Rashell Currier
1234 Autumn Way
Maple Valley, WA 98038
425-513-8305
Career Summary
Result oriented professional with significant client relation
and office management skills. Demonstrated experience in problem
solving, project implementation, and the ability to work both autonomously,
or on a team. Strong communication and presentation skills.
Professional Experience
September 2014 - Present
Issaquah School District, Issaquah WA
Substitute Paraeducator
- Implement and support instructional and behavioral programs planned by teachers.
- Assist with preparation of instructional materials or tasks.
- Provide instruction to groups of students or on a one-to-one basis.
- Supervise student transitions to and from classrooms, buses, lunch, and other school activities
March 2003 – May 2004
Jefferson Pilot Financial, Omaha NE
Client Management Representative
- Account manager to the top JP producer for corporate group insurance accounts
- External and Internal contact for in-force accounts providing problem resolution,
product knowledge, and contract interpretation
- Develop and maintain positive relationships by anticipating client needs
- Responsible for over-all maintenance and keeping open lines of communication to ensure client satisfaction.
July 2001 – January 2003
Mutual of Omaha, Omaha NE
Customer Relations Specialist
- Work with policy holders to define and plan their insurance needs
- Provide product information to clients in order to maximize profitability, revenue, and satisfaction
- Responsible for the interpretation of the insurance policy regulations, underwriting guidelines, and procedures
2000 - July 2001
Ameritrade, Inc., Omaha NE
New Accounts Sales Representative
- Facilitate the new account opening process with phone and email prospects
- Review and analyze new account paperwork for problem resolution
- Responsible for the training and development of new associates
- Maintained a 40% prospect conversion rate during the Fall ad campaign enabling the department to meet the New Accounts goals
Education
Associates of Arts Degree, 2006
Bellevue College, Bellevue WA


Collection of functions designed to compute risk-based portfolios as described in Ardia et al. (2017) <doi:10.1007/s10479-017-2474-7> and Ardia et al. (2017) <doi:10.21105/joss.00171>.
| Version: | 2.1.2 |
| Imports: | MASS, quadprog, nloptr |
| Suggests: | testthat |
| Published: | 2018-08-30 |
| Author: | David Ardia [aut, cre], Kris Boudt [aut], Jean-Philippe Gagnon-Fleury [aut] |
| Maintainer: | David Ardia <david.ardia.ch at gmail.com> |
| BugReports: | https://github.com/ArdiaD/RiskPortfolios/issues |
| License: | GPL-2 | GPL-3 [expanded from: GPL (≥ 2)] |
| Copyright: | see file COPYRIGHTS |
| URL: | https://github.com/ArdiaD/RiskPortfolios |
| NeedsCompilation: | no |
| Citation: | RiskPortfolios citation info |
| Materials: | README NEWS |
| In views: | Finance |
| CRAN checks: | RiskPortfolios results |
| Reference manual: | RiskPortfolios.pdf |
| Package source: | RiskPortfolios_2.1.2.tar.gz |
| Windows binaries: | r-devel: RiskPortfolios_2.1.2.zip, r-release: RiskPortfolios_2.1.2.zip, r-oldrel: RiskPortfolios_2.1.2.zip |
| OS X binaries: | r-release: RiskPortfolios_2.1.2.tgz, r-oldrel: RiskPortfolios_2.1.2.tgz |
| Old sources: | RiskPortfolios archive |
Please use the canonical form https://CRAN.R-project.org/package=RiskPortfolios to link to this page.


@*
* Copyright 2023 HM Revenue & Customs
*
* Licensed under the Apache License, Version 2.0 (the "License");
* you may not use this file except in compliance with the License.
* You may obtain a copy of the License at
*
* http://www.apache.org/licenses/LICENSE-2.0
*
* Unless required by applicable law or agreed to in writing, software
* distributed under the License is distributed on an "AS IS" BASIS,
* WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.
* See the License for the specific language governing permissions and
* limitations under the License.
*@
@(field : play.api.data.Field, options: Seq[String])(defaultChoice: String = "-- Choose method --")(labelContent: Html)(implicit messages: Messages)
@import helpers.CSRNoErrorFieldConstructor._
@import helpers.TemplateHelper._
@helper.input(field) { (id, name, value, args) =>
@maybeDisplayError(field)
}


{{/* */}} {{/*
*/}}
Minecraft Server Integration - Access Token
Your account has been linked! You can close this and return to the game


You need .webm, .mp4, and .ogv versions of your HTML5 video to support all major browsers.
Paste a link from Youtube, Vimeo, Soundcloud, or an HTML5 video


Heat the grill to medium high heat. Wash the asparagus and trim the ends. Place in a flat dish and drizzle the olive oil over the top. Evenly drizzle the ginger juice over it. Add salt and pepper to taste. Mix well with your hands, let rest until the grill is very hot, or about 5 minutes till serving time.
Place the asparagus directly on the grill grate. Place the stalks horizontally so they don't fall through. Turn when they've got grill marks, about one minute. Turn again a couple more times, until well cooked. Serve hot with Rhubarb Chutney


[ Erowid Note: As of March 2009, it is unknown whether all Spice products contain the same psychoactive chemical(s) or not. At least one sample of Spice has been analyzed and found to contain JWH-018; other tests have found other substances.]
In the last few months I have found myself experimenting with a brand of 'spice' products. It is an interesting high because it seems to bring up all my unresolved problems to the forefront. instead of being an escape i find that it forces me to deal with all my issues head on. I know almost every drug had a time where people thought it was gonna change the world, but i truly feel like this is an incredible beneficial experience, excruciating painfull and paranoi-filled but beneficial. Definitely something psychiatry should at least consider.
The empathy and love on it is amazing and feel like its opening new emotional landscapes for a guy that was always cold and unemotional. i find myself truly loving everyone for who they are and tears flow very easily. It feels like this substance gets rid of my mental filters and lets me see things clearly. Thus when i review my shitty life i realize that's its pretty shitty while when I'm sober it doesn't seems that bad.liek for example I was watching some financial show and it dawned on me that all these people are making this huge deal over some scoreboard tied to some company and it seemed so ridiculous. I also realize that i should be doing something meaningful with my life and not waste it away smoking weed.
Anyways, the most important thing for me has been i have taken steps to deal with my problems after i come down and there seems to be a positive outlook on life lately with more love for everyone around me. my friends have tried this stuff and they just get stoned, but to me its really a unique and psychedelic experience kind of like shrooms but shorter and without the hallucinations.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


{% comment %} Render an icon representing the type of job {% endcomment %}
Member: can contribute to all Organization projects, create new projects, and delete projects they've created.
Manager: can invite other users, manage teams, and configure Organization settings, in addition to the Member permissions.
Owner: can manage billing in addition to the Manager permissions.


Posted by Abhijit on Tue Jan 7, 2020
Posted by Abhijit on Sat Apr 15, 2017
Posted by Abhijit on Thu Apr 13, 2017
Posted by Abhijit on Wed Feb 1, 2017
Posted by Abhijit on Sun Jan 1, 2017


D3 graphic style manipulation.
Click onan icon to change the font style color boldness
Save as PNG
Save as PDF
Style Settings
Icon Settings
Select
-->


{% load wagtailcore_tags wagtailimages_tags %} {% if call_to_action %} {% image call_to_action.image fill-450x350 as mobile_image %} {% image call_to_action.image fill-900x700 as retina_mobile_image %} {% image call_to_action.image fill-990x350 as desktop_image %} {% include "patterns/atoms/image/background-image-style.html" with class="highlighted-content" mobile_image=mobile_image retina_mobile_image=retina_mobile_image desktop_image=desktop_image %}


Graphic Design
Art Direction
Editorial Design
Book Design
Web Design
Visual Identity
Communication
Editorial Design
Book Design
Web Design
Visual Identity
Communication
Photography
Commercial
Fine Art, Personal
Digital, Analog
Curatorial
Fine Art, Personal
Digital, Analog
Curatorial
Architecture
Planning
2D, 3D
Rendering
2D, 3D
Rendering
Selected Awards, Exhibitions, Publications
13 Gallery, London, 2013 (Exhibition)
Krakow Photomont, Krakow, 2015 (Exhibition)
Der Greif Magazine, Guest room, 2015 (Publication)
Aldo Nascimben Prize, Treviso, 2015 (Award)
Aldo Nascimben, Treviso, 2015 (Exhibition)
Own Perspective, London, 2016 (Curator, Exhibition)
Oxymoron, Treviso , 2017 (Curator)
Cryptozoology, Castelfranco Veneto, 2017 (Curator)
The Palace, Berlin, 2018 (Exhibition)
Krakow Photomont, Krakow, 2015 (Exhibition)
Der Greif Magazine, Guest room, 2015 (Publication)
Aldo Nascimben Prize, Treviso, 2015 (Award)
Aldo Nascimben, Treviso, 2015 (Exhibition)
Own Perspective, London, 2016 (Curator, Exhibition)
Oxymoron, Treviso , 2017 (Curator)
Cryptozoology, Castelfranco Veneto, 2017 (Curator)
The Palace, Berlin, 2018 (Exhibition)
Skills
Photoshop
Illustrator
InDesign
Lightroom
Glyphs Mini
Vectorworks
Cinema 4d
SketchUp
Maxwell
Illustrator
InDesign
Lightroom
Glyphs Mini
Vectorworks
Cinema 4d
SketchUp
Maxwell
Education
Humanistic and Languistic Diploma, Galileo Galilei, Treviso, 2012
Architectural Drawings, UAL, London, 2014
Book Binding, UAL, London, 2015
Spatial Design BA, UAL, London, 2016
Book Design MA(?), (Pending)
Architectural Drawings, UAL, London, 2014
Book Binding, UAL, London, 2015
Spatial Design BA, UAL, London, 2016
Book Design MA(?), (Pending)
Selected Jobs, Clients
Over Distribution Ltd.
Gr1ps Athletic
C+S Architects
John Pawson
Tredicidiciotto
Tyche Publishing
Archea Associati
Grumgo
Studio Ex-forma
Hoot Cafe' & Brewery
Atelier Florian Markl
Ruckeli
MZC+
Tenuta Tenaglia
Gr1ps Athletic
C+S Architects
John Pawson
Tredicidiciotto
Tyche Publishing
Archea Associati
Grumgo
Studio Ex-forma
Hoot Cafe' & Brewery
Atelier Florian Markl
Ruckeli
MZC+
Tenuta Tenaglia


FSharp.Interop.NullOptAble
Missing OptionBuilder for F# filling the void to interop with C#'s ?.
usage.
It works with Nulls, Options, Nullables.
Build Statuses:
Basic Info
There are more C# devs relying on the safe nav operator ?.
and so nulls will only get worse on the C# side, making it more likely null's are going to drop out of APIs.
This project creates an option { }
computational expression and chooseSeq { }
computational expression that allows binding 'T option
/'T Nullable
/'T:null
thus either returns an option or a sequence respectively.
With chooseSeq
if you yield!
another chooseSeq it will work recursively flatten or any sequence of NonNullSeq
, list, or Set type. Any other sequence will be treated like a T:null
object yield!
and let!
work with 'T option
/'T Nullable
/'T:null
Examples
1: 2: 3: 4: 5: 6: 7: |
|
See more examples in Tests/RealWorld.fs.
Operator Examples
This library also has some operators available when specifically included
1:
|
|
You can find examples of them in Tests/RealWorldOperators.fs.
namespace FSharp
--------------------
namespace Microsoft.FSharp
from FSharp.Interop.NullOptAble


You can consent to DWP getting just the next sick note, or any sick notes needed throughout your Employment and Support Allowance (ESA) claim.


Logout
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Branches
All Office Branches
Name
Date Created
Action
Create New Branch
Branch Name
Save
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×
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User
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Change how built-in theme looks
To customize a built-in theme:
See, list of CSS variables for customization.


--- layout: default title: Humanitarian ID pattern library include_hid: true ---
As a general rule, use button elements when clicking the element behaves like a button, but if necessary links can be styled to look like buttons.
Sass: common/_buttons.scss
Icons can be on either side of the button
Always add a text parameter to the icon when using in an icon button as there is no visible text.
Add an 'active' class to buttons to keep them in their active state.
Disabled buttons cannot be clicked. If you disable a link with javascript adding the 'disabled' class will make it look like a disabled button.


We are electronic music promoters dedicated to bringing forward-thinking dance music to Seattle's nightlife scene. Our hearts pulse to the rhythms of Jersey club, Baltimore club, juke, footwork, ballroom, and other category-defying beats that get the dance floor turnt.


Import From Shapefile
Import structure inventories from a shapefile by entering the information below.
- Enter the name of the structure inventory.
- (Optional) Check box:
- Select Difine Elevation from Shape .dbf to define the elevation from a database file. This option enables the First Floor Elevation drop down box. This is now a required entry.
- Radio buttons:
- Select Use First Floor Elevation to use the first floor elevation instead of the foundation height. This will enable the First Floor Elevation dropdown box, and disables the Foundation Height dropdown box. The First Floor Elevation dropdown box is now a required entry.
- Select Use Foundation Height to use the foundation height instead of the first floor elevation. This will enable the Foundation Height dropdown box, and disables the First Floor Elevation dropdown box. The Foundation Height dropdown box is now a required entry.
- Select or browse to the Structure Inventory Shapefile. This selection loads the Attributes dropdown boxes with applicable options.
- Required Attributes:
- Select from the dropdown boxes the applicable value for the attribute.
- Optional Attributes:
- Select from the dropdown boxes the applicable value for the attribute.
Example
After clicking the Ok button...


Take a look at verses 19 and 20. What orders does the king give in response?
When Hananiah, Mishael, and Azariah made the right decision to stand up to a law that ordered them to worship idols, they weren’t rewarded; they were punished. The king’s anger burned so greatly that he ordered them to be tied and thrown into a blazing furnace heated seven times hotter than usual, mirroring the combustion of his rage. It’s important for us to remember that just because we follow God’s will does not mean we’re immune to the earthly consequences of our actions, however unfair they may be.
Hananiah, Mishael, and Azariah weren’t excused from the fiery furnace just because they did the right thing in God’s eyes. The miracle comes, though, when those watching see not three people in the fire, but four.
Reread Daniel 3:25. Who does the king say the fourth figure looks like?
We can’t always be sure of our earthly safety because we are God’s followers, but we can be sure that God goes with us into the most fiery of situations. When we stand for God, we don’t stand alone; He always stands with us.
Read Philippians 2:14-16. How does this passage describe the way we will stand out if we’re following God?
Reread Daniel 3:28-30. How does the king’s response to the miraculous rescue verify that Hananiah, Mishael, and Azariah were living examples of Philippians 2:14-16?
Whether the act is a private one that no one will know about or a public one that leaves us standing conspicuously while everyone else bows, we all face decisions about whether to go against the tide of the surrounding culture.


--- subject: "{{SUBJECT}}" --- {{> top }} {{> logo }} {{> greetings }} Happy Holidays And Merry Christmas! Thank you for your support this year. We look forward to seeing you again next year. {{> recommendation}} Shop Now {{> footer }}
And Merry Christmas! Thank you for your support this year. We look forward to seeing you again next year.


The Sokli basin in north-east Finland (67°48′ N 29°18′ E, 220 m a.s.l.) is one of the few terrestrial sites in northern Europe where Eemian sediments have been found preserved in a stratigraphic sequence, with overlying glacial till beds and non-glacial sediments of Weichselian age. The Sokli sequence has escaped major glacial erosion due to non-typical bedrock conditions. The Eemian diatom gyttja deposit at Sokli stretches as a marker horizon near the base of the unconsolidated sediment infill. Its interglacial pollen content was first noted in the 1970s and was correlated with the Eemian. Detailed stratigraphic studies on the overlying Weichselian sediment sequence, combined with absolute dating control, have supported the Eemian age assignment 11, 21, 22. The diatom gyttja bed is bracketed by thermoluminescence and infrared stimulated luminescence dating to >ca. 110 and <ca. 150–180 kyr 21, and by optically stimulated luminescence dating on quartz (using the single-aliquot regeneration dose protocol) to >ca. 95 kyr 22, 54.
The present study was conducted on a new borehole Sokli 2010/4 that was cored at a site located between boreholes Sokli A/B-series and 900/901 from the central part of the Sokli basin and 902/905 from the basin margin 21, 22. Additionally, several samples from core 901 were re-analysed for pollen 21. The latter core records the final birch phase that is missing (truncated) at the site of borehole Sokli 2010/4.
Pollen samples were prepared from 1 cm 3 subsamples, using HCl, KOH, sieving (212 µm mesh), Na-pyrophosphate, acetolysis, and bromoform heavy-liquid treatments, and mounted in glycerol. Eucalyptus markers were added to estimate absolute pollen concentrations. A mean of 401 (min = 220.5, max = 526) terrestrial pollen and spore grains were counted from each sample. Pollen percentages were calculated from the sum of all terrestrial pollen and spores. Conifer stomata, charcoal, marker grains, and non-pollen palynomorphs were also counted from the pollen slides. A total of 217 pollen samples were counted, mostly at 4 or 6 cm intervals but going down to 2 cm in sections with rapid species turnover, providing a generally sub-centennial resolution across the Eemian.
A pollen zonation was calculated with a multivariate regression tree 55, implemented using the mvpart library 56 (version 1.6-1) for R. Fossil assemblages for terrestrial pollen and spores were used as multivariate response and core depth as the sole predictor. The tree size was determined by cross-validation, using the smallest tree within one standard error of the best tree.
Plant macrofossil samples were prepared at 4–20 cm intervals from subsamples of mainly ca. 5 cm 3. The sediment was sieved using a 100 µm mesh under running water and the residue examined using stereo and high-magnification light microscopes.
Climate reconstructions for Tjul and Tjan were prepared for the fossil pollen samples using all terrestrial pollen and spore taxa. An ensemble of pollen–climate calibration models (Supplementary Table 1) were used, including regression tree-based machine-learning approaches (boosted regression tree (BRT), random forest (RF)), unimodal multivariate transfer functions (weighted averaging (WA), weighted averaging-partial least squares (WA-PLS), maximum likelihood response surfaces (MLRC)), and the matching of fossil samples with most similar modern samples (modern-analogue technique (MAT)). The calibration models were built on a set of 807 surface pollen samples from Europe, with modern climate data extracted for each sample. The climate reconstructions were extensively validated, including calibration model cross-validations (Supplementary Table 1), analysis of the quality of modern analogues found for the fossil pollen samples (Fig. 3c), analysis of model structure and comparison against ecological knowledge (Supplementary Tables 2 and 3), testing the statistical significance of the palaeo-reconstructions, and validation against palaeoclimate inferences from independent aquatic proxy data. For a full description of the reconstruction method, see Supplementary Methods.
We use an age of 130.9 ± 1 ka (2σ) for the onset of the Eemian based on correlation to the base of an abrupt warming event recorded in speleothem δ 18O records from the Northern Alps (SCH-5 and HÖL-10; Fig. 4i) 28. This event is inferred to represent the initiation of the interglacial in the Alps, where interglacial conditions were established at latest by ~130 ka 28. This age is earlier than the start of the last interglacial when inferred from an abrupt intensification of the Asian Monsoon recorded by speleothem δ 18O records from Sanbao Cave in China 57 and linked to the North Atlantic warming following the Heinrich Event 11, but coincides, within the chronological uncertainties, with a smaller monsoon intensification event 28. Although there will always remain ambiguities in such event-stratigraphic correlations, we have chosen to use the event in the Alpine speleothem records as the starting point for the Eemian in Sokli. This correlation is supported by recent U/Th dating of a stalagmite from the Korallgrottan (Coral Cave) in northern Sweden, indicating deglaciation of central parts of the northern Fennoscandian Ice Sheet and onset of stalagmite growth by 130.17 ± 0.66 ka (Fig. 4i) (Personal communication: Frank, N. Institute of Environmental Physics, Heidelberg, Germany). An early deglaciation of the Fennoscandian Ice Sheet is also inferred from a speleothem record from the Okshola cave in Northern Norway 58. The latter record is, however, dated by alpha-spectrometry having a comparatively low chronological precision. We argue that the Sokli site became deglaciated earlier than the Korallgrottan site during the penultimate deglaciation, by analogy to the last deglaciation when the Sokli site is estimated to have become ice free about 1 ka before the Korallgrottan 59, 60. Based on this phasing and the dating from Korallgrottan, we analogously infer that Sokli had been deglaciated at the time of the Alpine warming starting at 130.9 ka. We therefore use this date for the transition into the Eemian at Sokli.
For the end of the Eemian we use an age of 117.5 ± 0.5 ka (2σ), based on U/Th dating of several speleothem records from Belgium indicating establishment of cold and dry conditions, suggesting end of interglacial conditions in Northern Europe (Han-9; Fig. 4i) 29, 30. Similarly, a major 3% drop in calcite δ 18O recorded in a speleothem record from Entrische Kirche cave in Austria 46 indicates a decline in temperatures along with other climatic changes at ca. 118 ka (TKS; Fig. 4i). This abrupt cooling is, however, not as prominent in other Alpine speleothem δ 18O records 28. A concurrent end of interglacial temperatures in the high latitude North Atlantic region is further suggested by δ 18O data from the NGRIP and NEEM ice cores 31, 32 (Fig. 4f) that has been linked to a shift in the ocean circulation interpreted from proxy records in a core (MD99-2289) from the eastern Norwegian Sea 33. Here, the arrival of ice rafted tephra from Jan Mayen and an abrupt drop in the sediment calcium content suggest that the strong Eemian inflow of Atlantic Water via the Norwegian Atlantic Current came to an end, and that the eastern Norwegian Sea became dominated by Arctic Water. This event may also correlate with a first ice-rafted detritus pulse recorded at the Eirik Drift south of Greenland 18. With glacial-like climatic conditions thus established in the eastern Norwegian Sea 33, we find it very unlikely that warmer than present summer temperatures would have prevailed in Northern Fennoscandia. Earlier work on Sokli 16 used a tentative Eemian chronology based on alignment of the pollen-based Tjul curve with a SST record from the Norwegian Sea 7. However with the availability of local absolute dating for Northern Fennoscandian deglaciation, this chronology is revised here.
In the Sokli sequence, the beginning of forest development at the base of pollen Zone II marks the onset of interglacial conditions, while the decline is placed where the boreal forest is replaced by birch forest at the base of pollen Zone VII (Fig. 2). We thus assign the ages of 130.9 ± 1 ka (2σ) and 117.5 ± 0.5 ka (2σ) to the bases of Zones II and VII, respectively.
To estimate the age uncertainties within the Eemian, we model the sediment deposition as a Poisson process (the P_Sequence option) using Oxcal 4.3 61– 63. In the P_Sequence option, the parameter, k, needs to be specified as it defines the size of each depositional event and therefore how variable and uncertain the sedimentation is. It is possible for Oxcal to estimate the k by using the variable k option 63, however having only two age control points, this is impossible for the Eemian sequence. We therefore apply a k estimated by the variable k function from a 14C-dated lake sequence deposited in the Sokli basin during the Holocene, showing a moderate variation in deposition rate 64. By contrast, deposition during the Eemian appears generally stable, based on the homogenous lithology (diatom gyttja) and the stable sediment pollen concentration (represented by the marker grain fraction; Fig. 2) which during a period of consistent vegetation structure (boreal forest) suggests a stable sedimentation rate. We therefore regard the age uncertainty estimates of the Eemian Sokli record as conservative. The chronological errors suggested by the age–depth model (Supplementary Fig. 4) are largest in the Mid Eemian, increasing with distance from the tie points, reaching 2σ values of ~1500 a.
The silty ice-lake beds below tie point 1 likely represent a shorter time interval than suggested by a linear extrapolation. Following the later MIS 2 and MIS 4 glaciations at Sokli, the durations of glacio-lacustrine sedimentation are estimated at less than 100 years 65, 66 and up to ca. 400 years 64, 67. Based on these analogues, we show the glacio-lacustrine section (Zone I) as representing 250 years in Fig. 4. In the age–depth modelling the parallel core covering the end of the Eemian is assumed a continuous extension of the main sequence. Some hiatus or overlap is likely, however, there is no clear indication of either in the microfossil content. The assumed continuity is supported by the pollen zonation, which finds no zone boundary at the base of the parallel core, but Zone VI runs from the main sequence into the parallel core.
R code related to this paper are available on figshare (10.6084/m9.figshare.6490424).
The fossil data and the climate reconstructions are available on figshare (10.6084/m9.figshare.6490442).


You will need a c compiler
Download MinGW and install from sourceforge.net
Edit environment variables
Add C:\MinGW\bin to Path
In a command terminal type:
gcc -v
It should output the compiler version
In a command terminal cd to the "Source" directory and type:
echo mingw32-make.exe -f .\Makefile.win %1 > make.bat
Then type:
make
This should compile the source code using "Makefile.win"
Note: If using a different compiler it might be easier to compile the demos in the "Documentation" directory first.
Once you have a working compiler try the howTos or start modding the source code.


{{ collection.foods.all.count }} Dishes {{ collection.name }} {{ collection.summary }} {{ collection.added }}


Provides functions used in the 'R: Einführung durch angewandte Statistik' (second edition).
| Version: | 0.9.3 |
| Depends: | R (≥ 3.0.0), grid |
| Imports: | stats |
| Suggests: | car, cluster, foreign, GPArotation, MASS, mclust, psych, UsingR, vcd |
| Published: | 2015-11-13 |
| Author: | Marco Johannes Maier [cre, aut] |
| Maintainer: | Marco Johannes Maier <marco.maier at wu.ac.at> |
| License: | GPL-2 |
| NeedsCompilation: | no |
| Citation: | REdaS citation info |
| CRAN checks: | REdaS results |
| Reference manual: | REdaS.pdf |
| Package source: | REdaS_0.9.3.tar.gz |
| Windows binaries: | r-devel: REdaS_0.9.3.zip, r-release: REdaS_0.9.3.zip, r-oldrel: REdaS_0.9.3.zip |
| OS X binaries: | r-release: REdaS_0.9.3.tgz, r-oldrel: REdaS_0.9.3.tgz |
| Old sources: | REdaS archive |
| Reverse imports: | BAYESDEF, CONS |
| Reverse suggests: | VARSEDIG |
Please use the canonical form https://CRAN.R-project.org/package=REdaS to link to this page.


--- layout: page title: "Developing Web Applications with Haskell and Yesod" prev: OEBPS/ch01s02.html next: OEBPS/ch01s04.html book_path: books/michael-snoyman-developing-web-applications-with-haskell-and-yesod-_oeb/ --- {% include JB/setup %} {% raw %}
Haskell’s main compiler, the GHC, has amazing performance characteristics, and is improving all the time. This choice of language by itself gives Yesod a large performance advantage over other offerings. But that’s not enough: we need an architecture designed for performance.
Our approach to templates is one example: by allowing HTML, CSS, and JavaScript to be analyzed at compile time, Yesod both avoids costly disk I/O at runtime and can optimize the rendering of this code. But the architectural decisions go deeper: we use advanced techniques such as conduits and builders in the underlying libraries to make sure our code runs in constant memory, without exhausting precious file handles and other resources. By offering high-level abstractions, you can get highly compressed and properly cached CSS and JavaScript.
Yesod’s flagship web server, Warp, is the fastest Haskell web server around. When these two pieces of technology are combined, it produces one of the fastest web application deployment solutions available.


Derek Eder
@derekeder
My general philosophy as a leader in #civictech:
1. Do what you can to help your peers. Simple gestures/assistance can mean a lot to someone
2. Learn from the mistakes your mentors made
3. Always listen to new voices
4. Life is too short to work with jerks https://twitter.com/vyki_e/status/1004945110251925504
6/8/2018, 8:53:46 AM
Favs: 21
Retweets: 4
link


goto date and zoom
Sept 11, 2001
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Pollution
问题描述 :
The new pollution-reducing device consists of several tanks with pipes connecting the tanks. You may assume there is at most one pipe between two tanks. Two tanks are called adjacent if a pipe connects them. When operating, the contaminant circulates in the device among these tanks.
As shown in the Figure-1, the contaminant in one tank in time t, will equally distribute into all adjacent tanks in the time t+1. In other words, if we use Xit to denote the amount of contaminant in tank i at time t, we can use the following formula:
where Iij=1 if tank i and tank j are adjacent, otherwise Iij=0, and where dj is the number of tanks adjacent to tank j. If no tank is adjacent to tank i, we have Xit+1=Xit. The managers, as well as the engineers, want to know that given the initial amount of contaminant in each tank, how the contaminant will be distributed in all the tanks after a long period of time in circulation. Namely, given Xi0 for all i, what are Xit when the difference between Xit and Xit+1 is so small that it can be ignored. You may assume that this condition will ALWAYS be attained from an initial case in this problem.
输入:
输出:
样例输入:
2 3 3 1 0 0 1 2 2 3 3 1 4 4 1 0 0 1 1 2 2 3 3 1 3 4
样例输出:
0.333 0.333 0.333 0.500 0.500 0.750 0.250
#!/usr/bin/env python def cou(n): arr = [1]
因为要修改链表头(指针)，所以要用指针的指针
对，就是把这32位当成一个长度为32的数组
感觉第二种方法其实也不是很好，不过的确要比第一种方法要好一点。
#include <cstdio>
#include <algorithm>
struct LWPair{
int l,w;
};
int main() {
//freopen("input.txt","r",stdin);
const int MAXSIZE=5000, MAXVAL=10000;
LWPair sticks[MAXSIZE];
int store[MAXSIZE];
int ncase, nstick, length,width, tmp, time, i,j;
if(scanf("%d",&ncase)!=1) return -1;
while(ncase– && scanf("%d",&nstick)==1) {
for(i=0;i<nstick;++i) scanf("%d%d",&sticks .l,&sticks .w);
std::sort(sticks,sticks+nstick,[](const LWPair &lhs, const LWPair &rhs) { return lhs.l>rhs.l || lhs.l==rhs.l && lhs.w>rhs.w; });
for(time=-1,i=0;i<nstick;++i) {
tmp=sticks .w;
for(j=time;j>=0 && store >=tmp;–j) ; // search from right to left
if(j==time) { store[++time]=tmp; }
else { store[j+1]=tmp; }
}
printf("%dn",time+1);
}
return 0;
}
这是研发类的题还是算法类？
嗯 分析得很到位，确实用模板编程能让面试官对你的印象更好。在设置辅助栈的时候可以这样：push时，比较要push的elem和辅助栈的栈顶，elem<=min.top()，则min.push(elem).否则只要push（elem）就好。在pop的时候，比较stack.top()与min.top(),if(stack.top()<=min.top()),则{stack.pop();min.pop();}，否则{stack.pop();}.
算法是程序的灵魂，算法分简单和复杂，如果不搞大数据类，程序员了解一下简单点的算法也是可以的，但是会算法的一定要会编程才行，程序员不一定要会算法，利于自己项目需要的可以简单了解。


HTML5 Audio Recorder & Download - works great on Firefox 25+
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I am working as an undergraduate research assistant at the Bodies in Motion Lab at UMBC's Interactive Systems Research Center. Under Dr. Helena Mentis and PhD student Azin Semsar, I am investigating telemonitoring and remote instructional communication in medical training. My responsibilities as a research assistant include transcribing, coding, and analyzing different types of data through statistical analysis, as well as assisting in carrying out field studies.
I created a software that returns the most optimized bus routes, given a file with the route names, number of stops, stop locations, stop earnings, and maintainance costs. The program was tested using bus route information from the UMBC Transit, my university's transportation service. However, this route optimizing software is intended for any transportation agency (MTA, Metro, etc) to use to maximize profits.
I designed the grand-prize winning mobile application Perception that functioned as an interactive learning tool to be used by hiring managers and hiring committees. Its purpose was to combat implicit bias in hiring and recruitment. Within the app, users would be able to take part in virtual workplace simulations and make decisions based on the situations they were put into. After completion, the users would get feedback on the decisions they made and whether or not implicit biases were detected in their choices. This app was created to provide hiring committees with a fun and interactive way to diversify their workforce and help facilitate a more inclusive hiring process.
I am a junior studying Computer Science and minoring in Information Systems at University of Maryland, Baltimore County. I am also a teaching fellow for UMBC’s Computing Success Center and a research assistant at the Bodies in Motion Lab. My interests include art, design, and the connection between humans and technology. Upon graduation, I plan to explore this further by pursuing a Master's in Human-Centered Computing.
Currently, I am seeking opportunities to develop new technical skills, network with others in my field, and challenge myself!
🎵 making Spotify playlists for my every mood
🎨 creating digital art for my small business
🐾 hanging out with my cat, Nugget
👩🏽💻 dreaming up ideas for my next project!


Below is a completely unordered list of links to interesting readings/websites I'm currently checking out.


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'Costs must go up': Freight companies warn of looming truckie shortage
by Emma KoehnThe Australian Logistics Council has warned Australian consumers will take a hit as the cost of goods ramps up if the country doesn't address an impending truck driver shortage, echoing recent calls from smaller freight companies for a national training and technology plan for the sector.
"When the system is restricted, whether it’s because of a lack of drivers, policies, [or] infrastructure, then the costs are increased. If we don't address these issues today, costs for consumers must go up," the council's chief executive Kirk Coningham said.
An impending truck driver shortage and a lack of a consistent plan for safety technology are key themes to emerge from the more than 60 public submissions made to a Senate committee reviewing safety and efficiency in Australia's road transport sector.
Many of the submissions point to a looming staffing crisis in freight transport, with claims the sector is thought of as an unattractive and unsafe career path. In its submission, the Logistics Council, which represents some of Australia's largest freight operator networks, said the sector also has trouble attracting women and workers from a varierty of backgrounds because of a perception it is an unwelcoming place.
It has called for a national strategy to address what it views as an impending crunch. Last month, smaller trucking operators called for new TAFE pathways to jobs in the freight industry to help grow the sector.
The number of jobs in the sector is set to climb beyond 220,000 over the next five years, though more than half the workforce is approaching retirement and aged over 45, according to Department of Employment, Skills, Small and Family Business data.
Seriously, this industry is at a point where we’re entering crisis now.Senator Glenn Serle
Safety is also a key concern when considering the attractiveness of the sector, with a number of submissions calling for a national framework or standard for adopting more cutting-edge safety technologies.
Some technology startups have found a niche in this space but say more needs to be done.
Queensland business SmartCap Technologies has built a client base for its real-time fatigue monitoring tools in the mining industry over the past decade. It it is now focused on the road freight sector.
Its submission to the committee called for the formal recognition of technologies like the SmartCap system as a way of mitigating risk.
"I think it helps both smaller and larger operators to take that step [towards investment] if a number of technologies were listed in an approved framework, so businesses don't feel like they're out on their own," SmartCap chief executive Tim Ekert said.
The inquiry is being overseen by Labor Senator Glenn Sterle, who said it was needed because supply chains were being squeezed in the logistics sector to a point where drivers were under intense time and financial pressure when doing their jobs.
"Seriously, this industry is at a point where we’re entering crisis now," Senator Sterle said.
The federal government has a range of heavy vehicle safety policies, including road improvement plans and the Heavy Vehicle Safety Initiative, which is currently calling for applications for new safety programs to be funded.
A spokesperson for the Deputy Prime Minister and Minister for Infrastructure, Transport and Regional Development, Michael McCormack, said the government welcomed the review.
"The Australian government is working closely with the industry to deliver record investment in safe and productive road infrastructure, support the uptake of new vehicle technology and facilitate effective reform to support the ongoing support of the sector," the spokesperson said.
The government won't receive the report until October 2020, though public hearings will be launched across the country from this month.


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'3BlackChicks Review...'
15 MINUTES (2001) Rated R; running time 120 minutes Genre: Crime/Thriller Seen at: Jack Lokes' Celebration Cinema (Lansing, Michigan) Official site: http://www.15minutesmovie.com/ IMDB site: http://us.imdb.com/Details?0179626 Written by: John Herzfeld Directed by: John Herzfeld Cast: Robert De Niro, Edward Burns, Karel Roden, Oleg Taktarov, Kelsey Grammer, Melina Kanakaredes, Avery Brooks, Vera Farmiga, John DiResta, Darius McCrary, Charlize Theron, Kim Cattrall
Review Copyright Rose Cooper, 2001 Review URL: http://www.3blackchicks.com/bams15minutes.html
Failing to write my reviews immediately after I've seen a movie, is a blessing and a curse. I find it best to write soon after I've watched, because the movie is still In The Moment, if you will; I'm clear, as precise as I get, and certain about how I feel about said flick.
But there's something about sleeping on it, that allows one to more carefully examine what seemed Simply Bloody Brilliant the night before, and go "uh...whathell?"
The Story (WARNING: **spoilers contained below**): Remember in SPLASH, when Darryl Hannah's mermaid character learned how to speak English by watching television? 15 MINUTES exists in an Evil Parallel Universe...
Emil Slovak (Karel Roden) and his partner Oleg Ratzgul (Oleg Taktarov) come to America to seek their fortune. No, not the one noted in The American Dream: they want the one for which they served time in the Europe. When their ex-partner Milos, living as a plumber in New York, doesn't come up with the goods, Emil does Bad Stuff to Milos while Oleg, a man who fancies himself a frustrated director, nonchalantly videotapes the act.
Somewhere down the road, arson investigator Jordy Warsaw (Edward Burns) becomes attached to a case involving a fire set up to mask a double homicide; cue celebrity homicide cop Eddie Flemming (Robert De Niro), whose high-profile cases have been spotlighted by scummy TV "journalist" Robert Hawkins (Kelsey Grammer). Jordy doesn't have a lot of respect initially for Eddie's showboating - but Eddie comes to the attention of quick learners Emil and Oleg, who seize the tragic moment that could bring them fame and fortune.
There's More Stuff, involving Eddie's partner Leon Jackson (Avery Brooks), a Czech woman named Daphne (Vera Farmiga), Beat Reporter Nicolette (Melina Kanakaredes), and a Cast Of (seeming) Thousands, but you get the drift, eh?
The Upshot: The bad? Too many characters [did we *really* need a Seedy TV "Newsman" _and_ a TV Reporter Chick cum Love Interest for Eddie? Uh, couldn't they have been combined? And whathell was Kim Cattrall's character about?], and nonsensical plot devices [one simple change - nixing the fireman angle in favor of a Rogue Youngbuck Cop, would've kept the whathell?s to a minimum], top the list. Edward Burns' constant empty stare would occupy a list space, too, but I was too busy wondering why Kelsey Grammer (who I adore in FRASIER) was so busy trying to get us to forget his TV persona by cussin' up a storm, that I was able to effectively block Burns' rather silly character and plot, right out of my view for the first half of the movie.
The good? Robert De Niro, in both Tender Mode [call me a softie, but I dug his half of the love story. And by the way, my pal from TIME SLOT, Melik, wanted me to note that I failed to grasp the TAXI DRIVER reference when Eddie was talking to himself in the mirror. So sue me.], and during his climatic confrontation with the bad guys. Though it was quite a shocker to me that De Niro *wasn't* the heart of this movie, when he *was* the focus of attention, it was close to impossible to notice much of anything else around him. In the world of Stars and Actors, De Niro is the rare combination that disproves the rule.
The sublime? The music (more on this below), and especially Karel Roden as Czech National Emil Slovak and Oleg Taktarov as the Frank Capraesque Russian, Oleg Ratzgul. Somebody oughta call the cops, because this duo completely stole 15 MINUTES out from under everybody, including De Niro. There wasn't a single scene in which Roden and Slovak participated, that I wasn't captured by [how's *that* for a double negative?], and in fact, the pivotal scene that I mentioned earlier with De Niro, was made damn near perfect by the fierceness of Roden and the eerie playfulness of Taktarov.
Emil's near-insane temper and Oleg's humorous, blind madness, cut right to the "15 minutes of fame" issue in a way that all the intended moralizing by writer/director John Herzfeld about the Robert Hawkinses of this world, never touched. That I found myself laughing at Oleg when my brain told me that what he was doing was no laughing matter, was what made this movie so scary, and immediate. In that, it earned its genre title: thriller.
One more thing: I think I have a crush on Charlize Theron. I swear, her eyes go right through me. Not That There's Anything Wrong With That.
In The Movie House: I had thought about doing a quickie Black Factor here - ok, here's a quickie: Avery Brooks is good, and plenty; Darius McCrary was just more unnecessary flotsam - but decided against it, in favor of praise for the movie's musical score.
9 out of 10 times, movie music irritates me. If it's loud enough for me to notice it, it's usually 1) too daggone loud and 2) not all that good. But as with FINDING FORRESTER before it, the score in "15" was used quite effectively, wonderfully accentuating many a scene (the techie girl in me hurrahed the musical emphasis when De Niro and company went a'chasing the bad guys), and generally adding quite a bit of spice to this flick. Combined once again with Celebration Cinema's awesome surround sound environment, this score left me awed.
Bammer's Bottom Line: As my pal Melik said, 15 MINUTES rocked; at times, it was thought-provoking, and disturbing, and the musical score was brilliantly executed (this will be a good DVD/surround sound flick to pick up). On the neutral-to-negative side of things, Robert De Niro and Edward Burns were just okay; Kelsey Grammer's Slimy Journalist wasn't slimy *enough*; and some of the silly things the audience was asked to believe, kept it on this side of Best Of 2001 territory for me. But Karel Roden as the Czech and Oleg Taktarov as the Russian, Made this movie. Watch it, if only for them and the score.
15 MINUTES (rating: greenlight): Another one for the "can't wait till it hits DVD" file.
Rose "Bams" Cooper Webchick and Editor, 3BlackChicks Review Movie Reviews With Flava! Copyright Rose Cooper, 2001 EMAIL<EMAIL_ADDRESS>http://www.3blackchicks.com/
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Zongo’s Back On The Field… Again!
by Soccer LadumaHe’s regularly spoken about as one of the most talented players South Africa has ever produced, and now Masibusane Zongo has got another chance to set things right…
Read: Major Blow For Chiefs Clash
The 29-year-old attacker, who is famed for his dribbling ability, has had plenty of off-the-field drama that has hindered his progress as a professional footballer, and he seems to be a long way from the bright-eyed youngster that burst onto the scene at SuperSport United.
After things didn’t work out at clubs like Platinum Stars, Royal Eagles and Extension Gunners in Botswana, it seemed as though Zongo had finally had his last chance in the game, but now he’s been given one more by a side in the ABC Motsepe League in the Free State.
It was confirmed on Tuesday night that the former Matsatsantsa star had penned a contract to play for D’General FC where he will be hoping to start enjoying his football once again as they push to try and climb up into the GladAfrica Championship in the not-so-distant future.
The club said on their official Facebook page, “This has been a very well-kept secret... D'General FC is proud of the acquisition of Masibusane Zongo and he is now part of the family... WELCOME HOME BOY!!!!”
Read: Another Chiefs Man Gets Bafana Call-Up
Zongo is due to start training at his new club next week after sealing a deal in South Africa’s third tier, and will be looking forward to earning himself a place in the XI in what is surely his last chance to showcase his undoubted talent in a competitive environment.
Download The Soccer Laduma Social Media App & Earn Airtime for Selfies!


# -*- coding: utf-8 -*-
####################################################################################################
# File: path_finding_utils.py
# Purpose: Path finding utility functions used in the various algorithms. Includes the main cost
# function used as the metric on the graphs.
#
# Author: Luke Poeppel
#
# Location: NYC, 2021
####################################################################################################
import numpy as np
from tqdm import tqdm
from ..fragment import GreekFoot
[docs]class CostFunction:
"""
Arbitrary cost function to use in the cost functions. The user should set weights as class
attributes that are referenced in the cost function (which the user must override), if needed.
If set, the weights should (probably) sum to 1.
The following is a cost function that doesn't rely on any weights.
>>> class MyFirstCostFunction(CostFunction):
... def cost(self, vertex_a, vertex_b):
... '''Cost function determined by the sum of the two extractions standard deviations.'''
... return vertex_a.std() + vertex_b.std()
The following is a cost function that relies on two weights.
>>> class MySecondCostFunction(CostFunction):
... weight_a = 0.4213
... weight_b = 0.2599
... def cost(self, vertex_a, vertex_b):
... '''Cost function determined by the sum of the two extractions standard deviations.'''
... first_term = ((weight_a * vertex_a.num_onsets) + weight_b)
... second_term = ((weight_a * vertex_b.num_onsets) + weight_b)
... return first_term + second_term
"""
def __init__(self, **kwargs):
self.__dict__.update(kwargs)
[docs] def cost(self, vertex_a, vertex_b):
"""
This function must be overrided by child classes. Cost function between two
:obj:`decitala.search.Extraction` objects.
:param `decitala.search.Extraction` vertex_1: An extraction object from a composition.
:param `decitala.search.Extraction` vertex_2: A second extraction object from a composition.
:return: The cost of moving from ``vertex_1`` to ``vertex_2``.
:rtype: float
"""
raise NotImplementedError
[docs]class CostFunction2D(CostFunction):
"""
Default cost function used in the path-finding algorithms. Weights optimized by
hyperparameter search.
"""
def __init__(
self,
gap_weight=0.75,
onset_weight=0.25
):
self.gap_weight = gap_weight
self.onset_weight = onset_weight
[docs] def cost(self, vertex_a, vertex_b):
gap = vertex_b.onset_range[0] - vertex_a.onset_range[1]
onsets = 1 / (vertex_a.fragment.num_onsets + vertex_b.fragment.num_onsets)
cost = (self.gap_weight * gap) + (self.onset_weight * onsets)
return cost
[docs]class CostFunction3D(CostFunction):
def __init__(
self,
gap_weight=0.8,
onset_weight=0.1,
articulation_weight=0.1,
):
self.gap_weight = gap_weight
self.onset_weight = onset_weight
self.articulation_weight = articulation_weight
[docs] def cost(self, vertex_a, vertex_b):
gap = vertex_b.onset_range[0] - vertex_a.onset_range[1]
onsets = 1 / (vertex_a.fragment.num_onsets + vertex_b.fragment.num_onsets)
total_slurs = vertex_a.slur_count + vertex_b.slur_count
if total_slurs == 0:
slur_count = 1 / 0.5 # force non-zero
else:
slur_count = 1 / total_slurs
slur_start_end_count = vertex_a.slur_start_end_count + vertex_b.slur_start_end_count
if slur_start_end_count == 0:
slur_se_count = 1 / 0.75 # force non-zero; less weight than overall count.
else:
slur_se_count = 1 / slur_start_end_count
slur_val = slur_count + slur_se_count
values = [gap, onsets, slur_val]
cost = 0
for weight, val in zip([self.gap_weight, self.onset_weight, self.articulation_weight], values): # noqa
cost += weight * val
return cost
[docs]def build_graph(
data,
cost_function_class=CostFunction3D(),
verbose=False
):
"""
Function for building a "graph" of nodes and edges from a given set of data (each
vertex of the form as those required in the cost function) extracted from one of the
search algorithms. Requires ``id`` keys in each dictionary input.
:param list data: a list of :obj:`decitala.search.Extraction` objects.
:param `path_finding_utils.CostFunction` cost_function_class: a cost
function that will be used in calculating the weights between vertices.
:return: A "graph" holding vertices and the associated cost between all other non-negative edges.
:rtype: dict
"""
G = {}
i = 0
with tqdm(total=len(data), disable=not(verbose)) as bar:
while i < len(data):
curr = data[i]
curr_edges = []
for other in data:
if other == curr:
continue
# Check here, not in cost function, as then we don't need to instantiate a fragment object.
elif curr.onset_range[1] > other.onset_range[0]:
continue
edge = cost_function_class.cost(vertex_a=curr, vertex_b=other)
if edge < 0: # Just in case. Dijkstra edges must be negative.
continue
curr_edges.append((other.id_, edge))
G[curr.id_] = curr_edges
bar.update(1)
i += 1
return G
[docs]def sources_and_sinks(
data,
enforce_earliest_start=False
):
"""
Calculates all sources and sinks in a given dataset.
:param list data: a list of :obj:`decitala.search.Extraction` objects.
:param bool enforce_earliest_start: whether to require that all sources begin at the earliest
detected onset.
"""
sources = [x for x in data if not any(y.onset_range[1] <= x.onset_range[0] for y in data)]
min_onset = min(x.onset_range[0] for x in sources)
if enforce_earliest_start:
sources = list(filter(
lambda x: x.onset_range[0] == min_onset,
sources
))
sinks = [x for x in data if not any(x.onset_range[1] <= y.onset_range[0] for y in data)]
return sources, sinks
[docs]def best_source_and_sink(
data,
enforce_earliest_start=False
):
"""
TODO: this is bad. I should be using the agnostic approach of Dijkstra here.
Calculates the "best" source and sink from a dataset based on two simple heuristics: (1) the
fragment with the earliest (or latest, for sink) starting point, (2) the fragment with the
greatest number of onsets.
:param list data: a list of :obj:`decitala.search.Extraction` objects.
"""
sources, sinks = sources_and_sinks(
data=data,
enforce_earliest_start=enforce_earliest_start
)
curr_best_source = sources[0]
curr_best_sink = sinks[0]
if len(sources) == 1:
pass
else:
lowest_point = min(sources, key=lambda x: x.onset_range[0]).onset_range[0]
for source in sources:
if source.onset_range[0] == lowest_point:
if source.fragment.num_onsets > curr_best_source.fragment.num_onsets:
curr_best_source = source
else:
continue
if len(sinks) == 1:
pass
else:
for sink in sinks:
if sink.fragment.num_onsets > curr_best_sink.fragment.num_onsets:
curr_best_sink = sink
else:
continue
return curr_best_source, curr_best_sink
[docs]def make_2D_grid(resolution):
"""
Function for generating a grid of two numbers that sum to 1, iterated over the given resolution.
:param float resolution: resolution of the grid, :math:`0 < x <= 1`.
"""
spaces = []
for i in range(2):
parameter_space = np.array([round(x, 3) for x in np.linspace(0, 1, int(1 / resolution) + 1)])
spaces.append(parameter_space)
combos = []
for param_a in spaces[0]:
for param_b in spaces[1]:
collection = [param_a, param_b]
if sum(collection) == 1.0:
combos.append(collection)
return combos
[docs]def make_3D_grid(resolution):
"""
Function for generating a grid of three numbers that sum to 1, iterated over the given resolution.
:param float resolution: resolution of the grid, :math:`0 < x <= 1`.
"""
spaces = []
for i in range(3):
parameter_space = np.array([round(x, 3) for x in np.linspace(0, 1, int(1 / resolution) + 1)])
spaces.append(parameter_space)
combos = []
for param_a in spaces[0]:
for param_b in spaces[1]:
for param_c in spaces[2]:
collection = [param_a, param_b, param_c]
if sum(collection) == 1.0:
combos.append(collection)
return combos
[docs]def make_4D_grid(resolution):
"""
Function for generating a grid of four numbers that sum to 1, iterated over the given resolution.
:param float resolution: resolution of the grid, :math:`0 < x <= 1`.
"""
spaces = []
for i in range(4):
parameter_space = np.array([round(x, 3) for x in np.linspace(0, 1, int(1 / resolution) + 1)])
spaces.append(parameter_space)
combos = []
for param_a in spaces[0]:
for param_b in spaces[1]:
for param_c in spaces[2]:
for param_d in spaces[3]:
collection = [param_a, param_b, param_c, param_d]
if sum(collection) == 1.0:
combos.append(collection)
return combos
[docs]def default_split_dict():
"""
Default splits for common compound greek metrics. Splits are either obvious (e.g. triiamb)
or provided by Messiaen.
"""
return {
GreekFoot("Diiamb"): [GreekFoot("Iamb"), GreekFoot("Iamb")],
GreekFoot("Ditrochee"): [GreekFoot("Trochee"), GreekFoot("Trochee")],
GreekFoot("Dicretic"): [GreekFoot("Amphimacer"), GreekFoot("Amphimacer")],
GreekFoot("Dianapest"): [GreekFoot("Anapest"), GreekFoot("Anapest")],
GreekFoot("Didactyl"): [GreekFoot("Dactyl"), GreekFoot("Dactyl")],
GreekFoot("Diproceleusmatic"): [GreekFoot("Proceleusmatic"), GreekFoot("Proceleusmatic")],
GreekFoot("Dochmius"): [GreekFoot("Iamb"), GreekFoot("Amphimacer")],
GreekFoot("Triiamb"): [GreekFoot("Iamb"), GreekFoot("Iamb"), GreekFoot("Iamb")],
GreekFoot("Triproceleusmatic"): [GreekFoot("Proceleusmatic"), GreekFoot("Proceleusmatic"), GreekFoot("Proceleusmatic")], # noqa
}
[docs]def check_accuracy(training_data, calculated_data, mode, return_list):
"""
The `training_data` is the analysis as provided by Messiean. The `input_data`
is the data calculated by path-finding.
NOTE: the data is stored in two different formats, hence the use of `mode`. This will
(hopefully) be fixed in the future.
"""
accurate = 0
for this_training_fragment in training_data:
for this_fragment in calculated_data:
if mode == "Compositions":
if (this_training_fragment["fragment"] == this_fragment.fragment) and (tuple(this_training_fragment["onset_range"]) == this_fragment.onset_range): # noqa
accurate += 1
elif mode == "Transcriptions":
if (this_training_fragment[0] == this_fragment.fragment) and (tuple(this_training_fragment[1]) == this_fragment.onset_range): # noqa
accurate += 1
else:
raise Exception("Only options are 'Compositions' and 'Transcriptions'.")
if not(return_list):
return (accurate / len(training_data)) * 100
else:
return [accurate, len(training_data)]


|
Panda3D
|
Classes. More...
Public Member Functions | |
| def | __init__ (self, anObject) |
| def | __str__ (self) |
| def | getLastPartNumber (self) |
| def | initializePartNames (self) |
| def | initializePartsList (self) |
| def | inspectorFor (self, part) |
| def | namedParts (self) |
| def | objectType (self) |
| def | partNames (self) |
| def | partNumber (self, partNumber) |
| def | privatePartNumber (self, partNumber) |
| def | selectedPart (self) |
| def | stringForPartNumber (self, partNumber) |
| def | title (self) |
Public Attributes | |
| lastPartNumber | |
| object | |
Classes.
| def __init__ | ( | self, | |
| anObject | |||
| ) |
| def __str__ | ( | self | ) |
| def getLastPartNumber | ( | self | ) |
| def initializePartNames | ( | self | ) |
| def initializePartsList | ( | self | ) |
Reimplemented in SequenceInspector, and DictionaryInspector.
| def inspectorFor | ( | self, | |
| part | |||
| ) |
| def namedParts | ( | self | ) |
Reimplemented in SliceInspector, ComplexInspector, InstanceInspector, ClassInspector, and ModuleInspector.
| def objectType | ( | self | ) |
| def partNames | ( | self | ) |
| def partNumber | ( | self, | |
| partNumber | |||
| ) |
Reimplemented in SequenceInspector, and DictionaryInspector.
| def privatePartNumber | ( | self, | |
| partNumber | |||
| ) |
| def selectedPart | ( | self | ) |
| def stringForPartNumber | ( | self, | |
| partNumber | |||
| ) |
| def title | ( | self | ) |
Reimplemented in CodeInspector, InstanceMethodInspector, FunctionInspector, InstanceInspector, and ClassInspector.
| lastPartNumber |
| object |


Unscramble
What exists but no-body can enter and is unreachable in life?
Think you figured it out? Click
NEXT
to reveal the answer.


Outdoor Cinema
Harewood House, Leeds, West Yorkshire, LS17 9LG
The outdoor cinema is a treat for the summer months. The Luna Cinema presents three classic movies, including Harry Potter and the Philosopher's Stone, Pretty Woman and The Greatest Showman, for a night under the stars. Tickets are £15 per adult and £10 per child. Visit thelunacinema.com for more details.


| adg-1 reference manual | ||||
|---|---|---|---|---|
| Top | Description | Object Hierarchy | Implemented Interfaces |
#include <adg-1/adg.h> struct AdgGtkLayout; struct AdgGtkLayoutClass; GtkWidget * adg_gtk_layout_new (void
); GtkWidget * adg_gtk_layout_new_with_canvas (AdgCanvas *canvas
); void adg_gtk_layout_set_hadjustment (AdgGtkLayout *layout
,GtkAdjustment *hadjustment
); GtkAdjustment * adg_gtk_layout_get_hadjustment (AdgGtkLayout *layout
); void adg_gtk_layout_set_vadjustment (AdgGtkLayout *layout
,GtkAdjustment *vadjustment
); GtkAdjustment * adg_gtk_layout_get_vadjustment (AdgGtkLayout *layout
);
GObject +----GInitiallyUnowned +----GtkWidget +----GtkDrawingArea +----AdgGtkArea +----AdgGtkLayout
This is an AdgGtkArea derived object with scrolling capabilities. It means an AdgGtkLayout object can be added directly to a GtkScrolledWindow container without the need for an intermediate GtkViewport container.
struct AdgGtkLayout;
All fields are private and should not be used directly. Use its public methods instead.
Since 1.0
GtkWidget * adg_gtk_layout_new (void
);
Creates a new empty AdgGtkLayout. The widget is useful only after
an AdgCanvas has been added either using the "canvas"
property or with adg_gtk_layout_set_canvas()
.
Returns : |
the newly created widget. [transfer full] |
Since 1.0
GtkWidget * adg_gtk_layout_new_with_canvas (AdgCanvas *canvas
);
Creates a new AdgGtkLayout and sets the "canvas" property
to canvas
.
|
the AdgCanvas shown by this widget |
Returns : |
the newly created widget. [transfer full] |
Since 1.0
void adg_gtk_layout_set_hadjustment (AdgGtkLayout *layout
,GtkAdjustment *hadjustment
);
Sets the new horizontal adjustment for layout
to hadjustment
.
The old adjustment, if present, is unreferenced.
This is basically the same as manually setting the
"hadjustment" property with g_object_set()
.
|
an AdgGtkLayout |
|
the new adjustment |
Since 1.0
GtkAdjustment * adg_gtk_layout_get_hadjustment (AdgGtkLayout *layout
);
Retrieves the current horizontal adjustment of layout
.
The returned alignment is owned by layout
and should
not be modified or freed.
|
an AdgGtkLayout |
Returns : |
the alignment of layout . [transfer none]
|
Since 1.0
void adg_gtk_layout_set_vadjustment (AdgGtkLayout *layout
,GtkAdjustment *vadjustment
);
Sets the new vertical adjustment for layout
to vadjustment
.
The old adjustment, if present, is unreferenced.
This is basically the same as manually setting the
"vadjustment" property with g_object_set()
.
|
an AdgGtkLayout |
|
the new adjustment |
Since 1.0
GtkAdjustment * adg_gtk_layout_get_vadjustment (AdgGtkLayout *layout
);
Retrieves the current vertical adjustment of layout
.
The returned alignment is owned by layout
and should
not be modified or freed.
|
an AdgGtkLayout |
Returns : |
the alignment of layout . [transfer none]
|
Since 1.0


Invocation
Quick start
Parsing from local file:
#include <fstream>
#include <kaitai/kaitaistream.h>
std::ifstream is("path/to/local/file.dat", std::ifstream::binary);
kaitai::kstream ks(&is);
example_t data(&ks);
Parsing from std::string
:
#include <fstream>
#include <kaitai/kaitaistream.h>
#include <sstream>
std::string buf;
std::istringstream is(buf);
kaitai::kstream ks(&is);
example_t data(&ks);
Auto-read
By default, invoking constructor with a stream argument assumes that you want to run parsing process and populate object’s fields with the data read from the stream:
example_t data(&ks);
data.some_attribute(); // already populated and available
However, sometimes you want more control and want to trigger that
process manually. In that case, you can supply --no-auto-read
argument for kaitai-struct-compiler, and you’ll have to trigger
reading manually using _read()
invocation:
example_t data(&ks);
data.some_attribute(); // not yet populated, may contain random garbage
data._read();
data.some_attribute(); // populated and available
There are several reasons why you’d want to separate object creation and object population:
-
Obviously, if you’re using read-write mode with the intent to populate the object manually and call
_write()
afterwards to serialize it. In this use-case, you probably won’t call_read()
at all. -
You want to reuse the same object and thus want to repeatedly call
_read()
on several times manually.
Ownership model
In all modes, Kaitai Struct follows the same ownership model:
-
If something is created during the parsing process, it belongs to the enclosing object which represents the user type. As soon as enclosing object will be deleted, it will take care of deletion (and cleanup) of all owned attributes.
-
If something is assigned to a user type using
set…()
methods for serialization process, afterset…()
is completed, user type assumes ownership of everything you’ve passed throughset…()
. -
Everything else passed in a constructor and/or any other invocations, is not owned by user type (and will not be cleaned up automatically), namely:
-
root object reference/pointer
-
parent object reference/pointer
-
IO object
-
type parameters
-
To illustrate these principles, using the following .ksy spec:
meta:
id: example
seq:
- id: foo
type: block
types:
block:
seq:
- id: bar
type: u1
You would always do reading this way:
// On stack
{
kaitai::kstruct in_stream(...); // belongs here
example_t example(&in_stream); // belongs here
// assumes auto-read; in case of --no-auto-read, add:
// example._read();
example_t::block_t* foo = example->foo();
// does not belong here, belongs to user type
// can use `foo` here:
int foo_bar = foo->bar();
// but must not delete it:
// delete foo; // ILLEGAL: will result in double free
// example & in_stream get deleted here as they go out of scope
}
// On heap
{
kaitai::kstruct* in_stream = new kaitai::kstruct(...); // belongs here
example_t* example = new example_t(in_stream); // belongs here
// assumes auto-read; in case of --no-auto-read, add:
// example->_read();
example_t::block_t* foo = example->foo();
// does not belong here, belongs to user type
// can use `foo` here:
int foo_bar = foo->bar();
// but must not delete it:
// delete foo; // ILLEGAL: will result in double free
// delete in reverse order to order of creation
delete example;
// also deletes `foo`, so `foo` should not be used after this point
// int foo_bar_2 = foo->bar(); // ILLEGAL: foo pointer is already deleted
delete in_stream;
}
Pointers model
TODO: raw pointers, unique+raw pointers
Primitive type mapping
Mapping KS types to C++ is pretty straight-forward:
type |
C++ type |
|---|---|
no type |
std::string |
|
uint8_t |
|
uint16_t |
|
uint32_t |
|
uint64_t |
|
int8_t |
|
int16_t |
|
int32_t |
|
int64_t |
|
std::string |
Note that both byte arrays and strings are mapped to std::string
—
that’s because when we store byte array, we need something that would be
able to both hold the byte buffer and store it’s length (or at least
able to derive it).
String encoding
There’s no universal agreement on dealing with encodings in C++, so KS allows you to choose one of the few popular approaches. You can choose how to deal with string encoding using a compile-time define.
-
KS_STR_ENCODING_NONE
: Ignore encodings at all. In this mode, all string parsing operations just ignore any encoding specifications and pass raw bytes as a string to application. Note that in some cases it might break some .ksy files that actually depend on string being properly decoded / converted. -
Convert all incoming byte streams into strings in a single, one-size-fits-all encoding (for example, UTF8, as suggested by UTF8 Everywhere Manifesto). Since there’s no universal way to do it, KS would use one of platform-dependent ways (which can be also enforced by specifying specific defines):
-
KS_STR_ENCODING_ICONV
: Use POSIXiconv
library — usually preinstalled (or included in libc) on all POSIX systems, can be linked as external library on most other systems (i.e. Windows) -
(not implemented yet) Use Windows API functions MultiByteToWideChar and WideCharToMultiByte — obviously, available only on Windows platform
-
(not implemented yet) Use ICU library
-
Null values
In certain cases, namely when using if
with an expression that will be
false, a certain attribute won’t be parsed. For example:
seq:
- id: foo
type: u1
- id: bar
type: u1
if: foo == 42
If foo
is not 42, then an unsigned 1-byte integer bar
won’t be
parsed. By general convention, Kaitai Struct makes sure that bar
is
equal to a null
value, to be able to distinguish such a situation (as
opposed to having some value). However, it’s not possible to do so for
many primitive (non-reference) types in C++. In the example above, bar
will have type uint8_t
, and assigning null
to it would just set it
to 0, thus we won’t be able to distinguish a situation when bar
was
read and we’ve got 0, and bar
wasn’t read.
To work around this situation, Kaitai Struct generates special null
checking methods for every attribute that can be null:
_is_null_ATTRIBUTE
, where ATTRIBUTE
is the name of the attribute.
Thus, the proper way to use such nullable values is something like:
if (!r->_is_null_bar()) {
uint8_t bar = r->bar();
// `bar` is defined, use `bar` here
} else {
// `bar` is null because of failed `if` comparison
// note that accessing r->bar() will return an uninitialized value
// (i.e. random garbage)
}


Write JSON unit tests in less code. Great for testing REST interfaces.
Code JSON tests as if you are comparing a string. Under the covers, JSONassert converts your string into a JSON object and compares the logical structure and data with the actual JSON. When strict is set to false (recommended), it forgives reordering data and extending results (as long as all the expected elements are there), making tests less brittle.
Supported test frameworks:
The current version of JSONassert is 1.5.1
In JSONassert, you write and maintain something like this:
JSONObject data = getRESTData("/friends/367.json");
String expected = "{friends:[{id:123,name:\"Corby Page\"},{id:456,name:\"Carter Page\"}]}";
JSONAssert.assertEquals(expected, data, false);
... instead of all this:
JSONObject data = getRESTData("/friends/367.json");
Assert.assertTrue(data.has("friends"));
Object friendsObject = data.get("friends");
Assert.assertTrue(friendsObject instanceof JSONArray);
JSONArray friends = (JSONArray) friendsObject;
Assert.assertEquals(2, data.length());
JSONObject friend1Obj = friends.getJSONObject(data.get(0));
Assert.true(friend1Obj.has("id"));
Assert.true(friend1Obj.has("name"));
JSONObject friend2Obj = friends.getJSONObject(data.get(1));
Assert.true(friend2Obj.has("id"));
Assert.true(friend2Obj.has("name"));
if ("Carter Page".equals(friend1Obj.getString("name"))) {
Assert.assertEquals(123, friend1Obj.getInt("id"));
Assert.assertEquals("Corby Page", friend2Obj.getString("name"));
Assert.assertEquals(456, friend2Obj.getInt("id"));
}
else if ("Corby Page".equals(friend1Obj.getString("name"))) {
Assert.assertEquals(456, friend1Obj.getInt("id"));
Assert.assertEquals("Carter Page", friend2Obj.getString("name"));
Assert.assertEquals(123, friend2Obj.getInt("id"));
}
else {
Assert.fail("Expected either Carter or Corby, Got: " + friend1Obj.getString("name"));
}
We tried to make error messages easy to understand. This is really important, since it gets hard for the eye to pick out the difference, particularly in long JSON strings. For example:
String expected = "{id:1,name:\"Joe\",friends:[{id:2,name:\"Pat\",pets:[\"dog\"]},{id:3,name:\"Sue\",pets:[\"bird\",\"fish\"]}],pets:[]}";
String actual = "{id:1,name:\"Joe\",friends:[{id:2,name:\"Pat\",pets:[\"dog\"]},{id:3,name:\"Sue\",pets:[\"cat\",\"fish\"]}],pets:[]}"
JSONAssert.assertEquals(expected, actual, false);
... returns the following:
friends[id=3].pets[]: Expected bird, but not found ; friends[id=3].pets[]: Contains cat, but not expected
This is open source so if you want to help out whether by submitting code, design, suggestions, feedback, or feature requests, we appreciate whatever you can contribute. Contact us at<EMAIL_ADDRESS>with questions or ideas.


WOMAN ON TOP (director: Fina Torres; screenwriter: Vera Blasi; cinematographer: Thierry Arbogast; editor: Leslie Jones; cast: Penélope Cruz (Isabella Oliveira), Murilo Benício (Toninho Oliveira), Harold Perrineau Jr. (Monica Jones), Mark Feurerstein (Cliff Lloyd), John De Lancie (Alex, TV station manager), Anne Ramsay (TV director), Ana Gasteyer (Claudia Hunter); Runtime: 83; Fox Searchlight Pictures; 1999)
Reviewed by Dennis Schwartz
A sensuous romantic comedy, about as appealing as your average lightweight TV sitcom. There is no special ingredient on the menu for what is dished out, its the kind of stuff I've seen before and was made nauseous by its silly idea of love and what it thinks is funny. The film plans to exploit the beauty and sweetness of its delicious star Penélope Cruz, who plays a Brazilian chef with a magical touch for bringing out the spices in her preparations, the aromas just sensually waft from her cooking pot, but who can't get by on looks alone in this transparently predictable story.
Penélope was wonderful in Pedro Almodóvar's "All About My Mother," but here she is so visible in such a stale story, where she can only smile and tease the audience by having us see a constant barrage of cleavage shots as she bends when cooking, that she somehow looks ridiculous, as if she got egg all over her face. The best you can say about her, is that she's not to blame for this picture being so off. This exploitation of sex film without even delivering nudity or sex, is in my opinion, worst than a raunchy film that delivers what it says it will.
The story is all about the love, motion sickness, and cooking ability of Isabella (Cruz), who is born in Bahia, Brazil and learns to cook at an early age from her parents' cook. To cure her motion sickness, her parents tried every remedy, until they went to a spiritualist who prayed to the goddess of the sea for her cure. She is able to control it now as long as she doesn't drive a car, ride elevators, follow in dancing, and is the woman on top when making love. In other words, she has to be in control of things.
In her small fishing town she falls in love with a handsome macho Latin waiter, Toninho Oliveira (Murilo Benício) and marries him. They open up a successful restaurant, where she slaves away in the kitchen but he gets all the credit for it, even though he's a loafer. One night she catches him in bed with another girl and decides to leave for San Francisco. We don't see her in flight, so I can't tell how she handled her motion sickness problem -- unless she flew the plane.
She visits her friend's apartment Monica (Harold Perrineau Jr.), who is a cross-dresser, blending right into the San Francisco scene.
To cast away her love for the irresistible Toninho, she calls her spiritualist friend and gets her to cast an irreversible spell, freeing her from ever loving him again. Her luck changes when a local TV producer Cliff (Mark Feurerstein) gets a whiff of her cooking and storms into her cooking class as if were in a spell and presents her with her own live TV cooking show.
You can really write the script from here on by yourself...as the despondent Toninho begins to realize what a good thing he had, but things continue to go bad for him: there is a curse he caused on the fishing in his village, there is no chef to replace his wife, as the restaurant is about to close for good. So he comes to San Francisco, figuring he can charm her again. He brings along with him his guitar playing musicians, the ones he used when courting her, when he serenaded her under her window.
He sees his wife on TV with Monica as her sidekick, the yuppie TV producer chasing after her, and sees that she is no longer charmed by him. When he sneaks on her TV show set and tries to woo her with his musical group and him singing corny love songs to her, the ratings go up and he's hired as a regular on the show. The show gets so big, that the network honchos come onboard, taking it national. But they want to change the ethnic flavor of the show, get rid of Monica because he's a freak, have Isabella cook with Tabasco instead of the Brazilian peppers she uses, and they change her ethnic dresses to low-cut Vanna White type of sexy dresses. Cliff, her would-be boyfriend, acts creepy and sides with the network big-shots, even though he loved everything she did. These TV scenes were not only bad stereotype scenes of TV honchos, they were revolting. It was an insult to one's intelligence.
 If the film wasn't terrible enough, Monica and Cliff act on their attraction for each other and become lovers. It was so awkwardly done, that it had no sense of truth or humor to it.
This film might as well have been made by the same network guys featured in this film, because it doesn't look or feel like an Almodóvar film, the type of film it aspired to be, but more like a film that was interferred with from above. Its more like a futile commercial film that is more annoying than charming and more dull than chic, as it searches for box office heaven.
REVIEWED ON 10/13/2000 GRADE: D
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
<EMAIL_ADDRESS>© ALL RIGHTS RESERVED DENNIS SCHWARTZ
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
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belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


What you're looking for doesn't seem to exist. While you're here though, maybe check out the featured blog post?
{% extends "layout.html" %} {% load static from staticfiles %} {% block title %}Not Found{% endblock %} {% block content %}
What you're looking for doesn't seem to exist. While you're here though, maybe check out the featured blog post?
{{ featured_post.body | striptags | truncatechars:175 }}
{{ featured_post.body | striptags | truncatechars:470 }}
{{ featured_post.body | striptags | truncatechars:470 }}


{{> countdownControls}}
{{> clock}}
My other countdowns
{{#if countdowns.count}}
{{#each countdowns}}
{{> countdown}}
{{/each}}
{{else}}
You don't have any countdowns. Go make one.
{{/if}}
Created on {{startDate}} at {{startTime}}.
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Finished after {{duration}} seconds.
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Did not finish.
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Delete


{% extends "base.html" %} {% block content %}
A joint statement by COPE, DOAJ, OASPA and WAME
The Committee on Publication Ethics, the Directory of Open Access Journals, the Open Access Scholarly Publishers Association , and the World Association of Medical Editors are scholarly organizations that have seen an increase in the number of membership applications from both legitimate and non-legitimate publishers and journals. Our organizations have collaborated in an effort to identify principles of transparency and best practice that set apart legitimate journals and publishers from non-legitimate ones and to clarify that these principles form part of the criteria on which membership applications will be evaluated.
These criteria are largely derived from those developed by the Directory of Open Access Journals. Note that additional membership criteria may also be used by each of the scholarly organizations. The organizations intend to share information in order to develop lists of legitimate journals and publishers. We do not intend to develop or publish a list of publishers or journals that failed to demonstrate they met the criteria for transparency and best practice.
This is a work in progress and we welcome feedback on the general principles and the specific criteria. Background on the organizations is below.
Principles of Transparency
In the event that a member organization is found to have violated these best practices, OASPA/DOAJ/COPE/WAME shall in the first instance try to work with them in order to address any concerns that have been raised. In the event that the member organization is unable or unwilling to address these concerns, their membership in the organization may be suspended or terminated. All of the member organizations have procedures for dealing with concerns raised about member journals.
About the Committee on Publication Ethics (COPE, http://publicationethics.org/)
COPE provides advice to editors and publishers on all aspects of publication ethics and, in particular, how to handle cases of research and publication misconduct. It also provides a forum for its members to discuss individual cases. COPE does not investigate individual cases but encourages editors to ensure that cases are investigated by the appropriate authorities (usually a research institution or employer).
All COPE members are expected to follow the Codes of Conduct for Journal Editors and Publishers.
About the Directory of Open Access Journals (DOAJ, http://doaj.org/)
The mission of the DOAJ is: to curate, maintain and develop a source of reliable information about open access scholarly journals on the web; to verify that entries on the list comply with reasonable standards; to increase the visibility, dissemination, discoverability and attraction of open access journals; to enable scholars, libraries, universities, research funders and other stakeholders to benefit from the information and services provided; to facilitate the integration of open access journals into library and aggregator services; to assist, where possible, publishers and their journals to meet reasonable digital publishing standards; and to thereby support the transition of the system of scholarly communication and publishing into a model that serves science, higher education, industry, innovation, societies and the people. Through this work, DOAJ will cooperate and collaborate with all interested parties working toward these objectives.
About the Open Access Scholarly Publishers Association (OASPA, http://oaspa.org/)
The OASPA is a trade association that was established in 2008 in order to represent the interests of Open Access (OA) publishers globally in all scientific, technical and scholarly disciplines. This mission will be carried out through exchanging information, setting standards, advancing models, advocacy, education, and the promotion of innovation.
About the World Association of Medical Editors (WAME, http://www.wame.org)
WAME is a global nonprofit voluntary association of editors of peer-reviewed medical journals who seek to foster cooperation and communication among editors; improve editorial standards; promote professionalism in medical editing through education, self-criticism, and self-regulation; and encourage research on the principles and practice of medical editing. WAME develops policies and recommendations of best practices for medical journal editors and has a syllabus for editors that members are encouraged to follow.
{% endblock %}


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DataTables is a plug-in for the jQuery Javascript library written by SpryMedia. It is a highly flexible tool, based upon the foundations of progressive enhancement, which will add advanced interaction controls to any HTML table.
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