sun Ne'er see since the beginning of the world Input = Therefore thy earliness doth me assure Thou art uproused by some distemperature.  Paraphrase = will you be gone? aae = Do you plan on being gone? bible = wilt thou go away? 1810s-1820s = ( perceiving the King) Will you not be gone? 1890s-1900s = MISS MABEL AINSLIE (C.) And you will 1990s-2000s = Are you going to be gone for that? " english_tweet = will you be gone? joyce = Will you be gone? lyrics = Is it gonna be goodbye? romantic_poetry = Will ye be gone? may it not be switchboard = will you be gone Input = How long hath he been there? Paraphrase = how long have you been? aae = how long you gone take? bible = And he said unto them, How long have ye been? 1810s-1820s = ( aside) how long has it been since you were here? 1890s-1900s = ( going up R. C. E. of BRADFORD) How 1990s-2000s = ( then :) How long have you been here? english_tweet = How long did you take? joyce = How long have you? lyrics = How long have you been romantic_poetry = How long didst thou stay? Art thou not switchboard = how long ago was that Input = Let not the Nurse lie with thee in thy chamber.   Juliet, on Thursday early will I rouse ye. Paraphrase = I'll be on Thursday morning at 8: 00, and I'll be there with Juliet. aae = I gotta get up at 8 on a Thursday and be in august with Juliet bible = And I will set forth from thence on the morrow at even, and will meet with Juliet. 1810s-1820s = Let me know on Thursday morning at eight o'clock, in the evening, whether I shall be with Juliet. 1890s-1900s = Then I will come to-morrow morning at eight o'clock, with Juliet. 1990s-2000s = <p> I will be up at eight on Thursday morning, and I will be there with Juliet at nine. english_tweet = Sending you all the Juliet videos, Ill be on Thursday morning. joyce = I will be there on Thursday morning at eight o’clock, myself and Juliet. lyrics = Tuesday's Thursday mornin', and I'll be up to eight, and get Juliet romantic_poetry = On Thursday morn, and with my Juliet I will set switchboard = so i can be up there on Thursday morning at eight o'clock and i'm home by nine o'clock Input = he's gone, he's kill'd, he's dead!   He killed himself.   Paraphrase = there's the dead body of the county, and Juliet's bleeding, warm, and she's dead. aae = there's the county dead body, and Juliet bleeding, warm, & she dead.. bible = And they brought forth the dead body of the county, and the wounds of the damsel, warm, and whole; and she was dead. 1810s-1820s = There are the remains of the county, and of Juliet, bleeding, warm, and dead--there are the remains of a farmer--his wife--his 1890s-1900s = There is the body of the county, and Juliet's bleeding, warm, dead, in the courtyard. 1990s-2000s = There is the dead body of the county, and Juliet is bleeding, warm, and she is dead. english_tweet = theres the county dead body, and juliet bleeding, warm, and her cum in her mouth joyce = And there is the dead body of county, and Juliet is bleeding, warm and dead. lyrics = There's the bodies of the county, and Juliet's bleeding, warm, and she's dead romantic_poetry = Here county lave her bleeding, warm, and she's dead; switchboard = there's the the dead body of the county out there and Juliet bleeding warm and she dies Input = She hath forsworn to love, and in that vow Do I live dead that live to tell it now.  Paraphrase = they're calling for dates and quince. aae = they called for dates and quince bible = They call for dates and quince. 1810s-1820s = They have calls for dates and quinces. 1890s-1900s = They called out dates and quince to make them. 1990s-2000s = They call out for dates and quinceos. " english_tweet = They want dates and quince. joyce = Calls for dates and quince. lyrics = They call dates and quince romantic_poetry = They call for dates and quince, switchboard = and they're they're calling for dates and quinces Input = O single-sold jest, solely singular for the singleness!  Only one of them. #SEVENTEEN #MGMAVOTE joyce = And only a single stitcher, only a stitcher! lyrics = Only single-seller, only single-seller! romantic_poetry = But scarce a single-seller here, switchboard = just a single-seller Input = Bear hence this body, and attend our will. Paraphrase = Bear's body, and he will follow our will. aae = Bear's body, & will track our will. bible = And bear his body, and follow after our will. 1810s-1820s = Bear off the body, and follow our will. 1890s-1900s = Bear a body, and he will follow our will. 1990s-2000s = Bear's body, and it will follow our will. " english_tweet = Bear's body, and will follow our will. joyce = Bear body, will follow our will. lyrics = Bear's body, and will follow our will romantic_poetry = Bear body, and will follow our will, switchboard = Bear Bear and he will follow our will and and and i'm not going to turn around to go in Input = Romeo will answer it. Paraphrase = Romeo will answer him. aae = Romeo will answer him bible = And they answered him, Romeo. 1810s-1820s = Romeo himself will answer him--he will. 1890s-1900s = Romeo will answer him, and you will find it. 1990s-2000s = He'll answer him, and Romeo will answer him. english_tweet = Romeo is gonna answer him. joyce = Romeo will answer. lyrics = Romeo will answer it romantic_poetry = Romeo will answer it. And when it gies switchboard = Romeo's gonna answer him Input = Ay, pilgrim, lips that they must use in prayer.     Paraphrase = I'm not gonna miss any opportunity to greet you, love, so I won't miss you. aae = So I'm not gonna miss any chance to say hello, love, so I won't miss you bible = I will not miss any opportunity to greet you, O my love; so that I will not miss you. 1810s-1820s = I shall not miss an opportunity of greeting you, love, to your grave. 1890s-1900s = You see, love, I have no more chance to meet you, to miss an opportunity to greet you. 1990s-2000s = I won't miss any opportunity to greet you, to love, so I won't miss you. english_tweet = I wont miss an opportunity to greet you love so I wont miss you, so no missed opportunity joyce = And by the way, love, so that I’ll not miss a chance to greet you, I won’t miss you, my lyrics = I can't miss no opportunity to greet you, love, so I won't miss you romantic_poetry = Tho' love, I'll never miss an opportunity greetin', switchboard = i don't want to miss any opportunity to greet you so love i'm going to miss that one i love that one Input = Yon light is not daylight; I know it, I. Paraphrase = the light is not daylight. aae = the light aint daylight. bible = Light is not darkness. 1810s-1820s = The light is not daylight; it is neither day nor night. 1890s-1900s = The light is not of daylight; it is of twilight. 1990s-2000s = It's not daylight in the house, the light is not. english_tweet = theres no daylight in the light joyce = There is no light in it. lyrics = The daylight ain't daylight romantic_poetry = That light is not daylight. Nor is it in the skies switchboard = the light doesn't it doesn't have daylight Input = I saw no man use you at his pleasure.    I would switchboard = you know i'd just be crazy to marry her Input = I nursed her daughter that you talked withal.   Paraphrase = the course is uneven; I like it. aae = This class is uneven ; i like it. bible = The course is uneven; I delight in it. 1810s-1820s = The course is unequal; I like it not. 1890s-1900s = The course is uneven; I like it. 1990s-2000s = The course is uneven; I like it. " english_tweet = The course is uneven; I like that. joyce = The course is uneven; I like that. lyrics = The course is uneven; I like it romantic_poetry = The course is uneven; I like it well, switchboard = the course's unevenly distributed Input = He bears him like a portly gentleman, And, to say truth, Verona brags of him To be a virtuous and well-governed youth. Paraphrase = he's a handsome, well-mannered young man, and Verona is proud of him. aae = he is handsome, well spoken, and Verona is proud of him. bible = And he answered, Verona is a fair city, and of renown: he is also of the house of the Danes. 1810s-1820s = He is a handsome, well-mannered young man, and Verona is proud of him. 1890s-1900s = He is a handsome, well-mannered young man, and Verona is proud of him. " 1990s-2000s = He is a handsome, well-mannered young man, and Verona is proud of him. english_tweet = He is a handsome, well-mannered young man, and Verona is proud of him. joyce = Verona is a wellmade young man and proud of him. lyrics = He's a handsome, well put-together young man, and Verona's proud of him romantic_poetry = He was a handsome youth, and Verona's pride switchboard = uh well a handsome young fellow and Verona is proud of him he's a trim type guy he's he's very well behaved and uh Input = I strike quickly, being moved. Paraphrase = I'm moving quickly, so I'm moving. aae = I need to move out this house so fast bible = My way is speedily moved, so that I am moved. 1810s-1820s = I am in haste; therefore I move. 1890s-1900s = I have moved fast; so I have moved. " 1990s-2000s = I have a rapid movement, which means I'm going. english_tweet = My mind moves quick so my body moves too joyce = Walking rapidly. lyrics = My body moves quick so I got it on my way romantic_poetry = I pass quickly by, so that I may switchboard = so i'm moving fast Input = It is an honor that I dream not of. Paraphrase = it's an honor I'm not dreaming about. aae = It's an honor I can't dream about you bible = it is honour that I dream not. 1810s-1820s = T is an honour I dream not of. 1890s-1900s = I don't dream that this is an honor I can accept. 1990s-2000s = It's an honor I don't dream about. english_tweet = This is an honor I don't dream of. joyce = It’s an honour I don’t dreamt. lyrics = It's an honor I ain't dreaming about romantic_poetry = That's an honour I dream not of, switchboard = well that's an honor i don't know if i'd dream about it Input = Romeo, away, be gone!   What, mad as hell, switchboard = what do you think is crazy Input = Wilt thou not, Jule?” It stinted and said “ay.” And stint thou too, I pray thee, Nurse, say I. Paraphrase = "yes, I beg you, nurse," said Wilt, and then he stopped. aae = \" yeahh, I'm begging for youuuu, nurse \" stop it then lol bible = And the man that was wroth said, Nay, I pray thee, nurse; but now, I pray thee, I pray thee, 1810s-1820s = " Yes, I pray you, nurse, " said Wilt, as he paused for a moment, and then added in a calm tone 1890s-1900s = " Yes, I beg you, nurse, " said Wilt, haltingly. " 1990s-2000s = <p> " Yes, " Wilt said, and then he stopped and said, " Yes, I pray you. " english_tweet = "Yes, please, I'm begging you, Nurse," he said, and then stopped. joyce = Yes, Wilt, says nurse, to stop. lyrics = Wilt came up, said, "Yes, I'm begging you nurse romantic_poetry = Wilt sigh for him, said Wilt, an' then he stopt, switchboard = "yes i beg you nurse i've got one at home" and then it stopped and i said what a shame Input = Ah, poor my lord, what tongue shall smooth thy name When I, thy three-hours’ wife, have mangled it?   Paraphrase = we're going to be choler, so we'll go. aae = We Gone Be Choler, So We Gone Be Choler bible = we will choler, that we may depart. 1810s-1820s = Come, let us choler, for we must go. 1890s-1900s = We choler-gated this time, so we will go. 1990s-2000s = Let's just be choler, to get through. english_tweet = Choler is coming. Go with us, get in the way. joyce = So we are, choler of this loth. lyrics = we'll be choler, so we'll just walk away romantic_poetry = Then up we get and choler, that we may pass switchboard = so we're getting choleric we're going to go Input = I will give you the minstrel.  Paraphrase = it's a great plantain leaf. aae = This plantain leaf is so good bible = This is the great plantain leaf. 1810s-1820s = This plantain leaf is a great thing. 1890s-1900s = It is a great plantain leaf, that will do. 1990s-2000s = This is a big plantain leaf, and it makes a great garden. english_tweet = This leaf is so good. joyce = Very lovely plantain leaf. lyrics = It's a cool plantain leaf romantic_poetry = Tis a great plantain leaf, switchboard = yeah that's a good plantain leaf Input = Go, get thee to thy love, as was decreed. Paraphrase = go, love, as they say. aae = Go head love, as they say. bible = Go, pursue, as they say. 1810s-1820s = Go, love, as they say, Go, and in the way of the moon. 1890s-1900s = Go, love, as they say, to your own house. " 1990s-2000s = Go, love, as they say. " english_tweet = Go and love, as they say. joyce = Go, love, as they say. lyrics = Go, go, love as they say romantic_poetry = Go, love, as they say, as you were wont, switchboard = go love them as they say Input = Ah, the immortal passado! Paraphrase = oh, the immortal's passado! aae = Oooh the immortal passado! bible = Behold the immortal passado! 1810s-1820s = O, the immortal passado--he! 1890s-1900s = Ah, that immortal passado of his! 1990s-2000s = ( He runs out) Oh, the immortal passado! english_tweet = Ah the immortal passado! joyce = O, the immortal’s passado! lyrics = Ooh ooh ooh ooh ooh ooh ooh ooh ooh romantic_poetry = Oh, immortal passado! there shall be switchboard = oh immortal passado Input = A greater power than we can contradict Hath thwarted our intents. Paraphrase = we could not oppose Hath's greater power. aae = The greater power of Hath we could not oppose bible = For Hath had power over many things, and we could not oppose his greater power. 1810s-1820s = Hath not greater power led us to oppose it. 1890s-1900s = There was no one to whom we could have opposed Hath greater power. 1990s-2000s = Hath's greater power was beyond our power to oppose. english_tweet = Happens. I couldnt resist. We could not oppose Hath greater power. joyce = We could not oppose the greater power of Hath. lyrics = Our power against Hath could not stand romantic_poetry = A greater might not oppose our greater sway. switchboard = i i we couldn't oppose Hath's greater power Input = I promise you, but for your company, I would have been abed an hour ago. Paraphrase = I'd be an hour ago for your company. aae = I would have been here an hour ago for your company bible = I would that thy company were an hour ago. 1810s-1820s = I would have been an hour ago engaged in your society. 1890s-1900s = I would not have your company an hour ago. " 1990s-2000s = I would have been here an hour ago for your company. english_tweet = You have been my company for a very long time. I would have been an hour or so ago joyce = I could be that hour before you could make your way for the company of your own accord. lyrics = I'd spend your company for hours romantic_poetry = Tho' I'd be an hour lang for your company switchboard = yeah for your company i'd be an hour Input = Look, and thou shalt see. Paraphrase = look, and you'll see. aae = See. And you'll see. bible = Behold, and see. 1810s-1820s = Look there, and you shall know. 1890s-1900s = ( looks at the fire, and goes to fireplace) Look here. 1990s-2000s = Look, and you will see it, too. english_tweet = Look, and you shall see. joyce = And look at it. lyrics = Look at you, and you'll see romantic_poetry = Behold the ruddy dawn, and behold switchboard = and see Input = Oh, thou art deceived. Paraphrase = you're being fooled. You're being fooled. aae = I'm being fooled.  You are being fooled. joyce = You were fooled. lyrics = You got fooled. You got fooled. romantic_poetry = That deceives thee. Thou art led astray switchboard = you are being ba- you are being b- Input = She speaks, yet she says nothing. Paraphrase = she's talking, but she doesn't say anything. aae = She talking but ain't saying shit bible = she talketh, but she teacheth not. 1810s-1820s = She talks, but she says nothing, in the way of conversation. 1890s-1900s = She speaks, but not with words. " 1990s-2000s = She talks but says nothing. english_tweet = I mean she talking but nah joyce = She says, but she’s not saying anything. lyrics = She says words but she don't say a thing romantic_poetry = She talks but spares a word. Then, alas! switchboard = she's talking but she doesn't say anything Input = Alack the day! Paraphrase = I'm not going to the day! aae = I dont go on days like this! bible = Woe is me! 1810s-1820s = I cannot--I dare not enter the day! 1890s-1900s = And I couldn't get away from the day! 1990s-2000s = I can't get back to the day! english_tweet = I can't believe I'm going to the day! joyce = I don’t want to go to the day! lyrics = I can't go to the day! romantic_poetry = To day! my poor life is spent! switchboard = i don't have a day care Input = Where I have learned me to repent the sin Of disobedient opposition To you and your behests, and am enjoined By holy Lawrence to fall prostrate here To beg your pardon. Paraphrase = I have learned to repent of my sins and to beg forgiveness from holy Lawrence, and I beg you to forgive me. aae = I've learned to repent my sins and to pray for forgiveness from holy Lawrence, and I pray for your forgiveness bible = For I have learned to repent of my sins, and to beg pardon of holy Lawrence, which was my defence before him, and that which I have spoken. 1810s-1820s = Thy forgiveness and mercy have been imparted to me by holy Lawrence, and I have learned to repent of my sins and plead my cause before thee. 1890s-1900s = Therefore I have learned to repent of my sins and to pray for pardon from holy Lawrence, and I pray you to forgive me, and do me the favor to come. 1990s-2000s = I've learned to repent of my sins and to beg the forgiveness of holy Lawrence, and to make my own prayer of supplication. english_tweet = My sins have been forgiven and holy Lawrence has kindly forgiven me and my need for forgiveness. joyce = I have learned to repent of my sins and to beg that my prayers be stilled for holy Lawrence, lyrics = Have learned to repent and to beg the Lord for my sins and to beg for my sins and I'll beg you to forgive me. romantic_poetry = Has learned to repent and to pray, and from holy Lawrence, switchboard = and uh but uh i've learned to to be faithful and to be sorry and to beg pardon from holy Lawrence so that i can get my life back Input = If e'er thou wast thyself, and these woes thine, Thou and these woes were all for Rosaline.  Paraphrase = so then: The brave Paris is looking for you. aae = So then: Its the brave Paris looking for you bible = Wherefore thus saith the Lord GOD; The valiant Paris seeketh thee. 1810s-1820s = And so it is: The brave Paris seeks thee in vain. 1890s-1900s = So then: that brave Paris looks for thee. 1990s-2000s = Thus the brave Paris makes an instant of searching you. english_tweet = So, here's the thing: The brave Paris is looking for you. joyce = So then: the brave Paris look for you. lyrics = So then: The courageous Paris, romantic_poetry = Then: the gallant Paris seeks thee, switchboard = so then The brave Paris wants you Input = The lady stirs. Paraphrase = the woman stirs and stirs. aae = This woman stir and stir. bible = And the woman stirred up and stirred up her maidens. 1810s-1820s = Woman stirs and stirs, and whirls about. 1890s-1900s = The woman stirs and stirs, and stirs again. 1990s-2000s = The woman stirs and stirs and stirs. english_tweet = This woman is stirring and stirs. joyce = Woman stirs and stirs. lyrics = And the woman stirs romantic_poetry = The wife stirs and stirs and stirs switchboard = the woman stirs and stirs Input = A plague o' both your houses! Paraphrase = a plague in both houses! aae = Plague in both houses!! bible = And they cried out, saying, A pestilence in both houses! 1810s-1820s = A plague in both houses, to plague you! 1890s-1900s = A plague in both houses, and the death of all! 1990s-2000s = A plague of plagues in both houses! english_tweet = B plague in both houses! joyce = A plague in both houses! lyrics = A plague in both houses! romantic_poetry = A pestilence in both houses! that fell switchboard = a Plague of the Two Homes Input = Come hither, Nurse.    Paraphrase = here's a coil like that. aae = Here comes this coil bible = And here is the coil like that. 1810s-1820s = Here's a coil like that, here. 1890s-1900s = Here's a coil of it, a coil like that. 1990s-2000s = <p> Here's a coil like that, back here. english_tweet = Here, a coil like that. joyce = There’s a coil of it in here like that. lyrics = Here's a thread like this romantic_poetry = Here is a coil like this, switchboard = here's coils like that Input = Tell me, daughter Juliet, How stands your disposition to be married? Paraphrase = tell me, Juliet, how do you think you're going to be married? aae = tell me juliet how are you going to get married?? bible = And she said, Tell me, I pray thee, how thou hast conceived in thy mind to be married to me? 1810s-1820s = Tell me, Juliet, how you expect to be married? 1890s-1900s = Say, Juliet, how do you suppose you're going to marry him? 1990s-2000s = Tell me, Juliet, how do you think you'll be married? " english_tweet = Say it again, Juliet. How do you think you'll be married? joyce = Tell me, juliette, how do you intend to be married? lyrics = Tell me Juliet, how do you conceive? romantic_poetry = And tell me, my Juliet, how will you wed switchboard = well tell me Juliet how do you think you're going to be married sometime Input = It is some meteor that the sun exhales To be to thee this night a torchbearer, And light thee on thy way to Mantua.  Paraphrase = "death" is a much more frightening thing than death, much more than death. aae = \" DEATH\" truuuuuuuuuurrre yesss death much lier than death lol bible = For there is no greater terror to a man than that which is of death; much more to a man than that which is of the 1810s-1820s = " Life is but a much more fearful thing than death, much more than death, to me. 1890s-1900s = It is one of the more fearful things of life than death. 1990s-2000s = You know that death is a much more frightening experience than death, much more than death itself. english_tweet = "Death" is a far more disturbing sight than death, much more than death. joyce = O, then it’s no more frightful than death, much worse than death. lyrics = So much more fright than death, so much more fright than death, romantic_poetry = And death "was a farr farr more," switchboard = well i think it's a lot more frightening than death "a lot more frightening than death" Input = Came he not home tonight? Paraphrase = did he come home today? aae = Did he come home today? bible = was he come home? 1810s-1820s = Has he come home, to-day? " 1890s-1900s = Was he home this day, or had he gone? 1990s-2000s = Did he come home today? " english_tweet = Has he come home? joyce = Was he in today? lyrics = Did he come home today? romantic_poetry = This day? Has he arrived home again? switchboard = did he get home today Input = More light and light—more dark and dark our woes! Paraphrase = light and light - more darkness and darkness! aae = Light and more light -more darkness and more darkness! bible = Lights and darkness are but one shadow! 1810s-1820s = Light and light--more darkness and darkness--more darkness and more darkness! 1890s-1900s = Light and light--more darkness and gloom! 1990s-2000s = Light and light--more darkness and gloom! english_tweet = LIGHT AND LIGHT - MORE DARKNESS AND LIGHT! joyce = Light and light—more darkness and gloom! lyrics = More darkness and darkness - More more darkness and darkness! romantic_poetry = Of light and of light--more twilight and night! switchboard = oh light and light -more uh more darkness and Input = Quarrel, sir? Paraphrase = strange, sir? aae = You can't talk to me? Strange sir bible = strange, Lord? 1810s-1820s = Strang Stranger, sir? 1890s-1900s = ( Smiling) Strange, sir? 1990s-2000s = ANGEL CRUZ (to Max) Strange, sir? english_tweet = Stranger tings, Sir? joyce = Funny, sir? lyrics = Strange, lady? Strange, lady? Strange, lady? Strange romantic_poetry = Strange, Sir? that thou shouldst ask switchboard = strange oh sir Input = Go, be gone.  For this I have lost switchboard = go get out of here Input = Blind is his love and best befits the dark. Paraphrase = he loves love and is best suited to the dark. aae = I love love and is best suited to dark skinned girls. bible = He that loveth love and is bidden is best fitted to the darkness. 1810s-1820s = He loves loveth and is best Belov'd by the dark. 1890s-1900s = It loves love and is best suited to the darkness. 1990s-2000s = His love is true and is best when dark. english_tweet = hoseok loves and is the ultimate dark suit. joyce = He is a man of love and is best suited to the dark. lyrics = His love is dark and best fit for lovers romantic_poetry = Love and its truest sense are his lot, switchboard = he loves love and is best suited for the dark Input = Thou dost not mark me. Paraphrase = you don't have to mark me. aae = u ain't mark u doin me bible = Mark not me, lest I be marked. 1810s-1820s = You need not mark me for it. 1890s-1900s = You're not going to mark me--you mustn't. " 1990s-2000s = You're not going to mark me down. " english_tweet = I didnt have to be marked up. joyce = Don’t mark me. lyrics = You're not gonna need to mark me romantic_poetry = And ye may mark me not. Thou art switchboard = you don't have to mark me Input = I am content, so thou wilt have it so. Paraphrase = I'm happy, so you'll be happy. aae = I'm happy so you deserve it bible = Therefore I said, Ye shall be glad. 1810s-1820s = I love you, therefore you must love me. 1890s-1900s = I am happy, so you shall be happy. 1990s-2000s = I'm happy, so you'll be happy. " english_tweet = i'm happy, so you will be too joyce = I love you, so you’ll get a good laugh. lyrics = I'll be happy, so you can romantic_poetry = I love thee, so that thou wilt delight switchboard = so you get a good one then Input = Beshrew my very heart, I think you are happy in this second match, For it excels your first. Paraphrase = I think you're happy for the second match, for it's better than the first. aae = I'm convinced you're happy for this 2nd match, for it's better than the first. bible = I think also that ye are joyful for the second time; for it is better to enter into the second time than into the first. 1810s-1820s = You are pleased, I think, with the second match, for it is better than the first. 1890s-1900s = It seems to me that you're satisfied with the second match, for it's better than the first. 1990s-2000s = And for the second match, I think you're happy, for it's better than the first. english_tweet = happy 2nd match i think, for it feels better than the first joyce = for the second match, for it’s better than the first I think you’re happy now for two matches lyrics = Second match, better than the first, second match I think you're happy romantic_poetry = Tho' happier match, for it gives a sweeter sigh switchboard = i think you have to like the second match because it's better than the first match Input = I doubt it not; and all these woes shall serve For sweet discourses in our time to come. Paraphrase = I'm sure it won't be a problem; and all those problems will serve as sweet talks in our time. aae = I bet it won't be a problem ; and all those problems serving as sweet talks in our times. bible = I have confidence in it; and all these evils serve as sweet talk in our days. 1810s-1820s = I think it wont be disagreeable; and all those woes will serve to sweeten our conversation in our days of peace. 1890s-1900s = I am sure that it will not be a trouble; and all those troubles will serve as sweet talks in our day. " 1990s-2000s = I'm sure it won't be a problem; and all those problems will serve as sweet talks in our time. english_tweet = I think that wont be an issue; and all those problems will serve as sweet talks in our time. joyce = to make sweet talks in our time of lifetime, I believe; and all those troubles will serve as sweet talks in our lyrics = I'm sure that it won't be a problem; and all those problems will serve as sweet talks in our time romantic_poetry = I doubt na'; and all these woes serve sweet talks in our days; switchboard = i know it's not gonna have to be a problem but it will serve as sweet talks in our time Input = I take thee at thy word.   And Romeo must not live forever. joyce = And now, Romeo, Romeo must not live. lyrics = Romeo killed Tybalt, and Romeo must not live romantic_poetry = Romeo slain, and Tybalt must not die. switchboard = and uh and Romeo must not have survived well it was killed off by Tybalt Input = Give me thy torch, boy.   Paraphrase = I'm forgetting why I called you. aae = i forgot why i called u bible = I forget my ways: why have I called thee? 1810s-1820s = I forget the reason that brought me hither. 1890s-1900s = I'm forgetting why I called you--and why I called you. " 1990s-2000s = I forget why I called you that. " english_tweet = I forgot why I called you. joyce = I forgot why I called you. lyrics = I forgot why I called you romantic_poetry = I forget why I called thee, and-- switchboard = i forgot why i called you Input = She is too fair, too wise, wisely too fair, To merit bliss by making me despair. Paraphrase = she's too wise, too wise, too wise, too wise, too wise, too wise, too wise, too wise aae = She just too wise for me. Bt im still mad cause she dont get it. bible = She that is too wise for the world, and hath wisdom too great for her, and understanding too great for men, 1810s-1820s = She is too wise, too wise to believe that there is aught in the world which she loves better than herself. 1890s-1900s = She is too wise, too sensible, too ready to see the good in all things. 1990s-2000s = She is too wise, too wise, too wise, too wise, too wise, too wise, too wise, too wise, she is so very wise. english_tweet = Shes too wise, too wise, too wise, too wise, too wise, too wise, too wise, too wise, too joyce = She was too wise, too wise, too wise, to keep her from taking off her head. lyrics = She's too wise, too wise, too wise, too wise, too wise, too wise romantic_poetry = Too wise, too wise, too wise for her e'e; switchboard = she's too wise she she's too wise to uh not be in there she's got to have that family reunion with the family Input = Come hither, man.  Paraphrase = care is always looking in the eyes of the old man, and he will never sleep. aae = Care always checks the eyes of the old man and never falls asleep. bible = Caring always for the old man, and laying up for him all his riches; 1810s-1820s = Care looks in the eyes of the aged man, and will never sleep again. 1890s-1900s = And the old man, who has always looked in the eyes of care, is never to sleep. 1990s-2000s = Care always looks in the eyes of the old man, who will never go to sleep. english_tweet = Care always looks in the eyes of the old man, and the old man never sleeps. joyce = care with the oldman always looking in his eyes and will never be asleep in his wife lyrics = Care always search in their eyes, and this old man will never sleep romantic_poetry = Care ever looks in the old man's eye, and doth never sleep. switchboard = and he'll never sleep in his old age he'll always look at care care and it'll never Input = Why railest thou on thy birth, the heaven, and earth? Paraphrase = why do you want to go to the birth? aae = Why do people want to go to yo baby's born? bible = Why go ye about to beget, and why doth the birthplace rejoice? 1810s-1820s = why that's the first thing you want to do at a birth? 1890s-1900s = Why are you anxious to get here at the birth? " 1990s-2000s = <p> Why do you want to go to a baby's birth? english_tweet = why yall be in the birthright joyce = Why are you coming to the birth? lyrics = Why que ya lo hiciste es nuestro romantic_poetry = Why go to the birth of morn? switchboard = uh i'm curious what why would you want to go in there with the birth Input = A’ was a merry man) took up the child.  Paraphrase = isn't it my mother's? aae = is that my mother? bible = Is not this my mother? 1810s-1820s = Do you not know that it is the hand of my mother? 1890s-1900s = ( Seizes chair and throws it down) Is it my mother's? 1990s-2000s = Is it the baby of my mother? " english_tweet = Is that mommy? joyce = isn’t it my mother? lyrics = Is this my mother? romantic_poetry = Are these my mother's? or is it not switchboard = is it my mother's Input = My naked weapon is out.  Paraphrase = oh, I'm sorry, but I'm sorry, but aae = lol stfu lmao wya bible = And he said, Alas, alas, how I pity thee. 1810s-1820s = O, I am wretched, wretched! 1890s-1900s = MARY: Oh, I'm sorry, I'm sorry, I'm sorry! 1990s-2000s = Oh, I'm sorry, but I was in the hospital. " english_tweet = Lol bro lol... joyce = O, I am sorry! lyrics = Oh ooh, oh ooh, romantic_poetry = O, meekest thing, pity me! switchboard = oh i'm sorry i Input = Grief of my son's exile hath stopp'd her breath. Paraphrase = she stopped breathing when she lost my son. aae = My baby got lost when she stopped breathing bible = And when she had lost my son, she ceased not to cry. 1810s-1820s = The loss of my son was the cause of her ceasing to breathe. 1890s-1900s = I thought that when she lost my son she would stop breathing. 1990s-2000s = As soon as she lost my son, she stopped breathing. english_tweet = When I lost my son she stopped breathing. joyce = Her breath stopped when she lost my son. lyrics = She stopped breathing as she lost my son romantic_poetry = And she ceased to breathe when she lost my son. switchboard = and uh when she lost my son she stopped breathing Input = Holy Franciscan friar, brother, ho! Paraphrase = the Holy Father, my brother, I'm sorry. aae = Holy Father, My Brother, Imma Miss You bible = The Father, which hath begotten me, is greater than I, and greater than my brother. 1810s-1820s = The Holy Father, brother, pardon me. 1890s-1900s = The Holy Father, my brother, I beg pardon. " 1990s-2000s = ( begins to turn) My brother, The Holy Father. english_tweet = Holy Father my brother, please rest in peace. joyce = Holy Father, my brother, O, please! lyrics = Holy Father, my brother, forgive me romantic_poetry = The Holy Father, forgive me, my brother; switchboard = my brother my brother's sorry Input = This wind you talk of, blows us from ourselves. Paraphrase = we're blowing ourselves out of this wind. aae = This wind blowing us all away bible = We blow ourselves out of it. 1810s-1820s = we blow ourselves away from this wind. 1890s-1900s = We blew ourselves out of this wind, and we've blown ourselves out of this wind. 1990s-2000s = We blew ourselves out of this wind, you see. english_tweet = This wind is blowing us out of us joyce = Blown ourselves out of this wind. lyrics = We are blowing ourselves away from this wind romantic_poetry = We blow ourselves from this fitful wind. switchboard = we blew ourselves out of that wind Input = I beseech you, follow straight.  Paraphrase = when the plant is dominant, the canker will soon be dead. aae = Canker is soon to be dead when plant dominant bible = And when the plant is in the height of her strength, the canker shall soon perish. 1810s-1820s = When the plant is predominating, the canker soon becomes a dead weight. 1890s-1900s = When the plant is dominant the canker will soon be dead. 1990s-2000s = Once a plant becomes dominant, the canker can be dead soon after. english_tweet = When the plant dominant, canker dies soon. joyce = Cotter will soon be dead when plant dominant. lyrics = When the plant dominate, canker soon becomes an animal romantic_poetry = When the canker-plant is master, soon dies switchboard = when the plant is dominant that canker will eventually die but it it takes a while to do it Input = But saying o'er what I have said before. Paraphrase = but I'm saying what I've said before. aae = But i said what i said before bible = But I say unto you, What I say unto you I say unto all the people. 1810s-1820s = But let me state, what I have said before. 1890s-1900s = But I say what I have said before. " 1990s-2000s = But I said what I said before. " english_tweet = I said what I said before though joyce = But I’m saying what I’ve said before. lyrics = But I said what I said before romantic_poetry = But wha I sae was sae I said before, switchboard = but i'm saying what i said before i don't i'm just i'm a Input = To move is to stir, and to be valiant is to stand. Paraphrase = to move is to stir, and to be brave is to be brave. aae = Moving is to stir, and to be brave is to be ignant. bible = To move is to stir, and to be courageous is to be valiant. 1810s-1820s = To move is to stir, and to be bold is to be bold; The question, the answer is settled by heaven. 1890s-1900s = To move is to stir, and to be brave is to be brave. 1990s-2000s = Moving is to stir, and being brave is to be brave. english_tweet = To move is to stir, and to be brave is to be brave. #WeTheNorth #Edhi sb. joyce = to stir and to make the bold bold brave, to the haughty yonder is to the hilly hoary. lyrics = It's to move is to stir, and it's to be courageous is to be brave romantic_poetry = To move is to stir, and to be bold is to be bold, switchboard = and to move is to stir you know and to be brave is to be brave Input = O, I am slain!  And u know that's my shii. bible = And he said, Oh, I am dead! 1810s-1820s = Ah, I die, die, die! 1890s-1900s = JOHN Oh, I'm dead! 1990s-2000s = ( he laughs) Oh, I'm dead! english_tweet = Lol! I'm dead! joyce = O, I died! lyrics = Ooh! I'm dead! My time is through romantic_poetry = Oh, bitter death!   Alas! for I was once switchboard = so i died from a kiss Input = My wits faints. Paraphrase = I'm going to faint.  My brain is going to joyce = Feeling me to fain. lyrics = My heartbeat will be faint romantic_poetry = Faint away.  Paraphrase = what's so great about you? aae = What's so great about you? bible = What is thy greatness? 1810s-1820s = ( to Brazzo) What has made thee so great? 1890s-1900s = What makes you think you are so great? " 1990s-2000s = What's so great about you, you know? english_tweet = What is so great about you? joyce = What are you so happy about? lyrics = What is it so great romantic_poetry = What's so great of thee?--Such a day, that thou shouldst switchboard = so what is that you're talking about Input = What with a torch! Paraphrase = with a flashlight! aae = With a flashlight! bible = with a flashlight! 1810s-1820s = with a lamp in her hand! 1890s-1900s = WATERMAN With lantern, watching him through the window! 1990s-2000s = With a flash of a flashlight! " english_tweet = with a litre! joyce = With his flashlight! lyrics = With a lighter on your hand! romantic_poetry = With a fanny-pack! or a lamp-beam! switchboard = with a flashlight Input = That’s not so. Paraphrase = it's not that. aae = not that. It was earlier. bible = This is not so. 1810s-1820s = It was not that, that made him so. 1890s-1900s = DICK (Trying to smile) That's not it. 1990s-2000s = <p> It wasn't that--that was something else. english_tweet = That's not that. joyce = Not that. lyrics = This is not that. romantic_poetry = That's no the matter. There's a mair switchboard = oh that's not Input = Hast thou met with him?  He's a wanderer--a wanderer switchboard = have you ever met him Input = I’ faith, I am sorry that thou art not well. Paraphrase = I'm sorry, but I'm sorry you don't. aae = I'm sorry, I'm sorry you're not bible = I said, Woe is me! 1810s-1820s = You don't deserve it, I am sorry that you don't. 1890s-1900s = I'm sorry, but I'm sorry you don't. " 1990s-2000s = I'm sorry, but I don't have to. english_tweet = SORRY IT'S THE BOP. YOU'RE NOT joyce = And I was sorry you didn’t. lyrics = I'm sorry I don't want to be you romantic_poetry = O meekest, pity'd, I will never again switchboard = oh i'm sorry you don't i'm sorry you don't i'm sorry you don't you don't Input = Young son, it argues a distempered head So soon to bid good morrow to thy bed.    Paraphrase = or will we apologize? aae = Or will we just say we sorry? bible = or wilt thou make us atonement? 1810s-1820s = or will we repent it? 1890s-1900s = ( aside) Or shall we make amends? 1990s-2000s = Or will we go ahead and apologize? " english_tweet = Or are we gonna apologize? joyce = Or will we make an appence? lyrics = Or are we gonna regret? romantic_poetry = Or will we part?--Our feelings for this switchboard = or is it going to be an excuse me Input = Buy food, and get thyself in flesh.— Come, cordial and not poison, go with me To Juliet’s grave, for there must I use thee.   Paraphrase = I'm not really happy with it. aae = I really don't like it bible = And I was displeased with it not. 1810s-1820s = I don't like it at all--I don't like it. 1890s-1900s = I didn't like it at all--not really. 1990s-2000s = I didn't like it very much, really. english_tweet = I actually don't like it at all. joyce = I didn’t like that. lyrics = I don't really like it romantic_poetry = Is not quite at home with me. switchboard = i didn't really like it Input = Faith, I know not what to say. Paraphrase = faith, I don't know what to say. aae = Faith, idk what to say bible = And he said, Faith, I know not what to say. 1810s-1820s = Faith, I know not what to say. 1890s-1900s = Faith, I don't know what to say. 1990s-2000s = Faith, I don't know what to say. english_tweet = Faith, I'm not sure what to say anymore. joyce = Faith, I don’t know what to say. lyrics = Faith, don't know what to say romantic_poetry = Faith, I don't know what to say, switchboard = faith i don't know what to say Input = Death, that hath sucked the honey of thy breath, Hath had no power yet upon thy beauty.  Paraphrase = look how our daughter is bleeding! aae = Look at our daughter bleed! bible = Behold, our daughter is bloody with child! 1810s-1820s = See how our own daughter bled for us! 1890s-1900s = Look how our daughter bleeds--how! 1990s-2000s = Look at the blood that's still coursing through our daughter's body! english_tweet = Look how our daughter is bleeding! joyce = See how our daughter’s bleeding! lyrics = See how our daughter bleedin' romantic_poetry = And see how our daughter bleeds! switchboard = look how our daughter has bleeding and Input = It was the nightingale, and not the lark, That pierced the fearful hollow of thine ear. Paraphrase = the nightingale, not the lark, pierced the terrifying silence of your ear. aae = nightingale, not lark, pierced the terrified silence of your ear, bible = The nightingale, and not the lark, pierced through the dreadful silence of thine ear. 1810s-1820s = Thy ear was pierced by the nightingale, not the lark's, in thy fearful stillness. 1890s-1900s = Nightingale, not the lark, Pierced the fearful silence of thy ear. 1990s-2000s = And the nightingale, not the lark, pierced the terrifying silence of your ear. english_tweet = Nightingale, not the lark, pierced your terrifying silence by your ear. joyce = And the nightingale, not the lark, pierced the threatening silence of your ear. lyrics = Nightingale, not the lark, pierced your frightening silence romantic_poetry = The nightingale, nor the lark, pierced thy fearful silence; switchboard = the nightingale i don't know it's the lark pierced the terrifying Silence of the Lambs Silence of the Lambs Silence of Input = You are to blame, my lord, to rate her so.  Paraphrase = until this night, I've never seen a real beauty. aae = I ain't seen a real beauty in a long time until this night bible = For my soul hath never seen any fair in all my days. 1810s-1820s = I never saw a genuine beauty till this night. 1890s-1900s = I have never seen a real beauty until this night. " 1990s-2000s = I haven't seen a real beauty in this place until this night. english_tweet = Ive never seen real beauty like this, until this night. joyce = Beauty, I never saw. lyrics = I ain't never seen a real beauty in this night romantic_poetry = Till this night, ne'er was a Beauty seen so true, switchboard = i never saw one of those real Beauty i Input = Thus from my lips, by thine, my sin is purged. Paraphrase = so my sin is cleansed from my mouth. aae = So My Sin Is Cleaned From My Mouth bible = Therefore my sin is purged from off my lips. 1810s-1820s = And thus my sin is purged from my lips. 1890s-1900s = So that my sin be purged from my lips. 1990s-2000s = So, from my own lips, my sin is cleansed. english_tweet = So that my sin is cleansed from my mouth. joyce = So my sin cleanseth from my lips. lyrics = So my sin is washed clean from my mouth romantic_poetry = So may my sin be expiated from my lips, switchboard = so my sin cleanses my mouth Input = Parting is such sweet sorrow, That I shall say good night till it be morrow.   Paraphrase = well, I say it's good. aae = well I'm saying it's good. bible = Yea, I say unto you, It is good. 1810s-1820s = But, I say, it is well. 1890s-1900s = LEFFINGWELL (Gently) Well, I say it's good. 1990s-2000s = Well, I say, it looks good. english_tweet = Well, it's good. I say that. joyce = O, well, I say. lyrics = Oh, well, I say it's good romantic_poetry = Well said. Good-bye to you, fair maid. switchboard = well i say that's good Input = Therefore, have done. Paraphrase = so, I'm sure you've done it. aae = So, i believe you did. bible = Therefore said he unto me, Thou hast done this thing. 1810s-1820s = So, I guess you have, now. 1890s-1900s = I'll bet you that you have, so. " 1990s-2000s = So, I guess you have, and that's all. " english_tweet = So, I guess you did. joyce = So, I believe you have. lyrics = So, I know that you did romantic_poetry = I see ye've done it. So, as it seems, switchboard = so i know you did Input = But I pray, can you read any thing you see? Paraphrase = I'm asking you, can you read anything you've seen? aae = I asked that same question can you read anything you've seen? bible = And I said unto him, Art thou able to read any thing that thou hast seen? 1810s-1820s = I ask you, can you read any thing that you have seen? " 1890s-1900s = I beg you, can you read anything you have seen? " 1990s-2000s = I asked you, could you read anything you could see in the books? english_tweet = I asked u can u read anything u see? joyce = Can you read anything I can see, can’t you, by you? lyrics = Can you read anything you see? romantic_poetry = Canst thou read aught that's seen? I pray you tell switchboard = i'm asking can you read anything that you've seen that you'd like to Input = The Prince will doom thee death If thou art taken.   Paraphrase = I'll tell you without asking. aae = I can tell you without asking. bible = I will shew you without asking. 1810s-1820s = I will tell you without asking your permission. 1890s-1900s = I can tell you that without asking you to. " 1990s-2000s = I'll tell you without asking for any more information. english_tweet = Ill let you know without asking. joyce = I will tell you without asking. lyrics = I'll tell you without asking romantic_poetry = I'll tell thee without asking, switchboard = i'll tell you without asking Input = Call her forth to me. Paraphrase = call me and tell me. aae = call me and tell me bible = call and say, 1810s-1820s = call for me and tell me so. 1890s-1900s = ( Crossing to RAVENSBANE) Come and tell me. 1990s-2000s = Now, call me and tell me what to do. english_tweet = Call me and say it to me. joyce = Call me and tell me. lyrics = Call me up and tell me romantic_poetry = And call me. Tell me what ye'll do, switchboard = call me and tell me Input = We talk here in the public haunt of men. Paraphrase = we're talking about people in the public. aae = We be talking bout people in public bible = We speak of men in the public. 1810s-1820s = We speak of men in publick life. 1890s-1900s = We are speaking of people in the public mind. 1990s-2000s = We're talking about people in the public with their eyes wide open. english_tweet = We referring to people in public. joyce = We talk of people in the public. lyrics = We can talk people in public romantic_poetry = We hae ta'en sae folk in the public, switchboard = yeah we're talking about people in the public Input = Was that my father that went hence so fast? Paraphrase = wasn't it my father who was so quick to leave? aae = Was it my daddy so quick to walk away? bible = Was not my father in the way so quick to depart? 1810s-1820s = Was it not my father who so speedily deserted me? 1890s-1900s = Was it not my father who was so quick to leave that road? 1990s-2000s = Was it my father who came back so quickly from such a terrible adventure? english_tweet = Am I the only one who was so quick to get out of bed? Wasnt it my dad that ran out joyce = Was it not my father who was so brisk as to let the others go out? lyrics = Was it my dad who left me so quick? romantic_poetry = Was it not my Father, who, so sudden from home, switchboard = was it my father's that were just uh so quick to move away that i Input = this sight of death is as a bell That warns my old age to a sepulchre.    Paraphrase = there was a moment before the time of her awakening, and the noble Paris and true Romeo lay dead. aae = That moment before her awakening, was a moment of noble Paris and true Romeo layin down bible = And it came to pass, that, while she was yet a child, behold, there was a moment before her waking, and that noble Paris and true 1810s-1820s = Before the time of her awakening, there lay the noble Paris and the true Romeo, dead together. 1890s-1900s = There had been a moment before the time of her awakening, and the noble Paris and true Romeo lay dead. 1990s-2000s = And before that time, the time of her awakening, there had been a moment, a moment between the noble Paris and true Romeo, and a dead person english_tweet = The noble Paris and true Romeo lay down in bed before their awakening. joyce = On the day before her awakening there was a certain interval of time before her true name and the noble Paris and true Romeo lay lyrics = She woke up in time, there was a moment in her life before the noble Paris and true Romeo lay dead romantic_poetry = And noble Paris and true Romeo lay slain, switchboard = and uh there was one time just before the time of her awakening there was a moment of uh The noble Paris and true Romeo lay dead Input = The pox of such antic, lisping, affecting fantasticoes—these new tuners of accent! Paraphrase = the new tuners of the accent! aae = These new accent tuners! bible = and the new tuners of their accent! 1810s-1820s = And now, new tuners of accent, that--no! 1890s-1900s = And that new-fangled tuners of the accent! 1990s-2000s = ( he nods) The new Tuners of the accents! english_tweet = The new tuners of the accent! joyce = The new tuners of accent! lyrics = The accents on your new tuners! romantic_poetry = Their new tuneful accents! Are their wits switchboard = uh the new uh tuning of the accents Input = Clubs, bills, and partisans! Paraphrase = clubs, bills, and the party! aae = Clubbing, bills, and drinks!! bible = Banks, clubs, and billies, and trumpets! 1810s-1820s = Cottages, Bills, and the Battle-Cry! 1890s-1900s = You know clubs, bills, and parties! 1990s-2000s = Golf clubs, bills, and parties! english_tweet = Club to clubs, bills, and the party! joyce = clubs, bills, and party! lyrics = Clubs, bills, and the party! romantic_poetry = Ye clubs, bills, and party-hunters! switchboard = clubs and bill parties and all that Input = Appear thou in the likeness of a sigh; Speak but one rhyme, and I am satisfied! Paraphrase = look, I'm sure you look like a sigh; I'll only say one rhyme. aae = see ya'll lookin ahh like a sigh ; I'll only say one rhyme but idk y bible = Behold, I have thought thee to be sighing; I will but say one riddle unto thee. 1810s-1820s = Look at me, that I may judge you sigh; I can only say one rhyme. 1890s-1900s = See that you seem a sigh; I can only say one rhyme. 1990s-2000s = Look, I know you look like a sigh; I can only give you one rhyme. english_tweet = See I see you looking like sigh ; only one rhyme that works joyce = Do you see, look at my sigh; I’ll only say one rhyme. lyrics = See, I can see you're so obviously sighin' I'll just say one rhyme romantic_poetry = See, I trow ye're a sigh; but one rhymeth, switchboard = see i see you look like a sighs you're right Input = Parting is such sweet sorrow That I shall say good night till it be morrow. Paraphrase = I'm sorry to say that I'm sorry to say that I'm sorry to say that I'm sorry. aae = S/O to my cuz I love you she love me and she love me bible = I said, Alas, alas that I should say thus! 1810s-1820s = I was sorry to hear it, and to say the truth, I was sorry to hear it. 1890s-1900s = I shall confess to you that I have been very sorry to say this. " 1990s-2000s = <p> I am sorry to say that I'm sorry to say that I feel the same way about her. english_tweet = I am so sorry to say that but this is a very heartbreaking story and I miss you joyce = I beg your pardon to say so sorry. lyrics = TÃº no me quiero todo por la vida por la vida por la vida por la vida romantic_poetry = And haply I can forgive; for alas! switchboard = i uh i have uh been i have been uh well i have been uh uh at uh uh uh i have been uh at an HMO in the past and Input = Yet ‘banished’? Paraphrase = still, "banished"? aae = Still \"banished\"? bible = still banished? 1810s-1820s = Yet, " banished? " 1890s-1900s = I am inclined to think that it was still " banished "? 1990s-2000s = Still, " banished "? english_tweet = Still, "banished"? joyce = Still, ’banished? lyrics = Still say "banished"? romantic_poetry = Yet "banish'd" indeed?--'tis the child switchboard = still "banished or something" Input = The bridegroom he is come already. Paraphrase = the groom is here. aae = The groom is here bible = And the bridegroom cometh. 1810s-1820s = ( the bridegroom comes forward) The bridegroom. 1890s-1900s = The bridegroom is in this room, and he is here. 1990s-2000s = SIDNEY (cont'd) The groom is here english_tweet = the groom is here. joyce = The groom is there. lyrics = The king of the hill is here romantic_poetry = The Bridegroom is come. The Wedding-day is come switchboard = the groom's here Input = Ay, by my troth, the case may be amended. Paraphrase = oh, my God, I could change the case. aae = Lmao i could change the case bible = O LORD, I could change the matter. 1810s-1820s = Oh, heaven grant that I may be able to change the case. 1890s-1900s = Lord, if I could make the case change. 1990s-2000s = Jesus, I could make a change in the case. english_tweet = Ooh, could change the case. joyce = O, I could have changed the case, Mr Bloom. lyrics = Oh, my, I could change the case romantic_poetry = O haud your tongue, and I could alter the case switchboard = oh goodness i could change the case around Input = I saw her laid low in her kindred's vault And presently took post to tell it you. Paraphrase = I've seen her in the kindred's tomb and now I'm taking you to the post. aae = I saw her in the kindred tomb and now im taking you post with me bible = And I have seen her in the kindred's sepulchre, and now I have brought you forth to be a post unto me. 1810s-1820s = I saw her once in kindred's tomb And now I bear thee to the post. 1890s-1900s = I saw her in the kindred's tomb and now I'm taking you to your post. 1990s-2000s = I saw her in the kindred's tomb and now I have you in my post. english_tweet = I saw her in the kindred tomb and now I have to take you to my post joyce = In the kindred tomb I saw her and now I shall take you postoffice in the street of lyrics = I watched her in the kindred's tomb and now I'm taking you to the post romantic_poetry = I saw her kindred tomb and now take thee to the post, switchboard = and i saw her at kindred's tomb and now i have taken you know a post to Input = I have been feasting with mine enemy, Where on a sudden one hath wounded me That's by me wounded.  Paraphrase = I'm on my back. aae = I got it on my back bible = I am brought low. 1810s-1820s = I felt my back against a rock. 1890s-1900s = I was on my back--I was on my back. " 1990s-2000s = I put my back on the mat and started. english_tweet = My back hurts. So much. joyce = My back is to me. lyrics = I'm on my back romantic_poetry = I was laid upon my back switchboard = i have my back to it Input = I would not for the wealth of all this town Here in my house do him disparagement.  Paraphrase = any man who buys my life for an hour and a quarter would be able to buy it for a minute and a half. aae = If any man bought my life for an hour and a half that would be a minute and a half and a minute bible = That any man should buy my life for an hour and an half, and not have to give more; that any man should buy my life for a ministration, and not 1810s-1820s = The same cannot be said of any man who would purchase my life by an hour and a quarter. 1890s-1900s = I don't know but I can buy it for one minute and a quarter by any man that buys my life for an hour and a quarter. " 1990s-2000s = It would be a minute and a half for any man to buy my life and come in and leave it there. english_tweet = if i had to buy my life a one hour and a half, any man that buys my life would buy it joyce = If any man bought my life for an hour and a quarter would buy it out of his lyrics = Well any man with a time for my life would just buy a time for my life and a half and have a few for my home romantic_poetry = A man could buy my life for an hour and a quarter; switchboard = you know that you know it just seems like every minute that you buy my life for an hour and a quarter would be worth something i'd spend about five minutes Input = O Tybalt, Tybalt, the best friend I had! Paraphrase = Tybalt, Tybalt, my best friend! aae = Tybalt, Tybalt, my bestfriend! bible = O Tybalt, my dearly beloved, wherewith shall I praise thee? 1810s-1820s = Tybalt, Tybalt, my best and dearest friend! 1890s-1900s = Tybalt, Tybalt, my best friend! " 1990s-2000s = Tybalt, Tybalt, my best friend! english_tweet = Tybalt, Tybalt, my best friend! joyce = Tybalt, Tybalt, my best chap! lyrics = Tybalt, Tybalt, my best friend! romantic_poetry = And Tybalt, and Tybalt, my sweetest delight! switchboard = well my my best friend lives in Tybalt Input = Thou art not conquer'd. Paraphrase = you don't have to be conquered. aae = You ain't gotta conquer me bible = Ye shall not be subdued. 1810s-1820s = There is no conquest for you--no longer to be done. 1890s-1900s = There's no use in your being conquered. " 1990s-2000s = You're not the first to be conquered. " english_tweet = No need to be conquered. joyce = You don’t have to conquer. lyrics = You're not the one to conquer romantic_poetry = The world shall not have conquered thee. switchboard = well you're not going to be conquered Input = I neither know it nor can learn of him. Paraphrase = I'm not even aware of him or what he's like. aae = I don't even know him or what he is lol bible = For I knew him not, neither was it in me: what manner of man is he that hath this world's 1810s-1820s = I knew not whither or what he was or what he was. 1890s-1900s = I haven't even known him or what he was. 1990s-2000s = I don't even know him or what he is. english_tweet = I don't even know him or what he is. joyce = he and what he is isnt even a little conscious of me or what I am like. lyrics = I don't even know him or what he is romantic_poetry = I know not wha it is nor what it is, switchboard = i didn't even know it or what it was Input = The gray-eyed morn smiles on the frowning night, Checkering the eastern clouds with streaks of light, And fleckled darkness like a drunkard reels From forth day’s path and Titan’s fiery wheels.  Paraphrase = you're going to the cell. aae = yall going to the cell bible = And ye went into the cell. 1810s-1820s = ( goes to the cell and kneels) You go. 1890s-1900s = You can go to the cell and make yourself comfortable. " 1990s-2000s = You get out of the cell, you go to the police station. english_tweet = Going to your cell. joyce = On to cell. lyrics = You can go to the cell romantic_poetry = And now ye're in the cell. Oft-times switchboard = do you have cell service Input = The other did not so. Paraphrase = the other one didn't really. aae = The other one wasn't really. bible = And the other one did not so. 1810s-1820s = One did not, indeed, resemble the other. 1890s-1900s = It was not the other that really did so. 1990s-2000s = The other one didn't, in fact, do. english_tweet = The other one didnt. joyce = This fellow did not really. lyrics = The other one didn't really romantic_poetry = And the other was not really there. switchboard = the other one wasn't really Input = And why, my Lady Wisdom? Paraphrase = why, my lady, why? aae = lol why, my lady? bible = And the king said unto her, Why, my lady, why is it that thou 1810s-1820s = C. Sir Credulous Testy Why, my lady, why? 1890s-1900s = MISS MABEL AINSLIE Oh, dear, why, my lady 1990s-2000s = Why, my lady, why? " english_tweet = Why, my lady, why? joyce = Why, my lady, why? lyrics = Why lady, why, lady, why? romantic_poetry = Why, lady fair, why?"--"To seek switchboard = why my lady why Input = All men call thee fickle.  Paraphrase = do you have good or bad news? aae = good or bad news? bible = and is there good or bad report in thy mouth? 1810s-1820s = Can you give me good or bad news? 1890s-1900s = Is there any good news for you or bad news? " 1990s-2000s = Is there good news or bad news here? english_tweet = do you have good news or bad news? joyce = Have you good or bad news? lyrics = Are you good or bad news? romantic_poetry = Good or bad news? O friend, thou dost cross switchboard = do you have good or bad news Input = Death’s the end of all. Paraphrase = death is the end of everything. aae = Death is the end of everything. bible = for all things are ended in death. 1810s-1820s = Death is the end of all things; of all that is good. 1890s-1900s = Death is the end of all things, " and he looked on. 1990s-2000s = The end of everything, for one thing, is death. english_tweet = death is the end of everything joyce = Death is the end of all things. lyrics = Death is the end of everything romantic_poetry = And death is the end of all things. switchboard = death is the end of everything Input = O woful time!  Paraphrase = the noble Count of Paris, Mercutio's cousin. aae = The noble Count of Paris, Mercutio cousin. bible = The noble count of Paris, Mercutio the cousin of Festus. 1810s-1820s = The noble count of Paris, Mercutio's Cousin, is at this moment on the point of appearing 1890s-1900s = The noble Count of Paris, the Count of Mercutio's cousin. " 1990s-2000s = the noble count of Paris, Mercutio's cousin. english_tweet = The noble Count of Paris, Mercutio cousin. joyce = Mercutio’s cousin, the noble count of Paris. lyrics = Noble Count Paris, Mercutio's cousin romantic_poetry = Her noble Count of Paris, Mercutio's cousin, switchboard = uh my my great-grandfather is the noble count of Paris Mercutio Input = What, art thou drawn among these heartless hinds? Paraphrase = what, do you want to be drawn into the heartless? aae = what, will you stay drawn into the world of the meanness? bible = What, is it not for the heart to be charmed with you? 1810s-1820s = what, are ye drawn By the malice of hearts? 1890s-1900s = And what, will it be to draw your heart's pain? 1990s-2000s = What, are you asking for, that draws you into heartless misery? english_tweet = WHAT, WANNA BE DRAWN INTO HEARTLESS? joyce = What, draw you in the heartless? lyrics = What, are you drawn into the heartless romantic_poetry = Wha, want the heartless draw nae mair? switchboard = what do you want drawn into the heartless Input = I’ll to dinner. Paraphrase = I'm going to dinner. aae = I'm about to eat dinner bible = So I went up to dinner. 1810s-1820s = I must now take a dinner--Mad. 1890s-1900s = I am going to dine in my room at dinner. 1990s-2000s = I need to go back to dinner. " english_tweet = Im off to dinner. joyce = Went to dinner. lyrics = And I'm going to dinner romantic_poetry = To supper I'm at ane's. switchboard = i get to go out to dinner Input = I, measuring his affections by my own, Which then most sought where most might not be found, Being one too many by my weary self— Pursu'd my humour, not pursuing his, And gladly shunn'd who gladly fled from me. Paraphrase = I was amused, not to pursue him, but to be amused by my own, which then most sought where he might not be found, and I was happy to be happy to be happy to be happy to be happy to be happy to be happy to aae = I have been annoyed by him at times, to pursue him, to be amused, to be seduced, and I'm so happy to be happy bible = I was at ease, and not vexed, neither did my heart pursue after him, that sought where he might not be found, and rejoiced when he was found: and my life was full of gladness. 1810s-1820s = My first, was the gratification of a childish curiosity, not to pursue it; but I entertained, not my own, which then most sought where it might not be found, but that of a subject, the study of which now chiefly calls forth my 1890s-1900s = My own being amused, not to pursue it, was that of an amused, not of an active, man, who then most sought where he might not find it, and was pleased to have my thought be a wholesome comfort, to prove my 1990s-2000s = <p> I'd amused, not pursuing him but being amused by my own, which then most sought where it might not be found, making me, at the same time, feel better than I had for a long time, feeling that I had english_tweet = I laughed with my own, to be able to find it amusing where he might not be found, and so joyce = It was to entertain me not to pursue him, being amused but to be amused in my own, which then most sought where he might not lyrics = Mais je le jour que j'ai vu des jeunes vont les voix dans la terre dans le june ou j'ai dÃ©lÃ© les j'ai dÃ©cris les romantic_poetry = Arous'd, nor pursued, to seek where it might not be found, and I, elate, switchboard = and it was funny i was not going to pursue it but it was a pleasure to be entertained by my own which then most have looked for where he might not be found and so it was fun to be entertained Input = But wherefore, villain, didst thou kill my cousin?   Paraphrase = let's see what means we have. aae = Let's see what means we have bible = let us see what means we have. 1810s-1820s = Let us now see what means we have for this purpose. 1890s-1900s = Let us see what means have we. " 1990s-2000s = Let's see what means we have to have. english_tweet = Lets see what means. joyce = Let’s see what means we have. lyrics = Let's see what means we've got romantic_poetry = O let us see what means we have, switchboard = let's see what means do we have Input = Can you not stay awhile?  Paraphrase = we're following you. aae = We have been watching you. bible = follow us. 1810s-1820s = ( runs towards us) we follow thee. 1890s-1900s = We have followed you; we have been led. 1990s-2000s = We follow you, " he said. " english_tweet = We follow you. Always stay in touch. joyce = We follow you. lyrics = We are chasing after you romantic_poetry = We follow thee. The sun's out, switchboard = we follow you Input = In the mean time, against thou shalt awake, Shall Romeo by my letters know our drift; And hither shall he come; and he and I Will watch thy waking, and that very night Shall Romeo bear thee hence to Mantua. Paraphrase = so, when you wake up, Romeo will know our drift, and he'll come to Mantua with you. aae = So, when u wake up Romeo will know our drift, and come to Mantua with you. bible = Therefore, when thou art wakened, our lord the king shall know our drift, and shall come with thee to Mantua. 1810s-1820s = Thus, when thy waking hours shall reach, Romeo shall know our drift, And bid him come to Mantua with thee. 1890s-1900s = And so, when you awake, Romeo will know our drift, and he will come to Mantua with you. 1990s-2000s = So, when you wake up, Romeo will know our drift, and he'll come to Mantua with you. english_tweet = So, when you wake up, Romeo will know our drift, and come to Mantua with you. joyce = So, when you wake up Romeo will know our drift, comes to Mantua and with you in your everywoman lyrics = So, when you wake up Romeo'll know our drift, and he'll come to Mantua with you romantic_poetry = So, when you wake to find our drift, and come to Mantua, switchboard = so then when you wake up you know Romeo's got to know our drift and he's going to come to Mantua with you know his your and his Input = Romeo's a dishclout to him. Paraphrase = Romeo is a dish of meat. aae = Romeo is a dish of meat bible = for the flesh of it is roman. 1810s-1820s = There is a dish of meat called Romeo, (in Italian) which is eaten at table. 1890s-1900s = Romeo's dish is meat, " she said. " 1990s-2000s = <p> Romeo's is a dish of meat. english_tweet = Romeo is a dish of meat. joyce = Romeo dish of meat. lyrics = Romeo est ses un miro romantic_poetry = And there's meat for Romeo. 'Tis the dish switchboard = i like meat dishes are a lot of the same Input = He is not the flower of courtesy, but, I’ll warrant him, as gentle as a lamb.   Paraphrase = is love a tender thing? aae = is love tender? bible = is love tender? 1810s-1820s = Is love a tender thing, or is it not? 1890s-1900s = Is love a tender thing, or does it need much treatment? 1990s-2000s = Is love a tender thing, a surrender of one's own body? english_tweet = Is love a tender thing? joyce = Is love a tender thing? lyrics = Is it love that's tender romantic_poetry = Is love a tender thing? it should seem switchboard = is love a tender thing Input = Anon. Paraphrase = anonymously, anonymously, anonymously, aae = Anonymous hahaha bible = Anonymously, and unthankfully, 1810s-1820s = Anonymously, anonymously, An. 1890s-1900s = SIR E. Sir Everard Anonymously. 1990s-2000s = Anonymously, anonymously, anonymously, an anonymous. english_tweet = Anonymous, anonymously joyce = Anonymously. lyrics = Anonymous anonymous anonymous romantic_poetry = Anon, with anonymity, anonymously, switchboard = anonymously an- Input = By-and-by, I come.— To cease thy suit and leave me to my grief. Paraphrase = I'm coming - to leave you and my grief. aae = I'm coming - to leave you and my grief. bible = I come to depart and to put my grief in your bosom. 1810s-1820s = I am coming--to part with you and my sorrows. 1890s-1900s = I come--to leave you and my grief. 1990s-2000s = I am coming--coming to leave you and my grief. english_tweet = I'm coming - to leave you and my grief. joyce = I am coming—to leave you and my grief. lyrics = I'm comin' - to leave you and all my grief romantic_poetry = I come--to leave thee and my grief, switchboard = i came -at to leave you and my grief is just gone Input = Why, such is love's transgression. Paraphrase = it's a transgression of love. aae = It's a transgression of love bible = This is transgression of love. 1810s-1820s = To feel it, is to commit a transgression of love. 1890s-1900s = It is a transgression of love to the highest degree. 1990s-2000s = It was a transgression of the love of it. english_tweet = This is transgression. Love it. joyce = Transgression of love. lyrics = It's a transgression of love romantic_poetry = That does the transgression of love. switchboard = i mean it's a transgression of love Input = It is not yet near day. Paraphrase = it's not even a day yet. aae = It's not even a day yet bible = it is but a day's journey. 1810s-1820s = It is not even a day yet--but we shall see. 1890s-1900s = Not even a day yet has passed without my coming. 1990s-2000s = <p> It was not yet a day. english_tweet = Aint even have to day joyce = Not even a day yet. lyrics = It's not even a day romantic_poetry = It is but a day--yet, how the bane switchboard = it's not even a day yet Input = O, she doth teach the torches to burn bright! Paraphrase = oh, she's teaching the torch to burn! aae = lmao she teaching the torch to burn! bible = Behold, she teachth the way of the torches! 1810s-1820s = O, to see her teaching the torch to burn! 1890s-1900s = Oh, she's teaching the torch to burn, to smother! 1990s-2000s = Oh, she teaches torch-cooking to the torch! english_tweet = Oh she is teaching the torch! joyce = O, she’s teaching the torch to be lit! lyrics = Oh, she taught the torch to burn! romantic_poetry = O, she taught the torch to burn! switchboard = uh oh she teaches the torch to burn Input = Hang thee, young baggage! Paraphrase = hang on, young man, you're going to be a aae = hang on youngin get off bible = Hang on, ye young men, ye that go forth to war. 1810s-1820s = Hang me, young man, hang me--you shall go with him. 1890s-1900s = Hang ye, young man, ye jest go on' bout. 1990s-2000s = Hang on, young man, you're going to be one of us. " english_tweet = Hang on young man joyce = hang on, young man! lyrics = Hang on young man, come on young man romantic_poetry = Hang on, young man, till your days switchboard = hang on here young guy Input = I will, and know her mind early to-morrow; To-night she's mew'd up to her heaviness. Paraphrase = I'll be there tomorrow morning, and I'll know her by tomorrow night. aae = Imma hit her up later on today, I'll know her by tomorrow night bible = And it shall come to pass in that day, that I will send for her, and I will know her by that morrow 1810s-1820s = I must go to her, and know her by to-morrow's dawn. 1890s-1900s = I'll be there in time to-morrow morning, and I'll know her by to-night. 1990s-2000s = I'll be there tomorrow morning, and I'll know her by tomorrow night. english_tweet = I will see her in the morning and know her by the evening joyce = I’ll be there tomorrow morning to see her tomorrow morning, by the way. lyrics = I'll be there mornin' to find her, and I'll know her by tomorrow night romantic_poetry = That I may know her ere to-morrow morn, switchboard = i know her by tomorrow morning and then she's been on the phone for a couple of hours so i'm going to have to Input = Upon his brow shame is asham'd to sit; For 'tis a throne where honour may be crown'd Sole monarch of the universal earth. Paraphrase = he is ashamed to sit, for he is a throne where honor may be crowned by the universal earth's monarch. aae = Sitting is so ashamed, for he is a throne where honor may crown the universal Earth's Monarch. bible = He is ashamed to sit, for a throne whereon honour may be crowned of the universal earth: his throne is the earth, which is his mother's throne. 1810s-1820s = As to him, who sits A throne where honour may crown with universal earth A monarch's throne, he is ashamed to dwell. 1890s-1900s = The proud man has no right to sit, for he is a throne where honor may crown the monarch of the universal earth. 1990s-2000s = <p> So ashamed is he to sit, for he is a throne where honor may be crowned by the universal earth's monarch. english_tweet = Hes ashamed to sit, for he is a throne where honor may be crowned by the universal earth's monarch. joyce = him shamefully sitting, for his throne where honour may crown, by universal earth’s monarch, with lyrics = He's ashamed to sit, for he's a throne where honor may be crowned by universal earth's monarch. romantic_poetry = Disdaining to sit, for a throne where honour might crown universal earth. switchboard = is ashamed to sit for he is a throne of honor where honor may crown the universal earth's monarchs but he is Input = O that I were a glove upon that hand, That I might touch that cheek! Paraphrase = I'd like to touch that cheek with a glove! aae = I wanna touch that cheek with a glove! bible = Wouldest thou touch that cheek with a glove? 1810s-1820s = could I but touch that cheek with a glove! 1890s-1900s = I wish I could have touched that cheek with a glove! " 1990s-2000s = I want to stroke that cheek with a glove! english_tweet = I wanna get a glove on that cheek! joyce = Hand me that cheeky cheek with a glove! lyrics = I wanna touch that cheek with a glove! romantic_poetry = O I should feel that cheek with glove-tips! switchboard = yeah i'd like to touch that cheek with a glove Input = I'll lay fourteen of my teeth— And yet, to my teen be it spoken, I have but four— She is not fourteen. Paraphrase = I have only four teeth - but she's not 14. aae = She only got 4 teeth - but she ain't 14. bible = And she said, I have neither four teeth nor fourteen teeth; but her flesh is not of fourteen years. 1810s-1820s = My teeth are only four inches long--but she is not fourteen. 1890s-1900s = I've only four teeth--but she isn't fourteen. " 1990s-2000s = I've only got four teeth--but she's not fourteen. " english_tweet = My four teeth are all the same but shes only 14 joyce = Only four teeth—but she’s not 14. lyrics = Got only four teeth - but she ain't 14 romantic_poetry = I had but four teeth--but she was not fourteen switchboard = well i've got only four teeth -ay but she's not fourteen so Input = Not in a grave To lay one in, another out to have. Paraphrase = not in a grave to bury him. aae = not in a grave bout to bury it bible = Not in a grave to bury him. 1810s-1820s = Not in a grave to bury it in. 1890s-1900s = not in a grave to bury it in the ground. " 1990s-2000s = Not in a grave to bury him. english_tweet = Not in a grave to bury it. joyce = Not in grave to bury. lyrics = Not in a grave to bury it romantic_poetry = Not in a tomb to bury him. switchboard = not in a grave to bury it Input = Oh, she knew well Thy love did read by rote, that could not spell. Paraphrase = she knew that Thy love was not written, that she could not spell. aae = That Thy love wasn't written down, that bitch can't spell bible = For the women knew not that the love of Thy precepts was not written, that they might not be able to spell. 1810s-1820s = She knew that Thy love was not written, that she could not spell. 1890s-1900s = She knew that Thy love was not written, that she could not spell it. 1990s-2000s = She knew that Thy love was not written, that she could not spell. english_tweet = This was a girl who knew Thy love isnt written, that she couldnt spell. joyce = There was Thy love, she knew, that was not written, that she could not spell. lyrics = Her love was written, she couldn't spell it out romantic_poetry = And knew that Thy love could not be spell'd, switchboard = i had a friend who was not literate that Thy Love was not written Input = If ever you disturb our streets again, Your lives shall pay the forfeit of the peace.  Paraphrase = if I don't look in the eyes, I won't be able to find the heartless groans. aae = If I can't see in my eyes, I can't find the heartless groans. bible = For if I looked not in the eyes of them that reproached me, I should not find the heartless groanings. 1810s-1820s = The heartless groans would not be discoverable, unless I could scan the eyes more closely. 1890s-1900s = If I fail to look into the eyes, I cannot see the heartless groans. 1990s-2000s = I can't find the heartless groans of those without eyes, unless I put my face to them. english_tweet = I wont be able to find heartless groans if I dont look in the eyes joyce = I won’t be able to find the heartless groan of a whole time if I don’t look at it in the lyrics = If I'm not in your eyes, I can't find the heartless groans romantic_poetry = If eyes are withheld from me, that heartless groanings switchboard = and uh i don't see that you know i don't see that if i don't look in the eyes i'm not going to get the heartless gro Input = Thus then in brief: The valiant Paris seeks you for his love. Paraphrase = so then: The brave Paris is looking for you. aae = so then : the brave Paris looking for you. bible = Wherefore thus saith the LORD; The valiant Paris is looking for thee. 1810s-1820s = So then: And the brave Paris' T is thine to seek. 1890s-1900s = So then: here the brave Paris Looks for you. " 1990s-2000s = So then: the brave Paris is looking for you. english_tweet = So, in other news: The brave Paris is looking for you. joyce = So then: that brave Paris is out to see. lyrics = So then: Out there in the brave Paris romantic_poetry = Thus then: brave Paris seeks thee, switchboard = so then he you know he's The Brave Paris is looking for you Input = Out on her, hilding! Paraphrase = she's on her, hilding! aae = she on it, hilding! bible = she riseth upon her harts, hilding! 1810s-1820s = ( she is borne off, hilding! ) 1890s-1900s = ( she gets on, hilding, right side out! ) 1990s-2000s = She's on her, hilding up the whole thing! english_tweet = Hilding is on her.  Paraphrase = so, and so forth, and so forth. aae = So, and so, and so. bible = Now therefore, and thus shall it be done unto you. 1810s-1820s = So, and so forth--and so, and so again. 1890s-1900s = Thus, and so forth, and so forth. 1990s-2000s = And so, and so forth, and so forth. english_tweet = So, and so forth, and so forth. joyce = so and so on. lyrics = So, and so forth, and so forth. romantic_poetry = And thus it goes, and thus it goes, and so forth. switchboard = so and so forth Input = I will be deaf to pleading and excuses; Nor tears nor prayers shall purchase out abuses. Paraphrase = I'm deaf to the pleading and apologies, and I'm not going to cry. aae = I be deaf to the plead and excuses, and I just can't cry. bible = I am deaf to the pleadings and reproachings, and I will not cry. 1810s-1820s = I am deaf to pleading and apologies, and will not weep. 1890s-1900s = I can't hear the pleading and excuses, and I can't cry. 1990s-2000s = I was deaf to the pleading and excuse me, the glowering look of indifference and pity. english_tweet = I'm deaf to plead and apologize, and I won't be crying again. joyce = And I can’t be crying, I can’t. lyrics = I'm deaf to the pleading and apologies, and I can't get up out of my bed romantic_poetry = Deaf to pleas and apologies, and let no tear switchboard = and i was deaf to the pleading and excuses and i just couldn't get over it Input = Take no note of him. Paraphrase = don't look at him, don't look at him aae = Don't look at him, look at me bible = be not wise in his sight. 1810s-1820s = Do not look at him, don't look at him. 1890s-1900s = ( Takes up her head) Don't look at him. 1990s-2000s = Don't look at him, don't look at him. english_tweet = Dont look at him dont look at him joyce = Don’t look at him. lyrics = Don't look at him, don't look at him romantic_poetry = Look not so upon him, nor gaze so upon him switchboard = don't look at it Input = I beg for justice, which thou, Prince, must give. Paraphrase = I'm asking for justice, Prince. aae = I want justice, prince ask for more bible = I beseech thee, O Prince, for righteousness. 1810s-1820s = Vicomte de Maillac I ask for justice, prince. 1890s-1900s = I have a right to ask justice, Prince. " 1990s-2000s = And I want justice, Prince, I want justice. english_tweet = Please send the prince of Luv justice please joyce = I beg to hear justice, prince. lyrics = I want justice, Prince, I want justice romantic_poetry = For justice I ask, Prince, thou art here; switchboard = uh Prince i ask you for justice Input = Faith, here it is. Paraphrase = I'm here, Faith. aae = Lol I'm here Faith. bible = And he said, I am. 1810s-1820s = I have come, faith, to tell thee that. 1890s-1900s = ( taking a seat at the table, L.) I'm here, Faith. 1990s-2000s = LIEUTENANT COLONEL NATHANIEL english_tweet = Faith is here. I'm here. joyce = Faith, I am. lyrics = Here I am, Faith romantic_poetry = And faith, I'm here, man." I rose switchboard = i'm there Faith Input = The fearful passage of their death-marked love And the continuance of their parents' rage, Which, but their children’s end, naught could remove, Is now the two hours' traffic of our stage— The which, if you with patient ears attend, What here shall miss, our toil shall strive to mend. Paraphrase = the two hours of the show, which, if you, but their children's end, nothing can be done, is now the two hours of the show - the which, if you, but their children, nothing can be done. aae = 2 hour shows now are just called the two hour shows - the which, if you, but their children have an end. bible = Now these two hours, which, if ye, but their children's end, are ended, are now the two hours of the work of the two parts of the tabernacle of the congregation; 1810s-1820s = and so to show, how far the weak, feeble and trembling mind of one, is from being strong and vigorous in the knowledge of the right way to action, let two hours of that show, which, if you, but their children's end 1890s-1900s = I have come to this conclusion that the two hours' performance, which, if you, but their children's end, naught can do, is now the two hours' show--the which, if you, but their children's end, n 1990s-2000s = And the back half of the show now consists of two hours--the which, if you, but their children's end, nothing can do, and there's a whole new book to read, a whole new millennium, a whole new millennium of books english_tweet = 2 hours of skits, which, if you, but their children, have nothing to do, is now the joyce = And, my tale be told, in the lyrics = (2) THE SHOW - THE WHEEL AND THE DINNER - WHEEL AND THE DINNER - WHEEL AND THE DINNER - WHEEL AND THE DINNER - WHEEL AND THE DINNER romantic_poetry = Now two hours' show'r, whate'er thou, but their children's end, switchboard = the two hours of it now which i guess if you but their children's end there's nothing you can do about it but uh that they were really that good and they were good in a lot of ways Input = Ay, forsooth.   Paraphrase = raise the Montagues! aae = Raise Montagues!!! Raise Montagues!!! Raise Montagues!!! bible = Rise up the Montagues! 1810s-1820s = (aside) Raise the Montagues! 1890s-1900s = JOE And lift up the Montagues! 1990s-2000s = ( Cuts off) Raise the Montagues! english_tweet = Raise the Montagues! joyce = Raise Montagues! lyrics = Raise up the Montagues romantic_poetry = An' raise the Montagues! an' rouse switchboard = raise the Montagues Input = What should it be that is so shrieked abroad?   Paraphrase = so, farewell. aae = So, goodbye. Ahaa. bible = So farewell. 1810s-1820s = And so, farewell, forever, forever. 1890s-1900s = ( Goes to couch) So, good-by. 1990s-2000s = <p> So, there's a funeral. english_tweet = And so, farewell. joyce = So farewell. lyrics = So, goodbye.  Paraphrase = if he's thinking, give him the letter. aae = If he can think give him that letter bible = If he think to take the letter, give it him. 1810s-1820s = If he be thinking, give him the letter, and let him go. 1890s-1900s = If he thinks, give him the letter. 1990s-2000s = If he is, give him the letter. " english_tweet = If he has a mind, give him the letter. joyce = Give him the letter if he thinks. lyrics = If he thinks, give him the letter romantic_poetry = And if he thinks, give him the letter, switchboard = and uh give him the letter if he wants it Input = And yet I wish but for the thing I have. Paraphrase = but I'd like to do something for the thing I want. aae = But I wanna do some thing bible = But I would that ye would do some work for my sake. 1810s-1820s = But, I have something in mind, that I would have done for the thing. 1890s-1900s = But I want to do something for the thing I want. " 1990s-2000s = But I want to do something for that thing I want. " english_tweet = But then I wanna do something for the thing I want joyce = But I wish I could do something for the thing I wanted. lyrics = But I want something that I can do romantic_poetry = But let me for some want o' things do, switchboard = but i'd like to do something for the thing that i want Input = Faith, we may put up our pipes and be gone. Paraphrase = we can go, Faith. aae = Faith we can come.! bible = We are able to go, Faith. 1810s-1820s = O, we can go, Faith, and get a sight of thee. 1890s-1900s = We can go on, Faith; we can go on. " 1990s-2000s = We can go, Faith, we can do this. english_tweet = Can we be in it, Faith. joyce = Can we go, faith. lyrics = Faith can we go romantic_poetry = Faith, we may wander at will, switchboard = Faith we can go Input = How is't, my soul?  My spirit is merry, switchboard = how's my soul Input = I anger her sometimes and tell her that Paris is the properer man.  Paraphrase = but I've heard it all. aae = But I Heard It All bible = But I have heard all these things. 1810s-1820s = Yet, I have heard all this; and all that. 1890s-1900s = But I heard all that, too. " 1990s-2000s = But I have heard this all before. " english_tweet = But I hear it all. joyce = But I’ve heard it all. lyrics = But I heard it all romantic_poetry = But, as I've heard, it is all. switchboard = but i heard all about that Input = The second cock hath crowed.  Paraphrase = look, or I'm gonna die! aae = See, or die!  Paraphrase = patience is a force of wilful anger that makes my body tremble in different ways. aae = Patience is a force of wilful anger that makes my body shake in different directions bible = Patience is a force of wilful anger that maketh my flesh to tremble in divers manners. 1810s-1820s = Patience is a force of wilful anger that makes my frame reel under different strains. 1890s-1900s = Patience is a force of wilful anger that makes my body tremble in various ways. 1990s-2000s = PATIENCE Is a force of wilful anger that makes my body shudder in different ways. english_tweet = Patience is a force of wilful anger that turns my body into a trembling drum. joyce = The will is a force of wilful anger which makes my breath tremble in different ways. lyrics = Patient is a force of wilful rage that makes my body shiver in different ways romantic_poetry = Patience's wilful wrath which makes my limbs tremble in varied ways. switchboard = patience is a force of wilful anger that makes my body tremble in different ways it's just a constant force of wilful anger that Input = Why, I am glad on't. Paraphrase = I'm glad I'm not. aae = I'm glad I don't. But don't ask me. bible = I am glad because I am not. 1810s-1820s = I am glad that I am not. " 1890s-1900s = Oh, I'm glad I haven't. " 1990s-2000s = I just wish I didn't, " I said. english_tweet = Glad to know I'm not. joyce = Lucky I am not. lyrics = I'm glad I'm not romantic_poetry = I bless't wi' him.   Paraphrase = we're going to be a little unruly this time. aae = This time we gone be ungrateful bible = we shall be unruly this time. 1810s-1820s = We shall be a little unmanageable this time, I hope. 1890s-1900s = We must be a little unstrung this time. " 1990s-2000s = We can be a little ungrateful this time. " english_tweet = We'll be unbothered this time. joyce = For this time, we will be awest. lyrics = Now we're gonna have a little less unruly romantic_poetry = This time we hae sae unco blate switchboard = and we're going to be a little unruly this time Input = Tell me not, Friar, that thou hear’st of this, Unless thou tell me how I may prevent it. Paraphrase = if you don't tell me how I can prevent it, tell me not, friar. aae = Don't tell me how I can prevent it, say not, friar if you can't prevent it bible = And the friar answered and said unto him, If thou sayest not, How I may prevent this, tell me not, friar. 1810s-1820s = Odo Oh, tell me not, friar, If you cannot tell me how I can prevent This heartless outrage. 1890s-1900s = Tell me not, friar, if thou dost not tell me how I can prevent it. 1990s-2000s = Tell me not, friar, if you will not give me the key to prevent it from happening. english_tweet = if you cant tell me how i can prevent this, tell me not, friar. joyce = Tell me not, friar, if you don’t tell me how I can prevent it. lyrics = If you don't tell me how I can prevent it, tell me not, friar romantic_poetry = If ye'll not tell how I may prevent, switchboard = or Friar if you don't tell me how i can prevent it tell me not then say Friar Input = What said my man when my betossed soul Did not attend him as we rode? Paraphrase = when my soul was not there, what did my friend say? aae = What did my boyfriend say when my soul wasn't in it? bible = When my soul was not there, what said my friend? 1810s-1820s = What has my friend said, when my soul was not with him? 1890s-1900s = What had my friend said to me when my soul was not there? 1990s-2000s = <p> What did my friend say when my soul was not there? english_tweet = What did my soul say when my soul was not there? joyce = What did my friend say when my soul was not there? lyrics = What did my friend say when my soul was out of sight? romantic_poetry = What say you, when my soul was absent? switchboard = yeah what did my friend tell me when my soul was gone what did he say when his soul was gone Input = I will say for you. Paraphrase = I'm gonna tell you. aae = I'm bout to say. Lol bible = I will speak. 1810s-1820s = Well, I can tell you. 1890s-1900s = I want you to hear it from me. 1990s-2000s = ( Turns back to the phone) I have to tell you. english_tweet = Lemme tell you. joyce = I told you. lyrics = I need to say it romantic_poetry = And I will tell you now. I am come switchboard = i'm going to say Input = So thrive my soul— A thousand times good night! Paraphrase = so I'm going to live my soul - a thousand times better! aae = So my soul is in the way I live it - a thousand times better! bible = So now I must live by my own strength; a thousand times better is it for me! 1810s-1820s = So shall I live my soul--a thousand times better! 1890s-1900s = So shall I live my soul--a thousand times better! 1990s-2000s = So my soul is going to live out on me--a thousand times better! english_tweet = So I gotta go live my soul - a thousand times better! joyce = So live my soul—a thousand times better! lyrics = So I can live my soul - a thousand times better! romantic_poetry = Then to live my spirit--a thousand times better! switchboard = so i mean i just -ight live my soul -ay about ten times better Input = Utter your gravity o'er a gossip’s bowl, For here we need it not. Paraphrase = you put the gravity on the gossip bowl, so we don't have to. aae = You put the gravity on the gossip bowl, so we ain't gotta make up bible = Thou shalt put the gravity thereof upon the gossip bowl, that we may not have any. 1810s-1820s = You've put the gravity on the gossip bowl, that we may not be outdone. 1890s-1900s = But you've put the gravity of gossip on the gossip bowl, so we needn't. 1990s-2000s = You've put the gravity on the gossip bowl, so we're not getting it. english_tweet = Yall put the gravity on the gossip bowl so we dont have to. joyce = put the gravity on the gossipbowls, so we may not have that (no, no, no, no, no!) lyrics = You're putting the gravity on the gossip bowl, so we don't have to get it romantic_poetry = Thou put the gravity on the gossip bowl, switchboard = and you put the gravity on the gossip bowl you know we don't have to Input = But to be frank, and give it thee again. Paraphrase = but I'm telling you, and I'll tell you again. aae = But I can tell when I tell you that, and then I can tell again. bible = But I say unto you, and to my disciples, that ye shall do even so. 1810s-1820s = But, I will tell you again, and again. 1890s-1900s = But I want you to hear me, and I'll tell you again. 1990s-2000s = But I said it, and I'll say it again. " english_tweet = But for a fact, and again, I will. joyce = But it’s true, says I, and I’ll tell you again. lyrics = But I promise you that and I'll say it again romantic_poetry = But now I can tell thee, and again switchboard = but uh and i'll tell you the same thing again Input = What further woe conspires against mine age? Paraphrase = what's the next thing to do with my age? aae = What do I do with my age on the next thing? bible = What is my age then? 1810s-1820s = What is to be done with my age, I wonder? 1890s-1900s = What is the next thing to do with my age? " 1990s-2000s = What the hell is it that my age wants? " english_tweet = Whats the next thing to do with my age joyce = What was the next thing to do about my age? lyrics = What would my age do romantic_poetry = What next can befal my age, switchboard = what age are you and what what age are you and how about_1 you Input = They have made worms’ meat of me.  Worm meat joyce = Thinks they made me the wormsmeat. lyrics = They made me worm flesh romantic_poetry = Made me a worm-meat they've stung. switchboard = and they made me a worm meat Input = Sweet, sweet, sweet Nurse, tell me, what says my love?  Paraphrase = but you don't move quickly to strike. aae = But not quick to strike. bible = But thou shalt not move thy foot speedily to smite. 1810s-1820s = But move not swiftly to strike--thou canst not. 1890s-1900s = But you are not swift in striking a blow. 1990s-2000s = But you're not moving fast enough to strike when you are. english_tweet = But not quick enough to strike out. joyce = But you don’t move swiftly to strike. lyrics = But you're not quick to strike romantic_poetry = Nor dart thy speed to strike in time. switchboard = but you're not moving quickly to strike Input = for thou art As glorious to this night, being o'er my head, As is a winged messenger of heaven Unto the white-upturned wond'ring eyes Of mortals that fall back to gaze on him When he bestrides the lazy-pacing clouds And sails upon the bosom of the air.     Paraphrase = I'd forget it, but I'd like to remember it as a damn guilty act! aae = I should've forgot that, but I want to remember that as a damn guilty act! bible = would I forget it, as an unrighteous person? 1810s-1820s = I would forget it, but to have it remembered as an act of infamy! 1890s-1900s = I'd forget it, but I'd like to remember it as a damned guilty deed! 1990s-2000s = I could forget it, but I want to remember it as a damn guilty act! english_tweet = I wouldnt forget it, but as a damn guilty act I would rather remind you all! joyce = And to get a bloody guilty act, I’d forget it! lyrics = I'd forget it, but I'd just like to remember it like it's a damned guilty act! romantic_poetry = I could forget, but should this dreaded guilty deed! switchboard = i would i would just forget that but i just i would just like to remember that as a darn guilty act Input = What must be shall be. Paraphrase = it's what we have to do. aae = Thats what we gotta do bible = These things must we do. 1810s-1820s = It is what we must do--what we cannot avoid. 1890s-1900s = It's what we've got to do. " 1990s-2000s = It's what we've got to do. " english_tweet = Its what we have to do joyce = It’s what we must. lyrics = This is what we've got to do romantic_poetry = Is the very thing we must do. switchboard = it's what we have to Input = You lie. Paraphrase = you're lying to me. aae = You Lying To Me. Lol bible = And he said unto them, Ye are altogether liars. 1810s-1820s = You deceive me, child. 1890s-1900s = You lied to me--you lied to me. " 1990s-2000s = You have lied to me, just like I have. english_tweet = I'm just going to say this.  Fool! I know not how, switchboard = you lie Input = These are news indeed! Paraphrase = it's true that this is news! aae = That's the truth!!! bible = This is certainly news! 1810s-1820s = O, this is news indeed! 1890s-1900s = ( At the sound of the voice) It is news! 1990s-2000s = And this, of course, is news! english_tweet = This is news! Proud of you joyce = It’s fact! lyrics = This is the news! This is the news! romantic_poetry = This is news! it is well known that there switchboard = that's right that's news Input = Hie to high fortune! Paraphrase = he's got a great fortune! aae = he's so damn rich! bible = and great riches! 1810s-1820s = He has the fortune--the splendid fortune of a man! 1890s-1900s = He had a great fortune in his hands! " 1990s-2000s = He had a vast fortune to begin with! english_tweet = He's got great fortune! joyce = He has the great fortune of them! lyrics = His fortune is so great! romantic_poetry = And he's gotten a fine fortune! switchboard = he has a tremendous fortune Input = O, tell me, friar, tell me, In what vile part of this anatomy Doth my name lodge? Paraphrase = oh, my God, tell me, Father, tell me, what's the name of the nasty part of my anatomy? aae = oh daddy tell me wats yo nasty bit anatomy name & what did u say bible = And Jesus answered and said unto them, O my Father, tell me, I pray thee, what is this vile part of my anatomy? 1810s-1820s = O, speak to me, Father, speak to me--what is the name of that vile part of my anatomy? 1890s-1900s = Oh, tell me, father, tell me, what part is the mean part of my anatomy? 1990s-2000s = <p> God, tell me, Father, tell me, what is the name of that nasty part of my anatomy? english_tweet = Jesus, tell me Father, tell me, what is the nasty part of my anatomy? joyce = O, tell me, Father, tell me, what is the name of the nasty part of my anatomy? lyrics = Mother dear Father tell me, what's the name of the nasty part of my anatomy? romantic_poetry = O, Father, tell me, what distemper's name switchboard = oh my God tell me daddy tell me what the name of that nasty part of my anatomy is oh my goodness Input = She hath not seen the change of fourteen years. Paraphrase = she hasn't seen the change in 14 years. aae = The 14 year old just won't see the change bible = And she conceived again, and bare a son. 1810s-1820s = She has not seen the change of fourteen years. 1890s-1900s = It was fourteen years since she had seen the change. 1990s-2000s = Fourteen years later, she still hasn't seen the change. english_tweet = 14 years later and still havent seen the changes. joyce = 14 years have passed without change. lyrics = 14 years she ain't seen the change romantic_poetry = And fourteen years have passed away, switchboard = uh-huh yeah she hasn't seen that change in fourteen years Input = Come, thou day in night, For thou wilt lie upon the wings of night Whiter than new snow upon a raven’s back.  Paraphrase = I took her from her kindred's vault at the appointed hour, meaning to keep her close to my cell until I could send her to Romeo. aae = Took her from her kindred vault at appointed hours, meaning to keep her close to my cell until I could send her to Romeo. bible = And at the appointed hour I took her from her kindred's vail, and meant to keep her close unto my cell, until I might send her unto Romeo. 1810s-1820s = At the appointed hour, I carried her from her kindred's vault, meaning to keep her close to my cell, till I could send for her Romeo, to be married to her. 1890s-1900s = I had taken her from her kindred's vault at the appointed hour, meaning to keep her close to my cell till I could send her to Romeo. 1990s-2000s = The hour I took her from her kindred's vault was meant to keep her near my cell until I could send her to Romeo, the young soul who was the Lord's only child. english_tweet = i took her from her kindred vault at the appointed hour, meaning to keep her close to my cell until i could send her to rio joyce = of my circle and, in consequence of having taken her from her kindred vault at the appointed hour, meaning to keep her close lyrics = From her kindred vault at appointments hour, meaning to keep her close to my cell 'til I could send her to Romeo's dreams. romantic_poetry = Had ta'en her kindred vault at their appointed hour, meaning to keep her close switchboard = i was able to take her from her kindred vault at the appointed hour so that she could stay close to my cell until i could send her to Romeo Input = I’ll go along, no such sight to be shown, But to rejoice in splendor of mine own. Paraphrase = I'll go, I'm not gonna show you anything, but I'm happy to be happy. aae = I'm going, I ain't got nothing to show but my feelings lol bible = I will go, I will not shew: but my joy is full. 1810s-1820s = I will go, show you nothing, but the joy of being happy. 1890s-1900s = I'll go--I won't show you anything; but I'm so glad to be happy. 1990s-2000s = I'll go on, I won't show you anything, but I'm glad to be happy. " english_tweet = Welp I'm going out, no I'm not gonna show you but my happy life is so perfect joyce = There’s nothing in show but I’ll go. lyrics = I'll be there, I don't mean to show you nothing but I love to be happy romantic_poetry = I'll go, I'll ne'er show my ain delight, switchboard = i'll go i don't i don't want to show you anything but i love to Input = Marry, sir, because silver hath a sweet sound. Paraphrase = Sir, silver is a very nice sound. aae = Lord silver is soooooo sweet bible = And one of them, which stood by, said, Sir, silver is a very sweet sound 1810s-1820s = Pacomo My lord, silver sounds very well. 1890s-1900s = Sir, silver sounds very sweet, sir. 1990s-2000s = <p> Sir, silver makes a very fine sound. english_tweet = SIR silver is a very pleasing sound joyce = By silver sound, sir, there is an excellent family of that country in that country. lyrics = Lord, silver is a lovely sound romantic_poetry = Sir, silver sounds a very pleasant lute, switchboard = i agree i think silver is a really nice sound Input = Sleep dwell upon thine eyes, peace in thy breast.  Paraphrase = even for my ghostly confessor. aae = Even for my ghost confuent. bible = even unto my ghostly confessor. 1810s-1820s = even to my ghostly confessor. 1890s-1900s = Even to my ghostly confessor--for it was he. 1990s-2000s = Even for my ghostly confessor, there is no escape. english_tweet = Even my ghost confessor would like this joyce = Even for my ghostless confessor. lyrics = Even for my ghostly confessor romantic_poetry = Even for my ghostly confessor. switchboard = even for my ghostly confessor Input = Wherefore weep I then? Paraphrase = then why do you cry? aae = why cry then? lol you look better then me bible = wherefore then weepest thou? 1810s-1820s = Whence thy tears, then, To sooth thy grief? 1890s-1900s = Why, then, do you weep? " 1990s-2000s = Then why are you crying, then? " english_tweet = Then why do you cry? joyce = Why weep then? lyrics = So why do you cry? romantic_poetry = Then why weep? Is there a god switchboard = so why cry Input = Let me dispute with thee of thy estate.  Paraphrase = do you not have a letter from the priest? aae = do you have no letter from the priest? bible = is not this thy letter from the priest? 1810s-1820s = Count Arandez (To Almeyda) Do you not have a letter for the priest 1890s-1900s = Is there no letter for the priest? " 1990s-2000s = Have you not received the letter of the priest? " english_tweet = you dont have a priestly letter? joyce = Have you no priest’s letter? lyrics = Todo el que nunca necesito romantic_poetry = Hast thou not a priestly letter?-- switchboard = do you not have a letter from the priest Input = If good, thou shamest the music of sweet news By playing it to me with so sour a face.  Paraphrase = what's the mother of the woman? aae = what's the mother?   Paraphrase = when did you start? aae = I'm not ready to hear it. When did you begin? bible = And the LORD said unto him, Whence art thou? 1810s-1820s = But when did you start, my love? 1890s-1900s = WATERMAN (Tapping at fire) What time did you start? 1990s-2000s = ( smiling) When was the last time you started? english_tweet = When did you start joyce = What time were you? lyrics = When did you begin? romantic_poetry = When first didst thou start? O what a fathomless sea switchboard = when did you start Input = He fights as you sing pricksong, keeps time, distance, and proportion; rests me his minim rest, one, two, and the third in your bosom!  He was fighting, keep time, move on, & make the next move, oh yeah! bible = He warreth, he keepeth time, he setteth bounds, he divideth lands, he stretcheth out the heavens. 1810s-1820s = He battles, keeps time, advances, retires, advances, retires, with a haughty countenance, a sneering eye, and a scowling mouth. 1890s-1900s = He fights, keeps time, moves his movements, drives the wheel; He rides, he is driven, he is driven, he is driven, He moves, he rides, he rides. 1990s-2000s = He fights, he keeps time, he moves on, he makes the most of the days and the weekends, he eats well, and he is self-sufficient. english_tweet = he was fighting, he kept time, he kept movement, and he kept motion. He kept his foot up, and ran joyce = He battles, keeps time, moved by a stream of life, free of fate. lyrics = He's fighting, he keeps time, he moves, he makes it fly, he makes it fly, he makes it fly, he makes it fly romantic_poetry = He warms the blood, he keeps time, he wends switchboard = yeah he fights he keeps time he he keeps time and he moves and he moves and he moves and he moves and he goes oh i love it i love it i love it Input = Do not deny to him that you love me.        Then I will tell switchboard = then i tell you my wit Input = A conduit, girl? Paraphrase = a conduit, girl? aae = Can a conduit girl? Yes. bible = a conduit, O girl? 1810s-1820s = A conduice, girl, is that what you mean? 1890s-1900s = TOM BROWN A conduit, Girl? 1990s-2000s = A conduit, girl, to be the conduit? " english_tweet = Expressions, girl? A conduit. joyce = A conduit, girl? lyrics = A conduit, girl? No! romantic_poetry = A conduit, bonny lass? switchboard = a conduit huh girl Input = But sadly, tell me who. Paraphrase = but sadly, I'm not going to tell you who. aae = But sadly I can't tell y'all who. bible = But I say unto you, That whosoever shall do the will of God, the same shall be saved 1810s-1820s = But, alas, I cannot tell thee, who. 1890s-1900s = But sadly, I cannot tell you who. 1990s-2000s = But sadly, I don't have to say who. english_tweet = But sadly, who will tell? joyce = But sadly I could not tell. lyrics = But sadly I won't tell you who romantic_poetry = But sadly, I shall not tell who switchboard = but unfortunately i can't tell you who that's on Input = As I discern, It burneth in the Capels' monument. Paraphrase = as I'm sure, the Capel's monument burns. aae = Like I know the Capel monument burning bible = And the memorial of Capel burneth as it were a fire. 1810s-1820s = as I'm sure, the Capel's monument is blazing, to-night. 1890s-1900s = As I'm sure, the Capel monument burns. 1990s-2000s = Like I do, the Capel monument burns. english_tweet = As I'm sure, the Capel monument burns as well. joyce = As I know, the Capel monument burns. lyrics = The caps burning as I know that's the way romantic_poetry = Like some fiery Capel's monument, switchboard = like i think the Capel's Monument burns Input = why, thou wilt quarrel with a man that hath a hair more or a hair less in his beard than thou hast. Paraphrase = you'll be arguing with someone who has a beard or hair more or less than you have. aae = If you have a beard or hair more or less than you have, you will be arguing with someone. bible = And if a man have beard or hair more or less than thou hast, thou shalt debate with him that hath a beard or hair more or less 1810s-1820s = You will quarrel with some one who has a beard or hair more or less than your own. 1890s-1900s = You will quarrel with a man who has a beard or hair more or less than you have. " 1990s-2000s = You can argue with someone whose beard or hair is less than you have or more than you have. english_tweet = Get into an argument with someone who has more or less hair than you have. joyce = You will quarrel with somebody whose beard or hairs is more or less like you have than with somebody whose lyrics = Somebody you'll argue with will probably come with a beard or hair more or less than you have romantic_poetry = You'll bicker with some who had but a beard or hair switchboard = you're going to argue with someone with a beard or hair more or less than you have Input = You know not what you do. Paraphrase = you don't know what you're doing. aae = u don't know what u do bible = Know ye not what ye do. 1810s-1820s = What you don't know, is more than you can bear. 1890s-1900s = You don't know what you're doing. " 1990s-2000s = You don't know what you're doing. english_tweet = you know nothing joyce = Don’t know what you do. lyrics = You don't know what you're doing romantic_poetry = Thou knows not what ye're doing. switchboard = you don't know what you're doing Input = Just opposite to what thou justly seem'st— A damned saint, an honourable villain!   Paraphrase = but she, crying and crying, crying and crying. aae = But she,crying & crying,bruh bible = But she, and her children, and her cattle, and her camels, did cry and wail 1810s-1820s = But she, she, weeping and wailing. 1890s-1900s = But she, weeping and tearful, with a guilty dread. 1990s-2000s = But she, at the bottom of it all, weeping and crying. english_tweet = But she, crying and being full of tears joyce = But she, weeping and mewing. lyrics = But she, crying and sighing, crying and sighing romantic_poetry = But she, alas! her face and tears are so switchboard = but she cried and cried and cried Input = I will follow you.     Paraphrase = love is blind, love can't be blinded. aae = Love is blind love can't be blinded bible = Blind love cannot contain; and love cannot suffer blindness. 1810s-1820s = There is no blindness like love, no confusion like folly. 1890s-1900s = Love is blind, Love cannot be blind. 1990s-2000s = You can blind love, blind love cannot be blind. english_tweet = Some love can blind us all. Love can't be blind. #DolanBot joyce = Love blind love can’t blind. lyrics = Love is blind, love can't be blind romantic_poetry = For love, blind as man, could never blind switchboard = yeah i think it's love blind Input = But with a rearward following Tybalt's death, ‘Romeo is banished’— to speak that word Is father, mother, Tybalt, Romeo, Juliet, All slain, all dead.  Paraphrase = you don't want to talk about joy? aae = No joy? No joy? No joy? No joy? No joy? No joy? No bible = Are ye not able to speak of joy? 1810s-1820s = would you not speak of joy? 1890s-1900s = You are not eager to talk of joy? " 1990s-2000s = Don't you want to talk about joy? " english_tweet = no joy? not the talking stage thing. you want it all? joyce = Don’t you want to talk joy? lyrics = You're not afraid to speak of joy? romantic_poetry = Spare a word of joy? No! speak not of it, switchboard = yeah i don't know you want to talk about joy Input = A plague o’ both your houses! Paraphrase = a plague in both houses! aae = Pollen in both houses! bible = a plague in both houses! 1810s-1820s = In both houses a plague, a plague! 1890s-1900s = There was a plague in both houses--a plague! 1990s-2000s = Pity in both houses of plague! " english_tweet = A plague in both houses! joyce = of both houses! lyrics = In both houses of plague! romantic_poetry = A plague in each house! for as the stroke switchboard = a plague on both houses Input = There rust and let me die.      Paraphrase = but I'd like to do something for the thing I want. aae = But I wanna do something for the thing that I want bible = But I would that ye would do some good work for the thing that I would. 1810s-1820s = But I would that something were given for the thing that I want. 1890s-1900s = But I'd like to do something for the thing I want. " 1990s-2000s = But I want to do something for the thing I want. " english_tweet = But the thing I wanna do is make something joyce = But I want to do something for the thing I want to. lyrics = But I wanna do somethin' romantic_poetry = But for that which I desire, I could do, switchboard = but i think the thing i want is to do something Input = Or if it did not, Your first is dead, or ’twere as good he were, As living here and you no use of him. Paraphrase = if he doesn't, he's dead, or he's as good as you, as if he were alive. aae = If he dont do it he dead, or he good asf, as if he was alive then he is bible = And if he will not do it, then he is as dead, or rather as as do men that are dead, if he will not perform this thing. 1810s-1820s = If he cannot, he is dead; or he is as good as you, as if he were alive. 1890s-1900s = If he does not, he is dead, or as good as you, as long as he lives. " 1990s-2000s = If he doesn't, it's dead, or as good as you, as if he's alive. english_tweet = As long as it isnt you, dead or alive, if its good it's your fault. joyce = I mean, in a way, if he didn’t, dead or alive, as good as you, as if he was lyrics = If he's dead or alive, as he's as good as you, as if he's as alive as you romantic_poetry = If he dares, he's dead, or he's as good as you, switchboard = or or or he was as good as you were i mean he would've died at least if he didn't but uh Input = An I might live to see thee married once, I have my wish. Paraphrase = I'd like to see you married. aae = I wanna see you married bible = And he said, I would that thou shouldest be married to me. 1810s-1820s = Mr Spicket I wish you were married already. 1890s-1900s = I want to see you married, in your own right. 1990s-2000s = I'd like to see you married. " english_tweet = I just wanna see you married joyce = I would like to see you married. lyrics = I want to see you married romantic_poetry = I would see thee wed, I'm sure, switchboard = well i wish you were married Input = The ground is bloody.—Search about the churchyard.  Paraphrase = so the nimble-winged Dove draws Love, and the wind-swift Cupid's wings are on the wings. aae = So the nimble-winged Dove draws Love, and the wind-swift Cupid's wings are in the wings. bible = Therefore the nimble-winged dove draweth up Love, and the wind-swift Cupid lifteth up his wings. 1810s-1820s = Thus the nimble-winged Dove draws Love, and the wind-swift Cupid spreads his wings O'er worlds on wings. 1890s-1900s = Thus the nimble-winged Dove draws Love, and the wind-swift Cupid his wings set on. 1990s-2000s = Thus the nimble-winged Dove draws up Love, and the wind-swift Cupid blows out his wings. english_tweet = So the nimble-winged Dove draws Love, and the wind-swift Cupid snaps off the wings. joyce = So nimblewift Dove draws Love, and wind’s swift Cupid wings are clovering on her wings. lyrics = So the nimble-winged Dove draws Love, and the wind-swift Cupid's wings, romantic_poetry = Thus nimble-winged Dove draws Love, and winds Cupids' wings, switchboard = and so the nimble-winged Dove draws Love the Wind-Swift Cupid wings Input = Tonight she is mewed up to her heaviness. Paraphrase = she's got a lot of weight tonight. aae = She need to loose some weight tonight bible = And she was very heavy that night. 1810s-1820s = I think she has had too much to weigh this evening. 1890s-1900s = She had the weight of many pounds to-night. 1990s-2000s = She had a load of weight on her tonight. english_tweet = She's got a lot of weight tonight. joyce = She’s full of the weight tonight. lyrics = Tonight she's got a lot of weight romantic_poetry = She gies us a great night's weight switchboard = she had a lot of weight to lose tonight Input = Look, sir, here comes the lady toward my cell. Paraphrase = look, sir, the lady is coming to my cell. aae = LOOK at my cell lord lady she coming thru bible = And the damsel said unto the damsel's father, Behold, my lord the king is come to 1810s-1820s = ( rises) Behold, Sir, the Lady comes to my cell. 1890s-1900s = Look here, sir, the lady is coming to my cell. 1990s-2000s = Now look, sir, the Lady is coming to my cell. english_tweet = See, Sir, the lady is coming to my cell joyce = Let me see, sir, that lady’s coming to my cell. lyrics = See the lady comin' over to my cell romantic_poetry = See, Sir, the lady cometh frae my cell, switchboard = uh see the lady comes by and my cell phone rings Input = He came with flowers to strew his lady's grave; And bid me stand aloof, and so I did. Paraphrase = he's got flowers to bury his lady, and he's gonna stand by me and so I'm standing. aae = He brought flowers to bury his lady he will stand by me and so imma stand by my man bible = And he brought me flowers to bury his lady, and stood by me to see it. 1810s-1820s = He had already planted the flowers to bury his lady, and he would stand by me and so he did. 1890s-1900s = He has flowers to bury his lady, and he has put them up and he will stand by me and so I shall stand. 1990s-2000s = He came to bury his lady, and he went to stand by me and so I came to stand by him. english_tweet = His lady dm to be buried, he stands by me and so I stand in his face and do the same joyce = him flowers to bury his lady by his gravesides and standing by me and so hed stand to me and so lyrics = He's got flowers to bury his lady, and he stands by me and so I'll stand romantic_poetry = Heresies to bury his lady, and so stands by me; switchboard = yeah my my uh my my uh uh he got flowers to bury his lady and he's going to stand by me and so i'm standing by him and Input = Therefore be patient, take no note of him. Paraphrase = so be patient, don't take note of him. aae = So be patient... Don't take note of him bible = Therefore be patient, and take no note of him. 1810s-1820s = So, be patient; take no notice of him. 1890s-1900s = So be patient, and take no notice of him. 1990s-2000s = So be patient, and don't take note of him. english_tweet = so be patient, don't take note of him. joyce = So don’t take notice of him. lyrics = So be patient, don't take note of it romantic_poetry = And thus be patient, take no note switchboard = so be patient don't take note of it Input = Smatter with your gossips, go.  Paraphrase = no, I'll do it too. aae = Nah I'm bout to do that too bible = yea, I will do likewise. 1810s-1820s = No, I will, too. 1890s-1900s = LEFFINGWELL No, I'll do it, too. 1990s-2000s = No, I'm going to do it too. english_tweet = Nah, Ill do it too joyce = No, I will too. lyrics = No, I'll do too romantic_poetry = No, I'll do't for lorn--for me, too. switchboard = no i'll do that too Input = Hie to your chamber. Paraphrase = Hie's in the room. aae = Hie in the room. bible = Hie is in the parlour. 1810s-1820s = Hie goes into the room Hie. 1890s-1900s = Hie's in th' room at th' same time. 1990s-2000s = Hie's in the hall, in the living room. english_tweet = Hie is in this room. joyce = Hie’s in that room. lyrics = Hie is in the place romantic_poetry = Hie's in the wee room. switchboard = Hie's in Input = It is written that the shoemaker should meddle with his yard and the tailor with his last, the fisher with his pencil, and the painter with his nets; but I am sent to find those persons whose names are here writ, and can never find what names the writing person hath here writ. Paraphrase = I'm supposed to find the shoemaker, the tailor, the pencil, the painter, and the fisherman. aae = I need to find the shoemaker, the fabricator, the pencil, the paint brush, and the fishing rod. bible = I am sent to seek the shoemaker, and the tailor, and the penciler, and the basons, and the drapery. 1810s-1820s = I must find the shoemaker, and the tailor, and the pencil-maker, and the painter, and the fisherman. 1890s-1900s = I have to find the shoemaker, the tailor, the pencil, the painter, and the fisherman. 1990s-2000s = I must find the shoemaker, the tailor, the pencil, the painter, and the fisherman. english_tweet = I need to find shoemaker, tailor, pencil, and artist, and a fisherman. joyce = and the shoemaker, the tailor, the pencil painter, the fisherman and the person I was to find to the shoemaker, the lyrics = I should find the shoemaker, the tailor, the pencil, the painter, and the fisherman romantic_poetry = I must find the shoemaker, the tinker, the pencil, the painter, and the fisherman; switchboard = i have to find the shoemaker the tole tailor the pencil painter and the fisherman i can't believe i don't know how much they're going to charge Input = Then, window, let day in and let life out. Paraphrase = then, the window, the day of the day. aae = Back to the day then, windows day bible = Then said they unto him, The window, and the day of the day. 1810s-1820s = then, to the window, the day-light. " 1890s-1900s = , then, the window, The wakening of the day. 1990s-2000s = And then, with the window, the day. english_tweet = Then, a window, The day after. joyce = and then, by window, day of day. lyrics = Than, my window, day by day romantic_poetry = Than, by the window, the day's open day, switchboard = and then the windows of day Input = His son was but a ward two years ago. Paraphrase = he was a ward for two years. aae = i think he was a ward for 2 yrs now bible = And he was ward two years. 1810s-1820s = He was for two years his ward. 1890s-1900s = For two years he was a ward of the college. 1990s-2000s = He had been the ward for two years. english_tweet = 2 years later, and he was a ward. joyce = He was a warder for two years. lyrics = 2 years later he was a ward romantic_poetry = For two years he was a ward, switchboard = two years later he was a ward of Input = Nay, I’ll conjure too! Paraphrase = no, I'll do it too! aae = nah ima do that too! bible = nay, I will do likewise! 1810s-1820s = No, I will, too! 1890s-1900s = BRADFORD No, I'll do it too! 1990s-2000s = ( Beat) No, I'm gonna do that too! english_tweet = Nah I will! I will do that too! joyce = Yes, I will too! lyrics = No, I'll do it too! romantic_poetry = Oh! no, more than this I'll do; switchboard = no i do too Input = The County will be here with music straight, For so he said he would. Paraphrase = he said he would have a music straight. aae = This nigga said straight music bible = And he said, I will straightway make a musick. 1810s-1820s = A music straight forward,' he said. 1890s-1900s = I think he's going to have a straight line of music. 1990s-2000s = And he said that he'd get me a music straight. english_tweet = Man said he was going to get a music straight joyce = Music is right, he said. lyrics = He said he'd go for a music straight romantic_poetry = His een sae straight an' true a music he'd steal switchboard = he said that would give him music straight Input = A thousand times the worse to want thy light.  Paraphrase = but be gentle, Paris, give her your heart. aae = but be gentle Paris give her your all bible = But be thou gracious, O Paris, give her thine heart. 1810s-1820s = But be gentle, Paris; grant her heart thy love. 1890s-1900s = But be gentle, Paris, give her your heart. " 1990s-2000s = But be gentle, Paris, give her your heart. " english_tweet = But be gentle Paris, give her heart to me joyce = But be gentle, Paris, give her your heart. lyrics = But give her your heart and Paris, give her your heart, Paris romantic_poetry = But, gentle Paris, yield your heart to me. switchboard = but Paris go give her your heart Input = Sojourn in Mantua. Paraphrase = sojourn in the city of Mantua. aae = Soojourn in Mantua. bible = Sojourn in the city of Mantua. 1810s-1820s = Enter from Mantua, in the city Sojourn. 1890s-1900s = Sojourn in the city of Mantua, then. 1990s-2000s = Sojourn in the city of Mantua, for example. english_tweet = Sojourn in Mantua. joyce = Sojourn in the town of Mantua. lyrics = Sojourn in Mantua, sojourn in Mantua romantic_poetry = Sojourn'd in Mantua, a town of learning, switchboard = sojourn into Mantua Input = All this is comfort. Paraphrase = it's all just comfort. aae = It's all good just to make you feel better bible = This is all just consolation. 1810s-1820s = It was all that comfort that he needed. 1890s-1900s = It was all the comfort of being alive. 1990s-2000s = That's all it takes to make me feel good. english_tweet = Theyre all just comfort. joyce = All is just comfort. lyrics = All that comfort lies romantic_poetry = All this is but comfort. 'Tis a tale switchboard = yeah it's all just comfort Input = Marry, I will, and this is wisely done. Paraphrase = I'll do it, and it's good. aae = I can do it & it's good bible = And he said, I will do it; and it shall be well with thee. 1810s-1820s = I will, and it will be well. 1890s-1900s = I'll do it, and it will be good. " 1990s-2000s = I'm going to do it, and it'll be good. english_tweet = Imma do this and it feels good joyce = Ought to do it, good as well. lyrics = I'll do it and it's fine romantic_poetry = I'll do it, and do it well. switchboard = well i'll do that Input = Go thither, and with unattainted eye