Installing HTK on 64-bit Architectures
09 Apr 2014HTK is an important speech recognition tool maintained and founded by the Cambridge University Engineering Department. Once one registers, downloads the code, and unpacks it, the standard recipe for compiling the source on Linux is
./configure
make all
However, on a 64-bit architecture this will fail because of a bug on
line 5507 of configure
we see that the generated Makefiles will set the
call to the C compiler to have the -m32
flag (line 3):
1 case "$host" in
2 *x86_64*linux*)
3 CFLAGS="-m32 -ansi -D_SVID_SOURCE -DOSS_AUDIO -D'ARCH=\"$host_cpu\"' $CFLAGS"
4 LDFLAGS="-L/usr/X11R6/lib $LDFLAGS"
5 ARCH=linux
6 trad_bin_dir=linux
7 ;;
The -m32
flag is meant for an
i386 system since it sets "int", "long",
and pointer types to 32 bits. For x86-64 architectures
we want the -m64
flag so we need to change Line 3 above to
CFLAGS="-m64 -ansi -D_SVID_SOURCE -DOSS_AUDIO -D'ARCH=\"$host_cpu\"' $CFLAGS"
After making this change I was able to compile HTK without any further problems.
This note is for HTK version 3.4.1
and hopefully future versions
will include this bug fix.


It’s the 10th week of this User Science Journal!
Curtain Call! In the past 9 weeks, I've learned a great deal about usability, accessiblity, user testing, and data analytics. It's now time for a summarization and reflection of the last few weeks of testing and data analytics. It can take an additional ten weeks to cover all the aspects of Google Analytics(GA). So to quickly recap, GA has been the tool I've used to collect data, set goals, and set experiments to drive visitors to complete the goals set for this User Science Journal. I was astonished at how easy it was to integrate GA on webpages. You can read the about how it was done on my Blog Post 7. This week, I'll give a brief summary and reflection of the collected data and my goal project.
Goal Experiment and Analytics
One of the surprises I found in the inital gathering of traffic data was although I had promoted the site through my Facebook page, the data showed the source were more from Direct rather than Social. The Source data remained similar in the most recent week of tracking. Interestingly, the bounce rate was lowest with the highest conversion rate via Social. It can be inferred from the data that since the post on Social via Facebook was a direct ask, people positively responded.
I had set a couple of goals for the Journal, which I discussed in detail on my Blog Post 8. The first goal was directing users to click on my Blog Post 7 and the second was to have visitors click on the Subscribe! button on the Index page. In GA's goal overview tool, it recorded 15 completions with a conversion rate of 34.88% and in terms of dollar value, it earned $1,505.
Last week, I conducted an A/B testing experiment on the website to gauge how well a slight change will affect the coversion rate of a goal. My set goal was to drive visitors to click on the blue Subscribe! button on the Index page. I made a slight change to the location of the button by moving it to the from the left side of the screen (Original) to the right side (Variant 1).
The experiment resulted in more clicks on the button in the Variant 1 rather than the original:
Summary and Reflection
The process of extracting meaning from data collected through GA is not a precise science. Conducting user testing alongside the data collection can definitely enhance the meaning. In the few weeks of data collection on the User Science Journal, I found some interesting patterns. As shown in the below Behavior Flow visual, drop-offs numbers are quite high.
The ultimate goal of most businesses is to gain profits. With this goal in sight and using the data collected from GA, the conclusion I could make is the content of my User Science Journal is marketed to the wrong audience. With 43 sessions, 25 of those were 10 seconds or less long. According to GA, 52.38% of the site's visitors have an afinity for food & dining and the rest are aficionados of lifestyles/hobbies/arts and theater. Given this information, perhaps if I changed the blog to focus on food, I should expect a better conversion rate. :-)
Overall, I am comfortable with data collection to help businesses make improvement decisions. However, I also care about cultures and technology’s role in shaping that culture. Through this lens, I find tracking users and using that data alone to categorize and predict people's behavior problematic.


PREPARE TRANSACTION prepares the current transaction for two-phase commit. After this command, the transaction is no longer associated with the current session; instead, its state is fully stored on disk, and there is a very high probability that it can be committed successfully, even if a database crash occurs before the commit is requested.
Once prepared, a transaction can later be committed or rolled back with COMMIT PREPARED or ROLLBACK PREPARED, respectively. Those commands can be issued from any session, not only the one that executed the original transaction.
From the point of view of the issuing session, PREPARE TRANSACTION is not unlike a ROLLBACK command: after executing it, there is no active current transaction, and the effects of the prepared transaction are no longer visible. (The effects will become visible again if the transaction is committed.)
If the PREPARE TRANSACTION command fails for any reason, it becomes a ROLLBACK: the current transaction is canceled.
An arbitrary identifier that later identifies this transaction for COMMIT PREPARED or ROLLBACK PREPARED. The identifier must be written as a string literal, and must be less than 200 bytes long. It must not be the same as the identifier used for any currently prepared transaction.
PREPARE TRANSACTION is not intended for use in applications or interactive sessions. Its purpose is to allow an external transaction manager to perform atomic global transactions across multiple databases or other transactional resources. Unless you're writing a transaction manager, you probably shouldn't be using PREPARE TRANSACTION.
This command must be used inside a transaction block. Use BEGIN to start one.
It is not currently allowed to PREPARE a transaction that has executed any operations involving temporary tables, created any cursors WITH HOLD, or executed LISTEN or UNLISTEN. Those features are too tightly tied to the current session to be useful in a transaction to be prepared.
If the transaction modified any run-time parameters with SET (without the LOCAL option), those effects persist after PREPARE TRANSACTION, and will not be affected by any later COMMIT PREPARED or ROLLBACK PREPARED. Thus, in this one respect PREPARE TRANSACTION acts more like COMMIT than ROLLBACK.
All currently available prepared transactions are listed in the pg_prepared_xacts system view.
| Caution |
It is unwise to leave transactions in the prepared state for a long time. This will interfere with the ability of VACUUM to reclaim storage, and in extreme cases could cause the database to shut down to prevent transaction ID wraparound (see Section 23.1.4). Keep in mind also that the transaction continues to hold whatever locks it held. The intended usage of the feature is that a prepared transaction will normally be committed or rolled back as soon as an external transaction manager has verified that other databases are also prepared to commit. If you have not set up an external transaction manager to track prepared transactions and ensure they get closed out promptly, it is best to keep the prepared-transaction feature disabled by setting max_prepared_transactions to zero. This will prevent accidental creation of prepared transactions that might then be forgotten and eventually cause problems. |


I listen to a lot of different kinds of music, ranging from Rap and Hip-Hop to Indie Rock. I am also a big fan of kpop (korean pop).


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© 2016. "Master your champion" isn't endorsed by Riot Games and doesn't reflect the views or opinions of Riot Games or anyone officially involved in producing or managing League of Legends. League of Legends and Riot Games are trademarks or registered trademarks of Riot Games, Inc. League of Legends © Riot Games, Inc.


Getting blocked on a simple problem
During the FizzBuzz kata, I found myself not being able to reutn a value. I think I
spent around 2-3 hours trying to debug the whole code and finding what the error was.
Later I decided to ask a friend of mine who already started at Dev to look at my code
and help me. Immediately she found that I had MISSPELT "return". The whole time I was
stressing over my code when it was a simple problem. It was times like this I really
had to take a break before I exploded.
Although from this problem I learnt that I should always check my code more thoroughly,
even if it is a simple word, simple words can sometimes be the problem.
Did I solve a problem in an elegant way?
I dont think I've managed to solve a problem in a elegant way yet. Hopefully throughout Dev I'll be more confident in doing this. For now I'll just try my best in making sure my code is readiable and makes sense.
Using Different Problem Solvng Techniques:
Pseudocode
I found that this techniques was very useful in some cases like the fizzbuzz challenge. Even though I do feel quite confident in using Pseudocode, It did take some practice and Getting use too, before I could use this properly.
Trying something
Trying something I found to not be very useful, just because half of the time I didn't understand what it was I was trying to do. So writing in code that I didn't feel confident in writing was sort of pointless.
Rubber ducky method
I think this method would have to be my favourite method out of the bunch. I found that talking out a problem I was faced with, with an animated object, helped me think About where I went wrong. Most of the times the questions I was asking held the answers in the question.
Reading error messages
Reading error messages is something im still working on at the moment. Either because sometimes I can find the mistake easy or I dont understand it at all.
Console.logging
console logging is a pretty good technique when it comes to needing more information that arent being provided already.
Googling
Google and stack overflow are where I find most of my solutions when I get stuck. But google is probably the easiest for me to understand aslong as Im composing the question Im asking correctly. I found that googling techniques is also a way of improving my problem solving skills because you have to take the example of the techniue given on google and alter it, so it can be appied to your problem.
Asking your peers for help
I found that asking peers for help is very difficult for me to do. Coming from someone who is Alot younger and not as experienced as some people, I always have a fear of looking stupid and being judged even though I know not everyone is like this. I think I need to learn how to be okay with asking for help and that asking will lift weights off your shoulders.
Asking coaches for help
Asking my facilitators for help is also another thing I struggle in. For some reason I have a fixed mindset of "having to do things myself", so when it comes to asking people for help I will try to avoid it as much as I can. I noticed that this is something I even do with how I feel. I tend to bottle up my problems without facing them head on. So again I think learning how to be ok with asking for help, and learning to have a mindset of "asking for help doesnt make you any less stupid" will help the future me.
Improving your process with reflection
I think Im doing quite well with my reflections. I tend to go into depth most of the times, even when Im not asked too, simply because it helps me as a person to know what Im doing good in and what I need to improve. Being able to reflect of task, just shows me how im doing with all of this new information.


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Resources
Note: This page includes links for websites that were used for the research of all UA athletes that were included in this site
- https://en.wikipedia.org/wiki/List_of_Under_Armour_sponsorships
- https://www.biography.com/people/stephen-curry
- http://bleacherreport.com/articles/2736676-kent-bazemore-reportedly-agrees-to-5-year-contract-extension-with-under-armour
- https://thesmokingcuban.com/2017/09/26/dennis-smith-jr-hints-at-possible-signature-under-armour-shoe/
- https://en.wikipedia.org/wiki/Dennis_Smith_Jr.
- https://www.cbssports.com/college-basketball/news/emmanuel-mudiay-signs-contract-with-under-armour/
- https://en.wikipedia.org/wiki/Emmanuel_Mudiay
- https://en.wikipedia.org/wiki/Isaiah_Whitehead
- https://en.wikipedia.org/wiki/Patty_Mills
- http://pattymills.com.au/patty-joins-the-under-armour-family/
- https://en.wikipedia.org/wiki/Greivis_V%C3%A1squez
- https://en.wikipedia.org/wiki/Tom_Brady
- https://www.si.com/nfl/2010/11/08/tom-brady-under-armour
- https://en.wikipedia.org/wiki/Vernon_Davis
- http://www.baltimoresun.com/business/under-armour-blog/bal-armoury-under-armour-signs-deal-with-ucla-linebacker-myles-jack-20160225-story.html
- https://en.wikipedia.org/wiki/Julio_Jones
- https://en.wikipedia.org/wiki/Marqise_Lee
- https://en.wikipedia.org/wiki/Brandon_Marshall
- https://en.wikipedia.org/wiki/Vance_McDonald
- https://en.wikipedia.org/wiki/Cam_Newton
- https://en.wikipedia.org/wiki/Patrick_Peterson
- https://en.wikipedia.org/wiki/Eric_Reid_(American_football
- https://en.wikipedia.org/wiki/Andre_Williams_(American_football)
- https://en.wikipedia.org/wiki/Leonard_Fournette
- http://www.espn.com/nfl/story/_/id/18500793/leonard-fournette-sign-endorsement-deal-armour
- https://en.wikipedia.org/wiki/Freddie_Freeman
- https://en.wikipedia.org/wiki/Dee_Gordon
- https://en.wikipedia.org/wiki/Bryce_Harper
- https://en.wikipedia.org/wiki/Ryan_Howard
- https://en.wikipedia.org/wiki/Clayton_Kershaw
- https://en.wikipedia.org/wiki/Hyun-soo_Kim
- https://en.wikipedia.org/wiki/Nick_Markakis
- https://en.wikipedia.org/wiki/Buster_Posey
- https://en.wikipedia.org/wiki/Jos%C3%A9_Reyes_(infielder)
- https://en.wikipedia.org/wiki/Matt_Wieters
- https://en.wikipedia.org/wiki/Ryan_Zimmerman
- https://en.wikipedia.org/wiki/Joc_Pederson
- https://en.wikipedia.org/wiki/Cody_Bellinger
- https://en.wikipedia.org/wiki/Aaron_Judge
- https://en.wikipedia.org/wiki/Canelo_%C3%81lvarez
- https://en.wikipedia.org/wiki/Carlos_Cuadras
- https://en.wikipedia.org/wiki/Adri%C3%A1n_Hern%C3%A1ndez_(boxer)
- https://en.wikipedia.org/wiki/Abner_Mares
- https://en.wikipedia.org/wiki/Anthony_Joshua
- https://en.wikipedia.org/wiki/Gervonta_Davis
- https://en.wikipedia.org/wiki/Matthew_Fitzpatrick
- https://en.wikipedia.org/wiki/Hunter_Mahan
- https://en.wikipedia.org/wiki/Jordan_Spieth
- https://en.wikipedia.org/wiki/Bernd_Wiesberger
- https://en.wikipedia.org/wiki/Gary_Woodland
- https://en.wikipedia.org/wiki/Alison_Lee
- https://en.wikipedia.org/wiki/Carey_Price
- https://en.wikipedia.org/wiki/Tyler_Seguin
- https://en.wikipedia.org/wiki/Georges_St-Pierre
- https://en.wikipedia.org/wiki/Jamie_Cudmore
- https://en.wikipedia.org/wiki/Mitchie_Brusco
- https://en.wikipedia.org/wiki/Shani_Davis
- https://en.wikipedia.org/wiki/Bobby_Brown_(freestyle_skier)
- https://en.wikipedia.org/wiki/Marcel_Hirscher
- https://en.wikipedia.org/wiki/Julia_Dujmovits
- https://en.wikipedia.org/wiki/Andy_Murray
- https://en.wikipedia.org/wiki/Sloane_Stephens
Images
- https://images.solecollector.com/complex/image/upload/otveslug2aujvlo2fyp9.jpg
- https://hypb.imgix.net/image/2017/06/steph-curry-debuts-under-armour-curry-4-nba-finals-01.jpg?w=1024&q=90&fit=max&auto=compress%2Cformat
- http://a3.espncdn.com/combiner/i?img=%2Fphoto%2F2016%2F0322%2Fr66173_1296x729_16-9.jpg
- https://prnewswire2-a.akamaihd.net/p/1893751/sp/189375100/thumbnail/entry_id/1_5t0rlf6v/def_height/1019/def_width/1600/version/100011/type/1
- https://milehighsports.com/wp-content/uploads/2016/04/USATSI_9220258-696x463.jpg
- https://cdn5.kicksonfire.com/wp-content/uploads/2017/07/STEPH-CURRY-15-681x455.jpg?x76107
- https://cdn5.kicksonfire.com/wp-content/uploads/2015/12/Cam-Newton-1.png?x76107
- http://butologia.com/wp-content/uploads/2015/11/Kent-Bazemore-Under-Armour-Curry-Two.jpg
- https://cdn5.kicksonfire.com/wp-content/uploads/2016/06/2016-NBA-Finals-Game-4-Stephen-Curry-Under-Armour-Curry-Two-Black-Knight-3.jpg?x76107
- https://sneakernews.com/wp-content/uploads/2015/11/mudiay-under-armour.jpg
- http://unlocked-wordpress.s3.amazonaws.com/uploads/2013/07/UA-Unlocked-Header.jpg
- https://images.solecollector.com/complex/image/upload/zul9jvnjzmukmskwmzwg.jpg
- https://underarmour.scene7.com/is/image/Underarmour/170626_FBALL_InLine_Spot_BKT?fmt=jpg&wid=800
- https://thenypost.files.wordpress.com/2014/12/andre1.jpg?quality=90&strip=all
- http://www.trbimg.com/img-596437d7/turbine/bs-bz-under-armour-aaron-judge-20170710
- http://images.performgroup.com/di/library/omnisport/4a/8d/judge-aaron-071117-getty-ftr_1p4ztcxqwaggq12nsbygirp2r8.jpg?t=852270901&w=960&quality=70
- https://upload.wikimedia.org/wikipedia/commons/d/d6/Jeff_Francoeur_on_May_24%2C_2011_%281%29.jpg
- http://www.whatproswear.com/wp-content/uploads/2015/06/freddie-freeman-under-armour-batting-gloves-2.jpg
- http://www.whatproswear.com/wp-content/uploads/2017/04/Dee-Gordon-Under-Armour-Yard-Cleats-2017.jpg
- https://www.baseballamerica.com/wp-content/uploads/2016/04/Dee-Gordon-2015-tdr.gif
- https://images.solecollector.com/complex/image/upload/elmb9rk7cx8hxskqi0ob.jpg
- http://www.sportindustry.co.za/sites/default/files/images/news/UA%20AJ%20PR%202.jpeg
- http://a.espncdn.com/photo/2016/1120/r153784_608x342_16-9.jpg
- https://i.pinimg.com/originals/22/12/4d/22124d9aed8f0471b022fe4a9b30478a.jpg
- https://underarmour.scene7.com/is/image/Underarmour/1701127_HOCKEY_ALLSTARS_V2_DIG?wid=586&fmt=jpg
- https://underarmour.scene7.com/is/image/Underarmour/160222_SPECPROJ_H1_PHELPS_LP_HERO?wid=1200&fmt=jpg
- https://www.trend.at/_storage/asset/5999915/storage/vgnat:twocolumn_930:575/file/87870600/48865761.jpg


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Recipe 2
No Bake Oatmeal Cookies
Ingredients
- 2 cups rolled oats
- 3/4 cup white sugar
- 3 tablespoons unsweetened cocoa powder
- 1 tablespoon water
- 1/2 teaspoon vanilla
- 2/3 cup butter, softened
- 1 cup confectioners' sugar
- Add all ingredients to list
Details
- In a large bowl, combine the oats, sugar and cocoa. With clean hands, mix in the water, vanilla and butter to form a dough. Wash hands, then roll the dough into balls 1 to 2 inches in diameter.  Chill 20 minutes before serving.


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The list below highlights a list of tools that can be used by folks with disorders (the format is as follows: Tool - Platform - Use of Tool):
NVDA - FireFox Browser / Windows - Screenreader for users with visual or reading impairment
VoiceOver - Apple Devices - Screenreader for users with visual or reading impairment
JAWS - Internet Explorer Browser / Windows - Screenreader for users with visual or reading impairment
Dragon NaturallySpeaking - Windows / Macintosh - Speech recognition tool for users with visual impairment, motor and cognitive disabilitiesAmazon Rekognition - All Devices / On Web - Visual recognition of objects and faces for people with cognitive disabilities
Tap Tap See - iOS Application - Visual recognition of objects for people with visual impairments
Be My Eyes - iOS Application / iPhone Devices - For People with visual impairments, the app connects people who need assistance with sighted volunteers
Google Translate - All Devices - Allows reading of physical paper for users with visual impairments
TalkBack - Android Devices - Screenreader for users with visual or reading impairment


Registration
Complication of Management ::
No Complication of Management found
Post Operative Complication
Management of Complication
Outcome
Hospital Stays
Case summery


The text is taken from a four-page carbon typescript at Cornell. It is annotated at the opening by Lewis: "IMPORTANT NOTE" and "for explanation | Tyro." This suggests that the piece was composed in the early 1920s and belongs to the group of essays concerned with the aesthetics of visual art that Lewis published during this period. The mention of The Tyro relates it to the "Essay on the Objective of Plastic Art in Our Time" published in issue number two . This was an unfinished essay, and both "The Anonymity of Perfection" and some more fragmentary notes at Cornell entitled "A Theory of Divine Imperfection" may have been intended as developments of its argument. In the "Essay on the Objective of Plastic Art in Our Time," Lewis discusses the imperfection of men of genius in comparison with an absolute standard. A synthesis of several geniuses (Calderrf, Voltaire, Plotinus) might seem to approach this standard more closely, but would lack identity and be a "pale shadow of their separate selves. Perfection, therefore, from this standpoint, appears as a Platonic ideal, and is a thing with which we have not very much to do. . . . " 1 But, despite its title, "The Anonymity of Perfection" as it stands does not develop this line of thought (perhaps because the typescript may only be the first section of a longer or unfinished essay, since it is numbered as section "I"). What we have of the essay is more closely related, first, to a section of the "Essay on the Objective of Plastic Art in Our Time" called "The Sense of the Future" advocating detachment from the functionalism of everyday life (and criticizing Futurism for its attachment to the machine of the present); and, second, the essay, "The Meaning of the Wild Body," published in The Wild Body in 1927, but probably extracted from "Man of the World" typescripts composed in the early 1920s. That essay shows a similar preoccupation with dualism and the fundamental absurdity or uncanniness of animal life.
This essay and the two that follow are published in "reading" versions. Minor errors of spelling, typing, and punctuation have been silently corrected, but the texts have not been brought into close conformity with modern style. Significant alterations and doubtful readings are recorded in the editorial notes to each essay.
That we are eternal miners, lashed in the clumsy process of learning by the retribution that awaits our mistakes, and dreaming, steeped in transcendental values that transform the mechanical basis of our life into a fairyland, is the first truth that we must accept. "I do not know what I may appear to the world, but to myself I seem to have been only like a boy playing on the seashore, and diverting myself in now and then finding a smoother pebble or a prettier shell than ordinary, whilst the great ocean of truth lay all undiscovered before me," Sir Isaac Newton wrote.
So Newton felt that he had been "only like a boy playing on the seashore, and diverting himself"!
He at least was not taken in by the scale of the immense machine of the universe that he had constructed. He was a great mechanic. But he knew that this machine was only in reality a toy, just as a motor-car or a flying machine is a toy, invented by an eager and ingenious child. The only difference was that his toy was a very big one though not much more complicated than many machines invented by man. It would rather be some grand aesthetic or emotional twist of temperament that would lead this great mechanic to make railways or world-ways for stars rather than more homely contrivances on the face of the earth for our domestic uses.
Where we say a "child" and a "toy," again, or "work" or "play," it is necessary not to leave it at that.
The analogy is this. The little boy makes a wooden sword. It is an actor's property, really: it only resembles the weapons of the real world. Or the little girl has a bevy of dolls. They are only simulacra of life, worked, when their eyes are constructed to close in sleep, by an interior mechanism.
What ultimately is the difference between a "toy" and a "machine" (for we do not call a machine that serves as a toy or plaything a machine)? The difference is that the toy is a make-believe only, a small and incomplete model of a larger mature thing of the same stamp. The real thing (fire-engine, for instance, or six-inch gun) extinguishes real life-size fires, or kills people, whereas the child's imitation fire-engine or gun, however elaborate an imitation, is not adapted to play a part in LIFE, but only in the imitative life of the child's fancy.
But what is the nature of the "reality" of the real fire-engine and guns? Are people really killed, in the full naïf acceptance of the simple unspeculative mind, and does so much depend on the spectacular galloping of the fire-engine? Is not the thrill, as the hoof-beats echo in our brain, an aesthetic one; horror and ecstasy, and the contents of the Chamber of Horrors of the mind, a representation, and not a reality? Would men be so ready, would they be able even, to indulge in huge butcheries, like a modern war, would they be able to go about their rash, ordinary existence so calmly, if they were not intimately convinced of the superficiality or "nonentity," of the events in which they were called on to "play their part" as they say?
In maturity a sense of the same unreality haunts the child, transformed by some to him strange enchantment into a large full-sized "mammal," as he finds he is labelled.
Or when puberty arrives for the girl-child, and she finds a mate, the anonymous array of her cells, working certainly under her conscious orders, but obeying some "instinct" that is in a sense foreign to her, produces a living doll, which she nurses and cherishes. This new doll, however, is not made of wax but of protoplasm, and is part of the arch mystery of quickening matter that surrounds her. It develops into a being like herself, but in its turn becomes strange as it grows. It grows away from her, leaving her behind. It is not, she perceives, herself, but some separate enigma, which she cannot possess as she could direct and own a wax doll. She has become part of the exterior world in a sense; and as this new being grows, she fades and takes the road to extinction. To some extent she sees her personality, in the form of the child, becoming eaten up by the great life exterior to her, or being adulterated with other foreign elements, of matter and destiny, under her eyes.
She is confronted, in most cases very obscurely, with one of the academic riddles of philosophy: namely HOW CAN ONE THING CHANGE OR GROW OUT OF ANOTHER THING? 2
When again she has said "this is me," and "that is not me," she has included in a sense those cells of which "she" is composed, and which in their unconscious fury of creation are obsessed by some despotic order the motives of which she is ignorant, and from which a portion of "her" appears to be detached. This, then, is the self that is an irreducible factor of personal consciousness, like the ultimate atom of Democritus?
The average mother, if we can imagine her getting as far as this by some confused emotional road, will be prepared to call a halt at this stage in the process of perplexity.
But, if she reflected on it, she would on the one hand feel that these active and arbitrary cells (her cells, all said and done, more than any other individual's) which had been the motive of all the pleasant, half-pleasant, and disagreeable accidents of her life, were implicated with her personality. That if they, and all the rest of the evidently mechanical history of her life were withdrawn, there would be very little left of HER! And on the other hand it could be shown her how her personality, that she had traced, we have imagined, to a hard and irreducible particle like a Democritan atom, must share the fate of other irreducible atoms, and that the ineffable SHE must fade out, evaporate, escape to at least a human extinction that way as well.
At this point (by which time she would no doubt be a little hysterical), you could probably persuade her of the truth of Samuel Butler's remark: that we were all actually only offshoots of the OVUM: that our arms, legs, head and the rest of us, sprouted up like a plant, merely, from this anonymous root, and all our complex activities referred to it. 3
But men and women think that it is in the interest of this real or imaginary SELF that they are following the behests of their mechanism, whether as it happens pleasant or the reverse. Just as a man who slaves in some machine-like daily task identifies the interest of his dear SELF with the machine he finds himself in, but never entirely surrenders it. His dearest possession is still his latent "independence."
This ideal PERSONALITY, this EINZIGE, is the mind and ally of the OVUM and with it the master-fact of our world. 4 It might be regarded as the master-stroke of the illusionistic mechanism, the bait and prize, whereby the entire concern is driven.
But in any case it is by virtue of this PERSONALITY that we are children. The more Personality we possess, the more child-like we are: that is to say also more removed from the besetting reality, less implicated in its queer anonymous proceedings. Life is a sleep, and a rest from God. But the nightmares and reflections of his energy disturb and terrorize that sleep. --We are "children" with a very anxious, troubled childhood indeed. 5
So we do not share in the "work" of the world, or at least we do not know that we participate in its results and benefits: we only invent Heavens and Utopias for ourselves to cheer us at our drudgery, and pretend that it is really all for us that this is happening, or that we are in a sense partners and not slaves. The songs the workman sings at his work, when he does, are about frivolous matters or in any case not about the subject of his employment. In the same way our best speculations and finest art is not about "reality" or our mechanical job, but abstractions that remove us from it.
Paul Edwards, Research Fellow at Bath College of Higher Education, is the editor of the Wyndham Lewis Annual and has produced critical editions of several of Wyndham Lewis's books for Black Sparrow Press, the latest being Time and Western Man . Most recently he has edited Volcanic Heaven: Essays on Wyndham Lewis's Painting and Writing and is now writing a monograph on Lewis's painting and writing for Yale University Press.
This essay and the two that follow are published courtesy of the Division of Rare and Manuscript Collections, Cornell University Library.
1. Wyndham Lewis, "Essay on the Objective of Plastic Art in Our Time," in Wyndham Lewis on Art, ed. C. J. Fox and Walter Michel (London: Thames and Hudson, 1969), 208.
2. Typescript gives "comforted," not "confronted."
3. "Drop out my father's and mother's lives between the dates of their being impregnate ova and the moment when I became an impregnate ovum. See the ova only and consider the second ovum as the first two ova's means not of reproducing themselves but of continuing themselves--repeating themselves--the intermediate lives being nothing but, as it were, a long potato shoot from one eye to the place where it will grow its next tuber" (The Notebooks of Samuel Butler, ed. Henry Festing Jones [London: Fifield, 1912], 54).
4. The typescript gives "EINIGE," not "EINZIGE." "Der Einzige" means "the unique one"; Lewis is referring to Max Stirner's Der Einzige und Sein Eigentum (The Ego and its own). Lewis misspelled this word in referring to Stirner in both the 1914 and 1932 editions of his play, Enemy of the Stars.
5. The final two sentences of this paragraph are Lewis's handwritten addition to the typescript. For a further consideration of our separation from God, see Wyndham Lewis, Time and Western Man , ed. Paul Edwards (Santa Rosa: Black Sparrow Press, 1993), 372.
.


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WITNESS LIST Land & Resource Management Committee April 14, 1997-2:00P HB 1395 For: Conley, Carl (himself) Earl, David (himself) Gaines, Jimmy (TX Landowners Council) Peabody, Mark (himself) Thompson, Robert (himself) Turner, Rep. Bob (House Dist.) Against: Harvey, Brandol (City of Corpus Christi) Seese, Steve (City of Wichita Falls) Vetter, Larry (City of Kerrville) HB 1510 For: Contreras, Richard (City of Socorro, TX) Lozoya, Rogelio (Mayor of Socorro, TX) Serna, Rep. Gilbert (House Dist.) On: Torres, Daniel (Office of Attorney Gene) HB 1522 On: Cowan, Andrea (State Comptroller's Off) Mullen, Carl (General Services Comm) HB 1718 For: Culver, Dwight (himself) Serna, Rep. Gilbert (House Dist.) On: Torres, Daniel (Office of Attorney Gene) HB 2332 For: Hinojosa, Rep. Juan (House Dist.) HB 2339 For: Joosten, Rigdon (Clear Lake City Assoc.) Talton, Rep. Robert (House Dist.) HB 2347 For: Barnebey, Larry (Aransas Cty Comm Crt) Lowerre, Richard (Aransas Cty Comm Crt) Seaman, Rep. Gene (House Dist.) Turner, Franklin (himself) Against: Benner, Ronnie (himself) Jaenike, Fritz (himself) Moore, Tim (TX Aquaculture Assoc.) HB 2363 For: Hilbert, Rep. Paul (House Dist.) Against: Britt, Robert (himself) Harvey, Brandol (City of Corpus Christi) HB 2366 For: Hilbert, Rep. Paul (House Dist.) Against: Harvey, Brandol (City of Corpus Christi) On: Seese, Steve (himself) HB 2475 For: Barnebey, Larry (Aransas Cty Comm Crt) Lowerre, Richard (Aransas Cty Comm Crt) Seaman, Rep. Gene (House Dist.) Turner, Franklin (himself) Against: Benner, Ronnie (himself) Jaenike, Fritz (himself) Moore, Tim (TX Aquaculture Assoc.) HB 2582 For: Hilderbran, Rep. Harvey (House Dist.) Munn, Chris (himself) Roberts, Cecilia (Block House MUD) Against: Harvey, Brandol (City of Corpus Christi) HB 2654 For: Suttle, Richard (TNL Ranch) HB 2979 For: Cedillo, Rebecca (herself) Earl, David (himself) Puente, Rep. Robert (House Dist.) HB 3072 For: Hamric, Rep. Peggy (House Dist.) Hausman, Peggy (Woodlands Comm. Assoc.) Against: Seese, Steve (City of Wichita Falls) Vetter, Larry (City of Kerrville) HB 3073 For: Hamric, Rep. Peggy (House Dist.) Hausman, Peggy (Woodlands Comm. Assoc.) Against: Harvey, Brandol (City of Corpus Christi) Seese, Steve (City of Wichita Falls) Vetter, Larry (City of Kerrville) HB 3240 For: Hilderbran, Rep. Harvey (House Dist.) Hill, Darwin (himself) Plencner, Gregory (Beaver Island Assoc.) HB 3329 For: Talton, Rep. Robert (House Dist.) HB 3368 On: Mullen, Carl (himself) HB 3372 For: Box, Jim (Basis Petroleum) Joiner, Patricia (Basis Petroleum) Torres, Rep. Gerard (House Dist.) HB 3376 For: Hamric, Rep. Peggy (House Dist.) Lenz, Carole (Harris Cty Precinct 3) Swain, Michael (Harris Cty Commi. Court) HB 3551 For: Zbranek, Rep. Zeb (House Dist.)


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At first download the software from here. You also need to complete following steps before installing the software in your machine.
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Introduction
This guide runs through some sample test cases using Weaver, and
demonstrates how certain types of test can be written. For a more detailed
step-by-stpe set of examples, please see the Tutorial.
A Simple Example
Suppose we want to test the following class:
1: public class
MyList extends ArrayList {
2:
public boolean putIfAbsent(Object o) {
3:
boolean absent = !super.contains(o);
4:
if (absent) {
5:
super.add(o):
6:
}
7: }
8:
return absent;
9: }
We can write a simple unit test:
public void
testPutIfAbsent() {
MyList list =
new MyList();
list.putIfAbsent("A");
list.putIfAbsent("A");
assertEquals(1, list.size());
}
This test will pass, because the second call to putIfAbsent() will
not add the same element to the list. However, the MyList class as
designed contains a threading bug. Suppose two threads call putIfAbsent()
simultaneously with the same value? Both threads could evaluate the 'absent' variable to
false, and end up adding the same object twice. Although the bug exists
is difficult to write a unit test that will demonstrate this behaviour.
A Simple Weaver Test
Weaver allows us to interleave the execution of two separate threads. A
simple example would be:
public class
MyListTest {
MyList
list;
@ThreadedBefore
public void before() {
list = new MyList();
}
@ThreadedMain
public void mainThread() {
list.putIfAbsent("A");
}
@ThreadedSecondary
public void secondThread() {
list.putIfAbsent("A");
}
@ThreadedAfter
public void after() {
assertEquals(1, list.size());
}
}
This test class uses a series of annotations to tell Weaver how to run
the tests. Before running any tests, the method annotated with @ThreadedBefore
will be invoked. Then the methods labelled @ThreadedMain
and @ThreadedSecondary
will be invoked in two separate threads. Finally, the method annotated
with @ThreadedAfter
will be invoked.
The two calls to to putIfAbsent
will be interleaved. The first thread (which invokes the @ThreadedMain
method) will stop on the first line of putIfAbsent.
The second thread (which invokes the @ThreadedSecondary
method) will then run to completion, after which the first thread will
finish. When both threads are finished, the @ThreadedAfter
method will be invoked. This process is then repeated, breaking on the
second executable line of putIfAbsent, and so forth.
In order to invoke Weaver, you must add a special invocation to your
test class. Using JUnit 4 syntax, this would be:
public class MyListTest {
// This method is invoked by the regular JUnit test runner.
@Test
public void testThreading() {
AnnotatedTestRunner runner = new AnnotatedTestRunner();
// Run all Weaver tests in this class, using MyList
as the Class Under Test.
runner.runTests(this.getClass(),
MyList.class);
}
...
}
The runTests() method tells the runner to execute all of the threaded
tests defined in MyListTest.
Passing in MyList.class
as the second argument tells Weaver which class is being tested. Weaver
will break the main test thread at the first method in MyList that
gets invoked. (In this case, it will break at putIfAbsent()).
Exceptions and Test Failures
If any of the methods invoked by the test runner throw an exception,
that exception will be wrapped in a RuntimeException, and thrown by the
runTests()
method. Thus any exceptions encountered in the test will result in a
test failure. Note that the various annotated methods invoked by the
runner may be declared to throw checked exceptions.
@ThreadedMain
public void openFile() throws IOException {
...
Any IOException thrown will be wrapped in a RuntimeException and thrown
from runTests().
Controlling how
Threads Break
If you need finer-grained
control over exactly where the test threads stop, Weaver provides
facilities that will let you do this.
Code Positions and
Breakpoints
Weaver allows you to specify positions within the source code of the
classes being tested. Using these positions, you can then create
Breakpoints, which will cause threads to stop executing when they hit
them. Using these Breakpoints, you can control exactly how your
multithreaded tests behave. In addition, Weaver offer various utilility
classes for defining and executing test threads.
Internally, Weaver handles these breakpoints by using byte-code
instrumentation. The classes under test are loaded by a custom
classloader which adds additional callbacks into the byte code. These
callbacks are used to stop and resume executing threads. (Note that it
is also possible to use Weaver without using instrumentation, provided
that you can inject fake or mock objects into your test class. See below.)
CodePositions
A CodePosition
represents a location within an instrumented class. (Weaver can only
define positions inside classes that it has instruemnted.) The code
fragment below creates a CodePosition
that represents the point immediately after the call to super.contains()
in putIfAbsent().
The approach is analagous to creating an EasyMock object
and using the expect()
syntax.
MyList list = new MyList();
MethodRecorder<MyList> recorder = new
MethodRecorder<MyList>(list);
MyList control = recorder.getControl();
Collection target =
recorder.createTarget(Collection.class);
CodePosition position =
recorder.inMethod(control.putIfAbsent(null))
.afterCalling(target.contains(null))
Lets break this down line by line.
Create a new MyList
instance, and then create a MethodRecorder to
record the methods that we invoke.
MyList list = new MyList();
MethodRecorder<MyList> recorder = new
MethodRecorder<MyList>(list);
Ask the MethodRecorder
to create a new control object. This is a dummy instance of MyList. We
can record the methods that we invoke upon it, in order to specify code
positions.
MyList control = recorder.getControl();
Ask the MethodRecorder
to create a new target object. This is a dummy instance of Collection
that we use to record method calls.
Collection target =
recorder.createTarget(Collection.class);
Finally, create a CodePosition
that represents the the point just after calling super.contains()
in putIfAbsent().
CodePosition position = recorder.inMethod(control.putIfAbsent(null))
.afterCalling(target.contains(null))
As well as using the MethodRecorder,
you can also specify CodePositions
explicitly using Method
objects or strings.
MyList list =
new MyList();
ClassInstrumentation clss =
Instrumentation.getClassInstrumentation(MyList.class);
// Create a
CodePosition that represents a call to
// the method
named "contains" within the method "putIfAbsent"
Method
putMethd = MyList.class.getDeclaredMethod("putIfAbsent", Object.class);
Method containsMethod = Collection.class.getDeclaredMethod("contains",
Object.class);
CodePosition
position = clss.afterCall(putMethod, containsMethod);
or
CodePosition position = clss.afterCall("putIfAbsent", "contains");
Using CodePositions
You can use a CodePosition
to control how Weaver interleaves two threads of execution. Recall that
in our initial example of the MyListTest class,
Weaver would break at every line in the putIfAbsent method
in order to allow the second thread to execute. Suppose that we want
the initial thread to execute until it returns from the call to super.contains(),
and only then do we want the second thread to start.
1: public class
MyList extends ArrayList {
2:
public boolean putIfAbsent(Object o) {
3:
boolean absent = !super.contains(o);
<-- Stop here, let second thread run
We can add an option to our test class to specify that Weaver should
stop the first thread at this position.
public class
MyListTest {
MyList list;
@ThreadedOptions
public
AnnotatedTestOptions getOptions() {
...
CodePosition position = recorder.inMethod(control.putIfAbsent(null))
.afterCalling(target.contains(null))
return new AnnotatedTestOptions(position);
}
Using Scripts to control Threads
To gain additional control over how threads are paused and resumed,
Weaver offers the concept of Scripts. A Script represents a series of
tasks to be performed in a single thread. Only one script may be active
at a time, and each script can release control to another script.
Scripts use a similar mechanism to the MethodRecorder
class to allow release points to be specified. You can either
final MyList list = new MyList();
Script<MyList> main = new Script<MyList>(list);
Script<MyList> second = new Script<MyList>(list);
// Create control and target objects to allow us to specify a release
point.
final MyList control = main.object();
final Collection target = main.createTarget(Collection.class);
main.addTask(new ScriptedTask<MyList>() {
@Override
public void execute() {
// Release to the second
script while calling "putIfAbsent"
main.in(control.putIfAbsent(null)).afterCalling(target.contains(null).release(second);
list.putIfAbsent("A");
// We will return here after
the second script releases us
list.putIfAbsent("B");
release(second);
}
});
second.addTask(new ScriptedTask<SimpleClass3>() {
@Override
public void execute() {
list.putIfAbsent("A");
release(main);
list.putIfAbsent("B");
}
});
new Scripter<MyList>(main, second).execute();
As the example above shows, scripts can either release control
explicitly (as the seond script does) or they can declare an intention
to release control during a call to an instrumented method. (This is
what the first script is doing.) This allows you maximum flexibility in
determining when one thread should yield to another.
Although the example shows two scrupts being used, it is possible to
combine three or more scripts into a single scripter, and release
between them.
Low Level Thread Control
If the mechanisms defined previously are not sufficient, Weaver allows
you to take complete control over the way that your threads execute.
You can use an InterleavedRunner
to interleave a specific set of runnable objects, and control where the
interleaving takes place. Or you can create Breakpoints that
determine exactly where a thread will stop, and handle the thread
execution yourself.
Using InterleavedRunner
The InterleavedRunner
takes two runnable tasks and interleaves them in separate threads. When
the first task reaches the first executable line of the test method, it
breaks, and the second task is run to completion. The test is then
repeated, breaking onthe second executable line, and so forth. The InterleavedRunner
also handles the case where the second task cannot continue
because of a synchronisation lock held by the first task. In that case,
it will step through the first task until the lock is released, and
then run the second task.
To use an InterleavedRunner you must define the two tasks.
// The main
runnable. Creates a new MyList object for each iteration
private static
class MainTest extends MainRunnableImpl<MyList> {
private MyList list;
public Class<MyList> getMainClass() {
// The class being tested
return MyList.class;
}
public String getMethodName() {
// The method being tested
return "putIfAbsent";
}
public void initialize() {
list = new MyList();
}
public void run() {
// Invokes the method being tested in the class being
tested
list.putIfAbsent("A");
}
public void terminate() {
assertEquals(1, list.size());
}
}
// The
secondary runnable. Uses the MyList object created by the MainTest
private static
class SecondaryTest extends SecondaryRunnableImpl<MyList,
MainTest> {
private MyList list;
public void initialize(MainTest main) {
list = main.list;
}
public void run() {
list.putIfAbsent("A");
}
public void terminate() {
assertEquals(1, list.size());
}
}
// The test
method that uses the two runnable classes
@ThreadedTest
public void
testPutIfAbsent() throws Throwable {
MainTest main = new MainTest();
SecondaryTest secondary = new SecondaryTest();
//
Use an InterleavedRunner to run the two tests
InterleavedRunner<MyList> runner = new
InterleavedRunner<MyList>();
}
As the tests are running in separate threads, you need to handle
any exceptions that they may throw. You can use the RunResult
to get
access to these:
RunResult result = runner.interleave(main, secondary);
// Throws any exceptions produced by the two threads. Can also
// query for individual exceptions.
result.throwExceptionsIfAny();
You can also control where the main runnable breaks for the first time.
By default, this is the first executable line of the test method, but
you can also specify a CodePosition
as the first break point.
//
Specify the point where the main runnable first breaks.
CodePosition
position = recorder.inMethod(...
RunResult result = runner.interleave(main, secondary, position);
Or you can specify an explicit list of positions, and the main
runnable will only break there:
// Main runnable only breaks at these positions
CodePosition
position1 = recorder.inMethod(...
CodePosition position2 = recorder.inMethod(...).beforeCall(...)
List<CodePosition> positions = Lists.newArrayList(position1,
position2);
RunResult result = runner.interleave(main, secondary, positions);
Using Breakpoints
For complete control, you can create Breakpoints,
and use these to suspend and resume your test threads explicitly. Here
is a sample test using Breakpoints.
public void
testPutIfAbsent() {
final MyList
list = new MyList();
ClassInstrumentation clss =
Instrumentation.getClassInstrumentation(MyList.class);
/// Create a CodePosition at the point where we want to stop
Method putMethd =
MyList.class.getDeclaredMethod("putIfAbsent", Object.class);
Method containsMethod = Collection.class.getDeclaredMethod("contains",
Object.class);
CodePosition
position = clss.afterCall(putMethod, containsMethod);
Runnable task
= new Runnable() {
public void run() {
list.putIfAbsent("A");
}
}
Thread thread1
= new Thread(task);
// Create a
Breakpoint from the code position and thread.
ObjectInstrumentation<MyList> instrumented = Instrumentation.getObjectInstrumentation(list);
Breakpoint bp
= instrumented.createBreakpoint(position, thread);
// Start the
thread. It will run until it hits the Breakpoint
thread1.start();
// Wait until
the breakpoint is reached. When we return from
// await, the
first thread will be at 'position'
bp.await();
// Update the
list in the main thread.
list.putIfAbsent("A");
// Let the
first thread continue. It will call super.add()
bp.carryOn();
// Wait for
the first thread to finish
thread1.join();
assertEquals(1, list.size());
}
With the initial (unsynchronized) version of MyList, the
assertion at the end of this test will fail. We can fix to MyList by
making the putIfAbsent
method synchronized.
public synchronized void putIfAbsent(Object o) {
However, the test code above now has a problem. If we put a breakpoint
in the middle of putIfAbsent(),
and then try to call putIfAbsent()
again, then the second thread will block. To avoid this problem, we can
use two separate threads, and use a ThreadMonitor to
manage the execution of the second thread. (A ThreadMonitor
waits for a thread to
finish, and lets you know when it's blocked.) This will return
with a status code if the second thread is blocked.
Thread thread1 = new Thread(task);
Thread thread2 = new Thread(task);
thread1.start();
bp.await();
thread2.start();
ThreadMonitor monitor = new ThreadMonitor(thread2, thread1);
//
Wait for the second thread to finish. Returns false if the second
//
thread is blocked, or true if it ran to completion
boolean secondFinished = monitor.waitForThread();
bp.carryOn();
thread1.join();
//
If the second thread did not run to completion, wait for it.
if
(!secondFinished) {
thread2.join();
}
assertEquals(1, list.size());
More on Breakpoints
Breakpoints
are normally specific to a specific object, in a specifi thread. In the
example above, we obtained an ObjectInstrumentation
for the "list"
instance, and created a breakpoint for that instance, in the thread "thread".
The breakpoint will only be triggered when the given object is invoked
in the given thread.
Breakpoints
are normally single-shot. Once a Breakpoint
has been reached, it will no longer be triggered. However, Breakpoints
can have an associated count (so that they will only be triggered the
Nth time they are hit) and they can be temporarily disabled, and later
re-enabled.
Using Breakpoints without
Instrumentation
If your test uses fake or mock objects, you can use Weaver's built-in
Breakpoint adapters. Suppose we have the following class:
public class
UserManager {
private UserDatabase db;
public void addUser(String userName) {
if (!db.contains(userName)) {
db.add(userName);
}
}
}
If you are using EasyMock to create a mock UserDatabase then you can
create a BlockingAnswer
(which implements Breakpoint)
as follows:
Thread thread1;
UserDatabase
mockDb = createStrictMock(UserDatabase.class);
BlockingAnswer<Boolean> answer =
new BlockingAnswer<Boolean>(false, thread1);
mockDb.contains(USERNAME).andAnswer(answer);
UserManager
manager = new UserManager(mockDb);
....
thread1.start();
answer.await();
When "thread1"
invokes mockDb.contains(),
it will block.
If you are using a handwritten fake object, you can obtain a similar
result using a BlockingProxy.
Thread thread1;
UserDatabase
fakeDb = new FakeDatabase();
UserDatabase
proxy = BlockingProxy.create(UserDatabase.class, fakeDb, "getUser");
UserManager
manager = new UserManager(proxy);
....
thread1.start();
proxy.await();
The BlockingProxy
will proxy all calls to the underlying FakeDatabase
object, and will break when it reaches the getUser
method.
The above example shows the explicit await()method
being used. It is also possible to combine one of these break points
with the InterleavedRunner,
to avoid having to make explicit await()/carryOn()
calls.
Note that these two Breakpoint
types cannot be used in all circumstances. In the initial MyList
class, for example, there is no injectable test object where we can
create a BlockingProxy
or BlockingAnswer.
In order to create Breakpoints
here, we need to use instrumentation.
Copyright 2009 Weaver authors
Licensed under the Apache License, Version 2.0 (the "License");


Mwah ha ha!
{% endblock %}
{% block nav %}{% endblock %}
{% block body %}
{% if cookie_id %}
I am a third party from {{ current_url }}. You are being tracked via ID: {{ cookie_id }}!
{% else %}
I am a third party from {{ current_url }}. Trying to set a cookie to track you!
{% endif %}


Home
Instructions
About Us
LET'S PLAY
WAR
What is Your Name, Mortal?!
How Many Sets Will You Play?
Best of One
Best of Three
Best of Five
Best of Seven


The package name will very likely change in the future
This package contains classes for working with JavaSources opened in editor.


| [ < ] | [ > ] | [ << ] | [ Up ] | [ >> ] | [Top] | [Contents] | [Index] | [ ? ] |
You can abbreviate a GDB command to the first few letters of the command name, if that abbreviation is unambiguous; and you can repeat certain GDB commands by typing just RET. You can also use the TAB key to get GDB to fill out the rest of a word in a command (or to show you the alternatives available, if there is more than one possibility).
3.1 Command Syntax How to give commands to GDB 3.2 Command Completion Command completion 3.3 Getting Help How to ask GDB for help
| [ < ] | [ > ] | [ << ] | [ Up ] | [ >> ] | [Top] | [Contents] | [Index] | [ ? ] |
A GDB command is a single line of input. There is no limit on
how long it can be. It starts with a command name, which is followed by
arguments whose meaning depends on the command name. For example, the
command step
accepts an argument which is the number of times to
step, as in `step 5'. You can also use the step
command
with no arguments. Some commands do not allow any arguments.
GDB command names may always be truncated if that abbreviation is
unambiguous. Other possible command abbreviations are listed in the
documentation for individual commands. In some cases, even ambiguous
abbreviations are allowed; for example, s
is specially defined as
equivalent to step
even though there are other commands whose
names start with s
. You can test abbreviations by using them as
arguments to the help
command.
A blank line as input to GDB (typing just RET) means to
repeat the previous command. Certain commands (for example, run
)
will not repeat this way; these are commands whose unintentional
repetition might cause trouble and which you are unlikely to want to
repeat. User-defined commands can disable this feature; see
dont-repeat.
The list
and x
commands, when you repeat them with
RET, construct new arguments rather than repeating
exactly as typed. This permits easy scanning of source or memory.
GDB can also use RET in another way: to partition lengthy
output, in a way similar to the common utility more
(see section Screen Size). Since it is easy to press one
RET too many in this situation, GDB disables command
repetition after any command that generates this sort of display.
Any text from a # to the end of the line is a comment; it does nothing. This is useful mainly in command files (see section Command Files).
The Ctrl-o binding is useful for repeating a complex sequence of commands. This command accepts the current line, like RET, and then fetches the next line relative to the current line from the history for editing.
| [ < ] | [ > ] | [ << ] | [ Up ] | [ >> ] | [Top] | [Contents] | [Index] | [ ? ] |
GDB can fill in the rest of a word in a command for you, if there is only one possibility; it can also show you what the valid possibilities are for the next word in a command, at any time. This works for GDB commands, GDB subcommands, and the names of symbols in your program.
Press the TAB key whenever you want GDB to fill out the rest of a word. If there is only one possibility, GDB fills in the word, and waits for you to finish the command (or press RET to enter it). For example, if you type
(gdb) info bre TAB |
GDB fills in the rest of the word `breakpoints', since that is
the only info
subcommand beginning with `bre':
(gdb) info breakpoints |
You can either press RET at this point, to run the info
breakpoints
command, or backspace and enter something else, if
`breakpoints' does not look like the command you expected. (If you
were sure you wanted info breakpoints
in the first place, you
might as well just type RET immediately after `info bre',
to exploit command abbreviations rather than command completion).
If there is more than one possibility for the next word when you press TAB, GDB sounds a bell. You can either supply more characters and try again, or just press TAB a second time; GDB displays all the possible completions for that word. For example, you might want to set a breakpoint on a subroutine whose name begins with `make_', but when you type b make_TAB GDB just sounds the bell. Typing TAB again displays all the function names in your program that begin with those characters, for example:
(gdb) b make_ TAB GDB sounds bell; press TAB again, to see: make_a_section_from_file make_environ make_abs_section make_function_type make_blockvector make_pointer_type make_cleanup make_reference_type make_command make_symbol_completion_list (gdb) b make_ |
After displaying the available possibilities, GDB copies your partial input (`b make_' in the example) so you can finish the command.
If you just want to see the list of alternatives in the first place, you can press M-? rather than pressing TAB twice. M-? means META ?. You can type this either by holding down a key designated as the META shift on your keyboard (if there is one) while typing ?, or as ESC followed by ?.
Sometimes the string you need, while logically a "word", may contain
parentheses or other characters that GDB normally excludes from
its notion of a word. To permit word completion to work in this
situation, you may enclose words in '
(single quote marks) in
GDB commands.
The most likely situation where you might need this is in typing the
name of a C++ function. This is because C++ allows function
overloading (multiple definitions of the same function, distinguished
by argument type). For example, when you want to set a breakpoint you
may need to distinguish whether you mean the version of name
that takes an int
parameter, name(int)
, or the version
that takes a float
parameter, name(float)
. To use the
word-completion facilities in this situation, type a single quote
'
at the beginning of the function name. This alerts
GDB that it may need to consider more information than usual
when you press TAB or M-? to request word completion:
(gdb) b 'bubble( M-? bubble(double,double) bubble(int,int) (gdb) b 'bubble( |
In some cases, GDB can tell that completing a name requires using quotes. When this happens, GDB inserts the quote for you (while completing as much as it can) if you do not type the quote in the first place:
(gdb) b bub TAB GDB alters your input line to the following, and rings a bell: (gdb) b 'bubble( |
In general, GDB can tell that a quote is needed (and inserts it) if you have not yet started typing the argument list when you ask for completion on an overloaded symbol.
For more information about overloaded functions, see C++ Expressions. You can use the command set
overload-resolution off
to disable overload resolution;
see GDB Features for C++.
| [ < ] | [ > ] | [ << ] | [ Up ] | [ >> ] | [Top] | [Contents] | [Index] | [ ? ] |
You can always ask GDB itself for information on its commands,
using the command help
.
help
h
help
(abbreviated h
) with no arguments to
display a short list of named classes of commands:
(gdb) help List of classes of commands: aliases -- Aliases of other commands breakpoints -- Making program stop at certain points data -- Examining data files -- Specifying and examining files internals -- Maintenance commands obscure -- Obscure features running -- Running the program stack -- Examining the stack status -- Status inquiries support -- Support facilities tracepoints -- Tracing of program execution without stopping the program user-defined -- User-defined commands Type "help" followed by a class name for a list of commands in that class. Type "help" followed by command name for full documentation. Command name abbreviations are allowed if unambiguous. (gdb) |
help class
status
:
(gdb) help status Status inquiries. List of commands: info -- Generic command for showing things about the program being debugged show -- Generic command for showing things about the debugger Type "help" followed by command name for full documentation. Command name abbreviations are allowed if unambiguous. (gdb) |
help command
help
argument, GDB displays a
short paragraph on how to use that command.
apropos args
apropos
command searches through all of the GDB
commands, and their documentation, for the regular expression specified in
args. It prints out all matches found. For example:
apropos reload |
results in:
set symbol-reloading -- Set dynamic symbol table reloading multiple times in one run show symbol-reloading -- Show dynamic symbol table reloading multiple times in one run |
complete args
complete args
command lists all the possible completions
for the beginning of a command. Use args to specify the beginning of the
command you want completed. For example:
complete i |
results in:
if ignore info inspect |
This is intended for use by GNU Emacs.
In addition to help
, you can use the GDB commands info
and show
to inquire about the state of your program, or the state
of GDB itself. Each command supports many topics of inquiry; this
manual introduces each of them in the appropriate context. The listings
under info
and under show
in the Index point to
all the sub-commands. See section Index.
info
i
) is for describing the state of your
program. For example, you can show the arguments passed to a function
with info args
, list the registers currently in use with info
registers
, or list the breakpoints you have set with info breakpoints
.
You can get a complete list of the info
sub-commands with
help info
.
set
set
. For example, you can set the GDB prompt to a $-sign with
set prompt $
.
show
info
, show
is for describing the state of
GDB itself.
You can change most of the things you can show
, by using the
related command set
; for example, you can control what number
system is used for displays with set radix
, or simply inquire
which is currently in use with show radix
.
To display all the settable parameters and their current
values, you can use show
with no arguments; you may also use
info set
. Both commands produce the same display.
Here are three miscellaneous show
subcommands, all of which are
exceptional in lacking corresponding set
commands:
show version
show copying
info copying
show warranty
info warranty
| [ << ] | [ >> ] | [Top] | [Contents] | [Index] | [ ? ] |
Please send FSF & GNU inquiries & questions to<EMAIL_ADDRESS>There are also other ways to contact the FSF.
These pages are maintained by the GDB developers.
Copyright Free Software Foundation, Inc., 59 Temple Place - Suite 330, Boston, MA 02111, USA.
Verbatim copying and distribution of this entire article is permitted in any medium, provided this notice is preserved.
This document was generated by GDB Administrator on March, 27 2008 using texi2html


evo-to-wc demo
Thumbnails
This is the figure caption.
Caption Toggle
This is a caption about the Cannoli Cake picture.
GIFs
Image Lists
Image of people
Image of technology
Image of nature
Dynamic Images
Click the following links to see the 4 Ps in the image below:
The 4 Ps
Product: The car
Place: The Car lot
Price: The price of the car, $15,500
Promotion: The words "loaded luxury""


Human remains discovered in Lincoln Parish
by KNOELINCOLN PARISH, La. (KNOE) - The Lincoln Parish Sheriff's Office says they've discovered human remains they believe belong to a man reported missing in May.
According to the sheriff's office, the remains were discovered near Cook Road, east of Ruston.
Authorities believe the remains are those of 47-year-old Jeff Norsworthy. They say a thorough search of the wooded area was conducted and evidence recovered at the scene led them to believe that the remains belong to Norsworthy.
The sheriff's office also says detectives met with a K-9 team that specializes in human remains detection.
LPSO previous reported that witnesses say they saw Norsworthy walking around a motel in Ruston around noon on May 9, 2019.
His vehicle, wallet and cellphone were left at his residence.
Further analysis will be done to confirm the identity of the remains. Circumstances surrounding his death are still under investigation.


Mongo Map (this) with Tern
This demo shows in action the lint feature and a powerfull hint with Javascript by using
Tern
. If you press Ctrl+Space a hint panel show the code suggest. It uses 2 CodeMirror addons :
"Official CodeMirror" addon/tern/tern.js
is a CodeMirror addon to use Tern (completion about variables, methodes etc).
addon/hint/tern/tern-extension.js
extends the CodeMirror Tern addon to display/insert signature functions.
addon/hint/javascript/javascript-templates.js
is a CodeMirror addon to manage javascript (Eclipse like) templates completions (snippets).
{"_id":{"$oid":"50d8fdedadd222278ba9090f"}, "astring" : "xxxx", "adate" : {"$date":"2012-12-25T01:14:21.312Z"}, "anumber" : 1, "aboolean" : true, "anarray" : [{"item":1}, {"item2":"ee"}]}
function() { var a = []; a. this.// Ctrl+Space }


You may need to disable Predictive Typing in Android Settings!The Plan screen allows you to create and follow a basic flight plan with multiple way points. Way points are listed in the Plan, along with the total distance, time, course, fuel, and heading calculated from the current position to the final way point.
To Create a Flight Plan with Single Line Input
- Select the "New" tab.
- Enter a sentence of way points, separated by a single space like "KJFK LWM KBOS" in the "Create New Plan" box.
- Press the "Create" button to load the plan.
- Any way points not recognized, will be omitted.
To Create a Flight Plan One Way Point at a Time
- Clear the current plan by pressing "Clr"
- Select the "Plan" tab.
- Enter a way point name (e.g. BOS) in the "Add To Plan" box, then press Search. If the point is valid, several options will be presented.
- Press Add button to the right of one of the presented options to add it to the end of the plan.
- Touch the added point in the "Plan" tab to move the green bar to it.
- Move the point to the desired sequence by pressing the Up or Down button several times.
- If a wrong point is added by mistake, it can be deleted by touching the point to move the green bar to it, then pressing the Delete button.
To Save a Plan
- To save a plan, select the "Save" tab, enter the name to the left of "Save" button, and press the "Save" Button. The plan will be added to the plan list under the "Load" tab. Keep in mind that only 5 at a time are shown and you may have to page ahead to confirm that it was added successfully.
To Load/Delete a Saved Plan
- Select the "Load" tab
- Press the "LD" or "LR" button to load the plan in the normal or reverse order.
- You can delete a saved plan by pressing the "Del" button to the right of its name in the Saved Plans list.
- If you have more plans saved than what can be shown in one list, use the "<" or ">" until you find it or enter the partial or full name of the desired plan in the "Plan Filter Spec." box, then press "Apply" to show it in the list.
Saved Plans
This tab "Load" contains a list of flight plans that have been saved. They are listed in groups of 5 at a time.
- Use the "<" button to move to the previous page of plans.
- Use the ">" button to advance the list to the next page.
- The "<<" button will list the plans starting at the beginning.
- The "Last" button will show the plans at the end of the list.
- Using the "Apply" button will use the text entered into the "Plan Filter Spec" area to shorten the list of displayed plans to only those that contain the phrase entered here.
- Using empty filter will clear the filter and refresh the plan list.
- The "Refresh List" button will synchronize the displayed list with the flight plans in storage. This action will reflect any changes made by external apps on the plans.
To Create a Flight Plan from Find Screen
- The Find screen can find cities, Geo. coordinates, addresses, and much more
- Go to Find Screen, and enter a location like "JFK" in the Search box
- Several options will be presented that match the word JFK.
- Long Press on the desired option, and some buttons will appear.
- Press the "+Plan" button to add the option to the end of the plan on the Plan screen.
- Follow the procedure -One Way Point at a Time- above to move the added way point to the desired location in the plan.
To Create a Flight Plan from Map Screen
- Go to Map Screen, and long press anywhere on the map.
- A pop out will present "+Plan" button. Press the button to add the touched location in the plan on the Plan screen.
- Follow the procedure -One Way Point at a Time- above to move the added location to the desired location in the plan.
To Simulate a Plan
- You can simulate a plan and show total distance and time from first way point point to the last way point with wind factored into the calculation.
- On the Map screen, press "Navigate" button on the right side slide out buttons to make it "Simulation"
- Go to Plan screen, and press the "Activate" button. Total distance and time of the plan will be shown in the Total row. Time is calculated from TAS specified Aircraft menu. Heading is calculated from wind speeds at the given altitude. User will need to download weather to see the heading.
- Change the altitude from drop down at the top of the Plan to use wind at that altitude.
- Move back to the Map screen to see the plan route in magenta.
To Fly a Plan
- On the Map screen, press make sure that the "Navigate"/"Simulation" slide out button is in the "Navigate" state.
- Go to Plan screen, press the "Next"/"Previous" buttons to move the green bar to the second way point in the plan. Note: The first way point should be your departure airport.
- Press the "Inactive" button to make it "Active".
- The distance remaining, course, heading to the next way point, fuel burn, and ETE will be shown in the Total row when the plane is moving.
- Move back to the Map screen to see the plan route in magenta.
Rubber Banding for Diversion
- Go to the Map screen while the plan is active.
- Grab the magenta by the green dot at the desired way point to be moved, then move the point to the desired location.
- The plan will update automatically.
Sequencing on Flight
- Sequencing is on by default when the plan is active.
- If you pass within a certain distance of a way point that is selected by the green bar, the green bar will move to the next way point.
- If like to skip a way point, press the "Next" button to manually move the green bar to the next way point.
De-activating a Flight Plan
- You can de-activate a flight by pressing "Active" button to make it "Inactive".
- Magenta on the map will disappear.
- If you choose to fly direct to a destination by choosing any direct functions from other screens, the plan will auto de-activate.
Getting Plan Briefing
- Once a plan is entered, you can get the latest briefing for that plan area.
- Enter a plan with at least two points, at least one of which is an airport.
- Make sure you are connected to the Internet.
- Press "Get Briefing" link under the Brief tag.
- After a few seconds, the briefing will be shown.
To Fill and File the Flight Plan Form
- Note: You can enter a plan in the Plan screen, then press the "Prepare" button to let the app fill the form. See Aircraft and Pilot under Aircraft for the form fields.
- Enter all the mandatory fields in the form. For example, enter Aircraft ID as N172EF, Flight Rule as VFR, Flight Type as General Aviation, No. of Aircraft as 1, Aircraft Type as C172, Wake Turbulence as Light, Aircraft Equipment as S, Departure as KBOS,
Departure Date Time(Zulu) as 2016-01-31 22:30, Cruising Speed in knots as 110, Altitude in x100 feet as 045, Surveillance Equipment as N, Route as LWM, Destination as KJFK, Total Elapsed Time as 1H30M,
Alternate1 as KTEB, Alternate2 as KMMU, Fuel Endurance as 2H45M, People On Board as 2, Aircraft Color as W/B, Pilot in Command as Charles L, and Pilot Info as Charles L<PHONE_NUMBER>. Note, if a departure/destination ICAO code is not available, enter ZZZZ in requisite field, then enter DEP / DEST in the Other Information Sub-field.
- Verify all information, then press the "File Plan" button to file the plan as described by the form.
- If the plan is filed, you will receive a success message. The freshly filed plan will appear under the "Filed Plans" list with state PROPOSED.
To Load a Plan
- Filed plans can be loaded in the filing form in any state.
- Select the plan you want to load in the Filed Plans list by touching on it. The green bar will move to it.
- Press the "Load" button, and if the operation is successful, the plan will be loaded in the form as filed.
- Note: At this time, loading a filed plan into Plan screen is not supported.
To Amend a Plan
- Filed plans can be amended when in PROPOSED state.
- Select the plan you want to amend in the Filed Plans list by touching on it. The green bar will move to it.
- Load it in the form by following the "To Load a Plan" procedure in this help.
- Modify the form as needed.
- Press the "Amend" button, and if the operation is successful, the plan will be amended.
To Cancel the Filed Plan
- After filing the plan, its state changes to PROPOSED. You can cancel a plan only in PROPOSED state, before it is active.
- Select the plan you want to cancel in the Filed Plans list by touching on it. The green bar will move to it.
- Press the "Cancel" button, and if the cancel operation is successful, the plan will disappear from the Filed Plans list.
To Activate a Filed Plan
- After filing the plan, its state changes to PROPOSED. You can activate a plan only in PROPOSED state.
- Select the plan you want to activate in the Filed Plans list by touching on it. The green bar will move to it.
- Select the time from now when you will take off from the drop down next to the "Activate Now" button.
- Press the "Activate Now" button, and if the activation is successful, the plan's state will change to ACTIVE.
To Close an Active Plan
- After activating the plan, its state changes to ACTIVE. You can close a plan only in ACTIVE state.
- Select the plan you want to close in the Filed Plans list by touching on it. The green bar will move to it.
- If you are overdue, enter the location you are at in the box next to the "Close" button.
- Press the "Close" button, and if the close operation is successful, the plan will disappear from the Filed Plans list.
- We recommend that you call 1-800-WX-BRIEF to confirm that the plan is closed. If you forget to close an active plan, search and rescue may commence after you are OVERDUE, and you cannot be located.
To Get Plan Briefing
- Select the plan you want to get briefing for in the Filed Plans list, by touching on it. The green bar will move to it.
- Press the "Get Email Briefing" button once.
- The briefing will be emailed to you at the address used for registering with Avare.
- Note: Route corridor width of 50 NM is used.
To Get Plan Navigation Log
- You can get the navigation logs for an aircraft saved in the aircraft profiles at 1800wxbrief.com.
- Select the plan you want to get log for in the Filed Plans list, by touching on it. The green bar will move to it.
- Press the "Get Log" button once.
- The navigation log will appear at the bottom of the button.
- To clear the navigation log, press the "Clear Log" button.


ANACONDA
A film review by Michael Dequina
Copyright 1997 Michael Dequina
Anaconda (PG-13) no stars (out of ****)
"When you can't breathe, you can't scream."
This adventure, directed by Luis Llosa of The Specialist and Sniper fame (or infamy, depending on how you look at it), follows a film crew traveling down the Amazon to make a documentary on a mysterious tribe. The crew is a bunch of flat characters, each with only one discernible personality trait: there's the earnest young director (Jennifer Lopez, the only actor on board who emerges with her dignity intact); the cameraman from the 'hood (Ice Cube); the horny sound guy (Owen Wilson); the bimbo production manager (Kari Wuhrer); the stuffy British host (Jonathan Hyde); the professor/love interest to the director (Eric Stoltz, wasted); and the foreign-accented captain of the boat (Vincent Castellanos). When they stumble upon a mysterious stranger (Jon Voight) in a broken down boat, the crew decides to take him on board. Big mistake. He's --no lie--a psychotic former-priest-turned-snake-hunter from Paraguay, dangerously obsessed with capturing the 40-foot anaconda snake alive--even if it means sacrificing the film crew.
Now, if one is making a movie about snakes--giant, man-eating snakes, no less--one would think that the first order of business would be to come up with convincing snake effects. Apparently, no one involved in Anaconda thought hard enough. The animatronic snakes look like giant rubber hoses with tire treads. Llosa also uses some "state-of-the-art" computer animation for some shots of the snake striking and wrapping around its prey, but the effects are obviously computer generated; the seams are quite visible.
The phony snakes are more than enough to ruin the film, but the true awfulness of Anaconda doesn't stop there. Two words--Jon Voight. As the nominal human villain of the piece, he is a complete embarrassment. If his unconvincing accent (alternately overdone and underdone) isn't bad enough, there are his hilarious leering gazes at Lopez. If that isn't enough, there are his "villainous" looks, clenched teeth and eyes in full bulge, during the physical scenes. The rest of the cast isn't all that great, either, but their work is downright Oscar-caliber compared to Voight's laughably overwrought turn.
Anaconda can best be summed up by a line delivered midway by Lopez without the slightest bit of irony: "This film was supposed to be my big break, and now it's turned into a disaster." You said it.
Michael Dequina<EMAIL_ADDRESS>|<EMAIL_ADDRESS>Visit Mr. Brown's Movie Site at http://members.tripod.com/~MrBrown/ Personal Page: http://members.tripod.com/~MrBrown/home.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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have loading component that uses the same interface like the d&d and the import dialog
- var modelEl = renderGLTFOrGlbURL(url);
- addControlsToModel(modelEl);
- renderAtPlayer
- scaleEntity
assets/models/bicyles/bicyle-sport.glb
assets/models/bicyles/bicyle-simple.zip only as dummy alternative mesh select


| DOSE: |
3 bowls |
smoked |
Cannabis |
(plant material) |
Im lucky when it comes to substances. I can take benadryl and not feel sleepy, caffeine or sugar and then go right to bed. But also when I take either weed or alcohol (the only substances I've tried), I need only the slightest amount to become stoned out of my mind or drunk and I never get very paranoid or have a huge hangover. And I always seem to remember everything that happened as well, though that's not always good.
One day, me and three friends decided to share just one gram of weed between three of us (one friend didnt feel like it, and he would become useful later). We made no preparations and out decision was totally spontaneous.  It was a dark night in early december, and it was freezing out. After about two hits, I felt a buzz coming on. On my third or fourth hit, I was feeling the weed very strongly. This high was different from my usual ones. Instead of being hyper and apparently hilarious to all non-high people around me, I felt mellow and peaceful. At this point I usually would've stopped and enjoyed what I had already, but there was so much more left. We went through about two more bowls before we decided to stop (I have no idea how a single gram lasted that long) but there was still more left after we were done.
As I waited there with my friends, I could feel my mind jumping higher and higher into space. I began to talk to my friend about how I loved him and he told me about how much he loved me. We hugged. Soon, my mind had jumped so high that I stopped thinking. Literally I stopped thinking about anything and stared at nothing in particular for what must've been five minutes. Out of the corner of my eye I could see a street light.  It was the size of two beachballs. Although this seems wierd, at the time I didn'y really care and just respected the ball of energy for what it was. After standing there for a good period of time, we finally decided to go to my friends house at the urging of our non-stoned friend. It was still below freezing out, but we didn't notice.
When we arrived at our friend's house, we for some reason didn't go inside, but instead just stood in the middle of the road. This is when I think I peaked. I suddenly closed my eyes, and there before me were flashing psychadelic colors. My body began swaying back and fourth in place. I felt like I was a roller coaster cart going along a random track.  I felt like I could see the roller coaster track I was following with my eyes closed. It was a chalky golden beam that shone in front of the colors in my head. I'd never heard of closed-eye visuals on just cannabis before.
Now the munchies hit us. We went to a Quiznos store near us and ordered some sub sandwiches. I shared mine with a friend who didn't have any money, but regretted it because I was still hungry after. While in the store, You Can't Always Get What You Want came on the radio and I yelled to my friend, 'This is such a GREAT SONG!' He humored me, but soon hurried me away from all the people who were staring at the three of us. That night I ate: 1/2 of a sub sandwich, numerous Lindt Chocolates, a large bowl of soup, and two orders of french fries. My stomach would hurt after I sobered up.
Later that night, we smoked again and watched Jimmy Neutron: Boy Genius on TV, tho this experience seemed toned down and less exciting. I was over-saturated with weed.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Genesis is a high-end Minecraft Network currently hosted on Minehut. I founded it with 2 other distinguished community members to achieve our goal of making passionate high quality creations.
Skriptify is a new Skript community with nearly 300 members. The goal of Skriptify is to provide Skript resources or plugin-like scripts to the players who were affected by the 12 plugin limit. Anyone can contribute
to Skriptify through the Discord server.


X-keys WebHID demo
Getting started
Requirements:
- Chrome > 89 (enabled by default)
- Chrome < 89: Go to chrome://flags and enable "Experimental Web Platform features", then restart your
browser
Note: For linux, you need to ensure udev is setup with the correct device permissions for the hidraw driver.


Pass the settings into creating function. For example:
var TouchDeviceNotification = createDesktopNotification({
blockedOrientation: 'portrait',
customHTML:
`
Hello, that is my custom notification!
`
,
});
| Setting | Type | Default Value | Description |
|---|---|---|---|
| blockedOrientation | string | 'landscape' | orientation of device you want to block |
| allowContentShow | boolean | true | allow site/app content show on tap |
| mainMessage | string | 'Please turn your device' | general notification message (available if you use default notification template) |
| extraMessage | string | 'or tap the screen to continue' | extra notification message (available if you use default notification template and allowContentShow: true) |
| responsivePortraitBreak | number | 767 | determine the breakpoint on which to show notification for mobile phones (default size is the one that will work on all the mobile phones but not on tablets) |
| responsiveLandscapeBreak | number | 850 | determine the breakpoint on which to show notification for mobile phones (default size is the one that will work on all the mobile phones but not on tablets) |
| iconPath | string | default svg icon | path to icon (any format) or svg icon(available if you use default notification template) |
| appearAnimation | string | '' | pass the string with animation classes you want to set on notification appearance (like animate.css classes 'animated fadeIn) |
| hideAnimation | string | '' | pass the string with animation classes you want to set on notification hiding (like animate.css classes 'animated fadeOut) |
| hideAnimationDuration | number | 0/400 | duration of hideAnimation (if no hideAnimation default is 0; if hideAnimation is passed and hideAnimationDuration is not set - default is 400 (ms)) |
| customHTML | string | false | custom markup of the notification. Markup you pass will be wrapped into main notification container with build in styles. Remember that you need to style all the custom markup on your own, so provide your own id/classes for styling. |


The mission of Sigma Eta Pi is to transform individuals into starters who follow their passion, develop lasting relationships, and create value through innovative pursuits. We educate our brothers and sisters with the most comprehensive knowledge of the startup ecosystem and venture processes, while equiping them with a concrete set of skills sourced from the diverse backgrounds of our family.
We're a community of best friends collaborating to do amazing things. Join us in changing the world.
We promote ingenuity, innovation, and the joy of doing novel things.
Develop lasting, meaningful relationships and build networks for life.
We educate our brothers with comprehensive knowledge of the start-up ecosystem and venture processes.


Digital and Analog Computers can be either digital or analog. Virtually all modern computers are digital. Digital refers to the processes in computers that manipulate binary numbers (0s or 1s), which represent switches that are turned on or off by electrical current. A bit can have the value 0 or the value 1, but nothing in between 0 and 1. Analog refers to circuits or numerical values that have a continuous range. Both 0 and 1 can be represented by analog computers, but so can 0.5, 1.5, or a number like p (approximately 3.14). A desk lamp can serve as an example of the difference between analog and digital. If the lamp has a simple on/off switch, then the lamp system is digital, because the lamp either produces light at a given moment or it does not. If a dimmer replaces the on/off switch, then the lamp is analog, because the amount of light can vary continuously from on to off and all intensities in between. Analog computer systems were the first type to be produced. A popular analog computer used in the 20th century was the slide rule.  Because the sliding is continuous and there is no mechanism to stop at any exact values, the slide rule is analog. New interest has been shown recently in analog computers, particularly in areas such as neural networks. These are specialized computer designs that attempt to mimic neurons of the brain. They can be built to respond to continuous electrical signals. Most modern computers, however, are digital machines whose components have a finite number of statesí¬for example, the 0 or 1, or on or off bits. These bits can be combined to denote information such as numbers, letters, graphics, sound, and program instructions. |


DARK CITY *** (R) (out of four)
John Murdoch: Rufus Sewell Inspector Frank Bumstead: William Hurt Dr. Daniel Poe Schreber: Kiefer Sutherland Emma Murdoch/Anna: Jennifer Connelly Mr. Hand: Richard O'Brien
Directed by Alex Proyas. Written by Proyas, Lem Dobbs, & David S. Goyer. Running time: 100 minutes. Rated R (for violence and nudity).
BY AARON MICHAELS
Dark City is a dark, dark movie. It deals with a group called the Strangers who have taken over a city and are using the locals as experiments. They have an ability to "tune" which causes people to sleep and buildings to move. They imprint thoughts into people's brains to see what makes them tick while they are asleep.
John Murdoch (Rufus Sewell), a young man who is your everyday guy, wakes up the middle of being imprinted. His memory is lost. He stumbles around and notices a dead prositute horribly murdered near him. How could he have done this?
He gets a phone call from a excentric doctor Dr. Schreber (Keifer Sutherland) telling him to get out the building because the Strangers will find him. He travels around the city for the next 90 minutes being chased by an Inspector Bumstead (William Hurt) and the Strangers lead by a pale-faced man named Mr. Head (Richard O'Brien) while peacing together the story.
Dark City is a technically well made film. Proyas along with cinematographer Dariusz Wolski, composer Trevor Jones, and the art and set direction teams have created a very interesting world for the activities to exist in. Towering buildings and city streets are a marvel to look at. The script by Proyas, Lem Dobbs, and David S. Goyer is also good and features a new suprise constantly. It plays out like a dark comic book that was made picture by picture into a movie.
The cast does a fine job with Sutherland and Hurt being the standouts. Sutherland has always been a sub-par actor in my mind with has villianous turns in The Lost Boys and Freeway but in this film he plays a not good, but not bad guy very well. He seems to be having fun gasping for air constantly just to sputter out fast dialogue. Hurt has always been a good actor and he is a great choice as the inspector due to his charm and intelligence.
 CGI is almost always just used to create beasts or fake looking stunts but in Dark City it is used correctly. It adds to the film very well and is a must have. The "tuning" scenes highlight the greatness of the technology.
I do have a complaint with the film though. Jennifer Connely has never been a good actress. She always plays a girl who every guy goggles at and seems to just be eye candy. In this film she plays Murdoch's girlfriend and I didn't feel that she was a character. She wasn't interesting even though she had to be to pull off the character. She looks out of place in an science fiction film.
With my complaint aside, Dark City is one of the better science fiction to come out of Hollywood (actually the film was shot in Australia) while other films are just gory space pictures. Proyas continues his streak of comic book scripts that are put to screen that he started with The Crow and I am anticipating his next book on film.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
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Related links: index of all rec.arts.movies.reviews reviews


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--- title: "TensorFlow Estimator API Examples" ---
This collection of examples will show you how you can use
tfestimators
to easily construct powerful models using TensorFlow.
| Example | Description |
|---|---|
| custom_estimator | Create a custom estimator for abalone age prediction. |
| iris_custom_decay_dnn | Create a deep neural network with learning rate decay for iris dataset. |
| iris_dnn_classifier | Construct a DNN classifier using the iris data set. |
| mnist | Train a deep learning model with the MNIST dataset. |
| tensorflow_layers | Build an estimator using TensorFlow layers. |
| wide_and_deep | Build a wide & deep learning model. |


This website provides brief information about the history of the internet based on documentaries about the history of the internet. The following topics are discussed on this website:
This website was built as a project for the Web Systems Development course, IS-601 at NJIT by teammates: Adrianna Brzezinska and Kefin Sajan.
You can find out more about Adrianna & Kefin on the Team page.
The following programs were used to create this website: