- Play
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Goal
The mouse stole the treasure from your dungeon! Prevent her from escaping too fast, but be careful not to block her because she can use magic to destroy your blockade!

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A game by Maria Cañero Sancho and Nico Thiebes.
Game graphics by Marie Lazar.
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{% extends '_layouts/layout.html' %} {% block page_title %}{% endblock %} {% block body_css_classes %}nhsuk-frontend{% endblock %} {% block content %}
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filework: Usage¶
Instantiate an Object:
-
fw = Filework
("path/to/edda_file.txt") - ... or ...
-
fw = Filework
()
-
- Set or re-set the path to the file:
-
-
fw.file_path = "path/to/edda_file.txt"
-
Write To a File:
- Takes two Arguments,
(1)
the material to write to the file, and(2)
a boolean value to control whether the object closes the file upon completing execution of the method's code.- Pass in either a string ...
-
fw.write_to_file
( "The tenth is Glitnir;\nits pillars are gold\nAnd its roof with silver is set;", close=True)
- or a list.
fw.write_to_file
( ["The tenth is Glitnir;", "its pillars are gold", "And its roof with silver is set;"], close=True )- The default for the second argument is True.
-
Append To A File:
- Takes two Arguments,
(1)
the material to write to the file, and(2)
a boolean value to control whether the object closes the file upon completing execution of the method's code.- Pass in either a string ...
-
fw.append_to_file
( "The tenth is Glitnir;\nits pillars are gold\nAnd its roof with silver is set;", close=False)
- or a list.
-
fw.append_to_file
( ["The tenth is Glitnir;", "its pillars are gold", "And its roof with silver is set;"], close=False )
- The default for the second argument is False.
-
Iterate Through a File:
- Assume the arguments passed in in the methods above have been written to a file.
Each call of this method will produce one line of the file at a time.
-
fw.file_path = "path/to/edda_file.txt"
-
content = fw.iterate_through_file
("n") # call the method ... -
print content
#prints "The Tenth is Glitnir;" -
content = fw.iterate_through_file
("n") # ... call the method again -
print content
#prints "its pillars are gold" -
content = fw.iterate_through_file
("n") # ... and again -
print content
#prints "And its roof with silver is set;" -
content = fw.iterate_through_file
("n") # ... and again -
print content
# ...reached the end of the file, so prints "EOF"
-
Read From File:
-
content = fw.read_from_file
() -
print content
# prints "The Tenth is Glitnir;\nits pillars are gold\nAnd its roof with silver is set;"
-
Delete A File:
- Assume that the file_path has been set as shown above. This method deletes the
file that is pointed-to by file_path.
fw.delete_file
()Get the results of the Method Call using the result and status members:
- Did the method call succeed or fail? Check the result:
-
fw.result
-
print fw.result
# fw.result will either be 'OK' if successful or 'FAIL' if not.
- ... if fw.result is 'FAIL', any error message from a caught exception will be in fw.status:
fw.status
print fw.status
# if 'FAIL', fw.status will contain a message about what happened.-


A Frame Definition File is a fileType used in warcraft 3 to define an UI-Frame. Fdf has a second use case, they can define StringLists with such a StringList one can set Localized Strings.
Inside fdf one can write Text which is ignored by the fdf parser. There are Line comments and area commentents.
// I am a Line comment /* Opens the Area Comment * * */ End the Area Comment
Fdf describes Frames and StringLists. The content of a fdf can be seen as a collection of fdfActions.
There exists something like 105 fdf-actions. Each of this actions is followed by a group of arguments which are either seperated by whitespace or by comma + optional whitespace. Between the first argument and the Action is whitespace. The used rule of seperation depends on the Action. Some FDF-Actions have multiple Versions with different amount of arguments.
An example for each:
Actions not opening a Block { } end with a comma. Only the Actions: Frame, String, Texture, Layer and StringList open Blocks. All of them except for Layer can exist outside of Blocks. IncludeFile and StringList are Actions only written outside of Blocks. Other fdf-Actions have to be in a Block. Actions in a Block belong to the Action that started the Block most times defining a Frame. One Line can contain multiple Actions in a row without any Line seperator.
I personaly call Frames defined outside of Blocks MainFrame, when I talk about them. Only such MainFrames can be Created & Inherited. Frames can have any amount of Child-Frames which also can have Child-Frames, but each Frame has only one Parent.
For the Fdf-Action Frame: The names of MainFrames in one fdf have to be unique. If another MainFrame with the same name in the current fdf is encountered the remaining File-content is skiped. ChildFrames can have the same name as their brothers, their parent or be empty "".
Fdf Frames support a behaviour called INHERITS in which a Frame copys the Fdf Actions from another Frame. There also exists an advanced version INHERITS WITHCHILDREN, this also copies the Child-Frames and uses their fdf-Actions. In fdf the Frame one wants to inherit from has to be from the same fdf or from an included one.
Each Frame uses one of the Warcraft 3 FrameTypes, with the FrameType the behaviour and the set of possible fdf-Actions for that Frame is choosen. This FrameTypes can be placed into 2 groups SimpleFrames (all of them start with SIMPLE) and the others which I just call Frames (a bit confusing, cause all are Frames). One should do this seperation cause they have different features, techniques, rules and it is difficult to fit them together (logical not visual).
In fdf paths are written only with one "\".


{% extends 'questionnaire/base.html' %} {% load static %} {% block body %}
To what extend do you agree with each statement. Please rank on a scale of 1 to 5, with 1 being not at all and 5 being fully.
Draw a frame around what you think encompasses the artwork or where the boundary of the artwork might be.
You can use the ‘Change background’ button to decide which image of the artwork to use.
Draw by clicking and dragging your mouse. If you wish to reset the image, click the ‘Clear’ button.
This work is called ‘Big Mother,’ painted by the well renowned London street artist STIK in 2014. The large mural depicts STIK’s distinctive stick figures of a mother, holding her child, with a replica of the larger work at street level. ‘Big Mother’ represents vulnerable families and the need for public housing. The work was part of a wider project by ARTification, a local arts and community charity, to bring creativity to neglected parts of the estate. It was painted on the side of Charles Hocking House on the South Acton Estate, London which was destined for demolition and regeneration. In 2018, the building was demolished and with STIK’s support, a section including the smaller figures were salvaged by ARTification and placed for auction at Philips. The work sold for £193,750, seven times its pre-sale estimate, with the profits going to ARTification.
If you would now like to change where you would draw the frame encompassing the artwork please redraw it on the image below.
You can use the ‘Change background’ button to decide which image of the artwork to use. Draw by clicking and dragging your mouse. If you wish to reset the image, click the ‘Clear’ button.
Please click the submit button to finish.


Title of Blog Subtitle by Becky Lehmann Date Overview Paragraph 1 Section 2 Paragraph 2 Section 3 Paragraph 3 Section 4 Paragraph 4 Summary Summary


{% extends 'base.html' %} {% load staticfiles %} {% block content %}
Search will default to name search. When there are too few results, it will fallback to group and tag search.
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Jad Sidi-yekhlef User Experience Design
Project Design a mobile app that allows users to easily talk to others with a simple design.
Target Users People who enjoy talking with others.


We’re writing mavens, syntactical geniuses, and linguistic prodigies
who can create copy infused with a meaningful tone and influential
voice that rises above the tumultuous din of internet noise


This is the closest Port of Entry into Australia from New Caledonia and Vanuatu.
Position 24°51′0″S,152°21′0″E.
Boats must proceed for clearance to Bundaberg Port Marina, where there are allocated berths for clearance. This marina is one nautical mile upstream from the river entrance, as it is no longer possible to clear in at Burnett Heads Marina at the river entrance.
If your hull is clean and of fibreglass, then clearance is fast and hassle-free.
There is a temporary anchorage area located near the Bundaberg Port Marina for after hours arrivals (see docking section below for details). Clearance will be conducted from 8am the following day. The quarantine anchorage can be clearly seen in the aerial photograph (below).
Last updated May 2015.
Enter the Port via deepwater shipping channel into the "runway" of lead lights guiding you into the all weather access of the Port of Bundaberg - no problem day or night. In this stretch of the river, there are two marinas to choose from.
Burnett Heads Marina is immediately to port going in and Bundaberg Port Marina (see photo) is just around the first point to port, one mile up river.
If arriving at Bundaberg Port Marina after dark, you may be lucky and find a hammerhead free. Alternatively, yachts can anchor just before the marina, to the west of it on the south side of the river. Take care as the anchorage area is now smaller than shown on the charts due to new flood defences. There MAY be a yellow quarantine mooring there. You can also achor on the seaward side of the point before the quarantine anchorage. Do not be tempted to anchor between the channel and the marina due to the large number of fishing boats using this area.
Note: Midtown Marina no longer exists after being badly damaged in the floods of 2013.
Caution: Be advised that this river can rise significantly (3m+) in heavy rains. Choosing where to moor your boat is important and good guardinage should be considered if leaving the boat.
Last updated May 2015.


I DON'T WANT TO TALK ABOUT IT A film review by Eric Mankin Copyright 1994 Eric Mankin
The translation of the title doesn't convey the stuffiness of the original. DE ESO NO SE HABLA is more, "THAT IS NOT DISCUSSED." The reference is to the airtight hypocrisy of the seaside Argentine town that is the setting of this astringent tale by director Maria Luisa Bemberg.
It is the early 1930s: the formidable widow Leonor (Luisina Brando) refuses to accept the fact that her daughter Charlotte (Alejandra Podesta) is a dwarf. On one level, she's Mrs. Gump of the pampas--"Short is as short does"--but in Bemberg's film the mother's refusal merges serenely into a municipality-wide structure of denial. Everyone in the town systematically avoids discussion of all unpleasant truths, from the mayor's idiocy to the existence of the brothel where the entire male population spends every night drinking, whoring, gambling and listening to scratchily recorded Carlos Gardel tangos. The agreement not to communicate is only disturbed when Ludovico D'Andrea (Marcello Mastroianni) an emigre Italian who is the only cultured or imaginative man in the town, falls in love with Charlotte.
Mastroianni is perfectly cast as the silver-tongued, gallant and rueful expatriate Don Ludovico. His presence and the richly detailed, knowingly satiric period provincial setting both recall Fellini, but the style is very much Bemberg's own. The story, narrated by the voice of an outsider whose identity is one of the film's better revelations, has a slippery rhythm as catchy and pungent as one of Gardel's plaintive hymns to love as screwy masculine self-absorption, love in which the love object is nearly irrelevant.
Eric Mankin
.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


This application will hide an Easter egg in a garden, then accept API calls to guess where the egg is. It'll tell you if your X or Y coordinate is higher or lower than the egg's position. It'll also tell you if either or both of your co-ordinates are correct.
Example call:
easter_egg_hunt.andrewfaraday.com/new_game
This will set up a garden and hide an egg in it. It will hand you a game_id, which is required for playing the game.
Example return:
{game_id: 'abcde'}
Example call:
easter_egg_hunt.andrewfaraday.com/guess/abcde/50/50
This will take a guess at where the egg is. The app will tell you if the actual position of the egg is higher or lower than your guess.
Example return:
{ x: 'higher', y: 'lower' }The results for each coordinate can be:


Glucose Tracker
Your last measurement:
Blood glucose target range
70 – 130 (mg/dL) before meal
Less than 180 mg/dL after meals
Add
Logs
Camera


 Like a thought-provoking amusement ride through a towering Gothic cathedral, Kubrick=92s closing bow plumbs the innermost depths of the human conscience. =93Eyes Wide Shut=94 is a rare psychological thriller that had my eyes feverishly affixed to the screen throughout most of the 2 hour, 40 minute running time, all the while pulsating with the type of technical brilliance associated with Kubrick=92s name. Even the most simplistic conversation between character= s is given Grade-A treatment by the director - the lighting, camera movement and background score all helping to sustain the impeccable atmosphere.
To me, that is one of Kubrick=92s most impressive achievements: the ability to create and maintain atmosphere. =93The Shining=94 is a stunnin= g example of his exquisite talent to mesh characters, plot and surroundings into a total cerebral experience. =93Eyes Wide Shut=94 is another one of these dream-like experiences. Upon its initial release, critics and audiences stood at a decidedly mixed consensus. Some more naive viewers, presumably unfamiliar with Kubrick=92s craft and brand of filmmaking, went in anticipating more of a prototypical Tom Cruise/Nicole Kidman romance vehicle. In turn, the somber, artsy approach most likely drove them away sickened with humdrum monotony. Others found the experience to be vague and meandering - posing the suggestion that perhaps the concept and material was not worthy of the great director=92s touch. Personally, I will offer high praise for the visually and intellectually consuming =93Eyes Wide Shut=94. It may not warrant a =91Classic Kubrick=92 stamp of approval, but =93EWS=94 is a hau= nting piece of visionary artwork, and certainly a worthy finale in a phenomenal filmmaking saga.
Cruise and Kidman play Bill and Alice Harford, a wealthy New York couple who, at first glance, seem to be at the peak of happiness in their lives. We join Bill and Alice on the Eve of a party they are rushing to attend, hosted by Victor Ziegler (Sydney Pollack), a long-time friend of the family. We watch curiously as Alice succumbs to the charm of an older businessman, and as the two embrace each other on the dance floor, openly discussing the meaning of marriage and whispering other adulterous notions. Bill, meanwhile, is being tempted by a pair of flirtatious girls who obviously want to lure him into a more private sector of the ongoing party. More than a trifle vague, but interesting. All of this subtle sexual cavorting leads to Alice, who - under the influence of pot - reveals that she once considered an affair with another man. Bill, confused, begins to prowl the moonlit streets to search for some kind of redemption.
These events unspool into a surreal, engrossing exploration of character, and it is here that Kubrick=92s visual genius really tightens its grasp. Bill, a physician, encounters an old doctor-friend turned musician (Todd Field) who reveals the secret of an masked underworld gathering. After a brief stop at costume shop owned by a strange old kook (Rade Serbedzija), Bill makes tracks for the bizarre sex convention hoping to.... well, we don=92t really know. I imagine you=92re all famili= ar with this part. Yes, it=92s the notoriously controversial orgy sequence. To escape the wrath of the dreaded NC-17, Kubrick was forced to trim roughly 1 minute of gratuitous fornication and obscure a number of protrusive body parts using shadows of onlookers (digitally added during post-production). Some critics, like Roger Ebert, were quick to express their disapproval of this MPAA intervention - arguing that Kubrick=92s intended version would never be seen. These critics do make a valid point.
But I want to skip easy jabs at the MPAA and focus on the film as it stands. Two of the most captivating moments in =93Eyes Wide Shut=94 occur=
during simple character interaction. The first is the conversation between Cruise and Field in a darkened bar. Every word, every syllable is emphasized, and the incredible mood projected by such a customary moment is definitive of Kubrick=92s magical ability to enrapture the viewer over his career. The second moment is a chilling conversation between Cruise and the convention leader, which just oozes atmosphere and style, with lucid background music and tantalizing camera angles. Although alone it may resemble a cat walking across a piano, the score is of fundamental support. =93Eyes Wide Shut=94 is almost perfect from a technical standpoint, and you already know what editing factor would make it totally perfect.
No one other than Cruise and Kidman is given enough screen time for register, but playing a pair of well-realized characters, the real-life couple delivers. At times, our emotional link to the Bill character wavers, and Kidman=92s vocal slurs occasionally become grating. =93EWS=94= is also overlong, and some of the dramatic stuffing lacks real substance. What I=92m saying is that =93Eyes Wide Shut=94, written with unstable fluctuation between certain characters and events, is not the classic cinema of =932001: A Space Odyssey=94 or =93A Clockwork Orange=94. But, a= s he places the viewer under his spell from minute one, we realize it may be a long time before the realm of movie-making sees another rare genius like Stanley Kubrick.
=A9 2000, Jamey Hughton
MOVIE VIEWS by Jamey Hughton http://Welcome.to/MovieViews
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


--- layout: post status: publish published: true title: Episode 4.58 - They're not "get out in the sun" type of guys author: display_name: Corey Fineran login: Corey email<EMAIL_ADDRESS>url: '' author_login: Corey author_email<EMAIL_ADDRESS>wordpress_id: 8234 wordpress_url: http://ivyenvy.com/?p=8234 date: '2013-02-26 22:50:58 +0000' date_gmt: '2013-02-27 04:50:58 +0000' categories: - Podcast - Spring Training tags: - Alfonso Soriano - Jeff Samardzija - Podcast - Spring Training - Josh Vitters - Brett Jackson - Javier Baez - Cubs Spring Training - Jorge Soler - Luis Valbuena - Dontrelle Willis comments: [] ---
Andy, Corey and Kurt finally have Cubs baseball to talk about as Spring Training 2013 is officially underway. We recap the first four games of Spring Training and key in on some highlights (and lowlights).
Three of the four infield positions are locked up, but we look at the depth at first base, second base and shortstop. Then we discuss the cluster that is 3rd base for the 2013 Chicago Cubs. Ian Stewart, Luis Valbuena and Josh Vitters added together equal a lot of underwhelmed Cubs fans. What's the status and what direction should the Cubs go?
We have a good number of topics from listeners, including: the front office "playoff" rhetoric, parallels between the Cubs and the Detroit Lions, public funding for professional sports stadiums, Samardzija as the ace of the staff, how quickly the Cubs should trade Matt Garza and Alfonso Soriano, and the fact that the offensive output in Spring Training is coming from guys that will probably start 2013 in the minor league system.
The Scary Stat of the Week segment returns with a pretty frightening Spring Training Stat. Kurt reads an Internet Muscle Flex that isn't really a flex, but definitely entertaining. Then, we pick a winner for this week's caption contest.


ABOUT ME
Right now I'm developing using:
- Vue.js
- React & React Native
- Test Driven Development (Jest and Cypress)
My next challenges are:
- Node.js
- Functional Programming
I already know:
- HTML5
- CSS3 (including simple animations)
- Javascript / ES6 ♥
- Responsive development (not dependent of libraries)
I have experience using:
- SASS/LESS
- Grunt/Gulp/Bower/NPM Scripts
- Git/Svn
- jQuery
- Bootstrap
- SVG
- Animations libraries like GreenSock
- CoffeScript
- Middleman/Hugo/Mavo
- Ionic
I already developed:
- lots and lots of Wordpress themes (from scratch)
- lots of Joomla themes
- quite a bit for Magento and Vtex e-commerce
Extras
- I can speak english very well
- But my native language is portuguese
- I was born and raised on Brazil
- But I'm also a Portuguese citizen (ora pois)
- I'm a self-taught developer, but I took some short courses here and there
- I sing in an "alternative metal" band called Valiria


config.load_data¶
-
config.
load_data
(data_type)¶ Loads data from downloaded files.
Parameters: - data_type : {‘binning’, ‘dep_tf’, ‘ics_tf’, ‘struct’, ‘hist’, ‘pppc’}
Type of data to load. The options are: * ‘binning’: Default binning for all transfer functions; * ‘dep_tf’: Transfer functions for propagating photons and deposition into low-energy photons, low-energy electrons, high-energy deposition and upscattered CMB energy rate; * ‘ics_tf’: Transfer functions for ICS for scattered photons in the Thomson regime, relativistic regime, and scattered electron energy-loss spectrum; * ‘struct’: Structure formation boosts; * ‘hist’: Baseline ionization and temperature histories, and * ‘pppc’: Data from PPPC4DMID for annihilation spectra. Specify the primary channel in primary.
Returns: - dict
A dictionary of the data requested.
See also


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LineAndTime
- Class in
thobe.logfileviewer.kernel.source.timestamp
LineAndTime(long, String)
- Constructor for class thobe.logfileviewer.kernel.source.timestamp.
LineAndTime
LogFileViewerApp
- Class in
thobe.logfileviewer.kernel
LogFileViewerApp()
- Constructor for class thobe.logfileviewer.kernel.
LogFileViewerApp
LogFileViewerInfo
- Class in
thobe.logfileviewer
General information about the application.
LogFileViewerInfo()
- Constructor for class thobe.logfileviewer.
LogFileViewerInfo
LogLine
- Class in
thobe.logfileviewer.kernel.source.logline
Class representing one log-line.
LogLine(long, long, LogLineDat, boolean)
- Constructor for class thobe.logfileviewer.kernel.source.logline.
LogLine
LogLineBuffer
- Class in
thobe.logfileviewer.kernel.source.logline
Buffer for instances of
ILogLine
s with a max capacity.
LogLineBuffer()
- Constructor for class thobe.logfileviewer.kernel.source.logline.
LogLineBuffer
DefCtor with maxCapacity=100000 and loadFactor=0.75
LogLineBuffer(int, float)
- Constructor for class thobe.logfileviewer.kernel.source.logline.
LogLineBuffer
Ctor
LogLineBufferException
- Exception in
thobe.logfileviewer.kernel.source.err
LogLineBufferException(String)
- Constructor for exception thobe.logfileviewer.kernel.source.err.
LogLineBufferException
LogLineDat
- Class in
thobe.logfileviewer.kernel.source.logline
LogLineDat(String)
- Constructor for class thobe.logfileviewer.kernel.source.logline.
LogLineDat
LogLineFactory
- Class in
thobe.logfileviewer.kernel.source.logline
This class is responsible for creation of
ILogLine
s from given Strings.
LogLineFactory(int)
- Constructor for class thobe.logfileviewer.kernel.source.logline.
LogLineFactory
Ctor
LogStreamConnector
- Class in
thobe.logfileviewer.kernel.source.connector
LogStreamConnector(LogStream)
- Constructor for class thobe.logfileviewer.kernel.source.connector.
LogStreamConnector
LogStreamException
- Exception in
thobe.logfileviewer.kernel.source.err
LogStreamException(String)
- Constructor for exception thobe.logfileviewer.kernel.source.err.
LogStreamException
LogStreamTimeoutException
- Exception in
thobe.logfileviewer.kernel.source.err
LogStreamTimeoutException(String)
- Constructor for exception thobe.logfileviewer.kernel.source.err.
LogStreamTimeoutException
LRUCache
<
K
,
V
> - Class in
thobe.logfileviewer.kernel.memory
A simple threadsafe LRU-Cache.
LRUCache()
- Constructor for class thobe.logfileviewer.kernel.memory.
LRUCache
LRUCache(int)
- Constructor for class thobe.logfileviewer.kernel.memory.
LRUCache
LSCEvt_ConnectoToFile
- Class in
thobe.logfileviewer.kernel.source.connector
LSCEvt_ConnectoToFile(long, File)
- Constructor for class thobe.logfileviewer.kernel.source.connector.
LSCEvt_ConnectoToFile
LSCEvt_ConnectToIP
- Class in
thobe.logfileviewer.kernel.source.connector
LSCEvt_ConnectToIP(long, String, int)
- Constructor for class thobe.logfileviewer.kernel.source.connector.
LSCEvt_ConnectToIP
LSConnectorEvent
- Class in
thobe.logfileviewer.kernel.source.connector
LSConnectorEvent(LSConnectorEventType, long)
- Constructor for class thobe.logfileviewer.kernel.source.connector.
LSConnectorEvent
LSConnectorEventType
- Enum in
thobe.logfileviewer.kernel.source.connector
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timber-lang.org
Home
History and credits
A gentle introduction
▾ Tutorial examples
Echo
Counter
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EchoServer2
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{% extends 'email/base_email.html' %} {% block title %} {{ alert }} {% endblock %} {% block content %}
The following user just signed up:
Name: {{ user.get_full_name }}
Email: {{ user.email }}
Joined: {{ user.date_joined }}
Their account is active and they've been added to the "Content Viewers" group; To change their account or give them additional permissions, visit the following link:
{% endblock %} {% block post_cta %}To allow users to create content, give them the Content Author and Content Viewer permissions.
{% endblock %} {% block footer %}{% endblock %}


Page 2
ll1
This is my first web page on html
Yo you got this as the
first
web page.
Yo you got this as the
first
web page.
Yo you got this as the
first
web page.
Yo you got this as the
first
web page.
Yo you got this as the first web page.
this is h1 tag
this is h2 tag
this is h3 tag
this is h4 tag
this is h5 tag
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{{< layout}}
{{$pageTitle}}Track a passport application{{/pageTitle}}
{{$content}}
What you need to do
You need to ask someone you know well to confirm your identity.
This is similar to a countersignature but they can do it online. We'll send them an email with the details.
Check who can confirm your identity and tell us who'll do this for you
Application history
| Countersignature needed: on hold |
07:30pm on 10th of June 2017 |
| Old passport received |
06:30pm on 10th of June 2017 |
| Joined processing queue |
10:05am on 5th of June 2017 |
| Application received |
10:05am on 5th of June 2017 |
| Application submitted |
10:03am on 5th of June 2017 |
Sign out
{{/content}}
{{/ layout}}


Show QR Code
Game ID:
Choose a Roster:
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test
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STEPMOM (Columbia) Starring: Julia Roberts, Susan Sarandon, Ed Harris, Jena Malone, Liam Aiken. Screenplay: Gigi Levangie and Jessie Nelson & Steven Rogers & Karen Leigh Hopkins and Ron Bass. Producers: Wendy Finerman, Chris Columbus, Mark Radcliffe and Michael Barnathan. Director: Chris Columbus. MPAA Rating: PG-13 (profanity, adult themes) Running Time: 125 minutes. Reviewed by Scott Renshaw.
About forty minutes into STEPMOM, I came to a numbing realization... well, two actually. The first was that I knew exactly where this domestic drama was headed and could predict scenes and confrontations far down the road. The second was that I knew we were still 90 minutes away from the closing credits. As the film ever-so-slowly unfolded, I began to realize what five credited screenwriters can buy you: perhaps the most inefficient screenplay of the year.
There's some promising human drama in the premise, which begins with conflict in an extended family. Photographer Isabel Kelly (Julia Roberts), living with divorced attorney Luke Harrison (Ed Harris), is struggling to gain the acceptance of Luke's daughter Anna (Jena Malone) and son Ben (Liam Aiken). Making the task even harder is Luke's ex-wife Jackie (Susan Sarandon), who undercuts Isabel at every turn and rails at her every parenting miscue. What Isabel doesn't know is that Jackie is battling an even tougher adversary than a potential stepmother for her children: cancer. As she confronts her mortality, Jackie also confronts her fears of being replaced in her children's hearts.
That's an interesting enough twist on the complicated emotions and allegiances of extended family interactions, one that could have made a tidy feature weeper. Unfortunately, absolutely nothing about STEPMOM could be called tidy. If a situation or relationship calls for a scene to establish it, STEPMOM provides two or three. Isabel bonds with Anna over an art project (one of the film's few truly affecting moments), then bonds with her over a musical number; everyone panics over Ben when he disappears in a park, then panics over Ben when he falls off a jungle gym. STEPMOM appears to have no faith that we'll understand the significance of a character's actions unless those actions are underlined, making it both insulting and redundant. Every turn of character is so deliberately structured, you might suspect that every subsequent screenwriter came in just to add another half dozen scenes, and no one threw anything out.
STEPMOM's narrative unwieldiness also makes it extremely hard to connect with any of the many plot lines. Isabel struggles with balancing career and her new family, Jackie struggles with balancing her health and her family, Anna struggles with how she should respond to the new woman in her father's life, and Ben (played by Liam Aiken with the kind of fulsome adorableness that gives child actors a bad name) struggles to find new things to giggle at. Ed Harris, meanwhile, struggles just to find a few minutes of screen time. With all the complexities involved in these family dynamics, dear old dad remains a complete enigma. "You're a great dad," Jackie tells Luke in once scene; "I just never gave you the chance to realize it." That sentiment will probably apply to the entire audience, which may forget there's a father anywhere to be found. For a film about getting your priorities straight, STEPMOM sure doesn't.
Of course, it's understood that this is to be a showcase for the two lead actresses, and we shouldn't begrudge them a showcase when lead actresses generally get the treatment Harris gets here. Roberts and Sarandon are both quite good in their roles, Sarandon in particular bringing a wonderful steely maternalism. They're just stuck in the kind of film which has become director Chris Columbus' specialty: cheap comic relief which gives way to Big Messages of understanding. STEPMOM is a big emotional mess of a movie, one which grows increasingly irritating as karaoke production numbers and one tearful goodbye after another chew up minutes of screen time. Good actors deserve better than a script that -- strangely enough -- looks like pieces of the work of five different writers stitched together to form a movie.
On the Renshaw scale of 0 to 10 over-extended families: 4.
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---
layout:post
categories:toeza
tags:toeza
title:How to Calculate Probability
date:2016-12-07 14:32:45 +0800
---
Edit Article
How to Calculate Probability
Five Parts:Calculating the Probability of a Single Random EventCalculating the Probability of Multiple Random EventsConverting Odds to ProbabilitiesKnowing the Probability RulesProbability Cheat SheetsCommunity Q&A
Probability is the measure of how likely an event is to occur out of the number of possible outcomes. Calculating probabilities allows you to use logic and reason even with some degree of uncertainty. Find out how you can do the math when you calculate probabilities.
Steps
Part 1Calculating the Probability of a Single Random Event
1
Define your events and outcomes. Probability is the likelihood of one or more events happening divided by the number of possible outcomes. So, let's say you're trying to find the likelihood of rolling a three on a six-sided die. "Rolling a three" is the event, and since we know that a six-sided die can land any one of six numbers, the number of outcomes is six. Here are two more examples to help you get oriented:
Example 1: What is the likelihood of choosing a day that falls on the weekend when randomly picking a day of the week?
"Choosing a day that falls on the weekend" is our event, and the number of outcomes is the total number of days in a week, seven.
Example 2: A jar contains 4 blue marbles, 5 red marbles and 11 white marbles. If a marble is drawn from the jar at random, what is the probability that this marble is red?
"Choosing a red marble" is our event, and the number of outcomes is the total number of marbles in the jar, 20.
2
Divide the number of events by the number of possible outcomes. This will give us the probability of a single event occurring. In the case of rolling a three on a die, the number of events is one (there's only one three on each die), and the number of outcomes is six. You can also think of this as 1 ?? 6, 1/6, .166, or 16.6%. Here's how you find the probability of our remaining examples:
Example 1: What is the likelihood of choosing a day that falls on the weekend when randomly picking a day of the week?
The number of events is two (since two days out of the week are weekends), and the number of outcomes is seven. The probability is 2 ?? 7 = 2/7 or .285 or 28.5%.
Example 2: A jar contains 4 blue marbles, 5 red marbles and 11 white marbles. If a marble is drawn from the jar at random, what is the probability that this marble is red?
The number of events is five (since there are five total marbles), and the number of outcomes is 20. The probability is 5 ?? 20 = 1/4 or .25 or 25%.
Part 2Calculating the Probability of Multiple Random Events
1
Break the problem into parts. Calculating the probability of multiple events is a matter of breaking the problem down into separate probabilities. Here are three examples:
Example 1:What is the probability of rolling two consecutive fives on a six-sided die?
You know that the probability of rolling one five is 1/6, and the probability of rolling another five with the same die is also 1/6.
These are independent events, because what you roll the first time does not affect what happens the second time; you can roll a 3, and then roll a 3 again.
Example 2:Two cards are drawn randomly from a deck of cards. What is the likelihood that both cards are clubs?
The likelihood that the first card is a club is 13/52, or 1/4. (There are 13 clubs in every deck of cards.) Now, the likelihood that the second card is a club is 12/51.
You are measuring the probability of dependent events. This is because what you do the first time affects the second; if you draw a 3 of clubs and don't put it back, there will be one less fewer club and one less card in the deck (51 instead of 52).
Example 3: A jar contains 4 blue marbles, 5 red marbles and 11 white marbles. If three marbles are drawn from the jar at random, what is the probability that the first marble is red, the second marble is blue, and the third is white?
The probability that the first marble is red is 5/20, or 1/4. The probability of the second marble being blue is 4/19, since we have one fewer marble, but not one fewer blue marble. And the probability that the third marble is white is 11/18, because we've already chosen two marbles. This is another measure of a dependent event.
2
Multiply the probability of each event by one another. This will give you the probability of multiple events occurring one after another. Here's what you can do:
Example 1:What is the probability of rolling two consecutive fives on a six-sided die? The probability of both independent events is 1/6.
This gives us 1/6 x 1/6 = 1/36 or .027 or 2.7%.
Example 2: Two cards are drawn randomly from a deck of cards. What is the likelihood that both cards are clubs?
The probability of the first event happening is 13/52. The probability of the second event happening is 12/51. The probability is 13/52 x 12/51 = 12/204 or 1/17 or 5.8%.
Example 3: A jar contains 4 blue marbles, 5 red marbles and 11 white marbles. If three marbles are drawn from the jar at random, what is the probability that the first marble is red, the second marble is blue, and the third is white?
The probability of the first event is 5/20. The probability of the second event is 4/19. And the probability of the third event is 11/18. The probability is 5/20 x 4/19 x 11/18 = 44/1368 or 3.2%.
Part 3Converting Odds to Probabilities
1
Determine the odds. For example, a golfer is favorite to win at a 9/4 odds. The odds of an event is the ratio of its probability that it will occur to the probability that it will not occur.
In the example of 9:4 ratio, 9 represents the probability that the golfer will win. 4 represents the probability he will not win. Therefore, it is more likely for him to win than to lose.
Remember that in sports betting and bookmaking, odds are expressed as "odds against," which means that the odds of an event happening are written first, and the odds of an events not happening come second. Although it can be confusing, it's important to know this. For the purposes of this article, we will not use odds against.
2
Convert the odds to probability. Converting odds is pretty simple. Break the odds into two separate events, plus the number of total outcomes.
The event that the golfer will win is 9; the event that the golfer will lose is 4. The total outcomes is 9 + 4, or 13.
Now the calculation is the same as calculating the probability of a single event.
9 ?? 13 = .692 or 69.2%. The probability of the golfer winning is 9/13.
Part 4Knowing the Probability Rules
1
Ensure that two events or outcomes must be mutually exclusive. That means they both cannot occur at the same time.
2
Assign a probability that is a non-negative number. If you arrive at a negative number, check your calculations again.
3
The likelihood of all possible events needs to add up to 1 or 100%. If the likelihood of all possible events doesn't add up to 1 or 100%, you've made a mistake because you've left out a possible event.
 But the probability of rolling all five other numbers on a die is also 1/6. 1/6 + 1/6 + 1/6 + 1/6 + 1/6 + 1/6 = 6/6 or 1 or 100%.
4
Represent probability of an impossible outcome with a 0. This just means that there is no chance of an event happening.


This benchmark is also a beginner's tutorial on how to use dynvectors. It will go through some significant features of the package. Make sure to complement it by reviewing the documentation.


{% extends 'base.html' %} {% block content %} Choose your Flask Project 2 Flask project made by theXtroyer at github What to do? A TodoList powerd by flask Flask live chat Live messaging service using web sockets {% endblock content %}
2 Flask project made by theXtroyer at github
A TodoList powerd by flask
Live messaging service using web sockets


Worms
问题描述 :
During the course of the game, players take turns selecting one of their worms.  Over fifty weapons and tools may be available each time a game is played, and differing selections of weapons and tools can be saved into a “scheme” for easy selection in future games.
When most weapons are used, they cause explosions that deform the terrain, creating circular cavities. If a worm is hit by a weapon, the amount of damage dealt to the worm will be removed from the worm’s initial amount of health. When a worm fall into the water or its health is reduced to zero, it dies.
In this problem, the terrain of a stone can be described as a simple polygon. The worms only use the time bombs. Once a time bomb is thrown, it is only attracted by the force of gravity. In other words, the flying track of the bomb is a parabola. When it reaches the stone (the polygon), the bomb does not blow off or stop immediately. It will still fly along the parabola regardless of the resistance of the stone due to its special character. The time bomb can only be triggered by the timer. When the preset time is used up, the bomb blows up and eliminates all the materials within its explosion range. You need to calculate the area of the eliminated materials of one explosion.
输入:
The first line of a test case contains seven floating numbers x0, y0, v0, θ, t, g, R. (x0, y0) is the position of the worm who throws the bomb, which could be inside the polygon or outside the polygon (even in the sky or under the water). The initial value of velocity is v0 which forms aθ (0≤θ<90) angle with the positive direction of x-axis. The bomb is always thrown upwards. The preset time is t, which is also the time of flying. The value of acceleration of gravity of the worms’ planet is g. The direction of gravity is the negative direction of y-axis. The explosion range is a circle and R is the radius.
The second line contains an integer n (3≤n≤100), which indicates the number of edges of the stone(simple polygon). The following n lines contain two real numbers xi and yi each, which describe the coordinates of a vertex. Two vertexes in adjacent lines are adjacent on the polygon.
The input contains multiple test cases. It is ended by “0 0 0 0 0 0 0”.
输出:
The first line of a test case contains seven floating numbers x0, y0, v0, θ, t, g, R. (x0, y0) is the position of the worm who throws the bomb, which could be inside the polygon or outside the polygon (even in the sky or under the water). The initial value of velocity is v0 which forms aθ (0≤θ<90) angle with the positive direction of x-axis. The bomb is always thrown upwards. The preset time is t, which is also the time of flying. The value of acceleration of gravity of the worms’ planet is g. The direction of gravity is the negative direction of y-axis. The explosion range is a circle and R is the radius.
The second line contains an integer n (3≤n≤100), which indicates the number of edges of the stone(simple polygon). The following n lines contain two real numbers xi and yi each, which describe the coordinates of a vertex. Two vertexes in adjacent lines are adjacent on the polygon.
The input contains multiple test cases. It is ended by “0 0 0 0 0 0 0”.
样例输入:
0 0 15 45 10 2 10 3 100 0 200 0 100 100 0 0 0 0 0 0 0
样例输出:
228.74
求出爆炸点的坐标，就成了多边形与圆相交面积的模板题了。。。
#include<algorithm> #include<iostream> #include<cstring> #include<fstream> #include<sstream> #include<vector> #include<string> #include<cstdio> #include<bitset> #include<queue> #include<stack> #include<cmath> #include<map> #include<set> #define FF(i, a, b) for(int i=a; i<b; i++) #define FD(i, a, b) for(int i=a; i>=b; i--) #define REP(i, n) for(int i=0; i<n; i++) #define CLR(a, b) memset(a, b, sizeof(a)) #define LL long long #define PB push_back #define eps 1e-10 #define debug puts("**debug**") using namespace std; const int maxn = 110; const double PI = acos(-1); const double TWO_PI = PI * 2; double NormalizeAngle(double rad, double center = PI) { return rad - TWO_PI * floor((rad + PI - center) / TWO_PI); } struct Point { double x, y; Point (double x=0, double y=0):x(x), y(y) {} }; typedef Point Vector; struct Circle { Point c; double r; Circle() {} Circle(Point c, double r) : c(c), r(r) {} Point point(double a) { return Point(c.x+cos(a)*r, c.y+sin(a)*r); } }; struct Line { Point p; Vector v; double ang; Line(){} Line(Point p, Vector v) : p(p), v(v) {ang = atan2(v.y, v.x); } Point point(double t) { return Point(p.x + t*v.x, p.y + t*v.y); } bool operator < (const Line& L) const { return ang < L.ang; } }; template <class T> T sqr(T x) { return x * x;} Vector operator + (Vector A, Vector B) { return Vector(A.x + B.x, A.y + B.y); } Vector operator - (Vector A, Vector B) { return Vector(A.x - B.x, A.y - B.y); } Vector operator * (Vector A, double p) { return Vector(A.x*p, A.y*p); } Vector operator / (Vector A, double p) { return Vector(A.x/p, A.y/p); } bool operator < (const Point& a, const Point& b) { return a.x < b.x || (a.x == b.x && a.y < b.y); } int dcmp(double x) { if(fabs(x) < eps) return 0; return x < 0 ? -1 : 1; } bool operator == (const Point& a, const Point& b){ return dcmp(a.x-b.x) == 0 && dcmp(a.y-b.y) == 0;} double Dot(Vector A, Vector B) { return A.x*B.x + A.y*B.y; } double Length(Vector A) { return sqrt(Dot(A, A)); } double Angel(Vector A, Vector B) { return acos(Dot(A, B) / Length(A) / Length(B)); } double Cross(Vector A, Vector B) { return A.x*B.y - A.y*B.x; } double torad(double d) { return (d/180)*PI; } Vector vecunit(Vector x){ return x / Length(x);} //单位向量 Vector normal(Vector x) { return Point(-x.y, x.x) / Length(x);} //垂直法向量 Point GetIntersection(Line a, Line b) //线段交点 { Vector u = a.p-b.p; double t = Cross(b.v, u) / Cross(a.v, b.v); return a.p + a.v*t; } bool OnSegment(Point p, Point a1, Point a2) { return dcmp(Cross(a1-p, a2-p)) == 0 && dcmp(Dot(a1-p, a2-p)) < 0; } bool InCircle(Point x, Circle c) { return dcmp(sqr(c.r) - sqr(Length(c.c - x))) >= 0;} bool OnCircle(Point x, Circle c) { return dcmp(sqr(c.r) - sqr(Length(c.c - x))) == 0;} double angle(Vector x) { return atan2(x.y, x.x);} //直线与圆交点 int getLineCircleIntersection(Line L, Circle C, double& t1, double& t2, vector<Point>& sol) { double a=L.v.x, b=L.p.x-C.c.x, c=L.v.y, d=L.p.y-C.c.y; double e=a*a+c*c, f=2*(a*b+c*d), g=b*b+d*d-C.r*C.r; double delta=f*f-4*e*g; if(dcmp(delta) < 0) return 0; if(dcmp(delta) == 0) { t1 = t2 = -f/(2*e); sol.PB(L.point(t1)); return 1; } t1 = (-f-sqrt(delta))/(2*e); sol.PB(L.point(t1)); t2 = (-f+sqrt(delta))/(2*e); sol.PB(L.point(t2)); return 2; } //线段与圆的焦点 int getSegCircleIntersection(Line L, Circle C, Point* sol) { Vector nor = normal(L.v); Line pl = Line(C.c, nor); Point ip = GetIntersection(pl, L); double dis = Length(ip - C.c); if (dcmp(dis - C.r) > 0) return 0; Point dxy = vecunit(L.v) * sqrt(sqr(C.r) - sqr(dis)); int ret = 0; sol[ret] = ip + dxy; if (OnSegment(sol[ret], L.p, L.point(1))) ret++; sol[ret] = ip - dxy; if (OnSegment(sol[ret], L.p, L.point(1))) ret++; return ret; } double SegCircleArea(Circle C, Point a, Point b) //线段切割圆 { double a1 = angle(a - C.c); double a2 = angle(b - C.c); double da = fabs(a1 - a2); if (da > PI) da = PI * 2.0 - da; return dcmp(Cross(b - C.c, a - C.c)) * da * sqr(C.r) / 2.0; } double PolyCiclrArea(Circle C, Point *p, int n)//多边形与圆相交面积 { double ret = 0.0; Point sol[2]; p[n] = p[0]; REP(i, n) { double t1, t2; int cnt = getSegCircleIntersection(Line(p[i], p[i+1]-p[i]), C, sol); if (cnt == 0) { if (!InCircle(p[i], C) || !InCircle(p[i+1], C)) ret += SegCircleArea(C, p[i], p[i+1]); else ret += Cross(p[i+1] - C.c, p[i] - C.c) / 2.0; } if (cnt == 1) { if (InCircle(p[i], C) && !InCircle(p[i+1], C)) ret += Cross(sol[0] - C.c, p[i] - C.c) / 2.0, ret += SegCircleArea(C, sol[0], p[i+1]); else ret += SegCircleArea(C, p[i], sol[0]), ret += Cross(p[i+1] - C.c, sol[0] - C.c) / 2.0; } if (cnt == 2) { if ((p[i] < p[i + 1]) ^ (sol[0] < sol[1])) swap(sol[0], sol[1]); ret += SegCircleArea(C, p[i], sol[0]); ret += Cross(sol[1] - C.c, sol[0] - C.c) / 2.0; ret += SegCircleArea(C, sol[1], p[i+1]); } } return fabs(ret); } int n; double x, y, v, ang, t, g, r; Circle C; Point p[maxn]; int main() { while (scanf("%lf%lf%lf%lf%lf%lf%lf", &x, &y, &v, &ang, &t, &g, &r)) { if(x == 0 && y == 0 && v == 0 && ang == 0 && t == 0 && g == 0 && r == 0) break; ang = torad(ang); C = Circle(Point(x + v*cos(ang)*t, y + v*sin(ang)*t - 0.5*g*t*t), r); scanf("%d", &n); REP(i, n) scanf("%lf%lf", &p[i].x, &p[i].y); printf("%.2f\n", PolyCiclrArea(C, p, n)); } return 0; }
版权声明：本文为博主原创文章，未经博主允许不得转载。
参考：http://blog.csdn.net/diary_yang/article/details/11166507
超越党争，维护民族大义。
超越党争，维护民族大义。
超越党争，维护民族大义。
超越党争，维护民族大义。
超越党争，维护民族大义。
大闹天竺，摆渡人，生化危机6等等新电影都没声音怎么看呀，赶紧修复一下，好多今年的新电影都是的
大闹天竺，摆渡人，生化危机6等等新电影都没声音怎么看呀，赶紧修复一下，好多今年的新电影都是的
大闹天竺，摆渡人，生化危机6等等新电影都没声音怎么看呀，赶紧修复一下，好多今年的新电影都是的
大闹天竺，摆渡人，生化危机6等等新电影都没声音怎么看呀，赶紧修复一下，好多今年的新电影都是的
大闹天竺，摆渡人，生化危机6等等新电影都没声音怎么看呀，赶紧修复一下，好多今年的新电影都是的
大闹天竺，摆渡人，生化危机6等等新电影都没声音怎么看呀，赶紧修复一下，好多今年的新电影都是的
大闹天竺，摆渡人，生化危机6等等新电影都没声音怎么看呀，赶紧修复一下，好多今年的新电影都是的


A set of indexes and tests for the analysis of social segregation.
| Version: | 3.0.0 |
| Depends: | R (≥ 3.4.1) |
| Imports: | rgdal (≥ 1.2-8), rgeos (≥ 0.3-23), spdep (≥ 0.6-13), measurements (≥ 1.1.0), methods (≥ 3.3.1), seg (≥ 0.5-1), outliers (≥ 0.14) |
| Suggests: | testthat, knitr |
| Published: | 2017-08-30 |
| Author: | Mihai Tivadar |
| Maintainer: | Mihai Tivadar <mihai.tivadar at irstea.fr> |
| License: | GPL-2 | GPL-3 |
| NeedsCompilation: | no |
| Citation: | OasisR citation info |
| In views: | Spatial |
| CRAN checks: | OasisR results |
| Reference manual: | OasisR.pdf |
| Vignettes: |
Vignette Title |
| Package source: | OasisR_3.0.0.tar.gz |
| Windows binaries: | r-devel: OasisR_3.0.0.zip, r-release: OasisR_3.0.0.zip, r-oldrel: OasisR_3.0.0.zip |
| OS X binaries: | r-release: OasisR_3.0.0.tgz, r-oldrel: OasisR_3.0.0.tgz |
| Old sources: | OasisR archive |
Please use the canonical form https://CRAN.R-project.org/package=OasisR to link to this page.


Herein, my humble abode lying in shadow, /STOP LYING!
I waken. I am humble!
Herein do I sleep. I am humble!
The night is dark...
In the night we sleep.
Lit by the moon
How could I but wake?
awake, perhaps, too soon.
Rely upon the sun, and night shall be thy undoing.
Rely upon the dark, and the sun shall destroy thee.
Trust in thyself, in thyself
Sleeping the sleep of the damned
I awaken to darkness, and
I thinking my eyes had been blind
proceeded until I did find
the Moon with her shimmering glow
relieved me of fear. Even so,
I shivered and drew myself close.
What was this strange, dim and shady, dark?
What is this sense of foreboding?
Only paranoia? I am afraid of the dark
Only at night can we see the stars.
If that isn't worth something, I don't know what is.
Only at night is the moon so lovely that I could swoon.
Hyperbole, but... well, you get the picture.
The night is cold.
Ah, but in the warm equatorial isles and lowlands,
night is blessed relief from day's cruel heat.
The night is dark.
Blessed is the dark, which covers up our eyes that we might be made innocent once more.
The night is dark.

The night is dark.
Blessed is the dark, blessed the night.
Protect us from harm, hold us and cleanse us
remove from us our burdens
remove from us our senses
Night is our mother, and sleep is her womb,
from which each morning we emerge.
Sleep is like death, and Night is our tomb,
to which each evening we return.
Blessed are you, Night,
and may you return ever at the end of Day.
Dawn is your death and dusk your birth, o Night
May it ever be so.
Birth, and Death
Good, and Bad
Day, and Night
Mind, and the Real.
All of these are required, for the sake of balance.
Without Night, Day is an Immortal Oppressor.
Without Day, Night is a Lifeless Winter.
Without Bad, Good leads to rage.
Without Good, Bad leads to despair.
Without Mind, the Real is unknown.
Without the Real, Mind is empty
of meaning,
among other things.


For these couple of weeks we have been learning about circuits. We used the arduino uno, which is the most simple circuit board. We also learned about some commands for coding the arduino such as digitalRead() or digitalWrite() which code for the LED lights that we used. We spent a couple weeks playing around with the circuits by creating light shows and setting up buttons. This was a very interesting experience for me since I have never tinkered with circuits before, but this could be useful in life for my major, or possibly even a new product that no one has ever thought of. Overall we learned how to code the for the LED lights usig all sorts of commands.


What do you want to learn about?
Turtles
Snakes
Insects
Here is some info about turtles.
Here is some info about snakes.
Here is some info about insects.


I have been through this blog writing about dynamic pricing in Indian Railways. My logic is simple. Someone who can plan a journey 60 days in advance and someone who needs to travel on an urgent basis - both have a right to travel on Indian Railways. To have a transportation system in the country which says that you can use it only if you can plan 60 days in advance is downright rotten. Further, that those who can plan 60 days in advance should be given so much subsidy to thank them for their ability to plan that there is no money left to expand the transportation system is absolutely regressive. We then build a system wherein the benefit of this subsidy often goes to touts and other middlemen, and not to the traveling public.
Furthermore, while one can perhaps argue in favor of subsidy in non-AC classes of travel on the basis that they are used a lot by the poor (though this can be argued only if you define 98% of Indians as poor), no such argument is possible for AC classes. (We still argue any way claiming that 99.9% of Indians are poor and we must not discriminate against the poor's desire to travel in AC first class. Notwithstanding that cross subsidy through freight hurts all poor significantly, even those who did not travel and did not enjoy that cross-subsidy.)
So I was very happy when Railways finally introduced dynamic pricing last December and I wrote a blog about it. The budget brought many more special trains with dynamic pricing. However, most trains ran only on specific days, and sometimes cancelled at the last minute. Sometimes their timing would not be comfortable and so on. We needed dynamic pricing on our favorite trains, and the recent decision of splitting the tatkal quota into two and making available half of tatkal under dynamic pricing is a great step.
Of course, this is available only on a few trains, but I am hoping that at least on those trains I will be able to book a ticket after the mad rush of Tatkal is over and the IRCTC site start responding to your clicks. Yesterday morning, I checked for AC-2T berths on Shramshakti for the same evening, and I was pleased to see that 3 of them were still available. I suspect that it was because not many people are aware of this new scheme, since at 1850 Rupees, they were still a steal compared to the alternative of taking a taxi to Lucknow airport and buying an air ticket.
So my reaction to this is, a very positive step forward, but a very small step. We must do more. To have about 5% of all seats on Indian Railways on dynamic pricing is too little. I can see that within a few weeks, the scheme will be known to all, and then this quota will also last for a small time, and my desire that a last day ticket be available with high probability will not be met by this step.
As I have argued multiple times, there is really no need for subsidy in AC classes. And hence not just 5% of AC seats but at least 50% (if not 100%) of AC seats should be under dynamic fares. If the political class wants to continue heavy subsidies in non-AC class and have only 5% of seats under dynamic fares, it is ok with me. We need politicians to sell the scheme to masses.
By having 50% or more seats under dynamic fares would mean that it is not just Tatkal seats which are under dynamic fares but all seats. So I can buy a ticket any time. The current system forces me to buy the ticket either 60 days in advance or one day in advance. The new scheme has improved my chances of getting the ticket one day in advance. But I would want a system where I can buy a ticket 7 days in advance as well. So give some AC seats at subsidized prices to those who can plan well, but other AC seats should be given to those who are willing to pay the real cost and some profit to Indian Railways.
In fact, if we implement dynamic fares for a large number of seats, there will be no need for Tatkal at all. Seats will be available at a price even at short notice. But if Government wants to give away 5% of seats at lower price one day before the train journey, that is irrelevant to the whole transportation issue. (But a better system would be a lottery where everyone can participate equally, for example, register your demand the day before, rather than a lottery based on who gets through the IRCTC.)
Indeed, if we have dynamic fares for a large number of seats, it would be possible to get rid of most quotas as well. Most passengers, including the influential persons like MPs, would prefer a guaranteed seat at the time of their choice than face the possibility of not getting any seat through the Emergency or VIP quota and coming to know of it only at the last minute. (Have you heard of quotas at the airlines?)
Further, even AC 1st should be brought under dynamic fares. It is very strange to see AC-1st fare to be lower than dynamic fare of AC-2nd in the same train on the same day. (Or at least ensure that the IRCTC site offers a higher class with lower fare when one asks for premium tatkal ticket.)
So a great step forward, but many more steps needed in this direction.


Don't feel guilty!
Despite it's bad reputation, chocolate has a number of health benefits associated with this delicious treat. Read more on our Health Benefits page.
Where did it start?
While there is no clear cut discovery of chocolate, there are many historical facts you might find interesting on our History page.
Did you know...?
There are many random facts our there we do not know about until someone tells us. If you want to find out some of these random tidbits, visis our Fun Facts page!


THE GLASS HOUSE A film review by Joshua Tyler Copyright 2001 filmcritic.com
People who live in glass houses... better not have much to hide.
The Glass House stars everyone's favorite Helen Hunt clone, Leelee Sobieski, as half of a sister-brother duo who move in with family friends after the untimely deaths of their parents. Little does she know that her new guardian's motives are less than altruistic and it's up to her to protect herself and her brother.
Few would classify Sobieski as a big movie opener, but she, much like several other actors her age, has slowly been building her career with notable roles in notable movies, and her burgeoning confidence shows here.
There is little to fault in The Glass House as a whole. Competently put together, smartly acted, The Glass House is a continual slow build toward revelation and resolution. I for one was totally hooked, until the final few moments, when after bursts of shock and terror, The Glass House shatters into a thousand pieces. Suddenly, the film casts off its smart, suspenseful garb and trades that in for a final few moments of homage to cheap slasher flicks and Hollywood murder clichés.
Even with its unworthy ending, The Glass House is a wholly entertaining and thoughtful flick. If nothing else, it scores points by avoiding the ridiculous teen angst so often seen in other films with young casts. Instead, Glass House chooses to use the realities of a parental death and its effect on children as a springboard to disturbing and dangerous possibilities.
Without a more intelligent ending befitting its finely crafted build-up, The Glass House dodges the realm of Hitchcockian excitement. But even without a proper resolution to bring things home, director Daniel Sackheim doesn't get caught with his pants down in his feature film debut.

Visit filmcritic.com on the Web at http://www.filmcritic.com
========== X-RAMR-ID: 29469 X-Language: en X-RT-ReviewID: 249997 X-RT-TitleID: 1109671 X-RT-SourceID: 178 X-RT-AuthorID: 4328 X-RT-RatingText: 3.5/5
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


About Macs Adventure Tours
Macs Adventure Tours has been providing economically priced bicycle tours for riders of all skill levels since it was founded in 1992. We offer a wide variety of options, including 2-day, 7-day, 14-day, or even 5 week tours. Our tours are currently only available in Western Canada (British Columbia, Alberta, and Saskatchewan).


{% extends "base.html" %} {% block styles %} {{ super() }} {% endblock %} {% block page_content %}
Essentials!!
Learn more »
Build some cool projects!!
Code your projects!!
What's happening!!


--- layout: post title: "A video on the monetary system" date: 2009-02-01 comments: false categories: - video monetary system ---


An input element with a bad focus
This link is highly visible when it gets focus
An input element with a bad focus
This link is highly visible when it gets focus
An input element with a highly-visible focus
This link is highly visible when it gets focus
An input element with a highly-visible focus
This link is highly visible when it gets focus
An input element with a highly-visible focus


Org Manager is a comprehensive organization management tool for your company.
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Part of pymine.api.models View In Hierarchy
| Class | Meta | Undocumented |
| Method | to_structure | Undocumented |
| Method | __unicode__ | return the title of this comment; comments lack a "name" field |
Inherited from AbstractThing:
| Class Method | create | create a new Thing from a HTTPRequest, overriding with values from kwargs. |
| Class Method | get | return a single model matching kwargs; expunge virtually-deleted ones; if none return None; if multiple, throw exception |
| Class Method | list | return a queryset of models matching kwargs; expunge virtually-deleted ones |
| Class Method | execute_search_query | take one queryset and return another, filtered by the content of search_string; this version is a no-op |
| Class Method | search | return a queryset of models matching **kwargs and search_string; expunge virtually-deleted ones |
| Method | update | update a single Thing from a HTTPRequest, overriding with values from kwargs |
| Method | save_files_from | stub for file-saving per instance/class; returns True if a change was made |
| Method | delete | gc all the fields and mark this Thing as deleted |
| Method | get_absolute_url | return a url for this object for administrative purposes |
| Method | delete_attribute | erase the value of attribute 'key' (or delete extended attribute '$key') |


Get in touch with our team here at Weatheria. Drop us an email.
Chitkara University, Punjab
<EMAIL_ADDRESS>123-456-789-0
Connect with us :


The Incremental Games Plaza is a community curated list of incremental games. This includes clicker games, idle games, unlocking games, etc.
What sets us apart from lists like the Ultimate List of Incremental Games is that we provide the ability to add multiple tags, youtube videos, and anyone can upload screenshots of the games they love
Users can also review games, like games, create playlists, and participate in discussions. It's like a mini community site.
Game developers are encouraged to add their games to the site provided they are playable. Games with logos, descriptions, and tags are also searchable with our built-in search engine.
Best of all, just log in with Reddit. Why Reddit? Because we love the /r/incremental_games community!


Package org.apache.sis.referencing.datum
Relationship of a
CoordinateSystem
(an abstract mathematical entity) to the earth or other system.
An explanation for this package is provided in the OpenGIS® javadoc.
The remaining discussion on this page is specific to the SIS implementation.
The root class in this package is AbstractDatum
.
Various subclasses are defined for various kinds of relationship to the Earth or time
(geodetic,
vertical,
temporal),
or to platforms (mobile or not)
(engineering,
image).
Some of those SIS subclasses provide additional methods that are not part of OGC/ISO specifications:
DefaultEllipsoid.getAuthalicRadius()
DefaultEllipsoid.getEccentricity()
DefaultPrimeMeridian.getGreenwichLongitude(Unit)
DefaultGeodeticDatum.getBursaWolfParameters()
DefaultGeodeticDatum.getPositionVectorTransformation(GeodeticDatum, Extent)
Datum shifts
Three classes are provided in support of coordinate transformations between different datums:
BursaWolfParameters
performs an approximation based on a translation, rotation and scale of geocentric coordinates.TimeDependentBWP
is likeBursaWolfParameters
, but varies with time for taking in account the motion of plate tectonic.DatumShiftGrid
is used for more accurate transformations than whatBursaWolfParameters
allows, by interpolating the geographic or geocentric translations in a grid (e.g. NADCON or NTv2) instead than apply the same transformation for every points.
- Since:
- 0.4
Defined in the sis-referencing
module
-
Class Summary Class Description AbstractDatum Specifies the relationship of a Coordinate System to the earth.BursaWolfParameters Parameters for a geographic transformation between two datum having the same prime meridian.DatumShiftGrid<C extends Quantity<C>,T extends Quantity<T>> Small but non-constant translations to apply on coordinates for datum shifts or other transformation process.DefaultEllipsoid Geometric figure that can be used to describe the approximate shape of the earth.DefaultEngineeringDatum Defines the origin of an engineering coordinate reference system.DefaultGeodeticDatum Defines the location and orientation of an ellipsoid that approximates the shape of the earth.DefaultImageDatum Defines the origin of an image coordinate reference system.DefaultParametricDatum Defines the origin of a parametric coordinate reference system.DefaultPrimeMeridian Defines the origin from which longitude values are determined.DefaultTemporalDatum Defines the origin of a temporal coordinate reference system.DefaultVerticalDatum Identifies a particular reference level surface used as a zero-height surface.TimeDependentBWP Parameters for a time-dependent geographic transformation between two datum.


http://action.vday.org/site/R?i=_O_ZhtHmzFYjglYn4gPrZQ
http://action.vday.org/site/R?i=0td9qqZTcLSbitvw7_tnYg
http://action.vday.org/site/R?i=SPP1D0zWOsBxjsH6ZWP6DA
http://action.vday.org/site/R?i=AovRt9y8r35YUyUEUI7xFw
RISE w/ Eve & OBR at The People’s Climate March on Sunday, 21
September, in NYC!
Dear Risers,
We are in the midst of an environmental crisis and the time has come
to unite with our sisters and brothers across all sectors to demand a
new model of sustainable development, a model that includes safe,
people-centered renewable energy systems and reverses our current path
of environmental destruction.
On Sunday, 21 September, I am RISING at the People’s Climate March in
NYC and I hope you’ll join me!
The March will take place two days before the United Nations Climate
Summit, and we need to show the world leaders that we will not stand
by while they continue to ignore this crisis.
Let’s help create the Largest Climate March in History!
We’ve seen the power of One Billion Rising to create a global shift in
consciousness around violence against women and girls. Let’s use this
power to do the same with violence against our mother Earth.
We cannot ignore the historical and interrelated destructive treatment
of both women and nature in our current dominator model of societies.
The longstanding history of violating the Earth and violating women is
deeply rooted in the same problem and societal imbalances. To achieve
long term solutions, we will need to deal with root causes and
systemic change and this will mean liberating the silenced and
oppressed voices of women and nature.
Together we stand for the Earth and future generations. Together we
can make our voices heard. Together we can create a revolution.
Details for the meeting point and route below.
With gratitude and love,
Eve
Sunday, 21 September, One Billion Rising Assembly Location:
Meet at the Central Park Information Kiosk, Columbus Circle.
NOTE: Join the One Billion Rising NYC Facebook Page for updates and
additional info.
http://action.vday.org/site/R?i=Yzpa8IW-80bKHwu1P0YNiA
Assembly Time: 11:00am
From there we’ll meet up with the rest of the marchers just north of
Columbus Circle.
March Route:
* The march will begin at 11:30 am.
* Leave Columbus Circle and go east on 59th Street
* Turn onto 6th Ave. and go south to 42nd Street
* Turn right onto 42nd Street and go west to 11th Ave
* Turn left on 11th Ave. and go south to 34th Street
End Location: 11th Ave. in the streets between 34th Street and 38th
Street
TAKE ACTION:
* SIGN YOUR NAME! Let’s help Avaaz deliver the largest petition
ever! >
http://action.vday.org/site/R?i=Iv9r48600F0Mxe6U59hv7w
* READ the WECAN Women’s Climate Action Agenda
The Women’s Earth & Climate Action Network (WECAN) Action Agenda
analyzes the root causes of environmental degradation and social
injustice, ultimately presenting powerful recommendations and
alternative solutions to the climate crisis. Download HERE >
http://action.vday.org/site/R?i=dy4B-bJ-ZzJYexohXuzBsA
* LEARN MORE about the People’s Climate March, including FAQ’s and
info on volunteering, transportation, housing and more at
peoplesclimate.org
http://action.vday.org/site/R?i=N22ZKO_-fZyubUXcHGw2oA
* DOWNLOAD People’s Climate March Graphics >
http://action.vday.org/site/R?i=rsirJtqVRs0d4rj3d9uMXw
http://action.vday.org/site/R?i=91UmetxKFxCTyAjPAvrUig
http://action.vday.org/site/R?i=Z7-hqGqjHMNbliq5bC_goQ
http://action.vday.org/site/R?i=mTSdm_p7cDfkXppfj5gnrA
http://action.vday.org/site/R?i=IuhN0MHMmL9QBCWvFgf4iw
http://action.vday.org/site/R?i=Zpi2JthgX2DHAm0GfwGPsA
unsubscribe
http://action.vday.org/site/CO?i=MgJogfG0-46QFqStb63XaPghNsJnJpHv&cid=1062
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{%- comment -%} This file can be used to fix the HTML produced by Jekyll for highlighted code with line numbers. It works with `{% highlight some_language linenos %}...{% endhighlight %}` and with the Kramdown option to add line numbers to fenced code. The implementation was derived from the workaround provided by Dmitry Hrabrov (DeXP) at https://github.com/penibelst/jekyll-compress-html/issues/71#issuecomment-188144901 EXPLANATION The HTML produced by Rouge highlighting with lie numbers is of the form `code table`. Jekyll (<= 4.1.1) always wraps the highlighted HTML with `pre`. This wrapping is not only unnecessary, but also transforms the conforming HTML produced by Rouge to non-conforming HTML, which results in HTML validation error reports. The fix removes the outer `pre` tags whenever they contain the pattern `


To debug a certain subsystem you may want to run two or more
subsystems at the same time. This document shows you how
to setup Run-Configurations in IntelliJ to automate the
building and startup of multiple subsystems.
You will probably start with a UI similar to this:
1) We start by adding the mvn package
commands for each
subsystem to the Run-Configurations
1.1) Click on "Run" at the top of IntelliJ. The click on "Edit Configurations".
1.2) On the window poping up, click the "+" button and select "Maven".
In the "Name"-field, insert an appropriate name. For "Working directory" select the subsystem
you want to build. In "Command line", insert "package".
Repeat from step 1.2) for each subsystem.
2) Now we add a "Compound"-Configuration to package every subsystem
at once.
2.1) Again, click on the "+"-button, but this time, select "Compound".
2.2) Click the "+"-button in the Compound-window and add all Maven-Configurations
for each subsystem.
2.3) Click "OK" and execute the "Compound" configuration
Now Maven will build the "JAR"-files for each subsystem. The next
steps will be to create Run-configurations for those "JAR"-files
and another Compound-configuration to execute all at once.
3) Again, open the configuration menu. (See 1.1)
3.1) Click on the "+"-button and select "JAR-Application" (not "Application")
3.2) In the "Name" field, insert an appropriate name. In the "Path to JAR"
field, click on the folder icon and select the JAR-file of the subsystem you want
to setup the configuration for.
Repeat from step 3.1) for each subsystem.
4) Create another Compound-configuration in which
you add the created JAR-Application-configurations
By executing this Compound-configuration you can start all
the subsystems at once.
By executing a JAR-Application-configuration you can start
a specific subsystems.


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It also happened that Charles, in his travels, unexpectedly came to a certain city on the coast of Narbonese Gaul. And while he was breakfasting, incognito, near its port, Norman scouts conducted a raid. And after seeing the ships, some said they were Jewish, others African, and even others British merchants, but the wise Charles, recognizing from their equipment or their speed that they were not merchants but enemies, said: "Those ships aren't filled with merchandise, but teeming with bitter enemies."
When they heard this, with each one eager to outrace the others, they swiftly hurried to their ships. But in vain.
For when the Normans discovered that he was at that very place, Charles the Hammer, as they were wont to call him, for fear that all their weapons be blunted on him, or destroyed and shattered into tiny pieces, in an unparalleled flight they escaped not only the swords of their pursuers but even their eyes.
But Charles, devout, just and God-fearing, rose from table and stood at the east window and was for a long time bathed in tears beyond all price, and no-one dared to address him. Finally he spoke, apologizing to his warlike nobles for such demeanor and tears:
"Do you know, my loyal men, why I wept so much? It's not because I fear that those fools and nobodies could do me any harm; but I'm deeply saddened that they dared touch this shore while I lived, and I'm tormented with a great sorrow, since I foresee how many evils they will do to my descendents and their subjects.


Project information
- Category: Google Assistant App Developmemt
- Hackathon: Hack Your Portfolio by MLH
- Won: Best use of Google Cloud
- Project date: Jan 22-24, 2021
- Project URL: Demo of Google Assistant App
Positivity Pal, a Hackathon project
Inspiration:: The state of mental health in America during covid-19 is a big issue when 53% of US adults report a significant negative impact on mental health, due to covid-19. Many people are feeling lonely due to shelter in place requirements and feel discouraged due to covid-19.
What it does:: We created a mental health virtual assistant that asks the user how they are feeling and responds positively to the user's input. If the user's response is negative, the virtual assistant will respond with an encouragement. If the user's response is positive, the virtual assistant will respond with an affirmation. The virtual assistant acts like a cheerleader, parent, or friend to the user.
How we built it :: We used the Google Cloud Console, DialogFlow, and Google Actions.
Accomplishments that we're proud of:: It has been difficult training the model and getting things perfect. We still have a long way to go. We are happy we created this virtual assistant, because we believe it will help many people during Covid, when human interaction is limited. We hope that users who are feeling isolated can talk to our virtual assistant and get positive feedback about how they are feeling so they are able to get through these difficult times.
What's next for Positivity Pal :: We would like to fix errors and continue building the project to encompass a wider range of feelings as well as a wider range of responses.
Built With :: dialogflow google-actions google-cloud


February 29
The Father hath not left me alone; for I do always those things that please him. John 8:29
Jesus lived by faith. Did you know that? Some people don't seem to realize that. They think that because He was the Son of God, He just floated through life with some mystical, supernatural power we could never have.
But Jesus Himself said that the Father hadn't left Him alone and that He always did those things that please His Father.
Jesus walked by faith - and He got that faith the same way we get it. "Faith cometh by hearing, and hearing by the word of God" (Romans 10:17).
How do you think His mother knew to tell the leaders of the wedding feast at Cana to do whatever He told them? (See John 2:1-11) How did she know He could solve the problem of lack?
The Bible tells us He had never done a miracle at that time - a miracle of suspension of the normal course of nature. Yet He had always lived by faith. He was living by faith when He was just a young fellow of 12 years old saying, "I have to be about My Father's business."
Year by year, He kept growing in faith, just as He grew physically. He wasn't born a faith giant. He had to develop, just as we do. He said, "As my Father hath taught me, I speak these things" (John 8:28).
Jesus had to be taught. How was He taught? By theHoly Spiritthrough the written Word!
Luke 4:16 says that when Jesus came to Nazareth, "as His custom was, He went into the synagogue on the sabbath day, and stood up for to read."
Jesus was a Bible reader! That was His custom. He studied. He meditated. He continued in the Word of God. He preached the Word of God. He knew the truth and the truth made Himfree!
Now more than ever before, it is vital that you and I follow in His footsteps. We simply cannot afford to cast aside our Bibles and go skipping off after signs and wonders. No! Our Father needs us to grow up in Him. He needs those who will dare to stand on the Word and develop their faith so that instead of seeking miracles at the hands of others, they will become the hands that deliver those miracles. That, my friend, is the greatest thrill of all. And that is the day we're living in.
Get in the Word today. Meditate in it. Then go out and live by faith. Jesus did and you are His disciple.
Scripture Reading: John 2:1-11


“Star Cities/Organised Worlds” was featured, among 21 works chosen over 200+ submissions, by the V-Art Digital #ArtSpaceship Exhibition (sector E).
Exhibition statement: "The Digital era has transformed the very essence of the way we live, as well as our
perception of materiality and space. Art as a reflection of the changes in society gave momentum to a new medium of
expression – digital art. Now we are on the verge of a new, space era, where intangible and technological digital
art is assonant with the development of humankind. Like the golden disk sent to extraterrestrial civilizations with
Voyager in 1977, we will send a new message to the Universe.
Ancestors watched the starry sky and created legends, which lived on up to the present. Now we are creating a new
symbol of the art of the future – the digital Art Spaceship, that will bring art to new horizons."


Back at work finally after Friday + Monday off. Allergies are killing me, though.  Allergies are killing me, though. My head feels like it's packed with fuzz.
3/31/2009, 9:25:54 AM
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link


Chapter 11 Creating an Edge Selection
Selecting edges in a graph is done in a manner quite similar to selecting nodes. The primary means for targeting a specific edges is through any available edge attributes (e.g., rel
, styling attributes such as color
, or arbitrary data values available for edges).
We will start by creating a graph with four nodes and four edges. The edges will have an edge attribute called data
that contains numeric values.
# Create a node data frame
ndf <- create_node_df(n = 4)
# Create an edge data frame
edf <-
create_edge_df(
from = c(1, 2, 3, 4),
to = c(2, 3, 4, 1),
data = c(
8.6, 2.8, 6.3, 4.5)
)
# Create a new graph from
# the NDF and EDF
graph <-
create_graph(
nodes_df = ndf,
edges_df = edf
)
# Inspect the graph's EDF
graph %>% get_edge_df()
#> id from to rel data
#> 1 1 1 2 <NA> 8.6
#> 2 2 2 3 <NA> 2.8
#> 3 3 3 4 <NA> 6.3
#> 4 4 4 1 <NA> 4.5
The following example shows how to create selections of edges based on a logical expression operating on a collection of numeric values in the data
attribute.
# Select edges where the `data`
# attribute has a value
# greater than 5.0
graph <-
graph %>%
select_edges(
conditions = data > 5.0
)
#> `select_edges()` INFO: created a new selection of 2 edges
# Get the graph's current selection
# of edges as a table
graph %>% get_edge_df_ws()
#> id from to rel data
#> 1 1 1 2 <NA> 8.6
#> 2 3 3 4 <NA> 6.3


Reports redundant
final
,
static
modifiers on records.
Example:
final record R() { } class Test { static record R() { } }


It is a method that sets triggers for events to elements defined in the input. It is a standalone method that uses the corresponding attribute of the element to assign the methods to execute when the event is fired.
wd(dom).handler(list)
The list
argument is an object whose keys and values respectively represent the names of events and their methods. Event names are case insensitive and may or may not have the prefix on
:
list = {onclick: method1}; /*or*/ list = {Click: method1};
If there is more than one method to be set on the trigger, then the methods must be entered in arrays. Setting the method value to null
will remove all triggers in the event:
list = {onclick: [method1, method2, method3], mouseOver: null};
If you want to exclude a specific method, you must enter the prefix -
to the event name:
list = {-CLICK
: [method1, method2]};
If the list
argument is null, all triggers defined by the method will be removed from the element from all events.
It is a method that executes the function entered in the argument in the same amount of existing elements, that is, if it is a list of nodes with n elements, the function will be performed n times.
wd(dom).run(method)
The method
argument is the function to be executed. The reported method accepts an argument representing the nth element.


Gorgeous Design
Asymetric
Let your creativity roam free with the awesome power of Bootstrap's grid system combined with the amazing cards provided by our products.
Gorgeous Design
Let your creativity roam free with the awesome power of Bootstrap's grid system combined with the amazing cards provided by our products.


Deep Learning Enthusiast.
Always love to dive and dig deep into whatever I am curios about, which are
science, math, music, and philosophy.
Playing two instruments, guitar and violin, also love singing.
I give value for listening and learning, because I'm sure that we still don't know many things, but never
give up on fighting for what I know is the truth.
Lorem ipsum dolor sit amet, consectetur adipisicing elit. Lorem ipsum dolor sit amet, consectetur adipisicing elit.
Lorem ipsum dolor sit amet, consectetur adipisicing elit. Lorem ipsum dolor sit amet, consectetur adipisicing elit.
Lorem ipsum dolor sit amet, consectetur adipisicing elit. Lorem ipsum dolor sit amet, consectetur adipisicing elit.
Lorem ipsum dolor sit amet, consectetur adipisicing elit. Lorem ipsum dolor sit amet, consectetur adipisicing elit.
View DetailsLorem ipsum dolor sit amet, consectetur adipisicing elit. Lorem ipsum dolor sit amet, consectetur adipisicing elit.
View DetailsLorem ipsum dolor sit amet, consectetur adipisicing elit. Lorem ipsum dolor sit amet, consectetur adipisicing elit.
View Details
Built deep learning based chat-bot application for hospital customer service.
Used collected question-answer pairs of text data from the hospital and trained it with Sequence-to-Sequence
Neural Networks.
Applied online learning method for the method to learn on the fly. Chat-bot application prompts the user if
the answer is satisfying or not, so according to that answer the model improves itself continuously.


Ex-governor Deval Patrick enters Democratic race
NEW YORK, Nov 14 — Former Massachusetts governor Deval Patrick formally announced today that he is entering the 2020 presidential race, bloating an already crowded field.
Patrick, one of the first US African-American governors, announced his presidential bid in a 2:35 minute video posted on his website.
“In a spirit of profound gratitude for all the country has given to me, with a determination to build a better, more sustainable, more inclusive American Dream for everyone: I am today announcing my candidacy for President of the United States,” Patrick says in the video. He tweeted the same message.
The entry of Patrick, who becomes the 18th candidate in the 2020 Democratic race, highlights anxieties among party centrists who fear that the left-wing policies of Elizabeth Warren and Bernie Sanders will damage the Democrats’ chances of beating President Donald Trump next year.
Patrick had earlier ruled out a bid in December 2018 but reportedly regretted the decision.
Former New York mayor Bloomberg took a formal step towards joining the Democratic presidential race on Tuesday when he submitted paperwork to be on the ballot in Arkansas, four days after doing the same in Alabama.
Both states have early deadlines to register for the primaries, which Patrick has missed.
Bloomberg, who like Trump is a septuagenarian white New York billionaire, has yet to officially declare that he is running for the White House.
Experts say a Bloomberg candidacy could hurt the current frontrunner Joe Biden, the former vice president who is the leading centrist in the race.
It is unclear what sort of impact Patrick’s entry less than three months before the first votes in Iowa might have.
Patrick was a two-term governor of Massachusetts from January 2007 to January 2015.
The Democratic contest has two black candidates, Senator Kamala Harris of California and New Jersey Senator Cory Booker. Both are languishing in the polls. — AFP


Angular2+ Avatar (ng2-avatar) is a simple and lightweight avatar component
Scroll down to see it in action!
Code on Github Documentation


Portland's #1 volunteer dog walking service
Please select your county:
Please select preferred dog size:
Please describe your energy capacity:
Select all that bothers you during a walk:


Web Sites
Web Sites: Automated Operations Internal
Web Site
Status
{{index .Map "item_list_rows"}}
New Web Site
×
Add a Web Site
Basic Information
Monitor Type:
Any HTTP
Only HTTP 1.1
Only HTTP 2
Basic TCP
Sub-String TCP
Interactive TCP
SMTP
POP3
IMAP
SIP
Select Product:
Front Page
Sales Site
Infrastructure
Development
Production
Corp
Automation
Monitoring
Hostname or IP Address:
URL:
Port #:
Poll Interval:
Milliseconds
Seconds
Minutes
Days
Weeks
Months
Ownership and Notifications
Group:
Operations
Development
IT
QA
Country:
Standard
Urgent
Low Priority
Business Hours
Notification Subject:
Tags:
From:
January
...
December
1995
...
1980
To:
January
...
December
1995
...
1980
Exclude From:
Validation
Company:
Position:
From:
January
...
December
1995
...
1980
To:
January
...
December
1995
...
1980
Brief description:
Recommendations:
Accepted formats: pdf, doc. Max file size 2Mb
Confirmation
Applicant resume:
Accepted formats: pdf, doc. Max file size 2Mb
Where did you find us?
Monster.com
LinkedIn
Google
Google AdWords
Other source
Availability:
Immediately
1 - 2 weeks
3 - 4 weeks
More than 1 month
Additional information:


Reference Number:
8029230
Contract Date:
2015-16-02
Description of Work:
1282 Computer Equipment related to Production and Operations (P&O) environment - All servers, storage, printers etc (Includes all related parts and peripherals)
Contract Period:
2015-16-02 to 2015-31-03
Delivery Date:
2015-31-03
Original Contract Value:
$20,744.56
Current Contract Value:
$20,744.56
Comments:
This contract was competitively sourced using a Public Works and Government Services Canada procurement tool.
Former Public Servant in Receipt of a Pension under the Public Service Superannuation Act:
No