2 overrides of Events
System.Management.Automation (2)
engine\hostifaces\LocalConnection.cs (1)
111
public override PSEventManager
Events
engine\remoting\client\remoterunspace.cs (1)
378
public override PSEventManager
Events
7 references to Events
System.Management.Automation (7)
engine\hostifaces\RunspacePoolInternal.cs (2)
1267
result.
Events
.ForwardEvent += OnRunspaceForwardEvent; // this must be done after open since open initializes the ExecutionContext
1296
runspace.
Events
.ForwardEvent -= OnRunspaceForwardEvent; // this must be done after open since open initializes the ExecutionContext
engine\remoting\server\ServerPowerShellDriver.cs (1)
828
PSLocalEventManager events = (object)rs.
Events
as PSLocalEventManager;
engine\remoting\server\ServerRemoteHost.cs (3)
337
PSEventManager localEventManager = Runspace?.
Events
;
459
if ((Runspace == null) || (Runspace.
Events
== null)) { return; }
464
Runspace.
Events
.GenerateEvent(
engine\remoting\server\ServerSteppablePipelineSubscriber.cs (1)
46
_eventManager = (object)driver.LocalPowerShell.Runspace.
Events
as PSLocalEventManager;


Outlines the acceptable formats of API responses.
All response payloads from the API should be in the form of a JSON-serialized ActionResponse. At the root level, this model contains several key properties:
If the response is pending, or if a response-level error occurs, the ResponseBody property of the payload may be returned as null since there is no data to return in these cases. However, all successful, non-pending responses must return a valid non-null object matching the type detailed in the appropriate endpoint specification.
- {
- "ResponseBody": { },
- "Status": "Complete",
- "PendingUri": null,
- "Errors": [ ]
- }


Imagination is the beginning of creation. You imagine what you desire, you will what you imagine and at last you create what you will. - George Bernard Shaw
Paradox was created as a website for a Intro to HTML class. We aren't some massive company. It was created by me: Ozzie. If you do like how I do things though, go check out kirkbyo.com to view some of my other work and to get in touch. One thing is certain thought, Outflow and Alpha both projects displayed on this site are created by me.
Other then those two apps, the rest of the site is fake and mostly filler. One day I wish to own my company, but for now Paradox (really good name by the way) is just a pixel of my imagination.
| Ozzie | |||
| Roles | Design | Web Design | iOS Developper |
|---|---|---|---|
| Education | Self Taught | ||
| Years of Experience | 3 Years | 4 Years | 2 Years |


12.2.6 Initialization
SP_deinitialize()
- shuts down the Prolog engine
SP_force_interactive()
[preinit]- consider standard streams to be interactive streams, even if they appear
not to be TTY streams
SP_initialize()
[macro]- initializes the Prolog engine
SP_set_memalloc_hooks()
[preinit]- provide the memory management bottom layer
SP_set_user_stream_hook()
[preinit]SP_set_user_stream_post_hook()
[preinit]- provide hooks for setting up standard streams
SU_initialize()
[hook]- called before initializing the Prolog engine in
applications built with --userhook
Send feedback on this subject.


Next: Sharpsign P, Previous: Sharpsign A, Up: Sharpsign
#s(name slot1 value1 slot2 value2 ...) denotes a structure. This is valid only if name is the name of a structure type already defined by defstruct and if the structure type has a standard constructor function. Let cm stand for the name of this constructor function; then this syntax is equivalent to
#.(cm keyword1 'value1 keyword2 'value2 ...)
where each keywordj is the result of computing
(intern (string slotj) (find-package 'keyword))
The net effect is that the constructor function is called with the specified slots having the specified values.
(This coercion feature is deprecated; in the future, keyword names will be taken in the package they are read in, so symbols that are actually in the KEYWORD package should be used if that is what is desired.)
Whatever object the constructor function returns is returned by the #S syntax.
For information on how the Lisp printer prints structures, see Printing Structures.


Yeah! I say go for it. But! Be honest with yourselves. You're not doing this because you know it's the right choice architecturally. You're not addressing a technical deficiency. You're addressing an enthusiasm gap. And for developers, enthusiasm is crucial! We don't do good work when we're bored.— Avdi Grimm


These are the FAQs!
What's this aboot, eh?
How can it be so cool?
For how long?
What's this aboot, eh?
Click the about button above to find out what it's aboot!
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How can it be so cool?
It just is!
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Forever, we hope. If not, here is a list of other possibilities:
- Until the world ends;
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- Until your mother.
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CSS is a language that describes the style of an HTML document.
CSS describes how HTML elements should be displayed.
This tutorial will teach you CSS from basic to advanced.
Examples in Each Chapter
This CSS tutorial contains hundreds of CSS examples.
body {
background-color: lightblue;
}
h1 {
color: white;
text-align: center;
}
p {
font-family: verdana;
font-size: 20px;
}


Much of the notes come from Lawrence Rainey's The Annotated Waste Land with Eliot's Contemporary Prose. Citation listed below:
Eliot, T. S., The Annotated Waste Land with Eliot's Contemporary Prose. Ed. Lawrence S. Rainey. New Haven: Yale University Press, 2005. Print.
I'd also like to acknowledge Exploring The Waste Land by Rickard A. Parker which served as a great reference.
The tooltips on this website were built using Tooltipster. If you'd like to use the tool for your own project, check out this tutorial.


Thank you for purchasing INSPINIA admin theme. If you have any questions about the template, please feel free to contact us via email<EMAIL_ADDRESS>Thanks very much!
This documentation is focused on ASP.NET MVC5 version. It assumes a minimum knowledge of asp.net technology. It describe mainly files and structure in project. Please note that this documentation is dedicated to the main element of the template. With each version, we will try to develop it. But if you have any questions going beyond what is described here don't hesitate to write to us.
Tool and Technologies used:
INSPINIA ASP.NET MVC template consists project files for Visual Studio 2013 with below structure:
Inspinia_MVC5/
├── App_Data/
├── App_Start/
├── bin/
├── CodeTemplates/
├── Content/
├── Controllers/
├── fonts/
├── Helpers/
├── Images/
├── Models/
├── obj/
├── Properties/
├── Scripts/
├── Views/
├── favicon.ico
├── Global.asax
├── Global.asax.cs
├── Inspinia_MVC5.csproj
├── Inspinia_MVC5.csproj.user
├── packages.config
├── Web.config
├── Web.Debug.config
├── Web.Release.config
Page
contains Metadata and CSS bundle files for theme. We use special section AddLocalStyles, to import styles for specific plugins on pages that need it.
<!DOCTYPE html>   <meta http-equiv="Content-Type" content="text/html; charset=utf-8"/> <meta charset="utf-8" /> <meta name="viewport" content="width=device-width, initial-scale=1.0"> <title>INSPINIA | @ViewBag.Title</title>  @if (IsSectionDefined("AddLocalStyles")) {@RenderSection("AddLocalStyles", required: false)}  @Styles.Render("~/Content/css") @Styles.Render("~/font-awesome/css")
IMPORTANT - Main stucture of _Layout.cshtml file.
 @Html.Partial("_SkinConfig")
  @Html.Partial("_Navigation")
  @Html.Partial("_TopNavbar")  @RenderBody()  @Html.Partial("_Footer")
   @Html.Partial("_RightSidebar")

On bottom of file are bundle script located. _Layout.cshtml contains all major plugin scripts and Inspinia scripts. In section Scripts, will be import scripts for specific plugins on pages that need it.
 @Scripts.Render("~/bundles/jquery") @Scripts.Render("~/bundles/bootstrap") @Scripts.Render("~/plugins/slimScroll") @Scripts.Render("~/bundles/inspinia")  @Scripts.Render("~/bundles/skinConfig")  @RenderSection("scripts", required: false)
To add for example iCheck plugin (plugin for custom checkbox input) at the bottom of page (view) you have to specifie Styles and Scripts with name plugin as example below. Or if you want to add it to entire app you can add it to _Layout file.
@section Styles { @Styles.Render("~/plugins/iCheckStyles") } @section Scripts { @Scripts.Render("~/plugins/iCheck")  }
If you need any help with render section feel free to write me at<EMAIL_ADDRESS>Bundle contains all neccesery scripts and style. You can add it to any part of your app. With convention:
CSS styles: @Styles.Render("~/plugins/{PluginName}Styles")
JS scripts: @Scripts.Render("~/plugins/{PluginName}")
Please note that some plugin have own images so path to the bundle has to be relative for example ionRangeSlider plugins.
 There are:
Fixed sidebar is a sidebar that is sticked on screen.
To add fixed sidebar you need to add .fixed-sidebar class to body.

Next we will need to add slimScroll handle for sidebar. Go to scripts/app/inspinia.js file and find // Fixed Sidebar comment and uncomment function below it so it will look like this:
// Fixed Sidebar // unComment this only whe you have a fixed-sidebar $(window).bind("load", function() { if($("body").hasClass('fixed-sidebar')) { $('.sidebar-collapse').slimScroll({ height: '100%', railOpacity: 0.9, }); } })
Be sure that you have included slimScroll plugin to your index.cshtml file:
@Scripts.Render("~/plugins/slimScroll")
Fixed navbar is a top navbar that is sticked on screen.
To add fixed sidebar you need to add .fixed-nav class to body.

Next we will need to change navbar from static to fixed in Shared/_TopNavbar.cshtml file. Change .navbar-static-top class to navbar-fixed-top

Fixed navbar 2 is a top navbar that is sticked on screen and it's width is the same as the width of wrapper
To add fixed sidebar you need to add .fixed-nav class and .fixed-nav-basic class to body.

Next we will need to change navbar from static to fixed in Shared/_TopNavbar.cshtml file. Change .navbar-static-top class to navbar-fixed-top

Fixed navbar 2 works only on primary layout
Fixed footer is a bottom footer that is sticked on screen.
To add fixed bottom footer you just need to add .fixed class to footer class.

Adding support for language written in a Right-To-Left (RTL) direction.
To add RTL support you will need to add new .rtls class to body element

Next you will need to add new bootstrap rtl support library bootstrap-rtl. Add new link to css file just below the Content/css from bootstrap in index.cshtml page like this:
@Styles.Render("~/Content/css") <link href="~/Content/plugins/bootstrap-rtl/bootstrap-rtl.min.css" rel="stylesheet">
After that you will have RTL support similar to this:
Layout 2 is a top navigation with centered content layout.
For layout 2 we prepared special examples files in Shared folder
To use layout 2 all you need to do is to specify new layout in top of the page:
@{ Layout = "~/Views/Shared/_Layout_2.cshtml"; ViewBag.Title = "Dashboard v.4"; }
Layout 2 with example code look like this:
Off canvas menu is a menu that not change the width of main wrapper page. It appear on top of the page.
To use off canvas menu you just need to use _Layout4.cshtml. The body has special .canvas-manu
class and it include special _NavigationOffCanvas.
Inspinai theme has 3 diferent skins
To change skin you just have to add skin class to body element.
For example: to add skin Blue skin you just need to add .skin-1
class to body element.
In LESS files skins.less you can find style for the skin. Below is a representation of css classes demand color skin.
.skin-1
- Blue Light.skin-2
- Inspinia Ultra {for support with Inspinai Ultra please contact with<EMAIL_ADDRESS>- Yellow/purple.md-skin
- Material Design Skin (In demo Inspinia Material Design version has also fixed sidebar and fixed navbar option)Theme config is the configuration box for setting options in live preview. It is placed in the right side of page with green icon.
To not add html code to all pages we just add js script to append the config box. The function is located in Scripts/app/inspinia.js file with comment // Append config box / Only for demo purpose
If you want to remove the config box all you need to do is to remove function below this comment.
In CodeTemplates we add special customized template for Scaffolding. If you run app and go to Scaffolding page then you will see a full generated code and views with customized look and feel for Inspinia theme.
In this section we will show you have to go throw scaffolding with customized template on Inspinia MVC5 SeedProject.
When you open Inspinia Seed Project you will see in Solution Explorer folder CodeTemplates. This folder contains scaffolding templates. This folder must have the CodeTemplates name. Entity framework first check for this folder in solution and if he find it he will use templates from there.
Lets add simple model for our demo purpose.
Select Empty controller
Enter controller name
Write bacis Person model with {Id, FirstName, LastName, Position}
After save build project
Next creat scaffolding controller and views
Select MVC5 Controller with view, using Entity Framework
Add name and use Person model
Next click to New data context and set a name for context
Once more build project to creat connection
After that go to _Navigation file and add menu item to Person view as below
When you run app go to Person menu and you will see a empty table. Click create new
Add some example data
After that you will have a first person in your database
Using Scaffolding and Inspinia templates you can creat simple and fast basic app wtih nice look and feal writing only a model!!
It is an application skeleton for a typical ASP.NET MVC5 web app. You can use it to quickly bootstrap your mvc webapp projects and dev environment for these projects.
It is a best start for new app. It has all needed scripts and style.
Please stay tuned for 2.2 version to get new features for ASP.NET MVC5 version.
.faq-answer
before p
answer. Please stay tuned for 2.0 version to get new features for Angular version.
Contact as with email: support@webapplayers.com


AWDB, LLC - TERMS & CONDITIONS OF USE
WEBSITE: www.artfrankly.com (the "Website")
Last Updated: June 16, 2016
Welcome and thank you for using ArtFrankly.com, an online interactive platform and database created by and for professionals in the art industry. These Terms and Conditions of Use ("TCU") govern the use of the above referenced Website, owned and operated by AWDB, LLC d/b/a Art Frankly ("Art Frankly," "we," "our" and "us").
When you access and/or use the Website and any of the services offered on, through or by other users through the Website and our online platform (the "Services"), whether through a mobile device, tablet, laptop or desktop computer and/or you are a registered Art Frankly user or visitor, you are agreeing to be bound by these Terms and Conditions of Use (TCU"), so please take the time to read the entire TCU as well as Art Frankly Privacy Policy, which is incorporated by reference into this Agreement.
If you do not accept and agree to be bound by all of the terms of this TCU and/or Art Frankly Privacy Policy you should immediately stop using the Website and/or Services we offer on and through the site. Please contact us with any questions regarding this Agreement.
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a. This Agreement is an electronic contract that establishes the legally binding terms you must accept to use the Website and any and all Services provide thereon. This Agreement incorporates by reference Our (i) Privacy Policy, (ii) DMCA Policy and Procedure and (iii) any and all terms disclosed and agreed to by you as the result of your use or purchase of additional features, products or Services offered through the Website, including but limited to terms governing upgrades, features, trials, discounts, promotions and offers made through the Website in connection with the Services provided thereon and/or offered to our registered users.
b. Registered users of Our Services are "Members" and unregistered users are "Visitors". This Agreement applies to both and by using the Website and the Services as a Visitor and/or as a Member (by completing the registration form and clicking "Join Now", "Join Art Frankly", "Sign Up" ) You accept this TCU, its express terms and conditions and consent to have this TCU and all related notices provided to you in electronic form. To withdraw this consent, you must cease using the Website and the Services we provide on our Website and if applicable, terminate your Member account. Please print a copy of this Agreement for your records. To receive a non-electronic copy of this Agreement you may submit a request to<EMAIL_ADDRESS>As set forth in detail below, the terms of this TCU may be modified by Art Frankly from time to time. Any such modifications shall and will be effective upon posting by Art Frankly on the Website by replacing the previous version of this TCU.
2. Eligibility for Use of Website. The Website and Services or any parts thereof, are not directed to persons under the Minimum Age. "Minimum Age" means (a) 18 years old for the People's Republic of China, (b) 16 years old for the Netherlands, (c) 14 years old for the United States, Canada, Germany, Spain, Australia and South Korea, and (d) 13 years old for all other countries. However, if law requires that you must be older in order for Art Frankly to lawfully provide the Services to you (including the collection, storage and use of your information) then the Minimum Age is such older age. The Website and Services are not for use by anyone under the age of 13. Any use of Services provided by Art Frankly through, and available on, the Website are void where prohibited. By accessing and using the Services, you represent and warrant that you have the right, authority and capacity to enter into this Agreement and to abide by all of the terms and conditions of this Agreement. If you create an account, you represent and warrant that you have never been convicted of a felony and that you are not required to register as a sex offender with any government entity. Using the Services may be prohibited or restricted in certain countries. If you use the Services from outside of the United States, you are responsible for complying with the laws and regulations of the territory from which you access or use the Services.
3. Creating a Member Account. In order to join Art Frankly community and become a Member and create a Member account for use in connection with the Website you will be required to complete Art Frankly Member Registration Form. If you do so, you authorize us to access and use any information that you voluntary provide as expressly set forth in the Privacy Policy and to optimize your experience as a Member. For more information regarding the information we collect from you and how we use it, please consult our Privacy Policy.
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5. Non-commercial Use by Users. The Services offered by Art Frankly on the Website and/or other Members of the Website are for personal use only unless Art Frankly expressly provides otherwise. No Visitors or Member may use the Services or any content posted/uploaded/available on or through the Website by Company or any Members, including but not limited to, designs, text, graphics, images, video, information, logos, software, audio files and computer code in connection with any commercial endeavors, such as (i) advertising or soliciting any user to buy or sell any products or Services not offered by Art Frankly or (ii) soliciting others to attend parties or other social functions, or networking, for commercial purposes. Except for as expressly provided for herein and/or in connection with the specific guidelines and requirements established by Art Frankly, users of the Services may not use any information obtained from the Services to contact, advertise to, solicit, or sell to any other user without his or her prior explicit consent and/or Art Frankly's consent upon the authority given to it by certain Members through their use of a particular service or offer made by Art Frankly. Organizations, companies, and/or businesses may not use the Services in any manner except for their intended purpose or with Art Frankly's express written consent and which Art Frankly may provide or deny in its sole discretion. Art Frankly may investigate and take any available legal action in response to illegal and/or unauthorized uses of the Services, including collecting usernames and/or email addresses of users by electronic or other means for the purpose of sending unsolicited email and unauthorized framing of or linking to the Services.
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7. Account Security. You are responsible for maintaining the confidentiality of the username and password you designate during the registration process, and you are solely responsible for all activities that occur under your Member account with Art Frankly and your username and password. You agree to immediately notify Art Frankly of any disclosure or unauthorized use of your username or password or any other breach of security related to your Member account or use of Services at<EMAIL_ADDRESS>You must ensure that you log out from your Member account at the end of each session.
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9. Proprietary Rights. Art Frankly owns and retains all proprietary rights in the Website and Services, and in all content, trademarks, trade names, Services marks and other intellectual property rights related thereto. The Website contains the copyrighted material, trademarks, and other proprietary information of Art Frankly and its licensors. You agree not to copy, modify, transmit, create any derivative works from, make use of, or reproduce in any way any copyrighted material, trademarks, trade names, Services marks, or other intellectual property or proprietary information accessible through the Services, without first obtaining the prior written consent of Art Frankly or, if such property is not owned by Art Frankly, the owner of such intellectual property or proprietary rights. You agree to not remove, obscure or otherwise alter any proprietary notices appearing on any content, including copyright, trademark and other intellectual property notices.
10. Content Posted by You in the Services.
(a) You are solely responsible for the content and information that you post, upload, publish, link to, transmit, record, display or otherwise make available (hereinafter, "post") on the Website, in connection with your providing Services or use thereof and/or your transmission of the same to other users, including messages, chats, videos (including streaming videos), photographs, or profile text, whether publicly posted or privately transmitted (collectively, "Content"). You may not post on the Website and/or as part of any Services you provide or accept, or information you transmit to Art Frankly or any other user (either on or off the Services), any offensive, inaccurate, incomplete, abusive, obscene, profane, threatening, intimidating, harassing, racially offensive, or illegal material, or any material that infringes or violates another person's rights (including intellectual property rights, and rights of privacy and publicity). You represent and warrant that (i) all information that you submit upon creation of your Member account, is accurate and truthful and that you will promptly update any information provided by you that subsequently becomes inaccurate, incomplete, misleading or false and (ii) you have the right to post the Content on the Website and grant the licenses set forth below.
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(c) By posting Content on the Website and/or in connection with the Services, you automatically grant to Art Frankly, its affiliates, licensees and successors, an irrevocable, perpetual, non-exclusive, transferable, sub-licensable, fully paid-up, worldwide right and license to (i) use, copy, store, perform, display, reproduce, record, play, adapt, modify and distribute the Content, (ii) prepare derivative works of the Content or incorporate the Content into other works, and (iii) grant and authorize sublicenses of the foregoing in any media now known or hereafter created. You represent and warrant that any posting and use of your Content by Art Frankly will not infringe or violate the rights of any third party.
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i. promotes racism, bigotry, hatred or physical harm of any kind against any group or individual;
advocates harassment or intimidation of another person;
requests money from other users of the Services without authorization from Art Frankly, or which is intended to otherwise defraud other users of the Website and Services;
involves the transmission of "junk mail", "chain letters," or unsolicited mass mailing or "spamming" (or "spimming", "phishing", "trolling" or similar activities);
promotes information that is false or misleading, or promotes illegal activities or conduct that is defamatory, libelous or otherwise objectionable;
promotes an illegal or unauthorized copy of another person's copyrighted work, such as providing pirated computer programs or links to them, providing information to circumvent manufacture-installed copy-protect devices, or providing pirated images, audio or video, or links to pirated images, audio or video files;
contains video, audio photographs, or images of another person without his or her permission (or in the case of a minor, the minor's legal guardian);
contains restricted or password only access pages, or hidden pages or images (those not linked to or from another accessible page);
provides material that exploits people in a sexual, violent or other illegal manner, or solicits personal information from anyone under the age of 18;
provides instructional information about illegal activities such as making or buying illegal weapons or drugs, violating someone's privacy, or providing, disseminating or creating computer viruses;
contains viruses, time bombs, trojan horses, cancelbots, worms or other harmful, or disruptive codes, components or devices;
impersonates, or otherwise misrepresents affiliation, connection or association with, any person or entity;
provides information or data you do not have a right to make available under law or under contractual or fiduciary relationships (such as inside information, proprietary and confidential information);
disrupts the normal flow of dialogue, causes a screen to "scroll" faster than other users are able to type, or otherwise negatively affects other users' ability to engage in real time exchanges;
solicits passwords or personal identifying information for commercial or unlawful purposes from other users or disseminates another person's personal information without his or her permission; and
publicizes or promotes commercial activities and/or sales without our prior written consent such as contests, sweepstakes, barter, advertising, and pyramid schemes.
(e) Art Frankly reserves the right, in its sole discretion, to investigate and take any legal action against anyone who violates Paragraph 10(d) of this TCU, including removing the offending communication from the Services and terminating or suspending the account of such violators.
(f) Your use of the Website and/or Services, including all Content you post thereon or through, must comply with all applicable laws and regulations. You agree that Art Frankly may access, preserve and disclose your account information and Content if required to do so by law or in a good faith belief that such access, preservation or disclosure is reasonably necessary, such as to: (i) comply with legal process; (ii) enforce this Agreement; (iii) respond to claims that any Content violates the rights of third parties; (iv) respond to your requests for customer Services or allow you to use the Services in the future; or (v) protect the rights, property or personal safety of Art Frankly's Members, Visitors to the Website, its employees or any other person.
(g) You agree that any Content you place on the Website and/or in connection with the Services may be viewed by other users and may be viewed by any person visiting or participating in the Services.
11 . Prohibited Activities. Art Frankly reserves the right to investigate, suspend and/or terminate your account if you have misused the Website, the Services being offered thereon and/or behaved in a way Art Frankly regards as inappropriate or unlawful, including actions or communications that occur off of the Website and/or offline but involves users/Members/Visitors you have met through the Website. The following is a partial list of the type of actions that you may not engage in with respect to your use of the Website and/or the Services offered thereon. You hereby acknowledge and agree that you will not:
impersonate any person or entity;
solicit money from any users;
post any Content that is prohibited by Section 10;
"stalk" or otherwise harass any person;
express or imply that any statements you make are endorsed by Art Frankly without our specific prior written consent;
use the Website or Services in an illegal manner or to commit an illegal act;
access the Website and/or use the Services in a jurisdiction in which it is illegal or unauthorized;
ask or use users to conceal the identity, source, or destination of any illegally gained money or products;
use any robot, spider, site search/retrieval application, or other manual or automatic device or process to retrieve, index, "data mine", or in any way reproduce or circumvent the navigational structure or presentation of the Website and/or its contents;
collect usernames and/or email addresses of users by electronic or other means for the purpose of sending unsolicited email or unauthorized framing of or linking to the Website;
interfere with or disrupt the Website and/or any Services, servers or networks which are connected to the Website;
email or otherwise transmit any material that contains software viruses or any other computer code, files or programs designed to interrupt, destroy or limit the functionality of any computer software or hardware or telecommunications equipment;
forge headers or otherwise manipulate identifiers in order to disguise the origin of any information transmitted to or through the Services (either directly or indirectly through use of third party software);
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CULTURAL NIGHT
DAY:- Saturday
TIME:- 6pm - 8:30pm
VENUE:- MPH
Event Details:
A Cultural Night is organised by the JYC members for the entertainment purpose. In this various sub-events are organised. Participating students get an opportunity to showcase there talent and even win rewards worth upto 15K.


Summer Of Sam Chad'z rating: **1/2 (out of 4 = okay/average) 1999, R, 122 minutes [2 hours, 22 minutes] [drama/thriller] Starring: John Leguizamo (Vinny), Adrien Brody (Ritchie), Mira Sorvino (Dionna), Jennifer Esposito (Ruby); written by Victor Coliccho, Michael Imperioli, Spike Lee; produced by Jon Kilik, Spike Lee; directed by Spike Lee.
Seen July 20, 1999 at 6:10 p.m. at Crossgates Cinema 18 (Guilderland, NY), theater #4, by myself for free using my Hoyts season pass. [Theater rating: ***: excellent sound and seats, picture was slightly blurry]
On the drive home from `Summer Of Sam,' I could sense a major dilemma going on inside my head (I wonder if the fact it was a movie about a psychotic serial killer had anything to do with it?). I felt as though I had just seen a really powerful film since I was slightly nervous, shaken, even nauseous, but I couldn't tell if that was good or bad.
I think trying to honestly express my thoughts and fairly review the film will be a real challenge for me, at least in the usual way I write reviews. But then I remembered Roger Ebert's review of `The Hudsucker Proxy' in which the entire review was written as a dialogue between an angel and a devil pointing out the good and bad things with the result being a compromise between four stars and none. I feel the same way about this film, although I'll give it **1/2 which is, what I consider, my `neutral' rating or `your call' rating (which it is if you consider my rating scales goes: 0, *, **, **1/2, ***, ***1/2, and ****. Ebert's verdict was ** for `Hudsucker,' which means the devil ultimately won).
And so, to pay homage to one of my inspirations, I'll compose this review in a similar matter except with `Optimistic Guy' and `Pessimistic Guy,' (I don't think an angel would like this film). But first a quick synopsis of the plot and whatnot*.
The film takes place in New York City during the summer of 1977 when the Yankees ruled baseball, young people were divided into camps of disco versus punk, a massive heat wave kept everyone sweating in buckets and a deranged maniac calling himself `Son Of Sam' scared the entire country to death by repeatedly blowing away couples whose only crime was sitting on a stoop or making out in a car. He appeared out of the shadows, blasted his victims with a .44 caliber handgun and just as quickly as he appeared he was gone, with almost no solid leads, clues or witnesses.
The actual story does not involve a police investigation into the killer (although a pair of detectives on the case do act as minor supporting characters), but instead the effect the paranoia and fear has on the residents of the city, especially in the Bronx where the main characters live and work.
OPTIMISTIC GUY: Spike Lee is really onto something here by making a movie about a serial killer and not making him or the authorities' attempt to hunt him down the focus of the film.  You really get a sense of the intense heat and the overall uncomfortable feeling. PESSIMISTIC GUY: I agree that this is an interesting new take on the worn-out serial killer genre, but Lee goes a bit too far by making it too much of a character study. He obviously wants to show what it must be like living in a city of panic, so why concentrate the story on just a handful of main characters? And why make it so melodramatic in the process?  The semi-major subplot involving his closet homosexuality and his relationship with his girlfriend Ruby (Esposito) is really strange. This should have been explored more, especially considering the mix of the characters - a nihilist punk rocker and his generic slutty girlfriend (what's her motivation for staying with him?) OPTIMISTIC GUY: You have to remember that Chad has only seen one other Spike Lee film, so the feeling that this might be new territory for Lee may not be correct. It's true that the characters' backgrounds and emotions could have been sketched out more, but this clearly isn't your run-of-the-mill drama, it's about a significant time in history about fear of becoming a victim. Considering many of the event going on in the world today - school shootings, gang violence, suburban kids doing drugs and babies having babies, etc., it's a timeless allegory. PESSIMISTIC GUY: If it's really just a human drama, why even bother showing what David Berkowitz must have been like at home and inside his mind while this was all going on? Those shots of the children's wooden blocks with numbers and letters don't come off as very thrilling or scary, it just seems like a rip-off of `Se7en' or `Taxi Driver.' In fact, there's many instances throughout the film where the mood will suddenly change from the dramatic to the surreal without a smooth transition. This is reflective of how the screenplay often loses track of the characters and lets them wander too far without justification. Towards the end they all seem to have fallen off the wagon, but what wagon were they on to begin with? OPTIMISTIC GUY: If you look at many of the films released in recent years about the 1970s they all have that same theme of decadence; casual, guilt-free sex; the joy of abusing your body, etc. And they all end up with the same message - that there's always a price to pay. When all the characters do the bad things they do, they all get theirs in the end. (Final arguments) OPTIMISTIC GUY: It's a creative drama about some very interesting characters and is simultaneously a good suspense thriller. The perfomances all are Oscar-worthy, and I'd imagine it must have been a huge challenge for both the actors and the filmmakers to endure making a film of such intesnity on a daily basis. You'll definitely be moved, shocked and you won't be the same afterwards. PESSIMISTIC GUY: Yes, but that's not what I or most people want out of their summer entertainment. Although there's justice in the end, the way the film tries to seduce you with much of its anarchic and lurid subject matter is just gratuitous. There's way too much sexuality thrown in, seemingly for shock value (for example, that orgy scene which was almost sickening), ditto for the wickedly-profane dialogue (been there, done that). A good edit and a rewrite of the script would have done wonders for the film. The cliché `Less is more' is so true.
In the end, we... err... `I' say `Summer Of Sam' is a flawed masterpiece - interpret that any way you want.
*another homage, but I think only Ted Prigge will get this reference. --------------------------------- Please visit Chad'z Movie Page - over 230 new and old movies reviewed in-depth, not just blind ratings and blather capsules.
Associate member of The O.F.C.S. (Online Film Critics Society)
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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LFG Home Page Demo |
@LFGHomePage @LFG |
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LFG Home Page Demo and Lostpolicy |
@LFGLostpolicy @LFG |
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LFG Home Page Demo and find financial advisor |
@LFGFinancialadvisor @LFG |
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LFG Home Page Demo and file a claim |
@LFGFileaclaim @LFG |
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LFG Home Page Demo and Register |
@LFGRegister @LFG |
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LFG Home Page Demo and Forgot Username |
@LFGForgotUserName @LFG |
| @BeforeClass |
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setup |
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The 7 Days Open Source Challenge
Last Wednesday I gave a lightning talk about open source at the Buenos Aires Ruby Meetup. I proposed a challenge to all attendees: Contribute to one (or many) open source projects for 7 days straight.
The rules are simple:
- You have to do it for 7 days straight
- If you can't do it one day, that breaks your streak
- When you break your streak, you have to start over from day 1
The goal of this challenge is to make contributing to open source projects a habit.
You can see the slides over here:
I did this challenge because I wanted to get back to contributing to a couple of projects that I currently maintain. It was great and I finally made some progress in DatabaseCleaner
I hope that this challenge will encourage other developers to start contributing to their favorite projects.
Here are a couple of ways that you can contribute to open source:
- Submit a new issue to a library. Make sure that it hasn't been reported yet. If it has, add meaningful information to the issue to make it easier to solve it
- Try to solve an existing issue. Find the lines of code that are causing the problem and submit a pull request
- If you can't solve it, write a failing scenario in the library's test suite
- Improve documentation where it's unclear or non-existent
If you don't know where to begin, check out http://www.codetriage.com or ping me (I'm one of the maintainers of DatabaseCleaner and EmailSpec and I'd appreciate your help)


History repeat itself
问题描述 :
Tom took the Discrete Mathematics course in the 2011,but his bad attendance angered Professor Lee who is in charge of the course. Therefore, Professor Lee decided to let Tom face a hard probability problem, and announced that if he fail to slove the problem there would be no way for Tom to pass the final exam.
As a result , Tom passed.
History repeat itself. You, the bad boy, also angered the Professor Lee when September Ends. You have to faced the problem too.
The problem comes that You must find the N-th positive non-square number M and printed it. And that’s for normal bad student, such as Tom. But the real bad student has to calculate the formula below.

As a result , Tom passed.
History repeat itself. You, the bad boy, also angered the Professor Lee when September Ends. You have to faced the problem too.
The problem comes that You must find the N-th positive non-square number M and printed it. And that’s for normal bad student, such as Tom. But the real bad student has to calculate the formula below.

输入:
There is a number (T)in the first line , tell you the number of test cases below. For the next T lines, there is just one number on the each line which tell you the N of the case.
To simplified the problem , The N will be within 231 and more then 0.
To simplified the problem , The N will be within 231 and more then 0.
输出:
There is a number (T)in the first line , tell you the number of test cases below. For the next T lines, there is just one number on the each line which tell you the N of the case.
To simplified the problem , The N will be within 231 and more then 0.
To simplified the problem , The N will be within 231 and more then 0.
样例输入:
4 1 3 6 10
样例输出:
2 2 5 7 8 13 13 28
题意：求第n个非完全 平方数m，并求
求和sqrt(i)(1<=i<=m)
分析：m-sqrt(m)<=n,,,解得：m<=2*n+1+sqrt(4*n+1);当m为完全平方数时，m–
求和过程：1+sqrt(2)+sqrt(3)+sqrt(4)+sqrt(5)+sqrt(6)+sqrt(7)+sqrt(8)+sqrt(9)+sqrt(10)+……+sqrt(m),
代码：
#include<iostream> #include<cstdio> #include<math.h> using namespace std; int main() { int T; __int64 n; scanf("%d",&T); while(T--) { scanf("%I64d",&n); __int64 m=(2*n+1+sqrt(4*n+1.0))/2; if( (__int64(sqrt(m*1.0)))*(__int64(sqrt(m*1.0))) ==m) m--; __int64 ans=0; __int64 temp=(__int64)sqrt(m*1.0); for(__int64 i=1;i<temp;i++) //i也要用__int64,不然一直WA { ans+=i*((i+1)*(i+1)-i*i); } for(__int64 i=temp*temp;i<=m;i++) ans+=temp; printf("%I64d %I64d\n",m,ans); } //system("pause"); return 0; }
版权声明：本文为博主原创文章，未经博主允许不得转载。
参考：http://blog.csdn.net/wconvey/article/details/7841728
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{% extends "base.html" %} {% load i18n %} {% block content %} {% blocktrans %}
The website is currently designed to make it easier for you to find contact information for ePUAP offices.
Few official matters in Poland are possible to settle on the Internet. Unfortunately, there is no universal right to deal electronically, and only certain procedures allow such an opportunity. I advise contacting a solicitor if you do not want to study the rules and case law for hours.
The website is designed to use only publicly available official information. A collection of address packs in ePUAP system, REGON database and TERC database has been used.
We lack the appropriate quality of geographic data. We hope that the relevant authorities will publish it soon.
Comments on the site are welcome to report by the criticism section above. The source code is public.
Please send urgently using my contact address<EMAIL_ADDRESS>detailed information to recreate the incident.
Unfortunately, I agree with you. I am not front-end developer. You can change it. Go to the criticism section above.
Nice to ask you this question! You can tell this friend page. You can fix the problems listed in the criticism section. If you do not have friends and you can not fix problems with the site - yo can donate to me.


Gecode::Int::Extensional::Compact< View > Class Template Reference
Base class for compact table propagator. More...
#include <extensional.hh>
Classes | |
| class | CTAdvisor |
| Advisor for updating current table. More... | |
| class | LostSupports |
| Iterator over lost supports. More... | |
| class | Status |
| Status management. More... | |
| class | ValidSupports |
| Iterator over valid supports. More... | |
Public Member Functions | |
| size_t | dispose (Space &home) |
| Delete propagator and return its size. | |
Protected Types | |
| typedef TupleSet::Range | Range |
| Range type for supports. | |
Protected Member Functions | |
| Compact (Space &home, Compact &p) | |
| Constructor for cloning p. | |
| Compact (Home home, ViewArray< View > &x, const TupleSet &ts) | |
| Constructor for posting. | |
| const Range * | range (CTAdvisor &a, int n) |
| Find range for n. | |
| const BitSetData * | supports (CTAdvisor &a, int n) |
| Return supports for value n. | |
Protected Attributes | |
| int | unassigned |
| Number of unassigned views. | |
| const unsigned int | n_words |
| Number of words in supports. | |
| Status | status |
| Propagator status. | |
| TupleSet | ts |
| The tuple set. | |
| Council< CTAdvisor > | c |
| The advisor council. | |
Status management | |
|
| |
| enum | StatusType { SINGLE = 0, MULTIPLE = 1, NONE = 2, PROPAGATING = 3 } |
Type of status. More... |
Detailed Description
template<class View>
class Gecode::Int::Extensional::Compact< View >
Base class for compact table propagator.
Definition at line 347 of file extensional.hh.
Member Typedef Documentation
typedef TupleSet::Range Gecode::Int::Extensional::Compact< View >::Range [protected] |
Range type for supports.
Reimplemented in Gecode::Int::Extensional::CompactTable< View, Table >.
Definition at line 350 of file extensional.hh.
Member Enumeration Documentation
enum Gecode::Int::Extensional::Compact::StatusType [protected] |
Type of status.
- Enumerator:
SINGLE A single view has been touched.
MULTIPLE Multiple view have been touched.
NONE No view has been touched.
PROPAGATING The propagator is currently running.
Reimplemented in Gecode::Int::Extensional::CompactTable< View, Table >.
Definition at line 381 of file extensional.hh.
Constructor & Destructor Documentation
| Gecode::Int::Extensional::Compact< View >::Compact | ( | Space & | home, | |
| Compact< View > & | p | |||
| ) | [inline, protected] |
Constructor for cloning p.
Definition at line 279 of file compact.hpp.
| Gecode::Int::Extensional::Compact< View >::Compact | ( | Home | home, | |
| ViewArray< View > & | x, | |||
| const TupleSet & | ts | |||
| ) | [inline, protected] |
Constructor for posting.
Definition at line 287 of file compact.hpp.
Member Function Documentation
| const Compact< View >::Range * Gecode::Int::Extensional::Compact< View >::range | ( | CTAdvisor & | a, | |
| int | n | |||
| ) | [inline, protected] |
Find range for n.
Definition at line 149 of file compact.hpp.
| const BitSetData * Gecode::Int::Extensional::Compact< View >::supports | ( | CTAdvisor & | a, | |
| int | n | |||
| ) | [inline, protected] |
Return supports for value n.
Definition at line 170 of file compact.hpp.
| size_t Gecode::Int::Extensional::Compact< View >::dispose | ( | Space & | home | ) | [inline, virtual] |
Delete propagator and return its size.
Reimplemented from Gecode::Actor.
Reimplemented in Gecode::Int::Extensional::CompactTable< View, Table >.
Definition at line 296 of file compact.hpp.
Member Data Documentation
int Gecode::Int::Extensional::Compact< View >::unassigned [protected] |
Number of unassigned views.
Definition at line 467 of file extensional.hh.
const unsigned int Gecode::Int::Extensional::Compact< View >::n_words [protected] |
Number of words in supports.
Definition at line 469 of file extensional.hh.
Status Gecode::Int::Extensional::Compact< View >::status [protected] |
Propagator status.
Definition at line 471 of file extensional.hh.
TupleSet Gecode::Int::Extensional::Compact< View >::ts [protected] |
The tuple set.
Definition at line 473 of file extensional.hh.
Council<CTAdvisor> Gecode::Int::Extensional::Compact< View >::c [protected] |
The advisor council.
Definition at line 475 of file extensional.hh.
The documentation for this class was generated from the following files:
- gecode/int/extensional.hh
- gecode/int/extensional/compact.hpp


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Online help of the
JavaMelody monitoring
The JavaMelody monitoring is a tool to measure and calculate statistics on real operation of an application
depending on the usage of the application by users.
The monitoring is mainly based on statistics of requests and on evolution charts.
It allows to improve applications in QA and production and helps to:
- give facts about the average response times and number of executions
- make decisions when trends are bad, before problems become too serious
- optimize based on the more limiting response times
- find the root causes of response times
- verify the real improvement after optimizations
JavaMelody Project
Home page
Downloads
Release notes
Documentations
Java SE documentations
Java SE Platform at a Glance
Troubleshooting Guide for Java SE 8
Monitoring and Management for Java SE 8
Java SE 6 Performance
Summary
In the page of monitoring, the summary shows evolution charts for several values of measures.
These measures are taken at a time T, for example every minute.
Each chart follows the evolution of a value of measure on the period short or large chosen
with the links above the summary: the day,
the week,
the month,
the year or
a custom period.
In each chart, the mean value in green and the maximum in blue are displayed with numbers below the chart.
And in the zoomed charts the 95th percentile line is displayed in magenta.
It shows what would be the maximum on the period if 5% of the highest values (short peaks) were excluded.
The units in the charts are chosen based on the values: "m" is for milli (1 / 1000), "k" is for kilo/thousands,
"M" is for mega/millions, "G" is for giga/billions and "u" is for micro (1 / 1000000).
Charts are persisted: a restart of the application server has no influence on them except of a hole in the measures.
Each chart can be zoomed and resized by clicking on them in the summary.
The charts displayed are:
- the java memory used, between 0 and the maximum set by Xmx in the server configuration
- the cpu percentage used by the java process, between 0 and 100 even if there are several cores or several processors
- the number of http sessions (or number of connected users)
- the number of active threads (or number of current http requests)
- the number of active jdbc connections (or number of current sql requests)
- the number of used jdbc connections (or number of opened sql transactions);
in the case where there is no datasource, it is in fact the number of opened jdbc connections in the connection pool
- for each counter of requests (http, sql and possibly ejb, spring, guice, jsf actions, struts actions, jsp pages) :
- the number of hits per minute (or number of executions of requests per minute)
- the mean time in milliseconds
- the percentage of system errors
(these values for a counter are a mean for the last period of measure)
- and also in 'Other charts', some data which are global for the JVM or for the OS:
- if Tomcat or JBoss, the number of active threads in all the server, the number of bytes received
per minute and the number of bytes sent per minute by the server (the number of bytes received is
often 0 for most webapps)
- the cpu percentage of the garbage collector for the JVM
- the number of threads for the JVM
- the number of loaded classes for the JVM
- the used buffered memory
(direct
and mapped buffers)
- the used non heap memory for the JVM
- the used physical memory for the OS
- the used swap space for the OS
- the cpu percentage used by the whole OS
- the mean age of the currently valid http sessions in minutes
- if linux: the system load and the number of opened files for the OS
- the transactions per minute (more precisely, the number of opened jdbc connections per minute)
The hours in the graphics for the day depend on the time of the server and of the timezone of the server
(as defined by the OS or specifically for the application server).
The link ' Update' refreshes the page and the charts.
The link ' PDF' displays the report in PDF format for Adobe Reader.
If a collect server is used to display the monitoring of several servers in a farm or in a cluster,
the chart of the memory is the sum of the memories in each server,
but the cpu percentage is between 0 and 100 for all servers,
and the number of http sessions is the sum of sessions in each server,
as are the number of active threads, the number of active or used jdbc connections,
and the number of hits per minute or the mean time in milliseconds.
Memory chart: use case of an application used intermittently (day/night for example)
The memory in the chart increases rapidly when the application is used,
and it increases slowly but still increases when the application is not used.
A chart with slopes, as in the above example, is classic even if the application is not used.
In all cases and as needed, the memory is finally released at once by the garbage collector
(major GC) and goes to a low level, before rising again rapidly or slowly.
If the resolution set is sufficiently fine, the chart also shows the minor GCs
as small sawtooth between the major GCs.
These minor GCs release also some memory but in less quantity than the major GCs.
It is possible to force a major GC with the action
' Execute the garbage collector'
in the part ' System informations' of the report.
Memory chart: use case of a memory saturation
If the memory in the chart increases to the maximum and if the application can not release some of it with the garbage collector,
the server possibly causes some "OutOfMemoryErrors: Java heap space" to interrupt the execution and to release some memory if possible.
Until the memory is sufficient, the cpu remains at 100% because the garbage collector runs permanently.
This can cause extreme slowness or a blocking of the application server.
The solutions can be to increase the maximum java memory (parameter Xmx in configuration of server),
and possibly the physical memory of the server, or to optimize if possible the memory used by the application.
Perm Gen memory: use case of a perm gen saturation
If the value of the perm gen memory increases to the maximum and if the application can not release some of it,
the server possibly causes some "OutOfMemoryErrors: PermGen space" to interrupt the execution.
This can block all features in your application.
The solutions can be to increase the maximum PermGen memory (parameter XX:MaxPermSize in configuration of server, 64 MB by default),
and possibly the physical memory of the server, or to reduce if possible the number of classes loaded by the application.
Charts of active threads and of active jdbc connections: use case of a flat level (long requests)
When an application is sparsely or not used, the charts of active threads and of active jdbc connections stay at 0.
Indeed, most requests are fortunately short and most measures (done each 2 minutes for example)
are taken without active requests, except 1 or 2 occasionally shown as a peak.
But, when there is a flat level in the chart of active threads as in the example above,
this means that there is one or several requests which are long (several minutes or several hours)
and which potentially saturate the application server or the database.
To find the cause:
- If the flat level of active threads is reproduced exactly in active jdbc connections,
this shows that the cause is in one or several sql request(s) and not in the execution of java code.
- If the flat level(s) continues currently, you can find the http (and sql) requests involved
in the ' Current requests' part of the report.
- If the flat level(s) has ended, you can find the statistics of http (and sql) requests involved,
in the detailed tables of ' Http (and sql) statistics',
except if the application server has been stopped before the end of these requests.
- The drill-down display in the detail of an http request can help you to find the root cause in the façades or the sql requests.
- If an Oracle database is used, the display of the execution plan in the detail of the sql request can help you to find the cause of the time of this request
(if the display of the execution plan says that a table "plan_table" must be created:
you can use the script @$ORACLE_HOME/rdbms/admin/catplan.sql as user SYS if v10g or above
and otherwise @$ORACLE_HOME/rdbms/admin/utlxplan.sql and "grant all on plan_table to public" if v9i or less).
- It can be useful to check with the monitoring the state of the memory and the cpu used by the application server.
It can also be useful to check by yourself the state of the memory, of the cpu and of disk access of your database.
Charts of used jdbc connections : use case of a jdbc connections leak
In general, the jdbc connections are shared in a connection pool with a jdbc datasource,
which allows in particular not to reopen the connections to the database
data continuously and which can also define a maximum number of transactions
which can run simultaneously per instance of the application server.
It is possible in JavaMelody to view the 2 charts of active jdbc connections and
used jdbc connections.
The chart of active jdbc connections shows the number of connections running sql queries.
And the chart of used jdbc connections shows the number of opened connections which are used in
transactions with the database but not necessarily executing sql queries.
If ever the monitored application contains a leak of jdbc connections in some particular
conditions, then connections are used unnecessarily and remain unavailable outside the
connection pool. The chart of used connections may show that their number increases
without decreasing to the minimum configured in the connection pool of the datasource
even if the server has no activity, at night for example. At the maximum, errors are thrown
in the connections pool because there is no more available connection.
If a leak of jdbc connections is suspected, times and stack traces showing where
connections have been opened can be displayed by the link
' Opened jdbc connections'
in the ' System informations' part of the report.
(This link is available if the parameter 'system-actions-enabled' has been set to 'true').
Careful reading of the code for these stack traces will confirm or not the jdbc connections leak.
The chart of used jdbc connections and the stack traces of openings are of little use
if a connection pool is used directly with a JDBC driver and without a datasource, because in this
case you visualize with this chart and these stack traces only the openings
of connections by the pool and not the real uses of these connections by the application.
Statistics
The statistics of a counter show the statistics of the requests executed on the application server.
8 counters of requests exist today:
-
Http statistics
-
Sql statistics (jdbc)
-
Jpa statistics
-
Ejb statistics (if ejb3 façades on JavaEE 5+)
-
Spring statistics (if spring façades)
-
Guice statistics (if guice façades)
-
Statistics of façades interfaces (without ejb3, spring or guice)
-
Statistics of jsf actions
-
Statistics of struts actions
-
Statistics of rendering with jsp pages (or more precisely, of executions of include or forward on httpServletRequest.getRequestDispatcher, which are the jsp pages in general)
For each counter, a request appears in the statistics when it is finished;
to know the unfinished requests see the
' Current requests' part of the report.
As for the charts, the statistics of requests are for the period small or large chosen with the
links above the charts: the day (from 0h), the week, the month or the year.
So it is possible to see the statistics for only the current day, or for example for a version
of the application deployed for a month without the statistics of previous versions.
And for each counter, the report shows a summary of statistics for all the requests (global),
of the statistics going beyond the threshold of alert level 1 (warning)
and of those going beyond the threshold of alert level 2 (severe).
The details of the statistics for each request are displayed by clicking the link '+ Details'.
Each statistic of request shows:
- the content of the request
- an evolution chart for mean times of this request in tooltip for the same period as the statistics;
this chart can be zoomed by clicking on the content of the request
- the percentage of cumulative time (mean time * nb of hits) compared to other requests
- the number of hits (or number of executions)
- the mean time in milliseconds
- the maximum time in milliseconds
- the standard deviation between execution times:
if it is high, the execution times are varied, and if it is low the execution times are closed to one another
- the percentage of cumulative cpu time (mean cpu time * nb of hits) compared to other requests
- the mean cpu time in milliseconds
- the mean number of allocated Kb, that is the memory used per request and which will have to be cleaned by the GC later
- the percentage of system errors
and if it is an http, ejb, spring, guice, interfaces, jsf actions, struts actions or jsp statistic:
- the mean size in kilo-bytes of the response stream (only for http)
- the mean number of sql hits, by execution of http(, ejb...) request
- the mean time executing sql requests, by execution of http(, ejb...) request
The mean times, the maximum times and the mean cpu times are cumulative: for example, the http mean times include
the ejb mean times and the sql mean times ; moreover the http mean cpu times include the ejb mean cpu time and the sql mean cpu times.
But wait times like sleeping or waiting for I/O do not consume cpu, so they are included in mean times but not in mean cpu times.
Like all tables of the report, the tables of statistics can be ordered in ascending or descending order by clicking on headers of columns.
The statistics are persisted for each counter: a restart of the application server has no influence on them.
If a collect server is used to display the monitoring of several servers in a farm or in a cluster,
the statistics of counters are global for all servers.
Statistics of http system errors
The statistics of http system errors show the errors which come back to the http filter of the
monitoring, either by exceptions thrown by the application via a servlet,
either by an http error code (404 "not found" or 500 "internal server error" for example,
complete list).
These statistics display the list of the 250 most frequent system errors with the number of cases
of each error on the chosen period, and with the mean time of the request for each error.
Only the most frequent error is displayed initially, the other errors being displayed by clicking the link '+ Details'.
The dates, hours, users and complete http requests of the last 100 errors are displayed by clicking the link '+ Last errors'.
By clicking on the name of an error, it is possible to see its java stack-trace when it is a java exception.
These statistics of errors allow to improve the reliability of the application based on its real usage in production.
Statistics of system error logs
The statistics of system error logs show the 'warning' and 'error' logs written by the application
(the libraries log4j of apache, logback and java.util.logging of the jdk are supported).
These statistics display the list of the 500 most frequent error logs with the number of
cases of each error on the chosen period.
Only the most frequent error log is displayed initially, the other logs being displayed by clicking the link '+ Details'.
The dates, hours, users and where appropriate the complete http requests of the last 100 error logs
are displayed by clicking the link '+ Last errors'.
By clicking on the name of an error log, it is possible to see for this log the java stack-trace of
the error when a java exception has been written in the log.
These statistics of error logs allow equally to improve the reliability of the application
based on its real usage in production.
Current requests
The current requests show at the moment of the generation of the report the executions of not ended requests.
The tree of http requests, possibly ejb, spring and/or sql is displayed with for each of the requests,
the time already elapsed, the cpu time elapsed, the number of sql requests already executed and the sql time of these requests.
The global statistics of the requests are displayed again for the current requests:
mean time, mean cpu time, mean sql hits and mean sql time.
It allows to compare the current requests with the global statistics.
The current java stack-trace is displayed by a tooltip on the thread.
Only the longest request is displayed initially, the others are displayed by clicking on the link '+ Details'.
System information
The system information displays at the moment of the generation of the report some information on the java server,
on its state and on the operating system of the server.
The main information displayed initially is:
used java memory, number of http sessions, number of active threads, number of active jdbc connections
and number of used jdbc connnections.
These are the same values which are used for the charts.
The other information, such as the version of the server, of the operating system or of the database
or the memory of the operating system, is displayed by clicking on the links '+ Details'.
In this part of the system information, some links allow to run the system actions:
-
'Execute the garbage collector', to force a release of memory
-
'Generate a heap dump',
to dump all the content of the memory in a file of the temporary directory on the server,
which you can open with VisualVM of the JDK
or with Eclipse MAT
-
'View memory histogram', to display the number of instances in memory for each java class
-
'Invalidate http sessions', to force all users to disconnect
-
'View http sessions', to see the attributes, the serialized sizes
(generally higher than the sizes in memory), the country and possibly the user of each session
(if authentication by JavaEE)
-
'View deployment descriptor': web.xml file of the application
-
'MBeans': management beans like in jconsole or jvisualvm,
with some configuration and technical data on the application server and on the JVM.
The values are viewable but not writable and operations can not be performed.
-
'View OS processes': list of processes of the operating system (linux with
ps or windows with tasklist)
and for each process: user, memory and cpu
-
'JNDI tree': Browse the JNDI context, for example to find the path and name of a JDBC datasource.
-
'Spring beans' : List of Spring beans.
-
To help find a possible jdbc connection leak, the 'opened jdbc connections'
shows the list of the stack traces of where were opened jdbc connections.
-
'Database': Information and statistics on the database (if PostgreSQL, MySQL, Oracle, DB2, Sybase or H2),
like for example the current sql requests or if oracle, the longest requests in cumulative time with
display of the cpu time and of the elementary cost (of buffer gets).
This function will display an error if the user configured in the application to connect to the
database does not have the necessary rights. With oracle, the following request grants this right:
"grant select any dictionary to myuser".
If a collect server is used to display the monitoring of several servers in a farm or in a cluster,
the system information of each server is displayed (aggregated for the list of sessions and for
the memory histogram) and the actions are executed on each server one at a time.
Threads
This table displays the list of all the threads in the server, with for each the priority, the state
and the stack-trace in a tooltip, among other.
Caches of data
The caches of data display the list of caches in the java application provided that the library
ehcache is used for them.
For each of the caches, some statistics are displayed:
the number of objects in memory and on disk at the moment, the efficiency of the memory cache
(percentage since the start of the server of the memory cache hits compared to the disk cache hits),
the global cache efficiency (percentage of the memory cache or disk cache hits compared to all cache access
including misses for data not in cache) depending on the ehcache version.
The configuration of each cache is also displayed for information.
Since ehcache v2.1, the caches statistics are not enabled by default.
So you need to enable them by adding statistics="true" in all the configurations of the caches, in order to display the efficiency values of the caches.
A button is available to clear all caches.
Jobs
The jobs display the list of tasks (or batchs) in the java application provided that the library
quartz is used for them.
For each job, mean time, last error with stack-trace for the selected period,
and the previous and next execution times are displayed.
Like with http requests, the statistics for jobs are displayed with mean times, mean cpu times,
sql hits and sql times for the selected period.
Buttons are available to pause or to resume each or all jobs.
If you have quartz jobs scheduled with Spring but you don't see any job in the report,
have you added the property "exposeSchedulerInRepository" as said in the user's guide?
Language
The monitoring is displayed in French or in English depending on the preferred language in your browser.
If the monitoring is in French instead of being in English, you should modify the preferred language.
For example, in Firefox,
open the menu and popup "Tools, Options, Content, Language ... Choose" and move "Anglais [en]" to the first place:
External API
The external API gives you access to some data, as XML or JSON for example. Try it in the api page.
Desktop
The monitoring reports can be displayed in a "Desktop" application.
This application is started by a click on the link "Desktop", at the top of the monitoring page, and it uses JavaWebStart and the local JRE.
But the application is auto-signed, so it must be authorized before by adding the download site in the exceptions of JavaWebStart.
For this, click : "Start menu, Java, Configure Java, Security, Edit site list, then copy and paste
https://github.com/javamelody/javamelody and OK".
More information : Oracle documentation.
Icons credits
Silk, mini and flag icons (Creative Commons)
Tango icons (GPL)


|
Articles on computer games and
learning by JHT
From humble beginnings in 1974
with a New York City affirmative action funded after-school program,
John H. Thompson (MIT '83) became the author of the most widely
used computer programming language in interactive media. Known
worldwide as simply "JT", Thompson is the inventor and
chief architect of "Lingo". Lingo is best known as the
programming language used to create computer games with Macromedia's
Shockwave. Lingo makes it possible for non-programmers to develop
computer games. Shockwave is the primary way to present interactive
games on the Internet. Over 100 million people use Shockwave.
In
a continuing series of articles, Thompson discusses how to make
games with positive learning challenges that rival the popularity
of current video games.
Hard Fun Part 1 - Computer Games and
Learning
Hard Fun Part 2 - Working for Fun
|


--- layout: post title: It worked! Never Mind. category: Support tags: - crash - customer - defect - email - humor - programming support - tech support comments: true ---
On a day-to-day basis, my interactions with customers are limited, but every once in a while I get some support calls that just take me by surprise. Today was no exception.
To give a little background, in our software we have a feature that allows us to catch any crash that is about to bring the software down and send a log of recent activity along with a short note from the customer. The customer put in the note, "Trying to print ReportA". Definitely wanting to help resolve his issue and correct any defects that might reside in our software, I asked for a little more detail, since the log file didn't have anything relating to that report. I asked questions like: What screen were you in? What item were you trying to print the report from? etc. At this point, I hadn't offered any suggestions, I was just doing the typical detective work to narrow down where the defect may be. A few minutes later an email arrived in my inbox. It was a reply from the customer. Anxious to nail down the defect, I opened the email. The email contained only two words: It worked! Okay, great, I was glad the software was working for him, but what did he do differently this time? I replied asking some more questions to see if it would be possible to narrow down where the problem was and sent off the email. Again, only minutes later, I received a reply. Expecting some sort of explanation about the different approach he took, I opened the email. Just like last time, only two words were in the email: Never Mind.


But if I change the last line to:
#check λ {R : Type*} [comm_ring R] (U : set (X R)) (HU : is_open U), (structure_presheaf_value_has_zero U HU : has_zero (structure_presheaf_value U HU))
Then it succeeds with the following trace:
[class_instances] class-instance resolution trace [class_instances] (0) ?x_0 : comm_ring R := _inst_1
any idea why?
Can you show the definition of structure_resheaf_value
along with any attributes it may have?
definition structure_presheaf_value {R : Type*} [comm_ring R] (U : set (X R)) (HU : is_open U) := (structure_presheaf_of_types_on_affine_scheme R).F U HU
and then instance structure_presheaf_value_has_add {R : Type*} [comm_ring R] (U : set (X R)) (HU : is_open U) :
has_add (structure_presheaf_value U HU) :=...
and instance structure_presheaf_value_has_neg
, mul , zero and one.
Structures drive me nuts.
I see different behaviour if I set mul := [long definition]
to if I make the long definition outside and let mul be that.
https://github.com/kbuzzard/lean-stacks-project/blob/708d11f6afbcffb0fd552cd7087100a1400fe40d/src/scheme.lean
most of the things are here
OK so we have a workaround
mul_assoc := λ _ _ _,subtype.eq (funext (λ _,funext (λ _,mul_assoc _ _ _))), add_assoc := λ _ _ _,subtype.eq (funext (λ _,funext (λ _,add_assoc _ _ _))), zero_add := λ _,subtype.eq (funext (λ _,funext (λ _,zero_add _))),
and so on and so on
@Mario Carneiro could you have a look?
{% endraw %}Last updated: Apr 24 2020 at 19:02 UTC


Jan 9-11, 2009: For three days we have been doing full motion capture of
the rider and the bicycle while riding on the large(3X5 m) VU Amsterdam
treadmil. This to investigate rider motions on a bicycle. The Optotrack Certus
Motion Capture System with active markers was used (thanks to the VU!) with 31
markers (20 on the rider, 11 on the bicycle) at a sample freq of 100 Hz. The
test comprised: normal pedalling, towing, hands-free pedalling, pedalling with
line tracking. The belt speed (=forward bicycle speed) was varied from 5 to 30
km/h in steps of 5 km/h and then down in the same manner. At every speed we
measured for 60 seconds. Going down we also tried 5,4,3,2,.. km/h until one
could not stabilize any more. Every test was done with three riders and two
bicycles form Batavus, the Browser and a Stratos.
|
|
Here you see Jodi geared-up with 20
markers and a safety harness on the
Batavus Stratos riding on the VU
treadmill. Below you see a video of Jason
on the same bicycle in a pedalling run at
10 km/h and to the right of that a
visualisation of the marker motions for
that same run. We analyze the large data
sets by Principal Component Analysis. |


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choose anyone else?
Monday - Saturday
we begin taking appointments @ 7:00
Walk - ins are welcome! All breeds.
Sundays
Appointments only.


Date: Thu, 18 Dec 1997 18:29:10 GMT Server: Stronghold/1.3.4 Ben-SSL/1.3 Apache/1.1.3 Content-type: text/html Content-length: 6289 Last-modified: Wed, 17 Dec 1997 15:27:55 GMT
Advance Paradigm understands that the key to providing outstanding customer service is the ability to measure performance. To that end, Advance Paradigm has established quantifiable performance standards which secure timely and accurate service the first time. Each member of our team is focused on one goal - keeping your healthcare costs down while improving your member's quality of life.Client Services Advance Paradigm strongly believes in the importance of a seamless implementation and transitional period. To ensure this, each client is provided with a management team, benefit design consulting, performance guarantees, and executive benefits reports.
Member Services Advance Paradigm knows unsatisfied members lead to an unacceptable business relationship. Each of our Member Service Representatives have greater than two years of customer service experience and a pharmacy background, which guarantees representatives who understand and are empowered to help.
Provider Services Advance Paradigm provides informational services for all retail pharmacies in our network. All problems with claims can be handled by contacting our toll free help desk line.
Client Services
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Member Services
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Aeries Mobile Interface
Built by
Shivam Thapar
and
Andy Yu
.
All code is open-source and can be found on
GitHub
.
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