Privacy Policy
Content provider privacy notice
- 1. Important information and who we are
- 2. The data we collect about you
- 3. How is your personal data collected?
- 4. How we use your personal data
- 5. Disclosures of your personal data
- 6. International transfers
- 7. Data security
- 8. Data retention
- 9. Your legal rights
- 10. Glossary
INTRODUCTION
Welcome to the IFLScience’s content contributor privacy notice.
IFLScience respects your privacy and is committed to protecting your personal data. This privacy notice will inform you as to how we look after your personal data when you submit content to us, or agree to us processing your personal data as part of our content (together referred to as “content”) and tell you about your privacy rights and how the law protects you.
This privacy notice is provided in a layered format so you can click through to the specific areas set out below. Please also use the Glossary to understand the meaning of some of the terms used in this privacy notice.
1. IMPORTANT INFORMATION AND WHO WE ARE
PURPOSE OF THIS PRIVACY NOTICE
This privacy notice aims to give you information on how IFLScience collects and processes your personal data in connection with content, including any data you may provide to us when submitting content or contribute to IFLScience content (e.g. take part in an interview).
We do not knowingly collect data relating to children.
It is important that you read this privacy notice together with any other privacy notice or fair processing notice we may provide on specific occasions when we are collecting or processing personal data about you so that you are fully aware of how and why we are using your data. This privacy notice supplements the other notices and is not intended to override them.
CONTROLLER
IFLScience is made up of different legal entities, details of which can be found below. This privacy notice is issued on behalf of the IFLScience Group so when we mention ”IFLScience”, “we”, “us” or “our” in this privacy notice, we are referring to the relevant company in the IFLScience Group responsible for processing your data. We will let you know which entity will be the controller for your data when you submit content to us or agree to us processing your personal data as part of our content.
We have appointed a data privacy manager who is responsible for overseeing questions in relation to this privacy notice. If you have any questions about this privacy notice, including any requests to exercise your legal rights, please contact the data privacy manager using the details set out below.
CONTACT DETAILS
Our full details are:
Full name of legal entity: IFLSCIENCE LIMITED
Name or title of DPO: Susie Jolley
Email address<EMAIL_ADDRESS>Postal address: 6 Kean St., London UK WC2B4AS
Telephone number: +44 (0) 20 739 79 0441
You have the right to make a complaint at any time to the Information Commissioner’s Office (ICO), the UK supervisory authority for data protection issues (www.ico.org.uk). We would, however, appreciate the chance to deal with your concerns before you approach the ICO so please contact us in the first instance.
CHANGES TO THE PRIVACY NOTICE AND YOUR DUTY TO INFORM US OF CHANGES
We keep our privacy notice under regular review.
It is important that the personal data we hold about you is accurate and current. Please keep us informed if your personal data changes during your relationship with us.
- 2. THE DATA WE COLLECT ABOUT YOU
Personal data, or personal information, means any information about an individual from which that person can be identified.
We may collect, use, store and transfer different kinds of personal data about you which we have grouped together follows:
- Identity Data includes first name, maiden name, last name, username or similar identifier, marital status, title, date of birth and gender.
- Contact Data includes billing address, delivery address, email address and telephone numbers.
- Image means your image (either in static form or moving images) in connection with content.
We do not collect any Special Categories of Personal Data about you (this includes details about your race or ethnicity, religious or philosophical beliefs, sex life, sexual orientation, political opinions, trade union membership, information about your health and genetic and biometric data). Nor do we collect any information about criminal convictions and offences.
IF YOU FAIL TO PROVIDE PERSONAL DATA
Where we need to collect personal data by law, or under the terms of a contract we have with you and you fail to provide that data when requested, we may not be able to perform the contract we have or are trying to enter into with you (for example, to publish your content). In this case, we may have to cancel the contract you have with us but we will notify you if this is the case at the time.
- 3.
We use different methods to collect data from and about you including through:
- Direct interactions. You may give us your Identity and Contact by filling in forms or by corresponding with us by post, phone, email or otherwise. This includes personal data you provide when you:
- submit content;
- complete an image release form;
- complete a contributor’s release form;
- complete an actor’s release form;
- enter into any other contract with us in connection with content.
- 4. HOW WE USE YOUR PERSONAL DATA
We will only use your personal data when the law allows us to. Most commonly, we will use your personal data in the following circumstances:
- On the basis of your consent.
- Where it is necessary for our legitimate interests (or those of a third party) and your interests and fundamental rights do not override those interests.
- Where we need to comply with a legal or regulatory obligation.
PURPOSES FOR WHICH WE WILL USE YOUR PERSONAL DATA
We have set out below, in a table format, a description of all the ways we plan to use your personal data, and which of the legal bases we rely on to do so. We have also identified what our legitimate interests are where appropriate.
Note that we may process your personal data for more than one lawful ground depending on the specific purpose for which we are using your data. Please Contact us if you need details about the specific legal ground we are relying on to process your personal data where more than one ground has been set out in the table below.
|
Purpose/Activity
|
Type of data
|
Lawful basis for processing including basis of legitimate interest
|
|
Specified Purpose (as set out in any applicable form/ contract agreed to by you) |
· Image · Identity Data |
· Consent |
|
Managing our relationship with you, including: · Notifying you of changes to our privacy notice. · Storing your contact details so that we can contact you. · Keeping a record of your consent. |
· Image · Identity Data · Contact Data
|
· Necessary for our legitimate interests (to maintain a record of your contact details in case we need to contact you regarding the content; to keep our records updated). · Necessary to comply with a legal obligation.
|
CHANGE OF PURPOSE
We will only use your personal data for the purposes for which we collected it, unless we reasonably consider that we need to use it for another reason and that reason is compatible with the original purpose. If you wish to get an explanation as to how the processing for the new purpose is compatible with the original purpose, please Contact us.
If we need to use your personal data for an unrelated purpose, we will notify you and we will explain the legal basis which allows us to do so.
Please note that we may process your personal data without your knowledge or consent, in compliance with the above rules, where this is required or permitted by law.
- 5. DISCLOSURES OF YOUR PERSONAL DATA
We may have to share your personal data with the parties set out below for the purposes set out in the table in paragraph 4 above.
- Internal Third Parties as set out in the Glossary.
- External Third Parties as set out in the Glossary.
- Third parties to whom we may choose to sell, transfer, or merge parts of our business or our assets. Alternatively, we may seek to acquire other businesses or merge with them. If a change happens to our business, then the new owners may use your personal data in the same way as set out in this privacy notice.
We require all third parties to respect the security of your personal data and to treat it in accordance with the law. We do not allow our third party service providers to use your personal data for their own purposes and only permit them to process your personal data for specified purposes and in accordance with our instructions.
- 6. INTERNATIONAL TRANSFERS
We may share your personal data within the IFLScience Group. This will involve transferring your data outside the European Economic Area (EEA).
We ensure your personal data is protected by requiring all our group companies to follow the same rules when processing your personal data. These rules are called “binding corporate rules”. For further details, see European Commission: Binding corporate rules.
Many of our external third parties are based outside the European Economic Area (EEA) so their processing of your personal data will involve a transfer of data outside the EEA.
Whenever we transfer your personal data out of the EEA, we ensure a similar degree of protection is afforded to it by ensuring at least one of the following safeguards is implemented:
- We will only transfer your personal data to countries that have been deemed to provide an adequate level of protection for personal data by the European Commission. For further details, see European Commission: Adequacy of the protection of personal data in non-EU countries.
- Where we use certain service providers, we may use specific contracts approved by the European Commission which give personal data the same protection it has in Europe. For further details, see European Commission: Model contracts for the transfer of personal data to third countries.
- Where we use providers based in the US, we may transfer data to them if they are part of the Privacy Shield which requires them to provide similar protection to personal data shared between the Europe and the US. For further details, see European Commission: EU-US Privacy Shield.
Please Contact us if you want further information on the specific mechanism used by us when transferring your personal data out of the EEA.
- 7. DATA SECURITY
We have put in place appropriate security measures to prevent your personal data from being accidentally lost, used or accessed in an unauthorised way, altered or disclosed. In addition, we limit access to your personal data to those employees, agents, contractors and other third parties who have a business need to know. They will only process your personal data on our instructions and they are subject to a duty of confidentiality.
We have put in place procedures to deal with any suspected personal data breach and will notify you and any applicable regulator of a breach where we are legally required to do so.
- 8.
We will only retain your personal data for as long as necessary to fulfil the purposes we collected it for, including for the purposes of satisfying any legal, accounting, or reporting requirements.
To determine the appropriate retention period for personal data, we consider the amount, nature, and sensitivity of the personal data, the potential risk of harm from unauthorised use or disclosure of your personal data, the purposes for which we process your personal data and whether we can achieve those purposes through other means, and the applicable legal requirements.
In some circumstances you can ask us to delete your data: see below for further information.
- 9. YOUR LEGAL RIGHTS
Under certain circumstances, you have rights under data protection laws in relation to your personal data.
NO FEE USUALLY REQUIRED
You will not have to pay a fee to access your personal data (or to exercise any of the other rights). However, we may charge a reasonable fee if your request is clearly unfounded, repetitive or excessive. Alternatively, we may refuse to comply with your request in these circumstances.
WHAT WE MAY NEED FROM YOU
We may need to request specific information from you to help us confirm your identity and ensure your right to access your personal data (or to exercise any of your other rights). This is a security measure to ensure that personal data is not disclosed to any person who has no right to receive it. We may also contact you to ask you for further information in relation to your request to speed up our response.
TIME LIMIT TO RESPOND
We try to respond to all legitimate requests within one month. Occasionally it may take us longer than a month if your request is particularly complex or you have made a number of requests. In this case, we will notify you and keep you updated.
YOUR LEGAL RIGHTS
You have the right to:
Request access to your personal data (commonly known as a “data subject access request”). This enables you to receive a copy of the personal data we hold about you and to check that we are lawfully processing it.
Request correction of the personal data that we hold about you. This enables you to have any incomplete or inaccurate data we hold about you corrected, though we may need to verify the accuracy of the new data you provide to us.
Request erasure of your personal data. This enables you to ask us to delete or remove personal data where there is no good reason for us continuing to process it. You also have the right to ask us to delete or remove your personal data where you have successfully exercised your right to object to processing (see below), where we may have processed your information unlawfully or where we are required to erase your personal data to comply with local law. Note, however, that we may not always be able to comply with your request of erasure for specific legal reasons which will be notified to you, if applicable, at the time of your request.
Object to processing of your personal data where we are relying on a legitimate interest (or those of a third party) and there is something about your particular situation which makes you want to object to processing on this ground as you feel it impacts on your fundamental rights and freedoms. You also have the right to object where we are processing your personal data for direct marketing purposes. In some cases, we may demonstrate that we have compelling legitimate grounds to process your information which override your rights and freedoms.
Request restriction of processing of your personal data. This enables you to ask us to suspend the processing of your personal data in the following scenarios: (a) if you want us to establish the data’s accuracy; (b) where our use of the data is unlawful but you do not want us to erase it; (c) where you need us to hold the data even if we no longer require it as you need it to establish, exercise or defend legal claims; or (d) you have objected to our use of your data but we need to verify whether we have overriding legitimate grounds to use it.
Request the transfer of your personal data to you or to a third party. We will provide to you, or a third party you have chosen, your personal data in a structured, commonly used, machine-readable format. Note that this right only applies to automated information which you initially provided consent for us to use or where we used the information to perform a contract with you.
Withdraw consent at any time where we are relying on consent to process your personal data. However, this will not affect the lawfulness of any processing carried out before you withdraw your consent. If you withdraw your consent, we may not be able to use the content. We will advise you if this is the case at the time you withdraw your consent.
If you wish to exercise any of the rights set out above, please Contact us.
- 10. GLOSSARY
LAWFUL BASIS
Legitimate Interest means the interest of our business in conducting and managing our business to enable us to give you the best service and the best and most secure experience. We make sure we consider and balance any potential impact on you (both positive and negative) and your rights before we process your personal data for our legitimate interests. We do not use your personal data for activities where our interests are overridden by the impact on you (unless we have your consent or are otherwise required or permitted to by law). You can obtain further information about how we assess our legitimate interests against any potential impact on you in respect of specific activities by Contacting us.
Performance of Contract means processing your data where it is necessary for the performance of a contract to which you are a party or to take steps at your request before entering into such a contract.
Comply with a legal or regulatory obligation means processing your personal data where it is necessary for compliance with a legal or regulatory obligation that we are subject to.
THIRD PARTIES
IFLSCIENCE GROUP
- UK - IFL SCIENCE LTD
Company Number: 9435049
Registered Office:
6 Kean Street
London
WC2B 4AS
- US - IFL Science LLC
Registered Office:
2711 Centerville Road
Suite 400
Wilmington
19808
Delaware
- Canada - IFLS INC.
Ontario Corporation #: 002352096
Registered Office:
471 Aberdeen Blvd.
Midland
Ontario
CANADA
L4R 5L9
INTERNAL THIRD PARTIES
Other companies in the IFLScience Group acting as processors and who are based in the US and provide IT and system administration services and undertake leadership reporting.
EXTERNAL THIRD PARTIES
- Professional advisers acting as processors including lawyers, bankers, auditors and insurers based in the UK and the US who provide consultancy, banking, legal, insurance and accounting services.
- HM Revenue & Customs, regulators and other authorities acting as controllers based in the United Kingdom who require reporting of processing activities in certain circumstances.


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Kelsey Boeing
10/18/2018
As Ohio University alumni flood the streets during Homecoming weekend, they may notice the same bricks but different shoes that tread on them.
Athens has seen each generation bring a new style, as a whole and within each major.
“It’s probably true that retail management majors dress a little more unique than other majors – (but) it really goes back to personality,” Maggie Boyle, a senior studying retail merchandising and the fashion director for Thread magazine, said.
In that case, Athens has no shortage of personality.
Here are some of the highlights of OU fashion through the decades:
Provided via Mahn Center for Archives & Special Collections
OU Camera Club, page 178
Provided via Mahn Center for Archives & Special Collections
“Finettes”, an OU diving club, page 186
The 1959 Athena Yearbook showed sorority girls clad in white shirts and short haircuts, and their male counterparts dressed in suits in their pictures. They radiated honor and formality as they stared into the camera with excited grins. Women wore long skirts and modest shirts – usually with matching logos – for their club pictures. Wide-rimmed glasses were an ever-popular choice for many students and professors. Picture day seemed to capture the unspoken uniform of college students of the era: suit jackets for men and white sweaters for women.
Provided via Mahn Center for Archives & Special Collections
Stroud’s Run, Page 25
Provided via Mahn Center for Archives & Special Collections
Perkins Hall Alumni, Page 232
The 1978 yearbook entitled Spectrum Green was a sharp contrast to the modesty and neatly creased shirts of the 1959 edition. Both men and women wore clothes they could more easily rally and rave in, like wide-collared shirts and flared jeans. There were entire pages dedicated to motorcycle gangs, with students’ skin taking on a pallor that accented their leather jackets and black boots. Men and women with long, flowing hair are pictured sunbathing at Strouds Run State Park in board shorts and flowered bikinis. Facial hair, particularly mustaches, was extremely popular with male students as well.
Provided via Mahn Center for Archives & Special Collections
MTV invades campus, Page 70
Provided via Mahn Center for Archives & Special Collections
Residence Life, page 125
The 1999 Athena Yearbook provides a different perspective than its predecessors. It has a much more laid-back vibe, even in the midst of formal senior portraits. Kids spinning records in baggy T-shirts, walking to class in sweater vests and untucked shirts were the new norm. Turtlenecks and oversized sweaters were trendy attire during the brutal Midwest winters. A typical OU female student had blown-out hair, either tied up in a scrunchie or left to flow naturally, perhaps reminiscent of the ‘80s trend.
Now, students can be found wearing OU gear, running pants, Birkenstock sandals or Adidas sneakers walking up Jeff Hill or Court Street. At night, however, the attire changes to mirror ‘80s and ‘90s vibes. Tube tops, denim jackets and skirts are popular.
“The typical (2018) OU student goes for comfort,” Boyle said. “Most people walking to class are sporting athletic, leisure-type wear, (though) I do see the occasional person who puts an extra few minutes into their outfits for class.”
Elizabeth Roush, a 1989 OU graduate, agrees and so does her son Daniel, a freshman studying biochemistry.
“The typical dress attire (in the 1980s) was high-top Reebok tennis shoes, high-waisted skinny jeans or denim mini-skirts, stirrup pants or long sweaters,” Roush said. “Both males and females had big, long hair. The only major that had a particular style was the artists, who dressed noticeably more goth/grunge.”
Roush noticed how much this style was recycled in 2018, as she stepped back on campus.
Athens style has varied greatly over the decades and has seen many repeated trends, such as the current resurgence of ‘90s attire or ‘80s bohemian looks. As Homecoming weekend approaches, College Green will become a melting pot of fashion, both old and new. The one style Bobcats have in common: OU swag and a love for their eccentric school.
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One area of confusion in c++ programming is when to implement a reference and when to implement a pointer. The following table summarizes the differences between these two types.
| Description | Pointer | Reference |
|---|---|---|
| A variable holding an address | An alias to another variable | |
| sample declaration | int* pi = &i; | int& ri = i; |
| sample value assignment | *pi = 2; | ri = 2; |
| Address increment | pi++; | not available |
| initialization | anytime | declaration only |
| null allowed | yes | no |
| reassignment | anytime | not allowed |
| pointer math | yes | no |
| point to another pointer | yes | no |
| Array of | yes | no |
| sample function parameter | void foo(int* i) | void foo(int& i) |
| sample function calling | foo(&a) | foo(a) |
| when to use | to implement algorithms and data structures | in function parameters and return types to define attractive interfaces |
Please leave some thoughts below and thanks for the read.


Extend this class to create strongly typed A-Frame components. Default implementations for component lifecycle methods such as init(), tick(), and others are provided, and can be overridden for your component's specific behavior.
Wraps https://aframe.io/docs/0.8.0/core/component.html#definition_lifecycle_handler_methods_updateschema.
Wraps https://aframe.io/docs/0.8.0/core/component.html#definition_lifecycle_handler_methods_init.
Wraps https://aframe.io/docs/0.8.0/core/component.html#definition_lifecycle_handler_methods_pause.
Wraps https://aframe.io/docs/0.8.0/core/component.html#definition_lifecycle_handler_methods_play.
Wraps https://aframe.io/docs/0.8.0/core/component.html#definition_lifecycle_handler_methods_remove.
Wraps https://aframe.io/docs/0.8.0/core/component.html#definition_lifecycle_handler_methods_update.
Generated using TypeDoc
Extend this class to create strongly typed A-Frame components. Default implementations for component lifecycle methods such as init(), tick(), and others are provided, and can be overridden for your component's specific behavior.


{% comment %} Copyright 2010 Google Inc. Licensed under the Apache License, Version 2.0 (the "License"); you may not use this file except in compliance with the License. You may obtain a copy of the License at http://www.apache.org/licenses/LICENSE-2.0 Unless required by applicable law or agreed to in writing, software distributed under the License is distributed on an "AS IS" BASIS, WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. See the License for the specific language governing permissions and limitations under the License. {% endcomment %} {% load i18n %} {% extends "base.html" %} {% block content %}
{% trans "Copy and paste the following HTML code to put this tool on your site" %}:
<iframe src="http://haiticrisis.appspot.com/?small=yes" width=350 height=300 frameborder=0 style="border: dashed 2px #77c"></iframe>
{% trans "This gadget is made available under the" %} {% trans "Apache 2.0 license" %}.
{% trans "Any data you receive by collaborating with Google in connection with the gadget is shared under a " %} {% trans "Creative Commons license" %}.
{% trans "To provide feedback on the People Finder application or to ask questions of the developers or other users, please join the "<EMAIL_ADDRESS>{% trans "mailing list." %}
{% trans "Other resources:" %}
{% trans "The Person Finder application stores and exports records using the People Finder Interchange Format (PFIF), which is based on XML." %} {% trans "Documentation on the format is available here:" %}
{% trans "Person Finder now supports PFIF 1.2." %}
{% trans "There are several ways to download records from our database:" %}
{% trans "PFIF 1.2 person and note feeds are available here:" %}
http://{{domain}}/feeds/person http://{{domain}}/feeds/note{% trans "By default, these feeds return the most recently added person records or note records in reverse chronological order." %} {% trans "These query parameters are supported:" %}
max_results
:
{% trans "Return up to the specified number of results (maximum 200)." %}
skip
:
{% trans "Skip the specified number of records before returning the next max_results
results." %}
min_entry_date
:
{% trans "Return only results with an entry_date
greater than or equal to the specified timestamp, which should be in yyyy-mm-ddThh:mm:ssZ
format. If this parameter is specified, results will be returned in forward chronological order." %}
person_record_id
:
{% trans "Return only notes for this person record. This parameter is only valid for the note feed." %}
{% trans "You can use the person_record_id
parameter to subscribe to a feed of notes on a specific person." %}
{% trans "If you need to keep another database synchronized with the Google Person Finder database, you can use the min_entry_date
and skip
parameters to produce incremental updates." %}
{% trans "Use the latest entry_date
you have previously received from Google Person Finder as the min_entry_date
for your first request." %}
{% trans "Then take the latest entry_date
in the batch you receive, and use it as the min_entry_date
for your next request." %}
{% trans "Use the skip
parameter to skip the records you already received that have the same entry_date
." %}
{% trans "This algorithm is implemented by the download_feed.py script, which is provided in the open source release of Google Person Finder (see below)." %}
{% trans "You can download a daily snapshot of all the data formatted in PFIF XML." %} {% trans "These snapshots are in PFIF 1.2." %} {% trans "Each zip file contains one XML document with just the person records, and another XML document with just the note records." %} {% trans "To protect user privacy, these snapshots omit the date of birth, e-mail address, and telephone number fields. The omitted information can be viewed interactively on the pages on this site." %}
{% trans "If you know the PFIF person_record_id of a person, you can fetch the person's PFIF record (with notes) in XML format, at the following URL:" %}
http://{{domain}}/api/read?id=person_record_id
{% trans "For compatibility with existing clients, the above URL returns a PFIF 1.1 document. For PFIF 1.2, use the following URL:" %}
http://{{domain}}/api/read?version=1.2&id=person_record_id
http://{{domain}}/api/write?key=auth_key
{% trans "Both PFIF 1.1 and 1.2 are accepted." %} {% trans "To obtain an auth_key, please contact" %} Pablo Mayrgundter, Prem Ramaswami, {% trans "or" %} Franklin Ho. {% trans "You will need to tell them which PFIF source domain you will be using the key for, and the key can only be used to upload person records whose person_record_id is prefixed with that domain." %}
{% trans "Once you have prepared an XML file, the following command-line can be used to upload it:" %}
curl -X POST -H 'Content-type: application/xml' --data-binary @your_file.xml \ http://{{domain}}/api/write?key=your_auth_key
{% trans "The XML document can contain <pfif:person> elements with nested <pfif:note> elements." %} {% trans "To understand the proper XML format, see the" %} PFIF example document. {% trans "We recommend that you upload a single record or a small number of records as a test, retrieve the records using the Individual Person Record API (/api/read), and view the records on the site to verify that the results are what you expected." %} {% trans "Pay careful attention to the handling of accented letters, note text, source URLs, and photo URLs (if you have them)." %}
{% trans "Due to the size limitation on POST requests, you should split up files into batches of 100 <pfif:person> elements." %} {% trans "If you encounter an error, or need to correct problems in a previous upload, it is safe to upload the same records again. Records will replace existing records with the same person_record_id or note_record_id." %}
{% trans "The response will be an XML document like this:" %}
<?xml version="1.0"?> <status:status> <status:write> <status:record_type>pfif:person</status:record_type> <status:parsed>1</status:parsed> <status:written>1</status:written> <status:skipped> </status:skipped> </status:write> <status:write> <status:record_type>pfif:note</status:record_type> <status:parsed>1</status:parsed> <status:written>1</status:written> <status:skipped> </status:skipped> </status:write> </status:status>{% trans "Each <status:write> element describes one batch of writes. <status:record_type> is the type of the batch. <status:parsed> says how many XML records were successfully parsed. <status:written> says how many were written to the datastore. In the above example, 1 person and 1 note were successfully written." %}
{% trans "When there are problems it will look like this:" %}
<?xml version="1.0"?> <status:status> <status:write> <status:record_type>pfif:person</status:record_type> <status:parsed>1</status:parsed> <status:written>0</status:written> <status:skipped> <pfif:person_record_id>google.com/person.4040</pfif:person_record_id> <status:error>not in authorized domain: u'google.com/person.4040'</status:error> </status:skipped> </status:write> <status:write> <status:record_type>pfif:note</status:record_type> <status:parsed>1</status:parsed> <status:written>0</status:written> <status:skipped> <pfif:note_record_id>zesty.ca/note.53</pfif:note_record_id> <status:error>ValueError: bad datetime: u'xyz'</status:error> </status:skipped> </status:write> </status:status>{% trans "Each <status:skipped> entry describes the reason why a particular record was skipped, and includes the record ID if one was given." %}
{% trans "When you upload person or note records, you will be replacing any existing records with the same record ID. It should be safe to upload the same data multiple times while you fix formatting problems." %}
Google Person Finder is open source, released under the Apache 2.0 License. You can download the source code here:
{% if close_button %}
{% trans "Close window" %}
{% else %}
« {% trans "Back to start" %}
{% endif %}
{% endblock %}
{% block footer %}{# Intentionally override #}{% endblock %}


'Fallen'
A movie review by Walter Frith
One thing I found disappointing in 1973's 'The Exorcist', is that despite its tremendous entertainment value, it exploited the premise of demonic possession without telling you much about it. It made up for this flaw by showcasing an absolutely blistering climax as two priests try and rid Satan from the body of a little girl. William Peter Blatty did win an Oscar for his adapted screenplay, based on the book, so he must have done something right.
'Fallen' has a similar problem but can't touch the classic stature of a film like 'The Exorcist' by any stretch of the imagination. It's premise of soul transformation is an intriguing one but it has no line of explaining the history or theological origins traced to the heart of its story.
Denzel Washington is always impressive (has he ever made a truly awful movie?) All right, I'll give you 'Heart Condition' (1990) and maybe 'Ricochet' (1991) but the Oscar winning actor always finds the right style even in films that are mediocre.
Washington stars as a California detective who pays a final visit to a convicted felon he help capture (Elias Koteas) who is about to be executed and deep down, Washington relishes the fact that the low life is about to succumb to the lethal forces of the gas chamber and Koteas tries to make final contact with Washington by attempting to shake hands with him.
Upon execution, Koteas sings a familiar song just before which comes back to haunt Washington later in the film along with other characteristics of the criminal's behaviour.
Unusual occurrences begin to surface as a series of murders occur in the city and Washington finds a familiar pattern to it all. People begin confronting him and sing the song that Koteas sang at his execution and this drums up suspicions that the killer's soul is being transferred into the bodies of innocent people. It seems that the soul can change bodies at will upon the act of a simple touch by one person to another and the movie can't escape the fact that anything that routine is simply not a believable premise for a movie. The movie spends virtually its entire first hour doing this and becomes tedious after the first 45 minutes.
Washington seeks advice from a theologian (Embeth Davidtz) and is dealing with his partner (John Goodman) through all of this and the skeptical tone of his boss (Donald Sutherland). Goodman and Sutherland are instrumental in the film's final resolution which the audience can see coming a mile away.
Director Gregory Hoblit ('Primal Fear') uses repetitive pseudo slow motion shots that stretch and skew across the movie screen in a deeply coloured and grainy manner as a way of showing the perception of evil and I found it to be a tiresome and gruesome trick that was over used and reminiscent of a Brian DePalma film.
Writer Nicholas Kazan ('Reversal of Fortune'), has penned a shallow and unimaginative film of wannabe gothic proportions and instead of coming up with a story that should have characters we care about, it fails because it doesn't showcase an acceptable form of depth and therefore contains a story we ultimately care nothing about.
OUT OF 5 > * *
Visit FILM FOLLOW-UP by Walter Frith
http://home.netinc.ca/~wfrith/movies.htm
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


ORG_0000047 - continent
Label
continent
Sub class of
Definition
One of the main landmasses of the globe, usually reckoned as seven in number (Europe, Asia, Africa, North America, South America, Australia, and Antarctica).
Definition source
Example
Asia, Europe, Antarctica, North America, South America, Africa, and Oceania are the continents
Editor’s note
Should define 7 named individuals and then this class is explicitly defined
Similar term in VIVO 1 Ontology
Term editor
Michael Conlon https://orcid.org/0000-0002-1304-8447


Equivalent to moving an object with the mouse. Moves the selected object to the specified position and, if successful, returns TRUE. If the selected object cannot be moved, FORMAT.MOVE returns FALSE. There are three syntax forms of this function. Use syntax 1 to move worksheet objects. Use syntax 2 to move chart items. Use syntax 3 to move pie-chart and doughnut-chart items. It is generally easier to use the macro recorder to enter this function on your macro sheet.
Syntax 1 Moves worksheet items
Syntax 2 Moves chart items
Syntax 3 Moves pie-chart and doughnut-chart items
Return to index
Equivalent to moving an object with the mouse. Moves the selected object to the specified position and, if successful, returns TRUE. If the selected object cannot be moved, FORMAT.MOVE returns FALSE. There are three syntax forms of this function. Use syntax 1 to move worksheet objects. Use syntax 2 to move chart items. Use syntax 3 to move pie-chart and doughnut-chart items. It is generally easier to use the macro recorder to enter this function on your macro sheet.
Syntax
FORMAT.MOVE(x_offset, y_offset, reference)
FORMAT.MOVE?(x_offset, y_offset, reference)
X_offset specifies the horizontal position to which you want to move the object and is measured in points from the upper-left corner of the object to the upper-left corner of the cell specified by reference. A point is 1/72nd of an inch.
Y_offset specifies the vertical position to which you want to move the object and is measured in points from the upper-left corner of the object to the upper-left corner of the cell specified by reference.
Reference specifies which cell or range of cells to place the object in relation to.
If reference is a range of cells, only the upper-left cell is used.
If reference is omitted, it is assumed to be cell A1.
Remarks
The position of an object is based on its upper-left corner. For ovals and arcs, the position is based on the upper-left corner of the bounding rectangle of the object.
Example
The following macro formula moves an object on the active worksheet so that it is 10 points horizontally offset and 15 points vertically offset from cell D4:
FORMAT.MOVE(10, 15, !$D$4)
Related Functions
CREATE.OBJECT Creates an object
FORMAT.SIZE Sizes an object
WINDOW.MOVE Moves a window
Syntax 2 Moves chart items
Syntax 3 Moves pie-chart and doughnut-chart items
Return to index
Equivalent to moving an object with the mouse. Moves the base of the selected object to the specified position and, if successful, returns TRUE. If the selected object cannot be moved, FORMAT.MOVE returns FALSE. There are three syntax forms of this function. Use syntax 3 to move pie-chart and doughnut-chart items. Use syntax 1 to move worksheet objects. It is generally easier to use the macro recorder to enter this function on your macro sheet.
Syntax
FORMAT.MOVE(x_pos, y_pos)
FORMAT.MOVE?(x_pos, y_pos)
X_pos specifies the horizontal position to which you want to move the object and is measured in points from the base of the object to the lower-left corner of the window. A point is 1/72nd of an inch.
Y_pos specifies the vertical position to which you want to move the object and is measured in points from the base of the object to the lower-left corner of the window.
Remarks
The base of a text label on a chart is the lower-left corner of the text rectangle.
The base of an arrow is the end without the arrowhead.
The base of a pie slice is the point.
Example
On a chart, the following macro formula moves the base of the selected chart object 10 points to the right of and 20 points above the lower-left corner of the window:
FORMAT.MOVE(10, 20)
Related Functions
FORMAT.SIZE Sizes an object
WINDOW.MOVE Moves a window
Syntax 1 Moves worksheet items
Syntax 3 Moves pie-chart and doughnut-chart items
Return to index
Equivalent to exploding by moving a pie-chart or doughnut-chart slice with the mouse. Sets the percentage of pie-chart or doughnut-chart slice explosion, and, if successful, returns TRUE. If the selected object cannot be exploded, returns FALSE. There are three syntax forms of this function. Use syntax 1 to move worksheet items. Use syntax 2 to move chart items. It is generally easier to use the macro recorder to enter this function on your macro sheet.
Syntax
FORMAT.MOVE(explosion_num)
Explosion_num is a number specifying the explosion percentage for the selected pie slice or the entire chart (if the series is selected). Zero is no explosion (the tip of the slice is in the center of the pie).
Related Functions
FORMAT.SIZE Sizes an object
Syntax 1 Moves worksheet items
Syntax 2 Moves chart items
WINDOW.MOVE Moves a window
Return to index


Downloads
Current version: 1.05
- visualization.jar Everythig you
need in a handy java .jar file
(If your browser is confused by the .jar extension, then right click, choose "save as", and save to your local machine) - Source code: projects.tar.gz All wrapped up in a tar'ed gzipped file. WARNING! This code can be a little confusing, and the algorithms are obscured by the visualizations. Do not look at the source to understand the algorithms!
- OS X
Download to your local machine, and then double-click on the downloaded file. As with most Mac things, it just works. - Linux
Download to your local machine. From the directory where you've downloaded the file, type "java -jar visualization.jar". Assuming that java is correctly installed on your machine and your CLASSPATH and such are set up correctly, this should work just fine. In most distributions (redhat/etc), there don't seem to be any problems. - Windows
Download to your local machine, and then double-click on the downloaded file. As with most Windows things, it seems to work most of the time :)


| Place |
{{getFromArray(object, 'LOC')}} |
| Type |
{{getFromArray(object, 'TIP')}} |
| Subtype |
{{getFromArray(object, 'STP')}} |
| Original price |
{{getExtraInfo(object, 'Preco')}} € |
| Date of purchase |
{{getExtraInfo(object, 'Compra')}} |
| Place of purchase |
{{getExtraInfo(object, 'Loja')}} |
| Serial number |
{{getExtraInfo(object, 'SN')}} |
| Invoice |
Download |
Notes
{{getExtraInfo(object, 'Notas')}}
{{object.LOC}} {{object.TIP}} {{object.STP}} {{object.MAR}} {{object.ID}}


This script is offered as-is, without warranty of any kind, following the MIT license.
Please take a moment to review the settings below.INPUT
You have used the RefSeq database file: ./NCBI_RefSeq_hg19_UCSC.tsv
You have used the HGNC database file: ./HGNC_results.tsv
You have provided a list of 6 gene symbols as a string.
OPTIONS
You want a list of all ambiguous gene names (-a).
You have chosen to flag mitochondrial genes (-m).
You have chosen to flag genes from non-standard chromosomes (-w).
Finally, you want info about every gene in your list (-e).
SUMMARY
Of the 6 unique genes you provided:
4 were found in the RefSeq database (0 as mitochondrial) (0 in non-standard chroms).
2 were missing from RefSeq, of which 1 were mentioned as aliases of other genes.
Also, of the 2 genes missing from RefSeq, 1 were also missing in HGNC, while 1 were present either legitimately or as a withdrawn entry (1 as mitochondrial) (1 in non-standard chroms).
Overall, 3 gene symbols were also aliases of other genes.
Overall, 1 genes were placed in non-standard chromosomes.
RESULTS
This is a review of all the symbols that were absent in the RefSeq database. Filtering by these names will likely not find anything.
No. |
Your gene symbol |
RefSeq Location |
HGNC gene name |
HGNC locus group |
HGNC cytoband |
The symbol is also an alias of: |
1 |
COX1 (Not found) |
absent |
(Missing) |
- |
- |
MT-CO1 , Gene symbol: MT-CO1 PTGS1 Gene symbol: PTGS1 |
2 |
MT-CO2 Gene symbol: MT-CO2 |
absent |
mitochondrially encoded cytochrome c oxidase II |
protein-coding gene |
mitochondria |
- |
As you asked, here is a review of all the symbols present in RefSeq but also having aliases:
No. |
Your gene symbol |
RefSeq Location |
HGNC gene name |
HGNC locus group |
HGNC cytoband |
The symbol is also an alias of: |
1 |
LIG1 Gene symbol: LIG1 |
chr19:48618701-48673860 |
DNA ligase 1 |
protein-coding gene |
19q13.33 |
LRIG1 Gene symbol: LRIG1 |
2 |
MKL1 Gene symbol: MKL1 |
chr22:40806284-41032723 |
(Missing) |
- |
- |
MRTFA Gene symbol: MRTFA |
As you asked, here is a list of all mitochondrial genes (in "chrM" or "chrmitochondria" chromosomes):
No. |
Your gene symbol |
RefSeq Location |
HGNC gene name |
HGNC locus group |
HGNC cytoband |
The symbol is also an alias of: |
1 |
MT-CO2 Gene symbol: MT-CO2 |
absent |
mitochondrially encoded cytochrome c oxidase II |
protein-coding gene |
mitochondria |
- |
As you asked, here is a review of all the genes in non-standard chromosomes:
No. |
Your gene symbol |
RefSeq Location |
HGNC gene name |
HGNC locus group |
HGNC cytoband |
The symbol is also an alias of: |
1 |
MT-CO2 Gene symbol: MT-CO2 |
absent |
mitochondrially encoded cytochrome c oxidase II |
protein-coding gene |
mitochondria |
- |
Finally, by your request, here is a review of all the unique symbols you provided:
No. |
Your gene symbol |
RefSeq Location |
HGNC gene name |
HGNC locus group |
HGNC cytoband |
The symbol is also an alias of: |
1 |
COX1 (Not found) |
absent |
(Missing) |
- |
- |
MT-CO1 , Gene symbol: MT-CO1 PTGS1 Gene symbol: PTGS1 |
2 |
LIG1 Gene symbol: LIG1 |
chr19:48618701-48673860 |
DNA ligase 1 |
protein-coding gene |
19q13.33 |
LRIG1 Gene symbol: LRIG1 |
3 |
MKL1 Gene symbol: MKL1 |
chr22:40806284-41032723 |
(Missing) |
- |
- |
MRTFA Gene symbol: MRTFA |
4 |
MT-CO2 Gene symbol: MT-CO2 |
absent |
mitochondrially encoded cytochrome c oxidase II |
protein-coding gene |
mitochondria |
- |
5 |
NOTCH1 Gene symbol: NOTCH1 |
chr9:139388884-139440238 |
notch receptor 1 |
protein-coding gene |
9q34.3 |
- |
6 |
TP53 Gene symbol: TP53 |
chr17:7571719-7590868 |
tumor protein p53 |
protein-coding gene |
17p13.1 |
- |


The Binder and Think Tank of the team
The Big Brother of the team, he supports and encourages
The Smiling Shy Lady who charms with her Simplicity
The soft spoken and loud thinker, she is Serious about all that she does
The Simple Sweet Heart with a responsible head
The Enthusiastic participant with a definite and positive attitude
The Jovial one with a Caring Heart
The Silent Patient Performer who works Diligently
The Doer, assign a task and it’s done
The Sombre and Bubbly one who Does what she Believes In
The Serious one who comes across as steady dedicated follower
The founding Tech-Wiz with an analytical mind and an understanding heart
The hard-working activist and an ever present conscience
The motivator, nurturer and bonding force in our team
The one bounding with enthusiasm, he's got a spirit you just cannot ignore
The Determined, Focused and Systematic one
The Energy tank, Enthusiastic and raring to go
The Sweet and Sombre one always willing to help


{%extends "base/page.html"%} {%block title%}Change password{%endblock%} {%block contents%}
From this form you can change the password of your community account.


A box plot, otherwise known as a box and whisker plot, is a visual tool that uses the five-number summary of a data set to look at the spread and distribution of data. The five-number summary of a data set includes its minimum value, lower quartile \((Q_1)\text{,}\) median \((Q_2)\text{,}\) upper quartile \((Q_3)\text{,}\) and maximum value.
in-context


Projects using Scintilla have run into some limitations of the existing design. One limitation is that there is only one byte of styling information available for each byte of text. Some projects want to associate more styles than are possible with one byte. This may be because of allowing a complex mix of languages in a document such as HTML with embedded client and server-side scripts. ASP.NET allows any combination of the (more than 10) .NET languages to be used for server side scripts. More indicators are wanted by some projects. This can include indicators of bad code, incorrect indentation and failures to follow coding conventions with each indicator taking one bit from the style byte.
For some tasks such as displaying large log files, the space used by the style buffer is significant so it should be possible to turn off the style buffer. This could further evolve to allow a callback function to style just those lines that are visible.
There are several ways to overcome these limitations. One is to widen the styling information to be 16 or 32 bits or to be a selectable number of bits. Another approach is to allow multiple independent styling buffers with rules defined to combine these independent styles into graphical attributes. For example, there could be both a basic style buffer using 8 bits to define the lexical class of each character and a warning style buffer using 3 bits to define different type of warning such as invalid code, non portable extensions, and bad indentation and a 1 bit style buffer for spelling mistakes. These could be combined into a 16 bit styling unit and then this could be decoded into graphical attributes. As the set of buffers used could vary over time, such as deciding to turn on spell checking, the particular bits used for each feature should be determined at run time. The current hard-coded style indices are too inflexible.
The current styling interface only really supports single pass styling. Some users are doing multi-pass styling but this has been difficult because of the lack of direct support. An example of this would be to perform an initial lexical styling pass to determine the primary appearance of the text and then a second slower code analysis pass would look for errors and highlight them with indicators.
Some source code consists of a set of languages combined together. Examples include C++ with embedded SQL, and web pages with both server-side and client-side scripts. Scintilla uses a large and complex monolithic lexer to process web pages with embedded scripts. This lexer is dificult to enhance to support another web preprocessor or scripting language. A more flexible technique would allow the combination of lexers so that one lexer is responsible for handling the preprocessor, another for handling HTML, and a third for handling client-sde scripts. Adding another client-side scripting language could then be done by producing or reusing a lexer just for that language.
Text encoded in Unicode and other large character sets could be stored in Scintilla using a uniform 2 or 4 bytes per character. This may have space and performance benefits over the current scheme which allows variable size encodings like UTF-8.
Scintilla is currently a monolithic component exposing a single API
over the whole of its functionality. Exposing more of the internal classes as
a structured object model means containers can combine those
classes with more freedom and provide a more natural API.
There is now some support for treating the document as a separate object to
its views but to perform any operations on the document, it must be selected
into a view. It should be possible to perform any document operation, such as
changing the text or searching directly on a document even when it is not
viewed at all. The style settings should be accessible as part of a hierarchy
so setting a font could be performed as:
styles[C_COMMENT].font = "Geneva"
or as:
styles[C_COMMENT] = new Style(styles[C_DEFAULT], "Geneva")
Some aspects of Scintilla have been assigned to either the document or the view depending on where they made the most sense for most projects. It may be useful to allow style buffers, fold points or markers to be associated with a view rather than with the document. It could be made possible for this to be configured by the container including rules for combining the view and document based data. An example could be an error checking view which includes extra error indicators that would be displayed in addition to the primary clean view.
Extending all the built in classes should be supported to allow customisation to be accomplished by code injected into the class hierarchy in the natural place to achieve a task rather than requiring modifications to be located either on the exterior layer of the component or using the callback mechanism. For example, it should be possible to extend the Document class with a locale sensitive word break method replacing the existing simple word break method. For this to work, there may need to be a factory class used to create all objects rather than allowing the bare use of "new" so that client code can ask that all requests for "Document" objects be satisfied by returning "LocaleSensitiveDocument" objects.
Scintilla supports call tips, autocompletion lists and popup menus. Many other types of controls could be displayed within the Scintilla window. It should be possible for an application to define new controls that share the window and input events and respond correctly to changes in Scintilla. It is not enough to just create a window and insert it inside Scintilla as some widgets need to watch input characters (such as an autocompletion stealing the arrow keys to move its selection) or be sensitive to the user clicking the mouse away from the location where the control was created causing the control to disappear.
Scintilla has proven to be quite portable to new graphical toolkits starting with Windows and GTK+ and now extending to wxWindows and Qt. Additional portability to emerging toolkits such as GDI+, as discussed on the portability page, will allow Scintilla to be used in new types of project.
Much of the code in Scintilla, such as the lexical analysis, is useful in contexts other than GUI applications, such as showing styled text on web pages or examining code for problems. Code should be ignorant that it is communicating with a GUI whenever possible so that such code can be reused in other applications.
Coding in low level languages such as C++, Java or C# is tedious and error prone although often required to meet performance objectives. Higher level languages such as Python and Lua make it easier to write high quality code but that code may run too slowly for an interactive application. It should be possible to achieve the best of both worlds by implementing the performance bottleneck components in a low level language and then glue them together with a high level language. On the managed execution platforms cross language calling and inheritance is very simple so a combination of languages can be used.


A 6-year-old who fractured her skull in a car accident has been regaining strength by painting a high school quarterback's nails before games
by Mack DeGeurin- A tragic accident brought together 17-year-old Omaha, Nebraska, quarterback Elliott Brown and 6-year-old McKinley Blue, “Good Morning America” reported.
- The two met in a hospital while Blue was recovering from a car accident.
- The accident put Blue in a coma for 10 days and left her with brain damage. She reportedly had to relearn how to walk, talk and eat.
- While Brown visited her, Blue would paint his fingernails to help her regain some strength in her arms.
- Blue continued painting Brown’s nails even after she was released from the hospital.
- Now, Blue regularly attends Brown’s games and is one of his biggest fans.
- Visit Insider’s homepage for more stories.
Though neither of them could have predicted it, 17-year-old Omaha, Nebraska, high school quarterback Elliott Brown, and 6-year-old McKinley Blue have become a formidable team.
As first reported by “Good Morning America,” the two met while Blue was in the hospital recovering from the after-effects of a 2018 car accident. That accident left Blue with a left skull fracture that put her in a coma for 10 days. The 6-year old had to have a piece of her skull removed and was confined to a wheelchair during her recovery, KMTV reported. Blue’s brain trauma was so severe she reportedly had to relearn how to walk, talk, and eat. It was during those long months of recovery that Brown started visiting.
Brown was friends with Blue’s older sisters and was moved by the young girl’s attempts at recovery. He would come sit with Blue during her recovery sessions and let her paint his fingernails, a process that slowly helped Blue regain some of her strength in her arms. Brown returned every week before game day for a fresh layer of paint.
Blue’s mother, Jessica, told Good Morning America that the two forged a deep bond during their visits.
“I always thought he was a very sweet boy and a great example for my girls,” Jessica Blue said.
The fingernail painting continued on even after Blue was released from the hospital. Now, when Blue paints Brown’s nails she can actually go seen him in action at the games.
- Read more:
- An 82-year-old female bodybuilder sent an unlucky home invader to the hospital
- A former US Marine started a fundraiser to pay off his local high school’s lunch debt, and he raised $US7,600 in 6 days
- Heartwarming video shows a stranded dog get rescued from a frozen pond – and immediately try to return the favour
- When a boy sent a letter to his dad in heaven, he got the most heartwarming reply from the postman


open fun startStream(): Unit
Starts audio/video stream. Stream depends of the endpoint: Audio/video could be write to a file or send to a remote device. To avoid creating an unresponsive UI, do not call on main thread.
See Also
stopStream


Below are the non-linear fits with correlation coefficients and best fit line plotted in red
for wind speed and Maximum Temperature versus city latitude.
Below are the non-linear fits with correlation coefficients and best fit line plotted in red
for Humidity and Cloud Index versus city latitude.


Although the ceremony and reception are in Georgetown, we recommend you stay in Austin to explore the “live music capital of the world”. There are also great outdoor running trails and great food.
Hotels in Austin are expensive. AirBnB is a great way to stay in a cool Austin neighborhood and save some money!
We’ve started an AirBnB wishlist to get you started on your search:
Austin AirBnB suggestions
If you’re new to AirBnB, you can sign up.
We’ve reserved two hotel blocks for our guests. Both hotels are conveniently located in or near downtown Austin.
111 E Cesar Chavez St, Austin, TX 78701
https://aws.passkey.com/go/ContilloGullySantiagoBlock
King Room $235 per night
Suite $275 per night
Parking $20 per night
507 South First Street Austin, TX 78704
Contact Group Sales 1-877-701-3383
Mention Contillo & Gully-Santiago Wedding
Single Queen Room $129 per night
Double Queen Room $149 per night
Here are some other excellent hotel options that don’t have a group rate:


SAMPLE CONSENT FORM: this is a demonstration version of the application and no data will be collected.
Dear Participant,
Thank you very much for participating in this study!
You have been asked Dr. Catherine Ortner of the Department of Psychology of Thompson Rivers University, telephone number<PHONE_NUMBER>, to participate in a research project entitled ERA, which encompasses the following:
The purpose of the project is to assess how people regulate their emotions in every day life. You will be rating your feelings and use of emotion regulation strategies several times during the day. In addition, you will fill out some questionnaires assessing your values and well- being. Your answers will help us to find out in what ways people prefer to respond in different emotional situations.
This information is not looked at by individual answers. Instead, each person’s answers are combined with those of all other participants. You will be reading about some emotionally evocative situations of the type that could occur in everyday life, but there is no discomfort or distress anticipated from your participation in the study. Your answers will be kept completely anonymous and strictly confidential. All your answers will be analyzed anonymously on an aggregated level (i.e., over all answers from all participants taken together). We will at no point in time analyze your individual responses and responses will not be identified by the individual. Aggregate data may be presented at a conference or published in a journal.
The completed surveys will be stored in a locked filing cabinet in the researcher’s office for seven years, after which they will be shredded.
You may refuse to participate or withdraw your participation in this project at any time without any negative consequences. Your involvement or non-involvement in this project is in no way related to your status as a student. If you wish to withdraw, leave the questionnaires blank. If you withdraw, any data collected will be discarded.
You may ask any questions or register any complaint you might have about the project with either the chief researcher named above or with the Dean of Arts, TRU<PHONE_NUMBER>).
If you have any questions or issues concerning this project that are not related to the specifics of the research, you may also contact the Chair of the Research Ethics Board – Human Participants<PHONE_NUMBER>).
Copies of the results of this study, upon its completion, may be obtained by emailing the investigator, Dr. Catherine Ortner at<EMAIL_ADDRESS>We appreciate your effort and help in completing this questionnaire. To begin, please continue. Your completion of the surveys constitutes your consent to participate in the study.
Thank you very much for your time and cooperation.


Liverpool fans react as Xherdan Shaqiri resumes training
by Tom ProcterLiverpool have received a boost with Xherdan Shaqiri finally returning to training.
The Switzerland international has not featured for the first-team since his three-minute cameo against Napoli in the Champions League in mid-September – the club’s only defeat of the season so far.
The star has been struggling with a calf injury and has just 25 minutes under his belt in 2019/20 so far.
The Reds have certainly coped just fine without him though – Jurgen Klopp’s team are currently top of the league by eight points, and are looking good for progression to the knockout stages in Europe.
They also edged past Arsenal in the Carabao Cup last month, in a game Shaqiri likely would have started had he been fit.
Shaqiri’s imminent return is timely for Liverpool, with their schedule extremely congested from now until the New Year.
Klopp is going to have to regularly rotate in order to keep his players as fresh as possible, and Shaqiri can get some much needed minutes.
Liverpool fans react
Many Liverpool fans were delighted to see the 27-year-old back with his teammates after his recent struggles:
Have something to tell us about this article?
Let us know


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Elementary Transcentental Functions¶
These types of activation functions where highly explored by Taehwan Kim and Tulay Adali, mainly in [CIT2001-KIM] and [CIT2003-KIM]. Please refer to them for further information. These functions are divided into 4 groups.
Circular
Inverse Circular
Hyperbolic
Inverse Hyperbolic
Circular¶
-
etf_circular_tan(z):
Computes tan of z element-wise.
\[tan(z) = \frac{e^{iz} - e^{-iz}}{i(e^{iz} + e^{-iz})}\]- Parameters
z – A Tensor. Must be one of the following types: bfloat16, half, float32, float64, int8, int16, int32, int64, complex64, complex128.
-
etf_circular_sin(z):
Computes sine of z element-wise.
\[sin(z) = \frac{e^{iz} - e^{-iz}}{2i}\]- Parameters
z – A Tensor. Must be one of the following types: bfloat16, half, float32, float64, int8, int16, int32, int64, complex64, complex128.
Inverse Circular¶
-
etf_inv_circular_atan(z):
Computes the trignometric inverse tangent of z element-wise.
\[atan(z) = \int_{0}^{z} \frac{dt}{1+t^2}\]- Parameters
z – A Tensor. Must be one of the following types: bfloat16, half, float32, float64, int8, int16, int32, int64, complex64, complex128.
-
etf_inv_circular_asin(z):
Computes the trignometric inverse sine of z element-wise.
\[asin(z) = \int_{0}^{z} \frac{dt}{(1-t)^1/2}\]- Parameters
z – A Tensor. Must be one of the following types: bfloat16, half, float32, float64, int8, int16, int32, int64, complex64, complex128.
-
etf_inv_circular_acos(z):
Computes acos of z element-wise.
\[acos(z) = \int_{z}^{1} \frac{dt}{(1-t^2)^1/2}\]- Parameters
z – A Tensor. Must be one of the following types: bfloat16, half, float32, float64, int8, int16, int32, int64, complex64, complex128.
Hyperbolic¶
-
etf_circular_tanh(z):
Computes hyperbolic tangent of z element-wise.
\[tanh(z) = \frac{sinh(z)}{cosh(z)} = \frac{e^{z} - e^{-z}}{e^{z} + e^{-z}}\]- Parameters
z – A Tensor. Must be one of the following types: bfloat16, half, float32, float64, int8, int16, int32, int64, complex64, complex128.
-
etf_circular_sinh(z):
Computes hyperbolic sine of z element-wise.
\[sinh(z) = \frac{e^{z} - e^{-z}}{2}\]- Parameters
z – A Tensor. Must be one of the following types: bfloat16, half, float32, float64, int8, int16, int32, int64, complex64, complex128.
Inverse Hyperbolic¶
-
etf_inv_circular_atanh(z):
Computes inverse hyperbolic tangent of z element-wise.
\[atanh(z) = \int_{0}^{z} \frac{dt}{1-t^2}\]- Parameters
z – A Tensor. Must be one of the following types: bfloat16, half, float32, float64, int8, int16, int32, int64, complex64, complex128.
-
etf_inv_circular_asinh(z):
Computes inverse hyperbolic sine of z element-wise.
\[asinh(z) = \int_{0}^{z} \frac{dt}{(1+t^2)^1/2}\]- Parameters
z – A Tensor. Must be one of the following types: bfloat16, half, float32, float64, int8, int16, int32, int64, complex64, complex128.
- CIT2001-KIM
Kim and T Adali “Complex Backpropagation neural network using elementary transdencental activation functions” 2001 IEEE International Conference on Acoustics, Speech, and Signal Processing. Proceedings (Cat. No.01CH37221)
- CIT2003-KIM
Kim and T Adali “Approximation by Fully Complex MLP Using Elementary Transcendental Activation Functions” 2001 Neural Computation


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Remove margin
from body
No black background should be visible on this page.
margin
from body
No black background should be visible on this page.
If you're on OSX, iOS, Android etc. You should notice that the fonts are a lot smoother on this page. Thanks to CSS font smoothing.
box-sizing: border-box;
It's super common to include this line in our styling now, so why not have it as a standard?
border-box
and 25px padding. Padding is absorbed.content-box
and 25px padding. Padding expands the container.The font on this page is set by clear.css to Arial, Helvetica, sans-serif
which are common sans-serif font fallbacks. We used sans-serif because it appears to be the most common font-type on the web to use. Resetting to this common font fallback also prevents developers including the fallbacks in each font-family
property they use.
Using font-size: 62.5%
on the html
element should give us the value of 10px; trusting that browsers have the default value of 16px. By doing this we can make REM/EM calculations easier e.g. 20px
after this change would be 2rem
Although we default the html
element to 10px, we also added a font-size of 1.6rem
to the body element. This means that you still use the standard font-size of 16px (1.6 * 10 = 16) but with the addition of easier REM calculations and a REM unit font-size on the body as standard. How cool is that?
If you're a developer you must of, at one point, styled an anchor element. If you have, you've probably also removed the default link underline so that you may then extend the styling of the link. Clear.css has the underline removed by default to that we developers can have extension styling in our CSS rather than a reset and extension in one block.
It's a pretty common method to remove mragins from headings and apply modify the default line-height to be bolder. So this is why we've implemented it. We've done a bit of research and noticed that a lot of developers set line-height on headings to 1.5em
, and that's what we have here.
Since clear remove margin from everything, we thought it best to reintroduce margin to paragraphs with paragraph siblings so that it doesn't all look like one paragraph. This is an opinionated feature and can be disabled in the clear source code.
This is a lone paragraph with no paragraph siblings. If you inspect this paragraph element, you'll see there is no margin applied.
In this test there are multiple paragraphs who are siblings to each other. If you inspect the second paragraph you'll notice the margin-top applied since it is a sibling to another paragraph.
Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.


|
App Engine Python SDK
v1.6.9 rev.445
The Python runtime is available as an experimental Preview feature.
|
Public Member Functions | |
| def | setUp |
| def | tearDown |
| def | run_dispatcher |
| def | test_success |
| def | test_success_with_bucket |
| def | test_success_full_success_url |
| def | test_base64 |
| def | test_wrong_method |
| def | test_bad_session |
| def | test_bad_mime_format |
| def | test_check_line_endings |
| def | test_copy_headers |
| def | test_entity_too_large |
| def | test_filename_too_long |
| def | test_content_type_too_long |
| def | test_raise_uncaught_http_error |
| Public Member Functions inherited from google.appengine.tools.devappserver2.blob_upload_test.UploadTestBase | |
| def | setUp |
| def | tearDown |
| def | assertMessageEqual |
| def | normalize_header_lines |
| def | normalize_header |
| def | normalize_parameter_order |
Public Attributes | |
| original_environ | |
| environ | |
| user_stub | |
| tmpdir | |
| blob_storage | |
| Set up testing blobstore files. More... | |
| blobstore_stub | |
| datastore_file | |
| history_file | |
| datastore_stub | |
| apiproxy | |
| forward_request_dict | |
| dispatcher | |
| Public Attributes inherited from google.appengine.tools.devappserver2.blob_upload_test.UploadTestBase | |
| original_environ | |
| mox | |
| tmpdir | |
| datastore_file | |
| history_file | |
| stub | |
| apiproxy | |
Test the upload handler as a whole, by making WSGI requests.
| def google.appengine.tools.devappserver2.blob_upload_test.UploadHandlerWSGITest.run_dispatcher | ( | self, | |
request_body = '' |
|||
| ) |
Runs self.dispatcher and returns the response. self.environ should already be initialised with the WSGI environment, including the HTTP_* headers. Args: request_body: String containing the body of the request. Returns: (status, headers, response_body, forward_environ, forward_body), where: status is the response status string, headers is a dict containing the response headers (with lowercase names), response_body is a string containing the response body, forward_environ is the WSGI environ passed to the forwarded request, or None if the forward application was not called, forward_body is the request body passed to the forwarded request, or None if the forward application was not called. Raises: AssertionError: start_response was not called. Exception: The WSGI application returned an exception.
| def google.appengine.tools.devappserver2.blob_upload_test.UploadHandlerWSGITest.setUp | ( | self | ) |
Set up test framework.
| def google.appengine.tools.devappserver2.blob_upload_test.UploadHandlerWSGITest.test_bad_mime_format | ( | self | ) |
Using a bad mime type format causes an error.
| def google.appengine.tools.devappserver2.blob_upload_test.UploadHandlerWSGITest.test_bad_session | ( | self | ) |
Using a non-existant upload session causes an error.
| def google.appengine.tools.devappserver2.blob_upload_test.UploadHandlerWSGITest.test_base64 | ( | self | ) |
Test automatic decoding of a base-64-encoded message.
| def google.appengine.tools.devappserver2.blob_upload_test.UploadHandlerWSGITest.test_check_line_endings | ( | self | ) |
Ensure the upload message uses correct RFC-2821 line terminators.
| def google.appengine.tools.devappserver2.blob_upload_test.UploadHandlerWSGITest.test_content_type_too_long | ( | self | ) |
Ensure a 400 response when content-type size limit exceeded.
| def google.appengine.tools.devappserver2.blob_upload_test.UploadHandlerWSGITest.test_copy_headers | ( | self | ) |
Tests that headers are copied, except for ones that should not be.
| def google.appengine.tools.devappserver2.blob_upload_test.UploadHandlerWSGITest.test_entity_too_large | ( | self | ) |
Ensure a 413 response is generated when upload size limit exceeded.
| def google.appengine.tools.devappserver2.blob_upload_test.UploadHandlerWSGITest.test_filename_too_long | ( | self | ) |
Ensure a 400 response is generated when filename size limit exceeded.
| def google.appengine.tools.devappserver2.blob_upload_test.UploadHandlerWSGITest.test_raise_uncaught_http_error | ( | self | ) |
Ensure that an uncaught HTTPError is not inadvertently caught.
| def google.appengine.tools.devappserver2.blob_upload_test.UploadHandlerWSGITest.test_success | ( | self | ) |
Basic dispatcher request flow.
| def google.appengine.tools.devappserver2.blob_upload_test.UploadHandlerWSGITest.test_success_full_success_url | ( | self | ) |
Request flow with a success url containing protocol, host and port.
| def google.appengine.tools.devappserver2.blob_upload_test.UploadHandlerWSGITest.test_success_with_bucket | ( | self | ) |
Basic dispatcher request flow.
| def google.appengine.tools.devappserver2.blob_upload_test.UploadHandlerWSGITest.test_wrong_method | ( | self | ) |
Using the wrong HTTP method on upload dispatcher causes an error.
| google.appengine.tools.devappserver2.blob_upload_test.UploadHandlerWSGITest.blob_storage |
Set up testing blobstore files.


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Contents
Default cloud plot
cloudPlot( randn(10000,1), randn(10000,1));
Only show the upper right hand quadrant
cloudPlot( randn(10000,1), randn(10000,1), [0 4 0 4] );
Use logarithmic scale
cloudPlot( randn(10000,1), randn(10000,1), [], true);
Use only a few bins
cloudPlot( randn(10000,1), randn(10000,1), [], [], [50 50] );
Use transluscent images and name-value pair arguments
plot ( 10*rand(10,1), 10*rand(10,1), 'k*-' ); hold on; cloudPlot( randn(10000,1), randn(10000,1)+1, [], [], [50 50], 'AlphaData', 0.5 ); hold off; colormap(1-hot);
Plot a curve of the raw data on top, using colorbar and colormap
[h,canvas] = cloudPlot( randn(10000,1), randn(10000,1)+1, [], [], [50 50] ); hold on; colorbar; colormap( get(h,'Parent'), gray(256) ); plot ( linspace(-3,3,50), canvas([10 20 30 40],:)/10 ); hold off;
Use lots-and-lots of bins
Having bins smaller than one pixel on the screen is strongly advized against because then data will randomly not be shown.
X = randn(1000000,1); Y = randn(1000000,1); colormap(jet); subplot ( 2, 2, 1 ); cloudPlot( X, Y ); title ( 'Bins exactly one pixel large' ); subplot ( 2, 2, 2 ); cloudPlot( X, Y, [], [], [100 100] ); title ( 'Bins larger than one pixel' ); subplot ( 2, 2, 3 ); cloudPlot( X, Y, [], [], [1000 1000] ); title ( 'Bins smaller than one pixel' );
Warning: Having bins smaller than one pixel on the screen is not advised


I achieve rapid, sustainable growth in my ventures. I grew my most recent project by 46x in 42 months to a multi-million dollar exit.
I draw upon my extensive experience across multiple industries to responsibly - yet severely - reduce costs across the board in my ventures.
I bring military training and 40 years of negotiation experience to the table in my ventures. I get what I want in the boardroom.
Slashed overhead costs by $900,000 in the first 12 months. Took the company from a 300% annual loss to break-even in 28 months. Appointed to board of directors within 6 months of project completion.
Grew company from $18 million to $60 million over the term of the project. Cut cost of operation by $2 million within 6 months. Negotiated $13 million profit on sale of old office facilities.
Grew company from $3.5 million to $24 million over the term of the project. Doubled the prior year's annual sales within 15 months. Launched subsidiary division within 24 months.
Grew company by 46x within 42 months to a multi-million dollar exit. Reduced COGS by 30% within 18 months and 48% by end of project. Introduced a new line of products to the market resulting in an increase in sales from $5 million to $12 million within 12 months.
Venture CEO
I am a driven chief executive with 25+ years of experience in forging successful business ventures. I value professionalism and work ethic, and believe strongly in sustainable success.
My expertise lies in advancing business development efforts in my ventures, while at the same time overseeing a wide variety of operational and fiscal responsibilities.
I am committed to bringing the highest caliber of work to my ventures, and I expect success without fault.


SPACE COWBOYS (2000)
Grade: C+
Director: Clint Eastwood
Screenplay: Ken Kaufman, Howard Klausner
Starring: Clint Eastwood, Tommy Lee Jones, Donald Sutherland, James Garner, James Cromwell, William Devane, Marcia Gay Harden, Loren Dean, Courtney B. Vance
SPACE COWBOYS is a middle age fantasy. It's the kind of film where the old guys get all the best lines while the young guys take it with sheepish grins or straight faced anger, and the audience laughs and cheers "You tell em, Clint!" Critics have taken to calling it GRUMPY OLD ASTRONAUTS, which it sort of is for its first two acts, then, once these grumps get into outer space we get a slowed down to pace maker speed ARMAGEDDON where everything goes wrong and one of the boys must sacrifice his life (it'll be increasingly obvious who'll do so by the forty five minute mark) to make things right. The final shot is as haunting as it is implausible as it is completely out of sync with everything that came before it.
 Much of the movie has the screenwriters devising one humiliating, torturous physical test after another; the senior citizens grunt and wheeze through eight mile jogs, they barely survive a bench press session, and at one point they're made to stand, sans trousers, in all their saggy assed glory before a young chick doctor.
The film commences with an old stand-by; a group of friends, none of whom have seen each other since their collective hey day, reunite to do another job on the ask of their unofficial leader Frank Corvin (Clint Eastwood, so damn grizzled I practically expected him to growl when he first appears). Corvin, in his prime, was a hot shot NASA rocket scientist (!) who designed a Cod War-era satellite that, today, is on its way to crashing out of orbit. It's such an antiquated piece of machinery that none of the "dim bulbs" currently counting the days to retirement at NASA have the foggiest notion on how to fix it. Corvin is asked to provide the information needed to repair the gizmo but he stubbornly refuses, countering with the suggestion that NASA fly him and his old crew up into space. Well, it at least makes more sense then beaming up a bunch of psychotic oil drillers.
This leads to the traditionally wacky encounters wherein the hero finds his old friends in unexpected positions, like the craggy James Garner as a bargain basement Baptist priest, a pony tailed Donald Sutherland as the guy who tests roller coasters for speed, and Tommy Lee Jones (bull necked as ever) as a nutty prop plane pilot. Following the intros, all the aforementioned grunting and wheezing commences, punctuated by wisecracks and shouting matches between Eastwood and the mission leader played by James Cromwell (LA. CONFIDENTIAL) who acts so downright despicable he might as well have a British accent.
Clint seems to have paid a bit of mind to some of the criticisms hoisted upon many of his films, particularly how he often seems to cast community college graduates as his love interests. Here he casts an older lady (Barbara Babcock) as his wife (though she isn't given much screen time), Tommy Lee Jones romances the mature NASA lieutenant Sara Holland (Marcia Gay Harden), rather than her daughter, it's only Donald Sutherland who chases young girls, though he's playing the part of comic lecher. Eastwood also seems more game than ever to goof on his tough guy image, though not so much as to have him be any less than a superhero who succeeds in spite of all odds.
In many ways SPACE COWBOYS is like a less mature, vaudeville companion to Eastwood's UNFORGIVEN, the most brilliant film Clint ever lucked into. That was more a middle age nightmare about men past their prime, coming to grips or in some cases embracing old haunts. SPACE COWBOYS is about goofing on clueless youngsters, and acting even more heroic than they when it comes down to it. Much of the movie coasts on the chemistry of its quartet; these guys are legends and it's tough not to derive some pleasure from seeing them send up their cut in stone images. But still, when I go to a movie I tend to look for more than a plethora of old timer gags
I can't say that I thoroughly enjoyed it but, nonetheless, I had a pretty good time at the showing. This is an amiable crowd pleaser that will probably appeal to youngsters dreaming of space travel as well as those middle aged men hoping to see Eastwood quit that whining he did through THE BRIDGES OF MADISON COUNTY, drop the negative character traits of his dogged reporter in TRUE CRIME, and just return to the figure of ANY WHICH WAY YOU CAN and HONKYTONK MAN; the tough straight man with a hint of comic wile.
SPACE COWBOYS is the last film in who knows how long that will sit privy to the sounds of middle aged laughter. And that's something that shouldn't be discounted when for the last two years film makers seemed to be trying to make stars out of the collective casts of the WB. These guys are like vintage wines, and while I didn't grow up idolizing them (I was born in '79, and it did take me a while to warm up to Eastwood's particular brand of wooden minimalism) I can certainly admire their ripened talents. The movie itself is more of a crusty homage to the old stars' personalities with silly space machinations thrown in. I didn't really care for that. I would have liked to see them at the service of an actual story. But many won't mind either way and if you're a long time fan you'll likely lap this one up.
http://www.geocities.com/incongruity98 Reeling (Ron Small)
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


This is a heading that ends on line 12 column 32
This is a paragraph without a closing tag.
This is a paragraph with a closing tag.
1
2


--- layout: post status: publish published: true title: Sam on the Agile Architect author: display_name: Tomas Restrepo login: tomasr email<EMAIL_ADDRESS>url: http://winterdom.com/ author_login: tomasr author_email<EMAIL_ADDRESS>author_url: http://winterdom.com/ wordpress_id: 1010 wordpress_url: http://winterdom.com/2006/09/samontheagilearchitect date: '2006-09-07 06:43:40 +0000' date_gmt: '2006-09-07 06:43:40 +0000' categories: - Architecture tags: [] comments: [] ---
My friend Sam Gentile posted yesterday an excellent entry on what it means to be an Agile Architect. There's a bunch of good stuff in there and I plan on taking advantage on some of the good advice Sam brings forward:


@******************************************************************************* * Licensed to the Apache Software Foundation (ASF) under one or more * * contributor license agreements. See the NOTICE file distributed with * * this work for additional information regarding copyright ownership. * * The ASF licenses this file to You under the Apache License, Version 2.0 * * (the "License"); you may not use this file except in compliance with * * the License. You may obtain a copy of the License at * * * * http://www.apache.org/licenses/LICENSE-2.0 * * * * Unless required by applicable law or agreed to in writing, software * * distributed under the License is distributed on an "AS IS" BASIS, * * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * * See the License for the specific language governing permissions and * * limitations under the License. * *******************************************************************************@ @(bugReportForm: play.data.Form[BugReport]) @import helper._ @import helper.twitterBootstrap._ @main("Bug Report") { @flash_message() @helper.form(action = routes.BugReportController.newReport) {
} }


1. Download your selected youtube video
2. Convert from video format
to audio format
3. Put song to to-play list
What are we doing?...
Please wait for us a second


struct Range(B, E)
- Range(B, E)
- Struct
- Value
- Object
Overview
A Range
represents an interval: a set of values with a beginning and an end.
Ranges may be constructed using the usual new
method or with literals:
x..y # an inclusive range, in mathematics: [x, y]
x...y # an exclusive range, in mathematics: [x, y)
(x..) # an endless range, in mathematics: >= x
..y # a beginless inclusive range, in mathematics: <= y
...y # a beginless exclusive range, in mathematics: < y
An easy way to remember which one is inclusive and which one is exclusive it to think of the extra dot as if it pushes y further away, thus leaving it outside of the range.
Ranges typically involve integers, but can be created using arbitrary objects
as long as they define succ
(or pred
for reverse_each
), to get the
next element in the range, and <
and ==
, to know when the range reached the end:
# Represents a string of 'x's.
struct Xs
include Comparable(Xs)
getter size
def initialize(@size : Int32)
end
def succ
Xs.new(@size + 1)
end
def <=>(other)
@size <=> other.size
end
def inspect(io)
@size.times { io << 'x' }
end
def to_s(io)
io << @size << ' '
inspect(io)
end
end
An example of using Xs
to construct a range:
r = Xs.new(3)..Xs.new(6)
r.to_s # => "xxx..xxxxxx"
r.to_a # => [Xs.new(3), Xs.new(4), Xs.new(5), Xs.new(6)]
r.includes?(Xs.new(5)) # => true
Included Modules
- Enumerable(B)
- Iterable(B)
Defined in:
crystal_on_steroids/range.crInstance Method Summary
-
#overlaps?(other : Range) : Bool
Compare two ranges and see if they overlap each other
` (1..5).overlaps?(4..6) # => true (1..5).overlaps?(7..9) # => false
`
Instance methods inherited from module Enumerable(B)
avg
avg,
blank?
blank?,
exactly?(count : Int32, &)
exactly?,
excludes?(obj)
excludes?,
frequencies
frequencies,
many?(&)many? many?, pluck(*keys) pluck, pluck?(*keys) pluck?, without(*items) without
Instance methods inherited from class Object
in?(another_object)
in?,
presence
presence,
presence_in(another_object)
presence_in,
present?
present?,
to_param
to_param,
to_query(namespace)to_query to_query
Class methods inherited from class Object
❨╯°□°❩╯︵┻━┻
❨╯°□°❩╯︵┻━┻
Instance Method Detail
Compare two ranges and see if they overlap each other
(1..5).overlaps?(4..6) # => true
(1..5).overlaps?(7..9) # => false


Configuration
About configuration file
The configuration file, docarys.yml, is located at project root folder.
Remember, this configuration parameters has effect in both the general behaviour of Docarys (e.g. the output folder), but also in the theme (e.g. site name, description, author, theme...)
Configuration parameters
This is the list of default parameters that can be used with docarys and material for docarys. New paramteres can be added when customizing the theme.
All configuration paramteres is sent to the them renderer, so they are effectively available once added to docarys.yml
Live server reload known issue
At the moment, changes in docarys.yml are not being tracked by the live server. To see changes applied to docyars.yml, please stop and serve again.
| Paramater name | Short description | Required | Default |
|---|---|---|---|
| site_name | Documentation site name | Yes | |
| pages | Array with the site's page tree structure | No | null |
| meta.description | A brief description of the site | No | null |
| meta.author | Site author information | No | null |
| site_url | Canonical URL of the site | No | null |
| repo_url | Links the documentation site to a SCM | No | null |
| repo_name | Repository name in the SCM | No | null |
| edit_uri | Absolute base path where the edit page is found | No | null |
| copyright | Site copyright information | No | null |
| google_analytics | Google analystics tracking identifier | No | null |
| theme.name | Docarys theme that should be used | No | material |
| theme.language | Theme language | No | en |
| theme.feature.tabs | Enables or disables the 'tabs' feature | No | false |
| theme.palette.primary | Palette primary color (Material theme only) | No | null |
| theme.palette.accent | Palette accent color (Material theme only) | No | null |
| theme.font.text | Site font for text | No | null |
| theme.font.code | Font used in the fenced code blocks | No | null |
| theme.favicon | Site favicon resource relative URI | No | null |
| extra.social | Array of social objects (type and link) | No | null |
site_name
| Required | Default value |
|---|---|
| Yes |
Documentation site name. By default, this parameter is used as website title and as page metadata.
Configuration example:
Example
name: Docarys documentation website
pages
| Required | Default value |
|---|---|
| No |
This configuration property contains an object array, describing site's page tree structure. Docarys will walk the tree in the described order, creating all the page metadata and links required.
Take control of your website structure with "pages"
This parameter is not mandatory. However, it is highly recommended to create the title and file association in the configuration file. Otherwise, docarys will use the disk tree structure to create the website, and you'll miss control over important things, like order or page title.
Example
pages:
- Docarys:
- Home: index.md
- Installation: docarys/installation.md
- Configuration: docarys/configuration.md
- Get started: docarys/get-started.md
- License: license.md
- Material for Docarys:
- Index: material/index.md
meta.description
| Required | Default value |
|---|---|
| No | null |
This parameter is used, by default in Material for Docarys, to add the metadata "dsecription" in the page header.
It is also possible to configure this meta header using the site_description
configuration, inherited from MKDocs for backward compatibility. However, if you are migrating from MKDocs to docarys, is highly recommeded to use docarys notation
Example
meta:
description: Yet another static web site utility for technical documentation.
meta.author
| Required | Default value |
|---|---|
| No | null |
This parameter is used, by default in Material for Docarys, to add the metadata "author" in the page header.
It is also possible to configure this meta header using the site_author
configuration, inherited from MKDocs for backward compatibility. However, if you are migrating from MKDocs to docarys, is highly recommeded to use docarys notation
Example
meta:
author: Sergio Sisternes
site_url
| Required | Default value |
|---|---|
| No | null |
Canonical URL where this documentation site is found.
By default, Material for docarys uses it to create a link from the header logo to the main docs page.
Example
site_url: http://docs.docarys.io
repo_name
| Required | Default value |
|---|---|
| No | null |
When set, instructs docarys which repository is linked to this project, displaying the name and stastics accordingly.
Note
The intent for this property is to point where your project source code is. Not where the documentation source is. This way, if your code is hosted in Github, docarys will display your project statics (starts and forks), instead of the documenation ones.
Example
repo_name: docarys/docarys
repo_url
| Required | Default value |
|---|---|
| No | null |
When set, instructs docarys which SCM repository should by linked with this documentation site. This URL can be different from the documentation SCM repository.
Note
The intent for this property is to point where your project source code is. Not where the documentation source is. This way, if your code is hosted in Github, docarys will display your project statics (starts and forks), instead of the documenation ones.
Example
repo_url: https://github.com/docarys/docarys
edit_url
| Required | Default value |
|---|---|
| No | null |
When set, edit_url indicates docarys where the actual markdown pages can be edited. Docarys expects a Canonical URL to the root SCM repository. Docarys will complete the edit route automatically, making a concatenaton of edit_url and the page it is rendering. You can give a try to this features by clicking the "pencil" icon you can find in the top of this page.
Note
The intent for this property is to point where your documentation source code is.
Example
edit_uri: https://github.com/docarys/docs/blob/master
copyright
| Required | Default value |
|---|---|
| No | null |
Copyright information to be included in the site.
Example
copyright: 'Copyright © 2017 - 2018 Sergio Sisternes'
google_analytics
| Required | Default value |
|---|---|
| No | null |
When specified, adds the google analytics tracking configuration to the page.
Example
copyright: 'Copyright © 2017 - 2018 Sergio Sisternes'
Support Source Control Management systems
The following SCM tools are supported by docarys out of the box:
| SCM |
|---|
| Gihub |
| Gitlab |
| Bitbucket |
| Other Git |
About other Git servers
Using other Git servers/services is possible. However, the theme won't provide you the logo or other repository information.