Buck did not read the newspapers, or he would have known that trouble was brewing, not alone for himself, but for every tide-water dog, strong of muscle and with warm, long hair, from Puget Sound to San Diego. Because men, groping in the Arctic darkness, had found a yellow metal, and because steamship and transportation companies were booming the find, thousands of men were rushing into the Northland. These men wanted dogs, and the dogs they wanted were heavy dogs, with strong muscles by which to toil, and furry coats to protect them from the frost.
Buck lived at a big house in the sun-kissed Santa Clara Valley. Judge Miller's place, it was called. It stood back from the road, half hidden among the trees, through which glimpses could be caught of the wide cool veranda that ran around its four sides. The house was approached by gravelled driveways which wound about through wide-spreading lawns and under the interlacing boughs of tall poplars. At the rear things were on even a more spacious scale than at the front. There were great stables, where a dozen grooms and boys held forth, rows of vine-clad servants' cottages, an endless and orderly array of outhouses, long grape arbors, green pastures, orchards, and berry patches. Then there was the pumping plant for the artesian well, and the big cement tank where Judge Miller's boys took their morning plunge and kept cool in the hot afternoon.
From a livingroom-sized screen down to a pocket-sized one, Beams offers you unparalleled flexibility in visual design. If you're currently using a desktop or laptop computer, narrow your browser window to see how our 20-column grid resizes its content containers to fit any viewport.
Embedded video players can be a particularly finnicky design element of many Web pages, especially as the size of the browser window changes. Not so with Beams, where content in a <video>
or <iframe>
tag is just as responsive as anything else.
Try it with this self-hosted HTML5 video...
Of course, Beams integrates with embedded players from the most popular third-party video services as well. To pull this off, we rely on the nifty jQuery plugin FitVids.js by Chris Coyier and his friends at Paravel, free to use under the innovative WTFPL.
To see how Beams handles YouTube video, check out the responsiveness on this embedded YouTube clip from filmmaker Jason Zada. He shot this in native 4K resolution...
...and here's an example via Vimeo about a topic close to our hearts. Hat tip to filmmaker Rob Perri on this one (C:


This is a summary of the lottery decision you made.
A random process drew one of the rows in which you made a decision about the lottery you want to play.
The row drawn is
.
The lottery you chose in this row is:
The lottery is played as follows:
1. A number between 1 and 10 is randomly drawn.
2. If the random number is smaller than or equal to
, you receive the high prize.
3. If the random number is larger than
, you receive the low prize.
To play the lottery, press the button below.
The random number drawn was
.
This means you won
ECU
.
The value was added to your final payoff. To continue to the next stage, click continue.


Entry Month
Number of MPP
Number of FPP
Number of FPP OPT Students
Number of MPP OPT Students
Number of US Students
Update


The p-value is the probability that the test statistic will produce values at least as extreme as the value
it produced for your sample.
It is crucial to remember that this probability is calculated under the assumption that the null hypothesis
is true!


Mailchute
Mailchute is a combination of popular front-end development tools with a few tweaks to help designers build HTML emails quickly.
|
|
It uses:
-
Gulp to stream changes to data, templates, and stylesheets
-
Pug to make building templates and reusable components easy
-
SCSS to style it all up (including a few bits and pieces from BassCSS)
-
BrowserSync to preview how your email will look
-
Premailer to inline your styles when you're ready to send it.
|
|
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Thanks for using Mailchute
|
|
|


--- layout: post section-type: post title: Software development professionalism date: '2007-09-26T10:57:00.001+02:00' author: Jørn Ølmheim category: tech tags: [ 'jaoo', 'agile', 'tdd' ] modified_time: '2007-09-26T11:03:05.742+02:00' blogger_id: tag:blogger.com,1999:blog-16320608.post-6600601370412481948 --- Robert C. Martin (aka. Uncle Bob) held this years opening keynote, here at JAOO. The theme was software craftsmanship. If you've followed my blog, you'll know that I'm a big fan of him, and have had the good fortune to have met him and learned from him before. In his talk he basically summarized the agile practices that makes for professional developers. His idea is that as professionals we have a duty to perform our craft in a discipline way. Things like producing working code in short iterations. And by the way, working code means tested code. There is just no other way. He also focused on the good design principles that make up good code. Decouple teams from each other. The main directive is that you should never allow yourself to be blocked. This is a central idea, and involves decoupling the teams, as well as the source code. Another problem he focused on is what he called "Turgid Viscous Architecture". This means that we don't want the big all-solving architecture, but rather smaller simpler architecture created by senior developers and architects who code. If you dictate it, you must be made to live with it, to make sure you don't create more problems that solutions with the architecture. How do you fix a mess? Incremental improvement. If everyone started checking in the code just a little better than when we checked it out. The "Grand Redesign" does not work. Rather look the mess "clean in the eye", and change it, one small piece at the time. Do progressive widening of the system. Small slices of the system from GUI to database, creating fully functioning pieces of code. Progressive deepening ,... (Start with something that works, then make it right, then make it fast) Don't write bad code. Bad code slows you down, fast. This relates to the "No broken windows" principle introduced by the Pragmatic Programmers. The only way to go fast is to go well. Clean code means small functions, clear function names, clear variable names. Your code should be readable. TDD is a fundamental professional practice.


--- layout: post status: publish published: true title: CF Doesn't Deserve Apps - Episode 8.55 author: display_name: Corey Fineran login: Corey email<EMAIL_ADDRESS>url: '' author_login: Corey author_email<EMAIL_ADDRESS>wordpress_id: 12031 wordpress_url: http://ivyenvy.com/?p=12031 date: '2016-09-18 23:23:45 +0000' date_gmt: '2016-09-19 04:23:45 +0000' categories: - Podcast tags: [] comments: [] ---
The Cubs have officially clinched the NL Central AND on Monday morning, we will get our 1-millionth download!
On this episode, we talk about the historical significance of the Cubs winning the division crown. We also look ahead to the last two weeks of the regular season and talk about how we will begin to prepare ourselves for the 2016 MLB Post-season. Andy looks at the health of the team, primarily Pedro Strop and Jorge Soler.
Then we invite Lauren (@BlondeWonk) to talk about Game Day Feels. Be sure to use the promo code IVY to be entered into a drawing for a 19" bracelet.
If you want an Ivy Envy shirt for the Cubs post-season games, use the coupon code MILLION at http://ivyenvy.com/store


Every FTP session remembers the last FTP site it was connected to. To reconnect to the previously connected FTP site, do any one of the following:
FTP -> Reconnect
Ctrl + F3
Command + F3


--- layout: page title: "Java Concurrency in Practice" prev: app01.html next: app01lev1sec2.html book_path: books/brian-goetz-tim-peierls-joshua-bloch-joseph-bowbeer-david-holmes-doug-lea-java-concurrency-in-practice--_oeb/ --- {% include JB/setup %} {% raw %}
We use three class-level annotations to describe a class's intended thread-safety promises: @Immutable, @ThreadSafe, and @NotThreadSafe. @Immutable means, of course, that the class is immutable, and implies @ThreadSafe. @NotThreadSafe is optionalif a class is not annotated as thread-safe, it should be presumed not to be thread-safe, but if you want to make it extra clear, use @NotThreadSafe.
These annotations are relatively unintrusive and are beneficial to both users and maintainers. Users can see immediately whether a class is thread-safe, and maintainers can see immediately whether thread-safety guarantees must be preserved. Annotations are also useful to a third constituency: tools. Static codeanalysis tools may be able to verify that the code complies with the contract indicated by the annotation, such as verifying that a class annotated with @Immutable actually is immutable.


Frequently Asked Questions¶
I don’t need notifications on the message bus. How do I disable them?¶
Notification messages can be disabled using the noop
notify
driver. Set driver = noop
in your configuration file under the
[oslo_messaging_notifications] section.
Why does the notification publisher create queues, too? Shouldn’t the subscriber do that?¶
The notification messages are meant to be used for integration with
external services, including services that are not part of
OpenStack. To ensure that the subscriber does not miss any messages if
it starts after the publisher, oslo.messaging
ensures that
subscriber queues exist when notifications are sent.
How do I change the queue names where notifications are published?¶
Notifications are published to the configured exchange using a topic
built from a base value specified in the configuration file and the
notification “level”. The default topic is notifications
, so an
info-level notification is published to the topic
notifications.info
. A subscriber queue of the same name is created
automatically for each of these topics. To change the queue names,
change the notification topic using the topics
configuration option in [oslo_messaging_notifications]
. The option
accepts a list of values, so it is possible to publish to multiple topics.
What are the other choices of notification drivers available?¶
- messaging Send notifications using the 1.0 message format.
- messagingv2 Send notifications using the 2.0 message format (with a message envelope).
- routing Configurable routing notifier (by priority or event_type).
- log Publish notifications via Python logging infrastructure.
- test Store notifications in memory for test verification.
- noop Disable sending notifications entirely.


RUSHMORE A film review by Steve Rhodes Copyright 1999 Steve Rhodes RATING (0 TO ****): *** 1/2
Nerdy 15-year-old Max Fischer, played by a perfectly cast Jason Schwartzman, might appear to have it all. A student at an elite private school named Rushmore; he participates in every extracurricular activity on campus from backgammon to beekeeping to wrestling. And he's constantly on the prowl for opportunities to establish new clubs. No activity is too mundane for Max to organize. As he sees it, even the old recess game sometimes called dodgeball, in which kids throw a ball at each other, deserves incorporation into a school-sponsored sport.
With his prominent braces, bookish glasses and exceedingly plain looks, Max overcompensates by being the only boy at school to a wear a blazer and tie. In a fancy prep school, he's the preppiest kid on campus.
Max's talents appear limitless. He even writes, directs and produces his own plays, including a realistic Vietnam war drama that requires his audience to wear earplugs and safety goggles in case the bazooka or other parts of the dangerously real pyrotechnics go awry.
RUSHMORE, written by Wes Anderson and Owen Wilson and directed by Wes Anderson, isn't a movie that's easy to pigeonhole. The trailers would lead you to believe that it's a comedy and probably a bad slapstick one. The movie is certainly funny, and, unlike what the trailers suggest, it isn't that over-the-top. In addition to the humor, the story has two quirky romances and some sweet undertones. Most of all, it's a poignant tale about two people who have had limited success in their lives.
Although Max excels at some things, academically and socially he's am unqualified disaster. As the story opens, he has been put on "academic sudden death" because of his poor grades. (Max demands documentation. A kid's got to know his rights.)
In a supporting role that the studio hopes will garner him an Oscar nomination, Bill Murray plays Herman Blume, the school's superrich supporter.  In an empathetic performance, Murray takes an understated approach. With just the rolling of his eyes, he imparts a deliciously mocking humor, revealing how bereft his character is of any joy in his life. Herman may be financially well off, but he is terminally unhappy.
Perhaps the film's best scene occurs when Herman tries to obtain a little solitude during a party at his house by floating underwater in the swimming pool. A kid also dives under and stares at him, thus destroying his fleeting moment of peace. The incident is reminiscent of THE GRADUATE, as is some of the rest of this unusual motion picture.
Both Max and Herman fall in love Rosemary Crosswith, a new teacher at Rushmore. Olivia Williams, the female lead from THE POSTMAN, plays Rosemary with an inviting sweetness. Rosemary tells Max that he's too young for her, but that doesn't dissuade him. Ever resourceful, he finds out what he thinks are her passions and then lobbies to obtain them for her. From keeping Latin as part of the curriculum to building an aquarium, no challenge is too daunting for him.
Robert D. Yeoman's cinematography gives the picture a bleak and austere look that has a FARGOish feel to it. The images are colorful, yet flat and devoid of warmth, reflecting the desperation of the characters.
It's not often that two award pins can summarize a person's life, but Max's pins can. Prominently displayed on his sport coat are his awards for "Perfect Attendance" and "Punctuality." If, as Woody Allen said, "90% of life is just showing up," Max does have some major accomplishments to his credit.
RUSHMORE runs 1:33. It is rated R for profanity and mature themes and would be fine for teenagers.
Email<EMAIL_ADDRESS>Web: www.InternetReviews.com
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


maestro() = maestro_serv:maestro()
maestro_ref() = maestro_serv:maestro_ref()
pool_ref() = maestro_serv:pool_ref()
start_ret() = maestro_serv:start_ret()
| checkout/1 | Pick a pool and check-out one worker. |
| checkout/2 | Pick a pool and check-out one worker; optional block. |
| checkout/3 | Pick a pool and check-out one worker; optional block and check-out timeout. |
| child_spec/3 | |
| pick_pool/1 | Throw some dice. |
| pool_checkin/2 | Check in a particular worker into an arbitrary pool. |
| pool_checkout/1 | Check-out one worker from an arbitrary pool. |
| pool_checkout/2 | Check-out one worker from an arbitrary pool; optional block. |
| pool_checkout/3 | Check-out one worker from an arbitrary pool; optional block and check-out timeout. |
| pool_status/1 | Run a single function in-between a check-out and a check-in; optional check-out timeout. |
| pool_transaction/2 | |
| pool_transaction/3 | Run a single function in-between a check-out and a check-in. |
| start/1 | |
| start/2 | |
| start_link/1 | |
| start_link/2 | |
| status/1 | |
| stop/1 | |
| transaction/2 | Pick a pool and run a single function in-between a check-out and a check-in. |
| transaction/3 | Pick a pool and run a single function in-between a check-out and a check-in; optional check-out timeout. |
checkout(Maestro::maestro()) -> {pool_ref(), pid()}
Pick a pool and check-out one worker.
checkout(Maestro::maestro(), Block::boolean()) -> {pool_ref(), pid()} | full
Pick a pool and check-out one worker; optional block.
checkout(Maestro::maestro(), Block::boolean(), Timeout::timeout()) -> {pool_ref(), pid()} | full
Pick a pool and check-out one worker; optional block and check-out timeout.
child_spec(Id::term(), MaestroArgs::proplists:proplist(), WorkerArgs::proplists:proplist()) -> supervisor:child_spec()
pick_pool(Maestro::maestro()) -> pool_ref()
Throw some dice.
pool_checkin(PoolRef::pool_ref(), Worker::pid()) -> ok
Check in a particular worker into an arbitrary pool.
pool_checkout(PoolRef::pool_ref()) -> pid()
Check-out one worker from an arbitrary pool.
pool_checkout(PoolRef::pool_ref(), Block::boolean()) -> pid() | full
Check-out one worker from an arbitrary pool; optional block.
pool_checkout(PoolRef::pool_ref(), Block::boolean(), Timeout::timeout()) -> pool_ref() | full
Check-out one worker from an arbitrary pool; optional block and check-out timeout.
pool_status(PoolRef::pool_ref()) -> {atom(), integer(), integer(), integer()}
Run a single function in-between a check-out and a check-in; optional check-out timeout.
pool_transaction(PoolRef::pool_ref(), Fun::fun((Worker::pid()) -> any())) -> any()
pool_transaction(PoolRef::pool_ref(), Fun::fun((Worker::pid()) -> any()), Timeout::timeout()) -> any()
Run a single function in-between a check-out and a check-in.
start(MaestroArgs::proplists:proplist()) -> start_ret()
start(MaestroArgs::proplists:proplist(), WorkerArgs::proplists:proplist()) -> start_ret()
start_link(MaestroArgs::proplists:proplist()) -> start_ret()
start_link(MaestroArgs::proplists:proplist(), WorkerArgs::proplists:proplist()) -> start_ret()
status(Maestro::maestro()) -> [{atom(), integer(), integer(), integer()}]
stop(MaestroRef::maestro_ref()) -> ok
transaction(Maestro::maestro(), Fun::fun((Worker::pid()) -> any())) -> any()
Pick a pool and run a single function in-between a check-out and a check-in.
transaction(Maestro::maestro(), Fun::fun((Worker::pid()) -> any()), Timeout::timeout()) -> any()
Pick a pool and run a single function in-between a check-out and a check-in; optional check-out timeout.
Generated by EDoc, Sep 27 2015, 17:13:58.


From "Writer Checklist v1" originally written by Thendar
---+-0o- A Checklist Before Submitting a Zone, v.1 -o0-+--- By: Thendar, Updated: August 19, 1999 A brief introduction: I am writing this checklist because for severa of you, this is your first zone. Even if this is not your first zone, there are things even the experienced forget. I want your zone displayed exactly how you guys intended it to be seen. This is your artwork, make sure it is how you envisioned it! I've recieved several zones, and at first I was going through and fixing all the little things. But after a while, it is getting more and more tedious, and takes too much time away from the more important things that need to be done to open this mud. If your zones aren't right, I'll send them back until they are fit to be added. Do not send them to me expecting me to fix every little spelling error. If you are bad with spelling or grammar, have a friend read through your zone. Also, make SURE your zones are how you want them. I've added many new zones so far, yet most zone writers keep coming back with things such as shops that weren't sentinel, or rooms they forgot to add a description to. Go down this checklist, and proofread your work. If you can't take the time to do this, your zone obviously means little to you quality wise, don't expect me to add it. I don't mind fixing a few typos or misses here and there, but when it is in excess, it becomes a problem and is taking too much of my time to fix your errors. I'll likely ask you to re-submit it when you have taken the time to fix and proofread your zone. By the way, all fun and no play makes one dull. I'd like to take this moment among all the seriousness to say thanks for your hard work guys. The zone writers are what makes a mud great. Thendar<EMAIL_ADDRESS>In your zone: Do you have a room with an exit pointing to (-1) out of zone so I know which room to connect it to? In your Rooms: Do all the rooms have descriptions? Do all your rooms have titles? Are your titles capitalized correctly? (example: 'A Path Through the Forest' instead of 'A path through the forest.') There whould be no period at the end. At the end of your titles, add an &n to make sure the ansi does not bleed. For example: &+gA Forest&n Are all of your rooms indented correctly? Three spaces. Indented this way: Right way: &+g The path continues on here... (ansi)(indent)(text) Wrong way: &+gThe path continues on here... (indent)(ansi)(text) The mud won't take into consideration the second indent way. Walk through your zone, read all of your descriptions on your objects, mobs, and rooms really well, checking for spelling and grammar errors, redundancies, etc. Please omit anything too profane. Make sure all of your room descriptions are over 3 lines long. If you have duped rooms consider: 1) altering each so they look different. 2) removing the ones that aren't really necessary to the zone overall, like a room taking up 6 rooms, just because it is a big room, but it only has 1 mob in it, etc. Justify the extra rooms you had to dupe (for layout, with mobs, etc). If you have rooms players should not get to (such are load rooms and rare load matrixes), make sure the rooms are flagged so that no players can ever end up there. The basic grammar stuff (for those who need it but are afraid to ask): Do you have run-on sentences? Do you have fragment sentences? Do you have proper punctuation? Did you omit any redundant sentences/phrases? Did you is 'its' for possessives and 'it's' for 'it is'? Did you use there for a place, and their for possesive? Did you use 'we're' ('we are') instead of where (a place)? Avoid using 'you' in room descriptions. Never use 'I' unless it is a story being told in first person, in an extra room description plaque, or a book. Instead of 'you', 'one' can often be substitued and is more formal. Did you capitalize properly? Do not use double negatives. Remember: Room titles are proper titles. Room descriptions are paragraphs. Objects are nouns, their long (room descriptions) are sentences. Mob names are nouns, their long descriptions (A mob is standing here...) is a proper sentence, and needs puntuation and capitlization. When you add... to pause, it is proper to only use three periods. Do not use abbreviations in your descriptions. For example, use 'three' instead of '3', and avoid using online lingo (btw, rofl, lol...). Do not use :), :P, or _underline_, *bold*, /italicize/ to emphasize. If it is really necessary to make something stand out like that, try to use ansi coloration. LINE WRAPPING: All descriptions need to fit under 78 characters long. This is easy to check. When your desciption is in edit, ALL words should fit on the edit screen without ansi added. When you add ansi, which I would highly suggest to add AFTER you have written your whole description, remember that the code (&+m, &n, etc) takes up room in the editor, but not in the actual description. Compensate for this if you added ansi as you write. IF your room is over 78 characters, this is what it will look like on the mud: " A forest path goes through a densely wooded area here bleh bleh bleh, and a cute bunny rabbit hops along. This forest is so damned cute it makes you sick. The path continues north." This is how it should look: " A forest path goes through a densely wooded area here bleh bleh bleh, and a cute bunny rabbit hops along. This forest is so damned cute it makes you sick. The path continues north." If your rooms are written this way, fix them: "A forest path goes through a densely wooded are here bleh bleh bleh, and a vute bunny rabbit hops along.  The path goes north." Remember, you are writing a story or setting for the players to live in.  The room short descriptions are proper titles. If you are confused by this, walk through a zone on the mud and see how they did it, or pick up a newspaper and see how the paragraphs are set up, and the titles are capitalized :P In your mobs: Double check to make SURE all the mobs you want sentinel are sentinel (ie, shops, some guy on his deathbed, etc.) Do all of your mobs have descriptions? Do all of your mobs have keywords? Make sure to add ansi breakers (&n) after all your descriptions. For example: &+Lan Orc guard&n, &+LAn Orc guard stands here picking his nose.&n, etc. In your quests: Make sure all parts (mobs and objects) of your quests are loaded. Make sure all of your quest keywords are keywords that the player can figure out. In your objects: Make sure all objects the players can pick up/get/wear/loot/etc. are flagged takeable and/or wearable in appropriate slots. Make sure weapons are flagged wielded and not held. Check to make sure all objects that players are not meant to get are not takeable (ie- fountains, portals, furniture, etc.) Make sure to add an &n at the end of ALL your descriptions, ie.: the short name &+ra red spellbook&n, &+rA red spellbook lies here.&n,&+rThis spellbook appears to be covered with red velvet fabric.&n. Make sure all portals are made -1 uses, and -1 charges. Make sure all portals are allow_all (useable by everyone) Make sure that if a portal takes a player to a secluded area in the zone that there is a way for the player to get back out, ie another portal, an exit back, etc. Shields should be flagged object type 37, and should have the correct wear bits for a shield. All objects need to have at least one description. Make sure your objects have valid keywords. Make sure backpacks have the keyword bp also. Did you set the material and craftsmanship? This is how the mud gerenates a price for your items in shops. In your shops: Make sure the shopkeeper does not roam, and is sentinel if you want it to stay put. Make sure the shop's sold items are in the mob's inventory (most versions of dikuedit will check this for you when you save). Make sure you added what shops the shop buys back if you have them players able to sell equipment there. In hometowns: Make sure there is an inn, a bank, some shops. Remember to either flag the bank and inn how they should be or note it to me in the .txt. Make sure there are repop places and be SURE to let me know in the .txt file. If you add a fountain (highly suggested), make it uses: -1, and do not flag it takeable. Make it regular water. Holy and Unholy water are for when players buy guildhalls. In your .txt file: Make SURE to add ALL of the following information at the start: your zone's formal name: your email: name for credits: your player name: room that exits from zone: theme infortmation, notes: MAKE THE .TXT NAME .txt ie, drowht.txt for drowht.zon/drowht.wld, etc. Do not name it theme.txt, info.txt, etc. MAKE SURE YOUR ZONE NAME IS UNIQUE! Do NOT name your zone forest.wld, etc. When I have to search through 80 different zone files, I need a better name than forest.zon to figure out which of the 30 forests on the mud I need. Plus, if people named their zones forest.*, I'd have like 30 other zones all named forest, and only one can be named forest anyway. If it's like 'The Troll Forest' name it trollfor.* or something. In your zip: Make sure you include: .txt, .wld, .zon, .obj, .mob, .set, And if you have these: .qst, .shp IF YOU HAVE MOB PROGS: Send me one zip with them, and one without, and note them as such. Let me know about this in your .txt. Submit zones to<EMAIL_ADDRESS>Your zone may be altared once submitted. If it has been altared, you may feel free to ask for a copy of the new zone. Once the zone is submitted it is property of Basternae 2, and can be altared as the mud needs and changes. If your zone has many errors, I may send it back as opposed to fixing them all myself, or I may send it to Trika to fix.


|
xpcc
|
Base class of an I2C Device. More...
#include <xpcc/architecture/interface/i2c_device.hpp>
Public Member Functions | |
| I2cDevice (uint8_t address) | |
| void | setAddress (uint8_t address) |
| Sets a new address of the slave device. More... | |
| void | attachConfigurationHandler (I2c::ConfigurationHandler handler) |
| Attaches a configuration handler, which is called before a transaction, whenever the configuration has to be changed. More... | |
| xpcc::ResumableResult< bool > | ping () |
Protected Member Functions | |
| bool | startWriteRead (const uint8_t *writeBuffer, std::size_t writeSize, uint8_t *readBuffer, std::size_t readSize) |
| Configures the transaction with a write/read operation and starts it. | |
| bool | startWrite (const uint8_t *buffer, std::size_t size) |
| Configures the transaction with a write operation and starts it. | |
| bool | startRead (uint8_t *buffer, std::size_t size) |
| Configures the transaction with a read operation and starts it. | |
| bool | startTransaction () |
| Starts the transaction with our own transaction object. | |
| bool | startTransaction (xpcc::I2cTransaction *transaction) |
| Starts the transaction with a seperate transaction object. | |
| bool | isTransactionRunning () |
| bool | wasTransactionSuccessful () |
| xpcc::ResumableResult< bool > | runTransaction () |
| Starts our own transaction and waits until finished. | |
| Protected Member Functions inherited from xpcc::NestedResumable< NestingLevels+1 > | |
| NestedResumable () | |
| Construct a new class with nested resumable functions. | |
| void | stopResumable () |
| Force all resumable functions to stop running at the current nesting level. | |
| bool | isResumableRunning () const |
| int8_t | getResumableDepth () const |
Protected Attributes | |
| Transaction | transaction |
This class provides functions for configuring the adapter and peripheral and starting transactions. It also provides a basic ping()
resumable function, which checks if the device responds to its address.
You need to provide the number of required nesting levels for your driver here. By default, 10 levels are chosen, which should be more than enough in any case.
You can choose to use your own custom I2c Transaction Adapter, by providing a class subclassed from an existing I2cAdapter or which implements the I2cTransaction interface manually.
| I2cMaster | an I2cMaster conforming to the I2cMaster interface. |
| NestingLevels | number of nesting levels required for your driver |
| Transaction | a class conforming to the I2cTransaction interface. |
|
inline |
| address | the slave address not yet shifted left (address < 128). |
|
inline |
| address | the slave address not yet shifted left (address < 128). |
|
inline |
|
inline |
| true | device responds to address |
| false | no device with address found |
|
inlineprotected |
true
when transaction is busy.
|
inlineprotected |
true
when transaction did not return an error.


Authin
Home Page
GitHub
Javascript
simple implementation of a pure javascript application that acts as relyin g party
simple js
Javascript
simple implementation of a pure javascript application that acts as relyin g party
React.js


Generate random values of different types with clear syntax with 1K lib.
Random integer, random array element, random string, random boolean with given probability, random offset of numerical.
npm install --save mk-randoms
Node js:
var random = require('mk-randoms')
ES6:
import random from 'mk-randoms/dist/random.es6'
import random from 'mk-randoms' // this will work as well
Browser:
<script src="node_modules/mk-randoms/dist/random.min.js"></script>
Random numerical value between min and max values.
Random integer between min and max values.
Random boolean. okProbability - is an optional probability of "TRUE" value percentage, dafault is 50.
Random string. length: is a length of string, dafault is 1. sourceStr: is a set of acceptable characters, default is "abcdefghijklmnopqrstuvwxyz"
Random element of array, or array - random subset of sourse array, where every source element can be copied no more then one time. arr: source array. quantity: default is 1, if 1 returns random array element, otherwise it is a length of resulting array, if quantity is larger then source array length, then returns source array.
Random shift of numerical value. val: original number. percentage: amplitude of discrepancy, default is 10.
Random integer shift of integer value. val: original number. percentage: amplitude of discrepancy, default is 10.


Overview
The Challenge
During this project I tackled implementing modern e-commerce standards while staying authentic to Burger Records' unique brand identity that their existing users love.
The Solution
In a 2-week sprint, I overhauled the site from landing page to order confirmation to help users better navigate, discover, and purchase music from the unique indie label.
My Process
Research
Although improving e-commerce functionality was the main focus of this project, I didn't want to assume that it was my only focus. I performed an audit of the site to understand all the content it provides its users; I found there was little that the site didn't offer which created a confusing experience even at a high level. See how I documented more of my research findings below!
Where are the problem areas?
Through a comprehensive heuristic evaluation, I was able to identify distinct friction points and break them down into solvable categories that helped me prioritize what areas of opportunity would have the most impact on users.
Key takeaway:
Most usability issues stemmed from changing navigation and layout patterns, therefore, creating consistency for users became my #1 priority.
How is the current site structured?
By diagramming the sites architecture, I found the “Shop” and “Shirts/Totes” categories in the navigation redirected to two separate e-commerce sites hosted by two different merchandise distributors. Both 3rd party sites had interfaces that were similar to the actual Burger Records' website but varied in layout and navigation.
I considered the use of deceptive 3rd party sites a huge red flag due to the lack of consistency, security, and transparency Burger Records was providing its users.
Who is the competition?
I conducted two competitive and comparative analysis, one focused on features and the other comparing layouts that are commonly used across the music distribution e-commerce space.
Key Takeaway:
Most features that competitors had were present but were unreliable when used. Additionally, the current layout of the landing page and product pages lacked the consistency that other music label sites had.
How do users navigate currently?
In usability tests, users found navigating the main Burger Records site and the two e-commerce shops confusing. Once users realized they were required to create accounts on two 3rd party sites they didn't recognize to complete two checkout processes they gave up entirely. In one user's words "...this whole process seems shady to me...finding items isn't easy, and I don't know who got my [purchasing] info. I just don't trust it."
Analysis
Feature Prioritization?
I put together a feature prioritization axis that scaled features based on how essential they were to a users experience versus how much effort and expense it would cost to accomplish.
This process helped me further narrow down e-commerce features that provides the user with more intuitive navigation and simplify the product discovery process.
Persona
Utilizing affinity mapping I was able to find patterns between the various users I interviewed which allowed me to pinpoint Burger Records target users and form a reliable user persona to base design solutions on.
Journey Mapping
In a journey map I was able to further diagram Burger Records target users thoughts and emotions as they interacted with the current Burger Records site.
Designing Solutions
Ideation and Paper Prototyping
I proceeded to ideate navigation schemas and content layouts that would best serve users. I A/B tested a variety of content hierarchies of the homepage and explored different types of checkout flows.
After various rounds of low fidelity usability testing, the user flow became smoother and I was able to quickly iterate on feedback before commiting to my initail design sketches.
Final Designs
High Fidelity
The results from my usability tests required me to pivot my design process. In my second round of high fidelity designing, I kept user interviews and the persona more inline with the design thinking and was strict when it came to maintaining the unique feel of the label.
I focused on curating a more authentic record shop experience online by creating robust product pages that highlighted artists and their craft to mimic conversations that often happen between record consumers and shop employees. Further testing of this design was met with much better reactions from fans and new users alike along with a more seamless experience overall.
The Results
Prototype
I presented the redesign including my research findings, testing results, and final high fidelity prototype.
A streamlined navigation and content hierarchy that promotes user discovery.
Product listing pages with various filter options to help users find exactly what they want quickly.
Robust product detail pages allowing users to explore more about artists creating intimate music experience
A full guest checkout flow to help assure users order completion
Revised Site Map
I redesigned the site’s navigation to provide more robust navigation options to accommodate various types of users.
This not only helped users easily find and purchase products but it also clarified where users could discover events, latest news, or find out how to join the label.
New User Flow
The new user experience is much more centered around e-commerce and encouraging user discovery by highlighting their bands and musicians.
During usability tests users who were and weren't familiar with Burger Records immediately knew where to go to find products and quickly found specific items they were looking for. The new design also led users to discover more by featuring products and artists on the homepage and recommending items on product pages.
Reflection
As my first UX project, I found that I enjoyed researching and understanding users. However, I underestimated the importance of speaking with users from Burger Records' key demographic. Most users I interviewed were analog "hobbyists" that were unfamiliar with the label's personality which caused a lot of negative feedback on their branding and purposely dated design. My initial interface designs toned down the company's branding which ended up taking all the fun out of the site. My second iteration was much more successful and true to the company's aesthetics and fanbase.
Next Steps
I really enjoyed working on a site that has such a unique presence in its marketplace. In another design sprint I would:
Continue testing with users that are more inline with the analog music consumer demographic and tackle more of the business end functionality, such as the demo submission process.
Explore the implementation of more personalized elements of the site such as band recommendations based on a users purchases.
Further hone in on the branding and design of the site and provide fun interaction design to bring more life into the experience.


if (!("devtools" %in% rownames(installed.packages()))) install.packages("devtools", repos = "https://cloud.r-project.org")
library(devtools)
if (!("dbautojoinr" %in% rownames(installed.packages()))) install_github("N1h1l1sT/dbautojoinr", upgrade = FALSE)
library(dbautojoinr)
explain()
or dbplyr_to_sql()
you'll see the SQL code actually works and returns the SQL Table (on SSMS for instance, or using tbl(db$con, sql(main_joint_tables$DIM_Employee %>% dbplyr_to_sql()))
.) I'm unsure as to why this happens, but it's not an issue on R versions below 3.5.xBefore one can use the automatic join functions, initialisation has to occur so that:
library(dbautojoinr)
#If the file exists, it's read and the db_fields object is created by it.
#If it doesn't, then it's created with every field included, with potentially IDs and FKs excluded, depending on what you select
db_fields_path <- paste0(getwd(), "/db_fields.csv")
db_fields <- initialise_return_db_fields(csv_path = db_fields_path,
Driver = "{SQL Server};",
Database = "DB_Name",
Server = "123.456.78.9",
UID = NULL,
PWD = NULL,
Trusted_Connection = TRUE,
Port = 1433,
ForceCreate_csv = FALSE, #If TRUE then even if the db_fields exist, it will be deleted and overwriten by a newly created default db_fields
ExcludeIdentities = FALSE,
ExcludeForeignKeys = TRUE,
Update_DBEnv_DBFields = TRUE, #If TRUE and creating db_fields file, you can have an internal main db_fields accessible via db$db_fields usually acting as the main db_fields. Default is FALSE as having local db_fields variables is the default behaviour.
ExcludeAuditingFields = FALSE, #If TRUE and creating db_fields file, any SQL Columns ending with "_OrigEntryOn", "_OrigEntryBy", "_EntryOn", "_EntryBy", "_CompName", "_Remote" or "_Username" will have INCLUDE == FALSE by default
ExcludeSYSDIAGRAMS = TRUE, #If TRUE and creating db_fields file, any SQL Columns on the table "sysdiagrams" will have INCLUDE == FALSE by default
RegexToSelectTables = "^(DIM_|FACT_|TBL_)"#, #A regex that will get tables which you want to be deselected by default. As it is it matches all SQL Tables whose name begins with DIM_, FACT_, or TBL_
#Table1$T1_ForeignKey1 == Table2$T2_ID, #Please notice that Foreign Keys are always
#Table2$T2_ForeignKey1 == Table3$T3_ID, #on the left hand side, whilst IDs are always
#Table4$T4_ForeignKey1 == Table2$T2_ID, #on the right hand side.
#Table4$T4_ForeignKey2 == Table1$T1_ID
#If you haven't set the SQL Relationships on the Database, you can impose them here by
#uncommenting the lines above and replacing the text with the actual tables and columns
If the db_fields .csv file doesn't exist and it's created or if you set ForceCreate_csv = TRUE
, then you may also initialise the db_fields with IDs and FKs selected or excluded using ExcludeIdentities = FALSE
and ExcludeForeignKeys = TRUE
.
db_fields <- edit_db_fields(db_fields, Update_DBEnv_DBFields = TRUE) #What the user selected is now saved on the db_fields variable (AND on db$db_fields because Update_DBEnv_DBFields == TRUE).
write_db_fields_csv(db_fields, db_fields_path) #For any run on the current session, the user preferences are assumed, but we need to save the file for future runs.
Depending on what you want to achieve, there are different levels of joining that you might want to do.
main_joint_tables <-
create_main_joint_tables(db_fields = db_fields,
db_forced_rel = NULL, #We don't want to Force any relationships to create a 1-JointTable, so db_forced_rel is NULL
con = db$con,
DeselectKeysIfIncludeFalse = TRUE
)
New Arguments:
#Assumptions: Database is in Canonical Form, No two columns have the same name (Usual good practice in Databases)
db_forced_rel <-
c( #The LHS of the Relationships MUST be Columns from the main table to be used for the 1-Joint-Table
Hours_SiteID = "Site_ID",
Hours_EmployeeID = "Employee_ID"
)
joint_table_Without_extended_joins <-
create_joint_table(db_fields = db_fields,
db_forced_rel = db_forced_rel)
#DIM_Site will be joined with DIM_Employee, but also with FACT_Hours.
#An employee will work on a certain site each day, which might be different from day to day,
#but the original site he is assigned to will always remain the same - his Main Site.
#DIM_Site holds the Site information, so when it's joined with DIM_Employee, its meaning is the employees Main Site
#However, when it's joined with FACT_Hours, its meaning is the site in which the employee has worked on at that particular day.
#If we are to create a 1-Joint-Table, then the SQL columns cannot have the same name. So we're renaming the columns that
#that come from the DIM_Site table and joined with DIM_Employee into MainSite_[SomeName] instead of Site_[SomeName]
#On the final table (1-Joint-Table) MainSite_ID column will refer to the Site that the employee is assigned to, and Site_ID will refer to the one which he worked that particular day
db_ColumnsOldNamesToNewNames <-
list(
DIM_Employee = c(
c("Site_", "MainSite_")
)
)
extended_main_joint_tables <-
create_extended_main_joint_tables(db_fields = db_fields,
db_forced_rel = db_forced_rel,
db_ColumnsOldNamesToNewNames = db_ColumnsOldNamesToNewNames
)
New Arguments:
db_ColumnsOldNamesToNewNames[i][j]
to db_ColumnsOldNamesToNewNames[i][j+1]
with j going from 1 to length of db_ColumnsOldNamesToNewNames[i]
by 2joint_table_With_extended_joins <-
create_extended_joint_table(db_fields = db_fields,
db_forced_rel = db_forced_rel,
db_ColumnsOldNamesToNewNames = db_ColumnsOldNamesToNewNames
)
Copy the SQL code under the "SQL folder" of the package into SSMS and execute the Query. First execute Database Creation.sql and then execute Data Population.sql. Now you have a "dbautojoinr" SQL Database on your SQL Server with 4 tables (DIM_Employee, DIM_Region, DIM_Site, and FACT_Hours) and with data populated on those tables. The SQL Relationships also already exist on your SQL Database, so you won't need to explicitly impose them on the Initialisation code.
if (!("devtools" %in% rownames(installed.packages()))) install.packages("devtools", repos = "https://cloud.r-project.org")
library(devtools)
if (!("dbautojoinr" %in% rownames(installed.packages()))) install_github("N1h1l1sT/dbautojoinr", upgrade = FALSE)
library(dbautojoinr)
db_fields_path <- paste0(getwd(), "/db_fields.csv")
db_fields <- initialise_return_db_fields(csv_path = db_fields_path,
ForceCreate_csv = FALSE,
ExcludeIdentities = FALSE,
ExcludeForeignKeys = TRUE,
Driver = "{SQL Server};",
Database = "dbautojoinr",
Server = "Put your own Server IP/Name here",
UID = NULL,
PWD = NULL,
Trusted_Connection = TRUE,
Port = 1433
)
show_ER_diagramme(db$dm_f) #Shows the SQL Database ER Diagramme
db_fields <- edit_db_fields(db_fields)
write_db_fields_csv(db_fields, db_fields_path)
db_forced_rel <- NULL
.db_forced_rel <-
c(
Hours_SiteID = "Site_ID",
Hours_EmployeeID = "Employee_ID"
)
db_ColumnsOldNamesToNewNames <-
list(
DIM_Employee = c(
c("Site_", "MainSite_")
)
)
main_joint_tables <-
create_main_joint_tables(db_fields,
db_forced_rel,
db$con,
DeselectKeysIfIncludeFalse = TRUE, #No need to make any other joins, so let's only get what the User selected
Verbose = TRUE,
get_sql_query = FALSE
)
extended_main_joint_tables <-
create_main_joint_tables(db_fields,
db_forced_rel,
db$con,
DeselectKeysIfIncludeFalse = FALSE,
Verbose = TRUE,
get_sql_query = FALSE
) %>%
zinternal_CreateExtendedMainJointTables(db_fields,
db_forced_rel,
db_ColumnsOldNamesToNewNames,
db$con,
DeselectKeysIfIncludeFalse = TRUE,
Verbose = TRUE,
get_sql_query = FALSE
)
You've probably noticed that instead of using create_extended_main_joint_tables
to get the result, we're now using 2 different functions that each performs 1 step.
The 1st one (create_main_joint_tables
) will retrieve the Main Tables, whilst the 2nd (zinternal_CreateExtendedMainJointTables
) does the extended joins (in our case, it joins main_joint_tables[[DIM_Employee]].[MainSite_ID]
with [DIM_Site].[Site_ID]
)
Now, you might want to proceed with this long way if you want to also make custom transformations to some table before the next joining level occurs.
Be careful with DeselectKeysIfIncludeFalse which must always be FALSE prior to the last level and always TRUE at the last one.
joint_table_Without_extended_joins <-
create_main_joint_tables(db_fields,
db_forced_rel,
db$con,
DeselectKeysIfIncludeFalse = FALSE,
Verbose = TRUE,
get_sql_query = FALSE
) %>%
zinternal_CreateOneJointTable(db_fields,
db_forced_rel,
db$con,
Verbose = TRUE,
get_sql_query = FALSE
)
joint_table_With_extended_joins <-
create_main_joint_tables(db_fields,
db_forced_rel,
db$con,
DeselectKeysIfIncludeFalse = FALSE,
Verbose = TRUE,
get_sql_query = FALSE
) %>%
zinternal_CreateExtendedMainJointTables(db_fields,
db_forced_rel,
db_ColumnsOldNamesToNewNames,
db$con,
DeselectKeysIfIncludeFalse = FALSE,
Verbose = TRUE,
get_sql_query = FALSE
) %>%
zinternal_CreateOneJointTable(db_fields,
db_forced_rel,
db$con,
Verbose = TRUE,
get_sql_query = FALSE
)
sapply(names(main_joint_tables), function(x) NCOL(main_joint_tables[[x]]))
# Number of Columns on the tables of main_joint_tables
# DIM_Site DIM_Employee FACT_Hours
# 2 4 6
sapply(names(extended_main_joint_tables), function(x) NCOL(extended_main_joint_tables[[x]]))
# Number of Columns on the tables of extended_main_joint_tables
# DIM_Site DIM_Employee FACT_Hours
# 2 5 6
print(c(joint_table = NCOL(joint_table_Without_extended_joins), joint_table_extended = NCOL(joint_table_With_extended_joins)))
# Number of Columns on the 2 Fully Joint Tables, withand without extended joins
# joint_table joint_table_extended
# 7 9


The geriatrician has started working at the prescription but he has not finished yet.
State: To be done
The geriatrician has completed the prescription, but the caregiver has not yet started working on it.
State: Working
The geriatrician has completed the prescription and the caregiver is working on it.
State: Active
The state of the prescription, at temporal level, is "active", meaning that the caregiver has finished working on it and the related intervention is on-going.
State: Completed
The state of the prescription, at temporal level is "completed", meaning that the intervention related to it is completed.


Do you want to join one of the World's Most Admired Companies? Are you looking to be part of a dynamic and growing organization, who's company culture is centered on empowering its employees to make decisions? As one of the world's largest electronic manufacturing & supply chain logistics companies, Jabil is focused on hiring the best people!
SUMMARY
Under limited supervision designs, develops and maintains test procedures, tester hardware and software for electronic circuit board production.
ESSENTIAL DUTIES AND RESPONSIBILITIES include the following. Other duties may be assigned.
- Review circuit board designs for testability requirements.
- Support manufacturing with failure analysis, tester debugging, reduction of intermittent failures and downtime of test equipment.
- Prepare recommendations for testing and documentation of procedures to be used from the product design phase through to initial production.
- Generate reports and analysis of test data, prepares documentation and recommendations.
- Review test equipment designs, data and RMA issues with customers regularly.
- Design, and direct engineering and technical personnel in fabrication of testing and test control apparatus and equipment.
- Direct and coordinate engineering activities concerned with development, procurement, installation, and calibration of instruments, equipment, and control devices required to test, record, and reduce test data.
- Determine conditions under which tests are to be conducted and sequences and phases of test operations.
- Direct and exercise control over operational, functional, and performance phases of tests.
- Perform moderately complex assignments of the engineering test function for standard and/or custom devices.
- Analyze and interpret test data and prepares technical reports for use by test engineering and management personnel.
- Develop or use computer software and hardware to conduct tests on machinery and equipment.
- Perform semi-routine technique development and maintenance, subject to established Jabil standards, including ISO and QS development standards.
- May provide training in new procedures to production testing staff.
- Adhere to all safety and health rules and regulations associated with this position and as directed by supervisor.
- Comply and follow all procedures within the company security policy.
MINIMUM REQUIREMENTS
Bachelors of Science in Electronics or Electrical Engineering from four-year college or university preferred; or related experience and/or training; or equivalent combination of education and experience.
LANGUAGE SKILLS
Ability to read, analyze, and interpret general business periodicals, professional journals, technical procedures, or governmental regulations. Ability to write reports, business correspondence, and procedure manuals. Ability to effectively present information and respond to questions from groups of managers, clients, customers, and the general public.
MATHEMATICAL SKILLS
Ability to work with mathematical concepts such as probability and statistical inference, and fundamentals of plane and solid geometry and trigonometry. Ability to apply concepts such as fractions, percentages, ratios, and proportions to practical situations.
REASONING ABILITY
Ability to define problems, collect data, establish facts, and draw valid conclusions. Ability to interpret an extensive variety of technical instructions in mathematical or diagram form and deal with several abstract and concrete variables.
PHYSICAL DEMANDS
The physical demands described here are representative of those that must be met by an employee to successfully perform the essential functions of this job. The employee is frequently required to walk, and to lift and carry PC’s and test equipment weighing up to 50 lbs. Specific vision abilities required by this job include close vision and use of computer monitor screens a great deal of time.
WORK ENVIRONMENT
The work environment characteristics described here are representative of those an employee encounters while performing the essential functions of this job. Individual’s primary workstation is located in the office area, with some time spent each day on the manufacturing floor. The noise level in this environment ranges from low to moderate.


On-line DELI Demonstrator
Please *ensure* your UAProf is hosted on a web server that is reachable from the public internet!
Enter your UAProf URL:
VAULT Directory
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DELI FAQ


Besley* started with a need for a good, versatile, and affordable antique slab serif font. One with italics and a bold that actually was bold. One that would look good on screen and in print. An antique slab serif that didn’t have weird and gimmicky irregularities. A font that is at once welcoming and approachable, while remaining trustworthy and sturdy. Something timeless, that feels of-the-time. A font that is immediately familiar, while providing subtle surprises. A font that just functions, without having to work hard. The font I was looking for was Besley*.
Robert Besley’s Clarendon
Besley* is an antique slab serif, meaning it features larger, sturdier serifs, while retaining a traditional stroke width variance. Besley* is named after Robert Besley, creator of Clarendon. Clarendon is in many ways the defining antique slab serif, and its popularity is easy to understand. Clarendon’s letterforms are big, bold, and loud. Clarendon is recognizable on WANTED posters and US National Park signage.
Limitations of a Century + Old Design
Clarendon is also over 100 years old, and limited in its design and capabilities. Its wide and bold letterforms are compelling at large sizes, but impossible to read easily at text sizes. It was designed for use on metal type, which results in compromise letter forms, like its flattened f
and inelegant kerning. Clarendon was never designed with a complementary italic, and retroactive attempts have all fallen short. Digitization of metal type also compromise design integrity by forcing digitizers to make aesthetic decisions, such as the rounding of corners.
Creating a Modern Classic
The design process of Besley* started with looking at what works with Clarendon and maintaining those assets, while expanding design and functionality. In order to maintain a sturdy and heavy weighting, while adding text-size readability, wide capitals are used alongside appropriately widthed lowercase letters. To make Besley* render well on screens, a larger x-height was chosen. The medium weight of Besley* is bolder than typical fonts of the digital era, to give that cowboy era weight. Italics were built into the design process, so they feel like part of the family, instead of an after-thought.
Sometimes One Size Does Fit All
Serif fonts often have one pt. size that they work best at, and another that is a compromise. Fonts built for display sizes look thin and hard to read at text sizes, and fonts built for text sizes look sloppy at display sizes. This is not the case with slab serifs. Because the size of the serif is a direct reflection of the width of the stroke, one design can be used for both text and display sizes without compromises.
Beautiful Italics
The challenge of making italics that complement antique slab serifs is nothing new. Making italics that maintain the sense of strength that define slab serifs, while looking beautiful on their own is next to impossible. Making those italics instantly familiar, when no one has seen Clarendon’s nonexistent italics, makes this challenge even greater. Besley* approaches these challenges using a vast approach of techniques. Italics were considered in the design process from the beginning, and references going back to the 1600s were used to find the best version of every letterform. The strength and weight of Besley*’s roman letters are maintained through vertical serif terminals. It’s an original design that is at once recognizable.
Warmth
Old typography has a warmth to it that contemporary letters fail to capture. The human element is present in every step of the creation of movable type. The analog process creates a cozy feeling that is lost in digital recreations. Besley* recaptures this warmth through the rounding of all letter forms. If you look closely, you will not see a single hard edge in the entire Besley* family. Letters are built to look correct to the human first, and geometrically right to the computer never. It's subtle, but creates a general warmth that is added wherever Besley* is present.
Fatface
The industrial revolution was an exciting time, and it needed exciting new typefaces to match. It was a period of intense exploration for typography, new and strange ideas were blossoming. It was this period that gave us the antique slab serif, and it wouldn't be complete without the fatface! It's the result of pushing things to their extreems; the fatface is bolder than bold. Many fonts replicate this exciting style, but without regard to a broader font family, or the boldest weight is a thin substitute to the authentic fatface. This is not the case with Besley*! Besley* has the boldest weight available of any antique slab serif with a matching text weight on the market. And it comes with matching italics. So you can use Besley* for the big, attention grabbing titles, and it's text weight for your body paragraphs.
Open Type Features
Most people in the world of typography are familiar with ligatures. They replace tricky letter combos, like fi and fl, to make a new, combined glyph. Besley* doesn't just stop at ligatures when it comes to open type features. It used contextual substitutions, in which a single version of a character is swapped for a better version based on context. It’ a sneaky way to make sure you always have the best looking words, not just the best looking letters.
Tabular Figures
Besley* doesn't just come with tabular figures; it comes with tabular figures by default, meaning even your unaware relatives will be able to make prices on menus with ease. Tabular figures are also perfect for changing numerical systems, like clocks or counters.
Constantly Improving!
I will be the first to admit that Besley* in its current form isn't the best font it can possibly be; that's why I haven't stopped working on it yet. Unlike traditional fonts that you buy once and are stuck with, Besley* comes with free updates. For life. This includes little changes like kerning fixes and glyph improvements, but also major updates like an expansion of the family. As Besley* grows and improves you will get updates free of charge. Notice something that could use improvement? Issue a bug report on Github and insure that it will be taken care of, and you will receive the updated version.


--- layout: page title: Lean Prover Zulip Chat Archive permalink: archive/113488general/45148erwinconv.html ---
Is it intentional that you have to import tactic.converter.interactive
to get the new conv
goodies?
It's not mentioned in the docs
That's true, it should be
I just put them where the already existing extras were
But you'll always have to import something


Introducing your project
Learning Aardvark.Media #1 Incremental Rendering
Say more
The Aardvark Platform Gallery -- some sample apps Status -- all components wiki walkthrough
FShadeOverview FShade: first-class shaders for F#
See tutorials, cheatsheets, resource, and more here
photogrammetry Structure from motion [Homography](https://en.wikipedia.org/wiki/Homography_\(computer_vision\)) [16 Best Photogrammetry Software Tools in 2019 (6 are Free)](https://all3dp.com/1/best-photogrammetry-software/)
1: 2: 3: 4: 5: 6: |
|
Some more info


As the sun set, the afield quickly transformed into an airfield, bustling with activity as the backfield quickly filled with hundreds of planes ready to take off into the night sky. [G|D]
The rolling hills of green fields quickly changed to a landscape of brownfield and coalfield as we drove through the quaint town of chesterfield, where the locals were busy preparing for an upcoming festival. [G|D]
The infield and midfield of this abandoned goldfield were a reminder of how quickly wealth and fortune could be forgotten, leaving behind only a few lonely relics of its former glory. [G|D]
As the sun beat down on the outfield, a figure clad in shining armor slowly emerged, wielding a mighty sword and calmly awaiting the enemy to yield and accept defeat. [G|D]


Here are links to some of my projects
These are my freecodecamp projects.
Tribute
Survey
Landing Page
These are my freecodecamp projects.
Tribute
Survey
Landing Page


Returns the fields indexed by their Data Studio id.
Flattens the configIds from a message into a single array. The config Ids
will be repeated for the METRIC
/DIMENSION
selections. i.e. for a METRIC
named "metrics"
of {min: 2, max:3}
, the value metrics will be repeated 2
to 3 times depending on what values the user selects.
Note: this is relying on the fact that the postMessage from DataStudio has the fields sorted to be dimensions, followed by metrics.
Returns the componentId of the vis. Component ids uniquely identify a vis to
Data Studio, and are sent with postMessage
s to let Data Studio know which
vis sent data.
Usage:
var myComponentId = dscc.getComponentId();
console.log('My componentId is: ', myComponentId);
Returns the height (in pixels) of the vis's iframe.
Usage:
var myHeight = dscc.getHeight();
console.log('My height is: ', myHeight);
Returns the width (in pixels) of the vis's iframe.
Usage:
var myWidth = dscc.getWidth();
console.log('My width is: ', myWidth);
Joins a single table row with the matching ConfigId
Formats tables into the ObjectTables
format.
The transform to use for data in an object format. i.e. [{name: 'john', views: 3}, {name: 'suzie', views: 5}]
Parses a '\u00a0\u00a0'
delimited string into component parts. If any parts
are missing, they will be returned as undefined.
Usage:
const myImage = parseImage('originalurl.com\u00a0\u00a0proxiedurl.com\u00a0\u00a0alt text');
expect(myImage).toEqual({
originalUrl: 'originalurl.com',
proxiedUrl: 'proxiedurl.com',
altText: 'alt text',
});
Formats tables into the TableTables
format.
The transform to use for data in a Table format. i.e. [[1, 2, 3], [4, 5, 6]]
Zips two arrays together into a new array. Uses the length of the shortest array.
Usage:
const a = [1, 2, 3];
const b = ['a', 'b', 'c', 'd'];
const zipped = zip2(a, b);
expect(zipped).toEqual([[1, 'a'], [2, 'b'], [3, 'c']]);
Generated using TypeDoc
Returns the fields indexed by their config id. Since many fields can be in the same
METRIC
/DIMENSION
selection,configId
is mapped toField[]
.


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Package Hierarchies:
g4p_controls
Class Hierarchy
java.lang.Object
g4p_controls.
FontManager
g4p_controls.
G4P
(implements g4p_controls.
GConstants
, processing.core.PConstants)
g4p_controls.
GAbstractControl
(implements g4p_controls.
GConstants
, processing.core.PConstants)
g4p_controls.
GAbstractView
(implements processing.core.PConstants)
g4p_controls.
GView
g4p_controls.
GViewPeasyCam
g4p_controls.
GGroup
g4p_controls.
GImageButton
g4p_controls.
GImageToggleButton
g4p_controls.
GPassword
(implements g4p_controls.
Focusable
)
g4p_controls.
GStick
g4p_controls.
GTextBase
g4p_controls.
GDropList
g4p_controls.
GEditableTextControl
(implements g4p_controls.
Focusable
)
g4p_controls.
GTextArea
g4p_controls.
GTextField
g4p_controls.
GPanel
g4p_controls.
GTextIconBase
g4p_controls.
GButton
g4p_controls.
GLabel
g4p_controls.
GToggleControl
g4p_controls.
GCheckbox
g4p_controls.
GOption
g4p_controls.
GValueControl
g4p_controls.
GKnob
g4p_controls.
GLinearTrackControl
g4p_controls.
GCustomSlider
g4p_controls.
GSlider
g4p_controls.
GValueControl2D
g4p_controls.
GSlider2D
g4p_controls.
GAbstractControl.Z_Order
(implements java.util.Comparator<T>)
g4p_controls.
GClip
(implements java.awt.datatransfer.ClipboardOwner)
g4p_controls.
GCScheme
(implements g4p_controls.
GConstants
, processing.core.PConstants)
g4p_controls.
GIcon
g4p_controls.
GAnimIcon
g4p_controls.
GTabManager
g4p_controls.
GTimer
g4p_controls.
GToggleGroup
g4p_controls.
GViewListener
(implements processing.core.PConstants)
g4p_controls.
GWinData
g4p_controls.
GWindowImpl
(implements g4p_controls.
GConstants
)
g4p_controls.
ImageManager
processing.core.PApplet (implements processing.core.PConstants)
g4p_controls.
GWindow
(implements g4p_controls.
GConstants
)
g4p_controls.
GWindowAWT
g4p_controls.
GWindowNEWT
g4p_controls.
StyledString
(implements java.io.Serializable)
g4p_controls.
StyledString.TextLayoutHitInfo
(implements java.lang.Comparable<T>)
g4p_controls.
StyledString.TextLayoutInfo
(implements java.lang.Comparable<T>)
Interface Hierarchy
g4p_controls.
Focusable
g4p_controls.
GConstants
Enum Hierarchy
java.lang.Object
java.lang.Enum<E> (implements java.lang.Comparable<T>, java.io.Serializable)
g4p_controls.
GAlign
g4p_controls.
GControlMode
(implements processing.core.PConstants)
g4p_controls.
GEvent
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Processing library G4P by Peter Lager. (c) 2017


The best way to get the top quality fish is to catch it, however, it is not always possible. The overall color should be bright and with shining skin. Bright eyes, clean and bright red gills. The fish and shellfish should alwyas smell fresh and not offensive.
Whole Fish: Always buy whole fish with clear, bright eyes, bright red gills, scales firmly attached to the skin. Shining skin with bright natural coloring and sea fresh smell.
Fillets:Choose neat and well trimmed fillets. It should be firmly packed and without any discoloration.
Smoked Fish:Always look for glossy appearance. Flesh should feel firm and not sticky with pleasant smoky smell.
Frozen Fish:Avoid the fish with no signs of thawing without any dull, white patches, indicating the freezer burns.
Shellfish: Shells should not be cracked or broken. Shells of mussels and oysters should always be tightly shut. Lobsters, crabs and prawns should have bright natural color with all their limbs. Store live clams, oysters, mussels, crabs, lobsters and crayfish in well-ventilated containers and cover with a damp cloth or paper.


Subtraction of 2 -Digit Numbers |
Read the story.
Father bought 28 roses. He gave 18 roses to Mother. How many roses does Father still have?
To answer the question, write the subtraction sentence as shown below.
| 28 | |
| − | 18 |
Subtract the digits in the ones place.
| Tens | Ones |
| 2 | 8 |
| − 1 | 8 |
| 0 |
Then subtract the digits in the tens place.
| Tens | Ones |
| 2 | 8 |
| − 1 | 8 |
| 1 | 0 |
The difference is 10. So Father still has 10 roses.
Find the difference. Write it in the box.


Q: What's your take on the DBC/EDA experience?
A: That it's our own journey, our own experience to take a hold of.
Q: What are your impressions?
A: Of what? The video seemed cool and very informative. I like the culture that EDA tries to breed and has tried to breed since the beginning.
Q: How do you see yourself engaging with this type of culture?
A: Trying my best, ha! I think I'll be fine I sometimes struggle at speaking out and taking control sometimes but I've been getting better and it looks like it's safe and encouraged here.
Q: Have your expectations of EDA changed? If so, how?
A: A little. I like the story on how it started. I was worried of taking too much control of my learning but I think it's going to be ok.
Q: Are you excited to participate in this kind of learning environment? Does it make you nervous?
A: It's going to be intense and I'm nervous and excited. Need to learn as much as I can!


UUID (Universally Unique Identifier): {{upload?.uuid}}
Upload date: {{upload?.date}}
Name: {{upload?.name}}
Size: {{upload?.sessions?.length}} sessions, {{countBundles()}} bundles
Choose one out of three. To work with the uploaded database, you can either save it as a new database, or fast-forward an existing database to the state of the uploaded one, or merge the uploaded database with an existing one.
Fast-forwarding is helpful when you have downloaded a database, made some modification to it (be it a configuration change or newly added data) and then re-uploaded the whole thing. Fast-forwarding is a term introduced by git.
For fast-forwarding to work, you must make git commits before uploading. The server can only store committed modifications.
Merging only works if the configuration files of the two databases are compatible (linkDefinitions, levelDefinitions, ssffTrackDefinitions, and mediaFileExtension must be the same).
{{deleteError}}


I'm an awesome JavaScript developer who needs to track my prospective employers. Thus, I created this app. Hire me! $$$


This site is not designed to and does not provide medical advice or professional diagnosis to you or to any other individual. SHIELD provides general information for educational purposes only. If you believe you have a health problem of any kind, or if you have any questions regarding your health or a medical condition, promptly consult your physician or other healthcare provider.
SHIELD uses data from the openFDA API based on the FDA's electronic database of drug labels. openFDA is a beta research project and not for clinical use. While we make every effort to ensure that data is accurate, you should assume all results are unvalidated. Neither this site nor the FDA ensure or warrant the efficacy or safety of medication available "over-the-counter".
This site does not store any personally identifiable or sensitive information. Searches performed on this site are not stored for future use, nor is any identifying information collected and used via cookies.


Item Code:
Item Name:
Batch No:
Location:
Position:
Quantity in Inventory:
Stock Out Quantity:
Price Purchase:
Suggestion Sell Quote:
Vendor Name:
Customer Name:
Irradiation:
Total Plate Count:
Remark:
Stock Out
Close


You may want to group some articles into one category by create the category and put any file under the category id:
{
webRender: {
categories: {
cat1: 'Category 1'
},
files: {
'cat1/file1.html': 'basic',
'cat1/file2.html'<EMAIL_ADDRESS>}
}
}
Any files under a category id will be render as they are children of the category.


This is the admin screen for Tinkertools.
To change the examples, login to<EMAIL_ADDRESS>password examples.


A B C D E F G I M N P R S T U V W
All Classes All Packages
All Classes All Packages
All Classes All Packages
S
- search(Comparable, int) - Method in class RASQL.Table
- search(comparablePolygon) - Method in class RTree.RTree
-
Looks up for the record that is associated with the specified key
- search(comparablePolygon) - Method in class RTree.RTreeInnerNode
-
searches for the record reference of the specified key
- search(comparablePolygon) - Method in class RTree.RTreeLeafNode
-
returns the pointer to the page of references with the passed key and null if does not exist
- search(comparablePolygon) - Method in class RTree.RTreeNode
- search(T) - Method in class BPTree.BPTree
-
Looks up for the record that is associated with the specified key
- search(T) - Method in class BPTree.BPTreeInnerNode
-
searches for the record reference of the specified key
- search(T) - Method in class BPTree.BPTreeLeafNode
-
returns the pointer to the page of references with the passed key and null if does not exist
- search(T) - Method in class BPTree.BPTreeNode
- searchKey(comparablePolygon) - Method in class RTree.RTree
- searchKey(T) - Method in class BPTree.BPTree
- searchLeafNode(comparablePolygon) - Method in class RTree.RTreeInnerNode
- searchLeafNode(comparablePolygon) - Method in class RTree.RTreeLeafNode
- searchLeafNode(comparablePolygon) - Method in class RTree.RTreeNode
- searchLeafNode(T) - Method in class BPTree.BPTreeInnerNode
- searchLeafNode(T) - Method in class BPTree.BPTreeLeafNode
- searchLeafNode(T) - Method in class BPTree.BPTreeNode
- selectFromTable(SQLTerm[], String[]) - Method in class RASQL.DBApp
- serialize(Object, String) - Static method in class RASQL.DBApp
- setChild(int, BPTreeNode<T>) - Method in class BPTree.BPTreeInnerNode
-
creating child at specified index
- setChild(int, RTreeNode) - Method in class RTree.RTreeInnerNode
-
creating child at specified index
- setKey(int, Comparable<T>) - Method in class BPTree.BPTreeNode
-
sets the value of the key at the specified index
- setKey(int, comparablePolygon) - Method in class RTree.RTreeNode
-
sets the value of the key at the specified index
- setNext(BPTreeLeafNode<T>) - Method in class BPTree.BPTreeLeafNode
-
sets the next leaf node
- setNext(RTreeLeafNode) - Method in class RTree.RTreeLeafNode
-
sets the next leaf node
- setPointer(int, String) - Method in class BPTree.BPTreeLeafNode
-
sets the record at the given index with the passed reference
- setPointer(int, String) - Method in class RTree.RTreeLeafNode
-
sets the record at the given index with the passed reference
- setRoot(boolean) - Method in class BPTree.BPTreeNode
-
set this node to be a root or unset it if it is a root
- setRoot(boolean) - Method in class RTree.RTreeNode
-
set this node to be a root or unset it if it is a root
- split(PushUp<T>) - Method in class BPTree.BPTreeInnerNode
-
split the inner node and adjust values and pointers.
- split(comparablePolygon, Ref) - Method in class RTree.RTreeLeafNode
-
splits the current node
- split(PushUp) - Method in class RTree.RTreeInnerNode
-
split the inner node and adjust values and pointers.
- split(T, Ref) - Method in class BPTree.BPTreeLeafNode
-
splits the current node
- SQLTerm - Class in RASQL
- SQLTerm(String, String, String, Object) - Constructor for class RASQL.SQLTerm
All Classes All Packages


Dan's passion for quantitative finance led him to start Volos Portfolio Solutions. Dan assembled the financial, mathematical, and engineering talents of the Volos team to develop software suited for the financial services industry of the future. He has experience in the hedge fund industry at SCS Financial, working on a team to analyze private equity and hedge funds. Dan is currently on a leave of absence from Babson College, where he is a Weissman Scholar, and has completed coursework at MIT, Olin College of Engineering, and Harvard University.
<EMAIL_ADDRESS>Saif co-founded Volos after developing algorithmic trading strategies with Dan throughout 2013 and 2014. Saif provides a level of mathematical aptitude above the levels of most other market participants. The broad scope of Saif’s ability allows him to apply advanced mathematical theory to complex asset pricing and strategy optimization. Saif completed a BS in Electrical Engineering from the National University of Science and Technology in Pakistan, and a Masters degree in Mathematics from Northeastern University, where he graduated Summa Cum Laude.
<EMAIL_ADDRESS>Jack heads the sales and finance side of the company, and provides the development team with guidance on current industry trends and standards. His market knowledge, and broad academic background are essential to connecting the multiple components of the business including front end application development. Jack is expected to earn a BS from Babson College in May of 2015 concentrating in Accounting and Computational and Mathematical Finance, and a Certificate in Engineering Studies from the Franklin W. Olin College of Engineering concentrating in Mechanical Engineering.
<EMAIL_ADDRESS>Shashank adds a layer of technical aptitude to the Volos team with his knowledge of machine learning and large-scale data analysis. Raised in India, where he earned a BS in Electrical Engineering from the University of Pune, Shashank went on to pursue a Master’s degree in Operations Research with a research focus on Mathematical Modeling and Statistics at Northeastern University. Shashank finished his coursework at Northeastern Summa Cum Laude and was able to work for 8 months as a quantitative analyst for TrueLight Energy, developing efficient trading algorithms for Virtuals (energy derivatives). As a graduate research assistant at Healthcare Systems Engineering Institute (HSyE), he worked on a CHOT research project to build predictive models for patient management and flow using the concept of probability convolution.
<EMAIL_ADDRESS>Austin plays a key role in engineering various black-box optimization algorithms as well as developing solutions to the difficult technical problems inherit in asset pricing. Austin is expected to graduate from MIT in May of 2015 with BS degree in Brain and Cognitive Sciences.
<EMAIL_ADDRESS>Tom leads front end user-interface and mobile development at Volos, and seeks to represent the intricacies of complex financial products in a graphical and intuitive fashion. Tom has experience designing and developing his own applications for mobile devices and is proficient in a number of programming languages including Objective C, PHP, Java, JavaScript, HTML, CSS, and SQL.
<EMAIL_ADDRESS>Matt wears his passion for big data analytics, high performance computing, and applied mathematics on his sleeve. During his time at Tufts University, Matt earned his chops taking almost every Computer Science and Mathematics course offered, graduating with an M.Sc in Applied Mathematics and authoring a thesis in distributed graphics processing. Now living in Seattle Washington and working as a software development engineer at Microsoft Corporation, Matt spends his days (and many nights) at the keyboard coding the next big thing, and his weekends neck deep in powder at Crystal Mountain. For the Volos team, Matt provides the team with broad technical insight in fields such as multidimensional data visualization and industry security standards.
Ryan J. Davies is an Associate Professor of Finance at Babson College, and the Faculty Director of the Stephen D. Cutler Center for Investments and Finance. He teaches advanced undergraduate and MBA finance electives, including Security Valuation, Options and Futures, Fixed Income, and Capital Markets. Prior to joining Babson College, Dr. Davies taught at the ICMA Centre of the University of Reading in England. He has also taught various modules in the International Capital Market Association's International Fixed Income and Derivatives program and has taught the course Global Financial Management for the HSE Executive MBA program in Seoul, Korea.
Recently, Dr. Davies has been estimating the extent to which various market frictions cause systematic patterns in the delayed incorporation of public information into intraday stock prices. He is also studying how trade in equity options can impact the prices of their underlying stocks, and how to measure the direct and indirect costs of manipulation in futures markets. He also helped develop a widely-cited portfolio optimization method for the fund of hedge funds. Areas of expertise also include Algorithmic and High Frequency Trading; Hedge Funds and Fixed Income.
Dr. Davies is an active invited participant at the NBER Market Microstructure Working Group meetings, as well as a frequent presenter and discussant at conferences such as the Western Finance Association meetings and Financial Management Association meetings. His research has been published in peer-reviewed journals such as the Journal of Financial Markets, Journal of Derivatives and Hedge Funds, Canadian Journal of Economics, Journal of Futures Markets, and Economics Letters.
Dr. Davies received his B.A in Economics with Mathematics from St. Francis Xavier University and his M.A and Ph.D in Finance and Econometrics from Queen's University at Kingston.
Dr. Kempthorne received his A.B. magna cum laude degree in applied mathematics from Harvard University and was elected to the Alpha Chapter of Phi Beta Kappa. He pursued graduate studies in statistics receiving the M.Sc. degree and the Diploma of Imperial College award from the University of London, and a Ph.D. from the University of California Berkeley. While an Assistant Professor of Statistics at Harvard, he was awarded a Postdoctoral Mathematical Sciences Research Fellowship by the National Science Foundation. He then joined the faculty of MIT at the Sloan School of Management as a visiting Assistant Professor and was promoted
to Associate Professor of Management Science. From 1990 to 1998, Dr. Kempthorne also served as a Principal Research Scientist at the MIT Sloan School of Management conducting research at the Center for Computational Research in Economics and Management Science (CCREMS) and at the International Financial Services Research Center (IFSRC). He was an active member of the Risk Management Working Group and developed analytics incorporated in the industry-standard RiskMetrics methodology. In 2013 Dr. Kempthorne joined the MIT mathematics department as a lecturer in financial mathematics and statistics.
Dr. Kempthorne has been providing consulting services in financial and statistical analytics to a wide range of institutions through his company Kempthorne Analytics, Inc. and has been an investment manager, exploiting advanced statistical analytics to manage a variety of investment programs. From 2010-2012 he was portfolio manager and senior researcher at IKOS, CIF Ltd. Dr. Kempthorne co-founded Chronos Asset Management in 1995 and Summa Capital Management in 1996. His firm Kempthorne Analytics is currently registered as an investment adviser and manages systematic quantitative investment programs for retail clients.


learning html and css
this is a paragraph
more info
more more info
yet more info
this is yet more info
red heading
this is red writing
dabdab
daberson


{{ define "main" }} {{ partial "jumbotron" (dict "imageUrl" .Params.image "title" .Title "subtitle" .Params.subtitle) }} {{ partial "short-text" .Params.blurb}}
Every Thursday from 4.45pm until late. Let Braden Woolford know if you are unable to make your game time as there are multitude of people playing weekly so the draw only flows seamlessly if you communicate your intentions.
Red Star hosted the annual Māori squash tournament at Labour weekend, 20-23 October. This purely social event (no grading points) offered both singles and doubles matches as competitors displayed sportsmanship and aroha as they competed for unique taonga (treasures/prizes). To view photographs and see trophy winners, access the 'Nga Hau E Wha Wairarapa Squash' page via Facebook.
The online booking system is up and running. If you are a new member, speak to Craig about your email invite. Follow the link to set up your password.
Click here to goto the online booking system - bookacourt.nz


Create beautiful websites in minutes with Orson Website Builder 🔒 Free HTTPS included !
Try for free
×


Changes the method scope (public, private or protected).
Method access scope.
Changes scope.
Cancel.
Help.


 Great for emphasis, home pages, sliders, and general just-add-water-awesomeness.
To use animate.css in your website, simply drop the stylesheet into your document's <head>
, and add the class animated
to an element, along with any of the animation names. That's it! You've got a CSS animated element. Super!
<head>
<link rel="stylesheet" href="animate.min.css">
</head>
You can do a whole bunch of other stuff with animate.css when you combine it with jQuery or add your own CSS rules. Dynamically add animations using jQuery with ease:
$('#yourElement').addClass('animated bounceOutLeft');
You can also detect when an animation ends:
$('#yourElement').one('webkitAnimationEnd mozAnimationEnd MSAnimationEnd oanimationend animationend', doSomething);
Note: jQuery#one
is used when you want to execute the event handler at most once. More information here.
You can change the duration of your animations, add a delay or change the number of times that it plays:
#yourElement {
-vendor-animation-duration: 3s;
-vendor-animation-delay: 2s;
-vendor-animation-iteration-count: infinite;
}
Note: be sure to replace "vendor" in the CSS with the applicable vendor prefixes (webkit, moz, etc)
Animate.css is powered by Grunt, and you can create custom builds pretty easily. First of all, you’ll need Grunt and all other dependencies:
$ cd path/to/animate.css/
$ sudo npm install
Next, run grunt watch
to watch for changes and compile your custom builds. For example, if you want only some of the the “attention seekers”, simply edit the animate-config.json
file to select only the animations you want to use.
"attention_seekers": {
"bounce": true,
"flash": false,
"pulse": false,
"shake": true,
"swing": true,
"tada": true,
"wobble": true
}
Animate.css is licensed under the MIT license. (http://opensource.org/licenses/MIT)
Pull requests are the way to go here. I apologise in advance for the slow action on pull requests and issues. I only have two rules for submitting a pull request: match the naming convention (camelCase, categorised [fades, bounces, etc]) and let us see a demo of submitted animations in a pen. That last one is important.


Australia’s east coast declares state of emergency amid ‘catastrophic’ fire threat
SYDNEY, Nov 11 — Authorities in Australia’s Queensland and New South Wales states today declared a state of emergency as the country’s eastern region prepared for “catastrophic” fire conditions.
Fires in northern New South Wales (NSW) and Queensland over the weekend killed three people and destroyed more than 150 homes.
While Australia’s most populous city Sydney avoided the worst of the weekend conditions, temperatures are set to soar to more than 34 degrees Celsius, with strong, dry winds.
Authorities raised the forecast for greater Sydney region to catastrophic fire danger for tomorrow, the first time the city has been rated at that level since new fire danger ratings were introduced in 2009.
“Tomorrow is about protecting life, protecting property and ensuring everybody is safe as possible,” NSW Premier Gladys Berejiklian told reporters in Sydney.
Home to more than 5 million people, Sydney is ringed by large areas of bushland, much of which remains tinder dry following almost no rain across the country’s east coast in recent months.
Authorities warned locals in areas deemed at the greatest risk to evacuate.
“Relocate while things are calm without the pressure or anxiety of fires bearing down the back door,” said NSW Rural Fire Service (RFS) Commissioner Shane Fitzsimmons.
Fitzsimmons warned that fires can begin up to 20km ahead of established fires.
Authorities stressed that even fireproofed homes will not be able to withstand catastrophic conditions, which Fitzsimmons described as “when lives are lost, it’s where people die”.
There are 18 fires burning in NSW, two of which are deemed out of control by authorities. Fitzsimmons said an additional 400 firefighters on 50 trucks are heading to NSW from the neighbouring state of Victoria to assist local authorities.
Bushfires are a common and deadly threat in Australia’s hot, dry summers.
In 2009, Australia’s worst bushfires on record destroyed thousands of homes in Victoria, killing 173 people and injuring 414 on a day the media dubbed “Black Saturday”. — Reuters


matplotlib 0.99.1 is available for download. See what's new and tips on installing
Sandro Tosi has a new book Matplotlib for python developers also at amazon.
Build websites like matplotlib's, with sphinx and extensions for mpl plots, math, inheritance diagrams -- try the sampledoc tutorial.
Watch the SciPy 2009 intro and advanced matplotlib tutorials
Watch a talk about matplotlib presented at NIPS 08 Workshop MLOSS.
There are several matplotlib addon toolkits, including the projection and mapping toolkit basemap, 3d plotting with mplot3d, axes and axis helpers in axes_grid and more.
Check the user guide, the faq, the api docs, archives, and join the matplotlib mailing lists. The search tool searches all of the documentation, including full text search of over 350 complete examples which exercise almost every corner of matplotlib.
You can file bugs, patches and feature requests on the sourceforge tracker, but it is a good idea to ping us on the mailing list too.
For details on what's new, see the detailed changelog or browse the source code. Anything that could require changes to your existing codes is logged in the api changes file.
The matplotlib license is based on the Python Software Foundation (PSF) license.
There is an active developer community and a long list of people who have made significant contributions.