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| Total net profit | 230.08 | Gross profit | 1168.89 | Gross loss | -938.81 |
| Profit factor | 1.25 | Expected payoff | 2.37 | ||
| Absolute drawdown | -231.34 | Maximal drawdown (%) | 233.56 (10520.72%) | ||
| Total trades | 97 | Profit trades (% of total) | 62 (63.92%) | Loss trades (% of total) | 35 (36.08%) |
| Long positions (won %) | 40 (77.5%) | Short positions (won %) | 57 (54.39%) | ||
| Largest | profit trade | 77.89 | loss trade | -42.25 | |
| Average | profit trade | 18.85 | loss trade | -26.82 | |
| Minimum | profit trade | 2.25 | loss trade | -1.69 | |
| Maximum | take profit in pips | 8390.0 | stop loss in pips | -3830.0 | |
| Average | take profit in pips | 1737.0 | stop loss in pips | -2636.1 | |
| Minimum | take profit in pips | -150.0 | stop loss in pips | -900.0 | |
| Maximum | Reward-Risk | 2.8 | Duration in minutes | 3554 | |
| Average | Reward-Risk | 0.7 | Duration in minutes | 208.6 | |
| Minimum | Reward-Risk | 0.0 | Duration in minutes | 0 | |
| Maximum | consecutive wins (profit in money) | 8.0 (99.05) | consecutive losses (loss in money) | 4.0 (-116.63) | |
| Average | consecutive wins | 2.0 | consecutive losses | 1.0 |
| Total net profit | 300.11 | Gross profit | 545.99 | Gross loss | -245.88 |
| Profit factor | 2.22 | Expected payoff | 7.5 | ||
| Absolute drawdown | -53.07 | Maximal drawdown (%) | 69.05 (432.1%) | ||
| Total trades | 40 | Profit trades (% of total) | 31 (77.5%) | Loss trades (% of total) | 9 (22.5%) |
| Largest | profit trade | 77.89 | loss trade | -40.12 | |
| Average | profit trade | 17.61 | loss trade | -27.32 | |
| Minimum | profit trade | 2.25 | loss trade | -15.79 | |
| Maximum | take profit in pips | 6920.0 | stop loss in pips | -3650.0 | |
| Average | take profit in pips | 1486.3 | stop loss in pips | -2769.5 | |
| Minimum | take profit in pips | 200.0 | stop loss in pips | -1160.0 | |
| Maximum | Reward-Risk | 2.1 | Duration in minutes | 3554.0 | |
| Average | Reward-Risk | 0.6 | Duration in minutes | 201.1 | |
| Minimum | Reward-Risk | 0.1 | Duration in minutes | 1.0 | |
| Maximum | consecutive wins (profit in money) | 6.0 (118.09) | consecutive losses (loss in money) | 2.0 (-69.05) | |
| Average | consecutive wins | 3.0 | consecutive losses | 1.0 |
| Total net profit | -70.03 | Gross profit | 622.9 | Gross loss | -692.93 |
| Profit factor | 0.9 | Expected payoff | -1.23 | ||
| Absolute drawdown | -274.24 | Maximal drawdown (%) | 274.63 (70417.95%) | ||
| Total trades | 57 | Profit trades (% of total) | 31 (54.39%) | Loss trades (% of total) | 26 (45.61%) |
| Largest | profit trade | 43.3 | loss trade | -42.25 | |
| Average | profit trade | 20.09 | loss trade | -26.65 | |
| Minimum | profit trade | 2.82 | loss trade | -1.69 | |
| Maximum | take profit in pips | 8390.0 | stop loss in pips | -3830.0 | |
| Average | take profit in pips | 1913.0 | stop loss in pips | -2542.5 | |
| Minimum | take profit in pips | -150.0 | stop loss in pips | -900.0 | |
| Maximum | Reward-Risk | 2.8 | Duration in minutes | 1339.0 | |
| Average | Reward-Risk | 0.8 | Duration in minutes | 214.0 | |
| Minimum | Reward-Risk | Duration in minutes | 0.0 | ||
| Maximum | consecutive wins (profit in money) | 4.0 (81.19) | consecutive losses (loss in money) | 4.0 (-116.63) | |
| Average | consecutive wins | 1.0 | consecutive losses | 1.0 |


| | |
Methods defined here:
- __getitem__(self, item)
- Shortcut for Get(self,item,None)
:param item: target word.
:return:(List) candidates HowNet annotation, if the target word does not exist, return an empty list.
- __init__(self, use_sim=False)
- Initialize HowNetDict
:param use_sim: "lazy" option for loading similarity computation file.
- __len__(self)
- __str__(self)
- Return str(self).
- calculate_word_similarity(self, word0, word1)
- calculate the word similarity between two words via sememes
:param word0: target word #0
:param word1: target word #1
:return: (Float) the word similarity calculated via sememes.
If word0 or word1 does not exist in HowNet annotation, it will return 0.0
If the initialization method of word similarity calculation has not been called yet, it will also return 0.0 and print corresponding error message.
- get(self, word, language=None)
- Common word search API, you can specify the language of the target word to boost the search performance
:param word: target word
:param language: target language, default: None
(The func will search both in English and Chinese, which will consume a lot of time.)
:return:(List) candidates HowNet annotation, if the target word does not exist, return an empty list.
- get_all_sememes(self)
- Get the complete sememe list in HowNet
:return: (List) a list of sememes
- get_zh_words(self)
- Get all Chinese words annotated in HowNet
:return: (list) All annotated Chinese words in HowNet.
- get_en_words(self)
- Get all English words annotated in HowNet
:return: (list) All annotated English words in HowNet.
- get_nearest_words_via_sememes(self, word, K=10)
- Get the topK nearest words of the given word, the word similarity is calculated based on HowNet annotation.
If the given word does not exist in HowNet annotations, this function will return an empty list.
:param word: target word
:param K: specify the number of the nearest words you want to retrieve.
:return: (List) a list of the nearest K words.
If the given word does not exist in HowNet annotations, this function will return an empty list.
If the initialization method of word similarity calculation has not been called yet, it will also return an empty list and print corresponding error message.
- get_sememes_by_word(self, word, structured=False, lang='zh', merge=False, expanded_layer=-1)
- Given specific word, you can get corresponding HowNet annotation.
:param word: (str)specific word(en/zh/id) you want to search in HowNet.
You can use "I WANT ALL" or "*" to specify that you need annotations of all words.
:param structured: (bool)whether you want to retrieve structured sememe trees
:param lang: (str)only works when structured == False. You can determine the language of the name of every sememe node in the retrieved tree.
There are two options("en"/"zh") for this param.
:param merge: (boolean)only works when structured == False. Decide whether to merge multi-sense word query results into one
:param expanded_layer: (int)only works when structured == False. Continously expand k layer
By default, it will be set to -1 (expand full layers)
:return: list of converted sememe trees in accordance with requirements specified by the params
- has(self, item, language=None)
- Check that whether certain word(English Word/Chinese Word/ID) exist in HowNet
Only perform exact match because HowNet is case-sensitive
By default, it will search the target word in both the English vocabulary and the Chinese vocabulary
:param item: target word to be searched in HowNet
:param language: specify the language of the target search word
:return:(Boolean) whether the word exists in HowNet annotation
- initialize_sememe_similarity_calculation(self)
- Initialize the word similarity calculation via sememes.
Implementation is contributed by Jun Yan, which is based on the paper :
"Jiangming Liu, Jinan Xu, Yujie Zhang. An Approach of Hybrid Hierarchical Structure for Word Similarity Computing by HowNet. In Proceedings of IJCNLP"
:return: (Boolean) whether the initialization succeed.
- initialize_sememe_similarity_calculation(self)
- Initialize the word similarity calculation via sememes.
Implementation is contributed by Jun Yan, which is based on the paper :
"Jiangming Liu, Jinan Xu, Yujie Zhang. An Approach of Hybrid Hierarchical Structure for Word Similarity Computing by HowNet. In Proceedings of IJCNLP"
:return: (Boolean) whether the initialization succeed.
Data descriptors defined here:
- __dict__
- dictionary for instance variables (if defined)
- __weakref__
- list of weak references to the object (if defined)
Data and other attributes defined here:
- name_choices = ['name_en', 'name_ch', 'all']
|


Package ParticleEngine.caches
Class LightCache
- java.lang.Object
-
- ParticleEngine.caches.LightCache
-
- All Implemented Interfaces:
ParticleRunner
public class LightCache extends java.lang.Object implements ParticleRunner
The LightCache class is used to create faster caches based on particle engines. HeavyCaches use images, and take a long time to produce. Light caches take less time to produce, but may run somewhat slower than heavy caches depending on complexity. For particle effects with more than 200 particles, one should probably use a heavy cache. Otherwise, a light cache will probably be more efficient.- See Also:
ParticleEngine
,HeavyCache
-
-
Field Summary
Fields Modifier and Type Field Description private int[]
colorCache
ParticleDrawable
dr
int
frame
processing.core.PVector[][]
locs
private processing.core.PApplet
p
private boolean
stopAfterPlay
private boolean
useColorCache
private int
x
private int
y
-
Constructor Summary
Constructors Constructor Description LightCache(processing.core.PApplet parent)
Initialize a light cache with its parent
-
Method Summary
Modifier and Type Method Description void
createColorCache(ParticleDrawable dr)
Use to create a color cache if you are loading the cache from a file (This is only needed if you are loading a file) (This must be used after you've loaded from a file)void
createFromEngine(ParticleEngine e, int frames)
Fill in fields based on data in a ParticleEnginevoid
createFromEngineVerbose(ParticleEngine e, int frames)
Fill in fields based on data in a ParticleEngine, printing out progressvoid
dispose()
Use dispose once you have finished using the cache.void
fillframe(processing.core.PGraphics g, int f)
int[]
getFrameData(int f)
void
loadFromFile(java.lang.String path)
void
loadFromFileCompressed(java.lang.String path)
Load from a file that has been compressedvoid
playAt(int x, int y)
Set the center location for the cache to play at (This won't start the animation)void
restart()
Restart the animationvoid
run()
void
saveFile(java.lang.String path)
Save the contents of a cache into a file, which can then be loaded latervoid
saveFileCompressed(java.lang.String path)
Save a light cache into a file and compress it.void
setOrigin(int x, int y)
void
setStopAfterPlay(boolean val)
Determine weather the animation should repeat or stop after it reaches its last framevoid
setUseColorCache(boolean f)
void
update()
This will draw the next frame of the animation to the screen (Usually should be put in either the drawloop, or somewhere else where you're drawing things)
-
-
-
Field Detail
-
locs
public processing.core.PVector[][] locs
-
colorCache
private int[] colorCache
-
p
private processing.core.PApplet p
-
dr
public ParticleDrawable dr
-
x
private int x
-
y
private int y
-
frame
public int frame
-
stopAfterPlay
private boolean stopAfterPlay
-
useColorCache
private boolean useColorCache
-
-
Method Detail
-
setUseColorCache
public final void setUseColorCache(boolean f)
-
saveFile
public final void saveFile(java.lang.String path)
Save the contents of a cache into a file, which can then be loaded later- Parameters:
path
- where to save the file relative to the sketch- See Also:
loadFromFile(String)
-
saveFileCompressed
public final void saveFileCompressed(java.lang.String path)
Save a light cache into a file and compress it. This will greatly reduce file size, but will take longer to save and load- Parameters:
path
- where to save- See Also:
saveFile(String)
-
loadFromFileCompressed
public final void loadFromFileCompressed(java.lang.String path)
Load from a file that has been compressed- Parameters:
path
- path to file- See Also:
saveFileCompressed(String)
-
loadFromFile
public final void loadFromFile(java.lang.String path)
- Parameters:
path
-
-
createFromEngine
public final void createFromEngine(ParticleEngine e, int frames)
Fill in fields based on data in a ParticleEngine- Parameters:
e
- engineframes
- number of frames to grab from the engine- See Also:
ParticleEngine
,createFromEngineVerbose(ParticleEngine, int)
-
createFromEngineVerbose
public final void createFromEngineVerbose(ParticleEngine e, int frames)
Fill in fields based on data in a ParticleEngine, printing out progress- Parameters:
e
- engineframes
- number of frames to render from the engine- See Also:
ParticleEngine
,createFromEngine(ParticleEngine, int)
-
restart
public final void restart()
Restart the animation
-
playAt
public final void playAt(int x, int y)
Set the center location for the cache to play at (This won't start the animation)- Parameters:
x
- coordy
- coord
-
setStopAfterPlay
public final void setStopAfterPlay(boolean val)
Determine weather the animation should repeat or stop after it reaches its last frame- Parameters:
val
- true = stop, false = repeat
-
createColorCache
public final void createColorCache(ParticleDrawable dr)
Use to create a color cache if you are loading the cache from a file (This is only needed if you are loading a file) (This must be used after you've loaded from a file)- Parameters:
dr
- drawable- See Also:
saveFile(String)
,loadFromFile(String)
,ParticleDrawable
-
update
public final void update()
This will draw the next frame of the animation to the screen (Usually should be put in either the drawloop, or somewhere else where you're drawing things)
-
getFrameData
public final int[] getFrameData(int f)
-
fillframe
public final void fillframe(processing.core.PGraphics g, int f)
-
dispose
public final void dispose()
Use dispose once you have finished using the cache. Calling any other methods after dispose() will cause a nullPointerException
-
run
public void run()
- Specified by:
run
in interfaceParticleRunner
-
setOrigin
public void setOrigin(int x, int y)
- Specified by:
setOrigin
in interfaceParticleRunner
-
-


The Straight Story (1999)
A Review Essay by Mark O'Hara
Visit Online Film Critics Society at http://www.ofcs.org
Looking for an action movie with lots of special effects? Then don't look at "The Straight Story." But if you're after a well-acted character study, a masterful collection of frame tales, this small film will leave you well pleased.
Richard Farnsworth plays Alvin Straight, a character based on the real man who drove his lawn tractor across Iowa and into Wisconsin in order to see his sick brother. As always, Farnsworth exhibits a gentle, patient style of acting. If you saw "The Natural," you may remember him as the assistant coach with the white mustache, who ate spaghetti with Robert Redford, treating him like a friend when no one else did. Here Farnsworth shows quiet dignity when friends discover him on the floor of his kitchen, unable to get to his feet. It turns out that Alvin has bad hips, and his daughter Rose (Sissy Spacek) is very worried about him. When he discovers that his estranged brother Lyle has had a stroke, Alvin stubbornly makes his decision. Bad hips, bad eyes, no driver's license, stiff-necked independence: not many options. No one seems to have faith in Alvin's mode of transportation, an ancient lawnmower tugging a makeshift plywood-covered trailer. In fact, Alvin does not even reach the next town, fulfilling the pessimism of one of the nosey curmudgeons down at the hardware store. But a friend sells him a more reliable - though still thirty year-old - John Deere, and he's able to resume his slow but sure journey.
What begins with a simple premise offers consummate opportunities. This is a finely wrought road movie, with all kinds of stories-within-stories waiting to be told. There's a pregnant runaway who receives a wiener and life-saving advice around Alvin's campfire.  There are several other sidetracking tales told and heard along his route - one particularly wrenching one narrated by Alvin himself. It's the storytelling motif that makes this film hang together, with the implication of just how important stories are to our very lives, to our ways of understanding the world.
Along with the quiet ways of the wizened character actor Farnsworth, there's also a quietness about the movie's tone. A few scenes we view from several yards away, the speakers too far to hear distinctly, and so we must rely on our understanding of plot, a bit of inflection thrown inů. Director David Lynch further uses shots that linger longer than they would in another filmmaker's movie. The cuts don't come as quickly, and therefore we get a sense of prolonged realism, a technique that makes for solid character study. Modern attention spans would not be pleased by several of these moments.
In a just world without politics, Richard Farnsworth would receive large awards for his work in "The Straight Story" - and not because it's sometimes deemed fashionable to send a trophy the way of a senior citizen. In nearly every shot the actor acquits himself with remarkable reserve, depicting the determination it must take to drive across states at a speed of four miles an hour. We hear stories that tell us Alvin is the father of 14 children, seven of whom survived childhood. He saw combat in the Second World War. And now he has decided to see the brother to whom he was so close in youth. Each time Alvin tells his story to a curious listener along the way, we understand he is also preparing himself for the actual visit to Lyle, a piece of his life lost through anger and alcohol. Once again, Farnsworth knows how to mimic the most subtle emotions, plainly plodding toward Alvin's crazy goal.
Sissy Spacek delivers an astounding portrayal of a mentally challenged woman - Rose, Alvin's daughter. The most striking aspect of her performance is perhaps her awkward, halting pattern of speech, a hard-starting stutter that puts us in mind of a sensitive and troubled soul. She is now her father's faithful housekeeper, though further into the film we discover the unpleasant events that shook Rose's life. Though we see the father-daughter relationship only in the first third of the film, its strength sends a powerful message about family.
The supporting cast does a nice, natural job, interacting well with Alvin, in many cases showing him good deeds that he usually tries to refuse. Jane Heinz is Dorothy, Alvin and Rose's neighbor; Everitt McGill is Tom the John Deere dealer; and many other actors play the average people occupying the towns through which Alvin drives. Although his appearance is short, Harry Dean Stanton is perfectly cast as Lyle Straight, a man who lives in a ramshackle cabin in the Wisconsin country, every bit as stubborn as his older brother. Stanton is one of the few actors whose craggy face matches Farnsworth's own.
The nature of the film calls for outdoor scenes, and clearly part of Lynch's agenda is to show beautiful expanses of the American Midwest. Much of the landscape awes us not only with its beauty but with its size, Alvin crawling along a road that stretches endlessly before him. We do get a few too many aerial shots of wind-blown corn fields, at times a harvester going full blast in the October sun. Repetitive violin and guitar music frequently accompanies these scenic establishing shots.
Part of this G-rated film's attention has come from its director's reputation for making off-beat, often graphically violent films. Yes, "The Straight Story" is a different path for David Lynch, but it shows strong intuition and storytelling sense. And it's certainly a pleasure to be able to take every member of the family: though you may not find this film in every multiplex, it is worth searching out. You'll leave the theater with an encouraging vision of the real America, held together by a creaky but still strong backbone.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Money play. Should Red double? If doubled, should White take?
pips Red=85 White=79
(CorrectAnswer= 0/0, ErrorScore= 0)
Red's position is not as strong as it looks. Most of the time, as he is trailing in the race, he is going to be hitting loose on his 3-pt and White will return hit 30% of the time. When that happens Red will lose a few gammons because he is likely to have additional blots that White can pick up.
All of this adds up to no double/take. To double, thus activating gammons for both players, is a 0.05 error. Red should wait and (hopefully) cash next turn.
All of this adds up to no double/take. To double, thus activating gammons for both players, is a 0.05 error. Red should wait and (hopefully) cash next turn.
1. Cubeful 2-ply 5/3 4/3 Eq.: +0.198 0.655 0.040 0.001 - 0.345 0.002 0.000 2. Cubeful 2-ply 13/11 2/1 Eq.: +0.195 (-0.003) 0.650 0.057 0.002 - 0.350 0.004 0.000 3. Cubeful 2-ply 13/10 Eq.: +0.142 (-0.056) 0.636 0.037 0.001 - 0.364 0.003 0.000 4. Cubeful 2-ply 13/12 6/4 Eq.: +0.141 (-0.057) 0.636 0.036 0.001 - 0.364 0.003 0.000 5. Cubeful 2-ply 13/12 5/3 Eq.: +0.139 (-0.059) 0.633 0.049 0.001 - 0.367 0.006 0.000


👋🏽 I'm ad
An accomplished lead designer with a proven track record of over more than 15 years in crafting
exceptional user experiences and responsible for design of major digital transformation project. I've also helped raise startups £30+M collectively in funding through my design delivery.
My strategic vision and collaborative leadership style empower teams to deliver
cutting-edge designs that captivate users and drive business success.
SOME OF MY CLIENTS
Selected Work
Role: Lead designer
with Prakash, Philip and other stakeholders
Zilch first designer responsible for MVP launch and proving the core proposition.
Role: Lead designer
with Pete and Charlie
Design delivery of their core journey and the onboarding journey
Role: Design and Product
Led the product and design for property investment and valuation portal Yuvoh analytics
Role: Design Researcher
Explore technological opportunities to improve the life of informal carers. Contributed to Microsoft's better homes for older adult vision.
Role: Lead designer and data specialist
Led design for the complete end to end design for the service. Awarded for highlighting algorithmic discrimination in insurance risk models.
Role: Lead user researcher
with Josh D'Addario, Olivier Thereaux and ODI team
Lead research for two projects. Published several papers including contribution to
National Data Strategy policy paper.


{% load static %}
New registration for admin
{% if exist == 'yes' %}Confirm and click send
{% elif exist == 'nsubpk' %}4.0.4
Invalid request
Code Sent
Unable to send code to {{demail}} now,
Try again later
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No request found for {{demail}}


This is Good
This font is set to 20px, and you can easily read it. If it's larger, there aren't
any downsides: everyone will be able to consume your content.
This is Bad
This font is set to 14px. The main goal of your website is to get people to
consume your content or perform some action, and it'll be difficult for
them to do so if they can't read your text.
This is Good
This paragraph is set to a max-width of 800px which is roughly 75 characters per
line (except when viewed on screens smaller than 800px wide). At the beginning
of every new line the reader is focused, but this focus gradually wears off over
the duration of the line which is why good measure increases readability.
This is Bad
Measure can create unity and harmony within a design, but a long measure disrupts
the rhythm. If a line of text is too long the user’s eye will have a hard time
focusing on the text. This is because too much energy is spent keeping the horizontal
line in sight over a long distance. Furthermore it can be difficult to continue
from the correct line in large blocks of text.
This is Good
Here's a Multi-Line Title that has just Enough Breathing Room in Between the Lines
This paragraph has a line-height of 1.5 which equals 30px (1.5 times its own font-size of 20px).
The lines have enough breathing space for the user to feel relaxed but not too much where the
lines feel disconnected.
This is Bad
Here's a Multi-Line Title that is More Difficult to Read because it has Too Much
Space in Between the Lines
This paragraph has a line-height of 1 which isn't much smaller than the default line-height of most browsers. Lines too narrowly
set impair reading speed because the upper and lower line are both taken in by the eye at the same time. Also, descenders and
ascenders collide—like the bottom of 'g' and top of 'l'—which makes the block of text feel cramped.
This is Good
This text is #000 on a white background which has the maximum text contrast ratio
of 21:1. Contrast is measured in a formula that gives a ratio ranging from no contrast, 1:1
to maximum contrast, 21:1.
This is Bad
This text is #999999 on a white background which has a text contrast ratio of
2.8:1. You may be able to read this but people with color blindness or vision
impairments, as well as people browsing under less than ideal circumstances
such as bad monitors or window reflections might find it more difficult.


This is an experiment to generate plosive voice /ga/ /ka/ sound by pseudo blast impulse, noise source instead of turbulent sound, and two tubes model with loss.
Generate following vowel sound, using two tubes model with loss
python3 main2varloss_1a.py
Generate preceding noise sound, using perlin noise
python3 PerlinNoise.py
Generate pseudo blast impulse and mix with the noise sound
python3 mix_impulse.py
Apply resonance effect to the mixed sound
python3 main2noiseresona_ku.py
Combine preceding mixed sound and following vowel sound
python3 make_gka.py
It will save gka_1a1_varloss0_0_noise0_i40_s600_resona_0.wav that sounds similar to voice /ga/ sound
and wii save gka_1a1_varloss0_01_noise0_i40_s600_resona_0.wav that becomes unvoiced sound.
For more information, please see related WEB Plosive voice /ga/ /ka/ sound waveform generation by pseudo blast impulse, noise source, and two tubes model or
same content in Japanese
MIT
Regarding to PerlinNoise.py, please follow the notice in the source code.


This page allows you to explore the SolarNetwork web API. Fill in your SolarNetwork
authorization token and server details on the left, then use the API templates to fill
in an API URL to call. Replace any template parameters (for example, replace
{nodeId}
with your node's ID). Then click the Execute button to
submit the query and display the results at the bottom. The source code for this app is
available on GitHub.
This shows the the
computed
HTTP Authorization
header:
The following sections detail the steps taken to generate the
Authorization
header.
This shows the canonical request message that is hashed and included in the authorization message:
This shows the signing message that is hashed to form the authorization signature value:
This shows the hex-encoded
signing key
used to sign the message, derived from the token secret using a signing date value of
YYYYMMDD
:
This shows a curl
command to make the same HTTP request:


Swim in the crystal clear waters of Chalkidiki, just 40 minutes away
from the city center. Discover the history of Thessaloniki through
the numerous churches and archeological sites like
The White Tower and
Aristotelous Square.
Take a gastronomy journey of Greece through the unique tastes that Thessaloniki
has to offer and immerse you self in the vibrant culture of the city.
Go for an afternoon coffee, a walk near the
Waterfront
or go out for
drinks.
No matter your preferences, Thessaloniki's nightlife will not disappoint you.


It's the Weekend! Enjoy Your Free Time
-complete an action-
read a book
go outside
soma
*/ERROR/* You were never taught to read and were conditioned to dislike books */ERROR/*
*/ERROR/* You have been conditioned to hate the outdoors */ERROR/*


lclpy.benchmark package¶
Submodules¶
lclpy.benchmark.benchmark module¶
-
lclpy.benchmark.benchmark.
benchmark
(problems, algorithms, stop_criterion, runs=10, seeds=None)¶ A function to perform multiple algorithms on multiple soltions.
Note that the problems, algorithms and the stop criterion all need to have the method reset method properly implemented for this function to work properly. The logging of algorithms is determined by the logging parameter that was given to them at their construction. If it was True (default), the algorithm will log it’s improvements and worse passed solutions. If logging is False, no logging will be shown for that particular algorithm.
- Parameters
problems (iterable object) – Contains all the problems.
algorithms (iterable object) – Contains all the algorithms. Note that the algorithms can be initialised with None as solution and None as termination_criterion.
stop_criterion (AbstractTerminationCriterion) – The termination criterion that will be used for all combinations of algorithms and problems.
runs (int, optional) – The amount of runs that will be performed for a single algorithm-problem pair.
seeds (list of int or tuple of int) – The seeds that will be used in the runs. Note that the length of the tuple or array needs to be equal to the amount of runs. If no seeds are given the seeds will be the number of the run.
- Returns
A 3-dimensional list of namedtuple. These namedtuples are the results of the algorithms. The first indice represents an algorithm, the second a problem, the third a run of the algorithm-problem pair. The indices that should be used are the same as in algorithms and solutions respectively for the first 2 indices. The third indice is used to choose between the runs. The possible indices for runs are always in the interval [0, #runs-1].
- Return type
list of list of list of namedtuple
lclpy.benchmark.statistics module¶
This module contains several functions to get statistical data from the results of the function benchmark.
-
lclpy.benchmark.statistics.
biggest
(benchmark_result)¶ A function to get the biggest best_values.
- Parameters
benchmark_result (list of list of list of namedtuple) – The result from a benchmark.
- Returns
A 2D array containing the biggest of the best_value for every algorithm-problem pair. Note that the indices of a certain algorithm-problem pair in the benchmark_result will be the same as the indices one needs to get the results for that pair.
- Return type
numpy.ndarray
-
lclpy.benchmark.statistics.
iterations_max
(benchmark_result)¶ A function to get the most iterations.
- Parameters
benchmark_result (list of list of list of namedtuple) – The result from a benchmark.
- Returns
A 2D array containing the most iterations for every algorithm-problem pair. Note that the indices of a certain algorithm-problem pair in the benchmark_result will be the same as the indices one needs to get the results for that pair.
- Return type
numpy.ndarray
-
lclpy.benchmark.statistics.
iterations_mean
(benchmark_result)¶ A function to calculate the mean of the amount of iterations.
- Parameters
benchmark_result (list of list of list of namedtuple) – The result from a benchmark.
- Returns
A 2D array containing the mean of the amount of iterations for every algorithm-problem pair. Note that the indices of a certain algorithm-problem pair in the benchmark_result will be the same as the indices one needs to get the results for that pair.
- Return type
numpy.ndarray
-
lclpy.benchmark.statistics.
iterations_median
(benchmark_result)¶ A function to calculate the median of the amount of iterations.
- Parameters
benchmark_result (list of list of list of namedtuple) – The result from a benchmark.
- Returns
A 2D array containing the median of the amount of iterations for every algorithm-problem pair. Note that the indices of a certain algorithm-problem pair in the benchmark_result will be the same as the indices one needs to get the results for that pair.
- Return type
numpy.ndarray
-
lclpy.benchmark.statistics.
iterations_min
(benchmark_result)¶ A function to get the least iterations.
- Parameters
benchmark_result (list of list of list of namedtuple) – The result from a benchmark.
- Returns
A 2D array containing the least iterations for every algorithm-problem pair. Note that the indices of a certain algorithm-problem pair in the benchmark_result will be the same as the indices one needs to get the results for that pair.
- Return type
numpy.ndarray
-
lclpy.benchmark.statistics.
iterations_stdev
(benchmark_result)¶ A function to calculate the standard deviation of the amount of iterations.
- Parameters
benchmark_result (list of list of list of namedtuple) – The result from a benchmark.
- Returns
A 2D array containing the standard deviation of the amount of iterations for every algorithm-problem pair. Note that the indices of a certain algorithm-problem pair in the benchmark_result will be the same as the indices one needs to get the results for that pair.
- Return type
numpy.ndarray
-
lclpy.benchmark.statistics.
mean
(benchmark_result)¶ A function to calculate the mean of the best_values.
- Parameters
benchmark_result (list of list of list of namedtuple) – The result from a benchmark.
- Returns
A 2D array containing the mean of the best_value for every algorithm-problem pair. Note that the indices of a certain algorithm-problem pair in the benchmark_result will be the same as the indices one needs to get the results for that pair.
- Return type
numpy.ndarray
-
lclpy.benchmark.statistics.
median
(benchmark_result)¶ A function to calculate the median of the best_values.
- Parameters
benchmark_result (list of list of list of namedtuple) – The result from a benchmark.
- Returns
A 2D array containing the median of the best_value for every algorithm-problem pair. Note that the indices of a certain algorithm-problem pair in the benchmark_result will be the same as the indices one needs to get the results for that pair.
- Return type
numpy.ndarray
-
lclpy.benchmark.statistics.
smallest
(benchmark_result)¶ A function to get the smallest best_values.
- Parameters
benchmark_result (list of list of list of namedtuple) – The result from a benchmark.
- Returns
A 2D array containing the smallest of the best_value for every algorithm-problem pair. Note that the indices of a certain algorithm-problem pair in the benchmark_result will be the same as the indices one needs to get the results for that pair.
- Return type
numpy.ndarray
-
lclpy.benchmark.statistics.
stat
(benchmark_result, algorithm_names=None, problem_names=None)¶ A function to get some common characteristics from a benchmark.
- Parameters
benchmark_result (list of list of list of namedtuple) – The result from a benchmark.
print (bool, optional) – If True, the results will be printed to the command line. If False the results will not be printed to the command line.
- Returns
The result is divided in 3 main parts: best_value, time and iterations. Every main part contains the results of different statistics:
mean
median
stdev
max
min
The result for each of those are kept in a 2D array. Note that the indices of a certain algorithm-problem pair in the benchmark_result will be the same as the indices one needs to get the results for that pair.
- Return type
namedtuple of namedtuple of numpy.ndarray
-
lclpy.benchmark.statistics.
stdev
(benchmark_result)¶ A function to calculate the standard deviation of the best_values.
- Parameters
benchmark_result (list of list of list of namedtuple) – The result from a benchmark.
- Returns
A 2D array containing the median of the standard variation for every algorithm-problem pair. Note that the indices of a certain algorithm-problem pair in the benchmark_result will be the same as the indices one needs to get the results for that pair.
- Return type
numpy.ndarray
-
lclpy.benchmark.statistics.
time_max
(benchmark_result)¶ A function to get the longest execution time.
- Parameters
benchmark_result (list of list of list of namedtuple) – The result from a benchmark.
- Returns
A 2D array containing the longest time for every algorithm-problem pair. Note that the indices of a certain algorithm-problem pair in the benchmark_result will be the same as the indices one needs to get the results for that pair.
- Return type
numpy.ndarray
-
lclpy.benchmark.statistics.
time_mean
(benchmark_result)¶ A function to calculate the mean of the last time-point.
- Parameters
benchmark_result (list of list of list of namedtuple) – The result from a benchmark.
- Returns
A 2D array containing the mean of the last time-point for every algorithm-problem pair. Note that the indices of a certain algorithm-problem pair in the benchmark_result will be the same as the indices one needs to get the results for that pair.
- Return type
numpy.ndarray
-
lclpy.benchmark.statistics.
time_median
(benchmark_result)¶ A function to calculate the median of the last time-point.
- Parameters
benchmark_result (list of list of list of namedtuple) – The result from a benchmark.
- Returns
A 2D array containing the median of the last time-point for every algorithm-problem pair. Note that the indices of a certain algorithm-problem pair in the benchmark_result will be the same as the indices one needs to get the results for that pair.
- Return type
numpy.ndarray
-
lclpy.benchmark.statistics.
time_min
(benchmark_result)¶ A function to get the shortest execution time.
- Parameters
benchmark_result (list of list of list of namedtuple) – The result from a benchmark.
- Returns
A 2D array containing the shortest time for every algorithm-problem pair. Note that the indices of a certain algorithm-problem pair in the benchmark_result will be the same as the indices one needs to get the results for that pair.
- Return type
numpy.ndarray
-
lclpy.benchmark.statistics.
time_stdev
(benchmark_result)¶ A function to calculate the standard deviation of the last time-point.
- Parameters
benchmark_result (list of list of list of namedtuple) – The result from a benchmark.
- Returns
A 2D array containing the standard deviation of the last time-point for every algorithm-problem pair. Note that the indices of a certain algorithm-problem pair in the benchmark_result will be the same as the indices one needs to get the results for that pair.
- Return type
numpy.ndarray
Module contents¶
The package benchmark is designed to benchmark.
The package contains:
The function benchmark in the module benchmark. This function can be used to run multiple algorithms on multiple problems for multiple runs
The module statistics. This module contains several functions to get statistical data from the results of the function benchmark.


Ten Movies That Shook Wanniski
Memo To: Website browsers, fans & clients Author: Jude Wanniski http://www.polyconomics.com Re: #5 Laura
Continuing with the "movie list," here is number five of the ten films that most shaped my life. These are not my favorite films. They are the movies I've seen that have had the greatest influence on my thinking, my character, my life. Some are favorites that I enjoy watching over and over again, which you can tell as you read each entry. Try to think of your own experiences with films and how they influenced the course of your life. It makes life more interesting to be aware, as you live it, to know how things such as books and films and magazine articles alter your path in significant ways. Sometime last year the Sunday NYTimes "Arts and Leisure" section had a piece on how difficult it is to think of a movie that may have changed history. The only movie they could think of was a silent film by D.W. Griffith, Birth of a Nation, which had a scene about the KuKluxKlan that the author believes changed national thinking about the KKK. How silly. Each of the ten films listed here changed my history, and if I had not seen them, I would not have helped change history in the ways that I have. Films don't move masses. They move individuals who move masses.
5. "Laura" (1944) I was only eight when I first saw this mystery/romance, but that was enough to make me a life-long fan. It featured Gene Tierney and Dana Andrews and Clifton Webb and Vincent Price and Judith Anderson. It isn't the mystery that shook me up, but the romance. Gene Tierney is on my all-time list of gorgeous movie ladies, a very classy lady. I, of course, identified with Dana Andrews, who plays a detective who probably came from a working class family much like mine.  What knocked me out was that he winds up getting the classy lady once he finds out she has not been murdered after all. Impossible dreams can come true and in Laura there are two in combination. Throughout this era, there were hundreds of movies where the shopgirl winds up with the wordly man of means. This one was for me, the son of a coalminer. The theme song can still make me dreamy about Genie.
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Section 2 Coursework Relevant to the Thesis
The knowledge gained from every course taken at CLU can be used to improve the development of the thesis or research project. For example, if you have an interest in a specific disorder then it makes sense that you study that disorder in PSYC 510 Psychopathology. In PSYC 560 Statistics I: Exploratory Data Analysis, you might consider finding open data that allows you to better understand your problem area using method of data visualization.
There are, however, specific courses where the thesis is explicitly incorporated into course assignments. The following are the MSCP courses that explicitly incorporate elements of the thesis into the syllabi:
| PSYC# | Course | Semester | Year | Task |
|---|---|---|---|---|
| 564 | Adv. Research Methods | Fall | One | Start Lit Review; Start References |
| 562 | Statistics II: Regression | Spring | One | Data Analytic Plan |
| 552 | Psychometrics | Spring | One | Method |
| 521 | Ethics | Summer | One | Pre-Registration |
| 565 | Research Practicum | Fall | Two | IRB, Intro, Method |
| 566 | Thesis | Spring | Two | Complete Draft due May 1st |
| 599 | Thesis Continuation | Every semester Post 2nd year | Two+ | Every semester until the thesis is complete |
PSYC 564 Advanced Research Methods
In PSYC 564, students develop the beginning of the literature review and begin to master the 7th edition of the Publication Manual of the American Psychological Association.
PSYC 562: Statistics II: Regression
In this course, students learn the basics of statistical modeling with an emphasis on regression. Although the focus of the course is on regression, students can work with the instructor to consider models that might address their research hypotheses. If students have a published article that closely approximates the study they want to run then students might learn more about the analyses conducted in that article.
PSYC 552: Psychometrics
The emphasis in this course is psychometric theory which includes an understanding of the concepts of reliability and validity. Students can use this course to examining the psychometric properties of the most likely methods of measurement they will use in their research such as specific self-report questionnaires.
PSYC 521: Clinical and Research Ethics
In this course, students learn about the concept of open science which includes reproducibility, transparency, and pre-registration. Students continue to develop their OSF page and learn how to pre-register their hypotheses.
PSYC 565: Research Practicum
In addition to finishing up their introduction and method sections, students main task is to complete the CLU IRB, https://www.callutheran.edu/research/irb/. The IRB process is very extensive and students are required to complete an online ethical training. Once the IRB is successfully passed, students can collect their data. The process of getting IRB approval can be a lengthy one and require several revisions. Students submit their IRB in collaboration with their Committee Chair who will submit the IRB proposal to the IRB committee on the student’s behalf.
PSYC 566: Thesis
During this semester, students work independently on their thesis (with their committee members) and complete their results and discussion sections. The semester requires the student to structure their own time as there are no formal class meetings. Students are often collecting data during this final semester.
In order to pass PSYC 566, students are required to have a complete draft of their thesis that is approved by the chair, reader, and program director by May 1st. Students often do not complete the thesis for a variety of reasons including an inability to collect data, medical and health problems, or other life priorities. In these circumstances, students have two options:
1. Continue the thesis - Students can choose to continue the thesis and enroll in PSYC 599 (see next section), and pay the associated fee for every semester until the thesis is complete. Students are assigned the following grade of “IP” for PSYC 566 until the thesis is approved:
- “IP” (In Progress) is given for theses, practica, internships and courses wherein the work has been evaluated and found to be satisfactory to date, but the assignment of a grade must await its completion. “IP” carries no credit until replaced by a permanent grade. The “IP” grade may be replaced by the appropriate final letter grade within one calendar year from the start of the class. “IP” grades which have not been resolved will be changed to “F” (undergraduate) or “NC” (graduate) at the time the student’s degree is posted.
2. Drop the Thesis and take the Comprehensive Exam - Students can register for the comprehensive exam and pay the associated fee. The comprehensive exam is offered every semester and should be taken the first semester the student does not register for PSYC 599.
PSYC 599: Thesis Continuation
Students who do not complete the thesis by the end of their second year and choose to continue to work on thesis must register for PSYC 599: Thesis Continuation every semester until the thesis is approved by the committee members and Program Director.


« CSS « CSS Reference « CSS Reference:Mozilla Extensions
The -moz-font-feature-settings
CSS property allows control over advanced typographic features in OpenType fonts.
normal
visual
-moz-font-feature-settings : normal | <string>
where <string> is defined as quoted list of OpenType feature tag-value pairs
/* use small-cap alternate glyphs */ .smallcaps { -moz-font-feature-settings: "smcp=1"; } /* convert both upper and lowercase to small caps (affects punctuation also) */ .allsmallcaps { -moz-font-feature-settings: "c2sc=1, smcp=1"; } /* enable historical forms */ .hist { -moz-font-feature-settings: "hist=1"; } /* disable common ligatures, usually on by default */ .noligs { -moz-font-feature-settings: "liga=0"; } /* enable tabular (monospaced) figures */ td.tabular { -moz-font-feature-settings: "tnum=1"; } /* enable automatic fractions */ .fractions { -moz-font-feature-settings: "frac=1"; } /* use the second available swash character */ .swash { -moz-font-feature-settings: "swsh=2"; } /* enable stylistic set 7 */ .fancystyle { font-family: Gabriola; /* available on Windows 7 */ -moz-font-feature-settings: "ss07=1"; }
This syntax for this property is still under development and will likely change as the CSS3 Fonts specification evolves. Authors should not rely on the current syntax being supported in future versions of Firefox.
Supported in Gecko 2.0 (Firefox 4.0), no support in other major browsers.


I started smoking weed at the beginning of the year last year, and I got very into it. I liked it a lot, but I wanted to try something more intense and mind altering. I was thinking about acid, but older, more experienced users told me that shrooms was the way to go at first. So me and my friend got luck and found and eighth of shrooms. People had told me that about half an eighth would be a good amount for my first trip and that I probably wouldn't trip too hard. Boy were they wrong.
We decided to do it at my friends house at night with his parents asleep.  And his room is far away from the rest of the house and his parents cannot hear anything that goes on in there.
Since they literally smelled like dog shit, we looked on the internet for a preparation to take away the taste. We found one that said to blend them with orange juice in a blender. We agreed to do that, and right after we took it out of the blender, my friend's sister who is 10 kept asking us for some of it, thinking it was a normal smoothie.
We drank it at 10:30 PM, and couldn't even taste the shrooms. I am a pretty anxious and nervous person by nature, so as I expected I was pretty nervous about taking them with his parents home. But I did it anyway. I practically live at my friend's house so I felt pretty comfortable with setting.
After about 20 minutes I could feel an indescribable 'something' going throughout my body that continued for about another 20 minutes. At about the 45 minute point I broke out into a hysterical laughter that I couldn't control.   He told me to sit at the computer with him and pretend like I was watching him do something on it, but all of a sudden all the colors on the computer were changing and I couldn't stay focused. My friend was getting mad at me and threatened to gut me and kill me if I was not quiet. He thought I had not taken him seriously because of my reaction, but it stayed in my mind for the whole night.
After about 20 minutes of hysterical laughing, and at about the 1-1:15 hour point I was in a completely different world. He had black lights set up in his room and I was totally tripping off of them. I could see rainbow colors floating through the room, and repeating geometric patterns everywhere. I could not differentiate from any of my senses, everything seemed to be one whole big mush of sensations.
At many points throughout the night my friend wanted to leave the room and explore the house, which I thought was a bad idea.  After I realized that I would not be able to keep him in the room, I just accepted the fact that we were going to get caught.  I tried to escape this feeling by closing my eyes. BAD IDEA!!! The second I closed them I was engulfed by random colors and patterns flowing into one another, all forming one giant being that was chasing after me. I opened my eyes and thought, 'well at least some time passed by and I'll be coming down soon'.  I knew it would be a long night.
I was so tripped out that all I could do was lie on the bed with my shirt off and poke myself in the face.
After about 3 and a half hours of hard tripping I was starting to come down. Me and my friend just laid in his bed and talked for 3 hours about everything. We fell asleep at 6 AM and slept until 11:30 AM.
Overall it was an extremely intense, but fun experience. There were points during the trip where I got scared shitless and thought I was having a heart attack, but those feelings disappeared as quickly as I felt them. I have since shroomed again with a lot less paranoia and it was a great trip! HAPPY TRIPPING!!
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


| Client's name and final decision maker | Janet Nelson |
|---|---|
| Client's business (website) name | Janet Nelson Counseling |
| Redesign or brand new website | Brand new website |
| Type of website | Marketing (Counselor) |
| Client's goals | To advertise her practice to potential patients. |
| Audience(s) | Issues, Concerns, Needs | Approach |
|---|---|---|
ClientsAges 18 and above, All genders, moderate computer skills, Any computer platform, 720p and above monitor, owns a computer, average internet speed. |
|
|
Client's familyAges 18 and above, All genders, moderate computer skills, Any computer platform, 720p and above monitor, owns a computer, average internet speed. |
|
|
Other therapistsAges 18 and above, All genders, moderate computer skills, Any computer platform, 720p and above monitor, owns a computer, average internet speed. |
|
|


]
if __name__ == "__main__":
tf.test.main()
from tensorflow_datasets.core import features as features_lib
from tensorflow_datasets.core import test_utils
tf.compat.v1.enable_eager_execution()
class AnInputConnector(features_lib.FeaturesDict):
Simple FeatureConnector implementing the based methods used for test.


Loving Vue? {{ lovingVue }}
A paragraph for the main content.
And another one.
Here's some contact info


|
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| PREV PACKAGE NEXT PACKAGE | FRAMES NO FRAMES |
See:
Description
| Interface Summary | |
|---|---|
| AbstractCache.StatsCounter | Accumulates statistics during the operation of a Cache for presentation by Cache.stats() . |
| Cache<K,V> | A semi-persistent mapping from keys to values. |
| LoadingCache<K,V> | A semi-persistent mapping from keys to values. |
| RemovalListener<K,V> | An object that can receive a notification when an entry is removed from a cache. |
| Weigher<K,V> | Calculates the weights of cache entries. |
| Class Summary | |
|---|---|
| AbstractCache<K,V> | This class provides a skeletal implementation of the Cache interface to minimize the
effort required to implement this interface. |
| AbstractCache.SimpleStatsCounter | A thread-safe AbstractCache.StatsCounter implementation for use by Cache implementors. |
| AbstractLoadingCache<K,V> | This class provides a skeletal implementation of the Cache interface to minimize the
effort required to implement this interface. |
| CacheBuilder<K,V> | A builder of LoadingCache and Cache instances having any combination of the
following features:
automatic loading of entries into the cache
least-recently-used eviction when a maximum size is exceeded
time-based expiration of entries, measured since last access or last write
keys automatically wrapped in weak references
values automatically wrapped in weak or
soft references
notification of evicted (or otherwise removed) entries
accumulation of cache access statistics
These features are all optional; caches can be created using all or none of them. |
| CacheBuilderSpec | A specification of a CacheBuilder configuration. |
| CacheLoader<K,V> | Computes or retrieves values, based on a key, for use in populating a LoadingCache . |
| CacheStats | Statistics about the performance of a Cache . |
| ForwardingCache<K,V> | A cache which forwards all its method calls to another cache. |
| ForwardingCache.SimpleForwardingCache<K,V> | A simplified version of ForwardingCache where subclasses can pass in an already
constructed Cache as the delegete. |
| ForwardingLoadingCache<K,V> | A cache which forwards all its method calls to another cache. |
| ForwardingLoadingCache.SimpleForwardingLoadingCache<K,V> | A simplified version of ForwardingLoadingCache where subclasses can pass in an already
constructed LoadingCache as the delegete. |
| RemovalListeners | A collection of common removal listeners. |
| RemovalNotification<K,V> | A notification of the removal of a single entry. |
| Enum Summary | |
|---|---|
| RemovalCause | The reason why a cached entry was removed. |
| Exception Summary | |
|---|---|
| CacheLoader.InvalidCacheLoadException | Thrown to indicate that an invalid response was returned from a call to CacheLoader . |
This package contains caching utilities.
The core interface used to represent caches is Cache
.
In-memory caches can be configured and created using
CacheBuilder
, with cache entries being loaded by
CacheLoader
. Statistics about cache performance are exposed using
CacheStats
.
See the Guava User Guide article on caches.
This package is a part of the open-source Guava libraries.
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|
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| | XSAttributeUse (XSAttributeDeclaration *const xsAttDecl, XSModel *const xsModel, MemoryManager *const manager=XMLPlatformUtils::fgMemoryManager) |
| | The default constructor. More...
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| |
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| | ~XSAttributeUse () |
| |
|
| bool | getRequired () const |
| | [required]: determines whether this use of an attribute declaration requires an appropriate attribute information item to be present, or merely allows it. More...
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| |
| XSAttributeDeclaration * | getAttrDeclaration () const |
| | [attribute declaration]: provides the attribute declaration itself, which will in turn determine the simple type definition used. More...
|
| |
| XSConstants::VALUE_CONSTRAINT | getConstraintType () const |
| | Value Constraint: one of default, fixed. More...
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| |
| const XMLCh * | getConstraintValue () |
| | Value Constraint: The actual value. More...
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| |
| | XSObject (XSConstants::COMPONENT_TYPE compType, XSModel *const xsModel, MemoryManager *const manager=XMLPlatformUtils::fgMemoryManager) |
| | The default constructor. More...
|
| |
| virtual | ~XSObject () |
| |
| XSConstants::COMPONENT_TYPE | getType () const |
| | The type of this object, i.e. More...
|
| |
| virtual const XMLCh * | getName () const |
| | The name of type NCName of this declaration as defined in XML Namespaces. More...
|
| |
| virtual const XMLCh * | getNamespace () const |
| | The [target namespace] of this object, or null if it is unspecified. More...
|
| |
| virtual XSNamespaceItem * | getNamespaceItem () |
| | A namespace schema information item corresponding to the target namespace of the component, if it's globally declared; or null otherwise. More...
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| |
| virtual XMLSize_t | getId () const |
| | Optional. More...
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| |
| void | setId (XMLSize_t id) |
| | methods needed by implementation More...
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| |
| void * | operator new (size_t size) |
| | This method overrides operator new. More...
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| |
| void * | operator new (size_t size, MemoryManager *memMgr) |
| | This method defines a custom operator new, that will use the provided memory manager to perform the allocation. More...
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| |
| void * | operator new (size_t size, void *ptr) |
| | This method overrides placement operator new. More...
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| |
| void | operator delete (void *p) |
| | This method overrides operator delete. More...
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| |
| void | operator delete (void *p, MemoryManager *memMgr) |
| | This method provides a matching delete for the custom operator new. More...
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| |
| void | operator delete (void *p, void *ptr) |
| | This method provides a matching delete for the placement new. More...
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Google Pixel phones get ‘Light Painting’ mode w/ this Google Camera mod
by Ben SchoonThe cameras on Google’s Pixel phones are great mainly thanks to their software and now, thanks to some developers, a new mode is available. With a Google Camera mod, all Pixel phones are getting a “Light Painting” mode.
With Google’s Pixel 4, the Camera app’s software has been upgraded to the point of quite literally being able to capture the stars with some stunning results. One part of that feature that a few have had luck with is the ability to capture light trails.
Unfortunately, it’s a little tricky to use astrophotography on Pixel for anything outside of shooting the night sky. That’s where a modified version of the Google Camera app comes into play. Highlighted by the folks over at XDA-Developers, Camera PX has been updated to add two new buttons. The first is to force the Astrophotography mode.
The second is a bit more interesting. A new “Light Painting” mode for Pixel phones allows the device to capture light trails using a slight tweak on Astrophotography. You’ll still need to use a tripod to get usable results, but having the manual buttons is handy when dealing with less than ideal lighting and angles where Astrophotography wouldn’t typically trigger.
Camera PX will add this Light Painting and forced Astrophotography modes to all Pixel smartphones including Pixel 4, Pixel 3, Pixel 3a, and even the older Pixel 2 and Pixel 1 devices. Of course, you’ll need to sideload the app manually to use it.
More on Google Pixel:
- Google Pixel 4 Review: A truly stellar Android experience… while it lasts
- Pixel 4’s astrophotography mode can also capture stunning light trails [Gallery]
- Pixel 4 users can get 16x zoom with this Google Camera mod [Gallery]
FTC: We use income earning auto affiliate links. More.


the and was for were (). swine with African ASF wild disease The pigs infected fever from eradication that pig surveillance :–. control boar spread measures not all epidemiological are virus countries domestic between ASFV first population {background (), European applied area risk through within been Vet strategies this animals other where which data different considered margin .collab: Republic effective information outbreak outbreaks {border-style biosecurity has role also both px;} #ffffff;} Eradication From Health Spain This al.. have Dominican EFSA animal areas can farms food these (article) Swine analysis only ticks PubMed after boars infection its most papers possible After Animal aimed ban movement new presence some they when Czech Dis. Emerg Europe Veterinary affected described found human into products specific studies until zone Brazil Haiti Russian case could cycle detection region such time very All Belgium France In: Italy May Sardinia Transbound contaminated country disinfection due early eradication. erraticus factors farm feeding included intervention persistence program sentinel several sources swill than transmission used zones (article Available June March N.A. Pig Portugal, achieved analyzing appeared at: but compensation culling dead defined endemic epidemic eradicated even fever: high hunting illegal introduction involved last months more online performed pigs, policy probably recent slaughter support three viral waste (Sus (accessed ./tbed. Belgium, Cuba Epidemiology Fever Malta Portugal Therefore, active application based classical confined confirmation contact currently disease, during emergency epidemiology fever. had identification laboratory least level limited made measures, out passive place porcine pork present primary px; research review selected should then vectors {font-family Central Cleaning Cuba, Eastern Furthermore, Ministry Movement Table University according addition carcass cases clinical collection current diagnosis economic epizootic fact, farms, final font-size free geographical island lack main mainland notified number peste production reported screening study suids systematic their training two via well years (ASF) ASF, April Baltic Brazil, Epidemiological February France, However, Italian Italy, Malta, National Sci. September State absence actions area, authors available because before cause characterized confirmed crucial dealing density depopulation disease. double; eligibility entered indirect long management notification occurred one past, population. process proper province related removal sanitary second situation strategy successful surveillance, suspected tick veterinary virulence "African :./j.efsa.. Africa American Directive Domestic During Iberian Information Member Moreover, Organization Rec. Republic, Res. Rev Spain, States Virus activities africaine against allow analyses border-color border-width breeding circulation collaboration collected controlled declared difficult direct distribution each end eradication, factors, financial full genotype health identified important including local low measures. movements opinion over period potential premises, prompt provided public put quarantine rapid reading relevant repopulation scenario scrofa) since social soft solid; strict system terms territory throughout together trade type use whereas would {font-style {font-weight (currently) ./rst... Conference Council December Europe. Food November Off PRISMA Poland, Porcine References Report Republic: Risk Sci Spain. Surveillance Tech. These Union Vet. World additional affecting allowed among animals, appropriate areas, article articles authorities beginning bold carcasses case, complex conducted contributed control, control. countries, country, courier; criteria date definition demonstrated destruction develop diseases dynamics editors. efforts elimination em; eradicate eradicated. estimated experience factor freedom genetic genotypes global holdings holdings, immediate infections information. intensive international introduced involving isolates key large level. live maintenance means mortality national neighboring occurrence once outside paper past plan played populations, positive practices preventive protection providing pt;} purpose radius remained represent same search secondary serological set shows slaughterhouse species stage, started step strains strategies, strategies. successfully there those uncontrolled under vehicles yet


Newt Gingrich on Impeachment Inquiry: 'All of This Is Garbage' | Breitbart
by Trent BakerTuesday on “Fox & Friends,” former House Speaker Newt Gingrich voiced his opposition to the impeachment inquiry into President Donald Trump over an alleged quid pro quo with Ukraine.
Gingrich said the whole impeachment inquiry is “garbage” and “crazy.”
“My personal view: All of this is garbage,” Gingrich declared.
“Remember, this president is saying to the Ukrainians, ‘Help me get to the truth,'” he continued. “When did the New York Times and the Washington Post suddenly decide that covering up the truth was a good idea? This is crazy. And the Democrats, frankly, are behaving in a way that’s crazy. Historians are going to look back and say this whole case was totally made up.”
Gingrich went on to say the impeachment probe is a “coup” that is “literally like the Salem Witch Trials.”
“There is nothing here,” he added. “Presidents who want to find the truth have every right to say to a foreign government, ‘Will you help me get to the truth?’ And that’s what Trump was doing.”
Follow Trent Baker on Twitter @MagnifiTrent


I am a Ph.D. Candidate in the Computer Science department at the University of Illinois at Chicago. I am currently a Research Assistant at the Electronic Visualization Laboratory at UIC. I have experience working on research projects related to data visualization and the development of collaborative software for large/tiled displays.
Through my work, I have gained hands-on experience in two main areas: Data Visualization and Visual Analytics, and Human Computer Interaction. Broadly, I am interested in the role of visualization and "human-data" interfaces in analytical processes and workflows.
Twitter:
@AndrewTBurks
Github:
@AndrewTBurks


The versioning middleware in the Owin Framework supports the following configuration options:
| Property | Default | Current | Description |
|---|---|---|---|
| documentationRootUrl | {documentationRootUrl.default} | {documentationRootUrl} |
The relative path within your site to the documentation for this versioning middleware. |
| version | {version.default} | {version} |
This is the version number that will be added to asset URLs so that the browser can cache them indefinately. When you release a new version of your website you should increment this version number so that all the assets are dowmloaded again by the browser. Set this property to null to disable versioning. This is useful for development environments where you don't want to have to update the version number every time you modify a website file. |
| mimeTypes | {mimeTypes.default} | {mimeTypes} |
This is an array of mime types that should have version references replaced with the current version number. Whenever downstream middleware sets the Content-Type header to one of these mime types the response body will be treated as text, ans will have all occurrences of {_v_} replaced with the current version. The {_v_} markers should be placed immediately before the file extension in the URLs of static assets. Static assets are usually files that are deployed with your web site that do not change between deployments. They can also be handlers that generate the content dynamically, but this content should not change for a specific version of your website. For example  will be replaced with  if the version property is 3. |
| fileExtensions | {fileExtensions.default} | {fileExtensions} |
This is an array of file extensions for the types of files that can contain a version number. This middleware will strip out the version number from these URLs in the request before passing the request down to the next middleware in the chain, so that downstream middleware is oblivious to the versioning that is taking place. Setting this property to null or an empty list will cause the middleware to apply versioning to all requests that look like file names with version numbers, i.e they have the form /path/path/filename_vxx.ext where xx is a version number. For example if your website receives a GET request for /images/logo_v3.png the URL in the request will be modified to /images/logo.png before chaining the downstream middleware. |
| browserCacheTime | {browserCacheTime.default} | {browserCacheTime} |
This specifies how long the browser should cache versioned assets. Unversioned assets will not have any cache related headers added to the response. Setting this property to an empty string will send a header to the browser instructing it to not cache the asset. This is useful in development environments. |
| exactVersion | {exactVersion.default} | {exactVersion} |
When this property is true requests for assets with an old version number will result in a 404 (not found) response. When this property is false the version number is not checked so requests for older versions will result in the current version of the asset being served. |
| analyticsEnabled | {analyticsEnabled.default} | {analyticsEnabled} |
Allows you to turn off the analysics for the versioning middleware |
This middleware is configured the same way as all other middleware in the Owin Framework; you need to construct a class that implements IConfiguration then add a fluid .ConfigureWith() when you register this middleware with the Owin Framework builder. Please read Owin Framework documentation on configuration for full details with examples.


Intro to Programming Language Features
Feature
CSS
HTML
Javascript
Sources: Epicodus Classes
Markup or Programming
Markup
Markup
Programming
Easy or Hard
Easy
Markup
Programming


1307 eR
THE EFPECT OF RESERPINE CN MACROMOLECULAR SYNTHESIS
AND THE REPLETION OF BIOGENIC AMINES
i Paul V. Scott
A dissertation presented to the Faculty of the Graduate School of Yale University in candidacy for the ' Degree of Doctor of Philosophy
From the Department of Pharmacology
wee re ee EOE Ere ERR EON ERATE ELECT EO Ae MIO RE ES IEEEP DEE OEE GR ME REN TT ER
The Graduate School, 1971
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.


Next: Treatment of Exceptional Situations, Previous: Documentation of Implementation-Dependent Features, Up: Conforming Implementations
A conforming implementation shall be accompanied by a document that separately describes any features accepted by the implementation that are not specified in this standard, but that do not cause any ambiguity or contradiction when added to the language standard. Such extensions shall be described as being "extensions to Common Lisp as specified by ANSI <<standard number>>."


Pokémon Sword is the biggest single-format release this year
Second biggest UK Pokémon launch ever.
by Tom PhillipsNintendo Switch exclusives Pokémon Sword and Shield are a monster sales success in the UK.
On its own, the game's Sword version topped the boxed game chart this week - beating EA's big new release Star Wars Jedi: Fallen Order into second place.
The game's Shield version came in third, while a Dual Edition featuring both versions entered the chart in seventh.
Pokémon Sword is the biggest platform exclusive of 2019, even without the Shield and Dual Pack versions. That means it beat fellow Nintendo exclusives such as Luigi's Mansion 3, as well as PlayStation exclusives like Days Gone and Death Stranding and Xbox exclusives such as Gears 5 and Crackdown 3.
In fact, only two games sold more copies than Pokémon Sword this year: the multi-platform juggernauts that are COD and FIFA.
Together, Sword and Shield are the second biggest Pokémon launch in the UK - with sales up 50 per cent on last year's Pokémon Let's Go Pikachu and Eevee, and up around 45 per cent on Pokémon X and Y on 3DS.
The only Pokémon games Sword and Shield did not beat are Sun and Moon, which were released on 3DS later in that console's lifecycle and closer to the global craziness surrounding Pokémon Go. And, as ever, digital sales are not counted - which will also have contributed to Sword and Shield's total.
Star Wars Jedi: Fallen Order, meanwhile, launched with strong sales - even if they were down slightly on Star Wars: Battlefront 2. 66 per cent of copies were sold on PS4, the rest on Xbox One. (PC digital sales are not counted.)
The only other new release was Terminator Resistance, which entered the chart in 38th.
Counting each Pokémon version separately, Nintendo Switch exclusives now hold a majority of the chart's top 10:
- Pokémon Sword
- Star Wars Jedi: Fallen Order
- Pokémon Shield
- COD: Modern Warfare
- FIFA 2020
- Luigi's Mansion 3
- Pokémon Sword and Shield: Dual Edition
- Death Stranding
- Mario Kart 8 Deluxe
- Mario & Sonic at the Olympic Games Tokyo 2020


As a designer and developer, my body of work includes front-end web development, website design, as well as print media.
Learn a little more about who I am and why I do what I do.
Check out where I've been and who I've been working with.
Questions? Comments! Drop me a line and let's chat.


NeuroEvolution of Augmenting Topologies (NEAT) is a genetic algorithm (GA) for the generation of evolving artificial neural networks. This library is a typescript implementation of the Neat algorithm provided with a vislualiser tool to see in real time how the network is evolving.
More informations about NEAT are available in the original article from O. Stanley and R. Miikkulainen (2002).
If you are not familiar with the concept of NEAT and genetic algorithm, you are may want to follow those steps before:
npm install @onino/neat
Generated using TypeDoc


Consultation outcome
Ref: Ofqual/16/5873 PDF , 129KB , 2 pages
If you use assistive technology (such as a screen reader) and need a version of this document in a more accessible format, please email<EMAIL_ADDRESS>. Please tell us what format you need. It will help us if you say what assistive technology you use.
We proposed to require all reformed GCSEs in astronomy to:
Most respondents supported our proposed Conditions and requirements, through some commented that the proposed minimum weighting of 15% of marks allocated to the indirect assessment of observational skills within the exams was too low.
We have considered respondents’ views, however, our view remains that the minimum weighting of 15% for the indirect assessment of observational skills within the exams is appropriate, is consistent with other GCSEs with similar requirements for practical work, and allows for a higher weighting to be adopted where this would be justifiable. The weighting for the indirect assessment of observational skills within the exams is expressed in our requirements as a minimum. It is therefore possible for reformed GCSEs in astronomy to allocate a higher weighting where it is appropriate to do so.
We have reviewed our proposed Conditions and requirements following consultation and are satisfied they are fit for purpose and consistent with our overall approach to reformed GCSEs. We have therefore decided to adopt all our Conditions and requirements unchanged, save for the correction of some minor typographical errors that have not changed the substance of our proposals.
We proposed to introduce guidance on interpreting our assessment objectives.
Respondents broadly supported our proposed guidance, although some suggested ways we could improve the wording.
In response to these comments, we have decided to make changes to the drafting to clarify our expectations (and to ensure consistency with other GCSE subjects), but have not changed the substance of our proposals.
Published: PDF , 94.7KB , 12 pages
If you use assistive technology (such as a screen reader) and need a version of this document in a more accessible format, please email<EMAIL_ADDRESS>. Please tell us what format you need. It will help us if you say what assistive technology you use.
There were seven responses to the consultation – six from organisations, and one individual response.
One respondent did not comment directly on our proposals, but instead provided general comments on the process for reform of GCSEs, AS and A levels.
Two respondents felt that our proposed weighting for observational skills was too low. All other responses were largely supportive of our proposals
This consultation ran from
to
A consultation on rules and guidance for new GCSEs in astronomy.
Ref: Ofqual/15/5813 PDF , 602KB , 44 pages
If you use assistive technology (such as a screen reader) and need a version of this document in a more accessible format, please email<EMAIL_ADDRESS>. Please tell us what format you need. It will help us if you say what assistive technology you use.
This consultation is about the rules and guidance we plan to put in place for new GCSEs in astronomy. These rules will apply to the new astronomy GCSEs that will be taught in schools in England from September 2017.
This consultation takes forward decisions made following our earlier consultation ‘ Development of new GCSEs and A levels for teaching from 2017 ’, and is part of Ofqual’s work supporting the government’s changes to GCSEs, AS and A levels .
Published: 17 December 2015
Updated: 15 March 2016
From: Ofqual


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Connect to Microsoft Graph


TRANSCRIPT OF A DICTAPHONE RECORDING MADE BY DOBSON AT THE 1955 FESTIVAL OF ARGUMENTATIVE MUSIC IN ÜLM
[Uncanny and repetitive metallic banging noises, as if from the maw of Hell.] Ick… Ack… Ülm. According to the programme, this racket must be an ensemble called "Brouhaha" playing a piece called Tiny moths, ah! gossamer wings. I suppose that's meant to be ironic in some way. Either that or it's a mistranslation - after all, they're Hungarians. And so many of them! I counted forty, but then more appeared with hammers and other ironmongery. And they all bear a faint resemblance to Abraham Lincoln. Maybe "Brouhaha" is one big family. I will have to check. This piece has been going on for over an hour and they look as if they're just warming up. God help us.
[Edit.]
Now that was more like it. I've just finished watching Fleur & Primrose, much more conducive to my tastes. Fleur played pocket cornet and Primrose played tack piano. Instrumentals, mostly, with a sort of valiant carelessness. I don't think any of the pieces lasted more than 45 seconds. The last number was strange. They were joined by someone called Dennis, who shouted things. I think he was reading from a list of water polo cup tie results. Matchless!
[Edit.]
I really don't know what I'm doing here.
[Edit.]
It's three hours since I last recorded. I've just come back on the bus from the Ülm Swimming Pool, Lido and Marina complex, where parts of the Festival are taking place. I went over there to hear the big event everyone has been talking about - the premiere of Binder's Concerto For Medicine Balls, Blood Oranges & Canoe. I assumed it was going to be an electronic piece, but no, it was all natural, unamplified sound, and somehow it had an astonishing Monteverdiesque resonance which is hard to explain. It was visually exciting too, as all the players were wearing hideous orange jump-suits. I'm sure I saw Primrose in the melée somewhere, without her tack piano sadly.
[Edit.]
Next up is something called "Big Flugelhorn Mayhem In The Northern Territories Disputed By Goat Boy And His Whelk Farm Hard Hat Orchestra". I think I'll give it a miss.
[Recording ends.]


#include <UBlockAllocator.h>
Classes | |
| struct | SBlock |
Public Member Functions | |
| UBlockAllocator (unsigned int itemSize, unsigned int itemsPerBlock) | |
| class header. | |
| ~UBlockAllocator () | |
| void * | AllocMem () |
| allocates an item. | |
| void | FreeMem () |
| frees all allocated objects. |
File: UBlockAllocator.h Author: Kevin Bray Created: 08-20-08 Copyright © 2004 Bootstrap Studios. All rights reserved. class UBlockAllocator
Definition at line 15 of file UBlockAllocator.h.
| UBlockAllocator::UBlockAllocator | ( | unsigned int | itemSize, | |
| unsigned int | itemsPerBlock | |||
| ) |
class header.
File: UBlockAllocator.cpp Author: Kevin Bray Created: 08-20-08 Copyright © 2004 Bootstrap Studios. All rights reserved. class UBlockAllocator ctor & dtor
Definition at line 21 of file UBlockAllocator.cpp.
| UBlockAllocator::~UBlockAllocator | ( | ) |
Definition at line 32 of file UBlockAllocator.cpp.
| void * UBlockAllocator::AllocMem | ( | ) |
allocates an item.
public methods
return memory from the current block.
return the allocated memory.
Definition at line 44 of file UBlockAllocator.cpp.
| void UBlockAllocator::FreeMem | ( | ) |
frees all allocated objects.
iterate through all blocks, destroying them.
get the block we're going to free and advance to the next block.
free the current block.
set the current block item to 0.
Definition at line 69 of file UBlockAllocator.cpp.


In need of some inspiration, or do you know exactly what you're looking for? You can browse all recipes by their name or author. If you don't see what you are looking for, why not join our community? Take a look at some featured recipes and get cooking!
Recipe Type
Recipe Type
Recipe Type


Learning everyday.
I am learning, like everyone else. I work with some languages like Python, Javascript, C#, Dart, Lua, PHP, Java and others.
Web Development
I made web applications for the last 7 years, I just try to learn as fast that I can but always there is a new amazing technology to learn.
Mobile Development
Is not my main focus but I developed some simple apps and with the new technologies like Flutter today is possible to create some amazing applications without be an expert.
API Integrations
I made all the requirements to integrate some apis to new or old systems and I made some APIs too.
We can build something
If need help with some project, send me a message maybe I can help you.


Combines the performance power of React as well as partial rendering techniques in order to smoothly scroll though hundreds of thousands of rows.
Quickly configure and customise features such as grid and column properties, row and cell renderers. As the Grid is a React component it is easy to extend and add custom functionality.
Full keyboard navigation, cell copy & paste, cell drag down, frozen columns, column resizing, sorting, filtering and many more features on the way.
React Data Grid is available in the npm repository. You can install it from the command line using the following commands
npm install react --save
npm install react-data-grid --save
Once downloaded, require both React and React Data Grid and you should be good to go
var React = require('react'); var ReactDataGrid = require('react-data-grid');
If you want to use extra features such as built in editors, formatters, toolbars and other plugins, you need to require the addons module instead
var ReactDataGrid = require('react-data-grid/addons');
If you prefer not to use a module system, you can reference the distribution scripts directly in your html pages. First you need to download the scripts. This can be done in 3 ways, either download directly from github source, using npm as above
<script src="//fb.me/react-0.13.3.js"></script>
<script type="text/javascript" src="react-data-grid/dist/react-data-grid.js"></script>
<script type="text/javascript" src="react-data-grid/dist/react-data-grid-with-addons.js"></script>"


Notable achievements
Designed, built and piloted a custom pod racer. 32 BBY Boonta Eve Classic Race Champion
In my spare time at Wald’s Parts junk shop I designed and built a Class III open cockpit Podracer capable of 588 mph top speed. Went on to win the Boonta Eve Classic race in 32 BBY - first ever win by a human. Generated documented company revenue of over 59 wupiupi during the course of my enslavement.
Oversight of DS1 and DS2 Orbital Battle Stations construction projects
During my tenure as a Supreme Imperial Fleet Commander I was in charge of large capital construction projects for the Deep Space Fleet. Performed acceptance testing of the DS1 SuperLaser in 0 BBY by annihilating Alderaan - a terrestrial class planet in the Core Worlds region. Successfully tripled the deep space fire power of the imperial fleet in accordance with the Tarkin Doctrine before losing both projects to run-away photon torpedoes.
Experience
Sith Empire Headquarters, Dromund Kaas
Supreme Commander of Imperial Forces, Emperor’s Enforcer
Wally’s Parts / Toyarian Watto junk shop, Mos Espa, Tatooine
Enslaved Volunteer
Formal training
Green Fox Academy, Earth
Full stack developer
Sith Empire, Coruscant
Master of the Dark Side of the Force
Jedi Order Academy, Coruscant
Master of Jedi Force
Personal interests


<absent>
This page contains an index of all the individuals in the database with the surname of <absent>. Selecting the person’s name will take you to that person’s individual page.
| Given Name | Birth | Death | Partner | Parents |
|---|---|---|---|---|
| Aubrey E. Hardes | Braithwaite, Marcia Y. | |||
| Christine Margaret | Gazzard, [Living] | |||
| Eliza | Yabsley, Frederick | |||
| Elizabeth | 1806-06-22 | Friend, John | ||
| Ellen | about 1836 | 1877 | Gazzard, Job | |
| Florence Jane | 1985-03-24 | Gazzard, Arthur E. | ||
| Henry M., Forsyth | 1861 | Happ, Emma E. | Forsyth, Alexander ???, Margaret | |
| Lerlene | c1930 | 2006-04-17 | Handley, Leslie Graham | |
| Lillie Ann | 1972-08-07 | Gazzard, Claude Harold | ||
| Mary Anne | about 1828 | Gazzard, William | ||
| Mr. Chapman | Chapman, Elizabeth Tebbutt | |||
| Unknown | Quiligan, Patrick | |||
| Unknown?? | Cook, William | |||
| [Living] | Boucher, David Ray | |||
| [Living] | Gerrard, [Living] | |||
| [Living] | ||||
| [Living] | ||||
| [Living] | ||||
| [Living] | ||||
| [Living] | ||||
| [Living] | Wilson, [Living] | |||
| [Living] | Irish, [Living] | |||
| [Living] | ||||
| [Living] | ||||
| [Living] | Hudson, Brian Neville | |||
| [Living] | ||||
| [Living] | Riley, [Living] | |||
| [Living] | Shuttleworth, Brian Robert | |||
| unknown | ||||
| unknown | Goddard, Mary | |||
| unknown | Comer, Stanley Oswald | |||
| unknown | Parkes, David Sidney |


|
Aether
SDL2 based UI Framework for NX
|
Represents an object containing the raw pixel data for an image/texture as an array, along with required metadata such as width and height. More...
#include <ImageData.hpp>
Public Member Functions | |
| ImageData () | |
| The number of channels in the image (usually 3 or 4) More... | |
| ImageData (const std::vector< uint8_t > &data, const size_t width, const size_t height, const uint8_t channels) | |
| Constructs a new ImageData object from the given raw bytes. More... | |
| ImageData (const std::vector< Colour > &pixels, const size_t width, const size_t height, const uint8_t channels) | |
| Constructs a new ImageData object from the given raw bytes. More... | |
| bool | valid () const |
| Returns whether the associated image is considered 'valid' (i.e. has some pixel data). More... | |
| size_t | width () const |
| Returns the width of the stored image in pixels. More... | |
| size_t | height () const |
| Returns the height of the stored image in pixels. More... | |
| uint8_t | channels () const |
| Returns the number of channels used within the stored image. This will usually return 3 (RGB) or 4 (RGBA). More... | |
| Colour * | colourAt (const size_t x, const size_t y) const |
| Returns a pointer to the colour of a pixel at the given coordinate. More... | |
| std::vector< uint8_t > | toByteVector () const |
| Returns the stored image as a vector of bytes (i.e. one byte per channel). e.g. For an RGB image: [r0, g0, b0, r1, g1, b1, etc...]. More... | |
| std::vector< Colour > | toColourVector () const |
| Returns the stored image as a vector of colours. More... | |
Represents an object containing the raw pixel data for an image/texture as an array, along with required metadata such as width and height.
| Aether::ImageData::ImageData | ( | ) |
The number of channels in the image (usually 3 or 4)
Constructs a new (invalid) ImageData object.
| Aether::ImageData::ImageData | ( | const std::vector< uint8_t > & | data, |
| const size_t | width, | ||
| const size_t | height, | ||
| const uint8_t | channels | ||
| ) |
Constructs a new ImageData object from the given raw bytes.
| data | Vector of bytes containing pixels in RGB(A) format. |
| width | Width of image in pixels |
| height | Height of image in pixels |
| channels | Number of channels forming the image. |
| Aether::ImageData::ImageData | ( | const std::vector< Colour > & | pixels, |
| const size_t | width, | ||
| const size_t | height, | ||
| const uint8_t | channels | ||
| ) |
Constructs a new ImageData object from the given raw bytes.
| pixels | Vector of pixels. |
| width | Width of image in pixels |
| height | Height of image in pixels |
| channels | Number of channels forming the image. |
| uint8_t Aether::ImageData::channels | ( | ) | const |
Returns the number of channels used within the stored image. This will usually return 3 (RGB) or 4 (RGBA).
| Colour* Aether::ImageData::colourAt | ( | const size_t | x, |
| const size_t | y | ||
| ) | const |
Returns a pointer to the colour of a pixel at the given coordinate.
| x | x-coordinate of pixel |
| y | y-coordinate of pixel |
| size_t Aether::ImageData::height | ( | ) | const |
Returns the height of the stored image in pixels.
| std::vector<uint8_t> Aether::ImageData::toByteVector | ( | ) | const |
Returns the stored image as a vector of bytes (i.e. one byte per channel). e.g. For an RGB image: [r0, g0, b0, r1, g1, b1, etc...].
| std::vector<Colour> Aether::ImageData::toColourVector | ( | ) | const |
Returns the stored image as a vector of colours.
| bool Aether::ImageData::valid | ( | ) | const |
Returns whether the associated image is considered 'valid' (i.e. has some pixel data).
| size_t Aether::ImageData::width | ( | ) | const |
Returns the width of the stored image in pixels.


A weekly look at globalization, education, economic development, human rights and more.
WWW links
World in Progress: Scaling up connectivity for Tanzania's rural regionsWorld in Progress: Egypt's new Capital under constructionWorld in Progress: China's graveyards running out of space


Trough Lego
twitter: @rvanlaar github: rvanlaar
Naming
Qualify
Classify
Relating
Structure
Sequence
cognitive six
Real bugatti: image by lego


{% extends "base.html" %} {% block title %}
Medieval catalogues > UNIVERSITY AND COLLEGE LIBRARIES OF CAMBRIDGE > Donor documents > Will of John Hurt, 14 September 1476; various
{% endif %}13 identified entries found.
All data was derived from the List of Identifications by Professor Richard Sharpe.
{% if not printing %}
A key to codes used in the List is available (opens in new tab).{% endif %}


Impressum
PaperValidator was part of a project at the University of Zurich.
Manuel Rösch
manuel.roesch@@uzh.ch
Master Student
Patrick M. de Boer
pdeboer@@ifi.uzh.ch
Research Assistant / PhD Student
Professor Abraham Bernstein, Ph.D.
bernstein@@ifi.uzh.ch
Head, Dynamic and Distributed Information Systems Group
Chair, Department of Informatics
Dynamic and Distributed Information Systems Group
Department of Informatics
University of Zurich
Binzmühlestrasse 14
CH-8050 Zürich


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BEAVIS AND BUTT-HEAD DO AMERICA A film review by Scott Renshaw Copyright 1996 Scott Renshaw
(Paramount) Voices: Mike Judge, Robert Stack, Cloris Leachman. Screenplay: Mike Judge, Joe Stillman. Producer: Abby Terkhule. Director: Mike Judge. MPAA Rating: PG-13 (profanity, adult themes) Running Time: 80 minutes. Reviewed by Scott Renshaw.
I'm sure there are people out there who view BEAVIS AND BUTT-HEAD DO AMERICAN as yet another sign that the end-times are upon us; they are probably the same folks who have condemned from day one the MTV series on which it is based as a celebration of violence, stupidity and lack of respect. Speaking as an admittedly defensive some-time fan of the show, I think "Beavis and Butt-Head" is much smarter and more self-aware than its detractors give it credit for being. Mike Judge created a series for MTV which takes aim at the generation of youth MTV helped create: kids without the attention span to sit through an entire music video. Do young viewers of the show sometimes delight in the anarchy and low humor without appreciating the sub-text? Probably, but the same statement is true of "The Simpsons," and no one would accuse "The Simpsons" of not being smart.
Then again, Bart Simpson is only ten; Beavis and Butt-Head are teenagers, scrawny packages of surging hormones and attitude, and BEAVIS AND BUTT-HEAD DO AMERICA captures them at their worst, which is to say their best. The story finds our heroes (both voiced by creator/director Judge) discovering that their beloved television has been stolen, and setting out to find it or any acceptable replacement. Instead, they find Muddy Grimes (an uncredited Bruce Willis), a shady character who thinks Beavis and Butt-Head are the two guys he's hired to "do" his duplicitous wife Dallas (an equally uncredited Demi Moore). The boys don't interpret "do" as "kill," however, and head for Las Vegas where thy think they are finally about to score. Dallas has other ideas, though, and uses the dim-witted pair to transport a stolen military germ warfare weapon to Washington D.C. As Beavis and Butt-Head make their way across America, they are chased by ATF Agent Fleming (Robert Stack), a hard-nosed Fed with an unusual fondness for body cavity searches.
There's no point in pretending that BEAVIS AND BUTT-HEAD DO AMERICA doesn't traffic in plenty of below-the-belt gags -- and above-the-belt, where women are concerned -- because that is the level of Beavis and Butt-Head's sense of humor. Sex, masturbation, gas and other toilet functions all send the twosome into paroxysms of their trademark immature snickering, yet Judge stages many of these moments with a knowing wit. A stylized montage of high-rolling Vegas action, which in most films would find the heroes living it up and enjoying the big time, instead finds Beavis and Butt-Head unable to stop staring at a bare-breasted ship's figurehead; another scene has them missing a bus thanks to their fascination with auto-flush urinals.
That is not to say that a little Beavis and Butt-Head doesn't go a long way. Even fans of the series might find 80 minutes of their antics getting repetitive, particularly when connected to a standard "mistaken identity" premise in which morons take such bizarre actions that they are assumed to be brilliant. The series also benefits from the commentary on music videos which breaks up each episode's plot, and that commentary is missed in BEAVIS AND BUTT-HEAD DO AMERICA. Its absence removes the rare opportunities you have to witness how selective their obliviousness can be as they analyze the cliches of videos. Judge tosses in some clever bits unrelated to the series, including a great opening credits sequence scored to a "Shaft"-like Isaac Hayes tune and voice cameos by Cloris Leachman and a fellow credited as "Earl Hofer" (David Letterman's nom-de-cinema in CABIN BOY), but most of the gags are directed squarely at fans of the show. The uninitiated might find themselves baffled at the applause which goes up for Cornholio, Beavis' caffeine- and sugar-fueled alter-ego.
A keen grasp of reality prevents me from attempting anything like a conversion of "Beavis and Butt-Head" haters. Hard-core opponents consider them not just annoying but actively evil, an animated pair of potty-mouthed Pauly Shores sucking the collective will to think out of the heads of America's impressionable youth. But BEAVIS AND BUTT-HEAD DO AMERICA, crude though it may be, is more genuinely inventive than SPACE JAM and 101 DALMATIANS combined, and less insulting to the intelligence of younger viewers.  BEAVIS AND BUTT-HEAD DO AMERICA overcomes its fundamental dopiness to provide entertainment for those prepared to laugh with its self-absorbed protagonists _and_ those prepared to laugh at them.
On the Renshaw scale of 0 to 10 TV nations: 7
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The Calculus Playlist
Welcome to The Calculus Playlist, a companion site to the collection of calculus videos I maintain on YouTube. The goal of this site is to offer calculus instruction to the public in the form of videos, articles, and exercises.
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--- layout: post title: Google Docs add-on categories: [] tags: google status: publish type: post published: true meta: {} ---
Content Manager currently has no integration with Google Docs. This sample explores what is possible within the constraints of the Google Docs add-on ecosystem. It turns our quite a lot is possible, much more than with Gmail.
The sample below demonstrates registering and updating a document from Google Docs to Content Manager. The code for this sample is available on the community repo.
If you have any thoughts on the importance of Google Docs support or the details of what a Google Docs integration should do please contact me.