A rotation in a 2d coordinate frame represented a point on the unit circle (cosine and sine).
More...
◆ Rotation2D() [1/6]
| frc.lib5k.spatial.Rotation2D.Rotation2D |
( |
double |
x, |
|
|
double |
y, |
|
|
double |
radians |
|
) |
| |
|
protected |
◆ Rotation2D() [2/6]
| frc.lib5k.spatial.Rotation2D.Rotation2D |
( |
| ) |
|
◆ Rotation2D() [3/6]
| frc.lib5k.spatial.Rotation2D.Rotation2D |
( |
double |
radians, |
|
|
boolean |
normalize |
|
) |
| |
◆ Rotation2D() [4/6]
| frc.lib5k.spatial.Rotation2D.Rotation2D |
( |
double |
x, |
|
|
double |
y, |
|
|
boolean |
normalize |
|
) |
| |
◆ Rotation2D() [5/6]
| frc.lib5k.spatial.Rotation2D.Rotation2D |
( |
final Rotation2D |
other | ) |
|
◆ Rotation2D() [6/6]
| frc.lib5k.spatial.Rotation2D.Rotation2D |
( |
final Translation2D |
direction, |
|
|
boolean |
normalize |
|
) |
| |
◆ cos()
| double frc.lib5k.spatial.Rotation2D.cos |
( |
| ) |
|
◆ distance()
| double frc.lib5k.spatial.Rotation2D.distance |
( |
final Rotation2D |
other | ) |
|
◆ ensureRadiansComputed()
| void frc.lib5k.spatial.Rotation2D.ensureRadiansComputed |
( |
| ) |
|
|
private |
◆ ensureTrigComputed()
| void frc.lib5k.spatial.Rotation2D.ensureTrigComputed |
( |
| ) |
|
|
private |
◆ equals()
| boolean frc.lib5k.spatial.Rotation2D.equals |
( |
final Object |
other | ) |
|
◆ fromDegrees()
| static Rotation2D frc.lib5k.spatial.Rotation2D.fromDegrees |
( |
double |
angle_degrees | ) |
|
|
static |
◆ fromRadians()
| static Rotation2D frc.lib5k.spatial.Rotation2D.fromRadians |
( |
double |
angle_radians | ) |
|
|
static |
◆ getDegrees()
| double frc.lib5k.spatial.Rotation2D.getDegrees |
( |
| ) |
|
◆ getRadians()
| double frc.lib5k.spatial.Rotation2D.getRadians |
( |
| ) |
|
◆ getRotation()
| Rotation2D frc.lib5k.spatial.Rotation2D.getRotation |
( |
| ) |
|
◆ hasRadians()
| boolean frc.lib5k.spatial.Rotation2D.hasRadians |
( |
| ) |
|
|
private |
◆ hasTrig()
| boolean frc.lib5k.spatial.Rotation2D.hasTrig |
( |
| ) |
|
|
private |
◆ identity()
| static Rotation2D frc.lib5k.spatial.Rotation2D.identity |
( |
| ) |
|
|
static |
◆ interpolate()
◆ inverse()
| Rotation2D frc.lib5k.spatial.Rotation2D.inverse |
( |
| ) |
|
The inverse of a Rotation2D "undoes" the effect of this rotation.
- Returns
- The opposite of this rotation.
Definition at line 140 of file Rotation2D.java.
◆ normal()
| Rotation2D frc.lib5k.spatial.Rotation2D.normal |
( |
| ) |
|
◆ rotateBy()
We can rotate this Rotation2D by adding together the effects of it and another rotation.
- Parameters
-
- Returns
- This rotation rotated by other.
Definition at line 118 of file Rotation2D.java.
◆ sin()
| double frc.lib5k.spatial.Rotation2D.sin |
( |
| ) |
|
◆ tan()
| double frc.lib5k.spatial.Rotation2D.tan |
( |
| ) |
|
◆ toTranslation()
◆ WrapRadians()
| double frc.lib5k.spatial.Rotation2D.WrapRadians |
( |
double |
radians | ) |
|
|
protected |
◆ cos_angle_
| double frc.lib5k.spatial.Rotation2D.cos_angle_ = Double.NaN |
|
protected |
◆ kIdentity
◆ radians_
| double frc.lib5k.spatial.Rotation2D.radians_ = Double.NaN |
|
protected |
◆ sin_angle_
| double frc.lib5k.spatial.Rotation2D.sin_angle_ = Double.NaN |
|
protected |
The documentation for this class was generated from the following file:


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Nest is an MIT-licensed open source project. It can grow thanks to the support by these awesome people. If you'd like to join them, please read more here.
Made by Kamil Myśliwiec


Centrally located in Mongkok atop the Mong Kok East MTR subway station, the luxurious Royal Plaza Hotel offers direct access to MOKO, a large shopping mall with over 200...
In a 19th-century building, the Quirinale is a 10-minute walk from the Colosseum. This historic hotel is connected to Rome Opera House through a passageway in its leafy...
In the Theater District and within a short walk of Times Square, this hotel features a fitness center and concierge service. Rockefeller Center is a short walk away.
Baan Laimai Resort occupies a prime position in Patong’s shopping district, steps from popular Patong Beach. It features a large lagoon pool with pool bar, free Wi-Fi and...


Review your services opening hours
Please check all of the opening hours for your services. You will be able to make changes, if required, at the next step.
Pharmacy opening hours
| Open | Close | ||
|---|---|---|---|
Monday |
09:00 |
to |
17:30 |
Tuesday |
09:00 |
to |
17:30 |
Wednesday |
09:00 |
to |
17:30 |
Thursday |
09:00 |
to |
17:30 |
Friday |
09:00 |
to |
17:30 |
Saturday |
Closed |
||
Sunday |
Closed |


goal[2] = self.height_offset
// If the target can"t set to be in the air like pick and place task
// it has 50% probability to be in the air
if self.target_in_the_air and np.random.uniform() < 0.5:
goal[2] += np.random.uniform(0, 0.45)
else:
random_goal_delta = np.random.uniform(-0.15, 0.15, size=3)
Samples a new goal and returns it.
raise NotImplementedError
def get_observation(self):
Get observation


JavaScript Array Methods
unshift()
The unshift() method adds new elements to the beginning of an array.
Try it


Caught Read-Handed: ISBN Status
Alex Childers - CS 328
Warning: oci_connect(): ORA-01017: invalid username/password; logon denied in /home/abc66/public_html/cs328/hw8/hsu_conn.php on line 28
Could not log into Oracle, sorry.
Validate by pasting .xhtml copy's URL into
https://html5.validator.nu/


Yui Tanagi
I am currently a Master of Geographic Information Systems (MGIS) student at the University of Calgary focusing on Urban GIS. I hold an undergraduate degree (BSc) in Physical Geography and a graduate certificate in Geospatial Information Technology from the University of Calgary, which were obtained in June 2020 and December 2020, respectively.
I am skilled in ESRI ArcGIS Suite, Microsoft Office Suite, spatial data analysis, map production, and Python. I am an adaptable, forward-thinking, life-long learner who is seeking opportunities to contribute my GIS, analytical and problem-solving skills to an organization.
This portfolio is intended to present the highlights of my past work as a GIS student.


{% include shared/head.html %} {% include shared/header.html %}
{{ page.title }}
{{ content }}
{% include shared/twitter-widget.html %}
{% include shared/email_sign_up_form.html %} {% include shared/footer.html %}


CPSC - 473-1 | Assignment 7
Billy Saysavath
GET /links
POST /links
GET /click:title
Reset DB
Result from server:
Enter new link and click
Post /links
on a sidebar to save:
Title:
New Link:
Enter a tile and click
GET /click:title
on a sidebar to go to that page:
Title:


Akufo-Addo visits Abu Dhabi, 5 agreements signed
President Nana Akufo-Addo has paid a day’s official visit to Abu Dhabi, the capital of the United Arab Emirates (UAE).
The Monday, November 18, 2019 visit was at the invitation of Sheikh Mohammed bin Zayed Al Nahyan, Crown Prince of the Emirate of Abu Dhabi and Deputy Supreme Commander of the United Arab Emirates Armed Forces.
Discussions between the two leaders during the occasion centered on deepening the ties of co-operation and the bonds of friendship that exist between Ghana and the UAE.
A total of five co-operation agreements were signed between both countries during the visit.
Accompanying President Akufo-Addo were Minister of Foreign Affairs and Regional Integration, Shirley Ayorkor Botchwey, and Senior Minister, Yaw Osafo-Mafo.


Yesterday's horoscope
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This page contains specific style guide information for my front end interface.
My application utilizes the "Gill Sans MT", Arial, Helvetica, "sans-serif" font-family with black text, as shown on this webpage.
My application will incorporate the following color scheme in its interface.
The primary color is rgb(72, 138, 64) which is shown as the background of this webpage.
The secondary, color is rgb(191, 234, 35), which is shown in the box below:
The following accent colors will be also be used, usually inside elements:
For the varous forms that the application will contain, it will contain input fields and labels with the below styling:


THE LEGEND OF RITA (Die Stille Nach dem Schuss)
Rita Vogt (Bibiana Beglau) is an idealist in 1970's West Germany. She's also a terrorist, partially because of her love for Andreas Klein (Harald Schrott), the movement's leader. Rita is caught during transit from Beirut via East Berlin with a pistol and comes to an understanding with Stasi officer Erwin Hull (Martin Wuttke) who will become the dominant force in her life.
When a guard is shot during a prison break for Andreas, the group goes underground in Paris. Rather than blow her cover over a traffic violation, Rita shoots a policeman, then turns to Hull for help in director Volker Schlondorff's "The Legend of Rita."
LAURA:
Screenwriter Wolfgang Kohlhaase researched West German terrorist groups, in particular the Baader-Meinhof gang, to capture the characteritics of this part of an era for his fictional story, while director Schlondorff emphasized exploring pre-unification East Germany.
'Legend' is a Stasi (East German secret police) term for a false identify, something Hull offers all of Rita's colleagues if they remain in East Germany. When her colleagues decide to flee to Beirut, Rita, disillusioned with Andreas' personal disloyalty, stays behind and becomes Suzanne Schmidt. She attempts to fold into life as a fabric printer in a factory, but her passionate, idealistic nature makes her coworkers take notice. She takes interest in the rebellious, alcoholic Tatiana (Nadja Uhl, cowinner of the Best Actress award at the Berlin Film Festival with Biglau) whom the other women shun and raises eyebrows when she donates ten Deutschmarks to a charity her coworkers recognize as fraud.
Suzanne and Tatiana's story is reminiscent of the French film "The Dreamlife of Angels," but the friendship is cut short when Andreas' death, publicized on international news, reminds viewers of the wanted Rita Vogt. Hull creates Rita's next legend as Sabine Walter, a child care worker at a summer camp. Jochen Pettka (Alexander Beyer) takes interest and wishes her to marry him and return to Russia - time for Hull to step in again and give Rita a new life.
The Hull/Vogt relationship resembles that of Tcheky Karyo and Anne Parrilaud in "La Femme Nikita," wary and somewhat disapproving at first, respectful and romantically inclined after time. Martin Wuttke, who resembles Denis Lavant of "Beau Travail," gives a subtly shaded performance that keeps his presence felt throughout the film. He's as caught up in the turmoil of the times as Rita, particularly when East Germany's duplicity in their dealings with West German terrorists comes to light when the wall falls. Biblau, in her feature film debut, gives a star making performance as Rita. Her idealism cuts through her bourgeois background giving her strength and confidence. Biblau mows down authority figures in her path with sheer determination and approaches each new legend with clear-eyed curiousity. She almost makes us forget that her fearless character is still a cop killer and terrorist.
Support is solid with Uhl standing out as the bleery young Tatiana, so determined to leave the East she'll go via vodka if no other transport is available. Also notable is Jenny Shily as Fredericke, another young idealist who turns away from a moneyed life of horse riding championships to commit crimes for Andreas. She's not as capable as Rita, offering a nice contrast.
Director Schlondorff takes a (mostly) debut cast and gets realistic, powerful performances. His work with screenwriter Kohlhaase makes "The Legend of Rita" work on many levels - as a character study, a political and historical document and a contrast of East and West. Cinematographer Andreas Hofer provides a documentary look which works well for the story.
B+
For more Reeling reviews visit www.reelingreviews.com
<EMAIL_ADDRESS><EMAIL_ADDRESS>========== X-RAMR-ID: 28722 X-RT-AuthorID: 1487 X-RT-TitleID: 1104256 X-RT-RatingText: B+
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


--- layout: post title: Fabindia bitter orange facial spray tags: - Fabindia status: publish type: post published: true meta: _edit_last: '2' jabber_published: '1305616247' _aioseop_keywords: Fabindia bitter orange facial spray, Fabindia bitter orange facial spray review, face mist, face mist review, fabindia review, indian makeup blog _aioseop_description: Fabindia bitter orange facial spray _aioseop_title: Fabindia bitter orange facial spray review _graphene_slider_img: global _graphene_slider_imgurl: '' _graphene_show_addthis: global _yoast_wpseo_linkdex: '0' _thumbnail_id: '89' ---
Fabindia bitter orange facial spray
Bought this product 2 weeks back and have been using it since then. I use facial mist quite often, mine earlier mist was from H2O(Will review later). I am quite happy with this product very fresh, very orangy and soothing fragrance. Price: Rs.150 for 50ml Product contains: Purified water, Polysorbate 20, Glycerine, Phenoxyethanol, Allantoin, Bitter orange essential oil All above products are safe to use and have no side effects(source Wikipedia). My experience: Its small and cute bottle is so handy that I can even carry it in a clutch. My main usage is after Gym, when I feel tired and need some cooling effect to my face. I don't carry my cosmetic pouch to Gym, it's just lot many splashes of water on face and eyes, and a gentle spray of this product.  Best in times of street shopping, just take it out of your bag, spray and you ready to go. What I like: 1. Fab India is against animal testing 2. Smells real orange and not like any chemical 3. Cute and small bottle easy to carry even to parties in a clutch 4. Cools and rejuvenate instantly 5. Decent pricing 6. I have a highly sensitive skin, spray does no harm to it. What I didn't like: Till now nothing as such :D My Verdict: My H2O Mist days are over and its Fab India now. I liked this product a lot, infact planning to buy some more Fabindia stuff (Will update soon).


|
|
Mark Billinghurst, Professor, University of South Australia
Talk title: Empathic Computing: Design for Understanding
Schedule: 8:40-9:40, Tuesday, July 12, 2016
Room: Grand III
Abstract: In an era where people share more about themselves than ever before, can
technology be used to create deeper empathy and understanding? This
talk describes Empathic Computing, systems that help people better
understand each other, and how to design for understanding. There have
been several decades of research on Affective Computing systems that
recognise a users emotion, but until recently there has been little
research on how to use technology to share emotions between people.
Technology such as wearable computing, smart sensors, and Augmented and
Virtual Reality, can be combined together to enable people to capture
their surroundings and feelings and share them with others. In order to
do this there are interesting problems to be solved in recognising
emotion, repenting emotion, and measuring the impact of emotion, among
other topics. Examples of how to do this will be shared from leading
research groups, including the Empathic Computing Laboratory at the
University of South Australia, and directions described for future
work. The 1980's were about Multi-media, the 2000's Social Media and
2020's could be the decade of Empathic Media.
Bio:
Mark Billinghurst is Professor of Human Computer Interaction at the
University of South Australia in Adelaide, Australia. He earned a PhD
in 2002 from the University of Washington and researches innovative
computer interfaces that explore how virtual and real worlds can be
merged, publishing over 300 papers in topics such as wearable
computing, Augmented Reality and mobile interfaces. Prior to joining
the University of South Australia he was Director of the HIT Lab NZ at
the University of Canterbury and he has previously worked at British
Telecom, Nokia, Google and the MIT Media Laboratory. His MagicBook
project, was winner of the 2001 Discover award for best entertainment
application, and he received the 2013 IEEE VR Technical Achievement
Award for contributions to research and commercialization in Augmented
Reality. In 2013 he was selected as a Fellow of the Royal Society of
New Zealand.
|
|
|
Fei-Fei Li, Associate Professor, Stanford University
Talk title: A Quest for Visual Intelligence in Computers
Schedule: 8:40-9:40, Wednesday, July 13, 2016
Room: Grand III Slides: Please click here to download the slides (105MB)
Abstract:
It takes nature and evolution more than five hundred million years to
develop a powerful visual system in humans. The journey for AI and
computer vision is about fifty years. In this talk, I will briefly
discuss the key ideas and the cutting edge advances in the quest for
visual intelligences in computers. I will particularly focus on the
latest work developed in my lab for both image and video understanding,
powered by big data and the deep learning (a.k.a. neural network)
architecture.
Bio:
Dr. Fei-Fei Li is an Associate Professor in the Computer Science
Department at Stanford, and the Director of the Stanford Artificial
Intelligence Lab and the Stanford Vision Lab. She is also the Director
of the recently established Stanford Toyota Center for Human-Centric AI
Research. Dr. Fei-Fei Li’s main research areas are in machine learning,
computer vision and cognitive and computational neuroscience. She has
published more than 100 scientific articles in top-tier journals and
conferences, including Nature, PNAS, Journal of Neuroscience, CVPR,
ICCV, NIPS, ECCV, IJCV, IEEE-PAMI, etc. Dr. Fei-Fei Li obtained her
B.A. degree in physics from Princeton in 1999 with High Honors, and her
PhD degree in electrical engineering from California Institute of
Technology (Caltech) in 2005. She joined Stanford in 2009 as an
assistant professor, and was promoted to associate professor with
tenure in 2012. Prior to that, she was on faculty at Princeton
University (2007-2009) and University of Illinois Urbana-Champaign
(2005-2006). Dr. Fei-Fei Li is a speaker at the TED2015 main
conference, a recipient of the 2014 IBM Faculty Fellow Award, 2011
Alfred Sloan Faculty Award, 2012 Yahoo Labs FREP award, 2009 NSF CAREER
award, the 2006 Microsoft Research New Faculty Fellowship and a number
of Google Research awards. Work from Dr. Li's lab have been featured in
a variety of popular press magazines and newspapers including New York
Times, Science, Wired Magazine, and New Scientists.
|
|
|
Dariu M. Gavrila, Distinguished Scientist, Daimler R&D in Ulm
Talk Title: The Intelligent Vehicles (R)evolution
Schedule: 8:40-9:40, Thursday, July 14, 2016
Room: Grand III
Slides: Please click here to download the slides.
Abstract:
The automotive field is in the midst of a transformation. Cheap sensors and powerful
hardware, coupled with machine learning algorithms and big data rapidly advance
the capabilities of modern vehicles. In the traditional vehicle sector, where
the driver is under control, the automation level is gradually increased;
witness the ever more sophisticated autopilots for the highway introduced in
premium cars nowadays (e.g. Mercedes-Benz E-Class 2016 Drive Pilot). At the
same time, a new vehicle sector is emerging:
that of self-driving vehicles, where the human driver is no longer
necessary and where control is exerted remotely by an operator, as part of a
mobility service.
What can be
automated in a vehicle? Why does vehicle
automation make sense? How does the technology work? What are the remaining
hurdles? When will automated vehicles come about? This talk will provide some
answers.
Bio:
Dariu M. Gavrila received the MSc degree in computer science from the
Vrije University in Amsterdam in 1990. He received the PhD degree in
computer science from the University of Maryland at College Park, USA,
in 1996. Since 1997, he has been with Daimler R&D in Ulm, Germany,
where he is currently a Distinguished Scientist. In 2003, he was also
appointed professor in the Faculty of Science at the University of
Amsterdam, chairing the area of Intelligent Perception Systems (part
time). Over the past 15 years, Prof. D. M. Gavrila has worked on
perception systems for detecting humans and their activity, with
application to intelligent vehicles, smart surveillance and social
robotics. He led the multi-year pedestrian detection research effort at
Daimler which was incorporated in the Mercedes-Benz S-, E-, and C-Class
models (2013-2014). Prof. D. M. Gavrila published 50+ papers in
top-tier conferences and journals, and is frequently cited in his
domain (Google Scholar: about 10.000 times). He served as Area Chair at
previous IV, ICCV, AVSS, and DAGM conferences; he is currently Program
Co-Chair for the upcoming IEEE Intelligent Vehicles (IV) 2016
conference in Götheborg, Sweden. He delivered keynotes at previous IV,
ICVS, AVSS, CAIP and ÖAGM conferences. For the societal impact of his
research, Prof. D. M. Gavrila received the I/O 2007 Award from the
Netherlands Organisation for Scientific Research (NWO) and the IEEE
Intelligent Transportation Systems Application Award 2014 (the latter
as part of a Daimler team). He has had regular appearances in the
German/Dutch broadcast and print media. |
|


Error #30: SYNTAX ERROR (general syntax) The DOS cannot interpret the command sent to the command channel. Typically, this is caused by an illegal number of file names, or patterns are illegally used. For example, two file names may appear on the left side of the COPY command.


[Erowid Note: 500 mgs of methamphetamine is considered an extremely high dose, see nethamphetamine Dose Chart]
This was a five day long glass binge. It all started in the usual way a nice 40 unit bumb with the usual effects, hyper alert, wired, and a little nuts, I had a great time for what seemed like forever, I felt ten feet tall and bullet proof, then about 30 hours later came number two, and so on through day five, with shots getting bigger and closer together, all was well until the last one.
It was about 4 am midsummer in the mountians, I felt like I was vibrating at a high rate, no paranoia, or really any fear at all. Every body had left, except for one buddy of mine who was quietly skitzing in the other corner of my room. I set up my works for the last hit of the eighth oz. probably in the range of .70g added 35 units water, hot, makes it break better, and drew back about 80 units. I gave my bud about 23 of them and quickly punched the rest. Within 20 seconds the world turned 90 degrees from me and everything became kinda, hazy, far away, yet very urgent. I was watching a full sensory movie. Yet I was detached. I began to halucinate, visually, audibly, tactily, and in my very thought processes. And yet I was fully aware that it was just a trip, I just chose to let it ride. Not like acid where I have no choice, let alone realization of self.
My first visual came while looking out my second floor window at the wooded area below, the seen began to warp, like an out of sync monitor, then with a mighty crash, the scene before me gave one last twist and shattered like some kind of super cool movie effect. Behind it was a new forest, similar yet not. There were in my eyes, new unknown forms of life there, sentinant and possably dangerous, but not for sure. Chaos had arrived. I looked at my friend and he to seemed somehow different, changed inside but not to others eyes. I asked if he had heard the scene shatter, he stared at me and asked if I was OK. I said sure, let's go out back and have a smoke. While smoking I became convinced he was an alien here to take me away, not necessarily for some evil purpose, but for some unfathomable one. I should point out that he was fairly straight having slept 28 or so hours before. He and I tried to talk but I was way to spun to even form words, let alone sentences.
He finally said he needed to get home, and stood to leave. I thought that this was the que for the others to come and nab me. I could even hear and see them coming around the corner for the house. I looked my friend straight in the eyes and asked 'You know what happpens next don't you.' fully expecting him to say 'Yes it's time for you to set out on your journey, we are here to help you start', my tone must've been beyound weird, because he just stared and replied cunfusidely 'What the f*** are you talking about, I gotta go NOW. see ya.'
I think this is probably the most bizaar series of images and and thoughts I have ever had, outside of LSD trips as a teenager. The weirdest part was the dissasociation of part of my consciousness from the reality of what was up. I mean I had very little control over my actions, yet if I pushed hard enough I could have a small influence. I was also never paranoid or even meth scared, just trippin on the whole show. Now I know I'm close to that state when power cords and door trim start to bubble up and peel, thats a very good warning sign for me to stop and sleep. NAW screw it.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


ScaffoldTags Template API
Index
Contents
Domain-renderers
Domain-rendering templates handle the display of a domain for a given action.
The template should be named:
- template/domain.gsp for generic domain
template-type renderer (e.g. editor/domain.gsp)
- template/domainClassName.gsp for
a template-type renderer
of a domainClassName domain (e.g. show/User.gsp)
Variables
- domain - the domain class being displayed
- name - the base name used for the HTML field name for each domain property
- value - the value of the domain object
- style - a map indicating how to display various domain fields
- except - a list of properties that should not be displayed.
This parameter should be overridden when the only parameter is specified.
- exceptWhen - a closure that will eliminate some properties from being displayed.
This parameter should be overridden when the only parameter is specified.
- order - a list specifying the order of specific fields.
This parameter should be overridden when the only parameter is specified.
- only - a list specifying the only fields that should be displayed.
The fields should be displayed in the order specified in the list.
Domain iteration
Iteration on the domain fields can be performed using the
<g:eachDomainProperty> tag.
Iterator struct
- prop - a GrailsDomainClassProperty instance.
Note: this may be subject to change in future releases.
- name - the name of the domain property
- value - the value of the domain property
- style - the style to be applied to the domain property
Domain-association renderers
Domain-association rendering templates handle the display of
a given domain association for a given action.
The template should be named:
- template/relationType.gsp for generic
relationType domain relation
template-type renderer
(e.g. editor/one-one.gsp, list/many.gsp, show/one-many.gsp)
- template/relationType_domainClassName.gsp
for a template-type renderer
of a domainClassName domain relationType relation
(e.g. show/one-one_User.gsp, editor/many-many_Authority.gsp,
list/many_Job.gsp)
Variables
- name - the base name used for the HTML field name for each domain property
- prop - the domain property being displayed
- referencedDomain - the domain class referenced by the association.
Useful in many-type associations
- referencedController - the controller referenced by the association.
Useful for creating links to perform an action on the associated object.
- domainReference - the field used to reference back to this object
by the associated domain. Useful in bidirectional associations
when creating an associated object.
- domainId - the id of the domain instance being displayed.
Useful in bidirectional associations when creating an associated
object
- value - the value of the domain object
- constraints - the GORM constraints applied to this property
- style - an attribute-value map indicating how to display this
property
Type renderers
Type rendering templates handle the display of a given class and its
subclasses for a given action.
Variables
- name - the base name used for the HTML field name for each domain property
- type - the type of the data being displayed
- value - the value of the domain object
- constraints - the GORM constraints applied to this object
- style - an attribute-value map indicating how to display this
property
Examples
a many-to-one editor
The following illustrates how the basic many-to-one editor
is implemented in scaffolding/editor/many-one.gsp.
- If a "hidden" style attribute is set to true,
a hidden field is generated
- If a "readonly" style attribute is set to true,
a hidden field is generated, and the value is displayed
- Otherwise, a selector is displayed for the referenced domain
class, using the HTML name name.id
<g:if test="${style?.hidden}">
<input type="hidden"
name='${name}.id'
value="${value?.id}" />
</g:if>
<g:elseif test="${style?.readonly}">
<input type="hidden"
name='${name}.id'
value="${value?.id}" />${value}
</g:elseif>
<g:else>
<g:select optionKey="id"
from="${referencedDomain.list()}"
name='${name}.id'
value="${value?.id}" />
</g:else>


Tim's selective information processing
style means that they solve
problems incrementally, delving into the first promising option and
pursuing it, then backing out if it doesn't work.
When Tim is exploring or searching for information to solve a
problem with a computer program or gadget they
use, Tim likes a selective information
processing style or “depth first” approach. That is, Tim usually
delves into the first promising option,
pursue it, and if it doesn’t work out they
back out and gather
a bit more information until they
see another
option to try. Thus, their
style is very incremental.


Sometimes you need to write sync looking code that's really async under the hood. This module takes a String to one or more synchronous JavaScript functions, and returns a new String that with those JS functions transpiled into ES6 Generator Functions.
So this:
function foo () {
return a('bar') || b();
}
Gets compiled into:
function* foo() {
return (yield a('bar')) || (yield b());
}
From there, you can provide asynchronous thunk-based or Generator-based
implementations for the a()
and b()
functions, in conjunction with any
Generator-based flow control library to execute the contents of the
function asynchronously.
Install with npm
:
$ npm install degenerator
You must explicitly specify the names of the functions that should be
"asyncified". So say we wanted to expose a get(url)
function that did
and HTTP request and returned the response body.
The user has provided us with this implementation:
function myFn () {
var one = get('https://google.com');
var two = get('http://nodejs.org');
var three = JSON.parse(get('http://jsonip.org'));
return [one, two, three];
}
Now we can compile this into an asyncronous generator function, implement the
async get()
function, and finally evaluate it into a real JavaScript function
instance with the vm
module:
var co = require('co');
var vm = require('vm');
var degenerator = require('degenerator');
// the `get()` function is thunk-based (error handling omitted for brevity)
function get (endpoint) {
return function (fn) {
var mod = 0 == endpoint.indexOf('https:') ? require('https') : require('http');
var req = mod.get(endpoint);
req.on('response', function (res) {
var data = '';
res.setEncoding('utf8');
res.on('data', function (b) { data += b; });
res.on('end', function () {
fn(null, data);
});
});
};
}
// convert the JavaScript string provided from the user (assumed to be `str` var)
str = degenerator(str, [ 'get' ]);
// at this stage, you could use a transpiler like `facebook/regenerator`
// here if desired.
// turn the JS String into a real GeneratorFunction instance
var genFn = vm.runInNewContext('(' + str + ')', { get: get });
// use a generator-based flow control library (`visionmedia/co`, `jmar777/suspend`,
// etc.) to create an async function from the generator function.
var asnycFn = co(genFn);
// NOW USE IT!!!
asyncFn(function (err, res) {
// ...
});
Returns a "degeneratorified" JavaScript string, with ES6 Generator functions transplanted.
(The MIT License)
Copyright (c) 2013 Nathan Rajlich<EMAIL_ADDRESS>Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the 'Software'), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions:
The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.
THE SOFTWARE IS PROVIDED 'AS IS', WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.


Paper Boys
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Episode 49 ›
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Well, it all depends on how you define future...but yeah!
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Are synthetic genomes in our future?
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Within minutes after death, brain tissue begins to degrade...but could new techniques extend their life?

Dubstep could make a great bug repellant.

The incredible science behind this groundbreaking photo.
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Episode 33 ›
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This breakfast controversy keeps getting worse.
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Did F-words come from a change in diet?
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Why does pain hurt?
Your grunting and whining could be coming from just a few neurons.
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Episode 29 ›
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How did tardigrades become immortal?
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Episode 27 ›
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Male brains may age sooner than their female counterparts.
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Episode 26 ›
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Scientists converted a simple instrument into a scale for mountains.
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TARSUM PROFESSIONAL- coal tar shampoo
Summers Laboratories Inc
Disclaimer: Most OTC drugs are not reviewed and approved by FDA, however they may be marketed if they comply with applicable regulations and policies. FDA has not evaluated whether this product complies.
CONTAINS
2% COAL TAR
(10% LCD EQUIV. TO 2% COAL TAR)
PURPOSE
PSORIASIS, SEBORRHEIC DERMATITIS, DANDRUFF TREATMENT
USE
- CONTROLS ITCHING, FLAKING AND REDNESS DUE TO PSORIASIS, SEBORRHEIC DERMATITIS AND DANDRUFF
WARNINGS
FOR EXTERNAL USE ONLY
Ask a doctor before use if you have
- condition that covers a large area of the body
- condition in or around the rectum or genitals
When using this product
- avoid contact with eyes. If contact occurs rinse eyes thoroughly with water.
- use caution in exposing skin to sunlight after applying this product. It may increase your tendency to sunburn up to 24 hours after application.
- do not use for prolonged periods without consulting a doctor.
- do not use this product with other forms of psoriasis therapy such as ultraviolet radiation or prescription drugs unless directed to do so by a doctor.
Stop and ask a doctor if
- condition worsens or does not improve after regular use as directed
- excessive irritation occurs
KEEP OUT OF REACH OF CHILDREN.
Other information
In rare instances, temporary discoloration of gray or blonde hair may occur.
Directions
- For use as a scalp treatment before showering: Twist open applicator tip. Apply evenly to affected areas. Leave on for 5 minutes, gradually increasing treatment time to 1 hour, or as directed by your doctor. Rinse thoroughly.
- As a shampoo: Wet hair, apply Tarsum for several minutes, then rinse.
- For best results use twice a week or as directed by a physician.
Inactive ingredients
water, TEA lauryl sulfate, cocamide DEA, sodium lauryl sulfate, ethanol (8%), salicylic acid, triethanolamine, glycerin, lauryl alcohol, diethanolamine, sodium chloride, polysorbate 80, fragrance
Store at controlled room temperature
59° to 86° F (15° to 30° C)
Questions or comments?
Call 1-800-533-7546 (USA and Canada)
For more information go to www.sumlab.com


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Graph of the spectral radius of the Jacobiam matrix associated to the finite-difference scheme (3.2) at the equilibrium point C 2.The fitted and estimated parameters of Table 2 were used, and the spectral radius was obtained for various temporal step-sizes τ in [0, 1000].


Brooke Masters,Light,2018 |
Brooke Masters,Looking in View,2018 |
Brooke Masters,Subtleties,2018 |
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A manual proof of discrimination
Prove manually (i.e without discriminate)
the inequality true <> false.
Solution
This file
Note
The definition of the local function is_true
illustrates the relationship between bool and Prop.
Notice the use of change, which is an application of the rule
of conversion.


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Bases: list, astropy.io.fits.verify._Verify
HDU list class. This is the top-level FITS object. When a FITS file is opened, a HDUList object is returned.
Append a new HDU to the HDUList.
| Parameters : | hdu : instance of _BaseHDU
|
|---|
Close the associated FITS file and memmap object, if any.
| Parameters : | output_verify : str
verbose : bool
closed : bool
|
|---|
Returns a dictionary detailing information about the locations of the indexed HDU within any associated file. The values are only valid after a read or write of the associated file with no intervening changes to the HDUList.
| Parameters : | index : int
|
||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Returns : | fileinfo : dict or None
|
Return the file name associated with the HDUList object if one exists. Otherwise returns None.
| Returns : | filename : a string containing the file name associated with the
|
|---|
Force a write of the HDUList back to the file (for append and update modes only).
| Parameters : | output_verify : str
verbose : bool
|
|---|
Creates an HDUList instance from a file-like object.
The actual implementation of fitsopen(), and generally shouldn’t be used directly. Use open() instead (and see its documentation for details of the parameters accepted by this method).
Creates an HDUList instance from a string or other in-memory data buffer containing an entire FITS file. Similar to HDUList.fromfile(), but does not accept the mode or memmap arguments, as they are only relevant to reading from a file on disk.
This is useful for interfacing with other libraries such as CFITSIO, and may also be useful for streaming applications.
| Parameters : | data : str, buffer, memoryview, etc.
kwargs : dict
|
|---|---|
| Returns : | hdul : HDUList
|
Get the index of an HDU from the HDUList.
| Parameters : | key : int, str or tuple of (string, int)
|
|---|---|
| Returns : | index : int
|
Summarize the info of the HDUs in this HDUList.
Note that this function prints its results to the console—it does not return a value.
| Parameters : | output : file, optional
|
|---|
Insert an HDU into the HDUList at the given index.
| Parameters : | index : int
hdu : _BaseHDU instance
|
|---|
Read data of all HDUs into memory.
Make sure that if the primary header needs the keyword EXTEND that it has it and it is correct.
Write the HDUList to a new file.
| Parameters : | fileobj : file path, file object or file-like object
output_verify : str
clobber : bool
checksum : bool
|
|---|


This section is devoted to those facilities in
pmake
that allow you to do a great deal in a makefile with very little work, as well as do some things you couldn't do in make without a great deal of work (and perhaps the use of other programs). The problem with these features is that they must be handled with care, or you will end up with a mess.
The
pmake
tool supports the dispersal of files into multiple directories by allowing you to specify places to look for sources with .PATH targets in the makefile. The directories you give as sources for these targets make up a "search path." Only those files used exclusively as sources are actually sought on a search path, the assumption being that anything listed as a target in the makefile can be created by the makefile and thus should be in the current directory.
There are two types of search paths in
pmake
: one is used for all types of files (including included makefiles) and is specified with a plain .PATH target (e.g. ".PATH : RCS"), while the other is specific to a certain type of file, as indicated by the file's suffix. A specific search path is indicated by immediately following the .PATH with the suffix of the file. For instance
.PATH.H : \GEOSDEV\DEVEL\APPL\WORPRO \GEOSDEV\DEVEL
would tell
pmake
to look in the directories \GEOSDEV\DEVEL\APPL\WORPRO and \GEOSDEV\DEVEL for any files whose suffix is .H.
The current directory is always consulted first to see if a file exists. Only if it cannot be found are the directories in the specific search path, followed by those in the general search path, consulted.
A search path is also used when expanding wildcard characters. If the pattern has a recognizable suffix on it, the path for that suffix will be used for the expansion. Otherwise the default search path is employed.
When a file is found in some directory other than the current one, all local variables that would have contained the target's name (.ALLSRC and .IMPSRC) will instead contain the path to the file, as found by
pmake
. Thus if you have a file ..\LIB\MUMBLE.C and a makefile
.PATH.c : ..\LIB MUMBLE.EXE : MUMBLE.C $(CCOM) -o $(.TARGET) $(.ALLSRC)
the command executed to create MUMBLE.EXE would be "bcc -o MUMBLE ..\LIB\MUMBLE.C"
If a file exists in two directories on the same search path, the file in the first directory on the path will be the one
pmake
uses. So if you have a large system spread over many directories, it would behoove you to follow a naming convention that avoids such conflicts.
Something you should know about the way search paths are implemented is that each directory is read, and its contents cached, exactly once--when it is first encountered--so any changes to the directories while
pmake
is running will not be noted when searching for implicit sources, nor will they be found when
pmake
attempts to discover when the file was last modified, unless the file was created in the current directory.
Like a C compiler,
pmake
allows you to configure the makefile using conditional statements. A conditional looks like this:
#if <Boolean expression> <lines> #elif <another Boolean expression> <more lines> #else <still more lines> #endif
They may be nested to a depth of 30 and may occur anywhere (except in a comment, of course). The "#" must be the very first character on the line.
Each Boolean expression is made up of terms that look like function calls, the standard C Boolean operators &&, ||, and !, and the standard relational operators ==, !=, >, >=, <, and <=, with == and != being overloaded to allow string comparisons as well. The && operator represents logical AND; || is logical OR and ! is logical NOT. The arithmetic and string operators take precedence over all three of these operators, while NOT takes precedence over AND, which takes precedence over OR. This precedence may be overridden with parentheses, and an expression may be parenthesized to any level. Each Boolean term looks like a call on one of four functions:
pmake
is being run.!defined(var) || empty(var)
#if !empty(var:Mword)
The arithmetic and string operators may only be used to test the value of a variable. The left-hand side must contain the variable expansion, while the right-hand side contains either a string, enclosed in double-quotes, or a number. The standard C numeric conventions (except for specifying an octal number) apply to both sides. For example,
#if $(OS) == 4.3 #if $(MACHINE) == "sun3" #if $(LOAD_ADDR) < 0xc000
are all valid conditionals. In addition, the numeric value of a variable can be tested as a Boolean as follows:
#if $(LOAD)
would see if LOAD contains a non-zero value and
#if !$(LOAD)
would test if LOAD contains a zero value.
In addition to the bare #if, there are other forms that apply one of the first two functions to each term. They are as follows:
ifdef defined ifndef !defined ifmake make ifnmake !make
There are also the "else if" forms: elif, elifdef, elifndef, elifmake, and elifnmake.


Education
Cornell University (Cornell Tech)
MEng in Computer Science
GPA: 4.0
May 2018 | New York City, NY
Coursework
- Virtual and Augmented Reality
- Applied Machine Learning
- Security and Privacy in the Wild
- Computer Vision
- HCI and Design
Cornell University
BA in Computer Science (with distinction)
Minor: Computing in the Arts
GPA: 3.876
May 2017 | Ithaca, NY
Coursework
- Artificial Intelligence
- The Structure of Information Networks
- Functional Programming
- Systems Programming
- Distributed Systems Principles
- Operating Systems
- Algorithms
- Object-Oriented Programming
- Robotic Manipulation
- Discrete Structures
- Computing in the Arts
- Networks
- Intro to Computing using MATLAB
- Statistics and Probability
- Linear Algebra
- Sound Design
- Musical Technologies and the Natural World
- Music and Digital Gameplay
- Intermediate Microeconomics
- Intermediate Spanish Composition and Conversation II
- Physics of Musical Sound
Honors/Awards
Arts and Sciences Dean's List (multiple semesters)
Computer Science Experience
Verizon
Student Intern - Software Development
June 2017 - August 2017 | San Jose, CA
- Worked alongside the VZ Cloud SSRE team to develop tools that assist with infrastructure development and testing.
- Designed and implemented an algorithmic load-balancing simulator and frontend for analyzing networks and evaluating path optimality.
- Implemented a containerized traffic simulator app to test and locate congestion within cloud networks.
- Worked with Nelson, Verizon's open-source container deployment management tool, contributing bugfixes and developing additional API integrations for use by the SSRE team.
Cornell University
CS 1112 Course Consultant
August 2015 - December 2015, August 2016 - December 2016 | Ithaca, NY
- Graded assignments and exams for a class of more than 300 students
- Helped answer questions during a weekly discussion/lab section run by TAs.
- Held consulting/office hours to answer questions about course material.
- Created a redesigned version of the course website with HTML5/CSS to replace the existing site (this is an ongoing project that I continue to contribute to).
Noteflight
Software Development Intern
May 2016 - August 2016 | Somerville, MA
- Refactored Noteflight's internal reporting system and implemented a web-based user-statistics summary generator using Ruby and ERB.
- Worked with the team to design and implement the backend (Ruby) and frontend (JavaScript) for a more robust score search engine based on Elasticsearch.
- Used the new system to integrate faceted search into Noteflight's new content libraries system, due to be released this fall.
Cards Against OCaml
"Cards Against Humanity" Engine
November 2015 | OCaml | Functional Programming Final Project
- Implemented the GUI forthe project, using the Lablgtk2 library for OCaml.
- Worked in a team of four people to design and implement the system.
- Applied knowledge of functional design to create a working game engine.
"Pitbull Generator"
Lyric Generator Program
December 2014 | MATLAB | Inspired by Computing in the Arts
- Program generates rap lyrics in the style of the popular hip-hop artist Pitbull.
- Used Markov models and biased randomness to imitate the artist's voice.
- Written with OOP in mind to allow for improvements and refinements.
Measures Tempo Time Converter
Musical Utility
April 2012 | Visual Basic | Used for Music Sales Business
- Simple utility for converting between musical measures, tempo, and duration.
- Available for the desktop on GitHub, and in beta on the Windows Store.
Other Experience
Independent
Music Composer and Artist
April 2012 - Present | Fiverr.com
- Write, produce, and sell custom theme music for independent clients.
- Communicate with clients to ensure buyer satisfaction and maintain excellent ratings.
- Achieved ”Level 2” seller ranking in 2015 for consistently high ratings from buyers.
#flOCaml
Musical Tribute to OCaml
December 2015 | Inspired by CS3110: Functional Programming
- Featured on the Inria OCaml listserv, and also seen on the OCaml Reddit.
- Went viral at Cornell after a live performance for CS 3110's final lecture.
CU Cyphers: Hip-Hop Club
Vice President
August 2015 - May 2017
- Work with the executive board to manage the club's recruiting, coordinate activities, budget for materials, and organize meetings.
Cornell Lunatic - Humor Magazine
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Reference Language | Libraries | Comparison | Changes
Transfers one byte over the SPI bus, both sending and receiving.
SPI.transfer(val)
val: the byte to send out over the bus
the byte read from the bus
Corrections, suggestions, and new documentation should be posted to the Forum.
The text of the Arduino reference is licensed under a Creative Commons Attribution-ShareAlike 3.0 License. Code samples in the reference are released into the public domain.


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--- layout: post title: Sign up for Rails Day categories: - sightings author: admin published: true date: 2005-05-29 07:53:21.000000000 +01:00 ---
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Review: Pleasantville (1998) Review By: Ryan Davis
When I watch Nick at Night, I laugh at the simplicity of the old TV shows. Shows like `Leave It to Beaver' [1957-1963], and `The Andy Griffin Show' [1960-1968] really made life look downright pleasant, or is it?
David (Tobey Maguire), a high school student, is a huge fan of a fifties television show called Pleasantville. One day in preparation for a Pleasantville marathon, he and his sister, Jennifer (Reese Witherspoon) get in a fight over what to watch on television. During the brief fight, they break the television remote. Magically and without warning, a television repairman (Don Knotts) appears and gives them a new remote control. With the press of a button David and Jennifer are actually transported into Pleasantville.
The two teens are instantly given a new family and a new life in the entirely black and white town. Their new parents are delightful fifties stereotypes. The father (William H. Macy) works all day to provide for the family, and bowls with his friends in the evening. The mother (Joan Allen) cooks and cleans all day and always has dinner ready for her husband when he comes home from work.
Pleasantville, at first glance, appears to be paradise. Upon further study, they find a world infected with censorship and oppression. Things begin to change in Pleasantville, and the citizens that break free of the usual monotony are changed from black and white into color. These `coloreds' are looked upon as weaker people, and are banned from stores and are outcast in the black and white community. The film continues on as David and Jennifer discover that maybe the `good old days,' are not as good as they seemed to be.
The movie, itself, is visually stunning and quite beautiful. The way that black and white is mixed with color is simply brilliant. I wouldn't be surprised if Pleasantville was nominated for art and cinematography Oscars.
The acting is also great. Tobey Maguire and Reese Witherspoon do a great job in their leading roles. Although it is really the terrific supporting performances by William H. Macy, Joan Allen, the late J.T. Walsh, Jeff Daniels, and the perfectly cast Don Knotts, that propel this film. The leads have the most screen time, but they are nowhere near as interesting as the characters each of these actors play.
Pleasantville is an incredibly symbolic movie. In fact, it is far too symbolic. Instead of concentrating on one or even two topics, it spreads itself far to thin. After only one screening I noticed references to Nazism, Racism, Individualism, Christianity, Judaism, Communism, Socialism and more. With so much taking place it becomes almost muddled and unclear.
Pleasantville runs a little over two hours long and it feels like more. While some of the scenes are incredible, some seem to add absolutely nothing to the story. Better editing would have made this movie much more enjoyable.
Pleasantville still manages to be entertaining, and at least interesting to watch. While it is about 20 minutes to long it is still rather humorous, thought provoking, and contains a number of great performances.
Grade: B+
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Finger-licking is an understatement!
Grilled BBQ Steak Our pizza takes on a delicioussmoky accent when cooked on a grill.
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Providing professional financial advice for generations.
Immersion into virtual reality is a perception of being physically present in a non-physical world. The perception is created by surrounding the user of the VR system in images, sound or other stimuli that provide an engrossing total environment.
We know the world through our senses and perception systems. In school we all learned that we have five senses: taste, touch, smell, sight and hearing. These are however only our most obvious sense organs. The truth is that humans have many more senses than this, such as a sense of balance for example. These other sensory inputs, plus some special processing of sensory information by our brains ensures that we have a rich flow of information from the environment to our minds.
What is "virtual reality" in technical terms?
Answering “what is virtual reality” in technical terms is straight-forward.  That person becomes part of this virtual world or is immersed within this environment and whilst there, is able to manipulate objects or perform a series of actions.
Why have virtual reality?
The potential entertainment value is clear. Immersive films and video games are good examples. The entertainment industry is after all a multi-billion dollar one and consumers are always keen on novelty. Virtual reality has many other, more serious, applications as well. There are a wide variety of applications for virtual reality which include: Architecture, Sport, Medicine, The Arts and Entertainment.
Virtual reality can lead to new and exciting discoveries in these areas which impact upon our day to day lives. Wherever it is too dangerous, expensive or impractical to do something in reality, virtual reality is the answer. From trainee fighter pilots to medical applications trainee surgeons, virtual reality allows us to take virtual risks in order to gain real world experience. As the cost of virtual reality goes down and it becomes more mainstream you can expect more serious uses, such as education or productivity applications, to come to the fore. Virtual reality and its cousin augmented reality could substantively change the way we interface with our digital technologies. Continuing the trend of humanising our technology.For more detailed information on an immersive experience, click here.


--- layout: page description: "Thinking will not overcome fear but action will." ---
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Blakes 7 System Generator
Tool for building systems for use within the
Blakes 7 Role Playing Game
.
New system
Show actions
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Add all governments
Name:
Random
Blakes 7 RPG - System Generator -
https://github.com/ledlogic/blakes7-system


--- layout: post status: publish published: true title: Lab Manager is dead.. Long Live Lab Manager author: display_name: iguy login: iguy email<EMAIL_ADDRESS>url: '' author_login: iguy author_email<EMAIL_ADDRESS>wordpress_id: 485 wordpress_url: http://itsjustanotherlayer.com/?p=485 date: !binary |- MjAxMC0wOC0zMSAxMDoxMzowMSAtMDUwMA== date_gmt: !binary |- MjAxMC0wOC0zMSAxNToxMzowMSAtMDUwMA== categories: - VMware tags: - vCloud - VMware - vmworld comments: - id: 123 author: ! 'Virtual Intelligence Briefing » VMworld 2010 Resources: Day 2' author_email: '' author_url: http://www.vibriefing.com/2010/08/vmworld-2010-resources-day-2/ date: !binary |- MjAxMC0wOC0zMSAxODoxMTo1OSAtMDUwMA== date_gmt: !binary |- MjAxMC0wOC0zMSAyMzoxMTo1OSAtMDUwMA== content: ! '[...] Lab Manager is dead.. Long Live Lab Manager It’s just another Layer blog: VMware has announced the new product VMware vCloud Director (vCD from now on). Read more> [...]' - id: 124 author: Jason Burrell author_email<EMAIL_ADDRESS>author_url: '' date: !binary |- MjAxMC0wOS0wMiAxNTo0MDoyNCAtMDUwMA== date_gmt: !binary |- MjAxMC0wOS0wMiAyMDo0MDoyNCAtMDUwMA== content: One thing you do not mention is now vCD priced on a per-VM basis and requires enterprise plus making it very expensive compared to Lab Manager. I can buy a 2 cpu license for LM and run 50 machines for the same cost as 25 vm's with vCD. Also vCD does not support linked clones, a major advantage that Lab Manager has over it. I know it's dead but there are many environments that will be hurt by vCD until it can come up to feature parity. - id: 125 author: iguy author_email<EMAIL_ADDRESS>author_url: http://www.itsjustanotherlayer.com date: !binary |- MjAxMC0wOS0wMyAwMTowNzoxNSAtMDUwMA== date_gmt: !binary |- MjAxMC0wOS0wMyAwNjowNzoxNSAtMDUwMA== content: Correct. You are talking about a marketing/licensing issue, not a technical issue. So adding in linked clones, what else is needed? If that is all I would rather have VMware spend their developer resources on a single product making it better and adding in feature parity to retire Lab Manager than splitting resources between two product lines that duplicate functionality. - id: 126 author: Maish author_email<EMAIL_ADDRESS>author_url: http://technodrone.blogspot.com date: !binary |- MjAxMC0wOS0wNSAwNzo1Njo0OSAtMDUwMA== date_gmt: !binary |- MjAxMC0wOS0wNSAxMjo1Njo0OSAtMDUwMA== content: ! 'Hi Ian, I am not so sure that Lab Manager is dead. vCD will require Enterprise Plus Licenses for all ESX hosts in the cluster that is part of the Resource pool. The SMB market will not have the resources / finances available for such a venture.' - id: 127 author: PhilNZ author_email<EMAIL_ADDRESS>author_url: '' date: !binary |- MjAxMC0wOS0yOSAxNzoyMjo1MCAtMDUwMA== date_gmt: !binary |- MjAxMC0wOS0yOSAyMjoyMjo1MCAtMDUwMA== content: ! "Hi Ian, great blog! A colleague pointed it out to me, as I'm the \"Paul\" from the APAC region, actually it's Phil, but I was the only guy from APAC on the Lab Team, so assume it's me! As some of your other respondents have pointed out there are still some functional gaps between Lab Manager and vCD, so right now we should choose the right product for the right use case, but with a preference for vCD if it meets all the current requirements. \n\nI'd just like to correct Maish's post, vCD will actually work with vSphere Standard, but the limitation here is you have to set up all your PortGroups manually first in vSphere before they can be consumed. In an SMB environment that would be fine (small number of portgroups, relatively static).\n\nWe do strongly recommend Enterprise Plus because of the virtual Distributed Switch which allows vCD to do all the network provisioning dynamically. \n\nHope that helps, and clarifies things. As for linked clones... watch this space." - id: 128 author: VMware Lab Manager vs. VMware Cloud Director | VmugOnline.com author_email: '' author_url: http://www.vmugonline.com/vmware-lab-manager-vs-vmware-cloud-director/ date: !binary |- MjAxMS0wMi0wNyAxNToyMTozMyAtMDYwMA== date_gmt: !binary |- MjAxMS0wMi0wNyAyMToyMTozMyAtMDYwMA== content: ! '[...] not be fully committed to its long-term future. (And Jason is not alone; for example; Ian Koenig of itsjustanotherlayer.com has expressed a similar though less detailed opinion on the [...]' ---
VMware has announced the new product VMware vCloud Director (vCD from now on). I've read the early blog posts and been in some conversations and know at this point I just can't give it any justice. The short view it is virtualizing a datacenter into software and then managing at that layer. After spending close to 2 hours both taking the vCD install lab (which was fantastic to show you the concepts by the way) and then talking with a brilliant individual from the vCloud Team (Paul from the APAC region), I know I need to chew on vCD a bit longer. Thankfully Yellow-Bricks has done an excellent write-up to give you a short intro to this new product offering.
So go read it and come back. Pretty powerful stuff even at a 1.0.
If you are familiar with the concepts of organizations, VM Templates, network Fencing and self service that are presented from Lab Manager, you will quickly get about 75% of vCD. The other 25% is coming from Chargeback and vOrchestrator capabilities. The challenge with Lab Manager is being able to run true production out of it. The management is a bit limiting and constrained by size. vCD takes all those concepts and adds a few more and pushes up the scalability to Service Provider size where you need to deal with limits of 4095 VLANs and Petabytes of storage.
Does this mean that an SMB can't use vCD. I don't believe so. When I look at this I easily see Lab Manager as dead now. Why spend any resources on a less functional, less useful, more limited product when you have something you just need to right size in licensing for someone that needs to use it for a "Lab Manager style Test/Dev" environment? vCD can do everything we do in Lab Manager today along with being able to have production right next to it in the same management interface.
Lab Manager is Dead. Long Live Lab Manager.


Researching, designing, implementing, and managing software programs. Testing and evaluating new programs. Identifying areas for modification in existing programs and subsequently developing these modifications. Writing and implementing efficient code.
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Researching, designing, implementing, and managing software programs. Testing and evaluating new programs. Identifying areas for modification in existing programs and subsequently developing these modifications. Writing and implementing efficient code.
It's a Mobile Application like Whatsapp and Instagram, Users can login using their phone number and Email Address. and also can put a status and change the profile.
Vedio Calling App still in the Development phase and i have used jitsi meeting library to connect with one to another.
It's a intelligence mind Game Application, and also we can Calling it as a number game like setting the proper number in the proper position. this game is present in all daily news-paper.
I am a computer science undergraduate student and Seeking an entry-level oppertunity with an esteemed organization where I can utilize my skills and enhance learning in the field of work. Capable of mastering new technologies.
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Loading data...
Hover over neighborhoods for income and race numbers.
Select Year
Is the placement of bike-share docks equitable?
The map explores this question visually.
It displays the progressive placement of bike-share docking stations over time, along with the race and median income of residents in the areas they serve.
The map shows the addition of the docks, as well as the changes in income and race throughout the years the bike-share program has been in service. You can toggle the display to see only income, or race, or bikes data, or any of their combinations.
Income and race data is provided for each year by census tract. It is from the American Community Survey (5-year), which provides yearly population estimates.
The data used for this map is household median income, and household race.
*Race is displayed on the map as “Percent White”, which is calculated as the percentage of households that report “white only” in a given census tract.
As of August 2019, this race and income data is only available up to 2017, so the map shows the same 2017 data for years 2018 and 2019.
Margins of error and all of the processed data is available here.
Bike station location data is scraped from the bike-share company’s websites and is recent up to August 2019 (time of creation).
For more about the data scraping and processing, see code and documentation.
The question of who bike-share systems serve and have the potential to better serve has been asked and answered before.
For example, a 2019 report found that New York’s Citi Bike system disproportionately serves New Yorkers of higher incomes and those who already have access to other transit options, and disproportionately serves few New Yorkers of color.
It reports a median household income of $90,400 in service areas versus $54,700 outside service areas. It also found that the Citi Bike service area was “twice as white” as the rest of the area.
Yet U.S. studies have shown that people of color and people from the lowest-income households are in fact most likely to ride bicycles (sources).
This map explores data throughout the bike-share program years of service because while equitable placement of docks may be improving, future systems can aim to avoid patterns of servicing privileged neighborhoods first.
Where to optimally place bike-share docks is a complex problem and different cities have various ways of sourcing new locations.
For example, the New York City department of transportation previously launched an online map to crowdsource suggestions, and there is a similar suggestion map for Boston’s bike-share as well. However, a study published in the Journal of the American Planning Association showed that only 5% of new docks placed in the 2014-2015 New York Citi Bike expansion were located within 100 feet of suggested locations.
This does not imply that the NYC’s DOT ignored the suggestions. Optimal dock locations depend on a variety of factors, such as proximity to other transit options, or the viability of removing parking or sidewalk space to make way for docks, as well as how additional docks will complement the placement of existing docks.
In the Boston area, the Bluebikes bike-share system (previously Hubway) is owned by a partnership of multiple adjacent municipalities: Boston, Brookline, Cambridge, Somerville, and recently the city of Everett joined the partnership. The city of Cambridge actively welcomes businesses and property owners to sponsor the installation of docks near them, creating another mechanism to source the location of stations.
Other dockless bike-share and scooter systems are entering the landscapes of these cities as well, such as Ant bicycles, or Lime scooters. They may have the potential to reach the areas that city-owned bike-share systems have not, but they do not openly provide their data (as of 2019).
The companies that operate the city-owned bike-share systems such as those in New York (Citi bike) and Boston (Bluebike) are required by contract or local law to compile and provide usage data. We can imagine cities compelling the other bike, scooter, and micromobility providers that operate within them to openly provide their data as well. This data would help city planners, traffic engineers, and researchers better understand the impacts and potential for these new mobility systems on our streets.
All code, data, and data processing scripts for this project are open-source: https://github.com/aberke/income-race-bikes
Contributions welcomed.


Component: SerialActiveMessageP
generic module SerialActiveMessageP()
Author:
Phil Buonadonna
Lewis Girod
Ben Greenstein
Philip Levis
Date:
August 7 2005
Provides
interface
AMPacket
interface
AMSend
[am_id_t]
interface
Packet
interface
PacketAcknowledgements
interface
Receive
[am_id_t]
Uses
interface
Receive
as
SubReceive
interface
Send
as
SubSend


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We use AddThis to provide a method for our visitors to share content on various social networks or via email. AddThis may store their own cookies in our visitor's browsers. AddThis provides opt out choices through their Privacy Policy.
While we have our own commenting system for our news articles that does not use cookies, we also utilize Disqus for our Download and Tutorial sections. Disqus may drop their own cookies as described in their Privacy Policy.
We use Cloudflare for DDoS attack mitigation, web site security, and as a Content Delivery Network (CDN). When our traffic flows through their service, Cloudflare will add cookies to a visitor's browser in order for some of their security features to work. You can read about their cookies here.
In order to stay compliant with current regulations, BleepingComputer has entered into a EU GDPR Data Processing Addendum with Cloudflare, which can be read here.
We may disclose personally identifiable information if legally required to do so, if requested to do so by a governmental entity or if we believe in good faith that such action is necessary to: (a) conform to legal requirements or comply with legal process; (b) protect the rights or property of BleepingComputer or its affiliated companies; (c) investigate or prevent a crime or protect national security or cooperate in investigating any incident in which we believe that you have abused the Site by using it to attack other systems or to gain unauthorized access to any other system, to engage in spamming or otherwise to violate applicable laws; or (d) protect the personal safety of users or the public.
Don't do anything wrong and we won't have to worry about the above :)
There is no data that we keep for those who have not registered an account on the site.
If you have registered as a member then you have access to all of your posted data by viewing your profile, examining your preferences, seeing the content you follow, viewing your posts and topics, viewing your personal messages, and viewing your subscribed news articles.
In the near future, we will provide a tool that you can use to download all of your data in one archive.
It should be noted that as a member, you agreed to allow BleepingComputer to indefinitely display any posts or topics you created in the forums. With that said, we do not want you to be concerned about any personally identifiable information and if you find any, you can always contact us and request that we remove the personal information.
Any submitted content will be associated with your profile until you either delete it or we delete your account. When an account is deleted, your submitted content may stay on the site, but be shown as if it was from a guest.
BleepingComputer will only contact you for the following reasons:
We are committed to protecting your data and addressing any privacy concerns that you may have.