THE THIN RED LINE (1998)
A Film Review by Ted Prigge
Copyright 1999 Ted Prigge
Director: Terence Malick
Writer: Terence Malick (based on the novel by James Jones)
Starring: Sean Penn, Jim Caviezel, Adrien Brody, Ben Chaplin, Elias Koteas, Nick Nolte, John Cusack, Woody Harrelson, John C. Reilly, Jared Leto, John Savage, Nick Stahl, Donal Logue, John Travolta, George Clooney
And so begins the hardest critique I'll probably ever have to write. So many movies I see leave me with instant thoughts and criticism(s), while others linger in my head days, even weeks before I can finally sit down, organize them intelligently, and write about them as best as I can (under whatever conditions I'm in). For an example of that, I re-saw "La Dolce Vita" this year around, oh, April, and by November I was finally able to come to as full a conclusion as I was about it and write a review of it. But with "The Thin Red Line," the much-anticipated World War II film and return by legendary-and-deserves-it director Terrence Malick, I just can't seem to come up with anything that either makes sense or shows that I know what I'm talking about. This film has either been overpraised or overbashed by many, and after watching it, I'm easily annoyed by claims that it's the best war movie of the past 20 years, or just a bunch of pretentious drivel.
I suppose being admittingly pretentious myself does cause me to overglance the possibility of me thinking the latter about this film (although I wouldn't call it drivel because or despite my, uh, handicap), but I don't want to immediately jump to the conclusion that this film is the masterpiece that others are proclaiming it to be. It has a wonderful poetic and hypnotic feel to it, yes, that's unique, even taking into consideration Coppola's acid-trip-like "Apocalypse Now." And there's a whole ton to admire here, from the gorgeous cinematography (courtesy of our pal, John Toll) to Terrence Malick's gentle and beautiful direction that's in direct opposition of that of Steven Spielberg, whose "Saving Private Ryan" is as close to realism as this is to surrealism to some of the performances from the titanic cast, in particular Nick Nolte and Elias Koteas. But what exactly is Malick trying to say here, what is the film's raison d'etre, and what comparisons is Malick trying to show here between nature, humanity, and war?
"The Thin Red Line" is based on the famous novel by James Jones (recently portrayed by Kris Kristoferson in "A Soldier's Daughter Never Cries") about the battle of Guadalcanal, one of the most important and decisive battles of World War II. As the story begins, we see the native's way of life in the area, where two AWOL American soldiers have gone to escape, only to be shortly picked back up when an American ship passes through and spots them (the sight of beautiful nature being interruted by man-made steel is just one of the many unforgettable images Malick leaves you with here). One of the AWOL soldiers, Pvt. Witt (Jim Caviezel), is then reprimanded by one of his commanding officers, First Sgt. Welsh (Sean Penn), and between them a strange union is formed: Witt, of the group that hates war and believes in everything nature; Welsh, with his cynical outlook on man. But this film isn't about either of them, to be exact. Malick's film, also scripted by him, doesn't have any main characters. In fact, it'd be not totally incorrect to say that Malick himself is the main character, and, as Roger Ebert pointed out, it's like he's trying to make one film and the actors are making another. A correct statement, but I'm not sure if Ebert meant that as a knock at the film, or something positive. I believe in the latter, but more about that later on.
The plot soon kicks in, and we meet more of those involved. The Lieutenenant, a man named Bell (Nick Nolte), is soon introduced, not as the intense, screaming maniac he is in the rest of the film (or the ads), but as resentful to his own commanding officer (a very brief but altogether not bad John Travolta) as his men are probably to him. Captain Staros (Elias Koteas) shows too much humanity for his men in the middle of a major attack, but confesses his need to be alone and his desire to be anywhere but in battle to his troops later on. Pvt. Bell (Ben Chaplin, sans native Brit accent) is constantly having flashbacks to afternoons with his wife, and wishes of returns to that, but then again, some self-destructive acts come about on his own part (like volunteering on a possible suicide mission in the middle of the picture). Most of the others are reduced to smaller roles, though, like famous or semi-famous actors Woody Harrelson (as an intense soldier who doesn't last too long, but at least goes out cinematically), John Cusack, John C. Reilly, Jared Leto, John Savage, Nick Stahl (another great death scene here), and [about 45 seconds of] George Clooney, most of whom just wanted to work with the director, even if it meant having a small role. In fact, the amount of film Malick shot was so long that actors like Bill Pullman were left sadly on the cutting room floor.
The main part of the battle lasts about an hour and a half long, leaving another hour and a half for a beginning and end, but not only does it feel like much of a plot, but it also (thankfully) doesn't feel like a three-hour sit, at least not for your's truly. I can only attribute the fact that it's not at all boring to Malick's direction, which, as it was for the other Malick film I've seen (the wonderful "Days of Heaven"), like that of a soft but effective brush stroke by a painter or the gentleness of a Bach concerto ("Air on the G String" comes to mind). A friend noticed no matched action cuts, but instead of this factor (so important that you probably don't realize it) taking us out of the picture's overall feel, it manages to achieve zen-like undertones, and the numerous shots of horrific battle coupled with shots of tall grass blowing in the wind or animal and/or insect life only help to make you relax into a state of hypnosis that is entirely unlike any war movie I've ever seen (again, comparisons to "Saving Private Ryan" are not only useless, but downright silly). In fact, this entire film is unlike any movie that I've ever seen, period. Malick, as usual, breaks several "rules" in the world of cinema, like lack of characters that the viewer can easily latch onto or see as a guiding point, and the use of narration with not one, not two, but about ten different characters.
But that's what I liked about "The Thin Red Line." It's like every single character in this film believes that he's the lead character, and Malick is only dropping in on each of them from time to time to see what they're thinking and how they're reacting to what's going on (Mike D'Angelo hilariously pointed out that it's like an "Apocalypse Now" where everyone's a Kurtz). But each narration or flashback lets us into the character's lives just enough, and Bell's backstory is the most heartbreaking and most easily identifiable, at least for me, with graceful juxtaposition of current times with the memories of he and his wife being intimate (almost heartbreaking, I'd say). Yet at the same time, nothing in the film is as moving as Koteas' Staros, who gives off an aura of such world-weariness and unhappiness that without narration and with his superb acting, I was even more moved (will someone give this guy some more great roles, please?). But again, where is Malick going with all this? Is he trying to merely say that nature is disrupted by war? If he is, he's not only making a terribly trite statement out of a beautiful film, but he's also wasting a lot of people's times (nothing should be that simple, and I sure hope this isn't an environmentalist war film). Or is he trying to show the loss of humanity in the midst of war? Well...that would be interesting, but if he's trying to do that, I think he kinda failed a bit: humanity does in fact seep through - in fact, a lot of it. Or is he trying to show the way we hide humanity? Again, if this was what he was going for, he didn't achieve it.
Or, as my best guess is, is he trying to show that everything that happens in this film is merely part of nature, whether it be of mother or of human? He doesn't seem to judge anything that goes on here, not even the war. The entire film is shot the same way: with graceful camera movement, and hypnotic editing of images together. Could this be the least judgmental war film of all time, a film that doesn't make any kind of statements on war and its subsequent damage to nature or humanity, but merely observes, I suppose, kind of like God or something omnipotent (a bit of modesty, perhaps, Mr. Malick?). Or is Malick just pulling a fast one on its audience members, trying to get them to think as hard as they can about something which has no real form or meaning or anything that is coherently meaningful? Whatever this film means or represents (as much as I am keen to believe in my theory), I was at least stimulated, and am at least not often quick to jump to the conclusion that if I can't figure it out for certain, that it's the one with the problem (although I could be wrong with this; maybe this film IS a mess...). But the point is that I was stimulated, and this may be one of the very few films (along with "Saving Private Ryan") that I can't easily pass off as merely "anti-war"...or, for that matter, "anti-war" at all. Frustrating, yes, but in a good way.
MY RATING (out of 4): ***1/2
Home page at: http://www.geocities.com/Hollywood/Hills/8335/
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Hemanth Pundit
Founder of NIC Techonology Institute
54 Ratings
Mr. Hemanth is an experienced technology professional with hands on expertise on cloud technologies.
| MBA from Indian School of Business | |
| 500 Hours | |
| 10,000 Students | |
| AWS Certified Solutions Architect Netsuite Certified Implementation Partner Peoplesoft Certified Technical Consultant |
| Name | Hemanth |
|---|---|
| Role | Founder |
| Skill Sets | Python, Perl, Ruby, .NET, java and PHP |
| Experience | 10 |
| Languages | English, French, Kannada |
Mr. Hemanth is an experienced technology professional with hands on expertise on cloud technologies. He is associated with IIT Bombay as an Independent Technology Advisor assisting them with their Virtulization journey. He is also a Cloud Advisor with Wegilant University, an IIT startup.
| Served IBM, Wipro, HP and Hexaware as a cloud expert in the last 10 years. |
| Few of his clients are HCL, Tata Interactive Systems, IIT Bombay, Future Group, CITIBANK, |
| Boehringer Ingelheim India. |
| AWS Certified Solutions Architect |
| Netsuite Certified Implementation Partner |
| Peoplesoft Certified Technical Consultant |
Some of these concepts include: Clouds, MapReduce, key-value stores, Classical precursors, Widely-used algorithms, Classical algorithms, Scalability, Trending areas, And more!
54 Ratings
| Enrollment Ends : | 30 Dec 2016 |
|---|---|
| Programme | PMKYV Eligibility criteria and beneﬁts |
| Veriﬁcations | Course Institute Trainer |
| Experience | 10 |
| Facilites | Certﬁcate, Practical Lab, Desktops… |
Some of these concepts include: Clouds, MapReduce, key-value stores, Classical precursors, Widely-used algorithms, Classical algorithms, Scalability, Trending areas, And more!
54 Ratings
| Enrollment Ends | 30 Dec 2016 |
|---|---|
| Programme | PMKYV Eligibility criteria and beneﬁts |
| Veriﬁcations | Course Institute Trainer |
| Experience | 10 |
| Facilites | Certﬁcate, Practical Lab, Desktops… |


{% extends "base.html" %} {% block menu-items %} Home | Clubs Home | Add Club | Import Clubs {% endblock %}


--- layout: post title: Oriflame Pure Nature Aloe Vera & Arnica Extract Organic cleansing pads tags: - Oriflame status: publish type: post published: true meta: _edit_last: '2' _aioseop_title: Oriflame Pure Nature Aloe Vera & Arnica Extract Organic cleansing pads _aioseop_keywords: Oriflame Pure Nature Aloe Vera & Arnica Extract Organic cleansing pads review _yoast_wpseo_linkdex: '0' _thumbnail_id: '4892' _yoast_wpseo_focuskw: '' _yoast_wpseo_title: '' _yoast_wpseo_metadesc: '' _yoast_wpseo_metakeywords: '' _yoast_wpseo_meta-robots-noindex: '0' _yoast_wpseo_meta-robots-nofollow: '0' _yoast_wpseo_meta-robots-adv: none _yoast_wpseo_sitemap-include: ! '-' _yoast_wpseo_sitemap-prio: ! '-' _yoast_wpseo_canonical: '' _yoast_wpseo_redirect: '' ---
Summers might be long gone, but the dust on the roads and partially humidity still makes me go back to my purse for that sheet of cleanser. I picked this product just for the sole reason that I can carry them in my bag without any fuss. I had been using the Kara one's earlier but I definitely prefer the tub packaging anytime.
Price: Rs. 129 for 25 pads This product has it cons and pros, but I liked it for this definately served my purpose. As a makeup remover this one is not a champion, but effective for light compact, gloss and slight eye makeup. Does it remove Dirt and grime ??, yup it does, but since I have oily skin, I definately have to wash my face after this. These pads are small in size, so one mind end up using 2-3 at a time. Another great way is to keep this in refrigerator and use as eye pads to cool off your eye, while dozzing off. Believe me you would love it.I would recommend these if you want something hygenic to remove that dirt and oil during travel and something thats neat and hygenic and does not create a fuss in you purse. But would not recommend this if you think it can be an alternative for makeup remover.
Ok off to my dozzing session with Oriflame Aloe Vera pads Chao!!!!


From:Lewis Greg To:Puetz Fred ; Sullivan Michael Sent:2017-01-11T04:35:53.0000000Z Subject:RE: Adaytum Status 11-20-01
Sorry I didn't get back to you yesterday.
I'm not real certain of the project organization, but I'll give it a try:
The Adaytum implementation is a corporate project managed under the Project Sunrise umbrella. Joe Darensburg is the lead reporting to Jan Johnson. Both of these people are originally from corp accounting. I believe Jan has moved back into the corp accounting group and the overall project is now reporting to Susan Bellinghausen from the ISC.
ETS has it's own project which is being led by Tracy Geaccone (ETS Consolidations, which reports to Rod Hayslett). I believe this was originally set up to address ETS' specific planning/forecasting needs and to dovetail into the corp level implementation. Hoang Vo is an Adaytum consultant working for Tracy.
Lee Baker manages planning and forecasting for the Operations Services Group, which reports to Elaine Concklin and is part of Morris Brassfield's organization. I believe Elaine has a dotted line to Rod as well. Lee's team uses Hoang quite a bit as well.
I'll call you in a few minutes and we can discuss further.
Greg
-----Original Message-----
From: Puetz, Fred
Sent: Monday, November 26, 2001 5:41 PM
To: Lewis, Greg
Subject: FW: Adaytum Status 11-20-01
Cheryl Perchal is going to coordinate a phone conference with you, Teri Galissini and Hoang Vo sometime this week.
We have many questions, not just how actuals could feed into Adaytum for current estimate.
You can maybe help me understand how project management is organized for ETS's Adaytum project(s).
1. I understand Teri G is project lead. Does she report to Rod Hayslett? Is anyone from Steve Hotte's area involved?
2. Is the project being capitalized or 100% expensed? No one here has anything like SOW, project authorization, capital project coding for timesheets, status reporting, etc.
Thanks, Fred
-----Original Message-----
From: Lewis, Greg
Sent: Wednesday, November 21, 2001 2:59 PM
To: Puetz, Fred
Subject: RE: Adaytum Status 11-20-01
Fred,
I'm out of the office today but took a few minutes to check in and keep the mountain of email from piling too high. With regard to the actuals item mentioned below, this came to light when my team was doing research on developing cost center reporting out of the finacial data warehouse. Next Wednesday we have a detailed planning meeting on requirements after which we will be asking the ISC (supports sap, adaytum, data warehouse, etc.) for an estimate and schedule. Basically what we are shooting for is plan in the data warehouse to support cost center/variance reporting and actuals in Adaytum to support analysis and development of current estimates and forecasts.
I call you Monday and we can discuss further. Have a good Thanksgiving.
Greg
-----Original Message-----
From: Puetz, Fred
Sent: Wed 11/21/2001 8:05 AM
To: Behrens, Alan; Mayer, Tony; Peters, Jerry
Cc: Lewis, Greg
Subject: FW: Adaytum Status 11-20-01
Rita's consultant rate is $150. Hoang's rate is either $150 or $215. I don't like paying for redesign on a product that should handle large cubes. I plan to talk with Greg Lewis about this issue.
Fred
-----Original Message-----
From: Reed, Debra
Sent: Tuesday, November 20, 2001 4:13 PM
To: Puetz, Fred
Cc: Boggs, Phil; Perchal, Cheryl; Peters, Jerry
Subject: Adaytum Status 11-20-01
I am out of the office tomorrow and wanted to get some communication out on the Adaytum O&M project.
I haven't had a chance to talk to Phil on this so this is only my opinion on the project so far. This will just be a brief rundown. I can expand upon any of the items at your request.
Planned this week:
Call Hoang Vo on a couple issues. (See accomplished below)
Decipher what Rita accomplished in the model and what still needs to be completed.
Understand the model.
Accomplished this week:
Called Hoang Vo on 11-19. Issues:
1. Can't open large cubes. Hoang knows this is a problem. There is a similar issue with a Houston application which they need to redesign.
2. Importing to contributor after allocations ran. Hoang is working on a script. He will send to us once he has it finished. Until then we could do it manually but Hoang would have to step us though this process taking away from his time writing the script. Side note: if we can't get the allocations back to contributor, then the users (me right now) can't do much testing besides inputting.
Documentation. Phil and I have been going through d-lists and d-cubes trying to determine the purpose of each. Discovered some d-lists and d-cubes that we may not need and documented questions on others. This written documentation should assist new users of our application.
Cube Renaming - We have renamed the Merit SBP Model to just Merit Model. This is the only bright spot in the week as renaming cubes seems to be a simple process with the name change occurring in all the appropriate places for links and macros to still work.
Outstanding Issues:
Phil and I have come to the conclusion that we need further assistance from Hoang or another consultant familiar with this application. We are in need of a summary, manager build, and some sort of documented process on how to run this application. I am not at all comfortable with the application in its present state but feel we can make some progress if we had a complete roadmap of the application and someone to ask questions of.
In a phone conference this afternoon, we were told that getting actuals into the Adaytum O&M application would not be ready for January 2002 close. ETS thought that the whole actuals process was being addressed under the Project Sunrise umbrella which is not the case. Now ETS must champion this effort. It is being headed up by Greg Lewis but there is not an estimated completion date.
Deb
x7831
Not everything that can be counted counts, & not everything that counts can be counted. Albert Einstein
***********
EDRM Enron Email Data Set has been produced in EML, PST and NSF format by ZL Technologies, Inc. This Data Set is licensed under a Creative Commons Attribution 3.0 United States License <http://creativecommons.org/licenses/by/3.0/us/> . To provide attribution, please cite to "ZL Technologies, Inc. (http://www.zlti.com)."
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DEFAULT_DESIRABILITY
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const val DEFAULT_DESIRABILITY: Double |
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MAX_BUILDING_SIZE
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const val MAX_BUILDING_SIZE: Int |
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MAX_LAND_VALUE
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const val MAX_LAND_VALUE: Double |
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MAX_RESOURCE_DISTANCE
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const val MAX_RESOURCE_DISTANCE: Int |
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MAX_TRAFFIC
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const val MAX_TRAFFIC: Int |
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MIN_ZOT_AGE
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const val MIN_ZOT_AGE: Int |
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POLLUTION_HAPPINESS_PENALTY
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const val POLLUTION_HAPPINESS_PENALTY: Int |
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POLLUTION_RADIUS
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const val POLLUTION_RADIUS: Int |
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POLLUTION_WARNING
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const val POLLUTION_WARNING: Int |
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TRAFFIC_RADIUS
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const val TRAFFIC_RADIUS: Int |


Sudoku Battle Royal 2
You can find the complete source and the slides on
Github
Welcome to Sudoku Battle Royal 2
Email address


D3.js -
Histogram example
extended to show Multiple Histograms with pre-computed histogram bins from JSON data


break
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An break
statement is unnecessary if no other statements are executed after it has been removed.
Example:
switch (e) {
case A -> {
System.out.println("A");
break; // reports 'break' statement is unnecessary
}
default -> {
System.out.println("Default");
break; // reports 'break' statement is unnecessary
}
}


{% extends 'base.html'%} {% import 'bootstrap/wtf.html' as wtf%} {% block content %}
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Connection management WebSocket address Protocols to ask for Open Close Ping/Pong management Delay before sending Pong On Off Define ping frame Define pong frame Set Ping/Pong Message to send Send message


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10.0 Barrage
Artillery, ships, and aircraft use barrages to attack enemy units and facilities. Use the barrage table appropriate for the target. Although more than one unit can attack in the same barrage, only units of the same general type—artillery, naval, or air—can combine in a single barrage.
Barrages occur in the Barrage Segments of the Movement, Reaction, Combat, and Exploitation Phases. If a side’s air units are allowed to perform Hip Shoot missions (see 14.7d), these barrages are made during Movement Segments of those phases. Any number of artillery units or ships, or up to four aircraft, can participate in a single barrage.
The following general procedure is used in all types of barrages (air, artillery, and naval) and when using either of the barrage tables. Total the Barrage Strengths firing, determine the correct column on the table, expend supply per the amount listed on that column (for artillery firing only), and adjust the column per the table’s notes. Roll two dice and apply the result.
Important Note: It takes at least one point to “get on the table” (before shifts are applied). Zero-point barrages are not allowed!
10.0a Barrage Table. Use the Barrage Table to conduct barrages against enemy combat units. The primary goal is to DG them.
The targeted player picks the terrain to be used for possible shifts. He also selects which combat units in the stack absorb any resulting step losses.
Note a single division (even a multi-unit formation) never counts as more than 3 RE for possible density shifts. (Use the actual amount, if less than 3 RE.)
Play Hint: Roll three dice at once—the two “barrage” dice plus the off-colored “rounding” die (for possible “1/2” results) to speed barrage resolution and play.*
10.0b Spotter Restrictions. A “correct spotter” for a barrage is any friendly combat unit adjacent to the target hex that is not loaded on a landing craft.
- Barrage Table attacks made without a correct spotter are penalized by a 3-column shift.
- Hip Shoots (on either table) cannot be made at all unless they have a correct spotter.
- Spotting does not affect the Barrage vs. Facility Table (aside from the Hip Shoot restriction).
10.0c Barrage vs Facility Table. Use this table for a barrage against a facility- type target. The player must pre-desig- nate his specific target: Air Base or Port (or Trainbusting for that specialized air mission). No modifiers or terrain shifts apply to these barrages, and they do not need spotters.
- A) Air Base Targets A parenthesized result (“#”) means the attacking player should check all enemy planes in the hex for losses. Roll separately for each. If the roll is ≥ the (#), the air unit takes a loss. On a numbered result (“1” or “2”), reduce the Air Base by that number of levels, down to a minimum of Level 1. Note that Airstrips are never reduced.
- B) Port Targets Numbered results (“1” and “2”) generate damage; no other result has any effect. Ports accumulate damage, up to a maximum of four hits, which steadily decrease the Port’s capacity (19.0b).
- C) Trainbusting A “*” result is needed to place a Trainbusting marker in the hex; other results have no effect. These markers affect enemy rail transport and ground movement, per 14.8c. A Trainbusting marker is removed during the next enemy Clean Up Phase.
10.0d Barraging Mixed Target Hexes. Hexes will often contain targets that are affected in different ways by different barrage tables. As such, in any barrage the attacking player must announce a general target (such as “combat units” or “Port”) and apply the Barrage Points to that target only. An example would be a hex containing combat units, an Air Base, and a Port. The player can use the Barrage Table to attack the combat units or the Barrage vs. Facility Table to attack either the Port or the Air Base (but not all at once).
10.0e Barrage Limits and Phasing. Several restrictions are placed on the conduct of barrages by certain units and in certain phases.
- A) Regardless of how many different types of targets are in a hex, only one barrage per hex is allowed in each phase. (Exceptions: Anti- ship barrages and Hip Shoots.) Note a declared mission that is completely destroyed/aborted by Flak or Interception does count against this limit.
- B) A unit can only barrage once per phase and cannot split its strength between several barrages or fire at less than its printed strength.
- C) Only air and naval barrages can be performed during the Movement Phase, mainly during its Barrage Segment (the exceptions are Hip Shoots, which occur during the Movement Segment).
- D) Only artillery can barrage during the Combat Phase.
- E) All types (air, naval, and artillery) can barrage during the Reaction and Exploitation Phases.
- F) A barrage can use only a single type of barraging unit: either air, naval, or artillery.
10.1 Artillery Barrages
10.1a Artillery barrage ranges are given in hexes. These are unaffected by weather and terrain. An artillery unit with a range of ‘3’ can barrage targets from 1 to 3 hexes away.
10.1b Supply Cost. Expend combat supply to conduct an artillery barrage at the moment of the barrage. The cost is given near the top of the appropriate table; use the cost on the barrage’s initial column (before any shifts). If the SP required to fire the barrage is unavailable, do not execute the barrage. (There is no penalty—the units selected for a cancelled barrage are not considered to have fired.)
- A) Supply for a multi-unit barrage must come from the same HQ, or from the same supply dump if no HQ is used.
- B) Artillery units still use their full Barrage Strength when marked Out of Supply (assuming needed combat supply is available).
- C) Barrages can never be made using internal stocks.
Example: Two artillery battalions, within range, barrage a hex. The total Barrage Strength is 16. The firing player identifies the column on the Barrage Table (12-16). That table requires 3T to fire. The player pays 3T to execute the shot. Checking for modifiers, he finds the target hex contains 8 RE and a Level-1 Hedgehog, in close terrain. An appropriate spotter is adjacent to the target hex. The total column shift applied to the initial column is two to the right (4 right for density, one left for the hedgehog, and one left for the terrain). This gives a final table column of 25-40. The player rolls two dice and obtains an 8. The result is [1/2]. In this case, as neither of the conditions for a bracketed result apply (there is a correct spotter and the target is not in a Level-3 or greater Hedgehog), the result is treated as a regular “1/2.” The firing player rolls one die and gets a 3. The target hex does not lose any steps, but is Disorganized.
10.2 Air Barrages
An air barrage is similar to an artillery barrage, but has no supply cost. See 14.7 for more details.
10.2a Air Barrages and Phasing. Air units are placed on targets and resolve their barrages in the various Barrage Segments (except for Hip Shoots, which occur during the Movement Segments). The aircraft must return to a base and become Inactive immediately afterward (14.1c). Planes conducting a barrage are subject to Interception (14.5) and Flak (14.4) before conducting the barrage. Hip Shoots (14.7d) are governed by various special rules.
10.2b Short Range Effect. If all aircraft conducting a barrage are at or within 10 hexes of their base, they get an additional shift to the right on the regular Barrage Table. Exception: Never apply this shift to Strat Bombers.
10.2c There is no supply cost for an air barrage.
10.3 Naval Barrages
Barrages by naval units (as well as all forms of anti-ship combat) are covered in 18.3. There is no supply cost.


Package org.apache.sis.metadata
javax.imageio.metadata
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its ISO 19115-2 extension), but the classes are designed in a way that allow the usage of different standards.
This genericity goal should be keep in mind in the discussion below.
org.opengis.metadata
package and sub-packages. That standard is identified in SIS by the
MetadataStandard.ISO_19115
constant. Other standards are defined as well,
for example the MetadataStandard.ISO_19123
constant stands for the standards
defined by the interfaces in the org.opengis.coverage
package and sub-packages.
For each interface, the collection of declared getter methods defines its properties
(or attributes). If a UML
annotation is attached to the getter method,
the identifier declared in that annotation is taken as the property name. This is typically the name defined by the
International Standard from which the interface is derived. Otherwise (if there is no UML
annotation)
the property name is inferred from the method name like what the Java Beans framework does.
The implementation classes, if they exist, are defined in different packages than the interfaces.
For example the ISO 19115 interfaces, declared in org.opengis.metadata
, are implemented by
SIS in org.apache.sis.metadata.iso
. The sub-packages hierarchy is the same, and the names
of implementation classes are the name of the implemented interfaces prefixed with Abstract
or Default
.
Notes:
- The
Abstract
prefix means that the class is abstract in the sense of the implemented standard. It it not necessarily abstract in the sense of Java. Because incomplete metadata are common in practice, sometime we wish to instantiate an "abstract" class despite the lack of knowledge about the exact sub-type. - The properties are determined by the getter methods declared in the interfaces. Getter methods declared in the implementation classes are ignored.
- Setter methods, if any, can be declared in the implementation classes without the need for declarations in the interfaces. In other words, interfaces are assumed read-only unless a specific implementation provide setter methods.
- The implementation is not required to exist as source code. They can be generated on the fly with
Proxy
. This is the approach taken by theorg.apache.sis.metadata.sql
package for generating metadata implementations backed by the content of a database.
title
property of a Citation
object), but provide few logic.
The package org.apache.sis.metadata.iso
and its sub-packages are the main examples of such containers.
In addition, the metadata modules provide support methods for handling the metadata objects through Java Reflection. This is an approach similar to Java Beans, in that users are encouraged to use directly the API of Plain Old Java objects (actually interfaces) every time their type is known at compile time, and fallback on the reflection technic when the type is known only at runtime.
Using Java reflection, a metadata can be viewed in many different ways:
- As a
Map
TheMetadataStandard
class provides various methods returning a view of an arbitrary metadata implementation as aMap
, where the key are the property names and the values are the return values, types or descriptions of getter methods. The map is writable if the underlying metadata implementation has setter methods, otherwise attempts to set a value throw anUnmodifiableMetadataException
. - As a
TreeTable
The metadata are organized as a tree. For example theCitation
metadata contains one or manyResponsibleParty
elements, each of them containing aContact
element, which contains aTelephone
element, etc. For each node, there is many information that can be displayed in columns:- A description of the element.
- The type of values (
String
,double
, etc). - The range of valid values (if the type is numeric), or an enumeration of valid values (if the type is a code list).
- The value stored in the element, or the default value.
- As a table record in a database (using
org.apache.sis.metadata.sql
)
It is possible to establish the following mapping between metadata and a SQL database:- Each metadata interface maps to a table of the same name in the database.
- Each property in the above interface maps to a column of the same name in the above table.
- Each instance of the above interface is a record in the above table.
Only the implementation classes defined in the org.apache.sis.metadata.iso
packages and sub-packages
are annotated for JAXB marshalling. If a metadata is implemented by an other package (for example
org.apache.sis.metadata.sql
), then it shall be converted to an annotated class before to be marshalled.
All SIS annotated classes provide a copy constructor for this purpose. A shallow copy is sufficient;
JAXB adapters will convert the elements on-the-fly when needed.
The annotated classes can be given to a JAXB Marshaller
. For best results, it shall be a marshaller
obtained from the MarshallerPool
, otherwise some XML outputs may be incomplete
(missing namespaces for instance). The XML
class provides convenience methods
for this purpose.
- Since:
- 0.3
Defined in the sis-metadata
module
-
Class Summary Class Description AbstractMetadata Provides basic operations using Java reflection for metadata implementations.MetadataCopier Performs deep copies of given metadata instances.MetadataStandard Enumeration of some metadata standards.ModifiableMetadata Base class of metadata having an editable content. -
Enum Summary Enum Description KeyNamePolicy The name of the keys included in aMap
of metadata.ModifiableMetadata.State Whether the metadata is still editable or has been made final.TypeValuePolicy The kind of values in theMetadataStandard.asTypeMap(…)
.ValueExistencePolicy WhateverMetadataStandard.asValueMap(…)
shall contain entries for null, nil or empty values. -
Exception Summary Exception Description InvalidMetadataException Thrown when a metadata is in a invalid state or has illegal property values.UnmodifiableMetadataException Thrown on attempt to set a read-only value in a metadata object. -
Annotation Types Summary Annotation Type Description TitleProperty Identifies the name of a property to use for summarizing in one line the content of a metadata object.


| AuthorId | Authorname | Books by Author | Update | Delete |
|---|---|---|---|---|
| {{auth.authorId}} | {{auth.authorName}} |
{{books.title}}
|
| BookId | title | Authors of book | Update | delete |
|---|---|---|---|---|
| {{books.bookId}} | {{books.title}} |
{{authors.authorName}}
|


net.jini.lookup.entry
Interfaces
EntryBean
ServiceControlled
Classes
Address
AddressBean
Comment
CommentBean
EntryBeans
Location
LocationBean
Name
NameBean
ServiceInfo
ServiceInfoBean
ServiceType
Status
StatusBean
StatusType


|
SideCar
|
Zeroconf publisher of information regarding an available service. More...
#include </Users/howes/src/sidecar/Zeroconf/Publisher.h>
Public Types | |
| using | Ref = boost::shared_ptr< Publisher > |
| using | SignalConnection = boost::signals2::connection |
| using | PublishedSignal = boost::signals2::signal< void(bool)> |
| using | PublishedSignalProc = PublishedSignal::slot_function_type |
| using | StringMap = std::map< std::string, std::string > |
| Public Types inherited from SideCar::Zeroconf::Transaction | |
| using | Ref = boost::shared_ptr< Transaction > |
Public Member Functions | |
| const std::string & | getName () const |
| Obtain the name of the service. More... | |
| const std::string & | getType () const |
| Obtain the service type. More... | |
| const std::string & | getDomain () const |
| Obtain the domain we are registered in. More... | |
| uint32_t | getInterface () const |
| Obtain the network interface to publish for. More... | |
| uint16_t | getPort () const |
| Obtain the port number of our address. More... | |
| void | setType (const std::string &type) |
| Change the type of the service being published. More... | |
| void | setDomain (const std::string &domain) |
| Change the domain of the service being published. More... | |
| void | setHost (const std::string &host) |
| Change the host of the service being published. More... | |
| void | setPort (uint16_t port) |
| Change the port of the service being published. More... | |
| void | setInterface (uint32_t interface) |
| Change the interface to publish on. More... | |
| SignalConnection | connectToPublishedSignal (PublishedSignalProc observer) |
| Connect an observer to the PublishedSignal signal to receive a notification when the published state has changed. More... | |
| bool | setTextData (const std::string &key, const std::string &value, bool postNow=true) |
| Set or modify an entry in the service's published TXT record. More... | |
| bool | postTextData () |
| Post any changes to the entry's TXT record. | |
| bool | publish (const std::string &name, bool noRename) |
| Initiate the publishing of information regarding this service. More... | |
| bool | isPublished () const |
| Obtain whether we are published or not. More... | |
| Public Member Functions inherited from SideCar::Zeroconf::Transaction | |
| virtual | ~Transaction () |
| Destructor. More... | |
| bool | stop () |
| Stop a Zeroconf service. More... | |
| bool | isRunning () const |
| Determine if a Zeroconf service is running. More... | |
| int | getConnection () const |
| Obtain the underlying IPC descriptor used to communicate with the Zeroconf daemon. More... | |
| bool | processConnection () |
| Data is available from the Zeroconf daemon. More... | |
Static Public Member Functions | |
| static Logger::Log & | Log () |
| Log device for all Publisher objects. More... | |
| static Ref | Make (Monitor *monitor) |
| Factory method used to create a new Publisher instance. More... | |
| Static Public Member Functions inherited from SideCar::Zeroconf::Transaction | |
| static Logger::Log & | Log () |
| Obtain the log device for all Transaction objects. More... | |
Protected Member Functions | |
| Publisher (Monitor *monitor) | |
| Constructor. More... | |
| virtual void | processResponse (DNSServiceErrorType err, const char *name, const char *type, const char *domain) |
| Overridable hook method called to process a DNSServiceRegister response from the DNSSD server. More... | |
| virtual void | notifyObservers (bool published) |
| Overridable hook method called to notify all PublishedSignal observers that our publishing state has changed. More... | |
| Protected Member Functions inherited from SideCar::Zeroconf::Transaction | |
| Transaction (Monitor *monitor) | |
| Constructor. More... | |
| virtual void | serviceStarted () |
| Hook for derived classes for notification that a service has started. More... | |
| void | setSelf (const Ref &self) |
| Set a weak reference to ourselves so that we can give out shared_ptr refences to ourselves. More... | |
| void | finished () |
| void | finish () |
| template<typename T > | |
| boost::shared_ptr< T > | getSelf () const |
| Obtain a shared_ptr reference to ourselves. More... | |
| DNSServiceRef & | getDNSServiceRef () |
| const DNSServiceRef & | getDNSServiceRef () const |
Zeroconf publisher of information regarding an available service.
Each SideCar data publisher uses a Zeroconf Publisher to publish its connection information, most importantly the host, port pair that allow subscribers to connect to the publisher. Maintains a connection to the multicast DNS (mdns) server running locally, and the data publication remains valid for the life of the connection. Supports publishing of key/value pairs.
Accessing published information in a mdns server is performed by the Browser class. Valid published types are defined in IO/ZeroconfRegistry.h.
Definition at line 27 of file Publisher.h.
|
protected |
|
inline |
Connect an observer to the PublishedSignal signal to receive a notification when the published state has changed.
The observer must be a function object that takes two parameters:
To disconnect, simply invoke the disconnect() method of the returned object.
\param observer object to receive notifications \return object identifying the signal connection
Definition at line 129 of file Publisher.h.
|
inline |
Obtain the domain we are registered in.
Definition at line 65 of file Publisher.h.
|
inline |
Obtain the network interface to publish for.
Definition at line 71 of file Publisher.h.
|
inline |
|
inline |
Obtain the port number of our address.
Definition at line 77 of file Publisher.h.
|
inline |
|
inline |
Obtain whether we are published or not.
Definition at line 165 of file Publisher.h.
|
static |
Log device for all Publisher objects.
Definition at line 9 of file Publisher.cc.
References Logger::Log::Find().
Referenced by processResponse(), publish(), Publisher(), and setTextData().
|
static |
Factory method used to create a new Publisher instance.
Definition at line 16 of file Publisher.cc.
References Publisher().
|
protectedvirtual |
Overridable hook method called to notify all PublishedSignal observers that our publishing state has changed.
| published | true if currently publishing |
Definition at line 152 of file Publisher.cc.
References processResponse(), and SideCar::Zeroconf::Transaction::serviceStopping().
Referenced by processResponse().
|
protectedvirtual |
Overridable hook method called to process a DNSServiceRegister response from the DNSSD server.
This implementation sets the isPublished_ attribute and then invokes publishedService().
| err | error code from the DNSSD server |
| name | the name that was actually published |
| type | the type that was published |
| domain | the domain under which everything was published |
Definition at line 130 of file Publisher.cc.
References Log(), LOGWARNING, and notifyObservers().
Referenced by notifyObservers().
| bool Publisher::publish | ( | const std::string & | name, |
| bool | noRename | ||
| ) |
Initiate the publishing of information regarding this service.
Note that successful publishing is not indicated by a good result from this routine, but rather when the method published() is invoked, with a true state value. To stop publishing, invoke Transaction::stop().
| name | name of this service |
| noRename | if true, fail to publish if another service with the same name exists. Otherwise, let Zeroconf deconflict names, giving us a new one in the PublishedSignalProc callback. |
Definition at line 83 of file Publisher.cc.
References SideCar::Zeroconf::Transaction::isRunning(), Log(), LOGDEBUG, LOGERROR, LOGINFO, LOGWARNING, SideCar::Zeroconf::Transaction::serviceStarted(), and SideCar::Zeroconf::Transaction::stop().
|
inline |
Change the domain of the service being published.
Note that the change does not affect any publishing that is in effect; one must stop() and then start() to have the change take effect.
| domain | the new service domain |
Definition at line 91 of file Publisher.h.
|
inline |
Change the host of the service being published.
Does not perform any validation on the value given. Note that the change does not affect any publishing that is in effect; one must stop() and then start() to have the change take effect.
| host | the new host identifier |
Definition at line 99 of file Publisher.h.
|
inline |
Change the interface to publish on.
Hosts may have more than one network interface active. The default behavior of mdns is to publish connection information on all active interfaces. Use this method to restrict publishing to a specific network interface.
| interface | network interface to use |
Definition at line 115 of file Publisher.h.
|
inline |
Change the port of the service being published.
Note that the change does not affect any publishing that is in effect; one must stop() and then start() to have the change take effect.
| port | the number of the socket port on the local host used by the service |
Definition at line 107 of file Publisher.h.
| bool Publisher::setTextData | ( | const std::string & | key, |
| const std::string & | value, | ||
| bool | postNow = true |
||
| ) |
Set or modify an entry in the service's published TXT record.
| key | name of the value to add/change |
| value | value to store for the given key |
| postNow | if true, submit the change to the DNS server now \return true if successful, false otherwise |
Definition at line 32 of file Publisher.cc.
References Log(), LOGINFO, and postTextData().
|
inline |
Change the type of the service being published.
Note that the change does not affect any publishing that is in effect; one must stop() and then start() to have the change take effect.
| type | the new service type |
Definition at line 84 of file Publisher.h.


{% extends 'tenant_reception/base.html' %} {% load staticfiles i18n compress %} {% block content %}
{% trans 'Welcome to our reception! You are welcome to ask us questions and look at our available resources.' %}
In order to get started, we need you to create a workspace on the next screen. All you need to do is give your idea a name. If you don't have a company name, you can just use something like "Jim's Company" or "Jim's Business Idea".


You passed the --parallel flag, but we do not parallelize tests across different environments.
This machine is sending different environment parameters than the first machine that started this parallel run.
The existing run is: https://cloud.cypress.io/project/abcd/runs/1
In order to run in parallel mode each machine must send identical environment parameters such as:
- specs
- osName
- osVersion
- browserName
- browserVersion (major)
This machine sent the following parameters:
{
"osName": "darwin",
"osVersion": "v1",
"browserName": "Electron",
"browserVersion": "<IP_ADDRESS>",
"specs": [
"cypress/integration/app_spec.js"
]
}
https://on.cypress.io/parallel-group-params-mismatch


| |
|
- Method resolution order:
- pdb_prep_inform
- Utils.inform.inform
- builtins.object
Methods defined here:
- __str__(self)
- Return str(self).
- filter_data(self, max_resolution,
limit_r_free_grade=None, click=None)
- for each file:
if (Resolution == NULL) then file is unreliable
if (Resolution <1.0) then file is reliable_R_grade
if (1.0<=Resolution max_resolution) then
if R_free_grade == 'NULL' then file is reliable_R_grade
if R_free_grade>= limit_r_free_grade then file is reliable
else file is unreliable
:param max_resolution:
:param limit_r_free_grade:
Methods inherited from Utils.inform.inform:
- __init__(self, cliutils, is_verbose=True,
include_hetatm=False)
- Initialize self. See help(type(self)) for accurate signature.
- complete_dir(self, dir_path, click)
- one_file(self, file_path, dir_path)
- verbose(self, text)
Data descriptors inherited from Utils.inform.inform:
- __dict__
- dictionary for instance variables (if defined)
- __weakref__
- list of weak references to the object (if defined)
|


SPECIES A film review by Choo Eng Aun Copyright 1995 Choo Eng Aun
Wide Screen, DTS
Starring : Ben Kingsley, Michael Madsen, Alfred Molina, Natasha Kentsridge Produced by : Frank Mancuso Jr., Dennis Feldman Music by : Christopher Young Directed by : Roger Donaldson `Sil' created by H.R.Giger Running time : 1hr 40mins (approx) A United International Pictures Release
For fans of the ALIEN trilogy, SPECIES would have to do, at least for now. It is a good `alternative' ALIEN movie. The creature, SIL, was designed by world-renowned artist H. R. Giger who also incidentally designed the original creature in ALIEN and also the variant in ALIEN 3. If you simply can't get enough of the ferocious Xenomorph from the ALIEN trilogy, well, SIL will definitely live up to your expectation, except its much sleeker and not to mention smarter too.
The movie does not wait. SIL, a product of human embryo and alien DNA is to be terminated due to some complications to the secret alien research project. What seems to be a normal young female, escapes the facility, thanks to her superhuman abilities due to the alien genes in her veins. A trail of blood and gore follows from then on, with a group of researchers, led by Kingsley hot on her trail. There are a lot of suspenseful situations (things jumping out etc.), sometimes, a bit too much for comfort, your truly here did jump a bit on several occasions so those with pacemakers, keep a backup just in case. SPECIES also showcases some really good special effects, with Sil transforming from human to alien and also all those tendrils which explodes out from inside of her (yech!).
The characters though, are as two dimensional as they can get but hey, it is not as if those looking for some action and entertainment even care. Ben Kingsley gives his worst performance yet, in this film (Maybe he's trying to break into the mainstream market in the likes of DUSTIN HOFFMAN in OUTBREAK). The star of the show without a doubt is Sil herself. The young girl who played her when she was a child was quite memorable, thought short in duration but it is newcomer NATASHA KENTSRIDGE who fared the best. Granted that her role was not exactly a tough one but she did manage to potray the-beautiful-woman-with-that-deadly-secret very well. Her Sil will make men think twice before making out with a beautiful women, watch and see! She looked a bit like Schiffer if you ask me. I would have liked it even more if only they dealt more into the human-alien conflict within Sil.
Sad to say, the Singaporean version of SPECIES is about ten minutes shorter, no thanks to the censorship board here. The PG rating has really taken its toll on the film. Much of the explicit killing scenes were butchered and Sil, who was practically topless 50% of the time, was 100% clothed in this version. Damn, should have given it an R(A) rating; it isn't exactly a movie kids should watch anyway. Nevertheless, I still found the movie enjoyable and is definitely one of the better entertainment-film for this summer.
Action : ****- Suspense : ****- Drama : *----
Overall : 7.0 out of 10
-- CHOO ENG AUN EMAIL<EMAIL_ADDRESS>National University of Singapore
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


If you're new to Mesos
See the getting started page for more information about downloading, building, and deploying Mesos.
If you'd like to get involved or you're looking for support
See our community page for more details.
Agent Recovery
If the mesos-agent
process on a host exits (perhaps due to a Mesos bug or
because the operator kills the process while upgrading Mesos),
any executors/tasks that were being managed by the mesos-agent
process will
continue to run. When mesos-agent
is restarted, the operator can control how
those old executors/tasks are handled:
- By default, all the executors/tasks that were being managed by the old
mesos-agent
process are killed. - If a framework enabled checkpointing when it registered with the master,
any executors belonging to that framework can reconnect to the new
mesos-agent
process and continue running uninterrupted.
Hence, enabling framework checkpointing enables tasks to tolerate Mesos agent
upgrades and unexpected mesos-agent
crashes without experiencing any
downtime.
Agent recovery works by having the agent checkpoint information (e.g., Task Info, Executor Info, Status Updates) about the tasks and executors it is managing to local disk. If a framework enables checkpointing, any subsequent agent restarts will recover the checkpointed information and reconnect with any executors that are still running.
Note that if the operating system on the agent is rebooted, all executors and tasks running on the host are killed and are not automatically restarted when the host comes back up.
Framework Configuration
A framework can control whether its executors will be recovered by setting the checkpoint
flag in its FrameworkInfo
when registering with the master. Enabling this feature results in increased I/O overhead at each agent that runs tasks launched by the framework. By default, frameworks do not checkpoint their state.
Agent Configuration
Three configuration flags control the recovery behavior of a Mesos agent:
strict
: Whether to do agent recovery in strict mode [Default: true].- If strict=true, all recovery errors are considered fatal.
- If strict=false, any errors (e.g., corruption in checkpointed data) during recovery are ignored and as much state as possible is recovered.
recover
: Whether to recover status updates and reconnect with old executors [Default: reconnect].- If recover=reconnect, reconnect with any old live executors, provided the executor’s framework enabled checkpointing.
- If recover=cleanup, kill any old live executors and exit. Use this option when doing an incompatible agent or executor upgrade!
NOTE: If no checkpointing information exists, no recovery is performed and the agent registers with the master as a new agent.
recovery_timeout
: Amount of time allotted for the agent to recover [Default: 15 mins].- If the agent takes longer than
recovery_timeout
to recover, any executors that are waiting to reconnect to the agent will self-terminate.
- If the agent takes longer than
NOTE: If none of the frameworks have enabled checkpointing, the executors and tasks running at an agent die when the agent dies and are not recovered.
A restarted agent should re-register with master within a timeout (75 seconds by default: see the --max_agent_ping_timeouts
and --agent_ping_timeout
configuration flags). If the agent takes longer than this timeout to re-register, the master shuts down the agent, which in turn will shutdown any live executors/tasks. Therefore, it is highly recommended to automate the process of restarting an agent (e.g., using a process supervisor such as monit or systemd
).
Known issues with systemd
and process lifetime
There is a known issue when using systemd
to launch the mesos-agent
. A description of the problem can be found in MESOS-3425 and all relevant work can be tracked in the epic MESOS-3007.
This problem was fixed in Mesos 0.25.0
for the mesos containerizer when cgroups isolation is enabled. Further fixes for the posix isolators and docker containerizer are available in 0.25.1
, 0.26.1
, 0.27.1
, and 0.28.0
.
It is recommended that you use the default KillMode for systemd processes, which is control-group
, which kills all child processes when the agent stops. This ensures that “side-car” processes such as the fetcher
and perf
are terminated alongside the agent.
The systemd patches for Mesos explicitly move executors and their children into a separate systemd slice, dissociating their lifetime from the agent. This ensures the executors survive agent restarts.
The following excerpt of a systemd
unit configuration file shows how to set the flag explicitly:
[Service]
ExecStart=/usr/bin/mesos-agent
KillMode=control-cgroup


Banking Made Simple
Powering All Banking Operations
Our Customers Can Create Acccont Online . View Transaction History
Core Features
Create Account Online
Introduncing Banka web application. Account Creation made simple in just a step.
Real-time Processing System
Transaction are processed immediately as they occur. Get notified for evey transaction.
Simple and Secure
Banka is a cutting edge banking application with simple interface and yet very secure.


{% extends "wiki/base.html" %} {% block titleblock %}Wiki - page not found{% endblock %} {% block page_content %}
Sorry, it seems this page doesn't exist, or you don't have permission to read it.


Welcome!
Girl Develop It is here to provide affordable and accessible programs to learn software through mentorship and hands-on instruction.
Some "rules"
- We are here for you!
- Every question is important
- Help each other
- Have fun
Welcome!
Tell us about yourself.
- Who are you?
- What do you hope to get out of the class?
- What is your dream job?
Class Agenda
- What is Sketch?
- Tour of the Interface
- Basic Features of Sketch
- Exporting Designs
- Plugins
- Design a Mobile App
What is Sketch?
Sketch is an native Mac app intended to create web and mobile app designs.
- 😃 Native app
- 😃 Vector based tool
- 😃 Plugins = Magic
- 😃 Integrates well with Prototyping tools
- ☹ Only available on Macs
Tour of the Interface
Toolbar
Tour of the Interface
Infinite Canvas
Tour of the Interface
Layer List
Tour of the Interface
Inspector
Basic Features of Sketch:
- Framing your project with Artboards
- Moving Around the Project
- Creating, Editing, Grouping Layers
- Fast & Easy Alignments
- Styles! Shadows, Borders, and more
- Text and Layer Style
- Making Reusable symbols (buttons, etc)
Framing your project with Artboards
- Preset Options
- Landscape or Portrait
- Resize Options
- Multiple Boards
(option + click to duplicate)
Framing your project with Artboards
Find the Responsive Wireframe Kit at:
File > New From Template... > Web Design
Moving Around the Project
- CMD + 1 to see entire project
- CMD + 2 to zoom in on selection
- CMD + and CMD - to zoom in and out
- CMD + . is Present mode
Let's Develop It! 💻
Go to Workspace Page. Create an artboard or two and rename to "Practice Artboard" and "Practice Arboard 2". Practice zooming in and out of your artboards.
Creating, Editing, Grouping Layers
- CMD + Click to select layers
- Shift + Option to scale
- Option + Click to drag
- CMD + G to group layers
Creating, Editing, Grouping Layers
- "T" = adds text
- Auto vs. Fixed text
- Text Options
Let's Develop It! 💻
Add some shapes and text to your artboard. Group and rename layers appropriately. Try using the keyboard commands in the previous slides.
Suggestion: Go to your favorite website and try to recreate the header or another UI component from that site.
Styles! Shadows, Borders, and more
- Multiple Fills & Borders
- Shadows
- Edit > Set as Default
Let's Develop It! 💻
Have some fun adding colors, borders and other styles to your current artboards.
Suggestion: Try adding different fills including an image with a gradient overlay, try adding fills to text layers including image, add some drop shadows to your design.
Text and Layer Styles
- Reusable styles for layers and text
- Update Across the Project
- Use "/" to create folders
Making Reusable Symbols
- Start by making a group of layers you want to repeat
- Use "/" to create folders
- Symbols Page - Artboard sizes matter
- Overrides are your friend
- Nested Symbols
Let's Develop It! 💻
Let's start with a basic button symbol.
Create a button style with text. Create multiple colors and styles to switch between in your project.
Exporting Designs: Layers and Artboards
- Multple formats and sizes
- Insert Slices
- Apply background color
- Set presets
Exporting Designs: Mirror
- View design in iOS app or browser
- Live updates
- Great for user testing or presenting designs
Exporting Designs: Sketch Cloud
- Need an account
- Share link with team
- Anyone can comment
- Great for collaboration
Design a Mobile App
Step 1: Download: Project Files
Step 2: Duplicate Wireframe Page and name "High Fidelity"
Step 3: Work some sketch magic with Craft!
Design a Mobile App
Use Craft Data to fill in blank placeholders with text and images
Design a Mobile App
Use Craft Duplicate to copy sections to fill artboards
Let's Develop It! 💻
Play around with Craft to start filling in the wireframes.
Let's add some text styles and layer styles.
Make some symbols that you can reuse in your project. Bonus points if they are organized into folders 😃


THE FIFTH ELEMENT
A film review by Michael Dequina
Copyright 1997 Michael Dequina
The Fifth Element (PG-13) *** (out of ****)
The cryptic teaser trailer has been unspooling in moviehouses for quite sometime now: "IT MU5T BE FOUND." So what, exactly, is The Fifth Element? After seeing Luc Besson's ambitious, much-shrouded-in-secrecy science fiction fantasy, I could not help but be let down by the actual answer, which is not nearly as exciting nor clever as one would think. But what is far from a letdown is the film as a whole, a wildly imaginative feast for the senses that does what all the best science fiction films do--create a universe unlike any other presented on the silver screen.
The biggest irony of The Fifth Element is that the one thing that has been kept under such tight wraps--the actual storyline--is the most conventional, dismayingly so, element (pun intended) of the film. Speaking in the vaguest possible terms, the basics of the plot are as follows: in the year 2259, a great force of evil threatens to consume the earth, and only the four elements--earth, wind, fire, and water--united with a fifth element can stop it. Figuring into all of this are New York cabbie Korben Dallas (Bruce Willis); a shady, Southern-drawling entrepreneur by the name of Zorg (the hilariously hammy Gary Oldman, picking up where he left off in Besson's The Professional); a priest (Ian Holm); and a mysterious creature named Leeloo (Milla Jovovich). All of the pieces come together in a tidy and somewhat underwhelming--and unsurprising--fashion, but there is no denying that this basic story holds some intrinsic interest.
What remains interesting and exciting, however, after brief glimpses is the fascinating world Besson has created with production designer Dan Weil, director of photography Thierry Arbogast, visual effects supervisor Mark Stetson, and the crew at Digital Domain. The look is absolutely mesmerizing right from the opening moments to the last. The frenzied cityscape of New York, with its vibrant day-glo colors, tall buildings penetrating high into the clouds, and the swarm of cars, cabs, and other vehicles flying through labyrinthian skyways, is absolutely breathtaking to behold, especially in a wild car chase sequence early on in the film. But it would not have been a completely captivating vision if the people inhabiting the settings weren't equally as interesting, and are they ever. In addition to the exotic menagerie of alien creatures that populate this world, from bulky robots to dog-like Mangalores, the humans are outfitted in costumes by eccentric designer Jean-Paul Gaulthier, best known for creating Madonna's pointy bustier get-up in her Blonde Ambition tour. Gaulthier's outlandish creations, such as a number worn by Leeloo made entirely out of white straps, feel more at home in Besson's futuristic vision than on any fashion runway in the world; they add to the sense of otherworldliness about the film.
While Besson's bold vision is the biggest virtue of the film, it also could be its biggest obstacle to reaching a mass audience. For all its imagination, certain things about the film may be a bit too quirky and bizarre. I really do not know what middle America will make of the most outrageous character of the film, Ruby Rhod (Chris Tucker), a flamboyant disc jockey who makes Dennis Rodman look conservative--he makes a raucous entrance dressed in an animal print dress, sporting a blonde hairdo in the shape of a hair dryer, speaking in high pitches at rapid fire speed. At first this character's hyper energy is funny, but the act wears out its welcome very quickly. Not irritating, but just as strange, is a musical number by blue-skinned alien chanteuse Diva (Maiwenn LeBesco), who sings--and dances--an aria that is an unlikely blend of classical opera and techno. The tune, as with the entirety of longtime Besson collaborator Eric Serra's innovative score, is haunting, but it is also completely jarring. Then there are the campy touches of humor Besson and co-scripter Robert Mark Kamen sprinkle throughout, which too often are silly and forced; a comic sexual encounter between Ruby Rhod and a flight attendant is highly distracting and not very funny, to boot.
The story's weakness shines through in the climax and conclusion of The Fifth Element. While still visually and aurally spectacular, the events detailed are not as exciting nor powerful as they should be. The big, serious dramatic climax was met with more than a few snickers, and it ambitiously strives for a profundity which the film had not even begun to work toward. As such, at the end there is a sense that there was something bigger at work here, that there was still more left to be said about this story and these characters. This suspicion was confirmed by Besson himself, who told me in the lobby following the screening (imagine that, the filmmaker watching the film with the "enemy"--the critics) that what had made it to the screen was really just the first half of the lengthy original Fifth Element screenplay and that the second half--now titled Mr. Shadow--is still waiting to be made.
Still, despite the story problems, The Fifth Element is an artistic triumph for Luc Besson; rarely does a filmmaker's original vision come to the screen in all its audacious, undiluted glory. It is a fascinating example of how of one artist's fervid imagination can transport an audience into an intoxicating fantasy world generally seen only in dreams.
Michael Dequina<EMAIL_ADDRESS>|<EMAIL_ADDRESS><EMAIL_ADDRESS>|<EMAIL_ADDRESS>|<EMAIL_ADDRESS>Visit Mr. Brown's Movie Site at http://members.tripod.com/~MrBrown/ Personal Page: http://members.tripod.com/~MrBrown/home.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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vignettes/natutaList_clean_eval_vignette.Rmd
natutaList_clean_eval_vignette.Rmd
In this article we will show how naturaList package can be used to process large dataset of species occurrence records. Specifically we will show how we can filter occurrence data accordingly to a list of specialists and compare the effect of the filtering process regarding the differences in area of distribution of species, richness and the niche space before and after the filtering process.
Before read this article, it is important to see the Introduction to naturaList.
This evaluation of cleaning procedure is done mainly through the use of clean_eval()
function. So, in summary, in this article you will learn how to:
clean_eval()
function;For this article the user must load or install the following packages:
library(naturaList)
library(raster)
library(rnaturalearth)
library(dplyr)
# Warning: package 'dplyr' was built under R version 4.0.5
We will use occurrence data of the fern genus Cyathea in Brazil, that comprises a group of fern species. This dataset is available in the {naturalist}
. We used this dataset to exemplify how to use a dataset with several species in naturaList.
The list of specialists we will use was derived from the authors of a paper describing the diversity of ferns and lycophytes in Brazil (see ?speciaLists
).
Both datasets of occurrence of Cyathea species in Brazil and the specialists of ferns and lycophytes are available in the naturaList. They can be loaded using the following code:
Now, we can use the classify_occ()
function to perform the classification process for all species at the same time.
occ.class <- classify_occ(occ = cyathea.br, spec = speciaLists)
We can see how many occurrences were classified in each one of the six confidence levels
table(occ.class$naturaList_levels)
#
# 1_det_by_spec 2_not_spec_name 3_image 4_sci_collection
# 831 2199 561 242
# 5_field_obs 6_no_criteria_met
# 17 1
We will evaluate the effects of cleaning occurrence data based in the classification made with classify_occ()
in both geographical and environmental space. To this purpose we need data on environmental variables. So, we downloaded bioclim variables from worldclim (using the raster package) and select two layers (bio1 and bio12) that represents temperature and precipitation. This raster are available as the r.temp.prec
data in the package. It will be used to calculate the environmental space using the function define_env_space()
from naturaList package.
# load climate data
data("r.temp.prec")
df.temp.prec <- raster::as.data.frame(r.temp.prec)
# Transform occurrence data in SpatialPointsDataFrame
spdf.occ.cl <- SpatialPoints(occ.class[, c("decimalLongitude", "decimalLatitude")])
Now that we have data of temperature and precipitation, we can define the environmental space using the function define_env_space()
in the naturaList package.
### Define the environmental space for analysis
env.space <- define_env_space(df.temp.prec, buffer.size = 0.05, plot = F)
In this function, the environmental variables are standardized by range, which turns the range of each environmental variable from 0 to 1. Then, it is delimited a buffer.size
around each point in this space and a polygon is draw to link these buffers. You can play with the value in the buffer.size
argument and set the plot = TRUE
to visualize the output polygon. The objective with this function is to create a boundary in the environmental space available for the species.
We also need to define the geographical space for comparison before and after the cleaning process.
# delimit the geographic space
# land area
data('BR')
Here we will use the function clean_eval()
to evaluate the effect of filtering process in two characteristics of occurrence of species: the species distribution, calculated as being the convex hull polygon occupied by a species; and the environmental niche breadth, calculated as being the convex hull polygon obtained from two environmental variables.
Both spatial distribution and niche space are compared between the data before and after the cleaning process. The ratio of area after cleaning and before cleaning in both spatial distribution and niche space are given for each species as one of the results of clean_eval()
function.
# filter by year to be consistent with the environmental data
occ.class.1970 <-
occ.class %>%
dplyr::filter(year >= 1970)
# cleaning evaluation process
cl.eval_all <- clean_eval(occ.cl = occ.class.1970,
env.space = env.space,
geo.space = BR,
r = r.temp.prec)
# Warning: package 'sf' was built under R version 4.0.5
# the amount of area remained after cleaning process
area_remained <- cl.eval_all$area
The area is a value that range from 0 to 1, in which 0 indicate that none of the area of distribution of the species left after the cleaning process. On the other hand, values of 1 indicate that all the area occupied by a species remains the same after the cleaning process. In this example we cleaned our data to maintain only the occurrence points of species that was identified by a specialist. But it can be altered in the level.filter
argument (see ?clean_eval
).
If you are working with more than one species, one example of the usage of clean_eval()
results is to plot in a map the richness containing in each grid before and after the cleaning process. This can be done with the following code:
rich.before.clean <- rasterFromXYZ(cbind(cl.eval_all$site.coords,
cl.eval_all$rich$rich.BC))
rich.after.clean <- rasterFromXYZ(cbind(cl.eval_all$site.coords,
cl.eval_all$rich$rich.AC))
This can be plotted in two maps and compare the effects of filtering process in the richness of community
plot(rich.before.clean, main = "Richness before cleaning")
plot(rich.after.clean, main = "Richness after cleaning")


| _window |
_window()
|
| compareInternalSetup |
compareInternalSetup(target: undefined, key: undefined, withProperty: undefined, msg: undefined)
|
| Display | ||||||||||||||||
Display(name: undefined, order: undefined, description: undefined)
|
||||||||||||||||
|
The Display decorator. This decorator can be used on fields. It's being used to create label in forms and headers in the grid. Additional parameters are provided to refine forms further.
Parameters :
|
| displayInternalSetup |
displayInternalSetup(target: undefined, key: undefined, name: undefined, order: undefined, description: undefined)
|
| DisplayGroup | ||||||||||||||||
DisplayGroup(name: undefined, order: undefined, description: undefined)
|
||||||||||||||||
|
The DisplayGroup decorator. Groups fields in auto forms. Just define a name (that appears as the group's name) and put the very same name on all members of the group.
Parameters :
|
| displayGroupInternalSetup |
displayGroupInternalSetup(target: undefined, key: undefined, name: undefined, order: undefined, description: undefined)
|
Email(msg: undefined)
|
||||||||
|
Validates a field against an email pattern. Based on "pattern", so in form one must use hasError('pattern') to get validation results.
Parameters :
|
| emailInternalSetup |
emailInternalSetup(target: undefined, key: undefined, msg: undefined)
|
| formatInternalSetup |
formatInternalSetup(target: undefined, key: undefined, pipe: undefined, pipeParams: undefined)
|
| FormatPipe | ||||||||||||
FormatPipe(pipe: undefined, pipeParams: undefined)
|
||||||||||||
|
The Format decorator. Provide the name of a Pipe that's being used by the dynamic pipe formatter. Hence, the form does not need to apply forms manually. The reason is that you may create forms automatically and hence can't write actual Pipes somewhere. This applies especially if you create a table and loop through properties.
Parameters :
|
| Hidden | ||||||||
Hidden(hide: undefined)
|
||||||||
|
The Hidden decorator. The @see
Parameters :
|
| hiddenInternalSetup |
hiddenInternalSetup(target: undefined, key: undefined, hide: undefined)
|
| MaxLength | ||||||||||||
MaxLength(len: undefined, msg: undefined)
|
||||||||||||
|
The maxlength decorator assures that a string field contains not more than a number of characters.
Parameters :
|
| maxLengthInternalSetup |
maxLengthInternalSetup(target: undefined, key: undefined, len: undefined, msg: undefined)
|
| MinLength | ||||||||||||
MinLength(len: undefined, msg: undefined)
|
||||||||||||
|
The minlength decorator assures that a string field contains at least a number of characters.
Parameters :
|
| minLengthInternalSetup |
minLengthInternalSetup(target: undefined, key: undefined, len: undefined, msg: undefined)
|
| Pattern | ||||||||||||
Pattern(pattern: undefined, msg: undefined)
|
||||||||||||
|
The decorator assures that a string field fullfilles a regular expression pattern.
Parameters :
|
| patternInternalSetup |
patternInternalSetup(target: undefined, key: undefined, reg: undefined, msg: undefined)
|
| Placeholder | ||||||||
Placeholder(name: undefined)
|
||||||||
|
The Placeholder decorator. The placeholder adds the given text as a watermark to any input fields. There is no function in DataGrid.
Parameters :
|
| placeholderInternalSetup |
placeholderInternalSetup(target: undefined, key: undefined, name: undefined)
|
| Range | ||||||||||||||||
Range(from: undefined, to: undefined, msg: undefined)
|
||||||||||||||||
|
Validates a field against an range. Applies to numerical values or dates. The range's values are included in the valid range.
Parameters :
|
| rangeInternalSetup |
rangeInternalSetup(target: undefined, key: undefined, from: undefined, to: undefined, msg: undefined)
|
| Readonly | ||||||||||||
Readonly(readonly: undefined)
|
||||||||||||
|
The Readonly decorator. The field is readonly in the form. It just renders grayed out and handles the internals using default HTML5 techniques.
Parameters :
|
| readonlyInternalSetup |
readonlyInternalSetup(target: undefined, key: undefined, readonly: undefined)
|
| Required | ||||||||
Required(msg: undefined)
|
||||||||
|
This decorator is for validation of mandatory fields. The default message is 'The field {keyName} is required'.
Parameters :
|
| requiredInternalSetup |
requiredInternalSetup(target: undefined, key: undefined, msg: undefined)
|
| Sortable | ||||||||||||
Sortable(canSort: undefined, sortCallback: undefined)
|
||||||||||||
|
The Sortable decorator. The @see
Parameters :
|
| sortableInternalSetup |
sortableInternalSetup(target: undefined, key: undefined, canSort: undefined, sortCallback: undefined)
|
| StringLength | ||||||||||||||||
StringLength(min: undefined, max: undefined, msg: undefined)
|
||||||||||||||||
|
The decorator that assures that a string field contains at least a number of characters and a minimum number, too. The default message is 'The field {fieldname} needs at least {minlength} characters'.
Parameters :
|
| stringLengthInternalSetup |
stringLengthInternalSetup(target: undefined, key: undefined, min: undefined, max: undefined, msg: undefined)
|
| TemplateHint | ||||||||||||
TemplateHint(template: undefined, params: undefined)
|
||||||||||||
|
The Template decorator. One can define the way a property gets rendered. Currently supported:
The Calendar creates Date-fielsd. However, in casde of a datatype Date the date field will be created anyway.
Parameters :
|
| templateHintInternalSetup |
templateHintInternalSetup(target: undefined, key: undefined, template: undefined, params: undefined)
|
| UiHint | ||||||||
UiHint(uiHint: undefined)
|
||||||||
|
The UiHint decorator.
Parameters :
|
| uiHintInternalSetup |
uiHintInternalSetup(target: undefined, key: undefined, uiHint: undefined)
|
| validateCompare | ||||||||
validateCompare(p: undefined)
|
||||||||
|
A custom validator to compare two fields. This is internally to support the infarstructure and not intended to being used by custom code.
Parameters :
|
| validateRange | ||||||||
validateRange(f: undefined, t: undefined)
|
||||||||
|
A custom validator to valdiate a range of numbers or dates. This is internally to support the infarstructure and not intended to being used by custom code.
Parameters :
|


Access Denied
This is a restricted area which you should not be trying to access!
Please
return
to the mainsite.


This repository contains a Angular v5+ Bootstrap-styled Toggle that can be used as a standalone toggle or can convert checkboxes into UI toggles. As a result no dependency on jQuery or Bootstrap's JavaScript is required. The only required dependencies are:
We strive to support the same browsers and versions as supported by both Bootstrap 4 and Angular, whichever is more restrictive. Check browser support notes for Angular and Bootstrap.
Our code is automatically tested on all the supported browsers.
After installing the above dependencies, install ngx-toggle
via: npm install --save ngx-toggle
Once installed you need to import our main module.
import {NgxToggleModule} from 'ngx-toggle';
The only remaining part is to list the imported module in your application modules that make use of the components in this library:
import {NgxToggleModule} from 'ngx-toggle'; @NgModule({ declarations: [AppComponent, ...], imports: [NgxToggleModule, ...], bootstrap: [AppComponent] }) export class AppModule { }
If you are using SystemJS, you should also adjust your configuration to point to the UMD bundle.
In your systemjs config file, map
needs to tell the System loader where to look for ngx-toggle
:
map: {
'ngx-toggle': 'node_modules/ngx-toggle/ngx-toggle/bundles/ngx-toggle.js',
}
Please, do not open issues for the general support questions as we want to keep GitHub issues for bug reports
and feature requests. You've got much better chances of getting your question answered on
StackOverflow where the community at large are looking
at questions tagged with ngx-toggle
.
StackOverflow is a much better place to ask questions since:
To save your and our time we will be systematically closing all the issues that are requests for general support and redirecting people to StackOverflow.


Hi, I am Guillaume and this is my personnal website!
The aim of my research is (i) to understand how various signals that carry information are interacting and being conveyed and integrated at the plant level and (ii) to amplify discrete physiological knowledge into functional plant processes. All of that using Functional Structural Plant Models.
I also develop image analysis and phenotyping tools to help researchers in their scientific workflow. I am an Open Science enthousiat, diversity advocate and coffee drinker.
I am currently an Assistant Professor between the Forschungszentrum Juelich and the UCLouvain since September 2016. More about my group here. An overview of my research vision can be found in this presentation.


Production Environment specifies the production environment to which the plugin will connect. If you are not sure which environment to select, check with Apperian Customer Support at<EMAIL_ADDRESS>This plugin takes advantage of Apperian’s Publishing API, For more information on the publishing API, see the Apperian Publishing API Guide (https://help.apperian.com/display/pub/Publishing+API+Guide).


Janette Sadik-Khan is best known for her work with as the commissioner of the New York City Department of Transportation. She created an expanded infrastructure for bicyclists and pedestrians as well as new bus routes. Her experience with creation of public infrastructure is still in play as she is still an advisor on public infrastructure.


${../../includes/head.html}
${../../includes/nav.html}
Pathway Designer | Select Template
Create Reactor
${../../includes/footer.html}


This program lets you visualize three dimensional mathematical elements , viz Point, vector, line curve and allows to plot and explore 3 Dimensional Graphs of Mathematical Functions.
Source Code is available in Google codes http://code.google.com/p/calc3d/. Feel free to modify and play around. If you add some new features that you think should be a part of the distribution, just send me a note.
To contact me, you can send an email to<EMAIL_ADDRESS>Regards,
Mahesh Kurmi.
If you are using the program, you are running the risk of inadvertantly starting a chain of events which might ultimately cause the destruction of our Universe. If any thing like that (or less serious than that) happens, I will not be held responsible.
Hmm... I tried to put up something similar to the legal jargon accompanying most programs... Seems like I exaggerated slightly.


There were two of us indulging and two of us watching . I was one of the indulgers, as was my friend A. B and C 'baby-sat' us, to make sure we didn't do anything stupid or dangerous. Upon first consuming the mushrooms, I noticed they tasted somewhat like peanut shells, as did A. When they were all eaten, we sat down in chairs to prepare for the onslaught of psychological, physical, visual, auditory, and spiritual stimulation we expected.
The first sign of the effects occurred within about five minutes. My left leg started twitching up and down, and then my right leg joined in. It was as if I stayed awake for several days while eating nothing but coffee beans or something. A lot of excitement in my lower body, mostly legs. Then we started to notice eyes in the wall, which were actually knotholes, but they all looked like eyes or faces. It was pretty cool, but not intense at all. Suddenly, I fell out of the chair, started laughing, groped my head and face, rolled around on the floor, grabbed things and tried to put them in my mouth, all at the same time. No visual hallucinations yet. As I was rolling on the floor, C gave A a tape recorder, so as to record his experience. I had an otherworldly feeling, and I couldn't stop laughing, but I could hear A talking into his tape recorder. 'So many dots,', he'd say. 'Look at this card, dude, it's a five of clubs and it's everywhere.'
As he was saying these things, I kept laughing, and then the world started to spin, but not all at once. Like on the brick wall, each individual brick spun around, all clockwise, but separate from each other. Things changed colors, and when I turned my head, there was a visual of water flowing and melting the images together. There were colors I'd never seen before, in patterns I never knew existed. And they kept weaving back and forth, in and out of each other, so that I could barely stand it. When I tried to talk, all that came out was a thought; there were no verbs involved. We were listening to Sgt. Pepper's Lonely Hearts Club Band, and there are parts in the album that I only noticed when high. The words I said most were: 'Discovery....' 'You gotta DO this....' 'Experience..... an experience from one mushroom.....' and 'This guy..... different.......... disCOVery.........' all in a really breathy voice, which changed from high to low without warning.
Muppet Treasure Island was playing, and A kept saying 'Island of the druggies' and 'This movie has it all', into his tape recorder. I kept seeing weird patterns and images floating and swimming on the walls, in space, around things that were printed on boxes. I went into another room, and there was this wooden snake which I clutched to my body and held near my mouth. It felt like rubber, EVERYTHING felt like rubber.  As I was dancing on the ground, the rest of the world left and disappeared. I kept trying to explain to B what it was like, but without verbs it's really difficult to explain a thought, and coupled with my ADHD, it was impossible to stay focused on one thing anyway.
I ended up smacking my face with my knee as I danced on the ground, which resulted in a nosebleed. In C's bathroom, I sat on the floor, holding my nose, talking, looking at curtains which kept moving around, and looking at the flowered wall tiles. They didn't look like flowers until the next day, there were a lion and lioness, which transformed into a head of a human being, and other things which I don't remember.
We kept on this way for a while, until R said we should go upstairs. I was adamant; the vehement opposition I proclaimed was fascinating to B and C. I was saying things like 'The stairs are bad, and scary.' and C would say 'I'll help you up the stairs' and I tried to tell him that it was the concept of stairs that I was so opposed to, but he didn't get it. We did end up going up the stairs, which led to us going to the park. On the way, a car past and I hid behind a mailbox because I was afraid of the lights. The trees at the park were insane, they were like the Nightmare Before Christmas or something. There were pumpkins everywhere, and dragons, and I kept trying to chew things. I was like a little kid. The path we walked down was curved normally, but on mushrooms it twisted upside down and around and it went through itself. The regular street looked normal, but everything else was incredibly trippy.
When we returned to C's house, we watched The Wall, which didn't actually work out as well as it should have, because the hallucinations had stopped halfway back to the house. I still felt a little weird, but the colors were gone.
That was my first psychedelic experience. I loved it.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


--- title: Deep Learning with PyTorch layout: deep_learning body-class: deep-learning background-class: deep-learning-background permalink: deep-learning-with-pytorch deep-learning-landing: true ---
Deep Learning with PyTorch provides a detailed, hands-on introduction to building and training neural networks with PyTorch, a popular open source machine learning framework. This full book includes:
Get a free copy for a limited time.


Preparation time
less than 30 mins
Cooking time
less than 10 mins
Serves
Serves 2
Once you’ve prepared the squid and chopped the veg, this fresh-tasting seafood stir-fry can be on the table in under ten minutes.
Heat a pan and then add one tablespoon of oil. Stir-fry the prawns for 2 minutes. Add the squid. Stir-fry until the prawns are pink and the squid is cooked. Remove from the pan and set aside.
Add another tablespoon of oil to the pan, along with the garlic, courgette, bok choi, chillies, carrot and ginger. Stir-fry for one minute and remove from the pan. Add a generous splash of ginger syrup and the soy sauce and cook until the volume of liquid has reduced by half. Add a splash of sesame oil and a squeeze of lemon juice.
Toss the vegetables with the prawns and squid in the sauce. Serve immediately.


Welcome to CLOG! CLog (short for Console Log), is a JS logging function that works with the FireBug API to see logs in a vivid, clear way. Open FireBug and make sure your console is open before running this demo. Use the error log levels to change how 'deep' you want the messaging to go.


Vodafone Idea to raise mobile services rates from December 1
The company, however, did not disclose the range or details of the proposed tariff hike.
by PTIDebt-ridden telecom operator Vodafone Idea on Monday said it will raise mobile services rates from December 1 in the wake of ongoing financial stress.
“To ensure that its customers continue to enjoy world class digital experiences, Vodafone Idea will suitably increase the prices of its tariffs effective from December 1, 2019,” Vodafone Idea said in a statement.
The company, however, did not disclose the range or details of the proposed tariff hike. Vodafone Idea last week reported consolidated loss of Rs.50,921 crore – highest ever loss posted by any Indian corporate – for the second quarter ended September 30, on account of liability arising out of the Supreme Court order in the adjusted gross revenue case.
The Supreme Court last month ruled in favour of the government and directed telecom companies, including Vodafone Idea, to pay dues as demanded by the Department of Telecom.
Vodafone Idea said that now its ability to continue business will depend on relief sought from the government and positive outcome of the legal option it has.
“The acute financial stress in the telecom sector has been acknowledged by all stakeholders and a high level Committee of Secretaries (CoS) headed by the Cabinet Secretary is looking into providing appropriate relief,” the statement said.
Vodafone Idea has around 300 million mobile subscribers.


{% load md %} {% if compact %}
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{% include "comment_toplevel.html" %} {% endif %} {% endfor %} {% if comment_count %}
{% include "comment_show.html" with id="comment-form-bottom" text="comment" %}
{% include "comment_form.html" with id="comment-form-bottom" %} {% endif %}


Read the documentation
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The output of the “Write” predicates is not terminated by a full-stop;
therefore, if you want the term to be acceptable as input to read/[1,2]
,
you must send the terminating full-stop to the output stream yourself. For example,
| ?- write(a), put_code(0'.), nl.
If Term is uninstantiated, it is written as an anonymous variable (an underscore followed by a non-negative integer).
write_canonical/[1,2]
is provided so that Term, if written to a
file, can be read back by read/[1,2]
regardless whether there are special
characters in Term or prevailing operator declarations.


Basic Document Setup
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<html>- This describes the website.
<head>- This is the part of the code where you put the title and include links to other documents.
<title>This is an Example of a Title</title>
</head>You close the head with this tag.
<body>- This is where you will put the main content and most of your code.
</body>- And you close the body like this.
</html>- Finally, you close the html with this tag.


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001/** 002 * Licensed to the Apache Software Foundation (ASF) under one 003 * or more contributor license agreements. See the NOTICE file 004 * distributed with this work for additional information 005 * regarding copyright ownership. The ASF licenses this file 006 * to you under the Apache License, Version 2.0 (the 007 * "License"); you may not use this file except in compliance 008 * with the License. You may obtain a copy of the License at 009 * 010 * http://www.apache.org/licenses/LICENSE-2.0 011 * 012 * Unless required by applicable law or agreed to in writing, software 013 * distributed under the License is distributed on an "AS IS" BASIS, 014 * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. 015 * See the License for the specific language governing permissions and 016 * limitations under the License. 017 */ 018package org.apache.hadoop.hdfs; 019 020import org.apache.hadoop.classification.InterfaceAudience; 021import org.apache.hadoop.classification.InterfaceStability; 022import org.apache.hadoop.conf.Configuration; 023 024/** 025 * The public API for creating a new ReplicaAccessor. 026 */<EMAIL_ADDRESS><EMAIL_ADDRESS>029public abstract class ReplicaAccessorBuilder { 030 /** 031 * Set the file name which is being opened. Provided for debugging purposes. 032 */ 033 public abstract ReplicaAccessorBuilder setFileName(String fileName); 034 035 /** Set the block ID and block pool ID which are being opened. */ 036 public abstract ReplicaAccessorBuilder 037 setBlock(long blockId, String blockPoolId); 038 039 /** Set the genstamp of the block which is being opened. */ 040 public abstract ReplicaAccessorBuilder setGenerationStamp(long genstamp); 041 042 /** 043 * Set whether checksums must be verified. Checksums should be skipped if 044 * the user has disabled checksum verification in the configuration. Users 045 * may wish to do this if their software does checksum verification at a 046 * higher level than HDFS. 047 */ 048 public abstract ReplicaAccessorBuilder 049 setVerifyChecksum(boolean verifyChecksum); 050 051 /** Set the name of the HDFS client. Provided for debugging purposes. */ 052 public abstract ReplicaAccessorBuilder setClientName(String clientName); 053 054 /** 055 * Set whether short-circuit is enabled. Short-circuit may be disabled if 056 * the user has set dfs.client.read.shortcircuit to false, or if the block 057 * being read is under construction. The fact that this bit is enabled does 058 * not mean that the user has permission to do short-circuit reads or to 059 * access the replica-- that must be checked separately by the 060 * ReplicaAccessorBuilder implementation. 061 */ 062 public abstract ReplicaAccessorBuilder 063 setAllowShortCircuitReads(boolean allowShortCircuit); 064 065 /** 066 * Set the length of the replica which is visible to this client. If bytes 067 * are added later, they will not be visible to the ReplicaAccessor we are 068 * building. In order to see more of the replica, the client must re-open 069 * this HDFS file. The visible length provides an upper bound, but not a 070 * lower one. If the replica is deleted or truncated, fewer bytes may be 071 * visible than specified here. 072 */ 073 public abstract ReplicaAccessorBuilder setVisibleLength(long visibleLength); 074 075 /** 076 * Set the configuration to use. ReplicaAccessorBuilder subclasses should 077 * define their own configuration prefix. For example, the foobar plugin 078 * could look for configuration keys like foo.bar.parameter1, 079 * foo.bar.parameter2. 080 */ 081 public abstract ReplicaAccessorBuilder setConfiguration(Configuration conf); 082 083 /** 084 * Set the block access token to use. 085 */ 086 public abstract ReplicaAccessorBuilder setBlockAccessToken(byte[] token); 087 088 /** 089 * Build a new ReplicaAccessor. 090 * 091 * The implementation must perform any necessary access checks before 092 * constructing the ReplicaAccessor. If there is a hardware-level or 093 * network-level setup operation that could fail, it should be done here. If 094 * the implementation returns a ReplicaAccessor, we will assume that it works 095 * and not attempt to construct a normal BlockReader. 096 * 097 * If the ReplicaAccessor could not be built, implementations may wish to log 098 * a message at TRACE level indicating why. 099 * 100 * @return null if the ReplicaAccessor could not be built; the 101 * ReplicaAccessor otherwise. 102 */ 103 public abstract ReplicaAccessor build(); 104}