--- layout: post permalink: /the-origins-of-casal-partiu title: "The origins of Casal Partiu" date: 2013-01-30T10:52:00-02:00 keywords: lifestyle, change, history, vinícius teles, patricia figueira, travel, trip, digital nomad description: Learn how we came up with the idea of getting rid of almost everything and traveling the world. categories: - lifestyle - change - history - vinícius teles - patricia figueira - travel - trip - digital nomad ---
I was coming back from a gig that night. The bus ride would last eight hours. In the morning I'd still have to hop on a plane for a two hours flight. All in all, a long travel back home.
Five years have past since that night of December 2007. The night when I decided it was about time to quit. I didn't exactly quit a job. I quit almost everything.
Some background
In 2007 I was kind of a successful consultant in Brazil. I specialized in Agile Software Development and managed to create a good reputation in the field. Having published a book (Portuguese) on the topic in 2004 certainly helped a lot. Many people knew me around Brazil and I was asked to speak at several companies, universities and events.
I've been passionate about this job for years. But somehow it began to frustrate me more and more. Not because it was a bad work, but because I wanted something even better. I wanted to create products, instead of helping others create their products.
This feeling consumed me for more than one and a half year. I knew I wasn't happy with that consulting career anymore, but I didn't have the courage to change. And to make matters worse, I was more and more successful as a consultant. Which only made it more difficult to change.
It's hard enough to change when things are bad. It's much harder when everything is perfectly fine. Because it's more difficult to justify the change.
I couldn't sleep in the bus, so I turned to my iPhone and began to listen to some podcasts. Moments later I was listening to the famous Steve Jobs Stanford Commencement Speech. I've listened to it before and I certainly agreed that we shouldn't spend our lives doing something we didn't like. But this time, another part of the speech got my attention.
He explained that he was fired from his own company. He was devastated and suffered a lot. But later, he became involved in other projects, like NeXT and Pixar. Fact is that he'd never get into these projects if he were still at Apple. So, in the end, being fired turned out to be very liberating.
I thought to myself, damn, I wish I had a boss to fire me. Then I wouldn't have another choice. I'd have to leave behind this consulting work I didn't love anymore and try new things.
That night I realized that I had to fire myself. I had to quit. It was the only way. And so I did it.
When I arrived at the airport, I opened the notebook and began to write a blog post where I made it clear that this was my last consulting gig (Portuguese). And that was my resignation letter.
The product
The year of 2008 saw the birth of Be on the Net (Portuguese), our beloved product. It was a different year. I didn't have to travel anymore to attend the consulting gigs. I was working at home with my team all of the time. It was fun and full of excitement, but also a bit frightening. Would we be successful with the product?
We launched it about a year after my resignation from the consulting career. It wasn't the most successful launch in the world. But it was good enough for a bootstrapped product.
We kept working on it and improving it on the following months. Eventually we managed to grow a customer base large enough to pay the bills.
Buenos Aires
When things settled down, Pati and I took some days off and went to visit Buenos Aires. It was the first time we went there together and we loved it. So much so that we began to discuss this crazy idea: moving to live there.
At the time we had a wonderful life at home. It was a large apartment in Niterói where we had an office for my team, another office for Pati's team, a huge living room, a Wii room, and even a cook. Life was great there and we had a lot of fun. But that's the thing, we'd stay there all of the time. We'd almost never leave, for reasons that I might write about in another opportunity.
This bothered me. The trip to Buenos Aires gave us the perfect excuse to begin a new change. But it wouldn't be easy nor fast.
The transition
Pati is this incredibly awesome wedding photographer and she was completely booked not only for 2009, but also for 2010. So, in the best case scenario, we'd have to wait until the end of 2010 to move to Buenos Aires.
We used this time to prepare for the transition. We changed the way we worked with our team, so that we could work well remotely. A big change, actually, if you think that we worked together until that point, in the same work space.
On August of 2010 an apparently catastrophic event put our product at risk of extinction. Actually, we thought it would be the end of the product and the company. It was really nasty and it felt like the end of the world for us. We saw our plans going down the drain before our eyes.
Those were probably the most difficult days of our lives and we suffered like never before. What happened in those days would be enough to fill a book. It was painful but also very instructive. It taught us that even the hardest problems can eventually be solved with tons of energy, focus, time and perseverance.
One month later, things were back on track. Even better than before, despite losing a few customers in the process. We kept on with the product, the company and our dream of moving to Argentina. But we weren't done yet.
We needed to sell all of our stuff. Together with some friends we created this great website. An auction system that was really simple to use and yet good enough to display and sell what we had. And the truth is that we had too much stuff. We're not consumerists ourselves. But a large apartment attracts an immense mass of stuff over time. Ours was no exception.
The birth of Casal Partiu
We finally left Brazil on the 30th of December of 2010. We headed south, to Bariloche. A gorgeous town south of Buenos Aires, in the Argentinean part of Patagonia.
It was summertime and we didn't want to be in hot Buenos Aires during those months of January and February. So we went to Bariloche firstly, where the summer is mild. We finally rested. But not for long.
I began to read a few books and two of them called my attention: Vagabonding and The Art of Non-Conformity. That's how I learned about this concept of people traveling permanently. New kinds of nomads. They travel from place to place, but still work normally using new technologies that enables them to do things that were unthinkable just a few years ago.
Eventually I realized that Pati and I already had all of the necessary prerequisites to live like that. So I asked her: what if we don't stay only in Argentina? What if we travel all of the time, like I read in those books? And once again she said: that sounds cool. Man, I love this woman!
Two years and dozens of countries later, we can't get enough of it. Thank's God for that uncomfortably long bus ride. That was the beginning of the best years of our lives.


@* * Copyright 2023 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @import uk.gov.hmrc.apidocumentation.config._ @import uk.gov.hmrc.apidocumentation.controllers @import uk.gov.hmrc.apidocumentation.models._ @import uk.gov.hmrc.apidocumentation.views.html.include._ @import uk.gov.hmrc.apidocumentation.views.html.partials.pagination @this(apiMain: apiMain) @(pageAttributes: PageAttributes)(implicit applicationConfig: ApplicationConfig, request: Request[AnyContent], messagesProvider: MessagesProvider) @apiMain(pageAttributes) {
Your credentials are your client ID and your client secret.
Credentials are used:
Your client ID is a unique identifier we create when you add your application to the Developer Hub.
Client secrets are unique passphrases that you generate to authorise your application. They are known only to your application and the authorising server.
The client secret is the equivalent of a password and should not be stored in plain text. Only store an encrypted version of the client secret to reduce the chance of it being compromised.
Rotate your application’s client secret to shorten the period an access key is active, reducing the impact to your business if it is compromised.
To rotate your client secret:
You can have up to 5 client secrets at any time.


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---
layout: post
title: Speech Recognition Final Verdict
date: '2016-07-31T21:45:00.003-04:00'
author: umhau
tags:
- kaldi
- speech to text
- STT
- CMU Sphinx
categories: experiments
modified_time: '2016-08-09T11:36:13.111-04:00'
blogger_id: tag:blogger.com,1999:blog-2584289275272726799.post-419015677112769759
blogger_orig_url: http://nixingaround.blogspot.com/2016/07/speech-recognition-final-verdict.html
---
Final strategy: I'm going to use CMU Sphinx with a small vocabulary trained to my voice for most commands. I'll use the kaldi-gstreamer-server, or maybe even an online service, for larger, arbitrary pieces of sound - stuff that I can't predict.
Which means that I'll have two separate, behemoth systems installed on the computer. Ouch. At least I can stream Kaldi from a different computer. Sphinx should be small enough to not be a problem.
Here's what I need to be able to train the command and control language model.


Try out our Premium Member services: Virtual Legal Assistant, Query Alert Service and an ad-free experience. Free for one month and pay only if you like it.
ORISSA HIGH COURT : CUTTACK Misc. Case No. 18992 of 2011 (Arising out of W.P. (C) No.31672 of 2011) In the matter of an application under Chapter-VI, Rule 27(a) of Orissa High Court Rules -------- Sri Jugal Das Mohapatra ... Petitioner Versus Member Secretary, State ... Opposite parties Pollution Control Board, Bhubaneswar and others. For petitioner - M/s Jatindra K. Mohapatra, S. Satapathy and S. Mishra For opposite parties - M/s S.P. Mohantry, P.Lenka and M. Barik (for opp. party no.1) Addl. Government Advocate (for opp. party nos. 2 & 4) M/s D. Nayak, U.R. Jena, B. Nayak and M.K. Mohantry (for opp. party nos. 5, 7, 10 & 13) Mr. Pitambar Acharya (for o.p. no.6) --------------- PRESENT THE HONOURABLE CHIEF JUSTICE MR. V.GOPALA GOWDA AND THE HONOURABLE MR. JUSTICE S.K.MISHRA ------------------------------------------------------------------------------------------------------------------------ Date of Hearing: 24.08.2012 Date of Order : 12. 11.2012 ------------------------------------------------------------------------------------------------------------------------ S.K.Mishra, J. This misc. case arises, out of the writ petition No.31672 of 2011, wherein the petitioner has prayed that the Court should issue appropriate writ to the opposite parties for 2 closure of Stone Crusher Units of opposite party nos. 5 to 14 for violation of terms and conditions as prescribed by the State Pollution Control Board, Orissa. 2. In the counter affidavit, the Pollution Control Board (PCB) has explained the various status of pollution control measure taken by the Stone Crusher Units. It is apparent from the counter affidavit that M/s Durga Stone Products has obtained sitting criteria clearance certificate from the Collector and District Magistrate, Balasore, but the same is operating without pollution control measures and without obtaining consent from the PCB. As far as M/s Mahalaxmi Stone industries are concerned, the said unit has obtained sitting criteria clearance certificate from the Collector and District Magistrate. The unit has obtained consent to establish (NOC) from the PCB but the application for consent to operate has not been considered due to pendency of W.P.(C) No. 1713 of 2011. In case of M/s Mahalaxmi Stone products, it has obtained the sitting criteria clearance certificate from the Collector and District Magistrate. The order of consent to operate issued in favour of the unit has been renewed by the PCB vide letter no. 3072/CON-803, dtd.14.12.2011. In case of M/s Panchalingeswar Stone Crusher, the unit has neither obtained the sitting criteria clearance certificate from the Collector and District Magistrate nor has taken consent to establish/operate from the PCB. The unit is operating without taking pollution control measures. In case of M/s Satyanarayan Stone Crusher, the unit has neither obtained the sitting criteria clearance certificate from the Collector and District Magistrate nor has taken consent to establish/operate from the PCB. The unit is operating without taking pollution control measures. Action has been initiated as per the direction of this Court. 3 In respect of M/s Sri Aurobinda Stone Crusher, the unit has obtained sitting criteria clearance certificate from the Collector and District Magistrate. The order of consent to operate issued in favour of the unit has been renewed by the Pollution Control Board vide letter no.2059/Con-409, dated 07.06.2011. In case of M/s Maa Mangala Stone Crusher, the unit has obtained sitting criteria clearance certificate from the Collector and District Magistrate. Though the unit has obtained consent to establish (NOC) from the PCB, but has not taken consent to operate. This unit is not in operation. The counter affidavit further reveals that, in respect of M/s Nandighosha Stone Crusher, the said unit has obtained sitting criteria clearance certificate from the Collector and District Magistrate. The unit has obtained consent to establish (NOC) from the PCB, but has not taken consent to operate. The unit has started commercial production without pollution control measures. The counter affidavit further indicates that in respect of M/s Saraswati Stone Crusher, the unit has obtained sitting criteria clearance certificate from the Collector and District Magistrate. The unit has obtained the order of consent to operate from the PCB vide letter no.2088/CON-1840 dated 02.12.2011. M/s Jagannath Stone Crusher has obtained sitting criteria clearance certificate from the Collector and District Magistrate and though the unit has obtained consent to establish (NOC) from the PCB, the same has not taken consent to operate till date. The unit has not taken pollution control measures. 3. In view of these undisputed facts, this Court comes to the conclusion that an interim direction should be given to the PCB to take appropriate action in this matter. Section 31-A of the AIR (Prevention and Control of Pollution) Act, 1981 provides as follows:- 4 " 31A. Power to give directions - Notwithstanding anything contained in any other law, but subject to the provisions of this Act and to any directions that the Central Government may give in this behalf, a Board may, in the exercise of its powers and performance of its function under this Act, issue any directions in writing to any person officer or authority, and such person, office or authority shall be bound to comply with such directions. Explanation - For the avoidance of doubts, it is hereby declared that the power to issue directions under this section includes the power to direct - (a) the closure, prohibition or regulation of any industry, operation or process; or (b) the stoppage or regulation of supply of electricity, water or any other service." 4. Since the Board has the power to give appropriate directions to the Stone Crusher Units mentioned above, it is hereby directed in the interim that it should give appropriate directions for closure of the units, who have not obtained the necessary clearance certificate from the Pollution Control Board for operating stone crushers and those who have also not taken pollution control measures effectively within four weeks from the date of receipt of this order and submit compliance report. With such observations, the Misc. case is disposed of. ................................ S.K. Mishra,J.
V. Gopola Gowda, C.J. I agree.
................................. V.Gopala Gowda, C.J.
Orissa High Court, Cuttack, Dated, 12th November, 2012/PCD


This example shows a the "raw" property for the "file track" class on a <video> element.
<video src="/source/1/playlist/1/track/kind=MPEG-4 video file/1/raw" controls autoplay></video>
This code gets the raw contents of the first "MPEG-4 video file" in your library.


After parking and shutting the car off, drivers receive a prompt on their Samsung Gear smartwatch asking if they would like to log the parking spot, which is acquired from the vehicle’s GPS. If the vehicle is parked inside a parking garage, the driver can type the level, column and other location indicators into the watch interface. When returning to the vehicle, drivers can receive directions to navigate back to the parking spot using the watch. Drivers can help ensure their attentiveness by using the Gear smartwatch to set audible chimes and voice alerts at three-, five-, 10-, 15- or 20-minute intervals while on the road. Future versions of the app will vibrate the watch as an added way to help keep the driver alert.
Samsung School
Samsung School offers a variety of interoperable technology packages to suit your educational needs. The full suite includes select Samsung Galaxy tablets for the teacher and each student, an interactive whiteboard and a wireless multifunction printer. Tying it all together is the Samsung School software, which provides a learning management system along with powerful interactive tools.
Samsung School
Website with huge movie list that allows to the user watch and fetch informations about your favorite movies.


plt help
13-Mar-14
Copyright (c) 2014, Paul Mennen
Quick start:
Introduction
Installation instructions
Experiment with plt5
Workspace plotting
Release notes
Using the plt window
Preliminaries
Selecting traces
Zooming and panning
Cursoring
Right hand axis
Menu box and menu bar
Data editing
Command line arguments
Calling sequence and line styles
Trace properties
Axis properties
Labels and figure properties
Colors
Options
Cursor commands
Pseudo objects
Auxiliary plt functions and .m files
Programming examples


Check if the process is running inside Windows Subsystem for Linux (Bash on Windows)
Can be useful if you need to work around unimplemented or buggy features in WSL.
$ npm install --save is-wsl
```js const isWsl = require(‘is-wsl’);
// When running inside Windows Subsystem for Linux console.log(isWsl); //=> true ```
MIT © Sindre Sorhus


Canada outlast Russia to book historic Davis Cup final berth
by OmnisportCanada won a thrilling tie against Russia to seal a place in the Davis Cup final for the first time on Saturday.
Russia prevailed in a deciding doubles tie-break in an epic contest with Serbia a day earlier but were unable to repeat the trick as Denis Shapovalov and Vasek Pospisil made history for Canada.
The duo secured a 6-3 3-6 7-6 (7-5) triumph over Andrey Rublev and Karen Khachanov in Madrid, despite Pospisil having received treatment on a shoulder injury prior to the final set.
It marked the culmination of a memorable tussle, in which Russia struck first when Rublev earned a fourth singles victory of the week with a 6-4 6-4 win over Pospisil.
That meant Shapovalov had to defeat Khachanov to keep Canada's hopes alive and things were not looking good when the Russian raced into a 4-1 lead.
Shapovalov rallied brilliantly to take the opener, but succumbed when serving to stay in the second at 5-4 down.
A tense decider went the way of Shapovalov, who celebrated a 6-4 4-6 6-4 victory in a match featuring 73 unforced errors.
Spain or Great Britain, who contest the other last-four tie, await in the final.


Cynthia A. Brewer, 1994, "Guidelines for Use of the Perceptual Dimensions of Color
for Mapping and Visualization," Color Hard Copy and Graphic Arts III, edited by J. Bares,
Proceedings of the International Society for Optical Engineering (SPIE), San Jose, February
1994, Vol. 2171, pp. 54-63.
Cynthia A. Brewer, 1994, "Color Use Guidelines for Mapping and Visualization,"
Chapter 7 (pp. 123-147) in Visualization in Modern Cartography, edited by A.M. MacEachren
and D.R.F. Taylor, Elsevier Science, Tarrytown, NY.
The color schemes of Cynthia Brewer.
Cynthia A. Brewer, 1994, "Guidelines for Use of the Perceptual Dimensions of Color for Mapping and Visualization," Color Hard Copy and Graphic Arts III, edited by J. Bares, Proceedings of the International Society for Optical Engineering (SPIE), San Jose, February 1994, Vol. 2171, pp. 54-63.
Cynthia A. Brewer, 1994, "Color Use Guidelines for Mapping and Visualization," Chapter 7 (pp. 123-147) in Visualization in Modern Cartography, edited by A.M. MacEachren and D.R.F. Taylor, Elsevier Science, Tarrytown, NY.


Your Library
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Click on above new button to add new book


The internet protocol address, (IP Address) is like someone’s home address, except the IP address isn’t the address of a home but a website. It is a bunch of numbers in a hierarchy, has many parts; each number is represented in bits, 32 bits in each part of address each 8-bit part consists of Country/Network. Region/Network. Subnetwork. Device address. It is called IPV4 and it allows 4 billion unique addresses. We are running out of addresses and a new system is slowly being rolled out called IPV6 which allows for 128 bits per address and in result there will be 340 Undecillion unique addresses.
Packets are exactly that, Packets of information, go in whichever way to get to the destination. When someone requests information be it google search or trying to go to a website, the information is chopped up into little pieces called packets. These broken up pieces of information travel in whichever way to the destination and then get reassembled. They don’t choose their routes.
Routing is similar to traffic managers to keep the packets moving smoothly. Transmission Control Protocol. Allows the computer to check the inventory of all the packets received. These technologies are all fault tolerant and scalable without interrupting any service.
We use IP addresses because since they are unique to each computer/device it allows different devices to interact with one another in any network.
Packets are used because the internet is a distributed service, so that a direct connection between one to point do another does not need to be established for a message to be sent. The message is chopped up into little pieces and send across the network with the proper address at the top to make sure it reaches the designated destination. This is beneficial because sometime there can be network issues, and the packets can choose a different route to take to get to the destination.
Routing is necessary because as stated with packets, they know where to go, but only with the help of the routing which aids them in choosing the best possible path to get to their destination.


| Path | /{bucket}/created/{year}/{month}/{day} |
|---|---|
| HTTP Method | GET |
| Description | Lists all assets for the given creation date. |
The parameters are the following:
An example URI can be: /test/created/2007/11/19.
HTTP Code 200 is returned if the view exists. The response body contains a list of all assets in the following format:
<view>
<asset>
<id>096dfa489bc3f21df56eded2143843f135ae967e</id>
<path>test/096dfa489bc3f21df56eded2143843f135ae967e/index.xml</path>
</asset>
</view>
The path is a normal relative asset path URL.


Submit a Build
Would you like to submit your build to Code Vein Builder and share it with others? If so, please read the information provided below to learn how to submit your build!
Note: We utilize Github's "Issues" tracker for submitting builds. If you're not familiar with this system you can read about it here. A Github account is required to submit new issues. If you don't have one you can register an account here.
Submitting Your Build
To submit your build to Code Vein Builder please open a new issue on github and provide the following information.
- Title: Build Submission (feel free to include your build's name in the title)
- Build Name: Name of Your Build
- Build Category: (One-handed Sword, Dark Gifts, etc.; See preset list for categories) If you're unsure, you may leave this out or propose a new category.
- Build Link/Code: (you can get a link/code for your build by setting it up here and selecting "Save Build")
- Build Description: Describe how to use your build. (optional)
You may copy and use either template:
Here is an example build:
- Title: Build Submission: Vampiric Mage
- Build Name: Vampiric Mage
- Build Category: Dark Gifts
- Build Link/Code: IIJgHAPsBsEAwQCIEYoBZ5VcSxkggGFltlZQNgBmAVihAE4oqnCQDDWRUAxOIA
Once your build has been submitted on Github, you'll have to wait for approval. If approved, your build should be added within 24hrs! However, if there's any issues, we'll let you know and work with you to get your build added.
Thank you for taking the time to read these guidelines. We look forward to seeing all of your builds!


All of our stores are open 24/7, 365.*
Because we slang those cookies with reckless abandon!
*This does not apply to our Dubai store which has the hours below:
Seattle:<PHONE_NUMBER>
22341 1st Street, Seattle WA 98001
Tokyo<PHONE_NUMBER>
453141 2nd Street, Tokyo, Japan 99834
Dubai<PHONE_NUMBER>
996644 3rd Street, Dubai, UAE 00972
Paris<PHONE_NUMBER>
884249 4th Street, Paris, France 00327
Lima<PHONE_NUMBER>
9924 5th Ave, Lima, Peru 775439


--- layout: post title: "Sugar Substitutions in Muffins" date: 2022-01-26 12:15:00 +0000 tags: muffins image: imagecredits: ---
The Great Muffin Experiment, No. 11 (Jump to the Recipe)
A month or so ago, I was worried that we'd never finish all the fruit I had in the freezer, as each week, we received a new boxful from the CSA. While I do still have quite a bit of apple- and pear sauce in there, along with pumpkin puree and a fair number of pear/apple/persimmon crumbles, I finished off the last of the frozen peaches in our smoothies this morning. The fruit we're getting this time of year is citrus — more conducive to juicing, in my opinion, than baking. That said, I've tried to think of ways that I can bake with oranges, and of course, that means I had to try to make some muffins.
This was yet another of those times when I used a recipe for inspiration but made way too many alterations to label this project "scientific" in its experimentation. (I changed the flour from all purpose to whole wheat pastry. I had ricotta on hand, having made white pizza a few nights prior, which I used instead of sour cream. I substituted tahini for the butter. I used agave syrup instead of sugar. I added cacao nibs. I left off the glaze.) That said, this was probably one of the best batches of muffins I've made so far — a relief as this afternoon, I'll go pick up the vegetable and fruit boxes and will have more citrus to consume.
The funny thing about making sugar substitutions is that, at the end of the day (or digestion), it's still sugar. Oh sure, folks might label a recipe "healthy" as it doesn't contain granulated sugar; but sugar alternatives are still sugar (as far as macronutrients go, at least).
As always, it's worth thinking about specific goals with adjusting recipes to make them "healthy." Are you simply swapping out something that sounds better but might not actually be better? (Aspartame. Stevia. I'm suspicious.) Just as importantly, you have to understand how the sugar functions because it's not simply to add sweetness to a recipe. Sugar can add brownness, crispness, moisture, or volume, for example. So getting rid of or reducing the granulated sugar might require other adjustments to a recipe — adding more or less liquid, turning down the oven temperature.
Sugar alternatives can include honey, maple syrup, agave syrup, and monk sugar. (I've listed these in my Ingredients database.) Often, I find that I can simply reduce the amount of sugar in a muffin recipe without seeing any huge difference. But I don't have a huge sweet tooth, so that's just me.
{% assign recipes = site.data.recipes %} {% for recipe in recipes %} {% if recipe.title == "Orange Ricotta Muffins" %} {% assign title = recipe.title %} {% assign description = recipe.description %} {% assign category = recipe.category %} {% assign ingredients = recipe.ingredients %} {% assign cuisine = recipe.cuisine %} {% assign date = recipe.date %} {% assign instructions = recipe.instructions %} {% assign calories = recipe.calories %} {% assign preptime = recipe.preptime %} {% assign cooktime = recipe.cooktime %} {% assign servings = recipe.servings %} {% endif %} {% endfor %}{{ description }}
Prep time: {{ preptime }} minutes · Cooking time: {{ cooktime }} minutes · Servings: {{ servings }} · Calories: {{ calories }}
Ingredients:
Instructions:


2020 Kia Stinger GT-Line becomes only 2.0-liter model on offer
GT-Line adopts design cues from proper GT for only $100 more
by Jonathon RamseyThe 2019 Kia Stinger comes in five flavors: 2.0L and Premium with the 2.0-liter turbocharged four-cylinder engine, and GT, GTS, GT1, and GT2 with the 3.3-liter twin-turbo V6. Beyond the engine, the two lowest trims differ from the GT versions with different grilles, bumpers, wheels, and exterior trim. Having seen an early order guide, CarsDirect says Kia will replace the two base models with a single model that's been restyled with GT cues, while raising the price just $100. The new model is called the Stinger GT-Line, a trim that's been available in other markets for a while on everything from the tiny Picanto to the Sorrento crossover; the pictured car is a UK Stinger GT-Line.
The model bolts on the grille and bumpers from the GT, black chrome trim and body-colored door handles, plus 18-inch GT-styled wheels. The cabin gets dressed up with a black headliner no matter the interior color, a leather-wrapped steering wheel, and headrests embossed with "GT-Line." The price will be $33,090 plus $995 destination, totaling $34,085, a figure that comes in an even $100 above the 2019 Stinger 2.0L.
$34,085The loss of the Premium trim leaves a $6,410 gap between the GT-Line and the base GT trim. The Premium was the way to get a long list of luxury and convenience features paired with the four-cylinder, but it was only $110 less dear than the entry GT with the bigger engine but without the feature set. The price of that GT goes up, meanwhile, CarsDirect saying the 2020 GT will start at $40,495 after destination, a $200 increase over the 2019 model. Furthermore, with the Premium gone, the only way to option automatic emergency braking will be to spend more than $46,000 on the GT1 grade.
Engines don't change for next year, the 2.0-liter producing 255 horsepower and 260 pound-feet of torque, the 3.3-liter putting out 365 hp and 376 lb-ft, both shifting through an eight-speed automatic.


Об Академии
It is a long established fact that a reader will be distracted by the readable content of a page when looking at its layout.
<<<<<<< HEAD
The point of using Lorem Ipsum is that it has a more-or-less normal distribution of letters, as opposed to using 'Content here, content here',
making it look like readable English. Many desktop publishing packages and web page editors now use Lorem Ipsum as their default model text,
and a search for 'lorem ipsum' will uncover many web sites still in their infancy.
It is a long established fact that a reader will be distracted by the readable content of a page when looking at its layout.
The point of using Lorem Ipsum is that it has a more-or-less normal distribution of letters, as opposed to using 'Content here, content here',
making it look like readable English. Many desktop publishing packages and web page editors now use Lorem Ipsum as their default model text,
and a search for 'lorem ipsum' will uncover many web sites still in their infancy.


-
What does the strategic action involve?
-
{{ action.description|default:"No information" }}
-
What is the intended impact of the strategic action?
How will the action be measured?
-
{{ action.impact|default:"No information" }}
-
Which category applies to this strategic action?
-
{{ action.get_category_display|default:"No information" }}
-
Does the strategic action apply UK-wide or in England only?
-
{{ action.get_geographic_scope_display|default:"No information" }}
-
Which other government departments are supporting this strategic action?
-
{{ action.supporting_organisations|join:", "|default:"No information" }}
-
What is the estimated date of completion?
-
{% if action.is_ongoing %}
Ongoing
{% else %}
{{ action.target_completion_date|date:"j F Y"|default:"No information" }}
{% endif %}
-
Are there any other dependencies or requirements for applying this strategic action?
-
{{ action.other_dependencies|default:"No information" }}
-
Does this action affect the whole supply chain or a section of supply chains?
-
{{ action.specific_related_products|default:"No information" }}


This ontology is distributed under a Creative Commons Attribution License - http://creativecommons.org/licenses/by/3.0
If your reuse it for an academic purpose, please quote this article:
Gabriel, A., Monticolo, D., Camargo, M., Bourgault, M., 2016. Ontology
to represent the knowledge domain of a creative workshop. Presented at
the The 12th International Conference on Signal Image Technology &
Internet Systems, Naples, Italy.
Creative Workshop Management Ontology (CWMO) - an ontology designed to describe the creative workshop domain, to permit reasoning on creative method and to describe resources gathered inside Creative Support System. The primary goal of the ontology is to cover all knowledge about creative workshop and creative method necessary for Creative support system. The second goal is to provide interoperability between distributed Creative Support System.
IRI: http://purl.org/cwmo/#Activity
IRI: http://purl.org/cwmo/#Advice
The advice is provided by the expert to a creative team and can concern an idea or a technique.
IRI: http://purl.org/cwmo/#ApplicationMode
The application mode class defined the different mode of application of a creative technique
IRI: http://purl.org/cwmo/#Artifact
The artefact class is a visual or physical representation of an idea.
IRI: http://www.w3.org/2004/02/skos/core#Concept
The concept class is the generalization of specific ideas.
IRI: http://purl.org/cwmo/#Constraint
The constraint class is the textual description of the element that limit the subject. It is related to the strategy of the company, the constraint associated with the activity domain of the organizations, …
IRI: http://purl.org/cwmo/#Context
organizational condition in wich the problem is defined (Stratégique, Nouveau produit, processus ou service, Améliorations produit, processus ou service, publicité/marketing, Ressources humaines)
IRI: http://purl.org/cwmo/#ContextType
The context type class gather the typology of creative workshop context
IRI: http://purl.org/cwmo/#CreativePhase
The creative phase class is the decompastion of the creative process into steps/ phases which implies different nature of activities, goals and interaction.
IRI: http://purl.org/cwmo/#CreativeStrategy
The creative strategy is a selection of creative techniques defined by the a facilitator in order to respond to the subject
IRI: http://purl.org/cwmo/#CreativeTeam
The creative team class is a group of ideator who attempt to generated ideas to respond a problematic
IRI: http://purl.org/cwmo/#CreativeTechnique
The creativre technic class is the technic applied by the ideator to generated ideas
IRI: http://purl.org/cwmo/#CreativeWorkshop
The CreativeWorkshop class represent an event organized by an organizer to solve a problem formulated into a subject and provided by a decision-maker, and solved by a creative team.
IRI: http://purl.org/cwmo/#DataType
Data type class define the form in which that content is typically collected and communicated.
IRI: http://purl.org/cwmo/#DecisionMaker
Decision Maker is one of the role assumed by a person during the creative workshop. He provides the problem to solve during the workshop and has the decision ability concerning the future of the idea generated.
IRI: http://purl.org/cwmo/#DigitalTool
The digital tools class gather the tools available for a digital application of creative techniques
IRI: http://purl.org/cwmo/#Equipment
The material class represent the physical material/ equipment needed.
IRI: http://purl.org/cwmo/#EvaluationCriteria
The Evaluation criteria class is the specific aspect to obsverve on idea. It is defined according to the constraints of the subject.
IRI: http://purl.org/cwmo/#EvaluationStrategy
The evaluation strategy class gather the information concerning the evaluation technics, the criteria, and the evaluators affected to respond to the objectives of the creative workshop.
IRI: http://purl.org/cwmo/#EvaluationTechnic
The evaluation technic class is the way the idea is evaluated. It can be qualitative (Review, sorting (top5),...) or quantitative (rating).
IRI: http://purl.org/cwmo/#Evaluator
Evaluator is one of the role assumed by a person during the creative workshop. He evaluate the ideas based on the evaluation strategy according to the evaluation techniques and the criteria associated.
IRI: http://purl.org/cwmo/#Expert
Expert is one of the role assumed by a person during the creative workshop. He share his knowledge about the problem or the domain to helps the ideator or the evaluation.
IRI: http://purl.org/cwmo/#ExpressionMode
IRI: http://purl.org/cwmo/#Facilitator
Facilitator is one of the role assumed by a person during the creative workshop. He is the person who assist the group of ideator in the application of the activities (creative technique and evaluation technique)
IRI: http://purl.org/cwmo/#Idea
The idea class is a beginning of response to the problem. An idea can be from a Creative technic
IRI: http://purl.org/cwmo/#Ideator
Ideator is one of the role assumed by a person during the creative workshop. He is the person who solve the problem and produce ideas by applying creative techniques
IRI: http://purl.org/cwmo/#InputType
type of centent most appropriatly targeted by the method
IRI: http://purl.org/cwmo/#KnowledgeDomain
The Knowledge domain class is the overall knowledge that a person posses or which is associated to an idea or a problem
IRI: http://purl.org/cwmo/#Objective
The objective is a description of the result expected by the organizations concerning the creative workshop
IRI: http://purl.org/cwmo/#Organization
An organization such as a company, SME, institutions, NGO, corporation, etc.
IRI: http://purl.org/cwmo/#Organizer
Organizer is one of the role assumed by a person during the creative workshop. He is the person who manage the entre workshop by providing the materials, the infrastructure and communicate with the others persons.
IRI: http://purl.org/cwmo/#ParticipantRole
The particpant role class define the role of the person involved in a creative technique. (Martin et al., 2013). It should be distinguished from the role involved in the entire creative workshop process.
IRI: http://xmlns.com/foaf/0.1/Person
The person class represent people whatever his state
IRI: http://purl.org/cwmo/#Problem
The problem class is the description of the elements that leads the organization to initiate a creative workshop.
IRI: http://purl.org/cwmo/#Stimuli
Stimuli is used to initiate a creative technique
IRI: http://purl.org/cwmo/#StimuliType
Typology of stimuli
IRI: http://purl.org/cwmo/#Subject
The subject class is the description of the problerm to solve by the creative group during the creative workshop. It is a transformation/reformulation of the problem.
IRI: http://purl.org/cwmo/#TechniqueFunction
Technique Function class define the primary purpose of a creative technique.
IRI: http://purl.org/cwmo/#Tool
The tool class is the software and interface used to ease the application of a creative technic and/or collect the data of the creative technic.
IRI: http://purl.org/cwmo/#adviceAdressedTo
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#advicedBy
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#appliedInContextType
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#applyEvaluationThanks
Evaluation technic apply evaluation criteria to do the evaluation.
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#coverDomain
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#criteriaIsDefinedBy
Evaluation criteria is defined by the decision maker and/or the organizer.
has characteristics: asymmetric
IRI: http://purl.org/cwmo/#equipe
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#evalStratPlannedBy
has characteristics: asymmetric
IRI: http://purl.org/cwmo/#evalTechAppliedBy
Evaluation technic is applied by evaluator.
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#evaluateResponseTo
An evaluation strategy evaluate the ideas associated to a subject. The strategy is dependant of the differnt element that define the subject (context, decision-maker, ...)
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#hasApplicationMode
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#hasAuthor
An idea is written by an ideator.
IRI: http://purl.org/cwmo/#hasCTSource
An idea has been produced during the application of a creative technic.
has characteristics: asymmetric
IRI: http://purl.org/cwmo/#hasCWSource
An idea has been produced during the a creative workshop.
has characteristics: asymmetric
IRI: http://purl.org/cwmo/#hasContext
A problem is defined according to a context.
IRI: http://purl.org/cwmo/#hasContextType
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#hasCreatTechnic
Creative Strategy is composed by one or several creative techniques
has characteristics: asymmetric
IRI: http://purl.org/cwmo/#hasCreativePhase
has characteristics: asymmetric
IRI: http://purl.org/cwmo/#hasEquivalent
has characteristics: symmetric
IRI: http://purl.org/cwmo/#hasEvalStrat
Evaluation technic is part of an evaluation strategy.
has characteristics: asymmetric
IRI: http://purl.org/cwmo/#hasEvalTechnic
Evaluation strategy is composed by evaluation technic.
has characteristics: asymmetric
IRI: http://purl.org/cwmo/#hasExpressionMode
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#hasFunction
A creative method produce different results which can be classified according to these typology: exploration, generation, and/or evaluation.
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#hasGeneralization
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#hasGenerated
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#hasGroupAuthor
Idea is generated into and by a team.
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#hasHypernym
Concept whose semantic field is broader than that of a hyponym.
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#hasHyponym
Concept whose semantic field is more specific than its hypernym
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#hasIdeator
A creative Team is composed by several ideator
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#hasInputType
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#hasKnowledge
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#hasNext
The creative technic can be follewed by another creative technic.
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#hasParticipant
Creative workshop has participant with different role.
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#hasPlanified
Facilitator define the creative strategy
has characteristics: asymmetric
IRI: http://purl.org/cwmo/#hasPrevious
The creative technic can be preceed by another creative technic.
IRI: http://purl.org/cwmo/#hasRole
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#hasSpecialization
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#hasStimuliInput
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#hasStimuliType
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#hasSynonym
Concept that means exactly or nearly the same as another concept.
IRI: http://purl.org/cwmo/#isAppliedInContext
A creative technic is applied in certain context.
has characteristics: asymmetric
IRI: http://purl.org/cwmo/#isConstraintedBy
Properety indicating that a problem is constrainted by constraint of different nature ( the problem itself, the domain, the context, the actor of the domain…)
has characteristics: asymmetric
IRI: http://purl.org/cwmo/#isCoveredBy
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#isCriterizedBy
Evaluation criteria is defined by the decision maker and/or the organizer.
has characteristics: asymmetric
IRI: http://purl.org/cwmo/#isEvaluatedDuring
Evaluation criteria is applied during an evaluation technic.
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#isEvaluating
Evaluation technic evaluate idea.
has characteristics: asymmetric
IRI: http://purl.org/cwmo/#isFollowedBy
in theory, the creative technic can be follewed by another creative technic. it means the 2 creative technic are by default related by a temporal relation.
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#isFormalizedFrom
A subject is formalized from a problem.
has characteristics: asymmetric
IRI: http://purl.org/cwmo/#isFormalizedInto
A problem is formalized into a subject in order to be adapted for a creative workshop.
has characteristics: asymmetric
IRI: http://purl.org/cwmo/#isFormalizing
The decision maker define the problem that will be solved during the creative workshop.
has characteristics: asymmetric
IRI: http://purl.org/cwmo/#isGeneralizedBy
Properety indicating that an idea is generalized by a concept.
has characteristics: asymmetric
IRI: http://purl.org/cwmo/#isGeneralizing
Property indicating that a concept generalize an idea. Althought ideas are different, several can represent the same concept.
has characteristics: asymmetric
IRI: http://purl.org/cwmo/#isIncompatibleWith
All creative technic are not compatible with each other. A creative technic is not compatible with another.
has characteristics: asymmetric
IRI: http://purl.org/cwmo/#isMaterializedBy
Property indicating that an idea as been conctreatized into some physical or visual
has characteristics: asymmetric
IRI: http://purl.org/cwmo/#isMaterializing
Property indicating that an artifact represent/ symbolize an idea.
has characteristics: asymmetric
IRI: http://purl.org/cwmo/#isParticipatingTo
The person with a role is participating to the workshop
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#isPlanifiedBy
The creative strategy is defined by a facilitator
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#isProducingData
A creative technic produce data (that leads to idea) which is qualitative, quantitative or both.
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#isRealisedBy
An artefact has been realised by one or several persons. In opposite to the ideas which is from the group, the realisation is individualised.
IRI: http://purl.org/cwmo/#isRelatedTo
A creative method is related to another creative method according to the method principle or mechanism involved.
has characteristics: irreflexive, symmetric
IRI: http://purl.org/cwmo/#isSolvedDuring
A subject is solved during a creative workshop .
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#isSupportedBy
A creative technic application is supported by tools.
has characteristics: asymmetric, irreflexive
IRI: http://xmlns.com/foaf/0.1/#member
A creative Team is composed by several ideator
has characteristics: asymmetric, irreflexive
IRI: https://schema.org/member
An organization has persons as member.
has characteristics: asymmetric, irreflexive
IRI: https://schema.org/memberOf
The memberOf point an Organization to which this Person belongs
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#organize
An organizer organize a creative workshop. He has the responsability of this workshop.
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#organizeResponseTo
Creative Strategy is design to respond to a subject.
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#possessEquipment
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#possessObjective
A subject is described by objective.
IRI: http://purl.org/cwmo/#progress
has characteristics: asymmetric, functional, irreflexive
IRI: http://purl.org/cwmo/#provideAdvice
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#requireEquipment
Creative technic require some equipement to be implemented.
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#requireStimuliType
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/cwmo/#support
A tool support the application of a creative technic.
has characteristics: asymmetric, irreflexive
IRI: http://purl.org/dc/terms/description
Description may include but is not limited to: an abstract, a table of contents, a graphical representation, or a free-text account of the resource.
IRI: http://purl.org/cwmo/#difficulty
estimates how complicated is a technic to implement. Low, medium, high
IRI: http://purl.org/cwmo/#duration
minimun amount of time required to apply a technic.
IRI: http://schema.org/endDate
Indicate the ending day of a creative workshop.
IRI: http://purl.org/cwmo/#energy
how much energy must be invested to complete the technic.
IRI: http://xmlns.com/foaf/0.1/#firstName
The first name of a person.
IRI: http://purl.org/cwmo/#funFactor
estimated likelihood that a technic will provoke mirth and humor. Low, medium, high.
IRI: http://purl.org/cwmo/#function
creative technqiue has different function: exploration of the subject/ domain of the problem, generation of idea, and evluation of idea
IRI: http://purl.org/cwmo/#hasInput
A creative method requires some parametrs to be applied properly. these inputs can be a problematic, aditional information, ...
IRI: http://purl.org/cwmo/#hasOutput
IRI: http://purl.org/cwmo/#hasWeight
IRI: http://purl.org/cwmo/#ideaQuantity
probability of a technic will result a relatively large quantity of ideas within the available time. Low, medium, high probability
has characteristics: functional
IRI: http://purl.org/cwmo/#identifier
IRI: http://purl.org/cwmo/#innovationRange
IRI: http://purl.org/cwmo/#innovationScope
IRI: http://schema.org/keyword
Keywords or tags used to describe this content. Multiple entries in a keywords list are typically delimited by commas.
IRI: http://xmlns.com/foaf/0.1/#lastName
The last name of a person.
IRI: https://schema.org/legalName
IRI: http://schema.org/location
Place where the event occur.
IRI: http://purl.org/cwmo/#novelty
probability that ideas produced will possess statistical infrequency. Low, medium, high probability
IRI: http://purl.org/cwmo/#problematic
the subject is summerized into an open question that pose the problem.
IRI: http://purl.org/cwmo/#procedure
procedure details how implement the creative technic .
IRI: http://purl.org/cwmo/#scale
Scale on which the evaluation criteria should be evaluated
IRI: http://purl.org/cwmo/#score
the idea has a score once it has been evaluated by the evaluator.
IRI: http://schema.org/startDate
Indicate the starting day of a creative workshop.
IRI: http://purl.org/cwmo/#stimuli
creative technique require stimuli to permit ideator apply correctly the method. This stimuli can be related or unrelated to the subject.
IRI: http://purl.org/dc/terms/title
Describes the title of an entity (e.g. idea title, idea contest tile, review title etc.).
has characteristics: functional
IRI: http://purl.org/cwmo/#usecase
Usecase is used to describe the idea in context of use.
IRI: http://purl.org/cwmo/#website
IRI: http://purl.org/cwmo/#weight
IRI: http://purl.org/cwmo/#ABTesting
IRI: http://purl.org/cwmo/#AEIOU
IRI: http://purl.org/cwmo/#Acceptability
IRI: http://purl.org/cwmo/#advc1
IRI: http://purl.org/cwmo/#advc2
IRI: http://purl.org/cwmo/#AM
IRI: http://purl.org/cwmo/#Aesthetic
IRI: http://purl.org/cwmo/#AffinityDiagramming
IRI: http://purl.org/cwmo/#Alex
IRI: http://purl.org/cwmo/#Anon1
IRI: http://purl.org/cwmo/#Anon3
IRI: http://purl.org/cwmo/#Applicability
IRI: http://purl.org/cwmo/#ArtifactAnalysis
IRI: http://purl.org/cwmo/#Attitudinal
IRI: http://purl.org/cwmo/#AutomatedRemoteResearch
IRI: http://purl.org/cwmo/#Behavioral
IRI: http://purl.org/cwmo/#BehavioralMapping
IRI: http://purl.org/cwmo/#BendItShapeIt
IRI: http://purl.org/cwmo/#Bodystorming
IRI: http://purl.org/cwmo/#BrainstormGraphicOrganizers
IRI: http://purl.org/cwmo/#Brainwriting
IRI: http://purl.org/cwmo/#Bubbl.us
IRI: http://purl.org/cwmo/#BusinessOrigami
IRI: http://purl.org/cwmo/#CAD1
IRI: http://purl.org/cwmo/#CardSorting
IRI: http://purl.org/cwmo/#CaseStudy
IRI: http://purl.org/cwmo/#Coggle
IRI: http://purl.org/cwmo/#CognitiveMapping
IRI: http://purl.org/cwmo/#CognitiveWalkthrough
IRI: http://purl.org/cwmo/#Collage
IRI: http://purl.org/cwmo/#CollectiveMode
IRI: http://purl.org/cwmo/#CompetitiveTesting
IRI: http://purl.org/cwmo/#Completeness
IRI: http://purl.org/cwmo/#Complexity
IRI: http://purl.org/cwmo/#ConceptGeneration
the phase of concept generation and eraly prototyping is an itarative phase that involves participatory and generative design activities. Classification of the application of creative technic based on the Universal Method of Design (Martin et al., 2008).
IRI: http://purl.org/cwmo/#ConceptMapping
IRI: http://purl.org/cwmo/#ContentAnalysis
IRI: http://purl.org/cwmo/#ContentInventoryAudit
IRI: http://purl.org/cwmo/#ContextualDesign
IRI: http://purl.org/cwmo/#ContextualInquiry
IRI: http://purl.org/cwmo/#CreatStrat1
IRI: http://purl.org/cwmo/#CreatStrat2
IRI: http://purl.org/cwmo/#CreativeToolkit
IRI: http://purl.org/cwmo/#CriticalIncidentTechnique
IRI: http://purl.org/cwmo/#Crowdsourcing
IRI: http://purl.org/cwmo/#Ctxt1
IRI: http://purl.org/cwmo/#Ctxt2
IRI: http://purl.org/cwmo/#CulturalProbes
IRI: http://purl.org/cwmo/#CustomerExperienceAudit
IRI: http://purl.org/cwmo/#cw48h2014
IRI: http://purl.org/cwmo/#cw48h2015
IRI: http://purl.org/cwmo/#Davy
IRI: http://purl.org/cwmo/#DesSportsInc
IRI: http://purl.org/cwmo/#DesignCharette
IRI: http://purl.org/cwmo/#DesignEthnography
IRI: http://purl.org/cwmo/#DesignProcess
IRI: http://purl.org/cwmo/#DesignWorkshop
IRI: http://purl.org/cwmo/#DesirabilityTesting
IRI: http://purl.org/cwmo/#DiaryStudy
IRI: http://purl.org/cwmo/#DirectedStorytelling
IRI: http://purl.org/cwmo/#Effectivness
IRI: http://purl.org/cwmo/#ElitoMethod
IRI: http://purl.org/cwmo/#ErgonomicAnlysis
IRI: http://purl.org/cwmo/#EvalStrat1
IRI: http://purl.org/cwmo/#EvalStrat2
IRI: http://purl.org/cwmo/#Evaluation
The evluation class is a creative technic which has the purpose to evaluate/sort/contextualise the ideas.
IRI: http://purl.org/cwmo/#EvalAndRafinement
The evaluation and rafinement is an iterative phase of testing and feedback about a production. Classification of the application of creative technic based on the Universal Method of Design (Martin et al., 2008).
IRI: http://purl.org/cwmo/#EvaluativeResearch
IRI: http://purl.org/cwmo/#EvidenceBasedDesign
IRI: http://purl.org/cwmo/#ExperiencePrototyping
IRI: http://purl.org/cwmo/#ExperienceSamplingMethod
IRI: http://purl.org/cwmo/#Experiment
IRI: http://purl.org/cwmo/#ExpertReview
IRI: http://purl.org/cwmo/#Exploration
The exploration class is a creativ technic which has the porpose to explore the problem, to redefine the scope or the focus of the problem, or to collect further information
IRI: http://purl.org/cwmo/#ExploratoryResearch
IRI: http://purl.org/cwmo/#Expressivness
IRI: http://purl.org/cwmo/#Eyetracking
IRI: http://purl.org/cwmo/#Feasibility
IRI: http://purl.org/cwmo/#FlexibleModeling
IRI: http://purl.org/cwmo/#FlyOnWallObservation
IRI: http://purl.org/cwmo/#FocusGroup
IRI: http://purl.org/cwmo/#FreeReview
IRI: http://purl.org/cwmo/#GeneralScore
IRI: http://purl.org/cwmo/#Generation
The Generation class is a creative technic which has the purpose to generate ideas.
IRI: http://purl.org/cwmo/#GenerativeResearch
IRI: http://purl.org/cwmo/#GraffitiWall
IRI: http://purl.org/cwmo/#GrandAnon1
IRI: http://purl.org/cwmo/#GrosAnon1
IRI: http://purl.org/cwmo/#GuidedReview
IRI: http://purl.org/cwmo/#HelmetSubject
IRI: http://purl.org/cwmo/#HeuristicEvaluation
IRI: http://purl.org/cwmo/#HumanRess
IRI: http://purl.org/cwmo/#Idea1
IRI: http://purl.org/cwmo/#Idea2
IRI: http://purl.org/cwmo/#Idea3
IRI: http://purl.org/cwmo/#Idea4
IRI: http://purl.org/cwmo/#Idea5
IRI: http://purl.org/cwmo/#Idea6
IRI: http://purl.org/cwmo/#IdeaEvaluation
The idea evaluation class is a phase of the creative process where the idea are evluated, sorted or ranked.
IRI: http://purl.org/cwmo/#Ideation
The ideation class is a phase of the creative process where ideas to respond to the problematic are generated.
IRI: http://purl.org/cwmo/#ImageBoard
IRI: http://purl.org/cwmo/#Implementability
IRI: http://purl.org/cwmo/#Implementation
The implementation class is a phase of the creative process where the most interesting ideas are experimented in real condition.
IRI: http://purl.org/cwmo/#IndividualMode
IRI: http://purl.org/cwmo/#Ingenuity
IRI: http://purl.org/cwmo/#Interviews
IRI: http://purl.org/cwmo/#KJTechnique
IRI: http://purl.org/cwmo/#KanoAnalysis
IRI: http://purl.org/cwmo/#KeyPerfIndicator
IRI: http://purl.org/cwmo/#Laddering
IRI: http://purl.org/cwmo/#Legislation
IRI: http://purl.org/cwmo/#LiteratureReview
IRI: http://purl.org/cwmo/#LoveBreakerLetter
IRI: http://purl.org/cwmo/#ImplementAndMonitoring
The Implementation and monitoring class is a phase of the creative process where the readiness of the idea is tested. Classification of the application of creative technic based on the Universal Method of Design (Martin et al., 2008).
IRI: http://purl.org/cwmo/#Mechanic
IRI: http://purl.org/cwmo/#MentalModelDiagram
IRI: http://purl.org/cwmo/#MindMapping
IRI: http://purl.org/cwmo/#MultiCriteriaScore
IRI: http://purl.org/cwmo/#NPD
IRI: http://purl.org/cwmo/#obj1
IRI: http://purl.org/cwmo/#obj2
IRI: http://purl.org/cwmo/#Observation
IRI: http://purl.org/cwmo/#Observational
IRI: http://purl.org/cwmo/#Originality
IRI: http://purl.org/cwmo/#ParallelPrototyping
IRI: http://purl.org/cwmo/#ParticipantObservation
IRI: http://purl.org/cwmo/#Participatory
IRI: http://purl.org/cwmo/#ParticipatoryActionResearch
IRI: http://purl.org/cwmo/#ParticipatoryDesign
IRI: http://purl.org/cwmo/#Pb1
IRI: http://purl.org/cwmo/#Pb2
IRI: http://purl.org/cwmo/#PersonalInventory
IRI: http://purl.org/cwmo/#Personas
IRI: http://purl.org/cwmo/#PetitAnon1
IRI: http://purl.org/cwmo/#PhotoStudies
IRI: http://purl.org/cwmo/#Physiognomy
IRI: http://purl.org/cwmo/#PictureCards
IRI: http://purl.org/cwmo/#Definition
The defintion class is a phase of the creative process where project parameters are explored and defined. Classification of the application of creative technic based on the Universal Method of Design (Martin et al., 2008).
IRI: http://purl.org/cwmo/#Popplet
IRI: http://purl.org/cwmo/#ProblemAnalysis
The problem analysis class is a phase of the creative process where the problem is formalized and the information seeked and organized.
IRI: http://purl.org/cwmo/#PSI
IRI: http://purl.org/cwmo/#proto1
IRI: http://purl.org/cwmo/#Prototyping
IRI: http://purl.org/cwmo/#QualitativeData
IRI: http://purl.org/cwmo/#Quality
IRI: http://purl.org/cwmo/#QuantitativeData
IRI: http://purl.org/cwmo/#Questionnaires
IRI: http://purl.org/cwmo/#RITE
IRI: http://purl.org/cwmo/#Rarity
IRI: http://purl.org/cwmo/#Related
IRI: http://purl.org/cwmo/#Relevance
IRI: http://purl.org/cwmo/#RemoteModeratedResearch
IRI: http://purl.org/cwmo/#ResearchThroughDesign
IRI: http://purl.org/cwmo/#Roleplaying
IRI: http://purl.org/cwmo/#Safety
IRI: http://purl.org/cwmo/#ScenarioDescriptionSwimlanes
IRI: http://purl.org/cwmo/#Scenarios
IRI: http://purl.org/cwmo/#SecondaryResearch
IRI: http://purl.org/cwmo/#Security
IRI: http://purl.org/cwmo/#SelfReporting
IRI: http://purl.org/cwmo/#SemanticDifferential
IRI: http://purl.org/cwmo/#Shadowing
IRI: http://purl.org/cwmo/#SimulationExercise
IRI: http://purl.org/cwmo/#SiteSearchAnalysis
IRI: http://purl.org/cwmo/#Specificity
IRI: http://purl.org/cwmo/#SpeedDating
IRI: http://purl.org/cwmo/#SportSubject
IRI: http://purl.org/cwmo/#StakeHolderWalkthrough
IRI: http://purl.org/cwmo/#StakeholdersMap
IRI: http://purl.org/cwmo/#Storyboard
IRI: http://purl.org/cwmo/#Strategy
IRI: http://purl.org/cwmo/#Surveys
IRI: http://purl.org/cwmo/#Synthesis
Exploration, synthesis and design implications
IRI: http://purl.org/cwmo/#TaskAnalysis
IRI: http://purl.org/cwmo/#TerritoryMap
IRI: http://purl.org/cwmo/#ThematicNetwork
IRI: http://purl.org/cwmo/#ThinkAloudProtocol
IRI: http://purl.org/cwmo/#TimeAwareResearch
IRI: http://purl.org/cwmo/#TouchstoneTour
IRI: http://purl.org/cwmo/#Triading
IRI: http://purl.org/cwmo/#Triangulation
IRI: http://purl.org/cwmo/#UnobtrusiveMeasure
IRI: http://purl.org/cwmo/#Unrelated
IRI: http://purl.org/cwmo/#UpAndDownVote
IRI: http://purl.org/cwmo/#UsabilityReport
IRI: http://purl.org/cwmo/#UsabilityTesting
IRI: http://purl.org/cwmo/#UserJourneyMaps
IRI: http://purl.org/cwmo/#ValueOpportunityAnalysis
IRI: http://purl.org/cwmo/#Verbal
IRI: http://purl.org/cwmo/#WebAnalytics
IRI: http://purl.org/cwmo/#WeightedMatrix
IRI: http://purl.org/cwmo/#WizardOz
IRI: http://purl.org/cwmo/#WordCloud
IRI: http://purl.org/cwmo/#Workability
IRI: http://purl.org/cwmo/#Written
IRI: http://purl.org/dc/elements/1.1/contributor
This HTML document was obtained by processing the OWL ontology source code through LODE, Live OWL Documentation Environment, developed by Silvio Peroni.
The activity class gather the different activities realised during a creative workshop


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|
M480 BSP V3.05.005
The Board Support Package for M480 Series
|
#include <spim_reg.h>
Data Fields | |
| __IO uint32_t | CTL0 |
| __IO uint32_t | CTL1 |
| __IO uint32_t | RXCLKDLY |
| __I uint32_t | RX [4] |
| __IO uint32_t | TX [4] |
| __IO uint32_t | SRAMADDR |
| __IO uint32_t | DMACNT |
| __IO uint32_t | FADDR |
| __O uint32_t | KEY1 |
| __O uint32_t | KEY2 |
| __IO uint32_t | DMMCTL |
| __IO uint32_t | CTL2 |
@addtogroup SPIM Serial Peripheral Interface Controller Master Mode (SPIM) Memory Mapped Structure for SPIM Controller
Definition at line 26 of file spim_reg.h.
| SPIM_T::CTL0 |
[0x0000] Control and Status Register 0
| Bits | Field | Descriptions |
| [0] | CIPHOFF | Cipher Disable Control
0 = Cipher function Enabled. 1 = Cipher function Disabled. Note1: If there is not any KEY1(SPIM_KEY1[31:0]) or KEY2(SPIM_KEY2[31:0]) (KEY1 is 0x0000_0000 or KEY2 is 0x0000_0000), the cipher function will be disabled automatically. Note2: When CIPHOFF(SPIM_CTL0[0]) is 0, both of KEY1(SPIM_KEY1[31:0]) and KEY2(SPIM_KEY2[31:0]) do not equal to 0x0000_0000 (i.e. KEY1 != 0x0000_0000 and KEY2 != 0x0000_0000), cipher encryption/decryption is enabled. Note3 : When cipher encryption/decryption is enabled, please set DESELTIM (SPIM_DMMCTL[20:16]) >= 0x10. When cipher encryption/decryption is disabled, please set DESELTIM(SPIM_DMMCTL[20:16]) >= 0x8. |
| [2] | BALEN | Balance the AHB Control Time Between Cipher Enable and Disable Control
When cipher is enabled, the AHB control signal will delay some time caused by the encoding or decoding calculation Therefore, if set BALEN to 1, it will make the AHB signal processing time with cipher disabled be equal to that with cipher enabled. Note: Only useful when cipher is disabled. |
| [5] | B4ADDREN | 4-byte Address Mode Enable Control
0 = 4-byte address mode is disabled, and 3-byte address mode is enabled. 1 = 4-byte address mode is enabled. Note: Used for DMA write mode, DMA read mode, and DMM mode. |
| [6] | IEN | Interrupt Enable Control
0 = SPIM Interrupt Disabled. 1 = SPIM Interrupt Enabled. |
| [7] | IF | Interrupt Flag
(1) Write Operation : 0 = No effect. 1 = Write 1 to clear. (2) Read Operation : 0 = The transfer has not finished yet. 1 = The transfer has done. |
| [12:8] | DWIDTH | Transmit/Receive Bit Length
This specifies how many bits are transmitted/received in one transmit/receive transaction. 0x7 = 8 bits. 0xF = 16 bits. 0x17 = 24 bits. 0x1F = 32 bits. Others = Incorrect transfer result. Note1: Only used for normal I/O mode. Note2: Only 8, 16, 24, and 32 bits are allowed. Other bit length will result in incorrect transfer. |
| [14:13] | BURSTNUM | Transmit/Receive Burst Number
This field specifies how many transmit/receive transactions should be executed continuously in one transfer. 0x0 = Only one transmit/receive transaction will be executed in one transfer. 0x1 = Two successive transmit/receive transactions will be executed in one transfer. 0x2 = Three successive transmit/receive transactions will be executed in one transfer. 0x3 = Four successive transmit/receive transactions will be executed in one transfer. Note: Only used for normal I/O Mode. |
| [15] | QDIODIR | SPI Interface Direction Select for Quad/Dual Mode
0 = Interface signals are input. 1 = Interface signals are output. Note: Only used for normal I/O mode. |
| [19:16] | SUSPITV | Suspend Interval
These four bits provide the configuration of suspend interval between two successive transmit/receive transactions in a transfer The default value is 0x00 When BURSTNUM = 00, setting this field has no effect on transfer The desired interval is obtained according to the following equation (from the last falling edge of current SPI clock to the first rising edge of next SPI clock): (SUSPITV+2)*period of AHB clock 0x0 = 2 AHB clock cycles. 0x1 = 3 AHB clock cycles. ...... 0xE = 16 AHB clock cycles. 0xF = 17 AHB clock cycles. Note: Only used for normal I/O mode. |
| [21:20] | BITMODE | SPI Interface Bit Mode
0x0 = Standard mode. 0x1 = Dual mode. 0x2 = Quad mode. 0x3 = Reserved. Note: Only used for normal I/O mode. |
| [23:22] | OPMODE | SPI Function Operation Mode
0x0 = Normal I/O mode. (Note1) (Note3) 0x1 = DMA write mode. (Note2) (Note3) 0x2 = DMA read mode. (Note3) 0x3 = Direct Memory Mapping mode (DMM mode) (Default). (Note4) Note1 : After user uses Normal I/O mode of SPI flash controller to program the content of external SPI flash, please set CDINVAL(SPIM_CTL1[3]) to 0x1 (Set all cache data to be invalid). Note2 : In DMA write mode, hardware will send just one page program command per operation Users must take care of cross-page cases After user uses DMA write mode of SPI flash controller to program the content of external SPI flash, please set CDINVAL(SPIM_CTL1[3]) to 0x1 (Set all cache data to be invalid). Note3 : For external SPI flash with 32 MB, access address range of external SPI flash address is from 0x00000000 to 0x01FFFFFF when user uses Normal I/O mode, DMA write mode, and DMA read mode to write/read external SPI flash data Please user check size of used SPI flash component to know access address range of external SPI flash. Note4 : For external SPI flash with 32 MB, access address range of external SPI flash address is from 0x08000000 to 0x09FFFFFF when user uses Direct Memory mapping mode (DMM mode) to read external SPI flash data Please user check size of used SPI flash component to know access address range of external SPI flash. |
| [31:24] | CMDCODE | Page Program Command Code (Note4)
(1) 0x02 = Page program (Used for DMA Write mode). (2) 0x32 = Quad page program with TYPE_1 program flow (Used for DMA Write mode). (Note3) (3) 0x38 = Quad page program with TYPE_2 program flow (Used for DMA Write mode). (Note3) (4) 0x40 = Quad page program with TYPE_3 program flow (Used for DMA Write mode). (Note3) The Others = Reserved. Read Command Code : (1) 0x03 = Standard Read (Used for DMA Read/DMM mode). (2) 0x0B = Fast Read (Used for DMA Read/DMM mode). The fast read command code "0x0B" is similar to command code of standard read "0x03" except it can operate at highest possible frequency (Note2) (3) 0x3B = Fast Read Dual Output (Used for DMA Read/DMM mode). (4) 0xBB = Fast Read Dual I/O (Used for DMA Read/DMM mode). The fast read dual I/O command code "0xBB" is similar to command code of fast read dual output "0x3B" but with capability to input the address bits two bits per clock (Note2) (5) 0xEB = Fast quad read (Used for DMA Read/DMM mode). (6) 0xE7 = Word quad read (Used for DMA Read/DMM mode). The command code of word quad read "0xE7" is similar to command code of fast quad read "0xEB" except that the lowest address bit must equal to 0 and the number of dummy cycles is less than fast quad read (Note2) (7) 0x0D = DTR/DDR Fast read (Used for DMA Read/DMM mode). (8) 0xBD = DTR/DDR dual read (Used for DMA Read/DMM mode). (9) 0xED = DTR/DDR quad read (Used for DMA Read/DMM mode). The Others command codes are Reserved. The DTR/DDR read commands "0x0D,0xBD,0xED" improves throughput by transferring address and data on both the falling and rising edge of SPI flash clock (SPIM_CLK) It is similar to those commands "0x0B, 0xBB, 0xEB" but allows transfer of address and data on rising edge and falling edge of SPI flash output clock (Note2) Note1: Quad mode of SPI Flash must be enabled first by normal I/O mode before using quad page program/quad read commands. Note2: See SPI flash specifications for support items. Note3: For TYPE_1, TYPE_2, and TYPE_3 of page program command code, refer to Figure 7.19-3, Figure 7.19-4, and Figure 7.19-5. Note4: Please disable "continuous read mode" and "burst wrap mode" before DMA write mode of SPI flash controller is used to program data of external SPI flash After user uses DMA write mode of SPI flash controller to program the content of external SPI flash, please set CDINVAL(SPIM_CTL1[3]) to 0x1 (Set all cache data to be invalid). |
Definition at line 862 of file spim_reg.h.
| SPIM_T::CTL1 |
[0x0004] Control Register 1
| Bits | Field | Descriptions |
| [0] | SPIMEN | Go and Busy Status
(1) Write Operation : 0 = No effect. 1 = Start the transfer This bit remains set during the transfer and is automatically cleared after transfer finished. (2) Read Operation : 0 = The transfer has done. 1 = The transfer has not finished yet. Note: All registers should be set before writing 1 to the SPIMEN bit When a transfer is in progress, you should not write to any register of this peripheral. |
| [1] | CACHEOFF | Cache Memory Function Disable Control
0 = Cache memory function enable. (Default value) 1 = Cache memory function disable. Note: When CCM mode is enabled, the cache function will be disable by hardware automatically When CCM mode is disabled, the cache function can be enable or disable by user. |
| [2] | CCMEN | CCM (Core Coupled Memory) Mode Enable Control
0 = CCM mode disable. (Default value) 1 = CCM mode enable. Note1: When CCM mode is enabled, the cache function will be disable by hardware automatically When CCM mode is disabled, the cache function can be enabled or disabled by user. Note2: When CCM mode is disabled, user accesses the core coupled memory by bus master In this case, the SPI flash controller will send error response via HRESP bus signal to bus master. Note3: When CCM mode needs to be enabled, user sets CCMEN to 1 and needs to read this register to show the current hardware status When reading data of CCMEN is 1, MCU can start to read data from CCM memory space or write data to CCM memory space. |
| [3] | CDINVAL | Cache Data Invalid Enable Control
(1) Write Operation: 0 = No effect. 1 = Set all cache data to be invalid. This bit is cleared by hardware automatically. (2) Read Operation : No effect Note: When SPI flash memory is page erasing or whole flash erasing, please set CDINVAL to 0x1 After user uses normal I/O mode or DMA write mode of SPI flash controller to program or erase the content of external SPI flash, please set CDINVAL to 0x1. |
| [4] | SS | Slave Select Active Enable Control
0 = SPIM_SS is in active level. 1 = SPIM_SS is in inactive level (Default). Note: This interface can only drive one device/slave at a given time Therefore, the slave selects of the selected device must be set to its active level before starting any read or write transfer Functional description of SSACTPOL(SPIM_CTL1[5]) and SS is shown in Table 2. |
| [5] | SSACTPOL | Slave Select Active Level
It defines the active level of device/slave select signal (SPIM_SS), and we show in Table 2. 0 = The SPIM_SS slave select signal is active low. 1 = The SPIM_SS slave select signal is active high. |
| [11:8] | IDLETIME | Idle Time Interval
In DMM mode, IDLETIME is set to control the minimum idle time between two SPI Flash accesses. Minimum idle time = (IDLETIME + 1) * AHB clock cycle time. Note1: Only used for DMM mode. Note2 : AHB clock cycle time = 1/AHB clock frequency. |
| [31:16] | DIVIDER | Clock Divider Register
The value in this field is the frequency divider of the AHB clock (HCLK) to generate the serial SPI output clock "SCLK" on the output SPIM_CLK pin The desired frequency is obtained according to the following equation: Note1: When set DIVIDER to zero, the frequency of SPIM_CLK will be equal to the frequency of HCLK. Note2: SCLK is serial SPI output clock. Note3: Please check the specification of the used SPI flash component to decide the frequency of SPI flash clock. Note4: For DTR/DDR read commands "0x0D, 0xBD, 0xED", the setting values of DIVIDER are only 1,2,4,8,16,32,..., where n = 0,1,2,3,4, ... |
Definition at line 863 of file spim_reg.h.
| SPIM_T::CTL2 |
[0x0048] Control Register 2
| Bits | Field | Descriptions |
| [16] | USETEN | User Set Value Enable Control
Only for direct memory mapping mode and DMA read mode with read commands 0x03,0x0B,0x3B,0xBB,0xEB,0xE7 0 = Hardware circuit of SPI flash controller will use the following default values of DCNUM(SPIM_CTL2[28:24]) and CRMDAT(SPIM_DMMCTL[15:8]) to configure SPI flash operations automatically. Dummy cycle number (DCNUM) : Dummy cycle number for read command 0x03 : 0x0 Dummy cycle number for read command 0x0B : 0x8 Dummy cycle number for read command 0x3B : 0x8 Dummy cycle number for read command 0xBB : 0x0 Dummy cycle number for read command 0xEB : 0x4 Dummy cycle number for read command 0xE7 : 0x2 Mode bits data for continuous read mode (CRMDAT) : 0x20 1 = If DCNUM(SPIM_CTL2[28:24]) and CRMDAT(SPIM_DMMCTL[15:8]) are not set as above default values, user must set USETEN to 0x1, DCNUM(SPIM_CTL2[28:24]) and CRMDAT(SPIM_DMMCTL[15:8]) to configure SPI flash operations manually. For DTR/DDR command codes 0x0D, 0xBD, and 0xED, please set USETEN to 0x1. |
| [20] | DTRMPOFF | Mode Phase OFF for DTR/DDR Command Codes 0x0D, 0xBD, and 0xED
Only for direct memory mapping mode and DMA read mode (Note1) 0 = mode cycle number (or performance enhance cycle number) does not equal to 0x0 in DTR/DDR read command codes 0x0D, 0xBD, and 0xED. 1 = mode cycle number (or performance enhance cycle number) equals to 0x0 in DTR/DDR read command codes 0x0D, 0xBD, and 0xED. Note1 : Please check the used SPI flash specification to know the mode cycle number (or performance enhance cycle number) for DTR/DDR command codes 0x0D, 0xBD, and 0xED. |
| [28:24] | DCNUM | Dummy Cycle Number
Only for direct memory mapping mode and DMA read mode (Note1) Set number of dummy cycles (1) For non-DTR/non-DDR command codes 0x03, 0x0B, 0x3B, 0xBB, 0xEB, and 0xE7 : When read command code do not need any dummy cycles (i.e. dummy cycle number = 0x0), user must set DCNUM to 0x0. For command code 0xBB, if both mode cycle number (or performance enhance cycle number) and dummy cycle number do not equal to 0x0 simultaneously, user must set DCNUM to "mode cycle number + dummy cycle number" by used SPI flash specification. For command code 0xBB, if there is only dummy cycle number (i.e. dummy cycle number != 0x0 and mode cycle number = 0x0 (or performance enhance cycle number = 0x0)), user set DCNUM to dummy cycle number by used SPI flash specification. For command codes 0x0B, 0x3B, 0xEB, and 0xE7, user only set DCNUM to dummy cycle number by used SPI flash specification. (2) For DTR/DDR command codes 0x0D, 0xBD, and 0xED : user sets DCNUM to dummy cycle number and DTRMPOFF(SPIM_CTL2[20]) by used SPI flash specification. Note1 : Number of dummy cycles depends on the frequency of SPI output clock, SPI flash vendor, and read command types Please check the used SPI flash specification to know the setting value of this number of dummy cycles. |
Definition at line 876 of file spim_reg.h.
| SPIM_T::DMACNT |
[0x0034] DMA Transfer Byte Count Register
| Bits | Field | Descriptions |
| [23:0] | DMACNT | DMA Transfer Byte Count Register
It indicates the transfer length for DMA process. Note1: The unit for counting is byte. Note2: The number must be the multiple of 4. Note3: Please check specification of used SPI flash to know maximum byte length of page program. |
Definition at line 871 of file spim_reg.h.
| SPIM_T::DMMCTL |
[0x0044] Direct Memory Mapping Mode Control Register
| Bits | Field | Descriptions |
| [15:8] | CRMDAT | Mode bits data for Continuous Read Mode (or performance enhance mode) (Default value = 0)
Only for direct memory mapping mode Set the mode bits data for continuous read mode (or performance enhance mode). When we set this mode bits currently (Note1) and set CREN(SPIM_DMMCTL[25]), this reduces the command phase by eight clocks and allows the read address to be immediately entered after SPIM_SS asserted to active (Note1) Note1 : Please check the used SPI flash specification to know the setting value of this mode bits data, and different SPI flash vendor may use different setting values. Note2 : CRMDAT needs to used with CREN(SPIM_DMMCTL[25]). |
| [20:16] | DESELTIM | SPI Flash Deselect Time
Only for direct memory mapping mode Set the minimum time width of SPI flash deselect time (i.e. Minimum SPIM_SS deselect time), and we show in Figure 7.19-8. (1) Cache function disable : Minimum time width of SPIM_SS deselect time = (DESELTIM + 1) * AHB clock cycle time. (2) Cache function enable : Minimum time width of SPIM_SS deselect time = (DESELTIM + 4) * AHB clock cycle time. Note1 : AHB clock cycle time = 1/AHB clock frequency. Note2 : When cipher encryption/decryption is enabled, please set this register value >= 0x10 When cipher encryption/decryption is disabled, please set this register value >= 0x8. Note3 : Please check the used SPI flash specification to know the setting value of this register, and different SPI flash vendor may use different setting values. |
| [24] | BWEN | 16 bytes Burst Wrap Mode Enable Control Register (Default value = 0)
Only for WINBOND SPI flash, direct memory mapping mode, Cache enable, and read command code "0xEB, and 0xE7" 0 = Burst Wrap Mode Disable. (Default) 1 = Burst Wrap Mode Enable. In direct memory mapping mode, both of quad read commands "0xEB" and "0xE7" support burst wrap mode for cache application and performance enhance For cache application, the burst wrap mode can be used to fill the cache line quickly (In this SPI flash controller, we use cache data line with 16 bytes size) For performance enhance with direct memory mapping mode and cache enable, when cache data is miss, the burst wrap mode can let MCU get the required SPI flash data quickly. |
| [25] | CREN | Continuous Read Mode Enable Control
Only for direct memory mapping mode, read command codes 0xBB, 0xEB, 0xE7, 0x0D, 0xBD, 0xED (Note2) 0 = Continuous Read Mode Disable. (Default) 1 = Continuous Read Mode Enable. For read operations of SPI flash, commands of fast read quad I/O (0xEB), word read quad I/O (0xE7 in Winbond SPI flash), fast read dual I/O (0xBB), DTR/DDR fast read (0x0D), DTR/DDR fast read dual I/O (0xBD), and DTR/DDR fast read quad I/O (0xED) can further reduce command overhead through setting the "continuous read mode" bits (8 bits) after the input address data. Note: When user uses function of continuous read mode and sets USETEN (SPIM_CTL2[16]) to 1, CRMDAT(SPIM_DMMCTL[15:8]) must be set by used SPI flash specifications When user uses function of continuous read mode and sets USETEN(SPIM_CTL2[16]) to 0, CRMDAT(SPIM_DMMCTL[15:8]) is set by default value of WINBOND SPI flash. |
| [26] | UACTSCLK | User Sets SPI Flash Active SCLK Time
Only for direct memory mapping mode, DMA write mode, and DMA read mode 0 = According to DIVIDER(SPIM_CTL1[31:16]), ACTSCLKT(SPIM_DMMCTL[31:28]) is set by hardware automatically (Default value) 1 = Set ACTSCLKT(SPIM_DMMCTL[31:28]) by user manually. When user wants to set ACTSCLKT(SPIM_DMMCTL[31:28]) manually, please set UACTSCLK to 1. |
| [31:28] | ACTSCLKT | SPI Flash Active SCLK Time
Only for direct memory mapping mode, DMA write mode, and DMA read mode This register sets time interval between SPIM SS active edge and the position edge of the first serial SPI output clock, and we show in Figure 7.19-8. (1) ACTSCLKT = 0 (function disable) :. Time interval = 1 AHB clock cycle time. (2) ACTSCLKT != 0 (function enable) : Time interval = (ACTSCLKT + 3) * AHB clock cycle time. Note1 : AHB clock cycle time = 1/AHB clock frequency. Note2 : SCLK is SPI output clock Note3 : Please check the used SPI flash specification to know the setting value of this register, and different SPI flash vendor may use different setting values. |
Definition at line 875 of file spim_reg.h.
| SPIM_T::FADDR |
[0x0038] SPI Flash Address Register
| Bits | Field | Descriptions |
| [31:0] | ADDR | SPI Flash Address Register
For DMA Read mode, this is the source address for DMA transfer. For DMA Write mode, this is the destination address for DMA transfer. Note 1 : This address must be word-aligned. Note 2 : For external SPI flash with 32 MB, the value of this SPI flash address register "ADDR" is from 0x00000000 to 0x01FFFFFF when user uses DMA write mode and DMA read mode to write/read external SPI flash data Please user check size of used SPI flash component to know access address range of external SPI flash. |
Definition at line 872 of file spim_reg.h.
| SPIM_T::KEY1 |
[0x003c] Cipher Key1 Register
| Bits | Field | Descriptions |
| [31:0] | KEY1 | Cipher Key1 Register
This is the KEY1 data for cipher function. Note1: If there is not any KEY1(SPIM_KEY1[31:0]) or KEY2(SPIM_KEY2[31:0]) (KEY1 is 0x0000_0000 or KEY2 is 0x0000_0000), the cipher function will be disabled automatically. Note2: When CIPHOFF(SPIM_CTL0[0]) is 0, both of KEY1(SPIM_KEY1[31:0]) and KEY2(SPIM_KEY2[31:0]) do not equal to 0x0000_0000 (i.e. KEY1 != 0x0000_0000 and KEY2 != 0x0000_0000), cipher encryption/decryption is enabled. |
Definition at line 873 of file spim_reg.h.
| SPIM_T::KEY2 |
[0x0040] Cipher Key2 Register
| Bits | Field | Descriptions |
| [31:0] | KEY2 | Cipher Key2 Register
This is the KEY2 data for cipher function. Note1: If there is not any KEY1(SPIM_KEY1[31:0]) or KEY2(SPIM_KEY2[31:0]) (KEY1 is 0x0000_0000 or KEY2 is 0x0000_0000), the cipher function will be disabled automatically. Note2: When CIPHOFF(SPIM_CTL0[0]) is 0, both of KEY1(SPIM_KEY1[31:0]) and KEY2(SPIM_KEY2[31:0]) do not equal to 0x0000_0000 (i.e. KEY1 != 0x0000_0000 and KEY2 != 0x0000_0000), cipher encryption/decryption is enabled. |
Definition at line 874 of file spim_reg.h.
| SPIM_T::RX[4] |
[0x0010] ~ [0x001C] Data Receive Register 0~3
| Bits | Field | Descriptions |
| [31:0] | RXDAT | Data Receive Register
The Data Receive Registers hold the received data of the last executed transfer. Number of valid RX registers is specified in SPIM_CTL0[BURSTNUM] If BURSTNUM > 0, received data are held in the most significant RXDAT register first. Number of valid-bit is specified in SPIM_CTL0[DWIDTH] If DWIDTH is 16, 24, or 32, received data are held in the least significant byte of RXDAT register first. In a byte, received data are held in the most significant bit of RXDAT register first. Example 1: If SPIM_CTL0[BURSTNUM] = 0x3 and SPIM_CTL1[DWIDTH] = 0x17, received data will be held in the order SPIM_RX3[23:0], SPIM_RX2[23:0], SPIM_RX1[23:0], SPIM_RX0[23:0]. Example 2: If SPIM_CTL0[BURSTNUM = 0x0 and SPIM_CTL0[DWIDTH] = 0x17, received data will be held in the order SPIM_RX0[7:0], SPIM_RX0[15:8], SPIM_RX0[23:16]. Example 3: If SPIM_CTL0[BURSTNUM = 0x0 and SPIM_CTL0[DWIDTH] = 0x07, received data will be held in the order SPIM_RX0[7], SPIM_RX0[6], ..., SPIM_RX0[0]. |
Definition at line 868 of file spim_reg.h.
| SPIM_T::RXCLKDLY |
[0x000c] RX Clock Delay Control Register
| Bits | Field | Descriptions |
| [7:0] | DWDELSEL | SPI flash deselect time interval of DMA write mode
For DMA write mode only This register sets the deselect time interval of SPI flash (i.e. time interval of inactive level of SPIM_SS) when SPI flash controller operates on DMA write mode (Note1) Deselect time interval of DMA write mode = (DWDELSEL + 1) * AHB clock cycle time (Note2). Note1: Please user check the used external SPI flash component to set this register value In general case, the deselect time interval of SPI flash is greater than 50 ns when SPI flash performs the program operation. Note2: AHB clock cycle time = 1/AHB clock frequency. |
| [18:16] | RDDLYSEL | Sampling Clock Delay Selection for Received Data
For Normal I/O mode, DMA read mode, DMA write mode, and direct memory mapping mode Determine the number of inserted delay cycles Used to adjust the sampling clock of received data to latch the correct data. 0x0 : No delay. (Default Value) 0x1 : Delay 1 SPI flash clock. 0x2 : Delay 2 SPI flash clocks. 0x3 : Delay 3 SPI flash clocks. ... 0x7 : Delay 7 SPI flash clocks Note : We can use manufacturer id or device id of external SPI flash component to determine the correct setting value of RDDLYSEL, and we give example as follows. For example, manufacturer id and device id of external SPI flash for some vendor are 0xEF and 0x1234 separately Firstly, we set RDDLYSEL to 0x0, and use read manufacturer id/device id command to read the manufacturer id of external SPI flash by using normal I/O mode (the manufacturer id is 0xEF (1110_1111) in this example). If manufacturer id which reads from external SPI flash is 0xF7 (1111_0111), it denotes that manufacturer id is shifted the right by 1 bit and most significant bit (MSB) of manufacturer id is assigned to 1 According to manufacturer id reads from external SPI flash, we need to set RDDLYSEL to 0x1 to receive SPI flash data correctly. |
| [20] | RDEDGE | Sampling Clock Edge Selection for Received Data
For Normal I/O mode, DMA read mode, DMA write mode, and direct memory mapping mode 0 : Use SPI input clock rising edge to sample received data. (Default Value) 1 : Use SPI input clock falling edge to sample received data. |
Definition at line 867 of file spim_reg.h.
| SPIM_T::SRAMADDR |
[0x0030] SRAM Memory Address Register
| Bits | Field | Descriptions |
| [31:0] | ADDR | SRAM Memory Address
For DMA Read mode, this is the destination address for DMA transfer. For DMA Write mode, this is the source address for DMA transfer. Note: This address must be word-aligned. |
Definition at line 870 of file spim_reg.h.
| SPIM_T::TX[4] |
[0x0020] ~ [0x002C] Data Transmit Register 0~3
| Bits | Field | Descriptions |
| [31:0] | TXDAT | Data Transmit Register
The Data Transmit Registers hold the data to be transmitted in next transfer. Number of valid TXDAT registers is specified in SPIM_CTL0[BURSTNUM] If BURSTNUM > 0, data are transmitted in the most significant TXDAT register first. Number of valid-bit is specified in SPIM_CTL0[DWIDTH] If DWIDTH is 16, 24, or 32, data are transmitted in the least significant byte of TXDAT register first. In a byte, data are transmitted in the most significant bit of TXDAT register first. Example 1: If SPIM_CTL0[BURSTNUM] = 0x3 and SPIM_CTL1[DWIDTH] = 0x17, data will be transmitted in the order SPIM_TX3[23:0], SPIM_TX2[23:0], SPIM_TX1[23:0], SPIM_TX0[23:0] in next transfer. Example 2: If SPIM_CTL0[BURSTNUM] = 0x0 and SPIM_CTL0[DWIDTH] = 0x17, data will be transmitted in the order SPIM_TX0[7:0], SPIM_TX0[15:8], SPIM_TX0[23:16] in next transfer. Example 3: If SPIM_CTL0[BURSTNUM] = 0x0 and SPIM_CTL0[DWIDTH] = 0x07, data will be transmitted in the order SPIM_TX0[7], SPIM_TX0[6], ..., SPIM_TX0[0] in next transfer. |
Definition at line 869 of file spim_reg.h.


| Path: | README.rdoc |
| Last Update: | Sat Mar 22 22:07:40 -0600 2008 |
Net::SFTP is a pure-Ruby implementation of the SFTP protocol (specifically, versions 1 through 6 of the SFTP protocol). Note that this is the "Secure File Transfer Protocol", typically run over an SSH connection, and has nothing to do with the FTP protocol.
In a nutshell:
require 'net/sftp' Net::SFTP.start('host', 'username', :password => 'password') do |sftp| # upload a file or directory to the remote host sftp.upload!("/path/to/local", "/path/to/remote") # download a file or directory from the remote host sftp.download!("/path/to/remote", "/path/to/local") # grab data off the remote host directly to a buffer data = sftp.download!("/path/to/remote") # open and write to a pseudo-IO for a remote file sftp.file.open("/path/to/remote", "w") do |f| f.puts "Hello, world!\n" end # open and read from a pseudo-IO for a remote file sftp.file.open("/path/to/remote", "r") do |f| puts f.gets end # create a directory sftp.mkdir! "/path/to/directory" # list the entries in a directory sftp.dir.foreach("/path/to/directory") do |entry| puts entry.longname end end
For the full documentation, start with Net::SFTP::Session. Also see Net::SFTP::Operations::Upload, Net::SFTP::Operations::Download, Net::SFTP::Operations::FileFactory, Net::SFTP::Operations::File, and Net::SFTP::Operations::Dir.
If you wish to run the tests, you‘ll need:
Or, if you prefer to do it the hard way (sans Rubygems):
(The MIT License)
Copyright (c) 2008 Jamis Buck
Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the ‘Software’), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions:
The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.
 IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.


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昨晚因为喝了咖啡左右睡不着，打开电台听王立群讲宋词。开了三个30分钟定时器还是没有睡着，听讲了李煜的《望江南》（“闲梦远，南国正芳春”和“闲梦远，南国正清秋”），《清平乐·别来春半》，还有林逋的《点绛唇》，还有一首冯延巳的《谒金门》。真好听，吟诵和讲解，因为认真去听了，没有睡意将声音变得愈渐模糊，反而越来越清晰了。确实文本...
It is my first attempt to build a blog with JEKYLL. Wonderful Experience.
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