By Jay Salvat
Downloads, examples and documentation at http://markitup.jaysalvat.com.
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Welcome on markItUp!

markItUp! is a JavaScript plugin built on the jQuery library. It allows you to turn any textarea into a markup editor. Html, Textile, Wiki Syntax, Markdown, BBcode or even your own markup system can be easily implemented.

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[dscrdeql] <Jellysmash> no way essendon can come back from so far behind now
[dscrdeql] <Jellysmash> richmond just too good
GatewayBOT17-Aug-18 11:47 AM
[dscrdeql] <boaler> @Jellysmash hi, i do not understand.
[dscrdeql] <Jellysmash> are you a supporter of Essendon
[dscrdeql] <Jellysmash> looks like Essendon have come back again a bit towards end of 3rd quarter
[dscrdeql] <Jellysmash> they might still have a chance to win
[dscrdeql] <Jellysmash> But Richmond just seem to be all over them
[dscrdeql] <x2maano>
GatewayBOT17-Aug-18 12:14 PM
[dscrdeql] <akomismo> Good eve all guys
[dscrdeql] <Jellysmash> hi there @akomismo
[dscrdeql] <Jellysmash> how's it going?
[dscrdeql] <Jellysmash> I'm sittign next to the heater here
[dscrdeql] <Jellysmash> good way to stay warm
[dscrdeql] <Jellysmash> freezing outside
[dscrdeql] <Jellysmash> cold riding home from work as well
[dscrdeql] <akomismo> @jellysmash im busy now at work
[dscrdeql] <akomismo> Im tired
[dscrdeql] <Jellysmash> hummmm
[dscrdeql] <Jellysmash> I finished work a few hoursr ago
[dscrdeql] <Jellysmash> friday night
[dscrdeql] <Jellysmash> just finished watching the footy
[dscrdeql] <Jellysmash> at Least you can start into friday night mental mode
[dscrdeql] <Jellysmash> to wind down for the weekend
[dscrdeql] <Jellysmash> Not much happening with the EQLI price today on exrates
[dscrdeql] <Jellysmash> fairly static movement
[dscrdeql] <Jellysmash> as in ...not much movement
[dscrdeql] <miles> Morning!
[dscrdeql] <miles> Afternoon
[dscrdeql] <miles> Evening
[dscrdeql] <miles> vaguely remember @Biomech-Founder saying a while back that there was some discussions with xrates for them to reduce the withdrawal fee for EQLI - or was i imaging that ?
[dscrdeql] <ghost> Afternoon
Evening
[dscrdeql] <ghost> enough coffee
[dscrdeql] <Jellysmash> I think I seen a ghost
[dscrdeql] <Jellysmash>
[dscrdeql] <Jellysmash> I did
[dscrdeql] <Jellysmash> haha...never gets tired
[dscrdeql] <Jellysmash> @miles the withdrawal fee from exrates is very high
[dscrdeql] <Jellysmash> I thought there must have been some mistake on my first withdrawal cause it was so high
[dscrdeql] <Jellysmash> they do withdrawals manually though
[dscrdeql] <Jellysmash> I think I read somewhere that theywill automate it eventually
[dscrdeql] <Jellysmash> but since it's manual, it can take them a while to do it
[dscrdeql] <Jellysmash> hence I've had to wait up to a day a couple of times now for withdrawal to reach my wallet
[dscrdeql] <Jellysmash> I didn't realise that one of the founders was going to have a word to them about that fee being so high
[dscrdeql] <Jellysmash> If it's an automated system then there'd be no reason for it to be high at all
[dscrdeql] <AndronicusBass-Founder> @miles are you a story book writer?
[dscrdeql] <Jellysmash> lol...do you mean me?
[dscrdeql] <miles> yeah - i write fanstasy
[dscrdeql] <Jellysmash> it makes a big difference when I'm on a keyboard
[dscrdeql] <Jellysmash> whoa ...nice @miles
[dscrdeql] <Jellysmash> didn't realise you're a writer
[dscrdeql] <miles> i'm not
[dscrdeql] <Jellysmash> have you thought about writing about Equaliser?
[dscrdeql] <miles> just messing
[dscrdeql] <miles> i am fantasising about lower withdrawal fees
[dscrdeql] <Jellysmash> lmao..
[dscrdeql] <miles>
[dscrdeql] <Jellysmash> had to laugh
[dscrdeql] <Jellysmash> yea, they're pretty hgih
[dscrdeql] <miles> its the only way!!
[dscrdeql] <Jellysmash> yep, since only exchange at the momment you can trade EQLI
[dscrdeql] <Jellysmash> Hopefully that'll change over time
[dscrdeql] <Jellysmash> I saw that Tweet about binance and who they list or do not list
[dscrdeql] <Jellysmash> pretty funny
[dscrdeql] <Jellysmash> huh...levelled up
[dscrdeql] <Jellysmash> noice
[dscrdeql] <miles> L9 - nice on
[dscrdeql] <miles> friday night treat in Aus!! let the weekend start
[dscrdeql] <boaler> congrats for level up
[dscrdeql] <boaler> may i have time to do that also faster.
[dscrdeql] <boaler> but iam not sure if i should do that. if iam again level 10 ...reset again?
[dscrdeql] <Jellysmash> I don't think they 'd keep resetting all the time
[dscrdeql] <miles> did i see something about rains when so many people reach level 5 and level 15?\
[dscrdeql] <miles> assume that means there wont be a reset anytime soon again!!
[dscrdeql] <miles> @AndronicusBass-Founder question about buying houses with EQLI when you get to that point - how will the price be set in terms pegging amount of EQLI to local equivalent FIAT ? Or is tor is that not the way it will work?
[dscrdeql] <miles> just curious to know how you can deal with mad crypto and fiat currency fluctuations going on in the world at the moment
GatewayBOT17-Aug-18 12:59 PM
[dscrdeql] <Combot Wombot> hello everybody
[dscrdeql] <SwimedDragon> Hey Wombot Combot
[dscrdeql] <SwimedDragon>
[dscrdeql] <AndronicusBass-Founder> Eqli won't be pegged to anything
[dscrdeql] <miles> how would determine the price of a house ?
[dscrdeql] <miles> sorry, how would you
[dscrdeql] <AndronicusBass-Founder> Price of a home is where you want it built and price of local materials. Size of build and options required.
[dscrdeql] <miles> ok - so if i understand, so - although not pegged - it will be aligned to local FIAT costs at the time ? And the amount of EQLI set accoddingly?
[dscrdeql] <AndronicusBass-Founder> Both parties agree on the same amount of eqli to build.
[dscrdeql] <miles> understood - and can that house only ever be sold via EQLI because the title is on the chain?
[dscrdeql] <adriana> morning
[dscrdeql] <miles> morning adriana
[dscrdeql] <AndronicusBass-Founder> The evidence of ownership
[dscrdeql] <Matador> hey ya
[dscrdeql] <Matador> when will the invite bounty ends?
[dscrdeql] <dimple018> hello
GatewayBOT17-Aug-18 01:34 PM
[dscrdeql] <miles> got it - thanks @AndronicusBass-Founder
[dscrdeql] <Combat Wombat> @Matador bounty ends on October 10th(edited)
[dscrdeql] <Combat Wombat> wombat is back
[dscrdeql] <ghost>
[dscrdeql] <Combat Wombat> now i gotta do double check
[dscrdeql] <Combat Wombat> haha
[dscrdeql] <Combat Wombat>
[dscrdeql] <Combat Wombat> ended 2 days ago i didn't even realize what i said


The starting state of the menu will appear collapsed on smaller screens, and will appear non-collapsed on larger screens. When toggled using the button below, the menu will change.
Make sure to keep all page content within the #page-content-wrapper
. The top navbar is optional,
and just for demonstration. Just create an element with the #menu-toggle
ID which will toggle the
menu when clicked.


arcgis.features.managers module¶
Helper classes for managing feature layers and datasets. These class are not created by users directly. Instances of this class, are available as a properties of feature layers and make it easier to manage them.
AttachmentManager¶
-
class
arcgis.features.managers.
AttachmentManager
(layer)¶ Manager class for manipulating feature layer attachments. This class is not created by users directly. An instance of this class, called ‘attachments’, is available as a property of the FeatureLayer object, if the layer supports attachments. Users call methods on this ‘attachments’ object to manipulate (create, get, list, delete) attachments.
-
add
(oid, file_path)¶ Adds an attachment to a feature layer Input:
oid - string - OBJECTID value to add attachment to file_path - string - path to file- Output:
- JSON Repsonse
-
delete
(oid, attachment_id)¶ removes an attachment from a feature Input:
oid - integer or string - id of feature attachment_id - integer - id of attachment to erase- Output:
- JSON response
-
download
(oid, attachment_id, save_path=None)¶ downloads attachment and returns it’s path on disk
-
get_list
(oid)¶ returns the list of attachements for a given OBJECT ID
-
update
(oid, attachment_id, file_path)¶ updates an existing attachment with a new file Inputs:
oid - string/integer - Unique record ID attachment_id - integer - Unique attachment identifier file_path - string - path to new attachment- Output:
- JSON response
-
SyncManager¶
-
class
arcgis.features.managers.
SyncManager
(featsvc)¶ Manager class for manipulating replicas for syncing disconnected editing of feature layers. This class is not created by users directly. An instance of this class, called ‘replicas’, is available as a property of the FeatureLayerCollection object, if the layer is sync enabled / supports disconnected editing. Users call methods on this ‘replicas’ object to manipulate (create, synchronize, unregister) replicas.
-
create
(replica_name, layers, layer_queries=None, geometry_filter=None, replica_sr=None, transport_type='esriTransportTypeUrl', return_attachments=False, return_attachments_databy_url=False, async=False, attachments_sync_direction='none', sync_model='none', data_format='json', replica_options=None, wait=False, out_path=None)¶ The create operation is performed on a feature layer collection resource. This operation creates the replica between the feature dataset and a client based on a client-supplied replica definition. It requires the Sync capability. See Sync overview for more information on sync. The response for create includes replicaID, replica generation number, and data similar to the response from the feature layer collection query operation. The create operation returns a response of type esriReplicaResponseTypeData, as the response has data for the layers in the replica. If the operation is called to register existing data by using replicaOptions, the response type will be esriReplicaResponseTypeInfo, and the response will not contain data for the layers in the replica.
- Inputs:
replicaName - name of the replica layers - layers to export layerQueries - In addition to the layers and geometry parameters, the layerQueries
parameter can be used to further define what is replicated. This parameter allows you to set properties on a per layer or per table basis. Only the properties for the layers and tables that you want changed from the default are required. Example:
layerQueries = {“0”:{“queryOption”: “useFilter”, “useGeometry”: true, “where”: “requires_inspection = Yes”}}- geometryFilter - Geospatial filter applied to the replica to
- parse down data output.
- returnAttachments - If true, attachments are added to the replica and returned in the
- response. Otherwise, attachments are not included.
- returnAttachmentDatabyURL - If true, a reference to a URL will be provided for each
- attachment returned from createReplica. Otherwise, attachments are embedded in the response.
replicaSR - the spatial reference of the replica geometry. transportType - The transportType represents the response format. If the
transportType is esriTransportTypeUrl, the JSON response is contained in a file, and the URL link to the file is returned. Otherwise, the JSON object is returned directly. The default is esriTransportTypeUrl. If async is true, the results will always be returned as if transportType is esriTransportTypeUrl. If dataFormat is sqlite, the transportFormat will always be esriTransportTypeUrl regardless of how the parameter is set. Values: esriTransportTypeUrl | esriTransportTypeEmbedded- returnAttachments - If true, attachments are added to the replica and returned in
- the response. Otherwise, attachments are not included. The default is false. This parameter is only applicable if the feature service has attachments.
- returnAttachmentsDatabyURL - If true, a reference to a URL will be provided for
- each attachment returned from createReplica. Otherwise, attachments are embedded in the response. The default is true. This parameter is only applicable if the feature service has attachments and if returnAttachments is true.
- attachmentsSyncDirection - Client can specify the attachmentsSyncDirection when
- creating a replica. AttachmentsSyncDirection is currently a createReplica property and cannot be overridden during sync. Values: none, upload, bidirectional
- async - If true, the request is processed as an asynchronous job, and a URL is
- returned that a client can visit to check the status of the job. See the topic on asynchronous usage for more information. The default is false.
- syncModel - Client can specify the attachmentsSyncDirection when creating a replica.
- AttachmentsSyncDirection is currently a createReplica property and cannot be overridden during sync.
- dataFormat - The format of the replica geodatabase returned in the response. The
- default is json. Values: filegdb, json, sqlite, shapefile
- replicaOptions - This parameter instructs the createReplica operation to create a
- new replica based on an existing replica definition (refReplicaId). It can be used to specify parameters for registration of existing data for sync. The operation will create a replica but will not return data. The responseType returned in the createReplica response will be esriReplicaResponseTypeInfo.
wait - if async, wait to pause the process until the async operation is completed. out_path - folder path to save the file
-
get
(replica_id)¶ returns replica metadata for a specific replica. Inputs:
- replica_id - The replicaID returned by the feature service
- when the replica was created.
-
get_list
()¶ returns all the replicas for the feature layer collection
-
synchronize
(replica_id, transport_type='esriTransportTypeUrl', replica_server_gen=None, return_ids_for_adds=False, edits=None, return_attachment_databy_url=False, async=False, sync_direction='snapshot', sync_layers='perReplica', edits_upload_id=None, edits_upload_format=None, data_format='json', rollback_on_failure=True)¶ synchronizes replica with feature layer collection http://resources.arcgis.com/en/help/arcgis-rest-api/index.html#//02r3000000vv000000
-
unregister
(replica_id)¶ unregisters a replica from a feature layer collection Inputs:
- replica_id - The replicaID returned by the feature service
- when the replica was created.
-
FeatureLayerCollectionManager¶
-
class
arcgis.features.managers.
FeatureLayerCollectionManager
(url, gis=None, fs=None)¶ Allows updating the definition (if access permits) of a feature layer collection. This class is not created by users directly. An instance of this class, called ‘manager’, is available as a property of the FeatureLayerCollection object.
Users call methods on this ‘manager’ object to manage the feature layer collection.
-
add_to_definition
(json_dict)¶ The add_to_definition operation supports adding a definition property to a hosted feature layer collection service. The result of this operation is a response indicating success or failure with error code and description.
This function will allow users to change add additional values to an already published service.
- Input:
- json_dict - part to add to host service. The part format can
- be derived from the properties property. For layer level modifications, run updates on each individual feature service layer object.
- Output:
- JSON message as dictionary
-
delete_from_definition
(json_dict)¶ The delete_from_definition operation supports deleting a definition property from a hosted feature layer collection service. The result of this operation is a response indicating success or failure with error code and description. See http://resources.arcgis.com/en/help/arcgis-rest-api/index.html#/Delete_From_Definition_Feature_Service/02r30000021w000000/ # noqa for additional information on this function. Input:
- json_dict - part to add to host service. The part format can
- be derived from the properties property. For layer level modifications, run updates on each individual feature service layer object. Only include the items you want to remove from the FeatureService or layer.
- Output:
- JSON Message as dictionary
-
fromitem
(item)¶
-
properties
¶ The properties of this object
-
refresh
()¶ refreshes a feature layer collection
-
update_definition
(json_dict)¶ The update_definition operation supports updating a definition property in a hosted feature layer collection service. The result of this operation is a response indicating success or failure with error code and description.
- Input:
- json_dict - part to add to host service. The part format can
- be derived from the properties property. For layer level modifications, run updates on each individual feature service layer object.
- Output:
- JSON Message as dictionary
-
FeatureLayerManager¶
-
class
arcgis.features.managers.
FeatureLayerManager
(url, gis=None)¶ Allows updating the definition (if access permits) of a feature layer. This class is not created by users directly. An instance of this class, called ‘manager’, is available as a property of the FeatureLayer object, if the layer can be managed by the user. Users call methods on this ‘manager’ object to manage the feature layer.
-
add_to_definition
(json_dict)¶ The addToDefinition operation supports adding a definition property to a hosted feature layer. The result of this operation is a response indicating success or failure with error code and description.
This function will allow users to change add additional values to an already published service.
- Input:
- json_dict - part to add to host service. The part format can
- be derived from the asDictionary property. For layer level modifications, run updates on each individual feature service layer object.
- Output:
- JSON message as dictionary
-
delete_from_definition
(json_dict)¶ The deleteFromDefinition operation supports deleting a definition property from a hosted feature layer. The result of this operation is a response indicating success or failure with error code and description. See: http://resources.arcgis.com/en/help/arcgis-rest-api/index.html#/Delete_From_Definition_Feature_Service/02r30000021w000000/ # noqa for additional information on this function. Input:
- json_dict - part to add to host service. The part format can
- be derived from the asDictionary property. For layer level modifications, run updates on each individual feature service layer object. Only include the items you want to remove from the FeatureService or layer.
- Output:
- JSON Message as dictionary
-
fromitem
(item)¶
-
properties
¶ The properties of this object
-
refresh
()¶ refreshes a service
-
update_definition
(json_dict)¶ The updateDefinition operation supports updating a definition property in a hosted feature layer. The result of this operation is a response indicating success or failure with error code and description.
- Input:
- json_dict - part to add to host service. The part format can
- be derived from the asDictionary property. For layer level modifications, run updates on each individual feature service layer object.
- Output:
- JSON Message as dictionary
-


Here you can check your detailed states like Companies viewed my Resume, Online Application, Emailed Resume, Shortlisted Jobs etc. Beside My Stats in Edit Resume option you can find all features at a glance to add/update.
| # | Actions | |
|---|---|---|
| 1 | Companies viewed my Resume | 0 |
| 2 | Online Application | 0 |
| 3 | Emailed Resume | 0 |
| 4 | Shortlisted Jobs | 0 |
| 5 | Following Employer(s) | 0 |
| 6 | Resume last updated on | 31/1/2019 |


West Highlands 0336 500 441 Trossachs, Argyll, Lochaber, NW Highlands and SkyeScottish services include information on snow and avalanche conditions.East Highlands 0336 500 442 Grampians East of Rannoch Moor and Cairngorms
Snowdonia 0336 500 449
Calls cost 39p per minute cheap rate, 49p per minute at all other times. The Met. Office, Sutton House, London Road, Bracknell, Berks. RG12 2SY. United Kingdom. Helpline Tel. +44 (0)1344 854435


|
Misc
1.2.2
Miscellanous features and functionality not worthy of individual projects
|
A type that knows if it has ever been given a value. More...
#include <Misc/Deferred.h>
Public Member Functions | |
| Deferred ()=default | |
| Constructor. | |
| Deferred (T const &value) | |
| Constructor. More... | |
| Deferred (Deferred const &rhs)=default | |
| Copy constructor. More... | |
| Deferred & | operator= (Deferred const &rhs)=default |
| Assignment operator. More... | |
| Deferred & | operator= (T const &rhs) |
| Assignment operator. More... | |
| operator T () const | |
| Conversion operator. More... | |
| bool | deferred () const |
| Returns true if the object has ever been given a value. | |
| T | value () const |
| Returns the value (or the default value, if never given a value). | |
A type that knows if it has ever been given a value.
| T | The type of the value |
Constructor.
| value | Initialization value |
Copy constructor.
| rhs | Copied value |
| Deferred< T >::operator T | ( | ) | const |
Conversion operator.
The object is implicitly converted to its value.
Assignment operator.
| rhs | Value to assign |


The font inline is moved so it becomes a child of the h1 element.
The span inline is not moved so it becomes a child of the h1 element, which is inconsistent and does not correspond with current browser behaviour any more.


Hi
I've recently installed solar panels and wanted to read the data from the generation meter, an Elster A100C. This project uses an Arduino sending data via USB serial to a server. I hope it is of use.
http://www.rotwang.co.uk/projects/meter.html
Dave
Re: Reading IrDA data from an Elster A100C electricity meter
Thankyou for sharing this daveb, I have added a link from the community builds section
Re: Reading IrDA data from an Elster A100C electricity meter
I ported the code to run on an emonTX:
Network ID is set to 11 as I am using another emonTX for live energy monitoring.
Dave
Re: Reading IrDA data from an Elster A100C electricity meter
Does anyone know if it's possible to read kvarh measurements (i.e. reactive power) over IrDA from an Elster A102C?
Re: Reading IrDA data from an Elster A100C electricity meter
Dont know the answer im afraid, I think the only items that can be read are the ones described in the class:
char product[12]; // eg. "Elster A100C..."
char firmware[9];
unsigned char mfg_serial[3];
unsigned char config_serial[2];
char utility_serial[16];
unsigned char meter_definition[3];
unsigned char rate_1_import_kWh[5]; // the reading we are interested in!
unsigned char rate_1_reserved[5];
unsigned char rate_1_reverse_kWh[5];
unsigned char rate_2_import_kWh[5];
unsigned char rate_2_reserved_kWh[5];
unsigned char rate_2_reverse_kWh[5];
unsigned char reserved_01[1];
unsigned char status;
unsigned char error;
unsigned char anti_creep[3];
unsigned char rate_1_time[3];
unsigned char rate_2_time[3];
unsigned char power_up[3];
unsigned char power_fail[2];
unsigned char watchdog;
unsigned char reverse_warning;
unsigned char reserved_02[10];
I will send Dave Berkeley who wrote the library an email to ask.
http://www.rotwang.co.uk/projects/projects.html
Re: Reading IrDA data from an Elster A100C electricity meter
Hi Kevin
Trystan is right, the data from the meter is described by the class above, so no analysis of reactive power I'm afraid.
Re: Reading IrDA data from an Elster A100C electricity meter
Many thanks for the reply. And thanks for emailing Dave, Trystan!
Just to confirm: are you guys talking about the Elster A100C rather than the A102C? The Elster website suggests that the A102C does measure reactive power, although it doesn't specify whether that measurement is exposed on the IrDA port. I've sent several emails to Elster but they haven't replied.
Have you guys tinkered with an A102C or A220?
Re: Reading IrDA data from an Elster A100C electricity meter
Sorry, one more question: does anyone know where I can get hold of Elster's documentation for the output of their IrDA ports?
Re: Reading IrDA data from an Elster A100C electricity meter
Found this on Google www.meterspec.com/143.pdf
Re: Reading IrDA data from an Elster A100C electricity meter
Brilliant, thank you! (I clearly wasn't trying hard enough when I googled for the same info!)
I've also spoken to a very nice man at Elster.
The conclusion seems to be that yes, the A102C does spit out both kWh and kvarh readings over the IrDA port. Hurray! I'll almost certainly buy an A102C over the next few days and I'll report back.
Re: Reading IrDA data from an Elster A100C electricity meter
Humph. Turns out the A102C isn't available in the UK. The AS230 might be a possibility though...
Re: Reading IrDA data from an Elster A100C electricity meter
Hello,
I am new in arduino! I want to ask if this
http://www.ebay.com/itm/Duemilanove-USB-Board-2009-ATMega328P-PU-microco...
is the only thing I need in order to program the Arduino?
Also does the above code mentioned above, about reading from the Elster, really work?
Thnak you
Re: Reading IrDA data from an Elster A100C electricity meter
Hello, does the code work?
Also inside the article it says;
"I came across this article by Richard Gregory who built his own meter reader back in 2009.". Because the page is down, has anyone this article ?
Thanx
Re: Reading IrDA data from an Elster A100C electricity meter
I have not seen any reports saying that the code does not work, so I assume that it does.
Re: Reading IrDA data from an Elster A100C electricity meter
I just plug the Elster A100C to the electricity and it starts displaying results? Don't I need to program the device or send commands to it?
Thank you
Re: Reading IrDA data from an Elster A100C electricity meter
All I know is what you too can read. I think it is very unlikely that you will be allowed to change anything inside the meter. I do not have an Elster meter, so I cannot confirm anything about the meter.
Re: Reading IrDA data from an Elster A100C electricity meter
I have a Fronius Symo 4.5-3-M inverter, now I need a way to monitor grid meter consumption, my solar tarrif meter which is to be installed will not have monitoring/rs485 support, I have been researching ideas for IrDa monitoring, I like the solutions that you have available, just asking about RS485/ModBus support to hook into a Fronius Inverter
Is there anyway to get the data from Raspberry Pi/Ardunio to export via RS485 so I can monitor it via the Fronius Solar Web?
https://www.solarweb.com/
An example is a Fronius Smart Meter with RS485 direct connect to Fronius Symo Smart Meter providing this type of data:
https://www.solarweb.com/Home/System/20bb600e-019b-4e03-9df3-a0a900cda689
Here the feed in tarrif, energy consumption are all monitored by the Fronius Smart meter via RS485 to the Fronius Symo DataManager 2.0
Re: Reading IrDA data from an Elster A100C electricity meter
Anyone with a 3D printer going down the A100C route may be interested in this.
http://www.thingiverse.com/thing:139775
It works OK, but if bright sunlight gets on the IrDa stuff readings all go haywire. I had to add a bit of card on the back of the bracket to stop the sunlight.
Re: Reading IrDA data from an Elster A100C electricity meter
When using this code, in the serial monitor i get the correct reading from the meter. When it submits to emoncms it has three inputs, one of which is temperature and the other two are:-
629 (never changes)
-4248 (counts up toward zero when the meter increments a unit)
i have tried editing the code at https://github.com/openenergymonitor/ElsterMeterReader to send the data to my nanoderf and it does the exact same thing.
Am i missing something?
Thanks
Mike
Re: Reading IrDA data from an Elster A100C electricity meter
Here is a screenshot, really odd... i've checked and checked the code and cannot see how this is being calculated...
if anyone can help that would be great.
Mike
Re: Reading IrDA data from an Elster A100C electricity meter
Hi Mike
I've not used my library with OEM so I can't really tell. It sounds like a signed / unsigned error, or perhaps a data alignment problem or both. I always used to print the relevant numbers in hex and see if they have common parts.
Hope this helps.
Dave
Re: Reading IrDA data from an Elster A100C electricity meter
How are you submitting to emoncms? and which one? What format are you using? There's nothing in daveb's code that tells us the whole story, so you need to reveal that if anyone is to help you.
Re: Reading IrDA data from an Elster A100C electricity meter
I am using the multinode sketch from:
https://github.com/openenergymonitor/NanodeRF/tree/master/NanodeRF_multi...
I can't see anything there which would affect it, I have added a line to the data received from a node to print it to the serial console, and the data there is wrong. I would assume by this the data is being sent from the emonTx wrong.
NanodeRF serial console :
Data Rcvd: 16699
Data Rcvd: 630
Data Rcvd: 1787
Data sent: /api/post.json?apikey=<api key>&node=11&csv=16699,630,1787
OK recieved
The emontx seems to be printing the correct reading to the emontx serial console but not sending the correct info via rf as per my image above.
Thanks
Mike
Re: Reading IrDA data from an Elster A100C electricity meter
Yes we read your post the first time, there's no need to post twice.
So what about the emonTx sketch?
Re: Reading IrDA data from an Elster A100C electricity meter
The emonTx sketch is the same as the one posted by DaveLloyd in this thread.
Re: Reading IrDA data from an Elster A100C electricity meter
I think what you are seeing is a 4 byte Long (eg 41294188, the fist entry on your screenshot serial output) being passed as 2 signed integers.( eg 630*256*256 + 6508 = 41294188)
You need to change the nanode sketch to not assume all received packets consist of signed ints only at https://github.com/openenergymonitor/NanodeRF/blob/master/NanodeRF_multinode/NanodeRF_multinode.ino#L177 (that was the old standard) or you could just multiply input 2 by 65536 and add it to input 1 in emoncms to get the "correct" value.
emonHub handles Longs no problem, if you were using emonhub (for the benefit of other users) you could just define the node as
which would present the data exactly as seen in your screen print a long and an integer scaled by 2 decimal places
Paul
Re: Reading IrDA data from an Elster A100C electricity meter
Not "I think" - but definitely. The data transmitted is an unsigned long (meter), plus an int (temperature).
Re: Reading IrDA data from an Elster A100C electricity meter
thanks guys, been really helpful and knowledgeable.
I used your idea of multiplying the input in emoncms, which worked well. But i wasn't happy with that. But i don't have the know how to convert the Tx or Rx from a unsigned long to ints or vice a versa so i have dug out an RPi and put the latest emonHub image on it.
So far it's working well, the reason i went for NanodeRF over the raspberry pi, was becuase i wanted to set it up and forget it and was worried about the SD card writes. I'll give this a go now though seeing as the Nanode is pretty much discontinued now.
Many Thanks
Mike


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Opossums in Athens
You've probably seen or heard Virginia Opossums at night. They are excellent scavengers and often live near humans to take advantage of our leavings, for instance outdoor pet food bowls. You can learn more than the casual observer by clicking the buttons below...
Taxonomy
| Order |
Didelphimorphia |
| Family |
Didelphidae |
| Genus |
Didelphis |
| Species |
virginiana |
Diet
- In the wild, opossums are omnivorous and will eat anything. Carrion and persimmons are favorites. Insects, other fruits and vegetables, pet food and garbage are also consumed.
- In captivity, their main diet is composed of a mix of dry cat food, bananas, strawberries and yogurt. Nearly anything can be offered in addition.
Range and Habitat
- Originally native to the eastern United States, opossums are now found all throughout the West and up into Canada.
- In Georgia, they occur statewide.
- Opossums are cosmopolitan, and can be found in every type of habitat. From forested areas, to mountains, in swamps, and along costal waterways, as well urban areas.
Physical Features
- Opossums have a long snout on a big round head, with white fur on the face.
- Ears are black at the base, and pink or white at the tips.
- The body is covered in thick, but soft, gray fur. Long silver guard hairs cover the undercoat.
- The tail is long and hairless. Overall, opossums are reminiscent of oversized rats.
Life Span
- Considerably shorter than comparably sized small mammals. Opossums generally do not live longer than 2 to 4 years.
Reproduction
- Can occur anytime of the year, most commonly in the spring.
- Up to 15 young are born in a very premature state, and must crawl blindly into the pouch where they attach to a teat. At this size, they are around the size of a bean.
- After growing inside the pouch for several weeks, as the young age, they begin to ride piggy-back on their mothers’ fur. They are weaned at about 4 months of age.
Social Behavior
- Opossums are normally solitary creatures.
- Active predominantly at night, but may be seen moving around during dusk and dawn.
- Females may be found with young until they are weaned; even then some young may follow their mother for a period afterward.
- Nomadic in nature, opossums wander throughout their home ranges foraging for food.
Conservation
- A species of little conservation concern. Opossums are incredibly common, almost to the point of being considered nuisance animals in some locations.
- Formerly used as a source of meat of human consumption, but this practice has fallen out of favor.
Interpretive Information
- Opossums have a remarkable immune system. They are at least partially, if not completely, immune to venom from snakebite.
- Not very likely to carry rabies. As few as 1 in 800 opossums are affected by this disease.
- Opossums have the most teeth of any animal in North America – 52 teeth are in that tiny mouth.
Bear Hollow’s Opossums
- Two new oppossums - male and female - born Summer 2014 to be named shortly. Abandoned by mother - found and rescued.
- Past Opossums
- Daisy Mae came to the zoo in Spring 2011 in a litter of eight. Her siblings were released, but she was raised by hand by Lyndsey to be a program animal. Lyndsey had to carry her everywhere in her purse so she’s very used to being handled.
- Pogo is the opossum pictured above. He was on display prior to Daisy Mae and our current two.
Credits and References
- Photo © Wade Sheldon
- General research by Sherrie Hines


 The boys eventually get together to split the money, but as plans change, double-crosses occur, dealing and wheeling goes down and the crew set up for the road. Who's on the up and up, who's the real bad guy and who's gonna get to bang Courteney Cox are just a few of the questions which will be answered by the rest of this movie.
CRITIQUE: The funnest movie that I've seen so far this year! It's got style, it's got tough guys talkin' shite and it's got plenty of bullets to go around. A definite hunk-a-hunk-a burnin' adventure! A guy's guy movie through and through, and one that'll set your jollies to high if you dig on the rough stuff. It's not very original, it goes on for a little too long, but Costner and Russell make it happen, as two shite-kickin' Elvis lovers, who don't stop till they, more or less, drop. This movie's got some pretty intensive shoot-out scenes, one of the coolest robbery scenarios that I've ever witnessed, featuring several Elvises with guns a blazin' and the King's music playing in the background, and a decent helping of double-crosses, sharp dialogue and funny moments. In fact, even though the cast is filled with many name actors (B-actors as they might be for the most part), most of them do their bit and succeed well in passing the torch onto the next victim. But the true glue that holds this film together, other than the spirit of Elvis himself, is Costner and Russell, who play their badass characters to the T. Sure, Russell's been down this road before, but Costner surprised me with his nastiness. I guess he's pissed at all the box-office bombs that he's been in of late, but he sure played a great unstable Elvis impersonating robber here.  And smoke 'em if you got 'em, folks!
There is also this one really great show-down scene between Costner and a cop, that'll have you crackin' up and lovin' it all at the same time.  It should actually come to no surprise to anyone that the director of this movie comes from a music video background, with plenty, and I mean plenty, of camera tricks, cuts and edits, but for this kind of flick, it actually works. The film is not perfect though, it starts off with a pretty big bang, but then pulls a WAY OF THE GUN on us, and slows the pace down somewhat in the middle, while characters intermingle and disperse. I was personally kept in the game despite some soft spots, and enjoyed the overall ride for what it was as well. And did I mention that Courteney Cox looked mega-hot in the movie? No...okay, well I just did! I coulda done without her whole "romance" angle, but to be honest, it doesn't take up much of the film, which is generally covered in blood, explosions, guts and Elvis nods. Try to see how many "inside" connections to the King you can guess. Of course, it's no secret that I am quite a big Elvis fan myself so please take this whole review with that grain of salt in mind. I also like these types of "guy" movies a lot, and even though the film doesn't bring much originality to the table, it does offer a pretty coherent story, some nice twists and turns, humor and a big ol' helping of whoop-ass coming straight from Costner and Russell's respective boots. Probably not a film for everyone, but definitely for those who enjoy the guns, the charismatic bad guys and a fun, if entirely disposable, adventure. Now see how many Elvis songs I've used to pun my way through this phony review below.
THE ELVIS SONGS ALSO RECOMMEND THIS MOVIE! So whether you're lonesome tonight or any other night, remember to pack the teddy bear with bullets, leave your little sister at home, bring your bossa nova baby and rock out of that jailhouse, cause this movie ain't one to return to the sender.  And no suspicious minds either, folks, cause I got stung by this movie, I mean it really shook me up, and unless you're the devil in disguise himself, I think you won't be able to help falling in love with this lucky charm either. So don't be cruel, don't turn away, don't curl up with your latest flame tonite (whether she be a hard-headed woman or not) and surrender to the hound dog of movies that is this film. It's now or never, folks. Trust me, I did it my way and the heartbreak hotel of crappy movies that I'd seen so far this year is far behind me. JoBlo has now officially left the sanity of his mind and this building. Thank you...thank you very much!!
Where's JoBlo coming from? Get Carter (7/10) - Heat (8/10) - Honeymoon in Vegas (9/10) - Payback (8/10) - Reindeer Games (5/10) -Reservoir Dogs (9/10) - Way of the Gun (6/10)
Review Date: February 21, 2001 Director: Demian Lichtenstein Writers: Demian Lichtenstein and Richard Recco Producers: Demian Lichtenstein, Elie Samaha, Eric Manes Actors: Kevin Costner as Murphy Kurt Russell as Michael Courteney Cox as Cybil Genre: Crime Year of Release: 2001 ------------------------------------ JoBlo's Movie Emporium http://www.joblo.com/ ------------------------------------ (c) 2001 Berge Garabedian
The review above was posted to the
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Pizza is a savory dish of Italian origin consisting of a usually round, flattened base of leavened wheat-based dough topped with tomatoes, cheese, and often various other ingredients, which is then baked at a high temperature, traditionally in a wood-fired ove
Pizza is a savory dish of Italian origin consisting of a usually round, flattened base of leavened wheat-based dough topped with tomatoes, cheese, and often various other ingredients, which is then baked at a high temperature, traditionally in a wood-fired ove
| Qty | Delicacy | Size | Crust | Toppings | Total(Each) |
|---|---|---|---|---|---|
Topping Price:
Crust Price:
Thank you for your business! We have recieved your order. Total Amount Ksh.
Topping Price:
Crust Price:
,Thank you for your business! We have recieved your order and it will be delivered to you at . Total Amount Ksh.


I love playing the piano during my free time. Currently interested in in Type Theory and Theorem Provers.


title = "Новости" url = "/school/news" layout = "static-light-school" is_hidden = 0 [blogPosts] pageNumber = "{{ :page }}" categoryFilter = "school" postsPerPage = 10 noPostsMessage = "No posts found" sortOrder = "published_at desc" categoryPage = "news-school" postPage = "news-school" ==


Press
S
to start
Press
F
to log freezing
| Session information
Experimental ! - use at your own risk...
Analyze


Back to Basics: Caching
In computing, a cache (/kæʃ/ kash, or /ˈkeɪʃ/ kaysh) is a hardware or software component that stores data so that future requests for that data can be served faster.
TODO
https://twitter.com/DominikRan/status/1236996117130121217
in-process-caches (ehcache, guava, caffeine)
distributed caches (hazelcast)
near-caches
offloading/preloading
persistence
jcache
cache params, characteristics, metrics
write-through vs write-back
write-allocate vs no-write-allocate
look-a-side caching
policies: TLRU, LFRU, MRU, FIFO, LIFO, LRU, PLRU, RR, SLRU, LFUDA, LIRS, ARC, CAR, MQ, time-based
database problems
cache invalidation
common problems
simpliest cache ever
caches are everywhere (just like qs)
Senior Software Engineer @ Hazelcast
Thank You!


Click on the map to find the five nearest stations to charge your
electric vehicle. To learn more about a station's accessibility and specifications, simply click on it.
This map is linked to a Carto database found here.
CartoDB is great because it has a PostGIS API that can easily be deployed on the web!
Using SQL statements, the database is queried based on proximity to the user each time they click.


Sometimes stuff goes... wrong. Fear not, everything will be up and running shortly as our developers have had bells and alarms alert them to the situation. Might I suggest getting a coffee and then hitting the button below?


Emily Jones
I'm a passionate
graphic designer
from New York
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{% include "chat-js.html" %}
You can press Enter to submit a message or Shift+Enter to enter a newline in your message.


# This file is dual licensed under the terms of the Apache License, Version # 2.0, and the BSD License. See the LICENSE file in the root of this repository # for complete details. from __future__ import absolute_import, division, print_function __all__ = [ "__title__", "__summary__", "__uri__", "__version__", "__author__", "__email__", "__license__", "__copyright__", ] __title__ = "packaging" __summary__ = "Core utilities for Python packages" __uri__ = "https://github.com/pypa/packaging" __version__ = "16.8" __author__ = "Donald Stufft and individual contributors" __email__ =<EMAIL_ADDRESS>__license__ = "BSD or Apache License, Version 2.0" __copyright__ = "Copyright 2014-2016 %s" % __author__


PeterBraden.co.uk
Github
Resumé
orbits (game)
js raytracer
swirly red worms
Mazes and graph algorithms
Drawing with BrowserCouch
Isometric
Collaborative Evolution


Welcome to Brainiac Coding Club
What are you interested in learning?
Level of competence:
What are you willing to commit to this programme?


info
Keeping (Keyboard) Focus

To make a link to a particular element on a web page, you give the element an id, and then append that id to the url, following a #
character. skip to the important part
looks for an element with id="the-important-part"
on the current page, but you can similarly append a "hash" to any url.
But there's a problem. In some browsers, following a link with a hash scrolls the browser viewport, so the linked-to content appears right at the top of the screen… but keyboard focus doesn't come along for the ride.
This is a big deal.
a) Do you have a long list of Frequently Asked Questions, and want your users to be able to jump straight to the question that interests them?
b) Have you made a "skip link", to free people navigating with their keyboards or assistive technology (especially those with motor disabilities!) from having to tab through "the long list of navigation links, sub-lists of links, corporate icons, site searches, and other elements" that invariably precede the main content of your page… and to free them from having to repeat that exercise every single time a page on your site loads, refreshes, or runs javascript executed without accessibility in mind (more on that later…)?
c) Or perhaps you have something else in mind. Links straight to the right spot are excellent for UX.
If the browser scrolls the viewport, but doesn't set keyboard focus as well, all those people are out of luck.
Until recently, this was a problem in most every browser. In recent months and years, there have been some improvements! But unfortunately, as of 6/29/17, it sounds like there are still problems with some browsers (IE, Safari on iOS, possibly others…) For some of the sordid history, see
- http://accessibleculture.org/articles/2010/05/in-page-links/
- https://bugs.webkit.org/show_bug.cgi?id=112181
- https://bugs.webkit.org/show_bug.cgi?id=17450
Strategy
The good news: it's almost trivial to write javascript that fixes the problem.
The bad news: it's very difficult to stay up-to-date on which browsers need fixing and which don't.
More good news: you don't necessarily have to. The devs at Automattic include a focus-fixing script in every one of their Wordpress themes: https://github.com/Automattic/_s/blob/master/js/skip-link-focus-fix.js. If you find it doesn't work in a particular browser, you can file an issue, or better yet, submit a pull request! Including an up-to-date skip-link-focus-fix.js
in every web project is an excellent start.
Write Considerate Javascript, part 1
Whenever you alter the DOM with javascript, consider what its effect will be on keyboard focus.
If you remove or replace the element the user was focused on, keyboard focus will reset to the body
tag… and the user will have to start navigating again from the top of the page. This can be extremely disorienting, not to mention time-consuming and frustrating. (It's even worse than not including a skip link at the top of your page when necessary.)
And unfortunately you can't rely on the javascript libraries you include in your project to be considerate. Every interactive widget, chart, map, player, etc. might be dropping the keyboard focus, after any triggered action.
Imagine a table that can be sorted by clicking a button in the sortable column's header. Many libraries completely redraw the table when that occurs, and many don't then reset the focus. Best: set the focus back to the button the user clicked.
Imagine a table that displays data in pages, so that only 10 rows are shown at a time. Probably, the page navigation buttons are beneath the table. So, the user navigates through all the data in the first 10 rows, and then clicks the button to advance to the second set. Many libraries will drop the keyboard focus then, requiring the user to start fresh from the top of the webpage. (And that will happen repeatedly, every time they want to advance to the next set of rows.) Other libraries reset the focus back to the button that was pressed (which, recall, was desirable when we were talking about sorting columns), leaving the user at the bottom of the table, past all the information that was changed. Best: deliver the user somewhere useful, for instance at a caption above the data, and ensure the caption reports which set of rows is being viewed.
Strategy
Tab to and trigger/toggle/press every interactive element on every page. (It doesn't take as long as it sounds.)
CSS
First, make sure you can tell which element has keyboard focus at all times. This should be visually evident. If it's difficult to tell, you probaby need to tweak your css (or that of a library you are using).
Some developers/designers find :focus
styles unattractive and zero out the :focus styles provided by default by browsers. If you do, make sure you replace them with something equally visually apparent, or more so.
If you ever find yourself writing a :hover
style, make sure you add :focus
as well. For instance, a:hover, a:focus {text-decoration: underline; color: red}
Be extra careful if you are writing fancy styles, such as styles that make links look like buttons, or buttons look like links. It won't always be possible to make them look exactly the same on focus. But the important thing is simply to make sure users navigating by keyboard can visually locate the element that has keyboard focus; minor infelicities in style will certainly be forgiven!
JS
If you can't figure out where focus is, you can run a little javascript in your browser's dev tools to find out: document.activeElement
. This can be especially helpful when investigating the behavior of a JS library you are including (…and when writing up "steps to reproduce" in bug reports lol).
If you discover keyboard focus is being dropped at any point, you can fix it with a little more javascript: document.getElementById('my-element').focus()
. This will work for any element in the document's tab order: buttons, form inputs, anchor tags, and anything that's had its tabindex set to 0.
You can also set the focus to elements that don't appear in the normal tab order of a document by setting that element's tabindex to -1. That makes the element programmatically focusable, but unreachable during the normal flow.
Examples
To see working examples (and to get a more concrete idea of whentabindex="-1"
comes in handy), check out the source code for the buttons-and-links challenge. Whenever elements disappear, keyboard focus is manually set, delivering the user where they need to be next.


Open Receipt
Operator:
Password:
Type:
Standard Fiscal Receipt
Purchase Receipt
Fiscal Receipt (postponed print)
Company Name:
Company Headquarters:
Client TIN:
Client VRN:
Company Address:
Company City:
Purchase Amount:
Purchase VAT:
Detail:
Result:
None
Not Entered
Not Entered
To Fiscal Printer
To PC


--- title: Bayesian Blocks keywords: fastai sidebar: home_sidebar summary: "Partition a light curve with the Bayesian Block algorithm" description: "Partition a light curve with the Bayesian Block algorithm" nb_path: "nbs/14_bayesian.ipynb" ---
The functions implemented here are:
get_bb_partition
to perform a BB partition. It requires a "fitness" function to perform an evaluation of the
likelihoods for a set of sequential cells. There are two such, using the number of counts, and the Kerr likelihood. See the Bayesian Block reference.
CountFitness
LikelihoodFitness
, the default


{{/* This template is used to render tables of MSC proposals. It expects there to be a "proposals.json" under /data/msc. It expects "proposals.json" to contain an array of objects, one for each MSC state. Each object contains: * `title`: human-readable title for the state, like "Proposal In Review" * `label`: the GitHub label used for the state, like "proposal-in-review" * `proposals`: an array of objects, each of which represents an MSC and contains: * `number`: GitHub issue number * `url`: GitHub URL for this issue * `title`: Issue title * `created_at`: issue creation date * `updated_at`: issue last-updated date * `authors`: array of GitHub user names representing authors of this MSC * `shepherd`: GitHub user name representing the shepherd of this MSC, or null * `documentation`: Links to further documentation referenced in the GitHub issue This data is scraped from GitHub using the /scripts/proposals.js Node script. The script is run in CI: so typically if you run a local server the data will be missing and no tables will be generated. If you do want to see the tables locally, you can run the script locally: npm install npm run get-proposals If this template does find the data, it renders one table for each MSC state, containing a row for each MSC in that state. */}} {{ $states := .Site.Data.msc.proposals }} {{ range $states }}
| MSC | Title | Created at | Updated at | Docs | Author | Shepherd |
|---|---|---|---|---|---|---|
| {{ .number }} | {{ .title }} | {{ .created_at }} | {{ .updated_at }} | {{ with $docs_links }}{{ $docs_links }}{{ end }} | {{ $authors }} | {{ with .shepherd }}@{{ . }}{{ end }} |
No MSCs are currently in this state.
{{ end }} {{ end }}


Dazed, she climbs from the wreck and makes her way to a Hollywood apartment being vacated by an older woman.
 Betty finds the dark haired woman in Aunt Ruth's shower, but 'Rita' doesn't remember
who she is or why her purse is stuffed with hundred dollar bills and a blue key. The two set out to discover what led to her accident on "Mulholland Drive."
After the linear "The Straight Story," writer/director David Lynch is back in the weird world of nightmares with this cautionary tale of dashed dreams and lost love. Lynch fans should rejoice as "Mulholland Drive" is his best film since "Blue Velvet."
That film is immediately recalled with the light/dark parallels of Betty and Rita to Laura Dern and Isabella Rossellini's characters. The twist here is that we're in 'Betty's' dream, getting events filtered through her own idea of her good, talented self. 'I just came from Deep River, Ontario and now I'm in this dream place,' Betty chirps at LAX. The real woman we finally meet has a far darker soul, besmirched by her experiences in tinseltown.
One person having a torturous day in her REM state is Adam (Justin Theroux, "American Psycho"), a director with a penchant for Fellini-esque eyewear. He's being pressured by the mysterious Castigliane brothers (Dan Hedaya and composer Angelo Badalementi) to cast an unknown woman, Camille Rhodes, in his movie. After bashing their limo with a golf club, he heads home to discover his wife in bed with the pool man. He takes residence in a fleabag hotel and gets word that his bank has notified the manager that his credit's no good. Then his assistant tells him he's to meet 'The Cowboy' later that night. This Robert-Blake like character's message? When Camille auditions, he's to say 'That's the girl.'
Meanwhile, Betty's audition is so successful a visiting casting agent tries to steel her away and steer her towards Adam, but Betty, having promised
to meet Rita, with whom she's fallen in love, nervously flees. Rita thinks she might be Diane Selwyn and the two trace Diane's apartment only to find that Rita is not Diane and the dead body inside the apartment very well could be.
Trademark Lynch touches abound, from the opening car driving along a median strip on a dark road and subsequent car accident, to kitschy diners (Winkie's here, complete with ghoul in its back alley) and red draped rooms inhabited by Mr. Roque (Michael J. Anderson, "Twin Peaks'" Man From Another Place). The
Club Silencio, where all is illusion and everything's on tape (shades of "Lost
Highway"), features a singer belting out a Spanish rendition of Roy Orbison's "Crying" acappella. The industrial soundscapes and Badalementi score provide the signature Lynch sound while cinematographer Peter Deming's ("Lost Highway) camera creeps around corners towards sinister doorways and swoops into the black hole of a blue box.
Naomi Watts ably plays both the light and dark sides of a woman in love trying to survive in L.A. (her audition scene's a doozy). Harring does well playing the sympathetic mystery woman of the dream and the harder beauty of reality. Theroux adds sardonic humor. The legendary Ann Miller is Coco in both worlds. Watch for an uncreditted cameo by Lee Grant as Lorraine.
In June of 1999, Jack Nicholson was in a car accident with an initially unidentified 29 year old woman on Mulholland Drive. She turned out to be Lara Flynn Boyle, the 'good' friend of "Twin Peaks'" doomed Laura Palmer. (Jack also had a road rage incident with a golf club.) Is this what David Lynch's dreams are made of? Whatever the inspiration, "Mulholland Drive" is Lynch at the top of his game.
A
For more Reeling reviews visit www.reelingreviews.com
<EMAIL_ADDRESS><EMAIL_ADDRESS>========== X-RAMR-ID: 29798 X-Language: en X-RT-ReviewID: 254369 X-RT-TitleID: 1110157 X-RT-SourceID: 386 X-RT-AuthorID: 1487
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


You have to activate the other javascript files to test in the console!
Title
Click this button
Submit
Isao


Toontown Rose is a project that will revive the original TTO Client using nothing but OTP, The Original TTO Client and Launcher!
Toontown Rose is not ready and is still being prepared, You can keep track of the progress at our official discord server!
Our goal is to make the TTO Launcher start TTO And allow it to connect to the server, make a toon and play around with friends! Our Goal has started ever since TTO First closed and now it is time for us to make the dream come true.


These files contain quotes from TV shows. They were created for use with GUIquotes but will work with any program which supports UNIX fortune format files.
For random examples of quotes from some of these files see the Episode Guide section of this website.
To use the files with GUIquotes, first unzip them and move the text file to the quotes_program\quotes folder (directory). Then run GUIquotes and use the menu selections File -> Change Quote Files to add them to the Selected Quote Files.
| Download zip file |
TV Show | Number of Quotes | Last Updated |
|---|---|---|---|
| Download | 4400 | 32 | 07/12/2011 |
| Download | Agents of S.H.I.E.L.D. | 216 | 09/22/2015 |
| Download | Angel | 692 | 03/27/2012 |
| Download | Arrow | 464 | 08/15/2016 |
| Download | Babylon 5 | 557 | 03/27/2012 |
| Download | Battlestar Galactica (2003) | 295 | 03/27/2012 |
| Download | Beauty and the Beast | 426 | 03/27/2012 |
| Download | Being Human (U.K.) | 273 | 04/10/2012 |
| Download | Big Bang Theory | 368 | 09/14/2015 |
| Download | Blakes 7 | 634 | 08/19/2011 |
| Download | Bones | 1166 | 09/17/2015 |
| Download | Buffy the Vampire Slayer | 732 | 10/31/2012 |
| Download | Castle | 792 | 09/14/2015 |
| Download | Chuck | 320 | 03/27/2012 |
| Download | Community | 129 | 10/22/2014 |
| Download | Dark Angel | 304 | 07/27/2011 |
| Download | Dead Like Me | 131 | 03/27/2012 |
| Download | Dexter | 548 | 01/09/2013 |
| Download | Doctor Who - 1-8th Doctors | 657 | 08/11/2011 |
| Download | Doctor Who - 10th Doctor (David Tennant) | 247 | 04/18/2014 |
| Download | Doctor Who - 11th Doctor (Matt Smith) | 217 | 05/03/2016 |
| Download | Doctor Who - 12th Doctor (Peter Capaldi) | 131 | 05/03/2016 |
| Download | Doctor Who - 9th Doctor (Christopher Eccleston) | 68 | 04/18/2014 |
| Download | Dollhouse | 126 | 03/27/2012 |
| Download | Due South | 75 | 07/27/2011 |
| Download | Eerie Indiana | 229 | 06/07/2011 |
| Download | Eureka | 347 | 09/13/2012 |
| Download | Firefly/Serenity | 565 | 08/24/2011 |
| Download | Freaks and Geeks | 73 | 03/27/2012 |
| Download | Fringe | 285 | 06/06/2012 |
| Download | Game of Thrones | 240 | 11/14/2014 |
| Download | Heroes | 434 | 03/27/2012 |
| Download | Joan of Arcadia | 72 | 03/27/2012 |
| Download | Lie to Me | 239 | 04/18/2012 |
| Download | Lost | 604 | 03/28/2012 |
| Download | Lost Girl | 218 | 08/10/2012 |
| Download | Merlin | 274 | 08/02/2012 |
| Download | Monk | 840 | 03/27/2012 |
| Download | Monty Pythons Flying Circus | 107 | 03/27/2012 |
| Download | New Girl | 89 | 10/22/2014 |
| Download | Nikita | 346 | 11/11/2012 |
| Download | Office | 391 | 10/22/2014 |
| Download | Once Upon a Time | 232 | 10/02/2014 |
| Download | Person of Interest | 307 | 09/14/2015 |
| Download | Pretty Little Liars | 371 | 06/17/2014 |
| Download | Primeval | 141 | 03/27/2012 |
| Download | Psych | 535 | 08/23/2013 |
| Download | Pushing Daisies | 71 | 03/27/2012 |
| Download | Quantum Leap | 751 | 08/19/2011 |
| Download | Secret Circle | 101 | 11/05/2012 |
| Download | Sherlock | 157 | 04/20/2016 |
| Download | Six Feet Under | 217 | 03/27/2012 |
| Download | Sleepy Hollow | 99 | 03/26/2015 |
| Download | Smallville | 666 | 06/14/2012 |
| Download | Stargate SG-1 | 1155 | 03/27/2012 |
| Download | Supernatural | 2330 | 10/05/2015 |
| Download | Terminator: The Sarah Connor Chronicles | 212 | 03/27/2012 |
| Download | Torchwood | 256 | 05/09/2012 |
| Download | Trueblood | 175 | 03/27/2012 |
| Download | Twilight Zone (1959) | 236 | 03/27/2012 |
| Download | Vampire Diaries | 1471 | 10/05/2015 |
| Download | Veronica Mars | 421 | 05/09/2012 |
| Download | Walking Dead | 88 | 08/15/2012 |
| Download | Warehouse 13 | 90 | 07/25/2012 |
| Download | Wonderfalls | 65 | 07/12/2011 |
| Download | X-Files | 651 | 03/27/2012 |
| Download | Xena: Warrior Princess | 419 | 03/27/2012 |
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Just turned 22! I am very excited to immerse myself in the endless possibilities that coding has to offer. I really enjoy applying the elements to design and I have a great time applying what I'm learning to practical issues that I face everyday. The beauty about coding is that every project can be different and has it's own personality. I have a great time applying practical skills learned here to the ever changing world.


WILD MAN BLUES (1998) A Film Review by Ted Prigge Copyright 1998 Ted Prigge
Director: Barbara Kopple Starring: Woody Allen, Soon-Yi Previn, Eddy Davis, Cynthia Sayer, Don Barrett, Greg Cohen, John Gill
I adore Woody Allen's movies more than almost anyone else in the world, and I can't even explain why. So a documentary on him that actually follows him around, that allows us a sneak peek at his life, and shows us a Woody Allen sans one of his script...well, that automatically appeals to me and anyone else who watches his movies (all eight-and-a-half of us). After all, Woody is a paradox when it comes to celebrities: he's constantly being talked about on the news for this and that, but no one knows a thing about him. Basically no one goes to see his movies, and only about 5 or 10 percent of the American population has even seen a Woody Allen film, but everyone thinks they can imitate him and whenever you bring his name up to people, they give you a bad look. Seeing Woody Allen "unplugged," I suppose you can call it, is incredibly intriguing to me basically because I've been watching his movies for years and I couldn't tell you a thing about his personal life.
"Wild Man Blues" conveniently comes out following Woody's film, "Deconstructing Harry," a mind-bending, hilarious portrait of the public's perception of him as an amoral, selfish sonofabitch which ulimately questioned whether or not that was the real Woody Allen. And bizarrely enough, this film questions the same thing. For about an hour-and-a-half, we get to follow Mr. Allen as he travels all around Europe, stays at expensive-looking hotels, plays numerous jazz shows, meets fans, and finally has dinner with his parents back in Manhattan. We see Woody talking with his band, with various people, and even talking with Soon-Yi herself, and the whole time we have no clue if it's really Woody or just an act.
Basically, "Wild Man Blues" works on three separate levels: on one, we have a reflection of Woody Allen, in all his glory, whether it be fake or not; one another, we have a portrait of a subgenre of music that is almost extinct today; and on yet another level, we have a subtle, classy rebuttle to Mia Farrow's scathing autobiography, "What Falls Away," which, frankly, made Woody out to be Lee Harvey Oswald (and therefore her out to be the world's dumbest woman for spending over a decade with him). We see a lot of each of these, but no real balance of them. The director, Barbara Kopple (a two-time Oscar winning documentary filmmaker), at first wanted to make a film about the band itself, but upon shooting a bit, decided to leak a lot into Woody's life, and you can actually see this transition. The film begins as a nice balance between letting Woody talk to the camera and showing the band both in front and behind the scenes.
But as the film goes on, we see less and less of the band, and we see more and more of Woody. And as we see more and more of Woody, the more cartoonish he becomes. When we first meet Woody, he's almost nervous about talking to the camera, and he comes off as very serious and shy. He discusses why he loves staying in Paris, and talks about his music and why he loves it, and not once does he say any great one-liners. But as the film moves along, he gradually adopts his screen persona. It's hysterical to hear him do his schtick (his criticism of Italian hotel staffs is priceless), but which is the real Woody? Was he at first too nervous, but then became comfortable with it later on? It doesn't help that his mother at the end tells the camera he's nothing like his screen persona, and that his movies reflect very little of Woody Allen the person.
I suppose the message, as unintentional as it probably is, is that Woody Allen is someone whom we can never really learn of in depth because he's different with everyone else. To his band, he may seem a bit cold, while to the band leader, he's incredibly friendly. In his movies, he's whiny and hysterical and loves to talk, but when performing, he says three words and they play music. The film is basically saying that no man can possibly be the same to everyone, I suppose.
One of the main strengths of the film is, though, is in its moments that it happens to capture, and those other big things that it shows us. Some of Woody's one-liners that he makes up on the spot are as hilarious as the ones he has written in his movies. There's the sight of Woody trying to swim in a pool with Soon-Yi, and even a hilarious bit where Woody and Soon-Yi continually keep missing eachother in a hotel. And there's even a couple moments that are manipulated by Kopple, like one where Woody is being hounded by European fans of his, and the soundtrack begins to play Nino Rota's brilliant score from Fellini's "8 1/2," which had to do with a film director who is plagued by too many problems, like fans and producers. There's even a wonderful moment where Woody explains why he doesn't like awards (hint: it has something to do with Brando...which is also one of my main reasons for not liking awards).
The real expose in the film is not really Woody, but Soon-Yi, who is barely shown as nothing more than a horny young girl of his, but here emerges as what seems like the perfect soulmate for Woody as well as an incredibly intelligent woman. Seeing Soon-Yi tell Woody that he has to be more open with the members of his band is one of the coolest things I have ever seen, and it makes her out to be an almost maternal presence for him, always giving him sound advice, and making him calm and pleasant. Take that, Mia!
If anything, "Wild Man Blues" suceeds in telling us to give up on seeing Woody as who he really is, and that we may never really see him. We learn very little about him in the running time of the film, but what we get is mouth-watering stuff that makes us want to perhaps just meet the guy and see what he's like to us. I know that the fact that I wasn't able to see what he's really like is disappointing, but for some reason, it doesn't come off that way.
MY RATING (out of 4): ***
Homepage at: http://www.geocities.com/Hollywood/Hills/8335/
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The device seems to be taking longer than expected to connect.
You might need to intervene manually.
Note! If anything went wrong saving the new settings to Flash
on the KL25Z, the device might revert to the factory defaults.
If this happens, be aware that
your new settings were
automatically saved to the
downloads folder
before the update. You can restore that file settings using the
Backup & Restore button on the main menu.
Here are some things you can try to get the device back on-line:
- Manually reset the KL25Z, by pressing the reset button
for a couple of seconds.
-
Power-cycle the KL25Z. Unplug all USB cables (both
the programming port and joystick port cables). Wait a few
seconds, then plug it back in via the joystick port
(as shown at right).
- If you have any other Pinscape Controller units attached,
unplug all of the others, in case there's a conflict between devices.
- If you have any real LedWiz units installed, try unplugging
them as well.
- The problem might be caused by device driver caching
inside Windows. This is especially likely if you've just added
keyboard keys to the input button mappings for the first time,
because it changes the device from a pure joystick-type device
to a multi-interface device, which looks slightly different to
the Windows device manager. You can fix this caching problem
by manually uninstalling the old device driver. This makes
Windows forget the old settings, allowing it to establish the
correct new settings on the next connection attempt.
To do this, follow these steps:
- Leave the device plugged in throughout this procedure.
- Open Windows Device Manager: Go to the Windows Start menu,
or bring up global search on Windows 8+ by pressing Start+S,
then type "Device Manager" into the search box.
- Find the device list section for "Human Interface Devices"
and open it.
- Look for a "USB Input Device" entry that's marked with a
"warning" or "trouble" icon. If you don't see any marked items,
look at each "USB Input Device" item in turn. For each item,
double-click it to open its Properties dialog, and go to the Events tab.
In the "Information" box, you should see a string like this:
Device USB\VID_FAFA&PID_00F7...
The important part is the fragment reading VID_FAFA or VID_1209.
If you see one of these strings, this is probably the right device.
- Once you've identified the problem item, close the properties
dialog, right-click the entry in the list, and select Uninstall. This
is the key step that removes the old cached Windows device information.
- Check for any other items that match the same description.
There might be more than one. Uninstall each one.
- Once you're satisfied that you've cleared out the problematic
device entries, close Device Manager. Unplug the
KL25Z (both cables - programming and joystick), wait a few
moments, then plug it back in via the joystick cable.
- As a last resort, try rebooting Windows.
- As a last resort after that, try reinstalling the Pinscape firmware
onto the KL25Z. This will reset it to a "factory" configuration, which
might solve the problem if something got corrupted along the way.


Carnegie Mellon SoArch '20
Hello! My name is Olivia Seavy.
I grew up in the Philadelphia area and graduated from Christopher Dock Mennonite High School in 2015. Currently, I am studying architecture as a first year within the College of Fine Arts at Carnegie Mellon University.
I really enjoy art, history, and writing. I also am very passionate about sports and fitness, as I am also a proud member of the women's soccer team here at CMU. Go Tartans!
Carnegie Mellon University
SMC 3364
Pittsburgh, PA 15289
267-644-5962


Erin K Fossett-Walsh
Democrat
I am self-employed as a freelance writer and editor, primarily working with financial services companies. I have a background in finance, economics and statistics. Client I have worked with include Janus Henderson Investments and Charles Schwab.
I earned my Masters in Management (MBA) from the Kellogg School of Management at Northwestern University (in finance and marketing) in 1994. I earned a Bachelor of Arts in economics from Marquette University in 1988.
80122
I have donated money to Jason Crow, to Wisconsin Democratic Party, the Vote Save America Get Mitch fund for Democrat senatorial candidates and the Democrat party in general. I have volunteered on Jason Crow's campaign (2018 and 2020), for Swing Left and Moveon.org (mid-term and general election 2020). I also volunteered for Victory 2020 for Colorado Democratic candidates in 2020, with the Wisconsin and Pennsylvania Democrats and with Vote Forward. I also volunteered for Phil Weiser in 2018 and for the Clinton campaign in 2016. Additionally, I made calls for the Obama campaign in 2008.
I volunteered at the Denver Museum of Science and Nature from August of 2013 through December 2015. I’ve also volunteer through my children's schools.
I participated in the Swing Left analysis of the 6th Congresional District, doing research on the district and contributing to a report on major demographic and voting trends and key issues. This was in January/February of 2017, when Swing Left was evaluating potential swing districts that could be flipped in the 2018 midterms.
I feel very strongly about representation. Too often important voices in our community are left out of the conversation, and their needs are not addressed. I also feel that redistricting efforts, on both sides of the party spectrum, have too often been aimed at protecting entrenched interests through gerrymandering. I feel this has led not only to the silencing of many voices in our communities, but also to deepening partisan division. I deeply hope that the next redistricting can be done in a way that truly reflects the diverse interests of our communities. Also, to clarify, I was unclear on the qualifications for this position. My understanding reading the qualifications was that I needed to have been a registered Democrat for five years. I changed my party affiliation from Independent to Democrat in 2018 and therefore did not think I qualified. (I had been an Independent since I moved to Colorado in the late 1990s, though I voted Democrat.) However, the person who suggested I apply said she thought it meant I had to either be either a Democrat or Unaffiliated for 5 years, as long as I was registered. I am not sure that's the case but thought I would fill out the application anyhow, just in case, but understand if I am not qualified for this reason.
I believe my familiarity with data and statistics would be very helpful in letting me understand the characteristics of the communities in question. My broad understanding of economic and political trends would also be of help. I also am accustomed to working with different people from different backgrounds through my professional experience, and I am committed to listening and trying to understand other viewpoints and concerns.
My business is very data-driven. I analyze economic indicators and market trends, and then translate complex issues into commentary that is accessible for a wide range of people. I have also worked as an economist, using analytical models to forecast consumer spending and other economic indicators.
female


I Feel the Need for Speed
January 10, 2017 · 2 minute read · CommentsToday google released a new tool to test how mobile friendly your website is. Since I recently rebuilt this site and been using a variety of tools to test it I was excited to see how well the site scored. The UI is very nice but you have to opt-in to email to get your detailed report. I am definitely not a fan of that “dark pattern”.
Usually my go-to benchmark is the the venerable Google PageSpeed Insights. PageSpeed Insights is very clear about delivering actionable steps you can take to improve overall speed and performance. Not too long ago Google also added a mobile section to give you insight about your mobile page performance as well.
However I recently adopted Google’s Lighthouse tool and found that to be exceptionally useful, particularly since it is service worker aware. As a result this site will now run even when the network connection is severed on your mobile device. (Service workers should be a separate article)
Google has pushed hard to support the unprecedented move to mobile device browsing. In November 2014, Google started labeling sites as “mobile-friendly” to denote which pages are optimized for phones. In February 2015, Google announced plans to roll out mobile ranking changes on April 21 (an unprecedented move — the company almost never announces algorithm changes in advance).
Recently (May 2016) Google announced it is rolling out an update to mobile search results that “increases the effect” of its mobile-friendly ranking signal. The goal is to “help our users find even more pages that are relevant and mobile-friendly,“.
So it is crystal clear that making your site mobile-friendly will help your rankings, but guess what? Making your site mobile-friendly makes it a better experience for everyone, all the time.
Why?
- Performance benefits everyone. Don’t waste the time of visitors to your site.
- Responsiveness benefits everyone. I rarely if ever have the browser on my laptop at full screen.
- Making your site handle network issues benefits everyone.
In other words making your site run well on a phone means it will run great on more capable hardware with more reliable networking and your page ranking will reflect it.


Teleplay: Mark Kunerth
Story: Dana Klein
Directed by: Terry Hughes
Transcribed by: Eleonora, Pheeboh, Sebastiano & Vanessa
[Scene: Rachel and Joey's apartment]
Joey: (talking to a pineapple in his hand) God, you're beautiful...why are we fighting this?You know you want it to happen as much as I do.
(Rachel comes out of her room and starts staring at him unseen)
Joey: I want you.I need you.Let me make love to you.
Rachel: I don't wanna stand in the way of true love or anything, but I think a cantaloupe might hurt less.
Joey: Oh, ehm...I'm...I'm rehearsing my lines.They gave me a big romantic story on Days Of Our Lives. It's the first time my character's got one. I'm so nervous, you know, I really want it to be good!

Joey: Yeah, that was a disappointment...(pause) Oh, hey!D'you want to come down to the set and tell me if I'm doing ok?

Joey: Yeah!Hey, you just have to promise not to get yourself thrown out again.
Rachel: Hey, that was an honest mistake!
Joey: Right!(he starts to ape her)"Oh my God, is this the men's room? Oh, I feel so foolish, have you always known you wanted to be an actor?"
Opening credits
[Scene: Central Perk]
Monica: Hey!
Phoebe: Hey!
Ross: Hi!
Monica: So, do you guys wanna come and eat dinner at the restaurant sometime in the next few weeks?
Phoebe: Sure!
Ross: I'd love to!
Monica: Well you can't! We're booked solid for the next month!
Phoebe: Well, I can't give you a massage, because my licence has been revoked again!
Ross: Phoebe, what happened?
Phoebe: Well, it was an accident...You know, it's a lot of oil and sometimes the hand just slips!
(Chandler enters)
Chandler: (To Monica) Have I got a surprise for you? Pack your bags!
Phoebe: Oh no!You guys aren't supposed to get divorced for 7 years!
Chandler: What? No, I'm taking Monica to a romantic inn in Vermont (shows them a brochure)!
Phoebe: Oh, good!Ok, good for you!Try to recapture the magic!
Chandler: So, what do you say? Can you get out of work?
Monica: Oh, honey!I can't. I was just telling these guys that things are crazy at the restaurant!
Chandler: Are you really that busy?
Monica: Yeah, I'm sorry. I really am.
Chandler: Oh, that's ok.I'll just try and reschedule. (on the phone) "Hi, this is Chandler Bing. I made a reservation there and I need to change it (pause) Oh, what do you mean it's not refundable? Can I just come some other time? (pause) Oh, can't you make an exception?"
Monica: Tell them I'm a chef in a big New York restaurant!
Phoebe: And tell them that in 2 weeks I will once again be a masseuse in good standing!
Chandler: (on the phone) "Look, this is ridiculous! I'm not paying for that room! Ok?" (pause) "Oh, thank you very much!" (hangs up) Yeah, I'm going to Vermont...
Ross: Oh, don't worry about it! Just use your travel insurance.
Chandler: I don't have travel insurance.
Ross: Well, this is what happens when people live on the edge!
Monica: Why don't you take Ross?
Ross: Uh, don't you think that would be a little weird? I mean, two guys in a romantic inn...
Monica: No, not if their room has two beds!
Ross: (browsing the brochure) I guess...It still seems a little...(enthusiastically) moonlight boat ride!!
[Scene: Days of Our Lives' Studios]
Rachel: Hey Joey, is this the bed where Olivia lost her virginity?
Joey: I don't know, but one of the extras sure did! (pause) Hey, listen Rach. Thanks again for coming down to watch my scenes!

Joey: Also so gay!
Rachel: Oh, in my head he's done some pretty "not-gay-stuff"!
Joey: Well, at the Christmas party him and Santa did some definitely gay stuff!
Director: Joey, Joey! We're ready for you!
Joey: Oh, wish me luck!
Rachel: Ok, not that you need it but good...GOD!Is that Chase Lassiter?He's straight, right?
Joey: Rach, I gotta say...if you weren't here wondering if these guys were gay I don't know if I could do this!
Rachel: Oh, I'm sorry, you're right.I'm sorry, good luck! (they hug)
Director: On a bell please! Quietly.. and ACTION!
(the scene starts.Joey enters and there's a girl wearing a wedding dress near a bed)
Actress/Olivia: Drake! What are you doing in here?
Joey/Drake: Stopping you from marrying the wrong man and making the biggest mistake of your life.

Joey/Drake: You don't love him!
Actress/Olivia: What do you know about love?
Joey/Drake: I know what I felt that night when we kissed under the bridge.
Actress/Olivia: That kiss never happened.
Joey/Drake: Oh, what about this one.
(the actress slaps him)
Rachel: (watching a television where the scene is shown, startled) OH!
Actress/Olivia: No, I told you...get out!
Joey/Drake: Fine. I'll go. But let me ask you one question...
Chase Lassiter: (talking to Rachel) You look familiar, have we...
Rachel: SSSHHHHTTT!!He's asking her a question!!
Joey/Drake: Can you really live the rest of your life never knowing what we could have been?
Actress/Olivia: I don't have a choice...
Joey/Drake: Yes, you do.Yes...you do. I'm the one who doesn't have a choice because I...because I can't stop loving you.
Actress/Olivia: Don't say that...
Joey/Drake: Tell me to stop, just...tell me to stop. (he's about to kiss her)
Director: CUT!
Rachel: NO! (pause) Or, cut!You know, that's your call!
[Scene: Monica's restaurant]
1st Customer: Everything was delicious!
Monica: Thank you!
2nd Customer: It was. The duck in particular was superb.
Monica: Thank you!(she looks at the 3rd customer waiting for a compliment) You haven't said anything...
3rd Customer: Actually I do have one small complaint.
Monica: Oh..please!I-I welcome criticism.
3rd Customer: The musician right outside the restaurant...it's kind of a mood-killer!
Monica: What musician?
[Scene: Outside the restaurant]
Phoebe: (playing guitar and singing) And there's a country called Argentinaaaa, it's a place I've never seeeeen.  Humaaan spleeeeen. Olè!
Monica: What are you doing here!
Phoebe: Well, you said that you had customers lined up in the street, so I am here to entertain!
Monica: Great!
Phoebe: Yeah!  Yeah, "You suck" and "shut up and go home".
Monica: Listen Phoebe...
Phoebe: Yeah.

Phoebe: But what?
Monica: This is kind of a classy place.
Phoebe: (pause) Ok, say no more.
 Everyone! It wasn't just that she was fat the woman smelled like garbaaaaaage! (to Monica, showing her dress) Classy, uh?
(Monica covers her face with her hands)
[Scene: hall of the romantic inn in Vermont]
Chandler: Hi, Chandler Bing, I have a reservation.
Receptionist: Welcome to the Chestnut Inn Mr. Bing, so where are you joining from?
Chandler: New York.
Ross: (in a strange voice and eating candies) The big apple!
Chandler: I'm sorry, he's a little bit wound up, we had to stop at every maple candy stand on the way here.
Ross: Yeah, I ate all my gifts for everybody.
Receptionist: I am sorry Mr. Bing, there's no record of your reservation in the computer.
Chandler: Well, that's impossible, can you check again, please?
Ross: (high pitched voice) Check again please!
Receptionist: I'm sorry, it's not here.
Ross: Not there.
Chandler: Let me get this straight. I called yesterday trying to cancel my reservation and I was told it was not refundable, then we drove six hours all the way up here and now you tell me that we don't have a reservation?
Receptionist: I don't know what to say.
Ross: (mumbling) She doesn't know what to say!
Chandler: Just give us the cheapest room you have.
Receptionist: Unfortunatly the only thing we have available is our deluxe suite, the rate is six hundred dollars.
Chandler: That's insane!
Ross: Totally insane. Dude, let's drive home, we'll hit all the maple candy stores on the way back and if...if they're closed maybe we'll tap a tree and make some ourselves.
Chandler: Does that room have a closet I can lock him in? (pause) We'll take it.
Receptionist: Great.
Chandler: (aside, to Ross) What!? They are totally ripping us off!
Ross: Dude, don't worry 'bout it! I know how we can make your money back!  Like those apples. Instead of taking one, I'm... I take six!
Chandler: Great, at a hundred dollars an apple, we're there!
Ross: C'mon, you get the idea, ow-ow-ow we'll make our money back in no time!
Chandler: Dude, you're shaking!
Ross: I think it's the sugar, could you hold the apple?
[Scene: Joey's apartment]
Rachel: Hi!
Joey: Hey!
Rachel: Joey, I gotta tell ya, I've been thinking all day about that scene you did, I mean, you were amazing!
Joey: Oh, you know, the writing was good, and the director is good, and... and my co-star's good but they're not as good as me!
Rachel: God, you have to tell me what happens tomorrow!
Joey: Ow, I'm just going over the script now! You wanna read lines with me?
Rachel: Me? Oh, no, I am not an actress.
Joey: Oh, all right, I can ask Monica.
Rachel: Oh screw her, that part is mine!
Joey: Right... (pause) ok, so just from the top of the page, right here.
Rachel: Okay. (pause).(acting) Hello Drake, I'm surprised to see you here.
Joey/Drake: I can't believe you married him.
Rachel/actress: But what choice did I have. He was keeping my sister in a dungeon!
Joey/Drake: So what about us? Everything we feel for each other.
Rachel/actress: It's over! You have to accept that.
Joey/Drake: How can I? Knowing I'll never hold you in my arms again, or touch your skin, or feel your lips, knowing I'll never make love to you? How can I accept that...
Rachel: (pause) Kiss me.
Joey: What?
Rachel: Kiss me.
Joey: Ah, Rach, it doesn't say that!
Rachel: No, I'm saying...
Joey: but, but..
Rachel: just... don't talk... (she kisses him)
[Scene: Rachel's bedroom]
Rachel: (waking up) Ehhh, aw! (pause). Well, that's new!
[Scene: Hotel's room]
Ross: (on the phone) Hi, this is Ross Geller in suite 206. It seems you forgot a couple of things. Could you have some complimentary toiletries sent up to my room? (pause) Thank you! Ok. Toothbrush, toothpaste, razor, mouthwash, deodorant, dental floss, band aids, shaving cream, after shave... and I feel like I am forgetting something... Is there anything else you have that I haven't asked for already? (pause) Yeah, go ahead, send up some tampons.
(Chandler enters the room)
Ross: What did you get?
Chandler: USA Today
Ross: Nice, put it with the others.
Chandler: And I also got... two more apples.
Ross: We are four short of a bush-o (pause). God I feel so alive, I love being in the country!
Chandler: I also got this great salt and pepper shaker from the restaurant.
Ross: Oh, that's not cool.
Chandlers: Dude, none of this is cool.
Ross: No, Chandler, you have to find the line between stealing and taking what the hotel owes you. For example: hair drier, no, no, no, but shampoo and conditioners, yes, yes, yes. (pause) Now, the salt shaker is off-limits, but the salt (he opens the salt shaker and pours the salt into his hand) I wish I'd thought this through.
Chandler: I think I know what you mean though...the lamp is the hotel's, but the bulbs (goes to take the bulb)...oh, you already got that.
Ross: Not my first time in a hotel, my friend.
Chandler: Ok, how about this (picks up the remote control)?
Ross: No, no, no, you can't take the remote control!
Chandler: Yes, but the batteries...
(Ross claps his hands)
Chandler: Thank you, thank you very much!
Ross: Let's celebrate with some maple candy!
Chandler: No!
Ross: At least tell me where you hid it.
[Scene: Central Perk. Monica and Rachel are sitting on the sofa]
Rachel: Can I ask you a question?
Monica: Yeah.
Rachel: Have you ever had any weird romantic dreams?
Monica: Let me think. Oh, when I was younger I used to dream that I got married to Mayor McCheese, and on our wedding night I ate his head.
Rachel: Ok, well this is like that...in no way.
Monica: Wow, do you mean like kiss him-kiss him?
Rachel: Oh yeah! I mean, that was pretty intense.
Monica: What do you think brought than on?
Rachel: I don't know! I mean, maybe that's something to do with the fact that I saw him do a love scene yesterday.
Monica: A love scene? With who?
Rachel: Olivia.
Monica: Olivia? I thought she was marrying Connor! (pause) Oh right, real life more important.
Rachel: So do you think that my dream means anything?
Monica: I don't know. I mean, you saw him do a love scene, so maybe you don't have a thing for Joey, maybe you have a thing for Drake.
Rachel: Ah! Well it was Joey reading Drake's lines in the dream...
Monica: Of course it was! Trust me, when it comes to psychology I know what I'm talking about. I took two psych classes in college.
Rachel: You took the same class twice.
Monica: It was hard!
(Phoebe comes in)
Phoebe: Hey!
Rachel and Monica: Hi.
Phoebe: Here, Monica, look what I got to wear when I play at the restaurant (she dons a top hat) uh, huh wait! (she raises a pair of spectacles to her eyes) Right? I mean, this might even class up the ballad of the uncircumcised man.
Monica: Oh...Phoebe? Maybe I wasn't clear before. I really love listening to your music here, but my restaurant is sort of an upscale place.
Phoebe: Right, yeah, ok, I'll ask the butler to fetch my diamonds out of the vault.
Monica: Phoebe, it's not what you wear. It's sort of your songs... I just don't think you should play at the restaurant anymore.
Phoebe: Oh, ok. Fine, I'll just, I'll take the hat back (she puts the hat in a bag and she crushes it angrily on the floor with her foot).
(silence)
Rachel: Hey, so you guys, the funniest thing happened, at work...
Phoebe: My songs aren't good enough for your restaurant?
Rachel: Ok, we're still on that.
Monica: I didn't say your songs were not good enough.
Phoebe: Then what's wrong with them?
Monica: Tiny portions?
Phoebe: Yeah well, "excuse me, I ordered the smoked salmon appetizer, but (peering through her spectacles) I can't see it, I can't see it"!
Monica: Phoebe, it's not about quantity.
Phoebe: Well...it's not about quality.
Monica: Oh really, you want to talk about quality? Have you heard of a key? It's what some people sing in.
Phoebe: Well at least all my songs don't taste like garlic. Yeah, there are other ingredients Monica.
Monica: Ok, so that's what we're doing. You know, when I'm in the coffee house bopping along to one of your songs, I'm wearing ear plugs.
Phoebe: Ear plugs, or cloves of garlic?
Monica: You know what? I take back what I said before. You keep playing at the restaurant, because with your music driving people inside, my bar sales are going up like crazy.
Phoebe: What are people having, the garlic Martini?
[Scene: Hotel's reception]
Receptionist: Here's your copy of the bill, we hope you enjoyed your stay.
Chandler: Oh we did, and you still have all your lamps.
(the receptions is puzzled. She goes in the back.)
Chandler: Oh, I didn't factor in the room tax.
Ross: Oh dude, don't worry about it, I found an unattended maid's car. We're way ahead of the game.
(they make as if to go, but Ross notices something)
Ross: Oh my god.
Chandler: What?
Ross: There's something new in the bowl.
Chandler: Look, we have enough, just walk away.
Ross: No, but I want...I want the pinecones!
Chandler: There's a forest right outside.
Ross: It's not the same.
Chandler: Ok, go quick!
(Ross starts stuffing pinecones in the suitcase. As the receptionist walks in, Chandler makes a bird's verse and Ross stops)
Ross: (to the receptionist) Thank you for a delightful stay.
(he picks up the suitcase, which falls open, revealing all the stuff they have taken from the hotel. The receptionist just looks at them.)
Ross: Oh, my maple candy!
[Scene: In front of Monica's restaurant.
(Monica comes out)
Monica: Thank god, it's just you! I thought someone was swinging a bag of cats against the wall.
Phoebe: You'd better get back in that kitchen Monica, the garlic is not gonna overuse itself.
Monica: Ok, you have to stop playing now.
Phoebe: Why? The only person my playing is bothering is you!
Monica: Oh yeah? Ok, let's settle this, come on!

Monica: (to the restuarant customers) Excuse me, excuse me, hi, I'm Monica Geller..I'm the head chef here.. (pauses as if waiting for something).. Ok, I was actually expecting a little applause there, but whatever! Ok, quick question: by a show of hands, how many of you were bothered by this woman's singing outside? (a few people raise their hands)
Phoebe: Ok, ok, how many of you enjoyed the music outside? (a few people raise their hands) Ha!
Monica: Alright, let me ask you this question: How many of you thought the music was fine, but not in keeping with the tone of the restaurant? (a few raise their hands again).
Phoebe: Ok, well, who identified the tone of this restaurant as pretentious comma garlicky?
Monica: Ok who thinks the food is delicious and a little pretention never hurt anyone? (a few raise their hands)
Phoebe: Ok, well, alright, who thinks the food is fine, the music was fine, but your evening was ruined by this incessant poll taking? (all raise their hands).

Phoebe: I'm sorry too... (they hug)
Monica: ooohh... hey! Wanna stick around and I'll whip you up some dinner?
Phoebe: Yeah! As long as it's free! Food here is ridiculously over-p...
(Monica seems to take it amiss)
Phoebe: (smiling, raising her hand) Who's hoping the hand raising thing is still cute enough that you won't hate me?
[Scene: Joey and Rachel's apartment, Rachel walks in]
Rachel: Hey!
Joey: Hey!
Rachel: Joey, do you have peanut butter on the back of your head?
 I thought I got it all!
Rachel: (looks puzzled) How...how...?
Joey: I was making a peanut butter smoothy, right?
Rachel: uh-huh
Joey: And I couldn't find this little plastic thing (holds up plastic thing) that goes on top of the blender...and I thought...well... how important can that be, right...? Turns out very!
Rachel: (to herself) Wow...definitely just Drake...
Joey: What?
Rachel: What...how is it going with Drake?
Joey: Oh...I don't think it's going very well...
Rachel: What...that scene I saw was so good!
Joey: Well, I'm feeling really insecure about the one we are shooting tomorrow...
Rachel: Joey, is this that thing that you do when you say you're bad so I'll give you a compliment?
Joey: A little. Yeah no, I really am worried, you know, I mean I have to make it convincing that I'm in love with Olivia.
Rachel: So?
Joey: So...I've never played that!
Rachel: Ooh!
Joey: Uh...well...just once...with you...
Rachel: Ok...this could be a little awkward...I'm just going to blow past it... well can't you just use that method actor thing where you use your real life memories to help you in your performance?

Rachel: (shakes her head) Alright, alright look, just uh... just try to remember how you felt when you were in love, and think about that when you're playing the scene.
Joey: (approvingly) Oh! ok, yeah, I think I can do that.
Rachel: (looks touched) Joey, you never..you never talked about that before...
Joey: Well.. hey, you know what else I could use? There's a scene where Drake sneaks into Olivia's bedroom, and she doesn't know he's there - which never happened with us! And he knows he shouldn't be there, but he just wants to look at her... you know? (In a romantic voice) And I remember all those mornings before you even put on your make-up, when I would think to myself, my God, she...is... beautiful... (Rachel looks very moved) and it hurts so much, cuz I knew I could never tell you (pauses, while looking at her with sentiment) but it was worth it just to be there looking at you.
(Joey and Rachel continue to look at each other in silence for a while)
Joey: (excited) Thanks dude!!!This is GREAT!! (leaves Rachel very touched on the couch and goes into his room)
Closing credits
[Scene: Monica and Chandler's apartement, Monica is at the kitchen table writing something and Chandler enters kitchen area]
Chandler: I got you something from Vermont! (Sits down at the table)
Monica: (without looking up from what she's doing) Besides tampons and salt? (Then looks) Ooh! My God! Maple candy! That's so sweet of you. (Opens the box) That's weird...it's empty!
(Then Ross enters)
Ross: (sounds excited) Hi you guys! what's going on, you... you guys wanna hang out...or...? (Looks around the room nervously) do you...do you guys hear a buzzing?