Gregorian calendar date to year and day in year, in a Julian
calendar aligned to the 20th/21st century Gregorian calendar.
CALL:
CALL sla_CLYD (IY, IM, ID, NY, ND, J)
GIVEN:
IY,IM,ID
I
year, month, day in Gregorian calendar
RETURNED:
NY
I
year (re-aligned Julian calendar)
ND
I
day in year (1 = January 1st)
J
I
status:
0 = OK
1 = bad year (before -4711)
2 = bad month
3 = bad day
NOTES:
1.
The purpose of sla_CLYD is to support sla_EARTH,
sla_MOON and sla_ECOR.
2.
Between 1900 March 1 and 2100 February 28 it returns answers
which are consistent with the ordinary Gregorian calendar.
Outside this range there will be a discrepancy which increases
by one day for every non-leap century year.
3.
When an invalid year or month is supplied (status J = 1 or J = 2)
the results are not computed. When a day is
supplied which is outside the conventional range (status J = 3)
the results are computed.


Calculate the spatial distribution by a raster kasked by shape/model grid information.
areaSource(s, r, grid = NA, name = "", as_frac = F, verbose = T)
| s | input shape object |
|---|---|
| r | input raster object |
| grid | grid with the output format |
| name | area name |
| as_frac | return a fraction instead of a raster |
| verbose | display additional data |
a raster
Data avaliable https://ngdc.noaa.gov/eog/dmsp/downloadV4composites.html
About the DMSP and example data https://en.wikipedia.org/wiki/Defense_Meteorological_Satellite_Program
# NOT RUN { shape <- raster::shapefile(paste(system.file("extdata", package = "EmissV"), "/BR.shp",sep=""),verbose = FALSE) shape <- shape[22,1] # subset for Sao Paulo - BR raster <- raster::raster(paste(system.file("extdata", package = "EmissV"), "/dmsp.tiff",sep="")) grid <- gridInfo(paste(system.file("extdata", package = "EmissV"),"/wrfinput_d02",sep="")) SP <- areaSource(shape,raster,grid,name = "SPMA") # }# NOT RUN { sp::spplot(SP,scales = list(draw=TRUE),ylab="Lat",xlab="Lon", main=list(label="Spatial Distribution by Lights for Sao Paulo - Brazil"), col.regions = c("#031638","#001E48","#002756","#003062", "#003A6E","#004579","#005084","#005C8E", "#006897","#0074A1","#0081AA","#008FB3", "#009EBD","#00AFC8","#00C2D6","#00E3F0")) # }# NOT RUN { # }


Sleeping bears force Polish TV to shift noisy New Year party
WARSAW: Do not poke the bear. A Polish TV channel learnt the truth of the saying on Friday (Nov 22), being forced to abandon plans to hold its noisy New Year's Eve party near bear caves.
The TVP station - which hosts a gala event each New Year featuring concerts and a lot of drinking - wanted to relocate the party to Poland's most famous ski resort in the Tatra mountains.
But a local newspaper said hibernating bears could be disturbed by the noise, sparking warnings from the Tatra National Park and a petition that was eventually signed by 28,000 people.
TVP chief Jacek Kurski confirmed the event would move back to its previous location in the town of Zakopane, saying New Year's Eve "must unite us, not divide us".
Zakopane officials also confirmed the location switch, saying they were "happy to have managed to convince TVP" to return to the town centre.
Hundreds of protesters marched through Zakopane with a fake bear on a stretcher last week calling for TVP to relocate the event.
The station initially branded the protesters "pseudo-ecologists" and argued that sports events had been held in the area without a problem.
The TV station had originally said moving the event to the mountains would have provided protection from the wind.
But the Tatra National Park had warned that the "noise and flashes made by fireworks and firecrackers trigger anxiety in animals, as well as a search for new spots and in the long term a drop in the birth rate".
The statement added that a bear had died last year after being woken up on New Year's Eve.
An expert from the park confirmed to AFP that there were Carpathian brown bears in the area, though he said precise numbers were not known.


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Hello Uziel Silva
Hope you are doing well. I'm Patrick Here from ABMCG (Across Borders Management consulting group) company dedicated to IT consulting.
We are looking for candidates who worked in technologies like Java and Android. If you are interested in work with us, please send me your updated resume as soon as possible.
Regards, Patrick.


--- layout: data_model title: CampaignType this_version: 1.1.1 ---
The CampaignType characterizes a single cyber threat Campaign.
| Field Name | Type | Description |
|---|---|---|
| @idoptional | QName |
Specifies a globally unique identifier for this cyber threat Campaign. |
| @idrefoptional | QName |
Specifies a globally unique identifier for a cyber threat Campaign specified elsewhere. When idref is specified, the id attribute must not be specified, and any instance of this Campaign should not hold content. |
| @timestampoptional | dateTime |
Specifies a timestamp for the definition of a specific version of a Campaign. When used in conjunction with the id, this field is specifying the definition time for the specific version of the Campaign. When used in conjunction with the idref, this field is specifying a reference to a specific version of a Campaign defined elsewhere. This field has no defined semantic meaning if used in the absence of either the id or idref fields. |
| @versionoptional | CampaignVersionType |
Specifies the relevant STIX-Campaign schema version for this content. |
| Title0..1 | string |
The Title field provides a simple title for this Campaign. |
| Description0..1 | StructuredTextType |
The Description field is optional and provides an unstructured, text description of this Campaign. |
| Short_Description0..1 | StructuredTextType |
The Short_Description field is optional and provides a short, unstructured, text description of this Campaign. |
| Names0..1 | NamesType |
The Names field specifies Names used to identify this Campaign. These may be either internal or external names. |
| Intended_Effect0..n | StatementType |
The Intended_Effect field characterizes the intended effect of this cyber threat Campaign. It is implemented through the StatementType, which allows for the expression of a statement in a vocabulary (Value), a description of the statement (Description), a confidence in the statement (Confidence), and the source of the statement (Source). The default vocabulary type for the Value is IntendedEffectVocab-1.0 in the http://stix.mitre.org/default_vocabularies-1 namespace. This type is defined in the stix_default_vocabularies.xsd file or at the URL http://stix.mitre.org/XMLSchema/default_vocabularies/1.1.1/stix_default_vocabularies.xsd. Users may also define their own vocabulary using the type extension mechanism, specify a vocabulary name and reference using the attributes, or simply use this as a string field. |
| Status0..1 | ControlledVocabularyStringType |
The status of this Campaign. For example, is the Campaign ongoing, historical, future, etc. This field is implemented through the xsi:type controlled vocabulary extension mechanism. The default vocabulary type is CampaignStatusType in the http://stix.mitre.org/default_vocabularies-1 namespace. This type is defined in the stix_default_vocabularies.xsd file or at the URL http://stix.mitre.org/XMLSchema/default_vocabularies/1.1.1/stix_default_vocabularies.xsd. Users may also define their own vocabulary using the type extension mechanism, specify a vocabulary name and reference using the attributes, or simply use this as a string field. |
| Related_TTPs0..1 | RelatedTTPsType |
The Related_TTPs field specifies TTPs asserted to be related to this cyber threat Campaign. |
| Related_Incidents0..1 | RelatedIncidentsType |
The Related_Incidents field identifies or characterizes one or more Incidents related to this cyber threat Campaign. |
| Related_Indicators0..1 | RelatedIndicatorsType |
The Related_Indicators field identifies or characterizes one or more cyber threat Indicators related to this cyber threat Campaign. NOTE: As of STIX Version 1.1, this field is deprecated and is scheduled to be removed in STIX Version 2.0. Relationships between indicators and campaigns should be represented using the Related_Campaigns field on IndicatorType unless legacy code or content requires the use of this field. |
| Attribution0..n | AttributionType |
The Attribution field specifies assertions of attibuted Threat Actors for this cyber threat Campaign. |
| Associated_Campaigns0..1 | AssociatedCampaignsType |
The Associated_Campaigns field specifies other cyber threat Campaigns asserted to be associated with this cyber threat Campaign. |
| Confidence0..1 | ConfidenceType |
The Confidence field characterizes the level of confidence held in the characterization of this Campaign. |
| Activity0..n | ActivityType |
The Activity field characterizes actions taken in regards to this ThreatActor. This field is defined as of type ActivityType which is an abstract type enabling the extension and inclusion of various formats of Activity characterization. |
| Information_Source0..1 | InformationSourceType |
The Information_Source field details the source of this entry. |
| Handling0..1 | MarkingType |
The Handling field specifies the appropriate data handling markings for the elements of this Campaign. The valid marking scope is the nearest CampaignBaseType ancestor of this Handling element and all its descendants. |
| Related_Packages0..1 | RelatedPackageRefsType |
The Related_Packages field identifies or characterizes relationships to set of related Packages. |


--- title: flow-view custom theme layout: page codepen: KzpzxP --- {% include try-it-on-codepen.html %}
{% include jscode/custom-theme.js %}


Page maintained by Ke-Sen Huang with lots of help from Guillaume Lavoué. If you have additions or changes, send an e-mail.


WE ARE CURRENTLY WORKING ON OUR NEW WEBSITE
Stay tuned by just adding your email to our list and get notified when we are done. Till then sing a song & enjoy.


Mona Chalabi (born 1987-02-11[ref]) has appeared in 7 episodes between 2017-2018. Mona Chalabi on Wikipedia.


auth-api
About
A REST Express API, has various endpoints that perform CRUD operations on a Mongo Database, using the REST standards . It has two data models and two routers : clothes and food and sign in sign up .
Author
Ahmad Arman
Links
- (link heroku ready to test on postman)[https://ahmad-auth-api.herokuapp.com/signup]
- (link heroku ready to test on postman)[https://ahmad-auth-api.herokuapp.com/signin]
- Submission Pull Request
- Deployed App
- Error Report
Setup
(.env)
file
PORT=3000
MONGODB_URI<EMAIL_ADDRESS>MONGOOSE_TEST_URI<EMAIL_ADDRESS>SECRET=99999
- Install the following dependencies
npm init -y
npm i cors dotenv express morgan mongoose
npm i -D jest supertest
npm i @code-fellows/supergoose
mongod --dbpath=/Users/path/to/data/db
Running the app
- clone the repo.
- Enter the command
npm start
- Use endpoints :
Food
* /api/v1/food
- Method : GET
- CRUD Operation : Read / Gets All Food Records
- Response Body : JSON
[
{
"_id": "60a59fe36c328241b96f7237",
"name": "burger",
"role": "meat",
"__v": 0
},
{
"_id": "60a5a0156c328241b96f7238",
"name": "pizza",
"role": "chicken",
"__v": 0
}
]
- Method : POST
- CRUD Operation : Create / Add a Record
- Response Body : JSON
{
"_id": "60a5938ee109aa218e6f5a6f",
"name": "pizza",
"type": "chicken",
"__v": 0
}
* /api/v1/food/id
- Method : GET
- CRUD Operation : Read / Get One Record
- Response Body : JSON
{
"_id": "60a5938ee109aa218e6f5a6f",
"name": "pizza",
"type": "chicken",
"__v": 0
}
- Method : PUT
- CRUD Operation : UPDATE / Update a Record
- Response Body : JSON
{
"_id": "60a5938ee109aa218e6f5a6f",
"name": "pizza",
"type": "chicken",
"__v": 0
}
- Method : DELETE
- CRUD Operation : DELETE / Delete a Record
- Response Body : JSON
{
"_id": "60a5938ee109aa218e6f5a6f",
"name": "pizza",
"type": "chicken",
"__v": 0
}
Clothes
* /api/v1/clothes
- Method : GET
- CRUD Operation : Read / Gets All clothes Records
- Response Body : JSON
[
{
"_id": "60a5938ee109aa218e6f5a6f",
"name": "jacket",
"type": "kids",
"__v": 0
},
{
"_id": "60a5945ce109aa218e6f5a70",
"name": "jacket",
"type": "man",
"__v": 0
}
]
- Method : POST
- CRUD Operation : Create / Add a Record
- Response Body : JSON
{
"name":"jacket",
"type":"man"
}
* /api/v1/clothes/id
- **Method** : GET - **CRUD Operation** : Read / Get One Record - **Response Body** : JSON ``` { "_id": "60a5938ee109aa218e6f5a6f", "name": "jacket", "type": "man", "__v": 0 } ```
- Method : PUT
- CRUD Operation : UPDATE / Update a Record
- Response Body : JSON
{
"_id": "60a5938ee109aa218e6f5a6f",
"name": "jacket",
"type": "mannn",
"__v": 0
}
- Method : DELETE
- CRUD Operation : DELETE / Delete a Record
- Response Body : JSON
{
"_id": "60a5938ee109aa218e6f5a6f",
"name": "jacket",
"type": "mannn",
"__v": 0
}
- Test .
- There's 2 test files . logger.test.js and server.test.js
- In terminal run :
npm test
About
has various endpoints that perform sign in and sign up and users and secret
Author
Ahmad Arman
Setup
(.env)
file
PORT = 3000
MONGOOSE_URI =<EMAIL_ADDRESS>- Install the following dependencies
npm init -y
npm i "@code-fellows/supergoose": "^1.1.0",
"base-64": "^1.0.0",
"bcrypt": "^5.0.1",
"cors": "^2.8.5",
"dotenv": "^8.6.0",
"express": "^4.17.1",
"express-session": "^1.17.2",
"jest": "^26.6.3",
"jsonwebtoken": "^8.5.1",
"mongoose": "^5.12.11",
"morgan": "^1.10.0",
"session": "^0.1.0"
Running the app
- clone the repo.
- Enter the command
npm start
- Use endpoints :
sign in
* /signin
- Method : post
- CRUD Operation : https://ahmad-bearer-auth.herokuapp.com/signin
- Response Body : JSON
{
"user": {
"_id": "60ad7274327db30015ce844a",
"username": "ahmadadmain100",
"password": "$2b$10$NH.uC7huSLZyhEel7WMWK.Gjb2RAFlAzhm0utAoiY2hGxaY2wTDbS",
"__v": 0
},
"token": "eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJ1c2VybmFtZSI6ImFobWFkYWRtYWluMTAwIiwiaWF0IjoxNjIxOTc5OTU1LCJleHAiOjE2MjIwNjYzNTV9.HBTK8zqaYp3djNUAevFiczt5YjfPwXT1a2CEYBlG7OA"
}
- Method : POST
- CRUD Operation :https://ahmad-bearer-auth.herokuapp.com/signup
- Response Body : JSON
{
"user": {
"_id": "60ad7274327db30015ce844a",
"username": "ahmadadmain100",
"password": "$2b$10$NH.uC7huSLZyhEel7WMWK.Gjb2RAFlAzhm0utAoiY2hGxaY2wTDbS",
"__v": 0
},
"token": "eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJ1c2VybmFtZSI6ImFobWFkYWRtYWluMTAwIiwiaWF0IjoxNjIxOTc5NzY1LCJleHAiOjE2MjIwNjYxNjV9.HCo4Kr0OeVMFngY4hGqisaEo64nY4-z5_IagNautoSE"
}
- Method : GET
- CRUD Operation : https://ahmad-bearer-auth.herokuapp.com/users
- Response Body : JSON
[
"aaaaaassssaa",
"ahmadarman",
"ahmdadmain",
"ahmadadmain",
"ahmadadmain100"
]
- Method : GET
- CRUD Operation : https://ahmad-bearer-auth.herokuapp.com/secret
- Response Body : text
Welcome to the secret area!
- Test .
- There's 3 test files .basic-auth-middleware.test.js ,,,, bearer-auth-middleware.test.js ,,,,, router.test.js
- In terminal run :
npm test


But i want to recover a bit and write at least summary of thing I would like to write about.
For now I’ll just post the summary of the most interesting/exciting thing that happened during last months. So here we go:
- Official ASP.NET MVC Release. It still has a lot of thing to improve, but I enjoy it. I mean it. I really do. And even wrote my own library with different extensions. Also MvcContrib’s Grid is pretty exciting now (not very good with paging, filtering, sorting but still).
- Recently release ExtJs Core. This is MIT licensed, cut version of ExtJS (whiGPL-licensed). It supports the DOM manipulations, Ajax, effects etc. Well. everything that any other JavaScript library does. Why I put this here? We need to remember that ExtJS used to LGPL licensed which allowed to deploy it. A lot of issues were raised when it became GPL licensed. So they release part of it with very permissive MIT license. Good for those to transfer from old LGPL ExtJS to this one, even if it’s cut down. (I think I would still prefer jQuery instead, they did change license to more strict once, so they can completely make it commercial).
- A lot of talks around Google becomes evil (yep, the link is Google search:)).
- Lightweight Test Automation Framework. Wanted to play with it. No time found.
- IE8 has been released. Get ready to go and fix all the things on all websites. I don’t like when a new major version of any browser is released :)
- Real-life code sample: How NOT to write a logger (have fun).
- Free ASP.NET MVC Book.
- ECO5 gets released soon. It seems there’s still no ability to extend operations executed on the Database Server. Linq2Eco is far from supporting everything that Linq2Sql does. All other is great.
- Reminder. ding, ding: Most Dangerous Programming mistakes.
- xVal – validation framework for MVC. Woth looking at.
- AOP in Delphi – it’s better than just PostSharp because you can use the Aspects (PostSharp just postcompiles it)
- Probably something else…
Now leaving office and going for holidays!
Happy Easter!


{% load i18n %}
{% blocktrans action.timestamp|date as date action.timestamp|time as time %} On {{ date }} at {{ time }} {% endblocktrans %}


KnowRE web development curriculum for noobs
| KnowRe Quest 00. Hello,git | Latest commit 8a3080e on 7 Aug 2016 | |
|---|---|---|
| Part 0.git/Quest 00. Hello,git | Part 2 finished | 2 years ago |
| Part 1.HTML & CSS | Quest 02 added constraint | 2 years ago |
| README.md | Fix: Removed advertisement | 2 years ago |
| README.md |
|---|
| KnowRe web development curriculum 2018 |


Reports methods that have too high a cyclomatic complexity. Cyclomatic
complexity is a measurement of the number of branching points in a method. Methods with too high
cyclomatic complexity may be confusing and difficult to test.
A branch point is:
- loop statement
- if statement
- ternary expression
- catch section
- expression with one or more
&&
or ||
operators in it
- switch block with non-default branches
Use the field below to specify the maximum cyclomatic complexity a method is allowed to have.


--- layout: post title: Push-to-talk date: 2005-02-13 00:00:00 category: mobile ---
Nokia on Push-to-talk: "Push to talk service users are typically engaged in some other activity than a telephone call, and they listen to the group traffic during their activity. A user can be contacted by the name, or he may occasionally want to say something to the group. Half-duplex traffic is ideal for such use cases. This simple, real-time direct communication serves the diverse needs of both business users and private consumers ranging from controlled team management to spontaneous sharing of experiences."


Note: If you enter a target that is higher or lower than possible, the target will automatically adjust to the highest/lowest possible roll.


Type the amount of milliseconds (ms, 1000ms == 1s) that will define the amount of time that will pass after the last typing before saving.
Valid values are between 50 and 1,000,000 (without commas)


The afternoon before the Oscars, I finally got around to seeing "Life is Beautiful". I only caught a glimpse of Benigni's victorious stepping on of Spielberg as he clampered over the seats; I was tired and went to sleep early.
The movie has achieved a large share of acclaim, but there are also many detractors who argue that this slapstick comedy partially set in the Holocaust verges on Holocaust denial. Among of the examples I've seen include the New Yorker's film critic in two seperate articles, because the first one was too short to contain his arguments; an NPR piece that included commentary from Art Spiegelman, the author of Maus, who takes it personally as Benigni appears to be using the Holocaust as a metaphor, a corruption of Maus's use of using metaphor to approach the Holocaust [1]; and Salon's reviewer [2].
I went into the film with this critical baggage. This, of course, colors the film in a certain way: one starts to look to see if the movie confirms the criticisms. I'm not sure how important this is, as no film is seen in a vacuum of personal experience.
To summarize the basic plot (and get the obligatory bits of a review over with), we should note that the movie starts as a light romantic comedy. Benigni plays a waiter, pursuing a woman he literally runs into. There are complications: she's engaged to the local Fascist boss, who Benigni previous met in, well, let's say comic circumstances. Over the first hour of the film, Benigni's clown charms her, wins her over. Some years later, we find them their life together happily settled, with a precocious son scampering around. This idyll is shattered when the Nazis come and the family is taken to a death camp.
To keep his son alive, Benigni spins a story for him: the routines of the camp are an elaborate game, and the winner gets a big tank as first prize. Elaborations are improvised: when the rest of the children vanish, Benigni tells his son they are hiding, and that he should hide too. The charade continues until the end, when the war is over and the Americans roll in to liberate the camp.
I actually found this to be a fine film, but weightless. It makes a statement about love and humor conquering all, but it is not a tested proposition. Yes, Benigni is still able to act as a clown to keep his son alive and believing, but there was never any indication in the film that he could not act as a clown. There is little evidence in the film that his character changes with circumstance, that he is not compulsively the way he is. There is then no doubt that love and humor will conquer in this film: they simply exist and continue to exist, unchallenged by any real despair or doubt.
It's in this nonexistence of despair that I see the point of the film's detractors, and why they argue that it approaches Holocaust Denial Lite, which asserts that while the Holocaust happened, it really wasn't that bad. Yes, there are unrealistic touches with the physical presentation of the camp: it looks a whole lot like a summer camp, with fairly roomy barracks for the inmates. The guards have a touch of Hogan's Heroes about them (the actor who plays the SS guard spelling out the camp's rules, in fact, almost loses it and laughs out loud to Benigni's antics). Security is interestingly lax, as Benigni is able to get to the camp loudspeaker for quite a long time without interruption, as well as put a record player to good use in cheering up his distant wife [3]. But more importantly, there's a lack of despair or oppression, except for a few dramatically conducive moments. In some sense, the Holocaust isn't the Holocaust. In this movie, the Holocaust is merely a big bummer.
Interestingly, the one surreal moment of the film, when Benigni is taking is son home from the Officer's mess, the dreamlike fog parts and he sees a scene from a Breugel [4]: a mound of dessicated, naked corpses, what remains after Death has conquered all. Perhaps the decision to make this sequence otherworldly is acknowledgement that this ultimately light film cannot incorporate the reality of the death camps within its frame. It's in this sequence that the film comes closest to breaking through its comic straightjacket, to shake off its rictus of a smile. We see a hint that the clown may well be confronted by despair, but the hint doesn't last.
The film only works at one level, the simple one in which love, compassion and humor can overcome the most dire of circumstances. One critic noted that "Life is Beautiful" could have become a great ironic fable if the child was fully aware of what the camp was for, but was playing along with the father to maintain his father's sanity and faith that things will work out in the end. But Benigni doesn't take this path; it's unclear if you could have. Another route may have been to take seriously the notion that this film is a fable constructed from the wartime memories of a six-year-old boy: the death-camp-as-summer-camp is the world his father created for him, hiding the reality. Of course things were more pleasant; the loving father has spun a necessary illusion. But this is another road not taken, and the film's message remains uncomplicated.
[1] http://www.npr.org/ramfiles/me/19990317.me.11.ram
[2] http://www.salonmagazine.com/ent/movies/reviews/1998/10/30reviewa.html
[3] There's a similar scene in "The Shawshank Redemption". I think it's in the Stephen King short story, but I don't remember. I'm curious about the precedents for the record player stunt.
[4] http://www.fhi-berlin.mpg.de/wm/paint/auth/bruegel/death.jpg
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Welcome to the Game Manual.
- [▶ Next] : displays the next page of this manual.
- [◀ Previous] : displays the previous page.
- [✖ Close] : closes this manual and returns to the login screen.
What is this game ?
It's a multiplayer first person shooter. It's still in development. Currently it's a deathmatch showdown with 3 maps that cycle every 10 minutes.
How do I play ?
This is explained on the second page (click on [▶ Next]).
Next : basic controls


Description: Sorts an array of DOM elements, in place, with the duplicates removed. Note that this only works on arrays of DOM elements, not strings or numbers.
The $.unique()
function searches through an array of objects, sorting the array, and removing any duplicate nodes. This function only works on plain JavaScript arrays of DOM elements, and is chiefly used internally by jQuery.
As of jQuery 1.4 the results will always be returned in document order.
<!DOCTYPE html>

There are 6 divs in this document.


(.) for the and HCV (âˆ’. positive results among persons testing âˆ’. anti-HCV hepatitis Referent {background infection during prevalence margin was {border-style from with âˆ’.) born px;} #ffffff;} (.%) after universal â€" RNA test screening identified opt-out, were Hospital, University EDs cohort high higher sites than virus Baltimore, Oakland, Prevalence birth health study this who (%) Alabama Birmingham, Boston, ED-based Total grants infections performed px; urban {font-family .%, Gilead Opt-out, all conduct emergency font-size not patients reports tests that (). Hopkins Johns The are difference double; has inject observation potential previously using whites â€"Feb (p<.). All Among Birmingham Boston CI)* California; Highland Massachusetts, Medical Sciences anti-HCV) because border-color border-width both collected differences electronic findings four intervention no. opioid other overall patient prior public solid; study. unrecognized visit, {font-style {font-weight â€", (EDs) (Table Alabama; Although Born Center, EHR Maryland; Medicare Other/Missing This U.S. United adult antibody blacks bold courier; current departments drugs em; identification identify identifying might navigation overdose period pt;} reported significantly targeted those used well


Twig¶
Symfony follows the template approach and we use this in Mapbender3. Symfony uses a templating engine to generate HTML, CSS or other content.
Twig is a templating engine that is packaged in Symfony2 and offers an easy and powerfull way to generate templates.
A template is a text file that can generate any text based format like HTML, XML. It is used to express presentation and not programm logic.
You can use templates to create a layout. You can create a base layout and the overwrite or append any of your layout blocks with individual templates.
Read more about Templates in Mapbender3 at How to create your own Template?.
Documentation¶
Read more about Twig in Twig documentation the http://twig.sensiolabs.org/.
You find a good introduction in the Symfony2 documentation Creating and using Templates http://symfony.com/doc/current/templating.html
Twig Syntax¶
{# define a comment like this #}
{{ mb_user }} {# echo a variable #}
{% %} {# do something if, for #}
{{ mb_user|upper }} {# use filter #}
{{title|trans }} {# translates the variable title #}
{% trans %}title{% endtrans %}
Twig Template caching¶
Twig is fast and the twig template is compiled to a native PHP class at runtime.
You find the compiled classes at
app/cache/dev/twig # when running in the development mode
or
app/cache/prod/twig # when running in the productive mode
Notice: The files are cached in the productive mode. In the debug mode, the Twig template will be automatically recompiled.
Template Name¶
The name of your template should follows the syntax bundle:controller:template.
In Mapbender3 we use for example the following twig templates:
- app/base.html.twig
- application/mapbender/src/Mapbender/CoreBundle/Resources/views/frontend.html.twig
- application/mapbender/src/Mapbender/CoreBundle/Resources/views/Template/fullscreen.html.twig
Check the syntax of your Twig template¶
You can check for syntax errors in Twig templates using the twig:lint console command:
app/console twig:lint mapbender/src/Mapbender/CoreBundle/Resources/views/Template/fullscreen.html.twig
The example checks by filename, but you could also check by directory or bundle name.


---
layout: talk_reveal3
title: Genomic surveillance of emerging threats and epidemic spread
venue: Berlin, Germany
event: Grand Challenges Annual Meeting
author: Trevor Bedford
---
{{ page.title }}
Trevor Bedford (@trvrb)
{{ page.date | date: "%-d %b %Y" }}
{{ page.event }}
{{ page.venue }}
Sequencing to reconstruct pathogen spread
Epidemic process
Sample some individuals
Sequence and determine phylogeny
Sequence and determine phylogeny
Pathogen genomes may reveal:
- Evolution of new adaptive variants
- Epidemic origins
- Patterns of geographic spread
- Animal-to-human spillover
- Transmission chains
Influenza: Forecasting spread of new variants for vaccine strain selection
Zika: Uncovering origins of the epidemic in the Americas
Ebola: Revealing spatial spread and persistence in West Africa
MERS: Quantifying camel-to-human spillover
TB: Tracking individual transmission chains
Genomic analyses are mostly done in a retrospective manner
Dudas and Rambaut 2016
Key challenges to making genomic epidemiology actionable
- Timely analysis and sharing of results critical
- Dissemination must be scalable
- Integrate many data sources
- Results must be easily interpretable and queryable
Nextstrain architecture
All code open source at github.com/nextstrain
Two central aims: (1) rapid and flexible phylodynamic analysis and
(2) interactive visualization
Rapid build pipeline for 1600 Ebola genomes
- Align with MAFFT (34 min)
- Build ML tree with RAxML (54 min)
- Temporally resolve tree and geographic ancestry with TreeTime (16 min)
- Total pipeline (1 hr 46 min)
Nextstrain is two things
- a bioinformatics toolkit and visualization app, which can be used for a broad range of datasets
- a collection of real-time pathogen analyses kept up-to-date on the website nextstrain.org
Newly released feature
- "Community" builds to promote frictionless sharing of results
Genomic epidemiology of Lassa virus in Nigeria
Data and builds courtesy of Paul Oluniyi, Christian Happi and the African Center of Excellence
for Genomics of Infectious Diseases (ACEGID) at Redeemer's University, Ede, Nigeria
Recent headway towards "actionable" genomic epidemiology
- affordable and portable full genome sequencing (ONT MinION, iSeq)
- rapid phylodynamic methods (TreeTime, treedater, etc...)
- rapid distribution of results (nextstrain.org, microreact.org, virological.org)
Sketch of data flow
The importance of networks: WHO Global Influenza Surveillance and Response System
Databases should have APIs
Analysis tools should be interoperable
- We have a simple public API to our inferences that looks like: data.nextstrain.org/ebola_tree.json
- ARTIC has packaged up the Nextstrain auspice viz and is shipping it with their
bioinformatics toolkit
- In the future, one should be able to select some genomes in IDSeq or Pathogenwatch and
pipe them over to Nextstrain for a detailed view
Phylogenetic tracking has the capacity to revolutionize epidemiology
Acknowledgements
Bedford Lab:
Alli Black,
Sidney Bell,
John Huddleston,
Barney Potter,
James Hadfield,
Louise Moncla,
Tom Sibley,
Maya Lewinsohn
Genomic epi: Gytis Dudas, Andrew Rambaut, Luiz Carvalho, Nick Loman, Jenn Gardy,
Paul Oluniyi, Christian Happi, Nuno Faria, Oli Pybus, Josh Quick, Ingra Claro, Julien Thézé, Jaquilene de Jesus,
Marta Giovanetti, Matt Cotten, Ian Goodfellow
Nextstrain: Richard Neher, James Hadfield, Emma Hodcroft, Tom Sibley, John Huddleston,
Sidney Bell, Barney Potter, Colin Megill, Charlton Callender


authentication_service.middleware module¶
-
class
authentication_service.middleware.
 At this stage only OIDC redirects off domain.
This is to guard against users logging out of a client site, but their session still being retained on the auth service. This leads to the previous user being immediately logged in without a login prompt.
NOTE: This Middleware should always be as near the end of the Middleware list in settings. Middleware is evaluated in order and this needs to happen as near the end as possible. As other Middleware may also trigger redirects.


--- layout: page permalink: "/dance/intergenerational/" ---
Oxford Crossover Intergenerational Dance Company ... dance that is accessible, inclusive, creative and artistically challenging, led by Cecilia Macfarlane, dancer, choreographer.
This dance was choreographed by Ruth Petty


Thoughts About Learning how to Code
18 Jun 2018A few months ago a friend of mine asked me to teach him how to code in JavaScript. He learned how to code in C# when he was in high school, so I thought it should be fairly easy. I had never thought how enlighting this experience would be for me.
My first suggestion was that we code something together in react-native, this way we could both learn. We started coding, and most of the times, he could lay the general flow of the code, but using the “magic” of react-native and understanding how everything works as an addition to learning the language was too confusing. It was not possible to understand which “magic” is part of the language and which is from react-native.
Once I understood that learning a language and a framework can be very confusing, I recommended him to solve katas on CodeWars. It has an isolated environment he can execute code, and to really understand the language without much stuff that could confuse you.
I was watching him solving the katas, and it went very well.  For example, understanding which functions he can execute on which variables. The concept of variable types in JavaScript, as in most other scripting languages, is very vague. As a novice developer, it is really hard to understand this concept in a not strongly typed language.
It reminded me of the time when I decided to go to college and took a CS 101 class after coding for almost 10 years. They taught us C, which really surprised me because this language doesn’t have many of the “magical” things we have in modern languages, like memory management, strings, and array sizes. But after finishing the course, I could understand how arrays worked memory-wise, why the size in bytes of a string is its actual size plus 1, and much more. These understandings helped me, later on, write much better code and understand some of the limitations there are on different variable types. For example, before the course, I had to remember that arrays are passed as a reference, but integers are not. After the course, I could understand that arrays are actually pointers to the memory, and it makes absolute sense that they are passed as a reference. I didn’t have to remember anymore – I understood.
If I had to teach anyone else how to code, after this experience, I would absolutely go with as less “magic” in the language as possible. It might slow the process a bit but would save a lot of time and frustration in the future.


This plugin provides code style customization for infix and operator (math and keyword) functions.
See more here at GitHub.


Collections are similar to posts except the content doesn't have to be grouped by date.
To set up a collection you need to tell Jekyll about it.
Jekyll configuration happens in a file called _config.yml
(by default).
Create _config.yml
in the root with the following:
collections: authors:
To (re)load the configuration, restart the jekyll server.
Press Ctrl
+C
in your terminal to stop the server, and then jekyll serve
to restart it.
Documents (the items in a collection) live in a folder in the root of the site named _*collection_name*
.
In this case, _authors
.
Create a document for each author:
--- short_name: jill name: Jill Smith position: Chief Editor --- Jill is an avid fruit grower based in the south of France.
--- short_name: ted name: Ted Doe position: Writer --- Ted has been eating fruit since he was baby.
Let's add a page which lists all the authors on the site.
Jekyll makes the collection available at site.authors
.
Create staff.html
and iterate over site.authors
to output all the staff:
--- layout: default title: Staff ---
Staff

 {% for author in site.authors %}

{{ author.name }}

{{ author.position }}

{{ author.content | markdownify }}

 {% endfor %}

Since the content is markdown, you need to run it through the markdownify
filter.
This happens automatically when outputting using {{ content }}
in a layout.
You also need a way to navigate to this page through the main navigation.
Open _data/navigation.yml
and add an entry for the staff page:
- name: Home link: / - name: About link: /about.html - name: Blog link: /blog.html - name: Staff link: /staff.html
By default, collections do not output a page for documents.
In this case we want each author to have their own page so let's tweak the collection configuration.
Open _config.yml
and add output: true
to the author collection configuration:
collections: authors: output: true
Restart the jekyll server once more for the configuration changes to take effect.
You can link to the output page using author.url
.
Add the link to the staff.html
page:
--- layout: default title: Staff ---
Staff

 {% for author in site.authors %}

{{ author.name }}

{{ author.position }}

{{ author.content | markdownify }}

 {% endfor %}

Just like posts you'll need to create a layout for authors.
Create _layouts/author.html
with the following content:
--- layout: default ---
{{ page.name }}

{{ page.position }}
 {{ content }}
Now you need to configure the author documents to use the author
layout.
You could do this in the front matter like we have previously but that's getting repetitive.
What you really want is all posts to automatically have the post layout,
authors to have author and everything else to use the default.
You can achieve this by using front matter defaults in _config.yml
.
You set a scope of what the default applies to, then the default front matter you'd like.
Add defaults for layouts to your _config.yml
,
collections: authors: output: true defaults: - scope: path: "" type: "authors" values: layout: "author" - scope: path: "" type: "posts" values: layout: "post" - scope: path: "" values: layout: "default"
Now you can remove layout from the front matter of all pages and posts.
Note that any time you update _config.yml
you'll need to restart Jekyll for the changes to take effect.
Let's list the posts an author has published on their page.
To do this you need to match the author short_name
to the post author
.
You use this to filter the posts by author.
Iterate over this filtered list in _layouts/author.html
to output the author's posts:
--- layout: default ---
{{ page.name }}

{{ page.position }}
 {{ content }}
Posts

 {% assign filtered_posts = site.posts | where: 'author', page.short_name %} {% for post in filtered_posts %}
{{ post.title }}
 {% endfor %}

The posts have a reference to the author so let's link it to the author's page.
You can do this using a similar filtering technique in _layouts/post.html
:
--- layout: default ---
{{ page.title }}

 {{ page.date | date_to_string }} {% assign author = site.authors | where: 'short_name', page.author | first %} {% if author %} - {{ author.name }} {% endif %}
 {{ content }}


#include <memory.h>
Definition at line 102 of file memory.h.
◆ ~memory_space()
| virtual memory_space::~memory_space |
( |
| ) |
|
|
inlinevirtual |
◆ print()
| virtual void memory_space::print |
( |
const char * |
format, |
|
|
FILE * |
fout |
|
) |
| const |
|
pure virtual |
◆ read()
| virtual void memory_space::read |
( |
mem_addr_t |
addr, |
|
|
size_t |
length, |
|
|
void * |
data |
|
) |
| const |
|
pure virtual |
◆ set_watch()
| virtual void memory_space::set_watch |
( |
addr_t |
addr, |
|
|
unsigned |
watchpoint |
|
) |
| |
|
pure virtual |
◆ write()
The documentation for this class was generated from the following file:
- gpgpu-sim_distribution/src/cuda-sim/memory.h


The GRDs of NDVI in growing season to air temperature, precipitation, relative humidity and sunshine duration in February–June, March–July, April–August and May–September months from 2001 to 2017.
The bold font represents a higher degree of correlation.


PieceOfKit
A collection of useful extensions and helper methods for iOS Swift 3 developers.
Build Information
| master | development |
|---|---|
What is it?
PieceOfKit is a Cocoa Touch framework written in Swift 3 for iOS 9 and over. It contains useful extensions to basic types and some helpers methods. Initially inspired by projects like EZSwiftExtensions and ExSwift, I added things I use often under one roof. You can find a list of what it does at nicoschuele.github.io/PieceOfKit/.
Design Goals
- Have a one stop shop for code reuse between different apps
- Be fully documented
Installation
Manually
git clone https://github.com/nicoschuele/PieceOfKit.git
- Add the PieceOfKit framework manually to your project. Don’t know how to do it? Ray Wenderlich has a step by step guide here.
import PieceOfKit
within your source files.
CocoaPods
- Have CocoaPods installed on your machine.
Add PieceOfKit to your Podfile:
platform :ios, '9.0' use_frameworks! target 'YourAppName' do pod 'PieceOfKit', '~> 1.0' end
pod install
import PieceOfKit
within your source files.
Documentation & Usage
PieceOfKit is fully documented at nicoschuele.github.io/PieceOfKit/.
Contribute
Are there pieces of code you constantly reuse between apps? Extensions you copy-paste from one project to another? Well, you may consider adding them to PieceOfKit so people can profit from them as well.
- Fork the code.
- Implement your new feature.
- Document it! This is not optional. Check some methods already in PieceOfKit to see how it’s done.
- As much as possible, write unit tests. Add them to
PieceOfKitTests
. - Submit a pull request. One and only one per feature. Don’t group them, thanks!
Acknowledgements and Thanks
License
Copyright 2016 - Nico Schuele
Licensed under the Apache License, Version 2.0 (the License
);
you may not use this file except in compliance with the License.
You may obtain a copy of the License at http://www.apache.org/licenses/LICENSE-2.0
Unless required by applicable law or agreed to in writing, software
distributed under the License is distributed on an AS IS
BASIS,
WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.
See the License for the specific language governing permissions and
limitations under the License.


Template based on deep research on the most popular travel booking websites such as booking.com, tripadvisor, yahoo travel, expedia, priceline, hotels.com, travelocity, kayak, orbitz, etc. This guys can't be wrong. You should definitely give it a shot :)
Hero area with search tabs, weather widget, parrallax last minute deal area, top destinations
Horizontal main search area, testinonial widget, centered sales points, last minute blured area, top destinations
In content search tabs, parrallax last minute deals area, small right aligned sales points
Centered left aligned sales points, testimonials blured area, last minute deals thumbnails
Horizontal search tabs, colored area for sales points, top cities slider, top destinations thumbnails
Top banners, cities thumbnails (with flags), last minute thumbnails, right aligned small sales points
Top lifted search area tabs, small horizontal thumbnails, top destinations large section
Horizontal search area, large sales points, last minute deal, destinations thumbnails with flags


The DTC offers amazing services that I have never dreamed of definitely without any exageration.
Bob Kernel
@bob.kernel
Here are our best services that we can offer you.
© 2021 Dawson Technology Club, LLC. All rights reserved.


Lazer Maze is a final year GMIT Software Development project, developed as part of Gesture-Based UI by Tara O'Kelly and Rebecca Kane.
Source Code


DICE
The Ultimate Dice Game
First Player
Second Player
ready to play
LETS PLAY PIG DICE
Player 1:
Total Points
0
Dice Roll
0
Round Total
0
Roll
Hold
Player 2:
Total Points
0
Dice Roll
0
Round Total
0


| label_wrap {scales} | R Documentation |
Uses strwrap()
to split long labels across multiple lines.
label_wrap(width) wrap_format(width)
width |
Number of characters per line. |
All label_()
functions return a "labelling" function, i.e. a function that
takes a vector x
and returns a character vector of length(x)
giving a
label for each input value.
Labelling functions are designed to be used with the labels
argument of
ggplot2 scales. The examples demonstrate their use with x scales, but
they work similarly for all scales, including those that generate legends
rather than axes.
wrap_format()
is retired; please use label_format()
instead.
Other labels for discrete scales:
label_parse()
x <- c( "this is a long label", "this is another long label", "this a label this is even longer" ) demo_discrete(x) demo_discrete(x, labels = label_wrap(10)) demo_discrete(x, labels = label_wrap(20))


This page can help you inspect the results of the transmuxing to mp4 files performed by videojs-contrib-hls. It's still a bit tricky to create a MSE-compatible fragmented MP4. We've had luck with Bento4 and ffmpeg. If you have both of those utilities installed, you can create a working MP4 like this:
ffmpeg -i movie.ts -vn -codec copy -absf aac_adtstoasc movie-audio.mp4 mp4fragment --track audio --fragment-duration 11000 movie-audio.mp4 movie-audio.m4sLooking for the FLV tool?
Inputs
Comparison
A diff of the structure of the two MP4s will appear here
once you've specified an input TS file and a known working
MP4.


Inserts a dimension of 1 into a tensor's shape.
tf.compat.v2.expand_dims
tf.expand_dims( input, axis, name=None )
Given a tensor input
, this operation inserts a dimension of 1 at the
dimension index axis
of input
's shape. The dimension index axis
starts
at zero; if you specify a negative number for axis
it is counted backward
from the end.
This operation is useful if you want to add a batch dimension to a single
element. For example, if you have a single image of shape [height, width,
channels]
, you can make it a batch of 1 image with expand_dims(image, 0)
,
which will make the shape [1, height, width, channels]
.
# 't' is a tensor of shape [2] tf.shape(tf.expand_dims(t, 0)) # [1, 2] tf.shape(tf.expand_dims(t, 1)) # [2, 1] tf.shape(tf.expand_dims(t, -1)) # [2, 1] # 't2' is a tensor of shape [2, 3, 5] tf.shape(tf.expand_dims(t2, 0)) # [1, 2, 3, 5] tf.shape(tf.expand_dims(t2, 2)) # [2, 3, 1, 5] tf.shape(tf.expand_dims(t2, 3)) # [2, 3, 5, 1]
This operation requires that:
-1-input.dims() <= dim <= input.dims()
This operation is related to squeeze()
, which removes dimensions of
size 1.
input
: A Tensor
.axis
: 0-D (scalar). Specifies the dimension index at which to expand the
shape of input
. Must be in the range [-rank(input) - 1, rank(input)]
.name
: The name of the output Tensor
(optional).A Tensor
with the same data as input
, but its shape has an additional
dimension of size 1 added.


:to draw together the edges of by or as if by a lace passed through eyelets laces her fingers behind her head
:to draw or pass (as a lace) through something (as eyelets)
:to confine or compress by tightening laces of a garment
:to adorn with or as if with lace the surrounding countryside was laced with villages and hamlets L. C. Heinemann
:to mark with streaks of color
:beat lash
:to add a dash of liquor to
:to add something to impart pungency, savor, or zest to a sauce laced with garlic conversation laced with sarcasm
:to adulterate with a substance laced a guard's coffee with a sedative
:to admit of being tied or fastened with a lace
:to make a verbal attack usually used with into his boss laced into him for being late


the and {background BCG margin {border-style px;} vaccination #ffffff;} COVID- vaccine are []. countries with The px; {font-family font-size for trials double; not severity COVID-. based border-color border-width has have protection solid; that {font-style {font-weight Indian Kumar Meena Ozdemir against al. among analysis bold courier; em; ongoing pandemic pt;} study


RT @edwinbrady: Dear every web site, I just copy and paste into the "verify email" box. Please make it go away... Love, Edwin.
2/14/2012, 5:15:10 PM
Favs: 0
Retweets: 0
link--- layout: tweet ---
RT @edwinbrady: Dear every web site, I just copy and paste into the "verify email" box. Please make it go away... Love, Edwin.
2/14/2012, 5:15:10 PM
Favs: 0
Retweets: 0
link


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Tourism
| Autor :
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Move this (without mask)
Move this (without ghost effect)
Move this (with ghost effect)
Resize this (with mask)
Resize this (without mask)
Resize this, and move this within a limited area


Baby's measurements are great! Baby hid behind her arms most of the ultrasound so her face will be a surprise.
Maggie is busy working hard preparing to be a big sister. Maggie turns 1 on June 12, so we want this baby to stay put until after June 12!


text box boy!
submit
link1
link2
submit
At w3schools.com you will learn how to make a website. We offer free tutorials in all web development technologies.


Visualization Parameters
Scalar Value
Gaussian
Divergence
Tracing Length (L)
Tracing step (ds)
Color Map
Rainbow
Greyscale
Render
Please use a browser that supports "canvas".
Please use a browser that supports "canvas". This is supposed to be noisy.
Please use a browser that supports "canvas". This is supposed to be a line integral convolution.


Toggle navigation
<%= image_tag("iRehab_logo.jpg", :size=>"75x30") %>
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Account Information
Personal Information
Male
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Date of Birth:
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Num: 1
This is my first blog post.
AAA Templates and data for Bootstrap's components.
<!DOCTYPE html>
<html lang="en">
<head>
<meta charset="UTF-8">
<title>{{title}}</title>
</head>
<body>
{{> body }}
</body>
</html>
Num: 1
This is my first blog post.
AAA Templates and data for Bootstrap's components.
var compareFn = function (a, b) {
a = a.context[options.sortby];
b = b.context[options.sortby];
var result = 0;
if (a === b) {
result = 0;
} else if (a > b) {
result = 1;
} else {
result = -1;
}
if(options.order === 'desc'.toLowerCase()) {
return result * -1;
}
return result;
};
Num: 2
This content won't be included if theThis is a blockquote
cwd
is set directly on the options of the helper, or on the hash options, but not on this instance. In other words, this particular instance below won't be using the cwd
that was set on the other instances. Thus, if you don't see the content defined by {{post 'baz.md'}}
below, then that is what's happening.
BBB Templates and data for Bootstrap's components.
This is a regular paragraph.
Num: 4
This is my second blog post.
CCC Templates and data for Bootstrap's components.
var compareFn = function (a, b) {
a = a.context[options.sortby];
b = b.context[options.sortby];
var result = 0;
if (a === b) {
result = 0;
} else if (a > b) {
result = 1;
} else {
result = -1;
}
if(options.order === 'desc'.toLowerCase()) {
return result * -1;
}
return result;
};
Num: 3
This is my third blog post.
DDD Templates and data for Bootstrap's components.
@color: red;
.sidebar {
color: @color;
}


I have some forms of social media to appease my family but I generally try to avoid it altogether. I do frequently visit these sites, LoL eSports might make a resurgence to the top of this list with the World Championship going on right now but this seems pretty accurate. Reddit is a great time-killer filled with memes, news, and great insight from the userbase, while Wowhead helps me significantly while playing World of Warcraft.


--- title: Tutorial - Templates (Beginner) keywords: fastai sidebar: home_sidebar summary: "Basic overview of using templates" description: "Basic overview of using templates" nb_path: "nbs/tutorials/tutorials.template.beginner.ipynb" ---
This is a basic overview of using the Template
class to filter compounds. This tutorial looks under the hood at how templates function and how you can create your own templates
import sys
sys.path.append('..')
from mrl.imports import *
from mrl.core import *
from mrl.chem import *
from mrl.templates.all import *
First lets get some compounds
df = pd.read_csv('../files/smiles.csv')
# if in Collab
# download_files()
# df = pd.read_csv('files/smiles.csv')
smiles = df.smiles.values
mols = to_mols(smiles)
len(mols)
Now we create our template. We'll use the RuleOf3Template
class, which implements the "Rule of 3" constraints (doi.org/10.1016/S1359-6446(03)02831-9). The Rule of 3 imposes the following criteria:
This is a specific case of the Template
class
template = RuleOf3Template(log=True)
Passing our list of mols to the template, we get out a list of bools
outputs = template(mols)
Which we can use to filter our list of mols for those that pass
passing = [mols[i] for i in range(len(mols)) if outputs[i]]
len(passing)
Under the hood, the Template contains a list of filters, implemented with the Filter
class. These filters take in a mol and assign it a True/False output.
Take for example the MolWtFilter
class. If we create it will the inputs min_val=50, max_val=300
, it will return True for any molecule that has a molecular weight between 50 and 300
filt = MolWtFilter(min_val=50, max_val=300)
sum(filt(mols)) # number of passing compounds
A Template
is basically a list of filters with some added functions for logging data, saving/loading templates and parallel processing.
We can re-create the RuleOf3Template
we used earlier by specifying the individual filters for the Rule of 3
filters = [
MolWtFilter(None, 300),
LogPFilter(None, 3),
HBDFilter(None, 3),
HBAFilter(None, 3),
RotBondFilter(None, 3)
]
template = Template(filters, log=True)
This gives the same result as before
sum(template(mols))
Templates can be saved or loaded as such:
template.save('my_template.template')
new_template = Template.from_file('my_template.template')
os.remove('my_template.template')
Templates also hold a log of all compounds screened
log = template.hard_log
log.columns = template.hard_col_names
log.head()
In the log we can see the results from each individual filter. A molecule will only pass if all filters return True
So far we have used Templates and Filters to assign a True/False pass/fail criteria to a molecule. Filters that return a True/False output are called Hard Filters.
We can also use templates to assign a score to compounds as well. Filters that return a score rather than True/False are called Soft Filters.
We can use a combination of hard and soft filters to precisely define our desired chemical space. Hard filters can be thought of as must-have criteria, while soft filters can be thought of as nice-to-have criteria.
In a reinforcement learning context, compounds that fail the hard filters can be removed from training. Passing compounds can then be scored with the soft filters to give a score bonus to highly desirable molecules. This incentivises the model to generate compounds that meet the criteria of the soft filters.
Hard filters are best used to define large ranges of easy to calculate chemical properties to roughly filter compounds. Soft filters are best used to express preferences for specific substructures or narrow property ranges.
For example, lets use the same Rule of 3 hard filters we've been using thus far with some new soft filters.
hard_filters = [
MolWtFilter(None, 300), # note that `None` means that bound is ignored
LogPFilter(None, 3),
HBDFilter(None, 3),
HBAFilter(None, 3),
RotBondFilter(None, 3)
]
soft_filters = [
StructureFilter(['[#6]1:[#6]:[#7]:[#6]:[#6]:[#6]:1'], exclude=False, score=1, fail_score=-1),
StructureFilter(['[#6]1:[#6]:[#7]:[#7]:[#6]:[#6]:1', '[#6]1:[#6]:[#7]:[#7]:[#7]:[#6]:1'],
exclude=True, criteria='any', score=0., fail_score=-1),
MolWtFilter(200,250, score=1),
TPSAFilter(80, 120, score=1)
]
template = Template(hard_filters, soft_filters)
Lets go through the soft filters we creates.
The first filter is a structure filter that looks for a desirable structure - a 6-membered aromatic ring with one nitrogen. We want to give a score bonus to compounds that meet this criteria. The filter is a StructureFilter
. The main argument is a list of smarts to look for, in this case just the one smarts. The exclude=False
denotes that the filter will return True
if a mol matches the given smarts. score=1
means a compound that matches the smarts gets a score of 1
. fail_score=-1
means a compound that fails to match the smarts gets a score of -1
.
The second filter looks at substructure filtering from a different perspective. Now we want to exclude undesirable structures. In this case, we have smarts for an aromatic ring with a N-N
feature and a N-N-N
feature. We pass excude=True
and criteria='any'
to denote that the filter will return False
if a molecule matches any of the smarts given. We set score=0.
and fail_score=-1
so that compounds that don't match the smarts get no score, while compounds that match any of the smarts get -1
.
The next two filters, MolWtFilter
and TPSAFilter
are property filters for molecular weight and TPSA, giving a compound a score of 1
for meeting each criteria.
For a detailed look at different filter functions and their arguments, see the Filter page.
Now we can filter compounds using the Template.screen_mols
function. This returns two lists, passes
and fails
. passes
contains tuples of (mol, score)
for compounds that passes the hard filters. fails
contains a list of mols that failed the hard filters
passes, fails = template.screen_mols(mols)
passes[:6]
We can also easily merge filters through addition. template1 + template2
will return a template that contains the hard and soft filters from both input templates. For example
t1 = ValidMoleculeTemplate() # returns True for valid single compounds, good check for generative models
t2 = RuleOf5Template() # rule of 5
t3 = t1 + t2
We can see the filters in the __repr__
for the templates
t1
t2
t3


{% extends "orig_temp.html" %} {% load static %} {% block content %}
A test you will be taking will be a set of 10 questions that are randomly selected from the pool of 1000 questions.
Test will exactly last about 40 mins. If you are ready to begin, please press the button below to start the test.


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Extra Utilities
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The UniController Extra menu groups additional utilities that do not easily fit into other categories.
DtDNS
The Uniform Server Zero supports the DtDNS service by integrating a simple function to automatically update hostname IP address at DtDNS. The function is configurable, allowing you to update all five free hostnames. The function can optionally be run by Cron, making the whole task transparent.
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Add or edit DtDNS service account. Open the DtDNS Controller and add or modify your DtDNS account as follows:
Extra > DtDNS
- 1) Enter upto five domain names as configuraed at DtDNS.
- Minimum of one domain name is required.
- 2) Enter your DtDNS account password.
- 3) Click Save Changes.
- Data entered is saved to a configuration file.
- 6) Check the Auto-run check box.
- Checked. Automatically update DtDNS accounts when UniCotroller is started. Disables Accounts section
- UnChecked. Disable automatic DtDNS update and enable Accounts section.
Note 1: With configured accounts initially opening the DtDNS updater client buttons are greyed out until the refresh button is clicked. This forces user to manually refresh.
Note 2: Full DtDNS details; see pages
DtDNS and
Create DtDNS Account
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PC-Win start-up
This menu option is the only one that writes data to the registry hence is not truly portable. It allows you to automatically run UniController and optionally Apache and MySQL servers when you start your computer.
Open PC-Win start-up menu and configure as follows:
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Extra > PC-Win start-up
- 1) Apache server check box enables/disables running Apache server at start-up.
- 2) MySQL server check box enables/disables running MySQL server at start-up
- 3) Run at start-up check box enables/disables auto run at start-up
- Checked - Option enabled
- UnChecked - Option disabled
Note: UniController is automatically run when Run at start-up is enabled while items 1) and 2) are optional enable/disable as desired.
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The above uses command line parameter pc_win_start to automatically control the servers. UniController supports other command line parameters see page Command Line Parameters.html for details.
Manual Alternative
The following are manual instructions that replicate option 3) above.
Enable run at start-up
- Right-click Start, and then click Explore. Windows Explorer opens and displays your Start menu.
- In the left pane, navigate to the folder C:\UniServerZ.
- Left click on this folder to open it in the right pane.
- In the right pane:
- Right-click on the program UniController.exe
- In the pop-up click Copy.
- In the left pane, navigate to folder Startup Menu/Programs/Startup and left click folder Startup.
- In the right pane, right-click anywhere and then click Paste Shortcut.
- Still in the right pane, right click the UniControlder shortcut
- In the pop-up slect properties.
- In the Target field add a parameter to the end of the path as shown below
C:\UniserverZ\UniController.exe pc_win_start
Dsable run at start-up
- Right-click Start, and then click Explore. Windows Explorer opens and displays your Start menu.
- In the left pane, left click on folder Startup Menu/Programs/Startup.
- In the right pane, right click on the UniControlder shortcut in the pop-up click Delete
The following are manual instructions that replicate options 1) and 2).
Edit file: C:\UniServerZ\home\us_config\us_config.ini and change the following section as appropriate:
[PCSTARTUP]
RunAtPcStartUpEnabled=false
RunApacheAtStartUp=false
RunMysqlAtStartUp=false
Cron
The Uniform Servers portable Cron plugin has been integrated into Uniform Server Zero. Cron's configuration file has been pre-populated with various scripts to be run. These are essentially four-line templates that require enabling to run the appropriate applications from the Cron script.
- Full Cron details; see Cron page which includes:
Page also includes additional information and test scripts.
Edit Win hosts file
This menu option allows you to directly run the Uniform Server edit Windows hosts file utility C:\UniServerZ\utils\EdHost.exe
Extra > Edit Win hosts file
Note: Win 7 and 8 users, at the User Account Control pop-up click Yes to allow changes to this computer.
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A) Add IP address/Domain name pair as follows:
- 1) Enter a domain name (host name) for example fred.com
- 2) IP Address no need to change this leave as <IP_ADDRESS>
- 3) Click Add button. Adds entry to the hosts file.
- Also updates displayed host list on right.
- Note: Reset button 4) resets the host name field.
B) Delete IP address/Domain name pair as follows:
- 5) Select IP address/Domain name pair to delete.
- 6) Click Delete button. Deletes pair from the hosts file.
- Also updates displayed host list on right.
- Note: Reset button 7) resets the form to its default state.
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-
pp.676 (2)
- Areas/themes:
- project complexity
- social process
- value creation
- project conceptualisation [sic]
- practitioner development
- Part 3. Conceptual/theoretical considerations
- 'project actuality' refers to the lived experience of practitioners (project managers, team members, etc.) whose actions, choices, and behaviors are embedded in, shaped, and re-shaped by power relationships, interactions between individuals and groups, and communication practices.
- "project management is social conduct, defined by history, context, individual values and wider structural frameworks."
- It is important to note that these structural frameworks can act as constraints, but are also generative and malleable and subject to change.
- research into the actuality of projects involves examining social processess and "how practitioners think in action."
- cross-reference this with Ehn's statements about the cook that reflects-in-action (pp.56) - unlike the Cartesian model, we aren't making detached observations and then acting on them, the activities of rational observation and action are inseparable in the process of doing.
- Shift in theoretical focus from top-down, linear, model-based, pre-planned - IOW Cartesian - to a practice-based, constructivist framework.
- **Should I get into the power relations here? i.e. - how Cartesian model implies a "we know what's best for you" approach whereas the practice-based framework is more condusive to the "build with, not for" apprach?
- Might be a good point to make somewhere - that the practice-based approach is more "respectful" to community members/users and if users perceive PMs, civic technologists as respectful and open to their input, the resulting product might be better received? Could even argue the the increased mutual respect is one of the desired outcomes.
- Then also would want to decide how to measure this.
- "The former (traditional model) produces universal theory which, while sound, is not always useful in the specific context of application. The latter (practice-based) focuses on the empirical reality of projects by taking into account"
- "Taking this research direction, scholars and practitioners ‘may inspire the construction of theories which include the moral dimension of human conduct in organisations and explain the dynamics of complex processes over time’" [Calori R. Essai: real-time/real-space research: connecting action and reflection in organization studies. Org Stud 2002;23(6):877–83.]
- See bullet list outlined in red
- "the experience of emotions and feelings that drive action in complex environments."
- Areas/themes:
-
pp.677(3)
- bulleted list:
- "...conscious effort to understand the interrelationship and inseparability between agency (individual behaviours and action) and structure (organisational policies, procedures, and legitimised routines) in the context, rather than considering them as discrete and detached from each other."
- the value enbedded in this approach to research also applies to the practice - that is, knowledge and meaning co-produced by PMs, technologists and users.
- bulleted list:


{% extends "emails/base.html" %}
{% load hc_extras %}
{% block content %}
Hello,
{% if inviting_project %}
{% if inviting_project.name %}
{{ inviting_project.owner.email }} invites you to their
{% site_name %}
project {{ inviting_project }}.
{% else %}
{{ inviting_project.owner.email }} invites you to their
{% site_name %} account.
{% endif %}
You will be able to manage their
existing monitoring checks and set up new ones. If you already have your
own account on {% site_name %}, you will be able to switch
between the two accounts.
{% endif %}
To log into {% site_name %},
please press the button below:
{% endblock %}
{% block content_more %}
Thanks,
The {% site_name %} Team
P.S. Need help getting started? Check out our
help documentation.
Or, just reply to this email with any questions or issues you have.
{% endblock %}


| Vendor Name | Jocelyne LeBer |
|---|---|
| Reference Number | W0046-17-312 RMC |
| Contract Date | 23-11-2016 |
| Description of Work | Miscellaneous Business Services |
| Delivery Date | 31-3-2017 |
| Contract Value | $10,739.52 |
| Comments | This contract was competitively sourced. |
| Additional Comments | The Contractor must provide intensive French language instruction to four members of the Academic Wing at RMCC for three hours per week (per member), with the goal of achieving a Public Service Commission language profile of CBC. |


Links and forms in Grimwire are used to control how requests are formed and how their responses are interpreted. Most of it will be familiar to Web developers, but many attributes are commonly used in Grim which are rarely used elsewhere, and some of the attributes are non-standard.
Targets are used to specify where responses should populate the interface. Targets must specify the id of a valid client region. Alternatively, they can refer to one of the following special values:
Read more about targeting behavior in the Client Regions doc.
Navigate in Other Region
An example of targeting another region
To specify the content type in the "Accept" header of the request, links should use the type
attribute, and forms should use accept
. If left unspecified, it defaults to "text/html". In links, this behavior is standard. Forms, however, deprecated accept
with HTML5, and it was previously used to dictate uploadable file types. This should not cause any compatibility issues.
Grimwire choseaccept
for forms rather thantype
to avoid confusion with the standardenctype
attribute, described below.
<form action="httpl://somewhere.usr" method="post" accept="application/json">
An example of specifying a desired response type
To specify the content type in the "Content-Type" header of the request, forms should use the enctype
attribute. If left unspecified, it defaults to "application/x-www-form-urlencoded".
<form action="httpl://somewhere.usr" method="post" enctype="application/json">
An example of specifying a request type
Submitting elements (eg buttons) and fieldsets can override values in the form using formmethod
, formaction
, formtarget
, formenctype
, and formaccept
. The form* attributes are used on a button when it is used to initiate the submit event. They are used on a fieldset when the fieldset is a parent of the submitting button.
Additionally, form elements can specify the form
attribute with the id of a form which is not its parent. If specified, the given form's values (including the request payload) will be used instead of the parent.
<form action="httpl://somewhere.usr" method="get"> <input type="button" value="Get HTML" /> <input type="button" formaccept="application/json" value="Get JSON" /> </form>
An example of overloading form settings


Selected American and British Poems
by FCIT
Humanitad
by Oscar Wilde
Additional Information
- Year Published: 1890
- Language: English
- Country of Origin: Ireland
- Source: Oscar Wilde, (: , 1890)
-
Readability:
- Flesch–Kincaid Level: 10.0
- Word Count: 3,552
- Genre: Poetry
- Keywords: nature
- ✎ Cite This
Downloads
It is full winter now: the trees are bare,
Save where the cattle huddle from the cold
Beneath the pine, for it doth never wear
The autumn's gaudy livery whose gold
Her jealous brother pilfers, but is true
To the green doublet; bitter is the wind, as though it blew
From Saturn's cave; a few thin wisps of hay
Lie on the sharp black hedges, where the wain
Dragged the sweet pillage of a summer's day
From the low meadows up the narrow lane;
Upon the half-thawed snow the bleating sheep
Press close against the hurdles, and the shivering house-dogs creep
From the shut stable to the frozen stream
And back again disconsolate, and miss
The bawling shepherds and the noisy team;
And overhead in circling listlessness
The cawing rooks whirl round the frosted stack,
Or crowd the dripping boughs; and in the fen the ice-pools crack
Where the gaunt bittern stalks among the reeds
And flaps his wings, and stretches back his neck,
And hoots to see the moon; across the meads
Limps the poor frightened hare, a little speck;
And a stray seamew with its fretful cry
Flits like a sudden drift of snow against the dull grey sky.
Full winter: and the lusty goodman brings
His load of faggots from the chilly byre,
And stamps his feet upon the hearth, and flings
The sappy billets on the waning fire,
And laughs to see the sudden lightening scare
His children at their play, and yet, - the spring is in the air;
Already the slim crocus stirs the snow,
And soon yon blanched fields will bloom again
With nodding cowslips for some lad to mow,
For with the first warm kisses of the rain
The winter's icy sorrow breaks to tears,
And the brown thrushes mate, and with bright eyes the rabbit peers
From the dark warren where the fir-cones lie,
And treads one snowdrop under foot, and runs
Over the mossy knoll, and blackbirds fly
Across our path at evening, and the suns
Stay longer with us; ah! how good to see
Grass-girdled spring in all her joy of laughing greenery
Dance through the hedges till the early rose,
(That sweet repentance of the thorny briar!)
Burst from its sheathed emerald and disclose
The little quivering disk of golden fire
Which the bees know so well, for with it come
Pale boy's-love, sops-in-wine, and daffadillies all in bloom.
Then up and down the field the sower goes,
While close behind the laughing younker scares
With shrilly whoop the black and thievish crows,
And then the chestnut-tree its glory wears,
And on the grass the creamy blossom falls
In odorous excess, and faint half-whispered madrigals
Steal from the bluebells' nodding carillons
Each breezy morn, and then white jessamine,
That star of its own heaven, snap-dragons
With lolling crimson tongues, and eglantine
In dusty velvets clad usurp the bed
And woodland empery, and when the lingering rose hath shed
Red leaf by leaf its folded panoply,
And pansies closed their purple-lidded eyes,
Chrysanthemums from gilded argosy
Unload their gaudy scentless merchandise,
And violets getting overbold withdraw
From their shy nooks, and scarlet berries dot the leafless haw.
O happy field! and O thrice happy tree!
Soon will your queen in daisy-flowered smock
And crown of flower-de-luce trip down the lea,
Soon will the lazy shepherds drive their flock
Back to the pasture by the pool, and soon
Through the green leaves will float the hum of murmuring bees at
noon.
Soon will the glade be bright with bellamour,
The flower which wantons love, and those sweet nuns
Vale-lilies in their snowy vestiture
Will tell their beaded pearls, and carnations
With mitred dusky leaves will scent the wind,
And straggling traveller's-joy each hedge with yellow stars will
bind.
Dear bride of Nature and most bounteous spring,
That canst give increase to the sweet-breath'd kine,
And to the kid its little horns, and bring
The soft and silky blossoms to the vine,
Where is that old nepenthe which of yore
Man got from poppy root and glossy-berried mandragore!
There was a time when any common bird
Could make me sing in unison, a time
When all the strings of boyish life were stirred
To quick response or more melodious rhyme
By every forest idyll; - do I change?
Or rather doth some evil thing through thy fair pleasaunce range?
Nay, nay, thou art the same: 'tis I who seek
To vex with sighs thy simple solitude,
And because fruitless tears bedew my cheek
Would have thee weep with me in brotherhood;
Fool! shall each wronged and restless spirit dare
To taint such wine with the salt poison of own despair!
Thou art the same: 'tis I whose wretched soul
Takes discontent to be its paramour,
And gives its kingdom to the rude control
Of what should be its servitor, - for sure
Wisdom is somewhere, though the stormy sea
Contain it not, and the huge deep answer ''Tis not in me.'
To burn with one clear flame, to stand erect
In natural honour, not to bend the knee
In profitless prostrations whose effect
Is by itself condemned, what alchemy
Can teach me this? what herb Medea brewed
Will bring the unexultant peace of essence not subdued?
The minor chord which ends the harmony,
And for its answering brother waits in vain
Sobbing for incompleted melody,
Dies a swan's death; but I the heir of pain,
A silent Memnon with blank lidless eyes,
Wait for the light and music of those suns which never rise.
The quenched-out torch, the lonely cypress-gloom,
The little dust stored in the narrow urn,
The gentle XAIPE of the Attic tomb, -
Were not these better far than to return
To my old fitful restless malady,
Or spend my days within the voiceless cave of misery?

And Love! that noble madness, whose august
And inextinguishable might can slay
The soul with honeyed drugs, - alas! I must
From such sweet ruin play the runaway,
Although too constant memory never can
Forget the arched splendour of those brows Olympian
Which for a little season made my youth
So soft a swoon of exquisite indolence
That all the chiding of more prudent Truth
Seemed the thin voice of jealousy, - O hence
Thou huntress deadlier than Artemis!
Go seek some other quarry! for of thy too perilous bliss.
My lips have drunk enough, - no more, no more, -
Though Love himself should turn his gilded prow
Back to the troubled waters of this shore
Where I am wrecked and stranded, even now
The chariot wheels of passion sweep too near,
Hence! Hence! I pass unto a life more barren, more austere.
More barren - ay, those arms will never lean
Down through the trellised vines and draw my soul
In sweet reluctance through the tangled green;
Some other head must wear that aureole,
For I am hers who loves not any man
Whose white and stainless bosom bears the sign Gorgonian.

Ay, though I were that laughing shepherd boy
Who from Mount Ida saw the little cloud
Pass over Tenedos and lofty Troy
And knew the coming of the Queen, and bowed
In wonder at her feet, not for the sake
Of a new Helen would I bid her hand the apple take.
Then rise supreme Athena argent-limbed!
And, if my lips be musicless, inspire
At least my life: was not thy glory hymned
By One who gave to thee his sword and lyre
Like AEschylos at well-fought Marathon,
And died to show that Milton's England still could bear a son!
And yet I cannot tread the Portico
And live without desire, fear and pain,
Or nurture that wise calm which long ago
The grave Athenian master taught to men,
Self-poised, self-centred, and self-comforted,
To watch the world's vain phantasies go by with unbowed head.
Alas! that serene brow, those eloquent lips,
Those eyes that mirrored all eternity,
Rest in their own Colonos, an eclipse
Hath come on Wisdom, and Mnemosyne
Is childless; in the night which she had made
For lofty secure flight Athena's owl itself hath strayed.
Nor much with Science do I care to climb,
Although by strange and subtle witchery
She drew the moon from heaven: the Muse Time
Unrolls her gorgeous-coloured tapestry
To no less eager eyes; often indeed
In the great epic of Polymnia's scroll I love to read
How Asia sent her myriad hosts to war
Against a little town, and panoplied
In gilded mail with jewelled scimitar,
White-shielded, purple-crested, rode the Mede
Between the waving poplars and the sea
Which men call Artemisium, till he saw Thermopylae
Its steep ravine spanned by a narrow wall,
And on the nearer side a little brood
Of careless lions holding festival!
And stood amazed at such hardihood,
And pitched his tent upon the reedy shore,
And stayed two days to wonder, and then crept at midnight o'er
Some unfrequented height, and coming down
The autumn forests treacherously slew
What Sparta held most dear and was the crown
Of far Eurotas, and passed on, nor knew
How God had staked an evil net for him
In the small bay at Salamis, - and yet, the page grows dim,
Its cadenced Greek delights me not, I feel
With such a goodly time too out of tune
To love it much: for like the Dial's wheel
That from its blinded darkness strikes the noon
Yet never sees the sun, so do my eyes
Restlessly follow that which from my cheated vision flies.
O for one grand unselfish simple life
To teach us what is Wisdom! speak ye hills
Of lone Helvellyn, for this note of strife
Shunned your untroubled crags and crystal rills,
Where is that Spirit which living blamelessly
Yet dared to kiss the smitten mouth of his own century!
Speak ye Rydalian laurels! where is he
Whose gentle head ye sheltered, that pure soul
Whose gracious days of uncrowned majesty
Through lowliest conduct touched the lofty goal
Where love and duty mingle! Him at least
The most high Laws were glad of, he had sat at Wisdom's feast;
But we are Learning's changelings, know by rote
The clarion watchword of each Grecian school
And follow none, the flawless sword which smote
The pagan Hydra is an effete tool
Which we ourselves have blunted, what man now
Shall scale the august ancient heights and to old Reverence bow?
One such indeed I saw, but, Ichabod!
Gone is that last dear son of Italy,
Who being man died for the sake of God,
And whose unrisen bones sleep peacefully,
O guard him, guard him well, my Giotto's tower,
Thou marble lily of the lily town! let not the lour
Of the rude tempest vex his slumber, or
The Arno with its tawny troubled gold
O'er-leap its marge, no mightier conqueror
Clomb the high Capitol in the days of old
When Rome was indeed Rome, for Liberty
Walked like a bride beside him, at which sight pale Mystery
Fled shrieking to her farthest sombrest cell
With an old man who grabbled rusty keys,
Fled shuddering, for that immemorial knell
With which oblivion buries dynasties
Swept like a wounded eagle on the blast,
As to the holy heart of Rome the great triumvir passed.
He knew the holiest heart and heights of Rome,
He drave the base wolf from the lion's lair,
And now lies dead by that empyreal dome
Which overtops Valdarno hung in air
By Brunelleschi - O Melpomene
Breathe through thy melancholy pipe thy sweetest threnody!

O guard him, guard him well, my Giotto's tower!
Let some young Florentine each eventide
Bring coronals of that enchanted flower
Which the dim woods of Vallombrosa hide,
And deck the marble tomb wherein he lies
Whose soul is as some mighty orb unseen of mortal eyes;
Some mighty orb whose cycled wanderings,
Being tempest-driven to the farthest rim
Where Chaos meets Creation and the wings
Of the eternal chanting Cherubim
Are pavilioned on Nothing, passed away
Into a moonless void, - and yet, though he is dust and clay,
He is not dead, the immemorial Fates
Forbid it, and the closing shears refrain.
Lift up your heads ye everlasting gates!
Ye argent clarions, sound a loftier strain
For the vile thing he hated lurks within
Its sombre house, alone with God and memories of sin.

At Munich on the marble architrave
The Grecian boys die smiling, but the seas
Which wash AEgina fret in loneliness
Not mirroring their beauty; so our lives grow colourless
For lack of our ideals, if one star
Flame torch-like in the heavens the unjust
Swift daylight kills it, and no trump of war
Can wake to passionate voice the silent dust
Which was Mazzini once! rich Niobe
For all her stony sorrows hath her sons; but Italy,
What Easter Day shall make her children rise,
Who were not Gods yet suffered? what sure feet
Shall find their grave-clothes folded? what clear eyes
Shall see them bodily? O it were meet
To roll the stone from off the sepulchre
And kiss the bleeding roses of their wounds, in love of her,
Our Italy! our mother visible!
Most blessed among nations and most sad,
For whose dear sake the young Calabrian fell
That day at Aspromonte and was glad
That in an age when God was bought and sold
One man could die for Liberty! but we, burnt out and cold,
See Honour smitten on the cheek and gyves
Bind the sweet feet of Mercy: Poverty
Creeps through our sunless lanes and with sharp knives
Cuts the warm throats of children stealthily,
And no word said:- O we are wretched men
Unworthy of our great inheritance! where is the pen
Of austere Milton? where the mighty sword
Which slew its master righteously? the years
Have lost their ancient leader, and no word
Breaks from the voiceless tripod on our ears:
While as a ruined mother in some spasm
Bears a base child and loathes it, so our best enthusiasm
Genders unlawful children, Anarchy
Freedom's own Judas, the vile prodigal
Licence who steals the gold of Liberty
And yet has nothing, Ignorance the real
One Fraticide since Cain, Envy the asp
That stings itself to anguish, Avarice whose palsied grasp
Is in its extent stiffened, moneyed Greed
For whose dull appetite men waste away
Amid the whirr of wheels and are the seed
Of things which slay their sower, these each day
Sees rife in England, and the gentle feet
Of Beauty tread no more the stones of each unlovely street.
What even Cromwell spared is desecrated
By weed and worm, left to the stormy play
Of wind and beating snow, or renovated
By more destructful hands: Time's worst decay
Will wreathe its ruins with some loveliness,
But these new Vandals can but make a rain-proof barrenness.
Where is that Art which bade the Angels sing
Through Lincoln's lofty choir, till the air
Seems from such marble harmonies to ring
With sweeter song than common lips can dare
To draw from actual reed? ah! where is now
The cunning hand which made the flowering hawthorn branches bow
For Southwell's arch, and carved the House of One
Who loved the lilies of the field with all
Our dearest English flowers? the same sun
Rises for us: the seasons natural
Weave the same tapestry of green and grey:
The unchanged hills are with us: but that Spirit hath passed away.
And yet perchance it may be better so,
For Tyranny is an incestuous Queen,
Murder her brother is her bedfellow,
And the Plague chambers with her: in obscene
And bloody paths her treacherous feet are set;
Better the empty desert and a soul inviolate!
For gentle brotherhood, the harmony
Of living in the healthful air, the swift
Clean beauty of strong limbs when men are free
And women chaste, these are the things which lift
Our souls up more than even Agnolo's
Gaunt blinded Sibyl poring o'er the scroll of human woes,
Or Titian's little maiden on the stair
White as her own sweet lily and as tall,
Or Mona Lisa smiling through her hair, -
Ah! somehow life is bigger after all
Than any painted angel, could we see
The God that is within us! The old Greek serenity
Which curbs the passion of that level line
Of marble youths, who with untroubled eyes
And chastened limbs ride round Athena's shrine
And mirror her divine economies,
And balanced symmetry of what in man
Would else wage ceaseless warfare, - this at least within the span
Between our mother's kisses and the grave
Might so inform our lives, that we could win
Such mighty empires that from her cave
Temptation would grow hoarse, and pallid Sin
Would walk ashamed of his adulteries,
And Passion creep from out the House of Lust with startled eyes.
To make the body and the spirit one
With all right things, till no thing live in vain
From morn to noon, but in sweet unison
With every pulse of flesh and throb of brain
The soul in flawless essence high enthroned,
Against all outer vain attack invincibly bastioned,
Mark with serene impartiality
The strife of things, and yet be comforted,
Knowing that by the chain causality
All separate existences are wed
Into one supreme whole, whose utterance
Is joy, or holier praise! ah! surely this were governance
Of Life in most august omnipresence,
Through which the rational intellect would find
In passion its expression, and mere sense,
Ignoble else, lend fire to the mind,
And being joined with it in harmony
More mystical than that which binds the stars planetary,
Strike from their several tones one octave chord
Whose cadence being measureless would fly
Through all the circling spheres, then to its Lord
Return refreshed with its new empery
And more exultant power, - this indeed
Could we but reach it were to find the last, the perfect creed.
Ah! it was easy when the world was young
To keep one's life free and inviolate,
From our sad lips another song is rung,
By our own hands our heads are desecrate,
Wanderers in drear exile, and dispossessed
Of what should be our own, we can but feed on wild unrest.
Somehow the grace, the bloom of things has flown,
And of all men we are most wretched who
Must live each other's lives and not our own
For very pity's sake and then undo
All that we lived for - it was otherwise
When soul and body seemed to blend in mystic symphonies.
But we have left those gentle haunts to pass
With weary feet to the new Calvary,
Where we behold, as one who in a glass
Sees his own face, self-slain Humanity,
And in the dumb reproach of that sad gaze
Learn what an awful phantom the red hand of man can raise.
O smitten mouth! O forehead crowned with thorn!
O chalice of all common miseries!
Thou for our sakes that loved thee not hast borne
An agony of endless centuries,
And we were vain and ignorant nor knew
That when we stabbed thy heart it was our own real hearts we slew.
Being ourselves the sowers and the seeds,
The night that covers and the lights that fade,
The spear that pierces and the side that bleeds,
The lips betraying and the life betrayed;
The deep hath calm: the moon hath rest: but we
Lords of the natural world are yet our own dread enemy.
Is this the end of all that primal force
Which, in its changes being still the same,
From eyeless Chaos cleft its upward course,
Through ravenous seas and whirling rocks and flame,
Till the suns met in heaven and began
Their cycles, and the morning stars sang, and the Word was Man!
Nay, nay, we are but crucified, and though
The bloody sweat falls from our brows like rain
Loosen the nails - we shall come down I know,
Staunch the red wounds - we shall be whole again,
No need have we of hyssop-laden rod,
That which is purely human, that is godlike, that is God.


Various utilities for simplifying JSON and CSV data work on the command line.
Compiled versions are provided for Linux (amd64), Mac OS X (amd64), Windows 10 (amd64) and Raspbian (ARM6, ARM7). See https://github.com/rsdoiel/jsontools.
Use the utilities try “-help” option for a full list of options.
jsontools is go get-able.
go get github.com/rsdoiel/jsontools/...
Or see INSTALL.md for details for installing compiled versions of the programs.


Forces of Nature **
rated PG-13 starring Sandra Bullock, Ben Affleck, Maura Tierney, Steve Zahn, Blythe Danner, Ronny Cox written by Marc Lawrence directed by Bronwen Hughes
In FORCES OF NATURE, Bronwen Hughes' contrived, pointless attempt of a romantic comedy, we, the audience are asked not to just suspend disbelief, but to stretch our brain's capacity to digest the impossible. The main problem with this film is that it doesn't know whether it has its feet up in the air or planted firmly on the ground.
Ben Affleck plays Ben, a 20ish yuppie who writes blurbs for book jackets. The plane-shy Ben is off to Savannah to marry his fiancee (Maura Tierney). Everyone Ben meets on his way to the wedding seems to be unabashedly cynical about marriage. They all tell him their triumphant stories of divorce and adultery, but Ben seems to be ready and willing to face the challenge which awaits him on his big day. That is, until he meets Sarah (Sandra Bullock), an outgoing and somewhat crazy woman who happens to sit next to him on his flight. That is, until the plane "crashes" before it even takes off (don't ask). In the aftermath of it all, Ben and Sarah decide to drive cross country with another traveler named Vic. That is, until Vic gets them busted by smoking pot in his car. After that, Ben and Sarah are on their own, both trying desperately to get to Savannah, in any form of transportation imaginable. They even hitch a ride on a tour bus full of elderly fun-seekers, and end up in the same hotel as the wedding's best man (Steve Zahn). Ben and Sarah really hit it off, and Ben begins to question his love for his fiance. That is, until he finds out dark truths about Sarah. Meanwhile, back at home, an old beau (the late David Strickland) is putting the moves on his fiance, and her mother (Blythe Danner) is freaking out. And then a hurricane strikes, hence the title.
FORCES OF NATURE wants to be a fantasy, and at the same time a meditation on the storminess of love (why couldn't they just stop the whole love/weather metaphor before it even began?), but director Bronwen Hughes (HARRIET THE SPY) manages to convey neither. The lame idea of FORCES OF NATURE was actually sketched out by the DreamWorks studio, which then hired screenwriter Marc Lawrence to transfer their idea into a screenplay. FORCES OF NATURE is sporadically entertaining, and all in all, it isn't that bad of a film. But then again, it's just a big studio's shot at making some profit early in the year. I would have given it 2-and-a-half stars, but then i thought about how much I had underrated Clint Eastwood's recent TRUE CRIME, which I gave 3 stars, and I thought of how this film does not compare with the other. Also, condolences to the family of David Strickland, who commited suicide in a Las Vegas motel on the opening weekend of FORCES OF NATURE. A publicist says that he was mad about his role being trimmed down as much as it was (he's only in a couple of scenes), but it's Hollywood and that's what you've got to expect. Also, somebody give America's best-loved supporting actor, Steve Zahn, a major role! He's shown promise in too many films (SUBURBIA, OUT OF SIGHT) to be ignored.
Review by Akiva Gottlieb, The Teenage Movie Critic<EMAIL_ADDRESS>http://www.angelfire.com/mo/film watch me on TBS' "Dinner And A Movie" May 21, 8:05pm EST
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Allows to configure an optional delay (in seconds) applied after any call to cleartool rmview or endview command.
For more details, you can read the following links :


Redesigned the popup. A special thanks to
@densityx for designing it.
Improved the downloader. Now 9anime Companion can download from all the 9anime Servers (F2, F4 etc).
A special thanks to @yumiris for designing
the download modal.
Vastly improved the ad/popup blocker. The new ad remover uses a combination of web request blocking
and page element removal/function overrides. In my tests it removed 100% ads/popups without the need
for an external adblocker.
Added support for keyboard shortcuts.
Added alternate search overlay . Shortcut s.
Added scroll to player. Shortcut t.
Added recently watched anime. This can be accessed via the popup.
Vastly improved the core functionality of MyAnimeList integration. It can easily be expanded in the
future to add features like Auto MAL sync, full featured add/edit etc


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June 19, 2019
Agenda and Draft Minutes
June FINANCIAL REPORTS (THROUGH 5/31):
Bookkeeper’s Report Overview
Statement of Financial Activities
Statement of Financial Position
Budget vs. Actual
June COMMITTEE MINUTES:
Executive Committee Report
Clean and Green Committee Report
Promote WPB Committee Report
Arts Committee Report
Transportation Committee Report
Guide Development Committee Report
*Minutes will be posted as meetings occur.


D Kollars
vs
S R Burns-Mannion
"White Kollars Crime"
(game of the day 2017-07-18)
Tradewise Gibraltar (2016.02.04), Catalan Bay GIB
King's Indian Attack(A07)
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--- layout: post title: Battlelog PHP API date: 2011-10-02 18:38:18.000000000 -05:00 categories: - Projects tags: - battlelog - battlelogapi - bf3 - new - php - programming - projects status: publish type: post published: true meta: _wp_old_slug: battlelog-api _edit_last: '1' author: login: Blake email<EMAIL_ADDRESS>display_name: Blake first_name: Blake last_name: Harley ---
I have created a PHP API for Battlefield 3's Battlelog soldier stats system. If you're interested in making a signature generator, integrating BF3 stats into your forum or other PHP/BF3 goodness check out the project page.


--- layout: archive title: Zulip Chat Archive permalink: /stream/113488-general/topic/.<IP_ADDRESS>changing.20type.3F.html ---
What's going on here?
definition Nat := Π {X : Type}, (X → X) → X → X definition Zero : Nat := λ (X : Type) (F : X → X) (i : X), i #check (Zero : Nat) -- fails #check (@Zero : Nat) -- works
change λ (X : Type) to λ {X : Type}?
What does that change mean?
It doesn't fix the problem
never mind then
definition Nat := Π {X : Type}, (X → X) → X → X definition Zero : Nat := λ {X : Type} (F : X → X) (i : X), i #check (Zero : Nat) -- fails #check (@Zero : Nat) -- works
invalid type ascription, term has type (?m_1 → ?m_1) → ?m_1 → ?m_1 : Type but is expected to have type Nat : Type 1
It's a universe issue?
change the pi
brackets
Zero has type (? -> ?) -> ? -> ?
or something
or use ⦃
for weakly implicit
change λ (X : Type) to λ {X : Type}?
This is syntactically valid but does it change anything?
my guess is that if you don't state the type the inferred type will be Pi {X}, ...
for one of them and Pi (X), ...
for the other one.
In this case the binder on the lambda doesn't matter, since it is explicitly given the type Nat
All that matters for elaboration purposes is whether Nat
is defined as Pi {X : Type}, ...
or Pi (X : Type), ...
Do I correctly infer from Kevin's example that Lean does not remember that Zero
has type Nat
, even if it is explicitly told so during the definition
? So it uses that fact while type checking the definition, but afterwards throws it away and only stores the term (or something)?
I think the problem is that when Lean sees Zero
with {}
it immediately tries to fill in the {}
variable, so Zero
is the same as @Zero _
which is not the same as @Zero
If you use {{}}
then Lean decides to wait until later before guessing what goes in the brackets
The easiest fix is just to use (X : Type)
I guess
When defining a type as a pi like this, you almost never want to use Pi {X}
because of "surprises" like this
This is one of the main use cases for Pi {{X}}
like in the definition of set.subset
Last updated: Apr 24 2020 at 19:02 UTC