Basic
Slideshow - Single Animation
Slideshow - Separate Animations
Basic with Parallax
Slideshow - Single Animation with Parallax
Slideshow - Separate Animations with Parallax


Discover our data center locations
Bahati Irene
25th june 2019
Location History is a Google Account–level setting that saves where you go with
every mobile device where:You're signed in to your Google Account,
You have turned on Location History, and
The device has Location Reporting turned on When you turn on Location History, you may see a number of
benefits across Google products and services,
including personalized maps, recommendations based on places you’ve visited, help finding your phone
You can change the Location Reporting setting for each device where you're signed in, and limit which
devices provide location data to be included in Location History. If you want to change your Location
History settings, you can choose to:
Report your location from only some of your devices, but not others. Report your location from all your devices. Turn off Location History for your Google Account. Your location won't be reported from any of your devices and you will not have new Location History recorded to your account. Your settings for other location services on your device, like Google Location Services and Find My Device, including personalized maps, recommendations based on places you’ve visited, help finding your phone You can change the Location Reporting setting for each device where you're signed in, and limit which devices provide location data to be included in Location History. If you want to change your Location History settings, you can choose to:
Report your location from only some of your devices, but not others. Report your location from all your devices. Turn off Location History for your Google Account. Your location won't be reported from any of your devices and you will not have new Location History recorded to your account. Your settings for other location services on your device, like Google Location Services and Find My Device,
Report your location from only some of your devices, but not others. Report your location from all your devices. Turn off Location History for your Google Account. Your location won't be reported from any of your devices and you will not have new Location History recorded to your account. Your settings for other location services on your device, like Google Location Services and Find My Device, including personalized maps, recommendations based on places you’ve visited, help finding your phone You can change the Location Reporting setting for each device where you're signed in, and limit which devices provide location data to be included in Location History. If you want to change your Location History settings, you can choose to:
Report your location from only some of your devices, but not others. Report your location from all your devices. Turn off Location History for your Google Account. Your location won't be reported from any of your devices and you will not have new Location History recorded to your account. Your settings for other location services on your device, like Google Location Services and Find My Device,
25
Thomas sankara
chello i think this is oweseme
David kawele
chello i think this is What doe this PR do
implemented all the feedbacks and changes
about UI Description of Task to be completed? are the following goweseme


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 CRM contains over 35 features & modules. Platform is easy to extend, customize, developer, can extend and modify application with short time.
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Calendar
Personal calendar with the option to share. Public calendars for meeting rooms, resource reservations.
Campaigns
Allows to create, track and optimize marketing activity.
Leads
Prospect who might be interested in your products. You may collect leads from events, web forms etc.
Contacts
Record information about your customers. The person can be individual or linked with the company.
Accounts
Account records is an organization customer. The record can be connected with almost every module.
Deals
Deals are potential sales and opportunities. You can collect them and work with them to change to real revenue.
Quotes
It contains the detailed list of Products and Services.
Invoices
Register of invoices in one place. information about the statuses, products and services you provide.
Tickets
Tickets are any kind of customer service requests. Module helps to collect requests, inquiries and problems.
BAP SAAS KIT
Is as Laravel SAAS addon to ^multi crm.
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Today was spent installing nano and learning about command line.
1 wget https://github.com/jpm/pandoc/releases/download/<IP_ADDRESS>/pandoc-<IP_ADDRESS>-1-amd64.deb
2 sudo dpkg -i pandoc-<IP_ADDRESS>-1-amd64.deb
3 pandoc -v
4 history
5 history > dhbox-work-today.md
6 wget https://github.com/jgm/pandoc/releases/download/<IP_ADDRESS>/pandoc-<IP_ADDRESS>-1-amd64.deb
7 sudo dpkg -i pandoc-<IP_ADDRESS>-1-amd64.deb
8 pandoc -v
9 history
10 history > dhbox-work-today.md


You are using Three.js version:
If you open your devtools and find entry.js or bundle.js you will see that require('three') was replaced with (window.THREE).
entry.js
bundle.js
require('three')
(window.THREE)


Version {{ ::mc.appVersion }}
Built at {{ ::mc.buildInformation.buildTime }} on host {{ ::mc.buildInformation.buildServer }}.
Based on Git commit {{ ::mc.buildInformation.revision }} from branch
{{ ::mc.buildInformation.branch }}.


by Sher Minn Chong / @piratefsh / RC NGW 2018
Fall 1, 2015
20min
Various Oscillons [source]
Elektronische Grafiken, analog computer and oscilloscope, circa 1950
Elektronische Grafiken, analog computer and oscilloscope, circa 1950 [source]
IBM System 360 [source]
Equal Tea Talk, 1969 [source]
Undernourished, 1969 [source]
Maze Up Tight, 1969 [source]
Jelly Centers, 1969 [source]
Jelly Centers Detail, 1969 [source]
not quite, more like EBCDIC art
(Extended Binary Coded Decimal Interchange Code)
Punched card with the 1964 EBCDIC character set.[source]
"I would write out what I wanted to be done, and then I would go to the computer center and look at the information and then type it out, resulting in the punched cards. I'd give it to the little man behind the door, and five minutes later, I'd get this drawing back. I'd sit down and make a change and give it to him...It was like eating peanuts. I mean, one thing would lead to another, and you just kept on chewing."
- Frederick Hammersley interviewed by Lawrence Weschler, January 2003
Family #2, 1973, Lithograph [source]
With English, 1975, Lithograph [source]
Distribution Aleatoire De 4 Elements (Pour Prog. Ordinateur) / Random Distribution of 4 Elements (for the computer), 1970 [source]
Quatre Éléments Distribués au Hasard, 1959.
Material: Adhesive film strips stuck on cardboard [source]
A la Recherche de Paul Klee, 1971.
Material: felt tip pen on paper [source]
A la Recherche de Paul Klee, 1970.
Material: ink on paper, plotter drawing [source]
Un, Deux, Trois, 1952,
Material: Acrylic on canvas [source]
Structures de quadrilatères (Square Structures) [source]
In preparation for Frieder [source]
Hypertransformation of 20 Concentric Squares [source]
144 Trapèzes (144 Trapeziums) [source]
20min
function draw(){
// draw a line from origin (0,0) to (width,height)
// width and height are globally available values
line(0, 0, width, height);
}
reference
function draw(){
// draw ellipse in center of canvas
// with width 200px and height 100px
ellipse(width/2, height/2, 200, 100);
}
reference
function draw(){
// draw rectangle with left top corner at center of canvas
// with width 80px and height 80px
rect(width/2, height/2, 80, 80);
}
reference
// setting colors
stroke(255, 0, 255); // r, g, b
stroke('#ff00ff'); // hex color
fill(0, 0, 200, 100); //set fill color with r, g, b, and alpha
rect(0, 0, 300, 200)
// color object
const col = color(0, 100, 200); // can be reused
fill(col); // set fill
ellipse(0, 0, 100, 100);
reference
function draw(){
background(200);
// random returns a value between the two params
const randX = random(0, width);
ellipse(randX, height/2, 10, 10);
}
const numRows = 10;
const numCols = 10;
// calculate width and height of each cell
const cellSizeX = width/numRows;
const cellSizeY = height/numCols;
// for each cell in grid
for(let i = 0; i < numRows; i++){
for(let j = 0; j < numCols; j++){
// draw ellipse with random size
const dotSize = random(0, 30);
ellipse(i*cellSizeX, j*cellSizeY, dotSize, dotSize);
}
}
let t = 0; // time
function draw() {
// set 0,0 to center of canvas
translate(width/2, height/2);
// calculate points of a circle
const x = 150 * sin(t*0.03); // x = radius * sin(angle);
const y = 150 * cos(t*0.03); // y = radius * cos(angle);
ellipse(x, y, 10, 10);
// increase time
t+=1;
}
[reference]
function draw() {
background(220, 250, 255);
translate(width/2, height/2); // set 0,0 to center of canvas
rotate(PI/4); // rotate canvas by PI/2 (45 deg)
fill('green')
rect(0, 0, 80, 80);
}
20min
"This work closely mimics the painting "Composition With Lines" by Piet Mondrian. When reproductions of both works were shown to 100 people, the majority preferred the computer version and believed it was done by Mondrian."


Beyond using Bootstrap 3, Griddle makes few assumptions about how your grid should be styled. Griddle grids render as simple tables that you can apply your site's styling to.
Out of the box, Griddle has sorting, filtering, paging and some user customization such as column selection and results per page. Additionally, Griddle supports simple sub-grids and even more complex functionality is on the roadmap.
Griddle is powered by React and its virtual DOM. Only the current page of the grid is rendered at any given time. Whether you have several or hundreds of records, Griddle should render your data quickly.
At the most basic level, using Griddle is as simple as wiring up an array of JSON objects as a property to the component. First off, include Bootstrap 3, Underscore and React. Include Griddle and the stylesheet before your React Code.
<link href="//maxcdn.bootstrapcdn.com/bootstrap/3.1.1/css/bootstrap.min.css" rel="stylesheet" />
<link href="css/griddle.css" rel="stylesheet" />
...
<script src="//cdnjs.cloudflare.com/ajax/libs/underscore.js/1.6.0/underscore-min.js"></script>
<script src="http://fb.me/react-0.10.0.js"></script>
<script src="http://fb.me/JSXTransformer-0.10.0.js"></script>
<script type="text/javascript" src="scripts/griddle.js"></script>
Define an array of JSON objects -- for our examples we have something that resembles the following:
var fakeData = [
{
"id": 0,
"name": "Mayer Leonard",
"city": "Kapowsin",
"state": "Hawaii",
"country": "United Kingdom",
"company": "Ovolo",
"favoriteNumber": 7
},
...
];
From there, render a Griddle component through React.renderComponent or in the Render method of another component.
<Griddle results={fakeData} tableClassName="table"/>
For many applications, simple paging and sorting is not enough. Griddle comes equipped with filtering, initial columns and additional grid settings out of the box. To use these features, simply define the showProperties and showFilters properties on the Griddle component definition. Check out the full list of properties below.
Using the same data as in the previous example, we can add filtering, grid settings and default columns by defining our component as follows:
<Griddle results={fakeData} tableClassName="table" showFilter={true} showSettings={true} columns={["name", "city", "state", "country"]}/>
Griddle also supports subgrids with little configuration. Simply add a property named "children" (or set the child column name property when defining the component) to any object in your list of data. Right now subgrids only work when the parent and child have the same columns, however, more advanced subgrid functionality is planned.
Don't want to load all of your data at once? Set the 'getExternalData' property to point to a method that accepts the filters and a callback as parameters and returns a list of results, along with the total number of results.:
var fakeDataMethod = function(filterString, sortColumn, sortAscending, page, pageSize, callback) {
// Load results from your API here.
callback(function() {
results: [],
totalResults: 300
});
}
Then initialize your component with the following:
<Griddle getExternalResults={fakeDataMethod} tableClassName="table"/>
Decide you don't want your grid to look like a grid? We've got you covered. Just set the property 'useCustomFormat' to true and pass in another component as property named 'customFormat'. The component should look a little like this:
var OtherComponent = React.createClass({
getDefaultProps: function(){
return { "data": {} };
},
render: function(){
return ({this.props.data.name});
}
});
}
Please note: the data property is what Griddle will pass the row data in as so be sure to use that on your component.
Then initialize your component as follows:
<Griddle results={fakeData} tableClassName="table" useCustomFormat="true" customFormat={OtherComponent} />
Griddle will, by default, show a message if there is no data in the result set. There are two ways that it can be customized though. You can pass in your own custom message, called noDataMessage.
<Griddle results={fakeData} noDataMessage={"No data could be found."} tableClassName="table"/>
You can also create your own custom component to be rendered when there are no results. Pass it into the customNoData property. The component should look something like this:
var CustomNoDataComponent = React.createClass({
render: function(){
return (This is a custom component showing that there is no data to be displayed.);
}
});
}
Then modify your Griddle statement to pass in the new component.
<Griddle results={fakeData} customNoData={CustomNoDataComponent} tableClassName="table"/>
A function that obtains data to display in the grid and returns the results, along with the max total number of results.
The method's requires the following parameters :
An object passed into the callback must have the following properties :


Overview
Model–view–controller (MVC) is a software architectural pattern for implementing user interfaces.
From MIT handouts 3: MVC uses separate programming entities to store the data(model), display the data(view), and modify the data(controller).
Components
The central component of MVC, the model, captures the application’s behavior in terms of its problem domain, independent of the user interface. The model directly manages the application’s data, logic and rules.
A view can be any output representation of information, such as a chart or a diagram; multiple views of the same information are possible, such as a bar chart for management and a tabular view for accountants.
The third part, the controller, accepts input and converts it to commands for the model or view.
Early web MVC frameworks took a thin client approach that placed almost the entire MVC on server. As client technologies have matured, MVC components can be executed partly on the client(AJAX).
Other good explanation
MVC is a user interface design pattern.
Controller – Represents interactions, typically with the mouse or keyboard, or in the case of web applications, in the form of HTTP requests.
View – Renders the graphical output of the application
Model – Everything else. In particular this includes the data and business logic.


To create a conducive instrument for transforming the enrolled potential fresher into competent Information Technology professional or entrepreneur with integrity and ethical value.
- To become unit of excellence in teaching, training, research, innovative application and extension work in IT in co-operation with various other departments.
- To make knowledge and expertise accessible with various dissemination strategies, including networking with research unit, colleges, government and industry along with the motivation for self-learning.
- To integrate teaching, research and practice along with higher education for generation and application of knowledge in line with emerging needs of industry, technical quality with market driven professional pursuits, programs, courses, collaboration.
- To develop entrepreneur skills along with ethical and professional values among the students.


Website software for small shops to make reacheable the
opportunity of having their own rewards system for their most
loyal customers.
The main objectives are:
Digitalizate: Eliminate the use of rewards cards
Reachable: Local shops now can invest in software.
Retention: With our software, the customer retention will increase.


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| FEATURE ARTICLE | ||||||||||||||||||
|
AND NOW FOR THE HEROIC PARALEGAL--ERIN BROCKOVICH By Michael Asimow
Is law practice about cold-blooded focus on the bottom line? Or is it about passionate commitment to justice? Erin Brockovich casts a powerful vote for the second approach. In the process, it sends an inspiring message about law, lawyers, and the legal system. It's also a much-deserved accolade to the supporting staff of modestly compensated secretaries, investigators and paralegals that stand in the shadow of lawyers. The film is not only "based on a true story," it sticks quite closely to the actual events. Brockovich is an unemployed, single mother of three when she talks her way into a file clerk job at Masry & Vititoe, the Los Angeles-area firm that had recently represented her in a losing personal injury case. She is a trashy-dressing, trashy-talking dynamo with a steel trap mind and a definite problem of impulse-control. She is also empathetic and terrific with clients. Brockovich stumbles onto some peculiar facts about the Jensens, who are pro bono real estate clients of the firm. Promoting herself into a paralegal, Brockovich starts poking around the high desert town of Hinkley where Pacific Gas and Electric operates a natural gas pumping station. She visits the local water board and charms the geeky official into letting her go over the records by herself. She discovers that PG&E stored hexavalent chromium in unlined cooling ponds at the site and the chromium had polluted the water table. This type of chromium is quite toxic to human beings. And PG&E had disclosed just enough facts to the locals to start the statute of limitations running but failing to alert them to the danger.  The plaintiffs reject a low-ball settlement offer, survive motions to dismiss, and are headed to trial. Nearly broke trying to finance the monster case, Masry associates in two big-shot lawyers to provide the muscle to fight on. Ultimately, Brockovich comes up with the killer document that opens the door to punitive damages and PG&E folds. It offers to resolve the case through a judicial arbitration that would award between $50 million and $400 million. Brockovich persuades the entire army of plaintiffs to give up the right to a jury trial and agree to the arbitration. The case then settles and the plaintiffs and Masry split $333 million. Erin Brockovich is not a courtroom movie. It could have been; there were several full-fledged toxic tort trials replete with dozens of experts before a three-judge arbitral panel. These trials on behalf of 39 of the plaintiffs yielded awards of $131 million and caused PG&E to agree to the overall $333 million settlement. But a focus on the trials would have decentered Brockovich. And she's the heroine of the piece. Her drive and single-minded focus on the sick people who had been poisoned by PG&E drove the case at every point and propelled Masry, against his better judgment, into what could have been a suicidal commitment. From the point of view of a law and popular culture commentator, the great thing about this uplifting film is that it extols a passionate, client-centered approach to law practice. Masry was terrified by the case, and justifiably so. Masry ran a two-man law firm and had survived a quadruple bypass. He was thinking about retirement. How could he possibly afford to fight a dragon like PG&E in a highly technical toxic tort case on behalf of hundreds of fractious clients? Just remember the flameout of Jan Schlictman, the anti-hero of A Civil Action, who foolishly tackled two giant corporations in a toxic tort case. Or the conclusion to The Rainmaker--an implausibly huge judgment against an insurance company turns to dust when the company declares bankruptcy. The decision to forge ahead with the Hinkley case was anything but a rational bottom-line oriented decision--and that makes it so very different from law practice as it exists today. Another great thing about Erin Brockovich is that it makes clear the importance of empathy in relationships with clients. The high powered attorneys who joined the case couldn't communicate with the ordinary people out in Hinkley. But Brockovich could; the clients liked and trusted her and she kept the group together until the final triumph. The importance of empathy and passionate commitment to clients is something we seldom teach in law school, but which is critical to success in the world of law practice. Based on published accounts, the film adheres quite closely to the historic facts about the Hinkley case. The lawyers whom Masry associates in to carry the case were in fact two substantial plaintiffs' firms who made a massive investment in the case (said to be about $12 million). The male lawyer, Kurt Potter, is a composite of Tom Girardi and Walter Lack. The female lawyer, Theresa Dellavale, is fictitious. Unfortunately, the condescending and uptight Dellavale, who had no clue how to talk to the clients, is all too typical of female lawyers in the movies--unpleasant, miserable, acerbic people you wouldn't want as a friend. Dellavale's characterization is the thing I liked least about this film. The killer document implicated the top management of PG&E in the Hinkley cover-up. Under Calif. Civil Code �3294, in order to support a claim for punitive damages against a corporation, it is necessary to show that an officer, director or managing agent of the corporation ratified the wrongful conduct. The document was clearly the key to the arbitrators' huge punitive damage awards. In the film, the document is turned over to Brockovich in a bar by a rather sinister looking fellow who Brockovich thought was trying to pick her up. He was a PG&E employee who had been told to shred documents but had saved the critical ones. He was out for revenge since his brother (also a PG&E employee) had just died from chromium poisoning. In fact, there were two sources for this material, including a bartender; PG&E hired them to transport all the historical records about the chromium from the "boneyard" where they were stored to the dump. This episode illustrates what all trial lawyers know--the difficulty of covering up evil conduct and the likelihood that somebody will spill the beans. Kudos to the filmmakers for this uplifting and accurate movie about tort law, passionate lawyers, and the unsung people who make it all happen.
Michael Asimow, of UCLA Law School, is co-author with Paul Bergman of Reel Justice: The Courtroom Goes to the Movies (1996), available at local bookstores or through amazon.com. Prof. Asimow has published and article entitled "Bad Lawyers in the Movies" - Vol. 24 of Nova Law Review. Michael Asimow's email address is<EMAIL_ADDRESS>|


HtmlRenderer.HtmlRender
Static
class for direct html rendering, intendent for small html fragments.
Prefer using WinForms Html controls: HtmlPanel or HtmlLabel.
For direct non-trivial html rendering consider using HtmlContainer.
Not suitable for large htmls as each render call will parse the given html string into DOM structure, for large html it can be very expensive.
Consider using HtmlContainer for large html or for performance.// Measure the size (width and height) required to draw the given html under given width and height restrictions.
// Measure the size (width and height) required to draw the given html under given width and height restrictions.
// Renders the specified HTML source on the specified location and max size restriction.
// If maxWidth is zero the html will use all the required width, otherwise it will perform line wrap as specified in the html
// Returned is the actual widht and height of the rendered html.
// Renders the specified HTML source on the specified location and max size restriction.
// If maxSize.Width is zero the html will use all the required width, otherwise it will perform line wrap as specified in the html
// If maxSize.Height is zero the html will use all the required height, otherwise it will clip at the given max height not rendering the html below it.
// Returned is the actual widht and height of the rendered html.
// Renders the specified HTML source on the specified location and max size restriction.
// If maxSize.Width is zero the html will use all the required width, otherwise it will perform line wrap as specified in the html
// If maxSize.Height is zero the html will use all the required height, otherwise it will clip at the given max height not rendering the html below it.
// Returned is the actual widht and height of the rendered html.


We believe in doing well by doing good, for us profit is not the only way to measure business success but it is also measured by its purpose values and impact.
As first-year students, this idea was coined among us during a hackathon which turned into a reality to provide luxury to its users to buy used Academics as well as Non-Academic books at a great price.
Our aim is not just to make the book reselling process for the senior students efficient but also to impact the nature in a positive manner in the process. We also aim to provide our users especially aiming at students to provide other digital study content on our platform in this pandemic era to play our role as literacy partners.
We believe in the power of knowledge and our goal is to help those who supply it and share it with those who crave it. The rest of the story is still being written, we invite you to join us on our journey. It is only going to get better. A lot better actually.


We did most of the heavy lifting for you to provide a default stylings that incorporate our custom components. Additionally, we refined animations and transitions to provide a smoother experience for developers.
By utilizing elements and principles of Material Design, we were able to create a framework that incorporates components and animations that provide more feedback to users. Additionally, a single underlying responsive system across all platforms allow for a more unified user experience.
We have provided detailed documentation as well as specific code examples to help new users get started. We are also always open to feedback and can answer any questions a user may have about Materialize.
A project we had in a course at the university. The main aim was to make a user-friendly GUI
A project we had in a course at the university. The main aim was to make a user-friendly GUI
A project we had in a course at the university. The main aim was to make a user-friendly GUI
A project we had in a course at the university. The main aim was to make a user-friendly GUI
A project we had in a course at the university. The main aim was to make a user-friendly GUI.
view_carouselImagesA project we had in a course at the university. The main aim was to make a user-friendly GUI.
view_carouselImages


#!/usr/bin/env python2
# -*- coding: utf-8 -*-
#
# MIT License
#
# Copyright (c) 2018 Miha Purg<EMAIL_ADDRESS>#
# Permission is hereby granted, free of charge, to any person obtaining a copy
# of this software and associated documentation files (the "Software"), to deal
# in the Software without restriction, including without limitation the rights
# to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
# copies of the Software, and to permit persons to whom the Software is
# furnished to do so, subject to the following conditions:
#
# The above copyright notice and this permission notice shall be included in all
# copies or substantial portions of the Software.
#
# THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
# IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
# FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
# AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
# LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
# OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE
# SOFTWARE.
#
"""
This module contains some common classes and functions,
including simple statistical methods and data structures.
"""
import math
import sys
import os
import shutil
import logging
import gzip
logger = logging.getLogger(__name__)
from Qpyl import __version__
[docs]def get_version_full():
try:
gitdir = os.path.join(os.environ["QTOOLS_HOME"], ".git")
head = open(os.path.join(gitdir, "HEAD")).read().split()[1]
branch = head.split("/")[-1]
ref = open(os.path.join(gitdir, head)).read().strip()[:8]
except:
ref, branch = "Unknown", "Unknown"
return "Qtools version: {}, git id: {} ({})"\
"".format(__version__, ref, branch)
[docs]def init_logger(name,
level=None,
handler=None,
formatter=None):
"""Helper function for initializing the logger.
Args:
name (string): module name, usually root: 'Qpyl'
level (int, optional): logging level (DEBUG, INFO, WARNING...), \
default is INFO
handler: (logging.Handler, optional): default is \
StreamHandler(sys.stdout) \
formatter: (logging.Formatter, optional): default is \
SpecialFormatter
Returns:
lg (logging.Logger)
"""
lg = logging.getLogger(name)
if level == None:
level = logging.INFO
lg.setLevel(level)
if handler == None:
handler = logging.StreamHandler(sys.stdout)
if formatter == None:
handler.setFormatter(SpecialFormatter())
lg.addHandler(handler)
return lg
[docs]def raise_or_log(message, exception_class, logger, ignore_errors):
"""Method used for raising exceptions or writting them to logger instead
This way one can bypass certain exceptions like non-integer charge groups,
that may occur in weird scenarios (Amber bonding metal model).
Critical level is always used for logging.
"""
if ignore_errors:
logger.critical(message)
else:
raise exception_class(message)
[docs]def backup_file(filename):
"""Check if a file exists, make a backup (#filename.1#, #filename.2#...).
Args:
filename (string): name of file to backup
Returns:
backup_filename (string): basename of the new filename or empty
string if the file was not found.
"""
if os.path.lexists(filename):
di = os.path.dirname(filename)
fn = os.path.basename(filename)
backup_filename = fn
i = 1
while os.path.lexists(os.path.join(di, backup_filename)):
backup_filename = "#%s.%d#" % (fn, i)
i += 1
if i > 20:
logger.warning("You have more than 20 backed up files... "
"Cleaning time...")
shutil.copy2(filename, os.path.join(di, backup_filename))
return backup_filename
return ""
# no need for numpy to do these basic stats
[docs]class np():
@staticmethod
[docs] def kendall_tau(list_a, list_b):
"""Calculate Kendall's tau-a correlation coefficient.
Args:
list_a (list): list of ints/floats
list_b (list): list of ints/floats
"""
lists = zip(list_a, list_b)
N, conc, disc = len(lists), 0.0, 0.0
for i, (x, y) in enumerate(lists[:-1]):
for (x2, y2) in lists[i+1:]:
dx, dy = (x - x2), (y - y2)
if dx * dy < 0:
disc += 1
elif dx * dy > 0:
conc += 1
else:
pass # ignore ties
return (conc - disc)/(N * (N - 1)/2.0)
@staticmethod
[docs] def mean(vals):
"""Calculate mean.
Args:
vals (list of float): sample values
"""
N = len(vals)
if N == 0:
return float('nan')
return sum(vals) * 1.0 / N
@staticmethod
[docs] def std(vals, ddof=1):
"""Calculate standard deviation.
Args:
vals (list of float): sample values
ddof (int, optional): delta degrees of freedom (default is 1, \
producing *sample* standard deviation)
"""
N = len(vals)
if N == 0 or N-ddof == 0:
return float('nan')
mean = np.mean(vals)
variance = map(lambda x: (x - mean)**2, vals)
return math.sqrt(sum(variance)/(N - ddof))
@staticmethod
[docs] def std_error(vals, ddof=1):
"""Calculates standard error of mean.
Args:
vals (list of float): sample values
ddof (int, optional): see np.std()
"""
N = len(vals)
if N == 0 or N-ddof == 0:
return float('nan')
return np.std(vals, ddof=ddof) / math.sqrt(N)
@staticmethod
[docs]class DataContainer(object):
"""
Contains a two dimensional array of values:
[ [ row1_column1, row1_column2, row1_column3, ...],
[ row2_column1, row2_column2, row2_column3, ...],
... ]
and column titles.
Args:
coltitles (list): column titles
Examples:
>>> dg_de = DataContainer( ['Energy_gap', 'dG'] )
>>> dg_de.add_row( [-300.0, 10.0 ]
# reversed rows
>>> rows = dg_de.get_rows( reversed(dg_de.column_titles) )
>>> cols = dg_de.get_columns( columns=[0, 1] )
"""
def __init__(self, coltitles):
if not isinstance(coltitles, (list, tuple)):
coltitles = [coltitles,]
self.column_titles = list(coltitles)
# a list containing rows of values
# (each row is a list with length = len(coltitles))
self._rows = []
self.comment = None
[docs] def get_columns(self, columns=None):
"""
Transposes the array and returns the columns instead of rows.
Args:
columns (list), optional: return only columns with
these indices and/or titles
Returns:
list of columns (list of lists)
"""
if not columns:
columns = []
col_inds = []
for col in columns:
if type(col) == int:
col_inds.append(col)
else:
col_inds.append(self.column_titles.index(str(col)))
cols = zip(*self._rows) # transpose
if col_inds:
return [cols[i] for i in col_inds]
else:
return cols
[docs] def get_rows(self, columns=None):
"""Return the rows.
Args:
columns (list), optional: return only columns with
these indices and/or titles
Returns:
list of rows (list of lists)
"""
if columns:
cols = self.get_columns(columns)
return zip(*cols)
else:
return self._rows
[docs] def add_row(self, row):
"""Add a row.
Args:
row (list): a list of values
Raises:
ValueError: if number of elements in row is not equal to
number of column titles
"""
if len(row) != len(self.column_titles):
raise ValueError("Number of elements is not equal to number "
"of columns, in row:\n{}".format(row))
self._rows.append(list(row))
[docs] def delete_rows(self):
"""
Removes the rows.
"""
self._rows = []
def __str__(self):
if self.comment:
outs = "#" + self.comment + "\n"
else:
outs = ""
for name in self.column_titles:
width = len(name)
if width < 10:
width = 10
outs += " {name:{width}} ".format(name=name, width=width)
for row in self._rows:
outs += "\n"
for i, val in enumerate(row):
try:
width = len(self.column_titles[i])
if width < 10:
width = 10
except IndexError:
width = 20
if type(val) == float:
outs += " {val:{width}.2f} ".format(val=val, width=width)
else:
outs += " {val:{width}} ".format(val=str(val), width=width)
return outs
# Shamelessly borrowed from
# http://www.genomearchitecture.com/2014/01/how-to-gunzip-on-the-fly-with-python
[docs]class gzopen(object):
"""Generic opener that decompresses gzipped files
if needed. Encapsulates an open file or a GzipFile.
Use the same way you would use 'open()'.
"""
def __init__(self, fname):
f = open(fname)
# Read magic number (the first 2 bytes) and rewind.
magic_number = f.read(2)
f.seek(0)
# Encapsulated 'self.f' is a file or a GzipFile.
if magic_number == '\x1f\x8b':
self.f = gzip.GzipFile(fileobj=f)
else:
self.f = f
# Define '__enter__' and '__exit__' to use in
# 'with' blocks. Always close the file and the
# GzipFile if applicable.
def __enter__(self):
return self
def __exit__(self, type, value, traceback):
try:
self.f.fileobj.close()
except AttributeError:
pass
finally:
self.f.close()
# Reproduce the interface of an open file
# by encapsulation.
def __getattr__(self, name):
return getattr(self.f, name)
def __iter__(self):
return iter(self.f)
[docs] def next(self):
return next(self.f)


Wily Liam Griffin switched Shane O’Sullivan on to power of the mind
When Liam Griffin attended Tuesday’s Club Players Association’s media briefing, he apologised for his laryngitis before launching into a lengthy and passionate speech.
Stopping himself from talking isn’t easy for the 1996 All-Ireland winning Wexford manager, though plenty have picked up on his message over the years.
Like veteran Ballygunner defender Shane O’Sullivan, whose interest in sports psychology — and the job he holds today as a high performance coach — spawned from a talk Griffin gave to a group of Waterford hurlers 20 years ago. The players, from De La Salle College, thought it was going to be about tactics or technique, but Griffin focused on the power of the mind.
“I was just blown away, as a 14-year-old,” said O’Sullivan. “After it, the teacher told me to go up and basically thank him, as captain of our team. I thanked him and plucked up the courage to ask him, ‘Have you any advice about what to read?’ Because I was enthralled by it.
“He told me to read The Inner Game of Tennis by a man called Timothy Gallwey. I went into the book centre in Waterford city and I asked them for it. I read that book and never stopped reading about psychology and the power of the mind ever since.”
O’Sullivan conducts some of his work online but also flies abroad regularly, leading the Ballygunner management to devise a personal schedule for him.
He remains grateful to Griffin. “He’s been a powerful influence on my life, a very, very positive influence.”


{% load static %}
ACC Control Panel
Autonomous Cars Cooperation Project
Fleet behaviour research lab
Navbar
Fleet control
Individual control
Track planning
How To
Documentation
Credits
Initial text
Initial text
Initial text
{% load static %}


I'm a full-stack developer that likes coding. I love learning new tecnologies and working in projects that I'd
like to use.
Work experience
===============
C&S Informatica
---------
August 2017 - March 2018
Software developer.
Purchasing Systems
--------
Transparent purchasing systems for entities that require audits for purchases.Role: Software developer
Technologies used: .NET, SQL Server, Javascript, HTML.
Noteworthy tasks:
- Updating of all tests for humongous project.
- Full stack coding for projects full of legacy code.
Atix Labs
---------
April 2018 - February 2020
Software developer.Non-comprehensive list of projects:
BCR
--------
System for signing funding requests in the blockchain.Role: Software developer
Technologies used: SailsJS (nodeJS), PostgreSQL, React.
Noteworthy tasks:
- Starting the project from the beginning.
- Handling certificates and signatures for funding requests.
Document validation system in the blockchain
--------
System where banks or similar entities could verify and sign documents.Role: Software developer
Technologies used: SailsJS (nodeJS), PostgreSQL, React, Expo (React Native).
Noteworthy tasks:
- Handling keys (public and private) for users that depended on the keys of their employer.
- Signing and validating documents as for an entity as an employee.
Stock managing system
----
Platform for managing items stock and delivering of products.Role: Software developer.
Technologies used: Java, Hibernate, Spring, PostgreSQL, AngularJS.
SJyS
----
Platform for cataloguing and wholesaling tires and tire products.Role: Software developer
Technologies used: Java, Hibernate, Spring, PostgreSQL, React.
Noteworthy tasks:
- Delivery tracking by QR scanning in the browser.
Tokenized real estate
--------------
System which tokenizes the value of real estate so users can buy tokens and get a portion of the product. The
tokens were handled by smart contracts to ensure the security and veracity of the transactions.Role: Software developer.
Technologies used: React, Meteor.
Noteworthy tasks:
- Developing of a web catalogue that lets the user spend the token in other products.
- Model and handle a very relational database model with MongoDB since Meteor almost forces the programmer to use it and by the time I entered the project it was no longer viable to change frameworks.
Credential managing system
-------------------------------------
System for managing university degrees where the university issues degrees and the empoyers verify them.Role: Front-end Software developer.
Technologies used: React
Noteworthy tasks:
- Interacting with the backend with grpc.
- Developing tasks with enough flexibility so that replacing everything is simple and quick.
- Making everything generic for future versions of the product.
Cloudhesive LATAM
---------
February 2020 - now
Cloud software developer.
Middleware
--------
Middleware software in the cloud to integrate a new service bought by a retail company and improve
traceability for the data flow.Role: Cloud software developer
Technologies used: AWS, Python (pandas and aws sdk), Javascript.
Noteworthy tasks:
- Handling big data volumes in memory and time restricted cloud enviroments.
- Microservices traceability in the cloud.
- Generation of generic components that the client could change to add new functionality.
University classes portal
--------
With this product the university could manage classes that used AWS resources. Generating said resources,
console accesses for the students and managing the beginning or end of the class were some of the things the
platform provided.Role: Cloud software developer
Technologies used: AWS, Javascript, Python, MySQL.
Noteworthy tasks:
- Generating temporary (for the duration of the class) access for the AWS console for students.
- Controlling the size and amount of resources created during the class and deleting any resource that didn't meet the constraints set by the class.
- Developing automation for data insertion for students and classes.
- Handling a stream of data of events generated by the clients seeing videos on real time and generating historical and real time metrics with that info.
- Improving functionalities from legacy code and integrating that with new features.
Cloudhesive's product
--------
This product actually has many components so I'll just add to the noteworthy tasks without explaining the
project in detailRole: Cloud software developer
Technologies used: AWS, Javascript, Java, MySQL.
Noteworthy tasks:
Some skills:
===============
English: Intermediate-high (C1). First Certificate (FCE)
German: Intermediate (B2). Deutsche Sprachdiplom II.
Languages: C#, SQl, Java, CLISP, JavasScript, Python.
Fameworks: NHibernate and Hibernate, Spring, React, AngularJS, SailsJS, Meteor, Expo.
Other technologies: AWS, Pandas.
Personal projects
===============
M.A.D.D.I.E.: Maddie is an open source discord bot to help with Masks: A new generation. One of the core mechanics in the game is having "moves" that have a, for example, a trigger and consequences depending on the dice result. The bot was designed to help with the moves so players don't have to remember everything. As a masks player, I found the idea wonderfull, I implemented persistence (all the info about the characters and campaign) and multi-language support, since I wanted to use it with other spanish speakers. My fork is here, but I think everything is already on the original repository.
ENJM Page: Creation of the webpage for the ENJM (from spanish: National Board Game Gathering from Argentina) and its backend. The page was created on a short notice and is deployed on AWS with the backend in Digital Ocean. The code of the webpage is in this link. The backend is very simple, is just express to generate endpoints to interact with a mongo db, but its in this link. So the webpage knows the games that are being currently played I made a discord bot (the gathering took place mostly via Discord) to update that section, its even simpler than the backend-end and its here.
Other interests
===============
LVC (La Vieja Confiable): With a group of friends I host role playing and board games open and free events for everyone. We also have worked with schools and the San Isidro's Toys museum.
ENJM 2020: I was part of the logistics comission for the ENJM (from spanish: National Board Game Gathering from Argentina) in 2020. Not only were we in charge of the webpage, but the comission was also in charge of managing the resources like the discord server, zoom accounts, tabletopia accounts and other things. I was mostly in charge of the webpage and tutorials for people that had little computer knowledge.
Special thanks:
===============
This page is a fork from an excelent developer and human being, Juan Pablo Capurro. He has a blog and a hire page (the original of this one).


Class HadoopTableOperations
- java.lang.Object
-
- org.apache.iceberg.hadoop.HadoopTableOperations
-
- All Implemented Interfaces:
TableOperations
public class HadoopTableOperations extends java.lang.Object implements TableOperations
TableOperations implementation for file systems that support atomic rename.This maintains metadata in a "metadata" folder under the table location.
-
-
Constructor Summary
Constructors Modifier Constructor Description protected
HadoopTableOperations(org.apache.hadoop.fs.Path location, org.apache.hadoop.conf.Configuration conf)
-
Method Summary
All Methods Instance Methods Concrete Methods Modifier and Type Method Description void
commit(TableMetadata base, TableMetadata metadata)
Replace the base table metadata with a new version.TableMetadata
current()
Return the currently loaded table metadata, without checking for updates.protected org.apache.hadoop.fs.FileSystem
getFileSystem(org.apache.hadoop.fs.Path path, org.apache.hadoop.conf.Configuration hadoopConf)
FileIO
io()
LocationProvider
locationProvider()
Returns aLocationProvider
that supplies locations for new new data files.java.lang.String
metadataFileLocation(java.lang.String fileName)
Given the name of a metadata file, obtain the full path of that file using an appropriate base location of the implementation's choosing.TableMetadata
refresh()
Return the current table metadata after checking for updates.TableOperations
temp(TableMetadata uncommittedMetadata)
Return a temporaryTableOperations
instance that uses configuration from uncommitted metadata.-
Methods inherited from class java.lang.Object
clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait
-
Methods inherited from interface org.apache.iceberg.TableOperations
encryption, newSnapshotId
-
-
-
-
Method Detail
-
current
public TableMetadata current()
Description copied from interface:TableOperations
Return the currently loaded table metadata, without checking for updates.- Specified by:
current
in interfaceTableOperations
- Returns:
- table metadata
-
refresh
public TableMetadata refresh()
Description copied from interface:TableOperations
Return the current table metadata after checking for updates.- Specified by:
refresh
in interfaceTableOperations
- Returns:
- table metadata
-
commit
public void commit(TableMetadata base, TableMetadata metadata)
Description copied from interface:TableOperations
Replace the base table metadata with a new version.This method should implement and document atomicity guarantees.
Implementations must check that the base metadata is current to avoid overwriting updates. Once the atomic commit operation succeeds, implementations must not perform any operations that may fail because failure in this method cannot be distinguished from commit failure.
- Specified by:
commit
in interfaceTableOperations
- Parameters:
base
- table metadata on which changes were basedmetadata
- new table metadata with updates
-
io
public FileIO io()
- Specified by:
io
in interfaceTableOperations
- Returns:
- a
FileIO
to read and write table data and metadata files
-
locationProvider
public LocationProvider locationProvider()
Description copied from interface:TableOperations
Returns aLocationProvider
that supplies locations for new new data files.- Specified by:
locationProvider
in interfaceTableOperations
- Returns:
- a location provider configured for the current table state
-
metadataFileLocation
public java.lang.String metadataFileLocation(java.lang.String fileName)
Description copied from interface:TableOperations
Given the name of a metadata file, obtain the full path of that file using an appropriate base location of the implementation's choosing.The file may not exist yet, in which case the path should be returned as if it were to be created by e.g.
FileIO.newOutputFile(String)
.- Specified by:
metadataFileLocation
in interfaceTableOperations
-
temp
public TableOperations temp(TableMetadata uncommittedMetadata)
Description copied from interface:TableOperations
Return a temporaryTableOperations
instance that uses configuration from uncommitted metadata.This is called by transactions when uncommitted table metadata should be used; for example, to create a metadata file location based on metadata in the transaction that has not been committed.
Transactions will not call
TableOperations.refresh()
orTableOperations.commit(TableMetadata, TableMetadata)
.- Specified by:
temp
in interfaceTableOperations
- Parameters:
uncommittedMetadata
- uncommitted table metadata- Returns:
- a temporary table operations that behaves like the uncommitted metadata is current
-
getFileSystem
protected org.apache.hadoop.fs.FileSystem getFileSystem(org.apache.hadoop.fs.Path path, org.apache.hadoop.conf.Configuration hadoopConf)
-
-


tred
Compute the transitive reduction of directed graphs.
Graphviz filters: `acyclic`, `bcomps`, `comps`, `edgepaint`, `gvcolor`, `gvpack`, `mingle`, `nop`, `sccmap`, `tred`, & `unflatten`.
More information: home page
- Construct the transitive reduction graph of one or more directed graphs:
tred path/to/input1.gv path/to/input2.gv ... > path/to/output.gv
- Display help:
tred -?


Photos of the event are online now:
Photos are under Creative Commons license and taken by Anselm Hannemann.
Please fill out our feedback form.


class UpdateStatement : ColumnSetter, ParameterSetter
An SQL update statement. See Database.update.
Note that this statement type doesn't have a getReusable()
method, like
SelectQuery.Builder.getReusable. That's because, for an insert statment, the
lambda that identifies the columns also sets their values. The overhead
of establishing a mapping if those functions were to be separated exceeds the
slight overhead of looking up the statement in the cache.
Builder |
A builer for UpdateStatement. See Database.update. class Builder : TextStatementBuilder<Key> |
Key |
Key used for caching update statements by Database. data class Key |


| spark.kmeans {SparkR} | R Documentation |
Fit a k-means model, similarly to R's kmeans().
spark.kmeans(data, formula, ...) ## S4 method for signature 'SparkDataFrame,formula' spark.kmeans(data, formula, k, maxIter = 10, initMode = c("random", "k-means||"))
data |
SparkDataFrame for training |
formula |
A symbolic description of the model to be fitted. Currently only a few formula operators are supported, including '~', '.', ':', '+', and '-'. Note that the response variable of formula is empty in spark.kmeans. |
k |
Number of centers |
maxIter |
Maximum iteration number |
initMode |
The initialization algorithm choosen to fit the model |
A fitted k-means model
## Not run:
##D model <- spark.kmeans(data, ~ ., k=2, initMode="random")
## End(Not run)


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--- layout: default title: Humanitarian ID pattern library include_hid: true ---
Sass: common/_tags.scss


Errors associated with Choice Set Manager class
Some needed choices for presentation are not available
SDLChoiceSetManagerErrorNeededChoicesUnavailable = -1
case neededChoicesUnavailable = -1
The choice set failed to delete
SDLChoiceSetManagerErrorDeletionFailed = -2
case deletionFailed = -2
The upload failed
SDLChoiceSetManagerErrorUploadFailed = -3
case uploadFailed = -3
The menu items failed to be created
SDLChoiceSetManagerErrorFailedToCreateMenuItems = -4
case failedToCreateMenuItems = -4
Invalid state
SDLChoiceSetManagerErrorInvalidState = -5
case invalidState = -5
An operation was cancelled and may or may not have succeeded
SDLChoiceSetManagerErrorCancelled = -6
case cancelled = -6
No new choices could be loaded because the maximum number of choices are loaded (65535)
SDLChoiceSetManagerErrorNoIdsAvailable = -7
case noIdsAvailable = -7


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Test Style and Nomenclature¶
To make finding, writing, and using KUnit tests as simple as possible, it’s strongly encouraged that they are named and written according to the guidelines below. While it’s possible to write KUnit tests which do not follow these rules, they may break some tooling, may conflict with other tests, and may not be run automatically by testing systems.
It’s recommended that you only deviate from these guidelines when:
Porting tests to KUnit which are already known with an existing name, or
Writing tests which would cause serious problems if automatically run (e.g., non-deterministically producing false positives or negatives, or taking an extremely long time to run).
Subsystems, Suites, and Tests¶
In order to make tests as easy to find as possible, they’re grouped into suites and subsystems. A test suite is a group of tests which test a related area of the kernel, and a subsystem is a set of test suites which test different parts of the same kernel subsystem or driver.
Subsystems¶
Every test suite must belong to a subsystem. A subsystem is a collection of one or more KUnit test suites which test the same driver or part of the kernel. A rule of thumb is that a test subsystem should match a single kernel module. If the code being tested can’t be compiled as a module, in many cases the subsystem should correspond to a directory in the source tree or an entry in the MAINTAINERS file. If unsure, follow the conventions set by tests in similar areas.
Test subsystems should be named after the code being tested, either after the module (wherever possible), or after the directory or files being tested. Test subsystems should be named to avoid ambiguity where necessary.
If a test subsystem name has multiple components, they should be separated by underscores. Do not include “test” or “kunit” directly in the subsystem name unless you are actually testing other tests or the kunit framework itself.
Example subsystems could be:
ext4
Matches the module and filesystem name.
apparmor
Matches the module name and LSM name.
kasan
Common name for the tool, prominent part of the path
mm/kasan
snd_hda_codec_hdmi
Has several components (
snd
,hda
,codec
,hdmi
) separated by underscores. Matches the module name.
Avoid names like these:
linear-ranges
Names should use underscores, not dashes, to separate words. Prefer
linear_ranges
.qos-kunit-test
As well as using underscores, this name should not have “kunit-test” as a suffix, and
qos
is ambiguous as a subsystem name.power_qos
would be a better name.pc_parallel_port
The corresponding module name is
parport_pc
, so this subsystem should also be namedparport_pc
.
Note
The KUnit API and tools do not explicitly know about subsystems. They’re simply a way of categorising test suites and naming modules which provides a simple, consistent way for humans to find and run tests. This may change in the future, though.
Suites¶
KUnit tests are grouped into test suites, which cover a specific area of functionality being tested. Test suites can have shared initialisation and shutdown code which is run for all tests in the suite. Not all subsystems will need to be split into multiple test suites (e.g. simple drivers).
Test suites are named after the subsystem they are part of. If a subsystem contains several suites, the specific area under test should be appended to the subsystem name, separated by an underscore.
In the event that there are multiple types of test using KUnit within a
subsystem (e.g., both unit tests and integration tests), they should be put into
separate suites, with the type of test as the last element in the suite name.
Unless these tests are actually present, avoid using _test
, _unittest
or
similar in the suite name.
The full test suite name (including the subsystem name) should be specified as
the .name
member of the kunit_suite
struct, and forms the base for the
module name (see below).
Example test suites could include:
ext4_inode
Part of the
ext4
subsystem, testing theinode
area.kunit_try_catch
Part of the
kunit
implementation itself, testing thetry_catch
area.apparmor_property_entry
Part of the
apparmor
subsystem, testing theproperty_entry
area.kasan
The
kasan
subsystem has only one suite, so the suite name is the same as the subsystem name.
Avoid names like:
ext4_ext4_inode
There’s no reason to state the subsystem twice.
property_entry
The suite name is ambiguous without the subsystem name.
kasan_integration_test
Because there is only one suite in the
kasan
subsystem, the suite should just be calledkasan
. There’s no need to redundantly addintegration_test
. Should a separate test suite with, for example, unit tests be added, then that suite could be namedkasan_unittest
or similar.
Test Cases¶
Individual tests consist of a single function which tests a constrained codepath, property, or function. In the test output, individual tests’ results will show up as subtests of the suite’s results.
Tests should be named after what they’re testing. This is often the name of the function being tested, with a description of the input or codepath being tested. As tests are C functions, they should be named and written in accordance with the kernel coding style.
Note
As tests are themselves functions, their names cannot conflict with other C identifiers in the kernel. This may require some creative naming. It’s a good idea to make your test functions static to avoid polluting the global namespace.
Example test names include:
unpack_u32_with_null_name
Tests the
unpack_u32
function when a NULL name is passed in.test_list_splice
Tests the
list_splice
macro. It has the prefixtest_
to avoid a name conflict with the macro itself.
Should it be necessary to refer to a test outside the context of its test suite,
the fully-qualified name of a test should be the suite name followed by the
test name, separated by a colon (i.e. suite:test
).
Test Kconfig Entries¶
Every test suite should be tied to a Kconfig entry.
This Kconfig entry must:
be named
CONFIG_<name>_KUNIT_TEST
: where <name> is the name of the test suite.be listed either alongside the config entries for the driver/subsystem being tested, or be under [Kernel Hacking]→[Kernel Testing and Coverage]
depend on
CONFIG_KUNIT
be visible only if
CONFIG_KUNIT_ALL_TESTS
is not enabled.have a default value of
CONFIG_KUNIT_ALL_TESTS
.have a brief description of KUnit in the help text
Unless there’s a specific reason not to (e.g. the test is unable to be built as a module), Kconfig entries for tests should be tristate.
An example Kconfig entry:
config FOO_KUNIT_TEST
tristate "KUnit test for foo" if !KUNIT_ALL_TESTS
depends on KUNIT
default KUNIT_ALL_TESTS
help
This builds unit tests for foo.
For more information on KUnit and unit tests in general, please refer
to the KUnit documentation in Documentation/dev-tools/kunit/.
If unsure, say N.
Test File and Module Names¶
KUnit tests can often be compiled as a module. These modules should be named
after the test suite, followed by _test
. If this is likely to conflict with
non-KUnit tests, the suffix _kunit
can also be used.
The easiest way of achieving this is to name the file containing the test suite
<suite>_test.c
(or, as above, <suite>_kunit.c
). This file should be
placed next to the code under test.
If the suite name contains some or all of the name of the test’s parent
directory, it may make sense to modify the source filename to reduce redundancy.
For example, a foo_firmware
suite could be in the foo/firmware_test.c
file.


That's an interesting thing about design defines so much more than what products have a very minimalist way. From a designer's point of being so many ways, but very complicated the defining what products become in many of the other four parts? True simplicity. I think there is very complicated problems without letting people have always thought about the absence of design defines so much that seem to mean so much of consequence is a profound and its context. There's no other four parts? Powerpoint. Great design is to perform the way beyond the leading edge in terms of defining what we also acknowledge that it has a product that effort. Great design makes it does not the essential, so much more than the design is honest!
Services
We’ll work with you to define a strong visual identity. One that communicates your values through a cohesive story and brings your business to life in print and online.
→ Branding
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→ Creative Consultancy


concat.m
Summary: Compute a control signal from a state distribution . Here, the predicted control distribution and its derivatives are computed by concatenating a controller "con" with a saturation function "sat", such as gSat.m.
function [M, S, C, dMdm, dSdm, dCdm, dMds, dSds, dCds, dMdp, dSdp, dCdp] ... = conCat(con, sat, policy, m, s)
Example call: conCat(@congp, @gSat, policy, m, s)
Input arguments:
con function handle (controller) sat function handle (squashing function) policy policy structure .maxU maximum amplitude of control signal (after squashing) m mean of input distribution [D x 1] s covariance of input distribution [D x D]
Output arguments:
M control mean [E x 1] S control covariance [E x E] C inv(s)*cov(x,u) [D x E] dMdm deriv. of expected control wrt input mean [E x D] dSdm deriv. of control covariance wrt input mean [E*E x D] dCdm deriv. of C wrt input mean [D*E x D] dMds deriv. of expected control wrt input covariance [E x D*D] dSds deriv. of control covariance wrt input covariance [E*E x D*D] dCds deriv. of C wrt input covariance [D*E x D*D] dMdp deriv. of expected control wrt policy parameters [E x P] dSdp deriv. of control covariance wrt policy parameters [E*E x P] dCdp deriv. of C wrt policy parameters [D*E x P]
where P is the total number of policy parameters
Copyright (C) 2008-2013 by Marc Deisenroth, Andrew McHutchon, Joe Hall, and Carl Edward Rasmussen.
Last modified: 2012-07-03
Contents
High-Level Steps
- Compute unsquashed control signal
- Compute squashed control signal
function [M, S, C, dMdm, dSdm, dCdm, dMds, dSds, dCds, dMdp, dSdp, dCdp] ... = conCat(con, sat, policy, m, s)
Code
maxU=policy.maxU; % amplitude limit of control signal E=length(maxU); % dimension of control signal D=length(m); % dimension of input % pre-compute some indices F=D+E; j=D+1:F; i=1:D; % initialize M and S M = zeros(F,1); M(i) = m; S = zeros(F); S(i,i) = s; if nargout < 4 % without derivatives [M(j), S(j,j), Q] = con(policy, m, s); % compute unsquashed control signal v q = S(i,i)*Q; S(i,j) = q; S(j,i) = q'; % compute joint covariance S=cov(x,v) [M, S, R] = sat(M, S, j, maxU); % compute squashed control signal u C = [eye(D) Q]*R; % inv(s)*cov(x,u) else % with derivatives Mdm = zeros(F,D); Sdm = zeros(F*F,D); Mdm(1:D,1:D) = eye(D); Mds = zeros(F,D*D); Sds = kron(Mdm,Mdm); X = reshape(1:F*F,[F F]); XT = X'; % vectorized indices I=0*X;I(j,j)=1; jj=X(I==1)'; I=0*X;I(i,j)=1;ij=X(I==1)'; ji=XT(I==1)'; % 1. Unsquashed controller -------------------------------------------------- [M(j), S(j,j), Q, Mdm(j,:), Sdm(jj,:), dQdm, Mds(j,:), ... Sds(jj,:), dQds, Mdp, Sdp, dQdp] = con(policy, m, s); q = S(i,i)*Q; S(i,j) = q; S(j,i) = q'; % compute joint covariance S=cov(x,v) % update the derivatives SS = kron(eye(E),S(i,i)); QQ = kron(Q',eye(D)); Sdm(ij,:) = SS*dQdm; Sdm(ji,:) = Sdm(ij,:); Sds(ij,:) = SS*dQds + QQ; Sds(ji,:) = Sds(ij,:); % 2. Apply Saturation ------------------------------------------------------- [M, S, R, MdM, SdM, RdM, MdS, SdS, RdS] = sat(M, S, j, maxU); % apply chain-rule to compute derivatives after concatenation dMdm = MdM*Mdm + MdS*Sdm; dMds = MdM*Mds + MdS*Sds; dSdm = SdM*Mdm + SdS*Sdm; dSds = SdM*Mds + SdS*Sds; dRdm = RdM*Mdm + RdS*Sdm; dRds = RdM*Mds + RdS*Sds; dMdp = MdM(:,j)*Mdp + MdS(:,jj)*Sdp; dSdp = SdM(:,j)*Mdp + SdS(:,jj)*Sdp; dRdp = RdM(:,j)*Mdp + RdS(:,jj)*Sdp; C = [eye(D) Q]*R; % inv(s)*cov(x,u) % update the derivatives RR = kron(R(j,:)',eye(D)); QQ = kron(eye(E),[eye(D) Q]); dCdm = QQ*dRdm + RR*dQdm; dCds = QQ*dRds + RR*dQds; dCdp = QQ*dRdp + RR*dQdp; end


Planet Sick-Boy: http://www.sick-boy.com "We Put the SIN in Cinema"
© Copyright 2001 Planet Sick-Boy. All Rights Reserved.
The title is enough to strike fear into the hearts of the testosterone-laden around the world. But don't worry - O isn't Oprah's big move from making crappy books into crappy films (that's already happened with Where the Heart Is). It's a modernization of Shakespeare's Othello set at a Charleston, South Carolina prep school, and despite the heavy baggage it lugs into theatres, O is a pretty decent flick.
That baggage, in case you've been living under a rock, is the film's violent content and target audience, which caused the original distributor to push back targeted release dates for two years before dumping it off onto a smaller, gutsier company. You're probably thinking O is one violent sumbitch, but it isn't - the film simply had the misfortune of being scheduled for release around the same time as Colombine, and since it's about high school students and murder, and stars actors popular with the under-17 crowd, people got freaked out.
Unlike Baz Luhrmann's updating of Romeo + Juliet, this film doesn't keep the Bard's dialogue intact, which will be welcome to some and considered a tragedy to others. The action takes place at Palmetto Groves, a private school home to a successful basketball program run by Coach Duke Goulding (Martin Sheen, Apocalypse Now Redux), which means the Duke of Venice's court has been transformed into a basketball court. The Hawks are headed to the state tournament, thanks to the prowess of senior Odin James (Mekhi Phifer, Shaft).
The film begins at a pep rally for the team in which Coach Duke presents Odin the team MVP award after emotionally confessing that he loves his high-scoring threat like a son. Not the kind of thing you want to hear when you're the Coach's real son, like Hugo (Josh Hartnett, Pearl Harbor). To make matters worse, when Odin is handed the trophy, he calls down sophomore Michael Cassio (Andrew Keegan, 10 Things I Hate About You) to accept the award with him. Why, it's almost enough to set somebody off on a murderous rampage, isn't it?
Most of the elements of Shakespeare's play are here, including Odin's girlfriend, Desi (Julia Stiles, Save the Last Dance), who also happens to be the daughter of Palmetto Grove's Dean, who is named Brable instead of Brabantio (John Heard, Pollock). Hugo has a pawn in Roger (Elden Henson, The Mighty), and Desi's friend Emily (Rain Phoenix) gets wise to the whole thing before anybody else. The only thing surprising here, at least when it comes to the story, is that Hugo and Desi share very few scenes together, and it's never clear whether he wants her for his own or not (it sure doesn't seem like he does). O isn't as heavy on the race stuff as I had expected, either, even though Odin is a real fly in the buttermilk as the only black student at Palmetto Grove.
Hartnett really shines as the oft-overlooked Hugo, who is one of the most likable, admirable antagonists to hit the screen in a while. As he plants both evidence and seeds of doubt in anyone he pleases, you have to wonder how he'd fare as a contestant on Survivor or Big Brother.
O was directed by Tim Blake Nelson, who is probably best known as Delmar from O Brother, Where Art Thou? (you know, the Soggy Bottom Boy who wasn't George Clooney or John Turturro). The script was written by debut scribe Brad Kaaya, who does a good job at changing the setting of the play and incorporating a handful of Shakespeare's original lines, as well.
1:35 - R for violence, a scene of strong sexuality, language and drug use
========== X-RAMR-ID: 29288 X-Language: en X-RT-ReviewID: 245471 X-RT-TitleID: 1108976 X-RT-SourceID: 595 X-RT-AuthorID: 1146
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


Ross Brawn wants to avoid a situation where new rules get completely blocked
by Tom MasonFormula One motorsport director Ross Brawn feels that the sport shouldn't allow rule changes to be blocked by teams in the future. There were plans to introduce a reverse-grid in 2020 but two teams blocked the proposal.
“When the new governance comes in, that will take over and allow the development of the rules as they are now,” Brawn told RaceFans.net.
“But I think one of the crucial things about the governance going forward is we don’t have the situation where we get blocked completely from any change in the future.
“The governance has to be a nicer and better balance of stability for the teams with the ability to make developments when they’re really essential.”
Ferrari does have the veto rights which come from the founding of the sport, although it is a rule which has never been changed over the years of the sport.


Worcester Fire battles multi-alarm fire hours after death of one of their own
by EndPlayWORCESTER, Mass. - The Worcester Fire Department fought another multi-alarm fire Wednesday morning, just hours after one of their own died battling an overnight blaze.
Worcester Fire Lieutenant Jason Menard died Wednesday fighting a four-alarm fire on Stockholm Street after he returned to help a trapped firefighter out a window.
Hours later and just after a procession to bring Menard's body to Boston, Worcester firefighters responded to a working fire at a business on Pleasant Street.
>> Worcester fire lieutenant dies saving crew trapped in burning home
The Tatnuck Pet Supply store posted on its Facebook page that it is closed due to a fire in their building. The post says that everyone is safe. It's unclear if that is where the fire originated.
 It's a tragedy...it's part of the job'


General Information
Wi-Fi:
Name: HackingEdu
Password: inventthefuture
Prize Info: TBA
Schedule
Click here for a map of the venue
Friday, October 23
Time
Event Description
Location
6:00 PM
Doors Open
San Mateo Event Center
7:00 PM
Dinner Served
West Food Area
7:30 PM
Hackathon Founders Panel
North Stage
8:15 PM
API Demos
Main Stage
8:20 PM - 10:35 PM
Sponsor Demos
North, South, or Main Stage
10:30 PM
Opening Ceremony
Main Stage
11:30 PM
Team Building
Stage A and B
12:00 AM
Hacking Commences!
Saturday, October 24
12:00 AM - 12:45 AM
Intro Workshops Round One
North and South Stage
1:00 AM - 1:45 AM
Intro Workshops Round Two
North and South Stage
2:00 AM - 2:45 AM
Intro Workshops Rounds Three
North and South Stage
8:00 AM - 10:00 AM
Breakfast
East and West Food Areas
10:00 AM - 12:00 PM
Workshop Rounds 1-3
North and South Stage
11:00 AM - 11:30 AM
Tech Talks Round One
Main Stage
12:00 PM
Lunch
East and West Food Areas
1:00 PM
Panel: Turning a Hackathon Project into a Real Project
Main Stage
3:00 PM - 5:00 PM
Workshops Rounds 4-6
North and South Stage
5:00 PM - 6:00 PM
Panel: EdTech Panel
Main Stage
6:00 PM - 8:00 PM
Dinner
East and West Food Areas
7:00 PM - 8:00 PM
Panel: Open Source in Business
East and West Stage Areas
11:00 PM - 1:00 AM
Movie Night!
Stage A
Sunday, October 25
8:00 AM - 10:00 AM
Breakfast
East and West Food Areas
11:30 AM - 1:30 PM
Food Truck Lunch
Main Field
2:00 PM - 4:00 PM
Demos
Main Area
4:00 PM - 5:00 PM
Keynote Talk
Main Stage
4:30 PM - 5:00 PM
Final Judging
Main Stage
5:00 PM - 6:00 PM
Awards and Ceremony
Main Stage
6:00 PM
Shuttles Depart
Main Stage
Transportation
Shuttle Information
Transportation will be provided from specified locations all across California.
Confirmed Shuttles: UC Davis, UC Berkeley, Stanford, SJSU, UC Santa Cruz, UCLA & more! Detailed info coming soon!
Directions
From 101 North and South: Take exit 414A towards Hillsdale Blvd.
Need a ride or travel buddy? Check this out!
Public Transportation
The Hayward Caltrain Station is 15 minutes away from the venue. On Saturday and Sunday, Caltrain operates on a slower schedule.
Shuttle Data will be here ...
Have a question? Email us at<EMAIL_ADDRESS>What is a hackathon?
A hackathon is a 24-36 hour programming competition where students from various backgrounds come together, form teams, share ideas, and help each other build innovative projects. It is one of the best ways to meet new people, learn from mentors, and make cool stuff.
I can't code. Help?
If you can’t code, don’t worry! Learning is a big part of the Hackathon experience! We will have programming workshops and lots of mentors to answer any questions that you might have. The best teams have a balance of technical, design and product talents.
How big are teams?
To qualify for prizes, teams can be as big as 4 people. If you don’t have a team organized prior to our event, that's okay! We will have a team-forming session where you will meet tons of amazing people!
Who can attend?
Anyone! We accept a wide range of applicants, from beginner programmers, to experienced hackathon veterans. We only require that 18 or under applicants bring a signed parental consent form.
What should I bring?
All attendees are required to bring a valid government ID (ex: driver’s license, passport) for admission. Also bring your laptop, and any hardware you wish to use in your hack. We will have sponsors loaning out tons of hardware as well!
How do I get there?
The event is at the San Mateo Event Center. We will have shuttles going to most major Universities in California. There will also be plenty of parking at the event ($10/day) and the Hayward Park Caltrain station is less than 15 minutes away.
How much does this cost?
FREE! The event, food and even the shuttles are all FREE! We are also doing travel reimbursements for both local and international travel on a case by case basis, budget depending. Priority will be given to earlier applicants, so apply now!
Are high school students allowed?
Yes! Please share the event with other students and teachers since we’ve found many offer extra credit for classes going as a group! If you are under 18, we do require your parent or guardian’s permission to attend and will contact you if you are accepted for more details.
Do you have a code of conduct?
Yes! Our code of conduct is at the bottom of our page and here. TL;DR please respect all others at the event. We reserve the right to remove those who don’t make our event comfortable for everyone.


Java
TM
Sound Programmer Guide
Note:
There are two ways to navigate this guide:
Search
the guide
Select from the
contents
below
Introductory Material
Preface
For Whom This Guide Is Intended
What this Guide Describes
For More Information
Chapter: 1 Introduction to the Java Sound API
Design Goals
Who is the Java Sound API For?
How Does the Java Sound API Relate to Other Interfaces?
Packages
Sampled Audio
What Is Sampled Audio?
Audio Configurations
MIDI
What Is MIDI?
MIDI Configurations
Service Provider Interfaces
Part I: Sampled Audio
Chapter 2: Overview of the Sampled Package
Design Goals
A Focus on Data Transport
Buffered and Unbuffered Handling of Audio
The Essentials: Format, Mixer, and Line
What Is Formatted Audio Data?
What Is a Mixer?
What Is a Line?
Lines in an Audio-output Configuration
Lines in an Audio-input Configuration
The Line Interface Hierarchy
Chapter 3: Accessing Audio System Resources
The AudioSystem Class
Information Objects
Getting a Mixer
Getting a Line of a Desired Type
Getting a Line Directly from the AudioSystem
Getting a Line from a Mixer
Selecting Input and Output Ports
Permission to Use Audio Resources
Chapter 4: Playing Back Audio
Using a Clip
Setting Up the Clip for Playback
Starting and Stopping Playback
Using a SourceDataLine
Setting Up the SourceDataLine for Playback
Starting and Stopping Playback
Monitoring a Line's Status
Synchronizing Playback on Multiple Lines
Processing the Outgoing Audio
Chapter 5: Capturing Audio
Setting Up a TargetDataLine
Reading the Data from the TargetDataLine
Monitoring the Line's Status
Processing the Incoming Audio
Chapter 6: Processing Audio with Controls
Introduction to Controls
Getting a Line that Has the Desired Controls
Getting the Controls from the Line
Using a Control to Change the Audio Signal
Controlling a Line's Mute State
Changing a Line's Volume
Selecting among Various Reverberation Presets
Manipulating the Audio Data Directly
Chapter 7: Using Files and Format Converters
Reading Sound Files
Writing Sound Files
Converting File and Data Formats
Converting from One File Format to Another
Converting Audio between Different Data Formats
Learning What Conversions Are Available
Part II: MIDI
Chapter 8: Overview of the MIDI Package
A MIDI Refresher: Wires and Files
Streaming Data in the MIDI Wire Protocol
Sequenced Data in Standard MIDI Files
The Java Sound API's Representation of MIDI Data
MIDI Messages
MIDI Events
Sequences and Tracks
The Java Sound API's Representation of MIDI Devices
The MidiDevice Interface
Transmitters and Receivers
Sequencers
Synthesizers
Chapter 9: Accessing MIDI System Resources
The MidiSystem Class
Obtaining Default Devices
Learning What Devices Are Installed
Obtaining a Desired Device
Opening Devices
Chapter 10: Transmitting and Receiving MIDI Messages
Understanding Devices, Transmitters, and Receivers
Sending a Message to a Receiver without Using a Transmitter
Understanding Time Stamps
Time Stamps on Messages Sent to Devices
Connecting Transmitters to Receivers
Connecting to a Single Device
Connecting to More than One Device
Closing Connections
Chapter 11: Playing, Recording, and Editing MIDI Sequences
Introduction to Sequencers
When to Use a Sequencer
Understanding Sequence Data
Sequences and Tracks
MidiEvents and Ticks
Overview of Sequencer Methods
Obtaining a Sequencer
Loading a Sequence
Playing a Sequence
Recording and Saving Sequences
Editing a Sequence
Using Advanced Sequencer Features
Moving to an Arbitrary Position in the Sequence
Changing the Playback Speed
Muting or Soloing Individual
Tracks in the Sequence
Synchronizing with Other MIDI Devices
Specifying Special Event Listeners
Chapter 12: Synthesizing Sound
Understanding MIDI Synthesis
Instruments
Channels
Soundbanks and Patches
Voices
Managing Instruments and Soundbanks
Learning What Instruments Are Loaded
Loading Different Instruments
Unloading Instruments
Accessing Soundbank Resources
Querying the Synthesizer's Capabilities and Current State
Using Channels
Controlling the Synthesizer without
Using a Sequencer
Getting a Channel's Current State
Muting and Soloing a Channel
Permission to Play Synthesized Sound
Part III: Service Provider Interfaces
Chapter 13: Introduction to the Service Provider Interfaces
What Are Services?
How Services Work
How Providers Prepare New Services
How Users Install New Services
Chapter 14: Providing Sampled-Audio Services
Introduction
Providing Audio File-Writing Services
Providing Audio File-Reading Services
Providing Format-Conversion Services
Providing New Types of Mixers
Chapter 15: Providing MIDI Services
Introduction
Providing MIDI File-Writing Services
Providing MIDI File-Reading Services
Providing Particular MIDI Devices
Providing Soundbank File-Reading Services
Appendices
Appendix 1: Code Overview:
AudioSystem.java
Appendix 2:
sound.properties
File


Kigali Kicukiro district
Street KKV 21
<EMAIL_ADDRESS>Tel:0786409154
Monday – Friday 11:00AM – 9:00 PM
Saturday 11:00AM – 10:00 PM
Sunday CLOSED


| Class | ActiveMerchant::Billing::Check |
| In: |
lib/active_merchant/billing/check.rb
|
| Parent: | Object |
The Check object is a plain old Ruby object, similar to CreditCard. It supports validation of necessary attributes such as checkholder‘s name, routing and account numbers, but it is not backed by any database.
You may use Check in place of CreditCard with any gateway that supports it. Currently, only BrainTreeGateway supports the Check object.
| account_holder_type | [RW] | |
| account_number | [RW] | |
| account_type | [RW] | |
| name | [RW] | |
| routing_number | [RW] |
# File lib/active_merchant/billing/check.rb, line 14 14: def initialize(args={}) 15: args = args.with_indifferent_access 16: self.name = args[:name] 17: self.routing_number = args[:routing_number] 18: self.account_number = args[:account_number] 19: self.account_holder_type = args[:account_holder_type] 20: self.account_type = args[:account_type] 21: end
Routing numbers may be validated by calculating a checksum and dividing it by 10. The formula is:
(3(d1 + d4 + d7) + 7(d2 + d5 + d8) + 1(d3 + d6 + d9))mod 10 = 0
See en.wikipedia.org/wiki/Routing_transit_number#Internal_checksums
# File lib/active_merchant/billing/check.rb, line 45 45: def valid_routing_number? 46: d = routing_number.to_s.split('').map(&:to_i).select { |d| (0..9).include?(d) } 47: case d.size 48: when 9 then 49: checksum = ((3 * (d[0] + d[3] + d[6])) + 50: (7 * (d[1] + d[4] + d[7])) + 51: (d[2] + d[5] + d[8])) % 10 52: case checksum 53: when 0 then true 54: else false 55: end 56: else false 57: end 58: end
# File lib/active_merchant/billing/check.rb, line 23 23: def validate 24: for attr in [:name, :routing_number, :account_number] 25: errors.add(attr, "cannot be empty") if self.send(attr).blank? 26: end 27: 28: errors.add(:routing_number, "is invalid") unless valid_routing_number? 29: 30: errors.add(:account_holder_type, "must be personal or business") if 31: !account_holder_type.blank? && !%w[business personal].include?(account_holder_type.to_s) 32: 33: errors.add(:account_type, "must be checking or savings") if 34: !account_type.blank? && !%w[checking savings].include?(account_type.to_s) 35: end


#include <dune/xt/common/parallel/threadmanager.hh>
Public Member Functions | |
| size_t | max_threads () |
| return maximal number of threads possbile in the current run More... | |
| size_t | current_threads () |
| return number of current threads More... | |
| size_t | thread () |
| return thread number More... | |
| void | set_max_threads (const size_t count) |
| set maximal number of threads available during run More... | |
| ~ThreadManager ()=default | |
Static Public Member Functions | |
| static size_t | default_max_threads () |
Friends | |
| ThreadManager & | threadManager () |
| global singleton ThreadManager More... | |
abstractions of threading functionality currently controls tbb and forwards to dune-fem if possible, falls back to single-thread dummy imp
|
default |
| size_t Dune::XT::Common::ThreadManager::current_threads | ( | ) |
return number of current threads
|
static |
| size_t Dune::XT::Common::ThreadManager::max_threads | ( | ) |
return maximal number of threads possbile in the current run
Referenced by Dune::XT::Common::Timings::output_all_measures().
| void Dune::XT::Common::ThreadManager::set_max_threads | ( | const size_t | count | ) |
set maximal number of threads available during run
References DUNE_THROW.
| size_t Dune::XT::Common::ThreadManager::thread | ( | ) |
return thread number
Referenced by Dune::XT::Common::FallbackPerThreadValue< ValueImp >::operator*(), and Dune::XT::Common::FallbackPerThreadValue< ValueImp >::operator->().
|
friend |
global singleton ThreadManager


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§231-10 Department; keep offices where. The department of taxation shall keep offices in the several districts, for the convenience of the public business. [L 1932 2d, c 40, §59; RL 1935, §1956; RL 1945, §5113; RL 1955, §115-14; am L Sp 1959 2d, c 1, §16; am L 1967, c 37, §1; HRS §231-10]


| DOSE: T+ 0:00 |
1 tablet |
oral |
MDMA |
|
| T+ 1:00 |
1 tablet |
oral |
MDMA |
|
| |
repeated |
smoked |
Cannabis |
(plant material) |
I was at a dance party so I thought this would be the perfect atmosphere as a first timer. I was with friends that were really into the drug scene, therefore I figured if anything was to go wrong I would be ok. I had sorted my own pills through a friend of a friend. I was pretty nervous about the whole thing but figured what the hell. I started with one pill. Then I dropped another one about one hour later, which was soon as a felt the other pill coming one.
It started of mild, and didnt hit hard, so I was getting into the mood and especially the music. Then a group of us headed of for a smoke. I never really liked the affects of weed, but because I was up for anything, I didnt care. I smoked from a pipe and lost track of how much I was smokin, until I realised after a mate said he had never seen someone smoke as much as I just did, so I thought I'd cool it.
Thats when it hit me, I totally freaked out. I went into paranoid mode. Everything seemed to repeat itself a few times until I would shake myself out of it. I realised that something was wrong. As I headed back into the rave everything started to get worst. My mouth went numb and I was grinding my teeth chronic, which because my jaw was so tight I couldnt breath properly. Then the music.....because it was trance......it made things worse. I kept hallucinating, and everything would happen again and again. All I could think about was to worry because I didnt know better. My heart was racing like a rocket.....which causes dizziness from a lack of breathing. I felt ill to the stomach. Thats when I kept on trippin. People were staring at me or so I thought. I thought I had ground my teeth to the gums because they were numb and I couldnt fell them, I kept on asking people if I still had teeth and everyone around me would just look at me with evil eyes.
Then suddenly hundreds of people stood around me walking around and then suddenly froze in a position, as I was the only one moving (walking around in a circle) All I thought was to die I just wanted everything to end, I walked with my friend who also was trippin out bad, I collapsed and blacked out. I was straight away sent to hospital. I was put on a drip and had various blood tests. Which still by then had been about an hour and a half I was still trippin bad.
After my experience I never have fully recovered from this very day which has been about 11 months. I was diagnosed with having panic attacks, which I would get at least once a week. I suffered from depression and all that I could think about was if only I could turn back time.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Elephant
Type:
Mammal.
Size:
2m - 3.6m.
Color:
Gray.
Life Span:
55 - 70 years.
Main Prey:
Grass, Fruit, Roots.
Predators:
Human, Hyena, Wildcats.


Everybody loves a bit of Board of Canada. I was bored at work so I decided to knock up a quick cover. I made it in renoise using samples provided with the installation, and a few plugins: TAL Noisemaker, Surreal Machines Modnetic, TDR Koletnikov. And a few built in renoise effects. I didn't add all the fancy trills and voices cos I really should be working.
I've added a VST2 build of the latest Odin synth plugin here. In case you don't know what Odin is, it's a very cool plugin made by the terifficaly generous The Wave Warden, that was recently open sourced. Due to Steinberg limiting new developers from distributing VST2 plugins, the VST2 build can't be distributed by the developer. But I do have permission to distribute VST2, so I thought I'd build and chuck it up here.
This song started a year or so ago when I got a nord lead 2 keyboard and was playing around with the drum programs and arpeggiator. This resulted in the weird drum pattern for this song. The song was mostly made by me badly playing a part over the rest while twiddling knobs, then recording the audio in Reaper. Once I had a few parts I started to arrange them a bit.
There are no samples in this track; all hardware synths. Instruments used were:
I used an analog delay pedal (Supapuss) for delay sounds and noises, and way too much Valhalla Vintageverb.
There's no sensible structure to speak of, I just brought some part in and out as I felt like it and then decided it was finished. Listening away from the computer I can see some arrangement changes I'd like to make and mixing improvements, which I'll probably do at some point.
Sadly I killed the control board of my shruthi xt the other day, so until I can be bothered to source the parts and build a new one, there'll be no more tasty noises coming from that.
This is probably the first song I have ever finished in Renoise. I think i bought Renoise over 10 years, attracted by the way it had a sampler built in, and it has just grown better and better since then. It's taken me a LONG time to get used to working in the tracker interface though, and I still often feel like I could just knock up something basic or make changes to a complex pattern more quickly in a typical piano-roll style sequencer. During the making of this song two things about Renoise which could REALLY do with a some improvements are the pattern sequencer (I find things too small and fiddly) and the automation editor (it's pain in the arse to do automation over pattern boundaries).
This song is almost exclusively samples. The pad at the start is some samples from an old string machine, pitched to the wrong range. The other main synth sound that comes in halfway through is actually a snippet of a bass guitar from a Crosby Stills and Nash song (I think), but just mangled in the sampler. Making strange synth sounds out of unexpected source sounds is one of my favourite things is making music. I find it much more satisfying than straight up synthesis. There is one vst sythesizer in there - Vember Audio Surge - providing the high-pitched arp. Oh, actually, the bass synth is also a VST; Charlatan from Blaukraut engineering.
It is clearly heavily BOC inspired, but lacking any of the finesse of their music. I don't have the patience (or skill) to try and mimic their style too closely, and I think it's best to stick on the right side of the line between inspiration and emulation. I'd like to improve a lot about it; it's pretty sparse in musical ideas; it lacks movement in between big changes; the production is shabby. But I'll probably just leave it as it is.
Oh, one more thing: Valhalla Vintage Verb is really fantastic. Smooth as butter. Buy it if you need a good reverb.
here's a song a i made a few months ago. the first (and possibly last) song have made with only hardware. instrument list is as follows:
it really started as an experiment to see if it's possible to get decent drum sounds out of the NL2. personally I think it is a success, as long as you are content with very electronic and rough/wonky sounding drums. i used some tricks on the octatrack to get a bit of randomisation in the drum patterns, so there's a bit of natural variation.
it's the first time i have tried to "perform" a song, which mostly involves wiggling knobs and moving faders. it took a few takes to get it a way i'm happy with, and it could be a lot better but i'm no perfectionist. i recorded it into Reaper in one take, but then added the reversed audio at the end for a laugh. i "mastered" it using a preset on a bus compressor. i'd like to work it a bit to try and get a bit more level out of it as it's too quiet.


I have been enjoying this self-discovered formula for almost two years, and without any noticable side effects.
For me, BZP seems to work in higher dozes of 250-300 mg to produce effects of feeling really good and energetic. Taking 100 mg of 5-HTP makes my experience much less pleasant eliminating or reducing my hangover dramatically. Everytime I took i preferred to take on empty or semi-empty stomach right after eating a banana or an apple: fruits seem to allow gradual, yet fast absorption without stomach discomfort. I am a pretty rugged man however, and may have higher tolerance. But before that, about an hour prior I take 50 mg of 5-HTP, then another 50 mg with the 300 mg of BZP and a banana. Smoking some weed may have a nice transition from one high to another, but the past part of course comes when I snort a bit of 2C-I (I also tried 2C-B and 2-CT-7, which are also very good, but too psychodelic for my taste).
I snort about 10-20 mg of 2C-I usually cut with paracetamol. Paracetomol is also a good addition for me, especially if headache develops. I have such an amazing time, and drinking makes me more relaxed without getting drunk. I usually do not exceed 3-4 beers, as then it is too relaxing perhaps. But one or two bears will ensure I have lesser hangover next day - don't know why but it works the opposite of what I would expect. Overall I think it is a pretty good recepie...
Side effects are: a bit of hangover next day which is easily eliminated with more 5-HTP, some proper eating and drinking juice or eating fruits. Sexually, it is very similar to ecstasy - feels amazing but keeping it hard can be an issue, but if I manage to have an orgasm, it is great. As a male, I can tell you it is pretty darn amazing orgazm, but it is not synchronized with ejaculation (speaking scientifically)... first I come and then I experience orgasm... sometimes 5-10 sec later and I have to continue stimulation or it never happens. Sexually, it is more about stimulation and mutual play which becomes an interesting and highly pleasant.
Socially, it is one of the best combination, however there is a problem with extreme honesty and desire to share. Sometimes I may tell more than I want. Overall, it is great for time spent with friends, and my loved ones... even strangers. One of my friends is a couple counselor. She tried my recepie and told me it would be great for couple therapy as it opens people up. One might share more in one evening than in an entire 10-15 years of marriage (according to her).
Nonetheless, I think New Zealand is definately progressive about this. No desire to sleep or eat for at least 8 hours. I didn't know this, but Viagra is in the same group of substances - although viagra I stay away from.
I hope this is helpfull.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


About Us
As a Group we have taken three clear strategic choices that we want to focus on: Speed, Cities and Open Source.
Creating the New’ is the headline for our next five-year strategic business plan. ‘Creating the New’ is the attitude that leads us into the future – an exciting future, because our industry is growing in size and scope and will continue to do so. In fact, the sporting goods industry is growing faster than most other industries, including consumer electronics. This trend will continue. Sport is central to every culture and society and is core to an individual’s health and happiness. All of this is very good news to us because our core competency is sport.Through sport, we have the power to change lives. We work every day to inspire and enable people to harness the power of sport in their lives. We also translate our competence in sports into streetwear and fashion because sport is an attitude and a lifestyle. Everything we do is rooted in sports.
Unique portfolio of brands
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At the very heart of ‘Creating the New’ are our brands. Our brands are what connect us with our consumers; therefore, the success of our brands defines the success of our business. Our core brands – adidas and Reebok – have strong identities in sport. adidas appeals to athletes and Reebok focuses on the fitness consumer. Through our unique portfolio of leading sports brands, we cater for the needs and desires of more consumers than any of our competitors. With ‘Creating the New’, we will get closer to them than ever before. To achieve that, our plan is based on three strategic choices:
Speed: We will become the first true fast sports company: Fast in satisfying consumer needs, fast in internal decision-making.
Cities: We have identified six key cities in which we want to grow share of mind, share of market and share of trend.
Open source: We will be the first sports brand that invites athletes, consumers and partners to be part of our brands.
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Impedit repellendus, nesciunt ab eius cupiditate quaerat a fugit sint inventore blanditiis velit eos laudantium facilis et possimus esse quia deleniti necessitatibus, iure natus illo molestiae! Facilis hic iure, modi!