Siemens iQ700 CM633GBS1B
1000W 45L Built-in Combination Microwave Oven Stainless Steel
9."Automatic network connection" prompt message arrives on display
11.Select "Connect to app"
12."Confirm Connection on the mobile device" prompt message arrives on display
13.Select "connect" on Launch of your App
15.Device Type "Microwave" is added to your mobile.


I will use the analogy of a theatre play. The HTML is the actors. They stand around on stage saying their lines, sometimes saying them louder or quieter but not being very exciting. They get the plays meaning across to the audience but it would be great if there was some pizzaz added. This is where the director comes in. The CSS is like the director, who tells the actors what to do and where to stand. The director can also tell the actors what to wear, where to be, when to change what they are doing or saying.
Control flow and loops can be explained using the example of vacuuming. First, you need to go and get the vacuum cleaner from where it is kept. You can vacuum without getting the machine. You then plus the vacuum in in the wall to give it power. This is like control flow. Control flow is the order in which the javascript will execute, it runs from top to bottom unless otherwise instructed. Getting the vacuum cleaning out ready for use also needs to be done in the correct order otherwise you won't have anything to plug in or vacuum with.
A loop allows you to run an instruction over and over for as many times as you require. To vacuum, you are required to push the head out, then in, then out, then in, to pick up all of the dust and dirt. If I were to write 'push in, push out' in javascript, to describe everytime I pushed the vacuum, it would take up 100's of lines. To simplify this, you can create a loop, which runs through a line of code, completes the instruction, then runs through it again for as many times as instructed. Our brain creates a loop itself when we are vacuuming. We don't think, 'I must push the vacuum away from me then pull it towards me' for every arm movement we do. Our brain automates this process and our arm moves without conscious thinking, freeing up our brain for other tasks while we are vacuuming. Our brain builds its own loop.
DOM is an acronym for Document Object Model. The DOM is a representation of the HTML page and a programming interface, allowing scripting language to change the structure, style and content of a page. It has a tree-like struture, represented in the image below.
One of the ways in which you can interact with the DOM is with javascript. You may want to change the colour of some text when a user interacts with it (this interaction may be a mouse over, click, double click - there are many different options available to use). To change the colour of the text you need to point to where the text is located and then state what needs to be changed.
The above line of code states that the document is being targeted, then the specific element (specified by ID name) within that document. The javascript then states that the style needs to be updated, specifically the colour, which should change to red.
To access data from an array you use indexes. Array indexing starts from 0, therefore to access the first item in an array you would need to state nameOfArray[0]. Arrays also use bracket notation, therefore the index numbers will need to be inside [brackets]. The example below shows how to access the data from an array using indexes.
To access data from an object you use dot notation. Using dot notation you can move further into the object, accessing nested values. The below example shows that to access the name 'Jill', you will need to first access 'user' then the 'name'. With the example for returning the value of the city, you use dot notation to move further into the nested object, moving through user, address and city.
You can also use bracket notation to access objects. You will need to use bracket notation if the property you are trying to access possesses a name with a space in it. If it has a space, such as in the example below, you will need to use bracket notation as dot notation will not work with spaces.
Functions are a set of statements that perform a task in javascript. Functions consist of a name, any parameters, and a block of statements to be executed. Functions are useful as they can be used over and over again, by calling the function name. By reusing functions you simplify your code and Don't Repeat Yourself (DRY), a mantra used by developers. Below is an example of a simple function that takes two parameters (number1, number2) and adds them together. By calling the function doSomeAddition(5,5) with the arguments of 5 and 5, we are asking the function to add 5 + 5 together and return the answer.


The computer uses a web browser to connect to the web which is made up of HTML, urls, https, and web applications. The browser then connects to the Internet, which is the world's largest computer network, and reads HTML documents that are living in a server on another computer.
Here is the video that breaks it down: Components Of The Web
A web page is a text document written in a language called HTML which stands for hypertext markup language and is the main protocol of the web. HTML is made up of: text content, markup (is what it looks like), references to other documents (such as images and videos), and links to other pages
An HTML tag is a command within angled brackets that tell the computer what to do. There are two types of tags, an open tag and closing tag. An element refer to anything within an open and closing tag. While an attribute is a property of an HTML element, it used in the placement of a url link for a video, for example.
Computers won't be able to figure out what a programmer intends it to do on its’ own. So that is the reason why it is very important for a programmer to write carefully what they want a computer to do. In other words, write with correct syntax. Making sure a code is correct eliminates errors.
HTML elements can be either block elements or inline elements. Block elements create an imaginary block surrounding the content you have in between. Inline elements allow the content you have between them to be inline with the rest of the content that precedes it or follows. An example of a block element is a div and of a inline element is a span.
A developer can take a closer look at a web page’s code within the Developer Tools found on the internet browser. Although the markup and CSS languages can be modified they are not permanant changes since the web page will turn back to it’s original settings when the browser is closed or refreshed.
Here is video tutorial on how the Developer Tools can be used: More on Chrome Developer
HTML elements can have other elements within them. In order to view the elements easily in a simplistic fashion they are set up into nested boxes that create a tree-like structure. This structure is what programmers call DOM (Document Object Model).
Here is a video that mentions DOM: How HTML, CSS and DOM Are Related
The HTML elements in the tree-like structure are indented if they fall within a nested box. The indentation will move closer to the right as it falls further and further in the code.
Text editors used by web developers is a program used to create or edit an HTML file needed to build a new web page.
This example shows one of the text editor programs “Sublime Text”: Sublime Text
CSS stands for Cascading Style Sheets which is a language that is used for determining the look and format of a web page.
Once again this video helps describe the CSS function: How HTML, CSS and DOM Are Related
Avoiding repetition in code allows the programmer to save time, be more efficient and minimize mistakes. How can that be done? By using CSS style.
It is very important to verify your HTML and CSS before finalizing the project in order to correct errors that may have come up during the preparation of the web page. Checking your work is essential in writing good code. Both HTML and CSS can be verified by using the following sites:
To verify HTML: Markup Validation Service
To verify CSS: CSS Validation Service


Contrary to the popular belief, lorem Ipsum is not simply randomtext, It has roots in piece of classical Latin literature from 45 BC,making it over 2000 years old
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Help Me, Rhonda - Wikipedia, the free encyclopedia
"Help Me, Rhonda" is a song written by Brian Wilson and Mike Love for their American rock band The Beach Boys. The song is the first Beach Boys song (with .
http://en.wikipedia.org/wiki/Help_Me,_Rhonda
The Beach Boys Help Me, Rhonda Listen and discover music at ...
Watch the video & listen to The Beach Boys Help Me, Rhonda for free. Help Me, Rhonda appears on the album The Very Best of The Beach Boys. The Beach .
http://www.last.fm/music/The+Beach+Boys/_/Help+Me,+Rhonda
help me rhonda | Tumblr
Help Me, Rhonda. Beach Boys.  Beach Boys - Help Me Rhonda. . Beach Boys California Girls + help me Rhonda @ Live Aid 85by LiveAidvideo 214,145 views · 2:39 .
http://www.youtube.com/watch?v=OzcjlKCJDnU
Beach Boys Help Me Rhonda - YouTube
Jan 16, 2011 . "Help Me, Rhonda" is a song written by Brian Wilson and Mike Love for their American rock band The Beach Boys. The song is the first Beach .
http://www.youtube.com/watch?v=QPnBrK6D26g
Help Me, Rhonda Lyrics - Beach Boys
Help Me, Rhonda Lyrics - Well since she put me down Ive been out doin in my head Come in late at night and in the mornin I...
http://www.lyricsfreak.com/b/beach+boys/help+me+rhonda_20013638.html


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GATX Corporation (GATX) Presents At Stephens Nashville Investment Conference 2019 - Slideshow
by SA Transcripts, https://seekingalpha.com/author/sa-transcriptsThe following slide deck was published by GATX Corporation in conjunction with this event.


| |
ActiveTcl User Guide
|
|
|
- NAME
- pkg::create - Construct an appropriate package ifneeded
command for a given package specification
- SYNOPSIS
- ::pkg::create -name packageName -version
packageVersion ?-load filespec? ... ?-source
filespec? ...
- DESCRIPTION
- OPTIONS
- -name
packageName
- -version
packageVersion
- -load
filespec
- -source
filespec
- SEE ALSO
- KEYWORDS
pkg::create - Construct an appropriate package ifneeded
command for a given package specification
::pkg::create -name packageName -version
packageVersion ?-load filespec? ... ?-source
filespec? ...
::pkg::create is a utility procedure that is part of the
standard Tcl library. It is used to create an appropriate
package ifneeded command for a given package specification.
It can be used to construct a pkgIndex.tcl file for use with
the package
mechanism.
The parameters supported are:
- -name packageName
- This parameter specifies the name of the package. It is
required.
- -version packageVersion
- This parameter specifies the version of the package. It is
required.
- -load filespec
- This parameter specifies a binary library that must be loaded
with the load command.
filespec is a list with two elements. The first element is
the name of the file to load. The second, optional element is a
list of commands supplied by loading that file. If the list of
procedures is empty or omitted, ::pkg::create will set up
the library for direct loading (see pkg_mkIndex). Any number
of -load parameters may be specified.
- -source filespec
- This parameter is similar to the -load parameter, except
that it specifies a Tcl library that must be loaded with the source command. Any number of
-source parameters may be specified.
At least one -load or -source parameter must be
given.
package
auto-load, index, package, version
Copyright © 1998-2000 by Scriptics Corporation.
Copyright © 1995-1997 Roger E. Critchlow Jr.


Half-Past Seven Stories
by Robert Gordon Anderson
Story 9: "Dr. Philemon Pipp, the Patent Medicine Man"
Additional Information
- Year Published: 1922
- Language: English
- Country of Origin: United States of America
- Source: Anderson, R.G. (1922). Half-Past Seven Stories. New York, NY: G.P. Putnam’s Sons.
-
Readability:
- Flesch–Kincaid Level: 5.7
- Word Count: 3,335
- Genre: Adventure
- Keywords: trickery
- ✎ Cite This
Downloads
Uncle Roger lived in town, quite a distance from the home of the Three Happy Children. When they walked, Marmaduke’s short legs took one whole hour to reach it; Jehosophat’s, forty-five minutes; though the Toyman’s long shanks could cover the ground in fifteen. But then he could go ever so fast. However, they usually rode, and horses can always go faster than men. Even Old Methusaleh could trot there in twelve, and he was spavined and a little wind-broke, while Teddy and Hal, who were young and frisky, could get there as quick as a wink.
On this particular day Uncle Roger and Aunt Mehitable had a family party. It was a fine one, you may be sure, but we are not going to tell you about it, when something even more interesting happened that night.
At half-past eight the last horn sounded and the party was over. Mother and Hepzebiah climbed in the surrey, and, with them, two great-aunts, Sophronisba and Abigail. Aunt Phrony weighed more than three hundred pounds, but Aunt Abby only a hundred; and they were planning to visit the White House With the Green Blinds by the Side of the Road—”for a week,” they said, but the boys heard Father whisper to Mother, as he piled their baggage under the tailboard,—”From the size of those bags it looks like a year and a day.” The boys wondered what that extra day could ever be for—probably to move all that baggage.
Now Teddy the Buckskin Horse was hitched to the surrey; and in the shafts of the buggy stood Hal the Red Roan. And that night the boys particularly wanted to ride behind Teddy. They liked to watch the black stripe that ran down his yellow back skim ahead of them over the road, just like a snake. And they liked the surrey, too. It had a fringe all around the top, and high mudguards, and a whip with a tassel and ribbon on it. But now that the great-aunts were in, Aunt Abby’s side rose way up in the air, she was so light, but Aunt Phrony’s sank down until the steel springs of the carriage groaned and scrunched on the axles. The surrey looked like a boat when all the passengers rush to one side to see who has fallen over.
There was no room for the boys, so they had to climb in the buggy. But, after all, the Toyman was to drive, and that quite made up for it. He might even let them drive, or tell them stories—about Ole Man Pumpkin, or the stars, or the cowboys out West, or any one of a number of wonderful things. So they were quite content as the Toyman said “Gee-dap,” and they drove off through the night.
They had gone but a short distance when they saw a light. It was different from all the lights in the houses and the street lamps on the corners, which shone steadily and all the while. This one flickered and flared like a fire in the wind; and it smoked rather badly, too.
Jehosophat and Marmaduke tried to guess what it was, but neither was right. When they reached the corner of the street and got out of the buggy, they saw a lot of boys, big boys and little boys, and men, too, crowding around a wagon. The horses which had brought it there were tied to a hitching post a little way off, and a man stood in the back by the tailboard. The light which they had seen from afar shone over his head, a strange sort of torch, and was fed with oil by a little metal pan with a tube running to it. And it flickered oddly up and down, and from side to side, throwing funny shadows on the man, who looked queer enough himself.
He had long black hair like Buffalo Bill, and a long black coat—very long, with a fur collar on it.
Marmaduke whispered to the Toyman,—
“Can’t you cure the man’s coat? It’s got the mange.”
And the Toyman replied,—
“No, money is all that can cure that, and pretty soon he’s going to get plenty from these people’s pockets.”
Marmaduke’s eyes bulged.
“Is he a robber?” he asked in an awed whisper.
The Toyman laughed.
“Well, some folks might call him that without being sued for libel, but I ‘spose he’s within the law.”
Marmaduke wondered how he could be in the law and in the wagon at the same time, and the Toyman had to explain that he meant that the strange man ought to go to jail, but probably wouldn’t. Just why, he told them to “wait and see.”
But, oh, we forgot—what was most important,—on the man’s head was a tall silk hat. It looked as if it needed the mange cure quite as much as did the fur collar of his coat.
Behind the man was spread a banner with the man’s name on it, Dr. Philemon Pipp, and a big chart like those the teachers used in school.
“Whew!” whistled Jehosophat, “look at that ole bag of bones!”
For on that chart was a big picture of a skeleton, and, by the side of the skeleton, other pictures, of a man with his skin taken off, which showed his bones, and his muscles, and all his insides—very prettily painted in blue and yellow and red.
That wasn’t all there was on that wonderful wagon. Behind the chart, they saw lots of bottles filled with nice black juice. It looked like licorice water, and it made anyone’s mouth water just to look at it!
But the man, Dr. Philemon Pipp, was talking.
And as he talked, he made queer gestures with his arms, as if he wanted to scoop up all the people—or something the people had—into his wagon. Perhaps it was their money he wanted to scoop up, though he said nothing—as to that, just,—
“Now, gents, step up a little closer, pleeze.”
Then he tilted his hat on the other side of his head, and put one hand across his chest, the middle finger between the buttons of his vest, and all in a very grand way.
“Tonight,” he went on, “for youah entertainment, I will oferrr this distinguished audience a marrvelous programme—an extrahorrrdinary exheebeeshun of tricks and sleight of hand meeraculs such as nevah befoh were puhfomed by human hands.
“Now watch, ladees, and keep yuh eyes peeled, gents—and mebbe youall kin learn the secret.”
Then he had to stop for a minute, for the small boys were climbing on the hubs of the wheels.
“Heah, young man,” he shouted, “have youall fohgot yuh mannahs? Do not futhuh disturb muh discourse.”
Of course, Jehosophat and Marmaduke couldn’t understand all these magnificent words, but they sounded quite splendid. No wonder the hat was so big, when it had to cover a head with such long words inside.
Now Dr. Philemon Pipp had turned to the crowd.
“Have any of you gents got a quatah?—Thank you, sah,” he said to a man who handed him the money.
Then he took the silver quarter and asked a little boy to step up on the wagon. Jehosophat wished he had been asked, so that he could have learned the wonderful trick.
And now Dr. Pipp showed the coin to the little boy.
“You see it, young man?” he asked.
“Yes sir, yes sir,” said the little boy, all excitement.
Ah, but the man was wiggling his hands through the air, saying,—
“Now you see it and now you don’t.”
And presto! he took that very same quarter which had been in his hand, out of—where do you think?—why, right out of the boy’s mouth. That wasn’t all, either, for next minute he took it out of his cap, then out of his ears. There had been one quarter before—now in his hand there were—five—shiny—quarters! It was a wonderful trick!
But now the strange man, Dr. Philemon Pipp, was speaking again.
“Now that you all understand the trick,” he declared, “I will pefohm another foh youah entahtainment.”
The funny thing about it was that no one understood it at all—except the Toyman.
“Do you really?” the boys asked him, and he replied,—
“Pshaw! that’s easy, but watch, sonny, and see what he’ll try next.”
Meanwhile the man had taken off his tall silk hat.
“You see this hat, ladees an’ gents? Just a simple piece of headwear that has seen many suns and rains. No false bottom or top.”
And he tapped the hat to show them it was just an ordinary hat. Still, Marmaduke thought it was very much out of the ordinary.
“Now peel yuh eyes—careful—watch—everybody ready? Presto, chango—and here we are.”
 He held it up by its ears for all to see.
And again he said,—
“Now that youall undahstand this simple little trick, I will—”
And again no one understood how to do it but the Toyman.
However, they just had to listen, for it was a wonderful speech.
“Ladees an’ gents and fellow citizens of—” the strange man paused, coughed, then leaned down to his helper. “What’s the name of this burg, Jake?” he whispered to him. “Ah, yes, fellow citizens of the glorious ceety of Five Corners—”
And Jehosophat whispered to the Toyman,—
“How does he know it’s so glorious when he can’t even remember the name?”
The Toyman chuckled and replied,—
“Oh, he’s a remarkable man, the Doctor, a very remarkable man. But listen, boy, listen, you’ll never hear the like again.”

“I will introjooce to you,” went on the grand speech, “the famous Indian”—yes, that’s just what he said,—”the famous Indian, Chief-Afraid-of-a-Rat.
Then up on that wagon stepped a big Indian with moccasins on his feet, and a dress of deerskin with beads embroidered on it, and a headdress of many feathers and many colors too.
Tunk a tin, tunk a tin, tunk a tin!
Geegry goo, geegry goo,
All-a-man lissen!”
That’s what the Red Indian with all the feathers said, and it sounded very impressive.
As it was so hard for anyone who didn’t know the real Indian language to understand, the man with the long hair and tall silk hat, this wise Dr. Philemon Pipp, explained it.
“The noble red man, the last of his tribe, Chief-Afraid-of-a-Rat,” said he, “is a great medicine man. He says that from his native soil he has distilled a wonderrful medicine that works like magic.”

“If yuh have a pain or an ache, a misery in yuh back, if yuh suffah from stomach-ache or tooth-ache, or an ache in the head; if yuh feet burn and blister; if yuh tongue evah feels thick; if yuh feel a leetle inclined to dizzyness—in fact, if yuh have any ache or trouble in the world, this medicine will cure yuh, will bring instant relief.”
Then he took another bottle and said some more:
“One bottle of this medicine is worth five dollahs. Who would not give a paltry five dollahs for to be cured of his miseries? But—ladees and gents, because I was once born in your beautiful ceety I will sell—”
“Why, he even forgot its name,” whispered Jehosophat.
“Shush,” whispered the Toyman right back at him, “don’t give him away.”
But, instead, of Jehosophat giving him away, it seemed Dr. Pipp was going to give something away himself, for he was saying in his speech,—
“Because I was once born in your beautiful ceety, I will give away—for this night only—a whole bottle of this magic medicine for the trifling sum of fifty cents!”
That was very generous, thought the boys, and they said so to the Toyman, but again he told them to “wait an’ see.”
And then Dr. Philemon Pipp turned to the crowd of men and boys and hollered real loud like the minister at camp-meeting,—
“Who’ll be the first to be cuhed? Who’ll be the first to be happy again?”
And one by one the silly people went down in their pockets, and brought up their fifty-cent pieces, and handed them up to the man on the wagon.
You see, every one must have had at least one of the kinds of pains and aches Dr. Pipp talked about, for he mentioned every one in the world.
Marmaduke thought that black medicine would be fine for the Toyman.
 That old codger’s not telling the truth. And the people are fools to believe him.”
But all this time Dr. Pipp was handing out the bottles with one hand, and collecting the fifty-cent pieces with the other, and the Red Indian was singing his funny song,—
”Ging goo, ging goo,
Hunk-a-tin, hunk-a-tin, hunk-a-tin,
Geegry goo, geegry goo,
All-a-man lissen!”
And the light nickered on the funny pictures of the skeleton and the man with his skin off, and then on Dr. Philemon Pipp with his long black hair and tall silk hat, and on the feathers of the Red Indian, as he danced up and down singing that funny song.
At last something stranger still happened.
The Toyman had just muttered to himself,—
“They’re fools, they are, but I guess I ought to stop him.”
And just as he said this, Dr. Philemon saw him in the crowd. The Doctor must have felt hurt because the Toyman hadn’t bought any of his bottles, for he pointed a finger with a great long nail right at the Toyman and said:
“Yuh sah, aren’t yuh willin’ to be cuhed?”
Now the Toyman was forever saying funny and surprising things, but he never said anything funnier and more surprising in his life than what he told that patent-medicine man.
“No, thank you, Mr. Steve Jorkins”—that’s just what he called him, not Dr. Pipp at all—”that medicine of yours isn’t magic. It wouldn’t even cure a chicken of the pip.”
Then all the men crowded around the Toyman, calling him by his old name.
“Do you know him, Frank? Is he fooling us?”
“You bet he is,” replied the Toyman, “and he’s got all your hard-earned money in his jeans.”
Then he called to the boys to “come quick,” for he thought there would be trouble, and there was.
For all those men and boys in the crowd climbed up on the wagon—and they grabbed Dr. Philemon Pipp by his fine fur collar—and they made him give back their money, every last cent of it. Then, while some of them held him, the others smashed all his bottles until the black juice ran over the tailboard like a dark waterfall, and they hurled his high silk hat on the top of the lamp-post, yelling,—
“You git out of here, quick! Come, skedaddle!”
And since, in his fright, he didn’t “skedaddle” fast enough to suit them, they threw beets and all sorts of vegetables at him, vegetables that had been ripe a very long time. So at last the tall Doctor with his fine fur collar—but without his silk hat—hitched up his horses with trembling fingers, and he and his helper Jake and the Red Indian drove out of town “lickety-split.” You could hear the wagon-wheels rattling away long after he turned the corner.
Then the Toyman “tlucked” to Hal and they drove off, too.
“How did you know him?” Jehosophat asked, after they had trotted a little way.
“Oh, I used to know him out West. He didn’t remember me, but I did him . I bought one of his bottles once.”
“Is he a robber?”
“Well, he calls himself a patent-medicine man, but I’d call him a ‘fakir.’”
“What’s a ‘fakir,’ Toyman?” put in Marmaduke, very sleepily.
“Oh, a man who pretends to be something he isn’t, and who sells folks something that’s no good, and takes all their money for nothing. But”—and he laughed—”some folks like to be fooled.”
“It’s too bad!” sighed Marmaduke.
“What’s too bad, sonny?”
“Why, to smash all those big bottles and waste all that lovely licorice water.”
But he soon forgot all about the bottles and the licorice water, and the bad Doctor Pipp with the tall hat and the fur collar, and the Red Indian, too, for, as they rode along by the River, the Moon was up, and seemed to be riding along with them—never getting ahead or behind, just keeping even with Hal the Red Roan. And Marmaduke loved to go riding or walking with a great yellow moon. Besides, the Toyman told them a story, as he had promised—and a nice one it was—so the little boy fell asleep.
But I wouldn’t say that they never dreamed about that fur collar, and the tall hat, and the Indian, and all those bottles.
It’s just possible that they did.


Uber stock tanks 6% after the ride-hailing firm lost its London operating licence
by Yusuf Khan- Uber’s stock is set to sink on Monday morning after the ride-hailing firm lost its licence to operate within London.
- The stock fell 6.3% in premarket trading, at 10:30 a.m. in London (5:30 a.m. ET)
- The stock drop would wipe $US3 billion off the $US50.4 billion market cap Uber closed with on Friday.
- Transport for London said it found a “pattern of failures” which put the safety of passengers in the city at risk.
- View Business Insider’s homepage for more stories.
Uber’s stock is set to sink on Monday morning after the ride-hailing firm lost its licence to operate within London.
The stock fell 6.3% in premarket trading, at 10:30 a.m. in London (5:30 a.m. ET), after Transport for London said it found a “pattern of failures” which put the safety of passengers in the city at risk.
The stock drop would wipe $US3 billion off the $US50.4 billion market cap Uber closed with on Friday.
Tfl said that it found 14,000 trips had been conducted by unauthorised drivers that were using approved Uber driver accounts to pick up passengers.
Uber has about 21 days to appeal the decision, and in a statement emailed to Business Insider, it said that it plans to appeal, calling Tfl’s decision, “extraordinary and wrong.”
For more detail on this developing story, click here.


| WebKit2GTK+ Reference Manual | ||||
|---|---|---|---|---|
| Top | Description | Object Hierarchy | Properties | Signals |
WebKitFindController; enum WebKitFindOptions; void webkit_find_controller_search (WebKitFindController *find_controller
,const gchar *search_text
,guint32 find_options
,guint max_match_count
); void webkit_find_controller_search_finish (WebKitFindController *find_controller
); void webkit_find_controller_search_next (WebKitFindController *find_controller
); void webkit_find_controller_search_previous (WebKitFindController *find_controller
); const gchar * webkit_find_controller_get_search_text (WebKitFindController *find_controller
); void webkit_find_controller_count_matches (WebKitFindController *find_controller
,const gchar *search_text
,guint32 find_options
,guint max_match_count
); guint32 webkit_find_controller_get_options (WebKitFindController *find_controller
); guint webkit_find_controller_get_max_match_count (WebKitFindController *find_controller
); WebKitWebView * webkit_find_controller_get_web_view (WebKitFindController *find_controller
);
"max-match-count" guint : Read "options" WebKitFindOptions : Read "text" gchar* : Read "web-view" WebKitWebView* : Read / Write / Construct Only
typedef enum { WEBKIT_FIND_OPTIONS_NONE, WEBKIT_FIND_OPTIONS_CASE_INSENSITIVE = 1 << 0, WEBKIT_FIND_OPTIONS_AT_WORD_STARTS = 1 << 1, WEBKIT_FIND_OPTIONS_TREAT_MEDIAL_CAPITAL_AS_WORD_START = 1 << 2, WEBKIT_FIND_OPTIONS_BACKWARDS = 1 << 3, WEBKIT_FIND_OPTIONS_WRAP_AROUND = 1 << 4, } WebKitFindOptions;
Enum values used to specify search options.
| no search flags, this means a case sensitive, no wrap, forward only search. | |
| case insensitive search. | |
| search text only at the begining of the words. | |
| treat capital letters in the middle of words as word start. | |
| search backwards. | |
| if not present search will stop at the end of the document. |
void webkit_find_controller_search (WebKitFindController *find_controller
,const gchar *search_text
,guint32 find_options
,guint max_match_count
);
Looks for search_text
in the WebKitWebView associated with
find_controller
since the beginning of the document highlighting
up to max_match_count
matches. The outcome of the search will be
asynchronously provided by the "found-text"
and "failed-to-find-text" signals.
To look for the next or previous occurrences of the same text
with the same find options use webkit_find_controller_search_next()
and/or webkit_find_controller_search_previous()
. The
WebKitFindController will use the same text and options for the
following searches unless they are modified by another call to this
method.
Note that if the number of matches is higher than max_match_count
then "found-text" will report G_MAXUINT
matches
instead of the actual number.
Callers should call webkit_find_controller_search_finish()
to
finish the current search operation.
|
the WebKitFindController |
|
the text to look for |
|
a bitmask with the WebKitFindOptions used in the search |
|
the maximum number of matches allowed in the search |
void webkit_find_controller_search_finish
(WebKitFindController *find_controller
);
Finishes a find operation started by
webkit_find_controller_search()
. It will basically unhighlight
every text match found.
This method will be typically called when the search UI is closed/hidden by the client application.
|
a WebKitFindController |
void webkit_find_controller_search_next (WebKitFindController *find_controller
);
Looks for the next occurrence of the search text.
Calling this method before webkit_find_controller_search()
or
webkit_find_controller_count_matches()
is a programming error.
|
the WebKitFindController |
void webkit_find_controller_search_previous
(WebKitFindController *find_controller
);
Looks for the previous occurrence of the search text.
Calling this method before webkit_find_controller_search()
or
webkit_find_controller_count_matches()
is a programming error.
|
the WebKitFindController |
const gchar * webkit_find_controller_get_search_text
(WebKitFindController *find_controller
);
Gets the text that find_controller
is currently searching
for. This text is passed to either
webkit_find_controller_search()
or
webkit_find_controller_count_matches()
.
|
the WebKitFindController |
Returns : |
the text to look for in the WebKitWebView. |
void webkit_find_controller_count_matches (WebKitFindController *find_controller
,const gchar *search_text
,guint32 find_options
,guint max_match_count
);
Counts the number of matches for search_text
found in the
WebKitWebView with the provided find_options
. The number of
matches will be provided by the
"counted-matches" signal.
|
the WebKitFindController |
|
the text to look for |
|
a bitmask with the WebKitFindOptions used in the search |
|
the maximum number of matches allowed in the search |
guint32 webkit_find_controller_get_options (WebKitFindController *find_controller
);
Gets a bitmask containing the WebKitFindOptions associated with the current search.
|
the WebKitFindController |
Returns : |
a bitmask containing the WebKitFindOptions associated with the current search. |
guint webkit_find_controller_get_max_match_count
(WebKitFindController *find_controller
);
Gets the maximum number of matches to report during a text
lookup. This number is passed as the last argument of
webkit_find_controller_search()
or
webkit_find_controller_count_matches()
.
|
the WebKitFindController |
Returns : |
the maximum number of matches to report. |
WebKitWebView * webkit_find_controller_get_web_view (WebKitFindController *find_controller
);
Gets the WebKitWebView this find controller is associated to. Do not unref the returned instance as it belongs to the WebKitFindController.
|
the WebKitFindController |
Returns : |
the WebKitWebView. [transfer none] |
"max-match-count"
property"max-match-count" guint : Read
The maximum number of matches to report for a given search.
Default value: 0
"options"
property"options" WebKitFindOptions : Read
The options to be used in the search operation.
"text"
property"text" gchar* : Read
The current search text for this WebKitFindController.
Default value: NULL
"web-view"
property"web-view" WebKitWebView* : Read / Write / Construct Only
The WebKitWebView this controller is associated to.
"counted-matches"
signalvoid user_function (WebKitFindController *find_controller,
guint match_count,
gpointer user_data) : Run Last
This signal is emitted when the WebKitFindController has
counted the number of matches for a given text after a call
to webkit_find_controller_count_matches()
.
|
the WebKitFindController |
|
the number of matches of the search text |
|
user data set when the signal handler was connected. |
"failed-to-find-text"
signalvoid user_function (WebKitFindController *find_controller,
gpointer user_data) : Run Last
This signal is emitted when a search operation does not find
any result for the given text. It will be issued if the text
is not found asynchronously after a call to
webkit_find_controller_search()
, webkit_find_controller_search_next()
or webkit_find_controller_search_previous()
.
|
the WebKitFindController |
|
user data set when the signal handler was connected. |
"found-text"
signalvoid user_function (WebKitFindController *find_controller,
guint match_count,
gpointer user_data) : Run Last
This signal is emitted when a given text is found in the web
page text. It will be issued if the text is found
asynchronously after a call to webkit_find_controller_search()
,
webkit_find_controller_search_next()
or
webkit_find_controller_search_previous()
.
|
the WebKitFindController |
|
the number of matches found of the search text |
|
user data set when the signal handler was connected. |


I live in a j's podcast for monday most wonderful show is keeping up with the jones is a j jones yes christmas is coming and i'm as excited to barrel monkeys whoo i actually know how excited monkeys would be in a barrel i think if you rammed a bunch of monkeys in a barrel they'd get pretty excited slash aggravated.
All right, well, I'm certainly not the aggravated agitated end of that spectrum, but I am very excited.
That's very good, darling.
I'm not sure why excited you already have your Christmas present.
No, well, yes, yes, and yes, but I'm believing in God that I'm going to get more Christmas
than the one you already bought me.
Well, I am excited not only about Christmas, but about seeing Star Wars in three days.
Come on.
Yeah.
And you've done quite a good job of avoiding everybody trying to tell you about Star Wars.
I have I just cut them off mid sentence if they say anything about it and then you know on instagram or whatever I just look past them very quickly.
I noticed this morning church somebody tried to talk to us about Star Wars and you punched them in the windpipe.
Yeah well I mean I had no choice to keep going on and on.
You just pretend the holy spirit.
More.
More.
More.
More.
Jab.
Am I right in thinking that our Christmas shopping is pretty much done?
It is mostly done.
Yeah, I still have a few things, but mostly done.
Can Amazon take care of it? No. Why? Because they can't. Oh, okay. I could explain it to you
when we're not being recorded. Oh. Because it's local things I need to get. Oh, I see. Okay. Well,
that's... Shop local. Okay. Very good. Shop local as if. 90% of our
shopping is Amazon. Let's run this week Monday and Tuesday. We have the last day of school for
2015. That was sad. I know. Well, it wasn't sad. It was awesome. That was great. You we have a
very special guest and second year at the school. What do you want me to say? Amy Black. Oh, I was
going to say Luther Vandross. We didn't actually have Luther Vandross, but we did have Amy Black.
an a black this is going to be weird for a parent to be introduced by their child name but many of you be familiar with our friend christa black.
She's.
I'm crystal talent in so many different areas she's a prolific songwriter.
She's an author a blogger speaker she's just amazing well it was her mom that was coming in to teach on the school.
I did have a thought though and I mentioned it to Amy I said is it amazing to watch your kid doing what they're obviously created to do.
Right and she was like it's the best thing ever.
I think I'm going to be really excited to be known as tears dad yeah or mj's dad yeah or abby's dad yeah.
I said all three kids and getting from this.
Well, you're not going to be excited to be my dad.
Yeah, I mean, yeah.
And what was Amy teaching?
She was teaching on heart sync.
And what is heart sync?
Heart sync is, it's another inner healing method.
Okay.

It's completely different, however, and quite amazing.
I think that I loved the teaching.
The most fun part for me was watching a couple of people get a heart sink and sort of get an idea of,
"Oh, that's what it looks like, you know, I've had one."
And I loved it, but I'm just sort of like, "Oh, you know, it's different.
It's really cool because you really flow with the Holy Spirit."
And it's the one I wished I could have been in to listen to,
because I was really excited about the revelation and the teaching.
Yeah.
I got the notes, but that's not the same.
And I couldn't be in the teaching because I was doing teaching in first year on honor.
Yes.
And which we had a riot with the students.
It's fun that they're learning honor and boundaries before they go home for Christmas.
It's really good.
And they've learned how to make their honor into a wrap so they can wrap over their parents when they get home.
Are you on drugs?
I'm just kidding.
Wednesday was our three year old Christmas recital.
Oh, it's so cute.
I didn't see much of it.
No, because you're on the back and your iPhone.
it's because i literally can't stand being around that many small children who are that
and coordinated who are not seeing the sun i mean let's face it they're not seeing the
suns are i think awkwardly to really poorly sun carols and i'm in distress so i sat the
back and some of the children are actually seeing the songs it's just that none of ours
ever had so no matter which child it has been when we go to the preschool singing
thing they never sing.
No, I just make sure that they see me on the way in.
Because I'm never going to be able to see me pick me out with the crowd anyway.
Then I go to the back.
That church has got progressively better cellular service over the years.
So I can thank God.
I catch up on email.
I want it so far.
I greet them enthusiastically and then we go home.
So that was Wednesday.
But MJ looks so cute because he was dressed up like a Christmas tree.
It was a Christmas tree.
I was wondering what it was.
I thought he was a leprechaun.
What?
No.
There's no somewhere over the rainbow songs or anything like that.
It was called a tale of three trees.
Oh, I was a Christmas mystic completely.
Yeah, he was so cute.
And then Thursday was a normal work day.
Lots of meetings, but Thursday night we got to go.
I didn't say one of your favorite restaurants, but I think it's one of your
favorite restaurants.
But I like it.
It's one you went to before the happy octopus.
No, the little octopus.
I have the octopus.
I think the happy octopus is a great name for a restaurant.
Well, there you go.
There is folks.
If you ever want to start a restaurant, we went to East
Nashville, which is always good for my self esteem.
What do you mean?
Because I go there and I realize, oh, any semblance that I was
either hip or fashionable.
No, it just, it course corrects that.
It's just like, don't be.
Why are you so foolish to even think that?
I'm pretty sure people were looking at us like how did they let them in?
Yeah, they're like, who let them in at East Nashville?
Let us square it in.
But we had a great time.
We really enjoyed that and our company was amazing.
I think I got let in because I was wearing my cape from Emily, that Emily made for me.
And so I looked just hip enough to make it into the restaurant.
And what about me?
I think they just let you in because you were with the three of us.
Oh, OK, you're actually probably not far off the street.
And then Friday was funny because in the morning I was budgeting and preparing for a meeting
with our accountant.
I am trying to be so organized for this upcoming tax year.
You go baby.
I know.
I was really impressed with that.
So it's been the morning being nerdy and in Excel and lots of numbers and accounts.
And then Friday night started our kickoff to fake Christmas.
Yes.
We had fake Christmas Eve on Friday night and fake Christmas day on Saturday.
Yes.
It was a pretty good dry run for Christmas day.
It was good.
Yeah.
I have some ideas of things to do and not to do.
Let's not do roast lamb again.
No.
That wasn't good.
No, I need to find a better recipe.
And the potatoes.
What happened to the potatoes?
I don't know.
I saw real potatoes go into the pot.
But what came out--
There was stodgy.
Well, it's kind of like wallpaper paste.
It really was.
But I'm used to making my mashed potatoes with cauliflower.
So I have forgotten how to make them with real potatoes.
I don't know.
That was the issue.
I'm at a loss.
I don't know whether I needed more or less butter, more or less almond milk.
Maybe no almond milk in real milk.
I don't know.
They certainly didn't taste that.
You redeemed yourself.
Because tonight's dinner was amazing.
Thank you.
I was absolutely spectacular.
It really was.
Yeah, it was amazing.
And so fake Christmas was awesome.
We got some fake Christmas presents.
- They were real Christmas presents.
- Oh yeah, but they were fake Christmas presents.
They were real presents given on fake Christmas.
Our friend Cindy, who we wanted to celebrate Christmas
with this year, chose her family.
I don't know what that is.
- That's shocking, isn't it?
- And sometimes she's working.
So anyway, we had a fake Christmas celebration
and that was awesome.
And it's a good job being friend to the high gift giver
'cause she gives some pretty amazing gifts.
- Yes, she pays attention.
She's like a secret.
And gives great gifts.
Yeah.
And I got a Rosalina amigo.
You did.
Well, it's really a very small population of our listeners who know what that is and our care, but it's a super rare Nintendo.
Figurine, I guess.
That's really, really rare.
You can't get anywhere and Cindy tracked one down got one from.
Darling, you collect figurines.

Oh yeah. Look at them all over. Beautiful. They're beautiful.
See, this is the abuse I suffer. Yeah, this must be really hard to be.
Did anything special happen for you on Saturday, babe, on fake Christmas?
Did fake Santa do anything nice for you? Fake Santa bought me a real bike.
Oh, that's nice. I didn't even know you were into biking.
Well, I think because when we went to go and pick up your bike last week, I wasn't into biking.
I used to love biking when I was a kid, but I haven't biked in ages.
Because you're in like the Toronto arm of the health angels weren't there?
Yeah, for children. So I tried a couple bikes when we went in to get you fitted for yours.
And then I've just thought about them every day since then.
And so Cindy wanted to look at bikes.
So I took Cindy into the bike store, but you were very sneaky.
Meanwhile, I called ahead and pre purchased your bike.
Yes.
And the salesperson was in on it.

Well, yeah, let me tell it.
They played it super cool.
He didn't say anything about it when Cindy was riding around on her bike,
almost colliding with Mercedes and things like that, not joking.
He said, "Are you getting a bike?" And I said, "Well, hopefully soon."
And he was like, "Oh, great. I didn't say anything." And then I went to buy a little bell for Abby's
stalking to put on her bike. And so I said to him, "Hey, can I just pay for this bell then before we
we go and he said, "You can pay for it right after you get sized for your bike." And I was like,
"Oh, no, I don't have a bike." And he said, "Yeah, it's been paid for and you're going to get
sized for it." And then you probably burst into tears? I did. I started bawling in the bike store.
That is the goal of fake Christmas people. Yeah. And so you've been out for a bike ride already.
You've clocked a couple of miles. So how many miles did you do today? I think about four.
look at you go you're amazing thanks so that was our week i can't wait for this week i'm so excited
except it's gonna rain all week so we won't be able to ride our bikes oh i know but real
christmas is coming right real christmas forever more power tools break for me our topic this week
comes from one of our listeners yes Jill wrote in and said this dear Alan and Ajay i just want to
say i love listening to your podcast i look forward to every monday and i'm encouraged by your
your realness. Oh, thank you. Thank you very much. You mentioned during a podcast on rest
a couple of weeks ago, and I wanted to say I'd love to hear your thoughts on the subject.
My husband and I have been talking lately about how rest looks different to each of
us. I'm trying to figure out what it looks like for me. I remember you talking one of
your early podcasts about how women often have a hard time resting at home because there
are always things to do. I have a very hard time ignoring things that need to be done,
I've had the epiphany that there will always be things to do.
I often find myself frustrated because my husband can so easily unplug and absorb himself
into a TV show or a video game and not be bothered at all by the things I can see and
can't seem to forget, it's not unique to your husband, it's a gift all manjure.
"Shocking isn't it?"
I know you both work like we do, plus you have kids which we don't yet, so there's only
a limited amount of time to cook and keep up with things around the house.
I would really love to hear your thoughts on learning to rest and letting things go and
or learning to prioritize.
That's an excellent question.
Yeah, and I think, Jill, you're halfway there really because you said, you know, you're
asking for our thoughts on learning to rest.
And the truth is learning to rest really is a process.
Getting to a place where you understand rest is something that is a learned skill, especially
in America.
I'm not sure if you're American, I'm assuming that you are.
I was playing AJA video earlier today.
I don't know if people in America remember there was an ad that came out by Cadillac.
It's a brilliant ad, but it's a horrible ad on so many ways.
I'll be really interested to see what non-American think of this ad, but let me play it for
you now because it sums up some of American culture quite well.
Okay.
Why do we work so hard?
For what?
For this?
For stuff?
other countries they work, they stroll home, they stop by the cafe, they take August off.
Off.
Why aren't you like that?
Why aren't we like that?
Because we're crazy driven hard work and believers, that's why.
Those other countries think we're nuts.
Whatever.
We're the Wright brothers insane, Bill Gates, Les Paul, Ali.
Were we nuts when we pointed to the moon?
That's right.
We went up there, you know what we got?
Board.
So we left.
Got a car up there, left the keys in it, do you know why?
Why? Because we're the only ones going back up there. That's why.
But I digress.
It's pretty simple.
As for all the stuff, that's the upside of only taking two weeks off in August.
Nespon.
What do you think the ad, AJ?
I think it's kind of obnoxious, but it's true.
Like there's so much about it that's, you know, it is the mindset of like work harder, get more stuff.
Right.
Yes.
And we're not certain to be the goal.
Right.
We're certainly not advocating lots of stuff, but it is very commonplace in America that the culture is work, work, work.
Compared with other countries, America, the chart I looked at is the last country.
We most develop countries for time off.
In fact, there's no federal law that mandates paid time off for American employees.
Wow.
That's shocking.
Yeah.
When you think about, isn't the UK like four or six weeks to start?
Like it's no, I think that's teachers like Australians have at least four weeks
off plus 10 public holidays.
Brazilians have 22 days of paid leave with a 33% salary of vacation bonus.
And the French have at least five weeks off.
Some employees have up to nine weeks off.
Wow.
In context, Americans are not very good at resting.
No, which is really, really sad.
Well, there's no value on it.
Right.
I've noticed that.
Mm hmm.
There's a value on work work work.
Yeah, but not so much on rest, rest, rest.
I've noticed that even when we try and take our days off during the week.
That if you, well, if we, when we, because we hold to our boundaries of this,
our day off to do whatever. It seems like if we're like, well, no, it's our day off,
so we're not going to go and do X. It's like a foreign concept.
Like, well...
No, what are you saying? You're saying that you've noticed pushback from other people
when we were trying to take a day off?
Yeah.
Would it shock you that I have been completely unaware of other people's reactions to my
boundary?
No.
Would not shock me.
Here's the trouble. You alluded to this, Jill, is that you can't let the lack of work
dictate when you rest because there will always be work.
Yep.
I mean, we've been in the house that we live in now for three years and there are still boxes to
unpack. So at any point when we're like, I'm just going to sit down tonight, we could unpack boxes,
actually forget unpacking boxes. We could actually tidy our house.
Yeah, we could.
In terms of compromises, the thing that we probably let fall, by the way, is actually having a tidy
house. Yes. At any time you would stop by our house and announce our houses looks like
five. It looks like a frat house. It looks like a house that three children live in.
Yeah. With parents who work all down. And I'm okay with that. I think you have a harder time
because that whole diffuse awareness that women have. Yeah. But I at least have grace for it. Like
this is not what we would wish, but it is the reality of our life.
Well, and we could keep it tidy, but that would be at the expense of our children's
time with us.
Like if you have a limited amount of time to do things, it's either spend time with
the kids and let them play and let them have fun or have a tidy house.
And I think in the long run, when they're older, they're not going to remember whether
the house was tidy or not.
They're going to remember whether they have access to us or not.
And that's our story and we're sticking to it.
Yes.
No, but seriously, that is an important point.
You have to understand what's valuable to you because you can say yes to anything, but
you can't say yes to everything.
Right.
So we could say yes to have an entire house, but of all the things.
I mean, literally we leave the house at like eight o'clock in the morning.
Some days we get back about 6 p.m. and then we run back out again for a nighttime meeting.
So our options to do things like basic domestic chores fall by the way.
Now, when we have gas come over, we just go into hurricane mode and tidy.
Yeah.
And we're also blessed to have amazing babysitters that help tidy and all that kind of stuff.
And we have Amber blessed to have friends and family who love to just chip in and when
they're over our house for dinner or whatever, they'll strain sofas and tidy stuff up.
Yeah.
Or just not care that it's messy.
So Jill, I think the notion that you can have everything happen at the same time, at least
in our life, is unrealistic.
So we just have to pre-decide in advance what are we okay with not having?
What are we saying no to so we can say yes to rest?
Right.
And in this season of our life, we're saying no to having as spotless a house as we would
normally like.
Right.
I think also, babe, there's...
I realize that there's a difference for me between a puttering type of rest and resting
type of rest.
I'm pleased to explain.
Well, and I don't know if this is just a chick thing or what the deal is, but maybe
it's the equivalent of you playing a video game to wind down.
Yes.
My equivalent to that would either be to draw or something on my iPad that's just totally,
know, mindless coloring things in that kind of stuff.
Right.
Or go and, you know, get a coffee, walk through the factory or walk to the mall, you know, that
kind of stuff and just putter, like just sort of look at things and not talk to anybody, but just
right de-stress by moving around and seeing new things.
And how is that different from rest rest?
Well, I don't think that that's proper rest because I think I still require rest,
but it helps me get to where I can rest.
So I could come home from.
Puttering or just chilling out, you know, in public and then actually be able to read or whatever.
It helps.
It's like the middleman for me getting to rest.
So the precursor to rest is pottering for you.
Yeah.
Whereas the precursor to rest for me is.
a video game. Well, no, because that's for us for me is I think I can just switch off really,
really quickly. I think most men can. Well, maybe I'm the only man who's the inside of their head.
 Do you know the inside of it? Is that not what I said?
Let's go with your version as much better. Okay. Yes, I think that would be an important step.
Jill is is define what is rest to you and talk to your husband about what is rest for him and resist
the temptation of getting mad at him when he's choosing to prioritize rest and you're having a
harder time doing so. Yeah and if you need to get out of the house because everything isn't perfect
to be able to rest then do that. Yeah. Prioritize rest by leaving. You know along with that whole
thing of puttering and resting I guess that whole thing is defining what is rest for you.
So much wiser than me once said to me is that Alan, it's really, really important because you're a
triune being that you work out what's restful to your body, what's restful to your soul,
and what's restful to your spirit. So what's restful to my spirit is time alone with Jesus.
Or self-ginger. Right. Sorry, what's restful for my soul is usually either alone time or quality
time with a small group of friends and throw in video games as well. I'll put that in that
that bottle. So that's where I would put puttering and creative.
Right. What's restful for my body is actually I feel rested after physically exercising.
Yeah. So do I. Or massage. Or napping. Or sexy cuddle time. Or hot bath.
One of the things I love that we've learned to do over the years is planning rest.
Yeah. Is that whole adage of a few fail to plan? You plan to fail.
And that revelation that self care is not selfish.
Right.
That's really helped us plan times of rest.
Just like we plan every Sunday night, we record a podcast.
We also plan days of the week, Fridays are day off.
So we talk about what we're going to do with that that's going to be restful for us.
We try and take a night a week where it's off, where there's nobody and it's just us
and then we can unwind.
And then looking larger than that, you know, we're about to go to Mars my last day at Grey
Center until 2016.
We're off for two weeks.
I plan on doing absolutely no work-related stuff at all.
Right.
We might putter around the house and do some fun things.
Sure.
Yeah, but that's completely different.
I don't plan on doing any Grey Center work at all.
I'm just going to switch off.
I'm going to be with my kids as much as possible.
And that really comes to the last point I want to make, which is in your life you have
to evaluate is the pace of your life right now seasonal or is it a lifestyle?
Yeah. Like for us, the season of life that we're in is I can't, I don't think I've ever been busier.
No, it's been crazy.
Certainly since we moved to Nashville, this has been the craziest, most intense,
hard work season that we've been in. But I know I can endure it because I know it's a season
and I know that I rest tomorrow, like after tomorrow, boom, I'm resting for two weeks. So,
kind of like the joy set before me I've endured this season.
Right.
If this pace of life was our lifestyle, it would kill us.
But I realize, hey, it's a couple of months here, then break a couple of months
there, break, and then we're going to have to make major changes to the daily
pace of our life so that we can actually be there for children's graduation.
Right.
But I think what I think what some people do is they don't evaluate is the stress
I'm under is my need for rest a result of the season I'm in or the lifestyle I'm in.
If it's the lifestyle, you really need to make that your top priority or you will find
it will become your top priority.
Then what do you do to manage your season?
Right.
Yeah.
I think putting little pit stops along the season of fun things to rest would really,
really help.
Yeah.
And then I think also recognizing it's not so much about time management, it's about
energy management.
I'm not talking about this on the podcast before that will will are agreement to do social events is largely dependent on how much energy we have not if we have time available.
I have way more time than I have energy right and so it's just learning what's life to you learning what takes.
What makes you take what makes you take the answer busy and drop an extremely sad word i know i'm so email you.
can i read mark here i'm just passage from mark six times good mark six verse six then jesus went
around teaching from village to village calling the twelve to him he began to send them out
two by two and gave them authority over impure spirits so this is him you know gathen they're
all super excited verse twelve they went out and they preached that people should repent
they drove out many demons and anointed many sick people with oil and healed them so that's awesome
Verse 30, the apostles come back.
They're all super excited, says that the apostles
gather on Jesus and report him all they had done and taught.
Then, because so many people were coming and going,
that they did not even have a chance to eat,
he said to them, "Come with me by yourself
"to a quiet place and get some rest."
So there in the midst of successive ministry,
in the midst of busyness,
actually Jesus prioritizes rest over fruitfulness.
- Right.
- And so what's crazy is, verse 32,
So they went away by themselves in a boat to a solitary place, but many who saw them leaving
recognized them and ran on foot from all the towns and got there ahead of them.
When Jesus landed and saw a large crowd he had compassion on them.
And so this is actually the feeding with 5,000.
So then it does this huge miracle.
As soon as he's fed everybody, verse 45 it says, "Immediately Jesus made his disciples
get into the boat and go ahead of him to Bethsaida while he dismissed the crowd.
after leaving them, he went up on a mountain side to pray. So both times in that passage,
you see him prioritizing rest for his disciples and rest for himself. Both times in the midst
of craziness, both times in the midst of busyness, he didn't let the amount of work he had dictate
the amount of rest he took. Right.
And we need to take a leaf out of Jesus's playbook. That's a sports analogy.
A page out of his playbook?
All right, okay, we need to read the whole book.
[laughs]
I think, you know, it's funny.
I wrote an article a couple of years ago, it's on our website,
you go to alanonaj.com/rest.
It's all about the fact that the primary thing that Jesus wants to give us
is the one thing we don't actually place a high value on, which is rest.
In verse 29, Matthew 11, Jesus says this,
"Take my yoke upon you and learn from me,
for I am gentle and humble and hard and you will find rest for your souls.
And I mentioned in this article that I think it reveals two reasons why we don't choose rest.
The first is we simply haven't learned from Jesus because we don't know what he's really like.
Like in so much of the church is spending so much time striving and trying to earn God's love and favor and
absolutely because we don't realize that we're loved the way we are so we can't rest.
Right.
And so yeah, it's important you have a proper revelation of Jesus to enter rest.
I remember, I see if you remember this, when we had our first child, Abigail,
my mom flew over from Scotland for six weeks to stay well.
So it was amazing.
She did that with all her grandkids, just an amazing revelation of who my mom was.
But I remember when we had our first child, we were watching the West Wing.
Do you remember that?
Just to keep us saying we'd have a box set of DVDs and every time you were
breastfeeding, we'd put on a DVD and we'd just watch it because that's
seem to be like the baby was either eating or sleeping.
And I remember one night, so we're all watching this as a family, me, you, my
mom, my dad were there.
And we'd put in the, it'd been a long day.

Uh, you had a little bit of wind up before our abigal would wake up and we
just all plant down on the sofa.
We said, so we watched the West wing and we put in a DVD, the title
start and up jumps my mom.
And I'm like, mom, well, we're about to watch a movie.
And she said, "I must redeem the time for the Lord."
And I was like, "What are you talking about?"
- So she ironed.
- So she ironed while watching.
- Yeah.
- Because she wanted to--
- 'Cause she wasn't allowed to rest.
- Yeah.
So in one sense, whether you're American,
Welsh, European, or just Carol used to say,
"We've forgotten we're human beings and we've--
- Become human doing.
- Thank you.
- Yeah.
- And I think that's the truth.
It's not our innate position to rest,
which is why Jesus wants to give us it.
All right, two things that might help as we wrap this up.
One, the article I just talked about,
go to lnag.com/rest, it won't take you long to read.
And then our boundary teaching will absolutely help you
say no so you can say yes to rest.
- Yes, if you haven't heard it, it is amazing
and it's extremely helpful,
especially heading into the holidays,
but just in life in general,
and especially, especially, especially if you're in ministry.
You need to understand boundaries.
It will help you immensely.
And you can go download that now and just listen to it immediately.
Go to lnaj.com/82 for this week's show notes.
We'll put a link to the boundary teaching in that note.
So Jill, I hope that was helpful.
I hope that was helpful for everybody else who tuned in to listen to our answer for Jill.
We hope you have an amazing Christmas.
Age and I want to ask two things of you at the season of gifts and giving.
Number one, if you haven't already, could we ask you to go to iTunes and leave us a review?
Not only is it a huge encouragement for us personally, but it helps iTunes notice the audience engagement, which means they can promote the podcast more, which means we can reach more people.
Yay!
Number two, would anyone out there be interested in hearing us record this live?
Alan was mentioning that we record it and then we edit it and then we post it, but there's nothing to stop us from making a raw live feed available.
the idea terrifies me, but there's nothing to stop us.
- The only thing that would stop us is half our audience
will be asleep.
- Yeah.
- And we don't want to encourage people not to rest.
- No.
- So maybe we shouldn't do that.
- We record about 7 p.m.
Central Standard Time in America.
That means most of Europe is asleep.

But we wondered if you would be interested,
If there's interest in being able to tune in live,
and you probably get a different show live,
you do edit it.
- I think that would be safe to say.
- You would hit us up, just reach out to us via Facebook
or Twitter or Instagram, whatever,
and let us know if that's something you would like,
and we can easily make that happen.
I think that could be quite fun,
and/or quite stressful.
- Yeah, exactly.
And lastly, join us next week for the last podcast of 2015,
where we're gonna do fun things
but I'm not allowed to tell you about right now.
But for now, we pray that you have a wonderful Christmas
filled with joy, peace, and revelation of God's love
in Jesus' presence.
- We hope you have an amazing Christmas
and we will be with you next week.
Like I just said, it's the last podcast of 2015.
Merry Christmas, everyone.


what is Haxcv ?
Haxcv is Javascript framework based on the idea of ease of work and flexibility in the implementation of projects with new features that enable you to write HTML with Javascript through a technique called jsH It also contains all the components you need as a developer
what should I know first ?
You must have a background or knowledge about HTML, Javascript, CSS
You must have a background or knowledge about JSON
what it's new ?
with jsH you can control with content by Javascript Expression
another word you don't need to use DOM Selector to render Content
jsH is working like server side language .
anything in Javascript can be use in jsH
https://haxcv.org
https://haxcv.com/haxcv/haxcv-mvc
Node : {@process.version@}
}}
%}


Learn more about CSS Gridish.
Also check out our examples of CSS Gridish making grid code for Bootstrap and Material.


The only thing plain about our food and restaurants is the name of the town in which we're located. If we had our say, our address would read "Exquisitefield".
Vita Bella - North
Plainfield/Naperville
12443 S. Rt. 59
Plainfield, IL 60585
Delivery to:
Naperville, Plainfield, Romeoville and Bolingbrook.
Hours: Sunday-Thursday: 11:00 A.M. -- 10:00 P.M. Friday-Saturday: 11:00 A.M. -- 11:00 P.M.
Vita Bella - South
Plainfield/Shorewood
2215 S. Route 59
Plainfield, IL 60586
Delivery to:
Plainfield, Shorewood, Joliet and Cresthill
Hours: Sunday-Thursday: 11:00 A.M. -- 10:00 P.M. Friday-Saturday: 11:00 A.M. -- Midnight


ICME 2016 Reception
Time: 18:30 - 22:00, Monday, July 11th, 2016
Location: Space Needle
Commute options between Westin Hotel and Space Needle:
- Monorail: The recommend commute option is Seattle Monorail. It departs every 10 minutes between Space Needle and Westlake Center, which is a 3-5 min walk from the Westin Hotel (see the map below). There are no other stops. It closes at 11pm during the summer. One-way ticket for adult is $2.25 and roundtrip is $4.5. Cash only.
- Walk: It's about a 20-minute walk one way. It should be a pleasant walk both ways as the sunset is 9:06pm and it won't become dark until 10:40pm. The chance of rain is very low. Erring on the side of caution, we recommend walk in small groups back to the hotel. The walk map is shown below:
- Car: It's a short 6-min drive. Parking at Space Needle could be expensive so we recommend using Uber or cab services. uberX costs around $6 and cab around $10.
ICME 2016 Banquet
Time: 19:00 - 22:00, Wednesday, July 13, 2016
Location: Westin Hotel, Grand Ballroom
|


This is the raw data generated by the model.
It will change based on on settings entered on the Settings tab and the Proposed System tab.
Because the table contains a large number of columns, we do not recommend viewing this data in your browser.
Instead, download the data to view by using the "Download CSV" button on the top right of this tab.
It can then be viewed in spreadsheet software such as Microsoft Excel, Google Sheets, OpenOffice Calc, etc.


CHALLENGER
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Take a picture of yourself sticking your tongue out.
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| 1 | /* =========================================================== | |
| 2 | * JFreeChart : a free chart library for the Java(tm) platform | |
| 3 | * =========================================================== | |
| 4 | * | |
| 5 | * (C) Copyright 2000-2008, by Object Refinery Limited and Contributors. | |
| 6 | * | |
| 7 | * Project Info: http://www.jfree.org/jfreechart/index.html | |
| 8 | * | |
| 9 | * This library is free software; you can redistribute it and/or modify it | |
| 10 | * under the terms of the GNU Lesser General Public License as published by | |
| 11 | * the Free Software Foundation; either version 2.1 of the License, or | |
| 12 | * (at your option) any later version. | |
| 13 | * | |
| 14 | * This library is distributed in the hope that it will be useful, but | |
| 15 | * WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABILITY | |
| 16 | * or FITNESS FOR A PARTICULAR PURPOSE. See the GNU Lesser General Public | |
| 17 | * License for more details. | |
| 18 | * | |
| 19 | * You should have received a copy of the GNU Lesser General Public | |
| 20 | * License along with this library; if not, write to the Free Software | |
| 21 | * Foundation, Inc., 51 Franklin Street, Fifth Floor, Boston, MA 02110-1301, | |
| 22 | * USA. | |
| 23 | * | |
| 24 | * [Java is a trademark or registered trademark of Sun Microsystems, Inc. | |
| 25 | * in the United States and other countries.] | |
| 26 | * | |
| 27 | * -------------------- | |
| 28 | * PlotChangeEvent.java | |
| 29 | * -------------------- | |
| 30 | * (C) Copyright 2000-2008, by Object Refinery Limited. | |
| 31 | * | |
| 32 | * Original Author: David Gilbert (for Object Refinery Limited); | |
| 33 | * Contributor(s): -; | |
| 34 | * | |
| 35 | * Changes (from 24-Aug-2001) | |
| 36 | * -------------------------- | |
| 37 | * 24-Aug-2001 : Added standard source header. Fixed DOS encoding problem (DG); | |
| 38 | * 07-Nov-2001 : Updated header (DG); | |
| 39 | * 09-Oct-2002 : Fixed errors reported by Checkstyle (DG); | |
| 40 | * 17-Jan-2003 : Moved plot classes to a separate package (DG); | |
| 41 | * | |
| 42 | */ | |
| 43 | ||
| 44 | package org.jfree.chart.event; | |
| 45 | ||
| 46 | import org.jfree.chart.plot.Plot; | |
| 47 | ||
| 48 | /** | |
| 49 | * An event that can be forwarded to any | |
| 50 | * {@link org.jfree.chart.event.PlotChangeListener} to signal a change to a | |
| 51 | * plot. | |
| 52 | */ | |
| 53 | public class PlotChangeEvent extends ChartChangeEvent { | |
| 54 | ||
| 55 | /** The plot that generated the event. */ | |
| 56 | private Plot plot; | |
| 57 | ||
| 58 | /** | |
| 59 | * Creates a new PlotChangeEvent. | |
| 60 | * | |
| 61 | * @param plot the plot that generated the event. | |
| 62 | */ | |
| 63 | public PlotChangeEvent(Plot plot) { | |
| 64 | super(plot); | |
| 65 | this.plot = plot; | |
| 66 | } | |
| 67 | ||
| 68 | /** | |
| 69 | * Returns the plot that generated the event. | |
| 70 | * | |
| 71 | * @return The plot that generated the event. | |
| 72 | */ | |
| 73 | public Plot getPlot() { | |
| 74 |
1
1. getPlot : mutated return of Object value for org/jfree/chart/event/PlotChangeEvent::getPlot to ( if (x != null) null else throw new RuntimeException ) → NO_COVERAGE |
return this.plot; |
| 75 | } | |
| 76 | ||
| 77 | } | |
Mutations | ||
| 74 |
1.1 |


SVG Generator: SVGGraphics2D
As SVG is emerging as a promising graphics format for a wide range of domains and applications, bridging it with Java becomes important. This page explains how Batik’s SVGGraphics2D, referred to as the SVG Generator, makes this possible.
The SVGGraphics2D class
On the Java platform, all rendering goes through the Graphics2D abstract class, which offers methods such as drawRect, fillRect, and drawString. There are specialized implementations of this abstract class for each type of output, such as a screen or a printer. SVGGraphics2D is a new implementation of that interface that generates SVG content instead of drawing to a screen or a printer.
SVGGraphics2D has the following features:
- it allows applications to export their graphics into SVG format,
- it does not require any modification of the graphics code to export to SVG, and
- it offers the user the ability to use the DOM API to manipulate the generated document.
The above figure shows how the generator works with the DOM API. The W3C has defined an API for representing XML content with a Java object. That API allows programmers to manipulate, create, and/or modify XML content in memory. The DOM API contains interfaces such as Document, Element, and Attr, which model the Java programming language equivalent of XML documents, elements and attributes.
The generator manages a tree of DOM objects that represent the SVG content corresponding to the rendering calls made on the SVGGraphics2D instance. In other words, every time a program invokes a rendering method, such as fillRect, on a SVGGraphics2D instance, a new DOM object, representing the SVG equivalent, is appended to the DOM tree. For example, a rect element will be appended after the fillRect method has been invoked).
The programmer, using this generator, can then access the DOM tree to further manipulate it or can directly write the content to an output stream, as we see in the following section.
How to use SVGGraphics2D
From the figure in the previous section we can see that in order for an instance of SVGGraphics2D to build the SVG content (the DOM tree), an instance of a Document class is needed. The DOM tree is an in-memory representation of the SVG document, which can be further manipulated by the user using DOM API or be streamed out by a Writer object.
The following example program demonstrates how to generate SVG content from Java graphics.
import java.awt.Rectangle; import java.awt.Graphics2D; import java.awt.Color; import java.io.Writer; import java.io.OutputStreamWriter; import java.io.IOException; import org.apache.batik.svggen.SVGGraphics2D; import org.apache.batik.dom.GenericDOMImplementation; import org.w3c.dom.Document; import org.w3c.dom.DOMImplementation; public class TestSVGGen { public void paint(Graphics2D g2d) { g2d.setPaint(Color.red); g2d.fill(new Rectangle(10, 10, 100, 100)); } public static void main(String[] args) throws IOException { // Get a DOMImplementation. DOMImplementation domImpl = GenericDOMImplementation.getDOMImplementation(); // Create an instance of org.w3c.dom.Document. String svgNS = "http://www.w3.org/2000/svg"; Document document = domImpl.createDocument(svgNS, "svg", null); // Create an instance of the SVG Generator. SVGGraphics2D svgGenerator = new SVGGraphics2D(document); // Ask the test to render into the SVG Graphics2D implementation. TestSVGGen test = new TestSVGGen(); test.paint(svgGenerator); // Finally, stream out SVG to the standard output using // UTF-8 encoding. boolean useCSS = true; // we want to use CSS style attributes Writer out = new OutputStreamWriter(System.out, "UTF-8"); svgGenerator.stream(out, useCSS); } }
We can see that generating SVG content from our TestSVGGen instance is a three step process:
-
Create an instance of org.w3c.dom.Document that the generator will use to build its XML content, and create an SVG generator using the Document instance.
// Get a DOMImplementation. DOMImplementation domImpl = GenericDOMImplementation.getDOMImplementation(); // Create an instance of org.w3c.dom.Document. String svgNS = "http://www.w3.org/2000/svg"; Document document = domImpl.createDocument(svgNS, "svg", null); // Create an instance of the SVG Generator. SVGGraphics2D svgGenerator = new SVGGraphics2D(document);
-
Invoke the rendering code on our SVG generator. In our example, we invoke TestSVGGen‘s paint method:
// Ask the test to render into the SVG Graphics2D implementation. TestSVGGen test = new TestSVGGen(); test.paint(svgGenerator);
-
Stream out the SVG content. The SVG generator can stream its content into any java.io.Writer. In our example, we stream the content to the standard output stream:
// Finally, stream out SVG to the standard output using // UTF-8 encoding. boolean useCSS = true; // we want to use CSS style attributes Writer out = new OutputStreamWriter(System.out, "UTF-8"); svgGenerator.stream(out, useCSS);
SVG has two ways to specify styling properties, such as the fill color: presentation attributes (one XML attribute per property) or the CSS style attribute (any number of properties in one CSS inline stylesheet). The useCss parameter allows the user to control that option.
SVG Generator customization
In the previous section, we have just seen that the SVG generation process can be customized to output SVG styling properties as presentation attributes or CSS inline stylesheets. In this section we will talk about some examples of more advanced customizations.
Instead of creating the SVGGraphics2D just by using the Document that will be used as a factory for creating the SVG elements, we can use the constructor that uses an SVGGeneratorContext instance. By providing your own SVGGeneratorContext instance, you will be able to do advanced customization. You will find below several examples of possible customizations.
Have your own comment in the generated SVG file
We begin with the simplest possible example. If you integrate the Batik SVG generator in your own Java application, you may want to specialize the comment generated in the XML code.
DOMImplementation impl = GenericDOMImplementation.getDOMImplementation(); String svgNS = "http://www.w3.org/2000/svg"; Document myFactory = impl.createDocument(svgNS, "svg", null); SVGGeneratorContext ctx = SVGGeneratorContext.createDefault(myFactory); ctx.setComment("Generated by FooApplication with Batik SVG Generator"); SVGGraphics2D g2d = new SVGGraphics2D(ctx, false);
Use embedded SVG Fonts in the generated SVG file
In order to have a self-contained SVG file that doesn't have to use system fonts to be displayed, you can embed the fonts you used for drawing strings in the SVG file through the SVG fonts facility.
DOMImplementation impl = GenericDOMImplementation.getDOMImplementation(); String svgNS = "http://www.w3.org/2000/svg"; Document myFactory = impl.createDocument(svgNS, "svg", null); SVGGeneratorContext ctx = SVGGeneratorContext.createDefault(myFactory); ctx.setEmbeddedFontsOn(true); SVGGraphics2D g2d = new SVGGraphics2D(ctx, true);
Customizing the way images are stored
Every time you call one of the drawImage methods provided by the Graphics2D interface, a default representation of your image is created in a location and put in a default file. For instance, a base64 encoding is created and embedded in the SVG file by default. Alternatively, you can choose to have your images written to separate files in a predefined directory, in one of the two raster formats required by the SVG specification: JPEG or PNG.
You can change the default behavior by explicitly providing the image handler to be used by the SVG generator. Once again, you use the SVGGeneratorContext for this. In the example below, all images are converted to PNG format and written to directory res/images.
DOMImplementation impl = GenericDOMImplementation.getDOMImplementation(); String svgNS = "http://www.w3.org/2000/svg"; Document myFactory = impl.createDocument(svgNS, "svg", null); SVGGeneratorContext ctx = SVGGeneratorContext.createDefault(myFactory); GenericImageHandler ihandler = new ImageHandlerPNGEncoder("res/images", null); ctx.setImageHandler(ihandler); SVGGraphics2D g2d = new SVGGraphics2D(ctx, false);
Using the default image handlers results in a new copy of the image data being written to the SVG file or an external file, for every single drawImage call. If you use the same images over and over again, then this may result in an SVG file containing a lot of redundant data. At the price of a slight performance penalty during initial generation of the SVG DOM tree, you can choose to have your image data reused. For this you use a specialized image handler, as shown below.
DOMImplementation impl = GenericDOMImplementation.getDOMImplementation(); String svgNS = "http://www.w3.org/2000/svg"; Document myFactory = impl.createDocument(svgNS, "svg", null); SVGGeneratorContext ctx = SVGGeneratorContext.createDefault(myFactory); // Reuse our embedded base64-encoded image data. GenericImageHandler ihandler = new CachedImageHandlerBase64Encoder(); ctx.setGenericImageHandler(ihandler); SVGGraphics2D g2d = new SVGGraphics2D(ctx, false);
With the caching image handlers, it is even possible to reuse the same copy of your image data across several different SVG documents. Just keep a reference to the image handler, and pass it to the SVGGraphics2D instance used for generating the SVG DOM tree. The following simplified example shows how different SVG trees might be created by separate SVG generators, efficiently storing any common images just once.
class MySVGGenerator { // The image handler will write all images files to "res/images". private static ImageHandler ihandler = new CachedImageHandlerPNGEncoder("res/images", null); public void generateSVG(JPanel myCanvas, OutputStream outStream) { DOMImplementation domImpl = GenericDOMImplementation.getDOMImplementation(); Document myFactory = domImpl.createDocument(svgNS, "svg", null); SVGGeneratorContext ctx = SVGGeneratorContext.createDefault(myFactory); ctx.setGenericImageHandler(ihandler); SVGGraphics2D svgGenerator = new SVGGraphics2D(ctx, false); // Create the SVG DOM tree. myCanvas.paintComponent(svgGenerator); Writer out = new OutputStreamWriter(outStream, "UTF-8"); svgGenerator.stream(out, true); } }
Customizing the generated SVG style
Your needs in matter of styling may be different from the two provided options (XML presentation attributes or CSS inline stylesheets). For example, you may want to put the CSS properties in a SVG style element section and reference them through the class attribute. In this case you will need to define a new StyleHandler as below.
public class StyleSheetStyleHandler implements StyleHandler { // The CDATA section that holds the CSS stylesheet. private CDATASection styleSheet; // Build the handler with a reference to the stylesheet section. public StyleSheetStyleHandler(CDATASection styleSheet) { this.styleSheet = styleSheet; } public void setStyle(Element element, Map styleMap, SVGGeneratorContext generatorContext) { Iterator iter = styleMap.keySet().iterator(); // Create a new class in the style sheet. String id = generatorContext.getIDGenerator().generateID("C"); styleSheet.appendData("."+ id +" {"); // Append each key/value pair. while (iter.hasNext()) { String key = (String) iter.next(); String value = (String) styleMap.get(key); styleSheet.appendData(key + ":" + value + ";"); } styleSheet.appendData("}\n"); // Reference the stylesheet class on the element to be styled. element.setAttributeNS(null, "class", id); } }
Then you can create and use an SVGGraphics2D with a correctly configured SVGGeneratorContext.
// Configure the SVGGraphics2D for a given Document myFactory. SVGGeneratorContext ctx = SVGGeneratorContext.createDefault(myFactory); CDATASection styleSheet = myFactory.createCDATASection(""); ctx.setStyleHandler(new StyleSheetStyleHandler(styleSheet)); SVGGraphics2D g2d = new SVGGraphics2D(ctx, false); // Use the g2d to draw (e.g., component.paint(g2d)). // Add a stylesheet to the definition section. SVGSVGElement root = (SVGSVGElement) g2d.getRoot(); Element defs = root.getElementById(SVGSyntax.ID_PREFIX_GENERIC_DEFS); Element style = myFactory.createElementNS (SVGSyntax.SVG_NAMESPACE_URI, SVGSyntax.SVG_STYLE_TAG); style.setAttributeNS(null, SVGSyntax.SVG_TYPE_ATTRIBUTE, "text/css"); style.appendChild(styleSheet); defs.appendChild(style); // Dump the root content to a given Writer myWriter. g2d.stream(root, myWriter);
Extending Paint object to SVG element translation
The SVGGraphics2D is able to generate SVG elements for generic Java 2D objects, but you sometimes have your own classes such as implementations of the Java 2D Paint interface. In this case, you will need to write an ExtensionHandler that you will set on your SVGGeneratorContext.
In the following example we define the first draft of an ExtensionHandler allowing to translate a Batik implementation of the Paint interface named LinearGradientPaint.
class MyExtensionHandler extends DefaultExtensionHandler { public SVGPaintDescriptor handlePaint(Paint paint, SVGGeneratorContext generatorCtx) { if (paint instanceof LinearGradientPaint) { LinearGradientPaint gradient = (LinearGradientPaint) paint; // Create a new SVG 'linearGradient' element to represent the // LinearGradientPaint being used. String id = generatorCtx.getIDGenerator().generateID("gradient"); Document doc = generatorCtx.getDOMFactory(); Element grad = doc.createElementNS (SVGSyntax.SVG_NAMESPACE_URI, SVGSyntax.SVG_LINEAR_GRADIENT_TAG); // Set the relevant attributes on the 'linearGradient' element. grad.setAttributeNS(null, SVGSyntax.SVG_ID_ATTRIBUTE, id); grad.setAttributeNS(null, SVGSyntax.SVG_GRADIENT_UNITS_ATTRIBUTE, SVGSyntax.SVG_USER_SPACE_ON_USE_VALUE); Point2D pt = gradient.getStartPoint(); grad.setAttributeNS(null, "x1", pt.getX()); grad.setAttributeNS(null, "y1", pt.getY()); pt = gradient.getEndPoint(); grad.setAttributeNS(null, "x2", pt.getX()); grad.setAttributeNS(null, "y2", pt.getY()); switch (gradient.getCycleMethod()) { case MultipleGradientPaint.REFLECT: grad.setAttributeNS (null, SVGSyntax.SVG_SPREAD_METHOD_ATTRIBUTE, SVGSyntax.SVG_REFLECT_VALUE); break; case MultipleGradientPaint.REPEAT: grad.setAttributeNS (null, SVGSyntax.SVG_SPREAD_METHOD_ATTRIBUTE, SVGSyntax.SVG_REPEAT_VALUE); break; // 'pad' is the default... } // Here we should write the transform of the gradient // in the transform attribute... // Here we should write the stops of the gradients as // children elements... return new SVGPaintDescriptor ("url(#" + ref + ")", SVGSyntax.SVG_OPAQUE_VALUE, grad); } else { // Let the default mechanism do its job. return null; } } }
You should then set it on the SVGGeneratorContext by using the setExtensionHandler method.
SVGGeneratorContext ctx = SVGGeneratorContext.createDefault(myFactory); ctx.setExtensionHandler(new MyExtensionHandler()); SVGGraphics2D g2d = new SVGGraphics2D(ctx, false);
How to view the generated SVG document
The following code example illustrates how to view the SVG content generated by an SVGGraphics2D object.
import java.awt.*; import java.awt.geom.*; import javax.swing.*; import org.apache.batik.swing.*; import org.apache.batik.svggen.*; import org.apache.batik.dom.svg.SVGDOMImplementation; import org.w3c.dom.*; import org.w3c.dom.svg.*; public class ViewGeneratedSVGDemo { public static void main(String[] args) { // Create an SVG document. DOMImplementation impl = SVGDOMImplementation.getDOMImplementation(); String svgNS = SVGDOMImplementation.SVG_NAMESPACE_URI; SVGDocument doc = (SVGDocument) impl.createDocument(svgNS, "svg", null); // Create a converter for this document. SVGGraphics2D g = new SVGGraphics2D(doc); // Do some drawing. Shape circle = new Ellipse2D.Double(0, 0, 50, 50); g.setPaint(Color.red); g.fill(circle); g.translate(60, 0); g.setPaint(Color.green); g.fill(circle); g.translate(60, 0); g.setPaint(Color.blue); g.fill(circle); g.setSVGCanvasSize(new Dimension(180, 50)); // Populate the document root with the generated SVG content. Element root = doc.getDocumentElement(); g.getRoot(root); // Display the document. JSVGCanvas canvas = new JSVGCanvas(); JFrame f = new JFrame(); f.getContentPane().add(canvas); canvas.setSVGDocument(doc); f.pack(); f.setVisible(true); } }


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The content is {{greeting.content}}
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Sagittarius Symbol
The symbol for Sagittarius represents an arrow, that is clear, but there are several different views on it. On one hand, an arrow is our drive, with an important part of this symbol hidden in the cross at the bottom of the arrow. This connects our drive and focus on a certain thing, in a certain direction, with the Earth, challenging the sign for grounding and awareness of what’s real and what isn’t. On the other hand, the symbol was supposed to represent a warrior in a simplified version of his weapon, pointing to our aggressive, animalistic nature.
Sagittarius Ruler
The sign of Sagittarius is ruled by Jupiter, also a planet that is the traditional ruler of Pisces. Jupiter was the Roman god of the sky and thunder, and the king of all gods. He was depicted holding a thunderbolt and his sacred animal is the Eagle (Aquila). The Greek counterpart for this deity was Zeus
Sagittarius Ruler
The symbol for Jupiter represents a thunderbolt or an Eagle. It is also a combination of numbers 2 and 1, giving a final 4 with a crescent on top. The crescent over the cross represents the mind rising above the horizon of matter, while the symbolism of the numbers speaks of the same thing. Number 4 is ruled by Saturn, a deity that had to be overcome by his son in order to be stopped. From another perspective, number 2 overcame number one, meaning that the Moon should come before the Sun, the feminine and tender, before the masculine and fiery. It also hides the saying that two heads are smarter than one, and speaks of all oppositions of the zodiac.


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148. B-Station
time limit per test: 0.2 sec.
memory limit per test: 1024
KB
input: standard input
output: standard
output
There is a half-waterlogged underwater station not far from the
famous country Berland. The station consists of N levels. The following
information is known about each level: Wi - the weigth of water on i-th before
the act of terrorism, Li - the weight of water the i-th level can hold, and Pi -
amount of money terrorist are required to depressurize i-th level. All the water
from the depressurized level pours to the next level. If the weight of the water
on i-th level is more then Li, then it becomes depressurized. The terrorists
from Pivland want to depressurize the last (N-th) level spending the least
amount of money. They hired you to do this.
Input
The first line of input contains the natural number N
(1<=N<=15000). Each of the following N lines contains 3 numbers Wi, Li, Pi
(0<=Wi,Li,Pi<=15000).
Output
Write to the output the numbers of levels, which must be
depressurized.
Sample test(s)
Input
3
1000 1000 1
0 1000 2
2 10 100
Output
1
2
| Author: |
Andrew V. Lazarev |
| Resource: |
Saratov Regional Olympiad, 2002 |
| Date: |
Spring, 2002
|
| Server time: 2004-01-13 17:07:50 |
Online Contester Team © 2002 - 2003. All
rights
reserved. | | |


Jane_the_Virgin
When Jane Villanueva was a young girl, her grandmother, Alba, convinced her of two things: telenovelas are the highest form of entertainment, and women must protect their virginity at all costs. Jane the Virgin, although she has always tried to be the good girl who does the right thing, Jane's life has suddenly become as dramatic and complicated as the telenovelas she has always loved.


Class: Rake::SprocketsTask
| Relationships & Source Files | |
| Super Chains via Extension / Inclusion / Inheritance | |
|
Class Chain:
self,
Rake::TaskLib
|
|
|
Instance Chain:
self,
Rake::TaskLib
|
|
| Inherits: |
Rake::TaskLib
|
| Defined in: | lib/rake/sprocketstask.rb |
Overview
Simple Sprockets compilation ::Rake
task macro.
Rake::SprocketsTask.new do |t|
t.environment = Sprockets::Environment.new
t.output = "./public/assets"
t.assets = %w( application.js application.css )
end
Class Method Summary
Instance Attribute Summary
-
#age
rw
Assets created within this age will be kept.
-
#assets
rw
Array of asset logical paths to compile.
-
#environment
rw
Environment
instance used for finding assets. - #environment=(value) rw
-
#keep
rw
Minimum number of old assets to keep.
-
#log_level
rw
Returns logger level Integer.
-
#log_level=(level)
rw
Set logger level with constant or symbol.
-
#logger
rw
Logger to use during rake tasks.
-
#manifest
rw
Manifest
instance used for already compiled assets. - #manifest=(value) rw
-
#name
rw
Name of the task.
-
#output
rw
Directory to write compiled assets too.
Instance Method Summary
-
#cached
(also: #index)
Returns cached cached environment.
-
#define
Define tasks.
-
#index
Alias for #cached.
-
#with_logger
private
Sub out environment logger with our rake task logger that writes to stderr.
Constructor Details
.new(name = :assets) {|_self| ... } ⇒ SprocketsTask
# File 'lib/rake/sprocketstask.rb', line 102
def initialize(name = :assets) @name = name @environment = lambda { Sprockets::Environment.new(Dir.pwd) } @manifest = lambda { Sprockets::Manifest.new(cached, output) } @logger = Logger.new($stderr) @logger.level = Logger::INFO @keep = 2 @age = 3600 yield self if block_given? define end
Instance Attribute Details
#age (rw)
Assets created within this age will be kept. See Sprockets::Manifest#clean for more information.
# File 'lib/rake/sprocketstask.rb', line 76
attr_accessor :age
#assets (rw)
Array of asset logical paths to compile.
t.assets = %w( application.js jquery.js application.css )
# File 'lib/rake/sprocketstask.rb', line 70
attr_accessor :assets
#environment (rw)
Environment
instance used for finding assets.
You’ll most likely want to reassign environment
to your own.
Rake::SprocketsTask.new do |t|
t.environment = Foo::Assets
end
#environment=(value) (rw)
[ GitHub ]# File 'lib/rake/sprocketstask.rb', line 39
attr_writer :environment
#keep (rw)
Minimum number of old assets to keep. See Sprockets::Manifest#clean for more information.
# File 'lib/rake/sprocketstask.rb', line 73
attr_accessor :keep
#log_level (rw)
Returns logger level Integer.
# File 'lib/rake/sprocketstask.rb', line 85
def log_level @logger.level end
#log_level=(level) (rw)
[ GitHub ]# File 'lib/rake/sprocketstask.rb', line 94
def log_level=(level) if level.is_a?(Integer) @logger.level = level else @logger.level = Logger.const_get(level.to_s.upcase) end end
#logger (rw)
Logger to use during rake tasks. Defaults to using stderr.
t.logger = Logger.new($stdout)
# File 'lib/rake/sprocketstask.rb', line 82
attr_accessor :logger
#manifest (rw)
Manifest
instance used for already compiled assets.
Will be created by default if an environment and output directory are given
#manifest=(value) (rw)
[ GitHub ]# File 'lib/rake/sprocketstask.rb', line 58
attr_writer :manifest
#name (rw)
Name of the task. Defaults to “assets”.
The name will also be used to suffix the clean and clobber tasks, “clean_assets” and “clobber_assets”.
# File 'lib/rake/sprocketstask.rb', line 22
attr_accessor :name
#output (rw)
Directory to write compiled assets too. As well as the manifest file.
t.output = "./public/assets"
# File 'lib/rake/sprocketstask.rb', line 64
attr_accessor :output
Instance Method Details
#cached Also known as: #index
Returns cached cached environment
# File 'lib/rake/sprocketstask.rb', line 42
def cached @cached ||= environment.cached if environment end
#define
Define tasks
# File 'lib/rake/sprocketstask.rb', line 117
def define desc name == :assets ? "Compile assets" : "Compile #{name} assets" task name do with_logger do manifest.compile(assets) end end desc name == :assets ? "Remove all assets" : "Remove all #{name} assets" task "clobber_#{name}" do with_logger do manifest.clobber end end task clobber: ["clobber_#{name}"] desc name == :assets ? "Clean old assets" : "Clean old #{name} assets" task "clean_#{name}" do with_logger do manifest.clean(keep, age) end end task clean: ["clean_#{name}"] end
#index
Alias for #cached.
# File 'lib/rake/sprocketstask.rb', line 45
alias_method :index, :cached
#with_logger (private)
Sub out environment logger with our rake task logger that writes to stderr.
# File 'lib/rake/sprocketstask.rb', line 147
def with_logger if env = manifest.environment old_logger = env.logger env.logger = @logger end yield ensure env.logger = old_logger if env end