Unpacking Argument Lists
I was recently working on a python wrapper around grep. I often find myself having to search for random patterns through tons of CSVs. At work I have used some applications that have helped out, but inevitably I found that said applications are lacking in some way or another. Maybe it’s that the application did not easily allow any kind of recursive searching, did not allow ways to specify certain directories to not even bother searching, or (godforbid!) it did not allow any kind of regular expression use. I thought it’d be fun to try to whip up a little script that could meet my needs….fun & practical. The code is available on my GitHub (although it may have changed some from the time of this writing).
In a nutshell, the python script utilizes the Subprocess module to call grep to look for a given regular expression. In the example below I simply was looking for the pattern “smith” (case insensitive) in a directory appropriately named “test_data”.
The results are below:
“Great!”, I thought. Now I can make a head
call to gather the given file’s column headers. Seems simple enough. In this case, my test data was all in one directory appropriately name “test_data”, so I did not think much of how to accomplish this task. We can use make a head -1
call using the same Subprocess module
to collect the first row from the files we are working with (assuming that the files have column headers in the first row).
Before I can make the head -1
call, I need to first parse the path to the file from the data yielded in the first column (as shown above). Lastly, I can pass the individual variables client & file_name to the os.path.join()
method to get a intelligently joined path. :
COMPLICATING STUFF
Well what if your grep search finds hits at different depths of recursion? For instance, what if the directory containing all the data I wished to grep looked something like this:
Unfortunately, os.path.join()
is a function call requiring separate positional arguments. This means one cannot simply create a list of strings that are to be joined by os.path.join()
to create the path to a file to pull headers for.
This puzzled me for a while, but rather than immediately try to start coding a solution I made myself take a quick break and grab a coffee. I had a feeling I had stumbled across something similar when I was reading through every Python text book I could find (back when I was reading a lot more than actually writing).
Sure enough I remembered reading about how to denote functions that could be called with arbitrary arguments lists using the “*” character. The same character can also unpack arguments that are already in a list or tuple to be used for a function call that needs separate arguments….like os.path.join()
!
Utilizing the almighty * I was able to easily grep files for a regex pattern & pull header rows for any files that were reported as having matches by my previous grep call with one python script.


This scenario demonstrates how to achieve an incremental loading experience with the ListView, as the 'loadingBehavior' property has been deprecated. This scenario demonstrates how to manually insert more data to the datasource in response to a button click event. The data source used simulates a slow data source as if it was fetching data over a network.


package processing
This package contains all the image processing classes in order to build training examples.
- Alphabetic
- By Inheritance
- processing
- AnyRef
- Any
- Hide All
- Show All
- Public
- All
Type Members
-
trait
ExampleMaker extends AnyRef
This trait represents a class building training examples.
Value Members
-
object
BaseExampleMaker extends ExampleMaker
An implementation of ExampleMaker.
-
object
ImageProcessing
This object calls the OpenCV Python script to cut images.


Tell us about your experiences. Your feedback(Opens in a new window) will help us continue to improve this service.


Easily manage your sensor network and distribute your data in a standard way istSOS is an OGC SOS server implementation written in Python. istSOS allows for managing and dispatch observations from monitoring sensors according to the Sensor Observation Service standard.
istSOS is an OGC SOS server implementation written in Python. istSOS allows for managing and dispatch observations from monitoring sensors according to the Sensor Observation Service standard.
The project provides also a Graphical user Interface that allows for easing the daily operations and a RESTful Web api for automatizing administration procedures.
For further information, please refer to the istSOS :website
OAT is a Python package which is integrated in the istSOS through an interface exposing its features to modellers and non programmer users. OAT library Method class which is designated to represent a processing method. The library applies the behavioral visitor pattern which allows the separation of an algorithm from the object on which it operates.
From a dependency point of view, OAT takes advantage of the PANDAS (McKinney, 2010), NUMPY and SCIPY (Van der Walt et. al. 2011) packages. OAT


Hi, your browser does not support audio files.
Hi, your browser does not support audio files.
Hi, your browser does not support audio files.
Hi, your browser does not support audio files.
Hi, your browser does not support audio files.
Hi, your browser does not support audio files.
Musical Instrument Soundboard
Harp
Bass Drum
Drumroll
Chinese Gong
Military Drum
Bugle Call


Moscow, Riyadh Continuing Talks on Licenced Production of AK-103 Rifles in Saudi Arabia
DUBAI (Sputnik) - In February, Alexander Mikheev, the head of the Russian state arms exporter Rosoboronexport, said the two countries would soon launch the joint licensed production of the assault rifles. Russian President Putin and Saudi King Salman met on 14 October and discussed the two countries technical military cooperation.
Russia and Saudi Arabia are currently discussing the licensed production of Kalashnikov AK-103 assault rifles, as the leaders of both countries previously discussed in a meeting, a representative from Russia's Federal Service for Military-Technical Cooperation revealed.
"[The two sides] are currently discussing the issue of licenced production of the Kalashnikov AK-103 assault rifles in Saudi Arabia. The topic was discussed in the recent meeting between the two heads of the two governments," Maria Vorobyeva, the agency's representative, said.
AK-103 is a Russian-made assault rifle designed by Mikhail Kalashnikov that has been in service since 2001. The weapon can be fitted with night vision and telescopic sights, a knife-bayonet or a grenade launcher.


Always keep this page up-to-date with Not Yet Working removed when ready to be marked.
Eventually (after about a month) make this into a table with four columns: #, Link, Mobile, Done. Use preset checkboxes for mobile and Done.
Also eventually erase these instructions to show that you want this page marked.
At the bottom of every page make sure you include the following button:


| 723 | (A) | Bothe blawande one the bent and one the borowe wallys |
| 725 | (C) | Bothe blewe þey in þe felde . & on þe cyte walles |
| 717 | (D) | Boþe þan blew in þe bent & on þe borow wallis |
| 696 | (E) | trumpyng & claryonyng . & meche noyse made . |
| (Ex) | ---- no text ---- | |
| 740 | (L) | boþe blowyng on bent & on þe burwe walles |
| 676 | (P) | Bath blew at þe bent & at þe burghe walles |
| 706 | (U) | Bothe blewe in the bent / and on the burgħ wal |
| (V) | ---- no text ---- |


Sample Projects
Here are some projects I've worked on in the past.
- Testing E-Commerce software on Chrome, Internet Explorer, FireFox and Safari
- Testing Unity client through Web Player and WebGL
- Testing Unity client on Windows, Mac OSX, Android and iOS devices
- Overseeing Linux cache server development and testing


Scene 1
Athens. A room in the palace of Theseus.
Enter Theseus, Hippolyta, and Philostrate, Lords, and Attendants.
THE.
HIP.
PHIL.
Lords
Attendants
- ’Tis strange, my Theseus, that these lovers speak of.
- More strange than true. I never may believe
- These antic fables, nor these fairy toys.
- Lovers and madmen have such seething brains,
- Such shaping fantasies, that apprehend
- More than cool reason ever comprehends.
- The lunatic, the lover, and the poet
- Are of imagination all compact.
- One sees more devils than vast hell can hold;
- That is the madman. The lover, all as frantic,
- Sees Helen’s beauty in a brow of Egypt.
- The poet’s eye, in a fine frenzy rolling,
- Doth glance from heaven to earth, from earth to heaven;
- And as imagination bodies forth
- The forms of things unknown, the poet’s pen
- Turns them to shapes, and gives to aery nothing
- A local habitation and a name.
- Such tricks hath strong imagination,
- That if it would but apprehend some joy,
- It comprehends some bringer of that joy;
- Or in the night, imagining some fear,
- How easy is a bush suppos’d a bear!
- But all the story of the night told over,
- And all their minds transfigur’d so together,
- More witnesseth than fancy’s images,
- And grows to something of great constancy;
- But howsoever, strange and admirable.
Enter lovers, Lysander, Demetrius, Hermia, and Helena.
LYS.
DEM.
HER.
HEL.
- Here come the lovers, full of joy and mirth.
- Joy, gentle friends, joy and fresh days of love
- Accompany your hearts!
- More than to us
- Wait in your royal walks, your board, your bed!
- Come now; what masques, what dances shall we have,
- To wear away this long age of three hours
- Between our after-supper and bed-time?
- Where is our usual manager of mirth?
- What revels are in hand? Is there no play
- To ease the anguish of a torturing hour?
- Call Philostrate.
- Here, mighty Theseus.
- Say, what abridgment have you for this evening?
- What masque? What music? How shall we beguile
- The lazy time, if not with some delight?
- There is a brief how many sports are ripe.
- Make choice of which your Highness will see first.
Giving a paper.
PHIL.
THE.
-
Reads.
THE.
- “The battle with the Centaurs, to be sung
- By an Athenian eunuch to the harp.”
- We’ll none of that: that have I told my love,
- In glory of my kinsman Hercules.
- “The riot of the tipsy Bacchanals,
- Tearing the Thracian singer in their rage.”
- That is an old device; and it was play’d
- When I from Thebes came last a conqueror.
- “The thrice three Muses mourning for the death
- Of Learning, late deceas’d in beggary.”
- That is some satire, keen and critical,
- Not sorting with a nuptial ceremony.
- “A tedious brief scene of young Pyramus
- And his love Thisbe; very tragical mirth.”
- Merry and tragical? Tedious and brief?
- That is hot ice and wondrous strange snow.
- How shall we find the concord of this discord?
- A play there is, my lord, some ten words long,
- Which is as brief as I have known a play;
- But by ten words, my lord, it is too long,
- Which makes it tedious; for in all the play
- There is not one word apt, one player fitted.
- And tragical, my noble lord, it is;
- For Pyramus therein doth kill himself;
- Which when I saw rehears’d, I must confess,
- Made mine eyes water; but more merry tears
- The passion of loud laughter never shed.
- What are they that do play it?
- Hard-handed men that work in Athens here,
- Which never labor’d in their minds till now;
- And now have toiled their unbreathed memories
- With this same play, against your nuptial.
- And we will hear it.
- No, my noble lord,
- It is not for you. I have heard it over,
- And it is nothing, nothing in the world;
- Unless you can find sport in their intents,
- Extremely stretch’d, and conn’d with cruel pain,
- To do you service.
- I will hear that play;
- For never any thing can be amiss,
- When simpleness and duty tender it.

Exit Philostrate.
PHIL.
- I love not to see wretchedness o’ercharged,
- And duty in his service perishing.
- Why, gentle sweet, you shall see no such thing.
- He says they can do nothing in this kind.
- The kinder we, to give them thanks for nothing.
- Our sport shall be to take what they mistake;
- And what poor duty cannot do, noble respect
- Takes it in might, not merit.
- Where I have come, great clerks have purposed
- To greet me with premeditated welcomes;
- Where I have seen them shiver and look pale,
- Make periods in the midst of sentences,
- Throttle their practic’d accent in their fears,
- And in conclusion dumbly have broke off,
- Not paying me a welcome. Trust me, sweet,
- Out of this silence yet I pick’d a welcome;
- And in the modesty of fearful duty
- I read as much as from the rattling tongue
- Of saucy and audacious eloquence.
- Love, therefore, and tongue-tied simplicity
- In least speak most, to my capacity.
Enter Philostrate.
PHIL.
- So please your Grace, the Prologue is address’d.
- Let him approach.
Flourish trumpet.
Enter Quince for the Prologue.
QUIN.
- If we offend, it is with our good will.
- That you should think, we come not to offend,
- But with good will. To show our simple skill,
- That is the true beginning of our end.
- Consider then, we come but in despite.
- We do not come, as minding to content you,
- Our true intent is. All for your delight
- We are not here. That you should here repent you,
- The actors are at hand; and, by their show,
- You shall know all, that you are like to know.
- This fellow doth not stand upon points.
- He hath rid his prologue like a rough colt; he knows not the stop. A good moral, my lord: it is not enough to speak, but to speak true.
- Indeed he hath play’d on this prologue like a child on a recorder—a sound, but not in government.
- His speech was like a tangled chain; nothing impair’d, but all disorder’d. Who is next?
Enter with a Trumpet before them Pyramus and Thisbe and Wall and Moonshine and Lion.
PYR.
THIS.
WALL.
MOON.
LION.
- Gentles, perchance you wonder at this show;
- But wonder on till truth make all things plain.
- This man is Pyramus, if you would know;
- This beauteous lady Thisbe is certain.
- This man, with lime and rough-cast, doth present
- Wall, that vile Wall, which did these lovers sunder;
- And through Wall’s chink, poor souls, they are content
- To whisper. At the which let no man wonder.
- This man, with lantern, dog, and bush of thorn,
- Presenteth Moonshine; for if you will know,
- By moonshine did these lovers think no scorn
- To meet at Ninus’ tomb, there, there to woo.

 For all the rest,
- Let Lion, Moonshine, Wall, and lovers twain
- At large discourse, while here they do remain.
Exit with Pyramus, Thisbe, Lion, and Moonshine.
QUIN.
PYR.
THIS.
LION.
MOON.
- I wonder if the lion be to speak.
- No wonder, my lord; one lion may, when many asses do.
- In this same enterlude it doth befall
- That I, one Snout by name, present a wall;
- And such a wall, as I would have you think,
- That had in it a crannied hole or chink,
- Through which the lovers, Pyramus and Thisbe,
- Did whisper often, very secretly.
- This loam, this rough-cast, and this stone doth show
- That I am that same wall; the truth is so;
- And this the cranny is, right and sinister,
- Through which the fearful lovers are to whisper.
- Would you desire lime and hair to speak better?
- It is the wittiest partition that ever I heard discourse, my lord.
Enter Pyramus.
PYR.
- Pyramus draws near the wall. Silence!
- O grim-look’d night! O night with hue so black!
- O night, which ever art when day is not!
- O night, O night! Alack, alack, alack,
- I fear my Thisbe’s promise is forgot!
- And thou, O wall, O sweet, O lovely wall,
- That stand’st between her father’s ground and mine!
- Thou wall, O wall, O sweet and lovely wall,
- Show me thy chink, to blink through with mine eyne!
-
Wall holds up his fingers.
WALL.
- Thanks, courteous wall; Jove shield thee well for this!
- But what see I? No Thisbe do I see.
- O wicked wall, through whom I see no bliss!
- Curs’d be thy stones for thus deceiving me!
- The wall methinks, being sensible, should curse again.
- No, in truth, sir, he should not. “Deceiving me” is Thisbe’s cue. She is to enter now, and I am to spy her through the wall. You shall see it will fall pat as I told you. Yonder she comes.
Enter Thisbe.
THIS.
- O wall, full often hast thou heard my moans,
- For parting my fair Pyramus and me!
- My cherry lips have often kiss’d thy stones,
- Thy stones with lime and hair knit up in thee.
- I see a voice! Now will I to the chink,
- To spy and I can hear my Thisbe’s face.
- Thisbe!
- My love thou art, my love I think.
- Think what thou wilt, I am thy lover’s grace;
- And, like Limander, am I trusty still.
- And I, like Helen, till the Fates me kill.
- Not Shafalus to Procrus was so true.
- As Shafalus to Procrus, I to you.

- Wilt thou at Ninny’s tomb meet me straightway?
- ’Tide life, ’tide death, I come without delay.
Exeunt Pyramus and Thisbe.
PYR.
THIS.
- Thus have I, Wall, my part discharged so;
- And being done, thus Wall away doth go.
Exit.
WALL.
- Now is the moon used between the two neighbors.
- No remedy, my lord, when walls are so willful to hear without warning.
- This is the silliest stuff that ever I heard.
- The best in this kind are but shadows; and the worst are no worse, if imagination amend them.
- It must be your imagination then, and not theirs.
- If we imagine no worse of them than they of themselves, they may pass for excellent men. Here come two noble beasts in, a man and a lion.
Enter Lion and Moonshine.
LION.
MOON.
- You, ladies, you, whose gentle hearts do fear
- The smallest monstrous mouse that creeps on floor,
- May now, perchance, both quake and tremble here,
- When lion rough in wildest rage doth roar.
- Then know that I as Snug the joiner am
- A lion fell, nor else no lion’s dam,
- For, if I should, as lion, come in strife
- Into this place, ’twere pity on my life.
- A very gentle beast, and of a good conscience.
- The very best at a beast, my lord, that e’er I saw.
- This lion is a very fox for his valor.
- True; and a goose for his discretion.
- Not so, my lord; for his valor cannot carry his discretion, and the fox carries the goose.
- His discretion, I am sure, cannot carry his valor; for the goose carries not the fox. It is well; leave it to his discretion, and let us listen to the Moon.
- This lantern doth the horned moon present—
- He should have worn the horns on his head.
- He is no crescent, and his horns are invisible within the circumference.
- This lantern doth the horned moon present;
- Myself the man i’ th’ moon do seem to be.
- This is the greatest error of all the rest. The man should be put into the lantern. How is it else the man i’ th’ moon?
- He dares not come there for the candle; for, you see, it is already in snuff.
- I am a-weary of this moon. Would he would change!
- It appears, by his small light of discretion, that he is in the wane; but yet in courtesy, in all reason, we must stay the time.
- Proceed, Moon.
- All that I have to say is to tell you that the lantern is the moon, I the man i’ th’ moon, this thorn-bush my thorn-bush, and this dog my dog.
- Why, all these should be in the lantern; for all these are in the moon. But silence! Here comes Thisbe.
Enter Thisbe.
THIS.
- This is old Ninny’s tomb. Where is my love?
- O!
The Lion roars. Thisbe runs off.
LION.
THIS.
- Well roar’d, Lion.
- Well run, Thisbe.
- Well shone, Moon. Truly, the moon shines with a good grace.
The Lion shakes Thisbe’s mantle.
LION.
- Well mous’d, Lion.
Enter Pyramus.
PYR.
- And then came Pyramus.
Exit Lion.
LION.
- And so the lion vanish’d.
- Sweet Moon, I thank thee for thy sunny beams;
- I thank thee, Moon, for shining now so bright;
- For by thy gracious, golden, glittering gleams,
- I trust to take of truest Thisbe sight.
- But stay! O spite!
- But mark, poor knight,
- What dreadful dole is here!
- Eyes, do you see?
- How can it be?
- O dainty duck! O dear!
- Thy mantle good,
- What, stain’d with blood?
- Approach, ye Furies fell!
- O Fates, come, come,
- Cut thread and thrum,
- Quail, crush, conclude, and quell!
- This passion, and the death of a dear friend, would go near to make a man look sad.
- Beshrew my heart, but I pity the man.
- O, wherefore, Nature, didst thou lions frame?
- Since lion vild hath here deflow’r’d my dear;
- Which is—no, no—which was the fairest dame
- That liv’d, that lov’d, that lik’d, that look’d with cheer.
- Come, tears, confound,
- Out, sword, and wound
- The pap of Pyramus;
- Ay, that left pap,
- Where heart doth hop.
-
Stabs himself.
PYR.
- Thus die I, thus, thus, thus.
- Now am I dead,
- Now am I fled;
- My soul is in the sky.
- Tongue, lose thy light,
- Moon, take thy flight,
-
Exit Moonshine.
MOON.
- Now die, die, die, die, die.
Dies.
PYR.
- No die, but an ace, for him; for he is but one.
- Less than an ace, man; for he is dead, he is nothing.

- How chance Moonshine is gone before Thisbe comes back and finds her lover?
Enter Thisbe.
THIS.
- She will find him by starlight. Here she comes, and her passion ends the play.
- Methinks she should not use a long one for such a Pyramus. I hope she will be brief.
- A mote will turn the balance, which Pyramus, which Thisbe, is the better: he for a man. God warr’nt us; she for a woman. God bless us.
- She hath spied him already with those sweet eyes.
- And thus she means, videlicet—
- Asleep, my love?
- What, dead, my dove?
- O Pyramus, arise!
- Speak, speak! Quite dumb?
- Dead, dead?
- These lily lips,
- This cherry nose,
- These yellow cowslip cheeks,
- Are gone, are gone!
- Lovers, make moan;
- His eyes were green as leeks.
- O Sisters Three,
- Come, come to me,
- With hands as pale as milk;
- Lay them in gore,
- Since you have shore
- With shears his thread of silk.
- Tongue, not a word!
- Come, trusty sword,
- Come, blade, my breast imbrue!
-
Stabs herself.
THIS.
- And farewell, friends;
- Thus Thisbe ends;
- Adieu, adieu, adieu.
Dies.
THIS.
- Moonshine and Lion are left to bury the dead.
- Ay, and Wall too.
-
Starting up.
BOT.
- No, I assure you, the wall is down that parted their fathers. Will it please you to see the epilogue, or to hear a Bergomask dance between two of our company?
- No epilogue, I pray you; for your play needs no excuse. Never excuse; for when the players are all dead, there need none to be blam’d. Marry, if he that writ it had play’d Pyramus, and hang’d himself in Thisbe’s garter, it would have been a fine tragedy; and so it is, truly, and very notably discharg’d. But come, your Bergomask; let your epilogue alone.
-
A dance.
- The iron tongue of midnight hath told twelve.
- Lovers, to bed, ’tis almost fairy time.
- I fear we shall outsleep the coming morn
- As much as we this night have overwatch’d.
- This palpable-gross play hath well beguil’d
- The heavy gait of night. Sweet friends, to bed.
- A fortnight hold we this solemnity,
- In nightly revels and new jollity.
Exeunt.
THIS.
PYR.
THE.
HIP.
PHIL.
Lords
Attendants
LYS.
DEM.
HER.
HEL.
Enter Puck.
PUCK.
- Now the hungry lion roars,
- And the wolf behowls the moon;
- Whilst the heavy ploughman snores,
- All with weary task foredone.
- Now the wasted brands do glow,
- Whilst the screech owl, screeching loud,
- Puts the wretch that lies in woe
- In remembrance of a shroud.
- Now it is the time of night
- That the graves, all gaping wide,
- Every one lets forth his sprite,
- In the church-way paths to glide.
- And we fairies, that do run
- By the triple Hecat’s team
- From the presence of the sun,
- Following darkness like a dream,
- Now are frolic. Not a mouse
- Shall disturb this hallowed house.
- I am sent with broom before,
- To sweep the dust behind the door.
Enter King and Queen of Fairies, Oberon and Titania, with all their Train.
TITA.
OBE.
- Through the house give glimmering light
- By the dead and drowsy fire,
- Every elf and fairy sprite
- Hop as light as bird from brier,
- And this ditty, after me,
- Sing, and dance it trippingly.
- First, rehearse your song by rote,
- To each word a warbling note.
- Hand in hand, with fairy grace,
- Will we sing, and bless this place.
Song and dance.
- Now, until the break of day,
- Through this house each fairy stray.
- To the best bride-bed will we,
- Which by us shall blessed be;
- And the issue, there create,
- Ever shall be fortunate.
- So shall all the couples three
- Ever true in loving be;
- And the blots of Nature’s hand
- Shall not in their issue stand;
- Never mole, hare-lip, nor scar,
- Nor mark prodigious, such as are
- Despised in nativity,
- Shall upon their children be.
- With this field-dew consecrate,
- Every fairy take his gait,
- And each several chamber bless,
- Through this palace, with sweet peace,
- And the owner of it blest
- Ever shall in safety rest.
- Trip away; make no stay;
- Meet me all by break of day.
Exeunt Oberon, Titania, and Train.
TITA.
OBE.
- If we shadows have offended,
- Think but this, and all is mended,
- That you have but slumb’red here
- While these visions did appear.
- And this weak and idle theme,
- No more yielding but a dream,
- Gentles, do not reprehend.
- If you pardon, we will mend.

- So, good night unto you all.
- Give me your hands, if we be friends,
- And Robin shall restore amends.
Exit.
PUCK.


LMV Extractor Node.js Sample (local view)
This model was extracted using
http://extract.autodesk.io
© Copyright 2015 Autodesk. All rights reserved.


---
layout: page
title: Teaching
subtitle:
use-site-title: true
---
-
MIT-IIT Robotics Program (MIRP)
Started a workshop to teach programming, design, and control theory to high school students in India.
Tasks included creating material, teaching, and constructing 40 robotics kits for use in the workshop.
Summer 2017
-
Middle East Entrepreneurs of Tomorrow (MEET)
Taught programming to Israeli and Palestinian high school students in Jerusalem and Nazareth during MIT's
Independent Activities Period: January 2017
-
Greatest Hits of 6.006 (Introduction to Algorithms)
Created and taught a month long crash course in algorithm design, analysis, and programming during MIT's
Independent Activities Period: January 2016
-
Teaching Assistant at MIT
-
Design and Analysis of Algorithms (6.046): Fall 2017
-
Fundamentals of Programming (6.009): Spring 2017
-
Fundamentals of Programming (6.009): Fall 2016
-
Design and Analysis of Algorithms (6.046): Spring 2016
-
Design and Analysis of Algorithms (6.046): Spring 2015


This major release focuses on performance, improves accessibility and fixes some bugs. There are some possible breaking changes, but they are easy to fix (read below).
Breaking changes
The container’s HTML structure has changed: the interactive element used to focus the calendar has been moved into a wrapper to improve accessibility (#392):

+

+

This is a breaking change if you are styling the component using your own CSS or with the classNames
prop.
.DayPicker
selector to .DayPicker-wrapper
:- .DayPicker {
+ .DayPicker-wrapper {
classNames
with the container
prop, rename the container
className to wrapper
.The container element is now an inline-block
element.
When using fromMonth
/toMonth
props, navigation buttons now are rendered and hidden via CSS. Before, the buttons were not rendered at all, and it was impossible to style them (#366)
This is a breaking change if you are using those props and styling the component using your own CSS or with the classNames
prop.
In such cases, the buttons will be always shown even if the previous or the next months are not navigable.
.DayPickerNavBar--interactionDisabled
selector to your style with display: hidden
.classNames
, add a navButtonInteractionDisabled
to your classNames
with display: hidden
to hide the buttons.Improved rendering performance using shouldComponentUpdate
and PureComponent
(#389)
It should not be a breaking change, but if something is not working for you when updating some props please file an issue 🙃
Improvements
{after, before}
modifiers in the same object (#354). You can now write before/after modifiers such as disabledDays={ { before: aDate, after: aDate }}
.clickUnselectsDay
prop to unselect and clear the input when clicking on a previously selected day (#399)Bug fixes
You have an unlabeled element or control.
shown with react-a11y (#386)month
’s dayPickerProps
value (#380 by Yustynn)Improvements in the built version
These changes applies to the production build from the lib
dir (e.g. that served from unpkg.com).
Include DayPicker.Input
in the built file (#383)
Use <DayPicker.Input />
to render the input component.
DayPickerInput
: updated value
prop now will be reflected in the component’s state (#363)New DayPickerInput component
Use the DayPickerInput
component to render an input field interacting with the day picker (#213).
See example, docs and API reference.
New features
New todayButton
prop (#329).
Use this prop to display a button on the calendar’s footer to switch to the current month (example).
New showWeekDays
and onWeekClick
props (#304).
Use this props to display and interact with the year’s week numbers (example).
New daysOfWeek
modifiers type to match days of the weeks (#330).
For example, to match Sundays and Mondays:
<DayPicker
disabledDays={
- day => day.getDate() === 0 || day.getDate() === 1
+ daysOfWeek: [0, 1]
}
/>
isBeforeDay
/isAfterDay
functions where not exported correctly (#327)aria
role in Week element (#322 by emily-plummer)Expose ModifiersUtils functions (#309 by cwmoo740)
Use this set of functions if you need to validate or test your modifiers.
modifiersStyles
prop to add inline style to the days matching the given modifiers (see example
).isDayBefore
, isDayAfter
functions to DateUtils.Bug fixes
PropTypes
warnings in React 15.5.today
modifier (#279 by maxdubrinsky)Pass React Components to navBarElement
, captionElement
, weekdayElement
(#280 by cwmoo740)
aria
roles for weekdays and months HTML elements (#276 by oigewan)classNames
prop (#269 by oigewan, #275)New classNames
prop (#264).
Use this prop to change the CSS class names or add support for CSS modules (#73, see this example).
This differs from the initialMonth
props as it causes the calendar to re-render when its value changes.
Add aria-label
attributes to the navigation bar with the new labels
prop (#258).
This release focuses on improving perfomance and the component’s API.
New modifiers value types (#254)
Use dates, arrays, or ranges as modifier types, not just functions:
<DayPicker
- selectedDays={ day => DateUtils.isSameDay(day, this.state.selectedDay)}
+ selectedDays={ this.state.selectedDay }
/>
Read more in the modifiers documentation.
Breaking change Event handlers signature has changed (#256)
All events handlers like onDayClick
, onCaptionClick
, etc. now receive the Syntethic Event as last argument. Thus you must change your event handlers as follow:
onDayClick={
- (e, day, modifiers) => {
+ (day, modifiers, e)
e.preventDefault();
console.log(day);
console.log(modifiers);
}
}
Breaking change Use containerProps
to pass props to the container div
element. Before, any prop was passed to the container element degrading performance (#255):
<DayPicker
- data-thing="foo"
+ containerProps={ 'data-thing': 'foo' }
/>
Pass the day’s modifiers to the renderDay
prop function (#237)
Breaking change Updating initialMonth
will not show anymore a different month after the first mount (#169)
If you need the calendar to display a different month, use the month
prop.
Breaking change Use lang
HTML attribute instead of a specific CSS class name.
This change may break your style or layout if you are styling the component according to the current locale.
If this is the case, change your CSS to use the lang
attribute selector. For examples,
if you are styling the calendar for the de
locale:
- .DayPicker--de {
+ .DayPicker[lang="de"] {
background: yellow;
}
months
, weekdaysLong
, weekdaysShort
, firstDayOfWeek
props to localize the component.Easier localization
With these new props you can localize the Day Picker in a more declarative way. Check out this example.
weekdayComponent
and navbarComponent
props (deprecated from v2.3.0)Breaking changes
For any locale, weekday names must now begin from Sunday, and the first day of week should reflect this change (hence to start from Monday, the first day of week is 1
). See this diff as example.
pageNavigation
prop (#196 by zaygraveyard).initialMonth
(#198 by zaygraveyard).Fixed props warnings in React 15.2.0 (#191).
Removed superfluous deprecation warnings.
navbarElement
and weekdayElement
prop (#179 by boatkorachal).onDayFocus
prop (#185 by johannesd).Deprecation notice
navbarComponent
and weekdayComponent
props are deprecated. Please use navbarElement
and weekdayElement
:
- <DayPicker navbarComponent={ MyCustomNavbar } weekdayComponent={ MyCustomWeekday } />
+ <DayPicker navbarElement={ <MyCustomNavbar/> } weekdayElement={ <MyCustomWeekday /> } />
Added fixedWeeks
prop (#176 by fcsonline).
Use this prop to always display 6 weeks per month: example.
Fixed compatibility with IE11 (#175 by davidspiess).
weekdayComponent
prop (#172 by stanislav-ermakov-roi).
Use this prop to use a custom component for rendering the weekday cells in the header.navbarComponent
prop (#173 by stanislav-ermakov-roi).
Use this prop to use a custom component for rendering the navigation bar.Included the dist version in the npm package.
Fixed a bug when canChangeMonth
is set to true
(#168).
Fix npm release.
This release mainly improves the component’s API (thus some breaking changes) and add some new props.
Code has been split in multiple components and tests have been rewritten with enzyme. It should be easier to add and test the upcoming new features!
Thanks everyone for the support and for the help on making this component better 🤗 If you have issues or suggestions, don’t forget the Gitter room!
Breaking changes
onDay*
event handlers receive as third argument an object of modifiers instead of an array.This mean that if you where writing:
onDayClick(e, day, modifiers) {
if (modifiers.indexOf('selected') > -1) {
console.log('This day is selected')
}
}
you must now write:
onDayClick(e, day, modifiers) {
if (modifiers.selected === true) {
console.log('This day is selected')
}
}
or better:
onDayClick(e, day, { selected }) {
if (selected) {
console.log('This day is selected')
}
}
Removed onDayTouchTap
. Use onDayClick
instead. If you need more granularity over touch events, you can use the new onDayTouchStart
and onDayTouchEnd
props. See #153 for more details.
Fixed import with CommonJS modules (#136).
This affects code using require('react-day-picker').default
or similar syntax, which was required for v1.3.0. Now you can require('react-day-picker')
as usual, i.e. without specifying default
. If you are using ES2015 modules import DayPicker from 'react-day-picker'
, this change shouldn’t affect you.
formatDay
function in LocaleUtils.If you are using your custom LocaleUtils to localize the calendar, you need to implement this function as well, which is required to format the newly added aria-label attribute (see the documentation for an example). If you are localizing using moment, this change shouldn’t affect you.
New props
New disabledDays
and selectedDays
props. They receive a function (day) => Bool
as value to easily define which day should have the selected
or disabled
modifiers. See #34 for more details.
So if you were writing something like:
<DayPicker
modifiers={
{ selected: day => isDaySelected(day) },
{ disabled: day => isDayDisabled(day) }
}
/>
now you can write:
<DayPicker
selectedDays={ day => isDaySelected(day) }
disabledDays={ day => isDayDisabled(day) }
/>
reverseMonths
prop to render the most recent month first. (#147 by sonrtomas)onDayKeyDown
, onDayTouchStart
, onDayTouchEnd
props.Improvements
aria-*
attributes (#132 by limscoder)Bug fixes
fromMonth
or endMonth
Adds React 15 to the peer dependencies.
Fixes an issue causing className being overwritten by className
prop (#137).
Improvements
onBlur
, onFocus
, etc. (#122, #123)New features
captionElement
prop. A custom caption element is useful, for example, to create a year/month navigation as shown in this example. Read #52 for a discussion about this feature.Improvements
addMonths
function in DateUtilsFixed bugs
fromMonth
or toMonth
were set (#97)attr
tag with the right abbr
in the weekdays row – https://github.com/gpbl/react-day-picker/issues/33#issuecomment-159751186. ⚠ Please note that the component may now use the CSS defined for abbr
tags.Fix an issue with showMonth()
(#95) – thanks @JKillian
Minor changes when importing utilities
Improvements
isSameDay
in DateUtils now accepts null
or undefined
argumentsFix regression The last version was missing an element and this change may have broken existing styles. This fix restore the original behavior adding the element again. (see #82).
New features
fromMonth
and toMonth
props. Use the fromMonth
and toMonth
props to restrict the months within which the calendar can work. See this example.dateUtils
includes some useful function to set custom modifierslocaleUtils
are the default functions used to localize the Day Picker in english. See https://github.com/gpbl/react-day-picker/issues/46#issuecomment-153498039 for a sample usage of this library.Let the event from next/previous month click to propagate. #74 (kblcuk)
Fixed an issue with Daylight Saving Time for some timezones (#71) #72 (gpbl)
Add support of react-v0.14-rc1 #61
Fixes a bug causing onCaptionClick to receive always the first month when displaying multiple months #63
Fixes a bug when passing a new initialMonth
prop to the component that may cause an issue when navigating between months [#57]
Improvement
numberOfMonths
is greater than 1 (#37)Bug fix
numberOfMonths
is greater than 1 (#38)Fixed bugs
First major release. Please see the updated website for more info.
Date
object. To localize the Day Picker with moment.js (or another library), follow this pagediv
or span
. Use CSS to style the daypicker as table.today
modifier is added automaticallyonDayClick(e, day, modifiers)
instead of onDayClick(day, modifiers, e)
onNextMonthClick
and onNextMonthClick
props have been removed. Use onMonthChange
instead.


He is my favourite pet is a Catalan shepherd he is a big ball of hair I put him the name oso which means bear in spanish because is always sleeping and likes hugs.
As you can see in that photo he loves the hugs and also has short hair because El Salvador is too hot in some seasons to keep it with the large hair.
In this photo is a ball of hair.


The Ninth Gate
**1/2 out of ****
Year: 2000. Starring Johnny Depp, Frank Langella, Lena Olin, Emmanuelle Seigner, Barbara Jefford, Jack Taylor, Jose Lopez Rodero, James Russo. Screenplay by John Brownjohn, Roman Polanski, and Enrique Urbizu. Directed by Roman Polanski. Rated R.
When Arnold Schwarzenegger fights the Devil, you know the prince of darkness is a popular subject. But 1999's "End of Days" was a critical and commercial flop that trailers for Roman Polanski's latest effort "The Ninth Gate" made their film look dangerously similar to. Those who endured Arnold's misfire may therefore be pleased to find out that "The Ninth Gate" is a refreshingly slow-paced and thoughtful detective story involving a protagonist who collects books for a living, and veteran director Polanski has spiced up the proceedings enough to make his film consistently engrossing -- for about three-fourths of its running time. A shame that Polanski didn't quite know how to end his movie; "The Ninth Gate" slowly but surely pulls us in, making us believe that it's building towards a grand ending, one that never comes. It's a disappointing conclusion to an otherwise good film.
Johnny Depp stars as Dean Corso, a book collector hired by wealthy professor Boris Balkan (Frank Langella) to find two other copies of a book reputed to have been written by the devil himself. The book, "The Nine Gates of the Kingdom of Shadows," will supposedly call up Satan when used properly, but Balkan worries that the copy he has recently acquired may be a fake. He dispatches Corso to examine the other two books and discover which, if any, is an authentic version. Corso's quest leads him to Europe, where the other two copies are held in private collections. But in his search, Corso discovers he may be getting more than he bargained for. The vampish widow of the recently deceased former owner of Balkan's copy (Lena Olin) wants the book back, despite Corso's insistence that the book is not his to give up. He notices a strange blonde woman (Emmanuelle Seigner) following him wherever he goes, dead bodies keep turning up in his wake, and eventually Corso's own life is threatened. Cars try to run him over. Thugs encounter him in dark alleys. And it seems the closer Dean Corso gets to the secret of the ninth gate, the more dangerous his search becomes.
Polanski has been known in the past for his updating of the film noir genre, especially in his most well-known (and probably best) film "Chinatown." In "The Ninth Gate," he returns to the genre with which he has been most successful. The film is partially a homage to, and partially a parody of, the classic Hollywood detective story. We see it in the cast: Depp is a strangely detached main character, definitely not the classic Humphrey Bogart model detective. He's a "book detective," and he looks the part, wearing glasses and a goatee, looking as if a stiff wind might knock him over. The other characters are near-cartoonish parodies of traditional noir characters. Frank Langella, Lena Olin, and Emmanuelle Seigner ham it up (as they were no doubt told to do) as, respectively, the shady businessman and female vamps. Other amusing characters turn up in smaller roles, most notably a pair of Italian book dealer brothers, both played by the same actor, Jose Lopez Rodero, and one of the surprising things about "The Ninth Gate," despite its supposedly weighty subject matter, is how darkly funny it often is. Some may see this as a failure on Polanski's part, but not if one takes it as an intended joke on the director's part. Polanski obviously doesn't see Satanism as seriously as many other directors would, and the intentional stabs at humor work a whole lot better than the unintentional ones in the ridiculously serious "End of Days."
In many ways, it's fun to see Polanski fooling around with genre cliches: the femme fatales, the trail of dead bodies, the car chases, and the fistfights in back alleys. It could be said that "The Ninth Gate" is little more than conventional film noir with a supernatural element, but that's a bit of an understatement. There aren't many new noir ideas here, but then again, there aren't many new noir ideas to be had. What's important is that in "The Ninth Gate," Polanski does classic film noir well. Until the final reel, his storytelling is near-perfect. The mystery of the ninth gate is handled well, with layers of truth gradually revealed until we figure out what's going on. Polanski's handling of the camera is also as adept as ever. It's wonderful to see a director who is just as willing to let pictures tell the story as dialogue; very often the camera reveals more in one continuous shot than could be told in ten minutes of exposition. For about 100 minutes, "The Ninth Gate" manages to be an engrossing, amusing thriller.
I would certainly love to keep on talking about why I enjoyed the first three-fourths of this film, but eventually, we have to get to that final reel, don't we?  All I can say for the conclusion of "The Ninth Gate" is "Huh?" I was engrossed in the film's plot most of the way, and for devoting my attention to a picture for that long, one might expect a decent payoff. Too bad this film doesn't have one, and it's not just one of those "Blair Witch Project" we-didn't-get-to-see-the-witch endings. That film's directors had the good sense to at least give us something to think about, clues as to what had happened, even if they didn't spell it out for us. "The Ninth Gate" gives us nothing, and it doesn't help that the film had clearly taken a turn for the worse in its final half hour: There are too many endings, too many loose ends, and far too much silliness leading up to the abrupt fade-out, which is possibly the most uninvolving way Polanski could have ended his film. It's as if he ran out of film before shooting the final scene. Questions linger, those that one would expect to have been at least touched upon before film's end. Who was the mysterious girl? Why does Corso take such a sudden interest in the occult after it had previously been only the money that he wanted? And most importantly, does the devil get called up or not?
You won't find answers to any of these questions in "The Ninth Gate." Though repeat viewings may bring to light more aspects of the ninth gate legend, there doesn't seem to be much revealed about what actually happens when (and if) Satan is called up, and that is a major disappointment. You aren't left with a whole lot to chew on after seeing "The Ninth Gate." The ending, perhaps intended to appear "clever" and ambiguous, mostly comes off as lazy, and as much as I would like to proclaim Polanski's return to the director's chair a triumphant one, his film is far too imperfect for me to do that. Polanski came very close to creating a great film here. It's just too bad he forgot to end it.
-reviewed by Shay Casey
For more reviews, go to http://www.geocities.com/sycasey/movies.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


CoreLogic weekly house price update: Booming
by Unconventional EconomistIn the week ended 21 November 2019, the CoreLogic 5-city daily dwelling price index, which covers the five major capital city markets, surged another 0.48%:
The rise in values was broad-based, but again driven by Sydney followed by Melbourne:
There are 1183 words left in this subscriber-only article.


This is the hero
"A Football Jamboree"
AFRICAN CUP OF NATIONS, CAMEROON 2022
Egypt is the most successful nation in the cup's history, winning the tournament a record of seven times. Three different trophies have been awarded during the tournament's history, with Ghana and Cameroon winning the first two versions to keep after each of them won a tournament three times.
The CAF Africa Cup of Nations, officially CAN (French: Coupe d'Afrique des Nations), also referred to as AFCON, or Total Africa Cup of Nations after its headline sponsor, is the main international men's association football competition in Africa. It is sanctioned by the Confederation of African Football (CAF) and was first held in 1957. Since 1968, it has been held every two years.
Egypt is the most successful nation in the cup's history, winning the tournament a record of seven times. Three different trophies have been awarded during the tournament's history, with Ghana and Cameroon winning the first two versions to keep after each of them won a tournament three times.The current trophy was first awarded in 2002 and with Egypt winning it indefinitely after winning their unprecedented third consecutive title in 2010.
As of 2013, the tournament was switched to being held in odd-numbered years so as not to clash with the FIFA World Cup
Please contact us per Email for any further questions about Afcon2022
<EMAIL_ADDRESS>African Cup of Nations 2020 Mascot
The local organising committee of the 2022 African Nations Cup has unveiled a new version of “Tara”, as official mascot for the competition.
The Cameroon Football Federation (Fecafoot) on Wednesday unveiled the mascot for the 2020 Africa Nations Championship which begins on April 4. ‘Tara’ was initially unveiled in December but was met with severe criticism from Cameroonians who felt the nation’s governing body's choice was wide of the mark.
See the past Afcon Winners
Take a look at the last two countries to win the prestigous African cup of Nations which took place in Egypt and Gabon


- clearDB() - Method in class models.persistence.Initializer
-
- compare(Date, Date) - Static method in class models.util.DateLib
-
Compares two Date Objects, down to the second
- controllers.service - package controllers.service
-
- copyDateObject(Date) - Static method in class models.util.DateLib
-
Creates and returns a new Date object, which is an identical copy of the parameter Date object
Eliminates the extra milliseconds after the last second
- countStartupUsers() - Method in class models.domain.UserTest
-
- createActivity(String, String, String) - Method in class controllers.service.ActivityService
-
Creates new Activity object and attaches it to the database
Prerequisites:
- no other activity exists with the same name
- createEntityManager() - Static method in class models.persistence.JPAUtil
-
- createMembership(Activity, User) - Method in class controllers.service.MembershipService
-
Calls createMembership(Activity, User, Date)
By default passes current system date
- createMembership(Activity, User, Date) - Method in class controllers.service.MembershipService
-
Creates new Membership object and attaches it to the database
Prerequisites:
- the user cannot be an administrator
- this user is not already signed up for this activity
- only one tutor can participate in each activity
- this activity's sessions must not clash with any sessions of other activities
that the user is already registered for
- createNewActivity() - Method in class models.domain.ActivityTest
-
- createNewMemberships() - Method in class controllers.service.MembershipServiceTest
-
- createNewUser() - Method in class models.domain.UserTest
-
- createNewUserFromConstructor() - Method in class models.domain.UserTest
-
- createSessions(Date, Date, boolean[]) - Method in class models.domain.Activity
-
Creates the set of all activity sessions between (and including) two dates, for the specified week days only
- createUser(String, String, UserType, String, String, Date) - Method in class controllers.service.UserService
-
Creates new User object and attaches it to the database
Prerequisites:
- the username is not already in use


v0.13.1 [2012-02-12] Michael Granger
- Made use of a finished PG::Connection raise a PG::Error instead of a fatal error (110).
- Added missing BSDL license file (108)
v0.13.0 [2012-02-09] Michael Granger
Reorganization of modules/classes to be better Ruby citizens (with backward-compatible aliases):
- Created toplevel namespace ‘PG’ to correspond with the gem name.
- Renamed PGconn to PG::Connection (with ::PGconn alias)
- Renamed PGresult to PG::Result (with ::PGresult alias)
- Renamed PGError to PG::Error (with ::PGError alias)
- Declare all constants inside PG::Constants, then include them in PG::Connection and PG::Result for backward-compatibility, and in PG for convenience.
- Split the extension source up by class/module.
- Removed old compatibility code for PostgreSQL versions < 8.3
Documentation:
- Clarified licensing, updated to Ruby 1.9’s license.
- Merged authors list, added some missing people to the Contributor’s list.
- Cleaned up the sample/ directory
- Making contact info a bit clearer, link to the Google+ page and the mailing list
Enhancements:
- Added a convenience method: PG.connect -> PG::Connection.new
Bugfixes:
- Fixed LATIN5-LATIN10 Postgres<->Ruby encoding conversions
v0.12.2 [2012-01-03] Michael Granger
- Fix for the 1.8.7 breakage introduced by the st.h fix for alternative Ruby implementations (97 and 98). Thanks to Lars Kanis for the patch.
- Encode error messages with the connection’s encoding under 1.9 (96)
v0.12.1 [2011-12-14] Michael Granger
- Made rake-compiler a dev dependency, as Rubygems doesn’t use the Rakefile for compiling the extension. Thanks to eolamey@bitbucket and Jeremy Evans for pointing this out.
- Added an explicit include for ruby/st.h for implementations that need it (fixes 95).
v0.12.0 [2011-12-07] Michael Granger
- PGconn#wait_for_notify
- send nil as the payload argument if the NOTIFY didn’t have one.
- accept a nil argument for no timeout (Sequel support)
- Fixed API docs
- Taint and encode event name and payload
- Handle errors while rb_thread_select()ing in PGconn#block. (Brian Weaver).
- Fixes for Win32 async queries (Rafał Bigaj)
- Memory leak fixed: Closing opened WSA event. (rafal)
- Fixes for 66 Win32 asynchronous queries hang on connection error. (rafal)
- Fixed a typo in PGconn#error_message’s documentation
- fixing unused variable warnings for ruby 1.9.3 (Aaron Patterson)
- Build system bugfixes
- Converted to Hoe
- Updates for the Win32 binary gem builds (Lars Kanis)
v0.11.0 [2011-02-09] Michael Granger
Enhancements:
- Added a PGresult#values method to fetch all result rows as an Array of Arrays. Thanks to Jason Yanowitz (JYanowitz at enovafinancial dot com) for the patch.
v0.10.1 [2011-01-19] Michael Granger
Bugfixes:
- Add an include guard for pg.h
- Simplify the common case require of the ext
- Include the extconf header
- Fix compatibility with versions of PostgreSQL without PQgetCancel. (fixes 36)
- Fix require for natively-compiled extension under Windows. (fixes 55)
- Change rb_yield_splat() to rb_yield_values() for compatibility with Rubinius. (fixes 54)
v0.10.0 [2010-12-01] Michael Granger
Enhancements:
- Added support for the payload of NOTIFY events (w/Mahlon E. Smith)
- Updated the build system with Rubygems suggestions from RubyConf 2010
Bugfixes:
- Fixed issue with PGconn#wait_for_notify that caused it to miss notifications that happened after the LISTEN but before the wait_for_notify.
v0.9.0 [2010-02-28] Michael Granger
Bugfixes.
v0.8.0 [2009-03-28] Jeff Davis
Bugfixes, better Windows support.


US Debt Graph
Current
President
Party
Periods
Breakdown by various periods
All Data is sourced from the US treasury


Original plot with no configuration
ggplot2 style configuration
signal determining base font size and configuration of thick capped grid and domain and larger lineBottom aligned x axis labels offset to the right.
Title, subtitle and group encoding (hover pointer over subtitle)
Title encoding using deprecated tiEncode
(should generate new
title element encoding with blue text for title only).
Subtitle configuration
Unconfigured event spec
Dragging disabled via config
Bar chart with horizontal axis ticks aligned to band extent and horizontal axis displaced by 4 pixels and crosshair cursor over bars.
As previous but with global crosshair cursor
Default locale (no extra configuration).
Empty locale provided (should default as above)
German locale assuming Euro currency, German month names and . tbousand divider


import Layout, {Wrapper, Footer as TestFooter} from './layout' import * as Helpers, {Button} from './helpers' import './layout' as Main import './globals' import Module1 from 'module1' import Module2 from 'module2' import Module3 from 'module3'


{% extends "results.html" %} {% block body %}
Docker has a variety of different approaches for data storage. Each has their drawbacks so you decide.
Storage in a container is quick and dirty however when you delete the container the data is lost.
Stores to the host disk for persistence however you are now tied to that host so portability suffers. A volume is subdirectory in a container’s file system that exists outside of the union file system.
Volume containers are better but backups to the host disk still need to be considered.
Vendor plugins allow for integration into your network storage environment with all of it's benefits. Your also exposed to all the vendor issues we know and love.


@* * This template takes a two arguments * A String containing a message to display. * webJarAssets object *@ @(message: String)(webJarAssets: WebJarAssets) @* * Call the `main` template with three arguments. * The first argument is a `String` with the title of the page. * The second argument is an `Html` object containing the body of the page. * And third argument is an `webJarAssets` object. *@ @main("Welcome to Play") {


With the advent of autonomous driving systems, having a system in place that can drive the car with minimal driver input is of the utmost importance. We are working with General Motors to develop a hands-free driving system that improves safety on the road without sacrificing convenience.
The objective of this project is to develop a system that is capable of hands-free highway driving. The system will allow drivers to enable a hands-free assisted driving feature which will drive the vehicle in its existing lane without needing to control the steering wheel.
Instructor Name: Dr. Betty H.C. Cheng
Email<EMAIL_ADDRESS>Jon Stover
Domain Expert / Customer Liaison
Computer Science Major, Japanese Minor, Graduating Winter 2019
Tony Sulfaro
Artifacts Manager
Computer Science Student at Michigan State with a passion for full-stack web development. Graduating December 2020
An Introduction to LiDAR: The Key Self-Driving Car Sensor
Comprehensive Experimental Analyses of Automotive Attack Surfaces
Hands-Free Driving System (HFDS)
Illusion and Dazzle: Adversarial Optical Channel Exploits against Lidars for Automotive Applications
Proactive Defense: Understanding the 4 Main Threat Actor Types


| < Day Day Up > |
Hack 70 Traffic Shaping on FreeBSD
Allocate bandwidth for crucial services. If you're familiar with your network traffic, you know that it's possible for some systems or services to use more than their fair share of bandwidth, which can lead to network congestion. After all, you have only so much bandwidth to work with. FreeBSD's dummynet may provide a viable method of getting the most out of your network, by sharing bandwidth between departments or users or by preventing some services from using up all your bandwidth. It does so by limiting the speed of certain transfers on your network—also called traffic shaping. 7.3.1 Configuring Your Kernel for Traffic ShapingTo take advantage of the traffic shaping functionality of your FreeBSD system, you need a kernel with the following options: options IPFIREWALL options DUMMYNET options HZ=1000 dummynet does not require the HZ option, but its manpage strongly recommends it. See [Hack #69] for more about HZ and [Hack #54] for detailed instructions about compiling a custom kernel. The traffic-shaping mechanism delays packets so as not to exceed the transfer speed limit. The delayed packets are stored and sent later. The kernel timer triggers sending, so setting the frequency to a higher value will smooth out the traffic by providing smaller delays. The default value of 100 Hz will trigger sends every 10 milliseconds, producing bursty traffic. Setting HZ=1000 will cause the trigger to happen every millisecond, resulting in less packet delay. 7.3.2 Creating Pipes and QueuesTraffic shaping occurs in three stages:
Pipes are the basic elements of the traffic shaper. A pipe emulates a network link with a certain bandwidth, delay, and packet loss rate. Queues implement weighted fair queuing and cannot be used without a pipe. All queues connected to a pipe share the bandwidth of that pipe in a certain configurable proportion. The most important parameter of a pipe configuration is its bandwidth. Set the bandwidth with this command: # ipfw pipe 1 config bw 120kbit/s
This command creates pipe 1 if it does not already exist, assigning it 120 kilobits per second of bandwidth. If the pipe already exists, its bandwidth will be changed to 120 Kbps. When configuring a queue, the two most important parameters are the pipe number it will connect to and the weight of the queue. The weight must be in the range 1 to 100, and it defaults to 1. A single pipe can connect to multiple queues. # ipfw queue 5 config pipe 1 weight 20 This command instructs dummynet to configure queue 5 to use pipe 1, with a weight of 20. The weight parameter allows you to specify the ratios of bandwidth the queues will use. Queues with higher weights will use more bandwidth. To calculate the bandwidth for each queue, divide the total bandwidth of the pipe by the total weights, and then multiply each weight by the result. For example, if a 120 Kbps pipe sees active traffic (called flows) from three queues with weights 3, 2, and 1, the flows will receive 60 Kbps, 40 Kbps, and 20 Kbps, respectively. If the flow from the queue with weight 2 disappears, leaving only the flows with weights 3 and 1, those will receive 90 Kbps and 30 Kbps, respectively. (120 / (3+1) = 30, so multiply each weight by 30.) The weight concept may seem strange, but it is rather simple. Queues with equal weights will receive the same amount of bandwidth. If queue 2 has double the weight of queue 1, it has twice as much bandwidth. Queues that have no traffic are not taken into account when dividing traffic. This means that in a configuration with two queues, one with weight 1 (for unimportant traffic) and the other with weight 99 (for important business traffic), having both queues active will result in 1%/99% sharing, but if there is no traffic on the 99 queue, the unimportant traffic will use all of the bandwidth. 7.3.3 Using MasksAnother very useful option is to create a mask by adding mask mask-specifier at the end your config line. Masks allow you to turn one flow into several flows; the mask will distinguish the different flows. The default mask is empty, meaning all packets fall into the same flow. Using mask all would make all connections significant, meaning that every TCP or UDP connection would appear as a separate flow. When you apply a mask to a pipe, each of that pipe's flows acts as a separate pipe. Yet, each of those flows is an exact clone of the original pipe, in that they all share the same parameters. This means that the three active flows from our example pipe will use 360 Kbps, or 120 Kbps each. For a queue, the flows will act as several queues, each with the same weight as the original one. This means you can use the mask to share a certain bandwidth equally. For our example with three flows and the 120 Kbps pipe, each flow will get a third of that bandwidth, or 40 Kbps. This hack assumes that you will integrate these rules in your firewall configuration or that you are using ipfw only for traffic shaping. In the latter case, having the IPFIREWALL_DEFAULT_TO_ACCEPT option in the kernel will greatly simplify your task. In this hack, we sometimes limit only incoming or outgoing bandwidth. Without this option, we would have to allow traffic in both directions, traffic through the loopback interface, and through the interface we will not limit. However, you should consider disabling the IPFIREWALL_DEFAULT_TO_ACCEPT option, as it will drop packets that your policy does not specifically allow. Additionally, enabling the option may cause you to accept potentially malicious traffic you hadn't considered. The example configurations in this hack were tested with an ipf-based firewall that had an explicit deny rule at the end. When integrating traffic shaping into an existing ipfw firewall, keep in mind that an ipfw pipe or ipfw queue rule is equivalent to "ipfw accept after slow down . . . " if the sysctl net.inet.ip.fw.one_pass is set to 1 (the default). If the sysctl is set to 0, that rule is just a delay in a packet's path to the next rule, which may well be a deny or another round of shaping. This hack assumes that the default behavior of the pipe and queue commands is to accept or an equivalent action. 7.3.4 Simple ConfigurationsThere are several ways of limiting bandwidth. Here are some examples that assume an external interface of ed0: # only outgoing gets limited ipfw pipe 1 config bw 100kbits/s ipfw add 1 pipe 1 ip from any to any out xmit ed0 To limit both incoming and outgoing to 100 and 50 Kbps, respectively: ipfw pipe 1 config bw 100kbits/s ipfw pipe 2 config bw 50kbits/s ipfw add 100 pipe 1 ip from any to any in recv ed0 ipfw add 100 pipe 2 ip from any to any out xmit ed0 To set a limitation on total bandwidth (incoming plus outgoing): ipfw pipe 1 config bw 100kbits/s ipfw add 100 pipe 1 ip from any to any in recv ed0 ipfw add 100 pipe 1 ip from any to any out xmit ed0 In this example, each host gets 16 Kbps of incoming bandwidth (outgoing is not limited): ipfw pipe 1 config bw 16kbits/s mask dst-ip 0xffffffff ipfw add 100 pipe 1 ip from any to any in recv ed0 7.3.5 Complex ConfigurationsHere are a couple of real-life examples. Let's start by limiting a web server's outgoing traffic speed, which is a configuration I have used on one of my servers. The server had some FreeBSD ISO files, and I did not want it to hog all the outgoing bandwidth. I also wanted to prevent people from gaining an unfair advantage by using download accelerators, so I chose to share the total outgoing bandwidth equally among 24-bit networks. # pipe configuration, 2000 kilobits maximum ipfw pipe 1 config bw 2000kbits/s # the queue will be used to enforce the /24 limit mentioned above ipfw queue 1 config pipe 1 mask dst-ip 0xffffff00 # with this mask, only the first 24 bits of the destination IP # address are taken into consideration when generating the flow ID # divert outgoing traffic from the web server (at <IP_ADDRESS>) ipfw add queue 1 tcp from <IP_ADDRESS> 80 to any out Another real-life example involves limiting incoming traffic by department. This configuration limits the incoming bandwidth for a small company behind a 1 Mbps connection. Before this was applied, some users were using peer-to-peer clients and download accelerators, and they were hogging almost all the bandwidth. The solution was to implement some weighted sharing between departments and let the departments take care of their own hogs. # Variables we will use # External interface EXTIF=fxp0 # My IP address ME=<IP_ADDRESS> # configure the pipe, 95% of total incoming capacity ipfw pipe 1 config bw 950kbits/s # configure the queues for the departments # departments 1 and 2 heavy net users ipfw queue 1 config pipe 1 weight 40 ipfw queue 2 config pipe 1 weight 40 # accounting, they shouldn't use the network a lot ipfw queue 3 config pipe 1 weight 5 # medium usage for others ipfw queue 4 config pipe 1 weight 20 # incoming mail (SMTP) to this server, HIGH priority ipfw queue 10 config pipe 1 weight 100 # not caught by the previous categories - VERY LOW bandwidth ipfw queue 11 config pipe 1 weight 1 # classify the traffic # only incoming traffic is limited, outgoing is not affected. ipfw add 10 allow ip from any to any out xmit via $EXTIF # department 1 ipfw add 100 queue 1 ip from any to <IP_ADDRESS>/28 in via $EXTIF # department 2 ipfw add 200 queue 2 ip from any to <IP_ADDRESS>/28 in via $EXTIF # accounting ipfw add 300 queue 3 ip from any to <IP_ADDRESS>/28 in via $EXTIF # mail ipfw add 1000 queue 10 ip from any to $ME 25 in via $EXTIF # others ipfw add 1100 queue 11 ip from any to any in via $EXTIF The incoming limit is set to 95% of the true available bandwidth. This will allow the shaper to delay some packets. If this were not the case and the pipe had the same bandwidth as the physical link, all of the delay queues for the pipe would have been empty. The extra 5% of bandwidth on the physical link fills the queues. The shaper chooses packets from the queues based on weight, passing through packets from queues with a higher weight before packets from queues with lower weight. 7.3.6 See Also
|
| < Day Day Up > |


A class containing utility functions for [page:BufferGeometry BufferGeometry] instances.
geometry -- A [page:BufferGeometry BufferGeometry] instance, which must have index, position, normal, and uv attributes.
Calculates and adds tangent attribute to a geometry.
geometries -- Array of [page:BufferGeometry BufferGeometry] instances.
useGroups -- Whether groups should be generated for the merged geometry or not.
Merges a set of geometries into a single instance. All geometries must have compatible attributes.
If merge does not succeed, the method returns null.
attributes -- Array of [page:BufferAttribute BufferAttribute] instances.
Merges a set of attributes into a single instance. All attributes must have compatible properties
and types, and [page:InterleavedBufferAttribute InterleavedBufferAttributes] are not supported. If merge does not succeed, the method
returns null.
attributes -- Array of [page:BufferAttribute BufferAttribute] instances.
Interleaves a set of attributes and returns a new array of corresponding attributes that share
a single InterleavedBuffer instance. All attributes must have compatible types. If merge does not
succeed, the method returns null.
geometry -- Instance of [page:BufferGeometry BufferGeometry] to estimate the memory use of.
Returns the amount of bytes used by all attributes to represent the geometry.
geometry -- Instance of [page:BufferGeometry BufferGeometry] to merge the vertices of.
tolerance -- The maximum allowable difference between vertex attributes to merge. Defaults to 1e-4.
Returns a new [page:BufferGeometry BufferGeometry] with vertices for which all similar vertex attributes
(within tolerance) are merged.
geometry -- Instance of [page:BufferGeometry BufferGeometry].
drawMode -- The draw mode of the given geometry.
Returns a new indexed [page:BufferGeometry BufferGeometry] based on the [page:DrawModes THREE.TrianglesDrawMode] draw mode. This mode
corresponds to the *gl.TRIANGLES* WebGL primitive.
[link:https://github.com/mrdoob/three.js/blob/master/examples/jsm/utils/BufferGeometryUtils.js examples/jsm/utils/BufferGeometryUtils.js]


All Classes
NCClient
NCClientBuilder
NCClientException
NCCompany
NCFeedback
NCModel
NCNewCompany
NCProbe
NCResult
NCUser


I had two friends over to partake in some Amanita mushrooms that I ordered from an online vendor. I also ordered a variety of other legal herbs and psychoactives. The amanitas were the main interest since they seemed tame and organic. We prepared ourselves by taking a vitamin C tablet of 100mg and a dramamine tablet of 50mg. None of us had any allergies to any fruits and none of us were taking any sort of medications that would interfere with SSRI's or MAOI's.
All of us ate some Amanita mushrooms. I had 4.1 grams, one friend had 4.5 grams, and the other had 5 grams. We waited a few hours and played Soul Caliber 3. I was very impatient after awhile and just paced the room. We all waited 2 hours before deciding this: the mushrooms were a bust. My quarter pound appeared as wasted.
 We wanted vivid scenery or any sort of visual. All of us had only experimented with simple drugs.
Recently I had been collecting web pages of experiences of the drugs I was to order. I had a lot of research on the amanitas and was most prepared for that one alone. However, I did have some pages that included experiences with Syrian Rue and Mimosa Hostilis. I had 1/8 of a pound of each. Therefore I quickly found one that I had saved and mimicked the author's preparations.
I had ground up 6 grams of Syrian Rue and 16 grams of the Hostilis. I used a coffee grinder I bought for $14. I then went upstairs (we were chilling out in my basement) and used one of my mother's pots to boil four cups of water, a half cup of lemon juice, and the powder that I had just produced. After 15 minutes of boiling, I was still impatient and decided it was enough. The concoction smelled gross and I had read it was bitter as can be. We put in icecubes and prepared ourselves. Now for the crazy events.
Still having no effects from the amanitas we were prepared to feel some good visuals. No one expected anything extreme. We all sipped at once. I quickly spit out my gulp and stated that it tasted like puke. Everyone agreed.
My gag reflex was going nuts. I did not throw up while drinking any of it. The one friend managed to choke all of his down. We used some Kava to help. We had mixed some Kava and water and let it sit in our mouths. We had read that it numbed the mouth so we assumed it would help. It didn't help me.
Once my one friend had downed his, he was at the point of no return. I was intent to trip. I used toothpaste to coat my mouth and gulp it down. I had used this trick to gargle with salt water when I had throat irritations as a child. My drink was spilled 3 sips in. Small sips. So I asked the other friend who had taken about 2 small sips of his if I could have it. He stated that it was nasty and he did not care. So I drank his instead. I noticed some nasty solid stuff at the bottom so I would dump the glass into another, and wash out the previous one that had gunk. I had done this about 3 times and soon there wasnt any solid or fiberous gunk. So after numerous coatings of the mouth with toothpaste, I got my drink down.
Now, my friend who also drank it, I won't describe his experiences, lets just say, he got what I wanted, and I had an unhappy trip. The sitter helped me through the bad parts, but I don't feel like describing it too much.
So, I was laying on the couch after drinking the brew. Within 10-15 minutes, I started feeling out of place. An odd feeling, hard to describe, almost like being light headed non stop. I got the ringing in my head that I get when I stand up too fast and get light headed. I believe it would be the low blood pressure that this stuff does to you.
I was drooling non stop. All over myself. Soon I was very unaware of my own body. I got off the couch and sat on the floor. Felt safer. Sat there for about 10 minutes. Maybe more. I have no clue. I had previously gotten a bucket in the middle of the floor in case I or my friend needed to puke. I felt like I was riding a fast rollercoaster. The floor kept moving towards me. The lights were vibrating. I was afraid. My mindset was all wrong. I knew I would have a bad trip and being pessimistic may have been what had done it. That or I had taken way too much for my body weight.
So, floor moving at me, lights vibrating, I was afraid. I kept speaking in quick spurts. Like, 'AwwManIdontFeelsoGood.' I would then stop and think about how weird I felt. Then 'IdontQuiteLikeThis.' I was getting to be incoherent. The sitter would ask if I was ok occasionally, but he knew I had to sit through it and endure. I know that if things got horribly bad, he would wake my sleeping parents. I trusted him.
Then the visuals started. It was like a Fear and Loathing In Las Vegas in my basement. Colors were all over. The ceiling was greenish and breathing. The colors of the couch and the patterns on the floor were melding together and spilling onto themselves. Then I knew what was to come. I had to vomit. I threw up a lot. It was violent and felt horrible. Right before I threw up I had started getting worse. My head was buzzing so hard I felt like I would blackout. I could not think any kind of thought. I saw maggots in my puke. The maggots were moving so fast. I looked away after I knew I was done throwing up. Closing my eyes was terrible, extreme sense of vertigo.
My other tripped out friend and the sitter went outside to smoke. They left me alone. I was pretty afraid alone. I got up to go outside. And I was going to puke again. I got outside managed some indistinguishable words, and threw up in the grass. I looked into the blackness of my backyard. The farm fields and grass were purple. The grass looked as big as tent spikes. I wanted to explore, but I was too sick to walk around. I sat and puked. I kept telling the sitter that I did not want to die. I wanted to come out of this alive and that I hope I get to see my wonderful girlfriend again. We have been together about 1 and 1/2 years. Very serious. I considered calling her but decided against it since I know I would scare her with how I felt and how I gibbered.
So I kneeled outside and the tripped friend went inside. The sitter was outside with me. I looked at my body and realized I was shaking. I knew I was cold but could not feel a thing. So we went in the house again. I lay on the couch covered in blankets. We had some Aphex Twin playing and I could really feel the music. I believe Buckethead was on at times, and it never sounded good to me until that night. So I lay there and talked to the sitter. I had a very different view on life. I could look at my life and past events in a whole different way. I had read people who had stated what I have stated before and pictured it. I thought I knew. But really, this was something else. I had not a clue to what they were talking about. But this was definitly it. I understood them now.
So really, I realized how good my life was. I had friends, I had a job, I had a good girlfriend, one that had every single quality I could have ever wanted, my family supported me, scholarships were paying for my college. I had everything in my life going for me. And if I had done some drugs, that I had not researched enough, depending on what it was, I could have nothing. They aren't illegal. But it was intense and dangerous. I was extremely dehydrated from the throwing up.
The TV moved around a lot. I had colors all over. Walls moved. Faces that were hardly there would appear. Then be lost in the swirling textures. The blue screened tv was too intense to look at. Blocks of color popped out straight at me. When I listened to the music I could close my eyes and get visuals from it. All in all, after the puking and fear, it was amazing.
But I cycled through the trips again, 2 more times. They were not as intense as the first one. I did not feel nausea anymore. 4:30 in the morning, 2 and 1/2 hours later from drinking the brew, and I was thinking clearly again with just a few things moving here and there. A few colors where they weren't supposed to be.
I went to bed feeling extremely exhausted.
Well, that was last night. I woke up this morning with a headache. It could be from dehydration.  I can't taste much, but throughout the day today I have gotten some of it back. Could be from the Kava. Could be from the puking and stomach acids. Could be from the enormous amounts of whitening toothpaste I had coated my mouth with. Could be from all 3. The other friend who tripped did not use toothpaste and didn't use as much Kava as I did. He also did not throw up. His mouth was fine he stated.
I have a new outlook on life. Bad things aren't worth getting upset about. I treasure my life with new meaning. I really wished that I had researched it more before I did it. It is nothing to play with. I may do it again in the future. But I would only use half the ingredients that I ingested. It was worth it for the new outlook I see things with. I recommend lower dosages than I had taken, for someone at my body weight. My other friend was 180 lbs and he was fine.
But really, it felt like Fear and Loathing in Las Vegas at times.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Gaze Analysis and Prediction in Static Virtual Scenes
Zhiming Hu, Congyi Zhang, Sheng Li, Guoping Wang, and Dinesh Manocha
We present a novel, data-driven eye-head coordination model that can be used for realtime gaze prediction for immersive HMD-based applications without any external hardware or eye tracker. Our model (SGaze) is computed by generating a large dataset that corresponds to different users navigating in virtual worlds with different lighting conditions. We perform statistical analysis on the recorded data and observe a linear correlation between gaze positions and head rotation angular velocities. We also find that there exists a latency between eye movements and head movements. SGaze can work as a software-based realtime gaze predictor and we formulate a time related function between head movement and eye movement and use that for realtime gaze position prediction. We demonstrate the benefits of SGaze for gaze-contingent rendering and evaluate the results with a user study.
Our related work on gaze analysis and prediction in virtual reality:
Gaze Analysis and Prediction in Virtual Reality
DGaze: CNN-Based Gaze Prediction in Dynamic Scenes
Temporal Continuity of Visual Attention for Future Gaze Prediction in Immersive Virtual Reality


{{category}}
{{category}}
{{category}}
{{category}}
{{product.title}}
Rs {{product.price}}
Newsletter
Just stay tune for our latest Product. Now you can subscribe
Email
Subscribe
×
This featuer will be added soon, stay tuned.


Alderis with Preference Bundles
Alderis acts as a drop-in replacement for libcolorpicker, an abandoned but still very popular color picker library on jailbroken iOS. Packages can simply change their dependencies list to replace org.thebigboss.libcolorpicker
with ws.hbang.alderis (>= 1.1)
to switch the color picker to Alderis. No other changes required!
Alderis also provides a replacement, cleaner interface for preference bundles. Example usage:
<dict>
<key>cell</key>
<string>PSLinkCell</string>
<key>cellClass</key>
<string>HBColorPickerTableCell</string>
<key>defaults</key>
<string>com.example.myawesomething</string>
<key>default</key>
<string>#33b5e5</string>
<key>label</key>
<string>Tint Color</string>
<key>showAlphaSlider</key>
<true/>
<key>PostNotification</key>
<string>com.example.myawesomething/ReloadPrefs</string>
</dict>
Compared to libcolorpicker’s API design, this leans on the fundamentals of Preferences.framework, including using the framework’s built-in preference value getters/setters system. In fact, the only two distinct parts are the cellClass
and the showAlphaSlider
key. The rest should seem natural to typical Preference specifier plist usage.
Remember to link against the libcolorpicker
library from the preference bundle. With Theos, this might look like:
MyAwesomeThing_LIBRARIES = colorpicker
The functionality described in this section is only available in the jailbreak package for Alderis, specifically in the libcolorpicker.dylib
binary (lcpshim), and is not included in the App Store (CocoaPods/Carthage) version.


Kun-Hsing "Kun" Yu, M.D, Ph.D. is an Assistant Professor in the Department of Biomedical Informatics at Harvard Medical School. He developed the first fully automated artificial intelligence (AI) algorithm to extract thousands of features from whole-slide histopathology images, discovered the molecular mechanisms underpinning the microscopic phenotypes of tumor cells, and successfully identified previously unknown cellular morphologies associated with patient prognosis. His lab integrates cancer patients' multi-omics (genomics, epigenomics, transcriptomics, and proteomics) profiles with quantitative histopathology patterns to predict their clinical phenotypes. More than 20 research laboratories worldwide have independently validated the AI methods developed in the Yu Lab.
Education:
- PhD, Biomedical Informatics, Stanford University (2012-2016)
- PhD Minor, Computer Science, Stanford University (2012-2016)
- MD, National Taiwan University, Taiwan (2004-2011)
Selected Awards:
- Career Development Award, Department of Defense (2023)
- Google Research Scholar Award (2022)
- National Institutes of Health (NIH) Maximizing Investigators' Research Award (2021)
- Blavatnik Center for Computational Biomedicine Award (2020)
- Schlager Family Award for Early Stage Digital Health Innovations (2018)
- Harvard Data Science Fellowship (2017-2019)
- Howard Hughes Medical Institute (HHMI) Fellowship (2015-2016)
- Winston Chen Stanford Graduate Fellowship (2012-2016)
- Best Intern Award, National Taiwan University Hospital, Taiwan (2011)
- Presidential Award, National Taiwan University, Taiwan (2005, 2008-2011)


To update the Conference Schedule Database from .xlsx or .xls file.
- The Conference Start Date, Conference End Date, Conference Location,
and Schedule, Speaker, Poster data can be set separately at Upload Data tab.
-
The three Excel template files for preparing Schedule,
Speaker, and Poster data can be downloaded at Upload Data tab.
- DON'T delete the first row or any column in the Excel files.


{%extends "base.html"%} {% load bootstrap4 %} {% load bootstrap3 %} {%load static%} {% block content %}
Click on the locations to join their neighbourhood community
Ngong Lane Plaza,on ngong road near doubletree


Oops!
User Image is not a proper face
Kindly upload an image of yours with good lighting and no restrictions on your face like masks etc.
Retry


This example illustrates the Custom element Grid filtering feature. Move the mouse cursor over a column header and click the dropdown button to open the filtering menu.
Remove Sort
Filter Background
Show All Filter Icons
Event Log:


... every admin's dream I'd say ;)
Well, what would you do to prevent your users to logon to a computer while you
do some non-interactive remote administration/updating/software installation?
Now? There's only one chance: turn off that Netlogon service on the domain server(s).
... but no more. Maintenance mode comes to your help. Just switch on maintenance mode
on the machine and users will be denied logon and shown a customizable message. Only
admins will be allowed to logon. It does not matter here, whether the admin is a local
one or a domain- or forest-global one.
The message shown is fully customizable and presented in a dialog similar to the news dialog:
Actually you can put anything the Internet Explorer of Windows would show. This GINA
actually uses the IE engine to render the content. Anyway, just this would be too open
when showing users any content. You should limit the links in the document shown to
the absolutely necessary! AgreementGINA2 already takes measures to not allow any protocols
but the internal about:blank, the also-internal res:// and the
http:// protocols. Downloads are not being allowed - imagine someone could
overwrite your system files while acting as SYSTEM - horrible! So all this is very
restrictive already, but the links in the agreement document decide whether the user is
given the chance to break "out of the box".
You can either give standard local pathes to HTML files, you can give remote URIs/URLs
(e.g. on the domain server) or you can directly enter HTML content. Note, that the
title of the document defines the title of the dialog!


|
| | Value () |
| | Constructs a Value<T> using T's default constructor, if available. More...
|
| |
| | Value (const T &v) |
| | Constructs a Value<T> by copying or cloning the given value v . More...
|
| |
| template<typename... Args> |
| | Value (Args &&... args) |
| | Constructs a Value<T> by forwarding the given args to T's constructor, if available. More...
|
| |
| | Value (std::unique_ptr< T > v) |
| | Constructs a Value<T> by copying or moving the given value v . More...
|
| |
| | ~Value () override |
| |
| std::unique_ptr< AbstractValue > | Clone () const override |
| | Returns a copy of this AbstractValue. More...
|
| |
| void | SetFrom (const AbstractValue &other) override |
| | Copies or clones the value in other to this value. More...
|
| |
| void | SetFromOrThrow (const AbstractValue &other) override |
| | Like SetFrom, but throws std::logic_error on mismatched types even in Release builds. More...
|
| |
| const std::type_info & | static_type_info () const final |
| | Returns typeid(T) for this Value<T> object. More...
|
| |
| const std::type_info & | type_info () const override |
| | Returns typeid of the contained object of type T. More...
|
| |
| const T & | get_value () const |
| | Returns a const reference to the stored value. More...
|
| |
| T & | get_mutable_value () |
| | Returns a mutable reference to the stored value. More...
|
| |
| void | set_value (const T &v) |
| | Replaces the stored value with a new one. More...
|
| |
|
| | Value (const Value &)=delete |
| |
| Value & | operator= (const Value &)=delete |
| |
| | Value (Value &&)=delete |
| |
| Value & | operator= (Value &&)=delete |
| |
| | AbstractValue () |
| |
| virtual | ~AbstractValue () |
| |
| std::string | GetNiceTypeName () const |
| | Returns a human-readable name for the underlying type T. More...
|
| |
| template<typename T > |
| const T & | GetValue () const |
| | Returns the value wrapped in this AbstractValue, which must be of exactly type T. More...
|
| |
| template<typename T > |
| const T & | GetValueOrThrow () const |
| | Like GetValue, but throws std::logic_error on mismatched types even in Release builds. More...
|
| |
| template<typename T > |
| const T * | MaybeGetValue () const |
| | Like GetValue, but quietly returns nullptr on mismatched types, even in Release builds. More...
|
| |
| template<typename T > |
| T & | GetMutableValue () |
| | Returns the value wrapped in this AbstractValue, which must be of exactly type T. More...
|
| |
| template<typename T > |
| T & | GetMutableValueOrThrow () |
| | Like GetMutableValue, but throws std::logic_error on mismatched types even in Release builds. More...
|
| |
| template<typename T > |
| void | SetValue (const T &value_to_set) |
| | Sets the value wrapped in this AbstractValue, which must be of exactly type T. More...
|
| |
| template<typename T > |
| void | SetValueOrThrow (const T &value_to_set) |
| | Like SetValue, but throws on mismatched types even in Release builds. More...
|
| |
| | AbstractValue (const AbstractValue &)=delete |
| |
| AbstractValue & | operator= (const AbstractValue &)=delete |
| |
| | AbstractValue (AbstractValue &&)=delete |
| |
| AbstractValue & | operator= (AbstractValue &&)=delete |
| |
template<typename T>
class drake::systems::Value< T >
A container class for an arbitrary type T.
User-defined classes that require additional type-erased features should subclass Value<T>, taking care to define the copy constructors and override Clone().
- Template Parameters
-
| T | Must be copy-constructible or cloneable. |


| 021:007 Khan | : |
And We sent not before you (O Muhammad SAW) but men to whom We inspired, so ask the people of the Reminder [Scriptures - the Taurat (Torah), the Injeel (Gospel)] if you do not know. |
| 021:007 Maulana | : |
And We sent not before thee any but men to whom We sent revelation; so ask the followers of the Reminder if you know not. |
| 021:007 Pickthal | : |
And We sent not (as Our messengers) before thee other than men, whom We inspired. Ask the followers of the Reminder if ye know not? |
| 021:007 Rashad | : |
We did not send before you except men whom we inspired. Ask those who know the scripture, if you do not know. |
| 021:007 Sarwar | : |
The messengers that We had sent before you were only men to whom We had given revelation. Ask the People of the Book if you do not know. |
| 021:007 Shakir | : |
And We did not send before you any but men to whom We sent revelation, so ask the followers of the reminder if you do not |
| 021:007 Sherali | : |
And WE sent none as Messengers before thee but men to whom WE sent revelations. So ask the people of the reminder, if you know not; |
| 021:007 Yusufali | : |
Before thee, also, the messengers We sent were but men, to whom We granted inspiration: If ye realise this not, ask of those who possess the Message. |
Concepts/Themes Covered: أركان الإسلام > (محمد (صلى الله عليه وسلم > تأييد رسالته Pillars of Islam> The Blessed Muhammad(PBUH)> Supporting his Message الإيمان > الأنبياء والرسل > هم بشر يوحي إليهم Faith> The Prophets and the Messengers of Allah> They are Human Beings to be Inspired القرآن الكريم > حقيقته وتصديقه للكتب الأوائل The Holy Quran> The Quran's Reality and its confirmation of the Previous Books العلوم والفنون > الحث على التفقه في الدين Science and Art>Urging to Study the Religion
This tool uses eight English parallel translations for the Holy Quran imported from Mr. Clay Smith. You can also visit Qurany Concepts for browsing the Quran themes or topics. If you want to search the Holy Quran for keywords, please visit Qurany Keywords.


Contract
| Vendor Name | TETRAD COMPUTER APPLICATIONS LTD. |
|---|---|
| Description of Work | License maintenance fees |
| Comments | Software license maintenance. This contract includes an amendment in the amount of $25,199.00 to exercise Option Year 1, bringing the total value of the contract to $50,398.00. This contract is a call-up against a Public Works and Government Services procurement tool. This is a multi-year contract that was originally awarded on July 4, 2013, following a competitive process. |
| Reference Number |<PHONE_NUMBER> |
| Contract Date | 2014-08-18 |
| Contract Period | 2013-07-04 to 2014-07-03 |
| Contract Value | $ 25,199.00 |
* Use either Contract Period or Delivery Date.


PostgreSQL has a large object facility, which provides stream-style access to user data that is stored in a special large-object structure. Streaming access is useful when working with data values that are too large to manipulate conveniently as a whole.
This chapter describes the implementation and the programming and query language interfaces to PostgreSQL large object data. We use the libpq C library for the examples in this chapter, but most programming interfaces native to PostgreSQL support equivalent functionality. Other interfaces might use the large object interface internally to provide generic support for large values. This is not described here.


Will Stepp is a fiction writer living in Northwest Georgia. He’s written stories in a multitude of genres, including adventure, fantasy, horror, literary, mystery, and science fiction. His characters are people who long for home and happiness and sometimes even find it.


Success!
Has been
deleted
successfully!
Success!
Has been
created
successfully!
Success!
Has been
updated
successfully!
JSDO Transport
Refresh


Sunday 9/24 at 9am, Rio Vista Park Pavillion, San Marcos, TX Join us for this annual dog walking event that brings together Greyhounds, Sighthounds and Lurcher all around the world. Commemorative Tshirt available for purchase.


[t]You can setup your company color theme of your website below.[/t]
[t]You can open your profile by clicking[/t] [t]here[/t]


Most of my favorite things are within the Nature God created things!
There are so many several websites that I am always interested on and most of the time you find me naviating throuh those websites, such as football sites and news sites.
BBC news leagueHere is a link to my First Webpage.


My approach to problem solving.
19/12/2019
Throughout my programming career I've encountered quite a bit of problems and most of the time I do get stuck. The most recent memory about getting stuck that I can recall
is when I was doing my first data structures assignment. When I saw the project brief everything felt so foreign to me and I thought that there is no way I would be able
to complete this assignment. However, I did not let this fear take over me and I started simple by trying to understand what I need to do and from there I slowly wrote
empty functions that I needed. After writing a structure, I was surprised at how simple it actually was when I was figuring out the logic. Everything came together well
but I was still getting stuck at some parts. If I get really stuck I ask for help from my peers and my lecturers and everything went fine. I learned that it's okay to ask
for help and it's definitely okay to google problems you're stuck at.
While I was doing the katas, I've noticed that I've used quite a bit of problem solving techniques and processes, mainly Pseudocode, console logging and googling. Usually,
after I've done these three things I tend to have solved the problem already. When I get to the point where I feel helpless and frustrated and I cannot concentrate at all,
that's when I go to my peers and mentors for help.


package org.papervision3d
{
import org.papervision3d.core.log.PaperLogger;
/**
* The Papervision3D class contains global properties and settings.
*/
public class Papervision3D
{
/**
* Indicates if the angles are expressed in degrees (true) or radians (false). The default value is true, degrees.
*/
public static var useDEGREES :Boolean = true;
/**
* Indicates if the scales are expressed in percent (true) or from zero to one (false). The default value is false, i.e. units.
*/
public static var usePERCENT :Boolean = false;
/**
*
*/
public static var useRIGHTHANDED :Boolean = false;
/**
* Enables engine name to be retrieved at runtime or when reviewing a decompiled swf.
*/
public static var NAME :String = 'Papervision3D';
/**
* Enables version to be retrieved at runtime or when reviewing a decompiled swf.
*/
public static var VERSION :String = '2.0.0';
/**
* Enables version date to be retrieved at runtime or when reviewing a decompiled swf.
*/
public static var DATE :String = 'March 12th, 2009';
/**
* Enables copyright information to be retrieved at runtime or when reviewing a decompiled swf.
*/
public static var AUTHOR :String = '(c) 2006-2008 Copyright by Carlos Ulloa | John Grden | Ralph Hauwert | Tim Knip | Andy Zupko';
/**
* This is the main Logger Controller.
*/
public static var PAPERLOGGER : PaperLogger = PaperLogger.getInstance();
}
}