vgScrubBarThumbnails
com.2fdevs.videogular.plugins.controls
Layer inside vg-scrub-bar to display thumbnails.
Param thumbnails could be a string url pointing to a strip of thumbnails or an array of objects with the same format that you can find in cue points.
Strip of thumbnails Must be an image with exactly 100 thumbnails. Recommended size per each thumbnail 107x60 Example of param value: "assets/images/strip-of-thumbnails.jpg"
To create a strip of thumbnails you can use ffmpeg: ffmpeg -loglevel panic -y -i app/assets/videos/videogular.mp4 -frames 1 -q:v 1 -vf "select=not(mod(n\,29)),scale=-1:60,tile=100x1" app/assets/thumbnails/thumbnail.jpg
List of thumbnails Array with a list of cue points as images. You can specify start or a lapse with start and end. Example of param value:
[ { "timeLapse": { "start": 5 }, params: { "thumbnail": "assets/thumbnails/thumbnail-shown-at-second-5.jpg" } }, { "timeLapse": { "start": 49, "end": 60 }, "params": { "thumbnail": "assets/thumbnails/thumbnail-shown-between-seconds-49-and-60.jpg" } } ]
<videogular vg-theme="config.theme.url"> <vg-media vg-src="sources"></vg-media> <vg-controls> <vg-scrub-bar> <vg-scrub-bar-thumbnails vg-thumbnails='config.thumbnails'></vg-scrub-bar-thumbnails> </vg-scrub-bar> </vg-controls> </videogular>
<vg-scrub-bar-thumbnails> </vg-scrub-bar-thumbnails>


Some text about how important vision zero is with some high level summary descriptive statistc to prove it,
but also enticing the viewer to explore the data. For example, how safe is their neighborhood? Or their place of work?
Select a variable from the drop down below to see the Chloropleth change colors. Then click
a precinct area and see the charts under the map update to that specific precinct


An embarrasing typo in the new binary heap layout caused inflated obj/objcore/objhdr counts and could cause odd problems when the LRU expunge mechanism was invoked. This has been fixed.
We now have updated documentation in the reStructuredText format. Manual pages and reference documentation are both built from this.
We now include a DNS director which uses DNS for choosing which backend to route requests to. Please see the documentation for more details.
If you restarted a request, the HTTP header X-Forwarded-For would be updated multiple times. This has been fixed.
If a VCL contained a % sign, and the vcl.show CLI command was used, varnishd would crash. This has been fixed.
When doing a pass operation, we would remove the Content-Length, Age and Proxy-Auth headers. We are no longer doing this.
now has a string representation, making it easier to construct Expires headers in VCL.
In a high traffic environment, we would sometimes reuse a file descriptor before flushing the logs from a worker thread to the shared log buffer. This would cause confusion in some of the tools. This has been fixed by explicitly flushing the log when a backend connection is closed.
If the communication between the management and the child process gets out of sync, we have no way to recover. Previously, varnishd would be confused, but we now just kill the child and restart it.
If the backend closes the connection on us just as we sent a request to it, we retry the request. This should solve some interoperability problems with Apache and the mpm-itk multi processing module.
varnishd now only provides help output the current CLI session is authenticated for.
If the backend does not tell us which length indication it is using, we now assume the resource ends EOF at.
The client director now has a variable client.identity which is used to choose which backend should receive a given request.
The Solaris port waiter has been updated, and other portability fixes for Solaris.
There was a corner case in the close-down processing of pipes, this has now been fixed.
Previously, if we stopped polling a backend which was sick, it never got marked as healthy. This has now been changed.
It is now possible to specify ports as part of the .host field in VCL.
The synthetic counters were not locked properly, and so the sms_ counters could underflow. This has now been fixed.
The value of obj.status as a string in vcl_error would not be correct in all cases. This has been fixed.
Varnish would try to trim storage segments completely filled when using the malloc stevedore and the object was received chunked encoding. This has been fixed.
If a buggy backend sends us a Vary header with two colons, we would previously abort. We now rather fix this up and ignore the extra colon.
req.hash_always_miss and req.hash_ignore_busy has been added, to make preloading or periodically refreshing content work better.
varnishncsa would in some cases be confused by ESI requests and output invalid lines. This has now been fixed.
varnishlog now allows -o and -u together.
varnishtop would crash on 32 bit architectures. This has been fixed.
Regex inclusion and exclusion had problems with matching particular parts of the string being matched. This has been fixed.


|
Select file
|
|
Load from device
Save to device
|
Display
Terminal widget should be focused (text cursor visible) to accept input. Click on it if not.
To paste, press Ctrl+A, then Ctrl+V
GitHub:
https://github.com/sintrb/webreplpro/
, Thanks to:
https://github.com/micropython/webrepl


--- layout: post status: publish published: true title: "
Andy, Corey, Jeremy and Kurt talk about the upcoming Ivy Envy bus trip, which is next Saturday. We also spend time at the beginning of the show talking about various off-topic conversations.
We feel some frustration that Chris Volstad appears to be the scheduled starter for the game of our bus trip. The theme of "crappy pitchers" continues for our bus trip, as last year we saw a Doug Davis start.
Alfonso Soriano accomplishes a feat that only six players in MLB history have accomplished. 1,000 RBI, 400 doubles, 350 HR, and 250 stolen bases should impress us...and for a short period of time, it does. The Cubs are reportedly close to locking up Starlin Castro for 7 years. We're on board with that deal and discuss why it appears to be a good deal for all parties involved.
We look at Brett Jackson's and Josh Vitter's progress since being called up and discuss what the next six months may look like for these guys.
We read some listener submitted questions. Nick from Virginia asks about the idea of trading Bryan LaHair and Bob from the UK wonders about big name free-agent signings and when that might happen for the Cubs.
Kurt gives us a Volstad Scary Stat of the Week and we award the winner of the photo caption contest with a The Essential Games of Chicago Cubs DVD Box Set, courtesy of A+E Home Entertainment/MLB Productions.


Vector columns can also be used in building the expression. No special syntax is required if one wants to operate on all elements of the vector. Simply use the column name as for a scalar column. Vector columns can be freely intermixed with scalar columns or constants in virtually all expressions. The result will be of the same dimension as the vector. Two vectors in an expression, though, need to have the same number of elements and have the same dimensions.
Arithmetic and logical operations are all performed on an element by element basis. Comparing two vector columns, eg "COL1 == COL2", thus results in another vector of boolean values indicating which elements of the two vectors are equal.
Eight functions are available that operate on a vector and return a scalar result:
"minimum" MIN(V) "maximum" MAX(V) "average" AVERAGE(V) "median" MEDIAN(V) "summation" SUM(V) "standard deviation" STDDEV(V) "# of values" NELEM(V) "# of non-null values" NVALID(V)where V represents the name of a vector column or a manually constructed vector using curly brackets as described below. The first 6 of these functions ignore any null values in the vector when computing the result. The STDDEV() function computes the sample standard deviation, i.e. it is proportional to 1/SQRT(N-1) instead of 1/SQRT(N), where N is NVALID(V).
The SUM function literally sums all the elements in x, returning a scalar value. If V is a boolean vector, SUM returns the number of TRUE elements. The NELEM function returns the number of elements in vector V whereas NVALID return the number of non-null elements in the vector. (NELEM also operates on bit and string columns, returning their column widths.) As an example, to test whether all elements of two vectors satisfy a given logical comparison, one can use the expression
SUM( COL1 > COL2 ) == NELEM( COL1 )
which will return TRUE if all elements of COL1 are greater than their corresponding elements in COL2.
To specify a single element of a vector, give the column name followed by a comma-separated list of coordinates enclosed in square brackets. For example, if a vector column named PHAS exists in the table as a one dimensional, 256 component list of numbers from which you wanted to select the 57th component for use in the expression, then PHAS[57] would do the trick. Higher dimensional arrays of data may appear in a column. But in order to interpret them, the TDIMn keyword must appear in the header. Assuming that a (4,4,4,4) array is packed into each row of a column named ARRAY4D, the (1,2,3,4) component element of each row is accessed by ARRAY4D[1,2,3,4]. Arrays up to dimension 5 are currently supported. Each vector index can itself be an expression, although it must evaluate to an integer value within the bounds of the vector. Vector columns which contain spaces or arithmetic operators must have their names enclosed in "$" characters as with $ARRAY-4D$[1,2,3,4].
A more C-like syntax for specifying vector indices is also available. The element used in the preceding example alternatively could be specified with the syntax ARRAY4D[4][3][2][1]. Note the reverse order of indices (as in C), as well as the fact that the values are still ones-based (as in Fortran - adopted to avoid ambiguity for 1D vectors). With this syntax, one does not need to specify all of the indices. To extract a 3D slice of this 4D array, use ARRAY4D[4].
Variable-length vector columns are not supported.
Vectors can be manually constructed within the expression using a comma-separated list of elements surrounded by curly braces ('{}'). For example, '{1,3,6,1}' is a 4-element vector containing the values 1, 3, 6, and 1. The vector can contain only boolean, integer, and real values (or expressions). The elements will be promoted to the highest data type present. Any elements which are themselves vectors, will be expanded out with each of its elements becoming an element in the constructed vector.


An educational portal for all women
We stand to provide free and accesible social education for women through information technology platform and the every growing internet platform and with this innovation we aim at complete education for women in both academic and vocational fields.
Our vision for women education is to empower women to work within a male dominated society and make most of thier opportunity and this can happen only through education both vocational and academic.


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Siu Nim Tao can be used as a form of moving and breathing meditation. In addition, it increases student concentration and focus. The form is also used extensively to develop forward energy.
Chum Kiu consists of a variety of techniques and movements designed to destroy the opponent’s ability to bridge the gap, hence the name, Bridge Sinking Form. Chum Kiu also teaches advancing footwork, complex hand shapes and body turns.


Major League (1989) Reviewed by Larry McGillicuddy
***1/2 (of 4) Directed by David S. Ward Starring Tom Berenger, Charlie Sheen, Rene Russo, Wesley Snipes, Corbin Bernsen, Margaret Whitton, James Gammon, Bob Uecker
I was a fan of the Atlanta Braves in the 1980's. To put it as kind as I can, they sucked. They constantly finished last and lost about 100 games a year. So imagine the great feeling I had when the Braves turned things around in 1991 and won a thrilling pennant race. Major League tells a similar story, about the perennially losing Cleveland Indians, and a ragtag collection of misfits that finally takes them to the top. There is nothing new about that plot, but what makes Major League one of the better films in it's genre is how effectively it captures the feel of a town energized by it's team's resurgence to the top.
The Indians owner has just passed away and his ex-showgirl widow is now in charge. She hates Cleveland and wants to move the team to Miami, but can only do that if the attendance is low. So she gets together the worst collection of players available, figureing there is no way they could win. They include Jake Taylor (Berenger), a former all-star catcher with a bum knee; Rick Vaughn, an ex-con pitcher with a great arm but no accuracy; and Roger Dorn, a millionaire prettyboy who refuses to risk his body to make tough plays. Also on hand is Willie Mays Hayes (Snipes) who wasn't invited to camp but earns his way on the team after displaying his blazing speed. Unfortunately, he's a terrible hitter. Lou Brown (Gammon), who's coached in the minor leagues for 50 years is selected as the manager.
Anyone who has seen sports comedies before knows exactly what will happen. The team will play terrible at first, but will band together and slowly rise to the top. Then there will be the big game against their most feared rivals at the end. So while the basic plot may be routine, the execution is not.
Director David S. Ward pulls out all the stops in detailing the ways a town gets involved during an exciting pennant race. There is a loyal band of fans who chant the song "Wild Thing" whenever Rick Vaughn pitches. By the end of the season, the entire stadium is taking up the chant, and Wild Thing shirts. This is reminiscent of the Atlanta Braves tomahawk chop, if less controversial. The "Wild Thing" chant was even carried over into real life and applied to Phillies pitcher Mitch Williams. The pure energy and buzz in the stadium during the games is perfectly realistic. The games, the strategy, the players all seam real. This is a movie that gets every single detail about baseball right.
There are also some nice personal moments. Jake tries to get back together with his ex-girlfriend (Russo), who then was an Olympic swimmer and sports enthusiast. Now she runs a large library collection and has settled down with a snobby, upper class, businessman. Jake tries to prove to her that he has matured from his former playboy days the last time he was a ballplayer. The chemistry between Berenger and Russo is very strong and their many scenes together are adorable. Berenger's entire performance is very strong. He effortlessly carries the movie as the teams clubhouse leader. Berenger is credible wether he is romantic, tough, or funny. Sheen, Snipes, and Gammon are also memorable in their respective roles. And Bob Uecker, as the Indians announcer, gets off some of the films best lines.
Major League rolls along smoothly to it's conclusion, and rarely makes a false step. It's obvious Ward cares about this film,. He has injected alot of heart into it. A few years later, a sequel came along that managed to use the exact same formula with much of the same cast. What that sequel was missing was energy and heart. It's easy to copy the formula, but it's not easy to create excitement and passion. Ward and his actors were able to do that for this film, and that's what makes Major League one of the best sports comedies I've seen.
Larry McGillicuddy - The Cinemaniac http://members.xoom.com/lmcgill/movpage.htm
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


AI and modest wear: Ria Miranda celebrates 10-year fashion career
by Josa LukmanThe exhibition, titled “10 Langkah RiaMiranda” (10 Steps of RiaMiranda), celebrates Ria Miranda’s career, turning the first floor of Senayan City mall into a showcase of her milestone achievements. Visitors will find a timeline of each year in Ria’s career, highlighting her achievements and providing trivia about each year. Her story began in 2009 after her graduation from ESMOD Jakarta, where the RiaMiranda brand started from a blogspot.com website selling a total of six designs. Fast forward to 2019: Ria has expanded to several sub-brands and diffusion lines, including the Luna line for children and RiaMiranda Living for home goods. She said creating the exhibition, which runs until Dec. 1, helped her remember the people she worked with and her initial dream to be a designer. “At first I wanted to be the number one Muslim brand in...
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AI stands for Atrificial Intelligence. What this
means is AI is something that can make decisions based on the current
situation. For example in campain games the enemies are all AI, they
have decions to make decisions based on the situation that it is in.
ANother exapmle of AI is sri on your phone. Siri listens to what you
say and calls who you say or gives you the weather or googles any
question that you could have
My bot does everything I wanted
it to be able to do besides one thing wich is to be able to attack
any enemy within a radius of 3 steps. This wouldnt be very difficult
to add but I ran out of time and wasnt able to get it done


Application License¶
All applications using the P2UX Rendering Library (PRL) are required to initialize the PRL with an application license. This license is used to identify the application and authenticate with Builder when fetching application bundles.
Online Use¶
The default method of initializing the PRL is to provide the application license as a string to the P2UXAppCreator
at startup. When providing the license as a string, the application must contact Builder the first time the application is run to authenticate the license and download the details of the license. The license details are stored securely on the device and provide the PRL the information needed to get an application started. Once the license has been fetched successfully, the PRL does NOT need to authenticate with Builder for subsequent launches of the application. It only needs to authenticate once during the installed lifetime of the application.
To retrieve the application license in Builder:
- From the Publish drop down menu, click the Get App License menu item.
- A dialog will show with your app’s license. Copy the license.
Coordinator for macOS
If you have created your application with the P2UX Coordinator application for macOS, this step is not required as the license string is automatically fetched and inserted into your code when the project is created.
Once the license string is copied, it can be used in the native application code to initialize the PRL
iOS/tvOS¶
Objective-C¶
In AppDelegate.m
:
- (BOOL)application:(UIApplication *)application didFinishLaunchingWithOptions:(NSDictionary *)launchOptions { // Include your application license string here NSString* appKey = @"000x.xxxxxxxx"; NSDictionary* opts = nil; #ifdef DEBUG opts = @{P2UXAppCreator_Opt_Env: P2UXAppCreator_Opt_Env_Stage, P2UXAppCreator_Opt_LogLevel:[NSNumber numberWithInteger:P2UXCoreLogLevelVerbose]}; #endif [P2UXAppCreator createApplicationWithKey:appKey opts:opts resources:nil delegate:self]; return YES; }
Swift¶
In AppDelegate.swift
:
func application(_ application: UIApplication, didFinishLaunchingWithOptions launchOptions: [UIApplicationLaunchOptionsKey: Any]?) -> Bool { // Include your application license string here let appKey = "000x.xxxxxxxx"; var opts : [AnyHashable : Any]; #if DEBUG opts = [ P2UXAppCreator_Opt_Env: P2UXAppCreator_Opt_Env_Stage, P2UXAppCreator_Opt_LogLevel: P2UXCoreLogLevel.verbose.rawValue as NSNumber ] #endif P2UXAppCreator.createApplication(withKey: appKey, opts: opts, resources: nil, delegate: self) return true }
Android¶
In MainActivity.java
:
@Override public void onCreate(Bundle savedInstanceState) { // Include your application license string here mAppKey = "000x.xxxxxxxx"; if ((getApplicationInfo().flags & ApplicationInfo.FLAG_DEBUGGABLE) == ApplicationInfo.FLAG_DEBUGGABLE) { if (savedInstanceState == null) { savedInstanceState = new Bundle(); } savedInstanceState.putString(P2UXAppCreator.P2UXAppCreator_Opt_Env, P2UXAppCreator.P2UXAppCreator_Opt_Env_Stage); savedInstanceState.putLong(P2UXAppCreator.P2UXAppCreator_Opt_LogLevel, P2UXLog.P2UXCoreLogFlagVerbose); } super.onCreate(savedInstanceState); applyTranslucentStatusBar(); }
Offline Use¶
For the case where the developer does not want to require network connectivity on the first run of the application, the application license can be downloaded from Builder and embedded into the native application bundle. Once the file is downloaded, it can be added to your project. The PRL will look for a license file within your application before it attempts to download the license from Builder.
To download the application license file from Builder:
- From the Publish drop down menu, click the Get App License menu item.
- A dialog will show with your app’s license. From the dialog click the Download button.
- Builder will download a file named
P2UXLicense.json
to your computer.
Important
If for some reason your browser gives the downloaded license file a different name than P2UXLicense.json
, the file will need to be renamed P2UXLicense.json
before using it (the name IS case sensitive). The PRL will look for a file with this name in the application resources on startup.
iOS/tvOS¶
- Copy the
P2UXLicense.json
into your project directory. - In Xcode, right click on the project folder and select Add Files to '(project name)'
- Select the
P2UXLicense.json
from the file system directory it was copied to.
Android¶
- Create a file system directory named
assets
in your project inside the project subdirectoryapp/src/main
(if it doesn't already exist) - Copy the
P2UXLicense.json
file into theassets
directory.
Errors with the License¶
If the license fails to authenticate, the PRL will display an error message at startup. This error message screen can be customized by the developer in native code (See Customizing Error Screens).
Possible Errors:
| Message | Description |
|---|---|
| Invalid application license | The provided license string is not valid. Check the value with the license string provided by Builder |
| Unable to retrieve license | The PRL is unable to contact Builder to validate the license. Check the connectivity of the device |


{% extends "global/Base.html" %} {% load staticfiles otree %} {% block title %} Production Decision: Round {{ subsession.round_number }}: Player #{{player.id_in_subsession}} {% endblock %} {% block content %}
|
You own {{ player.permits }} permit{%if player.permits > 1 %}s{% endif %}. {% if player.min_production > 0 %}You are required to produce with at least {{ player.min_production }} plant{% if player.min_production > 1 %}s{% endif %}. {% endif %}Each of your plants requires {{ player.emission_intensity }} permit{%if player.emission_intensity > 1 %}s{% endif %} to produce. Your current cash balance is {{ player.money }}. |
Output price this period: {{ subsession.output_price }} per unit produced. Permits for sale at auction this period: {{ permits_available }} Permits were sold at a single uniform price of {{subsession.auction_price}}, which was the value of the highest rejected bid. There are {{ num_participants }} players (including yourself) participating. Any ties were broken by a random draw. |
Running each plant will earn {{ subsession.output_price }} in revenue from the sale of the unit's output and will require {{ player.emission_intensity }} permit{%if player.emission_intensity > 1 %}s{% endif %}.
Plants will be run in order of profitability, with more profitable (lower cost) plants run first.
{% if Constants.must_run > 0 %}You must run at least one plant. Running a plant without enough plants will incur a penalty of {{ Constants.penalty_amount }}.
{% endif %}| Unit Number |
Output price |
Production Cost |
Net Value |
Permits per unit |
Max permit value for this unit |
|---|---|---|---|---|---|
| {{ forloop.counter }} | {{ subsession.output_price }} | {{ plant.0 }} | {{ plant.1 }} | {{ player.emission_intensity }} | {{ plant.2 }} |
| Round | {% for round in table_data.round_numbers %}{{ round }} | {% endfor %}
|---|---|
| Permits available | {% for cap in table_data.period_caps %}{{ cap }} | {% endfor %}
| Permit demand at full capacity |
{% for full_capacity_demand in table_data.full_capacity_permit_demand %}
{{ full_capacity_demand }} | {% endfor %}
| Output price | {% for output_price in table_data.output_prices %}{% if output_price %}{{ output_price }}{% endif %} | {% endfor %}
| Auction price | {% for auction_price in table_data.auction_prices %}{% if auction_price %}{{ auction_price }} {% endif %} | {% endfor %}


|
Aurora
0.0.1
|
Go to the source code of this file.
Namespaces | |
| Aurora | |
| Aurora::UI | |
| Aurora::UI::MainWindow | |
Functions | |
| void | Aurora::UI::MainWindow::Relocate (u16 NewX, u16 NewY) |
| Set the main window new location. More... | |
| void | Aurora::UI::MainWindow::Resize (u16 NewWidth, u16 NewHeight) |
| Set the main window new size. More... | |
Variables | |
| bool | Aurora::UI::MainWindow::Exit = false |
| Set this to true to exit the main window(and the application) More... | |
| u16 | Aurora::UI::MainWindow::X = 0u |
| Get the main window X location based on screen-coordinates You cannot modify the location of the main window with this variable, for that use the function 'Relocate'. More... | |
| u16 | Aurora::UI::MainWindow::Y = 0u |
| Get the main window Y location based on screen-coordinates You cannot modify the location of the main window with this variable, for that use the function 'Relocate'. More... | |
| u16 | Aurora::UI::MainWindow::Width = 0u |
| Get the main window Width size based on screen-coordinates You cannot modify the size of the main window with this variable, for that use the function 'Resize'. More... | |
| u16 | Aurora::UI::MainWindow::Height = 0u |
| Get the main window Height size based on screen-coordinates You cannot modify the size of the main window with this variable, for that use the function 'Resize'. More... | |


⚙ Raphael Toolbox ⚙
The example below show you what you can do with the new features added to Raphael by raphael-toolbox. Indeed, you can make curve using mathematical equations or point array. More, you can customize each point, the color, add a grid, axes...


Home
Our Apartment
Rio
Contact
Book
Contact Us
Ask Us
Anything!
Submit
How to
Get Here
R. Frame de Morá
Floor 6
Rio de Janeiro - Ipanema
Cell:<PHONE_NUMBER>


A substring of a string is a contiguous sequence of characters from the string. For example, each of the strings "ab", "bcd", and "e" is a substring of "abcde". On the other hand, "cba", "ace", and "f" are not substrings of "abcde".
The score of a string S is the number of ways in which we can select a non-empty substring of S such that all characters in the substring are the same. If two substrings consist of the same letters but occur at different places in S, they are still considered different. For example, the score of "aaaba" is 8: there are four occurrences of the substring "a", two occurrences of "aa", one occurrence of "aaa", and one of "b".
On her birthday, Maki got a
Maki is going to randomly change each question mark into a letter. For each question mark and each i, the probability that she changes it into the (i+1)-st letter of the alphabet is p[i] percent. (I.e., she will change it into an 'a' with probability p[0]/100, into a 'b' with probability p[1]/100, and so on.) The choices for different question marks are mutually independent.
You are given the
Calculate and return the expected score of the string after all the question marks are changed into letters.


My fav is Body_Bulding sixpack
My fav is Body_Bulding Body_Bulding
H2o is important for BB
This is www
WWF's mission is to stop the degradation of our planet's natural environment.
Tokyo is the capital of Japan, the most populous metropolitan area in the world.
HTML is FUN to learn!
H 2 O is the scientific term for water.
My favorite color is
blue
red.


Teleplay: Robert Carlock
Story: Scott Silveri
Directed by: Gary Halvorson
Transcribed by: Eleonora, Pheeboh, Sebastiano & Vanessa
[Scene: Central Perk]
Monica: It's so weird, how did Joey end up kissing Charlie last night? I thought you'd end up kissing Charlie.
Ross: Hey, I thought I'd end up kissing Charlie too ok? But SURPRISE!
Chandler: I missed most of the party (pause) Charlie's a girl, right?
Ross: Yes, she is this new professor of my department that I did not kiss.
 I mean, of all the girls at the party, GOD!
Ross: Why do you care so much?
Monica: Yes Rachel, why do you care so much?
Rachel: (worried) Be-cause Ross is the father of my child! You know... and I... want him to hook up with lots of women! (pause) I just... All I'm saying is... I don't think that Joey and Charlie have anything in common.
Ross: Oh, I don't know, they seem to have a shared interest in each other's tonsils...
Phoebe: Wow, Joey and a professor! Can you imagine if they had kids and if the kids got her intelligence and Joey's raw sexual magnetism... Oh, those nerds will get laaaaaid!
Rachel: All right, so... Ross, you're ok with all this? I mean...
Ross: Yeah, it's no big deal. I mean, I just met her and I'm fine with it...
(Joey and Charlie enter. Ross looks at her)
Ross: Oh, God. I forgot how hot she was!
Joey: Hey!
All: Hi!
Ross: I'm gonna get some more coffee.
 I'll come with you!
Ross: Ok. (they both go)
Chandler: (to Joey) So, a professor, uh?
Joey: Yeah! She is cool, and she's so smart! Her mind is totally acrimonious (which, being Joey, he mispronounces "amonious"). (pause) That's not how she used it...?
Charlie: (talking to Ross) I feel like I owe you an explanation. I don't ordinarily go around kissing guys at parties. I'm... well, I'm kind of embarrassed. I really hope you don't think less of me.
Ross: Uhm no! Think less of you! No, I don't think less of you.
 I mean, Joey is so different from the guys I usually date.
Ross: Yeah, I know the type.
Joey: Hey, if you wanna grab a bite before work we'd better get acrimonious. No? Am I getting close?
Opening credits
[Scene: Joey and Rachel's apartment]
Phoebe: (entering) Hey!
Monica: Hey!
 Look what I just got. (she shows them a pair of slippers)
Rachel: Oh, OH! Wow, I love those! Where did you get them?
Phoebe: I bought them off Ebay! They used to belong to the late Shania Twain.
Rachel: (after a pause) Phoebe, Shania Twain is still alive!
Phoebe: Oh... then I overpaid. (she goes to the bathroom)
Monica: Hey, what's this?
Rachel: Oh, it's a gift certificate to this new SPA in SOHO.
Monica: Oh, you can't show Phoebe this! She hates those corporate massage chains.
Rachel: Ah, why, now I can't get a massage? There are so many things that she disapproves of! I can't eat veal, I can't wear fur, I can't go hunting...
Monica: Do you wanna go hunting?
Rachel: Well, I would like to have the option!!
Phoebe: (coming back from the bathroom) What's up? (she sees the gift certificate in Rachel's hands) Hey, Rachel!!
Rachel: Oh!
Phoebe: No, you can't go there! You know how I feel about these "big massage places"! They're putting people like me out of business!
Monica: And she wants to go hunting, too!!
Rachel: Phoebe, come on, I don't wanna waste it! It would be like throwing away a hundred bucks!
Phoebe: Ok, this is not about the MONEY, ok? It's about... it's about corporate greed destroying our hearts and leaving us... the hollow shells.
Rachel: I don't care about any of that!!
Phoebe: Well, do you care about friendship?
Rachel: Oh!
Phoebe: I feel really strongly about this, Rachel. Please, don't use this gift certificate. I'm asking you as a friend.
Rachel: Oh, not as a friend, Phoebe!! Fine, I won't use it!
Phoebe: Promise?
Rachel: I promise.
Phoebe: Thank you. (she tears up the gift certificate)
Rachel: But I am going hunting!!
[Scene: Monica and Chandler's apartment]
Monica: (entering) Hey honey! I missed you today!
Chandler: Oh, yeah?
Monica: Yeah. (they kiss) What d'you wanna do tonight?
Chandler: Oh, well... Maybe we could... (he sweeps the stuff off the table and wordlessly invites Monica to have sex on it)
Monica: Ok, trying to turn me on by making a mess? Know your audience! Besides, tomorrow we're doing those fertility tests and until then you need to keep your tadpoles in the tank.
Chandler: We really need to take those tests?
Monica: Honey, we've been trying to have a baby for over a year. I think it's a good idea to find out if everything's ok. Just a few routine tests.
Chandler: But I don't wanna do it in a cup!
Monica: What is the big deal?
Chandler: It's weird! In a doctor's office?
Monica: It's not ok to do it in a doctor's office but it is ok to do it in a parked car behind a Taco Bell?
Chandler: (embarrassed) I cannot believe Ross told you that! (pause) And in my defense, it was a Wendy's!
Monica: Look, I don't wanna do this test either, but I really do think it's a good idea!
Chandler: Yeah, ok. I'm sure that doctor's office can't be worst than on a class trip to the Hershey's factory!
Monica: (really embarrassed) OH!
Chandler: Oh, yeah! RACHEL TALKS TOO!
[Scene: Joey's apartment]
Joey: (sipping red wine from a glass) Who says that wine has to cost more than milk!
(somebody knocks the door, Joey opens and it's Charlie)
Joey: Heeey!
Charlie: Hi!
Joey: Come on in, how are ya?
Charlie: I'm good!
Joey: Can I offer you a drink?
Charlie: Please, I've been crazed all day! I had a meeting with the Dean, and my syllabus for summer school is due and I'm writing the Foreword for a friend's book...
Joey: Uh-oh. I hade a pretty hectic day at work too, today I had to open a door and go (looking scared) ohhhh!
Charlie: So I am just so excited to be here. And I can't wait to start exploring the city!
Joey: Hey, if you need a tour guide... (point to himself)
Charlie: Oh, you mean it? That would be so fun!
Joey: Yeah, definitely, definitely. Ok, what do you wanna see first?
Charlie: Oh, well, we can go see the Chronos Quartet at the Avery Fisher Hall.
Joey: (looking puzzled and nodding) Ok!
Charlie: And there is a collection of Walt Whitman letters on display at the public library.
Joey: I know, yeah!
Charlie: And first, I have to see the MET!
Joey: Ok, let me stop you right there. The Mets suck, ok? You wanna see the Yankees.
Charlie: No, no, no, not the Mets, the MET, singular!
Joey: Which one, they all suck!
Charlie: The museum!
Joey: (looking puzzled) I don't think so.
[Scene: SPA massage center, Rachel enters]
Rachel: (to the receptionist) Hi there!
Receptionist: (in an affected tone) Hello, welcome to Lavender Day Spa SPA. How may I help you?
Rachel: Oh, hi. I have a massage appointment under Rachel Green, and here is my gift certificate.
Receptionist: This has been torn up.
Rachel: And... taped back together.
Receptionist: Ok well, I'll call you as soon as your massage therapist is ready.
Rachel: Ok
Receptionist: Have a seat through the glass doors.
Rachel: (imitating the receptionist's tone) through the glass doors.
Receptionist: Through the glass doors.
Rachel: Alright-y then.
(Phoebe enters the hall)
Receptionist: Phoebe, your next client's in the waiting room.
Phoebe: Ok. Do we have to talk like that then they're not around? (She sees Rachel) Oh, no, no! Listen, is there someone who can fill in for me?
Receptionist: Sorry, everyone is booked!
Phoebe: But that woman can't know I work here. She's a friend of mine and I made this big stink about how awful this massage chains are.
Receptionist: Then why you work here?
Phoebe: 'Cause it's good money!
Receptionist: Well, I think this is a great place to work!
Phoebe: (watching around and whispering) Ok, are they listening?
[Scene: Central Perk]
(Joey walks in and moves towards Ross, who's sitting of the sofa)
Joey: Ross!
Ross: Hi!
Joey: I need to talk to you about Charlie.
Ross: (annoyed) Oh, do you, do you really?
Joey: Yeah, I'm... I'm kind of having a little problem.
Ross: Look, if you don't know what the word "acrimonious" means, just don't use it!
Joey: No, look, you know Charlie, right? She's cool, she's funny, her body is soo...
Ross: Get to the problem!
Joey: Yes.  Combined!
Ross: (looking down) Are you wearing two belts?
Joey: (checking) EH, what do you know!

Joey: Right, right, right, well, she wants to go to all this cultural places and I don't know how to talk about that stuff. You gotta help me out!
Ross: You know, I really don't want to get involved in you guy's relationship.
Joey: Please, c'mon, you're the smartest person I know and I really like this girl, ok, I don't wanna lose her.
Ross: (after a short hesitation) Fine.
Joey: Thanks.
Ross: Ok. Let's see. Oh, you should take her to the MET!
Joey: The Metsss!
Ross: Oh, no! The MET! The Metropolitan Museum of Art.
Joey: (realizing) Oh, that's what she meant! (pause) You know, if they're gonna shorten it, they should call it the MUSE! You know, short for museum, and avoid all the confusion!
Ross: Yeah, most of it it's a place packed with confused angry baseball fans!
Joey: Ok, all right, so I'll take her to the MET.
Ross: Yeah, uh, uh, ok, there's this great rare bookstore on Madison Avenue. You know what? She loves architecture, you know what you should do? You should take a walk down fifth to the Saint Patrick's Cathedral and there there's this great little pastry shop that she'd love.
Joey: Geez, sounds like you should be going on this date!
Ross: But I'm not! (pause). You know what if you're in the mood for Thai food...
Joey: Whoa, whoa, whoa!  Ok? Just go back to the MET, ok?
Ross: Ok.
Joey: You got to tell me exactly what to do there.
Ross: Ok, when you walk in the museum, take the right, that's the antiquities wing. Ancient Egypt, Mesopotamia, up to the Byzantine Empire.
Joey: Whoa, whoa, whoa, whoa, whoa! So, I walk in the door and make the right (and he bends his arm to the left. Ross then bends Joey's arm to the right and Joey nods)
[Scene: doctor's waiting room]
Chandler: I have a weird feeling about this place. (pause) How do I know that they are not gonna secretly videotape me and put it all over the internet.
Monica: Because, honey, I mean this in the sweetest way possible, nobody is gonna wanna watch that.
(a nurse walks in)
Nurse: Mr. Bing? (Chandler jumps up) Here you are! You'll go into that room and deposit your specimen into the container.
Chandler: Deposit my specimen? You know, usually I have to call a 900 number for that kind of talk. Thanks, got it.
Monica: Hey, honey, my test is down the hall, are you sure you're going to be ok?
Chandler: Yeah, I guess!
Monica: I know this is embarrassing, but nobody cares!
Janice: OH MY GOD!!
Chandler: Oh, Come on!
Commercial Break
Janice: Ah ahahahhahaa! How great is this!
Monica: Hey, we're probably fertile, let's go home!
Chandler: Why are you here?
Janice: Well, Sid and I are trying again and we had trouble last time because apparently we...
Chandler: (to Heaven) No no no... I mean, why? why is she here??
Janice: Oh! Someone's a little cranky today cuz they have to do it in a cup! (laughs) Oh! They gave you the kiddy size (looking at the cup in his hand).
Chandler: What!?
(Janice does her "Janice Laugh")
Monica: This was fun! But I've got an invasive vaginal exam to get to! (leaves)
Chandler: I'd love to stay, but I have eh... (points at the cup) got a hot date... (starts to leave)
Janice: Please... go! (Then shouts after him) Just let me know if you need a hand!
Chandler: (disgusted) I think it just fell off. (Leaves)
[Scene: At the Spa, Phoebe is at the half-opened door]
Phoebe: (In a strange heavy accent) Hello "ja", it's time for your massage, ja! Put your face in the hole.
Rachel: Wow, a Swedish massage from a real Swedish person.
Monica: So, what's your name?
Phoebe: It's a normal Swedish name... Ikea...
Rachel: Oh... what an interesting name.
Phoebe: Ja!

Rachel: (Sees Phoebe's slippers through the hole) Wow... I really love your... (startled as she realizes those are Phoebe's slippers)
Phoebe: Is something wrong?
Rachel: No, it's just that uhm... it feels so good... Ikea... (pause) Yeah, say hey, you'll know this, what's the capital of Sweden?
Phoebe: (Thinks for a few moments) Uhm... Stockholm.
Rachel: Damn! I wish I knew if that was right!
[Scene: Joey's apartment, Joey and Ross in the living room, rehearsing what Joey will say to Charlie in the Museum]
Joey: (gesturing at an imaginary painting) Note the painterly lines and subtle impasto on this canvas. Monet painted quickly and usually outdoors as his elusive subject was light itself.
Ross: Now, do you have any idea what you just said?
Joey: (shaking his head as if to say: of course not!)
Ross: Ok now, remember, when you get to the museum, Monet is not spelt M-O-N-A-Y. I just... I wrote that out phonetically for you.
Joey: Phonetically? (Looks confused)
Ross: Yeah, yeah that means... you know? We just... we don't have time for this.
Joey: Ok.
Ross: Ok, but you know what? I gotta say, I'm really impressed that you were able to memorize all this so quickly!
Joey: Ah! I'm an actor! I can memorize anything! Last week on "Days" I had to say "Frontal temporal zygomatic craniotomy".
Ross: Wow. What does that mean?
Joey: No idea! But the guy I said it to dies in the next scene so I guess it means "you're gonna get eaten by a bear".
Ross: Ok! So let's move on to the Renaissance?
Joey: Ok, Caravaggio uses chiaroscuro here to highlight the anguish of the central figure. Touch it, it's really bumpy! (Reaches out to touch the imaginary painting).
Ross: Nah ah! Nah ah! (stops him form doing so) No no no! No ad-libbing and dude, you can't touch the paintings.
Joey: Come on! you... (reaches out to touch the imaginary painting again)
Ross: No! (Slaps his hand)
[Scene: The Fertility Clinic; Chandler walks out one of the rooms]
Chandler: (To the nurse at the nurses' station) My specimen is in the room and I just want to thank whoever knocked on the door while I was in there. Really helped speed the process along! (walks towards the common area and sees Janice is still there) Janice! You're not... gone?
Janice: Oh! Sid is still in his room. I don't allow porn at home so this is like a vacation for him. So did you do it? Did you make your deposit?
Chandler: Yeah! yeah... The hard part is over!
Janice: That's not the hard part honey! The hard part is what comes next, I mean aren't you worried about the results?
Chandler: I haven't... I haven't even thought about the results yet... I just assumed that everything was gonna be ok.
Janice: Oh! Well, you know what? It probably is.
Chandler: (Slightly panicky) Yeah, but what if it's not? What if there is a reason why we can't have a baby?
Janice: Oh, Chandler, look. You and Monica are meant to have children. I am sure it's gonna be just fine.
Chandler: (smiling again) oh, oh, yeah, ok, thanks. I can't believe I didn't even think of that. I guess I was just so worried about having to... come here and do... 'that'...
Janice: What, you can do it in the parking lot of a Taco Bell, but you can't do it at a doctor's office?
Chandler: (stares at her intently, then yells) It was a "Wendy's!! "
[Scene: Phoebe and Rachel at the Spa. Phoebe is still massaging Rachel]
Phoebe: (Singing) "Ipan Stripan, Glupi Glabi! " And that is the Swedish National Anthem! Thank you for asking! (looks annoyed)
Rachel: Wow, Ikea... what a rich culture. Uhm, you know what? I have a friend who is a masseuse.
Phoebe: Oh, Ja! Ja!
Rachel: Yah! She's... uhm... not very good though... (Phoebe looks devastated)
Phoebe: Uhu, uhu... and why do you think that is?
Rachel: I don't know... maybe it's because she has got such callousy fingers from playing crummy guitar...

Rachel: (now lifts her head) Phoebe!!
Phoebe: You know it's me?
Rachel: For like a half an hour! Man, you can lie about Sweden!
Phoebe: How can you come here?
Rachel: How could you not tell me you worked here?
Phoebe: I don't have to tell you everything!
Rachel: Yes you do, if you're going to make me feel guilty for getting a free massage!
Phoebe: Tips not included.
Rachel: Oh! Phoebe, why did you lie to me about working here?
Phoebe: Because I was ashamed ok? I sold out for the cash! And then they give me benefits like medical, and dental, and a 401K. But you know... you pay a price. Now I'm this Corporate stooge and punching a clock and Ugh! paying taxes!
 Be true to what you believe in! Honey, you have principles and I so admire that! I don't have any!
Phoebe: You know what? You are right. I am gonna quit. It's time I took my life back!
Rachel: Good for you Pheebs!
Phoebe: Ok.
Phoebe: Okay (walks out and closes the door behind her, looks up and whispers) If you guys have microphones in there too, I didn't mean any of that. I love you.
[Scene: Central Perk. Ross is playing some shoot'em up game on his laptop]
Ross: Haha! Got ya! Die, die, die!
(Charlie walks in.)
Ross: (recovers his composure and starts typing) Respectfully, professor R. Geller. (hits <return>, closes the laptop and joins Charlie on the sofa) Hey!
Charlie: Hi!
Ross: Hey, how was the Met?
Charlie: The museum was amazing!
Ross: Yeah? Joey really knows his art, huh?
Charlie: Not so much, no. He had clearly memorized all the stuff to say, and some of it didn't even make any sense.
Ross: What do you mean?
Charlie: Well, for one, he was talking about paintings that were nowhere around.
Ross: (perplexed for a moment) Wait a minute... when you guys walked into the Met, did you go to the right?
Charlie: No, we went to the left.
Ross: (shaking head) Oh Joey, Joey! But still, I mean, it seems like you guys are having a great time together.
Charlie: Yeah, it's fun (hesitating).
Ross: What?
Charlie: Actually, you know, Joey is your friend, and you don't really know me that well; it would be weird.

Charlie: Well... I'm just thinking that maybe he's not the right guy to be with right now, maybe I should be with someone... I have more in common with. You know what I mean?
Ross: (slowly) Yeah. But you know what? I think you should give Joey a chance. I mean, he's a great guy, and sure he doesn't know that much about art but you know, you can always talk about that with someone else.
Charlie: Yeah, I guess that's true.
Ross: And if you think about it, I mean the reason he memorized all that stuff is because he thought it was important to you. You know, that's the kind of guy Joey is.
Charlie: He is very sweet. Plus he's hot!
Ross: That was going to be my next argument.
(Joey walks in)
Joey: Hey!
Ross: Hey!
Charlie: Hey!
Joey: (to Charlie) You're ready?
Charlie: Yeah, let's go. (stands up and kisses Joey) (to Ross) Thanks Ross.
Joey: (aside, to Ross) Hey Ross! That art stuff worked, you hooked me up.
Ross: Glad I could help man.
Joey: Although some of that stuff wasn't where you said it was gonna be, but... (confidently) I made it work.
[Scene: Monica and Chandler's. Chandler is sitting on the sofa, reading the newspaper.]
Chandler: (picking up a plastic cup similar to the one he deposited his specimen in) It is not okay that I'm aroused by this now.
(phone rings)
Chandler: Hello?  Should I be sitting down for this? (his smile fades as he hears the answer) Oh. (pause) Well, so what does that mean? (pause) Ok. Ok, thank you. Thanks. (hangs up)
(Monica walks in)
Monica: Hey sweetie.
Chandler: Doctor Connelly just called.
Monica: With good news? (very quickly and wringing hands) Of course it is not good news, you just said (deadpan) "Doctor Connelly just called". If it was good news you would have said (excitedly) "Doctor Connelly just called! " But so what is it? Is there a problem, uh? Is there a problem with me or with you?
Chandler: Actually it's both of us.
Monica: What?
Chandler: Apparently my sperm have low motility and you have an inhospitable environment.
Monica: Oh... what does that mean?

Monica: Chandler?
Chandler: (seriously) It means that we can keep trying, but there's a good chance this may never happen for us.
Monica: (weeping) Oh my God!
Chandler: I'm sorry.
Monica: I'm sorry too.
(they hug)
Chandler: Well, we're gonna... we're gonna figure this out.
Monica: (still weeping) I know.
Closing credits
[Scene: The Spa Reception. Phoebe walks in]
Receptionist: Good morning Phoebe.
Phoebe: (imitating the receptionist's tone) Good morning receptionist.
Receptionist: Here's your schedule for the day. Your first client is in room No. 1.

(Phoebe walks to the door and half-opens it)
Phoebe: (through the door, with a Scottish accent) Are you ready for your Scottish massage? Put your face in the hole, lassy.
End


Ornamental Grasses are found worldwide and enjoy a special place in the landscape, providing year-round interest as well as texture and grace. The grasses noted below are versatile, in that they will grow in moist to wet conditions as well as in drier situations.
All are hardy to zones 5-9 unless otherwise noted:
Arrhenatherum elatius: Bulbous Oat Grass. Moist, well-drained soil.
Briza media: Perennial Quaking Grass. Moist meadows, praries.
Calamagrostis acutiflora "Stricta": Feather Reed Grass. Moist meadows.
Carex glauca: Blue Sedge. Wet to dry fields.
Carex morrowii "Variegata": Silver Variegated Japanese Sedge. Moist places.
Carex nigra: Black Flowering Sedge. Wet soils.
Chasmanthium latifolium: Northern Sea Oats. Streamsides.
Deschampsia caespitosa: Tufted Hairgrass. Wet areas.
Deshampsia flexuosa: Crinkled Hairgrass. Moist meadows.
Hakonechloa macra: Hakone Grass. Streamsides.
Imperata cylindrica "Red Baron": Jap. Blood Grass - Moist, sandy streamsides. Zones 6-9.
Juncus effusu: Soft Rush. Wet areas, marshes, streamsides.
Miscanthus giganteus: Giant Chinese Silver Grass. Streamsides.
Miscanthus sinensis: Japanese Silver Grass. Moist streamsides, meadows.
Miscanthus sinensis var. strictus: Porcupine Grass. Moist, fertile areas.
Molinia caerulea: Moor Grass. Boggy heaths, seasonally wet meadows.
Molinia cae. Arundinacea: Tall Moor Grass. Wet moorlands, boggy heaths.
Pennisetum alopecuroides: Fountain Grass. Streamsides. Zones 6-9.
Phalaris arundinacea "Dwarf Garters": Ribbon Grass. Streamsides, moist meadows.
Phalaris arun. "Feesey's Form": Ribbon Grass. Rich, moist soil.
Phalaris arun. Picta: Ribbon Grass. Moist areas, streamsides.


The powerful grid system uses a variation of the 960 grid system. The syntax is super simple and it works accross all major browsers including Chrome, Safari, Firefox and even Internet Explorer 7+.
This is the most basic example of how to use the grid.
To make columns full width for Tablet, simply add the .tablet-full class
Furthermore, you can make columns full width on Mobile by adding the .mobile-full class.
The grid system also includes tablet and mobile specific column widths in case you would like to override the inherited default. See the example below for a better understanding.
Base has a global default font size of 14px (which is converted into rem units for scalability and accessibility). This is applied to the < body > and all < p > tags.
Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat.


PetBlocks Documentation¶
Introduction¶
Welcome to PetBlocksDocs, the official documentation for the open-source PetBlocks project.
PetBlocks is a spigot and also a sponge plugin to use blocks and custom heads as pets in Minecraft.
You can find it on Spigotmc.org and Spongepowered.org.
Contents¶
- Getting Started
- Customizing
- Commands
- General
- Developer API
- FAQ
- The pet falls through the ground when riding?
- The pet does not spawn?
- The pet flashes or does not spawn correctly on fresh a installment?
- Are there any differences between Sponge and Bukkit PetBlocks?
- How can you sell costumes/skins?
- Can you support Minecraft 1.7.x or below?
- How to use a custom skin URL?
- How to use the MySQL database?
- How to use the same pets on multiple servers?
- Can the pet walk instead of hopping like a rabbit?
- The player head is not visible in the GUI or when the Pet spawns?
- How can I disable rightclicking the pet?
- Can I use the /reload command?
- Contributing to PetBlock
Cooperation¶
PetBlocks is in cooperation with Minecraft-Heads.com .


VRGal -- Three.js VR Gallery
Goto
VRGal app.
User documentation available on
main github site.
Note: This page is a work in progress.


CCTV released as police investigate disorder in Nottingham city centre
It happened in the early hours of Saturday, November 9
by Matthew BunnPolice have released CCTV of men they want to speak with in relation to an incident in Nottingham city centre.
Officers are currently investigating alleged disorder in Clinton Street East.
Nottinghamshire Police say they were called to the scene in the early hours of Saturday, November 9.
Detective Sergeant Chris Berryman, of Nottinghamshire Police, said: “We believe that the men pictured could help us in our enquiries into the incident."
Anyone who recognises the men is asked to call 101 and quote incident 37 of November 9, 2019. Alternatively, you can call Crimestoppers anonymously on 0800 555 111.
With the General Election approaching we want to give you all the results and reactions as they happen. Join our new WhatsApp service to receive breaking news alerts throughout the night by texting ELECTION to<PHONE_NUMBER>2. The first messages will go out December 12 after polls close.


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LiterateCS is a Literate Programming tool that produces clear, professional-looking documentation automatically from your C# projects. It parses C# code files and extracts markdown documentation from comments. Alternatively you can write your documentation in separate markdown files and interleave pieces of code in them by referring to C# regions. LiterateCS can then create either a simple markdown output that you can upload to your project's wiki pages, or it can generate a full-blown static web site that you can host in GitHub Pages.
The idea of literate programming differs from the usual way of thinking about technical documentation. Instead of documentation being an afterthough which is taken care of after the project is done, literate programming encourages you to document your code while you are writing it. Also, you don't write your documentation as an API reference like with xmldoc comments, but rather like text of an essay, explaining the things that need explaining and skipping the obvious parts.
To get an idea about how this works in practice, refer to the literate documentation created from this project. It can be found at:
https://johtela.github.io/LiterateCS/
Other examples of documentation created with LiterateCS can be found at:
To create your first literate program install first the literatecs
tool
with command line:
> dotnet tool install -g literatecs
Then install the project template.
> dotnet new -i LiterateCS.Templates.LiterateLib.CSharp
After that create a new directory and the project skeleton.
> mkdir MyLiteratePony
> cd MyLiteratePony
> dotnet new literatelib
You should now have files for your class library created. You can build the project with.
> dotnet build
To check what you got, you can open your project in Visual Studio Code (this step is optional).
> code .
You should see the following project structure.
Finally you can create the documentation from your project with:
> literatecs
To see the generated documentation open the docs/index.html
page in a web browser.
The project was initially written for .NET Framework. Now it targets .NET 6.0. It is available in https://nuget.org as an .NET Core global tool.
See the installation instructions for more details. Documentation of the command line options and usage examples can be found here.
If you find a bug or want to suggest a feature, you can submit an issue.
If you want to contribute to the development, let me know. All help is appreciated.


jobman.dao package¶
Submodules¶
jobman.dao.engine_sqlite_dao module¶
-
class
jobman.dao.engine_sqlite_dao.
EngineSqliteDAO
(table_prefix=None, extra_job_fields=None, **kwargs)[source]¶ Bases:
jobman.dao.jobs_dao_mixin.JobsDaoMixin
,jobman.dao.sqlite_dao.SqliteDAO
-
class
JobSchema
[source]¶ Bases:
jobman.dao.utils.TimestampedSchemaMixin
,jobman.dao.utils.Schema
Fields for job records.
-
key
= {'type': 'TEXT', 'primary_key': True, 'default': <function generate_key>}¶
-
status
= {'type': 'TEXT'}¶
-
-
class
jobman.dao.jobman_sqlite_dao module¶
-
class
jobman.dao.jobman_sqlite_dao.
JobmanSqliteDAO
(lock_timeout=30, debug=None, **kwargs)[source]¶ Bases:
jobman.dao.jobs_dao_mixin.JobsDaoMixin
,jobman.dao.sqlite_dao.SqliteDAO
DAO for JobMan
-
class
JobSchema
[source]¶ Bases:
jobman.dao.utils.TimestampedSchemaMixin
,jobman.dao.utils.Schema
Fields for job records.
-
batchable
= {'type': 'INTEGER'}¶ Flag to indicate whether a job can be included in a batch.
-
errors
= {'type': 'JSON'}¶
-
job_spec
= {'type': 'JSON'}¶ dict of job metadata/parameters.
A job_spec often includes these items:
- batchable
- Whether a job can be included in a batch.
- dir
- Absolute path to job_dir.
- cfg
- Extra cfg values to provide to cfg resolvers.
- resources
- Resources job requires.
-
key
= {'type': 'TEXT', 'primary_key': True, 'default': <function generate_key>}¶
-
purgeable
= {'type': 'INTEGER'}¶ Whether a job can be purged from the db.
-
source_key
= {'type': 'TEXT'}¶ Key for source that provided this job.
-
source_meta
= {'type': 'JSON'}¶ Metadata from source, to allow source to correlated jobman records with its own records.
-
source_tag
= {'type': 'TEXT'}¶ A tag that the source can set. This is often useful for sources which want to do some sort of post-processing before marking a job as complete.
-
status
= {'type': 'TEXT'}¶
-
worker_key
= {'type': 'TEXT'}¶ Key for worker handling the job.
-
worker_meta
= {'type': 'JSON'}¶ Metadata to retrieve related state from worker.
-
-
class
jobman.dao.jobs_dao_mixin module¶
-
class
jobman.dao.jobs_dao_mixin.
JobsDaoMixin
[source]¶ Bases:
object
Common methods used by daos that work with jobs.
-
class
JOB_STATUSES
¶ Bases:
object
-
CLAIMED
= 'CLAIMED'¶
-
COMPLETED
= 'COMPLETED'¶
-
EXECUTED
= 'EXECUTED'¶
-
FAILED
= 'FAILED'¶
-
PENDING
= 'PENDING'¶
-
RUNNING
= 'RUNNING'¶
-
UNKNOWN
= 'UNKNOWN'¶
-
-
claim_jobs
(query=None)[source]¶ Claim jobs which match a query.
Sets status to
JOB_STATUSES.CLAIMED
.Parameters: query – A query dict per query_jobs()
.Returns: a list of claimed jobs.
-
create_job
(job=None)[source]¶ Create a job record.
Parameters: job – a job dict. Format of dict depends on schema for DAO. Returns: job record from DAO.
-
generate_status_filter
(status=None)[source]¶ Generate a status filter.
Parameters: status – job status Returns: status_filter_dict
-
get_job
(key=None)[source]¶ Get a job that has the given key.
Parameters: key – job key Returns: job_record
-
get_jobs_for_status
(status=None)[source]¶ Get jobs that have a given status.
Parameters: status – job status Returns: job_records
-
query_jobs
(query=None)[source]¶ query DAO for jobs.
Parameters: query – A query dict per jobman.dao.sqlite_dao.SqliteDAO.query_ents()
.Returns: a list of job records matching query.
-
save_jobs
(jobs=None, replace=True)[source]¶ Save jobs to DAO.
Parameters: - jobs – A list of job dicts.
- replace – If True will overrwrite existing records. If False will raise errors for key collisions.
Returns: saved jobs.
-
update_jobs
(updates=None, query=None)[source]¶ Update jobs which match a query.
Parameters: query – A query dict per query_jobs()
.Returns: - a dict with a ‘rowcount’ item indicating how many records were
- updated.
-
class
jobman.dao.orm module¶
jobman.dao.sqlite_dao module¶
-
class
jobman.dao.sqlite_dao.
SqliteDAO
(db_uri=':memory:', orm_specs=None, table_prefix=None, initialize=True, logger=None, include_kvp_orm=True, debug=None, sqlite=<module 'sqlite3' from '/Users/adorsk/anaconda/envs/jobman/lib/python3.6/sqlite3/__init__.py'>, orm=<module 'jobman.dao.orm' from '/Users/adorsk/projects/jobman/jobman/dao/orm.py'>)[source]¶ Bases:
object
-
connection
¶
-
query_ents
(ent_type=None, query=None)[source]¶ Query ents.
Parameters: - ent_type –
- query –
a query dict of this form:
{ 'filters': [ {'field': 'some_field', 'op': '=', 'arg': 'some_arg'} # other filters... ], 'limit': 100, 'order_by': [ {'field': 'some_field', 'direction': 'ASC'}, {'field': 'some_other_field', 'direction': 'DESC'}, ] }
-
jobman.dao.utils module¶
-
class
jobman.dao.utils.
SchemaMeta
[source]¶ Bases:
type
Metaclass to propagate doc strings for Schema subclasses.
-
class
jobman.dao.utils.
TimestampedSchemaMixin
[source]¶ Bases:
jobman.dao.utils.Schema
Provides created and modified timestamp fields.
-
created
= {'type': 'FLOAT', 'default': <function generate_timestamp>}¶ created
-
modified
= {'type': 'FLOAT', 'auto_update': <function generate_timestamp>}¶ modified
-
jobman.dao.worker_sqlite_dao module¶
-
class
jobman.dao.worker_sqlite_dao.
WorkerSqliteDAO
(table_prefix=None, extra_job_fields=None, **kwargs)[source]¶ Bases:
jobman.dao.jobs_dao_mixin.JobsDaoMixin
,jobman.dao.sqlite_dao.SqliteDAO
-
class
JobSchema
[source]¶ Bases:
jobman.dao.utils.TimestampedSchemaMixin
,jobman.dao.utils.Schema
Fields for job records.
-
batch_meta
= {'type': 'JSON'}¶ Metadata for batch jobs, often includes list of subjobs
-
batchable
= {'type': 'INTEGER'}¶ Flag to indicate whether a job can be included in a batch.
-
engine_key
= {'type': 'TEXT'}¶ Key for engine handling the job.
-
engine_meta
= {'type': 'JSON'}¶ Metadata to retrieve related state from engine.
-
is_batch
= {'type': 'INTEGER'}¶ Flag to indicate whether a job is a batch job.
-
key
= {'type': 'TEXT', 'primary_key': True, 'default': <function generate_key>}¶
-
parent_batch_key
= {'type': 'Text'}¶ If job is part of batch, this is the parent batch job’s key.
-
status
= {'type': 'TEXT'}¶
-
-
class


Narayani Sena:
Shri Sankat Mochan Balaji Temple Management Committee was set up by Manish Yadav in 2005 with the main objective of renovation of Shri Hanumanji Temple Kataiyapur and in memory of his elder brother Late Dalveer Singh Yadav. The said committee first renovated the temple of Shri Hanuman ji and then built the Vaishnavi temple in the year 2007, in which the idol of Mata Durga ji, along with mother Laxmi Devi, mother Saraswati Devi and Sheetla Devi and Rama in the court made Rama Laxman and Mata Sita ji | After that, Lord Sri Krishna and Radha ji temple were built in 2014, after that the park, garden saint residence, small gaushala in the temple were constructed in the temple premises in which every year old manva mela fair, Navratri fair Shivratri, Shri Krishna Janmashtami, Kudarkot Various religious functions like Sadhu Seva, Guru Purnima Festival in Parikrama, the wedding ceremony of poor girls every year are organized and the programs are conducted by themselves. Gaushala was also run by Shri Sankat Mochan Balaji Temple Management Committee in which around 1400 cows are fed. Various social and religious work is done by Manish Yadav. His life has been a struggle and a challenge from the very beginning, Manish Yadav continues to inspire the youth for social and religious work due to being an environmental lover and beloved of cow service and religion. He contested from Jaswantnagar Assembly on Bharatiya Janata Party ticket in 2017.He also formed Narayani Trust for the establishment of religion by which the Narayani Army was formed in the year 2020 to create awareness and mobilize the youth of the society for social and religious work. Sankat Mochan Balaji Temple Management Committee was set up by Manish Yadav in 2005, with its main objective of renovating Shri Hanumanji Temple Kataiyapur and in memory of his elder brother Late Dalveer Singh Yadav. The said committee first renovated the temple of Shri Hanuman ji and then built the Vaishnavi temple in the year 2007, in which the idol of Mata Durga ji, along with mother Laxmi Devi, mother Saraswati Devi and Shitala Devi and Rama in the court made the reputation of Ram Laxman and Mata Sita ji. | After that, Lord Sri Krishna and Radha ji temple and Narmadeshwar Mahadev temple were constructed in 2014, after that the park, garden saint residence, small gaushala in the temple were constructed in the temple premises in which every year old age Mangal Mela, Navratri fair Shivratri, Sri Various religious functions like Krishna Janmashtami, Kudarkot, Parikrama, Sadhu Seva, Guru Purnima Festival, the marriage ceremony of poor girls every year are organized and the above programs are conducted by themselves. Gaushala was also run by Shri Sankat Mochan Balaji Temple Management Committee in which around 1400 cows are fed. Various social and religious work is done by Manish Yadav. His life has been a struggle and a challenge from the very beginning, Manish Yadav continues to inspire the youth for social and religious work due to being an environmental lover and loved cow and religion. He contested from Jaswantnagar assembly in 2017 on Bharatiya Janata Party ticket. He also formed the Narayani Trust for the establishment of religion, through which the Narayani Army was formed in the year 2020 on the auspicious occasion of Janmashtami to create awareness and mobilization of the youth of the society for social and religious work and to build a grand Shri Krishna temple at Lord Shri Krishna Janmabhoomi. Done


IBM Watson Translator app is available for free for everybody in a browser or on any smart phone. Our IBM Watson Translator will be able to translate the word 'once in a blue moon' correctly to 'very rarely' rather than giving a word-by-word translation, since our translator is able to learn by being trained.
How it will work: Users can use IBM Watson Translator in real-time by speaking/typing the words and phrases into a smartphone or a browser and asking Watson to translate it to the specific language desired (and be able to save the output). IBM Watson Translator will then return the translated words or phrases as text or speech as requested by the user.
How this can help improve the world: This app can help for example the refugees in Germany (or many other countries): Our Speech to Text app can understand Modern Standard Arabic, which can be translated into English (German currently not available) by the Language Translation app and if needed this translated text can then be transformed to speech by using our Text to Speech app. Syrian people can use the translator with all daily tasks while learning German/English language.
IBM Watson Translator app is available for free for everybody in a browser or on any smart phone. Our IBM Watson Translator will be able to translate the word 'once in a blue moon' correctly to 'very rarely' rather than giving a word-by-word translation, since our translator is able to learn by being trained.
Users can use IBM Watson Translator in real-time by speaking/typing the words and phrases into a smartphone or a browser and asking Watson to translate it to the specific language desired (and be able to save the output). IBM Watson Translator will then return the translated words or phrases as text or speech as requested by the user.
IBM Watson Translator will help create the awareness that companies must build relationships with individuals. We want everybody -not just IT experts or IBM clients - to know about IBM’s capabilities. IBM Watson Translator app will become the permanent, easy-to-use companion of everyone who is getting in touch with foreign languages, especially those who are relocating and dealing with a foreign language in their day-to-day life.
Translator will be easily accessible through browsers or app.
Android app will be available and can be downloaded from google play store.
IOS app will be available and can be downloaded from app store.
Fluid user interface. Responsive design.
Translator readly available for everyone
Unlike other competitors watsonator comes with watson intelligence. Translate in context.
Allround contributor
Allround contributor
Coder/Techie
Allround contributor
Allround contributor
Allround contributor
Allround contributor
Allround contributor
Allround contributor
Business sponsor
Ideas is ready for funding. Idea is submitted in ifundit. We are waiting for the challenges ahead. Inifinity and beyond!!
Our idea is submitted and approved after review. Phew. we had to refine the brainstormed features. Kudos, idea got aproved
Our team born at this stage! Such a like minded team with high spirit. There was a thousand features we can think of.
In this stage we formed the idea of IBM watson translator for everyone. Pretty awsome idea. Make the life easy, thats our moto.
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[gecode-users] Re : Maximal consistent assignment
benoitlaurent at neuf.fr
benoitlaurent at neuf.fr
Tue Oct 21 10:11:48 CEST 2008
On Mon, Oct 20, 2008 at 6:03 PM, <benoitlaurent at neuf.fr> wrote:
>> More precisely, I am looking for a maximal consistent assignment.
>> Is it natively managed in GECODE ?
>No, it is not implemented in Gecode.
>> I made a first attempt : I added a dummy value in the domain of each
>> variable. During the search process, I put constraints on the number of
>> "unassigned variables" to minimise it. Is it the proper way to deal with
>> partial consistent assignment in GECODE ?
>Given that a partial consistent assignment/maximal consistent
>assignment is more of a meta-property of a constraint problem, I would
>not try to encode it into the problem. Instead I would modify the
>search procedure so that it records the maximal consistent assignments
>it finds.
Your answer rises two questions.
1) I used the number of "unassigned variables" to constrain the search and to speed up
the branch-and-bound process. If I do not use dummy values any more, I won't be able to do so.
2) As I said before, I am not an expert with GECODE. How can I record partial assignments ?
Thanks in advance.
Benoît
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LONDON (Reuters) - Television fans welcomed a new queen on Wednesday as Olivia Colman and other stars of royal drama “The Crown” turned out for the world premiere of the Netflix show’s third season.
Colman, who won an Oscar earlier this year for playing a different royal in dark comedy “The Favourite,” portrays Queen Elizabeth in a retelling of the life of Britain’s reigning monarch. Colman replaces Claire Foy, who won a Golden Globe for the role as a younger version of Elizabeth.
The show’s third season, arriving on Netflix on Sunday, picks up the story in the mid-1960s going through to 1977, as heir to the throne Prince Charles (Josh O’Connor) comes of age and Britain goes through a pop culture revolution led by The Beatles and The Rolling Stones.
Creator Peter Morgan has said the series, whose first two seasons cost about $130 million to make, is based on known facts and imagined private conversations.
Helena Bonham Carter, who takes on Elizabeth’s younger sister Princess Margaret, said she was a joy to play.
“The hardest thing about playing Margaret or anybody of the family is that ultimately so many people feel they know her. And everyone has an opinion,” Bonham Carter told Reuters Television on the red carpet.
“There were so many really close friends that were all too happy to talk about her and wanted to and really loved her and also wanted to show the side that was less known about her - that she was funny, that she was full of warmth and that she was very multicolored,” the actress said.
Erin Doherty, who plays second-born child Princess Anne, said that working on the series had made her more sympathetic to the royal family.
Slideshow (12 Images)
“After doing this show, I feel like I understand them a lot more and I really, really value them and I have a lot of empathy for them,” Doherty said.
Asked whether he thought the royal family watched the show, Tobias Menzies, who plays the queen’s husband Prince Philip in middle age, said he doubted it.
“It makes me a bit nervous imagining them watching it. I’d be amazed if they watch it, but maybe they do.... My money is that they probably don’t,” he said.


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“ I’ve been interested in coding for a while but never taken the jump, until now. I couldn’t recommend this course enough. I’m now in the job of my dreams and so excited about the future. ” “
Tanya Sinclair UX Engineer“ I’ve been interested in coding for a while but never taken the jump, until now. I couldn’t recommend this course enough. I’m now in the job of my dreams and so excited about the future. ” “
Tanya Sinclair UX Engineer


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Using the rosary tag, we can remove links. Like here, this was a link.
This was once a blue tag. using the confession tag, we can reset all CSS values.
The crucifix tag removes all the tags inside of it.
The confession tag removes attributes such as class, id, and style.
This bold tag was supposed to be blue, but a quick confession prevents it from being that way.


I've Got
99 Problems
But CPAN Ain't One
Most of
your app
is not yours.
CPAN has
129,682 modules.
But
CPAN is
changing
constantly.
You can never
build the same
app twice.
Consistency
matters
a lot.
Pinto creates
a private
CPAN.
It changes only
when you
want.
Build the
same app
every time.
Pinto can
store your
modules too.
What's even
better than a
private CPAN?
Many private
CPANs.
CPANs.
CPANs.
Pinto can fork,
diff, revert, and
merge CPANs.
Use Pinto.
One less problem.
curl -L http://getpinto.stratopan.com | bash


Beaming photons.
This website is a personal plaintext data wiki.
I'm a portuguese guy with alot of dispair interests. Not focused in a singular area of the web, games, code, design and art are a few of them.
Not all those who wander are lost.
"J. R. R. Tolkien"
| Platform | Name | State |
|---|---|---|
| PS4 | The Last of us Part II | Finished easy mode |
| PS4 | Erica | Finished one ending | PC | World of Warcraft | Wrath of the lich king on Truewow | PC | Heroes of the Storm | MOBA |
| Platform | Name | Function |
|---|---|---|
| Windows | Unity | Game develop |
| Windows | Visual code | Code handle | Windows | Github desktop | Deploy this repository | Elementary OS | Terminal | Learning unix |
Feel free to contact me throw @mastodon


Postmortem
CSS Layouts:
I have had previous experience with CSS layouts even before attending this University, although as many other situations in life, one can never know it all so I have learned a thing or two throughout this course. After many chances to practice and learn the skills of layouts with margin, padding, aligning <div> sections and so, there will always be more to learn.
For instance, I know that once a person gets the hang of using relative or absolute positioning, they are free to conquer almost anything else in their design. Layouts are an important aspect of creating a UX/UI that the end user will be happy to view, use, browse, or play around with.
For my CSS Layout, you can see that I chose to go with a simple basic design. Logo on the top left, Navigation in the center with a jumbotron underneath, an article section to the side for less important content, and to the left I had the major content area.
CSS Menus:
CSS menus are probably the most important aspect of any web design in that it allows you to travel within the website and is what attracts most users to stay engaged while not getting lost. I have learned many new tricks with menus such as changing the appearance dramatically depending on a user action like a hover or a click. Also how to hide sub-menus until an action occurs from the user to save space on your page.
There are many different options you can have for a navigation menu and there are always fun and new ideas people design everyday so the limit is endless. The main focus should be to make sure there are "dead end areas" within your menu where the user will end up stuck somewhere on your page forcing them to leave.
Here you can see how my layout was nearly complete with coloring and position for the remainder of the project (for the most part).This is also the area I decided to implement my CSS into the menu changing the color when hovered over.
jQuery element controls:
Sliders:
Sliders are something I have seen done before but was a new experience for me during the assignment of the course. I love the idea of sliders and how the user can interact with it sending them off to the appropriate page. I know them better as Jumbrotrons but a name is a name I suppose. I have seen this in many websites used for companies and I believe this will be an experience I have to offer. I can see myself practicing more with the slider in personal projects I have planned. With my Slider, I decided to bring over some images from the video game that fit with the theme within each About sub-page and keeping the simple metallic theme of the AnythingSlider from jQuery.
Menus:
Much like the CSS menus, the jQuery menus offer even more options to make the navigation more user friendly based off of user interaction. Menus are an important piece of the puzzle when it comes to the design of a web page. The elemental control I decided to use within my Menu with jQuery was the change of shape during the users' interaction. For instance, when hovered, the menu item would turn from an oval button into a square button while adding a border and changing the color.
Hide/display items:
jQuery allows new fun ways to show, hide, or change an elements and is easy to import especially if using the jQuery library. Much like the menu, jQuery has been an amazing experience that allowed us to think outside of the box in what we were able to accomplish. This is also another area that would be greatly used with clients or future projects. My Dashboard was very fun to work with in this area. I was allowed to hide and display the social media to the left side of the screen to only show when hovered over with the mouse.
Opacity and color controls:
Another area where this can be used for anything the designer pleases. For instance, I used this option in the Aside where the hover would change the color from gray to yellow matching the theme of the design. This might not be an option that many clients would want outside of menus or images, but we shall see when the time comes.
Full-page scrolls:
Full-page scrolls were another section I found to be fun. There's a lot of opportunity in there to offer for clients or future projects. The ability to convert my current "normal" website into a full-page scroll was something I thought to be impossible yet with a little patience and code, it happened.
With my Full-page scroll you have not only the ability to scroll from top to bottom, but also the ability to scroll side to side. This can be used similar to how I created it where the pages top to bottom were the main pages and the areas where you were allowed to scroll left to right were sub-pages. Basically a re-creation of the menu mixed with the actual content.
Responsive CSS control:
Responsiveness within a website is an increasingly desired option which not only clients would want, but also the designer themselves. Before responsive design, the designer would have to create the same website multiple times for different screen sizes such as one for desktop, one for tablet, and another for mobile.
Responsive CSS control allowed us to create a single website that was responsive depending on the screen size of the user using different CSS rules. This interaction allows the designer to also control other areas of the design such as hiding elements, moving elements, re-sizing them, and so on.
In my Responsive CSS Control assignment, you can see the sizing of many elements and content changing depending on the screen size (or width) of your browser window/viewing device. When small enough, the menu changes into a smaller interactive version allowing mobile users to still interact with the website while being able to view the content.
Forms and form validation:
I believe this to be self-explanatory but the short point of this is forms are very important in any web design. Forms are not the average forms people tend to think of on an everyday basis such as the ones that require you to enter payment information, but forms have evolved into things such as Twitter, Facebook, or even registration pages before entering a website.
This course did not go into depth about the server side validation however I was allowed to be introduced to client side validation which can be seen Here and used in the field. There are sets of rules that the users would need to follow even before they are allowed to send the information to the server. These areas can include making sure the user does not leave any important information empty, making sure they enter a valid information, or even entering a telephone number correctly.
Decisions for my template of Overwatch:
When asked to choose a theme for my project, I chose Overwatch because the game was fresh, brand new and I thought it would be a good topic to cover. Even if the information across the site was mostly Lorem Ipsum text, I found the design and theme of the project to extremely fun. The colors chosen were based off of similar colors used from the game itself. The fonts I chose were ones that I found using Google Fonts that would go well with what the game uses already. The layout chosen was mostly from the assignments as I thought those would look very nice for what I intended to do with a few minor adjustments here and there.
The menu items I chose were based off of information I would have wanted the user to be engaged in when browsing the website. Many other fan sites or guides that have created content for Overwatch have something very similar where as they would want you to know about the game, offer information of each hero within the game, and content where new users would learn what the point of the game was or how it worked.
When selecting which items to show/display in my website, I chose to stick with the menu and the dashboard. The menu is for obvious reasons as I would not want the end user to see the design as a basic design, instead to act responsively depending on the users' interaction with the menu. When they hover, the color and shape change. When they hover over certain menu items, the sub-menus appear. The same concept would go for the dashboard found in the contact page. It is well hidden however if the users wished to contact the owner, they could hover their mouse on the left side of the form and notice a pop-out of social media. I also decided to hide the menu depending on the screen size and allow it to be smaller for those using smaller screens.
In my full-page scroll, as mentioned above, I decided to implement the menu navigation into the pages. Meaning page one would be the same as the first navigation menu, the second page would be the second navigation menu with left/right pages substituting sub-menu items, and so on.
In the form I created in the contact page, I decided it was best to request all of the information so that it would be used or stored for later use or better interaction when sending a response email, figuratively speaking of course.
My excitement of this course and knowledge I have obtained over the last few weeks have not fallen short and I will treasure every moment of it. There is much more to learn and by practicing every day, I know I will one day look back on this and laugh at how awful it might look and what I could have done better. I say this is a great stepping stone into a wonderful career that I will enjoy for a very long time in my life.


Teaches remote sensing field techniques, experimental design, and data processing in R. See below for links containing lecture material and assignments.


When I coded a solution to Project Euler Problem 11, I used a Java BiFunction to create a lambda expression with two parameters. I then needed a Java TriFunction to pass three parameters. Java 8 did not have one. I had to get my article published so I left the code as is. This meant that the code that multiplied matrix cells was coded to mutiply four cells.
In order to mutiply an arbitrary number of cells, I changed the solution to use curried functions.
Defining a a three parameter standalone lambda expression in Scala is straightforward:
val columnProduct = (row:Int, col:Int, buffer:Int) => (for(offset
or a more simple example:
val product = (x:Int, y:Int, z:Int) => x * y * z
A Scala lambda expression passed as a function parameter is even easier to read. It's obvious that the calcProduct lambda expression below in the argument list takes three Ints and returns a Long.
def matrixProduct(matrix: Array[Array[Int]], calcProduct: (Int, Int, Int) => Long, rowBuffer:Int, columnBuffer:Int) = { (for (row
A Java alternative to the TriFunction is curried functions. The Java syntax is not as elegant as what is possible in Scala but it gets the job done. It is possible to code a TriFunction but for this article, I want to discuss curried functions.
Here is an example of a BiFunction with two parameters that can be converted to three inputs if we use curried functions:
final BiFunctioncolumnProduct = (row, col) -> matrix[row][col] * matrix[row][col + 1] * matrix[row][col + 2] * matrix[row][col + 3];
The purpose of the expression to calculate the product of four adjacent matrix cells. Notice that the number of cells is hard coded to four. This can be generalized by passing in the cell count and using curried functions.
private final Function>> columnProduct = row -> col -> productLength -> columnProductImpl(row, col, productLength, 1); private int columnProductImpl(int row, int col, int columnDelta, int product) { if (columnDelta < 0) return product; return columnProductImpl(row, col, columnDelta - 1, product * matrix[row][col + columnDelta]); }
If we have:
Function> columnProduct = row -> col -> columnProductImpl(row, col);
This means that we have a lambda expression that takes an Integer input and returns another lambda expression. The returned lambda expression takes an Integer input and returns an Integer.
Let's add some parentheses to make this clearer:
row -> (col -> columnProductImpl(row, col));
So row is the input and (col -> columnProductImpl(row, col)) is the returned value. This returned value is itself a lambda expression. Looks a lot like function composite, eh?
How do we call a lambda expression from a function? Look at the example below. The last parameter to calculateCellProduct is a lambda expression. That lambda is passed as a parameter to to the map() function by calling the apply function. This is the same syntax used to call a lambda expression in Scala.
private int calculateCellProduct(int row, int productLen, final int[][] matrix, Function>> calcProduct) { return IntStream.range(0, matrix[0].length - (productLen + 1)) .map( col -> calcProduct.apply(row).apply(col).apply(productLen) ) .max() .getAsInt(); }
So what is happening in the map() function? The evaluation proceeds as follows:
As you can see defining nested lambda expressions gets rather verbose. The payoff though, is the invocation statement that is relatively easy to read. The final version of the program is pretty verbose but there is another solution that I will discuss shortly.
Java has many Functional Interfaces to support functions. Some of them are designed to automatically box primitives. One of these, IntFunction, can simplify the program above. Since the input type of the lambda is always an Integer, using IntFunction and IntUnaryOperator makes the program a bit shorter and simpler.
Notice the following pattern in the code example:
Function>>;
Since the program just processes Integers, the code can be simplified by using the following pattern.
IntFunction< IntFunction< IntUnaryOperator>>
IntFunction takes an Integer input and a type R return parameter whereas Function
The final result is simpler. I think Java 8's functional syntax is somewhat messy. Instead of consistently calling apply() to call a lambda there is also a call to applyAsInt(). These must be some reason for this but I am not sure what the designers of Java 8 were trying to accomplish. However, Java 8 brings some degree of function programming to the Java domain.
You can switch to Scala, Haskell, or Clojure but those languages require a huge transitional effort for large companies. The sane course for those enterprises is to remain with Java and live with the quirky syntax.
Back to the original point of using the lambdas. We now have a program that can multiple an arbitrary numbers of cells in the matrix.


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Issue: RETURN-VALUES-UNSPECIFIEDReferences: CLOSE (p 332), IN-PACKAGE (p 183), RENAME-PACKAGE (p 184),
TRACE (p 440), UNTRACE (p 440), INSPECT (p 442),
SET-SYNTAX-FROM-CHAR (p 361),
LOCALLY (p 156), PROVIDE (p 188), REQUIRE (P 188)
Related issues: REQUIRE-PATHNAME-DEFAULTS
Category: CLARIFICATION
Edit history: 26-Aug-88, Version 1 by Chapman
19-Sept-88, Version 2 by Chapman
6-Oct-88, Version 3 by Masinter
7-Oct-88, Version 4 by Masinter
26-Nov-88, Version 5 by Masinter
9-Dec-88, Version 6 by Masinter
Problem Description:
The descriptions of CLOSE, IN-PACKAGE, RENAME-PACKAGE, TRACE, UNTRACE,
INSPECT, SET-SYNTAX-FROM-CHAR, LOCALLY, PROVIDE, and REQUIRE
are not clear about the values returned from those constructs.
Proposal (RETURN-VALUES-UNSPECIFIED:SPECIFY)
Clarify that the return values for the listed constructs are as follows:
CLOSE -- T
IN-PACKAGE -- the new package, i.e. the value of *PACKAGE* after the
execution of IN-PACKAGE.
RENAME-PACKAGE -- the renamed package.
TRACE (when called with arguments) -- implementation-dependent.
UNTRACE -- implementation-dependent.
INSPECT -- implementation-dependent.
SET-SYNTAX-FROM-CHAR -- T
LOCALLY -- the return values of the last form of its body, i.e. the body is
surrounded by an implicit PROGN.
PROVIDE -- implementation-dependent.
REQUIRE -- implementation-dependent.
(NB: the issue CLOSED-STREAM-OPERATIONS proposes modifying
the return value of CLOSE on closed streams. The issue
REQUIRE-PATHNAME-DEFAULTS proposes removing
REQUIRE and PROVIDE. Those proposals would take
priority over this one.)
Rationale:
This clarification allows users to know when they can and can not
count on the values returned from these constructs.
Current Practice:
Varies; the choices made here are consistent with many but
not all implementations.
Cost to Implementors:
Small.
Benefits:
This clarification will assist users in writing portable code.
Cost to users:
Small; it seems unlikely that there is much code that currently
depends on the return values of these functions; such code isn't
portable.
Aesthetics:
Specified is better than not, when it makes sense.
Discussion:
PROVIDE and REQUIRE are not likely to appear except in the "top level" of
files, and so their return value is possibly moot. Another proposal would
eliminate them from the language, and then their return value would definitely
be moot!
There is some sentiment for leaving unspecified the values of the
debugging/environment features such as TRACE and UNTRACE,
for the same reasons that so much else of their behavior is unspecified.
Notes from Oct 88 X3J13:
Except for LOCALLY, why bother?
That just causes portability problems. Don't want to leave it
unspecified -unless- someone can cite a reason to do so.
"If many weren't defined, maybe we should leave 'em, but
since nearly all -are- defined, let's just go ahead and
round out the set."
Most text books she's seen show CLOSE returning NIL.
One text book shows it returning T.
Since some people like to think of T as success and NIL
as failure, maybe it should always return T.
(See Issue: CLOSED-STREAM-OPERATIONS.)


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