abstract class NaCl::AEAD::Base
- NaCl::AEAD::Base
- Reference
- Object
Direct Known Subclasses
Defined in:
nacl/aead/base.crConstant Summary
-
ABYTES =
LibSodium::CRYPTO_AEAD_XCHACHA20POLY1305_IETF_ABYTES
-
KEYBYTES =
LibSodium::CRYPTO_AEAD_XCHACHA20POLY1305_IETF_KEYBYTES
-
MESSAGEBYTES_MAX =
LibSodium::CRYPTO_AEAD_XCHACHA20POLY1305_IETF_MESSAGEBYTES_MAX
-
NPUBBYTES =
LibSodium::CRYPTO_AEAD_XCHACHA20POLY1305_IETF_NPUBBYTES
-
NSECBYTES =
LibSodium::CRYPTO_AEAD_XCHACHA20POLY1305_IETF_NSECBYTES
Constructors
Class Method Summary
-
.key_bytes
The key bytes for the AEAD class
-
.nonce_bytes
The nonce bytes for the AEAD class
-
.tag_bytes
The number bytes in the tag or authenticator from this AEAD class
Instance Method Summary
-
#decrypt(nonce, ciphertext, additional_data = nil)
Decrypts and verifies an encrypted message with additional authenticated data
-
#decrypt_string(nonce, ciphertext, additional_data = nil, encoding = "utf8")
Same as
#decrypt
, but returns aString
- #do_decrypt(message, message_len, nonce, ciphertext, additional_data)
- #do_encrypt(ciphertext, ciphertext_len, nonce, message, additional_data)
-
#encrypt(nonce, message, additional_data = nil)
Encrypts and authenticates a message with additional authenticated data
-
#encrypt_string(nonce, message, additional_data = nil)
Same as
#encrypt
, but accepts aString
message - #key : Indexable(UInt8)
-
#key_bytes
The key bytes for the AEAD instance
-
#nonce_bytes
The nonce bytes for the AEAD instance
-
#tag_bytes
The number of bytes in the tag or authenticator for this AEAD instance
Constructor Detail
Class Method Detail
Instance Method Detail
def decrypt(nonce, ciphertext, additional_data = nil)
#
Decrypts and verifies an encrypted message with additional authenticated data
Same as #decrypt
, but returns a String
abstract
def do_encrypt(ciphertext, ciphertext_len, nonce, message, additional_data)
#
def encrypt(nonce, message, additional_data = nil)
#
Encrypts and authenticates a message with additional authenticated data
def encrypt_string(nonce, message, additional_data = nil)
#
Same as #encrypt
, but accepts a String
message


Weird week RPG
Group:
42
Minute:
47/48
Please use the web browser compatible with HTML5.
usage: move (arrow-key)
Debug Information
keycode
player position


--- layout: post authors: ["Greg Wilson"] title: What To Work On In 2013 date: 2012-12-09 time: "09:00:00" tags: ["Community"] ---
Votes are in and tallied: here's what you'd like us to work on in 2013.


- Design of a framed structure to enable a parking area in Bilbao street in León, Spain.
- Structural predesign of two solutions for a parking garage under the railroad yard in León, Spain.
- Structural design of the Virgen del Puerto school, in Paracuellos (Madrid), Spain.
- Structural design verification of Orusco de Tajuña local health office, Madrid, Spain.
- Structural design of a Porcelanosa commercial building in Valfuentes industrial estate, Arroyomolinos (Madrid), Spain.
- Structural design of a prestressed slab for Essa Palau factory, in Palau de Plegamans (Barcelona), Spain.
- Structural design of nine single-family homes in Casarrubuelos, SUP-R3 area (Madrid), Spain.
- Structural design of a residential building in Carretera street, Arroyomolinos (Madrid), Spain.- Structural design of a residential building with 114 flats in Coslada SUNP-R1 area (Madrid), Spain.
- As built documentation of Sevilla Olympic Stadium in Alamillo Park, Cartuja Island, Spain.


---
layout: post
title: A lightweight JavaCC Newick parser
categories:
- Bioinformatics
- Programming
tags:
- Java
- parser
status: publish
type: post
published: true
meta:
_publicize_pending: '1'
tagazine-media: a:7:{s:7:"primary";s:0:"";s:6:"images";a:0:{}s:6:"videos";a:0:{}s:11:"image_count";i:0;s:6:"author";s:7:"4343193";s:7:"blog_id";s:7:"6714149";s:9:"mod_stamp";s:19:"2013-02-08
15:38:36";}
_oembed_565eba3f993fff10f97a41c429913b93: '{{unknown}}'
_oembed_ee3f028937306022225cf018ea4c55ae: '{{unknown}}'
_oembed_d0ed74cba85699bbedb77cd352c69d5b: '{{unknown}}'
_elasticsearch_indexed_on: '2013-02-07 21:36:42'
---
I could not easily find a lightweight Newick parser written in Java. Newick parsers included in bioinformatics tools seem to parse into some customized complicated tree structure, so I decide to spend a few hours to write one myself.
With JavaCC, the parser is just a few lines of code. It builds a very simple tree structure which could be easily converted to any more complex tree structure.
A binary jar file is here: https://bitbucket.org/djiao/a-lightweight-javacc-newick-parser/downloads/newick-1.0-SNAPSHOT.jar. I tested it with a newick file (downloaded from http://users-birc.au.dk/zxr/phyloprof/taxomonicTreeNCBI_bin.nwk) and it worked pretty well. To run it, simply do
> cat taxomonicTreeNCBI_bin.nwk | java -cp newick-1.0-SNAPSHOT.jar newick.NewickParser
Sources are here: https://bitbucket.org/djiao/a-lightweight-javacc-newick-parser/src


11.12. Release 0.186
Warning
This release has a stability issue that may cause query failures in large deployments due to HTTP requests timing out.
General Changes
- Fix excessive GC overhead caused by map to map cast.
- Fix implicit coercions for
ROW
types, allowing operations between compatible types such asROW(INTEGER)
andROW(BIGINT)
. - Fix issue that may cause queries containing expensive functions, such as regular expressions, to continue using CPU resources even after they are killed.
- Fix performance issue caused by redundant casts.
- Fix
json_parse()
to not ignore trailing characters. Previously, input such as[1,2]abc
would successfully parse as[1,2]
. - Fix leak in running query counter for failed queries. The counter would increment but never decrement for queries that failed before starting.
- Reduce coordinator HTTP thread usage for queries that are queued or waiting for data.
- Reduce memory usage when building data of
VARCHAR
orVARBINARY
types. - Estimate memory usage for
GROUP BY
more precisely to avoid out of memory errors. - Add queued time and elapsed time to the client protocol.
- Add
query_max_execution_time
session property andquery.max-execution-time
config property. Queries will be aborted after they execute for more than the specified duration. - Add
inverse_normal_cdf()
function. - Add Geospatial Functions including functions for processing Bing tiles.
- Add Spill to Disk for joins.
- Add Redshift Connector.
Resource Groups Changes
- Query Queues are deprecated in favor of Resource Groups and will be removed in a future release.
- Rename the
maxRunning
property tohardConcurrencyLimit
. The old property name is deprecated and will be removed in a future release. - Fail on unknown property names when loading the JSON config file.
JDBC Driver Changes
- Allow specifying an empty password.
- Add
getQueuedTimeMillis()
andgetElapsedTimeMillis()
toQueryStats
.
Hive Changes
- Fix
FileSystem closed
errors when using Kerberos authentication. - Add support for path style access to the S3 file system. This can be enabled
by setting the
hive.s3.path-style-access=true
config property.
SPI Changes
- Add an
ignoreExisting
flag toConnectorMetadata::createTable()
. - Remove the
getTotalBytes()
method fromRecordCursor
andConnectorPageSource
.
Note
These are backwards incompatible changes with the previous SPI. If you have written a connector, you will need to update your code before deploying this release.


|
NCT03014089
|
ZIKA
|
Phase I/II
|
| Dec 2016 |
90 |
mRNA 1325, modified nucleotides; LNP-formulated, Antigen: prM-E polyprotein
|
Results pending; estimated primary completion date in Sept 2018 |
|
NCT03076385
|
INFLUENZA H10N8
|
Phase I
|
| Dec 2015 |
201 |
mRNA 1851, modified nucleotides; LNP-formulated, Antigen: HA of H10N8 A/Jiangxi-Donghu/346/2013
|
Interim results published for 100 μg IM (
N = 23) vs. placebo (
N = 8)
Safety: acceptable safety profile
Immunogenicity:
- HI titers ≥40 in 100% (23/23) of subjects at day 43
- MN ≥20 in 87% (20/23) at day 43
|
|
NCT03345043
|
INFLUENZA H7N9
|
Phase I
|
| May 2016 |
156 |
mRNA 1440, modified nucleotides; LNP-formulated, Antigen: HA of H7N9 A/Anhui/1/2013
|
Results pending; estimated primary completion date in Sept 2018 |
|
NCT03325075
|
CHIKUNGUNYA
|
Phase I
|
| Aug 2017 |
60 |
mRNA 1388, modified nucleotides; LNP-formulated Antigen: structural polyprotein
|
Results pending; estimated primary completion date in Sept 2019 |
This table exclusively lists clinical trials discussed in the text; prM-E, preMembrane-Envelope; HA, Hemagglutinin; HI, hemagglutination inhibition; MN, microneutralization titers; N, number of study participants; IM, intramuscular; ID, intradermal; LNP, lipid nanoparticle.


A Toolbox Talk is an informal safety meeting that focuses on safety topics related to the specific job, such as workplace hazards and safe work practices. Meetings are normally short in duration and are generally conducted at the job site prior to the commencement of a job or work shift. It is one of the very effective methods to refresh workers' knowledge, cover last minute safety checks, and exchange information with the experienced workers. Toolbox Talks are also intended to facilitate health and safety discussions on the job site and promote your organization’s safety culture. Toolbox talks/meetings are sometimes referred to as tailgate meetings or safety briefings.
An induction checklist is a well-detailed guideline outlining the activities lined up for the new employee or contractor, to ensure timely coverage of the induction process and to avoid omission or duplication of information. It is a critical tool that has proven to be efficient over the years. Typically used for safety / WHS induction checklists.
the incidents tab helps you to report any incident that occurs on the sites


{%extends 'mgmt/index.html'%} {% load static%} {% block content %}
| Issued to W/0: | Job-Card: | Issued By: | Qty | Unit Price | Date Issued |
|---|---|---|---|---|---|
| {{instance.workorder}} | {{instance.jobCardNumber}} | {{instance.issued_by}} | {{instance.issue_quantity}} | $ {{instance.part.price}} | {{instance.created_at|date:"M d, Y" }} |
| Issued to W/0: | Job-Card: | Removed By: | Removed From: | Date Removed: |
|---|---|---|---|---|
| {{instance.workorder}} | {{instance.jobCardNumber}} | {{instance.removed_by}} | {{instance.removed_from}} | {{instance.updated_at|date:"M d, Y" }} |


You have 5 points. Please choose the necessities that you would like to have:
Points Remaining:
Food
Health Insurance
Vehicle
Clothes
Housing
Sleep
Dental Insurance
Once you have made your choices, please click submit:


{% block content %}
THIS PAGE HAS NO CONTENT
{% endblock %}
Github Repo
Icons made by
Smashicons
from
www.flaticon.com


PoS(LATTICE 2013)001
Title
Heavy Flavour Physics Review
Conference
31st International Symposium on Lattice Field Theory LATTICE 2013
Authors
A. El-Khadra
Contribution
pdf


Concordia University says it will divest entirely from coal, oil and gas by 2025
by The Canadian Press, StaffMONTREAL - Concordia University says it will stop investing its assets in the coal, oil and gas sector within five years.
The university says it's also committed to putting its entire endowment -- worth about $243 million -- into investments that are sustainable by 2025.
The school's interim president, Graham Carr, says sustainable investments are those that conform to the United Nations Principles for Responsible Investment, to which the university became a signatory in 2018.
The university's endowment is managed by the Concordia University Foundation, which says its current assets in the coal, oil and gas sectors represent about 5.7 per cent of the total amount, or $14 million.
Other Canadian universities have announced similar divestment commitments, including Universite du Quebec a Montreal, which sold off its fossil fuel assets last year.
Carr says Concordia is the first university in Quebec to have committed to a 100 per cent sustainable endowment portfolio, along with a specific timeline for reaching that goal.


The AdminServlet provides information about running pools. This is only relevant if you are using Proxool inside a web application. You can configure the servlet in any way you like, but this is an example web.xml fragment:
<servlet> <servlet-name>Monitor</servlet-name> <servlet-class>org.logicalcobwebs.proxool.admin.servlet.AdminServlet</servlet-class> </servlet> <servlet-mapping> <servlet-name>Monitor</servlet-name> <url-pattern>/monitor</url-pattern> </servlet-mapping>


GATTACA (PG-13)
Review by E. Benjamin Kelsey
Rating: * * * (out of 4)
I admit that I was very excited to see "Gattaca", and perhaps my expectations influenced my feelings about the film, either good or bad. I think this is probably common thing that happens to movie critics. The premise for this movie really intrigued me, and I've been anxious to see it ever since I saw my first preview for it a few months ago.
The point is, I quite liked this film. I battled with myself over whether it deserved more than 3 stars, but to be completely honest, it probably doesn't deserve more. DESERVE being the main factor.
The plot for "Gattaca" is very intriguing though. The issues it brings up, even by themselves, made this film so noteworthy. Sure, some people will argue that similar things have indeed been done, but I still found this film to be very magnetizing. The main problem here is the lack of character development. I didn't find the stoic-ness of the actors to be quite as negative as many critics seemed to. I think their lack of emotional depth was all part of the story; part of what it was trying to say about the future. Still, the characters did need more attention, and perhaps their "true feelings" should have been buried deep down, stiffled, but making themselves known here and there. Instead, the people just seemd to be void of emotions. That may work for what the movie is trying to say, but when it comes to some of the central characters, we needed more to draw us in.
The opening visuals were great. Nothing profound, but still, near microscopic images of falling fingernails, hairs, and skin cells were very well done. Nice imagery to start out the film.
There were also a few problems with the plot besides character development. Some unanswered questions remained at the films end. Subtle continuities were passed over, but probably nothing to worry about. Other things, however, just seemed too simple or too implausable within the futuristic setting. "If they can do this in the future, how come they can't do this?" Those are the kinds of things that went thru my mind.
This review sounds harsh and negative, but I do want to stress that I quite enjoyed the film and I would definitely recommend it. I think that all my "ranting and raving" was more to help myself feel at peace for not giving it a higher grade. That's how much I liked it. This is one of those films where I have to remind myself that QUALITY and ENJOYABILITY are not quite the same. Still, this is definitely a worthy effort!
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Vika Derkach
Student • Frontend Developer • Dancer • Witch • Teacher • Austronout • Actress • a very good person
Vika Derkach
Student • Frontend Developer • Dancer • Teacher • Austronout • Actress • a very good person
Résumé
I'm a very cool girl. I am so hot that I wonder if I am contributing to global warming. Moreover, I’m so awesome, I wish I had a friend like me. My favorite machine at the gym is the vending machine. I'm even better than your mother's friend's daughter.
Life is like a box of chocolates. You never know what you're gonna get
Timeline
-
September 2019 - till now
Studen in MIT-
I think, that MIT is the most cool university in the world. I love the surrounding here. And people.... Our teachers are amazing.
- Making some friends
- Discovering a lot of new things, mostly very interesting.
- Started to learn JaveScript to become the best girl programmer in the world.
-
-
September, 2014 - till now
Hogwarts school-
- Remote student there
- A lot of friends.
- Unfortunately burn the house while studying
- The best student in class.
- Learn a lot of spells
-
-
- The best ice-scream seller in the Ternipil.
- Destroyng the competitors
- Work for election
- Eat a lot of ice-cream.
- Making friends.
-
September, 2008 - May 2019
My School-
- Attending for 11 years.
- A lot of enemies.
- missing classes
- Hoping to finishing it
-
-
Childhood
Fun=)
-
22th July 2002
Born in Ternipil, Ukraine
Summer 2020
Becoming a workerLanguages
Skills
Personality
Like 😃
Dislike 😞
DESIRES 🥺
Education
2018 - nowadays
My baggage-
- CourseHunter
- YouTube, big amount of different playlists
- Books
- DIfferent free resources, HTMLAcademy, GloAcademy, Coursera


My Example Blog
May 2011
Nother post
25 May 2011
Title One
25 May 2011
April 2008
Nother post
13 Apr 2008
My Example Blog
About
Archive
Posts RSS
Copyright 2008 Aldo Cortesi


I’ve created a new R function called spreadPoints
, in my basicPlotteR
package.
The spreadPoints()
function is designed to add points onto an existing boxplot. The points are spread out to avoid overlap. It works a lot like the stripchart
, but it doesn’t spread points randomly. Here it is at work in R:
There is still work to be done on this function but give it a go and let me know what you think. You just need to download my basicPlotteR
package:
# Install the devtools package to install packages from GitHub
install.packages("devtools")
# Install my basicPLotteR package directly from GitHub
devtools::install_github("JosephCrispell/basicPlotteR")
# Load it!
library(basicPlotteR)
# Generate some example points - drawn from exponential distribution
values <- rnorm(n=50)
# Plot a boxplot
boxplot(values, xlab="", ylab="", frame=FALSE, las=1, pch=19)
# Plot the points spread along the X axis
spreadPoints(values, position=1, col="blue")
The spreadPoints()
function works with the following steps:
- Split the
Y
axis into equally sized bins - Assign each
Y
point into a bin - Examine each
Y
axis bin:
a. Count the points in current bin
b. Split theX
axis space available, to give the same amount of space to each point
c. Working from the middle, work out left and right assigning each point a newY
coordinate - Plot the points with modified
Y
values
Well hopefully that’s a helpful addition to the basicPlotteR
package. Showing the underlying points on a boxplot is very important, particularly when there are only a few points available and I wanted a method that was non-random.
Still plenty of work to do on this, so give it a go and let me knwo what you think! 😊


_lab
implented stuff:
minimal css reset for html5
dom ready check based on Promises
html partials / with fetch and Promises


Toggle navigation
Pushitu!
5
Welcome, Skobellof
Edit Profile
Log Out
Invites
3
Notifications
2
Invitations
Event Name
Organizer
Date
Time
Place
Action
WEBAPPS Workshop
Sir Briane Samson
January 20, 2014
4:20pm - 6:00pm
A903
IGNITION
Sir Briane Samson
February 1, 2014
1:00pm - 6:00pm
A2003
OS Benchmarking
La Salle Computer Society
February 21, 2014
3:30pm - 5:30pm
G304B
Notifications
Raiza is Attending
WEBAPPS Workshop
OS Benchmarking
Information has been updated
Home
Sunday
Monday
Teusday
Wednesday
Thursday
Friday
Saturday
Select-A-Month
January
February
March
April
May
June
July
August
September
October
November
December


Even more websites all about website template on Just Web Templates.
Even more websites all about website template on Just Web Templates.
If you're loooking for beatiful and profesionally made templates you can find them at Templates Beauty.
You can remove any link to our websites from this template you're free to use the template without linking back to us.


THIRTEENTH FLOOR, THE (director: Josef Rusnak; cast: Craig Bierko (Douglas Hall/Joe Ferguson), Armin Mueller-Stahl (Hannon Fuller), Gretchen Mol (Jane Fuller), Vincent D'Onofrio (Whitney/Ashton), Dennis (Detective Larry McBain), Steve Schub (Zev Bernstein), Jeremy Roberts (Tom Jones), 1999)
This science-fiction thriller is based on the 1964 novel "Simulacron 3" by Daniel Galouye. It asks the question, how would you react in finding out that your world is not real? This is a theme a number of '90s sci-fi films have already done. It seems as if the movies are running out of ideas for this world and need the after-life for more material.
The film opens with a quote from Descartes (1596-1650), "I think, therefore I am." Supposedly, I am being prepared for a film that will make me think. Instead, what I got was a sci-fi film that left me somewhat confused by its being both a murder mystery and a time travel sci-fi'er. It was very difficult to keep track of what was going on, as the film moved back and forth between two different time frames. It was also difficult for me to grok what is meant by the creation of parallel dimensions and how it is possible for our world to be a copy of another. What made it even more difficult, was that the story line was built around the murder case and not around the more interesting ideas generated by time travel. Yet, it was this virtual reality computerized world that left me dazzled with its engrossing ideas.
Though the film tried, it simply couldn't create too much depth for its characters.They remained tied to the sci-fi part of the story. This meant that they had to act as copies. They performed their task well, but their characters couldn't expand because of the limitations they were presented with. They just didn't have too much sparkle to them. Even the romance between the leads was jejune. This proved to be a fatal flaw in the film.
The plot centers around a virtual reality device created that allows the user to "jack-in" and play out various experiences in 1937 Los Angeles. These creations have feelings and emotions just like people; but they don't know they're not real.
The film opens, as Hannon Fuller (Armin) leaves a mysterious letter with an unreliable bartender, Ashton (D'Onofrio), in a virtual reality world of 1937 Los Angeles. The bartender reads the letter he was supposed to give only to Douglas Hall (Bierko). Hannon Fuller is next seen in bed with his wife. But he is soon in a hurry to leave his apartment and go to this seedy bar. Once there, he leaves an urgent phone message on his underling's phone machine. When he leaves the bar, he gets fatally knifed in the street, in front of the bar. This murder takes place in the real world of modern Los Angeles.
The letter he gave the bartender had a warning in it that they must stop the program they are running. It is too dangerous. All signs point to the killer being his colleague and heir to the computer empire, Douglas Hall. He, unfortunately, can't remember a thing, as he wakes up in his apartment with a blood-stained shirt in the wastebasket. Thusly, Doug is forced to "jack-in" and return to 1937 Los Angeles to look for clues so he can find the real killer. He is helped in this endeavor by his colleague Whitney (D'Onofrio). Yes. Whitney is Ashton in the parallel world. In the 1937 world that Doug returns to, he will be identified as a bank teller named Joe Ferguson.
Detective McBain (Haysbert) is in the real world and it is his job to get the killer. He shows up at Hannon's computer empire and starts grilling the logical suspect and number one employee of Hannon, Douglas Hall. Jane Fuller (Gretche Mol) is the love interest of Doug. She turns up on the 13th floor of Hannon's computer empire, claiming to be the daughter of Hannon, who was never mentioned to Doug. In the 1937 world, she is a gum-chewing check-out clerk in a supermarket.
The 13th Floor, directed by Josef Rusnak from a screenplay he wrote with Ravel Centeno-Rodriguez can be valued for its re-creation of a 1937 Los Angeles of fancy bars, booming oil wells, and a magnificent Wilshire Boulevard setting. All this ostentation taking place in the middle of our great depression. It was fun to see this opulent depiction of a town that was to only grow more opulent and depressed in the future. It took this cyberthriller into noir film territory, as the falsely accused hero, goes searching for the bartender to help him solve the mystery.The simulations that brought him back to 1937, are a result of a computer chip developed by Hannon. In this most original story, it seems Hannon has made one too many simulations himself and now wants to abort this project.
All the characters had different roles in their former lives. Hannon Fuller was a poor junk store owner in 1937, contrasted with his role in the present world, as the very wealthy corporate magnate. In his simulations he frequented the glitzy bar, which provided him with girls for pleasure.
I got mixed messages from this film. I thought it was an interesting concept, that somehow didn't seem as exciting as it should be on the first viewing. I will reserve final judgment on it, since I think it could look better upon seeing it again. As for the flatness of the characters, that I'm afraid won't change. But I must say, I thought the actors did a really fine job considering the limitations placed on them by the script...Also, the filmmakers did a good job with their use of costume and set designs. I wanted to like this film more than I actually did, but I couldn't fully enjoy it, for the simple reason that too much of the film was taken up by the uninteresting murder case.
REVIEWED ON 6/8/99 GRADE: C+
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
© ALL RIGHTS RESERVED DENNIS SCHWARTZ
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Jupyter Notebook requires JavaScript.
Please enable it to proceed.
404 : Not Found
You are requesting a page that does not exist!


I began playing football when I was 5 years old. I began playing with my local club Evergreen FC. I hated playing football at first however after one year, I began to love the sport. I played for the A team for 12 years until I was 17. I became captain for the team for a year when I was 14. We managed to reach the All Ireland Quarter Final during that season. When I was 18, I left the team to play Sunday League football for the same club due to the leaving Cert and the fact that football took up too much time.
After the leaving cert was over, I attended the UCC trial for the UCC Freshers Football team. After 6 trials, I was told that I made the team. We have played the majority of the season and have achieved a lot. The highlight of the season was when we reached the All Ireland Final. We played in the Harding cup in Mid February. We stayed in the Clayton Hotel in Dublin and had all of our meals prepared for us to ensure we played the best football that we could. Our first match was against Mary I in which we won 8-0 which put us into the All Ireland Semi-Final. In the Semi-Final, we Played against the Favourites UCD. Thanks to an early goal and some resolute defending, We managed to win 1-0 and get into the All Ireland Final and we would play against UL
The All Ireland Final was a great experience. It was played at one of the best football pitches in Ireland at the UCD Bowl on the UCD campus. The match was televised on the IUFU website, FaceBook and Twitter. It was very professional and even had an official walkout. It was a very tight and cagey game however we lost 2-0. Even though we lost, it was one of the best experiences of my life and greatly enjoyed every second of it.
Another sport I played as i grew up was Hurling. Growing up in Kilkenny, everyone plays hurling. Growing up, i played wioth my local club James Stephens GAA club. Some notable ex players include;
I played for the club since I was 4 and also played with my school. I played Corner forward for both however, I never managed to hold down a spot on the A team. I greatly enjoyed playing hurling when I was playing however I enjoyed playing football more so i gave it up when I was 16.
Due to hurling being such a popular sport in Kilkenny, gaelic Football was never played


Some features previously available in this tool are now offered as official YouTube features, and so do not require complex workarounds.
If you wish, you can use the legacy version of this tool (no longer maintained) here.


Allows to cast rays against a polygonal mesh, on the CPU. Relies on an internal acceleration structure to speed up intersection queries.
More...
#include <Raycaster.hpp>
Allows to cast rays against a polygonal mesh, on the CPU. Relies on an internal acceleration structure to speed up intersection queries.
◆ Raycaster() [1/3]
◆ Raycaster() [2/3]
◆ Raycaster() [3/3]
◆ addMesh()
| void Raycaster::addMesh |
( |
const Mesh & |
mesh, |
|
|
const glm::mat4 & |
model |
|
) |
| |
Adds a mesh to the internal geometry.
- Parameters
-
| mesh | the mesh to add |
| model | the transformation matrix to apply to the vertices |
◆ interpolateNormal()
| glm::vec3 Raycaster::interpolateNormal |
( |
const RayHit & |
hit, |
|
|
const Mesh & |
geometry |
|
) |
| |
|
static |
Return the interpolated normal at the hit on the surface of the mesh.
- Parameters
-
| hit | the intersection record |
| geometry | the mesh geometry information |
- Returns
- the smooth normal (normalized)
◆ interpolatePosition()
| glm::vec3 Raycaster::interpolatePosition |
( |
const RayHit & |
hit, |
|
|
const Mesh & |
geometry |
|
) |
| |
|
static |
Return the interpolated position of the ray hit on the surface of the mesh.
- Parameters
-
| hit | the intersection record |
| geometry | the mesh geometry information |
- Returns
- the smooth position
◆ interpolateUV()
| glm::vec2 Raycaster::interpolateUV |
( |
const RayHit & |
hit, |
|
|
const Mesh & |
geometry |
|
) |
| |
|
static |
Return the interpolated texture coordinates at the hit on the surface of the mesh.
- Parameters
-
| hit | the intersection record |
| geometry | the mesh geometry information |
- Returns
- the smooth texture coordinates
◆ intersects() [1/3]
| Raycaster::RayHit Raycaster::intersects |
( |
const glm::vec3 & |
origin, |
|
|
const glm::vec3 & |
direction, |
|
|
float |
mini = 0.0001f , |
|
|
float |
maxi = 1e8f |
|
) |
| const |
Find the closest intersection of a ray with the geometry.
- Parameters
-
| origin | ray origin |
| direction | ray direction (not necessarily normalized) |
| mini | the minimum distance allowed for the intersection |
| maxi | the maximum distance allowed for the intersection |
- Returns
- a hit object containg the potential hit informations
◆ intersects() [2/3]
| bool Raycaster::intersects |
( |
const Ray & |
ray, |
|
|
const BoundingBox & |
box, |
|
|
float |
mini, |
|
|
float |
maxi |
|
) |
| |
|
staticprivate |
Test a ray and bounding box intersection.
- Parameters
-
| ray | the ray |
| box | the bounding box |
| mini | the minimum allowed distance along the ray |
| maxi | the maximum allowed distance along the ray |
- Returns
- a boolean denoting intersection
◆ intersects() [3/3]
Test a ray and triangle intersection using the Muller-Trumbore test.
- Parameters
-
| ray | the ray |
| tri | the triangle infos |
| mini | the minimum allowed distance along the ray |
| maxi | the maximum allowed distance along the ray |
- Returns
- a hit object containg the potential hit informations
◆ intersectsAny()
| bool Raycaster::intersectsAny |
( |
const glm::vec3 & |
origin, |
|
|
const glm::vec3 & |
direction, |
|
|
float |
mini = 0.0001f , |
|
|
float |
maxi = 1e8f |
|
) |
| const |
Intersect a ray with the geometry.
- Parameters
-
| origin | ray origin |
| direction | ray direction (not necessarily normalized) |
| mini | the minimum distance allowed for the intersection |
| maxi | the maximum distance allowed for the intersection |
- Returns
- true if the two points are joined by a free-space segment
◆ operator=() [1/2]
Copy assignment.
- Returns
- a reference to the object assigned to
◆ operator=() [2/2]
Move assignment.
- Returns
- a reference to the object assigned to
◆ updateHierarchy()
| void Raycaster::updateHierarchy |
( |
| ) |
|
Update the internal bounding volume hierarchy.
- Note
- This operation can be costful in time.
◆ visible()
| bool Raycaster::visible |
( |
const glm::vec3 & |
p0, |
|
|
const glm::vec3 & |
p1 |
|
) |
| const |
Test visibility between two points.
- Parameters
-
| p0 | first point |
| p1 | second point |
- Returns
- true if the two points are joined by a free-space segment
- Note
- A ray is shot from the first to the second point to test for visibility.
The documentation for this class was generated from the following files:
- src/engine/raycaster/Raycaster.hpp
- src/engine/raycaster/Raycaster.cpp


BETTER THAN SEX
Reviewed by Harvey Karten Samuel Goldwyn/ Fireworks Pictures Director: Jonathan Teplitzky Writer: Jonathan Teplitzky Cast: David Wenham, Susie Porter, Kris McQuade Screened at: Review 1, NYC, 10/04/01
"Better Than Sex." Hmmmm. There's one of the more intriguing titles this year. "What's it about?" asked one member of the prospective audience 15 minutes before show time. "Fly fishing," replied the other, only half jokingly because as it turns out, that guy uses his rod in the chilly waters of the Atlantic, and when he throws a line he means that literally. "There's lots of good fish in the sea," he adds. I don't think we're risking much in the way of spoilers to say that what's better than sex in the mind of writer-director Jonathan Teplitzky is not "more sex" but "sex when you like (or love) the person with whom you're having it. Josh (David Wenham) and Cin (Susie Porter) look so much alike- -both blonde-haired and green-eyed, she just slightly shorter than he--that you know that when they have their one-night stand, the fun will be extended for another, and then another, and then, who knows where this will all end?
The movie is really a theater piece that would be more at home on, say, the off-Broadway stage if it were presented in New York or in a modest theater in Sydney, Australia, where the action is located. Josh, an Aussie who's a wildlife photographer stationed in London, takes some time off to go back to his native land where he meets Cindy, a dressmaker who has a capacious flat in a residential neighborhood of Australia's most sophisticated city; the sort of place in which the bathtub, toilet, bed and living room are all in one area. What Teplitzky is doing is not much different from what pop psychologists achieve in their books and what the great American playwright Eugene O'Neill attempted in his then experimental play, "Strange Interlude." He shows us what the characters are doing, what they're saying, and contrasts that with what they're thinking; but happily he does not overextend his welcome in that regard. He does throw in one other theatrical device, that of a Greek-style chorus. Taking a whole bunch of quick intermissions while the two attractive performers are, well, performing, Teplitzsky flashes to a series of men and women, Cindy's friends, and has them talk to one another on the phone-- mostly catty stuff, gossip, proving that people in their 20s and 30s nowadays are just as nosy and meddling as they were in my own time.
Photographer Garry Phillips begins his lensing on the morning after, in Cin's flat, as the young people tell the film audience how they met at a party the night before, how Cin almost let Josh get away before inviting him in for "coffee." They find that they have much in common and, happily, much that is different as we see in a few samples of nudity: some partial front for the women and full back images of the man. There isn't much to see in the neighborhood, or at least we're not about to spend much time visiting one of Sydney's more ordinary residential environs, so the couple spend the rest of the day in bed while off screen they continue to tell us what they're thinking. (In one cute situation, Cin is thinking that Josh shouldn't stop "oh don't stop" while Josh, as if aware of her thoughts, thinks of a recipe for cake--a technique which does not work as the cake falls.)
A cab driver (Kris McQuade), serves as Josh's protector, encouraging him in a way that is most unusual for hustling taxi drivers to get out of the vehicle and go back to Cin's flat, where the ride is bumpier but more fun.
While 20-somethings are more open than they were in my day and women more honest about their desires, the same youthful immaturity is at work as when Cin's best friend, Sam (Catherine McClements) makes her presence felt to see for herself what's going on with Cin and flirts openly with Josh in front of her pal. Here's a picture that will be (and has in fact been) enthusiastically received by the right demographics, the folks in their 20s and 30s, because the one-thing-on-the-mind mentality of these two is something that other young people can readily identify with. David Wenham is a particularly appealing guy, known more for his role in a TV series, "SeaChange" than in other indie movies like "Russian Doll." An American can easily leave the auditorium thinking about how nice it might be to live in Australia where nobody in foreign lands bothers you or even knows that downunder exists, prosperity abounds, and sex is honest and open.
Rated R. Running time: 81 minutes. (C) 2001 by Harvey Karten<EMAIL_ADDRESS>========== X-RAMR-ID: 29709 X-Language: en X-RT-ReviewID: 252833 X-RT-TitleID: 1110245 X-RT-SourceID: 570 X-RT-AuthorID: 1123
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Building the (New) Year's iCalendar
I'm not really a 'new year's resolution' kind of person - it doesn't really make sense to store up improvements you can make to yourself for the new year. Why not start right away?
So I was scanning some TreeHugger references, checking out some of the cool prefab places and it made me think that I'd missed a bunch of home shows and bike shows and straw house events etc...
So I've started to put together an iCal file which collects everything. Eventually I'll get past the ssh IP filter on this machine and I'll try to stick it in a place where other people could share it.
About this entry
You"re currently reading "Building the (New) Year's iCalendar," an entry on a crick in the net
- Published:
- 01.04.06 / 7pm
- Category:
- Enviroh-oh-Oh!


Very high white coloured grain and has good grading and baking qualities. It is resistant to lodging but medium to tall in height.
It is immune to stem rust, moderate resistant to leaf rust and powdery mildew. Have high field resilience.
A new medium maturity hybrid which is a top yielder, coupled with leaf disease resistance. The multi-cobber is suited to irrigation, exhibits good standability as well as Sulphonyl urea tolerance and a perfect choice for double cropping.
A hybrid variety which takes 120-134 days to maturity.


Legal services
You'll need an investigative mind and the ability to understand large amounts of complex information in many jobs in legal services. If you have these skills, law might be your field.
- Legal secretary
- Licensed conveyancer
- Paralegal
- Patent attorney
- Private investigator
- Probation officer
- Probation services officer
- Registrar of births, deaths, marriages and civil partnerships
- Solicitor
- Tax inspector
- Trade mark attorney
- Trading standards officer
- Victim care officer
- Welfare rights officer


|
Pebble Foundation Classes
0.2.0
C++ for Pebble
|
Data structure containing all the callbacks of a MenuLayer. More...
#include <pebble.h>
Data structure containing all the callbacks of a MenuLayer.
| MenuLayerDrawBackgroundCallback MenuLayerCallbacks::draw_background |
Callback that gets called before any cells are drawn. This supports two states, either highlighted or not highlighted. If highlighted is specified, it is expected to be colored in the same style as the menu's cells are. If this callback is not specified, it will default to the colors set with menu_layer_set_normal_colors and menu_layer_set_highlight_colors.
| MenuLayerDrawHeaderCallback MenuLayerCallbacks::draw_header |
Callback that gets called to render a section header. This gets called for each section header, every time it needs to be re-rendered.
.get_header_height
is NULL
. Causes undefined behavior otherwise. | MenuLayerDrawRowCallback MenuLayerCallbacks::draw_row |
Callback that gets called to render a menu item. This gets called for each menu item, every time it needs to be re-rendered.
NULL
causes undefined behavior. | MenuLayerDrawSeparatorCallback MenuLayerCallbacks::draw_separator |
Callback that gets called to render a separator. This gets called for each separator, every time it needs to be re-rendered.
.get_separator_height
is NULL
. Causes undefined behavior otherwise. | MenuLayerGetCellHeightCallback MenuLayerCallbacks::get_cell_height |
Callback that gets called to get the height of a cell. This can get called at various moments throughout the life of a menu.
NULL
, the default height of MENU_CELL_BASIC_CELL_HEIGHT pixels is used. Developers may wish to use MENU_CELL_ROUND_FOCUSED_SHORT_CELL_HEIGHT and MENU_CELL_ROUND_UNFOCUSED_SHORT_CELL_HEIGHT on a round display to respect the system aesthetic. | MenuLayerGetHeaderHeightCallback MenuLayerCallbacks::get_header_height |
Callback that gets called to get the height of a section header. This can get called at various moments throughout the life of a menu.
NULL
, the default height of 0 pixels is used. This disables section headers. | MenuLayerGetNumberOfRowsInSectionsCallback MenuLayerCallbacks::get_num_rows |
Callback that gets called to get the number of rows in a section. This can get called at various moments throughout the life of a menu.
NULL
causes undefined behavior. | MenuLayerGetNumberOfSectionsCallback MenuLayerCallbacks::get_num_sections |
Callback that gets called to get the number of sections in the menu. This can get called at various moments throughout the life of a menu.
NULL
, the number of sections defaults to 1. | MenuLayerGetSeparatorHeightCallback MenuLayerCallbacks::get_separator_height |
Callback that gets called to get the height of a separator This can get called at various moments throughout the life of a menu.
NULL
, the default height of 0 is used. | MenuLayerSelectCallback MenuLayerCallbacks::select_click |
Callback that gets called when the user triggers a click with the SELECT button.
NULL
, click events for the SELECT button are ignored. | MenuLayerSelectCallback MenuLayerCallbacks::select_long_click |
Callback that gets called when the user triggers a long click with the SELECT button.
NULL
, long click events for the SELECT button are ignored. | MenuLayerSelectionChangedCallback MenuLayerCallbacks::selection_changed |
Callback that gets called whenever the selection changes.
NULL
, selection change events are ignored. | MenuLayerSelectionWillChangeCallback MenuLayerCallbacks::selection_will_change |
Callback that gets called before the selected cell changes. This gets called before the selected item in the MenuLayer is changed, and will allow for the selected cell to be overridden. This allows for skipping cells in the menu, locking selection onto a given item,


Barnsley announce the appointment of Gerhard Struber as club's new head coach
by Sporting LifeBarnsley have announced Austrian Gerhard Struber as the club's new head coach.
The 42-year-old replaces Daniel Stendel, who left in early October after guiding Barnsley to promotion to the Sky Bet Championship last season.
"We are delighted to announce the appointment of Gerhard Struber as Barnsley Football Club's new first team head coach," read a statement on the club's official website.
"The 42-year-old Austrian arrives at Oakwell with top-level experience, having managed Wolfsberger AC in this season's UEFA Europa League, with impressive results to show for the matches played thus far."
Barnsley have ended their six-week search for a replacement for Stendel, with Struber tasked with keeping the South Yorkshire club in the second tier.
Barnsley chief executive officer Dane Murphy said: "Gerhard is a young coaching talent that any side would be pleased to have.
"The club had pursued him in the past as his tactical approach and track record of developing burgeoning talent appeals to the core philosophies at Barnsley Football Club."
Struber had a spell as assistant head coach at Red Bull Salzburg after working with their youth teams and then as boss at Austrian second-tier club FC Liefering before taking charge of Wolfsberger in the summer.
He leaves Wolfsberger third in the Austrian top flight and bottom of their Europa League group after they qualified for European football for the first time in their history at the end of last season.
Struber faces a tough task as the Reds are bottom of the table, five points from safety after failing to win a game since the opening day.
Barnsley appointed Adam Murray as caretaker boss after Stendel's departure, but they picked up only three points from five games during his tenure.
Stendel guided Barnsley straight back to the Championship in his only season in charge after they won automatic promotion from League One in May.


I’m a software developer with over 16 years of experience in both front end and back end development and database management. I have worked on many different applications on a wide variety of platforms, including Node.js, Backbone, ASP.NET, SQL Server, Postgres, MongoDB, and Access, and with a variety of languages including JavaScript, C#, and VB.
Most recently, I was a Full Stack / UI Software Engineer at SteelHouse, an ad tech company that specializes in retargeting. My team and I built our Facebook retargeting platform using a combination of ES6, CoffeeScript, JQuery, PHP Zend, CSS3 / LESS, HTML5, and Postgres.
Previously, I was a software developer with Hudl, a sports technology company that makes tools to help coaches. In this role I was focused on the athlete experience in a platform that was geared toward coaches. I implemented a redesign of the home page and athlete profile pages to have mobile-first responsive layouts using HTML5, CSS3 / SASS, and BackboneJS on the client side and C# MVC on the back end with MongoDB.
Some of my other experience includes building workflow improvement and automation tools using Access, SQL, JavaScript, and HTML5.
Colleagues know me as a highly creative problem solver who works hard to get things done. I am often eager to hit the ground running, as I tend to find the best questions to ask about the business and the users once I have put in some time thinking about the possible solutions. I work well alone, but I’m at my best when collaborating with others.
Experience
Software Engineer
Nov 2014-Apr 2016
SteelHouse, Engineering
- Implemented a Facebook retargeting ad platform using ES6, JQuery, PHP, CSS, and Postgres.
- Developed team standards for GitLab based code review and QA automation using CoffeeScript, Gulp, Chai, and Expect.
- Built internal dashboard tool for account performance metrics reporting using React, CoffeeScript, Node.js, and Gulp.
Software Developer
Jun 2014-Oct 2014
Hudl, Athlete Experience Squad
Pivoted our desktop and mobile web applications toward a social video sharing and recruiting experience for our 2.4 million athletes, who accrue 30 million monthly visits.
- Implemented a redesign in the home page and athlete profile page to have a mobile-first responsive HTML5 & SASS layout using BackboneJs and MarionetteJs on the client side and a C# MVC .NET backend with RESTful components and both MongoDB and SQL Server
- Interviewed athletes to identify pain points which were translated to app requirements
- Used a single page JS, non-redirecting Google content experiment to learn about site usage
- Continuous integration with GitHub and Agile SDLC averaged 1~2 releases per week
Database Programmer
Nov 2011-Jun 2014
UCLA Office of Compliance Services
Improved working efficiency and case tracking for a staff of over twenty health compliance auditors and the Chief Compliance Officer.
- Designed and prototyped a single page project management application using Node.js, Knockout.js, HTML5, CSS3, MongoDB, and SQL Server with a proprietary RESTful API
- Built an Access and SQL server solution with integrated contact management, audit tracking, and reporting for over 5000 audits per year
- Codified and automated the legal analysis in the event of privacy breaches through an Access based reporting tool with built-in decision tree algorithm based on the compliance legal requirements. The application resulted in 30% cost reduction
- Supported a complete overhaul of a 20 year old medical record software housing over 1 million patient records through providing detailed analysis of auditing functionality and fixing bugs


UPS Standard
07
Pick up at home/offices
During morning: 8:00 to 14:00
48h
estimated
07
Pick up at home/offices
During morning: 8:00 to 14:00
3,50€
Inkl. MwSt.
UPS Standard
07
Pick up at home/offices
During morning: 8:00 to 14:00
48h
estimated
07
Pick up at home/offices
During morning: 8:00 to 14:00
3,50€
Inkl. MwSt.
UPS Standard
07
Pick up at home/offices
During morning: 8:00 to 14:00
48h
estimated
07
Pick up at home/offices
During morning: 8:00 to 14:00
3,50€
Inkl. MwSt.


PLANET SICK-BOY: http://www.sick-boy.com "We Put the SIN in Cinema"
A promising comedy from Nisha Ganatra, Chutney Popcorn is an interesting film about sibling rivalry taken one step beyond the norm. Ganatra, who also directed and co-wrote the film, stars as Reena, a motorcycle-riding henna tattoo artist and photographer in New York City. She's also Indian and a lesbian, and Popcorn shows the provocative clash between the traditional and modern relationships.
Popcorn opens with Reena missing sister Sarita's (Sakina Jaffrey, Cotton Mary) wedding to Mitch (Nick Chinlund, Third Watch). Being late is one thing, but Reena's mom hits the roof when she's tardy and brings beautiful girlfriend Lisa (Jill Hennessy, Law & Order). It becomes clear that Reena can do nothing right in the eyes of her mother and, as a result, has developed a distinct jealousy toward sister Sarita.
Reena sees her big chance to win Mom's approval when, after several months of unsuccessful attempts, Sarita announces she's unable to get pregnant. Much to the slack-jawed surprise of everyone, Reena steps in and offers to carry her sister's baby to term, and then give the child to Sarita and Mitch to raise.
Popcorn's first act sets up the characters, while the second shows Reena trying to get pregnant (there are several funny turkey-baster scenes). The third act focuses on the havoc that the pregnancy wreaks in the relationships of each character, especially between Reena and the permanency-phobic Lisa. `She's my sister,' Reena explains, before Lisa complains, `So you owe her 13 chromosomes?'
 But the main attraction here is the rivalry between Reena and Sarita. One is boring and grounded, while the other is a fun-loving free spirit. By the time the closing credits role, they've swapped places.
Popcorn features a dizzyingly beautiful soundtrack, featuring Team Dresch, Maganpop, The Spinanes and The Magnetic Fields.
1:32 – R for adult language and sexual content
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


|
|||||||||
| PREV PACKAGE NEXT PACKAGE | FRAMES NO FRAMES |
| Interface Summary | |
|---|---|
| Syscall | Interface for any MIPS syscall system service. |
| Class Summary | |
|---|---|
| AbstractSyscall | Abstract class that a MIPS syscall system service may extend. |
| RandomStreams | This small class serves only to hold a static HashMap for storing random number generators for use by all the random number generator syscalls. |
| SyscallClose | Service to close file descriptor given in $a0. |
| SyscallConfirmDialog | Service to display a message to user. |
| SyscallExit | Service to exit the MIPS program. |
| SyscallExit2 | Service to exit the MIPS program with return value given in $a0. |
| SyscallInputDialogDouble | Service to input data. |
| SyscallInputDialogFloat | Service to input data. |
| SyscallInputDialogInt | Service to input data. |
| SyscallInputDialogString | Service to input data. |
| SyscallMessageDialog | Service to display a message to user. |
| SyscallMessageDialogDouble | Service to display a message to user. |
| SyscallMessageDialogFloat | Service to display a message to user. |
| SyscallMessageDialogInt | Service to display a message to user. |
| SyscallMessageDialogString | Service to display a message to user. |
| SyscallMidiOut | Service to output simulated MIDI tone to sound card. |
| SyscallMidiOutSync | Service to output simulated MIDI tone to sound card. |
| SyscallNumberOverride | Represents User override of default syscall number assignment. |
| SyscallOpen | Service to open file name specified by $a0. |
| SyscallPrintChar | Service to display character stored in $a0 on the console. |
| SyscallPrintDouble | Service to display double whose bits are stored in $f12 & $f13 onto the console. |
| SyscallPrintFloat | Service to display on the console float whose bits are stored in $f12 |
| SyscallPrintInt | Service to display integer stored in $a0 on the console. |
| SyscallPrintIntBinary | Service to display integer stored in $a0 on the console. |
| SyscallPrintIntHex | Service to display integer stored in $a0 on the console. |
| SyscallPrintIntUnsigned | Service to display integer stored in $a0 on the console as unsigned decimal. |
| SyscallPrintString | Service to display string stored starting at address in $a0 onto the console. |
| SyscallRandDouble | Service to return a random floating point value. |
| SyscallRandFloat | Service to return a random floating point value. |
| SyscallRandInt | Service to return a random integer. |
| SyscallRandIntRange | Service to return a random integer in a specified range. |
| SyscallRandSeed | Service to set seed for the underlying Java pseudorandom number generator. |
| SyscallRead | Service to read from file descriptor given in $a0. |
| SyscallReadChar | Service to read a character from input console into $a0. |
| SyscallReadDouble | Service to read the bits of console input double into $f0 and $f1. |
| SyscallReadFloat | Service to read the bits of input float into $f0 |
| SyscallReadInt | Service to read an integer from input console into $v0. |
| SyscallReadString | Service to read console input string into buffer starting at address in $a0. |
| SyscallSbrk | Service to allocate amount of heap memory specified in $a0, putting address into $v0. |
| SyscallSleep | Service to cause the MARS Java thread to sleep for (at least) the specified number of milliseconds. |
| SyscallTime | Service to read a character from input console into $a0. |
| SyscallWrite | Service to write to file descriptor given in $a0. |
|
|||||||||
| PREV PACKAGE NEXT PACKAGE | FRAMES NO FRAMES |


Blacksmith of Wind Rooney:
I'm Rooney. I came here with my older brother, Vulcan, looking for the ultimate flames in this Forge of the Gods!  So I'm just stretching my legs a little... Ha!
Quest


11
The Remnant of Israel
1 I ask, then, has God rejected his people? By no means! For I myself am an Israelite, a descendant of Abraham, a member of the tribe of Benjamin.
2 God has not rejected his people whom he foreknew. Do you not know what the Scripture says of Elijah, how he appeals to God against Israel?
3 “Lord, they have killed your prophets, they have demolished your altars, and I alone am left, and they seek my life.”
4 But what is God's reply to him? “I have kept for myself seven thousand men who have not bowed the knee to Baal.”
5 So too at the present time there is a remnant, chosen by grace.
6 But if it is by grace, it is no longer on the basis of works; otherwise grace would no longer be grace.
7 What then? Israel failed to obtain what it was seeking. The elect obtained it, but the rest were hardened,
8 as it is written,
“God gave them a spirit of stupor,
eyes that would not see
and ears that would not hear,
down to this very day.”
9 And David says,
“Let their table become a snare and a trap,
a stumbling block and a retribution for them;
10 let their eyes be darkened so that they cannot see,
and bend their backs forever.”
Gentiles Grafted In
11 So I ask, did they stumble in order that they might fall? By no means! Rather through their trespass salvation has come to the Gentiles, so as to make Israel jealous.
12 Now if their trespass means riches for the world, and if their failure means riches for the Gentiles, how much more will their full inclusion mean!
13 Now I am speaking to you Gentiles. Inasmuch then as I am an apostle to the Gentiles, I magnify my ministry
14 in order somehow to make my fellow Jews jealous, and thus save some of them.
15 For if their rejection means the reconciliation of the world, what will their acceptance mean but life from the dead?
16 If the dough offered as firstfruits is holy, so is the whole lump, and if the root is holy, so are the branches.
17 But if some of the branches were broken off, and you, although a wild olive shoot, were grafted in among the others and now share in the nourishing root of the olive tree,
18 do not be arrogant toward the branches. If you are, remember it is not you who support the root, but the root that supports you.
19 Then you will say, “Branches were broken off so that I might be grafted in.”
20 That is true. They were broken off because of their unbelief, but you stand fast through faith. So do not become proud, but stand in awe.
21 For if God did not spare the natural branches, neither will he spare you.
22 Note then the kindness and the severity of God: severity toward those who have fallen, but God's kindness to you, provided you continue in his kindness. Otherwise you too will be cut off.
23 And even they, if they do not continue in their unbelief, will be grafted in, for God has the power to graft them in again.
24 For if you were cut from what is by nature a wild olive tree, and grafted, contrary to nature, into a cultivated olive tree, how much more will these, the natural branches, be grafted back into their own olive tree.
The Mystery of Israel's Salvation
25 Lest you be wise in your own conceits, I want you to understand this mystery, brothers: a partial hardening has come upon Israel, until the fullness of the Gentiles has come in.
26 And in this way all Israel will be saved, as it is written,
“The Deliverer will come from Zion,
he will banish ungodliness from Jacob”;
27 “and this will be my covenant with them
when I take away their sins.”
28 As regards the gospel, they are enemies of God for your sake. But as regards election, they are beloved for the sake of their forefathers.
29 For the gifts and the calling of God are irrevocable.
30 Just as you were at one time disobedient to God but now have received mercy because of their disobedience,
31 so they too have now been disobedient in order that by the mercy shown to you they also may now receive mercy.
32 For God has consigned all to disobedience, that he may have mercy on all.
33 Oh, the depth of the riches and wisdom and knowledge of God! How unsearchable are his judgments and how inscrutable his ways!
34 “For who has known the mind of the Lord,
or who has been his counselor?”
35 “Or who has given a gift to him
that he might be repaid?”
36 For from him and through him and to him are all things. To him be glory forever. Amen.


Battleship Game
Classic game hand-made with vanilla Javascript.
- Game
- JavaScript, HTML & CSS
- Responsive Design
I developed this classic location-guessing game using vanilla JavaScript. Besides learning the basics of JavaScript, I also wanted to practice creating reusable code, making clear notes for future maintenance, and avoiding overly verbose code.
In order to achieve this, I took a varied approach of consulting reference books, forums (thank you, StackOverflow!), trusted YouTuber's demo videos, and a very patient coder friend.
Active Game View:
Code Snippets:
Like what you see?
Start the conversation now by clicking through that pretty lil' red button below.


Sophia Metallo
Stocks and Shares
Expanding on my blog post “Is Egypt In a Bubble?,” I dug through the pages of the Egyptian Gazette and traced the “Stocks and Shares” table throughout 1905 and 1906 with as much data available from 1907 as well.
This table listed the stock with its stock price as well as its debenture price. A stock is a portion of company ownership that is sold to the public for which the owner of the stock receives a part of said company’s earnings. A debenture, is similar to a stock, but instead of the value of the stock rising and falling with the company’s wealth, it has a fixed rate of return.
The point of this project was to not only compare the stock price and debenture price of any given investment over time but also to compare both a “gilt edged” investment, meaning a strong investment, to one that may have been suffering in the oncoming financial crisis in Egypt at this time period (as explained in my blog post).
What spurred this investigation were the parallels that I was seeing between the Great Recession of 2008 in the US and the articles written about the Egyptian economy in 1907. It is true that markets are cyclical and have their ups and downs. For the most part, we can see these cyclical trends coming every 10 or so years. This would mean that exactly a decade before the US market 2008, Egypt would have been feeling the sting of an economic crisis similar to that of the one the US experienced.
When searching for information on the Egyptian market failures of 1907, the Panic of 1907, also called the Knickerbocker Crisis, kept appearing as a result of my searches. The Knickerbocker Crisis was a US Stock market dip that occurred in October of 1907 and the effects of this crash were not limited to the US as explained here.
Tracing the financial articles throughout the Egyptian Gazette, and as noted in my blog post, it is clear that Egypt felt their economy failing and very quickly what was a “localized” crisis began to spread:
Soon after, the crisis was felt abroad, as seen in the article below from the introduction to a quote of a French article. Not only is the crisis officially “raging” in Egypt but is felt all over Europe (which, honestly, has the most to lose seeing as Egypt was still under European rule).
.
Below is the visualization of the results from tracing the “Stocks and Shares” table in the Egyptian Gazette. The strong stock that was analyzed was The Agricultural Bank of Egypt and the stock that was supposedly losing traction in the market was the Land Bank of Egypt. This is not unlike what most consider the cause of the US Great Recession of 2008 and many other economic recessions throughout history, speculation, in particular land speculation (or in 2008 the bundling of blatantly faulty mortgages).
From this visualization, it is evident, in a loose pattern, that the share and debenture prices seem to mirror each other. It seems, by this visualization, that the Land Bank of Egypt outperformed the Agricultural Bank of Egypt which is the opposite of what is expected given the information found in the financial articles of the Egyptian Gazette. As to why the debenture price of the Land Bank was so much higher in general than the other measure, I cannot say. This could be due to improper coding of the Gazette or some other underlying force at the time. To speak to the stability of the investments, the only one that seemed to be unwavering was the debenture price of the Agricultural Bank which we would expect from a “gilt edged” security. The share price of the same investment does not stay as steady but is still much more constant than the Land Bank debenture price.


Projects
Project structure
- Solution/
- .sln
- global.json - lists sdk (optional)
- test\
- Test Projects (one or more)
- src - source
- {Project}\ -NB: folder name==assembly name
- bin\Debug\netcoreapp3.1 - compiled dlls
- publish\ -
- Controllers\
- Views\ - only MVC, not webapi, obviously
- wwwroot\ - static files for deployment
- css\ images\ js\ as applicable
- web.config - tells IIS to launch dotnet
- appsettings.json
- Program.cs - static vod Main. Before .net6, calls startup. After net6, this does the startup
- Startup.cs - startup file (like global.asax) (Not in .net 6)
- {project}.csproj - msbuild.
- bin\Debug\netcoreapp3.1 - compiled dlls
- {Project}\ -NB: folder name==assembly name
Main changes:
- There's a wwwroot folder for the static javascript/css/images
- There's no web.config. It only appears when you publish.
- The global.asax is gone; now there's Program.cs and (pre net6) Startup.cs - see more
Publishing
You can "Publish" from VS as before, or "dotnet publish".
- You publish to (default) /bin/Release/Publish/
dotnet publish default is Debug\netcoreapp3.1\publish\, so add "-c release" for a release build! - Unlike classic asp.net, there is no "bin" folder- the dlls are toplevel, the static files ("wwwroot") are below.
The structure (reverse alphabetic order, to explain it better):
- web.config (See IIS description)
- appsettings.json for configuration
- *.dll. All dlls are top level. The startup is an .exe; views are in the .Views.dll
- wwwroot\ - static files.
Normally it's a FDD-framework dependent deployment, using an installed version of dotnet, It can be a SCD-self-contained deployment, including the .net Core runtime, by specifying the RuntimeIdentifiers (eg "Win10-x64") in csproj and your "dotnet publish -r win10-x64".
Project.json + csproj
VS2015's project.json includes parts that were originally in the csproj, packages.config, and project.nuspec (but other bits were in project.xproj).
In VS2017+, we have csproj.
- buildOptions with "emitEntryPoint" means it is runnable (by calling static void Main), not a library
- The dependency and framework change from an abstract API (netstandard.Library/netstandard) to an implementation (Microsoft.NETCore.App /netcoreapp). See about versions below.
- Dependencies and frameworks:
- dependencies: other nuget packages
In old .net this was <Reference /> in csproj and the list in packages.config - frameworks: what runs the code
In old .csproj this was <TargetFrameworkVersion>v4.5</TargetFrameworkVersion>
- dependencies: other nuget packages
With VS 2017, this changes to csproj (NB: VS 2015= only project.json, VS 2017= only project.csproj)


Default settings.
Default settings plus the donut hole.
Large spinner, different colors, spinning more slowly.


I'm going to begin this report with a lead-in that I've seen quite a few times in experience reports: It all began last December when I had my impacted wisdom teeth removed (sound familiar?). I've been in something of a time warp since then and am, at this moment contemplating taking yet another Vicodin, though I long ago recovered from the pain that urged me to the dentist's office - I took one a few hours ago and am trying to hold off...
Putting my current predicament aside for the time being, I’ll provide a little more context, which I think is important. The Fall semester at college had just ended and two days later my ex-boyfriend and I were to go on a seven-day Caribbean cruise. This seemed a bit bourgeoisie to me but the trip was fairly cheap and I needed to recover from a particularly-stressful experience with finals and term papers. I was excited.
The night before we departed, however, the left wisdom tooth in my lower jaw began aching. I had a feeling that I would be in for an interesting time on the ship. So, the next morning I went to Walgreen’s and stocked up on Orajel and Advil. On the first day of the cruise I experienced horrendous sea sickness, which compelled me to take Dramamine and lay in bed all day, drifting in and out of a sleep haunted by strange dreams as my tooth began to throb ever more. I felt as though I were dissolving, being scattered piecemeal in the waters of the gulf and carried to God knows what strange shores.
The rest of the trip was more pleasant because I did not become seasick again, but I was eating Advils like M&Ms and rubbing Orajel on my increasingly-swollen gums almost hourly. When the cruise ended, my mouth was a (ship) wreck—*two* teeth were now in pain and the cheeks around them were swollen grotesquely, until I could get an appointment with an orthodontist, I took Vicodin which I had left over from a previous prescription.
The point of saying all that is to indicate that by the time I actually went to the orthodontist, I had already been medicated for a week and a half. The day I arrived at her office I was nervous but excited at the prospect of being dosed with nitrous oxide. To my amazement, I was left alone in the surgery room for twenty minutes, inhaling the heavenly gas and meditating. I was disappearing into the chair, sinking further and further down. I cleared my thoughts and became one with the environment. There was no difference between me and the chair, between me and the radio that was playing (appropriately enough), psychedelic rock of some sort…I am the Universe, the undying Self…Kether is Malkuth…Nirvana is Samsara.
“Are you relaxing?” the pretty assistant asked, appearing from out of nowhere. I could only nod in assent. She left and perhaps ten minutes later returned with the orthodontist. They gave me an IV and the next thing I remember is waking up in my parents’ car, vomiting blood and going in and out of consciousness. As soon as I got home I began taking Endocet (oxycodone) and Promethazine—Endocet every six hours and Promethazine every four. I was still too out of it to notice the effects of the drugs. I just wanted to sleep.
Now, the Endocet was prescribed for pain and the Promethazine (a sedative/hypnotic) was prescribed to curb the nausea that often accompanies opiates and opioids. Promethazine also has the interesting effect of potentiating the effect of opioids and opiates, lowering the required dosage. When I woke up the next morning and took my meds, I realized this quite quickly, even though I had not yet read the literature which explained the nature of this match made in downer heaven.
I would like to describe that day because it was truly beautiful and I will treasure the memory of it, regardless of anything that followed. After a night which I don’t remember, the sun rose and, feeling the ache that was returning to my jaws obscured by chipmunk cheeks, I popped the two pills as recommended by the medical professionals. As I got dressed, something began to happen. I felt lighter, and resolved to go outside to enjoy more fully what was coming on. It was one of those cold winter mornings that’s accompanied by a warm sun that makes the frosty air bearable. I was stumbling. I made my way over to the old wooden swing set and sat down, propelling myself gently back and forth. When I opened my eyes, disorienting vertigo. The vertigo was not dizzying. In fact, the apparent motion of the world washed over me like soothing waves of pleasure, like impulses from beyond the unfathomable gulfs of interstellar space.
This was IT, I knew.  I was in a state of total peace. All of my thoughts and cares melted away as my vertigo grew and grew, taking me further and further away from myself and my puny ego. I decided to try walking again, it was decidedly difficult. I stumbled around the back yard, looking at the field and woods populated by hibernating trees. The ancient spirit of rural Louisiana was coursing through my veins and the world was beyond beautiful. In the opposite direction cars rushed down the road. Where were they all going? It couldn’t possibly matter. I was at peace with everything. Finally I went back inside and read an article about drugs and the religious experience by Alan Watts, whilst listening to the music of the divine Josephine Foster. I wanted this feeling to go on and on. I wanted to surrender to the beauty of dissolution.
I haven’t felt that way again on opioids, even though I have been using them quite regularly for the past couple of months. I take Vicodin and Lortab. I buy them illegally. I suppose I’m not yet a full fledged addict, as I’ve been able to stop for up to five days at a stretch, but I feel increasingly drawn in. I don’t really *want* to quit, even though I know I should. It’s the memory of that wonderful day that haunts and tempts me. How far will I allow myself to be drawn in? I don’t know. But the time to leave this phase of my life behind is fast approaching, and it won’t be easy. I’m entranced.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


:: com :: sun :: star :: graphic ::
|
| unpublished |
service GraphicRendererVCL |
|
|
- Usage Restrictions
- not published
- Description
- Service that describes the necessary interfaces and properties
to render a graphic container of XGraphic type
To render a XGraphic container, just create an
instance of this service, set the appropriate properties and use
the XGraphicRenderer interface to initiate the rendering
process itself
|
| Exported Interfaces - Summary |
| XGraphicRenderer |
Interface to initiate the rendering process
|
| ::com::sun::star::beans::XPropertySet |
The property interface by which the properties of all
supported services are exchanged
|
| Properties' Summary |
any
Device |
Holds the device onto which the XGraphic
container should be rendered
|
::com::sun::star::awt::Rectangle
DestinationRect |
Specifies the destination rectangle, into which the graphic
content is to be rendered onto the device
|
any
RenderData |
[ OPTIONAL ]
Additional properties for rendering, unspecified at the moment
|
| Properties' Details |
Device
any Device;
- Description
- Holds the device onto which the XGraphic
container should be rendered
In case of using VCL Devices, this property should
hold a ::com::sun::star::awt::XDevice
interface
|
|
DestinationRect
::com::sun::star::awt::Rectangle DestinationRect;
- Description
- Specifies the destination rectangle, into which the graphic
content is to be rendered onto the device
|
|
RenderData
any RenderData;
- Usage Restrictions
- optional
- Description
- Additional properties for rendering, unspecified at the moment
|
|
Top of Page
Copyright © 2013, The Apache Software Foundation, Licensed under the Apache License, Version 2.0. Apache, the Apache feather logo, Apache OpenOffice and OpenOffice.org are trademarks of The Apache Software Foundation. Other names may be trademarks of their respective owners.


Brief
The current website had not been updated since the early 2000s. It was time to redesign the site to be more relatable for current students. The design and technical side were both out of date. The underlying service is solid and has many users who rely on these sites but RPS just needed a new user experience to enhance the usefulness of the service.
The Careers in Medicine service is given to all US MD medical students and is accessible to anyone else for a yearly fee of $75. The current service allows users to access applications and content that aid the student in their residency search. RPS is one of many sites that give users decision making capabilities for their journey to residency.
This is a vital resource to students and so it was important to make sure that the website is up to date and usable, so the service will continue to attract new users.
My Role
In this role I was the UX Designer of the site, working with a UX Developer, and the UX Director. We conducted weekly meetings with the Development team to discuss any issues and upcoming work. Also, we conducted weekly meetings with the Product owners to present and gain feedback on our designs. UX Design was working at least 1 sprint ahead of development.
Process
The application was designed utilizing an Iterative Design approach. We focused on designing 1 feature at a time and iteratively designed that feature until we were satisfied and then moved onto the next feature. Most features took at least 2 Design Sprints to complete. The longest amount of time spent on a feature was 4 sprints. Our Design Sprints lasted 1 week.
User Testing
Each feature was tested with users at least once. For each user test there were at least 3 users and at most we had 8. We tried to reach out to different users each time depending on availability. We had some users who were utilized more than once. User testing was conducted utilizing the guerrilla testing method. We wanted quick and fast results to validate our assumptions.
Stakeholder Interviews
In the beginning of the project we conducted stakeholder interviews with each of the product owners. This gave us insight into the features wanted by each owner and allowed us to understand what was the most important to them. These interviews helped all of us to gain a common understanding of what we wanted to accomplish in the project. We knew, from our interviews, to prioritize highlighting the data as much as possible and to focus on making the site as accessible to all users.
Features Roadmap
From the stakeholder interviews we were able to create a document with all the features that were important. Then we showed the document to everyone on the team and conducted a session where we all prioritized features from most necessary to least necessary. From this we came up with a features roadmap that we used when starting to design the site.
User Research
Based on previous studies and feedback, there were a few things we already knew about students…
- Students rely heavily on our websites and information to make decisions
- MD and DO students equally use our resources
- Students need up to date and correct information to make the best decisions
Also, based on previous research we understood the different types of students that were coming to use our service…
Students Profiles
-
Students don’t know what they want when they are coming to our sites
-
Students know what specialty they want and come to our site to find residencies within that
-
Students know what area they want but not the specialty
-
Students know both specialty and area and want to refine their search further
These 4 student profiles were used to help aid the design of the site to make sure we accounted for all of these use cases.
There was an existing style guide that was utilized to save time when designing the site.
Success Metric
Based on stakeholder input and user feedback were determined the best success metric was Session Time.
Session Time is the time a user spends on our site. In the current version the average session time is 4 minutes and 10 seconds. We wanted to improve this metric and optimize for users spending more time on our site. Increased session time would mean that users were more engaged with our content.
Show Something on the First Page
The first page used to require the user to input all search criteria before showing any results. Based on the student profiles we know that some students don’t know what they are looking for when coming to our site. To accommodate those students we decided to go with an approach that showed the users the first 5 results and let the users filter from there.
MD vs DO Views
Based on previous research, we knew that the experiences of the DO students should be taken into consideration as well. Previously, the focus has always been on the MD students as their schools are part of the AAMC organization. But with the changing landscape DO students also heavily apply to MD residencies and their experiences should be accounted for as well.
To do so we created role based views for the user based on whether they were a DO student or an MD student. These role based views did not remove any information for the DO students. The MD students were not able to see any DO residencies in the results list. Though, DO students were able to see both MD and DO residencies.
Filters & Sort
Allowing the users to see results first without any input from them, completely changes how the user interacts with the content. Now instead of knowing ahead of time what you are searching for a user can use the filter and sort features to narrow down their search.
The filter tags were a completely different interaction than the previous site. Within the previous site a user would have to start a new search if they didn’t like the results they found. Now with the new Filter component the user can just remove or add filter tags and the results will update.
All on One Page
Moving onto the Residency Program Detail view, our decision was to have all information for the Residency Program onto one page.
There is a lot of information included within the Residency Program page and the previous site hid all the information within multiple tabs.
After user testing, we found that clicking was viewed as more annoying than scrolling to view content. With these findings it validated the decision to keep the content all on one page.
Data Visualization
The data included in the Residency Program pages is what sets this site apart from other sites. It aggregates many data sources into one place.
There was a standard library (highcharts.js) already used for all data visualization in AAMC applications. All visualizations had to be designed with this library in mind.
Using data visualization allows the user to gain greater insights into the data than by text alone. Basic visualizations such as pie charts, line charts, and bar charts were utilized.
Along with more interesting visualizations such as this bubble chart that was utilized to show the differences in Race and Ethnicity.
Other visualizations utilized were more infographic style. This one created is displaying the Prior Experience Residents gained before joining the residency program.
The most difficult visualization to design was the Graduate Career Plans. This visualization shows what roles and careers Residents move onto after completing residency. Graduate Career Plans was designed as an infographic style.
Graduate Career PlansData Quality & Privacy
Data Quality and more important Data Privacy are big concerns of this service. The data needs to be up to date and correct. Also, the privacy of the individuals data we are using needs to be accounted for as well.
Because of data privacy concerns some data was not shown. Hiding the data was not good practice. Instead, any section with data that was missing or couldn’t be shown because of too little data points was still shown but only with a note explaining why the data was missing.
Interactive Map View
We know from the student profiles that there are some students that are constrained to a certain area maybe because of a spouse or family. The interactive map was designed to aid these students but also allow any other students to be able to see all programs within a certain state on the map.
Country View - User will click on a State to go to the State view State View - User can see all institutions and select one to show institution cardConclusion
The iterative design approach and the amount of time we had allowed us to really take our time and produce thoughtful work. The team was also one of the best I've worked with. Everyone was interested in being a part of the design and was respectful and helpful in making the product better. The entire team wanted to see the product succeed.
Currently, the Residency Program Search was launched for users at the beginning of 2018. We were able to increase Session Time to 5 minutes and 29 seconds on average.
Next steps would be to interview students and find out what was so engaging in the content to extend the Session Time. Then from there start to explore to how to emphasize and enhance the content that is the most engaging and useful.s


This is a very simple Phonebook demo, runs with DOM Data Storage. It means, if you reload DOM, all data will be lost. With Jack, you can use all storage methods like
Here is the list of the phones. <% if (people.length == 0) { %> But there is no person right now :( <% } else { %>
As you can see, there are persons below. You can delete them using the delete button, and they will be removed from DOM storage.
<% } %>| Name | Surname | Phone | |
|---|---|---|---|
| <%= person.name %> | <%= person.surname %> | <%= person.phone %> |


///<reference path="../../_definitions.ts"/>
/**
* The Transform class provides access to color adjustment properties and two-
* or three-dimensional transformation objects that can be applied to a
* display object. During the transformation, the color or the orientation and
* position of a display object is adjusted(offset) from the current values
* or coordinates to new values or coordinates. The Transform class also
* collects data about color and two-dimensional matrix transformations that
* are applied to a display object and all of its parent objects. You can
* access these combined transformations through the
* concatenatedColorTransform and concatenatedMatrix
* properties.
*
*
To apply color transformations: create a ColorTransform object, set the
* color adjustments using the object's methods and properties, and then
* assign the colorTransformation property of the
* transform property of the display object to the new
* ColorTransformation object.

*
*
To apply two-dimensional transformations: create a Matrix object, set
* the matrix's two-dimensional transformation, and then assign the
* transform.matrix property of the display object to the new
* Matrix object.

*
*
To apply three-dimensional transformations: start with a
* three-dimensional display object. A three-dimensional display object has a
* z property value other than zero. You do not need to create
* the Matrix3D object. For all three-dimensional objects, a Matrix3D object
* is created automatically when you assign a z value to a
* display object. You can access the display object's Matrix3D object through
* the display object's transform property. Using the methods of
* the Matrix3D class, you can add to or modify the existing transformation
* settings. Also, you can create a custom Matrix3D object, set the custom
* Matrix3D object's transformation elements, and then assign the new Matrix3D
* object to the display object using the transform.matrix
* property.

*
*
To modify a perspective projection of the stage or root object: use the
* transform.matrix property of the root display object to gain
* access to the PerspectiveProjection object. Or, apply different perspective
* projection properties to a display object by setting the perspective
* projection properties of the display object's parent. The child display
* object inherits the new properties. Specifically, create a
* PerspectiveProjection object and set its properties, then assign the
* PerspectiveProjection object to the perspectiveProjection
* property of the parent display object's transform property.
* The specified projection transformation then applies to all the display
* object's three-dimensional children.

*
*
Since both PerspectiveProjection and Matrix3D objects perform
* perspective transformations, do not assign both to a display object at the
* same time. Use the PerspectiveProjection object for focal length and
* projection center changes. For more control over the perspective
* transformation, create a perspective projection Matrix3D object.

*/
module away.geom
{
export class Transform
{
private _displayObject:away.base.DisplayObject;
private _concatenatedColorTransform:ColorTransform;
private _concatenatedMatrix:Matrix;
private _pixelBounds:Rectangle;
public _position:away.geom.Vector3D = new away.geom.Vector3D();
/**
*
*/
public get backVector():away.geom.Vector3D
{
var director:away.geom.Vector3D = away.geom.Matrix3DUtils.getForward(this._displayObject._iMatrix3D);
director.negate();
return director;
}
/**
* A ColorTransform object containing values that universally adjust the
* colors in the display object.
*
* @throws TypeError The colorTransform is null when being set
*/
public colorTransform:ColorTransform;
/**
* A ColorTransform object representing the combined color transformations
* applied to the display object and all of its parent objects, back to the
* root level. If different color transformations have been applied at
* different levels, all of those transformations are concatenated into one
* ColorTransform object for this property.
*/
public get concatenatedColorTransform():ColorTransform
{
return this._concatenatedColorTransform; //TODO
}
/**
* A Matrix object representing the combined transformation matrixes of the
* display object and all of its parent objects, back to the root level. If
* different transformation matrixes have been applied at different levels,
* all of those matrixes are concatenated into one matrix for this property.
* Also, for resizeable SWF content running in the browser, this property
* factors in the difference between stage coordinates and window coordinates
* due to window resizing. Thus, the property converts local coordinates to
* window coordinates, which may not be the same coordinate space as that of
* the Stage.
*/
public get concatenatedMatrix():Matrix
{
return this._concatenatedMatrix; //TODO
}
/**
*
*/
public get downVector():away.geom.Vector3D
{
var director:away.geom.Vector3D = away.geom.Matrix3DUtils.getUp(this._displayObject._iMatrix3D);
director.negate();
return director;
}
/**
*
*/
public get forwardVector():away.geom.Vector3D
{
return away.geom.Matrix3DUtils.getForward(this._displayObject._iMatrix3D);
}
/**
*
*/
public get leftVector():away.geom.Vector3D
{
var director:away.geom.Vector3D = away.geom.Matrix3DUtils.getRight(this._displayObject._iMatrix3D);
director.negate();
return director;
}
/**
* A Matrix object containing values that alter the scaling, rotation, and
* translation of the display object.
*
*
If the matrix property is set to a value(not
* null), the matrix3D property is
* null. And if the matrix3D property is set to a
* value(not null), the matrix property is
* null.

*
* @throws TypeError The matrix is null when being set
*/
public matrix:Matrix;
/**
* Provides access to the Matrix3D object of a three-dimensional display
* object. The Matrix3D object represents a transformation matrix that
* determines the display object's position and orientation. A Matrix3D
* object can also perform perspective projection.
*
*
If the matrix property is set to a value(not
* null), the matrix3D property is
* null. And if the matrix3D property is set to a
* value(not null), the matrix property is
* null.

*/
public get matrix3D():away.geom.Matrix3D
{
return this._displayObject._iMatrix3D;
}
public set matrix3D(val:away.geom.Matrix3D)
{
this._displayObject._iMatrix3D = val;
}
/**
* Provides access to the PerspectiveProjection object of a three-dimensional
* display object. The PerspectiveProjection object can be used to modify the
* perspective transformation of the stage or to assign a perspective
* transformation to all the three-dimensional children of a display object.
*
*
Based on the field of view and aspect ratio(dimensions) of the stage,
* a default PerspectiveProjection object is assigned to the root object.

*/
public perspectiveProjection:PerspectiveProjection;
/**
* A Rectangle object that defines the bounding rectangle of the display
* object on the stage.
*/
public get pixelBounds():Rectangle
{
return this._pixelBounds;
}
/**
* Defines the position of the 3d object, relative to the local coordinates of the parent ObjectContainer3D.
*/
public get position():away.geom.Vector3D
{
return this._displayObject._iMatrix3D.position
}
public set position(value:away.geom.Vector3D)
{
this._displayObject.x = value.x;
this._displayObject.y = value.y;
this._displayObject.z = value.z;
}
/**
*
*/
public get rightVector():away.geom.Vector3D
{
return away.geom.Matrix3DUtils.getRight(this._displayObject._iMatrix3D);
}
/**
* Defines the rotation of the 3d object, relative to the local coordinates of the parent ObjectContainer3D.
*/
public get rotation():away.geom.Vector3D
{
return new Vector3D(this._displayObject.rotationX, this._displayObject.rotationY, this._displayObject.rotationZ);
}
public set rotation(value:away.geom.Vector3D)
{
this._displayObject.rotationX = value.x;
this._displayObject.rotationY = value.y;
this._displayObject.rotationZ = value.z;
}
/**
* Defines the scale of the 3d object, relative to the local coordinates of the parent ObjectContainer3D.
*/
public get scale():away.geom.Vector3D
{
return new Vector3D(this._displayObject.scaleX, this._displayObject.scaleY, this._displayObject.scaleZ);
}
public set scale(value:away.geom.Vector3D)
{
this._displayObject.scaleX = value.x;
this._displayObject.scaleY = value.y;
this._displayObject.scaleZ = value.z;
}
/**
*
*/
public get upVector():away.geom.Vector3D
{
return away.geom.Matrix3DUtils.getUp(this._displayObject._iMatrix3D);
}
constructor(displayObject:away.base.DisplayObject)
{
this._displayObject = displayObject;
}
/**
* Returns a Matrix3D object, which can transform the space of a specified
* display object in relation to the current display object's space. You can
* use the getRelativeMatrix3D() method to move one
* three-dimensional display object relative to another three-dimensional
* display object.
*
* @param relativeTo The display object relative to which the transformation
* occurs. To get a Matrix3D object relative to the stage,
* set the parameter to the root or
* stage object. To get the world-relative
* matrix of the display object, set the parameter to a
* display object that has a perspective transformation
* applied to it.
* @return A Matrix3D object that can be used to transform the space from the
* relativeTo display object to the current display
* object space.
*/
public getRelativeMatrix3D(relativeTo:away.base.DisplayObject):Matrix3D
{
return new Matrix3D(); //TODO
}
/**
* Moves the 3d object forwards along it's local z axis
*
* @param distance The length of the movement
*/
public moveForward(distance:number)
{
this._displayObject.translateLocal(away.geom.Vector3D.Z_AXIS, distance);
}
/**
* Moves the 3d object backwards along it's local z axis
*
* @param distance The length of the movement
*/
public moveBackward(distance:number)
{
this._displayObject.translateLocal(away.geom.Vector3D.Z_AXIS, -distance);
}
/**
* Moves the 3d object backwards along it's local x axis
*
* @param distance The length of the movement
*/
public moveLeft(distance:number)
{
this._displayObject.translateLocal(away.geom.Vector3D.X_AXIS, -distance);
}
/**
* Moves the 3d object forwards along it's local x axis
*
* @param distance The length of the movement
*/
public moveRight(distance:number)
{
this._displayObject.translateLocal(away.geom.Vector3D.X_AXIS, distance);
}
/**
* Moves the 3d object forwards along it's local y axis
*
* @param distance The length of the movement
*/
public moveUp(distance:number)
{
this._displayObject.translateLocal(away.geom.Vector3D.Y_AXIS, distance);
}
/**
* Moves the 3d object backwards along it's local y axis
*
* @param distance The length of the movement
*/
public moveDown(distance:number)
{
this._displayObject.translateLocal(away.geom.Vector3D.Y_AXIS, -distance);
}
}
}


Gazraj Security Guards Pvt. Ltd is a security and investigation firm based out of Noida, and provides around the clock services to top MNCs and Indian firms throughout Delhi. They are the leading business in commercial security services and have over 3000 guards working for them, as well as other employees.
With a strong presence throughout Delhi, Gazraj Security faced issues when trying to verify reporting time and location of employees. Manually tracking the check-in and check-out time of thousands of guards across the city was also proving to be a herculean and an expensive task requiring a lot of administrative manpower. Gazraj was looking for a simple and effective digital solution to this issue, and Growthfile stepped in.
The effectiveness of a business depends on the punctuality of employees and proper utilization of their work time. CEOs of companies who have employees spread throughout a city often find it difficult to manage them all and to evaluate their performance. A Harvard Business Review study in 2016 found that companies with a systematic location-based check-in tool functioned 30% more efficiently than companies that relied on more traditional methods.
Growthfile is easily the best and most inexpensive tool available in the market for companies to effectively manage their employees.
Gazraj decided to utilize Growthfile’s services to track the work done by their guards. Instead of having to call or text or ask for locations on chat apps the managers now received a daily Footprints report with the check-in time of their employees, duty location, hours worked by them and distance travelled. This allowed them to ensure 100% compliance.
The documentation of duty data also helped to avoid any disputes or misunderstandings with clients.
Improvements were observed soon after the company introduced Growthfile to its employees. The security guards started reporting for duty on time, and the company recorded a 60% boost in this regard. The manager was able to see the precise location and time of employee check-in with little effort. This led to a reduction in administrative costs that were otherwise dedicated to tracking guards and ensuring duty completion.
Client disputes dropped considerably and customer satisfaction grew by 40%.
A complete workflow optimisation was achieved and the company performed much more effectively.
Make the switch to Growthfile now
Sign up