| 862 | (A) | and chargede thaym chefly for chances þat myghte fałłe |
| 866 | (C) | ¶ He chargede hem styfely . for chaunce þat may falle |
| (D) | ---- no text ---- | |
| (E) | ---- no text ---- | |
| (Ex) | ---- no text ---- | |
| 882 | (L) | he chargeþ hem chersly for chaunce þat may falle |
| 801 | (P) | He scharged þaim for ałł chaunce als a chyftan sulde |
| 836 | (U) | Charged hem ful styfly / for charge that may happe |
| (V) | ---- no text ---- |


These portfolio items are definitely not my best work, but they highlight the projects that we have worked on in class so far. I will update these when I have more projects to share!
My-Pet-Webpage is a simple webpage about my pets that was created in class.
This project was made using:
The Resort webpage is a simple webpage for an investor's private island built to practice branching.
This project was made using:
The Vacation website is a simple website build to display Bootstrap capabilities.
This project was made using:
I graduated from University of Oregon in 2010 with a degree in Political Science. After school, I took a position with a company in Beaverton, Oregon, where I monitored a whistle-blower hotline. In that position, I helped people anonymously report ethics, compliance, legal, and human resorce issues happening in their workplace. The work was fascinating, but I quickly burned out. From there, I took a position with a construction company's safety department where I managed OSHA compliance. I investigated construction accidents, compiled root cause analysis reports, and helped make the workplace a safer place.
In 2017, I was really bored with my job and really dreaded doing something similar for a different company, so I began to look around for other prospects. A friend's boyfriend had taken classes at Epicodus in Seattle and recommended the program. So, I decided to just go for it. My friends and family were a little skeptical, but supportive. And now I'm here!
On the side, I teach yoga a couple nights a week. I also enjoy:
Life is good!


Learn China Different Cities' University Rankings
Learn MoreFind a ProgramChinese Course MBBS Course Undergraduate Course Postgraduate Course Summer Camp/Winter Camp Program Lists |
CUCAS ServicesUniversity Application Accommodation Airport Pick Up Money Transfer China University Scholarships China University Search Engine China University Ranking |
About CUCASWhy CUCAS is Trustworthy Introduction to CUCAS Job Opportunities / Internships Contact Us |
STAY CONNECTED!Receive a weekly newsletter packed with useful tips and updates to prepare you for studying abroad |
|---|


Shuffle Calc
Number of cards:
Number of riffle shuffles:
Formula: 3/2 * Log
2
(n)
Shuffle input (seperate with commas or spaces):
Shuffle
Shuffled output:
Copy URL
Copied URL


Not yet available
Not yet available
Snapshot archives will unpack into directories named after the snapshot version, so multiple snapshots can easily be installed side by side in the same directory.
The very latest code is also available from the source code repository.


Thank you for participating in this project. BusMall would like your help to determine which products will be most marketable in the Puget Sound region. Below you will find three(3) images. Simply click on the one that you would be most likely to consider purchasing. Every time you make a choice you will see a new set of three(3) choices, until you have made 25 choices. After you have made 25 choices you will be shown the results of your choices added together with all other participants in this trial so far.
We appriciate your help!


This documentation relates to Opera's now deprecated .oex Extension API framework for Opera versions <= 12.15 and also provided by our OEX2NEX shim library.
For the latest Opera Extensions API documentation for Opera versions > 12.15 please consult the latest Opera Extensions API documentation online.
Adds a rule to the virtual list of blocked URLs (blacklist).
Note that allowed rules have priority over blocked rules.
rule
: The rule (e.g. domain) to block.void add (<DOMString> rule)
In this example, domains to be blocked are stored in the extension's preferences, and then retrieved and added to the filter's blocking rules.
<!--
The configuration file ('config.xml').
-->
<?xml version='1.0' encoding='utf-8'?>
<widget xmlns="http://www.w3.org/ns/widgets">
...
<feature name="opera:urlfilter"/>
</widget>
//
// The background process (e.g. index.html)
//
// Store and retrieve a list of URLs in the extension's preferences
widget.preferences['blacklist'] = ['http://opera.com/*', 'http://*.opera.com/*'];
var blacklist = widget.preferences['blacklist'].split(',');
// Assign the URLFilter object to a variable for efficiency
var filter = opera.extension.urlfilter;
// Loop through the array of sites and add each one to the "block" list
for (var i = 0, len = blacklist.length; i < len; i++) {
filter.block.add(blacklist[i]);
}
The following functionality is currently in production, and only available to test in an experimental build of Opera desktop. To download the experimental build, see Desktop build with new extension APIs: Screenshot, Resource Loader and URL Filter.
rule
: The rule (e.g. domain) to allow.options
: Options to specify conditions for the given rule.void add (DOMString rule, RuleOptions options)
The following example blocks all content from the google.com but only when it appears in a third-party domain (i.e. not google.com).
<!--
The configuration file ('config.xml').
-->
<?xml version='1.0' encoding='utf-8'?>
<widget xmlns="http://www.w3.org/ns/widgets">
...
<feature name="opera:urlfilter"/>
</widget>
//
// The background process (e.g. index.html)
//
if (typeof opera.extension.urlfilter != 'undefined') {
// Set the options for the filter rule
var ruleOptions = {
thirdParty: true
}
opera.extension.urlfilter.block.add('||google.com/*', ruleOptions);
}


func AddEdge(caller *Node, site ssa.CallInstruction, callee *Node)
AddEdge adds the edge (caller, site, callee) to the call graph. Elimination of duplicate edges is the caller's responsibility.
func CalleesOf(caller *Node) map[*Node]bool
CalleesOf returns a new set containing all direct callees of the caller node.
func GraphVisitEdges(g *Graph, edge func(*Edge) error) error
GraphVisitEdges visits all the edges in graph g in depth-first order. The edge function is called for each edge in postorder. If it returns non-nil, visitation stops and GraphVisitEdges returns that value.
A Edge represents an edge in the call graph.
Site is nil for edges originating in synthetic or intrinsic functions, e.g. reflect.Call or the root of the call graph.
type Edge struct { Caller *Node Site ssa.CallInstruction Callee *Node }
func PathSearch(start *Node, isEnd func(*Node) bool) []*Edge
PathSearch finds an arbitrary path starting at node start and ending at some node for which isEnd() returns true. On success, PathSearch returns the path as an ordered list of edges; on failure, it returns nil.
func (e Edge) Description() string
func (e Edge) Pos() token.Pos
func (e Edge) String() string
A Graph represents a call graph.
A graph may contain nodes that are not reachable from the root. If the call graph is sound, such nodes indicate unreachable functions.
type Graph struct { Root *Node // the distinguished root node Nodes map[*ssa.Function]*Node // all nodes by function }
func New(root *ssa.Function) *Graph
New returns a new Graph with the specified root node.
func (g *Graph) CreateNode(fn *ssa.Function) *Node
CreateNode returns the Node for fn, creating it if not present.
func (g *Graph) DeleteNode(n *Node)
DeleteNode removes node n and its edges from the graph g. (NB: not efficient for batch deletion.)
func (g *Graph) DeleteSyntheticNodes()
DeleteSyntheticNodes removes from call graph g all nodes for synthetic functions (except g.Root and package initializers), preserving the topology. In effect, calls to synthetic wrappers are "inlined".
A Node represents a node in a call graph.
type Node struct { Func *ssa.Function // the function this node represents ID int // 0-based sequence number In []*Edge // unordered set of incoming call edges (n.In[*].Callee == n) Out []*Edge // unordered set of outgoing call edges (n.Out[*].Caller == n) }
func (n *Node) String() string
| Name | Synopsis |
|---|---|
| .. | |
| cha | Package cha computes the call graph of a Go program using the Class Hierarchy Analysis (CHA) algorithm. |
| rta | This package provides Rapid Type Analysis (RTA) for Go, a fast algorithm for call graph construction and discovery of reachable code (and hence dead code) and runtime types. |
| static | Package static computes the call graph of a Go program containing only static call edges. |


{% load i18n %} {% comment %} A search field for users. Allows interactive searching for users. Intended to be used in forms that require a user to be specified e.g. adding another user to a team, or a project. Inspired by Github's user search field (amongst others). {% endcomment %}


23/8/2019 [10:45 AM]
#INV201920002
Billing Date 25 AUG 2019
Due Date 31 AUG 2019
ITEM
Description
Qty
Unit Price
Amount (THB)
1
Rental
5,000.00
2
Furniture Rental Fee
500.00
3
Electric fee (5743 - 5951)
208
7.00
1,456.00
4
Hydrfo fee (699 - 722)
23
19.00
437.00
5
Electric fee (5743 - 5951)
208
7.00
1,456.00
6
Hydrfo fee (699 - 722)
23
19.00
437.00
7
Electric fee (5743 - 5951)
208
7.00
1,456.00
8
Hydrfo fee (699 - 722)
23
19.00
437.00
9
Electric fee (5743 - 5951)
208
7.00
1,456.00
10
Hydrfo fee (699 - 722)
23
19.00
437.00
seven thousand five hundred and twenty-five point five one
Total
VAT (7%)
Grand Total
7525.51
132.51
7,393.00
Remark / Note
Payment received by:
Total amount Received by Issued by
Bank account information: Please send back transfer to the following account
Total Amount7,393.00 Due Date: 31 AUG 2019
Saving Account #111-1-1111-1. Account Name: Apartment ABC Suree. Bank Name: Bangkok Bank, Samyan Branch
Saving Account #111-1-1111-1. Account Name: Apartment ABC Suree. Bank Name: Bangkok Bank, Samyan Branch
Saving Account #111-1-1111-1. Account Name: Apartment ABC Suree. Bank Name: Bangkok Bank, Samyan Branch
Payment Barcode by Kbank
Payment QR code by Kbank


Taking place in 2130 earth has been destroyed, global warming got the better of humans, in a quick emergency plan humans leave the earth and escape to europa, but in such a quick hurry cheap space stations that could support 10 personel on board were made this resulted in some of them getting stuck on the asteroid belt and getting destroyed leaving no survivors, you were one of those unlucky ones to get hit in a meteorite storm near the asteroid belt leaving your space station in ruins and the rest of your colleges dead, using any equipment left functioning onboard you must find a way to survive in space, your goal is to go europa and join the remaining humans! Good luck astronaut!


Investigation:
ISupport
Jira
Salesforce
Documentation:
Doc
Confluence
KBs
Operations:
Service-Now
Intranet
Ideas


The area of your square is:
The perimeter of your square is:
The area of your triangle is:
The perimeter of your triangle is:
The area of your circle is:
The perimeter of your circle is:


Video Production Services for San Francisco & the Bay Area
{% include work.html %}
{% include who-we-are.html %}
{% include what-we-do.html %}
{% include director.html %}
{% include separator-photo.html %}
{% include equipment-rentals.html %}
{% include separator-video.html %}
{% include blog.html %}


Keycloak
(Quickly) securing your Clojure applications
Filip Bielejec /
<EMAIL_ADDRESS>/
fbielejec
/
fbielejec
Security is hard...
Login forms
Password recovery
Session management
Tokens
Two-factor auth
Social logins
Single-Sign-On (SSO)
Security vulnerabilities
...
Keycloak can do it for you!
(Http) redirect
JSON Web Token
Demo
https://github.com/fbielejec/clojure-keycloak-demo


STIR OF ECHOES **** (out of five stars) A review by Jamey Hughton
Starring-Kevin Bacon, Kathryn Erbe, Illeanna Douglas, Kevin Dunn and Zachary David Cope Director-David Keopp Rated 14A Artisan
MOVIE VIEWS by Jamey Hughton http://Welcome.to/MovieViews
The release of Stir of Echoes is a stroke of good luck. Audiences have been widely flocking to the supernatural thriller The Sixth Sense, which is essentially a ghost story with a unique twist. Perhaps they're in the mood for another offering from beyond the grave. If this is the case, Stir of Echoes is just the film everyone is looking for - it's a masterful creation brimming with moments that succeed in causing goosebumps. Even if The Sixth Sense continues to conquer the box office, this second offering still manages to hook you from minute one and never lose it's grip on suspense.
 One night, during a neighborhood keg party, Maggie's sister Lisa (Illeana Douglas) describes to the group the magical art of hypnosis. Tom (who is drunk at the time), encourages Lisa to hypnotize him for the group's entertainment. The method in which writer/director David Keopp (Jurassic Park) presents the scene is both intriguing and expertly executed; a model for other films to follow.
After the hypnotism, Tom begins to see frightening images in his mind.  Tom thinks he is losing his mind, but he turns to his little boy for an interesting discovery: Jake has the ability to see the ghost as well. Tom realizes that he is chosen for something important. What this is, he doesn't exactly know.
As a ghost story, Stir of Echoes is both frightening and refreshing. Keopp has balanced the familiar elements well, finishing with a product that glues the attentive viewer to their seat for the entire running time. The mood is established early, and the sheer professionalism never drops even a smidgen. Everything involving the set-up of the film is masterful: swooping and winding camera angles that recall Stanley Kubrick's best work, believable performances in the key roles of Tom and Maggie, and some genuinely effective atmosphere that builds efficiently for a few great scares. Adapting from Richard Matheson's novel, Keopp's material isn't always on target, but his technical presentation is absolutely perfect.
In the lead role, Bacon delivers a very solid performance. His character is easier to relate to than most, and because of this, we accept his unusual situation with ease. In supporting roles, Illeana Douglas and Kevin Dunn are both immensely reliable, as is the talented Erbe and young Cope. Stir of Echoes marks the second good performance from a child actor in the past month - although Haley Joel Osment's in The Sixth Sense is more than just ‘good', it's deserving of award recognition. While first I must cross my fingers that Haley gets a nomination at Oscar time, I've got to commend Cope's wonderful presentation also.
I mentioned earlier that the set-up of Stir of Echoes is impeccable. The second half, I'm afraid, isn't quite as good. Keopp begins to lean toward more conventional thinking, and the momentum begins to fade slightly. Still, you've got to hand it to him. Where the director shows a weakness in one area, he compensates for it in another. His screenplay is always well-written, and although some audience members may predict the ending before it eventually rolls around, Keopp's marvelous direction always has us strapped in.
Not only is this an intellectually superior thriller, but everything about it is distinctly eye-catching. The use of the colors red and white is effective (particularly the first, used during a lot in instant flashes). As we are taken along Tom's bizarre breakdown, the surprises are clever and consistent. The film has a brain, and uses it well, making for a unique and frightening experience at the cinema.
(C) 1999, Jamey Hughton
* * * * * * * * * * * * * * * * * * * * * MOVIE VIEWS by Jamey Hughton http://Welcome.to/MovieViews Up-to-date Movie Reviews written by a Published Teen Columnist <<<<<<<<<<<<<<>>>>>>>>>>>>>>
1999 SUMMER MOVIE ROUND-UP http://moviething.com/members/movies/movieviews/index137shtml
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Now that we know who you are, I know who I am. I'm not a mistake! It all makes sense! In a comic, you know how you can tell who the arch-villain's going to be? He's the exact opposite of the hero.
Well, the way they make shows is, they make one show. That show's called a pilot. Then they show that show to the people who make shows, and on the strength of that one show they decide if they're going to make more shows. Some pilots get picked and become television programs. Some don't, become nothing. She starred in one of the ones that became nothing.


Nestable
Create nestable lists that can be sorted by drag and drop.
The Nestable allows you to sort items through drag and drop. This is great, if you want to organize different categories or menu items in administration areas, for example.
Usage
A nestable list consists of the list itself, its items and the nestable panel.
| Class/Data attribute | Description |
|---|---|
.uk-nestable |
Add this class to a
 element to define the component. |
.uk-nestable-item |
Add this class to each
 element the list item. |
.uk-nestable-panel |
Add this class to a
 element inside the
 element to style the item. |
NOTE To enable the necessary JavaScript, just add the data-uk-nestable
attribute.
Example
-
Item 1
-
Item 2
-
Item 3
-
Item 4
Markup

 ...

Nestable handle
By default, the entire nestable element can be used for drag and drop sorting. To create a handle which will be used instead, just add the {handleClass:'uk-nestable-handle'}
option to the data attribute and add the handle class to the element that you want to use as a handle.
Example
-
Item 1
-
Item 2
-
Item 3
-
Item 4
NOTE In this example we used the .uk-icon-bars
class from the Icon component to style the handle.
Markup

...

Nestable toggle
By default, the entire nestable element can be used for drag and drop sorting. To create a handle which will be used instead, just add the .uk-nestable-toggle
class and the data-nestable-action="toggle"
attribute to a

element inside the nestable panel.
Example
-
Item 1
-
Item 2
-
Item 3
-
Item 4
Markup

...

Multiple lists
To be able to sort items from one list to another, you can group them by adding the data-uk-nestable="{group:'GROUP-NAME'}"
attribute to each list.
Example
First list
-
Item 1
-
Item 2
-
Item 3
-
Item 4
Second list
-
Item 1
-
Item 2
-
Item 3
-
Item 4
Markup

...

...

Disable nesting
To disable nesting of list items, just add the data-uk-nestable="{maxDepth:1}"
attribute. You can also use this data attribute to determine to what depth nesting is possible.
-
Item 1
-
Item 2
-
Item 3
-
Item 4
Markup

...

JavaScript options
This is an example of how to set options via attribute:
data-uk-nestable="{maxDepth:0, group:'widgets'}"
| Option | Possible value | Default | Description |
|---|---|---|---|
group |
string | false | List group |
maxDepth |
integer | 10 | Max nesting level |
threshold |
integer | 20 | Pixel threshold before starting to drag |
listNodeName |
string | ul | List node name |
itemNodeName |
string | li | Item node name |
listBaseClass |
string | uk-nestable | List base class |
listClass |
string | uk-nestable-list | List class |
listitemClass |
string | uk-nestable-list-item | List item class |
itemClass |
string | uk-nestable-item | Item class |
dragClass |
string | uk-nestable-list-dragged | Class added to dragged list |
movingClass |
string | uk-nestable-moving | Class added to  when moving |
handleClass |
string | uk-nestable-handle | Class for drag handle |
collapsedClass |
string | uk-nestable-collapsed | Class for collapsed items |
placeClass |
string | uk-nestable-placeholder | Class for placeholder of currently dragged element |
noDragClass |
string | uk-nestable-nodrag | Elements with this class will not trigger dragging. Useful when having the complete item draggable and not just the handle. |
emptyClass |
string | uk-nestable-empty | Class for empty lists |
Init element manually
var nestable = UIkit.nestable(element, { /* options */ });
Events
| Name | Parameter | Description |
|---|---|---|
start.uk.nestable |
event, nestable object | On nestable drag start |
move.uk.nestable |
event, nestable object | On nestable move item |
stop.uk.nestable |
event, nestable object | On nestable stop dragging |
change.uk.nestable |
event, sortable object, dragged element, action | On nestable change item |


TuiStringHandler
by given key.
FilterByInput
and
StringifyContent
pipes.
Import TuiStringifyPipeModule
into a module
where you want to use our component
Use pipe in template:


Q
☰
Quails
Quarantania
Quarries
Quartus
Quaternion
Queen of heaven
Queen
Quicksands
Quiver
Quotations


{% extends "base.html" %} {% block content %}
Welcome to Microblot.io.
Microblot is a Slack bot for microblogging.
The project is still in fairly early development, so there isn't much to see here just yet. If you're interested in keeping up with the process, you can do so on GitHub.
{% endblock %}


public final class AdaFruitBNO055IMU extends java.lang.Object implements IBNO055IMU, II2cDeviceClientUser, IOpModeStateTransitionEvents
IBNO055IMU.ACCELUNIT,
IBNO055IMU.ANGLEUNIT,
IBNO055IMU.I2CADDR,
IBNO055IMU.Parameters,
IBNO055IMU.PITCHMODE,
IBNO055IMU.REGISTER,
IBNO055IMU.SENSOR_MODE,
IBNO055IMU.TEMPUNIT
cbCalibrationData
| Constructor and Description |
|---|
AdaFruitBNO055IMU(com.qualcomm.robotcore.eventloop.opmode.OpMode context,
com.qualcomm.robotcore.hardware.I2cDevice i2cDevice,
int i2cAddr8Bit)
Instantiate an AdaFruitBNO055IMU on the
indicated device whose I2C address is the one
indicated.
|
| Modifier and Type | Method and Description |
|---|---|
void |
close()
Shut down the sensor.
|
static IBNO055IMU
|
create(com.qualcomm.robotcore.eventloop.opmode.OpMode context,
com.qualcomm.robotcore.hardware.I2cDevice i2cDevice,
IBNO055IMU.Parameters parameters)
Instantiate an AdaFruitBNO055IMU and then
initialize it with the indicated set of
parameters.
|
Acceleration
|
getAcceleration()
Returns the last observed acceleration of the
sensor.
|
EulerAngles
|
getAngularOrientation()
Returns the absolute orientation of the
sensor as a set of Euler angles.
|
AngularVelocity
|
getAngularVelocity()
Returns the rate of change of the absolute
orientation of the sensor.
|
Acceleration
|
getGravity()
Returns the direction of the force of gravity
relative to the sensor.
|
II2cDeviceClient
|
getI2cDeviceClient()
|
Acceleration
|
getLinearAcceleration()
Returns the acceleration experienced by the
sensor due to the movement of the sensor.
|
MagneticFlux
|
getMagneticFieldStrength()
Returns the magnetic field strength
experienced by the sensor.
|
Acceleration
|
getOverallAcceleration()
Returns the overall acceleration experienced
by the sensor.
|
Position
|
getPosition()
Returns the current position of the sensor as
calculated by doubly integrating the observed
sensor accelerations.
|
Quaternion
|
getQuaternionOrientation()
Returns the absolute orientation of the
sensor as a quaternion.
|
byte |
getSystemError()
If
IBNO055IMU.getSystemStatus()
is 'system error' (1), returns particulars regarding that
error.
|
byte |
getSystemStatus()
Returns the current status of the system.
|
double |
getTemperature()
Returns the current temperature.
|
Velocity
|
getVelocity()
Returns the current velocity of the sensor as
calculated by integrating the observed sensor
accelerations.
|
void |
initialize(IBNO055IMU.Parameters parameters)
Initialize the device to be running in the
indicated operation mode
|
boolean |
isAccelerometerCalibrated()
|
boolean |
isGyroCalibrated()
|
boolean |
isMagnetometerCalibrated()
|
boolean |
isSystemCalibrated()
|
boolean |
onRobotShutdown()
The robot is in the process of shutting
down.
|
boolean |
onUserOpModeStop()
A user OpMode has just stopped.
|
byte[] |
read(IBNO055IMU.REGISTER reg,
int cb)
Low level: read data starting at the
indicated register
|
byte |
read8(IBNO055IMU.REGISTER reg)
Low level: read the byte starting at the
indicated register
|
byte[] |
readCalibrationData()
Read calibration data from the IMU which
later can be restored with writeCalibrationData().
|
void |
startAccelerationIntegration(Position initalPosition,
Velocity initialVelocity)
Start (or re-start) a thread that
continuously at intervals polls the current linear
acceleration of the sensor and integrates it to provide
velocity and position information.
|
void |
startAccelerationIntegration(Position initalPosition,
Velocity initialVelocity,
int msPollInterval)
As in
IBNO055IMU.startAccelerationIntegration(Position,
Velocity) , but provides control over
the frequency which which the acceleration is polled.
|
void |
stopAccelerationIntegration()
Stop the integration thread if it is
currently running.
|
void |
write(IBNO055IMU.REGISTER reg,
byte[] data)
Low level: write data starting at the
indicated register
|
void |
write8(IBNO055IMU.REGISTER reg,
int data)
Low level: write a byte to the indicated
register
|
void |
writeCalibrationData(byte[] data)
Write calibration data previously
retrieved.
|
public AdaFruitBNO055IMU(com.qualcomm.robotcore.eventloop.opmode.OpMode context, com.qualcomm.robotcore.hardware.I2cDevice i2cDevice, int i2cAddr8Bit)
public static IBNO055IMU create(com.qualcomm.robotcore.eventloop.opmode.OpMode context, com.qualcomm.robotcore.hardware.I2cDevice i2cDevice, IBNO055IMU.Parameters parameters)
public boolean onUserOpModeStop()
IOpModeStateTransitionEvents
onUserOpModeStop
in
interface IOpModeStateTransitionEvents
public boolean onRobotShutdown()
IOpModeStateTransitionEvents
onRobotShutdown
in
interface IOpModeStateTransitionEvents
HardwareDevice.close()
public II2cDeviceClient getI2cDeviceClient()
getI2cDeviceClient
in
interface II2cDeviceClientUser
public void initialize(IBNO055IMU.Parameters parameters)
initialize
in
interface IBNO055IMU
parameters
- the parameters with which to
initialize the IMU
public void close()
IBNO055IMU
close
in
interface IBNO055IMU
public byte getSystemStatus()
IBNO055IMU
getSystemStatus
in
interface IBNO055IMU
See section 4.3.58 of the BNO055 specification.
Result
Meaning
0
idle
1
system error
2
initializing peripherals
3
system initialization
4
executing
self-test
5
sensor fusion algorithm running
6
system running without fusion algorithms
public byte getSystemError()
IBNO055IMU
IBNO055IMU.getSystemStatus()
is 'system error' (1), returns particulars regarding that
error. See section 4.3.58 of the BNO055 specification.
getSystemError
in
interface IBNO055IMU
Result
Meaning
0
no error
1
peripheral initialization error
2
system
initialization error
3
self test result failed
4
register map val out of range
5
register map
address out of range
6
register map write error
7
BNO low power mode not available for
selected operation mode
8
acceleromoeter power mode not available
9
fusion
algorithm configuration error
A
sensor configuraton error
public boolean isSystemCalibrated()
isSystemCalibrated
in
interface IBNO055IMU
public boolean isGyroCalibrated()
isGyroCalibrated
in
interface IBNO055IMU
public boolean isAccelerometerCalibrated()
isAccelerometerCalibrated
in
interface IBNO055IMU
public boolean isMagnetometerCalibrated()
isMagnetometerCalibrated
in
interface IBNO055IMU
public byte[] readCalibrationData()
IBNO055IMU
For greatest utility, full calibration should be achieved before reading the calibration data
readCalibrationData
in
interface IBNO055IMU
IBNO055IMU.writeCalibrationData(byte[])
public void writeCalibrationData(byte[] data)
IBNO055IMU
writeCalibrationData
in
interface IBNO055IMU
data
- the calibration data to writeIBNO055IMU.readCalibrationData()
public double getTemperature()
IBNO055IMU
getTemperature
in
interface IBNO055IMU
public MagneticFlux getMagneticFieldStrength()
IBNO055IMU
getMagneticFieldStrength
in
interface IBNO055IMU
public Acceleration getOverallAcceleration()
IBNO055IMU
getOverallAcceleration
in
interface IBNO055IMU
public Acceleration getLinearAcceleration()
IBNO055IMU
getLinearAcceleration
in
interface IBNO055IMU
public Acceleration getGravity()
IBNO055IMU
getGravity
in
interface IBNO055IMU
public AngularVelocity getAngularVelocity()
IBNO055IMU
getAngularVelocity
in
interface IBNO055IMU
IBNO055IMU.getAngularOrientation()
public EulerAngles getAngularOrientation()
IBNO055IMU
getAngularOrientation
in
interface IBNO055IMU
IBNO055IMU.getQuaternionOrientation()
public Quaternion getQuaternionOrientation()
IBNO055IMU
getQuaternionOrientation
in
interface IBNO055IMU
IBNO055IMU.getAngularOrientation()
public Acceleration getAcceleration()
IBNO055IMU
getAcceleration
in
interface IBNO055IMU
public Velocity getVelocity()
IBNO055IMU
getVelocity
in
interface IBNO055IMU
public Position getPosition()
IBNO055IMU
getPosition
in
interface IBNO055IMU
public void startAccelerationIntegration(Position initalPosition, Velocity initialVelocity)
IBNO055IMU
startAccelerationIntegration
in
interface IBNO055IMU
initalPosition
- If non-null, the current
sensor position is set to this val. If
null, the current sensor position is unchanged.
initialVelocity
- If non-null, the current
sensor velocity is set to this val. If
null, the current sensor velocity is unchanged.
IBNO055IMU.startAccelerationIntegration(Position,
Velocity)
,
IBNO055IMU.getLinearAcceleration()
public void startAccelerationIntegration(Position initalPosition, Velocity initialVelocity, int msPollInterval)
IBNO055IMU
IBNO055IMU.startAccelerationIntegration(Position,
Velocity)
, but provides control over
the frequency which which the acceleration is polled.
startAccelerationIntegration
in
interface IBNO055IMU
initalPosition
- If non-null, the current
sensor position is set to this val. If
null, the current sensor position is unchanged.
initialVelocity
- If non-null, the current
sensor velocity is set to this val. If
null, the current sensor velocity is unchanged.
msPollInterval
- the interval to use, in
milliseconds, between successive calls to
IBNO055IMU.getLinearAcceleration()
IBNO055IMU.startAccelerationIntegration(Position,
Velocity, int)
public void stopAccelerationIntegration()
IBNO055IMU
stopAccelerationIntegration
in
interface IBNO055IMU
public byte read8(IBNO055IMU.REGISTER reg)
IBNO055IMU
read8
in
interface IBNO055IMU
reg
- the location from which to read the data
public byte[] read(IBNO055IMU.REGISTER reg, int cb)
IBNO055IMU
read
in
interface IBNO055IMU
reg
- the location from which to read the data
cb
- the number of bytes to readpublic void write8(IBNO055IMU.REGISTER reg, int data)
IBNO055IMU
write8
in
interface IBNO055IMU
reg
- the location at which to write the data
data
- the data to writepublic void write(IBNO055IMU.REGISTER reg, byte[] data)
IBNO055IMU
write
in
interface IBNO055IMU
reg
- the location at which to write the data
data
- the data to write


Undo
Log
Help Terraforming Mars
Reset
Production
Supply
Megacredits
-
0
+
-5
-
30
+
+5
Steel
-
0
+
Titanium
-
0
+
-5
-
0
+
+5
Plants
-
0
+
-5
-
0
+
+5
Energy
-
0
+
-5
-
0
+
+5
Heat
-
0
+
-5
-
0
+
+5
Terraforming Rating
-
20
+
Generation
1
Next
Paying
Megacredits
-5
-
0
+
+5
Steel
-
0
+
×2
0
Titanium
-
0
+
×3
0
Total
Cancel
0
Ok


-
AlsoInstall=inf-section-name(filename1.inf) [, inf-section-name(filename2.inf)]...
- This directive collapses the Include and Needs directives. The needed inf sections from the included files are required to be processed in order to successfully install this device.
References :
-
[AC97SMPL]
...
AlsoInstall=KS.Registration(ks.inf), WDMAUDIO.Registration(wdmaudio.inf) ( both of the files are to be found in %windir%\inf )
Warning : do not alter these system-provided inf files !
See also the Glossary entries for Needs, Include.
CopyFiles
=file-list-section[, file-list-section]...
- This directive references a INF-writer-defined section which contains the device-relevant files on the source media to be transfered to the destination.
In this case, the files needed to be transfered are listed in the [AC97SMPL.CopyList] section.
References :
-
[AC97SMPL]
...
CopyFiles=AC97SMPL.CopyList. (for all platforms)
[AC97SMPL.NTX86]
...
CopyFiles=AC97SMPL.CopyList,
AC97PROP.CopyList. (for Windows 2000 only)
See also the Glossary entry for CopyFiles.
AddReg
=add-registry-section[, add-registry-section]..
- This directive references several INF-writer-defined sections () in which new subkeys are specified to be written into the registry.
References :
-
[AC97SMPL]
...
AddReg=AC97SMPL.AddReg,AC97SMPL_NAMES.AddReg, AC97SMPL_OEM.AddReg
[AC97SMPL.NTX86]
...
AddReg=AC97SMPL.AddReg,AC97SMPL_NAMES.AddReg, AC97SMPL_OEM.AddReg, AC97PROP.AddReg
[AC97SMPL.Interface.Wave]
...
AddReg=AC97SMPL.I.Wave.AddReg
[AC97SMPL.Interface.Topology]
...
AddReg=AC97SMPL.I.Topo.AddReg
See also the Glossary entry for AddReg.
Include
=filename.inf[, filename.inf]...
- Specifies other INF files that have to be processed for this installation to succeed. Usually accompanied by a Needs directive, to specify which sections in these files are to be processed.
References :
[AC97SMPL.NTX86]
...
Include=ks.inf, wdmaudio.inf
See also the Glossary entry for Include.
Needs
=inf-section-name[, inf-section-name]...
- Specifies section names of Included INF files that have to be processed for this installation to succeed.
References :
[AC97SMPL.NTX86]
...
Needs=KS.Registration, WDMAUDIO.Registration
See also the Glossary entry for Needs.
KnownRegEntries
- The KnownRegEntries directive, along with the
[AC97.KnownRegEntries] and
[IsWin98Gold] sections,
form a mechanism used to differentiate between WDM Audio versions 1.0 (Win98 Gold) and 1.1 (Win98 SE and Win2000).
The WDM Audio version 1.0 does not offer all of the functionality made available by version 1.1 and audio devices that support hardware mixing have to be prevented to be installed on Win98 Gold. The mechanism to be used is described below :
- [DDInstall]
...
KnownRegEntries=Xxx.KnownRegEntries
[Xxx.KnownRegEntries]
...
IsWin98Gold=keep
[IsWin98Gold]
...
1=HKLM,Software\Microsoft\Windows\CurentVersion,VersionNumber,0,4.10.1998
Warning : The reg entry above is to be used verbatim, any mismatches may result in incorrect device/driver setup.
The terms in bold are reserved keywords.
ExcludeID
=device-identification-string[,device-identification-string]...
- (Windows XP and later.) This directive specifies one or more
device identification strings (either hardware IDs or compatible IDs). The
DDInstall section will not install devices having device IDs that match any of
the hardware IDs or compatible IDs listed.
In this sample, the driver installs on a class of HW devices. On
some ac97 controller/codec combinations the driver won't work
correctly due to incompatible ac97 codecs. With this directive you
can exclude installation of the sample driver on those devices.
References :
[AC97SMPL]
...
ExcludeId=PCI\VEN_8086&DEV_2415&SUBSYS_536011D4&REV_00
[AC97SMPL.NTX86]
...
ExcludeId=PCI\VEN_8086&DEV_2415&SUBSYS_536011D4&REV_00
See also the Glossary entry for ExcludeId.


xxProcess window
xxInfo: AccessTableWithNoView
xxThe current information is empty.
Unlock Tree
Lock Tree
Expand all
Collapse all
Close


src/hamiltonian/Adhesion.js
import SoftConstraint from "./SoftConstraint.js"
import ParameterChecker from "./ParameterChecker.js"
/**
* Implements the adhesion constraint of Potts models.
* Each pair of neighboring pixels [n,m] gets a positive energy penalty deltaH if n and m
* do not belong to the same {@link CellId}.
*
* @example
* // Build a CPM and add the constraint
* let CPM = require( "path/to/build" )
* let C = new CPM.CPM( [200,200], { T : 20 } )
* C.add( new CPM.Adhesion( { J : [[0,20],[20,10]] } ) )
*
* // Or add automatically by entering the parameters in the CPM
* let C2 = new CPM.CPM( [200,200], {
* T : 20,
* J : [[0,20],[20,10]]
* })
*/
class Adhesion extends SoftConstraint {
/** The constructor of Adhesion requires a conf object with a single parameter J.
@param {object} conf - parameter object for this constraint
@param {CellKindInteractionMatrix} conf.J - J[n][m] gives the adhesion energy between a pixel of
{@link CellKind} n and a pixel of {@link CellKind} m. J[n][n] is only non-zero
when the pixels in question are of the same {@link CellKind}, but a different
{@link CellId}. Energies are given as non-negative numbers.
*/
constructor( conf ){
super( conf )
}
/** This method checks that all required parameters are present in the object supplied to
the constructor, and that they are of the right format. It throws an error when this
is not the case.*/
confChecker(){
let checker = new ParameterChecker( this.conf, this.C )
checker.confCheckParameter( "J", "KindMatrix", "Number" )
}
/** Get adhesion between two cells t1,t2 from "conf".
@param {CellId} t1 - cellid of the first cell.
@param {CellId} t2 - cellid of the second cell.
@return {number} adhesion between a pixel of t1 and one of t2.
@private
*/
J( t1, t2 ){
return this.conf["J"][this.C.cellKind(t1)][this.C.cellKind(t2)]
}
/** Returns the Hamiltonian around a pixel i with cellid tp by checking all its
neighbors that belong to a different cellid.
@param {IndexCoordinate} i - coordinate of the pixel to evaluate hamiltonian at.
@param {CellId} tp - cellid of this pixel.
@return {number} sum over all neighbors of adhesion energies (only non-zero for
neighbors belonging to a different cellid).
@private
*/
H( i, tp ){
let r = 0, tn
/* eslint-disable */
const N = this.C.grid.neighi( i )
for( let j = 0 ; j < N.length ; j ++ ){
tn = this.C.pixti( N[j] )
if( tn != tp ) r += this.J( tn, tp )
}
return r
}
/** Method to compute the Hamiltonian for this constraint.
@param {IndexCoordinate} sourcei - coordinate of the source pixel that tries to copy.
@param {IndexCoordinate} targeti - coordinate of the target pixel the source is trying
to copy into.
@param {CellId} src_type - cellid of the source pixel.
@param {CellId} tgt_type - cellid of the target pixel.
@return {number} the change in Hamiltonian for this copy attempt and this constraint.*/
deltaH( sourcei, targeti, src_type, tgt_type ){
return this.H( targeti, src_type ) - this.H( targeti, tgt_type )
}
}
export default Adhesion


My Summer 2020 Schedule
Course
Name
Days
Time
CHM2045
General Chemistry I
Tuesday and Thursday
10:50 am - 12:30 pm
COP3703
Introduction to Databases
Tuesday, Wednesday, Thursday, and Friday
12:40 pm - 2:20 pm
COP4813
Internet Programming
Online
Important Events
May
Cinco de Mayo
Memorial Day
Databases Exam 1
June
Chemistry Exam 1
Databases Exam 2
Databases Final
July
Chemistry Exam 2
Independence Day
Chemistry Exam 3
Chemistry Final
Personal
ePortfolio


--- layout: post esbma_id: 1143 title: Thomas Warfield comments on Winnable Solitaire date: 2004-09-17 13:31:59 keywords: sol ---
Thomas Warfield has posted two entries (here and here) commenting on my Winnable Solitaire article. Excellent stuff.


Slush 2019 in photos – Here’s what you missed
by Carien PretoriusThe world’s leading startup and tech event Slush took place in Helsinki, Finland on 21 and 22 November this year – bringing together a global community of 25,000 startups, venture capitalists, policy makers, executives, media representatives, and students.
Organised by over 2,000 volunteers, Slush provides a platform for these curious minds to network through one-on-one meetings and discuss opportunities.
Attendees also have the opportunity to learn from some the most successful companies in the world through scheduled talks during each of the two days.
Topics covered included what is needed when taking your brand across the border, how to create successful products with alternative materials, and what regulatory challenges there are in the market.
Slush 2019 in photos
Here is a pictorial of what happened over the two days at Slush.
Delegates arriving for Slush
The Slush opening show on the Founder stage
Tech giants present at Slush
Matchmaking meeting areas
The Food Market
Talks that took place throughout the two days
Exhibition stands
The Sauna village
The Secret Garden where delegates could take time to relax
More of Slush
Carien Pretorius is a guest at Slush in Helsinki, Finland, made possible by the Finnish Embassy in Pretoria.


Epi-Pizza
Place your order below!


Seesaw diet visualizer
This visualization shows how much eating and exercising daily will affect your weight at a projected time in the future.
You can move the blue ball (side to side) and drag the food/exercise arrows (up and down) on the diagram.
How to use this:
On the left, in the 'About you' section of this page, you can set the sliders and drop-down menus according to your personal information. On the right, the picture of the seesaw is interactive (you can play around by dragging on the blue indicators or the blue goal ball).
Initially, the food indicator (pictured with a hamburger) shows how many calories you can eat without exercising to stay at the same current weight. This number is the minimum number of calories you need to stay healthy each day. It is equal to (BMR x Activity Factor), as this number is a good basis for a healthy amount of calories consumed daily, it is fixed as the minimum amount of calories consumed in this model.
The exercise indicator (below the food indicator) shows zero calories to start with. The goal ball on the right shows your current weight, and the seesaw is level.
If you drag up or down on the exercise indicator, you can see how much you could potentially weigh, within the goal ball, assuming you kept exercising off that many calories each day.
You can also drag the food indicator up and down, adding or subtracting calories to or from your daily diet. As you adjust the food indicator (calories in), and the exercise indicator (calories out), you can see how your weight will change in the goal ball.
The goal ball shows how much you will weigh at a point in time in the future. Below the goal ball is a projected calendar, if you drag the goal ball right or left, you will see the affect of time on your weight, according to the calories in and out that you've set.
Any time one of the choices on the left (under the 'About You' section) changes, the seesaw resets itself, except for the goal date.
How this works:
This application uses a variety of SVG elements, most of which we've covered previously: drawing elements, dragging, dynamic text. They just might be slightly modified.
One new feature is hiding and showing elements. If you drag the goal weight ball left or right, you will be able to see how much you will weigh at a future date. Actually, the calendar has all of the dates, and all but one is hidden. But not all the dates are shown, just the one you drag to.
There are two approaches to doing something like this. The first approach is to set the element's opacity attribute to 0, initially, until you mouse over it. In the event that you mouse over the element, you can then change the opacity attribute, or the color, or even call another function. The following assumes you have a <div>
in your html file with id="myDiv"
.
var calD = new Array();
var d=new Date(); //d holds today's date
var numberOfDays = 5;
var space = 10; //10 pixels between each date
var calX=10;
var calY=300;
paper.rect(calX,calY,10,10).attr({fill:'red'});
//create a box so you know where to hover over
for(var i=0; i<numberOfDays; i++){
calD[i]=paper.text(calX+(space*i), calY ,d.getDate());
calD[i].attr({opacity:0, 'font-size':24});
calD[i].mouseover(function(){ this.attr({opacity:1}); });
calD[i].mouseout(function(){ this.attr({opacity:0}); })
d.setDate(d.getDate()+1);
}
In the above code, as you mouse over each element, it appears, and when your mouse is not over it, it becomes invisible again. You can do this with anything (rectangles, circles, shapes, text), any element that can be created that has an opacity
attribute in Raphael.
Another approach is to hide SVG elements by appending .hide()
to the element name. When you want to show that element again, append .show()
to the element name.
To get the calendar dates on the bottom, we used a for-loop, which printed out all of the dates and put them to an array. To access each date individually, we can call each date if we know the index.
var calendarDate = new Array();
var d=new Date(); //d holds today's date
var numberOfDays = 10;
var space = 10; //10 pixel between each date
var calendarX = 10;
var calendarY = 200;
for(var i=0; i<numberOfDays; i++){
calendarDate[i]=paper.text(calendarX+(space*i), calendarY ,d.getDate());
calendarDate[i].hide();
calendarDate[i].mouseover(function(){
this.attr('fill','red');
someFunction();
});
d.setDate(d.getDate()+1); //adds one day to the variable d
}
calendarDate[0].show();
calendarDate[2].show();
calendarDate[4].show();
This approach is a little bit trickier. In the example immediately above, we decided to show the elements with the indices [0], [2], [4]. This is to indicate how you would show an element you've previously hidden with the .show()
function. In our seesaw, those numbers were replaced with a variable in the code, which was updated as you dragged on the goal ball. Like this:
calendarDate[dynamicVariable].show();
Additionally, this example shows that you can change other attributes (like changing the text color to red), on a mouseover event. You can also notice that when you mouseover one of the elements, it will call the function someFunction()
, which can be programmed elsewhere.
For the most part, the interactive elements of this seesaw have been covered previously in the other tutorials. The food and exercise indicators are programmed similarly to our Drag/Resize SVG demonstration, and how to code the dynamic text can be found on the Mortgage calculator page. The tutorial on tying the sliders on the left hand side to JavaScript can be found on the Area Visualizer | Sliders page.


ANASTASIA
A Film Review by James Berardinelli
RATING: ***1/2 OUT OF ****
United States, 1997 U.S. Release Date: 11/12/97 (limited); 11/21/97 (wide) Running Length: 1:37 MPAA Classification: G Theatrical Aspect Ratio: 1.85:1
Featuring the voices of: Meg Ryan, John Cusack, Kelsey Grammer, Angela Lansbury, Christopher Lloyd, Hank Azaria, Bernadette Peters, Kirsten Dunst Directors: Don Bluth, Gary Goldman Producers: Don Bluth and Gary Goldman Screenplay: Susan Gauthier & Bruce Graham, Bob Tzudiker & Noni White Music: David Newman, Stephen Flaherty Lyrics: Lynn Ahrens U.S. Distributor: Twentieth Century Fox
Finally, there's a legitimate challenge to Disney. And, while it's unlikely that Twentieth Century Fox's ANASTASIA will break the Mouse's stranglehold on animated films, it's a good place to start. ANASTASIA is easily the best non-Disney animated movie in recent memory, and it is good enough to rival such titles as THE LION KING and ALADDIN. The key is enjoyability and appeal to both adults and children. This degree of magic and energy has been noticeably absent in movies like POCAHONTAS, THE HUNCHBACK OF NOTRE DAME, and HERCULES. Maybe with another studio to push them, Disney will get back on track.
The first thing to note about this delightful animated adventure is that it should not be confused with an historical account of the Russian revolution. Aside from borrowing a few names, facts, and dates, this is pure, unadulterated fantasy. Someone expecting even a loose reliance upon history is going to be horrified, but then anyone who falls into that category probably doesn't belong at this movie in the first place. Even moreso than POCAHONTAS, ANASTASIA uses reality as nothing more than a convenient backdrop.
The story opens in 1916 Russia, just before the revolution, and depicts the fall of Czar Nicholas II as the result of a curse placed upon him by the evil monk Rasputin (voice of Christopher Lloyd). Every member of the Romanov family is killed, except Nicholas' mother, Marie (Angela Lansbury), who escapes to Paris, and the Czar's youngest daughter, Anastasia (Kirsten Dunst), who is missing. Rasputin is also slain, but, because his curse was not fulfilled, he ends up languishing in limbo.
Fast-forward ten years. Marie has offered a 10 million ruble reward for anyone who finds her granddaughter. Back in St. Petersburg, a pair of con artists, Dimitri (John Cusack) and Vladimir (Kelsey Grammer), are holding auditions for an "Anastasia" to take to Paris. When they discover Anya (Meg Ryan), little do they realize that the 18 year old young woman is actually the real princess. Together, Dimitri and Vladimir teach Anya how to act like royalty, preparing her for an audience with Marie. Meanwhile, Rasputin finds a way out of his nether- domain and plots Anastasia's demise.
While the animation in ANASTASIA still doesn't quite match up to that of Disney's recent features, it's light years ahead of the likes of THE LAND BEFORE TIME, BALTO, and even AN AMERICAN TAIL (also by ANASTASIA's director, former Disney animator Don Bluth). There are times when the characters' lips don't perfectly synch up with the vocals, and other occasions when the background detail is lacking, but, on the whole, ANASTASIA's visual pallet is quite rich. Many of the most complex sequences are majestic, and effective use is made of computer generated effects and background paintings. Consider, for example, an impressive view of a shining St. Petersburg as Anastasia approaches it from over a hill.
Story-wise, ANASTASIA is every bit as strong as any new wave Disney film except BEAUTY AND THE BEAST.  The lead character is easily the strongest, most independent animated female to grace the screen, surpassing even Belle for spunk. Meg Ryan is perfect for this role. Anastasia's love interest, Dimitri, isn't very interesting, although John Cusack gives him a spark of personality. The villain, Rasputin, looks hideous, but his nastiness is relatively generic. In fact, most of the time, he's just a diversion from the real story, which is about Anastasia's quest to find her family. There are two "cute" animals: a voiceless dog named Pooka and a bat called Bartok (Hank Azaria), who is very talkative.
Musically, ANASTASIA is better than anything from Disney since death deprived them of their key lyricist, Howard Ashman. All of the big production numbers in ANASTASIA have their roots in Broadway musicals, with a lot of well-choreographed dancing and singing. The songs themselves (there are six from Stephen Flaherty and Lynn Ahrens) are lively, and several, including "A Rumor in St. Petersburg", "Once Upon a December", and "Paris Holds the Key", stick in the memory. It's interesting to note that, of those who have speaking parts, only Kelsey Grammer, Bernadette Peters, and Angela Lansbury are allowed to do their own singing. Liz Callaway doubles for Meg Ryan, Jonathan Dokuchitz fills in for John Cusack, and Jim Cummings replaces Christopher Lloyd.
The whole process of watching ANASTASIA is a thoroughly enjoyable one, and it proves that any studio willing to put forth the time, money, and effort can match Disney. In fact, understandably, a lot of kids will mistake ANASTASIA for the Mouse's latest offering. Twentieth Century Fox should consider this a compliment, not a slight. If every non-Disney animated film in production or on the drawing board is as good as ANASTASIA, the executives at the Magic Kingdom have good reason to worry.
Copyright 1997 James Berardinelli
- James Berardinelli e-mail<EMAIL_ADDRESS>Now with more than 1300 reviews... The ReelViews web site: http://movie-reviews.colossus.net/
"For me, the cinema is not a slice of life, but a piece of cake."
- Alfred Hitchcock
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


Copyright © 2006 - 2013 NVIDIA Corporation
ALL NVIDIA DESIGN SPECIFICATIONS, REFERENCE BOARDS, FILES, DRAWINGS, DIAGNOSTICS, LISTS, AND OTHER DOCUMENTS (TOGETHER AND SEPARATELY, "MATERIALS") ARE BEING PROVIDED "AS IS."  Information furnished is believed to be accurate and reliable. However, NVIDIA Corporation assumes no responsibility for the consequences of use of such information or for any infringement of patents or other rights of third parties that may result from its use. No license is granted by implication or otherwise under any patent or patent rights of NVIDIA Corporation. Specifications mentioned in this publication are subject to change without notice. This publication supersedes and replaces all information previously supplied. NVIDIA Corporation products are not authorized for use as critical components in life support devices or systems without express written approval of NVIDIA Corporation.
NVIDIA, the NVIDIA logo, NVIDIA nForce, GeForce, NVIDIA Quadro, Vanta, TNT2, TNT, RIVA, RIVA TNT, Tegra, and TwinView are registered trademarks or trademarks of NVIDIA Corporation in the United States and/or other countries.
Linux is a registered trademark of Linus Torvalds. Fedora and Red Hat are trademarks of Red Hat, Inc. SuSE is a registered trademark of SuSE AG. Mandriva is a registered trademark of Mandriva S.A. Intel and Pentium are registered trademarks of Intel Corporation. Athlon is a registered trademark of Advanced Micro Devices. OpenGL is a registered trademark of Silicon Graphics Inc. PCI Express is a registered trademark and/or service mark of PCI-SIG. Windows is a registered trademark of Microsoft Corporation in the United States and other countries. Other company and product names may be trademarks or registered trademarks of the respective owners with which they are associated.
Table of Contents
/proc
File System
Interface


Hacking Fsharp Systems Not Windows
on 2015-09-05
The basic idea behind this talk is to bring everybody through a quick history of Visual Studio Code, Atom and other editors in relation to F# development and take a look at .NET’s compatibility across operating systems. I gave this presentation at Dev Day Poland in Krakow on September the 18th, albeit the site has been taken down and doesn’t seem to be archived anywhere. :(
Prerequisites to Follow Along & Other Details
- Install Git.
- OS-X, Ubuntu, and Windows (At least, these are the operating systems I’ve tested the presentation code on - specifically OS-X Yosemite, Ubuntu Server/Desktop 14.04.2 LTS, and Windows 8.1)
- Visual Studio Code - Getting Started with Visual Studio Code
- Check out OS-X and F# [Clone It, Build It, Install It, Hack It] and Simplifying bash & repl Use With F# for more information on setting up and using F# on non-Windows Platforms (and Windows to some degree).
Also I’ve started a series on F# which includes a lot of the troubleshooting and steps I took to get things running on the various operating systems;
- __11 |> F# – Some Hackery – A String Calculator Kata
- __10 |> F# – Moar Thinking Functionally (Notes)
- _100 |> F# Some Troubleshooting Linux
Some of the issues I discussed are available on Stack Overflow titled “How can I resolve the “Could not fix timestamps in …” “…Error: The requested feature is not implemented.”“ and “ProjectScaffold Error on Linux Generating Documentation“
- Even though these are primarily prerequisites focused around having Node.js and JavaScript working on your machine they’re also extremely helpful to have installed for a number of reasons, such as using yo as a scaffold builder for F# Projects and such. To paraphrase, get JavaScript & Node.js working on any development machine, it will pay off big over time, even if you’re not writing JavaScript code.


This is my grandmother's apple pie recipe. I like to add a dash of nutmeg.
4.0 stars based on 35 reviews
Prep time:
Cook time:
Total time:
Yield: 1 9" pie (8 servings)
Serving size: 1 medium slice
Calories per serving: 250 cal
Fat per serving: 12 g
Ingredients:
Thinly-sliced apples:
6 cups
White sugar:
3/4 cup
...
Directions:


{% extends '_layouts/layout.html' %} {% block page_title %} {% endblock %} {% block body_css_classes %}nhs-redesign{% endblock %} {% block content %}
Based on what you’ve told us we think you need medical help. Speaking to a nurse can help you decide what to do next. The nurse will tell you:
If you don’t want to book a call we’ll show you places you can go instead. This might mean you have to wait longer to be seen.


Selected work: 2016—2017
2017, Creative Coding
Audio-reactive posters for Midlight Records
Static posters by Studio Naam
2017, Illustration
Side project, French encaustic tiles I grew up with
2017, Poster Design
Poster made for Poke's beer pong event
2016, UI Design
View in Context feature for Arthit.com
2017, Research, UX and UI Design
View in Context feature for Nestlé. Work made at Poke
Documentation:
Nestlé Hydration Calculator 01: Brief, Competitive Research and Data
Nestlé Hydration Calculator 02: Wireframe & Early User Test
Nestlé Hydration Calculator 03: Nailing the Visual Design
Nestlé Hydration Calculator 04: Final User Testing
Nestlé Infographic


document.URL
document.documentURI
document.URLUnencoded (IE 5.5 or later Only)
document.baseURI
location
location.href
location.search
location.hash
location.pathname
document.referrer
window.name
history.pushState()
history.replaceState()
Indirect source objects are:
localStorage
sessionStorage
IndexedDB (mozIndexedDB, webkitIndexedDB, msIndexedDB)
Database (Safari Only)
Other Objects Sources:
opener (IE <= 7 Only)
parent/top/frames[i].obj
event.data of onmessage event for postMessage method
Notes on cookies:
Time t - From: vi.ct.im/path/to/page/
document.cookie="SESSION=TRUESESSION; path=/";
Time t+1 - From: v2.ct.im/another/path/to/a/page/
document.cookie="SESSION=FAKESESSION; path=/path/to/page; domain=.ct.im"
Time t+2 - From: vi.ct.im/path/to/page/
document.cookie
returns
"SESSION=FAKESESSION; SESSION=TRUESESSION;"
Notes on history.*()
What makes those methods interesting in terms of DOMXSS is the fact that they - when being called correctly - have direct impact on the actual location object. Let's have a look at an example:
history.pushState({state:'object'}, '', '?javascript:alert(1)');
alert(location.search) // alerts javascript:alert(1)
The location.href property will be affected by the method call - as well as what's visible in the user agents address bar (tested on Chromium 8 and Firefox 4). In scenarios where a script makes use of the location object the history manipulation interface can be a working source to fill the location properties with malicious data. Note that the location.href value is being reset by history.pushState() - but no actual redirection happens - the user agent remains on the same page from where the method call originally came.
Note that the state object is a valid DOMXSS source too - in case the attacker has control over it's properties. The window.onpopstate event observes active history changes and receives the state object. In case the attacked application uses its contents for JavaScript execution or renders them on the website it can be used for an attack too.


Desktop Strategy
Name of website with logo. Then talking aboout me and what this site is used for. Photo portfolio of animals that can be
adopted. Then contact me information with click links to other adoption sites.
Mobile Strategy
Name of site with logo. About me and why this site is useful. Photos of Potential animals to adopt. Ability to
contact me about information. then click links able to take you to other adoption sites.


SUSPECT A film review by Mark R. Leeper Copyright 1987 Mark R. Leeper
Capsule review: A plot that would have made a good episode of PERRY MASON is expanded to over two hours on the screen. There are some script problems, the greatest of which is that there are proper procedures when a juror finds he has evidence bearing on a case, but nobody seems to think of them in SUSPECT. An okay mystery and courtroom drama. Rating: +1.
Detective novels tend to have the detective who goes out on his own to solve a crime. That works find in books because the author can say in text what the detective is thinking. And what the detective is thinking is important to the plot. In film you usually are told what the detective is thinking in one of two ways. Voice-over first-person narration was popular in the 1940s detective films. It may even have become cliche. (A comedy currently running on cable called EAT AND RUN would be the final coffin nail for the voice-over if it was any better known.) The other approach is to send someone around with the detective who may or may not be a detective also. Holmes had Watson, Smith had Petrie, Chan had Number One Son, Nick had Nora. The more interesting the relationship, the better.
SUSPECT is a mystery/courtroom drama worthy of the old PERRY MASON show, but the gimmick is that the detective pair cannot be seen together. Kathleen Riley (played by Cher) is a public defender appointed to the case of a derelict accused of murder. Eddie Sanger (played by Dennis Quaid) is a juror with a quick and logical mind who finds he is better at defending the derelict that Riley is. Sanger has sufficient has sufficient reason to disqualify himself as a juror and have a substitute replace him, just as would happen if he had appendicitis. That would free him to help defend the charged man, which is clearly where his heart is. But that would mean there would be no story here. Instead he and Riley sneak around and she agonizes over the ethics of the situation.
The narrative line of SUSPECT is a little unusual. It begins with four widely separated plot strands that take a little while to wind together. So the opening is, perhaps, confusing or intriguing, depending on your point of view. There is a completely extraneous subplot of Sanger lobbying for dairy price supports on Capitol Hill, which broadens his character a little but could easily have been trimmed from this unusually long film. The final scene of the film, intended to lighten the proceedings, is miscalculated and is out of character for the serious lawyer Cher plays.
Cher is supposed to be a competent lawyer in an unusual role for her. She does better by the role than does the scriptwriter, who has her overlook some very basic aspects of the evidence, leaving Sanger to point them out to her. Along those lines, this is the third film I have seen in about a month in which a defense lawyer unexpectedly tosses an object to a defendant to establish left- or right-handedness. Quaid adds another boyish-enthusiasm role to a filmography already stocked with them. Joseph Mantegna, who did such a superb job in HOUSE OF GAMES is on hand in a less noticeable role as the prosecuting attorney.
SUSPECT has a reasonably good plot and some acceptable acting, but some minor script problems. Rate it a +1 on the -4 to +4 scale.
Mark R. Leeper ihnp4!mtgzz!leeper<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


% include("/static/include/title.html"){} include("/static/include/css.html"){} include("/static/include/js.html"){} %>
[在当前页面上部填充申请单据摘要信息]


Glossary
Definitions
Labor
refers to the overall state of acting to produce results.
Work
refers to the effort one makes during labor
Project
refers to a defined scope of work — the thing you are trying to do. It is the nature of our attention that we subdivide our labor into smaller projects, so whatever conditions that guide our work at any given stage of labor define the project being done
Models
A model is a dynamic representation of the labor required by a project as understood by an observer. This observer is typically a self-aware party that situates themselves as part of the model. The model is comprised of concepts that have the capacity to describe all the conditions that are relevant to the project as understood by this party. One can engage these concepts to produce multiple, hypothetical narratives of how they should go about their labor and what the expected outcomes will be.
However complex these models are, their significant components can be categorized as one of following three fundamental components of labor.
The Fundamental Components of Labor
- Actors
- Work
- Context
Actors
are anything performing work or work-equivalent actions. An individual at work is the typical actor within a project.
Work
is any action taken by an actor that contributes to their labor, designated either before it begins by the actor’s intentions or after it has started by its observed results.
Context
is the total set of all conditions that the actors believe to be relevant to the execution of work as part of a project.
In this theory, then, labor is when an actor does work within a context to complete a project, following their model to do so.
Other Terminology
The conventional narrative
is the progression of labor from incomplete to complete in which work that does not directly advance the process towards completion is considered illegitimate, non-canonical or not “real work.”
Medium
is the material, physical or otherwise, with which we do conceptual labor. Unlike context
, the medium
of our conceptual labor is not defined by our understanding of it. Medium
refers to the total set of conditions, known or unknown, relevant or not, of anything with which we do conceptual labor.


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Create answers that can be easily edited by most users
5
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create posts
Ask a question or contribute an answer


flixel.util.FlxMisc
- type
- class
A class containing random functions that didn't
fit in any other class of the util package.
Static Methods
- parameters
Value
The object you want copied
- returns
- A copy of this object
- parameters
URL
The address of the web page.


< return to staff Education
|
|||||||||||||||||||||
| Biography | |||||||||||||||||||||
Karel-Alexander Duerloo* is a Ph.D. Candidate in Stanford University's Department of Materials Science and Engineering. Karel-Alexander’s research focuses on discovering and learning more abouttechnologically useful 'emergent' properties of inorganic two-dimensional materials. Emergent properties of two-dimensional crystals are features that exist only in 2D atomically thin layers that are isolated from a bulk 3D parent crystal in which this feature is entirely suppressed. 2D emergent properties include: exceptional mechanical strength, graphene’s exotic electronic properties, and direct band gaps in transition metal dichalcogenides. For instance, our work has discovered that piezoelectricity is also an emergent property of many 2D crystals: BN, MoS2, MoSe2, MoTe2, WS2, WSe2 and WTe2. Whereas their bulk parent crystals are centrosymmetric, these atomically thin 2D sub-crystals are not. Thus, the 2D form is potentially piezoelectric. This radically new notion of piezoelectric monolayers being isolated from an entirely non-piezoelectric 3D crystal suggests potential for intriguing electromechanical effects and applications in the single- and few-layer regime.
After growing up in Belgium, Karel-Alexander moved to the Netherlands in 2008 to pursue a Bachelor’s degree in Applied Physics from Delft University of Technology. In 2011, he developed a data mining software package that tracks the properties of a metal’s individual grains in datasets obtained from state of the art X-ray diffraction experiments at the European Synchrotron Radiation Facility (ESRF) in Grenoble, France. Karel-Alexander received his Bachelor’s degree from Delft in 2011 with honors and distinction. * pronunciation: Carl-Alexander Dewer-low Publications Li, Y., Duerloo, K.-A. N., Reed, E. J., Strain Engineering in Monolayer Materials Using Patterned Adatom Adsorption. Nano Letters, doi:10.1021/nl500974t (2014). Duerloo, K.-A. N., Li, Y., Reed, E. J., Structural Phase Transitions in Two-Dimensional Mo- and W- Dichalcogenide Monolayers. Nature Communications, doi:10.1038/ncomms5214 (2014). Duerloo, K.-A. N., Reed, E. J., Flexural Electromechanical Coupling: a Nanoscale Emergent Property of Boron Nitride Bilayers. Nano Letters, doi:10.1021/nl4001635 (2013). Ong, M. T., Duerloo, K.-A. N., Reed, E. J., The Effect of Hydrogen and Fluorine Coadsorption on the Piezoelectric Properties of Graphene. Journal of Physical Chemistry C, 117, 3615-3620, doi:10.1021/jp3112759 (2013). Duerloo, K.-A. N., Ong, M. T., Reed, E. J., Intrinsic Piezoelectricity in Two-Dimensional Materials. Journal of Physical Chemistry Letters, 3, 2871–2876, doi:10.1021/jz3012436 (2012). Awards and Honors
|


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Project Overview
Enigma.io has a large dataset from the Global Historical Climatology Network. The Dataset has daily temperatures reading from 90,000 weather stations around the country, the records set selected has data from 1963-2013 provide an incredible source of insight into our changing climate.
Using this data, we were are able to classify the upromal weather event (Anomalies)
Types of Anomalies
Using the last 50 years of temperature and define the following four categorize, we are able to determine the overall wather patterns.
COLD anomalies occur on days when the daily high or low temperature falls below its expected range.
WARM anomalies occur when the high or low temperature falls above its expected range.
STRONG COLD anomalies occur on days when the daily low temperature falls far below its expected range.
STRONG WARM anomalies occur when the high temperature falls vfar above its expected range.
Observations and trend
Since 1964, the proportion of WARM Days and STRONG WARM anomalies has risen from about 42% of the total to almost 67% of the total – an average increase of 0.5% per year. This trend, fitted with a generalized linear model, accounts for 40% of the year-to-year variation in warm versus cold anomalies, and is highly significant with a p-value approaching 0.0. Though we remain cautious about making predictions based on this model, it suggests that this yearly proportion of warm anomalies will regularly fall above 70% in the 2030's.
Yet despite the clarity of this trend, it is difficult to detect on a day-to-day basis. This past winter's polar vortex, for example, prompted some pundits to claim that global warming is a "hoax". But while daily and even annual weather trends may be subject to severe fluctuations, climate change shifts starkly into focus when viewed through a historical lens.


MTGSquad
MTGSquad Is A Young Developer Who Freelances, And Does Dumb Stuff.
To checkout my blog, go to here and read some posts!
Why So Bland?
I Have Switched To A New Site... Which Is Here!
Donations
Donate To My New Project: The mCloud LLC! A Hosting Company.


Help for domain administration: Index
The Domain Administrator administers all user accounts in this domain. Use the Add New User screen to input user information and assign a user name and password, or add multiple users in one action. To access this screen:
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You don't have to include a company or organization, but if you want to, the user's real name is also required. You must enclose real names and/or company/organization names in quotes as indicated in the above example.
After adding the user(s), you are returned to the User List page view which now includes any newly added users. You can click on any user name to access an edit screen of that user's account. See the Editing user accounts and role assignments section for more information.
If your site supports guest users to visit without registering or explicitly logging in, these users can read domain-level content, such as the home page and help information. They can also view information and check out source code for public projects. They cannot, however, make any changes to anything obtained from this site, access any private content, or access any personalized content such as the Start Page. If guest users wish to make changes or view restricted content associated with private projects, they must register with the site to obtain a user account and then log in.
Because this site handles guest users as just another role that users hold ("Anonymous Guest"), you can choose to modify the permissions associated with this role--just as you can with other roles-- if you want to give guest users greater access to the site. See Administering roles and permissions: Editing roles for more information.
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Steve Mariotti is the founder of the Network for Teaching Entrepreneurship (NFTE) and an advocate for entrepreneurs worldwide. His latest book, An Entrepreneur’s Manifesto, makes a convincing case for the power of entrepreneurship to combat poverty, terrorism and totalitarianism.
Widely considered a leading expert in education for low-income youth, Mariotti left a successful business career in 1982 to become a Special Ed teacher in such New York City neighborhoods as East New York, Brooklyn, and Fort Apache in the South Bronx. Frustrated at first by his rowdy classrooms, Mariotti discovered he could reach and motivate even his most challenging students by teaching them how to run a small business. This experience inspired him to create NFTE in 1987 to bring entrepreneurship education to low-income youth, and empower them to create their own pathways out of poverty.
Widely considered a leading expert in education for low-income youth, Mariotti left a successful business career in 1982 to become a Special Ed teacher in such New York City neighborhoods as East New York, Brooklyn, and Fort Apache in the South Bronx. Frustrated at first by his rowdy classrooms, Mariotti discovered he could reach and motivate even his most challenging students by teaching them how to run a small business. This experience inspired him to create NFTE in 1987 to bring entrepreneurship education to low-income youth, and empower them to create their own pathways out of poverty.
Over 600,000 young people have graduated from NFTE programs. NFTE operates in 22 states and 12 countries, and has used the entrepreneurship education curriculum Mariotti developed to train more than 11,000 teachers worldwide. NFTE runs programs in the U.S., South Africa, Ireland, Israel, Belgium, China, the Netherlands, Germany, India, and the United Kingdom, and is opening new programs in the West Bank and New Zealand. NFTE was the subject of the film Ten9Eight: Shoot for the Moon, about which Tom Friedman wrote in the New York Times: “Obama should arrange for this movie to be shown in every classroom in America. It is the most inspirational, heart-warming film you will ever see.”
When he founded NFTE, Mariotti discovered there were no textbooks available for teaching entrepreneurship to young people, so he wrote groundbreaking textbooks for NFTE courses, including the Golden Lamp Award-winning high-school textbook Entrepreneurship: Starting and Operating a Small Business (now in its 11th edition), and the junior college textbook Entrepreneurship and Small Business Management. Mariotti is also the author of the popular Young Entrepreneur’s Guide to Starting and Running a Business. In total, Mariotti has authored or co-authored 34 books, textbooks, workbooks and manuals related to entrepreneurship. Approximately 1.2 million copies have been sold or donated worldwide, including to prison programs like ITEM (Inmates Teaching Entrepreneurship and Mentoring), which Mariotti co-founded with Joe Robinson in 2004.
Mariotti is the recipient of numerous awards including the Bernard A. Goldhirsh Social Entrepreneur of the Year Award, the National Director’s Entrepreneurship Award from the Minority Business Development Agency of the U.S. Department of Commerce, Ernst and Young Entrepreneur of the Year Award, the Association of Education Publishers’ Golden Lamp Award, the ACE/Currie Foundation Humanitarian Venture Award, and America’s Top High School Business Teacher. The math curriculum he created for NFTE was voted Best in Category for High School Students by the Association of Educational Publishers.
Mariotti has been an active member of the Council on Foreign Relations for eleven years. He has been an attendee and speaker at the World Economic Forum for nine years, where he, Daniel Rubuzzi and three other educators presented their landmark policy paper “Educating the Next Wave of Entrepreneurs.” In 2013, Mariotti traveled to Southeast Asia as a U.S. State Department guest on a mission to spread entrepreneurial education to youth from emerging economies. His Huffington Post columns on the Cambodian genocide committed by the Khmer Rouge from 1975-1979 were credited by the Cambodian press as key to continuing the trials of former Khmer Rouge leaders, most of whom were convicted in 2014. He is a featured speaker at conferences and seminars such as the Aspen Ideas Festival, and at such universities as Harvard, Columbia, Yale and Babson College.
After attending high school in Flint, Michigan, Mariotti received his B.B.A in economics and his M.B.A. from the University of Michigan, Ann Arbor. Mariotti began his professional career as a treasury analyst for Ford Motor Company in Dearborn, Michigan, where he was the youngest senior analyst in Ford’s history, and assisted legendary senior VP of Ford Finance J. Edward Lundy from 1975-1979. While at Ford, Mariotti drafted, with the help of anti-apartheid activist Leon Sullivan, Ford’s initial policy statement against apartheid in 1978. Mariotti left Ford in 1979 and moved to New York City to start his own company, Mason Import/Export Services, in New York City.
Mariotti has also studied at Harvard University, Stanford University, Brooklyn College, Babson College and enjoys attending lectures on physics at the Institute for Advanced Studies in his current hometown, Princeton NJ. His hobbies include collecting rare books, chess and long walks.


ntp_clock
Section: File Formats (5)Index Return to Main Contents
NAME
ntp_clock - Reference Clock OptionsREFERENCE CLOCK SUPPORT
The NTP Version 4 daemon supports some three dozen different radio, satellite and modem reference clocks plus a special pseudo-clock used for backup or when no other clock source is available. Detailed descriptions of individual device drivers and options can be found in the Reference Clock Drivers page. Additional information can be found in the pages linked there, including the Debugging Hints for Reference Clock Drivers and How To Write a Reference Clock Driver pages. In addition, support for a PPS signal is available as described in Pulse-per-second (PPS) Signal Interfacing page. Many drivers support special line discipline/streams modules which can significantly improve the accuracy using the driver. These are described in the Line Disciplines and Streams Drivers page.
A reference clock will generally (though not always) be a radio timecode receiver which is synchronized to a source of standard time such as the services offered by the NRC in Canada and NIST and USNO in the US. The interface between the computer and the timecode receiver is device dependent, but is usually a serial port. A device driver specific to each reference clock must be selected and compiled in the distribution; however, most common radio, satellite and modem clocks are included by default. Note that an attempt to configure a reference clock when the driver has not been compiled or the hardware port has not been appropriately configured results in a scalding remark to the system log file, but is otherwise non hazardous.
For the purposes of configuration, ntpd treats reference clocks in a manner analogous to normal NTP peers as much as possible. Reference clocks are identified by a syntactically correct but invalid IP address, in order to distinguish them from normal NTP peers. Reference clock addresses are of the form 127.127.t.u, where t is an integer denoting the clock type and u indicates the unit number in the range 0-3. While it may seem overkill, it is in fact sometimes useful to configure multiple reference clocks of the same type, in which case the unit numbers must be unique.
The server command is used to configure a reference clock, where the address argument in that command is the clock address. The key, version and ttl options are not used for reference clock support. The mode option is added for reference clock support, as described below. The prefer option can be useful to persuade the server to cherish a reference clock with somewhat more enthusiasm than other reference clocks or peers. Further information on this option can be found in the Mitigation Rules and the prefer Keyword page. The minpoll and maxpoll options have meaning only for selected clock drivers. See the individual clock driver document pages for additional information.
The fudge command is used to provide additional information for individual clock drivers and normally follows immediately after the server command. The address argument specifies the clock address. The refid and stratum options control can be used to override the defaults for the device. There are two optional device-dependent time offsets and four flags that can be included in the fudge command as well.
The stratum number of a reference clock is by default zero. Since the ntpd daemon adds one to the stratum of each peer, a primary server ordinarily displays an external stratum of one. In order to provide engineered backups, it is often useful to specify the reference clock stratum as greater than zero. The stratum option is used for this purpose. Also, in cases involving both a reference clock and a pulse-per-second (PPS) discipline signal, it is useful to specify the reference clock identifier as other than the default, depending on the driver. The refid option is used for this purpose. Except where noted, these options apply to all clock drivers.
REFERENCE CLOCK COMMANDS
-
- server 127.127.t.u [prefer] [mode int] [minpoll int] [maxpoll int]
-
This command can be used to configure reference clocks in special ways. The options are interpreted as follows:
-
- prefer
- Marks the reference clock as preferred. All other things being equal, this host will be chosen for synchronization among a set of correctly operating hosts. See the Mitigation Rules and the prefer Keyword page for further information.
- mode int
- Specifies a mode number which is interpreted in a device-specific fashion. For instance, it selects a dialing protocol in the ACTS driver and a device subtype in the parse drivers.
- minpoll int
- maxpoll int
- These options specify the minimum and maximum polling interval for reference clock messages in seconds, interpreted as dual logarithms (2 ^ x). For most directly connected reference clocks, both minpoll and maxpoll default to 6 (2^16 = 64 s). For modem reference clocks, minpoll defaults to 10 (2^10 = 1024 s = 17.1 m) and maxpoll defaults to 14 (2^14 = 16384 s = 4.5 h). The allowable range is 4 (16 s) to 17 (36.4 h) inclusive.
-
- fudge 127.127.t.u [time1 sec] [time2 sec] [stratum int] [refid string] [mode int] [flag1 0|1] [flag2 0|1] [flag3 0|1] [flag4 0|1]
-
This command can be used to configure reference clocks in special ways. It must immediately follow the server command which configures the driver. Note that the same capability is possible at run time using the ntpdc program. The options are interpreted as follows:
-
- time1 sec
- Specifies a constant to be added to the time offset produced by the driver, a fixed-point decimal number in seconds. This is used as a calibration constant to adjust the nominal time offset of a particular clock to agree with an external standard, such as a precision PPS signal. It also provides a way to correct a systematic error or bias due to serial port or operating system latencies, different cable lengths or receiver internal delay. The specified offset is in addition to the propagation delay provided by other means, such as internal DIPswitches. Where a calibration for an individual system and driver is available, an approximate correction is noted in the driver documentation pages. Note: in order to facilitate calibration when more than one radio clock or PPS signal is supported, a special calibration feature is available. It takes the form of an argument to the enable command described in the Miscellaneous Options page and operates as described in the Reference Clock Drivers page.
- time2 secs
- Specifies a fixed-point decimal number in seconds, which is interpreted in a driver-dependent way. See the descriptions of specific drivers in the reference clock drivers page.
- stratum int
- Specifies the stratum number assigned to the driver, an integer between 0 and 15. This number overrides the default stratum number ordinarily assigned by the driver itself, usually zero.
- refid string
- Specifies an ASCII string of from one to four characters which defines the reference identifier used by the driver. This string overrides the default identifier ordinarily assigned by the driver itself.
- mode int
- Specifies a mode number which is interpreted in a device-specific fashion. For instance, it selects a dialing protocol in the ACTS driver and a device subtype in the parse drivers.
- flag1 flag2 flag3 flag4
- These four flags are used for customizing the clock driver. The interpretation of these values, and whether they are used at all, is a function of the particular clock driver. However, by convention flag4 is used to enable recording monitoring data to the clockstats file configured with the filegen command. Further information on the filegen command can be found in the Monitoring Options page.
-
SEE ALSO
ntp.conf(5)
Primary source of documentation: /usr/share/doc/ntp-*
This file was automatically generated from HTML source.
Index
This document was created by man2html, using the manual pages.
Time: 05:34:00 GMT, December 24, 2015


All of the below functions can be found in the rough_surfaces
module of the package.
This module contains functions related to rough surfaces. Please see the
/demo
directory for minimum examples.
abbottfirestone
(trace, num_bins=100)[source]¶Calculate the Abbott-Firestone curve for a 1D profile trace.
| Parameters: |
|
|---|---|
| Returns: |
|
randsurf
(n_x, n_y, delta_x, delta_y, s_q, lambda_x, lambda_y)[source]¶Generate a random rough surface in the x-y-plane. The surface has a Gaussian
roughness distribution, a mean surface roughness of (approximately) 0, and
a standard deviation of s_a
.
The correlation length can be specified separately in x and y; however, the correlation length and grid spacing need to be constant in both directions. The computational cost increases with increasing correlation length in either direction.
The implementation follows the approach described in the appendix of:
N. Patir and H. S. Cheng, An Average Flow Model for Determining Effects of Three-Dimensional Roughness on Partial Hydrodynamic Lubrication, Journal of Lubrication Technology, 100(1), pages 12-17, 1978. doi:10.1115/1.3453103
The implementation is similar to that used by Björklund and Andersson:
S. Björklund and S. Andersson, A numerical method for real elastic contacts subjected to normal and tangential loading, Wear, 179, pages 117-122, 1994. doi: 10.1016/0043-1648(94)90228-3
| Parameters: |
|
|---|---|
| Returns: | heights – Surface heights in the x-y-plane. |
| Return type: | ndarray |


MARY REILLY A film review by Michael John Legeros Copyright 1996 Michael John Legeros
(Tri Star) Directed by Stephen Frears Written by Christopher Hampton, from the novel by Valerie Martin Cast Julia Roberts, John Malkovich, Michael Gambon, Glenn Close MPAA Rating "R" Running Time 118 minutes Reviewed at Six Forks Station Cinemas, Raleigh, NC (21FEB96)
==
The swooping shots across darkened rooftops suggest a very Tim Burton movie, but, alas, no caped crusader descends to save *this* film. Instead, it's a skeletal housemaid (Julia Roberts) who must bear witness to this unfortunate retelling of "Dr. Jekyll and Mr. Hyde." For a few, fleeting, maddening moments, director Stephen Frears (DANGEROUS LIAISONS) gets everything just right-- the tone, the colors, the characters; all the ingredients to make a most-powerful potion out of Valerie Martin's best-selling novel. Yet it fizzles too quickly; the volatile mixture losing potency from the very first scene.
Casting is a large part of the problem. The story all but collap- ses around Ms. Roberts-- she doesn't have the range for this kind of drama. Her accent also comes and goes, though it's nowhere near as glaring as the total lack of chemistry between her and co-star John Malkovich. (He looks the same in both of his roles-- an incredible fact that's missed by everyone in the story!) The very British supporting cast-- including Michael Gambon and George Cole-- gives credibility to the smaller parts. Glenn Close also appears as a Madam that the Good Doctor calls upon. Her performance is as close to intentional camp as the movie ever gets and-- as a bonus-- offers a likely peek at her upcoming Cruella De Ville in the live-action 101 DALMANTIONS.
The biggest botch in MARY REILLY is suspense: there is none. No terror, no tension; nothing. Without any weight, wit, or wonder to propel the story, the viewer is left with little more to do than pay attention to the period detail, a few buckets of blood, and Stuart Craig's fabulously dreary production design. All of which gets old after about an hour, at which point I recommend leaving. (The pacing in the second-half is especially abominable. If you *do* stick it through, your sole reward is a half-hokey special effect depicting the infamous transformation.)
Mr. Frears reportedly recut his film several times, missing several release dates in the process. (Obviously, no one advised him to throw up his hands and just turn the whole damned thing over to Mel Brooks. Blucher!) MARY REILLY is the second Robert Louis Stevenson story of the month, after MUPPET TREASURE ISLAND. Perhaps Mr. Frears should consult with Brian Henson on future projects. I daresay that even Ms. Piggy is a better choice for a certain roles than Julia Roberts. And she does have a great chop!
Grade: D-
--
Mike Legeros - Raleigh, NC
<EMAIL_ADDRESS>(h) -<EMAIL_ADDRESS>(w)
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Railroad Worker Obi:
Oh, well, you're a youngster, and youngsters make a lot of mistakes!
Just don't forget that all of our guilds have the same aim, that is, we exist to protect all Dwarves and independence!
Are you ready to hear about the test?
"Tell me about the test."


{% extends "layout.html" %} {% block brand %} {% include "includes/v2/brandChange.html" %} {% endblock %} {% block content %} Manage my enquiries prototype V5 Scenario chooser Frontline Agent Create Customer and create handover Find customer and update customer of progress Agent edit escalate handover Hidden radio for prototype Continue Processing Agent My queue and process handover (IS) My queue and process handover(ESA) Hidden radio for prototype Continue Manager Manager reallocate to another agent Hidden radio for prototype Continue {% endblock %}


Browser.PhantomJSDriver Class
This module is a browser plugin for DalekJS. It provides a browser launcher as well the PhantomJS browser itself.
The browser plugin comes bundled with the DalekJS base framework.
You can use the browser plugin beside others (it is the default) by adding a config option to the your Dalekfile:
"browsers": ["phantomjs", "chrome"]
Or you can tell Dalek that it should test in this & another browser via the command line:
$ dalek mytest.js -b phantomjs,chrome
Methods
getHost
()
Returns the driver host
getPort
()
Resolves the driver port
Returns:
integer
kill
()
chainable
Kills the PhantomJSDriver processe
launch
()
Launches the PhantomJSDriver
Returns:
Q.promise
Properties
Verbose version of the browser name
Default: PhantomJS
Default port of the PhantomJSDriver The port may change, cause the port conflict resultion tool might pick another one, if the default one is blocked
Default: 9001
Default host of the PhantomJSDriver The host may be overriden with a user configured value
Default: localhost
Root path of the PhantomJSDriver
Default: /wd/hub
Child process instance of the PhantomJS browser