Conversions¶
-
torchgeometry.
rad2deg
(tensor)[source]¶ Function that converts angles from radians to degrees.
See
RadToDeg
for details.Parameters: tensor (Tensor) – Tensor of arbitrary shape. Returns: Tensor with same shape as input. Return type: Tensor Example
>>> input = tgm.pi * torch.rand(1, 3, 3) >>> output = tgm.rad2deg(input)
-
torchgeometry.
deg2rad
(tensor)[source]¶ Function that converts angles from degrees to radians.
See
DegToRad
for details.Parameters: tensor (Tensor) – Tensor of arbitrary shape. Returns: Tensor with same shape as input. Return type: Tensor Examples:
>>> input = 360. * torch.rand(1, 3, 3) >>> output = tgm.deg2rad(input)
-
torchgeometry.
convert_points_from_homogeneous
(points, eps=1e-06)[source]¶ Function that converts points from homogeneous to Euclidean space.
See
ConvertPointsFromHomogeneous
for details.Examples:
>>> input = torch.rand(2, 4, 3) # BxNx3 >>> output = tgm.convert_points_from_homogeneous(input) # BxNx2
-
torchgeometry.
convert_points_to_homogeneous
(points)[source]¶ Function that converts points from Euclidean to homogeneous space.
See
ConvertPointsToHomogeneous
for details.Examples:
>>> input = torch.rand(2, 4, 3) # BxNx3 >>> output = tgm.convert_points_to_homogeneous(input) # BxNx4
-
torchgeometry.
transform_points
(dst_pose_src, points_src)[source]¶ Function that applies transformations to a set of points.
See
TransformPoints
for details.Parameters: - dst_pose_src (Tensor) – tensor for transformations.
- points_src (Tensor) – tensor of points.
Returns: tensor of N-dimensional points.
Return type: Tensor
- Shape:
- Input: \((B, D+1, D+1)\) and \((B, D, N)\)
- Output: \((B, N, D)\)
Examples:
>>> input = torch.rand(2, 4, 3) # BxNx3 >>> pose = torch.eye(4).view(1, 4, 4) # Bx4x4 >>> output = tgm.transform_points(pose, input) # BxNx3
-
torchgeometry.
angle_axis_to_rotation_matrix
(angle_axis)[source]¶ Convert 3d vector of axis-angle rotation to 4x4 rotation matrix
Parameters: angle_axis (Tensor) – tensor of 3d vector of axis-angle rotations. Returns: tensor of 4x4 rotation matrices. Return type: Tensor - Shape:
- Input: \((N, 3)\)
- Output: \((N, 4, 4)\)
Example
>>> input = torch.rand(1, 3) # Nx3 >>> output = tgm.angle_axis_to_rotation_matrix(input) # Nx4x4
-
torchgeometry.
rotation_matrix_to_angle_axis
(rotation_matrix)[source]¶ Convert 3x4 rotation matrix to Rodrigues vector
Parameters: rotation_matrix (Tensor) – rotation matrix. Returns: Rodrigues vector transformation. Return type: Tensor - Shape:
- Input: \((N, 3, 4)\)
- Output: \((N, 3)\)
Example
>>> input = torch.rand(2, 3, 4) # Nx4x4 >>> output = tgm.rotation_matrix_to_angle_axis(input) # Nx3
-
torchgeometry.
rotation_matrix_to_quaternion
(rotation_matrix, eps=1e-06)[source]¶ Convert 3x4 rotation matrix to 4d quaternion vector
This algorithm is based on algorithm described in https://github.com/KieranWynn/pyquaternion/blob/master/pyquaternion/quaternion.py#L201
Parameters: rotation_matrix (Tensor) – the rotation matrix to convert. Returns: the rotation in quaternion Return type: Tensor - Shape:
- Input: \((N, 3, 4)\)
- Output: \((N, 4)\)
Example
>>> input = torch.rand(4, 3, 4) # Nx3x4 >>> output = tgm.rotation_matrix_to_quaternion(input) # Nx4
-
torchgeometry.
quaternion_to_angle_axis
(quaternion, eps=1e-06)[source]¶ Convert quaternion vector to angle axis of rotation
Adapted from ceres C++ library: ceres-solver/include/ceres/rotation.h
Parameters: quaternion (Tensor) – batch with quaternions Returns: batch with angle axis of rotation Return type: Tensor - Shape:
- Input: \((N, 4)\)
- Output: \((N, 3)\)
Example
>>> input = torch.rand(2, 4) # Nx4 >>> output = tgm.quaternion_to_angle_axis(input) # Nx3
-
torchgeometry.
rtvec_to_pose
(rtvec)[source]¶ Convert axis-angle rotation and translation vector to 4x4 pose matrix
Parameters: rtvec (Tensor) – Rodrigues vector transformations Returns: transformation matrices Return type: Tensor - Shape:
- Input: \((N, 6)\)
- Output: \((N, 4, 4)\)
Example
>>> input = torch.rand(3, 6) # Nx6 >>> output = tgm.rtvec_to_pose(input) # Nx4x4
-
class
torchgeometry.
RadToDeg
[source]¶ Creates an object that converts angles from radians to degrees.
Parameters: tensor (Tensor) – Tensor of arbitrary shape. Returns: Tensor with same shape as input. Return type: Tensor Examples:
>>> input = tgm.pi * torch.rand(1, 3, 3) >>> output = tgm.RadToDeg()(input)
-
class
torchgeometry.
DegToRad
[source]¶ Function that converts angles from degrees to radians.
Parameters: tensor (Tensor) – Tensor of arbitrary shape. Returns: Tensor with same shape as input. Return type: Tensor Examples:
>>> input = 360. * torch.rand(1, 3, 3) >>> output = tgm.DegToRad()(input)
-
class
torchgeometry.
ConvertPointsFromHomogeneous
[source]¶ Creates a transformation that converts points from homogeneous to Euclidean space.
Parameters: points (Tensor) – tensor of N-dimensional points. Returns: tensor of N-1-dimensional points. Return type: Tensor - Shape:
- Input: \((B, D, N)\) or \((D, N)\)
- Output: \((B, D, N + 1)\) or \((D, N + 1)\)
Examples:
>>> input = torch.rand(2, 4, 3) # BxNx3 >>> transform = tgm.ConvertPointsFromHomogeneous() >>> output = transform(input) # BxNx2
-
class
torchgeometry.
ConvertPointsToHomogeneous
[source]¶ Creates a transformation to convert points from Euclidean to homogeneous space.
Parameters: points (Tensor) – tensor of N-dimensional points. Returns: tensor of N+1-dimensional points. Return type: Tensor - Shape:
- Input: \((B, D, N)\) or \((D, N)\)
- Output: \((B, D, N + 1)\) or \((D, N + 1)\)
Examples:
>>> input = torch.rand(2, 4, 3) # BxNx3 >>> transform = tgm.ConvertPointsToHomogeneous() >>> output = transform(input) # BxNx4
-
class
torchgeometry.
TransformPoints
(dst_homo_src)[source]¶ Creates an object to transform a set of points.
Parameters: dst_pose_src (Tensor) – tensor for transformations of :param shape \(: :type shape :math:\): B, D+1, D+1
Returns: tensor of N-dimensional points. Return type: Tensor - Shape:
- Input: \((B, D, N)\)
- Output: \((B, N, D)\)
Examples:
>>> input = torch.rand(2, 4, 3) # BxNx3 >>> transform = torch.eye(4).view(1, 4, 4) # Bx4x4 >>> transform_op = tgm.TransformPoints(transform) >>> output = transform_op(input) # BxNx3


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The One With Ross's Wedding - The Uncut Version
{Transcriber's Note: This is the Uncut Version of Ross's second wedding it includes episodes 423, 424, and 501. It also includes some previously cut parts not shown in the U.S. Those parts are shown in blue text.}
[Scene: Chandler and Joey's, Joey and Chandler are getting ready for the flight to London and Monica comes running in.]
Monica: Guys, hurry up! The flight leaves in four hours! It could take time to get a taxi! There could be traffic! The plane could leave early! When we get to London, there could be a line at customs! Come on!! (She runs back to her apartment.)
Chandler: Six-hour trip to London. That's a lot of Monica.
Joey: What do you got there?
Chandler: Condoms, dude!
Joey (looks at the box): How come the writing is in Spanish?
Chandler: Don't read my condoms!
[Cut to the girls' apartment, Monica is putting things into her purse as Phoebe and Rachel watch.]
Monica: Passport, check! (As she puts away each item, she says check.) Camera, check! Traveller's cheques, check!
Rachel: Who are you saying "check" too?
Monica: Myself. Y'know for remembering to pack a thing. Yeah, you do a good thing, you get a check! (pause) My mom does it, I never realised it was weird.
Phoebe: Yeah, my mom used to put her head in the oven. Well, actually, she only did it the one time. But it was pretty weird.
Ross: (entering) Hey!
Monica: Hey!
Ross: Hey! Are you ready yet?
Monica: Yep! You got the tickets?
Ross: Oh! Got 'em right here, (Pats his coat pocket) check!
[Cut to the guys' apartment.]
Joey: It's all London, baby! Here we go. (He takes a picture of a less than enthused Chandler and starts towards the girls' apartment.)
Chandler: You got your passport?
Joey: Yeah, in my third drawer on my dresser. You don't want to lose that.
(Chandler glares at him. At first Joey doesn't know why, it takes him a little bit to figure it out.)
Joey: Ohh!! (Runs to his room.)
Chandler: There it is.
Opening Credits
[Scene: Monica and Rachel's, continued from earlier, Monica is telling Phoebe where everything is.]
Monica: Okay, if you need the vacuum, it's in my closet on the left-hand side. Ah, the garbage bags are next to the refrigerator...
Phoebe: Okay, okay, but Rachel's gonna be here too, can't I just ask her this stuff?
Monica: Yeah, okay, give that a try!
Chandler: (entering, with Joey) All right! Let's do it!
Joey: Woo-hoo!!
Ross: Yeah, cheerie-o!
Joey: London baby!
Chandler: Okay, 'cause that's not gonna get annoying.
Joey: (louder) London baby!!
Chandler: Hey, y'know what? I was wrong.
Ross: Well, we're all here! I guess we should get going!
Phoebe: Ohhh, I wanna come over there and give you a hug and wish you luck on your wedding, but I don't-can't get up.
Ross: Oh, I'll-I'll come hug you.
Phoebe: Great! Yeah, could you bring me the newspaper?
Ross: Yeah. (He does so and Phoebe hugs him.)
Phoebe: Oh, have a great wedding!
Ross: Thanks.
Phoebe: Oh, hey, Chandler I wanna hug you too!
Chandler: Hey! (Trots over)
Phoebe: Oh, and great! You might as well bring me my book, it's on the counter in your apartment.
Chandler: Oh. (Goes and gets Phoebe's book as Rachel comes in from her room.)
Ross: (to Rachel) So, we're off.
Rachel: Have fun!
Ross: Thanks! (They hug.)
Rachel: Oh, I know.
Ross: So-so come! Why don't you come?
Rachel: What?!
Ross: To London! Come to London. Please? It'll mean so much to me.
Rachel: Yeah, well, I gotta work, I'm sorry.
Ross: Why-why can't you take a couple of days off?
Rachel: Because, I can't! Ross, I told you, no. I can't.
Ross: This is my wedding.
Monica: All right, y'know what? We really are late! Let's go! Let's go! Let's go!!
Ross: Fine. You'll-you'll watch it on video when we get back.
Chandler: (entering, with Phoebe's book.) Here you go Phoebe! Here you go Phobo! Phewbedo! Phaybobo.
Phoebe: (laughs) Thank you.
(Chandler kneels down with his arms spread waiting for his hug.
Phoebe: Thank you. (She pats him on his head.)
Ross: All right, let's go! Bye, Pheebs!
Joey: Bye, Pheebs!
(They all start out, Rachel gives each one a kiss, and says "bye." In the hall, Joey says...)
Joey: London baby!! (And Rachel slowly closes the door, sadly.)
Phoebe: Oh, do you need a hug? You don't have to bring me anything!
(And with that, television history is made as, for the first time ever, an entire show moves it's entire production to an entirely different country to make a single episode. We get shots of Buckingham Palace, London Bridge, Big Ben, and the London Marriott as Joey and Chandler exit.)
[Scene: Street in front of the London Marriott, Joey and Chandler exit. Joey is carrying a video camera and is shooting Chandler.]
Joey: Come on! Do something!

Joey: Okay, here! (Gives him the camera.) I wanna be the on camera guy. All right, first stop, Westminster Abbey. (Joey folds out his "pop-up" map of London. All of the major landmarks pop-up like in a pop-up book.)

Joey: It's London, baby! All right, the hotel's here. (Points to the map.) Wait. No, we wanna go... No. I know. (Sets the map down.) I'm gonna have to go into the map. (So Joey literally steps into the map.)
Chandler: Okay, if you see a little version of me in there? Kill it!
Joey: I got it! (Picks up the map and starts walking.) Here we go.
Chandler: Okay. Listen-listen, we're not gonna have to walk this way the entire time are we?
Joey: Shhh! (Pause) Man, you made me lose it! (He goes into the map again.)
[Scene: Another street, somewhere along the River Thames, Ross, Emily, and Monica are walking to where they're gonna get married. Emily is relating the troubles with the caterer.]
Emily: ...and that was all before 10 o'clock. The caterer rang and said it was going to be Chicken Kiev instead of Chicken Tarragon. And then the florist phoned to say there aren't any tulips. Oh, and the chilliest has carpel-tunel syndrome. We're not gonna be...
Ross: Whoa-whoa-whoa! Emily, (Gives her the time-out signal.) honey, okay?
Emily: Well, up yours too!
Ross: What?!
Emily: Oh, that's not what it means?
Ross: No! No! That's-that's time-out!
Emily: Sorry.
Ross: Sweetie, you gotta relax. Everything's gonna be great, okay? Come on. Come on.
Monica: Chicken Kiev?
Ross: Um-hmm! Doesn't that sound delicious at the last minute?
Monica: Yeah, y'know, but something like salmon which would be so much more elegant than the chicken. And, you wouldn't have to worry about the salmonella. (Ross pushes her.) But of course with salmon you'd have to worry about the chickenella... So, I can't wait to see this place you're getting married!
Ross: Yeah. Yeah. Yes, this place is beautiful. Emily's parents got married here.
Emily: I still can't believe they're tearing it down. It really is the most lovely building you'll ever see. I mean it's over... (She stops suddenly, when she sees that demolition has already started.) Oh my God!
Monica: It's nice.
Emily: Oh. Oh. (She starts running towards the building.)
[Cut to inside.]
Emily: (running in, with Ross) Oh. Oh my God. How can this be happening? What are we going to do?
Ross: It's all right! Everything's gonna be all right.
Emily: How's it gonna be all right?!
Ross: Uh-huh, I see that.
Monica: (entering) Okay, I talked to the guy with the shovel and I found out what happened.
Ross: What? What?
Monica: They tore it down a few days early.
[Scene: Chandler and Joey are sitting on the top floor on one of the red coaches in London that doesn't have a roof. Joey is very enthusiastic and is pointing at all the different sights. Chandler is really embarrassed and tries to make him stop. Afterwards, Joey tries to film Chandler with his video camera, and Chandler obviously hates this. Then, Joey falls asleep, and Chandler tries to take the video camera away from him. However, Joey is holding onto it (in his sleep) and won't let it go. Chandler pulls until Joey lets it go, causing Chandler to fall out of his seat.]
[Scene: Westminster Abbey, Joey and Chandler have successfully navigated the streets of London and are approaching the Abbey.]
Joey: All right! Westminster Abbey! Hands down, best Abbey I've ever seen. Hey! (Pushes Chandler in front of the camera.) Okay. What do you think of the Abbey, Chandler?
Chandler: I think it's great. It's great. Y'know, they're thinking of changing the name of this place.
Joey: Really? To what?
Chandler: To Put the Camera Away!!!
Joey: Man, you are Westminster Crabby. (He starts chasing Chandler towards the Abbey.)
[Scene: A bridal shop somewhere in London. Monica is trying on her red bridesmaid dress, and Emily is watching. A dressmaker is working on Monica's dress.]
Monica: Don't worry. You'll find some place to get married.
(The dressmaker puts a pin in the dress, but accidentally pricks Monica with it.)
Monica: Oowww!!
Dressmaker: Sorry. Lucky this dress is red!
Emily: We can't find another place. Then we can't have the wedding! I've ordered chicken and salad and-and cake for 150. What should be the most wonderful day of my life is rapidly turning into just Sunday with a spectacular amount of food!
Monica: You're gonna find a place. But even if - God forbid - you didn't.. So you postpone the wedding. Is that really so bad? I mean, think about it. You could take all the time you needed to get everything that you want. You could have tulips, you could have salmon.... Mmmmm... Salmon!!
Emily: I suppose it wouldn't be the end of the world... Oh, thank you!
Monica: But either way...
(Emily smiles a bit and looks uncomfortable.)
Monica: Oh, god... She's told you that already, didn't she?!
[Scene: Monica and Rachel's, Phoebe is trying to move off of the couch as Rachel enters.]
Phoebe: Oh. Oh.
Rachel: Oh, honey!  What do you need?
Phoebe: Oh, no. Oh, nothing.
Rachel: Come on! I am here to take care of you! What do you need? Anything.
Phoebe: Okay, I have a wedgie.
Rachel: Okay, that is all you.
Phoebe: So-so, what do you want for lunch?
Rachel: Oh, I don't know. I guess we have to eat.
Phoebe: Yeah, I do. What's the matter?
Rachel: I'm just bummed about the way I left things with Ross. I shouldn't have lied to him about having to work. He seemed so mad at me.
 If someone I was still in love with was getting married...
Rachel: (interrupting) Still in love with?!
Phoebe: Yeah!
Rachel: I'm not in love with Ross!
Phoebe: Oh. No. No. Good! Yeah, me neither.
Rachel: Phoebe, I'm going to Ross's wedding because he is my ex-boyfriend and that would be really uncomfortable. Not because, I'm still in love with him! I mean, hey, y'know, I like Ross as much as the next guy, y'know? Clearly I have feelings for him, but feelings don't mean love! I mean, I still have loving feelings for Ross. Yeah! But, I have, I have continuing feelings of love, but that doesn't mean that-that I'm still in love with him. Y'know? I-I have sexual feelings for him, but I do love him-Ohh! Oh my God! Oh my-why didn't you tell me?!!
Phoebe: We thought you knew!
Rachel: We?!
Phoebe: Yeah, we all know! We talk about it all the time!
Rachel: You all know? Does Ross know?
Phoebe: Oh no, Ross doesn't know anything.
Rachel: Oh, I can not believe you didn't tell me!
Phoebe: Well, because we thought you knew!! It's so obvious! God, that would be like telling Monica, "Hey, you like things clean." Or, y'know, "Hey, Joey, you're gay."
(Rachel stares at her.)
Rachel: What?!
Phoebe: Oh, please! She's always got a broom in her hand!
[Scene: A park in London, Joey and Chandler walk up to a souvenir stand.]
Joey: Hey!
The Vendor: So, what are you guys in the market for? We've got uh, scarves, tulip post cards...
Joey: Check this out? Huh? (Joey has this big tall hat with a British flag on the front of it.) Yeah. That's the stuff. What do you think?
Chandler: Well, I don't have to buy that, "I'm with stupid" T-shirt anymore.
Joey: Well, I like it. Here you go. (He pays for the hat.)
Chandler: All right, look, you're not really gonna buy that are you? Don't you think you've embarrassed me enough for one day?
Joey: Oh, I embarrass you?
Chandler: How can I answer that when I'm pretending I don't know you?
The Vendor: He's just jealous. You'll fit right in; all Londoners wear them!
Chandler: Oh really? Then how come no one here is wearing them?
The Vendor: (looks around) They're all tourists.
Chandler: All right, look, if you insist on wearing that, in public, y'know, you're gonna spend the rest of the afternoon all by yourself.
Joey: Oh yeah? (Puts the hat on.) If you're gonna make me choose between you and the hat? I choose the hat.
The Vendor: Good choice.
Joey: Thanks.
Chandler: Okay, wait. All right, that's it, okay, I'm out of here. I am not going to be embarrassed anymore! (He trips over a box, falls into a flower stand and walks away trying to be cool.)
(A man walks up to Joey and stares at Chandler and the flower stand. Joey turns around to introduce himself.)
Joey: How you doin'? Joey Tribbiani, America.
(Joey shakes his hand. The man looks at him and his hat.)
[Scene: The hotel, Ross's room, Emily is entering.]
Emily: Hello?
Ross: Hey! I just spoke to your dad, and you know what? He seems to think we'll be able to find a new place for the wedding.
Emily: We don't have to.
Ross: Whoa-whoa-what? You found a place?
Emily: No. But, Monica and I were talking, and-and I was so upset about the hall being knocked down, and she suggested that we put the wedding off for a bit.
Ross: She said what?
Emily: She said, "If I'm not gonna be happy getting married somewhere that we find in a day, well then we should just postpone it."
Ross: Postpone it? Emily, do you think Monica realises how much our parents spent on this wedding?  (He puts his pants on backwards.) This isn't right.
Emily: I realise that people are going to be disappointed. But, I'm sure they'll come back when we can do it right.
Ross: I can't ask people to do that? Would you ask people to do that?  (She throws them on the floor.) We have no choice! Anywhere that's half-decent would've be booked months ago, Ross don't you understand? This is our wedding I'm talking about.
Ross: The only thing I understand is; postponing it is not an option. This is when we're getting married.
Emily: So what are you saying? It's now or never?
Ross: No. I'm saying it's now. (He starts putting on his pants, backwards again.)
Emily: Or?
Ross: There's no 'or' in mind. What is wrong with these pants?!!
Emily: It's not the pants. It's you that is backwards. And if, and if you don't understand how important this is to me, well then, perhaps we shouldn't get married at all! (She storms out.)
Ross: (chasing her, trying to zip up his pants. His got them on right now.) No, wait! Emily! No, wait, stop! Emily, please-(He catches something important in the zipper and howls like a little boy and falls to the floor.)
Commercial Break
[Scene: Monica and Rachel's, Phoebe is on the couch as Rachel returns carrying a bunch of shopping bags.]
Phoebe: Hey!
Rachel: (depressed) Hi.
Phoebe: So, did shopping make you feel any better about Ross?
Rachel: Manhattan does not have enough stores.
Phoebe: Well, I think I can help you get over him.
Rachel: You can?
Phoebe: Yeah. I just need you to bring me some photos of Ross.
Rachel: Um-hmm.

Rachel: Okay.
Phoebe: And a glass of tepid water. (She gathers up all of these things.)
Rachel: Ooh, is this one of those things where you throw it in a bag with some graveyard dirt and hang it from a north-facing tree?
Phoebe: Uh, only if you have the hiccups too. Yeah, the pictures are for you, the water and the chocolate is for me. I just didn't feel like getting up. Okay, I'm gonna show you a picture of Ross. Okay? And you're going to remember all of the bad things about him. All right? Really focus on his flaws.
Rachel: I can do that. I certainly did it when we were going out.
Phoebe: Okay. Umm, before we get started, I just wanna say for the record that I love Ross, I think he's such a great guy. Here. (Hands her the picture, Rachel grabs it out of her hand.) Okay, now, close your eyes. And imagine that you're with Ross okay and imagine that you're kissing him. And you're-you're running your hands all over his body.  Hah?
Rachel: I don't know, his uh, his hair never really bothered me that much, and y'know it was always more crunchy than it was greasy.
Phoebe: Okay, this is going to be harder than I thought. Umm, let's try some uh, aversion therapy.
Rachel: Okay.
Phoebe: Okay?
Rachel: All right.
Phoebe: So uh, now look at the picture...
Rachel: Okay.
Phoebe: All right, and umm... (She grabs the picture and smacks her in the head.)
Rachel: Ow!
Phoebe: Okay, how do you feel now?
Rachel: Well, I like you less!
[Scene: Chandler and Joey's hotel room. Chandler is trying to kick his shoe into a trash can that is standing on the TV. He can't do it.]
Chandler: Well, this is just as boring in England.
(Joey returns, still wearing his hat.)
Joey: Hey.
Chandler: Hey. (He nods at the hat.)
Joey: Oh. (Takes off the hat.) Sorry!
Chandler: No-no-no, y'know what? I really shouldn't have said that you were embarrassing me, I mean that really wasn't cool. And if it makes you feel any better, I've had a really lousy day.
Joey: Me too.
Chandler: Yeah?
Joey: Noo!! I've had the best day ever! Dude, check this out!
Monica: (entering) Hey!
Joey: Sh-shh-shh! (He motions for her to watch something he has taped.)
[Cut to the tape Joey made in front of some famous place in London with a rather famous English-type person.]
Joey: (on tape) Okay, so say hi to my friend and tell him that you like the hat.
Fergie: (Yep, Sarah, the Duchess of York) Okay, so umm, what's your friend's name?
Joey: (on tape) Oh, Chandler.
Fergie: Hi Chandler! (Waves)
Chandler: That's... That's was...
Monica: Oh my God!
Joey: That's Fergie baby!!
Fergie: Joey says you don't really like his hat, but I think it's kinda dashing.
Joey: (on tape) So, I hear you're single now...
Fergie: Yeah, ummm, I don't like the hat that much. (She smiles.)
Chandler: How did you? How? How?
Joey: Well, I was trying to figure out how to get to Buckingham Palace, right? So, I'm in my map and-and...(Ross enters) Hey!
Monica: Hey!
Ross: Hi. I understand you had a little talk with Emily.
Monica: (laughs) Yes, I did! And you are welcome!
Ross: Am I?! And was it your idea to postpone the wedding?!
Monica: Umm...
Chandler: I'm gonna go to the bathroom.
Joey: Wait up! (They both run to the bathroom.)
Ross: Hey-hey, since you're the 'fix-it' lady, here's a pickle, what do you do when the bride says she doesn't want to have the wedding at all?
Monica: She said that?!
Ross: Yeah.
Monica: Why?!

Monica: Oh my God. You're even dumber than I am!
Ross: Excuse me?
Monica: Ross, how long have you been planning this wedding?
Ross: I don't know. A month?
Monica: Emily has probably been planning it since she was five! Ever since the first time she took a pillowcase and hung it off the back of her head. That's what we did! We dreamed about the perfect wedding, and the perfect place, with the perfect four-tiered wedding cake (Starting to cry), with the little people on top. (Ross gets thrown a box of Kleenex from the bathroom and he gives her one.) Thanks. But the most important part is that we had the perfect guy who understood just how important all that other stuff was.
Ross: I had no idea. And that-that pillowcase thing, I thought you guys were just doing the flying nun.
Monica: Sometimes we were.
Ross: Come on. You gotta help me figure out what to do. Okay?
Monica: Okay.
Ross: Come on. (They leave and Chandler sticks his head out.)
Chandler: That was pretty intense huh?
Joey: Yeah. (Pause) Hey, I hope Ross didn't think that we just went in there because we were uncomfortable being out here!
Chandler: (glares at him) I hope he did!
[Scene: Monica and Rachel's. Phoebe is on the couch, and Rachel is sitting on the chair.]
Phoebe: Ooh! I thought of a good flaw! Ross pops his gum!
Rachel: Oh, right! (BEAT) Wait a minute, I do that too.
Phoebe: Yeah, I know. It drives me crazy.
(The phone rings.)
Phoebe: I'll get it.
(She answers it.)
Phoebe: Hello.
Joey: (on phone) Hey, Pheebs! It's Joey!
Phoebe: Hey, Joey! Hey! Ooh! Ooh! I just say someone on the-that looks just like you on the subway.
Joey: That just cost me four bucks. But uh listen, I just called to see how the chick and the duck are doing?
Phoebe: Ohh, they're having a great time with their Aunt Phoebe! Aunt Rachel hasn't been helpful at all. So, do you miss me?
Joey: Kinda, but I've just been having way too much fun.
Phoebe: So you're not homesick yet?
Joey: No, I don't think so.
Phoebe: All right, the seven of us miss you.
Joey: Who's seven?
Phoebe: Y'know, me, Rachel, the birds, the babies...
Joey: Ahh, the babies miss me?
Phoebe: Of course they do! Or I'm just really hungry.
(There is a knock on Rachel and Phoebe's door.)
Phoebe: Ooh, the pizza guy's here!
Joey: What? You ordered pizza without me?!
Phoebe: Yeah. But y'know we were thinking about you, y'know we ordered the Joey Special.
Joey: Two pizzas?!
Phoebe: Yep! Okay, gotta go, talk to you later.
Joey: Wait, well, where did you get it from?!
(Phoebe has already hung up, leaving Joey in the dark. So Joey decides to watch some TV and turns on a rerun of Cheers, with the theme song playing. At first, he's happy, but as the song progresses Joey gets depressed and homesick.)
[Scene: Ross and Emily's planned wedding place, Monica is dragging Emily in.]
Emily: Monica, why have you brought me here of all places?!
Monica: You'll see.
Emily: I tell you, this wedding is not going to happen.
(At that Ross plugs in some Christmas lights to light the place up.)
Emily: Oh God.
Ross: Okay? But-but imagine a lot more lights, okay? And-and y'know fewer bricks, and-and-and flowers, and candles...
Monica: And the musicians, look, they can go over here (Points to a little alcove), okay? And the chairs can face this way (Points), and... (Points to Ross) You go.
Ross: But-but, if you don't love this, we'll do it in any other place at any other time. Really, it's fine, whatever you want.
Emily: It's perfect.
Ross: And, I don't know, if it starts to rain...
Emily: Well then we'll get wet. (They kiss.)
Monica: Ohh. And I don't even have a date.
[Scene: Monica and Rachel's, Rachel is in her bedroom.]
Rachel: Pheebs?
Phoebe: Yeah?
Rachel: Do you remember where the duck food is?
Phoebe: Yeah, it's in the guys' apartment under the sink. Why?

Phoebe: What?! What do you mean you're going to London?
Rachel: Yeah, I have to tell Ross that I love him. Now honey, you take care, you don't have those babies until I get back. (Kisses her stomach.)
Phoebe: But what about all the "finding-his-flaws" stuff we've been doing?
Rachel: Yeah, that didn't work.
Phoebe: I-Rachel, you can't go! Ross loves Emily!
Rachel: Yeah, I know, I know, I know he does. But I have to tell him how I feel! He deserves to have all the information and then he can make an informed decision.
Phoebe: That's not why you're going! You're going because you hope he's gonna say, "Yeah, I love you too, Rach. Forget that British chippy."
Rachel: Ohh-Do you think he will?!
Phoebe: No! Because he's in love with the British chippy!  Y'know, it's too late! You missed you're chance! I'm sorry, I know this must be really hard, it's over.
Rachel: Y'know what? No. It's not over until someone says, "I do." (Exits)
Phoebe: I do! I do! I do! (Chases her into the hall, but Rachel doesn't stop.) I do! (Gives up.) Ugh, like I can really chase you. I'm carrying a litter.
Commercial Break
[Scene: Moving Shot towards The Waltham House. A phone is ringing.]
Housekeeper: The Waltham Residence.
Phoebe: Oh...yes..is this..umm..Emily's Parents' house.
Housekeeper: This is the housekeeper speaking. And by the way, young lady, that is not how one addresses a person on the telephone. First one identifies oneself and then asks for the person with whom one wishes to speak.
Phoebe: What are you saying?!
Housekeeper: Now, let us try that again, shall we?
(The housekeeper hangs up.)
Phoebe: (Shocked) No! Ooh! Oh my god! (Dials again.)
Housekeeper: The Waltham Residence.
Phoebe: (In a British accent) Hello. This is Phoebe Buffay. I was wondering, please, if-if it's not too much trouble, please, umm, might I speak to Miss Emily Waltham, please?
Housekeeper: Miss Waltham, is at the rehearsal dinner and it's not polite to make fun of people. Goodbye.
Phoebe: No no no, I'll be nice, I swear!!! Could you just give me the number for where they are?
Housekeeper: I'm afraid, I'm not at liberty to divulge that information.
Phoebe: Ok, somebody is on their way to ruin wedding okay. And I have to warn somebody, alright.
Housekeeper: Hangs up.
Phoebe: Hello, Hello.
[Scene: Rehearsal dinner hall. Ross and Emily are standing in the reception area. Monica arrives with her parents.]
Monica: Hey.
Ross: (Ross hugs his mom and dad)Hi. Mom. Dad.
Mrs. Geller: Sweetheart. Oh sorry were late, my fault, I insisted on riding the tube.
Mr. Geller: (embarrassed) Judy, the kids..
Mrs. Geller: Jack, that's what they call the subway.
Mr. Geller: Ohh, I thought that you....
Ross and Monica: Dad, dad. We got it!! We Got It!!!
Emily: Ohh, here comes my dad and stepmum. Mister and Misses Geller, this is Steven and Andrea Waltham.
Mr. Waltham: (Shaking everyone's hand.) Hello. Hello. How do you do? How do you do? Very nice to meet you. (Looking over at his wife.) Darling it's the Gellers. (She pays no attention she's talking on a cellular phone.) (Louder) Darling, it's the Gellers. (She's still not responding.) She's very self-absorbed, you know. I should never have married her.
Mrs. Waltham: (Looking evilly at her husband) Sorry, what?
Mr. Waltham: It's the Gellers!
Mrs. Waltham: Where?
Mr. Waltham: Well there's one (pointing towards Jack) and there's another (pointing towards Judy).
Mrs. Waltham: Lovely to meet you.
Mr. Waltham: Terribly nice of you to offer to pay for half the wedding. (He hands a multipage bill to Jack.)
Mr. Geller: Ohh forget it. Too hell with tradition, we're happy to do it.
Mrs. Geller: We know how expensive weddings can be, besides this may be the only wedding we get to throw (patting Monica on the shoulder.).

(Ross quickly directs the families to their tables.)
[Scene: Chandler and Joey are standing by the kitchen entrance. A waiter comes out.]
Waiter: Sir? (Looking at Joey and holding a tray of food.)
Joey: What's in it?
Waiter: Goat cheese, water chestnuts, and panchetta. (Joey Looks down disgustingly at the food.)
Joey: (Looking up at the waiter)That's not food...No, I don't, no...(Taps Chandler on the shoulder.) Everything's different here...I want to go home. I...I miss my family. I miss the coffee house. I can't even remember what Phoebe looks like.
Chandler: Joey, it's been three days, okay..  Would you just try to relax. Just, just try to enjoy yourself.
Joey: (Pointing at Chandler.) Your different here too. Your mean in England. (Chandler throws his hands up to his head in frustration. They walk away from each other.)
[Camera pans to the Geller family table. Ross, Rachel, Mr. and Mrs. Geller are there.]
Mr. Geller: (Looking at ht wedding bill.)
Ross: what's up, Dad?
Mr. Geller: This bill for my half of the wedding. it's insane.
Mrs. Geller: How could it be so much? The receptions at their house.
Mr. Geller: (Pointing items out on the bill.) Flowers, liquor, recarpet first floor. New guest bath, landscaping. I'm paying to remodel this guys house. (Angrily gets up.)
Ross: (Holding him back.)Dad, dad, please.  Alright, she's had a hard enough couple of days as it is. (Picks up the bill.) Now here, here, let me go talk to him, okay?
Mr. Geller: And you tell him no one takes advantage of the Gellers.
Mrs. Geller: Ooh, Jack....(He looks over to her) Sometimes I forget how powerful you can be. (They embrace and kiss passionately.)
Monica: (Looking nauseous from her parents kissing.) And I'm going to go get drunk. (Gets up to get a drink.)
[Scene: John F. Kennedy International Airport, Rachel is running to the ticket counter.]
Rachel: Ooh, ooh, ooh,ooh,ooh. (Slightly out of breath) Hi.
Ticket Agent: (Cheerfully.) Hello.
Rachel: (Faking cheerfulness.) Hello. Umm, when is your next flight to London?
Ticket Agent: (looking at her computer terminal) There's one leaving in thirty minutes.
Rachel: Ohh, good.
Ticket Agent: And I do have one seat left.
Rachel: Ohh, thank you, thank you, thank you.
Ticket Agent: The last minute fare on this ticket is twenty seven hundred dollars.
Rachel: (Pause) Huh.. How about 600?
Ticket Agent: Sorry.
Rachel: How about 600 and these earrings? (Shows the ticket agent her earrings.)
Ticket Agent: They prefer it if I don't barter.
Rachel: (looking through her wallet.) Ohh, I just don't think I have enough left on my credit card.
Ticket Agent: Well you can split it with another credit card.
Rachel: Ohh, okay, how about five. (She hands her all the credit cards.) Ohh, thank you.
Ticket Agent: I'm just going to need to see your passport.
Rachel: (Looking through her purse.) Okay, you know what? I don't have it, but I can tell you exactly where it is on my night stand, and...okay. But you know what? I have my drivers license and I have a twenty. (She slides it across the counter.)
Ticket Agent: (Slides the twenty back and tosses her credit card onto the counter.)
[Scene: The Rehearsal dinner hall. Ross is at the Walthams' table discussing the bill.]
 Now I might be able to get you the new lawn.
Mr. Waltham: Ahh, then you have to give us the lawn ornaments.
 I mean we had an agreement. (Ross looks frustrated. She begins to scream at her husband.) Will you say something, Steven?! Please!!!
Mr. Waltham: Don't take that tone with me. (She looks evilly at him.) All-all right you can. (He looks over at Ross and Shrugs.)
[Scene: Monica and Rachel's, Phoebe is dialling the phone and Rachel runs in the door.]
Rachel: (Running to her room.) Hi, Pheebs.
Phoebe: (Looking relieved. She puts down the phone.) Oh thank god. Oh, you changed your mind. Oh, look I know you probably want to be alone, and you don't want to talk about it, that's fine. I just want you to know, I think you are doing the right thing and...
Rachel: (Running back out the door with her passport.) Bye, Pheebs.
Phoebe: (Trying to get up.) Wait!! Where are you going?! What are you doing?! No!! Wait!! (Not able to get up.) God!! Why am I always pregnant when she does that?!
[Scene: The Rehearsal Dinner Hall. Chandler, Joey, Ross, Emily, Monica, and all the bridal party are seated at the table. Chandler gets up to make a toast. He clinks his glass, but the napkin is still in the glass. Needless to say, it sounds weird. He takes out the napkin and clinks his glass again.]
Chandler: I'd like to toast, Ross and Emily. Of course, my big toast will be tomorrow at the wedding, so this is kind of my little toast or Melba toast, if you will. (No one in the room laughs. He starts to get flustered.) Okay. I known Ross for a long time. In fact, I knew him when he was going out with his first girlfriend. (Ross looks embarrassed.) And I thought things were going to work out for him.. Until the day he over inflated her. (He laughs. Jack looks at Judy and no one in the room laughs.) Ohh, Dear God.. (A cellular phone rings.)
Mrs. Waltham: Hello, Waltham Interiors.
Phoebe: Oh, hi, Mrs. Waltham. I need to speak with ether one of the best men, or Ross's sister Monica.
Mrs. Waltham: Who is this?
Phoebe: Oh, I'm Phoebe Buffay. I'm one of Ross's best friends.
Mrs. Waltham: Where did you get this number?
Phoebe: I got it from your maid. She's a bitch, but I wore her down.
Mrs. Waltham: Well, if you're one of Ross's best friends, why aren't you here?
Phoebe: Yeah, um, I can't fly. I'm having my brother's babies.
Mrs. Waltham: Oh, am I on the radio?
Phoebe: No..umm, could I talk to one of them? It's very very important.
Mrs. Waltham: No, I'm bored with you now.  (She hangs up.)
Phoebe: Ohh!
Chandler: (Continuing his toast.) And I'm sure we're all very excited that Ross and Emily are getting married at Montgomery Hall. I mean to think, my friend getting married in Monty Hall. (No reaction from the people.) Ohh, come on!! Monty Hall!! Lets make a Deal!!  All right, forget it!! Congratulations, Ross and Emily. (He sits down.)
Joey: Hey, best man number two, Joey Tribbiani. Now I'm not good with the jokes like Chandler here. Boy...but ahh, I just want to say congratulation to the happy couple. I first met Ross in this coffee house back home...Home...New York City...Where everybody knows my name. Well anyway, I love you guys. (pointing at everyone.) But not as much as I love America. (Looking at Chandler.) Could we please..go home now?
(One of the bridesmaids, Felicity, puts her arm around Joey.)
Felicity: (Putting her arm around Joey.) Are you going home? I was hoping to get to know you better.
Joey: (Putting his arm around her.) I'm not going anywhere, sweetheart.
[Scene: Later that evening at the rehearsal dinner. Chandler and Monica are sitting on a sofa. Chandler is covering his face in embarrassment because of the toast.]
Monica: I was laughing. (Patting him on the knee.)
Chandler: Out loud?

Chandler: So how are you doing?
Monica: My mother's driving me crazy, but Ross is getting married. I'm happy. (A drunken man approaches.) I'm not going to let anything spoil that.
Drunk Man: I just want to say that Ross is a wonderful young man.
Monica: Well, thanks, we like him.
Drunk Man: My god!! You must have been a teenage when you had him. (Monica stares straight forward after the comment. Chandler tries to console her by patting her on the shoulder.)
(Ross and Emily's parents are seated at a table. Ross is between them and they are discussing the wedding bill.)
Mr. Geller: There's no way in hell, I'm paying for it.
Ross: Look, were down to just one point. Could we please, maybe just settle it after the wedding.
Mr. Geller: All-right fine, but I just want to say, I'm not paying for your wine cellar. You thieving, would be speaking German if it weren't for us, cheap little man. (Emily's stepmum looks shocked. Jack and Judy get up and leave.)
(Chandler's trying to console Monica.)
Chandler: The guy was hammered, okay?
Monica: Then why would he say it?
Chandler: Because he's crazy. Okay? He came up to me earlier and thanked me for my very moving performance in Titanic.
Monica: Oh, my mother's right. I'm never going to get married.
Chandler: Ahh, you know what? That is....Who wouldn't want you?
Monica: Ohh, Please?! I'm a single mom, with a thirty year old son!!
[Scene: The airport. Rachel runs up to the ticket counter.]
Rachel: Hi, I'm back. Listen, I need to...
Ticket Agent: Hello.
Rachel: Hello. I need to get on the 11 o'clock flight.
Ticket Agent: Oh I'm afraid that plane has already pulled away from the gate.
Rachel: Okay, you know what?
Ticket Agent: I can't do that.
Rachel: Sure, you know what? Come on, we'll just tell them that there was like a problem with like the "engine".
Ticket Agent: I'm afraid I'm going to have to ask you to step aside, Miss.
Rachel: Look, If I don't get to London!! He is going to marry that other girl!!!
Ticket Agent: I can't imagine why.
Rachel: All right, you know what? I am not leaving here, until you call that plane back!! (She pounds her hand on the counter twice. The ticket agent counters by placing the closed sign on the counter and tapping it twice.)
[Scene: Chandlers hotel room. Ross bursts into the room.]
Ross: (Screaming) I'm getting married today!! Whoo-hoo!!
Chandler: (With the covers pulled up to his chin.) Morning, Ross.
Ross: I'm getting married, to..day!!
Chandler: Yeah you are!!
Ross: Ahh, whoo-hoo!!(He runs back out the door.)
Monica: (Comes up for below the covers and looks concerned.) Do you think he knew I was here? (Chandler quickly looks at Monica not knowing what to say.)
Commercial Break
[Scene: The Virgin Atlantic flight to London that Rachel is on.]
Rachel: Ohhh.(she rhythmically taps her hands on the magazine on her lap.)
Passenger: Ahh, ahh, excuse me.
Rachel: Yeah?
Passenger: If you're planning on doing that throughout the entire flight. Please tell me now. So that I could that a sedative...or perhaps slip you one.
Rachel: Oh. I'm sorry. I'm very sorry. Sorry. (She hums and sighs happily.) It's just, I'm ahh, I'm kinda excited. I'm, ahh, going to London to ahh, tell this guy that I love him and... (He puts his headphones on to ignore her.)
[Scene: Chandlers hotel room. Chandler and Monica are lying in the bed together talking. There's an awkward air between them. They are both clutching the covers in from of them.]
Chandler: Well I've-I've never done that with you before.
Monica: (In am uneasy voice.) Nope. (She chuckles uneasily.)
Chandler: So, ahh, how are ya? How ya...How ya... You okay?
Monica: Yep, yep...You?
Chandler: Yes...Yes..Uh-huh, You?(Looking over at her. She looks back.) We did you.
Monica: Well...I'd better get going.
Chandler: Oh yea yea, absolutely.
Monica: (Scoots towards the side of the bed.) Could you not look?
Chandler: I don't want to look.
[Scene: Joey enters his hotel room. The phone is ringing.]
Joey: Hello?
Phoebe: (Angrily.)
Joey: Hey. I spent the night out. I met this cute bridesmaid. She is so...
Phoebe: I don't want to hear about her!!
Joey: Ahh Pheebs, you know you're still my number one girl.
Phoebe: No! No, we have an emergency. Okay? Rachel's coming to London.
Joey: Ohh great!!!
Phoebe: No it's not great. No, she's coming to tell Ross that she loves him.
Joey: (Confused.) But, he loves Emily?
Phoebe: I KNOW THAT!!! You have to stop her!! She's going to ruin the wedding!!
Joey: Okay.
Phoebe: All right, so, okay...
Joey: Hold on. Hold on. (Picking up a note pad and writing and reading the message aloud.) Rachel coming. Do...Something.
Phoebe: Okay, so I'm done my part, okay. It's your responsibility now, okay. The burden is off me, right?
Joey: Right!
Phoebe: So tell me about this girl?
[Scene: The plane. Rachel's telling her story to the passenger on her left. The one on her left is still wearing his headphones.]
Rachel: ...And so then I realised. All this stuff I had been doing. proposing to Joshua, lying to Ross about why I couldn't come to the wedding. Was all just a way of...
Passenger: (Frustrated he takes his headphones off.) Oh, oh oh!! I'm sorry, can I interrupt?
Rachel: Ehh, pardon me?
 I'm afraid I have to agree with you friend Pheebs.. This is a..this is a...terrible, terrible plan.
Rachel: But he has to know how I feel!
Passenger: But why? He loves this...this Emily person. No good can come of this.
Rachel: (Sighing) Well I-I think your wrong.
Passenger: Oh-no.(He bites his fist at her.)
Rachel: Well, he doesn't really love her. I mean, it's just a rebound thing from me.... You'll see!
Passenger: Fortunately, I won't. And by the way, it seems to be perfectly clear that you were on a break. (Rachel gasps and doesn't know what to say. He puts his headphones back on.)
[Scene: The guys hotel room. Joey's sitting on his bed, holding the note he wrote while talking to Phoebe. He's patting the note with a pen and staring off into space.]
Joey: Do something..... Something....
(Chandler comes out of the bathroom in a robe.)
Joey: Hey.
Chandler: Hey.
Joey: Have you seen Monica?
Chandler: (Very defensive.) I'm not seeing Monica.
Joey: (With a confused look on his face.) What?
Chandler: What?
Joey: Look we've got to find her. Phoebe just called!! Rachel's coming to tell Ross she loves him!!
Chandler: Oh my god!
Joey: I know! That's why we got to find Monica!! You know where she is?
Chandler: No!! Okay!! What's with the third degree?! Why don't you just shine a light in my eyes?! (Joey looks totally confused.)
[Scene: The church where Ross and Emily are to be married. Judy, Andrea, and Monica enter together.]
Mrs. Geller: (Looking around at the chapel.) Oh my God! It's like a fairyland.
Mrs. Waltham: I know, it's horrible isn't it?
Monica: Well, I love it. I only hope my wedding looks this good.
Mrs. Geller: I just hope...
Monica: (Angrily.) You can let some of them go by!(Judy and Andrea go to the front of the chapel. Joey approaches Monica.)
Joey: (Whispering.) Pisst, Monica. Alright, we really need to start looking out for Rachel. I'll cover the front door. You watch that big hole at the back of the building and I got Chandler covering Ross.
Monica: (Awkwardly.) Why would I care where Chandler is? You know uhh...You know sometimes I don't even like Chandler.
Joey: Okay. (They both walk off to watch for Rachel.)
(Ross and Chandler are standing next to the alter. Ross is practising for the wedding.)
Ross: (Using a slightly different inflection for each.) I do. I do. I do.
Chandler: Oh yea, your right. It's the second one.
Ross: (Very Nervous)Really?
[Scene: Joey's in the front entrance watching for Rachel. The bridesmaid he met at the rehearsal dinner come in.)
Felicity: (In a sexy voice.)Hello Joey.
Joey: Hey, Felicity.
Felicity: Umm, I thought about you all day.
Joey: Yeah.
Felicity: Um-hum. Talk New York to me again.
Joey: (In a New York accent.) Fuggetaboutit. (She giggles.) How you doin?
Felicity: Mmm. (She pushes him up against the wall and they begin to kiss.)
Joey: Oh, yeah.
(Back in the chapel. The parents are still fighting over the bill. Ross is refereeing.)
Mrs. Geller: There's nothing to discuss. We're not paying for your wine cellar.
Mr. Waltham: (Pleading.) You-you have to meet me in the middle here.
Mr. Geller: (Forcefully.)
Ross: Dad!! (Emily comes running in.)
Emily: What-what's going on?!
Ross: Nothing, nothing. Everything's under control.
Mr. Waltham: You want a piece of me, sir? Is that what your saying? (Pointing at Jack and poking him) You want a piece of me?
Ross: (Stepping in between them.)Okay! Okay! That's it!! Parents!! Parents!! Back away!! All right, this is our wedding day! From now on everyone gets along, and if I hear one more word. NO GRANDCHILDREN! (Pointing at his mother.) That's right!!
Mr. Geller: Okay, okay.
Mr. Waltham: Sorry old boy, sorry. Sorry. Sorry. (Them all walk away. As he leaves he mutters to Jack.)
Emily: What was all that about?
Ross: (Sighing.) It was...This disagreement over...(She sighs. Ross notices her in her wedding dress.) My god. You...you look beautiful.
Emily: (Giggles.) Ohh...(She realises that she's in her gown.) Oh! You were not meant to see me before the wedding. It's bad luck.
Ross: You know what, I think we've had all the bad luck we're going to have. (He hugs her.)
(The front entrance. Joey and the bridesmaid are up against the wall kissing. Rachel comes in the door and walks by Joey unnoticed. She walks into the chapel and sees Ross and Emily kissing. She looks as though she wants to cry. Emily walks away and Ross turns and sees Rachel standing there.)
Ross: My God. Rachel! (He walks towards her, grasps her hands and kisses her on the cheek.) Your here. I can't believe it. (She giggles.) What happen? Why are you here?
Rachel: Well I just came...(She touches him near his heart. She's almost in tears.) I just needed to tell you...(Looking into his eyes. She takes a deep breath.) Congratulations. (He hugs her. She can barely hold back the tears.)
[Scene: Camera fades to one of the band members playing guitar at the wedding. The chapel is full of guest. A groomsmen escorts a bridesmaid down the isle. Joey is waiting with Mrs. Waltham to escort he down the isle. A cellular phone rings.]
Mrs. Waltham: (Answering the phone.) Hello, Waltham Interiors.
Phoebe: Mrs. Waltham. Hi. It's Phoebe again.
Mrs.  Why?!
Phoebe: Yea. Can I please, please, please talk to one of the best men? This is going to be the last time I promise.
Mrs. Waltham: (Slapping the phone into Joey's chest.) Joey there's a girl on the phone for you.
Joey: (Smiling.) Ohh great!! (Putting the phone to his ear.) Hello. (He begins to escort her down the aisle.)
Phoebe: Joey, it's Phoebe. Did you stop Rachel?
Joey: No, but it's okay. She just came in and gave him a hug, that it.
Phoebe: So nothing got ruined?
Joey: No.
Phoebe: Oh that's so great! Ohh, so what's going on now?
Joey: Ah, I'm-I'm walking down the aisle...Still walking. (Mrs. Waltham takes her place.) I'm about to pass the bridesmaid I hooked up with last night. (Looking at the bridesmaid.) Hey! (Talking to Phoebe.) I told her "Hey." And now I'm at the front with Ross. It's Phoebe. (He shows Ross the phone.) He looks pretty mad. Uh...I'd better go.
Phoebe: No!! wait, wait, wait!! Oh please, hold it up so I can listen. (Joey looks at Ross and holds the phone above Ross's shoulder.)
(Chandler escorts Monica down the aisle.)
Chandler: What we did last night was....
Monica: Stupid.
 (He nods his head at the people seated.)
Monica: What were we thinking?
Chandler: I'm coming over tonight though, right?
Monica: Oh yeah. Definitely.
(They quickly take their places and Here Comes the Bride begins to play. Everyone seated looks back. Emily is being escorted up the aisle by her father. She kisses him on the cheek and takes her place by Ross's side.)
Minister: Friends. Family. We are gathered to celebrate here today the joyous union of Ross and Emily. May the happiness we share with them today be with them always. Now Emily, repeat after me. I, Emily...
Emily: I, Emily...
Minister: Take thee Ross...
Emily: Take thee Ross...
Minister: As my lawfully wedded husband, in sickness and in health, till death parts us.
Emily: As my lawfully wedded husband, in sickness and in health, until death parts us.
Minister: Now Ross, repeat after me. I Ross...
Ross: I Ross...
Minister: Take thee, Emily...
Ross: Take thee, Rachel...(All his friends have looks of shock on their faces. He realises what he said. Quickly he says.) Emily. (A slight chuckle.) Emily.
(Rachel looks all around as if all the eyes in the chapel were looking at her.)
Rachel: (To the woman sitting in front of her) He-he said Rachel, right? Do you think I should go up there?
Minister: (Looking and feeling awkward. he looks towards Emily.) Uhh...Shall I go on?
{Transcriber's Note: This is orginally where the season four cliffhanger was. So you all have to wait four months before reading on.}
Emily: Yes, yes, do go on.
(Cut to the parents.)
Mr. Geller: (to Mr. Waltham) He better go on for what I'm paying.
Mr.
Minister: I think we'd better start again. Ross, repeat after me. I, Ross...
Ross: I, Ross...
Minister: Take thee, EM-I-LY...
Ross: Take thee, (Glares at the Minister) Emily. (Chuckles) Like there'd be anybody else. (Emily is glaring at him.)
Minister: As my lawfully wedded wife, in sickness and in health, till death parts us.
(Cut to the Walthams.)
Mrs. Waltham: (to Mr. Waltham) Looks like that might come any minute.
Ross: As my lawfully wedded wife, in sickness and in health, until death parts us. Really, I do. Emily. (Points at her.)
Minister: May I have the rings? (He is given the rings) Emily, place this ring on Ross's finger as a symbol of your bond everlasting. (She jams the ring onto his finger) Ross, place this ring in Emily's hand as a symbol of the love that encircles you forever.
Ross: Happy to.
Minister: Ross and Emily have made their declarations and it gives me great pleasure to declare them husband and wife.
Ross: Yay!
Minister: You may kiss the bride.
(He goes to kiss her, but she isn't very receptive of the kiss.
Mrs. Geller: (To Mr. Geller) This is worse than when he married the lesbian.
(The band starts to play, and the recessional starts. Ross tries to take Emily's hand, but she snatches it away from him.)
Emily: Just keep smiling.
Ross: Okay.
Joey: Well, that went well. Yeah.
Chandler: It could've been worse, he could've shot her.
(Ross and Emily make it to the lobby.)
Ross: (laughs) That uh, that was pretty funny. Wasn't it?
(Emily gives him a forearm shot across the stomach.)
Commercial Break
[Scene: The Wedding reception, Ross and Emily are in the bathroom and Emily is yelling at him. Rachel, Chandler, Joey, and Monica are standing outside the doorway.]
Emily: (Yelling from inside the bathroom) You've spoiled everything! It's like a nightmare! My friends and family are out there! How can I face them?! How can you do this to me?!
Joey: (To the gang) Hey, no matter what happens with Ross and Emily, we still get cake right?
Ross: (exiting the bathroom) That-that-that's all right, no honey, you take your time sweetie. I'll be right out here. (She slams the door in his face, to the gang) She's just fixing her makeup.

Ross: And, I love you!! (He walks into the living room)
Mr. Geller: Boy, bad time to say the wrong name, huh Ross?
Ross: That's true, thanks dad. (To All) People should be dancing! Huh? Hey, this is a party! Come on! Joey, dance!! (He starts to dance but stops when no one else joins him.)
(Mrs. Waltham's phone rings and she answers it.)
Mrs. Waltham: Yes, Waltham interiors.
Phoebe: (On the phone, in New York) Uh, hello, this is Ross Geller's personal physician, Dr. Philange.
Mrs. Waltham: Who?

Phoebe: No, not Phoebe, Dr. Philange. Oh no! You have it too!
(Mrs. Waltham hangs up on her.)
Phoebe: Hello?
(Cut to Chandler and Monica at the buffet table.)
Chandler: Hey.
Monica: Hey.
Chandler: Oh wow, I hope you don't take this the wrong way but, I know we had plans to meet up tonight and, ugh, I'm just kinda worried about what it might do to our friendship.
Monica: I know. How could we have let this happen?
Chandler: Seven times!
Monica: Ugh! Well, y'know, we were away...
Chandler: In a foreign, romantic country...
Monica: I blame London.
Chandler: Bad London! (Takes a spoon and smacks the turkey.)
Monica: So look umm, while we're st-still in London, I mean, we can keep doing it right?
Chandler: Well, I don't see that we have a choice. But, when we're back home, we don't do it.
Monica: Only here.
Chandler: Y'know, I saw a wine cellar downstairs...
Monica: I'll meet you there in two minutes.
Chandler: Okay!
(He throws down his plate and runs to the wine cellar, Monica is about to follow him but is intercepted by Rachel.)
Rachel: Mon, honey, I gotta ask you something.
Monica: (impatiently) Now?

Monica: Oh, I-I don't know.
Rachel: Monica, what should I do?
Monica: Just uh, do the right thing. (Uses some breath spray)
Rachel: What?
Monica: Toe the line. Thread the needle. Think outside the box! (Tries to leave, but is stopped by Rachel.)
Rachel: Whoa, wait, listen, I think I'm just gonna talk to Ross about what he think it meant.
Monica: Wait. Rachel, no, he's married. Married! If you don't realise that, I can't help you.
Rachel: Okay, you're right. You're right. You can't help me.
(Cut to Mr. and Mrs. Geller.)
Mrs. Geller: Jack, is it all our fault? Were we bad parents?
Mr. Waltham: (walking by) Yes.
Mr. Geller: Oh yeah, well who serves steak when there's no place to sit, I mean how are you supposed to eat this?
Joey: Hey, what's up? (He has solved the problem of eating the steak, he's eating it with his hands.)
Joey: (motions to himself and Mrs. Geller and grins) You and me, next dance?
(Cut to Rachel who is walking past Mrs. Waltham.)
Mrs. Waltham: Sweetheart, sweetheart...
Rachel: Yes?
Mrs. Waltham: You know, we're all wondering who this Rachel is. Can you point her out to me?
Rachel: Oh, you know what? Rachel.. She just left. (Points at the entrance.)
Mrs. Waltham: Oh.. Never mind. Who are you?
Rachel: Ra.... Er.. Barbra.
Mrs. Waltham: Red Barbra?
Rachel: Yeah. (Smiles uneasily.)
(Cut to Monica and Chandler, Monica is running up to him.)
Monica: Where were you? We were supposed to meet in the wine cellar?
Chandler: Forget it, that's off.
Monica: Why?!
Mr. Waltham: (drunkenly) The next tour of the wine cellar will plan in two in-in minutes...
(Joey walks up to them.)
Monica: Joey, what are you doing? You promised Phoebe you wouldn't eat meat until she has the babies!
Joey: Well, I figured we're in another country, so it doesn't count.
Monica: That's true.
Chandler: The man's got a point.
(Cut to Rachel and Ross.)
Rachel: Oh, hi!
Ross: Hi!
Rachel: Hi. Sorry, things aren't working out so well.
Ross: Oh no! It could be better, but it's gonna be okay, right?
Rachel: Oh yeah! Of course, I mean, she's gonna get over this, y'know? I mean, so you said my name! Y'know you just said it 'cause you saw me there, if you'd have seen a circus freak, you would've said, "I take thee circus freak." Y'know, it didn't mean anything, it's just a mistake. It didn't mean anything. Right?
Ross: No! No! Of course it didn't mean anything! I mean, uh well, I can understand why Emily would think it meant something, y'know, because-because it was you...
Rachel: Right...
Ross: But it absolutely didn't. (Yelling towards the bathroom) It didn't!! It didn't!!
Joey: (approaching) Ross, hey, the band's ready outside for your first dance with Emily, so...
Ross: (sarcastic) Oh! Oh-oh, the band's ready!
 (Wipes his face.)
Ross: Look, I'm sorry.
Joey: Emily is kinda taking a long time, huh?
Rachel: (laughs) Y'know when I locked myself in the bathroom at my wedding, it was because I was trying to pop the window out of the frame.
Ross: Oh, right!

(They all start laughing, and quickly stop when they realise what she just said and run over to the bathroom.)
Ross: (Bangs on the bathroom door) Emily? Emily? I'm coming in. (He opens the door to reveal that the window is gone, along with Emily.)
Rachel: Well, look at that, same thing.
[Scene: London Marriott, Monica and Chandler are walking to her room.]
Chandler: Listen, in the middle of everything if I scream the word, "Yippee!" just ignore me.
(She laughs and opens the door to reveal Rachel sitting on the bed.)
Monica: Oh my God, Rachel! Hi!
Chandler: Oh, hello Rachel.
Rachel: Ross said my name. Okay? My name.
Monica: How did you get in here?
Rachel: If anybody asks, I'm your sister, Joan. Listen. C'mon, you guys. Ross said my name up there that obviously means that he still loves me!
Chandler: (to Monica) Your sister Joan is crazy.
Rachel: (They both just stare at her.)Y'know what? Fine, I don't care.
Chandler: Yes, we do. But, we have to change first.
Monica: Yes, I want to change.
Chandler: Yeah, we'll be down in like five minutes.
Monica: (elbows him) Fifteen minutes.
Rachel: Okay.
(The phone rings and Rachel answers it.)
Rachel: Hello? Oh, Pheebs! (To them) It's Phoebe!
Chandler: Oh, yay...
Monica: Great...
Rachel: Hi!
Phoebe: Hi, so what happened?
Rachel: Well, Ross said my name.
Phoebe: Yeah, I know, but I don't think that means anything.
Rachel: Okay, Pheebs, y'know what, let's look at this objectively all right? Ninth grade, right? The obsession starts. All right? The summer after ninth grade he sees me in a two-piece for the first time, his obsession begins to grow. So then...
Chandler: (To Monica) Hey, listen, why don't we go change in my room?
Monica: But my clothes are-ohh! (They both leave.)
(Cut to Chandler's room, he opens the door slowly to see if Joey is there and after seeing that he isn't, ushers Monica into the room, closes the door, and the security bar.)
Chandler: Wow, you look...
Monica: No time for that!
(They both start to frantically rip each other's clothes off, but are interrupted when Joey tries to open the door.)
Joey: Hey, dude, let me in. I got a girl out here!
Chandler: Well, I've got a girl in here.
Joey: No you don't, I just saw you go in there with Monica!
Chandler: Well, we're-we're hanging out in here!

Chandler: Well, I suppose I'd have to say you!! But, what if we're watching a movie in here?
Monica: Which we are, and-and we already paid for it. It's My Giant!
Joey: My Giant? I love that movie!
[Scene: Ross and Emily's room, Chandler and Monica are still looking for a place to do the deed.]
Monica: You really think this is okay?
Chandler: Well, Ross and Emily aren't gonna use it.
Monica: Oh, it's so beautiful. Ohh! Y'know, I-I don't know if I feel right about this.
Chandler: Oh Mon-Mon-Mon-Mon-look, this is the honeymoon suite. The room expects sex. The room would be disappointed if it didn't get sex. All of the other honeymoon suites would think it was a loser.
Monica: Okay!
Chandler: Okay!
(They both run to rip the covers off the bed, but are interrupted by Ross.)
Ross: (entering) Emily?!
Chandler: Nope, not under here!
Monica: You didn't find her?
Ross: No, I've looked everywhere!
Chandler: Well, you couldn't have looked everywhere or else you would've found her!
Monica: Yeah, I think you should keep looking!
Chandler: Yeah, for about 30 minutes.
Monica: Or 45.
Chandler: Wow, in 45 minutes you can find her twice. (Monica smiles at that.)
Ross: No! For all I know, she's trying to find me but couldn't because I kept moving around. No, from now on, I'm staying in one place. (He sits down on the bed.) Right here.
Monica: Well, it's getting late.
Chandler: Yeah, we're gonna go.
Ross: Actually, do you guys mind staying here for a while?
Monica: Ugh, y'know, umm we gotta get up early and catch that plane for New York.
Chandler: Yeah, it's a very large plane.
Ross: (disappointed) That's cool.
Chandler: But, we'll stay here with you.
Ross: Thanks guys! (They both sit down on either side of him.) I really appreciate this, y'know, but you don't have to rub my butt.
(Chandler slowly takes his hand away.)
Commercial Break
[Scene: Ross and Emily's room, the next morning. Ross is now asleep and has his head in Monica's lap and his feet on Chandler's lap. Monica and Chandler are both still awake and depressed.]
Chandler: We have to leave for New York in an hour.
Monica: I know, I've been looking at those doors, they look pretty sound proof, don't you think?
Chandler: We can't do that that's insane. I mean 'A' he could wake up and 'B' y'know, let's go for it.
(They both try to slowly extricate themselves from Ross, but there's a knock on the door that awakens him.)
Ross: Em-Emily? (Looking around for her.) Em-Emily? (He runs to the door.) Emily! (He opens the door to reveal the Walthams standing outside.)
Mr. Waltham: No.
Mrs. Waltham: You can forget about Emily, she's not with us.
Mr. Waltham: We've come for her things.
Ross: Wait, well wh-wh-wh-where is she?
Mr. Waltham: She's in hiding. She's utterly humiliated. She doesn't want to see you ever again.
Mrs. Waltham: We're very sad that it didn't work out between you and Emily, monkey. But, I think you're absolutely delicious.
Mr. Waltham: Excuse me, I'm standing right here!
Mrs. Waltham: Oh yes, there you are.
Rachel: (entering, carrying an armful of those little soaps.)  (Sees the Walthams and stops.)
Mr. Waltham: Goodbye Geller.
Ross: Now, hold on! Hold on! (Stops him) Look, look, your daughter and I are supposed to leave tonight for our honeymoon, now-now you-you tell her that I'm gonna be at that airport and I hope that she'll be there too! Oh yeah, I said Rachel's name, but it didn't mean anything, Okay? She's-she's just a friend and that's all! (Rachel sits down, depressed.) That's all! Now just tell Emily that I love her and that I can't imagine spending my life with anyone else. Please, promise me that you'll tell her that.
Mr. Waltham: All right, I'll tell her. (To his wife) Come on bugger face!
Mrs. Waltham: (As she walks pass Ross, she pats his but.)
[Scene: A 747 somewhere over the North Atlantic, Monica and Chandler are sitting in first class, depressed.]
Monica: Y'know, maybe it's best that we never got to do it again.
Chandler: Yeah, it kinda makes that-that one night special. (Realises something) Y'know, technically we still are over international waters.
Monica: I'm gonna go to the bathroom, maybe I'll see you there in a bit?
Chandler: 'Kay!
(Monica gets up and heads for the bathroom, Chandler turns to watch her go and is startled to see Joey sitting in Monica's seat.)
Joey: Can I ask you something?
Chandler: Uhh, no.
Joey: Felicity and I, we're watching My Giant, and I was thinking, "I'm never gonna be as good an actor as that giant." Do you think I'm just wasting my life with this acting thing?

Chandler: Yes.
Joey: Thanks man.
Chandler: Okay man. (Chandler starts to get up.)
Joey: But what about how much taller he is than me?
(Time lapse, Chandler is finishing his third little bottle of booze.)
Joey: I mean, there's no way I can make myself taller now, y'know? And who knows what science will come up with in the future, but Chandler, what if I die an unsuccessful, regular sized man?
(Monica returns.)
Joey: Hey, Monica, wow you've been in the bathroom for like a half-hour.
Monica: I know!
Joey: Had the beef-tips, huh?
[Scene: An airport in London, Ross is waiting for Emily to show up to go on their honeymoon and sees Rachel walking past.]
Ross: Rach! Rach!
Rachel: (she stops and turns) Hi!
Ross: Hi! What are you, what are you doing here?
Rachel: Well, I-I-I've been on Standby for a flight home for hours.
Ross: Oh.
Rachel: Ohh, so no sign of Emily huh?
Ross: Not yet.
Rachel: So umm, what time are you supposed to leave?
Gate Agent:
(On the P.A.) This is the last call for Flight 1066 to Athens. The last call.Ross: Pretty soon I guess.
Rachel: Yeah. I'm sorry.
Ross: I just, I don't understand, I mean, how-how can she do this?
 You're a guy very much in love.
Ross: Same difference.
Gate Agent:
(On the P.A.) All ticketed passengers for Flight 1066 to Athens should now be on board.Ross: I get it! Well, that's that.
Rachel: No, you know what, I think you should go.
Ross: What?
Rachel: Yeah, I do. I think you should go, by yourself, get some distance, clear your head, I think it'd be really good.
Ross: Oh, I don't, I don't, I don't know...
Rachel: Oh, come on Ross! I think it would be really good for you!
Ross: I could, yeah, I can do that.
Rachel: Yeah.
Ross: I can't, I can't even believe her! No, y'know what, I am, I am gonna go!
Rachel: Good!
Ross: I know, why not?
Rachel: Right!
Ross: Right?
Rachel: Right!
Ross: Y'know-thanks! (They hug)
Rachel: Okay, I'll see you back at home, if I ever get a flight out of here.
Ross: Yeah, well...nah.
Rachel: What? Wait, what?
Ross: Why don't you come, I mean, I-I have two tickets, why not?
Rachel: Well-well, I don't know Ross-really?
Ross: Yeah, yeah, it'll be great! You can, you can lay on the beach and I can cry over my failed marriage. See-see how I make jokes?
Rachel: Uh-huh.
Ross: No really, I mean, I mean, God, I could use a friend.
 Umm, yes, I can do that!
Ross: Okay!
Rachel: Okay!
Ross: Cool!
Rachel: All right!
Ross: Come on! (They go to the jetway, Ross hands the tickets to the gate agent.) Here.
Rachel: Oh, okay, we're going. Yeah.
Ross: Ah! Ah! I forgot my jacket!
Rachel: Oh, wait-wait-wait...
Ross: You tell them to wait!
Rachel: Okay. Wait! Wait!
(Ross retrieves his jacket and sees that not only has Emily arrived, but she as seen Rachel take her place on the plane.)
Ross: Emily.
(She stares at him and Ross realises what she's thinking.)
Ross: Oh no-no-no! Oh-no! (Emily starts to run out and Ross chases her.) No! No! Emily!
Commercial Break
[Scene: Flight 1066 to Athens, Rachel is ordering a drink for Ross and herself.]
Rachel: Ahh, yes, I will have a glass of the Merlot
Air Hostess: Okay.
Rachel: And uh, (points to Ross's seat.) he will have a white wine spritzer.
Air Hostess: Okay, good. Thank you. I'll be back shortly, all right?
Rachel: All right. Woo! (Looks out the window.) Hey, look at that, the airport's moving. (Realises that that's not how it works.) Hey, are we moving?! Are we moving? Why are we moving? They said they were gonna wait! (yells after the air hostess) Miss? Yeah, does the captain know that we're moving? Oh my... Ross, you better be under the wheels of this thing!!
[Scene: Monica and Rachel's, Phoebe is eating cereal from a bowl she has balanced on her stomach as Joey, Chandler, and Monica return.]
Phoebe: Hey!
Chandler: Hey!
Joey: Hi!
(They all hug.)
Phoebe: (To Joey) You ate meat! (Joey is shocked) (To Chandler and Monica) You had sex! (They're shocked.)
Chandler: No we didn't!
Phoebe: I know you didn't, I was talking about Monica.
Monica: Phoebe, I did not have sex.
Phoebe: This pregnancy is throwing me all off.
Joey: All right, I'm gonna go say hi the chick and the duck.
Phoebe: Oh, me too!
Joey: Why would you need to say hi to them, you've been feeding them for four days?
Phoebe: Oh right, maybe I'll just go home.

Monica: Well, we certainly are alone.
Chandler: Yes! Good thing we have that, 'Not in New York' rule.
Monica: Right. Umm, listen since we're-we-re on that subject, umm, I just wanted to tell you that uh, well, I-I was going through a really hard time in London, what with my brother getting married and that guy thinking I was Ross's mother...
Chandler: Right.
Monica: Well, an-anyway, I just-that night meant a lot to me, I guess I'm just trying to say thanks.
Chandler: Oh. Y'know, that night meant a lot to me too, and it wasn't because I was in a bad place or anything, it just meant a lot to me 'cause, you're really hot! Is that okay?
Monica: (laughs) That's okay.
Chandler: And I'm cute too.
Monica: And you're cute too.
Chandler: Thank you! (They hug.) All right, I gotta go unpack.
Monica: Okay.
Chandler: Bye.
(After he closes the door, Monica starts to follow him, but thinks better of it and stops.)
Chandler: (entering) I'm still on London time, does that count?
Monica: That counts!
Chandler: Oh, good! (They start kissing.)
End


Introduction to Particles
The 「は」topic particle
The topic particle identifies what it is that you're talking about, essentially the topic of your sentence.
Examples
ボブ：アリスは学生？
Bob: Is Alice (you) student?
アリス：うん、学生。
Alice: Yeah, (I) am.
ボブ：ジョンは明日？
Bob: John is tomorrow?
アリス：ううん、明日じゃない。
Alice: No, not tomorrow.
アリス：今日は試験だ。
Alice: Today is exam.
ボブ：ジョンは？
Bob: What about John?
アリス：ジョンは明日。
Alice: John is tomorrow. (As for John, the exam is tomorrow.)
The 「も」inclusive topic particle
The inclusive particle is essentially the same as the topic particle with the additional meaning "also". Basically, it can introduce another topic in addition to the current topic.
Examples
ボブ：アリスは学生？
Bob: Is Alice (you) student?
アリス：うん、トムも学生.
Alice: Yeah, and Tom is also student.
ボブ：アリスは学生？
Bob: Is Alice (you) student?
アリス：うん、でもトムは学生じゃない。
Alice: Yeah, but Tom is not student.
ボブ：アリスは学生？
Bob: Is Alice (you) student?
アリス：ううん、トムも学生じゃない。
Alice: No, and Tom is also not student.
The 「が」identifier particle
The identifier particle is used to indicate the speaker wants to identify something unspecified.
Examples
ボブ：誰が学生？
Bob: Who is the one that is student?
アリス：ジョンが学生。
Alice: John is the one who is student.
-
誰が学生？
Who is the one that is student?
-
学生は誰？
(The) student is who?
The first sentence seeks to identify a specific person for "student" while the second sentence is simply talking about the student.
-
私は学生。
I (am) student.
-
私が学生。
I (am) student.
In the first sentence, since 「私」is the topic, the sentence means, "Speaking about me, I am a student". However, the second sentence is specifying who 「学生」is - if we want to know who the student is, the 「が」particle tells us that it's 「私」.
-
私は学生。
As for me, (I am) student.
-
私が学生。
I (am) the one (that is) student.


- Ph.D., started 2019
Mechanical Engineering, University of California, Riverside, CA.
Topics: Network theory, brain networks, data driven controls
Advisor: Dr. Fabio Pasqualetti
- Robotics Engineer Intern, 2019
Amazon Robotics, Vercelli, Italy.
Topics: Warehouse robotics, robotic manipulators, machine learning, vision
Supervisor: Tolga Kol
- Laurea Magistrale (M.Sc. equivalent), 2018
Robotics and Automation Engineering, University of Pisa, Italy.
Thesis: Deconfliction of Motion Paths in Robot-Robot and Human-Robot Interactions. PDF - Video
Advisors: Prof.ssa Lucia Pallottino, Dr. Magnus Egerstedt
- Laurea Triennale (B.Sc. equivalent), 2015
Computer Engineering, University of Pisa, Italy.
Thesis: A Java-Based Graphic User Interface for a Simulator of Synthetic Human Traces.
Advisors: Prof. Gianluca Dini, Prof. Francesco Marcelloni


In this case, we created a FASTA file with 75 sequences each have more than 75000 amino acids. This is to show the power of our visualization tool.


Here are the instructions again: You will see a series of pictures of food (as shown below). For each picture, please rate only according to your own opinion about the food. There are no right or wrong answers. When rating the pictures, think about a snack sized portion of the food rather than the exact amount of food shown in the picture.
If you would like to repeat the demo, click here: To continue with the experiment, click here:
Rate this food


Fairness in Recommender Systems: Research Landscape and Future Directions
Yashar Deldjoo, Dietmar Jannach, Alejandro Bellogin, Alessandro Diffonzo, Dario Zanzonelli
User Modeling and User-Adapted Interaction (UMUAI - Accepted) 2023PDF | [Github-Repo].
A Review of Modern Fashion Recommender Systems
Yashar Deldjoo, Fatemeh Nazary, Arnau Ramisa, Julian Mcauley, G. Pellegrini, A. Bellogin, T. Di Noia
ACM Computing Surveys (ACM CSUR Accepted) 2023
arXiv
A Survey on Adversarial Recommender Systems: from Attack/Defense Strategies to Generative Adversarial Networks
Yashar Deldjoo, Tommaso. Di Noia, Felice Antonio Merra
ACM Computing Surveys (ACM CSUR) 2022PDF
Recommender System Leveraging Multimedia Content
Yashar Deldjoo, Markus Schedl, Paolo Cremonesi, Gabriella Pasi
ACM Computing Surveys (ACM CSUR) 2021PDF
Interactive Question Answering Systems: Literature Review
Giovanni Maria Biancofiore, Yashar Deldjoo, Tommaso Di Noia, Eugenio Di Sciascio, Fedelucio Narducci
ACM Computing Surveys (ACM CSUR Under Review) 2023PDF
Content-driven Music Recommendation: Evolution, State of the Art, and Challenges
Yashar Deldjoo, Markus Schedl, Peter Kness
Computer Science Review (CS-Review) 2023PDF
Current challenges and visions in music recommender systems research
Markus Schedl, Hamed Zamani, Ching-Wei Chen,Yashar Deldjoo, Mehdi Elahi
International Journal of Multimedia Information Retrieval (IJMIR) 2018PDF
Book Chapters
- Multimedia recommender systems: Algorithms and challenges
Yashar Deldjoo, Markus Schedl, Balázs Hidasi, Yinwei Wei, Xiangnan He
Recommender Systems Handbook (RSHB-MM) 2023PDF
- Adversarial recommender systems: Attack, defense, and advances
Vito Walter Anelli, Yashar Deldjoo, Tommaso Di Noia, Felice Antonio Merra
Recommender Systems Handbook (RSHB-AdvML) 2023PDF
Tutorials
- Pursuing Privacy in Recommender Systems:
The View of Users and Researchers from Regulations to Applications
Vito Walter Anelli, Luca Belli, Yashar Deldjoo, Tommaso Di Noia, Antonio Ferrara, Fedelucio Narducci, Claudio Pomo
The 15th ACM Conference on Recommender Systems (RecSys'21) 2021
PDF | SLIDES
- Adversarial Learning for Recommendation (AL4Rec Tutorial)
Vito Walter Anelli, Yashar Deldjoo, Tommaso Di Noia, Felice Antonio Merra
The 43rd European Conference on Information Retrieval (ECIR'21) 2021
SLIDES
- Adversarial Learning for Recommendation: Applications for Security and Generative Tasks — Concept to Code
Vito Walter Anelli, Yashar Deldjoo, Tommaso Di Noia, Felice Antonio Merra
The 14th ACM Conference of Recommender Systems (RecSys'20) 2020
PDF | SLIDES/Code
- Adversarial Machine Learning in Recommender Systems (AML-RecSys)
Yashar Deldjoo, Tommaso Di Noia, Felice Antonio Merra
The 13th ACM International Conf. on Web Search and Data Mining (WSDM'20) 2020
PDF
SLIDES
- Multi-media Recommender Systems
Yashar Deldjoo, Markus Schedl, Balázs Hidasi, Peter Knees
The 12th ACM Conference on Recommender Systems (RecSys'18) 2018
PDF
Selected Technical papers
- Fairness of ChatGPT and the Role Of Explainable-Guided Prompts
Yashar Deldjoo
COLLM@ECML-PKDD'23, 2023
arXiv
- Computational Versus Perceived Popularity Miscalibration in Recommender Systems
Oleg Lesota, G. Escobedo, Yashar Deldjoo, Bruce Ferwerda, S. Kopeinik, Elisabeth Lex, Navid Rekabsaz, Markus Schedl
The 46th International ACM SIGIR Conference on Research and Development in Information Retrieval (SIGIR'23) 2023
arXiv
- A Unifying and General Account of Fairness Measurement in Recommender Systems
Enrique Amigó, Yashar Deldjoo, Stefano Mizzaro, Alejandro Bellogín
Information Processing & Management (IP&M) 2023
PDF
- Auditing Consumer- and Producer-Fairness in Graph Collaborative Filtering
Vito Walter Anelli, Yashar Deldjoo, Tommaso Di Noia, Daniele Malitesta, V. Paparella, C. Pomo
The 45th European Conference on Information Retrieval (ECIR'23) 2023
PDF
- CPFair: Personalized Consumer and Producer Fairness Re-ranking for Recommender Systems
Mohammadmehdi Naghiaei, Hossein A. Rahmani, Yashar Deldjoo
The 45th International ACM SIGIR Conference on Research and Development in Information Retrieval (FULL-SIGIR'22) 2022
PDF
- Music4All-Onion. A Large-Scale Multi-faceted Content-Centric Music Recommendation Dataset
Marta Moscati, Emilia Parada-Cabaleiro, Yashar Deldjoo, Eva Zangerle, Markus Schedl
The 31th ACM International Conference on Information & Knowledge Management (CIKM'22) 2022
PDF
- IEEE13-AdvAttack A Novel Dataset for Benchmarking the Power of Adversarial Attacks against Fault Prediction Systems in Smart Electrical Grid
Carmelo Ardito, Yashar Deldjoo, Tommaso Di Noia, Eugenio Di Sciascio, Fatemeh Nazary
The 31th ACM International Conference on Information & Knowledge Management (CIKM'22) 2022
PDF
- Exploring the Impact of Temporal Bias in Point-of-Interest Recommendation
Hossein A Rahmani, Mohammadmehdi Naghiaei, Ali Tourani, Yashar Deldjoo
The 16th ACM Conference of Recommender Systems (RecSys'22) 2022
PDF
- Leveraging Content-Style Item Representation for Visual Recommendation
Yashar Deldjoo, Tommaso Di Noia, Danielle Malitesta, Felice Merra, Antonio
The 44th European Conference on Information Retrieval (ECIR'22) 2022
PDF
- Visual Inspection of Fault Type and Zone Prediction in Electrical Grids using Interpretable Spectrogram-based CNN Modeling
Carmelo Ardito, Yashar Deldjoo, Tommaso Di Noia, Eugenio Di Sciascio, Fatemeh Nazary
Expert Systems with Applications (ESWA) 2022
PDF
- The Role of Context Fusion on Accuracy, Beyond-Accuracy, and Fairness of Point-of-Interest Recommendation Systems
Hossein A. Rahmani, Yashar Deldjoo, Tommaso Di Noia
Expert Systems with Applications (ESWA) 2022
PDF
- User-controlled federated matrix factorization for recommender systems
Vito Walter Anelli, Yashar Deldjoo, Tommaso Di Noia, Antonio Ferrara, Fedelucio Narducci
Journal of Intelligent Information Systems (JIIS) 2022
PDF
- Machine-learned Adversarial Attacks against Fault Prediction Systems in Smart Electrical Grids
Carmelo Ardito, Yashar Deldjoo, Tommaso Di Noia, Eugenio Di Sciascio, Fatemeh Nazary, Giovanni Servedio
The 4th Workshop on Adversarial Machine Learning (ADvML@KDD'22) 2022
PDF
- Explaining Recommender Systems Fairness and Accuracy through the lens of Data Characteristics
Yashar Deldjoo, Alejandro Bellogín, Tommaso Di Noia
Information Processing & Management (IP&M) 2021
PDF
- A Study of Defensive Methods to Protect Visual Recommendation Against Adversarial Manipulation of Images
Vito Walter Anelli, Yashar Deldjoo, Tommaso Di Noia, Danielle Malitesta, Felice Merra, Antonio
The 44th International ACM SIGIR Conference on Research and Development in Information Retrieval (FULL-SIGIR'21) 2021
PDF
- Towards Multi-Modal Conversational Information Seeking
Yashar Deldjoo Johanne R. Trippas, Hamed Zamani
The 44th International ACM SIGIR Conference on Research and Development in Information Retrieval (Perspective-SIGIR'21) 2021
PDF
- A Formal Analysis of Recommendation Quality of Adversarially-trained Recommenders🏆
Vito Walter Anelli, Yashar Deldjoo, Tommaso Di Noia, Eugenio Di Sciascio, Felice Antonio Merra
The 30th ACM International Conference on Information & Knowledge Management (CIKM'21) 2021
PDF (Runner-Up Paper)
- Understanding the Effects of Adversarial Personalized Ranking Optimization Method on Recommendation Quality 🏆
Vito Walter Anelli, Yashar Deldjoo, Tommaso Di Noia, Felice Antonio Merra
The 3rd Workshop on Adversarial Machine Learning (ADvML@KDD'21) 2021
PDF (IBM-Watson Award)
- A Study on the Relative importance of convolutional Neural Networks in Visually-aware Recommender Systems
Yashar Deldjoo Tommaso Di Noia, Daniele Malitesta, Felice Antonio Merra
The IEEE/CVF Conference on Computer Vision and Pattern Recognition (CVPR'21) 2021
PDF
- FedeRank: User Controlled Feedback with Federated Recommender Systems
Vito Walter Anelli, Yashar Deldjoo, Tommaso Di Noia, Antonio Ferrara, Fedelucio Narducci
The 43th European Conference on Information Retrieval (ECIR'21) 2021
PDF
- A Flexible Framework for Evaluating User and Item Fairness in Recommender Systems
Yashar Deldjoo, Vito Walter Anelli, Hamed Zamani, Alejandro Bellogin, Tommaso Di Noia
User Modeling and User-Adapted Interaction (UMUAI) 2021
PDF
Session-based Hotel Recommendations Dataset
As part of the ACM Recommender System Challenge 2019
Jens Adamczak, Yashar Deldjoo, Farshad B. Moghaddam, Peter Knees, Gerard P. Leyson, Philipp Monreal
ACM Transactions on Intelligent Systems and Technology (TIST) 2021
PDF
- MSAP: Multi-Step Adversarial Perturbations on Recommender Systems Embeddings
Vito Walter Anelli, Alejandro Bellogín, Yashar Deldjoo, Tommaso Di Noia, Felice Antonio Merra
The 34th International Florida Artificial Intelligence Research Society Conference (FLAIRS'21) 2021
PDF
- How Dataset Characteristics Affect the Robustness of Collaborative Recommendation Models
Yashar Deldjoo, Tommaso Di Noia, Eugenio Di Sciascio, Felice Antonio Merra
The 43rd International ACM SIGIR Conference on Research and Development in Information Retrieval (FULL-SIGIR'20) 2020
PDF
- Sasha: Semantic-aware shilling attacks on recommender systems exploiting knowledge graphs
Vito Walter Anelli, Yashar Deldjoo, Tommaso Di Noia, Eugenio Di Sciascio, Felice Antonio Merra
European Semantic Web Conference (ESWC'20) 2020
PDF
- Movie genome: alleviating new item cold start in movie recommendation
Yashar Deldjoo, Maurizio Ferrari Dacrema, Mihai G. Constantin, Hamid Eghbal-Zadeh, Stefano Cereda, Markus Schedl, Bogdan Ionescu, Paolo Cremonesi
User Modeling and User-Adapted Interaction (UMUAI) 2019
PDF
- Audio-visual encoding of multimedia content for enhancing movie recommendations
Yashar Deldjoo, Mihai G. Constantin, Hamid Eghbal-Zadeh, Bogdan Ionescu, Markus Schedl, Paolo Cremonesi
The 12th ACM Conference of Recommender Systems (RecSys'18) 2018
PDF
- Exploring The Semantic Gap for Movie Recommendation
Mehdi Elahi, Yashar Deldjoo, Farshad B. Moghaddam, Leonardo Cella, Stefano Cereda, Paolo Cremonesi
The 11th ACM Conference of Recommender Systems (RecSys'17) 2017
PDF
Positions
- August 2023 - Now
Tenure track Assistant Professor (RtD-B) at Polytechnic University of Bari, Bari, Italy
- August 2019 - July 2023
Assistant Professor (RtD-A) at Polytechnic University of Bari, Bari, Italy
- April 2019 - July 2019
PostDoc researcher at Polytechnic University of Bari, Bari, Italy
- Jan 2018 - Feb 2019
Research Assistant at University of Milano-Bicocca, Milano, Italy
- 2008 - 2009
Carried out my Master's Thesis at the Multimedia Dept. of Ericsson Research, Stockholm, Sweden
Education
- Nov 2014 - July 2018: Polytechnic University of Milan, Milan, Italy. Ph.D. in Computer Science with a focous on Recommender Systems. Thesis title: "Video Recommendation Leveraging Multimeda Content".
- Sep 2008 - July 2010: Chalmers University of Technology, Gothenburg, Sweden. MS.c in Electrical Engineering. Thesis title carried out at Ericsson Research: "Wii-Remote Based Head-Tracking in 3D-Audio Rendering".
- Sep 2007 - July 2011: University of Gothenburg, Gothenburg, Sweden. B.A in English-Linguistics.
- Sep 2002 - July 2006: University of Guilan, Rasht, Iran.


Want to collaborate with us? If you're a lovely person and you've got the chops, we'd love to meet you. Get in touch


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We buy services!
- matrix web-enabled paradigms
- morph front-end convergence
- enable world-class paradigms
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@*
* Copyright 2016 HM Revenue & Customs
*
* Licensed under the Apache License, Version 2.0 (the "License");
* you may not use this file except in compliance with the License.
* You may obtain a copy of the License at
*
* http://www.apache.org/licenses/LICENSE-2.0
*
* Unless required by applicable law or agreed to in writing, software
* distributed under the License is distributed on an "AS IS" BASIS,
* WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.
* See the License for the specific language governing permissions and
* limitations under the License.
*@
@import uk.gov.hmrc.cataloguefrontend.connector.model.Dependency
@import uk.gov.hmrc.cataloguefrontend.connector.model._
@(dependencies: Seq[Dependency])
@for(dependency <- dependencies) {
@if(dependency.latestVersion.isDefined) {
@dependency.name
} else {
@dependency.name
}
@dependency.currentVersion
@dependency.latestVersion.getOrElse("(not found)")
}
@getColourClass(dependency: Dependency) = @{
dependency.getVersionState.fold("grey") {
case UpToDate => "green"
case MinorVersionOutOfDate => "amber"
case MajorVersionOutOfDate => "red"
case InvalidVersionState => "black"
}
}
@getIconClass(dependency: Dependency) = @{
" medium-glyphicon glyphicon " + dependency.getVersionState.fold("glyphicon-question-sign") {
case UpToDate => "glyphicon-ok-circle"
case MinorVersionOutOfDate => "glyphicon-alert"
case MajorVersionOutOfDate => "glyphicon-ban-circle"
case InvalidVersionState => "glyphicon-question-sign"
}
}
@getAltText(dependency: Dependency) = @{
dependency.getVersionState.fold("not found") {
case UpToDate => "up to date"
case MinorVersionOutOfDate => "minor version behind"
case MajorVersionOutOfDate => "major version behind"
case InvalidVersionState => "invalid version difference"
}
}


Woman fined for putting one foot into first class on packed train
She was confronted by the inspector in front of astonished commuters when the train stoppe
by Neil ShawFurious commuters blasted rail chiefs today after a woman paying £6,000 a year for a season ticket was fined for standing with just one foot in a 1st class carriage.
The un-named commuter was stopped by a ticket inspector on the Greater Anglia Trains Liverpool Street to Clacton-on-Sea, Essex, service.
The train was packed full with commuters leaving the woman no other choice but to stand by the doorway with her a single foot in the compartment.
She was confronted by the inspector in front of astonished commuters when the train stopped in Shenfield, a suburb of Brentwood, Essex.
Taking to Twitter, other commuters vented their frustrations at the treatment of the woman.
Ben Cooper tweeted: "Someone is trying to charge a woman for having STOOD in the doorway of first class on packed train and I’m about to blow my f***ing top.
Meanwhile Katie Burnell tweeted the Greater Anglia train service to say: "The ticket inspectors on the 18:35 LST- Clacton on Sea are behaving like bullies.
"A woman is being charged a fine that is completely shocking - she stood one foot in 1st class in a packed carriage.
"Something needs to be done. They've cornered her. Camera in the carriage needs to have the footage reviewed. SHE DID NOTHING WRONG.
"I wish the inspectors used common sense. Truly shocking behaviour."
A third commuter, Georgie Smith, commented: "Absolutely disgusting behaviour from a ticket inspector on @greateranglia service who is issuing a woman a fine for daring to stand with ONE FOOT in first class despite the train being so busy no one could move.
"She pays £6,000 for a season ticket.
"Glad she had the support of many people who didn’t just stand by though."
Speaking of the conductors, she said: "They actually get commission and have targets to hit, so “just following orders” doesn’t seem valid to me."
Another commuter added: "I think Greater Anglia should be ashamed of themselves, these trains get so packed you have no option. DISGRACEFUL."
Greater Anglia, which has been criticised for delays and packed trains, today remained unrepentant.
A spokesperson said: “First class carriages, including the vestibules and aisles, are for the use of first class ticket holders only.
"Our revenue protection officer advised the customer there was more space available further down the train.
“If the customer would like to appeal the penalty fare, they can do so via IRCAS.
"We would encourage her to contact us direct if she is unhappy with how the situation was handled.
“Passengers must have the correct ticket for the time and class of their journey when travelling on one of our trains.”


Full list of AAX interfaces.
These interfaces must be implemented by the AAX plug-in. Default implementations are provided in the AAX Library via the
AAX_C
classes. Plug-in classes may inherit from the
AAX_C
classes to override the default behavior.
- Class AAX_IEffectDirectData
- Class AAX_IEffectGUI
- Class AAX_IEffectParameters
- Class AAX_IHostProcessor
These classes and interfaces are used internally within the AAX Library. References to objects implementing these classes are never passed between the plug-in and the AAX Host, and the AAX Host has no knowledge of these classes.
- Class AAX_IParameter
- Class AAX_IParameterValue
- Class AAX_ITaperDelegateBase


Icream Festival
Where flavor comes to life
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Awww Wicked! True that, this nuclear-free scarfire is as dodgy as a solid rimu treatly


Hashim Mteuzi
Front-end Ninja
Featured Work
Project 1
https://github/mteuzi/project1
Project 2
https://github/mteuzi/project2
Project 3
https://github/mteuzi/project3


If you are new to cooking, building your pantry is a critical step that can facilitate your weekly cooking with ingredients on hand. We at Anyone Can Cook want you to make buildintg your pantry easy so that you don't end up buying ingredients thatyou will rarely use!
To help with this, we reviewed hundreds of recipes to identify the most popular ingredients you should always have on hand, in addition to the most popular ingredients by type of cuisine. Our review included recipes from Chinese, African, Italian, Thai, Latin American, and American Southern cuisines.
The following ingredients are staples to keep on hand, no matter your preferences, so you can always throw something together! These are the most common recipe ingredients, in no particular order:
Check out our pantry analysis below so you know what to keep on hand to become an aficionado! Our data displays the ingredients that were represented in at least 10% of the reviewed recipes.


Currently working at Smartcity.com in Lagos, Nigeria.
Most of my works revovles around redesigning cities across Africa. My skillset includes: User Research, User Interface Design, Web Development, and Data Analysis.
Just few months ago, I was part of the Stutern Graduate Accelerator 0.2 where I learnt everything about design, research and prototyping. I also had the privilege of building awesome products and worked with fellow cohort on big projects like redesigning the future of transportation in Lagos Metropolis.
I'm yet to launch a start-up, it's not like I actually want to do that, I just want Africa to get better.
I'm currently available for work. If you think your city needs to be like Kigali, Oslo, Amsterdam etc., you can contact me
I will be giving a talk on the prerequisites for low-carbon and resilient cities include sound urban planning, legal frameworks that enable action, and a model of urban finance that can provide for the supply of climate-friendly infrastructures, while promoting a compact and diverse urban structure in which economic prosperity is encouraged.
I will be speaking on the design of everyday things and how design thinking could forever change how you experience and interact with your physical surroundings, open your eyes to the perversity of bad design and the desirability of good design, and raise your expectations about how things should be designed.
This website was hosted on Github Pages


class CGL::BinaryHeap(T)
- CGL::BinaryHeap(T)
- Reference
- Object
Overview
A simple priority queue implemented as a array-based heap.
Each inserted elements is given a certain priority, based on the result of the comparison. This is a min-heap, which means retrieving an element will always return the one with the highest priority.
To avoid O(n) complexity when deleting an arbitrary element, a map is used to cache indices for each element.
Defined in:
cgl/utils/binary_heap.crConstructors
- .new(initial_capacity : Int)
-
.new
Creates a new empty BinaryHeap.
Instance Method Summary
- #==(other : BinaryHeap) : Bool
-
#==(other) : Bool
Returns
false
(other can only be aValue
here). - #adjust(value : T, with new_priority : Number)
- #clear
- #delete(value : T) : T?
- #empty? : Bool
- #heapify!
- #includes?(value : T) : Bool
- #inspect(io)
- #next_priority : Float64
- #next_priority(&)
- #peek : T
- #peek(&)
- #peek? : T?
- #pop : T
- #push(priority : Number, value : T) : self
-
#size : Int32
Returns the number of elements in the heap.
- #to_a : Array(Tuple(Float64, T))
- #to_slice : Slice(Tuple(Float64, T))
Constructor Detail
Instance Method Detail
def ==(other) : Bool
#
Description copied from class Reference
Returns false
(other can only be a Value
here).


A Software Developer, Freelancer and an Engineer 👨💻
I do Mobile and Web Application development using JavaScript I worked on React, React Native, NodeJS, MongoDB and SQL


’.
1440–80’s
1440–‘80s
1440—‘80s
1960s
1960’s
one two ‘60s
‘60s
It’s fun. What’s fun?
“Isn’t this fun”? — she said…
“‘Quoted’ words in a larger quote.”
‘Quoted “words” in a larger quote.’
“quoted” text and bold “quoted” text
‘quoted’ text and bold ‘quoted’ text
em-dashes (—) and ellipes (…)
“Link” — she said.
“Ellipsis within quotes…”
Кавычки-«ёлочки»
Anführungszeichen-»Chevrons«
Escaped -- ndash
'Escaped' "quotes"
Escaped ellipsis...
‘Escaped "quotes" in real ones’
'“Real” quotes in escaped ones'
Skip "code" -- --- 'spans' ...
.
Also skip "code" 'blocks'
foo -- bar --- baz ...


In this exercise, you'll add code to the so that you can actually watch the videos on the page.
body
of your HTML, create a <div> to hold the video player, either below or to the
side of the list, and give it an id.script
tag that you were working in before, create a thumbnailify()
function
that takes a single argument.for
loop into that thumbnailify()
function.<a>
, rather than an array of elements.for
loop so that it occurs after you define thumbnailify()
thumbnailify()
from inside your for
loop.for
loop.thumbnailify()
function, add a click listener
to the link. We recommend using a named function for the callback (not an anonymous function). Put a console.log
inside the callback to make sure it works..html()
, or other jQuery method of your choice to assemble and insert
the embedded video element.Make sure that you use your browser developer tools to make debugging easier while working on this. Check for errors, and use console.log() to figure out how far your code makes it, and what the values of your variables are along the way.


Flowers
Listed below are some types of flowers
- Roses
- Orchids
- Daisies
- Lilies
Listed below are the top three types of flowers
- Roses
- Tulips
- Sunflowers
One thing that I like about these flowers is:
| Flowers |
Feature |
| Roses |
Their fragrance |
| Tulips |
Their color |
| Sunflowers |
Their vibrance |
Information regarding these flowers can be gathered from the following links
Information about Roses
Information about Tulips
Placeholder's Link
Use the following youtube link to know more about how flowers grow


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