Move to appoint contract doctors at VSGH opposed
Memorandum submitted to RINL officials
by Special CorrespondentSeveral trade unions of the Rashtriya Ispat Nigam Limited (RINL), irrespective of their political affiliations, on Wednesday urged the management to drop its proposal to recruit doctors and paramedical personnel for the Visakha Steel General Hospital (VSGH) on a contract basis.
In a memorandum submitted to RINL Director (personnel) K.C. Das, trade union leaders N. Rama Rao, J. Ayodhyaram, Padi Trinadha Rao, G. Venkat Rao, G. Bose Babu, D. Appa Rao and B. Pydiraju pointed out that the VSGH was being managed with only permanent employees recruited by the Medical Department of Visakhapatnam Steel Plant (VSP) till date.
Staff crunch
The hospital, which once had a strength of 386 staffers, now has left with only 308 employees due to retirement over the years. Opposing the plans of recruiting employees on a contract basis, the memorandum pointed out how the strike by contract sanitary workers had hit the hygiene and services at the hospital.
The union leaders appealed to the management to consider their request in the larger interest of the RINL fraternity.


To open again one of the recent projects, use Reopen(on Windows and Linux)/Open Recent(on MacOS) on the File menu:
Another way to reopen a project is to right-click the PhpStorm icon on the task bar:


|
thread [body ...]
Creates and returns a new thread, which will last until the body terminates.
|
>(thread (+ 1 2) (+ 3 4))
#<thread:...t/private/kw.rkt:592:14>
>(type (thread (+ 1 2)))
thread
|
|
new-thread procedure
Creates and returns a new thread, which will last until procedure terminates. This was called thread in arc0.
|
>(new-thread (fn () (+ 1 2)))
#<thread:...t/private/kw.rkt:592:14>
|
|
break-thread thread
Triggers a break exception on a thread.
|
>(let th (thread (sleep 2))
(break-thread th))
user break
|
|
kill-thread thread
Terminates the specified thread immediately.
|
>(let th (thread (sleep 100))
(kill-thread th)
(dead th))
t
|
|
sleep secs
Causes the current thread to sleep for at least the
specified time.
|
>(sleep 0.1)
nil
|
|
dead thread
Predicate to test if a thread has terminated.
|
>(let th (thread (sleep 1))
(prn (dead th)) (sleep 2) (prn (dead th)))
nil
t
t
|
Copyright 2008 Ken Shirriff.


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© 2012–2013
Thibaut Courouble
-
MIT License
Original PSD by
Jeff Broderick


MatMul Benchmark
n
x
n
matrix multiplication benchmark
view source
start
Results
name
mean (ms)
GFLOPS
repeat
Compared Libraries
emlapack
linalg-asm
mathjs
ndarray (scijs)


Deadly grenade attack hits Kashmir amid India lockdown
At least 1 killed and 34 others injured, including 3 Indian paramilitary police, in attack in Srinagar.
At least one person has been killed and 34 others injured in a grenade attack in Indian-administered Kashmir's main city of Srinagar, Indian officials said, in the bloodiest incident since New Delhi stripped the region of its special status on August 5.
The injured, including three Indian paramilitary police, have been admitted to one of three hospitals on Monday after the blast on Hari Singh High Street in the centre of the city, said the officials, who declined to be named. One person is in a critical condition, they said.
More:
Earlier, VK Birdi, one of Srinagar's top police officials, said in a statement one person had died and at least 14 were injured.
India's crackdown
The attack comes five days after a truck driver was shot dead in Kashmir, while a grenade injured 20 people elsewhere.
The August decision was accompanied by a harsh crackdown, with New Delhi sending tens of thousands of additional troops to the already heavily-militarised region, imposing a sweeping curfew, arresting thousands and cutting virtually all communications.
Authorities have since eased restrictions, lifting roadblocks and restoring landlines and some cellphone services. But the region still remains cut off from the internet.
They have encouraged students to return to school and businesses to reopen. But Kashmiris have largely stayed home, in defiance or fear amid threats of violence.
As the crackdown continues, Kashmiris have quietly refused to resume their normal lives, confounding India at their own economic expense.
For now, businesses in Kashmir are still largely shut. Many markets are only open for a few hours each morning.
In recent weeks, five truck drivers and businessmen from other Indian states, who were associated with the valley's vital apple trade, have been killed.
Kashmir is divided between India and Pakistan but claimed by both in its entirety. The two countries have fought two of their three wars over control of the Muslim-majority region.


The $25 accessory every MacBook owner needs
by Adrian Kingsley-HughesThis cheap accessory could save you hundreds, if not thousands, of dollars in repairs.
Got your eye on the new 16-inch MacBook Pro? Or maybe you already have a MacBook or MacBook Pro that's serving you well. Of maybe you aren't a macOS user and instead have a Windows 10 or even Linux laptop.
No matter what platform your run, if you own a USB-C laptop, you need to buy this cheap $25 accessory. Why? Because it could save your laptop.
So, what is this accessory? It's a 20-pin USB-C magnetic breakaway connector that acts like the old MagSafe connector.
The connector is a standard USB-C type connector that is attached to a dongle using a magnet. The magnet is strong enough to keep the connector together but will allow the connector to separate if the cable is given a tug that is strong enough to take the laptop on a journey groundwards.
The connector is rated for 100W (20V/5A) power transfer, which is what I use if for, but it is also good for data and can support a throughput of 10Gbps, and can support 4K@30Hz video output.
Must read: Volta XL: A cable that can stop you destroying your precious MacBook
Usage is simple -- plug the USB-C connector into the laptop, and connect your USB-C charge cable to the breakaway part of the assembly, and you are ready to go.
Given the price of high-end USB-C laptops, $25 is a small price to pay for a little insurance against dragging the laptop to the floor via the cable.
See also:
- The world's best power bank: The Zendure SuperTank
- More weird and super useful gadgets (that make great gifts too!)
- iPhone and iPad owners have been in a mad rush to install iOS 13
- Where Google's Pixel 4 and Apple's iPhone 11 fail
- iOS 13: New features you might have missed
- How to dramatically improve your typing speed on an iPad (or make your typing more accurate)
- iOS 13 battery life bad? Top tips to fix battery drain issues
- Must-have productivity apps and accessories for the iPad Pro


pyscnet.Preprocessing¶
pyscnet.Preprocessing.gnetdata¶
Created on Wed May 22 13:53:34 2019
@author: mwu
-
class
pyscnet.Preprocessing.gnetdata.
Gnetdata
(ExpMatrix, CellAttrs=None, GeneAttrs=None)[source]¶ Bases:
object
for building GRNs. It consists four sub-classes: 1) ExpMatrix: A gene count matrix 2) CellAttrs: A dict gives information about cells. eg. cluster_nr, annotation 3) GeneAttrs: A dict gives information about genes. eg. module_nr, marker_annotation 4) NetAttrs: A dict includes Networks attributes. eg. node centralities.
-
property
deepcopy
¶ make a deepcopy of gnetData
-
property
info
¶ return the shape of ExpMatrix and the keys of CellAttrs, GeneAttrs, NetAttrs
-
property
shape
¶ return the shape of ExpMatrix
-
property


Authorize Monitoring My Account
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Current Address with Access:
Access is reserved to the Credit Endorser while having a running credit.
Give Access to New Account:
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### d3.js Buffet Shane Caldwell and Roger Filmyer
### What is d3.js * "Data Driven Documents" * A javascript framework for loading data and manipulating HTML documents.
### You know the deal - Clone the repo - ``git clone https://github.com/SJCaldwell/d3_tutorial`` - ``cd d3_tutorial`` - Throw up a python server: ``python -m SimpleHTTPServer 8081``
### We promised you some SVG - Scalable Vector Graphics - XML based vector image format ```html
``` - Sketch, Inkscape, and Adobe Illustrator generate stuff like this
### SVG info - Text based image formats - SVG element specifies the size the shapes can take up within it - Then children of the svg tags can be one of several elements
### Types of SVG images - Rectangles ``
`` - Circle ``
`` - Ellipses ``
`` - Lines ``
`` - Text ``
``
### Shapes have attributes. - Rect, for example have attributes like - ``width`` - ``height`` - ``fill`` - ``stroke``
### Exercise 1 - Exercise is in ``Section1_SVG``
### An Aside on Project Management - d3 is NOT your first go at a visualization - It generally represents the end of the workflow - It is NOT generally a quick, fun, painless tool for prototyping.
### I interviewed a pudding writer Brought back the ![](img/secretsauce.jpg)
### Pro tips - Acquire data - Do processing/analysis of data in R/Python - Do mock visualizations in a prototyping tool
- Either entirely static, or limited interactivity visualizations - Once you're convinced the concept is sound, THEN start writing custom d3 - Because d3 can... take time ![](img/beautyispain.gif)
### The D3 flow - Read in your data - Bind it to SVGs - Scale your data before drawing so your visualization is robust - Label your axes
### Read in Data - D3 is pretty smart, and has been built to read lots of formats. - CSV with ```d3.csv()``` - JSON with ```d3.json()``` - TSV with ```d3.tsv()``` - You get the idea, perhaps?
### Read in data ``` d3.csv("very_exciting.csv", function(data) { console.log(data); }); ```
### So let's read in data - look in Section2_ReadData - Open exercise2.html - As soon as you browser to the html, your data is read in. Nice! - The exercise here is instead to tell me what you can learn about the data structure d3 uses after the data is read in. - You got 5 minutes to tell us what cool things you've learned.
### Anatomy of d3 - ``Data`` is an array - Each object has a "name" and "dope_meter" property. - Everything stored as string (even numbers) - An object for columns, an array of each column name.
### I can't graph strings! - Very true - D3 let's us pass an additional function to the reader, allowing us to convert data types if necessary.
### Parser ```JavaScript var rowConverter = function(d) { return{ name: d.name, dope_meter: parseInt(d.dope_meter) }; } ```
### And then plug it in ``` d3.csv("very_exciting.csv", rowConverter, function(data) { console.log(data); }); ``` ![](img/simple_innit.gif)
### Time for actual visualizations - We start with the humble bar chart - Truly a simple visualization - Should be easy, right?
![](img/the_gang_complicates_barchart.png)
### Baby's first dataset ```JavaScript var dataset = [5, 2, 8, 1, 7]; ```
### First, make our SVG ```JavaScript var w = 500; var h = 100; var svg = d3.select("body") .append("svg") .attr("width", w) .attr("height", h); ```
### Then, make our bars ```JavaScript svg.selectAll("rect") .data(dataset) .enter() .append("rect") .attr("x", 0) .attr("y", 0) .attr("width", 20) .attr("height", 100); ```
### 15 lines of code gets us... ![](img/lonely_bar.png) - Saddest bar I've seen since memories - Or that 2nd verse of Kanye's "blame game"
```JavaScript .attr("x", function(d, i){ return i * (w/dataset.length); }) .attr("y", function(d){ return h - d; }) .attr("height", function(d){ return d * 4; }) ```
### Eureka ![](img/data_driven_bars.png) ```JavaScript var dataset = [5, 2, 8, 1, 7]; ```
### Exercise 3 - Instructions in exercise repo - Let's see how the bar chart holds up
### Axes ![](img/axisofevil.jpg)
### How to do them: ``` // JUST COPY THIS CODE LOOOOOOOOOOOOL g.append("g") .attr("class", "axis axis--x") .attr("transform", "translate(0," + height + ")") .call(d3.axisBottom(x)); g.append("g") .attr("class", "axis axis--y") .call(d3.axisLeft(y).ticks(10, "%")) .append("text") .attr("transform", "rotate(-90)") .attr("y", 6) .attr("dy", "0.71em") .attr("text-anchor", "end") .text("Frequency"); ```
### But really... ``` g.append("g") // Create a group .attr("class", "axis axis--y") // Assign classes (for CSS) .call(d3.axisLeft(y).ticks(10, "%")) // Call axisLeft .append("text") // Add a label .attr("transform", "rotate(-90)") .attr("y", 6) .attr("dy", "0.71em") // Positioning .attr("text-anchor", "end") .text("Frequency"); // The actual label text ```
### What do people actually do? * Copy something from [bl.ocks.org](https://bl.ocks.org) * The ✨magic✨ is in knowing how to modify So let's try that out.
### Force Diagrams ![The Dark Side of the Force is a pathway to many abilities some consider to be unnatural.](img/force_unnatural.jpg)
### Force Diagrams
### Force Diagrams * One of the most common use cases for working with raw D3 * A simple visualization not easily creatable with other tools
### Force Diagram Exercises Look at `Section4_Force/README.md`
### So what now? You are now a master in D3. Do not tell yourself otherwise.


Innovative and comfortable
CHARACTERISTICS
Mégane is packed with features and equipment! Dual-zone air conditioning, heated seats and a rain and light sensor, all contribute to high standards in driving comfort.
Driving comfort
Comfort
Discover all the comfort features on Mégane Hatch! A wide range of practical onboard functions and innovations for real driving pleasure.
DUAL-ZONE AIR CONDITIONING
The temperature can be adjusted for each front seat passenger.
Auto mode ensures balanced temperature management, while Fast or Soft modes place the emphasis on temperature or acoustics.
SUNROOF
The electric sunroof gives you a panoramic view of the exterior while letting the light flood in.
Heated front seats
Enjoy high standards of comfort. The front seats are heated and position adjusted with lumbar and height controls.
LIGHT AND RAIN SENSOR
The automatic speed-sensitive windscreen wipers switch on automatically and adapt their speed to the intensity of the rain.
A light sensor automatically switches on the headlights when night falls or when you enter a tunnel.
Digital instrument cluster
From your comfortable seat, access key data: speedometer with a digital readout, cruise-control / speed limiter indicator.
Wing mirror
Electric, demisting and electric folding.
'Clear view' function
This function makes life easier in winter by quickly demisting and de-icing the windows.
Electronic parking brake
When the engine is turned off, the system applies the brake automatically.
BOOT
Maximum storage capacity of 368 litres.
Stay connected
Multimedia
Gain easy access to the functions of your Mégane, designed for simplicity and convenience. Take a call, listen to music from a portable device or view photos and videos when the car is stationary.
Renault R-Link
Innovative functions with touch or voice control! Multimedia, navigation, TomTom® and telephone. The choice is up to you.
Telephone
Make phone calls or send emails by voice command. You can also safely hear the RSS feed and text from some apps using the Text to Speech automatic reading function.
R-LINK STORE
Use the pre-installed apps: Email, Renault R-Link Tweet, Weather, Renault Assistance. Access the complete catalogue of Renault R-Link apps from your Mégane by registering with My Renault.
Take full advantage of your journey
Technology
The latest innovative technologies from Renault make everyday life simpler: a reversing camera for easier manoeuvres, dual-zone air conditioning, and more.
EDC automatic gearbox
Control upward and downward gear changes for exceptional drive at all times.
The new EDC automatic gearbox is as responsive as a manual gearbox in all circumstances:
- instant response to driver input, in both automatic and flick-shift mode.
- flick-shift mode lets the driver override the automatic system.
Silent timing chain*
This lifetime timing chain is maintenance-free. It also significantly improves engine noise and increases durability.
* With the Energy TCe 115 and 130 and the Energy dCi 130 engines.
Hands-free Renault card
With the hands-free card, no more fumbling for the door lock on your Mégane. The car can be unlocked, locked and started without manual operation input.
REAR PARKING DISTANCE CONTROL
Designed to make parking manoeuvres easier! The parking distance control function warns you of obstacles in front of or behind the car.
Equipped for your safety
Safety
Make the road even safer with Visio System®. Using a camera at the front, this technology identifies the road markings and position of the car. In this way, Mégane Hatch warns you if you drift out of your lane and also turns on the high-beam lights when road conditions require.
ELECTRONIC STABILITY CONTROL (ESC)
The ASR traction control and under-steer correction function increase vehicle stability*. This is a real advantage in difficult driving conditions.
* Depending on the version.
VISIO SYSTEM®
Using a high-resolution camera, this system warns you if the car crosses a broken or unbroken line. It also switches from high-beam to low-beam in the city.
SEAT BELT
To reduce force in the event of impact and keep the driver and passengers in their seats, the belts are fitted with pretensioners at the front and load limiters at the rear.
ISOFIX SYSTEM
The rear side seats are equipped with an ISOFIX anchor points child seat securing system, to safely and securely fit a child seat.
ABS ANTI-LOCK BRAKES WITH EBV ELECTRONIC BRAKE DISTRIBUTION
Along with the emergency braking system, this function helps you to control your car and keep it on course.
Cruise control - speed limiter
Use the steering wheel controls to adjust and limit your speed. In limiter mode, a signal warns you if you exceed the set speed.
READY TO take MEGANE HATCH for a spin?
Go even further


{% extends 'base.html' %} {% load static %} {% block content %}
Try again
Start Over
Still not working? Email Jeremy


Learning & Games
- Catch the Bullet
- Snoopydoo
- Fallen Angel
- Sui Maker
- Wave Master
- Golf Pro
Education
- Learn Thai
- Math Genius
- Chemokid
Professionals
- Success 1.0
- Moneymaker
Education & Learning
- Learn Thai
- Math Genius
- Chemokid
Professionals
- Success 1.0
- Moneymaker
Entertainment
- Gadget Finder
- Green Tree Express
- Green Tree Pro
- Holy Cannoli
- Wobbler 3.0
- Coolkid
Learning & Games
- Catch the Bullet
- Snoopydoo
Education
- Learn Thai
- Math Genius
- Chemokid
Professionals
- Success 1.0
- Moneymaker
Learning & Games
- Catch the Bullet
- Snoopydoo
- Fallen Angel
- Sui Maker
- Wave Master
- Golf Pro
Utilities
- Gadget Finder
- Green Tree Express
Entertainment
- Gadget Finder
- Green Tree Express
- Green Tree Pro
- Holy Cannoli
- Wobbler 3.0
- Coolkid
Utilities
- Green Tree Pro
- Wobbler 3.0
- Coolkid
Education
- Learn Thai
- Math Genius
- Chemokid
Professionals
- Success 1.0
- Moneymaker
Learning & Games
- Catch the Bullet
- Snoopydoo
- Fallen Angel
- Sui Maker
- Wave Master
- Golf Pro


How to set-up and use Google Assistant on Xbox One
by Zachary BoddySource: Windows Central
After thorough testing in beta, Microsoft has officially released support on Xbox One for Google Assistant to the public. Apart from adding a whole bunch of helpful commands, it's surprisingly easy to set-up!
How to set-up Google Assistant on Xbox One
- Sign-in to your Xbox One. Boot your trusty Xbox up and sign-in to your profile. Source: Windows Central
- Open the Google Home app on your phone. Android or iOS, you'll need to open the Google Home app.
- Tap on the "+" in the upper left-hand corner. Tapping that "+" is how you add a device to your Google family. Source: Windows Central
- Tap on "Set up device" towards the top of the screen. It'll be underneath "Add to home."
- Tap on "Have something already set up?" That option will be towards the bottom under "Works with Google."
- Find or search for "Xbox" in the list of services. You can scroll through the list if you want, but it'll probably be easier to use the search function in the top right corner.
- Sign-in with your Microsoft Account. Make sure it's the same Microsoft Account connected to your Xbox One. Google will automatically link Source: Windows Central
- Select the consoles you want to control. The Google Home app will give you a list of all the consoles connected to your Microsoft Account.
- Choose the room you wish to move them to. One of the awesome things Google Assistant can do is know where devices are in your home. This will help you keep track of which Xbox you're controlling if you have multiple.
- Tap "Done" and enjoy! Once you've added all your consoles, you should be set to reap the benefits!
Now that everyone is working together and loving it, you're probably wondering what new abilities you just unlocked by doing this. I've detailed the list of available commands below.
How to use Google Assistant on Xbox One
Source: Android Central
- System controls: Google Assistant can remotely turn your console on and off, as well as restart your console with commands like "Hey Google, turn on Xbox" or "Hey Google, reboot Xbox."
- Game and app launching: You can also launch games or apps using just your voice with commands like "Hey Google, launch Gears 5" or "Hey Google, launch Netflix." You can also switch to specific TV channels if you route that through your Xbox.
- Volume controls: While you're launching games and apps from your Xbox, you can also control the sound with commands like "Hey Google, mute Xbox" or "Hey Google, turn the volume down on Xbox." This also works in the reverse direction.
- Media controls: In the same vein of thought, you can also control media on your Xbox if you're in an app with commands like "Hey Google, pause" or "Hey Google, next." Again, this also works the other way around.
- Screen capturing: One of the cooler features in my opinion, you can have Google Assistant take screenshots or record clips with commands like "Hey Google, take a screenshot on Xbox" or "Hey Google, record that on Xbox." Now you don't have to take yourself out of the game to grab that last awesome gaming moment.
Microsoft and Google may add more commands in the future, but for now, there's already a pretty decent suite for anyone who regularly uses Google Assistant in their life.
Gaming has never been this easy.
Control your Xbox
Google Nest Mini
A smarter home and console
The Google Nest Mini is the latest iteration of Google's prolific Home Mini smart speakers, and features the same great design with better audio and is perfect for anyone interested in making their home more intelligent. And now it controls your Xbox too.
You have the power
Xbox One X
Controlled by your voice
The most powerful console to date, and now your voice can control it. Upgrade your game, and your home in one fell swoop.
We may earn a commission for purchases using our links. Learn more.


Sample Results
DataHunter_Result Run #370
In a Jenkins CI environment this would be a Jenkins Job Result page ....
For the purposes of providing a sample everything except the links to the generated Jmeter Reports have been removed on this demo page
Transactions Report
CPU Utilizations Report
Data Points Report
Memory Metrics Report


1. Click to place center of perspective.
2. After center is placed, click to create points.
3. Polygons are created after four points are placed.
4. The verticle is determined by the bottom right most point.
Tip: Avoid crossing the center line or making a convex shape.


.
.
.
LMBRJK
$250
Flow Shirt Blouse
Pinstriped cornflower blue cotton blouse takes you on ?a walk to the park or just down the hall.
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102; 12022 H.E.
What if a planet could think? What if a planet could act as a single entity? Feel and make decisions as a whole. Not a modern hivemind kind of a way, nor an artificial structure. An ocean enveloping a celestial body is a big brain, which wants to make contact with beings so much inferior and less complex - humans. It would even seem hard to misrepresent such a fascinating concept, yet Andrei Tarkovsky, a Soviet film director found a way to do just that.
The synopsis of Stanislaw Lem’s magnum opus - Solaris can be described as a story of how miserably small and inadequate humanity can appear when it comes one to one versus a civilization or a mind such grand, at such an unfathomable distance away in terms of intellect and abilities. Solaris, which is the planet’s name has been a riddle to humanity for many decades, unfortunately, to no avail. It appears humanity has no way of understanding something, which is simply not human.
Psychologist Kris Kelvin is being sent on an interstellar journey, to conclude whether the decades-old expedition sent to Solaris’ orbit should continue its study or simply halt all operations. Unexpectedly, it is revealed to the audience that the planet has more secrets than our heroes can chew. The last three real inhabitants of the station get visits from their materialized pasts, haunting them, bringing out the loneliness and baggage each has.
With such an incredible story, I shall stress again that Tarkovsky managed to make the pacing of the movie so painfully slow and dragged out that even I, a big fan of Lem’s works and Solaris novel in particular, barely survived through the screening of the 1972 adaptation. I was lucky enough to bring a pillow because of knowing how long it is. It was my sincere attempt to enjoy the work, however, it appeared to me that instead of following Lem’s love for Solaris, or at least adapting it to stay faithful to the very core of it, Tarkovsky went out of his way to interject every possible moment with his own opinions on what is right and what is wrong.
Let’s talk about what the film excelled at, such that it would be simpler for us to follow the thread of where it went wrong. For its time, Solaris is very well shot. Especially, the part about representing a futuristic city, we watched a couple of minutes long cut of dashcam footage on the highway roads of Akasaka, Tokyo. Stylistic choices in aesthetic visuals were very well done, ranging from how the ocean water was represented, down to the electronics and an advanced-looking space station interior. Unfortunately, when I think of the moments from the film, the above is all I could think of what I enjoyed during my watch.
It is time to get to the crux of the matter. The biggest sin of Solaris is its forced interpretation of its source, which borders closely to outright propaganda of one’s very specific views, where that specific someone is Tarkovsky with his high ideas of focusing plot on a man, his sins, and his subsequent retribution. It is no wonder that the last thing Stanislaw Lem recalled telling Tarkovsky after spending some time in Moscow assisting with the script was,
“Tarkovsky and I had a healthy argument. I sat in Moscow for six weeks while we argued about how to make the movie, then I called him a `durak' [`idiot' in Russian] and went home...” – Stanislaw Lem
Lem’s story is evenly divided into a balance of three main arcs: Drama, Science-fiction, and Solaristics. The third drama revolves around the story of Kelvin and Harey. Science-fiction part focuses of course on the observations made by scientists regarding the planet. The last third is deeply woven into the story, where we are thrown into bits and pieces of the story of Solaristics, the study of Solaris. The documentary-like flashbacks give us more insights into the relationship between humans and Solaris. Tarkovsky decided to completely ignore the value of a gradual reveal of the planet’s history by compressing it all into a single 40-minute segment at the beginning of the film.
This changed the pacing completely, thus, giving out too much information to viewers regarding what is to come in the story. Solaris is presented as something scary, untamed, and inhuman.  Kelvin is supposed to be some special “inspector”, which will evaluate the need for Solaristics. What happens after can be described as nothing more than “Crime and Punishment” in space, where a man deals with his past, ethics, and moral imperatives. There would have been some hope for Tarkovsky’s commentary on human conscience, only if it were even remotely close to the mastery of understanding such concepts as Dostoevsky does.
Large portions of what made Lem’s Solaris a timeless masterpiece were ignored (like the science-fiction part) as Tarkovsky was completely uninterested in `Solaristics’ and the sentient ocean. Without a doubt, stylistic and structural canons differ between films and novels, however, they should still tell a story that can live up to its source, especially if it is as strong and influential as ours is. Stanislaw Lem wants to tell a story without giving straight answers, layering it with a fog of mystery. We ask ourselves, what would a contact between earthlings and an extraterrestrial being beyond their comprehension be like? While also using an incredible depth in both imagination and philosophy to tell it.
I am a humanist myself. I love when authors and directors go deeper into the psyche of a human, the emotions, feelings, worries, and pain. This is why Dostoevsky is my favorite writer. While Tarkovsky’s version follows a man and his late ex-wife coming back to life from his dreams to haunt him on the station produces arguments and raises discussions, which seem to be entirely too sentimental, lacking competence to properly ponder and execute themes, such as sin and retribution, while also lacking the courage to go beyond those classical concepts and attempt a more unique discussion. This is presented ever so vividly in the inclusion of Kelvin’s parents.
“And what was absolutely terrible was that Tarkovsky introduced Kelvin’s parents and even some aunt into the movie. But most of all, his mother. [...] The mother is Russia, the Motherland, Earth. That just enraged me.“ – Stanislaw Lem
Those extra characters are simply not needed and the only part in which they succeed is confusing the viewer about the importance of their part in the film. This is Tarkovsky attempting to show the importance of family, of internal struggles of a man, and one’s fight against themselves. It would be great if this attempt were executed more properly, rather than showing minutes worth of stills and uninterrupted footage of what appears to be aimed at putting me to sleep or impressing inexperienced viewers with the “aesthetic” method of watching films.
I must admit, there were parts in dialogues between characters, which I found to be masterfully written, such as “Only an unhappy person will ponder about the meaning of life and happiness. A happy person has no time nor needs for those cursed questions.” I couldn’t decide whether Solaris is a masterpiece or a mirage of one in those specific moments. The ending of the movie and how it was presented answered that question for me.
 It is not necessarily a bad thing, but when it comes at a cost of becoming blind to the importance of Lem’s cognitive and epistemological considerations to what Solaris and solaristics stand as a whole, it results in what we have today calling itself Solaris, yet having no real connection, other than the shared name and setting. It is nothing more than a hollow vassal drifting through space, simply lost in its emotional sauce with no purpose, completely amputated from the scientific landscape, which made the source a timeless classic, and instead, opting in to fill it with weirdness, which isn’t even of the quirky and fun kind. Just weird. ◼


Office 365 Integration with Gluu Server
This guide is created to use Microsoft Office 365 Single-Sign-On with Gluu Server. It is assumed that an Office 365 subscription is available/registered.
Note: The attributes ObjectGUID
and IDPEmail
are mandatory for O365 SSO. The domain of IDPEmail
must match the registered domain as well.
Office 365 Configuration
-
Please create a test user from Office365 Admin Panel
Alternatively, use this doc to connect backend Azure Active Directory (AD) -
Register the domain from the Office365 (O365) Admin Panel from Settings --> Domains
- Verify the domain
-
Register Gluu Server in O365
-
Install/Use Windows Server 2012 R2
-
Install and Configure Windows Powershell cmdlets
-
Create a script named
gluu1.ps1
with the following template changing domain, hostname of Gluu Server and Certificate
-
Connect-MsolService
$dom = "company.org"
$url = "https://test.gluu.org/idp/profile/SAML2/POST/SSO"
$uri = "https://test.gluu.org/idp/shibboleth"
$logouturl = "https://test.gluu.org/idp/logout.jsp"
$cert = "Mx....SAML_cert_of_your_Gluu_Server...Tdsg9R0XO3AnBeHRtGmAA="
Set-MsolDomainAuthentication -DomainName $dom -FederationBrandName $dom -Authentication Federated -PassiveLogOnUri $url -SigningCertificate $cert -IssuerUri $uri -LogOffUri $logouturl -PreferredAuthenticationProtocol SAMLP
- Run the
gluu.ps1
script from Windows Server 2012 R2
Gluu Server Configuration
Custom Attributes
The configuration begins by creating a few custom attributes named IDPEmail
, ImmutableID
and objectguid
.
Please see this doc to create custom attributes.
-
IDPEmail
Custom Attribute -
ImmutableID
Custom Attribute -
objectguid
Custom Attribute
OpenDJ Configuration
-
Edit the
100-user.ldif
file under/opt/opendj/config/schema
folder.-
Remove the
obhectGUID
entry from the file -
Add the following new entry
-
attributeTypes: (<PHONE_NUMBER>732 NAME 'objectGUID' SYNTAX <IP_ADDRESS>.4.1.14<IP_ADDRESS>.5 USAGE userApplications X-ORIGIN 'gluu' )
* Restart OpenDJ
-
Edit the
attribute-resolver.xml.vm
file under/opt/tomcat/conf/shibboleth2/idp
folder- Add
$attribute.name.equals('ImmutableID')
with the existing ($attribute.name.equals('transientId') to look like the snippet below
- Add
#if(!($attribute.name.equals('transientId')or$attribute.name.equals('ImmutableID')))
* Add `IDPEmail` attribute definition
<resolver:AttributeDefinition xsi:type="ad:Simple" id="UserId" sourceAttributeID="IDPEmail">
<resolver:Dependency ref="siteLDAP" />
<resolver:AttributeEncoder xsi:type="enc:SAML2String" name="IDPEmail" friendlyName="UserId" />
</resolver:AttributeDefinition>
* Add `ImmutableID` attribute definition
<resolver:AttributeDefinition id="ImmutableID" xsi:type="Simple"
xmlns="urn:mace:shibboleth:2.0:resolver:ad"
sourceAttributeID="objectguid">
<resolver:Dependency ref="siteLDAP"/>
<resolver:AttributeEncoder xsi:type="SAML2StringNameID"
xmlns="urn:mace:shibboleth:2.0:attribute:encoder"
nameFormat="urn:oasis:names:tc:SAML:2.0:nameid-format:persistent" />
</resolver:AttributeDefinition>
Identity Mapping
The cache refresh mechanism is used to populate the Gluu Server LDAP with data from a backend LDAP/AD. The objectGUID
attribute must be pulled from the backend data source to Gluu Server.
- Edit the
ox-ldap.properties
,oxauth-ldap.properties
andoxidp-ldap.properties
files to add the following
binaryAttributes=objectGUID,objectguid
Note:'objectGUID' (the first one) is the attribute which contains binary values in the backend AD and 'objectguid' (the second one) is the Gluu Server binary attribute name which will pull value from 'objectGUID' attribute
- Restart Tomcat
Create Trust Relationship
Please see this doc to create trust relationships.
- Configure Relaying Party like the following screenshot


$35.00
Nature Honey
On the other hand, we denounce with righteous indignation and dislike men who are so beguiled and demoralized by the charms of pleasure of the moment, so blinded by desire, that they cannot foresee the pain and trouble that are bound to ensue; and equal blame belongs
- Categories:
- Honey


| Libcroco Reference Manual | ||||
|---|---|---|---|---|
| Top | Description |
struct CRSimpleSel; CRSimpleSel * cr_simple_sel_append_simple_sel (CRSimpleSel *a_this
,CRSimpleSel *a_sel
); enum CRStatus cr_simple_sel_compute_specificity (CRSimpleSel *a_this
); void cr_simple_sel_destroy (CRSimpleSel *a_this
); enum CRStatus cr_simple_sel_dump (CRSimpleSel const *a_this
,FILE *a_fp
); enum CRStatus cr_simple_sel_dump_attr_sel_list (CRSimpleSel const *a_this
); CRSimpleSel * cr_simple_sel_new (void
); guchar * cr_simple_sel_one_to_string (CRSimpleSel const *a_this
); CRSimpleSel * cr_simple_sel_prepend_simple_sel (CRSimpleSel *a_this
,CRSimpleSel *a_sel
); guchar * cr_simple_sel_to_string (CRSimpleSel const *a_this
);
struct CRSimpleSel { enum SimpleSelectorType type_mask ; gboolean is_case_sentive ; CRString * name ; /** *The combinator that separates *this simple selector from the previous *one. */ enum Combinator combinator ; /** *The additional selector list of the *current simple selector. *An additional selector may *be a class selector, an id selector, *or an attribute selector. *Note that this field is a linked list. */ CRAdditionalSel *add_sel ; /* *the specificity as specified by *chapter 6.4.3 of the spec. */ gulong specificity ; CRSimpleSel *next ; CRSimpleSel *prev ; CRParsingLocation location ; };
CRSimpleSel * cr_simple_sel_append_simple_sel (CRSimpleSel *a_this
,CRSimpleSel *a_sel
);
Appends a simpe selector to the current list of simple selector.
a_this
: the this pointer of the current instance of CRSimpleSel.
a_sel
: the simple selector to append.
Returns : |
the new list upon successfull completion, an error code otherwise. |
enum CRStatus cr_simple_sel_compute_specificity (CRSimpleSel *a_this
);
a_this
: the current instance of CRSimpleSel
Computes the selector (combinator separated list of simple selectors) as defined in the css2 spec in chapter 6.4.3
Returns : |
CR_OK upon successfull completion, an error code otherwise. |
void cr_simple_sel_destroy (CRSimpleSel *a_this
);
a_this
: the this pointer of the current instance of CRSimpleSel.
The destructor of the current instance of CRSimpleSel.
enum CRStatus cr_simple_sel_dump (CRSimpleSel const *a_this
,FILE *a_fp
);
Dumps the selector to a file. TODO: add the support of unicode in the dump.
|
the current instance of CRSimpleSel. |
|
the destination file pointer. |
Returns : |
CR_OK upon successfull completion, an error code otherwise. |
enum CRStatus cr_simple_sel_dump_attr_sel_list (CRSimpleSel const *a_this
);
CRSimpleSel * cr_simple_sel_new (void
);
The constructor of CRSimpleSel.
Returns : |
the new instance of CRSimpleSel. |
CRSimpleSel * cr_simple_sel_prepend_simple_sel (CRSimpleSel *a_this
,CRSimpleSel *a_sel
);
a_this
: the this pointer of the current instance of CRSimpleSel.
a_sel
: the simple selector to prepend.
Prepends a simple selector to the current list of simple selectors.
Returns : |
the new list upon successfull completion, an error code otherwise. |


--- layout: post title: "Day 9 - Bar Brothers Workout" subtitle: "This is Day 9 since I started the Bar Brothers system training. My goal in this program is divided into two: the first to lose weight to the desired weight, the second to get in shape. In the beginning there was a serious weight loss that included at least one kg every day. At the moment it seems to have stopped, but I'm not going to stop." date: 2019-10-30 background: '/img/posts/intro-barbrothers.png' ---
The desired weight I want to reach is 70kg or 75kg. My height is 171 cm, which is 5.6102 feet, at the moment my weight is more or less as it is. I can't quite lose weight like I had at first, but what's important is not giving up.
After finishing workout yesterday I felt really good and I was sure that today I would consider 94, anyways today a new day, took with me vegetable salad, rice and baked fish in the oven, new Chinese tea I found at home, two fruits (apple and pear) and carrots I plan to eat during the day with A cup of green Chinese tea.
In the evening I have a new workout that I haven't done yet that includes 5 rounds per set. Maybe I'll do cardio tonight but not sure. In addition, my brother-in-law suggested that we go out to a restaurant tonight, I told my wife that I could come on condition that we would leave after I finished the workout and then there I would eat a salad with tuna and eggs.
In the evening I have a new workout that I haven't done yet that includes 5 rounds per set. Maybe I'll do cardio tonight but not sure. In addition, my brother-in-law suggested that we go out to a restaurant tonight, I told my wife that I could come on condition that we would leave after I finished the workout and then there I would eat a salad with tuna and eggs.
So we went out to eat at the Greg restaurant in town, and there was a tuna salad, I asked them to take the potato out and put another egg in the salad. I drank mostly water and then tea with lemon. Really having fun there, they ate delicious and sweet desserts and the truth I didn't feel like I knew it would destroy everything I was trying to build.
We returned to the house and so I ended my day, went to bed, waiting for tomorrow, to see what the new weight was, especially after doing my upper body walking and training.
Cheers!


Here are a list of translated documentations for different language users:
| Language | Code Name | Last Update | Open |
|---|---|---|---|
| en-US | GitDocA | Pending | Open |
| zh-HK | GitDocA | N/A | Open |
| All documentations can be found under the main repo's /docs directory. Spin-offs ArOZ Online Project, 2016 - 2016 |


@ var _col=[ @ {name:"合同号",index:"contract_number",type:"text"}, @ {name:"借款人",index:"borrower", type:"text"} @ ]; @ include("/common/_function/_search.html",{"col":_col}){}
@include("/common/_listscript.html"){}


LOVE AND DEATH ON LONG ISLAND A film review by Mark R. Leeper
Capsule: A prominent British author becomes infatuated with young American heartthrob actor. He travels to Long Island to find the actor. John Hurt gives a good performance, but the film is too leaden to work as a comedy and but is not serious enough to work as good drama. Rating: 5 (0 to 10), low +1 (-4 to +4) New York Critics: 14 positive, 1 negative, 2 mixed
Thomas Mann's short intense psychological novel DEATH IN VENICE is unlikely material for a contemporary comedy-drama. And while nothing in the credits or publicity acknowledges the connection, that would seem that that is the basis for this updated story taking place in London and Long Island.
Giles De'Ath (played by John Hurt) is one of the great living English authors, his ivory tower insulating him from anything modern, just the way he likes it. An unlikely series of events puts him in a movie theater showing a cinematic trifle called HOT PANTS COLLEGE II. Giles is about to turn away from the film in disgust when he notices Ronnie Bostock (Jason Priestley). Bostock is an attractive young actor who simply put infatuates Giles.
Now Giles has a reason to get interested in the technology of the 20th Century. He wants to see all of Bostock's films. Like a fish out of water he wades in to try to understand the intricacies of renting films and of understanding the home video revolution. He wants to see every film ever made by Bostock. And an unpromising assortment it is. But Giles is unsatisfied by worshipping from afar. Instead De'Ath takes a holiday and hops a plane for the United States to find the actor and then to insinuate himself into Bostock's life. First he has to find where Bostock lives. Then he approaches first Bostock's live- in girlfriend, Audrey (Fiona Loewi). And finally he will move in on Bostock himself. None of this is easy for the man in both an unfamiliar place and time. Audrey is impressed by the stature of this famous writer so fascinated by her boyfriend, but she little guesses the trouble it can cause.
The major attraction of the film is John Hurt's performance, which manages to combine sinister and pitiable aspects. He is a stalker bedeviled by his ignorance of the modern world. The film is an uneasy mix of the resulting comic situations with the tragedy of the Thomas Mann novel. It is not clear how much comic potential this story could have had, but Richard Kwietniowski's screenplay and direction seem leaden. The humor is just a bit off somehow. Jason Priestley plays a callow but empty actor whose questionable career echoes his Priestley's own. Fiona Loewi has a little more depth to her part, but it clearly is Hurt's film for whatever he can salvage from it.
The film is shot by Oliver Curtis who manages to give three distinct visual styles to the film, one for London, one for Long Island, and a third one for the excerpts we see of Bostock's crude filmography.
What we have is a bleak and downbeat comedy that never really gets off the ground. I rate it a 5 on the 0 to 10 scale and a low +1 on the -4 to +4 scale.
Mark R. Leeper<EMAIL_ADDRESS>Copyright 1998 Mark R. Leeper
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


This was one of my earliest projects ever. I had just learned how to manipulate HTML elements with javascript (jquery to be exact). I made this page more out of necessity than anything else; I needed to show my students how a Simple Harmonic Oscillator works. To make a long story short: this idea was insanely successful, and I used this page in class for weeks.
A lot of the script that runs this page is not to my liking: it is barely commented, badly written, and not applicable to much else outside of this project. I didn't know how HTML canvas worked at the time, so everything on this page is either a picture or a div. I eventually found out that there are much better ways of creating animations. Instead of making changes to this page, I decided to leave it as-is and began working on my Physics Engine page. This page serves as a reminder of how far I've come.
 As far as making all the calculations for the harmonic oscillator, I tried really hard to code it in an "anything can happen" sort of way: create a spring force that is exerted on the block: Fspr = −k x, and cause the block to accelerate. But this proved extremely challenging (more on this in the Physics Engine page), so I decided to take the easy way out and used the Simple Harmonic Oscillator equation: x(t) = A sin(ω t). It felt like cheating, but at the end of the day, I needed to have this ready for class the next day (this is Hollywood after all, and the show must go on!). (I'm not sure if the punctuation at the end of the previous sentence is correct)
My main goal for this project was to show my students how different variables affected the behavior of the block (mass, spring constant, amplitude, etc.). I was able to do this through the console, by changing the values of the different variables before hitting play. Although this design was fairly handy in the classroom, my end goal for this project was to make the page more intuitive and user-friendly to the point where students and teachers could play around with the page without needing too many directions from me.
On a final note, the Play and Pause buttons are fairly straightforward, but the Record Data button requires some explanation: pressing that button will advance the simple harmonic oscillator a full 10 seconds instantly, recording the block's position, velocity, and acceleration every 10 ms (for a total of 1000 measurements). The results are printed in the table below the animation, and they can easily be copy/pasted into Microsoft Excel to produce various graphs. I added this feature after a few days of demonstrations to the class.
I have more to say about this page, but I don't think anybody is still reading at this point.


Orson Welles had the effrontery to believe that this highly original film on art and the act of creating would be released in the United States. It never was and was only shown on television in the United States and in Europe, and at some film festivals. What a shame because "F For Fake" is one of the director's finest achievements (and by far his last complete effort), a Byzantine rethinking of what a film should be and what it could be. It is also a reconstructive essay on art and the artists who manage to create the art in question in any given media. Welles takes the approach of looking at the media of painting, literature, architecture and films, and this film is a testament and a labor of love to anyone who is involved in the arts.
"F For Fake" begins with Welles arriving at a train station showing a magic coin trick to an awestruck boy. He is interrupted by a passersby (Oja Kodar) who asks him, "Up to your old tricks again?" Welles is then greeted by a film crew led by another director Francois Reichenbach, and tells them that there is a fascinating story involving that passersby. We then realize that this is not really a film and not quite a documentary, so what is it? Well, there is another shot of Welles except this time he is at an editing table looking at shots of Oja Kodar walking on a crowded street surrounded by dozens of onlookers. But who is she? Welles then apologizes for jumping around all over the place, and sets forth in motion a story about the most famous art forger of all time, Elmyr De Hory (who tragically committed suicide after this film was released). He paints fakes so brilliantly that museums often mistake it for the real thing (Modigliani, Picasso, Monet are some of his famous "fakes"). Another story circulates around a notable biographer, Clifford Irving, who has written a bio on De Hory, and has just been accused of writing a fake one on Howard Hughes! He insists he met with Hughes, but who is telling the truth? And is it possible that De Hory is not a faker, but a fake faker?
This may all sound ambiguous and confounding, but one of the pleasures of "F For Fake" is the constant parallels Welles draws between all these interweaving stories. He comes up with theories on the importance of the creator or creators: in one beautifully stylized sequence, we see superimpositions of the many facets of the cathedral Chartres. Astounding architecture (independent film director Stan Brakhage once made a short film about it) but in the end, does it matter who created this wonder of the world? Of course not, probably dozens of skilled artisans and the like and we may never know their names.
Welles draws another parallel with his own life and work (apparently, this film was intended as an attack against film critic Pauline Kael's verbal accusation that Welles shared none of the writing credit for "Citizen Kane"). He gives examples of his famous hoax, "The War of the Worlds" broadcast, and the fact that all his films, indeed all films, are illusions, essentially fakes. So by exemplifying this idea, Welles often shows his film crew filming him as he makes his case before the camera wearing a hat and a cape and performing magic tricks.
"F For Fake" is not an easy film to digest, and it will take more than one viewing since it is not told in a straightforward manner. But the rewards are plenty, and the sight of Welles speaking in his coarse, deep voice is a splendid pleasure already. He keeps us involved and intrigued, and we start to question the validity of the importance of the creator of an artistic masterpiece - of course, it adds to historical lore to know who the artist is, but the work must also speak for itself.
As Welles explains at the beginning, any film is likely to be some sort of lie, and so he insists that the whole truth will be spoken for the first forty-five minutes of the film. At the end, when we discover that Oja Kodar, the passersby from earlier, is in fact not Pablo Picasso's daughter nor did she sell any of the paintings of herself painted by Picasso to a museum, Welles declares that he did lie his head off.
In its constantly time-switching narrative, freeze-frames, and sense of self-consciousness, Orson Welles made one of his greatest achievements on film - a master class on experimentation with the medium and the infinite possibilities presented with tackling the film-within-the-film. It is a shame it was not discovered initially, but some of its style and rapid cutting is evident in Al Pacino's superb "Looking for Richard," an expose on Shakespeare and Richard III. Francois Truffaut declared "F For Fake" as one of the best films of the 1970's - he could not have been more right. Right up with "Citizen Kane," "Touch of Evil," and "The Trial," "F For Fake" reigns supreme.
Footnote: There are cameos by Joseph Cotten and film editor on "Kane," Robert Wise. There is also a brief sequence with Oja and late actor Laurence Harvey at an airport "from quite another film," says Welles. I wonder if this was footage for his uncompleted film "The Deep" since Welles can be seen in his cape minus a beard.
For more reviews, check out JERRY AT THE MOVIES at http://buffs.moviething.com/buffs/faust/
E-mail me with questions, concerns or complaints at<EMAIL_ADDRESS>or at<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Your data will be securely stored during the event and deleted after being distributed to our sponsors. If you have any questions please contact us at geral@sinfo.org.


| Interface | Description |
|---|---|
| AsyncContext |
Class representing the execution context for an asynchronous operation that was initiated on a ServletRequest.
|
| AsyncListener |
Listener that will be notified in the event that an asynchronous operation initiated on a ServletRequest to which the
listener had been added has completed, timed out, or resulted in an error.
|
| Filter |
A filter is an object that performs filtering tasks on either the request to a resource (a servlet or static
content), or on the response from a resource, or both.
|
| FilterChain |
A FilterChain is an object provided by the servlet container to the developer giving a view into the invocation chain
of a filtered request for a resource.
|
| FilterConfig |
A filter configuration object used by a servlet container to pass information to a filter during initialization.
|
| FilterRegistration |
Interface through which a
Filter may be further configured. |
| FilterRegistration.Dynamic |
Interface through which a
Filter registered via one of the addFilter methods on
ServletContext may be further configured. |
| ReadListener |
This class represents a call-back mechanism that will notify implementations as HTTP request data becomes available
to be read without blocking.
|
| Registration | |
| Registration.Dynamic |
Interface through which a
Servlet or Filter registered via one of the addServlet or
addFilter methods, respectively, on ServletContext may be further configured. |
| RequestDispatcher |
Defines an object that receives requests from the client and sends them to any resource (such as a servlet, HTML
file, or JSP file) on the server.
|
| Servlet |
Defines methods that all servlets must implement.
|
| ServletConfig |
A servlet configuration object used by a servlet container to pass information to a servlet during initialization.
|
| ServletContainerInitializer |
Interface which allows a library/runtime to be notified of a web application's startup phase and perform any required
programmatic registration of servlets, filters, and listeners in response to it.
|
| ServletContext |
Defines a set of methods that a servlet uses to communicate with its servlet container, for example, to get the MIME
type of a file, dispatch requests, or write to a log file.
|
| ServletContextAttributeListener |
Interface for receiving notification events about ServletContext attribute changes.
|
| ServletContextListener |
Interface for receiving notification events about ServletContext lifecycle changes.
|
| ServletRegistration |
Interface through which a
Servlet may be further configured. |
| ServletRegistration.Dynamic |
Interface through which a
Servlet registered via one of the addServlet methods on
ServletContext may be further configured. |
| ServletRequest |
Defines an object to provide client request information to a servlet.
|
| ServletRequestAttributeListener |
Interface for receiving notification events about ServletRequest attribute changes.
|
| ServletRequestListener |
Interface for receiving notification events about requests coming into and going out of scope of a web application.
|
| ServletResponse |
Defines an object to assist a servlet in sending a response to the client.
|
| SessionCookieConfig |
Class that may be used to configure various properties of cookies used for session tracking purposes.
|
| SingleThreadModel | Deprecated
As of Java Servlet API 2.4, with no direct replacement.
|
| WriteListener |
Callback notification mechanism that signals to the developer it's possible to write content without blocking.
|
| Class | Description |
|---|---|
| AsyncEvent |
Event that gets fired when the asynchronous operation initiated on a ServletRequest (via a call to
ServletRequest.startAsync() or ServletRequest.startAsync(ServletRequest, ServletResponse) ) has
completed, timed out, or produced an error. |
| GenericFilter |
Defines a generic, protocol-independent filter.
|
| GenericServlet |
Defines a generic, protocol-independent servlet.
|
| HttpConstraintElement |
Java Class representation of an
HttpConstraint annotation value. |
| HttpMethodConstraintElement |
Java Class represntation of an
HttpMethodConstraint annotation value. |
| MultipartConfigElement |
Java Class represntation of an
MultipartConfig annotation value. |
| ServletContextAttributeEvent |
Event class for notifications about changes to the attributes of the ServletContext of a web application.
|
| ServletContextEvent |
This is the event class for notifications about changes to the servlet context of a web application.
|
| ServletInputStream |
Provides an input stream for reading binary data from a client request, including an efficient
readLine
method for reading data one line at a time. |
| ServletOutputStream |
Provides an output stream for sending binary data to the client.
|
| ServletRequestAttributeEvent |
This is the event class for notifications of changes to the attributes of the servlet request in an application.
|
| ServletRequestEvent |
Events of this kind indicate lifecycle events for a ServletRequest.
|
| ServletRequestWrapper |
Provides a convenient implementation of the ServletRequest interface that can be subclassed by developers wishing to
adapt the request to a Servlet.
|
| ServletResponseWrapper |
Provides a convenient implementation of the ServletResponse interface that can be subclassed by developers wishing to
adapt the response from a Servlet.
|
| ServletSecurityElement |
Java Class representation of a
ServletSecurity annotation value. |
| Enum | Description |
|---|---|
| DispatcherType |
Enumeration of filter dispatcher types.
|
| SessionTrackingMode |
Enumeration of session tracking modes.
|
| Exception | Description |
|---|---|
| ServletException |
Defines a general exception a servlet can throw when it encounters difficulty.
|
| UnavailableException |
Defines an exception that a servlet or filter throws to indicate that it is permanently or temporarily unavailable.
|


JavaScript S3 Upload
por Jean Menezes
5MB Upload Limit
10MB Upload Limit
15MB Upload Limit
Select your file
{{ uploadProgress == 0 ? '' : uploadProgress + '%' }}
Upload


These are some of the projects that I've completed using Python (NumPy, Pandas, Matplotlib, Seaborn, SciKit-Learn, NLTK, and more). Projects feature data visualization and analysis as well as machine learning concepts including Natural Language Processing, KNN, SVM, linear regression, logistic regression, cluster analysis, support vector machines, and more.
Looking for more? Head over to my GitHub repository.
Experienced in machine learning, data analysis and visualization, business analysis, and website design and development.
Let me take some of the work off of your hands and help you focus on what matters most to you.
Comfortable with Python, SQL, Tableau, PyTorch, NumPY, Matplotlib, Seaborn, Scikit-Learn, and more, I can help you analyze and understand your data in a way that makes sense to you.
With experience in machine learning, deep learning, natural language processing, AI and more, we can work together to find exciting ways to move you and your business into the future.
Looking for a brand new website or assistance with your existing website? Let me help! Experienced in branding, SEO, Google Analytics, AdSense, and more and can get you set up for success!
7220 McCallum Blvd
Dallas, TX USA 75252
Phone:<PHONE_NUMBER>


Kimi Raikkonen is shocked he's still driving in Formula 1 at 40-years-old!
by Bobby VincentFormer Formula 1 world champion Kimi Raikkonen has admitted he is shocked he is still driving in F1 at the veteran age of 40-years-old.
Raikkonen made his F1 debut 18 years ago, when driving for Sauber at the 2001 Australian Grand Prix. He's nowadays still with Sauber, but under a different name: Alfa Romeo Racing - where he returned to after moving from Ferrari.
The Finn is the oldest driver on the grid, and he has admitted if somebody had have asked him whether he'd still be driving in F1 at his current age, he wouldn't have believed them.
"I don't think I would have believed someone if they'd told me back then I would still be racing in F1 at the age of 40," Raikkonen admitted to Yahoo! Sport. "Obviously, at that time, it was all about simply trying to drive well and stay in F1. Nothing was guaranteed.
"Yes, I had a contract in 2001 for three years - two plus one - but it was such early days that the aim was to try to do well and see what happens, but even when I was 27 or 28, I wouldn't have put money on it.
"Obviously, I left for a couple of years (in 2010 and 2011, Raikkonen took a break from the sport), and if I hadn't have done that, then I wouldn't be here today because I was pretty fed up, not with the racing, but with the politics and other nonsense."


This repository holds all interfaces/classes/traits related to PSR–7.
Note that this is not a HTTP message implementation of its own. It is merely an interface that describes a HTTP message. See the specification for more details.
We’ll certainly need some stuff in here.


input type=submit
element
Pass Criteria
#1: Element is supported
#2: Correct HTML and Core Accessibility API mappings
#3: Correct Accessible Name & Description Calculation
Reference
HTML
input type=submit
element
HTML Accessibility API Mappings for
input type=submit
element
Core Accessibility API Mappings for
button
role
Test isubmit-001:
input type=submit
element
Test isubmit-002:
input type=submit
element with
value="test"
Test isubmit-003:
input type=submit
element with
disabled
attribute


#include "/head.html">
Admin
CM
Register a new membership
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点击刷新
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terms
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- OR -
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Calendar implements a three views calendar(year, month and day), and an event making panel to handle editing, deleting and creating events. There is a separate module that implements the Calendar functionality. The calendar module can be accessed through a global variable named calendar. Inside this global variable we have the following functions available:
| Function Name | Parameters | Return Value | Description |
|---|---|---|---|
| addListener | typeOfListener: provides the type of event listenner callback: provides callback |
None | Whenever the calendar changes all listeners are notified.
In other words, all callback functions related to the event are invoked.
.addListener ( typeOfListener, callBack )
typeOfListener
Type:String Values Supported: monthViewListeners, viewChanger, panelListener, daychangeCurrentDay, emptyCalendar, monthEventListener, dayEventListener, alertListener. callBackType:function |
| initialize | none | None | This function initializes the calendar. |
| changeCurrentViewTo | typeOfView: provides the type of the view | None | this function changes the current view of the calendar.
.changeCurrentViewTo ( typeOfView )
typeOfView
Type:String Values Supported: year, month, day |
| monthChangeCurrentMonth | increaseOrDecrease: provides the increase or decrease of the current month view month | None | This function go to the next or the previous month of the month view.
.monthChangeCurrentMonth ( increaseOrDecrease )
increaseOrDecrease
Type:String Values Supported: +, - |
| dayChangeCurrentDay | increaseOrDecrease: provides the increase or decrease of the current day view days | None | This function go to the next or the previous day of the day view.
.dayChangeCurrentDay ( increaseOrDecrease )
increaseOrDecrease
Type:String Values Supported: +, - |
| emptyCalendar | whichOne: provides the target | None | This function empties the calendar on a targeted view.
.emptyCalendar ( whichOne )
whichOne
Type:String Type Supported: an html element className or id |
| attachEvent | title: providess the the title of the event startTime: providess the starting time endTime: providess the ending time m,t,w,th,f,s,su: providess weekly repetition. repetitionY: providess yearly repetition. reminder: providess a reminder time. repetitionObj: providess repetitive date. |
Boolean | This function creates an event
.attachEvent ( title, startTime, endTime ,m,t,w,th,f,s,su,repetitionY,repetitionObj,reminder)
title
Type:String startTimeType:string Type:string Type:boolean Type:boolean Type:String Type:object |
| getEventsAvailableIn | year: provides the the year of the event month: provides the month of the event day: provides the day of the event |
array | This function return an array with all the event available on the date providesd.
.getEventsAvailableIn ( year, month, day )
year
Type:Number Type:Number Type:number |
| addMonthEvent | location: provides the location you want to draw the event inside the month view TheEvent: provides the event |
none | This function draw an event providesd inside the month view.
.addMonthEvent ( location, TheEvent )
location
Type:HTML element id or className Type:object or array |
| getAnEvent | eventKey: provides the object key of the event | object | This function return an event that matchs the providesd object key.
.getAnEvent ( eventKey )
eventKey
Type:string |
| getYearCurrents | which: provides the attribute of the current year | Number | This function return the current year, day or month.
.getYearCurrents ( which )
which
Type:string |
| getMonthCurrents | which: provides the attribute of the current Month view | Number | This function return the current year or month of the month view.
.getMonthCurrents ( which )
which
Type:string |
| getDayCurrents | which: provides the attribute of the current day view | Number | This function return the current year, day or month of the day view.
.getDayCurrents ( which )
which
Type:string |
| addDayEvent | location: provides the location you want to draw the event inside the month view TheEvent: provides the event |
none | This function draw an event providesd inside the day view.
.addDayEvent ( location, TheEvent )
location
Type:HTML element id or className Type:object or array |
| updatePanel | event: provides an event of the mouse click where: provides the location we want the panel to appear |
none | This function changes the event making panel position.
.updatePanel ( event, where )
event
Type:mouse click's event whereType:string |
| addPanelCurrentTarget | which: provides the attribute of the panel value: provides the value we would like to add |
none | This function keep track of the id of the event for the event making panel. so, in case the panel wants to delete, it already have the targeted event id.
.addPanelCurrentTarget ( which, value )
which
Type:string Type:string or number |
| getPanelTarget | none | Number | This function return the current event making panel target.
.getPanelTarget ( )
|
| editeEvent | Id: providess the key of object event title: providess the title day: providess the day month: providess the month year: providess the year starTime: providess the sarting time endTime: providess the end time repetitionYearly: if the event is repeated yearly reminder: providess a reminder time. repetitionObj: providess repetitive date. |
Boolean | This function edit an event.
.editeEvent(Id,title,day,month,year,sTime,eTime,repetitionY,repetitionObj,reminder)
Id
Type:string or number Type:String dayType:number monthType:number yearType:number startTimeType:string endTimeType:string repetitionYearlyType:boolean reminderType:String Type:object |
| deleteEvent | none | Boolean | This function deletes the targeted event of the event making panel.
.deleteEvent ( )
|
| refreshDay() | none | none | This function refreshes the day view.
.refreshDay ( )
|
| displayAMonth | monthCurrentYear: provides the current year of the month view monthCurrentMonth: provides the current month of the month view |
none | This function changes the month view to the providesd month and year.
.displayAMonth ( monthCurrentYear, monthCurrentMonth )
monthCurrentYear
Type:number Type:number |
| desactivateAnEvent | id: provides the object key of the event | Boolean | This function dis activates an event.
.desactivateAnEvent ( id )
id
Type:string or number |


farm field
Add farm field
{%csrf_token%}
- select farm
{% for farm in farms %}
{{farm.name}}
{% endfor%}
- select season
{% for key, value in seasons.items %}
{{value}}
{% endfor%}
- select crop
{% for key, value in crop_types.items %}
{{value}}
{% endfor%}
Save
List
Farm Field
Farm Name
Crop
Season
Start date
End Date
Delete
Farm Field
Farm Name
Crop
Season
Start date
End Date
Delete


(5 minutes read)
A common technique used by survey researchers in Canadian post-secondary institutons to recruit study participants is convenience sampling in which potential respondents are engaged based on ease of contact or reach. Often, researchers would post stickers and leaflets on buildings or utility poles in hope that potential subjects they wish to recruit for studies may see them and be convinced to participate. Other researchers use academic forums like ResearchGate whereas more desperate ones rely on social media like Facebook or Reddit.
Yet, despite the many techniques for finding recruits for survey studies, many researchers, especially students with heavy course load, still face difficulty. For one, posting leaflets on buildings or similar infrastructure to attract subjects often entail the hassle of navigating city bylaw requiments. Similarly, social media may reach many potential recruits but, unfotunately, not a lot of people on social platforms may take such posts seriously. A mobile-focused web application to help connect researchers to potential participants could offer an important solution to this problem. Such an application, for one, could reduce the amount of time, energy or resources researchers typically expend in recruiting people to participate in survey studies
Hence, as final project for LIBR 555: Information Systems - Design, one of my favorite courses at SLAIS, I explored a design solution for a mobile application that could facilitate easy and convenient recruiting of participants for survey (and similar) studies. To do this, I modelled the project on a five (5) step design process . I chose to implement this specific design model for my project because I felt it could offer exciting opportunities for uncovering insights for solutions that directly apply to specific user needs (Berger, 2017).


Show Only Excerpt of Full Post On Homepage
Mon, 16 Jan 2017 @ Programming
Objective :
To prevent displaying full post on homepage/archive/category/tag pages. Display only excerpt of the full post on these pages.
From user’s perspective, they don’t want to scroll each full post on these pages. They want to read only the one they choose. What’s the point of displaying full post for all the posts on these types of pages ?
Solutions :
1. Manually break the post
If you use editor in WordPress, you will notice a horizontal symbol in the editor’s toolbar. You can break your post by placing this break anywhere you want in the post.
On homepage/archive/category/tag pages, only portion before the break will be displayed. No more full post on these pages. Full post will only be shown when you go directly to the post page.
The drawback – you have to do this every time you write a new post unless you find a way to automate the process.
2. Use the_excerpt()
On homepage/archive/category/tag pages, you’ll normally find a have_posts()
loop to list down all the posts on these pages. After the_post()
line, you can add the_excerpt()
.
The excerpt doesn’t give the title post – only an excerpt of the post and link to continue reading. You need to add the title of the post.
I have done that below. You might want to add extras like dates, categories, tags – depending on what you want to have listed for each post.
<?php

while ( have_posts() ) :

the_post(); ?>

<a href="<?php the_permalink(); ?>"><?php the_title() ?>

<?php

the_excerpt();

endwhile; ?>
UPDATE
Apparantly, after studying the template codes, there is a much easier way to get around this. This is a theme-dependent code, hence please have a look at your code. I’m working on Twenty Seventeen theme.
Firstly, remove all the amendments from previous method.
Please find this line in index.php and archive.php :
get_template_part( 'template-parts/post/content', get_post_format() );
If you look into template-parts/post/
folder, you will notice that the brilliant theme developers have already done this for you. They have already created template for excerpt type listing.
What you need to do is, change the above line to this :
get_template_part( 'template-parts/post/content-excerpt', get_post_format() );
See? Just a small edit ! (^_^)


|
Shift Invariant Space Library (SISL)
|
Abstract base class for a function. Defines a function that is valid over all R^n, it's up to the underlying implementation to decide how those values map to real values. More...
#include <base_function.hpp>
Public Member Functions | |
| virtual const double | operator() (double d0,...) const =0 |
| Evaluate the function at a point. Evaluate the function at a point. | |
| virtual const double | operator() (const vector &p) const =0 |
| Evaluate the function at a point. | |
| virtual const double | eval (double d0,...) |
| Evaluate the function at a point. | |
| virtual const double | eval (const vector &p) |
| Evaluate the function at a point. | |
| virtual const double | d (int component, double d0,...) const =0 |
| Evaluate the derivative of a function at a point. | |
| virtual const double | d (int component, const vector &p) const =0 |
| Evaluate the derivative of a function at a point. | |
| virtual const vector | grad (double d0,...) const =0 |
| Evaluate the gradient of the function at a point. | |
| virtual const vector | grad (const vector &p) const =0 |
| Evaluate the gradient of the function at a point. | |
| virtual const double | n_d (const int_tuple &order, double d0,...) const =0 |
| Evaluate the n'th partial derivative at a point. | |
| virtual const double | n_d (const int_tuple &order, vector &p) const =0 |
| Evaluate the n'th partial derivative at a point. | |
| virtual const int | dim () const =0 |
| Returns the input dimension of this function. | |
Abstract base class for a function. Defines a function that is valid over all R^n, it's up to the underlying implementation to decide how those values map to real values.


Gecode::Int::Count Namespace Reference
Counting propagators. More...
Classes | |
| class | IntBase |
| Baseclass for count propagators (integer). More... | |
| class | EqInt |
| Propagator for counting views (equal integer to number of equal views) More... | |
| class | GqInt |
| Propagator for counting views (greater or equal integer to number of equal views) More... | |
| class | LqInt |
| Propagator for counting views (less or equal integer to number of equal views) More... | |
| class | ViewBase |
| Base-class for count propagators (view). More... | |
| class | EqView |
| Propagator for counting views (equal to number of equal views) More... | |
| class | LqView |
| Propagator for counting views (less or equal to number of equal views) More... | |
| class | GqView |
| Propagator for counting views (greater or equal to number of equal views) More... | |
Functions | |
| template<> | |
| bool | isintset (IntSet y) |
| template<> | |
| bool | isval (IntSet y) |
| void | subscribe (Space &home, Propagator &p, IntSet &y) |
| void | cancel (Space &home, Propagator &p, IntSet &y) |
| void | reschedule (Space &home, Propagator &p, IntSet &y) |
| void | update (IntSet &y, Space &home, IntSet &py) |
| template<class VY > | |
| void | update (VY &y, Space &home, VY py) |
| template<class VX > | |
| ExecStatus | post_true (Home home, VX x, ConstIntView y) |
| template<class VX > | |
| ExecStatus | post_true (Home home, VX x, ZeroIntView) |
| template<class VX > | |
| ExecStatus | post_true (Home home, VX x, const IntSet &y) |
| template<class VX > | |
| ExecStatus | post_false (Home home, VX x, ConstIntView y) |
| template<class VX > | |
| ExecStatus | post_false (Home home, VX x, ZeroIntView) |
| template<class VX > | |
| ExecStatus | post_false (Home home, VX x, const IntSet &y) |
| template<class VX > | |
| ExecStatus | post_true (Home home, VX x, VX y) |
| template<class VX > | |
| ExecStatus | post_false (Home home, VX x, VX y) |
| template<class VX > | |
| ExecStatus | prune (Space &home, ViewArray< VX > &x, ConstIntView) |
| template<class VX > | |
| ExecStatus | prune (Space &home, ViewArray< VX > &x, ZeroIntView) |
| template<class VX > | |
| ExecStatus | prune (Space &home, ViewArray< VX > &x, const IntSet &y) |
| template<class VX > | |
| ExecStatus | prune (Space &home, ViewArray< VX > &x, VX y) |
| template<class VX > | |
| bool | shared (const IntSet &, VX) |
|
| |
| template<class VY > | |
| bool | isintset (VY y) |
| Return whether y is an integer set. | |
| template<class VY > | |
| bool | isval (VY y) |
| Return whether y is a value. | |
| template<class VY > | |
| void | subscribe (Space &home, Propagator &p, VY y) |
| Subscribe propagator p to view y. | |
| template<class VY > | |
| void | cancel (Space &home, Propagator &p, VY y) |
| Cancel propagator p for view y. | |
| template<class VY > | |
| void | reschedule (Space &home, Propagator &p, VY y) |
| Schedule propagator p for view y. | |
| template<class VX > | |
| RelTest | holds (VX x, ConstIntView y) |
| Test whether x and y are equal. | |
| template<class VX > | |
| RelTest | holds (VX x, ZeroIntView y) |
| Test whether x and y are equal. | |
| template<class VX > | |
| RelTest | holds (VX x, const IntSet &y) |
| Test whether x and y are equal. | |
| template<class VX > | |
| RelTest | holds (VX x, VX y) |
| Test whether x and y are equal. | |
| template<class VX > | |
| ExecStatus | post_true (Home home, ViewArray< VX > &x, ConstIntView y) |
| Post that all views in x are equal to y. | |
| template<class VX > | |
| ExecStatus | post_true (Home home, ViewArray< VX > &x, ZeroIntView y) |
| Post that all views in x are equal to y. | |
| template<class VX > | |
| ExecStatus | post_true (Home home, ViewArray< VX > &x, const IntSet &y) |
| Post that all views in x are equal to y. | |
| template<class VX > | |
| ExecStatus | post_false (Home home, ViewArray< VX > &x, ConstIntView y) |
| Post that all views in x are not equal to y. | |
| template<class VX > | |
| ExecStatus | post_false (Home home, ViewArray< VX > &x, ZeroIntView y) |
| Post that all views in x are not equal to y. | |
| template<class VX > | |
| ExecStatus | post_false (Home home, ViewArray< VX > &x, const IntSet &y) |
| Post that all views in x are not equal to y. | |
| template<class VX > | |
| ExecStatus | post_true (Home home, ViewArray< VX > &x, VX y) |
| Post that all views in x are equal to y. | |
| template<class VX > | |
| ExecStatus | post_false (Home home, ViewArray< VX > &x, VX y) |
| Post that all views in x are not equal to y. | |
| template<class VY > | |
| void | update (VY &y, Space &home, bool shared, VY py) |
| Update view y from py. | |
| template<class VX > | |
| ExecStatus | prune (Home home, ViewArray< VX > &x, VX y) |
| Prune that y is the union of x. | |
| template<class VX > | |
| ExecStatus | prune (Home home, ViewArray< VX > &x, ConstIntView y) |
| Prune that y is the union of x. | |
| template<class VX > | |
| ExecStatus | prune (Home home, ViewArray< VX > &x, ZeroIntView y) |
| Prune that y is the union of x. | |
| template<class VX > | |
| ExecStatus | prune (Home home, ViewArray< VX > &x, const IntSet &y) |
| Prune that y is the union of x. |
Detailed Description
Counting propagators.
Function Documentation
| bool Gecode::Int::Count::isintset | ( | VY | y | ) | [inline] |
Return whether y is an integer set.
Relations for domain consistent counting
| bool Gecode::Int::Count::isintset | ( | IntSet | y | ) | [inline] |
| bool Gecode::Int::Count::isval | ( | VY | y | ) | [inline] |
Return whether y is a value.
| bool Gecode::Int::Count::isval | ( | IntSet | y | ) | [inline] |
| void Gecode::Int::Count::subscribe | ( | Space & | home, | |
| Propagator & | p, | |||
| IntSet & | y | |||
| ) | [inline] |
| void Gecode::Int::Count::subscribe | ( | Space & | home, | |
| Propagator & | p, | |||
| VY | y | |||
| ) | [inline] |
Subscribe propagator p to view y.
| void Gecode::Int::Count::cancel | ( | Space & | home, | |
| Propagator & | p, | |||
| IntSet & | y | |||
| ) | [inline] |
| void Gecode::Int::Count::cancel | ( | Space & | home, | |
| Propagator & | p, | |||
| VY | y | |||
| ) | [inline] |
Cancel propagator p for view y.
| void Gecode::Int::Count::reschedule | ( | Space & | home, | |
| Propagator & | p, | |||
| IntSet & | y | |||
| ) | [inline] |
| void Gecode::Int::Count::reschedule | ( | Space & | home, | |
| Propagator & | p, | |||
| VY | y | |||
| ) | [inline] |
Schedule propagator p for view y.
| void Gecode::Int::Count::update | ( | IntSet & | y, | |
| Space & | home, | |||
| IntSet & | py | |||
| ) | [inline] |
| void Gecode::Int::Count::update | ( | VY & | y, | |
| Space & | home, | |||
| VY | py | |||
| ) | [inline] |
| RelTest Gecode::Int::Count::holds | ( | VX | x, | |
| ConstIntView | y | |||
| ) | [inline] |
Test whether x and y are equal.
| RelTest Gecode::Int::Count::holds | ( | VX | x, | |
| ZeroIntView | ||||
| ) | [inline] |
Test whether x and y are equal.
| RelTest Gecode::Int::Count::holds | ( | VX | x, | |
| const IntSet & | y | |||
| ) | [inline] |
Test whether x and y are equal.
| RelTest Gecode::Int::Count::holds | ( | VX | x, | |
| VX | y | |||
| ) | [inline] |
Test whether x and y are equal.
| ExecStatus Gecode::Int::Count::post_true | ( | Home | home, | |
| VX | x, | |||
| ConstIntView | y | |||
| ) | [inline] |
| ExecStatus Gecode::Int::Count::post_true | ( | Home | home, | |
| VX | x, | |||
| ZeroIntView | ||||
| ) | [inline] |
| ExecStatus Gecode::Int::Count::post_true | ( | Home | home, | |
| VX | x, | |||
| const IntSet & | y | |||
| ) | [inline] |
| ExecStatus Gecode::Int::Count::post_true | ( | Home | home, | |
| ViewArray< VX > & | x, | |||
| ConstIntView | y | |||
| ) | [inline] |
Post that all views in x are equal to y.
| ExecStatus Gecode::Int::Count::post_true | ( | Home | home, | |
| ViewArray< VX > & | x, | |||
| ZeroIntView | ||||
| ) | [inline] |
Post that all views in x are equal to y.
| ExecStatus Gecode::Int::Count::post_true | ( | Home | home, | |
| ViewArray< VX > & | x, | |||
| const IntSet & | y | |||
| ) | [inline] |
Post that all views in x are equal to y.
| ExecStatus Gecode::Int::Count::post_false | ( | Home | home, | |
| VX | x, | |||
| ConstIntView | y | |||
| ) | [inline] |
| ExecStatus Gecode::Int::Count::post_false | ( | Home | home, | |
| VX | x, | |||
| ZeroIntView | ||||
| ) | [inline] |
| ExecStatus Gecode::Int::Count::post_false | ( | Home | home, | |
| VX | x, | |||
| const IntSet & | y | |||
| ) | [inline] |
| ExecStatus Gecode::Int::Count::post_false | ( | Home | home, | |
| ViewArray< VX > & | x, | |||
| ConstIntView | y | |||
| ) | [inline] |
Post that all views in x are not equal to y.
| ExecStatus Gecode::Int::Count::post_false | ( | Home | home, | |
| ViewArray< VX > & | x, | |||
| ZeroIntView | ||||
| ) | [inline] |
Post that all views in x are not equal to y.
| ExecStatus Gecode::Int::Count::post_false | ( | Home | home, | |
| ViewArray< VX > & | x, | |||
| const IntSet & | y | |||
| ) | [inline] |
Post that all views in x are not equal to y.
| ExecStatus Gecode::Int::Count::post_true | ( | Home | home, | |
| ViewArray< VX > & | x, | |||
| VX | y | |||
| ) | [inline] |
Post that all views in x are equal to y.
| ExecStatus Gecode::Int::Count::post_true | ( | Home | home, | |
| VX | x, | |||
| VX | y | |||
| ) | [inline] |
| ExecStatus Gecode::Int::Count::post_false | ( | Home | home, | |
| ViewArray< VX > & | x, | |||
| VX | y | |||
| ) | [inline] |
Post that all views in x are not equal to y.
| ExecStatus Gecode::Int::Count::post_false | ( | Home | home, | |
| VX | x, | |||
| VX | y | |||
| ) | [inline] |
| ExecStatus Gecode::Int::Count::prune | ( | Space & | home, | |
| ViewArray< VX > & | x, | |||
| ConstIntView | ||||
| ) | [inline] |
| ExecStatus Gecode::Int::Count::prune | ( | Space & | home, | |
| ViewArray< VX > & | x, | |||
| ZeroIntView | ||||
| ) | [inline] |
| ExecStatus Gecode::Int::Count::prune | ( | Space & | home, | |
| ViewArray< VX > & | x, | |||
| const IntSet & | y | |||
| ) | [inline] |
| ExecStatus Gecode::Int::Count::prune | ( | Space & | home, | |
| ViewArray< VX > & | x, | |||
| VX | y | |||
| ) | [inline] |
| bool Gecode::Int::Count::shared | ( | const IntSet & | , | |
| VX | ||||
| ) | [inline] |
Definition at line 118 of file view-base.hpp.
| void Gecode::Int::Count::update | ( | VY & | y, | |
| Space & | home, | |||
| bool | shared, | |||
| VY | py | |||
| ) | [inline] |
Update view y from py.
| ExecStatus Gecode::Int::Count::prune | ( | Home | home, | |
| ViewArray< VX > & | x, | |||
| VX | y | |||
| ) | [inline] |
Prune that y is the union of x.
| ExecStatus Gecode::Int::Count::prune | ( | Home | home, | |
| ViewArray< VX > & | x, | |||
| ConstIntView | y | |||
| ) | [inline] |
Prune that y is the union of x.
| ExecStatus Gecode::Int::Count::prune | ( | Home | home, | |
| ViewArray< VX > & | x, | |||
| ZeroIntView | y | |||
| ) | [inline] |
Prune that y is the union of x.
| ExecStatus Gecode::Int::Count::prune | ( | Home | home, | |
| ViewArray< VX > & | x, | |||
| const IntSet & | y | |||
| ) | [inline] |
Prune that y is the union of x.


vignettes/event-mgt.Rmd
event-mgt.Rmd
GitHub milestones and issues can be used to track and coordinate
multiple teams working on parallel projects. You can use custom
projmgr
plans to set up a group of repos with a standard
set of milestones and issues. This is useful whenever you’re overseeing
a large group of people who should be following some similar process –
for example, at a hackathon, unconf, group working session, or
training.
Imagine you are planning a hackathon or working session with 5 teams, each with their own GitHub repo within your organization named “team{i}” (for i from 1 to 5).
Suppose there is a specific set of steps you wish each team to progress through. These can be specified as a custom plan. For example, in a separate YAML file, suppose you save the following plan in a file “plan.yml”.
- title: Pre-Work description: Tasks to be completed before the hackathon due_on: 2019-12-31 issue: - title: Introductions body: Each team member should post a brief introduction of themselves here - title: Project brainstorming body: > Each team member should post at least 1 project idea here and attempt to provide at least 1 constructive comment on another project idea shared. - title: Project Specification description: Tasks for Day 1 AM to help ease the project management burdens due_on: 2020-01-15T11:59:59Z issue: - title: Set scope of project body: Define what success means for your project, bearing in mind the time constraints! - title: Assign roles body: > Roles can and should be fluid, but deciding upfront what team member take certain leading roles will save time throughout the day. - title: Heads-Down Work Time due_on: 2020-01-16T10:00:00Z description: The bulk of your time goes here! Please add custom issues related to you project. issue: - title: Define API body: Consider the problem you are trying to solve and the best interface for it - title: Presentation Preparation description: Tasks for Day 2 PM to help prepare for final read out due_on: 2020-01-16T13:00:00Z issue: - title: Outline key points body: > Decide what you want to share about your process and results. Remember that you only have 15 minutes! - title: Make deck body: Make xaringan deck about your project
plan <- read_plan("plan.yml")
We can check that our plan was read correctly by printing it back out.
print(plan) #> Plan: #> 1. Pre-Work (2 issues) #> 2. Project Specification (2 issues) #> 3. Heads-Down Work Time (1 issues) #> 4. Presentation Preparation (2 issues)
Next, create repository references for each repo, using
purrr::map()
for iteration.
repo_names <- paste0("team", 1:5) repo_refs <- purrr::map(repo_names, ~create_repo_ref("emilyriederer", .))
Finally, we can again use purrr::walk()
to post the
project plan to each GitHub repository. (Note that
purrr::map()
would also work here, but
purrr::walk()
executes silently which is convenient when we
don’t care about the return values.)
Each repo is now populated with a set of milestones and related issues for the respective team to work through.
Posting project plans in this way has numerous benefits. Participants
in your event may be interested to know ahead what they will be doing.
Using the report_plan()
function, you can convert all of
the same information on GitHub into an aesthetic and readable list that
could be shared in a website or an email
report_plan(plan)
You can also use this to monitor participant progress throughout the
event, potentially noticing groups that are falling behind and might
need assistance. We can apply our get_milestones()
and
parse_milestones()
functions by mapping over the repository
references.
milestone_lists <- purrr::map(repo_refs, get_milestones) milestones <- purrr::map_dfr(milestone_lists, parse_milestones, .id = 'team')
This gives us data on all teams:
milestones #> team title number #> 1 1 Pre-Work 1 #> 2 1 Project Specification 2 #> 3 1 Heads-Down Work Time 3 #> 4 1 Presentation Preparation 4 #> 5 2 Pre-Work 1 #> 6 2 Project Specification 2 #> 7 2 Heads-Down Work Time 3 #> 8 2 Presentation Preparation 4 #> 9 3 Pre-Work 1 #> 10 3 Project Specification 2 #> 11 3 Heads-Down Work Time 3 #> 12 3 Presentation Preparation 4 #> 13 4 Pre-Work 1 #> 14 4 Project Specification 2 #> 15 4 Heads-Down Work Time 3 #> 16 4 Presentation Preparation 4 #> 17 5 Pre-Work 1 #> 18 5 Project Specification 2 #> 19 5 Heads-Down Work Time 3 #> 20 5 Presentation Preparation 4 #> description #> 1 Tasks to be completed before the hackathon #> 2 Tasks for Day 1 AM to help ease the project management burdens #> 3 The bulk of your time goes here! Please add custom issues related to you project. #> 4 Tasks for Day 2 PM to help prepare for final read out #> 5 Tasks to be completed before the hackathon #> 6 Tasks for Day 1 AM to help ease the project management burdens #> 7 The bulk of your time goes here! Please add custom issues related to you project. #> 8 Tasks for Day 2 PM to help prepare for final read out #> 9 Tasks to be completed before the hackathon #> 10 Tasks for Day 1 AM to help ease the project management burdens #> 11 The bulk of your time goes here! Please add custom issues related to you project. #> 12 Tasks for Day 2 PM to help prepare for final read out #> 13 Tasks to be completed before the hackathon #> 14 Tasks for Day 1 AM to help ease the project management burdens #> 15 The bulk of your time goes here! Please add custom issues related to you project. #> 16 Tasks for Day 2 PM to help prepare for final read out #> 17 Tasks to be completed before the hackathon #> 18 Tasks for Day 1 AM to help ease the project management burdens #> 19 The bulk of your time goes here! Please add custom issues related to you project. #> 20 Tasks for Day 2 PM to help prepare for final read out #> creator_login n_open_issues n_closed_issues state created_at updated_at #> 1 emilyriederer 0 2 open 2018-12-30 2018-12-30 #> 2 emilyriederer 0 2 open 2018-12-30 2018-12-30 #> 3 emilyriederer 1 0 open 2018-12-30 2018-12-30 #> 4 emilyriederer 2 0 open 2018-12-30 2018-12-30 #> 5 emilyriederer 0 2 open 2018-12-30 2018-12-30 #> 6 emilyriederer 1 1 open 2018-12-30 2018-12-30 #> 7 emilyriederer 1 0 open 2018-12-30 2018-12-30 #> 8 emilyriederer 2 0 open 2018-12-30 2018-12-30 #> 9 emilyriederer 0 2 open 2018-12-30 2018-12-30 #> 10 emilyriederer 0 2 open 2018-12-30 2018-12-30 #> 11 emilyriederer 0 1 open 2018-12-30 2018-12-30 #> 12 emilyriederer 0 2 open 2018-12-30 2018-12-30 #> 13 emilyriederer 0 2 open 2018-12-30 2018-12-30 #> 14 emilyriederer 2 0 open 2018-12-30 2018-12-30 #> 15 emilyriederer 1 0 open 2018-12-30 2018-12-30 #> 16 emilyriederer 2 0 open 2018-12-30 2018-12-30 #> 17 emilyriederer 2 0 open 2018-12-30 2018-12-30 #> 18 emilyriederer 2 0 open 2018-12-30 2018-12-30 #> 19 emilyriederer 1 0 open 2018-12-30 2018-12-30 #> 20 emilyriederer 2 0 open 2018-12-30 2018-12-30 #> due_on closed_at #> 1 2019-12-31 18261 #> 2 2020-01-15 18276 #> 3 2020-01-16 NA #> 4 2020-01-16 NA #> 5 2019-12-31 18261 #> 6 2020-01-15 NA #> 7 2020-01-16 NA #> 8 2020-01-16 NA #> 9 2019-12-31 18261 #> 10 2020-01-15 18276 #> 11 2020-01-16 18277 #> 12 2020-01-16 18277 #> 13 2019-12-31 18261 #> 14 2020-01-15 NA #> 15 2020-01-16 NA #> 16 2020-01-16 NA #> 17 2019-12-31 NA #> 18 2020-01-15 NA #> 19 2020-01-16 NA #> 20 2020-01-16 NA
Which we can wrangle for quick summary views:
milestones %>% dplyr::mutate(percent_complete = n_closed_issues * 100 / (n_closed_issues + n_open_issues)) %>% dplyr::select(team, title, percent_complete, number) %>% tidyr::spread(team, percent_complete) %>% dplyr::arrange(number) %>% dplyr::select(-number) #> # A tibble: 4 x 6 #> title `1` `2` `3` `4` `5` #> <chr> <dbl> <dbl> <dbl> <dbl> <dbl> #> 1 Pre-Work 100 100 100 100 0 #> 2 Project Specification 100 50 100 0 0 #> 3 Heads-Down Work Time 0 0 100 0 0 #> 4 Presentation Preparation 0 0 100 0 0
In some cases a GitHub Project Board might be a better choice, but R provides easy integration with tweets, emails, Shiny apps, or other tools you may be using to communicate throughout your event.


V4 Changelog
Changes for using the component
-
Defined a Public API and hidden rest of functions, variables so that all configuration options can be changed dynamically.
-
set/getDate()
is now replaced with an overloadeddate()
function. Use it without a parameter to get the currently set date or with a parameter to set the date. -
hide()
,show()
,toggle()
,enable()
,disable()
and the rest of setter functions now support chaining. ie$('#id').data('DateTimePicker').format('DD-MM-YYYY').minDate(moment()).defaultDate(moment()).show()
works -
Replaced previous - next buttons in Date subviews with configurable icons
-
Changed
language
option name tolocale
to be inline with moment naming -
Implemented #402 all data-date-* variables are more readable and also match with the ones in the configuration object
-
options.direction
andoptions.orientation
were merged into a single objectoptions.widgetPositioning
withvertical
andhorizontal
keys that take a string value of'auto', 'top', 'bottom'
and'auto', 'left', 'right'
respectively. Note that the'up'
option was renamed to'top'
Added functionality
-
added a second way to define options as data attributes. Instead of adding distinct
data-date-*
config options you can now also pass adata-date-options
attribute containing an object just the same as the options object thatelement.datetimepicker
constructor call takes -
also added a
options()
public api function to get/set that takes an option object and applies it to the component in one call -
Implemented #130 by introducing a boolean
options.calendarWeeks
andcalendarWeeks()
api function -
Implemented #432. Widget DOM element is now lazily added only when shown and removed from the document when hidden.
Contributors related internal code changes
-
Refactor all UI click functions and put them as functions in the actions array private variable
-
Refactor template building process to seperate functions according to what they do
-
Remove some styles that where hardcoded in the javascript code
-
Refactor all code that changes the picker.date to change it through the setValue function to allow one place for validation logic (min/max/weekdaysenabled etc) and also one place for emmiting dp.change events
-
The v4beta branch code includes all fixes up to v.3.1.2
-
Added
toggle()
to the public API which toggles the visibility of the DateTimePicker -
Refactored set function to be included in the setValue function
-
Added a testing framework using jasmine and phantom.js