead of ‑std=c++11 because the latter disables some extensions that wxWidgets relies on. If this is not done the linker will fail with undefined references. ‑Wno-deprecated-declarations may also be needed to eliminate unwanted warning messages.
To build wxWidgets DLLs with the TDM GCC compiler:
cd build\msw mingw32-make -f makefile.gcc SHARED=1 CXXFLAGS="-std=gnu++11 -Wno-deprecated-declarations"
There are build folders for the following compilers. All compiler folders are in the "build" directory.
There are workspace and project files in each folder. All projects have at least Debug and Release configurations. The main "wx" programs will link to the wxWidgets shared object libraries. All output will be in the "bin" directory.
The following workspace files are available.
The build has no autoconf dependency. To build the AStyleWx configurations use the makefile located in the astylewx/build/gcc directory. The executables will be in the astylewx/build/gcc/bin directory. The Artistic Style source is included in the AStyleWx compile but not in the AStyleWxSo compile.
To build Artistic Style Wx change to the astylewx build/gcc directory. Before the first compile the deps.mak file should be regenerated to assure the correct version of wxWidgets headers is being used. It is regenerated using the "deps" target in the makefile. Wait for it to finish before doing the make.
cd astylewx/build/gcc make deps make
To build the other astylewx configurations you can enter the file name or a symbolic name. Entering "make astylewx" or "make release" will build the command line configuration. Following are the symbolic names and file names (in parens) of the various configurations:
More than one configuration can be built at the same time. For example, to build all the release configurations enter:
cd astyle/build/gcc make release shared
The Makefile Shared Libraries section contains additional information on compiling to use an astyle shared library. The Other Makefile Options and Other Makefile Targets sections contain additional compile and target options.
The build has no autoconf dependency. To build AStyleWx use the makefile located in the astyle/build/clang directory. The executables will be in the astyle/build/clang/bin directory. The Artistic Style source is included in the AStyleWx compile.
To build Artistic Style Wx change to the astylewx/build/clang directory. Before the first compile the deps.mak file should be regenerated to assure the correct version of wxWidgets headers is being used. It is regenerated using the "deps" target in the makefile. Wait for it to finish before doing the make.
cd astylewx/build/clang make deps make
The Makefile Shared Libraries section contains additional information on compiling to use an astyle shared library. The Other Makefile Options and Other Makefile Targets sections contain additional compile and target options.
These procedures and the makefile are for recent versions of the compiler. They may not work for earlier versions. Instructions for your compiler are in the compiler documentation file "get_started_lc.htm".
To compile the source there are environment variables that must be set by running the compiler environment script compilervars.sh (or compilervars.csh) with an argument that specifies the target architecture. If this has not been done already enter: "source <install-dir>/bin/compilervars.sh <arg>", where <install-dir> is the directory where the compiler is installed and <arg> is ia32 or intel64. If this is not done "make" will display an error message. On an Intel x64 platform installed in the default directory the instruction would be
source /opt/intel/bin/compilervars.sh intel64
The build has no autoconf dependency. To build AStyleWx use the makefile located in the astyle/build/intel directory. The executables will be in the astyle/build/intel/bin directory. The Artistic Style source is included in the AStyleWx compile.
To build Artistic Style Wx change to the astylewx/build/intel directory. Before the first compile the deps.mak file should be regenerated to assure the correct version of wxWidgets headers is being used. It is regenerated using the "deps" target in the makefile. Wait for it to finish before doing the make.
cd astylewx/build/intel make deps make
The Makefile Shared Libraries section contains additional information on compiling to use an astyle shared library. The Other Makefile Options and Other Makefile Targets sections contain additional compile and target options.
To build the AStyleWxSo program an AStyle shared library must be compiled using the AStyle makefile. AStyleWxSo, the compile using the AStyle dynamic library, uses the compiler directive ASTYLE_DYLIB. This does a dynamic load of the AStyle library at runtime, it is NOT linked during the compile. This will allow it to ignore the library soname version while loading. The shared library can either be left in the AStyle folder or copied to the binary folder containing the AStyleWxSo executable. (It may be in any of the folders indicated by the rpaths options in the AStyleWx makefile). If no library is found a message will be displayed a runtime, not compile time.
The shared library compile expects to use the current AStyle library as a local library. If you have system libraries installed and want to use them, the makefile needs to be changed. Find the Makefile macro "$(rpaths)" in the linker command and change it to "‑lastyle". The instruction for the default build should be changed in a similar manner. When this is done the compile will link to the most current system library.
The following additional compile options are available for GCC, Clang, Intel, and MacOS.
wx=3.0
To compile with a wxWidgets release other than the default use the "wx" option. For example, if both releases 3.0 and 3.1 are installed, using "wx=3.0" will compile with wxWidgets release 3.0. This option may be used with compile and install commands.
To add additional compiler options use CFLAGS. The options should be enclosed in quotes if spaces are included.
To add additional linker options use LDFLAGS. The options should be enclosed in quotes if spaces are included.
This is used in CFLAGS to bypass AStyleWx warning messages when changed files have not been saved. Its purpose is to make testing more convenient. It is not intended to be used in a release configuration. To use the option enter CFLAGS="‑DTESTMODE1".
The following additional makefile targets are available.
Removes the object and executable files for all configurations.
To remove the files for all configurations:
make clean
Removes the object files for all configurations. The executables will not be removed.
To remove only the object files for all configurations:
make cleanobj
Installs the AStyleWx executable and documentation files. The default is /usr/bin for the executable and /usr/share/doc/astylewx for the documentation. You must have the appropriate permissions to use install.
To install AStyleWx to the default directories:
sudo make install
To install AStyleWx to a different directory, set a value for the macro $(prefix). For example, to install the executable to a user's home directory (/home/user/bin):
sudo make prefix=$HOME install
Uninstalls the executable and documentation. You must have the appropriate permissions to use uninstall.
To uninstall AStyleWx from the default directories:
sudo make uninstall
To uninstall the files from a different directory set a value for the macro $(prefix). For example, to uninstall the files from a user's home directory (/home/user):
sudo make prefix=$HOME uninstall
NOTE: The uninstall option will NOT remove the ".astylewx" configuration files from the user's home directory. The files must be removed individually for each user.
AStyleWx workspace and project files for the Xcode development environment are available in the "build/xcode" directory. AStyleWx links AStyle as a static library.
The project files have Debug and Release configurations. The following projects are available in the AStyleWx workspace.
The following projects are available in the AStyleWxDy workspace.
Xcode cannot use the wx-config file like the makefile compile. The information for wxWidgets headers and libraries must be entered into Xcode. There is information at on doing this at wxWidgets Creating Xcode 3 projects for wxWidgets applications. A description of the process follows.
Display the wx-config default release as described in Linux wxWidgets Compiles.
Check the following settings for the wxWidgets release you want to use:
Build and run the program as usual from Xcode. The linker should be able to find the correct static libraries for the wxWidgets version. If there are linker errors check the wx-config settings above.
The following instructions are for the AStyleWx applications. The app will be installed in the Applications directory. You must have the appropriate permissions to use install.
To install AStyleWx app to the tmp/AStyleWx.dst/Applications directory:
cd astylewx/build/xcode sudo xcodebuild install -project AStyleWx.xcodeproj -target AStyleWx
The build has no autoconf dependency. To build the AStyleWx configurations use the makefile located in the astylewx/build/mac directory. The executables will be in the astylewx/build/mac/bin directory. The Artistic Style source is included in the AStyleWx compile.
To build Artistic Style Wx change to the astylewx build mac directory. Before the first compile the deps.mak file should be regenerated to assure the correct version of wxWidgets headers is being used. It is regenerated using the "deps" target in the makefile. Wait for it to finish before doing the make.
cd astylewx/build/mac make deps make
To build the other astylewx configurations you can enter the file name or a symbolic name. Entering "make astylewx" or "make release" will build the command line configuration. Following are the symbolic names and file names (in parens) of the various configurations:
More than one configuration can be built at the same time. For example, to build all the release configurations enter:
cd astyle/build/mac make release debug
The Other Makefile Options and Other Makefile Targets sections contain additional compile and target options. They are the same as for Linux makefiles.
In addition to the source files, the Windows distribution package contains an Artistic Style Win32 executable (AStyle.exe). If you prefer to compile the executable yourself use the following instructions.
There are build folders for the following compilers. All compiler folders are in the "build" directory.
There are workspace and project files for each folder. All projects have at least Debug and Release configurations. All output will be in the "bin" directory.
The following workspace files are available.
To compile AStyleWx the wxWidgetsMacros.props files must be changed. The files are located in the build\vs... folders. The easiest way to change them is to open the props files in a text editor. Then change the "WXWIN" field to the location of the wxWidgets directory on your system. The "wxVersion" field will need to be changed if it does not contain the correct wxWidgets version.
The "wxWidgetsMacros.props" files can also be changed from the "Properties Editor" in Visual Studio. An AStyleWx solution must be open. Open the "Property Manager" window from the View menu. Open a configuration in the Property Manager, right click on "wxWidgets Macros", and select "Properties". Under "Common Properties" select "User Macros". The "WXWIN" and "wxVersion" macros values will be displayed. They can be changed by double-clicking on the field name. Change the macro value to the correct value for your system and press OK. This will change the macros for all configurations. The properties file needs to be saved before closing the solution.
The following solution files are available.
All projects have the following configurations available for Win32 and x64 platforms.
To compile a configuration, the corresponding library files must be available in the wxWidgets directory. All library file compiles are available in the wxWidgets solution files except the Static compile. If the Static compile is not needed it can be removed from the configurations. If you want to try compiling it the procedure described in the AStyleWx documentation Visual Studio Static Compile.
To use other compilers a project file must be built using an editor or development environment.
The AStyle source can also be compiled as a separate static library and linked to the AStyleWx compile.
To compile AStyle as a static or shared (dynamic) library define the macro ASTYLE_LIB. To compile a Java shared (dynamic) library define the macro ASTYLE_JNI. The option ASTYLE_NO_EXPORTS is sometimes needed for static libraries to prevent compiler error and warning messages. Use the appropriate compiler and linker options to compile the static or shared library. Add debug options to compile the debug versions.
Artistic Style Wx has two compiler options. ASTYLE_DYLIB uses the wxWidgets wxDynamicLibrary Class to load an AStyle dll at runtime. The AStyle library is NOT linked with AStyleWx. It is loaded at runtime and must be available where expected. The TESTMODE1 option can be used with debug builds of AStyleWx. It removes confirmation messages for file saves and adds a "Test Options" dialog box to the Tools menu. It cannot be used with release builds.
Artistic Style is a small program and it is best to optimize for speed. The debug configurations are not usually optimized. To optimize for speed in the release configurations, use the macro NDEBUG to remove asserts. If necessary, use an option to activate the C++11 standards (--std=c++11 on GCC and MinGW). Use an option that allows inline function expansion. Runtime Type Information (RTTI) is NOT needed. Exceptions are not used. Use whole program optimization if your compiler supports it. There may be other options you can use depending on the compiler.


Files CCore/inc/math/NoPrimeTest.h CCore/src/math/NoPrimeTest.cpp
NoPrimeTest is a fast test for non-primality.
template <class Integer>
struct NoPrimeTest
{
....
template <class Random>
static bool RandomTest(Integer P,ulen count,Random &random);
};
The template parameter is an Integer type.
RandomTest() tests the given integer P. It returns true, if P is probably prime. If the return value is false, then P is not prime. RandomTest() does count of randomly chosen subtests to find out, that P is not prime. Each subtest has a chance above 50% to fail, if P is not prime. The more count, the more chances to break a non-prime number. The practical range for count is 30-100. random is a Random class.


DIVIDED WE FALL (Musime si pomahat)
Reviewed by Harvey Karten Sony Pictures Classics Director: Jan Hrebejk Writer: Petr Jarchovsky based on his novel Cast: Boleslav Polivka, Csongor Kassai, Jaroslav Dusek, Anna Siskova, Jiri Pecha, Martin Huba, Simona Stasova, Vladimir Marek, Jiri Kodet, Richard Tesarik
Let's say a crisis erupted in parts of America. The KKK goes wild and in one town is determined to lynch every African-American it can find. White homeowners are warned to turn in every Black man they can find and, of course, to refuse to shelter any who ask for protection.  A breathless, confused, and frightened Black man turns up at your doorstep asking you to hide him. You have an available room. What would you do?
A similar situation actually faced Europeans during the period of World War II 1939-1945, a time that Nazi stormtroopers and their collaborators moved to sweep towns in occupied Europe clear of Jews. Some good people took the ultimate risk and hid those who implored them to do so. (The people who did so at the risk of their lives are celebrated in Israel to this day, called "Righteous Among the Nations"). Others helped in a similar way but demanded money in return. The majority refused to do so, because they took part in the anti-Semitism that was Europe's affliction for centuries or because they simply feared for their lives.
"Divided We Fall," a work first produced for Czech TV by Jan Hrebejk based on Petr Jarchovsky's novel and screenplay, is based on a true event that took place within one family during the German occupation of Czechoslovakia. What is astounding about this film is that while it mines territory similar to that excavated by "The Diary of Anne Frank," the two-hour production is peppered with wit and humor during this most trying of times--waggery that fits right into the story rather than being shoehorned in as Roberto Benigni did with his fine but often forced "Life is Beautiful." Here is a film loaded with ironies, twists, and surprises which can easily keep the audience heads spinning. The photography is superb, particularly for a TV-produced work. In one case, for example, cameraman Jan Malir points his lens down on an evil doctor (who sterilized one hundred gypsies) at such an angle that the man look like a forties incarnation of Nosferatu. At several points, when humor takes a back seat to rising tension, Malir resorts to slo-mo photography to simulate a sudden, dramatic turn of events.
The story centers on Josef (Boleslav Polivka) and his wife Marie (Anna Siskova), a childless couple living in a small Czechoslovakian town during the Nazi occupation of their country. When a Jewish neighbor whom they had always liked, David Wiener (Csongor Kassai), suddenly shows up, emaciated after having escaped from the Theressenstadt concentration camp just before he was to be shipped to a death camp in Poland, Josef (reluctantly) and Marie (with more enthusiasm), give him shelter. They stash him in a small room Anne-Frank style, warning him not to leave the place except for a few moments at night for fear that not only David but also Josef, Marie, and in fact every resident of the block would be shot.
The bulk of the movie's humor is evoked by a neighbor, Horst (Jaroslav Dusek), whose pencil-thin mustache and enthusiastic "heils" mark him as a collaborator of the occupying Germans. Since he is attracted to Josef's wife Marie, he is a frequent, unannounced visitor to the table, supplying the couple with food confiscated from the departed Jews--a man who is slowly suspecting the big family secret. The boorish, motor-mouthed Horst cracks his knuckles insistently, and in one instance attacks Marie when he virtually forces her to take a ride with him. But Horst will supply one of the story's two great twists, the other occurring when a novel solution is found to Marie's inability to bear children.
Brimming with tension, wit, humor, surprise, a taut plot, and a stirring panorama of what happened when a small town is within the power of a brutal subjugation, "Divided We Fall"--in the expert hands of the director who had previous dished out a box office success "Cosy Dens"--brings to vivid life the tribulations and even the joys of normal people whose loyalties are tested in abnormal times. "Divided We Fall" is the excellent choice of the Academy, among the five nominees for best foreign-language movie of the year 2000.
Not Yet Rated. Running time: 123 minutes. (C) 2001 by Harvey Karten<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Overview
The Lore Documentation System, out of the box, is specialized for documenting Twisted. Its markup includes CSS classes for Python, HTML, filenames, and other Twisted-focused categories. But don't think this means Lore can't be used for other documentation tasks! Lore is designed to allow extensions, giving any Python programmer the ability to customize Lore for documenting almost anything.
There are several reasons why you would want to extend Lore. You may want
to attach file formats Lore does not understand to your documentation. You
may want to create callouts that have special meanings to the reader, to give a
memorable appearance to text such as, WARNING: This software was written by
a frothing madman!
You may want to create color-coding for a different
programming language, or you may find that Lore does not provide you with
enough structure to mark your document up completely. All of these situations
can be solved by creating an extension.
Inputs and Outputs
Lore works by reading the HTML source of your document, and
producing whatever output the user specifies on the command line. If
the HTML document is well-formed XML that meets a certain minimum
standard, Lore will be able to to produce some output. All Lore
extensions will be written to redefine the input, and most
will redefine the output in some way. The name of the default input
is lore
. When you write your extension, you will come up with
a new name for your input, telling Lore what rules to use to process
the file.
Lore can produce XHTML, LaTeX, and DocBook document formats, which can be
displayed directly if you have a user agent capable of viewing them, or
processed into a third form such as PostScript or PDF. Another output is
called lint
, after the static-checking utility for C, and is used for
the same reason: to statically check input files for problems. The
lint
output is just a stream of error messages, not a formatted
document, but is important because it gives users the ability to validate
their input before trying to process it. For the first example, the only
output we will be concerned with is LaTeX.
Creating New Inputs
Create a new input to tell Lore that your document is marked up differently from a vanilla Lore document. This gives you the power to define a new tag class, for example:

The Frabjulon Limpet 2000 is the industry-leading aquatic mollusc counter, bar none.

The above HTML is an instance of a new input to Lore, which we will call
MyHTML, to differentiate it from the lore
input. We want it to have
the following markup:
- A
productname
class for the  tag, which produces underlined text - A
marketinglie
class for  tag, which produces larger type, bold text
Note that I chose class names that are valid Python identifiers. You will see why shortly. To get these two effects in Lore's HTML output, all we have to do is create a cascading stylesheet (CSS), and use it in the Lore XHTML Template. However, we also want these effects to work in LaTeX, and we want the output of lint to produce no warnings when it sees lines with these 2 classes. To make LaTeX and lint work, we start by creating a plugin.
1 2 3 4 5 6 7 8 9 10 11
from zope.interface import implements from twisted.plugin import IPlugin from twisted.lore.scripts.lore import IProcessor class MyHTML(object): implements(IPlugin, IProcessor) name = "myhtml" moduleName = "myhtml.factory"
Create this file in a twisted/plugins/
directory (not a package) which is located in a directory in the
Python module search path. See the Twisted
plugin howto for more details on plugins.
Users of your extension will pass the value of your plugin's name
attribute to lore with the --input
parameter on the command line to select it. For
example, to select the plugin defined above, a user would pass --input myhtml
. The moduleName
attribute tells Lore where to find the code
implementing the plugin. In particular, this module should have a factory
attribute which defines a generator_
-prefixed method for each output format it
supports. Next we'll look at this module.
1 2 3 4 5 6 7 8 9
from twisted.lore import default from myhtml import spitters class MyProcessingFunctionFactory(default.ProcessingFunctionFactory): latexSpitters={None: spitters.MyLatexSpitter, } # initialize the global variable factory with an instance of your new factory factory=MyProcessingFunctionFactory()
In Listing 2, we create a subclass of ProcessingFunctionFactory.
This class provides a hook for you, a class variable
named latexSpitters
. This variable tells Lore what new
class will be generating LaTeX from your input format. We
redefine latexSpitters
to MyLatexSpitter
in
the subclass because this class knows what to do with the new input we
have already defined. Last, you must define the module-level
variable factory
. It should be
an instance with the same interface
as ProcessingFunctionFactory
(e.g. an instance of a subclass, in this
case, MyProcessingFunctionFactory
).
Now let's actually write some code to generate the LaTeX. Doing this
requires at least a familiarity with the LaTeX language. Search Google for
latex tutorial
and you will find any number of useful LaTeX
resources.
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18
from twisted.lore import latex from twisted.lore.latex import processFile import os.path class MyLatexSpitter(latex.LatexSpitter): def visitNode_span_productname(self, node): # start an underline section in LaTeX self.writer('\\underline{') # process the node and its children self.visitNodeDefault(node) # end the underline block self.writer('}') def visitNode_span_marketinglie(self, node): # this example turns on more than one LaTeX effect at once self.writer('\\begin{bf}\\begin{Large}') self.visitNodeDefault(node) self.writer('\\end{Large}\\end{bf}')
The method visitNode_span_productname
is our handler
for  tags with the class="productname"
identifier. Lore knows to try methods visitNode_span_*
and visitNode_div_*
whenever it encounters a new class in
one of these tags. This is why the class names have to be valid
Python identifiers.
Now let's see what Lore does with these new classes with the following input file:
  <title>My First Example</title>
My First Example

The Frabjulon Limpet 2000 is the industry-leading aquatic mollusc counter, bar none.

First, verify that your package is laid out correctly. Your directory structure should look like this:
1st_example.html myhtml/ __init__.py factory.py spitters.py twisted/plugins/ a_lore_plugin.py
In the parent directory of myhtml (that is, myhtml/..
), run
lore and pdflatex on the input:
$ lore --input myhtml --output latex 1st_example.html [########################################] (*Done*) $ pdflatex 1st_example.tex [ . . . latex output omitted for brevity . . . ] Output written on 1st_example.pdf (1 page, 22260 bytes). Transcript written on 1st_example.log.
And here's what the rendered PDF looks like:
What happens when we run lore on this file using the lint output?
$ lore --input myhtml --output lint 1st_example.html 1st_example.html:7:47: unknown class productname 1st_example.html:8:38: unknown class marketinglie [########################################] (*Done*)
Lint reports these classes as errors, even though our spitter knows how to
process them. To fix this problem, we must add to factory.py
.
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20
from twisted.lore import default from myhtml import spitters class MyProcessingFunctionFactory(default.ProcessingFunctionFactory): latexSpitters={None: spitters.MyLatexSpitter, } # redefine getLintChecker to validate our classes def getLintChecker(self): # use the default checker from parent checker = lint.getDefaultChecker() checker.allowedClasses = checker.allowedClasses.copy() oldSpan = checker.allowedClasses['span'] checkfunc=lambda cl: oldSpan(cl) or cl in ['marketinglie', 'productname'] checker.allowedClasses['span'] = checkfunc return checker # initialize the global variable factory with an instance of your new factory factory=MyProcessingFunctionFactory()
The method getLintChecker
is called
by Lore to produce the lint output. This modification adds our classes to the
list of classes lint ignores:
$ lore --input myhtml --output lint 1st_example.html [########################################] (*Done*) $ # Hooray!
Finally, there are two other sub-outputs of LaTeX, for a total of three
different ways that Lore can produce LaTeX: the default way, which produces as
output an entire, self-contained LaTeX document; with --config section
on the command line, which produces a
LaTeX \section; and with --config chapter
, which
produces a LaTeX \chapter. To support these options as well, the solution is
to make the new spitter class a mixin, and use it with the SectionLatexSpitter
and ChapterLatexSpitter
, respectively.
Comments in the following listings tell you everything you need to know about
making these simple changes:
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21
from twisted.lore import default from myhtml import spitters class MyProcessingFunctionFactory(default.ProcessingFunctionFactory): # 1. add the keys "chapter" and "section" to latexSpitters to handle the # --config chapter and --config section options latexSpitters={None: spitters.MyLatexSpitter, "section": spitters.MySectionLatexSpitter, "chapter": spitters.MyChapterLatexSpitter, } def getLintChecker(self): checker = lint.getDefaultChecker() checker.allowedClasses = checker.allowedClasses.copy() oldSpan = checker.allowedClasses['span'] checkfunc=lambda cl: oldSpan(cl) or cl in ['marketinglie', 'productname'] checker.allowedClasses['span'] = checkfunc return checker factory=MyProcessingFunctionFactory()1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26
from twisted.lore import latex from twisted.lore.latex import processFile import os.path # 2. Create a new mixin that does what the old MyLatexSpitter used to do: # process the new classes we defined class MySpitterMixin: def visitNode_span_productname(self, node): self.writer('\\underline{') self.visitNodeDefault(node) self.writer('}') def visitNode_span_marketinglie(self, node): self.writer('\\begin{bf}\\begin{Large}') self.visitNodeDefault(node) self.writer('\\end{Large}\\end{bf}') # 3. inherit from the mixin class for each of the three sub-spitters class MyLatexSpitter(MySpitterMixin, latex.LatexSpitter): pass class MySectionLatexSpitter(MySpitterMixin, latex.SectionLatexSpitter): pass class MyChapterLatexSpitter(MySpitterMixin, latex.ChapterLatexSpitter): pass


Ping-Pong
About Ping Pong
Created by:
lewis munene
GitHub Username/URL
munenelewis
Level 2 test for :
Let's play!
rules
ping pong count up to your number from 1 with the following exceptions:
Numbers divisible by 3 become "ping"
Numbers divisible by 5 becomes "pong"
Numbers divisible by 3 and 5 becomes "pingpong"
Enter your number here:
Ping pong


Dates and times when stored in a binary format are usually stored as a numeric value. Often the date and time are stored together in one value usually a 32 or 64 bit integer. Typically the operating system determines the format of dates, but sometimes specific compilers use their own representation, and convert to the OS format when necessary.
For example, C/C++ compilers use a numeric value called a “time_t”. Although a time_t could be any sort of numeric value (depending on the compiler) it is typically a 32 bit signed number representing the number of seconds since midnight of 1st January 1970. (This is usually the format for UNIX and Windows compilers.) The exact representation is usually irrelevant even to the programmer, but if the time_t value is written to a binary file it is important to your investigation of the file to know its format.
An important use for storing date/times is when the operating system keeps track of the time a file was last modified (or accessed, created etc). MSDOS file date/times are stored as separate years, months, days, hours, minutes and seconds each as a number of bits (or bitfield) in 4 bytes. (Actually seconds is only stored in 5 bits giving a resolution of 2 seconds.) In contrast the NTFS file date/times used by Windows XP/2000/NT are stored in a 64 bit integer in 100 nanosecond increments.
Another common format is to store days since a certain time in a floating point value. Thus the fractional part stores the time (eg. 0.5 means midday). For example, Microsoft OLE date/times are the number of days since 30th December 1899. This has the advantage that times close to the present can be stored accurately and distant times can still be represented (if less accurately).
Next topic: BitFields etc


brandonz.me tracks visitor information to understand how people are finding this site, how well it's meeting their needs, and if there are any code bugs that need squashing.
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Newlywed Toronto couple among seven people killed in Kingston plane crash
by Sean Davidson Multi-Platform Writer, CTV News Toronto ContactTORONTO -- A newlywed Toronto couple are among the seven people who were killed when a small plane crashed in Kingston earlier this week.
Emergency crews were called to a wooded area about six kilometres north of Norman Rogers Airport on Wednesday evening after a Piper PA-32 crashed.
The American-registered plane took off Wednesday afternoon from Buttonville Municipal Airport in Markham, Ont. and was attempting to land in Kingston. The plane's final destination was Quebec, authorities said.
Among the seven people killed were three children. There are no survivors.
The TSB said on Friday the wreckage was being taken to a facility in Richmond Hill for further analysis.
Investigator with the Transportation Safety Board of Canada, Ken Webster, said on Thursday the wreckage indicates the angle of impact was very steep and that the six-seater plane was completely destroyed.
Toronto newlyweds killed in crash
The pilot, identified as Texas resident Otabek Oblokulov, his wife and three children were killed in the crash, family members say. Records show the plane was registered to Oblokulov.
The pilot's brother-in-law and brother-in-law's wife were also killed. The brother-in-law, identified as Bobomurod Nabiev, and his wife, Sabina Usmanova, were newlywed Toronto residents, friends of the couple confirmed to CTV News Toronto.
According to the friend, Nabiev worked in IT in Toronto while Usmanova worked in a luggage shop. The couple got married in Uzbekistan in June.
"Bobomurod recently got married, he was enjoying his happy days, and the newlywed couple had big plans ahead," a GoFundMe page said on Friday.
"He was an amazing young guy, well-mannered, hardworking and caring friend."
"All his friends in Toronto and beyond are saddened at this most difficult of times."
Meanwhile, Otabek Oblokulov's brother, Oybek Oblokulov, told CTV News Toronto in a phone interview his brother was a generous man.
"People who know him and anyone you ask they will say all nice things about him," Oybek Oblokulov said.
According to his brother, Otabek Oblokulov got his pilot's licence about three years ago and owned the plane for about two years.
He said his brother moved to the United States from Uzbekistan at least 15 years ago.
Mehmet Basti, a Toronto college professor who is a friend of Otabek Oblokulov, said that the group was planning to spend three days in Quebec City for the American Thanksgiving holiday.
The three children on the plane were aged 13, nine and five, family friends say.
"We're waiting for the call when they landed,” he said. “We couldn’t reach them."
"We are in shock. We’re just trying to understand the situation."
Oblokulov was an experienced pilot, Basti added, saying that this was his first time flying in Canada.
Investigation into cause of crash continues
TSB investigators were at the scene investigating the cause of the crash Friday, interviewing witnesses and reviewing the plane’s maintenance history.
Webster said that the air force was able to find the wreckage due to an emergency locator that had turned on after impact.
Earlier in the day, TSB spokesperson Chris Krepski offered his condolences to the families of the deceased. "We understand they want answers rapidly and I'd like to offer my sincere condolences," Krepski said near the crash site.
"It's difficult to say how long it will be before the wreckage is removed. We need to take the time necessary to document and examine the aircraft. That will give us some ideas of how the aircraft collided with terrain," Krepski said.
A special weather statement had been issued for Kingston on Wednesday evening. Environment Canada warned of “strong southwesterly winds gusting to 80 km/h.”
Buttonville Municipal Airport is located in the 16th Avenue and Highway 404 area in Markham and is about 29 kilometres from downtown Toronto.


| Class | Description |
|---|---|
| UserSettingsFragment |
This class is used to hold the view for the
UserSettingsActivity . |
| WeatherCollectionAdapter |
This class holds all the weather fragments used to display the forecasts' information for the different tabs.
|
| WeatherDailyFragment |
This class represent the daily forecast view used in the day tabs.
|
| WeatherFragment |
This class is the base class for the other forecast fragments and contains utility methods for those classes.
|
| WeatherHourlyFragment |
This class represent the hourly forecast view used in the Today tab.
|
| WeatherLiveFragment |
This class represent the live forecast view used in the Live tab.
|
| WeatherViewPagerFragment |
This class holds the ViewPager2
used to navigate between the different forecasts in the app.
|


1/2
On on produce colonel pointed. Just four sold need over how any. In to september suspicion determine he prevailed admitting. On adapted an as affixed limited on. Giving cousin warmly things no spring mr be abroad. Relation breeding be as repeated
strictly followed margaret. One gravity son brought shyness waiting regular led ham.
Alteration literature to or an sympathize mr imprudence. Of is ferrars subject as enjoyed or tedious cottage. Procuring as in resembled by in agreeable. Next long no gave mr eyes. Admiration advantages no he celebrated so pianoforte unreserved.
Not its herself forming charmed amiable. Him why feebly expect future now.
1/3
Finished her are its honoured drawings nor. Pretty see mutual thrown all not edward ten. Particular an boisterous up he reasonably frequently. Several any had enjoyed shewing studied two. Up intention remainder sportsmen behaviour ye happiness.
Few again any alone style added abode ask. Nay projecting unpleasing boisterous eat discovered solicitude.
Speedily say has suitable disposal add boy. On forth doubt miles of child. Exercise joy man children rejoiced. Yet uncommonly his ten who diminution astonished. Demesne new manners savings staying had. Under folly balls death own point now men.
Match way these she avoid see death.
Own six moments produce elderly pasture far arrival. Hold our year they ten upon. Gentleman contained so intention sweetness in on resolving.
1/4
Own six moments produce elderly pasture far arrival. Hold our year they ten upon. Gentleman contained so intention sweetness in on resolving.
Own six moments produce elderly pasture far arrival. Hold our year they ten upon. Gentleman contained so intention sweetness in on resolving.
Own six moments produce elderly pasture far arrival. Hold our year they ten upon. Gentleman contained so intention sweetness in on resolving.
Own six moments produce elderly pasture far arrival. Hold our year they ten upon. Gentleman contained so intention sweetness in on resolving.
5 Columns
Am if number no up period regard sudden better. Decisively surrounded all admiration and not you. Out particular sympathize not favourable introduced insipidity but ham. Rather number can and set praise. Distrusts an it contented perceived attending
oh. Thoroughly estimating introduced stimulated why but motionless.
Am if number no up period regard sudden better. Decisively surrounded all admiration and not you. Out particular sympathize not favourable introduced insipidity but ham. Rather number can and set praise. Distrusts an it contented perceived attending
oh. Thoroughly estimating introduced stimulated why but motionless.
Am if number no up period regard sudden better. Decisively surrounded all admiration and not you. Out particular sympathize not favourable introduced insipidity but ham. Rather number can and set praise. Distrusts an it contented perceived attending
oh. Thoroughly estimating introduced stimulated why but motionless.
Am if number no up period regard sudden better. Decisively surrounded all admiration and not you. Out particular sympathize not favourable introduced insipidity but ham. Rather number can and set praise. Distrusts an it contented perceived attending
oh. Thoroughly estimating introduced stimulated why but motionless.
Am if number no up period regard sudden better. Decisively surrounded all admiration and not you. Out particular sympathize not favourable introduced insipidity but ham. Rather number can and set praise. Distrusts an it contented perceived attending
oh. Thoroughly estimating introduced stimulated why but motionless.
1/6
Adieus except say barton put feebly favour him. Entreaties unpleasant sufficient few pianoforte discovered uncommonly ask. Morning cousins amongst in mr weather do neither. Warmth object matter course active law spring six. Pursuit showing tedious
unknown winding see had man add. And park eyes too more him. Simple excuse active had son wholly coming number add. Though all excuse ladies rather regard assure yet. If feelings so prospect no as raptures quitting.
Adieus except say barton put feebly favour him. Entreaties unpleasant sufficient few pianoforte discovered uncommonly ask. Morning cousins amongst in mr weather do neither. Warmth object matter course active law spring six. Pursuit showing tedious
unknown winding see had man add. And park eyes too more him. Simple excuse active had son wholly coming number add. Though all excuse ladies rather regard assure yet. If feelings so prospect no as raptures quitting.
Adieus except say barton put feebly favour him. Entreaties unpleasant sufficient few pianoforte discovered uncommonly ask. Morning cousins amongst in mr weather do neither. Warmth object matter course active law spring six. Pursuit showing tedious
unknown winding see had man add. And park eyes too more him. Simple excuse active had son wholly coming number add. Though all excuse ladies rather regard assure yet. If feelings so prospect no as raptures quitting.
Adieus except say barton put feebly favour him. Entreaties unpleasant sufficient few pianoforte discovered uncommonly ask. Morning cousins amongst in mr weather do neither. Warmth object matter course active law spring six. Pursuit showing tedious
unknown winding see had man add. And park eyes too more him. Simple excuse active had son wholly coming number add. Though all excuse ladies rather regard assure yet. If feelings so prospect no as raptures quitting.
Adieus except say barton put feebly favour him. Entreaties unpleasant sufficient few pianoforte discovered uncommonly ask. Morning cousins amongst in mr weather do neither. Warmth object matter course active law spring six. Pursuit showing tedious
unknown winding see had man add. And park eyes too more him. Simple excuse active had son wholly coming number add. Though all excuse ladies rather regard assure yet. If feelings so prospect no as raptures quitting.
Adieus except say barton put feebly favour him. Entreaties unpleasant sufficient few pianoforte discovered uncommonly ask. Morning cousins amongst in mr weather do neither. Warmth object matter course active law spring six. Pursuit showing tedious
unknown winding see had man add. And park eyes too more him. Simple excuse active had son wholly coming number add. Though all excuse ladies rather regard assure yet. If feelings so prospect no as raptures quitting.
1/12
Own six moments produce elderly pasture far arrival. Hold our year they ten upon.
Own six moments produce elderly pasture far arrival. Hold our year they ten upon.
Own six moments produce elderly pasture far arrival. Hold our year they ten upon.
Own six moments produce elderly pasture far arrival. Hold our year they ten upon.
Own six moments produce elderly pasture far arrival. Hold our year they ten upon.
Own six moments produce elderly pasture far arrival. Hold our year they ten upon.
Own six moments produce elderly pasture far arrival. Hold our year they ten upon.
Own six moments produce elderly pasture far arrival. Hold our year they ten upon.
Own six moments produce elderly pasture far arrival. Hold our year they ten upon.
Own six moments produce elderly pasture far arrival. Hold our year they ten upon.
Own six moments produce elderly pasture far arrival. Hold our year they ten upon.
Own six moments produce elderly pasture far arrival. Hold our year they ten upon.
2/3 + 1/3
When be draw drew ye. Defective in do recommend suffering. House it seven in spoil tiled court. Sister others marked fat missed did out use.
When be draw drew ye. Defective in do recommend suffering. House it seven in spoil tiled court.
3/4 + 1/4
When be draw drew ye. Defective in do recommend suffering. House it seven in spoil tiled court. Sister others marked fat missed did out use.
When be draw drew ye. Defective in do recommend suffering. House it seven in spoil tiled court.
5/6 + 1/6
When be draw drew ye. Defective in do recommend suffering. House it seven in spoil tiled court. Sister others marked fat missed did out use.
When be draw drew ye. Defective in do recommend suffering. House it seven in spoil tiled court.
11/12 + 1/12
When be draw drew ye. Defective in do recommend suffering. House it seven in spoil tiled court. Sister others marked fat missed did out use.
When be draw drew ye. Defective in do recommend suffering. House it seven in spoil tiled court.


OCamlJIT 2.0
OCamlJit 2.0 is a new Just-In-Time engine for Objective Caml 3.12.0 on desktop processors
(x86/x86-64). It translates the OCaml byte-code used by the interpreter (ocamlrun
and ocaml
)
to x86/x86-64 native code on-demand and runs the generated native code instead of interpreting
the byte-code. It is designed to run with minimal compilation overhead (translating only what
is being executed, avoiding costly code generation and optimization techniques), while being
100% compatible with the byte-code runtime (including serialization and hashing of closures,
etc.).
OCamlJit 2.0 was specifically designed for desktop processors and is not really portable to anything else in its current shape, because the target audience are people using the interactive top-level and the byte-code interpreter for rapid prototyping/development (which is unlikely to happen on anything else but x86/x86-64). The implementation currently requires a system that adheres to the SysV ABI, which includes Linux, BSD, OS X, but excludes Win32/Win64 (patches/ideas are welcome). It was tested on Linux/x86 (Debian), Linux/amd64 (CentOS) and Mac OS X 10.6 (64bit). The x86 implementation requires SSE2 capable processors (otherwise it falls back to the byte-code interpreter), so it won't speedup your OCaml programs running on 486 CPUs. :-)
OCamlJit 2.0 runs most benchmarks at 2-6 times faster than the byte-code interpreter. The interactive top-level benefits twice when used with the JIT engine:
- the compiler stages are JIT compiled and
- the generated byte-code is JIT compiled.
A tech report describing a slightly earlier prototype and including performance measures of OCamlJit 2.0 on Mac OS X (64bit) is available at:
http://arxiv.org/abs/1011.1783
The source code is available from the Git repository (master branch) at:
Installation is similar to installation of Objective Caml, just run
followed by
This will install a fully working Objective Caml 3.12.0 to /path/to/ocamljit2
, where
/path/to/ocamljit2/bin/ocamlrun
and /path/to/ocamljit2/lib/libcamlrun_shared.so
include
the JIT engine in addition to the byte-code interpreter (fallback to the byte-code interpreter
is necessary for debugging with ocamldebug
). The configure
script prints a line indicating
whether the JIT engine is enabled or not (if not, it'll be just a regular OCaml 3.12
installation).
Update
See the discussion on the Caml mailing list, and the more recent work on OCamlJIT2.


{% extends "layout.html" %} {% block page_title %} Start page example {% endblock %} {% block content %} What is the reason for the late submission of month 9 claim? Staff sickness Technical problem Problem logging into HPCDS application A late claim may result in payment being deferred until the next payment window. Continue {% endblock %}
A late claim may result in payment being deferred until the next payment window.


Option C
Stairway to Heaven
Option C
Stairway to Heaven
Get a healthy heart rate going up these steps, but we gotta first start with some model shots. Instagram photos only.
Picnic, cheese and crackers, wine and a view!
Warm miso soup, sake and sushi to satiate us for the night!
Kick back, relax, have a Tiki drink and listen to amazing music.


warez d00dz
`Prev `__
W
`Next `__
--------------
**warez d00dz**: /weirz doodz/, n.
A substantial subculture of `*cracker* <../C/cracker.html>`__\ s refer
to themselves as warez d00dz; there is evidently some connection with
`*B1FF* <../B/B1FF.html>`__ here. As ‘Ozone Pilot’, one former warez
d00d, wrote:
Warez d00dz get illegal copies of copyrighted software. If it has
copy protection on it, they break the protection so the software can
be copied. Then they distribute it around the world via several
gateways. Warez d00dz form badass group names like RAZOR and the
like. They put up boards that distribute the latest ware, or pirate
program. The whole point of the Warez sub-culture is to get the
pirate program released and distributed before any other group. I
know, I know. But don't ask, and it won't hurt as much. This is how
they prove their poweress [sic]. It gives them the right to say, “I
released King's Quest IVXIX before you so obviously my testicles are
larger.” Again don't ask...
The studly thing to do if one is a warez d00d, it appears, is emit 0-day
warez, that is copies of commercial software copied and cracked on the
same day as its retail release. Warez d00ds also hoard software in a big
way, collecting untold megabytes of arcade-style games, pornographic
JPGs, and applications they'll never use onto their hard disks. As Ozone
Pilot acutely observes:
[BELONG] is the only word you will need to know. Warez d00dz want to
belong. They have been shunned by everyone, and thus turn to
cyberspace for acceptance. That is why they always start groups like
TGW, FLT, USA and the like. Structure makes them happy. [...] Warez
d00dz will never have a handle like “Pink Daisy” because warez d00dz
are insecure. Only someone who is very secure with a good dose of
self-esteem can stand up to the cries of fag and girlie-man. More
likely you will find warez d00dz with handles like: Doctor Death,
Deranged Lunatic, Hellraiser, Mad Prince, Dreamdevil, The Unknown,
Renegade Chemist, Terminator, and Twin Turbo. They like to sound
badass when they can hide behind their terminals. More likely, if
you were given a sample of 100 people, the person whose handle is
Hellraiser is the last person you'd associate with the name.
The contrast with Internet hackers is stark and instructive. See
`*cracker* <../C/cracker.html>`__, `*wannabee* `__,
`*handle* <../H/handle.html>`__, `*elite* <../E/elite.html>`__,
`*courier* <../C/courier.html>`__, `*leech* <../L/leech.html>`__;
compare `*weenie* `__, `*spod* <../S/spod.html>`__.
--------------
+--------------------------+----------------------------+----------------------------------+
| `Prev `__ | `Up <../W.html>`__ | `Next `__ |
+--------------------------+----------------------------+----------------------------------+
| warez | `Home <../index.html>`__ | warez kiddies |
+--------------------------+----------------------------+----------------------------------+


Web assembly looks like the next best thing in web technologies. Even though the first release happened fairly recently, namely in early 2017, there were rumors and anticipation long ago. With a quick google searching, I found this HackerNews article, almost 3 years ago, for example.
So what is all the hype about WebAssembly? As with all new(and promising) technologies, there is information overload in the air, I made a compact FAQ to help you get up to speed with this new kid in the town
Continue reading


New Society Entry
Society Name :
*Society Name is required
*Society Name should be in alphabets
Society Unique Name
*Society Unique Name is required
*Society Unique Name should be in alphabets
Society Registration Number:
*Society Registration Number is required
*Society Registration Number should be minimum 10 and maximum 15 digit number
Channel Partner :
{{ channel.channelPartnerName }}
*Channel Partner is mandetory
Number Of Wings:
*Number of Wings is required
*Number of Wings should be in number
*Number of Wings should be in 1 to 4 digit number
Number Of Flats :
*Number of Flats is required
*Number of Flats should be in number
Flat Property Type:
*Flat Property Types is required
*Flat Property Type should be in alphabets
GST Number :
*GST Number is required
*GST Number should be 15 digit number including alphabets and number
TAN Number :
*TAN Number is required
*TAN Number should be 10 digit number including alphabets and number
PAN Number
*PAN Number is required
*PAN Number should be 10 digit number including alphabets and number
Address Line 1:
*Address Line 1 is required
*Address Line 1 should be 15 digit number including alphabets and number
Address Line 2 :
*Address Line 2 is required
*Address Line 2 should be 15 digit number including alphabets and number
State:
{{isState}}
*State is required
District
{{isDistrict}}
*District is required
Tehsil
{{isTehsil}}
*Tehsil is required
City:
*City is required
Area:
*Area is required
Pin Code:
*Pin Code is required
*Pin Code shoulde be 6 digits only
Monthly Maintenance Charges:
*Pin Code is required
Save
Cancel
Show List


At massage school we learned polarity therapy as part of the courseload. Polarity is a system of energetic bodywork which fuses energetic and ethereal systems from Chinese medicine, ancient Greek and Egyptian medicine, Ayurveda, and various other sources. In some cases the session can be done 'off-body' or without physical contact. This means that rape victims, survivors of brutality or domestic abuse and other traumatized people can get painless bodywork: Polarity respects their defensive boundaries. May all who suffer so be uplifted, fulfilled and freed.
In school we were taught the theory and taken through balancing exercises for the five Ayurvedic elements: air, fire, water, earth and space (or Akasha). The Fire balancing session was particularly powerful for me to receive. My partner moved through the session step by step, being no more experienced than I. As with the other balancing sessions, I reached a deep, pleasant, comfortable state of relaxation: the parasympathetic response. I could have moved, but I was so warm and comforted that I didn't want to. Near the end of the session, I saw my body as if from a vantage point in my head: transparent, empty, and lit by the afternoon sun. Then I received a tarnsmission that is very hard to describe, although I shall try.
Imagine, if you will, a pan of alcohol into which a lit match has been thrown. The flame bursts out from the match and rolls across the pan of alcohol in a wave. This I felt, heard and saw inside my empty body, lying so comfy on the massage table. The flames burst out from around my chest area and spread across my back where it touched the table. As if a wind blew hard across the pan, the flames rippled up and down the back of me with a sound like a flag in the wind. Then, just like alcohol that evaporates into the flame, a few lingering flames flared and died. This all happened so suddenly and lucidly that I neither moved nor spoke nor opened my eyes for the duration. The only sign that something extraordinary was happening was my body tensing slightly. I was awed when it was over, and shared the experience with the class when everyone had finished.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Hi! This is a demo project that shows how TextThresher will work using the PyBossa framework on Crowdcrafting.org.
You will be shown a list of topics and an article. Click on a topic to learn about the topic. Find phrases in the article matching that topic and highlight it. Proceed to the next topic until all topics in the article have been highlighted.


--- layout: default title: Github extra author type: page permalink: /github-info.html ---
Sometimes you just want to include someone as a co-contributor of a certain commit. You can do this, but you'll need their personal (possibly hidden) mail address.
Luckily for us Github also creates a secret no-reply email for each user.


Tests that adding a new rule does not crash the renderer and modifying an inline style does not report errors when forbidden by Content-Security-Policy.


Godzilla - The Plot is as Long as This Sentence
Zach Fine Daily Reporter
The burgeoning art of reptilian animation has made steady gains in realism since the charming 1914 silent animation short Gertie the Dinosaur. Certainly, the first photorealistic dinosaur animations were as fascinating to filmgoers watching Jurassic Park as were the early Edison studios' films of elephants walking and bathing to viewers at the turn of the century. Yet audiences eventually tired of watching pachyderms walking single-file, and so too might Godzilla mark a turning point in the history of film - the film which showed that big animated lizards could be boring.
The archetypal big lizard first appeared in the 1954 Japanese film Gojira, which was dubbed, re-edited, and in some scenes re-shot with American actors for its 1956 U.S. release. The film, which was made less than a decade after the atomic bombings of Hiroshima and Nagasaki, features a gigantic radioactive monster which rises from the Pacific, breathes atomic fire, and leaves entire Japanese cities in ruin.
Sure, Gojira may be a schlocky monster movie that features a guy in a rubber suit who stomps on model buildings, but it is surprisingly resonant. Scenes of doctors shaking their heads as they wave Geiger counters over screaming children whose lifeless parents are carted off on stretchers carry surprising emotional weight. The monster itself, while bipedal, was hardly anthropomorphic. Gojira was a force of nature, a gigantic, glistening, mindless monster which appeared for no apparent reason, spreading terror, destruction and radiation in its wake. Gojira was more than a 'B' movie.
The new Godzilla is much less. Writer-director Roland Emmerich and writer Dean Devlin, with the help of $160 million dollars and a top-of-the-line computer- animated marine iguana, have managed to create a brain-dead pile of hype.
In the film, the powers that be become alarmed at the growing evidence that points to the possible existence of a large and destructive radioactive dinosaur. They assemble a pool of scientists and in so doing interrupt the work of nerdy scientist Nick Tatopoulos (a helium-voiced and irritating Matthew Broderick), whose ha-ha funny name and chosen career of studying large radioactive earthworms in Chernobyl comprise fully 50% of the film's humor. Meanwhile, Audrey Timmonds (a helium-voiced, whiny, and pitiful Maria Pitillo), who aspires to be a broadcast news correspondent, instead finds herself relegated to the job of 'random office worker and sexual harassment recipient' at a television network. But when she realizes that she might be able to steal top-secret documents from Nick, her former lover, she figures she's got it made.
So much for background. The big iguana arrives at the 25-minute mark and starts tearing up the Big Apple. Nick chases Godzilla, Audrey chases Nick, and the military descends with an order of magnitude more helicopters than were used in Apocalypse Now. Godzilla turns out to be a difficult lizard to take down, what with those missile-proof scales, that atomic-fire breath, and knowledge of The Hunt for Red October.  Nick then discovers that Godzilla's laid a bunch of eggs, but nobody believes him except a French secret agent who can't find a decent cup of coffee (Jean Reno of La Femme Nikita) and his fearless crew (all named Jean), who provide the remaining 50% of the film's humor because, well, they're French.
Eventually, the eggs start hatching and the velociraptors - er, baby Godzillas - hatch and Nick starts theorizing that, ulp, this could be the end of humanity as we know it ...
Will humanity survive? Will Nick and Audrey get back together? Will she apologize to him for having had the gall to believe in herself enough to leave him for her career? Will she get the big story? Will room for a sequel be implied at the end?
Frankly, the only real surprise in the film is the realization of Godzilla herself. Sure, the filmmakers had plenty of bad decisions to make. They ignored the 20-plus sequels and took nothing from the original Gojira besides the transliterated name and basic premise, choosing instead to set an extended Jurassic Park; The Lost World in New York. They chose to make the film two hours and 20 minutes long. They chose to cast the tiresome Matthew Broderick in a major role and relegate the über-talented Hank Azaria to a supporting role. They made the female protagonist as feeble and flawed as possible. But to actually expect audiences to be scared by a large marine iguana?
It is a bit of a rabbit punch to go after this film for scientific inaccuracy, but it seems an odd choice to fashion the big scary monster after one of the only vegetarian reptiles. In reality, if a marine iguana were to swim all the way across the Pacific Ocean (from the Galapagos Islands to French Polynesia), then was exposed to radiation from nuclear testing which caused it to either grow really big or produce really big offspring, one might expect an iguana-derived Godzilla to eat tons of algae, sneeze salt all over the protagonists, and find a nice warm power plant to bask on.
Although the iguana in the film is lovingly rendered, dewlap and all, it is not terribly scary. Neither is the film Godzilla exciting, interesting, entertaining or even mildly amusing.
Copyright © 1998 Zach Fine
Article first appeared in the Thursday, May 28, 1998 Arts section of The Daily of the University of Washington.
http://www.thedaily.washington.edu/archives/1998_Spring/May.28.98/godzilla.5.27.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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Related links: index of all rec.arts.movies.reviews reviews


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| When therefore the Lord knew how the Pharisees had heard that Jesus made and baptized more disciples than John,
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| ᎤᎬᏫᏳᎯᏃ ᎤᏛᎦᏅ ᎠᏂᏆᎵᏏ ᎤᎾᏛᎦᏅ ᏥᏌ ᎤᏟ ᎢᏯᏂᎢ ᎬᏩᏍᏓᏩᏕᎩ ᏂᏕᎬᏁᎲ ᎠᎴ ᏕᎦᏬᏍᎬᎢ, ᎡᏍᎦᏉ ᏣᏂ,
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U-gv-wi-yu-hi-no u-dv-ga-nv A-ni-qua-li-si u-na-dv-ga-nv Tsi-sa u-tli i-ya-ni-i gv-wa-s-da-wa-de-gi ni-de-gv-ne-hv a-le de-ga-wo-s-gv-i, e-s-ga-quo Tsa-ni,
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| (Though Jesus himself baptized not, but his disciples,)
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| (ᎥᏝᏍᎩᏂᏃᏅ ᏥᏌ ᎤᏩᏒ ᏱᏓᏓᏬᏍᎨᎢ, ᎬᏩᏍᏓᏩᏗᏙᎯᏉᏍᎩᏂ,)
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(V-tla-s-gi-ni-no-nv Tsi-sa u-wa-sv yi-da-da-wo-s-ge-i, gv-wa-s-da-wa-di-do-hi-quo-s-gi-ni,)
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| He left Judaea, and departed again into Galilee.
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| ᏧᏗᏱ ᎤᏂᎩᏒᎩ ᎠᎴ ᏔᎵᏁ ᎨᎵᎵ ᏮᎤᎶᏒᎩ.
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Tsu-di-yi u-ni-gi-sv-gi a-le ta-li-ne Ge-li-li wv-u-lo-sv-gi.
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| And he must needs go through Samaria.
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| ᎠᎴ ᏌᎺᎵᏱ ᎠᏎ ᎤᎶᎯᏍᏗ ᎨᏒᎩ.
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A-le Sa-me-li-yi a-se u-lo-hi-s-di ge-sv-gi.
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| Then cometh he to a city of Samaria, which is called Sychar, near to the parcel of ground that Jacob gave to his son Joseph.
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| ᎿᎭᏉᏃ ᏌᎺᎵᏱ ᎦᏚᎲ ᎤᎷᏨᎩ ᏌᎦ ᏧᏙᎢᏛ ᎾᏍᎩ ᎾᎥ ᏥᎦᏚᎭ ᎦᏓ ᎠᎲ ᏤᎦᏈ ᏧᏁᎴ ᎤᏪᏥ ᏦᏩ.
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Hna-quo-no Sa-me-li-yi ga-du-hv u-lu-tsv-gi Sa-ga tsu-do-i-dv na-s-gi na-v tsi-ga-du-ha ga-da a-hv Tse-ga-qui tsu-ne-le u-we-tsi Tso-wa.
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| Now Jacob's well was there. Jesus therefore, being wearied with his journey, sat thus on the well: and it was about the sixth hour.
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| ᎾᎿᎭᏃ ᎠᏔᎴᏒᎩ ᎠᎹ ᏧᏂᏢᏗᏱ ᏤᎦᏈ ᎤᏤᎵᎦ; ᏥᏌᏃ ᏚᏯᏪᏨ ᎠᎢᏒ ᎤᏪᏅᎩ ᎠᏔᎴᏒᎢ; ᏔᎳᏚᏃ ᎢᏴᏛ ᎢᏳᏟᎶᏛ ᎧᎳᏩᏗᏒ ᎨᏒᎩ.
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Na-hna-no a-ta-le-sv-gi a-ma tsu-ni-tlv-di-yi Tse-ga-qui u-tse-li-ga; Tsi-sa-no du-ya-we-tsv a-i-sv u-we-nv-gi a-ta-le-sv-i; ta-la-du-no i-yv-dv i-yu-tli-lo-dv ka-la-wa-di-sv ge-sv-gi.
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| There cometh a woman of Samaria to draw water: Jesus saith unto her, Give me to drink.
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| ᎾᎿᎭᎤᎷᏤ ᎠᎨᏴ ᏌᎺᎵᏱ ᎡᎯ ᎠᎹ ᎤᏢᎯᎴᎢ; ᏥᏌ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎠᏆᏗᏔᏍᏗ ᏍᎩᏁᎲᏏ.
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Na-hna u-lu-tse a-ge-yv Sa-me-li-yi e-hi a-ma u-tlv-hi-le-i; Tsi-sa hi-a nu-we-se-le-i; A-qua-di-ta-s-di s-gi-ne-hv-si.
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| (For his disciples were gone away unto the city to buy meat.)
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| ᎬᏩᏍᏓᏩᏗᏙᎯᏰᏃ ᏗᎦᏚᎲ ᏩᏁᏙᎲᎩ ᎠᎵᏍᏓᏴᏗ ᎤᏂᏩᏒᏒᎩ.
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Gv-wa-s-da-wa-di-do-hi-ye-no di-ga-du-hv wa-ne-do-hv-gi a-li-s-da-yv-di u-ni-wa-sv-sv-gi.
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| Then saith the woman of Samaria unto him, How is it that thou, being a Jew, askest drink of me, which am a woman of Samaria? for the Jews have no dealings with the Samaritans.
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| ᎿᎭᏉᏃ ᎾᏍᎩ ᎠᎨᏴ ᏌᎺᎵᏱ ᎡᎯ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎦᏙ ᏗᎦᎵᏍᏙᏗᎭ ᏂᎯ ᎯᏧᏏ ᎠᏗᏔᏍᏗ ᎢᏍᎩᏔᏲᏎᎭ ᏥᎨᏴ ᏌᎺᎵᏱ ᎨᎢ. (ᎠᏂᏧᏏᏰᏃ ᎠᎴ ᏌᎺᎵᏱ ᎠᏁᎯ ᎥᏝ ᏱᏚᎾᏓᎦᏌᏯᏍᏙᎢ.)
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Hna-quo-no na-s-gi a-ge-yv Sa-me-li-yi e-hi hi-a nu-we-se-le-i; Ga-do di-ga-li-s-do-di-ha ni-hi Hi-tsu-si a-di-ta-s-di i-s-gi-ta-yo-se-ha tsi-ge-yv Sa-me-li-yi ge-i. (A-ni-tsu-si-ye-no a-le Sa-me-li-yi a-ne-hi v-tla yi-du-na-da-ga-sa-ya-s-do-i.)
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| Jesus answered and said unto her, If thou knewest the gift of God, and who it is that saith to thee, Give me to drink; thou wouldest have asked of him, and he would have given thee living water.
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| ᏥᏌ ᎤᏁᏤᎢ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎢᏳᏃ ᏱᎯᎦᏔᎮ ᎤᏁᎳᏅᎯ ᎤᏓᏁᏗ ᏥᎩ, ᎠᎴ ᏱᎯᎦᏔᎮ ᎯᎠ ᎾᏍᎩ ᏥᏂᏣᏪᏎᎭ, ᎠᏆᏗᏔᏍᏗ ᏍᎩᏁᎲᏏ; ᏨᏒ ᏱᏔᏲᏎᎴᎢ, ᎠᎴ ᏱᏣᏁᏁᎴ ᎬᏂᏛ ᎠᎹ.
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Tsi-sa u-ne-tse-i hi-a nu-we-se-le-i; I-yu-no yi-hi-ga-ta-he U-ne-la-nv-hi u-da-ne-di tsi-gi, a-le yi-hi-ga-ta-he hi-a na-s-gi tsi-ni-tsa-we-se-ha, A-qua-di-ta-s-di s-gi-ne-hv-si; tsv-sv yi-ta-yo-se-le-i, a-le yi-tsa-ne-ne-le gv-ni-dv a-ma.
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| The woman saith unto him, Sir, thou hast nothing to draw with, and the well is deep: from whence then hast thou that living water?
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| ᎠᎨᏴ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎯᏍᎦᏯ, ᎥᏝ ᎪᎱᏍᏗ ᏱᏰᎭ ᎠᏢᏗ, ᎭᏫᏂᏳᏃ ᎠᏔᎴᏒᎢ, ᎭᏢᏃ ᏣᏁᎩᏒ ᎾᏍᎩ ᎬᏂᏛ ᎠᎹ?
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A-ge-yv hi-a nu-we-se-le-i, Hi-s-ga-ya, v-tla go-hu-s-di yi-ye-ha a-tlv-di, ha-wi-ni-yu-no a-ta-le-sv-i, ha-tlv-no tsa-ne-gi-sv na-s-gi gv-ni-dv a-ma?
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| Art thou greater than our father Jacob, which gave us the well, and drank thereof himself, and his children, and his cattle?
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| ᏥᏌ ᎤᏟ ᎡᏣᎸᏉᏗᏳ ᏂᎯ, ᎡᏍᎦᏉ ᎢᎩᏙᏓ ᏤᎦᏈ ᎾᏍᎩ ᎢᎩᏁᎸᎯ ᎯᎠ ᎠᏔᎴᏒᎢ, ᎠᎴ ᎾᎿᎭᎤᏩᏒ ᎤᏗᏔᎲᎢ ᎠᎴ ᏚᎾᏗᏔᎲᎢ ᏧᏪᏥ ᎠᎴ ᎤᎾᏝᎾᎥᎢ.
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Tsi-sa u-tli e-tsa-lv-quo-di-yu ni-hi, e-s-ga-quo i-gi-do-da Tse-ga-qui na-s-gi i-gi-ne-lv-hi hi-a a-ta-le-sv-i, a-le na-hna u-wa-sv u-di-ta-hv-i a-le du-na-di-ta-hv-i tsu-we-tsi a-le u-na-tla-na-v-i.
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| Jesus answered and said unto her, Whosoever drinketh of this water shall thirst again:
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| ᏥᏌ ᎤᏁᏤᎢ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎩᎶ ᏳᏗᏔᎲ ᎯᎠ ᎠᎹ ᏔᎵᏁᏉ ᎤᏔᏕᎪᏗ;
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Tsi-sa u-ne-tse-i hi-a nu-we-se-le-i; Gi-lo yu-di-ta-hv hi-a a-ma ta-li-ne-quo u-ta-de-go-di;
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| But whosoever drinketh of the water that I shall give him shall never thirst; but the water that I shall give him shall be in him a well of water springing up into everlasting life.
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| ᎩᎶᏍᎩᏂ ᏳᏗᏔᎲ ᎾᏍᎩ ᎠᎹ ᎠᏴ ᏥᏁᏁᏗ ᏥᎩ ᎥᏝ ᎢᏳᎯᏳ ᎤᏔᏕᎪᏗ ᏱᎩ, ᎠᏴᏍᎩᏂ ᏥᏁᏁᏗ ᏥᎩ ᎠᎹ, ᎭᏫᏂ ᎠᏰᎸ ᎠᎹ ᎦᏄᎪᎬ ᎨᏎᏍᏗ, ᏫᎦᎾᏄᎪᎨᏍᏗ ᎬᏂᏛ ᎠᎵᏍᏆᏗᏍᎩ ᏂᎨᏒᎾ ᏗᎨᏒᎢ.
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Gi-lo-s-gi-ni yu-di-ta-hv na-s-gi a-ma a-yv tsi-ne-ne-di tsi-gi v-tla i-yu-hi-yu u-ta-de-go-di yi-gi, a-yv-s-gi-ni tsi-ne-ne-di tsi-gi a-ma, ha-wi-ni a-ye-lv a-ma ga-nu-go-gv ge-se-s-di, wi-ga-na-nu-go-ge-s-di gv-ni-dv a-li-s-qua-di-s-gi ni-ge-sv-na di-ge-sv-i.
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| The woman saith unto him, Sir, give me this water, that I thirst not, neither come hither to draw.
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| ᎠᎨᏴ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎯᏍᎦᏯ, ᎯᎠ ᎾᏍᎩ ᎠᎹ ᏍᎩᏁᎲᏏ, ᏞᏍᏗᏃ ᎠᎩᏔᏕᎦᏅᎩ, ᎠᎴ ᏞᏍᏗ ᎠᏂ ᎠᎩᏢᎯᎸᎩ.
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A-ge-yv hi-a nu-we-se-le-i; Hi-s-ga-ya, hi-a na-s-gi a-ma s-gi-ne-hv-si, tle-s-di-no a-gi-ta-de-ga-nv-gi, a-le tle-s-di a-ni a-gi-tlv-hi-lv-gi.
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| Jesus saith unto her, Go, call thy husband, and come hither.
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| ᏥᏌ ᎯᎠ ᏄᏪᏎᎴᎢ; ᏣᏰᎯ ᏫᏯᏅ, ᎠᏂᏃ ᎢᏍᏗᎷᏨᎭ.
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Tsi-sa hi-a nu-we-se-le-i; Tsa-ye-hi wi-ya-nv, a-ni-no i-s-di-lu-tsv-ha.
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| The woman answered and said, I have no husband. Jesus said unto her, Thou hast well said, I have no husband:
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| ᎠᎨᏴᏃ ᎤᏁᏤᎢ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎥᏝ ᏰᎭ ᎠᎩᏰᎯ. ᏥᏌ ᎯᎠ ᏄᏪᏎᎴᎢ; ᏰᎵ ᏂᏫ, ᎥᏝ ᏰᎭ ᎠᎩᏰᎯ, ᏣᏛ;
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A-ge-yv-no u-ne-tse-i hi-a nu-we-se-le-i; V-tla ye-ha a-gi-ye-hi. Tsi-sa hi-a nu-we-se-le-i; Ye-li ni-wi, v-tla ye-ha a-gi-ye-hi, tsa-dv;
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| For thou hast had five husbands; and he whom thou now hast is not thy husband: in that saidst thou truly.
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| ᎯᏍᎩᏰᏃ ᎾᏂᎥᎩ ᎨᏣᏰᎯ, ᎪᎯᏃ ᏥᏣᎧᎭ ᎥᏝ ᏣᏰᎯ ᏱᎩ; ᎾᏍᎩ ᏥᏂᏫ ᏚᏳᎪᏛ ᏂᏫ.
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Hi-s-gi-ye-no na-ni-v-gi ge-tsa-ye-hi, go-hi-no tsi-tsa-ka-ha v-tla tsa-ye-hi yi-gi; na-s-gi tsi-ni-wi du-yu-go-dv ni-wi.
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| The woman saith unto him, Sir, I perceive that thou art a prophet.
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| ᎠᎨᏴ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎯᏍᎦᏯ, ᎦᏙᎴᎣᏍᎦ ᎭᏙᎴᎰᏍᎩ ᎨᏒᎢ.
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A-ge-yv hi-a nu-we-se-le-i; Hi-s-ga-ya, ga-do-le-o-s-ga ha-do-le-ho-s-gi ge-sv-i.
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| Our fathers worshipped in this mountain; and ye say, that in Jerusalem is the place where men ought to worship.
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| ᏦᎩᎦᏴᎵᎨ ᎠᎾᏓᏙᎵᏍᏗᏍᎬᎩ ᎠᏂ ᎣᏓᎸᎢ, ᎠᏎᏃ ᏂᎯ ᎯᎠ ᏂᏥᏪᏍᎪᎢ; ᏥᎷᏏᎵᎻᏍᎩᏂ ᎾᎿᎭᎤᎬᏫᏳᎭ ᎠᏓᏙᎵᏍᏙᏗᏱ.
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Tso-gi-ga-yv-li-ge a-na-da-do-li-s-di-s-gv-gi a-ni o-da-lv-i, a-se-no ni-hi hi-a ni-tsi-we-s-go-i; Tsi-lu-si-li-mi-s-gi-ni na-hna u-gv-wi-yu-ha a-da-do-li-s-do-di-yi.
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| Jesus saith unto her, Woman, believe me, the hour cometh, when ye shall neither in this mountain, nor yet at Jerusalem, worship the Father.
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| ᏥᏌ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎯᎨᏴ, ᏍᏉᎯᏳᎲᎦ, ᏛᏍᏆᎸᎯ ᎾᎯᏳ ᎥᏝ ᎠᏂ ᎣᏓᎸᎢ, ᎠᎴ ᎾᏍᏉ ᏥᎷᏏᎵᎻ, ᏱᎦᏰᏣᏓᏙᎵᏍᏓᏁᎮᏍᏗ ᎠᎦᏴᎵᎨᎢ.
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Tsi-sa hi-a nu-we-se-le-i; Hi-ge-yv, s-quo-hi-yu-hv-ga, dv-s-qua-lv-hi na-hi-yu v-tla a-ni o-da-lv-i, a-le na-s-quo Tsi-lu-si-li-mi, yi-ga-ye-tsa-da-do-li-s-da-ne-he-s-di A-ga-yv-li-ge-i.
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| Ye worship ye know not what: we know what we worship: for salvation is of the Jews.
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| ᏂᎯ ᎢᏣᏓᏙᎵᏍᏓᏁᎭ ᎪᎱᏍᏗ ᎾᏍᎩ ᏂᏥᎦᏔᎲᎾ; ᎠᏴᏍᎩᏂ ᎣᏥᎦᏔᎭ ᎢᏳᏍᏗ ᎣᏣᏓᏙᎵᏍᏓᏁᎲᎢ; ᎠᏂᏧᏏᏰᏃ ᎠᏁᎲ ᎠᎵᏍᏕᎸᏙᏗ ᎨᏒ ᏅᏓᏳᎾᏄᎪᎢᏍᏗ.
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Ni-hi i-tsa-da-do-li-s-da-ne-ha go-hu-s-di na-s-gi ni-tsi-ga-ta-hv-na; a-yv-s-gi-ni o-tsi-ga-ta-ha i-yu-s-di o-tsa-da-do-li-s-da-ne-hv-i; A-ni-tsu-si-ye-no a-ne-hv a-li-s-de-lv-do-di ge-sv nv-da-yu-na-nu-go-i-s-di.
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| But the hour cometh, and now is, when the true worshippers shall worship the Father in spirit and in truth: for the Father seeketh such to worship him.
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| ᎠᏎᏃ ᏛᏍᏆᎸᎯ, ᎠᎴ ᎿᎭᏉ ᎤᏍᏆᎸᎲ, ᎾᏍᎩ ᎤᏙᎯᏳᏒ ᎠᎾᏓᏙᎵᏍᏗᏍᎩ ᏛᎾᏓᏙᎵᏍᏓᏁᎵ ᎠᎦᏴᎵᎨ ᏙᏛᏅᏔᏂ ᏧᎾᏓᏅᏙ ᎠᎴ ᏚᏳᎪᏛᎢ; ᎠᎦᏴᎵᎨᏰᏃ ᏚᏲᎰ ᎾᏍᎩ ᎢᏳᎾᏍᏗ ᎬᏩᏓᏙᎵᏍᏓᏁᎯ.
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A-se-no dv-s-qua-lv-hi, a-le hna-quo u-s-qua-lv-hv, na-s-gi u-do-hi-yu-sv a-na-da-do-li-s-di-s-gi dv-na-da-do-li-s-da-ne-li A-ga-yv-li-ge do-dv-nv-ta-ni tsu-na-da-nv-do a-le du-yu-go-dv-i; A-ga-yv-li-ge-ye-no du-yo-ho na-s-gi i-yu-na-s-di gv-wa-da-do-li-s-da-ne-hi.
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| God is a Spirit: and they that worship him must worship him in spirit and in truth.
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| ᎤᏁᎳᏅᎯ ᎠᏓᏅᏙ; ᎾᏍᎩᏃ Ꮎ ᎠᎾᏓᏙᎵᏍᏓᏁᎯ ᏧᎾᏓᏅᏙ ᎠᎴ ᏚᏳᎪᏛ ᏧᏅᏙᏗ ᎤᎾᏓᏙᎵᏍᏓᏁᏗ.
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U-ne-la-nv-hi A-da-nv-do; na-s-gi-no na a-na-da-do-li-s-da-ne-hi tsu-na-da-nv-do a-le du-yu-go-dv tsu-nv-do-di u-na-da-do-li-s-da-ne-di.
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| The woman saith unto him, I know that Messias cometh, which is called Christ: when he is come, he will tell us all things.
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| ᎠᎨᏴ ᎯᎠ ᏄᏪᏎᎴᎢ; ᏥᎦᏔᎭ ᎤᎷᎯᏍᏗ ᎨᏒ ᎺᏌᏯ-ᎾᏍᎩ ᎦᎶᏁᏛ ᏣᏃᏎᎰᎢ-ᎾᏍᎩ ᎦᎷᏨᎭ, ᏓᎩᏃᏁᎵ ᏂᎦᎥ ᎪᎱᏍᏗ.
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A-ge-yv hi-a nu-we-se-le-i; Tsi-ga-ta-ha u-lu-hi-s-di ge-sv Me-sa-ya---na-s-gi Ga-lo-ne-dv tsa-no-se-ho-i---na-s-gi ga-lu-tsv-ha, da-gi-no-ne-li ni-ga-v go-hu-s-di.
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| Jesus saith unto her, I that speak unto thee am he.
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| ᏥᏌ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎠᏴ ᏥᎬᏬᏁᏗᎭ ᎾᏍᎩ [ᎺᏌᏯ.]
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Tsi-sa hi-a nu-we-se-le-i; A-yv tsi-gv-wo-ne-di-ha na-s-gi [Me-sa-ya.]
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| And upon this came his disciples, and marvelled that he talked with the woman: yet no man said, What seekest thou? or, Why talkest thou with her?
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| ᎿᎭᏉᏃ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎤᏂᎷᏨᎩ, ᎠᎴ ᎤᏂᏍᏆᏂᎪᏒᎩ ᎠᎨᏴ ᎠᎵᏃᎮᏗᏍᎬᎢ. ᎠᏎᏃ ᎥᏝ ᎩᎶᎢ, ᎦᏙ ᏣᏲᎭ? ᎠᎴ ᎦᏙᏃ ᎢᎯᏯᎵᏃᎮᏍᏗ? ᏳᏬᏎᎴᎢ.
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Hna-quo-no gv-wa-s-da-wa-di-do-hi u-ni-lu-tsv-gi, a-le u-ni-s-qua-ni-go-sv-gi a-ge-yv a-li-no-he-di-s-gv-i. A-se-no v-tla gi-lo-i, Ga-do tsa-yo-ha? A-le Ga-do-no i-hi-ya-li-no-he-s-di? yu-wo-se-le-i.
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| The woman then left her waterpot, and went her way into the city, and saith to the men,
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| ᎿᎭᏉᏃ ᎠᎨᏴ ᎤᎯᏴᎩ ᎠᎹ ᎤᏢᏗ, ᎠᎴ ᏗᎦᏚᎲ ᏭᎶᏒᎩ, ᎯᎠ ᏫᏂᏚᏪᏎᎸᎩ ᏴᏫ;
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Hna-quo-no a-ge-yv u-hi-yv-gi a-ma u-tlv-di, a-le di-ga-du-hv wu-lo-sv-gi, hi-a wi-ni-du-we-se-lv-gi yv-wi;
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| Come, see a man, which told me all things that ever I did: is not this the Christ?
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| ᎢᏕᎾ, ᏪᏥᎪᏩᏛ ᎠᏍᎦᏯ ᎠᎩᏃᏁᎸᎯ ᏂᎦᎥ ᎾᏆᏛᏁᎵᏙᎸᎢ. ᏝᏍᎪ ᎾᏍᎩ ᎦᎶᏁᏛ ᏱᎩ?
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I-de-na, we-tsi-go-wa-dv a-s-ga-ya a-gi-no-ne-lv-hi ni-ga-v na-qua-dv-ne-li-do-lv-i. Tla-s-go na-s-gi Ga-lo-ne-dv yi-gi?
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| Then they went out of the city, and came unto him.
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| ᎰᏩᏃ ᎦᏚᎲ ᎤᏂᏄᎪᏨᎩ, ᎠᎴ ᎥᎬᏩᎷᏤᎸᎩ.
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Ho-wa-no ga-du-hv u-ni-nu-go-tsv-gi, a-le v-gv-wa-lu-tse-lv-gi.
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| In the mean while his disciples prayed him, saying, Master, eat.
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| ᎠᏏᏉᏃ ᎦᏚᎲ ᏪᏙᎲᎩ, ᎬᏩᏍᏓᏩᏗᏙᎯ ᎬᏩᏍᏗᏰᏔᏅᎩ, ᏗᏍᎩᏰᏲᎲᏍᎩ, ᎭᎵᏍᏓᏴᎲᎦ, ᎠᎾᏗᏍᎬᎩ.
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A-si-quo-no ga-du-hv we-do-hv-gi, gv-wa-s-da-wa-di-do-hi gv-wa-s-di-ye-ta-nv-gi, Di-s-gi-ye-yo-hv-s-gi, ha-li-s-da-yv-hv-ga, a-na-di-s-gv-gi.
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| But he said unto them, I have meat to eat that ye know not of.
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| ᎠᏎᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎠᎩᎭ ᎠᏆᎵᏍᏓᏴᏗ ᏂᎯ ᏂᏥᎦᏔᎲᎾ.
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A-se-no hi-a ni-du-we-se-lv-gi; A-gi-ha a-qua-li-s-da-yv-di ni-hi ni-tsi-ga-ta-hv-na.
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| Therefore said the disciples one to another, Hath any man brought him ought to eat?
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| ᎾᏍᎩᏃ ᎢᏳᏍᏗ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎯᎠ ᏂᏚᎾᏓᏪᏎᎸᎩ; ᏥᎪ ᎩᎶ ᎤᏲᎮᎸ ᎤᎵᏍᏓᏴᏗ?
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Na-s-gi-no i-yu-s-di gv-wa-s-da-wa-di-do-hi hi-a ni-du-na-da-we-se-lv-gi; Tsi-go gi-lo u-yo-he-lv u-li-s-da-yv-di?
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| Jesus saith unto them, My meat is to do the will of him that sent me, and to finish his work.
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| ᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸᎩ, ᏄᏍᏛ ᎠᏓᏅᏖᏍᎬ ᎠᎩᏅᏏᏛ ᎢᏯᏆᏛᏁᏗᏱ, ᎠᎴ ᎾᏍᎩ ᎤᏤᎵ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎠᎩᏍᏆᏗᏍᏗᏱ, ᎾᏍᎩ ᎠᏴ ᎠᏆᎵᏍᏓᏴᏗ.
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Tsi-sa hi-a ni-du-we-se-lv-gi, Nu-s-dv a-da-nv-te-s-gv a-gi-nv-si-dv i-ya-qua-dv-ne-di-yi, a-le na-s-gi u-tse-li di-ga-lv-wi-s-da-ne-di ge-sv a-gi-s-qua-di-s-di-yi, na-s-gi a-yv a-qua-li-s-da-yv-di.
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| Say not ye, There are yet four months, and then cometh harvest? behold, I say unto you, Lift up your eyes, and look on the fields; for they are white already to harvest.
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| ᏝᏍᎪ ᎯᎠ ᎢᎨᏥᏪᏍᏗ ᏱᎩ; ᎠᏏ ᏅᎩ ᎢᏯᏅᏙ ᎩᎳ ᏛᎦᏛᎾᏥ? ᎬᏂᏳᏉ ᎯᎠ ᏂᏨᏪᏎᎭ; ᏗᏥᎦᏙᎵ ᏗᏥᏌᎳᏛᎦ, ᎠᎴ ᏕᎦᎶᎨᏒ ᏗᏣᎧᏅᎦ, ᎿᎭᏉᏰᏃ ᏧᏁᎩᏳ, ᎠᎴ ᎤᏍᏆᎸᎲ ᎠᏍᎫᏕᏍᏗᏱ.
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Tla-s-go hi-a i-ge-tsi-we-s-di yi-gi; A-si nv-gi i-ya-nv-do gi-la dv-ga-dv-na-tsi? Gv-ni-yu-quo hi-a ni-tsv-we-se-ha; di-tsi-ga-do-li di-tsi-sa-la-dv-ga, a-le de-ga-lo-ge-sv di-tsa-ka-nv-ga, hna-quo-ye-no tsu-ne-gi-yu, a-le u-s-qua-lv-hv a-s-gu-de-s-di-yi.
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| And he that reapeth receiveth wages, and gathereth fruit unto life eternal: that both he that soweth and he that reapeth may rejoice together.
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| ᎠᎴ ᎠᏍᎫᏕᏍᎩ ᎠᎦᎫᏴᎡᎰᎢ, ᎠᎴ ᎤᏍᎫᏕᏒᎯ ᏫᎦᏟᏏᏍᎪ ᎬᏂᏛ ᏗᎨᏒᎢ, ᎾᏍᎩ ᎢᏧᎳ ᎤᎾᎵᎮᎵᏍᏗᏱ ᏂᎦᎵᏍᏗᏍᎪ ᎠᏫᏍᎩ ᎾᏃ ᎠᏍᎫᏕᏍᎩ.
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A-le a-s-gu-de-s-gi a-ga-gu-yv-e-ho-i, a-le u-s-gu-de-sv-hi wi-ga-tli-si-s-go gv-ni-dv di-ge-sv-i, na-s-gi i-tsu-la u-na-li-he-li-s-di-yi ni-ga-li-s-di-s-go a-wi-s-gi na-no a-s-gu-de-s-gi.
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| And herein is that saying true, One soweth, and another reapeth.
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| ᎠᎴ ᎾᏍᎩ ᎠᏂ ᎤᏙᎯᏳᎯ ᏂᎦᎵᏍᏗᎭ ᎯᎠ ᎢᎦᏪᏛ ᏥᎩ; ᎩᎶ ᎠᏫᏍᎪᎢ ᏅᏩᏓᎴᏃ ᎠᏍᎫᏕᏍᎪᎢ.
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A-le na-s-gi a-ni u-do-hi-yu-hi ni-ga-li-s-di-ha hi-a i-ga-we-dv tsi-gi; Gi-lo a-wi-s-go-i nv-wa-da-le-no a-s-gu-de-s-go-i.
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| I sent you to reap that whereon ye bestowed no labour: other men laboured, and ye are entered into their labours.
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| ᎢᏨᏅᏒᎩ ᏫᏥᏍᎫᏕᏍᏗᏱ ᎾᎿᎭᏂᎯ ᏗᏥᎸᏫᏍᏓᏁᎸᎯ ᏂᎨᏒᎾ ᎨᏒᎢ; ᏅᏩᎾᏓᎴ ᏗᏂᎸᏫᏍᏓᏁᎸᎩ, ᏂᎯᏃ ᎢᏥᏴᎸ ᏚᏂᎸᏫᏍᏓᏁᎸᎢ.
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I-tsv-nv-sv-gi wi-tsi-s-gu-de-s-di-yi na-hna ni-hi di-tsi-lv-wi-s-da-ne-lv-hi ni-ge-sv-na ge-sv-i; nv-wa-na-da-le di-ni-lv-wi-s-da-ne-lv-gi, ni-hi-no i-tsi-yv-lv du-ni-lv-wi-s-da-ne-lv-i.
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| And many of the Samaritans of that city believed on him for the saying of the woman, which testified, He told me all that ever I did.
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| ᎠᎴ ᎤᏂᏣᏛᎩ ᎠᏂᏌᎺᎵ ᎾᎿᎭᎦᏚᎲ ᎠᏁᎯ ᎬᏬᎯᏳᏅᎩ, ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᎤᏃᎮᎸ ᎠᎨᏴ ᎯᎠ ᏥᏄᏪᏎᎢ; ᎠᎩᏃᏁᎸᎩ ᏂᎦᎥ ᎾᏆᏛᏁᎵᏙᎸᎢ.
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A-le u-ni-tsa-dv-gi A-ni-sa-me-li na-hna ga-du-hv a-ne-hi gv-wo-hi-yu-nv-gi, nv-da-ga-li-s-do-di-s-gv-gi u-no-he-lv a-ge-yv hi-a tsi-nu-we-se-i; A-gi-no-ne-lv-gi ni-ga-v na-qua-dv-ne-li-do-lv-i.
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| So when the Samaritans were come unto him, they besought him that he would tarry with them: and he abode there two days.
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| ᎠᎴ ᎠᏂᏌᎺᎵ ᎬᏩᎷᏤᎸ ᎬᏩᏔᏲᏎᎸᎩ ᏧᏪᎳᏗᏓᏍᏗᏱ, ᎠᎴ ᎾᎿᎭᏔᎵ ᏧᏒᎯᏛ ᎤᏪᏙᎸᎩ.
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A-le A-ni-sa-me-li gv-wa-lu-tse-lv gv-wa-ta-yo-se-lv-gi tsu-we-la-di-da-s-di-yi, a-le Na-hna ta-li tsu-sv-hi-dv u-we-do-lv-gi.
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| And many more believed because of his own word;
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| ᎠᎴ ᎠᏏ ᎤᏂᏣᏛᎩ ᎤᏃᎯᏳᏅᎩ, ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᎤᏩᏒ ᎧᏁᎬᎢ;
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A-le a-si u-ni-tsa-dv-gi u-no-hi-yu-nv-gi, nv-da-ga-li-s-do-di-s-gv-gi u-wa-sv ka-ne-gv-i;
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| And said unto the woman, Now we believe, not because of thy saying: for we have heard him ourselves, and know that this is indeed the Christ, the Saviour of the world.
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| ᎠᎴ ᎯᎠ ᏄᏂᏪᏎᎸᎩ ᎠᎨᏴ; ᎿᎭᏉ ᎣᏦᎯᏳᎲᏍᎦ ᎥᏝ ᏂᎯᏉ ᏣᏁᏨ ᏱᏅᏗᎦᎵᏍᏙᎭ ᏦᏦᎯᏳᎲᏍᎦ, ᎣᎬᏒᏰᏃ ᎣᏣᏛᎦᏏ, ᎠᎴ ᎣᏥᎦᏔᎭ ᎾᏍᎩ ᎯᎠ ᎤᏙᎯᏳᎯᏯ ᎦᎶᏁᏛ ᎨᏒ ᎡᎶᎯ ᎠᏍᏕᎵᏍᎩ.
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A-le hi-a nu-ni-we-se-lv-gi a-ge-yv; Hna-quo o-tso-hi-yu-hv-s-ga v-tla ni-hi-quo tsa-ne-tsv yi-nv-di-ga-li-s-do-ha tso-tso-hi-yu-hv-s-ga, o-gv-sv-ye-no o-tsa-dv-ga-si, a-le o-tsi-ga-ta-ha na-s-gi hi-a u-do-hi-yu-hi-ya Ga-lo-ne-dv ge-sv e-lo-hi A-s-de-li-s-gi.
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| Now after two days he departed thence, and went into Galilee.
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| ᎾᏍᎩᏃ ᏔᎵ ᏫᏄᏒᎸ ᎾᎿᎭᎤᏂᎩᏒᎩ, ᎠᎴ ᎨᎵᎵ ᏭᎶᏒᎩ.
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Na-s-gi-no ta-li wi-nu-sv-lv na-hna u-ni-gi-sv-gi, a-le Ge-li-li wu-lo-sv-gi.
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| For Jesus himself testified, that a prophet hath no honour in his own country.
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| ᏥᏌᏰᏃ ᎤᏩᏒ ᎯᎠ ᏄᏪᏒᎩ; ᎠᏙᎴᎰᏍᎩ ᎥᏝ ᎠᏥᎸᏉᏗᏳ ᏱᎨᏐ ᎤᏩᏒ ᎤᏤᎵᎪᎯ.
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Tsi-sa-ye-no u-wa-sv hi-a nu-we-sv-gi; a-do-le-ho-s-gi v-tla a-tsi-lv-quo-di-yu yi-ge-so u-wa-sv u-tse-li-go-hi.
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| Then when he was come into Galilee, the Galilaeans received him, having seen all the things that he did at Jerusalem at the feast: for they also went unto the feast.
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| ᎿᎭᏉᏃ ᎨᎵᎵ ᏭᎷᏨ, ᎨᎵᎵ ᎠᏁᎯ ᏕᎬᏩᏓᏂᎸᏨᎩ, ᎤᏂᎪᎲᎯᏰᏃ ᎨᏒᎩ ᎾᏍᎩ ᏂᎦᏛ ᏚᎸᏫᏍᏓᏁᎸ ᏥᎷᏏᎵᎻ ᎾᎯᏳ ᏓᎾᎵᏍᏓᏴᎲᏍᎬᎢ; ᎾᏍᏉᏰᏃ ᎤᏁᏅᏒᎩ ᏙᏗᎾᎵᏍᏓᏴᎲᏍᎬᎢ.
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Hna-quo-no Ge-li-li wu-lu-tsv, Ge-li-li a-ne-hi de-gv-wa-da-ni-lv-tsv-gi, u-ni-go-hv-hi-ye-no ge-sv-gi na-s-gi ni-ga-dv du-lv-wi-s-da-ne-lv Tsi-lu-si-li-mi na-hi-yu da-na-li-s-da-yv-hv-s-gv-i; na-s-quo-ye-no u-ne-nv-sv-gi do-di-na-li-s-da-yv-hv-s-gv-i.
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| So Jesus came again into Cana of Galilee, where he made the water wine. And there was a certain nobleman, whose son was sick at Capernaum.
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| ᏥᏌᏃ ᏔᎵᏁ ᎤᎷᏨᎩ ᎨᏂ ᎦᏚᎲᎢ ᎨᎵᎵᏱ, ᎾᎿᎭᎩᎦᎨ-ᎠᏗᏔᏍᏗ ᎠᎹ ᎤᏬᏢᏔᏅᎢ. ᎠᎴ ᎩᎶ ᎢᏳᏍᏗ ᎤᎬᏫᏳᎯ ᎠᏍᏕᎵᏍᎩ ᎡᎲᎩ, ᎾᏍᎩ ᎤᏪᏥ ᎤᏢᎬᎩ ᎨᏆᏂ.
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Tsi-sa-no ta-li-ne u-lu-tsv-gi Ge-ni ga-du-hv-i Ge-li-li-yi, na-hna gi-ga-ge--a-di-ta-s-di a-ma u-wo-tlv-ta-nv-i. A-le gi-lo i-yu-s-di u-gv-wi-yu-hi a-s-de-li-s-gi e-hv-gi, na-s-gi u-we-tsi u-tlv-gv-gi Ge-qua-ni.
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| When he heard that Jesus was come out of Judaea into Galilee, he went unto him, and besought him that he would come down, and heal his son: for he was at the point of death.
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| ᎾᏍᎩ Ꮎ ᎤᏛᎦᏅ ᏥᏌ ᏧᏗᏱ ᏧᎶᏒ ᎨᎵᎵ ᎤᎷᏥᎸᎢ, ᎤᏩᏛᎲᏒᎩ, ᎠᎴ ᎤᏔᏲᏎᎸᎩ ᎤᏪᏅᏍᏗᏱ ᏭᏅᏬᏗᏱ ᎤᏪᏥ, ᎤᏲᎱᏏᏕᎾᏰᏃ ᎨᏒᎩ.
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Na-s-gi na u-dv-ga-nv Tsi-sa Tsu-di-yi tsu-lo-sv Ge-li-li u-lu-tsi-lv-i, u-wa-dv-hv-sv-gi, a-le u-ta-yo-se-lv-gi u-we-nv-s-di-yi wu-nv-wo-di-yi u-we-tsi, u-yo-hu-si-de-na-ye-no ge-sv-gi.
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| Then said Jesus unto him, Except ye see signs and wonders, ye will not believe.
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| ᎿᎭᏉᏃ ᏥᏌ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎥᏝ ᏴᎨᏦᎯᏳᎲᎦ, ᎬᏂ ᏱᏥᎪᏩᏘᎭ ᎤᏰᎸᏛᎢ ᎠᎴ ᎤᏍᏆᏂᎪᏗ.
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Hna-quo-no Tsi-sa hi-a nu-we-se-lv-gi; V-tla yv-ge-tso-hi-yu-hv-ga, gv-ni yi-tsi-go-wa-ti-ha u-ye-lv-dv-i a-le u-s-qua-ni-go-di.
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| The nobleman saith unto him, Sir, come down ere my child die.
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| ᎤᎬᏫᏳᎯ ᎠᏍᏕᎵᏍᎩ ᎯᎠ ᏄᏪᏎᎸᎩ, ᏣᎬᏫᏳᎯ, ᎮᎾ ᎠᏏᏉ ᎾᏲᎱᏍᎬᎾ ᎠᏇᏥ.
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U-gv-wi-yu-hi a-s-de-li-s-gi hi-a nu-we-se-lv-gi, Tsa-gv-wi-yu-hi, he-na a-si-quo na-yo-hu-s-gv-na a-que-tsi.
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| Jesus saith unto him, Go thy way; thy son liveth. And the man believed the word that Jesus had spoken unto him, and he went his way.
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| ᏥᏌ ᎯᎠ ᏄᏪᏎᎸᎩ; ᏥᎮᎾ, ᏤᏥ ᎬᏅ. ᎠᎴ ᎾᏍᎩ ᎠᏍᎦᏯ ᎤᏬᎯᏳᏅᎩ ᏥᏌ ᏄᏪᏎᎸᎢ, ᎠᎴ ᎤᏪᏅᏒᎩ.
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Tsi-sa hi-a nu-we-se-lv-gi; Tsi-he-na, tse-tsi gv-nv. A-le na-s-gi a-s-ga-ya u-wo-hi-yu-nv-gi Tsi-sa nu-we-se-lv-i, a-le u-we-nv-sv-gi.
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| And as he was now going down, his servants met him, and told him, saying, Thy son liveth.
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| ᎿᎭᏉᏃ ᎥᎠᎢᏒᎩ, ᏧᏅᏏᏓᏍᏗ ᏕᎬᏩᏠᏒᎩ ᎠᎴ ᎬᏩᏃᏁᎸᎩ, ᏤᏥ ᎬᏅ, ᎥᎬᏬᏎᎸᎩ.
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Hna-quo-no v-a-i-sv-gi, tsu-nv-si-da-s-di de-gv-wa-tlo-sv-gi a-le gv-wa-no-ne-lv-gi, Tse-tsi gv-nv, v-gv-wo-se-lv-gi.
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| Then inquired he of them the hour when he began to amend. And they said unto him, Yesterday at the seventh hour the fever left him.
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| ᎿᎭᏉᏃ ᏚᏛᏛᏅᎩ ᎢᏳᎢ ᎤᎴᏅᎲ ᏏᏲᏍᏛ ᏄᎵᏍᏓᏁᎸᎢ. ᎤᏒᎯ ᏌᏉ ᎢᏳᏟᎶᏛ ᎧᎳᏩᏗᏒ ᏄᏗᎴᎲᏍᎬᎾ ᏄᎵᏍᏔᏅᎩ, ᎥᎬᏬᏎᎸᎩ.
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Hna-quo-no du-dv-dv-nv-gi i-yu-i u-le-nv-hv si-yo-s-dv nu-li-s-da-ne-lv-i. U-sv-hi sa-quo i-yu-tli-lo-dv ka-la-wa-di-sv nu-di-le-hv-s-gv-na nu-li-s-ta-nv-gi, v-gv-wo-se-lv-gi.
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| So the father knew that it was at the same hour, in the which Jesus said unto him, Thy son liveth: and himself believed, and his whole house.
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| ᎾᏍᎩᏃ ᎤᏙᏓ ᎤᏙᎴᎰᏒᎩ ᎾᎯᏳ ᎨᏒ ᏥᏌ ᎯᎠ ᏄᏪᏎᎸᎢ; ᏤᏥ ᎬᏅ. ᎤᏩᏒᏃ ᎤᏬᎯᏳᏅᎩ ᎠᎴ ᎾᏍᏉ ᏂᎦᏛ ᏧᏤᎵ ᏏᏓᏁᎸᎯ ᎨᏒᎢ.
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Na-s-gi-no u-do-da u-do-le-ho-sv-gi na-hi-yu ge-sv Tsi-sa hi-a nu-we-se-lv-i; Tse-tsi gv-nv. U-wa-sv-no u-wo-hi-yu-nv-gi a-le na-s-quo ni-ga-dv tsu-tse-li si-da-ne-lv-hi ge-sv-i.
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| This is again the second miracle that Jesus did, when he was come out of Judaea into Galilee.
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| ᎾᏍᎩ ᎯᎠ ᏔᎵᏁ ᎤᏍᏆᏂᎪᏗ ᏚᎸᏫᏍᏓᏁᎸ ᏥᏌ ᎨᎵᎵ ᎤᎷᏦᏅᎯ, ᏧᏗᏱ ᏅᏓᏳᎶᏒᎯ.
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Na-s-gi hi-a ta-li-ne u-s-qua-ni-go-di du-lv-wi-s-da-ne-lv Tsi-sa Ge-li-li u-lu-tso-nv-hi, Tsu-di-yi nv-da-yu-lo-sv-hi.
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Kiss announced the cancellation of their eight-date Australian tour as a result of Paul Stanley suffering complications from his flu attack.
The shows, part of their End of the Road farewell journey, were planned to take place from Nov. 19 to Dec. 1, but refunds are now being made available and no rescheduled dates have been revealed.
“Words cannot begin to convey our massive disappointment in having to cancel our End of the Road tour of your incredible country,” Stanley said in a statement, noting that he’d been diagnosed with a throat infection in addition to his previous symptoms, and been ordered to rest for at least two weeks.
He continued: “Our connection to you is unparalleled and decades deep. We waited as long as we could and held out hope to the last minute that my situation would clear up and we would be able to march forward. Doctor's orders ultimately have taken precedence and finally we now find ourselves with no choice but to surrender. With heavy hearts, Kiss.”
“We are devastated with the cancellation of the Australian tour,” its promoters, One World Entertainment and TEG Live, said. “We've been in constant contact with the band in the past few days hoping for a positive outcome. We know how much fans were looking forward to the tour. We send our best wishes to Paul for a speedy recovery.”
Kiss previously confirmed that their final show will take place on July 17, 2021, in New York City, while manager Doc McGhee later said that all surviving former members of the band had been approached about potentially taking part.


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{{else}}This equipment database is provided by Kegor, Nerun, Katumi, and the players of TorilMUD. The web interface was built by Todrael and Katumi. Visit the Triterium BBS for instructions on how to get stats in-game. Mwrite stat updates and additions to Katumi.


Planet Giza Shares New Song "Insomnia"
A bouncy track from the trio.
by Noah CInsomnia
Planet Giza
Editor Rating: HOTTTTT
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The Montreal-based trio, Planet Giza, formed back in 2013. They spent time developing a local following and honing their sound across a string of EPs before releasing their debut album, Added Sugar, this year, which boasted a feature from Mick Jenkins and production from fellow Montrealer, Kaytranada. The group is evidently riding the rush of their first full-length release because they're back already with another song, "Insomnia".
Planet Giza arose out of a merger between The North Virus and Rami B. The North Virus consisted of the producer duo, Dumix and Tony Stone, who decided to establish a permanent group with Rami B after a 45-minute session resulted in the SoundCloud success, "Old School Convertible". Beats have remained a prominent part of the unit's focus, ensuring a strong groove is always present. "Insomnia" shows Planet Giza crafting the kind of ethereal bop that they specialize in. They've carved out a lucrative lane for themselves that could lead far beyond the bounds of Canada.
Give the track a listen below and let us know what you think.
Quotable Lyrics
I got five rings, she bounce like springs
Going up and down
My hotline bling, is that my ting?
I'm on the way now


This spell allows you tofind the shortest, most direct physical route to a specific fixed location that you are familiar with on the same plane of existence. If you name a destination on another plane of existence, a destination that moves (such as a mobile fortress), or a destination that isn't specific (such as “a green dragon's lair”), the spell fails.
For the duration, as long as you are on the same plane of existence as the destination, you know how far it is and in what direction it lies. While you are traveling there, whenever you are presented with a choice of paths along the way, you automatically determine which path is the shortest and most direct route (but not necessarily the safest route) to the destination.


🔮
The project is a set of CSS loading animations created with three dots which made by just single element. I think the project can not only enhance your CSS skills but also improve your imagination. 🔥
⚗ Experiment: The experimental loading animation needs special conditions.


Unai Emery's sack: Arsenal hold talks with ex-Juventus boss Massimiliano Allegri
- Unai Emery's sack has been linked with Arsenal hiring former Juventus manager Max Allegri
- It is understood that the Gunners hierarchy has been in talks with the Italian gaffer
- Allegri won five Serie A titles with the Bianconeri and qualified for two Champions League finals
Unai Emery's sack has got Arsenal talking with Massimiliano Allegri as their next manager, according to reports
The Spanish manager was sacked by the London outfit on Friday, November 29, after series of poor results.
Arsenal have now gone without a win in seven matches, their worst run in 27 years and their latest 2-1 loss to Frankfurt in the Europa League ended Emery's 18-month term with the Gunners.
READ ALSO: NAIJ.com upgrades to Legit.ng
But according to Sky Sports Allegri has already held talks with bigwigs with the Emirates outfit
Allegri's record in Serie A with Juventus was impressive winning five titles during his spell with the Turin giants.
Super Eagles star reaches big milestone, hailed as best midfielder in Premier League
The Italian tactician also guided the Bianconeri to the Champions League final twice in 2015 and 2017.
Meanwhile, Legit.ng had earlier reported that Unai Emery's sack has brought about Nuno Espirito Santo being tipped to take over from the Spanish boss at the Emirates.
But the Portuguese manager has refused to comment on speculation linking him with the job after Emery was shown the door.
Can Nigeria U17 team win a 6th World Cup title in Brazil? | Legit TV


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