| Package | Description |
|---|---|
| java.awt |
Contains all of the classes for creating user
interfaces and for painting graphics and images.
|
| java.awt.geom |
Provides the Java 2D classes for defining and performing operations
on objects related to two-dimensional geometry.
|
| Modifier and Type | Method and Description |
|---|---|
PathIterator |
Shape.getPathIterator(AffineTransform at)
Returns an iterator object that iterates along the
Shape boundary and provides access to the geometry of the
Shape outline. |
PathIterator |
Polygon.getPathIterator(AffineTransform at)
Returns an iterator object that iterates along the boundary of this
Polygon and provides access to the geometry
of the outline of this Polygon . |
PathIterator |
Shape.getPathIterator(AffineTransform at,
double flatness)
Returns an iterator object that iterates along the
Shape
boundary and provides access to a flattened view of the
Shape outline geometry. |
PathIterator |
Polygon.getPathIterator(AffineTransform at,
double flatness)
Returns an iterator object that iterates along the boundary of
the
Shape and provides access to the geometry of the
outline of the Shape . |
| Modifier and Type | Class and Description |
|---|---|
class |
FlatteningPathIterator
The
FlatteningPathIterator class returns a flattened view of
another PathIterator object. |
| Modifier and Type | Method and Description |
|---|---|
PathIterator |
Path2D.Float.getPathIterator(AffineTransform at)
Returns an iterator object that iterates along the
Shape boundary and provides access to the geometry of the
Shape outline. |
PathIterator |
Path2D.Double.getPathIterator(AffineTransform at)
Returns an iterator object that iterates along the
Shape boundary and provides access to the geometry of the
Shape outline. |
PathIterator |
CubicCurve2D.getPathIterator(AffineTransform at)
Returns an iteration object that defines the boundary of the
shape.
|
PathIterator |
Area.getPathIterator(AffineTransform at)
Creates a
PathIterator for the outline of this
Area object. |
PathIterator |
Arc2D.getPathIterator(AffineTransform at)
Returns an iteration object that defines the boundary of the
arc.
|
PathIterator |
Line2D.getPathIterator(AffineTransform at)
Returns an iteration object that defines the boundary of this
Line2D . |
PathIterator |
QuadCurve2D.getPathIterator(AffineTransform at)
Returns an iteration object that defines the boundary of the
shape of this
QuadCurve2D . |
PathIterator |
Ellipse2D.getPathIterator(AffineTransform at)
Returns an iteration object that defines the boundary of this
Ellipse2D . |
PathIterator |
Rectangle2D.getPathIterator(AffineTransform at)
Returns an iteration object that defines the boundary of this
Rectangle2D . |
PathIterator |
RoundRectangle2D.getPathIterator(AffineTransform at)
Returns an iteration object that defines the boundary of this
RoundRectangle2D . |
PathIterator |
RectangularShape.getPathIterator(AffineTransform at,
double flatness)
Returns an iterator object that iterates along the
Shape object's boundary and provides access to a
flattened view of the outline of the Shape
object's geometry. |
PathIterator |
Path2D.getPathIterator(AffineTransform at,
double flatness)
Returns an iterator object that iterates along the
Shape
boundary and provides access to a flattened view of the
Shape outline geometry. |
PathIterator |
CubicCurve2D.getPathIterator(AffineTransform at,
double flatness)
Return an iteration object that defines the boundary of the
flattened shape.
|
PathIterator |
Area.getPathIterator(AffineTransform at,
double flatness)
Creates a
PathIterator for the flattened outline of
this Area object. |
PathIterator |
Line2D.getPathIterator(AffineTransform at,
double flatness)
Returns an iteration object that defines the boundary of this
flattened
Line2D . |
PathIterator |
QuadCurve2D.getPathIterator(AffineTransform at,
double flatness)
Returns an iteration object that defines the boundary of the
flattened shape of this
QuadCurve2D . |
PathIterator |
Rectangle2D.getPathIterator(AffineTransform at,
double flatness)
Returns an iteration object that defines the boundary of the
flattened
Rectangle2D . |
| Modifier and Type | Method and Description |
|---|---|
abstract void |
Path2D.append(PathIterator pi,
boolean connect)
Appends the geometry of the specified
PathIterator object
to the path, possibly connecting the new geometry to the existing
path segments with a line segment. |
void |
Path2D.Float.append(PathIterator pi,
boolean connect)
Appends the geometry of the specified
PathIterator object
to the path, possibly connecting the new geometry to the existing
path segments with a line segment. |
void |
Path2D.Double.append(PathIterator pi,
boolean connect)
Appends the geometry of the specified
PathIterator object
to the path, possibly connecting the new geometry to the existing
path segments with a line segment. |
static boolean |
Path2D.contains(PathIterator pi,
double x,
double y)
Tests if the specified coordinates are inside the closed
boundary of the specified
PathIterator . |
static boolean |
Path2D.contains(PathIterator pi,
double x,
double y,
double w,
double h)
Tests if the specified rectangular area is entirely inside the
closed boundary of the specified
PathIterator . |
static boolean |
Path2D.contains(PathIterator pi,
Point2D p)
Tests if the specified
Point2D is inside the closed
boundary of the specified PathIterator . |
static boolean |
Path2D.contains(PathIterator pi,
Rectangle2D r)
Tests if the specified
Rectangle2D is entirely inside the
closed boundary of the specified PathIterator . |
static boolean |
Path2D.intersects(PathIterator pi,
double x,
double y,
double w,
double h)
Tests if the interior of the specified
PathIterator
intersects the interior of a specified set of rectangular
coordinates. |
static boolean |
Path2D.intersects(PathIterator pi,
Rectangle2D r)
Tests if the interior of the specified
PathIterator
intersects the interior of a specified Rectangle2D . |
| Constructor and Description |
|---|
FlatteningPathIterator(PathIterator src,
double flatness)
Constructs a new
FlatteningPathIterator object that
flattens a path as it iterates over it. |
FlatteningPathIterator(PathIterator src,
double flatness,
int limit)
Constructs a new
FlatteningPathIterator object
that flattens a path as it iterates over it. |
Submit a bug or feature
For further API reference and developer documentation, see Java SE Documentation. That documentation contains more detailed, developer-targeted descriptions, with conceptual overviews, definitions of terms, workarounds, and working code examples.
Copyright © 1993, 2015, Oracle and/or its affiliates. All rights reserved.


"The real conundrum isn't to create a robot that can love. It's getting a human to love it back."
Starring Haley Joel Osment, Jude Law, Frances O'Connor, Sam Robards, William Hurt, Jack Thomas, Brendan Gleeson and the voice of Jack Angel. Directed by Steven Spielberg. Rated PG-13.
***SPOILERS AHEAD***
Everyone is talking about A.I. Artificial Intelligence, and everyone wants to talk about it as a collaboration between Steven Spielberg and the late Stanley Kubrick. Though there are some interesting points to be made on the subject, they have by now been made elsewhere, and I'm not interested in discussing it. The bizarre, upsetting, wonderful movie stands on its own as a provocative masterpiece, that rare piece of work with the courage to bewilder, be misinterpreted and start arguments.
Like many, it took me two viewings to realize this. I knew right away that I had seen something special, but the film disturbed me so deeply that I looked for flaws, and I found them. The second time, it was more apparent that this is easily Spielberg's most mature, most meticulous movie to date; what I perceived as flaws were choices, not errors, and damn good ones in retrospect.
A.I. begins with the familiar sight of crashing ocean waves and narration by Ben Kingsley, who describes the world after the melting of the polar ice caps. Major cities, including New York, were drowned; thousands of people starved to death. Strict population controls were imposed by surviving governments. Humans became increasingly dependant on mechas, robots that simulate human appearance and behavior.
By now, Spielberg has already set the mood for at least the first section of the film: chilling, foreboding, the darkness of the subject matter clashing with the sterile comfort of the futuristic society it depicts; those expecting another E.T. should already be disappointed. We fade to a conference room, where Dr. Allen Hobby (William Hurt) gives a speech on the prospects of building a robot who can feel real human emotions, a robot child who can love. Someone poses a question that Dr. Hobby is unable to answer, one of the film's central themes: if the robot genuinely loves its owner, what responsibility does the human have towards the machine? The answer isn't, as Roger Ebert thoughtlessly wrote, "none." If we are responsible for what we create, are we also responsible for the emotions of a robot boy? After all, his feelings are hardly more "simulated" than ours; they're all electrical signals traveling through a network of neurons.
Cybertronics, Inc. creates a prototype named David, played here by Haley Joel Osment, and gives it to Henry Swinton (Sam Robards), an employee, to try out. He and his wife Monica (Frances O'Connor) already have a son who is in a coma after an accident, evidently beyond science's reach. Monica, understandably, has trouble accepting a mecha replacement, and Henry doesn't push her. David looks and acts like a real boy, but not quite; there's something subtly off about his behavior (for one thing, he never blinks). This part of the film is icy and ominous, though you can't put your finger on exactly why; this is the closest Spielberg comes to channeling Kubrick.
David comes with an imprinting protocol, a sequence of words that must be said to him that will seal his love to his owner forever. If, after imprinting, the owner decides not to keep the mecha, it must be returned to its manufacturer for destruction. At first, Monica doesn't like the idea; David creeps her out by suddenly appearing everywhere she turns, and the idea that this is a machine seems always to be in the back of her mind. Then, almost impulsively, she imprints, and, in an amazing scene, David calls her "mommy" for the first time.
Martin regains consciousness. He's Henry and Monica's "real son," and David isn't spared this information. Martin sees him as just a cool toy to play with, but when he sees that his mom is infatuated with this fancy new "mecha," he sets out to make David seem like a threat.
After being taunted by kids at Martin's birthday party, David appeals to Martin for protection and, in the midst of the chaos, drags him into the pool and almost drowns him. The next day, under the guise of an intimate drive through the country, Monica takes David back to Cybertronics. Only she can't bear to destroy this mecha that seems so lifelike. So she decides to leave him in the woods with his talking teddy bear and let him fend for himself.
This is where my emotions started to run amok. The scene in the forest is so heartbreaking, so genuine in its despair that were I a few decades older I may have had to be wheeled away; I would have cried if I wasn't so shellshocked both times I watched it. But the scene is even more powerful when you ask why it was so affecting. After all, David isn't a real boy, but a machine. So isn't it like leaving a toaster in the woods, or a microwave? This is the genius of Spielberg's work here. He isn't going for pure manipulation; he plays with your emotions and then prods you to consider why you felt the way you did.
A.I. then shifts in tone completely, as David is caught by a local "Flesh Fair," a "celebration of life" in which robots are flamboyantly destroyed on stage, under the guise of "destroying artificiality." The head of the fair, played by Brendan Gleeson, shouts that these mechas were made to replace humans, and the film's ending proves him right.
David spends the rest of the movie searching for the Blue Fairy, a character from Pinnochio, which he overheard when Monica read it to Martin. He wants to become a real boy so that his mommy will love him again. His companions are Teddy and Gigolo Joe (Jude Law), a single-minded, runaway lover robot. Joe was Kubrick's idea, considerably toned down by Spielberg.
The film is insanely ambitious and brave. It dares to regard the human race as a petty distraction in the grand scheme of things, and to view existence as a state of mind rather than flesh and blood. Why do we claim to have a monopoly on consciousness and emotion? If we make a computer program that learns, feels and reasons, how do you distinguish it from the structure of our brain which is similarly programmed by instinct and genetics?
In his third act, Spielberg fearlessly jumps 2000 years into the future, with a denoument that combines unabashed sentimentality with an undercurrent of darkness. Critics who gripe that Spielberg compromised Kubrick's vision with a trademark happy ending couldn't be farther off the mark; the conclusion is chilling, recalling Kubrick's own cryptic last act of 2001: A Space Oddyssey. No matter how you interpret A.I.'s last few seconds, they are the result -- or the continuation -- of a robot boy's dream, a dream that could never have come true in the world that created David.
A.I. is anchored by an amazing Haley Joel Osment, who again brings with him the emotional maturity most "adult" actors can only wish for. Jude Law, in his showiest role to date, is by turns hilarious and devastating as the troubled sexbot, and Frances O'Connor gives a courageous performance in what's likely to be one of the year's most despised roles.
I suppose it's not hard to see why American audiences have resisted and rejected A.I., though it is disheartening. It's Spielberg's most serious, most profound, most adult film; it's also his strangest. Moviegoers were confused by the daffy third act, and hard-pressed to see the point of it all. If you had that reaction, I think you should see it again; it's amazing how much becomes clear on second viewing.
This is the kind of movie that stays with you. Weeks after seeing it, I can't shake it. The image that has haunted me the most isn't the shockingly cruel scene in the woods, or the powerful conclusion, but Gigolo Joe's simple, stunning statement of existence. "I am. I was."
Grade: A
Up Next: Kiss of the Dragon
©2001 Eugene Novikov
========== X-RAMR-ID: 28964 X-Language: en X-RT-ReviewID: 237385 X-RT-TitleID: 1108184 X-RT-SourceID: 610 X-RT-AuthorID: 1577 X-RT-RatingText: A
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rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


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ajjone yes sir how are you i love you i love it when you call me sir okay that's good.
Tell me about this week it was a good week was that we had john and kirill here for a lot of the week and if you guys didn't get a chance to listen to their podcast last week.

But kind of but kind of so we had them saying it's fun yes memories of when we used to live with them it was so good it was so chill.
out. It was days filled with tech support and coffee, coffee and visioneering. Yes.
In fact, we knew probably what it was going to be like. So we took Tuesday off of work
and spent the day wandering around restaurants, coffee stores, Apple stores, downtown Franklin.
He tried to get me to go to the Tesla store. He did. Which was an exercise in futility.
Yes. Because I don't have $80,000 to spend on an electric sports car. That is correct.
- Did we eat anywhere special with them?
- We went to graze.
Went to-- - The Cheesecake Factory.
- Cheesecake Factory.
We sat out on the patio with the Cheesecake Factory,
such a nice meal.
- It was gorgeous to get a view
of the Cool Springs car park.
I mean, that's electric.
You can't buy a view like that.
- I mean, yeah, those fords and, you know,
cries, lures, wow.
- Am I gonna haircut?
- You did get a haircut.
Do you like it?
- Yeah, I do.

Like, just gonna have to get a haircut, so hassle.
You think that you getting a haircut like takes a lot of time?
Mine isn't a hassle.
I really enjoy it, but it takes a long time.
Yeah.
I don't enjoy it when you go away for a weekend.
Like you're like, I want to get my haircut
and you're like camping supplies.
I see money.
And I'm like for the kids for four days.
But I have fantastic hair.
But last year, you do.
Last year, I bought 12 months worth of haircuts in advance.
You did without checking with me.

But I'm actually really glad I did it.
And here's why. Well, it just removes the what's one less friction step and getting your haircut
But I'm not convinced that you go often enough that you've made it worth the amount of money we spent
They never end. Oh, you have a certain amount of them rather than a years. Yeah, yeah, yeah
They give you 12 haircuts. Oh, and I'm getting my haircut every month. Although I probably should
because my hair grows ridiculously long. I kind of like it when it's like fluffy and carefree.
Really? No. I didn't think you thought that. I just thought it'd be funny to say.
I really like that shirt on you. Forget it.
But the big event this week, yes, well, there was a couple of Mother's Day today. Mother's Day
Mother's Day in America for our UK listeners. You might be like, what? Mother's Day here. Yes,
And in Canada. Is it? Did you call your mother? Not yet. Wow, there's still plenty of time.
I know, right? I mean, she's not going to bed until like three in the morning.
I'm going to cook those pork chops first.  We got loads of time. We should redeem that description of your mother.
Yes. There's amazing things to say about your mom. The fact that she stays up late and eats
pork at about midnight while true is not the most amazing thing we could say. It's true.
It's one of her eccentricies. Is that how you did? I don't know. I don't speak anything.
Accentric.
Accentric.
Please.
Well, let's just go with that. Third time's the charm. Make your words. So we had Mother's
Day and then our good friends and the former producer of the show. Yes. Blake's friend
and Elena Williams got engaged, which were very, very excited.
We're so excited.
And we get to do the wedding.
Yes, we're so excited.
I know, I'm very excited.
I don't know if you saw my Instagram, you may or may not have,
but Blake and Elena surreptitiously dropped off a box of donuts
from $5 Bakery.
They did.
Which, you know, if you give me five donuts,
I'll pretty much do anything that's legal or borderline legal,
to be honest.
And they were so sweetly just said,
you know, we'd be honored if you'd do our wedding.
And what they don't know was the day before I had just said to AJ, you know, Blake and
Elena getting married is so awesome.
I kind of secretly hope that they ask us to do the wedding.
And then the very next day they sent us a beautiful card.
So congratulations guys.
You're amazing.
We're so excited.
And possibly the cute couple in the world.
Oh, they're so adorable.
They're absolutely.
And he was wearing a bow tie the other night.
She was wearing that cute little kind of 50s classic.
Oh, stunners.
Audrey Hepburn kind of looking thing.
Guys you don't need to worry i've already full shot what your children look like and they look amazing they're fantastic yeah.
The world wearing both eyes.
What are the topic people get engaged the other big family had to get a wedding we did john and hope got married.
Which was fantastic is beautiful on this private farm and there's a donkey that.
All the time it was that loud it's true.
It was worth during the rehearsal and it was at the wedding.
He only made that noise once and it was when the music was on.
It was just during worship, just three intimate times of praise in Jesus and a donkey just
just...
It would have been way worse if the worship wasn't happening though.
Louder?
No?
I thought it was sent of drowned out.
Anyway, it was a great wedding.
It was fantastic.
Very, very beautiful.
And then the reception and everything was there as well in the barn.
And astonishingly good food.
Really good food.
You know, wedding food is heteromisk, because it's hard to provide excellent food for hundreds
of guests.
Right.
But my gosh, was that amazing exceptional food?
It was really good.
Yeah.
And then the dancing was good.
I had left by then.
I know.
What's my golden rule for being at weddings?
Eat and leave.
Oh, is that on it?
That's nicely summarized.
Bring another car so you can leave and I can stay and be social.
Except for me, minus eat, dance, party the night away and then leave.
Yeah, BCM.
Not a good dancer.
That is not true.
You are a good dancer.
I think you've been smoking drugs, true or false?
Not true.
I think you can groove.
You're inner groove.
It just needs to come out.
Do you remember when we did ballroom dancing lessons together?
Yeah, was your crazy idea fostering intimacy in marriage?
Yeah, who would want that?
No, I want the industry in marriage.
I just don't want to be forced to go to the middle of a move.
Well, the worst thing about ballroom dancing lessons, despite the fact we had
an amazing ballroom dance teacher, is the room is surrounded in mirrors.

I mean, there's very few men that look good doing the Fox Drop.
I disagree. I think men that can ballroom dance very handsome.
That's your key. My point is there's very few men who can actually ballroom dance.
But if you do lessons, you could.
I give both a very slow process with a miniscule reward of even being one of those people who can
look good doing it.
Babe, I think the Tony would agree that you learned very quickly.
See, I think you're so encouraging. Your equal parts encouraging and delusional.
I loved their ballroom dancing lessons. They were fun.
So given that we've been, we're sort of in this season of weddings, we have another one in two
weeks time that we're super excited about and the one that was yesterday and then one in a couple
of months, we thought we might talk about getting hitched and marriage and just little bits of advice
and musings. Muse away. I shall muse. Well, we, as we were preparing for yesterday,
for a john and hopes we often think, you know, first of all, there's not much point in giving an
actual sermon at a wedding. Well, like giving the address. Yes. The bride and groom. Yes, because
they hear you like Charlie Brown's teacher.  I don't remember what John and Carol said hours.
I don't either. I remember that he poked you in the stomach or in the chest with the microphone
and you started manifesting.
I thought I was going to fall over.
Yeah.
Well, I think what was the funniest part for me
was at the end of our wedding is you thought you hadn't manifested.
And when you look at the video, you're like--
No, I knew I'd manifest.
I just didn't think it was that noticeable.
Oh, it was--
No.
Yeah, but to your point, I don't remember
saying John Carroll said.
Yeah.
And I think if we'd go back and ask all the people
who've done weddings for it, they
wouldn't have a clue what we said.
They won't remember.
So really, you're talking to the married people that are sitting
you're sort of reminding them, "Hey, this is what you were doing when you stood up here."
And probably to the single people, "Hey, this is what marriage is about because you're not going to retain whatever you get on your day."
Right.

What were the things that we say?
Well, we kept it pretty short. We did five. Didn't we? Did five little pieces?
 You could hear everybody go, "Wait, are we at wedding or funeral?"
Why is she starting with something negative?
But that's the truth.
It is the truth. It's designed, you know, well, they say it's designed to
grind, but maybe are we ever designed to grind in more ways than one. But it does it. You see all
the things in you that you wish were not there because they come up because you're living in somebody
else's space the whole time. See, I don't think that's what happens. I think it takes a wise person
to realize that it's your stuff coming up. I think when you're immature in your marriage,
when I like so I remember being frustrated you for X and I remember thinking,
oh, this isn't my problem.
This is a jade problem.
If she just stopped doing X, I wouldn't get angry.
So I'm the wise one in this scenario?
Well, I'm pretty sure you thought the same thing, but flipped.

So their behavior no longer works on me.
Yes.
I think it's only like a year six.
You realize, Oh, all my nagging hasn't changed this person.
Therefore, I need to find a better solution.
But I think it's kind of both and.
You come into marriage and you both have stuff.
No, no, no.
I totally agree with what you're saying.
I'm just saying the perception of the dynamic.
I don't think you get married and think, man, I'm really messed up.
Gosh, I'm overreacting to all these things my wife is innocently doing.
I think you think, man, if only my wife wouldn't do x, then I wouldn't get angry.
But the issue isn't whether you're doing x or not.
The issue is whether I have an anger problem.
Yes, but I do remember thinking, gosh, I never realized I was this selfish.
Like whenever it would come down to making a plan for anything, I realized, I'm,
I'm really used to running my life.
That's true too.
Yeah.
And so I, I was having like for the first year,
continual revelations of how selfish I am in terms of, I want to be able to do
what I want to do and I want you to do what I want to do, which is selfishness.
Yeah, you were so selfish.
Thanks, baby.
I was so patient.
really. So what's the solution to marriage design to kill you?
Well, it's the solution is to go after your own stuff. And I think we practice, we said,
practice self change instead of spouse change. So deal with your own stuff. And then let God
take care of your spouse. I remember Chester Kilt for saying to us or saying to me, Alan,
if you don't like the wife you have, change the way you treat her.
Yeah.
It was brilliant.
It is brilliant.
All right. What was number two?
Number two was your point, so I can't remember.
Oh, yeah. Number two was the brilliant line from Chip Judd.
Remember he said the goal of marriage is to see who can out serve the other.
Yeah. Make your marriage about who can out serve the other.
You made a great point when we were talking about this. You said serving one another
keeps the focus on the right person in the marriage.
Yeah.
That's brilliant.
Thanks.
Would you go get me a cup of sweet tea?
Sure, baby.
Right after we're done this podcast.
See, you're such a good server.
Thanks.
That was a test.
Number three was Jeff Dollar's killer line.
Yes.
It was he who apologizes first wins.
There's a little bit of an emphasis on he there, darling.
Well, I must have been the Holy Spirit because I didn't mean to do that.
Let's think of the individual.
he or she who of all sizes first wins.
And that's not to the would you rather be right or have relationship?
Yeah.
I'd rather have both and I'd rather be right and have relationship.
Right.
But that's not that wasn't really behind door number one or two.

Number four.
Number four was the whole thing about.
You know, often when we're doing marriage canceling with people, it's usually
the complaint is I'm not getting my needs met.
- Right.
- Like I have rights and they're not being met.
- Right.
- And to be sure there are rights
and there are responsibilities in scripture
laid out for a good marriage.
- Right, but thinking in terms of rights
is down to selfishness again.
- Mm-hmm, mm-hmm.
So it's that whole thing of, you know,
why submit to your husband?
And husbands love your wife as Christ loved the church.
So for a man, it's your quote, unquote, right to have your wife submit to you.
Right.
And for a woman, it's your quote, unquote, right to be loved like Christ loves the
church.
But actually, we don't get the demand that we get a right.
That's, that's appropriate for a two year old who stands for fist down.
That's correct.
Or stands for foot down.
And even then they'd end up on the naughty stair.
They would.
Yeah.
And the goal is actually, let's forget whether I'm having a wife that
submits to me and let me just focus on whether I'm loving her, like Christ loves the church.
Right.
That whole verse about, you know, wife's submit to your husband is interesting because the
verse preceding it says submit yourself one to another.
Right.
Number five, what was your fifth point?
It was about three quarters.
Three corded strand.
We talked about, is it from Ecclesiastes 4 verse 2, where it says a cord of three strands
cannot be broken.
about keeping Jesus in the center of your marriage, that there's you, there's your spouse, and there's Jesus.
And if you spend time on your relationship with God, that is time spent well on your marriage,
because it will strengthen your marriage.
All right, it's got some questions for you.
Okay.
They have nothing to do with marriage or relationships.
Oh, okay.
Brandon said, "I feel like I'm stepping into the role or ministry of a prophet,
but I'm not having the hesitation I hear that you guys and most other people have,
Is that a good thing? Does it mean anything? How do I begin to navigate those waters?
Gosh, I guess I'd have a bunch of questions about that. It sort of depends on how you're defining the role of a prophet
and what you mean by you're stepping into it or other people calling you into it and calling you up to it or
Bear in mind. We don't know you know your situation. We don't know your church background. So we're speaking entirely theoretically and so
Take what's helpful and throw with rest. I like to rely on the wisdom that I heard from jonple Jackson
He said if you have to tell people what you are people will never believe you
But if other people tell you what you are you'll never be able to convince them otherwise
So in my life, I have only met a
handful of people
Who knew at the outset that were called to prophetic ministry and actually are?
the rest of the people I know who are in prophetic ministry kind of had to be called into even some of the most amazing prophets
I know
It was kind of a wrestling struggle
And I don't think the rest on the struggle as a prerequisite for prophetic ministry
But what I've noticed is a lot of people along my life's journey who have introduced themselves to me as hi
I'm a prophet really or not
there
People maybe with a genuine prophetic gift
But for example in the six years I've been at Grey Center. We've had probably four or five people
Who've shown up at Grey Center and announced that they are God sent into Grey Center as a prophet and
we're like well
Maybe he has but could we at least get to know you and usually these people are
Incredibly reckless
They haven't had a strong track record in their prophetic gifting fairly wounded
But you're fairly wounded, you know, could probably do with some help.
So my advice in any sort of ministry, forget prophetic ministry is, in Proverbs it says
"A gift makes way for it to give or an ushers them into the presence of the great."
Well that means is your gift will make room for you.
So a lot of the prophets I know they just got on with being something other than being a
prophet and their gift, their anointing made room for themselves.
So congratulations, like if you're not wrestling with a call, if you're not frustrated with
a call, that's brilliant.

I think it was John Sanford that said, on average, it takes about 14 years for a profit
to mature into their calling.

I remember reading that and thinking, are you kidding?
It's going to take 14 years before I'm going to move into what I feel like God's calling
me into.
I remember the first time I met Gary Morgan, who is one of our dear friends, and a really
well recognized prophet in many different nations.
I met him for the first day and he was an enigma to me because he was someone who was
clearly anointed but didn't wrestle with any of the baggage of being anointed.
I'd spent a couple of hours with him, I asked him every question I could think of.
 He's like, no, I'm totally ease with that.
I said, but do you understand your call, your sphere of influence, your dimension? He's like,
no, I just, I'm content to be, you know, minister of the heart of God to everyone I
meet. And I remember Isabelle Alom, another great prophet, just an amazing mom in the
faith and a dear friend of our somebody we greatly respect. She said, don't worry about
whether you're a prophet or not. Just exercise your gift and your gift will take you where
you need to go. Find a great place to serve and don't be preoccupied. Not that I get from
your question or your preoccupied. So please don't hear me say that.
And resist the temptation to promote yourself.
Your gift will absolutely make room for you.  I just
even remember in my old church that we didn't have space for prophetic ministry. We didn't
recognize, you know, apostolic prophetic ministry at all. I was just completely hidden. I wasn't
walking in my gift per se. I mean, I was having dreams and I was having visions and a lot of
speaking to me privately. And then one day, one of the elders in my church, you know,
really one of the pastors in the church came up to me and just said, "Hey, what do you think God's
called you to?" And I was thinking, "Man, if you knew what God's called me to, you'd kick me
out of your church. And yet the Lord just said, "Well, why don't you just trust your
leaders and just open up your heart and tell them what you think?" And so I'm, you know,
really, really shy and thinking, "This is never going to work." But in doing so, you know, as they
approached me and said, "What do you think God's called you to?" And I began sharing the inklings
of my heart. You know, they confirmed it to me. They're like, "Hey, we don't know much about what
you're talking about, but we do know that you love Jesus and we do know that you hear his voice."
I was huge for a church that traditionally was steeped in cessationism.
By all means, just thank God that you have clarity and direction, but there's so much more to
being a prophet than prophesy. I would really encourage you to work on those things, work on
things like people skills, working with leaders, not being weird. It's weird enough that you know
that you can't plug in people's hearts. Yeah, get plugged in. Don't be a loose cannon,
because that's the kind of stuff that gives the prophetic a bad name too. So get plugged in.
And if there's anything that God's talking to you about in terms of your heart and things that
He's going after, deal with them real quick so that your filter's clean and ready to go.
And then also get lots of training from lots of different streams.
Yeah.
I hope that helps. And I hope you're taking comfort that we don't actually know you. So if
we've said anything that has hurt your feelings, I'm so sorry that wasn't our intent at all.
it wasn't.
All right, darling, some closing thoughts.
Closing thoughts.
We have more conference this weekend.
So excited, Graham Cook and Jonathan David and Melissa Houser coming to lead worship.
It's going to be amazing.
It's going to be amazing.
I appreciate this is only going to apply to a small subsection of our listeners to forgive
me.
But if you're planning on coming to the conference we're really looking forward to seeing you,
we have sold two different types of tickets, main auditorium ticket holders.
They are completely sold out.
seat guarantee you a seat in the main auditorium provided you are there on time. If you have
not taken your seat 15 minutes before each session starts, your seat will be given away
to somebody who is waiting in standby.  That ticket guarantees you a seat in our video overflow
rooms but also makes you eligible to wait in line for standby seats should some people
not show up for their main auditorium seats. If you can't join us in person, we will be
streaming the sessions live. If you go to musthavemore.com, you can find out how to sign up for that
process. And we are really, really looking forward to this conference. It's going to
be amazing. It's going to be fantastic. One other closing thought is next week will be
our 52nd episode of Keeping Up With The Joneses. Amazing. That means we will have been podcasting
for a year. Wow. We should do something fun. Like what? I don't know. Some sort of giveaway
or some sort of something.
Okay, let's think of something guy next week.
All right, well, we hope you have an incredible week.
Join us if you can for the more conference.
Go to musthavemore.com for all the details.
Our applications for our school of supernatural life are still open.
June 15th is the deadline to have your application.
We would love it if you would consider coming and spending eight months with us.
We would love nothing more than to train you and equip you and release you into your destiny,
which we will be talking about destiny next week.


| Date : | Telephone : |
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| Date & Hour : | US Telephone : |
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| With Callbacks (open console) : | Mixed Type Mask : |
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| Money : | IP Address : |
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| Mask with a Fallback Digit : | Mask with selectOnFocus : |


--- layout: default title: Home ---
Welcome!
I am Michael Broschinsky, long-time public servant and teacher. This is my professional ePortfolio.
This website has three sections:


Book your appointments online and find the ideal time to meet with our professionals.
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Expose docker host URL as environment variable DOCKER_HOST inside container.
This assumes the docker host IP/hostname is visible from container and doesn't require authentication or
adequate TLS keys are injected inside container by another mechanism.


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Hello! This is Muhammad, I am studding Business and Information System in NJIT and working full-time. I have undergraduate degree in Finance and Investments and like to keep up with technology and spend time with my family. I would like to lear different programing languages and get hands-on with latest technology. For more information on my experiance, please see below.
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uarray
– arrays of numeric data¶
|see_cpython_module| python:array
.
Supported format codes: b
, B
, h
, H
, i
, I
, l
,
L
, q
, Q
, f
, d
(the latter 2 depending on the
floating-point support).
Classes¶
-
class
uarray.
array
(typecode[, iterable])¶ Create array with elements of given type. Initial contents of the array are given by iterable. If it is not provided, an empty array is created.
-
append
(val)¶ Append new element val to the end of array, growing it.
-
extend
(iterable)¶ Append new elements as contained in iterable to the end of array, growing it.
-


Mozilla is cool
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---
layout: post
title: Sketch
date: '2013-09-29T17:31:00+02:00'
categories:
- Sketches
picture_url: https://film-Storyboards.tumblr.com/post/62661970651/sketch-drawn-with-mrdoobs-multiuser-sketchpad
---
Sketch drawn with Mr.doob’s Multiuser Sketchpad.


Y2o {Distille}
y2o {distilled} is a short version of the integral project y2o. y2o_ is a huis-clos, a collision between a man and a woman. Each of the scenes pummels emotional nodes, which are made and unmade by daily abrasions, observing the crossed polarities from which relentless loves are composed.
Cast
- Vanessa Pilon (Lead Actor)
- Jacques Poulin-Denis (Lead Actor)
Credits
- Directors
- dominique t skoltz
- Screenwriters
- dominique t skoltz
- Producers
- dominique t skoltz
- Cinematographers
- dominique t skoltz
- Editors
- dominique t skoltz
- Composers
- Émilie Bernard, dominique t skoltz
runtime: 12 min


Funnel
Extends:
A Funnel is a special type of Stream that combines the states from feeder streams.
Constructor Summary
| Public Constructor | ||
| public |
constructor(sourceMap: Immutable.Map): Funnel A Funnel is a special type of Stream that combines the states from feeder streams. |
Method Summary
| Public Methods | ||
| public |
destroy() destroy - cleans up a Funnel's feeder subscribers. |
|
| public |
forceState(state: Immutable) forceState - Funnels can accept new state an send state back up the subscription chain. |
|
| public |
subscribe - Overwrites base Stream class's subscribe method. Funnels should not emit state to subscribers until all source streams have defined state. |
Inherited Summary
| From class Stream | ||
| public get |
state: Immutable: * get state - a getter for returning the current internal state of the Stream. |
|
| public set |
state(newState: type): type: * set state - a setter that's probably more clever than it needs to be. Instead of setting
the internal state, it calls
Like I said, maybe too clever, but I thinks allow for a more delarative style when writing transformers. |
|
| public |
forceState(state: Immutable.Map) forceState - called when hydrating state from another source. |
|
| public |
logStack - Adds a stack to automatically add state changes. |
|
| public |
next(newState: Immutable) next - Receives new state (externally, ideally through a transformer) and verifies that the
new state is different from the Stream's current state before passing on to |
|
| public |
subscribe - takes a callback function that is executed any time the stream received new state. |
Public Constructors
public constructor(sourceMap: Immutable.Map): Funnel source
A Funnel is a special type of Stream that combines the states from feeder streams. Once all of the feeder streams have sent state, the Funnel will send the combined state to any observers. When creating the Funnel, the sourceMap describes the shape of the combined state. The key for each stream will be the key used to access the state of that stream on the combined state object.
Override:
Stream#constructorParams:
| Name | Type | Attribute | Description |
| sourceMap | Immutable.Map | a Map of the feeder streams. |
Public Methods
public forceState(state: Immutable) source
forceState - Funnels can accept new state an send state back up the subscription chain. This should only be used in cases of restoring state.
Override:
Stream#forceStateParams:
| Name | Type | Attribute | Description |
| state | Immutable | The new state to hydrate the funnel. |
public subscribe(observer: function): object source
subscribe - Overwrites base Stream class's subscribe method. Funnels should not emit state to subscribers until all source streams have defined state.
Override:
Stream#subscribeParams:
| Name | Type | Attribute | Description |
| observer | function | the obeserver function to listen to state changes. |


UNHOOK THE STARS A film review by Steve Rhodes Copyright 1997 Steve Rhodes
RATING (0 TO ****): ***
"Right here in this life, you get reincarnated," says Mildred. "You change."  Although she is not yet a grandmother, she looks like one, albeit an extremely attractive one.
Mildred is played with earnest realism by Gena Rowlands. Rowlands rejects the typical sentimental characterization for roles of this type and instead imbues Mildred with a documentary style straightforwardness. Mildred plays the sort of tireless and loving mother that everybody wants.
Mildred is the center of director Nick Cassavetes's film UNHOOK THE STARS. Nick is the son of director John Cassavetes and actress Gina Rowlands. As much as I admired UNHOOK THE STARS, I kept thinking the film was John Cassavetes-lite. This is not meant as an insult. John's actors played characters with their emotions on the edge whereas Nick's characters have theirs more in check. Both, however, have characters that are so real you will swear they are not acting.
As the show opens, the last of Mildred's two kids is about to leave home. Mildred has been throwing the morning paper route for Ann Mary Margaret (Moira Kelly from CHANGING HABITS) because Annie has trouble getting up. When Annie tells her mom that she is an adult now, Mildred doesn't buy it. "You're not an adult," she says. "An adult is someone who works and takes care of themselves." Soon after this, Annie packs her bag and is almost never seen in the film again.
Across the street from Mildred is a young family she has never met. Marisa Tomei (MY COUSIN VINNY, UNTAMED HEART and ONLY YOU) plays the high-strung and irresponsible young mother named Monica. Tomei's performance is out of character for her, but excellent. The audience gets angry with Monica while being charmed by her at the same time.
Monica's son J.J. (Jake Lloyd from JINGLE ALL THE WAY) is about to turn seven. He is a serious kid who almost never speaks. Less believable is his behavior, which is perfect. Given his hard drinking mother and his equally irresponsible father, Frankie (David Thornton), I have trouble believing they could turn out such an angel.
One day Monica shows up at Mildred's doorstep to introduce herself. She then announces that she has to go to work, and since she has no one to take care of J.J., could Mildred keep him all day. Rather than viewing this as an imposition, Mildred looks upon this as a great opportunity. When Monica asks her to do this on a regular basis, Mildred agrees to do it for free. Mildred likes having someone to take care of again.
Perhaps the most touching scenes of the show are the ones of Mildred teaching J.J. by reading to him from the encyclopedia. She starts with the letter A and goes on from there. She recasts every entry in terms that J.J. can comprehend. One of the few failings of the script by Helen Caldwell and Nick Cassavetes is that they do not have a proper grasp of what is possible for a seven-year-old boy. I have one, and I know. Mildred's lessons are too often couched in language for a ten-year-old. Similarly, there is no way that anyone would let a seven-year-old leave by himself in the morning to go throw a paper route as Mildred and Monica let J.J. do. A ten-year-old could do this perhaps, but not a seven. Still these are the only two such problems with the story.
At Thanksgiving, Mildred's son Ethan (David Sherrill) comes home with his new wife. Mildred's explanation of the holiday to J.J. is dead-on. She says, "That's what Thanksgiving is all about -- meeting friends and eating a lot." Ethan's wife looks like a cross between a Radcliffe graduate and a fashion model. The stares between her and her polar opposite, Monica, are hilarious. Monica is always foul mouthed, which Mildred ignores. As they are enjoying Thanksgiving, Monica cusses out her would-be date on the telephone. Ethan's wife is scandalized.
One of the best subplots starts when Monica gets a baby sitter for J.J. so that she and Mildred can go to a bar together. There they meet Big Tommy (Gerard Depardieu) and a couple of other friends of Monica's. For the first time Mildred is able to indulge herself. She is used to devoting all of her energies to caring for others. At the bar, she is able to spend time in adult conversations for her own benefit. Although she dresses nicely and takes good care of herself physically, she has long since given up on a love life. She shocks herself by becoming attracted to Big Tommy. From the time they leave the bar, the scene is a beautiful blend of subtle and touching humor. As throughout the film, it all rings true.
A picture with few surprises manages to have some towards the end. Even so, it is more a character study and a (second) coming of age film than one with a strong narrative drive. Mildred has awakened and likes what she sees. Her second life may have even more promise than her first.
UNHOOK THE STARS runs 1:43. It is rated R for strong language. The film would be fine for any teenager. I recommend it to you and give it ***.
**** = A must see film. *** = Excellent show. Look for it. ** = Average movie. Kind of enjoyable. * = Poor show. Don't waste your money. 0 = Totally and painfully unbearable picture.
REVIEW WRITTEN ON: February 6, 1997
Opinions expressed are mine and not meant to reflect my employer's.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


A JsonFile provides an interface for easily using JSON files.
More...
#include <JsonFile.h>
Inherits Fling::Resource.
A JsonFile provides an interface for easily using JSON files.
◆ JsonFile()
| Fling::JsonFile::JsonFile |
( |
Guid |
t_ID | ) |
|
|
explicit |
Construct a new JsonFile object.
- Parameters
-
| t_ID | The GUID that represents the file path to this JsonFile. |
◆ GetJsonData()
| json& Fling::JsonFile::GetJsonData |
( |
| ) |
|
|
inline |
Get a reference to the current Json data that is loaded from this file.
- Returns
- Reference to the current json data
◆ LoadJsonFile()
| void Fling::JsonFile::LoadJsonFile |
( |
| ) |
|
|
private |
Loads the JsonFile based on Guid path.
- Note
- All Guid paths are relative to the assets directory.
◆ m_JsonData
| json Fling::JsonFile::m_JsonData |
|
private |
The documentation for this class was generated from the following files:


FindSurface ( mesh,brush)
Parameters
mesh - mesh handle
brush - brush handle
Description
Attempts to find a surface attached to the specified mesh and created with the specified brush. Returns the surface handle if found or 0 if not.
See also: CountSurfaces, GetSurface.
Index
Click
here
to view the latest version of this page online


| Name: master jashwanth p | Reg No: 01-8SMHC19 |
|---|---|
| Age / Sex: 7/m | Contact No:9686517576 |
| Marital Status: | Date:02/8/19 |
| Occupation: 2nd class | Dr. |
| Address: | DIAGNOSIS- |
k/c/o pancreatitis since 1 year back may.
Had complained april end pain in the abd after eating food. After taking allorx tht night onwards vomitings.
Doesn’t maintain hygiene. (wont be clean. Must touch everything). Wont flush bathroom also. Wont eat his box.
Always want to play and never stays at one plays. Has lot of scars due to playing hard. . . Must investigate.
Afraid of scoldings. Will mingle with everyone.
Till now it was difficult to feed him food but now since he is restricted from all foods now he wants to have those foods which are banned for him.
Brilliant but will not write. Will listen.
Will not sleep also. Less frm baby also.
Mothers h/o: normal delivery.
Likes cold things. Even given hot will make it cold and eat. Likes sweets and chicken.
Green leaves.
Family h/o:
Mgm: dm, bp,
Mgf: dm, bp.
Pgf:dm, bp
Pgm: dm, bp
Dad: bp,
Ggm paternal: heart stroke
Mmgm: ca
Pggm: ca.
Pgf: stroke
Now complaints of pain on and off weekly twice. Will not bother. If u leave to play enough.
Rx:
Pancreatinum 200 – 5 doses – 3 days once.
Squilla 1m – 4-0-4 disc 15 gram
Tub 200 – 5 doses – 3 days once
Calc phos 6x 4-0-4
Sil 6x 4-0-4


Waking Ned Release date: March 19 1999 Ian Bannen David Kelly Fionnula Flanagan Director: Kirk Jones Screen Writer: Kirk Jones Details: 91 mins Cert PG UK
The lottery is an absolute hot-bed of comedic possibilities and unsurprisingly there've been a few films take advantage of this. The latest is Waking Ned in which the golden finger of fate pokes decisively at an old age pensioner in a small Irish village who then celebrates by promptly dropping dead.
Jackie O'Shea (Ian Bannen) discovers that lady luck has selected one of Tullymore's 52 inhabitants and sets off on a personal quest to find out exactly who it is. His bullish investigations soon lead to the conclusion that the winner must be Ned Devine. But Ned's unlikely to be spending any of his windfall because Ned - no not Zed, Ned - is dead. And with Lottery rep Jim Kelly (Brendan F. Dempsey) on the way, the claim will die with him unless Jackie and best mate Michael played by David Kelly of Robin's Nest fame (he was the one armed waiter) can pull enough of a fast one to convince the lottery rep and the town that the winning ticket belongs to them.
The cast is wonderfully unstarry and quite frankly, that makes the movie. Originally Kirk Jones received offers from Walter Mathau and Jack Lemmon to play the parts of the Irish penny-pinching duo but Jones turned them down and chose Dempsey and Kelly instead - both small screen heroes of his. The decision to turn down Hollywood big bucks and big names was a brave one. Reviewers in the states may be more than willing to bad mouth their native city's stars but when an outsider chooses to shun those same stars a strange patriotism emerges. As a result there are fears Waking Ned won't do as well in the States as it most certainly will over here in the UK.
Watching the film you can't help but think of the Full Monty. Kirk Jones saturates the story with charming subplots and quirky humour while keeping the level of sentimentality in check throughout. There are daft moments and hilarious moments but never unrealistic or plot-pandering moments that might otherwise wreck the whole thing. Bannen and Kelly hurl themselves into their parts with the vigour and enthusiasm of two British talents left out of the picture for far too long, and whether skinny-dipping at a picturesque cove or steaming along naked on a motorbike, they never fail to raise a laugh.
As much a testament to the two likeable old coots who've proved you don't need to be under 30 to be an excellent British actor, this film is an exemplification of Kirk Jones' comendable love for homegrown talent, location and movie-making which should, at the very least, earn him a BAFTA.
Waking Ned opened March 19th 1999
More reviews at Saturn UK http://www.saturnuk.com (updates each Thursday) Posted by Wil Tirion (Film & Cinema cor.)
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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DebuggerExitCommand Class
Definition at line
218
of
Debugger.hpp
Constructors
DebuggerExitCommand
()
Member Functions
DebuggerCommand
*
Clone
()
override
void
Execute
(
Debugger
& debugger)
override
Constructor Details
DebuggerExitCommand Constructor
cmajor::debug::DebuggerExitCommand::DebuggerExitCommand()
Definition at line
2320
of
Debugger.cpp
:
2320
:
DebuggerCommand
(
Kind
::
exit
)
2321
{
2322
}
Declaration at line
221
of
Debugger.hpp
Member Function Details
Clone Member Function
DebuggerCommand
* cmajor::debug::DebuggerExitCommand::Clone()
override
Definition at line
2329
of
Debugger.cpp
:
2330
{
2331
return
new
DebuggerExitCommand
(
)
;
2332
}
Declaration at line
223
of
Debugger.hpp
Base class overridden functions:
cmajor::debug::DebuggerCommand::Clone
Execute Member Function
void
cmajor::debug::DebuggerExitCommand::Execute(
Debugger
& debugger)
override
Definition at line
2324
of
Debugger.cpp
:
2325
{
2326
debugger
.
Exit
(
)
;
2327
}
Declaration at line
222
of
Debugger.hpp
Base class overridden functions:
cmajor::debug::DebuggerCommand::Execute
Calls:
cmajor::debug::Debugger::Exit
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--- title: Who is Using Kong? header_icon: /assets/images/icons/icn-documentation.svg header_title: Who is Using Kong? redirect_to: https://konghq.com/kong-community-edition/who/ companies: - name: Mashape Marketplace description: "Largest API Marketplace. Powerful Tooling For distributing and consuming Private & Public APIs." website: https://market.mashape.com/ - name: Buzzlogix description: "Buzzlogix is a smart and simple, all-in-one social media management, monitoring, and engagement platform." website: http://www.buzzlogix.com/ - name: Care Otter description: "Providing rivers, streams, and seas of patient data to systems and health care providers." website: https://www.careotter.com/ - name: CMS description: "The Centers for Medicare & Medicaid Services (CMS) is one of the largest purchasers of health care in the world." website: https://www.cms.gov - name: Conde Nast description: "Condé Nast is a premier media company renowned for producing the highest quality content for the world’s most influential audiences." website: http://www.condenast.com - name: Curaytor description: "Curaytor is a full service marketing firm that specializes in working with top producing real estate teams." website: https://curaytor.com/ - name: DataBC description: "DataBC encourages and enables the strategic management and sharing of data across the government enterprise and with the public." website: https://data.gov.bc.ca/ - name: Eurostar description: "For almost 20 years we’ve been connecting people and business across the Channel, helping them to work and grow together." website: http://www.eurostar.com/ - name: Expedia description: "Expedia.com is an online travel website where travelers can book airline tickets, hotel reservations, and more." website: https://www.expedia.com/ - name: FLYR, Inc. description: "FLYR, Inc. is a data science company first conceived to relieve a universal pain point among travelers - the guessing game of booking airfares." website: https://www.getflyr.com/ - name: Gengo description: "Gengo is a web-based human translation Platform. Gengo provides fast, affordable and quality translations by native speakers located worldwide." website: http://gengo.com/ - name: Grow Remote description: "Grow Remote uses wireless sensors to help farmers remotely monitor, control, and understand their operation." website: http://growremote.com/ - name: Harvard University description: "Harvard University is devoted to excellence in teaching, learning, and research, and to developing leaders in many disciplines who make a difference globally." website: http://www.harvard.edu/ - name: IBM description: "IBM is a global technology and innovation company. It is the largest technology and consulting employer in the world." website: http://www.ibm.com/ - name: Indix description: "Building the world’s largest product database and APIs to enable brands, retailers and developers to deliver the right product to the right customer." website: http://www.indix.com/ - name: Intel description: "Intel designs and builds the essential technologies that serve as the foundation for the world’s computing devices." website: http://www.intel.com - name: Mavi description: "Mavi designs a full collection of jeans-wear, for young women and men. Turkey’s first fashion brand to become global." website: http://us.mavi.com/ - name: MorphoTrust description: "MorphoTrust USA (Safran) provides market-leading solutions and services to state and federal agencies as well as businesses." website: http://www.morphotrust.com - name: OpenDNS description: "OpenDNS is the world’s largest Internet-wide security network. Since 2005, the company has evolved from a provider of fast, reliable DNS services into a leading network and mobile security innovator." website: http://www.opendns.com - name: Parlor, Inc. description: "Parlor™ is the first application that connects two people who want to talk about the same thing at the same time." website: http://parlor.me/ - name: Rail Europe description: "From rail passes to train tickets and reservations, Rail Europe offers an extensive array of European and British rail products." website: https://www.raileurope.com/ - name: Sidecar description: "Sidecar is the only fully programmatic advertising technology that helps retailers get optimal results in Product Listing Ad channels." website: https://hello.getsidecar.com/ - name: Springer description: "A leading global scientific, technical and medical publisher, providing researchers in academia, scientific institutions and corporate R&D." website: http://www.springer.com/ - name: Teamchat description: "Teamchat is an innovative chat app for enterprises. It enables you to hold unlimited business conversations in a structured manner." website: http://www.teamchat.com - name: The Guardian description: "Guardian News & Media (GNM) publishes theguardian.com, one of the largest English-speaking quality newspaper websites in the world." website: http://www.theguardian.com/ - name: The New York Times description: "An internationally-recognized daily newspaper founded in 1851. The New York Times is a leading online news provider." website: http://www.nytimes.com/ - name: The University of Auckland description: "Founded in 1883, Auckland is now the country’s largest university with 41,000 students, nearly 10,000 of whom graduate annually." website: https://www.auckland.ac.nz - name: Unified Compliance description: "Since 1992, Unified Compliance has developed ground-breaking tools to support IT best practices, with a focus on the science of compliance." website: https://www.unifiedcompliance.com/ ---
Kong is used in production at hundreds of organizations from startups to large enterprises and government departments including:
{% for company in page.companies %}{{ company.description }}
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Who the Heck is Evan Pacholski?
(And why should I care?)
Chef-turned-entrepreneur Evan
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for short) Has his hands
in the dirt, and a weather eye on the horizon.
Studying medicine imparted an experimentally
methodical mindset, and 15 years as a culinary-professional
engraved an adrenally-fueled fastidiousness that gets the job
done while communicating successfully.... even in a stressful,
time-sensitive environment working closely with a small-to
medium team. A dollop of startup-style business branch
construction and guidance has rounded out sales and management
soft skills for this ,
lending a unique blend of perseverance and breadth of
experience to any team.


What is Sttandard?
Microcement bi-components
Topciment presents Sttandard, the new brand for its two-component microcement products. Sttandard is robust and versatile so it works well in any situation and offers the most complete variety of solutions. Coating and paving, indoors, outdoors and areas in permanent contact with water do not represent any difficulty for this range of products. Sttandard is the traditional microcement that allows the craftsman installer to play with the mixtures and achieve decorative finishes unimaginable with other products. All this makes Sttandard's range of continuous coatings the decorative solution par excellence, turning the quotidian into something extraordinary.


Some transcripts have low abundance in all conditions in the expression profiles. For these genes, random stochastic effects can cause sharp peaks in their profile. These are likely not biologically relevant and should be interpreted with caution.


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Alternative interfaces to scheduling constraints
[Direct modelling]
Collaboration diagram for Alternative interfaces to scheduling constraints:
Functions | |
| void | Gecode::producer_consumer (Space *home, const IntVarArgs &produce_date, const IntArgs &produce_amount, const IntVarArgs &consume_date, const IntArgs &consume_amount, int initial, IntConLevel icl=ICL_DEF) |
| Creates propagator for a producer-consumer constraint. | |
| void | Gecode::cumulative (Space *home, const IntVarArgs &start, const IntVarArgs &duration, const IntVarArgs &height, int limit, bool at_most=true, IntConLevel cl=ICL_DEF) |
| Creates propagator for the cumulative constraint. | |
| void | Gecode::cumulative (Space *home, const IntVarArgs &start, const IntArgs &duration, const IntVarArgs &height, int limit, bool at_most=true, IntConLevel cl=ICL_DEF) |
| Creates propagator for the cumulative constraint. | |
| void | Gecode::cumulative (Space *home, const IntVarArgs &start, const IntVarArgs &duration, const IntArgs &height, int limit, bool at_most=true, IntConLevel cl=ICL_DEF) |
| Creates propagator for the cumulative constraint. | |
| void | Gecode::cumulative (Space *home, const IntVarArgs &start, const IntArgs &duration, const IntArgs &height, int limit, bool at_most=true, IntConLevel cl=ICL_DEF) |
| Creates propagator for the cumulative constraint. | |
| void | Gecode::serialized (Space *home, const IntVarArgs &start, const IntVarArgs &duration, IntConLevel cl=ICL_DEF) |
| Creates propagator for the serialized constraint. | |
| void | Gecode::serialized (Space *home, const IntVarArgs &start, const IntArgs &duration, IntConLevel cl=ICL_DEF) |
| Creates propagator for the serialized constraint. |
Function Documentation
|
|
Creates propagator for a producer-consumer constraint. This function will create a propagator that models a producer-consumer constraint, using the translation of such constraints into cumulatives due to Helmut Simoni and Trijntje Cornelissens ("Modelling Producer/Consumer Constraints", Principles and Practice of Constraint Progamming 1995, Cassis, France).
Definition at line 31 of file scheduling.cc. |
|
|
Creates propagator for the cumulative constraint. This function will create a propagator for the cumulative constraint, by translating it into a cumulatives constraint.
Definition at line 180 of file scheduling.cc. |
|
|
Creates propagator for the cumulative constraint. Creates propagator for the cumulative constraint. This function will create a propagator for the cumulative constraint, by translating it into a cumulatives constraint.
Definition at line 187 of file scheduling.cc. |
|
|
Creates propagator for the cumulative constraint. Creates propagator for the cumulative constraint. This function will create a propagator for the cumulative constraint, by translating it into a cumulatives constraint.
Definition at line 194 of file scheduling.cc. |
|
|
Creates propagator for the cumulative constraint. Creates propagator for the cumulative constraint. This function will create a propagator for the cumulative constraint, by translating it into a cumulatives constraint.
Definition at line 201 of file scheduling.cc. |
|
|
Creates propagator for the serialized constraint. This function will create a propagator for the serialized constraint, by translating it into a cumulative constraint.
Definition at line 225 of file scheduling.cc. |
|
|
Creates propagator for the serialized constraint. Creates propagator for the serialized constraint. This function will create a propagator for the serialized constraint, by translating it into a cumulative constraint.
Definition at line 233 of file scheduling.cc. |


| Top |
| gboolean | activate-on-single-click | Read / Write |
| guint | column-spacing | Read / Write |
| gboolean | homogeneous | Read / Write |
| guint | max-children-per-line | Read / Write |
| guint | min-children-per-line | Read / Write |
| guint | row-spacing | Read / Write |
| GtkSelectionMode | selection-mode | Read / Write |
| void | activate-cursor-child | Action |
| void | child-activated | Run Last |
| gboolean | move-cursor | Action |
| void | select-all | Action |
| void | selected-children-changed | Run First |
| void | toggle-cursor-child | Action |
| void | unselect-all | Action |
| void | activate | Action |
GObject ╰── GInitiallyUnowned ╰── GtkWidget ╰── GtkContainer ├── GtkBin │ ╰── GtkFlowBoxChild ╰── GtkFlowBox
GtkFlowBox implements AtkImplementorIface, GtkBuildable and GtkOrientable.
GtkFlowBoxChild implements AtkImplementorIface and GtkBuildable.
A GtkFlowBox positions child widgets in sequence according to its orientation.
For instance, with the horizontal orientation, the widgets will be arranged from left to right, starting a new row under the previous row when necessary. Reducing the width in this case will require more rows, so a larger height will be requested.
Likewise, with the vertical orientation, the widgets will be arranged from top to bottom, starting a new column to the right when necessary. Reducing the height will require more columns, so a larger width will be requested.
The children of a GtkFlowBox can be dynamically sorted and filtered.
Although a GtkFlowBox must have only GtkFlowBoxChild children,
you can add any kind of widget to it via gtk_container_add()
, and
a GtkFlowBoxChild widget will automatically be inserted between
the box and the widget.
Also see GtkListBox.
GtkFlowBox was added in GTK+ 3.12.
void gtk_flow_box_insert (GtkFlowBox *box
,GtkWidget *widget
,gint position
);
Inserts the widget
into box
at position
.
If a sort function is set, the widget will actually be inserted
at the calculated position and this function has the same effect
as gtk_container_add()
.
If position
is -1, or larger than the total number of children
in the box
, then the widget
will be appended to the end.
Since: 3.12
GtkFlowBoxChild * gtk_flow_box_get_child_at_index (GtkFlowBox *box
,gint idx
);
Gets the nth child in the box
.
the child widget, which will
always be a GtkFlowBoxChild or NULL
in case no child widget
with the given index exists.
[transfer none][nullable]
Since: 3.12
GtkFlowBoxChild * gtk_flow_box_get_child_at_pos (GtkFlowBox *box
,gint x
,gint y
);
Gets the child in the (x
, y
) position.
the child widget, which will
always be a GtkFlowBoxChild or NULL
in case no child widget
exists for the given x and y coordinates.
[transfer none][nullable]
Since: 3.22.6
void gtk_flow_box_set_hadjustment (GtkFlowBox *box
,GtkAdjustment *adjustment
);
Hooks up an adjustment to focus handling in box
.
The adjustment is also used for autoscrolling during
rubberband selection. See gtk_scrolled_window_get_hadjustment()
for a typical way of obtaining the adjustment, and
gtk_flow_box_set_vadjustment()
for setting the vertical
adjustment.
The adjustments have to be in pixel units and in the same coordinate system as the allocation for immediate children of the box.
box |
||
adjustment |
an adjustment which should be adjusted
when the focus is moved among the descendents of |
Since: 3.12
void gtk_flow_box_set_vadjustment (GtkFlowBox *box
,GtkAdjustment *adjustment
);
Hooks up an adjustment to focus handling in box
.
The adjustment is also used for autoscrolling during
rubberband selection. See gtk_scrolled_window_get_vadjustment()
for a typical way of obtaining the adjustment, and
gtk_flow_box_set_hadjustment()
for setting the horizontal
adjustment.
The adjustments have to be in pixel units and in the same coordinate system as the allocation for immediate children of the box.
box |
||
adjustment |
an adjustment which should be adjusted
when the focus is moved among the descendents of |
Since: 3.12
void gtk_flow_box_set_homogeneous (GtkFlowBox *box
,gboolean homogeneous
);
Sets the “homogeneous” property of box
, controlling
whether or not all children of box
are given equal space
in the box.
Since: 3.12
gboolean
gtk_flow_box_get_homogeneous (GtkFlowBox *box
);
Returns whether the box is homogeneous (all children are the
same size). See gtk_box_set_homogeneous()
.
Since: 3.12
void gtk_flow_box_set_row_spacing (GtkFlowBox *box
,guint spacing
);
Sets the vertical space to add between children. See the “row-spacing” property.
Since: 3.12
guint
gtk_flow_box_get_row_spacing (GtkFlowBox *box
);
Gets the vertical spacing.
Since: 3.12
void gtk_flow_box_set_column_spacing (GtkFlowBox *box
,guint spacing
);
Sets the horizontal space to add between children. See the “column-spacing” property.
Since: 3.12
guint
gtk_flow_box_get_column_spacing (GtkFlowBox *box
);
Gets the horizontal spacing.
Since: 3.12
void gtk_flow_box_set_min_children_per_line (GtkFlowBox *box
,guint n_children
);
Sets the minimum number of children to line up
in box
’s orientation before flowing.
Since: 3.12
guint
gtk_flow_box_get_min_children_per_line
(GtkFlowBox *box
);
Gets the minimum number of children per line.
Since: 3.12
void gtk_flow_box_set_max_children_per_line (GtkFlowBox *box
,guint n_children
);
Sets the maximum number of children to request and
allocate space for in box
’s orientation.
Setting the maximum number of children per line
limits the overall natural size request to be no more
than n_children
children long in the given orientation.
Since: 3.12
guint
gtk_flow_box_get_max_children_per_line
(GtkFlowBox *box
);
Gets the maximum number of children per line.
Since: 3.12
void gtk_flow_box_set_activate_on_single_click (GtkFlowBox *box
,gboolean single
);
If single
is TRUE
, children will be activated when you click
on them, otherwise you need to double-click.
Since: 3.12
gboolean
gtk_flow_box_get_activate_on_single_click
(GtkFlowBox *box
);
Returns whether children activate on single clicks.
Since: 3.12
void (*GtkFlowBoxForeachFunc) (GtkFlowBox *box
,GtkFlowBoxChild *child
,gpointer user_data
);
A function used by gtk_flow_box_selected_foreach()
.
It will be called on every selected child of the box
.
Since: 3.12
void gtk_flow_box_selected_foreach (GtkFlowBox *box
,GtkFlowBoxForeachFunc func
,gpointer data
);
Calls a function for each selected child.
Note that the selection cannot be modified from within this function.
box |
||
func |
the function to call for each selected child. |
[scope call] |
data |
user data to pass to the function |
Since: 3.12
GList *
gtk_flow_box_get_selected_children (GtkFlowBox *box
);
Creates a list of all selected children.
A GList containing the GtkWidget for each selected child.
Free with g_list_free()
when done.
[element-type GtkFlowBoxChild][transfer container]
Since: 3.12
void gtk_flow_box_select_child (GtkFlowBox *box
,GtkFlowBoxChild *child
);
Selects a single child of box
, if the selection
mode allows it.
Since: 3.12
void gtk_flow_box_unselect_child (GtkFlowBox *box
,GtkFlowBoxChild *child
);
Unselects a single child of box
, if the selection
mode allows it.
Since: 3.12
void
gtk_flow_box_select_all (GtkFlowBox *box
);
Select all children of box
, if the selection
mode allows it.
Since: 3.12
void
gtk_flow_box_unselect_all (GtkFlowBox *box
);
Unselect all children of box
, if the selection
mode allows it.
Since: 3.12
void gtk_flow_box_set_selection_mode (GtkFlowBox *box
,GtkSelectionMode mode
);
Sets how selection works in box
.
See GtkSelectionMode for details.
Since: 3.12
GtkSelectionMode
gtk_flow_box_get_selection_mode (GtkFlowBox *box
);
Gets the selection mode of box
.
Since: 3.12
gboolean (*GtkFlowBoxFilterFunc) (GtkFlowBoxChild *child
,gpointer user_data
);
A function that will be called whenrever a child changes or is added. It lets you control if the child should be visible or not.
Since: 3.12
void gtk_flow_box_set_filter_func (GtkFlowBox *box
,GtkFlowBoxFilterFunc filter_func
,gpointer user_data
,GDestroyNotify destroy
);
By setting a filter function on the box
one can decide dynamically
which of the children to show. For instance, to implement a search
function that only shows the children matching the search terms.
The filter_func
will be called for each child after the call, and
it will continue to be called each time a child changes (via
gtk_flow_box_child_changed()
) or when gtk_flow_box_invalidate_filter()
is called.
Note that using a filter function is incompatible with using a model
(see gtk_flow_box_bind_model()
).
box |
||
filter_func |
callback that lets you filter which children to show. |
[closure user_data][allow-none] |
user_data |
user data passed to |
|
destroy |
destroy notifier for |
Since: 3.12
void
gtk_flow_box_invalidate_filter (GtkFlowBox *box
);
Updates the filtering for all children.
Call this function when the result of the filter
function on the box
is changed due ot an external
factor. For instance, this would be used if the
filter function just looked for a specific search
term, and the entry with the string has changed.
Since: 3.12
gint (*GtkFlowBoxSortFunc) (GtkFlowBoxChild *child1
,GtkFlowBoxChild *child2
,gpointer user_data
);
A function to compare two children to determine which should come first.
Since: 3.12
void gtk_flow_box_set_sort_func (GtkFlowBox *box
,GtkFlowBoxSortFunc sort_func
,gpointer user_data
,GDestroyNotify destroy
);
By setting a sort function on the box
, one can dynamically
reorder the children of the box, based on the contents of
the children.
The sort_func
will be called for each child after the call,
and will continue to be called each time a child changes (via
gtk_flow_box_child_changed()
) and when gtk_flow_box_invalidate_sort()
is called.
Note that using a sort function is incompatible with using a model
(see gtk_flow_box_bind_model()
).
box |
||
sort_func |
the sort function. |
[closure user_data][allow-none] |
user_data |
user data passed to |
|
destroy |
destroy notifier for |
Since: 3.12
void
gtk_flow_box_invalidate_sort (GtkFlowBox *box
);
Updates the sorting for all children.
Call this when the result of the sort function on
box
is changed due to an external factor.
Since: 3.12
GtkWidget * (*GtkFlowBoxCreateWidgetFunc) (gpointer item
,gpointer user_data
);
Called for flow boxes that are bound to a GListModel with
gtk_flow_box_bind_model()
for each item that gets added to the model.
item |
the item from the model for which to create a widget for |
|
user_data |
user data from |
Since: 3.18
void gtk_flow_box_bind_model (GtkFlowBox *box
,GListModel *model
,GtkFlowBoxCreateWidgetFunc create_widget_func
,gpointer user_data
,GDestroyNotify user_data_free_func
);
Binds model
to box
.
If box
was already bound to a model, that previous binding is
destroyed.
The contents of box
are cleared and then filled with widgets that
represent items from model
. box
is updated whenever model
changes.
If model
is NULL
, box
is left empty.
It is undefined to add or remove widgets directly (for example, with
gtk_flow_box_insert()
or gtk_container_add()
) while box
is bound to a
model.
Note that using a model is incompatible with the filtering and sorting functionality in GtkFlowBox. When using a model, filtering and sorting should be implemented by the model.
box |
||
model |
the GListModel to be bound to |
[allow-none] |
create_widget_func |
a function that creates widgets for items |
|
user_data |
user data passed to |
|
user_data_free_func |
function for freeing |
Since: 3.18
GtkWidget *
gtk_flow_box_child_new (void
);
Creates a new GtkFlowBoxChild, to be used as a child of a GtkFlowBox.
Since: 3.12
gint
gtk_flow_box_child_get_index (GtkFlowBoxChild *child
);
Gets the current index of the child
in its GtkFlowBox container.
Since: 3.12
gboolean
gtk_flow_box_child_is_selected (GtkFlowBoxChild *child
);
Returns whether the child
is currently selected in its
GtkFlowBox container.
Since: 3.12
void
gtk_flow_box_child_changed (GtkFlowBoxChild *child
);
Marks child
as changed, causing any state that depends on this
to be updated. This affects sorting and filtering.
Note that calls to this method must be in sync with the data
used for the sorting and filtering functions. For instance, if
the list is mirroring some external data set, and *two* children
changed in the external data set when you call
gtk_flow_box_child_changed()
on the first child, the sort function
must only read the new data for the first of the two changed
children, otherwise the resorting of the children will be wrong.
This generally means that if you don’t fully control the data
model, you have to duplicate the data that affects the sorting
and filtering functions into the widgets themselves. Another
alternative is to call gtk_flow_box_invalidate_sort()
on any
model change, but that is more expensive.
Since: 3.12
“activate-on-single-click”
property“activate-on-single-click” gboolean
Determines whether children can be activated with a single click, or require a double-click.
Flags: Read / Write
Default value: TRUE
“column-spacing”
property“column-spacing” guint
The amount of horizontal space between two children.
Flags: Read / Write
Default value: 0
“homogeneous”
property“homogeneous” gboolean
Determines whether all children should be allocated the same size.
Flags: Read / Write
Default value: FALSE
“max-children-per-line”
property“max-children-per-line” guint
The maximum amount of children to request space for consecutively in the given orientation.
Flags: Read / Write
Default value: 7
“min-children-per-line”
property“min-children-per-line” guint
The minimum number of children to allocate consecutively in the given orientation.
Setting the minimum children per line ensures that a reasonably small height will be requested for the overall minimum width of the box.
Flags: Read / Write
Default value: 0
“row-spacing”
property“row-spacing” guint
The amount of vertical space between two children.
Flags: Read / Write
Default value: 0
“selection-mode”
property“selection-mode” GtkSelectionMode
The selection mode used by the flow box.
Flags: Read / Write
Default value: GTK_SELECTION_SINGLE
“activate-cursor-child”
signalvoid user_function (GtkFlowBox *box, gpointer user_data)
The ::activate-cursor-child signal is a
keybinding signal
which gets emitted when the user activates the box
.
box |
the GtkFlowBox on which the signal is emitted |
|
user_data |
user data set when the signal handler was connected. |
Flags: Action
“child-activated”
signalvoid user_function (GtkFlowBox *box, GtkFlowBoxChild *child, gpointer user_data)
The ::child-activated signal is emitted when a child has been activated by the user.
box |
the GtkFlowBox on which the signal is emitted |
|
child |
the child that is activated |
|
user_data |
user data set when the signal handler was connected. |
Flags: Run Last
“move-cursor”
signalgboolean user_function (GtkFlowBox *box, GtkMovementStep step, gint count, gpointer user_data)
The ::move-cursor signal is a keybinding signal which gets emitted when the user initiates a cursor movement.
Applications should not connect to it, but may emit it with
g_signal_emit_by_name()
if they need to control the cursor
programmatically.
The default bindings for this signal come in two variants, the variant with the Shift modifier extends the selection, the variant without the Shift modifer does not. There are too many key combinations to list them all here.
Arrow keys move by individual children
Home/End keys move to the ends of the box
PageUp/PageDown keys move vertically by pages
box |
the GtkFlowBox on which the signal is emitted |
|
step |
the granularity fo the move, as a GtkMovementStep |
|
count |
the number of |
|
user_data |
user data set when the signal handler was connected. |
TRUE
to stop other handlers from being invoked for the event.
FALSE
to propagate the event further.
Flags: Action
“select-all”
signalvoid user_function (GtkFlowBox *box, gpointer user_data)
The ::select-all signal is a keybinding signal which gets emitted to select all children of the box, if the selection mode permits it.
The default bindings for this signal is Ctrl-a.
box |
the GtkFlowBox on which the signal is emitted |
|
user_data |
user data set when the signal handler was connected. |
Flags: Action
“selected-children-changed”
signalvoid user_function (GtkFlowBox *box, gpointer user_data)
The ::selected-children-changed signal is emitted when the set of selected children changes.
Use gtk_flow_box_selected_foreach()
or
gtk_flow_box_get_selected_children()
to obtain the
selected children.
box |
the GtkFlowBox on wich the signal is emitted |
|
user_data |
user data set when the signal handler was connected. |
Flags: Run First
“toggle-cursor-child”
signalvoid user_function (GtkFlowBox *box, gpointer user_data)
The ::toggle-cursor-child signal is a keybinding signal which toggles the selection of the child that has the focus.
The default binding for this signal is Ctrl-Space.
box |
the GtkFlowBox on which the signal is emitted |
|
user_data |
user data set when the signal handler was connected. |
Flags: Action
“unselect-all”
signalvoid user_function (GtkFlowBox *box, gpointer user_data)
The ::unselect-all signal is a keybinding signal which gets emitted to unselect all children of the box, if the selection mode permits it.
The default bindings for this signal is Ctrl-Shift-a.
box |
the GtkFlowBox on which the signal is emitted |
|
user_data |
user data set when the signal handler was connected. |
Flags: Action
“activate”
signalvoid user_function (GtkFlowBoxChild *child, gpointer user_data)
The ::activate signal is emitted when the user activates a child widget in a GtkFlowBox, either by clicking or double-clicking, or by using the Space or Enter key.
While this signal is used as a keybinding signal, it can be used by applications for their own purposes.
child |
The child on which the signal is emitted |
|
user_data |
user data set when the signal handler was connected. |
Flags: Action


| Driftversed | ||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
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Welcome! Hope you'll have some fun drifting around!
Your game progress will be saved in the cookies! |
r - restart level
|


Top: Networking
PTypes' networking module provides simple means of creating both client and server applications communicating over a IP network. The networking classes and utilities are built on top of BSD sockets and WinSock2 frameworks. PTypes not only solves and hides all incompatibility issues between these two API's, but also makes the task of creating networking applications even simpler.
Building client/server applications requires you to either use an existing protocol (such like HTTP, FTP, SMTP) or develop your own high-level communication protocol for your specific needs. Since the latter may be a nontrivial task, to avoid logical mistakes in the communication process we recommend you, first of all, to study some of the widely used protocols, and second, use one of the existing protocols with possible modifications instead of creating new ones. For example, HTTP (Hypertext Transfer Protocol) used by web servers and browsers was designed to be as generic as possible, so that it can be used virtually for any task with simple request-response logic.
A real-world example of using PTypes networking is included in the source code (See wshare).
The networking classes and utilities are declared in <pinet.h>.


Art direction for the Close Encounters brand of family engagement programs at the Hammer Museum. Workshops are free to the public and led by a variety of artists and educators, with a goal of bringing families and children into the galleries to engage with art in a way that is accessible to all.
Design & photography: Tara Morris


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The Flashswap token is used for staking and delegation on the proof of stake network and to paricipate in on-chain governance
- Staking
- Tokens can be staked by node operators to participate in consensus and receive a share of revenue.
- Holders who are not running validator nodes can delegate tokens to node operators and receive fee revenue.
- Governance
- Approving and rejecting proposed markets.
- On-chain governance will be used to update network parameters and enable new features and risk model updates.
- Liquidity provision
- Liquidity providers will be rewarded tokens for providing liquidity. The incentive mechanism is based on platform macro liquidity and liquidity of the specific pool. Liquidity rewards will be distributed weekly starting from platform launch.


U.S. disappointed by WTO decision allowing China to slap trade sanctions on U.S. goods
WASHINGTON (Reuters) - The United States is disappointed by a World Trade Organization (WTO) decision that China may slap compensatory sanctions on U.S. imports worth $3.579 billion annually for the U.S. failure to remove anti-dumping duties, a U.S. official said on Friday.
The decision by the three-member arbitration panel “overstates the amount of the impact on China,” the official said, adding that Washington believed the WTO’s approach had “no foundation in economic analysis.”
The Trump administration would actively consult within the U.S. government and with stakeholders on how to move forward, the official said. The case would not have any impact on ongoing trade discussions between the United States and China, the official added.


Hint: hover your mouse over the data points for help
Which shift(s) start at 11 am?
Which shift(s) start with D?
Which shift(s) begin when C ends?
Which shift(s) end at 4 pm?
Coffee breaks happen halfway through a shift. Which shift(s) share a break with I?
Which shifts are six hours long?
Which 2 shifts less than 5 hours long start at the same time?
Which shift under 7 hours long starts before B and ends after X?
Which shift begins before J and ends during B?
Which shift ends with F?
Which shifts start at 12pm?
Which shift starts with F?
Which 2 shifts end when Z begins?
Which shift ends at 3pm?
Coffee breaks happen halfway through a shift. Which 2 shifts share a break at 2pm?