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This is a project coming out of 1st NoB Hackathon.
The scope of this project is to aggregate existing annotations for genetic variants. Variant annotations have drawn huge amount of efforts from researchers, which made many variant annotation resources available, but also very scattered. Doing integration of all of them is hard, so we want to create a simple way to pool them together first, with high-performance programmatic access. That way, the further integration (e.g. deduplication, deriving higher-level annotations, etc) can be much easier.
Code repo: https://github.com/SuLab/myvariant.info
query for any supported id (currently rsid, will include more as we go)
query for a genomic range
query for one or more fields
support wild char
support regex
boolean query (AND, OR, NOT)
http://myvariant.info/v1/query?q=_exists_:dbsnp AND NOT dbsnp.vartype:indel
http://myvariant.info/v1/query?q=dbnsfp.polyphen2.hdiv.score:>0.99 AND chrom:1
faceting
http://myvariant.info/v1/query?q=cadd.gene.gene_id:ENSG00000113368&facets=cadd.polyphen.cat&size=0
field exists
http://myvariant.info/v1/query?q=_exists_:dbsnp AND _exists_:cosmic


The fire broke out before 6:45 a.m. at a home on Norris Avenue near Dogwood Avenue.
It took 26 firefighters around 15 minutes to extinguish the flames. The fire caused an estimated $22,000 worth of damage, according to fire officials.
No injuries were reported.
Check back for updates.


../../src/main/res/values-he: The locale folder "he" should be called "iw" instead; see the java.util.Locale documentation ../../src/main/res/values-id: The locale folder "id" should be called "in" instead; see the java.util.Locale documentation
Priority: 6 / 10
Category: Correctness
Severity: Warning
Explanation: Wrong locale name.
From the java.util.Locale documentation:
"Note that Java uses several deprecated two-letter codes. The Hebrew ("he") language code is rewritten as "iw", Indonesian ("id") as "in", and Yiddish ("yi") as "ji". This rewriting happens even if you construct your own Locale object, not just for instances returned by the various lookup methods.
Because of this, if you add your localized resources in for example values-he they will not be used, since the system will look for values-iw instead.
To work around this, place your resources in a values folder using the deprecated language code instead.
../../src/main/AndroidManifest.xml:34: Not targeting the latest versions of Android; compatibility modes apply. Consider testing and updating this version. Consult the android.os.Build.VERSION_CODES javadoc for details.
31 <uses-permission android:name="android.permission.CHANGE_WIFI_STATE"/>
32 <uses-permission android:name="android.permission.ACCESS_WIFI_STATE"/>
33 34 <uses-sdk android:minSdkVersion="15" android:targetSdkVersion="22"/> 35 36 <!-- Don't require camera, as this requires a rear camera. This allows it to work on the Nexus 7 -->
../../build.gradle:9: Not targeting the latest versions of Android; compatibility modes apply. Consider testing and updating this version. Consult the android.os.Build.VERSION_CODES javadoc for details.
Note: This issue has an associated quickfix operation in Android Studio/IntelliJ
Priority: 6 / 10
Category: Correctness
Severity: Warning
Explanation: Target SDK attribute is not targeting latest version.
When your application runs on a version of Android that is more recent than your targetSdkVersion specifies that it has been tested with, various compatibility modes kick in. This ensures that your application continues to work, but it may look out of place. For example, if the targetSdkVersion is less than 14, your app may get an option button in the UI.
To fix this issue, set the targetSdkVersion to the highest available value. Then test your app to make sure everything works correctly. You may want to consult the compatibility notes to see what changes apply to each version you are adding support for: http://developer.android.com/reference/android/os/Build.VERSION_CODES.html
Note: This issue has an associated quickfix operation in Android Studio/IntelliJ
Priority: 4 / 10
Category: Correctness
Severity: Warning
Explanation: Obsolete Gradle Dependency.
This detector looks for usages of libraries where the version you are using is not the current stable release. Using older versions is fine, and there are cases where you deliberately want to stick with an older version. However, you may simply not be aware that a more recent version is available, and that is what this lint check helps find.
../../src/main/AndroidManifest.xml:34: This minSdkVersion value (15) is not used; it is always overridden by the value specified in the Gradle build script (15)
31 <uses-permission android:name="android.permission.CHANGE_WIFI_STATE"/>
32 <uses-permission android:name="android.permission.ACCESS_WIFI_STATE"/>
33 34 <uses-sdk android:minSdkVersion="15" android:targetSdkVersion="22"/> 35 36 <!-- Don't require camera, as this requires a rear camera. This allows it to work on the Nexus 7 -->
../../src/main/AndroidManifest.xml:34: This targetSdkVersion value (22) is not used; it is always overridden by the value specified in the Gradle build script (22)
31 <uses-permission android:name="android.permission.CHANGE_WIFI_STATE"/>
32 <uses-permission android:name="android.permission.ACCESS_WIFI_STATE"/>
33 34 <uses-sdk android:minSdkVersion="15" android:targetSdkVersion="22"/> 35 36 <!-- Don't require camera, as this requires a rear camera. This allows it to work on the Nexus 7 -->
Priority: 4 / 10
Category: Correctness
Severity: Warning
Explanation: Value overridden by Gradle build script.
The value of (for example) minSdkVersion is only used if it is not specified in the build.gradle build scripts. When specified in the Gradle build scripts, the manifest value is ignored and can be misleading, so should be removed to avoid ambiguity.
Note: This issue has an associated quickfix operation in Eclipse/ADT & Android Studio/IntelliJ
Priority: 3 / 10
Category: Performance
Severity: Warning
Explanation: Inefficient layout weight.
When only a single widget in a LinearLayout defines a weight, it is more efficient to assign a width/height of 0dp to it since it will absorb all the remaining space anyway. With a declared width/height of 0dp it does not have to measure its own size first.
60 <string name="menu_history">History</string>
61 <string name="menu_settings">Settings</string>
62 <string name="menu_share">Share</string>
63 <string name="msg_bulk_mode_scanned">Bulk mode: barcode scanned and saved</string> 64 <string name="msg_camera_framework_bug">Sorry, the Android camera encountered a problem. You may need to restart the device.</string>
65 <string name="msg_default_format">Format</string>
61 <string name="menu_settings">Settings</string>
62 <string name="menu_share">Share</string>
63 <string name="msg_bulk_mode_scanned">Bulk mode: barcode scanned and saved</string>
64 <string name="msg_camera_framework_bug">Sorry, the Android camera encountered a problem. You may need to restart the device.</string> 65 <string name="msg_default_format">Format</string>
66 <string name="msg_default_meta">Metadata</string>
Explanation: Image defined in density-independent drawable folder.
The res/drawable folder is intended for density-independent graphics such as shapes defined in XML. For bitmaps, move it to drawable-mdpi and consider providing higher and lower resolution versions in drawable-ldpi, drawable-hdpi and drawable-xhdpi. If the icon really is density independent (for example a solid color) you can place it in drawable-nodpi.
../../src/main/res: Missing density variation folders in src/main/res: drawable-mdpi, drawable-xxxhdpi
Priority: 3 / 10
Category: Usability:Icons
Severity: Warning
Explanation: Missing density folder.
Icons will look best if a custom version is provided for each of the major screen density classes (low, medium, high, extra-high, extra-extra-high). This lint check identifies folders which are missing, such as drawable-hdpi.
Low density is not really used much anymore, so this check ignores the ldpi density. To force lint to include it, set the environment variable ANDROID_LINT_INCLUDE_LDPI=true. For more information on current density usage, see http://developer.android.com/resources/dashboard/screens.html
If you specify padding or margin on the left side of a layout, you should probably also specify padding on the right side (and vice versa) for right-to-left layout symmetry.
Explanation: Using left/right instead of start/end attributes.
Using Gravity#LEFT and Gravity#RIGHT can lead to problems when a layout is rendered in locales where text flows from right to left. Use Gravity#START and Gravity#END instead. Similarly, in XML gravity and layout_gravity attributes, use start rather than left.
For XML attributes such as paddingLeft and layout_marginLeft, use paddingStart and layout_marginStart. NOTE: If your minSdkVersion is less than 17, you should add both the older left/right attributes as well as the new start/right attributes. On older platforms, where RTL is not supported and the start/right attributes are unknown and therefore ignored, you need the older left/right attributes. There is a separate lint check which catches that type of error.
(Note: For Gravity#LEFT and Gravity#START, you can use these constants even when targeting older platforms, because the start bitmask is a superset of the left bitmask. Therefore, you can use gravity="start" rather than gravity="left|start".)
The following issues were not run by lint, either because the check is not enabled by default, or because it was disabled with a command line flag or via one or more lint.xml configuration files in the project directories.
"Other platforms use an explicit back button with label to allow the user to navigate up the application's hierarchy. Instead, Android uses the main action bar's app icon for hierarchical navigation and the navigation bar's back button for temporal navigation."
This check is not very sophisticated (it just looks for buttons with the label "Back"), so it is disabled by default to not trigger on common scenarios like pairs of Back/Next buttons to paginate through screens.
An "easter egg" is code deliberately hidden in the code, both from potential users and even from other developers. This lint check looks for code which looks like it may be hidden from sight.
Accessing a field within the class that defines a getter for that field is at least 3 times faster than calling the getter. For simple getters that do nothing other than return the field, you might want to just reference the local field directly instead.
NOTE: As of Android 2.3 (Gingerbread), this optimization is performed automatically by Dalvik, so there is no need to change your code; this is only relevant if you are targeting older versions of Android.
There are predefined sizes (for each density) for launcher icons. You should follow these conventions to make sure your icons fit in with the overall look of the platform.
The BuildConfig class (available in Tools 17) provides a constant, "DEBUG", which indicates whether the code is being built in release mode or in debug mode. In release mode, you typically want to strip out all the logging calls. Since the compiler will automatically remove all code which is inside a "if (false)" check, surrounding your logging calls with a check for BuildConfig.DEBUG is a good idea.
If you really intend for the logging to be present in release mode, you can suppress this warning with a @SuppressLint annotation for the intentional logging calls.
Margin values should be positive. Negative values are generally a sign that you are making assumptions about views surrounding the current one, or may be tempted to turn off child clipping to allow a view to escape its parent. Turning off child clipping to do this not only leads to poor graphical performance, it also results in wrong touch event handling since touch events are based strictly on a chain of parent-rect hit tests. Finally, making assumptions about the size of strings can lead to localization problems.
Note: This issue has an associated quickfix operation in Android Studio/IntelliJ
Disabled By: Default
Priority: 4 / 10
Category: Correctness
Severity: Warning
Explanation: Newer Library Versions Available.
This detector checks with a central repository to see if there are newer versions available for the dependencies used by this project. This is similar to the GradleDependency check, which checks for newer versions available in the Android SDK tools and libraries, but this works with any MavenCentral dependency, and connects to the library every time, which makes it more flexible but also much slower.
More info:
To suppress this error, use the issue id "NewerVersionAvailable" as explained in the Suppressing Warnings and Errors section.
SelectableText
Note: This issue has an associated quickfix operation in Android Studio/IntelliJ
Disabled By: Default
Priority: 7 / 10
Category: Usability
Severity: Warning
Explanation: Dynamic text should probably be selectable.
If a <TextView> is used to display data, the user might want to copy that data and paste it elsewhere. To allow this, the <TextView> should specify android:textIsSelectable="true".
This lint check looks for TextViews which are likely to be displaying data: views whose text is set dynamically. This value will be ignored on platforms older than API 11, so it is okay to set it regardless of your minSdkVersion.
Note: This issue has an associated quickfix operation in Android Studio/IntelliJ
Disabled By: Default
Priority: 10 / 10
Category: Correctness
Severity: Warning
Explanation: Code contains STOPSHIP marker.
Using the comment // STOPSHIP can be used to flag code that is incomplete but checked in. This comment marker can be used to indicate that the code should not be shipped until the issue is addressed, and lint will look for these.
Note: This issue has an associated quickfix operation in Eclipse/ADT & Android Studio/IntelliJ
Disabled By: Default
Priority: 5 / 10
Category: Usability:Typography
Severity: Warning
Explanation: Straight quotes can be replaced with curvy quotes.
Straight single quotes and double quotes, when used as a pair, can be replaced by "curvy quotes" (or directional quotes). This can make the text more readable.
Note that you should never use grave accents and apostrophes to quote, `like this'.
(Also note that you should not use curvy quotes for code fragments.)
This resource id definition appears not to be needed since it is not referenced from anywhere. Having id definitions, even if unused, is not necessarily a bad idea since they make working on layouts and menus easier, so there is not a strong reason to delete these.
Lint errors can be suppressed in a variety of ways:
1. With a @SuppressLint annotation in the Java code
2. With a tools:ignore attribute in the XML file
3. With ignore flags specified in the build.gradle file, as explained below
4. With a lint.xml configuration file in the project
5. With a lint.xml configuration file passed to lint via the --config flag
6. With the --ignore flag passed to lint.
To suppress a lint warning with an annotation, add a @SuppressLint("id") annotation on the class, method or variable declaration closest to the warning instance you want to disable. The id can be one or more issue id's, such as "UnusedResources" or {"UnusedResources","UnusedIds"}, or it can be "all" to suppress all lint warnings in the given scope.
To suppress a lint warning in an XML file, add a tools:ignore="id" attribute on the element containing the error, or one of its surrounding elements. You also need to define the namespace for the tools prefix on the root element in your document, next to the xmlns:android declaration: xmlns:tools="http://schemas.android.com/tools"
To suppress a lint warning in a build.gradle file, add a section like this:
Here we specify a comma separated list of issue id's after the disable command. You can also use warning or error instead of disable to change the severity of issues.
To suppress lint warnings with a configuration XML file, create a file named lint.xml and place it at the root directory of the project in which it applies.
The format of the lint.xml file is something like the following:
<?xml version="1.0" encoding="UTF-8"?>
<lint>
<!-- Disable this given check in this project -->
<issue id="IconMissingDensityFolder" severity="ignore" />
<!-- Ignore the ObsoleteLayoutParam issue in the given files -->
<issue id="ObsoleteLayoutParam">
<ignore path="res/layout/activation.xml" />
<ignore path="res/layout-xlarge/activation.xml" />
</issue>
<!-- Ignore the UselessLeaf issue in the given file -->
<issue id="UselessLeaf">
<ignore path="res/layout/main.xml" />
</issue>
<!-- Change the severity of hardcoded strings to "error" -->
<issue id="HardcodedText" severity="error" />
</lint>
To suppress lint checks from the command line, pass the --ignore flag with a comma separated list of ids to be suppressed, such as: $ lint --ignore UnusedResources,UselessLeaf /my/project/path


' /> ' />
You might have heard of the
data:text/html, <html contenteditable>
'trick' for writing quick notes in your browser, but it's not perfect: most browsers will kill the
tab if it's in the
background for a while, deleting anything you wrote; you need to remember the awkward URL if you want to
use it on other machines; it pastes HTML by default; and so on!
QuickJots lets you jot down and auto-save any quick notes for
yourself whilst you're on your computer or phone. It supports both Markdown and simple
plain-text notes, and comes with a dark mode and complete privacy!
If you want to help improve QuickJots or get in touch with me, please raise an issue on GitHub, or send me an email.


WHORE A film review by Lon Ponschock Copyright 1992 Lon Ponschock
Directed by Ken Russell Starring Theresa Russell (no relation) Rated and Unrated versions available
There is an old saying which goes something like "The worst sex I ever had was still pretty good."
The closest film piece to this work (that I can think of) is TALK RADIO directed by Oliver Stone and starring Eric Bogosian. WHORE is essentially a one-actor drama with other players. The screenplay was co-written by a woman and adapted from a stage play called BONDAGE.
When the film had its theatrical release, there was nothing much good that was said about it, save for very early on. Prior to critical review, WHORE was likened to a darker side of the popular film PRETTY WOMAN which starred Julia Roberts.
But as some reviewers today are pointing out, there is a difference in watching a videotape out of one's house and going to the theatre. WHORE, as a theatrical release, was a big bomb. I didn't go to it because, as many of you, I depend on the word of others to critique the product beforehand. And if going to the theatrical release of HENRY AND JUNE can provide any insight, I think I was right is waiting for the video release of WHORE.
WHORE is a brutal film, but I also found moments of significant humor. And of course the humor has to do with sex. This film, better than any other shows the difference in the perception of sex between men and women.
I need not enumerate what these fantasies are. What the film shows is the difference in point of view between the fantasy and the reality and this can be quite funny and disturbing.
In the concept of the Theatre of Cruelty created by French actor and director Antonin Artaud, the author describes going to the theatre like going to see the dentist: you know beforehand that you will be made uncomfortable, but when it's all over, you will be better off for it. It's doubtful that Ken Russell had the Theatre of Cruelty in mind, but this is in effect what he accomplishes.
See WHORE on video. There is no need (or really any possibility any longer) of seeing it in the theatre with guys with their hats in their laps. The NC-17 film has yet to made which does not make one feel ill-at-ease with a room full of strangers.
Make no mistake, there is much brutalizing that takes place in this film, but that has all been done before. What has not been done before is to cast the cold eye of calculation on sex. Who else is talking about the use of condoms explicitly and repeatedly as a fact of life and a part of *the job* in a work of fiction?
The May 1992 issue of DETAIL magazine has a feature on the Cabaret Royale in Houston: a new wave topless club with good taste: sort of like a Playboy Club with "balls." The author, after having talked with the performers and the owner says of the performance:
"She knows it's faker than fake... we all know ... but--at twenty-eight years old, quite a lot of love-of-my-life eye gazing behind me-- I realize something that I never knew. Something I never wanted to know. *I can't tell the difference*." --- Chris Heath
Lon Ponschock<EMAIL_ADDRESS>.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Harvey Zack
{ career: Front-end engineer, hobby: [Cat, Animation, Code], location: [China, GuangDong, ShenZhen] }
Front-end engineer
Cat
Animation
Code
China
GuangDong
ShenZhen
Not Found[undefined]
<EMAIL_ADDRESS>https://github.com/zhw2590582


If you have a branding iron for your logo or slogan, you can apply it to your butcher block now. Most hardwoods will accept a proper brand once the brand is higher than 500 degrees Fahrenheit.
Ensure, while pressing down evenly with your brand, you do not move the brand or else your mark will look sloppy. Try to be perfectly still. Hold firm pressure straight down for approximately 10 seconds.
With your square, mark 1.25 inches in from the corners with a pencil.
Attaching rubber feet not only keeps the butcher block in place while in use, but it also prevents the butcher block from sitting in a puddle of water, preventing the block from warping.
It is impairative that you use a food-grade natural oil on this. Here, I used a mixture of food-grade mineral oil and beeswax. Do not use any cooking oils as they will eventually spoil thus rendering your butcher block useless.


Before Change
def nearest(self, vector=None, n=12):
temp = []
dist = []
for k in xrange(self.index.shape[0]):
temp.append(self.index[k])
if (k+1) % 50000 == 0:
temp = np.transpose(np.dstack(temp)[0])
dist.append(spatial.distance.cdist(vector,temp))
temp = []
if temp:
temp = np.transpose(np.dstack(temp)[0])
dist.append(spatial.distance.cdist(vector,temp))
results = []
After Change
def nearest(self, vector=None, n=12):
dist = None
results = []
if self.index is not None:
// logging.info("{} and {}".format(vector.shape,self.index.shape))
dist = spatial.distance.cdist(vector,self.index)
if dist is not None:
ranked = np.squeeze(dist.argsort())
for i, k in enumerate(ranked[:n]):
temp = {"rank":i+1,"algo":self.name,"dist":float(dist[0,k])}


Easy creation and manipulation of Voronoi diagrams using 'deldir' with visualization in 'ggplot2'.
| Version: | 0.8.2 |
| Depends: | R (≥ 2.10), ggplot2 (≥ 2.2.0) |
| Imports: | deldir, sp, rgeos, raster, methods |
| Suggests: | knitr, rmarkdown, ggmap, dplyr, scales, testthat, vdiffr |
| Published: | 2018-11-15 |
| Author: | Robert C. Garrett [aut, cre], Austin Nar [aut], Thomas J. Fisher [aut], Karsten Maurer [ctb] |
| Maintainer: | Robert C. Garrett <garretrc at miamioh.edu> |
| License: | MIT + file LICENSE |
| URL: | https://github.com/garretrc/ggvoronoi/ |
| NeedsCompilation: | no |
| Materials: | README |
| CRAN checks: | ggvoronoi results |
| Reference manual: | ggvoronoi.pdf |
| Vignettes: |
Voronoi Diagrams with ggvoronoi |
| Package source: | ggvoronoi_0.8.2.tar.gz |
| Windows binaries: | r-devel: ggvoronoi_0.8.2.zip, r-release: ggvoronoi_0.8.2.zip, r-oldrel: ggvoronoi_0.8.2.zip |
| OS X binaries: | r-release: ggvoronoi_0.8.2.tgz, r-oldrel: ggvoronoi_0.8.2.tgz |
| Old sources: | ggvoronoi archive |
Please use the canonical form https://CRAN.R-project.org/package=ggvoronoi to link to this page.


Enter an Address to see the output
Location
Solar Panels
Costs
Savings
Installers
Providers
Your location
Menu 3
Predicted Savings and Costs
Pricing and Reviews
Predictions for Savings


---
layout: presentationA
title: Deployment
permalink: /09s-deployment/
---
layout: true
---
# Webtechnologien 2017
## Deployment
Korbinian Riedhammer
---
# Defining Packages
Node package manager (npm) uses `package.json` configuration.
```json
{
`"name": "node-app"`,
`"version": "1.0.0"`,
`"description": "Node.js on Docker"`,
"author": "First Last ",
"main": "server.js",
"scripts": {
"start": "node server.js"
},
"dependencies": {
"express": "latest",
"mongodb": "latest"
}
}
```
Details of _this_ project/package.
---
# Managing Dependencies
Node package manager (npm) uses `package.json` configuration.
```json
{
"name": "node-app",
"version": "1.0.0",
"description": "Node.js on Docker",
"author": "First Last ",
"main": "server.js",
"scripts": {
"start": "node server.js"
},
`"dependencies":` {
`"express": "latest",`
`"mongodb": "latest"`
}
}
```
`dependencies` list node packages required to run this project.
**Before**: manually install required packages. `npm install express; ...`
**After**: batch-install all required packages. `npm install`
---
# Automating Startup
Node package manager (npm) uses `package.json` configuration.
```json
{
"name": "node-app",
"version": "1.0.0",
"description": "Node.js on Docker",
"author": "First Last ",
`"main": "server.js",`
`"scripts":` {
`"start": "node server.js"`
},
"dependencies": {
"express": "latest",
"mongodb": "latest"
}
}
```
`scripts` list commands needed to run the app.
**Before**: `node server.js` to run the app.
**After**: `npm start` to run the app.
---
# Docker
https://www.docker.com -- lightweight virtualization
.w70[
![package-software](/assets/package-software.png)
]
.center[[source](https://www.docker.com/what-container)]
---
# Virtual Machines vs. Containers
Containers share the host OS and infrastructure
.center[[source](https://www.docker.com/what-container)]
---
# Containers
**Pros**:
- very fast startup time (no VM boot time)
- "feels" like a VM; package dependencies
- image distribution/rollout via registry
- orchestration tools
.skip[
**Cons**:
- security, if mounting volumes from the host
]
---
# Docker
![engine-components](/assets/engine-components-flow.png)
---
# Docker Architecture
![architecture](/assets/docker-architecture.svg)
---
# Controlling Docker
`docker pull`: Retrieve image from (remote) repository
`docker build`: Build a new image using a `Dockerfile`
`docker images`: List the locally available images.
`docker run`: Start a new container (based off an image)
`docker ps`: Show all running containers; use `-a` to show also terminated containers.
---
# Docker Images
```
FROM node:carbon
# Create app directory
WORKDIR /usr/src/app
# copy package info into container
COPY package*.json ./
# install packages
RUN npm install
# copy other stuff from directory into container
COPY . .
# expose node default port
EXPOSE 3000
# entry point when starting container
CMD [ "npm", "start" ]
```
```bash
$ docker build -t image-name . # build image
$ docker run -p 3000:3000 image-name # run container (w/ ports exposed)
```
---
# Docker Containers
Containers are instantiated images.
```bash
docker run -it alpine # runs an interactive container with mini-linux
docker run -d mongo # runs mongo as a service
```
You can execute commands in containers, or copy data in/out:
```bash
docker exec -it 42f /bin/bash
docker cp local.file 42f:/containered/file
```
Ports need to be configured.
```bash
$ docker run -d -p 27017:27017 mongo # source:dest
```
Containers have `stdout`:
```bash
$ docker logs 42f
```
---
# Docker Housekeeping
Images can be pulled, listed and removed.
```bash
$ docker images # lists images
$ docker rmi node # removes image `node`
$ docker pull node:latest # pulls `node` with tag `latest`
```
Containers can be started, paused, stopped, restarted and removed.
```bash
$ docker run node # starts a container off image `node`
$ docker pause 412f # pauses container
$ docker unpause 412f # unpause
$ docker ps # list active containers
$ docker ps -a # list *all* containers
$ docker stop 412f # stop container
$ docker restart 412f # restart container
$ docker rm 412f # must be stopped first
$ docker rm -f 412f # stops then removes
```
---
# Docker Services
You can aggregate containers to a _service_ using `docker-compose`.
```yaml
version: "3"
services:
app:
container_name: vue-canteen
restart: always
build: .
ports:
- "3000:3000"
links:
- mongo
mongo:
container_name: mongo
image: mongo
```
```bash
$ docker-compose up # starts interactive session
$ docker-compose start
$ docker-compose stop
```
---
# Node.js on Heroku
---
# Databases on Heroku
Currently only postgres (for free).
---
# Docker Swarm


Chicken
The chickens that saved Western civilization were discovered, according to legend, by the side of a road in Greece in the first decade of the fifth century B.C. The Athenian general Themistocles, on his way to confront the invading Persian forces, stopped to watch two cocks fighting and summoned his troops, saying: “Behold, these do not fight for their household gods, for the monuments of their ancestors, for glory, for liberty or the safety of their children, but only because one will not give way to the other.” The tale does not describe what happened to the loser, nor explain why the soldiers found this display of instinctive aggression inspirational rather than pointless and depressing. But history records that the Greeks, thus heartened, went on to repel the invaders, preserving the civilization that today honors those same creatures by breading, frying and dipping them into one’s choice of sauce. The descendants of those roosters might well think—if they were capable of such profound thought—that their ancient forebears have a lot to answer for. Chicken is the ubiquitous food of our era, crossing multiple cultural boundaries with ease. With its mild taste and uniform texture, chicken presents an intriguingly blank canvas for the flavor palette of almost any cuisine. A generation of Britons is coming of age in the belief that chicken tikka masala is the national dish, and the same thing is happening in China with Kentucky Fried Chicken. Long after the time when most families had a few hens running around the yard that could be grabbed and turned into dinner, chicken remains a nostalgic, evocative dish for most Americans. When author Jack Canfield was looking for a metaphor for psychological comfort, he didn’t call it “Clam Chowder for the Soul.”
Beef
The chickens that saved Western civilization were discovered, according to legend, by the side of a road in Greece in the first decade of the fifth century B.C. The Athenian general Themistocles, on his way to confront the invading Persian forces, stopped to watch two cocks fighting and summoned his troops, saying: “Behold, these do not fight for their household gods, for the monuments of their ancestors, for glory, for liberty or the safety of their children, but only because one will not give way to the other.” The tale does not describe what happened to the loser, nor explain why the soldiers found this display of instinctive aggression inspirational rather than pointless and depressing. But history records that the Greeks, thus heartened, went on to repel the invaders, preserving the civilization that today honors those same creatures by breading, frying and dipping them into one’s choice of sauce. The descendants of those roosters might well think—if they were capable of such profound thought—that their ancient forebears have a lot to answer for. Chicken is the ubiquitous food of our era, crossing multiple cultural boundaries with ease. With its mild taste and uniform texture, chicken presents an intriguingly blank canvas for the flavor palette of almost any cuisine. A generation of Britons is coming of age in the belief that chicken tikka masala is the national dish, and the same thing is happening in China with Kentucky Fried Chicken. Long after the time when most families had a few hens running around the yard that could be grabbed and turned into dinner, chicken remains a nostalgic, evocative dish for most Americans. When author Jack Canfield was looking for a metaphor for psychological comfort, he didn’t call it “Clam Chowder for the Soul.”
Sushi
The chickens that saved Western civilization were discovered, according to legend, by the side of a road in Greece in the first decade of the fifth century B.C. The Athenian general Themistocles, on his way to confront the invading Persian forces, stopped to watch two cocks fighting and summoned his troops, saying: “Behold, these do not fight for their household gods, for the monuments of their ancestors, for glory, for liberty or the safety of their children, but only because one will not give way to the other.” The tale does not describe what happened to the loser, nor explain why the soldiers found this display of instinctive aggression inspirational rather than pointless and depressing. But history records that the Greeks, thus heartened, went on to repel the invaders, preserving the civilization that today honors those same creatures by breading, frying and dipping them into one’s choice of sauce. The descendants of those roosters might well think—if they were capable of such profound thought—that their ancient forebears have a lot to answer for. Chicken is the ubiquitous food of our era, crossing multiple cultural boundaries with ease. With its mild taste and uniform texture, chicken presents an intriguingly blank canvas for the flavor palette of almost any cuisine. A generation of Britons is coming of age in the belief that chicken tikka masala is the national dish, and the same thing is happening in China with Kentucky Fried Chicken. Long after the time when most families had a few hens running around the yard that could be grabbed and turned into dinner, chicken remains a nostalgic, evocative dish for most Americans. When author Jack Canfield was looking for a metaphor for psychological comfort, he didn’t call it “Clam Chowder for the Soul.”


{{ define "title" }}Heatify - About{{ end }} {{ define "content"}}
The main purpose of Heatify is to encourage good Agile development practice, where contributors make small and frequent commits.
Heatify accomplishes this by conveniently showing developers and managers their project activity. Heatify is also a fun way to compete for "heat" on popular projects, and compare the activity of entire squads on their project's.
Heatify works by keeping track of Git repositories that are entered in by users.
Under the hood, Heatify clones repositories, analyses their activity, and keeps new data in-sync with a Cloudant database.
By nature, viewing of a Heatmap for a brand-new repository can take a bit longer to load, depending on how large the repository is. This is because Heatify must clone the repository for the first time.
Heatify is developed and maintained by Brandon on the Dashboard squad of IBM Alchemy, with much of the high-level design coming from Andrew (Roo) Low, our squads STSM.
Heatify currently supports repositories from Github, IBM GHE, IBM GitLab, and IBM DevOps Services
Here are some of the things you can do with Heatify:
- Public Repositories: easily render a public repo into a Heatmap. Simply copy and paste the HTTP or HTTPS URL (or for IBM GHE, the SSH link) into the Git Url field on the Landing Page
- Private Repositores: first add the Git-Monitor Bot as a member to your private repo. NOTE: private repositories are temporarily unavailable while we re-configure Git-Monitor's accounts.
- Squad Heatmaps: View a Heatmap showing an entire squad's activity on all of their repositories. For this feature, you must submit a JSON config file containing a list of a Squads members, and repositories. Please contact Brandon at<EMAIL_ADDRESS>or message @brandonsc on Slack.
- User Heatmaps: coming soon! you can view a Heatmap showing your activity on all repositories you track on Heatify.


Emotional Intelligence
What is emotional intelligence?
Emotional intelligence is the ability to monitor, manage and handle one’s own emotion. It also encompasses the ability to perceive and be aware of other people’s emotions also.
How is it different to IQ?
IQ is the measure or assessment of one’s ability to solve problems, use logic and understand complex ideas. This is different to emotional intelligence as IQ only takes into account the technical side of things, whereas emotional intelligence uses awareness of emotions to guide your decisions.
Why is it important?
Emotional intelligence is important as it allows you to empathises with others, communicate effectively, and be both self and socially aware. This can influence your job performance, relationships and overall well-being.


Sample tests for the JMockit Testing Toolkit
The available sample test suites can all be found under the "samples" folder in the full distribution zip file.
The Ant "build.xml" file contains a target "sampleTests" which will run all sample tests and produce a JUnit test
report in HTML, as well as a code coverage HTML report (produced with the JMockit Coverage tool).
In total, there are nearly 500 sample tests, all using JUnit (except for a few that use TestNG) and most also using
JMockit; the ones that don't use JMockit are "pure" unit tests which use no mocks at all, or tests using other
mocking toolkits for comparison purposes.
The example tests used in the JMockit Tutorial introductory chapter can be
found on-line
here.
Test suites for comparison with other mocking APIs
The following test suites are intended to compare published sample tests for other tools with the equivalent JMockit
version:
-
EasyMock comparison sample <==>
JMockit version.
(Additional example test sources can be found in the EasyMock 3.0 distribution zip file.)
-
jMock comparison samples, with the originals found
here and (partially)
here <==>
JMockit version
-
PowerMock comparison samples, with the originals found
here <==>
JMockit version
-
Mockito comparison samples, with the originals found
here
and elsewhere in the Mockito SVN repository <==>
JMockit version
-
Unitils Mock comparison samples, with the originals found
here <==>
JMockit version
-
JBoss AOP testing
<==>
JMockit version
Test suites for third-party class libraries
There are two complete JUnit test suites for third-party frameworks.
The frameworks, described in the Filthy Rich Clients book, are both from
the same author, and originally created without any developer tests at all (but great pieces of work nevertheless).
These test suites aim to achieve 100% line and branch coverage for the relevant production code:
-
A complete suite with 150+ tests for the Timing Framework.
Demonstrates just about every feature of the two main JMockit mocking APIs (JMockit Annotations and
JMockit Expectations/Verifications) by providing full coverage for a real-world, professional quality,
and well documented Java framework targeted at rich Swing applications.
==> browse them
here.
-
Full suite of tests for another class library of the same author as the Timing Framework:
Animated Transitions.
==> browse them
here.
Miscellaneous test suites
Other sample suites:
-
A set of tests for a fictitious web application, including integration tests which use the
Hibernate 3 Emulation tool: browse the source code
here.
-
A small TestNG test suite for a single class (
LoginService
), based on
this article.
==> JMockit version
-
A couple of JUnit tests for a servlet class, with versions using EasyMock, jMock, Mockito, Unitils Mock, JMockit,
and Spring Test. These tests are based on
this article.
Complete source code can be browsed
here.


module Granite::Querying
Defined in:
granite/querying.crInstance Method Summary
-
#all(clause = "", params = [] of DB::Any)
All will return all rows in the database.
-
#clear
Clear is used to remove all rows from the table and reset the counter for the primary key.
-
#count : Int32
count returns a count of all the records
- #exec(clause = "")
-
#find(value)
find returns the row with the primary key specified.
- #find!(value)
-
#find_by(field : String | Symbol, value)
find_by returns the first row found where the field maches the value
- #find_by!(field : String | Symbol, value)
- #find_each(clause = "", params = [] of DB::Any, batch_size limit = 100, offset = 0, &block)
- #find_in_batches(clause = "", params = [] of DB::Any, batch_size limit = 100, offset = 0, &block)
-
#first(clause = "", params = [] of DB::Any)
First adds a
LIMIT 1
clause to the query and returns the first result - #first!(clause = "", params = [] of DB::Any)
- #query(clause = "", params = [] of DB::Any, &block)
- #raw_all(clause = "", params = [] of DB::Any)
- #scalar(clause = "", &block)
Instance Method Detail
All will return all rows in the database. The clause allows you to specify a WHERE, JOIN, GROUP BY, ORDER BY and any other SQL92 compatible query to your table. The result will be a Collection(Model) object which lazy loads an array of instantiated instances of your Model class. This allows you to take full advantage of the database that you are using so you are not restricted or dummied down to support a DSL. Lazy load prevent running unnecessary queries from unused variables.
Clear is used to remove all rows from the table and reset the counter for the primary key.
find returns the row with the primary key specified. it checks by primary by default, but one can pass another field for comparison
find_by returns the first row found where the field maches the value
First adds a LIMIT 1
clause to the query and returns the first result


JERRY MAGUIRE A film review by Derek Miner Copyright 1996 Derek Miner
JERRY MAGUIRE begins where most movies would build up to. Sports agent Jerry Maguire (Tom Cruise) is one of the most successful agents in the business. He's got big clients, he's engaged to a beautiful woman (Kelly Preston), but he's disgusted with who he's become. So, one fateful night at a convention, he drafts a "mission proposal" for the business, emphasizing ideals, integrity and personal attention. Needless to say, the powers that be are not happy with Jerry's sudden realization.
Enter single mother Dorothy Boyd (Renee Zellweger), who is an accountant in the same agency Jerry works for. Dorothy is so inspired by Jerry's ideals, she makes the spontaneous decision to join him when he's booted from the agency. It's a Tom Cruise movie, so there's inevitably a romance developing here, but it's a very well-paced one. Jerry and Dorothy embark on a mission to succeed on their own with Jerry's only remaining client, Ron Tidwell (Cuba Gooding, Jr.), a second-tier football player with an outrageous personality and a big chip on his shoulder. Tidwell implores Jerry to "show me the money."
Writer/Director Cameron Crowe has built his reputation slowly, directing only three features in the last seven years. Each time, though, he progresses to the next level.  SINGLES (1992) went out into the real world, with characters who just want to meet people they can be happy with. JERRY MAGUIRE is by far Crowe's most assured work, with excellent characters and real heart (and another director-trademark Eric Stoltz cameo). The focus is not as narrow as in his previous films, however. Instead of concentrating a few situations and filling the rest out with humorous asides, he expands the characters, letting _them_ fill out the film. Crowe balances the comedy and drama effortlessly, allowing his characters to drive the humor.
Cruise turns in a great performance as Jerry Maguire. The character still fits the mold of a "Tom Cruise" part, but he doesn't drag it down to the level of early Tom-Cruise-charm driven characters. Cuba Gooding, Jr. starts off in what could have been a one-note, over the top performance, but eventually brings it down to earth for some great moments. Most of the attention has been focused on the male characters, however. Zellweger is an attractive young actress, but she is not given a great deal of substance here, which could move the audience past the initial impression. It's not that her performance is bad, or that the film suffers because she isn't as well defined, but she is only given a few scenes where she could shine. Regina King, on the other hand, makes a great impression in her few scenes as Tidwell's wife. Again, the character is not given a great deal to do, but we can sense how important she is in her husband's life.
JERRY MAGUIRE is one of the best movies of 1996, but probably not "Oscar" material. The Academy tends to ignore audience-targeted films like this, and this year saw few "commercial" films that attempted any sort of depth with their characters anyway (two divergent films, THE FRIGHTNERS and SWINGERS only stand out in my mind). Cameron Crowe's charcters develop in a way that has a measure of predictability, but feels real, because they're likable. JERRY MAGUIRE has a handful of truly great scenes, and a very engaging story, making it's two-hour-plus running time feel comfortable rather than dragging. JERRY MAGUIRE should please a wide-range of audiences, and hopefully, they'll all come out feeling better about themselves and their ideals.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Maltese
| Maltese Picture | |
| Breed Information | |
|---|---|
| Popularity | 2017: #332016: #332015: #31 |
| Name | Maltese |
| Other names | Maltese Dog, Maltese lion dog |
| Origin | Italy Malta |
| Breed Group | Toy (AKC:1888)Companion Breed & Show Breed (UKC) |
| Size | Small |
| Type | Purebred |
| Life span | 15-18 years |
| Temperament | ActiveDocileEasygoingGentleIntelligentPlayfulResponsiveSweet-Tempered |
| Height | Male: 8-10 inches (21-25 cm)Female: 8-9 inches (20-23 cm) |
| Weight | 6.5-9 pounds (3-4 kg) |
| Colors | White |
| Litter Size | 3-5 puppies |
| Puppy Price | Average $600 - $800 USD |
| Breed Characteristics | |
| Adaptability | 5 stars |
| Apartment Friendly | 5 starsThe Maltese is a good dog for apartment life. They are very active indoors and will do okay without a yard. |
| Barking Tendencies | 5 starsFrequent |
| Cat Friendly | 5 stars |
| Child Friendly | 4 starsGood with Kids: This is a suitable breed for kids and is known to be playful, energetic, and affectionate around them. |
| Dog Friendly | 5 stars |
| Exercise Needs | 1 starsThe Maltese does not require a great amount of exercise. It can have its needs met by indoor play and activities, and enjoys playing chase. |
| Grooming | 3 starsModerate Maintenance: Beyond regular weekly grooming the occasional bath will keep them clean and looking their best. Grooming can be a wonderful bonding experience for you and your pet. Their strong fast-growing nails should be trimmed regularly with a nail clipper or grinder to avoid overgrowth, splitting and cracking. Their ears should be checked regularly to avoid a buildup of wax and debris which can result in an infection. Teeth should be brushed regularly. |
| Health Issues | 3 starsHypoallergenic: Yes |
| Intelligence | 4 starsThey are ranked 59th out of 79 in Stanley Coren's The Intelligence of Dogs which indexes obedience and the ability of a dog breed to follow commands, with very light focus on skills seen outside of working breeds, such as emotional intelligence.Ranking: #59. (See All Rankings) |
| Playfulness | 3 stars |
| Shedding Level | 1 starsMinimal Shedding: This dog will shed a negligible amount. Recommended for owners who do not want to deal with dog hair in their cars and homes. |
| Stranger Friendly | 5 stars |
| Trainability | 2 starsDifficult Training: Encouragement rather than harsh words should always be used when training the Maltese. They are very sensitive. Maltese are very difficult to housebreak and may need to be paper or box trained. |
| Watchdog Ability | 3 stars |
| Maltese Puppy Picture | ||
| Puppy Names | ||
|---|---|---|
| Rank | Male | Female |
| 01 | Charlie | Lucy |
| 02 | Buddy | Ellie |
| 03 | Toby | Molly |
| 04 | Gizmo | Lola |
| 05 | Teddy | Kona |
| 06 | Oliver | Piper |
| 07 | Harley | Lilly |
| 08 | Jake | Penny |
| 09 | Bruno | Sadie |
| 10 | Diesel | Annie |
| See All Names › |
| Overview |
|---|
|
Even though the breed is known for its coat, its body structure, facial expression and overall carriage are essential components of the type. The Maltese is a diminutive dog with a compact, square body, covered all over with long, flat, silky, white hair hanging almost to the ground. The expression is gentle yet alert. It is a vigorous dog, with a jaunty, smooth, flowing gait. The well-built Maltese seems to float over the ground when trotting. They are one of the most gentle mannered of all little dogs, but are also full of energy and very playful, making them great family dogs. Maltese are highly intelligent and know very well how to use their charm to get their way. If given the chance, they become easily spoiled. This isn’t a problem for dog savvy owners, but many pet owners will give in, often resulting in a pet with poor manners. It is not recommended that Maltese go to homes with young children, where as tiny puppies, there is the possibility of being stepped on or dropped by a child. |
| History |
| The Maltese, one of the many Bichon breeds indigenous to the areas surrounding the Mediterranean Sea, is believed to be as much as 2,000 years old. It is of spaniel origin, descending from the same stock that produced the Portuguese Water Dog, the Barbet and the Poodle. The breed was prized for its beauty and companionship, especially by women. The Maltese was first recognized by the AKC in 1888. |


Standard Double Room
Our luxurious Double Bedrooms allow you to relax and unwind in comfort, ideal for accommodating one or two guests.
The Ripley Court Hotel offers a refreshing break from the ordinary.
The bedrooms have been tastefully decorated and are complemented with bespoke chic furniture which
creates the perfect space for chilling out.
It is ideal for both leisure and business travel.
25% off in our Lounge on whatever you fancy
Best rates and terms you'll find anywhere
Free Breakfast when you book direct
Privileged access to great offers from us and our partners
Check-in and check-out online No queues. No waiting. No fuss.
Our luxurious Double Bedrooms allow you to relax and unwind in comfort, ideal for accommodating one or two guests.
Our luxurious Twin Bedrooms allow you to stay with friends or family and can be converted to double rooms if required.
Our luxurious Double Single Bedrooms accommodate up to three people. Perfect for both family and friends to stay together.
Our luxurious Double Single Bedrooms accommodate up to four people. Perfect for both family and friends to stay together.
Superfast WiFi Tea & Coffee (Visit the Pantries for a selection of teas and our own-blend coffee) Filtered Water (Refill during your stay with your own reusable bottle) Marshall Speaker (with smartphone connectivity) 100% organic cotton mattress (handmade in Devon) Egyptian cotton sheets & towels Natural bespoke toiletries Television (except in the Bunks) Laptop safe Hairdryer Selection of magazines & books
Each room is finished with a beautiful selection of books and magazines, real plants and feature pieces from a unique collection of original artwork.
All rooms have opening windows, a mix of timber and carpet flooring, a hanging space for clothes and reclaimed cast iron radiators to keep you warm in colder months. The utilitarian shower room is complete with Egyptian cotton towels and 100% natural toiletries.
All guests enjoy access to the Pantries for tea/coffee/water. Water at The Pilgrm, like our WiFi and the best things in life, is always free.
Telephones Minibars Desks Promotional Tent Cards Ceiling Lighting Trouser Press Air Con In Room Tea/Coffee Facilities Bathtubs
Things we don’t have at The Pilgrm: Doormen, bellboys, valet service, turndown service, room service, a business centre, vending machines, tour groups or school groups.
To us, ‘luxury’ is care. By focusing on delivering everything you truly need, and nothing you don’t, we can keep our pricing in check and our delivery honest and true.
Dedicated to sourcing, roasting and serving the best coffee possible.
Workshop Coffee spend several months of each year in East Africa, South and Central America working with some of the world’s best coffee farmers, producers and cooperatives to source their coffee, which they roast in London’s Bethnal Green.
 Postcard Teas, and baked goods from Yeast Bakery and Fortitude Bakehouse are also available alongside a considered range of coffee and brewing equipment to take home.
We keep our rates simple and competitive and we’ll throw in special offers from time to time too.
To discuss your requirements
<EMAIL_ADDRESS>For BEST rates, bookings should be made online here on our website. It's quick and easy to do - please click here to book.
To speak to the hotel team about your stay or anything else, email us at hello@ripleycourt.com.


Awesome books
List
Add new
Contact
All awesome books
Add a new book
Contact Information
Do you have any questions or you just want to say "Hello"?
You can reach out to us!
Our email:
<EMAIL_ADDRESS>Our phone number:
+5804247894512.
Our Adrress:
The edge of the world.


FastDork
Template
Setting
One Domain
One Dork
List Domain
Google
Github
Select list
Save
OPEN
0
TABS WITH DORKS
TO MUCH TABS (20 Tabs max)
Select list
You forget to Select List !
0
Line(s)
Clear
Paste
Save
Add list :
CREATE LIST
Delete list :
Select list
DELETE LIST
v0.1
Dork from Exploit DB
RESET


 Depending on the destination, you'll want a certain formatting of the message
In our example:
to cout: [idx] [time] message [enter] to dbg_window: [time] message [enter] to file: [idx] message [enter]
We will use an apply_format_and_write
class that caches the formatting, so that it'll format faster (more specifically, the boost::logging::format_and_write::use_cache, together with boost::logging::optimize::cache_string_several_str).
The output will be similar to this:
The debug window
12:15.12 this is so cool 1
12:15.12 hello, world
12:15.12 good to be back ;) 2
The file:
[1] this is so cool 1
[2] hello, world
[3] good to be back ;) 2
The console:
[1] 12:15.12 this is so cool 1
[2] 12:15.12 hello, world
[3] 12:15.12 good to be back ;) 2


5-year-old boy killed in accident involving float at SC Christmas parade
BLUFFTON, S.C. (WCSC/Gray News) - Bluffton police say they’re investigating an accident that took place at the end of the Bluffton Christmas parade on Saturday which left a 5-year-old boy dead.
The accident involved a parade float and 5-year-old Ameer Frazier, who was being dropped off in the Red Ceder Elementary School parking lot, according to Bluffton Police Captain Joe Babiewicz.
Frazier was taken to the hospital after the parade, where he died. Police are speaking with witnesses to find out how the crash happened. At this point, no charges are expected to be filed.
“Our thoughts and prayers go out to the family of Ameer and to those who witnessed the accident. This is an accident that can only be described as tragic and unimaginable,” Bluffton Police Chief Chris Chapmond said.
The Beaufort County School District will also have additional counselors at a number of Bluffton schools to assist students and staff.
Read the original version of this article at live5news.com.


| int channel; |
Channel number being processed, zero indicates data is from a mono radar, a value of (1) indicates channel A, and value of (2) indicates channel B. |
| int offset; |
Offset between channels for a stereo radar. |
| int cp; |
Control program Identifier number. |
| int xcf; |
XCF flag. |
| int tfreq; |
Transmitted frequency. |
| int noise; |
Noise calculated from clear frequency search. |
| int nrang; |
Number of ranges. |
| int smsep; |
Sample separation (microseconds). |
| int nave; |
Number of pulse sequences transmitted. |
| int mplgs; |
Number of lags in ACF. |
| int mppul; |
Number of pulses in sequence. |
| int txpl; |
Transmit pulse length (microseconds). |
| int lagfr; |
Lag to first range (microseconds). |
| int mppul; |
Number of pulses in sequence. |
| int bmnum; |
Beam number. |
| int lag[LAG_SIZE][2]; |
Lag table. |
| int pulse[PULSE_SIZE]; |
Pulse table. |
| int pwr0[MAX_RANGE]; |
Lag-zero powers. |
| double interfer[3]; |
the x, y, z position of the interferometer array with respect to the main array. The values are given in meters. X is in the direction parallel to the main array, with +X being to the right looking along the boresite. Y is in the boresite direction, with +Y in front of the array. Z is the vertical displacement, with +Z being up. |
| double bmsep; |
Beam separation angle. |
| double phidiff; |
Sign of the phase shift of the interferometer array (+1 indicates the inteferometer is in front of the main array). |
| double tdiff; |
Time delay in microseconds of the signal from the interferometer array and the main array. |
| double vdir; |
Definition of velocity direction. (+1.0 is normal, -1.0 indicates that the I & Q inputs to the receiver are reversed). |


Honolulu mayor signs bill to extend beach lifeguard hours
HONOLULU (AP) - Honolulu Mayor Kirk Caldwell has signed a bill extending lifeguard service hours from dawn to sundown.
Caldwell signed the measure into law Thursday with the new hours expected to begin July 1, 2021.
Officials say current lifeguard hours at most beaches are from 9 a.m. until 5:30 p.m.
Honolulu Ocean Safety and Lifeguard Services oversees 200 miles (322 kilometers) of coastline extending up to 1 mile (1.6 kilometers) offshore at more than 70 beach parks.
The text of the bill introduced by Councilor Kymberly Pine notes increased demand for lifeguard services due to increasing use of Oahu’s beaches by residents and visitors.
The city recorded more than 22.5 million visits to beach parks, more than 1 million preventative actions, nearly 105,000 first-aid actions, and more than 2,100 rescues in 2018.
Copyright 2019 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.


Drop files anywhere...


Before Change
from os import path
from io import open // for Python 2 and 3 compatibility
exec(open(path.join("pyod", "version.py")).read())
this_directory = path.abspath(path.dirname(__file__))
def readme():
with open(path.join(this_directory, "README.rst"), encoding="utf-8") as f:
After Change
// get __version__ from _version.py
ver_file = path.join("pyod", "version.py")
with open(ver_file) as f:
exec(f.read())
this_directory = path.abspath(path.dirname(__file__))
def readme():


@@include('./includes/side-nav.html', { "active": "get-started" })
Mapzen Styleguide makes it easy for us to create right-looking websites that
work well across platforms and into the future. If you’re publishing Mapzen
stuff, the guide is for you.
Batteries included:
- Basic page structure with standard linked CSS and Javascript resources.
- Sample UI components like navigation, social buttons, search boxes, and pagination that can be combined to make new kinds of pages.
- Complete sample pages like blog posts and developer documentation showing how all the pieces fit together.
Get Started
@@include('./get-started/index.html')


Scottish Fairy and Folk Tales, by George Douglas, [1901], at sacred-texts.com
THOU'RT lessened by that, said the Wren, when he dipped his beak in the sea.


Below is a list of projects that I have worked on (abandoned or otherwise). Umbrella projects will have a similar look, as they will also list sub-projects.


Blackbelt Process Automation
Bing Wang
@twtinc
More Than a Hammer: Tool Choices
- Workflow Rule
- Apex
- Process Builder/Visual Flow
Process Builder and What Makes It Cool
- Extensibility
- Reusability
- Ease of Update
Using Quick Actions
Build once, use at many places
Preparation: Creating An Invocable Process
Use Invocable Process as Action
Launching a Flow
Active, autolaunched flows
Preparation: Creating An Invocable Apex Method
Note: Invocable methods are also accessible via Salesforce REST API


Home
16ft
20ft
Gallery
Contact
Home
16ft
20ft
Gallery
Another gallery
Contact
Customized car
Space gallery
Camping car
Bouldering wall


Are you hopelessy indecisive when it comes to choosing what to eat? What to watch on Netflix? What game to play, or book to read? If you can't make up your mind, and want The Fates to decide for you, Game-Plan is a web application that will randomly select one of your options for you.
Enter your options in the input fields below, press the button, and wait for your results!
Once you have entered all your options, click below to reveal the answer...
Your fate has been choosen. Hit the button below to try again.


|
| def | __init__ (self, finger_type, time_step=0.004, enable_visualization=False) |
| | Constructor, initializes the physical world we will work in. More...
|
| |
| def | Action (self, torque=None, position=None) |
| | Fill in the fields of the action structure. More...
|
| |
|
def | get_observation (self, t) |
| |
|
def | append_desired_action (self, action) |
| |
| def | get_desired_action (self, t) |
| | Get the desired action of time step 't'. More...
|
| |
| def | get_applied_action (self, t) |
| | Get the actually applied action of time step 't'. More...
|
| |
| def | get_timestamp_ms (self, t) |
| | Get timestamp of time step 't'. More...
|
| |
| def | get_current_timeindex (self) |
| | Get the current time index.  More...
|
| |
| def | _set_desired_action (self, desired_action) |
| | Set the given action after performing safety checks. More...
|
| |
|
def | _step_simulation (self) |
| | Step the simulation to go to the next world state.
|
| |
| def | _disconnect_from_pybullet (self) |
| | Disconnect from the simulation. More...
|
| |
|
def | __set_pybullet_motor_torques (self, motor_torques) |
| |
|
def | __safety_check_torques (self, desired_torques) |
| |
|
def | __compute_pd_control_torques (self, joint_positions, kp=None, kd=None) |
| |
|
def | __validate_time_index (self, t) |
| | Raise error if t does not match with self._t.
|
| |
|
def | __create_link_lists (self) |
| | Initialize lists of link/joint names depending on which robot is used.
|
| |
|
def | __setup_pybullet_simulation (self) |
| |
|
def | __set_pybullet_params (self) |
| |
|
def | __disable_pybullet_velocity_control (self) |
| |
|
def | __set_urdf_path (self) |
| | Sets the paths for the URDFs to use depending upon the finger type.
|
| |
|
def | __load_robot_urdf (self) |
| | Load the single/trifinger model from the corresponding urdf.
|
| |
| def | __load_stage (self, high_border=True) |
| | Create the stage (table and boundary).  More...
|
| |
◆ __init__()
| def trifinger_simulation.sim_finger.SimFinger.__init__ |
( |
|
self, |
|
|
|
finger_type, |
|
|
|
time_step = 0.004 , |
|
|
|
enable_visualization = False |
|
) |
| |
Constructor, initializes the physical world we will work in.
- Parameters
-
| finger_type | Name of the finger type. Use :meth:get_valid_finger_types to get a list of all supported |
| types. | |
| time_step | Time (in seconds) between two simulation steps. Don't set this to be larger than 1/60. The gains etc. are set according to a time_step of 0.004 s. |
| enable_visualization | Set this to 'True' for a GUI interface to the simulation. |
◆ __del__()
| def trifinger_simulation.sim_finger.SimFinger.__del__ |
( |
|
self | ) |
|
◆ __load_stage()
| def trifinger_simulation.sim_finger.SimFinger.__load_stage |
( |
|
self, |
|
|
|
high_border = True |
|
) |
| |
|
private |
Create the stage (table and boundary).
- Parameters
-
| high_border | Only used for the TriFinger. If set to False, the old, low boundary will be loaded instead of the high one. |
◆ _disconnect_from_pybullet()
| def trifinger_simulation.sim_finger.SimFinger._disconnect_from_pybullet |
( |
|
self | ) |
|
|
private |
Disconnect from the simulation.
Disconnects from the simulation and sets simulation to disabled to avoid any further function calls to it.
◆ _get_latest_observation()
| def trifinger_simulation.sim_finger.SimFinger._get_latest_observation |
( |
|
self | ) |
|
|
private |
Get observation of the current state.
- Returns
-
observation the joint positions, velocities, and torques of the joints.
◆ _set_desired_action()
| def trifinger_simulation.sim_finger.SimFinger._set_desired_action |
( |
|
self, |
|
|
|
desired_action |
|
) |
| |
|
private |
Set the given action after performing safety checks.
- Parameters
-
| desired_action | Joint positions or torques or both |
- Returns
-
applied_action The action that is actually applied after performing the safety checks.
◆ Action()
| def trifinger_simulation.sim_finger.SimFinger.Action |
( |
|
self, |
|
|
|
torque = None , |
|
|
|
position = None |
|
) |
| |
Fill in the fields of the action structure.
This is a factory go create an :class:~trifinger_simulation.action.Action
instance with proper default values, depending on the finger type.
- Parameters
-
| torque | Torques to apply to the joints. Defaults to |
| zero. | |
| position | Angular target positions for the joints. If set to NaN for a joint, no position control is run for this joint. Defaults to all NaN. |
- Returns
- ~action.Action: the action to be applied to the motors
◆ get_applied_action()
| def trifinger_simulation.sim_finger.SimFinger.get_applied_action |
( |
|
self, |
|
|
|
t |
|
) |
| |
Get the actually applied action of time step 't'.
The actually applied action can differ from the desired one, e.g. because the position controller affects the torque command or because too big torques are clamped to the limits.
- Parameters
-
| t | Index of the time step. The only valid value is the index of the current step (return value of the last call of :meth:~append_desired_action ). |
- Returns
- The applied action of time step t.
- Exceptions
-
| ValueError | If invalid time index t is passed. |
◆ get_current_timeindex()
| def trifinger_simulation.sim_finger.SimFinger.get_current_timeindex |
( |
|
self | ) |
|
Get the current time index.
◆ get_desired_action()
| def trifinger_simulation.sim_finger.SimFinger.get_desired_action |
( |
|
self, |
|
|
|
t |
|
) |
| |
Get the desired action of time step 't'.
- Parameters
-
| t | Index of the time step. The only valid value is the index of the current step (return value of the last call of :meth:~append_desired_action ). |
- Returns
- The desired action of time step t.
- Exceptions
-
| ValueError | If invalid time index t is passed. |
◆ get_timestamp_ms()
| def trifinger_simulation.sim_finger.SimFinger.get_timestamp_ms |
( |
|
self, |
|
|
|
t |
|
) |
| |
Get timestamp of time step 't'.
- Parameters
-
| t | Index of the time step. The only valid value is the index of the current step (return value of the last call of :meth:~append_desired_action ). |
- Returns
- Timestamp in milliseconds. The timestamp starts at zero when initializing and is increased with every simulation step according to the configured time step.
- Exceptions
-
| ValueError | If invalid time index t is passed. |
◆ __applied_torque
| trifinger_simulation.sim_finger.SimFinger.__applied_torque |
|
private |
Replace NaN entries in gains with values from defaults.
◆ finger_type
| trifinger_simulation.sim_finger.SimFinger.finger_type |
Name of the finger type.
Use
The documentation for this class was generated from the following file:
- python/trifinger_simulation/sim_finger.py


Subpart 37.1—Service Contracts—General
37.103 Contracting officer responsibility.
37.104 Personal services contracts.
37.105 Competition in service contracting.
37.106 Funding and term of service contracts.
37.107 Service Contract Labor Standards.
37.108 Small business Certificate of Competency.
37.109 Services of quasi-military armed forces.
37.110 Solicitation provisions and contract clauses.
37.112 Government use of private sector temporaries.
37.113 Severance payments to foreign nationals.
37.113-1 Waiver of cost allowability limitations.
37.113-2 Solicitation provision and contract clause.
37.114 Special acquisition requirements.
37.115 Uncompensated overtime.
37.115-3 Solicitation provision.
37.116 Accepting and Dispensing of $1 Coin.
37.116-1 Presidential $1 Coin Act of 2005.
Subpart 37.2—Advisory and Assistance Services
37.204 Guidelines for determining availability of personnel.
37.205 Contracting officer responsibilities.
Subpart 37.3—Dismantling, Demolition, or Removal of Improvements
37.302 Bonds or other security.
Subpart 37.4—Nonpersonal Health Care Services
37.402 Contracting officer responsibilities.
Subpart 37.5—Management Oversight of Service Contracts
37.503 Agency-head responsibilities.
37.504 Contracting officials’ responsibilities.
Subpart 37.6—Performance-Based Acquisition
37.602 Performance work statement.
37.604 Quality assurance surveillance plans.


LETHAL WEAPON A Film Review Copyright Dragan Antulov 2000
The author of this review didn't need advice of Wes Craven to build opinion about movie sequels. Together with remakes, now extremely popular among big studio executives, sequels represent the embodiment of Hollywood's creative bankruptcy. I became aware of that almost decade and half ago, when the inevitable comparisons between sequels and original films began giving disappointing results. To make thing even worse, bad quality of sequels even managed to change the initial good impressions of originals. Such thing almost happened to LETHAL WEAPON, one of the most successful movie franchises in modern Hollywood. The slide of quality in sequels wasn't that severe, but the change of character was. While the last film in the series represents one of the purest examples of action comedy genre and "high concept", the 1987 original, directed by Richard Donner, was made as deadly serious police film.
The plot, based on the screenplay by Shane Black, is set in Los Angeles during Christmas. Roger Murtaugh (played by Danny Glover) is black LAPD homicide detective who has just turned 50 and has every reason to be proud of his life achievements - perfect service record, nice family and suburban home that is embodiment of American dream. Martin Riggs (played by Mel Gibson) is white LAPD narcotics detective who became expert in marksmanship and martial arts while serving in Special Forces during Vietnam War; recent death of beloved wife, on the other hand, made him emotionally unstable and nearly suicidal so nobody wants to work with him. Murtaugh reluctantly becomes his partner and two policemen, who don't have anything in common except Vietnam War record, starts investigating suicide of high-class prostitute. The case stops being routine when it turns out that the prostitute happened to be daughter of Michael Hunsaker (played by Tom Atkins), rich banker and Murtaugh's war buddy. Hunsaker hints that his daughter's was actually murdered in order to stop him from spilling beans about large and sinister conspiracy.  Murtaugh and Riggs continue with the investigation that would lead them towards "Shadow Company", group of former CIA agents and mercenaries led by General McAllister (played by Mitchell Ryan). In the meantime, Riggs himself becomes assassin's target and Murtaugh's daughter Rianne (played by Traci Wolfe) gets kidnapped.
First viewing of LETHAL WEAPON was more than pleasant surprise to me. On the surface, the script contains enough cliches to make this film indistinguishable from multitude of 1980s action romps featuring Vietnam veterans and their deadly skills being used on hordes of evil drug dealers in three-piece suits. But LETHAL WEAPON looks different from an average film of such kind, thanks to the very good direction by Richard Donner. This director never belonged to the major league of Hollywood filmmakers, but his reputation of reliable craftsman is well deserved, since he always succeeds in turning his mega-budgets into pleasant viewing experiences. In case of LETHAL WEAPON, big budget became evident in a series of elaborate and spectacular action scenes (stuntman died during filming one of them). But the spectacle comes second to the well-created atmosphere of the film and Donner's clever use of sharp contrasts - Murtaugh's suburban idyll vs. Riggs' living in cheap trailer, glamorous lifestyle vs. corruption and depravity. But the sharpest contrast is provided by combined forces of Eric Clapton and Michael Kamen whose musical score confronts spirit of Christmas with atmosphere filled with loneliness, tragedy and death.
Actually, action scenes, no matter how spectacular they are, come second to the atmosphere of the film. But the most memorable things about LETHAL WEAPON are its two leading characters. What differentiates remarkable action films from simple action films are the protagonists we care for, and Shane Black did wonderful job in providing that by writing Murtaugh and Riggs. Actors playing them did even more remarkable job. Danny Glover is simply excellent as policeman who embodies American middle-class ideals - successful career, material wealth, loving family - and his insistence on police procedure and reluctance to shoot first and ask questions later - qualities usually associated with hero's monkey-wrenching superior in average police movies - become quite understandable. But Murtaugh hides skeletons in his closet - his painful and (presumably violent) Vietnam past is well hidden from his family, and when his family becomes endangered Murtaugh gets as irrational as Riggs. Mel Gibson, on the other hand, embraced Riggs as opportunity to play character very different from the one that made him famous in MAD MAX series. Unlike the deadly but cool Road Warrior, Riggs is initially presented as "damaged goods" and he stays that way until the last shot. We are glad that the person with such skills is employed on the side of Good, but few of us would like to be in his company. The scenes that feature Riggs' outbursts have intensity rarely matched in the history of cinema. Both Glover and Gibson employ a lot of talent in order to slowly build tolerance and later the bond between those two almost irreconcilable personalities. All other actors were shadowed by such great performances, although some, like Traci Wolfe as Murtaugh's daughter with teenage crush on Riggs, underlines humanity of lead characters.
Unfortunately, the film loses its momentum in the second half, when character exposition gives way for action and all cliches associated with it. In many ways, those actions scenes, although well-done, are implausible (Murtaugh and Riggs, no matter how insane they are, would hardly go after whole army of vicious killers without back-up) or even predictable (dreadful final showdown between Riggs and chief assassin played by Gary Busey). Some critics would frown upon the such first class characters being used in third grade plot that deals with government agents going bad and using covert ops for selfish and nefarious purposes - something that became action movie cliche by itself in late 1980s. Such plots, inspired by Iran-Contra scandal and all conspiracy theories that followed it, could, unfortunately, be inspired by some world conflicts that are actual today and where the line between political intrigue, military operation and organised crime is always blurred (as the career of recently deceased Serb paramilitary leader Arkan clearly shows).
Despite being associated with uninspired sequels and cliched one-liner about old age and certain bodily function (actually borrowed by Friedkin's TO LIVE AND DIE IN L.A. shot two years earlier), LETHAL WEAPON remains one of those rare 1980s action films that passed the test of time.
RATING: 7/10 (+++)
Review written on January 17th 2000
Dragan Antulov a.k.a. Drax Fido: 2:381/100 E-mail<EMAIL_ADDRESS>E-mail<EMAIL_ADDRESS>E-mail<EMAIL_ADDRESS>Filmske recenzije na hrvatskom/Movie Reviews in Croatian http://film.purger.com
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
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Broken URLs inthe reviews are the responsibility of the author.
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to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


new Shape()
Creates an instance of SVG Shape.
Properties:
| Name | Type | Description |
|---|---|---|
isEditable |
boolean | Whether the shape editable or not. |
Methods
editable(options) → {SVG.Shape}
Makes the Shape editable and set custom options. Options can be changed further by calling this function again.
Parameters:
| Name | Type | Default | Description |
|---|---|---|---|
options |
object | {} | Overwrite the default edit shape option. See SVG.options.editable. |
Returns:
The shape instance.
- Type
- SVG.Shape
move(x, y) → {SVG.Shape}
Move a shape.
Parameters:
| Name | Type | Description |
|---|---|---|
x |
number | The abscissa of the Shape. |
y |
number | The ordinate of the Shape. |
Returns:
The shape instance.
- Type
- SVG.Shape
place(left, top, right, bottom) → {SVG.Shape}
Move and/or resize a Shape by updating its edges coordinates. If an edge coordonate is set to null, its position won't be updated.
Parameters:
| Name | Type | Description |
|---|---|---|
left |
number | The abscissa of the left egde. |
top |
number | The ordinate of the top edge. |
right |
number | The abscissa of the right edge. |
bottom |
number | The ordinate of the bottom edge. |
Returns:
The shape instance.
- Type
- SVG.Shape
size(width, height) → {SVG.Shape}
Change the size of a shape.
Parameters:
| Name | Type | Description |
|---|---|---|
width |
number | The width of the Shape. |
height |
number | The height of the Shape. |
Returns:
The shape instance.
- Type
- SVG.Shape
Events
deselectSVGShape
This event is fire when a SVG Shape is deselected.
Parameters:
| Name | Type | Description |
|---|---|---|
shape |
SVG.Shape | The deselected SVG Shape. |
moveSVGShape
This event is fire when a SVG Shape is moving.
Parameters:
| Name | Type | Description |
|---|---|---|
shape |
SVG.Shape | The moved Shape. |
selection |
object | The selection SVG groupe node. |
deltaX |
number | The abscissa displacement offset. |
deltaY |
number | The ordinate displacement offset. |
scale |
float | The scale factor. |
resizeSVGShape
This event is fire when a SVG Shape is resizing.
Parameters:
| Name | Type | Description |
|---|---|---|
shape |
SVG.Shape | The Shape resized. |
selection |
object | The selection SVG groupe node. |
type |
string | The type of resizing. Can be 'top', 'bottom', 'left', 'right', 'topLeft', 'topRight', 'bottomLeft' or 'bottomRight'. |
deltaX |
number | The abscissa displacement offset. |
deltaY |
number | The ordinate displacement offset. |
scale |
float | The scale factor. |
Example
observer.on("resizeSVGShape", function(shape, selection, type, deltaX, deltaY, scale) {
...
});
rotateSVGShape
This event is fire when a SVG Shape is rotate.
Parameters:
| Name | Type | Description |
|---|---|---|
shape |
SVG.Shape | The rotated Shape. |
selection |
object | The selection SVG groupe node. |
deltaX |
number | The abscissa displacement offset. |
deltaY |
number | The ordinate displacement offset. |
scale |
float | The scale factor. |
selectSVGShape
This event is fire when a SVG Shape is selected by a mouse click.
Parameters:
| Name | Type | Description |
|---|---|---|
shape |
SVG.Shape | The selected SVG Shape. |
SVGShapeResized
This event is fire when a SVG Shape is resized.
Event is sent event if the user don"t release the mouse button.
Parameters:
| Name | Type | Description |
|---|---|---|
shape |
SVG.Shape | The resized Shape. |