ORGANIZING COMMITTEE
General Chair:
Xun Zhang, ISEP, France
General CoChairs & International Steering Committee:
Andrei Vladimirescu, France, ISEP
Yiyan Wu, IEEE BTS/CRC, Canada
Pablo Angueira, UPV/EHU, Spain
Maurizio Murroni, U. of Cagliari, Italy
Bill Hayes, Iowa Public TV/IEEE BTS, USA
Ralph Hogan, Rio Salado College/IEEE BTS, USA
Albert Heuberger, Fraunhofer IIS, Germany
Shuji Hirakawa, Japanese Standards A., Japan
Peter Seibert, DVB, Switzerland
Ulrich Reimers, TU Braunschweig, Germany
Jian Song, Tsinghua U., China
Wenjun Zhang, Shanghai Jiaotong U., China
Technical Program Committee Co‐ Chairs:
Fen Zhou, ISEP, France
Frédric Amiel, ISEP, France
ETRI, Korea
Jeongchang Kim, KMOU, Korea
Sungho Jeon, KBS, Korea
Jintao Wang, Tsinghua U., China
Jian Xiong, Shanghai Jiaotong U., China
Dazhi He, NERC‐ DTV, China
Xianbin Wang, UWO, Canada
Liang Zhang, CRC, Canada
Jon Montalban Sachez, UPV/EHU, Spain
Kenichi Murayama, NHK, Japan
Yue Zhang, U. of Lecester, UK
Cristiano Akamine, Mackenzie P. U., Brazil
David Gomez-Barquero, UPV, Spain
Giuseppe Araniti, Mediterranean U., Italy
Keynotes Chairs: Fen Zhou, ISEP, France
Publication Chairs: Lina Mroueh, ISEP, France
Regional Promotion and Liaison Chairs:
David Gomez-Barquero, UPV, Spain
Bo Rong, CRC, Canada
Yoshiaki Shishikui, Meiji U., Japan
Amanda Temple, IEEE BTS, USA
Rafael Sotelo, U. Of Montevideo, Uruguay
Hyun-woo Lee, ETRI, Korea
Financial Chairs:
Yue Liu, ISEP, France
Amanda Temple, IEEE BTS, USA
CALL FOR PAPERS
The symposium seeks unpublished technical papers on the following topics:
1. Multimedia Transmission:
‐ Channel modelling & simulation
‐ Channel coding, modulation, multiplexing
‐ Advanced signal processing for transmission
‐ MISO and MIMO processing
‐ Channel estimation and equalization
‐ Antenna technologies
‐ Propagation and coverage
‐ Terrestrial and satellite delivery
‐ Mobile TV and advanced HD Radio
‐ Field Trials and test results
‐ Next generation of broadcasting standards and systems
‐ 5G: New Radio & New Core
‐ LTE Advanced Pro
‐ Making better use of the spectrum
2. Multimedia Networking:
‐ IPTV and streaming
‐ Internet TV and OTT
‐ LTE eMBMS, MooD & SC‐PTM
‐ VoD, interactivity, datacasting
‐ Traffic and performance monitoring, congestion control
‐ Networking and QoS
‐ Cloud‐based multimedia services
‐ Cloud and Content management
3. Multimedia Signal Processing:
‐ Audio coding and processing
‐ Video coding and processing
‐ Content adaptation and scaling
‐ Error resilient and concealment
‐ Rate control
‐ Retrieval and indexing
‐ 3D and multi-view video
‐ Immersive audio
‐ Content protection and watermarking
‐ Objective video and audio quality assessment
‐ Artificial intelligence in media processing
‐ Scalable video coding & Content adaptation
4. Multimedia Service, Quality and Content:
‐ Multimedia for connected cars - Multimedia IoT ‐ Multimedia datacasting and security ‐ Broadcast applications to Smart Cities ‐ Multimedia service deployments ‐ Performance evaluation techniques ‐ Objective evaluation techniques ‐ Subjective evaluation techniques ‐ Audience measurement & behavior study ‐ Object-based broadcasting ‐ Quality of Experience ‐ Future broadcasting services
AUTHER INFORMATION
Best practices
• Correct authors’ name formatting on papers includes a “given name” and “surname.”
• At least one author should provide contact information and an email address on manuscript
• IEEE will retain papers as they are received from the conference. IEEE will not edit manuscripts in any way, including addition of DOI or copyright footers.
• A copyright footer must be applied to the paper prior to uploading manuscript to PDF eXpress (Contact your conference organizer for details)
• Mathematical equations, special characters, and symbols should never be used in the paper title or abstract.
• Conference paper titles and abstracts must always appear in English.
• Complete and Submit the IEEE Electronic Copyright Form (eCF)
http://www.ieee.org/publications_standards/publications/rights/copyrightmain.html
• Do not include page numbers on Manuscripts
Margins
• Papers cannot be accepted with margins smaller than those given in the table below:
|
Margin |
US Letter |
A4 |
|
Top |
0.75 inch |
19 mm |
|
Bottom |
1 inch |
43 mm |
|
Side |
0.625 inch |
13 mm |
Fonts
• Below is a list of recommended fonts:
|
Content |
Font |
|
Text |
Times New Roman |
|
Code |
Courier |
|
Equations |
Symbol |
• Fonts must be either Post Script or True Type and licensed for embedding.
• Use of unlicensed and custom-made or hacked fonts is strictly prohibited.
•Failure to comply may result in poor display of article online
Graphics and Images
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• For LaTeX submissions, all images must be in .eps format and included with your submission in a compressed archive. It is recommended that you use WinZip or StuffIt for compressing your submission.
• Resolution should be between 150 and 300 dpi or less. Resolutions greater than 300 will cause down sampling.
• Labels within graphics should have a type point size of 4 or higher.
• Smooth Graphics should not be used as it often produces extremely large files with slow loading time. The Smooth Graphics option is usually found in the Page Setup Dialog box.
How to Embed Fonts
• Here's the procedure you should follow for Word 2010 files:
1. From the Windows button choose "Save As."
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6. Click “Save Options.”
7. Click the checkbox for “Embed fonts in the file.”
8. Click "OK" and you may change the name or location if necessary
9. Then select "Save."
-Please note that some True Type fonts do not allow embedding or subset.
The only way to fix this is to choose another font.
LaTeX Issues
• A .tex file is insufficient for a PDF conversion. We require a dvi file and all of the supporting figure files (eps, ps, etc.) in order to create aPDF.
• Please compress your source files, including your dvi and supporting figure files, into one archive file (zip, gz, tar, sit, etc.). Then upload your new, compressed archive file to your author account. If you are able to create a PDF, please include it in the archive file to be used for comparison. http://www.pdf-express.org/instructions.asp#Formats
• Ensure that your LaTeX system can output a DVI, otherwise it cannot be accepted and converted. For TeX tools, see: http://www.miktex.org/Default.aspx.
• Images in your PDF may appear less sharp than they appear in your source application. This may be because the image is less than 300 dpi which is the minimum requirement. Check the resolution of your image file and make sure it is saved at a minimum of 300dpi. If your image file is at least 300dpi, it will look comparable to your source application.
• If there is an error in the PDF caused by conversion of the source file, please log-in to your account and select the “Get Help for this Conversion” link. Leave a detailed message regarding the conversion error and our technical support team will create a new PDF from your source files. If we are unable to create a good PDF for you, we will notify you of the problems encountered.
• Helpful Information:
- Acrobat Distiller job options files for versions 5 and 6:
http://www.ieee.org/services/promolibrary/pdf/elecadvert_p2.pdf
***PDFs must be at least Acrobat version 5x to pass the Xplore-compliancy check***
- GhostScript Settings Reference for IEEE Xplore-Compatible PDFs: GS8-IEEE Xplore_config.pdf
- pdfTeX User Manual: http://www.pragma-ade.nl/pdftex/pdftex-l.pdf
Acceptable Source Files
• IEEE PDF eXpress converts the following file types to PDF:
- Microsoft Word
- (La)TeX (A DVI and supported image files must be included in a compressed archive)
FINAL PAPER SUBMISSION
Steps for Final Manuscript Submission
The authors of the accepted extended abstracts must follow the steps below for the full paper submission. Please make sure you complete all the steps for the final manuscript submission before the deadline (15 April 2019).
Preparation of Your Final Manuscript
The final camera-ready manuscript of your paper should account for all the critical reviewers’ feedback. The paper should follow the standard IEEE conference templates with A4 or US letter formats that can be found at:
http://www.ieee.org/conferences_events/conferences/publishing/templates.html
The paper should not include any header or footer information in the top/bottom margins (e.g. do not include page numbers, , etc.). All authors need to add the following copyright to the bottom of the 1st page of paper 978-1-7281-2150-5/19/$31.00 ©2019 IEEE. This copyright number is identical for every paper in the 2019 BMSB proceedings and IEEE Xplore. Please make sure to include the copyright notice otherwise your paper will not be included in Xplore.
The IEEE conference templates with copyright number can be found at:
Download link (Templates with copyright number)
Proofread your source document thoroughly as there will be no possibility for further revision.
1. Generation of the PDF file and validation of the manuscript by IEEE PDF eXpress
Prior to submission, the final manuscript PDF file must be validated by IEEE PDF eXpress to ensure that it is IEEE Xplore-compliant.
Go to IEEE PDF eXpress Website at https://www.pdf-express.org/.
If you are a new user, select ‘New Users – Click here’ and enter the Conference ID (see below), your email address and choose a password.If you have used previously PDF eXpress you should enter the same password that was used for previous conferences.
The conference ID is the following:
For papers of the main conference: Use conference ID: 47279X
Once inside PDF eXpress you have two options:
Option 1 (Recommended) You can generate the PDF file from your source files (e.g. MS Word) and the generated PDF file will be IEEE Xplore-compliant. For executing this option, you have to select “Create New Title”, introduce the title of the paper, and then upload the source files. Once the file is converted, download it. This will be the final manuscript file that you will have to upload later on to Easy Chair.
Option 2 You can validate a PDF file generated previously with any other tool. If you choose this option, please make sure that all the fonts are embedded, there are no bookmarks and no links (URLs). For executing this option, you have to select “Create New Title”, introduce the title of the paper, and then upload your PDF file. Once the status of the file indicates “PDF Passed PDF check; PDF is IEEE Xplore compatible”, download it from PDF eXpress. This will be the final manuscript file that you will have to upload later on to Easy Chair.
2. Registration
In order for your paper(s) to be published in the 2019 IEEE International Symposium on Broadband Multimedia Systems and Broadcasting (BMSB) Conference Proceedings and IEEE Xplore, an author (including students) of an accepted paper is required to register for the conference at the Full (member or non-member) rate on or before 15 April 2019. For authors with multiple accepted papers, one Full Registration is required.
The registration process needs to be performed before uploading the Final Manuscript to Easy Chair.
To register, go to https://www.bmsb2020.org/registration
After having registered, you will receive a Registration Code. Please make sure to save the reg code for future reference
3. Submission of IEEE Copyright
You will receive an email, after all of the conference final papers have been received, from IEEE Electronic Copyright that contains the link to complete your copyright form electronically. Please make sure to complete this copyright otherwise your paper will not be included in Xplore.
To submit the final paper, once logged in, click on “paper information”. Then use the link “Update file” in the upper right corner to upload the final manuscript in PDF format.
If necessary, use the links “Update authors” or “Update information” for updating the information such as authors, keywords or abstract.
Upload final manuscript in Easy Chair
In the Easy Chair page of your paper, select the “Update file” button and follow the instructions to upload the PDF file with the final manuscript of your paper that has been previously obtained from PDF eXpress.
Deadline
The hard deadline for submitting the final manuscript is 15 April 2019 6 May 2019
Questions
If you have problems during the submission of the final manuscript, please contact the IEEE BMSB 2019 chairs at<EMAIL_ADDRESS>. If you change the tittle of your paper at any time during the final submission process, please contact<EMAIL_ADDRESS>If your problems are related to the use of IEEE PDF eXpress, access the Publications Support Center for IEEE PDF eXpress.
If you do not find an answer in the Find Answers tab, go to the Submit A Question tab. Your question will be forwarded to IEEE PDF Support and answered within 3 business days.


MORTAL KOMBAT A film review by Jack Forrest Copyright 1995 Jack Forrest
Starring Christopher Lambert as Rayden and Bridget Wilson as Sonya Blade
A wicked sorcerer named Shang Tsung has been holding tournaments called "Mortal Kombat" for nine generations. Everytime one of the contenders dies at the hands of his combatants he can take their soul. He needs a great number of souls from great warriors to open the portal between the earth realm and the dark realm so Shao Kahn, the Emperor of the dark realm, can come to this dimension. Shao Kahn gave Shang Tsung Goro, a Monster Prince, to be his champion. Goro was unstoppable because of his bronze skin, being eight feet tall, having four arms and being immensely strong. The main contenders are Liu Kang who is seeking revenge on Shang for killing his brother, Sonya Blade who is trying to capture Kano, Kano who is working for Shang Tsung, Johnny Cage who is trying to prove he is an amazing martial artist not a phony actor, Sub-Zero who is working for Shang Tsung, Scorpion who is working for Shang Tsung and hates Sub-Zero, and princess Kitana who is the princess of the outworld.
CyberVex Ratings (1-7) Romance: 2 Humor: 3 Adventure/Action: 7 Horror: 1
----CyberVex
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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The Team
David Oslan
Co-founder - CEO
Creative Digital Expert and Consultant with many years professional experience delivering large scale projects for renowned multinational companies such as EE, Mulberry, Kellogg's, T-Mobile, Ford and Tesco.
Charles Masson
Lead developer
A highly motivated mobile and web application developer with consultancy background and significant experience developing proof of concept applications as well as end-to-end production quality solutions for some of Europe’s largest companies in the finance, industrial, retail and telecommunication sectors. Ergonomics native Charles has been developing apps and websites to meet the most demanding requirements. My willingness to learn new things and face new challenges drove me to real experiences with many languages and frameworks.
Jacob Ellis
Digital Content Manager
With accomplished hardworking credentials and creative drive, Jacob is a committed individual that strives for only the best output in his field. As a Digital Content Manager, he is a strong believer in “no substitute for hard work”, and approaches challenges to develop his ambition further.
Sebastien Brûlé
Co-founder - Business Strategy Manager
Coming from the Big 4 business consulting world, Seb is a really committed and ambitious Entrepreneur. His experience as a Programme Manager on business strategy and digital transformation engagements gives Mars Spiders the ability to constantly deliver high quality results on time and on budget. Passionate with innovation, Seb brings creativity by always thinking out of the box.
Oxana Bondyuk
Creative Director
Putting together creative teams and managing projects for client success is what motivates Oxana. Specialities: interface design and creative direction.
Gerri-May Phillips
Head of Business Development
Sales manager experienced in marketing, lead generation, speaking at conferences, pitches, and negotiating commercial terms. All round marketer focusing on ROI, specialist in mobile technology and content. Networker and facilitator of long-term relationships with clients and partners.
Clemaurde Gumbs
CTO
Tech-savy and diversly talented in the fields of application development and web technologies. Clem is iOS and Android specialist, security expert and our innovative thinker. He is hardworking and always delivers on deadlines.


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Ext.NET
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| virtual TBuilder | Mode (PasswordMaskMode mode) |
| virtual TBuilder | Duration (int duration) |
| virtual TBuilder | ReplacementChar (char replacementChar) |
| virtual TBuilder | Pattern (string pattern) |
| virtual TBuilder | AllowAnyChars (bool allowAnyChars) |
| virtual TBuilder | StrictPassword (bool strictPassword) |
| virtual TBuilder | AcceptRate (double acceptRate) |
| virtual TBuilder | Chars (JsonObject chars) |
| virtual TBuilder | Messages (JsonObject messages) |
| virtual TBuilder | BlackList (string[] blackList) |
| virtual TBuilder | LoginField (string loginField) |
| Builder () | |
| Builder (PasswordMask component) | |
| Builder (PasswordMask.Config config) | |
| Public Member Functions inherited from Ext.Net.Plugin.Builder< TPasswordMask, TBuilder > | |
| Builder (TPlugin component) | |
Static Public Member Functions | |
| static implicit | operator Builder (PasswordMask component) |
| TPasswordMask | : | PasswordMask | |
| TBuilder | : | Builder | |
| TBuilder | : | TPasswordMask | |
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Preparation time
less than 30 mins
Cooking time
30 mins to 1 hour
Serves
Serves 4
Dietary
Roasting the cauliflower rather than boiling it will intensify the flavour and lend a delicious sweetness to the dish. Adding mustard to the sauce adds a depth of flavour that means the recipe needs less cheese than normal.
Preheat the oven to 200C/400F/Gas 6. Put the cauliflower into an ovenproof dish and season with a pinch of salt and pepper. Roast for 20 minutes, or until tender and starting to brown.
Meanwhile, make the sauce: melt the butter in a saucepan, add the flour and cook for 1-2 minutes, or until a light golden colour. Gradually add the milk until smooth, then cook over a gentle heat for 3-4 minutes, mixing as you heat until thickened.
Add the nutmeg. Turn down the heat and add the mustard and cheddar cheese. Taste and add a little pepper to taste.
Put the roasted cauliflower into the sauce and mix to coat. Put back into the roasting dish, sprinkle over the parmesan and return to the oven for 10-15 minutes, or until the cheese is golden-brown and the sauce is bubbling.


Objectives
- Explain difference between centralized and decentralized exchanges
- Create a simple token sale contract
- Implement a timelock mechanism in simple token sale contract
- Apply principles of tokeneconomics to the contract
Economics of Tokens
Defining token economics
- Tokenomics is a subset of crypto economics. It is the economics of crypto project/DApp.
- It considers 3 design variables
- Market Design
- Mechanism Design
- Token Design
Note : Well designed economics with rules and incentives, defines the long-term outcomes of cryptoprojects. Poorly designed ecosystems can lead to the collapse of the ecosystem.
At a high level
- Tokeneconmics involves
- Incentives of token system
- Properties of token system
- Tokeneconomics is NOT
- ❌STUDY
- ❌THEORY
- ❌CONCEPT
- ❌THESIS
Pillars fo tokenization
Market Design
- Tokeneconmics is also about environment i.e. Market
- When creating the environment, if you can nail :
then users are more likely to use your system.
Market Design : Demand
- Generate Demand or increase thickness (size) of network by bringing all the relevant parties who want to transact together.Launching a ride-hailing business in the small rural city of 250 people is not a good idea.
Market Design : Congested
- Make sure to Decongest or reduce congestion in the network by having the system to help people make better choices. Launching a ride-hailing business in a big-city which has one main road with 2 lanes is not a good idea as vehicle will remain stuck in traffic.
Market Design : Safety
- Make it easy and safe for people to join. Fully autonomous coins, reduce information kept about the participants. Launching a ride-hailing business in mid-sized city that has considerable population plus roads with more lane, you realise that same city has tons of robbery; may jeoparadise the safety of drivers and passengers
Mechanism Design versus Game theory
- In the crypto space, we can incentivize people to behave in a right (rational) way. This can be done through game theory.
- Mechanism design is designing the game based on outcome (inverse of game theory)
- Influence the behavior of participant by rewarding good actions and punishing for bad actions
Mechanism Design
- In the Crypto Space we have got committees of people to vote on issues. When we reach consensus, the issue is resolved.
- Mechanism design affects the actions and behaviors of people in your network. This will affect the long-term sustainability of the project. Imagine if it is easy to bribe the president, the economy will not do well.
Mechanism Design
- Bribery can happen and it can be affected by
- Having a lot of people on the committee. So it is expensive to bribe. De-incentive
- Randomly allocate users to be on the committee, so you don’t know who to bribe. De-incentive
- To raise an issue to the committee of people, you have to put some tokens into the fund.  Punishment
Mechanism Design Implementation
- Understand what the goal/objective of the system is. If this is a game, what is the goal of the game?
- Consider the information available, for participants to make an informed decision.
- What types of behaviors do you want to encourage?
- What can you do to incentivize it?
- How can you punish bad actors?
Mechanism Design Implementation : Price stability mechanism for MakerDAO
- Target rate feedback mechanism
- Sensitivity parameter
- Global settlement
Mechanism Design Implementation : Target rate feedback mechanism
- Stabilization mechanism that Maker token holders would have to activate in emergencies via the governance system.
- It autonomously adjust incentives both for Collateralized Debt Position (CDP) creation and for Dai holding, to bring the Dai market price closer to the target price by changing the target price.
Mechanism Design Implementation : Sensitivity parameter
- Token holders vote to determine trusted accounts
- They also vote to set a parameter that determines the maximum amount oracles can change the protocol’s internal estimates of market prices of Dai and collateral in a given amount of time
Mechanism Design Implementation : Global settlement Mechanism
- Global settlement is an emergency shut-down function that helps stabilize coin.
- It does so by freezing the Maker platform and stopping transactions.
Mechanism Design Factor : Monetary Policy
- How do you manage the system so that the peg remains the same and tokens are still valuable?
Mechanism Design Factor : Financial Policy
- financial policy is to understand how to create economic incentives to make sure the users carry out the right actions.
Governance Protocol
- They are the methods to ensure that the rules of the game are in place.
Stable coin mechanisms
- a cryptocurrency designed to trade at a fixed price
- Instead of a central bank affecting the value of money, the project has various ways for the coin to maintain a stable value, in comparison to another asset (e.g. USD)
- E.g. One cookie is worth one cup of milk.  How do you manage the system of cookie to milk exchange?
Auction/Payments
- Instead of a centralized system setting the payment price, you (the buyer) set your own price and compete with other buyers to receive the object.
- E.g. Miner receive little block reward and transaction fees after mining in beginning. So, more reward to mine on the network. MORE transactions as network grows. So, block rewards reduce and transaction fees increase.
Voting
- Instead of a centralized system making decisions and changes, you (the token holder) can vote on issues and take ownership of the changes.
Oracle
- A blockchain cannot access data outside of its state (e.g. ETHUSD price, the weather today etc.)
- Instead of a centralized entity giving input/answers to the system, you (the network participant) can add information into the oracle to be evaluated.
Token curated registries
- Instead of having a centralized entity like Buzzfeed to rank “best cheesecake in Philly”, you (the voter) can curate the decentralized list.
- For e.g Scoring DeFi pools. (https://app.defiscore.io/assets/dai)
Token Design
- Token design is everything that involves the token, for example, how are the tokens used to incentivize specific behavior, total supply, and token governance.
- Architecture
- Incentive
- Token structure
Token Design (punch)
The unique thing about token ecosystem is that everything is decentralized. That means many of the token design “rules” has to be coded or embedded into the system.
While designing token ask yourself
While designing token ask yourself
- What is the true purpose of a token?
- Why do you need a decentralized network for your product/project?
- What incentives are you giving to the users?
- What is the ideal token design structure you’d like? (e.g. inflation rate, allocation, distribution schemes, total supply,)
- Are you pegging your token valuation to a real currency? What is the possible limitation to that?(may not be applicable)
Token use case
- A token can realize data such as
- Identity documents
- Voting records
- Contracts
- Game characters
- Stock ownership
- Usage rights (such as a software license or computing services)
Air Drops
Airdrops is a process by which the company distributes its tokens to wallets of certain user, completely free of charge.
Image Credits
Types of Air Drop
- Standard Airdrop
- Bounty Airdrop
- Holder Airdrop
- Hardfork Airdrop
- Exclusive Airdrop
Decentralized Exchange
- In most exchanges, only the asset exchange is decentralized, as the assets are cryptocurrencies deployed on the blockchain that no central entity controls.
Decentralized Exchange
- Due to KYC and AML regulations, exchanges are often required to seek users’ identities for capital deposits, creating centralized record-collection and data-storage of personal information. Centralized exchanges give users permission to transact currencies, rather than creating a permissionless ecosystem.
Why NOT Centralized Exchange?
- Unreliable and untrustworthy
- Modern financial system, this transgressions happen to quickly
- Compromised CEX may put millions of users’ fund at risk at a given time.
- Multiple people have access to customer’s fund. “Three can keep a secret if two are dead”.
Why NOT Centralized Exchange?
- High-frequency trading, front running or hidden orders
- May need to go physically close to exchanges as trading bots make decisions so quickly.
- Fractional[frictional] reserve banking
- “Big brother is watching”
Decentralized exchange merits
- Any attack or failure impacts only one user and their funds.
- User has control over their own security
- Hacking and individual user or exchange occurs at fixed cost.
Decentralized exchange merits
- Level playing field to traders
- Spin up your own exchange by running an API node locally - location-neutral
- A user may keep more than one account and there is no way of tying transactions done through different account to your identity hencing it gives false sense of privacy.
Game Theory
- Game theory is basically strategic decision making. You look at the options, consider the outcomes to the solutions and make the best decision.
Game Theory
- Imagine there is a sealed cookie jar at home. Mum says that no one can eat the cookie. You and your sister both wants the cookie. What options are there?
- You and sister both get the cookies.
- You get the cookie.
- Your sister gets the cookie.
- No one gets the cookie.
Game Theory
- What will happen next?
- Both gets the cookie. Mum doesn’t find out because no one tells her.
- Only you get the cookie. Sister tells mum about your bad behaviour. You gets punished.
- Only sister gets the cookie. So you tell mum about her bad behaviour. She get punished.
- No one gets the cookie. Nothing happens. You get hungry.
- Which option will you choose?
Time lock Contracts
- Allow users to lock up their tokens.
- Tokens can be released again after specified amount of time before a user who has decided to unlock his tokens actually receives them back (cliff vesting).
- The contract can be used for any token that follows the common token standard and the same instance can be used by an arbitrary number of users


Featured article
Mobile DevTools: Remote Debugging for Android with Screencast
Until now, while remote debugging a mobile device, you had to shift your eyes back and forth between the device and your desktop machine. Now Screencast displays your device's screen right inside of Chrome DevTools on your desktop.
You can also interact with your mobile device from your desktop, as clicks on the screencast get translated into taps and touch events. Typing on the desktop keyboard also sends keystrokes to the device -- much better than typing with your thumbs!


PHP (recursive acronym for PHP:
Hypertext
Preprocessor) is a widely-used open source
general-purpose scripting language that is especially suited for web development and can be
embedded into HTML.
Nice, but what does that mean? An example:
<!DOCTYPE HTML>

<title>Example</title>

<?php
echo "Hi, I'm a PHP script!";
?>

Instead of lots of commands to output HTML (as seen in C or Perl), PHP pages contain HTML
with
embedded code that does "something" (in this case, output "Hi, I'm a PHP script!"). The PHP
code is
enclosed in special start and end processing instructions <?php
and
?>
that allow you to jump into and out of "PHP mode."
Anything. PHP is mainly focused on server-side scripting,
so you can do anything any other CGI program can do, such
as collect form data, generate dynamic page content, or
send and receive cookies. But PHP can do much more.
There are three main areas where PHP scripts are used.
-
Server-side scripting. This is the most traditional
and main target field for PHP. You need three things
to make this work: the PHP parser (CGI or server
module), a web server and a web browser. You need to
run the web server, with a connected PHP installation.
You can access the PHP program output with a web browser,
viewing the PHP page through the server. All these can
run on your home machine if you are just experimenting
with PHP programming.
-
Command line scripting. You can make a PHP script
to run it without any server or browser.
You only need the PHP parser to use it this way.
This type of usage is ideal for scripts regularly
executed using cron (on *nix or Linux) or Task Scheduler (on
Windows). These scripts can also be used for simple text
processing tasks.
-
Writing desktop applications. PHP is probably
not the very best language to create a desktop
application with a graphical user interface, but if
you know PHP very well, and would like to use some
advanced PHP features in your client-side applications
you can also use PHP-GTK to write such programs. You also
have the ability to write cross-platform applications this
way. PHP-GTK is an extension to PHP, not available in
the main distribution.
When PHP parses a file, it looks for opening and closing tags, which are
<?php and ?> which tell PHP to
start and stop interpreting the code between them. Parsing in this manner
allows PHP to be embedded in all sorts of different documents, as
everything outside of a pair of opening and closing tags is ignored by the
PHP parser.
PHP also allows for short open tag <? (which is
discouraged since it is only available if enabled using the
short_open_tagphp.ini
configuration file directive, or if PHP was configured with the
--enable-short-tags
option).
If a file contains only PHP code, it is preferable to omit the PHP closing tag
at the end of the file. This prevents accidental whitespace or new lines
being added after the PHP closing tag, which may cause unwanted effects
because PHP will start output buffering when there is no intention from
the programmer to send any output at that point in the script.
<?php
echo "Hello world";
// ... more code
echo "Last statement";
// the script ends here with no PHP closing tag
Everything outside of a pair of opening and closing tags is ignored by the
PHP parser which allows PHP files to have mixed content. This allows PHP
to be embedded in HTML documents, for example to create templates.

This is going to be ignored by PHP and displayed by the browser.

<?php echo 'While this is going to be parsed.'; ?>

This will also be ignored by PHP and displayed by the browser.

As in C or Perl, PHP requires instructions to be terminated
with a semicolon at the end of each statement. The closing tag
of a block of PHP code automatically implies a semicolon; you
do not need to have a semicolon terminating the last line of a
PHP block. The closing tag for the block will include the immediately
trailing newline if one is present.
<?php
echo 'This is a test';
?>
<?php echo 'This is a test' ?>
<?php echo 'We omitted the last closing tag';
Note:
The closing tag of a PHP block at the end of a file is optional,
and in some cases omitting it is helpful when using include
or require, so unwanted whitespace will
not occur at the end of files, and you will still be able to add
headers to the response later. It is also handy if you use output
buffering, and would not like to see added unwanted whitespace
at the end of the parts generated by the included files.
PHP supports ten primitive types.
Four scalar types:
- boolean
- integer
- float (floating-point number, aka double)
- string
Four compound types:
- array
- object
- callable
- iterable
And finally two special types:


|
MoveToCode
|
Script for generating pulse shader effect on the surface. More...
Public Member Functions | |
| void | SetLocalOrigin (Vector3 origin) |
| void | ResetPulseMaterial () |
| void | PulseOnce () |
| void | StartPulsing () |
| void | StopPulsing (bool bFinishCurrentPulse=true) |
| void | OnPointerDown (MixedRealityPointerEventData eventData) |
| When a pointer down event is raised, this method is used to pass along the event data to the input handler. More... | |
| void | OnPointerDragged (MixedRealityPointerEventData eventData) |
| Called every frame a pointer is down. More... | |
| void | OnPointerUp (MixedRealityPointerEventData eventData) |
| When a pointer up event is raised, this method is used to pass along the event data to the input handler. More... | |
| void | OnPointerClicked (MixedRealityPointerEventData eventData) |
| When a pointer clicked event is raised, this method is used to pass along the event data to the input handler. More... | |
Properties | |
| string | ParamName [get, set] |
| Shader parameter name to drive the pulse radius More... | |
| string | OriginParamName [get, set] |
| float | PulseDuration [get, set] |
| float | PulseRepeatMinDelay [get, set] |
| bool | AutoStart [get, set] |
| bool | OriginFollowCamera [get, set] |
| Material | SurfaceMat [get, set] |
| bool | PulseOnSelect [get, set] |
Script for generating pulse shader effect on the surface.
| void Microsoft.MixedReality.Toolkit.Experimental.SurfacePulse.SurfacePulse.OnPointerClicked | ( | MixedRealityPointerEventData | eventData | ) |
When a pointer clicked event is raised, this method is used to pass along the event data to the input handler.
Implements Microsoft.MixedReality.Toolkit.Input.IMixedRealityPointerHandler.
| void Microsoft.MixedReality.Toolkit.Experimental.SurfacePulse.SurfacePulse.OnPointerDown | ( | MixedRealityPointerEventData | eventData | ) |
When a pointer down event is raised, this method is used to pass along the event data to the input handler.
Implements Microsoft.MixedReality.Toolkit.Input.IMixedRealityPointerHandler.
| void Microsoft.MixedReality.Toolkit.Experimental.SurfacePulse.SurfacePulse.OnPointerDragged | ( | MixedRealityPointerEventData | eventData | ) |
Called every frame a pointer is down.
Can be used to implement drag-like behaviors.
Implements Microsoft.MixedReality.Toolkit.Input.IMixedRealityPointerHandler.
| void Microsoft.MixedReality.Toolkit.Experimental.SurfacePulse.SurfacePulse.OnPointerUp | ( | MixedRealityPointerEventData | eventData | ) |
When a pointer up event is raised, this method is used to pass along the event data to the input handler.
Implements Microsoft.MixedReality.Toolkit.Input.IMixedRealityPointerHandler.
| void Microsoft.MixedReality.Toolkit.Experimental.SurfacePulse.SurfacePulse.PulseOnce | ( | ) |
| void Microsoft.MixedReality.Toolkit.Experimental.SurfacePulse.SurfacePulse.ResetPulseMaterial | ( | ) |
| void Microsoft.MixedReality.Toolkit.Experimental.SurfacePulse.SurfacePulse.SetLocalOrigin | ( | Vector3 | origin | ) |
| void Microsoft.MixedReality.Toolkit.Experimental.SurfacePulse.SurfacePulse.StartPulsing | ( | ) |
| void Microsoft.MixedReality.Toolkit.Experimental.SurfacePulse.SurfacePulse.StopPulsing | ( | bool | bFinishCurrentPulse = true | ) |
|
getset |
|
getset |
|
getset |
|
getset |
Shader parameter name to drive the pulse radius
|
getset |
|
getset |
|
getset |
|
getset |


I'm curious where #Crypto twitter likes to spend their crypto (if at all). Please answer the poll AND comment your favorite site/business, or tag their twitter. Feel free to tag your favorite coin you like to spend too, and where you spend it! I'll go first :)
#BTC #KMD #E...


I was six years old when my parents dragged me to see Aliens. Now , I had seen the original but since I was probably still drooling back then I really did not know what to expect from it's sequel. I think my parent's were trying to get rid of me early by scaring me to death , that's the only possible explanation for making a child watch Aliens in a dark room during the first days of surround sound. You've all heard the expression "traumatic experience" , well to this day I cannot watch Aliens alone or in the dark. This is not meant as a joke , I start to breathe faster , for some reason I need to swallow every ten seconds and I keep grabbing hold of whatever is available.
For some people it's going into the cellar , for others it's spiders , for me it's James Cameron's Aliens. Imagine being immersed in a dark so total that closing your eyes could provide the same effect , then imagine knowing that something is in there with you , stalking you , circling just out of your reach. The room is chilly , the wind is more annoying than cold but it still makes the small hairs between your shoulders stand up in alarm.
 You feel unsure where exactly to place your arms: by your side , maybe you should cross them , you cannot even see them. You are in desperate need of air , you've stayed too long underwater and it is like some great weight is pressing down on your lungs. You try to force air in but your heart is beating too fast to keep any precious oxygen inside you.
The noise is terrifying , a great orchestra drum is beating between your breasts.   You fall to your knees , bending in half , praying for some warmth and silence.
It's a bit melodramatic , I know. But it's the best I can describe what it is like for me to watch this movie. Especially with surround sound , I remember I kept looking all around because I thought the monsters were in the theater with us. When Michael Biehn lifts the grate above the marines and swings his flashlight around I was also looking up.
All of this just so you can better understand my disapointment at the direction the series has taken. The problem with the Alien franchise is that it as not followed a natural progression. Explanation: first we had one alien and several humans with practically no weapons. It seemed only natural to follow that up with several hundred aliens and tough marines armed with state of the art gear. Then something went wrong , instead of moving up we took a step back. Afer experiencing the onslaught of a hundred aliens plus their queen it was kind of a downer to just having one running after us.
And without weapons the possibility of maximum carnage was very limited. Plus , for the first time in the franchise's history the supporting cast was extremely weak. I wanted Lance Henricksen and Michael Biehn to have survived to pod's crash. Heck , I wanted to see more of the Ripley/Newt relationship. After having taken the fight to the ennemy in Aliens it was sad to just being able to run away and hide in Alien 3.
Which brings us to the latest instalment in the franchise: Alien Resurection. Let me start off by saying the director was wrong for this project. Why? Everything scene he shoots is too bright. Even the dark corridors of the ship aren't dark. Part of what makes the alien lethal is that you cannot see it coming , but now we can clearly see down the length of every corridor which makes it hard for a surprise attack. Also , in the three previous flicks we only caught glimpses of the creature , when we saw completely it was only for a few seconds.Now , the Alien is fully exposed in most scenes and it becomes just another B movie monster.
Can somebody explain this to me:
The first flick was about a hundred years into the future , the second was ninety , I think , the third was a couple of decades and this latest is , again I think , a hundred. Now , we can travel through space , clone entire persons and establish colonies on distant worlds but guns still need bullets? Oh sure , they had small lasers but come on...
Now we move on to Alien Resurection's biggest fault: Ripley , the original ( well , okay , her clone , but let's not split hairs ) psycho bitch.
But , unfortunately , in this movie Ripley is not pro-active she is only re-active.  I know that she is not the original Ripley but instead of leading the men to safety she just hangs back and offers some less than inspiring comments once in a while. "What did you do?" he asks. "I died." So much for morale.
 Right , as if you'd still have a head after that. While we are bitching: the "use the airlock to get rid of the final alien" bit got old back in Aliens. Movies are supposed to have big , explosive endings ( again I must mention Aliens in regards to this comment ) , instead we get a really fake looking atmospheric re-entry.
Rating: Half a star out of 5 for a legend in the breaking , bad CG effects ( mostly when the Alien jumps out of the water , ugh! ) and the half of star is for the ok but not great underwater chase.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


WITNESS LIST Insurance Committee March 5, 2001-10:30A HB 338 For: Hagan, Bob (Farmers Insurance Group) Pollard, Mike (Texas Association of Life and Health Insurers) Against: Kincaid, Mark (Self) On: Schneider, Rob (Consumers Union) HB 471 For: Desmond, Robert (Self) Merritt, Stacey (Texas Association of Health Underwriters) Against: Pollard, Mike (Texas Association of Life and Health Insurers) On: Grove, Andrew (Humana, Inc.) Smith-Daley, Ana (Texas Department of Insurance) HB 1000 For: Graves, Tim (Texas Health Care Association) Kincaid, Mark (Self) Against: Geiger, Richard (Association of Fire and Casualty Insurance Companies in Texas) On: Hamilton, Marilyn (Texas Department of Insurance) HB 1036 For: Christian, Annette (Self) Kincaid, Mark (Self) Lambe, Dan (Texas Watch) Smalley, Roy (Self and Texas Lone Star Collision Association; Coalition for Collision Repair Excellence) Thomas, Teresa (Self) Walden, James (Self) Against: Geiger, Richard (Association of Fire and Casualty Companies in Texas) Ruggiero, Denise (State Farm Insurance) On: Bordelon, Rod (Office of Public Insurance Counsel) HB 1283 For: Patterson, Jerry (Self) HB 1466 For: Korioth, Tony (TML Employee Benefits Pool) HB 1891 For: Huxel, Robert (Farmers Insurance Group) Against: Geiger, Richard (Association of Fire and Casualty Companies in Texas) HB 1943 For: Christian, Annette (Self) Dacke, Tammie (Self) Lambe, Dan (Texas Watch) Parker, Jr., Lewis (Self) Smalley, Roy (Self and Texas Lone Star Collision Association; Coalition for Collision Repair Excellence) Walden, James (Self) Against: Geiger, Richard (Association of Fire and Casualty Companies in Texas) Ruggiero, Denise (State Farm Insurance) HB 1945 Against: Davis, Will (Texas Association of Life and Health Insurers; USAA) Geiger, Richard (Association of Fire and Casualty Companies in Texas) Hooser, Greg (Texas Association of Insurance Officials) On: Durden, David (Texas Department of Insurance)


The dragon widget is designed to introduce dragging of elements using the mouse or touch. When instanced, it will allow the dragging of the parent HTML-element within the rect of its parent. The developer can decide the dragging directions - horizontal, vertical or both. In addition, the developer can constrain the dragging to the edges.
This widget is ideal for using it in the implementation of sliders and draggable windows.

All options are accessible throught the getOption and setOptions method of the widget [dragonElement.dragon] object. After setting any of the options for the dragon widget, it will be unenhanced and enhanced to apply the newly set options.
Please use the theme method of the widget to read the current theme.
HTML-Markup notation: data-theme
JavaScript notation: theme
The theme name as string to be used for the widget. Possible values 'a' or 'b'. By default, 'a' stays for dark theme, while 'b' for the bright theme. If omitted, the widget will inherit the theme from its parent.
HTML-Markup notation: data-directions
JavaScript notation: directions
Directions allowed for dragging. Allowed values are: "h", "v" and "h v", where "h" means horizontal and "v" means vertical drag respectively.
Default is: "h v".
HTML-Markup notation: data-rect-constraint
JavaScript notation: rectConstraint
Defines the draggable area boundaries for each direction - left, right, top or bottom.
The value of "none" for a particular direction means no limitations for the dragging in this direction.
A value of 0 means stop dragging if the draggable DIV reaches the end of the draggable area.
Positive value (PV) means to stop dragging before the draggable DIV reaches PV pixels from the
edge of the draggable area.
Negatiive value (NV) means to stop dragging after the draggable DIV exceeds NV pixels from the
edge of the draggable area.
The example value "left:0 right:10 top:none bottom:-10" means:
1. If dragged left, stop if reached the left edge.
2. If dragged right, stop before reaching 10 pixels from the right edge.
3. If dragged top, never stop dragging.
4. If dragged bottom, stop dragging after exceeding 10 pixels from the bottom edge of the draggable area.
Default is: "left:none right:none top:none bottom:none";
HTML-Markup notation: data-parent-pointer-anchor
JavaScript notation: parentPointerAnchor
Defines the anchor of the draggable element to move the draggable element within the draggable area. Allowed values are combinations of the values for the x and y axis or "" (empty string). Empty string means that in order to start dragging, the user must tap over the dragon itself before moving. Otherwise, the user can tap ANYWHERE on the draggable area, the draggable will be moved to the position tapped with the anchor defined by parentPointerAnchor. The possible values for each axis are left, center, right or integer for the x-axis and top, center, bottom or integer for the y-axis. For example: "left center", "center 10", "10 bottom".
Default is: empty string
Fired when touch or mouse down has been made. Applies to dragonElement.parentNode.
Fired when touch or mouse has been made down or moved. Applies to dragonElement.parentNode.
Fired when touch or mouse up has been made. Applies to dragonElement.parentNode.
Please click on the links bellow to see the different live examples. All links will open in a new window. Once a link has opened, you can view the source code of the example.


ONCE UPON A TIME IN CHINA (Wong Fei-hung) A film review by James Brundage Copyright 2000 filmcritic.com filmcritic.com
The West has Billy the Kid and the East has Wong Fei-hung... and if ever the twain shall meet I will lose all faith in humanity and moviemaking. [Check out Shanghai Noon. -Ed.] Wong Fei-hung, arguably the biggest folk hero in Chinese legend and cinema, has shown up in various movies and dime novels in China since the 1930s. In America, he's just begun to make a real dent... showing up via Jackie Chan in The Legend of Drunken Master and Jet Li in Once Upon a Time in China.
Master of just about any kung fu style out there and massive opponent of imperialism, the legendary Wong Fei is pretty much there whenever China needs him, and, when one of China's anti-imperialist generals goes off to resist the French Occupation of Vietnam, Wong Fei is set to train a local militia to ensure that the West doesn't overrun the country while the General is away. Wong, with the help of many a militiaman with a strange-translated nickname (like Porky or Buck Teeth), attempts to do so, but this being a movie, something had to go wrong. In this case, his militia men get involved in a street fight with a local mobster, Leung Fu (Biao Yuen), and just happen to fight their way into Wong Fei-hung's diplomatic dinner with the Americans.
Needless to say, this doesn't help Wong's standing with the Westerners at all, and various pressures are placed upon him to bend to the rule of the West. Assassination is attempted, Wong's Aunt-in-Law ends up facing the threat of prostitution, his men are told not to fight yet are continually attacked... pick your reason, Wong Fei-hung just can't stay out of it.
Compound this with the fact that Wong Fei-hung is pitted against yet another Kung Fu Master, Iron Robe Yim (Yee Kwan Yan) in a challenge of honor, and Wong's just not having a good week.
Movies about Wong Fei-hung always tend to be filled with allegorical symbolism, and Once Upon a Time in China is no exception. Wong is the traditional man who wishes for privacy, yet finds, like China did, that sticking to yourself doesn't mean others wont bother you. Iron Robe is a member of the Boxer Rebellion, sure that bullets cannot beat Kung Fu until he finds himself shot with one. Buck Teeth is the Chinese that can live well within Western culture and thus finds himself an outcast in his own.
The film's most interesting character ends up being Iron Robe, who, although he doesn't show up until halfway through the movie, is portrayed as a broken man from the start, making it one of the few times that you actually sympathize with the "bad guy" in a Kung Fu movie.
Like Crouching Tiger, Hidden Dragon, Once Upon a Time in China raises the bar for a genre often thought of as meaningless dribble, showing that a Kung Fu movie can be more than just spectacular fight sequences. Of course Wong Fei-hung doesn't ever disappoint in that aspect, either. One particular fight that takes place on a series of ladders in a warehouse can leave even the most seasoned Kung Fu vet with his jaw dropped... and, if not for the overwhelming political message, why the hell else are you gonna see the movie?

Visit filmcritic.com on the Web at http://www.filmcritic.com
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


The ViewCell for displaying information of and providing a download button for a workbook on the server.
More...
|
| override void | Event_PageChanged (IPage p) |
| | Occurs when a page has changed. Refreshes the BindingContext of this view, if the workbook contains the changed page. More...
|
| |
| override void | Event_WorkbookChanged (Workbook w) |
| | Occurs when a workbook has changed. Refreshes the BindingContext of this view, if the changed workbook is equal to it. More...
|
| |
| override void | OnAppearing () |
| | Called when the view cell appears on screen. Registers OnProgressUpdate(double) as progress listener in ProgressHolder. More...
|
| |
| override void | OnDisappearing () |
| | Called when the view cell disappears on screen. Unregisters the progress listener OnProgressUpdate(double) in ProgressHolder. More...
|
| |
| override void | BindViewCell (Workbook workbook) |
| | Binds the views in this view cell to the given workbook. Actually, it refreshes the progress view and the download button. More...
|
| |
| override void | OnAppearing () |
| | Called when the view cell appears on screen. Registers all important events. More...
|
| |
| override void | OnDisappearing () |
| | Called when the view cell disappears on screen. Unregisters the events registered in OnAppearing. More...
|
| |
| override void | OnBindingContextChanged () |
| | Occurs when the BindingContext has changed. Refreshes subtitle and calls BindViewCell(Workbook). More...
|
| |
The ViewCell for displaying information of and providing a download button for a workbook on the server.


I am a Ph.D. candidate in the Department of Computer Science at Purdue University.
My research focuses on the design and development of privacy preserving and secure online protocols for
real world use cases,
by combining in novel ways advances in cryptography and computer science.
My research has been supported by a Purdue Bisland Dissertation Fellowship, the Emil Stefanov Memorial
Fellowship, an IBM PhD Fellowship,
and a Summer Research Grant awarded by Purdue Graduate School.
My contributions as a Graduate Teaching Assistant have been recognized by the Raymond Boyce Graduate
Teacher award by Purdue Computer Science Department.
I have interned with IBM Research and Salesforce.com. Prior to joining Purdue grad school,
I have been a Software Engineer for two years with WSO2 Inc., where I contributed to the open source
WSO2 Identity Server product and where my contributions have been recognized by the Outstanding Contributors' awards by the founders.
I grew up in the beautiful island of Sri Lanka. I enjoy swimming and learning to play piano.
Last Updated: March, 2023


Google was founded by Larry Page and Sergey Brin while they were Ph.D. students at Stanford University.


Here is some more information about this product that is only revealed once clicked on.
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Come visit our warehouse and showroom for the lowest prices in town, conveniently located just outside of Dacula on Highway 316 and Kilcrease Road across from Chicos.


Understanding that the internet is really a web of computers interacting with each other thru commands and computer language. Anytime a person wants to "go somewhere" on the internet they have to type in an address on their browser like www. udacity.com and the computer sends a HTTP Request to a server. Udacity is where you end up. The server finds the appropriate HTML document and sends it back to the user's computer where a web browser interprets the page and displays it on the user's screen.
HTML stands for Hypertext Markup Language. HTML documents make up most of what we see on the internet. It is written in the form of HTML elements consisting of tags enclosed in angle brackets. Here is an example
HTML documents are made of HTML elements. When writing HTML, we tell browsers the type of each element by using HTML tags. < br > is an empty element without a closing tag.
HTML elements are either inline or block. Block elements form an "invisible box" around the content inside of them. Some examples of inline elements are : a, span, br, img, and strong. Some box elements are: p, div, and form.


Diplom Insert
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Private Key
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Diplom ID
Degree
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Program
Year
Grade Average
GPA
Insert Diplom
Print QR


Your uploaded photo is visible to Instructors hiring TAs through the LFS TA Application, and to Application Administrators.
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CodeMirror Plus: builder addon with RequireJS module loading demo
This demo demonstrates many of the addons included in this package. For example:
- Use
Alt-X
to run CodeMirror commands - Use
Alt-E
to run (evaluate) javascript (in sandbox) Ctrl-Space
for auto completeCtrl-F
for searchF10
to toggle lint on/off.
Note: The demo requires codemirror
and a few other packages install. Run npm install
at root diectory to install them.
Dependencies: The demo loads its dependencies
with Require.js, rather than
explicitly. While the bulk of the dependencies is handled by CodeMirror.builder
addon, it still requires:
- The namespaces of various libaries be setup via
require.config()
. - CSS stylesheets be explicitly linked.
[HTML]
Tips:


[1]
The new Ipod nano which comes with a video camera offers decent performance with pictures and video along with the great music.


All Classes
ADTFileCorrupted
AssociationMatrix
Attack
AttackDefenceTree
AttackNode
AttackTree
Controller
Defence
DefenceLibrary
DefenceNode
GUI
ImportController
IndexController
JSONFileCorrupted
LineCommand
MainController
Measure
Measures
MenuController
Node
Pack
ResultController
StartAnalysisController
Tree
TreeController
XMLFileCorrupted


locale [option] locale [option] -a locale [option] -m locale [option] name...
When invoked without arguments, locale displays the current locale settings for each locale category (see locale(5)), based on the settings of the environment variables that control the locale (see locale(7)).
If either the -a or the -m option (or one of their long-format equivalents) is specified, the behavior is as follows:
The locale command can also be provided with one or more arguments, which are the names of locale keywords (for example, date_fmt, ctype-class-names, yesexpr, or decimal_point) or locale categories (for example, LC_CTYPE or LC_TIME). For each argument, the following is displayed:
When arguments are supplied, the following options are meaningful:
For a keyword name argument, write the name of the locale category for this keyword on a separate line preceding the keyword value.
This option improves readability when multiple name arguments are specified. It can be combined with the -k option.
keyword="value"
The locale command also knows about the following options:
$ locale LANG=en_US.UTF-8 LC_CTYPE="en_US.UTF-8" LC_NUMERIC="en_US.UTF-8" LC_TIME="en_US.UTF-8" LC_COLLATE="en_US.UTF-8" LC_MONETARY="en_US.UTF-8" LC_MESSAGES="en_US.UTF-8" LC_PAPER="en_US.UTF-8" LC_NAME="en_US.UTF-8" LC_ADDRESS="en_US.UTF-8" LC_TELEPHONE="en_US.UTF-8" LC_MEASUREMENT="en_US.UTF-8" LC_IDENTIFICATION="en_US.UTF-8" LC_ALL= $ locale date_fmt %a %b %e %H:%M:%S %Z %Y $ locale -k date_fmt date_fmt="%a %b %e %H:%M:%S %Z %Y" $ locale -ck date_fmt LC_TIME date_fmt="%a %b %e %H:%M:%S %Z %Y" $ locale LC_TELEPHONE +%c (%a) %l (%a) %l 11 1 UTF-8 $ locale -k LC_TELEPHONE tel_int_fmt="+%c (%a) %l" tel_dom_fmt="(%a) %l" int_select="11" int_prefix="1" telephone-codeset="UTF-8"
The following example compiles a custom locale from the ./wrk directory with the localedef(1) utility under the $HOME/.locale directory, then tests the result with the date(1) command, and then sets the environment variables LOCPATH and LANG in the shell profile file so that the custom locale will be used in the subsequent user sessions:
$ mkdir -p $HOME/.locale $ I18NPATH=./wrk/ localedef -f UTF-8 -i fi_SE $HOME/.locale/fi_SE.UTF-8 $ LOCPATH=$HOME/.locale LC_ALL=fi_SE.UTF-8 date $ echo "export LOCPATH=\$HOME/.locale" >> $HOME/.bashrc $ echo "export LANG=fi_SE.UTF-8" >> $HOME/.bashrc


{% extends 'base.html' %} {% block content %} {% if upcoming_errands %}
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Home
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Research
About
Projects
Research
Resume (pdf)
Research
[references] Links & References for various projects
Apr 8, 2018
[parallel-computing] PETSc and TAO
Mar 30, 2018
[sequence-modeling] Conditional Random Fields
Mar 6, 2018
[augmented-reality] Project 3 - ARYouThereYet
Dec 3, 2017


Zydus Cadila gets USFDA nod for generic muscle relaxing injection
The injection will be manufactured at Liva Pharmaceuticals, a wholly-owned subsidiary of Cadila
by PTICadila Healthcare, on November 5, said group firm Zydus Cadila has received final approval from the US health regulator for its generic version of muscle relaxant Cisatracurium Besylate Injection given before general anaesthesia.
The approval by the US Food and Drug Administration (USFDA) is for single dose vials of Cisatracurium Besylate Injection USP with strengths of 10 mg/5 ml and 200 mg/20 ml.
This medication is used to relax the muscles. It works by blocking the signals between nerves and muscles and is given before general anaesthesia in preparing for surgery, the company said in a regulatory filing.
The injection will be manufactured at Liva Pharmaceuticals, a wholly-owned subsidiary of Cadila, it added.
The group now has 275 approvals and has so far filed over 360 abbreviated new drug applications, since the commencement of the filing process in financial year 2003-04, it added.
Shares of Cadila Healthcare were trading at Rs 241.05 apiece, down 0.17 percent on the BSE.Special Thursday Expiry on 10th 7th Nov
Early Closure to The Great Diwali Discount. Last Chance to get Moneycontrol PRO for a year @ Rs. 289/- only
Coupon code: DIWALI


Using the Classpath API you can look up the classpath used for a certain purpose (such as compilation or running) on a certain file.
At runtime, there's often only a single Classpath available through the application classloader. The application is often developed against a set of APIs, with some implementation provided at runtime. For example, if using JDBC, the application is compiled against JDBC API only and the proper driver is added to the runtime classpath. To avoid unintentional dependencies on implementation, the implementation classes are often stripped off the compilation path. Another case is debugging with special implementation libraries that - for example - perform special sanity checks or logging. Again, the classpath is different from those used during build or application's execution.
Since the IDE supports the whole development cycle, it needs to provide different classpaths for each of the purposes mentioned, and maybe for others, too. See {@link java.lang.ClassLoader}.
The ClassPath API uses concept similar to Services to categorize ClassPaths. Instead of the class, a string token is used to name a service type. Various types such as {@link org.netbeans.api.java.classpath.ClassPath#COMPILE} are defined.
In addition to different services, the API also permits different files to have different classpaths configured for them. In addition to the desired classpath type, clients are required to pass in a FileObject of the user file, which is the "starting point" for the classpath search.
To obtain a ClassPath instance for the given FileObject and intended usage, you want to call {@link org.netbeans.api.java.classpath.ClassPath#getClassPath} as in this example for getting compilation classpath:
FileObject f = getSomeJavaSourceFile(); ClassPath cp = ClassPath.getClassPath(f, ClassPath.COMPILE); System.err.println(cp);
The classpath is formed from one or more roots. JRE itself supports
at least two types of of them: a root can be either a directory or an archive
(.jar
or .zip
file). The definition of the classpath cannot
maintain integrity with the root folders or archives. If one of them is renamed,
deleted or otherwise changed, its entry in the classpath becomes invalid and
does not contribute to the contents of the classpath. Note that the entry cannot
be removed automagically, since an archive can disappear (for example) because of
the compilation products in a subproject.
Note that regardless of where the classpath entry is an archive, or a folder,
the root returned for it will be always a folder. For archive files,
it will be the root folder of the archive filesystem.
For most purposes, working with only those roots which are valid, is sufficient enough. The error condition can be detected when a required resource is missing, for example. For some tasks checking for validity of individual classpath entries may be appropriate, the build process being a notable example. For others, like searches or parsing, such behaviour is hihgly undesirable.
If you don't need to notify the user that the definition of classpath is not correct (there are other ways or another, more appropriate, time to notify the user), you can use {@link org.netbeans.api.java.classpath.ClassPath#getRoots} to find out what folders are the roots:
ClassPath cp = ClassPath.getClassPath(myClassFile, ClassPath.EXECUTE); FileObject[] roots = cp.getRoots(); for (int i = 0; i < roots.length; i++) { System.err.print(roots[i] + ":"); }
Clients who need to find out whether the environment is set up well, may work more thoroughly using {@link org.netbeans.api.java.classpath.ClassPath.Entry} objects:
ClassPath cp = ClassPath.getClassPath(myClassObject, ClassPath.EXECUTE);
List entries = cp.entries();
for (Iterator it = entries.iterator(); it.hasNext(); ) {
ClassPath.Entry en = (ClassPath.Entry)it.next();
if (!en.isValid()) {
IOException x = en.getError();
// Report the error somehow, perhaps using org.openide.ErrorManager
.
} else {
FileObject root = en.getRoot();
// Do something with the root folder
}
}
The resource name is essentially a file name, relative to the root of classpath. If the classpath has more roots (it's a classpath forest rather than a single tree), they are combined and merged together to give one "logical" tree. The merge operation has one subtle property, resource hiding: when there are several resources of the same name in the classpath forest, the order of the roots that define the classpath matters and the only the first resource encountered (in that order) is visible for the ClassLoader.
Often a FileObject is viewed as a resource to the application being developed. It's the most used view for Java sources, as they are required to appear in an appropriate folder in the source tree, but for other objects as well. For example, the IDE support for images need to record the resource name of the image so that it can be loaded at runtime using {@link java.lang.ClassLoader#getResourceAsStream}. If you need to obtain a name for FileObject, which is relative to the classpath, you first have to think about for which service do you need it. For resource bundles, for example, it will be mostly the execution service. Then you will get the appropriate {@link org.netbeans.api.java.classpath.ClassPath} instance and ask it to compute the name for you:
FileObject f = bundleDataObject.getPrimaryFile(); ClassPath cp = ClassPath.getClassPath(theSourceDataObject.getPrimaryFile(), ClassPath.EXECUTE); String bundleResource = cp.getResourceName(f);
To check whether a resource (FileObject
) is visible or not to the service,
you may want to call {@link org.netbeans.api.java.classpath.ClassPath#isResourceVisible}.
You may want to do just the opposite, to get a FileObject
for a resource name
you have. Since there may be more resources of that name, the API supports
{@link org.netbeans.api.java.classpath.ClassPath#findResource} to get the visible one,
or {@link org.netbeans.api.java.classpath.ClassPath#findAllResources} to get
a collection of all resources matching the name.
The ClassPath
interface supports listening to either root folder set changes
or entry set changes. Changes in root folder set can be observed by
property change listeners, they are reported as additions,
deletions or changes to the order of roots. For example, to watch out for new compile-time
dependencies, you may do:
FileObject f; // some interesting FileObject. ClassPath cp = ClassPath.getClassPath(f, ClassPath.COMPILE); cp.addPropertyChangeListener(new PropertyChangeListener() { public void propertyChange(PropertyChangeEvent evt) { if (ClassPath.PROP_ROOTS.equals(evt.getPropertyName())) { // Update your stuff, because classpath roots have changed. } } });
You may also listen entries
property. Note that the root
folder set may change even though the entry set did not change,
as a result of some entry becoming (in)valid.
The now-deprecated way how to
obtain a resource name for a file object was to call
{@link org.openide.filesystems.FileObject#getPackageNameExt}.
But the getPackageNameExt()
method gives a name
of the file within the FileSystem
rather than its relative path
from some classpath root point. Therefore it is no longer recommended to use the
{@link org.openide.filesystems Filesystems API}
to obtain classpaths.
As the {@link org.openide.filesystems.Repository} searches through FileSystems without regard to the intended usage for individual services, {@link org.openide.filesystems.Repository#findResource} and {@link org.openide.filesystems.Repository#findAllResources} should not be used at all. {@link org.netbeans.api.java.classpath.GlobalPathRegistry} may be used to find certain kinds of files that are available among open projects in the GUI, but this should be used only as a last resort if there is no other possible source of information about where a file might be located according to specific classpaths. The usage of the class {@link org.openide.filesystems.FileSystemCapability} is deprecated; you should use methods of {@link org.netbeans.api.java.classpath.ClassPath} instead of that.
| Old method | New method |
|---|---|
| {@link org.openide.filesystems.FileObject#getPackageName} and {@link org.openide.filesystems.FileObject#getPackageName} | {@link org.netbeans.api.java.classpath.ClassPath#getResourceName} |
| {@link org.openide.filesystems.FileSystemCapability#findResource} | {@link org.netbeans.api.java.classpath.ClassPath#findResource} |
| {@link org.openide.filesystems.FileSystemCapability#findAllResources} | {@link org.netbeans.api.java.classpath.ClassPath#findAllResources} |
| {@link org.openide.filesystems.FileSystemCapability#fileSystems} | {@link org.netbeans.api.java.classpath.ClassPath#getRoots} |
| {@link org.openide.filesystems.Repository#findResource} | {@link org.netbeans.api.java.classpath.GlobalPathRegistry#findResource} |
| {@link org.openide.filesystems.Repository#findAllResources} | {@link org.netbeans.api.java.classpath.GlobalPathRegistry#getSourceRoots} |


About Jeffrey Kenney
I have been a Professor at Yale University since 1991, and served as Chair of the Astronomy Department from 2005-2011. I earned a PhD in Astrophysics from the University of Massachusetts at Amherst in 1987. As an observational astronomer who investigates the structure and evolution of galaxies, I am most interested in factors that promote and stop star formation. A major focus of my work concerns the environmental impacts on galaxy clusters, particularly molecular gas dynamics and ram pressure stripping. Much of my research has been conducted on the nearby Virgo cluster, which can be studied with good resolution and sensitivity due to its close proximity to our own Milky Way.
Teaching at Yale University
Astronomy 120: Galaxies and the Universe
An introduction to stars and stellar evolution, the structure and evolution of the Milky Way Galaxy and other galaxies; quasars, active galactic nuclei, and supermassive black holes; cosmology and the expanding universe. Intended for non-science majors.
Astronomy 310: Galactic and Extragalactic Astronomy
The structure of the Milky Way galaxy and other galaxies; stellar populations and star clusters in galaxies; gas and star formation in galaxies; the evolution of galaxies; galaxies and their large-scale environment; galaxy mergers and interactions; supermassive black holes and active galactic nuclei. Intended for undergraduate majors in Astronomy and Physics.
Astronomy 430/530: Galaxies
A survey of the contents, morphology, structure, and kinematics of galaxies; star formation and the interstellar medium in galaxies; stellar populations and chemical evolution; galaxy interactions and the environments of galaxies, central black holes. Intended for graduate and advanced undergraduate astronomy majors.


Data structure for a bone in a MDL7 file.
More...
Data structure for a bone in a MDL7 file.
◆ _unused_
| uint8_t Assimp::MDL::Bone_MDL7::_unused_[2] |
◆ name
| char Assimp::MDL::Bone_MDL7::name[1] |
Optional name of the bone.
◆ parent_index
| uint16_t Assimp::MDL::Bone_MDL7::parent_index |
Index of the parent bone of this bone.
0xffff means: "hey, I have no parent, I'm an orphan"
| float Assimp::MDL::Bone_MDL7::x |
Relative position of the bone (relative to the parent bone)
| float Assimp::MDL::Bone_MDL7::y |
| float Assimp::MDL::Bone_MDL7::z |
The documentation for this struct was generated from the following file:


Young girl allegedly sexually assaulted by two men in a Perth park
by Lauren PilatA 12-year-old girl is believed to have been sexually assaulted in a southern suburb of Perth on Thursday night.
A police spokeswoman said the alleged sexual assault happened in a park on McKay Street in Bentley between 6pm and 11pm.
She said two men, with their faces covered, grabbed the girl and sexually assaulted.
Child Abuse Squad detectives are investigating and would like to speak to anyone who was in the area who may have seen the men.
Anyone with information relating to this incident should call police on 131444.


ChannelId must be an identifier for an open channel such as a Tcl standard channel (stdin, stdout, or stderr), the return value from an invocation of open or socket, or the result of a channel creation command provided by a Tcl extension.
The offset and origin arguments specify the position at which the next read or write will occur for channelId. Offset must be an integer (which may be negative) and origin must be one of the following:
The origin argument defaults to start.
The command flushes all buffered output for the channel before the command returns, even if the channel is in nonblocking mode. It also discards any buffered and unread input. This command returns an empty string. An error occurs if this command is applied to channels whose underlying file or device does not support seeking.
Note that offset values are byte offsets, not character offsets. Both seek and tell operate in terms of bytes, not characters, unlike read.
set f [open file.txt] set data1 [read $f] seek $f 0 set data2 [read $f] close $f # $data1 == $data2 if the file wasn't updated
Read the last 10 bytes from a file:
set f [open file.data] # This is guaranteed to work with binary data but # may fail with other encodings... fconfigure $f -translation binary seek $f -10 end set data [read $f 10] close $f


The page you are looking for might have been removed, had its name changed, or is temporarily unavailable.
We apologize for the inconvenience.
Unknown state: {{ vm.state }}


null
throw
Such constructs produce java.lang.NullPointerException that usually should not be thrown programmatically.
java.lang.NullPointerException


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 Kindly give us a chance to improve.
USER-FRIENDLY:
😡
😞
😐
😃
😍
LUDO:
😡
😞
😐
😃
😍
UNO:
😡
😞
😐
😃
😍
HANGMAN:
😡
😞
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Remarks
SUBMIT


Generic implementation of the CrNiCKL API.
This is not a concrete implementation.
To run an application with CrNiCKL (chronicle), an actual implementation is required,
like for example a JDBC implementation.
This packages provides the basis for the actual implementation.


- ParkingIoTApplication - Class in com.dmd.parking_iot
-
A Spring Boot parking Internet of Things (IoT) application.
- ParkingIoTApplication() - Constructor for class com.dmd.parking_iot.ParkingIoTApplication
-
- ParkingLot - Class in com.dmd.parking_iot
-
A parking lot consisting of rows of parking spaces.
- ParkingLot() - Constructor for class com.dmd.parking_iot.ParkingLot
-
Default constructor.
- ParkingLot(String) - Constructor for class com.dmd.parking_iot.ParkingLot
-
Constructor.
- ParkingLotController - Class in com.dmd.parking_iot
-
Spring Boot controller class for ParkingLot class.
- ParkingLotController() - Constructor for class com.dmd.parking_iot.ParkingLotController
-
- ParkingLotHelper - Class in com.dmd.parking_iot
-
Helper class designed to create example parking lots, consisting of rows, and their spaces.
- ParkingLotHelper() - Constructor for class com.dmd.parking_iot.ParkingLotHelper
-
- parkingLotRepository - Variable in class com.dmd.parking_iot.ParkingLotController
-
The parking lot repository.
- ParkingLotRepository - Interface in com.dmd.parking_iot
-
Spring data repository interface for ParkingLot objects (JPA).
- ParkingLotRow - Class in com.dmd.parking_iot
-
A parking lot row consisting of adjacent parking spaces.
- ParkingLotRow() - Constructor for class com.dmd.parking_iot.ParkingLotRow
-
Default Constructor
- ParkingLotRow(String) - Constructor for class com.dmd.parking_iot.ParkingLotRow
-
Constructor.
- parkingLotRowRepository - Variable in class com.dmd.parking_iot.ParkingLotController
-
The parking lot row repository.
- ParkingLotRowRepository - Interface in com.dmd.parking_iot
-
Spring data repository interface for ParkingLotRow objects (JPA).
- parkingLotRows - Variable in class com.dmd.parking_iot.ParkingLot
-
The rows of this parking lot.
- ParkingSpace - Class in com.dmd.parking_iot
-
A parking space for a vehicle.
- ParkingSpace() - Constructor for class com.dmd.parking_iot.ParkingSpace
-
Default Constructor
- ParkingSpace(String) - Constructor for class com.dmd.parking_iot.ParkingSpace
-
Constructor.
- parkingSpaceRepository - Variable in class com.dmd.parking_iot.ParkingLotController
-
The parking space repository.
- ParkingSpaceRepository - Interface in com.dmd.parking_iot
-
Spring data repository interface for ParkingSpace objects (JPA).
- parkingSpaces - Variable in class com.dmd.parking_iot.ParkingLotRow
-
The list of parking spaces in this row.
- ParkingSpaceStateMachineConfig - Class in com.dmd.parking_iot
-
Configurator for the parking space state machine.
- ParkingSpaceStateMachineConfig() - Constructor for class com.dmd.parking_iot.ParkingSpaceStateMachineConfig
-
- ParkingSpaceTransaction - Class in com.dmd.parking_iot
-
Transaction involving a parking space.
- ParkingSpaceTransaction() - Constructor for class com.dmd.parking_iot.ParkingSpaceTransaction
-
- parkingSpaceTransactionRepository - Variable in class com.dmd.parking_iot.ParkingLotController
-
The parking space repository.
- ParkingSpaceTransactionRepository - Interface in com.dmd.parking_iot
-
Spring data repository interface for ParkingSpaceTransaction objects (JPA).
- processParkingSpaceEvent(String, String, String) - Method in class com.dmd.parking_iot.ParkingLotController
-
Processes event parkingSpaceEvent, for parking space with name parkingSpaceName,
contained in parking lot, with name parkingLotName.
- putIntoService() - Method in class com.dmd.parking_iot.ParkingSpace
-
Changes state of this parking space to ParkingSpaceStates.VACANT


| Three Gossips |
|
The overlying rocks did not bend as easily as the salt did, and so they cracked in parallel fractures. Over time, water ran into these cracks and dissolved much of the salt below. The rock on top soon had nothing to hold it up. It collapsed on itself, similar to a badly-baked loaf of bread.
|


Netizens Excited After Dwayne ‘The Rock’ Johnson Reveals Black Adam Release Date and Sketch
DC comics continues to up the game in its competition with Marvel. Its new series Watchmen on HBO was praised by viewers, while the cast of the upcoming Batman film recently got another Hollywood heavyweight. Now, the company has delighted fans with news about the Black Adam movie.
Dwayne ‘the Rock Johnson’ has lit up social media after he announced the release date of DC’s Black Adam Movie, where he plays the leading role and shared concept art. In his post on Instagram, the 47-year-old actor wrote about how he fell in love with superheroes as a child and fantasized of becoming a Superman, however later in life understood that he was too rebellious and rambunctious to become the caped hero. The Rock added that he was honored to join the DC universe and to be cast as Black Adam, a “rebellious one of a kind superhero, who’ll always do what’s right for the people - but he does it his way.”
Most netizens were overjoyed with the news, saying that Johnson is the perfect choice for the role.
Some users, though, were not happy with DC’s decision, saying Johnson, the highest paid actor of this year, is not fit to portray the antihero due to his bad acting skills
Other users begged the star to persuade Warner Brothers (WB) to release the director’s cut of another DC movie, Justice League. Zack Snyder, who directed most of the film, left the project after his daughter died. The version that was shown in theatres was a huge detour from Snyder’s vision. Users also called on the Rock to make WB cast Henry Cavill again as Superman.
Other users wondered why did the studio decided to release the film on the same week as James Cameron’s Avatar 2. The first Avatar became the highest grossing movie in 2009 and was moved to second place only ten years later by Marvel’s Avengers.