-
Discover Lebanon
Experience Lebanon by immersing yourself in its rich cultural and religious heritage, mingling with the Lebanese and exploring various regions.
-
Network
Benefit from professional networking sessions with fellow Rotarians, visit projects completed in Lebanon and meet locally twinned clubs.
-
Foster Friendships
The goal of Together in Lebanon is to strengthen the bond between local Rotarians, their friends and the larger Rotarian community!
Why Together in Lebanon?
The purpose of the meeting is to enable Rotarians worldwide to discover (or rediscover) Lebanon today, and to create new friendship ties with their Lebanese peer. The agenda for this meeting includes Rotarian and touristic activities. United by the love of Lebanon, what better time and setting for Rotarians and friends to meet and share old experiences while creating new ones! We expect to welcome:
- Rotarian friends of Lebanon
- Rotarians of clubs twinned with Lebanese clubs
- Rotarians of Lebanese origin, along with their families and friends.
- Rotarians from Districts and Countries members of an ICC with Lebanon
- Rotarian members of Fellowship and Action Groups that have members in the Lebanese Rotary Community.
Committee
- PP Ronald Farra, chairperson
- PDG Farid Gebran
- PP Nicolas Choueri
Programs & Tours
- DDG14-15 May Monla Chmaytelli
- PP Yara Younes
Treasurer and Registrar
- PP Mario Nasard
Transportation & Lodging
- PP Pierre Geara
Dear Rotarian friends, Pursuant to their mission of building better friendship for a more peaceful world, and after the successful “Together in Lebanon 2010”, the Rotary clubs of Lebanon invite Rotarians of Lebanese origin as well as Rotarians friends of Lebanon, their friends and families, to the 2nd international gathering in Lebanon: Together in Lebanon 2015. A week long program of tours and festivities is scheduled from Monday October 5, till Sunday October 11, 2015. Visiting Rotarians will have the opportunity to: - Discover and Experience Lebanon by immersing themselves in its rich cultural and religious heritage, mingling with the Lebanese and exploring various regions. - Benefit from professional networking sessions with fellow Rotarians, visit projects completed in Lebanon and meet locally twinned clubs and other clubs. - Foster Friendships by strengthening the bond between local Rotarians and the larger Rotarian community. United by the love of Lebanon, what better time and setting for Rotarians and friends to meet and share old experiences while creating new ones! Yours in Rotary, Ronald Farra “Together in Lebanon 2015” Committee Chair
Program and Schedule
-
Day "A"
Cedar Forest, Becharreh Gebran Museum and Kozhaya
Miziara (Em El Marahim), Bnachii Lake, Sayedet El Hosn (Ehden)
Place to be determined
Opening Ceremony at Phoenicia
-
Day "B"
Tyre and Sidon
Beiteddine Castle, Deir El Kamar and Sidon
Rest House Saida
In Beirut
-
Day "C"
Beirut Museum and MIM Museum
Beirut City Tour followed by Downtown Mall or Souks
Place to be determined
In Beirut
-
Day "D"
Tripoli City (Mosque + Souks) + Batroun
Mar Charbel (Annaya) + Balamand + Batroun
Qarnaoun Village – Msailha
Vinifest Wine Fair
-
Day "E"
Baalbeck, Anjar and Ksara
Wineries Tour (Kefraya, Ksara, and Massaya)
Nabeh Anjar – Anjar in the Bekaa Valley
In Beirut
-
Day "F"
Jeita and Byblos citadel and souks
Harissa, St. Charbel, Byblos souk
Byblos
Gala Dinner and closing Ceremony in Beirut
Special Events
-
Opening Ceremony and Cocktail Reception Dinner
October 5, 2015
19:00
Cocktail Reception
Berytus and Tyre Sections of the Grand Ballroom in Hotel Phoenicia
-
Closing Ceremony and Gala Dinner
October 10, 2015
20:00
Dinner
The Grand Ballroom in Hotel Phoenicia
Ticket price for event including 6 days of tours, meals and transportation (but not including hotel accomodation and airport transfer): USD 1,000 per person.
Accommodation
| Hotel | Location | Room | Single | Double |
|---|---|---|---|---|
| Ramada | Ain El Mreisseh | Standard | $110 | $120 |
| Monroe | Ain El Mreisseh | Deluxe City View | $110 | $120 |
| Monroe | Ain El Mreisseh | Premium Front View | $120 | $135 |
| Palm Beach | Ain El Mreisseh | Partial Sea View | $110 | $120 |
| Radisson Blu | Ain El Mreisseh | Deluxe | $140 | $155 |
| Phoenicia Intercontinental | Ain El Mreisseh | Deluxe City View | $260 | $260 |
| Phoenicia Intercontinental | Ain El Mreisseh | Premium Front View | $310 | $320 |
- Above rates are in US Dollars, per room per night.
- All hotels are 4 stars and above
- Above rates include Breakfast and taxes.
- Normal Check-in time at the hotels is at 15:00, and normal check-out is at 12:00
- Early check-in and late check-out are on request, and might incur additional charges depending on time and occupancy at the hotel.
Booking and Cancellation Policy
- Above rates are based on special rates for this event and can be booked only via this website during the period of this event.
- A number of rooms are booked for this event at every hotel, and it is available as per "first come, first served" basis.
- Last date to receive the bookings at these special rates should be the 10 of September 2015.
- Payment will be done online while booking by credit card.
- If cancellation is done before the 25th of September, no charges apply.
- If cancellation is done between 25th of September and 48 hours before arrival, 1 night will be charged of the hotel booked.
- Any cancellation done within 48 hours before arrival, or if no show, full amount will be charged.
- In case of force majeure such as total or partial strike, war, closure, flood, fire or any other disaster which will result in non-execution of this agreement, all money will be refunded.
- In case of disability of client to participate in the program for a convincing reason, accompanied by a formal letter form the concerned authorities showing proof of not being able to participate, all paid amount will be refunded.
Visa Procedures
The passport holders of the following territories can get a visa upon arrival:- - All European countries
- - All American countries
- - Australia
Airport Transfers
Travel agents will arrange transfers from the airport to hotels and vice versa 27/7, with meet and greet at the airport in the arrival hall. The travel representative will be holding a sign of the event. Airport transfers should be booked with the hotel.
Standard Fares:- Standard Car Vehicle up to 2 pax + 2 luggage : $ 25 per way
- Medium Car Vehicle up to 4 pax + 4 luggage : $ 40 per way
- Mini Van Vehicle up to 6 pax + 5 luggage : $ 55 per way
- Van Vehicle up to 8 pax + 6 luggage : $ 65 per way
- Mini Bus Vehicle up to 20 pax + 10 luggage : $ 165 per way
- Bus Vehicle up to 45 pax + 25 luggage : $ 200 per way
Force Majeure
If events beyond the reasonable control of the Parties, including but not limited to, acts of God (flood, earthquake, tornado, fire, etc.), war, strikes, threats or acts of terrorism or similar acts, disease, World Health Organization travel advisory, civil disorder, non-availability of food, beverages, or other supplies or curtailment of transportation either in the conference city of in the countries/states or origin of the attendees, make it inadvisable, impracticable, illegal, or impossible to perform as originally organized, the affected party may terminate this agreement, without liability, upon written notice of cancellation under Force Majeure.


{% extends "layout.html" %} {% block body %}
Select data source. This populates the site dropdown.
* NEON data are available at 1-minute resolution. Here alone, they are thinned to 15-minute resolution, to improve loading time.
Compare sensor variable:
 Compare grab variable:
Show local night-time:


natn
Syntax
| |
(a) |
nat1 |
|
|
% 1-byte natural number |
| |
(b) |
nat2 |
|
|
% 2-byte natural number |
| |
(c) |
nat4 |
|
|
% 4-byte natural number |
Description
The natn (n-byte natural number) types are machine-dependent types that occupy a specified number of bytes. By contrast, the nat type is in principle a machine-independent and mathematical type (it overflows, however, when the value is too large or small, that is, when the value does not fit into 4 bytes).
Example
var counter1 : nat1 % Range is 0 .. 255
var counter2 : nat2 % Range is 0 .. 65536
var counter4 : nat4 % Range is 0 ..<PHONE_NUMBER>
Details
In Turing, the range of the nat is 0 to<PHONE_NUMBER>, which means that the nat4 type allows one more value,<PHONE_NUMBER>. This extra value is used in nat to represent the state of being uninitialized. The natn types allow use of all possible values that fit into n bytes and thereby eliminates checking for initialization.
The natn types are like the C language types short unsigned, unsigned, and long unsigned, except that the number of bytes occupied by the C types depends on the particular C compiler.
See also
the intn types which are n byte integer values. See also nat and int.


Maruti Suzuki S-Presso CNG spotted testing
by Team ODA set of spy images have appeared which show what could be the CNG version of the Maruti Suzuki S-Presso mini-SUV. The car is currently available with only a petrol model, but given that Maruti Suzuki plans to bring in a CNG-version for all its entry-level cars, the S-Presso could also get the same treatment.
The petrol S-Presso is powered by the 1.0-litre K10B three-cylinder motor that makes 68PS and 90 Nm. This is paired with either a five-speed manual or AMT transmission. The CNG variant could see a slight dip in these outputs. The Celerio CNG, for instance, makes 60PS and 78 Nm. We expect the CNG S-Presso to return over 30 km/kg and come with 10 kg CNG tank. The petrol-powered S-Presso has a mileage of 21.7 kmpl of the VXi and AMT versions and 21.4 kmpl for the base trims.
The S-Presso competes with the Renault Kwid and Mahindra KUV100. Only the fleet version of the Mahindra gets a CNG option. Prices for the S-Presso start at Rs 3.69 lakh for the Standard version and goes up to Rs 4.91 lakh for the VXi+ AGS version, both ex-showroom, Delhi.
Spy image source: Rushlane


Graham Norton (born 1963-04-04[ref]) has appeared in 111 episodes between 1996-2018. Graham Norton on IMDB. Graham Norton on Wikipedia.
| 1996 | 1997 | 1998 | 1999 | 2000 | 2001 | 2002 | 2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012 | 2013 | 2014 | 2015 | 2016 | 2017 | 2018 |


Home
Contact Us
First Name
Last Name
Question Type
Tattoo Appointment
Tattoo Artists
Other Questions
Subject


Welcome to an informative website by me for my Internet Technology Coursework.
In these pages you will learn all about Digital Image resolution and the ways in which images can be manipulated, tools that are used, and the importance of your current display!
Select where you wish to go using the Navigation bar above, return here by pressing 'Home'


Mpd provides HTTP interface for monitoring and control purposes. This chapter describes commands for configuring Mpd's web server.
set web open
Opens the web server, i.e., creates the listening TCP socket.
set web close
Closes the web server, i.e., closes the listening TCP socket.
set web self ip [ port ]
Sets the credentials for the web-listener. After changing one of these options, the web must be closed and re-opened for the changes to take effect.
The default is '<IP_ADDRESS> 5006'.
set web enable option ...
set web disable option ...
These commands configure various web server options.
The enable
and disable
commands determine
whether we want the corresponding option.
The options available for the web are:
auth
This option enables basic authorization on web server.
The default is enable.
You can send any set of command allowed by privileges via WEB server for mpd infrastructure integration. Depending on URL used mpd supports two response formats: text/html (/cmd?command1&...) and text/plain (/bincmd?command1&...). Also you can see output `show summary` command in JSON format, typing `/json` in URL.


sfo is an instant build process. Rather than having to manage your configuration of tools like Webpack, Babel, ESLint, and others, sfo governs these tools for you.
sfo will take care of all the build process for both JavaScript and HTML, generating your index.html, and your linting as well. All you need to do is write an entry point file that exports a default function that does your rendering. From there sfo will do the rest.
sfo is not tied to any one framework. sfo is built to handle projects in frameworks like React, Angular, and Vue.
import React from "react";
import { render } from "react-dom";
const App = () => {
return Hello sfo!
}
export default function (node) {
render( , node);
}
import Vue from "vue";
import App from "./VueApp.vue";
export default function(node) {
// eslint-disable-next-line no-new
new Vue({
el: node,
render: h => h(App)
});
}
npm install --global sfo
sfo dev [your script file]
sfo dev [your script file]
Run sfo in dev mode. Get all the useful features of Webpack's dev server.
sfo bundle [your entry file]
Bundles for production. Minifies, tree shakes, copies in files from your public directory, ready for production. Outputs
to
./build/
.
sfo size [your entry file]
Visualize your Webpack bundle so you can see where your file size is coming from.
--help, -h
See help message.
--version, -v
See version of sfo.
--no-eslint, -n
Does not run ESLint against your code.
--title "[your title]", -T "[your title]"
Changes the title of in the head of your index.html.
Does one part of sfo not satisfy your requirements? sfo allows you to replace only the parts you need to. Both your
.babelrc
and
index.html
can be overwritten; just write your file with either of those names and sfo will use those instead of its own files.


In guidelines published today, the Swiss Financial Market Supervisory Authority FINMA sets out how it intends to apply financial market legislation in handling enquiries from ICO organisers. The guidelines also define the information FINMA requires to deal with such enquiries...
Today there are more than a thousand of cryptocurrencies in the world. It is a great number, so no wonder that people try to classify digital assets. | Moscow Blockchain Conf
CRYPTO: we are launching 5 sector indices to track specific segments of the crypto market—commodities, platforms, exchanges, privacy and stable coins—these 5 represent 75% of crypto market cap
Cryptoasset networks can be divided into 5 categories based on the types of users they address. The underlying sectors identify the solutions provided by individual platforms.


Before Change
assert_allclose(actual, expected, rtol = rtol, atol = atol)
//Test residual != None
residual = np.random.randn(actual.size).reshape(actual.shape).astype(floating)
iut(delta_field, sigma_field, grad_G.astype(floating),
target, lambda_param, d, residual)
assert_allclose(actual, expected, rtol = rtol, atol = atol)
After Change
actual = d.copy()
ssd.iterate_residual_displacement_field_ssd_3d(delta_field,
sigma_field, grad_G.astype(floating), residual, lambda_param, actual)
// the numpy linear solver may differ from our custom implementation
// we need to increase the tolerance a bit


{% extends "layout.html" %} {% block pageTitle %} GOV.UK Prototype Kit {% endblock %} {% block beforeContent %}
beta This is a new service – your feedback will help us to improve it.
The following two questions will provide us with all the information we need for time restrictions


Sliders are a great way to protect against bad data and also provide an easy way for people on desktop or mobile devices to input numbers quickly. Its especially great for elements on screen that react to the number.
Documentation
API Documentation


FILM TITLE: DON JUAN, MY LOVE DIRECTOR: ANTONIO MERCERO COUNTRY: SPAIN ( 1990 ) SUPER FEATURES: SURREALISM SPANISH STYLE. MUSIC: BERNARDO BONEZZI CAST: Juan Luis Galiardo, Rossy de Palma, Maria Barranco, Lores Leon
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
This is another of those Spanish films that is really surreal, and off the wall, and we watch it trying to make anything we can out of nothing. This is not a film for those looking for MEANINGS. It is a fun, black satire at times, full of unusual things, and surprises.
 His reputation preceeded him, and women were always ready to take him on. And there are a few legends relating to him, and Casanova, which still live here and there. One of them, is that on the day of Don Juan's death, he comes to life for the evening to pick up a few more women to his endless list.
And this movie mixes a theatrical production of Don Juan with reality. The real Don Juan comes out of his grave ( naked ) and goes carousing.  Amidst the mess they change places, and end up in the weirdest of places, doing the weirdest things. And Don Juan does get another score, and so does the actor when some women do not know any better, and the film keeps getting more surrealistic as it goes on. The sequence of street scenes, the changing of actors, the reversal of personalities ( a dual role for the main actor ) gets highly complicated and lots of fun.
Although I knew nothing of this film, and expected likewise, I did find myself laughing several times. The predicament of each character does create a very funny situation. And the film plays it up as much as it can.
FUN MOVIE.
Pedro Sena, Reviewer internet Movie Critics Association Copyright (c) Pedro Sena 1994
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Verify your account: http://gamepopapp.com/accounts/verify/{token}


Null and Boolean
A null: null
Also a null: # Empty
Not a null: ""
Booleans: [ true, True, TRUE, false, False, FALSE, on, On, ON, off, Off, OFF, yes, Yes, YES, no, No, NO ]
Numbers
Integers: [ 0, -0, 3, 0o7, 0x3A, -19, 0b1011 ]
Floats: [ 0., -0.0, .5, 12e03, +12e03, -2E+05 ]
Strings
product: High Heeled "Ruby" Slippers
description: "Putting on these \"slippers\" is easy."
address:
city: East Centerville
street: '''
123 Tornado Alley
Suite 16
'''
specialDelivery: """
Follow the Yellow Brick
Road to the Emerald City.
#Pay no attention to the
man behind the curtain.
"""
Sequences and maps
- Casablanca
- North by Northwest
- {
name: John Smith, age: 33}
- name: Mary Smith
age: 27
"name": John Smith
age: 33
men: [ John Smith,
"Bill Jones" ]
women:
- Mary Smith
- "Susan Williams"
Entities
- My\Custom\Service(@cache, %param%)
- '$service[] = ?'(My\Custom\Service, Another\Custom\Service())


World clock tab inspired by clocktab.com. Free and open sourced (GitHub). Made with no google service (No ads/tracking. Only cookie for settings).
Click on the map to pick a timezone. UTC offset and sunrise/sunset times will be automatically calculated.
With the checkboxes, you can toggle between 12-hr/24-hr, digital/analog clock, show/hide favicon canvas, and on/off API call to sunrise-sunset.org for more accurate dawn/dusk calculation. After you're done with settings, just pin the tab!
Background images for website and favicon will change according to the time of day (dawn, day, dusk, night). When sunrise-sunset.org API call is turned off, twilight duration is fixed to 60 min.
If you need multiple cities, just fire up more tabs!
Once loaded, you can still use this site offline. All you need to do is to turn off API call to sunrise-sunset.org and set the latitude/longitude manually in the input fields. UCT offset/sunrise/sunset times will be automatically updated. However, the estimation of senset/sunrise/dawn/dusk may not be accurate for the arctic circle.


Miley Cyrus 'has vocal cord surgery and will require several weeks of silence'
Miley Cyrus' boyfriend Cody Simpson has said the procedure was a success as the singer begins several weeks of convalescence after surgery
by James Brinsford, https://www.facebook.com/james.brinsfordMiley Cyrus has undergone surgery on her vocal cords and will have to remain silent for weeks.
The 26-year-old was hospitalised last month with tonsillitis but was forced to return to hospital this week.
People magazine reported the Wrecking Ball singer has 'now left the hospital' after undergoing surgery.
A source told the site: "When Cyrus was hospitalised for tonsillitis last month, she discovered a separate issue with her vocal cords, which she had unknowingly had for years.
"After learning of the issue, Cyrus was told she would need to have surgery before the end of the year, and that the recovery process would include several weeks of silence."
It is believed that Miley will not be able to sing for a couple of months and the source revealed: "[She is] doing great and will be back and better than ever early next year.".
Cody Simpson, who is Miley's boyfriend, appeared to reference the surgery on his social media account on Friday.
He captioned a selfie of the pair with the one word, "success."
Miley was looking toned down from her usual self, as she posed makeup free, as the pair wore similar dark jumpers.
The surgery comes after Miley revealed last month that she was on vocal rest after being hospitalised with tonsillitis.
She posted a video of her working out, performing pilates and captioning it with: "On vocal rest not body."
Cody also shared a pic of his girlfriend, to which he added: "She made it home [sic] Recovering from surgery send all the vibes."
Miley and Cody have been together for just over a month, with their romance being revealed when they were spotted kissing in a Los Angeles restaurant.
The star has had a turbulent few months since splitting from her ex husband Liam Hemsworth after seven months of marriage.
She then embarked on a two-month fling over the summer with her friend Kaitlynn Carter.
Do you have a story to sell? Get in touch with us at<EMAIL_ADDRESS>or call us direct 0207 29 33033.


If this checkbox is selected, the old name of a symbol is selected in the editor or in the Rename dialog when the Rename refactoring is invoked for that symbol.
If the checkbox is cleared, the symbol to be renamed is not selected.


When you use 22seven, this is what you agree to. We know it’s legal stuff, but please read it. We’d like you to understand it.
Version 2.2, 1 September 2014
1. You accept these terms.
When you access the website at www.22seven.com ("the Website") or the 22seven mobile phone or tablet application ("the Mobile Applications") (collectively, "the Service Channels") or use any of the features and functionalities available through these Service Channels, you enter into an agreement with 22seven Digital (Pty) Ltd (Reg No. 2010/011767/07), trading as 22seven ("we", "us", "our", "22seven") on the terms and conditions set out in these Terms of Service and the Privacy Policy (collectively the "Terms").
2. The Service that we provide.
2.1 The service 22seven provides is a personal information management service that allows you to consolidate, visualise and analyse your financial and other related information to help you manage your money ("the Service").
2.2 The Service does not include any tax, legal or financial advice


DBC Culture
Speak or perish
Aug 24, 2015
DBC can only give you what you put into it. It’s important not to look at the experience as a prepackaged deal. Every cohort evolves differently. So if you are going to be involved in that evolution, you need to participate. Don’t deny your cohort your voice.
DBC seems like an open, supportive community that believes in throwing babies into rivers to teach them to swim. It’s only just started and I am drowning a little bit. But that is what I expected. If I can keep my head above water a bit longer, I think I’ll start to really enjoy rising to the challenge. Excited and nervous in equal measures.
But it all keeps bringing me back to the song Goldmine by BREANNE DUREN. "I've been searching for a gold mine to open up the skies and make me feel alive. Been searching for a gold mine. Well I've been traveling high and low, I'm searching for that glow before it strays. I only got one life to give Only have so long to live. Won't throw this away."


US treasury secretary holds talks with RBI governor over economy, regulatory developments
by PTIHighlights
- The two discussed "global and domestic macro-economic scenario in both countries and regulatory developments", according to an official statement from the central bank
- It can be noted that India has had difficulties paying Iran for oil imports during previous rounds of sanctions led by the US
MUMBAI: US treasury secretary Steven Mnuchin met RBI governor Shaktikanta Das in the financial capital on Saturday.
The two discussed "global and domestic macro-economic scenario in both countries and regulatory developments", according to an official statement from the central bank.
Mnuchin, who is reportedly on a tour to build support against Iran over the country's nuclear programme, was accompanied by US Ambassador to India Kenneth Juster and Consul General in Mumbai David J Ranz, it said.
The visiting dignitaries met Das and other senior central bank officials, the RBI statement said.
It can be noted that India has had difficulties paying Iran for oil imports during previous rounds of sanctions led by the US, and the RBI had played an important role for solutions in the same.
Mnuchin is also reported to be scheduled to meeting business leaders in the city on Saturday. Details of the same could not be ascertained immediately.


First published in 1971.
This novel is set in the early 16th century in the Egypt of the Mamluk dynasty,
the warrior caste dominant for over 700 years. The author was a war reporter in the Middle East, and has
written six collections of short stories in Arabic.
Zayni Barakat is set in Egypt in the 16th century, chronicling the rise (and semi-fall) of Zayni Barakat ibn Musa during a time when the Mamluk dynasty is on its last legs, and culminating in the conquest by the Ottomans. Zayni Barakat himself remains a somewhat shadowy and distant figure, as the story is presented in the form of both official announcements and accounts by others -- which often include hearsay or gossip, as well as spy-reports on him.


Tennis: Nadal storms back against Medvedev to keep ATP Finals dream alive
LONDON: Rafael Nadal came back from the dead against Daniil Medvedev on Wednesday (Nov 13) to keep his ATP Finals hopes alive and boost his chances of finishing as the year-end number one.
The Spaniard was on the brink of defeat when facing a match point after being broken twice to trail 5-1 in the deciding set but stormed back to win 6-7 (3/7), 6-3, 7-6 (7/4).
"Today is one of those days that one out of 1,000 you win and it happened today," said a delighted Nadal.
The Spaniard said earning a break back in the deciding set infused him with confidence that he could battle back.
"When you have the first break, 5-3, then you are only one break away," he added.
"And I know from my personal experience how tough it is to close out matches, especially when you have two breaks in front and you lose the first one. From that moment I thought I can have a chance."
Both players were under intense pressure after losing their opening round-robin matches in Group Andre Agassi on Monday.
Nadal is on a double mission in London - aiming to win the end-of-season event for the first time in his illustrious career and to secure the year-end number one spot.
Russia's Medvedev, who has won two Masters titles this season, took the first set on a tie-break to leave Nadal staring down the barrel.
The Spanish veteran broke his 23-year-old opponent in the first game of the second set, repeating the trick to level the match.
But Medvedev was quickly into his stride in the decider, sprinting to the net to dispatch a cross-court backhand past his opponent and earn a double break.
Nadal, who came into the tournament under an injury cloud, avoided the embarrassment of a "bagel", which looked a distinct possibility at one stage.
MATCH POINT
The 19-time Grand Slam champion fended off a match point on his own serve at 5-1 down and then, roared on by the crowd, broke Medvedev twice to level the match at 5-5.
Just when it seemed Medvedev was slipping inexorably towards defeat, he managed to hit the reset button and hold to take the third set into a tie-break.
Medvedev was first to falter in the shootout, hitting a regulation forehand wide to hand Nadal two match points and he grabbed the opportunity.
The Spaniard has qualified 15 straight times for the ATP Finals but has never clinched the title, won a record six times by Roger Federer and five times by Novak Djokovic, battling Nadal for the number one ranking.
In the evening match on Wednesday the two youngest players in the top 10 of the ATP rankings square off, with Stefanos Tsitsipas, 21, taking on defending champion Alexander Zverev, who is 22.
Zverev beat Nadal on Monday for his third consecutive victory at the eight-man ATP Finals against the "Big Three", dating back to last year's tournament.
Tsitsipas defeated Medvedev for the first time in his career.
Dominic Thiem has already secured one of the qualification spots in Group Bjorn Borg, leaving Federer and Djokovic to scrap it out on Thursday for the remaining place from the four-man pool.


The algorithm framework can take multiple Alpha models and generate insights on all of them. The combined stream of Insights is then passed to the Portfolio Construction model. The $[CompositeAlphaModel,T:QuantConnect.Algorithm.Framework.Alphas.CompositeAlphaModel] was created to facilitate this functionality. Below is an example of combining two Alpha Models to be used in one algorithm:
// Define alpha model as a composite of the rsi and ema cross models SetAlpha(new CompositeAlphaModel( new RsiAlphaModel(), new EmaCrossAlphaModel() ));
# Define alpha model as a composite of the rsi and ema cross models self.SetAlpha(CompositeAlphaModel( RsiAlphaModel(), EmaCrossAlphaModel() ))
As many Alpha Models as required can be added to the Composite Alpha Model input. Each Alpha Model has a unique name and the Insights generated are automatically named according to the source Alpha Model which created it.


Hospice of Marin Hodgepoge
Moving? Cleaning out closets? Donating gently-used household items, furniture, books, gifts, clothing and collectibles to our thrift stores is an easy way to support Hospice by the Bay.
Remember:
You should contact Hospice of Marin Hodgepoge before donating any items.


{% extends "account/base.html" %}
{% block head_title %}Settings {{ block.super }}{% endblock %}
{% block account_active %}active{% endblock %}
{% block content %}
Give yourself a username so other users can find you. If it's available, use the same username you use in your channel.Account
{#


{% include dynamo file="_includes/head.html" mode="inclusive" indent_level=2 %}
{% include dynamo function="enqueue_meta_tag" for="site_verification" indent_level=2 %}
{% include dynamo file="_includes/header.html" indent_level=3 %}
{% include dynamo function="render_content" content=content indent_level=4 %}


Infinite Paper and Window Frame are Web Components.
<window-frame top="10" left="10" width="200" height="400" src="pages/welcome.html" ></window-frame>


Quick links
The browser tests for es-membrane.
The es-membrane proxy storage design.
A laboratory for manual es-membrane tests.
A HTML-based configuration tool for es-membrane instances.


Details Regarding Microsoft Technology Associate Program
MTA SCHEDULE
- MTA Will commence from 20th Dec till 27th Dec 2018,between 09:30AM to 05:30
- Venue for MTA programs is-
- Machine Learning using Python-11001
- Intro to Full Stack Web Development using Node.js-11002
- Security Fundamentals-11003
- Please Bring Your Laptops,Laptop-Charger along with extension Board(if possible)
- Keping in mind long study hours,make sure to bring your water bottles and some snacks to munch upon
- Student Must Wear their ID Cards's Daily,without which no one will be allowed to enter into the college premises,please bring a passport size photograph along with it
- Every UPES Student must turn up in threir college uniform
For more details please contact Shreya Pandey +91<PHONE_NUMBER> or Mehak Gupta +91<PHONE_NUMBER>


|
{{location.title}}
|
{{location.assignedCategory.title}}
|
{{location.address.streetName}} {{ location.address.houseNumber !== 0 ? location.address.houseNumber : ''}}
{{location.address.zip}} {{location.address.city}} {{location.address.county}}
|
|
{{'general.locations.edit.noAssignedCategory' | translate}} |


The MIN/MAX of hourly Customers
and the Average Cookies per Customer
Create a New Store
Location:
Minimum Customers Per Hour:
Maximum Customers Per Hour:
Average Cookies Per Sale:
Submit
To add a new franchise, input the information in the form above to see the potential!
Back to Home Page


By @astronomyblog & @LoveGraphs. Stats last updated 15 April 2016.
It seems there may have been at least 13 shows and 65 listed appearances. With 5 people per show, Comedy.co.uk has all appearances listed. The host/captains/regulars have included Alexander Armstrong (Host × 13), Dave Lamb (Regular × 7).
Total appearances:
Guest appearances i.e. ignoring the host/captains/regulars:
All people:
Guests i.e. ignoring the host/captains/regulars:
Last updated: 2016/04/15


{% extends "base.html" %} {% block content %}
Use a authenticator app to enroll with us! You will need to use this app to login in the future.


last_fired_on_second = now.second
self.hass.bus.fire(EVENT_TIME_CHANGED, {ATTR_NOW: now})
class Config(object):
Configuration settings for Home Assistant.
last_fired_on_second = now.second
// Event might have been set while sleeping
if not self._stop_event.isSet():
self.hass.bus.fire(EVENT_TIME_CHANGED, {ATTR_NOW: now})
class Config(object):
Configuration settings for Home Assistant.
// pylint: disable=too-many-instance-attributes


silk_ml.scores.
ls_score
Score that punishes the false negative values, that goes from -1 to 1
y (list) – 1d array-like, or label indicator array / sparse matrix ground truth (correct) labels.
y_predicted (list) – 1d array-like, or label indicator array / sparse matrix predicted labels, as returned by a classifier.
A score between -1 and 1 that indicates the correctness of the classification
float


{% extends "base_alert.html" %} {% block message %} {{ super() }} The following cars are experiencing errors:
| Car ID | Error |
|---|---|
| {{ car_id }} | {% if error == 'FETCH_TIMED_OUT' %} {{ monitor_name }} timed out while requesting the car's status. {% elif error == 'INVALID_FETCH_RESPONSE' %} {{ monitor_name }} received an invalid response from while requesting the car's status. {% elif error == 'NO_CAR_COORDS' %} {{ monitor_name }} received a valid GeoJSON response after requesting the car's status, but it did not include the car's coordinates. {% else %} An unknown error. {% endif%} |


About Rafa
Born and raised in Recife (Brazil) I now live in Vancouver on the traditional, unceded, and occupied territory of the xʷməθkʷəy̓əm, Sḵwx̱wú7mesh, and səlilwətaɬ peoples. After many years in Recife, I was granted the opportunity to finish my secondary education at the United World College Costa Rica, where I fell in love with the study of biodiversity at multiple scales.
Although currently I’m just an undergraduate student, I intend on pursuing a career in academic research and teaching. I have been privileged to have had incredible educational opportunities throughout my life and I want to pay it forward. I am a firm believer in the role of experiential education as a leverage point for STEAM education in forming engaged citizens, specially in an ever-changing world that is flooded with overwhelming amounts of information. Below you will find a list of questions that keep me up.
When I am not attending to my university-related resposibilities, I am often found crouching down to look at plants or looking up to spot birds. And by doing so, I hope to draw insight into how there is just an absurd amount of diversity of life on this blue planet.
Questions that keep me up at night
Below is a non-comprehensive list of questions that I am often thinking about. If you got answers, ideas, or corrections please email me.
How do ecological strategies impact evolutionary patterns? - Given that ecological interactions are more significant in determining short-term survival of any individual/lineage, are there ways to connect these strategies/choices to the trends we see on an evolutionary scale?
How does cooperation evolve? - When one first learns about evolution, many premises are based on an idea of competition or self-serving survival. If we look around, the world is filled with examples of simple and also highly complex forms of cooperation: why?
Why do some species co-evolve to absurd levels of specialization? - Figs and fig wasps are my favorite example but all over the natural world we can find levels of extremely specific biotic interactions. How does evolution work to form these systems? What had to happen to allow for such specialization?
How do we better use computational tools to help us understand and manage biodiversity? - Computers are extremely powerful tools that we need to keep using to develop conservation strategies. These strategies need to conserve for maintenance of biodiversity but also the processes that promote it. How can we use computers to help us understand the processes of diversity better?
These questions are not all I think about but I do enjoy spending time at the intersection of ecology and evolution.


Let me preface these statements with some necessary information about me, the narrator. I am a light smoker - both tobacco and marijuana - and have experience with many drugs, but find myself able to give up all but the two above with ease. I drink on rare occasions, and seldom more than once or twice a months, and never enough to get 'the spins'. The only time thoughts of habituation enter my mind is when it comes to oxycontin: it is something to be respected, and used with the utmost of care.
I receive a ration of 80mg Oxycontin tablets, dark blue green in appearance, with the letters 'OC' on one side and the number '80' on the other. Like all things, the key to this drug is moderation, and to start with a small dose so one may gauge the effects. My first experience with Oxycontin in approximately four months took place four days before this experience. In those four days I insufflated between 40mg and 100mg throughout the day.
17:00 - Began sober, except for light consumption of marijuana. Insufflated 40mg, distributed evenly between both nostrils. Sinuses and nasal passages clear and dry. A spray of saline in either nostril adds necessary moisture.
17:04 - Finished remaining 1/3 of American Spirit Menthol Light cigarette. First signs of giddiness.
17:05 - Washed sunglasses and regular glasses.
17:09 - Returned to computer. Forgot water in bathroom. Slight loss of fine motor control and coordination. Feelings of euphoria have replaced the generalized giddiness.
17:12 - Returned to computer, this time with water. Left nostril 80% clogged, right nostril %30. No advancement of effects at this point compared to three minutes ago. Mouth parched, probably from marijuana consumption.
17:14 - Slight 'disconnected' feeling, typical of early stages of opiod intoxication. Swallowing is momentarily difficult, and the medicine drips down the back of my throat with a noticeable taste.
17:16 - Sensations of accelerated pulse. Heavy headed. Serenity fills every gap in my body. Definite sensations of peace and comfort.
17:18 - Both nostrils fully clogged. Vague fatigue creeps in. Blinking becomes a prolonged affair, as sleep becomes an easier and easier. I feel my mouth open, face slack, and my eyelids drooping, but experience tells me that these things are unnoticeable to any observer.
17:20 - Becoming harder to keep my eyes open, not from needing to sleep, but from feelings of harmonious relaxation. Sentences are hard to puzzle through.
17:21 - Very difficult to keep eyes open. Fingers seemingly not obeying my whims to type. A couple spots on my body begin to itch.
17:22 - Exceedingly difficult to type and keep eyes open. Slow descent into Nod.
17:24 - Early decision to nod off perhaps too hasty, because the overwhelming urge to sleep passes. My nose itches, as does my ears, other parts of my face, and random limbs.
17:25 - More itching ensues. I get the last hit from my pipe, trace amounts of ash clinging to my tongue.
17:26 - Itching comes in waves and cycles. I load another bowl in my one hitter, consisting of approximately 1/10th of a gram of marijuana, and smoke it in two hits, one long and one short.
17:29 - The long glass pipe rings like a bell when I tap the ash against my ashtray. Itching has moved from my face to below the belt. I head outside for another cigarette. My mouth is incredibly dry.
17:32 - Finish 1/2 of cigarette. I snort through my nose and clear out 90% of my right nostril, and 60% of my left nostril. No apparent effects from the cigarette, and no increase in other affects.
17:35 - I complete two necesary phone calls, totally unimpeded. The feelings of fatigue have risen a bit, but I surmise this is because typing (or any activity that causes me to focus a great deal of atttention on it) causes me to become tired when intoxicated.
17:37 - First instances of double-vision as I sit here and type.  On some level, it's like being in warm honey.
17:41 - I queu some appropriate music, and sit back to relax. My testicles seem to vibrate. After closing my eyes for several seconds, opening them is an incredible challenge. Unless I rapidly blink, my vision defaults to having offset duplicates of everything.
17:52 - I awaken from my Nod. I was listening to music, and letting the tide of hopes, dreams, plans, and ideas flow through me. I was breathing through my nose and mouth - long, heavy breaths - so now both are dry. The water is sublime ; the music crescendos. Everything is beautiful. Tommorow is my birthday, and this is an early celebration of life - my life, and all life.
17:54 - I feel like a perfect animal, every cell alive and humming with activity.
18:05 - Fatigue has dissipated, along with most of the itching. I'm left feeling wholesome and tidy, but also yearning to experience the radiance that was with me several minutes ago.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Catching & Testing Errors
Sass doesn’t (yet) provide a way to catch errors, but we provide a workaround that works for many use-cases (especially unit-testing error states).
Since v6.0
:
@function error()
Use in place of @error
statements inside functions.
When the $catch
parameter
(or global $catch-errors
setting) is set,
the function will return errors without stopping compilation.
This can be used to test errors as return values with True,
or to “catch” errors and handle them in different ways.
Since v6.0
:
Parameters & Return
$message: (string)
The error message to report
$source: null (string)
The source of the error, for additional context
$catch: $catch-errors (bool | 'warn')
Optionally catch errors, and return them as values without stopping compilation
@return (string)
A message detailing the source and error,
when $catch
is true
@error
A message detailing the source and error,
when $catch
is false
Example
@use 'throw';
@use 'sass:meta';
@function add($a, $b) {
@if (meta.type-of($a) != 'number') or (meta.type-of($b) != 'number') {
@return throw.error(
$message: '$a and $b must both be numbers',
$source: 'add()',
$catch: true
);
}
@return $a + $b;
}
.demo { width: add(3em, 'hello'); }
.demo {
width: "ERROR [add()]: $a and $b must both be numbers";
}
Used By
@mixin report()
@function validate-output-context() [private]
@function join-multiple() [private]
@mixin error()
Use in place of @error
statements inside mixins
or other control structures with CSS output (not functions).
When the $catch
parameter
(or global $catch-errors
setting) is set,
the function will output errors as comments without stopping compilation.
This can be used to test errors as return values with True,
or to “catch” errors and handle them in different ways.
Since True results rely on completing compilation, we do not have a way to “error out” of the code being tested. If there is code that needs to be skipped after an error, we recommend using explicit Sass conditional (if/else) statements to avoid compounding the problem:
@mixin width ($length) {
@if (meta.type-of($length) != number) {
@include true.error("$length must be a number", "width", true);
@else {
// The @else block hides any remaining output
width: $length;
}
}
Since v6.0
:
Parameters & Output & Return
$message: (string | list)
The error message to report
$source: null (string)
The source of the error, for additional context
$catch: $catch-errors (bool | 'warn')
Optionally catch errors, and output them as CSS comments without stopping compilation
{CSS output} (code block)
A message detailing the source and error,
when $catch
is true
@error
A message detailing the source and error,
when $catch
is false
Example
@use 'throw';
$run: 5; $total: 6;
@if ($run != $total) {
@include throw.error(
$message: 'The results don’t add up.',
$source: 'report',
$catch: true
);
}
@charset "UTF-8";
/* ERROR [report]: */
/* The results don’t add up. */


Find out what vacation that would fit you!
To get started enter your name and asnwer the questions below!
Name
Do you like the Sea?
Choose one
Yes
No
Maybe
Do you like Spicy Food?
Choose one
Yes
No
Maybe
Do you like Coffee?
Choose one
Yes
No
Maybe
Do you like Anime?
Choose one
Yes
No
Maybe
Do you like Design?
Choose one
Yes
No
Maybe
Submit!
, you need to expand your horizons, seriously just pick one of theses get a ticket and go.
Japan
, you should visit...
Morocco
, you should visit...
Denmark
, you should visit...


Class utils
Some useful utils for validation. E.g SteamID Check!
Methods summary
public
boolean
|
#
IsValidSteamID( justinback\steam\string $sSteamID )
Check if a Steam64ID is valid
Check if a Steam64ID is valid
Parameters
- $sSteamID
- Steam64ID to check
Returns
boolean TRUE if the SteamID is correct otherwise FALSE
|
public
object
|
#
ConvertSteamIDs( string $sSteamID )
Get the SteamID's in an object (steamID, steamID64, steamID32, steamAccountID)
Get the SteamID's in an object (steamID, steamID64, steamID32, steamAccountID)
Parameters
- $sSteamID
- Steam64ID to convert.
Returns
object Returns steamID, steamID64, steamAccountID and steamID32
See
Link
|


Biography
I grew up in the Snoqulamie Valley. A more rural area east of Seattle about thirty mins. I finished high school and went to school in Bellingham, WA. After several years I moved to Montana to try to experience "cold smoke". I light an fluffy skiing condition I was not able to experience. The following year, I was in a service-term that took me all over the eastern United States. After returning I moved to just south of Seattle.
Education
- Attended Western Washington Sep. 2011 - May 2015
- Attended Code Fellows Aug 2021 - Feb 2022
Job Experience
- Sports Authority Jun 2014 - Jan 2016
- Play It Again Sports Oct 2016 - Sep 2017
- EVO May 2019 - Jun 2020
- REI Jun 2019 - Aug 2020
Goals:
- Finish my Code Fellows experience
- Ride my bike more
- Start a DnD campaign
My TOP TEN favorite mythological creatures:
- La Cegua - Shapeshifter that reveals their horse skull and says words that drive their victims insane
- Wendigo - Half-beast creature that may have been human, but commited cannibalism
- Jorogumo - Giant spider that can turn in to a woman to seduce their pray
- Tanuki - Spirits styled after Japenese racoon dog - a notorious trickster
- Raven - Shapeshifter trickster god
- Anansi - Trickster spider god
- Hermes - Messenger god
- Till Eulenspiegel- Peasant trickster god
- Dionysus - God of revelry
- Dragons - Large flying reptile


| Overview | Module | Use | Devguide | Index |
| uses of service MediaDescriptor |
back to service MediaDescriptor |
Copyright © 2013, The Apache Software Foundation, Licensed under the Apache License, Version 2.0. Apache, the Apache feather logo, Apache OpenOffice and OpenOffice.org are trademarks of The Apache Software Foundation. Other names may be trademarks of their respective owners.


Module: DXOpal::Constants::Colors
- Defined in:
- lib/dxopal/constants/colors.rb
Overview
Pre-defined ARGB colors
Constant Summary collapse
- C_BLACK =
[255, 0, 0, 0]
- C_RED =
[255, 255, 0, 0]
- C_GREEN =
[255, 0, 255, 0]
- C_BLUE =
[255, 0, 0, 255]
- C_YELLOW =
[255, 255, 255, 0]
- C_CYAN =
[255, 0, 255, 255]
- C_MAGENTA =
[255, 255, 0, 255]
- C_WHITE =
[255, 255, 255, 255]
- C_DEFAULT =
[0, 0, 0, 0]


Photographers: Time to check out Luminar 4
Source: Skylum
What you need to know
- Luminar four is packed with four new Al-based tools.
- The update primarily focuses on making portraits and sky images better during post-processing.
- The included Luminar 4 plugin works with Photos for macOS, Aperture, Adobe Photoshop, and more.
Skylum has announced the immediate availability of the AI-powered Luminar 4 photo-editing app for Mac and Windows. Featuring a fresh interface and enhanced workflows, the update introduces several new tools tied closely to machine learning.
Shifting its focus from a tool-based approach to one that's purpose-based, Luminar 4 has been designed to shorten the learning process. In doing so, photographers are encouraged to experiment more creatively. Among the new tools are AI Sky Replacement, AI Structure, AI Skin Enhancer, and Portrait Enhancer.
With the AI Sky Replacement, Luminar now has the ability to detect both the sky and the other objects in a scene. From there, you can easily adjust the depth of field, tone, exposure, and color at will. Better still, pesky objects long associated with sky images such as halos, artifacts, and edges of transitions are deleted automatically.
AI Structure concentrates on identifying objects like people and buildings, then adding detail and clarity to faces, skin, and other surfaces. The tool is intended to help photographers eliminate the need to mask or brush out effects, thereby creating a more pleasing finished product.
Meanwhile, acne, freckles, moles, and other skin imperfections are smoothed over with Luminar 4's new Skin Enhancer. Finally, with the new Portrait Enhancer, you can now highlight and improve a person's face with just the click of a button.
Calling Luminar 4 its biggest update yet, Alex Tsepko, CEO of Skylum, explains, "The changes we've made to the interface and workflow will make the photo editing process faster, and open up new possibilities to photographers everywhere."
Do you already use products like Apple Photos, Adobe Photoshop, or Lightroom Classic? You can take advantage of Luminar 4 as a standaone application or as a plugin. The choice gives you a variety of ways to edit your images.
Luminar 4 is $89 through the Skylum website. Previous Luminar users can upgrade for $74. Mixed-computer households can share the same product key for Mac and PC on up to two devices.
We may earn a commission for purchases using our links. Learn more.


Grunt plugin
Install the grunt - surge plugin, and your project is ready to use grunt deploy.
Gulp plugin
Install surge as a devDependency, and you're ready to use it in your Gulpfile.
Git Hooks
Deploy every time you push to GitHub, but without any branch juggling.
npm run scripts
Install the Surge CLI tool, and your project is ready to use in your package.json.


Police, paramilitary forces lathi-charged us, say students
‘They attacked us after streetlights were switched off’
by Staff ReporterJawaharlal Nehru University (JNU) students staging a dharna near the Jor Bagh metro station on Monday evening said that the police and paramilitary forces resorted to lathi-charge to disperse them.
JNU students’ representatives were in discussion with the police when the lights suddenly went off and the lathi-charge began, the protesters at the site said.
‘Positive atmosphere’
“There was a positive atmosphere, we thought the representatives would get to talk to MHRD officials,” said Shezad Ali, who was caught in the attack. “The forces had gheraoed us and just as the representatives were about to go, the lights were cut and it happened.”
Walking with a limp and his short torn in half, Mr. Ali said that the police carried out the charge with reckless abandon. PhD student Sarbani Chakrobarty said JNUSU leaders were addressing the students when the lathi-charge took place.
Police personnel present at the protest site, however, said that the lights were not cut off by them and that they had gone off as part of a routine temporary power cut.


I work on Competitive Programming, Algorithms, Backend Dev, Linux Programming and System Design. I’m a huge linux fan and Ubuntu has been my daily driver since 2018.
I use :
Go for Backend Programming
C++ for Competitive Programming
C for System Programming
Bash for tinkering with the Linux Kernel
and also happen to love cats a lot !


Here is some correctly spelled text.
My name is Geoffrey Challen, which your dictionary might not know. It's challenging.
Most dictionaries still don't think that smartphoone is a word. Smartphoone is a word, though.
This wrd is intentionally misspelled.
Contractions like you'll and I'll can be tough, particularly to match with exceptions; also smartphoone's.
This aoeu is also intentionally misspelled.
Let's test some non-breaking space. And the end of a sentence with smartphoone. And a colon, smartphoone: the future. And back to back, smartphoone smartphoone.


The ux-accordion
component can be used to create collapsible panels. To display chevrons in the accordion header
add the accordion-chevron
class to the ux-accordion-panel
element.
To further customize the header content an ux-accordion-panel-header
element may be inserted as a child of a ux-accordion-panel
.
Inside this element you can place the HTML to display in the panel header.


I am a full-stack web developer living in Somerville, Massachusetts. Having recently graduated from General Assembly's Web Development Immersive Course, I am currently pursuing a position as a Junior Web Developer. I am passionate about social justice and would love nothing more than to put my coding skills to work on improving our world.
This is my most challenging, and also most rewarding, project to date. I wanted to create an online database that would be both useful and meaningful, so I chose to make a website that compiles resources for the queer community in Boston. This project was a challenge to build because I was learning Ember as well as deepening my understanding of Rails simply by using and combining the two technologies. It was especially difficult to determine how exactly the two technologies interacted, so I'm very happy with the functionality of the resulting product.
This project was equal parts learning about developing as part of a team and learning to code. While we were familiar with the necessary front-end technologies, all three of us on the team were unfamiliar with the tools necessary to build the back end - MongoDB, Mongoose, Express, and Amazon Web Services - so it was interesting and rewarding to navigate the learning process in a group. In the end, we each focused on learning and building different aspects of the application, and brought what we learned back to the team. This proved efficient and effective, and we were all happy with the final product, which serves as a simple imitation of dropbox.
Act App is the first full-stack project I built the front and back end of myself. It aims to be a social media platform for activists to promote their events. While it is simple and has room for improvement, I am happy with what I was able to learn a lot in the process of building it. I was especially excited to gain an understanding of how the front and back end connect and interact with each other.
My very first web development project, this simple game of tic tac toe solidified my understanding of the basic principles of HTML/CSS and JavaScript. While the code for my game logic is admittedly messy, given my limited experience with coding prior to this project and the brief timeline I built it in, I am very happy with how it turned out.


| Package | com.flashdynamix.motion.effects.core |
| Class | public class NoiseEffect |
| Implements | IEffect |
| Property | Defined by | ||
|---|---|---|---|
| channelOptions : uint
A number that can be a combination of any of the four color channel values :
| NoiseEffect | ||
| grayScale : Boolean = true
A Boolean value.
| NoiseEffect | ||
| high : int = 255
The highest value to generate for each channel (0 to 255)
| NoiseEffect | ||
| low : int = 0
The lowest value to generate for each channel (0 to 255)
| NoiseEffect | ||
| seed : int = 0
The seed to use when rendering the noise effect this can be any number between 0 to int.MAX_VALUE.
| NoiseEffect | ||
| seedOffset : int = 2.147483647E9
The amount of offset which can be used to randomize the noise effect on each render from the seed value.
| NoiseEffect |
| Method | Defined by | ||
|---|---|---|---|
| NoiseEffect | |||
|
render(bmd:BitmapData):void
Renders the static noise effect onto the BitmapData.
| NoiseEffect |
| channelOptions | property |
public var channelOptions:uint
A number that can be a combination of any of the four color channel values :
| grayScale | property |
public var grayScale:Boolean = true
A Boolean value. If the value is true, a grayscale image is created by setting all of the color channels to the same value.
The alpha channel selection is not affected by setting this parameter to true.
| high | property |
public var high:int = 255
The highest value to generate for each channel (0 to 255)
| low | property |
public var low:int = 0
The lowest value to generate for each channel (0 to 255)
| seed | property |
public var seed:int = 0
The seed to use when rendering the noise effect this can be any number between 0 to int.MAX_VALUE.
| seedOffset | property |
public var seedOffset:int = 2.147483647E9
The amount of offset which can be used to randomize the noise effect on each render from the seed value.
| NoiseEffect | () | constructor |
public function NoiseEffect()
| render | () | method |
public function render(bmd:BitmapData):void
Renders the static noise effect onto the BitmapData.
Parametersbmd:BitmapData |


Uses the native font of the operating system to get close to a native app feel. - Define a list of fonts using `font-family`. - The browser looks for each successive font, preferring the first one if possible, and falls back to the next if it cannot find the font (on the system or defined in CSS). - `-apple-system` is San Francisco, used on iOS and macOS (not Chrome however). - `BlinkMacSystemFont` is San Francisco, used on macOS Chrome. - `'Segoe UI'` is used on Windows 10. - `Roboto` is used on Android. - `Oxygen-Sans` is used on Linux with KDE. - `Ubuntu` is used on Ubuntu (all variants). - `Cantarell` is used on Linux with GNOME Shell. - `'Helvetica Neue'` and `Helvetica` is used on macOS 10.10 and below. - `Arial` is a font widely supported by all operating systems. - `sans-serif` is the fallback sans serif font if none of the other fonts are supported.
This text uses the system font.


Add a profile picture and a short bio about yourself
Be a part of a club to take eco challenges and earn ecoPoints. Share your views and inspire your team mates
Know about EcoClub and the app developers


Author {{quote.author}}
Uploaded by {{quote.userName}}
Posted {{quote.datePosted|datePassed}} days ago
{{quote.upvote}} Upvotes {{quote.downvote}} Downvotes


HOME
CONTACTS
ABOUT
Welcome to my Website
Hello Everyone
This is my individual project for Hack Your Future


Dashboard
Alerts
This is a primary alert—check it out!
This is a secondary alert—check it out!
This is a success alert—check it out!
This is a danger alert—check it out!
This is a warning alert—check it out!
This is a info alert—check it out!
This is a light alert—check it out!
This is a dark alert—check it out!
Link color
This is a primary alert with an example link. Give it a click if you like.
This is a secondary alert with an example link. Give it a click if you like.
This is a success alert with an example link. Give it a click if you like.
This is a danger alert with an example link. Give it a click if you like.
This is a warning alert with an example link. Give it a click if you like.
This is a info alert with an example link. Give it a click if you like.
This is a light alert with an example link. Give it a click if you like.
This is a dark alert with an example link. Give it a click if you like.
Additional content
Well done!
Aww yeah, you successfully read this important alert message. This example text is going to run a bit longer so that you can see how spacing within an alert works with this kind of content.
Whenever you need to, be sure to use margin utilities to keep things nice and tidy.
Dismissing
Holy guacamole! You should check in on some of those fields below.
Holy guacamole! You should check in on some of those fields below.
Holy guacamole! You should check in on some of those fields below.


ThorDeal
Simple, fast and maximum discounts for you.
Latest Deals
We are here any time!!
Already have Amazon link? Click here to generate your offer code.
New offers every day.... Go For it!!!
Earphones-
Mobile phones-
We are here any time!!
Already have Amazon link? Click here to generate your offer code.


This is the guide to the commands you can send through the binary protocol.
the commands are divided in three main groups:
(text:string)(non-text-limit:int)[(fetch-plan:string)](serialized-params:bytes[])
text text of the select query
non-text-limit Limit can be set in query's text, or here. This field had priority. Send -1 to use limit from query's text
fetch-plan used only for select queries, otherwise empty
serialized-params the byte[] result of the serialization of a ODocument.
The ODocument have to contain a field called "params" of type Map.
the Map should have as key, in case of positional perameters the numeric position of the parameter, in case of named parameters the name of the parameter and as value the value of the parameter.
(text:string)(has-simple-parameters:boolean)(simple-paremeters:bytes[])(has-complex-parameters:boolean)(complex-parameters:bytes[])
text text of the sql command
has-simple-parameters boolean flag for determine if the simple-parameters byte array is present or not
simple-parameters the byte[] result of the serialization of a ODocument.
has-complex-parameters boolean flag for determine if the complex-parameters byte array is present or not
complex-parameters the byte[] result of the serialization of a ODocument.
The ODocument have to contain a field called "parameters" of type Map.
the Map should have as key, in case of positional perameters the numeric position of the parameter, in case of named parameters the name of the parameter and as value the value of the parameter.
The ODocument have to contain a field called "compositeKeyParams" of type Map.
the Map should have as key, in case of positional perameters the numeric position of the parameter, in case of named parameters the name of the parameter and as value a List that is the list of composite parameters.
(language:string)(text:string)(has-simple-parameters:boolean)(simple-paremeters:bytes[])(has-complex-parameters:boolean)(complex-parameters:bytes[])
language the language of the script present in the text field.
All the others paramenters are serialized as the SQL Commands


My current hero is {{current.name}}
The sum of 1 + 1 is {{1 + 1}}
The sum of 1 + 1 is not {{1 + 1 + getVal()}}


This project is a end school project for the second year in Ensimag (Grenoble, France). Our team (presented below) choosed to tackle the problem of procedural generation and the swarm simulation. Our goal was to have a programm coded in C++/OpenGL able to generate a realistic island with animals living on it.
For each instance of the programm, a new island is procedurally generate. The generation is processed in several steps : geometry, geography then height map. The rendering of the island uses also several technics : tesselation, texturing, water handeling, ...
TAG : Rendering, Voronoi, Tesselation, Height Map, Perlin noise, Level of detail, Texture filtering ...
The island contains different type of species living, interacting, being born and dying. The boid logic combined with a graph deciding the state of the animal has been adopted for this project.
The boids here have the flocking behavior. It is currently running in real time on your machine!
TAG : AI, Autonomous agent, Boids, Finite-state machine...


`Scream 3' – More Stabbings, Less Fun by Homer Yen (c) 2000
In general, I've always hated the horror genre. I do not like films where the primary engine of entertainment involves the spillage of gallons of blood and where characters are brainless morons who more or less deserve to meet the fate of having a knife plunged through their backs. But I found a new respect for the genre when I saw the first `Scream.' It was an inventive whodunit/slasher flick that was unexpectedly clever and truly frightening (and made my Top 10 for that year). `Scream 2' also managed to establish a nice pace and a fair amount of tension. Alas, `Scream 3' is succumbing to what all horror sequels begin to suffer. And that's a lack of creativity.
`Scream 3' takes place in Hollywood where filming of `Stab 3: Return to Woodsboro' is underway. Woodsboro, as you may recall, is the sleepy town where the stabbings first took place. A new series of murders begins to unfold. The victims are cast members of `Stab 3' and at each murder scene the killer points out that Sidney Prescott (recurring heroine Neve Campbell) will be an eventual victim. Also reprising their roles are David Arquette as the meek Dewey Riley and Courtney Cox Arquette as the self-absorbed, story-hungry reporter, Gale Weathers. Dewey is a technical advisor on the set of `Stab 3' having lived through the Woodsboro events himself. Gale shows up after having heard about the murders.
As with the first two `Scream' movies, a couple of trademark elements are carried forth to this installment. The first element is the explanation of the rules of the game, and this is my favorite scene. Delivered posthumously on videotape by Randy Meeks (Jamie Kennedy), a victim back in Woodsboro, he explains that Sidney is caught up in a trilogy. Secrets will be uncovered and in the end and only Sidney or the killer will survive (I'm hoping that he's also telling us that there won't be a Scream 4'). The Whodunit element is also a fun aspect. The audience continually tries to guess whom the killer is. Is it the police detective who seems to have an obsession with the Woodsboro murders? Is it a low-life producer who seems to be hiding something? Is it one of the `Stab 3' cast members taking their role too seriously? Just when you think you know who it might be, you'll discover that you were wrong.  Dark buildings, creaking doors, spooky music and that all-too-haunting ghost mask can just be unsettling at times.
These are the elements that made the `Scream' movies hip and witty. But `Scream 3' has lost a little of its edge. And it's not really the fault of the scriptwriter or any of the cast members. This film just suffers from a ‘been-there-done-that' kind of feeling. Even the looks on the actors' faces seem a bit tired and worn. Another problem was that the characters were not as lovable as the ones from the other `Scream' movies. When they died (like Randy), I cared. Here, a couple of annoying characters derserved to be stabbed. Also, the killer who finally reveals him/herself is totally arbitrary, resulting in a very weak payoff, unlike the first two installments. `Scream' is still levels above than the odious `I Know What You Did Last Summer' series. And I give director/creator Wes Craven a lot of credit for reinventing the horror genre. However, it's time to put this baby to rest.
Grade: C+
Do You Yahoo!? Talk to your friends online with Yahoo! Messenger. http://im.yahoo.com
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Hi
For a reason i just cant figure NTPd has started to eat cpu time like candy and time outs when i issue
ntpq -p
my ntp conf:
driftfile /var/lib/ntp/ntp.drift
statsdir /var/log/ntpstats/
statistics loopstats peerstats clockstats
filegen loopstats file loopstats type day enable
filegen peerstats file peerstats type day enable
filegen clockstats file clockstats type day enable
server <IP_ADDRESS> mode 16 prefer
fudge <IP_ADDRESS> flag1 1 time2 0.400
server 0.debian.pool.ntp.org iburst
server 1.debian.pool.ntp.org iburst
server 2.debian.pool.ntp.org iburst
server 3.debian.pool.ntp.org iburst
restrict -4 default kod notrap nomodify nopeer
restrict -6 default kod notrap nomodify nopeer
restrict <IP_ADDRESS>
restrict ::1
any clues?
on VERY RARE ocations i get:
pi@GPS-raspi ~ $ ntpq -p
remote refid st t when poll reach delay offset jitter
==============================================================================
oGPS_NMEA(0) .GPS. 0 l 12 64 377 0.000 -0.861 2.134
-ntp10.icmp.dk <IP_ADDRESS> 2 u 46 64 77 15.094 10.328 4.525
+ns2.eushells.co <IP_ADDRESS> 2 u 37 64 175 12.586 2.235 5.292
+x1-6-78-24-af-8 <IP_ADDRESS> 2 u 39 64 167 17.414 2.362 5.205
*freesbee.wheel. <IP_ADDRESS> 2 u 40 64 177 22.370 6.197 4.429
but most of the time i get:
pi@GPS-raspi ~ $ ntpq -p
localhost: timed out, nothing received
***Request timed out
Re: OT: NTP starting to eat CPU time
ntpd has always been fragile. It's probably some network error or internal reaction to an ICMP packet from your router or something. Does your OEM have full access to the outside world? Is it behind a NAT router? You may also want to simplify your ntp.conf if you are just a simple client - or is that the default emon/OEM one? I haven't looked...
Re: OT: NTP starting to eat CPU time
behind nat... and so it the pc i issue the commands from
its a stratum1 server so others can ask the time from it
yes it does have full access to outside world.
port 123 is open in router.... port 80 not as i dont connect to the pi from outside
EDIT: odd thing is that it has worked until 2-3 days ago or so...
Re: OT: NTP starting to eat CPU time
might have figured why
i have added my server to http://www.pool.ntp.org/ that site let others ask my server for time...
as soon i block port 123 from outside everything is fine
pi@GPS-raspi ~ $ ps aux | grep ntp
ntp 2859 3.8 0.3 5560 1780 ? Ss 14:08 0:39 /usr/sbin/ntpd -p /var/run/ntpd.pid -g -u 102:104
pi 2931 0.0 0.1 3548 804 pts/0 S+ 14:25 0:00 grep --color=auto ntp
pi@GPS-raspi ~ $ sudo netstat -unlp | grep ntp
udp 0 0 <IP_ADDRESS>:123 <IP_ADDRESS>:* 2859/ntpd
udp 0 0 <IP_ADDRESS>:123 <IP_ADDRESS>:* 2859/ntpd
udp 0 0 <IP_ADDRESS>:123 <IP_ADDRESS>:* 2859/ntpd
Re: OT: NTP starting to eat CPU time
I missed the GPS bit, sorry!What are you using, out of curiosity?
I guess the load must be all the requests from the outside loading you heavily and these stop the moment you block the port.
Re: OT: NTP starting to eat CPU time
Hi
Its based arround a raspberry pi. In the livingroom window i have a GPS antenna and a next to it a gateway node for ukhas.net.
in a bedroller box between the couch and the window i have the pi, 2 small DC-DC supplies since the gps and gateway node draws a tad to much power. also a HDD and the latest add is a OpenTRV board so i can log the data from all the other OpenTRV boards arround the house
but yes you are right its prop all the ntp requests from the outside that does it... closed the port and all issues are gone... i used to have my ntp server on the pool.ntp.org service.... just as a friendly service... it used to work fine for months...
then a few weeks ago i reloaded the whole thing to upgrade to emoncms v9, i forgot to change the default user/pass and the next day i saw last login was from a different place...
so in fact i dare to say someone hacked it... and now that i reformatted again and have changed the pass they try to piss me off with a DDOS attack of some sort... well it only hits those who used to ping me for time
a few pics of the setup attached, the stuff at the bottom of the box is 2 ups battery's and an automatic charger...
Re: OT: NTP starting to eat CPU time
next step now that things are working is to install emoncms again and import data...
just sad that you have to box yourself in so much...
EDIT: the way my NTP setup works is that it takes the time from the GPS, it then locks to the PPS signal which tells when a second happen... giving me a clock that is only 0.2 microsec behind.
other than the NTP, the pi also runs a script every 5 mins that sends myself a mail if my pupblic ip changes. and it also updates my ip to a dynamic dns service (duckdns.org). plus runs a script from ukhas.net, should a high altitude baloon pass over me that has the right transmitter it can report back its location as soon its within range of my node in the window.
so i would not say my pi is loaded at all... avg. cpu load is now from 0-3%


ClipSync
FREE
Always use latest version
Ctrl + C in Windows and Paste in Android - viceversa
ClipSync is now free for all to use. Download it now.
Email address
We'll never share your email with anyone else.
Submit
Fork ClipSync Windows
Fork ClipSync Android
Fork ClipSync Server


Crypto Craze: Airbnb Customers Can Now Join Beta to Earn ‘Cashback’ in Bitcoin
by Daily Hodl StaffCrypto enthusiasts who are looking for a passive way to earn Bitcoin can now join a beta pilot to get up to 3% ‘cashback’ in BTC on every stay and experience booked on Airbnb. The Bitcoin rewards are available through the mobile app Fold.
Fold, a San Francisco-based startup, is designed to spur mainstream adoption of Bitcoin by using a cashback strategy. Instead of buying Bitcoin on a crypto exchange, a user of the app can earn free Bitcoin while shopping.
Fold supports several big retailers including Target, REI, Amazon, Uber, Starbucks, Burger King, Dunkin’ Donuts and Home Depot. It also supports movie theater chain AMC and Southwest Airlines. The Bitcoin cashback allotted for each retailer varies.
Fold CEO Will Reeves says the mobile app program is similar to accruing rewards points.
Consumers can then choose to spend their Bitcoin rewards, save them for later or withdraw them to a crypto wallet for trading or storing.
The strategy is intended to make earning Bitcoin fun and easy by following consumers’ regular shopping habits.
The app supports consumers in the US, UK, Canada, Mexico and Australia.


Extreme eating in Jakarta: Kambing soup with brains, eyes and ears finds new fans in the age of social media
by Nivell RaydaJAKARTA: As soon as a group of customers walked in, Mr Boy Alfian, 55, swiftly lifted a piece of red cloth covering two large metal bowls at his open-air stall in South Jakarta.
Inside one bowl were small cuts of pre-cooked goat meat, tripe and liver, popular among the majority of the customers.
But those who are more adventurous and intrepid, as well as regulars who have developed the taste, make a beeline for the second bowl. It contained parts of the animal that many might find off-putting, such as goat eyes, ears, brains and sometimes, the coveted goat testicles.
This stall is known for serving an authentic Jakartan dish called “sop kaki kambing”.
While the name is translated as goat leg soup, the countless street-side vendors, shops and restaurants selling the dish across the Indonesian capital offer all parts of the animal.
Mr Alfian explained that the name of the dish is derived from stewing the goat legs (hoof and all) as the soup stock.
“The legs are the most active part of a goat. That’s why the legs pack a lot of flavours,” he told CNA.
The legs are braised for three to five hours in a pot filled with water and coconut milk, or full cream milk in some restaurants.
Once the legs are fully cooked, herbs and spices like lemongrass, ginger, turmeric and galangal are added into the soup. The result is a rich and creamy broth, accented by the tangy flavour of freshly sliced tomato.
Those who prefer an extra creamy soup can add clarified butter to their taste. Some prefer to stir the butter into the broth, while most simply let the butter melt by the warmth of the soup.
Mr Alfian said Mr Irwan, the stall’s owner, insists on only using goats below nine months old.
“Older goats would have tougher meat and the flavour is too gamey and strong for many people.
“The younger goats are also healthier. But of course, the younger the goats, the more expensive their meat gets,” Mr Alfian explained.
And this is the secret of Sop Kaki Kambing Irwan, which has thrived in the busy Melawai area of South Jakarta since it first opened in 1969.
Fifty years later, the humble food stall has amassed a steady stream of regulars, including ministers and celebrities. They mostly come after dark, slurping the creamy, comforting soup in the chilly night.
READ: Nasi kandar shop in Penang draws crowd with century-old recipes
APPRECIATION FOR ANIMAL ORGANS
The culture of eating animal organs dates back to the Dutch colonial era, when Indonesia was known as the Dutch East Indies and Jakarta was called Batavia.
Back then, the natives could only afford to eat what their masters would not.
And today, animal organs continue to appeal to local foodies.
“I’ve had customers ordering a bowl of nothing but eyes,” Mr Alfian shared. “People, young and old, appreciate the taste of the organs and some become fast fans. You can find liver or brain in some other dishes in Indonesia, but never eye or ear.”
Mr Alfian professed that younger goat’s organs taste better. “Older organs taste bitterer. They can be a lot tougher too.”
The eyeball, after hours of stewing, has lost its baleful stare. It is protected by an outer shell, but inside, the gelatinous, almost fat-like substance has a melt-in-the-mouth consistency.
The goat’s outer ear is tough and chewy, while the ear canal soft and squishy.
As for the brain, its mushy and spongy texture is reminiscent of a runny pudding. It is bitter and pungent, an acquired taste indeed.
READ: Beef noodle soup that's been simmering for 40 years delivers a taste of old Thailand
During CNA’s visit, the goat’s testicles, which are colloquially called the “torpedo” in Indonesia, were not available at Sop Kaki Kambing Irwan.
“We struggle to find a male goat. Goat breeders wouldn’t typically slay a male goat as young as we would have liked, preferring to let it mature to impregnate the does,” he said.
Another sop kaki kambing stall at the edge of the parking lot of an East Jakarta traditional market shed light on why it is not selling goat testicles, once believed to be an aphrodisiac.
“People are becoming more educated now.
“At least here in my shop, people simply don’t look for torpedoes any more. Less and less vendors are selling torpedoes,” he added.
An air-conditioned restaurant in South Jakarta, which is part of a growing sop kaki kambing food chain, also did not have goat testicles in their menu.
“Torpedoes are becoming rarer and rarer these days. So are people who come and look for them,” said the restaurant’s cook, Mr Elvian Nur Rahman.
KAMBING SOUP GAINING POPULARITY
The plethora of Indonesian and international food bloggers and vloggers challenging each other to savour the goat organs has only increased the popularity of the soup.
This has piqued the interests of many and secured the dish’s spot on the culinary map of Indonesia.
A foodie duo who chronicled their gastronomic adventures on Instagram account Eatandcouple, gave the soup a try in June. Their video has been viewed more than 140,000 times.
“I’ll have one mixed bowl. Make sure it has all the head organs,” the man, known as Mr Oliver, told a sop kaki kambing seller.
“They put an eye in there. Wow, that’s quite extreme.”
There are also people who would only try the organs once, just so to earn bragging rights for having tasted the unusual food.
“I had the eye once out of curiosity, but the idea of putting an animal’s organ into my mouth scares me,” said Ms Lestari Suwondo at Sop Kaki Kambing Irwan over a bowl of goat meat and trotters.
“The taste (of the eye) is quite okay as long you don’t think too much about what you are actually eating,” she added.
And then of course there are those who would prefer to stick to the ordinary choices. Mr Bondan Pratama, for one, said he would never try the organs.
“No thanks. Not even if you pay me to,” he said, shaking his head, as he devoured his bowl of goat meat and tripe.


HOLLOW MAN
Review by John Beachem
* * 1/2
Directed by: Paul Verhoeven Written by: Gary Scott Thompson, Andrew W. Malowe
Sebastian Caine (Kevin Bacon) is a brilliant research scientist working on a project for the military. He and his six person team are searching for the secret to invisibility. The team consists of his ex-lover, Dr. Linda Foster (Elizabeth Shue), her current lover, Dr. Matt Kensington (Josh Brolin), a veterinarian (Kim Dickens), a computer expert (Joey Slotnick), and two assistants (Mary Jo Randle, Greg Grunberg). While causing test animals to attain invisibility hasn't proven difficult, bringing them back to normal has. after almost two weeks of tirelessly searching for a "cure", Sebastian finds it and decides it is time to move on to the next phase of the project - human experimentation. Offering himself up as a guinea pig, Sebastian undergoes the procedure and finds the experience exhilarating. The only problem is, the cure that worked for the animals doesn't work for humans. While the team works tirelessly to return Sebastian to normal, Sebastian slowly loses his sanity as the power invisibility grants him becomes more and more enticing.
For those of you out there who don't know this, Plato once wrote a theory on what would happen to a person who was granted invisibility. I think these writings were, in some small way, part of the inspiration for Gary Thompson and Andrew Marlowes' script. Plato theorized that a person who was invisible could do anything they wanted to, and therefore their morals would vanish. The first half of "Hollow Man" attempts to delve into this idea, and almost succeeds. If the film had been a character study about the effects of such a power on a person's morals and beliefs, it could have been quite fascinating (it would have needed a different director than Paul "Starship Troopers" Verhoeven however). Instead, the part of the film focusing on Sebastian losing his sanity is rushed through and Verhoeven turns the movie into a typical monster/slasher film. I've decided a new law should be implemented in Hollywood: All films will cost half what they do now, and will have a maximum running time of one hour. That's because it seems most Hollywood writers can only keep a good plot going for an hour before transforming an otherwise interesting film into a shapeless mass of cliches.
Kevin Bacon, while by no means a bad actor, is not someone I would call a great talent. He has given a few very good performances ("Stir of Echoes" and "Apollo 13" spring to mind), but he's given a few truly horrendous ones as well ("The River Wild" anyone?). His performance in "Hollow Man" falls squarely in the middle. While he does a decent job playing a man losing his sanity (I think "Stir of Echoes" gave him some practice), his scenes where he is given a chance to display this talent are few and far between. Much more often are the scenes where he gets to act like a deranged lunatic, and he gleefully overacts in these scenes. The biggest problem with Bacon's part isn't actually his fault. The problem is that Sebastian never comes off as particularly sane to begin with, so when he begins losing his mind we're really not too surprised. The majority of his supporting cast has very little screen time, with only Elizabeth Shue ("Palmetto") and Josh Brolin ("Mimic") given any time to develop. Of course, the writers' idea of developing a character seems to be to make that character have a past love life or a past rivalry with another character. Shue and Brolin are required to give slight performances, and they do so beautifully. Watch for William Devane ("Payback") in a very small part as Sebastian's boss.
Let's face it, the main reason everyone's going to see this movie is because the trailers promised two things: some great looking special effects, and a few good scares. On the first count, "Hollow Man" succeeds admirably. The special effects are just about guaranteed a nomination at this year's Oscars. Everything from watching a person turn invisible one layer of skin at a time to seeing a person's hand being bitten into by an invisible ape is masterfully crafted. Unfortunately these effects are completely wasted, and as a result become tiresome after a short while. As for the scares, I can honestly say I didn't jump once, no matter how many startle effects Verhoeven threw at me. I think the reason none of the startle effects worked is because Verhoeven only used them when the audience was anticipating them. If he'd thrown a few at us during scenes when we weren't sitting there, counting down the seconds till the next time Sebastian was going to leap out of the shadows, they might have been fairly effective.
The most painful thing in the entire film must be the last half hour. Up till this point things have been bad, but I could at least tolerate it because I could tell a really interesting story was just aching to break free.  We also get those two most irritating of all cliches, characters calling out someone's name even when it's obvious who is really there, and a group splitting up so they can be picked off one by one. The dialogue up till the last half hour was at least tolerable if not good, but it falls flat on its face and becomes downright painful during that excruciating segment of the film. The score composed by Jerry Goldsmith ("LA Confidential") for "Hollow Man" isn't quite appropriate to the film; though that's probably not his fault. While it should have been low and creepy, Verhoeven decides on loud and obnoxious instead (a disturbing trend in Hollywood these days). At one point Sebastian says "You don't make history by following the rules, you make it by seizing the moment." I wish Verhoeven and company had followed this advice. "Hollow Man" runs far too long at 114 minutes. I recommend it to fans of "special effects over story" movies and give it two and a half out of five stars.
Comments? Send to<EMAIL_ADDRESS>Past reviews can be found at: http://www.epinions.com/user-elerad?public=yes or http://us.imdb.com/ReviewsBy?John+Beachem
* * * * * - One of the best movies of the year. * * * * - Great flick, try and catch this one. * * * - Okay movie, hits and misses. * * - Pretty bad, see it at your own risk. * - See this one only if you enjoy pain.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


The next step is to assign a Publish Set ID for this Record Group. Note: This will translate to an OAI set for the outbound Combine OAI-PMH server.
You have the option of creating and establishing a new one, or reusing a pre-existing one from the dropdown, effectively grouping Records from this Job under that Published set.


|
| #define | hEmif ((CSL_Emif4fvRegs*)CSL_DDR3_0_SLV_CFG_REGS) |
| |
|
#define | EMIF_ECC_PROTECTED_NUM_ADDR_RANGE (0x2) |
| | Number of ECC Protected Adrress range in EMIF Module.
|
| |
|
#define | EMIF_ECC_FIFO_BUF_SIZE (0x4U) |
| | Internal FIFO Buffer with depth of 4 which can store corrected error address or non correctable error address This fifo can store only first 4 error address.To store the 5th error address. Writing 0x1 will pop one element of the FIFO to error address register ,clearing 0th address in FIFO & then we can store next new error addresss in FIFO else will miss the error address log i.e., Overflow occurs when the num ECC Err is more than EMIF_ECC_FIFO_BUF_SIZE.
|
| |
|
#define | EMIF_ECC_ENABLE (0x1U) |
| | Macro to Enable EMIF ECC.
|
| |
|
#define | EMIF_ECC_DISABLE (0x0U) |
| | Macro to DISABLE EMIF ECC.
|
| |
|
#define | EMIF_EOI_CLEAR (0x1U) |
| | Macro to Clear EMIF End of Interrupt.
|
| |
| #define | hEmif ((CSL_Emif4fvRegs*)CSL_DDR3_0_SLV_CFG_REGS) |
| |
|
#define | EMIF_INTR_STATUS_ALL |
| | Macro defines mask for all the interrupts to disable for EMIF.
|
| |
|
#define | EMIF_INTR_ALL (EMIF_INTR_STATUS_ALL) |
| | Macro defines mask for all the interrupts for EMIF.
|
| |
| #define | hEmif ((CSL_Emif4fRegs*)CSL_DDR3_EMIF_CONFIG_REGS) |
| |
| #define | hEmif ((CSL_EmifaRegs*)CSL_EMIFA_0_REGS) |
| |
| #define | hEmifb ((CSL_EmifbRegs*)CSL_EMIFB_0_REGS) |
| |


Toggle navigation
Standard MIDI File Player
Fork me on GitHub
Panic
Select MIDI Output Device
Select
Select MIDI Output Device from list above.
File Drop Area
^^ Drop standard midi file above. ^^
Status Monitor
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Event Monitor


I'm an organised, motivated, self-driven and hard-working individual with an urge to improve my skill set and learn new technologies. I like working in a challenging environment alongside like minded people. Also, I love Open-Source and participating in hackathons.
I have previously worked with awesome people at Untrodden Labs and NewsMeme.in as the lead Android Developer, and am a regular participant in social-meetups for GDG, FB/twitter developer community (New Delhi), alongside others.


AND THIS IS MY RESUME
I am currently pursuing a degree in architecture to fulfil my desire to build art.
I am an architecture student who is passionate about building art.I have always been curious and fascinated about how technology dictates how the world moves.
I therefore decided to do software development in Moringa school ,where i have bben able to learn and create applications.


--- layout: post title: How to get the Facebook Access Token, the Extended Page Access Token that never expires excerpt: "Explanation of how ti get an Extended Page Access Token that never expires" comments: true ---
You will need:
When you see 'Success' then you have a URL like:
{% highlight bash %} https://facebook.com/connect/login_success.html#access_token=[ACCESS_TOKEN]&expires_in=[SECONDS] {% endhighlight %}Grab the [ACCESS_TOKEN] then,
{% highlight bash %} https://graph.facebook.com/oauth/access_token?client_id=[APPLICATION_ID] &client_secret=[APPLICATION_SECRET] &grant_type=fb_exchange_token &fb_exchange_token=[ACCESS_TOKEN] {% endhighlight %}Finally, you will see your extended page access token that never expires
{% highlight bash %} access_token=[EXTENDED_ACCESS_TOKEN] {% endhighlight %} {% highlight bash %} https://graph.facebook.com/me/accounts?access_token=[EXTENDED_ACCESS_TOKEN] {% endhighlight %}


This demo connects you to a many-to-many WebRTC video call over the Ethereum Whisper network.
It requires a Whisper-enabled JSON-RPC Ethereum node at ws://localhost:8546


ABOUT PIFIC
Public Investment Facility for Infrastructure Constraints (PIFIC) is a cluster-based facility of the EC4J Project under the Ministry of Commerce and is financed by the World Bank.
Public Investment Facility for Infrastructure Constraints (PIFIC) is a cluster-based facility of the EC4J Project under the Ministry of Commerce and is financed by the World Bank.
Business Strategy Specialized technical and advisory assistance Services Provided by PIFIC
View ServiceHelp applicants build proposal and business case. Supervision & Monitoring
View ServiceFeasibility study, Technical design, Drawings, Tender documentation.Construction by PIU/MOC
View ServiceMeeting with Bangladesh Leather Association
Meeting with the executive committee (MOC)
Meeting with the Plastic Association
Visit at Leather Manufacturing Company
Meeting with Bangladesh Plastic Association
Visit at Plastic Manufacturing Company
Lorem Ipsum Dolor Sit Amet, Conse Ctetur Adipiscing Elit, Sed Do Eiusmod Tempor Ares Incididunt Utlabore. Dolore Magna Ones Baliqua
euismod eu augue. Etiam vel dui arcu. Cras varius mieros pharetra, id aliquam metus venenatis. Donec sollicit
Friday - Saturday
08AM - 10PM (everyday)
Tel.: +(88)0255 0598 01/2
Mob.: +(88)0255 0598 01/2
<EMAIL_ADDRESS>info@pific-bd.com


TTY
Section: Linux Programmer's Manual (4)Updated: 2003-04-07
Index Return to Main Contents
NAME
tty - controlling terminalDESCRIPTION
The file /dev/tty is a character file with major number 5 and minor number 0, usually of mode 0666 and owner.group root.tty. It is a synonym for the controlling terminal of a process, if any.In addition to the ioctl(2) requests supported by the device that tty refers to, the ioctl(2) request TIOCNOTTY is supported.
TIOCNOTTY
Detach the calling process from its controlling terminal.If the process is the session leader, then SIGHUP and SIGCONT signals are sent to the foreground process group and all processes in the current session lose their controlling tty.
This ioctl(2) call only works on file descriptors connected to /dev/tty. It is used by daemon processes when they are invoked by a user at a terminal. The process attempts to open /dev/tty. If the open succeeds, it detaches itself from the terminal by using TIOCNOTTY, while if the open fails, it is obviously not attached to a terminal and does not need to detach itself.
FILES
/dev/ttySEE ALSO
chown(1), mknod(1), ioctl(2), termios(3), console(4), tty_ioctl(4), ttyS(4), agetty(8), mingetty(8)COLOPHON
This page is part of release 3.22 of the Linux man-pages project. A description of the project, and information about reporting bugs, can be found at http://www.kernel.org/doc/man-pages/.
Index
This document was created by man2html, using the manual pages.
Time: 05:33:53 GMT, December 24, 2015


ActiveSelection option
{FabricObjectOption}
HandlerOptions
Canvas object
{FabricCanvas}
Canvas option
{CanvasOption}
Canvas parent element
{HTMLDivElement}
Default option for Fabric Object
Canvas editable
{boolean}
Append custom objects
{{ [key: string]: any }}
Grid option
{GridOption}
Guideline option
{GuidelineOption}
Canvas height
{number}
Canvas id
{string}
Canvas interaction mode
{InteractionMode}
Keyboard event in Canvas
{KeyEvent}
Maximum zoom ratio
Minimum zoom ratio
When has been added object in Canvas, Called function
When clicked object, Called function
Return contextmenu element
When double clicked object, Called function
When modified object, Called function
When has been removed object in Canvas, Called function
When select object, Called function
Return tooltip element
When has been undo or redo, Called function
When zoom, Called function
Persist properties for object
{string[]}
Canvas width
Workarea option
{WorkareaOption}
Whether to use zoom
Generated using TypeDoc
ActiveSelection option
{FabricObjectOption}
HandlerOptions


|
LZ4 API Guide
<IP_ADDRESS>
|
Decompression state for a streaming LZ4 block. More...
#include <lz4_stream.h>
Data Fields | |
| LZ4_streamState | state |
| Decompress stream state. More... | |
| uint16_t | literalLength |
| Length of literals. More... | |
| uint16_t | matchLength |
| Length of match. More... | |
| uint16_t | matchOffset |
| Offset address of match. More... | |
| uint8_t * | dstPtr |
| Pointer to the destination data buffer to write. More... | |
| uint8_t * | dstOrigin |
| Destination buffer pointer origin. More... | |
| uint32_t | dstLength |
Decompression state for a streaming LZ4 block.
| LZ4_streamState LZ4_streamDecompressBlockState::state |
Decompress stream state.
Referenced by LZ4_streamDecompressBlock(), and LZ4_streamDecompressBlockInit().
| uint16_t LZ4_streamDecompressBlockState::literalLength |
Length of literals.
Referenced by LZ4_streamDecompressBlock(), and LZ4_streamDecompressBlockInit().
| uint16_t LZ4_streamDecompressBlockState::matchLength |
Length of match.
Referenced by LZ4_streamDecompressBlock(), and LZ4_streamDecompressBlockInit().
| uint16_t LZ4_streamDecompressBlockState::matchOffset |
Offset address of match.
Referenced by LZ4_streamDecompressBlock(), and LZ4_streamDecompressBlockInit().
| uint8_t* LZ4_streamDecompressBlockState::dstPtr |
Pointer to the destination data buffer to write.
Referenced by LZ4_streamDecompressBlock(), and LZ4_streamDecompressBlockInit().
| uint8_t* LZ4_streamDecompressBlockState::dstOrigin |
Destination buffer pointer origin.
Referenced by LZ4_streamDecompressBlock(), and LZ4_streamDecompressBlockInit().
| uint32_t LZ4_streamDecompressBlockState::dstLength |
Length of the destination data buffer.
Referenced by LZ4_streamDecompressBlock(), and LZ4_streamDecompressBlockInit().


--- layout: default title: Donations meta-desc: Donate to the American Forest Foundation meta-keywords: about, work, environmental, education forest, american, america, tree, foundation, protection ---
When you give to the American Forest Foundation, you are ensuring a healthy future for our nation's forests and educating the next generation of Americans about the environmental challenges they will face.
Below, find out how much forested land your donation will help us sustainably manage and how many students your donation will provide with top-notch forest and conservation education.
100% of your contribution goes towards our programs. Nothing goes to administration or overhead.
When you give to the American Forest Foundation, you are ensuring a healthy future for our nation's forests and educating the next generation of Americans about the environmental challenges they will face.
This is optional, but if you have a special purpose for your donation, please let us know.
American Forest Foundation has partnered with Network for Good to securely process your online credit card payment via Network for Good (tax ID 68-0480736). This transaction will appear on your credit card statement as "Network for Good." This transaction is subject to Network for Good's Privacy, Security & Disclosure Statement.