Start Time: 2015-07-20 15:47:09
Duration: 0:00:06.176000
Status: Pass 15
中标麒麟虚拟化管理平台V6.2－HTTP接口自动化测试报告 测试执行方式：module
| Test Group/Test case | Count | Pass | Fail | Error | View |
| TestCases.Network.ITC06_Setup | 1 | 1 | 0 | 0 | Detail |
test_Create_DC |
pass
pt1.1: 2015-07-20 15:47:09 INFO | PrintLog.py[line:0061] | Pre-Module-Test: Create DataCenter 'DC-ITC06-NFS'. C:\Python27\lib\site-packages\requests-2.4.1-py2.7.egg\requests\packages\urllib3\connectionpool.py:730: InsecureRequestWarning: Unverified HTTPS request is being made. Adding certificate verification is strongly advised. See: https://urllib3.readthedocs.org/en/latest/security.html (This warning will only appear once by default.) InsecureRequestWarning) |
||||
| TestCases.Network.ITC060101_GetNetworkList | 1 | 1 | 0 | 0 | Detail |
test_GetNetworkList |
pass
pt2.1: 2015-07-20 15:47:09 WARNING | PrintLog.py[line:0067] | The TestCase <ITC060101_GetNetworkList> has no data file. 2015-07-20 15:47:09 INFO | PrintLog.py[line:0061] | Test: Get all networks list. 2015-07-20 15:47:10 INFO | PrintLog.py[line:0061] | PASS: Get Network list SUCCESS. |
||||
| TestCases.Network.ITC060102_GetNetworkInfo | 2 | 2 | 0 | 0 | Detail |
test_GetNetworkInfo_id |
pass
pt3.1: 2015-07-20 15:47:10 INFO | PrintLog.py[line:0061] | Pre-Test: Create a network 'network001' for this TC. 2015-07-20 15:47:10 INFO | PrintLog.py[line:0061] | Pre-Test:Create network 'network001'success. 2015-07-20 15:47:10 INFO | PrintLog.py[line:0061] | Test: Get the network's ('network001') info by id ('a065728d-ecdd-4fe0-abfc-456038d26242'). 2015-07-20 15:47:10 INFO | PrintLog.py[line:0061] | PASS: Get Network info SUCCESS by ID. 2015-07-20 15:47:10 INFO | PrintLog.py[line:0061] | Post-Test: Delete network 'network001'. 2015-07-20 15:47:10 INFO | PrintLog.py[line:0061] | Post-Test:Delete network 'network001'success. |
||||
test_GetNetworkInfo_name |
pass
pt3.2: 2015-07-20 15:47:10 INFO | PrintLog.py[line:0061] | Pre-Test: Create a network 'network001' for this TC. 2015-07-20 15:47:10 INFO | PrintLog.py[line:0061] | Pre-Test:Create network 'network001'success. 2015-07-20 15:47:10 INFO | PrintLog.py[line:0061] | Test: Get the network's ('network001') info by name. 2015-07-20 15:47:10 INFO | PrintLog.py[line:0061] | PASS: Get Network's ('network001') info SUCCESS. 2015-07-20 15:47:10 INFO | PrintLog.py[line:0061] | Post-Test: Delete network 'network001'. 2015-07-20 15:47:10 INFO | PrintLog.py[line:0061] | Post-Test:Delete network 'network001'success. |
||||
| TestCases.Network.ITC06010301_CreateNetwork | 1 | 1 | 0 | 0 | Detail |
test_CreateNetwork |
pass
pt4.1: 2015-07-20 15:47:10 INFO | PrintLog.py[line:0061] | Post-Test:network 'network001' is not exist 2015-07-20 15:47:10 INFO | PrintLog.py[line:0061] | Test: Create network network001. 2015-07-20 15:47:11 INFO | PrintLog.py[line:0061] | PASS: Create Network SUCCESS. 2015-07-20 15:47:11 INFO | PrintLog.py[line:0061] | Post-Test: Delete network network001. 2015-07-20 15:47:11 INFO | PrintLog.py[line:0061] | Post-Test:Delete network 'network001'success. |
||||
| TestCases.Network.ITC06010302_CreateNetwork_VerifyName | 1 | 1 | 0 | 0 | Detail |
test_CreateNetwork_VerifyName |
pass
pt5.1: 2015-07-20 15:47:11 INFO | PrintLog.py[line:0061] | PASS: Returned status code and messages are CORRECT. 2015-07-20 15:47:11 INFO | PrintLog.py[line:0061] | PASS: Returned status code and messages are CORRECT. |
||||
| TestCases.Network.ITC06010303_CreateNetwork_DupName | 1 | 1 | 0 | 0 | Detail |
test_CreateNetwork_DupName |
pass
pt6.1: 2015-07-20 15:47:11 INFO | PrintLog.py[line:0061] | Pre-Test: Create network network001. 2015-07-20 15:47:11 INFO | PrintLog.py[line:0061] | Test: Create dup network network001. OrderedDict([(u'fault', OrderedDict([(u'reason', u'Operation Failed'), (u'detail', u"[Cannot add Network. The logical network's name is already used by an existing logical network in the same data-center.\n-Please choose a different name.]")]))]) 2015-07-20 15:47:11 INFO | PrintLog.py[line:0061] | PASS: Returned status code and messages are CORRECT when create dup network. 2015-07-20 15:47:11 INFO | PrintLog.py[line:0061] | Post-Test: Delete network network001. 2015-07-20 15:47:11 INFO | PrintLog.py[line:0061] | Post-Test:Delete network 'network001'success. |
||||
| TestCases.Network.ITC06010304_CreateNetwork_NoRequired | 1 | 1 | 0 | 0 | Detail |
test_CreateNetwork_NoRequired |
pass
pt7.1: 2015-07-20 15:47:11 INFO | PrintLog.py[line:0061] | PASS: Returned status code and messages are CORRECT. 2015-07-20 15:47:11 INFO | PrintLog.py[line:0061] | PASS: Returned status code and messages are CORRECT. |
||||
| TestCases.Network.ITC06010305_CreateNetwork_DupVlan | 1 | 1 | 0 | 0 | Detail |
test_CreateNetwork_DupVlan |
pass
pt8.1: 2015-07-20 15:47:11 INFO | PrintLog.py[line:0061] | Pre-Test: Create network network001.Set its vlan id 2. 2015-07-20 15:47:11 INFO | PrintLog.py[line:0061] | Pre-Test:Create network 'network001'success. 2015-07-20 15:47:11 INFO | PrintLog.py[line:0061] | Test: Create network network002.Set its vlan id 2. 2015-07-20 15:47:12 INFO | PrintLog.py[line:0061] | PASS: Returned status code and messages are CORRECT when create dup_vlan network. 2015-07-20 15:47:12 INFO | PrintLog.py[line:0061] | Post-Test: Delete network network001. 2015-07-20 15:47:12 INFO | PrintLog.py[line:0061] | Post-Test:Delete network 'network001'success. |
||||
| TestCases.Network.ITC06010401_UpdateNetwork | 1 | 1 | 0 | 0 | Detail |
test_UpdateNetwork |
pass
pt9.1: 2015-07-20 15:47:12 INFO | PrintLog.py[line:0061] | Pre-Test: Create network network001. 2015-07-20 15:47:12 INFO | PrintLog.py[line:0061] | Pre-Test:Create network 'network001'success. 2015-07-20 15:47:12 INFO | PrintLog.py[line:0061] | Test: Update network network001. 2015-07-20 15:47:12 INFO | PrintLog.py[line:0061] | PASS: Update Network info SUCCESS. 2015-07-20 15:47:12 INFO | PrintLog.py[line:0061] | Post-Test: Delete network network002. 2015-07-20 15:47:12 INFO | PrintLog.py[line:0061] | Post-Test:Delete network 'network002'success. |
||||
| TestCases.Network.ITC06010402_UpdateNetwork_DupName | 1 | 1 | 0 | 0 | Detail |
test_UpdateNetwork |
pass
pt10.1: 2015-07-20 15:47:12 INFO | PrintLog.py[line:0061] | Pre-Test-1: Create network network001. 2015-07-20 15:47:12 INFO | PrintLog.py[line:0061] | Pre-Test:Create network 'network001'success. 2015-07-20 15:47:12 INFO | PrintLog.py[line:0061] | Pre-Test-2: Create network network002. 2015-07-20 15:47:12 INFO | PrintLog.py[line:0061] | Pre-Test:Create network 'network002'success. 2015-07-20 15:47:12 INFO | PrintLog.py[line:0061] | Test: Update network network001.Set its name be network002. 2015-07-20 15:47:13 INFO | PrintLog.py[line:0061] | PASS: The returned status code and messages are CORRECT when update dup network. 2015-07-20 15:47:13 INFO | PrintLog.py[line:0061] | Post-Test-1: Delete network network001. 2015-07-20 15:47:13 INFO | PrintLog.py[line:0061] | Post-Test:Delete network 'network001'success. 2015-07-20 15:47:13 INFO | PrintLog.py[line:0061] | Post-Test-2: Delete network network002. 2015-07-20 15:47:13 INFO | PrintLog.py[line:0061] | Post-Test:Delete network 'network002'success. |
||||
| TestCases.Network.ITC060105_DeleteNetwork | 1 | 1 | 0 | 0 | Detail |
test_DeleteNetwork |
pass
pt11.1: 2015-07-20 15:47:13 INFO | PrintLog.py[line:0061] | Pre-Test-1: Create network network001. 2015-07-20 15:47:13 INFO | PrintLog.py[line:0061] | Pre-Test:Create network 'network001'success. 2015-07-20 15:47:13 INFO | PrintLog.py[line:0061] | Test: Delete network network001. 2015-07-20 15:47:13 INFO | PrintLog.py[line:0061] | PASS: Delete network network001 success. 2015-07-20 15:47:13 INFO | PrintLog.py[line:0061] | Post-Test-1: Delete network network001. 2015-07-20 15:47:13 INFO | PrintLog.py[line:0061] | Post-Test:network 'network001' is not exist |
||||
| TestCases.Network.ITC060201_GetNetworkProfileList | 1 | 1 | 0 | 0 | Detail |
test_GetNetworkProfileList |
pass
pt12.1: 2015-07-20 15:47:13 INFO | PrintLog.py[line:0061] | Pre-Test-1: Create a new network 'network001'. 2015-07-20 15:47:13 INFO | PrintLog.py[line:0061] | Pre-Test-2: Create multi-profiles for network 'network001'. 2015-07-20 15:47:14 INFO | PrintLog.py[line:0061] | Test: To get all NetworkProfiles list. 2015-07-20 15:47:14 INFO | PrintLog.py[line:0061] | PASS: Get NetworkProfile list SUCCESS. 2015-07-20 15:47:14 INFO | PrintLog.py[line:0061] | Post-Test: Delete network 'network001' and it's profiles. 2015-07-20 15:47:15 INFO | PrintLog.py[line:0061] | Post-Test:Delete network 'network001'success. |
||||
| TestCases.Network.ITC060202_GetNetworkProfileInfo | 1 | 1 | 0 | 0 | Detail |
test_GetNetworkProfileInfo |
pass
pt13.1: 2015-07-20 15:47:15 INFO | PrintLog.py[line:0061] | Pre-Test-1: Create a new network 'network001'. 2015-07-20 15:47:15 INFO | PrintLog.py[line:0061] | Pre-Test-2: Create multi-profiles for network 'network001'. 2015-07-20 15:47:15 INFO | PrintLog.py[line:0061] | Test: Get network network001's profile p001 info. 2015-07-20 15:47:15 INFO | PrintLog.py[line:0061] | PASS: Get network network001's profile p001 info SUCCESS. 2015-07-20 15:47:15 INFO | PrintLog.py[line:0061] | Post-Test: Delete network 'network001' and it's profiles. 2015-07-20 15:47:15 INFO | PrintLog.py[line:0061] | Post-Test:Delete network 'network001'success. |
||||
| TestCases.Network.ITC06_TearDown | 1 | 1 | 0 | 0 | Detail |
test_TearDown |
pass
pt14.1: 2015-07-20 15:47:15 WARNING | PrintLog.py[line:0067] | The TestCase <ITC06_TearDown> has no data file. 2015-07-20 15:47:15 INFO | PrintLog.py[line:0061] | Post-Module-Test: Delete DataCenter 'DC-ITC06-NFS'. |
||||
| Total | 15 | 15 | 0 | 0 |


--- title: 'How to Put Equations into Evernote' author: Andrea Cirillo comments: true date: '2014-09-11' excerpt: step-by-step tutorial on how to put pubblication-quality equations into evernote notes on mac devices draft: false slug: equations-in-evernote categories: - productivity tags: - evernote - tutorials ---
Some time ago I was looking for an easy way to put some math writing within my Evernote notes trough my Mac device. Even if there is no official solution to the problem and the feature request is still pending within Evernote dedicated forum, I finally came out with a very simple way to solve your problem out.
This way is called Grapher, a Mac OS built-in application for visualising math stuffs.
Here below a simple tutorial:
You can either search for it within Spotlight or using the launchpad.
And that’s it!
I think this trick is very useful when you have some “heavy” equations that would not be clear enough if it would just be written in simple text.
Sharing the post on Google +I have received the good advice to use daum equation editor, specifically aimed at writing equations.
I think the Grapher advantage is that is a built-in application, nevertheless I’m really grateful to Roberta Normanofor the tip.


Depression is a leading cause of disability worldwide and is a major contributor to the overall global burden of disease.Depression is a common illness worldwide, with more than 264 million people affected....


On Unix, -group gets or sets the group name for the file. A group id can be given to the command, but it returns a group name. -owner gets or sets the user name of the owner of the file. The command returns the owner name, but the numerical id can be passed when setting the owner. -permissions sets or retrieves the octal code that chmod(1) uses. This command does also has limited support for setting using the symbolic attributes for chmod(1), of the form [ugo]?[[+-=][rwxst],[...]], where multiple symbolic attributes can be separated by commas (example: u+s,go-rw add sticky bit for user, remove read and write permissions for group and other). A simplified ls style string, of the form rwxrwxrwx (must be 9 characters), is also supported (example: rwxr-xr-t is equivalent to 01755).
On Windows, -archive gives the value or sets or clears the archive attribute of the file. -hidden gives the value or sets or clears the hidden attribute of the file. -longname will expand each path element to its long version. This attribute cannot be set. -readonly gives the value or sets or clears the readonly attribute of the file. -shortname gives a string where every path element is replaced with its short (8.3) version of the name. This attribute cannot be set. -system gives or sets or clears the value of the system attribute of the file.
On Macintosh, -creator gives or sets the Finder creator type of the file. -hidden gives or sets or clears the hidden attribute of the file. -readonly gives or sets or clears the readonly attribute of the file. Note that directories can only be locked if File Sharing is turned on. -type gives or sets the Finder file type for the file.
file dirname c:/returns c:/.
Note that tilde substitution will only be performed if it is necessary to complete the command. For example,
file dirname ~/src/foo.creturns ~/src, whereas
file dirname ~returns /home (or something similar).
file join a b /foo barreturns /foo/bar.
Note that any of the names can contain separators, and that the result is always canonical for the current platform: / for Unix and Windows, and : for Macintosh.
file split /foo/~bar/bazreturns / foo ./~bar baz to ensure that later commands that use the third component do not attempt to perform tilde substitution.
proc findMatchingCFiles {dir} { set files {} switch $::tcl_platform(platform) { windows { set ext .obj } unix { set ext .o } } foreach file [glob -nocomplain -directory $dir *.c] { set objectFile [file tail [file rootname $file]]$ext if {[file exists $objectFile]} { lappend files $file } } return $files }
Rename a file and leave a symbolic link pointing from the old location to the new place:
set oldName foobar.txt set newName foo/bar.txt # Make sure that where we're going to move to exists... if {![file isdirectory [file dirname $newName]]} { file mkdir [file dirname $newName] } file rename $oldName $newName file link -symbolic $oldName $newName
Copyright © 1993 The Regents of the University of California. Copyright © 1994-1996 Sun Microsystems, Inc. Copyright © 1995-1997 Roger E. Critchlow Jr.


This should return 2 HTML errors. But there is none
DIV or UL are not allowed in address
toto titi
1st street
23X52 - NY
...
...
p is allowed within address only in html transitional.
contact name


3 references to ResolveITypeName
System.Management.Automation (3)
engine\parser\Compiler.cs (1)
1620
var generatorType = TypeResolver.
ResolveITypeName
(generatorTypeAst.TypeName, out Exception exception);
engine\parser\TypeResolver.cs (1)
503
return
ResolveITypeName
(iTypeName, out exception);
engine\runtime\Operations\MiscOps.cs (1)
2109
var result = TypeResolver.
ResolveITypeName
(typeName, out exception);


Success!
 You can use it right now to login to Councilmatic.
{% extends "password_reset/base.html" %}{% load i18n %} {% block title %}{% trans "New password set" %}{% endblock %} {% block full_content %}
You successfully reset your passsword. You can use it right now to login to Councilmatic.


Janhvi Kapoor and Kartik Aaryan wrap up the Punjab schedule of Dostana 2
by FilmfareComing together for the first time on the big screen are Kartik Aaryan and Janhvi Kapoor in Karan Johar’s Dostana 2. The film also stars debutant Lakshya who already is gaining a lot of attention. Since the last couple of days, Kartik, Janhvi and Lakshya have been shooting in Chandigarh and Patiala for the rom-com. Thanks to social media, we have been getting several pictures of the star cast from the sets of the film and it has got us really excited.
After spending all these weeks there, the trio has finally wrapped up the Punjab schedule of the film and celebrated it with a cake and special bash. Check out their pictures from the wrap-up party below.
Dostana 2 is a sequel to Priyanka Chopra Jonas, John Abraham and Abhishek Bachchan starrer Dostana. Produced by Karan Johar, the project is helmed by Collin D'Cunha and slated to hit the screens in 2020. It was recently when the makers announced that the Stree actor Abhishek Banerjee has joined the lead stars to play an important part in the film.


Error Handling
Strategies for how to handle exceptions from processing stream elements can be defined when materializing the stream. The error handling strategies are inspired by actor supervision strategies, but the semantics have been adapted to the domain of stream processing.
Warning
ZipWith, GraphStage junction, ActorPublisher source and ActorSubscriber sink components do not honour the supervision strategy attribute yet.
Supervision Strategies
There are three ways to handle exceptions from application code:
- Stop - The stream is completed with failure.
- Resume - The element is dropped and the stream continues.
- Restart - The element is dropped and the stream continues after restarting the stage. Restarting a stage means that any accumulated state is cleared. This is typically performed by creating a new instance of the stage.
By default the stopping strategy is used for all exceptions, i.e. the stream will be completed with failure when an exception is thrown.
final Materializer mat = ActorMaterializer.create(system);
final Source<Integer, NotUsed> source = Source.from(Arrays.asList(0, 1, 2, 3, 4, 5))
.map(elem -> 100 / elem);
final Sink<Integer, CompletionStage<Integer>> fold =
Sink.<Integer, Integer> fold(0, (acc, elem) -> acc + elem);
final CompletionStage<Integer> result = source.runWith(fold, mat);
// division by zero will fail the stream and the
// result here will be a Future completed with Failure(ArithmeticException)
The default supervision strategy for a stream can be defined on the settings of the materializer.
final Function<Throwable, Supervision.Directive> decider = exc -> {
if (exc instanceof ArithmeticException)
return Supervision.resume();
else
return Supervision.stop();
};
final Materializer mat = ActorMaterializer.create(
ActorMaterializerSettings.create(system).withSupervisionStrategy(decider),
system);
final Source<Integer, NotUsed> source = Source.from(Arrays.asList(0, 1, 2, 3, 4, 5))
.map(elem -> 100 / elem);
final Sink<Integer, CompletionStage<Integer>> fold =
Sink.fold(0, (acc, elem) -> acc + elem);
final CompletionStage<Integer> result = source.runWith(fold, mat);
// the element causing division by zero will be dropped
// result here will be a Future completed with Success(228)
Here you can see that all ArithmeticException will resume the processing, i.e. the elements that cause the division by zero are effectively dropped.
Note
Be aware that dropping elements may result in deadlocks in graphs with cycles, as explained in Graph cycles, liveness and deadlocks.
The supervision strategy can also be defined for all operators of a flow.
final Materializer mat = ActorMaterializer.create(system);
final Function<Throwable, Supervision.Directive> decider = exc -> {
if (exc instanceof ArithmeticException)
return Supervision.resume();
else
return Supervision.stop();
};
final Flow<Integer, Integer, NotUsed> flow =
Flow.of(Integer.class).filter(elem -> 100 / elem < 50).map(elem -> 100 / (5 - elem))
.withAttributes(ActorAttributes.withSupervisionStrategy(decider));
final Source<Integer, NotUsed> source = Source.from(Arrays.asList(0, 1, 2, 3, 4, 5))
.via(flow);
final Sink<Integer, CompletionStage<Integer>> fold =
Sink.<Integer, Integer> fold(0, (acc, elem) -> acc + elem);
final CompletionStage<Integer> result = source.runWith(fold, mat);
// the elements causing division by zero will be dropped
// result here will be a Future completed with Success(150)
Restart works in a similar way as Resume with the addition that accumulated state, if any, of the failing processing stage will be reset.
final Materializer mat = ActorMaterializer.create(system);
final Function<Throwable, Supervision.Directive> decider = exc -> {
if (exc instanceof IllegalArgumentException)
return Supervision.restart();
else
return Supervision.stop();
};
final Flow<Integer, Integer, NotUsed> flow =
Flow.of(Integer.class).scan(0, (acc, elem) -> {
if (elem < 0) throw new IllegalArgumentException("negative not allowed");
else return acc + elem;
})
.withAttributes(ActorAttributes.withSupervisionStrategy(decider));
final Source<Integer, NotUsed> source = Source.from(Arrays.asList(1, 3, -1, 5, 7))
.via(flow);
final CompletionStage<List<Integer>> result = source.grouped(1000)
.runWith(Sink.<List<Integer>>head(), mat);
// the negative element cause the scan stage to be restarted,
// i.e. start from 0 again
// result here will be a Future completed with Success(List(0, 1, 4, 0, 5, 12))
Errors from mapAsync
Stream supervision can also be applied to the futures of mapAsync.
Let's say that we use an external service to lookup email addresses and we would like to discard those that cannot be found.
We start with the tweet stream of authors:
final Source<Author, NotUsed> authors = tweets
.filter(t -> t.hashtags().contains(AKKA))
.map(t -> t.author);
Assume that we can lookup their email address using:
public CompletionStage<String> lookupEmail(String handle)
The CompletionStage is completed normally if the email is not found.
Transforming the stream of authors to a stream of email addresses by using the lookupEmail service can be done with mapAsync and we use Supervision.getResumingDecider to drop unknown email addresses:
final Attributes resumeAttrib =
ActorAttributes.withSupervisionStrategy(Supervision.getResumingDecider());
final Flow<Author, String, NotUsed> lookupEmail =
Flow.of(Author.class)
.mapAsync(4, author -> addressSystem.lookupEmail(author.handle))
.withAttributes(resumeAttrib);
final Source<String, NotUsed> emailAddresses = authors.via(lookupEmail);
If we would not use Resume the default stopping strategy would complete the stream with failure on the first CompletionStage that was completed exceptionally.
Contents


Hold NMDC; target of Rs 110: ICICI Direct
ICICI Direct recommended hold rating on NMDC with a target price of Rs 110 in its research report dated November 14, 2019.
by Broker ResearchICICI Direct's research report on NMDC
NMDC reported a steady set of Q2FY20 numbers wherein the topline came in higher than our estimate on the back of higher-than-expected realisations. Realisations were at Rs 3780/tonne (up 5.7% YoY, 2.7% QoQ, higher than our estimate of Rs 3650/tonne). Iron ore sales volume was at 5.8 million tonnes (MT), down 13% YoY (our estimate: 5.9 MT). Net income from operations were at Rs 2242 crore, down 8% YoY (our estimate: Rs 2135 crore). EBITDA came in at Rs 1060 crore, down 16% YoY, (our estimate: Rs 1086 crore). Ensuing PAT was at Rs 701.7 crore, up 10% YoY (our estimate: Rs 758 crore).
Outlook
NMDC reported a steady set of Q2FY20 numbers wherein realisations came in higher than our estimates. Going forward, we model sales volume of 32.0 MT for FY20E and FY21E. Furthermore, we expect EBITDA margins to hover around 47-49% for the next couple of years. We value the stock on an SoTP basis thereby arriving at a target price of Rs 110. We maintain our HOLD recommendation on the stock.
For all recommendations report, click here
Disclaimer: The views and investment tips expressed by investment experts/broking houses/rating agencies on moneycontrol.com are their own, and not that of the website or its management. Moneycontrol.com advises users to check with certified experts before taking any investment decisions.
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PUSHING TIN
Reviewed by Harvey Karten, Ph.D. 20th Century Fox/ Regency Enterprises Director: Mike Newell Writer: Glen Charles, Les Charles Cast: John Cusack, Billy Bob Thornton, Cate Blanchett, Angelina Jolie, Vicki Lewis, Ramona Milano, Robert N. Smith, Jake Weber
TV and movie screens are overloaded with police dramas because cops lead exciting and dangerous lives. Yet no film- maker before now has dramatized the career of air traffic controllers, who work in a profession that ranks along with high-school teaching as among the most stressful. Each day, thousands of people entrust their lives to the judgement of these brave people, who burn out so briskly that for some their most prominent fantasy is chucking their jobs at big city airports and transferring to small-town landing strips that handle two or three flights a day. I recall sitting in the waiting lounge at Narita airport outside Tokyo, gazing at planes coming in at the bewildering rate of one per minute. Only then did I appreciate the guys behind the scenes who were directing traffic only by the blips on their radar screens, barking orders throughout the day so that a major city can play host to hundreds of flights in a 24-hour period without experiencing a crash--ever.
Mike Newell, who received great plaudits for his skills in directing the delightfully comic "Four Weddings and a Funeral," puts his talent to work in a comedy-drama filled with fast talk, hip exchanges, moments of melodrama and no small among of sit-com exchanges. The film is so engagingly offbeat for a commercial studio feature that you await a concluding payoff, praying like the passengers on the descending planes that this time around, Hollywood would not compromise. Don't expect too much. The final half hour of what could have been one of the more challenging studio movies of the year is so out of character, so sappy, silly and unbelievable, that you'll wonder what sort of audience Newell had in mind: the type that regularly patronize the more intimate and challenging indies; or the category that go for the saccharine genre that helps make daytime TV a vast, though well-populated wasteland.
The good news is that John Cusack and Billy Bob Thornton can both play unconventional roles: pitting them together in conflict keeps the movie flowing, crackling with tension and technique for most of its two-hour run. (Thornton, in fact, was the recipient of the Best Support Actor Award from the Online Film Critics Society in 1998 and Cate Blanchett, who performs in the role of Cusack's wife, received OFCS' Best Actress prize the same year.)
Newell, using a screenplay from Glen and Les Charles (which includes some scenes reminiscent of the TV megahit "Cheers," also by those writers), fills the opening displays with a field-trip-eye view of the work done by the harried controllers. They speak so rapidly to the pilots that you may wonder how the poor fliers from countries with non-Romance languages understand a word. Their conversations with one another are at least as rapid, and like cops and firemen, they form buddy-buddy attachments so strong that they go together to bars after work and invite one another to their backyard barbeques. When Russell Bell (Billy Bob Thornton) is introduced to the crew as its new but highly experienced and recommended employee, the controllers think of him as weird. He is a mysterious fellow who hardly speaks and is known as a cowboy who once stood in the path of a landing 747 to experience the effect of a backwash--which had the outcome of tossing the man into the air and flinging him swiftly to the ground. When Russell's sexy wife, Mary Bell (Angelina Jolie), is introduced to Nick Falzone (John Cusack), Nick's mind strays from thoughts of his sweet wife Connie (Cate Blanchett). One night, when Russell is out of town and Mary is feeling lonely, Nick invites her to an Italian restaurant where he charms her by his ability to sing. They land inevitably in her bed. What follows will threaten the lives of the pilots who depend on him, his marriage to Connie, his entire career.
While Cusack can compete with Chris Farley as a motormouth, the show-stealer is the laconic Thornton, who comes across as a New Age philosopher who is also outstanding on the job at the radar controls. His calm reaction to news of his wife's extra-marital activities is a product of his philosophy, making a scene in Colorado between him and the straying husband, Nick, the most fascinating one of the story and surprisingly credible when compared to the absurd ending of the movie.
"Pushing Tin" is worth seeing because you don't often get players like Cusack, Thornton and Blanchett bouncing off one another. And you do learn quite a bit about the people you entrust with your lives each time you fly, whether domestic or international, whether Continental or Delta. Speaking of the behind-the-scenes people who never get the recognition they deserve, the movie's make-up personnel deserve mention for the job they did on Cate Blanchett, transforming her image from that of England's most famous queen to a suffering suburban American housewife. "Pushing Tin" is solid, offbeat entertainment of the sort you don't often find in heavily financed studio films.
Rated R. Running Time: 124 minutes. (C) 1999 Harvey Karten
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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On weapon's stats page there are videos of different sights for the guns. Is it possible to have the videos either have replay button or return to the state they were in before playing them so you can view them again. Sometimes you just can't make up your mind in one play.


I’m breaking up with Hello Kitty
Act Blur
by S M OngDear Hello Kitty,
We need to talk (even though you don't have a mouth).

People who are aware of my relationship with you asked me whether I got mine.
I have a confession to make - I didn't queue up for it.
It was a weird feeling at first, not wanting to buy McDonald's latest promotional novelty.

I decided to skip your carrier because I already got the McDonald's My Melody food holder last December.
I tried to sell My Melody for $1,001 on Carousell and someone actually offered to buy it.
I waited at Braddell MRT station for half an hour, but no one showed up and the person stopped replying to my messages.
EVIL
I couldn't believe anyone could be so evil as to lead me on like that. Faith in humanity destroyed.
This is how Carouhell became a billion-dollar company?
But I guess it was my own fault for stupidly thinking anyone would pay $1,001 for something you can now get for maybe 10 bucks.
So the My Melody holder is still in a box gathering dust at home.
Along with my McDonald's SG50 Hello Kitty Collector's Set, which includes six plushies.
And my SingPost SG50 Hello Kitty Plush Collectible Set, which has five toys.
And my six-piece McDonald's Hello Kitty Bubbly World collection, which I bought in 2014.
And the 40th anniversary Hello Kitty Run medal I got the same year.
I wore the Hello Kitty Run T-shirt to my first death metal concert recently. (Cryptopsy rules!)
But apart from the T-shirt, all the other stuff is pretty much useless.
Am I actually going to use the My Melody food holder to hold my food? Not if I can't even bear to take it out of the box.
They're all just sitting there, competing for space with my Star Wars merch, Marvel merch and 125 pairs of running shoes in the Choa Chu Kang flat I share with three other people, also known as my family.
Marie Kondo would commit seppuku if she saw the way I live.
So when McDonald's announced that Singapore would be the first country where your carrier would be launched, I said no, thanks.
I don't know where I found the strength.
Initially, there was a fear of missing out. But now, just over a week later, no one cares.

You no longer spark joy.
I'm sorry to say it's over between us. We had a good run.
Please don't be sad (not that anyone can tell whether you are since you have no facial expression whatsoever).
You still have millions of real fans, unlike ironic bandwagon jumpers like me.
It's not you. It's meow.
If you really must know, yes, there is someone else.
I would die for Baby Yoda.
Goodbye, Kitty.


Our most simple box that aims to improve the environment. It comes with 3 to 4 eco-friendly, earth-focused objects. In buying your first box, you join our community of people trying to make a positive impact on our world!
Read MoreFor your first month you will receive:


4
1 For see, the day is coming, burning like a furnace, when all the proud and all the evildoers will become stubble. The day that is coming will burn them up," says Yahweh of hosts, "so that it will leave them neither root nor branch.
2 But for you who fear my name, the sun of righteousness will rise with healing in its wings. You will go out leaping like calves from the stall.
3 And you will tread down the wicked, for they will be ashes under the soles of your feet on the day that I act," says Yahweh of hosts.
4 "Remember to obey the law of my servant Moses, the statutes and decrees that I commanded him at Horeb for all Israel.
5 See, I will send you Elijah the prophet before the great and terrible day of Yahweh comes.
6 He will turn the heart of the fathers to the children, and the heart of the children to their fathers; so that I will not come and attack the land with complete destruction."


The battle to save the plane of Zendikar rages on. Powerful Planeswalkers have fought on the side of the Zendikari against the all-consuming, alien Eldrazi. Will the Planeswalkers stay at great personal risk and fight for Zendikar? Or will they retreat away to safety and leave the world to oblivion?


Here’s What Greg Schiano Was Reportedly Demanding From Rutgers
by Andrew HolleranGreg Schiano will not be the next head coach of Rutgers’ football program. The Scarlet Knights were unable to agree to terms on a deal with their former head coach.
It had been reported that Schiano was making some notable “demands” that needed to be met in order for him to take the job. Rutgers has been a Big Ten basement dweller for years and the program needed sizable upgrades, he felt.
Those “demands” have since been revealed.
The list of demands included a $4 million-a-year salary over eight years, a $25.2 million guarantee on Day 1 of his contract and unlimited use of a private jet.
In the end, one source said, it was too high a price to pay for Greg Schiano.
Now, this might seem like a lot to those unfamiliar with the college football landscape – and they might be a lot for Rutgers – but in order to be a competitive college football program, they really are not.
The $4 million/year salary would rank in the bottom third of the Big Ten; the $25.2 million guarantee is large but nothing crazy; the private jet is often critical for recruiting.
NJ.com columnist Steve Politi summed it up best:
He added: “I was prepared to write that Schiano’s demands were too much. Rutgers isn’t Auburn. I get that. But this is Illinois-level s–t, folks.”
Rutgers has been arguably the worst Power 5 program in college football over the last couple of years. It doesn’t look like the Scarlet Knights are that willing to that it anytime soon.


{% extends 'base.html' %} {% load static %} {% block content %}
Nanotechnology is science, engineering, and technology conducted at the nanoscale, which is about 1 to 100 nanometers.Physicist Richard Feynman, the father of nanotechnology.Nanoscience and nanotechnology are the study and application of extremely small things and can be used across all the other science fields, such as chemistry, biology, physics, materials science, and engineering.Nanoscience and nanotechnology involve the ability to see and to control individual atoms and molecules. Everything on Earth is made up of atoms—the food we eat, the clothes we wear, the buildings and houses we live in, and our own bodies. But something as small as an atom is impossible to see with the naked eye. In fact, it’s impossible to see with the microscopes typically used in a high school science classes. The microscopes needed to see things at the nanoscale were invented in the early 1980s.


public interface ServiceHandler
ServiceRequest
from client, processes it, and returns
a ServiceResponse
.ServiceHandlerComposition
,
AbstractServiceHandler
| Modifier and Type | Method and Description |
|---|---|
void |
getSupportedServices(java.util.Collection<java.lang.Class<? extends IEncodeable>> result)
Get supported services.
|
void |
serve(EndpointServiceRequest<?,?> request)
Serve a service request.
|
boolean |
supportsService(java.lang.Class<? extends IEncodeable> requestMessageClass)
Queries whether this handler supports a given request class.
|
void serve(EndpointServiceRequest<?,?> request) throws ServiceResultException
The implementation is allowed to may submit the response later and from another thread.
request
- ServiceResultException
boolean supportsService(java.lang.Class<? extends IEncodeable> requestMessageClass)
requestMessageClass
- classvoid getSupportedServices(java.util.Collection<java.lang.Class<? extends IEncodeable>> result)
result
- to be filled with request classes of supported services.


If you have any thoughts - good or bad - about booc.io or the course you are taking, please let us know!
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From the newsletter ... |
|
What is your passion?For many British it has got to be football....the enthusiasm and the excitement it evokes, every household stops when it's the `big match', out with the beers and away with the children or any other such interruption!  Then there's retail therapy.....now that's a passion for many.....especially if there is the chance of a bargain!. It is interesting to note that most national charities are run by passionate people who have personal experience of cancer, blindness or other such illnesses. Out of an experience which was usually a negative one, comes a passion to help those who are suffering in the same way. Yet we are told that society today has never been as anti organisations and person centred. Is that really true? I live on Madley Park a new estate in Witney. I find that here I exercise my own personal passion which is `building community'. When I first moved onto the estate 18 months ago it was not uncommon to hear mums say that they would walk the estate during the day just trying to find someone to talk to. The houses on Madley Park have high walls for protection and security both very valuable but not great for chatting to ones neighbour, pretty well impossible actually!! There are now 600 occupied houses with another 500+ in the process of being built. Has anything changed? Well the young mums say that the Toddlers@ 10 group has been a great place of meeting, as has the new playground. Other events such as the Business Network lunches and the forthcoming School Ball all help to build community. But what about those who work away from home.......the 7 am -7 pm brigade....how do they meet each other? Well a Jazz evening was well received and summer barbeques are on the cards....... all it takes people to come along to make them `community building' events. So how can we create a community? Well at Cogges they run Seniors gatherings every second Friday afternoon in the month, there are care groups to help those in need, a Toddler group, a ladies group, a Marriage Enrichment Course, a new place for 13+ aged youngsters to meet. Great community initiatives and all run by.......the church. The church is at the centre of local `community building'. So the next time you say `phah' when you hear the church being mentioned, and you are tempted to talk about its irrelevance, just reflect on how many community activities are initiated by the local churches in Witney. They are just following the model of a passionate man called Jesus whose love for everyone regardless of race, colour, or creed..... was life changing. A person worth getting to know!!! Cogges Parish | Other articles | Feedback © 2005; Published in Cogges Parish monthly newsletter, June 2005 |


Source code for apache_beam.internal.util
#
# Licensed to the Apache Software Foundation (ASF) under one or more
# contributor license agreements. See the NOTICE file distributed with
# this work for additional information regarding copyright ownership.
# The ASF licenses this file to You under the Apache License, Version 2.0
# (the "License"); you may not use this file except in compliance with
# the License. You may obtain a copy of the License at
#
# http://www.apache.org/licenses/LICENSE-2.0
#
# Unless required by applicable law or agreed to in writing, software
# distributed under the License is distributed on an "AS IS" BASIS,
# WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.
# See the License for the specific language governing permissions and
# limitations under the License.
#
"""Utility functions used throughout the package.
For internal use only. No backwards compatibility guarantees.
"""
import logging
from multiprocessing.pool import ThreadPool
import threading
import weakref
[docs]class ArgumentPlaceholder(object):
"""For internal use only; no backwards-compatibility guarantees.
A place holder object replacing PValues in argument lists.
A Fn object can take any number of "side inputs", which are PValues that will
be evaluated during pipeline execution and will be provided to the function
at the moment of its execution as positional or keyword arguments.
This is used only internally and should never be used by user code. A custom
Fn object by the time it executes will have such values replaced with real
computed values.
"""
def __eq__(self, other):
"""Tests for equality of two placeholder objects.
Args:
other: Another placeholder object to compare to.
This method is used only for test code. All placeholder objects are
equal to each other.
"""
return isinstance(other, ArgumentPlaceholder)
[docs]def remove_objects_from_args(args, kwargs, pvalue_classes):
"""For internal use only; no backwards-compatibility guarantees.
Replaces all objects of a given type in args/kwargs with a placeholder.
Args:
args: A list of positional arguments.
kwargs: A dictionary of keyword arguments.
pvalue_classes: A tuple of class objects representing the types of the
arguments that must be replaced with a placeholder value (instance of
ArgumentPlaceholder)
Returns:
A 3-tuple containing a modified list of positional arguments, a modified
dictionary of keyword arguments, and a list of all objects replaced with
a placeholder value.
"""
pvals = []
def swapper(value):
pvals.append(value)
return ArgumentPlaceholder()
new_args = [swapper(v) if isinstance(v, pvalue_classes) else v for v in args]
# Make sure the order in which we process the dictionary keys is predictable
# by sorting the entries first. This will be important when putting back
# PValues.
new_kwargs = dict((k, swapper(v)) if isinstance(v, pvalue_classes) else (k, v)
for k, v in sorted(kwargs.iteritems()))
return (new_args, new_kwargs, pvals)
[docs]def insert_values_in_args(args, kwargs, values):
"""For internal use only; no backwards-compatibility guarantees.
Replaces all placeholders in args/kwargs with actual values.
Args:
args: A list of positional arguments.
kwargs: A dictionary of keyword arguments.
values: A list of values that will be used to replace placeholder values.
Returns:
A 2-tuple containing a modified list of positional arguments, and a
modified dictionary of keyword arguments.
"""
# Use a local iterator so that we don't modify values.
v_iter = iter(values)
new_args = [
v_iter.next() if isinstance(arg, ArgumentPlaceholder) else arg
for arg in args]
new_kwargs = dict(
(k, v_iter.next()) if isinstance(v, ArgumentPlaceholder) else (k, v)
for k, v in sorted(kwargs.iteritems()))
return (new_args, new_kwargs)
[docs]def run_using_threadpool(fn_to_execute, inputs, pool_size):
"""For internal use only; no backwards-compatibility guarantees.
Runs the given function on given inputs using a thread pool.
Args:
fn_to_execute: Function to execute
inputs: Inputs on which given function will be executed in parallel.
pool_size: Size of thread pool.
Returns:
Results retrieved after executing the given function on given inputs.
"""
# ThreadPool crashes in old versions of Python (< 2.7.5) if created
# from a child thread. (http://bugs.python.org/issue10015)
if not hasattr(threading.current_thread(), '_children'):
threading.current_thread()._children = weakref.WeakKeyDictionary()
pool = ThreadPool(min(pool_size, len(inputs)))
try:
# We record and reset logging level here since 'apitools' library Beam
# depends on updates the logging level when used with a threadpool -
# https://github.com/google/apitools/issues/141
# TODO: Remove this once above issue in 'apitools' is fixed.
old_level = logging.getLogger().level
return pool.map(fn_to_execute, inputs)
finally:
pool.terminate()
logging.getLogger().setLevel(old_level)


Accumulate Relaxo Footwear; target of Rs 635: Dolat Capital
Dolat Capital recommended accumulate rating on Relaxo Footwear with a target price of Rs 635 in its research report dated November 05, 2019.
by Broker ResearchDolat Capital's research report on Relaxo Footwear
Relaxo’s revenue surged 14.5% YoY to ` 6.2bn in Q2FY20 - came in line with our estimates. The company exhibited tenth consecutive quarter of strong double digit revenue growth. Growth was driven mainly by premiumization, better product mix and price increase in selected categories. Despite high base, we believe that the company would continue its strong performance driven by low penetration in South and West and is likely to further benefit from premiumization. Relaxo should continue to outpace Bata in terms of revenue growth and the revenue gap would narrow, going ahead. We have revised our FY20E and FY21E estimates to factor in Q2 performance.
Outlook
We value the stock at 55x FY21E EPS to arrive at a TP of ` 635.Considering rich valuations, downgrade to Accumulate. (Buy on Dips).
For all recommendations report, click here
Disclaimer: The views and investment tips expressed by investment experts/broking houses/rating agencies on moneycontrol.com are their own, and not that of the website or its management. Moneycontrol.com advises users to check with certified experts before taking any investment decisions.
Special Thursday Expiry on 10th 7th Nov
Early Closure to The Great Diwali Discount. Last Chance to get Moneycontrol PRO for a year @ Rs. 289/- only
Coupon code: DIWALI


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{% extends "base.html" %} {% block title %} Dashboard {% endblock %} {% block stylesheets %}{% endblock stylesheets %} {% block content %}
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Total number of Detected Smells
Total issues solved


パッケージ com.shimizukenta.secs.gem
Implementation package providing GEM (SEMI-E30) interface.
-
インタフェースの概要 インタフェース 説明 Clock This interface is implementation of Clock in GEM (SEMI-E30).DynamicCollectionEvent This interface is implementation of Enable-CEID in GEM (SEMI-E30).DynamicEventReportConfig This interface is implementation of Dynamic-Event-Report-Configuration in GEM (SEMI-E30).DynamicLink This interface is implementation of Event-Report-Link in GEM (SEMI-E30).DynamicReport This interface is implementation of Define-Report in GEM (SEMI-E30).Gem This interface is implementation of GEM (SEMI-E30, partially).GemConfig This interface is GEM config. -
例外の概要 例外 説明 AliasNotFoundDynamicEventReportException Alias not found by DynamicEventReport Exception.DynamicEventReportException This Exception is super class of DynamicEventReportConfig method failed.


Get Komodo (KMD) price, market cap, and other cryptocurrency data | OpenMarketCap
@Malti why is that a bearish signal? i remember end of 2017 when practically everyone was talking about BTC
that was bearish
Malti14-Jun-19 08:36 AM
it was a joke
jorian14-Jun-19 08:36 AM
oh
it's early still
Malti14-Jun-19 08:37 AM
it's just funny that couple of months ago if you mention blokchain or crypto people were like "lol you must be poor now"
and now it's changing hehe
i mean if it works with dem ladiez, i'm a happy man hahah
jorian14-Jun-19 08:38 AM
i helped some people set up a wallet 3 months ago. back then they were like: bitcoin, that's dead right? but then i convinced them now is the time to buy
and now they're happy
Malti14-Jun-19 08:38 AM
yes, have been doing that as well last couple of months
차미숙14-Jun-19 08:39 AM
Right now, the funny thing about bitcoin is
It's not going fast enough to fomo
jorian14-Jun-19 08:39 AM
smart money flowing in
차미숙14-Jun-19 08:39 AM
But not slow enough to ignore it
Malti14-Jun-19 08:39 AM
do we want pure fomo?
차미숙14-Jun-19 08:40 AM
So it's like
We are watching it
And people want it to be cheaper
But it's not
And it's not going fast enough to say I can't miss this
Malti14-Jun-19 08:40 AM
i want it to be 10 cents and 1 mio at the same time(edited)
차미숙14-Jun-19 08:40 AM
Like that grey area it's in
So I'm excited XD(edited)
jorian14-Jun-19 08:41 AM
차미숙14-Jun-19 08:41 AM
But at the end of the day today is the cheapest day of bitcoin
Just like property
phm8714-Jun-19 08:42 AM
(I deleted my msg, it was not cool)
jorian14-Jun-19 08:42 AM
too many people expect it to go down
차미숙14-Jun-19 08:42 AM
Very interesting
jorian14-Jun-19 08:42 AM
well for you it was really cool
차미숙14-Jun-19 08:43 AM
It's behaving more and more like an inflation hedge right now
It wasn't like this in 2014~2018
phm8714-Jun-19 08:43 AM
At work, I am a Tester so I don't see bugs as a bad thing
차미숙14-Jun-19 08:43 AM
It was a ICO driven market but now it's a totally different thing
jorian14-Jun-19 08:45 AM
if 2016-2017 was an ICO driven market, what will be driving next bull market? i don't see people waking up to the inflation thing
gold might as well be a good replacement
phm8714-Jun-19 08:47 AM
Pacte law in France allow to insurances to buy crypto
It changed few weeks ago
Facebookshitcoin will also attract ppl towards btc and crypto
jorian14-Jun-19 08:48 AM
facebookshitcoin is bad but necessary
phm8714-Jun-19 08:49 AM
No github no explorer. As bad as euro but without history politics and army
차미숙14-Jun-19 08:50 AM
Gold takes too much work
And too much middlemen trying to take their cut in the middle
phm8714-Jun-19 08:52 AM
Gold production kill about 1000 ppl per year. 0 or 1 per year with btc mining
Gold production pollutes a lot chemically also (mercury ?)


QGraphicsVideoItem Class
The QGraphicsVideoItem class provides a graphics item which display video produced by a QMediaObject. More...
| Header: | #include <QGraphicsVideoItem> |
| qmake: | QT += multimediawidgets |
| Inherits: | QGraphicsObject and QMediaBindableInterface |
Properties
|
- 12 properties inherited from QGraphicsObject
Public Functions
| QGraphicsVideoItem(QGraphicsItem *parent = Q_NULLPTR) | |
| ~QGraphicsVideoItem() | |
| Qt::AspectRatioMode | aspectRatioMode() const |
| QSizeF | nativeSize() const |
| QPointF | offset() const |
| void | setAspectRatioMode(Qt::AspectRatioMode mode) |
| void | setOffset(const QPointF &offset) |
| void | setSize(const QSizeF &size) |
| QSizeF | size() const |
Reimplemented Public Functions
| virtual QRectF | boundingRect() const override |
| virtual QMediaObject * | mediaObject() const override |
| virtual void | paint(QPainter *painter, const QStyleOptionGraphicsItem *option, QWidget *widget = Q_NULLPTR) override |
- 2 public functions inherited from QGraphicsObject
- 1 public function inherited from QMediaBindableInterface
- 176 public functions inherited from QGraphicsItem
Signals
| void | nativeSizeChanged(const QSizeF &size) |
- 9 signals inherited from QGraphicsObject
Additional Inherited Members
- 2 public variables inherited from QGraphicsItem
- 1 protected function inherited from QGraphicsObject
- 1 protected function inherited from QMediaBindableInterface
- 24 protected functions inherited from QGraphicsItem
- 1 protected slot inherited from QGraphicsObject
- 1 protected type inherited from QGraphicsItem
Detailed Description
The QGraphicsVideoItem class provides a graphics item which display video produced by a QMediaObject.
Attaching a QGraphicsVideoItem to a QMediaObject allows it to display the video or image output of that media object. A QGraphicsVideoItem is attached to a media object by passing a pointer to the QMediaObject to the setMediaObject() function.
player = new QMediaPlayer(this); QGraphicsVideoItem *item = new QGraphicsVideoItem; player->setVideoOutput(item); graphicsView->scene()->addItem(item); graphicsView->show(); player->setMedia(QUrl("http://example.com/myclip4.ogv")); player->play();
Note: Only a single display output can be attached to a media object at one time.
See also QMediaObject, QMediaPlayer, and QVideoWidget.
Property Documentation
aspectRatioMode : Qt::AspectRatioMode
how a video is scaled to fit the graphics item's size.
Access functions:
| Qt::AspectRatioMode | aspectRatioMode() const |
| void | setAspectRatioMode(Qt::AspectRatioMode mode) |
mediaObject : QMediaObject * const
This property holds the media object which provides the video displayed by a graphics item.
Access functions:
| virtual QMediaObject * | mediaObject() const override |
nativeSize : const QSizeF
This property holds the native size of the video.
Access functions:
| QSizeF | nativeSize() const |
Notifier signal:
| void | nativeSizeChanged(const QSizeF &size) |
offset : QPointF
This property holds the video item's offset.
QGraphicsVideoItem will draw video using the offset for its top left corner.
Access functions:
| QPointF | offset() const |
| void | setOffset(const QPointF &offset) |
size : QSizeF
This property holds the video item's size.
QGraphicsVideoItem will draw video scaled to fit size according to its fillMode.
Access functions:
| QSizeF | size() const |
| void | setSize(const QSizeF &size) |
Member Function Documentation
QGraphicsVideoItem::QGraphicsVideoItem(QGraphicsItem *parent = Q_NULLPTR)
Constructs a graphics item that displays video.
The parent is passed to QGraphicsItem.
QGraphicsVideoItem::~QGraphicsVideoItem()
Destroys a video graphics item.
[override virtual]
QRectF QGraphicsVideoItem::boundingRect() const
Reimplemented from QGraphicsItem::boundingRect().
[signal]
void QGraphicsVideoItem::nativeSizeChanged(const QSizeF &size)
Signals that the native size of the video has changed.
Note: Notifier signal for property nativeSize.
[override virtual]
void QGraphicsVideoItem::paint(QPainter *painter, const QStyleOptionGraphicsItem *option, QWidget *widget = Q_NULLPTR)
Reimplemented from QGraphicsItem::paint().


git-write-tree - Create a tree object from the current index
git write-tree [--missing-ok] [--prefix=<prefix>/]
Creates a tree object using the current index. The name of the new tree object is printed to standard output.
The index must be in a fully merged state.
Conceptually, git write-tree sync()s the current index contents into a set of tree files. In order to have that match what is actually in your directory right now, you need to have done a git update-index phase before you did the git write-tree.
--missing-ok
Normally git write-tree ensures that the objects referenced by the directory exist in the object database. This option disables this check.
--prefix=<prefix>/
Writes a tree object that represents a subdirectory <prefix>. This can be used to write the tree object for a subproject that is in the named subdirectory.
Part of the git(1) suite


Ticket ID: 409788
Name:
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The basics for getting started with Arbor.
Running Arbor
You can run Arbor on our server.
If you want to try Arbor, start with our tutorial on using the Arbor webapp. You can also get information on creating your own collection to save data and analyses. There are several more advanced tutorials that carry on from there.
Finally, you can learn about Arbor apps.
Alternatively, you can download and install your own Arbor instance using Vagrant.
Video help
Arbor apps
Available Arbor apps are listed here.
Examples
Here are some examples for both Arbor apps and workflow analyses.
Contributing
If you want to contribute to Arbor, send us an email.
License
Arbor is open source under the Apache 2.0 license.


Clock in or out and view total hours worked
Plan a trip and view commonly visited locations
Determine the cost of a trip with pricing calculator
View tutorials related to van operation and daily checklists


Introduction
The obray PHP framework was developed as a minimalistic approach to building high performance web based applications. It accomplishes this through a simple namespace based routing, parameter mapping, native error handling, and automatic dependency injection.
How is this different than other frameworks you ask? Obray has very low overhead and does very little besides find your namespace, class, and function and excute it quickly. No library of functions or features to remember, no middleware, just simple.
Namespace Routing
Obray does not require any manual mapping for the router to work. It simply checks the given path to see if it matches a given namespace, class name, and function name. When a match is found, it's executed.
This approach does give up some flexibility, but in turn gains consistency. The URI path will always closely match the given namespace, class name, and function you use within the code itself. It also has the added advantage of easily allowing all of your classes to be called (with permission) via URI wether through an HTTP request or through PHP CLI.
Parameter Mapping
Obray will also take any parameters passed in a URI and map that to a corresponding parameter in your function call. This allows for native error handling on those paramters. Need to require a parameter: simply specify it with no default value. Need to make sure it's an integer: simply add a type. This gives a powerful, fast, and native way to enable parameters from a URI.
In some cases you may need more flexibility. Obray also allows you to accept all the parameters from a URI in a $params array to hande these any way you would like.
Native Error Handling
Throwing and catching errors is simply done through throw, try, and catch native to PHP. Obray will catch all the errors thrown and encode them to the end user or application in the way you specify. This ensures nothing goes unhandled.
Automatic Dependency Injection
Specifying class dependencies in the constructor of a class will invoke automatic dependency injection. When coupled with a DI container it's possible to share dependencies across classes. The encourages clean and modular code.


SOOTHE AND COOL MOISTURE BARRIER- petrolatum ointment
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Disclaimer: Most OTC drugs are not reviewed and approved by FDA, however they may be marketed if they comply with applicable regulations and policies. FDA has not evaluated whether this product complies.
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- temporarily protects minor: cuts, scrapes, burns
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PT Delta Vest Issue Report
Your Name
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No troubleshooting can be done otherwise.
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Some problems with the vests can be solved by using the key switch and turning the vest off.
Wait 10 seconds, then turn the vest back on.
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1 -- Outcast
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10 -- Swag
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This concept was a useful reminder during the redesign and rebuilt of the blog. I found it a challenge to let some things go and think I did spend too much time trying to work out details.
This was good to explore to increase my level of knowledge and understanding. However, in future I need to be more strict in allowing myself very limited time to problem solve and perhaps have some 'plan b' options up my sleeve.
Seach Inside Yourself (chapter 2)
Before reading this chapter, I found that my thoughts on meditation were still lingering around trying to think of "nothing" while meditating. Given that my mind NEVER stops thinking (often multiple things at once), this is something I've always found to be a real blocker in trying to meditate.
After reading this chapter, I've allowed myself to instead think of one thing for the duration of the meditation. That may be my breathing, a specific sound or an image. Also, while in the meditation, it's OK for thoughts, feelings, sensations to creep in. Just observe/acknowledge and then continue on with the mediation.
I really like the technique of:
Another aspect I quite liked was the idea of entering into a meditation with a specific intention. I haven't tried this one yet, but think it could be an interesting habit to get into.


Scalable Group Seminars
This website documents the seminar series of the Scalable Computing research group at Newcastle University.
If you wish to participate, please contact Matt Forshaw or raise a Pull Request on Github here.
Upcomiong Seminars
| Date | Title | Speaker |
|---|---|---|
| November 20, 2017 | Preserving the currency of genomics outcomes over time through selective re-computation: techniques, initial findings, and open challenges | Dr Paolo Missier and Dr Jacek Cala |
Previous Seminars
| Date | Title | Speaker |
|---|---|---|
| July 17, 2017 | Visualization Tools and Techniques | Prof Nick Holliman |
| June 19, 2017 | To See What Isn’t There – Visualization of Missing Data | Dr Sara Johansson Fernstad |
| June 5, 2017 | Sentiment Analysis using Probabilistic Topic Modelling and Unsupervised Deep Learning | Dr Stephen McGough |
| May 8, 2017 | Automating Computational Placement in IoT Environments | Peter Michalák |


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On the spot topic would be given. Students are supposed to find information regarding the topic using internet connectivity and make effective presentation in power point and represent the same.
Round 1: Hunting information regarding given topic
Time Duration: 45 Minutes (for Event)
Round 2: Presentation
Time Duration: Around 5 minutes Presentation + 2 minutes question Answer Session
2 members only
7th March 2017
R-1: 11:45 to 1:15 PM R-2: 1:30 to 2:30 PM
R-1: IC DEPT. TUTORIAL ROOM. R-2: SEMINAR HALL.
Rs. 50
Umang Parmar
Shivang Mistry
Anal Chokshi
Mohna Chattopadhayay
Dharav Modi


FAR FROM HOME: THE ADVENTURES OF YELLOW DOG A film review by John Walker Copyright 1995 John Walker
My form of "rating": I don't think I expected it on leaving the theater, but I've found that the characters in this film keep on coming back to me.
In brief: In an odd way, FAR FROM HOME is an "atmosphere" film, a film of character exposition as distinct from character development. If it's the sort of atmosphere you want to get into, try to see it on the big screen.
Much of what I will say below can sound as if the film is modest or dull. Not so. In fact, it's FAR FROM HOME's *lack* of one particular kind of action that gives it its reality. The most important action is what we don't see.
<>
In some sense, there isn't any story. "Plot" is not what FAR FROM HOME is all about.
To the extent it can be plotted, it's simple: Kid (14 or so) finds dog (or vice versa, depending on your point of view). On boat trip, kid and dog are washed overboard in storm; they land on wilderness shore in British Columbia. The family has to cope with the uncertainty and a search. Kid and dog have got to try to survive and get out.
<>
One of the things I dislike about my present situation is that if I see a film I want to write about, I know it will usually take a week or two to get the free time to do so. I suppose I should be glad that I get anything writ at all, but it's annoying in a case like this--where the film won't be around much longer, and where people don't seem to recognize its central value.
The reviews I've heard have been in the faint-praise department: FAR FROM HOME is supposedly a nice little flick, one where you can wait till it comes out on video. The problem is that people who would like FAR FROM HOME may lose a lot on the small screen--and maybe never notice what they're missing.
"Little" films frequently translate well to the small screen. In a circumscribed medium, a circumscribed universe can draw us in. And yes, in some sense, this might be called a "little" film. But "quiet" is more accurate. As far as characters go, there's only a handful of speaking roles. There are four family members, a walk-on or two, and only two non-family-members of any significance.
But the setting of FAR FROM HOME and the challenges faced are as essential as the precision of its focus. And the setting is large. Angus (Jesse Bradford), his parents (Bruce Davison and Mimi Rogers), and his kid brother, Silas, live in a farmhouse somewhere in the Pacific Northwest. The woods come up to open fields around the house. The scenery is of wildness and countryside. It's consistently splendid, by the way. The wilderness is a co-star of sorts.
And we all know there is going to be an adventure in the deep woods. The trailers, the posters, the promos all announce it. Words like "contemplative" or "atmospheric" *don't* leap out at us--maybe not even after seeing the film.
But if you're looking for "adventure" in the standard sense, this ain't it. You won't get one tidy obstacle followed by another--where each challenge is a real or potential turning point for the plot, all leading to a climactic struggle. Also, you won't get character development--where the obstacle or struggle forces some change on the hero or those around him.
Someone with better writing background than I have will have to fill in the terms, but there are two different kinds of "action" at issue here. One is an action or event that determines a story line: change such a "pivot point" or "breakpoint", and we'd have a different story. The other kind of action is just action: doing what's necessary to work out the consequences of the pivotal action or event.
As far as pivot points, there are only really two: kid and dog get together; kid and dog get washed up on wilderness shore. Then everything works forward with how they and everyone else deal with it.
Before Angus and Yellow Dog find one another, the action is minutiae: Angus leads his kid brother and a friend of his brother on a race through the woods trying to catch a rabbit. After Angus and Yellow Dog meet, the action is still more action that advances the action without changing it much. Yellow Dog messes things up; Yellow Dog gets Mom to like him.  Afterwards, almost everything is minutiae--only it's life-or-death minutiae.
<>
Hmm... If "action" means only pivotal action to you, have I made this sound dull enough?!
Well, if you're thinking of histrionics, forget it.
If nothing "happens", it should also be noted that no one "does" anything. No one grabs control and drives the story down a new path. No one rebels; even when someone takes an action that may complicate things, it's because it was the sensible thing to do at the time.
Moreover, we don't get speeches. These are not people who explain themselves. No soul-searching, no traumatic self-disclosure, no railing at fate, no "emoting" at all. Only occasionally (in the woods scenes) is there a voice over, where we hear what Angus is thinking so we can understand why he takes a course of action. And then it's just the sort of thing he might have said aloud if they were other people around--the same sort of thing he's also said aloud to Yellow Dog.
Angus and his family hold the perfectly ordinary conversations that ordinary people hold. These are just nice people I would more likely expect to meet than to see in a movie. Watching the beginning, my first question was whether this was based on a real-life story, where they kept pretty close to a book or something that one of the participants had written.
<>
So, we have a movie where nothing happens, where nothing is done, and nothing is said. This is a movie?
In fact, the film is continually active and looks on the surface reasonably North American. The scenes change, there's activity going on all the time. In the second sense of action--working out what happens after a breakpoint--FAR FROM HOME is *all* action. It never drags; it never wastes time.
But there's almost something more like some Japanese and Swedish films. Everything is communicated by implication, by indirection. Particularly with Angus, again and again we simply see his face as he surveys a situation. No dialogue, no attempt to stretch for dramatic facial expression; he's just thinking, sizing things up. Then he will move. And almost invariably, we will know why without being "told".
In fact, writer/director Phillip Borsos seems very deliberately to want us never to have the usual expostulations. In one scene with the parents, when the search seems to be going nowhere, the mother walks to the bathroom; as she opens the door, we see the father and it's evident he's been crying. Both of then abruptly change. It's as if the door has been slammed shut again. They both know what's going on, they don't deny it. They hold each other for a moment, and talk about what to do. But any emoting takes place off screen; we are not meant to see it or hear it.
In fact, I'd like to have the time to look at the role of the most silent character of all--Yellow Dog. He is, in some sense, the most pivotal character of all, next to nature, the wilderness. But this review will be late enough (and long enough!), as it is. Suffice it to say, his presence in the plot should underscore any ideas about the quietness of the speaking roles.
<>
Thinking particularly of the repeated camera shots of Angus sizing things up, I'm reminded that a number of foreign directors have been fascinated with the traditional American western. At first, joining the two stereotypes seems unlikely--the western, presumably all action and shoot-em-up; the foreign "art" film, all atmosphere and implication.
But the hero, the "strong, silent type", is an intersection of the two. Sizing things up is something he does all the time. Apparently he's impassive, unemotional, but *we* the audience write in the emotions, the color and tone taking place behind the face. *We* measure the possible costs of his decision; *we* ponder what implications something will have for the future.
We base our judgements on shared myths and expectations about the hero and his role; but we also bring our personal twist to it. In some sense, the relatively expressionless face contains *all* the emotions; *we* choose which one(s) to select out for this scene or that event. The viewer of an action film can be doing as much interpretation as the viewer of any apparently obscure art film. In the western, the interpretation may be more instinctive and less conscious, but it's interpretation nonetheless. The two types of film differ in the kind of action on screen; they're similar in the kind of viewer involvement.
So it is with Angus and FAR FROM HOME. Take the rabbit chase in the first few minutes of the film. Note: Hunting a rabbit on the *run*?! With a slingshot?! In second growth?! That's not a game one is apt to win. What does it say about someone willing to play it? And to take his kid brother and friend along as a learning experience?
Here, though, the rabbit finally freezes; Angus has a free shot. Thoughtful, he aims at the rabbit. Nothing is said, but *we* know why he acts the way he does. Further, we know what he doesn't--that the context of his decisions about such things is going to change radically. That's what the ads and the previews and the posters have told us. That's why we're here; that's what we're here to see.
Angus in some sense, has done nothing, taken no decisions that affect the plot. *We* have done a lot, all in the space of a few minutes. We've gotten to know a fair amount about this kid; we've gotten the opportunity to put his present state in the context of what we know lies ahead for him. And the most important points on screen have been wordless and expressionless. If we've gone down any blind paths in our interpretation, we can blame only ourselves, not the characters.
Practically everything in FAR FROM HOME will be like that.
The question, then, is do we want to spend the time inside the world of Angus and his family?
<>
I'm afraid we now live in a world where the popular image is that an unexpressed emotion is a lie. You're not truly sad or cheerful or whatnot unless you ram it down the throat of everyone within attacking distance. Everything must be explained to people; they in turn, must reflect it all back or suffer having it explained and analyzed still further.
That is *not* the world of Angus and his family.
In some respects, they remind me of the way I've described my family and town: Where I come from, the men don't wear jewelry; then again, where I come from, the women don't wear jewelry, either.
I don't think the parents ever verbally state anything about their love for each other or the two kids; but everything they do, and how they do it, does. They sound "modern" and middle-class in their ways of discussing whether Angus can keep Yellow Dog, but they evoke images going back to farm families and poor people in small towns. In fact, I had one small problem in dealing with Davison and Rogers. All the images I have of such parents involve either older people, or people apparently somewhat poor. (Instinctively, I guess I expect Aunty Em!)
Angus's father and mother just seemed a tad young and sophisticated. (Am I the only one who always felt his parents to be so old?!)
The kid brother, Silas, however, gave me no such problem. He walks just this side of the line between seven-year-old and continual irritation. (To the extent there's a difference!) He may run around in a rain coat/cape playing super hero, but he knows when to cool it.
The important thing, though, is that many 14-year-olds would find any seven-year-old a major pain; he'd be their cross to bear. Well, Silas's not a pain, and Angus just lets him trot along. Silas doesn't tell us so much about himself as about *Angus*.
And Bradford brings off his role as Angus effortlessly. I am no expert on acting; and as I've said, the style of film demands that we the audience write much into the action. Having said that, I have to say that Bradford makes it easy to write an enormous range of emotions into Angus. Bradford projects Angus as sensible and good-humored before the woods, as level-headed and resourceful once in the crunch. He gives us a tenacity that is not a matter of big emotional drive so much as that giving up or breaking down is simply not part of his character.
I should also note that Bradford does well on the subtler shadings. (True, it's a film that is *all* subtle shadings.) The particular subtler shading I'm thinking of forces me to warn you that yes, the filmmakers have condescended to the demand for lust and the gratuitous sex scene!
FAR FROM HOME has its own *vamp*! Sultry! Sophisticated! Seductive! Exerting all her feminine wiles to snare the innocent hero for her own!
**Oh, all right, it's not *quite* that!**
As a charming aside to the main action, there's a girl from school who has a crush on Angus. The same age apparently, she also points up the fact that Angus may be far beyond his peers in resourcefulness and other virtues, but he still has some learning to do in other departments! FAR FROM HOME is *not* a "coming-of-age" flick! Her two brief scenes add an element of very quiet humor, and a reminder that the great wide world is waiting outside the boundaries of the woods.
As one of the only two significant non-family figures, she also acts as a counterpoint to the head of the search effort. On the surface, he seems almost cold--concerned about wind and fuel while Angus's parents are concerned about Angus.
But it's as if Borsos wanted to give a small message: even the apparently unsympathetic character is on our side. He's just normally businesslike and cool. Underneath, there is no question about his concern or commitment. In one scene, the words are important, as he reassures Angus's mother that he would never give up the search. But, as in a western, the words are brief and to the point. When a character like this does explain himself, he does so in terms of what he will *do*. That's enough.
<>
And is that economy of speech merely cinematic?  We interact with people in the course of work, chores, idle conversation and whatnot. We *infer* what's going on inside. This is still a dominant mode of conversation for many people. Depending on the context, a raised eyebrow can be the same as a guffaw or the same as a rebuke.
Perhaps it is better for feelings to be discussed explicitly--particularly when dealing with people from disparate backgrounds, or psychologically traumatic events. But people from the same family or background can do pretty well with things being implicit. Sentences don't have to be completed, points don't have to be spelled out. They're known.
Such a "language" can be used as a form of deceit, of denying unpleasant truths. But so can false openness. For Angus's family, the reliance on implicits and ordinary conversation is a language of love and truthfulness.
They communicate through action as much as--or even more than--words. At a point where the stereotypical western and the stereotypical art film overlap, their communication, their speech, is silent.
<>
So, does that family, that kid, and that world sound like something you would want to be part of? Something that you'd want to be acquainted with?
If it does, then you have to be part of it in the same way you're part of similar worlds in real-life. Most people don't verbally assign labels to themselves as to their personalities and attitudes. We see it in how they do things. (And even with those who do label themselves, we have to check the label against the actions.) We have to *look* at each other--and *carefully*.
For longer than I wish to think about, I've been living in Washington, D.C. And as Leadbelly sang years ago, it's a boozhwah town. I think I *like* the intelligentsia and others in the upper middle classes, but frankly, I don't share their experience. I understand them in the sense of being able to predict their behavior, and I pay the rent by analyzing and reporting and writing on things of interest to them. I am arguably *more* one of them than many! Still, they've never seemed very sane to me. Terms like "frivolous" and "self-absorbed" come to mind.
Unfortunately for me, their views are apparently more typical of "serious" filmgoers than mine are. I can see something that speaks to me in lots of films, but very few that seem really to describe my family and the people I grew up with.
FAR FROM HOME is one such film. These people in the Pacific Northwest don't seem as scruffy as the folks I recall from home. And they're really nice folks, which isn't true for everyone. But I don't consider that a weakness of the film. Decent, sane people are worth a film now and then, aren't they!?
Add to that, FAR FROM HOME puts a kid I might have known in a real adventure. Angus is a kid I would have *admired*. But *been*? Sorry. Therefore, I don't want to just "see" a film like this. I want to *get into* it.
If you think you agree, then try to see FAR FROM HOME on the big screen. If you have to see it on video, then do so deliberately.  Block out the world, the endlessly psychoanalyzing commentaries, the exchange of monologues where people appear to interact but never reach touch one another.
FAR FROM HOME is *not* far from home, even though some of us may be. And like life, it's a life-or-death adventure.
John Walker<EMAIL_ADDRESS>.
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Related links: index of all rec.arts.movies.reviews reviews


Pan-genome analyses of bacteria and archaea are routinely carried out to interpret the within-species variation. However, eukaryotic pan-genome analyses are limited by the large sizes and high complexities of their genomes. Therefore we develloped a new strategy ---- EUPAN, specific for eukaryotic pan-genome analyses. Based on our experience in the 3,000 rice genome project, EUPAN enables accurate detection of gene presence-absence variations (gene PAVs) at sequencing depth of ~20x. EUPAN can be directly applied to current large re-sequencing projects primarily aimming to explore single nucleotide variations (SNVs).
We proposed EUPAN strategy primarily in the 3,000 rice genome projects. EUPAN utilizes a "map-to-pan" strategy to determine gene PAVs of each individual. EUPAN strategy involves
Eukaryotic large genome studies always involve big data and various softwares; and require very careful parameter selection process. Therfore EUPAN toolbox provides two versions of tools: 1) single machine version and 2) LSF version (working on supercomputer based on LSF system, in which, "bsub" is used to submit jobs).
Zhi-Qiang Hu<EMAIL_ADDRESS>Chao-Chun Wei: ccwei@sjtu.edu.cn


Block Chain
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Registration:
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Mining:
{% for transactions in resp%} {{ transactions }} {% endfor %}
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HOME
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Match Play. Double Match Point. How should Red play 43?
pips Red=160 White=143
(CorrectAnswer= 0/0, ErrorScore= 0)
Over the table 24/20, 8/5 was tried but given that Red was behind in the race that was clearly the wrong idea – racing when behind.
The real choice is between 20/13 and 18/11*. For money the safer 20/13 is correct (just) but at DMP gammons don’t count and 18/11* just edges out 20/13 but again the two plays are very close. The lesson is that often the hit that is right at DMP is too risky for money.
The real choice is between 20/13 and 18/11*. For money the safer 20/13 is correct (just) but at DMP gammons don’t count and 18/11* just edges out 20/13 but again the two plays are very close. The lesson is that often the hit that is right at DMP is too risky for money.
1. Cubeful 2-ply 18/11* Eq.: -0.146 0.427 0.131 0.005 - 0.573 0.165 0.010 2. Cubeful 2-ply 20/13 Eq.: -0.185 (-0.038) 0.408 0.084 0.002 - 0.592 0.098 0.003 3. Cubeful 2-ply 24/20 8/5 Eq.: -0.192 (-0.046) 0.404 0.075 0.002 - 0.596 0.071 0.002 4. Cubeful 2-ply 20/16 8/5 Eq.: -0.230 (-0.083) 0.385 0.099 0.003 - 0.615 0.162 0.007 5. Cubeful 2-ply 24/20 6/3 Eq.: -0.240 (-0.094) 0.380 0.064 0.002 - 0.620 0.075 0.002


David Tennant to play serial killer in ITV's 'Des'
by Karen ButlerNov. 23 (UPI) -- Good Omens, Doctor Who and Broadchurch icon David Tennant is to play serial killer Dennis Nilsen in ITV's three-part drama Des.
The miniseries is based on the true-crime book Killing for Company by Brian Masters. Lewis Arnold is directing the project.
Temple actor Daniel Mays and Jason Watkins from The Crown will play Police Detective Chief Inspector Peter Jay and biographer Brian Masters respectively.
Nilsen murdered boys and young men in his apartment between 1978 and 1983. He was ultimately discovered when police were called to investigate why flesh and bone fragments were clogging the drains in his building.
He was convicted of murder and sentenced to life imprisonment and died in May 2018.
"This drama starts with Nilsen's arrest and is looking at him through the eyes of the police officer trying to identify those he killed and deliver justice for them and the biographer he chose to tell his story," Polly Hill, ITV's head of drama, said in a press release. "David Tennant is going to be brilliant as Dennis Nilsen and with Daniel Mays as Jay and Jason Watkins as Brian, this has an incredible cast to bring this story to screen and we are delighted to be making this with New Pictures for ITV."


Objectives of the 16 Days of Activism against Gender-Based Violence Campaign
The campaign aims to raise awareness of the negative impact that violence and abuse have on women and children and to rid society of abuse permanently.
by Content provided.The 16 Days of Activism against Gender-Based Violence Campaign starts today. Running from November 25 to December 10, it is a worldwide campaign to oppose violence against women and children.
Here are objectives of the 16 Days Campaign, according to www.gov.za:
• Attract all South Africans to be active participants in the fight to eradicate violence against women and children
• Expand accountability beyond the Justice, Crime Prevention and Security (JCPS) cluster to include all government clusters and provinces.
• Combine technology, social media, the arts, journalism, religion, culture and customs, business and activism to draw attention to the many ways violence against women and children affects the lives of all people in all communities around the world.
ALSO READ: Wind storm damage: ‘There is a tree on my garage’
• Ensure mass mobilisation of all communities to promote collective responsibility in the fight to eradicate violence against women and children.
• Encourage society to acknowledge that violence against women and children is not a government or criminal justice system problem, but a societal problem, and that failure to view it as such results in all efforts failing to eradicate this scourge in our communities.
• Emphasise the fact that the solution lies with all of us.
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Gecode::VarBase< VarImp > Class Template Reference
[Programming views for variables]
Inherited by Gecode::BoolVar, Gecode::CpltSetVar, Gecode::IntVar, and Gecode::SetVar.
Detailed Description
template<class VarImp>
class Gecode::VarBase< VarImp >
Base-class for variables.
Definition at line 45 of file var.icc.
Generic variable information | |
| VarImp * | var (void) const |
| Return variable implementation of variable. | |
| unsigned int | degree (void) const |
| Return degree (number of subscribed propagators and advisors). | |
Variable comparison | |
| template<class VarImp> | |
| bool | same (const VarBase< VarImp > &x, const VarBase< VarImp > &y) |
| Test whether views x and y are the same. | |
| template<class VarImp> | |
| bool | before (const VarBase< VarImp > &x, const VarBase< VarImp > &y) |
| Test whether view x comes before y (arbitrary order). | |
Protected Member Functions | |
| VarBase (void) | |
| Default constructor. | |
| VarBase (VarImp *x) | |
| Initialize with variable implementation x. | |
Protected Attributes | |
| VarImp * | varimp |
| Pointer to variable implementation. |
Constructor & Destructor Documentation
template<class VarImp>
| Gecode::VarBase< VarImp >::VarBase | ( | void | ) | [protected] |
Default constructor.
template<class VarImp>
| Gecode::VarBase< VarImp >::VarBase | ( | VarImp * | x | ) | [inline, protected] |
Member Function Documentation
template<class VarImp>
| VarImp * Gecode::VarBase< VarImp >::var | ( | void | ) | const [inline] |
template<class VarImp>
| unsigned int Gecode::VarBase< VarImp >::degree | ( | void | ) | const [inline] |
Friends And Related Function Documentation
Member Data Documentation
template<class VarImp>
VarImp* Gecode::VarBase< VarImp >::varimp [protected] |
The documentation for this class was generated from the following file:
- gecode/kernel/var.icc (Revision: 7288)


Pamela Aprodia:
Wow!  I thought we were done for! Thank you for your help!
"No big deal!"


ORG_0000060 - organizational membership
Label
organizational membership
Editor preferred label
membership
Sub class of
Definition
The asymmetric relationship involving two organizations in which one is a member of the other
Definition source
Michael Conlon https://orcid.org/0000-0002-1304-8447
Example
Texas A&M University is an organizational member of the Association of Public and Land Grant Universities
Editor’s note
Organizational Membership is a Membership, which is a Relationship, which is an Occurrent. The subsumption is out of scope for the Organizationa Ontology. The existence of a membership implies the existence of a membership creation process and a membership creation process boundary. These are currently out of scope for the Organization Ontology
Term editor
Michael Conlon https://orcid.org/0000-0002-1304-8447