"IRA "citizen; wakeful. (1.) A Tekoite, one of David’s thirty warriors (2 Samuel 23:26). (2.) An Ithrite, also one of David’s heroes (2 Samuel 23:38). (3.)
"IRA "citizen; wakeful. (1.) A Tekoite, one of David’s thirty warriors (2 Samuel 23:26).
(2.) An Ithrite, also one of David’s heroes (2 Samuel 23:38).
(3.)


Lamborghini Teases All-New Model
The House of the Raging Bull will showcase its new concept in Monaco this weekend.
by Noah JosephBy now, it seems that every automaker in the business has designed its own Vision Gran Turismo concept. Arguably one of the most obvious candidates, though, has stayed out of that particular race until now. But that's about to change.
That automaker, as you might have guessed by now, is Lamborghini. The manufacturer is known, of course, for its outlandish supercars – the very kind that's proven most popular in video games and racing simulators like those in the Gran Turismo franchise. And it'll reveal its new virtual concept car specifically designed for the game this Sunday.
Gran Turismo via YouTube
Previewed in this rather cryptic and brief teaser clip, Lamborghini's otherwise as-yet unnamed Vision Gran Turismo concept is set to be unveiled during the World Final event of the FIA GT Championships for e-racing in Monaco on November 24. All the teaser appears to show are the taillights and rear wing, but they look rather aggressive in typical Lambo fashion – something along the lines of the Veneno's, but clearly of its own unique design.
Once it is revealed and introduced to the virtual paddock in Gran Turismo Sport, the Lamborghini concept will join a long list of Vision Gran Turismos already available in the game.
The list of Vision concepts available to "drive" in Gran Turismo Sport numbers over two dozen, including entries from Lamborghini's Volkswagen Group sister-brands Audi, Bugatti, and VW – not to mention rivals like Aston Martin and McLaren.
The House That Ferruccio Built is, of course, also well represented with versions of the Huracan, Aventador, Veneno, Miura, Countach, and Diablo. This will just be its first vehicle designed specifically for the game, and we (along with the 8 million or so gamers who've bought copies of Gran Turismo Sport) are looking forward to seeing how it shapes up... even if it's never actually built in the metal and carbon.


SHOP
LANE
Clothing
Accessories
0
Order Placed Successfully!!
We have sent you a mail with the order details.!!


Total {{count_total}} members
| Name | Sex | Phone | Card | City | Created At | Expired At | # | |
|---|---|---|---|---|---|---|---|---|
| {{member.name}} | {{member.gender|upper}} | {{member.phone_number}} | {{member.card_number}} | {{member.city}} | {{member.email}} | {{ member.created_at|date:"Y-m-d" }} by {{member.created_by}} | {{ member.expired_at|date:"Y-m-d" }} | Edit Delete |
{% show_pagination %}


{% extends "base.html" %} {% block content %} Please choose 'Use this video' for any videos you would like to include.
If you still don't see the videos you want, you can try 'More Videos' at the bottom of the list to expand your search.


Package com.jme.asset
Class DesktopAssetManager
- java.lang.Object
-
- com.jme.asset.DesktopAssetManager
-
- All Implemented Interfaces:
AssetManager
public class DesktopAssetManager extends java.lang.Object implements AssetManager
AssetManager
is the primary method for managing and loading assets inside jME.- Author:
- Kirill Vainer
-
-
Constructor Summary
Constructors Constructor Description DesktopAssetManager()
DesktopAssetManager(boolean usePlatformConfig)
DesktopAssetManager(java.net.URL configFile)
-
Method Summary
All Methods Instance Methods Concrete Methods Modifier and Type Method Description void
addAssetEventListener(AssetEventListener listener)
Add anAssetEventListener
to receive events from thisAssetManager
.void
addClassLoader(java.lang.ClassLoader loader)
Adds aClassLoader
that is used to loadclasses
that are needed for finding and loading Assets.<T> void
addToCache(AssetKey<T> key, T asset)
Inject an asset into the asset cache.void
clearAssetEventListeners()
Removes all asset event listeners.void
clearCache()
Clears the asset cache.<T> boolean
deleteFromCache(AssetKey<T> key)
Delete an asset from the asset cache.java.util.List<java.lang.ClassLoader>
getClassLoaders()
Retrieve the list of registered ClassLoaders that are used for loadingclasses
from asset files.<T> T
getFromCache(AssetKey<T> key)
Retrieve an asset from the asset cache.ShaderGenerator
getShaderGenerator(java.util.EnumSet<Caps> caps)
Returns the shaderGenerator responsible for generating the shaders<T> T
loadAsset(AssetKey<T> key)
Load an asset from a key, the asset will be located by one of theAssetLocator
implementations provided in theAssetManager.registerLocator(java.lang.String, java.lang.Class)
call.java.lang.Object
loadAsset(java.lang.String name)
Load an asset by name, calling this method is the same as callingloadAsset(new AssetKey(name))
.<T> T
loadAssetFromStream(AssetKey<T> key, java.io.InputStream inputStream)
Load an asset from anInputStream
.AudioData
loadAudio(AudioKey key)
Load audio file, supported types are WAV or OGG.AudioData
loadAudio(java.lang.String name)
Load audio file, supported types are WAV or OGG.FilterPostProcessor
loadFilter(FilterKey key)
Loads a filter *.j3f file with a FilterKey.FilterPostProcessor
loadFilter(java.lang.String name)
Loads a filter *.j3f file with a FilterKey.BitmapFont
loadFont(java.lang.String name)
Load a font file.protected <T> T
loadLocatedAsset(AssetKey<T> key, AssetInfo info, AssetProcessor proc, AssetCache cache)
Loads an asset that has already been located.Material
loadMaterial(java.lang.String name)
Load a material instance (J3M) file.Spatial
loadModel(ModelKey key)
Loads a 3D model with a ModelKey.Spatial
loadModel(java.lang.String name)
Loads a 3D model.Texture
loadTexture(TextureKey key)
Loads texture file, supported types are BMP, JPG, PNG, GIF, TGA, DDS, PFM, and HDR.Texture
loadTexture(java.lang.String name)
Loads texture file, supported types are BMP, JPG, PNG, GIF, TGA, DDS, PFM, and HDR.AssetInfo
locateAsset(AssetKey<?> key)
Manually locates an asset with the givenAssetKey
.protected <T> T
registerAndCloneSmartAsset(AssetKey<T> key, T obj, AssetProcessor proc, AssetCache cache)
Clones the asset using the given processor and registers the clone with the cache.void
registerLoader(java.lang.Class<? extends AssetLoader> loader, java.lang.String... extensions)
Register anAssetLoader
by using a class object.void
registerLoader(java.lang.String clsName, java.lang.String... extensions)
void
registerLocator(java.lang.String rootPath, java.lang.Class<? extends AssetLocator> locatorClass)
Registers the given locator class for locating assets with thisAssetManager
.void
registerLocator(java.lang.String rootPath, java.lang.String clsName)
void
removeAssetEventListener(AssetEventListener listener)
Remove anAssetEventListener
from receiving events from thisAssetManager
void
removeClassLoader(java.lang.ClassLoader loader)
Remove aClassLoader
from the list of registered ClassLoadersvoid
setAssetEventListener(AssetEventListener listener)
void
setShaderGenerator(ShaderGenerator shaderGenerator)
Sets the shaderGenerator to generate shaders based on shaderNodes.void
unregisterLoader(java.lang.Class<? extends AssetLoader> loaderClass)
Unregister aAssetLoader
from loading its assigned extensions.void
unregisterLocator(java.lang.String rootPath, java.lang.Class<? extends AssetLocator> clazz)
Unregisters the given locator class.
-
-
-
Method Detail
-
addClassLoader
public void addClassLoader(java.lang.ClassLoader loader)
Description copied from interface:AssetManager
Adds aClassLoader
that is used to loadclasses
that are needed for finding and loading Assets. This does not allow loading assets from that classpath, use registerLocator for that.- Specified by:
addClassLoader
in interfaceAssetManager
- Parameters:
loader
- A ClassLoader that Classes in asset files can be loaded from.
-
removeClassLoader
public void removeClassLoader(java.lang.ClassLoader loader)
Description copied from interface:AssetManager
Remove aClassLoader
from the list of registered ClassLoaders- Specified by:
removeClassLoader
in interfaceAssetManager
-
getClassLoaders
public java.util.List<java.lang.ClassLoader> getClassLoaders()
Description copied from interface:AssetManager
Retrieve the list of registered ClassLoaders that are used for loadingclasses
from asset files.- Specified by:
getClassLoaders
in interfaceAssetManager
-
addAssetEventListener
public void addAssetEventListener(AssetEventListener listener)
Description copied from interface:AssetManager
Add anAssetEventListener
to receive events from thisAssetManager
.- Specified by:
addAssetEventListener
in interfaceAssetManager
- Parameters:
listener
- The asset event listener to add
-
removeAssetEventListener
public void removeAssetEventListener(AssetEventListener listener)
Description copied from interface:AssetManager
Remove anAssetEventListener
from receiving events from thisAssetManager
- Specified by:
removeAssetEventListener
in interfaceAssetManager
- Parameters:
listener
- The asset event listener to remove
-
clearAssetEventListeners
public void clearAssetEventListeners()
Description copied from interface:AssetManager
Removes all asset event listeners.- Specified by:
clearAssetEventListeners
in interfaceAssetManager
- See Also:
AssetManager.addAssetEventListener(com.jme.asset.AssetEventListener)
-
setAssetEventListener
public void setAssetEventListener(AssetEventListener listener)
-
registerLoader
public void registerLoader(java.lang.Class<? extends AssetLoader> loader, java.lang.String... extensions)
Description copied from interface:AssetManager
Register anAssetLoader
by using a class object.- Specified by:
registerLoader
in interfaceAssetManager
- Parameters:
loader
- The loader class to register.extensions
- Which extensions this loader is responsible for loading, if there are already other loaders registered for that extension, they will be overridden - there should only be one loader for each extension.
-
registerLoader
public void registerLoader(java.lang.String clsName, java.lang.String... extensions)
-
unregisterLoader
public void unregisterLoader(java.lang.Class<? extends AssetLoader> loaderClass)
Description copied from interface:AssetManager
Unregister aAssetLoader
from loading its assigned extensions. This undoes the effect of callingAssetManager.registerLoader(java.lang.Class, java.lang.String[])
.- Specified by:
unregisterLoader
in interfaceAssetManager
- Parameters:
loaderClass
- The loader class to unregister.- See Also:
AssetManager.registerLoader(java.lang.Class, java.lang.String[])
-
registerLocator
public void registerLocator(java.lang.String rootPath, java.lang.Class<? extends AssetLocator> locatorClass)
Description copied from interface:AssetManager
Registers the given locator class for locating assets with thisAssetManager
.AssetLocator
s are invoked in the order they were registered, to locate the asset by theAssetKey
. Once anAssetLocator
returns a non-null AssetInfo, it is sent to theAssetLoader
to load the asset. Once a locator is registered, it can be removed viaAssetManager.unregisterLocator(java.lang.String, java.lang.Class)
.- Specified by:
registerLocator
in interfaceAssetManager
- Parameters:
rootPath
- Specifies the root path from which to locate assets for the givenAssetLocator
. The purpose of this parameter depends on the type of theAssetLocator
.locatorClass
- The class type of theAssetLocator
to register.- See Also:
AssetLocator.setRootPath(java.lang.String)
,AssetLocator.locate(com.jme.asset.AssetManager, com.jme.asset.AssetKey)
,AssetManager.unregisterLocator(java.lang.String, java.lang.Class)
-
registerLocator
public void registerLocator(java.lang.String rootPath, java.lang.String clsName)
-
unregisterLocator
public void unregisterLocator(java.lang.String rootPath, java.lang.Class<? extends AssetLocator> clazz)
Description copied from interface:AssetManager
Unregisters the given locator class. This essentially undoes the operation done byAssetManager.registerLocator(java.lang.String, java.lang.Class)
.- Specified by:
unregisterLocator
in interfaceAssetManager
- Parameters:
rootPath
- Should be the same as the root path specified inAssetManager.registerLocator(java.lang.String, java.lang.Class)
.clazz
- The locator class to unregister- See Also:
AssetManager.registerLocator(java.lang.String, java.lang.Class)
-
locateAsset
public AssetInfo locateAsset(AssetKey<?> key)
Description copied from interface:AssetManager
Manually locates an asset with the givenAssetKey
. This method should be used for debugging or internal uses.
The call will attempt to locate the asset by invoking theAssetLocator
that are registered with thisAssetManager
, in the same way that theAssetManager.loadAsset(com.jme.asset.AssetKey)
method locates assets.- Specified by:
locateAsset
in interfaceAssetManager
- Parameters:
key
- TheAssetKey
to locate.- Returns:
- The
AssetInfo
object returned from theAssetLocator
that located the asset, or null if the asset cannot be located.
-
getFromCache
public <T> T getFromCache(AssetKey<T> key)
Description copied from interface:AssetManager
Retrieve an asset from the asset cache. NOTE: Do not modify the returned asset! It is the same reference as what is stored in the cache, therefore any modifications to it will leak onto assets loaded from the same key in the future.- Specified by:
getFromCache
in interfaceAssetManager
- Type Parameters:
T
- The object type that will be retrieved from the AssetKey instance.- Parameters:
key
- The AssetKey to get from the cache.- Returns:
- The cached asset, if found. Otherwise,
null
.
-
addToCache
public <T> void addToCache(AssetKey<T> key, T asset)
Description copied from interface:AssetManager
Inject an asset into the asset cache. NOTE: Do not modify the cached asset after storing! It is the same reference as what is stored in the cache, therefore any modifications to it will leak onto assets loaded from the same key in the future.- Specified by:
addToCache
in interfaceAssetManager
- Type Parameters:
T
- The object type of the asset.- Parameters:
key
- The key where the asset shall be stored.asset
- The asset to inject into the cache.
-
deleteFromCache
public <T> boolean deleteFromCache(AssetKey<T> key)
Description copied from interface:AssetManager
Delete an asset from the asset cache.- Specified by:
deleteFromCache
in interfaceAssetManager
- Type Parameters:
T
- The object type of the AssetKey instance.- Parameters:
key
- The asset key to remove from the cache.- Returns:
- True if the asset key was found in the cache and was removed successfully. False if the asset key was not present in the cache.
-
clearCache
public void clearCache()
Description copied from interface:AssetManager
Clears the asset cache.- Specified by:
clearCache
in interfaceAssetManager
-
loadLocatedAsset
protected <T> T loadLocatedAsset(AssetKey<T> key, AssetInfo info, AssetProcessor proc, AssetCache cache)
Loads an asset that has already been located.- Type Parameters:
T
- The asset type- Parameters:
key
- The asset keyinfo
- The AssetInfo from the locatorproc
- AssetProcessor to use, or null to disable processingcache
- The cache to store the asset in, or null to disable caching- Returns:
- The loaded asset
- Throws:
AssetLoadException
- If failed to load asset due to exception or other error.
-
registerAndCloneSmartAsset
protected <T> T registerAndCloneSmartAsset(AssetKey<T> key, T obj, AssetProcessor proc, AssetCache cache)
Clones the asset using the given processor and registers the clone with the cache.- Type Parameters:
T
- The asset type- Parameters:
key
- The asset keyobj
- The asset to clone / register, must implementCloneableSmartAsset
.proc
- The processor which will generate the clone, cannot be nullcache
- The cache to register the clone with, cannot be null.- Returns:
- The cloned asset, cannot be the same as the given asset since it is a clone.
- Throws:
java.lang.IllegalStateException
- If asset does not implementCloneableSmartAsset
, if the cache is null, or if the processor did not clone the asset.
-
loadAssetFromStream
public <T> T loadAssetFromStream(AssetKey<T> key, java.io.InputStream inputStream)
Description copied from interface:AssetManager
Load an asset from anInputStream
. In some cases it may be required to load an asset from memory or arbitrary streams so that registering a custom locator and key type is not necessary.- Specified by:
loadAssetFromStream
in interfaceAssetManager
- Type Parameters:
T
- The object type that will be loaded from the AssetKey instance.- Parameters:
key
- The AssetKey. Note that the asset will not be cached - following the same behavior as ifAssetKey.getCacheType()
returned null.inputStream
- The input stream from which the asset shall be loaded.- Returns:
- The loaded asset.
-
loadAsset
public <T> T loadAsset(AssetKey<T> key)
Description copied from interface:AssetManager
Load an asset from a key, the asset will be located by one of theAssetLocator
implementations provided in theAssetManager.registerLocator(java.lang.String, java.lang.Class)
call. If located successfully, it will be loaded via the appropriateAssetLoader
implementation based on the file's extension, as specified in the callAssetManager.registerLoader(java.lang.Class, java.lang.String[])
.- Specified by:
loadAsset
in interfaceAssetManager
- Type Parameters:
T
- The object type that will be loaded from the AssetKey instance.- Parameters:
key
- The AssetKey- Returns:
- The loaded asset.
-
loadAsset
public java.lang.Object loadAsset(java.lang.String name)
Description copied from interface:AssetManager
Load an asset by name, calling this method is the same as callingloadAsset(new AssetKey(name))
.- Specified by:
loadAsset
in interfaceAssetManager
- Parameters:
name
- The name of the asset to load.- Returns:
- The loaded asset, or null if failed to be loaded.
- See Also:
AssetManager.loadAsset(com.jme.asset.AssetKey)
-
loadTexture
public Texture loadTexture(TextureKey key)
Description copied from interface:AssetManager
Loads texture file, supported types are BMP, JPG, PNG, GIF, TGA, DDS, PFM, and HDR.- Specified by:
loadTexture
in interfaceAssetManager
- Parameters:
key
- TheTextureKey
to use for loading.- Returns:
- The loaded texture, or null if failed to be loaded.
- See Also:
AssetManager.loadAsset(com.jme.asset.AssetKey)
-
loadMaterial
public Material loadMaterial(java.lang.String name)
Description copied from interface:AssetManager
Load a material instance (J3M) file.- Specified by:
loadMaterial
in interfaceAssetManager
- Parameters:
name
- Asset name of the material to load- Returns:
- The material that was loaded
- See Also:
AssetManager.loadAsset(com.jme.asset.AssetKey)
-
loadTexture
public Texture loadTexture(java.lang.String name)
Description copied from interface:AssetManager
Loads texture file, supported types are BMP, JPG, PNG, GIF, TGA, DDS, PFM, and HDR. The texture will be loaded with mip-mapping enabled.- Specified by:
loadTexture
in interfaceAssetManager
- Parameters:
name
- The name of the texture to load.- Returns:
- The texture that was loaded
- See Also:
AssetManager.loadAsset(com.jme.asset.AssetKey)
-
loadAudio
public AudioData loadAudio(AudioKey key)
Description copied from interface:AssetManager
Load audio file, supported types are WAV or OGG.- Specified by:
loadAudio
in interfaceAssetManager
- Parameters:
key
- Asset key of the audio file to load- Returns:
- The audio data loaded
- See Also:
AssetManager.loadAsset(com.jme.asset.AssetKey)
-
loadAudio
public AudioData loadAudio(java.lang.String name)
Description copied from interface:AssetManager
Load audio file, supported types are WAV or OGG. The file is loaded without stream-mode.- Specified by:
loadAudio
in interfaceAssetManager
- Parameters:
name
- Asset name of the audio file to load- Returns:
- The audio data loaded
- See Also:
AssetManager.loadAsset(com.jme.asset.AssetKey)
-
loadFont
public BitmapFont loadFont(java.lang.String name)
Description copied from interface:AssetManager
Load a font file. Font files are in AngelCode text format, and are with the extension "fnt".- Specified by:
loadFont
in interfaceAssetManager
- Parameters:
name
- Asset name of the font to load- Returns:
- The font loaded
- See Also:
AssetManager.loadAsset(com.jme.asset.AssetKey)
-
loadModel
public Spatial loadModel(ModelKey key)
Description copied from interface:AssetManager
Loads a 3D model with a ModelKey. Models can be jME3 object files (J3O), OgreXML (mesh.xml), BLEND, FBX and OBJ files.- Specified by:
loadModel
in interfaceAssetManager
- Parameters:
key
- Asset key of the model to load- Returns:
- The model that was loaded
- See Also:
AssetManager.loadAsset(com.jme.asset.AssetKey)
-
loadModel
public Spatial loadModel(java.lang.String name)
Description copied from interface:AssetManager
Loads a 3D model. Models can be jME3 object files (J3O), OgreXML (mesh.xml), BLEND, FBX and OBJ files.- Specified by:
loadModel
in interfaceAssetManager
- Parameters:
name
- Asset name of the model to load- Returns:
- The model that was loaded
- See Also:
AssetManager.loadAsset(com.jme.asset.AssetKey)
-
loadFilter
public FilterPostProcessor loadFilter(FilterKey key)
Description copied from interface:AssetManager
Loads a filter *.j3f file with a FilterKey.- Specified by:
loadFilter
in interfaceAssetManager
- Parameters:
key
- Asset key of the filter file to load- Returns:
- The filter that was loaded
- See Also:
AssetManager.loadAsset(com.jme.asset.AssetKey)
-
loadFilter
public FilterPostProcessor loadFilter(java.lang.String name)
Description copied from interface:AssetManager
Loads a filter *.j3f file with a FilterKey.- Specified by:
loadFilter
in interfaceAssetManager
- Parameters:
name
- Asset name of the filter file to load- Returns:
- The filter that was loaded
- See Also:
AssetManager.loadAsset(com.jme.asset.AssetKey)
-
getShaderGenerator
public ShaderGenerator getShaderGenerator(java.util.EnumSet<Caps> caps)
Returns the shaderGenerator responsible for generating the shaders- Specified by:
getShaderGenerator
in interfaceAssetManager
- Returns:
- the shaderGenerator
-
setShaderGenerator
public void setShaderGenerator(ShaderGenerator shaderGenerator)
Sets the shaderGenerator to generate shaders based on shaderNodes.- Specified by:
setShaderGenerator
in interfaceAssetManager
- Parameters:
shaderGenerator
- the shaderGenerator
-
-


Image to use:
Canvas:
Your browser does not support the HTML5 canvas tag.
Your browser does not support the HTML5 canvas tag.
Your browser does not support the HTML5 canvas tag.
Your browser does not support the HTML5 canvas tag.
Your browser does not support the HTML5 canvas tag.


| Attribute | Data |
|---|---|
| First name | Data |
| Last name | Maria Anders |
| House number | Francisco Chang |
| Street | Roland Mendel |
| City | Helen Bennett |
| Province | Yoshi Tannamuri |
| Zipcode | Giovanni Rovelli |
| Phone number | Giovanni Rovelli |
| Cell phone number | Giovanni Rovelli |
| Birthday | Giovanni Rovelli |
| Citizenship | Giovanni Rovelli |
| Zodiac Sign | Giovanni Rovelli |
| Zodiac Year | Giovanni Rovelli |
| Birth Day of Week | Giovanni Rovelli |


Gene Finder Final
kailevy/gene_finder.py
Great Job! I have a few comments about some parts of your code below, but none were critical enough to really affect your grade. They are things you should keep in mind for the future that will cost you points. Also, for future reference, remember to comment your code where necessary.
# -*- coding: utf-8 -*-
"""
Created on Sun Feb 2 11:24:42 2014
@author: Kai Levy
"""
# you may find it useful to import these variables (although you are not required to use them)
from amino_acids import aa, codons, aa_table
import random
from load import load_seq
def shuffle_string(s):
""" Shuffles the characters in the input string
NOTE: this is a helper function, you do not have to modify this in any way """
return ''.join(random.sample(s,len(s)))
### YOU WILL START YOUR IMPLEMENTATION FROM HERE DOWN ##
def get_complement(nucleotide):
""" Returns the complementary nucleotide
nucleotide: a nucleotide (A, C, G, or T) represented as a string
returns: the complementary nucleotide
>>> get_complement('A')
'T'
>>> get_complement('C')
'G'
>>> get_complement('T')
'A'
>>> get_complement('G')
'C'
"""
opposite = {'A':'T','T':'A','C':'G','G':'C'}
return opposite[nucleotide]
def get_reverse_complement(dna):
""" Computes the reverse complementary sequence of DNA for the specfied DNA
sequence
dna: a DNA sequence represented as a string
returns: the reverse complementary DNA sequence represented as a string
>>> get_reverse_complement("ATGCCCGCTTT")
'AAAGCGGGCAT'
>>> get_reverse_complement("CCGCGTTCA")
'TGAACGCGG'
"""
dna_rev = dna[::-1]
rev = [get_complement(c) for c in dna_rev]
return ''.join(rev)
Doing it this way results in 2 loops throughout nucleotide because you use a list comprehension (1 loop) to get the complements and then you use join (which goes through rev again).
def rest_of_ORF(dna):
""" Takes a DNA sequence that is assumed to begin with a start codon and returns
the sequence up to but not including the first in frame stop codon. If there
is no in frame stop codon, returns the whole string.
dna: a DNA sequence
returns: the open reading frame represented as a string
>>> rest_of_ORF("ATGTGAA")
'ATG'
>>> rest_of_ORF("ATGAGATAGG")
'ATGAGA'
"""
stoppers = ['TAG','TAA','TGA']
rest = ''
for i in range(0,len(dna),3):
if (dna[i:i+3] in stoppers):
return rest
rest += dna[i:i+3]
return rest
def find_all_ORFs_oneframe(dna):
""" Finds all non-nested open reading frames in the given DNA sequence and returns
them as a list. This function should only find ORFs that are in the default
frame of the sequence (i.e. they start on indices that are multiples of 3).
By non-nested we mean that if an ORF occurs entirely within
another ORF, it should not be included in the returned list of ORFs.
dna: a DNA sequence
returns: a list of non-nested ORFs
>>> find_all_ORFs_oneframe("ATGCATGAATGTAGATAGATGTGCCC")
['ATGCATGAATGTAGA', 'ATGTGCCC']
>>> find_all_ORFs_oneframe("ATGCGAATGTAGCATCAAA")
['ATGCGAATG']
"""
start = 'ATG'
i = 0
orfs = []
while i < len(dna):
if dna[i:i+3] == start:
orf_temp = rest_of_ORF(dna[i:])
orfs.append(orf_temp)
i += len(orf_temp) - 3
i += 3
return orfs
You can use some comments here explaining what you're doing. (why do you - 3, what does i mean)
def find_all_ORFs(dna):
""" Finds all non-nested open reading frames in the given DNA sequence in all 3
possible frames and returns them as a list. By non-nested we mean that if an
ORF occurs entirely within another ORF and they are both in the same frame,
it should not be included in the returned list of ORFs.
dna: a DNA sequence
returns: a list of non-nested ORFs
>>> find_all_ORFs("ATGCATGAATGTAG")
['ATGCATGAATGTAG', 'ATGAATGTAG', 'ATG']
>>> find_all_ORFs("AATGCATGAATGTAG")
['ATG', 'ATGCATGAATGTAG', 'ATGAATGTAG']
"""
return find_all_ORFs_oneframe(dna) + find_all_ORFs_oneframe(dna[1:]) + find_all_ORFs_oneframe(dna[2:])
def find_all_ORFs_both_strands(dna):
""" Finds all non-nested open reading frames in the given DNA sequence on both
strands.
dna: a DNA sequence
returns: a list of non-nested ORFs
>>> find_all_ORFs_both_strands("ATGCGAATGTAGCATCAAA")
['ATGCGAATG', 'ATGCTACATTCGCAT']
"""
return find_all_ORFs(dna) + find_all_ORFs(get_reverse_complement(dna))
def longest_ORF(dna):
""" Finds the longest ORF on both strands of the specified DNA and returns it
as a string
>>> longest_ORF("ATGCGAATGTAGCATCAAA")
'ATGCTACATTCGCAT'
"""
all_ORFs = find_all_ORFs_both_strands(dna)
if len(all_ORFs):
return max(all_ORFs, key=len)
def longest_ORF_noncoding(dna, num_trials):
""" Computes the maximum length of the longest ORF over num_trials shuffles
of the specfied DNA sequence
dna: a DNA sequence
num_trials: the number of random shuffles
returns: the maximum length longest ORF """
longestOrfs = []
for i in range(num_trials):
longestOrfs.append(longest_ORF(shuffle_string(dna)))
return len(max(longestOrfs, key = len))
def coding_strand_to_AA(dna):
""" Computes the Protein encoded by a sequence of DNA. This function
does not check for start and stop codons (it assumes that the input
DNA sequence represents an protein coding region).
dna: a DNA sequence represented as a string
returns: a string containing the sequence of amino acids encoded by the
the input DNA fragment
>>> coding_strand_to_AA("ATGCGA")
'MR'
>>> coding_strand_to_AA("ATGCCCGCTTT")
'MPA'
>>> coding_strand_to_AA("ATGCGAATGTAGCATCAAA")
'MRM|HQ'
"""
aa = [aa_table[dna[i:i+3]] for i in range(0,len(dna)-2,3)]
return ''.join(aa)
Doing it this way results in 2 loops throughout nucleotide because you use a list comprehension (1 loop) to get the complements and then you use join (which goes through aa again).
def gene_finder(dna):
""" Returns the amino acid sequences that are likely coded by the specified dna
dna: a DNA sequence
returns: a list of all amino acid sequences coded by the sequence dna.
"""
thresh = longest_ORF_noncoding(dna,1500)
orfs = [s for s in find_all_ORFs_both_strands(dna) if len(s) > thresh]
return [coding_strand_to_AA(s) for s in orfs]
if __name__ == "__main__":
fname = 'salmonella2.txt'
dna = load_seq("./data/X73525.fa")
with open(fname,'w') as fout:
for s in gene_finder(dna):
fout.write(s + '\n')
# import doctest
# doctest.testmod()


Favorite Fruit
Rank
Name
Color
Size & Vote
1st Favorite
Apple
Red
Medium
500
2nd Favorite
Orange
Orange
Large
450
2nd Favorite
Cherry
red
Small
40


MachineDriver Class
Definition
Line
92
of
cmsx/Main.cm
Constructors & Destructor
public
MachineDriver
(
Machine
& machine_)
public
~MachineDriver
()
Member Functions
public
void
RunThread
()
Member Variables
private
Machine
&
machine
private
Thread
machineThread
Constructor& Destructor Details
MachineDriver Constructor
public
MachineDriver(
Machine
& machine_)
Definition
Line
94
of
cmsx/Main.cm
~MachineDriver Destructor
public
~MachineDriver()
Definition
Line
101
of
cmsx/Main.cm
Member Function Details
RunThread Member Function
public
void
RunThread()
Definition
Line
97
of
cmsx/Main.cm


Introduction to Org Mode for ESS users
part of the ESS intro series
1 Org Mode
"If Emacs is the distribution, Org Mode is the entire desktop environment one runs on top of it."
Emacs Org Mode is an outline-structured, plain text, file format and backing software that allows you to (among many other things)
- markup text via asteriskizing,
equalizing
,plusizing, slashizing,tildeizing
, underscorizing, etc. - export a file, or a subtree of it, as, e.g., an .html or .pdf file
- take notes
- create agendas (items with date elements)
- organize your LIFE!
- do calculations – good support for math, LaTeX, etc.
- table support for storing information (including support for formulae)
2 Babel – Org Mode support for programming
One can write source code in "source blocks". Source blocks have the following attributes:
- a name (optional)
- source code, one language per source block (though, if desired, multiple languages per file)
- "header arguments", parameters which define how a source block interacts with its environment
3 "To a source block", you can
- evaluate it (
[C-c C-c]
1) to produce results, which, in turn, may be used as input to another source block. NB: there are security issues here: you will need to customize the Emacs variableorg-babel-load-languages
, and you will be prompted each time before a code block is evaluated - export (
[C-c C-e]
) the code, its results, or both, with other parts of the .org file, into a .html, .pdf, or other format file - tangle it (
[C-c C-v t]
), that is, write the source code itself into a separate file, that might be used as input to a compilation or some other packaging step, or be a stand alone script (Rscript
, say). - edit it, either in place in the Org buffer, or "stand alone" in an
OrgSrc buffer (
[C-c ']
1), with the major mode set to that of the language (so, for R,ESS[R]
).
4 R source blocks
In particular, one can have a source block with R code
#+begin_src R :results value "here, the last value executed is the result" #+end_src #+begin_src R :results output cat("here, the output is the result\n") #+end_src
To evaluate a source block, type [C-c C-c]
or [C-c C-v e]
.
To edit this source block in an OrgSrc buffer with major mode
ESS[R]
, type [C-c ']
. To close the OrgSrc buffer and return to
the Org buffer, type [C-c ']
again.
5 Header arguments
- :noweb
- allows code from another place in the org file to be inserted at a point in the current org file when evaluating or exporting.
- :var
- allows results of other computations in an org file to be used as input to this source block
- :results
- defines how results are collected after evaluation of the source block, and how (or whether) they are inserted into the org buffer
- :session
- outlined on next slide
- :tangle
- name of file to which to tangle the contents of this source block
6 :session
header argument
- Normally, Org Mode evaluates a source block by forking a new R subprocess, passing it the code (and any variables to be used as input), letting the code run, capturing the results, and then disposing of the R subprocess. This ensures that code runs in a fresh environment.
- Often, especially when doing statistical analysis, we would like to build up state over time, by executing various code blocks, and/or by poking in the environment.
- Also, we may want to debug our code in a convenient way.
The :session
header argument causes evaluation of a source block to
take place in a long-running inferior ESS (iESS
) process; all source
code blocks with the same :session
name run in the same iESS
process.
7 A style of working
In Emacs, I find that I flit between three buffers:
- the .org file
- often doing minor in-line edits in a source block
- an OrgSrc edit buffer
- for more major edits (and get font lock, etc.)
- these buffers come and go, as needed
- the R
:session
buffer to- run code
- examine state
- debug as needed
8 Other resources
- the official Quick Start guide, a very good introduction to Org Mode
- the Org Mode web page
- the Org Mode worg site (you may find it useful to take a linear stroll through the worg site map)
- the other presentations in this ESS intro series
- the beamer slides for this tutorial are here (html)
- a .org file for experimenting (an HTML version here and a PDF one here)
9 Tutorials, Videos
There are some nice tutorials:
- a somewhat older one is from Erik Iverson, org-mode-R-tutorial.org
- a more recent one from Vikas Rawal, orgpapers.org
And, some videos, including:
- Rainer König's screencasts about Org Mode (also available as a course on Udemy)
- DT ("Distro Tube"?) has yet another introductory video.
10 Farewell
Thank you for "attending" this tutorial. I hope it has given you a sense of Org Mode. This has been more of a teaser than an exhaustive introduction, but the resources listed above should be enough to ease you into using R with Org Mode.
Footnotes:
with point
in the source
block


|
|||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | ||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
java.lang.Object org.jnetpcap.PcapDumper
public class PcapDumper
Class peered with native pcap_dumper
structure. A dumper that
allows a previously opened pcap session to be dumped to a "savefile" which is
a file containing captured packets in pcap file format. To get an object of
type PcapDumper, use method Pcap.dumpOpen
.
| Constructor Summary | |
|---|---|
PcapDumper()
|
| Method Summary | |
|---|---|
void |
close()
Closes a savefile. |
void |
dump(JCaptureHeader hdr,
java.nio.ByteBuffer packet)
Outputs a packet to the "savefile" opened with dumpOpen . |
void |
dump(JCaptureHeader hdr,
JBuffer packet)
Outputs a packet to the "savefile" opened with dumpOpen . |
void |
dump(JPacket packet)
Writes the JMemoryPacket to 'savefile' |
void |
dump(long seconds,
int useconds,
int wirelen,
byte[] packet)
Writes entire byte array to 'savefile' |
void |
dump(long seconds,
int useconds,
int wirelen,
byte[] packet,
int offset,
int length)
Writes portion of the byte array to 'savefile'. |
void |
dump(long seconds,
int useconds,
int wirelen,
java.nio.ByteBuffer packet)
Writes packet data between position and limit properties to 'savefile' |
void |
dump(long seconds,
int useconds,
int caplen,
int wirelen,
java.nio.ByteBuffer packet)
Deprecated. This method ignores position and limit properties, use dump(long, int, int, ByteBuffer) instead |
void |
dump(long seconds,
int useconds,
int wirelen,
JBuffer packet)
Writes entire contents of the buffer to 'savefile'. |
void |
dump(long seconds,
int useconds,
int wirelen,
JBuffer packet,
int offset,
int length)
Writes a portion of the packet buffer to 'savefile' |
void |
dump(PcapPktHdr hdr,
java.nio.ByteBuffer packet)
Deprecated. use of PcapPktHdr has been replaced by PcapHeader |
int |
flush()
Flushes the output buffer to the "savefile", so that any packets written with Pcap.dump but not yet written to the "savefile" will be
written. |
long |
ftell()
Returns the current file position for the "savefile", representing the number of bytes written by Pcap.dumpOpen and
Pcap.dump . |
| Methods inherited from class java.lang.Object |
|---|
clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Constructor Detail |
|---|
public PcapDumper()
| Method Detail |
|---|
public void close()
public void dump(JPacket packet)
packet
- any type of packetpublic void dump(long seconds, int useconds, int wirelen, byte[] packet)
seconds
- timestamp in secondsuseconds
- fraction of second in micro-secondswirelen
- original length of the packet as if seen on the wirepacket
- packet bufferpublic void dump(long seconds, int useconds, int wirelen, byte[] packet, int offset, int length)
seconds
- timestamp in secondsuseconds
- fraction of second in micro-secondswirelen
- original length of the packet as if seen on the wirepacket
- packet bufferoffset
- offset into packet bufferlength
- number of bytes to writepublic void dump(long seconds, int useconds, int caplen, int wirelen, java.nio.ByteBuffer packet)
dump(long, int, int, ByteBuffer)
instead
dumpOpen
.
Note that the calling arguments are suitable for use with dipstach() or
loop(). This a convenience method, which takes the parameters of
PcapPkthdr class directly. This method ignores position and limit
properties of the ByteBuffer.
seconds
- timestamp in secondsuseconds
- timestamp fraction in microsecondscaplen
- how much was capturedwirelen
- actual packet length on wirepacket
- packet bufferpublic void dump(long seconds, int useconds, int wirelen, java.nio.ByteBuffer packet)
seconds
- timestamp in secondsuseconds
- timestamp fraction in microsecondswirelen
- original length of the packet as if seen on the wirepacket
- packet bufferpublic void dump(long seconds, int useconds, int wirelen, JBuffer packet)
seconds
- timestamp in secondsuseconds
- timestamp fraction in microsecondswirelen
- original length of the packet as if seen on the wirepacket
- packet bufferpublic void dump(long seconds, int useconds, int wirelen, JBuffer packet, int offset, int length)
seconds
- timestamp in secondsuseconds
- timestamp fraction in microsecondswirelen
- original length of the packet as if seen on the wirepacket
- packet bufferoffset
- offset into packet bufferlength
- number of bytes to writepublic void dump(JCaptureHeader hdr, java.nio.ByteBuffer packet)
dumpOpen
.
Note that the calling arguments are suitable for use with dipstach() or
loop().
hdr
- any capture headerpacket
- packet bufferpublic void dump(JCaptureHeader hdr, JBuffer packet)
dumpOpen
.
Note that the calling arguments are suitable for use with dipstach() or
loop().
hdr
- any capture headerpacket
- packet buffer@Deprecated public void dump(PcapPktHdr hdr, java.nio.ByteBuffer packet)
dumpOpen
.
Note that the calling arguments are suitable for use with dipstach() or
loop().
hdr
- pcap capture headerpacket
- packet bufferPcapHeader
public int flush()
Pcap.dump
but not yet written to the "savefile" will be
written.
public long ftell()
Pcap.dumpOpen
and
Pcap.dump
.
|
|||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | ||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |


{% load projects %} {% load avatar_tags %} {% load activity %} {% with staffing_request.proposed_staff.count as proposed_staff %}
{{ staffing_request.description }}


Bug summary:
Attempting to duplicate a plant makes the tracker crash.
Observed Behavior (a description of what happened with the app):
The behavior leading up to duplicating the plant is as expected and works without issues. When I press the duplicate button, a popup appears with the message "Tracker has stopped" and I'm given the option to re-open the app. When I reopen the app the plant that I created is still there, but there is no duplicate as requested.
Expected Behavior (a description of what you expected to happen):
Instead of crashing, I expect the app to create an identical copy of the plant that a user selects; with the same details, dates, information, and images. I also expect the app to do this without crashing or requiring a restart.
Steps to Reproduce (the steps to reproduce the problem):
1. On the main menu, click the red + button on the bottom right.
2. Add relevant plant information and select the tick button on the top left of the screen
3. click on your newly created plant. After clicking to the plant, click on the menu button on the right of the "Plant Details" header.
4. Select the duplicate button from the menu that appears
5. At this point, an error message prompting the user to re-open the app should appear, and the app crashes in the background
Additional information:
Attachments:


Default
Default
Wrap label this label just goes on and on and on
Fixed
Floating
Stacked
Colors
Primary
Secondary
Tertiary
Success
Warning
Danger
Light
Medium
Dark
Custom


List
A list component with optional header and support for aligning items to any end.
Use the provided classes or take control of the entire content.
{{#example}}
{{#example-tabset}}
{{#example-tab "default"}}Default{{/example-tab}}
{{#example-tab "inverse"}}Inverse{{/example-tab}}
{{/example-tabset}}
{{#example-tab-content "default"}}
-
This item has a text
-
This item has an icon and text
-
This item has text and an icon to the side
-
This item is active
-
This is a disabled item
-
{{/example-tab-content}}
{{#example-tab-content "inverse"}}
-
This item has a text
-
This item has an icon and text
-
This item has text and an icon to the side
-
This item is active
-
This is a disabled item
-
{{/example-tab-content}}
{{/example}}


IN THE HIGH COURT OF KERALA AT ERNAKULAM PRESENT: THE HONOURABLE MR.JUSTICE T.R.RAMACHANDRAN NAIR TUESDAY, THE 30TH DAY OF OCTOBER 2012/8TH KARTHIKA 1934 WP(C).No. 24464 of 2012 (G) --------------------------- PETITIONER: ---------- KENT CONSTRUCTIONS PVT.LTD 1ST FLOOR KENT HAIL GARDEN, STADIUM LINK ROAD, PALARIVATTOM P.O, ERNAKULAM, COCHIN 682 025, REPRESENTED BY ITS MANAGING DIRECTOR BY ADVS.SRI.V.M.KURIAN SRI.MATHEW B. KURIAN SRI.K.T.THOMAS RESPONDENTS: ----------- 1. CORPORATION OF KOCHI EAST ZONAL OFFICE, VYTTILA, KOCHI 19, REPRESENTED BY ITS SECRETARY 2. CHIEF ENVIRONMENTAL ENGINEER, KERALA STATE POLLOUTION CONTROL BOARD, KADAVANTHRA, KOCHI 682 020 R1 BY ADVS.SRI.K.ANAND, SC, COCHIN CORPORATION SRI.P.K.SOYUZ,SC,COCHIN CORPORATION R2 BY SRI.  COPY OF THE BUILDING PERMIT DATED 16.11.2005 ISSUED BY THE 1ST RESPONDENT. EXT.2. COPY OF OCCUPANCY CERTIFICATE DATED 22.1.2010. EXT.P3. COPY OF PHOTOGRAPH of the COMPLETED BUILDING EXT.P4. COPY OF THE APPLICATION SUBMITTED BEFORE THE 2ND RESPONDENT FOR CONSENT TO ESTABLISH EXT.P5. COPY OF RECEIPT DATED 11.06.2007 FOR REMITTING FEE OF RS.50,000/- EXT.P6 COPY OF THE CONSENT TO ESTABLISH DATED 01.01.2009 ISSUED BY THE 2ND RESPONDENT. EXT.P7. COPY OF THE APPLICATION FOR CONSENT TO OPERATE SUBMITTED BY THE PETITIONER. EXT.P8. COPY OF THE RECEIPT DATED 11.05.2010 FOR PAYMENT OF FEE OF RS.5,20,000/- EXT.P9. COPY OF ONE OF THE REMINDER REQUEST DATED 30.1.2012 SUBMITTED BY THE PETITIONER BEFORE THE 2ND RESPONDENT. RESPONDENT'S EXHBITS : NIL ---------------------- / TRUE COPY / P.A. TO JUDGE VK T.R. RAMACHANDRAN NAIR, J. ~~~~~~~~~~~~~~~~~~~~~~~~~~~ W.P.(C). No.24464/2012-G ~~~~~~~~~~~~~~~~~~~~~~~~~~~ Dated this the 30th day of October, 2012 J U D G M E N T
The petitioner is seeking for a direction to issue consent to operate under Section 25 of the Water (Prevention & Control of Pollution) Act, 1974 and Section 21 of the Air (Prevention & Control of Pollution) Act, 1981 to the petitioner. The petitioner is a Private Limited Company engaged in the business of property development. A building permit has been sought for construction of a multi-storied apartment consisting of 136 apartments known as 'Kent Glass House'. True copy of the building permit has been produced as Ext.P1. It is stated that the construction has already been completed as per the approved plan. Ext.P2 is the copy of the occupancy certificate issued by the first respondent-Corporation. The building has been numbered and the property tax assessment is also over.
2. Heard the learned Standing Counsel for first and second respondents. It is submitted by the learned Standing Counsel for the second respondent that a decision will be taken which will be communicated to the petitioner within a period of three weeks. The same is recorded and the writ petition is, accordingly, disposed of. No costs.
Sd/-
(T.R. Ramachandran Nair, Judge.) ms


Lewis Capaldi pulls some interesting faces as he arrives for Royal Variety show
Lewis Capaldi might have been one of the acts performing at the Royal Variety Performance this year, but entertaining the crowd started long before he took to the stage.
The singer, 23, was seen pulling some rather interesting faces as he arrived at the London Palladium ahead of the big night.
Lewis appeared to be blinded by the camera flashes as he made his way into the venue, gesticulating wildly for the photographers.
The performance was recorded on Monday evening, but will be shown on television in December, and is always a star-studded affair.
As well as Lewis’s performance, other stars taking the stage on the night included Britain’s Got Talent winner Colin Thackery and Frank Skinner, as well as Rod Stewart who had to pull out at the last minute due to a throat infection.
The event is always attended by a royal or two, and this year saw Prince William and Kate Middleton attend for the third time.
Advertisement Advertisement
The Daily Mail reports that the couple told Lewis they ‘love’ his music, to which he added: ‘I mean they might have been lying, but they seemed genuine. The Duke also told me that I could talk for Britain.’
The event is in aid of the Royal Variety Charity, also known as The Entertainment Artistes’ Benevolent Fund, which Queen Elizabeth is a patron of.
The money raised from the annual show helps entertainers throughout the UK who need assistance as a result of old age, ill-health or hardship.
The Royal Variety performance has been held annually since 1912, and the winner of Britain’s Got Talent is awarded a slot to perform every year since 2007 as part of their prize.
This year’s show, which was hosted by Romesh Ranganathan and Rob Beckett, will be broadcast in December, with the date to be announced.
Got a showbiz story?
If you've got a story, video or pictures get in touch with the Metro.co.uk Entertainment team by emailing us<EMAIL_ADDRESS>calling 020 3615 2145 or by visiting our Submit Stuff page - we'd love to hear from you.


DESIGN TO WEB BLOG
There are so many different screen sizes to view websites these days. These different devices and their corresponding screen sizes effect how the same website is interacted with on these different devices. For example, how scroll bars work, how images are viewed, how buttons and tabs are interacted in. If a website is not responsive, it may look good on a large screen, such as desktop, but a total mess on a tablet. This is why a website must be responsive.
Why is Mobile First Design Important.
Its important because alot of websites and applications these days are viewed on mobile phones. Developing your website for mobile phones first, allows you to scale up the user experience for larger screens, instead of the other way around. It just makes it easier. You also can make effective decisions on content and other features. You can also prioritise what is the most important content of your website, so that it appears on top in your design.
What Are Responsive Frameworks
Frameworks are website pre-built website structures that utilise the Grid Framework method to assist developers build 12 - 16 columns and so forth websites. It frees the designer to concentrate on placing elements and content of the the websites, it also takes care of the website being viewed on different browsers, and styling and typography are standardised.
However, sometimes you are stuck with some of the structure/code of the framework and may not suit your needs, so you would have to bit more work on the structure of your site.
What Is Wireframe in Website Design Process
Wireframes are sketches - either done freehand or with a software such as photoshop, which outline the elements and positions of elements of a website and its pages. A graphical representation of the website before it is coded and becomes a website.
How to Use A Wireframe
After you sketch the design of your website, you use this as a template to guide the design of your website. It keeps your attention focused on the initial design you wanted, avoiding feature creep and time extensions.
My Website Wireframes for both sites
Wireframe Index - Desktop & Mobile jaivepng.github.io
Wireframe blog - Desktop & Mobile jaivepng.github.io
Wireframe Index - Desktop & Mobile squadpng.github.io
The Hardest Parts for Me
I struggled with media queries and responsive framework. My code is also still very messy. I found the build part of the website quite a struggle. But I eventually got there.


This content is accessible by Assistive Technology and Screen Readers only when the collapsible area is visible to the user.
This link is also accessible only when the collapsible area is visible.These controls are accessible for interaction by Assistive Technology and Screen Readers only when the collapsible area is visible to the user.
This content is accessible by Assistive Technology and Screen Readers only when the collapsible area is visible to the user.
This link is also accessible only when the collapsible area is visible.These controls are accessible for interaction by Assistive Technology and Screen Readers only when the collapsible area is visible to the user.
This content is accessible by Assistive Technology and Screen Readers only when the collapsible area is visible to the user.
This link is also accessible only when the collapsible area is visible.These controls are accessible for interaction by Assistive Technology and Screen Readers only when the collapsible area is visible to the user.
This content is accessible by Assistive Technology and Screen Readers only when the collapsible area is visible to the user.
This link is also accessible only when the collapsible area is visible.These controls are accessible for interaction by Assistive Technology and Screen Readers only when the collapsible area is visible to the user.

Header #1

First row content

Header #2

Second row content

Header #3

Third row content

var myaccordion = new A11yAccordion({
parentSelector: '#accordion1'
});
parentSelector - selector for the parent container which has an accordion markup
speed - speed of animation
hiddenLinkDescription - description for every Show/Hide link for users who use Assistive technology (AT)
showSearch - boolean option which will tell accordion to render search options
showOne - boolean option which represents if accordion can uncollapse only 1 row to the user
overallSearch - boolean option which will tell search to look not only in headers but within collapsed areas as well
searchActionType - "hide" or "collapse". Hide option hides/shows rows based on the search results. Collapse option collapses/uncollapses rows
onAreaShow - custom callback which will be called after making visible an accordion's area. Argument is jQuery DOM element for an area to become shown
onAreaHide - user defined callback which will be called after hiding an accordion's area. Argument is jQuery DOM element for an area to become hidden
Function which will hide hidden area in the row with index = rowIndex
Function which will show hidden area in the row with index = rowIndex
Function which will hide or show hidden area in the row with index = rowIndex depending on its previous state
Function which will return a jQuery row element with index = rowIndex
Boolean value which will make accordion to show only 1 uncollapsed row at a time to the user if true
JQuery element which contains DOM markup of the a11yAccordion
This content is accessible by Assistive Technology and Screen Readers only when the collapsible area is visible to the user.
This link is also accessible only when the collapsible area is visible.This content is accessible by Assistive Technology and Screen Readers only when the collapsible area is visible to the user.
This link is also accessible only when the collapsible area is visible.These controls are accessible for interaction by Assistive Technology and Screen Readers only when the collapsible area is visible to the user.
These controls are accessible for interaction by Assistive Technology and Screen Readers only when the collapsible area is visible to the user.


Heart Rate Monitor
Heart rate limit:
Measuring...
Set heart rate limit.
HRM Info
Try again. Clean the sensor, then attach Gear snugly to top or under side of wrist, not against the bone. Be still and quiet.


Kristen Bell Explains The Real Meaning Of ‘Let It Go’ In Hilarious Hollywood Walk Of Fame Induction Speech
by Brent FurdykTuesday marked a big day for Kristen Bell and Idina Menzel, with the “Frozen” co-stars each awarded their own star on the Hollywood Walk of Fame.
In the joint ceremony, each woman unveiled her respective star and delivered a speech, with Bell using hers to joke about the seediness of Hollywood Boulevard.
“I am so grateful to be accepting this honour today on these hallowed streets where Pretty Woman sold her body for money,” she quipped. “It’s really a dream!”
Shifting between comedy and sentimentality, Bell reflected on her career and thanked her parents (who were in attendance) and husband Dax Shepard (who wasn’t) for their support.
Bell also shared some advice she received from Cher, which she now refers to as “the Cher test.” As she recalled, the Oscar-winning icon once told her, “If it doesn’t matter in five years, it doesn’t matter.”
Of course, Bell couldn’t resist the opportunity to make a “Frozen” joke, revealing the true meaning behind the film’s signature song.
“This star will really only know its true value when, inevitably, someone is mugged in that very spot, and as they clutch their purse the assailant screams, ‘Let it go!’  “Only then will I know that I’ve truly made it.”


Caption 1: put anything you want in the caption. Note that there is a link in the image
Caption 2: put anything you want in the caption. Note that there is a link in the image
Caption 3: put anything you want in the caption. Note that there is a link in the image
Caption 4: put anything you want in the caption. Note that there is a link in the image
Caption 5: put anything you want in the caption. Note that there is a link in the image
1
2
3
4
5
remove panel:
1
2
3
4
5
Parameters:
Fade
Move
slideIn
slideOut
Directions:
Left
Top
Right
Bottom
Parameters:
Axis
horizontal
vertical
Random:
No
Yes
Duration (ms)
Tab demo, using the Random plugin.
Feel free to use and/or modify.
Twitter
|
Blog


I have been doing LSD almost monthly since I moved to Austin in February. The LSD I got there was amazing. 1 hit had me in logic spirals that would loop over a period of an hour, then repeat hourly until my trip ceased. It was amazingly potent. In one case, I remembered driving to a retail store because the setting created by my apartment bored me. Along the way, crayons began drawing everything that came into my field of vision - the road, street lights, signs. Anything that I saw was first 'drawn' by these crayons, which were vertical beams that traced around everything.
[Erowid Note: Driving while intoxicated or tripping is dangerous and irresponsible because it endangers other people. Don't do it!]
When I went back to Dallas, I took a few of these hits with me. The Saturday I got back I decided to haunt a Nightclub I had frequented when I lived in Dallas. It was a rave-setting and when I got there, all my best friends were there. I distributed the liquid-on-sweettart hits to my friends asking nothing but the base compensation I had invested into the LSD. One of my friends told me he didn't have money, but had a bartering chip, some new research chemical called 2C-I. I had never heard of it, save for passing reference in conversation. I knew absolutely nothing about it, but was in an experimental, and somewhat wreckless mood.
I traded some of the 2C-I for acid, and bought an ecstasy tab. I took my remaining three hits of this wonderful acid, took the 2C-I pill, and swallowed the X.
The one thing I have known since I began doing acid is that Cannabis (having psychedelic properties of it's own) intensifies any kind of psychotropic experience. That being said, I always had at least 10 - 20 grams of regular schwag onhand to add to the experience.
My friend (who I will call K) and I found a deserted corner of the club and lit up at least 4 bowls before almost being discovered by the establishment's staff, and decided to return to the fray. Soon after, my roll hit me. I felt the euphoric, anti-gravitational effects of the ecstasy, and sat down. The heavy techno music only intensified my out-of-head state of mind. I had completely forgotten about the acid, and 2C-I, which is the best way to go about doing acid.
Apparently, as an experiment, the club owner was allowing train-traffic to traverse through his club because one hit me dead on. I blacked out for a good few seconds on the couch, then managed to stand up. K was only on LSD and asked me if I was alright. I couldn't even manage the basics of human communication and simply looked at him with a dazed look. He and one of my good friends who was also a security guard led me to the bathroom where I vomitted.
They led me back to a couch, where I handed over my car-keys to K. An hour or so later, the club closed and we all left to go to a friend's place. At one point, I swear on everything I hold with any value, that I saw a stop-sign speaking conspiriatorily to a fire-hydrant, only to stand upright when it realized our vehicle was approaching. Upon arriving, I had to be led once again, into the apartment. Along the way, the sidewalk was lined with robed people who taunted me with their voices. I was starting to have a bad trip and I never have bad trips. When I got inside, everything was moving in amazing ways I only had ever dreamt of a trip more lucid and whole than anything that had ever happened to me. Non-existant people walked in and out of the room, and said things to me I was too confused to reply to.
When the initial blast of the trip had subsided, I made my way onto the balcony of the apartment. Looking into the sky, I saw my reflection and suddenly felt as though I was trapped in a giant drop of water.  They gave off an angry aura so I ran inside. When I did, my field of vision moved to the side with the floor-to-ceiling blinds and a black void was behind them, but when I stepped through everything righted itself, then turned upside down. I fell onto a chair and sat there for at least another hour.
The last significant event of the trip happened when I went outside and my friend K and I climbed a tree. From the tree we tripped out on how the building was patterning, and rearranging. We were in the tree for at least fifteen minutes before we realized it was a mesquite tree with thorns. We escaped with our lives however. The rest of a night is a blur (as if the rest wasn't?) that I cannot remember. I just know I slept near on 20 hours, and when I woke up, I only had that groggy acid-hangover.
It was inexplicably intense, but a good experience overall. One of my best trips.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


WWE Smackdown Results: Highlights, Grades, And Takeaways From November 15
by Brian MaziqueThe WWE was at the Wells Fargo Arena in Philadelphia on Friday for Smackdown, and fans were served a hit-and-miss episode as we head into Survivor Series week. The NXT Invasion continued, which was good, but there were some other less entertaining segments. We did see the new-look Universal title which has been branded with a blue strap for Smackdown.
Here are my takeaways from Friday’s episode.
Corbin vs. Roman Reigns Is Boring And Uninspired
WWE seems to be afraid to elevate Roman Reigns back to a Universal Championship level. Prior to his cancer diagnosis and absence, fans were pelting him with boos on sight and completely no-selling any concept that saw the Big Dog in a title hunt.
He is over once again as a face, and as popular as ever with the younger demographic. However, the promotion is being extremely careful with his booking. He’s enthralled with a feud with Baron Corbin and quite honestly, it’s not very interesting.
Corbin, Dolph Ziggler and Robert Roode taunted Reigns with insults and paraded out someone in a dog costume to mock the former Shield member. It was pretty corny and only good for a smirk, at best.
Here is to hoping this whole thing is over soon and Reigns can be included in something a little less safe and a lot more entertaining.
Grade: C-
Mustapha Ali and Shorty G Put On Solid Match With Dolph Ziggler and Robert Roode
There were too many strong workers in this tag-team match to produce poor action. The two tag teams delivered a solid match as it gave WWE a reason to parade Reigns to the ring to confront his current rival.
Were it not for the in-ring work, this might have been just another ho-hum segment in the aforementioned feud.
Grade: B-
Braun Strowman is Still in a World of Nonsensical Angles
I’ve said this before, and every time Braun Strowman is included in something silly, I’ll say it again: he is one of the most inappropriately utilized talents to come through the WWE’s ranks in a long while.
The Monster Among Men beat up Drew Gulak, and The B-Team before we were all spared more silliness. Strowman’s best years are going to waste.
Grade: D
Excellent Invasion Segment
The Undisputed Era interrupted the New Day’s Smackdown Tag-Team title defense against The Revival. Normally that would be a concept I hated, but the NXT Invasion is the best thing smoking for WWE at the moment, and UE is money on screen.
The attack led to the emptying of the Smackdown locker room and continues to add strong layers to the upcoming Survivor Series pay-per-view.
Grade: B+
Heavy Machinery Needs Something That Matters
I really like Heavy Machinery and I feel they are worthy of a legitimate run as tag-team champions. Therefore, it is hard to accept matches between the beefy duo and a pair of enhancement talents by the names of Kip Stevens and Kevin Timms.
Heavy Machinery squashed the two guys and I wish I’d have gone to the refrigerator on this segment.
Grade: C-
Rhea Ripley is a Superstar
The match began as a battle between Nikki Cross and Bayley, but it morphed into a Smackdown vs. NXT extravaganza. There were solid talents throughout this 8-woman tag match, but I couldn’t take my eyes off Rhea Ripley. She’s like the female version of Drew McIntyre, only with a touch more natural magnetism.
Ripley is the kind of presence who could dwarf most other female stars physically and as it pertains to presence. Nikki Cross got the win for the Blue brand, but that didn’t take the shine away from the segment’s truest star.
Grade: B-
Daniel Bryan and Bray Wyatt Work Some Magic
I love when there is a feud and heat that actually makes sense. Why would WWE Universal Champion Bray Wyatt target Daniel Bryan for an attack last week? It’s simple, he is seeking revenge for Bryan’s less than genuine stint with the Wyatt Family back in 2014.
That’s as strong of a motivation as you’ll find in the world of professional wrestling. The two men delivered excellent energy as part of an episode of Miz TV. Bray accepted Bryan’s challenge for the Universal title for Survivor Series.
Grade: B+
Show Grade: C
Stay tuned for more WWE coverage next week when Raw’s going home precedes NXT and the highly anticipated WWE Backstage with the return of CM Punk.


The GitHub Diff Explorer collects the titles of files and folders included in pull requests. It only does this temporarily when creating the necessary visual elements. This information is not persisted or stored anywhere. It does not collect, store, or manage any other information.
The GitHub Diff Explorer uses the titles of the files and folders located in a pull request to generate any interactive components the add-on uses. It does not use information in any other way.
The GitHub Diff Explorer does not share your information.


CAN'T-PUT-DOWN
THE RED VIOLIN Directed by Francois Girard Screenplay by Girard & Don McKellar With Samuel L. Jackson, Greta Scacchi Not Rated 130 min.
"The Red Violin" does for the violin what "Babette's Feast" did for food. It draws you in with such visual beauty and extravagant lushness that you lose yourself in the sheer sensual pleasure of it, even when -- unlike "Babette's Feast" -- it spirals over the top into Ken Russell territory. "The Red Violin" is like a can't-put-down bestseller, enthralling even through its moments of guilty pleasure.
In a 17th century workshop, a master violin-maker (Carlo Cecchi) crafts his masterpiece: a near-perfect instrument, which he will give as a gift to the son he is expecting. His very pregnant wife (Irene Grazioli) sits in the kitchen of her home and listens to a tarot reading from her cook. The future the old woman tells is puzzling, full of travel, adventure, romance, and danger. As the movie spins on, it quickly becomes apparent that some astral wires got crossed; the predictions aren't for the woman, but the violin.
The film, written by director Francois Girard and actor Don McKellar (who previously collaborated, along with cinematographer Alain Dostie, on "32 Short Films About Glenn Gould"), uses as a frame a Montreal auction house's sale of the legendary Red Violin, so named for its unusual reddish varnish. This lost treasure has been recently rediscovered and authenticated by American expert Charles Morritz (Samuel L. Jackson). As the dark-hued instrument hesitantly swings into view on its auction house panel and tension mounts with the bidding, the story keeps reaching back to a succession of owners -- an Austrian monastery, a Viennese child prodigy (6-year-old Christoph Koncz ), a band of gypsies, a 19th century British virtuoso (Jason Flemyng) and his passionate mistress (Greta Scacchi, naked again!) Then it's off to the Mysterious East for this tough little number, where it languishes in a pawnshop, survives China's Cultural Revolution, and finally makes its way to our auction in a consignment of decadent Western instruments put on the block to raise a little decadent Western currency for the People's Republic.
There are, to be sure, moments of cheesy excess at which you can only grin -- Flemyng lying nude and stroking the neck of the instrument protruding from between his legs -- but that's all part of the fun. The ending is a bit hard to swallow. But there are moments of music so exquisite they make you weep. The magnificent score is by John Corigliano, and Joshua Bell performs the violin solos with the London Philharmonic under the direction of Esa-Pekka Salonen.
"The Red Violin" won't win over all the critics. But audiences will love it. It's a real page-turner.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Assignment by Chris Gregg, based on an assignment by Marty Stepp and Victoria Kirst. Originally based on a problem by Stuart Reges at the University of Washington.
February 6, 2017
This problem focuses on recursion.
This is an individual assignment. Write your own solution and do not work in a pair/group on this program.
It is fine to write "helper" functions to assist you in implementing the recursive algorithms for any part of the assignment. Some parts of the assignment essentially require a helper to implement them properly. It is up to you to decide which parts should have a helper, what parameter(s) the helpers should accept, and so on. You can declare function prototypes for any such helper functions near the top of your .cpp file. (Don't modify the provided .h files to add your prototypes; put them in your own .cpp file.)
An anagram is a word or phrase made by rearranging the letters of another word or phrase. For example, "midterm" and "trimmed" are anagrams. If you ignore spaces and capitalization, a multi-word phrase can be an anagram of some other word or phrase. For example, "Clint Eastwood" and "old west action" are anagrams.
In this part of the assignment, you will write recursive code to use a dictionary to find and print all anagram phrases that match a given word or phrase.
You are provided with a file anagrammain.cpp that contains the main
function to prompt the user for phrases.
Below is a partial sample log of execution; user input is in blue bold.
See the links area above for several complete logs, and use the graphical console window's Compare Output feature to verify your program's output.
Welcome to the CS 106X Anagram Solver! Dictionary file name (blank for dict1.txt)? dict1.txt Reading dictionary ... Phrase to scramble (or Enter to quit)? Barbara Bush Max words to include (Enter for none)? 3 Searching for anagrams ... {"abash", "bar", "rub"} {"abash", "rub", "bar"} {"bar", "abash", "rub"} {"bar", "rub", "abash"} {"rub", "abash", "bar"} {"rub", "bar", "abash"} Total anagrams found: 6
You must write the following recursive function in anagramsolver.cpp:
int findAnagrams(const string& phrase, int max, const Set<string>& dictionary)
In this function you should recursively find and print all anagrams that can be formed using all of the letters of the given phrase, and that include at most max words total, in alphabetical order and in the format shown in this document and our example logs. You should also return the total number of anagrams found.
Your function must show the anagrams in the same format as our log. A simple way to do this is to build up your answer in some kind of collection. You can print the collection and it will have the right format.
You are passed a Set
representing a dictionary of all possible words that appear in your phrase.
For example, if you are passed the phrase "hairbrush", a max of 3, and a dictionary corresponding to dict1.txt, you should produce the following console output, in exactly this order and format.
You would also return 8
.
{"bar", "huh", "sir"} {"bar", "sir", "huh"} {"briar", "hush"} {"huh", "bar", "sir"} {"huh", "sir", "bar"} {"hush", "briar"} {"sir", "bar", "huh"} {"sir", "huh", "bar"}
If the max value passed is 0, you should print all anagrams regardless of how many words they contain. (We suggest that as you are developing this code, you initially ignore the max and just print all anagrams, and only once this is working, go back and add the code to enforce the max constraint.)
You should throw an int exception if the max value passed is negative. An empty string generates no output.
The provided main program can read its input from different dictionary files. The default is a small dictionary dict1.txt to make testing easier. Once your code works with this small dictionary, test it with larger dictionaries such as the provided dict2.txt, dict3.txt, and the largest, dictionary.txt.
Though loops are allowed for this problem, your fundamental algorithm must be recursive and not based on looping to find the entire anagram. You must use recursion to handle the self-similar aspects of the problem.
Generate all anagrams of a phrase using exhaustive searching and recursive backtracking. Many backtracking algorithms involve examining all combinations of a set of choices. In this problem, the choices are the words that can be formed from the phrase. A "decision" involves choosing a word for part of the phrase and recursively exploring what further words can be chosen for the rest of the phrase. If you find a collection of words that use up all of the letters in the phrase, it should be printed as output.
Part of your grade will be based on the efficiency of your algorithm. You should not explore words that cannot be formed from the currently remaining letters of your phrase. If your algorithm gets stuck and is unable to match the remaining letters, or if you exceed the maximum number of words allowed, your code should backtrack immediately.
The following diagram shows a partial decision tree for generating anagrams of the phrase "barbara bush". Notice that some paths of the recursion lead to dead ends. For example, if the recursion chooses "aura" and "barb", the letters remaining to use are [bhs], and no choice available uses these letters, so it is not possible to generate any anagrams beginning with those two choices. In such a case, your code should backtrack and try the next path.
Note that the same word can appear more than once in an anagram. For example, from "barbara bush" you might extract the word "bar" twice.
One difficult part of this program limiting to the max number of words that can appear in the anagrams. We suggest you ignore the max at first and implement this last, initially printing all anagrams regardless of the number of words.
An important aspect of simplifying many backtracking problems is separating recursive code from code to manage low-level details. Some of the low-level details for anagrams involve keeping track of letters and figuring out when one group of letters can be formed from another. A helpful concept you may want to incorporate in your solution is one that we'll call a "letter inventory." You are not required to implement your solution using a letter inventory, but we discuss it here as a hint that may help you reach a correct solution.
For this problem, let's define a letter inventory as a count of each letter from A-Z found in a given string, ignoring whitespace, capitalization, and non-alphabetic characters.
For example, a letter inventory for the string "Hello, THERE!!"
would keep count of 3 Es, 2 Hs, 2 Ls, 1 O, 1 R, and 1 T.
(Note that we strip the spaces and punctuation.)
There are many ways that you could represent such a thing; for example, as a string "eeehhllort"
, or as a map {'e':3, 'h':2', 'l':2, 'o':1, 'r':1' 't':1}
.
It would be useful to be able to add and subtract phrases from a letter inventory, as well as asking whether an inventory contains a phrase.
For example, adding "hi ho!"
to the previous inventory would produce "eeehhhhilloort"
.
Subtracting "he he he"
would produce "hilloort"
.
If we asked whether this inventory contains "root"
, the result is true
.
If we asked whether this inventory contains "hostel"
, the result is false
.
Of course, if you implement the concept of a letter inventory in a slow/inefficient way, it can substantially hurt the performance of your program. Be mindful of implementation choices that must loop over collections/strings repeatedly, since your code will be performing these operations a very large number of times. We have provided letterinventory.cpp and letterinventory.h should you decide to use a letter inventory.
Recursion and backtracking: Part of your grade will come from appropriately utilizing recursive backtracking to implement your word-finding algorithm as described previously. We will also grade on the elegance of your recursive algorithm; don't create special cases in your recursive code if they are not necessary. Avoid "arm's length" recursion, which is where the true base case is not found and unnecessary code/logic is stuck into the recursive case. Efficiency of your recursive backtracking algorithms, such as avoiding dead-end searches by pruning, is very important.
Redundancy in recursive code is another major grading focus; avoid repeated logic as much as possible. As mentioned previously, it is fine (sometimes necessary) to use "helper" functions to assist you in implementing the recursive algorithms for any part of the assignment.
Variables:
While this constraint is not new to this assignment, we want to stress that you should not make any global variables or static variables (unless they are constants declared with the const
keyword).
Do not use globals as a way of getting around proper recursion and parameter-passing on this assignment.
Loops/Collections: Loops and collections *are* allowed on this problem. But your fundamental algorithm must be recursive and not based on looping to perform the entire anagram search. You must use recursion to handle the self-similar aspects of the problem.
Commenting: Of course you should have a comment header at the top of your code file and on top of each function. But we want to remind you that you should also have inline comments inside functions to explain complex sections of the code. Don't forget to place descriptive inline comments as needed on any complex code in the bodies to describe nontrivial parts of your algorithms.
For each assignment problem, we receive various frequent student questions. The answers to some of those questions can be found by clicking the link below.
max
words.
max
?
LetterInventory
?
[love, lace]
would not be an appropriate anagram for the string Ada Lovelace
because it doesn't use the letters ada
.
dict1.txt
as your dictionary since it's small enough to check which of the words can be made from a given phrase just by looking at it.
Once you've convinced yourself that your program works with this small dictionary, you should move on to the larger ones.
The Output Comparison Tool on the Homework page of the course website shows output for various phrases from various dictionaries.
Make sure to take advantage of this valuable resource!
Remember that the tests from the comparison tool are not exhaustive, but it's a good place to start.
cout
statement to find out what the anagram looks like at certain points in your program.
Try before and after your recursive step as well as in your base case.
You might also find the IDE's debugger useful.


# test 2 $\RR$
$\RR$
Want to quickly respond to Will’s comment on priors
Our basic Bayesian context. Have an “observation space” $X$, and a space of “models” $Y$ (called the latent space in latent variable models).
Typically a “model” is an element of $\p(X)$, the space of probability distributions on $X$ (with what structure?). Typically the model is specified by a point $m \in \R^d$ for some $d$, the parameter space, by implicitly or explicitly defining a map $f: \R^d \to \p(X)$; $f(m)$ is the model determined by $m$.
For a moment, let’s take our model space to be $\p(X)$ itself (a different generalization would be to think about $f: Y \to \p(X)$ for more general $Y$’s).
So recall we have $X$ and $Y = \p(X)$. A prior is a distribution on $Y$, i.e. an element $\mu \in \p(Y) = \p(\p(X))$.
Comment: this infinite regress of prior stuff feels a bit like infinite loop spaces; is there an actual relationship? Related: Express spaces as function spaces wrt other spaces, to enable canonical/standard operations, etc
A compact Lie group $G$ has a Haar measure,
“Maneesh stuff” meaning, among other things, how to formalize the idea that the DDC is “abstract” in an important sense
Test Latex
Test $ \alpha $ $\beta$
$ test $
You can write regular markdown here and Jekyll will automatically convert it to a nice webpage. I strongly encourage you to take 5 minutes to learn how to write in markdown - it’ll teach you how to transform regular text into bold/italics/headings/tables/etc.
Here is some bold text
Here is a secondary heading
Here’s a useless table:
| Number | Next number | Previous number |
|---|---|---|
| Five | Six | Four |
| Ten | Eleven | Nine |
| Seven | Eight | Six |
| Two | Three | One |
How about a yummy crepe?
It can also be centered!
Here’s a code chunk:
var foo = function(x) {
return(x + 5);
}
foo(3)
And here is the same code with syntax highlighting:
var foo = function(x) {
return(x + 5);
}
foo(3)
And here is the same code yet again but with line numbers:
1
2
3
4
var foo = function(x) {
return(x + 5);
}
foo(3)
Boxes
You can add notification, warning and error boxes like this:
Notification
Note: This is a notification box.
Warning
Warning: This is a warning box.
Error
Error: This is an error box.


The GenBank sequence database is an open access, annotated collection of all publicly available nucleotide sequences and their protein translations. This database is produced and maintained by the National Center for Biotechnology Information (NCBI) as part of the International Nucleotide Sequence Database Collaboration (INSDC).
The European Molecular Biology Laboratory (EMBL) is a molecular biology research institution supported by 21 member states,[2] three prospect and two associate member states. EMBL was created in 1974 and is an intergovernmental organisation funded by public research money from its member states. Research at EMBL is conducted by approximately 85 independent groups covering the spectrum of molecular biology.
The DNA Data Bank of Japan (DDBJ) is a biological database that collects DNA sequences.[1][2] It is located at the National Institute of Genetics (NIG) in the Shizuoka prefecture of Japan. It is also a member of the International Nucleotide Sequence Database Collaboration or INSDC. It exchanges its data with European Molecular Biology Laboratory at the European Bioinformatics Institute and with GenBank at the National Center for Biotechnology Information.
It uses virtual integration for integrating the three existing databases.
It contains most updated nucleotide sequences of different species.
It uses virtual integration . That makes it very fast .
Whenever new sequence will be inserted into the three main databases it will show those immediately.


A list of all the API Keys that have been generated.
Enter short description to help identify these API keys in the future.
|
{{apiKey.description}}
|
|||
|---|---|---|---|
|
|
API Key: {{apiKey.apiKey}} |
|
|
| API Key access: {{apiKey.roleStrings}} |


chatstats
PS! CAP Project Room
Chat Statistics
Tour Statistics
November 2014
November 2014
December 2014
December 2014
January 2015
January 2015
February 2015
February 2015
March 2015
March 2015
April 2015
April 2015
May 2015
May 2015
June 2015
June 2015
July 2015
July 2015
August 2015
August 2015
September 2015
September 2015
October 2015
October 2015
November 2015
November 2015
December 2015
December 2015
January 2016
January 2016
February 2016
February 2016
March 2016
March 2016
April 2016
April 2016
May 2016
May 2016
June 2016
June 2016
July 2016
July 2016
August 2016
August 2016
September 2016
September 2016
October 2016
October 2016
November 2016
November 2016
December 2016
December 2016
January 2017
January 2017
February 2017
February 2017
March 2017
March 2017
April 2017
April 2017
May 2017
May 2017
June 2017
June 2017
July 2017
July 2017
August 2017
August 2017
September 2017
September 2017
October 2017
October 2017
chatstats
chatstats-capproject
MIT License. Copyright (c) 2017 sparktrain.
Follow @sparktrain


The Stanford Computer Science Department was founded in 1965. A half-century on, the department is a force for innovation, scientific discovery and world-wide impact. We are particularly proud of the graduates of our programs, many of whom are leaders in academia, industry and government. Stanford's Christopher Ré, an assistant professor of computer science, has been awarded a "genius grant" from the John D. and Catherine T. MacArthur Foundation. He was recognized for his work in developing a data-inference system that analyzes data with a high degree of certainty.


I am individual who sits at the intersection of technollogy and business. I believe that technology through innovations and creativity can be used to solve major issues affecting companies in todays life. My speciality is Web Development and Design as well as Android Programming. I am passionate about my work and always ready to interact with different parties to find a solution to their challenges through technology.


Conflict
8/9/15
Conflict is a part of life. When your values and opinions clash with others it can cause some pretty complicated and sour feelings. Conflicts can be big or small. It's difficult to think of a time that I had a conflict that sounds super serious, but the best example I can come up with was when I was younger and working my way up the totem pole in a customer service position. My workplace was open during the holidays and it would always be a delicate issue as to which of us would be able to take which holiday off. As much as I wanted to work my fair share of holidays, there were always some who wanted all of them off. I was caught between feeling guilty for taking my time off, and upset because the time off should be evenly distributed.
We were able to choose one holiday not to work, after choosing mine I made my travel plans and set up time to visit my family. It became somewhat irritating to hear coworkers complaining about having to work through the holidays and asking if there was any way I could cover their shifts. I was upset because it felt like, hey, we are all on the same boat here we're all working through holidays too. It's a bit unfair to guilt people out of their time. These requests and complaints happened pretty frequently.
I realized that saying no to requests that I work during the time I had specifically asked to have for myself and my family wasn't going to be the end of the world, and was able to stay strong in my answer. I realize that whoever was asking may not even realize that they were making asking such a huge favor. They didn't know I was traveling, or when I last saw my family. They were simply asking if I could cover, which unfortunately I could not. They could always ask someone else.
I learned that sometimes you have to step outside of your head and not assign other people's motives. Once I was able to let go of whatever upset or guilt I had built around not compromising, the issue seemed to become so much smaller than I was thinking.


I have a beachelor degree in Public Relations. During the last two years in the university I worked as a journalist. After came to the US I thought to change my career. Tried some like a hair master, customer service. Then my husband (who is a software engineer) recommended me to try programming. I liked coding and now I am here, in Epicodus.


Abu Bakr Siddique
Registrar (LPR)
- Email<EMAIL_ADDRESS>- Office Phone:
- Home Phone: 7791850
Rahima Kaneez
Registrar (Acting)
- Email<EMAIL_ADDRESS><EMAIL_ADDRESS>- Office Phone: 7791045-51 Ext.1204
- Home Phone: 7791045-51 Ext.1317, 7791737
Mohammad Ali
Deputy Registrar (Teaching)
- Email<EMAIL_ADDRESS>- Office Phone: 7791045-51 Ext.1210
- Home Phone: 7791045-51 Ext.1208,<PHONE_NUMBER>3
Dr. Abul Kalam Azad
Deputy Registrar (Higher Education & Scholarship-1)
- Email<EMAIL_ADDRESS>- Office Phone: 7791045-51 Ext.1206,<PHONE_NUMBER>8
- Home Phone: 7791045-51 Ext.1537, 7792363
Tajnahar Begum
Deputy Registrar (Store)
- Email: N/A
- Office Phone: 7791045-51 Ext.1613
- Home Phone:<PHONE_NUMBER>7
Md. Abu Hasan
Deputy Registrar (Academic)
- Email<EMAIL_ADDRESS>- Office Phone: 7791045-51 Ext.1205
- Home Phone: 7791045-51 Ext.1599, 7792947,<PHONE_NUMBER>9
A B M Azizur Rahman
Deputy Registrar (Higher Education & Scholarship-2)
- Email<EMAIL_ADDRESS>- Office Phone: 7791045-51 Ext.1758
- Home Phone: 7791045-51 Ext.1474,<PHONE_NUMBER>5
B M Kamruzzaman
Deputy Registrar (Admin-2/Council)
- Email<EMAIL_ADDRESS>- Office Phone: 7791045-51 Ext.1404/1211
- Home Phone: 01741 774069, 01701 841809
Md. Mashkat Hossain Bhuyian
Deputy Registrar (LPR)
- Email: N/A
- Office Phone:
- Home Phone:<PHONE_NUMBER>1
Md. Abdur Rahman
Deputy Registrar , Estate Section
- Email<EMAIL_ADDRESS>- Office Phone:
- Home Phone:<PHONE_NUMBER>9
Md. Nurul Amin
Chief horticulturist and Officer In-charge (Estate)
- Email: N/A
- Office Phone: 7791045-51 Ext.1226
- Home Phone: 7791045-51 Ext.1757,<PHONE_NUMBER>3
Monowara Begum
Deputy Registrar , Teaching Section
- Email: N/A
- Office Phone:
- Home Phone: 7741086,<PHONE_NUMBER>5
Md. Abu Taleb
Deputy Registrar
- Email<EMAIL_ADDRESS><EMAIL_ADDRESS>- Office Phone: 7791045-51 Ext.1204
- Home Phone:<PHONE_NUMBER>5,<PHONE_NUMBER>0
Sudipta Shaheen
Chief Security Officer
- Email<EMAIL_ADDRESS>- Office Phone: 7791045-51 Ext.1826
- Home Phone: 7791045-51 Ext.1876,<PHONE_NUMBER>8
Hossain Ahmed
Executive Engineer , Telephone Section
- Email<EMAIL_ADDRESS>- Office Phone: 7791045-51 Ext.1333
- Home Phone:<PHONE_NUMBER>3
Lutfar Rahman Arif
Assistant Registrar , Teaching Section
- Email<EMAIL_ADDRESS>- Office Phone: 7791045-51 Ext.1664
- Home Phone:<PHONE_NUMBER>8,<PHONE_NUMBER>8
Mohammad Azim Uddin
Assistant Registrar , Estate Section
- Email<EMAIL_ADDRESS>- Office Phone:
- Home Phone:<PHONE_NUMBER>2
Mohammad Jahangir Sikder
Assistant Registrar , Council Section
- Email<EMAIL_ADDRESS>- Office Phone: 7791045-51 Ext.1211
- Home Phone:<PHONE_NUMBER>4
Md. Mahtab-Uz-Zahid
Assistant Registrar (Law)
- Email<EMAIL_ADDRESS>- Office Phone: 7791045-51 Ext.1919
- Home Phone:<PHONE_NUMBER>7
Shahnaz Hossain
Assistant Registrar , General Administration
- Email<EMAIL_ADDRESS>- Office Phone:
- Home Phone:<PHONE_NUMBER>1
Md. Shahjalal
Assistant Registrar , Academic Section
- Email: N/A
- Office Phone:
- Home Phone:<PHONE_NUMBER>6
Nahidur Rahman Khan
Assistant Registrar , General Administration
- Email: N/A
- Office Phone:
- Home Phone:<PHONE_NUMBER>8
Syed Mohammad Ali Reza
Assistant Registrar , Academic Section
- Email<EMAIL_ADDRESS>- Office Phone: 7791045-51 Ext.1906
- Home Phone:<PHONE_NUMBER>4
Md. Abdur Rab Sharif
Senior Technical Officer , Estate Section
- Email: N/A
- Office Phone:
- Home Phone:<PHONE_NUMBER>6
Farida Yesmin
Assistant Registrar , Higher Education and Scholarship
- Email: N/A
- Office Phone:
- Home Phone: 7791295,<PHONE_NUMBER>4
Md. Abdus Sobhan
Senior Technical Officer (Telephone)
- Email: N/A
- Office Phone: 7791045-51
- Home Phone:<PHONE_NUMBER>2
Kazi Mofizur Rahman
Assistant Registrar , Academic Section
- Email: N/A
- Office Phone:
- Home Phone:<PHONE_NUMBER>1,<PHONE_NUMBER>1
Md. Gafrul Hasan Chowdhury
Assistant Registrar (Security)
- Email<EMAIL_ADDRESS>- Office Phone: 7791045-51 Ext.1335
- Home Phone: 7791045-51 Ext.1312,<PHONE_NUMBER>7
Md. Abdul Motaleb
Administrative Officer , Estate
- Email: N/A
- Office Phone:
- Home Phone:<PHONE_NUMBER>6
Mohammad Ali (Bacchu)
Administrative Officer
- Email<EMAIL_ADDRESS>- Office Phone: 7791045-51 Ext.1204
- Home Phone:<PHONE_NUMBER>6
Md. Abul Fazal
Technical Officer (Telephone)
- Email: N/A
- Office Phone: 7791045-51
- Home Phone:<PHONE_NUMBER>5
Dhirendra Chandra Ghosh
Administrative Officer , General Administration
- Email: N/A
- Office Phone:
- Home Phone:<PHONE_NUMBER>7
Md. Mazibur Rahman Howlader
Administrative Officer , Central Store
- Email: N/A
- Office Phone:
- Home Phone:<PHONE_NUMBER>5
Alauddin Mollah
Administrative Officer , Council Section
- Email<EMAIL_ADDRESS>- Office Phone: 7791045-51 Ext.1211
- Home Phone:<PHONE_NUMBER>5
Md. Nazrul Islam
Administrative Officer , General Administration
- Email: N/A
- Office Phone:
- Home Phone:<PHONE_NUMBER>0
Md. Ramzan Ali
Administrative Officer , General Administration
- Email<EMAIL_ADDRESS>- Office Phone:
- Home Phone:<PHONE_NUMBER>2
Md. Mahbubur Rahman
Administrative Officer , Teaching Section
- Email<EMAIL_ADDRESS>- Office Phone:
- Home Phone:<PHONE_NUMBER>1
Md. Shahjalal
Administrative Officer , Security Section
- Email: N/A
- Office Phone:
- Home Phone:<PHONE_NUMBER>8,<PHONE_NUMBER>9
Mohammad Mofizul Islam
Administrative Officer (Store) , Central Store
- Email<EMAIL_ADDRESS>- Office Phone:
- Home Phone:<PHONE_NUMBER>9
Razib Chakraborti
Administrative Officer , Academic Section
- Email<EMAIL_ADDRESS>- Office Phone:
- Home Phone:<PHONE_NUMBER>2
Mohammad Abu Syed
Security Officer
- Email<EMAIL_ADDRESS>- Office Phone:
- Home Phone:<PHONE_NUMBER>5,<PHONE_NUMBER>7
Afroza Begum Reshma
Administrative Officer , Academic Section
- Email<EMAIL_ADDRESS>- Office Phone:
- Home Phone: 7791045-51 Ext.1503,<PHONE_NUMBER>9
Aleya Ferdousi
Administrative Officer , General Administration
- Email<EMAIL_ADDRESS>- Office Phone:
- Home Phone:<PHONE_NUMBER>6
Md. Ashraful Alam
Administrative Officer , Teaching Section
- Email<EMAIL_ADDRESS>- Office Phone:
- Home Phone:<PHONE_NUMBER>7
Umme Salma
Administrative Officer , Academic Section
- Email: N/A
- Office Phone:
- Home Phone:<PHONE_NUMBER>1
Moulana Muhammad Abu Noman
Senior Pesh Imam , Community Mosque
- Email: N/A
- Office Phone:
- Home Phone:<PHONE_NUMBER>0
Md. Abdur Rahim
Administrative Officer , Higher Education and Scholarship
- Email<EMAIL_ADDRESS>- Office Phone:
- Home Phone:<PHONE_NUMBER>0
Md. Shamim Hossain
Administrative Officer , Security Section
- Email: N/A
- Office Phone:
- Home Phone:<PHONE_NUMBER>7
Masuma Begum
Administrative Officer , General Administration
- Email<EMAIL_ADDRESS>- Office Phone:
- Home Phone:<PHONE_NUMBER>0
Md. Rezaul Kabir
Administrative Officer , Teaching Section
- Email<EMAIL_ADDRESS>- Office Phone:
- Home Phone:<PHONE_NUMBER>0


Hi, Welcome to What's for Lunch?

Oftentimes we come into situations where we can’t decide what to eat and end up eating the same food every day. There are a lot of choices in our everyday life. For some people, lots of choices bring anxiety. So, I built this website to help decide where to eat. The purpose of this website is to bring some fun and adventure in where we choose to eat. This can be a decision making tool when we are in a group of people (especially office staff members who go lunch together) and we don’t want to go with the majority all the time.
Bon Appetit