Detailed Description
Module Source Dependencies
The following files must be built with any user project that uses this module:
- LUFA/Drivers/USB/Class/Device/CDC.c (Makefile source module name: LUFA_SRC_USBCLASS)
Description
Device Mode USB Class driver framework interface, for the CDC USB Class driver.
- Note:
- There are several major drawbacks to the CDC-ACM standard USB class, however it is very standardized and thus usually available as a built-in driver on most platforms, and so is a better choice than a proprietary serial class.
One major issue with CDC-ACM is that it requires two Interface descriptors, which will upset most hosts when part of a multi-function "Composite" USB device, as each interface will be loaded into a separate driver instance. To combat this, you should use the "Interface Association Descriptor" addendum to the USB standard which is available on most OSes when creating Composite devices.
Another major oversight is that there is no mechanism for the host to notify the device that there is a data sink on the host side ready to accept data. This means that the device may try to send data while the host isn't listening, causing lengthy blocking timeouts in the transmission routines. To combat this, it is recommended that the virtual serial line DTR (Data Terminal Ready) be used where possible to determine if a host application is ready for data.
Function Documentation
Determines the number of bytes received by the CDC interface from the host, waiting to be read. This indicates the number of bytes in the OUT endpoint bank only, and thus the number of calls to CDC_Device_ReceiveByte() which are guaranteed to succeed immediately. If multiple bytes are to be received, they should be buffered by the user application, as the endpoint bank will not be released back to the USB controller until all bytes are read.
- Precondition:
- This function must only be called when the Device state machine is in the DEVICE_STATE_Configured state or the call will fail.
- Parameters:
-
| [in,out] | CDCInterfaceInfo | Pointer to a structure containing a CDC Class configuration and state. |
- Returns:
- Total number of buffered bytes received from the host.
Configures the endpoints of a given CDC interface, ready for use. This should be linked to the library EVENT_USB_Device_ConfigurationChanged() event so that the endpoints are configured when the configuration containing the given CDC interface is selected.
- Note:
- The endpoint index numbers as given in the interface's configuration structure must not overlap with any other interface, or endpoint bank corruption will occur. Gaps in the allocated endpoint numbers or non-sequential indexes within a single interface is allowed, but no two interfaces of any type have have interleaved endpoint indexes.
- Parameters:
-
| [in,out] | CDCInterfaceInfo | Pointer to a structure containing a CDC Class configuration and state. |
- Returns:
- Boolean true if the endpoints were successfully configured, false otherwise.
Identical to CDC_Device_CreateStream(), except that reads are blocking until the calling stream function terminates the transfer. While blocking, the USB and CDC service tasks are called repeatedly to maintain USB communications.
- Parameters:
-
| [in,out] | CDCInterfaceInfo | Pointer to a structure containing a CDC Class configuration and state. |
| [in,out] | Stream | Pointer to a FILE structure where the created stream should be placed. |
Creates a standard character stream for the given CDC Device instance so that it can be used with all the regular functions in the avr-libc <stdio.h> library that accept a FILE stream as a destination (e.g. fprintf). The created stream is bidirectional and can be used for both input and output functions.
Reading data from this stream is non-blocking, i.e. in most instances, complete strings cannot be read in by a single fetch, as the endpoint will not be ready at some point in the transmission, aborting the transfer. However, this may be used when the read data is processed byte-per-bye (via getc()) or when the user application will implement its own line buffering.
- Note:
- The created stream can be given as stdout if desired to direct the standard output from all <stdio.h> functions to the given CDC interface.
- Parameters:
-
| [in,out] | CDCInterfaceInfo | Pointer to a structure containing a CDC Class configuration and state. |
| [in,out] | Stream | Pointer to a FILE structure where the created stream should be placed. |
Flushes any data waiting to be sent, ensuring that the send buffer is cleared.
- Precondition:
- This function must only be called when the Device state machine is in the DEVICE_STATE_Configured state or the call will fail.
- Parameters:
-
| [in,out] | CDCInterfaceInfo | Pointer to a structure containing a CDC Class configuration and state. |
- Returns:
- A value from the Endpoint_WaitUntilReady_ErrorCodes_t enum.
Processes incoming control requests from the host, that are directed to the given CDC class interface. This should be linked to the library EVENT_USB_Device_ControlRequest() event.
- Parameters:
-
| [in,out] | CDCInterfaceInfo | Pointer to a structure containing a CDC Class configuration and state. |
Reads a byte of data from the host. If no data is waiting to be read of if a USB host is not connected, the function returns a negative value. The CDC_Device_BytesReceived() function may be queried in advance to determine how many bytes are currently buffered in the CDC interface's data receive endpoint bank, and thus how many repeated calls to this function which are guaranteed to succeed.
- Precondition:
- This function must only be called when the Device state machine is in the DEVICE_STATE_Configured state or the call will fail.
- Parameters:
-
| [in,out] | CDCInterfaceInfo | Pointer to a structure containing a CDC Class configuration and state. |
- Returns:
- Next received byte from the host, or a negative value if no data received.
Sends a given byte to the attached USB host, if connected. If a host is not connected when the function is called, the byte is discarded. Bytes will be queued for transmission to the host until either the endpoint bank becomes full, or the CDC_Device_Flush() function is called to flush the pending data to the host. This allows for multiple bytes to be packed into a single endpoint packet, increasing data throughput.
- Precondition:
- This function must only be called when the Device state machine is in the DEVICE_STATE_Configured state or the call will fail.
- Parameters:
-
| [in,out] | CDCInterfaceInfo | Pointer to a structure containing a CDC Class configuration and state. |
| [in] | Data | Byte of data to send to the host. |
- Returns:
- A value from the Endpoint_WaitUntilReady_ErrorCodes_t enum.
Sends a Serial Control Line State Change notification to the host. This should be called when the virtual serial control lines (DCD, DSR, etc.) have changed states, or to give BREAK notifications to the host. Line states persist until they are cleared via a second notification. This should be called each time the CDC class driver's ControlLineStates.DeviceToHost value is updated to push the new states to the USB host.
- Precondition:
- This function must only be called when the Device state machine is in the DEVICE_STATE_Configured state or the call will fail.
- Parameters:
-
| [in,out] | CDCInterfaceInfo | Pointer to a structure containing a CDC Class configuration and state. |
| uint8_t CDC_Device_SendString |
( |
USB_ClassInfo_CDC_Device_t *const |
CDCInterfaceInfo, |
|
|
const char *const |
Data, |
|
|
const uint16_t |
Length |
|
) |
| |
Sends a given string to the attached USB host, if connected. If a host is not connected when the function is called, the string is discarded. Bytes will be queued for transmission to the host until either the endpoint bank becomes full, or the CDC_Device_Flush() function is called to flush the pending data to the host. This allows for multiple bytes to be packed into a single endpoint packet, increasing data throughput.
- Precondition:
- This function must only be called when the Device state machine is in the DEVICE_STATE_Configured state or the call will fail.
- Parameters:
-
| [in,out] | CDCInterfaceInfo | Pointer to a structure containing a CDC Class configuration and state. |
| [in] | Data | Pointer to the string to send to the host. |
| [in] | Length | Size in bytes of the string to send to the host. |
- Returns:
- A value from the Endpoint_Stream_RW_ErrorCodes_t enum.
General management task for a given CDC class interface, required for the correct operation of the interface. This should be called frequently in the main program loop, before the master USB management task USB_USBTask().
- Parameters:
-
| [in,out] | CDCInterfaceInfo | Pointer to a structure containing a CDC Class configuration and state. |
CDC class driver event for a send break request sent to the device from the host. This is generally used to separate data or to indicate a special condition to the receiving device.
- Parameters:
-
| [in,out] | CDCInterfaceInfo | Pointer to a structure containing a CDC Class configuration and state. |
| [in] | Duration | Duration of the break that has been sent by the host, in milliseconds. |
CDC class driver event for a control line state change on a CDC interface. This event fires each time the host requests a control line state change (containing the virtual serial control line states, such as DTR) and may be hooked in the user program by declaring a handler function with the same name and parameters listed here. The new control line states are available in the ControlLineStates.HostToDevice value inside the CDC interface structure passed as a parameter, set as a mask of CDC_CONTROL_LINE_OUT_* masks.
- Parameters:
-
| [in,out] | CDCInterfaceInfo | Pointer to a structure containing a CDC Class configuration and state. |
CDC class driver event for a line encoding change on a CDC interface. This event fires each time the host requests a line encoding change (containing the serial parity, baud and other configuration information) and may be hooked in the user program by declaring a handler function with the same name and parameters listed here. The new line encoding settings are available in the LineEncoding structure inside the CDC interface structure passed as a parameter.
- Parameters:
-
| [in,out] | CDCInterfaceInfo | Pointer to a structure containing a CDC Class configuration and state. |


Config¶
Most setup is to be done on carla’s side of the bridge, in the file ${carla-ros-bridge}/conf/settings.yaml
. Modify this file to add / remove sensors.
Camera image and information will be published on topics with the following format:
- ${camera_name}/image_raw -> sensor_msgs/Image
- ${camera_name}/camera_info -> sensor_msgs/CameraInfo (camera’s intrinsic parameters)
Vehicle information is published on /player_vehicle. Carla listens to control on /carla_control.
Running¶
To run the bridge do everything in the order specified!!! Run the apollo part first:
dev_Start && dev_into && bootstrap.sh + modules: localization, perception, planning, routing, prediction, control
(in docker) cd ws_apollo_carla_bridge
(in docker) source devel/setup.bash
(in docker) rosrun apollo_carla_bridge bridge.py
Now run the carla part:
start carla
cd ${carla_ros_bridge_ws}
source devel/setup.bash
roslaunch carla_ros_bridge client.launch
If you’ve done everything correctly, you should see the car in dreamview. :)


---
layout: post
title: AmoebaDB 1.2 Released
category: [AmoebaDB]
---
We are pleased to
announce the release of AmoebaDB 1.2
This release of AmoebaDB includes the following new data set:
- Proteomics data from E.
histolytica phagosomes of various degrees of maturation
(Boettner
et. al.). This data can be searched in AmoebaDB from the Mass
Spec. search page and results can be integrated with other search
types. An example search strategy that integrates different
search types can be viewed here.
This strategy asks for all E.
histolytica genes with phagosome proteomic evidence, that
contain transmembrane domains and contain a "kinase" PFAM
domain.
- Gene that have evidence of protein expression also have a
graphical representation of the peptide hits on their respective gene
pages (mousing over the graphics provides additional information such
as peptide sequence). Here is a link to a gene page with
proteomics evidence -- scroll down to the "Protein" section and show
"Protein features". Note that samples are color coded.
- Proteomics data can also be visualized in the genome
browser. This link
shows a 200Kb genomic region with the gene models and proteomics track
turned on.
New features in this release include:
- The search strategy window is now resizable.


Cacti - T. pachanoi & Cannabis
August 6, 2004
Previous night: 490 grams of whole cactus is despined, peeled of the “Gore Tex” like coating, and juiced. The collected pulp is boiled for about 15 minutes with 1 cup of water and then strained through an old t-shirt. The two liquids are combined and boiled for another 30 minutes until the volume is reduced to 16 oz and then refrigerated.
8:40 am: I feel calm and am looking forward to this experiment. Unlike most past experiences with new drugs (marijuana, shrooms, LSD, cocaine, methamphetamine), no internal voice is saying, “What am I doing to myself?!” I drank ½ of the mixture. The taste is not as bad as expected (because, according to the South American Indian legend, I am pure of heart), but definitely not recreational.
9:15 am: feeling a very vague fuzziness, both physical (skin feels stimulated, but stomach is ever so slightly burning and queasy) and mental. I drank the remaining mixture and find it slightly less palatable. A small puff of marijuana helps my stomach. I listen to “Equinox” by Jeanne Jarre and the sound is very rich, flowing over me like ocean waves as I sit and write.
10:40 am: I feel very relaxed and can feel something building. It feels slightly “shroomy.” Hand shadows are becoming apparent. The living room carpet patterns begin to reveal animal shapes: a beaver with a flapping tail, mouse, deer, and fish. I close my eyes and lose perspective of direction, even “up” cannot be determined. An American Indian with an oddly “white man” face, bare chest and a feather in his headband comes up to me, places his hand on my shoulder and says, “Yep, you got a bit of mescaline in you.” He seems pleased. My hands are getting that rubbery, tripping feel. I feel like a few year’s worth of burden has been scraped back off the top of my head. I have fits of giggling and laughter as I feel the trip coming on.
11:10 am: My whole body begins to orgasm and keeps this feeling for nearly an hour - this is just great! The only emotion I’m aware of is joy. The walls breathe slightly and the wooden trim is vibrating. Books on the shelf move back and forth, sometimes the whole shelf bends. During this time I’m aware of the amount of love I have for my wife, and it’s a big part of me, one of just a few pillars of my emotional core.
I go outside and sit on the porch looking at the gardens and birds.  After a while I get up and wander around the yard and doing a little light weeding. I clean the area around My Old Cat’s grave and am aware of how much sadness is within me from her loss. I am not consumed by it, just aware. I look up at the sky and see many beautiful clouds and am struck that My Old Cat is literally a part of the clouds. I find comfort in this new awareness, this is something new I will keep from this trip.
I get into the hammock and watch clouds passing. This is the most amazing cloud display I’ve ever seen. They are always something and seem to show everything. A human face will morph into an animal which changes into a floating city, then to a dragon (many dragons), then an emotion, now an ironing board, back to a dinosaur, love, couples kissing, science fiction scenes, and on and on and on.  I am captivated for over an hour, it has been a long time since I’ve relaxed like this.
1:00 pm: It feels like I’m not going any deeper on this trip so I decide to try and boost it with another serving of cactus. I slice a 3 inch long piece which weighs 172 grams. I remove the spines, peel it, and eat it with a bit of salt like cucumber slices. The taste is not bad at all, in fact I find that I like it. During this time I talk to an old friend and he congratulates me on my discovery. We talk for about 40 minutes and I find conversation to be pretty easy.
1:40 pm: the trip is definitely beginning to fade. I play guitar some and find I can play whatever I want regardless of what is on the stereo. I find this odd, and seem to be playing rather well. I continue listening to various types of music and meditate.
3:20 pm: I sit down to write some of my impressions while listening to the Brandenburg concertos. They sound really good right now and I see mild visual distortions (maybe the second cactus is helping a bit). On blank walls I see translucent geometric shapes in multiple colors, mostly greens, blues, yellows and light red. I feel like I’ve been on a vacation for a few days. My wife comes home and I’m still fairly high. I wouldn’t want to drive like this.
6:30 pm: I still have pronounced body sensations, a mild version of the orgasms felt earlier in the day, and am still trippy. I’m at a quiet point in the trip and find pleasure in lying on the couch listening to the neighborhood sounds.  All goes well, though I’m still fairly quiet. The food tastes good and is very welcome since I ate very little today, other than cactus.
11:35 pm: I’m tired and headed for bed though the trip is still present. The bathroom floor tiles are showing heretofore unnoticed patterns and images. One of the tiles fills with alphabetic letters in no particular order. Faces and small animals appear in the floor. My head feels fairly congested. I sleep pretty well and wake up the next day feeling okay except for a headache which lasts most of the day. Other than this my mood is good and I seem to be noticing plants more, green colors seem very pleasurable.
Notes for future: This was a good exploration of the concept of tripping off a cactus. I didn’t go as far as I’d hoped, but definitely “tripped”. The experience was very similar to mushroom trips. This was more of a rest and relaxation day than what I’m seeking, which is a day of more insight. For a first try it was perfect, I haven’t tripped at all since 1999, and not in a big way since 1988. I will try again in a few weeks, or months, whenever it feels right, and use somewhere between 680 and 900 grams (1.5 to 2 pounds) prepared the same way and all consumed during the first hour.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


This app allows you to send raw commands to your printer. It is designed to make receipt printers accessible from webpages for point-of-sale kiosks.
While this app is open, web pages can pass data to those printers via a websocket. Example code for accessing this websocket from Javascript can be found on the project page.
On supported printers, check that:


Before Change
collect.append(vgg.layers[i].output)
vgg.outputs = collect
hr = Input(shape=self.input_shape)
features = vgg(hr)
self.model = Model(inputs=hr, outputs=features)
self.model.name = "feature_extractor"
self.name = "vgg19" // used in weights naming
After Change
vgg = VGG19(weights="imagenet", include_top=False, input_shape=self.input_shape)
vgg.trainable = False
outputs = [vgg.layers[i].output for i in self.layers_to_extract]
self.model = Model([vgg.input], outputs)
self.model._name = "feature_extractor"
self.name = "vgg19" // used in weights naming


Golang Gotchas
I’ve been playing around with golang lately, and got to know its intricacies better. At first, I have to admit I was not very enthusiastic playing with it, but the more I got to know about it, the more I warmed to to its concepts. And I observed it has matured pretty well from version 1.1 when I first started to play with it to version 1.4 and 1.5 when I first got do to something useful using Go. Here I will summarise my Gotchas.
-
Non versioned dependency management
I’m not sure I even spelled this right. Golang has it’s own package acquisition tool which you can invoke with go get This will install the specified dependency in your go path, and you can start using it in your project by importing it.
The problem with this is that it doesn’t allow for version management. You can’t ask for a specific version, you have to do with whatever version the author provided.
There are some tools out there which alleviate this issue, like go dep. It seems this registers a revision hash with the dependency, so when fetching it you get the specific version you want to get.
I haven’t used go dep myself, I circumvent the issue by forking the dependency to my own github account and use my forked repo as dependency. A nuisance, but not something that I tore my hair out for.
-
No cyclic imports
I ran into this a couple of times. I come from the ruby land, so it was rather strange why the import manage couldn’t figure import order. It seems in ruby, since you can require all packages in some init file you don’t run into this issue. You can’t do this in Go, since it doesn’t allow you to import something and leave it unused.
-
No iterating over struct fields
I’m not sure if I’m comparing apples and oranges here, but when you need to iterate over the variables of an plain ruby object, or attributes of an active model, the answer is usually only a method away.  Which leads to much pain and copy-paste. Once you descend into interface{} hell, there is no turning back. But later I found out it supports alias types. Which takes most of the pain away. Ok it’s poor mans generics, but gets the job done 90% of the time.
-
Lack of Polymorphism
This one is also little bit thorny issue. Go does not support polymorphism, so it’s not an OOP in the sense you know. What it does have is interfaces, which are like function signatures which you can attach to Go types. Polymorphism in Go is kind of a controversial subject, but I think the golang team has chosen wisely to adopt a minimal polymorphic policy. It makes it clear what you need to do and guides the programmer to do the right thang (YMMV of course).
-
Use capitalised names for managing visibility
This is something I’ve really grown to love. Anything you want to export from your package, you can just capitalise the field name. And anything you want to hide, you can just lower case its name, and bam! it’s gone. Simple, elegant, clean.
-
Awesome Concurrency
Unless you have been hiding in a cave for the last 5 years, Go has awesome support for concurrency. The official motto for concurrency in Go is Share Memory By Communicating which is actually an old concept inspired by a paper by C.A.R. Hoare. Concurrency in Go is simply amazing. It is very simple, elegant and easy to understand and debug, especially compared to alternatives in other languages. And it works and SCALES very well (unlike ahem some oter languages). Concurrency is something that Go really shines in, so you should really consider giving Go a go if you intend to write a heavily concurrent program.
-
Pretty Good Cross Platform Support
If you ever needed to write a program which needs to run in multiple platforms (ie, MacOs and Linux) and which will need to hit the Os directly in some cases, you know what a head ache and spaghetti it can be. Fortunately Go supports build constraints which can help you organize your code and build process nicely. Build constraints also work in file suffixes, so say if you have a package in
report.go
, you can have MacOs specific stuff inreport_darwin.go
and linux specific stuff inreport_linux.go
. And they will be package accordingly. Once again a simple solution which works really great.
Overall as you might have imagined, I’m pretty impressed by the language, and really looking forward to being able to do more with it. In the mean time, I’m also checking Elixir, which is another exiting new language. I am checking a new project which I hope I will be able to use it so I hope to be able to blog about it in some near future. Another interesting new language is Crystal, but I think it is little bit too young at the moment. They need to go little bit more and mature.


This tests inserting a paragraph separator before a table. There should be an empty paragraph before the table and the caret should be just before the table.


Affordable solutions for your home
We work online, but we're not robots.
From extensions to refurbishments, we're making it easy to remodel your home. Our experienced team use technology to provide bespoke 2D floor plans, 3D renders and elevations.
 No hidden costs, no extra fees. Just high-quality drawings.
Easy access to proffesional painters
Our electricians have a wide range of appliances and wiring techniques to provide
We have plumbers who have a wide knowlede on differnet piping techniques as well as types of pipes.
Our carpenters can biult and sculpt anything with in the range of wood works.
For help on everything you need to know about improving your home.
Book a free advice call with our specialists today to discuss your planning needs.
View your custom quote and pay instantly through our secure online platform.
Fill out our questionnaire, update your property information and we'll begin drawing!
Architects are amazing - we know, we employ a few - but they can be expensive if contracted independently. If you’re hoping to make simple, clean, value-adding changes to your home, there’s no need to reinvent the wheel. Based on knowledge gathered from over 750 successful projects so far, we’ll give you straightforward, simple guidance at every stage of the planning process. We rely on intelligent technology to cut costs, not reduce quality. By streamlining the way we gather knowledge about your property, we can create 2D floor plans, 3D renders and elevations as efficiently and accurately as a traditional architect, in half the time and at a fraction of the price.
Simple and transparent pricing with a moneyback guarantee
Concept
From KSh 25,000
Painting
From KSh 45,000
Plumbing
From KSh 65,000
Add 3D Renders for KSH 50,000.
Don't just take our word for it


{% extends "base.html" %} {% block title %}
Medieval catalogues > SECULAR INSTITUTIONS: Secular Colleges > Sudbury > Bequest by Henry Sythyng, 1 May 1464
{% endif %}10 identified entries found.
All data was derived from the List of Identifications by Professor Richard Sharpe.
{% if not printing %}
A key to codes used in the List is available (opens in new tab).{% endif %}


public class Player
extends java.lang.Object
| Constructor and Description |
|---|
Player(char c)
Player constructor takes in a char to differentiate which player it is,
black or white.
|
| Modifier and Type | Method and Description |
|---|---|
void |
addToHand(Piece p)
Adds the piece to the player's hand
|
void |
captureAbove(Tower tower,
int pos)
Function will take in a tower and position.
|
void |
captureBelow(Tower tower,
int pos)
Same as captureAbove() except it will target the piece blow instead.
|
void |
capturePiece(Tower attacker,
Tower attacked)
Takes the attacked tower's top piece and adds it to the attacker's hand, then moves the attacking piece to the top of the attacked tower.
|
java.lang.Boolean |
checkHandComm()
Use this function to check when a player has successfully captured the enemy's commander.
|
char |
getColor()
Returns player's color (a char)
|
Piece |
getPiece(int pos)
returns the piece at the specified position in the hand
|
int |
getScore()
returns value of player's score
|
int |
getSize()
returns current hand size
|
void |
printHand()
printHand() will display what pieces the player currently has.
|
void |
rangedCapture(Tower attacker,
Tower attacked)
Special capture function for ranged units.
|
void |
reclaimEffect(int i)
Reduces score by i
|
Piece |
removePiece(int pos)
removes the piece at hand position and returns it
|
java.lang.String |
toString()
Returns a string of a player's color
|
public Player(char c)
c
- color to represent each player (white or black)public void addToHand(Piece p)
p
- Piecepublic void captureAbove(Tower tower, int pos)
tower
- the tower that holds the two different player piecespos
- position of piece in tower belonging to attacking playerpublic void captureBelow(Tower tower, int pos)
tower
- the tower that holds the two different player piecespos
- position of piece in tower belonging to attacking playerpublic void capturePiece(Tower attacker, Tower attacked)
attacker
- Attacking pieceattacked
- Targeted piecepublic void rangedCapture(Tower attacker, Tower attacked)
attacker
- the tower that holds the attacking playerattacked
- target towerpublic Piece getPiece(int pos)
pos
- position in handpublic void reclaimEffect(int i)
i
- numberpublic Piece removePiece(int pos)
pos
- position in handpublic int getSize()
public char getColor()
public int getScore()
public void printHand()
public java.lang.Boolean checkHandComm()
public java.lang.String toString()
toString
in class java.lang.Object


Rooms of Hotel
Name
Hotels
Create Room
Error
Number:
Type:
Rooms
Number
Type
Bookings
012
SINGLE
Bookings


Lost Highway
As Reviewed by James Brundage
Did you ever feel, if only for a second, that your entire world was redefined? Everything changes in one instant and, although the change may be gone in the next, you are never the same. For that instant, in the complete weirdness of the moment, you feel your entire world collapse as everything is questioned.  Your entire world doesn't feel right even if it is.
 Nothing is true, and nothing is false. Reality means nothing. Who you are means … nothing.
This is a conclusion that, along with other things, took me watching it four times to realize. Does is sound utterly and irrevocably insane to you? Well, it is. Without a single doubt, the weirdest of the upwards of a thousand movies that I have seen (of course I'm still trying to find where in the hell I can rent Eraserhead).
The story is as complex (if not more) than I've made it out to be. It begins in a small room, with a tenor sax (Fred, played by Bill Pullman), smoking on a cigarette when his buzzer rings. He presses it and someone tells him "Dick Laurant is Dead"
Huh?
Things get weirder. His wife is cheating on him, there is a man looking like a vampire able to be in two places at once, and time has absolutely no meaning. Don't make the mistake of thinking this is some sci-fi movie, either. It fits the bill of a rarity, something that only one person has pulled off more than once (David Lynch being that one person), a Nightmare World movie. The weirdest and most interesting type of movie because they go where others never will. I'd tell you more, but this one's so screwed up that you'll have to see it on your own. A forewarning, though, the movie has about as much profanity as JFK, as much sex as Showgirls, and as much violence as Platoon.
http://fly.to/criticsheaven
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


We continue to follow our New Year’s resolutions, where we have promised to catch the iOS version of OsmAnd up with the one on Android, and we are getting there.
We're proud to have collaborated with Mapillary for the new release. Now you can view the street-level imagery in your location or anywhere in the world using the Mapillary in OsmAnd for iOS.
Using the widget on the map, you'll be able to view images or videos and even add your own. To view the images and videos, you'll have to go to 'Configure screen' menu and enable the 'Mapillary' layer.
Now you have access to an extensive database created by volunteers. To view media attached to a certain point on the map, just make a long tap there and open the context menu. You'll be able to scroll through images of the location easily.
Zoom in closer to view the images even more conveniently in a Mapillary window over your map. You can also press the white arrows to 'move' along the streets. To contribute to Mapillary, just press on the widget and take a picture.
• Fixed city and postal code search.
• Improved performance of Hillshade and Contour Lines map rendering.
• Added Turkish TTS.
And remember that only together we can achieve the best results!
New features are coming SOON!
OsmAnd at Facebook, Twitter, and Reddit! Join us at our group of Telegram.


|
App Engine Python SDK
v1.6.9 rev.445
The Python runtime is available as an experimental Preview feature.
|
Public Attributes | |
| has_instances_ | |
| instances_ | |
Static Public Attributes | |
| int | has_instances_ = 0 |
| int | instances_ = 0 |
| int | kinstances = 1 |


This chart shows how hard Trump's trade war is hammering global growth
by finanzen.net GmbH- The OECD on Thursday released a warning to the global economy — GDP growth is going to drop, and it's up to governments to stop fighting to fix it.
- In a statement, the OECD said that world GDP growth this year is expected to fall to 2.9%, "its lowest annual rate since the financial crisis," and is expected to hover at that level in 2020 and 2021.
- The OECD highlighted the US-China trade war as the reason for this decline.
- View Business Insider's homepage for more stories.
The Organisation for Economic Cooperation and Development (OECD) on Thursday released a warning for the global economy — GDP growth is going to drop, and it's up to governments to stop fighting to fix it.
In its latest economic outlook, the OECD said that world GDP growth this year is expected to fall to 2.9% — "its lowest annual rate since the financial crisis," and is expected to hover around that level through 2020 and 2021.
The OECD blamed a lack of trade for the economy slowing, saying that "bold action is needed" in order to solve high levels of business uncertainty.
"Governments must work together urgently to boost investment and establish fair international rules on taxation and trade," the OECD said in a statement on Thursday.
The OECD highlighted the US-China trade war as the reason for this decline.
"Two years of escalating conflict over tariffs, principally between the US and China, has hit trade, is undermining business investment and is putting jobs at risk," the Paris based organization said.
"It would be a mistake to consider these changes as temporary factors that can be addressed with monetary or fiscal policy: they are structural," said OECD Chief Economist Laurence Boone in the statement. "Without coordination for trade and global taxation, clear policy directions for the energy transition, uncertainty will continue to loom large and damage growth prospects."
Earlier this week, Goldman Sachs released a series of charts showing the impact on GDP in both the US and America on the effects of the trade war — both sides had taken a hit, China more so. Maersk, the world's largest shipping company, warned that the global trade slump is likely to stay in 2020, echoing the OECD.
The OECD also highlighted in its report that certain countries will struggle. Countries including the US, India, and Argentina saw GDP projections revised lower this year, while 2020 growth projections in Europe, Saudi Arabia and Indonesia dropped.
The OECD warned that "any further escalation of the trade conflict would disrupt supply networks and weigh on confidence, jobs, and incomes."


A ux-column-picker
can be used to allow a user to select, deselect and reorder the columns in a
table.
The following properties can be used to configure the component:
Define a list of all selected columns.
Define a list of columns that are always selected. The columns cannot be moved or reordered.
Define a list of columns that are not selected or locked.
Define a custom selected title template.
Define a custom deselected title template.
Define a custom template for deselected items.
Define a custom template for selected items.
Define a custom template for locked items.
Define a function to get the aria label of reorderable items in the selected column.
Define a function that returns a column move announcement.
Emits when the selected items change or the order of the selected items change.
Emits when the deselected items change.
The example above can be created using the following code:


KOLYA A film review by Michael John Legeros Copyright 1997 Michael John Legeros
(Miramax) Directed by Jan Sverak Written by Zdenek Sverak Cast Zdenek Sverak, Andrej Chalimon, Libuse Safrankova, Ondrej Vetchy, Stella Zazvorkova, Ladislav Smolijak MPAA Rating "R" (presumably for sexual situations) Running Time 112 minutes Reviewed at The Colony Theatre, Raleigh, NC (22MAR97)
==
KOLYA is one of the richest films I've seen in some time. Zdenek Sverak plays a confirmed old bachelor (who's likely to remain so), who finds his life as a Czech cellist increasingly impacted by the five-year old boy that he's taking care of. Though it ends rather abruptly-- and I'm whining, 'cause I wanted to spend more time with these characters-- the acting, writing, and production values are as high as, if not higher than, comparable American dramas. This father-and-son delight-- Sverak also wrote the script, while his son, Jan, directed-- won a Golden Globe for best Foreign Language film and, a couple days after I saw it, walked away an Oscar. In Czech and Russian, with English subtitles.
Grade: A-
--
Mike Legeros - Raleigh, NC, USA, Earth<EMAIL_ADDRESS>(h) -<EMAIL_ADDRESS>(w) I'm also on the Web! http://www.pagesz.net/~legeros/
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


--- layout: post title: '30 Days in April: Day 1' date: 2009-04-01 21:15:58.000000000 -07:00 type: post published: true status: publish categories: - 30 Days in April tags: - 30 days - garageband - i made this! - Music meta: _publicize_pending: '1' _edit_last: '6192' aktt_tweeted: '1' original_post_id: '78' _wp_old_slug: '78' author: login: falsefridays email<EMAIL_ADDRESS>display_name: Jim Withington first_name: '' last_name: '' excerpt: |+ For the first 30 days post, I started learning just how much Garageband has changed since the first version. ---
For the first 30 days post, I started learning just how much Garageband has changed since the first version.
It's me running my guitar through my new iMac and making something.
It's got two built-in loops tweaked in there, too.
It's rough around the edges.
It's a start.
[audio:Untitled-040109.mp3]


| Getting Started | Docs | Library Reference | Support | Samples |
|---|---|---|---|---|
The MSAL library preview for JavaScript enables your app to authorize enterprise users using Microsoft Azure Active Directory (AAD), Microsoft account users (MSA), users using social identity providers like Facebook, Google, LinkedIn etc. and get access to Microsoft Cloud OR Microsoft Graph.
The identity management services that the library interacts with are Microsoft Azure Active Directory, Microsoft Azure B2C and Microsoft Accounts.
This library is suitable for use in a production environment. We provide the same production level support for this library as we do our current production libraries. During the preview we may make changes to the API, internal cache format, and other mechanisms of this library, which you will be required to take along with bug fixes or feature improvements. This may impact your application. For instance, a change to the cache format may impact your users, such as requiring them to sign in again. An API change may require you to update your code. When we provide the General Availability release we will require you to update to the General Availability version within six months, as applications written using a preview version of library may no longer work.
This example shows how to acquire a token to read user information from Microsoft Graph.
Instantiate a UserAgentApplication and login the user:
<script class="pre">
var applicationConfig = {
clientID: 'your_client_id',
graphScopes: ["user.read", "mail.send"]
};
var logger = new Msal.Logger(loggerCallback, { level: Msal.LogLevel.Verbose, correlationId:'12345' }); // level and correlationId are optional parameters.
//Logger has other optional parameters like piiLoggingEnabled which can be assigned as shown aabove. Please refer to the docs to see the full list and their default values.
function loggerCallback(logLevel, message, piiLoggingEnabled) {
console.log(message);
}
var userAgentApplication = new Msal.UserAgentApplication(applicationConfig.clientID, null, authCallback, { logger: logger, cacheLocation: 'localStorage'}); //logger and cacheLocation are optional parameters.
//userAgentApplication has other optional parameters like redirectUri which can be assigned as shown above.Please refer to the docs to see the full list and their default values.
function authCallback(errorDesc, token, error, tokenType) {
if (token) {
}
else {
log(error + ":" + errorDesc);
}
}
</script>
<script>
userAgentApplication.loginPopup(applicationConfig.graphScopes).then(function (idToken) {
//Login Success
userAgentApplication.acquireTokenSilent(applicationConfig.graphScopes).then(function (accessToken) {
//AcquireToken Success
}, function (error) {
//AcquireToken Failure, send an interactive request.
userAgentApplication.acquireTokenPopup(applicationConfig.graphScopes).then(function (accessToken) {
updateUI();
}, function (error) {
console.log(error);
});
})
}, function (error) {
console.log(error);
});
</script>
Via NPM:
npm install msal
Via CDN:
<!-- Latest compiled and minified JavaScript -->
<script src="https://secure.aadcdn.microsoftonline-p.com/lib/0.1.3/js/msal.min.js"></script>
Note that msal.js is built for ES5, therefore enabling support of Internet Explorer 11. If you want to target Internet Explorer, you'll need to add a reference to promises polyfill. You might want to read more in the FAQ
<!-- IE support: add promises polyfill before msal.js -->
<script src="https://cdnjs.cloudflare.com/ajax/libs/bluebird/3.3.4/bluebird.min.js" class="pre"></script>
<script src="https://secure.aadcdn.microsoftonline-p.com/lib/0.1.3/js/msal.min.js"></script>
FAQ for access to our frequently asked questions
Stack Overflow using tag MSAL. We highly recommend you ask your questions on Stack Overflow first and browse existing issues to see if someone has asked your question before.
GitHub Issues for reporting an bug or feature requests
User Voice page to provide recommendations and/or feedback
We enthusiastically welcome contributions and feedback. You can clone the repo and start contributing now.
This project has adopted the Microsoft Open Source Code of Conduct. For more information see the Code of Conduct FAQ or contact<EMAIL_ADDRESS>with any additional questions or comments.
This library controls how users sign-in and access services. We recommend you always take the latest version of our library in your app when possible. We use semantic versioning so you can control the risk associated with updating your app. As an example, always downloading the latest minor version number (e.g. x.y.x) ensures you get the latest security and feature enhanements but our API surface remains the same. You can always see the latest version and release notes under the Releases tab of GitHub.
If you find a security issue with our libraries or services please report it to<EMAIL_ADDRESS>with as much detail as possible. Your submission may be eligible for a bounty through the Microsoft Bounty program. Please do not post security issues to GitHub Issues or any other public site. We will contact you shortly upon receiving the information. We encourage you to get notifications of when security incidents occur by visiting this page and subscribing to Security Advisory Alerts.
Copyright (c) Microsoft Corporation. All rights reserved. Licensed under the MIT License (the "License");
Copyright (c) Microsoft Corporation. All rights reserved. Licensed under the MIT License (the "License");
This project has adopted the Microsoft Open Source Code of Conduct. For more information see the Code of Conduct FAQ or contact<EMAIL_ADDRESS>with any additional questions or comments.
Generated using TypeDoc


Containing:
link containing code
code
Contained:
code containing [link](url)
containing [link](url)
code containing [link][ref]
containing [link][ref]
Intertwined:
[link intertwined](url) with code
intertwined](url) with code
link intertwined [with code](url)
intertwined [with code


--- layout: default title: About with_header: true ---
My name is Grzegorz Eliszewski, I've worked as a DevOps engineer since 2011. Currently I'm working in financial institution, previously in big R&D company. I'm working with Continuous Integration, Continous Delivery pipelines and all releated fields, eg. deployment, infrastructure, configuration management.
I interested to BigData and high performance, scallable environment. Currently I'm working on BigData, machine learning project that runs on Kubernetes platform. I'm big fan of automation. :)


In order to properly utilise the teleport API we must select a city, to do this we will use a deop down menu to allow the user to select one. Here is the html code for this drop down menu with six example cities.
<select id="cityDropDown" >
<option value="amsterdam" selected>Amsterdam</option>
<option value="philadelphia">Philadelphia</option>
<option value="phoenix">Phoenix</option>
<option value="prague">Prague</option>
<option value="quebec">Quebec</option>
<option value="tokyo">Tokyo</option>
</select>
we need to make our javascript run whenever the dropdown selection changes, We can then pull this data from the html using javascript
//making our code execute on a selection change
document.getElementById('cityDropDown').addEventListener('change',runJavascript)
//pulling the data from the selection
var citySelection = document.getElementById("cityDropDown");
var citySlug = citySelection.value;
var cityName = citySelection.options[citySelection.selectedIndex].text;
Now that we have selected a city we need to do something with it, we use the cities "citySlug" in our api request to get data about it. Here is the javascript for that
const url = `https://api.teleport.org/api/urban_areas/slug:${citySlug}/scores/`
const response = await fetch(url)
const data = await response.json()
Firstly we must have a place to put our visualisation, which is easy we just use a basic div tag. So here is our html chart container

We then Have to put our data in a chart, for this we are using canvasjs for this. we initialise a new canvasjs chart, all the static values are set at this stage except the title which is set as cityName that we pulled from the select earlier. we then add extra datapoints for each unique quality category about the city.
//creating the chart
var chart = new CanvasJS.Chart("chartContainer", {
animationEnabled: true,
theme: "light1",
title:{
text: cityName
},
axisY: {
title: "Score Out Of Ten",
maximum: 10
},
data: [{
type: "column",
showInLegend: true,
legendMarkerColor: "grey",
legendText: "City Attributes",
dataPoints: [
]
}]
});
//adding a data point to the chart for each category
data.categories.forEach(category => {
chart.options.data[0].dataPoints.push(
{
y: category.score_out_of_10,
label: category.name,
color: category.color
})
});
chart.render();


Thoroughly Modern Millie (1967) 138m.
Easygoing spoof of early romantic musical comedies isn't nearly as good as Ken Russell's wild version of THE BOY FRIEND but does mark the only pairing of archetypal girls-next-door Julie Andrews and Mary Tyler Moore (both played the role of nuns within a few years of this film's release!). There's also a surprising turn by James Fox as an aimable playboy. Millie (Andrews), determined to keep up with the trendsetters in the Roaring 20s, meets would-be ingenue Dorothy (Moore) in a New York hotel for young ladies. They quickly become friends, unaware that evil schemes are afoot below their rooms. Film has an old-fashioned look about it, even for 1967, and lacks the photographic verve of other productions by director George Roy Hill. Main joke, I suppose, is that what passed for progress in 1922 now comes across as faddish - but as this is a criticism that can be applied to any generation, screenwriter Richard Morris sensibly avoids condescension (although I can't see many viewers endorsing Millie's resolution "I don't want to be your equal any more - I want to be a woman"). That leaves us with a sampler of twenties confectionary: Vaudeville shows, roadsters, Gatsby-style parties, daredevil stunts (right out of Harold Lloyd), candy-striped biplanes, flapper fashions, and a subplot involving white slavery that could have come from any old Saturday serial.
Film wants to be a comedy, a romance, a musical, and even an action pic in places, but as a result it's too long. The irrelevant wedding sequence can be thrown out for a start; and the story really starts sagging in the middle when Carol Channing's character shows up - supposedly she's an embodiment of the Jazz Age, but I just found her annoying. Deliberately naive story and approach may work better for children than adults - there's something too fake about the nostalgia to make it work on any sophisticated level. Still, as with any sampler, you've got to take the marzipan with the creme. Funniest moment is when Andrews vamps it up in her boss's office. Most incomprehensible line: "Machines, like love, should be either black or white". Produced by the king of gloss, Ross Hunter, who didn't see eye to eye with Hill. Sammy Cahn and James van Heusen wrote the catchy title tune.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


HAMLET (1996) A film review by Scott Renshaw Copyright 1996 Scott Renshaw
(Columbia/Castle Rock) Starring: Kenneth Branagh, Derek Jacobi, Kate Winslet, Julie Christie, Richard Briers, Nicholas Farrell, Michael Maloney. Screenplay: Kenneth Branagh, based on the play by William Shakespeare. Producer: David Barron. Director: Kenneth Branagh. MPAA Rating: PG-13 (violence, sexual situations) Running Time: 238 minutes, with a 20 minute intermission after 158 minutes. Reviewed by Scott Renshaw.
Kenneth Branagh's HAMLET is the first film version of Shakespeare's revered tragedy to use the full, uncut text, and you know what that means: before you settle into your theater seat, smoke 'em if you got 'em, be sure to use the restroom, and bring extra quarters for parking. This HAMLET is 238 minutes long -- 258 including the intermission -- making it one of the longest films ever produced for theatrical distribution. It is a terribly risky undertaking, but Branagh has proven once again that the Bard is safe in his hands. His HAMLET does a remarkable job of demonstrating exactly how much is lost in edited versions of the play, re-vitalizing characterizations and offering a visual spectacle. It is a worthy challenger to Laurence Olivier's 1948 HAMLET as the definitive film interpretation of the text.
The story's titular character is the son (Branagh) of the King of Denmark, but Hamlet was also the name of the recently deceased King himself. Young Hamlet is troubled by the marriage of his mother Gertrude (Julie Christie) to his uncle Claudius (Derek Jacobi), who has assumed the Danish throne, but he is even more troubled when he is visited by the ghost of his father (Brian Blessed). The ghost informs Hamlet that Claudius murdered the King, and sets him to the task of avenging the foul deed. Hamlet, however, is unsure how to proceed, and his frustration spills over onto everyone around him, including his beloved Ophelia (Kate Winslet). Meanwhile, Fortinbras of Norway (Rufus Sewell) begins a military campaign which may include a threat to Denmark.
That bare bones synopsis cannot even begin to do justice to the complexity of HAMLET, of course, but neither do many abbreviated film and stage versions. Branagh's use of the entire text proves to be far more than a purist conceit, as he reveals additional layers of meaning. Fortinbras' actions to answer the dishonor of his father, forced to surrender lands to the elder Hamlet, becomes a counterpoint to the young Hamlet's inability to answer a more grave dishonor; Ophelia's descent into madness is given a wrenching power as she dissolves in front of her already grief-stricken brother Laertes (Michael Maloney). There is also surprising humor, particularly in the banter of the two gravediggers (Simon Russell Beale and Billy Crystal), which leavens the melancholy in the story of the melancholy Dane. This HAMLET is richer than any other you might have known because every piece of sub-text remains in the text.
It is also a version which uses the unique opportunities of cinema better than any other. Branagh has an instinct for excess in his film direction, but his dedication to Shakespeare has anchored his adaptations of HENRY V and MUCH ADO ABOUT NOTHING where MARY SHELLEY'S FRANKENSTEIN and DEAD AGAIN occasionally got away from him. In HAMLET, Branagh employs flashback cutaways to show a sexual relationship between Hamlet and Ophelia which makes her subsequent reactions more understandable; resonant sound turns the ghost's apparition into a terrifying ordeal for Hamlet; snowy landscapes give Elsinore (Oxfordshire's Blenheim Palace) a chilly desolation. Combining creative interpretive choices for the characters (Polonius [Richard Briers] becomes more malevolent and hypocritical as he is shown with a prostitute before sending someone to check up on Laertes in France) with superb technical credits (Tim Harvey's dazzling production design and Alex Byrne's elegant, evocative 19th century costumes), Branagh adds another thoroughly cinematic Shakespeare to his resume.
His direction may be nearly unimpeachable, but there are other areas where Branagh's "more is more" philosophy are a hindrance. The casting of several familiar faces in minor roles feels more like a stunt than an artistic choice, and while Crystal and Charlton Heston (as the player king) in particular are surprisingly effective in their roles, the effect is more often to turn HAMLET into a Hollywood sight-seeing tour: "Look, there's Gerard Depardieu! Look, there's Robin Williams!" Branagh's lead performance is also distracting, and not because he makes poor character choices (unless his bleached-blond hair counts); the problem is that he is playing to the balcony even though he is on a movie screen. There may be one too many scenes in which spittle flies from the thin lips of his impassioned Hamlet, and while Branagh has a firm grasp of the Dane's lighter side, his emoting is often forced. Still, it is hard to come down too hard on a man who not only committed himself to the most challenging role in the history of theater, but directed an epic period production of the most challenging play in the history of theater. Branagh took an exceptional gamble, and it paid off in an exceptional film. Take a chance on spending 238 minutes to stretch your understanding of this remarkable play; you can always stretch your legs during the intermission.
On the Renshaw scale of 0 to 10 great Danes: 8.
Visit Scott Renshaw's MoviePage http://www-leland.stanford.edu/~srenshaw Subscribe to receive reviews directly via email See details on the MoviePage
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


My Movie List
New Movie
Name
Image
action
adventure
animation
comedy
detective
fantasy
history
horror
musical
pirate
romantic
sci-fi
war
western
Release
Save
Clear LS


A Tribute to Herman Charles Bosman
South Africa's greatest short-story writer
(5 February 1905 – 14 October 1951)
Herman Charles Bosman (5 February 1905 – 14 October 1951) is widely regarded as South Africa's greatest short-story writer. He studied the works of Edgar Allan Poe and Mark Twain and developed a style emphasizing the use of satire. His English-language works utilize primarily Afrikaner characters and highlight the many contradictions in Afrikaner society during the first half of the twentieth century.
Here is a short story from the master himself:
IN THE WITHAAK'S SHADE
Leopards? – Oom Schalk Lourens said – Oh, yes, there are two varieties on this side of the Limpopo. The chief difference between them is that the one kind of leopard has got a few more spots on it than the other kind. But when you meet a leopard in the veld, unexpectedly, you seldom trouble to count his spots to find out which kind he belongs to. That is unnecessary. Because, whatever kind of leopard it is that you come across in this way, you only do one kind of running. And that is the fastest kind.
I remember the occasion when I came across a leopard unexpectedly, and to this day I cannot tell you how many spots he had, even though I had all the time I needed for studying him. It happened at about midday, when I was out on the far end of my farm, behind a koppie, looking for some strayed cattle. I thought the cattle might be there because it is shady under those withaak trees, and there is soft grass that is very pleasant to sit on. After I had looked for the cattle for about an hour in this manner, sitting up against a tree-trunk, it occurred to me that I could look for them just as well, or perhaps even better, if I lay down flat. For even a child knows that cattle aren’t so small that you have to stand on stilts or something to see them properly.
So I lay on my back, with my hat tilted over my face, and my legs crossed, and when I closed my eyes slightly the tip of my boot, sticking up into the air, looked just like the peak of Abjaterskop. Overhead a lonely aasvoël wheeled, circling slowly round and round without flapping his wings, and I knew that not even a calf could pass in any part of the sky between the tip of my toe and that aasvoël without my observing it immediately. What was more, I could go on lying there under the withaak looking for the cattle like that all day, if necessary.
The more I screwed up my eyes and gazed at the toe of my boot, the more it looked like Abjaterskop. By and by it seemed that it actually was Abjaterskop, and I could see the stones on top of it, and the bushes trying to grow up its sides, and in my ears there was a far-off humming sound, like bees in an orchard on a still day. As I have said, it was very pleasant.
Then a strange thing happened. It was as though a huge cloud, shaped like an animal’s head and with spots on it, had settled on top of Abjaterskop. It seemed so funny that I wanted to laugh. But I didn’t. Instead, I opened my eyes a little more and felt glad to think that I was only dreaming. Because otherwise I would have to believe that the spotted cloud on Abjaterskop was actually a leopard, and that he was gazing at my boot. Again I wanted to laugh. But then, suddenly, I knew.
And I didn’t feel so glad. For it was a leopard, all right – a large-sized, hungry-looking leopard, and he was sniffing suspiciously at my feet. I was uncomfortable. I knew that nothing I could do would ever convince that leopard that my toe was Abjaterskop. I wanted to get up and run for it. But I couldn’t. My legs wouldn’t work.
Every big-game hunter I have come across has told me the same story about how, at one time or another, he has owed his escape from lions or other wild animals to his cunning in lying down and pretending to be dead, so that the beast of prey loses interest in him and walks off. Now as I lay there on the grass, with the leopard trying to make up his mind about me, I understood why, in such a situation, the hunter doesn’t move. It’s simply that he can’t move. That’s all. It’s not his cunning that keeps him down. It’s his legs.
Those were terrible moments. I lay very still, afraid to open my eyes and afraid to breathe.  You hear of many frightening experiences that a man has in a lifetime. I have also been in quite a few perilous situations.
 I opened my eyes and saw the animal moving away clumsily. But my relief didn’t last long. The leopard didn’t move far. Instead, he turned over and lay down next to me.
Yes, there on the grass, in the shade of the withaak, the leopard and I lay down together. The leopard lay half curled up, like a dog, and whenever I tried to move away, he grunted. I am sure that in the whole history of the Groot Marico there have never been two stranger companions engaged in the thankless task of looking for strayed cattle.
Next day, in Fanie Snyman’s voorkamer, which was used as a post office, I told my story to the farmers of the neighbourhood, while they were drinking coffee and waiting for the motor-lorry from Zeerust. At first people jested about this leopard. They said it wasn’t a real leopard, but a spotted animal that had walked away out of Schalk Lourens’s dream, and the upshot of this whole affair was that I too began to have doubts about the existence of the leopard.
But when, a few days later, a huge leopard was seen from the roadside near the poort, and then again by Mtosas on the way to Nietverdiend, and again in the turf-lands near the Malopo, matters took a different turn. And when his spoor was found at several waterholes, people had no further doubt about the leopard. It was dangerous to walk about in the veld, they said.
Exciting times followed. There was a great deal of shooting at the leopard and a great deal of running away from him. The amount of Martini and Mauser fire I heard in the krantzes reminded me of nothing so much as the First Boer War. And the amount of running away reminded me of nothing so much as the Second Boer War.
But always the leopard escaped unharmed. Somehow, I felt sorry for him. The way he had first sniffed at me and then lain down beside me that day under the withaak was a strange thing I couldn’t understand. I thought of the Bible, where it is written that the lion shall lie down with the lamb.
I also wondered whether I hadn’t dreamt it all. The manner in which these things had befallen me was unearthly, and the leopard began to take up a lot of my thoughts. Also, there was no man I could talk to about it who would be able to help me in any way. Even now, as I’m telling you this story, I’m expecting you to wink at me like Krisjan Lemmer did. (You know that kind of wink. It was to let me know that there was now a new understanding between us, and that we could speak in future as one Marico liar to another.) Still, I can only tell you the things that happened as I saw them, and what the rest was about only Africa knows.
It was some time before I again walked along the path that leads through the bush to where the withaaks are. But I didn’t lie down on the grass again. Because when I reached the place, I found that the leopard had got there before me. He was lying on the same spot, half curled up in the withaak’s shade, and his forepaws were folded as a dog’s are sometimes. But he lay very still. And even from the distance where I stood I could see the red splash on his breast where a Mauser bullet had gone.
For additional information about HCB, please check out his wikipedia page, and make sure to get some proper Mampoer when you read some of his work.


pips Red=160 White=158
(CorrectAnswer= 0/0, ErrorScore= 0)
A couple of weeks ago I looked at how well we play over the first three moves of a game and discovered there were fundamental errors being made, even very early in the game.
I would have thought that most players would be able to play their second moves correctly but sadly even here I find that bad errors are being made. The first few moves by both players define the future direction of the game and so it is crucial to be able to play accurately in the opening.
There are about six hundred possibilities for the opening roll and response. By the time we get to the opener’s second roll we are looking at about fifty thousand possible variations so perhaps it is not surprising that so many mistakes are made.
This week’s position arises after Black opens with 61 (13/7, 9/7) and White responds with 54 (24/20, 13/8). How should Black now play his 43? Over the board my opponent chose 8/5*/1*, putting two checkers on the bar. Sadly for him XG classifies this as a blunder. Why?
Black’s structure after this play is truly horrible and he has given up his excellent 8-pt for what is likely to be a very short-term gain. In addition, Black’s one-point home board is hardly threatening to White so the possibility of a blitz succeeding is remote.
Our objectives in the opening are: make new points; unstack the heavy points and mobilise the rear checkers. 8/5*/1* meets none of these objectives.
Black’s second best move is 24/21, 13/9. This creates triplication of White’s fours and meets two of the objectives outlined above. However, it is still very nearly an error. The best move is to mobilise both rear checkers with 24/20, 24/21. This time there is duplication of fours but Black is really attempting to secure an advanced anchor in White’s board. Unlike 24/21, 13/9 it doesn’t risk losing much ground in the race and, after all, Black is ahead in the race so a racing move is thematic.
This double split of the rear checkers was popularised by German players in the late 1990s. I have seen it less of late but here it is tactically astute and, most importantly, the best move.
I cannot stress strongly enough just how important it is to learn these early sequences and the thinking behind the moves. It is a key element on the road to winning backgammon.
I would have thought that most players would be able to play their second moves correctly but sadly even here I find that bad errors are being made. The first few moves by both players define the future direction of the game and so it is crucial to be able to play accurately in the opening.
There are about six hundred possibilities for the opening roll and response. By the time we get to the opener’s second roll we are looking at about fifty thousand possible variations so perhaps it is not surprising that so many mistakes are made.
This week’s position arises after Black opens with 61 (13/7, 9/7) and White responds with 54 (24/20, 13/8). How should Black now play his 43? Over the board my opponent chose 8/5*/1*, putting two checkers on the bar. Sadly for him XG classifies this as a blunder. Why?
Black’s structure after this play is truly horrible and he has given up his excellent 8-pt for what is likely to be a very short-term gain. In addition, Black’s one-point home board is hardly threatening to White so the possibility of a blitz succeeding is remote.
Our objectives in the opening are: make new points; unstack the heavy points and mobilise the rear checkers. 8/5*/1* meets none of these objectives.
Black’s second best move is 24/21, 13/9. This creates triplication of White’s fours and meets two of the objectives outlined above. However, it is still very nearly an error. The best move is to mobilise both rear checkers with 24/20, 24/21. This time there is duplication of fours but Black is really attempting to secure an advanced anchor in White’s board. Unlike 24/21, 13/9 it doesn’t risk losing much ground in the race and, after all, Black is ahead in the race so a racing move is thematic.
This double split of the rear checkers was popularised by German players in the late 1990s. I have seen it less of late but here it is tactically astute and, most importantly, the best move.
I cannot stress strongly enough just how important it is to learn these early sequences and the thinking behind the moves. It is a key element on the road to winning backgammon.
1. Cubeful 2-ply 24/21 24/20 Eq.: +0.017 0.510 0.113 0.004 - 0.490 0.119 0.004 2. Cubeful 2-ply 24/21 13/9 Eq.: -0.007 (-0.024) 0.499 0.134 0.005 - 0.501 0.131 0.006 3. Cubeful 2-ply 8/5*/1* Eq.: -0.046 (-0.063) 0.483 0.153 0.005 - 0.517 0.144 0.009 4. Cubeful 2-ply 24/20 13/10 Eq.: -0.057 (-0.074) 0.488 0.121 0.005 - 0.512 0.134 0.007 5. Cubeful 2-ply 13/6 Eq.: -0.073 (-0.091) 0.479 0.127 0.004 - 0.521 0.134 0.007


You need a platform to mint, sell and buy. We can mint NFT in the minting platform and Sell or Buy NFT in the marketplace platform. Now most platforms offer both minting and marketplace features.
Next Question: What are the NFT platforms available?.
by Know Your NFT


EUR Futures: pullbacks appear shallow
by Pablo PiovanoInvestors scaled back their open interest positions by just 135 contracts on Thursday after two consecutive daily builds, according to preliminary figures from CME Group. In the same line, volume shrunk by around 11.3K contracts, prolonging the choppy performance seen as of late.
EUR/USD remains capped by 1.1080/90
EUR/USD is extending the multi-session sidelined mood, always capped by the 1.1080/90 band. Thursday’s negative price action was in tandem with shrinking open interest and volume, hinting at the likeliness that a deeper pullback appears unlikely and leaving the consolidative scenario well in place for the time being.


{% extends "sb-admin/master.html" %} {% from "sb-admin/macros/tables/advtable.html" import adv_table %} {% from "sb-admin/macros/tables/table.html" import table %} {% block body %}
Select one of the corrected assessments:


The future home of Jacob Emerick's hiking adventures in the Superstitious Wilderness Area of Arizona.


BUT I'M A CHEERLEADER A film review by Steve Rhodes Copyright 2000 Steve Rhodes RATING (0 TO ****): **
The telltale signs were all there.
Yes, you guessed it. She must have become a lesbian. Or at least so her parents, played by Bud Cort and Mink Stole, figure, which causes them to hire some deprogrammers from "True Directions" to "fix" their daughter and show her the way to righteousness again.
"BUT I'M A CHEERLEADER" protests Megan. Certainly no respectable All-American cheerleader could harbor secret desires for her fellow yellers, Megan reasons.
In Brian Wayne Peterson's script, which abides no subtle moments, Megan's true sexual orientation is never left in question. From the very beginning, we see her ogling other feminine bodies. Director Jamie Babbit could use some of John Waters's deft touch with comedy. The movie's satire is relegated to the visuals, with Rachel Kamerman's kitschy set decoration and Alix L. Friedberg's colorfully silly costumes providing almost all of the humor. The one-joke movie is cute but rarely funny.
The first time we see the True Direction outfits -- shocking pink for the girls and iridescent blue for the boys -- they are funny. But the uniform jokes quickly wear thin.
One episode has the students (read prisoners) trying to find their "root," as in what it was that turned them onto a homosexual lifestyle.  The simplest explanation of all comes from the girl who believes it was because she was born in France.
The film's quality test, on which BUT I'M A CHEERLEADER fails miserably, is what would the movie be like without the outlandish sets and costumes. The answer is that there wouldn't be much left.
BUT I'M A CHEERLEADER runs just 1:21. It is rated R for strong language and sexual content involving teens and would be acceptable for high school seniors.
Email<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Python API¶
The Python for Android project includes a Python module called
android
which consists of multiple parts that are mostly there to
facilitate the use of the Java API.
This module is not designed to be comprehensive. Most of the Java API is also accessible with PyJNIus, so if you can’t find what you need here you can try using the Java API directly instead.
Android (android
)¶
-
android.
check_pause
()¶ This should be called on a regular basis to check to see if Android expects the application to pause. If it returns true, the app should call
android.wait_for_resume()
, after storing its state as necessary.
-
android.
wait_for_resume
()¶ This function should be called after
android.check_pause()
and returns true. It does not return until Android has resumed from the pause. While in this function, Android may kill the app without further notice.
-
android.
map_key
(keycode, keysym)¶ This maps an android keycode to a python keysym. The android keycodes are available as constants in the android module.
Activity (android.activity
)¶
The default PythonActivity has a observer pattern for onActivityResult and onNewIntent.
-
android.activity.
bind
(eventname=callback, ...)¶ This allows you to bind a callback to an Android event: -
on_new_intent
is the event associated to the onNewIntent java call -on_activity_result
is the event associated to the onActivityResult java call警告
This method is not thread-safe. Call it in the mainthread of your app. (tips: use kivy.clock.mainthread decorator)
-
android.activity.
unbind
(eventname=callback, ...)¶ Unregister a previously registered callback with
bind()
.
Example:
# This example is a snippet from an NFC p2p app implemented with Kivy.
from android import activity
def on_new_intent(self, intent):
if intent.getAction() != NfcAdapter.ACTION_NDEF_DISCOVERED:
return
rawmsgs = intent.getParcelableArrayExtra(NfcAdapter.EXTRA_NDEF_MESSAGES)
if not rawmsgs:
return
for message in rawmsgs:
message = cast(NdefMessage, message)
payload = message.getRecords()[0].getPayload()
print 'payload: {}'.format(''.join(map(chr, payload)))
def nfc_enable(self):
activity.bind(on_new_intent=self.on_new_intent)
# ...
def nfc_disable(self):
activity.unbind(on_new_intent=self.on_new_intent)
# ...
Billing (android.billing
)¶
This billing module gives an access to the In-App Billing:
Setup a test account, and get your Public Key
Export your public key:
export BILLING_PUBKEY="Your public key here"
Setup some In-App product to buy. Let’s say you’ve created a product with the id “org.kivy.gopremium”
In your application, you can use the
billing
module like this:from android.billing import BillingService from kivy.clock import Clock class MyBillingService(object): def __init__(self): super(MyBillingService, self).__init__() # Start the billing service, and attach our callback self.service = BillingService(billing_callback) # Start a clock to check billing service message every second Clock.schedule_interval(self.service.check, 1) def billing_callback(self, action, *largs): '''Callback that will receive all the events from the Billing service ''' if action == BillingService.BILLING_ACTION_ITEMSCHANGED: items = largs[0] if 'org.kivy.gopremium' in items: print "Congratulations, you have a premium acess" else: print "Unfortunately, you don't have premium access" def buy(self, sku): # Method to buy something. self.service.buy(sku) def get_purchased_items(self): # Return all the items purchased return self.service.get_purchased_items()
To initiate an in-app purchase, just call the
buy()
method:# Note: start the service at the start, and never twice! bs = MyBillingService() bs.buy('org.kivy.gopremium') # Later, when you get the notification that items have been changed, you # can still check all the items you bought: print bs.get_purchased_items() {'org.kivy.gopremium': {'qt: 1}}
You’ll receive all the notifications about the billing process in the callback.
Last step, create your application with
--with-billing $BILLING_PUBKEY
:./build.py ... --with-billing $BILLING_PUBKEY
Broadcast (android.broadcast
)¶
Implementation of the android BroadcastReceiver. You can specify the callback that will receive the broadcast event, and actions or categories filters.
-
class
android.broadcast.
BroadcastReceiver
¶ 警告
The callback will be called in another thread than the main thread. In that thread, be careful not to access OpenGL or something like that.
-
__init__
(callback, actions=None, categories=None)¶ パラメータ: - callback – function or method that will receive the event. Will receive the context and intent as argument.
- actions – list of strings that represent an action.
- categories – list of strings that represent a category.
For actions and categories, the string must be in lower case, without the prefix:
# In java: Intent.ACTION_HEADSET_PLUG # In python: 'headset_plug'
-
start
()¶ Register the receiver with all the actions and categories, and start handling events.
-
stop
()¶ Unregister the receiver with all the actions and categories, and stop handling events.
-
Example:
class TestApp(App):
def build(self):
self.br = BroadcastReceiver(
self.on_broadcast, actions=['headset_plug'])
self.br.start()
# ...
def on_broadcast(self, context, intent):
extras = intent.getExtras()
headset_state = bool(extras.get('state'))
if headset_state:
print 'The headset is plugged'
else:
print 'The headset is unplugged'
# Don't forget to stop and restart the receiver when the app is going
# to pause / resume mode
def on_pause(self):
self.br.stop()
return True
def on_resume(self):
self.br.start()
Mixer (android.mixer
)¶
The android.mixer module contains a subset of the functionality in found in the pygame.mixer module. It’s intended to be imported as an alternative to pygame.mixer, using code like:
try:
import pygame.mixer as mixer
except ImportError:
import android.mixer as mixer
Note that if you’re using the kivy.core.audio module, you don’t have to do anything, it is all automatic.
The android.mixer module is a wrapper around the Android MediaPlayer class. This allows it to take advantage of any hardware acceleration present, and also eliminates the need to ship codecs as part of an application.
It has several differences with the pygame mixer:
- The init() and pre_init() methods work, but are ignored - Android chooses appropriate settings automatically.
- Only filenames and true file objects can be used - file-like objects will probably not work.
- Fadeout does not work - it causes a stop to occur.
- Looping is all or nothing, there is no way to choose the number of
loops that occur. For looping to work, the
android.mixer.periodic()
function should be called on a regular basis. - Volume control is ignored.
- End events are not implemented.
- The mixer.music object is a class (with static methods on it),
rather than a module. Calling methods like
mixer.music.play()
should work.
Runnable (android.runnable
)¶
Runnable
is a wrapper around the Java Runnable class. This
class can be used to schedule a call of a Python function into the
PythonActivity thread.
Example:
from android.runnable import Runnable
def helloworld(arg):
print 'Called from PythonActivity with arg:', arg
Runnable(helloworld)('hello')
Or use our decorator:
from android.runnable import run_on_ui_thread
@run_on_ui_thread
def helloworld(arg):
print 'Called from PythonActivity with arg:', arg
helloworld('arg1')
This can be used to prevent errors like:
- W/System.err( 9514): java.lang.RuntimeException: Can’t create handler inside thread that has not called Looper.prepare()
- NullPointerException in ActivityThread.currentActivityThread()
警告
Because the python function is called from the PythonActivity thread, you need to be careful about your own calls.
Service (android.service
)¶
Services of an application are controlled through the class AndroidService
.
-
class
android.service.
AndroidService
(title, description)¶ Run
service/main.py
from the application directory as a service.パラメータ: -
start
(arg)¶ Start the service.
パラメータ: arg (str) – Argument to pass to a service, through the environment variable PYTHON_SERVICE_ARGUMENT
. Defaults to ‘’
-
stop
()¶ Stop the service.
-
Application activity part example, main.py
:
from android import AndroidService
...
class ServiceExample(App):
...
def start_service(self):
self.service = AndroidService('Sevice example', 'service is running')
self.service.start('Hello From Service')
def stop_service(self):
self.service.stop()
Application service part example, service/main.py
:
import os
import time
# get the argument passed
arg = os.getenv('PYTHON_SERVICE_ARGUMENT')
while True:
# this will print 'Hello From Service' continually, even when the application is switched
print arg
time.sleep(1)


Cristiano Ronaldo is one of the best FIFA players and currently the UCL champion
Accomplishments and reasons why he is great
- The most expensive footballer in history 2009-2013
- 2008 World soccer player of the year
- Real madrid all-time top goal scorer 360 and counting
- Most hat tricks in la liga history 30 and counting
- 2008 bollon dor
The Reason I chose Messi as my athlete is becuase I like the team hes on and im facinated by how well he plays and how many goals he scores plus look at his hair thats hair that some people dream of. Cristiano Ronaldo is one of the best soccer players that there will ever be when he retires he will be a legend.


> <
Improve your language here. Making friends here.
USERS
DIARIES
COMMENTS
What is My Diary?
We are a community of members from all over the world. We provide you a platform to make friends and write diaries. Let our community of native speakers support your language learning.
Post in the language that you are learning!
Native speakers correct your writing!
Return the favor by helping others learn your native language!


Introduction
Welcome to the FoodTruck API! You can use this API to access FoodTruck API endpoints, which you can use to get and modify information about local food trucks.
You can view code examples in the dark area to the right, and you can switch the programming language of the examples with the tabs in the top right.
Authentication
Use this code to authenticate:
$ curl https://mollieswenson.com/api/v1/foodtruck \
-H "Authorization: Bearer token_here"
const request = require('request');
const options = {
url: 'https://mollieswenson.com/api/v1/foodtruck',
method: 'GET',
headers: {
'Authorization': 'Bearer token_here'
}
};
request(options, function(err, res, body) {
let json = JSON.parse(body);
console.log(json);
});
import requests
headers = {'Authorization': 'token_here'}
r = requests.get('https://mollieswenson.com/api/v1/foodtruck', headers=headers)
print r.json()
Make sure to replace
token_here
with your token.
FoodTruck uses JSON Web Tokens (JWT) to allow POST, PUT, and DELETE access to the API. FoodTruck expects a JWT token to be included in all POST, PUT, and DELETE API requests to the server.
Pass your JWT token in the Authorization header when making requests that require authentication.
For the purposes of demonstrating this API, include the below JWT token to authenticate with the server for POST (except registration), PUT, and DELETE requests.
Authorization: Bearer eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpZCI6IjVhMTYxNDZlMTNkZjNlMTUxYWEzZjQyZSIsImlhdCI6MTUxMTM5NjY5NywiZXhwIjoxNTEzOTg4Njk3fQ.0YB9WlPxTdfMb5ysZO1qKRjrOgeHKmLVqVxfbkb4gTo
FoodTrucks
Get all trucks
Use this code to get all trucks:
$ curl https://mollieswenson.com/api/v1/foodtruck
const request = require('request');
const options = {
url: 'https://mollieswenson.com/api/v1/foodtruck',
method: 'GET',
};
request(options, function(err, res, body) {
let json = JSON.parse(body);
console.log(json);
});
import requests
r = requests.get('https://mollieswenson.com/api/v1/foodtruck')
print r.json()
The above command returns JSON structured like this:
[
{
"_id": "5a170b72e843ef23f66b4c38",
"avgcost": 7.99,
"foodtype": "Breakfast",
"name": "Pancake Hut",
"reviews": [],
"geometry": {
"coordinates": [10.7, 20.5],
"type": "Point"
}
},
{
"_id": "5a17129cfde1be05c23eb00e",
"avgcost": 2.99,
"foodtype": "Aemrican",
"name": "Funk Dave's Diner",
"reviews": [],
"geometry": {
"coordinates": [10.9, 44.8],
"type": "Point"
}
}
]
This endpoint retrieves all trucks.
HTTP Request
GET https://mollieswenson.com/api/v1/foodtruck
Get a specific truck
Use this code to get a specific truck:
$ curl https://mollieswenson.com/api/v1/foodtruck/5a170b72e843ef23f66b4c38
const request = require('request');
const options = {
url: 'https://mollieswenson.com/api/v1/foodtruck/5a170b72e843ef23f66b4c38',
method: 'GET',
};
request(options, function(err, res, body) {
let json = JSON.parse(body);
console.log(json);
});
import requests
r = requests.get('https://mollieswenson.com/api/v1/foodtruck/5a170b72e843ef23f66b4c38')
print r.json()
The above returns JSON structured like this:
{
"_id": "5a170b72e843ef23f66b4c38",
"avgcost": 7.99,
"foodtype": "Breakfast",
"name": "Pancake Hut",
"reviews": [],
"geometry": {
"coordinates": [10.7, 20.5],
"type": "Point"
}
}
This endpoint retrieves a specific truck.
HTTP Request
GET https://mollieswenson.com/api/v1/foodtruck/[id]
URL Parameters
| Parameter | Description |
|---|---|
| ID (required) | The ID of the truck to retrieve |
Get trucks by food type
curl "https://mollieswenson.com/api/v1/foodtruck/foodtype/Breakfast"
const request = require('request');
const options = {
url: 'https://mollieswenson.com/api/v1/foodtruck/Breakfast',
method: 'GET',
};
request(options, function(err, res, body) {
let json = JSON.parse(body);
console.log(json);
});
import requests
r = requests.get('https://mollieswenson.com/api/v1/foodtruck/Breakfast')
print r.json()
The above command returns JSON structured like this:
{
"_id": "5a170b72e843ef23f66b4c38",
"avgcost": 7.99,
"foodtype": "Breakfast",
"name": "Pancake Hut",
"reviews": [],
"geometry": {
"coordinates": [10.7, 20.5],
"type": "Point"
},
"_id": "9s174b43e843ef23f66b4d55",
"avgcost": 7.99,
"foodtype": "Breakfast",
"name": "Waffle Way",
"reviews": [],
"geometry": {
"coordinates": [15.7, 42.5],
"type": "Point"
}
}
This endpoint retrieves a list of trucks by food type.
HTTP Request
GET https://mollieswenson.com/api/v1/foodtruck/foodtype/[foodtype]
URL Parameters
| Parameter | Description |
|---|---|
| foodtype (required) | The food type to retrieve |
Add a food truck
Use this code to add a food truck to the database.
curl -X POST "https://mollieswenson.com/api/v1/foodtruck/add"
-H "Authorization: Bearer token_here"
-d "name": "Waffle Extravaganza"
-d "foodtype": "Breakfast"
-d "avgcost": 12.00
-d "geometry": {"coordinates": [34.43,21.98]}
const request = require('request');
const options = {
url: 'https://mollieswenson.com/api/v1/foodtruck/add',
method: 'POST',
headers: {
'Content-Type': 'application/json',
'Authorization': 'Bearer token_here'
},
form: {
'name': 'Waffle Extravaganza',
'foodtype': 'Breakfast',
'avgcost': '12.00',
'geometry': {'coordinates': [34.43,21.98]}
}
};
request(options, function(err, res, body) {
let json = JSON.parse(body);
console.log(json);
});
import requests
headers = {'Authorization': 'token_here'}
data = {
'name': 'Waffle Extravaganza',
'foodtype': 'Breakfast',
'avgcost': '12.00',
'geometry': {'coordinates': [34.43,21.98]}
}
r = requests.post('https://mollieswenson.com/api/v1/foodtruck/add', headers=headers, body=body)
print r.json()
The above returns a Success or Error message.
This endpoint adds a new food truck to the database.
HTTP Request
POST https://mollieswenson.com/api/v1/foodtruck/add
URL Parameters
| Parameter | Description |
|---|---|
| name (required) | The name of the food truck. |
| foodtype (required) | The type of food available at the food truck. |
| avgcost (required) | The average cost of meals at this food truck. |
| geometry (required) | Contains an array with two numerical values. The location coordinates. |
Modify a food truck
Use this code to modify an existing food truck.
curl -X PUT "https://mollieswenson.com/api/v1/foodtruck/5a170b72e843ef23f66b4c38"
-H "Authorization: Bearer token_here"
-d "name": "Waffle Extravaganza"
-d "foodtype": "Breakfast"
-d "avgcost": 12.00
-d "geometry": {"coordinates": [34.43,21.98]}
const request = require('request');
const options = {
url: 'https://mollieswenson.com/api/v1/foodtruck/5a170b72e843ef23f66b4c38',
method: 'PUT',
headers: {
'Content-Type': 'application/json',
'Authorization': 'Bearer token_here'
},
form: {
'name': 'Waffle Extravaganza',
'foodtype': 'Breakfast',
'avgcost': '12.00',
'geometry': {'coordinates': [34.43,21.98]}
}
};
request(options, function(err, res, body) {
let json = JSON.parse(body);
console.log(json);
});
import requests
headers = {'Authorization': 'token_here'}
data = {
'name': 'Waffle Extravaganza',
'foodtype': 'Breakfast',
'avgcost': '12.00',
'geometry': {'coordinates': [34.43,21.98]}
}
r = requests.put('https://mollieswenson.com/api/v1/foodtruck/5a170b72e843ef23f66b4c38', headers=headers, body=body)
print r.json()
The above returns a Success or Error message.
This endpoint modifies an existing food truck.
HTTP Request
PUT https://mollieswenson.com/api/v1/foodtruck/[id]
URL Parameters
| Parameter | Description |
|---|---|
| id (required) | The id of the food truck to modify. |
| name (optional) | The name of the food truck. |
| foodtype (optional) | The type of food available at the food truck. |
| avgcost (optional) | The average cost of meals at this food truck. |
| geometry (optional) | Contains coordinates, an array with two numerical values. |
Delete a truck
Use this code to delete a food truck:
curl -X PUT "https://mollieswenson.com/api/v1/foodtruck/5a170b72e843ef23f66b4c38"
-H "Authorization: Bearer token_here"
const request = require('request');
const options = {
url: 'https://mollieswenson.com/api/v1/foodtruck/5a170b72e843ef23f66b4c38',
method: 'DELETE',
headers: {'Authorization': 'Bearer token_here'}
};
request(options, function(err, res, body) {
let json = JSON.parse(body);
console.log(json);
});
import requests
headers = {'Authorization': 'token_here'}
r = requests.delete('https://mollieswenson.com/api/v1/foodtruck/5a170b72e843ef23f66b4c38', headers=headers)
print r.json()
The above returns a Success or Error message.
This endpoint deletes a food truck.
HTTP Request
DELETE https://mollieswenson.com/api/v1/foodtruck/[id]
URL Parameters
| Parameter | Description |
|---|---|
| id (required) | The ID of the food truck to delete |
Reviews
Add a review
Use this code to add a review:
curl -X POST "https://mollieswenson.com/api/v1/foodtruck/reviews/add/5a170b72e843ef23f66b4c38"
-H "Authorization: Bearer token_here"
-d "title" : "title_here"
-d "text" : "text_here"
TODO
TODO
This endpoint adds a review to a specific food truck.
HTTP Request
POST https://mollieswenson.com/api/v1/foodtruck/review/add/[id]
URL Parameters
| Parameter | Description |
|---|---|
| id (required) | The ID of the food truck to add the review to |
| title (required) | The title of the reviews |
| text (required) | The body text of the review |
Get reviews for a truck
Use this code to get reviews for a specific truck:
curl "https://mollieswenson.com/api/v1/foodtruck/reviews/5a170b72e843ef23f66b4c38"
TODO
TODO
This endpoint retrieves all reviews assigned to a specific food truck.
HTTP Request
GET https://mollieswenson.com/api/v1/foodtruck/review/[id]
URL Parameters
| Parameter | Description |
|---|---|
| id (required) | The ID of the food truck to retrieve reviews for |
Accounts
Register a user account
Use this code to register an account.
curl -X POST "https://mollieswenson.com/api/v1/account/register"
-d "email"<EMAIL_ADDRESS>-d "password": "password12345"
TODO
TODO
This endpoint registers new user accounts.
HTTP Request
POST https://mollieswenson.com/api/v1/account/register
URL Parameters
| Parameter | Description |
|---|---|
| email (required) | The registering user's email address |
| password (required) | The registering user's password |
Get a user's account details
Use this code to get details of a user account:
curl -X POST "https://mollieswenson.com/api/v1/account/me"
-H "Authorization: Bearer _token_here"
TODO
TODO
The above command returns JSON structured like this:
{
"id": "5a16146e13df3e151aa3f42e",
"iat":<PHONE_NUMBER>,
"exp":<PHONE_NUMBER>
}
This endpoint retrieves a user's account details.
HTTP Request
GET https://mollieswenson.com/api/v1/account/me
URL Parameters
This endpoint does not require a parameter to identify the user. The user is identified by the JWT token.
Log in to a user account
Use this code to log in to a user account:
curl -X POST "https://mollieswenson.com/api/v1/account/register"
-d "email"<EMAIL_ADDRESS>-d "password": "password12345"
TODO
TODO
This endpoint logs in a user account.
HTTP Request
POST https://mollieswenson.com/api/v1/account/login[id]
URL Parameters
| Parameter | Description |
|---|---|
| email (required) | The user's email address |
| password (required) | The user's password |
Log out of a user account
Use this code to log out of an account.
curl -X POST "https://mollieswenson.com/api/v1/account/logout"
-d "id": "5a16146e13df3e151aa3f42e"
TODO
TODO
This endpoint logs out a user account.
HTTP Request
POST https://mollieswenson.com/api/v1/account/logout/[id]
URL Parameters
| Parameter | Description |
|---|---|
| id (required) | The user's id |
Errors
The FoodTruck API uses the following error codes:
| Error Code | Meaning |
|---|---|
| 400 | Bad Request |
| 401 | Unauthorized |
| 404 | Not Found |
| 429 | Too Many Requests |
| 500 | Internal Server Error |
| 503 | Service Unavailable |


Next, the Title of the event gets a "summary" class
The location of the event gets a "location" class, ideally this would be further broken down to use "hcard" and how cool would it be to include geo location information automagically
Next, the Start of the event gets a "dtstart" class and uses an abbr with a title of the full ISO support date format
The overview of the event gets a "description" class
The Readmore link of the event gets a "url" class


Star Wars Survey Form
Find out what type of Jedi You Are?
Name:
Email:
Age:(Optional)
Which Jedi are you:
Mace Windu
Anakin
Obi Wan Kenobi
Yoda
What color is your lightsaber?
Blue
Green
Purple
Yellow
What is your favorite feature of the Jedi?
Force Push
Force Judgement
Enhanced Reflexes
Mind Trick
Pyschometry
What are your favorite Star Wars Films/Shows?
Star Wars: Episode I
Star Wars: Episode II
Star Wars: Episode III
Star Wars: Episode IV
Star Wars: Episode V
Star Wars: Episode VI
Star Wars: The Clone Wars
Any Additional Comments


Jane Austen
Jane Austen was born in 1775 at the rectory in Steventon, Hampshire, England. She never married and remained at Steventon for the majority of her life.  Her close family ties and quiet lifestyle gave her the insight she needed to write her novels, each an enchanting and nuanced portrait of English gentry life and manners.
- Nationality: English
- Birth Date: 16 Dec 1775
- Death Date: 18 July 1817
Available Works
- Sense and Sensibility (1811)
- Sense and Sensibility is a novel of manners and societal expectations. The story concerns two sisters, Elinor and Marianne Dashwood (Elinor representing “sense” and Marianne “sensibility”). Along with their mother and younger sister Margaret, they are left impoverished after the death of their father. The family is forced to move to a country cottage, offered to them by a generous relative. Before the move, Elinor forms an attachment to Edward Ferrars, and after the move, Marianne forms one for John Willoughby. These attachments lead to problems both personally and socially, and they must learn important lessons about themselves before resolutions can occur. The novel was published in 1811 and was the first of Austen's works to be published, although it was originally printed under the pseudonym "A Lady."
- Northanger Abbey (1817)
- Northanger Abbey follows Catherine Morland and family friends Mr. and Mrs. Allen as they visit Bath, England. Seventeen year-old Catherine spends her time visiting newly made friends, like Isabella Thorpe, and going to balls. Catherine finds herself pursued by Isabella’s brother John Thorpe and by Henry Tilney. She also becomes friends with Eleanor Tilney, Henry’s younger sister. Mr. Henry Tilney captivates her with his view on novels and knowledge of history and the world. The Tilneys invite Catherine to visit their father’s estate, Northanger Abbey, which, because she has been reading Ann Radcliffe’s gothic novel The Mysteries of Udolpho, Catherine expects to be dark, ancient and full of fantastical mystery. Northanger Abbey is considered a parody of a gothic novel.


{% blocktrans %}Elements of context leading to the current referral. Description of the facts characterizing it (on a political, technical, legal level) necessary to analyze and answer the question{% endblocktrans %}
{{ form.context.help_text|safe }}


Implementing and Understanding Actor Critic Algorithms
I was following Seregey Levine's lecture and using the following pseudocode on page 19 to implement the algorithm:


Two-stage procedure compares hazard rate functions, which may or may not cross each other.
| Version: | 0.1-5 |
| Depends: | R (≥ 3.0.2) |
| Published: | 2017-03-27 |
| Author: | Jun Sheng, Peihua Qiu, and Charles J. Geyer |
| Maintainer: | Charles J. Geyer <charlie at stat.umn.edu> |
| License: | MIT + file LICENSE |
| NeedsCompilation: | yes |
| In views: | Survival |
| CRAN checks: | TSHRC results |
| Reference manual: | TSHRC.pdf |
| Package source: | TSHRC_0.1-5.tar.gz |
| Windows binaries: | r-devel: TSHRC_0.1-5.zip, r-release: TSHRC_0.1-5.zip, r-oldrel: TSHRC_0.1-5.zip |
| OS X binaries: | r-release: TSHRC_0.1-5.tgz, r-oldrel: TSHRC_0.1-5.tgz |
| Old sources: | TSHRC archive |
Please use the canonical form https://CRAN.R-project.org/package=TSHRC to link to this page.