hasbro
Businessmodel of Hasbro
Customer Segments
Hasbro’s products are designed for consumption by general consumers, primarily children, who are able to purchase Hasbro products through various channels. While general consumers do make up a direct customer segment of the Company, its principal customers comprise a range of physical and online retailers and distributors, including wholesalers, distributors, chain stores, discount stores, drug stores, mail order houses, catalogue stores, department stores and other traditional retailers both large and small, as well as internet-based ‘e-tailers’.
According to its annual report, the Company makes the majority of its sales to large chain stores, distributors and wholesalers. During 2015, net revenues from derived from Hasbro’s top five customers accounted for approximately 39% of the Company’s consolidated global net revenues. This included revenue generated by sales to its three largest customers, Wal-Mart Stores, Toys “R” Us, and Target Corporation, which respectively represented 16%, 9% and 9% of net revenues for the year.
The US and Canada comprise Hasbro’s largest market, accounting for a little over half of the Company’s annual revenue. International sales, notably across Europe, Latin America and Asia Pacific, are also significant.
Value Propositions
Hasbro provides value to its customers in the following ways:
- The quality and breadth of its product offerings, including an extensive range of toys, games, television programming, motion picture content, and digital gaming content;
- Its brand reputation and industry standing, being one of the largest and most well-known companies of its kind worldwide, associated with quality and original content and products;
- Its global sales and marketing reach, with operations across North America, Latin America, Europe, Asia Pacific, as well as in other jurisdictions; and
- Its high-profile and popular intellectual properties and franchises, including lucrative and popular titles such as Monopoly, My Little Pony, Nerf, Play-Doh and Transformers. ### Channels
Hasbro operates website at www.hasbro.com through which customers are able to find information on the Company’s various business activities and services. The Company also operates an online store hosted at the www.hasbrotoyshop.com domain, where general consumers are able to purchase toys and games directly from the Company.
As noted above, the majority of Hasbro’s sales are made to distributors, retailers and resellers. These sales are made by the Company’s own in-house sales teams that are organised by region across the world. Hasbro’s own direct sales force is supported by a network of channel partners that sell the Company’s products in jurisdictions that the Company does not itself maintain a direct presence.
In addition to its physical products, Hasbro licenses its properties for and creates its own television programming, motion picture and digital gaming content, which is distributed through various broadcast networks, digital on-demand platforms such as Netflix and iTunes, and gaming networks.
Customer Relationships
Hasbro operates an online sales channel named the Hasbro Toy Shop, where consumers are able to make purchases on a self-service basis, with no interaction with sales representatives required.
Hasbro’s sales to distributors and retailers, which comprise the majority of the Company’s business, are made primarily through the Company’s own in-house sales unit. This allows the Company to establish long-standing relationships with larger customers, consulting with clients to provide a tailored service. This approach is apparent in its ongoing relationships with high-profile customers such as Walmart and Toys “R” Us.
Hasbro operates a Consumer Care portal on its website, through which consumers are able to find a range of online resources, including FAQs, guides and recall information, instructions and safety information. They are also able to interact with customer support staff through an online chat service, email, and telephone assistance services.
Customers and consumers are also able to stay up to date with developments at Hasbro as well as across the industry more broadly by following the Company’s Newsroom portal – which includes press releases and articles, media events and email alerts. Additionally, customer can interact with Hasbro directly through its accounts with Facebook, Twitter and YouTube.
Key Activities
Hasbro is a global toy and games company.
It operates through four business segments: the US and Canada segment, which is engaged in the marketing and sale of the Company’s numerous products across the US and Canada; the International segment, which is responsible for marketing and sales to retailers and distributors across international markets in Europe, Asia Pacific and Latin America; the Entertainment and Licensing segment, which comprises the Company’s consumer products licensing, digital gaming, television and movie entertainment operations; and the Global Operations segment, which sources the production of the Company’s toy and game products.
Hasbro additionally provides entertainment offerings, such as original television programming and motion pictures, and other digital media products.
Key Partners
Hasbro partners with a range of companies worldwide, finding various different means of monetising its brand franchises and intellectual properties. Its partners primarily comprise technology companies, electronics producers, media and digital publishing agencies, programming and motion picture studios and software and application developers.
In recent years, the Company has launched tie-ups with partnerships with Panini to create a sticker collection for its My Little Pony content, with Kabam to create a transformers mobile game, with Shapeways to create Hasbro franchise-inspired fan art, with Xiaomi to produce Transformers-branded tablets, and with Paramount to create original content based on the Company’s franchise properties. In addition to this, Hasbro has a range of brand partners for which it produces branded toys and merchandise. This includes brands such as Marvel, Star Wars, Jurassic World and Sesame Street.
Hasbro also has a number of manufacturing and channel partners that assist in the production and distribution of its physical products. Notably, in 2015 all of the Company’s products were manufactured in third party facilities in Asia, primarily China, as well as in two located in East Longmeadow, Massachusetts and Waterford, Ireland.
Additionally, Hasbro has a number of social corporate responsibility partners, including GenerationOn, Toys for Tots, Operation Smile, Give Kids the World, and SOS Children’s Villages.
Key Resources
Hasbro’s key resources are its intellectual properties and franchise brands, its sales and distribution networks, its various partnerships, its manufacturing and production networks, its warehousing and logistics chain, and its personnel.
Hasbro protects its products and intellectual properties in a number of jurisdictions, through registered trademarks, copyrights and patents. Searches of records published by the US Patent and Trademark Office identified 17 patent applications filed in Hasbro’s name, including patent applications entitled ‘Projectile launcher with rotatable clip connector’, ‘Multidimensional alignment spacing for toy building elements, and ‘Device and method for an electronic tag game’.
Cost Structure
Hasbro incurs costs in relation to its product development activities, the sale and distribution of its various products, fees relating to the manufacturing and production of its products by third parties, the storage and transportation of its products, the creation of original programming content, and the retention of its personnel.
At 27th December 2015 Hasbro employed around 5,000 members of staff worldwide, all of whom represent costs in the form of salaries and benefits. Hasbro also operates a network of offices and facilities across its operating jurisdictions, accruing costs in the form of rental and utility fees.
Revenue Streams
Hasbro generates revenue through the production and sale of various physical products, such as toys and games, and the sale of media content and licensing of its brands. The Company organises its offerings into the following categories:
- Boys, including revenue generated from the sale of products and offerings based on its franchise brands targeted at boys, including Nerf and Transformers, and products related to partner brands for boys such as Marvel and Star Wars;
- Games, comprising revenue generated from the sale of the Company’s games face-to-face, board, off-the-board, digital, card, electronic, trading card, and role playing games;
- Girls, including revenue generated from the sale of products and offerings based on the Company’s franchise brands aimed at girls, including My Little Pony, Furby and Littlest Pet Shop; and
- Preschool, comprising revenue generated from the sale of the Company’s products aimed at preschool age children. In 2015 Hasbro generated $4.45 billion in annual net revenue, up on the $4.28 billion recorded in 2014. Of this revenue, the Boys product category was the largest revenue generator, accounting for $1.18 billion of the Company’s total net revenue for the year. Games accounted for $1.28 billion, while Girls and Preschool accounted for $798.24 million and $596.82 million respectively.


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Hello and welcome. My name is Samuel and I'm a front-end web developer based in Nairobi
I design and build beautiful web user interfaces, and I love what I do.
click here to see some of my projects/work
My recent work
Here are a few front-end projects I've worked on recently on recently
First Web Page
This is the first wepsite I've created.
It contains two webpages, the landing page
and a page about my favorite things.
Turned my resume into a webpage
A Little About Me
My name is Samuel Gitimu, a student at CUEA pursuing a bachelors degree in IT.
I have been in some other programming classes (a huge part of the coursework).
I decided to take up these programming classes to sharpen my skills plus I guess
it's about time I started building products/projects already.


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Doctor Sleep review: The sequel does justice to The Shining
by James CoxIf you're a fan of Stanley Kubrick's cult classic The Shining, Doctor Sleep is a must-watch.
Director Mikey Flanagan gets it spot on despite the various challenges of such a project.
First, there's the difficulty in adapting a Stephen King novel.
His work is so prolific that countless books have been adopted for film or TV, normally they're terrible or excellent.
We felt Doctor Sleep fell into the later category.
Flanagan also had the challenge of doing justice to Kubrick's classic film.
He did it perfectly, paying tribute to the original and its characters at the right time while also making sure Doctor Sleep had its own identity.
It follows a grown-up Danny Torrence (Ewan McGregor) as he reluctantly returns to his 'Shine' powers to mentor a young girl named Abra (Kyleigh Curran) who has even stronger telepathic abilities than his own.
The old ghouls and monsters from The Shining rear their ugly heads once again but Flanagan resists the urge to be too indulgent with these established characters.
Instead, they simply supplement the new evil haunting the protagonists, a sinister cult called the True Knot.
The True Knot are led by the a brilliant, but terrifying, character called Rose the Hat.
An excellent performance from Rebecca Ferguson brings Rose's character to life.
And...... *slight spoiler alert if you prefer going into a film completely blind*... the return of the Overlook Hotel tops it off!
So often contemporary sequels to classics fail to get it right but that's not the case with Doctor Sleep.
Despite it's poor intake at the box office so far, it's well worth a watch and we give it four stars.
****


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--- title: Trading Strategy author: Ben Jaletzke date: '2020-10-20' slug: trading-strategy categories: - compsci tags: - data_analytics - r - finance subtitle: '' summary: 'Our group applied two technical indicators to S&P Metal Commodity Indices: A triangular moving average (TMA) and a double exponential moving average (DEMA), with the idea being that the metal markets overall move steadily in an upward trend and with relatively low volatility, thus making them suitable candidates for the application of a slow moving indicator, the TMA. As a sort of control group, we then look at the performance of the DEMA, an indicator that is significantly more fast moving and provides different returns. We find that both these indicators significantly underperform the market compared to, for example, a simple buy-and-hold strategy over the same time period, starting in 1990.' authors: [] lastmod: '2020-10-20T13:24:01+01:00' featured: no image: caption: '' focal_point: '' preview_only: no projects: [] ---
The idea for this group project was to come up with a strategy that either exploited an arbitrage opportunity in the market, or represents another form of hedge fund strategy. Our group decided to develop a technical strategy basing on the moving averages of metal commodities returns. We start by constructing a Markowitz efficient portfolio and an equal weighted portfolio to trade on and use the Triangular Moving Average and Double Exponential Moving Average returns of the portfolios to find buy/sell signals.
As to the choice of moving averages as our technical indicators: There has, over the last decades, been a considerable exploration of the applciation of technical/chart signals to trading in attempts to make sense of market movements that happen for different asset classes. These developments have ranged from simple trendlines and averages to bollinger bands, fibonnaci patterns yet more complex indicators. While there are differing opinions in markets about the applicability of technical signals in general (see e.g. Stankovic, Markovic & Stojanovic, 2015), studies have found that generally, there is a problem with complex signals:
While these can produce returns for some time, their downfall lies in their applciation, which is to say that once profitable signals are found to work reliable, chances are that these signals will be used to such an extent that they are no longer reliably profitable (Glabadanidis, 2015; Vukovic, Grubisic & Jovanovic 2010). A moving average is simple enough not to run this risk, which is why we decided to investigate their potential applicability within our chosen market.
# Data Import and Cleaning
import_data <- function(source){
x <- read.csv(source, skip = 2)
x %>%
mutate(date = as.Date(x$Date, format = "%m/%d/%Y")) %>%
filter(date > as.Date("1989-12-31")) %>%
subset(data = x, select = -c(Date, Open, High, Low)) %>%
rename(close = Close,
ticker = Ticker) %>%
mutate(index = close/close[1])
}
precious_init <- import_data("data/sp_precmet.csv")
industrial_init <- import_data("data/sp_indmet.csv")
combined_indices <- full_join(industrial_init, precious_init, by = "date") %>%
rename(precious_metals = index.y,
pm_close = close.y,
ind_close = close.x,
industrial_metals = index.x) %>%
subset(select = -c(ticker.x, ticker.y)) %>%
head(-2)
combined_indices_pivot <- combined_indices %>%
subset(select = -c(ind_close, pm_close)) %>%
gather(index, values, precious_metals:industrial_metals)
ggplot(combined_indices_pivot) +
geom_line(aes(x=date, y=values, color = index)) +
labs(title = "Plot of S&P GSCI Precious Metals and Industrial Metals Indices",
y = "Price, (1 = 1/1/1990)",
x= "Date",
caption = "GFD, S&P Indices as of 13 October 2020") +
scale_x_date(date_breaks = "12 months", date_labels = "%Y") +
theme_minimal() +
theme(axis.text.x=element_text(angle=60, hjust=1)) +
scale_color_discrete(
name = "Series",
labels= c("Industrial Metals", "Precious Metals"))
In order to ideally work within the metals markets, the portfolio will consist completely of two already existing indices that are calculated on a daily basis, the S&P GSCI Precious Metals Index and the S&P GSCI Industrial Metals Index. By using these two indices as our baseline instead of attempting to construct our own, we can create a two-security portfolio with different weights to find the best possible results. As for the choice of allocations, we tried different combination weights of the indices.
To construct the efficient portfolio, we had to calculate the return and variance of the two separate indices.
# Return - Variance Calculation for the Separate Metals Indices
industrials_price <-
na.approx(zoo(combined_indices$ind_close, combined_indices$date))
precious_price <-
na.approx(zoo(combined_indices$pm_close, combined_indices$date))
rets_industry <-
Return.calculate(xts(industrials_price), method = "discrete")
names(rets_industry) <- "return_ind"
rets_precious <-
Return.calculate(xts(precious_price), method = "discrete")
names(rets_precious) <- "return_prec"
combined_indices <- cbind(combined_indices, rets_industry, rets_precious)
# Calculating Statistics for the Industrials Index
stats_industrials <- combined_indices %>%
summarise(mean_ind = mean(return_ind[-1]),
sd_ind = sd(return_ind[-1]))
# Calculating Statistics for the Precious Metals Index
stats_precious <- combined_indices %>%
summarise(mean_prec = mean(return_prec[-1]),
sd_prec = sd(return_prec[-1]))
We constructed an efficient portfolio according to Markowitz portfolio theory (Mangram, 2013).
# Efficient Portfolio
# Statistics for the Portfolio: Mean, StDev, Correlation
calc_efficient <- combined_indices %>%
summarise(mean_ind = mean(return_ind[-1]), mean_prec = mean(return_prec[-1]),
sd_ind = sd(return_ind[-1]), sd_prec = sd(return_prec[-1]),
corr_ind = cor(return_ind[-1],return_prec[-1]))
# Function to calculate the Weighting of Industrial Metals in the Final Portfolio
sh_r_max <- function(x){
(x*calc_efficient$mean_ind+(1-x)*calc_efficient$mean_prec)/
sqrt(x^2*calc_efficient$sd_ind^2+(1-x)^2*calc_efficient$sd_prec^2+2*x*(1-x)
*calc_efficient$sd_ind*calc_efficient$sd_prec*calc_efficient$corr_ind)
}
# Calculating optimal weights for industrial index
efficient_weight_opti <-
optimize(f = sh_r_max, lower = -1,upper = 1, maximum = TRUE)
# assigning weights to the two indices
weight_industrial <- efficient_weight_opti$objective
weight_precious <- 1-weight_industrial
# creating (theoretically) efficient combination
efficient_portfolio <- combined_indices %>%
mutate(
efficient =
weight_industrial * industrial_metals +
weight_precious * precious_metals) %>%
subset(select = c(date, efficient))
## [1] "This portfolio gives a weight of 97.524% to the Precious Metals Index, and a weighting of 97.524% to the Industrial Metals Index"
# Weights
eq_w_pm <- 0.5
eq_w_ind <- 1-eq_w_pm
# calculate index
eq_w_ind <- combined_indices %>%
mutate(eq_weight = eq_w_pm * precious_metals + eq_w_ind * industrial_metals) %>%
subset(select = c(date, eq_weight))
# Joining the Portfolios
# Add Equal Weights to Individual Indices
indices_equal <- right_join(eq_w_ind, combined_indices, by = "date") %>%
subset(select = -c(ind_close, pm_close )) %>%
subset(select = -c(return_ind, return_prec))
# Add Efficient Portfolio
four_portfolios_main <- left_join(indices_equal, efficient_portfolio, by = "date")
The graph shows clearly that the most efficient portfolio is one in which the heaviest weighting is placed on the precious metals component of the portfolio, which is not surprising given it’s outperformance of the industrial metals class, especially over the last ten years. For a further analysis, this raises the obvious question of whether a more efficient portfolio could be constructed using different indices/components that would diversify the returns away from this sector.
We have decided to use the precious metals index and the industrial metals index. Precious metals are commonly referred to as safe havens, which means that they are counter-cyclical. Their price tends to move in the opposite direction of the general economic conditions. This makes an index of precious metals a very robust investment to hedge against an economic downturn. Academic literature (Sakemoto, 2018) supports this hypothesis with gold and silver as well as other precious metals shown to provide diversification benefits when added to the portfolio. Industrial metals have also been shown to provide diversification benefits and in some cases act as better hedges than precious metals. However, more recently, the hedging properties have been weaker for both precious and industrial metals. That being said, gold is an asset that is traded globally less for its value as a metal but because of its use as a hedging and speculative asset.
combined_indices %>%
subset(select = c(precious_metals, industrial_metals)) %>%
ggpairs(combined_indices)
## Warning: Removed 1 rows containing non-finite values (stat_density).
## Warning in ggally_statistic(data = data, mapping = mapping, na.rm = na.rm, :
## Removing 1 row that contained a missing value
## Warning: Removed 1 rows containing missing values (geom_point).
As the above correlation graph shows, and intuition would confirm, there is an extreme correlation between the different classes of metals. This is despite the fact that gold, which makes up a large part of the precious metals index, is traded less for its value as a metal from an utilitarian perspective and more because of it’s economic value as a crisis/hedging asset.
A moving average is a stock indicator used to smooth out the price data by continuously updating the average price. It is calculated by analysing the security’s average price over a predetermined time period. Hence, as the security’s price changes, the average shifts up and down accordingly. The rationale behind using the moving average is to mitigate the impact of random, short-term fluctuations in the price of the security. In this analysis we will concentrate of the exponential and triangular moving averages. An even-numbered moving average is unbalanced, and for our purposes, the unbalancing will be in favor of more recent observations. For example, to calculate a 5-MA, the equation is as follows: \[\hat{y}_{n} = \frac{y_{t-2} + y_{t-1} + y_{t} + y_{t+1} + y_{t+2}}{5}\]
The triangular moving average gives majority of the weight on the central portion of the price series, which results in a double-smoothed simple moving average (Ferreira, Silva, 2018). Compared to a simple moving average, a triangular moving average will not react that fast in volatile market conditions. To make the moving average symmetric (and therefore more accurate), we then take a 2-MA of the 4-MA to create a 2 x 4-MA. For the 2-MA step, we average the current and previous moving averages.\[\hat{y}_{n} = \frac{1}{8}y_{t-2} + \frac{1}{4}y_{t-1} + \frac{1}{4}y_{t} + \frac{1}{4}y_{t+1} + \frac{1}{8}y_{t+2} \] The benefit of this technique is that if the security’s price fluctuates back and forth, the triangular moving average will not be as reactive and hence indicate that the overall trend has not shifted. An exponential moving average is a more appropriate choice for a highly responsive moving range.
Naved & Srivastava (2015) found that moving averages strategies generate more profit with less drawdown and outperform buy-and-hold strategies. This result, combined with the relative simplicity dan accompanying flexibility of moving averages makes them an attractive tool for analysis and trading for our use case.
The main challenge lies in finding the appropriate time periods for the TMA. As it is an average of averages, we have to consider which of these will give us the best return. The best TMA will be one that fits the trend well enough, but can still react to changes in the underlying assets quickly enough to be useful. To compute a basic TMA, we can use the ma() function and take a look at the output, in this case with a 60 day compound.
ggplot(pfs_tma_dma) +
geom_line(aes(x = date, y=values, group = index),
alpha = 0.8, fill = "black", size = 0.2) +
geom_line(aes(x = date, y=tma100, color = index)) +
scale_color_brewer(palette="Dark2",
name = "Series",
labels = c("Efficient Portfolio", "Equal Weights")) +
scale_x_date(date_breaks = "12 months", date_labels = "%Y") +
theme_minimal() +
theme(axis.text.x=element_text(angle=60, hjust=1)) +
labs(
title = "Triangular Moving Average",
subtitle = "Applied to the Efficient and Eq. Weights Portfolios",
x = "Date",
y = "Index (100 = 1/1/1990)"
)
## Warning: Ignoring unknown parameters: fill
The double exponential moving average (DEMA), introduced by Partick Mulloy in 1994, is another popular smoothing technique from the moving averages family of indicators. It’s an improvement on simple exponential smoothing by completing exponential filtering process twice. An experiment on the Jakarta Stock Exchange has shown a promising result that the double exponential moving average has a high degree of accuracy and robustness. The model derives small mean square error and mean absolute percentage error values (Hansun & Subanar, 2016). Relevance for the application to our strategy comes from the fact that the DEMA is somewhat of an opposite to the TMA. While the latter is a particularly smooth and trend following index, the DEMA reacts very quickly to any changes in price. In this paper, we aimed to use both triangular moving average and double exponential moving average in examining the accuracy in predicting signals within metal futures.
\[ DEMA = 2 x EMA - EMA(EMA)\], where \[ EMA_{Today} = (Value_{Today} * (\frac{Smoothing}{1 + Days}) + EMA_{Yesterday} * (1 - \frac{Smoothing}{1 + Days}) \] and the smoothing factor is often given as 2.
ggplot(pfs_tma_dma) +
geom_line(aes(x = date, y=values, group = index),
alpha = 0.8, fill = "black", size = 0.2) +
geom_line(aes(x = date, y=dema, color = index)) +
scale_color_brewer(palette="Dark2",
name = "Series",
labels = c("Efficient Portfolio", "Equal Weights")) +
scale_x_date(date_breaks = "12 months", date_labels = "%Y") +
theme_minimal() +
theme(axis.text.x=element_text(angle=60, hjust=1)) +
labs(
title = "Double Exponential Moving Average",
subtitle = "Applied to the Efficient and Eq. Weights Portfolios",
x = "Date",
y = "Index (100 = 1/1/1990)"
)
## Warning: Ignoring unknown parameters: fill
## Warning: Removed 36 row(s) containing missing values (geom_path).
equal_price <-
na.approx(zoo(four_portfolios_main$eq_weight, four_portfolios_main$date))
rets_eq <-
Return.calculate(xts(equal_price), method = "discrete")
names(rets_eq) <- "return_eq"
efficient_price <-
na.approx(zoo(four_portfolios_main$efficient, four_portfolios_main$date))
rets_eff <-
Return.calculate(xts(efficient_price), method = "discrete")
names(rets_eff) <- "return_eff"
# Statistics for the Equal Weight Portfolio
four_portfolios_main <- cbind(four_portfolios_main, rets_eq)
stats_eq <- four_portfolios_main %>%
summarise(mean_eq = mean(return_eq[-1]),
sd_eq = sd(return_eq[-1]))
# Statistics for the Efficient Portfolio
four_portfolios_main <- cbind(four_portfolios_main, rets_eff)
stats_eff <- four_portfolios_main %>%
summarise(mean_eff = mean(return_eff[-1]),
sd_eff = sd(return_eff[-1]))
In order to see the performance of any portfolio, we have to implement buy and sell signals. In our case, as described earlier, the idea would be to buy when the TMA is passed upwards, and to sell & short when the line crosses below. To do this, we can use the code suggested on the QuantInst Blog
# (Re-)calculating DEMA
efficient_tma_dema <- eq_efficient_clean %>%
filter(index %in% "efficient") %>%
mutate(dema = DEMA(values, 10, wilder = TRUE))
# Buy Signals for DEMA
efficient_tma_dema$buy_signal_dema <-
ifelse(efficient_tma_dema$dema < efficient_tma_dema$values, 1, 0)
# Buy Signal for TMA
efficient_tma_dema$buy_signal_tma <-
ifelse(efficient_tma_dema$tma100 < efficient_tma_dema$values, 1, 0)
# DMA Trading
above_ma <-
which(efficient_tma_dema$buy_signal_dema==1)
trades_time <-
split(above_ma, cumsum(c(1, diff(above_ma) >= 4)))
trades_time <-
trades_time[sapply(trades_time, length) >= 4]
trades <-
lapply(trades_time, function(x){
l <- c(x[4],min(x[length(x)]+4, length(efficient_tma_dema$values)))})
returns_dema <-
sapply(trades, function(x){
(efficient_tma_dema$values[x[2]]/efficient_tma_dema$values[x[1]])-1})
ttl_ret_dema <-
sum(returns_dema) - 1
# TMA Trading
above_ma <-
which(efficient_tma_dema$buy_signal_tma==1)
trades_time <-
split(above_ma, cumsum(c(1, diff(above_ma) >= 4)))
trades_time <-
trades_time[sapply(trades_time, length) >= 4]
trades <-
lapply(trades_time, function(x){
l <- c(x[4],min(x[length(x)]+4, length(efficient_tma_dema$values)))})
returns_tma <-
sapply(trades, function(x){
(efficient_tma_dema$values[x[2]]/efficient_tma_dema$values[x[1]])-1})
ttl_ret_tma <-
sum(returns_tma) - 1
# Plot
er_sd_view <- cbind(stats_industrials, stats_precious, stats_eq, stats_eff) %>%
gather(mean_return, values_er, c(mean_ind, mean_prec, mean_eff, mean_eq)) %>%
gather(volatility, values_vola, c(sd_ind, sd_prec, sd_eff, sd_eq)) %>%
rownames_to_column("return") %>%
slice(1, 6, 11, 16) %>%
subset(select = -return) %>%
mutate(values_vola = values_vola) %>%
mutate(values_er = values_er)
ggplot(er_sd_view) +
geom_point(aes(x = values_vola, y = values_er, color = mean_return)) +
scale_x_continuous(limits = c(0.005, 0.017)) +
scale_y_continuous(limits = c(0.00015, 0.0003)) +
scale_color_brewer(palette = "Dark2",
name = "Portfolio",
labels = c("Efficient", "50/50", "Industrial Metals", "Precious Metals")) +
labs(
title = "E(Return)/Volatility Plot for the Individual portfolios",
x = "Volatility",
y = "Expected Return"
) +
theme_minimal()
As the chart shows, the volatility and return for individual portfolios follow the common trend. While individual portfolio for industrial metals and precious metals have relatively low risk-adjusted returns, the efficient and 50/50 portfolios have better efficiency frontiers. The efficient portfolio and 50/50 portfolio are really close in both volatility and return, indicated that the efficient portfolio has a similar make-up with 50/50.
The Triangular Moving Average as a Trading Indicator would give us a total return on 1$ of: -5.1924
The Double Exponential Moving Average as a Trading Indicator would give us a total return on 1$ of: 0.2665
As the chart shows, the DEMA has a lower density toward the mean value, while also have a fat tail in the positive end, indicating that the method is successful in achieving positive returns for our portfolio, and is also useful in eliminating intra-day lost. Compared to TMA 100, the DEMA also has a higher mean value, indicating a higher average return. The chart shows that DEMA is a Pareto improvement to the original TMA 100.
We can amplify our returns by using a Kelly Criterion Optimized amount of leverage. For a given security, this investment is given by \(f^{*} = \frac{\mu - r_{f}}{\sigma^{2}}\)
kelly_crit_eff <- (stats_eff$mean_eff - (risk_free / 365)) / (stats_eff$sd_eff)^2
print(paste0("Kelly Criterion Value for the Efficient Portfolio: ", kelly_crit_eff))
## [1] "Kelly Criterion Value for the Efficient Portfolio: 2.04338490184356"
Applying this to the theoretical daily returns from the previous calculations on return gives us:
tot_ret <- 0
dailyret_dema <- dailyret %>%
filter(indicator %in% "dema_returns")
kelly <- for (i in 1:na.omit(length(dailyret_dema$return))){
tot_ret <- dailyret_dema$return[i] * kelly_crit_eff
}
Total Return after applying the Kelly Criterion and leveraging returns: 0.3308699
In conclusion, we can see that the strategy works, but that it is an inefficient way of moving about the metal commodities markets. A buy/hold strategy in the same time period would have provided higher returns, (e.g. \(r_{efficient} = 4.71 - 1\), where 4.71 is the final index value). That being said, the implementation of the strategy was successful, and its components can be tweaked to produce outputs that are, if not higher returning ones, at least ones which provide returns at a relatively low volatility.


accepts
Higher level content negotiation based on negotiator. Extracted from koa for general use.
In addition to negotiator, it allows:
- Allows types as an array or arguments list, ie
(['text/html', 'application/json'])
as well as('text/html', 'application/json')
. - Allows type shorthands such as
json
. - Returns
false
when no types match - Treats non-existent headers as
*
Installation
This is a Node.js module available through the
npm registry. Installation is done using the
npm install
command:
$ npm install accepts
API
var accepts = require('accepts')
accepts(req)
Create a new Accepts
object for the given req
.
.charset(charsets)
Return the first accepted charset. If nothing in charsets
is accepted,
then false
is returned.
.charsets()
Return the charsets that the request accepts, in the order of the client’s preference (most preferred first).
.encoding(encodings)
Return the first accepted encoding. If nothing in encodings
is accepted,
then false
is returned.
.encodings()
Return the encodings that the request accepts, in the order of the client’s preference (most preferred first).
.language(languages)
Return the first accepted language. If nothing in languages
is accepted,
then false
is returned.
.languages()
Return the languages that the request accepts, in the order of the client’s preference (most preferred first).
.type(types)
Return the first accepted type (and it is returned as the same text as what
appears in the types
array). If nothing in types
is accepted, then false
is returned.
The types
array can contain full MIME types or file extensions. Any value
that is not a full MIME types is passed to require('mime-types').lookup
.
.types()
Return the types that the request accepts, in the order of the client’s preference (most preferred first).
Examples
Simple type negotiation
This simple example shows how to use accepts
to return a different typed
respond body based on what the client wants to accept. The server lists it’s
preferences in order and will get back the best match between the client and
server.
var accepts = require('accepts')
var http = require('http')
function app (req, res) {
var accept = accepts(req)
// the order of this list is significant; should be server preferred order
switch (accept.type(['json', 'html'])) {
case 'json':
res.setHeader('Content-Type', 'application/json')
res.write('{"hello":"world!"}')
break
case 'html':
res.setHeader('Content-Type', 'text/html')
res.write('<b>hello, world!</b>')
break
default:
// the fallback is text/plain, so no need to specify it above
res.setHeader('Content-Type', 'text/plain')
res.write('hello, world!')
break
}
res.end()
}
http.createServer(app).listen(3000)
You can test this out with the cURL program:
curl -I -H'Accept: text/html' http://localhost:3000/


Service Engineer Name
End Time
Service Provider
Breakdown Status
Attended Date
Type of Visit
Attended Duration
Amount
Start Time


Dubstep Sequencer
Play
Stop
|
Add Sequence
|
Generate random Hit!
Each sequence field can has a value of 1-5.
This demo uses sound samples from
this post on musicradar.com
.


"x" "1" "MAZZA,G, DACARRO,C, BONFERONI,C AND BONFERONI,B, STUDIES ON THEMUTAGENIC ACTIVITY OF BENZOTRIFLUORIDE AND TWELVE DERIVATIVES IN MICROBIALSHORT-TERM ASSAYS,FARMACO, ED. PRAT. 41(7):215-225, 1986"


ThorDeal
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NOTE: It will be fixed soon.


To use these content plug-ins, in addition to jQuery and jquery-progresspiesvg-min.js
also include the additional plug-in file jquery-progresspiesvg-controlIcons-min.js
into
your HTML!
$(".pr.icon").each(function(){
var me = $(this);
me.progressPie({
color: "#00d",
strokeWidth: 1,
ringWidth: 3,
contentPlugin: me.hasClass("play") ? "play" : me.hasClass("pause") ? "pause" : "stop"
});
});
applied to elements like:
100 %
0 % 5 % 25 % 42 % 50 % 65 % 80 % 99 % 100 %
Normally the icon is drawn in the same color as the outer ring and is auto-sized to fit into the ring.
If you want to get a smaller icon (especially when drawing greater pie/ring charts), you may add
a maxSize
option to the content plug-in options. If you want to override the color, add a color
option. All these content plug-in options are members of an object passed to the progressPie plug-in in option
contentPluginOptions
:
$(".pr.silverback").progressPie({
size: 30,
strokeWidth: 15,
ringWidth: 2,
strokeColor: "#ddd",
color: "#d00",
valueData: "val",
contentPlugin: "pause",
contentPluginOptions: {
color: "navy",
maxSize: 7
}
});
The content plug-ins are primarily designed to put content into the blank space of a ring graph like in the examples above. But in principle it's also possible to combine it with a progress pie graph. In the latter case keep in mind, the content is drawn as a layer on top of the pie graph. If you keep the default color (which is exactly the same as that of the pie), part of the icon will be effectively invisible. So this combination requires you to manually set a color scheme where the content color (here: the control icon) is drawn in a (foreground) color which is well readable on top of the background color (e.g. white) as well as on top of the pie color (e.g. a light grey):
$(".pp.icon").progressPie({
color: "#ccc",
valueData: "val",
contentPlugin: "pause",
contentPluginOptions: {color: "navy"}
});
Comparing this to the first example, you might have noticed that in this case the control icons are larger: The default icon size when combined with a ring graph is calculated based on the inner radius of the always free space inside a filled ring. The default icon size when drawn on top of a pie, on the other hand, is based on the (larger) radius of the surrounding circle stroke of the pie graph.
This plug-in draws a check mark into a closed ring or onto a full pie, i.e. when the percent value equals 100%. Inside a ring, the default color of the check mark equals the color of the ring, while check marks drawn on top of a full pie are drawn in white by default. You may style the check by choosing your own color, changing the default stroke width (of 2px) or changing the line caps (i.e. from round to rectangular):
$(".pp.check1").progressPie({contentPlugin:"checkComplete"});
0 % 5 % 25 % 42 % 50 % 65 % 80 % 99 % 100 %
$(".pp.check2").progressPie({
contentPlugin: "checkComplete",
contentPluginOptions: {
strokeWidth: 1
},
color: function(percent) {
return percent === 100 ? $.fn.progressPie.colorByPercent(100) : $.fn.progressPie.Mode.GREY.color;
}
});
0 % 5 % 25 % 42 % 50 % 65 % 80 % 99 % 100 %
$(".pr.check1").progressPie({
strokeWidth: 1,
ringWidth: 3,
mode: $.fn.progressPie.Mode.COLOR,
contentPlugin:"checkComplete"
});
0 % 5 % 25 % 42 % 50 % 65 % 80 % 99 % 100 %
$(".pr.check2").progressPie({
sizeFactor: 1.5,
strokeWidth: 1,
ringWidth: 3,
color: "navy",
verticalAlign: "middle",
contentPlugin:"checkComplete",
contentPluginOptions: {
strokeWidth: 4,
lineCap: "square",
color: "#0b0"
}
});
0 % 5 % 25 % 42 % 50 % 65 % 80 % 99 % 100 %
$(".pp.checkanim").progressPie({
contentPlugin: "checkComplete",
contentPluginOptions: { animate: true }
});
$(".pr.checkanim").progressPie({
strokeWidth: 1,
ringWidth: 3,
scale: 2,
mode: $.fn.progressPie.Mode.COLOR,
contentPlugin:"checkComplete",
contentPluginOptions: {animate: "2s"}
});
$(".pp.checkanimSlow").progressPie({
scale: 2,
contentPlugin: "checkComplete",
contentPluginOptions: {animate: "5s"}
});
Default: 100 %, 2s: 100 %, 5s: 100 %,
Reload page to replay animations
Since the checkComplete plug-in only adds content if the value is 100%, it allows you to specify a secondary
content plug-in which gets called if the value is less than 100%. For this purpose, just add a contentPlugin
option to the contentPluginOptions
of the checkComplete plug-in. Optionally, you may also add a
contentPluginOpions
object to override options set in the "parent" contentPluginOptions
:
The secondary plug-ins gets all the options that were passed to the primary checkComplete plug-in, merged with
this inner options object. In the following example this is demonstrated by the color property: The outer
contentPluginOpion
override the "navy" color set for the ring graph, setting the color for the check to "green".
The inner content plug-in ("pause") would normally inherit its parent's color ("green"), which is overriden in its
own local options to be "maroon" instead.
$(".pr.pauseCheck").progressPie({
sizeFactor: 1.5,
strokeWidth: 1,
ringWidth: 3,
color: "navy",
contentPlugin: "checkComplete",
contentPluginOptions: {
animate: true,
strokeWidth: 3,
color: "green",
contentPlugin: "pause",
contentPluginOptions: { color: "maroon" }
}
});
0 % 5 % 25 % 42 % 50 % 65 % 80 % 99 % 100 %
To use these content plug-ins, in addition to jQuer and jquery-progresspiesvg-min.js
also include the additional plug-in file jquery-progresspiesvg-valueDisplay-min.js
into
your HTML!
$(".percent.default:not(.singleLine)").progressPie({
verticalAlign: "middle",
valueData: "val",
size: 50,
ringWidth: 3,
strokeWidth: 3,
strokeColor: "#ddd",
color: "navy",
contentPlugin: "percent"
});
Default font: Helvetica:
The font face is not configured as part of the SVG, but of the conainting HTML element, and is inherited by the SVG.
size: 30
):Default font: Helvetica:
$(".percent.rounded").progressPie({
verticalAlign: "middle",
valueData: "val",
size: 50,
ringWidth: 7,
ringEndsRounded: true,
strokeWidth: 7,
strokeColor: "#eee",
color: "#a00",
contentPlugin: "percent",
contentPluginOptions: {
color: "navy"
}
});
Default font: Helvetica:
This also demonstrates the fact that the font-size is calculated based on the inner radius of the ring graph: A thicker ring with unchanged outer radius / overall size means less space inside the ring and a smaller font for the value.
$(".percent.singleLine.default").progressPie({
verticalAlign: "middle",
valueData: "val",
size: 50,
ringWidth: 3,
strokeWidth: 3,
strokeColor: "#ddd",
color: "navy",
contentPlugin: "percent",
contentPluginOptions: {
singleLine: true
}
});
Default font: Helvetica:
$(".percent.singleLine.resized").progressPie({
verticalAlign: "middle",
valueData: "val",
size: 50,
ringWidth: 3,
strokeWidth: 3,
strokeColor: "#ddd",
color: "navy",
contentPlugin: "percent",
contentPluginOptions: {
singleLine: true,
fontSizeFactor: 0.8,
unitFontSizeFactor: 0.5
}
});
Default font: Helvetica:
If you supply other values than plain percent numbers (1..100) and provided a value adapter function to convert your raw values to percent, this value display plug-in may also display the original (raw) value instead of the percent value calculated by the value adapter.
In these examples the raw value is a seconds value in (1..60). The first exampled sets a unit label to "sec.", the second example leaves the unit label unset and simply displays the number. Both increase the font size, since two-digit numbers need less width than the max. three-digit percent numbers.
$(".secs.withUnit").progressPie({
valueData: "val",
valueAdapter: function(s) {return parseInt(s) * 10 / 6;},
size: 50,
ringWidth: 3,
strokeWidth: 3,
strokeColor: "#ddd",
mode: $.fn.progressPie.Mode.COLOR,
contentPlugin: "rawValue",
contentPluginOptions: {
unit: "sec.",
fontSizeFactor: 1.2
}
});
Default font: Helvetica:
$(".secs.noUnit").progressPie({
valueData: "val",
valueAdapter: function(s) {return parseInt(s) * 10 / 6;},
size: 50,
ringWidth: 3,
strokeWidth: 3,
strokeColor: "#ddd",
mode: $.fn.progressPie.Mode.COLOR,
contentPlugin: "rawValue",
contentPluginOptions: {
fontSizeFactor: 1.5
}
});
Default font: Helvetica:


{%extends 'base.html'%} {% load bootstrap3 %} {%block content%} {{block.super}}
A place where users can get to view my projects, rate them and vote on them on Design, Usability and Content criteria! You also get to post your projects and other users can vote on them too.
Here are some of the projects I have worked on
{{post.description }}
Design
1 2 3 4 5 6 7 8 9 10Usability
1 2 3 4 5 6 7 8 9 10Content
1 2 3 4 5 6 7 8 9 10Click to submit your project to be nominated by the Awwwards community.
To be a part of the AWWWARDS community, recieve updates and see which websites have been nominated, kindly sign up for our weekly newsletter.


Enter a phrase and BEHOLD the pig latin result!
Enter a phrase and find out what it is in Pig Latin:
Find out!


Manish Malhotra’s Father’s Prayer Meet: Alia Bhatt, Karan Johar, Kriti Sanon And Others
19 Nov 2019, 13:45 by Amruta Patel
Manish Malhotra’s father Suraj Prakash Malhotra left for heavenly abode, yesterday. As reported he was in his early 90’s; many Bollywood celebs and eminent figures were seen at his residence. Today the ace designer arranged for a prayer meet in the memory of his late father, which saw few Bollywood celebs coming by to pay their condolences
Sonakshi Sinha attends the prayer meet with her mother Poonam Sinha (Image Source: Viral Bhayani)
Housefull 4 actress Kriti Sanon to reaches the venue to support Manish Malhotra in his low phase (Image Source: Viral Bhayani)
Ranbir Kapoor’s mother Neetu Kapoor and rumoured GF Alia Bhatt arrived together (Image Source: Viral Bhayani)
Also seen at the venue is filmmaker Karan Johar, standing strong for his designer friend (Image Source: Viral Bhayani)
Anil Kapoor too paid his condolences to the family (Image Source: Viral Bhayani)
Also accompanying him is his wife Sunita Kapoor at the prayer meet (Image Source: Viral Bhayani)
Clicked walking in at the venue is filmmaker David Dhawan (Image Source: Viral Bhayani)
Actress Raveena Tandon too is seen as she walks at the prayer meet (Image Source: Viral Bhayani)
Also snapped at the venue is Raveena Tandon’s husband – film distributor Anil Thadani (Image Source: Viral Bhayani)
Producer Krishika Lulla too attends the prayer meet (Image Source: Viral Bhayani)
Actor-producer Tusshar Kapoor also makes it a point to be by his friend’s side during his low phase (Image Source: Viral Bhayani)
Lastly actor-model Freddy Daruwala also comes in to pay his condolences to the Malhotra family (Image Source: Viral Bhayani)


The Alabama Hills are a range of hills and rock formations near the eastern slope of the Sierra Nevada in the Owens Valley, west of Lone Pine in Inyo County, California, United States. Though geographically separate from the Sierra Nevada, they are part of the same geological formation.
The rounded contours of the Alabamas contrast with the sharp ridges of the Sierra Nevada to the west. Though this might suggest that they formed from a different orogeny, the Alabamas are the same age as the Sierra Nevada.[citation needed] The difference in wear can be accounted for by different patterns of erosion.
Mount Whitney, the tallest mountain in the contiguous United States, towers several thousand feet above this low range, which itself is 1,500 feet (460 m) above the floor of Owens Valley.


Convertsation
Library
search
bookmark_border
Search the library
Find a reasourse to support your arguments
Conversation Topic: The Great Gatsby
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Enter a nickname:


"x" "1" "DEMARINI,DM, PHAM,HN, KATZ,AJ AND BROCKMAN,HE, RELATIONSHIPS BETWEENSTRUCTURES AND MUTAGENIC POTENCIES OF 16 HETEROCYCLIC NITROGEN MUSTARDS (ICRCOMPOUNDS) IN SALMONELLA TYPHIMURIUM, MUTAT. RES. 136(3) __ :185-199,1984"


Editing "Controller"
# Controller A simple recursive controller layer which works in isolation from the view rendering middleware. ```ruby use Utopia::Controller, # The root directory where `controller.rb` files can be found. root: 'path/to/root', # The base class to use for all controllers: base: Utopia::Controller::Base, # Whether or not to cache controller classes: cache_controllers: (RACK_ENV == :production) ``` A controller is a file within the root directory (or subdirectory) with the name `controller.rb`. This code is dynamically loaded into an anonymous class and executed. The default controller has only a single function: ```ruby def passthrough(request, path) # Call one of: # This will cause the middleware to generate a response. # def respond!(response) # This will cause the controller to skip the request. # def ignore! # Request relative redirect. Respond with a redirect to the given target. # def redirect! (target, status = 302) # Controller relative redirect. # def goto!(target, status = 302) # Respond with an error which indiciates some kind of failure. # def fail!(error = 400, message = nil) # Succeed the request and immediately respond. # def succeed!(status: 200, headers: {}, **options) # options may include content: string or body: Enumerable (as per Rack specifications end ``` The controller layer can do more complex operations by prepending modules into it. ```ruby prepend Rewrite, Actions # Extracts an Integer rewrite.extract_prefix id: Integer do @user = User.find_by_id(@id) end on 'edit' do |request, path| if request.post? @user.update_attributes(request[:user]) end end otherwise do |request, path| # Executed if no specific named actions were executed. succeed! end ```


One of the most historically important Palakkad tourist places is the Palakkad fort or Tipu’s fort. Architecture buffs are attracted to the fort for its beautiful French style construction.
the Malampuzha Dam is the largest reservoir in Kerala. The dam is a towering 2249 meters high and the backdrop of rocky-mountains with null vegetation rising above and behind make for an awe-inspiring sight. es. Lush green lawns that are paired with well laid out flower beds full of vibrant and bright colours, the abundance of majestic fountains and artistically designed sculptures make for an idyllic escape from city life.
Silent Valley national park has some rare species of flora and fauna. It is located in the rich biodiversity of Nilgiri Biosphere Reserve. This area was explored in 1847 by the botanist Robert Wight.


We chose Open Sans for all of our screens. This font is very readable, and it is easy to distinguish between the different letters. We used bolded text for headings and text we want to emphasize. The regular Open Sans font was used for all other text. We made the font size large enough to be accessible, and we didn’t use any blue text in the app, since this is more difficult for the eye to look at. The text was evenly spaced on each page to minimize clutter.
Color SchemeThe color scheme we selected were different shades of green, yellow, and a little bit of blue (analogic color scheme). We hope these colors remind the user of nature and being outdoors. We aimed to have the other pages be color-consistent with the colors from our homescreen/tree page colors. We avoided using red and green in our color scheme so that users who have red-green color deficiency would not have difficulty distinguishing the colors.
GamificationWe gamified the tree page, which contains the most visual elements. We hope by adding this game element to tracking routines would give users a fun and encouraging way to maintain motivation. Rather than focusing on keeping a tree alive, we chose to focus on growing trees and completing tasks to see flowers bloom. By shifting this perspective, we hope users will be excited for self-growth while knowing that growth takes time.
Accountability FriendsStudies show that people are much more likely to complete their goals when they have an accountability partner. In order to stay consistent with the theme of nature, we chose birds to represent the accountability friends sending a message. The birds are shown in vibrant colors in the tree pages, along with a message bubble to signify that a new message has arrived for the user. The user can interact with their accountability friend by reading the message and responding back. We hope this will allow users to stay motivated to complete their routines by staying connected with friends and exchanging encouraging notes.
LayoutWhile the tree pages are highly visual and colorful, we intentionally made our calendar pages with white backgrounds. The balance of white space and colors make it easier for the user to focus on the objects/text on the page. The layout on all pages is intentionally grid-like, but still has enough whitespace to not look cluttered. The navigation bar is consistently white and this makes it easier for the user to remember where it is and how to get to it. We added the gray line above the navbar to clearly separate the navbar from the other elements on the pages.


Hey! An Interruption Tracker for Mac users
Usage
Record an event
hey <names>
<names>
is a space separated list of one or more
people’s names.
Note: all names are downcased in the database to save worrying about multiple entries when you accidentally type “bob” one time and “Bob” the next.
Tag an event
hey tag <event id> <tags>
hey retag <event id> <tags>
<event id>
is usually last
(to tag the most
recent event) but if you need
to tag a different one that was shown by hey list
or hey data
you can enter its id.
<tags>
is a space separated list of tags to associated with this event.
If you tag
the same event twice then the new tags will be appended to the list.
If you retag
an event the new list will replace the old one
List all tags
hey tags
Lists all the tags currently in the system
Record an event and tag it at the same time
Most of the time you create an event as it happens, and you don't know what it's going to be about yet, so you create it, then tag it later. But sometimes you create it just after it happened and you do know what it was about.
hey <names> + <tags>
<names>
is a space separated list of one or more
people's names.
<tags>
is a space separated list of tags to associated with this event.
Viewing recent events
hey
or hey list
or hey list 3
by default this will display the last 25 interruptions, but if you pass
hey list
a number it will display that many.
$ hey list
Last 3 interruptions in chronological order...
| ID | Who |When | Tags |
| 105 | Bob, Mary |2017-06-17 08:53:48 | meeting, scheduled |
| 106 | Bob |2017-06-17 08:53:55 | question |
| 109 | Sam |2017-06-28 11:35:05 | task |
Seeing who's been interrupting you and why
One of the reports that comes with hey is thepeople_overview
.
It shows the list of people you've interacted with recently, a little graph
of how many interactions per day, and a list of the tags associated with
those interruptions
Tags become pretty important here because you can see the topics that each person has needed you on. Once you know this you can write up some docs, take them aside to give them an explanation, or whatever else is appropriate to help minimize future interruptions.
Seeing when you're most likely to be interrupted
The interrupts_by_hour
report will help you see what hours
of the day you're most likely to be interrupted.
Deletes that person from your database, and removes them from any events. If there are events that only involved that person, they will also be deleted.
Delete unwanted tags
hey kill <tag name>
Deletes that tag, but not any of the events tagged with it.

Delete events
hey delete <last event id>
<last or event id>
is either "last" (the last event) or
one of the ids shown by hey list


vignettes/exampleTest.Rmd
exampleTest.Rmd
We start by generating a coalescent tree with 10 leaves sampled in 2000, 10 leaves sampled in 2010, and a coalescent time unit of 10 years:
dates=c(rep(2000,10),rep(2010,10)) phy=simcoaltree(dates,alpha=10) plot(phy,show.tip.label = F) axisPhylo(backward = F)
On each branch we observe a number of substitutions which is distributed \(\mathrm{Gamma}(rl,1)\) where \(l\) is the branch length and \(r=10\) per year is the substitution rate. We can simulate an observed phylogenetic tree and perform a root-to-tip analysis as follows:
Let’s consider that we do not know where is the root of the observed phylogeny, and that the date of the last sample has been lost:
We run the dating analysis as follows:
Let’s see what the result looks like:
plot(res,'treeCI')
Let’s see where the root was inferred:
plot(res,'treeRoot')
We run the algorithm again, with all sampling dates forced equal, and compare the fit of the two runs in order to assess the statistical significance of the temporal signal:
res2=bactdate(obsphy,rep(2015,length(dates))) modelcompare(res,res2)
## The first model has DIC=226.39 and the second model has DIC=318.14.
## Model 1 is definitely better.
Since the first model is found to be better, we conclude that the temporal signal is significant.


To have your link added to this list, send email to<EMAIL_ADDRESS><EMAIL_ADDRESS>http://www.ctcms.nist.gov/~powell/Java/
http://fermi.la.asu.edu/w9cf/tran/
http://www.apollo.ece.utexas.edu/


Kyle Kochanek
currently now I am building this site. mostly having fun digging around with Vanella js, SASS and PUG.


The Story
Some time ago, some colleague rebuilt several servers and reused their names (think sql1
,sql2
etc).
Obviously the new servers had different SSH server keys than the old ones, so my known_hosts
file was out of date.
I considered manually removing the old key fingerprints, but decided that I should make this process more robust, so instead I created a script that fetches all server SSH keys from our Chef server (coming soon).
However, I found no script to merge the new file with the one I had. So I made one.
The Script
Update 22.10.15
My script was only allowing the first key type for each host. Fixed
#!/usr/bin/env python
# Merges known_hosts files
# http://blog.backslasher.net/merge-known-hosts.html
import argparse
parser = argparse.ArgumentParser(
description='Merge known_hosts files sequentially',
epilog="\
Duplicates are removed with eariler appearances having higher precedence (if a host is mentioned several times, only the first appearance is used). \
One can use only one file, like `merge-known-hosts.py ~/.ssh/known_hosts -o ~/.ssh/known_hosts` to remove duplicates. \
"
)
parser.add_argument('files', type=str, nargs='+', help='files that should be merged')
parser.add_argument('-o', '--output', type=str, nargs='?', help='output file (defaults to STDOUT). Only opened after merge is complete, so can be used for inplace merge.')
args = parser.parse_args()
if args.output:
import StringIO
output = StringIO.StringIO()
else:
import sys
output = sys.stdout
familiar_hosts = set()
for file in args.files:
with open(file) as f:
for line in f:
line_split = line.rstrip().split(' ')
hosts = line_split.pop(0).split(',')
key_type = line_split.pop(0)
hosts = [ host for host in hosts if (host,key_type) not in familiar_hosts ] # Filter out familiar hosts
if not hosts: continue # skip this row if no hosts left
familiar_hosts.update([(host,key_type) for host in hosts])
output.write('%s %s %s\n' %
(','.join(hosts), key_type, ' '.join(line_split))
)
if args.output:
with open(args.output,'w') as f:
f.write(output.getvalue())
Interesting points:
- The script starts printing lines immediately. This means that it'll work on large files / pipes / whatever.
The only exception is when the output destination is a file. In order to avoid writing to the same file I'm reading (and corrupting it), I write to a "memory stream" and write it all to the file at the end. familiar_hosts
is a set and not a list. This is because I don't need it ordered, and membership checks (testing if a host was already mentioned before) is much quicker in a set.
However, thehosts
list that represents the hosts in the current row, is a list (and not a set) because I wanted to keep the ordering of the source file (when using a set, Python placed the IP addresses before the hostnames in the same row).- I'm not hashing my
known_hosts
file (see "HashKnownHosts" underman ssh_config
) because it prevents autocomplete in my SSH client. If you are using hashing, you should ensure that you're consistent - either have all input files hashed, or none of them. My script won't bother hashing plaintext hosts when looking for duplicates (if you implement it and find it useful, please send me a patch!)


Home
About
Resistance Dashboard
How much should I worry?
What policies/topics are at risk?
WHAT'S NEXT?


Options
You can run this application offline. If you access this application from your browser, just bookmark the page and you can open it when you're offline. If you access this application within the Android app, Chrome web store app or IOS web app, the application can run offline already.
This application runs perfect with Android 2.2+ devices and IOS devices. For more information, please visit here.
There is also an application available on Android market. If you're on Android, I recommend you to install it instead of using the application within the browser.
Furthermore, a Chrome Web Store application is available here. You can install it on your Google Chrome.
If you think you're done with current word set, you can always fetch the next set manually.
You don't need to fetch sets manually at all, because the next set is automatically fetched when you went through all the words in current set.
A word set contains 100 entries and they're kept in your device. Thus, you can use the application offline (through your browser or the Android app).
Copyright 2012 - Ali Ok - aliokATapacheDOTorg
Licensed under the Apache License, Version 2.0 (the "License"); you may not use this file except in compliance with the License. You may obtain a copy of the License at
http://www.apache.org/licenses/LICENSE-2.0
Unless required by applicable law or agreed to in writing, software distributed under the License is distributed on an "AS IS" BASIS, WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. See the License for the specific language governing permissions and limitations under the License.
GPL dictionary of Technische Universitaet Chemnitz is used for generating the word list.
http://ftp.tu-chemnitz.de/pub/Local/urz/ding/de-en/


I remember meeting Gabe Carleton-Barnes while travelling around Europe. Here was someone who had a laptop, 6 articles of clothing, and a wallet travelling around Europe for three months.  I felt like I needed to hold on to everything. Not only was this limiting me in terms of mobility, but I was constantly worrying, about losing or forgetting my stuff.
As I was packing for grad school, I realized the metaphor still haunted me; I owned too many things. It was becoming a pain not only to manage my digital life (synching files between four computers), but I didn’t have the luxury of easily transporting from place to place.
A few months back, I decided to finally let go of everything. I put up a digital store on Amazon and I’ve slowly been shedding since. It’s turned out to put some money in my pocket, but more importantly I feel free, not dragged down by all my crap.
Once you start shedding, you become addicted. I realized I was still shuffling files between machines, even though I had Dropbox (which I love!). So, I started selling my computers and put everything up at Github. Discovering Github Pages: changed my life, Jekyll: made it easy.
The best thing about Github Pages is, that it’s free, allows me to direct content to my personal site, and encourages me to create and share content.
My entire site is open source, — of course. Perhaps it could help you get started!


Source code for regcore.db.splitter
"""Each of the data structures relevant to the API (regulations, notices,
etc.), implemented as a 'split', writing content to both django and Elastic
Search, but only reading from django"""
from regcore.db.django_models import DMDiffs, DMLayers, DMNotices
from regcore.db.django_models import DMRegulations
from regcore.db.es import ESDiffs, ESLayers, ESNotices, ESRegulations
[docs]class SplitterRegulations(object):
"""Implementation of django+elastic search as regulations backend"""
def __init__(self):
self.dm = DMRegulations()
self.es = ESRegulations()
self.get = self.dm.get
self.listing = self.dm.listing
[docs] def bulk_put(self, regs, version, root_label):
"""Write to both"""
self.dm.bulk_put(regs, version, root_label)
self.es.bulk_put(regs, version, root_label)
[docs]class SplitterLayers(object):
"""Implementation of django+elastic search as layers backend"""
def __init__(self):
self.dm = DMLayers()
self.es = ESLayers()
self.get = self.dm.get
[docs] def bulk_put(self, layers, version, layer_name, root_label):
"""Write to both"""
self.dm.bulk_put(layers, version, layer_name, root_label)
self.es.bulk_put(layers, version, layer_name, root_label)
[docs]class SplitterNotices(object):
"""Implementation of django+elastic search as notices backend"""
def __init__(self):
self.dm = DMNotices()
self.es = ESNotices()
self.get = self.dm.get
self.listing = self.dm.listing
[docs] def put(self, doc_number, notice):
"""Write to both"""
self.dm.put(doc_number, notice)
self.es.put(doc_number, notice)
[docs]class SplitterDiffs(object):
"""Implementation of django+elastic search as regulations backend"""
def __init__(self):
self.dm = DMDiffs()
self.es = ESDiffs()
self.get = self.dm.get
[docs] def put(self, label, old_version, new_version, diff):
"""Write to both"""
self.dm.put(label, old_version, new_version, diff)
self.es.put(label, old_version, new_version, diff)


Venue
The conference will be held online or, if possible, in dual format at the European Center of Living Technology in the Palace "Ca' Bottacin" of the University of Venice, in the heart of the city. The address of the venue is:
Calle Crosera, 3911
30123 Venezia VE
All registered participant will receive a zoom link.


People, natural resources and wealth are not evenly distributed across the world. In economic and social terms, the world is generally divided into a Developed North and a Developing South. People in developed countries (MEDCs) generally enjoy a higher standard of living, a longer life expectancy and more food security than those living in developing countries (LEDCs). Many MEDCs donate food, technical expertise and funds to LEDCs in order to encourage and assist social and economic development in these countries.


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Universal Theme
|
Nigel Godrich
|
Scott Pilgrim vs. the World (Original Score Composed by Nigel Godrich)
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00:21 |
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Maybe You'll Get Some, Maybe You Won't
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Jim Guthrie
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Indie Game: The Movie Soundtrack
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02:54 |
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Hand Covers Bruise
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Trent Reznor and Atticus Ross
|
The Social Network
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04:18 |
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Adventure
|
Disasterpeace
|
Fez
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03:18 |
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Dead Island Trailer Theme (feat. Mairi Campbell, Peter Nicholson & Guido De Groot)
|
Giles Lamb
|
Dead Island Trailer Theme (feat. Mairi Campbell, Peter Nicholson & Guido De Groot) - Single
|
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03:00 |
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Get It Together
|
The Go! Team
|
Thunder, Lightning, Strike
|
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03:28 |
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We Bought A Zoo
|
Jónsi
|
We Bought A Zoo (Motion Picture Soundtrack)
|
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04:20 |
|
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A Rumour In Africa
|
Errors
|
Come Down With Me
|
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04:04 |
|
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Beacon
|
Disasterpeace
|
Fez
|
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02:33 |
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Hang Garden
|
Ochre
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Like Dust Of The Balance
|
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03:20 |
|
|
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Proof of Something
|
Jim Guthrie
|
Indie Game: The Movie Soundtrack
|
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03:42 |
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Sorry About The Mess
|
Errors
|
Come Down With Me
|
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03:02 |
|
|
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Penetration
|
Trent Reznor and Atticus Ross
|
The Social Network
|
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01:14 |
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Flying Into Tokyo
|
Magnetic Man
|
Magnetic Man
|
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03:08 |
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Droopy Likes Your Face
|
C418
|
Minecraft - Volume Alpha
|
|
01:56 |
|
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Dark Flute
|
Jim Guthrie
|
Sword & Sworcery Lp: The Ballad Of The Space Babies
|
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02:40 |
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Rachel's Song
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Vangelis
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Vangelis Blade Runner - Trilogy
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04:45 |
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Compass
|
Disasterpeace
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Fez
|
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02:43 |
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|
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Music For A Found Harmonium
|
Penguin Cafe Orchestra
|
Preludes, Airs And Yodels (A Penguin Cafe Primer)
|
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03:39 |
|
|
|
Subwoofer Lullaby
|
C418
|
Minecraft - Volume Alpha
|
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03:28 |
|
|
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Hillcrest Park
|
Nigel Godrich
|
Scott Pilgrim vs. the World (Original Score Composed by Nigel Godrich)
|
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04:04 |
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Something To Write Home About
|
I Am Robot And Proud
|
Uphill City
|
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03:32 |
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Spandex Man
|
Mr. Scruff
|
Keep It Unreal
|
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04:38 |
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Air a Danser
|
Penguin Cafe Orchestra
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Concert Program
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05:26 |
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Home
|
Disasterpeace
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Fez
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01:35 |
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Tears In Rain
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Vangelis
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Vangelis Blade Runner - Trilogy
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03:00 |
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Lone Star
|
Jim Guthrie
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Sword & Sworcery Lp: The Ballad Of The Space Babies
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02:35 |
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Nara (Theme to Cold Case)
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E.S. Posthumus
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Unearthed
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04:51 |
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Still Game
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Errors
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It's Not Something But It Is Like Whatever
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04:52 |
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It Catches Up With You
|
Trent Reznor and Atticus Ross
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The Social Network
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01:39 |
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Perpetuum Mobile
|
Penguin Cafe Orchestra
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Preludes, Airs And Yodels (A Penguin Cafe Primer)
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04:29 |
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Door
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C418
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Minecraft - Volume Alpha
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01:51 |
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White Infinity
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Errors
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New Relics
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04:20 |
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Muesli
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Minotaur Shock
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Maritime
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03:06 |
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Toy Computer
|
Jim Guthrie
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Indie Game: The Movie Soundtrack
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02:34 |
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John Hughes
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Anamanaguchi
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Endless Fantasy
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03:27 |
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Minecraft
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C418
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Minecraft - Volume Alpha
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04:14 |
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Majesty
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Disasterpeace
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Fez
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03:22 |
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Napolese
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Ochre
Benet Walsh
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Like Dust Of The Balance
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05:33 |
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A Quai
|
Yann Tiersen
|
Amelie From Montmartre
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03:32 |
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A Row of Circles
|
Jim Guthrie
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Indie Game: The Movie Soundtrack
|
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02:58 |
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(She’s In) Drydock Now
|
Minotaur Shock
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Maritime
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03:56 |
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Forever Beta
|
Jim Guthrie
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Indie Game: The Movie Soundtrack
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02:06 |
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Mice On Venus
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C418
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Minecraft - Volume Alpha
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04:41 |
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Little Furnace (PostProduction Mitsuto Suzuki Mix)
|
Mitsuto Suzuki
Jim Guthrie
|
The Scythian Steppes: seven #sworcery songs localized for japan
|
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06:12 |
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My Sound [Chosen by Warp co-founder Steve Beckett]
|
Squarepusher
|
Warp20 (Chosen)
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06:07 |
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Oxygène
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C418
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Minecraft - Volume Alpha
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01:05 |
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Lady Gazelle
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Minotaur Shock
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Vigo Bay
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03:42 |
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Living Mice
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C418
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Minecraft - Volume Alpha
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02:57 |
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Theme From Antarctica
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Vangelis
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Themes
|
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03:54 |
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The Glasshouse With Butterfly
|
Tomáš Dvořák
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Machinarium Soundtrack
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03:35 |
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Haggstrom
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C418
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Minecraft - Volume Alpha
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03:24 |
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Luck Shield
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Minotaur Shock
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Maritime
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05:42 |
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Bridge Or Cloud
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Errors
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Come Down With Me
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05:12 |
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Wet Hands
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C418
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Minecraft - Volume Alpha
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01:30 |
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Bosozoku GF
|
Anamanaguchi
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Endless Fantasy
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04:49 |
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In Motion
|
Trent Reznor and Atticus Ross
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The Social Network
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04:56 |
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Ladyflash
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The Go! Team
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Thunder, Lightning, Strike
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04:16 |
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Telephone And Rubber Band - 2008 Digital Remaster
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Penguin Cafe Orchestra
|
Penguin Café Orchestra
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02:29 |
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Moog City
|
C418
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Minecraft - Volume Alpha
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02:40 |
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Majesty
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Disasterpeace
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Fez
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03:22 |
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Sweden
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C418
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Minecraft - Volume Alpha
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03:35 |
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Another Shore
|
Yann Tiersen
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Skyline
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04:53 |
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L'Enfant
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Vangelis
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Themes
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05:02 |
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Droopy Likes Ricochet
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C418
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Minecraft - Volume Alpha
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01:36 |
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J'y suis jamais allé
|
Yann Tiersen
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Amelie From Montmartre
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01:34 |
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On Green Dolphin Street
|
Turtle Island String Quartet
Paquito D'Rivera
|
Danzón
|
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09:21 |
|
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Midnight Feast
|
Mr. Scruff
|
Keep It Unreal (10th Anniversary Analogue Remaster Edition)
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03:36 |
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I'm Gonna Live Anyhow
|
Yann Tiersen
|
Skyline
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03:48 |
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Spotkanie Z Matka
|
Vangelis
|
Vangelis Blade Runner - Trilogy
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05:02 |
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|
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Équinoxe
|
C418
|
Minecraft - Volume Alpha
|
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01:54 |
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Vanishing Point
|
Yann Tiersen
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Skyline
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04:09 |
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Interlude - Total Tea Time
|
Anamanaguchi
|
Endless Fantasy
|
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01:01 |
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So Far To Go
|
J Dilla
|
The Shining Instrumental
|
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05:36 |
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Raido
|
Ochre
Benet Walsh
|
Like Dust Of The Balance
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04:34 |
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The Tao Of Love
|
Vangelis
|
Themes
|
|
02:47 |
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Soft Trees Break the Fall
|
Trent Reznor and Atticus Ross
|
The Social Network
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04:44 |
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Avril 14th
|
Aphex Twin
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Drukqs
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02:05 |
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La valse d'Amélie - Version originale
|
Yann Tiersen
|
Amelie From Montmartre
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02:15 |
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Syncing Feeling
|
Jim Guthrie
|
Indie Game: The Movie Soundtrack
|
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02:21 |
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|
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Gameboy Tune
|
Tomáš Dvořák
|
Machinarium Soundtrack
|
|
04:37 |
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Love Theme From Bladerunner
|
Vangelis
|
Vangelis Blade Runner - Trilogy
|
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04:58 |
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Excuse
|
C418
|
Minecraft - Volume Alpha
|
|
02:04 |
|
|
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Magnetic
|
Trent Reznor and Atticus Ross
|
The Social Network
|
|
02:10 |
|
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Road Movies I. Relaxed Groove
|
John Adams
|
Road Movies
|
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04:54 |
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Comptine d'un autre été, l'après-midi
|
Yann Tiersen
|
Amelie From Montmartre
|
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02:20 |
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Charmed Life (Instrumental Version)
|
RJD2
|
The Abandoned Lullaby - Instrumentals
|
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03:41 |
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BURN IT DOWN - Instrumental
|
Linkin Park
|
LIVING THINGS: Acapellas and Instrumentals
|
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03:50 |
|
|
|
Chris
|
C418
|
Minecraft - Volume Alpha
|
|
01:27 |
|
|
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Main Theme From "Missing"
|
Vangelis
|
Themes
|
|
04:01 |
|
|
|
Twin Peaks Theme - Instrumental
|
Twin Peaks Soundtrack
|
Soundtrack From Twin Peaks
|
|
05:10 |
|
|
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CASTLE OF GLASS - Instrumental
|
Linkin Park
|
LIVING THINGS: Acapellas and Instrumentals
|
|
03:25 |
|
|
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Cat
|
C418
|
Minecraft - Volume Alpha
|
|
03:06 |
|
|
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Won't Do
|
J Dilla
|
The Shining Instrumental
|
|
03:52 |
|
|
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LIES GREED MISERY - Instrumental
|
Linkin Park
|
LIVING THINGS: Acapellas and Instrumentals
|
|
02:26 |
|
|
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Dog
|
C418
|
Minecraft - Volume Alpha
|
|
02:25 |
|
|
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Du - Instrumental
|
CRO
|
Du
|
|
02:54 |
|
|
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Your Hand In Mine
|
Explosions In The Sky
|
The Earth Is Not A Cold Dead Place
|
|
08:17 |
|
|
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This Fight Is Over
|
Nigel Godrich
|
Scott Pilgrim vs. the World (Original Score Composed by Nigel Godrich)
|
|
01:21 |
|
|
|
Easy - Instrumental
|
CRO
|
Easy
|
|
02:53 |
|
|
|
Seasons (Instrumental) [Deluxe Edition]
|
Cunninlynguists
|
Southernunderground [Deluxe Edition]
|
|
03:36 |
|
|
|
American Beauty - Plastic Bag Theme
|
London Music Works
|
CULT CUTS - Music From the Modern Cinema
|
|
02:54 |
|
|
|
Still Alive (Instrumental) - Instrumental
|
Lisa Miskovsky
|
Mirror's Edge Original Videogame Score
|
|
04:28 |
|
|
|
Last Fare
|
Little People
|
Mickey Mouse Operation
|
|
02:45 |
|
|
|
Beginning
|
C418
|
Minecraft - Volume Alpha
|
|
01:42 |
|
|
|
Gold In Gold Out
|
Blue Sky Black Death
|
Noir
|
|
05:20 |
|
|
|
ROADS UNTRAVELED - Instrumental
|
Linkin Park
|
LIVING THINGS: Acapellas and Instrumentals
|
|
03:50 |
|
|
|
El Toro
|
Bonobo
|
Black Sands
|
|
03:44 |
|
|
|
Too Much Birthday - Instrumental
|
People Under The Stairs
|
Highlighter EP
|
|
03:06 |
|
|
|
Velvety Instrumental Version
|
Pixies
|
Complete B Sides
|
|
02:04 |
|
|
|
Tommy's Theme - Original Mix
|
Noisia
|
Tommy's Theme
|
|
04:40 |
|
|
|
Crockett's Theme - Miami Vice/Soundtrack Version
|
Jan Hammer
|
Escape From Television
|
|
03:34 |
|
|
|
Theme For Velodrome
|
The Chemical Brothers
|
Theme For Velodrome
|
|
06:29 |
|
|
|
Theme
|
Jon Brion
|
Eternal Sunshine of the Spotless Mind Original Soundtrack
|
|
02:24 |
|
|
|
Yellow Theme
|
Baroness
|
Yellow & Green
|
|
01:44 |
|
|
|
Time
|
Hans Zimmer
|
Inception (Music From The Motion Picture)
|
|
04:35 |
|
|
|
Endless Fantasy
|
Anamanaguchi
|
Endless Fantasy
|
|
05:59 |
|
|
|
In The Rowans
|
Balmorhea
|
Balmorhea
|
|
04:14 |
|
|
|
Full of Sound
|
We Plants Are Happy Plants
|
Any Day Now
|
|
05:28 |
|
|
|
Alone in kyoto
|
Air
|
Talkie Walkie
|
|
04:51 |
|
|
|
Green Grass Of Tunnel
|
Múm
|
Finally We Are No One
|
|
04:51 |
|
|
|
Interlude - Gymnopedie No 1
|
Anamanaguchi
|
Endless Fantasy
|
|
01:11 |
|
|
|
Window
|
The Album Leaf
|
In a Safe Place
|
|
03:44 |
|
|
|
Junior
|
RJD2
|
Magnificent City Instrumentals
|
|
03:41 |
|
|
|
Clark
|
C418
|
Minecraft - Volume Alpha
|
|
03:11 |
|
|
|
Miami Vice Theme - Miami Vice/Soundtrack Version
|
Jan Hammer
|
Escape From Television
|
|
02:27 |
|
|
|
Ghosts of the Past
|
David Housden
|
Thomas Was Alone Ost
|
|
02:32 |
|
|
|
Grace Days
|
I Am Robot And Proud
|
Grace Days
|
|
03:41 |
|
|
|
Meow
|
Anamanaguchi
|
Endless Fantasy
|
|
03:33 |
|
|
|
When I Get My Ears
|
I Am Robot And Proud
|
The Electricity in Your House Wants to Sing
|
|
03:40 |
|
|
|
Les Métamorphoses Du Vide
|
Chapelier Fou
|
613
|
|
02:41 |
|
|
|
REM Sleep Research
|
Ochre
|
A Midsummer Nice Dream
|
|
05:54 |
|
|
|
SPF 420
|
Anamanaguchi
|
Endless Fantasy
|
|
02:08 |
|
|
|
Train Station Lullaby - Lullatone Remix
|
I Am Robot And Proud
|
Uphill City Remixes & Collaborations
|
|
02:37 |
|
|
|
Danny
|
C418
|
Minecraft - Volume Alpha
|
|
04:14 |
|
|
|
Far Nearer
|
Jamie xx
|
Far Nearer / Beat For - EP
|
|
06:50 |
|
|
|
Intro
|
M83
|
Hurry Up, We're Dreaming
|
|
05:22 |
|
|
|
401 Circuit
|
I Am Robot And Proud
|
Uphill City
|
|
04:19 |
|
|
|
You
|
Gold Panda
|
Lucky Shiner
|
|
03:36 |
|
|
|
Rattling Cage
|
Forest Swords
|
Rattling Cage
|
|
03:49 |
|
|
|
Moons In Her Eyes
|
Pogo
|
Texturebox
|
|
01:53 |
|
|
|
Uphill City
|
I Am Robot And Proud
|
Uphill City
|
|
04:05 |
|
|
|
Planet
|
Anamanaguchi
|
Endless Fantasy
|
|
04:20 |
|
|
|
Key
|
C418
|
Minecraft - Volume Alpha
|
|
01:05 |
|
|
|
Chariots Of Fire
|
Vangelis
|
Themes
|
|
03:31 |
|
|
|
Dry Hands
|
C418
|
Minecraft - Volume Alpha
|
|
01:08 |
|
|
|
Viridian Genesis
|
Anamanaguchi
|
Endless Fantasy
|
|
03:04 |
|
|
|
3 Gymnopedies: Gymnopedie No. 1
|
Erik Satie
Klara Kormendi
Anders Miolin
|
Satie: Piano Works (Selection)
|
|
02:39 |
|
|
|
Cider Time
|
Lifeformed
|
Fastfall - Dustforce Original Soundtrack
|
|
02:59 |
|
|
|
A Baptist Church In Georgia
|
The Flashbulb
|
Love As A Dark Hallway
|
|
02:05 |
|
|
|
Entendre La Forêt Pousser
|
Chapelier Fou
|
613
|
|
06:05 |
|
|
|
Undiscovered Colors
|
The Flashbulb
|
Arboreal
|
|
04:17 |
|
|
|
The Heart Asks Pleasure First
|
Michael Nyman
|
The Piano: Music From The Motion Picture
|
|
01:36 |
|
|
|
La redécouverte
|
Yann Tiersen
|
Amelie From Montmartre
|
|
01:13 |
|
|
|
Hello Envy
|
Nigel Godrich
|
Scott Pilgrim vs. the World (Original Score Composed by Nigel Godrich)
|
|
00:49 |
|
|
|
Insomniac Olympics
|
Blockhead
|
Music By Cavelight
|
|
05:06 |
|
|
|
3030
|
Deltron 3030
Dan The Automator
Del The Funky Homosapien
Kid Koala
|
Deltron 3030 - The Instrumentals
|
|
06:56 |
|
|
|
Introduction
|
Solar Fields
|
Mirror's Edge Original Videogame Score
|
|
05:34 |
|
|
|
La valse d'Amélie - Version orchestre
|
Yann Tiersen
|
Amelie From Montmartre
|
|
02:00 |
|
|
|
Blue Hours
|
Ochre
|
National Ignition
|
|
03:54 |
|
|
|
3 Gnossiennes: Lent
|
Erik Satie
Klara Kormendi
|
Satie: Piano Works (Selection)
|
|
03:10 |
|
|
|
Runner2 Theme
|
Gaijin Games
|
Runner2: Future Legend of Rhythm Alien (The Original Soundtrack)
|
|
01:56 |
|
|
|
Aftermath
|
Nigel Godrich
|
Scott Pilgrim vs. the World (Original Score Composed by Nigel Godrich)
|
|
01:38 |
|
|
|
9-bit Expedition
|
Lifeformed
|
Fastfall - Dustforce Original Soundtrack
|
|
03:00 |
|
|
|
Love Me Some Walking
|
Nigel Godrich
|
Scott Pilgrim vs. the World (Original Score Composed by Nigel Godrich)
|
|
04:02 |
|
|
|
Hilly
|
Minotaur Shock
|
Maritime
|
|
06:33 |
|
|
|
Low Grav Freefall
|
Ochre
|
Early Learning
|
|
06:42 |
|
|
|
The Melt
|
I Am Robot And Proud
|
Uphill City
|
|
03:31 |
|
|
|
Downstream (Shira Kammen)
|
Sieber, Kammen, Fulton and Schatz
|
Music from Braid
|
|
06:36 |
|
|
|
The Promise
|
Michael Nyman
|
The Piano: Music From The Motion Picture
|
|
04:16 |
|
|
|
Lullaby Set (Kammen & Swan)
|
Sieber, Kammen, Fulton and Schatz
|
Music from Braid
|
|
06:18 |
|
|
|
Infotain Me
|
Ochre
|
Lemodie
|
|
06:11 |
|
|
|
Plush
|
Robot Science
|
Good Luck
|
|
03:18 |
|
|
|
We Are Alone In A City
|
The Flashbulb
|
Love As A Dark Hallway
|
|
05:23 |
|
|
|
Bye and Stuff
|
Nigel Godrich
|
Scott Pilgrim vs. the World (Original Score Composed by Nigel Godrich)
|
|
02:43 |
|
|
|
Night Court
|
Mux Mool
|
Ghostly Swim
|
|
03:19 |
|
|
|
Mastermind
|
Deltron 3030
Dan The Automator
Del The Funky Homosapien
Kid Koala
|
Deltron 3030 - The Instrumentals
|
|
03:37 |
|
|
|
Luggage
|
Chapelier Fou
|
613
|
|
05:34 |
|
|
|
All You Can Do (Parts 1 & 2) - Intro
|
Diego Bernal
|
Besides…
|
|
03:14 |
|
|
|
Skylight
|
Gramatik
|
Beatz & Pieces Vol. 1
|
|
03:46 |
|
|
|
Give It Away
|
Zero 7
|
Simple Things
|
|
05:17 |
|
|
|
Under The Glow Of Streetlights
|
Xela
|
For Frosty Mornings And Summer Nights
|
|
04:24 |
|
|
|
The Process Of Leaving
|
E-Vax
|
Parking Lot Music
|
|
04:48 |
|
|
|
Walking Away
|
The Egg
|
20 Years Of Dancefloor by Smiley
|
|
03:46 |
|
|
|
Walk On The Snow
|
The Egg
|
Forwards
|
|
06:28 |
|
|
|
In Your Pocket
|
The Egg
|
Something to Do
|
|
05:33 |
|
|
|
Bon Voyage
|
Vangelis
|
Reprise 1990-1999
|
|
02:14 |
|
|
|
On The Nature Of Daylight
|
Max Richter
|
Blue Notebooks
|
|
06:11 |
|
|
|
Mira, Ultraviolet
|
Starscream
|
Future, Towards the Edge of Forever
|
|
03:24 |
|
|
|
Fight!
|
Nigel Godrich
|
Scott Pilgrim vs. the World (Original Score Composed by Nigel Godrich)
|
|
02:52 |
|
|
|
I Have Begun My Ascent
|
Jessica Curry
|
Dear Esther (Original Soundtrack)
|
|
04:19 |
|
|
|
The Orb Of Dreamers
|
The Daniel Pemberton TV Orchestra
|
Little BIG Music: Musical Oddities From And Inspired By Little Big Planet
|
|
02:31 |
|
|
|
Awaiting the Green Morning
|
Ochre
|
National Ignition
|
|
04:29 |
|
|
|
Raising the Sail
|
Burkhard Dallwitz
|
The Truman Show
|
|
02:15 |
|
|
|
He's All Me Me Me
|
Hans Zimmer
|
Sherlock Holmes: A Game of Shadows
|
|
01:58 |
|
|
|
Suite bergamasque: 3. Clair de lune
|
Jean-Yves Thibaudet
|
Atonement OST
|
|
04:52 |
|
|
|
Ljósið
|
Ólafur Arnalds
|
Found Songs
|
|
03:29 |
|
|
|
Albatross
|
Fleetwood Mac
|
The Essential
|
|
03:09 |
|
|
|
Rumble
|
Link Wray
|
Rockabilly Insanity
|
|
02:24 |
|
|
|
Green Onions (45 version)
|
Booker T.
The MGs
|
Green Onions / Behave Yourself [Digital 45]
|
|
02:47 |
|
|
|
Machine Gun
|
Commodores
|
Machine Gun
|
|
02:39 |
|
|
|
Blue Turning Gray
|
Clap Your Hands Say Yeah
|
Clap Your Hands Say Yeah
|
|
01:15 |
|
|
|
Multilateral Nuclear Disarmament
|
Beastie Boys
|
Hot Sauce Committee Part Two
|
|
02:54 |
|
|
|
Oscillate Wildly [Instrumental] (2008 Remastered Version)
|
The Smiths
|
The Sound Of The Smiths
|
|
03:28 |
|
|
|
Meeting In The Aisle
|
Radiohead
|
OK Computer [Collector's Edition]
|
|
03:09 |
|
|
|
Finally Moving
|
Pretty Lights
|
Taking up Your Precious Time
|
|
04:37 |
|
|
|
My Only Swerving
|
El Ten Eleven
|
El Ten Eleven
|
|
05:14 |
|
|
|
Men Before Them
|
Signal Hill
|
More After We're Gone
|
|
02:25 |
|
|
|
I Like Van Halen Because My Sister Says They Are Cool
|
El Ten Eleven
|
These Promises Are Being Videotaped
|
|
03:54 |
|
|
|
Cherry
|
Ratatat
|
Ratatat
|
|
05:38 |
|
|
|
Leanna Is A Quiet Meow
|
A Lily
|
Wake:Sleep
|
|
04:22 |
|
|
|
First Dream Called Ocean (Colin Kenniff Remix)
|
Helios
|
Helios Remixed
|
|
03:44 |
|
|
|
Aminals
|
Baths
|
Cerulean
|
|
03:18 |
|
|
|
05.10.2094
|
Starscream
|
Future, Towards the Edge of Forever
|
|
05:19 |
|
|
|
Triumph
|
Gaijin Games
|
Bit.Trip Runner Original Soundtrack
|
|
03:37 |
|
|
|
A Familiar Taste
|
Trent Reznor and Atticus Ross
|
The Social Network
|
|
03:35 |
|
|
|
The Elder Scrolls® IV: Oblivion™
|
Play! Orchestra
|
A Video Game Symphony: PLAY!
|
|
09:15 |


Technology has had a major impact on the health and fitness of people. By keeping track of their daily activities and exercise, people today have become more concious of their health.
Here are some remarkable inventions related to health and fitness:
These days, the electronic technology in an automobile is almost as important as what's under the hood. These systems are key to everything from safety and security to connectivity and communication.
Here is a list of some path-breaking technological inventions related to automobiles:
Artificial intelligence (AI) makes it possible for machines to learn from experience, adjust to new inputs and perform human-like tasks. Using AI, computers can be trained to accomplish specific tasks by processing large amounts of data and recognizing patterns in the data.
Here are some notable applications of Artificial Intelligence:
Augmented and virtual reality — digital tools that either superimpose images on the real world (AR) or bring users into an artificial digital experience (VR) — have captured the imagination of the consumer world in the form of Pokémon games, Snapchat lenses, gaming headsets, and more. AR and VR have the ability to provide data in real time, engage users, and simulate real-life experiences in extreme detail.
Here are a few potential uses of AR and VR:
"Best Technological Innovations" is an attempt to provide information on the best modern innovations in several fields.
HTML, CSS and Bootstrap 5.
Originally meant as an entry for a coding competition, the innovative use of technology in various fields tempted me to make this website. :)


PD BITE HORROR
‘Hero’ Fife police dog facing destruction after biting boy, 14, and its handler
by John JeffayA “HERO” police dog is facing destruction after biting its handler and a teenage boy.
The German Shepherd, known as PD Indy, was searching for missing teenagers near Glenrothes, Fife, when the incident unfolded on November 8.
The injured boy, 14, and the 43-year-old police officer, who have not been named, were both taken to nearby Victoria Hospital in Kirkcaldy for treatment.
It is understood the schoolboy spent two nights in hospital.
PD Indy, who has been praised in the past for tracing missing people, has been taken off duty and could be put down after an investigation.
The details of what caused the police dog to lash out are unclear.
Inspector Hazel Crielly of Kirkcaldy police office, said: “A 14-year-old boy and a police dog handler were injured by a police dog on Friday, November 8.
“Around 11pm, the male officer and the police dog were assisting in the search for two teenagers in a field, near Gateside Cottages, north of Glenrothes.
“The teenager and the 43-year-old officer were both taken to Victoria Hospital in Kirkcaldy.
“The officer was released following treatment. The 14-year-old boy has also been released from hospital.
"Inquiries into the incident are ongoing."
General purpose police dogs are highly trained and can be involved in various police activities such as looking for missing people or individuals who may be evading cops, and searching for weapons and evidence.
Indy was branded a hero just two months ago after locating a 91-year-old man with dementia who had gone missing in Kirkcaldy.
After three hours of searching in and around the area, Indy was tasked with helping the operation and found him within 20 minutes.
The man was suffering from hypothermia and was taken to hospital.
Following Friday’s incident in Glenrothes, it is understood Indy has been returned to the police kennels and will not be deployed again until a full review of what happened has been carried out.
The dog could be destroyed pending the outcome of that investigation.


WITNESS LIST Environmental Regulation Committee April 27, 2004-10:00A Charge #2 Compliance History On: Fisher, Jon (Texas Chemical Council) Miksa, Mary (Texas Association of Business) Sarahan, Paul (Texas Commission on Environmental Quality)


| Package | Description |
|---|---|
| org.apache.mina.example.chat |
Chat server which demonstates using the text line codec and Spring integration.
|
| org.apache.mina.example.chat.client |
Swing based chat client.
|
| org.apache.mina.example.echoserver |
Echo server which demonstates low-level I/O layer and SSL support.
|
| org.apache.mina.example.gettingstarted.timeserver | |
| org.apache.mina.example.haiku | |
| org.apache.mina.example.imagine.step1.client | |
| org.apache.mina.example.imagine.step1.server | |
| org.apache.mina.example.netcat |
NetCat client (Network + Unix
cat command) which demonstates low-level I/O layer. |
| org.apache.mina.example.proxy |
A TCP/IP tunneling proxy example.
|
| org.apache.mina.example.reverser |
Reverser server which reverses all text lines demonstating high-level protocol layer.
|
| org.apache.mina.example.sumup |
SumUp Server and Client which sums up all ADD requests.
|
| org.apache.mina.example.tcp.perf | |
| org.apache.mina.example.tennis |
Two tennis players play a game which demonstates in-VM pipes.
|
| org.apache.mina.example.udp | |
| org.apache.mina.example.udp.client | |
| org.apache.mina.example.udp.perf | |
| org.apache.mina.handler.chain |
A handler implementation that helps you implement sequentially layered protocols using Chains of Responsibility pattern.
|
| org.apache.mina.handler.demux |
A handler implementation that helps you implement complex protocols by splitting
messageReceived handlers into multiple sub-handlers.
|
| org.apache.mina.handler.stream | |
| org.apache.mina.proxy |
| Modifier and Type | Class and Description |
|---|---|
class |
ChatProtocolHandler
IoHandler implementation of a simple chat server protocol. |
| Modifier and Type | Class and Description |
|---|---|
class |
SwingChatClientHandler
IoHandler implementation of the client side of the simple chat protocol. |
| Modifier and Type | Class and Description |
|---|---|
class |
EchoProtocolHandler
IoHandler implementation for echo server. |
| Modifier and Type | Class and Description |
|---|---|
class |
TimeServerHandler
The Time Server handler : it return the current date when a message is received,
or close the session if the "quit" message is received.
|
| Modifier and Type | Class and Description |
|---|---|
class |
HaikuValidatorIoHandler |
| Modifier and Type | Class and Description |
|---|---|
class |
ImageClient
client for the
ImageServer |
| Modifier and Type | Class and Description |
|---|---|
class |
ImageServerIoHandler
server-side
IoHandler |
| Modifier and Type | Class and Description |
|---|---|
class |
NetCatProtocolHandler
IoHandler implementation for NetCat client. |
| Modifier and Type | Class and Description |
|---|---|
class |
ClientToProxyIoHandler
Handles the client to proxy part of the proxied connection.
|
class |
ServerToProxyIoHandler
Handles the server to proxy part of the proxied connection.
|
| Modifier and Type | Class and Description |
|---|---|
class |
ReverseProtocolHandler
IoHandler implementation of reverser server protocol. |
| Modifier and Type | Class and Description |
|---|---|
class |
ClientSessionHandler
IoHandler for SumUp client. |
class |
ServerSessionHandler
IoHandler for SumUp server. |
| Modifier and Type | Class and Description |
|---|---|
class |
TcpClient
An UDP client taht just send thousands of small messages to a UdpServer.
|
class |
TcpServer
An TCP server used for performance tests.
|
class |
TcpSslClient
An TCP client that just send thousands of small messages to a TcpServer through SSL.
|
class |
TcpSslServer
An TCP SSL server used for performance tests.
|
| Modifier and Type | Class and Description |
|---|---|
class |
TennisPlayer
A
IoHandler implementation which plays a tennis game. |
| Modifier and Type | Class and Description |
|---|---|
class |
MemoryMonitorHandler
Class the extends IoHandlerAdapter in order to properly handle
connections and the data the connections send
|
| Modifier and Type | Class and Description |
|---|---|
class |
MemMonClient
Sends its memory usage to the MemoryMonitor server.
|
| Modifier and Type | Class and Description |
|---|---|
class |
UdpClient
An UDP client taht just send thousands of small messages to a UdpServer.
|
class |
UdpServer
An UDP server used for performance tests.
|
| Modifier and Type | Class and Description |
|---|---|
class |
ChainedIoHandler
An
IoHandler which executes an IoHandlerChain
on a messageReceived event. |
| Modifier and Type | Class and Description |
|---|---|
class |
DemuxingIoHandler
|
| Modifier and Type | Class and Description |
|---|---|
class |
StreamIoHandler
A
IoHandler that adapts asynchronous MINA events to stream I/O. |
| Modifier and Type | Class and Description |
|---|---|
class |
AbstractProxyIoHandler
AbstractProxyIoHandler.java -
IoHandler that intercepts events until handshake is complete. |
Copyright © 2004–2016 Apache MINA Project. All rights reserved.


Top 5 Facts About Thai Beauty Crowned Country’s First Winner at 2019 Miss International Pageant
by by Svetlana EkimenkoThe Miss International Beauty Pageant dates back to its first 1960 event in Long Beach, California, and along with Miss World, Miss Universe, and Miss Earth is one of the Big Four international beauty pageants.
Thailand's Sireethorn Leearamwat has won the 59th Miss International pageant hosted by the Tokyo Dome City Hall in Japan on 12 November.
Here are the top five facts about the Thai beauty:
- Sireethorn Leearamwat, 25, was born on 24 December 1993 in Bangkok, Thailand.
- The stunning beauty, who earlier won her country’s oldest beauty pageant to become Miss Thailand, is 5 ft 9 in (1.75 m).
- She graduated from the Faculty of Pharmacy at one of the country’s most prestigious universities - Mahidol University.
- Currently, Sireethorn Leearamwat is working as a product specialist of immunotheraphy.
- The Miss International beauty pageant titleholder is the first contestant from Thailand to win the coveted crown.
Sireethorn was among the 83 contestants to compete in the competition.
After making it to the Top 15 and Top 8 rounds, Sireethorn Leearamwat was crowned as Miss International 2019 by last year’s winner, Mariem Velazco from Venezuela.
The first runner-up was Andrea Toscano (Mexico), followed by Evelyn Namatovu Karonde (Uganda), Alejandra Vengoechea (Colombia) and Harriotte Lane (United Kingdom).
The Philippines' contestant Bea Patricia "Patch" Magtanong also made it to the Top 8 of the competition and received kudos for her empowering speech during the Speech Competition portion.
25-year old Russian contestant Marina Oreshkina from Vladivostok did not make it to the top 15.
The last Southeast Asian winner came from Indonesia when Kevin Lilliana won in 2017.
“Ambassadors of Peace and Beauty”
Miss International Beauty Pageant originated in Long Beach, California, United States in 1960.
In 1970, Japan had an opportunity to co-host the pageant with Japan World Exposition in Osaka, as the main event of the Osaka World Expo.
It was the first time Miss Japan had won a prize, ending up in 4th place to standing ovations from the public.
The spike in popularity of the contest became the catalyst for further contests to take place in Japan, with the pageants mainly hosted by the Asian country.
Along with Miss World, Miss Universe, and Miss Earth, the event is one of the Big Four international beauty pageants.
The Miss International Organization and the brand are currently owned, along with Miss International Japan, by ICA (International Cultural Association) and the Miss Paris Group.
The pageant crown used by the organisation is supplied and patented by the Mikimoto pearl company.
Participants and winners are expected to serve as “Ambassadors of Peace and Beauty”.


For science,
you monster.
Notes & Findings:
- Extending the helper class directly on top of the parrent, rather than the interaction, contributes to smoother transition due to the possibility of adding cubic-bezier on the element itself, this way it kicks-in on the way back, as well.
- Doing the above greay reduces flexabilty and customization.
Notes & Findings:
- Interesting things can be achieved when transitioning transform origin on hover, while an actual animation is running.
- Glitchy
Notes & Findings:
- Interesting things can be achieved when transitioning transform origin on hover, while an actual animation is running.
- Glitchy
Notes & Findings:
- Extending the helper class directly on top of the parrent, rather than the interaction, contributes to smoother transition due to the possibility of adding cubic-bezier on the element itself, this way it kicks-in on the way back, as well.
- Doing the above greay reduces flexabilty and customization.


Newbie Guide:
Characters of level 20 or above may not use the Newbie Travel Token to teleport.
Newbie Travel Token were designed to help newcomers to this world get started.