Lexical Structure
A SQL statement used in Drill can include one or more of the following parts:
- Clause, such as FROM
- Command, such as SELECT
- Expression, a combination of one or more values, operators, and SQL functions that evaluates to a value. For example, users.firstname is a period expression.
- Function, scalar and aggregate, such as sum
-
Literal value
- Operator, such as [NOT] IN, LIKE, and AND
- Predicate, such as a > b in
SELECT * FROM myfile WHERE a > b
. - Storage plugin and workspace reference
- Whitespace
-
Comment in the following format:
/* This is a comment. */
Case-Sensitivity
Drill is case-insensitive; however, data sources may be case-sensitive. The data source determines the case-sensitivity of table and column names.
Data Sources
When writing queries that reference tables or columns in case-sensitive data sources, you must reference the table or column exactly as it is stored in the data source. For example, if you query a table named “customers” in HBase, you cannot write the table name as “CUSTOMERS” in a query against the table because the data source distinguishes between upper and lower case.
Table values referenced in a query are case-sensitive, for example:
SELECT * FROM t WHERE col1='a';
If values in col1 of table t are stored in uppercase, this query would not return any results because the query requested lowercase ‘a’.
The following lists provide the case sensitivity of some data sources that Drill supports.
Case-Insensitive
- JSON
- Hive
- Parquet
Case-Sensitive
- MapR Database (MapR-DB)
- HBase
- Table values, irrelevant of data source
Drill
Case-insensitivity in Drill applies to:
- SQL functions
- SQL command names
- Storage plugin names (as of Drill 1.15)
- Workspace (schema) names (as of Drill 1.15)
- Table names in the Drill system storage plugins, which includes
information_schema
tables andsys
tables (as of Drill 1.15) -
Keywords, for example SELECT and select are equivalent, as shown in the following queries:
SELECT * FROM dfs.`/Users/drilluser/ticket_sales.json`; select * from DFS.`/Users/drilluser/ticket_sales.json`;
Storage Plugin and Workspace References
The case of the name used in a query and the name in the storage plugin definition do not have to match. For example, defining a storage plugin named dfs
and then referring to the plugin as DFS
or dfs
in a query are both acceptable to Drill. For example, Drill can process both of the following queries:
SELECT * FROM dfs.`/Users/drilluser/ticket_sales.json`;
SELECT * FROM DFS.`/Users/drilluser/ticket_sales.json`;
Note: Drill stores storage plugin and workspace names in lowercase, by default. If you upgrade to Drill 1.15, you can query storage plugin or schema names previously stored in uppercase using uppercase or lowercase text. If duplicate names exist, for example you have two storage plugins named DFS, one in uppercase and one in lowercase, Drill logs a warning and keeps only one storage plugin. Drill keeps the first storage plugin defined in the workspace configuration.
Literal Values
This section describes how to construct literals.
Boolean
Boolean values are true or false and are case-insensitive. Do not enclose the values in quotation marks.
Date and Time
Format dates using dashes (-) to separate year, month, and day. Format time using colons (:) to separate hours, minutes and seconds. Format timestamps using a date and a time. These literals are shown in the following examples:
-
Date: 2008-12-15
-
Time: 22:55:55.123…
-
Timestamp: 2008-12-15 22:55:55.12345
If you have dates and times in other formats, use a data type conversion function in your queries.
Identifiers
An identifier is a letter followed by any sequence of letters, digits, or the underscore. For example, names of tables, columns, and aliases are identifiers. Maximum length is 1024 characters. Enclose the following identifiers with identifier quotes:
- Keywords
- Identifiers that SQL cannot parse
Note: The term “user” is a reserved keyword, however if you reference a field/column named “user” in a query and you enclose the term in back ticks (`user`), Drill does not treat `user` as an identifier. Instead, Drill treats `user` as a special function that calls the current user. To work around this issue, use a table alias when referencing the field/column. The table alias informs the parser that this identifier is not a function call, but a regular identifier. For example, assume a table alias “t.” Use t.`user` instead of `user` as shown:
SELECT operation, t.`user`, uid FROM `dfs`.`/drill/student` t;
For example, enclose the SQL keywords date and time in identifier quotes when referring to column names, but not when referring to data types:
CREATE TABLE dfs.tmp.sampleparquet AS
(SELECT trans_id,
cast(`date` AS date) transdate,
cast(`time` AS time) transtime,
cast(amount AS double) amountm,
user_info, marketing_info, trans_info
FROM dfs.`/Users/drilluser/sample.json`);
Table and column names are case-insensitive. Use identifier quotes to enclose names that contain special characters. Special characters are those other than the 52 Latin alphabet characters. For example, space and @ are special characters.
The following example shows the keyword Year enclosed in identifier quotes. Because the column alias contains the special space character, also enclose the alias in backticks, as shown in the following example:
SELECT extract(year from transdate) AS `Year`, t.user_info.cust_id AS `Customer Number` FROM dfs.tmp.`sampleparquet` t;
|------------|-----------------|
| Year | Customer Number |
|------------|-----------------|
| 2013 | 28 |
| 2013 | 86623 |
| 2013 | 11 |
| 2013 | 666 |
| 2013 | 999 |
|------------|-----------------|
5 rows selected (0.051 seconds)
Identifier Quotes
Prior to Drill 1.11, the SQL parser in Drill only supported backticks as identifier quotes. As of Drill 1.11, the SQL parser can also use double quotes and square brackets. The default setting for identifier quotes is backticks. You can configure the type of identifier quotes used with the planner.parser.quoting_identifiers
configuration option, at the system or session level, as shown:
ALTER SYSTEM|SESSION SET planner.parser.quoting_identifiers = '"';
ALTER SYSTEM|SESSION SET planner.parser.quoting_identifiers = '[';
ALTER SYSTEM|SESSION SET planner.parser.quoting_identifiers = '`';
The following table lists the supported identifier quotes with their corresponding Unicode character:
| Quoting Identifier | Unicode Character |
|---|---|
| Backticks | ‘GRAVE ACCENT’ (U+0060) |
| Double quotes | ‘QUOTATION MARK’ (U+0022) |
| Square brackets | ‘LEFT SQUARE BRACKET’ (U+005B) and ‘RIGHT SQUARE BRACKET’ (U+005D) |
Alternatively, you can set the type of identifier using the quoting_identifiers
property in the jdbc connection URL, as shown:
jdbc:drill:zk=local;quoting_identifiers=[
Note: The identifier quotes used in queries must match the planner.parser.quoting_identifiers
setting. If you use another type of identifier quotes, Drill returns an error.
The following queries show the use of each type of identifier quotes:
0: jdbc:drill:zk=local> select `employee_id`, `full_name` from cp.`employee.json` limit 1;
|-------------|--------------|
| employee_id | full_name |
|-------------|--------------|
| 1 | Sheri Nowmer |
|-------------|--------------|
1 row selected (0.148 seconds)
0: jdbc:drill:zk=local> select "employee_id", "full_name" from cp."employee.json" limit 1;
|-------------|--------------|
| employee_id | full_name |
|-------------|--------------|
| 1 | Sheri Nowmer |
|-------------|--------------|
1 row selected (0.129 seconds)
0: jdbc:drill:zk=local> select [employee_id], [full_name] from cp.[employee.json] limit 1;
|-------------|--------------|
| employee_id | full_name |
|-------------|--------------|
| 1 | Sheri Nowmer |
|-------------|--------------|
1 row selected (0.14 seconds)
Dots in Column Names
As of Drill 1.12, Drill supports dots in column names if the data source itself allows dots in column names, such as JSON and Parquet , as shown in the following example:
SELECT * FROM `test.json`;
|-------------------------------------------------|-------------------------------------------------|
| 0.0.1 | 0.1.2 |
|-------------------------------------------------|-------------------------------------------------|
| {"version":"0.0.1","date_created":"2014-03-15"} | {"version":"0.1.2","date_created":"2014-05-21"} |
|-------------------------------------------------|-------------------------------------------------|
When referencing column names with dots in queries, you must escape the dots with identifier quotes, as shown in the following query:
SELECT t.`0.1.2`.version FROM dfs.tmp.`test.json` t WHERE t.`0.1.2`.date_created='2014-05-21'
Drill also supports associative array indexing, for example SELECT a, b.c, b['d.e']...
.
Note that in this example, the “d.e”
field is selected, not a map “d”
with field “e”
inside of it.
Integer
An integer value consists of an optional minus sign, -, followed by one or more digits.
Numeric constant
Numeric constants include integers, floats, and values in E notation.
- Integers: 0-9 and a minus sign prefix
- Floats: a series of one or more decimal digits, followed by a period, ., and one or more digits in decimal places. There is no optional + sign. Leading or trailing zeros are required before and after decimal points. For example, 0.52 and 52.0.
-
E notation: Approximate-value numerical literals in scientific notation consist of a mantissa and exponent. Either or both parts can be signed. For example: 1.2E3, 1.2E-3, -1.2E3, -1.2E-3. Values consist of an optional negative sign (using -), a floating point number, letters e or E, a positive or negative sign (+ or -), and an integer exponent. For example, the following JSON file has data in E notation in two records.
{"trans_id":0, "date":"2013-07-26", "time":"04:56:59", "amount":-2.6034345E+38, "trans_info":{"prod_id":[16], "purch_flag":"false" }} {"trans_id":1, "date":"2013-05-16", "time":"07:31:54", "amount":1.8887898E+38, "trans_info":{"prod_id":[], "purch_flag":"false" }} Aggregating the data in Drill produces scientific notation in the output: SELECT sum(amount) FROM dfs.`/Users/drilluser/sample2.json`; |--------------| | EXPR$0 | |--------------| | -7.146447E37 | |--------------| 1 row selected (0.044 seconds)
Drill represents invalid values, such as the square root of a negative number, as NaN.
String
Strings are characters enclosed in single quotation marks. To use a single quotation mark itself (apostrophe) in a string, escape it using a single quotation mark. For example, the value Martha’s Vineyard in the SOURCE column in the vitalstat.json
file contains an apostrophe:
|-------------------|
| SOURCE |
|-------------------|
| Martha's Vineyard |
| Monroe County |
|-------------------|
2 rows selected (0.053 seconds)
To refer to the string Martha’s Vineyard in a query, use single quotation marks to enclose the string and escape the apostophe using a single quotation mark:
SELECT * FROM dfs.`/Users/drilluser/vitalstat.json` t
WHERE t.source = 'Martha''s Vineyard';


return
form. After applying this action,
all the intermediate return statements will be removed and the control flow will be changed to
exit through the last method body statement. Note that while conversion is always possible,
the resulting code does not always look pretty.


Udacity Nanodegree Notes
Intro to Programming
Overview
Thinking like a programmer
Procedural thinking - taking a big problem and breaking it down the solution into a set of steps
- Abstract thinking - 1+1=2
- Systematic debugging - systemic way of solving problems
- Technological empathy - thinking the way a computer does - looking at code and imagining what it looks like in a webpage, and looking at a webpage and seeing code
- Systems thinking - taking one big idea and breaking it down into component parts (other 4 mentioned, above)
Summary of 1st Course
- Lesson one: The basics of the web and HTML - see HTML as a webpage
- Lesson two: Creating a structured doc with HTML - look at web page and predict what HTML will look like
- Lesson three: Adding style to structure with CSS
Lesson one: Basics of the web and HTML
The Web
- Invented 1990’s - now has 30 billion webpages, it's basically a collection of HTML documents
- HTML = Hypertext markup language: HTML language is what glues everything together on the web - text, videos, images
- The links between webpages is what makes the web “weblike”
Major Pieces of the web
The web is basically made up of three components: You, your computer and your browser; the internet, and servers.
- The browser makes requests via the internet to servers with a protocol called HTTP
- The server responds with files that your browser displays - browsers include IE, Chrome, Firefox
- Servers are computers just like yours, but are optimized for hosting files instead of browsing
HTML
A. HTML docs are the heart of the web and are made up of:
- Text content - what you see
- Mark up - what it looks like or how it is arranged (not seen)
- References to other docs (images, videos)
- Links to other pages
B. HTML markup
HTML markup is made up of tags, which are constructed like this:
<opening tag>content</closing tag>
Examples:
-  tag - makes content bold
-  tag - means emphasis - makes content italicized
-  tag - anchor tag - this is for making links
C. HTML attribute tags
An HTML attribute is a modifier of an HTML element. They are usually added to a HTML start tag, which along with content and end tag comprises most HTML elements. Particular attributes are only supported by particular element types; if they are added to elements that do not support them they will not function (from the HTML attribute Wiki page).
For example:
<tag ATTR = “value”>contents</tag>
Examples:
- derp  = derp
-  HTML  = HTML
- my favorite  = my favorite
D. Image tag
 is used to download images. For example:
-
“url” is for the image to download
“text” is for broken requests - the text that is displayed if image does not load
-  = “hipmunk!”
The image tag does not have or need a closing tag - it’s a “void tag” - has no content
E. Whitespace
When you enter text in multiple lines, in HTML it renders it in single space

 is to create a space break. This is another example of a void tag.
- To make double spaces you can use either a
 or a
 tag.
- To use
 as a double space, you just use two in a row:

 is a “block text” - you need a closing tag:
 narrative

Difference between "br" and "p":
- "br" is an “inline element” - just ends a line
- "p" narrative is a “block element” - it makes an invisible box to put narrative. The box has width and height.
F. Span/Div Elements
The "Span" and "Div" tags just contain their content:
- Span is inline and is written like this:
 text

- Div is block and is written like this:  text
You can add attributes called “class” to Span/Div elements:
-
 text

-  text
G. Structure of HTML Document
<!DOCTYPE HTML> - doctype

text


1 write to tm_year
System.Management.Automation (1)
CoreCLR\CorePsPlatform.cs (1)
1124
tm.
tm_year
= date.Year - 1900; // years since 1900


This is a test project for Xfive.co. It should teach me how to work with their generator and verify my skills as a front-end developer. I'll do my best.


@(request: com.gu.googleauth.AuthenticatedRequest[AnyContent], error: Option[String] = None)
This is an authorised page of the example application.
It uses an AuthAction so will always have a user.
In this case the logged in user is @request.identity.get
You can go to the login page, a page that requires authentication or logout.


gaia2read is a C program that queries the Gaia DR2, a major, recent data release of 1.7 billion stars from the Gaia space mission. Gaia represents the most complete and accurate survey of the Milky Way galaxy thus far. This program was created for the Princeton Astrophysics Department, specifically the HAT exoplanet team, to execute queries of the Gaia DR2 quickly and efficiently. While there do exist query tools online for the Gaia DR2, they are significantly slower than gaia2read.
Orbit Sim is an iOS application, written in Swift, that depicts a 3D, user-interactive model of the inner solar system. In addition to the terrestrial planets, Orbit Sim shows the orbit of the near-earth asteroid 2002 KL6, an asteroid that I helped to perform an orbit determination on (see SSP below). The Orbit Sim program uses the 6 Keplerian orbital element values to calculate the shape of an orbit.
SSP is a summer research program sponsored by MIT and CalTech. With SSP, I wrote up a number of Python programs aimed at calculating the position, brightness, and orbital elements of near-earth asteroids using the Method of Gauss. In particular, my team and I performed an orbit determination of the asteroid 2002 KL6 from FITS image files that we took from the observatory at New Mexico Tech.
AstroCalc is a calculator program that I wrote up specifically for use in the Science Olympiad Astronomy competition. This program takes in any number of astrophysical values and calculates all possible values that can be extrapolated from the user input using known astrophysical formulas. Using this program, my team won fourth place at the national Science Olympiad Astronomy competition.


AOA's Chanmi & ASTRO's Sanha release 'One More Chance' MV teaser for their web drama 'Love Formula 11M'
by beansssAOA's Chanmi and ASTRO's Sanha will be collaborating for a lovely duet OST for their upcoming web drama, 'Love Formula 11M'.
The two idols also star as the female and male leads of 'Love Formula 11M', which tells the story of a female university student who was forced to quit soccer due to an injury, and a popular university soccer club star.
Chanmi and Sanha's OST "One More Chance" combines Chanmi's sweet, delicate vocals with Sanha's first attempt at rap. You can listen to a snippet of the OST in the web drama's MV teaser above.
Meanwhile, web drama 'Love Formula 11M' is set to air some time later this year via UHD.


Prometheus
Skyline can ingest Prometheus metrics. This requires Prometheus to be configured to send data to Skyline using the Prometheus remote_write configuration option or using a Prometheus remote_storage_adapter.
Skyline does not use Prometheus as a data source. Skyline uses RedisTimeSeries
for storing settings.FULL_DURATION
data and VictoriaMetrics as it’s long
term backend storage and for queries longer than settings.FULL_DURATION
.
There are a number of reasons for this.
Skyline can receive data from multiple Prometheus servers and using a VictoriaMetrics server removes any reliance on Skyline having to have access to the Prometheus source server/s.
Each Prometheus server has it’s metrics labelled with a
x_tenant_id
and_server
in both RedisTimeSeries and VictoriaMetrics data so that each Prometheus server’s metrics can be uniquely identified and isolated, ensuring no there are no metric name conflicts or duplications.It isolates Skyline in terms of data from the Prometheus server/s so it will not overload the source Prometheus server/s with lots of long queries.
The architecture decision to use VictoriaMetrics is based on performance and
totally isolating Skyline in terms of load on your Prometheus monitoring.
Given that enabling remote_write
on Prometheus generally results in ~25%
increased memory usage, adding additional load with lots of long duration
queries is probably undesirable. Even if you are only using one Prometheus
server to send Skyline metrics, it is recommended that you still use
VictoriaMetrics as the Skyline backend store to allow for greater data retention
than the default Prometheus 14 days, because Skyline uses longer duration data
for learning.
Ingestion
Skyline Flux accepts metrics from Prometheus and appends them to a Redis set. Every 60 seconds Skyline Horizon processes the Redis set and does a number of things depending on the Skyline set up.
x-tenant-id
x-server-id
x-server-url
Each x-tenant-id can have multiple x-server-ids and x-server-urls, one for each sending server.
If a target is sending any noisy metrics that you don’t want sent, you can either specify that Prometheus should drop that data in the remote_write config using the write_relabel_configs and drop options
write_relabel_configs:
- source_labels: ['__name__', 'instance']
regex: '(node_memory_active_bytes|localhost:9100)'
action: 'drop'
Or you can add these as a comma separated list of patterns (including regex patterns) to the remote_write dropMetrics header.
In order to remove specific labels or attributes from data points if a target is
sending labels you are not interested in receiving, you can remove these from the
metrics. Often targets will send labels you are not interested in, like high
cardinality attributes such as container ids or other unique identifiers. To
achieve this in Prometheus you need to change both the remote_write and the
scrape_configs sections. However changing the scrape_configs on your side will
remove those labels from your Prometheus as well. This can be troublesome as
you also need to define the labels to keep in the scrape_configs too. Skyline
therefore allows you to pass the dropLabels header with a comma separated
list of labels (also with a value pattern) to drop in the remote_write
dropLabels header which means that these labels will still be recorded on your
Prometheus but Skyline will remove the labels without any change to your
existing scrape_configs. You can also pass a dropMetrics in the headers to tell
Skyine to drop metrics that match a pattern in the dropMetrics list. Obviously
you can also apply normal Prometheus remote_write configuration blocks to the
remote_write seciton such as write_relabel_configs
as well.
remote_write:
- url: https://<YOUR_SKYLINE_FQDN>/flux/prometheus/write
queue_config:
max_samples_per_send: 8000
write_relabel_configs:
- source_labels: [alias]
regex: "(Loki|Prometheus|Grafana|Telegraf)"
action: drop
- source_labels: [job]
regex: "(loki_exporter)"
action: drop
- source_labels: [__name__]
regex: "(code:prometheus_http_requests_total:sum)"
action: drop
headers:
key: <FLUX_SELF_API_KEY or a FLUX_API_KEYS>
x-tenant-id: 1
x-server-id: 1
x-server-url: https://<YOUR_PROMETHEUS_FQDN>
dropLabels: "[['monitor','master'],['another_label_to_drop','with_value_of_*']]"
dropMetrics: "['^flag.*','^go_.*','^info_.*']"
metadata_config:
send: true
send_interval: 1m
max_samples_per_send: 1000
Format
Skyline supports the standard Prometheus protobuf data ingestion and influxdb format therefore you can send Prometheus data to Skyline in two ways:
Directly from Prometheus using remote_write to Skyline/flux
Using Prometheus remote_write sending to a Prometheus remote_storage_adapter and configuring the remote_storage_adapter to forward data in influxdb format to Skyline/flux.
However do note that the preferred and more featureful method is to use remote_write directly. The remote_storage_adapter method is very limited in terms of information that can be passed with the data. It is not possible to use any of the headers functionality (dropMetrics, dropLabels, etc) with the remote_storage_adapter, it’s functionality is very basic.
Given the large number of metrics that can be generated by Prometheus exporters
users are encouraged to assess all the metrics that Prometheus will send to
Skyline and implement appropriate settings.SKIP_LIST
and
settings.DO_NOT_SKIP_LIST
rules to ensure that you are only storing and
analysing the key metrics and Skyline/horizon is dropping metrics that are of no
interest. Although flux ingests the Prometheus metrics they are processed and
submitted to Redis via the normal horizon route, therefore the normal horizon
SKIP_LIST and DO_NOT_SKIP_LIST methods are still applicable.
In order to manage Prometheus metrics all Prometheus metrics must be prefixed
with a namespace that can be used to manage the metrics. The namespace prefixing
is done using the settings.FLUX_API_KEYS
mapping. In the case of using
the remote_storage_adapter method the --influxdb.database=<PREFIX>
is also
used, more on this in the remote_storage_adapter section.
It is recommended that you add the Prometheus namespace globally to the SKIP_LIST and then add metrics that you want to analyse to the DO_NOT_SKIP_LIST.
Both ways work almost the same with the exception of a prefix must be appended to
Considerations
There is an issue in Prometheus metric types in so far as developers will not always adhere to metric typing rules and in some exporter you will find COUNTER and GAUGE metrics in the same metric namespace. To overcome this analyzer periodically checks the metrics and identifies the skyline_metric_type, because the Prometheus metadata cannot be trusted.
Skyline is not storing the data for longer than settings.FULL_DURATION
and it is storing preprocessed data. Consider Skyline analysis as a broad
overview of your Prometheus metrics, it is not about fine granular data it is a
set of tradeoffs. It gives you real time monitoring your metrics in broad
strokes, but it has cardinality and resolution limitations.
Skyline requires the following additional information per request to be passed along with the metric data.
source: the Prometheus URL at which the metrics being submitted are available at.
key: the FLUX_API_KEYS key
prefix: a string to prefix the metrics with internally in Skyline
Although the Prometheus metric name may be something along the lines of:
prometheus_http_requests_total{alias="Prometheus",code="200",handler="/graph",instance="localhost:9090",job="prometheus"}
Skyline’s internal representation of that would be prefixed the x-tenant-id and x-server-id labels:
prometheus_http_requests_total{_tenant_id="<x-tenant-id>",_server_id="<x-tenant-id>",alias="Prometheus",code="200",handler="/graph",instance="localhost:9090",job="prometheus"}
The reason these labels are required is because Skyline may be receiving metrics from multiple Prometheus instances and whereas each metric and labels may be unique on one Prometheus server the same metric and labels may exist on another Prometheus server, so Skyline adds labels to every Prometheus metric.
Pass this additional information using the remote_write method is easy, passing it using the remote_storage_adapter is a bit more obfuscate.
remote_storage_adapter
Due to the limited number of config options that the remote_storage_adapter can be run with some config options are used for different purposes than they are intended for. This is because there is no ability to add headers to the remote_storage_adapter requests, therefore we have to use what options are available to relay the required parameters to Skyline.
--influxdb.database
- in terms of Skyline the database option is used to
prefix the metric with this string.
Skyline uses the
--influxdb.username
- dict with all the required headers/labels?
remote_write:
- url: "https://skyline.example.org/flux/prometheus/write"
queue_config:
max_samples_per_send: 1000
headers:
key: 1234hbfq89iUGGDn9qiUHuads7we1234
x-tenant-id: 123
x-server-id: 2
x-server-url: http://minikube.mc12
dropMetrics:
dropLabels:
write_relabel_configs:
- target_label: "x_org_id"
replacement: 123
- target_label: "x_server_id"
replacement: 2
metadata_config:
send: true
send_interval: 1m
max_samples_per_send: 1000


| Name | Description |
| jmod.10harmonics~ | A module for additive synthesis |
| jmod._template~ | A groovy new module |
| jmod.audiounit~ | AudioUnit plug-ins hosting module |
| jmod.crossfade~ | Module for crossfading between two sound sources |
| jmod.degrade~ | Degrade audio signal |
| jmod.delay~ | Sample-accurate delay module |
| jmod.echo~ | Stereo echo module |
| jmod.equalizer~ | Audio equalizer module (multi-band filter) |
| jmod.filter~ | Audio filter module |
| jmod.fluidsynth~ | Synth based on the fluidsynth using soundfonts |
| jmod.input~ | Generic stereo audio input module |
| jmod.limiter~ | Stereo limiter module |
| jmod.multidelay~ | Sample-accurate delay module with 5 delay lines per channel and feedback |
| jmod.noisegate~ | A noise gate module |
| jmod.noise~ | Different noise functions |
| jmod.output~ | Generic stereo output module with some master fx and recording |
| jmod.rissetGlissando~ | Audio synthesis generating Shepard/Risset infinite glissandi |
| jmod.sampleplayer2~ | A sampleplayer with separate control for pitch and speed based on buffer~, groove~ and gizmo~ |
| jmod.samplePlayer~ | A simple sampleplayer based on buffer~ and groove~ |
| jmod.saturation~ | Stereo saturation/distortion effect |
| jmod.scope~ | Visualization of audio signal |
| jmod.sine~ | Playing simple waveforms |
| jmod.spectralShift~ | 4 in 1 kinderegg: Pitch shift, frequency shift, feedback delay and limiter |
| jmod.tremolo~ | Stereo tremolo effect with channel phase offset |
| jmod.bcf2000 | Module interfacing with the Behringer BCF2000 motorized controller |
| jmod.colorpicker | a module for setting up to 12 RGB triplets as a parameter of type array |
| jmod.continuum | Module interfacing with the Haken Continuum Fingerboard |
| jmod.cueManager | Module for managing cuelists |
| jmod.cueScript | A module for remote communication to modules by means of a text format cue script |
| jmod.cueTrigger | Graphical interface triggering cues |
| jmod.fileBrowser | Choose files to play in your audio or video player |
| jmod.fileNameGenerator | Generate indexed file names |
| jmod.globalTransport | Control interface to Max's global transport |
| jmod.hi | Use any general human interface device (HID). Outputs OSC-messages. |
| jmod.layout | Store position of this patcher's modules into presets |
| jmod.mapper | Manage parameter mappings for jamoma modules |
| jmod.mapperContinuous | a one-to-one continuous mapper |
| jmod.mapperDiscrete | A one-to-one mapper for discrete events |
| jmod.messages | A performance message display |
| jmod.midiin | Receive and output messages from a MIDI device |
| jmod.mouse | Outputting mouse information |
| jmod.mouse.gdif | Outputting mouse information |
| jmod.multicast | Multicast bonjour core |
| jmod.oscnet | Send and receive Open Sound Control (OSC) on a network port |
| jmod.palette | Create various blends of the 1 to 12 colors on the palette. |
| jmod.polhemus | Get data from Polhemus electromagnetic trackers |
| jmod.qmetro | A qmetro module (like metro, but can drop frames) |
| jmod.spacenavigator | Use the Space Navigator from 3D Connexion |
| jmod.uc-33 | Module interfacing with the Edirol UC-33 MIDI fader |
| jmod.wacom | Use Wacom graphic tablets |
| Name | Description |
| jmod.condition | Condition a control signal |
| jmod.textwriter | Write data to a text file, with timestamping for each line of values |
| Name | Description |
| jmod.gl.alphamixer% | A four layer slab-based video mixer using alpha channel for each layer |
| jmod.gl.chromakey% | Slab-based keying based on chromatic distance |
| jmod.gl.edgeblend% | Slab-based edge blending with alpha channel |
| jmod.gl.background% | Slab-based background extractor (foreground remover) |
| jmod.gl.td.rota% | Slab-based rotation and repositioning |
| jmod.gl.text2d% | Read text file and display as OpenGL bitmap text |
| jmod.gl.videoplane% | Map incoming video as texture to OpenGL videoplane |
| Name | Description |
| jmod.sur.ambi.adjust~ | Display levels and adjust relative weight for ambisonic components |
| jmod.sur.ambi.decode~ | Decode ambisonic signal |
| jmod.sur.ambi.encodeM~ | Ambisonic encoding of up to 32 mono sources |
| jmod.sur.ambipanning~ | ICST Ambipanning |
| jmod.sur.ambisonics~ | ICST Ambisonics encoding and decoding |
| jmod.sur.audiounit~ | Multichannel AudioUnit plug-ins wrapper |
| jmod.sur.aux~ | A module to distribute a multicable to three receivers |
| jmod.sur.dbap~ | Distance based amplitude panning |
| jmod.sur.doppler~ | Doppler effect |
| jmod.sur.input~ | Playback of multichannel audiofiles based on sfplay |
| jmod.sur.meters~ | A multichannel meterbridge |
| jmod.sur.multi.in~ | Put audio signals on a multicable |
| jmod.sur.multi.out~ | Unpack up to 32 mono signals from a multicable |
| jmod.sur.output~ | Distribute multicable signals directly to dac~ output channels |
| jmod.sur.position | Describe position of one surround voice as xyz coordinate |
| jmod.sur.race~ | Ambiophonics RACE implementation |
| jmod.sur.rolloff~ | Free-field amplitude roll-off with distance |
| jmod.sur.setup | Describing arrangements of instances as sets of XYZ coordinates |
| jmod.sur.speaker.delay~ | Individual delay for up to 32 speakers in surround sound setups to correct for varying distances |
| jmod.sur.speaker.distamp~ | Module for compensating loudspeaker gains in irregular loudspeaker setups |
| jmod.sur.vbap~ | Vector based amplitude panning |
| jmod.sur.zoomH2ambi~ | Convert a Zoom-H2 four channel recording into a horizontal-only B-format 2nd order |
| Name | Description |
| jmod.alphablend% | Alpha blending of two video layers |
| jmod.avg4% | Average 4 pixels of input for each pixel of output |
| jmod.background% | Background video substraction |
| jmod.blur% | Video blur effect |
| jmod.box% | Add boxes around objects in the video |
| jmod.brcosa% | Control brightness, contrast and saturation |
| jmod.chromakey% | Choke chromakey 2 sources |
| jmod.edge% | Edge detection |
| jmod.emboss% | Cheesy embossing effect |
| jmod.fluoride% | Neon glow effect |
| jmod.foregroundMask% | Create mask based on image foreground. |
| jmod.input% | Generic video input module |
| jmod.keyscreen% | Choke chromakey 3 sources |
| jmod.mblur% | Motion blur effect |
| jmod.motion% | Display a motion image |
| jmod.motion2% | A simplified motion module |
| jmod.motiongram% | Create motiongrams from video stream |
| jmod.moviePlayer% | Playback of Quicktime movies |
| jmod.op% | Mathematical operations on one or two matrices |
| jmod.orsize% | Change orientation and size of video |
| jmod.output% | Output video to an OpenGl driven window |
| jmod.plur% | Video feedback/washout effet |
| jmod.record% | A module for recording video to disk |
| jmod.similarity% | Create a similarity matrix from a video stream |
| jmod.television% | Bad TV' effect |
| jmod.wake% | Video feedback/washout effect |
| jmod.xfade% | Crossfade between two incoming video matrices |
| jmod.yfade% | Crossfade (Pan) a source to two outputs |
Jamoma is a system for creating and exchanging structured Max patches. It consists of both a set of guidelines and an implementation of those guidelines. For more information please visit jamoma.org.


<script src="RGraph.common.core.js"></script> <script src="RGraph.line.js"></script>
<canvas id="cvs" width="650" height="250"> [No canvas support] </canvas>


Preparation time
less than 30 mins
Cooking time
over 2 hours
Serves
Serves 6
A homemade whisky and orange flavoured mustard really brings out the flavour of this fabulous cut of beef.
For the mustard, place the vinegar and sugar in a saucepan and bring to a simmer. Add the mustard seeds and powder and stir well.
Simmer over a high heat for three minutes until the volume of the liquid has reduced by half and the seeds slightly softened.
Pour into a food blender and blend to a purée – it takes a few of minutes for the seeds to break down and the mustard to become creamy.
Add the whisky, orange juice and honey, then blend once more. Season with a little salt and freshly ground black pepper and set aside.
For dauphinoise, preheat the oven to 170C/325F/Gas 3.
Butter an ovenproof dish with a little of the butter then rub the garlic clove around the dish.
Toss the potatoes and turnips together in a bowl, season with salt and freshly ground black pepper. Tip into the ovenproof dish, pressing the slices down to form an even layer.
Place the cream and milk in a bowl and whisk to combine. Season with salt, black pepper and nutmeg and pour the cream and milk over the potatoes and turnips.
Dot with the remaining butter and then cover tightly with aluminium foil. Place in the oven and cook for an hour until the vegetables are just tender. After an hour, remove from the oven and set aside.
For the beef, increase the oven temperature to 200C/400F/Gas 6. Spread some of the mustard all over the beef (any remaining mustard can be kept in a container in the fridge for a few weeks).
Heat a large frying pan until very hot. Add a little oil to the pan and fry the beef on all sides until nicely browned. Transfer to a roasting dish and place in the oven for 1 hour 30 minutes.
Remove from the oven, cover with foil and rest for 15-30 minutes.
For the dauphinoise, remove the foil and return to the oven for a further 30 minutes until golden-brown on top.
For the beef, place the beef on a board ready to carve and then return the roasting pan to the heat. Make a gravy by heating the meat juices over a medium heat until bubbling, then add the wine and cook until the liquid has reduced by half. Add the beef stock and cook until reduced by half again, then season to taste.
To serve, carve the beef and serve with a spoonful of dauphinoise and dollop of mustard. Drizzle over the gravy to finish.


$.api.comment.deleteComment({boardId : "test", articleSeq : 0, seq : 0, isRemove : "Y"});
| Variable's name | Variable's type | Description |
|---|---|---|
| boardId Required | String | Board's id |
| articleSeq Required | Integer | Article's number |
| seq Required | Integer | Comment's number |
| isRemove | String(Y or N) | Y : Delete this article. N : Set status "-1" to this article. |
| Variable's name | Variable's type | Description |
|---|---|---|
| code | Integer | Response code |
| message | Integer | Response message |


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A roomy design in luxurious Saffiano leather with a versatile, detachable strap.
Double top handles, 5" drop
Detachable shoulder strap, 22"-24" drop
Three compartments, one open and two zip closures
Protective metal feet
Snap gussets
One inside zip pocket
Two inside open pockets
Logo lining
13"W X 9.5"H X 5.5"D
Leather
Made in Italy


Highlights: Bucks 104, Pistons 90 24 Nov 2019, 04:59 by FOX Sports Wisconsin Check out the highlights from the Milwaukee Bucks’ 104-90 win over the Detroit Pistons.


Documentation¶
A task that is often considered as a necessary evil, but it's really needed to document how stuff works :-)
User documentation¶
Creating the documentation for the wiki is in fact easier as it may seem, we extract it from the source!
This means that you just create the documentation in the same editor where you the write code, using the same comment tags as in C# (or mostly the same comment tags). All elements with a Reflector attribute will be extracted, and used for the documentation. The docGenerator program in the Tools folder takes care of this.
The following elements are used :
| summary | This is the main explanation of the element, when on a class it will be displayed at the top of the page. This is the main explanation of the element. On a property it will be shown in the Configuration Elements table. |
| title | Used inside the summary element of the class, if not specified the class name will be used. This gives a more friendly name for the page. |
| version | Used to make clear from what version of CCNet the functionality is available. Can be used at class or property level. |
| code | To provide a code or config example of how things must be used, this must be escaped XML. Meaning do not type 1<exec command="abc" /> but type it like so : inside the code element. Indention is not needed, this is automatically done through the wiki. If there are multiple configs, you can give each of them a separate title via the title attribute. |
| para | Used to create paragraphs into the documentation. So use it as a child element of summary or remarks |
| heading | creates a sub heading in section, like para or summary |
| b | outputs the enclosed text as bold |
| link | provides a link to another wiki page. For example you could provide links to similare topics like modification reader and modification writer |
| showChildren | shows any childpages of the current page. This means that the class knows the wiki-layout, so use with caution. |
| includePage | includes the contents of the involved page into this page/ Most used example are the integration properties on each task or publisher. |
Example
This is the comment of the Executable Task
1 ///
2 /// <para>
3 /// The Executable Task lets you invoke any command line executable. It doesn't offer as much specific
4 /// integration as (for example) the <link>NAnt Task</link>, but does allow you to hook almost anything
5 /// up as a build process to CCNet. CCNet will examine the exit code when the executable ends and act
6 /// accordingly.
7 /// </para>
8 ///
9 /// <title>Executable Task</title>
10 /// <version>1.0</version>
11 /// <example>
12 ///
13 /// <exec executable="c:\projects\myproject\build.bat" />
14 ///
15 ///
16 /// <exec>
17 /// <executable>make</executable>
18 /// <baseDirectory>D:\dev\MyProject</baseDirectory>
19 /// <buildArgs>all</buildArgs>
20 /// <buildTimeoutSeconds>10</buildTimeoutSeconds>
21 /// <successExitCodes>0,1,3,5</successExitCodes>
22 /// <environment>
23 /// <variable>
24 /// <name>MyVar1</name>
25 /// <value>Var1Value</value>
26 /// </variable>
27 /// <variable name="MyVar2" value="Var2Value"/>
28 /// </environment>
29 /// </exec>
30 ///
31 /// </example>
32 /// <remarks>
33 /// <para type="note">
34 /// An exit code of -1 is always treated as the operation has timed out. This will fail the build.
35 /// </para>
36 /// <para type="warning">
37 /// Windows seems to change the case of environment variables occasionally. If your task target doesn't
38 /// find one of these properties, try using all upper case or all lower case versions of these properties.
39 /// </para>
40 /// <heading>Frequently Asked Questions</heading>
41 /// <para>
42 /// Does the exec task pass the integration properties via the command line?
43 /// </para>
44 /// <para>
45 /// No. The integration properties are only available as environment variables. As there is no way of
46 /// knowing the way in which the external program expects these properties to be formatted as command line
47 /// arguments, environment variables are a simple, common medium for making these values accessible. To
48 /// pass these environment variables into an external program, have the exec task call a batch file instead
49 /// that will pick up the environment variables, format them and pass them as command line arguments to the
50 /// external program.
51 /// </para>
52 /// <para>
53 /// Using built in shell commands
54 /// </para>
55 /// <para>
56 /// In Windows use cmd.exe as the executable, and pass the wanted command as an argument, preceded with /c.
57 /// This allows to execute del *.* and the like. For example :
58 /// </para>
59 ///
60 /// <exec>
61 /// <executable>c:\Windows\System32\cmd.exe</executable>
62 /// <buildArgs>/C NET STOP "Service name"</buildArgs>
63 /// </exec>
64 ///
65 /// <para>
66 /// The following parameters are passed to the external program using environment variables, in addition to those you specify in
67 /// the <environment> element.:
68 /// </para>
69 /// <includePage>Integration_Properties</includePage>
70 /// </remarks>
71 [ReflectorType("exec")]
72 public class ExecutableTask
73
Technical documentation
When the methods, variables and the like have a meaningful name, there is no real need for extra comments.
Extra comment is always appreciated, and certainly in places with 'complex' logic.


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Hayes Lawn and Landscape offers a variety of different styles of landscaping. We understand that having landscaping installed is no small decision. Let us make things as easy as possible for you and schedule a consultation today.
HL&L is fully insured and serves commercial properties. Some of our commercial customers include T-Mobile, Home Depot, and Loves Travel Stops. For routine lawn maintenance we offer weed treatments and fertilization along with routine lawn mowing services. For landscaping services we work closely with store managers and property owners to make sure we meet their exact specifications. Tree planting, boulder placements, even sidewalk and curb work, we will always get the job completed to the clients expectation. For commercial properties we service the Oklahoma City Metro, Edmond, Mustang, Yukon, Moore, and Norman. For estimates or more information about commercial services please email or call<PHONE_NUMBER> and we will get back with you within 24 hours.
HL&L has serviced hundreds of satisfied residential customers. Residential services make up half of our business and it is our biggest priority to make sure our customers remain pleased. For routine lawn maintenance we offer weed treatments and fertilization along with routine lawn mowing services. All crews speak 100% english. For landscaping services we make your dreams a reality. We work within your budget and make it as hassle free as possible. Most landscapes are done in 2 to 3 days. For residential properties we service the Oklahoma City Metro, Edmond, Mustang, Yukon, Moore, and Norman. For estimates or more information about residential servies please email or call<PHONE_NUMBER> and we will get back with you as soon as possible.
This most commonly installed landscape is best suited for newer style homes that want that “wow” factor. Customers requesting this style of landscape usually do not like the basic low-budget landscapes commonly installed by the home builder.
The Estate Package is our elite line of landscaping. These custom landscapes are made to fit the scale and style of the home. Styles range from conservative to extravagant and will always add impressive curb appeal to your estate. We start with a consultation to make sure that through our detailed planning process every aspect of the customer's vision is included. This package typically includes all new landscaping (front, side, back), mature plants and often outdoor lighting. These landscapes will give your estate a well defined look while adding significant value to your home.
Not sure what you want or what you have in mind isn't described here? No worries. We can customize a landscape plan for your home. We can create low-maintenance, modern, or traditional landscapes, water features, and even privacy barriers. If this is more like the type of landscsaping that fits you please let us know and we will schedule a free consultation. Email us or give us a call<PHONE_NUMBER> and we will arrange a meeting to discuss your vision.
We make holiday fantasies come to life! We offer several different packages and can store your lights at our facility freeing up space in your home and eliminating the yearly hassle. The holidays bring unnecessary pressure for you and your family. It is our goal to make lighting your home as hassle free as possible. Just tell us what you desire and we will handle it for you. We will have your lights up by Thanksgiving and have them taken down shortly after January 1st. For a free estimate or consultation please contact us and we will be happy to meet with you! Email us or give us a call<PHONE_NUMBER> early fall! Our schedule gets booked quickly!


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SPECIES II
Release Date: April 10, 1998 Starring: Justin Lazard, Natasha Henstridge, Marg Helgenberger, Michael Madsen, Mykelti Williamson, James Cromwell Directed by: Peter Medak Distributed by: Metro-Goldwyn-Mayer MPAA Rating: R (strong sexuality, sci-fi violence/gore, language) URL: http://www.execpc.com/~kinnopio/reviews/1998/species2.htm
Hollywood is increasingly feeling the need to produce big-budget films that contain gratuitous sex and violence. The second such film in less than a month (after WILD THINGS), SPECIES II has given movie goers another reason to fear studio-produced films. In movies such as this, there is no such thing as depth, no one has an alterior motive, duplicity is unlikely, and dynamism is impossible. Every single element is laid out for the viewer to see, and anything approaching complexity is hammered home; everyone in the audience is forced to watch the movie on the level of the lowest common denominator.
This might be expected from Director Peter Medak, who is a veteran director from the hit television series HOMICIDE: LIFE ON THE STREETS. Confined to a span of forty-two minutes, it's no wonder a film that runs ninety-five minutes in length is hard for him to design. There's not much to expect from the screenwriting department, either, because the only other major feature that Chris Brancato has penned was 1997's Laurence Fishburne starrer, HOODLUM. So the only thing left to turn to is, in this order: sex, special effects, and violence.
Justin Lazard plays Patrick Ross, an astronaut who is the first man to walk on Mars.  This becomes a problem for the increasingly sexually active Ross, who receives no help from his father (James Cromwell). Only Dr. Laura Baker (Marg Helgenberger) and a team of scientists, who've recreated a friendly version Sil (the female alien from the original SPECIES) - now named Eve - know how to stop him. So they call in Press Lenox (Michael Madsen, who reprises the role) to hunt down Ross. Unfortunately, there's a telekinetic bond between Eve and Ross, and their peaking levels of estrogen and testosterone, respectively, give them a strong desire to mate.
The movie might actually have a chance of thrilling the audience if there wasn't so much gratuitous sex. The theme of the movie distracts the audience's attention from what's going on: rather thangetting scared by any of the several tense scenes, the focus is on how long it will be until somebody takes their clothes off. Thus there is no reason to comment on the acting, for nobody save Mykelti Williamson has any degree of emotion. Cromwell's decreased screen time means he can't lend the gravity here that he did in L.A. CONFIDENTIAL, and as the movie progresses towards the end, everything loses any degree of seriousness. This is another movie that's saved only by special effects and the merest murmurings of a plot; definitely missable by anyone's standards.
FINAL AWARD FOR "SPECIES II": 1.5 stars - a below average movie.
-- Craig Roush<EMAIL_ADDRESS>-- Kinnopio's Movie Reviews http://www.execpc.com/~kinnopio
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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These are the vessels that are currently in Hsin Chien's fleet.
Vessels marked with * are operated by our Chartering department (please send query message to chtrg@hcm.com.tw). Vessels marked with † are under construction.
Place your mouse over the vessel's name for a photo of the vessel.


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Nullam gravida sem vel massa pulvinar cursus. In
sagittis enim vitae eros ultrices sagittis
Contrary to popular belief, Lorem Ipsum is not simply
random text.
Richard McClintock, a Latin professor at Hampden-Sydney College in Virginia, looked up one of the more obscure Latin
words, consectetur, from a Lorem Ipsum passage, and going through the cites of the word in classical literature,
discovered-500 the undoubtable source. Lorem Ipsum comes from sections 1.10.32 and 1.10.33 of "de Finibus Bonorum et
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ethics, very popular during the Renaissance. The first line of Lorem Ipsum, "Lorem ipsum dolor sit amet..", comes
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exact original form, accompanied by English versions from the 1914 translation by H. Rackham.
The standard chunk of Lorem Ipsum used since the 1500s is reproduced below for those interested.


In this example, we will implement a custom function when the title's value changes. Each time the value changes, we will show the date in another DOM element.


RISING SUN A film review by James Berardinelli Copyright 1993 James Berardinelli
Rating (Linear 0 to 10): 6.2
Date Released: 7/30/93 Running Length: 2:09 Rated: R (Language, nudity, sex, violence)
Starring: Sean Connery, Wesley Snipes, Harvey Keitel, Cary-Hiroyuki Tagawa, Kevin Anderson Director: Philip Kaufman Producer: Peter Kaufman Screenplay: Philip Kaufman, Michael Crichton, and Michael Backes based on the novel by Michael Crichton Music: Toru Takemitsu Released by Twentieth Century Fox
In an empty conference room on the forty-sixth floor of Los Angeles' Nakatomo Tower, the dead body of a beautiful young call girl has been found sprawled out on a table. When Lieutenant Tom Graham (Harvey Keitel), the racist cop in charge, has trouble obtaining the full cooperation of the Nakatomo execs, Special Services liaison Lieutenant Web Smith (Wesley Snipes) is summoned for help. Along the way, Smith receives a call on the car phone telling him to pick up Captain John Connor (Sean Connery), a man known to be well-versed in Japanese traditions and, in the opinion of some, a Japanese sympathizer. Nothing about this investigation is straightforward, but as more is revealed about the details of the case, Connor and Smith find themselves "in the warzone" of a business battle in which life is a commodity easily lost.
Michael Crichton's RISING SUN, in addition to being a gripping mystery/thriller, functioned as a scathing attack on American apathy to Japanese economic aggression. In fact, in his afterword to the novel, Crichton says, "The Japanese are not our saviors. They are our competitors. We should not forget it." Statements like these earned RISING SUN the dubious distinction of being a Japan-bashing novel. Now, with the arrival of Philip Kaufman's film, the protests which greeted the book's publication have started anew.
Although the movie RISING SUN is mostly faithful to the written work which inspired it (Michael Crichton gets his second co-screenwriting credit of the summer, although he dropped out of this project early on), much of the anti-Japanese sentiment has been toned down. There is little that someone watching the film with an unbiased eye will notice. Great pains are gone to the present as many positives as negatives in the Japanese way of life, and there are as many sleazy Americans as there are Japanese in the movie. Crude Asian stereotypes and caricatures are avoided, and care is taken to give the good guys a few vices and the bad guys a few virtues.
With the exception of an ill-timed and confusing ending, the movie follows the general plotline of the book surprisingly well. There are changes of course, but nothing as wholesale or drastic as what destroyed the screen version of THE FIRM. Despite altering the specifics of the killer's identity, the main culprits remain the same. A few additional action scenes have been added (Sean Connery and Wesley Snipes enter into a hand-to-hand struggle with a bunch of Japanese thugs) to keep the audience's attention, and a great deal of Crichton's detail on Japanese culture has been dropped. It fits nicely into the printed version, but would have made the film talky and overly long.
The most obvious book-to-movie change is the casting of black actor Wesley Snipes as a character that is white in the book. Actually, as things turn out, the race of Lieutenant Smith becomes almost irrelevant, except in one scene new to the movie where Smith uses a bunch of his ghetto buddies to help him out of a scrape. With much of the intended comedy failing in this instance, this was not one of the better alterations. It's far too silly.
One of the problems with getting a rising star of Wesley Snipes' stature to play opposite Sean Connery is that Lieutenant Smith can't simply be the Watson to Connor's Holmes. Admittedly, there was some friction between the two in the book, but it's nothing like what's present in the movie, where the two almost come to blows (actually, Smith wants to fight while Connor looks at him like an amused parent with a misbehaving child).
The mystery itself is well-presented, with the usual twists, turns, and red herrings. The scenes with Tia Carrere's video guru, as she attempts to uncover the doctoring that has been done to a laser disk containing a video copy of a surveillance camera's recording of the murder, are among the most fascinating moments of the film. What's done to the disks certainly makes you realize that pictures--whether moving or not--can no longer be trusted.
The ending is a little sloppy, with a bit too much "Hollywood" added, and a long, drawn-out scene with Snipes and Carrere that's pointless. I would have left RISING SUN with a slightly-better taste in my mouth had the final moments been pruned out.
Connery, who reportedly was Crichton's "model" for John Connor during the original writing, seems born to play the role. He slips into it with ease and, as always, is a joy to watch. Wesley Snipes is a little erratic , unexpectedly having a few instances where his performance doesn't ring true. Harvey Keitel, underused as the bigoted cop who opens the investigation, seethes with spoken--and unspoken--hatred for everything Japanese.
Director Philip Kaufman, who has previously tackled the book-to-screen adaptations of THE RIGHT STUFF and THE UNBEARABLE LIGHTNESS OF BEING, knows how to create a taut, tightly-paced film. There aren't many letdowns in RISING SUN; the film moves implacably on, gathering steam as it goes. The authentic-sounding Japanese music of composer Toru Takemitsu helps the movie's tone immeasurably.
RISING SUN is a mixed bag that contains more positives than negatives.  Then again, that's almost always the case with film adaptations. At least in this case, lovers of the book won't be shaking their heads in horror as they did with THE FIRM and SLIVER. RISING SUN is a pretty good movie, but it's still a better novel.
- James Berardinelli<EMAIL_ADDRESS>.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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M
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mapr
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mass_matrix
(in
HMCStepRENSSwapParameterInfo
)
MercurialHandler
(in
csb.build
)
main()
(in
Application
)
mass_matrix
(in
MDRENSSwapParameterInfo
)
merge()
(in
SecondaryStructureElement
)
main()
(in
BFitApp
)
mass_matrix
(in
MDParam
)
MET
(in
ProteinAlphabet
)
main()
(in
csb.apps.bfit
)
mass_matrix
(in
ReducedHamiltonian
)
MET
(in
StdProteinAlphabet
)
main()
(in
BFitApp
)
mass_matrix
(in
HMCPropagator
)
metaclass()
(in
csb.core
)
main()
(in
csb.apps.bfite
)
mass_matrix
(in
MDPropagator
)
Metrics
(in
csb.bio.fragments
)
main()
(in
BuildProfileApp
)
mass_matrix
(in
HMCSampler
)
Mg
(in
ChemElements
)
main()
(in
csb.apps.buildhmm
)
masses()
(in
Envelope
)
micro
(in
Version
)
main()
(in
CSfragApp
)
master
(in
A3MAlignment
)
min_intensity
(in
NOESpectrum
)
main()
(in
csb.apps.csfrag
)
Match
(in
States
)
MIN_LENGTH
(in
FragmentCluster
)
main()
(in
DeconvolutionApp
)
match
(in
IdentityMatrix
)
MIN_P
(in
Options
)
main()
(in
csb.apps.embd
)
match()
(in
Label
)
min_probability
(in
HHsearch
)
main()
(in
HelloWorldApp
)
match_columns
(in
HHpredHitList
)
MIN_SIGMA
(in
GaussianMixture
)
main()
(in
csb.apps.helloworld
)
matches
(in
Target
)
MIN_UNICODE_CHAR
(in
FastResidueMapper
)
main()
(in
HHfragApp
)
matches
(in
A3MAlignment
)
minattract
(in
ClansParams
)
main()
(in
csb.apps.hhfrag
)
MatchInfo
(in
csb.apps.csfrag
)
minor
(in
Version
)
main()
(in
HHsearchApp
)
MatchTable
(in
csb.apps.csfrag
)
mismatch
(in
IdentityMatrix
)
main()
(in
csb.apps.hhsearch
)
MatrixInitError
(in
csb.numeric
)
Missing3DStructureError
(in
csb.bio.structure
)
main()
(in
PrecisionApp
)
MAX_ALI
(in
Options
)
MissingBlockError
(in
csb.bio.io.clans
)
main()
(in
csb.apps.precision
)
max_alignments
(in
HHsearch
)
mix()
(in
RosettaFragsetFactory
)
main()
(in
ProMixApp
)
MAX_E
(in
Options
)
mixtures
(in
csb.statistics
)
main()
(in
csb.apps.promix
)
max_evalue
(in
HHsearch
)
Mn
(in
ChemElements
)
main()
(in
csb.build
)
MAX_FRAGMENTS
(in
FastResidueMapper
)
Mo
(in
ChemElements
)
main()
(in
csb.test.app
)
MAX_HITS
(in
Options
)
mode
(in
HeaderInfo
)
main_conformers()
(in
ProMixApp
)
max_hits
(in
HHsearch
)
model
(in
MaxentPosterior
)
main_segments()
(in
ProMixApp
)
max_intensity
(in
NOESpectrum
)
model_id
(in
Structure
)
major
(in
Version
)
max_overlap
(in
Target
)
models
(in
Ensemble
)
make_alignment()
(in
StructureAlignmentFactory
)
maxent
(in
csb.statistics
)
models()
(in
AbstractStructureParser
)
make_chopped()
(in
RosettaFragsetFactory
)
MaxentModel
(in
csb.statistics.maxent
)
module
(in
AppRunner
)
make_combined()
(in
RosettaFragsetFactory
)
MaxentPosterior
(in
csb.statistics.maxent
)
molecule_id
(in
Chain
)
make_entry()
(in
StructureAlignmentFactory
)
maxmove
(in
ClansParams
)
momentum
(in
AbstractState
)
make_filtered()
(in
RosettaFragsetFactory
)
mc
(in
csb.statistics.samplers
)
momentum
(in
EnsembleState
)
make_fragset()
(in
RosettaFragsetFactory
)
MCCollection
(in
csb.statistics.samplers.mc
)
momentum
(in
State
)
make_hmm()
(in
PDBProfileBuilder
)
Md
(in
ChemElements
)
mrc
(in
csb.bio.io
)
make_hmm()
(in
ProfileBuilder
)
MDA
(in
Metrics
)
Mt
(in
ChemElements
)
MAP
(in
SequenceAlphabets
)
mda_to()
(in
Assignment
)
mu
(in
GeneralizedNormal
)
map()
(in
AbstractResidueMapper
)
MDParam
(in
csb.statistics.samplers.mc.neqsteppropagator
)
mu
(in
GumbelMinimum
)
map()
(in
CombinedResidueMapper
)
MDPropagationParam
(in
csb.statistics.samplers.mc.neqsteppropagator
)
mu
(in
InverseGaussian
)
map()
(in
FastResidueMapper
)
MDPropagator
(in
csb.statistics.samplers.mc.propagators
)
mu
(in
Laplace
)
map()
(in
RobustResidueMapper
)
MDRENS
(in
csb.statistics.samplers.mc.multichain
)
mu
(in
Normal
)
map_column()
(in
AlignedSequenceAdapter
)
MDRENSSwapParameterInfo
(in
csb.statistics.samplers.mc.multichain
)
multichain
(in
csb.statistics.samplers.mc
)
map_residue()
(in
AlignedSequenceAdapter
)
mean
(in
ClusterRep
)
MultivariateGaussian
(in
csb.statistics.pdf
)
mapc
(in
HeaderInfo
)
mean()
(in
FragmentCluster
)
MultivariateGaussianMLEstimator
(in
csb.statistics.pdf
)
mapper
(in
AbstractStructureParser
)
means
(in
GaussianMixture
)
Home
Trees
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Help
CSB v1.2.5.d7fd331
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Lincoln Center in New York City to honor Spike Lee in April
by The Associated PressNEW YORK (AP) - Spike Lee will receive Film at Lincoln Center’s 46th Chaplin Award.
Lincoln Center announced Thursday that the 62-year-old filmmaker will be honored in its annual fundraising gala on April 27.
For its 50th anniversary last year, Lincoln Center skipped a Chaplin Award honoree and instead hosted a special gala that featured Martin Scorsese, Pedro Almodovar, Tilda Swinton and others.
The four previous Chaplin Award winners were Helen Mirren, Robert De Niro, Morgan Freeman and Robert Redford.
A selected retrospective of Lee’s films will also play alongside the event. Lee’s last film, “BlacKkKlasman” was nominated for six Oscars including best picture.
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Amory Lovins on the expanding efficiency cornucopia
On the mainstage of VERGE 19, Joel Makower discuss energy efficiency with Amory Lovins, Cofounder and Chief Scientist of the Rocky Mountain Institute. Energy efficiency, a bigger energy “source” than oil, avoids at least twice as much global greenhouse gas emissions as renewables’ remarkable growth. Yet its potential is far larger. Designing buildings, vehicles, and factories as whole systems can save many times more energy than previously thought, and often at lower cost. Systems thinking can also save most of the energy-intensive activities and materials (like steel and cement) often considered hardest to decarbonize.


Home
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Skills
Languages:
Html,Css,Javascript
Networking
SQL Databases:
MySQL
Repair and Maintenance of computer hardware


Page: Program_Root/time/date.php
Various date functions.
- Package -
Date
- Access -
public
Classes defined on this page:
|
Include Statements Summary
|
| INCLUDE TYPE | INCLUDED FILENAME | DESCRIPTION |
| VARIABLE NAME | VARIABLE VALUE | DESCRIPTION |
| CONSTANT NAME | CONSTANT VALUE | DESCRIPTION |
|
Include Statements Detail
|
day_of_week
void day_of_week ( $year, $month, $day )
Get day of week.
- Function Parameters:
- integer $year:
- integer $month:
- integer $day:
- Function Info:
- Returns -
int Day of week. 1 is Monday, 2 is Tuesday etc.
- Access -
public
day_of_year
void day_of_year ( $year, $month, $day )
Get day of year.
- Function Parameters:
- integer $year:
- integer $month:
- integer $day:
- Function Info:
- Returns -
int Day of year starting at 1.
- Access -
public
doomday
void doomday ( $year )
Get doomday.
Get day of week for the first day of a year.
- Function Parameters:
- integer $year:
- Function Info:
- Returns -
int Day of week. 1 is Monday, 2 is Tuesday etc.
- Access -
public
is_leap_year
void is_leap_year ( $year )
Check if year is a leap year.
- Function Parameters:
- integer $year:
- Function Info:
- Returns -
bool
- Access -
public


Huy Web Developer Examples and Resources
WEB110
BIG Website
Lightbox II Gallery
Research Topics
SMO
Accessibility
Google
Form
Calendar
Map
Contact
Light Box 2 - Image Gallery
Beach
Mountain
Road


Golden Spiral
Presets
$\varphi$
$\pi$
$\sqrt{2}$
$\sqrt{3}$
Continued fraction
Star
Fork
Issue
Download


Real Interpolation using GSL#
- class sage.calculus.interpolation.Spline#
Bases:
object
Create a spline interpolation object.
Given a list \(v\) of pairs,
s = spline(v)
is an objects
such that \(s(x)\) is the value of the spline interpolation through the points in \(v\) at the point \(x\).The values in \(v\) do not have to be sorted. Moreover, one can append values to \(v\), delete values from \(v\), or change values in \(v\), and the spline is recomputed.
EXAMPLES:
sage: S = spline([(0, 1), (1, 2), (4, 5), (5, 3)]); S [(0, 1), (1, 2), (4, 5), (5, 3)] sage: S(1.5) 2.76136363636...
Changing the points of the spline causes the spline to be recomputed:
sage: S[0] = (0, 2); S [(0, 2), (1, 2), (4, 5), (5, 3)] sage: S(1.5) 2.507575757575...
We may delete interpolation points of the spline:
sage: del S[2]; S [(0, 2), (1, 2), (5, 3)] sage: S(1.5) 2.04296875
We may append to the list of interpolation points:
sage: S.append((4, 5)); S [(0, 2), (1, 2), (5, 3), (4, 5)] sage: S(1.5) 2.507575757575...
If we set the \(n\)-th interpolation point, where \(n\) is larger than
len(S)
, then points \((0, 0)\) will be inserted between the interpolation points and the point to be added:sage: S[6] = (6, 3); S [(0, 2), (1, 2), (5, 3), (4, 5), (0, 0), (0, 0), (6, 3)]
This example is in the GSL documentation:
sage: v = [(i + RDF(i).sin()/2, i + RDF(i^2).cos()) for i in range(10)] sage: s = spline(v) sage: show(point(v) + plot(s,0,9, hue=.8)) # needs sage.plot
We compute the area underneath the spline:
sage: s.definite_integral(0, 9) 41.196516041067...
The definite integral is additive:
sage: s.definite_integral(0, 4) + s.definite_integral(4, 9) 41.196516041067...
Switching the order of the bounds changes the sign of the integral:
sage: s.definite_integral(9, 0) -41.196516041067...
We compute the first and second-order derivatives at a few points:
sage: s.derivative(5) -0.1623008526180... sage: s.derivative(6) 0.2099798628571... sage: s.derivative(5, order=2) -3.0874707456138... sage: s.derivative(6, order=2) 2.6187684827485...
Only the first two derivatives are supported:
sage: s.derivative(4, order=3) Traceback (most recent call last): ... ValueError: Order of derivative must be 1 or 2.
- append(xy)#
EXAMPLES:
sage: S = spline([(1,1), (2,3), (4,5)]); S.append((5,7)); S [(1, 1), (2, 3), (4, 5), (5, 7)]
The spline is recomputed when points are appended (github issue #13519):
sage: S = spline([(1,1), (2,3), (4,5)]); S [(1, 1), (2, 3), (4, 5)] sage: S(3) 4.25 sage: S.append((5, 5)); S [(1, 1), (2, 3), (4, 5), (5, 5)] sage: S(3) 4.375
- definite_integral(a, b)#
Value of the definite integral between \(a\) and \(b\).
INPUT:
a
– Lower bound for the integral.b
– Upper bound for the integral.
EXAMPLES:
We draw a cubic spline through three points and compute the area underneath the curve:
sage: s = spline([(0, 0), (1, 3), (2, 0)]) sage: s.definite_integral(0, 2) 3.75 sage: s.definite_integral(0, 1) 1.875 sage: s.definite_integral(0, 1) + s.definite_integral(1, 2) 3.75 sage: s.definite_integral(2, 0) -3.75
- derivative(x, order=1)#
Value of the first or second derivative of the spline at \(x\).
INPUT:
x
– value at which to evaluate the derivative.order
(default: 1) – order of the derivative. Must be 1 or 2.
EXAMPLES:
We draw a cubic spline through three points and compute the derivatives:
sage: s = spline([(0, 0), (2, 3), (4, 0)]) sage: s.derivative(0) 2.25 sage: s.derivative(2) 0.0 sage: s.derivative(4) -2.25 sage: s.derivative(1, order=2) -1.125 sage: s.derivative(3, order=2) -1.125
- list()#
Underlying list of points that this spline goes through.
EXAMPLES:
sage: S = spline([(1,1), (2,3), (4,5)]); S.list() [(1, 1), (2, 3), (4, 5)]
This is a copy of the list, not a reference (github issue #13530):
sage: S = spline([(1,1), (2,3), (4,5)]) sage: L = S.list(); L [(1, 1), (2, 3), (4, 5)] sage: L[2] = (3, 2) sage: L [(1, 1), (2, 3), (3, 2)] sage: S.list() [(1, 1), (2, 3), (4, 5)]


Several casualties reported in mass shooting at backyard party in California
Fresno police said there was a party in the backyard of a home to watch a football game when the suspects sneaked in and fired into the crowd.
Police in California say several people have died and at least nine people were shot at a party in Fresno in what appears to be a “mass casualty shooting”.
Fresno police Lt Bill Dooley said the shooting took place about 6pm on Sunday (2am Monday, UK time) on the city’s south-east side.
Mr Dooley said there was a party in the backyard of a home to watch a football game when the shooting suspects sneaked in and fired into the crowd.
Mr Dooley told the Fresno Bee and the KSEE/KGPE TV stations that at least nine people were shot, with several people being found dead in the backyard.
There is not yet an exact number on the people who died.
The TV stations reported that others were taken to Community Regional Medical Centre in critical condition, and some are in critical but stable condition.
No suspect is in custody.


Boostrap Font Icons The font icons for Twitter Bootstrap
Download Font Icons View Project on GitHub
Examples
Bootstrap uses an  tag for all icons, but they have no case class-only a shared prefix. To use, place the following code just about anywhere:

There are also styles available for inverted (white) icons, made ready with one extra class:

Icons
How to use
- Copy the font directory into your project.
- Copy font-icons.css into your project.
- Open your project's font-icons.css and edit the font url to ensure it points to the right place.
-
In the  of your html, reference the location to your font-icons.css.
<link rel="stylesheet" href="bootstrap.css"> <link rel="stylesheet" href="font-icons.css">
Check out the examples to start using Boostrap Font Icons!
License
The MIT License
Copyright (c) 2012 yuanyan
Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the 'Software'), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions:
The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.
THE SOFTWARE IS PROVIDED 'AS IS', WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.


{% load static %}
Your username and password didn't match. Please try again.
{% endif %}Your account doesn't have access to this page. To proceed, please login with an account that has access.
{% else %}Please login to see this page.
{% endif %} {% endif %} {% include 'footer.html' %}


I'm trying to handle https form submission on Heroku.
There's more going on at the Entry Form.
You said: {{ session.rant }}.


This model defines a simple linear pressure loss assuming
laminar flow for specified dp_nominal
and
m_flow_nominal
.
Select show_Res = true
to analyze the actual flow
and the lengths of a pipe that would fulfill the specified nominal
values for given geometry parameters crossAreas
,
dimensions
and roughnesses
.


| File | Statements | Branches | Functions | Lines | |||||
|---|---|---|---|---|---|---|---|---|---|
| project-actions.component.ts | 96.43% | 27/28 | 100% | 2/2 | 87.5% | 7/8 | 96.15% | 25/26 | |
| project-asset-info.component.ts | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 4/4 | |
| project-info.component.ts | 100% | 10/10 | 100% | 0/0 | 100% | 2/2 | 100% | 8/8 | |
| project-price-info.component.ts | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 4/4 | |
| projects.component.ts | 96.74% | 89/92 | 82.14% | 23/28 | 93.33% | 28/30 | 97.44% | 76/78 |


Contents:
The print expansion this belongs to.
Creates a new Print
| Parameters: |
|
|---|---|
| Returns: |
A Magic the Gathering Card
Creates a new Card
| Parameters: |
|
|---|---|
| Returns: | Card |
Connect to the online data source in order to get up-to-date information.
| Returns: | void |
|---|
Connect to the local cache, so no internet connection is required.
| Returns: | void |
|---|
Retrieves a card by looking up its ID.
| Parameters: | id (integer) – The unique id number of the card. |
|---|---|
| Returns: | string |
Asynchronous version of get_card
| Parameters: |
|
|---|---|
| Returns: | void |
Searches the database for cards with the keyword in the card’s name.
| Parameters: | keyword (string) – The search term to find this card. |
|---|---|
| Returns: | string |
Asynchronous version of search_cards
| Parameters: |
|
|---|---|
| Returns: | void |
Connect to the online data source in order to get up-to-date information.
| Returns: | void |
|---|
Connect to the local cache, so no internet connection is required.
| Returns: | void |
|---|
Retrieves a card by looking up its ID.
| Parameters: | id (integer) – The unique id number of the card. |
|---|---|
| Returns: | dict |
Asynchronous version of get_card
| Parameters: |
|
|---|---|
| Returns: | void |
Searches the database for cards with the keyword in the card’s name.
| Parameters: | keyword (string) – The search term to find this card. |
|---|---|
| Returns: | list |
Asynchronous version of search_cards
| Parameters: |
|
|---|---|
| Returns: | void |
Connect to the online data source in order to get up-to-date information.
| Returns: | void |
|---|
Connect to the local cache, so no internet connection is required.
| Returns: | void |
|---|
Retrieves a card by looking up its ID.
| Parameters: | id (integer) – The unique id number of the card. |
|---|---|
| Returns: | Card |
Asynchronous version of get_card
| Parameters: |
|
|---|---|
| Returns: | void |
Searches the database for cards with the keyword in the card’s name.
| Parameters: | keyword (string) – The search term to find this card. |
|---|---|
| Returns: | listof Card |
Asynchronous version of search_cards
| Parameters: |
|
|---|---|
| Returns: | void |


You can connect this mobile application to Office 365 so that activity you perform in it is sent into specific Office 365 groups. Just click the link below to initate a connection to a group!
{{sub.group}}
{{sub.webhook}}


# How To Write Three.js Games
This pages is notes about how to do games with three.js.
From [github issue #53](https://github.com/jeromeetienne/threex/issues/53)
## How To Make Sounds
In Short, use [Web Audio API](https://dvcs.w3.org/hg/audio/raw-file/tip/webaudio/specification.html).
You can use [WebAudiox](https://github.com/jeromeetienne/webaudiox) helpers if you want. It helps
a for for best practices and sounds localisations. So when a monster on my left yells i want to
hear it on the left.
## How To Do UI
In Short, use the DOM itself for that. Dont recode it in canvas 2d or WebGL.
You can look at [marbletable2](http://jeromeetienne.github.io/marbletable2/).
## User Identification
Nothings specific is provided.
Maybe good idea if you use external services for that, it avoid to redo the same thing
over and over. Maybe [passport.js](http://passportjs.org/) is a good idea.
## How to write a post processing extension
There are a few already
[threex.depthoffield](https://github.com/jeromeetienne/threex.depthoffield)
[threex.coloradjust](https://github.com/jeromeetienne/threex.coloradjust)
and
[threex.badtvpproc](https://github.com/jeromeetienne/threex.badtvpproc)
If you have to copy one, copy ```threex.badtvpproc```. It is the most modern one.
### Notes
* try to provide a datgui extension to help fine tuning.
Thus people can easily make it fit their own needs
* for an effect of *blast*, the filenames will be
* ```THREEx.BlastPasses``` for the passes to add ```THREE.EffectComposer```
* ```THREEx.BlastDatgui``` for the dat.gui
## the why of startwithwhy
* when obama is talking to all the american, he is talking about games.
He is saying 'do more than playing game, make one'
* three.js games is there to make game developement easier than ever
* anybody can write games
* write them for the web. a open widely available plateform


Used to make visible the internal workings of an E program. (This silly package comment by Mark S. Miller)


Manage Accounts
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WITNESS LIST Public Education Committee February 22, 1999-2:00P Accountability On: Cloudt, Criss (Texas Education Agency) McMichael, Ron (Texas Education Agency) Mora, Linda (Texas Education Agency) Moses, Mike (Texas Education Agency) Smisko, Ann (Texas Education Agency)


|
qiBullet
1.4.3
Bullet-based python simulation for SoftBank Robotics' robots.
|
Public Member Functions | |
| def | getGravity (cls, physics_client) |
| def | updateGravity (cls, physics_client, gravity) |
| def | removeGravity (cls, physics_client) |
Static Public Attributes | |
| GRAVITY_DICT = dict() | |
INTERNAL CLASS, Only the qibullet API should use it. To update the gravity, SimulationManager objects should be used
| def qibullet.helpers.GravityHelper.getGravity | ( | cls, | |
| physics_client | |||
| ) |
INTERNAL METHOD, static getter for the gravity. This method should only be used by other components of the qiBullet API (the sensors for instance). If the required simulated instance doesn't exist, the method will return None Parameters: physics_client - The id of the desired simulated instance Returns: gravity - The gravity vector as a List of 3 floats
| def qibullet.helpers.GravityHelper.removeGravity | ( | cls, | |
| physics_client | |||
| ) |
INTERNAL METHOD, Removes a gravity value from the gravity dict. To be called when the simulated instance is killed. If the required simulated instance does not exist, the method won't do anything Parameters: physics_client - The id of the simulated instance being removed
| def qibullet.helpers.GravityHelper.updateGravity | ( | cls, | |
| physics_client, | |||
| gravity | |||
| ) |
INTERNAL METHOD, Updates (or add) a gravity value in the gravity dict Parameters: physics_client - The id of the simulated instance in which the gravity is updated gravity - The gravity vector update (List of 3 floats)


Each viewer depicts alternate information about the state of the same toroidal grid, where each tile can support a single cell-like organism.
Each cell-like organism is controlled by a SignalGP program.
Cell-like organisms can cooperate to collect resource, which allows them to reproduce into adjacent tiles.
Two distinct levels of cooperation, which are hierarchically nested, exist.
That is, several low-level groups can unite into a single high-level cooperating group.
Group membership is hereditarily defined and fixed at birth, with hierarchal nesting strictly enforced;
a daughter cell can take membership within both its parent's high- and low-level groups, just its parent's high-level group (starting a new low-level group), or neither its parent's high- or low-level group (starting new high- and low-level gorups).
Black grid tiles are empty.
In the "Channel Viewer", low-level groups are coded by color saturation (divided by white lines) and high-level groups are coded by color hue (divided by black lines).
The "Stockpile Viewer" depicts the resource that each cell-like organism has accumulated.
Black grid tiles are dead cells.
Red indicates a resource defecit (which, if it becomes too extreme, will result in that cell's death).
White indicates zero resource.
Blue indicates positive resource, but below the threshold required for reproduction.
Green indicates an amount of resource equal to the cost of a single reproduction.
Yellow indicates an amount of resource greater than the cost of a single reproduction.
The "Contribution Viewer" depicts the amount of resource has received from neighbors during the previous update.
Black grid tiles are dead cells.
White indicates zero resource was received.
Blue indicates a small amount of resource was received, green indicates a medium amount of resource was received, and yellow indicates a large amount of resource was received.
The "Wave Viewer" depicts the resource-collection task that cell groups cooperate to perform.
Two grid views are depicted: one for each distinct level of cooperation.
Green and red colorings both indicate an active state.
Activation propigates outward in cooperating groups from an environmentally-triggered seed.
Activation within a certain radius of the seed is beneficial, while ativation beyond that radius is harfmul.
Cells in the green state gain resource.
Cells in the red state lose resource.
White cells are in the ready state, meaning they can be activated by adjacent cooperating cells.
Blue indicates a quiescent state, meaning they cannot be activated by adjacent cooperating cells.
Black cells are empty.
To run the simulation, press "Start."
This will render each step of the simulation on the viewers, which is computationally intensive.
To make the simulation run more quickly, you may temporarily disable rendering using the "Toggle Render" button.
When you're ready to re-activate rendering to check on the state of the simulation, hit the "Toggle Render" button again.
For the viewers to render, the simulation will need to run for at least a single step (e.g., via "Start" or "Step").


XPath - XML Path Language
XPath 2.0 contains
XPath 3.0 contains
Location path full syntax consists of:
| an axis | specifies the direction of accessing nodes from document tree |
|---|---|
| a node test | specifies the type of queried nodes |
| zero or more predicates | boolean expression filtering selected nodes specified in square brackets [ ] |
Example:
An axis – determines which direction to navigate with respect to a particular node
Node test is used to select nodes
Node test can be done by:
/concept/title
)element()
attribute()
text()
node()
Predicates are used to filter nodes in a location path step
You can provide any number of predicates
Examples:
/Concept/Title[.="Introduction"]
/Concept[@id="c_concept" or @id="c_concept_2"]
<EMAIL_ADDRESS>child:: |
child axis – default axis | |
|---|---|---|
| // | descendant-or-self::node() |
context node + descendant nodes |
| . | self::node() |
context node |
| .. | parent::node() |
parent node |
| @ | attribute:: |
attribute axis |
| * | can be used as a wildcard (any element) |
List all the cars in the second section
Solution: //section[@id="section_2"]//li
List all elements with a product 1.2
Solution<EMAIL_ADDRESS>predicate with a number
returns an element in position declared in the predicate
Example : /concept/conbody/section[2]
last()
returns the last element
Example : /concept/conbody/section[last()]
position()
returns elements according to their position
Example : /concept/conbody/section[position < 3]
From the list of animals, choose last but one
Solution: //section[title="Animals"]//li[last()-1]
or //section[title="Animals"]//li[4]
count
counts the number of elements
Example : count(/concept/conbody/section/p)
Count the number of all cars
Solution: count(//section[title="Cars" or title="Cars 2"]//li)
contains(string1, string2)
Checks if string1 is contained in string2. Useful in predicates
Example : contains(/concept/conbody/section/p, "Cars")
concat(string1, string2, string3, ...)
Concatanates all strings
Example : concat('This', ' is', ' a', ' string')
string-join((string1, string2, string3, ...), separator)
Joins all strings using a chosen separator
Example : string-join(('This', 'is', 'a', 'string'), " ")
substring(string1, position)
Cuts a string into two based on a position
Example : substring('Drum&Bass', 6) = 'Bass'
Concatanate titles from first and second section
Solution: concat(//section[1]/title, ' and ', //section[2]/title)
or string-join((//section[1]/title, 'and', //section[2]/title), " ")
Choose cars that contain an "o" letter
Solution: //section[title="Cars" or title="Cars 2"]//li[contains(.,'o')]
Homework
Useful links


| DOSE: |
40 mg |
oral |
AMT |
(powder / crystals) |
We had only tried it at low doses (<20mg), but tonight was gonna be the night. It was me and some friends (5 persons in all) gathered in a small apartment a quite pleasant spring evening.>
Around 7.30 PM we weighed up 200mgs of the white powder and split in five doses. We then chilled for 30 minutes and smoked a joint before we poured our doses into orange juice and drank at 8 PM quite exactly. We then started watching 'Timothy Learys Last Trip' on the TV and waited for the effects to come on.
It all started after just 15-20 minutes with the feelings I was familiar with from our earlier low-dose experiments. Shivers, feeling cold and uncomfortable and some slightly 'speeded' feeling to it. 30-40 minutes after intake the AMT's empathogenic qualities were manifesting, we had a great time talking about memories, our lives and sharing thoughts.
We didn't really think about that AMT takes it's good 5 hours to 'peak experience' so around 9 PM we started making plans for a field trip into the woods. So we prepared a joint and just enjoyed the effects...
At 10.30 PM we realized that we wouldn't be going into any woods. The mild empathogenic buzz I knew from before had now transformed into a roaring inferno of euphoria with a mild psychedelic spark touching the soul, extensive sweating (the body temperature felt extremely high) and between the occasional words someone managed to get out just sighs of joy and big smiles. Though we were in no state of going outside now.
Visuals where quite pronounced, the empathy was beyond any I had felt from MDMA before, but the sweating and light headache kept me from truly enjoying it as much as I wanted to. Time around here just disappeared and we all were in this state until around 3-4 AM (8-9 hours after intake!) when we finally could communicate with words again. So we decided to take the trip into the woods again. And managed to get out.
So we got out, built a fire, smoked some cannabis and just talked about life and what we all had felt. When we got back to the apartment around 6 AM the effects from the AMT could still be felt without any doubts, but the headache and sweating was more apparent now, and me and a friend decided to go home to my place and try to get some sleep, this drug had really worn us out.
So, once at home we got into bed, turned on some music, closed our eyes and watched the now quite weak visuals. And there we lay, unable to sleep until 10-11 AM when we finally fell asleep, the AMT was still doing it's stuff, but the body just was too exhausted to stay awake anymore.
 My body definitely disliked AMT. And the entire day was just composed of us watching K-Pax and whining about how bad we felt.
One odd detail, smoking cannabis made the side effects worse, which was rather disappointing because we had prepared for some sort of hangover with loads of cannabis. But the day was just annoying and no fun at all, so we smoked anyway so we could get some sleep as soon as possible and just forget about the day, and it worked.
So, all in all, you may want to start early if you're going to take AMT, preferably around 1-2 PM, cause it's a looong ride. For me, the best 5-6 hours of the effect seems to disappear in minutes, yet the last hours won't if I'm tired and want to sleep. And prepare for a long day after.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


This page tracks the new paper links made to my list of Pacific Graphics 2005 papers.
Page maintained by Ke-Sen Huang. If you have additions or changes, send an e-mail.


Mesh data structure
The first lab in the course TNM079 - Modeling and animation, concerning mesh data structures and geometric properties of meshes. The results of the assignments and more detailed information can be viewed in the report.
Coding language: C++
Date: April - June, 2015
Course: TNM079 - Modeling and animation


My Love for photography
I was always that kid who'd sit in the background and keep to myself. I never really put myself out there. I was like a closed book not willing to share what was inside me. I didn't raise my hand and never talked in class.
Presenter: Cindy Shin
Think Success
I was always that kid who'd sit in the background and keep to myself. I never really put myself out there. I was like a closed book not willing to share what was inside me. I didn't raise my hand and never talked in class. I was too shy for that...
Presenter: Brian Chesky
2018 Best Photoshoot
I was always that kid who'd sit in the background and keep to myself. I never really put myself out there. I was like a closed book not willing to share what was inside me. I didn't raise my hand and never talked in class.
Presenter: Melinda Suarez
My Journey
I am a professor of photography from the university of Toronto, I have been a photographer since I was 13. I'll will be sharing my journey in the conference on 21st, June 2020
Ceo Shot-it: Johnathan Henry


I’m a third year PhD student at BSIO (Berlin School of Integrative Oncology) in the group of Prof. Nils Blüthgen, Computational Modelling in Medicine. We’re associated with the Institute for Theoretical Biology at Humboldt-University of Berlin, the Laboratory of Molecular Tumour Pathology at Charité and the IRI Life Sciences.
Research Interest
I’m interested in how MAP kinase signalling modulates RNA dynamics. My goal is to quantitatively determine how cis and trans elements relay signalling input dynamics to transcript output dynamics.
Conference Talks
10/2015 - Immediate long-lived genes decode ERK signal duration and respond late @ Computational Modeling of Gene Expression and its Evolution, Tel Aviv University, Tel Aviv.
06/2015 - How to be late. Strategies of Gene Induction @ Overcoming Treatment Barriers in Cancer, Young Scientist Satellite Meeting, Charité, Berlin.
11/2014 - RNA half lives and transcriptional delays shape response profiles to MAP kinase signalling @ 4th Annual Epigenesys Meeting, Centre of Genomic Regulation (CRG), Barcelona.
08/2014 - Investigations on Regulation of the Transcriptome in RAF Signalling @ 8th q-bio Student Symposium, UNM, Albuquerque, NM, USA.
Education
2011-2013 - Master of Science in Molecular Life Science, Humboldt-University of Berlin, Germany
- Thesis: Investigations on Regulation of the Transcriptome in RAF Signalling
- Supervisor: Prof. Nils Blüthgen, Institute for Theoretical Biology, HU Berlin / Charité
2008-2011 Bachelor of Science in Biology, Humboldt-University of Berlin, Germany
- Thesis: Investigations on the optimization of the in vitro culture of Eimeria falciformis
- Supervisors: Dr. Simone Spork, Prof. Dr. Richard Lucius, Dept. of Molecular Parasitology, HU Berlin
Workshops
2015 - Posttranscriptional Gene Regulation, Institut Curie (Paris)
2014 - q-bio (quantitative biology) Summer School, University of New Mexico (Albuquerque, NM, USA)
2013 - Epigenetics Summer School, Berlin Institute for Medical Systems Biology (BIMSB, MDC Berlin)
Scholarships & Awards
2014-2017 - Phd Scholarship, Berlin School of Integrative Oncology
2015 - FEBS Young Scientists Forum Travel Grand
2014 - New Mexico Conssortium Travel Grand
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